18.00|0|Creator|15|35|S4542-PA|1927|1||Bananal|||Banana Plantation||||||Bananal (Banana Plantation)|29757|Segall, Lasar||painter|Segall, Lasar|0||||0|||||Brazilian|||Modernist|||||Brazil||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1927|1927||1927|1927|||||0||||0||19|||Oil on canvas|oil on canvas|||||painting (image-making)|||||85 x 124 cm||9125|Sao Paulo, Pinacoteca do Estado de Sao Paulo|Sao Paulo: Pinacoteca do Estado||Slavery||||||||||Cornell|||MNW|8/26/2003 0:00:00|7/1/2003 0:00:00||||0|||||||35|PA||||||1927| ||||||||Work|0||||||||||||0|0|Bananal;Banana Plantation|Segall, Lasar 19.00|0|Creator|15|35|P499-PA|1927|1||El quinteto|||The Quintet||||||El quinteto (The Quintet)|29758|Pettoruti, Emilio||painter|Pettoruti, Emilio|0||||0|||||Argentine|||Modernist|||||Argentina||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1927|1927||1927|1927|||||0||||0|||||Oil on plywood|Oil on plywood|||||painting (image-making)|||||149.8 x 131.5 cm||9202|Buenos Aires, Private Collection|Buenos Aires: Priv. Coll.||Music, Musical instruments, Musicians||||||||||Cornell||ECS|MNW|8/26/2003 0:00:00|7/1/2003 0:00:00||||0|||||||35|PA||||||1927| ||||||||Work|0||||||||||||0|0|El quinteto;The Quintet|Pettoruti, Emilio 20.00|0|Creator|15|35|X84-PA|1923|1||Pareja|||Couple||||||Pareja (Couple)|12985|Xul Solar, Alejandro||painter|Xul Solar, Alejandro|0||||0|||||Argentine|||Modernist|||||Argentina||||||0||||0||||0||||0|Paintings|Watercolor||||20|||1923|1923||1923|1923|||||0||||0|||||watercolor on paper|watercolor on paper|||||painting (image-making)|||||25.9 x 32 cm||9203|Buenos Aires, Collection Dr. Eduardo and Maria Teresa Constantini|Buenos Aires: Coll.Constantini||||||||||||Cornell||ECS|MNW|8/26/2003 0:00:00|7/1/2003 0:00:00|X84|||0|||||||35|PA||||||1923| ||||||||Work|0||||||||||||0|0|Pareja;Couple|Xul Solar, Alejandro 21.00|0|Creator|15|35|X84-PA|1923|2||Nana Watzin|||||||||Nana Watzin|12985|Xul Solar, Alejandro||painter|Xul Solar, Alejandro|0||||0|||||Argentine|||Modernist|||||Argentina||||||0||||0||||0||||0|Paintings|Watercolor||||20|||1923|1923||1923|1923|||||0||||0|||||watercolor on cardboard|watercolor on cardboard|||||painting (image-making)|||||25.9 x 32 cm||9126|Buenos Aires, Galeria Vermeer|Buenos Aires: Gal. Vermeer||Gods||||||||||Cornell|||MNW|9/9/2003 0:00:00|7/2/2003 0:00:00|X84|||0|||||||35|PA||||||1923| ||||||||Work|0||||||||||||0|0|Nana Watzin|Xul Solar, Alejandro 22.00|0|Creator|15|35|C3143-PA|1943|1||Baile afrocubano|||Afro-Cuban Dance||||||Baile afrocubano (Afro-Cuban Dance)|29759|Carreño, Mario||painter|Carreño, Mario|0||||0|||||Cuban|||Modernist|||||Cuba||||||0||||0||||0||||0|Paintings|||||20|||1943|1943||1943|1943|||||0||||0|||||duco on wood|duco on wood|||||painting (image-making)|||||165 x 122 cm||||||Dancers, Dancing||||||||||Cornell|||MNW|8/26/2003 0:00:00|7/2/2003 0:00:00|C3143|||0|||||||35|PA||||||1943|||||||||Work|0||||||Present location unknow;ex. Perls Gallery, NY||||||0|0|Baile afrocubano;Afro-Cuban Dance|Carreño, Mario 23.00|0|Creator||35|R7415-PA|1969|1||Señal antiqua en forma de letra|||Ancient Sign in the Form of a Letter||||||Señal antiqua en forma de letraAncient (Sign in the Form of a Letter)|29760|Rojo, Vicente||painter|Rojo, Vicente|0||||0|||||Spanish|||Abstract|||||Spain||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1969|1969||1969|1969|||||0||||0|||||oil on canvas|oil on canvas|||||painting (image-making)|||||100 x 140 cm|||Collection of the artist|Collection of the artist||||||||||||Cornell||ECS|MNW|8/26/2003 0:00:00|7/2/2003 0:00:00|R7415|||0|||||||35|PA||||||1969| ||||||||Work|0||||||||||||0|0|Señal antiqua en forma de letra;Ancient Sign in the Form of a Letter|Rojo, Vicente 24.00|0|Creator|15|35|R7415-PA|1983|1||México bajo la lluvia 146|||Mexico under the Rain 146||||||México bajo la lluvia 146 (Mexico under the Rain 146)|29760|Rojo, Vicente||painter|Rojo, Vicente|0||||0|||||Spanish|||Abstract|||||Spain||||||0||||0||||0||||0|Paintings|||||20|||1983|1983||1983|1983|||||0||||0|||||acryic on canvas|acryic on canvas|||||painting (image-making)|||||140 x 140 cm|||Private Collection|Private Collection||||||||||||Cornell||ECS|MNW|8/26/2003 0:00:00|7/2/2003 0:00:00|R7415|||0|||||||35|PA||||||1983| ||||||||Work|0||||||||||||0|0|México bajo la lluvia 146;Mexico under the Rain 146|Rojo, Vicente 25.00|0|Creator||35|M1122-PA|1969|1||Sonho de meiodia|||Midday Dream||||||Sonho de meiodia (Midday Dream)|29761|Mabe, Manabu||painter|Mabe, Manabu|0||||0|||||Brazilian|Japanese||Abstract|||||Brazil||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1969|1969||1969|1969|||||0||||0|||||Oil on canvas|oil on canvas|||||painting (image-making)|||||200 x 240 cm||9124|Sao Paulo, Private Collection|Sao Paulo: Private Coll.||||||||||||Cornell||ECS|MNW|8/27/2003 0:00:00|7/2/2003 0:00:00|M1122|||0|||||||35|PA||||||1969| ||||||||Work|0||||||||||||0|0|Sonho de meiodia;Midday Dream|Mabe, Manabu 26.00|0|Creator|15|35|F3637-PA|1963|1||Disparo en la espalda|||Shot in the Back||||||Disparo en la espalda (Shot in the Back)|29762|Fernández Muro, José Antonio||painter|Fernández Muro, José Antonio|0||||0|||||Spanish|Argentine||Abstract|||||Spain||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1963|1963||1963|1963|||||0||||0|||||Oil and mixed media on canvas|Oil and mixed media on canvas|||||painting (image-making)|||||195 x 175 cm|||Private Collection|Private Collection||||||||||||Cornell||ECS|MNW|8/27/2003 0:00:00|7/2/2003 0:00:00|F3637|||0|||||||35|PA||||||1963| ||||||||Work|0||||||||||||0|0|Disparo en la espalda;Shot in the Back|Fernández Muro, José Antonio 289.00|0|Category|15|Med/Rom|Sp|Sc|||Capital|||||||||Capital|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||||||0|Sculpture|Relief||||11|||1065|1115|ca|ca.1090|1090|||||0||||0|||||Limestone|limestone|||||sculpture|||||H:60 cm||9153|Palencia,Museo Arqueologico Provincial de Palencia|Palencia: Museo Arqueologico||Figures (representations), Serpents||||||||||Cornell||ECS|ECS|8/12/2003 0:00:00|8/11/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Capital| 290.00|0|Site||B-C7|Mex|4.1|NacPr|B-C7 Mex 4.1 NacPr|The Trench||Image Source (Book)|||||||Escuela Nacional Preparatoria. The Trench|8748|Orozco, Jose Clemente||painter|José Clemente Orozco|0||||0|||||Mexican||||||||Mexico||||||0|Mexico City, Mexico|||9989||||0||||0|Paintings|Fresco||||20|||1926|1926||1926|1926||Escuela Nacional Preparatoria|Larger entity||247||||0|||||||||||fresco painting|||||||1688|Mexico City,National Preparatory School|Mexico City: Nat. Prep. Sch.||Warfare||||||||||Cornell||JNK|JNK|3/27/2006 0:00:00|8/3/2005 0:00:00|O746|Mex||0||||||NacPr|B|||||C7|4.1|| ||||||||Work|0||||||||||||0|0|The Trench|Orozco, Jose Clemente 291.00|0|Category|15|Med/Rom|Sp|Sc|||Capital|||||||||Capital|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Sculpture|Relief||||11|||1065|1115|ca|ca.1090|1090|||||0||||0|||||Limestone|limestone|||||sculpture|||||H:60 cm||9153|Palencia,Museo Arqueologico Provincial de Palencia|Palencia: Museo Arqueologico||Figures (representations), Lions||||||||||Cornell||ECS|ECS|8/12/2003 0:00:00|8/12/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Capital| 292.00|0|Category|15|Med/Rom|Sp|Sc|||Fragment of female figure with grape clusters|||||||||Fragment of female figure with grape clusters|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Sculpture|Relief||||12|||1105|1110||1105-1110|1105-1110|||||0||||0|||||Marble|marble|||||sculpture|||||39 x 21 cm||9154|Santiago de Compostela,Museo de la Cathedral|Santiago: Museo de la Cathedral||Women, Figures (representations), Grapes||||||||||Cornell||ECS|ECS|8/12/2003 0:00:00|8/12/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Fragment of female figure with grape clusters| 293.00|0|Category|15|Med/Rom|Sp|Sc|||Column shaft decorated with putti gathering grapes|||||||||Column shaft decorated with putti gathering grapes|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||||||0|Sculpture|Relief||||12|||1105|1110||1105-1110|1105-1110|||||0||||0|||||Marble|marble|||||sculpture|||||183 x 25 cm||9154|Santiago de Compostela,Museo de la Cathedral|Santiago: Museo de la Cathedral||Columns, Putti, Grapes||||||||||Cornell||ECS|ECS|8/12/2003 0:00:00|8/12/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Column shaft decorated with putti gathering grapes| 294.00|0|Category|15|Med/Rom|Sp|Sc|||Altar support with Apostles Matthew, Simon and Judas|||||||||Altar support with Apostles Matthew, Simon and Judas|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Sculpture|Relief||||12|||1127|1177|ca|ca.1152|1152|||||0||||0|||||Marble|marble|||||sculpture|||||H:115 cm||3689|Cambridge MA,Harvard University,Fogg Art Museum|Cambridge: Harvard; Fogg||Saint Matthew, Saint Simon, Judas Iscariot||||||||||Cornell||ECS|ECS|8/12/2003 0:00:00|8/12/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Altar support with Apostles Matthew, Simon and Judas| 295.00|0|Category|15|Med/Rom|Sp|Sc|||Personification of the month of February|||||||||Personification of the month of February|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Sculpture|Relief||||12|||1105|1110||1105-1110|1105-1110|||||0||||0|||||Granite|granite|||||sculpture|||||42 x 27 cm||9154|Santiago de Compostela,Museo de la Cathedral|Santiago: Museo de la Cathedral||Personification||||||||||Cornell||ECS|ECS|8/12/2003 0:00:00|8/12/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Personification of the month of February| 296.00|0|Category|15|Med/Rom|Sp|Sc|||Fragment of relief with two female figures|||||||||Fragment of relief with two female figures|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Sculpture|Relief||||12|||1125|1175|ca|ca.1150|1150|||||0||||0|||||Marble|marble|||||sculpture|||||75 x 39 cm||9154|Santiago de Compostela,Museo de la Cathedral|Santiago: Museo de la Cathedral||Figures (representations), Women||||||||||Cornell||ECS|ECS|8/12/2003 0:00:00|8/12/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Fragment of relief with two female figures| 297.00|0|Category|15|Med/Rom|Sp|Sc|||Double Capital with Scenes from the life of Job|||||||||Double Capital with Scenes from the life of Job|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Sculpture|Relief||||12|||1115|1165|ca|ca.1140|1140|||||0||||0|||||Limestone|limestone|||||sculpture|||||H: 31 cm||9155|Navarra,Museo de Navarra, Comunidad Foral de Navarra|Navarra: Museo||Job, Old Testament||||||||||Cornell||ECS|ECS|8/12/2003 0:00:00|8/12/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Double Capital with Scenes from the life of Job| 298.00|0|Site||B-C7|Mex|2.41|Edu||Secretaria de Educacion Publica||Image Source (Book)|||||||Secretaria de Educacion Publica|0|||||0||||0|||||Mexican||||||||Mexico||||||0|Mexico City, Mexico|||9989||||0||||0|Architecture|Ministries||||20||||||||||||0||||0||||||||||||||||||||||||||||||||Cornell|||ECS|8/26/2003 0:00:00|8/12/2003 0:00:00||Mex||0||||||Edu|B|||||C7|2.41||||||||||Work|0||||||||||||0|0|Secretaria de Educacion Publica| 299.00|0|Category|15|Med/Rom|Sp|Sc|||Double capital with Christ the Redeemer and angels with instuments of the Passion|||||||||Double capital with Christ the Redeemer and angels with instuments of the Passion|0|||||0||||0|||||Spanish|||Asturian|||||Spain||||||0||||0||||0||||0|Sculpture|Relief||||12|||1175|1200||Last quarter of 12th Century|Last quarter of 12th Century|||||0||||0|||||Limestone|limestone|||||sculpture|||||H:50 cm||1609|Madrid,Museo Arqueologico Nacional|Madrid: Mus. Arqueol. Nac.||Jesus Christ, Angels, Passion of Christ||||||||||Cornell||ECS|ECS|8/18/2003 0:00:00|8/12/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Double capital with Christ the Redeemer and angels with instuments of the Passion| 300.00|0|Category|15|Med/Rom|Sp|Sc|||Double Capital with scenes from the Entombment and Resurrection of Christ|||||||||Double Capital with scenes from the Entombment and Resurrection of Christ|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Sculpture|Relief||||12|||1175|1200||Last quarter of 12th Century|Last quarter of 12th Century|||||0||||0|||||Limestone|limestone|||||sculpture|||||H:50 cm||1609|Madrid,Museo Arqueologico Nacional|Madrid: Mus. Arqueol. Nac.||Jesus Christ, Entombment, Angels||||||||||Cornell||ECS|ECS|8/12/2003 0:00:00|8/12/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Double Capital with scenes from the Entombment and Resurrection of Christ| 301.00|0|Category|15|Med/Rom|Sp|Sc|||Capital depicting Christ the Redeemer and angels with instruments of the Passion|||||||||Capital depicting Christ the Redeemer and angels with instruments of the Passion|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Sculpture|Relief||||12|||1185|1190||1185-1190|1185-1190|||||0||||0|||||Limestone|limestone|||||sculpture|||||H:63.5 cm||3689|Cambridge MA,Harvard University,Fogg Art Museum|Cambridge: Harvard; Fogg||Jesus Christ, Angels, Passion of Christ||||||||||Cornell||ECS|ECS|8/12/2003 0:00:00|8/12/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Capital depicting Christ the Redeemer and angels with instruments of the Passion| 302.00|0|Category|15|Med/Rom|Sp|Sc|||Capital depicting scenes from the Entombment and Resurrection of Christ|||||||||Capital depicting scenes from the Entombment and Resurrection of Christ|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Sculpture|Relief||||12|||1185|1190||1185-1190|1185-1190|||||0||||0|||||Limestone|limestone|||||sculpture|||||H:63.5 cm||3689|Cambridge MA,Harvard University,Fogg Art Museum|Cambridge: Harvard; Fogg||Jesus Christ, Entombment, Angels||||||||||Cornell||ECS|ECS|8/12/2003 0:00:00|8/12/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Capital depicting scenes from the Entombment and Resurrection of Christ| 303.00|0|Creator||35|R612-F|M666c||35 R612-F M666c |Man at the Crossroads. 1934.||Image Source (Book)|||||||Secretaria de Educacion Publica. Mechanization of the Country|9901|Rivera, Diego||painter|Rivera, Diego|0||||0|||||Mexican||||||||Mexico||||||0|Mexico City, Mexico|||9989||||0||||0|Paintings|Fresco|Mural|||20|||1926|1926||1926|1926||Secretaria de Educacion Publica|LargerEntity||298||||0|||||||||||fresco painting|||||||9156|Mexico City,Secretaria de Educacion Publica,Court of Labor|Mexico City: Sec. Educacion; Labor||||||||||||Cornell||MNW|MNW|2/1/2005 0:00:00|8/12/2003 0:00:00|R612-F|||0|||||||35|||||||| |M666c|||||||Work|0||||||||||||0|0|Man at the Crossroads. 1934.|Rivera, Diego 304.00|0|Category|15|Med/Rom|Sp|Sc|||Capital depicting scenes of combat|||||||||Capital depicting scenes of combat|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Sculpture|Relief||||12|||1175|1200||Last quarter of 12th Century|Last quarter of 12th Century|||||0||||0|||||Limestone|limestone|||||sculpture|||||H:34.6 cm||233|Baltimore,Walters Art Gallery|Baltimore: Walters Art Gal.||Shields, Swords||||||||||Cornell||ECS|ECS|8/12/2003 0:00:00|8/12/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Capital depicting scenes of combat| 305.00|0|Creator||35|R612-F|M666c||35 R612-F M666c |Wall Street Banquet (Court of the Fiestas)||Image Source (Book)|||||||Secretaria de Educacion Publica. Wall Street Banquet (Court of the Fiestas)|9901|Rivera, Diego||painter|Rivera, Diego|0||||0|||||Mexican||||||||Mexico||||||0|Mexico City, Mexico|||9989||||0||||0|Paintings|Fresco||||20|||1928|1928||1928|1928||Secretaria de Educacion Publica|LargerEntity||298||||0|||||||||||fresco painting|||||||9147|Mexico City,Secretaria de Educacion Publica,Patio de Fiestas|Mexico City: Sec. Educacion; Fiestas||Wall Street ( New York, NY), Morgan, J. P. (John Pierpont) 1837-1913, Ford, Henry (1863-1947), Rockefeller, J. D. (John Davison) 1839-1937||||||||||Cornell||MNW|MNW|3/28/2006 0:00:00|8/12/2003 0:00:00||Mex||0||||||||F||||||| |M666c|||||||Work|0||||||||||||0|0|Wall Street Banquet (Court of the Fiestas)|Rivera, Diego 306.00|0|Category|15|Med/Rom|Sp|Sc|||Capital depicting scenes of Judgement|||||||||Capital depicting scenes of Judgement|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Sculpture|Relief|||||||1175|1200||Last quarter of 12th Century|Last quarter of 12th Century|||||0||||0|||||Limestone|limestone|||||sculpture|||||H:34.3 cm||233|Baltimore,Walters Art Gallery|Baltimore: Walters Art Gal.||Lions, Figures (representations)||||||||||Cornell||ECS|ECS|8/12/2003 0:00:00|8/12/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Capital depicting scenes of Judgement| 307.00|0|Category|15|Med/Rom|Sp|Sc|||Head of an Old Testament Figure|||||||||Head of an Old Testament Figure|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Sculpture|Relief||||12|||1145|1195|ca|ca.1170|1170|||||0||||0|||||Limestone|limestone|||||sculpture|||||25 x 17 cm||9157|Astorga,Cathedral Museum|Astorga: Cathedral Museum||Heads (representations)||||||||||Cornell||ECS|ECS|8/12/2003 0:00:00|8/12/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Head of an Old Testament Figure| 308.00|0|Creator||35|R612-F|M665d||35 R612-F M665d |Night of the Rich (Court of the Fiestas)|||||||||Secretaria de Educacion Publica. Night of the Rich (Court of the Fiestas)|9901|Rivera, Diego||painter|Rivera, Diego|0||||0|||||Mexican||||||||Mexico||||||0|Mexico City, Mexico|||9989||||0||||0|Paintings|Fresco||||20|||1928|1928||1928|1928||Secretaria de Educacion Publica|||298||||0|||||||||||fresco painting|||||||9147|Mexico City,Secretaria de Educacion Publica,Patio de Fiestas|Mexico City: Sec. Educacion; Fiestas||||||||||||Cornell||MNW|MNW|9/4/2006 0:00:00|8/12/2003 0:00:00|R612|Mex||0|||||||35|F||||||| ||||||||Work|0||||||||||||0|0|Night of the Rich (Court of the Fiestas)|Rivera, Diego 309.00|0|Creator||35|R612-F|M665e||35 R612-F M665e |Distribution of Arms (Court of the Fiestas)||Image Source (Book)|||||||Secretaria de Educacion Publica. Distribution of Arms (Court of the Fiestas)|9901|Rivera, Diego||painter|Rivera, Diego|0||||0|||||Mexican||||||||Mexico||||||0|Mexico City, Mexico|||9989||||0||||0|Paintings|Fresco||||20|||1928|1928||1928|1928||Secretaria de Educacion Publica|LargerEntity||298||||0|||||||||||fresco painting|||||||9147|Mexico City,Secretaria de Educacion Publica,Patio de Fiestas|Mexico City: Sec. Educacion; Fiestas||Warfare, Firearms||||||||||Cornell||MNW|MNW|3/28/2006 0:00:00|8/12/2003 0:00:00|R612|Mex||0|||||||35|F||||||| ||||||||Work|0||||||||||||0|0|Distribution of Arms (Court of the Fiestas)|Rivera, Diego 310.00|0|Category|15|Med/Rom|Sp|Sc|||Lamb of God|||||||||Lamb of God|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Sculpture|Relief||||12|||1175|1200||Late 12th Century|Late 12th Century|||||0||||0|||||Limestone|limestone|||||sculpture|||||74 x 90 x 21 cm||9158|Coimbra,Museu Nacional Machado de Castro|Coimbra: Museu Nacional||Lambs, Flowers, Acanthus leaves||||||||||Cornell||ECS|ECS|8/12/2003 0:00:00|8/12/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Lamb of God| 311.00|0|Category|15|Med/Rom|Sp|Sc|||Crucifix|||||||||Crucifix|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Sculpture|wood||||12|||1150|1200||Second half of 12th Century|Second half of 12th Century|||||0||||0|||||Cross:red pine; Christ:white oak and polychromy|Cross:red pine; Christ:white oak and polychromy|||||sculpture|||||H:260.4 cm||3294|New York,Metropolitan Museum of Art|New York: Metropolitan||Jesus Christ, Crosses, Crucifixes||||||||||Cornell||ECS|ECS|8/12/2003 0:00:00|8/12/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Crucifix| 312.00|0|Category|15|Med/Rom|Sp|Sc|||Sarcophagus of Doña Sancha|||||||||Sarcophagus of Doña Sancha|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Sculpture|Relief||||12|||1100|1125||First quarter of 12th Century|First quarter of 12th Century|||||0||||0|||||Stone|stone|||||sculpture|||||65 x 206 x 87 cm||9159|Jaca,Benedictine Monastery of Santa Cruz|Jaca: Monastery of Santa Cruz||||||||||||Cornell||ECS|ECS|8/12/2003 0:00:00|8/12/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Sarcophagus of Doña Sancha| 313.00|0|Site|02|B-C7|Tex|4.2 Chap/Riv|8-4|B-C7 Tex 4.2 Chap/Riv 8-4|The Exploiters|Assigned|Image Source (Book)|Formation of Revolutionary Leadership|Assigned|Image Source (Book)||||Univ. Auton. Chapingo. Capilla Riveriana. Exploiters|9901|Rivera, Diego||painter|Rivera, Diego|0||||0|||||Mexican||||||||Mexico||||||0|Texcoco de Mora, Mexico|||9990||||0||||0|Paintings|Fresco|Mural|||20|||1926|1927||1926-1927|1926-1927||Capilla Riveriana|||316||||0|||||Fresco||||||fresco painting|||||3.54 x 5.55 m||9160|Texcoco,Universidad Autonoma Chapingo, Capilla Riveriana|Texcoco: Univ. Auton. Chapingo; Chapel||||||||||||Cornell||MNW|MNW|1/31/2005 0:00:00|8/12/2003 0:00:00||Tex||0||||||Chap/Riv|B|||||C7|4.2|| ||||||||Work|0|Architecture-Mexico|||||||||||0|0|The Exploiters;Formation of Revolutionary Leadership|Rivera, Diego 314.00|0|Category|15|Med/Rom|Sp|Sc|||Lid for the Sarcophagus of Doña Blanca|||||||||Lid for the Sarcophagus of Doña Blanca|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Sculpture|Relief||||12|||1156|1156||1156|1156|||||0||||0|||||Limestone|limestone|||||sculpture|||||50 x 170 x 72 cm||9161|Najera,Church of Santa Maria la Real|Najera: Church of Sta.Maria la Real||Sarcophagi||||||||||Cornell||ECS|ECS|8/12/2003 0:00:00|8/12/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Lid for the Sarcophagus of Doña Blanca| 315.00|0|Site|02|B-C7|Tex|4.2 Chap||B-C7 Tex 4.2 Chap |Universidad Autonoma Chapingo||Online Resource|Autonomous University Chapingo|Translated|Image Source (Book)|Escuela Nacional de Agricultura|Original|Image Source (Book)|Universidad Autonoma Chapingo|0|||||0||||0|||||Mexican||||||North and Central America||Mexico||||||0|Texcoco de Mora, Mexico|||9990||||0||||0|Architecture|University||||20|||1920|1920||1920|1920-1920|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|1/30/2005 0:00:00|8/12/2003 0:00:00||Tex||0||||||Chap|B|||||C7|4.2||||||||||Work|0|Architecture-Mexico|||||||||||0|0|Universidad Autonoma Chapingo;Autonomous University Chapingo;Escuela Nacional de Agricultura| 316.00|0|Site|02|B-C7|Tex|4.2 Chap/Riv||B-C7 Tex 4.2 Chap/Riv |Capilla Riveriana||Online Resource|||||||Universidad Autonoma Chapingo. Capilla Riveriana|9901|Rivera, Diego||painter|Rivera, Diego|0||||0|||||Mexican||||||||Mexico||||||0|Texcoco de Mora, Mexico|||9990||||0||||0|Architecture|Chapel|University|||17|||1675|1700|ca|Late 17th Century|ca 1675-1700||Universidad Autonoma Chapingo|LargerEntity||315||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|1/31/2005 0:00:00|8/12/2003 0:00:00||Tex||0||||||Chap/Riv|B|||||C7|4.2||||||||||Work|0|Architecture-Mexico|This building was orginally the main house of the Convent of San Jfacinto, founded by the Jesuits in the late 17th century. Rivera, Retrospective.||||||||||0|0|Capilla Riveriana|Rivera, Diego 11.00|0|Creator|15|35|M250-PA||1|35 M250-PA 1915 1|A bôba|Artists|Image Source (Vendor)|The Fool|Translated|Image Source (Vendor)||||A bôba (the Fool)|29755|Malfatti, Anita||Painter|Anita Malfatti|0||||0|||||Brazilian||||||||Brazil|||||||||||||||||||Paintings|Portrait|Oil painting|Painting||20|||1915|1916||1915-1916|1915-1916|||||||||0|||||Oil/canvas|oil paint|canvas||||painting (image-making)|||||61 x 50 cm||9123|São Paulo: Universidade de São Paulo; Museu de Arte Contemporânea|São Paulo: Univ.; Mus. de Arte Cont.||Portraits ; |Portraits|||||||||Cornell||BJR|HB|12/1/2006 0:00:00|6/20/2003 0:00:00|M250|||0|||||||35|||||||1915| ||||||||Work|0||||||||||||0|0|A bôba;The Fool|Malfatti, Anita 12.00|0|Creator|15|35|A485-PA|1923|1||Manteau Rouge|||Red Coat||||||Manteau Rouge (Red Coat)|352|Tarsila do Amaral||painter|Tarsila do Amaral|0||||0|||||Brazilian|||Modernist|||||Brazil||||||0||||0||||0||||0|Paintings|Self portrait||||20th|||1923|1923||1923|1923|||||0||||0|||||Oil/canvas|oil on canvas|||||painting (image-making)|||||73 x 60 cm||2391|Rio de Janeiro,Museu Nacional de Belas Artes|Rio: Mus. Nac. BA||||||||||||Cornell||BJR|MNW|9/1/2003 0:00:00|6/20/2003 0:00:00|A485|||0|||||||35|PA||||||1923| ||||||||Work|0||||||||||||0|0|Manteau Rouge;Red Coat|Tarsila do Amaral 13.00|0|Creator||35|T193PA|1923|2||Caipirinha|||Little Hick||||||Caipirinha (Little Hick)|352|Tarsila do Amaral||painter|Tarsila do Amaral|0||||0|||||Brazilian|||Modernist|||||Brazil||||||0||||0||||0||||0|Paintings|Self portrait|||||||1923|1923||1923|1923|||||0||||0|||||Oil on canvas|oil paint|canvas|||||||||60 x 81 cm||9426|Guanajuato, Museo Casa Diego Rivera|Guanajuato: Mus. Casa D. Rivera||||||||||||Cornell||BJR|JNK|1/6/2006 0:00:00|6/23/2003 0:00:00|T193|||0|||||||35|PA||||||1923| ||||||||Work|0||||||||||||0|0|Caipirinha;Little Hick|Tarsila do Amaral 14.00|0|Creator|15|35|T193-PA|1924|1||Carnaval en Madureira|||Carnival in Madureira||||||Carnaval en Madureira|352|Tarsila do Amaral||painter|Tarsila do Amaral|0||||0|||||Brazilian|||Modernist|||||Brazil||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1924|1924||1924|1924|||||0||||0|||||Oil on canvas|oil on canvas||||||||||76 x 63 cm||9124|Sao Paulo, Priv.Coll.|Sao Paulo: Priv.Coll.||||||||||||Cornell||BJR|MNW|8/26/2003 0:00:00|6/23/2003 0:00:00|T193|||0|||||||35|PA||||||1924| ||||||||Work|0||||||||||||0|0|Carnaval en Madureira;Carnival in Madureira|Tarsila do Amaral 15.00|0|Creator|15|35|T193-PA|1924|2||Morro da favela|||Shantytown Hill||||||Morro da favela (Shantytown Hill)|352|Tarsila do Amaral||painter|Tarsila do Amaral|0||||0|||||Brazilian|||Modernist|||||Brazil||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1924|1924||1924|1924|||||0||||0|||||Oil on canvas|oil on canvas||||||||||64 x 75.5 cm||2578|Sao Paulo,Universidade de Sao Paolo,Museu Paulista|Sao Paulo: Univ.; Mus. Paulista||||||||||||Cornell||BJR|MNW|8/26/2003 0:00:00|6/23/2003 0:00:00|T193|||0|||||||35|PA||||||1924| ||||||||Work|0||||||||||||0|0|Morro da favela;Shantytown Hill|Tarsila do Amaral 16.00|0|Creator|15|35|P852-PA|1933|1||O morro|||The Hill||||||O morro (The Hill)|9402|Portinari, Candido|||Portinari, Candido|0||||0|||||Brazilian|||Modernist|||||Brazil||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1933|1933||1933|1933|||||0||||0|||||Oil on canvas|oil on canvas||||||||||114 x 146 cm||||||Townscapes (built environment)||||||||||Cornell|||MNW|8/26/2003 0:00:00|6/29/2003 0:00:00|P852|||0|||||||35|PA||||||1933|||||||||Work|0||||||||||||0|0|O morro;The Hill|Portinari, Candido 17.00|0|Creator|15|35|C3765-PA|1928|1||Samba|||||||||Samba|29756|Cavalcanti, Emiliano di||painter|Cavalcanti, Emiliano di|0||||0|||||Brazilian|||Modernist|||||Brazil||||||0|Rio de Janeiro, Brazil|||||||0||||0|Paintings|Oil painting||||20|||1928|1928||1928|1928|||||0||||0|||||Oil on canvas|oil on canvas|||||painting (image-making)|||||177.75 x 156.5 cm||9201|Rio de Janiero,Collection Jean Boghici|Rio de Janiero:Coll.J. Boghici||Music||||||||||Cornell|||MNW|8/26/2003 0:00:00|6/29/2003 0:00:00|C3765|||0|||||||35|PA||||||1928| ||||||||Work|0||||||||||||0|0|Samba|Cavalcanti, Emiliano di 27.00|0|Creator||35|G8594-PA|1958|1||Pintura|||Painting||||||Pintura (Painting)|29763|Grilo, Sarah||painter|Grilo, Sarah|0||||0|||||Argentine|||Abstract|||||Argentina||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1958|1958||1958|1958|||||0||||0|||||Oil on canvas|oil on canvas|||||painting (image-making)|||||94 x 94.5 cm||497|Buenos Aires,Museo Nacional de Bellas Artes|Buenos Aires: Mus. Nac. BA||||||||||||Cornell||ECS|MNW|8/27/2003 0:00:00|7/2/2003 0:00:00|G8594|||0|||||||35|PA||||||1958| ||||||||Work|0||||||||||||0|0|Pintura;Painting|Grilo, Sarah 28.00|0|Creator||35|T1122-PA|1967|1||Region of the Shiris|||||||||Region of the Shiris|29764|Tábara, Enrique||painter|Tábara, Enrique|0||||0|||||Ecuadorian|||Abstract|||||Ecuador||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1967|1967||1967|1967|||||0||||0|||||oil on canvas|oil on canvas|||||painting (image-making)|||||110.2 x 110.2 cm||200|Austin,University of Texas, Jack S. Blanton Museum of Art|Austin: Univ. TX; Blanton Mus.||||||||||||Cornell||ECS|MNW|8/27/2003 0:00:00|7/2/2003 0:00:00|T1122|||0|||||||35|PA||||||1967| ||||||||Work|0||||||||||||0|0|Region of the Shiris|Tábara, Enrique 29.00|0|Creator|15|35|V8433-PA|1976|1||América muchedumbre sedienta|||America thirsting Crowd||||||América muchedumbre sedienta (America thirsting Crowd)|29765|Viteri, Oswaldo||painter|Viteri, Oswaldo|0||||0|||||Ecuadorian|||Modernist|||||Ecuador||||||0||||0||||0||||0|Paintings|Collage||||20|||1976|1976||1976|1976|||||0||||0|||||Collage on wood|wood|||||collage|||||122 x 122 cm||9204|Quito,Viteri Centro de Arte|Quito: Viteri Centro||||||||||||Cornell||ECS|MNW|8/27/2003 0:00:00|7/2/2003 0:00:00|V8433|||0|||||||35|PA||||||1976| ||||||||Work|0||||||||||||0|0|América muchedumbre sedienta;America thirsting Crowd|Viteri, Oswaldo 317.00|0|Site|02|B-C7|Tex|4.2 Chap/Riv|8-3|B-C7 Tex 4.2 Chap/Riv 8-3|Blood of the Revolutionary Martyrs Fertilizing the Earth||Image Source (Book)|||||||Univ. Auton. Chapingo. Capilla Riveriana. Blood of the Revolutionary Martyrs|9901|Rivera, Diego||painter|Rivera, Diego|0||||0|||||Mexican||||||||Mexico||||||0|Texcoco de Mora, Mexico|||9990||||0||||0|Paintings|Fresco|Mural|||20|||1926|1926||1926|1926||Capilla Riveriana|||316||||0|||||Fresco||||||fresco painting|||||||9160|Texcoco,Universidad Autonoma Chapingo, Capilla Riveriana|Texcoco: Univ. Auton. Chapingo; Chapel||Corn, Zapata, Emiliano, 1879-1913, Montano, Otilio||||||||||Cornell||MNW|MNW|1/31/2005 0:00:00|8/12/2003 0:00:00||Tex||0||||||Chap/Riv|B|||||C7|4.2|| ||||||||Work|0|Architecture-Mexico|||||||||||0|0|Blood of the Revolutionary Martyrs Fertilizing the Earth|Rivera, Diego 318.00|0|Site|02|B-C7|Tex|4.2 Chap/Riv|8-2|B-C7 Tex 4.2 Chap/Riv 8-2|Subterranean Forces||Image Source (Book)|||||||Univ. Auton. Chapingo. Capilla Riveriana. Subterranean Forces|9901|Rivera, Diego||painter|Rivera, Diego|0||||0|||||Mexican||||||||Mexico||||||0|Texcoco de Mora, Mexico|||9990||||0||||0|Paintings|Fresco|Mural|||20|||1926|1927||1926-1927|1926-1927||Capilla Riveriana|LargerEntity||316||||0|||||Fresco||||||fresco painting|||||3.54 x 5.55 m||9160|Texcoco,Universidad Autonoma Chapingo, Capilla Riveriana|Texcoco: Univ. Auton. Chapingo; Chapel||Fire, Nudes, Female nudes, Male nudes, Water, Wind||||||||||Cornell||MNW|JNK|6/10/2005 0:00:00|8/12/2003 0:00:00||Tex||0||||||Chap/Riv|B|||||C7|4.2|| ||||||||Work|0|Architecture-Mexico|||||||||||0|0|Subterranean Forces|Rivera, Diego 319.00|0|Category|15|Med/Rom|Sp|Sc|||Lid for the Sarcophagus of Alfonso Ansurez|||||||||Lid for the Sarcophagus of Alfonso Ansurez|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Sculpture|Relief||||11|||1093|1093||December 8,1093|December 8,1093|||||0||||0|||||Stone|stone|||||sculpture|||||W:196 cm; D:61 cm||1609|Madrid,Museo Arqueologico Nacional|Madrid: Mus. Arqueol. Nac.||Sarcophagi, Eagles, Angels, Books, Crosses||||||||||Cornell||ECS|ECS|8/12/2003 0:00:00|8/12/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Lid for the Sarcophagus of Alfonso Ansurez| 30.00|0|Creator||35|S999-PA|1968|1||Inkarri|||||||||Inkarri|29766|Szyszlo, Fernando de||painter|Szyszlo, Fernando de|0||||0|||||Peruvian|||Abstract|||||Peru||||||0||||0||||0||||0|Paintings|||||20|||1968|1968||1968|1968|||||0||||0|||||acrylic on wood|acrylic on wood|||||painting (image-making)|||||150.5 x 150.5 cm||200|Austin,University of Texas, Jack S. Blanton Museum of Art|Austin: Univ. TX; Blanton Mus.||||||||||||Cornell||ECS|MNW|8/27/2003 0:00:00|7/2/2003 0:00:00|S999|||0|||||||35|PA||||||1968| ||||||||Work|0||||||||||||0|0|Inkarri|Szyszlo, Fernando de 31.00|0|Creator||35|P1163-PA|1974|1||Catavi|||||||||Catavi|29767|Pacheco, María Luisa||painter|Pacheco, María Luisa|0||||0|||||Bolivian|||Abstract|||||Bolivia|United States|||||0||||0||||0||||0|Paintings|||||20|||1974|1974||1974|1974|||||0||||0|||||mixed media on canvas|mixed media on canvas|||||painting (image-making)|||||147.3 x 366.8 cm||200|Austin,University of Texas, Jack S. Blanton Museum of Art|Austin: Univ. TX; Blanton Mus.||||||||||||Cornell||ECS|MNW|8/27/2003 0:00:00|7/2/2003 0:00:00|P1163|||0|||||||35|PA||||||1974| ||||||||Work|0||||||||||||0|0|Catavi|Pacheco, María Luisa 32.00|0|Creator||35|O877-PA|1951|1||Líneas inclinadas|||Slanted Lines||||||Líneas inclinadas (Slanted Lines)|29768|Otero, Alejandro||painter|Otero, Alejandro|0||||0|||||Venezuelan|||Abstract|||||Venezuela||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1951|1951||1951|1951|||||0||||0|||||oil on canvas|oil on canvas|||||painting (image-making)|||||130 x 97 cm||9205|Caracas, Private Collection|Caracas: Priv. Coll.||||||||||||Cornell||ECS|MNW|8/27/2003 0:00:00|7/2/2003 0:00:00|O877|||0|||||||35|PA||||||1951| ||||||||Work|0||||||||||||0|0|Líneas inclinadas;Slanted Lines|Otero, Alejandro 33.00|0|Creator||35|O877-PA|1957|1||Color-rhythm 34|||||||||Color-rhythm 34|29768|Otero, Alejandro||painter|Otero, Alejandro|0||||0|||||venezuelan|||Abstract|||||Venezuela||||||0||||0||||0||||0|Paintings|||||20|||1957|1958||1957-1958|1957-1958|||||0||||0|||||duco on board|duco on board|||||painting (image-making)|||||201 x 40.7 cm||9127|Washington DC, Art Museum of the Americas|Wash, DC: Art Mus. Americas||||||||||||Cornell||ECS|MNW|8/27/2003 0:00:00|7/2/2003 0:00:00|O877|||0|||||||35|PA||||||1957| ||||||||Work|0||||||||||||0|0|Color-rhythm 34|Otero, Alejandro 34.00|0|Creator|15|35|O877-GL|1974|1||Zenith Color|||||||||Zenith Color|29768|Otero, Alejandro||painter|Otero, Alejandro|0||||0|||||Venezuelan|||Modernist|||||Venezuela||||||0|Tanaguarena, Venezuela|||10015||||0||||0|Stained Glass|||||20|||1974|1974||1974|1974|||||||||0|||||stained glass (material)|stained glass (material)||||||||||||9206|Tanaguarena,Chapel of the Elders|Tanaguarena: Chapel of the Elders||||||||||||Cornell|||MNW|8/27/2003 0:00:00|7/2/2003 0:00:00|O877|||0|||||||35|PA||||||1974| ||||||||Work|0||||||||||||0|0|Zenith Color|Otero, Alejandro 35.00|0|Creator|15|35|C9576-PA|1968|1||Fisicromia no.394 [Physichromie no.394]||Image Source (Book)|||||||Fisicromia [Physichromie] no.394|29769|Cruz-Diez, Carlos||painter|Cruz-Diez, Carlos|0||||0|||||Venezuelan|||Abstract|||||Venezuela||||||0||||0||||0||||0|Paintings|||||20|||1968|1968||1968|1968|||||0||||0|||||wood, painted plastic and metal construction|wood,painted plastic and metal construction|||||painting (image-making)|||||121.2 x 62.2 x 6.3 cm||200|Austin,University of Texas, Jack S. Blanton Museum of Art|Austin: Univ. TX; Blanton Mus.||||||||||||Cornell|||MNW|8/27/2003 0:00:00|7/2/2003 0:00:00|C9576|||0|||||||35|PA||||||1968| ||||||||Work|0||||||||||||0|0|Fisicromia no.394 [Physichromie no.394]|Cruz-Diez, Carlos 36.00|0|Creator||35|P7655-SC|1972|1||Lentes multiplicadoras de imagenes|Original|Image Source (Book)|Image Multiplying Lenses|Translated|Image Source (Book)|Continuous Concave/Convex|Variant||Image Multiplying Lenses (Continuous Concave/Convex)|29770|Polesello, Rogelio||painter|Polesello, Rogelio|0||||0|||||Argentine|||Modernist|||||Argentina||||||0||||0||||0||||0|Sculpture|||||20|||1972|1972||1972|1972|||||0||||0|||||plexiglas and magnifying lenses|plexiglas and magnifying lenses|||||sculpture|||||Three parts each:200 x 100 x 2 cm||9128|New York,Center for Inter-American Relations|New York: Inter-American Relations||||||||||||Cornell|||MNW|8/27/2003 0:00:00|7/7/2003 0:00:00|P7655|||0|||||||35|SC||||||1972| ||||||||Work|0||||||||||||0|0|Lentes multiplicadoras de imagenes;Image Multiplying Lenses;Continuous Concave/Convex|Polesello, Rogelio 37.00|0|Creator||35|M141-PA|1973|1||Generative Painting|Translated|Image Source (Book)|Pintura generativa|Original|||||Generative Painting|29771|MacEntyre, Eduardo||painter|MacEntyre, Eduardo|0||||0|||||Argentine|||Abstract|||||Argentina||||||0||||0||||0||||0|Paintings|||||20|||1973|1974||1973-1974|1973-1974|||||0||||0|||||Acrylic on canvas|Acrylic on canvas|||||painting (image-making)|||||150 x 150 cm|||Collection of the Artist|Collection of the Artist||||||||||||Cornell|||MNW|8/27/2003 0:00:00|7/7/2003 0:00:00|M141|||0|||||||35|PA||||||1973-1974| ||||||||Work|0||||||||||||0|0|Generative Painting;Pintura generativa|MacEntyre, Eduardo 38.00|0|Creator||35|S4868-PA|1951|1||Forms|Translated|Image Source (Book)|Formas|Original|Image Source (Book)||||Forms|29772|Serpa, Ivan||painter|Serpa, Ivan|0||||0|||||Brazilian|||Abstract|||||Brazil||||||0||||||||0||||0|Paintings|||||20|||1951|1951||1951|1951|||||0||||0|||||oil on canvas|oil on canvas|||||painting (image-making)|||||97 x 130.2 cm||9123|São Paulo: Universidade de São Paulo; Museu de Arte Contemporânea|São Paulo: Univ.; Mus. de Arte Cont.||||||||||||Cornell||CLL|MNW|8/27/2003 0:00:00|2/15/2005 0:00:00|S4868|||0|||||||35|PA||||||1951| ||||||||Work|0||||||||||||0|0|Forms;Formas|Serpa, Ivan 39.00|0|Creator|15|35|O393-PA|1958|1||Metaesquema|Original|Image Source (Book)|Metascheme|Translated|Image Source (Book)||||Metaesquema (Metascheme)|8679|Oiticica, Helio||painter|Oiticica, Helio|0||||0|||||Brazilian|||Abstract|||||Brazil||||||0||||0||||0||||0|Paintings|Painting||||20|||1958|1958||1958|1958-1958|||||0||||0|||||gouache on paper|gouache on paper|||||painting (image-making)|||||55 x 64 cm|||Collection of the Artist|Collection of the Artist||||||||||||Cornell||MNW|MNW|8/27/2003 0:00:00|3/21/2005 0:00:00|O393|||0|||||||35|PA||||||1958| ||||||||Work|0||||||||||||0|0|Metaesquema;Metascheme|Oiticica, Helio 40.00|0|Creator|15|35|O393-SC|1960|3||Grand Nucleus|Translated|Image Source (Book)|Grande nucleo|Original|Image Source (Book)||||Grand Nucleus (Grande nucleo)|8679|Oiticica, Helio||painter|Oiticica, Helio|0||||0|||||Brazilian|||Minimal|||||Brazil||||||0||||0|London, England|||||||0|Sculpture|Sculpture||||20|||1960|1963||1960-1963|1960-1963|||||0||||0|||||oil on wood panels of varying dimensions|oil paint|wood||||sculpture|||||Varying dimensions||||||||||||||||Cornell||MNW|MNW|8/27/2003 0:00:00|3/21/2005 0:00:00|O393|||0|||||||35|SC||||||1960-1963| ||||||||Work|0||||||||||||0|0|Grand Nucleus;Grande nucleo|Oiticica, Helio 41.00|0|Creator||35|G5273-SC|1964|1||Reina Mariana|Original|Image Source (Book)|Queen Mariana|Translated|Image Source (Book)||||Reina Mariana (Queen Mariana)|29773|Gironella, Alberto||sculptor|Gironella, Alberto|0||||0|||||Mexican|||Modernist|||||Mexico||||||0|Mexico City, Mexico|||9989||||0||||0|Sculpture|||||20|||1964|1964||1964|1964|||||0||||0|||||assemblage objects glued to wooden base|assemblage objects glued to wooden base|||||assemblage (sculpture technique)|||||197.5 x 125 cm||9207|Mexico City, Collection Vicente Rojo|Mexico City: Coll. Rojo||||||||||||Cornell|||MNW|8/27/2003 0:00:00|7/7/2003 0:00:00|G5273|Mex||0|||||||35|SC||||||1964| ||||||||Work|0||||||||||||0|0|Reina Mariana;Queen Mariana|Gironella, Alberto 42.00|0|Creator|15|35|V4223-PA|1963|1||El espejo al final de la escalera|Original|Image Source (Book)|The Mirror at the end of the Stairs|Translated|Image Source (Book)||||El espejo al final de la escalera (The Mirror at the end of the Stairs)|29774|Vega, Jorge de la||painter|Vega, Jorge de la|0||||0|||||Argentine|||Neo-figurative|||||Argentina||||||0||||0||||0||||0|Paintings|||||20|||1963|1963||1963|1963|||||0||||0|||||mixed media on canvas|mixed media on canvas|||||painting (image-making)|||||129.5 x 161 cm||9208|Buenos Aires, Collection Eduardo Grüneisen|Buenos Aires: Coll. E. Grüneisen||Cats||||||||||Cornell||ECS|MNW|8/27/2003 0:00:00|7/7/2003 0:00:00|V4223|||0|||||||35|PA||||||1963| ||||||||Work|0||||||||||||0|0|El espejo al final de la escalera;The Mirror at the end of the Stairs|Vega, Jorge de la 43.00|0|Creator||35|B7326-PA|1964|1||Ha comenzado el espectáculo|Original|Image Source (Book)|The Show has begun|Translated|Image Source (Book)||||Ha comenzado el espectáculo (The Show has begun)|1397|Borges, Jacobo||painter|Borges, Jacobo|0||||0|||||Venezuelan|||Neo-figuration|||||Venezuela||||||0||||0||||0||||0|Paintings|||||20|||1964|1964||1964|1964|||||0||||0|||||oil on canvas|oil on canvas|||||painting (image-making)|||||180.25 x 270.5 cm||9129|Caracas, Galeria de Arte Nacional|Caracas: Gal. Arte Nacional||Prostitutes, Military personnel||||||||||Cornell||ECS|CLL|12/23/2003 0:00:00|7/7/2003 0:00:00|B7326|||0|||||||35|PA||||||1964| ||||||||Work|0||||||||||||0|0|Ha comenzado el espectáculo;The Show has begun|Borges, Jacobo 44.00|0|Creator||35|Z362.4-PA|1972|1||Imperialist Aggression|||||||||Imperialist Aggression|29840|Taller 4 Rojo|||Taller 4 Rojo|||||0|||||Columbian||||||||Columbia||||||0||||0||||0||||0|Paintings|Photomontage||||20|||1972|1972||1972|1972|||||0||||0|||||Three serigraph posters|Three serigraph posters|||||photomontage|screen printing||||||9209|Bogota,Collection Nirma Zarate|Bogota: Coll. Nirma Zarate||||||||||||Cornell||ECS|MNW|8/27/2003 0:00:00|7/7/2003 0:00:00||||0|||||||35|PA||||||1972| ||||||||Work|0||||||||||||0|0|Imperialist Aggression|Taller 4 Rojo 46.00|0|Architect|02|B-H3|Rom 3.1|SPet/Nec|||Necropolis|||||||||St. Peter's Basilica. Necropolis||||||0||||0|||||Italian|||Early Christian|||||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Basilica|||||||||||||St. Peter's Basilica|LargerEntity||133||||0||||||||||||||||||||||Churches, Cathedrals, Necropolises||||||||||Cornell||MNW|MNW|5/31/2006 0:00:00|3/28/2006 0:00:00||Rom||0|||||||B|||||H3|3.1||||||||||Work|0||||||||||||0|0| Necropolis| 47.00|0|Creator||J-Manglano|1||||Le baiser|Original|Image Source (Book)|||||||Le baiser|29778|Manglano-Ovalle, Iñigo||photographer|Manglano-Ovalle, Iñigo|0||||0|||||Spanish||||||||Spain||||||0||||0||||0||||0|Photographs|||||20|||1999|1999||1999|1999|||||0||||0|||||Laminated cibachrome print|Laminated cibachrome print|||||photography|||||74 x 270.5 cm||9146|New York, Max Protetch Gallery|New York: Max Protetch Gal.||Domestic interiors||||||||||Cornell|||MNW|8/5/2003 0:00:00|7/8/2003 0:00:00|M2771|||0|||||||J|PH||||||1999| ||||||||Work|0||||||||||||0|0|Le baiser|Manglano-Ovalle, Iñigo 48.00|0|Creator||J-CostiR|1||||Rooms--Sao Paulo||Image Source (Book)|Cuartos--Sao Paulo|Translated|Image Source (Book)||||Rooms--Sao Paulo|29779|Costi, Rochelle||photographer|Costi, Rochelle|0||||0|||||Brazilian||||||||Brazil||||||0||||0||||0||||0|Photographs|||||20|||1998|1998||1998|1998|||||0||||0|||||Cibachrome print|cibachrome print|||||photography|||||183 x 230 cm|||Collection of the artist|:Collection of the artist||Domestic interiors||||||||||Cornell|||MNW|8/5/2003 0:00:00|7/8/2003 0:00:00|C8423|||0|||||||J|PH||||||1998| ||||||||Work|0||||||||||||0|0|Rooms--Sao Paulo;Cuartos--Sao Paulo|Costi, Rochelle 49.00|0|Creator||35|V2926-PA|1993|1||Rack||Image Source (Book)|Percha|Translated|Image Source (Book)||||Rack (Percha)|29781|Varejao, Adriana||painter|Varejao, Adriana|0||||0|||||Brazilian|||Modernist|||||Brazil||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1993|1993||1993|1993|||||0||||0|||||oil on canvas|oil on canvas|||||painting (image-making)|||||165 x 195 cm||9145|Madrid, Collection Juan Varez|Madrid: Coll. Juan Varez||||||||||||Cornell|||MNW|8/5/2003 0:00:00|7/8/2003 0:00:00|V2926|||0|||||||35|PA||||||1993| ||||||||Work|0||||||||||||0|0|Rack;Percha|Varejao, Adriana 50.00|0|Creator||35|M7398-SC|2000|1||Mexique|Original|Image Source (Book)|||||||Mexique|29782|Mondini-Ruiz, Franco||sculptor|Mondini-Ruiz, Franco|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Sculpture|Installation (Exhibition)||||20|||2000|2000||2000|2000|||||0||||0|||||Mixed materials|Mixed materials|||||sculpture|||||||9130|New York,El Museo del Barrio|NY: ElMuseoBarrio||Toys (recreational artifacts), Flowers||||||||||Cornell|||MNW|8/5/2003 0:00:00|7/8/2003 0:00:00|M7398|||0|||||||35|SC||||||2000| ||||||||Work|0||||||||||||0|0|Mexique|Mondini-Ruiz, Franco 51.00|0|Creator||J-CalderonM|1||||Artificial History Series #20||Image Source (Book)|Serie historia artificial #20|Translated|Image Source (Book)||||Artificial History Series #20|29783|Calderon, Miguel||photographer|Calderon, Miguel|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Photographs|||||20|||1995|1995||1995|1995|||||0||||0|||||Cibachrome print|Cibachrome print|||||photography|||||112 x 163 cm||9143|New York,Andrea Rosen Gallery|New York: Andrea Rosen Gal.||Deer, Handguns||||||||||Cornell|||MNW|8/5/2003 0:00:00|7/8/2003 0:00:00|C1462|||0|||||||J|PH||||||1995| ||||||||Work|0||||||||||||0|0|Artificial History Series #20;Serie historia artificial #20|Calderon, Miguel 52.00|0|Creator||J-CalderonM|2||||Artificial History Series #8||Image Source (Book)|Serie historia artificial #8|Translated|Image Source (Book)||||Artificial History Series #8|29783|Calderon, Miguel||photographer|Calderon, Miguel|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Photographs|||||20|||1995|1995||1995|1995|||||0||||0|||||Cibachrome print|Cibachrome print|||||photography|||||112 x 163 cm||9143|New York,Andrea Rosen Gallery|New York: Andrea Rosen Gal.||Tigers, Handguns||||||||||Cornell|||MNW|8/5/2003 0:00:00|7/8/2003 0:00:00|C1462|||0|||||||J|PH||||||1995| ||||||||Work|0||||||||||||0|0|Artificial History Series #8;Serie historia artificial #8|Calderon, Miguel 53.00|0|Creator||35|C2683-SC|1992|1||Cemetery-Vertical garden||Image Source (Book)|Cementerio--jardin vertical|Translated|Image Source (Book)||||Cemetery--Vertical garden|29784|Cardoso, Maria Fernanda||sculptor|Cardoso, Maria Fernanda|0||||0|||||Colombian||||||||Colombia||||||0||||0||||0||||0||||||20|||1992|1999||1992-1999|1992-1999|||||0||||0|||||Artificial flowers, pencil on wall|artificial flowers, pencil on wall|||||sculpture|||||||9131|San Diego, Museum of Contemporary Art|San Diego: Contemporary Art||Flowers||||||||||Cornell|||CLL|8/6/2003 0:00:00|7/8/2003 0:00:00||||0||2000.9|||||35|SC||||||1992-1999| ||||||||Work|0||||||||||||0|0|Cemetery-Vertical garden;Cementerio--jardin vertical|Cardoso, Maria Fernanda 54.00|0|Creator||35|C2683-SC|1993|1||Starfish Ball (Green)|||Bola de estrella de mar (verde)|Translated|Image Source (Book)||||Starfish Ball (Green); from the installation Woven Water|29784|Cardoso, Maria Fernanda||sculptor|Cardoso, Maria Fernanda|0||||0|||||Colombian||||||||Colombia||||||0||||0||||0||||0|Sculpture|Installation (Exhibition)||||20|||1993|1993||1993|1993|||||0||||0|||||Starfish, metal|Starfish, metal||||||||||44 x 38 x 38 cm|||Collection of the Artist|:Collection of the Artist||||||||||||Cornell||ECS|MNW|8/5/2003 0:00:00|7/9/2003 0:00:00|C2683|||0|||||||35|SC||||||1993| ||||||||Work|0||From the installation Woven Water (Agua tejida).||||||||||0|0|Starfish Ball (Green);Bola de estrella de mar (verde)|Cardoso, Maria Fernanda 55.00|0|Creator||35|C2683-SC|1992|2||Flag||Image Source (Book)|Bandera|Translated|Dict.Art||||Flag|29784|Cardoso, Maria Fernanda||sculptor|Cardoso, Maria Fernanda|0||||0|||||Colombian||||||||Colombia||||||0||||0||||0||||0|Sculpture|||||20|||1992|1992||1992|1992|||||0||||0|||||Guava paste candy|Guava paste candy||||||||||104 x 163 cm|||Collection of the Artist|:Collection of the Artist||Flags||||||||||Cornell||ECS|MNW|8/5/2003 0:00:00|7/9/2003 0:00:00|C2683|||0|||||||35|SC||||||1992| ||||||||Work|0||||||||||||0|0|Flag;Bandera|Cardoso, Maria Fernanda 56.00|0|Creator||35|C2683-SC|1997|1||Cardoso Flea Circus||Image Source (Book)|Circo de pulgas Cardoso|Translated|Image Source (Book)||||Cardoso Flea Circus|29784|Cardoso, Maria Fernanda||sculptor|Cardoso, Maria Fernanda|0||||0|||||Colombian||||||||Colombia||||||0||||0||||0||||0|Sculpture|Installation (Exhibition)||||20|||1997|1997||1997|1997|||||0||||0|||||Mixed materials|Mixed materials||||||||||244 x 488 x 25 cm|||Collection of the Artist|: Collection of the Artist||Circuses (performances)||||||||||Cornell||ECS|MNW|8/5/2003 0:00:00|7/9/2003 0:00:00|C2683|||0|||||||35|SC||||||1997| ||||||||Work|0||||||||||||0|0|Cardoso Flea Circus;Circo de pulgas Cardoso|Cardoso, Maria Fernanda 57.00|0|Creator||J-CostiR|2||||Rooms-Sao Paulo||Image Source (Book)|Cuartos--Sao Paulo|Translated|Image Source (Book)||||Rooms-Sao Paulo|29779|Costi, Rochelle||photographer|Costi, Rochelle|0||||0|||||Brazilian||||||||Brazil||||||0||||0||||0||||0|Photographs|||||20|||1998|1998||1998|1998|||||0||||0|||||Cibachrome print|Cibachrome print|||||photography|||||183 x 230 cm||9131|San Diego, Museum of Contemporary Art|San Diego: Contemporary Art||Domestic interiors||||||||||Cornell|||MNW|8/5/2003 0:00:00|7/9/2003 0:00:00|C8423|||0||2000.7|||||J|PH||||||1998| ||||||||Work|0||||||||||||0|0|Rooms-Sao Paulo;Cuartos--Sao Paulo|Costi, Rochelle 58.00|0|Creator||J-CostiR|3||||Rooms--Sao Paulo||Image Source (Book)|Cuartos--Sao Paulo|Translated|Image Source (Book)||||Rooms-Sao Paulo|29779|Costi, Rochelle||photographer|Costi, Rochelle|0||||0|||||Brazilian||||||||Brazil||||||0||||0||||0||||0|Photographs|||||20|||1998|1998||1998|1998|||||0||||0|||||Cibachrome print|Cibachrome print|||||photography|||||183 x 230 cm|||Sao Paulo,Brito Cimino Gallery|Sao Paulo: Brito Cimino Gallery||Domestic interiors||||||||||Cornell|||CLL|2/16/2004 0:00:00|7/9/2003 0:00:00|C8423|||0|||||||J|PH||||||1998| ||||||||Work|0||Installation view: Arte Cidade III: A City and Its Histories, Sao Paulo, 1997.||||||||||0|0|Rooms--Sao Paulo;Cuartos--Sao Paulo|Costi, Rochelle 59.00|0|Creator||35|M2771-M|1992|1||Street-Level Video (Block Party)||Image Source (Book)|Video al nivel de la calle (Fiesta de vecinos)|Translated|Dict.Art||||Street-Level Video (Block Party)|29778|Manglano-Ovalle, Iñigo||photographer|Manglano-Ovalle, Iñigo|0||||0|||||Spainish||||||||Spain||||||0||||||||||||0|Installations|Video art|||||||1992|1993||1992-1993|1992-1993|||||0||||0|||||Mixed materials|mixed materials|||||video|||||||||||||||||||||Cornell|||MNW|8/4/2003 0:00:00|7/9/2003 0:00:00|M2771|||0|||||||35|M||||||1992|||||||||Work|0||Installation of Tele-Vecindario, from "Culture in Action: New Public Art," Sculpture Chicago, 1993.||||||||||0|0|Street-Level Video (Block Party);Video al nivel de la calle (Fiesta de vecinos)|Manglano-Ovalle, Iñigo 60.00|0|Creator||J-Manglano|2||||El Niño Effect (Niño and Niña)||Image Source (Book)|El efecto El Niño (Niño y Niña)|Translated|Dict.Art||||El Niño Effect (Niño and Niña)|29778|Manglano-Ovalle, Iñigo||photographer|Manglano-Ovalle, Iñigo|0||||0|||||Spanish||||||||Spain||||||0||||0||||0||||0|Photographs|||||20|||1998|1998||1998|1998|||||0||||0|||||Cibachrome print|Cibachrome print|||||photography|||||101.6 x 152.4 cm|||Santa Monica,Christopher Grimes Gallery|Santa Monica: Christopher Grimes Gallery||||||||||||Cornell|||MNW|8/4/2003 0:00:00|7/9/2003 0:00:00|M2771|||0|||||||J|PH||||||1998| ||||||||Work|0||||||||||||0|0|El Niño Effect (Niño and Niña);El efecto El Niño (Niño y Niña)|Manglano-Ovalle, Iñigo 61.00|0|Creator||35|M2771-M|2000|1||Climate||Image Source (Book)|Clima|Translated|Image Source (Book)||||Climate|29778|Manglano-Ovalle, Iñigo||photographer|Manglano-Ovalle, Iñigo|0||||0|||||Spanish||||||||Spain||||||0||||0||||0||||0|Installations|Video art||||20|||2000|2000||2000|2000|||||0||||0|||||Suspended aluminum structure with interior projection|Suspended aluminum structure with interior projection||||||||||2 screens:213.4 x 121.9 cm;1 screen: 243.8 x 137.2 cm|||New York,Max Protech Gallery|New York: Max Protech Gallery||||||||||||Cornell||ECS|MNW|8/4/2003 0:00:00|7/9/2003 0:00:00|M2771|||0|||||||35|M||||||2000| ||||||||Work|0||Installation view.||||||||||0|0|Climate;Clima|Manglano-Ovalle, Iñigo 62.00|0|Creator||35|M7398-SC|1999|1||High Yellow||Image Source (Book)|||||||High Yellow|29782|Mondini-Ruiz, Franco||sculptor|Mondini-Ruiz, Franco|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Sculpture|Installation (Exhibition)||||20|||1999|1999||1999|1999|||||0||||0|||||confections, colored water, squash, table|confections, colored water, squash, table||||||||||243.8 x 182.9 x 274.3 cm||9132|Annandale-on-Hudson, Center for Curatorial Studies, Bard College|Annandale-on-Hudson: Bard College||||||||||||Cornell||ECS|MNW|8/4/2003 0:00:00|7/9/2003 0:00:00|M7398|||0|||||||35|SC||||||1999| ||||||||Work|0||Installation view: Center for Curatorial Studies, Bard College.||||||||||0|0|High Yellow|Mondini-Ruiz, Franco 63.00|0|Creator||35|M7398-SC|1995|1||Infinito Botanica|||||||||Infinito Botanica|29782|Mondini-Ruiz, Franco||sculptor|Mondini-Ruiz, Franco|0||||0|||||American||||||||United States||||||0||||0|San Antonio, Texas|||||||0|Sculpture|Installation (Exhibition)||||20|||1995|1997||1995-1997|1995-1997|||||0||||0|||||Mixed materials|mixed materials||||||||||||||||Street art||||||||||Cornell||ECS|MNW|8/4/2003 0:00:00|7/10/2003 0:00:00|M7398|||0|||||||35|SC||||||1995-1997|||||||||Work|0||Installation view.||||||||||0|0|Infinito Botanica|Mondini-Ruiz, Franco 64.00|0|Creator||35|M7398-SC|2000|2||Infinito Botanica NYC||Image Source (Book)|||||||Infinito Botanica NYC|29782|Mondini-Ruiz, Franco||sculptor|Mondini-Ruiz, Franco|0||||0|||||American||||||||United States||||||0||||0|New York, New York|||||||0|Sculpture|Installation (Exhibition)|Performance art|||20|||2000|2000||2000|2000|||||0||||0|||||Media installation with performance|mixed materials|||||performance art|||||||||||Street art||||||||||Cornell||ECS|MNW|8/4/2003 0:00:00|7/10/2003 0:00:00|M7398|||0|||||||35|SC||||||2000|||||||||Work|0||||||||||||0|0|Infinito Botanica NYC|Mondini-Ruiz, Franco 65.00|0|Creator||35|M7398-SC|2000|3||Infinito Botanica NYC|||||||||Infinito Botanica NYC|29782|Mondini-Ruiz, Franco||sculptor|Mondini-Ruiz, Franco|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Sculpture|Installation (Exhibition)||||20|||2000|2000||2000|2000|||||0||||0|||||Mixed materials|mixed materials||||||||||||3316|New York,Whitney Museum of American Art|NY: Whitney Museum||Ephemera||||||||||Cornell||ECS|MNW|8/4/2003 0:00:00|7/10/2003 0:00:00|M7398|||0|||||||35|SC||||||2000| ||||||||Work|0||Intallation view at the Whitney Biennial 2000.||||||||||0|0|Infinito Botanica NYC|Mondini-Ruiz, Franco 66.00|0|Creator||J-OrtizTorresR|1||||Sombrero Tower, Dillon, South Carolina|||||||||Sombrero Tower, Dillon, South Carolina|29785|Ortiz Torres, Ruben||photographer|Ortiz Torres, Ruben|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1995|1995||1995|1995||House of Mirrors|||195||||0|||||Fujiflex SG photograph|Fujiflex SG camera|||||photography|||||50.8 x 61 cm|||Los Angeles,Jan Kesner Gallery|Los Angeles: Jan Kesner Gallery||Sombreros||||||||||Cornell||ECS|MNW|10/13/2003 0:00:00|7/10/2003 0:00:00|O772|||0|||||||J|PH||||||1995| ||||||||Work|0||From House of Mirrors series||||||||||0|0|Sombrero Tower, Dillon, South Carolina|Ortiz Torres, Ruben 67.00|0|Creator||J-OrtizTorresR|2||||California Taco, Santa Barbara, California|||||||||California Taco, Santa Barbara, California|29785|Ortiz Torres, Ruben||photographer|Ortiz Torres, Ruben|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1995|1995||1995|1995||House of Mirrors|||195||||0|||||Fujiflex SG photograph|Fujiflex SG camera|||||photography|||||50.8 x 61 cm|||Los Angeles,Jan Kesner Gallery|Los Angeles: Jan Kesner Gallery||Parades||||||||||Cornell||ECS|JNK|3/27/2006 0:00:00|7/10/2003 0:00:00|O772|||0|||||||J|PH||||||1995| ||||||||Work|0||From House of Mirrors series||||||||||0|0|California Taco, Santa Barbara, California|Ortiz Torres, Ruben 68.00|0|Creator||35|O776-TE|1991|1|35 O776-TE 1991 1|LA Rodney Kings, Browns and Proud, Malcolm Mex, MuLAto|||||||||LA Rodney Kings, Browns and Proud, Malcolm Mex, MuLAto|29785|Ortiz Torres, Ruben||photographer|Ortiz Torres, Ruben|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Textiles|||||20|||1991|1993||1991-1993|1991-1993|||||0||||0|||||Baseball caps with stitched lettering|Baseball caps with stitched lettering||||||||||27.5 x 18.75 x 12.5 cm each|||Collection of the artist|:Collection of the artist||Baseball caps||||||||||Cornell||ECS|JNK|8/9/2005 0:00:00|7/10/2003 0:00:00|O776|||0|||||||35|TE||||||1991-1993| ||||||||Work|0|||4 separate caps.|||||||||0|0|LA Rodney Kings, Browns and Proud, Malcolm Mex, MuLAto|Ortiz Torres, Ruben 69.00|0|Creator||35|V2926-PA|1997|1||Meat à la Taunay||Image Source (Book)|Carne a la manera de Taunay|Translated|Image Source (Book)||||Meat à la Taunay|29781|Varejao, Adriana||painter|Varejao, Adriana|0||||0|||||Brazilian||||||||Brazil||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1997|1997||1997|1997|||||0||||0|||||Oil on canvas and porcelain|Oil on canvas and porcelain||||||||||64 x 74 x 5 cm|||Mexico City,OMR Galeria|Mexico City: OMR Galeria||Landscapes, Porcelain||||||||||Cornell||ECS|MNW|8/4/2003 0:00:00|7/10/2003 0:00:00|V2926|||0|||||||35|PA||||||1997| ||||||||Work|0||||||||||||0|0|Meat à la Taunay;Carne a la manera de Taunay|Varejao, Adriana 70.00|0|Creator||35|V2926-PA|1995|1||Kitchen Tiles with Varied Game|||Azulejos de cocina con cazas variadas||||||Kitchen Tiles with Varied Game|29781|Varejao, Adriana||painter|Varejao, Adriana|0||||0|||||Brazilian||||||||Brazil||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1995|1995||1995|1995|||||0||||0|||||Oil on canvas|oil on canvas||||||||||140 x 160 cm||9141|Sao Paulo,Collection Ricard Akagawa|Sao Paulo: Coll. Ricard Akagawa||Tiled floors, Animals||||||||||Cornell||ECS|MNW|8/4/2003 0:00:00|7/10/2003 0:00:00|V2926|||0|||||||35|PA||||||1995| ||||||||Work|0||||||||||||0|0|Kitchen Tiles with Varied Game;Azulejos de cocina con cazas variadas|Varejao, Adriana 71.00|0|Creator||35|V2926-PA|1992|1||Bastard Son|||Hijo bastardo||||||Bastard Son|29781|Varejao, Adriana||painter|Varejao, Adriana|0||||0|||||Brazilian||||||||Brazil||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1992|1992||1992|1992|||||0||||0|||||Oil on canvas|oil on canvas||||||||||110 x 140 cm|||Sao Paulo,Galeria Camargo Vilaca|Sao Paulo: Galeria Camargo Vilaca||Rape, Miscegenation||||||||||Cornell||ECS|MNW|8/4/2003 0:00:00|7/10/2003 0:00:00|V2926|||0|||||||35|PA||||||1992| ||||||||Work|0||||||||||||0|0|Bastard Son;Hijo bastardo|Varejao, Adriana 72.00|0|Creator||35|V2926-PA|1999|1||Carpet-style Tilework in Live Flesh||Image Source (Book)|Azulejos como tapete en carne viva|Translated|Image Source (Book)||||Carpet-style Tilework in Live Flesh|29781|Varejao, Adriana||painter|Varejao, Adriana|0||||0|||||Brazilian||||||||Brazil||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1999|1999||1999|1999|||||0||||0|||||Oil, foam, aluminum, wood and canvas|Oil, foam, aluminum, wood and canvas||||||||||150 x 191 x 25 cm||9131|San Diego, Museum of Contemporary Art|San Diego: M.Cont.Art||Tiled floors||||||||||Cornell||ECS|MNW|8/4/2003 0:00:00|7/10/2003 0:00:00|V2926|||0|||||||35|PA||||||1999| ||||||||Work|0||||||||||||0|0|Carpet-style Tilework in Live Flesh;Azulejos como tapete en carne viva|Varejao, Adriana 73.00|0|Creator|15|35|M5145-SC|1987|2|35 M5145-SC 1987 2|Missao, Missoes (How to Build Cathedrals)||Image Source (Book)|Missao, Missoes (Como construir catedrales)|Translated|Image Source (Book)||||Missao, Missoes (How to Build Cathedrals)|7843|Meireles, Cildo Campos||painter|Meireles, Cildo Campos|0||||0|||||Brazilian||||||||Brazil||||||0||||0||||0||||0|Sculpture|Installation (Exhibition)||||20|||1987|1989||1987-1989; Reconstrudted 1992|1987-1989|||||0||||0|||||Coins, communion wafers, cattle bones, paving stones, lights|coins, communion wafers, cattle bones, paving stones, lights||||||||||4.10 x 4.10 x 4.10 m||200|Austin,University of Texas, Jack S. Blanton Museum of Art|Austin: Univ.TX; Blanton Mus.||||||||||||Cornell||ECS|MNW|3/21/2005 0:00:00|7/10/2003 0:00:00|M5145|||0|||||||35|SC||||||1987| ||||||||Work|0|||||Reconstructed in 1992|||||||0|0|Missao, Missoes (How to Build Cathedrals);Missao, Missoes (Como construir catedrales)|Meireles, Cildo Campos 74.00|0|Creator||35|V2926-PA|1992|2||Wounded Painting||Image Source (Book)|Pintura herida|Translated|Image Source (Book)||||Wounded Painting|29781|Varejao, Adriana||painter|Varejao, Adriana|0||||0|||||Brazilian||||||||Brazil||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1992|1992||1992|1992|||||0||||0|||||Oil on canvas|oil on canvas||||||||||170 x 140 cm|||Collection of the artist|:Collection of the artist||||||||||||Cornell||ECS|MNW|8/4/2003 0:00:00|7/10/2003 0:00:00|V2926|||0|||||||35|PA||||||1992| ||||||||Work|0||||||||||||0|0|Wounded Painting;Pintura herida|Varejao, Adriana 75.00|0|Creator||J-Hernandez-D|1||||Marx|||||||||Marx|5348|Hernandez-Diez, Jose||photographer|Hernandez-Diez, Jose|0||||0|||||Venezuelan||||||||Venezuela||||||0||||0||||0||||0|Photographs|||||20|||2000|2000||2000|2000|||||0||||0|||||Cibachrome print|Cibachrome print||||||||||210 x 160 cm|||Barcelona,Galeria Elba Benitez|Barcelona: Galeria Elba Benitez||Shoes (footwear)||||||||||Cornell||ECS|MNW|8/4/2003 0:00:00|7/10/2003 0:00:00|H5576|||0|||||||J|PH||||||2000| ||||||||Work|0||Third print.||||||||||0|0|Marx|Hernandez-Diez, Jose 76.00|0|Creator||35|A4456-PA|1974|1||No Compre Vino Gallo||Image Source (Book)|||||||No Compre Vino Gallo|29789|Almarez, Carlos||muralist|Almarez, Carlos|0||||0|||||Mexican||||||||Mexico||||||0|213 S Soto Street, Los Angeles,CA|||||||||||0|Paintings|Mural||||20|||1974|1974||1974|1974|||||0||||0|||||Mural painting||||||mural painting|||||244 x 914 cm||9136|Los Angeles,213 South Soto Street|LA: 213 South Soto St.||Mexican American, Wineries, Boycotts, Chains (object genres)||||||||||Cornell|||MNW|7/30/2003 0:00:00|7/11/2003 0:00:00|A4456|||0|||||||35|PA||||||1974| ||||||||Work|0||Carlos Almaraz worked with young people from the 3rd St. gang on this project.||||||||||0|0|No Compre Vino Gallo|Almarez, Carlos 77.00|0|Creator||35|C7347-PA|1978|1||Song of Unity||Image Source (Book)|||||||Song of Unity|29811|Commonarts||muralist|Commonarts|0||||0|||||Mexican American||||||||United States||||||0|3105 Shattuck Ave., Berkeley, CA|||||||0||||0|Paintings|Mural||||20|||1978|1978||1978|1978|||||0||||0|||||Mural painting||||||mural painting|||||Ca. 609 x 1524 cm|||Berkeley, La Pena Cultural Center|Berkeley: La Pena Cult. Ctr.||Mexican American, Music, Musicians||||||||||Cornell|||MNW|7/30/2003 0:00:00|7/11/2003 0:00:00|C7347|||0|||||||35|PA||||||1978| ||||||||Work|0||||||||||||0|0|Song of Unity|Commonarts 78.00|0|Creator||35|B5176-PA|1968|1||Del Ray Mural|||||||||Del Ray Mural|29791|Bernal, Antonio||muralist|Bernal, Antonio|0||||0|||||Mexican American||||||||United States||||||0|Del Ray, CA|||||||0||||0|Paintings|Mural||||20|||1968|1968||1968|1968|||||0||||0|||||Mural paintng. Enamel on wood.|enamel on wood|||||mural painting|||||183 x 457 cm|||Del Ray, El Teatro Campesino Cultural Center|Del Ray: El Teatro Campesino Cultural Center||Group portraits||||||||||Cornell|||MNW|7/30/2003 0:00:00|7/11/2003 0:00:00|B5176|||0|||||||35|PA||||||1968| ||||||||Work|0||||||||||||0|0|Del Ray Mural|Bernal, Antonio 79.00|0|Creator||35|C9575-PA|1974|1||Untitled|||Homeboy||||||Untitled (Homeboy)|29792|Cruz, Manuel||muralist|Cruz, Manuel|0||||0|||||Hispanic American||||||||United States||||||0|Los Angeles, CA|||||||0||||0|Paintings|Mural||||20|||1974|1974||1974|1974|||||0||||0|||||Mural painting||||||mural painting|||||488 x 610 cm||| Los Angeles, Ramona Gardens Housing Project| Los Angeles: Ramona Gardens Housing Project||Handguns, Automobiles, Hispanic Americans, Murder||||||||||Cornell|||MNW|7/30/2003 0:00:00|7/11/2003 0:00:00|C9575|||0|||||||35|PA||||||1974| ||||||||Work|0||||||||||||0|0|Untitled;Homeboy|Cruz, Manuel 80.00|0|Creator||35|C3132-PA|1981|1||The History of L.A., a Mexican Perspective||Image Source (Book)|||||||The History of L.A., a Mexican Perspective|29793|Carrasco, Barbara||muralist|Carrasco, Barbara|0||||0|||||Hispanic American||||||||United States||||||0|Los Angeles, CA|||||||0||||0|Paintings|Mural||||20|||1981|1983||1981-1983|1981-1983|||||0||||0|||||Mural painting||||||mural painting|||||488 x 2438 cm (unmounted)||||||Hispanic American, Los Angeles||||||||||Cornell||MNW|MNW|7/30/2003 0:00:00|8/15/2006 0:00:00|C3132|||0|||||||35|PA||||||1981-1983|||||||||Work|0||This mural is portable.||||||||||0|0|The History of L.A., a Mexican Perspective|Carrasco, Barbara 81.00|0|Creator||35|R5862-PA|1978|1||Frida, Billboard||Image Source (Book)|||||||Frida, Billboard|29794|Rios, Michael||muralist|Rios, Michael|0||||0|||||Hispanic American||||||||United States||||||0|Mission District, San Francisco, CA|||||||0||||0|Paintings|Mural||||20|||1978|1978||1978|1978|||||0||||0|||||Mural painting||||||mural painting|||||244 x 610 cm|||San Francisco,Galeria de la Raza|San Francisco: Galeria de la Raza||Portraits, Kahlo, Frieda||||||||||Cornell|||ECS|10/31/2003 0:00:00|7/11/2003 0:00:00|R5862|||0|||||||35|PA||||||1978| ||||||||Work|0||||||||||||0|0|Frida, Billboard|Rios, Michael 82.00|0|Creator||35|H5684.4-PA|1973|1||Black and White Moratorium Mural|Assigned|Image Source (Pub)|||||||Black and White Moratorium Mural|29795|Herrón, Willie||muralist|Herrón and Gronk|4830|Gronk||muralist|29810|Gamboa Jr. , Harry||photographer||Hispanic American||||||||United States||||||0|Los Angeles: Estrada Courts Housing Proj.|||10559||||0||||0|Paintings|Mural|Painting|||20|||1973|1973||1973|1973|||||0||||0|||||Mural painting||||||mural painting|||||Ca. 610 x 914 cm||||||Hispanic American, Protests||||||||||Cornell||MNW|MNW|7/30/2003 0:00:00|8/16/2005 0:00:00|H5684|||0|||||||35|PA||||||1973| ||||||||Work|0||||||||||||0|0|Black and White Moratorium Mural|Herrón, Willie;Gronk;Gamboa Jr. , Harry 83.00|0|Creator|15|35|V136-PA|1981|1||Broadway Mural||Image Source (Book)|||||||Broadway Mural|12061|Valadez, John||muralist|Valadez, John|0||||0|||||Hispanic American||||||||United States||||||0|742 S.Broadway, Los Angeles, CA|||||||0||||0|Paintings|Mural||||20|||1981|1981||1981|1981|||||0||||0|||||Mural painting||||||mural painting|||||244 x 1829 cm|||Los Angeles,Victor Clothing Company|Los Angeles: Victor Clothing Company||||||||||||Cornell|||MNW|9/24/2003 0:00:00|7/11/2003 0:00:00|V136|||0|||||||35|PA||||||1981| ||||||||Work|0||||||||||||0|0|Broadway Mural|Valadez, John 84.00|0|Creator||35|O164-PA|1981|1||Geronimo||Image Source (Book)|||||||Geronimo|8658|Ochoa, Victor||muralist|Ochoa, Victor|0||||0|||||Hispanic American||||||||United States||||||0|San Diego, CA|||||||0||||0|Paintings|Mural||||20|||1981|1981||1981|1981|||||0||||0|||||Mural painting||||||mural painting|||||480 x 1844 cm|||San Diego,Centro Cultural de la Raza, Balboa Park|San Diego: Centro Cultural de la Raza, Balboa Park||Geronimo, Hispanic Americans, Native Americans||||||||||Cornell||ECS|MNW|7/30/2003 0:00:00|7/16/2003 0:00:00|O164|||0|||||||35|PA||||||1981| ||||||||Work|0||||||||||||0|0|Geronimo|Ochoa, Victor 85.00|0|Creator||35|Z585-G|1965|1||Huelga|||||||||Huelga|13079|Zermeno, Andrew Sanchez||illustrator|Zermeno, Andrew Sanchez|0||||0|||||Hispanic American||||||||United States||||||0||||0||||0||||0|Graphics|Poster||||20|||1965|1970||1970|1965|||||0||||0|||||Photo offset/paper.|paper|||||printing|||||||||||Trade unions, Hispanic Americans||||||||||Cornell||ECS|MNW|7/30/2003 0:00:00|7/16/2003 0:00:00|Z585|||0|||||||35|G||||||1965-1970|||||||||Work|0||Worked with Taller Grafico of the United Farm Workers on this project.||||||||||0|0|Huelga|Zermeno, Andrew Sanchez 86.00|0|Creator||35|O658-PA|1983|1||Where heroes are born|||||||||Where heroes are born|29796|Ordunez, Juan||muralist|Ordunez, Juan|0||||0|||||Hispanic American||||||||United States||||||0|Los Angeles, CA|||||||0||||0|Paintings|Mural||||20|||1983|1983||1983|1983|||||0||||0|||||Mural painting||||||mural painting|||||183 x 610 cm|||Los Angeles,CA, 3881 North Broadway|||Hispanic American||||||||||Cornell||ECS|MNW|7/30/2003 0:00:00|7/16/2003 0:00:00|O658|||0|||||||35|PA||||||1983| ||||||||Work|0||||||||||||0|0|Where heroes are born|Ordunez, Juan 87.00|0|Creator||35|M7987-G|1979|1||Abajo con la migra|||||||||Abajo con la migra|29797|Montoya, Malaquias||illustrator|Montoya, Malaquias|0||||0|||||Hispanic American||||||||United States||||||0||||0||||0||||0|Posters|Screen print||||20|||1979|1979||1979|1979|||||0||||0|||||Silkscreen/paper.|paper|||||screen printing|||||61 x 76 cm||||||Hispanic American, Statue of Liberty (New York, N.Y.)||||||||||Cornell||ECS|MNW|7/30/2003 0:00:00|7/16/2003 0:00:00|M7987|||0|||||||35|G||||||1979|||||||||Work|0||||||||||||0|0|Abajo con la migra|Montoya, Malaquias 88.00|0|Creator||35|B1162-PA|1981|1Z||"Zoot Suit Riots"|||||||||"Zoot Suit Riots," from Great Wall of Los Angeles|29798|Baca, Judith Francisca||muralist|Baca, Judith Francisca|0||||0|||||Hispanic American||||||||United States||||||0|Los Angeles, California|||||||0||||0|Paintings|Mural||||20|||1981|1981||1981|1981||Great Wall of Los Angeles|||173||||0||||||||||||||||33 x 20 cm|||Los Angeles,Tujunga Wash Drainage Canal|Los Angele: Tujunga Wash Drainage Canal||Hispanic American||||||||||Cornell||ECS|MNW|7/30/2003 0:00:00|7/16/2003 0:00:00|B1162|||0|||||||35|PA||||||1981| ||||||||Work|0||||||||||||0|0|"Zoot Suit Riots"|Baca, Judith Francisca 89.00|0|Creator||35|R6963-PA|1975|1||Fantasy world for children|||||||||Fantasy world for children|29799|Rodriguez, Patricia||muralist|Rodriguez, Patricia|0||||0|||||Hispanic American||||||||United States||||||0|San Francisco, California|||||||0||||0|Paintings|Mural||||20|||1975|1975||1975|1975|||||0||||0||||||||||||||||914 x 457 cm|||San Francisco,Ralph Maradiaga Mini-Park, 24th and Bryant Sts.,Mission District|San Francisco: Ralph Maradiaga Mini-Park||Jungles, Animals, Children (people by age group), Waterfalls||||||||||Cornell||ECS||7/30/2003 0:00:00|7/16/2003 0:00:00|R6963|||0|||||||35|PA||||||1975| ||||||||Work|0|||Patricia Rodriguez worked with Graciela Carillo and Irene Perez on this project. All are members of the group Mujeres Muralistas.|||||||||0|0|Fantasy world for children|Rodriguez, Patricia 90.00|0|Creator||35|M9533-PA|1974|1||Latinoamerica||Image Source (Book)|||||||Latinoamerica|29818|Mujeres Muralistas||muralist|Mujeres Muralistas|0||||0|||||Hispanic American||||||||United States||||||0|San Francisco, California|||||||0||||0|Paintings|Mural||||20|||1974|1974||1974|1974|||||0||||0|||||Mural painting||||||mural painting|||||762 x 2134 cm|||San Francisco,Mission Street between 25th & 26th Sts.|San Francisco: Mission Street||Hispanic American||||||||||Cornell||ECS|MNW|7/29/2003 0:00:00|7/16/2003 0:00:00|M9533|||0|||||||35|PA||||||1974| ||||||||Work|0||||||||||||0|0|Latinoamerica|Mujeres Muralistas 91.00|0|Creator||35|B1162-PA|1983|1Di|35 B1162-PA 1983 1Di|Division of the Barrios and Chavez Ravine|Inscribed|Image Source (Pub)|||||||Great Wall of Los Angeles. Division of the Barrios and Chavez Ravine|29798|Baca, Judith Francisca||muralist|Judith Francisca Baca|0||||0|||||Hispanic American||||||||United States||||||0|Los Angeles, Tujunga Wash Drainage Canal|||10544||||0||||0|Paintings|Mural||||20|||1983|1983||1983|1983||Great Wall of Los Angeles|LargerEntity||173||||0|||||Mural painting||||||mural painting|||||396 x 1067 cm||||||Barrios ; |Barrios|||||||||Cornell||ECS|MNW|3/29/2006 0:00:00|7/16/2003 0:00:00|B1162|||0|||||||35|PA||||||1983| ||||||||Work|0||||||||||||0|0|Division of the Barrios and Chavez Ravine|Baca, Judith Francisca 92.00|0|Creator||35|B1162-PA|1990|1P||Pickers|||||||||Guadalupe Mural. Pickers|29798|Baca, Judith Francisca||muralist|Baca, Judith Francisca|0||||0|||||Hispanic American||||||||United States||||||0|Guadalupe, Mexico|||||||0||||0|Paintings|Mural||||20|||1990|1990||1990|1990||Guadalupe Mural|Larger Entity||171||||0|||||Acrylic on plywood|acrylic on plywood|||||mural painting|||||244 x 218 cm|||Guadalupe,Mexico,Leroy Park|Guadalupe,Mexico: Leroy Park||Hispanic American, Migrant workers||||||||||Cornell||ECS|MNW|3/29/2006 0:00:00|7/16/2003 0:00:00|B1162|||0|||||||35|PA||||||1990| ||||||||Work|0||||||||||||0|0|Pickers|Baca, Judith Francisca 93.00|0|Creator||35|F4656-PA|1974|1||Orale Raza|Original|Image Source (Book)|Right On! American People|Translated|Image Source (Book)||||Orale Raza|29800|Fierro, Frank||muralist|Fierro, Frank|0||||0|||||Hispanic American||||||||United States||||||0|Los Angeles, California|||||||0||||0|Paintings|Mural||||20|||1974|1974||1974|1974|||||0||||0|||||||||||mural painting|||||Appox. 610 x 914 cm|||Los Angeles,Estrada Courts Housing Project|Los Angeles: Estrada Courts Housing Project||Hispanic American||||||||||Cornell||ECS|MNW|7/29/2003 0:00:00|7/16/2003 0:00:00|F4656|||0|||||||35|PA||||||1974| ||||||||Work|0||||||||||||0|0|Orale Raza;Right On! American People|Fierro, Frank 94.00|0|Creator||35|B7485-PA|1975|1||Read between the lines|||||||||Read between the lines|29801|Botello, David Rivas||muralist|Botello, David Rivas|0||||0|||||Hispanic American||||||||United States||||||0|Los Angeles, California|||||||0||||0|Paintings|Mural||||20|||1975|1975||1975|1975|||||0||||0|||||||||||mural painting|||||305 x 610 cm|||Los Angeles, Ford & Olympic Blvds.|Los Angeles: Ford & Olympic||Hispanic American, Discrimination||||||||||Cornell||ECS|MNW|7/29/2003 0:00:00|7/17/2003 0:00:00|B7485|||0|||||||35|PA||||||1975| ||||||||Work|0||||||||||||0|0|Read between the lines|Botello, David Rivas 95.00|0|Creator||35|C7495-PA|1978|1||We are not a minority|||||||||We are not a minority|29802|Congresso de Artistas Chicanos en Aztlan||muralist|Congresso de Artistas Chicanos en Aztlan|0||||0|||||Hispanic American||||||||United States||||||0|Los Angeles, California|||||||0||||0|Paintings|Mural||||20|||1978|1978||1978|1978|||||0||||0|||||||||||mural painting|||||610 x 914 cm|||Los Angeles, Estrada Courts Housing Project|Los Angeles: Estrada Courts Housing Project||Hispanic American, Discrimination||||||||||Cornell||ECS|MNW|7/29/2003 0:00:00|7/17/2003 0:00:00|C7495|||0|||||||35|PA||||||1978| ||||||||Work|0||||||||||||0|0|We are not a minority|Congresso de Artistas Chicanos en Aztlan 96.00|0|Creator||35|H5684-PA|1972|1||The wall that cracked open|||||||||The wall that cracked open|29795|Herrón, Willie||muralist|Herrón, Willie|0||||0|||||Hispanic American||||||||United States||||||0|Los Angeles, California|||||||0||||0|Paintings|Mural||||20|||1972|1972||1972|1972|||||0||||0||||||||||||||||762 x 488 cm|||Los Angeles,4125 City Terrace|Los Angeles: 4125 City Terrace||Hispanic American||||||||||Cornell||ECS|MNW|7/29/2003 0:00:00|7/17/2003 0:00:00|H5684|||0|||||||35|PA||||||1972| ||||||||Work|0||||||||||||0|0|The wall that cracked open|Herrón, Willie 97.00|0|Creator||35|A8151-M|1974|1||Instant Mural|||||||||Instant Mural|29808|ASCO Chicano Performance Group||performance artist|ASCO Chicano Performance Group|0||||0|||||Hispanic American||||||||United States|||Los Angeles|||||||0|Los Angeles|||||||0|Performance Art|||||20|||1974|1974||1974|1974|||||0||||0|||||Performance art||||||performance art||||||||Los Angeles,Whittier Boulevard|Los Angeles: Whittier Boulevard||Hispanic American||||||||||Cornell||ECS|MNW|7/29/2003 0:00:00|7/17/2003 0:00:00|A8151|||0|||||||35|M||||||1974| ||||||||Work|0||ASCO members Patssi Valdez and Humberto Sandoval were taped to the wall by Gronk.||||||||||0|0|Instant Mural|ASCO Chicano Performance Group 98.00|0|Creator||35|B4323-PA|1982|1||Two Cybernetic Heads|||Dos cabezas ciberneticas||||||Two Cybernetic Heads (Dos cabezas ciberneticas)|29819|Belkin, Arnold||painter|Belkin, Arnold|0||||0|||||Canadian|||Modernist|||||Canada||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1982|1982||1982|1982|||||0||||0|||||Oil on canvas|oil on canvas|||||painting (image-making)|||||||||||Heads (representations)||||||||||Cornell||ECS||7/29/2003 0:00:00|7/18/2003 0:00:00|B4323|||0|||||||35|PA||||||1982|||||||||Work|0||Exhibited at the 30th Festival Internacional Cervantino, Oct. 9-27, 2002.||||||||||0|0|Two Cybernetic Heads;Dos cabezas ciberneticas|Belkin, Arnold 99.00|0|Creator||35|S586-SC|2002|1a||Wax and resin figures|||||||||Wax and resin figures|29820|Silva, Cesar Martinez||sculptor|Silva, Cesar Martinez|0||||0|||||Mexican|||Modernist|||||Mexico||||||0||||0|Guanajuato, Mexico|||||||0|Sculpture|||||20|||2002|2002||2002|2002|||||0||||0|||||Wax and resin|wax and resin|||||sculpture||||||||Guanajuato, Mexico,Festival Internacional Cervantino|Guanajuato: Festival Intl.Cervantino, 2002||Figures (representations), Male nudes||||||||||Cornell||ECS|MNW|7/29/2003 0:00:00|7/18/2003 0:00:00||||0|||||||35|SC||||||2002| ||||||||Work|0||Exhibited at the 30th Festival Internacional Cervantino, Oct. 9-27, 2002.||||||||||0|0|Wax and resin figures|Silva, Cesar Martinez 103.00|0|Creator||35|T147-SC|2002|1||La Calavera de Don Quijote; Hommage to Jose Guadalupe Posada|||||||||La Calavera de Don Quijote; Hommage to Jose Guadalupe Posada|29821|Taller de Plástica "El Volador"||sculptor|Taller de Plástica "El Volador"|||||0|||||Mexican||||||||Mexico||||||0||||0|Guanajuato, Mexico|||||||0|Sculpture|||||20|||2002|2002||2002|2002|||||0||||0|||||||||||sculpture||||||||Guanajuato, Mexico,Festival Internacional Cervantino|Guanajuato,Festival Intl.Cervantino, 2002||Skeleton, Don Quixote||||||||||Cornell||ECS|MNW|7/29/2003 0:00:00|7/18/2003 0:00:00||||0|||||||35|SC||||||2002| ||||||||Work|0||Exhibited at the 30th Festival Internacional Cervantino, Oct. 9-27, 2002.||||||||||0|0|La Calavera de Don Quijote; Hommage to Jose Guadalupe Posada|Taller de Plástica "El Volador" 104.00|0|Creator||35|T147-SC|2002|2||Posada; Hommage to Jose Guadalupe Posada|||||||||Posada; Hommage to Jose Guadalupe Posada|29821|Taller de Plástica "El Volador"||sculptor|Taller de Plástica "El Volador"|0||||0|||||Mexican||||||||Mexico||||||0||||0|Guanajuato, Mexico|||||||0|Sculpture|||||20|||2002|2002||2002|2002|||||0||||0|||||||||||sculpture||||||||Guanajuato, Mexico,Festival Internacional Cervantino|Guanajuato: Festival Intl.Cervantino, 2002||Skeleton||||||||||Cornell||ECS|MNW|7/29/2003 0:00:00|7/18/2003 0:00:00|T147|||0|||||||35|SC||||||2002| ||||||||Work|0||Exhibited at the 30th Festival Internacional Cervantino, Oct. 9-27, 2002.||||||||||0|0|Posada; Hommage to Jose Guadalupe Posada|Taller de Plástica "El Volador" 105.00|0|Creator||35|P214-M|1968|1||Divide|Translated|Image Source (Vendor)|Divisor|Published|Image Source (Book)||||Divide (Divisor)|29822|Pape, Lygia||performance artist|Pape, Lygia|0||||0|||||Brazilian||||||||Brazil||||||0||||0||||0||||0|Performance Art|||||20|||1968|1968||1968|1968|||||0||||0|||||||||||performance art|||||||||||||||||||||Cornell||ECS|MNW|3/18/2005 0:00:00|7/21/2003 0:00:00|P214|||0|||||||35|M||||||1968|||||||||Work|0||||||||||||0|0|Divide;Divisor|Pape, Lygia 106.00|0|Creator||35|M668-M|1979|1||El Obelisco de Pan Dulce|Original|Image Source (Book)|||||||El Obelisco de Pan Dulce|29823|Minujin, Marta||sculptor|Minujin, Marta|0||||0|||||Argentine||||||||Argentina||||||0||||0|Buenos Aires, Argentina|||10016||||0|Sculpture|Installation (Exhibition)||||20|||1979|1979||1979|1979|||||0||||0|||||30,000 panettone|30,000 panettone|||||sculpture|||||||||||||||||||||Cornell||ECS|MNW|9/2/2003 0:00:00|7/21/2003 0:00:00|M668|||0|||||||35|M||||||1979|||||||||Work|0||||||||||||0|0|El Obelisco de Pan Dulce|Minujin, Marta 107.00|0|Creator||35|M668-M|1966|1||Sumultaneidad en Simultaneidad|Original|Image Source (Book)|||||||Sumultaneidad en Simultaneidad|29823|Minujin, Marta||conceptual artist|Minujin, Marta|0||||0|||||Argentine||||||||Argentina||||||0||||0|Buenos Aires, Argentina|||10016||||0|Performance Art|||||20|||1966|1966||1966|1966|||||0||||0||||||Television receivers|||||performance art|||||||495|Buenos Aires,Instituto Torcuato di Tella|Buenos Aires: Inst. Torcuato||Television receivers||||||||||Cornell||ECS|MNW|9/2/2003 0:00:00|7/21/2003 0:00:00|M668|||0|||||||35|M||||||1966| ||||||||Work|0|||Happening.|||||||||0|0|Sumultaneidad en Simultaneidad|Minujin, Marta 108.00|0|Creator||35|C1845-SC|1966|1|35 C1845-SC 1966 1|Adhesive labels|Translated|Image Source (Book)|Klebeetiketten|Original|Image Source (Book)||||Adhesive labels|29824|Camnitzer, Luis||sculptor|Camnitzer, Luis|0||||0|||||German||||||||Germany||||||0||||0||||0||||0|Sculpture|||||20|||1966|1967||1967|1966|||||0||||0|||||Nine adhesive labels|nine adhesive labels|||||sculpture|||||3.2 x 4.4 cm each||3561|Collection of the Artist|: Collection of the Artist||||||||||||Cornell||ECS|MNW|3/21/2005 0:00:00|7/21/2003 0:00:00|C1845|||0|||||||35|SC||||||1966-1967| ||||||||Work|0||||||||||||0|0|Adhesive labels;Klebeetiketten|Camnitzer, Luis 109.00|0|Creator||35|C1845-M|1969|1|35 C1845-M 1969 1|Massacre of Puerto Montt|Translated|Image Source (Book)|Massaker von Puerto Montt|Original|Image Source (Book)||||Massacre of Puerto Montt|29824|Camnitzer, Luis||conceptual artist|Camnitzer, Luis|0||||0|||||German||||||||Germany||||||0||||0|Santiago, Chile|||||||0|Installations|||||20|||1969|1990||1969/1990|1969/1990|||||0||||0|||||Xeroxes|Xeroxes||||||||||||9217|New York: Herbert H. Lehman College; Lehman College Art Gallery|New York: Lehman Coll.; Art Gal.||||||||||||Cornell||ECS|MNW|3/21/2005 0:00:00|7/21/2003 0:00:00|C1845|||0|||||||35|M||||||1969/1990| ||||||||Work|0||First exhibited in the Museo de Bellas Artes in Santiago de Chile (Spanish version); the English version was exhibited in 1990 in the Lehman College Art Gallery at the Herbert H. Lehman College in New York, NY.||||||||||0|0|Massacre of Puerto Montt;Massaker von Puerto Montt|Camnitzer, Luis 110.00|0|Creator||35|C1845-PH|1983|1|35 C1845-PH 1983 1|Uruguayan Torture Series|Translated|Image Source (Book)|Uruguayischen Folter-Serie|Original|Image Source (Book)||||Uruguayan Torture Series|29824|Camnitzer, Luis||photographer|Camnitzer, Luis|0||||0|||||German||||||||Germany||||||0||||0||||0||||0|Photographs|Photogravures||||20|||1983|1984||1983-1984|1983-1984|||||0||||0|||||Photogravure||||||photogravure|||||76 x 35 cm each||3561|Collection of the Artist|: Collection of the Artist||||||||||||Cornell||ECS|MNW|3/21/2005 0:00:00|7/21/2003 0:00:00|C1845|||0|||||||35|PH||||||1983-1984| ||||||||Work|0||35 four color photogravures.||||||||||0|0|Uruguayan Torture Series;Uruguayischen Folter-Serie|Camnitzer, Luis 111.00|0|Creator|15|35|C5945-SC|1967|1|35 C5945-SC 1967 1|The I and the You: Clothes-Body-Clothes Series|Translated|Image Source (Book)|O Eu e o Tu: Série Roupa-Corpo-Roupa|Original|Image Source (Book)||||The I and the You: Clothes-Body-Clothes Series|2358|Clark, Lygia||sculptor|Clark, Lygia|0||||0|||||Brazilian||||||||Brazil||||||0||||0||||0||||0|Sculpture|Body art||||20|||1967|2000||1967/2000|1967/2000|||||0||||0|||||Plastic boiler suits with six zippered compartments|plastic boiler suits with six zippered compartments|||||sculpture|||||||2392|Rio de Janeiro,Museu de Arte Moderna|Rio: Mus. Arte Mod.||||||||||||Cornell||ECS|MNW|3/18/2005 0:00:00|7/21/2003 0:00:00|C5945|||0|||||||35|SC||||||1967| ||||||||Work|0||||||||||||0|0|The I and the You: Clothes-Body-Clothes Series;O Eu e o Tu: Série Roupa-Corpo-Roupa|Clark, Lygia 113.00|0|Creator|15|35|C5945-M|1968|1|35 C5945-M 1968 1|The House is the Body. Penetration, Ovulation, Germination, Expulsion|Translated|Image Source (Book)|A Casa é o Corpo, Penetração, Ovulação, Germinação, Expulsão|LargerEntity|Image Source (Book)||||The House is the Body|2358|Clark, Lygia||conceptual artist|Clark, Lygia|0||||0|||||Brazilian||||||||Brazil|||Rio de Janiero, Brazil|||||||0|Venice, Italy|||10017||||0|Installations|Installation (Exhibition)||||20|||1968|||1968/2000|1968/2000|||||0||||0|||||Wood, cotton, transparent lycra, elastic bands, foam rubber|wood, cotton, transparent lycra, elastic bands, foam rubber|||||sculpture|||||8 x 3.7 x 3.2 m||2392|Rio de Janeiro,Museu de Arte Moderna|Rio: Mus. Arte Mod.||||||||||||Cornell||ECS|MNW|3/18/2005 0:00:00|7/21/2003 0:00:00|C5945|||0|||||||35|M||||||1968/2000| ||||||||Work|0||Installation designed for and exhibited at the 34th Biennale in Venice. Reconstructed by the Generali Corporation.||||||||||0|0|The House is the Body. Penetration, Ovulation, Germination, Expulsion;A Casa é o Corpo, Penetração, Ovulação, Germinação, Expulsão|Clark, Lygia 116.00|0|Creator|15|35|C5945-M|1968|2|35 C5945-M 1968 2|Arquitecturas Biologicas: Ovo-mortalha|Original|Image Source (Book)|||||||Arquitecturas Biologicas: Ovo-mortalha|2358|Clark, Lygia||performance artist|Clark, Lygia|0||||0|||||Brazilian||||||||Brazil||||||0||||0||||0||||0|Performance Art|Performance art||||20|||1968|1968||1968|1968|||||0||||0|||||||||||performance art|||||||||||||||||||||Cornell||ECS|MNW|3/18/2005 0:00:00|7/21/2003 0:00:00|C5945|||0|||||||35|M||||||1968|||||||||Work|0||||||||||||0|0|Arquitecturas Biologicas: Ovo-mortalha|Clark, Lygia 117.00|0|Creator||J-MP|Clark|1 Lygia|1||The World of Lygia Clark||Image Source (Book)|||||||The World of Lygia Clark|29845|Clark, Eduardo||filmmaker|Clark, Eduardo|0||||0|||||Brazilian||||||||Brazil||||||0||||0||||0||||0|Film Stills|||||20|||1978|1978||1978|1978|||||0||||0|||||||||||film making|||||||||||||||||||||Cornell||ECS||8/26/2005 0:00:00|7/21/2003 0:00:00||||0|||||||J-MP||||||||||||||||Work|0||||||||||||0|0|The World of Lygia Clark|Clark, Eduardo 118.00|0|Creator|15|35|M5145-SC|1970|1|35 M5145-SC 1970 1|Insertions Into Ideological Circuits|Translated|Image Source (Book)|Incerções em Circuitos Idelogicos|Original|Image Source (Book)||||Insertions into Ideological Circuits|7843|Meireles, Cildo Campos||painter|Meireles, Cildo Campos|0||||0|||||Brazilian||||||||Brazil||||||0||||0||||0||||0|Sculpture|||||20|||1970|1975||1970-1975|1970-1975|||||0||||0|||||Coke bottles and silkscreen sticker messages|mixed materials|||||sculpture|screen printing||||||||||||||||||||Cornell||ECS|JNK|3/23/2005 0:00:00|7/21/2003 0:00:00|M5145|||0|||||||35|SC||||||1970| ||||||||Work|0|Sculpture|||||||||||0|0|Insertions Into Ideological Circuits;Incerções em Circuitos Idelogicos|Meireles, Cildo Campos 119.00|0|Creator|15|35|C5945-M|1976|1|35 C5945-M 1976 1|Relational Object in a Therapeutic Context|Translated|Image Source (Book)|Objeto Relacional|Original|Image Source (Book)||||Relational Object in a Therapeutic Context|2358|Clark, Lygia||performance artist|Clark, Lygia|0||||0|||||Brazilian||||||||Brazil||||||0||||0||||0||||0|Performance Art|Performance art||||20|||1976|1976||1976|1976|||||0||||0|||||Performance art||||||performance art|||||||||||||||||||||Cornell||ECS|MNW|3/18/2005 0:00:00|7/21/2003 0:00:00|C5945|||0|||||||35|M||||||1976|||||||||Work|0||||||||||||0|0|Relational Object in a Therapeutic Context;Objeto Relacional|Clark, Lygia 120.00|0|Creator|15|35|M5145-SC|1970|4|35 M5145-SC 1970 4|Coca Cola Project|Translated|Image Source (Book)|Projeto Coca Cola|LargerEntity|Image Source (Book)||||Insertions Into Ideological Circuits: Coca Cola Project|7843|Meireles, Cildo Campos||painter|Meireles, Cildo Campos|0||||0|||||Brazilian||||||||Brazil||||||0||||0||||0||||0|Sculpture|||||20|||1970|1975||1970-1975|1970-1975||Insertions into Ideological Circuits|||118||||0|||||Three Coca Cola Bottles with text|Coca Cola bottles|Texts||||sculpture|||||18 cm high||9459|Rio de Janiero: Collection of the artist|Rio: Coll. of artist||Bottles ; |Bottles|||||||||Cornell||ECS|CLL|3/28/2005 0:00:00|7/21/2003 0:00:00|M5145|||0|||||||35|SC||||||1970| ||||||||Work|0|Sculpture|||||||||||0|0|Coca Cola Project;Projeto Coca Cola|Meireles, Cildo Campos 121.00|0|Creator|15|35|M5145-SC|1970|2|35 M5145-SC 1970 2|Banknote-Project|Translated|Image Source (Book)|Projeto Cédula|Original|Image Source (Book)||||Insertions into Ideological Circuits: Banknote-Project|7843|Meireles, Cildo Campos||painter|Meireles, Cildo Campos|0||||0|||||Brazilian||||||||Brazil||||||0||||0||||0||||0|Sculpture|||||20|||1970|1975||1970-1975|1970-1975||Insertions into Ideological Circuits|||118||||0|||||Stamped banknotes|paper money|||||sculpture|||||||9459|Rio de Janiero: Collection of the artist|Rio: Coll. of artist||Money ; |Money|||||||||Cornell||ECS|JNK|3/23/2005 0:00:00|7/21/2003 0:00:00|M5145|||0|||||||35|SC||||||1970| ||||||||Work|0|Sculpture|||||||||||0|0|Banknote-Project;Projeto Cédula|Meireles, Cildo Campos 122.00|0|Creator|15|35|M5145-G|1978|1|35 M5145-G 1978 1|Zero Dollar|Translated|Image Source (Book)|Zero Cruzeiro|Translated|Image Source (Book)||||Zero Dollar|7843|Meireles, Cildo Campos||printmaker|Meireles, Cildo Campos|0||||0|||||Brazilian||||||||Brazil||||||0||||0||||0||||0|Graphics|Lithograph||||20|||1978|1984||1978-1984|1978-1984|||||0||||0|||||Offset lithograph on paper|paper|||||lithography|||||6.7 x 15.7 cm||3578|New York: Galerie Lelong|New York: Galerie Lelong||Money ; |Money|||||||||Cornell||ECS|MNW|3/21/2005 0:00:00|7/21/2003 0:00:00|M5145|||0|||||||35|G||||||1978-1984| ||||||||Work|0||||||||||||0|0|Zero Dollar;Zero Cruzeiro|Meireles, Cildo Campos 123.00|0|Creator||35|M5383-M|1972|1||Glass on Body|||||||||Glass on Body|7872|Mendieta, Ana||performance artist|Mendieta, Ana|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Performance Art|||||20|||1972|1972||1972|1972|||||0||||0|||||Slide projection from performances and actions|projection|||||performance art|body art||||||3578|New York,Lelong(Galerie)|New York: Galerie Lelong||Figures (representations)||||||||||Cornell||ECS|MNW|9/8/2003 0:00:00|7/21/2003 0:00:00|M5383|||0|||||||35|M||||||1972| ||||||||Work|0|||Performance in Iowa, 1-3/1972.|||||||||0|0|Glass on Body|Mendieta, Ana 124.00|0|Creator||35|M5383-M|1972|2||Untitled||Image Source (Book)|Facial Hair Transplant||Image Source (Book)||||Untitled (Facial Hair Transplant)|7872|Mendieta, Ana||performance artist|Mendieta, Ana|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Performance Art|||||20|||1972|1972||1972|1972|||||0||||0|||||slide projection from performances and actions|projections|||||performance art|||||||3578|New York,Lelong(Galerie)|New York: Galerie Lelong||Mendieta, Ana, 1948-1985, Portraits||||||||||Cornell||ECS|MNW|9/8/2003 0:00:00|7/21/2003 0:00:00|M5383|||0|||||||35|M||||||1972| ||||||||Work|0|||Performance, 3-4/1972. A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the school of Art and Art History in the Graduate College of the University of Iowa.|||||||||0|0|Untitled;Facial Hair Transplant|Mendieta, Ana 125.00|0|Creator||35|M5383-M|1973|1||Rape Scene|||||||||Rape Scene|7872|Mendieta, Ana||performance artist|Mendieta, Ana|0||||0|||||Cuban||||||||Cuba||||||0||||0|Iowa City, IA|||10322||||0|Performance Art|Performance art|Self portrait|||20|||1973|1973||1973|1973-1973|||||0||||0|||||Slide projection from performances and actions|projections|||||performance art|||||||3578|New York,Lelong(Galerie)|New York: Galerie Lelong||Rape; Mendieta, Ana, 1948-1985; Portraits||||||||||Cornell||ECS|JNK|1/14/2005 0:00:00|7/21/2003 0:00:00|M5383|||0|||||||35|M||||||1973| ||||||||Work|0||Performance in Moffit Street, Iowa City, Iowa, 4/1973.||||||||Performance took place in Mendieta's apartment.||0|0|Rape Scene|Mendieta, Ana 126.00|0|Creator||35|M5383-M|1973|2||Rape/Murder Series||Image Source (Book)|||||||Rape/Murder Series|7872|Mendieta, Ana||performance artist|Mendieta, Ana|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Performance Art|Performance art||||20|||1973|1973||1973|1973-1973|||||0||||0|||||slide projection from performances and actions|projections|||||performance art|||||||3578|New York,Lelong(Galerie)|New York: Galerie Lelong||Rape, Murder, Death||||||||||Cornell||ECS|MNW|11/21/2004 0:00:00|7/21/2003 0:00:00|M5383|||0|||||||35|M||||||1973| ||||||||Work|0||||||||||||0|0|Rape/Murder Series|Mendieta, Ana 127.00|0|Creator||35|M5383-M|1973|3||People Looking at Blood||Image Source (Book)|||||||People Looking at Blood|7872|Mendieta, Ana||sculptor|Mendieta, Ana|0||||0|||||Cuban||||||||Cuba|||Moffit, Iowa|||||||0||||0||||0|Performance Art|||||20|||1973|1973||1973|1973|||||0||||0|||||slide projection from performances and actions|projections|||||performance art|||||||3578|New York,Lelong(Galerie)|New York: Galerie Lelong||||||||||||Cornell||ECS|MNW|11/21/2004 0:00:00|7/21/2003 0:00:00|M5383|||0|||||||35|M||||||1973| ||||||||Work|0||||||||||||0|0|People Looking at Blood|Mendieta, Ana 128.00|0|Creator||35|M5383-M|1974|1b||Body Tracks||Image Source (Book)|||||||Body Tracks|7872|Mendieta, Ana||sculptor|Mendieta, Ana|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Performance Art|||||20|||1974|1974||1974|1974|||||0||||0|||||slide projection from performances and actions|projections|||||performance art|||||||3578|New York,Lelong(Galerie)|New York: Galerie Lelong||||||||||||Cornell||ECS|CLL|1/27/2004 0:00:00|7/21/2003 0:00:00|M5383|||0|||||||35|M||||||1974| ||||||||Work|0||Performances, Iowa, 1974.||||||||||0|0|Body Tracks|Mendieta, Ana 129.00|0|Creator||35|M5383-M|1976|1||Burial of Nanigo||Image Source (Book)|||||||Burial of Nanigo|7872|Mendieta, Ana||sculptor|Mendieta, Ana|0||||0|||||Cuban||||||||Cuba||||||0||||0|112 Green Street, NYC|||10036||||0|Installations|||||20|||1976|||1976/2000|1976/2000|||||0||||0|||||47 Voodoo candles, slide projection|Candles|projections||||Installation|||||||||||Candles||||||||||Cornell||ECS|MNW|9/8/2003 0:00:00|7/22/2003 0:00:00|M5383|||0|||||||35|M||||||1976/2000| ||||||||Work|0||||||||||||0|0|Burial of Nanigo|Mendieta, Ana 130.00|0|Creator||35|M668-M|1967|1||Circuito|Original|Image Source (Book)|||||||Circuito|29823|Minujin, Marta||performance artist|Minujin, Marta|0||||0|||||Argentine||||||||Argentina||||||||||0|Sir George Williams University, Montreal|||10038||||0|Performance Art|Happenings||||20|||1967|1967||1967|1967|||||0||||0|||||||||||Happenings|||||||||||Television receivers, Telephones||||||||||Cornell||ECS|CLL|9/11/2003 0:00:00|7/22/2003 0:00:00|M668|||0|||||||35|M||||||1967| ||||||||Work|0||Happening occurred in conjunction with Expo '67.||||||||||0|0|Circuito|Minujin, Marta 131.00|0|Creator||35|M668-M|1973|1||Soft Gallery-200 Mattresses||Image Source (Book)|||||||Soft Gallery-200 Mattresses|29823|Minujin, Marta||sculptor|Minujin, Marta|0||||0|||||Argentine||||||||Argentina||||||0||||0|Rivkin Gallery, Wash., DC|||10039||||0|Installations|Happenings||||20|||1973|||1973/2000|1973/2000|||||0||||0|||||Happening w/ Mattresses, television receivers|Mattresses, television receivers|||||happenings|||||||||||Television receivers, Mattresses||||||||||Cornell||ECS|MNW|9/8/2003 0:00:00|7/22/2003 0:00:00|M668|||0|||||||35|M||||||1973| ||||||||Work|0||||||||||||0|0|Soft Gallery-200 Mattresses|Minujin, Marta 132.00|0|Creator|15|35|O393-M|1967|1||Tropicalia, Penetrables PN2 and PN3|Original|Image Source (Book)|||||||Tropicalia, Penetrables PN2 and PN3|8679|Oiticica, Helio||sculptor|Oiticica, Helio|0||||0|||||Brazilian||||||||Brazil||||||0||||0||||0||||0|Installations|Installation (Exhibition)||||20|||1967|2000||1967/2000|1967-2000|||||0||||0|||||Wood, plastic, canvas, cotton, television, plants, gravel|wood|canvas|cotton (textile)|||Installations|||||||2392|Rio de Janeiro,Museu de Arte Moderna|Rio: Mus. Arte Mod.||||||||||||Cornell||ECS|MNW|3/21/2005 0:00:00|7/22/2003 0:00:00|O393|||0|||||||35|M||||||1967/2000| ||||||||Work|0||||||||||||0|0|Tropicalia, Penetrables PN2 and PN3|Oiticica, Helio 133.00|0|Architect|02|B-H3|Rom 3.1|SPet||B-H3 Rom 3.1 SPet |St. Peter's Basilica|Assigned|Dict.Art|Basiica di San Pietro in Vaticano|Original|Blue Guide||||St. Peter's Basilica|7390|Maderno, Carlo||architect|Carlo Maderno; Michelangelo Buonarotti|7960|Buonarroti, Michelangelo||architect|1507|Bramante, Donato||architect||Italian|||High Renaissance|||||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Basilica|Cathedral|Church||17|||1607|1612||1607-1612|1607-1612|||||0||||0||||||||||||||||||||||Cathedrals ; Churches ; Basilicas ; |Cathedrals|Churches|Basilicas|||||||Cornell||ECS|MNW|11/8/2006 0:00:00|7/22/2003 0:00:00||Rom||0|||||||B|||||H3|3.1||||||||||Work|0||||||||||||0|0|St. Peter's Basilica;Basiica di San Pietro in Vaticano|Maderno, Carlo;Buonarroti, Michelangelo;Bramante, Donato 134.00|0|Site|02|B-H3|Rom 3.1|Spet/Bas|||Old Basilica|||||||||St. Peter's Basilica. Old Basilica|0|||||0||||0|||||Italian|||Early Christian|||Europe||Italy||||||0||||0|Rome, Italy|||||||0|Architecture|Basilica|||CE|4||||||Begun ca.326 CE|Begun ca.326 CE||St. Peter's Basilica|LargerEntity||133||||0||||||||||||||||||||||Churches, Cathedrals, Basilicas||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|7/22/2003 0:00:00||||0|||||||B|||||H3|3.1||||||||||Work|0||||||||||||0|0| Old Basilica| 135.00|0|Site|02|B-H3|Rom 3.1|SPet/Proj/Ros|||Project|||||||||St. Peter's Basilica. Project|10068|Rossellino, Bernardo||architect|Rossellino, Bernardo|262|Alberti, Leon Battista||architect|0|||||Italian|||Renaissance|||||Italy||||||0||||0|Rome, Italy|||10024||||0|Architectural Theory|Basilica||||15|||||ca|1450-1470|1450-1470||St. Peter's Basilica|LargerEntity||133||||0||||||||||||||||||||||Churches, Basilicas, Cathedrals||||||||||Cornell||ECS|MNW|5/31/2006 0:00:00|7/23/2003 0:00:00|||Rom|0|||||||B|||||H3|3.1|ca.1450-70|||||||||Work|0||||||||||||0|0|Project|Rossellino, Bernardo;Alberti, Leon Battista 136.00|0|Site|02|B-H3|Rom 3.1|SPet/Proj/GSan|||Project|||||||||St. Peter's Basilica. Project|10371|Sangallo, Giuliano da||sculptor|Giuliano da Sangallo|0||||0|||||Italian|||Renaissance|||||Italy||||||0||||0|Rome, Italy|||10024||||0|Architecture|Basilica||||16|||1503|1506||1503-1506|1503-1506||St. Peter's Basilica|LargerEntity||133||||0||||||||||||||||||||||Churches, Basilicas, Cathedrals||||||||||Cornell||ECS|MNW|5/31/2006 0:00:00|7/23/2003 0:00:00|||Rom|0|||||||B|||||H3|3.1|1503-1506|||||||||Work|0||||||||||||0|0| Project|Sangallo, Giuliano da 137.00|0|Site|02|B-H3|Rom 3.1|SPet/Proj/Raph|||Project|||||||||St. Peter's Basilica. Project|9634|Raphael||painter|Raphael|0||||0|||||Italian|||Renaissance|||||Italy||||||0||||0|Rome, Italy|||10024||||0|Architecture|Basilica||||16|||1514|1516||1514-1516|1514-1516||St. Peter's Basilica|LargerEntity||133||||0||||||||||||||||||||||Churches, Cathedrals, Basilicas||||||||||Cornell||ECS|CLL|8/3/2006 0:00:00|7/23/2003 0:00:00|R217||Rom|0|||||||B|||||H3|3.1|1514-1516|||||||||Work|0||||||||||||0|0|Project|Raphael 138.00|0|Site|02|B-H3|Rom 3.1|SPet/Proj/Peru|||Project|||||||||St. Peter's Basilica. Project|9120|Peruzzi, Baldassarre||architect|Peruzzi, Baldassarre|0||||0|||||Italian|||Renaissance|||||Italy||||||0||||0|Rome, Italy|||10024||||0|Architecture|Basilica||||16|||1520|1536||1520-1536|1520-1536||St. Peter's Basilica|LargerEntity||133||||0||||||||||||||||||||||Churches, Basilicas, Cathedrals||||||||||Cornell||ECS|MNW|5/31/2006 0:00:00|7/23/2003 0:00:00|||Rom|0|||||||B|||||H3|3.1|1520-1536|||||||||Work|0||||||||||||0|0| Project|Peruzzi, Baldassarre 139.00|0|Site|02|B-H3|Rom 3.1|SPet/Proj/ASan|||Project|||||||||St. Peter's Basilica. Project|10367|Sangallo, Antonio da, the Younger||architect|Antonio da Sanagallo, the Younger|0||||0|||||Italian|||Renaissance|||||Italy||||||0||||0|Rome, Italy|||10024||||0|Architecture|Basilica||||16|||1520|1546||1520-1546|1520-1546||St. Peter's Basilica|LargerEntity||133||||0||||||||||||||||||||||Churches, Basilicas, Cathedrals||||||||||Cornell||ECS|MNW|5/31/2006 0:00:00|7/23/2003 0:00:00|||Rom|0|||||||B|||||H3|3.1|1520-1546|||||||||Work|0||||||||||||0|0| Project|Sangallo, Antonio da, the Younger 140.00|0|Site|02|B-H3|Rom 3.1|SPet/Proj/Mic||B-H3 Rom 3.1 SPet/Proj/Mic |Saint Peter's Project||Blue Guide|||||||St. Peter's Basilica. Saint Peter's Project|7960|Buonarroti, Michelangelo||architect|Michelangelo Buonarroti|0||||0|||||Italian|||Renaissance|||||Italy||||||0||||0|Rome, Italy|||10024||||0|Architecture|Basilica||||16|||1546|1564||1546-1564|1546-1564||St. Peter's Basilica|Larger Entity||133||||0||||||||||||||||||||||Churches ; Basilica di San Pietro in Vaticano ; Basilicas ; |Churches|Basilica di San Pietro in Vaticano|Basilicas|||||||Cornell||ECS|MNW|11/6/2006 0:00:00|7/23/2003 0:00:00|||Rom|0|||||||B|||||H3|3.1|1546-1564|||||||||Work|0||||||||||||0|0|Saint Peter's Project|Buonarroti, Michelangelo 141.00|0|Site|02|B-H3|Rom 3.1|SPet/Proj/Mad|||Project|||||||||St. Peter's Basilica. Project|7390|Maderno, Carlo|||Maderno, Carlo|0||||0|||||Italian|||High Renaissance|||||Italy||||||0||||0|Rome, Italy|||10024||||0|Architecture|Basilica||||17|||1603|1629||1603-1629|1603-1629||St. Peter's Basilica|LargerEntity||133||||0||||||||||||||||||||||Churches, Basilicas, Cathedrals||||||||||Cornell||ECS|MNW|5/31/2006 0:00:00|7/23/2003 0:00:00|||Rom|0|||||||B|||||H3|3.1|1603-1629|||||||||Work|0||||||||||||0|0| Project|Maderno, Carlo 142.00|0|Site|02|B-H3|Rom 3.1|SPet/Proj/Ber|||Project|||||||||St. Peter's Basilica. Project|1103|Bernini, Gian Lorenzo|||Bernini, Gian Lorenzo|0||||0|||||Italian|||Baroque|||||Italy||||||0||||0|Rome, Italy|||10024||||0|Architecture|Basilica||||17|||1629|1680||1629-1680|1629-1680||St. Peter's Basilica|Larger Entity||133||||0||||||||||||||||||||||Churches, Basilicas, Cathedrals||||||||||Cornell||ECS|MNW|5/31/2006 0:00:00|7/23/2003 0:00:00|||Rom|0|||||||B|||||H3|3.1|1629-1680|||||||||Work|0||||||||||||0|0|Project|Bernini, Gian Lorenzo 143.00|0|Site|02|B-H5|Pale 3.1|SanJuan|||San Juan de Baños|||||||||San Juan de Baños|0|||||0||||0|||||Visigothic|||Medieval|||||Spain||||||0|Palencia, Spain|||||||0||||0|Architecture|Church||||8||||||7th Century|7th Century|||||0||||0||||||||||||||||||||||Churches||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|7/24/2003 0:00:00||||0|||||||B|||||H5|3.1|7th C.|||||||||Work|0||||||||||||0|0|San Juan de Baños| 144.00|0|Site|02|B-H5|Zam 3.1|SanPed|||San Pedro de la Nave||Blue Guide|||||||San Pedro de la Nave|0|||||0||||0|||||Visigothic|||Medieval|||||Spain||||||0|Zamora, Spain|||||||0||||0|Architecture|Church||||8|||||ca|ca.700; 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feature)||||11-12|||1091|1109||1091-1109|1091-1109||Commentary on the Apocalypse and Commentary on Daniel by Jerome|Series||179||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||38 x 23.5 cm||1512|London,British Library|London,British Library||Jesus Christ||||||||||Cornell||ECS|ECS|8/5/2003 0:00:00|8/4/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|The Ancient of Days| 181.00|0|Manuscript|15|05|J120|1|||Copy of Donation of Pedro I|||||||||Copy of Donation of Pedro I|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|Illumination (Layout feature)||||12||||||12th Century|12th Century|||||0||||0|||||Parchment|parchment|||||illumination|||||32.4 x 42.6 cm||9138|Jaca, Cathedral Archive|Jaca, Cathedral Archive||||||||||||Cornell||ECS|ECS|8/4/2003 0:00:00|8/4/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||12th century copy of 11th century original||||||||||0|0|Copy of Donation of Pedro I| 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184.00|0|Manuscript|15|05|O790|M1|||Liber Testamentorum|||||||||Liber Testamentorum|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|||||12|||||ca|ca.1118|1118|||||0||||0|||||tempera on parchment|tempera on parchment|||||illumination|||||36.4 x 24 cm||9139|Oviedo, Cathedral Archive|Oviedo, Cathedral Archive||||||||||||Cornell||ECS|ECS|8/4/2003 0:00:00|8/4/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Liber Testamentorum| 185.00|0|Manuscript|15|05|O790|M1|F26V||King Ordono and Queen Teresa bestowing gifts on Oviedo Cathedral|||||||||King Ordono and Queen Teresa bestowing gifts on Oviedo Cathedral from Liber Testamentorum|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|Illumination (Layout feature)||||12|||||ca|ca.1118|1118||Liber Testamentorum|Series||184||||0|||||tempera on parchment|tempera on parchment|||||illumination|||||36.4 x 24 cm|||Oviedo, Cathedral Archive|Oviedo, Cathedral Archive||Ordoño II||||||||||Cornell||ECS|ECS|8/5/2003 0:00:00|8/4/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|King Ordono and Queen Teresa bestowing gifts on Oviedo Cathedral| 186.00|0|Manuscript|15|05|L579|M3|||Bible|||||||||Bible|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|||||12|||1161|1162||1161-1162|1161-1162|||||0||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||||1477|Leon,S.Isidoro|Leon,S.Isidoro||Bible ; |Bible|||||||||Cornell||ECS|MNW|8/11/2005 0:00:00|8/4/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Bible| 187.00|0|Manuscript|15|05|L579|M3|F50||Wilderness Tabernacle (Exodus 35:10-12)|||||||||Wilderness Tabernacle (Exodus 35:10-12)|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|Illumination (Layout feature)||||12|||1161|1162||1161-1162|1161-1162||Bible|Series||186||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||55 x 38 cm||1477|Leon,S.Isidoro|Leon,S.Isidoro||Jesus Christ||||||||||Cornell||ECS|ECS|8/5/2003 0:00:00|8/4/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Wilderness Tabernacle (Exodus 35:10-12)| 188.00|0|Manuscript|15|05|M184|M15-1|||Bible|||||||||Bible|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|||||12|||||ca|ca. 1150-1160|1150-1160|||||0||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||63 x 42.5 cm||1607|Madrid,Biblioteca Nacional|Madrid,Bibl.Nac.||Bible ; |Bible|||||||||Cornell||ECS|MNW|8/11/2005 0:00:00|8/4/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Bible| 189.00|0|Manuscript|15|05|M184|M15-1|F349||Scenes from the Life of Christ (Baptism, Marriage at Cana, Presentation in the Temple, Temptation in the Wilderness)|||||||||Scenes from the Life of Christ|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|Illumination (Layout feature)||||12|||||ca|ca. 1150-1160|1150-1160||Bible|Series||188||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||63 x 42.5 cm||1607|Madrid,Biblioteca Nacional|Madrid,Bibl.Nac.||Jesus Christ, Marriage, Baptism||||||||||Cornell||ECS|ECS|8/5/2003 0:00:00|8/4/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Scenes from the Life of Christ (Baptism, Marriage at Cana, Presentation in the Temple, Temptation in the Wilderness)| 190.00|0|Manuscript|15|05|B9575|M846|||Bible|||||||||Bible|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|||||12|||||ca|ca.1175|1175|||||0||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||||9140|Burgos, Biblioteca Provincial de Burgos|Burgos, Biblioteca Provincial||Bible ; |Bible|||||||||Cornell||ECS|MNW|8/11/2005 0:00:00|8/4/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Bible| 191.00|0|Manuscript|15|05|B9575|M846|F12V||Scenes from Genesis (Adam and Eve; Cain and Abel)|||||||||Scenes from Genesis (Adam and Eve; Cain and Abel)|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|Illumination (Layout feature)||||12|||||ca|ca.1175|1175||Bible|Series||190||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||52 x 37 cm||9140|Burgos, Biblioteca Provincial de Burgos|Burgos, Biblioteca Provincial||Adam, Eve, Cain, Abel||||||||||Cornell||ECS|ECS|8/7/2003 0:00:00|8/4/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Scenes from Genesis (Adam and Eve; Cain and Abel)| 192.00|0|Manuscript|15|05|||||Commentary on the Apocalypse by Beatus of Liebana|||||||||Commentary on the Apocalypse by Beatus of Liebana|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|||||12|||||ca|ca.1180|1180|||||0||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||||||||||||||||||Cornell||ECS|ECS|8/4/2003 0:00:00|8/4/2003 0:00:00||||0|||||||05||||||||||||||||Work|0|||Manuscript was broken into several sections with various folios currently housed in several collections. These collections include the Metropolitan Museum of Art and the Museo Arqueologico Nacional, Madrid|||||||||0|0|Commentary on the Apocalypse by Beatus of Liebana| 193.00|0|Manuscript|15|05|N531|M1991.232|F3R||Christ appearing to Saint John|||||||||Christ appearing to Saint John, from Commentary on the Apocalypse|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|Illumination (Layout feature)||||12|||||ca|ca.1180|1180||Commentary on the Apocalypse by Beatus of Liebana|Series||192||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||44.5 x 30 cm||1951|New York,Metropolitan Museum of Art,Cloisters|NY,MMA,Cloisters||Jesus Christ, Saint John the Baptist||||||||||Cornell||ECS|ECS|8/5/2003 0:00:00|8/4/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Christ appearing to Saint John| 194.00|0|Manuscript|15|05|N531|M1991.232|F14R||The Seven Plague Angels and the Adoration of the Lamb|||||||||The Seven Plague Angels and the Adoration of the Lamb from Commentary on the Apocalypse|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|Illumination (Layout feature)||||12|||||ca|ca.1180|1180||Commentary on the Apocalypse by Beatus of Liebana|Series||192||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||44.5 x 30 cm||1951|New York,Metropolitan Museum of Art,Cloisters|NY,MMA,Cloisters||Angels, Adoration of the Lamb||||||||||Cornell||ECS|ECS|8/5/2003 0:00:00|8/4/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|The Seven Plague Angels and the Adoration of the Lamb| 195.00|0|Creator||J-OrtizTorresR|||||House of Mirrors|Series|Image Source (Book)|||||||House of Mirrors|29785|Ortiz Torres, Ruben||photographer|Ortiz Torres, Ruben|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1995|1995||1995|1995|||||0||||0|||||||||||photography|||||||||||||||||||||Cornell||MNW|MNW|10/13/2003 0:00:00|8/4/2003 0:00:00|O772|||0|||||||J|||||||1995||||||||||0||||||||||||0|0|House of Mirrors|Ortiz Torres, Ruben 196.00|0|Manuscript|15|05|M1832|M2|F92||Palm|||||||||Palm, from Commentary on the Apocalypse|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|Illumination (Layout feature)||||12|||||ca|ca.1180|1180||Commentary on the Apocalypse by Beatus of Liebana|Series||192||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||44.5 x 30 cm||1609|Madrid,Museo Arqueologico Nacional|Madrid,Mus.Arqueol.Nac.||Palm fronds||||||||||Cornell||ECS|ECS|8/5/2003 0:00:00|8/4/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Palm| 197.00|0|Manuscript|15|05|M268|M8|||Commentary on the Apocalypse by Beatus and Commentary on Daniel by Jerome|||||||||Commentary on the Apocalypse by Beatus and Commentary on Daniel by Jerome|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|||||12|||||ca|ca.1175|1175|||||0||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||||9142|Manchester,Rylands University Library of Manchester|Manchester,Rylands Univ.Lib.||||||||||||Cornell||ECS|ECS|8/4/2003 0:00:00|8/4/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Commentary on the Apocalypse by Beatus and Commentary on Daniel by Jerome| 198.00|0|Manuscript|15|05|M268|M8|F113||Lamb of God presiding over the Sealing of the Elect|||||||||Lamb of God presiding over the Sealing of the Elect, from Commentary on the Apocalypse|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|Illumination (Layout feature)||||12|||||ca|ca.1175|1175||Commentary on the Apocalypse by Beatus and Commentary on Daniel by Jerome|Series||197||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||46 x 32.6 cm||9142|Manchester,Rylands University Library of Manchester|Manchester,Rylands Univ.Lib.||Lambs, Apostles||||||||||Cornell||ECS|ECS|8/5/2003 0:00:00|8/4/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Lamb of God presiding over the Sealing of the Elect| 199.00|0|Manuscript|15|05|M268|M8|FIIIV||Angels restraining the Winds|||||||||Angels restraining the Winds, from Commentary on the Apocalypse|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|Illumination (Layout feature)||||12|||||ca|ca.1175|1175||Commentary on the Apocalypse by Beatus and Commentary on Daniel by Jerome|Series||197||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||46 x 32.6 cm||9142|Manchester,Rylands University Library of Manchester|Manchester,Rylands Univ.Lib.||Apostles, Angels||||||||||Cornell||ECS|ECS|8/5/2003 0:00:00|8/4/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Angels restraining the Winds| 200.00|0|Manuscript|15|05|T649|M44.9|||Book of Homilies of Smaragous|||||||||Book of Homilies of Smaragous|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|||||12|||||ca|ca.1175|1175|||||0||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||||2929|Toledo,Cathedral|Toledo,Cathedral||||||||||||Cornell||ECS|ECS|8/4/2003 0:00:00|8/4/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Book of Homilies of Smaragous| 201.00|0|Manuscript|15|05|T649|M44.9|F74||The Three Marys at the Tomb of Christ|||||||||The Three Marys at the Tomb of Christ, from Book of Homilies of Smaragous|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0|||||Manuscripts|Illumination (Layout feature)||||12|||||ca|ca.1175|1175||Book of Homilies of Smaragous|Series||200||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||54 x 36 cm||2929|Toledo,Cathedral|Toledo,Cathedral||Tombs, Jesus Christ, Mary, Mary Magdalene||||||||||Cornell||ECS|ECS|8/5/2003 0:00:00|8/4/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|The Three Marys at the Tomb of Christ| 202.00|0|Manuscript|15|05|N532|M939|||Commentary of Peter Lombard on the Epistles of Paul|||||||||Commentary of Peter Lombard on the Epistles of Paul|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|||||12|||1181|1181||1181|1181|||||0||||0|||||Tempera and gold on parchment|Tempera and gold on parchment|||||illumination|||||||1978|New York,Pierpont Morgan Library|NY: Pierpont Morgan Lib.||||||||||||Cornell||ECS|ECS|8/5/2003 0:00:00|8/5/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Commentary of Peter Lombard on the Epistles of Paul| 203.00|0|Manuscript|15|05|N532|M939|F233V||Shipwreck of Saint Paul|||||||||Shipwreck of Saint Paul, from Commentary of Peter Lombard|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|Illumination (Layout feature)||||12|||1181|1181||1181|1181||Commentary of Peter Lombard on the Epistles of Paul|Series||202||||0|||||Tempera and gold on parchment|Tempera and gold on parchment|||||illumination|||||36.5 x 24.8 cm||1978|New York,Pierpont Morgan Library|NY: Pierpont Morgan Lib.||Saint Paul||||||||||Cornell||ECS|ECS|8/5/2003 0:00:00|8/5/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Shipwreck of Saint Paul| 204.00|0|Manuscript|15|05|R756|M5729|||Bible|||||||||Bible|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|||||11||||||Mid 11th Century|Mid 11th Century|||||0||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||||4303|Rome,Vatican,Biblioteca Vaticana(Bibl.Apostolica Vaticana)|Rome: Vatican: Biblioteca||Bible ; |Bible|||||||||Cornell||ECS|MNW|8/11/2005 0:00:00|8/5/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Bible| 205.00|0|Manuscript|15|05|R756|M5729|F208V||Prophecy of Ezekiel|||||||||Prophecy of Ezekiel|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|Illumination (Layout feature)||||11||||||Mid 11th Century|Mid 11th Century||Bible|Series||204||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||55.5 x 37.4 cm||4303|Rome,Vatican,Biblioteca Vaticana(Bibl.Apostolica Vaticana)|Rome: Vatican: Biblioteca||Ezekiel||||||||||Cornell||ECS|ECS|8/5/2003 0:00:00|8/5/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Prophecy of Ezekiel| 206.00|0|Manuscript|15|05|P241|M6|||Bible|||||||||Bible|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|||||11||||||Mid to late 11th Century|Mid to late 11th Century|||||0||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||||2171|Paris,Bibliotheque Nationale,Cabinet des Estampes|Paris: BN: Cab. D. Estampes||Bible ; |Bible|||||||||Cornell||ECS|MNW|8/11/2005 0:00:00|8/5/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Bible| 207.00|0|Manuscript|15|05|P241|M6|V2F129V||Scenes from Chronicles and Kings|||||||||Scenes from Chronicles and Kings|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|Illumination (Layout feature)||||11||||||Mid to late 11th Century|Mid to late 11th Century||Bible|Series||206||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||48 x 32.5 cm||2171|Paris,Bibliotheque Nationale,Cabinet des Estampes|Paris: BN: Cab. D. Estampes||Kings, Solomon, David||||||||||Cornell||ECS|ECS|8/5/2003 0:00:00|8/5/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Scenes from Chronicles and Kings| 208.00|0|Manuscript|15|05|M184|M143|||Beatus of Fernando and Sancha|||||||||Beatus of Fernando and Sancha|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|||||11||||||1047|1047|||||0||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||||1607|Madrid,Biblioteca Nacional|Madrid: Bibl. Nac.||||||||||||Cornell||ECS|ECS|8/5/2003 0:00:00|8/5/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Beatus of Fernando and Sancha| 209.00|0|Manuscript|15|05|M184|M143|F135R||Opening of the First Seal: The Four Horsemen|||||||||Opening of the First Seal: The Four Horsemen, from Beatus of Fernando and Sancha|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|Illumination (Layout feature)||||11||||||1047|1047||Beatus of Fernando and Sancha|Series||208||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||||1607|Madrid,Biblioteca Nacional|Madrid: Bibl. Nac.||Four Horsemen||||||||||Cornell||ECS|ECS|8/5/2003 0:00:00|8/5/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Opening of the First Seal: The Four Horsemen| 210.00|0|Manuscript|15|05|C376|M1|||Bible|||||||||Bible|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|||||9||||||First half of 9th Century|First half of 9th Century|||||0||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||||9144|Cava de' Tirreni,Biblioteca della Badia|Cava de' Tirreni: Bib.della Badia||Bible ; |Bible|||||||||Cornell||ECS|MNW|8/11/2005 0:00:00|8/5/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Bible| 211.00|0|Manuscript|15|05|C376|M1|||Opening of the Book of Job|||||||||Opening of the Book of Job|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|Illumination (Layout feature)||||9||||||First half of 9th Century|First half of 9th Century||Bible|Series||210||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||32 x 26.8 cm||9144|Cava de' Tirreni,Biblioteca della Badia|Cava de' Tirreni: Bib.della Badia||Job||||||||||Cornell||ECS|ECS|8/5/2003 0:00:00|8/5/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Opening of the Book of Job| 212.00|0|Manuscript|15|05|C376|M1|F143||Cross page|||||||||Cross page from La Cava Bible|0|||||0||||0|||||Spanish|||Asturian|||||Spain||||||0||||0||||0||||0|Manuscripts|Illumination (Layout feature)||||9||||||First half of 9th Century|First half of 9th Century||Bible|Series||210||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||32 x 26.8 cm||9144|Cava de' Tirreni,Biblioteca della Badia|Cava de' Tirreni: Bib.della Badia||Crosses||||||||||Cornell||ECS|ECS|8/19/2003 0:00:00|8/5/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Cross page| 213.00|0|Manuscript|15|05|N532|M644|||Commentary on the Apocalypse by Beatus and Commentary on Daniel by Jerome|||||||||Commentary on the Apocalypse by Beatus and Commentary on Daniel by Jerome|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|||||10|||||ca|ca.940-945|940-945|||||0||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||||1978|New York,Pierpont Morgan Library|NY: Pierpont Morgan Lib.||||||||||||Cornell||ECS|ECS|8/5/2003 0:00:00|8/5/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Commentary on the Apocalypse by Beatus and Commentary on Daniel by Jerome| 214.00|0|Manuscript|15|05|N532|M644|F152V-153||Woman clothed in the sun with the Dragon with Satan and the Damned|||||||||Woman clothed in the sun with the Dragon with Satan and the Damned|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|Illumination (Layout feature)||||10|||||ca|ca.940-945|940-945||Commentary on the Apocalypse by Beatus and Commentary on Daniel by Jerome|Series||213||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||||1978|New York,Pierpont Morgan Library|NY: Pierpont Morgan Lib.||Dragons, Satan, Angels||||||||||Cornell||ECS|ECS|8/5/2003 0:00:00|8/5/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Woman clothed in the sun with the Dragon with Satan and the Damned| 215.00|0|Creator|15|35|T958-SC|R687|||Eye of the Crater||Image Source (Book)|||||||Eye of the Crater|11979|Turrell, James||environmental artist|Turrell, James|0||||0|||||American|||||||Arizona|United States|||Flagstaff, AZ|||9986|Flagstaff, AZ|||9988||||0||||0|Sculpture|Earthworks (sculpture)||||20|||1998|1998||1998-1998|1998-1998||Roden Crater|||216||||0|||||Volcanic mountain|||||||||||||||||||||||||||Cornell||MNW|JNK|5/26/2005 0:00:00|8/5/2003 0:00:00|T958|||0|||||||35|SC||||||1998|||||||||Work|0||||||||||||0|0|Eye of the Crater|Turrell, James 216.00|0|Creator|15|35|T958-SC|R687|||Roden Crater|||||||||Roden Crater|11979|Turrell, James||sculptor|Turrell, James|0||||0|||||American|||||||Arizona|United States|||Flagstaff, AZ|||9986|Flagstaff, AZ|||9988||||0||||0|Sculpture|Earthworks (sculpture)||||20|||1977|2003|ca|ca 1977-2003|ca 1977-2003|||||0||||0|||||Volcanic mountain|||||||||||||||||Earthworks (sculpture) ; |Earthworks (sculpture)|||||||||Cornell||MNW|MNW|8/19/2005 0:00:00|8/5/2003 0:00:00|T958|||0|||||||35|SC|||||||||||||||Work|0|||||Continues to evolve.|||||||0|0|Roden Crater|Turrell, James 217.00|0|Manuscript|15|05|M184|MII.5|||Commentary on the Apocalypse by Beatus of Liebana|||||||||Commentary on the Apocalypse by Beatus of Liebana|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|||||11|||||ca|ca.1000|1000|||||0||||0|||||Tempera on parchmen|Tempera on parchment|||||illumination|||||||1626|Madrid,Patrimonio Nacional|Madrid: Patrimonio Nac.||||||||||||Cornell||ECS|ECS|8/5/2003 0:00:00|8/5/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Commentary on the Apocalypse by Beatus of Liebana| 218.00|0|Manuscript|15|05|M184|MII.5|F108V||Adoration of the Seven-Headed Beast|||||||||Adoration of the Seven-Headed Beast, from Commentary on the Apocalypse|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|Illumination (Layout feature)||||11|||||ca|ca.1000|1000||Commentary on the Apocalypse by Beatus of Liebana|Series||217||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||33.5 x 22.5 cm||1626|Madrid,Patrimonio Nacional|Madrid: Patrimonio Nac.||Monsters||||||||||Cornell||ECS|ECS|8/5/2003 0:00:00|8/5/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Adoration of the Seven-Headed Beast| 219.00|0|Manuscript|15|05|M184|MII.5|F18||Adam and Eve|||||||||Adam and Eve from Commentary on the Apocalypse|0|||||0||||0|||||Spanish|||Asturian|||||Spain||||||0||||0||||0||||0|Manuscripts|Illumination (Layout feature)||||11|||||ca|ca.1000|1000||Commentary on the Apocalypse by Beatus of Liebana|Series||217||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||33.5 x 22.5 cm||1626|Madrid,Patrimonio Nacional|Madrid: Patrimonio Nac.||Adam, Eve||||||||||Cornell||ECS|ECS|8/19/2003 0:00:00|8/5/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Adam and Eve| 220.00|0|Manuscript|15|05|N532|M644|F202V||Feast of Belshazzar|||||||||Feast of Belshazzar, from Commentary on the Apocalypse|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|Illumination (Layout feature)||||10|||||ca|ca.940-945|940-945||Commentary on the Apocalypse by Beatus and Commentary on Daniel by Jerome|Series||213||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||38.7 x 28.5 cm||1978|New York,Pierpont Morgan Library|NY: Pierpont Morgan Lib.||Feasts||||||||||Cornell||ECS|ECS|8/5/2003 0:00:00|8/5/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Feast of Belshazzar| 221.00|0|Manuscript|15|05|N532|M644|F202V||Destruction of Babylon|||||||||Destruction of Babylon, from Commentary on the Apocalypse|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|Illumination (Layout feature)||||10|||||ca|ca.940-945|940-945||Commentary on the Apocalypse by Beatus and Commentary on Daniel by Jerome|Series||213||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||38.7 x 28.5 cm||1978|New York,Pierpont Morgan Library|NY: Pierpont Morgan Lib.||Babylon||||||||||Cornell||ECS|ECS|8/5/2003 0:00:00|8/5/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Destruction of Babylon| 222.00|0|Manuscript|15|05|L848|M11695|F194V||Christ enthroned; Adoration of the One on the Throne before the Last Judgement; John being lifted up|||||||||Christ enthroned; Adoration of the One on the Throne before the Last Judgement; John being lifted up|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|Illumination (Layout feature)||||11||||||1091|1091||Commentary on the Apocalypse and Commentary on Daniel by Jerome|Series||179||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||38 x 23.5 cm||1512|London,British Library|London: British Library||Last Judgment, Jesus Christ, Saint John the Evangelist, Evangelists||||||||||Cornell||ECS|ECS|8/5/2003 0:00:00|8/5/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Christ enthroned; Adoration of the One on the Throne before the Last Judgement; John being lifted up| 223.00|0|Manuscript|15|05|L579|M3|||Bible|||||||||Bible|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|||||10|||960|960||960|960|||||0||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||||1477|Leon: S. Isidoro|Leon: S. Isidoro||Bible ; |Bible|||||||||Cornell||ECS|MNW|8/11/2005 0:00:00|8/5/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Bible| 224.00|0|Manuscript|15|05|L579|M3|F131V||Death of Saul and Jonathan in the Battle of Mount Gilboa|||||||||Death of Saul and Jonathan in the Battle of Mount Gilboa|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|Illumination (Layout feature)||||10|||960|960||960|960||Bible|Series||223||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||48.5 x 34.5 cm||1477|Leon,S.Isidoro|Leon: S. Isidoro||Battles, Saul||||||||||Cornell||ECS|ECS|8/5/2003 0:00:00|8/5/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Death of Saul and Jonathan in the Battle of Mount Gilboa| 225.00|0|Manuscript|15|05|L579|M3|F574R||Scribes Florentius and Sanctus|||||||||Scribes Florentius and Sanctus|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|Illumination (Layout feature)||||10|||960|960||960|960||Bible|Series||223||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||48.5 x 34.5 cm||1477|Leon,S.Isidoro|Leon: S. Isidoro||Scribes||||||||||Cornell||ECS|ECS|8/5/2003 0:00:00|8/5/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Scribes Florentius and Sanctus| 226.00|0|Manuscript|15|05|L579|M3|F50||Wilderness Tabernacle (Exodus 35:10-12)|||||||||Wilderness Tabernacle (Exodus 35:10-12)|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|Illumination (Layout feature)||||10|||960|960||960|960||Bible|Series||223||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||48.5 x 34.5 cm||1477|Leon,S.Isidoro|Leon: S. Isidoro||Tabernacles||||||||||Cornell||ECS|ECS|8/5/2003 0:00:00|8/5/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Wilderness Tabernacle (Exodus 35:10-12)| 227.00|0|Manuscript|15|05|M184|MI.1|||Codex Aemilianensis|||||||||Codex Aemilianensis|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||||||0||||0|Manuscripts|||||10|||994|994||994|994|||||||||0|||||Tempera and gold on parchment|Tempera and gold on parchment|||||illumination|||||||1626|Madrid,Patrimonio Nacional|Madrid: Patrimonio Nac.||||||||||||Cornell||ECS|ECS|8/5/2003 0:00:00|8/5/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Codex Aemilianensis| 228.00|0|Manuscript|15|05|M184|MI.1|F453R||Bishop Sisebutus between the scribes Belasco and Sisebutus|||||||||Bishop Sisebutus between the scribes Belasco and Sisebutus|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|Illumination (Layout feature)||||10|||994|994||994|994||Codex Aemilianensis|Series||227||||0|||||Tempera and gold on parchment|Tempera and gold on parchment|||||illumination|||||45.7 x 30.5 cm||1626|Madrid,Patrimonio Nacional|Madrid: Patrimonio Nac.||Scribes||||||||||Cornell||ECS|ECS|8/5/2003 0:00:00|8/5/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Bishop Sisebutus between the scribes Belasco and Sisebutus| 229.00|0|Creator||35|R612-F|M665b||35 R612-F M665b |Day of the Dead (Court of Fiestas)||Image Source (Book)|||||||Secretaria de Educacion Publica. Day of the Dead (Court of Fiestas)|9901|Rivera, Diego||painter|Rivera, Diego|0||||0|||||Mexican||||||||Mexico||||||0|Mexico City, Mexico|||9989||||0||||0|Paintings|Fresco||||20|||1923|1924||1923-1924|1923-1924||Secretaria de Educacion Publica|||298||||0|||||Fresco||||||fresco painting|||||||9147|Mexico City,Secretaria de Educacion Publica,Patio de Fiestas|Mexico City: Sec. Educacion; Fiestas||Death, Skeletons, Musicians||||||||||Cornell||MNW|MNW|9/4/2006 0:00:00|8/5/2003 0:00:00|R612|||0|||||||35|F||||||1923| |M665b|||||||Work|0||Located on the South wall of the Court of the Fiestas.||||||||||0|0|Day of the Dead (Court of Fiestas)|Rivera, Diego 230.00|0|Manuscript|15|05|M184|MI.1|F129V||Depiction of Toledo|||||||||Depiction of Toledo, from Codex Aemilianensis|0|||||0||||0|||||Spanish|||Asturian|||||Spain||||||0||||0||||0||||0|Manuscripts|Illumination (Layout feature)||||10|||994|994||994|994||Codex Aemilianensis|Series||227||||0|||||Tempera and gold on parchment|Tempera and gold on parchment|||||illumination|||||45.7 x 30.5 cm||1626|Madrid,Patrimonio Nacional|Madrid: Patrimonio Nac.||Toledo, Spain||||||||||Cornell||ECS|ECS|8/19/2003 0:00:00|8/5/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Depiction of Toledo| 231.00|0|Manuscript|15|05|M184||||Psalter Commentary|||||||||Psalter Commentary|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|||||10|||980|980||980|980|||||0||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||||1627|Madrid,Real Academia de la Historia|Madrid: Real Acad. Hist.||||||||||||Cornell||ECS|ECS|8/5/2003 0:00:00|8/5/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Psalter Commentary| 232.00|0|Manuscript|15|05|M184|F303V|||Initial Q with scribes|||||||||Initial Q with scribes, from Psalter Commentary|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|Illumination (Layout feature)||||10|||980|980||980|980||Psalter Commentary|Series||231||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||||1627|Madrid,Real Academia de la Historia|Madrid: Real Acad. Hist.||Scribes, Lettering (layout features)||||||||||Cornell||ECS|ECS|8/5/2003 0:00:00|8/5/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Initial Q with scribes| 233.00|0|Manuscript|15|05|M184|F310V|||Initial P in the form of a bird|||||||||Initial P in the form of a bird, from Psalter Commentary|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|Illumination (Layout feature)||||10|||980|980||980|980||Psalter Commentary|Series||231||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||||1627|Madrid,Real Academia de la Historia|Madrid: Real Acad. Hist.||Birds, Lettering (layout features)||||||||||Cornell||ECS|ECS|8/5/2003 0:00:00|8/5/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Initial P in the form of a bird| 234.00|0|Manuscript|15|05|M184|F124V|||Initial A with ibexes|||||||||Initial A with ibexes, from Psalter Commentary|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|Illumination (Layout feature)||||10|||980|980||980|980||Psalter Commentary|Series||231||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||||1627|Madrid,Real Academia de la Historia|Madrid: Real Acad. Hist.||Ibexes, Lettering (layout features)||||||||||Cornell||ECS|ECS|8/5/2003 0:00:00|8/5/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Initial A with ibexes| 235.00|0|Manuscript|15|05|M184|F270V|||Initial S in the form of a Juggler|||||||||Initial S in the form of a Juggler, from Psalter Commentary|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|Illumination (Layout feature)||||10|||980|980||980|980||Psalter Commentary|Series||231||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||||1627|Madrid,Real Academia de la Historia|Madrid: Real Acad. Hist.||Lettering (layout features)||||||||||Cornell||ECS|ECS|8/5/2003 0:00:00|8/5/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Initial S in the form of a Juggler| 236.00|0|Manuscript|15|05|M184|MI.1|FIIV||Wind rose|||||||||Wind rose, from Codex Aemilianensis|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|Illumination (Layout feature)||||10|||994|994||994|994||Codex Aemilianensis|Series||227||||0|||||Tempera and gold on parchment|Tempera and gold on parchment|||||illumination|||||45.7 x 30.5 cm||1626|Madrid,Patrimonio Nacional|Madrid: Patrimonio Nac.||||||||||||Cornell||ECS|ECS|8/5/2003 0:00:00|8/5/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Wind rose| 237.00|0|Manuscript|15|05|M184|MI.1|F393R||Representation of the Sees of Christian Spain|||||||||Representation of the Sees of Christian Spain, from Codex Aemilianensis|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|Illumination (Layout feature)||||10|||994|994||994|994||Codex Aemilianensis|Series||227||||0|||||Tempera and gold on parchment|Tempera and gold on parchment|||||illumination|||||45.7 x 30.5 cm||1626|Madrid,Patrimonio Nacional|Madrid: Patrimonio Nac.||||||||||||Cornell||ECS|ECS|8/5/2003 0:00:00|8/5/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Representation of the Sees of Christian Spain| 238.00|0|Manuscript|15|05|L579|M2|F138V||Departure of David's troops and the Death of Absalom|||||||||Departure of David's troops and the Death of Absalom|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|Illumination (Layout feature)||||10|||960|960||960|960||Bible|||223||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||48.5 x 34.5 cm||1477|Leon,S.Isidoro|Leon: S. Isidoro||David, Absalom, Old Testament||||||||||Cornell||ECS|ECS|8/5/2003 0:00:00|8/5/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Departure of David's troops and the Death of Absalom| 239.00|0|Manuscript|15|05|L579|M2|F129R||Elijah addresses the Israelites|||||||||Elijah addresses the Israelites|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|Illumination (Layout feature)||||10|||960|960||960|960||Bible|Series||223||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||48.5 x 34.5 cm||1477|Leon,S.Isidoro|Leon: S. Isidoro||Elijah (Biblical prophet), Old Testament, Israelites||||||||||Cornell||ECS|ECS|8/5/2003 0:00:00|8/5/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Elijah addresses the Israelites| 240.00|0|Manuscript|15|05|L579|M2|F129V||Elijah's sacrifice|||||||||Elijah's sacrifice|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|Illumination (Layout feature)||||10|||960|960||960|960||Bible|Series||223||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||48.5 x 34.5 cm||1477|Leon,S.Isidoro|Leon: S. Isidoro||Elijah (Biblical prophet), Old Testament||||||||||Cornell||ECS|ECS|8/5/2003 0:00:00|8/5/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Elijah's sacrifice| 241.00|0|Manuscript|15|05|G377|M7|||Commentary on the Apocalypse by Beatus and Commentary on Daniel by Jerome|||||||||Commentary on the Apocalypse by Beatus and Commentary on Daniel by Jerome|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|||||10|||975|975||975|975|||||0||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||40 x 26 cm||9148|Gerona,Museu de la Cathedral|Gerona: Museu Cathedral||||||||||||Cornell||ECS|ECS|8/5/2003 0:00:00|8/5/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Commentary on the Apocalypse by Beatus and Commentary on Daniel by Jerome| 242.00|0|Manuscript|15|05|G377|M7|F2||Christ in Majesty|||||||||Christ in Majesty, from Commentary on the Apocalypse|0|||||0||||0|||||Spanish|||Asturian|||||Spain||||||0||||0||||0||||0|Manuscripts|Illumination (Layout feature)||||10|||975|975||975|975||Commentary on the Apocalypse by Beatus and Commentary on Daniel by Jerome|Series||241||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||40 x 26 cm||9148|Gerona,Museu de la Cathedral|Gerona: Museu Cathedral||Jesus Christ||||||||||Cornell||ECS|ECS|8/19/2003 0:00:00|8/5/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Christ in Majesty| 243.00|0|Manuscript|15|05|G377|M7|F164R||Elijah and Enoch dressed as monks|||||||||Elijah and Enoch dressed as monks, from Commentary on the Apocalypse|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|Illumination (Layout feature)||||10|||975|975||975|975||Commentary on the Apocalypse by Beatus and Commentary on Daniel by Jerome|Series||241||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||40 x 26 cm||9148|Gerona,Museu de la Cathedral|Gerona: Museu Cathedral||Elijah (Biblical prophet), Enoch (Biblical figure)||||||||||Cornell||ECS|ECS|8/5/2003 0:00:00|8/5/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Elijah and Enoch dressed as monks| 244.00|0|Site|02|B-C7|Mex|4.1|NacPr 8-|B-C7 Mex 4.1 NacPr 8-|Creation||Image Source (Book)|||||||Escuela Nacional Preparatoria. Creation|9901|Rivera, Diego||painter|Rivera, Diego|0||||0|||||Mexican||||||||Mexico||||||0|Mexico City, Mexico|||9989||||0||||0|Paintings|Fresco||||20|||1922|1923||1922-1923|1922-1923||Escuela Nacional Preparatoria|LargerEntity||247||||0|||||Fresco painting|encaustic paint|||||fresco painting|||||7.08 x 12.19 M||1688|Mexico City,National Preparatory School|Mexico City: Nat. Prep. Sch.||Creation||||||||||Cornell||MNW|MNW|1/31/2005 0:00:00|8/5/2003 0:00:00||Mex||0||||||NacPr|B|||||C7|4.1|| ||||||||Work|0||||||Located in the Bolivar Amphitheatre.||||||0|0|Creation|Rivera, Diego 245.00|0|Manuscript|15|05|G377|M7|F167V||Ascent of Elijah and Enoch to the One on the Throne|||||||||Ascent of Elijah and Enoch to the One on the Throne, from Commentary on the Apocalypse|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|Illumination (Layout feature)||||10|||975|975||975|975||Commentary on the Apocalypse by Beatus and Commentary on Daniel by Jerome|||241||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||40 x 26 cm||9148|Gerona,Museu de la Cathedral|Gerona: Museu Cathedral||Elijah (Biblical prophet), Enoch (Biblical figure), Old Testament||||||||||Cornell||ECS|ECS|8/6/2003 0:00:00|8/6/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Ascent of Elijah and Enoch to the One on the Throne| 246.00|0|Manuscript|15|05|L848|M11695|F202R||Antichrist's followers worship the Beast from the Abyss|||||||||Antichrist's followers worship the Beast from the Abyss|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|Illumination (Layout feature)||||11|||1091|1091||1091|1091||Commentary on the Apocalypse and Commentary on Daniel by Jerome|||179||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||38 x 23.5 cm||1512|London,British Library|London: British Library||Satan, Antichrist||||||||||Cornell||ECS|ECS|8/6/2003 0:00:00|8/6/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Antichrist's followers worship the Beast from the Abyss| 247.00|0|Site||B-C7|Mex|4.1|NacPr||Escuela Nacional Preparatoria||Image Source (Book)|||||||Escuela Nactional Preparatoria|0|||||0||||0|||||Mexican||||||North and Central America||Mexico||||||0|Mexico City, Mexico|||9989||||0||||0|Architecture|School||||20||||||||||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|5/25/2006 0:00:00|8/6/2003 0:00:00||Mex||0||||||NacPr|B-|||||C7|4.1||||||||||Work|0||Contains the Creation by Diego Rivera.||||||||||0|0|Escuela Nacional Preparatoria| 248.00|0|Site||B-C7|Mex|4.1|NacPr|B-C7 Mex 4.1 NacPr|Maternity||Image Source (Book)|||||||Escuela Nacional Preparatoria. Maternity|8748|Orozco, Jose Clemente||painter|José Clemente Orozco|0||||0|||||Mexican||||||||Mexico||||||0|Mexico City, Mexico|||9989||||0||||0|Architecture|Fresco||||20|||1923|1926||1923-1926|1923-1926||Escuela Nacional Preparatoria|Larger entity||247||||0|||||Fresco|encaustic paint|||||fresco painting|||||||1688|Mexico City,National Preparatory School|Mexico City: Nat. Prep. Sch.||Madonna and Child||||||||||Cornell||MNW|JNK|3/27/2006 0:00:00|8/6/2003 0:00:00|O746|Mex||0||||||NacP|B|||||C7|4.1|1923| ||||||||Work|0||||||Located in the ground floor courtyard.||||||0|0|Maternity|Orozco, Jose Clemente 249.00|0|Site||B-C7|Mex|4.1|NacPr|B-C7 Mex 4.1 NacPr|Destruction of the Old Order||Image Source (Book)|||||||Escuela Nacional Preparatoria. Destruction of the Old Order|8748|Orozco, Jose Clemente||painter|José Clemente Orozco|0||||0|||||Mexican||||||||Mexico||||||0|Mexico City, Mexico|||9989||||0||||0|Paintings|Fresco||||20|||1923|1926||1923-1926|1923-1926||Escuela Nacional Preparatoria|Larger entity||247||||0|||||Fresco|fresco|||||fresco painting|||||||1688|Mexico City,National Preparatory School|Mexico City: Nat. Prep. Sch.||Revolutions||||||||||Cornell||JNK|JNK|5/18/2006 0:00:00|8/3/2005 0:00:00|O746|Mex||0||||||NacPr|B|||||C7|4.1|| ||||||||Work|0||Located on the First Floor, Courtyard of the Escuela Nacional Preparatoria.|Slides can also be found at: 35 O746-PA 1923 1|||||||||0|0|Destruction of the Old Order|Orozco, Jose Clemente 250.00|0|Manuscript|15|05|S236|M00001|FIR||Christ standing below the initial A|||||||||Christ standing below the initial A, from Prayer Book of Ferdinand and Sancha|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|Illumination (Layout feature)||||11|||1055|1055||1055|1055||Prayer Book of Ferdinand and Sancha|||177||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||31 x 20 cm||9137|Santiago de Compostela, Biblioteca Universitaria|Santiago: Biblioteca Universitaria||Jesus Christ, Lettering (layout features)||||||||||Cornell||ECS|ECS|8/7/2003 0:00:00|8/7/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Christ standing below the initial A| 251.00|0|Manuscript|15|05|S236|M00001|F66V||Initial Q in the form of a man|||||||||Initial Q in the form of a man, from Prayer Book of Ferdinand and Sancha|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|Illumination (Layout feature)||||11|||1055|1055||1055|1055||Prayer Book of Ferdinand and Sancha|||177||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||31 x 20 cm||9137|Santiago de Compostela, Biblioteca Universitaria|Santiago: Biblioteca Universitaria||Lettering (layout features)||||||||||Cornell||ECS|ECS|8/7/2003 0:00:00|8/7/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Initial Q in the form of a man| 252.00|0|Manuscript|15|05|M184|M39|||Book of Homilies|||||||||Book of Homilies|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|||||11|||||ca|ca.11th Century|11th Century|||||0||||0|||||Tempera on Parchment|Tempera on Parchment|||||illumination|||||||1627|Madrid,Real Academia de la Historia|Madrid: Real Acad. Hist.||||||||||||Cornell||ECS|ECS|8/7/2003 0:00:00|8/7/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Book of Homilies| 253.00|0|Manuscript|15|05|M184|M39|F134R||Initial Q in the form of a man|||||||||Initial Q in the form of a man, from Book of Homilies|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|Illumination (Layout feature)||||11|||||ca|ca.11th Century|11th Century||Book of Homilies|||252||||0|||||Tempera on Parchment|Tempera on Parchment|||||illumination|||||||1627|Madrid,Real Academia de la Historia|Madrid: Real Acad. Hist.||Lettering (layout features)||||||||||Cornell||ECS|ECS|8/7/2003 0:00:00|8/7/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Initial Q in the form of a man| 254.00|0|Manuscript|15|05|M184|MII.5|F102V||St. John's vision of Christ|||||||||St. John's vision of Christ, from Commentary on the Apocalypse|0|||||0||||0|||||Spanish|||Asturian|||||Spain||||||0||||0||||0||||0|Manuscripts|Illumination (Layout feature)||||11|||||ca|1000|1000||Commentary on the Apocalypse by Beatus of Liebana|||217||||0|||||Tempera on Parchment|Tempera on Parchment|||||illumination|||||33.5 x 22.5 cm||1626|Madrid,Patrimonio Nacional|Madrid: Patrimonio Nac.||Jesus Christ, Saint John the Evangelist||||||||||Cornell||ECS|ECS|8/19/2003 0:00:00|8/7/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|St. John's vision of Christ| 255.00|0|Manuscript|15|05|B9573|M1|||Commentary on the Apocalypse by Beatus of Liebana|||||||||Commentary on the Apocalypse by Beatus of Liebana|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|||||11|||1086|1086||1086|1086|||||0||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||36 x 22.5 cm||9149|Burgo de Osma, Cathedral Archive|Burgo de Osma: Cath.Archive||||||||||||Cornell||ECS|ECS|8/7/2003 0:00:00|8/7/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Commentary on the Apocalypse by Beatus of Liebana| 256.00|0|Manuscript|15|05|B9573|M1|F1||Alpha page|||||||||Alpha page, from Commentary on the Apocalypse|0|||||0||||0|||||Spanish|||Asturian|||||Spain||||||0||||0||||0||||0|Manuscripts|Illumination (Layout feature)||||11|||1086|1086||1086|1086||Commentary on the Apocalypse by Beatus of Liebana|||255||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||36 x 22.5 cm||9149|Burgo de Osma, Cathedral Archive|Burgo de Osma: Cath.Archive||Lettering (layout features)||||||||||Cornell||ECS|ECS|8/19/2003 0:00:00|8/7/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Alpha page| 257.00|0|Manuscript|15|05|M183|M13-I|||Biblia Hispalense|||||||||Biblia Hispalense|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Manuscripts|||||10||||||Mid 10th Century|Mid 10th Century|||||0||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||43.8 x 33 cm||1607|Madrid,Biblioteca Nacional|Madrid: Bibl. Nac.||||||||||||Cornell||ECS|ECS|8/7/2003 0:00:00|8/7/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Biblia Hispalense| 258.00|0|Manuscript|15|05|M183|M13-I|F278||Canon Table X|||||||||Canon Table X, from Biblia Hispalense|0|||||0||||0|||||Spanish|||Asturian|||||Spain||||||0||||0||||0||||0|Manuscripts|Illumination (Layout feature)||||10||||||Mid 10th Century|Mid 10th Century||Biblia Hispalense|||257||||0|||||Tempera on parchment|Tempera on parchment|||||illumination|||||43.8 x 33 cm||1607|Madrid,Biblioteca Nacional|Madrid: Bibl. Nac.||Canon tables||||||||||Cornell||ECS|ECS|8/19/2003 0:00:00|8/7/2003 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Canon Table X| 259.00|0|Category|15|Med/Rom|Sp|Ivory|||Reliquary of Saint Pelagius|||||||||Reliquary of Saint Pelagius|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Sculpture|Ivory||||11||||||1059 or earlier|1059 or earlier|||||0||||0|||||Wood, ivory,gold and silk|Wood, ivory,gold and silk|||||sculpture|||||30.5 x 48 x 26.2 cm||1477|Leon,S.Isidoro|Leon: S. Isidoro||Saints||||||||||Cornell||ECS|ECS|8/7/2003 0:00:00|8/7/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Reliquary of Saint Pelagius| 260.00|0|Category|15|Med/Rom|Sp|Ivory|||Cross of Ferdinand and Sancha|||||||||Cross of Ferdinand and Sancha|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Sculpture|Ivory||||11|||||ca|ca.1063|1063|||||0||||0|||||Ivory, gold and burnished sapphires|Ivory, gold and burnished sapphires|||||sculpture|||||H:54.2 cm||1609|Madrid,Museo Arqueologico Nacional|Madrid: Mus. Arqueol. Nac.||Jesus Christ, Crosses, Crucifixes||||||||||Cornell||ECS|ECS|8/7/2003 0:00:00|8/7/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Cross of Ferdinand and Sancha| 261.00|0|Category|15|Med/Rom|Sp|Ivory|||Christ in majesty with SS. Peter and Paul|||||||||Christ in majesty with SS. Peter and Paul|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Sculpture|Ivory||||11|||||ca|ca.1063|1063|||||0||||0|||||Ivory|ivory|||||sculpture|||||26.4 x 13.9 cm||3341|Paris,Musee National du Louvre|Paris: Louvre||Jesus Christ, Saint Peter, Saint Paul, Lambs, Apostles||||||||||Cornell||ECS|ECS|8/7/2003 0:00:00|8/7/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Christ in majesty with SS. Peter and Paul| 262.00|0|Category|15|Med/Rom|Sp|Ivory|||Reliquary|||||||||Reliquary|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Sculpture|Ivory||||12||||||Early 12th Century|Early 12th Century|||||0||||0|||||Ivory, silver, gold, and glass|Ivory, silver, gold, and glass|||||sculpture|||||H:13.2 cm||1477|Leon,S.Isidoro|Leon: S. Isidoro||Jesus Christ||||||||||Cornell||ECS|ECS|8/7/2003 0:00:00|8/7/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Reliquary| 263.00|0|Category|15|Med/Rom|Sp|Ivory|||Reliquary Corpus|||Carrizo Christ||||||Reliquary Corpus (Carrizo Christ)|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Sculpture|Ivory||||11||||||Late 11th Century|Late 11th Century|||||0||||0|||||Ivory, jet, gold and vitreous paste|Ivory, jet, gold and vitreous paste|||||sculpture|||||H: 33.5 cm||9150|Leon,Museo de Leon|Leon: Museo||Jesus Christ, Crosses, Crucifixes||||||||||Cornell||ECS|ECS|8/7/2003 0:00:00|8/7/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Reliquary Corpus;Carrizo Christ| 264.00|0|Category|15|Med/Rom|Sp|Ivory|||Reliquary|||||||||Reliquary|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Sculpture|Ivory||||12|||||ca|ca.1115-1120|1115-1120|||||0||||0|||||Ivory|ivory|||||sculpture|||||||||||||||||||||Cornell||ECS|ECS|8/7/2003 0:00:00|8/7/2003 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Reliquary| 265.00|0|Category|15|Med/Rom|Sp|Ivory|||Apostle|||||||||Apostle|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Sculpture|Ivory||||12|||1100|1150||First half of 12th Century|First half of 12th Century|||||0||||0|||||Ivory|ivory|||||sculpture|||||H:15.5 cm|||Rhode Island: Private Collection|Rhode Island: Private Collection||Apostles||||||||||Cornell||ECS|ECS|8/12/2003 0:00:00|8/7/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Apostle| 266.00|0|Category|15|Med/Rom|Sp|Ivory|||Apostle|||||||||Apostle|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Sculpture|Ivory||||12|||1100|1150||First half of 12th Century|First half of 12th Century|||||0||||0|||||Ivory|ivory|||||sculpture|||||H:15.7 cm||487|Bryn Athyn,Academy of the New Church,Glencairn Museum|Bryn Athyn: Glencairn Mus.||Apostles||||||||||Cornell||ECS|ECS|8/12/2003 0:00:00|8/7/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Apostle| 267.00|0|Category|15|Med/Rom|Sp|Ivory|||Apostle|||||||||Apostle|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Sculpture|Ivory||||12|||1100|1150||First half of 12th Century|First half of 12th Century|||||0||||0|||||Ivory|ivory|||||sculpture|||||H:14.6 cm||487|Bryn Athyn,Academy of the New Church,Glencairn Museum|Bryn Athyn: Glencairn Mus.||Apostles||||||||||Cornell||ECS|ECS|8/12/2003 0:00:00|8/7/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Apostle| 268.00|0|Category|15|Med/Rom|Sp|Ivory|||Beatitudes Casket|||||||||Beatitudes Casket|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Sculpture|Ivory||||11|||1000|1100||11th Century|11th Century|||||0||||0|||||Ivory on wood|Ivory on wood|||||sculpture|||||15.2 x 18 x 11.9 cm||1609|Madrid,Museo Arqueologico Nacional|Madrid: Mus. Arqueol. Nac.||||||||||||Cornell||ECS|ECS|8/12/2003 0:00:00|8/7/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Beatitudes Casket| 269.00|0|Category|15|Med/Rom|Sp|Ivory|||Reliquary of Saint Aemilian|||||||||Reliquary of Saint Aemilian|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Sculpture|Ivory||||11|||1060|1080||1060-1080|1060-1080|||||0||||0|||||Ivory|ivory|||||sculpture|||||||||||||||||||||Cornell||ECS|ECS|8/12/2003 0:00:00|8/7/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Reliquary of Saint Aemilian| 270.00|0|Category|15|Med/Rom|Sp|Ivory|||Plaque with scenes from Genesis|||||||||Plaque with scenes from Genesis|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Sculpture|Ivory||||11|||1000|1100||11th Century|11th Century|||||0||||0|||||Ivory and glass|Ivory and glass|||||sculpture|||||23.5 x 10.2 cm||3431|Saint Petersburg,Hermitage|Saint Petersburg: Hermitage||Old Testament, Adam, Eve, Noah, Abraham, Isaac||||||||||Cornell||ECS|ECS|8/12/2003 0:00:00|8/7/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Plaque with scenes from Genesis| 271.00|0|Category|15|Med/Rom|Sp|Ivory|||Reliquary of San Felices|||||||||Reliquary of San Felices|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Sculpture|Ivory||||11|||1065|1115|ca|ca.1090|1090|||||0||||0|||||Ivory|ivory|||||sculpture|||||||||||||||||||||Cornell||ECS|ECS|8/12/2003 0:00:00|8/8/2003 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Reliquary of San Felices| 272.00|0|Category|15|Med/Rom|Sp|Ivory|||Book Cover|||||||||Book Cover|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0|Jaca, Spain|||||||0|Sculpture|Ivory||||11|||1000|1085||Before 1085|Before 1085|||||0||||0|||||Ivory,silver gilt, pseudofiligree, sapphire, glass, crystal|Ivory,silver gilt, pseudofiligree, sapphire, glass, crystal|||||sculpture|||||26 x 21.6 cm||3294|New York,Metropolitan Museum of Art|New York: Metropolitan||Crucifixion, Virgin Mary, Jesus Christ, Saint John the Evangelist||||||||||Cornell||ECS|ECS|8/12/2003 0:00:00|8/8/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Book Cover| 273.00|0|Category|15|Med/Rom|Sp|Ivory|||Book Cover|||||||||Book Cover|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0|Jaca, Spain|||||||0|Sculpture|Ivory||||11|||1000|1085||Before 1085|Before 1085|||||0||||0|||||Ivory, silver gilt, pseudofiligree, cloisonne enamel, glass|Ivory, silver gilt, pseudofiligree, cloisonne enamel, glass|||||sculpture|||||26.7 x 19.1 cm||3294|New York,Metropolitan Museum of Art|New York: Metropolitan||Crucifixion, Virgin Mary, Saint John the Evangelist, Jesus Christ||||||||||Cornell||ECS|ECS|8/12/2003 0:00:00|8/8/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Book Cover| 274.00|0|Category|15|Med/Rom|Sp|Ivory|||Reliquary diptych of Bishop Gundisalvo Menendez|||||||||Reliquary diptych of Bishop Gundisalvo Menendez|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Sculpture|Ivory||||12|||1100|1174||Early 12 th Century and 1162-1174|Early 12 th Century and 1162-1174|||||0||||0|||||Ivory, silver, gilt, niello, glass cabochons on wood|Ivory, silver, gilt, niello, glass cabochons on wood|||||sculpture|||||16.5 x 26 x 7.6 cm||9139|Oviedo, Cathedral Archive|Oviedo: Cathedral Archive||Crucifixion, Virgin Mary, Saint John the Evangelist, Jesus Christ||||||||||Cornell||ECS|ECS|8/12/2003 0:00:00|8/8/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Reliquary diptych of Bishop Gundisalvo Menendez| 275.00|0|Category|15|Med/Rom|Sp|Ivory|||Crucifix|||||||||Crucifix|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Sculpture|Ivory||||12|||1150|1200||2nd half of 12th Century|2nd half of 12th Century|||||0||||0|||||Ivory, silver, gilt, niello|ivory, silver, gilt, niello|||||sculpture|||||26.4 x 17.8 cm||3294|New York,Metropolitan Museum of Art|New York: Metropolitan||Crucifixes, Jesus Christ||||||||||Cornell||ECS|ECS|8/12/2003 0:00:00|8/8/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Crucifix| 276.00|0|Category|15|Med/Rom|Sp|Ivory|||Reliquary Casket of Saint Dominic of Silos|||||||||Reliquary Casket of Saint Dominic of Silos|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Sculpture|Ivory||||12|||1125|1200|ca|ca.1150-1175|1150-1175|||||0||||0|||||Ivory, wood, gilt-copper, champleve enamel|Ivory, wood, gilt-copper, champleve enamel|||||sculpture|||||19 x 34 x 21 cm||9151|Burgos,Museo de Burgos|Burgos: Museo||||||||||||Cornell||ECS|ECS|8/12/2003 0:00:00|8/8/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Reliquary Casket of Saint Dominic of Silos| 278.00|0|Category|15|Med/Rom|Sp|Ivory|||Portion of a Crosier Shaft|||||||||Portion of a Crosier Shaft|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Sculpture|Ivory||||12|||1175|1200||Late 12th Century|Late 12th Century|||||0||||0|||||Ivory|ivory|||||sculpture|||||H: 28.6 cm;Diam.:3.5 cm||1951|New York,Metropolitan Museum of Art,Cloisters|New York: Metropolitan; Cloisters||Jesus Christ, Mary, Madonna and Child, Bishops, Angels||||||||||Cornell||ECS|ECS|8/12/2003 0:00:00|8/8/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Portion of a Crosier Shaft| 279.00|0|Category|15|Med/Isl|Ivory||||Pyxis of Ziyad Ibn Aflah|||||||||Pyxis of Ziyad Ibn Aflah|0|||||0||||0|||||Islamic|||Abbasid|||||Spain||||||0||||0|Cordoba, Spain|||||||0|Sculpture|Ivory||||10|||969|970||969-970|969-970|||||0||||0|||||Ivory|ivory|||||sculpture|||||H: 18.5 cm; D: 11.5 cm||6|London,Victoria and Albert Museum|London: Victoria & Albert||Animals, Daises, Elephants||||||||||Cornell||ECS|ECS|8/11/2003 0:00:00|8/11/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Pyxis of Ziyad Ibn Aflah| 280.00|0|Category|15|Med/Isl|Ivory||||Casket|||||||||Casket|0|||||0||||0|||||Islamic|||Abbasid|||||Spain||||||0||||0||||0||||0|Sculpture|Ivory||||11|||1000|1025||Early 11th Century|Early 11th Century|||||0||||0|||||Ivory|ivory|||||sculpture|||||21.5 x 27 x 16.5 cm||6|London,Victoria and Albert Museum|London: Victoria & Albert||Birds, Lions, Rabbits, Dogs, Deer, Griffins||||||||||Cornell||ECS|ECS|8/12/2003 0:00:00|8/11/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Casket| 281.00|0|Category|15|Med/Isl|Ivory||||Reliquary Casket|||||||||Reliquary Casket|0|||||0||||0|||||Islamic|||Abbasid|||||Spain||||||0||||0||||0||||0|Sculpture|Ivory||||11|||1000|1100||11th Century|11th Century|||||0||||0|||||Ivory and metal|ivory and metal|||||sculpture|||||5.1 x 4.6 x 3.2 cm||1477|Leon,S.Isidoro|Leon: S. Isidoro||Rabbits||||||||||Cornell||ECS|ECS|8/12/2003 0:00:00|8/11/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Reliquary Casket| 282.00|0|Category|15|Med/Isl|Ivory||||King or Vizier Chess Piece|||||||||King or Vizier Chess Piece|0|||||0||||0|||||Islamic|||Abbasid|||||Spain||||||0||||0||||0||||0|Sculpture|Ivory||||10-11|||975|1225||Late 10th-Early 11th Century|Late 10th-Early 11th Century|||||0||||0|||||Ivory|ivory|||||sculpture|||||H: 8.1 cm||3170|Washington DC,Dumbarton Oaks Research Library and Collection|Wash, DC: Dumbarton Oaks||Deer, Rabbits, Figures (representations)||||||||||Cornell||ECS|ECS|8/12/2003 0:00:00|8/11/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|King or Vizier Chess Piece| 283.00|0|Category|15|Med/Ast|Sp|Ivory|||Casket|||||||||Casket|0|||||0||||0|||||Spanish|||Asturian|||||Spain||||||0||||0||||0||||0|Sculpture|Ivory||||8-10|||700|900||8-10th Century|8-10th Century|||||0||||0|||||Ivory and gilt-copper alloy|Ivory and gilt-copper alloy|||||sculpture|||||9 x 12 x 6 cm||487|Bryn Athyn,Academy of the New Church,Glencairn Museum|Bryn Athyn: Glencairn Mus.||||||||||||Cornell||ECS|ECS|8/18/2003 0:00:00|8/11/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Casket| 284.00|0|Category|15|Med/Ast|Sp|Ivory|||Processional Cross|||||||||Processional Cross|0|||||0||||0|||||Spanish|||Asturian|||||Spain||||||0||||0||||0||||0|Sculpture|Ivory||||10|||975|1000||Late 10th Century|Late 10th Century|||||0||||0|||||Ivory with traces of gold inlay|Ivory with traces of gold inlay|||||sculpture|||||||||||||||||||||Cornell||ECS|ECS|8/18/2003 0:00:00|8/11/2003 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Processional Cross| 285.00|0|Category|15|Med/Rom|Sp|Sc|||Relief of two women with a lion and a ram|||||||||Relief of two women with a lion and a ram|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0|Toulouse, Church of St.Sernin|||||||0|Sculpture|Relief||||12|||1090|1145|ca|ca. 1115-1120|1115-1120|||||0||||0|||||Marble|marble|||||sculpture|||||135 x 68 x 14 cm||2952|Toulouse,Musee des Augustins|Toulouse: Mus. Augustins||Lions, Rams, Women||||||||||Cornell||ECS|ECS|8/12/2003 0:00:00|8/11/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Relief of two women with a lion and a ram| 286.00|0|Category|15|Med/Rom|Sp|Sc|||Head of a Youth|||||||||Head of a Youth|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0|Toulouse, Church of St.Sernin|||||||0|Sculpture|Relief||||12|||1090|1145|ca|ca. 1115-1120|1115-1120|||||0||||0|||||Marble|marble|||||sculpture|||||H:19.5 cm||3294|New York,Metropolitan Museum of Art|New York: Metropolitan||Heads (representations)||||||||||Cornell||ECS|ECS|8/12/2003 0:00:00|8/11/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Head of a Youth| 287.00|0|Category|15|Med/Rom|Sp|Sc|||Capital|||||||||Capital|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0|Huesca, Jaca Cathedral|||||||0|Sculpture|Relief||||12|||1100|1125||First quarter of 12th Century|First quarter of 12th Century|||||0||||0|||||Limestone|limestone|||||sculpture|||||H: 41 cm||9152|Jaca, Church of Santiago and Santo Domingo|Jaca: Church of Santiago||Capitals||||||||||Cornell||ECS|ECS|8/12/2003 0:00:00|8/11/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Capital| 288.00|0|Category|15|Med/Rom|Sp|Sc|||Relief of Saint (John?)|||||||||Relief of Saint (John?)|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0|Leon, Church of San Isidoro|||||||0|Sculpture|Relief||||12|||1090|1145|ca|ca.1115-1120|1115-1120|||||0||||0|||||Marble|marble|||||sculpture|||||H:58 cm||9150|Leon,Museo de Leon|Leon: Museo||Saints||||||||||Cornell||ECS|ECS|8/12/2003 0:00:00|8/11/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Relief of Saint (John?)| 320.00|0|Site|02|B-C7|Tex|4.2 Chap/Riv|8-5|B-C7 Tex 4.2 Chap/Riv 8-5|Ceiling Mural|||||||||Univ. Auton. Chapingo. Capilla Riveriana. Ceiling Mural|9901|Rivera, Diego||painter|Rivera, Diego|0||||0|||||Mexican||||||||Mexico||||||0|Texcoco de Mora, Mexico|||9990||||||||0|Paintings|Fresco|Mural|||20|||1926|1926||1926|1926||Capilla Riveriana|||316||||0|||||Fresco||||||fresco painting|||||||9160|Texcoco,Universidad Autonoma Chapingo, Capilla Riveriana|Texcoco: Univ. Auton. Chapingo; Chapel||||||||||||Cornell||MNW|MNW|1/31/2005 0:00:00|8/12/2003 0:00:00||Tex||0||||||Chap/Riv|B|||||C7|4.2|| ||||||||Work|0|Architecture-Mexico|||||||||||0|0|Ceiling Mural|Rivera, Diego 321.00|0|Site|02|B-C7|Tex|4.2 Chap/Riv|8-1|B-C7 Tex 4.2 Chap/Riv 8-1|Liberated Earth with the Natural Forces Controlled by Man||Image Source (Book)|||||||Univ. Auton. Chapingo. Capilla Riveriana. Liberated Earth|9901|Rivera, Diego||painter|Rivera, Diego|0||||0|||||Mexican||||||||Mexico||||||0|Texcoco de Mora, Mexico|||9990||||0||||0|Paintings|Fresco|Mural|||20|||1926|1927||1926-1927|1926-1927||Capilla Riveriana|||316||||0|||||Fresco||||||fresco painting|||||||9160|Texcoco,Universidad Autonoma Chapingo, Capilla Riveriana|Texcoco: Univ. Auton. Chapingo; Chapel||Nudes||||||||||Cornell||MNW|MNW|1/31/2005 0:00:00|8/12/2003 0:00:00||Tex||0||||||Chap/Riv|B|||||C7|4.2|| ||||||||Work|0|Architecture-Mexico|||||||||||0|0|Liberated Earth with the Natural Forces Controlled by Man|Rivera, Diego 322.00|0|Category|15|Med/Rom|SP|Sc|||Saints Philip, Jude and Bartholomew|||||||||SS. Philip, Jude and Bartholomew|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Sculpture|Relief||||12|||1115|1195|ca|ca.1140-1170|1140-1170|||||0||||0|||||Limestone|limestone|||||sculpture|||||81.4 x 63.4 cm||6|London,Victoria and Albert Museum|London: Victoria & Albert||Saint Philip, Saint Jude, Saint Bartholemew||||||||||Cornell||ECS|ECS|8/12/2003 0:00:00|8/12/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Saints Philip, Jude and Bartholomew| 323.00|0|Site||B-C7|Cuer|7.1|Cor|B-C7 Cuer 7.1 Cor|Cortes Palace||Image Source (Book)|||||||Cortes Palace|9901|Rivera, Diego||painter|Rivera, Diego|0||||0|||||Mexican||||||||Mexico||||||0|Cuernavaca, Mexico|||9991||||0||||0|Architecture|Palace||||16|||1531|1531||1531|1531-1531|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|1/31/2005 0:00:00|8/12/2003 0:00:00|||Cuer|0||||||Cor|B|||||C7|7.1|||||||||||0||||||||||||0|0|Cortes Palace|Rivera, Diego 327.00|0|Category|15|Med/Rom|SP|Sc|||Head|||||||||Head|29837|Master of Cabestany|attributed to|sculptor|Master of Cabestany|0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Sculpture|Relief||||12|||1150|1200||Second half of 12th Century|Second half of 12th Century|||||0||||0|||||Marble|marble|||||sculpture|||||H:20 cm||9162|Gerona,Museo del Castillo de Peralada|Gerona: Museo del Castillo||Heads (representations)||||||||||Cornell||ECS|MNW|8/26/2005 0:00:00|8/13/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Head|Master of Cabestany 328.00|0|Category|15|Med/Rom|SP|Sc|||Capital|||||||||Capital|29837|Master of Cabestany|attributed to|sculptor|Master of Cabestany|0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Sculpture|Relief||||12|||1150|1200||Second half of 12th Century|Second half of 12th Century|||||0||||0|||||Marble|marble|||||sculpture|||||H:46 cm||3530|Worcester,Art Museum|Worcester: Art Museum||Masks, Acanthus leaves||||||||||Cornell||ECS|MNW|8/26/2005 0:00:00|8/13/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Capital|Master of Cabestany 329.00|0|Category|15|Med/Rom|SP|Sc|||Capital with scenes from the life of Abraham|||||||||Capital with scenes from the life of Abraham|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Sculpture|Relief||||12|||1175|1200||Last quarter of the 12th Centur|Last quarter of the 12th Century|||||0||||0|||||Limestone|limestone|||||sculpture|||||H:35 cm||2184|Paris,Musee de Cluny|Paris: Mus. Cluny||Abraham, Angels, Old Testament||||||||||Cornell||ECS|ECS|8/13/2003 0:00:00|8/13/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Capital with scenes from the life of Abraham| 330.00|0|Category|15|Med/Rom|SP|Sc|||Deposition Group|||||||||Deposition Group|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Sculpture|Wood||||12|||1125|1175||Mid 12th Century|Mid 12th Century|||||0||||0|||||Wood with traces of polychromy|Wood with traces of polychromy|||||sculpture|||||||||||Deposition, New Testament||||||||||Cornell||ECS|ECS|8/13/2003 0:00:00|8/13/2003 0:00:00||||0||||||||SC|||||||||||||||Work|0||||||||||||0|0|Deposition Group| 331.00|0|Category|15|Med/Rom|SP|Sc|||Virgin from an Annunciation|||||||||Virgin from an Annunciation|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Sculpture|Wood||||12|||1100|1150|ca|ca.1125|1125|||||0||||0|||||Wood with traces of gesso and polychromy|Wood with traces of gesso and polychromy|||||sculpture|||||154.9 x 38.1 cm||3689|Cambridge MA,Harvard University,Fogg Art Museum|Cambridge: Harvard; Fogg||Virgin Mary||||||||||Cornell||ECS|ECS|8/13/2003 0:00:00|8/13/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Virgin from an Annunciation| 332.00|0|Category|15|Med/Rom|SP|Sc|||Fragment of Corpus|||Christ of Mig-Aran||||||Fragment of Corpus (Christ of Mig-Aran)|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Sculpture|Wood||||12|||1100|1200||12th Century|12th Century|||||0||||0|||||Wood|wood|||||sculpture|||||65 x 40 cm||9164|Viella,Church of Sant Miquel|Viella: Church of S.Miquel||Jesus Christ||||||||||Cornell||ECS|ECS|8/13/2003 0:00:00|8/13/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Fragment of Corpus;Christ of Mig-Aran| 333.00|0|Category|15|Med/Rom|SP|Sc|||Virgin and Child|||||||||Virgin and Child|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Sculpture|Wood||||12|||1100|1200||12th Century|12th Century|||||0||||0|||||Polychromed wood|Polychromed wood|||||sculpture|||||H:52.5 cm||248|Barcelona,Museo de Arte Cataluna|Barcelona: Mus. Art Catal.||Virgin Mary, Jesus Christ, Madonna and Child||||||||||Cornell||ECS|ECS|8/13/2003 0:00:00|8/13/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Virgin and Child| 334.00|0|Category|15|Med/Rom|SP|Sc|||Virgin and Child|||||||||Virgin and Child|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Sculpture|Wood||||12|||1100|1200||12th Century|12th Century|||||0||||0|||||Wood|wood|||||sculpture|||||H:48 cm||9148|Gerona,Museu de la Cathedral|Gerona: Museu Cathedral||Virgin Mary, Jesus Christ, Madonna and Child||||||||||Cornell||ECS|ECS|8/13/2003 0:00:00|8/13/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Virgin and Child| 335.00|0|Category|15|Med/Rom|SP|Sc|||Majestat Batlló|||||||||Majestat Batlló|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Sculpture|Wood||||12|||1125|1175||Mid 12th Century|Mid 12th Century|||||0||||0|||||Polychromed wood|Polychromed wood|||||sculpture|||||Christ:94 x 96 cm; Cross:156 x 120 cm||248|Barcelona,Museo de Arte Cataluna|Barcelona: Mus. Art Catal.||Jesus Christ, Crosses, Crucifixes||||||||||Cornell||ECS|ECS|8/13/2003 0:00:00|8/13/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Majestat Batlló| 336.00|0|Category|15|Med/Visi|SP|Sc|||Lid of Sarcophagus of Ithacius|||||||||Lid of Sarcophagus of Ithacius|0|||||0||||0|||||Spanish|||Visigothic|||||Spain||||||0||||0||||0||||0|Sculpture|Relief||||6|||500|550||First half of 6th Century|First half of 6th Century|||||0||||0|||||Marble|marble|||||sculpture|||||25 x 210 x 85 cm||9139|Oviedo, Cathedral Archive|Oviedo: Cathedral Archive||Sarcophagi, Acanthus leaves||||||||||Cornell||ECS|ECS|8/13/2003 0:00:00|8/13/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Lid of Sarcophagus of Ithacius| 337.00|0|Category|15|Med/Visi|SP|Sc|||Sarcophagus fragment|||||||||Sarcophagus fragment|0|||||0||||0|||||Spanish|||Visigothic|||||Spain||||||0||||0||||0||||0|Sculpture|Relief||||6|||500|550||Early 6th Century|Early 6th Century|||||0||||0|||||Gray stone|Gray stone|||||sculpture|||||56 x 124 x 11 cm||1609|Madrid,Museo Arqueologico Nacional|Madrid: Mus. Arqueol. Nac.||Sarcophagi, Lazarus, Jesus Christ, David, Goliath, Swords, Shields||||||||||Cornell||ECS|ECS|8/13/2003 0:00:00|8/13/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Sarcophagus fragment| 338.00|0|Category|15|Med/Visi|SP|Sc|||Double window|||||||||Double window|0|||||0||||0|||||Spanish|||Visigothic|||||Spain||||||0||||0||||0||||0|Sculpture|Relief||||6|||550|600||Second half of 6th Century|Second half of 6th Century|||||0||||0|||||Gray marble|Gray marble|||||sculpture|||||58 x 88 x 11 cm||9165|Merida,Museo de Arte Romano de Merida|Merida: Museo de Art Romano||Horseshoe arches, Architectural elements||||||||||Cornell||ECS|ECS|8/13/2003 0:00:00|8/13/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Double window| 339.00|0|Category|15|Med/Visi|SP|Sc|||Pillar|||||||||Pillar|0|||||0||||0|||||Spanish|||Visigothic|||||Spain||||||0||||0||||0||||0|Sculpture|Relief||||7|||600|700||7th Century|7th Century|||||0||||0|||||Gray marble|Gray marble|||||sculpture|||||204 x 34 x 34||9165|Merida,Museo de Arte Romano de Merida|Merida: Museo de Art Romano||Architectural elements, Pillars, Acanthus leaves||||||||||Cornell||ECS|ECS|8/13/2003 0:00:00|8/13/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Pillar| 340.00|0|Category|15|Med/Visi|SP|Sc|||Pillar|||||||||Pillar|0|||||0||||0|||||Spanish|||Visigothic|||||Spain||||||0||||0||||0||||0|Sculpture|Relief||||7|||600|700||7th Century|7th Century|||||0||||0|||||Gray marble|Gray marble|||||sculpture|||||160 x 42 cm||9166|Badajoz,Museo Arqueologico Provincial|Badajoz: Museo Arqueologico||Flowers, Architectural elements, Pillars||||||||||Cornell||ECS|ECS|8/13/2003 0:00:00|8/13/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Pillar| 341.00|0|Category|15|Med/Visi|SP|Sc|||Chancel Screen Relief|||||||||Chancel Screen Relief||||||0||||0|||||Spanish|||Visigothic|||||Spain||||||0||||0||||0||||0|Sculpture|Relief||||7|||600|700||7th Century|7th Century|||||0||||0|||||Gray-white marble|Gray-white marble|||||sculpture|||||82 x 48 x 11 cm||1609|Madrid,Museo Arqueologico Nacional|Madrid: Mus. Arqueol. Nac.||Architectural elements, Shell ornament||||||||||Cornell||ECS|ECS|8/13/2003 0:00:00|8/13/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Chancel Screen Relief| 342.00|0|Category|15|Med/Visi|SP|Sc|||Christ between two Angels|||||||||Christ between two Angels|0|||||0||||0|||||Spanish|||Visigothic|||||Spain||||||0||||0||||0||||0|Sculpture|Relief||||7|||650|700||Late 7th Century|Late 7th Century|||||0||||0|||||Stone|stone|||||sculpture|||||42 x 93 x 52 cm||9167|Quintanilla de las Vinas: Church of Santa Maria|Quintanilla de las Vinas: Church of Sta.Maria||Jesus Christ, Angels||||||||||Cornell||ECS|ECS|8/13/2003 0:00:00|8/13/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Christ between two Angels| 343.00|0|Category|15|Med/Visi|SP|Sc|||Capital|||||||||Capital|0|||||0||||0|||||Spanish|||Visigothic|||||Spain||||||0||||0||||0||||0|Sculpture|Relief||||7|||600|700||7th Century|7th Century|||||0||||0|||||Marble|marble|||||sculpture|||||H:35 cm||9168|Cordoba,Museo Arqueologico Provincial|Cordoba: Museo Arq.Provincial||Capitals, Architectural elements, Evangelists||||||||||Cornell||ECS|ECS|8/13/2003 0:00:00|8/13/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Capital| 344.00|0|Category|15|Med/Visi|SP|Sc|MA||Liturgical Ewer|||||||||Liturgical Ewer|0|||||0||||0|||||Spanish|||Visigothic|||||Spain||||||0||||0||||0||||0|Sculpture|Metalwork||||7|||600|700||7th Century|7th Century|||||0||||0|||||Cast bronze|Cast bronze|||||sculpture|||||H:25.5 cm||9169|Madrid,Instituto de Valencia de Don Juan|Madrid:Inst.Val.de Don Juan||Ewers, Liturgical objects||||||||||Cornell||ECS|ECS|8/13/2003 0:00:00|8/13/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Liturgical Ewer| 345.00|0|Category|15|Med/Visi|SP|Sc|MA||Liturgical Paten|||||||||Liturgical Paten|0|||||0||||0|||||Spanish|||Visigothic|||||Spain||||||0||||0||||0||||0|Sculpture|Metalwork||||7|||650|700||Second half of 7th Century|Second half of 7th Century|||||0||||0|||||Cast bronze|Cast bronze|||||sculpture|||||D:17 cm||9169|Madrid,Instituto de Valencia de Don Juan|Madrid:Inst.Val.de Don Juan||Patens, Liturgical objects||||||||||Cornell||ECS|ECS|8/13/2003 0:00:00|8/13/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Liturgical Paten| 346.00|0|Category|15|Med/Visi|SP|Sc|MA||Liturgical Ewer|||||||||Liturgical Ewer|0|||||0||||0|||||Spanish|||Visigothic|||||Spain||||||0||||0||||0||||0|Sculpture|Metalwork||||7-8|||675|725||End of 7th or Early 8th Century|End of 7th or Early 8th Century|||||0||||0|||||Cast bronze|Cast bronze|||||sculpture|||||H:22.6 cm||9170|Avila,Museo Provincial|Avila: Museo Provincial||Ewers, Liturgical objects||||||||||Cornell||ECS|ECS|8/13/2003 0:00:00|8/13/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Liturgical Ewer| 347.00|0|Category|15|Med/Visi|SP|Sc|MA||Liturgical incense burner|||||||||Liturgical incense burner|0|||||0||||0|||||Spanish|||Visigothic|||||Spain||||||0||||0||||0||||0|Sculpture|Metalwork||||7|||650|700||Second half of 7th Century|Second half of 7th Century|||||0||||0|||||Cast bronze|Cast bronze|||||sculpture|||||H:21.5 cm; D:10.5 cm||9171|Lleida: Fundacio Publica, Institut d'Estudis Ilerdencs|Lleida: Fundacio Publica||Liturgical objects, Incense burners||||||||||Cornell||ECS|ECS|8/13/2003 0:00:00|8/13/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Liturgical incense burner| 348.00|0|Site||B-C7|Cuer|7.1|Cor 8-5|B-C7 Cuer 7.1 Cor 8-5|Enslavement of the Indian||Image Source (Book)|||||||Cortes Palace. Enslavement of the Indian|9901|Rivera, Diego||painter|Rivera, Diego|0||||0|||||Mexican||||||||Mexico||||||0|Cuernavaca, Mexico|||9991||||0||||0|Paintings|Fresco|Mural|||20|||1929|1930||1929-1930|1929-1930||Cortes Palace|LargerEntity||323||||0|||||Fresco||||||fresco painting|||||||700|Cuernavaca,Cortez Palace|Cuernavaca: Cortez Pal.||Slavery||||||||||Cornell||MNW|MNW|1/31/2005 0:00:00|8/13/2003 0:00:00||Cuer||0||||||Cor|B|||||C7|7.1|| ||||||||Work|0||||||||||||0|0|Enslavement of the Indian|Rivera, Diego 349.00|0|Site||B-C7|Cuer|7.1|Cor 8-6|B-C7 Cuer 7.1 Cor 8-6|Construction of the Cortez Palace||Image Source (Book)|||||||Cortes Palace. Construction of the Cortez Palace|9901|Rivera, Diego||painter|Rivera, Diego|0||||0|||||Mexican||||||||Mexico||||||0|Cuernavaca, Mexico|||9991||||0||||0|Paintings|Fresco|Mural|||20|||1929|1930||1929-1930|1929-1930||Cortes Palace|LargerEntity||323||||0|||||Fresco||||||fresco painting|||||||700|Cuernavaca,Cortez Palace|Cuernavaca: Cortez Pal.||Construction||||||||||Cornell||MNW|MNW|1/31/2005 0:00:00|8/13/2003 0:00:00||Cuer||0||||||Cor|B|||||C7|7.1|| ||||||||Work|0||||||||||||0|0|Construction of the Cortez Palace|Rivera, Diego 350.00|0|Category|15|Med/Visi|SP|Sc|MA||Votive Crown|||||||||Votive Crown|0|||||0||||0|||||Spanish|||Visigothic|||||Spain||||||0||||0||||0||||0|Sculpture|Jewelry||||7|||600|700||7th Century|7th Century|||||0||||0|||||Gold,sapphires, emeralds, pearls,rock crystal,amethysts|Gold,sapphires, emeralds, pearls,rock crystal,amethysts|||||sculpture|||||D:16.8 cm||9172|Paris,Musee National du Moyen Age, Thermes de Cluny|Paris: Musee Nat. du Moyen Age||Crowns, Jewels||||||||||Cornell||ECS|ECS|8/14/2003 0:00:00|8/14/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Votive Crown| 351.00|0|Category|15|Med/Visi|SP|Sc|MA||Votive Cross|||||||||Votive Cross|0|||||0||||0|||||Spanish|||Visigothic|||||Spain||||||0||||0||||0||||0|Sculpture|Jewelry||||7|||600|700||7th Century|7th Century|||||0||||0|||||Gold,sapphires,mother-of-pearl,amethysts,jasper|Gold,sapphires,mother-of-pearl,amethysts,jasper|||||sculpture|||||18.4 x 10.8 cm||9172|Paris,Musee National du Moyen Age, Thermes de Cluny|Paris: Musee Nat. du Moyen Age||Jewelry, Jewels, Crosses||||||||||Cornell||ECS|ECS|8/14/2003 0:00:00|8/14/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Votive Cross| 352.00|0|Category|15|Med/Visi|SP|Sc|MA||Arms of a processional cross|||||||||Arms of a processional cross|0|||||0||||0|||||Spanish|||Visigothic|||||Spain||||||0||||0||||0||||0|Sculpture|Metalwork||||7|||600|700||7th Century|7th Century|||||0||||0|||||Gold,sapphires,emeralds,pearls,mother-of-pearl,amethysts|Gold,sapphires,emeralds,pearls,mother-of-pearl,amethysts|||||sculpture|||||Each 22 cm||1609|Madrid,Museo Arqueologico Nacional|Madrid: Mus. Arqueol. Nac.||Crosses, Crucifixes, Jewels||||||||||Cornell||ECS|ECS|8/14/2003 0:00:00|8/14/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Arms of a processional cross| 353.00|0|Category|15|Med/Visi|SP|Sc|MA||Votive Crown|||||||||Votive Crown|0|||||0||||0|||||Spanish|||Visigothic|||||Spain||||||0||||0||||0||||0|Sculpture|Jewelry||||7|||600|700||7th Century|7th Century|||||0||||0|||||Gold,mother-of-pearl,sapphires,amethysts,emeralds,pearls|Gold,mother-of-pearl,sapphires,amethysts,emeralds,pearls,glass|||||sculpture|||||D:13 cm||9172|Paris,Musee National du Moyen Age, Thermes de Cluny|Paris: Musee Nat. du Moyen Age||Crowns, Jewelry, Jewels||||||||||Cornell||ECS|ECS|8/14/2003 0:00:00|8/14/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Votive Crown| 354.00|0|Category|15|Med/Visi|SP|Sc|MA||Pair of earrings|||||||||Pair of earrings|0|||||0||||0|||||Spanish|||Visigothic|||||Spain||||||0||||0||||0||||0|Sculpture|Jewelry||||7|||600|700||7th Century|7th Century|||||0||||0|||||Gold,amethysts,cabochon stones|Gold,amethysts,cabochon stones|||||sculpture|||||||1609|Madrid,Museo Arqueologico Nacional|Madrid: Mus. Arqueol. Nac.||Earrings, Jewels, Jewelry||||||||||Cornell||ECS|ECS|8/14/2003 0:00:00|8/14/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Pair of earrings| 355.00|0|Category|15|Med/Visi|SP|Sc|MA||Bow fibula|||||||||Bow fibula|0|||||0||||0|||||Spanish|||Visigothic|||||Spain||||||0||||0||||0||||0|Sculpture|Jewelry||||5|||450|500||End of 5th Century|End of 5th Century|||||0||||0|||||Bronze overlaid with silver|bronze overlaid with silver|||||sculpture|||||L:16 cm||9173|New York,Ariadne Galleries|New York: Ariadne Galleries||Fibulae, Jewelry||||||||||Cornell||ECS|ECS|8/14/2003 0:00:00|8/14/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Bow fibula| 356.00|0|Category|15|Med/Visi|SP|Sc|MA||Pair of fibulae|||||||||Pair of fibulae|0|||||0||||0|||||Spanish|||Visigothic|||||Spain||||||0||||0||||0||||0|Sculpture|Jewelry||||6|||500|600||6th Century|6th Century|||||0||||0|||||Gilt bronze,garnets or red glass|Gilt bronze,garnets or red glass|||||sculpture|||||15.8 x 5.6 cm||3290|Private Collection|: Private Coll.||Fibulae, Jewelry, Jewels||||||||||Cornell||ECS|ECS|8/14/2003 0:00:00|8/14/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Pair of fibulae| 357.00|0|Category|15|Med/Visi|SP|Sc|MA||Buckle and plaque|||||||||Buckle and plaque|0|||||0||||0|||||Spanish|||Visigothic|||||Spain||||||0||||0||||0||||0|Sculpture|Jewelry||||6|||500|600||6th Century|6th Century|||||0||||0|||||Bronze,glass,turquoise|Bronze,glass,turquoise|||||sculpture|||||L:13.3 cm||3290|Private Collection|: Private Coll.||Jewelry, Jewels, Buckles (strap accessories), Plaques (brooches)||||||||||Cornell||ECS|ECS|8/14/2003 0:00:00|8/14/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Buckle and plaque| 358.00|0|Category|15|Med/Visi|SP|Sc|MA||Buckle and plaque|||||||||Buckle and plaque|0|||||0||||0|||||Spanish|||Visigothic|||||Spain||||||0||||0||||0||||0|Sculpture|Jewelry||||6|||550|600||Second half of 6th Century|Second half of 6th Century|||||0||||0|||||Copper alloy,garnets,gold foil,lapis lazuli,cuttlefish bone|Copper alloy,garnets,gold foil,lapis lazuli,cuttlefish bone|||||sculpture|||||L:13.9 cm||3294|New York,Metropolitan Museum of Art|New York: Metropolitan||Buckles (strap accessories), Jewelry, Jewels, Plaques (brooches)||||||||||Cornell||ECS|ECS|8/14/2003 0:00:00|8/14/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Buckle and plaque| 359.00|0|Creator||35|O746-PA|1932|3||American Civilization (Post Cortesian)||Image Source (Book)|||||||The Epic of American Civilization. American Civilization (PostC)|8748|Orozco, Jose Clemente||painter|Orozco, Jose Clemente|0||||0|||||Mexican||||||||Mexico||||||0|Baker Library, Dartmouth, Hanover, NH|||10552||||0||||0|Paintings|Fresco||||20|||1932|1932||1932|1932||The Epic of American Civilization|||4628||||0|||||Fresco||||||fresco painting|||||||4188|Hanover NH,Dartmouth College,Baker Library|Hanover, NH: Dartmouth; Baker Lib.||||||||||||Cornell||MNW|MNW|11/8/2005 0:00:00|8/14/2003 0:00:00|O746|||0|||||||35|PA||||||1932| ||||||||Work|0||||||||||||0|0|American Civilization (Post Cortesian)|Orozco, Jose Clemente 360.00|0|Category|15|Med/Visi|SP|Sc|MA||Buckle and plaque|||||||||Buckle and plaque|0|||||0||||0|||||Spanish|||Visigothic|||||Spain||||||0||||0||||0||||0|Sculpture|Jewelry||||6|||500|600||6th Century|6th Century|||||0||||0|||||Bronze,glass,mother-of-pearl|Bronze,glass,mother-of-pearl|||||sculpture|||||L:13.4 cm||3290|Private Collection|: Private Coll.||Buckles (strap accessories), Jewelry, Jewels, Plaques (brooches)||||||||||Cornell||ECS|ECS|8/14/2003 0:00:00|8/14/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Buckle and plaque| 361.00|0|Category|15|Med/Visi|SP|Sc|MA||Buckle and plaque|||||||||Buckle and plaque|0|||||0||||0|||||Spanish|||Visigothic|||||Spain||||||0||||0||||0||||0|Sculpture|Jewelry||||6|||500|600||6th Century|6th Century|||||0||||0|||||Bronze,glass,mother-of-pearl|Bronze,glass,mother-of-pearl|||||sculpture|||||L:13.5 cm||9173|New York,Ariadne Galleries|New York: Ariadne Galleries||Buckles (strap accessories), Jewelry, Jewels, Plaques (brooches)||||||||||Cornell||ECS|ECS|8/14/2003 0:00:00|8/14/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Buckle and plaque| 362.00|0|Category|15|Med/Visi|SP|Sc|MA||Buckle and plaque|||||||||Buckle and plaque|0|||||0||||0|||||Spanish|||Visigothic|||||Spain||||||0||||0||||0||||0|Sculpture|Jewelry||||6|||500|600||6th Century|6th Century|||||0||||0|||||Brass,glass,mother-of-pearl|Brass,glass,mother-of-pearl|||||sculpture|||||L:14.7 cm||9173|New York,Ariadne Galleries|New York: Ariadne Galleries||Buckles (strap accessories), Jewelry, Jewels, Plaques (brooches)||||||||||Cornell||ECS|ECS|8/14/2003 0:00:00|8/14/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Buckle and plaque| 363.00|0|Category|15|Med/Visi|SP|Sc|MA||Buckle and plaque|||||||||Buckle and plaque|0|||||0||||0|||||Spanish|||Visigothic|||||Spain||||||0||||0||||0||||0|Sculpture|Jewelry||||6|||500|600||6th Century|6th Century|||||0||||0|||||Gilt bronze,garnets,gold foil,green glass|Gilt bronze,garnets,gold foil,green glass|||||sculpture|||||L:13.2 cm||3290|Private Collection|: Private Coll.||Buckles (strap accessories), Jewelry, Jewels, Plaques (brooches)||||||||||Cornell||ECS|ECS|8/14/2003 0:00:00|8/14/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Buckle and plaque| 364.00|0|Category|15|Med/Visi|SP|Sc|MA||Buckle and plaque|||||||||Buckle and plaque|0|||||0||||0|||||Spanish|||Visigothic|||||Spain||||||0||||0||||0||||0|Sculpture|Jewelry||||6|||500|600||6th Century|6th Century|||||0||||0|||||Gilt bronze,gilt copper,garnets,mother-of-pearl,glass|Gilt bronze,gilt copper,garnets,mother-of-pearl,glass|||||sculpture|||||L:14.9 cm||3290|Private Collection|: Private Coll.||Buckles (strap accessories), Jewelry, Jewels, Plaques (brooches)||||||||||Cornell||ECS|ECS|8/14/2003 0:00:00|8/14/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Buckle and plaque| 365.00|0|Category|15|Med/Visi|SP|Sc|MA||Two Eagle Fibulae|||||||||Two Eagle Fibulae|0|||||0||||0|||||Spanish|||Visigothic|||||Spain||||||0||||0||||0||||0|Sculpture|Jewelry||||6|||500|600||6th Century|6th Century|||||0||||0|||||Gilt bronze,glass or mother-of-pearl|Gilt bronze,glass or mother-of-pearl|||||sculpture|||||Left: H:14 cm Right: H:11 cm||1609|Madrid,Museo Arqueologico Nacional|Madrid: Mus. Arqueol. Nac.||Jewelry, Jewels, Fibulae||||||||||Cornell||ECS|ECS|8/14/2003 0:00:00|8/14/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Two Eagle Fibulae| 366.00|0|Category|15|Med/Visi|SP|Sc|MA||Buckle and plaque|||||||||Buckle and plaque|0|||||0||||0|||||Spanish|||Visigothic|||||Spain||||||0||||0||||0||||0|Sculpture|Jewelry||||7|||600|700||7th Century|7th Century|||||0||||0|||||Bronze|bronze|||||sculpture|||||L:15 cm||3294|New York,Metropolitan Museum of Art|New York: Metropolitan||Buckles (strap accessories), Jewelry, Plaques (brooches)||||||||||Cornell||ECS|ECS|8/14/2003 0:00:00|8/14/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Buckle and plaque| 367.00|0|Category|15|Med/Visi|SP|Sc|MA||Plaque|||||||||Plaque|0|||||0||||0|||||Spanish|||Visigothic|||||Spain||||||0||||0||||0||||0|Sculpture|Jewelry||||7|||600|625||First quarter of 7th Century|First quarter of 7th Century|||||0||||0|||||Bronze|bronze|||||sculpture|||||L:15.5 cm||1609|Madrid,Museo Arqueologico Nacional|Madrid: Mus. Arqueol. Nac.||Plaques (brooches), Jewelry||||||||||Cornell||ECS|ECS|8/14/2003 0:00:00|8/14/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Plaque| 368.00|0|Creator||35|O750-PA|1938|1|35 O750-PA 1938 1|Spanish Conquest of Mexico|||||||||Spanish Conquest of Mexico|8748|Orozco, Jose Clemente||painter|Orozco, Jose Clemente|0||||0|||||Mexican||||||||Mexico||||||0|Guadalajara, Mexico|||9993||||0||||0|Paintings|Fresco||||20|||1938|1939||1938-1939|1938-1939|||||0||||0|||||Fresco||||||fresco painting|||||1250 m. sq. total||9174|Guadalajara: Hospicio Cabanas|Guadalajara: Hospicio Cabanas||Cortez, Hernan, 1485-1547 ; Conquerors ; Mexico ; Spaniards ; Franciscan ; |Cortez, Hernan, 1485-1547|Conquerors|Mexico|Spaniards|Franciscan|||||Cornell||MNW|MNW|11/8/2005 0:00:00|8/14/2003 0:00:00|0750|||0|||||||35|PA||||||1938| ||||||||Work|0||||||||||||0|0|Spanish Conquest of Mexico|Orozco, Jose Clemente 369.00|0|Category|15|Med/Visi|SP|Sc|MA||Buckle and plaque|||||||||Buckle and plaque|0|||||0||||0|||||Spanish|||Visigothic|||||Spain||||||0||||0||||0||||0|Sculpture|Jewelry||||6-7|||575|625||Late 6th or early 7th Century|Late 6th or early 7th Century|||||0||||0|||||Cast bronze|Cast bronze|||||sculpture|||||L:14 cm||1609|Madrid,Museo Arqueologico Nacional|Madrid: Mus. Arqueol. Nac.||Buckles (strap accessories), Plaques (brooches), Jewelry||||||||||Cornell||ECS|ECS|8/14/2003 0:00:00|8/14/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Buckle and plaque| 370.00|0|Category|15|Med/Visi|SP|Sc|MA||Horse bit|||||||||Horse bit|0|||||0||||0|||||Spanish|||Visigothic|||||Spain||||||0||||0||||0||||0|Sculpture|Jewelry||||7-8|||600|900||7th-8th Century|7th-8th Century|||||0||||0|||||Iron,silver,brass|Iron,silver,brass|||||sculpture|||||28.6 x 17.8 cm||3294|New York,Metropolitan Museum of Art|New York: Metropolitan||Bits (bridle components)||||||||||Cornell||ECS|ECS|8/14/2003 0:00:00|8/14/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Horse bit| 371.00|0|Category|15|Med/Visi|SP|Sc|MA||Harness pendant or terminal for a bit|||||||||Harness pendant or terminal for a bit|0|||||0||||0|||||Spanish|||Visigothic|||||Spain||||||0||||0||||0||||0|Sculpture|Jewelry||||6|||500|600||6th Century|6th Century|||||0||||0|||||Bronze|bronze|||||sculpture|||||8.9 x 6 cm||3294|New York,Metropolitan Museum of Art|New York: Metropolitan||Bits (bridle components)||||||||||Cornell||ECS|ECS|8/14/2003 0:00:00|8/14/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Harness pendant or terminal for a bit| 372.00|0|Category|15|Med/Isl|Spain|SC|||Window grille|||||||||Window grille|0|||||0||||0|||||Islamic|||Umayyad|||||Spain||||||0||||0|Qasr al-Hayr al-Gharbi, Syria|||||||0|Sculpture|Relief||||8|||724|727||724-727|724-727|||||0||||0|||||Carved stucco|Carved stucco|||||sculpture|||||||||||Architectural elements, Grilled windows||||||||||Cornell||ECS|ECS|8/15/2003 0:00:00|8/14/2003 0:00:00||||0||||||||SC|||||||||||||||Work|0||||||||||||0|0|Window grille| 373.00|0|Category|15|Med/Isl|Spain|SC|||Window grille|||||||||Window grille|0|||||0||||0|||||Islamic|||Umayyad|||||Spain||||||0||||0||||0||||0|Sculpture|Relief||||8|||724|727||724-727|724-727|||||0||||0|||||Carved stucco|Carved stucco|||||sculpture|||||||708|Damascus,National Museum of Damascus|Damascus: Nat. Mus.||Architectural elements, Grilled windows||||||||||Cornell||ECS|ECS|8/15/2003 0:00:00|8/14/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Window grille| 374.00|0|Creator|15|35|S6185-PA|1939|4||Portrait of the Bourgeoisie||Dict.Art|Portrait of Facism|Original|Dict.Art||||Portrait of the Bourgeoisie|10959|Siqueiros, David Alfaro||painter|Siqueiros, David Alfaro|0||||0|||||Mexican||||||||Mexico||||||0|Mexico City, Mexico|||9989||||0||||0|Paintings|Mural||||20|||1939|1940||1939-1940|1939-1940|||||0||||0|||||Mural; proxaline on cement|Proxaline|cement||||mural painting|||||||9175|Mexico City, Electricians' Union|Mexico City: Electrician's U||Warfare, Weapons of Mass Destruction, Fascism||||||||||Cornell||MNW|MNW|8/29/2003 0:00:00|8/14/2003 0:00:00|S6185|||0|||||||35|PA||||||1939| ||||||||Work|0||This mural is located in the stairwell of the Electricians' Union building.||||||||||0|0|Portrait of the Bourgeoisie;Portrait of Facism|Siqueiros, David Alfaro 375.00|0|Category|15|Med/Isl|Spain|SC|||Fragment of a volute|||||||||Fragment of a volute|0|||||0||||0|||||Islamic|||Umayyad|||||Spain||||||0||||0||||0||||0|Sculpture|Relief||||10|||975|1000||End of 10th Century|End of 10th Century|||||0||||0|||||Marble|marble|||||sculpture|||||||9168|Cordoba,Museo Arqueologico Provincial|Cordoba: Museo Arq.Provincial||Architectural elements, Volutes||||||||||Cornell||ECS|ECS|8/15/2003 0:00:00|8/15/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Fragment of a volute| 376.00|0|Category|15|Med/Isl|Spain|SC|||Ruler and a Flutist|||||||||Ruler and a Flutist|0|||||0||||0|||||Islamic|||Umayyad|||||Spain||||||0||||0||||0||||0|Sculpture|Relief||||10|||900|1000||10th Century|10th Century|||||0||||0|||||Marble|marble|||||sculpture|||||||3009|Tunis,Musee National du Bardo|Tunis: Mus. Nat. Bardo||Rulers, Musical instruments||||||||||Cornell||ECS|ECS|8/15/2003 0:00:00|8/15/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Ruler and a Flutist| 377.00|0|Category|15|Med/Isl|Egypt|SC|||Panel|||||||||Panel|0|||||0||||0|||||Islamic|||Umayyad|||||Egypt||||||0||||0||||0||||0|Sculpture|Wood||||11|||1000|1050||First half of the 11th Century|First half of the 11th Century|||||0||||0|||||Wood|wood|||||sculpture|||||||175|Athens,Benaki Museum|Athens: Benaki Mus.||Architectural elements||||||||||Cornell||ECS|ECS|8/15/2003 0:00:00|8/15/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Panel| 378.00|0|Category|15|Med/Isl|Spain|SC|||Basin|||||||||Basin|0|||||0||||0|||||Islamic|||Umayyad|||||Spain||||||0||||0||||0||||0|Sculpture|Relief||||11|||1000|1100||11th Century|11th Century|||||0||||0|||||Marble|marble|||||sculpture|||||41.9 x 169.9 x 67 cm||9176|Jativa,Museo del Almudin|Jativa: Museo Almudin||Basins, Figures (representations), Birds, Peacocks||||||||||Cornell||ECS|ECS|8/15/2003 0:00:00|8/15/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Basin| 379.00|0|Category|15|Med/Isl|Metal||||Pendant|||||||||Pendant|0|||||0||||0|||||Islamic|||Umayyad|||||Egypt||||||0||||0||||0||||0|Metalwork|Jewelry||||11|||1000|1100||11th Century|11th Century|||||0||||0|||||Gold,cloisonne enamel,turquoise|Gold,cloisonne enamel,turquoise|||||metalworking|||||4.5 x 3.5 cm||3294|New York,Metropolitan Museum of Art|New York: Metropolitan||Jewelry, Jewels||||||||||Cornell||ECS|ECS|8/15/2003 0:00:00|8/15/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Pendant| 380.00|0|Category|15|Med/Isl|Metal||||Pair of earrings|||||||||Pair of earrings|0|||||0||||0|||||Islamic|||Umayyad|||||Greece||||||0||||0||||0||||0|Metalwork|Jewelry||||10|||900|950||First half of 10th Century|First half of 10th Century|||||0||||0|||||Gold,pearls and enamel|Gold,pearls and enamel|||||metalworking|||||||3462|Athens,National Archeological Museum|Athens: Nat. Archeo. Mus.||Jewelry, Jewels, Earrings||||||||||Cornell||ECS|ECS|8/15/2003 0:00:00|8/15/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Pair of earrings| 381.00|0|Category|15|Med/Isl|Metal||||Quadruped|||||||||Quadruped|0|||||0||||0|||||Islamic|||Umayyad|||||Algeria||||||0||||0||||0||||0|Metalwork|Sculpture||||10|||900|1000||10th Century|10th Century|||||0||||0|||||Bronze|bronze|||||metalworking|||||||3009|Tunis,Musee National du Bardo|Tunis: Mus. Nat. Bardo||Animals||||||||||Cornell||ECS|ECS|8/15/2003 0:00:00|8/15/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Quadruped| 382.00|0|Category|15|Med/Isl|Metal||||Foot of a vessel|||||||||Foot of a vessel|0|||||0||||0|||||Islamic|||Umayyad|||||Algeria||||||0||||0||||0||||0|Metalwork|Sculpture||||11|||1000|1100||11th Century|11th Century|||||0||||0|||||Bronze|bronze|||||metalworking|||||||3986|Paris,Musee des arts decoratifs|Paris: Mus. des Arts Decor.||||||||||||Cornell||ECS|ECS|8/15/2003 0:00:00|8/15/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Foot of a vessel| 383.00|0|Category|15|Med/Isl|Spain|SC|||Basin of King Badis|||||||||Basin of King Badis|0|||||0||||0|||||Islamic|||Umayyad|||||Spain||||||0||||0||||0||||0|Sculpture|Relief||||11|||1038|1073||1038-1073|1038-1073|||||0||||0|||||Marble|marble|||||sculpture|||||61 x 88 x 41||9177|Granada,Museo Nacional de Arte Hispano-Musulman|Granada: Museo Nac.Arte Hispano||Lions, Antelopes, Basins||||||||||Cornell||ECS|ECS|8/15/2003 0:00:00|8/15/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Basin of King Badis| 384.00|0|Category|15|Med/Isl|Spain|SC|||Base of engaged column|||||||||Base of engaged column|0|||||0||||0|||||Islamic|||Umayyad|||||Spain||||||0||||0||||0||||0|Sculpture|Relief||||11|||1025|1075||Mid 11th Century|Mid 11th Century|||||0||||0|||||Marble|marble|||||sculpture|||||H: 19 cm||9178|Toledo,Museo Taller del Moro|Toledo: Museo Taller||Architectural elements, Column bases||||||||||Cornell||ECS|ECS|8/15/2003 0:00:00|8/15/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Base of engaged column| 385.00|0|Category|15|Med/Isl|Spain|SC|||Funerary Stela|||||||||Funerary Stela|0|||||0||||0|||||Islamic|||Umayyad|||||Spain||||||0||||0||||0||||0|Sculpture|Relief||||12|||1103|1103||1103|1103|||||0||||0|||||Marble|marble|||||sculpture|||||36 x 32 cm||9179|Malaga,Museo Arqueologico Provincial|Malaga: Museo Arqueol.Prov.||Inscriptions, Horseshoe arches, Columns, Stelae||||||||||Cornell||ECS|ECS|8/15/2003 0:00:00|8/15/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Funerary Stela| 386.00|0|Category|15|Med/Isl|Metal||||Box|||||||||Box|0|||||0||||0|||||Islamic|||Umayyad|||||Spain||||||0||||0||||0||||0|Metalwork|||||11|||1000|1056|bef|Before 1056|1056|||||0||||0|||||Silver sheet and niello|Silver sheet and niello|||||metalworking|||||1.5 x 3.8 x 1.8 cm||1482|Liege,Musee d'Art Religieux et d'Art Mosan(Ancien Mus.Diocesain)|Liege: Mus. Art Rel. & Mos.||Inscriptions, Boxes (containers)||||||||||Cornell||ECS|ECS|8/15/2003 0:00:00|8/15/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Box| 387.00|0|Category|15|Med/Isl|Metal||||Box|||||||||Box|0|||||0||||0|||||Islamic||||||||Spain||||||0||||0||||0||||0|Metalwork|||||13-15||||||Probably 13th-15th Century|Probably 13th-15th Century|||||0||||0|||||Silver gilt|Silver gilt|||||metalworking|||||H:11 cm; D:6.8 cm||1477|Leon,S.Isidoro|Leon: S. Isidoro||Boxes (containers)||||||||||Cornell||ECS|ECS|8/15/2003 0:00:00|8/15/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||Later piece copied in an earlier Spanish Islamic style||||||||||0|0|Box| 388.00|0|Category|15|Med/Isl|Metal||||Casket|||||||||Casket|0|||||0||||0|||||Islamic|||Umayyad|||||Spain||||||0||||0||||0||||0|Metalwork|||||11|||1000|1050||First half of 11th Century|First half of 11th Century|||||0||||0|||||Silver,gilt and niello|Silver,gilt and niello|||||metalworking|||||8 x 17.7 x 11 cm||1609|Madrid,Museo Arqueologico Nacional|Madrid: Mus. Arqueol. Nac.||Boxes (containers), Caskets (personal gear), Inscriptions||||||||||Cornell||ECS|ECS|8/15/2003 0:00:00|8/15/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Casket| 389.00|0|Category|15|Med/Isl|Metal||||Box|||||||||Box|0|||||0||||0|||||Islamic|||Umayyad|||||Spain||||||0||||0||||0||||0|Metalwork|||||11|||1000|1050||First half of 11th Century|First half of 11th Century|||||0||||0|||||Silver,gilt and niello|Silver,gilt and niello|||||metalworking|||||2.1 x 3.3 x 3.2 cm||1477|Leon,S.Isidoro|Leon: S. Isidoro||Boxes (containers)||||||||||Cornell||ECS|ECS|8/15/2003 0:00:00|8/15/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Box| 505.00|0|Creator|15|35|R452-PA|1934|1||Paisaje en el litoral|Original|Image Source (Book)|Landscape on the Shore|Translated|Cataloger||||Paisaje en el litoral (Landscape on the Shore)|29841|Reveron, Armando||painter|Reveron, Armando|0||||0|||||Venezuelan||||||||Venezuela||||||0||||0||||0||||0|Paintings|||||20|||1934|1934||1934|1934|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||61 x 69 cm||9210|Collection Jorge Yebaile|: Coll. Jorge Yebaile||||||||||||Cornell||JNK||8/28/2003 0:00:00|1/6/2006 0:00:00|R452|||0|||||||35|PA||||||1934| ||||||||Work|0||||||||||||0|0|Paisaje en el litoral;Landscape on the Shore|Reveron, Armando 506.00|0|Culture|15|E-02.2|NAmerInd|Nav|Joe 1||Yei Be Chai||Image Source (Book)|||||||Yei Be Chai|29842|Joe, Esther Watchman||painter|Joe, Esther Watchman||J|||0|||||Navajo||||||||United States||||||0||||0||||0||||0|Paintings|Sandpaintings||||20||||||||||||0||||0|||||Sandpainting|||||||||||30.5 x 30.5 cm||||||||||||||||Cornell||MNW|MNW|8/29/2003 0:00:00|8/29/2003 0:00:00||||0||||||Joe 1|E|||02.2|||||||||||||Work|0||Traditional sandpainting.||||||||||0|0|Yei Be Chai|Joe, Esther Watchman;J 507.00|0|Culture|15|E-02.2|NAmerInd|Nav|Joe 2||Traditional Sandpainting||Image Source (Book)|||||||Traditional Sandpainting|29842|Joe, Esther Watchman||painter|Joe, Esther Watchman|0||||0|||||Navajo||||||||United States||||||0||||0||||0||||0|Paintings|Sandpaintings||||20||||||||||||0||||0|||||Sandpainting|||||||||||45.7 x 45.7 cm||||||||||||||||Cornell||MNW|MNW|8/29/2003 0:00:00|8/29/2003 0:00:00||||0||||||Joe 2|E|||02.2|||||||||||||Work|0||Traditional sandpainting.||||||||||0|0|Traditional Sandpainting|Joe, Esther Watchman 508.00|0|Culture|15|E-02.2|NAmerInd|Nav|Joe 3||Yei Be Chai||Image Source (Book)|||||||Yei Be Chai|29842|Joe, Esther Watchman||painter|Joe, Esther Watchman|0||||0|||||Navajo||||||||United States||||||0||||0||||0||||0|Paintings|Sandpaintings||||20|||1990|1990||1990|1990|||||0||||0|||||Sandpainting|||||||||||45.7 x 45.7 cm||||||||||||||||Cornell||MNW|MNW|8/29/2003 0:00:00|8/29/2003 0:00:00||||0||||||Joe 3|E|||02.2|||||||||||||Work|0|||Traditional sandpainting.|||||||||0|0|Yei Be Chai|Joe, Esther Watchman 390.00|0|Category|15|Med/Isl|Metal||||Casket|||||||||Casket|0|||||0||||0|||||Islamic|||Umayyad|||||Egypt||||||0||||0||||0||||0|Metalwork|||||11|||1044|1047||1044-1047|1044-1047|||||0||||0|||||Silver,gilt and niello|Silver,gilt and niello|||||metalworking|||||7.5 x 12.4 x 7.9 cm||1477|Leon,S.Isidoro|Leon: S. Isidoro||Boxes (containers), Caskets (personal gear), Inscriptions||||||||||Cornell||ECS|ECS|8/15/2003 0:00:00|8/15/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Casket| 391.00|0|Category|15|Med/Isl|Metal||||Incense burner|||||||||Incense burner|0|||||0||||0|||||Islamic|||Umayyad|||||Spain||||||0||||0||||0||||0|Metalwork|||||11-12|||1000|1100||11th-12th Century|11th-12th Century|||||0||||0|||||Bronze|bronze|||||metalworking|||||H:23 cm||9169|Madrid,Instituto de Valencia de Don Juan|Madrid:Inst.Val.de Don Juan||Incense burners, Birds||||||||||Cornell||ECS|ECS|8/15/2003 0:00:00|8/15/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Incense burner| 392.00|0|Category|15|Med/Isl|Metal||||Incense burner|||||||||Incense burner|0|||||0||||0|||||Islamic|||Umayyad|||||Spain||||||0||||0||||0||||0|Metalwork|||||11|||1000|1100||11th Century|11th Century|||||0||||0|||||Bronze|bronze|||||metalworking|||||H:13.7 cm||3294|New York,Metropolitan Museum of Art|New York: Metropolitan||Incense burners, Horseshoe arches||||||||||Cornell||ECS|MNW|1/13/2004 0:00:00|8/15/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Incense burner| 393.00|0|Category|15|Med/Isl|Metal||||Incense burner|||||||||Incense burner|0|||||0||||0|||||Islamic|||Umayyad|||||Spain||||||0||||0||||0||||0|Metalwork|||||10|||900|1000||10th Century|10th Century|||||0||||0|||||Bronze|bronze|||||metalworking|||||H:13.7 cm||9168|Cordoba,Museo Arqueologico Provincial|Cordoba: Museo Arq.Provincial||Incense burners, Lions, Birds||||||||||Cornell||ECS|ECS|8/15/2003 0:00:00|8/15/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Incense burner| 394.00|0|Category|15|Med/Isl|Metal||||Girdle|||||||||Girdle|0|||||0||||0|||||Islamic|||Umayyad|||||Spain||||||0||||0||||0||||0|Metalwork|||||11|||1000|1100||11th Century|11th Century|||||0||||0|||||Gold|gold|||||metalworking|||||L:21 cm||6|London,Victoria and Albert Museum|London: Victoria & Albert||Girdles (belts)||||||||||Cornell||ECS|ECS|8/15/2003 0:00:00|8/15/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Girdle| 395.00|0|Category|15|Med/Isl|Spain|Pot|||Dish|||||||||Dish|0|||||0||||0|||||Islamic|||Umayyad|||||Spain||||||0||||0||||0||||0|Ceramics|Pottery||||10|||950|1000||Second half of 10th Century|Second half of 10th Century|||||0||||0|||||Inglaze-painted earthenware|Inglaze-painted earthenware|||||ceramics|||||D:28 cm||9168|Cordoba,Museo Arqueologico Provincial|Cordoba: Museo Arq.Provincial||Horses||||||||||Cornell||ECS|ECS|8/18/2003 0:00:00|8/18/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Dish| 396.00|0|Category|15|Med/Isl|Spain|Pot|||Bowl|||||||||Bowl|0|||||0||||0|||||Islamic|||Umayyad|||||Spain||||||0||||0||||0||||0|Ceramics|Pottery||||11-12|||1075|1200||Late 11th-12th Century|Late 11th-12th Century|||||0||||0|||||Glazed, luster-painted and incised earthenware|Glazed, luster-painted and incised earthenware|||||ceramics|||||D:23 cm||3724|Detroit,Detroit Institute of Arts|Detroit: Inst. of Arts||Figures (representations)||||||||||Cornell||ECS|ECS|8/18/2003 0:00:00|8/18/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Bowl| 397.00|0|Category|15|Med/Isl|Spain/N.Africa|MSS|||Part of a Koran|||||||||Part of a Koran|0|||||0||||0|||||Islamic|||Umayyad|||||Morocco||||||0||||0||||0||||0|Manuscripts|Illumination (Layout feature)||||10-11|||975|1100||Late 10th-11th Century|Late 10th-11th Century|||||0||||0|||||Ink, colors, and gold on parchment|Ink, colors, and gold on parchment|||||illumination|||||42 x 36 cm||2344|Rabat,Bibliotheque Generale et Archives|Rabat: Bib. Gen. & Archives||Koran, Lettering (layout features)||||||||||Cornell||ECS|ECS|8/18/2003 0:00:00|8/18/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Part of a Koran| 398.00|0|Category|15|Med/Isl|Metal||||Pair of Earrings|||||||||Pair of Earrings|0|||||0||||0|||||Islamic|||Umayyad|||||Spain||||||0||||0||||0||||0|Metalwork|Jewelry||||12|||1100|1200||12th Century|12th Century|||||0||||0|||||Gold sheet,wire,grains set with cloisonne enamel|Gold sheet,wire,grains set with cloisonne enamel|||||metalworking|||||H:4.8 and 4.65 cm||9180|Kuwait City,Dar al-Athar al-Islamiyyah|Kuwait City: Dar al-Athar||Earrings, Lettering (layout features), Inscriptions||||||||||Cornell||ECS|ECS|8/18/2003 0:00:00|8/18/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Pair of Earrings| 399.00|0|Category|15|Med/Isl|Metal||||Jewelry from a hoard|||||||||Jewelry from a hoard|0|||||0||||0|||||Islamic|||Umayyad|||||Spain||||||0||||0||||0||||0|Metalwork|Jewelry||||12-13|||1175|1225||Late 12th-early 13th Century|Late 12th-early 13th Century|||`||0||||0|||||||||||metalworking|||||||9181|Mallorca,Museo de Mallorca, Palma de Mallorca|Mallorca: Museo de Mallorca||Jewelry||||||||||Cornell||ECS|ECS|8/18/2003 0:00:00|8/18/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Jewelry from a hoard| 400.00|0|Category|15|Med/Isl|Spain|Textiles|||Fragment of a textile|||||||||Fragment of a textile|0|||||0||||0|||||Islamic|||Umayyad|||||Spain||||||0||||0||||0||||0|Textiles|||||12|||1075|1125|ca|ca.1100|1100|||||0||||0|||||Silk and gilt membrane threads|Silk and gilt membrane threads|||||textiles|||||45 x 50 cm||428|Boston,Museum of Fine Arts|Boston: MFA||Lions, Trees||||||||||Cornell||ECS|ECS|8/18/2003 0:00:00|8/18/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Fragment of a textile| 401.00|0|Category|15|Med/Isl|Ivory||||Casket|||||||||Casket|0|||||0||||0|||||Islamic|||Umayyad|||||Spain||||||||||0||||0||||0|Sculpture|Ivory||||11|||1004|1005||1004-1005|1004-1005|||||0||||0|||||Ivory|ivory|||||sculpture|||||||9155|Navarra,Museo de Navarra, Comunidad Foral de Navarra|Navarra: Museo||Caskets (personal gear), Griffins||||||||||Cornell||ECS|ECS|8/18/2003 0:00:00|8/18/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Casket| 402.00|0|Category|15|Med/Ast|Sp|Sc|||Capital|||||||||Capital|0|||||0||||0|||||Spanish|||Asturian|||||Spain||||||0||||0||||0||||0|Sculpture|Relief||||10|||875|925|ca|ca.900|900|||||0||||0|||||Marble|marble|||||sculpture|||||H:52 cm||9183|Toro,Church of San Roman de Hornija|Toro: Church of San Roman||Capitals, Architectural elements, Acanthus leaves||||||||||Cornell||ECS|ECS|8/18/2003 0:00:00|8/18/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Capital| 403.00|0|Category|15|Med/Ast|Sp|Sc|||Capital|||||||||Capital|0|||||0||||0|||||Spanish|||Asturian|||||Spain||||||0||||0||||0||||0|Sculpture|Relief||||10|||875|925||Beginning of 10th Century|Beginning of 10th Century|||||0||||0|||||Marble|marble|||||sculpture|||||H:50 cm||9153|Palencia,Museo Arqueologico Provincial de Palencia|Palencia: Museo Arqueologico||Capitals, Architectural elements, Acanthus leaves||||||||||Cornell||ECS|ECS|8/18/2003 0:00:00|8/18/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Capital| 404.00|0|Category|15|Med/Ast|Sp|Sc|||Chancel screen relief|||||||||Chancel screen relief|0|||||0||||0|||||Spanish|||Asturian|||||Spain||||||0||||0||||0||||0|Sculpture|Relief||||8|||755|805|ca|ca.780|780|||||0||||0|||||White limestone|White limestone|||||sculpture|||||95 x 47 x 15 cm||9184|Asturias,Church of El Pito|Asturias:Church of El Pito||Architectural elements, Chancel screens||||||||||Cornell||ECS|ECS|8/18/2003 0:00:00|8/18/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Chancel screen relief| 405.00|0|Category|15|Med/Ast|Sp|Sc|||Relief panel with cross|||||||||Relief panel with cross|0|||||0||||0|||||Spanish|||Asturian|||||Spain||||||0||||0||||0||||0|Sculpture|Relief||||10|||925|975||Mid 10th Century|Mid 10th Century|||||0||||0|||||Soft white limestone|Soft white limestone|||||sculpture|||||49 x 46.5 cm||9185|Salas,Biblioteca Municipal, Palacio Valdes Salas|Salas: Biblioteca Municipal||Architectural elements, Crosses, Crucifixes||||||||||Cornell||ECS|ECS|8/18/2003 0:00:00|8/18/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Relief panel with cross| 406.00|0|Category|15|Med/Ast|Sp|Sc|||Relief|||||||||Relief|0|||||0||||0|||||Spanish|||Asturian|||||Spain||||||0||||0||||0||||0|Sculpture|Relief||||10|||900|925||Early 10th Century|Early 10th Century|||||0||||0|||||Marble|marble|||||sculpture|||||27 x 78 x 24 cm||9186|Valladolid,Church of San Cebrian de Mazote|Valladolid: Church of San Cebrian||Reliefs, Vines, Figures (representations)||||||||||Cornell||ECS|ECS|8/18/2003 0:00:00|8/18/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Relief| 407.00|0|Category|15|Med/Ast|Sp|Sc|||Sarcophagus of Saint Martin of Dume|||||||||Sarcophagus of Saint Martin of Dume|0|||||0||||0|||||Spanish|||Asturian|||||Spain||||||0||||0||||0||||0|Sculpture|Relief||||11|||1045|1095|ca|ca.1070|1070|||||0||||0|||||Limestone|limestone|||||sculpture|||||39.9 x 212.5 x 63 cm||9187|Braga,Museu Don Diogo de Sousa|Braga: Museu Don Diogo||Jesus Christ, Mandorlas, Angels, Saints||||||||||Cornell||ECS|ECS|8/18/2003 0:00:00|8/18/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Sarcophagus of Saint Martin of Dume| 408.00|0|Category|15|Med/Ast|Sp|Sc|||Bilingual funerary slab|||||||||Bilingual funerary slab|0|||||0||||0|||||Spanish|||Asturian|||||Spain||||||0||||0||||0||||0|Sculpture|Relief||||12|||1156|1156||1156|1156|||||0||||0|||||Marble|marble|||||sculpture|||||47.5 x 34 cm||9178|Toledo,Museo Taller del Moro|Toledo: Museo Taller||Inscriptions, Lettering (layout features)||||||||||Cornell||ECS|ECS|8/18/2003 0:00:00|8/18/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Bilingual funerary slab| 409.00|0|Category|15|Med/Ast|Sp|Sc|MA||Casket|||||||||Casket|0|||||0||||0|||||Spanish|||Asturian|||||Spain||||||0||||0||||0||||0|Metalwork|||||10|||875|925|ca|ca.900|900|||||0||||0|||||Silver-gilt repousse on a wooden core, glass inlays|Silver-gilt repousse on a wooden core, glass inlays|||||metalworking|||||16 x 30 x 19.5 cm||9157|Astorga,Cathedral Museum|Astorga: Cathedral Museum||Caskets (personal gear)||||||||||Cornell||ECS|ECS|8/18/2003 0:00:00|8/18/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Casket| 410.00|0|Category|15|Med/Ast|Sp|Sc|MA||Agate Casket|||||||||Agate Casket|0|||||0||||0|||||Spanish|||Asturian|||||Spain||||||0||||0||||0||||0|Metalwork|||||10|||900|910||First decade of the 10th Century|First decade of the 10th Century|||||0||||0|||||gold,silver over wood,agate inlay,inlaid colored stones|gold,silver over wood,agate inlay,inlaid colored stones|||||metalworking|||||17 x 42 x 27 cm||9139|Oviedo, Cathedral Archive|Oviedo: Cathedral Archive||Caskets (personal gear), Jewels||||||||||Cornell||ECS|ECS|8/18/2003 0:00:00|8/18/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Agate Casket| 411.00|0|Category|15|Med/Ast|Sp|Ivory|||Chalice and paten of San Geraldo; Pyxis of Sayf al-Dawla|||||||||Chalice and paten of San Geraldo; Pyxis of Sayf al-Dawla|0|||||0||||0|||||Spanish|||Asturian|||||Spain||||||0||||0||||0||||0|Sculpture|Ivory||||11|||1004|1008|bef|Before 1008; 1004-1008|1008; 1004-1008|||||0||||0|||||Ivory and silver gilt|Ivory and silver gilt|||||sculpture|||||Chalice H:11 cm; D:7.5 cm; Paten D:9 cm; Pyxis H:20 cm||9188|Braga,Cathedral Treasury|Braga: Cathedral Treasury||Liturgical objects, Patens, Chalices||||||||||Cornell||ECS|ECS|8/19/2003 0:00:00|8/19/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Chalice and paten of San Geraldo; Pyxis of Sayf al-Dawla| 412.00|0|Category|15|Med/Ast|Sp|Sc|||Altar slab|||||||||Altar slab|0|||||0||||0|||||Spanish|||Asturian|||||Spain||||||0||||0||||0||||0|Sculpture|Relief||||10|||913|913||913|913|||||0||||0|||||Limestone|limestone|||||sculpture|||||103 x 82 cm||9189|Leon,Monastery of San Miguel de Escalada|Leon: Monastery of San Miguel||Architectural elements, Inscriptions, Altars||||||||||Cornell||ECS|ECS|8/19/2003 0:00:00|8/19/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Altar slab| 413.00|0|Category|15|Med/Ast|Sp|Sc|||Chancel screen panel|||||||||Chancel screen panel|0|||||0||||0|||||Spanish|||Asturian|||||Spain||||||0||||0||||0||||0|Sculpture|Relief||||10|||913|913||913|913|||||0||||0|||||Limestone|limestone|||||sculpture|||||93 x 56 x 24 cm||9189|Leon,Monastery of San Miguel de Escalada|Leon: Monastery of San Miguel||Architectural elements ; Birds ; Shells (animal material) ; Plants (vegetation) ; |Architectural elements|Birds|Shells (animal material)|Plants (vegetation)||||||Cornell||ECS|MNW|1/29/2006 0:00:00|8/19/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Chancel screen panel| 414.00|0|Category|15|Med/Rom|Sp|Sc|MA||Reliquary of Saint Isidore|||||||||Reliquary of Saint Isidore|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Metalwork|||||11|||1000|1063|ca|1063 or earlier|1063 or earlier|||||0||||0|||||Silver gilt,wood,niello,silk,metallic threads|Silver gilt,wood,niello,silk,metallic threads|||||metalworking|||||33 x 81.5 x 44.5 cm||1477|Leon,S.Isidoro|Leon: S. Isidoro||Liturgical objects||||||||||Cornell||ECS|ECS|8/19/2003 0:00:00|8/19/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Reliquary of Saint Isidore| 415.00|0|Category|15|Med/Rom|Sp|Sc|MA||Chalice of Urraca|||||||||Chalice of Urraca|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Metalwork|||||11|||1000|1100||11th Century|11th Century|||||0||||0|||||Sardonyx,gold,gilt silver,crystal,glass,gems|Sardonyx,gold,gilt silver,crystal,glass,gems|||||metalworking|||||H:18.5 cm||1477|Leon,S.Isidoro|Leon: S. Isidoro||Chalices, Jewels||||||||||Cornell||ECS|ECS|8/19/2003 0:00:00|8/19/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Chalice of Urraca| 416.00|0|Category|15|Med/Rom|Sp|Sc|MA||Brooch|||||||||Brooch|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Metalwork|Jewelry||||11|||1000|1025||Early 11th Century|Early 11th Century|||||0||||0|||||Gold sheet,gold wire,granulation,cloisonne enamel,wax|Gold sheet,gold wire,granulation,cloisonne enamel,wax|||||metalworking|||||6.7 x 6.5 cm||9157|Astorga,Cathedral Museum|Astorga: Cathedral Museum||Brooches, Jewelry, Birds||||||||||Cornell||ECS|ECS|8/19/2003 0:00:00|8/19/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Brooch| 417.00|0|Category|15|Med/Rom|Sp|Sc|MA||Box|||||||||Box|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Metalwork|||||11|||1000|1100||11th Century|11th Century|||||0||||0|||||Sardonyx,gilt silver,niello,pine|Sardonyx,gilt silver,niello,pine|||||metalworking|||||13.5 x 18.5 x 13 cm||1609|Madrid,Museo Arqueologico Nacional|Madrid: Mus. Arqueol. Nac.||Jewels, Boxes (containers)||||||||||Cornell||ECS|ECS|8/19/2003 0:00:00|8/19/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Box| 418.00|0|Category|15|Med/Rom|Scan|Ivory|||Openwork box|||||||||Openwork box|0|||||0||||0|||||Scandinavian|||Romanesque|||||||||||0||||0||||0||||0|Sculpture|Ivory||||11|||1000|1025||Early 11th Century|Early 11th Century|||||0||||0|||||Walrus ivory,with copper-alloy gilt mounts|Walrus ivory,with copper-alloy gilt mounts|||||sculpture|||||4.5 x 5.5 cm||1477|Leon,S.Isidoro|Leon: S. Isidoro||Boxes (containers)||||||||||Cornell||ECS|ECS|8/19/2003 0:00:00|8/19/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Openwork box| 419.00|0|Category|15|Med/Rom|Sp|Sc|MA||Shrine of Saints Adrian and Natalia|||||||||Shrine of SS. Adrian and Natalia|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Metalwork|||||12|||1100|1200||12th Century|12th Century|||||0||||0|||||Silver and oak|Silver and oak|||||metalworking|||||15.9 x 25.4 x 14.5 cm||4073|Chicago,Art Institute of Chicago|Chicago: Art Institute||Boxes (containers), Caskets (personal gear)||||||||||Cornell||ECS|ECS|8/19/2003 0:00:00|8/19/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Shrine of Saints Adrian and Natalia| 420.00|0|Category|15|Med/Rom|Sp|Sc|MA||Casket of Saint Demetrius|||||||||Casket of Saint Demetrius|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Metalwork|||||12|||1075|1125|ca|ca.1100|1100|||||0||||0|||||Gilt-copper alloy with cabochons on wood core|Gilt-copper alloy with cabochons on wood core|||||metalworking|||||35 x 60 x 40 cm||9190|Huesca,Church of San Esteban|Huesca: Church of San Esteban||Caskets (personal gear)||||||||||Cornell||ECS|ECS|8/19/2003 0:00:00|8/19/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Casket of Saint Demetrius| 421.00|0|Creator||35|R612-F|D771||35 R612-F D771 |A Dream of a Sunday Afternoon in the Alameda Park||Image Source (Book)|||||||Dream of a Sunday Afternoon in the Alameda Park|9901|Rivera, Diego||painter|Rivera, Diego|0||||0|||||Mexican||||||||Mexico||||||0|Mexico City, Mexico|||9989|Hotel Prado, Mexico City, Mex.|||||||0|Paintings|Fresco||||20|||1947|1948||1947-1948|1947-1948|||||0||||0|||||||||||fresco painting|||||||9191|Mexico City, Museo Diego Rivera|Mexico City: Mus. Diego Rivera||||||||||||Cornell||MNW|MNW|1/31/2005 0:00:00|8/19/2003 0:00:00|R612|Mex||0|||||||35|F||||||| |D771|||||||Work|0||Originally located in the lobby of the Prado Hotel in Mexico City, Mexico.||||||||||0|0|A Dream of a Sunday Afternoon in the Alameda Park|Rivera, Diego 422.00|0|Category|15|Med/Rom|Sp|Sc|MA||Arca Santa|||||||||Arca Santa|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Metalwork|||||11-12|||1075|1125||Late 11th or early 12th Century|Late 11th or early 12th Century|||||0||||0|||||Gilded silver and black oak|Gilded silver and black oak|||||metalworking|||||73 x 119 x 93 cm||9139|Oviedo, Cathedral Archive|Oviedo: Cathedral Archive||Jesus Christ, Apostles, Angels||||||||||Cornell||ECS|ECS|8/19/2003 0:00:00|8/19/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Arca Santa| 423.00|0|Category|15|Med/Rom|Sp|Sc|MA||Arca Antigua|||||||||Arca Antigua|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Sculpture|wood||||11|||1060|1080||1060-1080|1060-1080|||||0||||0|||||Wood and silk|Wood and silk|||||sculpture|||||58 x 103 x 33 cm||9192|Logrono,Monastery of San Millan de la Cogolla|Logrono: Monastery of San Millan||Liturgical objects||||||||||Cornell||ECS|ECS|8/19/2003 0:00:00|8/19/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Arca Antigua| 424.00|0|Creator||35|R612-MO|P825||35 R612-MO P825 |A Popular History of Mexico|||||||||Popular History of Mexico|9901|Rivera, Diego||painter|Rivera, Diego|0||||0|||||Mexican||||||||Mexico||||||0|Mexico City, Mexico|||9989||||0||||0|Mosaics|||||20|||1953|1953||1953|1953|||||0||||0|||||Mosaic||||||mosaic|||||12.85 x 42.79 m||9193|Mexico City, Theater of the Insurgents|Mexico City: The. Of Insurgents||Cantinflas, 1911-||||||||||Cornell||MNW|MNW|1/31/2005 0:00:00|8/19/2003 0:00:00|R612|||0|||||||35|MO||||||| |P825|||||||Work|0||||||||||||0|0|A Popular History of Mexico|Rivera, Diego 425.00|0|Category|15|Med/Rom|Sp|Sc|MA||Reliquary Crucifix|||||||||Reliquary Crucifix|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Metalwork|||||12|||1125|1200|ca|ca.1150-1175|1150-1175|||||0||||0|||||Silver,silver gilt,niello repousse over wooden core|Silver,silver gilt,niello repousse over wooden core|||||metalworking|||||59.1 x 48.3 cm||3294|New York,Metropolitan Museum of Art|New York: Metropolitan||Jesus Christ, Crosses, Crucifixes||||||||||Cornell||ECS|ECS|8/19/2003 0:00:00|8/19/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Reliquary Crucifix| 426.00|0|Creator||35|S6185-PA|1952|1||Complete Safety of all Mexicans at Work|||||||||Complete Safety of all Mexicans at Work|10959|Siqueiros, David Alfaro||painter|Siqueiros, David Alfaro|0||||0|||||Mexican||||||||Mexico||||||0|Mexico City, Mexico|||9989||||0||||0|Paintings|Mural||||20|||1952|1952||1952|1952|||||0||||0|||||Vinylite,proxaline on plywood & fiber glass|Vinylite|proxaline|plywood|||mural painting|||||||9194|Mexico City, La Raza Hospital|Mexico City: La Raza Hosp.||||||||||||Cornell||MNW|MNW|8/19/2003 0:00:00|8/19/2003 0:00:00|S6185|||0|||||||35|PA||||||1952| ||||||||Work|0||||||||||||0|0|Complete Safety of all Mexicans at Work|Siqueiros, David Alfaro 427.00|0|Category|15|Med/Rom|Sp|Sc|MA||Reliquary Casket|||||||||Reliquary Casket|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Metalwork|||||12|||1125|1200|ca|ca.1150-1175|1150-1175|||||0||||0|||||Champleve enamel on gilt copper; modern wood core|Champleve enamel on gilt copper; modern wood core|||||metalworking|||||12.4 x 18.9 x 8.5 cm||3294|New York,Metropolitan Museum of Art|New York: Metropolitan||Saint Peter, Birds, Griffins||||||||||Cornell||ECS|ECS|8/19/2003 0:00:00|8/19/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||Possibly French work, and has been debated for decades.||||||||||0|0|Reliquary Casket| 428.00|0|Creator||35|S6185-PA|1950|1||The Torment of Cuauhtemoc|||||||||Torment of Cuauhtemoc|10959|Siqueiros, David Alfaro||painter|Siqueiros, David Alfaro|0||||0|||||Mexican||||||||Mexico||||||0|Mexico City, Mexico|||9989||||0||||0|Paintings|Mural||||20|||1950|1950||1950|1950|||||0||||0|||||Proxaline on masonite|proxaline|Masonite||||mural painting|||||||1689|Mexico City,Palacio de Bellas Artes|Mexico City: Pal. BA||Cuauhtemoc, Emperor of Mexico, 1495?-1525||||||||||Cornell||MNW|MNW|8/19/2003 0:00:00|8/19/2003 0:00:00|S6185|||0|||||||35|PA||||||1950| ||||||||Work|0||||||||||||0|0|The Torment of Cuauhtemoc|Siqueiros, David Alfaro 429.00|0|Category|15|Med/Rom|Sp|Sc|MA||Urna of Saint Dominic of Silos|||||||||Urna of Saint Dominic of Silos|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Metalwork|||||12|||1125|1195|ca|ca.1150-1170|1150-1170|||||0||||0|||||Gilt copper,champleve enamel,cabochons on wood core|Gilt copper,champleve enamel,cabochons on wood core|||||metalworking|||||||||||Liturgical objects, Tombs||||||||||Cornell||ECS|ECS|8/19/2003 0:00:00|8/19/2003 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Urna of Saint Dominic of Silos| 430.00|0|Creator||35|S6185-PA|1950|2||Resurrection of Cuauhtemoc|||||||||Resurrection of Cuauhtemoc|10959|Siqueiros, David Alfaro||painter|Siqueiros, David Alfaro|0||||0|||||Mexican||||||||Mexico||||||0|Mexico City, Mexico|||9989||||0||||0|Paintings|Mural||||20|||1950|1950||1950|1950|||||0||||0|||||Proxaline on masonite|proxaline|Masonite||||mural painting|||||||1689|Mexico City,Palacio de Bellas Artes|Mexico City: Pal. BA||Cuauhtemoc, Emperor of Mexico, 1495?-1525||||||||||Cornell||MNW|MNW|8/19/2003 0:00:00|8/19/2003 0:00:00||Mex||0|||||||35|PA||||||1950| ||||||||Work|0||||||||||||0|0|Resurrection of Cuauhtemoc|Siqueiros, David Alfaro 431.00|0|Category|15|Med/Rom|Sp|Sc|MA||Plaque from a book cover|||||||||Plaque from a book cover|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Metalwork|||||12|||1145|1195|ca|ca.1170|1170|||||0||||0|||||Champleve,cloisonne enamel on gilt-copper|Champleve,cloisonne enamel on gilt-copper|||||metalworking|||||23.6 x 13.6 x 3 cm||9172|Paris,Musee National du Moyen Age, Thermes de Cluny|Paris: Musee Nat. du Moyen Age||Griffins, Jesus Christ, Birds, Angels||||||||||Cornell||ECS|ECS|8/20/2003 0:00:00|8/20/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Plaque from a book cover| 432.00|0|Category|15|Med/Rom|Sp|Sc|MA||Plaque from a book cover|||||||||Plaque from a book cover|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Metalwork|||||12|||1145|1195|ca|ca.1170|1170|||||0||||0|||||Champleve,cloisonne enamel on gilt-copper|Champleve,cloisonne enamel on gilt-copper|||||metalworking|||||24.5 x 13.8 x 4 cm||9169|Madrid,Instituto de Valencia de Don Juan|Madrid:Inst.Val.de Don Juan||Jesus Christ, Crucifixes, Crosses, Saint John the Evangelist, Virgin Mary, Angels, Crucifixion||||||||||Cornell||ECS|ECS|8/20/2003 0:00:00|8/20/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Plaque from a book cover| 433.00|0|||35|S6185-PA|1944|1||The New Democracy|||||||||The New Democracy|10959|Siqueiros, David Alfaro||painter|Siqueiros, David Alfaro|0||||0|||||Mexican||||||||Mexico||||||0|Mexico City, Mexico|||9989||||0||||0|Paintings|||||20|||1944|1944||1944|1944|||||0||||0|||||Proxaline on canvas|proxaline|canvas||||mural painting|||||||1689|Mexico City,Palacio de Bellas Artes|Mexico City: Pal. BA||||||||||||Cornell||MNW|MNW|8/20/2003 0:00:00|8/20/2003 0:00:00|S6185|Mex||0|||||||35|PA||||||1944| ||||||||Work|0||||||||||||0|0|The New Democracy|Siqueiros, David Alfaro 434.00|0|Category|15|Med/Rom|Sp|Sc|MA||Cross|||||||||Cross|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Metalwork|||||12|||||ca|ca.1135-1145|1135-1145|||||0||||0|||||Gilt copper,champleve enamel|Gilt copper,champleve enamel|||||metalworking|||||20.5 x 14.4 cm||3294|New York,Metropolitan Museum of Art|New York: Metropolitan||Jesus Christ, Crucifixes, Crosses, Crucifixion||||||||||Cornell||ECS|ECS|8/20/2003 0:00:00|8/20/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Cross| 435.00|0|Category|15|Med/Rom|Sp|Sc|MA||Virgin and Child|||La Virgen de la Vega||||||Virgin and Child (La Virgen de la Vega)|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Metalwork|||||13|||1175|1225|ca|ca.1200|1200|||||0||||0|||||Gilt-copper alloy,champleve enamel,cabochons|Gilt-copper alloy,champleve enamel,cabochons|||||metalworking|||||H:72 cm||9195|Salamanca,Old Cathedral|Salamanca: Old Cathedral||Madonna and Child, Virgin Mary, Jesus Christ||||||||||Cornell||ECS|ECS|8/20/2003 0:00:00|8/20/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Virgin and Child;La Virgen de la Vega| 436.00|0|Category|15|Med/Rom|Sp|Sc|MA||Virgin and Child|||||||||Virgin and Child|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Metalwork|||||13|||1175|1225|ca|ca.1200|1200|||||0||||0|||||Gilt copper,champleve enamel,glass cabochons on wood core|Gilt copper,champleve enamel,glass cabochons on wood core|||||metalworking|||||H: 36 cm||3294|New York,Metropolitan Museum of Art|New York: Metropolitan||Virgin Mary, Jesus Christ, Madonna and Child||||||||||Cornell||ECS|ECS|8/20/2003 0:00:00|8/20/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Virgin and Child| 437.00|0|Category|15|Med/Rom|Sp|Sc|MA||Virgin and Child|||||||||Virgin and Child|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Metalwork|||||12|||1150|1200||Second half of 12th Century|Second half of 12th Century|||||0||||0|||||Silver gilt,cabochons on wood core|Silver gilt,cabochons on wood core|||||metalworking|||||H:80 cm||2929|Toledo,Cathedral|Toledo: Cathedral||Madonna and Child, Virgin Mary, Jesus Christ||||||||||Cornell||ECS|ECS|8/20/2003 0:00:00|8/20/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Virgin and Child| 438.00|0|Creator||35|S6185-PA|1952|2||Man the Master, not the Slave of Technology||Image Source (Book)|||||||Man the Master…|10959|Siqueiros, David Alfaro||painter|Siqueiros, David Alfaro|0||||0|||||Mexican||||||||Mexico||||||0|Mexico City, Mexico|||9989||||0||||0|Paintings|Mural||||20|||1952|1952||1952|1952|||||0||||0|||||Proxaline on aluminum|proxaline|aluminum||||mural painting|||||||9196|Mexico City,National Polytechnic Institute|Mexico City: Nat'l Polytechnic||||||||||||Cornell||MNW|MNW|8/20/2003 0:00:00|8/20/2003 0:00:00|S6185|Mex||0|||||||35|PA||||||1952| ||||||||Work|0||||||||||||0|0|Man the Master, not the Slave of Technology|Siqueiros, David Alfaro 439.00|0|Category|15|Med/Rom|Por|Sc|MA||Chalice|||||||||Chalice|0|||||0||||0|||||Portuguese|||Romanesque|||||Portugal||||||0||||0||||0||||0|Metalwork|||||12|||1152|1152||1152|1152|||||0||||0|||||Silver gilt|Silver gilt|||||metalworking|||||H:17.3 cm||9158|Coimbra,Museu Nacional Machado de Castro|Coimbra: Museu Nacional||Griffins, Apostles, Saints||||||||||Cornell||ECS|ECS|8/20/2003 0:00:00|8/20/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Chalice| 440.00|0|Category|15|Med/Rom|Sp|PTG|||Antependium with Enthroned Virgin and Child|||||||||Antependium with Enthroned Virgin and Child|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Paintings|Panel (wood)||||12-13|||1175|1225||Late 12th-early 13th Century|Late 12th-early 13th Century|||||0||||0|||||Polychromed wood and gilt stucco|Polychromed wood and gilt stucco|||||painting (image-making)|||||105 x 176 cm||248|Barcelona,Museo de Arte Cataluna|Barcelona: Mus. Art Catal.||Madonna and Child, Virgin Mary, Jesus Christ||||||||||Cornell||ECS|MNW|9/12/2004 0:00:00|8/20/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Antependium with Enthroned Virgin and Child| 441.00|0|Category|15|Med/Rom|Sp|Sc|MA||Martyrdom of Saint Vincent or Saint Lawrence|||||||||Martyrdom of Saint Vincent or Saint Lawrence|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Stained Glass|||||13|||1175|1225|ca|ca.1200|1200|||||0||||0|||||Pot-metal,glass with vitreous paint|Pot-metal,glass with vitreous paint|||||Stained glass|||||116 x 22 cm||3530|Worcester,Art Museum|Worcester: Art Museum||Saint Vincent, Saint Lawrence, Martyrdom||||||||||Cornell||ECS|ECS|8/20/2003 0:00:00|8/20/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Martyrdom of Saint Vincent or Saint Lawrence| 442.00|0|Category|15|Med/Visi|Sp|Sc|MA||Eagle Fibulae|||||||||Eagle Fibulae|0|||||0||||0|||||Spanish|||Visigothic|||||Spain||||||0||||0||||0||||0|Metalwork|||||6|||500|600||6th Century|6th Century|||||0||||0|||||Gilt bronze,garnets or red glass,blue glass,yellow glass|Gilt bronze,garnets or red glass,blue glass,yellow glass|||||metalworking|||||Left H:10.97 cm; Right H:10.51 cm||3442|Switzerland: Private Collection|Switzerland: Private Coll.||Jewelry, Jewels, Fibulae||||||||||Cornell||ECS|ECS|8/20/2003 0:00:00|8/20/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Eagle Fibulae| 443.00|0|Category|15|Med/Visi|Sp|Sc|MA||Receswinth Crown|||||||||Receswinth Crown|0|||||0||||0|||||Spanish|||Visigothic|||||Spain||||||0||||0||||0||||0|Metalwork|Jewelry||||7|||650|700||Second half of 7th Century|Second half of 7th Century|||||0||||0|||||Gold,garnets,pearls,sapphires,colored glass|Gold,garnets,pearls,sapphires,colored glass|||||metalworking|||||H:10 cm; D:20.6 cm||1609|Madrid,Museo Arqueologico Nacional|Madrid: Mus. Arqueol. Nac.||Crowns, Jewelry, Jewels||||||||||Cornell||ECS|ECS|8/20/2003 0:00:00|8/20/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Receswinth Crown| 444.00|0|Architect||MA-Siqueiros|2.23|1969|Poly||Polyforum Siqueiros||||||||||10959|Siqueiros, David Alfaro||painter|Siqueiros, David Alfaro|0||||0|||||Mexican||||||||Mexico||||||0|Parque de Lama, Mexico City|||9995||||0||||0|Architecture|Cultural center||||20|||1969|1971||1969-1971|1969-1971|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|8/20/2003 0:00:00|8/20/2003 0:00:00|Siqueiros|||0||||||Poly|MA||||||2.23|1969|||||||||Work|0||Houses the mural, the March of Humanity.||||||||||0|0|Polyforum Siqueiros|Siqueiros, David Alfaro 445.00|0|Category|15|Med/Visi|Sp|Sc|MA||Pendant letter R from the Receswinth Crown|||||||||Pendant letter R from the Receswinth Crown|0|||||0||||0|||||Spanish|||Visigothic|||||Spain||||||0||||0||||0||||0|Metalwork|Jewelry|||||||600|700||7th Century|7th Century||Receswinth Crown|||443||||0|||||Gold,garnets,pearl,sapphire and colored glass|Gold,garnets,pearl,sapphire and colored glass|||||metalworking|||||||9172|Paris,Musee National du Moyen Age, Thermes de Cluny|Paris: Musee Nat. du Moyen Age||Crowns, Jewelry, Jewels||||||||||Cornell||ECS|ECS|8/20/2003 0:00:00|8/20/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Pendant letter R from the Receswinth Crown| 446.00|0|Architect||MA-Siqueiros|2.23|1969|Poly||The March of Humanity|||||||||The March of Humanity|10959|Siqueiros, David Alfaro||painter|Siqueiros, David Alfaro|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Paintings|Mural||||20|||1969|1971||1969-1971|1969-1971||Polyforum Siqueiros|||444||||0|||||Cement,acrylic,proxaline on cement panels|asbestos|cement|proxaline|||mural painting|||||||9197|Mexico City,Polyforum Siqueiros|Mexico City: Polyforum Siquieros||||||||||||Cornell||MNW|MNW|8/20/2003 0:00:00|8/20/2003 0:00:00|Siqueiros|||0||||||Poly|MA||||||2.23|1969| ||||||||Work|0||||||||||||0|0|The March of Humanity|Siqueiros, David Alfaro 447.00|0|Category|15|Med/Rom|Sp|PTG|||Healing of the Man born blind and the Raising of Lazarus|||||||||Healing of the Man born blind and the Raising of Lazarus|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0|Hermitage of San Baudelio|||9996||||0|Paintings|Fresco||||12|||1125|1175||Mid 12th Century|Mid 12th Century|||||0||||0|||||Fresco transferred to canvas|Fresco transferred to canvas|||||fresco painting|||||165.1 x 340.3 cm||3294|New York,Metropolitan Museum of Art|New York: Metropolitan||Lazarus, Jesus Christ, Miracles||||||||||Cornell||ECS|ECS|8/20/2003 0:00:00|8/20/2003 0:00:00|||Herm|0||||||||||||||| ||||||||Work|0||||||||||||0|0|Healing of the Man born blind and the Raising of Lazarus| 448.00|0|Creator||35|C512-PA|1995|1||Mural|||||||||Mural|29828|Chavez, Gustavo||muralist|Chavez, Gustavo|0||||0|||||Mexican||||||||Mexico||||||0|Azcapotzalco, Mexico City, Mexico|||9998||||0||||0|Paintings|Mural||||20|||1995|1995||1995|1995|||||0||||0|||||Acrylic on cement|acrylic|cement||||mural painting|||||||9198|Mexico City, Universidad Autonoma Metropolitana Azcapotzalco|Mexico City: Azcapotzalco||Zapata, Emiliano, 1879-1913||||||||||Cornell||MNW|MNW|8/20/2003 0:00:00|8/20/2003 0:00:00|C512|||0|||||||35|PA||||||1955| ||||||||Work|0||||||||||||0|0|Mural|Chavez, Gustavo 449.00|0|Category|15|Med/Rom|Sp|PTG|||Temptation of Christ|||||||||Temptation of Christ|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0|Hermitage of San Baudelio|||9996||||0|Paintings|Fresco||||12|||1125|1175||Mid 12th Century|Mid 12th Century|||||0||||0|||||Fresco transferred to canvas|Fresco transferred to canvas|||||fresco painting|||||213.4 x 299.7||1951|New York,Metropolitan Museum of Art,Cloisters|New York: Metropolitan; Cloisters||Jesus Christ, Devils||||||||||Cornell||ECS|ECS|8/20/2003 0:00:00|8/20/2003 0:00:00|||Herm|0||||||||||||||| ||||||||Work|0||||||||||||0|0|Temptation of Christ| 450.00|0|Creator||35A|M612-PA|1995|1|35A M612-PA 1995 1|We Are All Marcos. We Are All Elisa|Translated|Image Source (Book)|||||||We Are All Marcos. We Are All Elisa|0|||||0||||0|||||Mexican||||||||Mexico||||||0|Mexico City, Mexico|||9989||||0||||0|Paintings|Mural||||20|||1995|1995||1995|1995|||||0||||0|||||||||||mural painting|||||||||||||||||||||Cornell||MNW|MNW|12/9/2005 0:00:00|8/20/2003 0:00:00||Mex||0|||||||35A|PA||||||1955||||||||||0||Youth mural||||||||||0|0|We Are All Marcos. We Are All Elisa| 451.00|0|Category|15|Med/Rom|Sp|PTG|||Last Supper|||||||||Last Supper|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0|Hermitage of San Baudelio|||9996||||0|Paintings|Fresco||||12|||1125|1175||Mid 12th Century|Mid 12th Century|||||0||||0|||||Fresco transferred to canvas|Fresco transferred to canvas|||||fresco painting|||||179.1 x 380 cm||428|Boston,Museum of Fine Arts|Boston: MFA||Last Supper, Apostles, Jesus Christ, Tables||||||||||Cornell||ECS|ECS|8/20/2003 0:00:00|8/20/2003 0:00:00|||Herm|0||||||||||||||| ||||||||Work|0||||||||||||0|0|Last Supper| 452.00|0|Category|15|Med/Rom|Sp|PTG|||Three Marys at the Tomb|||||||||Three Marys at the Tomb|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0|Hermitage of San Baudelio|||9996||||0|Paintings|Fresco||||12|||1125|1175||Mid 12th Century|Mid 12th Century|||||0||||0|||||Fresco transferred to canvas|Fresco transferred to canvas|||||fresco painting|||||195 x 387.3 cm||428|Boston,Museum of Fine Arts|Boston: MFA||Mary, Mary Magdalene, Angels, Tombs, Warriors||||||||||Cornell||ECS|ECS|8/20/2003 0:00:00|8/20/2003 0:00:00|||Herm|0||||||||||||||| ||||||||Work|0||||||||||||0|0|Three Marys at the Tomb| 453.00|0|Category|15|Med/Rom|Sp|PTG|||A Hare Hunt|||||||||A Hare Hunt|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0|Hermitage of San Baudelio|||9996||||0|Paintings|Fresco||||12|||1125|1175||Mid 12th Century|Mid 12th Century|||||0||||0|||||Fresco transferred to canvas|Fresco transferred to canvas|||||fresco painting|||||182.3 x 358.1 cm||1951|New York,Metropolitan Museum of Art,Cloisters|New York: Metropolitan; Cloisters||Horsemen, Horses, Trees, Dogs, Hunting||||||||||Cornell||ECS|ECS|8/20/2003 0:00:00|8/20/2003 0:00:00|||Herm|0||||||||||||||| ||||||||Work|0||||||||||||0|0|A Hare Hunt| 454.00|0|Category|15|Med/Rom|Sp|PTG|||A Warrior|||||||||A Warrior|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0|Hermitage of San Baudelio|||9996||||0|Paintings|Fresco||||12|||1125|1175||Mid 12th Century|Mid 12th Century|||||0||||0|||||Fresco transferred to canvas|Fresco transferred to canvas|||||fresco painting|||||286.4 x 131.8 cm||1951|New York,Metropolitan Museum of Art,Cloisters|New York: Metropolitan; Cloisters||Warriors, Shields, Dogs||||||||||Cornell||ECS|ECS|8/20/2003 0:00:00|8/20/2003 0:00:00|||Herm|0||||||||||||||| ||||||||Work|0||||||||||||0|0|A Warrior| 455.00|0|Creator||35|O396-PA|1986|1||Costureras|Original|Image Source (Book)|||||||Costureras|29830|Ojos de Lucha Collective||Arts Collective|Ojos de Lucha Collective|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Paintings|Mural||||20|||1986|1986||1986|1986|||||0||||0|||||Mural. Acrylic on cloth|acrylic|cloth||||mural painting|||||ca. 3 x 6 meters||||||||||||||||Cornell||MNW|CLL|8/26/2003 0:00:00|8/20/2003 0:00:00||||0|||||||35|PA||||||1986|||||||||Work|0||||||||||||0|0|Costureras|Ojos de Lucha Collective 456.00|0|Creator||35|O396-PA|1986|2||El pueblo de Mexico no pagara|Original|Image Source (Book)|The People of Mexico Will Not Pay|Translated|Image Source (Book)||||El pueblo de Mexico no pagara|29830|Ojos de Lucha Collective||Arts Collective|Ojos de Lucha Collective|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Paintings|Mural||||20|||1986|1986||1986|1986|||||0||||0|||||Mural. Acrylic on cloth|acrylic|cloth||||mural painting|||||ca. 3.5 x 1.5 meters||||||||||||||||Cornell||MNW|CLL|8/26/2003 0:00:00|8/20/2003 0:00:00||||0|||||||35|PA||||||1986|||||||||Work|0||Photograph by David Gallegos||||||||||0|0|El pueblo de Mexico no pagara;The People of Mexico Will Not Pay|Ojos de Lucha Collective 457.00|0|Category|15|Med/Rom|Sp|PTG|||A Camel|||||||||A Camel|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0|Hermitage of San Baudelio|||9996||||0|Paintings|Fresco||||12|||1125|1175||Mid 12th Century|Mid 12th Century|||||0||||0|||||Fresco transferred to canvas|Fresco transferred to canvas|||||fresco painting|||||165.1 x 340.3 cm||1951|New York,Metropolitan Museum of Art,Cloisters|New York: Metropolitan; Cloisters||Camels, Dogs||||||||||Cornell||ECS|ECS|8/20/2003 0:00:00|8/20/2003 0:00:00|||Herm|0||||||||||||||| ||||||||Work|0||||||||||||0|0|A Camel| 458.00|0|Creator||35|O396-PA|1994|1||Commandante David||Image Source (Book)|||||||Commandante David|29830|Ojos de Lucha Collective||Arts Collective|Ojos de Lucha Collective|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Paintings|Mural||||20|||1994|1994||1994|1994|||||0||||0|||||Mural. Acrylic on cloth|acrylic|cloth||||mural painting|||||0.5 x 1.5 meters||||||||||||||||Cornell||MNW|CLL|8/26/2003 0:00:00|8/20/2003 0:00:00||||0|||||||35|PA||||||1994|||||||||Work|0||||||||||||0|0|Commandante David|Ojos de Lucha Collective 459.00|0|Category|15|Med/Rom|Sp|PTG|||An Elephant|||||||||An Elephant|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0|Hermitage of San Baudelio|||9996||||0|Paintings|Fresco||||12|||1125|1175||Mid 12th Century|Mid 12th Century|||||0||||0|||||Fresco transferred to canvas|Fresco transferred to canvas|||||fresco painting|||||205.1 x 135.3 cm||1951|New York,Metropolitan Museum of Art,Cloisters|New York: Metropolitan; Cloisters||Elephants||||||||||Cornell||ECS|ECS|8/20/2003 0:00:00|8/20/2003 0:00:00|||Herm|0||||||||||||||| ||||||||Work|0||||||||||||0|0|An Elephant| 460.00|0|Category|15|Med/Rom|Sp|PTG|||Portrait of Joseph|||||||||Portrait of Joseph|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Paintings|Fresco||||12|||1100|1125||First quarter of 12th Century|First quarter of 12th Century|||||0||||0|||||Painted plaster|Painted plaster|||||fresco painting|||||67 x 54 cm||248|Barcelona,Museo de Arte Cataluna|Barcelona: Mus. Art Catal.||Saint Joseph, Portraits||||||||||Cornell||ECS|ECS|8/20/2003 0:00:00|8/20/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Portrait of Joseph| 461.00|0|Category|01|B-HØ|WEur|1.011|Ibe/Vis 1|B-HØ WEur 1.011 Ibe/Vis 1|Map. Iberian Pennisula. Visigothic Spain|||||||||Map. Iberian Pennisula. Visigothic Spain|0|||||0||||0|||||Spanish|||Visigothic|||||Spain||||||0||||0||||0||||0|Maps|||||||||||||||||0||||0||||||||||||||||||||||Maps||||||||||Cornell||ECS|MNW|9/9/2004 0:00:00|8/20/2003 0:00:00||WEur||0||||||Ibe/Vis|B|||||HØ|1.011||||||||||Work|0|Maps (Western Europe)-Architecture|||||||||||0|0|Map. Iberian Pennisula. Visigothic Spain| 462.00|0|Category|01|B-H5|Spain 1.01|Ast|1||Map. Asturian Kingdom|||||||||Map. Asturian Kingdom|0|||||0||||0|||||Spanish|||Asturian|||||Spain||||||0||||0||||0||||0|Maps|||||8-10|||700|1000||8th-10th Century|8th-10th Century|||||0||||0||||||||||||||||||||||Maps||||||||||Cornell||ECS|ECS|8/21/2003 0:00:00|8/21/2003 0:00:00||||0||||||||||||H5|||||||||||Work|0||||||||||||0|0|Map. Asturian Kingdom| 463.00|0|Category|01|B-HØ|Map|Ibe/Rom|1|B-HØ Map Ibe/Rom 1|Map. Iberian Penninsula. Romanesque Spain|||||||||Map. Iberian Penninsula. Romanesque Spain|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0||||||||||||||||||0||||0||||||||||||||||||||||Maps||||||||||Cornell||ECS|MNW|9/9/2004 0:00:00|8/21/2003 0:00:00||WEur||0||||||Ibe/Rom|B|||||HØ|1.011||||||||||Work|0|Maps (Western Europe)-Architecture|||||||||||0|0|Map. Iberian Penninsula. Romanesque Spain| 464.00|0|Site|02|B-H5|Tol 3.1|SanSal|||San Salvador|||||||||San Salvador|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0|Toledo, Spain|||||||0||||0|Architecture|Church||||||||||||||||0||||0||||||||||||||||||||||Churches||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|8/21/2003 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|San Salvador| 465.00|0|Site|02|B-H5|Sori 3.1|SJuanD|||San Juan de Duero|||||||||San Juan de Duero|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0|Soria, Spain|||||||0||||0|Architecture|Church||||12|||1100|1200||12th Century|12th Century|||||0||||0||||||||||||||||||||||Churches||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|8/21/2003 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|San Juan de Duero| 466.00|0|Category|15|Med/Visi|Sp|Sc|MA||Gold Fibula|||||||||Gold Fibula|0|||||0||||0|||||Spanish|||Visigothic|||||Spain||||||0||||0||||0||||0|Metalwork|Jewelry||||6|||500|600||6th Century|6th Century|||||0||||0|||||Gold|gold|||||metalworking|||||||1609|Madrid,Museo Arqueologico Nacional|Madrid: Mus. Arqueol. Nac.||Jewelry, Fibulae||||||||||Cornell||ECS|ECS|8/22/2003 0:00:00|8/22/2003 0:00:00||||0||||||||SC||||||| ||||||||Work|0||||||||||||0|0|Gold Fibula| 467.00|0|Site|02|B-L3|Jer|3.4 Aqsa|||Mosque of al-Aqsa|||||||||Mosque of al-Aqsa|0|||||0||||0|||||Islamic|||Umayyad|||||Israel||||||0|Jerusalem, Israel|||9999||||0||||0|Architecture|Mosque||||8|||780|780||780|780|||||0||||0||||||||||||||||||||||Mosques||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|8/22/2003 0:00:00||Jer||0|||||||B|||||L3|3.4||||||||||Work|0||||||||||||0|0|Mosque of al-Aqsa| 468.00|0|Category|15|Med/Isl|Tunisia|Sc|MA||Fragmentary tile showing an archer|||||||||Fragmentary tile showing an archer|0|||||0||||0|||||Islamic|||Umayyad|||||Tunisia||||||0||||0||||0||||0|Ceramics|Dish||||10-11|||950|1010||Second half of 10th C, first decade of 11th C|Second half of 10th C, first decade of 11th C|||||0||||0|||||Inglaze-painted earthenware|Inglaze-painted earthenware|||||ceramics|||||||3009|Tunis,Musee National du Bardo|Tunis: Mus. Nat. Bardo||Archers, Warriors||||||||||Cornell||ECS|ECS|8/22/2003 0:00:00|8/22/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Fragmentary tile showing an archer| 470.00|0|Site|02|B-M5|Kair|3.4 GrtM|||Great Mosque|||||||||Great Mosque|0|||||0||||0|||||Islamic|||Umayyad|||||Tunisia||||||0|Kairouan, Tunisia|||10001||||0||||0|Architecture|Mosque||||9|||836|875||836; 862; 875|836; 862; 875|||||0||||0||||||||||||||||||||||Mosques||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|8/22/2003 0:00:00||Kai||0|||||||B|||||M5|3.4||||||||||Work|0||||||||||||0|0|Great Mosque| 471.00|0|Site|02|B-M1|Qal|7.4 Pal|||Palace|||||||||Palace|0|||||0||||0|||||Islamic|||Umayyad|||||Algeria||||||0|Qalat Bani Hammad, Algeria|||10002||||0||||0|Architecture|Palace||||11|||1007|||Founded 1007|Founded 1007|||||0||||0||||||||||||||||||||||Palaces, Ruined cities||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|8/22/2003 0:00:00||Qal||0|||||||||||||||||||||||Work|0||||||||||||0|0|Palace| 472.00|0|Category|15|Med/Isl|Algeria|Sc|||Carved stone architectural element|||||||||Carved stone architectural element|0|||||0||||0|||||Islamic|||Umayyad|||||Algeria||||||0||||0||||0||||0|Sculpture|Relief||||11|||1000|1100||11th Century|11th Century|||||0||||0|||||Carved stone|Carved stone|||||sculpture|||||||9199|Algiers,Stephan Gazelle Musee|Algiers: Stephan Gazelle Musee||Architectural elements, Animals||||||||||Cornell||ECS|ECS|8/22/2003 0:00:00|8/22/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Carved stone architectural element| 473.00|0|Category|01|B-HØ|WEur|1.011|Ibe/Cam|B-HØ WEur 1.011 Ibe/Cam|Map. Iberian Penninsula. Camino de Santiago|||||||||Map. Iberian Penninsula. Camino de Santiago|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Maps|||||||||||||||||0||||0||||||||||||||||||||||Maps||||||||||Cornell||ECS|MNW|9/9/2004 0:00:00|8/22/2003 0:00:00||WEur||0||||||Ibe/cam|B|||||HØ|1.011||||||||||Work|0||||||||||||0|0|Map. Iberian Penninsula. Camino de Santiago| 474.00|0|Category|01|B-HØ|Map|1.011|Ibe/RomCat|B-HØ WEur 1.011 Ibe/RomCat|Map. Iberian Penninsula. Romanesque Catalonia|||||||||Map. Iberian Penninsula. Romanesque Catalonia|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Maps|||||||||||||||||0||||0||||||||||||||||||||||Maps||||||||||Cornell||ECS|MNW|9/9/2004 0:00:00|8/22/2003 0:00:00||WEur||0||||||Ibe/RomCat|B|||||HØ|1.011||||||||||Work|0|Maps (Western Europe)-Architecture|||||||||||0|0|Map. Iberian Penninsula. Romanesque Catalonia| 475.00|0|Site|02|B-H2|StGen|3.1|||Saint-Genis-des-Fontaines|||||||||Saint-Genis-des-Fontaines|0|||||0||||0|||||French|||Romanesque|||||France||||||0|Saint-Genis-des-Fontaines, France|||||||0||||0|Architecture|Church||||11|||1000|1100||11th Century|11th Century|||||0||||0||||||||||||||||||||||Churches||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|8/22/2003 0:00:00||||0|||||||B|||||H2|3.1||||||||||Work|0||||||||||||0|0|Saint-Genis-des-Fontaines| 476.00|0|Site|02|B-H2|StAnd|3.1|||Saint-Andre-de-Sorede|||||||||Saint-Andre-de-Sorede|0|||||0||||0|||||French|||Romanesque|||||France||||||0|Saint-Andre-de-Sorede, France|||||||0||||0|Architecture|Church||||11|||1005|1055|ca|ca.1030|1030|||||0||||0||||||||||||||||||||||Churches||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|8/22/2003 0:00:00||||0|||||||B|||||H2|3.1||||||||||Work|0||||||||||||0|0|Saint-Andre-de-Sorede| 477.00|0|Category|15|Med/Rom|France|Sc|||Capital|||||||||Capital|0|||||0||||0|||||French|||Romanesque|||||France||||||0||||0|Cuxa Cloister, Canigou, France|||10003||||0|Sculpture|Relief||||12|||1105|1165|ca|ca. 1130-1140|1130-1140|||||0||||0|||||||||||sculpture|||||||1951|New York,Metropolitan Museum of Art,Cloisters|New York: Metropolitan; Cloisters||Capitals, Architectural elements||||||||||Cornell||ECS|ECS|8/22/2003 0:00:00|8/22/2003 0:00:00|||Cux|0||||||||||||||| ||||||||Work|0||||||||||||0|0|Capital| 478.00|0|Category|15|Med/Rom|France|Sc|||Tympanum: Assumption, Glorification and Christ receiving Mary's Soul|||||||||Tympanum: Assumption, Glorification and Christ receiving Mary's Soul|29837|Master of Cabestany||sculptor|Master of Cabestany|0||||0|||||French|||Romanesque|||||France||||||0|Saint Marie, Roussillon, France|||10004||||0||||0|Sculpture|Relief||||12|||1150|1200||Second half of 12th Century|Second half of 12th Century|||||0||||0||||||||||||||||||||||Assumption of the Virgin, Virgin Mary, Jesus Christ||||||||||Cornell||ECS|MNW|8/26/2005 0:00:00|8/22/2003 0:00:00||||0||||||||SC|||||||||||||||Work|0||||||||||||0|0|Tympanum: Assumption, Glorification and Christ receiving Mary's Soul|Master of Cabestany 479.00|0|Site|02|B-H5|Berga|3.1|SQui||Sant Quirze de Pedret|||||||||Sant Quirze de Pedret|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0|Berga, Spain|||10005||||0||||0|Architecture|Church||||10-12|||975|1200||Late 10th-12th Centuries|Late 10th-12th Centuries|||||0||||0||||||||||||||||||||||Churches||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|8/22/2003 0:00:00||Berg||0|||||||||||||||||||||||Work|0||||||||||||0|0|Sant Quirze de Pedret| 480.00|0|Creator|08|0-Kircher|1.0|Ars||0-Kircher 1.0 Ars |Ars Magna Lucis et Umbrae|Published|Image Source (Book)|||||||Ars Magna Lucis|6314|Kircher, Athanasius||author|Kircher, Athanasius|0||||0|||||German||||||||Germany||||||0||||0||||0||||0|Book Arts|Book||||17|||1646|1646||1646|1646-1646|||||0||||0|||||||||||printing|||||||||||||||||||||Cornell|||MNW|6/14/2004 0:00:00|8/22/2003 0:00:00|Kircher|||0|||Ars||||O||||||1.0||||||||||Work|0||Ars magna lucies et umbrae (Rome 1646; 2nd ed., Amsterdam 1671)|Publication #10008 in the publications authority.||Second edition, Amsterdam, 1671.|||||||0|0|Ars Magna Lucis et Umbrae|Kircher, Athanasius 481.00|0|Creator||0-Kircher|1.0|Ars|768||Magic Lantern|||||||||Ars Magna Lucis et Umbrae. Magic Lantern|6314|Kircher, Athanasius||author|Kircher, Athanasius|0||||0|||||German||||||||Germany||||||0||||0||||0||||0|Book Arts|Book||||17|||1646|1646||1646|1646||Ars Magna Lucis et Umbrae|Larger Entity||480||||0|||||||||||printing|||||||||||Magic Lanterns||||||||||Cornell||MNW|MNW|3/28/2006 0:00:00|8/22/2003 0:00:00||||0|||Ars||||O||||||1.0||||||||||Work|0||Illustration on page 768 of Kircher's Ars Magna Lucis…||||||||||0|0|Magic Lantern|Kircher, Athanasius 482.00|0|Manuscript|15|05|L848|M01139|f.12v||Deesis||||||||||0|||||0||||0|||||Byzantine||||||||||||||0|British Museum, London|||10006||||0||||0|Manuscripts|||||12|||1131|1143||1131-1143|1131-1143||Melisende Psalter|Series||483||||0|||||Illumination on parchment|parchment|||||illumination|||||21.6 x 14 cm||3373|London,British Museum|London: British Museum||Deesis||||||||||Cornell|||ECS|8/26/2003 0:00:00|8/25/2003 0:00:00||L848||0||MS Egerton, 1139, f12v|||||05|||||||| ||||||||Work|0||||||||||||0|0|Deesis| 483.00|0|Manuscript|15|05|L484|M01139|||Melisende Psalter|||||||||Melisende Psalter|0|||||0||||0||||||||Byzantine|||||||||||0|British Museum, London|||10006||||0||||0|Manuscripts|||||12|||1131|1143||1131-1143|1131-1143|||||0||||0||||||||||||||||||3373|London,British Museum|London: British Museum||||||||||||Cornell||MNW||8/25/2003 0:00:00|8/11/2005 0:00:00||L484||0||MS Egerton, 1139|||||05|||||||| ||||||||Work|0||||||||||||0|0|Melisende Psalter| 484.00|0|Category|02|B-J3|Col|3.1|SMCap||St. Maria im Kapitol||Image Source (Book)|||||||St. Maria im Kapitol|0|||||0||||0|||||German|||Romanesque|||||Germany||||||0|Cologne, Germany|||10007||||||||0|Architecture|Church||||11|||1065||ca|ca. 1065|ca 1065|||||0||||0|||||Wood|wood|||||sculpture|||||2 M high||||||||||||||||Cornell|||ECS|8/26/2003 0:00:00|8/25/2003 0:00:00||Col||0|||SMCap||||B|||||J3|3.1||||||||||Work|0||The narrative scenes represent the main events in the life of Christ.||||||||||0|0|St. Maria im Kapitol| 485.00|0|Site|02||||||St. Lazare||||||||||0|||||0||||0|||||Burgundian|||Romanesque|||Europe|Burgundy|France||||||0|Autun, France|||10008||||0||||0|Architecture|Church||||12|||1130||ca|1130|1130|||||0||||0||||||||||||||||||||||||||||||||Cornell|||ECS|8/26/2003 0:00:00|8/25/2003 0:00:00||Aut||0|||SLaz||||B|||||H2|3.1||||||||||Work|0||||||||||||0|0|St. Lazare| 486.00|0|Site|02|B-H2|Aut|3.1 |SLar||Last Judgement Tympanum||Image Source (Book)|||||||Last Judgement Tympanum|29835|Gislebertus||sculptor|Gislebertus|0||||0|||||Burgundian|||Romanesque|||||France||||||0|Autun, France|||10008||||0||||0|Sculpture|Tympana||||12|||1140||ca|1140|1140||St. Lazare|||485||||0||||||||||||||||||||||||||||||||Cornell|||ECS|8/26/2003 0:00:00|8/25/2003 0:00:00||Aut||0|||SLar||||B|||||H2|3.1||||||||||Work|0|Architecture-France|On the West porch.||||||||||0|0|Last Judgement Tympanum|Gislebertus 487.00|0|Period|07|Med/|Rom|Ger|SC||Portable altar of SS Kilian and Liborius||Dict.ArtO|||||||Portable altar of SS Ilian and Liborius|29836|Roger of Helmarshausen||goldsmith|Roger of Helmarshausen|0||||0|||||German|||Romanesque|||Europe||Germany||||||0||||0||||0||||0|Metalwork|Altar||||12|||1100|1100|ca|1100|1100|||||0||||0|||||Silver, bronze, gems, pearls, niello|silver|bronze|gems||||||||34.5 x 21 x 18.5 cm||2140|Paderborn,Erzbischoflichges Diozesanmuseum und Domschatzkammer|Paderborn: Diozesanmus.||||||||||||Cornell|||ECS|8/26/2003 0:00:00|8/25/2003 0:00:00||||0||||||Ger|Med|SC|||Rom|||| ||||||||Work|0||||||||||||0|0|Portable altar of SS Kilian and Liborius|Roger of Helmarshausen 488.00|0|Site|02|B-G1|Can|3.1 |Cath||Canterbury Cathedral||Image Source (Book)|||||||Canterbury Cathedral|0|||||0||||0|||||English|||Romanesque|||||England||||||0|Canterbury, England|||10009||||0||||0|Architecture|Cathedral||||12|||1100||ca|1100|1100|||||0||||0||||||||||||||||||||||||||||||||Cornell||||8/25/2003 0:00:00|8/25/2003 0:00:00||Can||0|||Cath||||B|||||G1|3.1||||||||||Work|0|Architecture-England|||||||||||0|0|Canterbury Cathedral| 489.00|0|Site|03|B-H5|Rip|3.2|SMar||Santa Maria||Image Source (Book)|||||||Santa Maria|0|||||0||||0|||||Catalan|||Romanesque|||||Spain||||||0|Ripoll, Spain|||10010||||0||||0|Architecture|Abbey||||12|||1150|1160|ca|ca. 1150-1160|ca. 1150-1160|||||0||||0||||||||||||||||||||||||||||||||Cornell|||ECS|8/26/2003 0:00:00|8/25/2003 0:00:00||Rip||0|||SMar||||B|||||H5|3.2||||||||||Work|0|Architecture|||||||||||0|0|Santa Maria| 490.00|0|Site|02||||||Santa Maria||Image Source (Book)|||||||Santa Maria|0|||||0||||0|||||Catalan|||Romanesque|||||Spain||||||0|Ripoll, Spain|||10010||||0||||0|Architecture|Abbey||||12|||1150|1160|ca|ca. 1150-1160|ca. 1150-1160|||||0||||0||||||||||||||||||||||||||||||||Cornell|||ECS|8/26/2003 0:00:00|8/25/2003 0:00:00||Rip||0|||SMar||||B|||||H5|3.2||||||||||Work|0||||||||||||0|0|Santa Maria| 491.00|0|Site|02|B-H2|Poi|3.1 |ND||Notre Dame La Grande|||||||||Notre Dame La Grande|0|||||0||||0|||||French|||Romanesque|||||France||||||0|Poitiers, France|||10011||||0||||0|Architecture|Cathedral||||12|||1139|1145|ca|1139-1145|1139-1145|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|ECS|8/26/2003 0:00:00|8/25/2003 0:00:00||Poi||0|||ND||||B|||||H2|3.1||||||||||Work|0|France|||||||||||0|0|Notre Dame La Grande| 492.00|0|Site|02|B-H2|Bour|3.1 |SUrs||St. Ursin||||||||||0|||||0||||0|||||French|||Romanesque|||||France||||||0|Bourges, France|||10012||||0||||0|Architecture|Church||||12|||1100|1149||1st half of 12th C.|1st half of 12th C.|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|8/25/2003 0:00:00|8/25/2003 0:00:00||Bour||0|||SUrs||||B|||||H2|3.1||||||||||Work|0|Architecture-France|Former church.||||||||||0|0|St. Ursin| 493.00|0|Site|02|B-H2|NeuDon|3.1 |Mad||La Madelaine||||||||||0|||||0||||0|||||French|||Romanesque|||||France||||||0|Neuilly-en-Donjon, France|||10013||||0||||0|Architecture|Church||||12|||1125|1150||2nd quarter of 12th C.|2nd quarter of 12th C.|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|ECS|8/26/2003 0:00:00|8/25/2003 0:00:00||NeuDon||0|||Mad||||B|||||H2|3.1||||||||||Work|0|Architecture-France|||||||||||0|0|La Madelaine| 494.00|0|Site|07|Med/Rom|Ger|SC|||Herimann Cross||Image Source (Book)||||||||0|||||0||||0|||||German|||Romanesque|||||Germany||||||0||||0||||0||||0|Sculpture|Cross (Object)||||11|||1050|1050|ca|ca. 1050|1050|||||0||||0|||||Cast bronze with lapis lazuli head|bronze|lapis lazuli||||casting|||||41 x 28 cm||653|Cologne,Erzbischofliches Diozesan-Museum|Cologne: Diozesan Mus.||Crucifixes||||||||||Cornell||MNW|ECS|8/26/2003 0:00:00|8/25/2003 0:00:00||||0|||||||Med/|SC|||Rom|||| |||||||||0|||||Head = 1st C. CE.|||||||0|0|Herimann Cross| 495.00|0|Site|07|Med/Rom|Ger|SC|DA||Lothar Cross||Image Source (Book)|||||||Lothar Cross|0|||||0||||0|||||German|||Romanesque|||||Germany||||||0||||0||||0||||0|Sculpture|Cross (Object)||||11|||1000|1000|ca|ca 1000|ca. 1000|||||0||||0||||||||||||||||49.8 cm high||4582|Aachen,Cathedral,Treasury(Domschatzkammer)|Aachen: Cathedral Treas.||||||||||||Cornell||MNW|MNW|8/25/2003 0:00:00|8/25/2003 0:00:00||||0|||||||Med/DA|SC|||Ger|||| ||||||||Work|0||Contains antique cameo of the Emperor Augustus.||||||||||0|0|Lothar Cross| 496.00|0|Period|07|MED/ROM|SP|SC|||Christ Walking on the Water|||||||||Christ Walking on the Water|29837|Master of Cabestany|attributed to|sculptor|Master of Cabestany|0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Sculpture|Relief||||12|||1150|1150|ca|ca. 1150|ca. 1150|||||0||||0|||||Marble relief|marble|||||relief|||||82 x 61 cm||9163|Barcelona,Museu Frederic Mares, Ajuntament de Barcelona|Barcelona: Museu Frederic Mares||||||||||||Cornell||MNW|MNW|8/26/2005 0:00:00|8/25/2003 0:00:00||SP||0|||||||MED|SC|||Rom|||| ||||||||Work|0|-|||||||||||0|0|Christ Walking on the Water|Master of Cabestany 497.00|0|Site|02|B-H2|LePuy|3.1 |Cath||St. Michael||||||||||0|||||0||||0|||||French|||Romanesque|||||France||||||0|Le Puy, France|||10014||||0||||0|Architecture|Church||||12|||1150|1150|ca|ca. 1150|ca. 1150|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|8/25/2003 0:00:00|8/25/2003 0:00:00||LePuy||0|||Cath||||B|||||H2|3.1||||||||||Work|0|Architecture-France|||||||||||0|0|St. Michael| 498.00|0|Category|07|V-11.2|Roger II|1|||Coronation Mantel of Roger II||Image Source (Book)|||||||Coronation Mantel of Roger II|0|||||0||||0|||||Italian|||Romanesque|||||Italy||||||0||||0||||0||||0|Textiles|||||12|||1133|1134|ca|ca. 1133-1134|ca. 1133-1134|||||0||||0|||||Silk with gold thread embroidery|silk|gold thread||||embroidering|||||1.4 x 3.4 M||3403|Vienna,Kunsthistorisches Museum|Vienna: Kunsthistorisches Mus.||||||||||||Cornell||MNW|MNW|8/25/2003 0:00:00|8/25/2003 0:00:00||||0|||Roger II||||V|||11.2||||| |||||||||0|Tapestry, Textiles, Embroidery-Sicilian|||||||||||0|0|Coronation Mantel of Roger II| 499.00|0|Site|02|B-H2|Aut|3.1 SLaz|||The Suicide of Judas||Image Source (Book)|||||||Cathedral of St.-Lazare. The Suicide of Judas|0|||||0||||0|||||French|||Romanesque|||||EnglandFrance||||||0||||0|St.-Lazare, Autun, France|||10050||||0|Sculpture|Capital||||12|||1130||ca|ca 1130|ca 1130||Cathedral of St.-Lazare|Larger Entity||620||||0|||||||||||sculpture|||||||9232|Autun, Musée lapidaire|Autun: Musée lapidaire||Suicide, Judas Iscariot, Judas Iscariot hanging himself||||||||||Cornell||MNW|MNW|9/12/2003 0:00:00|3/28/2006 0:00:00||Aut||0||||||SLaz|B|||||H2|3.1|| ||||||||Work|0|Architecture-France|||||||||||0|0|The Suicide of Judas| 500.00|0|Culture|07|MED/ROM|Eng|Ivory|||Adoration of the Magi||Image Source (Book)|||||||Adoration of the Magi|0|||||0||||0|||||Spanish|||Romanesque|||||Spain||||||0||||0||||0||||0|Ivory|Relief||||12|||1100|1125||Early 12th century|Early 12th century|||||0||||0|||||Carved whalebone|baleen|||||carving|||||36.5 x 16 cm||3943|London,Victoria and Albert Museum|London: Victoria & Albert||Adoration of the Magi||||||||||Cornell|||MNW|9/12/2003 0:00:00|8/26/2003 0:00:00||||0|||Ivory||||MED/|||ROM||Eng||| ||||||||Work|0|-|||||||||||0|0|Adoration of the Magi| 501.00|0|Creator|08|O-Sconce|1.0|Haunted|||Haunted Media|||||||||Haunted Media|29838|Sconce, Jeffrey||author|Sconce, Jeffrey|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Theory [non-architectural]|Book||||21|||2000|2000||2000|2000|||||0||||0|||||||||||printing|||||||||||||||||||||Cornell||MNW|MNW|8/26/2003 0:00:00|8/26/2003 0:00:00|Sconce|||0|||Haunted||||O||||||1.0||||||||||Work|0|Theory|||||||||||0|0|Haunted Media|Sconce, Jeffrey 502.00|0|Creator|08|O-Krauss|1.0|Beyond|||Beyond Light and Shadow|||||||||Beyond Light and Shadow|29839|Krauss, Rolf H.||author|Krauss, Rolf|0||||0|||||German||||||||Germany||||||0||||0||||0||||0|Theory [non-architectural]|Book||||20|||1995|1995||1995|1995|||||0||||0|||||||||||printing|||||||||||||||||||||Cornell||MNW|MNW|8/26/2003 0:00:00|8/26/2003 0:00:00||||0|||Beyond||||O||||||1.0||||||||||Work|0||||||||||||0|0|Beyond Light and Shadow|Krauss, Rolf H. 503.00|0|Creator|15|35|R452-PA|1919|1||Juanita|Original|Image Source (Book)|||||||Juanita|29841|Reveron, Armando||painter|Reveron, Armando|0||||0|||||Venezuelan||||||||Venezuela||||||0||||0||||0||||0|Paintings|||||20|||1919|1919||1919|1919|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||162 x 98 cm||3290|Private Collection|: Private Coll.||||||||||||Cornell||JNK||8/28/2003 0:00:00|1/6/2006 0:00:00|R452|||0|||||||35|PA||||||1919| ||||||||Work|0||||||||||||0|0|Juanita|Reveron, Armando 504.00|0|Creator|15|35|R452-PA|1929|1||Uveros en la playa|Original|Image Source (Book)|Grapevines at the Beach|Translated|Cataloger||||Uveros en la playa (Grapevines at the Beach)|29841|Reveron, Armando||painter|Reveron, Armando|0||||0|||||Venezuelan||||||||Venezuela||||||0||||0||||0||||0|Paintings|||||20|||1929|1929||1929|1929|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||65 x 81 Cm||9210|Collection Jorge Yebaile|: Coll. Jorge Yebaile||||||||||||Cornell||JNK||9/1/2003 0:00:00|1/6/2006 0:00:00|R452|||0|||||||35|PA||||||1929| ||||||||Work|0||||||||||||0|0|Uveros en la playa;Grapevines at the Beach|Reveron, Armando 509.00|0|Creator|15|35|S6185-PA|1922|1||The Elements||Image Source (Book)|||||||The Elements||||||0||||0|||||Mexican||||||||Mexico||||||0|Mexico City, Mexico|||9989||||0||||0|Paintings|Mural||||20|||1922|1922||1922|1922|||||0||||0||||||encaustic paint|||||mural painting|||||||1688|Mexico City,National Preparatory School|Mexico City: Nat. Prep. Sch.||||||||||||Cornell||MNW|MNW|8/29/2003 0:00:00|8/29/2003 0:00:00||Mex||0|||||||35|PA||||||1922| ||||||||Work|0||||||||||||0|0|The Elements| 510.00|0|Creator|15|35|R612-F|M665f||35 R612-F M665f |Burning of the Judases (Court of Fiestas)||Image Source (Book)|||||||Secretaria de Educacion Publica. Burning of the Judases (Court of Fiestas)|9901|Rivera, Diego||painter|Rivera, Diego|0||||0|||||Mexican||||||||Mexico||||||0|Mexico City, Mexico|||9989||||0||||0|Paintings|Fresco||||20|||1924|1926||1924-1926|1924-1926||Secretaria de Educacion Publica|||298||||0|||||Fresco||||||fresco painting|||||4.25 x 3.82 M||9147|Mexico City,Secretaria de Educacion Publica,Patio de Fiestas|Mexico City: Sec. Educacion; Fiestas||||||||||||Cornell||MNW|MNW|9/4/2006 0:00:00|8/29/2003 0:00:00|R612|Mex||0|||||||35|F||||||1924| ||||||||Work|0|20th Century-|||||||||||0|0|Burning of the Judases (Court of Fiestas)|Rivera, Diego 511.00|0|Site|02|B-C7|Mex|2.41|NatPal 8-1|B-C7 Mex 2.41 NatPal 8-1|History of Mexico|Translated|Image Source (Book)|||||||History of Mexico|9901|Rivera, Diego||painter|Rivera, Diego|0||||0|||||Mexican||||||||Mexico||||||0|Mexico City, Mexico|||9989||||0||||0|Paintings|Fresco||||20|||1929|1935||1929-1931|1929-1931||National Palace|||512||||0|||||Fresco||||||fresco painting|||||9.25 x 21.5 M||9211|Mexico City,National Palace|Mexico City: Nat'l Palace||||||||||||Cornell||MNW|MNW|11/8/2005 0:00:00|8/29/2003 0:00:00||Mex||0|||||||B|||||C7|2.41|| ||||||||Work|0|Architecture-Mexico|On stairway.||||||||||0|0|History of Mexico|Rivera, Diego 512.00|0|Site|02|B-C7|Mex|2.41 NatPal||B-C7 Mex 2.41 NatPal |National Palace|Translated|Image Source (Book)|Palacio Nacional|Original|Image Source (Book)||||National Palace|0|||||0||||0|||||Mexican||||||||Mexico||||||0|Mexico City, Mexico|||9989||||0||||0|Architecture|Government office building||||||||||||||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|1/27/2005 0:00:00|8/29/2003 0:00:00||Mex||0||||||NatPal|B|||||C7|2.41||||||||||Work|0|Architecture-Mexico|||||||||||0|0|National Palace;Palacio Nacional| 513.00|0|Site|02|B-H2|LePuy|3.1 |Cath||Infancy doors||Image Source (Book)|||||||Infancy doors|29844|Gauzfredus||sculptor|Gauzfredus|0||||0|||||French|||Romanesque|||||France||||||0|Le Puy, France|||10014||||0||||0|Sculpture|Relief||||12|||1150|1150|ca|ca. 1150|ca. 1150||St. Michael|||497||||0||||||wood|||||sculpture|||||||||||Massacre of the Innocents, Adoration of the Magi||||||||||Cornell||MNW|MNW|8/29/2003 0:00:00|8/29/2003 0:00:00||LePuy||0|||Cath||||B|||||H2|3.1||||||||||Work|0|Architecture-France|||||||||||0|0|Infancy doors|Gauzfredus 514.00|0|Category|05|N|Baker, Josephine|3|||Josephine Baker wearing the banana skirt||Cataloger|||||||Josephine Baker wearing the banana skirt|0|||||0||||0|||||African American|American|||||Europe||France||||||0||||0||||0||||0|Photographs|Portrait||||20|||1926|1927||1926-1927|1926-1927|||||0||||0|||||||||||photography|||||||3655|Paris,Bibliotheque Nationale|Paris: Bib. Nat.||Baker, Josephine, 1906-1975; Portraits||||||||||Cornell|||MNW|7/16/2004 0:00:00|9/1/2003 0:00:00||||0||||||Baker Josephine|N|||||||| ||||||||Work|0|Portraits-|The banana skirt was first worn in the Folies-Bergère, 1926-1927.||||||||||0|0|Josephine Baker wearing the banana skirt| 515.00|0|Category|05|N|Baker, Josephine|4|||Josephine Baker and Joe Alex in Danse Sauvage,"La Revue Nègre"||Cataloger|||||||Baker & Joe Alex in Danse Sauvage,"La Revue Nègre"|0|||||0||||0|||||African American||||||||France||||||0||||0||||0||||0|Photographs|Portrait||||20||||||||||||0||||0|||||||||||photography|||||||3655|Paris,Bibliotheque Nationale|Paris: Bib. Nat.||Baker, Josephine, 1906-1975; Portraits||||||||||Cornell||MNW|MNW|7/16/2004 0:00:00|9/1/2003 0:00:00||||0||||||Baker Josephine|N|||||||| ||||||||Work|0|Portraits-|||||||||||0|0|Josephine Baker and Joe Alex in Danse Sauvage,"La Revue Nègre"| 516.00|0|Culture|05|N|Baker, Josephine|5|||The Ziegfeld Follies||Image Source (Book)|||||||The Ziegfeld Follies|0|||||0||||0|||||African American||||||||United States||||||0||||0||||0||||0|Photographs|Portrait||||20|||1935|1935||1935|1935|||||0||||0|||||||||||photography|||||||3670|New York,Public Library|New York: NYPL||Baker, Josephine, 1906-1975; Portraits||||||||||Cornell||MNW|MNW|7/16/2004 0:00:00|9/1/2003 0:00:00||||0||||||Baker Josephine|N|||||||| ||||||||Work|0|Portraits-|||||||||||0|0|The Ziegfeld Follies| 517.00|0|Creator|15|35|A485-PA|1923|3||Rio de Janeiro|Original|Image Source (Book)|||||||Rio de Janeiro|352|Tarsila do Amaral||painter|Tarsila do Amaral|0||||0|||||Brazilian|||Modernist|||||Brazil||||||0||||0||||0||||0|Paintings|||||20|||1923|1923||1923|1923|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||33 x 40.8 cm||9212|São Paulo ,Acervo Fundação Cultural Ema Gordon Klabin|São Paulo: Acervo Klabin||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/1/2003 0:00:00|A485|||0|||||||35|PA||||||1923| ||||||||Work|0||||||||||||0|0|Rio de Janeiro|Tarsila do Amaral 518.00|0|Creator|15|35|A485-PA|1923|4||A Negra|Original|Image Source (Book)|||||||A Negra|352|Tarsila do Amaral||painter|Tarsila do Amaral|0||||0|||||Brazilian|||Modernist|||||Brazil||||||0||||0||||0||||0|Paintings|||||20|||1923|1923||1923|1923|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||100 x 80 cm||9123|São Paulo: Universidade de São Paulo; Museu de Arte Contemporânea|São Paulo: Univ.; Mus. de Arte Cont.||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/1/2003 0:00:00|A485|||0|||||||35|PA||||||1923| ||||||||Work|0||||||||||||0|0|A Negra|Tarsila do Amaral 519.00|0|Creator|15|35|A485-PA|1924|3||Morro da Favela|LargerEntity|Image Source (Book)|||||||Morro da Favela|352|Tarsila do Amaral||painter|Tarsila do Amaral|0||||0|||||Brazilian|||Modernist|||||Brazil||||||0||||0||||0||||0|Paintings|||||20|||1924|1924||1924|1924|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||64 x 76 cm||9213|Rio de Janiero,Collection Sergio Fadel|Rio: Coll. Sergio Fadel||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/1/2003 0:00:00|A485|||0|||||||35|PA||||||1924| ||||||||Work|0||||||||||||0|0|Morro da Favela|Tarsila do Amaral 520.00|0|Creator|15|35|A485-PA|1924|4||E.F.C.B.|Original|Image Source (Book)|||||||E.F.C.B.|352|Tarsila do Amaral||painter|Tarsila do Amaral|0||||0|||||Brazilian|||Modernist|||||Brazil||||||0||||0||||0||||0|Paintings|||||20|||1924|1924||1924|1924|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||142 x 127 cm||9123|São Paulo: Universidade de São Paulo; Museu de Arte Contemporânea|São Paulo: Univ.; Mus. de Arte Cont.||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/1/2003 0:00:00|A485|||0|||||||35|PA||||||1924| ||||||||Work|0||||||||||||0|0|E.F.C.B.|Tarsila do Amaral 521.00|0|Creator|15|35|A485-PA|1924|5||A Cuca|LargerEntity|Image Source (Book)|||||||A Cuca|352|Tarsila do Amaral||painter|Tarsila do Amaral|0||||0|||||Brazilian|||Modernist|||||Brazil||||||0||||0||||0||||0|Paintings|||||20|||1924|1924||1924|1924|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||73 x 100 cm||991|Grenoble, Musée de Grenoble|Grenoble: Musée Grenoble||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/1/2003 0:00:00|A485|||0|||||||35|PA||||||1924| ||||||||Work|0||||||||||||0|0|A Cuca|Tarsila do Amaral 522.00|0|Creator|15|35|A485-PA|1925|1||Vendedor de frutas|LargerEntity|Image Source (Book)|Fruit Seller|Translated|Image Source (Book)||||Vendedor de frutas (Fruit Seller)|352|Tarsila do Amaral||painter|Tarsila do Amaral|0||||0|||||Brazilian|||Modernist|||||Brazil||||||0||||0||||0||||0|Paintings|||||20|||1925|1925||1925|1925|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||108.5 x 84.5 cm||9214|Rio de Janeiro,Collection Gilberto Chateaubriand/MAM-RJ|Rio: Coll. Chateaubriand||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/1/2003 0:00:00|A485|||0|||||||35|PA||||||1925| ||||||||Work|0||||||||||||0|0|Vendedor de frutas;Fruit Seller|Tarsila do Amaral 523.00|0|Creator|15|35|A485-PA|1928|1||Urutu|LargerEntity|Image Source (Book)|||||||Urutu|352|Tarsila do Amaral||painter|Tarsila do Amaral|0||||0|||||Brazilian|||Modernist|||||Brazil||||||0||||0||||0||||0|Paintings|||||20|||1928|1928||1928|1928|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||60.5 x 72.5 cm||9214|Rio de Janeiro,Collection Gilberto Chateaubriand/MAM-RJ|Rio: Coll. Chateaubriand||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/1/2003 0:00:00|A485|||0|||||||35|PA||||||1928| ||||||||Work|0||||||||||||0|0|Urutu|Tarsila do Amaral 524.00|0|Creator|15|35|A485-PA|1929|1||Sol poente|LargerEntity|Image Source (Book)|Sunset|Translated|Image Source (Book)||||Sol poente (Sunset)|352|Tarsila do Amaral||painter|Tarsila do Amaral|0||||0|||||Brazilian|||Modernist|||||Brazil||||||0||||0||||0||||0|Paintings|||||20|||1929|1929||1929|1929|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||54 x 65 cm||9201|Rio de Janiero,Collection Jean Boghici|Rio de Janiero:Coll.J. Boghici||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/1/2003 0:00:00|A485|||0|||||||35|PA||||||1929| ||||||||Work|0||||||||||||0|0|Sol poente;Sunset|Tarsila do Amaral 525.00|0|Creator|15|35|A485-TO|1920|1||Portrait of Tarsila do Amaral|Assigned|Cataloger|||||||Portrait of Tarsila do Amaral|352|Tarsila do Amaral||painter|Tarsila do Amaral|0||||0|||||Brazilian|||Modernist|||||Brazil||||||0||||0||||0||||0|Photographs|Portrait||||20|||1922|1922||1922|1922|||||0||||0|||||||||||photography|||||||||||||||||||||Cornell||||9/1/2003 0:00:00|9/1/2003 0:00:00|A485|||0|||||||35|TO||||||1920|||||||||Work|0||||||||||||0|0|Portrait of Tarsila do Amaral|Tarsila do Amaral 526.00|0|Creator|15|35|A485-PA|1928|2||Abaporu|Original|Image Source (Book)|||||||Abaporu|352|Tarsila do Amaral||painter|Tarsila do Amaral|0||||0|||||Brazilian|||Modernist|||||Brazil||||||0||||0||||0||||0|Paintings|||||20|||1928|1928||1928|1928|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||85 x 73 cm||9215|Sao Paulo,Collection Erico Stickel|Sao Paulo: Coll. Erico Stickel||||||||||||Cornell||JNK||9/1/2003 0:00:00|1/6/2006 0:00:00|A485|||0|||||||35|PA||||||1928| ||||||||Work|0||||||||||||0|0|Abaporu|Tarsila do Amaral 527.00|0|Creator|15|35|A485-PA|1929|2||Antropofagia|Original|Image Source (Book)|||||||Antropofagia|352|Tarsila do Amaral||painter|Tarsila do Amaral|0||||0|||||Brazilian|||Modernist|||||Brazil||||||0||||0||||0||||0|Paintings|||||20|||1929|1929||1929|1929|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||126 x 142 cm||9216|Sao Paulo,Collection Paulina e José Nemirovsky|Sao Paulo: Coll. Nemirovsky||||||||||||Cornell||JNK||9/1/2003 0:00:00|1/6/2006 0:00:00|A485|||0|||||||35|PA||||||1929| ||||||||Work|0||||||||||||0|0|Antropofagia|Tarsila do Amaral 528.00|0|Site|02|B-G1|Lon 2.31|Cry|||Crystal Palace|||||||||Great Exhibition. Crystal Palace|8995|Paxton, Joseph, Sir||architect|Sir Joseph Paxton|0||||0|||||English|||Victorian|||||England||||||0||||0|London, England|||10018||||0|Architecture|Exhibit building|Exposition buildings|||19|||1851|1851||1851|1851||Great Exhibition (1851 : London, England)|Larger Context||2949||||0||||||||||||||||||||||Exhibition buildings ; Crystal Palace (London, England) ; Great Exhibition (1851: London, England) ; |Exhibition buildings|Crystal Palace (London, England)|Great Exhibition (1851: London, England)|||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/4/2003 0:00:00|||Lon|0|||||||B|||||G1|2.31|1851|||||||||Work|0||Built in 1851, moved in 1852, and burnt in 1936.|||Moved in 1852, Burned in 1936|||||||0|0|Crystal Palace|Paxton, Joseph, Sir 529.00|0|Architect|03|MA-Gaudi|3.1|1883-1926|Sag|MA-Gaudi 3.1 1883-1926 Sag|Templo Expiatorio de la Sagrada Familia|Preferred|Dict.Art|Sagrada Familia|Popular|Dict.Art||||Sagrada Familia|4342|Gaudí, Antoni||architect|Antoni Gaudí|0||||0|||||Spanish|Catalan|||||||Spain||||||0|Barcelona, Spain|||10019||||0||||0|Architecture|Churches||||20|||1883|1926||1883-1926|1883-1926|||||0||||0||||||||||||||||||||||Cathedrals ; |Cathedrals|||||||||Cornell||ECS|MNW|11/14/2006 0:00:00|9/4/2003 0:00:00||Bar||0||||||Sag|MA||||||3.1|1883-1926|||||||||Work|0||Uncompleted at Gaudi's death in 1926. The towers have been finished by associates, ca. 1930. (DOA)||||||||||0|0|Templo Expiatorio de la Sagrada Familia;Sagrada Familia|Gaudí, Antoni 530.00|0|Architect|03|MA-Gaudi|7.5|1905-10|Mil|MA-Gaudi 7.5 1906-10 Mil|Casa Milà|Preferred|Dict.Art|La pedrera (The quarry)|Variant|Dict.Art||||Casa Milà (La pedrera)|4342|Gaudí, Antoni||architect|Antoni Gaudí|0||||0|||||Spanish|Catalan||Art Nouveau|||||Spain||||||0|Barcelona, Spain|||10019||||0||||0|Architecture|Apartment house||||20|||1906|1910||1906-1910|1906-1910|||||0||||0||||||||||||||||||||||Apartment houses||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/4/2003 0:00:00||Bar||0||||||Mil|MA||||||7.5|1906-1910|||||||||Work|0||In the Passeig de Gracia, Barcelona.||||||||||0|0|Casa Milà;La pedrera (The quarry)|Gaudí, Antoni 531.00|0|Site|02|B-C7|Chi|3.4|Cas||El Castillo|||The Castle||||||El Castillo (The Castle)|0|||||0||||0|||||Mayan||||||||Mexico||||||0|Chichén Itzá, Mexico|||10020||||0||||0|archtecture|Temple||||8-11th|||675|1075|ca|ca.700-1050|700-1050|||||0||||0||||||||||||||||||||||Temples||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/4/2003 0:00:00||Chic||0|||||||B|||||C7|3.4||||||||||Work|0||||||||||||0|0|El Castillo;The Castle| 532.00|0|Site|02|B-C7|Mex|3.4|Ten||Great Temple of Tenochtitlán|||||||||Great Temple of Tenochtitlán|0|||||0||||0|||||Aztec||||||||Mexico||||||0|Mexico City, Mexico|||9989||||0||||0|Architecture|Temple||||14|||1325|||1325 ff|1325 ff|||||0||||0||||||||||||||||||||||Temples||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/4/2003 0:00:00||Mex||0|||||||B|||||C7|3.4||||||||||Work|0||||||||||||0|0|Great Temple of Tenochtitlán| 533.00|0|Site|02|B-H3|Rom|1.1|Pir/VedR|B-H3 Rom 1.1 Pir/VedR|Vedute di Roma|Series|Print Publication|||||||Vedute di Roma|9255|Piranesi, Giovanni Battista||etcher|Giovanni Battista Piranesi|0||||0|||||Italian|||Neoclassical|||||Italy||||||0||||0||||0||||0|Prints|Architectural drawing|Etching|||18|||1744|1792||1744-1792|1744-1792|||||0||||0|Hind, A. M. Giovanni Battista Piranesi: a Critical Study, 1922||||||||||etching (printing process)|||||||||||Rome, Italy ; Ruins ; Buildings ; Temples ; Churches ; Palaces ; Landscapes ; Triumphal arches ; Gates|Rome, Italy|Ruins|Buildings|Temples|Churches|Palaces|Landscapes|Triumphal arches|Gates|Cornell||ECS|GB|11/13/2006 0:00:00|9/4/2003 0:00:00||Rom||0||||||Pir/VedR|B|||||H3|1.1||||||||||Work|0|Architecture-Italy|The numbers following the title refer to the 2 volume 1792 edition of Vedute di Roma (volume number, followed by plate number). The Hind numbers for each work are found in the citation field. English titles are Hind's 1922 translations.|||1744 = first publication; 1792 = posthumous publication of complete Vedute di Roma.|||||||0|0|Vedute di Roma|Piranesi, Giovanni Battista 534.00|0|Site|02|B-L8|Ist|3.4|Ahm||Mosque of Ahmet I|||Blue Mosque||||||Mosque of Ahmet I (Blue Mosque)|218|Aga, Mehmet||architect|Aga, Mehmet|0||||0|||||Islamic||||||||Turkey||||||0|Istanbul, Turkey|||10021||||0||||0|Architecture|Mosque||||17|||1616|1616||1616|1616|||||0||||0||||||||||||||||||||||||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/4/2003 0:00:00||Ist||0|||||||||||||||||||||||Work|0||||||||||||0|0|Mosque of Ahmet I;Blue Mosque|Aga, Mehmet 535.00|0|Site|02|B-Q5|Agra|3.3 Taj/Maus||B-Q5 Agra 3.3 Taj/Maus |Mausoleum|Descriptive||||||||Taj Mahal. Mausoleum|0|||||0||||0|||||Islamic|||Mughal|||Asia||India||||||0|Agra, India|||10022||||0||||0|Architecture|Mausoleum|Tomb|||17|||1625|1675|ca|mid 17th century|ca 1625-1675||Taj Mahal|Larger entity||689||||0|||||White marble|marble||||||||||57 x 57 m||||||Mausoleums ; Tombs ; |Mausoleums|Tombs||||||||Cornell||ECS|MNW|9/19/2006 0:00:00|9/4/2003 0:00:00||Agra||0||||||Taj/Maus|B|||||Q5|3.3||||||||||Work|0|Architecture-India|Built for Mumtaz Mahal. Based on the Charbagh plan; constructed wholly of white marble; extensive decorative inlay of semiprecious stones. Built by Shah Jahan. MacDougall.|||Probably 1631-1648.|||||||0|0|Mausoleum| 536.00|0|Site|02|B-H3|Flo|3.1|SSpi||Santo Spirito|Assigned|Blue Guide|||||||Santo Spirito|1698|Brunelleschi, Filippo||architect|Brunelleschi, Filippo|0||||0|||||Italian|||Renaissance|||||Italy||||||0|Florence, Italy|||9985||||0||||0|Architecture|Church||||15|||1434|1481||1434-1481|1434-1481|||||0||||0||||||||||||||||||||||Churches ; |Churches|||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/4/2003 0:00:00||Flo||0|||||||B|||||H3|3.1||||||||||Work|0|||||Dates: 1434-1435 (design); begun 1444.|||||||0|0|Santo Spirito|Brunelleschi, Filippo 537.00|0|Site|02|B-L1|Isf|3.4|MasShah|B-L1 Isf 3.4 MasShah|Shah Mosque|Translated|Dict.Art|Masjid-i shah|Original|Dict.Art||||Shah Mosque|0|||||0||||0|||||Islamic||||||||Iran||||||0|Isfahan, Iran|||10023||||0||||0|Architecture|Mosque||||18|||1706|1715||1706-1715|1706-1715|||||0||||0||||||||||||||||||||||Mosques ; |Mosques|||||||||Cornell||ECS|MNW|8/28/2006 0:00:00|9/4/2003 0:00:00||Isf||0|||||||B|||||L1|3.4||||||||||Work|0||This monumental mosque was begun in 1611 by ?Abbas I and finished c. 1630 by his successor, Safi (reg 1629–42). DOA||||||||||0|0|Shah Mosque;Masjid-i shah| 538.00|0|Site|02|B-H3|Rom|3.1|SMMag||Santa Maria Maggiore|||||||||Santa Maria Maggiore|9596|Rainaldi, Carlo||architect|Carlo Rainaldi & Ferdinando Fuga|4203|Fuga, Ferdinando||architect|0|||||Italian|||Baroque|||||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Church||||17|||1670|1673||1670-1673|1670-1673|||||0||||0||||||||||||||||||||||Churches; Santa Maria Maggiore, Rome, Italy||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/5/2003 0:00:00||Rome||0|||||||B|||||H3|3.1||||||||||Work|0|||||Ferdinando Fuga's work on the Façade took place 1741-1743|||||||0|0|Santa Maria Maggiore|Rainaldi, Carlo;Fuga, Ferdinando 539.00|0|Site|02|B-H3|Rom|3.1|SSab||Santa Sabina|||||||||Santa Sabina|0|||||0||||0|||||Italian|||Romanesque|||||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Church||||5|||400|450|ca|ca.425|425|||||0||||0||||||||||||||||||||||Churches||||||||||Cornell||ECS|ECS|9/5/2003 0:00:00|9/5/2003 0:00:00||Rome||0|||||||B|||||H3|3.1||||||||||Work|0||||||||||||0|0|Santa Sabina| 540.00|0|Site|02|B-Q10|Moh|2.33|Bath||Great Bath|||||||||Great Bath|0|||||0||||0|||||Indian|||Indus Valley:Mohenjo-daro|||||Pakistan||||||0|Mohenjo-Daro, Pakistan|||10025||||0||||0|Architecture|baths|||BCE||||2400|2600|ca|ca. 2500 BCE|2500|||||0||||0||||||||||||||||||||||Baths||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/5/2003 0:00:00||Moh||0|||||||||||||||||||||||Work|0||||||||||||0|0|Great Bath| 541.00|0|Site|02|B-Q5|Jai|1.04|||Jaipur, India|||||||||Jaipur, India|0|||||0||||0|||||Indian||||||||India||||||0||||||||0||||0|City Plans and Views|||||18|||1727|||Founded 1727|Founded 1727|||||0||||0||||||||||||||||||||||Cities||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/5/2003 0:00:00||||0|||||||B|||||Q5|1.04||||||||||Work|0||||||||||||0|0|Jaipur, India| 542.00|0|Site|02|B-H3|Ven|1.31|SMar|B-H3 Ven 1.31 SMar|Piazza San Marco|||||||||Piazza San Marco|0|||||0||||0|||||Italian||||||Europe||Italy||||||0|Venice, Italy|||10017||||0||||0|Architecture|Plaza||||||||||||||||0||||0||||||||||||||||||||||Piazza San Marco, Piazza San Marco, Venice, Italy, Piazzas, Squares||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/5/2003 0:00:00||||0|||||||B|||||H3|1.31||||||||||Work|0||||||||||||0|0|Piazza San Marco| 598.00|0|||35|P381-PA|1943|2||Fishes|Translated|Image Source (Book)|Peces|Original|Image Source (Book)||||Fishes (Peces)|29847|Peláez, Amelia||painter|Peláez, Amelia|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Paintings|||||1943|||1943|1943||1943|1943|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||115.5 x 89.2 cm||3384|New York,Museum of Modern Art|New York: MoMA||Fish||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/10/2003 0:00:00|P381|||0|||||||35|PA||||||1943| |||||||||0||||||||||||0|0|Fishes;Peces|Peláez, Amelia 599.00|0|||35|P381-PA|1945|1||Still Life|Translated|Image Source (Book)|Naturaleza Muerta|Original|Image Source (Book)|||||29847|Peláez, Amelia||painter|Peláez, Amelia|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Paintings|Still life|||||||1945|1945||1945|1945|||||0||||0|||||Gouache on paper.|gouache|paper||||painting (image-making)|||||96.5 x 68.8 cm||9222|Miami,Private Collection|Miami: Priv. Coll.||||||||||||Cornell||MNW|ECS|9/11/2003 0:00:00|9/10/2003 0:00:00|P381|||0|||||||35|PA||||||1945| |||||||||0||||||||||||0|0|Still Life;Naturaleza Muerta|Peláez, Amelia 600.00|0|Creator|15|35|C3185-PA|1975|1|35 C3185-PA 1975 1|Grandmother Moorhead's Aromatic Kitchen|Original|Image Source (Book)|||||||Grandmother Moorhead's Aromatic Kitchen|29848|Carrington, Leonora||painter|Carrington, Leonora|0||||0|||||British|Mexican|||||||Mexico|England|||||0||||0||||0||||0|Paintings|||||20|||1975|1975||1975|1975|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||78.7 x 124.5 cm||9223|Ardmore, OK, Goddard Center|Ardmore, OK: Goddard Ctr.||Ghosts||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/10/2003 0:00:00|C3185|||0|||||||35|PA||||||1975| ||||||||Work|0||||||||||||0|0|Grandmother Moorhead's Aromatic Kitchen|Carrington, Leonora 601.00|0|Creator|15|35|C3185-PA|1947|1|35 C3185-PA 1947 1|Night Nursery Everything|Original|Image Source (Book)|||||||Night Nursery Everything|29848|Carrington, Leonora||painter|Carrington, Leonora|0||||0|||||British||||||||Mexico||||||0||||0||||0||||0|Paintings||||||||1947|1947||1947|1947|||||0||||0|||||Oil on masonite|oil paint|Masonite||||painting (image-making)|||||59 x 80 cm||3290|Private Collection|: Private Coll.||Ghosts||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/11/2003 0:00:00|C3185|||0|||||||35|PA||||||1947| ||||||||Work|0||||||||||||0|0|Night Nursery Everything|Carrington, Leonora 602.00|0|Creator|15|35|C3185-PA|1963|1|35 C3185-PA 1963 1|El mundo mágico de los Mayas|Original|Image Source (Book)|||||||El mundo mágico de los Mayas|29848|Carrington, Leonora||painter|Carrington, Leonora|0||||0|||||British||||||||Mexico||||||0||||0||||0||||0|Paintings|Mural||||20|||1963|1963||1963|1963|||||0||||0|||||Casein on panel|casein paint|panel||||mural painting|||||213.4 x 457.2 cm||3019|Tuxtla Gutierrez,Museo Regional de Chiapas|Tuxtla: Mus. Reg. Chiapas||Ghosts||||||||||Cornell||MNW|MNW|3/16/2004 0:00:00|9/11/2003 0:00:00|C3185|||0|||||||35|PA||||||1963| ||||||||Work|0||||||||||||0|0|El mundo mágico de los Mayas|Carrington, Leonora 603.00|0|Creator|15|35|C3185-PA|1987|1|35 C3185-PA 1987 1|Adelita Escapes|Original|Image Source (Book)|||||||Adelita Escapes|29848|Carrington, Leonora||painter|Carrington, Leonora|0||||0|||||British||||||||Mexico||||||0||||0||||0||||0|Paintings|||||20|||1987|1987||1987|1987|||||0||||0|||||Acrylic on canvas|acrylic|canvas||||painting (image-making)|||||74.9 x 59.7 cm||9225|Mexico: Collection Cesar A. Montemayor Zambrano|Mexico: Coll. Cesar Montemayor||Ghosts||||||||||Cornell||MNW|MNW|3/16/2004 0:00:00|9/11/2003 0:00:00|C3185|||0|||||||35|PA||||||1987| ||||||||Work|0||||||||||||0|0|Adelita Escapes|Carrington, Leonora 604.00|0|Creator|15|H-75|13|Schmidt|||Staatliches Bauhaus Austellung|||||||||Staatliches Bauhaus Austellung|10543|Schmidt, Joost||printmaker|Schmidt, Joost|0||||0|||||German|||Modernist|||Europe||Germany||||||0||||0||||0||||0|Posters|Lithograph||||20|||1923|1923||1923|1923|||||0||||0|||||||||||lithography|||||||||||||||||||||Cornell||ECS|ECS|9/11/2003 0:00:00|9/11/2003 0:00:00||||0|||||||H||||||||||||||||Work|0||Poster lithograph for the Staatliches Bauhaus Ausstellung Weimar||||||||||0|0|Staatliches Bauhaus Austellung|Schmidt, Joost 605.00|0|Architect|02|MA-Gropius|4.2|1925|Bau|MA-Gropius 4.2 1925 Bau|Bauhaus|Descriptive|Dict.Art|Staatliches Bauhaus, Weimar|Variant|Dict.Art||||Bauhaus|4839|Gropius, Walter Adolf||architect|Walter Adolf Gropius|0||||0|||||German|||Modernist|||||Germany||||||0|Dessau, Germany|||10047||||0||||0|Architecture|University|School|||20|||1919|1925||1919-1925|1919-1925|||||0||||0||||||||||||||||||||||Schools ; Universities ; |Schools|Universities||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/11/2003 0:00:00||Des||0|||||||MA||||||4.2|1925|||||||||Work|0||||||||||||0|0|Bauhaus;Staatliches Bauhaus, Weimar|Gropius, Walter Adolf 606.00|0|Creator|15|35|C3185-TO|1942|1|35 C3185-TO 1942 1|Group portrait with Leonora Carrington|Assigned|Cataloger|||||||Group portrait with Leonora Carrington|29848|Carrington, Leonora||painter|Carrington, Leonora|0||||0|||||British||||||||Mexico||||||0||||0||||0||||0|Photographs|||||20|||1947|1947||1947|1947|||||0||||0|||||||||||photography|||||||||||Hayter, Stanley Williiam, 1901-1988, Carrington, Leonora, 1917-, Kiesler, Frederick, 189--1965, Seligmann, Kurt, 1900-1962, Ernst, Jimmy, 1920-1984, Ernst, Max, 1891-1976, Ozenfant, Amédée. 1886-1966, Breton, André, Léger, Ferdinand, 1881-1955, Abbeys, Abbott, Berenice, 1898-1991, Guggenheim, Peggy, Ferren, John, 1905-1970, Duchamp, Marcel, 1872-1944, Mondrian, Piet, 1872-1944||||||||||Cornell||MNW|MNW|3/16/2004 0:00:00|9/11/2003 0:00:00|C3185|||0|||||||35|TO||||||1942| ||||||||Work|0||Front row (L to R): Hayter, Carrington, Kiesler, Segligmann. Second row (L to R): Max Ernst, Ozenfant, Breton, Leger, Abbott. Third row (L to R); Jimmy Ernst, Guggenheim, Ferren, Duchamp, Mondrian. New York, 1942||||||||||0|0|Group portrait with Leonora Carrington|Carrington, Leonora 607.00|0|Creator|15|35|C3185-PA|1987|2|35 C3185-PA 1987 2|Portrait of Madame Dupin|Original|Image Source (Book)|||||||Portrait of Madame Dupin|29848|Carrington, Leonora||painter|Carrington, Leonora|0||||0|||||British||||||||Mexico||||||0||||0||||0||||0|Paintings|||||20|||1947|1947||1947|1947|||||0||||0|||||oil on panel|oil paint|panel||||painting (image-making)|||||44.5 x 15.2 cm||9226|Collection of Gertrud and Harold Parker|: Coll. Gertrud & Harld Parker||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/11/2003 0:00:00|C3185|||0|||||||35|PA||||||1947| ||||||||Work|0||||||||||||0|0|Portrait of Madame Dupin|Carrington, Leonora 608.00|0|Creator|15|35|I995-PA|1928|1||Retrato de Bélen (mi hermana Bélem)|Original|Image Source (Book)|Portrait of Bélen (My Sister Bélem)|Translated|Image Source (Book)||||Retrato de Bélen (Portrait of Bélen)|29849|Izquierdo, María||painter|Izquierdo, María|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Paintings|Portrait||||20|||1928|1928||1928|1928|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||152 x 94 cm||9227|Mexico City: Collection Andrés Blaisten|Mexico City: Coll. A. Blaisten||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/11/2003 0:00:00|I995|||0|||||||35|PA||||||1928| ||||||||Work|0||||||||||||0|0|Retrato de Bélen (mi hermana Bélem);Portrait of Bélen (My Sister Bélem)|Izquierdo, María 609.00|0|Creator|15|35|I995-PA|1939|1||Perros equilibristas|Original|Image Source (Book)|Balancing Dogs|Translated|Image Source (Book)||||Perros equilibristas (Balancing Dogs)|29849|Izquierdo, María||painter|Izquierdo, María|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Paintings|||||20|||1939|1939||1939|1939|||||0||||0|||||Gouache on paper|gouache|paper||||painting (image-making)|||||41.3 x 49.5 cm||9228|Santa Fe, Collection Marilyn Maxwell|Santa Fe: Coll. M. Maxwell||Dogs, Circuses (performances)||||||||||Cornell||MNW|MNW|9/11/2003 0:00:00|9/11/2003 0:00:00|I995|||0|||||||35|PA||||||1939| ||||||||Work|0||||||||||||0|0|Perros equilibristas;Balancing Dogs|Izquierdo, María 610.00|0|Creator|15|35|I995-PA|1939|2||El Circo|Original|Image Source (Book)|The Circus|Translated|Image Source (Book)||||El Circo (The Circus)|29849|Izquierdo, María||painter|Izquierdo, María|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Paintings|||||20|||1939|1939||1939|1939|||||0||||0|||||Gouache on paper|gouache|paper||||painting (image-making)|||||40 x 49 cm||9229|Mexico,Banco Nacional de Mexico|Mexico: Banco Nacional de Mexico||Circuses (performances)||||||||||Cornell||MNW|MNW|9/11/2003 0:00:00|9/11/2003 0:00:00|I995|||0|||||||35|PA||||||1939| ||||||||Work|0||||||||||||0|0|El Circo;The Circus|Izquierdo, María 611.00|0|Creator|15|35|I995-PA|1938|1||La raqueta|Original|Image Source (Book)|The Raquet|Translated|Image Source (Book)||||La raqueta (The Raquet)|29849|Izquierdo, María||painter|Izquierdo, María|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Paintings|||||20|||1938|1938||1938|1938|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||70 x 50 cm||9227|Mexico City,Collection Andrés Blaisten|Mexico City: Coll. A. Blaisten||Masks||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/11/2003 0:00:00|I995|||0|||||||35|PA||||||1938| ||||||||Work|0||||||||||||0|0|La raqueta;The Raquet|Izquierdo, María 612.00|0|Creator|15|35|I995-PA|1943|1||El velo de novia|Original|Image Source (Book)|The Bridal Veil|Translated|Image Source (Book)||||El velo de novia (The Bridal Veil)|29849|Izquierdo, María||painter|Izquierdo, María|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Paintings|||||20|||1943|1943||1943|1943|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||67 x 97 cm||3290|Private Collection|: Private Coll.||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/11/2003 0:00:00|I995|||0|||||||35|PA||||||1943| ||||||||Work|0||||||||||||0|0|El velo de novia;The Bridal Veil|Izquierdo, María 613.00|0|Creator|15|35|I995-PA|1943|2||El gato sabio|Original|Image Source (Book)|The Wise Cat|Translated|Image Source (Book)||||El gato sabio (The Wise Cat)|29849|Izquierdo, María||painter|Izquierdo, María|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Paintings|||||20|||1943|1943||1943|1943|||||0||||0|||||Oil on masonite|oil paint|Masonite||||painting (image-making)|||||65 x 95 cm||3290|Private Collection|: Private Coll.||Cats, Fruit||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/11/2003 0:00:00|I995|||0|||||||35|PA||||||1943| ||||||||Work|0||||||||||||0|0|El gato sabio;The Wise Cat|Izquierdo, María 614.00|0|Architect|02|MA-LeCorb|2.41|1952-65|Chan/Cap|MA-LeCorb 2.41 1952-65 Chan/Cap|Capitol Complex||Macmillan|||||||Capitol Complex|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||Swiss|||International Style|||||India||||||0|Chandigarh, India|||10048||||0||||0|Architecture|Government office building||||20|||1952|1965||1952-1965|1952-1965|||||0||||0||||||||||||||||||||||Planned unit developments ; Government office buildings ; |Planned unit developments|Government office buildings||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/11/2003 0:00:00|L467|Chan||0||||||Chan/Cap|MA||||||2.41||||||||||Work|0|Architecture|||||||||||0|0|Capitol Complex|Le Corbusier 615.00|0|Creator|15|35|I995-PA|1940|1||Mis Sobrinas|Original|Image Source (Book)|My Nieces|Translated|Image Source (Book)||||Mis Sobrinas (My Nieces)|29849|Izquierdo, María||painter|Izquierdo, María|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Paintings|||||20|||1940|1940||1940|1940|||||0||||0|||||Oil on plywood|oil paint|plywood||||painting (image-making)|||||140 x 100 cm||1683|Mexico City,Museo Nacional de Artes e Industrias Populares|Mexico City: Mus. Nac. Artes & Ind.||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/11/2003 0:00:00|I995|||0|||||||35|PA||||||1940| ||||||||Work|0|Painting|||||||||||0|0|Mis Sobrinas;My Nieces|Izquierdo, María 616.00|0|Creator|15|35|I995-PA|1947|1||Autorretrato|Original|Image Source (Book)|Self-Portrait|Translated|Image Source (Book)||||Autorretrato (Self-Portrait)|29849|Izquierdo, María||painter|Izquierdo, María|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Paintings|Self portrait||||20|||1947|1947||1947|1947|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||92 x 73 cm||9230|Mexico,Collection Club de Industriales|Mexico: Coll. Club Industriales||Izquierdo, María, 1902-1955 ; |Izquierdo, María, 1902-1955|||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/11/2003 0:00:00|I995|||0|||||||35|PA||||||1947| ||||||||Work|0|Painting|||||||||||0|0|Autorretrato;Self-Portrait|Izquierdo, María 617.00|0|Architect|02|MA-LeCorb|2.41|1952-65|Ch/HC||High Court||Macmillan|||||||Capitol Complex. High Court|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||Swiss|||International Style|||||India||||||0|Chandigarh, India|||10048||||0||||0|Architecture|Government office building|Courts|||20|||1952|1965||1952-1965|1952-1965||Capitol Complex|Larger entity||614||||0||||||||||||||||||||||Courts (judicial bodies) ; |Courts (judicial bodies)|||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/11/2003 0:00:00||Chan||0||||||Ch/HC|MA||||||2.41|1952-65|||||||||Work|0|Architecture|||||||||||0|0|High Court|Le Corbusier 618.00|0|Creator|15|35|I995-PA|1943|3||Autorretrato ?|Original|Image Source (Book)|Self-Portrait ?|Translated|Image Source (Book)||||Autorretrato (Self-Portrait) ?|29849|Izquierdo, María||painter|Izquierdo, María|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Paintings|Self portrait||||20|||1943|1943||1943|1943|||||0||||0|||||Oil on masonite|oil paint|Masonite||||painting (image-making)|||||49.5 x 55.8 cm||9231|Mexico, Collection Pascal Guitérrez Roldán|Mexico: Coll. Guitérrez Roldán||Izquierdo, María, 1902-1955 ; |Izquierdo, María, 1902-1955|||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/11/2003 0:00:00|I995|||0|||||||35|PA||||||1943| ||||||||Work|0|Painting|||||||||||0|0|Autorretrato ?;Self-Portrait ?|Izquierdo, María 543.00|0|Site|02|B-H3|Ven|1.31|SMar-Ca|B-H3 Ven 1.31 SMar-Ca|Basilica of San Marco|||Saint Mark's Cathedral||||||Piazza San Marco. Basilica of San Marco|0|||||0||||0|||||Italian|||Gothic (Medieval)|||Europe||Italy||||||0|Venice, Italy|||10017||||0||||0|Architecture|Church|Cathedral|Basilica||11|||1063|||1063-1100's|1063-1100's||Piazza San Marco|Larger Entity||542||||0||||||||||||||||||||||Churches, Cathedrals, Basilica of San Marco, Basilica of San Marco, Venice, Italy, Basilicas||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/5/2003 0:00:00||||0|||||||B|||||H3|1.31||||||||||Work|0||||||||||||0|0|Basilica of San Marco;Saint Mark's Cathedral| 544.00|0|Site|02|B-H3|Rom|3.1|SCos||Santa Costanza|||||||||Santa Costanza|0|||||0||||0|||||Roman||||||||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Church|Mausoleum|||4|||300|375|bef|Before 354; converted to chuch in 1256|354; converted to chuch in 1256|||||0||||0||||||||||||||||||||||Churches, Mausoleums||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/5/2003 0:00:00||Rome||0|||||||B|||||H3|3.1||||||||||Work|0||||||||||||0|0|Santa Costanza| 545.00|0|Site|02|B-Q5|Aja|3.4|Cave||Cave Temples|||||||||Cave Temples|0|||||0||||0|||||Indian|||Vakataka dynasty|||||India||||||0|Ajanta, India|||10026||||0||||0|Architecture|Cave architecture|Temple|||-3|8||-200|800||200BCE-800 CE|200 BCE-800 CE|||||0||||0||||||||||||||||||||||Caves, Temples||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/8/2003 0:00:00||Aja||0|||||||B|||||Q5|3.4||||||||||Work|0||||||||||||0|0|Cave Temples| 546.00|0|Site|02|B-Q5|Aja|3.4|Cav1||Cave 1|||||||||Cave 1|0|||||0||||0|||||Indian|||Vakataka dynasty|||||India||||||0|Ajanta, India|||10026||||0||||0|Architecture|Cave architecture|Temple||||||-225|625||200 BCE-600 CE|200 BCE-600 CE||Cave Temples|||545||||0||||||||||||||||||||||Caves, Temples||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/8/2003 0:00:00||Aja||0|||||||B|||||Q5|3.4||||||||||Work|0||||||||||||0|0|Cave 1| 547.00|0|Site|02|B-Q5|Aja|3.4|Cav2||Cave 2|||||||||Cave 2|0|||||0||||0|||||Indian|||Vakataka dynasty|||||India||||||0|Ajanta, India|||10026||||0||||0|Architecture|Cave architecture|Temple||||||-225|625||200 BCE-600 CE|200 BCE-600 CE||Cave Temples|||545||||0||||||||||||||||||||||Caves, Temples||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/8/2003 0:00:00||Aja||0|||||||B|||||Q5|3.4||||||||||Work|0||||||||||||0|0|Cave 2| 548.00|0|Site|02|B-Q5|Aja|3.4|Cav19||Cave 19|||||||||Cave 19|0|||||0||||0|||||Indian|||Vakataka dynasty|||||India||||||0|Ajanta, India|||10026||||0||||0|Architecture|Cave architecture|Temple||||||-225|625||200 BCE-600 CE|200 BCE-600 CE||Cave Temples|||545||||0||||||||||||||||||||||Caves, Temples||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/8/2003 0:00:00||Aja||0|||||||B|||||Q5|3.4||||||||||Work|0||||||||||||0|0|Cave 19| 549.00|0|Site|02|B-Q5|Aja|3.4|Cav17||Cave 17|||||||||Cave 17|0|||||0||||0|||||Indian|||Vakataka dynasty|||||India||||||0|Ajanta, India|||10026||||0||||0|Architecture|Cave architecture|Temple||||||-225|625||200 BCE-600 CE|200 BCE-600 CE||Cave Temples|||545||||0||||||||||||||||||||||Caves, Temples||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/8/2003 0:00:00||Aja||0|||||||B|||||Q5|3.4||||||||||Work|0||||||||||||0|0|Cave 17| 550.00|0|Site|02|B-Q5|Aja|3.4|Cav6||Cave 6|||||||||Cave 6|0|||||0||||0|||||Indian|||Vakataka dynasty|||||India||||||0|Ajanta, India|||10026||||0||||0|Architecture|Cave architecture|Temple||||||-225|625||200 BCE-600 CE|200 BCE-600 CE||Cave Temples|||545||||0||||||||||||||||||||||Caves, Temples||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/8/2003 0:00:00||Aja||0|||||||B|||||Q5|3.4||||||||||Work|0||||||||||||0|0|Cave 6| 551.00|0|Site|02|B-Q5|Aja|3.4|Cav10||Cave 10|||||||||Cave 10|0|||||0||||0|||||Hindu|||Vakataka dynasty|||||India||||||0|Ajanta, India|||10026||||0||||0|Architecture|Cave architecture|Temple||||||-225|625||200 BCE-600 CE|200 BCE-600 CE||Cave Temples|||545||||0||||||||||||||||||||||Caves, Temples||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/8/2003 0:00:00||Aja||0|||||||B|||||Q5|3.4||||||||||Work|0||||||||||||0|0|Cave 10| 552.00|0|Site|02|B-Q14|Ang|3.4 |AngW|B-Q14 Ang 3.4 AngW|Angkor Wat|Preferred|LC NAF|Angkor Vat|Variant|Dict.Art||||Angkor. Angkor Wat|0|||||0||||0|||||Cambodian|Angkorean||Classical Angkor|||||Cambodia||||||0|Angkor, Cambodia|||10027||||0||||0|Architecture|Temple||||12|||1100|1150||1st Half of 12th Century|1100-1150||Angkor|||8350||||0||||||||||||||||||||||||||||||||Cornell||ECS|GB|12/1/2006 0:00:00|9/8/2003 0:00:00||AngW||0|||||||B|||||Q14|3.4||||||||||Work|0|Architecture-Cambodia|Largest of all the monuments of Angkor, it is dedicated to the worship of Vishnu, 1 of the 3 principal gods of Hinduism (Source: Grove Dict. Art).||||||||||0|0|Angkor Wat;Angkor Vat| 553.00|0|Site|02|B-M2|Deir|3.4|Hatshep|B-M2 Deir 3.4 Hatshep|Mortuary Temple of Queen Hatshepsut|||||||||Mortuary Temple of Queen Hatshepsut|0|||||0||||0|||||Egyptian|||New Kingdom|||||Egypt||||||0|Dayr al-Bahri, Egypt|||10028||||0||||0|Architecture|Temple|||BCE||||2009|1997|ca|ca. 2009-1997 BCE|ca -2009 - -1997|||||0||||0||||||||||||||||||||||Temples ; |Temples|||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/8/2003 0:00:00||Deir||0|||||||B|||||M2|3.4||||||||||Work|0||||||||||||0|0|Mortuary Temple of Queen Hatshepsut| 554.00|0|Site|02|B-Q5|Mam|3.4|Sho||Shore Temple|||||||||Shore Temple|0|||||0||||0|||||Hindu|||Pallavan|||||India||||||0|Mamallapuram, India|||10029||||0||||0|Architecture|Temple||||8|||700|728||700-728|700-728|||||0||||0||||||||||||||||||||||Temples||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/8/2003 0:00:00||Mam||0|||||||B|||||Q5|3.4||||||||||Work|0||||||||||||0|0|Shore Temple| 555.00|0|Site|02|B-Q5|Sar|3.2|Jag||Jagat Singh Stupa|||||||||Jagat Singh Stupa|0|||||0||||0|||||Indian|||Gupta|||||India||||||0|Sarnath, India|||10030||||0||||0|Architecture|Stupa||||5-6|||375|625|ca|ca. 5th-6th Century|5th-6th Century|||||0||||0||||||||||||||||||||||Temples, Stupas||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/8/2003 0:00:00||Sar||0|||||||B|||||Q5|3.2||||||||||Work|0||||||||||||0|0|Jagat Singh Stupa| 556.00|0|Site|02|B-Q5|Sar|3.4|Dha||Dhamekh Stupa|||||||||Dhamekh Stupa|0|||||0||||0|||||Indian|||Gupta|||||India||||||0|Sarnath, India|||10030||||0||||0|Architecture|Stupa||||5-6|||375|625|ca|ca. 5th-6th Century|5th-6th Century|||||0||||0||||||||||||||||||||||Stupas, Temples||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/8/2003 0:00:00||Sar||0|||||||B|||||Q5|3.4||||||||||Work|0||||||||||||0|0|Dhamekh Stupa| 557.00|0|Site|02|B-Q5|Kon|3.4|Sur||Surya Temple|||||||||Surya Temple|0|||||0||||0|||||Indian|||Ganga Dynasty|||||India||||||0|Konarak, India|||10031||||0||||0|Architecture|Temple||||13|||1253|1303|ca|ca.1278|1278|||||0||||0||||||||||||||||||||||Temples||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/8/2003 0:00:00||Kon||0|||||||B|||||Q5|3.4||||||||||Work|0||||||||||||0|0|Surya Temple| 558.00|0|Site|02|B-Q5|Madu|3.4|Meen||Meenakshi Sundareswara Temple|||Minakshi Temple||||||Meenakshi (Minakshi) Sundareswara Temple|0|||||0||||0|||||Hindu|||Nayak Dynasty|||||India||||||0|Madurai, India|||10032||||0||||0|Architecture|Temple||||14-18|||1336|1736||1336-1736|1336-1736|||||0||||0||||||||||||||||||||||Temples||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/8/2003 0:00:00||Mad||0|||||||B|||||Q5|3.4||||||||||Work|0||||||||||||0|0|Meenakshi Sundareswara Temple;Minakshi Temple| 559.00|0|Site|02|B-Q5|Madu|3.4|Meen/Gold||Meenakshi Sundareswara Temple. Golden Temple|||Minakshi Temple. Golden Temple||||||Meenakshi (Minakshi) Sundareswara Temple. Golden Temple|0|||||0||||0|||||Hindu|||Nayak Dynasty|||||India||||||0|Madurai, India|||10032||||0||||0|Architecture|Temple||||14-18|||1336|1736||1336-1736|1336-1736||Meenakshi Sundareswara Temple|||558||||0||||||||||||||||||||||Temples||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/8/2003 0:00:00||Mad||0|||||||B|||||Q5|3.4||||||||||Work|0||||||||||||0|0|Meenakshi Sundareswara Temple. Golden Temple;Minakshi Temple. Golden Temple| 560.00|0|Site|02|B-Q7.2|Bor|3.4 Tem||B-Q7.2 Bor 3.4 Tem |Borobudur|Preferred|Dict.Art|Barabudur|Variant|Dict.Art|Candi Borobudur|Variant|Dict.Art|Borobudur|0|||||0||||0|||||Hindu|Indonesian||Central Javanese|||Asia|Java|Indonesia||||||0|Magelang, Indonesia|||11044||||0||||0|Architecture|Temple||||8|9|10|750|900||750-900|750-900|||||0||||0||||||||||||||||||||||Temples ; Buddha ; Stupas ; Shrines (structures) ; |Temples|Buddha|Stupas|Shrines (structures)||||||Cornell||ECS|GB|12/5/2006 0:00:00|9/8/2003 0:00:00||Bor||0||||||Tem|B|||||Q7.2|3.4||||||||||Work|0|Architecture-Java|After years of neglect (caused by earthquakes, war and rainwater induced subsidence), UNESCO funded a major restoration in 1970s. The site was dismantled, new concrete foundation was built and each block was cleaned (Source: Footprint Indonesia).|||UNESCO restoration was completed in 1983 and the site was re-opened to the public.|||||||0|0|Borobudur;Barabudur;Candi Borobudur| 561.00|0|Site|02|B-Q5|Kar|3.4|Cha||Chaitya Hall|||||||||Chaitya Hall|0|||||0||||0|||||Buddhist|||Early Andhra Dynasty|||||India||||||0|Karle (Karli), India|||||||0||||0|Architecture|Temple|||BCE||||-150|||150 BCE|150 BCE|||||0||||0||||||||||||||||||||||Caves, Temples||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/8/2003 0:00:00||||0|||||||B|||||Q5|3.4||||||||||Work|0||||||||||||0|0|Chaitya Hall| 562.00|0|Site|02|B-Q5|Mam|3.4|PanR||Pandava Rathas|||||||||Pandava Rathas|0|||||0||||0|||||Buddhist|||Pallava Dynasty|||||India||||||0|Mamallapuram, India|||10029||||0||||0|Architecture|Temple||||7|||600|700|ca|ca. 625-675|625-675|||||0||||0||||||||||||||||||||||Temples||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/8/2003 0:00:00||Mam||0|||||||B|||||Q5|3.4||||||||||Work|0||||||||||||0|0|Pandava Rathas| 563.00|0|Site|02|B-Q5|Mam|3.4|DesG||Descent of the Ganges|||Arjuna's Penance||||||Descent of the Ganges (Arjuna's Penance)|0|||||0||||0|||||Buddhist|||Pallava Dynasty|||||India||||||0|Mamallapuram, India|||10029||||0||||0|architectue|Temple|Relief||||||575|675|ca|600-650|600-650|||||0||||0||||||||||||||||||||||Reliefs, Temples||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/8/2003 0:00:00||Mam||0|||||||B|||||Q5|3.4||||||||||Work|0||||||||||||0|0|Descent of the Ganges;Arjuna's Penance| 564.00|0|Site|02|B-M2|Kar|3.4|Amon|B-M2 Kar 3.4 Amon|Temple of Amon-Ra|||Temple of Amun||||||Temple of Amon-Ra (Amun)|0|||||0||||0|||||Egyptian|||New Kingdom|||||Egypt||||||0|Karnak, Egypt|||10037||||0||||0|Architecture|Temple|||BCE||||1279|1212|ca|ca. 1279-1212 BCE|1279-1212 BCE|||||0||||0||||||||||||||||||||||Temples||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/8/2003 0:00:00||Kar||0||||||Amon|B|||||M2|3.4||||||||||Work|0||||||||||||0|0|Temple of Amon-Ra;Temple of Amun| 565.00|0|Site|02|B-M2|Edfu|3.4|Hor||Temple of Horus|||||||||Temple of Horus|0|||||0||||0|||||Egyptian|||New Kingdom|||||Egypt||||||0|Edfu, Egypt|||10040||||0||||0|Architecture|Temple|||BCE||||-262|-237||237-212 BCE|237-212 BCE|||||0||||0||||||||||||||||||||||Temples||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/8/2003 0:00:00||Edfu||0|||||||B|||||M2|3.4||||||||||Work|0||||||||||||0|0|Temple of Horus| 566.00|0|Site|02|B-M2|Lux|3.4|Amm||Temple of Ammen-Mut-Khonsu|||||||||Temple of Ammen-Mut-Khonsu|0|||||0||||0|||||Egyptian|||New Kingdom|||||Egypt||||||0|Luxor, Egypt|||10041||||0||||0|Architecture|Temple|||BCE|||||||1414-1379; 1304-1237 BCE|1414-1379; 1304-1237 BCE|||||0||||0||||||||||||||||||||||Temples||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/8/2003 0:00:00||Lux||0|||||||B|||||M2|3.4||||||||||Work|0||||||||||||0|0|Temple of Ammen-Mut-Khonsu| 567.00|0|Creator|15|35|X84-PA|1923|3||Juzgue|Original|Image Source (Book)|||||||Juzgue|12985|Xul Solar, Alejandro|||Xul Solar, Alejandro|0||||0|||||Argentine|||Modernist|||||Argentina||||||0||||0||||0||||0|Watercolors|||||20|||1923|1923||1923|1923|||||0||||0|||||Watercolor on paper|Watercolor|paper||||painting (image-making)|||||26 x 32 cm||9218|Buenos Aires,Museo Xul Solar|Buenos Aires: Museo Xul Solar||||||||||||Cornell||MNW|MNW|9/9/2003 0:00:00|9/9/2003 0:00:00|X84|||0|||||||35|PA||||||1923| ||||||||Work|0||||||||||||0|0|Juzgue|Xul Solar, Alejandro 568.00|0|Site|02|B-Q5|San|3.2|Mon||Monastery Complex|||||||||Monastery Complex|0|||||0||||0|||||Buddhist|||Mauryan|||||India||||||0|Sanchi, India|||10042||||0||||0|Architecture|Monastery|||||||-375|475|ca|ca. 350 BCE-450 CE|350 BCE-450 CE|||||0||||0||||||||||||||||||||||Monasteries||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/9/2003 0:00:00||San||0|||||||B|||||Q5|3.2||||||||||Work|0||||||||||||0|0|Monastery Complex| 569.00|0|Site|02|B-Q5|San|3.2|Mon/Stu1||Monastery Complex. Stupa 1|||Great Stupa||||||Monastery Complex. Stupa 1 (Great Stupa)|0|||||0||||0|||||Buddhist|||Mauryan|||||India||||||0|Sanchi, India|||10042||||0||||0|Architecture|Monastery|Stupa||||||-375|475|ca|ca. 350 BCE-450 CE|350 BCE-450 CE||Monastery Complex|||568||||0||||||||||||||||||||||Monasteries, Stupas||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/9/2003 0:00:00||San||0|||||||B|||||Q5|3.2||||||||||Work|0||||||||||||0|0|Monastery Complex. Stupa 1;Great Stupa| 570.00|0|Creator|15|35|X84-PA|1923|4||Hipnotismo|Original|Image Source (Book)|Quero sisisi hipnotismo no no|Original|Image Source (Book)||||Hipnotismo|12985|Xul Solar, Alejandro|||Xul Solar, Alejandro|0||||0|||||Argentine|||Modernist|||||Argentina||||||0||||0||||0||||0|Watercolors|||||20|||1923|1923||1923|1923|||||0||||0|||||Watercolor on paper on Bristol board|Watercolor|paper|cardboard|||painting (image-making)|||||27.3 x 32.1 cm||9203|Buenos Aires, Collection Dr. Eduardo and Maria Teresa Constantini|Buenos Aires: Coll.Constantini||||||||||||Cornell||MNW|MNW|9/9/2003 0:00:00|9/9/2003 0:00:00|X84|||0|||||||35|PA||||||1923| ||||||||Work|0||||||||||||0|0|Hipnotismo;Quero sisisi hipnotismo no no|Xul Solar, Alejandro 571.00|0|Creator|15|35|X84-PA|1925|1||Mundo|Original|Image Source (Book)|||||||Mundo|12985|Xul Solar, Alejandro|||Xul Solar, Alejandro|0||||0|||||Argentine|||Modernist|||||Argentina||||||0||||0||||0||||0|Watercolors|||||20|||1925|1925||1925|1925|||||0||||0|||||Watercolor on paper|water|paper||||painting (image-making)|||||25.5 x 32.5 cm||9219|Mexico,Private Collection|Mexico: Priv. Coll.||||||||||||Cornell||MNW|MNW|9/9/2003 0:00:00|9/9/2003 0:00:00|X84|||0|||||||35|PA||||||1925| ||||||||Work|0||||||||||||0|0|Mundo|Xul Solar, Alejandro 572.00|0|Creator|15|35|X84-PA|1944|1||Valle hondo|Original|Image Source (Book)|||||||Valle hondo|12985|Xul Solar, Alejandro|||Xul Solar, Alejandro|0||||0|||||Argentine|||Modernist|||||Argentina||||||0||||0||||0||||0|Watercolors|||||20|||1944|1944||1944|1944|||||0||||0|||||Watercolor on paper on cardboard|Watercolor|paper|cardboard|||painting (image-making)|||||35 x 50 cm||9202|Buenos Aires, Private Collection|Buenos Aires: Priv. Coll.||||||||||||Cornell||MNW|MNW|9/9/2003 0:00:00|9/9/2003 0:00:00|X84|||0|||||||35|PA||||||1944| ||||||||Work|0||||||||||||0|0|Valle hondo|Xul Solar, Alejandro 573.00|0|Site|02|B-M2|AbuS|3.4|Ram||Ramesses II Complex|||||||||Ramesses II Complex|0|||||0||||0|||||Egyptian|||New Kingdom|||Africa|Upper Egypt|Egypt||||||0|Abu Simbel, Egypt|||10043||||0||||0|Architecture|Temple|||BCE||||||ca|ca. 1279-1212 BCE; moved 1964|1279-1212 BCE|||||0||||0||||||||||||||||||||||Temples||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/9/2003 0:00:00||Abu||0|||||||B|||||M2|3.4||||||||||Work|0||Site was moved and reconstructed in 1964.||||||||||0|0|Ramesses II Complex| 574.00|0|Creator|15|35|X84-PA|1948|1||Trogloditas|Original|Image Source (Book)|||||||Trogloditas|12985|Xul Solar, Alejandro|||Xul Solar, Alejandro|0||||0|||||Argentine|||Modernist|||||Argentina||||||0||||0||||0||||0|Watercolors|||||20|||1948|1948||1948|1948|||||0||||0|||||Watercolor on paper on cardboard|Watercolor|paper|cardboard|||painting (image-making)|||||35 x 50 cm||9221|Boston, Collection John P. Axelrod|Boston: Coll. Axelrod||||||||||||Cornell||MNW|MNW|9/9/2003 0:00:00|9/9/2003 0:00:00|X84|||0|||||||35|PA||||||1948| ||||||||Work|0||||||||||||0|0|Trogloditas|Xul Solar, Alejandro 575.00|0|Site|02|B-M2|AbuS|3.4|Ram/Ram||Ramesses II Complex. Temple of Ramesses II|||||||||Ramesses II Complex. Temple of Ramesses II|0|||||0||||0|||||Egyptian|||New Kingdom|||Africa|Upper Egypt|Egypt||||||0|Abu Simbel, Egypt|||10043||||0||||0|Architecture|Temple|||BCE||||||ca|ca. 1279-1212 BCE; moved 1964|1279-1212 BCE||Ramesses II Complex|||573||||0||||||||||||||||||||||Temples||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/9/2003 0:00:00||Abu||0|||||||B|||||M2|3.4||||||||||Work|0||Site was moved and reconstructed in 1964.||||||||||0|0|Ramesses II Complex. Temple of Ramesses II| 576.00|0|Creator|15|35|X84-PA|1949|1||Cuarto plurentes|Original|Image Source (Book)|||||||Cuarto plurentes|12985|Xul Solar, Alejandro|||Xul Solar, Alejandro|0||||0|||||Argentine|||Modernist|||||Argentina||||||0||||0||||0||||0|Watercolors|||||20|||1949|1949||1949|1949|||||0||||0|||||Watercolor on paper on cardboard on wood|watercolor on paper|cardboard|wood|||painting (image-making)|||||49.5 x 37.5 cm||9202|Buenos Aires, Private Collection|Buenos Aires: Priv. Coll.||||||||||||Cornell||MNW|MNW|9/9/2003 0:00:00|9/9/2003 0:00:00|X84|||0|||||||35|PA||||||1949| ||||||||Work|0||||||||||||0|0|Cuarto plurentes|Xul Solar, Alejandro 577.00|0|Creator|15|35|X84-PA|1953|1||Barrio|Original|Image Source (Book)|||||||Barrio|12985|Xul Solar, Alejandro|||Xul Solar, Alejandro|0||||0|||||Argentine|||Modernist|||||Argentina||||||0||||0||||0||||0|Watercolors|||||20|||1953|1953||1953|1953|||||0||||0|||||Watercolor on paper|Watercolor|paper||||painting (image-making)|||||40 x 56 cm||9218|Buenos Aires,Museo Xul Solar|Buenos Aires: Museo Xul Solar||||||||||||Cornell||MNW|MNW|9/9/2003 0:00:00|9/9/2003 0:00:00|X84|||0|||||||35|PA||||||1953| ||||||||Work|0||||||||||||0|0|Barrio|Xul Solar, Alejandro 578.00|0|Creator|15|35|X84-PA|1954|1||Proyecto fachada Delta|Original|Image Source (Book)|||||||Proyecto fachada Delta|12985|Xul Solar, Alejandro|||Xul Solar, Alejandro|0||||0|||||Argentine|||Modernist|||||Argentina||||||0||||0||||0||||0|Watercolors|||||20|||1954|1954||1954|1954|||||0||||0|||||Watercolor on paper on cardboard|Watercolor|paper|cardboard|||painting (image-making)|||||33 x 41 cm||9202|Buenos Aires, Private Collection|Buenos Aires: Priv. Coll.||||||||||||Cornell||MNW|ECS|9/9/2003 0:00:00|9/9/2003 0:00:00|X84|||0|||||||35|PA||||||1954| ||||||||Work|0||||||||||||0|0|Proyecto fachada Delta|Xul Solar, Alejandro 579.00|0|Site|02|B-M2|Saq|3.3 Zos|||Step Pyramid Complex of Djoser|Descriptive|Dict.Art|Step Pyramid Complex of Zoser||||||Step Pyramid Complex of Djoser|0|||||0||||0|||||Egyptian|||Old Kingdom|3rd Dynasty||Africa|Upper Egypt|Egypt||||||0|Saqqâra, Egypt|||10118||||0||||0|Architecture|Pyramid (Tomb)|Tomb|Necropolises|BCE||||2630|3611|ca| 2630-ca 3611 BCE| 2630-ca 3611 BCE|||||0||||0||||||||||||||||||||||Pyramids, Tombs||||||||||Cornell||ECS|MNW|11/5/2003 0:00:00|9/9/2003 0:00:00||Saq||0||||||Zos|B||||OK/3Dyn|M2|3.3||||||||||Work|0|Architecture-Egypt||||-2630 -- -36ss. 3rd Old Kingdom Dynasty.|||||||0|0|Step Pyramid Complex of Djoser;Step Pyramid Complex of Zoser| 581.00|0|Site|02|B-M2|Giza|3.3|Cheph||Pyramid of Chephren|||Pyramid of Khafre||||||Pyramids of Mycerinus, Chephren & Cheop. Pyramid of Chephren (Khafre)|0|||||0||||0|||||Egyptian|||Old Kingdom|||Africa|Upper Egypt|Egypt||||||0|Giza, Egypt|||10045||||0||||0|Architecture|Pyramid (Tomb)|Tomb||BCE||||||ca|ca. 2589-2530 BCE|2589-2530 BCE||Pyramids of Mycerinus, Chephren & Cheops|LargerEntity||2259||||0||||||||||||||||||||||Pyramids, Tombs||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/9/2003 0:00:00||Giza||0|||||||B|||||M2|3.3||||||||||Work|0||||||||||||0|0|Pyramid of Chephren;Pyramid of Khafre| 582.00|0|Site|02|B-M2|Giza|3.3|Myc||Pyramid of Mycerinus|||Pyramid of Menkaure||||||Pyramids of Mycerinus, Chephren & Cheop. Pyramid of Mycerinus (Menkaure)|0|||||0||||0|||||Egyptian|||Old Kingdom|||Africa|Upper Egypt|Egypt||||||0|Giza, Egypt|||10045||||0||||0|Architecture|Pyramid (Tomb)|Tomb||BCE|||||||2533-2505 BCE|2533-2505 BCE||Pyramids of Mycerinus, Chephren & Cheops|LargerEntity||2259||||0||||||||||||||||||||||Pyramids, Tombs||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/9/2003 0:00:00||Giza||0|||||||B|||||M2|3.3||||||||||Work|0||||||||||||0|0|Pyramid of Mycerinus;Pyramid of Menkaure| 583.00|0|Site|02|B-M2|Giza|3.3|Cheo||Pyramid of Cheops|||Pyramid of Khufu||||||Pyramids of Mycerinus, Chephren & Cheop. Pyramid of Cheops|0|||||0||||0|||||Egyptian|||Old Kingdom|||Africa|Upper Egypt|Egypt||||||0|Giza, Egypt|||10045||||0||||0|Architecture|Pyramid (Tomb)|Tomb||BCE||||2600|2550||2600-2550 BCE|2600-2550 BCE||Pyramids of Mycerinus, Chephren & Cheops|LargerEntity||2259||||0||||||||||||||||||||||Pyramids, Tombs||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/9/2003 0:00:00||Giza||0|||||||B|||||M2|3.3||||||||||Work|0||||||||||||0|0|Pyramid of Cheops;Pyramid of Khufu| 584.00|0|Creator|15|35|V323-PA|1956|2||Au bonheur des dames|Original|Image Source (Book)|To Women's Happiness|Translated|Image Source (Book)||||Au bonheur des dames|29846|Varo, Remedios||painter|Varo, Remedios|0||||0|||||Spanish|Mexican|||||||Spain|Mexico|||||0||||0||||0||||0|Paintings|||||20|||1956|1956||1956|1956|||||0||||0|||||Oil on Masonite|oil paint|Masonite||||painting (image-making)|||||88.6 x 60.3||3290|Private Collection|: Private Coll.||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/9/2003 0:00:00|V323|||0|||||||35|PA||||||1956| ||||||||Work|0||||||||||||0|0|Au bonheur des dames;To Women's Happiness|Varo, Remedios 585.00|0|Creator|15|35|V323-PA|1958|1||Visita inesperada|Original|Image Source (Book)|Unexpected Visit||||||Visita inesperada (Unexpected Visit)|29846|Varo, Remedios||painter|Varo, Remedios|0||||0|||||Spanish|Mexican|||||||Spain|Mexico|||||0||||0||||0||||0|Paintings|||||20|||1958|1958||1958|1958|||||0||||0|||||Oil on Masonite|oil paint|Masonite||||painting (image-making)|||||60 x 61 cm||3290|Private Collection|: Private Coll.||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/9/2003 0:00:00|V323|||0|||||||35|PA||||||1958| ||||||||Work|0||||||||||||0|0|Visita inesperada;Unexpected Visit|Varo, Remedios 586.00|0|Creator|15|35|V323-PA|1959|1||Exploración de las fuentes del rio Orinoco|Original|Image Source (Book)|Exploration of the Sources of the Orinoco River|Translated|Image Source (Book)||||Exploración de las fuentes del rio Orinoco|29846|Varo, Remedios||painter|Varo, Remedios|0||||0|||||Spanish|Mexican|||||||Spain|Mexico|||||0||||0||||0||||0|Paintings|||||20|||1959|1959||1959|1959|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||44 x 39.5 cm||3290|Private Collection|: Private Coll.||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/9/2003 0:00:00|V323|||0|||||||35|PA||||||1959| ||||||||Work|0||||||||||||0|0|Exploración de las fuentes del rio Orinoco;Exploration of the Sources of the Orinoco River|Varo, Remedios 587.00|0|Creator|15|35|V323-PA|1962|1||Taxi acuático|Original|Image Source (Book)|Aquatic Taxi|Translated|Image Source (Book)||||Taxi acuático (Aquatic Taxi)|29846|Varo, Remedios||painter|Varo, Remedios|0||||0|||||Spanish|Mexican|||||||Spain|Mexico|||||0||||0||||0||||0|Paintings|||||20|||1962|1962||1962|1962|||||0||||0|||||Mixed media on Bristol board|mixed materials|cardboard||||painting (image-making)|||||37 x 27.5||3290|Private Collection|: Private Coll.||||||||||||Cornell||MNW|MNW|9/9/2003 0:00:00|9/9/2003 0:00:00|V323|||0|||||||35|PA||||||1962| ||||||||Work|0||||||||||||0|0|Taxi acuático;Aquatic Taxi|Varo, Remedios 588.00|0|Creator|15|35|V323-PA|1956|3||Armonia|Original|Image Source (Book)|Harmony|Translated|Image Source (Book)||||Armonia (Harmony)|29846|Varo, Remedios||painter|Varo, Remedios|0||||0|||||Spanish|Mexican|||||||Spain|Mexico|||||0||||0||||0||||0|Paintings|||||20|||1959|1959||1959|1959|||||0||||0|||||Oil on masonite|oil paint|Masonite||||painting (image-making)|||||76 x94 cm||3290|Private Collection|: Private Coll.||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/9/2003 0:00:00|V323|||0|||||||35|PA||||||1959| ||||||||Work|0||||||||||||0|0|Armonia;Harmony|Varo, Remedios 589.00|0|Creator|15|35|V323-PA|1958|2||Papilla estelar|Original|Image Source (Book)|Celestial Pablum|Translated|Image Source (Book)||||Papilla estelar|29846|Varo, Remedios||painter|Varo, Remedios|0||||0|||||Spanish|Mexican|||||||Spain|Mexico|||||0||||0||||0||||0|Paintings|||||20|||1958|1958||1958|1958|||||0||||0|||||Oil on Masonite|oil paint|Masonite||||painting (image-making)|||||92 x 62 cm||3290|Private Collection|: Private Coll.||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/9/2003 0:00:00|V323|||0|||||||35|PA||||||1958| ||||||||Work|0||||||||||||0|0|Papilla estelar;Celestial Pablum|Varo, Remedios 590.00|0|Creator|15|35|V323-PA|1957|1||Creación de las aves|Original|Image Source (Book)|Creation of the Birds|Translated|Image Source (Book)||||Creación de las aves|29846|Varo, Remedios||painter|Varo, Remedios|0||||0|||||Spanish|Mexican|||||||Spain|Mexico|||||0||||0||||0||||0|Paintings|||||20|||1957|1957||1957|1957|||||0||||0|||||Oil on masonite|oil paint|Masonite||||painting (image-making)|||||54 x 64 cm||3290|Private Collection|: Private Coll.||Birds||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/9/2003 0:00:00|V323|||0|||||||35|PA||||||1957| ||||||||Work|0||||||||||||0|0|Creación de las aves;Creation of the Birds|Varo, Remedios 591.00|0|Creator|15|35|V323-PA|1960|1||Mujer saliendo del psicoanalista|Original|Image Source (Book)|Woman Leaving the Psychoanalyst|Translated|Image Source (Book)||||Mujer saliendo del psicoanalista|29846|Varo, Remedios||painter|Varo, Remedios|0||||0|||||Spanish|Mexican|||||||Spain|Mexico|||||0||||0||||0||||0|Paintings|||||20|||1960|1960||1960|1960|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||70.5 x 40.5 cm||3290|Private Collection|: Private Coll.||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/9/2003 0:00:00|V323|||0|||||||35|PA||||||1960| ||||||||Work|0||||||||||||0|0|Mujer saliendo del psicoanalista;Woman Leaving the Psychoanalyst|Varo, Remedios 592.00|0|Creator|15|35|V323-PA|1960|2||Nacer de nuevo|Original|Image Source (Book)|To Be Reborn|Translated|Image Source (Book)||||Nacer de nuevo (To Be Reborn)|29846|Varo, Remedios||painter|Varo, Remedios|0||||0|||||Spanish|Mexican|||||||Spain|Mexico|||||0||||0||||0||||0|Paintings|||||20|||1960|1960||1960|1960|||||0||||0|||||Oil on masonite|oil paint|Masonite||||painting (image-making)|||||81 x 47 cm||3290|Private Collection|: Private Coll.||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/9/2003 0:00:00|V323|||0|||||||35|PA||||||1960| ||||||||Work|0||||||||||||0|0|Nacer de nuevo;To Be Reborn|Varo, Remedios 593.00|0|Creator|15|35|V323-PA|1962|2||El encuentro|Original|Image Source (Book)|The Encounter|Translated|Image Source (Book)||||El encuentro (The Encounter)|29846|Varo, Remedios||painter|Varo, Remedios|0||||0|||||Spanish|Mexican|||||||Spain|Mexico|||||0||||0||||0||||0|Paintings|||||20|||1962|1962||1962|1962|||||0||||0|||||Vinyl on Bristol board|vinyl|cardboard||||painting (image-making)|||||64 x 44 cm||3290|Private Collection|: Private Coll.||||||||||||Cornell||MNW|MNW|9/9/2003 0:00:00|9/9/2003 0:00:00|V323|||0|||||||35|PA||||||1962| ||||||||Work|0||||||||||||0|0|El encuentro;The Encounter|Varo, Remedios 594.00|0|Creator|15|35|P381-TO|nd|1||Amelia Peláez in Her Garden||Image Source (Book)|||||||Amelia Peláez in Her Garden|29847|Peláez, Amelia||painter|Peláez, Amelia|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Photographs|||||20||||||||||||0||||0|||||||||||photography|||||||||||Peláez, Amelia, 1896-1968||||||||||Cornell||MNW|ECS|9/11/2003 0:00:00|9/10/2003 0:00:00|P381|||0|||||||35|TO||||||nd|||||||||Work|0||||||||||||0|0|Amelia Peláez in Her Garden|Peláez, Amelia 595.00|0|Creator|15|35|P381-TO|nd|2||Stained Glass Fanlight, Havana||Image Source (Book)|||||||Stained Glass Fanlight, Havana|29847|Peláez, Amelia||painter|Peláez, Amelia|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Photographs|||||20||||||||||||0||||0|||||||||||photography|||||||||||||||||||||Cornell||MNW|ECS|9/11/2003 0:00:00|9/10/2003 0:00:00|P381|||0|||||||35|TO||||||nd|||||||||Work|0|||Stained glass fanlights typical of Havana residential architecture influenced the work of Amelia Peláez.|||||||||0|0|Stained Glass Fanlight, Havana|Peláez, Amelia 596.00|0|Creator|15|35|P381-PA|1936|1||Hibiscus|Translated|Image Source (Book)|Marpacificio|Original|Image Source (Book)||||Hibiscus (Marpacificio)|29847|Peláez, Amelia||painter|Peláez, Amelia|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Paintings|||||20|||1936|1936||1936|1936|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||73.8 x 95 cm||3424|New York,Private Collection|New York: Private Coll.||Flowers||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/10/2003 0:00:00|P381|||0|||||||35|PA||||||1936| ||||||||Work|0||||||||||||0|0|Hibiscus;Marpacificio|Peláez, Amelia 597.00|0|||35|P381-PA|1943|1||Hibiscus|Translated|Image Source (Book)|Marpacificio|Original|Image Source (Book)||||Hibiscus (Marpacificio)|29847|Peláez, Amelia||painter|Peláez, Amelia|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Paintings|||||1943|||1943|1943||1943|1943|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||116 x 95 cm||9127|Washington DC, Art Museum of the Americas|Wash, DC: Art Mus. Americas||Flowers||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/10/2003 0:00:00|P381|||0|||||||35|PA||||||1943| |||||||||0||||||||||||0|0|Hibiscus;Marpacificio|Peláez, Amelia 619.00|0|Architect|02|MA-LeCorb|2.41|1952-65|Ch/Sec||Secretariat||Macmillan|||||||Capitol Complex. 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German Pavilion|7969|Mies van der Rohe, Ludwig||architect|Mies van der Rohe, Ludwig|0||||0|||||German|||Modern|||Europe||Spain||||||0|Barcelona, Spain|||10019||||||||0|Architecture|Exhibit building||||20|||1929|1986||1929;1986|1929; 1986||1929 International Exposition|LargerEntity||629||||0||||||||||||||||||||||Exhibition buildings ; Exposicio´n Internacional de Barcelona (1929-1930) ; |Exhibition buildings|Exposicio´n Internacional de Barcelona (1929-1930)||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/15/2003 0:00:00||Bar||0||||||Expo/Ger|B|||||H5|2.31|1929|||||||||Work|0|||||Destroyed; reconstructed in 1986.|||||||0|0|German Pavilion;Barcelona Pavilion;Pabello´n Mies van der Rohe|Mies van der Rohe, Ludwig 628.00|0|Site|02|B-H3|Rom|2.33 Dio||B-H3 Rom 2.33 Dio |Baths of Diocletian|Assigned|Image Source (Book)|||||||Baths of Diocletian|0|||||0||||0|||||Roman||||||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Roman bath spaces|Bathhouses|||3|4||298|306||298-306|298-306|||||0||||0||||||||||||||||||||||Baths||||||||||Cornell||MNW|MNW|8/13/2004 0:00:00|9/15/2003 0:00:00||Rom||0||||||Dio|B|||||H3|2.33||||||||||Work|0|Architecture-Italy|||||||||||0|0|Baths of Diocletian| 629.00|0|Site|02|B-H5 Bar|2.31|1929|Expo|B-H5 Bar 2.31 1929 Expo|1929 International Exposition|Descriptive|Image Source (Pub)|Exposicio´n Internacional de Barcelona (1929-1930)|Variant|LC NAF||||1929 International Exposition|0|||||0||||0|||||Spanish|||Modern|||Europe||Spain||||||0||||0|Barcelona, Spain|||10019||||0|Architecture|Exhibition||||20|||1929|1930||1929-1930|1929-1930|||||0||||0||||||||||||||||||||||Exhibition buildings ; Exhibitions ; |Exhibition buildings|Exhibitions||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/15/2003 0:00:00|||Bar|0||||||Expo|B|||||H5|2.31|1929|||||||||Work|0||||||||||||0|0|1929 International Exposition;Exposicio´n Internacional de Barcelona (1929-1930)| 630.00|0|Architect|02|MA-Meier|7.5|1969|Sal||Saltzmann House|||||||||Saltzmann House|7835|Meier, Richard Alan||architect|Richard Meier|0||||0|||||American|||Modern||||New York|United States||||||0|East Hampton, New York|||10052||||0||||0|Architecture|House||||20|||1969|1969||1969|1969|||||0||||0||||||||||||||||||||||Houses||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/15/2003 0:00:00||||0||||||Sal|MA||||||7.5|1969|||||||||Work|0||||||||||||0|0|Saltzmann House|Meier, Richard Alan 631.00|0|Site|02|B-H3|Rom|3.1 Pan|||Tomb of Raphael|Assigned|Blue Guide|||||||Pantheon. Tomb of Raphael|0|||||0||||0|||||Italian||||||||Italy||||||0|Rome, Italy|||10024||||0||||0|Sculpture|Tomb|||||||||||||Pantheon|Larger Entity||624||||0||||||||||||||||||2439|Rome,Pantheon|Rome: Pantheon||||||||||||Cornell||MNW|MNW|9/15/2003 0:00:00|9/15/2003 0:00:00||Rom||0||||||Pan|B|||||H3|3.1|| ||||||||Work|0|Architecture-Italy|In 3rd Aedicule||||||||||0|0|Tomb of Raphael| 632.00|0|Architect|02|MA-Pei|6.1|1973|JohnHan||John Hancock Building|||John Hancock Tower||||||John Hancock Building|9029|Pei, Ieoh Ming||architect|I.M. Pei|0||||0|||||American|||Brutalist|||||United States||||||0|Boston, Massachusetts|||10053||||0||||0|Architecture|Office building|Skyscraper|||20|||1973|1977||1973-1977|1973-1977|||||0||||0||||||||||||||||||||||Skyscrapers||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/15/2003 0:00:00||Bos||0||||||JohnHan|MA||||||6.1|1973|||||||||Work|0||||||||||||0|0|John Hancock Building;John Hancock Tower|Pei, Ieoh Ming 633.00|0|Architect|02|MA-Lin|1.32|1980-2|Viet||Vietnam Veterans Memorial|||||||||Vietnam Veterans Memorial|7075|Lin, Maya Ying||architect|Maya Lin|27935|Cooper-Lecky|||0|||||American||||||||United States||||||0|Washington, DC|||10054||||0||||0|Architecture|Memorial|Monument|||20|||1980|1982||1980-1982|1980-1982|||||0||||0||||||||||||||||||||||Memorials, War memorials||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/15/2003 0:00:00||Wash||0||||||Viet|MA||||||1.32|1980-2|||||||||Work|0||||||||||||0|0|Vietnam Veterans Memorial|Lin, Maya Ying;Cooper-Lecky 634.00|0|Creator|15|G|LaFrery, Antoine||||Pantheon|||||||||Pantheon|29850|Lafrery, Antoine||printmaker|Lafrery, Antoine|0||||0|||||Italian|French|||||||Italy||||||0||||||||0||||0|Graphics|Engraving (Print)||||16|||1553|1553||1553|1553||Pantheon|||624||||0||||||paper|ink||||Prints|engraving (incising)||||||3373|London,British Museum|London: British Museum||Pantheon||||||||||Cornell||MNW|MNW|9/15/2003 0:00:00|9/15/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Pantheon|Lafrery, Antoine 635.00|0|Architect|02|MA-Pope|4.4|1941|NatGal||National Gallery of Art|||||||||National Gallery of Art|9375|Pope, John Russell||architect|John Russell Pope|0||||0|||||American||||||||United States||||||0|Washington, DC|||10054||||0||||0|Architecture|Museum||||20|||1937|1941||1937-1941|1937-1941|||||0||||0||||||||||||||||||||||Museums||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/15/2003 0:00:00||Wash||0||||||NatGal|MA||||||4.4||||||||||Work|0||||||||||||0|0|National Gallery of Art|Pope, John Russell 636.00|0|Architect|02|MA-Pei|4.4|1978|Nat||National Gallery of Art|||||||||National Gallery of Art|9029|Pei, Ieoh Ming||architect|I.M. Pei|6275|Kiley, Daniel Urban|||0|||||American||||||||United States||||||0|Washington, DC|||10054||||0||||0|Architecture|Museum||||20|||1968|1978||1968-1978|1968-1978||National Gallery of Art|||635||||0||||||||||||||||||||||Museums||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/15/2003 0:00:00||Wash||0||||||Nat|MA||||||4.4|1978|||||||||Work|0||Master plan for the renovation and expansion of the National Gallery of Art. Landscape architecture by Dan Kiley.||||||||||0|0|National Gallery of Art|Pei, Ieoh Ming;Kiley, Daniel Urban 637.00|0|Creator|15|35|T6950-SC|1938|1||Cosmic Monument|Assigned|Image Source (Book)|||||||Cosmic Monument|29851|Torres-Garcia, Joaquin||sculptor|Torres-Garcia, Joaquin|0||||0|||||Uruguayan||||||||Uruguay||||||0|Parque Rodó, Montevideo, Uruguay|||10056||||0||||0|Sculpture|Monument||||20|||1938|1938||1938|1938|||||0||||0|||||Incised stone|stone|||||sculpture|incising||||||||||||||||||||Cornell||MNW|MNW|9/15/2003 0:00:00|9/15/2003 0:00:00|T6950|||0|||||||35|SC||||||1938|||||||||Work|0||||||||||||0|0|Cosmic Monument|Torres-Garcia, Joaquin 638.00|0|Architect|02|MA-Pei|4.4|1978|NatGalE||East Wing|Assigned|Image Source (Pub)|||||||National Gallery of Art. East wing|9029|Pei, Ieoh Ming||architect|Pei, Cobb, Freed & Partners (I.M. Pei)|29362|Pei, Cobb, Freed & Partners||architectural firm|0|||||American||||||North and Central America||United States||||||0|Washington, DC|||10054||||0||||0|Architecture|Museum||||20|||1968|1978||1968-1978|1968-1978||National Gallery of Art|||635||||0||||||||||||||||||||||Museums ; |Museums|||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/15/2003 0:00:00||Wash||0||||||NatGalE|MA||||||4.4|1978|||||||||Work|0||||||||||||0|0|East Wing|Pei, Ieoh Ming;Pei, Cobb, Freed & Partners 639.00|0|Architect|02|MA-Pei|4.2|1973|Cor/Joh|MA-Pei 4.2 1973 Cor/Joh|Herbert F. Johnson Museum|||||||||Cornell University. Herbert F. Johnson Museum|9029|Pei, Ieoh Ming||architect|I.M. Pei|0||||0|||||American|||Brutalist|||||United States||||||0|Ithaca, New York|||10057||||0||||0|Architecture|Museum|University|||20|||1973|1973||1973|1973||Cornell University|||886||||0||||||||||||||||||||||Museums, Universities||||||||||Cornell||ECS|JNK|7/27/2006 0:00:00|9/15/2003 0:00:00||Ith||0||||||Cor/Joh|MA||||||4.2|1973|||||||||Work|0||||||||||||0|0|Herbert F. Johnson Museum|Pei, Ieoh Ming 640.00|0|Creator|15|35|T6950-PA|1929|1||Physique|Assigned|Image Source (Book)|||||||Physique|29851|Torres-Garcia, Joaquin||painter|Torres-Garcia, Joaquin|0||||0|||||Uruguayan||||||||Uruguay||||||0||||0||||0||||0|Paintings|||||20|||1929|1929||1929|1929|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||60 x 73 cm||9233|Collection Mr. Maurice Biderman|:Coll. Maurice Biderman||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/15/2003 0:00:00|T6950|||0|||||||35|PA||||||1929| ||||||||Work|0||||||||||||0|0|Physique|Torres-Garcia, Joaquin 641.00|0|Creator|15|35|T6950-PA|1929|2||Superimposed Rhythms|Assigned|Image Source (Book)|||||||Superimposed Rhythms|29851|Torres-Garcia, Joaquin||painter|Torres-Garcia, Joaquin|0||||0|||||Uruguayan||||||||Uruguay||||||0||||0||||0||||0|Paintings|||||20|||1929|1930||1929-1930|1929-1930|||||0||||0|||||Oil on wood|oil paint|wood||||painting (image-making)|||||25 x 11 cm||9234|New York,Private Collection|New York: Private Coll.||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/15/2003 0:00:00|T6950|||0|||||||35|PA||||||1929| ||||||||Work|0||||||||||||0|0|Superimposed Rhythms|Torres-Garcia, Joaquin 642.00|0|Creator|15|35|T6950-PA|1930|1||Construction I|Assigned|Image Source (Book)|||||||Construction I|29851|Torres-Garcia, Joaquin||painter|Torres-Garcia, Joaquin|0||||0|||||Uruguayan||||||||Uruguay||||||0||||0||||0||||0|Paintings|||||20|||1930|1930|ca|ca 1930|ca 1930|||||0||||0|||||Oil on wood|oil paint|wood||||painting (image-making)|||||42 x 32.5 cm||9234|New York,Private Collection|New York: Private Coll.||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/15/2003 0:00:00|T6950|||0|||||||35|PA||||||1930| ||||||||Work|0||||||||||||0|0|Construction I|Torres-Garcia, Joaquin 643.00|0|Site|02|B-H2|Par|7.1 Lou|Lou|B-H2 Par 7.1 Lou|Palais du Louvre|||||||||Palais du Louvre|0|||||0||||0|||||French|||Medieval|Renaissance|Baroque|||France||||||0|Paris, France|||10058||||0||||0|Architecture|Palace|Museum|||12|20||1190|1983||1190-1983|1190-1983|||||0||||0||||||||||||||||||||||Palaces ; Museums ; |Palaces|Museums||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/15/2003 0:00:00||Par||0||||||Lou|B|||||H2|7.1||||||||||Work|0|Architecture-France|||||||||||0|0|Palais du Louvre| 644.00|0|Creator|15|35|T6950-PA|1931|1||Construction with Strange Figures|Assigned|Image Source (Book)|||||||Construction with Strange Figures|29851|Torres-Garcia, Joaquin||painter|Torres-Garcia, Joaquin|0||||0|||||Uruguayan||||||||Uruguay||||||0||||0||||0||||0|Paintings|||||20|||1931|1931||1931|1931|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||89 x 54 cm||9235|New York,Royal S. Marks Collection|New York: Royal S. Marks Coll.|Former|||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/15/2003 0:00:00|T6950|||0|||||||35|PA||||||1931| ||||||||Work|0||||||||||||0|0|Construction with Strange Figures|Torres-Garcia, Joaquin 645.00|0|Creator|15|35|T6950-PA|1932|1||Universal Composition: Elements of Nature|Assigned|Image Source (Book)|||||||Universal Composition: Elements of Nature|29851|Torres-Garcia, Joaquin||painter|Torres-Garcia, Joaquin|0||||0|||||Uruguayan||||||||Uruguay||||||0||||0||||0||||0|Paintings|||||20|||1932|1932||1932|1932|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||133 x 113 cm||9234|New York,Private Collection|New York: Private Coll.||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/15/2003 0:00:00|T6950|||0|||||||35|PA||||||1932| ||||||||Work|0||||||||||||0|0|Universal Composition: Elements of Nature|Torres-Garcia, Joaquin 646.00|0|Architect|02|MA-Pei|7.1|1989|Lou/Nap|MA-Pei 7.1 1989 Lou/Nap|Grand Louvre, Phase I|Assigned|Online Resource|Place Louis Napoleon||Image Source (Pub)|Pyramide du Louvre|Assigned|Online Resource|Palais du Louvre. Grand Louvre, Phase I|29362|Pei, Cobb, Freed & Partners||architectural firm|Pei, Cobb, Freed & Partners|9029|Pei, Ieoh Ming||architect|0|||||French||||||||France||||||0|Paris, France|||10058||||0||||0|Architecture|Palace|Museum|||20|||1989|1989||1989|1989-1989||Palais du Louvre|Larger entity||643||||0||||||||||||||||||||||Museums ; |Museums|||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/15/2003 0:00:00|Pei|||0||||||Lou/Nap|MA||||||7.1|1989|||||||||Work|0|Modern Architecture-|||||||||||0|0|Grand Louvre, Phase I;Place Louis Napoleon;Pyramide du Louvre|Pei, Cobb, Freed & Partners;Pei, Ieoh Ming 647.00|0|Creator|15|35|T6950-PA|1937|1||Constructive Painting 3|Assigned|Image Source (Book)|||||||Constructive Painting 3|29851|Torres-Garcia, Joaquin||painter|Torres-Garcia, Joaquin|0||||0|||||Uruguayan||||||||Uruguay||||||0||||0||||0||||0|Paintings|||||20|||1937|1937||1937|1937|||||0||||0|||||Oil on board|oil paint|board||||painting (image-making)|||||68.7 x 48.5||9235|New York,Royal S. Marks Collection|New York: Royal S. Marks Coll.|Former|||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/15/2003 0:00:00|T6950|||0|||||||35|PA||||||1937| ||||||||Work|0||||||||||||0|0|Constructive Painting 3|Torres-Garcia, Joaquin 648.00|0|Creator|15|35|T6950-PA|1941|1||Metaphysical Thoughts|Assigned|Image Source (Book)|||||||Metaphysical Thoughts|29851|Torres-Garcia, Joaquin||painter|Torres-Garcia, Joaquin|0||||0|||||Uruguayan||||||||Uruguay||||||0||||0||||0||||0|Paintings|||||20|||1941|1941||1941|1941|||||0||||0|||||Ink on wood|ink|wood||||painting (image-making)|||||61 x 50.5 cm||9234|New York,Private Collection|New York: Private Coll.||||||||||||Cornell||MNW|MNW|9/15/2003 0:00:00|9/15/2003 0:00:00|T6950|||0|||||||35|PA||||||1941| ||||||||Work|0||||||||||||0|0|Metaphysical Thoughts|Torres-Garcia, Joaquin 649.00|0|Architect|02|MA-Utzon|2.22|1956|Ope||Opera House||Macmillan|||||||Opera House|29751|Utzon, Jørn||architect|Jørn Utzon|0||||0|||||Australian|||Post-1945|||||Australia||||||0|Sydney, Australia|||10059||||0||||0|Architecture|Theater|Opera house|||20|||1956|1973||1956-1973|1956-1973|||||0||||0||||||||||||||||||||||Theater, Opera houses||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/15/2003 0:00:00||Syd||0||||||Ope|MA||||||2.22|1956|||||||||Work|0||||||||||||0|0|Opera House|Utzon, Jørn 650.00|0|Architect|03|MA-Johnson|6.1|1978|AT&T||AT&T Building||Macmillan|American Telephone and Telegraph Corporate Headquarters||Macmillan||||AT&T Building|5998|Johnson, Philip Cortelyou||architect|Philip Johnson|0||||0|||||American|||Postmodern||||New York|United States||||||0|New York, New York|||10060||||0||||0|Architecture|Office building||||20|||1978|1979||1978-1979|1978-1979|||||0||||0||||||||||||||||||||||Office buildings ; |Office buildings|||||||||Cornell||ECS|JNK|3/21/2006 0:00:00|9/15/2003 0:00:00||NYC||0||||||AT&T|MA||||||6.1|1978|||||||||Work|0||||||||||||0|0|AT&T Building;American Telephone and Telegraph Corporate Headquarters|Johnson, Philip Cortelyou 651.00|0|Architect|03|MA-Johnson|7.5|1949-75|Joh/Glass||Johnson Estate||Macmillan|Glass House||Macmillan||||Johnson Estate (Glass House)|5998|Johnson, Philip Cortelyou||architect|Philip Johnson|0||||0|||||American|||Modernist||||Connecticut|United States||||||0|New Canaan, Connecticut|||10061||||0||||0|Architecture|House||||20|||1949|1975||1949-1975|1949-1975|||||0||||0||||||||||||||||||||||Houses||||||||||Cornell||ECS|MNW|2/21/2005 0:00:00|9/16/2003 0:00:00||NewC||0||||||Joh/Glass|MA||||||7.5|1949-75|||||||||Work|0||||||||||||0|0|Johnson Estate;Glass House|Johnson, Philip Cortelyou 652.00|0|Creator|15|35|T6950-SC|1938|2||Proyecto de monumento|Original|Image Source (Book)|||||||Proyecto de monumento|29851|Torres-Garcia, Joaquín||sculptor|Torres-Garcia, Joaquín|0||||0|||||Uruguayan||||||||Uruguay||||||0||||0||||0||||0|Sculpture|||||20|||1938|1938||1938|1938|||||0||||0|||||Painted wood|wood|paint||||sculpture|||||35 x 51 cm||9236|Uruguay, Private Collection|Uruguay: Priv. Coll.||||||||||||Cornell||MNW|ECS|9/16/2003 0:00:00|9/16/2003 0:00:00|T6950|||0|||||||35|SC||||||1938| ||||||||Work|0||||||||||||0|0|Proyecto de monumento|Torres-Garcia, Joaquín 653.00|0|Creator|15|35|T6950-SC|nd|1||Pájaro|Inscribed|Image Source (Book)|||||||Pájaro|29851|Torres-Garcia, Joaquín||sculptor|Torres García, Joaquín|0||||0|||||Uruguayan||||||||Uruguay||||||0||||0||||0||||0|Sculpture|||||20||||||||||||0||||0|||||Painted wood|wood|paint||||sculpture|||||8.5 x 17.5 x 2 cm||3290|Private Collection|: Private Coll.||Birds||||||||||Cornell||MNW|ECS|9/16/2003 0:00:00|9/16/2003 0:00:00|T6950|||0|||||||35|SC||||||nd| ||||||||Work|0||||||||||||0|0|Pájaro|Torres-Garcia, Joaquín 654.00|0|Architect|02|MA-LeCorb|1.04|1922|Contem||Ville Contemporaine de 3 Millions d'Habitants|LargerEntity|Online Resource|Contemporary City for 3 Million People|Series|Collection||||Ville Contemporaine de 3 Millions d'Habitants (project for Paris)|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||Swiss|||International Style|||Europe||France||||||0||||0||||0||||0|Architecture|Municipal plan||||20|||1922|1922||1922|1922|||||0||||0||||||||||||||||||||||Architectural theory ; Urban planning ; Skyscrapers ; Gardens ; |Architectural theory|Urban planning|Skyscrapers|Gardens||||||Cornell||ECS|MNW|8/25/2006 0:00:00|9/16/2003 0:00:00|LeCorb|||0||||||Contem|MA||||||1.04|1922|||||||||Work|0||||||||||||0|0|Ville Contemporaine de 3 Millions d'Habitants;Contemporary City for 3 Million People|Le Corbusier 655.00|0|Creator|15|35|B891-M|1997|1||El peso de la culpa|Original|Image Source (Book)|The Burden of Guilt|Translated|Image Source (Book)||||El peso de la culpa|29852|Bruguera, Tania||conceptual artist|Bruguera, Tania|0||||0|||||Cuban||||||||Cuba|Venezuela||Museo de Bellas Artes, Caracas, Venezuela|||10062||||0||||0||||0|Performance Art|||||20|||1997|1997||1997|1997|||||0||||0|||||||||||performance art|||||||||||||||||||||Cornell||MNW|MNW|9/16/2003 0:00:00|9/16/2003 0:00:00|B891|||0|||||||35|M||||||1997|||||||||Work|0|||Performance at the Museo de Bellas Artes, Caracas, Venezuela|||||||||0|0|El peso de la culpa;The Burden of Guilt|Bruguera, Tania 656.00|0|Creator|15|35|B891-M|1998|1||Cuerpo del silencio|Original|Image Source (Book)|Body of Silence|Translated|Image Source (Book)||||Cuerpo del silencio (Body of Silence)|29852|Bruguera, Tania||conceptual artist|Bruguera, Tania|0||||0|||||Cuban||||||||Cuba|Denmark||Kunstforeningen, Copenhagen, Denmark|||||||0||||0||||0|Performance Art|||||20|||1998|1998||1998|1998|||||0||||0|||||||||||performance art|||||||||||||||||||||Cornell||MNW|MNW|9/16/2003 0:00:00|9/16/2003 0:00:00|B891|||0|||||||35|M||||||1998|||||||||Work|0||||||||||||0|0|Cuerpo del silencio;Body of Silence|Bruguera, Tania 657.00|0|Creator|15|35|G2125-SC|1998|1||Ciudad vista desde la mesa de casa|Original|Image Source (Book)|City Seen from the Table in My House|Translated|Image Source (Book)||||Ciudad vista desde la mesa de casa|29853|Garaicoa, Carlos||artist|Garaicoa, Carlos|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Sculpture|Installation (Exhibition)||||20|||1998|1998||1998|1998|||||0||||0|||||Wood table with crystal objects|Wood table|Crystal objects||||sculpture|||||90 x 90 x 450 cm||9237|Geneva,Collection Pierre Huber|Geneva: Coll. Pierre Huber||||||||||||Cornell||MNW|CLL|9/16/2003 0:00:00|9/16/2003 0:00:00|G2125|||0|||||||35|SC||||||1998| ||||||||Work|0|||Installation view: Galeria Habana, Havana.|||||||||0|0|Ciudad vista desde la mesa de casa;City Seen from the Table in My House|Garaicoa, Carlos 658.00|0|Creator|15|35|G2125-SC|2000|1||Nuevas arquitecturas o una rara insistencia para entender la noche|Original|Image Source (Book)|New Architectures, or An Odd Insistence on Understanding the Night|Translated|Image Source (Book)||||Nuevas arquitecturas (New Architectures)|29853|Garaicoa, Carlos||artist|Garaicoa, Carlos|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Sculpture|Installation (Exhibition)||||21|||2000|2000||2000|2000|||||0||||0|||||Japanese paper w/ lights, wood, wire|wood|wire|lights|||sculpture|||||30 x 200 x 600 cm||||||||||||||||Cornell||MNW|MNW|9/16/2003 0:00:00|9/16/2003 0:00:00|G2125|||0|||||||35|SC||||||2000|||||||||Work|0|||Installation view: Biblioteca Luis Angel Arango, Bogota, Columbia.|||||||||0|0|Nuevas arquitecturas o una rara insistencia para entender la noche;New Architectures, or An Odd Insistence on Understanding the Night|Garaicoa, Carlos 659.00|0|Category|15|J|-Gonzalez|1|||Tarjetas de visita|Series|Image Source (Book)|Visiting Cards|Translated|Image Source (Book)||||Tarjetas de visita (Visiting Cards)|29854|Gonzalez, Abigail||artist|Gonzalez, Abigail|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Photographs|||||20|||1998|1998||1998|1998|||||0||||0|||||Sepia toned prints|sepia|||||photography|||||51 x 41 cm||||||||||||||||Cornell||MNW|ECS|9/16/2003 0:00:00|9/16/2003 0:00:00||||0|||||||J||||||||||||||||Work|0||||||||||||0|0|Tarjetas de visita;Visiting Cards|Gonzalez, Abigail 660.00|0|Creator|15|35|T646-PA|1996|1||Tiempos nuevos|Series|Image Source (Book)|New Times|Translated|Image Source (Book)||||Tiempos nuevos (New Times)|29855|Toirac, Ángel||artist|Toirac, Ángel|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Paintings|||||20|||1996|1996||1996|1996|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||90 x 60 cm||||||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/16/2003 0:00:00|T646|||0|||||||35|PA||||||1996|||||||||Work|0||||||||||||0|0|Tiempos nuevos;New Times|Toirac, Ángel 661.00|0|Creator|15|35|T646-PA|1996|1a||Opium|LargerEntity|Image Source (Book)|||||||Opium from Tiempos nuevos|29855|Toirac, Ángel||artist|Toirac, Ángel|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Paintings|||||20|||1996|1996||1996|1996||Tiempos nuevos|||660||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||90 x 60 cm||||||Castro, Fidel, 1926-, John Paul II, Pope, 1920-||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/16/2003 0:00:00|T646|||0|||||||35|PA||||||1996|||||||||Work|0||||||||||||0|0|Opium|Toirac, Ángel 662.00|0|Creator|15|35|T646-PA|1996|1b||Marlboro|Original|Image Source (Book)|||||||Marlboro from Tiempos nuevos|29855|Toirac, Ángel||artist|Toirac, Ángel|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Paintings|||||20|||1996|1996||1996|1996||Tiempos nuevos|||660||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||90 x 60 cm||||||Castro, Fidel, 1926-, Marlboro Man||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/16/2003 0:00:00|T646|||0|||||||35|PA||||||1996|||||||||Work|0||||||||||||0|0|Marlboro|Toirac, Ángel 663.00|0|Site|02|B-H3|Rom|2.21|Col||Colosseum||Blue Guide|||||||Colosseum|0|||||0||||0|||||Roman|||Flavian|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Stadium|Amphitheater|||1|||75|82||75-82|75-82|||||0||||0||||||||||||||||||||||Stadiums ; Arenas ; Amphitheaters (built works) ; |Stadiums|Arenas|Amphitheaters (built works)|||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/16/2003 0:00:00||Rom||0||||||Col|B|||||H2|2.21||||||||||Work|0||||||||||||0|0|Colosseum| 664.00|0|Site|02|B-H3|Rom|1.32|Con||Arch of Constantine||Blue Guide|||||||Arch of Constantine|0|||||0||||0|||||Roman||||||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Triumphal arch|Arch|||4|||315|315||315|315|||||0||||0||||||||||||||||||||||Triumphal arches ; Arch of Constantine, Rome, Italy ; |Triumphal arches|Arch of Constantine, Rome, Italy||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/16/2003 0:00:00||Rom||0||||||Con|B|||||H3|1.32||||||||||Work|0||||||||||||0|0|Arch of Constantine| 665.00|0|Site|02|B-H2|Rom|2.41 Max|Max|B-H3 Rom 2.41 Max|Basilica of Maxentius|Preferred|DOA|Basilica of Constantine|Variant|Blue Guide||||Basilica of Maxentius (Basilica of Constantine)|0|||||0||||0|||||Roman|||Late Antique|Roman Period||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Public building||||04|||0306|0310|ca|ca 306-310|ca 306-310|||||0||||0||||||||||||||||||||||Basilicas ; |Basilicas|||||||||Cornell||ECS|MNW|11/17/2006 0:00:00|9/16/2003 0:00:00||Rom||0||||||Max|B|||||H2|2.41||||||||||Work|0|Architecture-France|Basilica started by Maxentius; completed by Constantine.||||||||||0|0|Basilica of Maxentius;Basilica of Constantine| 666.00|0|Site|02|B-L8|Ist|3.1|HagS||Hagia Sophia||Blue Guide|||||||Hagia Sophia|27618|Anthemius of Tralles & Isidore of Miletus||ArchFirm|Anthemius of Tralles & Isidore of Miletus|0||||0|||||Turkish||||||||Turkey||||||0|Istanbul, Turkey|||10021||||0||||0|Architecture|Church|Mosque|||6|||532|537||532-537|532-537|||||0||||0||||||||||||||||||||||Churches, Mosques||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/16/2003 0:00:00||Ist||0||||||HagS|B|||||L8|3.1||||||||||Work|0||||||||||||0|0|Hagia Sophia|Anthemius of Tralles & Isidore of Miletus 667.00|0|Site|02|B-H3|Rav|3.1|Vit||San Vitale||Blue Guide|||||||San Vitale|0|||||0||||0|||||Italian|||Byzantine|||Europe||Italy||||||0|Ravenna, Italy|||10064||||0||||0|Architecture|Church||||6|||526|547||526-547|526-547|||||0||||0||||||||||||||||||||||Churches||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/16/2003 0:00:00||Rav||0||||||Vit|B|||||H3|3.1||||||||||Work|0||||||||||||0|0|San Vitale| 668.00|0|Site|02|B-K3|Ath|1.31|Acr|B-K3 Ath 1.31 Acr|Acropolis||Blue Guide|||||||Acropolis|0|||||0||||0|||||Greek|||Classical|||Europe||Greece||||||0|Athens, Greece|||10065||||0||||0|Architecture|Public building||||-4|-5|-6|-550|-350|ca|ca. 600-400 BCE|-600 - -400|||||0||||0||||||||||||||||||||||Acropolises ; Public buildings ; |Acropolises|Public buildings||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/17/2003 0:00:00||Ath||0||||||Acr|B|||||K3|1.31||||||||||Work|0||||||||||||0|0|Acropolis| 669.00|0|Category|11|W-18|Education|Architecture|5||A Loggia||Blue Guide|||||||A Loggia|29856|Abele, Julian Francis||architect|Abele, Julian Francis|0||||0|||||American|African American|||||||United States||||||0||||0||||0||||0|Architecture|Public building||||20|||1902|1902||1902|1902|||||0||||0|||||Ink on paper|ink|paper||||drawing (image-making)|||||||||||Loggias||||||||||Cornell||MNW|MNW|9/17/2003 0:00:00|9/17/2003 0:00:00||||0|||||||W|||18|||||||||||||Work|0||Third year design Program at the University of Pennsylvania. First prize.||||||||||0|0|A Loggia|Abele, Julian Francis 670.00|0|Site|02|B-K3|Ath|1.31|Acr/Par|B-K3 Ath 1.31 Acr/Par|Parthenon||Blue Guide|||||||Acropolis. Parthenon|29650|Iktinos & Kallikrates||ArchFirm|Iktinos & Kallikrates|0||||0|||||Greek|||Classical|||Europe||Greece||||||0|Athens, Greece|||10065||||0||||0|Architecture|Temple|Public building|||-5|||-447|-431||447-432 BCE|447-432 BCE||Acropolis|Larger Entity||668||||0||||||||||||||||||||||Public buildings ; Temples ; |Public buildings|Temples||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/17/2003 0:00:00||Ath||0||||||Acr/Par|B|||||K3|1.31||||||||||Work|0|Architecture-Greece|||||||||||0|0|Parthenon|Iktinos & Kallikrates 671.00|0|Culture|11|W-18|Education|Architecture|1||A Metropolitan Cathedral|Original|Image Source (Book)|||||||A Metropolitan Cathedral|29856|Abele, Julian Francis||architect|Abele, Julian Francis|0||||0|||||American|African American|||||||United States||||||0||||0||||0||||0|Architecture|Drawing||||20|||1902|1902||1902|1902|||||0||||0|||||Ink on paper|paper|ink||||drawing (image-making)|||||||||||||||||||||Cornell||MNW|MNW|9/17/2003 0:00:00|9/17/2003 0:00:00||||0|||||||W|||||18|||||||||||Work|0||A study in the advanced course in design of the Graduate Year at the University of Pennsylvania.||||||||||0|0|A Metropolitan Cathedral|Abele, Julian Francis 672.00|0|Culture|11|W-18|Education|Architecture|2||Post Office for a Large City|Original|Image Source (Book)|||||||Post Office for a Large City|29856|Abele, Julian Francis||architect|Abele, Julian Francis|0||||0|||||American|African American|||||||United States||||||0||||0||||0||||0|Architecture|Drawing||||20|||1902|1902||1902|1902|||||0||||0|||||Ink on paper|paper|ink||||drawing (image-making)|||||||||||||||||||||Cornell||MNW|ECS|9/18/2003 0:00:00|9/17/2003 0:00:00||||0|||||||W|||||18|||||||||||Work|0||One day problem at the School of Architecture, University of Pennsylvania. First prize.||||||||||0|0|Post Office for a Large City|Abele, Julian Francis 673.00|0|Culture|11|W-18|Education|Architecture|3||A Botanical Museum|Original|Image Source (Book)|||||||A Botanical Museum|29856|Abele, Julian Francis||architect|Abele, Julian Francis|0||||0|||||American|African American|||||||United States||||||0||||0||||0||||0|Architecture|Drawing||||20|||1902|1902||1902|1902|||||0||||0|||||Ink on paper|paper|ink||||drawing (image-making)|||||||||||Museums||||||||||Cornell||MNW|ECS|9/18/2003 0:00:00|9/17/2003 0:00:00||||0|||||||W|||||18|||||||||||Work|0||One day problem for seniors at the School of Architecture, University of Pennsylvania. First prize.||||||||||0|0|A Botanical Museum|Abele, Julian Francis 674.00|0|Culture|11|W-18|Education|Architecture|4||Watercolor Study|Original|Image Source (Book)|||||||Watercolor Study|29856|Abele, Julian Francis||architect|Abele, Julian Francis|0||||0|||||American|African American|||||||United States||||||0||||0||||0||||0|Architecture|Drawing||||20|||1902|1902||1902|1902|||||0||||0|||||watercolor on paper|watercolor|paper||||drawing (image-making)|||||||||||||||||||||Cornell||MNW|MNW|9/17/2003 0:00:00|9/17/2003 0:00:00||||0|||||||W|||||18|||||||||||Work|0||Drawn while a student at the School of Architecture, University of Pennsylvania.||||||||||0|0|Watercolor Study|Abele, Julian Francis 675.00|0|Culture|11|W-18|Education|Architecture|6||Competition--a City Garden|Original|Image Source (Book)|||||||Competition--a City Garden|29856|Abele, Julian Francis||architect|Abele, Julian Francis|0||||0|||||American|African American|||||||United States||||||0||||0||||0||||0|Architecture|Drawing||||20|||1902|1902||1902|1902|||||0||||0|||||Ink on Paper|ink|paper||||drawing (image-making)|||||||||||||||||||||Cornell||MNW|MNW|9/18/2003 0:00:00|9/17/2003 0:00:00||||0|||||||W|||||18|||||||||||Work|0||Drawn while a student at the School of Architecture, University of Pennsylvania.||||||||||0|0|Competition--a City Garden|Abele, Julian Francis 676.00|0|Culture|11|W-18|Education|Architecture|7||The Draughting Room|Assigned|Image Source (Book)|||||||The Draughting Room|29857|Bendiner, Alfred||artist|Bendiner, Alfred|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Drawings|Cartoon (Humorous image)||||20|||1934|1934||1934|1934|||||0||||0|Book of the School, Dept. of Architecture, University of Pennsylvania, 1874-1934||||||||||drawing (image-making)|||||||||||||||||||||Cornell||MNW|MNW|9/18/2003 0:00:00|9/18/2003 0:00:00||||0|||||||W|||18|||||||||||||Work|0||||||||||||0|0|The Draughting Room|Bendiner, Alfred 677.00|0|Site|02|B-K3|Ath|1.31|Acr/Ere||Erectheum||Blue Guide|Erechtheion||||||Acropolis. Erectheum||||||0||||0|||||Greek|||Classical|||Europe||Greece||||||0|Athens, Greece|||10065||||0||||0|Architecture|Temple|||||||-421|-406||421-406 BCE|421-406 BCE||Acropolis|Larger Entity||668||||0||||||||||||||||||||||Temples||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/18/2003 0:00:00||Ath||0||||||Acr/Ere|B|||||k3|1.31||||||||||Work|0||||||||||||0|0|Erectheum;Erechtheion| 678.00|0|Culture|11|W-18|Education|Architecture|8||The Charette|Assigned|Cataloger|||||||The Charette|29857|Bendiner, Alfred||artist|Bendiner, Alfred|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Drawings|Cartoon (Humorous image)||||20|||1934|1934||1934|1934|||||0||||0|Book of the School, Dept. of Architecture, University of Pennsylvania, 1874-1934||||||||||drawing (image-making)|||||||||||Charettes||||||||||Cornell||MNW|MNW|9/18/2003 0:00:00|9/18/2003 0:00:00||||0|||||||W|||18|||||||||||||Work|0||||||||||||0|0|The Charette|Bendiner, Alfred 679.00|0|Culture|11|W-18|Education|Architecture|9||The Drafting Room|Assigned|Cataloger||||||||29857|Bendiner, Alfred||artist|Bendiner, Alfred|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Drawings|Cartoon (Humorous image)||||20|||1934|1934||1934|1934|||||0||||0|Book of the School, Dept. of Architecture, University of Pennsylvania, 1874-1934||||||||||drawing (image-making)|||||||||||||||||||||Cornell||MNW|MNW|9/18/2003 0:00:00|9/18/2003 0:00:00||||0|||||||W|||18|||||||||||||Work|0||||||||||||0|0|The Drafting Room|Bendiner, Alfred 680.00|0|Site|02|B-K3|Ath|1.31|Acr/Pro||Propylaea||Blue Guide|||||||Acropolis. Propylaea|8066|Mnesikles||architect|Mnesikles|0||||0|||||Greek|||Classical|||||Greece||||||0|Athens, Greece|||10065||||0||||0|Architecture|Temple|||||||-437|||437 BCE; never completed|437 BCE||Acropolis|Larger Entity||668||||0||||||||||||||||||||||Temples||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/18/2003 0:00:00||Ath||0||||||Acr/Pro|B|||||K3|1.31||||||||||Work|0||Begun 437 BCE; never completed.||||||||||0|0|Propylaea|Mnesikles 681.00|0|Site|02|B-C7|Mex|2.41|NatPal 8-1-6|B-C7 Mex 2.41 NatPal 8-1-6|Legend of Quetzalcoatl|Assigned|Image Source (Book)|||||||History of Mexico. Legend of Quetzalcoatl|9901|Rivera, Diego||painter|Rivera, Diego|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Paintings|Fresco||||20|||1929|1935||1929|1929||History of Mexico|||511||||0|||||Fresco||||||fresco painting|||||7.5 x 8.5 M||9211|Mexico City,National Palace|Mexico City: Nat'l Palace||Quetzalcoatl, 986-1053||||||||||Cornell||MNW|MNW|1/31/2005 0:00:00|9/18/2003 0:00:00||Mex||0||||||NatP|B|||||C7|2.41|| ||||||||Work|0||||||||||||0|0|Legend of Quetzalcoatl|Rivera, Diego 682.00|0|Site|02|B-C7|Mex|2.41|NatPal 8-4|B-C7 Mex 2.41 NatPal 8-4|Great City of Tenochtitlán|Assigned|Image Source (Book)|||||||National Palace. Great City of Tenochtitlán|9901|Rivera, Diego||painter|Rivera, Diego|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Paintings|Fresco||||20|||1945|1945||1945|1945||National Palace|Larger entity||512||||0|||||Fresco||||||fresco painting|||||4.9 x 9.7 M||9211|Mexico City: National Palace|Mexico City: Nat'l Palace||Tenochtitlán ; Cities ; |Tenochtitlán|Cities||||||||Cornell||MNW|MNW|9/4/2006 0:00:00|9/18/2003 0:00:00||Mex||0||||||NatP|B|||||C7|2.41|| ||||||||Work|0||||||||||||0|0|Great City of Tenochtitlán|Rivera, Diego 683.00|0|Site|02|B-C7|Mex|2.41|NatPal 8-1-8|B-C7 Mex 2.41 NatPal 8-1-8|Madero Revolution, 1910|Assigned|Image Source (Book)|||||||History of Mexico. Madero Revolution, 1910|9901|Rivera, Diego||painter|Rivera, Diego|0||||0|||||Mexican||||||||Mexico||||||0|Mexico City, Mexico|||9989||||0||||0|Paintings|Fresco||||20|||1929|1930||1929-1930|1929-1930||History of Mexico|LargerEntity||511||||0|||||Fresco||||||fresco painting|painting (image-making)||||||9211|Mexico City,National Palace|Mexico City: Nat'l Palace||Revolutions, Madero, Francisco I., 1873-1913, Mexico Revolution, 1910||||||||||Cornell||MNW|MNW|1/31/2005 0:00:00|9/18/2003 0:00:00||Mex||0||||||NatP|B|||||C7|2.41|| ||||||||Work|0||Inner left arch.||||||||||0|0|Madero Revolution, 1910|Rivera, Diego 684.00|0|Site|02|B-C7|Mex|2.41|NatP 8-1-3|B-C7 Mex 2.41 NatP 8-1-3|Execution of Maximilian|Assigned|Image Source (Book)|||||||History of Mexico. Execution of Maximilian|9901|Rivera, Diego||painter|Rivera, Diego|0||||0|||||Mexican||||||||Mexico||||||0|Mexico City, Mexico|||9989||||0||||0|Paintings|Fresco||||20|||1929|1935||1929-1935|1929-1935||History of Mexico|LargerEntity||511||||0|||||Fresco||||||fresco painting|painting (image-making)||||||9211|Mexico City,National Palace|Mexico City: Nat'l Palace||Executions, Maximilian I, 1573-1651||||||||||Cornell||MNW|MNW|1/31/2005 0:00:00|9/19/2003 0:00:00||Mex||0||||||NatP|B|||||C7|2.41|| ||||||||Work|0||West wall, outer left arch.||||||||||0|0|Execution of Maximilian|Rivera, Diego 685.00|0|Site|02|B-C7|Mex|2.41|NatP 8-7|B-C7 Mex 2.41 NatP 8-7|Landing of Cortez at Veracruz|Assigned|Image Source (Book)|||||||National Palace. Landing of Cortez at Veracruz|9901|Rivera, Diego||painter|Rivera, Diego|0||||0|||||Mexican||||||||Mexico||||||0|Mexico City, Mexico|||9989||||0||||0|Paintings|Fresco||||20|||1951|1951||1951|1951||National Palace|LargerEntity||512||||0|||||Fresco||||||fresco painting|painting (image-making)||||4.9 x 4.72 M||9211|Mexico City,National Palace|Mexico City: Nat'l Palace||Cortez, Hernan, 1485-1547||||||||||Cornell||MNW|MNW|3/29/2006 0:00:00|9/19/2003 0:00:00||Mex||0||||||NatP|||||||2.41|| ||||||||Work|0||||||||||||0|0|Landing of Cortez at Veracruz|Rivera, Diego 686.00|0|Creator|15|35|R612-PA|1915|1|35 R612-PA 1915 1|Zapatista Landscape (The Guerilla)|Assigned|Image Source (Book)|||||||Zapatista Landscape (The Guerilla)|9901|Rivera, Diego||painter|Rivera, Diego|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Paintings|||||20|||1915|1915||1915|1915|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||145 x 125.1 cm||1683|Mexico City,Museo Nacional de Artes e Industrias Populares|Mexico City: Mus. Nac. Artes & Ind.||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/19/2003 0:00:00|R612|||0|||||||35|PA||||||1915| ||||||||Work|0||||||||||||0|0|Zapatista Landscape (The Guerilla)|Rivera, Diego 687.00|0|Site|02|B-K3|Ath|1.31|Acr/Nike||Temple of Nike Apteros||Blue Guide|Temple of Athena Nike||||||Acropolis. Temple of Nike Apteros (Temple of Athena Nike)|0|||||0||||0|||||Greek|||Classical|||Europe||Greece||||||0|Athens, Greece|||10065||||0||||0|Architecture|Temple|||||||-450|-398|ca|ca. 425-423 BCE|425-423 BCE||Acropolis|||668||||0||||||||||||||||||||||Temples||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/19/2003 0:00:00||Ath||0||||||Acr/Nike|B|||||K3|1.31||||||||||Work|0||||||||||||0|0|Temple of Nike Apteros;Temple of Athena Nike| 688.00|0|Creator|15|35|R612-F|M2681|||Man, Controller of the Universe|Original|Dict.ArtO|Man at the Crossroads|Assigned|Image Source (Book)||||Man at the Crossroads|9901|Rivera, Diego||painter|Rivera, Diego|0||||0|||||Mexican||||||||Mexico||||||0|Mexico City, Mexico|||9989||||0||||0|Paintings|Fresco||||20|||1934|1934||1934|1934|||||0||||0|||||Fresco||||||fresco painting|painting (image-making)||||4.9 x 11.5 M||1689|Mexico City,Palacio de Bellas Artes|Mexico City: Pal. BA||||||||||||Cornell||MNW|JNK|2/2/2005 0:00:00|9/19/2003 0:00:00|R612|||0|||||||35|F||||||1934| ||||||||Work|0||This painting is a revised version of his destroyed mural "Man at the Crossroads" which was painted for the RCA Building in Rockefeller Center, New York.||||||||||0|0|Man, Controller of the Universe;Man at the Crossroads|Rivera, Diego 689.00|0|Site|02|B-Q5|Agra|3.3 Taj|Taj|B-Q5 Agr 3.3 Taj|Taj Mahal|LargerEntity|Dict.Art|||||||Taj Mahal|0|||||0||||0|||||Islamic|||Mughal|||Asia||India||||||0|Agra, India|||10022||||0||||0|Architecture|Mausoleum complexes||||17|||1625|1675|ca|Mid 17th century|ca 1625-1675|||||0||||0||||||||||||||||||||||Complexes ; Mausoleums ; |Complexes|Mausoleums||||||||Cornell||JC|MNW|9/19/2006 0:00:00|9/19/2003 0:00:00||Agra||0||||||Taj|B|||||Q5|3.3||||||||||Work|0|Architecture-India|Built for Mumtaz Mahal. Based on the Built for Mumtaz Mahal. Charbagh plan; constructed wholly of white marble; extensive decorative inlay of semiprecious stones. Built by Shah Jahan. MacDougall.|||Probably 1631-1648.|||||||0|0|Taj Mahal| 690.00|0|Creator|15|35|S6185-PA|1957|1||From Porfirianism to the Revolution|Assigned|Dict.ArtO|||||||From Porfirianism to the Revolution|10959|Siqueiros, David Alfaro||painter|Siqueiros, David Alfaro|0||||0|||||Mexican||||||||Mexico||||||0|Chapultepec, Mexico City|||10066||||0||||0|Paintings|Mural||||20|||1957|1965||1957-1965|1957-1965|||||0||||0|||||Proxaline, acrylic on plywood|proxaline|acrylic|plywood|||mural painting|||||||1684|Mexico City,Museo Nacional de Historia|Mexico City: Mus. Nac. Hist.||||||||||||Cornell||MNW|MNW|9/19/2003 0:00:00|9/19/2003 0:00:00|S6185|||0|||||||35|PA||||||1957| ||||||||Work|0||||||||||||0|0|From Porfirianism to the Revolution|Siqueiros, David Alfaro 691.00|0|Creator|15|35|S6185-PA|1939|1||The Echo of the Scream|Assigned|Image Source (Book)|||||||The Echo of the Scream|10959|Siqueiros, David Alfaro||painter|Siqueiros, David Alfaro|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Paintings|||||20|||1939|1939||1939|1939|||||0||||0|||||Proxaline on plywood|proxaline|plywood||||painting (image-making)|||||124.5 x 90.2 cm||3384|New York,Museum of Modern Art|New York: MoMA||||||||||||Cornell||MNW|MNW|9/19/2003 0:00:00|9/19/2003 0:00:00|S6185|||0|||||||35|PA||||||1939| ||||||||Work|0||||||||||||0|0|The Echo of the Scream|Siqueiros, David Alfaro 692.00|0|Site|02|B-H3|Rom|1.31|For/Tra|B-H3 Rom 1.31 For/Tra|Forum of Trajan|Preferred|Collection|Trajan's Forum|Translated|Image Source (Pub)||||Imperial Fora. Trajan's Forum|31296|Apollodoros of Damascus||architect|Apollodoros of Damascus|0||||0|||||Roman|||Trajanic|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Forum||||1|||82|138|ca|ca.107-113|107-113||Imperial Fora|||693||||0||||||||||||||||||||||Forum of Trajan, Rome, Italy||||||||||Cornell||ECS|GB|10/25/2006 0:00:00|9/22/2003 0:00:00||Rom||0||||||For/Tra|B|||||H3|1.31||||||||||Work|0||||||||||||0|0|Forum of Trajan;Trajan's Forum|Apollodoros of Damascus 693.00|0|Site|02|B-H3|Rom|1.31|ImpFor||Imperial Fora|LargerEntity|Blue Guide|||||||Imperial Fora|0|||||0||||0|||||Roman||||||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Forum|||||||-69|138|ca|ca.44 BCE-113 CE|44 BCE-113 CE|||||0||||0||||||||||||||||||||||Forums||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/22/2003 0:00:00||Rom||0||||||ImpFor|B|||||H3|1.31||||||||||Work|0||||||||||||0|0|Imperial Fora| 694.00|0|Site|02|B-H3|Pae|3.4|Bas||Temple of Hera I||Blue Guide|Basilica||Blue Guide||||Temple of Hera I (Basilica)|0|||||0||||0|||||Greek||||||Europe||Italy||||||0|Paestum, Italy|||10067||||0||||0|Architecture|Temple|||||||-575|-525|ca|ca.550 BCE|550 BCE|||||0||||0||||||||||||||||||||||Temples||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/22/2003 0:00:00||Pae||0||||||Bas|B|||||H3|3.4||||||||||Work|0||||||||||||0|0|Temple of Hera I;Basilica| 696.00|0|Site|02|B-H3|Pisa|3.1|Cath||Cathedral|||Duomo||Blue Guide||||Cathedral (Duomo)|29858|Busketus||architect|Busketus|0||||0|||||Italian|||Romanesque|||Europe||Italy||||||0|Pisa, Italy|||10068||||0||||0|Architecture|Church||||11-13|||1063|1272||1063-1272; restored 1602-1616|1063-1272; restored 1602-1616||Piazza dei Miracoli|||695||||0||||||||||||||||||||||Cathedrals, Churches||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/22/2003 0:00:00||Pisa||0||||||Cath|B|||||H3|3.1||||||||||Work|0||||||||||||0|0|Cathedral;Duomo|Busketus 698.00|0|Site|02|B-H3|Pisa|3.1|Camp||Campanile||Blue Guide|Leaning Tower||Blue Guide||||Campanile (Leaning Tower)|29860|Simone, Giovanni di||architect|Simone, Giovanni di|0||||0|||||Italian|||Romanesque|||Europe||Italy||||||0|Pisa, Italy|||10068||||0||||0|Architecture|Campanile||||12|||1174|||Begun 1174|Begun 1174||Piazza dei Miracoli|||695||||0||||||||||||||||||||||Campanile||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/22/2003 0:00:00||Pisa||0||||||Camp|B|||||H3|3.1||||||||||Work|0||||||||||||0|0|Campanile;Leaning Tower|Simone, Giovanni di 699.00|0|Site|02|B-H2|Cha|3.1 ND||B-H2 Cha 3.1 ND |Cathedral of Notre Dame|Preferred|Blue Guide|Notre Dame|Variant|Blue Guide||||Cathedral of Notre Dame|0|||||0||||0|||||French|||Romanesque|||Europe||France||||||0|Chartres, France|||10069||||0||||0|Architecture|Cathedral|Church|||12|14|16|1120|1195||ca. 1145-1170; additions 14th-16th centuries|ca. 1145-1170; additions 14th-16th centuries|||||0||||0||||||||||||||||||||||Cathedrals ; |Cathedrals|||||||||Cornell||ECS|MNW|11/10/2006 0:00:00|9/22/2003 0:00:00||Cha||0||||||ND|B|||||H2|3.1|||0|||||||Work|0|Architecture-France||||Additions in the 14th to 16th centuries.|||||||0|0|Cathedral of Notre Dame;Notre Dame| 700.00|0|Site|02|B-H2|Par|3.1|SCha|B-H2 Par 3.1 SCha|Sainte-Chapelle|Preferred|Dict.Art|||||||Sainte-Chapelle|0|||||0||||0|||||French|||Gothic (Medieval)|High Gothic||Europe||France||||||0|Paris, France|||10058||||0||||0|Architecture|Church|Chapel|||13|||1241|1248|ca|ca 1241-1248|ca 1241-1248|||||0||||0||||||||||||||||||||||Chapels ; |Chapels|||||||||Cornell||ECS|MNW|11/10/2006 0:00:00|9/22/2003 0:00:00||Par||0||||||SCha|B|||||H2|3.1||||||||||Work|0||||||||||||0|0|Sainte-Chapelle| 701.00|0|Site|02|B-H3|Flo|3.1|SCro||Santa Croce||Blue Guide|||||||Santa Croce|509|Arnolfo di Cambio||architect|Arnolfo di Cambio|0||||0|||||Italian|||Gothic (Medieval)|||||Italy||||||0|Florence, Italy|||9985||||0||||0|Architecture|Church||||13-15|||1294|1442||1294-1442|1294-1442|||||0||||0||||||||||||||||||||||Churches||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/22/2003 0:00:00||Flo||0||||||SCro|B|||||H3|3.1||||||||||Work|0||||||||||||0|0|Santa Croce|Arnolfo di Cambio 702.00|0|Site|02|B-H3|Flo|3.1|Paz||Pazzi Chapel|Translated|Blue Guide|Cappella dei Pazzi|Original|Blue Guide||||Santa Croce. Pazzi Chapel|1698|Brunelleschi, Filippo||architect|Brunelleschi, Filippo|0||||0|||||Italian|||Renaissance|||||Italy||||||0|Florence, Italy|||9985||||0||||0|Architecture|Church|Chapel|||15|||1429|1446||1446|1429||Santa Croce|Larger Entity||701||||0||||||||||||||||||||||Chapels, Churches||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/22/2003 0:00:00||Flo||0||||||Paz|B|||||H3|3.1||||||||||Work|0||||||||||||0|0|Pazzi Chapel;Cappella dei Pazzi|Brunelleschi, Filippo 703.00|0|Architect|03|MA-Cret|4.4|1927 Rod|||Rodin Museum||Image Source (Book)|||||||Rodin Museum|2711|Cret & Greber||Architects|Cret & Greber|0||||0|||||American|French|||||||United States||||||0|Philadelphia, PA|||10070||||0||||0|Architecture|Museum||||20|||1927|1929||1927-1929|1927-1929|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|9/22/2003 0:00:00|9/22/2003 0:00:00|Cret|||0||||||Rod|MA||||||4.4|1927|||||||||Work|0|Modern Architecture|22nd Street and Benjamin Franklin Parkway. The gateway is a replica of the Chateau d'Issy, reconstructed by Rodin for his own home in Meudon, France.||||||||||0|0|Rodin Museum|Cret & Greber 704.00|0|Architect|03|MA-Cret|4.4|1927 Rod|||Rodin Museum, Transverse Section|Assigned|Image Source (Book)|||||||Rodin Museum, Transverse Section|2711|Cret & Greber||Architects|Cret & Greber|0||||0|||||American||||||||United States||||||0|Philadelphia, PA|||10070||||0||||0|Architecture|Architectural drawing||||20|||1927|1927||1927|1927||Rodin Museum|||703||||0|||||Graphite & colored pencil on tracing paper|graphite|colored pencils|tracing paper|||architectural drawing|||||43.8 x 91.4 cm||9239|Philadelphia, Museum of Art, Archives|Philadelphia: Museum of Art; Archives||||||||||||Cornell||MNW|MNW|9/23/2003 0:00:00|9/22/2003 0:00:00|Cret|||0||100.3||||Rod|MA||||||4.4|1927| ||||||||Work|0|Modern Architecture|Inscribed: P. P. Cret and J. Greber Associate Architect July 25, 1927.||||||||||0|0|Rodin Museum, Transverse Section|Cret & Greber 705.00|0|Architect|03|MA-Cret|2.23|1925-33 APhil|||American Philosophical Society|Assigned|Image Source (Book)|||||||American Philosophical Society. Project|2712|Cret, Paul Philippe||architect|Cret, Paul Philippe|0||||0|||||American||||||||United States||||||0||||0|Philadelphia, PA|||10070||||0|Architecture|||||20|||1925|1933||1925-1933|1925-1933|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|9/22/2003 0:00:00|9/22/2003 0:00:00|Cret||Phi|0||||||APhil|MA||||||2.23|1925-33| ||||||||Work|0|Modern Architecture|Unbuilt project designed from the Benjamin Franklin Parkway in Philadelphia.||||||||||0|0|American Philosophical Society|Cret, Paul Philippe 706.00|0|Architect|03|MA-Cret|2.23|1925-26 APhil|||American Philosophical Society|Assigned|Image Source (Book)|||||||American Philosophical Society. Project. Presentation|2712|Cret, Paul Philippe||architect|Cret, Paul Philippe|0||||0|||||American||||||||United States||||||0||||0|Philadelphia, PA|||10070||||0|Architecture|Architectural drawing||||20|||1925|1926||1926|1925|||||7050||||0|||||Watercolor, ink, graphite, gouache & crayon on paper|Watercolor|ink|paper|||architectural drawing|||||29.2 x 73 cm||4102|Philadelphia,American Philosophical Society|Phila.: Amer. Philosoph. Soc.||||||||||||Cornell||MNW|MNW|9/23/2003 0:00:00|9/22/2003 0:00:00|Cret||Phi|0||||||APhil|MA||||||2.23|1925-26| ||||||||Work|0|Modern Architecture|Unbuilt project designed from the Benjamin Franklin Parkway in Philadelphia. Presentation perspective.||||||||||0|0|American Philosophical Society|Cret, Paul Philippe 707.00|0|Architect|03|MA-Cret|7.4|1931-40 2601|||2601 Parkway|Assigned|Image Source (Book)|||||||2601 Parkway. Project|2712|Cret, Paul Philippe||architect|Cret, Paul Philippe|0||||0|||||American||||||||United States||||||0|Washington, DC|||10054||||0||||0|Architecture|||||20|||1931|1940|ca|1931-ca 1940|1931-ca 1940|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|9/23/2003 0:00:00|9/23/2003 0:00:00|Cret|Wash||0||||||2601|MA||||||7.4|1931-40| ||||||||Work|0|Modern Architecture|Unbuilt project for an apartment building to be erected at 2601 Pennsylvania Avenue; it is known as "2601 Parkway.||||||||||0|0|2601 Parkway|Cret, Paul Philippe 708.00|0|Architect|03|MA-Cret|7.4|1931-40 2601|||2601 Parkway. Moderne Design|Assigned|Image Source (Book)|||||||2601 Parkway. Moderne Design. Project|2712|Cret, Paul Philippe||architect|Cret, Paul Philippe|0||||0|||||American|||Art Deco|||||United States||||||0|Washington, DC|||10054||||0||||0|Architecture|Architectural drawing||||20|||1932|1932|ca|ca 1932-1932|ca 1932-1932|||||0||||0|||||Crayon & colored crayon on tracing paper|crayons|tracing paper||||architectural drawing|||||17.8 x 38.7 cm||9240|Philadelphia, H2L2 Architects/Planners|Philadelphia: H2L2 Arch.||||||||||||Cornell||MNW|MNW|9/23/2003 0:00:00|9/23/2003 0:00:00|Cret|||0||||||2601|MA||||||7.4|1931-40| ||||||||Work|0||||||||||||0|0|2601 Parkway. Moderne Design|Cret, Paul Philippe 709.00|0|Site|02|B-B39|Phi|4.2|UP/Coll|B-B39 Phi 4.2 UP/Coll|College Hall|Assigned|Image Source (Book)|||||||University of Pennsylvania. College Hall|9824|Richards, Thomas Webb||architect|Richards, Thomas Webb|0||||0|||||American||||||||United States||||||0|Philadelphia, PA|||10070||||0||||0|Architecture|University||||19|||1870|1872||1870-1872|1870-1872||University of Pennsylvania|||710||||0||||||||||||||||||||||||||||||||Cornell||MNW|BZ|9/14/2006 0:00:00|9/23/2003 0:00:00||Phi||0|||||||B|||||B39|UP/Coll|||4.2|||||||Work|0|Architecture-Pennsylvania (PA)|The West tower was demolished in 1914 and the East tower in 1929.||||||||||0|0|College Hall|Richards, Thomas Webb 710.00|0|Site|02|B-B39|Phi|4.1 UP||B-B39 Phi 4.1 UP |University of Pennsylvania|Assigned|Image Source (Book)|||||||University of Pennsylvania|0|||||0||||0|||||American||||||||United States||||||0|Philadelphia, PA|||10070||||0||||0|Architecture|University||||19|20|||||||||||0||||0||||||||||||||||||||||Universities||||||||||Cornell||MNW|MNW|3/29/2006 0:00:00|9/23/2003 0:00:00||Phi||0||||||UP|B|||||B39|4.1||||||||||Work|0|Architecture-Pennsylvania (PA)|||||||||||0|0|University of Pennsylvania| 711.00|0|Site|02|B-B39|Phi|4.2 UP/FA|||Fine Arts Building|Assigned|Image Source (Book)|Dental Hall|Original|Cataloger|Hayden Hall|Original|Cataloger|Fine Arts Building|10713|Seeler, Edward Viguers||architect|Seeler, Edward Viguers|0||||0|||||American||||||||United States||||||0|Philadelphia, PA|||10070||||0||||0|Architecture|University||||19|||1894|1895||1894-1895|1894-1895||University of Pennsylvania|||710||||0||||||||||||||||||||||Universities||||||||||Cornell||MNW|ECS|9/29/2003 0:00:00|9/23/2003 0:00:00||Phi||0||||||UP/FA|B|||||B39|4.2||||||||||Work|0|Architecture-Pennsylvania (PA)|This building was originally called Dental Hall because it housed the School of Dentistry; it was later called Hayden Hall. It housed the School of Fine Arts.|||Renovated in 1915|||||||0|0|Fine Arts Building;Dental Hall;Hayden Hall|Seeler, Edward Viguers 712.00|0|Culture|11|W-18|Education|Architecture|10||Medal of the Société des Architectes Diplomés par le Gouvernement Française|Assigned|Image Source (Book)|||||||Fine Arts Buildings. Medal of the Société des Architectes Diplomés|0|||||0||||0|||||French||||||||France||||||0|Philadelphia, PA|||10070||||0||||0|Sculpture|Medal||||20|||1921|1921||1921-1921|1921-1921||Fine Arts Building|Larger Entity||711||||0|||||Cast bronze medal|bronze|||||sculpture|casting||||||||||||||||||||Cornell||MNW|MNW|3/29/2006 0:00:00|9/23/2003 0:00:00||Phi||0||||||Education|W|||18|||||||||||||Work|0||This was presented to the Department of Architecture throught the American Group of the Society for the "best results during the year (1919-1920) in its architectural instruction along the lines of the Beaux Arts in Paris.||||||||||0|0|Medal of the Société des Architectes Diplomés par le Gouvernement Française| 713.00|0|Culture|11|W-18|Education|Architecture|11||The Pageant of 1920-1921, Beaux Arts Ball.|Assigned|Image Source (Book)|||||||The Pageant of 1920-1921, Beaux Arts Ball|0|||||0||||0|||||American||||||||United States||||||0|Philadelphia, PA|||10070||||0||||0|Architecture|Photography||||20|||1920|1921||1920-1921|1920-1921||Fine Arts Building|||711||||0|||||Photograph||||||photography|||||||||||Balls (parties)||||||||||Cornell||MNW|ECS|9/29/2003 0:00:00|9/23/2003 0:00:00||Phi||0||||||Education|W|||18|||||||||||||Work|0||||||||||||0|0|The Pageant of 1920-1921, Beaux Arts Ball.| 714.00|0|Culture|11|W-18|Education|Architecture|12||A Farm Group|Assigned|Image Source (Book)|||||||A Farm Group|29861|Xu, Ping||architect|Xu, Ping|0||||0|||||American||||||||United States||||||0|Philadelphia, PA|||10070||||0||||0|Architecture|Architectural drawing||||20|||1921|1922||1921-1922|1921-1922||Fine Arts Building|||711||||0|||||||||||architectural drawing|||||||||||||||||||||Cornell||MNW|MNW|9/23/2003 0:00:00|9/23/2003 0:00:00||Phi||0||||||Education|W|||18|||||||||||||Work|0||Project for Grade V; first mention.||||||||||0|0|A Farm Group|Xu, Ping 715.00|0|Culture|11|W-18|Education|Architecture|13||Freehand--Charcoal|Assigned|Image Source (Book)|||||||Freehand--Charcoal|29861|Xu, Ping||architect|Xu, Ping|0||||0|||||American||||||||United States||||||0|Philadelphia, PA|||10070||||0||||0||||||20|||1921|1922||1921-1922|1921-1922||Fine Arts Building|||711||||0|||||Charcoal on paper|charcoal|paper||||drawing (image-making)|||||||||||||||||||||Cornell||MNW|MNW|9/23/2003 0:00:00|9/23/2003 0:00:00||||0||||||Education|W|||18|||||||||||||Work|0||||||||||||0|0|Freehand--Charcoal|Xu, Ping 716.00|0|Culture|11|W-18|Education|Architecture|14||Student Smock Fight|Assigned|Image Source (Book)|||||||Student Smock Fight|0|||||0||||0|||||American||||||||United States||||||0|Philadelphia, PA|||10070||||0||||0|Photographs|||||20|||1925|1925|ca|ca 1925-1925|ca 1925-1925||College Hall|||709||||0|||||||||||photography|||||||||||||||||||||Cornell||MNW|MNW|9/23/2003 0:00:00|9/23/2003 0:00:00||||0||||||Education|W|||18|||||||||||||Work|0||||||||||||0|0|Student Smock Fight| 717.00|0|Architect|03|MA-Cret|1.0|1903 Por|1||Portrait|||||||||Portrait of Paul Cret|2712|Cret, Paul Philippe||architect|Cret, Paul Philippe|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Portrait||||20|||1903|1903|ca|ca 1903-1903|ca 1903-1903|||||0||||0|||||||||||photography|||||||||||Portraits||||||||||Cornell||MNW|ECS|9/24/2003 0:00:00|9/23/2003 0:00:00|Cret|||0||||||Por|MA||||||1.0|1903|||||||||Work|0|Modern Architecture|||||||||||0|0|Portrait|Cret, Paul Philippe 718.00|0|Culture|11|W-18|Education|Architecture|15||Theban Pageant, Beaux-Arts Ball|Artists|Image Source (Book)|||||||Theban Pageant, Beaux-Arts Ball|0|||||0||||0|||||American||||||||United States||||||0|Philadelphia, PA|||10070||||0||||0|Photographs|||||20|||1925|1925||1925-1925|1925-1925||Fine Arts Building|||711||||0|||||||||||photography|||||||||||Balls (parties)||||||||||Cornell||MNW|ECS|9/24/2003 0:00:00|9/23/2003 0:00:00||||0||||||Education|W|||18|||||||||||||Work|0||||||||||||0|0|Theban Pageant, Beaux-Arts Ball| 719.00|0|Site|02|B-H3|Vic|7.1|Rot||Villa Rotonda||Blue Guide|Villa Capra||||||Villa Rotonda (Capra)|8858|Palladio, Andrea||architect|Andrea Palladio|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0|Vicenza, Italy|||10071||||0||||0|Architecture|Villa||||16|||1566|1567||1566-1567|1566-1567|||||0||||0||||||||||||||||||||||Villas||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/23/2003 0:00:00||Vic||0||||||Rot|B|||||H3|7.1||||||||||Work|0||||||||||||0|0|Villa Rotonda;Villa Capra|Palladio, Andrea 720.00|0|Creator|15|35|C3357-PA|1987|1||Humanscape 141|Assigned|Image Source (Book)|Barrio Dog|Inscribed|Image Source (Pub)||||Humanscape 141: Barrio Dog|2083|Casas, Melesio|||Casas, Melesio|0||||0|||||Mexican American||||||||United States||||||0||||0||||0||||0|Paintings|||||20|||1987|1987||1987|1987-1987|||||0||||0|||||Acrylic|acrylic|||||painting (image-making)|||||190.5 x 254 cm||3174|Washington, DC: Smithsonian Institution; Museum of American Art|Wash, DC: Smithsonian; Mus. Amer. Art||||||||||||Cornell||MNW|MNW|8/23/2005 0:00:00|9/23/2003 0:00:00|C3357|||0|||||||35|PA||||||1987| ||||||||Work|0||||||||||||0|0|Humanscape 141;Barrio Dog|Casas, Melesio 721.00|0|Creator|15|35|J615-SC|1969|1||Man on Fire|Assigned|Image Source (Book)|||||||Man on Fire|5968|Jimenez, Luis Alfonso, Jr.||sculptor|Jimenez, Luis Alfonso|0||||0|||||Mexican American|Hispanic American|American||||||United States||||||0||||0||||0||||0|Sculpture|||||20|||1969|1969||1969|1969-1969|||||0||||0|||||Fiberglass|fiberglass|||||sculpture|||||269.2 x 203.8 x 75 cm||3174|Washington, DC: Smithsonian Institution; Museum of American Art|Wash, DC: Smithsonian; Mus. Amer. Art||Fire, Male nudes||||||||||Cornell||MNW|MNW|11/11/2005 0:00:00|9/23/2003 0:00:00|J615|||0|||||||35|SC||||||1969| ||||||||Work|0||||||||||||0|0|Man on Fire|Jimenez, Luis Alfonso, Jr. 722.00|0|Creator|15|35|L83925-PA|1985|1||Camas para Sueños|Original|Image Source (Book)|Beds for Dreams|Translated|Image Source (Book)||||Camas para Sueños (Beds for Dreams)|29862|Lomas Garza, Carmen||artist|Lomas Garza, Carmen|0||||0|||||Mexican American|American|||||||United States||||||0||||0||||0||||0|Paintings|||||20|||1985|1985||1985|1985-1985|||||0||||0|||||Gouache on paper|gouache|paper||||painting (image-making)|||||71.4 x 52.1 cm||3174|Washington, DC: Smithsonian Institution; Museum of American Art|Wash, DC: Smithsonian; Mus. Amer. Art||||||||||||Cornell||MNW|MNW|6/17/2005 0:00:00|9/24/2003 0:00:00|L83925|||0|||||||35|PA||||||1985| ||||||||Work|0||||||||||||0|0|Camas para Sueños;Beds for Dreams|Lomas Garza, Carmen 723.00|0|Creator|15|35|M578-SC|1984|1||An Ofrendo for Dolores del Rio|LargerEntity|Image Source (Book)|||||||An Ofrendo for Dolores del Rio|7905|Mesa-Bains, Amalia||sculptor|Mesa-Bains, Amalia|0||||0|||||Mexican American||||||||United States||||||0||||0||||0||||0|Sculpture|Installation (Exhibition)||||20|||1984|1984||1984|1984-1984|||||0||||0|||||Mirror on plywood, cloth, found & handmade objects|Mirror on plywood|cloth|objects|||sculpture|||||369.2 x 184.6 x 123 cm||3174|Washington, DC: Smithsonian Institution; Museum of American Art|Wash, DC: Smithsonian; Mus. Amer. Art||Del Rio, Dolores, 1905-1983, Altars||||||||||Cornell||MNW|MNW|6/17/2005 0:00:00|9/24/2003 0:00:00|M578|||0|||||||35|SC||||||1984| ||||||||Work|0||||||||||||0|0|An Ofrendo for Dolores del Rio|Mesa-Bains, Amalia 724.00|0|Site|02|B-H3|Man|3.1|SAnd||Sant' Andrea||Blue Guide|||||||Sant' Andrea|262|Alberti, Leon Battista||architect|Leon Battista Alberti|0||||0|||||Italian|||Renaissance|||Europe|Lombardy|Italy||||||0|Mantua, Italy|||10072||||0||||0|Architecture|Church||||15|||1472|1494||1472-1494; enlarged 1530|1472-1494; enlarged 1530|||||0||||0||||||||||||||||||||||Churches||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/24/2003 0:00:00||Man||0||||||SAnd|B|||||H3|3.1||||||||||Work|0||||||||||||0|0|Sant' Andrea|Alberti, Leon Battista 725.00|0|Creator|15|35|O830-M|1988|1||El Chandelier|Original|Image Source (Book)|||||||El Chandelier|8766|Osorio, Pepón||sculptor|Osorio, Pepón|0||||0|||||Puerto Rican||||||||United States||||||0||||0||||0||||0|Sculpture|||||20|||1988|1988||1988|1988-1988|||||0||||0|||||Chandelier and found objects|Chandelier|Found objects||||sculpture|||||154.6 x 106.7 cm||3174|Washington, DC: Smithsonian Institution; Museum of American Art|Wash, DC: Smithsonian; Mus. Amer. Art||||||||||||Cornell||MNW|MNW|6/17/2005 0:00:00|9/24/2003 0:00:00|O830|||0|||||||35|M||||||1988| ||||||||Work|0||||||||||||0|0|El Chandelier|Osorio, Pepón 726.00|0|Category|05|J-RodríguezJ|||1||Mothers on the Stoop|Assigned|Image Source (Book)|||||||Mothers on the Stoop|29863|Rodríguez, Joseph||photographer|Rodríguez, Joseph|0||||0|||||Puerto Rican||||||||United States||||||0||||0||||0||||0|Photographs|Print||||20|||1988|1988||1988|1988-1988|||||0||||0|||||Chromogenic photograph||||||photography|chromogenic processes||||45.7 x 30.5 cm||3174|Washington, DC: Smithsonian Institution; Museum of American Art|Wash, DC: Smithsonian; Mus. Amer. Art||||||||||||Cornell||MNW|MNW|6/17/2005 0:00:00|9/24/2003 0:00:00|RodríguezJ|||0|||||||J|||||||| ||||||||Work|0|Photography||Depicts four Puerto Rican mothers and their children on the steps of a residence in Spanish Harlem, New York City.|||||||||0|0|Mothers on the Stoop|Rodríguez, Joseph 727.00|0|Creator|15|35|T787-SC|1997|1||Codex for the 21st Century|Assigned|Image Source (Book)|||||||Codex for the 21st Century|29864|Trejo, Ruben||sculptor|Trejo, Ruben|0||||0|||||Mexican American||||||||United States||||||0||||0||||0||||0|Sculpture|||||20|||1997|1997||1997|1997-1997|||||0||||0|||||Nails|nails|||||sculpture|||||152.4 x 609.6 cm||3174|Washington, DC: Smithsonian Institution; Museum of American Art|Wash, DC: Smithsonian; Mus. Amer. Art||||||||||||Cornell||MNW|MNW|6/17/2005 0:00:00|9/24/2003 0:00:00|T787|||0|||||||35|SC||||||1997| ||||||||Work|0||||||||||||0|0|Codex for the 21st Century|Trejo, Ruben 728.00|0|Creator|15|35|V136-PA|1989|1||Two Vendors|Assigned|Image Source (Book)|||||||Two Vendors|12061|Valadez, John||painter|Valadez, John|0||||0|||||Hispanic American|Mexican American|||||||United States||||||0||||0||||0||||0|Paintings|Pastel (Visual work)||||20|||1989|1989||1989|1989-1989|||||0||||0|||||Pastel|pastels (crayons)|||||painting (image-making)|||||208.9 x 128.3||3174|Washington, DC: Smithsonian Institution; Museum of American Art|Wash, DC: Smithsonian; Mus. Amer. Art||||||||||||Cornell||MNW|MNW|6/17/2005 0:00:00|9/24/2003 0:00:00|V136|||0|||||||35|PA||||||1989| ||||||||Work|0||||||||||||0|0|Two Vendors|Valadez, John 729.00|0|Creator|15|35|V144-PA|1994|1||The Magic Room|Assigned|Image Source (Book)|||||||The Magic Room|29809|Valdez, Patssi||painter|Valdez, Patssi|0||||0|||||Hispanic American|Mexican American|||||||United States||||||0||||0||||0||||0|Paintings|||||20|||1994|1994||1994|1994-1994|||||0||||0|||||Acrylic|acrylic|||||painting (image-making)|||||243.8 x 303.8 cm||3174|Washington, DC: Smithsonian Institution; Museum of American Art|Wash, DC: Smithsonian; Mus. Amer. Art||||||||||||Cornell||MNW|MNW|6/17/2005 0:00:00|9/24/2003 0:00:00|V144|||0|||||||35|PA||||||1994| ||||||||Work|0||||||||||||0|0|The Magic Room|Valdez, Patssi 730.00|0|Site|02|B-H3|Ven|3.1|Red||Il Redentore||Blue Guide|||||||Il Redentore|8858|Palladio, Andrea||architect|Andrea Palladio|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0|Venice, Italy|||10017||||0||||0|Architecture|Church||||16|||1577|1592||1577-1592|1577-1592|||||0||||0||||||||||||||||||||||Churches||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/24/2003 0:00:00||Ven||0||||||Red|B|||||H3|3.1||||||||||Work|0||||||||||||0|0|Il Redentore|Palladio, Andrea 731.00|0|Site|02|B-H3|Flo|7.1|Ruc||Palazzo Rucellai||Blue Guide|||||||Palazzo Rucellai|262|Alberti, Leon Battista||architect|Leon Battista Alberti|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0|Florence, Italy|||9985||||0||||0|Architecture|Church||||15|||1421|1476|ca|ca. 1446-1451|1446-1451|||||0||||0||||||||||||||||||||||Palaces||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/24/2003 0:00:00||Flo||0||||||Ruc|B|||||H3|7.1||||||||||Work|0||||||||||||0|0|Palazzo Rucellai|Alberti, Leon Battista 732.00|0|Architect|03|MA-Cret|1.32|1930 Gib|||American Battle Monument Memorial|Assigned|Image Source (Book)|||||||American Battle Monument Memorial|2712|Cret, Paul Philippe||architect|Cret, Paul Philippe|0||||0|||||American||||||||Gibraltar||||||0|Gibraltar|||10073||||0||||0|Architecture|Monument||||20|||1930|1930||1930|1930-1930|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|9/24/2003 0:00:00|9/24/2003 0:00:00|Cret|||0||||||Gib|MA||||||1.32|1930|||||||||Work|0|Modern Architecture|||||||||||0|0|American Battle Monument Memorial|Cret, Paul Philippe 733.00|0|Architect|03|MA-Cret|2.12|1937 RR|||Railroad Trains|Assigned|Image Source (Book)|||||||Railroad Trains|2712|Cret, Paul Philippe||architect|Cret, Paul Philippe|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Architecture|Train (Vehicle grouping)||||20|||1930|1945||1930-1945|1930-1945|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|ECS|9/29/2003 0:00:00|9/24/2003 0:00:00|Cret|||0||||||RR|MA||||||2.12|1930's|||||||||Work|0|Modern Architecture|||||||||||0|0|Railroad Trains|Cret, Paul Philippe 734.00|0|Architect|03|MA-Cret|1.0|Car|1||Caricature of Paul Cret|Assigned|Image Source (Book)|||||||Caricature of Paul Cret|29857|Bendiner, Alfred||artist|Bendiner, Alfred|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Paintings|Caricatures||||20|||1959|1959||1959|1959-1959|||||0||||0||||||||||||||||||9249|Philadelphia, T-Square Club Atelier|Philadelphia: T-Square Club||||||||||||Cornell||MNW|MNW|9/29/2003 0:00:00|9/24/2003 0:00:00|Cret|||0||||||Car|MA||||||1.0|| ||||||||Work|0|Modern Architecture|||||||||||0|0|Caricature of Paul Cret|Bendiner, Alfred 735.00|0|Category|15|MED/Gothic|Sculpture|Spanish|||Pieta|Assigned|Image Source (Book)|||||||Pieta|0|||||0||||0|||||Spanish|||Gothic (Medieval)|||||Spain||||||0||||0||||0||||0|Sculpture|Pieta||||14|15||1375|1425||1375-1425|1375-1425|||||0||||0|||||Polychromed wood|wood|||||sculpture|polychromy||||||9186|Valladolid,Church of San Cebrian de Mazote|Valladolid: Church of San Cebrian||||||||||||Cornell||MNW|MNW|9/26/2003 0:00:00|9/26/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Pieta| 736.00|0|Category|15|MED/Gothic|Sculpture|Spanish|||Christ of the Vineyard and Good Health|Translated|Cataloger|Cristo de la Cepa y la Salud|Original|Image Source (Book)||||Christ of the Vineyard and Good Health|0|||||0||||0|||||Spanish|||Gothic (Medieval)|||||Spain||||||0||||0||||0||||0|Sculpture|Cross (Object)||||15|||1500|1599||1500-1599|1500-1599|||||0||||0|||||Polychromed wood|wood|||||sculpture|polychromy||||||9241|Carrión de los Condes, Museo de Santiago|Carrión de los Condes: Santiago||Crucifixes||||||||||Cornell||MNW|MNW|9/26/2003 0:00:00|9/26/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Christ of the Vineyard and Good Health;Cristo de la Cepa y la Salud| 737.00|0|Category|15|25|MM475-PA|26Ent|1||The Holy Burial|Assigned|Image Source (Book)|Santo Entierro|LargerEntity|Image Source (Book)||||The Holy Burial|29865|Master of Manzanillo||painter|Master of Manzanillo|0||||0|||||Spanish|||Gothic (Medieval)|||||Spain||||||0||||0||||0||||0|Paintings|||||16|||1500|1500|ca|ca 1500|ca 1500|||||0||||0|||||Oil on tempera and wood|oil paint|tempera|wood|||painting (image-making)|||||93 x 199 cm||9242|Manzanillo, Church of the Saints Justo and Pastor|Manzanillo: SS Justo & Pastor||Entombment, Burial||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/26/2003 0:00:00|MM475|||0|||||||25|PA||||||| |26Ent|||||||Work|0||||||||||||0|0|The Holy Burial;Santo Entierro|Master of Manzanillo 738.00|0|Creator|15|25|S585-SC|26E|1||Ecce Homo|Assigned|Image Source (Book)|||||||Ecce Homo|10911|Siloe, Diego de||sculptor|Siloe, Diego de|0||||0|||||Spanish|||Gothic (Medieval)|||||Spain||||||0||||0||||0||||0|Sculpture|||||16|||1500|1599||1500-1599|1500-1599|||||0||||0|||||Polychromed wood|wood|||||sculpture|polychromy||||125 cm high||9243|Duenas, Church of Santa Maria|Duenas: S Maria||||||||||||Cornell||MNW|ECS|9/29/2003 0:00:00|9/26/2003 0:00:00|S585|||0|||||||25|SC||||||| |26E|||||||Work|0||||||||||||0|0|Ecce Homo|Siloe, Diego de 739.00|0|Category|15|25A|S733-SC|26Ca|1|25A S733-SC 26Ca 1|Crucified Christ|Assigned|Image Source (Book)|||||||Crucified Christ||||||0||||0|||||Spanish|||Gothic (Medieval)|||||Spain||||||0||||0||||0||||0|Sculpture|Cross (Object)||||16|||1500|1500|ca|ca 1500|ca 1500|||||0||||0|||||Polychromed wood|wood|||||sculpture|polychromy||||200 x 190 cm||9244|Ciguñuela, Church of San Ginés|Ciguñuela: S Ginés||Crucifixes||||||||||Cornell||MNW|MNW|11/11/2004 0:00:00|9/26/2003 0:00:00||||0|||||||25|SC||||||| |26Ca|||||||Work|0||||||||||||0|0|Crucified Christ| 740.00|0|Creator|15|25|F3634-SC|26Ent|1||Reclining Christ|Artists|Image Source (Book)|||||||Reclining Christ|3804|Fernandez, Gregorio||sculptor|Fernandez, Gregorio|0||||0|||||Spanish|||Baroque|||||Spain||||||0||||0||||0||||0|Sculpture|||||16||||||||||||0||||0|||||Polychromed wood|wood|||||sculpture|polychromy||||175 (body); 192 cm (shroud)||9245|Medina de Pomar, Museum of the Convent of Santa Clara|Medina de Pomar: S Clara||Jesus Christ||||||||||Cornell||MNW|ECS|9/29/2003 0:00:00|9/26/2003 0:00:00|F3634|||0|||||||25|SC||||||| |26Ent|||||||Work|0||||||||||||0|0|Reclining Christ|Fernandez, Gregorio 741.00|0|Creator|15|25A|S733-PA|38 Tho|1|25A S733-PA 38 Tho 1|The Incredulity of Saint Thomas|Artists|Image Source (Book)|||||||The Incredulity of Saint Thomas|0|||||0||||0|||||Spanish|||Gothic (Medieval)|||||Spain||||||0||||0||||0||||0|Paintings|||||15|||1400|1449||1400-1449|1400-1449|||||0||||0|||||Distemper and gilding on panel|distemper paint|panel||||painting (image-making)|gilding||||80 x 38 cm||214|Avila,Cathedral|Avila: Cathedral||Incredulity of S. Thomas, Saint Thomas||||||||||Cornell||MNW|MNW|11/11/2004 0:00:00|9/26/2003 0:00:00||||0|||||||25|PA||||||| |38 Tho|||||||Work|0||||||||||||0|0|The Incredulity of Saint Thomas| 742.00|0|Creator|15|25|C957-PA|28So|2|25 C957-PA 28So 2|Resurrected Christ Between Two Angels|Assigned|Image Source (Book)|||||||Resurrected Christ Between Two Angels|29866|Cruz, Diego de la||painter|Cruz, Diego de la|0||||0|||||Spanish||||||||Spain||||||0||||0||||0||||0|Paintings|||||15|||1482|1500||1482-1500|1482-1500|||||0||||0|||||Oil on panel|oil paint|panel||||painting (image-making)|||||53 x 92 cm||9246|Covarubbias: Collegiate Church of San Cosme & San Damián|Covarubbias: SS Cosme & Damián||Man of Sorrows||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|8/2/2005 0:00:00|C957|||0|||||||25|PA||||||| |28So|||||||Work|0||||||||||||0|0|Resurrected Christ Between Two Angels|Cruz, Diego de la 743.00|0|Creator|15|25A|S733-PA|42|1|25A S733-PA 42 1|The Fountain of Life|Assigned|Image Source (Book)|||||||The Fountain of Life|0|||||0||||0|||||Spanish||||||||Spain||||||0||||0||||0||||0|Paintings|||||16|||1560|1560||||||||0||||0|||||Oil on panel|oil paint|panel||||painting (image-making)|||||175 x 103 cm||9247|Segovia, Cathedral Museum|Segovia: Cathedral Museum||||||||||||Cornell||JNK|MNW|11/11/2004 0:00:00|1/6/2006 0:00:00||||0|||||||25A|PA||||||| |42|||||||Work|0|||Accurate copy of the panel "the Fountain of Grace" in the Prado Museum (Work 744).|||||||||0|0|The Fountain of Life| 744.00|0|Creator|15|25A|F584-PA|42|1|25A F584-PA 42 1|The Fountain of Grace|Assigned|Image Source (Book)|||||||The Fountain of Grace||||||0||||0|||||Flemish||||||||||||||0||||0||||0||||0|Paintings|||||||||||||||||0||||0||||||||||||||||||1616|Madrid: Museo del Prado|Madrid: Prado||||||||||||Cornell||MNW|MNW|11/11/2004 0:00:00|12/11/2005 0:00:00||||0|||||||25A|PA||||||| |42|||||||Work|0||||||||||||0|0|The Fountain of Grace| 745.00|0|Creator|15|25A|S733-SC|28|1|25A S733-SC 28 1|Root Christ|Assigned|Cataloger|||||||Root Christ|0|||||0||||0|||||Spanish||||||||Spain||||||0||||0||||0||||0|Sculpture|||||14|15||1375|1525||1375-1525|1375-1525|||||0||||0|||||Grape vines and roots||||||sculpture|||||||9248|Valladolid, Museo de la Catedral|Valladolid: Cathedral, Museum||||||||||||Cornell|||MNW|11/11/2004 0:00:00|9/29/2003 0:00:00||||0|||||||25A|SC||||||| |28|||||||Work|0|||Supposedly found in Toledeo by a Jewish wine maker and caused him to instantly convert to Christianity.|||||||||0|0|Root Christ| 746.00|0|Category|11|W-18|Education|Architecture|16||Exhibition of Students' Drawings at a Judgement of Work from Ateliers in Various Parts of the Country|Assigned|Image Source (Book)|||||||Exhibition of Students' Drawings||||||0||||0|||||American||||||||United States||||||0||||0|New York, Beaux-Arts Institute of Design|||10074||||0|Photographs|Documentary photograph||||20|||1920|1925||1920-1925|1920-1925|||||0||||0|||||||||||photography|||||||||||Exhibitions||||||||||Cornell||MNW|ECS|9/29/2003 0:00:00|9/29/2003 0:00:00||||0||||||Education|W|||18|||||||||||||Work|0||||||||||||0|0|Exhibition of Students' Drawings at a Judgement of Work from Ateliers in Various Parts of the Country| 747.00|0|Category|11|W-18|Education|Architecture|17||Class A Problem: A Municipal Market|Assigned|Image Source (Book)|||||||Class A Problem: A Municipal Market|29869|Yang, T. P.||architect|Yang, T. P.|0||||0|||||American||||||||United States||||||0||||0|New York, Municipal Art Society|||10075||||0|Drawings|Architectural drawing|Market (Building)|||20|||1920|1925||1920-1925|1920-1925|||||0||||0|||||||||||architectural drawing|||||||||||||||||||||Cornell||MNW|MNW|9/29/2003 0:00:00|9/29/2003 0:00:00||||0||||||Education|W|||18|||||||||||||Work|0||||||||||||0|0|Class A Problem: A Municipal Market|Yang, T. P. 748.00|0|Category|11|W-18|Education|Architecture|18||Class A Project: Design for a Crematory|Assigned|Image Source (Book)|||||||Class A Project: Design for a Crematory|29870|Evans, J. L.||architect|Evans, J. L.|0||||0|||||American||||||||United States||||||0||||0|New York, Municipal Art Society|||10075||||0|Drawings|Architectural drawing|Crematories|||20|||1920|1925||1920-1925|1920-1925|||||0||||0|||||||||||architectural drawing|||||||||||||||||||||Cornell||MNW|MNW|9/29/2003 0:00:00|9/29/2003 0:00:00||||0||||||Education|W|||18|||||||||||||Work|0||||||||||||0|0|Class A Project: Design for a Crematory|Evans, J. L. 749.00|0|Architect|03|MA-Tschumi|1.0|1995 Por|1||Portrait|||||||||Portrait|11948|Tschumi, Bernard||architect|Tschumi, Bernard|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1990|1997||1990-1997|1990-1997|||||0||||0|||||||||||photography|||||||||||Tschumi, Bernard, 1944-, Portraits||||||||||Cornell||MNW|ECS|9/29/2003 0:00:00|9/29/2003 0:00:00|Tschumi|||0||||||Por|MA||||||1.0|1995|||||||||Work|0|Modern Architecture|||||||||||0|0|Portrait|Tschumi, Bernard 750.00|0|Architect|03|MA-Yang|2.121|1927 She|||Shenyang Railroad Station|Assigned|Image Source (Book)|||||||Shenyang Railroad Station|29869|Yang, Tingbao||architect|Yang, Tingbao|0||||0|||||Chinese||||||||China||||||0|Shenyang, China|||10076||||0||||0|Architecture|Railroad||||20|||1927|1927||1927|1927-1927|||||0||||0|||||||||||Architecture|||||||||||Railroad stations||||||||||Cornell||MNW|ECS|9/29/2003 0:00:00|9/29/2003 0:00:00|Yang|||0||||||She|MA||||||2.121|1927|||||||||Work|0|Modern Architecture|||||||||||0|0|Shenyang Railroad Station|Yang, Tingbao 751.00|0|Architect|03|MA-Yang|2.22|1935 Dah|||Dahua Cinema|Assigned|Image Source (Book)|||||||Dahua Cinema|29869|Yang, Tingbao||architect|Yang, Tingbao|0||||0|||||Chinese||||||||China||||||0|Nanjing, China|||10077||||0||||0|Architecture|Motion picture theaters||||20|||1935|1935||1935|1935-1935|||||0||||0|||||||||||Architecture|||||||||||Theater||||||||||Cornell||MNW|ECS|9/29/2003 0:00:00|9/29/2003 0:00:00|Yang|||0||||||Dah|MA||||||2.22|1935|||||||||Work|0|Modern Architecture|||||||||||0|0|Dahua Cinema|Yang, Tingbao 752.00|0|Architect|03|MA-Yang|7.2|1951-3 Pea|||Peace Hotel|Assigned|Image Source (Book)|||||||Peace Hotel|29869|Yang, Tingbao||architect|Yang, Tingbao|0||||0|||||Chinese||||||||China||||||0|Beijing, China|||10078||||0||||0|Architecture|Hotel (Public accommodation)||||20|||1951|1953||1951-1953|1951-1953|||||0||||0|||||||||||Architecture|||||||||||Hotels (public accommodations)||||||||||Cornell||MNW|ECS|9/29/2003 0:00:00|9/29/2003 0:00:00|Yang|Bei||0||||||Pea|MA||||||7.2|1951-3|||||||||Work|0|Modern Architecture|||||||||||0|0|Peace Hotel|Yang, Tingbao 753.00|0|Creator|15|35|O775-M|1965|1a|35 O775-M 1965 1a|Chair Destruction|||||||||Chair Destruction|29871|Ortiz, Rafael Montañez||conceptual artist|Ortiz, Rafael Montañez|0||||0|||||Hispanic American|American|||||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1965|1965||1965|1965-1965||Sacrifice to Truro Beach, Cape Cod, MA|||754||||0|||||||||||photography|||||||9250|Durham, NC, Kristine Stiles Archive|Durham, NC: Stiles Archive||||||||||||Cornell||MNW|JNK|8/9/2005 0:00:00|9/29/2003 0:00:00|O775|||0|||||||35|M||||||1965| ||||||||Work|0||||||||||||0|0|Chair Destruction|Ortiz, Rafael Montañez 754.00|0|Creator|15|35|O775-M|1965|1|35 O775-M 1965 1|Sacrifice to Truro Beach, Cape Cod, MA|Assigned|Image Source (Book)|||||||Sacrifice to Truro Beach, Cape Cod, MA|29871|Ortiz, Rafael Montañez||conceptual artist|Ortiz, Rafael Montañez|0||||0|||||Hispanic American|American|||||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1965|1965||1965-1965|1965-1965|||||0||||0|||||||||||photography|||||||9250|Durham, NC, Kristine Stiles Archive|Durham, NC: Stiles Archive||||||||||||Cornell||MNW|JNK|8/9/2005 0:00:00|9/29/2003 0:00:00|O775|||0|||||||35|M||||||1965| ||||||||Work|0||Documentary photographs of a performance.||||||||||0|0|Sacrifice to Truro Beach, Cape Cod, MA|Ortiz, Rafael Montañez 755.00|0|Creator|15|35|O775-M|1969|1|35 O775-M 1969 1|Destruction Theater|Assigned|Image Source (Book)|||||||Destruction Theater|29871|Ortiz, Rafael Montañez||conceptual artist|Ortiz, Rafael Montañez|0||||0|||||Hispanic American|American|||||||United States|||Ace Gallery, Hollywood, CA|||10079||||0||||0||||0|Photographs|Documentary photograph||||20|||1969|1969||1969|1969-1969|||||0||||0|||||||||||photography|performance art||||||9250|Durham, NC, Kristine Stiles Archive|Durham, NC: Stiles Archive||||||||||||Cornell||MNW|JNK|8/9/2005 0:00:00|9/29/2003 0:00:00|O775|||0|||||||35|M||||||1969| ||||||||Work|0||Photograph by Irwin Glaser of a performance at the Ace Gallery in Hollywood, CA.||||||||||0|0|Destruction Theater|Ortiz, Rafael Montañez 756.00|0|Creator|15|35|O775-SC|1965|1|35 O775-SC 1965 1|Archaeological Find #33|Assigned|Image Source (Book)|||||||Archaeological Find #33|29871|Ortiz, Rafael Montañez||sculptor|Ortiz, Rafael Montañez|0||||0|||||Hispanic American|American|||||||United States||||||0||||0||||0||||0|Sculpture|||||20|||1965|1965||1965|1965-1965|||||0||||0|||||Mommy mattress on wooden backing|||||||||||||3561|Artist, Collection of the|: Collection of the Artist||||||||||||Cornell||MNW|JNK|8/9/2005 0:00:00|9/29/2003 0:00:00|O775|||0|||||||35|SC||||||1965| ||||||||Work|0||||||||||||0|0|Archaeological Find #33|Ortiz, Rafael Montañez 757.00|0|Creator|15|35|O775-M|1967|1|35 O775-M 1967 1|Henny Penny Piano Destruction|Assigned|Image Source (Book)|||||||Henny Penny Piano Destruction|29871|Ortiz, Rafael Montañez||conceptual artist|Ortiz, Rafael Montañez|0||||0|||||Hispanic American|American|||||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph|Performance art|||20|||1967|1967||1967|1967-1967|||||0||||0|||||||||||photography|performance art||||||||||||||||||||Cornell||MNW|JNK|8/9/2005 0:00:00|9/29/2003 0:00:00|O775|||0|||||||35|M||||||1967|||||||||Work|0||Performed at a Studio Invitational in New York, NY.||||||||||0|0|Henny Penny Piano Destruction|Ortiz, Rafael Montañez 758.00|0|Creator|15|35|O775-SC|1961|1|35 O775-SC 1961 1|Archaeological Find #3|Assigned|Image Source (Book)|||||||Archaeological Find #3|29871|Ortiz, Rafael Montañez||conceptual artist|Ortiz, Rafael Montañez|0||||0|||||Hispanic American|American|||||||United States||||||0||||0||||0||||0|Sculpture|||||20|||1961|1961||1961|1961-1961|||||0||||0|||||Burnt mattress destruction on wooden backing||||||sculpture|||||190.5 x 104.8 x 24.8 cm||3384|New York,Museum of Modern Art|New York: MoMA||||||||||||Cornell||MNW|JNK|8/9/2005 0:00:00|9/29/2003 0:00:00|O775|||0|||||||35|SC||||||1961| ||||||||Work|0||||||||||||0|0|Archaeological Find #3|Ortiz, Rafael Montañez 759.00|0|Creator|15|35|O775-M|1967|2|35 O775-M 1967 2|The Birth and Death of White Henny|Assigned|Image Source (Book)|||||||The Birth and Death of White Henny|29871|Ortiz, Rafael Montañez||conceptual artist|Ortiz, Rafael Montañez|0||||0|||||Hispanic American|American|||||||United States|||Ecco Homo Gallery, New York, NY|||10080||||0||||0||||0|Photographs|Documentary photograph||||20|||1967|1967||1967|1967-1967|||||0||||0|||||||||||photography|||||||9250|Durham, NC, Kristine Stiles Archive|Durham, NC: Stiles Archive||||||||||||Cornell||MNW|JNK|8/9/2005 0:00:00|9/29/2003 0:00:00|O775|||0|||||||35|M||||||1967| ||||||||Work|0||Performed at the Ecco Homo Gallery, New York, NY.||||||||||0|0|The Birth and Death of White Henny|Ortiz, Rafael Montañez 760.00|0|Creator|15|35|O775-TO|1970|1|35 O775-TO 1970 1|Artist Worker's Coalition Demonstration, Museum of Modern Art, New York|Assigned|Image Source (Book)|||||||Artist Worker's Coalition Demonstration|29871|Ortiz, Rafael Montañez||conceptual artist|Ortiz, Rafael Montañez|0||||0|||||Hispanic American|American|||||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1970|1971||1970-1971|1970-1971|||||0||||0|||||||||||photography|||||||||||||||||||||Cornell||MNW|JNK|8/9/2005 0:00:00|9/29/2003 0:00:00|O775|||0|||||||35|TO||||||1970|||||||||Work|0||Photograph by John Van Raay.||||||||||0|0|Artist Worker's Coalition Demonstration, Museum of Modern Art, New York|Ortiz, Rafael Montañez 761.00|0|Site|02|B-H3|Flo|3.1|Cath||Santa Maria del Fiore|Original|Blue Guide|Florence Cathedral|Assigned|Blue Guide||||Santa Maria del Fiore (Florence Cathedral)|1698|Brunelleschi, Filippo||architect|Brunelleschi, Filippo|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0|Florence, Italy|||9985||||0||||0|Architecture|Cathedral|Church|||15|||1294|1434||1294-1434|1294-1434|||||0||||0||||||||||||||||||||||Cathedrals ; Churches ; |Cathedrals|Churches||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|9/30/2003 0:00:00||Flo||0||||||Cath|B|||||H3|3.1||||||||||Work|0|||||1294/1296-1310;1417-1434 (dome)|||||||0|0|Santa Maria del Fiore;Florence Cathedral|Brunelleschi, Filippo 762.00|0|Creator|15|35|W468-M|1991|1||Hacienda 00|Assigned|Image Source (Book)|||||||Hacienda 00|29872|Wenemoser, Oscar||artist|Wenemoser, Oscar|0||||0|||||Venezuelan||||||||Venezuela||||||0||||0||||0||||0|Installations|Installation (Exhibition)||||20|||1991|1991||1991|1991-1991|||||0||||0|||||Diverse materials|||||||||||Variable dimensions||565|Caracas,Museo de Bellas Artes de Caracas|Caracas: MBA||||||||||||Cornell||MNW|ECS|10/2/2003 0:00:00|10/2/2003 0:00:00|W468|||0|||||||35|M||||||1991| ||||||||Work|0||||||||||||0|0|Hacienda 00|Wenemoser, Oscar 763.00|0|Creator|15|35|O135-PA|1991|1|| W D T|Assigned|Image Source (Book)|||||||W D T|29874|Obregón, Roberto||artist|Obregón, Roberto|0||||0|||||Venezuelan||||||||Venezuela||||||0||||0||||0||||0|Paintings|||||20|||1991|1991||1991|1991-1991|||||0||||0|||||Linoleum, photocopies & graphite|linoleum|graphite|photocopies|||painting (image-making)|||||333.2 x 999.6 cm||565|Caracas,Museo de Bellas Artes de Caracas|Caracas: MBA||||||||||||Cornell||MNW|MNW|10/2/2003 0:00:00|10/2/2003 0:00:00|O135|||0|||||||35|PA||||||1991| ||||||||Work|0||||||||||||0|0| W D T|Obregón, Roberto 764.00|0|Creator|15|35|S715-SC|1984|1||1 anto: 163 cm a la medida de mi cuerpo. Ni un millímetro más ni un millímetro menos|Assigned|Image Source (Book)|||||||1 anto|29873|Sosa, Antonieta||artist|Sosa, Antonieta|0||||0|||||Venezuelan||||||||Venezuela||||||0||||0||||0||||0|Sculpture|Installation (Exhibition)||||20|||1984|1991||1984-1991|1984-1991|||||0||||0|||||Lacquered wood|wood|lacquer|||||||||163 x 163 x 1630 cm||565|Caracas,Museo de Bellas Artes de Caracas|Caracas: MBA||||||||||||Cornell||MNW|MNW|10/2/2003 0:00:00|10/2/2003 0:00:00|S715|||0|||||||35|SC||||||1984| ||||||||Work|0|||Size is 1 anto by 1 anto by 10 antos.|||||||||0|0|1 anto: 163 cm a la medida de mi cuerpo. Ni un millímetro más ni un millímetro menos|Sosa, Antonieta 765.00|0|Creator|15|35|H5574-SC|1989|1|35 H5574-SC 1989 1|Installation -- Day of the Dead|Assigned|Image Source (Book)|||||||Installation -- Day of the Dead|5347|Hernández, Ester||painter|Ester Hernández|0||||0|||||Mexican American||||||||United States||||||0||||0||||0||||0|Sculpture|Installation (Exhibition)||||20|||1989|1989||1989|1989-1989|||||0||||0|||||Mixed media|mixed materials|||||sculpture|||||304.8 x 182.9 x 304.8 cm||9251|Medford, MA, Tufts University, Tufts University Gallery, Aidekman Arts Center|Medford, MA: Tufts; Univ. Gal.||||||||||||Cornell||MNW|CLL|8/2/2006 0:00:00|10/2/2003 0:00:00|H5574|||0|||||||35|SC||||||1989| ||||||||Work|0||||||||||||0|0|Installation -- Day of the Dead|Hernández, Ester 766.00|0|Creator|15|35|M7983-M|1998|1||La Guadalupana|Assigned|Image Source (Book)|||||||La Guadalupana|29876|Montoya, Delilah||photographer|Delilah Montoya|0||||0|||||Mexican American||||||||United States||||||0||||0||||0||||0|Installations|Installation (Exhibition)||||20|||1998|1998||1998|1998-1998|||||0||||0|||||Photo mural|mixed materials|||||sculpture|photography||||426.7 x 304.8 x 304.8||||||Guadalupe, Our Lady of ; Handcuffs ; Roses ; Candles ; Altars ; |Guadalupe, Our Lady of|Handcuffs|Roses|Candles|Altars|||||Cornell||MNW|MNW|11/18/2005 0:00:00|10/2/2003 0:00:00|M7983|||0|||||||35|M||||||1998| ||||||||Work|0||Installed at Medford, MA, Tufts University, Tufts University Gallery, Aidekman Arts Center in Image #11544.||||||||||0|0|La Guadalupana|Montoya, Delilah 767.00|0|Creator|15|35|J360-M|1998|1||Good Herbs Series|Translated|Cataloger|Yerbas Buenas Series|Assigned|Image Source (Pub)||||Yerbas Buenas Series|29877|Jáquez, Anna Ruth||sculptor|Anna Jáquez|0||||0|||||Mexican American|American|Hispanic American||||||United States||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1998|1999||1998-1999|1998-1999|||||0||||0|||||Metal, Wood, herbs, polyurethane, oil paint, Prismacolors|mixed materials|metal|wood|||sculpture|||||88.9 x 30.48 x 34.29 cm||794|El Paso: Museum of Art|El Paso: Mus. Art||Furniture ; Cups ; Spoons ; Tables (support furniture) ; |Furniture|Cups|Spoons|Tables (support furniture)||||||Cornell||MNW|MNW|11/15/2005 0:00:00|10/2/2003 0:00:00|J360|||0|||||||35|M||||||1998| ||||||||Work|0||||||||||||0|0|Good Herbs Series;Yerbas Buenas Series|Jáquez, Anna Ruth 768.00|0|Creator|15|35|J360-M|1998|1A|35 J360-M 1998 1A|Upset Stomach and Cramps|Translated|Image Source (Book)|Estómago Revuelto and Cólicos|Artists|Image Source (Book)||||Good Herbs Series. Upset Stomach and Cramps|29877|Jaquez, Anna Ruth||sculptor|Jaquez, Anna|0||||0|||||Mexican American|American|||||||United States||||||0||||0||||0||||0|Sculpture|Sculpture|Installation (sculpture)|||20|||1998|1999||1998-1999|1998-1999||Good Herbs Series|||767||||0|||||Mixed materials|mixed materials|||||sculpture|||||76.2 x 35.6 x 30.5 cm||794|El Paso: Museum of Art|El Paso: Mus. Art||||||||||||Cornell||MNW|MNW|11/15/2005 0:00:00|10/2/2003 0:00:00|J360|||0|||||||35|M||||||1998| |||||||||0||||||||||||0|0|Upset Stomach and Cramps;Estómago Revuelto and Cólicos|Jaquez, Anna Ruth 769.00|0|Site|02|B-B48|Char|7.1 |Mon||Monticello||Macmillan|||||||Monticello|5938|Jefferson, Thomas||architect|Thomas Jefferson|0||||0|||||American||||||||United States||||||0|Charlottesville, Virginia|||10081||||0||||0|Architecture|House||||18|19||1768|1808||1768-1808|1768-1808|||||0||||0||||||||||||||||||||||Houses||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|10/3/2003 0:00:00||Char||0|||||||B|||||B48|7.1||||||||||Work|0|Architecture-Virginia (VA)||||Remodeled 1796-1809|||||||0|0|Monticello|Jefferson, Thomas 770.00|0|Creator|15|35|A714-SC|1993|1||Vigil|Assigned|Image Source (Book)|||||||Vigil|29878|Arismendi, Connie||sculptor|Arismendi, Connie|0||||0|||||Mexican American|American|||||||United States||||||0||||0||||0||||0|Sculpture|||||20|||1993|1993||1993|1993-1993|||||0||||0|||||Lead, nails, oil lamp, wood|lead|nails|wood||||||||144.8 x 114.3 cm||3561|Artist, Collection of the|: Collection of the Artist||||||||||||Cornell||MNW|MNW|10/3/2003 0:00:00|10/3/2003 0:00:00|A714|||0|||||||35|SC||||||1993| ||||||||Work|0||||||||||||0|0|Vigil|Arismendi, Connie 771.00|0|Creator|15|35|F952-PA|1998|1||Sombra II|Assigned|Image Source (Book)|||||||Sombra II|29879|Fuentes, Tina||painter|Fuentes, Tina|0||||0|||||Mexican American|American|||||||United States||||||0||||0||||0||||0|Paintings|||||20|||1998|1998||1998|1998-1998|||||0||||0|||||Mixed materials on board|board|mixed materials||||painting (image-making)|||||68.6 x 68.6 cm||||||||||||||||Cornell||MNW|MNW|10/3/2003 0:00:00|10/3/2003 0:00:00|F952|||0|||||||35|PA||||||1998|||||||||Work|0||||||||||||0|0|Sombra II|Fuentes, Tina 772.00|0|Creator|15|35|F952-PA|1998|2||Sombra IV|Assigned|Image Source (Book)|||||||Sombra IV|29879|Fuentes, Tina||painter|Fuentes, Tina|0||||0|||||Mexican American|American|||||||United States||||||0||||0||||0||||0|Paintings|||||20|||1998|1998||1998|1998-1998|||||0||||0|||||Mixed materials on board|board|mixed materials||||painting (image-making)|||||68.6 x 68.6 cm||||||||||||||||Cornell||MNW|MNW|10/3/2003 0:00:00|10/3/2003 0:00:00|F952|||0|||||||35|PA||||||1998|||||||||Work|0||||||||||||0|0|Sombra IV|Fuentes, Tina 773.00|0|Site|02|B-L3|Jer|3.4|Rock||Dome of the Rock||Online Resource|||||||Dome of the Rock|0|||||0||||0|||||Islamic|||Umayyad|||||Israel||||||0|Jerusalem, Israel|||9999||||0||||0|Architecture|Mosque||||7|||684|||Begun 684|684|||||0||||0||||||||||||||||||||||Mosques||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|10/6/2003 0:00:00||Jer||0|||||||B|||||L3|3.4||||||||||Work|0||||||||||||0|0|Dome of the Rock| 774.00|0|Site|02|B-L6|Mec|3.4|Har||Mosque of the Haram|||Masjid Al Haram||||||Mosque of the Haram (Masjid Al Haram)|0|||||0||||0|||||Islamic|||||||al-Garbiyah|Saudi Arabia||||||0|Mecca, Saudi Arabia|||10082||||0||||0|Architecture|Mosque||||7|||630|||Begun 630|Begun 630|||||0||||0||||||||||||||||||||||Mosques||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|10/6/2003 0:00:00||Mec||0|||||||B|||||L6|3.4||||||||||Work|0||||||||||||0|0|Mosque of the Haram;Masjid Al Haram| 775.00|0|Site|02|B-L6|Mec|3.4|Har/Ka||Ka'bah||Online Resource|Kabah||Online Resource||||Mosque of the Haram. 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Auditorium|7835|Meier, Richard Alan||architect|Richard Meier|0||||0|||||American||||||||United States||||||0|Los Angeles, California|||10085||||0||||0|Architecture|Museum||||20|||1984|1997||1984-1997|1984-1997||Getty Center|LargerEntity||778||||0||||||||||||||||||||||Museums, Auditoriums||||||||||Cornell||ECS|MNW|10/13/2006 0:00:00|10/7/2003 0:00:00||LosA||0|||||||MA||||||4.4|1984-97|||||||||Work|0||||||||||||0|0|Auditorium|Meier, Richard Alan 780.00|0|Architect|02|MA-Meier|4.4|1984-97|Get/Com||Comics|||||||||Getty Center. Comics|7835|Meier, Richard Alan||architect|Richard Meier|0||||0|||||American||||||||United States||||||0|Los Angeles, California|||10085||||0||||0|Architecture|Museum||||20|||1984|1997||1984-1997|1984-1997||Getty Center|LargerEntity||778||||0||||||||||||||||||||||Museums, Comics||||||||||Cornell||ECS|MNW|10/13/2006 0:00:00|10/7/2003 0:00:00||LosA||0|||||||MA||||||4.4|1984-97|||||||||Work|0||||||||||||0|0|Comics|Meier, Richard Alan 781.00|0|Architect|02|MA-Meier|4.4|1984-97|Get/Con||Construction|||||||||Getty Center. Construction|7835|Meier, Richard Alan||architect|Richard Meier|0||||0|||||American||||||||United States||||||0|Los Angeles, California|||10085||||0||||0|Architecture|Museum||||20|||1984|1997||1984-1997|1984-1997||Getty Center|LargerEntity||778||||0||||||||||||||||||||||Construction ; Museums ; |Construction|Museums||||||||Cornell||ECS|MNW|10/12/2006 0:00:00|10/7/2003 0:00:00||LosA||0|||||||MA||||||4.4|1984-97|||||||||Work|0||||||||||||0|0|Construction|Meier, Richard Alan 782.00|0|Architect|02|MA-Meier|4.4|1984-97|Get/Eas||East Building||Online Resource|||||||Getty Center. East Building|7835|Meier, Richard Alan||architect|Richard Meier|0||||0|||||American||||||||United States||||||0|Los Angeles, California|||10085||||0||||0|Architecture|Museum||||20|||1984|1997||1984-1997|1984-1997||Getty Center|LargerEntity||778||||0||||||||||||||||||||||Museums||||||||||Cornell||ECS|MNW|10/13/2006 0:00:00|10/7/2003 0:00:00||LosA||0|||||||MA||||||4.4|1984-97|||||||||Work|0||||||||||||0|0|East Building|Meier, Richard Alan 783.00|0|Architect|02|MA-Meier|4.4|1984-97|Get/Mus||Museum||Online Resource|||||||Getty Center. Museum|7835|Meier, Richard Alan||architect|Richard Meier|0||||0|||||American||||||||United States||||||0|Los Angeles, California|||10085||||0||||0|Architecture|Museum||||20|||1984|1997||1984-1997|1984-1997||Getty Center|LargerEntity||778||||0||||||||||||||||||||||Museums||||||||||Cornell||ECS|MNW|10/13/2006 0:00:00|10/7/2003 0:00:00||LosA||0|||||||MA||||||4.4|1984-97|||||||||Work|0||||||||||||0|0|Museum|Meier, Richard Alan 784.00|0|Architect|02|MA-Meier|4.4|1984-97|Get/Rese||Research Center||Online Resource|||||||Getty Center. Research Center|7835|Meier, Richard Alan||architect|Richard Meier|0||||0|||||American||||||||United States||||||0|Los Angeles, California|||10085||||0||||0|Architecture|Museum||||20|||1984|1997||1984-1997|1984-1997||Getty Center|LargerEntity||778||||0||||||||||||||||||||||Research buildings, Museums||||||||||Cornell||ECS|MNW|10/13/2006 0:00:00|10/7/2003 0:00:00||LosA||0|||||||MA||||||4.4|1984-97|||||||||Work|0||||||||||||0|0|Research Center|Meier, Richard Alan 785.00|0|Architect|02|MA-Meier|4.4|1984-97|Get/Rest||Restaurant||Online Resource|||||||Getty Center. Restaurant|7835|Meier, Richard Alan||architect|Richard Meier|0||||0|||||American||||||||United States||||||0|Los Angeles, California|||10085||||0||||0|Architecture|Museum|Restaurant|||20|||1984|1997||1984-1997|1984-1997||Getty Center|LargerEntity||778||||0||||||||||||||||||||||Museums, Restaurants||||||||||Cornell||ECS|MNW|10/13/2006 0:00:00|10/7/2003 0:00:00||LosA||0|||||||MA||||||4.4|1984-97|||||||||Work|0||||||||||||0|0|Restaurant|Meier, Richard Alan 786.00|0|Architect|02|MA-Meier|4.4|1984-97|Get/Tra||Tramway||Online Resource|||||||Getty Center. Tramway|7835|Meier, Richard Alan||architect|Richard Meier|0||||0|||||American||||||||United States||||||0|Los Angeles, California|||10085||||0||||0|Architecture|Museum|Train (vehicle grouping)|||20|||1984|1997||1984-1997|1984-1997||Getty Center|LargerEntity||778||||0||||||||||||||||||||||Light rail transit ; Museums ; |Light rail transit|Museums||||||||Cornell||ECS|MNW|10/13/2006 0:00:00|10/7/2003 0:00:00||LosA||0|||||||MA||||||4.4|1984-97|||||||||Work|0||||||||||||0|0|Tramway|Meier, Richard Alan 787.00|0|Architect|02|MA-|Mies|6.1 1956|Sea|MA-Mies 6.1 1956 Sea|Seagram Building|Assigned|Macmillan|||||||Seagram Building|7969|Mies van der Rohe, Ludwig||architect|Mies van der Rohe, Ludwig|5998|Johnson, Philip Cortelyou||architect,associated|28430|Kahn & Jacobs||architectural firm||American|||Modernist|||||United States||||||0|New York, New York|||10060||||0||||0|Architecture|Commercial building|Skyscraper|||20|||1954|1958||1954-1958|1954-1958|||||0||||0||||||||||||||||||||||Skyscrapers ; Office buildings ; Commercial buildings ; Curtain walls (nonbearing walls) ; |Skyscrapers|Office buildings|Commercial buildings|Curtain walls (nonbearing walls)||||||Cornell||ECS|MNW|3/29/2006 0:00:00|10/7/2003 0:00:00|Mies|||0||||||Sea|MA||||||6.1|1956|||||||||Work|0|Modern Architecture-|Building completed with Philip Johnson and Kahn and Jacobs.||||||||||0|0|Seagram Building|Mies van der Rohe, Ludwig;Johnson, Philip Cortelyou;Kahn & Jacobs 788.00|0|Architect|02|MA-LeCorb|1.0|1948|Mod||The Modular||Print Publication|||||||The Modular|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||Swiss||||||||Switzerland||||||0||||0||||0||||0|Architecture|Theory|Publication|||20|||1948|1948||1948|1948|||||0||||0||||||||||||||||||||||Architectural theory||||||||||Cornell||ECS|JNK|3/22/2005 0:00:00|10/7/2003 0:00:00||||0|||||||MA||||||1.0||||||||||Work|0||||||||||||0|0|The Modular|Le Corbusier 789.00|0|Architect|02|MA-Hadid|4.4|2001-3|Con||Contemporary Arts Center||Online Resource|Lois and Richard Rosenthal Center for Contemporary Art||Online Resource||||Contemporary Arts Center (Lois and Richard Rosenthal Center for Contemporary Art)|4991|Hadid, Zaha M.||architect|Zaha Hadid|0||||0|||||British||||||||United States||||||0|Cincinnati, Ohio|||10086||||0||||0|Architecture|Museum||||21|||2001|2003||2001-2003|2001-2003|||||0||||0||||||||||||||||||||||Museums||||||||||Cornell||ECS|MNW|11/3/2003 0:00:00|10/7/2003 0:00:00||Cin||0||||||Con|MA||||||4.4|2001-3|||||||||Work|0||||||||||||0|0|Contemporary Arts Center;Lois and Richard Rosenthal Center for Contemporary Art|Hadid, Zaha M. 790.00|0|Site|02|B-H3|Rom|1.31|Cam||Piazza del Campidoglio||Blue Guide|||||||Piazza del Campidoglio|7960|Buonarroti, Michelangelo||architect|Michelangelo Buonarroti|9387|Porta, Giacomo della||architect|9600|Rainaldi, Girolamo||architect||Italian|||Renaissance|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Piazza||||16|17||1559|1665||1559-1665|1559-1665|||||0||||0||||||||||||||||||||||Piazza del Campidoglio, Rome, Italy||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|10/7/2003 0:00:00||Rom||0|||||||B|||||H3|1.31||||||||||Work|0||||||||||||0|0|Piazza del Campidoglio|Buonarroti, Michelangelo;Porta, Giacomo della;Rainaldi, Girolamo 791.00|0|Creator|15|35|P979-PA|1993|1||Taxonomías|Series|Image Source (Book)|Taxonomies|Translated|Image Source (Book)||||Taxonomías (Taxonomies)|29880|Pujol, Ernesto||painter|Pujol, Ernesto|0||||0|||||Cuban|American|||||||United States||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1993|1993||1993|1993-1993|||||0||||0|||||Oil on cotton|oil paint|cotton (textile)||||painting (image-making)|||||||||||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|10/8/2003 0:00:00|P979|||0|||||||35|PA||||||1993|||||||||Work|0||||||||||||0|0|Taxonomías;Taxonomies|Pujol, Ernesto 792.00|0|Creator|15|35|P979-PA|1993|1A||Nacimientos|Artists|Image Source (Book)|Births|Translated|Image Source (Book)||||Nacimientos (Births)|29880|Pujol, Ernesto||painter|Pujol, Ernesto|0||||0|||||Cuban|American|||||||United States||||||0||||0||||0||||0|Paintings|Oil painting||||20|||||||||Taxonomías|||791||||0|||||Oil on cotton|oil paint|cotton (textile)||||painting (image-making)|||||183 x 152 cm||||||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|10/8/2003 0:00:00|P979|||0|||||||35|PA||||||1993|||||||||Work|0||||||||||||0|0|Nacimientos;Births|Pujol, Ernesto 793.00|0|Creator|15|35|P979-PA|1993|1B||Cocineras mulatas|Artists|Image Source (Book)|Kitchen Mulattas|Translated|Image Source (Book)||||Cocineras mulatas (Kitchen Mulattas)|29880|Pujol, Ernesto||painter|Pujol, Ernesto|0||||0|||||Cuban|American|||||||United States||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1993|1993||1993|1993-1993||Taxonomías|||791||||0|||||Oil on cotton|oil paint|cotton (textile)||||painting (image-making)|||||183 x 152 cm||||||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|10/8/2003 0:00:00|P979|||0|||||||35|PA||||||1993|||||||||Work|0||||||||||||0|0|Cocineras mulatas;Kitchen Mulattas|Pujol, Ernesto 794.00|0|Creator|15|35|P979-PA|1993|1C||Manos negras vendadas|Artists|Image Source (Book)|Black Hands Bound|Translated|Image Source (Book)||||Manos negras vendadas (Black Hands Bound)|29880|Pujol, Ernesto||painter|Pujol, Ernesto|0||||0|||||Cuban|American|||||||United States||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1993|1993||1993|1993-1993||Taxonomías|||791||||0|||||Oil on cotton|oil paint|cotton (textile)||||painting (image-making)|||||122 x 91.5 cm||||||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|10/8/2003 0:00:00|P979|||0|||||||35|PA||||||1993|||||||||Work|0||||||||||||0|0|Manos negras vendadas;Black Hands Bound|Pujol, Ernesto 795.00|0|Creator|15|35|P979-PA|1993|1D||Cabezas negras vendadas|Artists|Image Source (Book)|Black Heads Bound||||||Cabezas negras vendadas (Black Heads Bound)|29880|Pujol, Ernesto||painter|Pujol, Ernesto|0||||0|||||Cuban|American|||||||United States||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1993|1993||1993|1993-1993||Taxonomías|||791||||0|||||Oil on cotton|oil paint|cotton (textile)||||painting (image-making)|||||183 x 152 cm||||||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|10/8/2003 0:00:00|P979|||0|||||||35|PA||||||1993|||||||||Work|0||||||||||||0|0|Cabezas negras vendadas;Black Heads Bound|Pujol, Ernesto 796.00|0|Creator|15|35|L83925-PA|1989|1||Curandera|Artists|Image Source (Book)|Faith Healer|Translated|Image Source (Book)||||Curandera (Faith Healer)|29862|Lomas Garza, Carmen||artist|Lomas Garza, Carmen|0||||0|||||Mexican American|American|||||||United States||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1989|1989||1989|1989-1989|||||0||||0|||||Oil on linen mounted on wood|oil paint|linen (material)|wood|||painting (image-making)|||||61 x 81.3 cm||9252|San Francisco, Mexican Museum|San Francisco: Mexican Museum||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|10/8/2003 0:00:00|L83925|||0|||||||35|PA||||||1989| ||||||||Work|0||||||||||||0|0|Curandera;Faith Healer|Lomas Garza, Carmen 797.00|0|Creator|15|35|L83925-PA|1987|1||El Milagro|Artists|Image Source (Book)|The Miracle|Translated|Image Source (Book)||||El Milagro (The Miracle)|29862|Lomas Garza, Carmen||artist|Lomas Garza, Carmen|0||||0|||||Mexican American|American|||||||United States||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1987|1987||1987|1987-1987|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||91.4 x 121.9 cm||9253|Pasadena: Nicólas and Christina Hernández Trust|Pasadena: Hernández Trust||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|10/8/2003 0:00:00|L83925|||0|||||||35|PA||||||1987| ||||||||Work|0||||||||||||0|0|El Milagro;The Miracle|Lomas Garza, Carmen 798.00|0|Creator|15|35|L83925-PA|1987|2||Tamalada|Artists|Image Source (Book)|Making Tamales|Translated|Image Source (Book)||||Tamalada (Making Tamales)|29862|Lomas Garza, Carmen||artist|Lomas Garza, Carmen|0||||0|||||Mexican American|American|||||||United States||||||0||||0||||0||||0|Paintings|Gouache||||20|||1987|1987||1987|1987-1987|||||0||||0|||||Gouache|gouache|||||painting (image-making)|||||50.8 x 68.6 cm||9254|San Francisco, Collection of Don Ramon's Restaurant|San Francisco: Coll. Ramon's Rest.||||||||||||Cornell||MNW|ECS|10/16/2003 0:00:00|10/8/2003 0:00:00|L83925|||0|||||||35|PA||||||1987| ||||||||Work|0||||||||||||0|0|Tamalada;Making Tamales|Lomas Garza, Carmen 799.00|0|Creator|15|35|L83925-PA|1989|2||Las Pachucas, Razor Blade 'do|Artists|Image Source (Book)|||||||Las Pachucas, Razor Blade 'do|29862|Lomas Garza, Carmen||artist|Lomas Garza, Carmen|0||||0|||||Mexican American|American|||||||United States||||||0||||0||||0||||0|Paintings|Gouache||||20|||1989|1989||1989|1989-1989|||||0||||0|||||Gouache|gouache|||||painting (image-making)|||||49.5 x 69.9 cm||9255|Austin, Collection of Sonia Saldiva-Hull and Felix Hull|Austin: Coll. Hull||||||||||||Cornell||MNW|MNW|10/10/2003 0:00:00|10/8/2003 0:00:00|L83925|||0|||||||35|PA||||||1989| ||||||||Work|0||||||||||||0|0|Las Pachucas, Razor Blade 'do|Lomas Garza, Carmen 800.00|0|Site|03|B-H3|Rom|1.31|Cam/Cap||Palazzo del Museo Capitolino||Blue Guide|||||||Piazza del Campidoglio. Palazzo del Museo Capitolino|7960|Buonarroti, Michelangelo||architect|Michelangelo Buonarroti|9387|Porta, Giacomo della||architect|9600|Rainaldi, Girolamo||architect||Italian|||Renaissance|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Piazza|Museum|Palace||16|17||1559|1665||1559-1665|1559-1665||Piazza del Campidoglio|||790||||0||||||||||||||||||||||Museums, Piazza del Campidoglio, Rome, Italy||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|10/9/2003 0:00:00||Rom||0|||||||B|||||H3|1.31||||||||||Work|0||||||||||||0|0|Palazzo del Museo Capitolino|Buonarroti, Michelangelo;Porta, Giacomo della;Rainaldi, Girolamo 801.00|0|Site|03|B-H3|Rom|1.31|Cam/Sen||Palazzo del Senatore||Blue Guide|||||||Piazza del Campidoglio. Palazzo del Senatore|7960|Buonarroti, Michelangelo||architect|Michelangelo Buonarroti|9387|Porta, Giacomo della||architect|9600|Rainaldi, Girolamo||architect||Italian|||Renaissance|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Piazza|Palace|||16|17||1559|1665||1559-1665|1559-1665||Piazza del Campidoglio|||790||||0||||||||||||||||||||||Palaces, Piazza del Campidoglio, Rome, Italy||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|10/9/2003 0:00:00||Rom||0|||||||B|||||H3|1.31||||||||||Work|0||||||||||||0|0|Palazzo del Senatore|Buonarroti, Michelangelo;Porta, Giacomo della;Rainaldi, Girolamo 802.00|0|Site|03|B-H3|Rom|1.31|Cam/Con||Palazzo dei Conservatori||Blue Guide|||||||Piazza del Campidoglio. Palazzo dei Conservatori|7960|Buonarroti, Michelangelo||architect|Michelangelo Buonarroti & Giacomo della Porta|9387|Porta, Giacomo della||architect|9600|Rainaldi, Girolamo||architect||Italian|||Renaissance|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Piazza|Palace|||16|17||1559|1665||1559-1665|1559-1665||Piazza del Campidoglio|||790||||0||||||||||||||||||||||Piazza del Campidoglio, Rome, Italy, Palaces||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|10/9/2003 0:00:00||Rom||0|||||||B|||||H3|1.31||||||||||Work|0||||||||||||0|0|Palazzo dei Conservatori|Buonarroti, Michelangelo;Porta, Giacomo della;Rainaldi, Girolamo 803.00|0|Creator|15|35|L83925-PA|1974|1||Abuelitos Piscando Nopalitos|Artists|Image Source (Book)|Grandparents Cutting Cactus|Translated|Image Source (Book)||||Abuelitos Piscando Nopalitos (Grandparents Cutting Cactus)|29862|Lomas Garza, Carmen||artist|Lomas Garza, Carmen|0||||0|||||Mexican American|American|||||||United States||||||0||||0||||0||||0|Paintings|Gouache||||20|||1974|1974||1974|1974-1974|||||0||||0|||||Gouache|gouache|||||painting (image-making)|||||27.9 x 35.6 cm||9256|San Francisco, Collection of Richard L. Bains and Amalia Mesa-Bains|San Franciso: Coll. Bains||||||||||||Cornell||MNW|MNW|10/10/2003 0:00:00|10/10/2003 0:00:00|L83925|||0|||||||35|PA||||||1974| ||||||||Work|0||||||||||||0|0|Abuelitos Piscando Nopalitos;Grandparents Cutting Cactus|Lomas Garza, Carmen 804.00|0|Creator|15|35|L83925-PA|1986|1||Para la Cena|Artists|Image Source (Book)|For Dinner|Translated|Image Source (Book)||||Para la Cena (For Dinner)|29862|Lomas Garza, Carmen||artist|Lomas Garza, Carmen|0||||0|||||Mexican American|American|||||||United States||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1986|1986||1986|1986-1986|||||0||||0|||||Oil on linen mounted on wood|oil paint|linen (material)|wood|||painting (image-making)|||||61 x 81.3 cm||9257|Los Angeles, Calvin Taunton Collection|Los Angeles: Taunton Coll.||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|10/10/2003 0:00:00|L83925|||0|||||||35|PA||||||1986| ||||||||Work|0||||||||||||0|0|Para la Cena;For Dinner|Lomas Garza, Carmen 805.00|0|Creator|15|35|L83925-PA|1987|3||La Feria en Reynosa|Artists|Image Source (Book)|The Fair in Reynosa|Translated|Image Source (Book)||||La Feria en Reynosa (The Fair in Reynosa)|29862|Lomas Garza, Carmen||artist|Lomas Garza, Carmen|0||||0|||||Mexican American|American|||||||United States||||||0||||0||||0||||0|Paintings|Gouache||||20|||1987|1987||1987|1987-1987|||||0||||0|||||Gouache|gouache|||||painting (image-making)|||||50.8 x 71.1 cm||9258|San Francisco, Collection of Teofila Dane|San Francisco: Coll. Dane||||||||||||Cornell||MNW|ECS|10/16/2003 0:00:00|10/10/2003 0:00:00|L83925|||0|||||||35|PA||||||1987| ||||||||Work|0||||||||||||0|0|La Feria en Reynosa;The Fair in Reynosa|Lomas Garza, Carmen 806.00|0|Creator|15|35|L83925-PA|1988|1||Felino's Breakdancers|Artists|Image Source (Book)|||||||Felino's Breakdancers|29862|Lomas Garza, Carmen||artist|Lomas Garza, Carmen|0||||0|||||Mexican American|American|||||||United States||||||0||||0||||0||||0|Paintings|Gouache||||20|||1988|1988||1988|1988-1988|||||0||||0|||||Gouache|gouache|||||painting (image-making)|||||50.8 x 63.5 cm||3731|Oakland,Oakland Museum|Oakland: Museum||Dancing||||||||||Cornell||MNW|MNW|10/13/2003 0:00:00|10/10/2003 0:00:00|L83925|||0|||||||35|PA||||||1988| ||||||||Work|0||||||||||||0|0|Felino's Breakdancers|Lomas Garza, Carmen 807.00|0|Creator|15|35|L83925-PA|1989|3||Earache Treatment|Artists|Image Source (Book)|||||||Earache Treatment|29862|Lomas Garza, Carmen||artist|Lomas Garza, Carmen|0||||0|||||Mexican American|American|||||||United States||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1989|1989||1989|1989-1989|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||43.2 x 38.1 cm||3561|Artist, Collection of the|: Collection of the Artist||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|10/10/2003 0:00:00|L83925|||0|||||||35|PA||||||1989| ||||||||Work|0||||||||||||0|0|Earache Treatment|Lomas Garza, Carmen 808.00|0|Creator|15|35|L83925-PA|1989|4||Cumpleaños de Lala y Tudi|Artists|Image Source (Book)|Lala's and Tudi's Birthday Party|Translated|Image Source (Book)||||Cumpleaños de Lala y Tudi (Lala's and Tudi's Birthday Party)|29862|Lomas Garza, Carmen||artist|Lomas Garza, Carmen|0||||0|||||Mexican American|American|||||||United States||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1989|1989||1989|1989-1989|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||91.4 x 121.9 cm||9259|Soquel, CA, Collection of Paula Maciel Benecke and Norbert Benecke|Soquel, CA: Benecke Coll||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|10/10/2003 0:00:00|L83925|||0|||||||35|PA||||||1989| ||||||||Work|0||||||||||||0|0|Cumpleaños de Lala y Tudi;Lala's and Tudi's Birthday Party|Lomas Garza, Carmen 809.00|0|Creator|15|35|L83925-PA|1987|4||Posada|Artists|Image Source (Book)|Inn|Translated|Image Source (Book)||||Posada (Inn)|29862|Lomas Garza, Carmen||artist|Lomas Garza, Carmen|0||||0|||||Mexican American|American|||||||United States||||||0||||0||||0||||0|Paintings|Gouache||||20|||1987|1987||1987|1987-1987|||||0||||0|||||Gouache|gouache|||||painting (image-making)|||||50.8 x 71.1 cm||9260|Los Angeles, Marina D. Alvardo and Gilbert Mercado, Jr., Collection|Los Angeles: Mercado Coll.||Adoration of the Shepherds, Hotels (public accommodations)||||||||||Cornell||MNW|MNW|10/13/2003 0:00:00|10/10/2003 0:00:00|L83925|||0|||||||35|PA||||||1989| ||||||||Work|0||||||||||||0|0|Posada;Inn|Lomas Garza, Carmen 810.00|0|Site|02|B-H3|Vic|2.22|Oli||Teatro Olimpico||Blue Guide|||||||Teatro Olimpico|8858|Palladio, Andrea||architect|Andrea Palladio|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0|Vicenza, Italy|||10071||||0||||0|Architecture|Theater||||16|||1579|1580||1579-1580|1579-1580|||||0||||0||||||||||||||||||||||Theater||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|10/10/2003 0:00:00||Vic||0|||||||B|||||H3|2.22||||||||||Work|0||||||||||||0|0|Teatro Olimpico|Palladio, Andrea 812.00|0|Creator|05|J-RubensteinM|||3||Dave's Dream (Irene Maria and Dave Jaramillo, San Juan, New Mexico)|Artists|Image Source (Book)|||||||Dave's Dream (Irene Maria and Dave Jaramillo, San Juan, N Dave's Dream (Irene and Dave Jarmillo, San Juan, NM)|10148|Rubenstein, Meridel||photographer|Rubenstein, Meridel|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1980|1980||1980|1980-1980|||||0||||0|||||Ektacolor print on paper|photo paper|film||||photography|||||40.6 x 50.8 cm||||||Automobiles||||||||||Cornell||MNW|MNW|10/13/2003 0:00:00|10/13/2003 0:00:00|Rubenstein|||0|||||||J|||||||1980|||||||||Work|0|Photography|||||||||||0|0|Dave's Dream (Irene Maria and Dave Jaramillo, San Juan, New Mexico)|Rubenstein, Meridel 813.00|0|Creator|05|J-HarrisA|||1||Furr's Parking Lot, Saturday Night, Española, New Mexico, look South from J. R. Roybal's 1966 Chevrolet Caprice|Artists|Image Source (Book)|||||||Furr's Parking Lot|29881|Harris, Alex||photographer|Harris, Alex|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1987|1987||1987|1987-1987|||||0||||0|||||Cibachrome print on paper|photo paper|film||||photography|||||40.6 x 50.8 cm||||||Automobiles, Chevrolet Caprice automobiles||||||||||Cornell||MNW|MNW|10/13/2003 0:00:00|10/13/2003 0:00:00|HarrisA|||0|||||||J|||||||1987|||||||||Work|0|Photography|This Chevrolet Caprice is a 1966 model.|||February, 1987|||||||0|0|Furr's Parking Lot, Saturday Night, Española, New Mexico, look South from J. R. Roybal's 1966 Chevrolet Caprice|Harris, Alex 814.00|0|Creator|15|35|O776-M|1997|1|35 O776-M 1997 1|Alien Toy (Unidentified Cruising Object)|Artists|Image Source (Book)|||||||Alien Toy (Unidentified Cruising Object)|29785|Ortiz Torres, Ruben||photographer|Ortiz Torres, Ruben|0||||0|||||Mexican||||||||United States||||||0||||0||||0||||0|Installations|Video art|Sculpture|||20|||1997|1997||1997|1997-1997|||||0||||0|||||Video installation with pick-up truck|Pick-up truck|||||video|photography||||Variable||9261|Los Angeles, Collection of Tom Patchett|Los Angeles: Tom Patchett Coll.||||||||||||Cornell||MNW|JNK|8/9/2005 0:00:00|10/13/2003 0:00:00|O776|||0|||||||35|M||||||1997| ||||||||Work|0||The pick-up truck was customised by Salvador "Shava" Muñoz.||||||||||0|0|Alien Toy (Unidentified Cruising Object)|Ortiz Torres, Ruben 815.00|0|Creator|05|J-RubensteinM|||4||Bad Co. (Paul, Annabelle and Paula Martinez, Española, New Mexico)|Artists|Image Source (Book)|||||||Bad Co. (Paul, Annabelle & Paul Martinez, Española, NM)|10148|Rubenstein, Meridel||photographer|Rubenstein, Meridel|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1980|1980||1980|1980-1980|||||0||||0|||||Ektacolor print on paper|photo paper|film||||photography|||||40.6 x 50.8 cm||||||Automobiles||||||||||Cornell||MNW|MNW|10/13/2003 0:00:00|10/13/2003 0:00:00|Rubenstein|||0|||||||J|||||||1980|||||||||Work|0|Photography|||||||||||0|0|Bad Co. (Paul, Annabelle and Paula Martinez, Española, New Mexico)|Rubenstein, Meridel 817.00|0|Site|02|B-H3|Rom|3.1|SPMon||San Pietro in Montorio||Blue Guide|||||||San Pietro in Montorio|0|||||0||||0|||||Italian||||||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Church||||9|||775|925|ca|ca. 9th Century; Rebuilt 15th Century|9th Century; Rebuilt 15th Century|||||0||||0||||||||||||||||||||||Churches||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|10/16/2003 0:00:00||Rom||0|||||||B|||||H3|3.1||||||||||Work|0||||||||||||0|0|San Pietro in Montorio| 818.00|0|Site|02|B-H3|Rom|3.1|SPMon-T||Tempietto||Blue Guide|||||||San Pietro in Montorio. Tempietto|1507|Bramante, Donato||architect|Donato Bramante|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Temple||||16|||1474|1537|ca|ca. 1499-1512|1499-1512||San Pietro in Montorio|||817||||0||||||||||||||||||||||Temples, Tempietto, San Pietro in Montorio, Rome, Italy||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|10/16/2003 0:00:00||Rom||0|||||||B|||||H3|3.1||||||||||Work|0||||||||||||0|0|Tempietto|Bramante, Donato 819.00|0|Creator|15|35|D3285-PA|1952|4||Woman and Bicycle||Collection|||||||Woman and Bicycle|6462|Kooning, Willem De||painter|Kooning, Willem De|0||||0|||||American|||Abstract Expressionist|||||United States||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1952|1952||1952|1952-1952|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||194.3 x 124.5 cm||3543|New York,Whitney Museum of American Art|New York: Whitney Mus.||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|10/16/2003 0:00:00|D3285|||0|||||||35|PA||||||1952| ||||||||Work|0||||||||||||0|0|Woman and Bicycle|Kooning, Willem De 820.00|0|Creator|15|35|R248-PA|B9291|||Buffalo II||Collection|||||||Buffalo II|9667|Rauschenberg, Robert||painter|Rauschenberg, Robert|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Paintings|Oil painting|Screen print|||20|||1964|1964||1964|1964-1964|||||0||||0|||||Oil on canvas with silk screen|oil paint|canvas||||painting (image-making)|screen printing||||96 x 72||9262|Winnetka, IL, Private Collection|Winnetka: Private Coll.||Kennedy, John F. (John Fitzgerald), 1917-1963||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|10/16/2003 0:00:00|R248|||0|||||||35|PA||||||1964| |B9291|||||||Work|0|||Measurements unclear.|||||||||0|0|Buffalo II|Rauschenberg, Robert 921.00|0|Category|15|MED/BYZ|PTG/MOS|ROME|||Madonna della Clemenza|Assigned|Blue Guide|Virgin of Clemency|Assigned|Image Source (Book)||||Madonna della Clemenza|0|||||0||||0|||||Byzantine||||||||Italy||||||0||||||||0||||0|Paintings|||||8||||||||||||0||||0|||||Encaustic on canvas and wood|encaustic paint|wood|canvas|||painting (image-making)|||||164 x 116 cm||2464|Rome,S.Maria in Trastevere|Rome: S. Maria in Trast.||Madonna and Child||||||||||Cornell||MNW|MNW|11/3/2003 0:00:00|11/3/2003 0:00:00||||0||||||ROME|MED/BYZ|PTG/MOS||||||| ||||||||Work|0||||||||||||0|0|Madonna della Clemenza;Virgin of Clemency| 922.00|0|Site|02|B-H3|Tiv|7.1 Had||B-H3 Tiv 7.1 Had |Hadrian's Villa|Assigned|Dict.Art|||||||Hadrian's Villa|0|||||0||||0|||||Roman|||Imperial (Roman)|||||Italy||||||0|Tivoli, Italy|||10110||||0||||0|Architecture|Villa||||2|||118|138||118-138|118-138|||||0||||0||||||||||||||||||||||Villas ; Palaces ; |Villas|Palaces||||||||Cornell||MNW|MNW|4/25/2005 0:00:00|11/3/2003 0:00:00||Tiv||0||||||Had|B|||||H3|7.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|Hadrian's Villa| 923.00|0|Architect|02|MA-LeCorb|3.1|1955|Ron||Notre Dame du-Haut|Original|Macmillan|Ronchamp|Assigned|Cataloger||||Notre Dame du-Haut|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||French|||Brutalist|||Europe||France||||||0|Ronchamp, France|||10109||||0||||0|Architecture|Church|Chapel|||20|||1955|1955||1955|1955|||||0||||0||||||||||||||||||||||Churches ; Chapels ; |Churches|Chapels||||||||Cornell||ECS|MNW|4/25/2006 0:00:00|11/3/2003 0:00:00||Ron||0|||||||MA||||||3.1|1955|||||||||Work|0||||||||||||0|0|Notre Dame du-Haut;Ronchamp|Le Corbusier 924.00|0|Architect|02|MA-LeCorb|3.1|1955|RonE||East Façade|Assigned|Cataloger|||||||Notre Dame du-Haut. East Façade|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||French|||International Style|||Europe||France||||||0|Ronchamp, France|||10109||||0||||0|Architecture|Church|Chapel|||20|||1955|1955||1955|1955||Notre Dame du-Haut|Larger Entity||923||||0||||||||||||||||||||||Churches, Chapels||||||||||Cornell||ECS|JNK|3/22/2005 0:00:00|11/3/2003 0:00:00||Ron||0|||||||MA||||||3.1|1955|||||||||Work|0||||||||||||0|0|East Façade|Le Corbusier 925.00|0|Architect|02|MA-LeCorb|3.1|1955|RonN||North Façade|Assigned|Cataloger|||||||Notre Dame du-Haut. North Façade|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||French|||International Style|||Europe||France||||||0|Ronchamp, France|||10109||||0||||0|Architecture|Church|Chapel|||20|||1955|1955||1955|1955||Notre Dame du-Haut|Larger Entity||923||||0||||||||||||||||||||||Chapels, Churches||||||||||Cornell||ECS|JNK|3/22/2005 0:00:00|11/3/2003 0:00:00||Ron||0|||||||MA||||||3.1|1955|||||||||Work|0||||||||||||0|0|North Façade|Le Corbusier 926.00|0|Architect|02|MA-LeCorb|3.1|1955|RonS||South Façade|Assigned|Cataloger|||||||Notre Dame du-Haut. South Façade|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||French|||International Style|||Europe||France||||||0|Ronchamp, France|||10109||||0||||0|Architecture|Church|Chapel|||20|||1955|1955||1955|1955||Notre Dame du-Haut|Larger Entity||923||||0||||||||||||||||||||||Churches, Chapels||||||||||Cornell||ECS|JNK|3/22/2005 0:00:00|11/3/2003 0:00:00||Ron||0|||||||MA||||||3.1|1955|||||||||Work|0||||||||||||0|0|South Façade|Le Corbusier 927.00|0|Architect|02|MA-LeCorb|3.1|1955|RonW||West Façade|Assigned|Cataloger|||||||Notre Dame du-Haut. West Façade|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||French|||International Style|||Europe||France||||||0|Ronchamp, France|||10109||||0||||0|Architecture|Church|Chapel|||20|||1955|1955||1955|1955||Notre Dame du-Haut|Larger Entity||923||||0||||||||||||||||||||||Churches, Chapels||||||||||Cornell||ECS|JNK|3/22/2005 0:00:00|11/3/2003 0:00:00||Ron||0|||||||MA||||||3.1|1955|||||||||Work|0||||||||||||0|0|West Façade|Le Corbusier 928.00|0|Site|02|B-H2|Par|4.2|Uni||Cité Universitaire|Original|Print Publication|University of Paris|Translated|Collection||||University of Paris (Cité Universitaire)|0|||||0||||0|||||French||||||Europe||France||||||0|Paris, France|||10058||||0||||0|Architecture|University||||20|||1922|||1922-|1922-|||||0||||0||||||||||||||||||||||Universities||||||||||Cornell||ECS|ECS|11/4/2003 0:00:00|11/3/2003 0:00:00||Par||0|||||||B|||||H2|4.2||||||||||Work|0||||||||||||0|0|Cité Universitaire;University of Paris| 929.00|0|Site|02|B-H3|Tiv|7.1 Had/Mar||B-H3 Tiv 7.1 Had/Mar |Maritime Theater|Assigned|Collection|Naval Theatre|Artists|Blue Guide||||Hadrian's Villa. Maritime Theater|0|||||0||||0|||||Roman|||Imperial (Roman)|||||Italy||||||0|Tivoli, Italy|||10110||||0||||0|Architecture|Villa||||02|||125|134||125-134|125-134||Hadrian's Villa|Larger Entity||922||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|4/25/2005 0:00:00|11/3/2003 0:00:00||Tiv||0||||||Had/Mar|B|||||H3|7.1||||||||||Work|0|Architecture-Italy|Hadrian's private island retreat.||||||||||0|0|Maritime Theater;Naval Theatre| 930.00|0|Category|04|C-07|I-Had/|Rou/|Hadrian||Bust of Hadrian|Assigned|Image Source (Book)|||||||Bust of Hadrian|0|||||0||||0|||||Roman|||Imperial (Roman)|||||Italy||||||0||||0||||0||||0|Sculpture|Bust||||2|||117|138||117-138|117-138|||||0||||0|||||Marble|marble|||||sculpture|carving||||||3341|Paris,Musee National du Louvre|Paris: Louvre||Hadrian, 76-138||||||||||Cornell||MNW|ECS|11/24/2003 0:00:00|11/3/2003 0:00:00||||0||||||Hadrian|C|||07|I-Had|||| |Rou|||||||Work|0||||||||||||0|0|Bust of Hadrian| 931.00|0|Category|04|C-05.5|Dai||||Apoxyomenos|Assigned|Image Source (Book)|||||||Apoxyomenos (Roman copy from Ephesus)|30001|Daidalos||craftsman|Daidalos|0||||0|||||Greek|Roman||Roman Period|||||Turkey||||||0||||0|Ephesus, Turkey|||10111||||0|Sculpture|Bust||||||||||||||||0||||0|||||Bronze|bronze|||||sculpture|casting||||||3403|Vienna,Kunsthistorisches Museum|Vienna: Kunsthistorisches Mus.||||||||||||Cornell||MNW|ECS|11/24/2003 0:00:00|11/3/2003 0:00:00|||Eph|0|||||||C|||05.5||||| ||||||||Work|0||Roman from Ephesus of a Greek original.||||||||||0|0|Apoxyomenos|Daidalos 932.00|0|Site|02|B-L8|Mil|1.04|||Miletus, Turkey. Plans|Assigned|Cataloger|||||||Plan|0|||||0||||0|||||Roman||||||||Turkey||||||0|Miletus, Turkey|||10112||||0||||0|City Plans and Views|Plans (drawings)||||||||||||||||0||||0||||||||||||||||||||||City plans||||||||||Cornell||MNW|ECS|11/24/2003 0:00:00|11/3/2003 0:00:00||Mil||0|||||||B|||||L8|1.043||||||||||Work|0|Architecture-Turkey|||||||||||0|0|Miletus, Turkey. Plans| 821.00|0|Site|02|B-H3|Rom|3.1|SPet/Dom||Dome||Blue Guide|||||||St. Peter's Basilica. Dome|7960|Buonarroti, Michelangelo||architect|Michelangelo Buonarroti|0||||0|||||Italian|||High Renaissance|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Basilica|Dome|||16|||1554|1554||1554|1554-1554||St. Peter's Basilica|Larger Entity||133||||0||||||||||||||||||||||Domes ; |Domes|||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|10/20/2003 0:00:00||Rom||0||||||SPet/Dom|B|||||H3|3.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|Dome|Buonarroti, Michelangelo 822.00|0|Site|02|B-H3|Rom|3.1|SPet/Dom/Mic||Dome Project|||||||||St. Peter's Basilica. Dome Project|7960|Buonarroti, Michelangelo||architect|Michelangelo Buonarroti|0||||0|||||Italian|||High Renaissance|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Basilica|Dome|||16|||1550|1550||1550|1550-1550||Dome|Larger Entity||821||||0||||||||||||||||||||||Churches, Domes, Basilicas, Rome, Italy||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|10/20/2003 0:00:00||Rom||0|||||||B|||||H3|3.1||||||||||Work|0||||||||||||0|0|Dome Project|Buonarroti, Michelangelo 823.00|0|Creator|15|35|O830-M|1985|1||La Bicicleta|Artists|Image Source (Book)|The Bicycle|Translated|Image Source (Book)||||La Bicicleta (The Bicycle)|8766|Osorio, Pepón||sculptor|Osorio, Pepón|0||||0|||||Puerto Rican||||||||Puerto Rico||||||0||||0||||0||||0|Sculpture|||||20|||1985|1985||1985|1985-1985|||||0||||0|||||Mixed materials|mixed materials|||||sculpture|||||101.6 x 152.4 x 61 cm||||||Bicycles||||||||||Cornell||MNW|MNW|10/20/2003 0:00:00|10/20/2003 0:00:00|O830|||0|||||||35|M||||||1985|||||||||Work|0||||||||||||0|0|La Bicicleta;The Bicycle|Osorio, Pepón 824.00|0|Creator|15|35|O830-M|1989|1||El Corolla Club|Artists|Image Source (Book)|||||||El Corolla Club|8766|Osorio, Pepón||sculptor|Osorio, Pepón|0||||0|||||Puerto Rican||||||||Puerto Rico||||||0||||0||||0||||0|Sculpture|||||20|||1989|1989||1989|1989-1989|||||0||||0|||||Mixed materials & photo on car windshield|mixed materials|photo paper||||sculpture|photography||||63.5 x 124.5 x 12.7 cm||||||||||||||||Cornell||MNW|MNW|10/20/2003 0:00:00|10/20/2003 0:00:00|O830|||0|||||||35|M||||||1989|||||||||Work|0||||||||||||0|0|El Corolla Club|Osorio, Pepón 825.00|0|Creator|15|35|O830-M|1987|1||La Cama|Artists|Image Source (Book)|The Bed|Translated|Image Source (Book)||||La Cama (The Bed)|8766|Osorio, Pepón||sculptor|Osorio, Pepón|0||||0|||||Puerto Rican||||||||Puerto Rico||||||0||||0||||0||||0|Sculpture|||||20|||1987|1987||1987|1987-1987|||||0||||0|||||Mixed materials with bed|mixed materials|||||sculpture|||||190.5 x 170.2 x 198.2 cm; 432 M square||||||Beds||||||||||Cornell||MNW|MNW|10/20/2003 0:00:00|10/20/2003 0:00:00|O830|||0|||||||35|M||||||1987|||||||||Work|0||||||||||||0|0|La Cama;The Bed|Osorio, Pepón 826.00|0|Creator|15|35|O830-M|1989|2||T. K. O. (Knockout Técnico)|Artists|Image Source (Book)|||||||T. K. O. (Knockout Técnico)|8766|Osorio, Pepón||sculptor|Osorio, Pepón|0||||0|||||Puerto Rican||||||||Puerto Rico||||||0||||0||||0||||0|Sculpture|||||20|||1989|1989||1989|1989-1989|||||0||||0|||||Mixed materials|mixed materials|||||sculpture|||||35.6 x 38.1 x 30.5 cm||||||||||||||||Cornell||MNW|MNW|10/20/2003 0:00:00|10/20/2003 0:00:00|O830|||0|||||||35|M||||||1989|||||||||Work|0||||||||||||0|0|T. K. O. (Knockout Técnico)|Osorio, Pepón 827.00|0|Creator|15|35|O830-M|1990|1||A Mis Adorable Hijas|Artists|Image Source (Book)|To My Darling Daughters|Translated|Image Source (Book)||||A Mis Adorable Hijas (To My Darling Daughters)|8766|Osorio, Pepón||sculptor|Osorio, Pepón|0||||0|||||Puerto Rican||||||||Puerto Rico||||||0||||0||||0||||0|Sculpture|||||20|||1990|1990||1990|1990-1990|||||0||||0|||||Mixed materials on sofa|mixed materials|||||sculpture|||||190.5 x 116.8 x 86.4 cm||||||Sofas||||||||||Cornell||MNW|MNW|10/20/2003 0:00:00|10/20/2003 0:00:00|O830|||0|||||||35|M||||||1990|||||||||Work|0||||||||||||0|0|A Mis Adorable Hijas;To My Darling Daughters|Osorio, Pepón 828.00|0|Creator|15|35|O830-M|1989|3||Maria Cristina Martinez Olmedo, D.O.B., 3/27/89|Artists|Image Source (Book)|||||||Maria Cristina Martinez Olmedo, D.O.B., 3/27/89|8766|Osorio, Pepón||sculptor|Osorio, Pepón|0||||0|||||Puerto Rican||||||||Puerto Rico||||||0||||0||||0||||0|Sculpture|||||20|||1989|1989||1989|1989-1989|||||0||||0|||||Mixed materials and bassinet|mixed materials|||||sculpture|||||||||||Bassinets||||||||||Cornell||MNW|MNW|10/20/2003 0:00:00|10/20/2003 0:00:00|O830|||0|||||||35|M||||||1989|||||||||Work|0||||||||||||0|0|Maria Cristina Martinez Olmedo, D.O.B., 3/27/89|Osorio, Pepón 829.00|0|Site|02|B-H3|Rom|3.1|SPet/Proj/A&G||Projects|||||||||St. Peter's Basilica. Projects|10367|Sangallo, Antonio da, the Younger||architect|Antonio da Sangallo & Giuliano da Sangallo|10371|Sangallo, Giuliano da||architect|0|||||Italian|||High Renaissance|||Europe||Italy||||||0||||0|Rome, Italy|||10024||||0|Architecture|Basilica||||16|||1514|1538||1514-1538|1514-1538||St. Peter's Basilica|LargerEntity||133||||0||||||||||||||||||||||Basilicas, Rome, Italy, Churches||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|10/20/2003 0:00:00|||Rom|0|||||||B|||||H3|3.1||||||||||Work|0||||||||||||0|0|Projects|Sangallo, Antonio da, the Younger;Sangallo, Giuliano da 830.00|0|Site|02|B-H3|Flo|5.1|Inn||Ospedale degli Innocenti|Assigned|Blue Guide|Hospital of the Innocents|Translated||Foundling Hospital|Variant||Ospedale degli Innocenti|1698|Brunelleschi, Filippo||architect|Brunelleschi, Filippo|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0|Florence, Italy|||9985||||0||||0|Architecture|Hospital||||15|||1419|1445||1419-1445|1419-1445|||||0||||0||||||||||||||||||||||Hospitals||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|10/21/2003 0:00:00||Flo||0|||||||B|||||H3|5.1||||||||||Work|0||||||||||||0|0|Ospedale degli Innocenti;Hospital of the Innocents;Foundling Hospital|Brunelleschi, Filippo 831.00|0|Creator|15|35|H763-PA|1992|1||Tono y Color en la Musica de Miles Davis|Artists|Image Source (Book)|||||||Tono y Color en la Musica de Miles Davis|29882|Homard, Lorenzo||painter|Homard, Lorenzo|0||||0|||||Puerto Rican|American|||||||United States||||||0||||0||||0||||0|Paintings|||||20|||1992|1992||1992|1992-1992|||||0||||0|||||Casein on canvas|casein paint|canvas||||painting (image-making)|||||66 x 76.2 cm||||||||||||||||Cornell||MNW|MNW|10/21/2003 0:00:00|10/21/2003 0:00:00|H763|||0|||||||35|PA||||||1992|||||||||Work|0||||||||||||0|0|Tono y Color en la Musica de Miles Davis|Homard, Lorenzo 832.00|0|Creator|15|35|H763-G|1996|1||Unicornio de la Isla|Artists|Image Source (Book)|||||||Unicornio de la Isla|29882|Homard, Lorenzo||printmaker|Homard, Lorenzo|0||||0|||||Puerto Rican|American|||||||United States||||||0||||0||||0||||0|Graphics|Wood engraving||||20|||1966|1966||1966|1966-1966|||||0||||0|||||Wood engraving|paper|ink||||printing|wood engraving (process)||||50.7 x 1 M 22 cm||||||Unicorns||||||||||Cornell||MNW|MNW|10/21/2003 0:00:00|10/21/2003 0:00:00|H763|||0|||||||35|G||||||1996|||||||||Work|0||||||||||||0|0|Unicornio de la Isla|Homard, Lorenzo 833.00|0|Creator|15|35|B1425-G|1988|1||Alborada|Artists|Image Source (Book)|||||||Alborada|29883|Baéz, Myrna||printmaker|Baéz, Myrna|0||||0|||||Puerto Rican||||||||Puerto Rico||||||0||||0||||0||||0|Graphics|Screen print||||20|||1988|1988||1988|1988-1988|||||0||||0|||||Screen print||||||Graphics|screen printing||||||9265|San Juan, Colección McConnell Valdés|San Juan: Coll. McConnell Valdés||||||||||||Cornell||MNW|MNW|10/21/2003 0:00:00|10/21/2003 0:00:00|B1425|||0|||||||35|G||||||1988| ||||||||Work|0||||||||||||0|0|Alborada|Baéz, Myrna 834.00|0|Creator|15|35|C139-G|1965|1||Quebradillas|Artists|Image Source (Book)|||||||Quebradillas|29884|Cajiga, Luis Germán||printmaker|Cajiga, Luis Germán|0||||0|||||Puerto Rican||||||||Puerto Rico||||||0||||0||||0||||0|Prints|Screen print||||20|||1965|1965||1965|1965-1965|||||0||||0|||||Screen print||||||Graphics|screen printing||||||9265|San Juan, Colección McConnell Valdés|San Juan: Coll. McConnell Valdés||||||||||||Cornell||MNW|MNW|10/21/2003 0:00:00|10/21/2003 0:00:00|C139|||0|||||||35|G||||||1965| ||||||||Work|0||||||||||||0|0|Quebradillas|Cajiga, Luis Germán 835.00|0|Site|02|B-H3|Rom|3.1|SPet/P&C||Piazza & Colonnade|||||||||St. Peter's. Piazza & Colonnade|0|||||0||||0|||||Italian|||Baroque|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Basilica|Piazza|||17|||1656|1667||1656-1667|1656-1667||St. Peter's Basilica|Larger Entity||133||||0||||||||||||||||||||||Piazzas ; Colonnades ; |Piazzas|Colonnades||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|10/21/2003 0:00:00||Rom||0|||||||B|||||H3|3.1||||||||||Work|0||||||||||||0|0|Piazza & Colonnade| 836.00|0|Creator|15|35|H5576-G|1979|1||Paisaje gris|Artists|Image Source (Book)|||||||Paisaje gris|29885|Hernández Cruz, Luis||printmaker|Hernández Cruz, Luis|0||||0|||||Puerto Rican||||||||Puerto Rico||||||0||||0||||0||||0|Prints|Screen print||||20|||1979|1979||1979|1979-1979|||||0||||0|||||Screen print||||||Graphics|screen printing||||||9265|San Juan, Colección McConnell Valdés|San Juan: Coll. McConnell Valdés||||||||||||Cornell||MNW|MNW|10/21/2003 0:00:00|10/21/2003 0:00:00|H5576|||0|||||||35|G||||||1979| ||||||||Work|0||||||||||||0|0|Paisaje gris|Hernández Cruz, Luis 837.00|0|Creator|15|35|Q75-G|1989|1||Barriada|Artists|Image Source (Book)|||||||Barriada|29886|Quiñones, Omar||printmaker|Quiñones, Omar|0||||0|||||Puerto Rican||||||||Puerto Rico||||||0||||0||||0||||0|Prints|Screen print||||20|||1989|1989||1989|1989-1989|||||0||||0|||||Screen print||||||Graphics|screen printing||||||9265|San Juan, Colección McConnell Valdés|San Juan: Coll. McConnell Valdés||||||||||||Cornell||MNW|MNW|10/21/2003 0:00:00|10/21/2003 0:00:00|Q75|||0|||||||35|G||||||1989| ||||||||Work|0||||||||||||0|0|Barriada|Quiñones, Omar 838.00|0|Creator|15|35|R6205-G|1979|1||Prólogo|Artists|Image Source (Book)|||||||Prólogo|29887|Rivera, Dennis Mario||printmaker|Rivera, Dennis Mario|0||||0|||||Puerto Rican||||||||Puerto Rico||||||0||||0||||0||||0|Prints|Wood engraving||||20|||1979|1979||1979|1979-1979|||||0||||0|||||Wood engraving||||||Graphics|wood engraving (process)||||||9265|San Juan, Colección McConnell Valdés|San Juan: Coll. McConnell Valdés||||||||||||Cornell||MNW||10/22/2003 0:00:00|10/21/2003 0:00:00|R6205|||0|||||||35|G||||||1979| ||||||||Work|0||||||||||||0|0|Prólogo|Rivera, Dennis Mario 839.00|0|Site|02|B-H3|Rom|3.1 SPet/P&C/Ber|SPet/P&C/Ber|B-H3 Rom 3.1 SPet/P&C/Ber|Bernini's Piazza & Colonnade|||||||||St. Peter's. Piazza & Colonnade.|1103|Bernini, Gian Lorenzo||architect|Gian Lorenzo Bernini|0||||0|||||Italian|||Baroque|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Basilica|Piazza|||17|||1656|1667||1656-1667|1656-1667||Piazza & Colonnade|Larger Entity||835||||0||||||||||||||||||||||Piazzas ; Colonnades ; Obelisks ; Fountains ; Via della Conciliazione ; |Piazzas|Colonnades|Obelisks|Fountains|Via della Conciliazione|||||Cornell||ECS|MNW|11/6/2006 0:00:00|10/22/2003 0:00:00||Rom||0||||||SPet/P&C/Ber|B|||||H3|3.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|Bernini's Piazza & Colonnade|Bernini, Gian Lorenzo 840.00|0|Site|02|B-H3|Rom|1.33 Tre|Tre|B-H3 Rom 1.33 Tre|Trevi Fountain||Dict.Art|||||||Trevi Fountain|10320|Salvi, Nicola||architect|Nicola Salvi|0||||0|||||Italian|||Rococo|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Fountain||||18|||1732|1762||1732-1762|1732-1762|||||0||||0||||||||||||||||||||||Fountains||||||||||Cornell||ECS|JNK|12/5/2006 0:00:00|10/22/2003 0:00:00||Rom||0||||||Tre|B|||||H3|1.33||||||||||Work|0|Architecture-Italy|||||||||||0|0|Trevi Fountain|Salvi, Nicola 841.00|0|Creator|15|35|R620-G|1958|1||Huacán del Norte|Artists|Image Source (Book)|||||||Huacán del Norte|29888|Rivera, Carlos Raquel||printmaker|Rivera, Carlos Raquel|0||||0|||||Puerto Rican||||||||Puerto Rico||||||0||||0||||0||||0|Graphics|Print|||||||1958|1958||1958|1958-1958|||||0||||0|||||Linoleum-block printing||||||linoleum-block printing|||||||9265|San Juan, Colección McConnell Valdés|San Juan: Coll. McConnell Valdés||||||||||||Cornell|||MNW|10/22/2003 0:00:00|10/22/2003 0:00:00|R620|||0|||||||35|G||||||1958| ||||||||Work|0||||||||||||0|0|Huacán del Norte|Rivera, Carlos Raquel 842.00|0|Site|02|B-B48|Char|4.2 UVa||B-B48 Char 4.2 UVa|University of Virginia|Preferred|Repository|The Lawn|Popular|Cataloger||||University of Virginia|5938|Jefferson, Thomas||architect|Thomas Jefferson|0||||0|||||American|||Classicism|||||United States||||||0|Charlottesville, Virginia|||10081||||0||||0|Architecture|University||||19|||1817|1826||1817-1826|1817-1826|||||0||||0||||||||||||||||||||||Universities ; Campuses ; |Universities|Campuses||||||||Cornell||ECS|JNK|10/25/2006 0:00:00|10/22/2003 0:00:00||Char||0||||||UVa|B|||||B48|4.2||||||||||Work|0|Architecture-Virginia (VA)|||||||||||0|0|University of Virginia;The Lawn|Jefferson, Thomas 843.00|0|Creator|15|35|R114-G|1991|1||El hombre de adentro|Artists|Image Source (Book)|||||||El hombre de adentro|9960|Roche Rabell, Arnaldo||printmaker|Roche Rabell, Arnaldo|0||||0|||||Puerto Rican||||||||Puerto Rico||||||0||||0||||0||||0|Graphics|Wood engraving||||20|||1991|1991||1991|1991-1991|||||0||||0|||||Wood engraving||||||wood engraving (process)|||||||9265|San Juan, Colección McConnell Valdés|San Juan: Coll. McConnell Valdés||||||||||||Cornell||MNW|CLL|10/23/2003 0:00:00|10/22/2003 0:00:00|R114|||0|||||||35|G||||||1991| ||||||||Work|0||||||||||||0|0|El hombre de adentro|Roche Rabell, Arnaldo 844.00|0|Creator|15|35|T914-G|1963|1||Bárbara|Artists|Image Source (Book)|||||||Bárbara|11966|Tufiño, Rafael||artist|Tufiño, Rafael|0||||0|||||Puerto Rican||||||||United States|Puerto Rico|||||0||||0||||0||||0|Graphics|Wood engraving||||20|||1963|1963||1963|1963-1963|||||0||||0|||||Wood engraving||||||wood engraving (process)|||||||9265|San Juan, Colección McConnell Valdés|San Juan: Coll. McConnell Valdés||Portraits, Female nudes||||||||||Cornell||MNW|MNW|10/22/2003 0:00:00|10/22/2003 0:00:00|T914|||0|||||||35|G||||||1963| ||||||||Work|0||||||||||||0|0|Bárbara|Tufiño, Rafael 845.00|0|Creator|15|35A|A512-SC|1983|1||Motorcycle Decorated with 1400 Bulbs|Artists|Image Source (Book)|||||||Motorcycle Decorated with 1400 Bulbs|0||||Anonymous American|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Sculpture|||||20|||1983|1983||1983|1983-1983|||||0||||0|||||Motorcycles with bulbs|||||||||||||||||Motorcycles||||||||||Cornell||MNW|MNW|10/22/2003 0:00:00|10/22/2003 0:00:00|A512|||0|||||||35A|SC||||||1983|||||||||Work|0||||||||||||0|0|Motorcycle Decorated with 1400 Bulbs| 846.00|0|Creator|15|35|C146-SC|B660|||BMW 3.0 CSL Coupé|Assigned|Image Source (Book)|||||||BMW 3.0 CSL Coupé|1917|Calder, Alexander||sculptor|Calder, Alexander|0||||0|||||German||||||||Germany||||||0||||0||||0||||0|Sculpture|||||20|||1975|1975||1975|1975-1975|||||0||||0|||||BMW CSL Coupe|||||||||||||9266|Munich, BMW Museum|Munich: BMW Museum||BMW CSL Coupe, 1973, Automobiles||||||||||Cornell||MNW|MNW|10/28/2003 0:00:00|10/22/2003 0:00:00|C146|||0|||||||35|SC||||||| |B660|||||||Work|0||||||||||||0|0|BMW 3.0 CSL Coupé|Calder, Alexander 847.00|0|Site|02|B-B5|LosA|6.4 HotDog/2|||D'Hot Dog|Assigned|Image Source (Book)|||||||D'Hot Dog|0|||||0||||0|||||American||||||||United States||||||0|Los Angeles, California|||10085|Los Angeles, California|||10085||||0|Architecture|Restaurant|Hot dog stand|||20|||1979|1979||1979|1979-1979|||||0||||0||||||||||||||||||||||Hot dog stands||||||||||Cornell||MNW|MNW|10/22/2003 0:00:00|10/22/2003 0:00:00||LosA|LosA|0||||||HotDog/2|B|||||B5|6.4||||||||||Work|0|Architecture-California (CA)|This hot dog stand is located in Venice, CA.||||||||||0|0|D'Hot Dog| 848.00|0|Creator|15|35|F951-SC|1978|1||Mad Car|Artists|Image Source (Book)|||||||Mad Car|29889|Fuente, Larry||sculptor|Fuente, Larry|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Sculpture|||||20|||1978|1984||1978-1984|1978-1984|||||0||||0|||||Cadillac with mixed materials|mixed materials||||||||||180 x 610 x 210 cm||||||Automobiles, Cadillac automobiles||||||||||Cornell||MNW|MNW|10/22/2003 0:00:00|10/22/2003 0:00:00|F951|||0|||||||35|SC||||||1978|||||||||Work|0||||||||||||0|0|Mad Car|Fuente, Larry 849.00|0|Site|02|B-Q5|Bhub|3.4|Par||Parashurameshwara Temple||Scholar|||||||Parashurameshwara Temple|0|||||0||||0|||||Indian|||Orissan|||||India||||||0|Bhubaneshwar, India|||10088||||0||||0|Architecture|Temple|||||||650|950|ca|ca. late 7th-early 8th Century|late 7th-early 8th Century|||||0||||0||||||||||||||||||||||Temples||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|10/22/2003 0:00:00||Bhub||0|||||||B|||||Q5|3.4||||||||||Work|0||Belongs to the early phase of Orissan temple architecture and considered its best preserved specimen; dedicated to the god Shiva|||ca. 619 in MacDougall DB.|||||||0|0|Parashurameshwara Temple| 850.00|0|Creator|05|J-StallerE|||1||Volkswagen Decorated with Bulbs, New York|Assigned|Image Source (Book)|||||||Volkswagen Decorated with Bulbs|29890|Staller, Eric||photographer|Staller, Eric|0||||0|||||American||||||||United States||||||0||||0|New York, New York|||10060||||0|Photographs|Documentary photograph||||20|||1985|1985||1985|1985-1985|||||0||||0|||||||||||photography|||||||||||Volkswagen automobiles, Automobiles||||||||||Cornell||MNW|MNW|8/24/2006 0:00:00|10/22/2003 0:00:00|StallerE||NYC|0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Volkswagen Decorated with Bulbs, New York|Staller, Eric 851.00|0|Site|02|B-Q5|Bhub|3.4|Muk||Muktesvara Temple||Scholar|||||||Muktesvara Temple|0|||||0||||0|||||Indian|||Orissan|||||India||||||0|Bhubaneshwar, India|||10088||||0||||0|Architecture|Temple||||10|||925|985|ca|ca.950-960|950-960 950-960 950-960 c. 950-960|||||0||||0||||||||||||||||||||||Temples||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|10/22/2003 0:00:00||Bhub||0||||||Muk|B|||||Q5|3.4||||||||||Work|0||Complex dedicated primarily to the god Shiva; said to integrate to perfect refinement the architectural features developed in this period.|Ganga period.||Sailodbavas rule.|||||||0|0|Muktesvara Temple| 852.00|0|Creator|15|35|P679-SC|1985|1||Renault Superfive|Assigned|Image Source (Book)|||||||Renault Superfive|9272|Pistoletto, Michelangelo||painter|Pistoletto, Michelangelo|0||||0|||||Italian||||||||Italy||||||0||||0||||0||||0|Sculpture|Documentary photograph||||20|||1985|1985||1985|1985-1985|||||0||||0|||||Painted Renault Superfive||||||sculpture|||||||||||Automobiles, Renault automobiles||||||||||Cornell||MNW|MNW|8/24/2006 0:00:00|10/22/2003 0:00:00|P679|||0|||||||35|SC||||||1985|||||||||Work|0||||||||||||0|0|Renault Superfive|Pistoletto, Michelangelo 853.00|0|Creator|15|35|S824-SC|B660|||BMW Turbo Coupé 750 HP|Assigned|Image Source (Book)|||||||BMW Turbo Coupé 750 HP|11312|Stella, Frank||sculptor|Stella, Frank|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Sculpture|Automobile||||20|||1976|1976||1976|1976-1976|||||0||||0|||||BMW Turbo Coupé 750 HP||||||sculpture|||||||9266|Munich, BMW Museum|Munich: BMW Museum||BMW CSL Coupe, Automobiles||||||||||Cornell||MNW|MNW|8/24/2006 0:00:00|10/23/2003 0:00:00|S824|||0|||||||35|SC||||||| |B660|||||||Work|0||||||||||||0|0|BMW Turbo Coupé 750 HP|Stella, Frank 854.00|0|Creator|15|35|L699-SC|1977|1||BMW 320i|Assigned|Image Source (Book)|||||||BMW 320i|7058|Lichtenstein, Roy||painter|Lichtenstein, Roy|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Sculpture|Automobile||||20|||1977|1977||1977|1977-1977|||||0||||0|||||BMW 320i|||||||||||||9266|Munich, BMW Museum|Munich: BMW Museum||Automobiles, BMW 320i||||||||||Cornell||MNW|MNW|8/24/2006 0:00:00|10/23/2003 0:00:00|L699|||0|||||||35|SC||||||1977| ||||||||Work|0||||||||||||0|0|BMW 320i|Lichtenstein, Roy 855.00|0|Site|02|B-P8.5|Buk|4.2|Ulu||Ulug Beg Madrasa||Online Resource|Ulugbek Madrassah|Variant|Online Resource||||Ulug Beg Madrasa|0|||||0||||0|||||Islamic||||||Asia||Uzbekistan||||||0|Bukhara, Uzbekistan|||10089||||0||||0|Architecture|Madrasa||||15|||1417|1417||1417|1417-1417|||||0||||0||||||||||||||||||||||Madrasas||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|10/23/2003 0:00:00||Buk||0||||||Ulu|B|||||P8.5|4.2||||||||||Work|0||||||||||||0|0|Ulug Beg Madrasa;Ulugbek Madrassah| 856.00|0|Creator|05|J-MartinezJ|More Human||||More Human than Human, Nothing is true, all is permitted|Artists|Image Source (Book)|||||||More Human than Human|7605|Martinez, Daniel J.||sculptor|Martinez, Daniel J.|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|||||20|||1999|2000||1999-2000|1999-2000|||||0||||0|||||Digital light jet prints on plexiglas|photo paper|Plexiglas||||photography|||||||3561|Artist, Collection of the|: Collection of the Artist||||||||||||Cornell||MNW|MNW|10/23/2003 0:00:00|10/23/2003 0:00:00|MartinezJ|||0||||||More Human|J|||||||1999| ||||||||Work|0|Photography|||||||||||0|0|More Human than Human, Nothing is true, all is permitted|Martinez, Daniel J. 857.00|0|Creator|05|J-MartinezD|More Human||1||Self Portrait #5|Artists|Image Source (Book)|||||||More Human than Human. Self Portrait #5|7605|Martinez, Daniel J.||sculptor|Martinez, Daniel J.|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|||||20|||1999|2000||1999-2000|1999-2000||More Human than Human, Nothing is true, all is permitted|Larger Entity||856||||0|||||Digital light jet prints on plexiglas|photo paper|Plexiglas||||photography|||||152.4 x 101.6 cm||3561|Artist, Collection of the|: Collection of the Artist||Portraits||||||||||Cornell||MNW|CLL|11/13/2003 0:00:00|10/23/2003 0:00:00|MartinezD|||0||||||More Human|J|||||||1999| ||||||||Work|0||Third attempt to clone mental disorder, or how one philosophizes with a hammer, after Edgar Allan Poe, 1842.||||||||||0|0|Self Portrait #5|Martinez, Daniel J. 858.00|0|Creator|05|J-MartinezD|More Human||2||Self Portrait #7|Artists|Image Source (Book)|||||||More Human than Human. Self Portrait #7|7605|Martinez, Daniel J.||sculptor|Martinez, Daniel J.|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|||||20|||1999|2000||1999-2000|1999-2000||More Human than Human, Nothing is true, all is permitted|Series||856||||0|||||Digital light jet prints on plexiglas|photo paper|Plexiglas||||photography|||||101.6 x 152.4 cm||3561|Artist, Collection of the|: Collection of the Artist||Portraits||||||||||Cornell||MNW|CLL|11/13/2003 0:00:00|10/23/2003 0:00:00|MartinezD|||0||||||More Human|J|||||||1999| ||||||||Work|0||George and Daniel, In an insane world it was the sanest choice or How one philosophizes with a Hammer, After Harold Edgerton, 1964; Eddie Adams, 1969.||||||||||0|0|Self Portrait #7|Martinez, Daniel J. 859.00|0|Creator|05|J-MartinezD|More Human||3||Self Portrait #9A|Artists|Image Source (Book)|||||||More Human than Human. Self Portrait #9A|7605|Martinez, Daniel J.||sculptor|Martinez, Daniel J.|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|||||20|||1999|2000||1999-2000|1999-2000||More Human than Human, Nothing is true, all is permitted|Series||856||||0|||||Digital light jet prints on plexiglas|photo paper|Plexiglas||||photography|||||152.4 x 101.6 cm||3561|Artist, Collection of the|: Collection of the Artist||Portraits||||||||||Cornell||MNW|CLL|11/13/2003 0:00:00|10/23/2003 0:00:00|MartinezD|||0||||||More Human|J|||||||1999| ||||||||Work|0||Fifth attempt to clone mental disorder, or How one philosophizes with a Hammer, After Gustave Moreau, Prometheus, 1868, David Cronenberg Videodrome, 1982.||||||||||0|0|Self Portrait #9A|Martinez, Daniel J. 860.00|0|Creator|05|J-MartinezD|More Human||4||Self Portrait #9B|Artists|Image Source (Book)|||||||More Human than Human. Self Portrait #9B|7605|Martinez, Daniel J.||sculptor|Martinez, Daniel J.|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|||||20|||1999|2000||1999-2000|1999-2000||More Human than Human, Nothing is true, all is permitted|Series||856||||0|||||Digital light jet prints on plexiglas|photo paper|Plexiglas||||photography|||||152.4 x 101.6 cm||3561|Artist, Collection of the|: Collection of the Artist||Portraits||||||||||Cornell||MNW|CLL|11/13/2003 0:00:00|10/23/2003 0:00:00|MartinezD|||0||||||More Human|J|||||||1999| ||||||||Work|0||Fifth attempt to clone mental disorder, or How one philosophizes with a Hammer, After Gustave Moreau, Prometheus, 1868, David Cronenberg Videodrome, 1982.||||||||||0|0|Self Portrait #9B|Martinez, Daniel J. 861.00|0|Creator|05|J-MartinezD|More Human||5||Self Portrait #9C|Artists|Image Source (Book)|||||||More Human than Human. Self Portrait #9C|7605|Martinez, Daniel J.||sculptor|Martinez, Daniel J.|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|||||20|||1999|2000||1999-2000|1999-2000||More Human than Human, Nothing is true, all is permitted|Series||856||||0|||||Digital light jet prints on plexiglas|photo paper|Plexiglas||||photography|||||152.4 x 101.6 cm||3561|Artist, Collection of the|: Collection of the Artist||Portraits||||||||||Cornell||MNW|CLL|11/13/2003 0:00:00|10/23/2003 0:00:00|MartinezD|||0||||||More Human|J|||||||1999| ||||||||Work|0||Fifth attempt to clone mental disorder, or How one philosophizes with a Hammer, After Gustave Moreau, Prometheus, 1868, David Cronenberg Videodrome, 1982.||||||||||0|0|Self Portrait #9C|Martinez, Daniel J. 862.00|0|Creator|05|J-MartinezD|More Human||6||Self Portrait #15|Artists|Image Source (Book)|||||||More Human than Human. Self Portrait #15|7605|Martinez, Daniel J.||sculptor|Martinez, Daniel J.|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|||||20|||1999|2000||1999-2000|1999-2000||More Human than Human, Nothing is true, all is permitted|Series||856||||0|||||Digital light jet prints on plexiglas|photo paper|Plexiglas||||photography|||||101.6 x 152.4 cm||3561|Artist, Collection of the|: Collection of the Artist||Portraits, Saint John the Baptist, Salome||||||||||Cornell||MNW|CLL|11/13/2003 0:00:00|10/23/2003 0:00:00|MartinezD|||0||||||More Human|J|||||||1999| ||||||||Work|0||Seventeenth attempt to clone mental disorder, or How one philosophizes with a Hammer, After Michelangelo Merisi-Caravaggio, Salome, 1609-1610.||||||||||0|0|Self Portrait #15|Martinez, Daniel J. 863.00|0|Creator|05|J-MartinezD|More Human||7||Self Portrait #8a|Artists|Image Source (Book)|||||||More Human Than Human. Self Portrait #8a|7605|Martinez, Daniel J.||sculptor|Martinez, Daniel J.|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|||||20|||1999|2000||1999-2000|1999-2000||More Human Than Human, Nothing is True, All is Permitted|Series||856||||0|||||Digital light jet prints on plexiglas|photo paper|Plexiglas||||photography|||||101.6 x 152.4 cm||3561|Artist, Collection of the|: Collection of the Artist||Portraits||||||||||Cornell||MNW|MNW|8/28/2006 0:00:00|10/23/2003 0:00:00|MartinezD|||0||||||More Human|J|||||||1999| ||||||||Work|0||Sixth attempt to clone mental disorder, or How one philosophizes with a Hammer, After After Antonin Artaud, The Theater of Cruelty, 1938; Oscar Metenier, the Grand Guignol, 1887.||||||||||0|0|Self Portrait #8a|Martinez, Daniel J. 864.00|0|Creator|05|J-MartinezD|More Human||8||Self Portrait #8b|Artists|Image Source (Book)|||||||More Human than Human. Self Portrait #8b|7605|Martinez, Daniel J.||sculptor|Martinez, Daniel J.|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|||||20|||1999|2000||1999-2000|1999-2000||More Human than Human, Nothing is true, all is permitted|Series||856||||0|||||Digital light jet prints on plexiglas|photo paper|Plexiglas||||photography|||||152.4 x 101.6 cm||3561|Artist, Collection of the|: Collection of the Artist||Portraits||||||||||Cornell||MNW|CLL|11/13/2003 0:00:00|10/23/2003 0:00:00|MartinezD|||0||||||More Human|J|||||||1999| ||||||||Work|0||Sixth attempt to clone mental disorder, or How one philosophizes with a Hammer, After After Antonin Artaud, The Theater of Cruelty, 1938; Oscar Metenier, the Grand Guignol, 1887.||||||||||0|0|Self Portrait #8b|Martinez, Daniel J. 865.00|0|Creator|05|J-Peréz|||1||Parallel Cults|Assigned|Image Source (Book)|||||||Parallel Cults|29891|Peréz Bravo, Marta Maria||artist|Peréz Bravo, Marta Maria|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Photographs|||||20|||1990|1990||1990|1990-1990|||||0||||0|||||||||||photography|||||||||||||||||||||Cornell||MNW|ECS|10/24/2003 0:00:00|10/23/2003 0:00:00|Peréz|||0|||||||J|||||||1990|||||||||Work|0|Photography|||||||||||0|0|Parallel Cults|Peréz Bravo, Marta Maria 866.00|0|Creator|05|J-Jaar J-Jaar|||4||A Logo for America|Artists|Image Source (Book)|||||||A Logo for America|5851|Jaar, Alfredo||photographer|Jaar, Alfredo|0||||0|||||Chilean||||||||United States||||||0||||0||||0||||0|Photographs|||||20|||1987|1992||1987-1992|1987-1992|||||0||||0|||||||||||photography|||||||||||Times Square (New York, N.Y.)||||||||||Cornell||MNW|MNW|10/23/2003 0:00:00|10/23/2003 0:00:00|Jaar|||0|||||||J J|||||||1987|||||||||Work|0||||||||||||0|0|A Logo for America|Jaar, Alfredo 867.00|0|Creator|15|35|S211-PA|1992|1||Rican-structured Evidence|Artists|Image Source (Book)|||||||Rican-structured Evidence|10348|Sanchez, Juan Enrique||painter|Sanchez, Juan Enrique|0||||0|||||American|Puerto Rican|||||||United States||||||0||||0||||0||||0|Paintings|Collage||||20|||1992|1992||1992|1992-1992|||||0||||0|||||||||||painting (image-making)|||||||||||||||||||||Cornell||MNW|MNW|10/28/2003 0:00:00|10/23/2003 0:00:00|S211|||0|||||||35|PA||||||1992|||||||||Work|0||||||||||||0|0|Rican-structured Evidence|Sanchez, Juan Enrique 868.00|0|Creator|05|J-Yoon|||1||Souvenirs of the Self|Artists|Image Source (Book)|||||||Souvenirs of the Self|29892|Yoon, Jin-Me||photographer|Yoon, Jin-Me|0||||0|||||Korean|Canadia|||||||Canada||||||0||||0||||0||||0|Photographs|||||20|||1990|1990||1990|1990-1990|||||0||||0|||||||||||photography|||||||||||||||||||||Cornell||MNW|MNW|10/23/2003 0:00:00|10/23/2003 0:00:00|Yoon|||0|||||||J|||||||1991|||||||||Work|0|Photography|||||||||||0|0|Souvenirs of the Self|Yoon, Jin-Me 869.00|0|Creator|15|35|D7482-M|1970|1||Installation at the Howard Wise Gallery|Assigned|Image Source (Book)|||||||Installation at the Howard Wise Gallery|29893|Downey, Juan||artist|Downey, Juan|0||||0|||||Chilean||||||||United States||||||0||||0|Howard Wise Gallery, New York, NY|||10090||||0|Installations|||||20|||1970|1970||1970|1970-1970|||||0||||0|||||||||||Installations|||||||||||||||||||||Cornell||MNW|ECS|10/28/2003 0:00:00|10/24/2003 0:00:00|D7482|||0|||||||35|M||||||1970|||||||||Work|0||||||||||||0|0|Installation at the Howard Wise Gallery|Downey, Juan 870.00|0|Creator|15|35|D7482-PA|1969|1||Electronic Urban Environment|Artists|Image Source (Vendor)|||||||Electronic Urban Environment|29893|Downey, Juan||painter|Downey, Juan|0||||0|||||Chilean||||||||United States||||||0||||0||||0||||0|Paintings|Collage||||20|||1969|1969||1969|1969-1969|||||0||||0|||||Collage, acrylic, pencil on paper|acrylic|pencil|paper|||collage|||||48.3 x 61 cm||||||||||||||||Cornell||MNW|MNW|10/24/2003 0:00:00|10/24/2003 0:00:00|D7482|||0|||||||35|PA||||||1969|||||||||Work|0||||||||||||0|0|Electronic Urban Environment|Downey, Juan 871.00|0|Creator|15|35|D7482-PA|1972|2||Vegetal Communication|Artists|Image Source (Vendor)|||||||Vegetal Communication|29893|Downey, Juan||painter|Downey, Juan|0||||0|||||Chilean||||||||United States||||||0||||0||||0||||0|Paintings|Collage||||20|||1972|1972||1972|1972-1972|||||0||||0|||||Collage, acrylic, pencil on board|acrylic|pencil|board|||collage|||||127 x 127 cm||||||||||||||||Cornell||MNW|MNW|10/27/2003 0:00:00|10/24/2003 0:00:00|D7482|||0|||||||35|PA||||||1972|||||||||Work|0||||||||||||0|0|Vegetal Communication|Downey, Juan 872.00|0|Creator|15|35|D7482-M|1974|1||NAZCA|Artists|Image Source (Book)|||||||NAZCA|29893|Downey, Juan||performance artist|Downey, Juan|0||||0|||||Chilean||||||||United States||||||0||||0|New York, The Kitchen|||10091||||0|Performance Art|Video art||||20|||1974|1974||1974|1974-1974|||||0||||0|||||||||||performance art|Video art||||10 minutes||||||||||||||||Cornell||MNW|ECS|10/28/2003 0:00:00|10/24/2003 0:00:00|D7482|||0|||||||35|M||||||1974|||||||||Work|0||Materials: B & W, 10 minutes, 2 video channels. Performance with 2 video channels.||||||||||0|0|NAZCA|Downey, Juan 873.00|0|Creator|15|35|D7482-PH|1976|1||Yanomami Indian|Artists|Image Source (Book)|||||||Yanomami Indian|29893|Downey, Juan||photographer|Downey, Juan|0||||0|||||Chilean||||||||United States||||||0||||0||||0||||0|Photographs|Slide (photograph)||||20|||1976|1976||1976|1976-1976|||||0||||0|||||Color slide|film|||||photography|color slide photography||||||||||||||||||||Cornell||MNW|MNW|10/24/2003 0:00:00|10/24/2003 0:00:00|D7482|||0|||||||35|PH||||||1976|||||||||Work|0||||||||||||0|0|Yanomami Indian|Downey, Juan 874.00|0|Creator|15|35|D7482-M M|1984|1||Obelisk|Artists|Image Source (Book)|||||||Obelisk|29893|Downey, Juan||printmaker|Downey, Juan|0||||0|||||Chilean||||||||United States||||||0||||0||||0||||0|Video Art|Installation (Exhibition)||||20|||1984|1984||1984|1984-1984|||||0||||0|||||||||||Video Art|Installations||||15 minutes||||||||||||||||Cornell||MNW|MNW|10/24/2003 0:00:00|10/24/2003 0:00:00|D7482|||0|||||||35|M M||||||1984|||||||||Work|0||Materials: three color video channels; 15 minutes||||||||||0|0|Obelisk|Downey, Juan 875.00|0|Creator|15|35|D7482-M M|1980|1||Venus and Her Mirror|Artists|Image Source (Book)|||||||Venus and Her Mirror|29893|Downey, Juan||printmaker|Downey, Juan|0||||0|||||Chilean||||||||United States||||||0||||0||||0||||0|Video Art|Installation (Exhibition)||||20|||1980|1980||1980|1980-1980|||||0||||0|||||||||||Video Art|Installations||||124.5 x 177.8 cm||||||||||||||||Cornell||MNW|ECS|10/28/2003 0:00:00|10/24/2003 0:00:00|D7482|||0|||||||35|M M||||||1980|||||||||Work|0|||Installation: one video channel (color, 7 min.) and copy of the Rokeby Venus by Velazquez (Work 876) executed in black and white oil paint on canvas (124.5 x 177.8 cm) (Work 877) by Claudio Bravo.|||||||||0|0|Venus and Her Mirror|Downey, Juan 876.00|0|Creator|15|27|V433-PA|V4711|||The Toilet of Venus|Assigned|Repository|Rokeby Venus|Assigned|Repository||||The Toilet of Venus|12216|Velazquez, Diego Rodriguez de S||painter|Velazquez, Diego|0||||0|||||Spanish||||||||Spain||||||0||||0||||0||||0|Paintings|Oil painting||||17|||1647|1651||1647-1651|1647-1651|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||122.7 x 177 cm||3357|London,National Gallery|London: National Gallery||Venus, Mirrors, Cupid||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|10/24/2003 0:00:00|V433|||0||NG 2057|||||27|PA||||||| |V4711|||||||Work|0||||||||||||0|0|The Toilet of Venus;Rokeby Venus|Velazquez, Diego Rodriguez de S 877.00|0|Creator|15||||||The Toilet of Venus|Artists|Image Source (Book)|||||||The Toilet of Venus|29894|Bravo, Claudio||painter|Bravo, Claudio|0||||0|||||Chilean||||||||Chile||||||0||||0||||0||||0|Paintings|Oil painting||||20||||||||||||0||||0|||||Black and white oil on canvas|oil paint|canvas||||painting (image-making)|||||124.5 x 177.8 cm||||||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|10/24/2003 0:00:00||||0|||||||35||||||||||||||||Work|0||Black and white copy of Velazquez's The Toilet of Venus (Rokeby Venus).||||||||||0|0|The Toilet of Venus|Bravo, Claudio 878.00|0|Creator|15|35|D7482-M M|1975|1||Maids of Honor|Artists|Image Source (Book)|||||||Maids of Honor|29893|Downey, Juan||printmaker|Downey, Juan|0||||0|||||Chilean||||||||United States||||||0||||0||||0||||0|Video Art|Installation (Exhibition)||||20|||1975|1975||1975|1975-1975|||||0||||0|||||||||||Video Art|Installations||||||||||||||||||||Cornell||MNW|MNW|10/27/2003 0:00:00|10/24/2003 0:00:00|D7482|||0|||||||35|M M||||||1975|||||||||Work|0|||Installation: one video channel (color, 18 min.), film loop, closed-circuit TV and copy of Las Meninas by Velazquez (Work 893) executed by Roser Bru (Work 892).|||||||||0|0|Maids of Honor|Downey, Juan 879.00|0|Architect|03|MA-Adl&Sul|6.1|1890 Wain||MA-Adl&Sul 6.1 1890 Wain |Wainwright Building||Online Resource|||||||Wainwright Building|27585|Adler & Sullivan||ArchFirm|Adler & Sullivan|0||||0|||||American||||||||United States||||||0|Saint Louis, Missouri|||10092||||0||||0|Architecture|Commercial building|Office building|||19|||1890|1891||1890-1891|1890-1891|||||0||||0||||||||||||||||||||||Office buildings ; |Office buildings|||||||||Cornell||ECS|MNW|6/8/2006 0:00:00|10/27/2003 0:00:00|Adl&Sul|||0||||||Wain|MA||||||6.1|1890|||||||||Work|0|Modern Architecture|||||||||||0|0|Wainwright Building|Adler & Sullivan 880.00|0|Architect|02|MA-SITE|6.2|Best||MA-SITE 6.2 Best |Best Products||Collection|||||||Best Products|29038|SITE||ArchFirm|SITE|0||||0|||||American|||Postmodern|||||United States||||||0||||0||||0||||0|Architecture|Store||||20|||1971|1984||1971-1984|1971-1984|||||0||||0||||||||||||||||||||||||||||||||Cornell||ECS|JNK|11/30/2006 0:00:00|10/27/2003 0:00:00||||0|||||||MA||||||6.2||||||||||Work|0||||||||||||0|0|Best Products|SITE 881.00|0|Architect|02|MA-SITE|6.2|1977|Best/Not|MA-SITE 6.2 1977 Best/Not|Notch Project|Assigned|Collection|||||||Best Company. Notch Project|29038|SITE||ArchFirm|SITE|0||||0|||||American||||||||United States||||||0|Sacramento, California|||10093||||0||||0|Architecture|Store||||20|||1977|1977||1977|1977-1977||Best Products|Larger Entity||880||||0||||||||||||||||||||||||||||||||Cornell||ECS|JNK|11/30/2006 0:00:00|10/27/2003 0:00:00|SITE|||0||||||Best/Not|MA||||||6.2|1977|||||||||Work|0||||||||||||0|0|Notch Project|SITE 882.00|0|Architect|02|MA-Adl&Sul|6.1|1894|Guar|MA-Adl&Sul 6.1 1894 Guar|Guaranty Building|Original|Online Resource|Prudential Building|Descriptive|Online Resource||||Guaranty Building (now Prudential Building)|27585|Adler & Sullivan||ArchFirm|Adler & Sullivan|0||||0|||||American||||||||United States||||||0|Buffalo, New York|||10094||||0||||0|Architecture|Commercial building|Office building|||19|||1895|1896||1895-1896|1895-1896|||||0||||0||||||||||||||||||||||Office buildings||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|10/27/2003 0:00:00|Adl&Sul|||0||||||Guar|MA||||||6.1|1894|||||||||Work|0||||||||||||0|0|Guaranty Building;Prudential Building|Adler & Sullivan 883.00|0|Architect|03|MA-Wright|6.1|1936-39|JW||Johnson Wax Complex||Collection|||||||Johnson Wax Complex|12943|Wright, Frank Lloyd||architect|Frank Lloyd Wright|0||||0|||||American||||||||United States||||||0|Racine, Wisconsin|||10095||||0||||0|Architecture|Commercial building|Office building|||20|||1936|1944||1936-1939; 1949-1951|1936-1939; 1949-1951|||||0||||0||||||||||||||||||||||Office buildings||||||||||Cornell||ECS|MNW|5/16/2006 0:00:00|10/27/2003 0:00:00||||0||||||JW|MA||||||6.1|1936-1939|||||||||Work|0|Modern Architecture|||||||||||0|0|Johnson Wax Complex|Wright, Frank Lloyd 884.00|0|Architect|03|MA-Wright|6.1|1936-39|JW/AD||Administration Building|Assigned|Macmillan|||||||Johnson Wax Complex. Administration Building|12943|Wright, Frank Lloyd||architect|Frank Lloyd Wright|0||||0|||||American||||||||United States||||||0|Racine, Wisconsin|||10095||||0||||0|Architecture|Commercial building|Office building|||20|||1936|1939||1936-1939|1936-1939||Johnson Wax Complex|Larger Entity||883||||0||||||||||||||||||||||Office buildings||||||||||Cornell||ECS|MNW|5/16/2006 0:00:00|10/27/2003 0:00:00|Wright|||0||||||JW/AD|MA||||||6.1|1936-1939|||||||||Work|0|Modern Architecture|||||||||||0|0|Administration Building|Wright, Frank Lloyd 885.00|0|Architect|03|MA-Wright|6.1|1936-39|JW/R||Research Tower||Macmillan|||||||Johnson Wax Complex. Research Tower|12943|Wright, Frank Lloyd||architect|Frank Lloyd Wright|0||||0|||||American||||||||United States||||||0|Racine, Wisconsin|||10095||||0||||0|Architecture|Commercial building|Office building|||20|||1949|1951||1949-1951|1949-1951||Johnson Wax Complex|Larger Entity||883||||0||||||||||||||||||||||Towers, Office buildings||||||||||Cornell||ECS|MNW|5/16/2006 0:00:00|10/27/2003 0:00:00|Wright|||0||||||JW/R|MA||||||6.1|1936-1939|||||||||Work|0|Modern Architecture|||||||||||0|0|Research Tower|Wright, Frank Lloyd 886.00|0|Site|02|B-B33|Ith|4.2|Cor||Cornell University|Assigned|Collection|||||||Cornell University|0|||||0||||0|||||American||||||||United States||||||0|Ithaca, New York|||10057||||0||||0|Architecture|University||||19|20|21|1865|||1865-|1865-|||||0||||0||||||||||||||||||||||Universities||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|10/27/2003 0:00:00||Ith||0|||||||B|||||B33|4.2||||||||||Work|0|||||Cornell University continues to be developed.|||||||0|0|Cornell University| 887.00|0|Architect|02|MA-GwaSie|4.2|1989|Cor/K-R||Kennedy-Roberts Hall|Assigned|Collection|||||||Cornell University. Kennedy-Roberts Hall|28237|Gwathmey Siegel Architects||ArchFirm|Gwathmey Siegel Architects|0||||0|||||American||||||||United States||||||0|Ithaca, New York|||10057||||0||||0|Architecture|University||||20|||1989|1989||1989|1989||Cornell University|Larger Entity||886||||0||||||||||||||||||||||Universities||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|10/27/2003 0:00:00|GwaSie|||0||||||Cor/K-R|MA||||||4.2|1989|||||||||Work|0||||||||||||0|0|Kennedy-Roberts Hall|Gwathmey Siegel Architects 888.00|0|Architect|02|MA-JacksonFE|4.2|1930|Cor/MTay||Myron Taylor Hall||Collection|||||||Cornell University. Myron Taylor Hall|5856|Jackson, Frederic Ellis||architect|Frederic Ellis Jackson|0||||0|||||American||||||||United States||||||0|Ithaca, New York|||10057||||0||||0|Architecture|University||||20|||1930|1932||1930-1932|1930-1932||Cornell University|Larger Entity||886||||0||||||||||||||||||||||Universities||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|10/27/2003 0:00:00|JacksonFE|||0||||||Cor/MTay|MA||||||4.2|1930|||||||||Work|0||||||||||||0|0|Myron Taylor Hall|Jackson, Frederic Ellis 889.00|0|Architect|02|MA-ShBuRiAb|4.2|1989|Cor/Fos||Foster Wing||Collection|||||||Cornell University. Myron Taylor Hall. Foster Wing|29026|Shepley, Bulfinch, Richardson & Abbott||ArchFirm|Shepley, Bulfinch, Richardson & Abbott|0||||0|||||American||||||||United States||||||0|Ithaca, New York|||10057||||0||||0|Architecture|University||||20|||1988|1989||1988-1989|1988-1989||Myron Taylor Hall|Larger Entity||888||||0||||||||||||||||||||||Universities||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|10/27/2003 0:00:00|SHBuRiAb|||0||||||Cor/Fos|MA||||||4.2|1989|||||||||Work|0||||||||||||0|0|Foster Wing|Shepley, Bulfinch, Richardson & Abbott 890.00|0|Architect|02|MA-|SOM|6.1 1952|Lev|MA- SOM 6.1 1952 Lev|Lever House|Assigned|Dict.Art|||||||Lever House|29042|Skidmore, Owings & Merrill||architectural firm|Skidmore, Owings & Merrill|0||||0|||||American||||||||United States||||||0|New York, New York|||10060||||0||||0|Architecture|Commercial building|Office building|||20|||1950|1952||1950-1952|1950-1952|||||0||||0||||||||||||||||||||||Commercial buildings ; Office buildings ; Curtain walls (nonbearing walls) ; |Commercial buildings|Office buildings|Curtain walls (nonbearing walls)|||||||Cornell||ECS|MNW|5/25/2006 0:00:00|10/27/2003 0:00:00|SOM|||0||||||Lev|MA||||||6.1|1950-1952|||||||||Work|0|Modern Architecture-|||||||||||0|0|Lever House|Skidmore, Owings & Merrill 891.00|0|Architect|02|MA-GwaSie|4.2|1991|Cor/The|MA-GwaSie 4.2 1991 Cor/The|Theory Center||Collection|||||||Cornell University. Theory Center|28237|Gwathmey Siegel Architects||architectural firm|Gwathmey Siegel Architects|0||||0|||||American||||||||United States||||||0|Ithaca, New York|||10057||||0||||0|Architecture|University||||20|||1991|1991||1991|1991-1991||Cornell University|||886||||0||||||||||||||||||||||Universities||||||||||Cornell||ECS|JNK|7/27/2006 0:00:00|10/27/2003 0:00:00|GwaSie|||0||||||Cor/The|MA||||||4.2|1991|||||||||Work|0||||||||||||0|0|Theory Center|Gwathmey Siegel Architects 892.00|0|Creator|15||||||Las Meninas|Artists|Image Source (Book)|||||||Las Meninas|29895|Bru, Roser||artist|Bru, Roser|0||||0|||||||||||||||||||0||||0||||0||||0|Paintings|||||||||||||||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|10/27/2003 0:00:00|10/27/2003 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Las Meninas|Bru, Roser 893.00|0|Creator|15|27|V433-PA|90M|1||Las Meninas|Artists|Image Source (Book)|The Maids of Honor|Translated|Image Source (Book)|The Family of Philip IV|Inscribed|Repository|Las Meninas (The Maids of Honor)|12216|Velazquez, Diego Rodriguez de S.||painter|Diego Velazquez|0||||0|||||Spanish|||Baroque|||||Spain||||||0||||0||||0||||0|Paintings|Oil painting|Portrait|||17|||1656|1657||1656-1657|1656-1657|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||318 x 276 cm||1616|Madrid: Museo del Prado|Madrid: Prado||Portraits ; Group portraits ; Self-portraits ; Vela´zquez, Diego, 1599-1660 ; Painters (artists) ; Dwarfs ; Servants ; Clowns ; |Portraits|Group portraits|Self-portraits|Vela´zquez, Diego, 1599-1660|Painters (artists)|Dwarfs|Servants|Clowns||Cornell||MNW|MNW|10/29/2006 0:00:00|10/27/2003 0:00:00|V433|||0||1174|||||27|PA||||||| |90M|||||||Work|0||Also known as "Portrait of the Family." DOA.||||||||||0|0|Las Meninas;The Maids of Honor;The Family of Philip IV|Velazquez, Diego Rodriguez de S. 894.00|0|Creator|15|35|D7482-PA|1979|1||World Map|Artists|Image Source (Book)|||||||World Map|29893|Downey, Juan||printmaker|Downey, Juan|0||||0|||||Chilean||||||||United States||||||0||||0||||0||||0|Paintings|||||20|||1979|1979||1979|1979-1979|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||||||||Maps||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|10/27/2003 0:00:00|D7482|||0|||||||35|PA||||||1979|||||||||Work|0||||||||||||0|0|World Map|Downey, Juan 895.00|0|Architect|02|MA-Pelli|6.2|1988|PacDes||Pacific Design Center|Assigned|Online Resource|||||||Pacific Design Center|28791|Pelli, Cesar & Associates||ArchFirm|Cesar Pelli & Associates|0||||0|||||American||||||||United States||||||0|West Hollywood, California|||10096||||0||||0|Architecture|Store|Commercial building|||20|||1988|1988||1988|1988-1988|||||0||||0||||||||||||||||||||||Stores||||||||||Cornell||ECS|MNW|5/25/2006 0:00:00|10/28/2003 0:00:00|Pelli|||0||||||PacDes|MA||||||6.2|1988|||||||||Work|0||||||||||||0|0|Pacific Design Center|Pelli, Cesar & Associates 896.00|0|Creator|15|30|B334-PA|11H|1||The Appearance of the Angel to Hagar in the Desert|Assigned|Print Publication|||||||The Appearance of the Angel to Hagar in the Desert|13467|Batoni, Pompeo Girolamo||painter|Batoni, Pompeo Girolamo|0||||0|||||Italian||||||||Italy||||||0||||0||||0||||0|Paintings|Oil painting||||18|||1774|1776||1774-1776|1774-1776|||||0||||0|||||oil on canvas|oil paint|canvas||||painting (image-making)|||||100 x 151 cm||3662|Rome,Galleria Nazionale d'Arte Antica,Palazzo Corsini|Rome: Gal. Naz.; Pal. Corsini||Hagar in the Desert, Angels||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|10/28/2003 0:00:00|B334|||0|||||||30|PA||||||| |11H|||||||Work|0||||||||||||0|0|The Appearance of the Angel to Hagar in the Desert|Batoni, Pompeo Girolamo 897.00|0|Creator|15|30|B4475-PA|8T|1||Veduta dell'antico ponte sul Po|Assigned|Print Publication|||||||Veduta dell'antico ponte sul Po (Torino)|980|Bellotto, Bernardo||painter|Bellotto, Bernardo|0||||0|||||Italian||||||||Italy||||||0||||0||||0||||0|Paintings|Oil painting||||18|||1745|1745||1745|1745-1745|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||128.5 x 173 cm||3013|Turin,Galleria Sabauda|Turin: Gal. Sabauda||Turin, Italy||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|10/28/2003 0:00:00|B4475|||0|||||||30|PA||||||| |8T|||||||Work|0||||||||||||0|0|Veduta dell'antico ponte sul Po|Bellotto, Bernardo 898.00|0|Creator|15|30|B4475-PA|8A|1||Capriccio con ruderi di un arco trionfale sulla riva della laguna|Assigned|Print Publication|||||||Capriccio con ruderi di un arco trionfale (Asolo)|980|Bellotto, Bernardo||painter|Bellotto, Bernardo|0||||0|||||Italian||||||||Italy||||||0||||0||||0||||0|Paintings|Oil painting||||18|||1742|1742|ca|ca 1742|ca 1742-1742|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||40.5 x 49 cm||161|Asolo,Museo Civico|Asolo: Mus. Civico||Asolo, Italy||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|10/28/2003 0:00:00|B4475|||0||Inv., 470|||||30|PA||||||| |8A|||||||Work|0||||||||||||0|0|Capriccio con ruderi di un arco trionfale sulla riva della laguna|Bellotto, Bernardo 899.00|0|Creator|15|35|L849-SC|1967|1||A Line Made By Walking|Artists|Image Source (Book)|||||||A Line Made By Walking|7193|Long, Richard||sculptor|Long, Richard|0||||0|||||British||||||||England||||||0||||0|England|||10099||||0|Sculpture|Earthworks (sculpture)|Photographic print|Documentary photograph||20|||1967|1967||1967|1967-1967|||||0||||0|||||Photograph of earthwork||||||sculpture|photography||||37.5 x 32 cm||||||Earthworks (sculpture) ; |Earthworks (sculpture)|||||||||Cornell||MNW|JNK|5/25/2005 0:00:00|10/28/2003 0:00:00|L849|||0|||||||35|LA||||||1967|||||||||Work|0||||||||||||0|0|A Line Made By Walking|Long, Richard 900.00|0|Creator|15|35|L849-LA|1974|1||A Line of 164 Stones. A Walk of 164 Miles|Artists|Image Source (Book)|||||||A Line of 164 Stones. A Walk of 164 Miles|7193|Long, Richard||sculptor|Long, Richard|0||||0|||||British||||||||England||||||0||||0||||0||||0|Sculpture|Earthworks (sculpture)|Photographic print|||20|||1974|1974||1974|1974-1974|||||0||||0|||||Photograph and text|photo paper|texts||||sculpture|photography||||||9268|Naarden, Sticting Becht|Naarden: Sticht. Becht||||||||||||Cornell||MNW|CLL|1/23/2004 0:00:00|10/28/2003 0:00:00|L849|||0|||||||35|LA||||||1974| ||||||||Work|0||||||The repository refers to the photograph.||||||0|0|A Line of 164 Stones. A Walk of 164 Miles|Long, Richard 901.00|0|Creator|15|35|B3977-PA|1919|S992||The Synagogue|Assigned|Image Source (Book)|||||||The Synagogue|921|Beckmann, Max||painter|Beckmann, Max|0||||0|||||German||||||||Germany||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1919|1919||1919|1919-1919|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||89 x 140 cm||3677|Frankfurt am Main, Städelsches Kunstinstitut und Städtische Galerie|Frankfurt: Städel. Kstinst. & Städt. Gal.||Synagogues||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|10/29/2003 0:00:00|B3977|||0|||||||35|PA||||||1919| |S992|||||||Work|0||||||||||||0|0|The Synagogue|Beckmann, Max 902.00|0|Creator|15|35|B3977-PA|1920|F198||Family Picture|Assigned|Image Source (Book)|||||||Family Picture|921|Beckmann, Max||painter|Beckmann, Max|0||||0|||||German||||||||Germany||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1920|1920||1920|1920-1920|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||65.1 x 100.9 cm||3384|New York,Museum of Modern Art|New York: MoMA||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|10/29/2003 0:00:00|B3977|||0|||||||35|PA||||||1920| |F198||||||||0||||||Gift of Abby Aldrich Rockefeller||||||0|0|Family Picture|Beckmann, Max 903.00|0|Creator|15|35|B569-TO|L471|1974||Beuys Lecturing During Trip to the United States, 1974|Assigned|Cataloger|||||||Beuys Lecturing During Trip to the United States, 1974|1133|Beuys, Joseph||artist|Beuys, Joseph|0||||0|||||German||||||||United States||||||0||||0||||0||||0|Photographs|||||20|||1974|1974||1974|1974-1974|||||0||||0|||||Photograph||||||photography|||||||||||||||||||||Cornell||MNW|MNW|10/29/2003 0:00:00|10/29/2003 0:00:00|B569|||0|||||||35|TO||||||1974||L471|||||||Work|0||Collective title for several showing photographs Joseph Beuys lecturing .|Photographed by Klaus Staeck and Gerhard Steidl during Joseph Beuy's trip to the United States in 1974.|||||||||0|0|Beuys Lecturing During Trip to the United States, 1974|Beuys, Joseph 904.00|0|Site|02|B-G1|Sto|3.4|||Stonehenge|Assigned|Blue Guide|||||||Stonehenge|0|||||0||||0|||||||||||Europe||England||||||0|Salisbury Plain, Wiltshire, England|||10100||||0||||0|Architecture|Temple|||BCE||||||ca|ca. 2000 BCE|2000 BCE|||||0||||0||||||||||||||||||||||||||||||||Cornell||ECS|ECS|10/29/2003 0:00:00|10/29/2003 0:00:00||||0|||||||B|||||G1|3.4||||||||||Work|0||||||||||||0|0|Stonehenge| 905.00|0|Creator|15|35|B569-M|H772|1977||Honey Pump at the Workplace|Assigned|Image Source (Book)|||||||Honey Pump at the Workplace|1133|Beuys, Joseph||sculptor|Beuys, Joseph|0||||0|||||German||||||||Germany||||||0||||0||||0||||0|Drawings|||||20|||1977|1977||1977|1977-1977|||||0||||0|||||||||||drawing (image-making)|||||||9269|Humlebæk: Louisiana Museum of Modern Art|Humlebæk: Louisiana Mus.||||||||||||Cornell||MNW|ECS|10/30/2003 0:00:00|10/29/2003 0:00:00|B569|||0|||||||35|M|||||H772|1977| ||||||||Work|0||Sketch for the Honey Pump. Signed.||||||||||0|0|Honey Pump at the Workplace|Beuys, Joseph 906.00|0|Architect|02|MA-LeCorb|7.5|1927|Stein||Villa Stein|Assigned|Dict.Art|||||||Villa Stein|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||French|||International Style|||Europe||France||||||0|Garches, France|||10101||||0||||0|Architecture|House||||20|||1927|1927||1927|1927-1927|||||0||||0||||||||||||||||||||||Houses||||||||||Cornell||ECS|MNW|4/25/2006 0:00:00|10/29/2003 0:00:00||Gar||0|||||||MA||||||7.5|1927|||||||||Work|0||||||||||||0|0|Villa Stein|Le Corbusier 907.00|0|Creator|15|35|B569-M|H772|1977||Honey Pump at the Workplace|Assigned|Image Source (Book)|||||||Honey Pump at the Workplace|1133|Beuys, Joseph||sculptor|Beuys, Joseph|0||||0|||||German||||||||Germany||||||0||||0||||0||||0|Sculpture|||||20|||1977|1977||1977|1977-1977|||||0||||0|||||Mixed materials|mixed materials|||||sculpture|||||||9269|Humlebæk: Louisiana Museum of Modern Art|Humlebæk: Louisiana Mus.||Bees||||||||||Cornell||MNW|ECS|10/30/2003 0:00:00|10/29/2003 0:00:00|B569|||0|||||||35|M||||||1977| |H772|||||||Work|0||Created for the Documenta exhibition in Kassel in 1977. Electric motors pumped honey through a gigantic assemblage of perspex pipes in the stairwell of the Museum Fridericianum, symbolizing the circulation of life and flowing energy.||||Pieces now in the Louisiana Museum.||||||0|0|Honey Pump at the Workplace|Beuys, Joseph 908.00|0|Site|02|B-B33|NYC|2.111a 7thAve|||Seventh Avenue (New York, NY)|Assigned|Cataloger|||||||Seventh Avenue|0|||||0||||0|||||American||||||||United States||||||0|New York, New York|||10060||||0||||0|Architecture|Street||||20||||||Early 20th century|Early 20th century|||||0||||0||||||||||||||||||||||Tenement houses||||||||||Cornell||MNW|MNW|10/31/2003 0:00:00|10/30/2003 0:00:00||NYC||0||||||7thAve|B|||||B33|2.111a||||||||||Work|0|Architecture-New York (NY)|||||||||||0|0|Seventh Avenue (New York, NY)| 909.00|0|Site|02|B-B33|NYC|7.4 Sev|||Seventh Avenue Tenement House|Assigned|Cataloger|||||||Seventh Avenue Tenement House|0|||||0||||0|||||American||||||||United States||||||0|New York, New York|||10060||||0||||0||||||20||||||Early 20th century|Early 20th century|||||0||||0|||||||||||photography|||||||||||||||||||||Cornell||MNW|MNW|10/31/2003 0:00:00|10/30/2003 0:00:00||NYC||0||||||Sev|B|||||B33|7.4||||||||||Work|0|Architecture-New York (NY)|||||||||||0|0|Seventh Avenue Tenement House| 910.00|0|Site|02|B-B33|NYC|1.1 |||New York City; General Views|Descriptive|Cataloger|||||||New York City; General Views|0|||||0||||0|||||American||||||||United States||||||0|New York, New York|||10060||||0||||0|Architecture|||||20||||||Early 20th century|Early 20th century|||||0||||0|||||||||||photography|||||||||||||||||||||Cornell||MNW|MNW|10/31/2003 0:00:00|10/30/2003 0:00:00||NYC||0|||||||B|||||B33|1.1||||||||||Work|0|Architecture-New York (NY)||Constructed, "Collective Title."|||||||||0|0|New York City; General Views| 911.00|0|Site|02|B-B33|NYC|2.111a Will|||William Street (New York, NY)|Assigned|Print Publication|||||||William Street (New York, NY)|0|||||0||||0|||||American||||||||United States||||||0|New York, New York|||10060||||0||||0|Architecture|Street||||20||||||Early 20th century|Early 20th century|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|10/31/2003 0:00:00|10/31/2003 0:00:00||NYC||0||||||Will|B|||||B33|2.111a||||||||||Work|0|Architecture-New York (NY)|||||||||||0|0|William Street (New York, NY)| 912.00|0|Site|02|B-B33|NYC|2.111a Fif|||Fifth Avenue (New York, NY)|Assigned|Print Publication|||||||Fifth Avenue|0|||||0||||0|||||American||||||||United States||||||0|New York, New York|||10060||||0||||0|Architecture|Street||||20||||||Early 20th century|Early 20th century|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|10/31/2003 0:00:00|10/31/2003 0:00:00||NYC||0||||||Fif|B|||||B33|2.111a||||||||||Work|0|Architecture-New York (NY)|||||||||||0|0|Fifth Avenue (New York, NY)| 913.00|0|Site|02|B-B33|NYC|2.111a Tra|||Traffic block|Assigned|Image Source (Book)|||||||Traffic block|0|||||0||||0|||||American||||||||United States||||||0|New York, New York|||10060||||0||||0|Architecture|Street||||20||||||Early 20th C|Early 20th C|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|11/3/2003 0:00:00|10/31/2003 0:00:00||NYC||0||||||Tra|B|||||B33|2.111a||||||||||Work|0|Architecture-New York (NY)|||||||||||0|0|Traffic block| 914.00|0|Architect|03|MA-Wright|7.5|1908-09|Rob||Robie House|Assigned|Macmillan|Frederick Robie House|Assigned|Collection||||Frederick Robie House|12943|Wright, Frank Lloyd||architect|Frank Lloyd Wright|0||||0|||||American||||||||United States||||||0|Chicago, Illinois|||10103||||0||||0|Architecture|House||||20|||1908|1909||1908-1909|1908-1909|||||0||||0||||||||||||||||||||||Houses||||||||||Cornell||ECS|MNW|5/16/2006 0:00:00|11/3/2003 0:00:00||Chi||0||||||Rob|MA||||||7.5|1908-09|||||||||Work|0|Modern Architecture|||||||||||0|0|Robie House;Frederick Robie House|Wright, Frank Lloyd 915.00|0|Architect|03|MA-Wright|7.5|1936|FallW||Falling Water|Assigned|Macmillan|Edgar J. Kaufmann Residence|Original|Macmillan||||Falling Water (Edgar J. Kaufmann Residence)|12943|Wright, Frank Lloyd||architect|Frank Lloyd Wright|0||||0|||||American|||Modern|||||United States||||||0|Bear Run, PA|||10104||||0||||0|Architecture|House||||20|||1934|1938||1934-1938|1934-1938|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||ECS|JNK|8/2/2006 0:00:00|11/3/2003 0:00:00||Bear||0|||||||MA||||||7.5|1936|||||||||Work|0|Modern Architecture|||||||||||0|0|Falling Water;Edgar J. Kaufmann Residence|Wright, Frank Lloyd 916.00|0|Architect|03|MA-Wright|7.5|1902|Wil|MA-Wright 7.5 1902 Wil|Ward Willits House|Original|Dict.Art|||||||Ward Willits House|12943|Wright, Frank Lloyd||architect|Frank Lloyd Wright|0||||0|||||American|||Prairie School|||North and Central America||United States||||||0|Highland Park, IL|||10105||||||||0|Architecture|House||||20|||1902|1906||1902-1906|1902-1906|||||0||||0||||||||||||||||||||||Houses||||||||||Cornell||ECS|GB|11/28/2006 0:00:00|11/3/2003 0:00:00||High||0|||||||MA||||||7.5|1902|||||||||Work|0|Modern Architecture|||||||||||0|0|Ward Willits House|Wright, Frank Lloyd 917.00|0|Architect|02|MA-Mies|7.5|1928-30|Tug||Tugendhat House|||||||||Tugendhat House|7969|Mies van der Rohe, Ludwig||architect|Mies van der Rohe, Ludwig|0||||0|||||Czech|||International Style|||Europe||Czech Republic||||||0|Brno, Czech Republic|||10106||||0||||0|Architecture|House||||20|||1928|1930||1928-1930|1928-1930|||||0||||0||||||||||||||||||||||Houses||||||||||Cornell||ECS|ECS|11/3/2003 0:00:00|11/3/2003 0:00:00||Brn||0|||||||MA||||||7.5|1928-30|||||||||Work|0||||||||||||0|0|Tugendhat House|Mies van der Rohe, Ludwig 918.00|0|Architect|02|MA-Mies|7.5|1945-50|Farn||Farnsworth House|Original|Macmillan|||||||Farnsworth House|7969|Mies van der Rohe, Ludwig||architect|Mies van der Rohe, Ludwig|0||||0|||||American|||International Style|||||United States||||||0|Plano, IL|||10107||||0||||0|Architecture|House||||20|||1945|1950||1945-1950|1945-1950|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||ECS|JNK|3/31/2005 0:00:00|11/3/2003 0:00:00||Pla||0|||||||MA||||||7.5|1945-50|||||||||Work|0||||||||||||0|0|Farnsworth House|Mies van der Rohe, Ludwig 919.00|0|Architect|02|MA-Mies|4.4|1962-68|NNat||New National Gallery|Translated|Online Resource|Neue Nationalgalerie|Original|Online Resource||||New National Gallery|7969|Mies van der Rohe, Ludwig||architect|Mies van der Rohe, Ludwig|0||||0|||||German|||International Style|||Europe||Germany||||||0|Berlin, Germany|||10108||||0||||0|Architecture|Museum||||20|||1962|1968||1962-1968|1962-1968|||||0||||0||||||||||||||||||||||Museums ; |Museums|||||||||Cornell||ECS|MNW|2/26/2006 0:00:00|11/3/2003 0:00:00||Ber||0|||||||MA||||||4.4|1962-68|||||||||Work|0||||||||||||0|0|New National Gallery;Neue Nationalgalerie|Mies van der Rohe, Ludwig 920.00|0|Site|02|B-H3|Rom|3.4 Ven|||Temple of Venus and Rome|Assigned|Blue Guide|||||||Temple of Venus and Rome|0|||||0||||0|||||Roman|||Hadrianic|||||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Temple||||2|||123|135||123-135|123-135|||||0||||0||||||||||||||||||||||Temples||||||||||Cornell||MNW|ECS|11/24/2003 0:00:00|11/3/2003 0:00:00||Rom||0||||||Ven|B|||||H3|3.4||||||||||Work|0|Architecture-Italy|Dedicated in 135; damaged by fire in 283; and restored by Maxentius in 307.||||||||||0|0|Temple of Venus and Rome| 933.00|0|Architect|02|MA-LeCorb|4.2|1930-32|PU/Swiss||Swiss Pavilion|Translated|Print Publication|Pavillon Suisse|Original|Print Publication||||Cité Universitaire. Swiss Pavilion|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||French|||International Style|||Europe||France||||||0|Paris, France|||10058||||0||||0|Architecture|University||||20|||1930|1932||1930-1932|1930-1932||Cité Universitaire|Larger Entity||928||||0||||||||||||||||||||||Universities, Hostels||||||||||Cornell||ECS|MNW|3/29/2006 0:00:00|11/4/2003 0:00:00||Par||0|||||||MA||||||4.2|1930-1932|||||||||Work|0||||||||||||0|0|Swiss Pavilion;Pavillon Suisse|Le Corbusier 934.00|0|Architect|02|MA-Scharoun|7.5|1933|Schm||Schminke House|Original|Print Publication|||||||Schminke House|13316|Hans Scharoun||architect|Hans Scharoun|0||||0|||||German||||||Europe||Germany||||||0|Löbau, Germany|||10114||||0||||0|Architecture|House||||20|||1933|1933||1933|1933-1933|||||0||||0||||||||||||||||||||||Houses||||||||||Cornell||ECS|ECS|11/4/2003 0:00:00|11/4/2003 0:00:00||Lob||0|||||||MA||||||7.5|1933|||||||||Work|0||||||||||||0|0|Schminke House|Hans Scharoun 935.00|0|Site|02|B-M1|Tim|1.04 ||B-M1 Tim 1.04 |Timgad, Algeria. Plans|Assigned|Cataloger|||||||Plans|0|||||0||||0|||||Roman||||||||Algeria||||||0|Timgad, Algeria|||10113||||0||||0|City Plans and Views|Plans (drawings)||||||||||||||||0||||0||||||||||||||||||||||City plans||||||||||Cornell||MNW|JNK|10/25/2006 0:00:00|11/4/2003 0:00:00||Tim||0|||||||B|||||M1|1.04||||||||||Work|0|Architecture-Algeria|||||||||||0|0|Timgad, Algeria. Plans| 936.00|0|Site|02|B-H2|Nîm|1.32 Pon|||Pont du Gard|Published|Print Publication|||||||Pont du Gard|0|||||0||||0|||||Roman|||Imperial (Roman)|||||France||||||0|Nîmes, France|||10115||||0||||0|Architecture|Aqueducts|||BCE|-1|||-20|-16||20-16 BCE|-20 - -16|||||0||||0||||||||||||||||269 m long||||||Aqueducts ; |Aqueducts|||||||||Cornell||MNW|MNW|11/6/2006 0:00:00|11/4/2003 0:00:00||Nîm||0||||||Pon|B|||||H2|1.32||||||||||Work|0|Architecture-France|||||||||||0|0|Pont du Gard| 937.00|0|Architect|02|MA-LeCorb|5.2|1929-33|SalArm||Salvation Army Building|Translated|Collection|Refuge de l'Armée du Salut|Original|Print Publication||||Salvation Army Building (Refuge de l'Armée du Salut)|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||French|||International Style|||Europe||France||||||0|Paris, France|||10058||||0||||0|Architecture|Welfare Institutions||||20|||1929|1933||1929-1933|1929-1933|||||0||||0||||||||||||||||||||||Hostels, Welfare buildings||||||||||Cornell||ECS|JNK|3/22/2005 0:00:00|11/4/2003 0:00:00||Par||0|||||||MA||||||5.2|1929-1933|||||||||Work|0||||||||||||0|0|Salvation Army Building;Refuge de l'Armée du Salut|Le Corbusier 938.00|0|Architect|02|MA-LeCorb|7.4|1925|Pes|MA-LeCorb 7.4 1925 Pes|Housing Development|Assigned|Collection|Cité Frugès|Original|Macmillan|Quartiers modernes Frugès (Pessac, France)|Descriptive|LC NAF|Housing Development (Cité Frugès)|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||French|||International Style|||Europe||France||||||0|Pessac, France|||10116||||0||||0|Architecture|Housing development||||20|||1924|1925||1924-1925|1924-1925|||||0||||0||||||||||||||||||||||Quartiers modernes Frugès (Pessac, France) ; Houses ; Dwellings ; |Quartiers modernes Frugès (Pessac, France)|Houses|Dwellings|||||||Cornell||ECS|JNK|6/21/2005 0:00:00|11/4/2003 0:00:00|LeCorb|Pes||0|||||||MA||||||7.4|1925|||||||||Work|0|Modern Architecture-|Located near Bordeaux; now altered.||||||||||0|0|Housing Development;Cité Frugès;Quartiers modernes Frugès (Pessac, France)|Le Corbusier 939.00|0|Site|02|B-H2|SDen|3.1 SDen||B-H2 SDen 3.1 SDen |Cathedral of Saint-Denis|Published|Blue Guide|Basilica of Saint-Denis|Variant|Blue Guide|Abbey of Saint-Denis|Variant|Blue Guide|Cathedral of Saint-Denis|0|||||0||||0|||||French|||Gothic (Medieval)|||||France||||||0|Saint-Denis, France|||10117||||0||||0|Architecture|Cathedral|Basilica|Abbey||12|13||1135|1285|ca|ca 1135-1285|ca 1135-1285|||||0||||0||||||||||||||||||||||Churches ; Abbeys ; Basilicas ; |Churches|Abbeys|Basilicas|||||||Cornell||MNW|MNW|11/10/2006 0:00:00|11/4/2003 0:00:00||SDen||0||||||Abb|B|||||H2|3.1||||||||||Work|0|Architecture-France|Saint-Denis developed around the abbey built by Dagobert I in 626, over the tomb of St. Denis. There is a famous 12th-century abbatial church which contains tombs of French monarchs. Built by Abbot Suger (1135-1281).|Saint-Denis was one of the pilgrimage sites on route to the Cathedral of Santiago de Compostela, home of the shrine dedicated to Saint James, the patron saint of Spain.||Restored in the 19th century.|||||||0|0|Cathedral of Saint-Denis;Basilica of Saint-Denis;Abbey of Saint-Denis| 940.00|0|Architect|03|MA-Burn&Root|6.1|1889-92 Mon|Mon|MA-Burn&Root 6.1 1889-92 Mon|Monadnock Building--North Half|Original|Print Publication|||||||Monadnock Building--North Half|27824|Burnham & Root||ArchFirm|Burnham & Root|0||||0|||||American||||||||United States||||||0|53 W. Jackson Blvd., Chicago, IL|||10437||||0||||0|Architecture|Commercial building|Office building|Skyscraper||19|||1889|1891||1889-1891|1889-1891||Monadnock Block|Larger entity||3872||||0||||||||||||||||||||||Office buildings ; Commercial buildings ; Skyscrapers ; |Office buildings|Commercial buildings|Skyscrapers|||||||Cornell||ECS|JNK|6/15/2006 0:00:00|11/4/2003 0:00:00|Burn&Root|||0||||||Mon|MA||||||6.1|1889-92|||||||||Work|0|Modern Architecture|||||||||||0|0|Monadnock Building--North Half|Burnham & Root 941.00|0|Architect|02|MA-Burn&Root|6.1|1885-87|Rook|MA-Burn&Root 6.1 1885-87 Rook|The Rookery Building|Original|Macmillan|||||||The Rookery Building|27824|Burnham & Root||ArchFirm|Burnham & Root|0||||0|||||American||||||||United States||||||0|Chicago, Illinois|||10103||||0||||0|Architecture|Commercial building|Office building|||19|||1885|1887||1885-1887|1885-1887|||||0||||0||||||||||||||||||||||Office buildings ; |Office buildings|||||||||Cornell||ECS|JNK|6/14/2006 0:00:00|11/4/2003 0:00:00||Chi||0|||||||MA||||||6.1|1885-87|||||||||Work|0|Modern Architecture-|||||||||||0|0|The Rookery Building|Burnham & Root 942.00|0|Creator|08|0-Vitruvius|1.0|Arch/||0-Vitruvius 1.0 Arch/ |De architectura|Original|Print Publication|On Architecture|Translated|Dict.Art||||De architectura (On Architecture)|12329|Vitruvius||author|Vitruvius|0||||0|||||Roman|Italian||Roman Period|||||Italy||||||0||||0||||0||||0|Architectural Theory|Book|||BCE|-1|||-17|-22||17 BCE-22 BCE|-17- -22|||||0||||0||||||||||||||||||||||Architectural theory; Architectural elements; Models (Representations)||||||||||Cornell||MNW|MNW|8/2/2004 0:00:00|11/4/2003 0:00:00|Vitruvius|||0||||||Arch/|0||||||1.0||||||||||Work|0||On Architecture is a didactic treatise on the subject of architecture in all its branches as understood in Classical antiquity. It is the only text on architectural theory and practice to have survived from Classical antiquity. (DOA)||||||||||0|0|De architectura;On Architecture|Vitruvius 943.00|0|Creator|08|O-Vitruvius|1.0|Arch/Ces|49r|O-Vitruvius 1.0 Arch/Ces 49r|Geometric Proportions|Assigned|Cataloger|Book III, page XLIX (recto)|Assigned|Cataloger||||Geometric Proportions; Book III, page XLIX (recto)|12329|Vitruvius||author|Vitruvius (Cesariano Edition)|2165|Cesariano, Cesare||author|0|||||Roman|Italian||Renaissance|||||Italy||||||0||||0||||0||||0|Architectural Theory|Illustration|Book|||16|||1521|1521||1521|1521-1521||Di Lucio Vitruvio Pollione de Architectura|Manuscript||1841||||0|||||Ink on paper|ink|paper||||printing|engraving (printing process)||||||||||Proportion, Vitruvian Man; Architectural theory; Vitruvius Pollio||||||||||Cornell||MNW|CLL|2/7/2005 0:00:00|11/4/2003 0:00:00||||0||||||Arch/Ces|O||||||1.0||||||||||Work|0||1300 copies printed in Como by Gottardo da Ponte on 15 July 1521, the first published Italian translation of the Latin text, with marginal notes and 119 plates. Translation and interpretation by Cesariano, a Milanese architect. (DOA)||||||||||0|0|Geometric Proportions;Book III, page XLIX (recto)|Vitruvius;Cesariano, Cesare 944.00|0|Period|08|EG|SC|OK|Canon||Canon of Proportions|Assigned|Cataloger|||||||Canon of Proportions|0|||||0||||0|||||Egyptian|||Old Kingdom|||||Egypt||||||0||||0||||0||||0|Sculpture|Diagram||||||||||||||||0||||0||||||||||||||||||||||Proportion||||||||||Cornell||MNW|MNW|11/4/2003 0:00:00|11/4/2003 0:00:00||||0||||||Canon|EG|SC|||OK||||||||||||Work|0|||This canon set the height of the human body from the heel to hairline at eighteen times the width of the fist.|||||||||0|0|Canon of Proportions| 945.00|0|Site|02|B-M2|Saq|3.3 Zos|||Step Pyramid Complex of Djoser|Descriptive|Dict.Art|Step Pyramid Complex of Zoser|Variant|Cataloger||||Step Pyramid Complex of Djoser|0|||||0||||0|||||Egyptian|||Old Kingdom|3rd Dynasty||||Egypt||||||0|Saqqâra, Egypt|||10118||||0||||0|Architecture|Necropolises|Pyramid (Tomb)|Tomb|BCE||||2630|3611|ca| 2630-ca 3611 BCE| 2630-ca 3611 BCE|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|ECS|11/24/2003 0:00:00|11/4/2003 0:00:00||Saq||0||||||Zos|B||||OK/3Dyn|M2|3.3||||||||||Work|0|Architecture-Egypt||||-2630-ca -3611. 3rd Dynasty.|||||||0|0|Step Pyramid Complex of Djoser;Step Pyramid Complex of Zoser| 946.00|0|Architect|03|MA-Richardson|8.1|1885-87 MarFie||MA-Richardson 8.1 1885-87 MarFie |Marshall Field Wholesale Warehouse|Assigned|Collection|||||||Marshall Field Wholesale Warehouse|9832|Henry Hobson Richardson||architect|Henry Hobson Richardson|0||||0|||||American||||||||United States||||||0|Chicago, Illinois|||10103||||0||||0|Architecture|Warehouse||||19|||1885|1887||1885-1887|1885-1887|||||0||||0||||||||||||||||||||||Warehouses ; |Warehouses|||||||||Cornell||ECS|MNW|6/8/2006 0:00:00|11/4/2003 0:00:00|Richardson|||0||||||MarFie|MA||||||8.1|1885-87|||||||||Work|0|Modern Architecture|||||||||||0|0|Marshall Field Wholesale Warehouse|Henry Hobson Richardson 947.00|0|Site|02||||||Southern Tomb|Descriptive|Dict.Art|||||||Step Pyramid Complex of Djoser. Southern Tomb|0|||||0||||0|||||Egyptian|||Old Kingdom|3rd Dynasty||||Egypt||||||0|Saqqâra, Egypt|||10044||||0||||0|Architecture|Tomb|||BCE||||2630|3611|ca| 2630-ca 3611 BCE| 2630-ca 3611 BCE||Step Pyramid Complex of Djoser|Larger Entity||945||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|3/29/2006 0:00:00|11/4/2003 0:00:00||Saq||0||||||Zos/Sou|B||||OK/3Dyn|M2|3.3||||||||||Work|0|||||-2630-ca -3611. 3rd Dynasty.|||||||0|0|Southern Tomb| 948.00|0|Culture|04|Egypt|SC|OK/3Dyn|SR||King Djoser During Ceremonial Race|Descriptive|Image Source (Book)|||||||Step Pyramid Complex of Djoser. Southern Tomb. King Djoser During Ceremonial Race|0|||||0||||0|||||Egyptian|||Old Kingdom|3rd Dynasty||||Egypt||||||0|Saqqâra, Egypt|||10118||||0||||0|Sculpture|Relief|||BCE||||2630|3611|ca|2630-ca 3611 BCE|2630-ca 3611 BCE||Southern Tomb|Larger Entity||947||||0||||||||||||||||||||||Djoser, King of Egypt||||||||||Cornell||MNW|ECS|11/24/2003 0:00:00|11/4/2003 0:00:00||Saq||0|||||||Egypt|SC|||OK/3Dyn|||||SR|||||||Work|0|||||-2630-ca -3611. Old Kingdom, 3rd Dynasty|||||||0|0|King Djoser During Ceremonial Race| 949.00|0|Category|04|C-03|OK/5Dyn/|50|||Seated Scribe|Descriptive|Image Source (Book)|||||||Seated Scribe|0|||||0||||0|||||Egyptian|||Old Kingdom|5th Dynasty||||Egypt||||||0||||0||||0||||0|Sculpture||||BCE||||2510|2460|ca|ca 2510-2460 BCE|ca 2510-2460 BCE|||||0||||0|||||Painted limestone|limestone|paint||||sculpture|carving||||53 cm high||3341|Paris,Musee National du Louvre|Paris: Louvre||||||||||||Cornell||MNW|MNW|11/4/2003 0:00:00|11/4/2003 0:00:00||||0||E 3023|||||C|||03|OK/5Dyn|||| |50|||||||Work|0|||||ca -2510 to -2460. 5th Dynasty.|||||||0|0|Seated Scribe| 950.00|0|Category|04|Egypt|PA|NK/18Dyn|||Fowling in the Marshes|Descriptive|Image Source (Book)|||||||Fowling in the Marshes|0|||||0||||0|||||Egyptian|||New Kingdom|18th Dynasty||||Egypt||||||0||||0|Thebes, Egypt|||10119||||0|Paintings|Mural|||BCE||||1567|1320|ca|ca 1567-ca 1320 BCE|ca 1567-ca 1320 BCE|||||0||||0|||||||||||painting (image-making)|mural painting||||||3373|London,British Museum|London: British Museum||||||||||||Cornell||MNW|MNW|11/4/2003 0:00:00|11/4/2003 0:00:00|||The|0|||||||Egypt|PA|||NK/18Dyn|||| ||||||||Work|0|||||ca -1567 - ca -1320; 18th Dynasty.|||||||0|0|Fowling in the Marshes| 951.00|0|Manuscript|07|05|C175|MR171.2831|||Eadwine Psalter|Descriptive|Image Source (Book)|||||||Eadwine Psalter|0|||||0||||0|||||English|||Romanesque|||||England||||||0||||0||||0||||0||||||12|||1150|1160|ca|ca 1150-1160|ca 1150-1160|||||||||0||||||||||||||||||553|Cambridge,Trinity College|Cambridge: Trinity||||||||||||Cornell||MNW|MNW|11/4/2003 0:00:00|11/4/2003 0:00:00||C175||0||MS R. 17.1||||MR171.2831|05|||||||| ||||||||Work|0|-|||||||||||0|0|Eadwine Psalter| 953.00|0|Manuscript|15|05|C175|MR.171.2831|f.283v||Scribe Eadwine|Assigned|Cataloger|||||||Eadwine Psalter. Scribe Eadwine|3430|Eadwine, the Scribe||scribe|Eadwine, the Scribe|0||||0|||||English|||Romanesque|||||England||||||0||||0||||0||||0|Manuscripts|||||12|||1150|1160|ca|ca 1150-1160|ca 1150-1160||Eadwine Psalter|Series||951||||0||||||||||||||||||553|Cambridge,Trinity College|Cambridge: Trinity College||||||||||||Cornell||MNW|ECS|11/24/2003 0:00:00|11/4/2003 0:00:00||||0||MR.171.2831, f.283v||||MR. 171.2831|05|||||||| ||||||||Work|0||||||||||||0|0|Scribe Eadwine|Eadwine, the Scribe 954.00|0|Manuscript|02|05|P241|M12420|||Le Livre des Femmes Nobles et Renomées|Assigned|Dict.Art|Des Cleres et Nobles Femmes|Translated|Dict.Art|De mulieribus claris|Original|Dict.Art|Le Livre des Femmes Nobles et Renomées|1286|Boccaccio, Giovanni||writer|Giovanni Boccaccio|0||||0|||||Italian|French||Renaissance|||||France||||||0||||0||||0||||0|Manuscripts|||||15|||1403|1403||1403|1403-1403|||||0||||0||||||||||||||||167 leaves, 35.2 x 24 cm||3655|Paris,Bibliotheque Nationale|Paris: Bib. Nat.||||||||||||Cornell||MNW|MNW|11/6/2003 0:00:00|11/5/2003 0:00:00||P241||0||MS fr. 12420||||M12420|05|||||||| ||||||||Work|0|-|This manuscript, French translation of Boccaccio's De claris mulieribus (1361), was produced for Philip the Bold of Burgundy.||||||||||0|0|Le Livre des Femmes Nobles et Renomées;Des Cleres et Nobles Femmes;De mulieribus claris|Boccaccio, Giovanni 955.00|0|Category|07|MED/ROM|KLOSTERNEUBURG|S|||Klosterneuburg Altarpiece|Descriptive|Dict.Art|Verdun Altarpiece|Descriptive|Blue Guide||||Klosterneuburg Altarpiece|8528|Nicolas of Verdun||goldsmith|Nicolas of Verdun|0||||0|||||Netherlandish|French||Romanesque|||||||||||0|Klosterneuburg, Austria|||10120||||0||||0|Metalwork|Altar|Pulpit|||12||||1181||-1181|-1181|||||0||||0|||||champlevé enamel|enamel|||||champlevé|||||||9271|Klosterneuburg, Abbey Church, Treasury|Klosterneuburg: Abbey||||||||||||Cornell||MNW|MNW|11/5/2003 0:00:00|11/5/2003 0:00:00||||0||||||||||||||| ||||||||Work|0|||Transferred to the Klosterneuburg Abbey in 1331. 45 original plaques with ten additional plaques added in 1331.|||||||||0|0|Klosterneuburg Altarpiece;Verdun Altarpiece|Nicolas of Verdun 956.00|0|Architect|02|MA-|Richardson|3.1 1872-77 Tri||MA-Richardson 3.1 1872-77 Tri|Trinity Church|Original|Macmillan|Trinity Episcopal Church|Variant|Online Resource||||Trinity Church|9832|Henry Hobson Richardson||architect|Henry Hobson Richardson|29027|Shepley, Rutan & Coolidge||architect|6636|La Farge, John||artist, decorative||American|||Romanesque Revival|||||United States||||||0|Boston, Massachusetts|||10053||||0||||0|Architecture|Church||||19|||1872|1877||1872-1877|1872-1877|||||0||||0||||||||||||||||||||||Churches ; |Churches|||||||||Cornell||ECS|JNK|7/25/2006 0:00:00|11/5/2003 0:00:00|Richardson|Bos||0||||||Tri|MA||||||3.1|1872-77|||||||||Work|0|Modern Architecture-|Enfronts Copley Plaza, adjacent to the Hancock Place office tower by I.M. Pei, and across from the Boston Public Library by McKim, Mead, and White.|||1897, Shepley, Rutan & Coolidge (West towers and porch)|||||||0|0|Trinity Church;Trinity Episcopal Church|Henry Hobson Richardson;Shepley, Rutan & Coolidge;La Farge, John 957.00|0|Site|02|B-H3|Fus|7.1|FosMal||Villa Foscari della Malcontenta|Original|Blue Guide|||||||Villa Foscari della Malcontenta|8858|Andrea Palladio||architect|Andrea Palladio|0||||0|||||Italian|||High Renaissance|||Europe||Italy||||||0|Fusina, Italy|||10121||||0||||0|Architecture|Villa||||16|||1555|1560||1555-1560|1555-1560|||||0||||0||||||||||||||||||||||Villas||||||||||Cornell||ECS|ECS|11/6/2003 0:00:00|11/5/2003 0:00:00||Fus||0|||||||B|||||H3|7.1||||||||||Work|0||||||||||||0|0|Villa Foscari della Malcontenta|Andrea Palladio 958.00|0|Manuscript|02|05|P241|M12420|86||Thamar, the Noble Paintress|Assigned|Image Source (Book)|||||||Le Livre des Femmes Nobles et Renomées.Thamar, the Noble Paintress|30002|Master of Berry's Cleres Femmes||illuminator|Master of Berry's Cleres Femmes|0||||0|||||French|||Renaissance|||||France||||||0||||0||||0||||0|Manuscripts|Illumination (Layout feature)||||15|||1403|1403||1403|1403-1403||Le Livre des Femmes Nobles et Renomées|Series||954||||0|||||||||||illumination|||||||3655|Paris,Bibliotheque Nationale|Paris: Bib. Nat.||||||||||||Cornell||MNW|MNW|8/11/2005 0:00:00|11/6/2003 0:00:00||P241||0||MS fr. 12420-86||||M12420|05|||||||| ||||||||Work|0|||Folio 86 in this manuscript.|||||||||0|0|Thamar, the Noble Paintress|Master of Berry's Cleres Femmes 959.00|0|Site|02|B-J3|Pot|4.2|Sol||Institute for Solar and Terrestrial Physics|Original|Online Resource|Astrophysikalisches Institut Potsdam|Original|Online Resource||||Institute for Solar and Terrestrial Physics|0|||||0||||0|||||German||||||Europe||Germany||||||0|Potsdam, Germany|||10122||||0||||0|Architecture|Research Institution||||||||||||||||0||||0||||||||||||||||||||||Research buildings||||||||||Cornell||ECS|ECS|11/6/2003 0:00:00|11/6/2003 0:00:00||Pot||0|||||||B|||||J3|4.2||||||||||Work|0||||||||||||0|0|Institute for Solar and Terrestrial Physics;Astrophysikalisches Institut Potsdam| 960.00|0|Site|02|B-K3|Ath|1.31 Acr/Par|7(FE)||Gigantomachy|Assigned|Dict.Art|East Frieze|Assigned|Dict.Art||||Acropolis. Parthenon. East Frieze. Gigantomachy|9176|Pheidias|attributed to|sculptor|Pheidias (attributed to)|0||||0|||||Greek|||Classic|||||Greece||||||0||||0|Athens, Greece|||10065||||0|Sculpture|Relief|||BCE|-5|||447|432||447-432 BCE|447-432 BCE||Parthenon|Larger Entity||670||||0|||||Marble|marble|||||sculpture|relief||||||3373|London,British Museum|London: British Museum||Gigantomachy||||||||||Cornell||MNW|ECS|11/24/2003 0:00:00|11/6/2003 0:00:00||Ath|Ath|0||||||Acr/Par|B|||||K3|1.31|| ||||||||Work|0|Architecture-Greece||||-447 to -432 BCE|||||||0|0|Gigantomachy;East Frieze|Pheidias 961.00|0|Architect|02|MA-Mendel|4.2|1920-21|Ein||Einstein Tower|Original|Online Resource|||||||Einstein Tower|7869|Erich Mendelsohn||architect|Erich Mendelsohn|0||||0|||||German||||||Europe||Germany||||||0|Potsdam, Germany|||10122||||0||||0|Architecture|Research Institution||||20|||1920|1921||1920-1921|1920-1921||Institute for Solar and Terrestrial Physics|||959||||0||||||||||||||||||||||Research buildings||||||||||Cornell||ECS|ECS|11/6/2003 0:00:00|11/6/2003 0:00:00||Pot||0|||||||MA||||||4.2|1920-21|||||||||Work|0||||||||||||0|0|Einstein Tower|Erich Mendelsohn 962.00|0|Site|02|B-K3|Ath|1.31 Acr/Par|7(FW)||Amazonomachy|Assigned|Dict.Art|West Frieze|Assigned|Dict.Art||||Acropolis. Parthenon. West Frieze. Amazonomachy|9176|Pheidias|attributed to|sculptor|Pheidias (attributed to)|0||||0|||||Greek|||Classic|||||Greece||||||0||||0|Athens, Greece|||10065||||0|Sculpture|Relief|||BCE|-5|||447|432||447-432 BCE|447-432 BCE||Parthenon|Larger Entity||670||||0|||||Marble|marble|||||sculpture|relief||||||3373|London,British Museum|London: British Museum||Amazonomachy||||||||||Cornell||MNW|MNW|11/11/2003 0:00:00|11/6/2003 0:00:00||Ath|Ath|0||||||Acr/Par|B|||||K3|1.31|| ||||||||Work|0|Architecture-Greece||||-447 to -432 BCE|||||||0|0|Amazonomachy;West Frieze|Pheidias 963.00|0|Site|02|B-K3|Ath|1.31 Acr/Par|7(FS)||Centauromachy|Assigned|Dict.Art|South Frieze|Assigned|Dict.Art||||Acropolis. Parthenon. South Frieze. Centauromachy|9176|Pheidias|attributed to|sculptor|Pheidias (attributed to)|0||||0|||||Greek|||Classic|||||Greece||||||0||||0|Athens, Greece|||10065||||0|Sculpture|Relief|||BCE|-5|||447|432||447-432 BCE|447-432 BCE||Parthenon|Larger Entity||670||||0|||||Marble|marble|||||sculpture|relief||||||3373|London,British Museum|London: British Museum||Centauromachy||||||||||Cornell||MNW|MNW|11/11/2003 0:00:00|11/6/2003 0:00:00||Ath|Ath|0||||||Acr/Par|B|||||K3|1.31|| ||||||||Work|0|Architecture-Greece||||-447 to -432 BCE|||||||0|0|Centauromachy;South Frieze|Pheidias 964.00|0|Site|02|B-K3|Ath|1.31 Acr/Par|7(FN)||Trojan War|Assigned|Dict.Art|North Frieze|Assigned|Dict.Art||||Acropolis. Parthenon. North Frieze. Trojan War|9176|Pheidias|attributed to|sculptor|Pheidias (attributed to)|0||||0|||||Greek|||Classic|||||Greece||||||0||||0|Athens, Greece|||10065||||0|Sculpture|Relief|||BCE|-5|||-447|-432||447-432 BCE|-447 - -432||Parthenon|Larger Entity||670||||0|||||Marble|marble|||||sculpture|relief||||||3373|London: British Museum|London: British Museum||Trojan War ; |Trojan War|||||||||Cornell||MNW|MNW|4/25/2005 0:00:00|11/6/2003 0:00:00||Ath|Ath|0||||||Acr/Par|B|||||K3|1.31|| ||||||||Work|0|Architecture-Greece||||-447 to -432 BCE|||||||0|0|Trojan War;North Frieze|Pheidias 965.00|0|Site|02|B-K3|Ath|1.31 Acr/Par|7(F)||Panathenaic Frieze|Assigned|Dict.Art|||||||Acropolis. Parthenon. Panathenaic Frieze|9176|Pheidias|attributed to|sculptor|Pheidias (attributed to)|0||||0|||||Greek|||Classic|||||Greece||||||0||||0|Athens, Greece|||10065||||0|Sculpture|Relief|||BCE|-5|||447|432||447-432 BCE|447-432 BCE||Parthenon|||670||||0|||||Marble|marble|||||sculpture|relief||||||||||||||||||||Cornell||MNW|MNW|11/11/2003 0:00:00|11/6/2003 0:00:00||Ath|Ath|0||||||Acr/Par|B|||||K3|1.31|| ||||||||Work|0|Architecture-Greece||||-447 to -432 BCE|||||||0|0|Panathenaic Frieze|Pheidias 966.00|0|Site|03|B-H3|Flo|3.1|SLor||San Lorenzo|Original|Blue Guide|||||||San Lorenzo|1698|Brunelleschi, Filippo||architect|Filippo Brunelleschi|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0|Florence, Italy|||9985||||0||||0|Architecture|Church||||15|||1425|1446||1425-1446|1425-1446|||||0||||0||||||||||||||||||||||Churches; Florence, Italy||||||||||Cornell||ECS|MNW|8/13/2004 0:00:00|11/6/2003 0:00:00||Flo||0||||||SLor|B|||||H3|3.1||||||||||Work|0||||||||||||0|0|San Lorenzo|Brunelleschi, Filippo 967.00|0|Site|02|B-K3|Ath|1.31 Acr/Par|7(PE)||Birth of Athena|Assigned|Dict.Art|East Pediment|Assigned|Dict.Art||||Acropolis. Parthenon. East Pediment. Birth of Athena|9176|Pheidias|attributed to|sculptor|Pheidias (attributed to)|0||||0|||||Greek|||Classic|||||Greece||||||0||||0|Athens, Greece|||10065||||0|Sculpture|Relief|||BCE|-5|||447|432||447-432 BCE|447-432 BCE||Parthenon|||670||||0|||||Marble|marble|||||sculpture|relief||||||3373|London,British Museum|London: British Museum||Birth, Athena||||||||||Cornell||MNW|MNW|11/10/2003 0:00:00|11/6/2003 0:00:00|||Ath|0||||||Acr/Par|B|||||K3|1.31|| ||||||||Work|0|Architecture-Greece||||-447 to -432 BCE|||||||0|0|Birth of Athena;East Pediment|Pheidias 968.00|0|Site|02|B-K3|Ath|1.31 Acr/Par|7(PW)||West Pediment|Assigned|Dict.Art|Athena and Poseidon|Assigned|Dict.Art||||Acropolis. Parthenon. West Pediment. Athena and Poseidon|9176|Pheidias|attributed to|sculptor|Pheidias (attributed to)|0||||0|||||Greek|||Classical||||Attica|Greece||||||0||||0|Athens, Greece|||10065||||0|Architecture|Relief|||BCE|-5|||447|432||447-432 BCE|447-432 BCE||Parthenon|||670||||0|||||Marble|marble|||||sculpture|relief||||||3373|London,British Museum|London: British Museum||Athena ; Poseidon ; Horses ; Tridents ; Chariots ; |Athena|Poseidon|Horses|Tridents|Chariots|||||Cornell||MNW|HB|6/2/2006 0:00:00|11/6/2003 0:00:00||Ath|Ath|0||||||Acr/Par|B|||||K3|1.31|| ||||||||Work|0|Architecture-Greece||||-447 to -432 BCE|||||||0|0|West Pediment;Athena and Poseidon|Pheidias 969.00|0|Site|02|B-H3|Flo|3.1|SLor/Med||Medici Chapel|Assigned|Collection|New Sacristy|Original|Blue Guide||||San Lorenzo. Medici Chapel (New Sacristy)|7960|Buonarroti, Michelangelo||architect|Michelangelo Buonarroti|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0|Florence, Italy|||9985||||0||||0|Architecture|Church||||16|||1520|1533||1520-1524;1530-1533|1520-1524;1530-1533||San Lorenzo|Larger Entity||966||||0||||||||||||||||||||||Chapels, Churches||||||||||Cornell||ECS|ECS|11/7/2003 0:00:00|11/6/2003 0:00:00||Flo||0|||||||B|||||H3|3.1||||||||||Work|0||||||||||||0|0|Medici Chapel;New Sacristy|Buonarroti, Michelangelo 970.00|0|Site|02|B-K3|Ath|1.31 Acr/Par|7(MS)||Centauromachy|Assigned|Dict.Art|South Metope No. 7|Assigned|Dict.Art||||Acropolis. Parthenon. South Metope No. 7. Centauromachy|9176|Pheidias|attributed to|sculptor|Pheidias (attributed to)|0||||0|||||Greek|||Classic|||||Greece||||||0||||0|Athens, Greece|||10065||||0|Sculpture|Relief|||BCE|-5|||447|432||447-432 BCE|447-432 BCE||Parthenon|||670||||0|||||Marble|marble|||||sculpture|relief||||||3373|London,British Museum|London: British Museum||Centauromachy||||||||||Cornell||MNW|MNW|11/11/2003 0:00:00|11/6/2003 0:00:00||Ath|Ath|0||||||Acr/Par|B|||||K3|1.31|| ||||||||Work|0|Architecture-Greece||||-447 to -432 BCE|||||||0|0|Centauromachy;South Metope No. 7|Pheidias 971.00|0|Site|02|B-K3|Ath|1.31 Acr/Par|7(MS)||Centauromachy|Assigned|Dict.Art|South Metope No. 26|Assigned|Dict.Art||||Acropolis. Parthenon. South Metope No.26. Centauromachy|9176|Pheidias|attributed to|sculptor|Pheidias (attributed to)|0||||0|||||Greek|||Classic|||||Greece||||||0||||0|Athens, Greece|||10065||||0|Sculpture|Relief|||BCE|-5|||447|432||447-432 BCE|447-432 BCE||Parthenon|||670||||0|||||Marble|marble|||||sculpture|relief||||||3373|London,British Museum|London: British Museum||Centauromachy||||||||||Cornell||MNW|MNW|11/11/2003 0:00:00|11/6/2003 0:00:00||Ath|Ath|0||||||Acr/Par|B|||||K3|1.31|| ||||||||Work|0|Architecture-Greece||||-447 to -432 BCE|||||||0|0|Centauromachy;South Metope No. 26|Pheidias 972.00|0|Site|02|B-K3|Ath|1.31 Acr/Par|7(MS)||Centauromachy|Assigned|Dict.Art|South Metope No. 27|Assigned|Dict.Art||||Acropolis. Parthenon. South Metope No.27. Centauromachy|9176|Pheidias|attributed to|sculptor|Pheidias (attributed to)|0||||0|||||Greek|||Classic|||||Greece||||||0||||0|Athens, Greece|||10065||||0|Sculpture|Relief|||BCE|-5|||447|432||447-432 BCE|447-432 BCE||Parthenon|||670||||0|||||Marble|marble|||||sculpture|relief||||||3373|London,British Museum|London: British Museum||Centauromachy||||||||||Cornell||MNW|MNW|11/11/2003 0:00:00|11/6/2003 0:00:00||Ath|Ath|0||||||Acr/Par|B|||||K3|1.31|| ||||||||Work|0|Architecture-Greece||||-447 to -432 BCE|||||||0|0|Centauromachy;South Metope No. 27|Pheidias 973.00|0|Site|02|B-K3|Ath|1.31 Acr/Par|7(MS)||Centauromachy|Assigned|Dict.Art|South Metope No. 28|Assigned|Dict.Art||||Acropolis. Parthenon. South Metope No.28. Centauromachy|9176|Pheidias|attributed to|sculptor|Pheidias (attributed to)|0||||0|||||Greek|||Classic|||||Greece||||||0||||0|Athens, Greece|||10065||||0|Sculpture|Relief|||BCE|-5|||447|432||447-432 BCE|447-432 BCE||Parthenon|Larger Entity||670||||0|||||Marble|marble|||||sculpture|relief||||||3373|London,British Museum|London: British Museum||Centauromachy||||||||||Cornell||MNW|MNW|11/11/2003 0:00:00|11/7/2003 0:00:00||Ath|Ath|0||||||Acr/Par|B|||||K3|1.31|| ||||||||Work|0|Architecture-Greece||||-447 to -432 BCE|||||||0|0|Centauromachy;South Metope No. 28|Pheidias 974.00|0|Site|02|B-K3|Ath|1.31 Acr/Par|7(MS)|B-K3 Ath 1.31 Acr/Par 7(MS)|Centauromachy|Assigned|Dict.Art|South Metope No. 29|Assigned|Dict.Art||||Acropolis. Parthenon. South Metope No.29. Centauromachy|9176|Pheidias|attributed to|sculptor|Pheidias (attributed to)|0||||0|||||Greek|||Classic|||||Greece||||||0||||0|Athens, Greece|||10065||||0|Architecture|Relief|||BCE|-5|||447|432||447-432 BCE|447-432 BCE||Parthenon|Larger Entity||670||||0|||||Marble|marble|||||sculpture|relief||||||3373|London: British Museum|London: British Museum||Centauromachy||||||||||Cornell||MNW|HB|6/2/2006 0:00:00|11/7/2003 0:00:00||Ath|Ath|0||||||Acr/Par|B|||||K3|1.31|| ||||||||Work|0|Architecture-Greece||||-447 to -432 BCE|||||||0|0|Centauromachy;South Metope No. 29|Pheidias 975.00|0|Site|02|B-K3|Ath|1.31 Acr/Par|7||Athena Parthenos|Assigned|Dict.Art|||||||Acropolis. Parthenon. Athena Parthenos|9176|Pheidias|attributed to|sculptor|Pheidias (attributed to)|0||||0|||||Greek|||Classic|||||Greece||||||0||||0|Athens, Greece|||10065||||0|Sculpture||||BCE|-5|||446|438||446-438 BCE|446-438 BCE||Parthenon|Larger Entity||670||||0|||||Marble base; ivory face, arms, hands, feet; gold|marble|ivory|gold|||sculpture|||||ca 13 m high||||||Athena||||||||||Cornell||MNW|MNW|11/11/2003 0:00:00|11/7/2003 0:00:00||Ath|Ath|0||||||Acr/Par|B|||||K3|1.31||||||||||Work|0|Architecture-Greece|The original was destroyed by fire in the 3rd or 4th C. CE, but its general appearance is clear from the remarks of Pausanias (Description of Greece I.xxiv.5-7) and Pliny (Natural History XXVI.iv.181-9) and from numerous later copies. DOA.||||||||||0|0|Athena Parthenos|Pheidias 977.00|0|Site|02|B-H3|Flo|3.1|SLor/OldSac||Old Sacristy|Assigned|Blue Guide|Sagrestia Vecchia|Original|Cataloger||||San Lorenzo. Old Sacristy|1698|Brunelleschi, Filippo||architect|Filippo Brunelleschi|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0|Florence, Italy|||9985||||0||||0|Architecture|Church|Sacristy|||15|||1420|1429||1420-1429|1420-1429||San Lorenzo|Larger Entity||966||||0||||||||||||||||||||||Churches, Sacristies||||||||||Cornell||ECS|ECS|11/10/2003 0:00:00|11/7/2003 0:00:00||Flo||0|||||||B|||||H3|3.1||||||||||Work|0||||||||||||0|0|Old Sacristy;Sagrestia Vecchia|Brunelleschi, Filippo 978.00|0|Site|02|B-H3|Flo|4.3|Lau||Laurentian Library|Translated|Blue Guide|Biblioteca Laurenziana|Original|Blue Guide||||San Lorenzo. Laurentian Library|7960|Buonarroti, Michelangelo||architect|Michelangelo Buonarroti|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0|Florence, Italy|||9985||||0||||0|Architecture|Library||||16|||1524|1534||1524-1534|1524-1534||San Lorenzo|Larger Entity||966||||0||||||||||||||||||||||Libraries||||||||||Cornell||ECS|MNW|3/29/2006 0:00:00|11/7/2003 0:00:00||Flo||0|||||||B|||||H3|4.3||||||||||Work|0||||||||||||0|0|Laurentian Library;Biblioteca Laurenziana|Buonarroti, Michelangelo 979.00|0|Creator|04|SC|Danti||||Beheading of Saint John the Baptist|Descriptive|Dict.Art|Execution of the Baptist|Descriptive|Ulan||||Baptistery of San Giovanni. Beheading of Saint John the Baptist|30003|Danti, Vincenzo||sculptor|Danti, Vincenzo|0||||0|||||Italian|||Mannerist|||||Italy||||||0|Florence, Italy|||9985||||0||||0|Sculpture|||||16|||1569|1571||1569-1571|1569-1571||Baptistery of San Giovanni|Larger Entity||980||||0|||||Bronze|bronze|||||sculpture|||||243 cm||844|Florence,Cathedral,Baptistery|Florence: Cath.; Baptist.||Death, Aedicuale, Salome, Saint John the Baptist, New Testament||||||||||Cornell||MNW|MNW|3/29/2006 0:00:00|11/11/2003 0:00:00|Danti|||0|||||||SC|||||||| ||||||||Work|0||This sculpture group was executed to hang over the S Doors of the Baptistery in Florence. It may have been a Medici commission. From left to right the figures are: Salome, Saint John the Baptist, and the executioner.||||||||||0|0|Beheading of Saint John the Baptist;Execution of the Baptist|Danti, Vincenzo 980.00|0|Site|02|B-H3|Flo|3.1 Bap||B-H3 Flo 3.1 Bap |Baptistery of San Giovanni||||||||||0|||||0||||0|||||Italian|||Gothic (Medieval)|||||Italy||||||0|Florence, Italy|||9985||||0||||0|Architecture|Baptistery||||11|12||1060|1150||1060-1150|1060-1150||Santa Maria del Fiore|Larger Entity||761||||0||||||||||||||||||||||Baptisteries ; Central plan buildings ; Lanterns (roof appendages) ; Arcades ; |Baptisteries|Central plan buildings|Lanterns (roof appendages)|Arcades||||||Cornell||MNW|JNK|5/23/2006 0:00:00|11/11/2003 0:00:00||Flo||0||||||Bap|B|||||H3|3.1||||||||||Work|0|Architecture-Italy||||Dates: 1050-1160 (exterior); ca. 6th C. (interior)|||||||0|0|Baptistery of San Giovanni| 981.00|0|Creator|15|B-H3|Flo|3.1 SLor/Med|7-1||Tomb of Lorenzo de' Medici|Assigned|Blue Guide|||||||San Lorenzo. Medici Chapel (New Sacristy). Tomb of Lorenzo de' Medici|7960|Buonarroti, Michelangelo||sculptor|Michelangelo Buonarroti|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0|Florence, Italy|||9985||||0||||0|Sculpture|Tomb||||16|||1520|1533||1520-1524;1530-1533|1520-1524;1530-1533||Medici Chapel|||969||||0||||||||||||||||||||||Tombs, Medici, Lorenzo de'||||||||||Cornell||ECS|ECS|11/13/2003 0:00:00|11/12/2003 0:00:00||Flo||0||||||SLor/Med|B|||||H3|3.1|| ||||||||Work|0||||||||||||0|0|Tomb of Lorenzo de' Medici|Buonarroti, Michelangelo 982.00|0|Creator|15|B-H3|Flo|3.1 SLor/Med|7-2||Tomb of Giuliano de' Medici|Assigned|Blue Guide|||||||San Lorenzo. Medici Chapel (New Sacristy). Tomb of Giuliano de' Medici|7960|Buonarroti, Michelangelo||sculptor|Michelangelo Buonarroti|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0|Florence, Italy|||9985||||0||||0|Sculpture|Tomb||||16|||1520|1533||1520-1524;1530-1533|1520-1524;1530-1533||Medici Chapel|||969||||0||||||||||||||||||||||Tombs, Medici, Guiliano de'||||||||||Cornell||ECS|ECS|11/13/2003 0:00:00|11/13/2003 0:00:00||Flo||0||||||SLor/Med|B|||||H3|3.1||||||||||Work|0||||||||||||0|0|Tomb of Giuliano de' Medici|Buonarroti, Michelangelo 983.00|0|Creator|15|B-H3|Flo|3.1 SLor/Med|7-3||Madonna and Child|Assigned|Blue Guide|||||||San Lorenzo. Medici Chapel (New Sacristy). Madonna and Child|7960|Buonarroti, Michelangelo||sculptor|Michelangelo Buonarroti|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0|Florence, Italy|||9985||||0||||0|Sculpture|Figures (representations)||||16|||1521|1534||1521-1534|1521-1534||Medici Chapel|Larger Entity||969||||0||||||marble||||||||||H: 226 cm||||||||||||||||Cornell||ECS|ECS|11/25/2003 0:00:00|11/14/2003 0:00:00||Flo||0||||||SLor/Med|B|||||H3|3.1||||||||||Work|0||Executed for the Tomb of the Magnifici in the Medici Chapel in San Lorenzo, Florence, Italy. The tomb was never completed and the sculpture, left unfinished, was put in the chapel by Michelangelo's assistants.||||||||||0|0|Madonna and Child|Buonarroti, Michelangelo 984.00|0|Architect|02|MA-|Erskine|7.3|1970-80 Byk||Byker Housing Estate|Assigned|Macmillan|||||||Byker Housing Estate|3624|Erskine, Ralph||architect|Ralph Erskine|0||||0|||||British||||||Europe||England||||||0|Newcastle-upon-Tyne, England|||10123||||0||||0|Architecture|Housing development||||20|||1969|1982||1969-1982|1969-1982|||||0||||0||||||||||||||||||||||Housing developments||||||||||Cornell||MNW|ECS|11/21/2003 0:00:00|11/19/2003 0:00:00|Erskine|||0||||||Byk|MA||||||7.3|1970-80|||||||||Work|0|Modern Architecture-|||||||||||0|0|Byker Housing Estate|Erskine, Ralph 985.00|0|Creator|15||||||My Birth|Assigned|Image Source (Book)|||||||My Birth|30004|Kahlo, Frida||painter|Frida Kahlo|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Self portrait|||20|||1932|1932||1932|1932-1932|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||30.5 x 35 cm||3290|Private Collection|: Private Coll.||Kahlo, Frieda||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|11/19/2003 0:00:00|K125|||0|||||||35|PA||||||1932| ||||||||Work|0||||||||||||0|0|My Birth|Kahlo, Frida 986.00|0|Creator|15|35|M435-PA|D611|||Disasters of Mysticism|Assigned|Repository|||||||Disasters of Mysticism|7670|Matta, Roberto||painter|Matta, Roberto|0||||0|||||Chilean||||||||Chile||||||0||||0||||0||||0|Paintings|||||20|||1942|1942||1942|1942-1942|||||0||||0|||||||||||painting (image-making)|||||38 x 51 cm||3384|New York,Museum of Modern Art|New York: MoMA||||||||||||Cornell||MNW|MNW|11/19/2003 0:00:00|11/19/2003 0:00:00|M435|||0|||||||35|PA||||||| |D611|||||||Work|0||||||||||||0|0|Disasters of Mysticism|Matta, Roberto 987.00|0|Creator|15|35|M435-PA|E120|||Earth is a Man|Assigned|Image Source (Book)|||||||Earth is Man|7670|Roberto Matta||painter|Matta, Roberto|0||||0|||||Chilean||||||||Chile||||||0||||0||||0||||0|Paintings|||||20|||1942|1942||1942|1942-1942|||||0||||0|||||||||||painting (image-making)|||||||3290|Private Collection|: Private Coll.||||||||||||Cornell||MNW|ECS|11/24/2003 0:00:00|11/19/2003 0:00:00|M435|||0|||||||35|PA||||||| |E120|||||||Work|0||||||||||||0|0|Earth is a Man|Roberto Matta 988.00|0|Creator|15|35|M435-PA|L773|||Listen to the Living|Assigned|Image Source (Book)|||||||Listen to the Living|7670|Roberto Matta||painter|Matta, Roberto|0||||0|||||Chilean||||||||Chile||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1941|1941||1941|1941-1941|||||0||||0||||||oil paint|canvas||||painting (image-making)|||||||3384|New York,Museum of Modern Art|New York: MoMA||||||||||||Cornell||ECS|JNK|1/6/2006 0:00:00|11/21/2003 0:00:00|M435|||0|||||||35|PA||||||| |L773|||||||Work|0||||||||||||0|0|Listen to the Living|Roberto Matta 989.00|0|Creator|15|35|K125P|0580|||Self Portrait on the Border Between Mexico and the U.S.|Assigned|Image Source (Book)|||||||Self Portrait on the Border Between Mexico and the U.S.|30004|Kahlo, Frida||painter|Frida Kahlo|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Self portrait|||20|||1932|1932||1932|1932-1932|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||31 x 35 cm||4423|New York,Reyero(Mrs.Manuel)Collection|New York: Mrs. Manuel Reyero Coll.||Kahlo, Frieda, Portraits||||||||||Cornell||ECS|JNK|1/6/2006 0:00:00|11/21/2003 0:00:00|K125|||0|||||||35|PA||||||1932| ||||||||Work|0|||Image from Maria Fernandez|||||||||0|0|Self Portrait on the Border Between Mexico and the U.S.|Kahlo, Frida 990.00|0|Creator|15|35|K125-PA|H521||35 K125-PA H521 |Henry Ford Hospital|Assigned|Image Source (Book)|The Flying Bed|Variant|Image Source (Book)||||Henry Ford Hospital (The Flying Bed)|30004|Kahlo, Frida||painter|Frida Kahlo|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Self portrait|||20|||1932|1932||1932|1932-1932|||||0||||0|||||Oil on metal|oil paint|metal||||painting (image-making)|||||30.5 x 38 cm||4422|Mexico City,Olmedo(Dolores)Collection|Mexico City: Olmedo Col.||Kahlo, Frida, 1907-1954 ; Portraits ; |Kahlo, Frida, 1907-1954|Portraits||||||||Cornell||ECS|MNW|2/1/2005 0:00:00|11/21/2003 0:00:00|K125|||0|||||||35|PA||||||1932| |H521|||||||Work|0|Painting||Image from Maria Fernandez.|||||||||0|0|Henry Ford Hospital;The Flying Bed|Kahlo, Frida 991.00|0|Creator|15|35|K125-PA|W555|||What the Water Gave Me|Assigned|Image Source (Book)|||||||What the Water Gave Me|30004|Kahlo, Frida||painter|Frida Kahlo|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1938|1938||1938|1938-1938|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||38 x 40 cm||9272|Mexico City, Private Collection|Mexico City: Private Coll.||||||||||||Cornell||ECS|JNK|1/6/2006 0:00:00|11/21/2003 0:00:00|K125|||0|||||||35|PA||||||| |W555|||||||Work|0||||||||||||0|0|What the Water Gave Me|Kahlo, Frida 992.00|0|Creator|15|35|K125-PA|B867||35 K125-PA B867 |Broken Column|Assigned|Image Source (Book)|||||||Broken Column|30004|Kahlo, Frida||painter|Frida Kahlo|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Self portrait|||20|||1944|1944||1944|1944-1944|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||40 x 30.7 cm||4422|Mexico City,Olmedo(Dolores)Collection|Mexico City: Olmedo Col.||Kahlo, Frieda, Portraits||||||||||Cornell||ECS|JNK|1/6/2006 0:00:00|11/21/2003 0:00:00|K125|||0|||||||35|PA||||||| |B867|||||||Work|0|||Image from Maria Fernandez.|||||||||0|0|Broken Column|Kahlo, Frida 993.00|0|Creator|15|35|L213-PA|1942|1|35 L213-PA 1942 1|The Jungle|Assigned|Image Source (Book)|||||||The Jungle|6685|Lam, Wifredo||painter|Wifredo Lam|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Paintings|Gouache||||20|||1942|1943||1942-1943|1942-1943|||||0||||0|||||Gouache on paper and canvas|gouache|paper|camvas|||painting (image-making)|||||239.4 x 229.9 cm||3384|New York,Museum of Modern Art|New York: MoMA||Jungles ; |Jungles|||||||||Cornell||ECS|JNK|2/8/2005 0:00:00|11/21/2003 0:00:00|L213|||0|||||||35|PA||||||1942| ||||||||Work|0||||||||||||0|0|The Jungle|Lam, Wifredo 994.00|0|Creator|15|35|L213-PA|1945|1|35 L213-PA 1945 1|Eternal Presence|Assigned|Image Source (Book)|||||||Eternal Presence|6685|Lam, Wifredo||painter|Wifredo Lam|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1945|1945||1945|1945-1945|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||217 x 197 cm||4000|Providence,Rhode Island School of Design,Museum of Art|Providence: RISD; Mus. Art||||||||||||Cornell||ECS|JNK|1/6/2006 0:00:00|11/21/2003 0:00:00|L213|||0|||||||35|PA||||||1945| ||||||||Work|0||||||||||||0|0|Eternal Presence|Lam, Wifredo 995.00|0|Creator|15|35|L213-PA|1947|1|35 L213-PA 1947 1|The Wedding|Assigned|Image Source (Book)|||||||The Wedding|6685|Lam, Wifredo||painter|Wifredo Lam|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1947|1947||1947|1947-1947|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||216 x 200 cm||332|Berlin,Staatliche Museen zu Berlin; Gemaldegalerie [Art Gallery]|Berlin: Gemaldegalerie||||||||||||Cornell||ECS|JNK|1/6/2006 0:00:00|11/21/2003 0:00:00|L213|||0|||||||35|PA||||||1947| ||||||||Work|0||||||||||||0|0|The Wedding|Lam, Wifredo 996.00|0|Creator|15|35|L213-PA|1950|1|35 L213-PA 1950 1|Clairvoyance|Assigned|Image Source (Book)|||||||Clairvoyance|6685|Lam, Wifredo||painter|Wifredo Lam|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1950|1950||1950|1950-1950|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||230 x 240 cm||3350|Rotterdam,Museum Boymans-Van Beuningen|Rotterdam: Boymans-Van Beuningen||||||||||||Cornell||ECS|JNK|1/6/2006 0:00:00|11/21/2003 0:00:00|L213|||0|||||||35|PA||||||1950| ||||||||Work|0||||||||||||0|0|Clairvoyance|Lam, Wifredo 997.00|0|Site|02|B-B32|SFe|2.111a SFran|||San Francisco Street|Assigned|Image Source (Book)|||||||San Francisco Street|0|||||0||||0|||||American||||||||||||||0|Santa Fe, New Mexico|||10124||||0||||0|Architecture|Street|Photographic print|||19|||1865|1865||1865|1865-1865|||||0||||0|||||||||||photography|||||||||||||||||||||Cornell||ECS|ECS|1/5/2004 0:00:00|11/21/2003 0:00:00||SFe||0||||||SFran|B|||||B32|2.111a||||||||||Work|0|Architecture-New Mexico (NM)|||||||||||0|0|San Francisco Street| 998.00|0|Site|02|B-B19|NOrl|1.03 |||Plan of New Orleans|Assigned|Image Source (Book)|||||||Plan of New Orleans|0|||||0||||0|||||American||||||||United States||||||0|New Orleans, Louisiana|||10125||||0||||0|City Plans and Views|Plans (drawings)||||18|||1764|1764||1764|1764-1764|||||0||||0|||||||||||drawing (image-making)|||||||||||New Orleans, Louisiana||||||||||Cornell||ECS|ECS|1/5/2004 0:00:00|11/21/2003 0:00:00||NOrl||0|||||||B|||||B19|1.03||||||||||Work|0|Architecture-Louisiana (LA)|||||||||||0|0|Plan of New Orleans| 999.00|0|Site|02|B-B32|Lag|3.2 SJose||B-B32 Lag 3.2 SJose |San Jose Mission|Descriptive|Image Source (Book)|||||||San Jose Mission|0|||||0||||0|||||American|Spanish|||||North and Central America||United States||||||0|Laguna, New Mexico|||10126||||0||||0|Architecture|Missions|Church|||18|||1699|1706||1699-1706|1699-1706|||||0||||0||||||||||||||||||||||Churches ; Mission churches ; |Churches|Mission churches||||||||Cornell||ECS|MNW|11/14/2006 0:00:00|11/21/2003 0:00:00||Lag||0||||||SJose|B|||||B32|3.2||||||||||Work|0|Architecture-New Mexico (NM)|||||||||||0|0|San Jose Mission| 1000.00|0|Site|02|B-B10|SAug|1.04 |5||Plan of Saint Augustine||||||||||0|||||0||||0|||||American||||||||United States||||||0|Saint Augustine, Florida|||10127||||0||||0|City Plans and Views|Plan views||||18|||1770|1770|ca|ca 1770|ca 1770-1770|||||0||||0|||||||||||drawing (image-making)|||||||||||Saint Augustine, Florida||||||||||Cornell||ECS|ECS|1/5/2004 0:00:00|11/21/2003 0:00:00||SAug||0|||||||B|||||B10|1.04||||||||||Work|0|Architecture-Florida (FL)|||||||||||0|0|Plan of Saint Augustine| 1001.00|0|Site|02|B-B32|Aco|3.1 SEst||B-B32 Aco 3.1 SEst |San Esteban Rey Mission|||||||||San Esteban Rey Mission|0|||||0||||0|||||American|Spanish||Spanish Colonial|||North and Central America||United States||||||0|Acoma, New Mexico|||10128||||0||||0|Architecture|Missions|Church|||17|||1629|1641||1629-1641|1629-1641|||||0||||0||||||||||||||||||||||Churches ; 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B)|0|||||0||||0|||||Greek|||Classical|||Europe|Calabria|Italy||||||0||||0||||0|Calabaria, Italy|||10134|Sculpture||||BCE|-5|||-480|-450|ca|ca 480-450 BCE|ca 480-450 BCE|||||0||||0|||||Bronze|bronze|||||sculpture|casting||||Over life-size||2372|Reggio Calabria, Museo Nazionale [della Magna Grecia]|Reggio Calabria: Mus. Naz.||Warriors||||||||||Cornell||MNW|MNW|11/26/2003 0:00:00|11/26/2003 0:00:00||||0||||||Reg/Ria|C|||05.5|C|||| |Rou/50|||||||Work|0|||Discovered underwater 300 m of the Calabrian coast near Riace, Italy.|||||||||0|0|Riace Warriors;Statues A & B| 1028.00|0|Architect|02|MA-Speer|1.043|1939|Ber||Berlin Urban Development Plan|Assigned|Print Publication|||||||Berlin Urban Development Plan|11206|Albert Speer||architect|Albert Speer|0||||0|||||German||||||Europe||Germany||||||0|Berlin, Germany|||10108||||0||||0|Architecture|City planning||||20|||1939|1939||1939|1939-1939|||||0||||0||||||||||||||||||9280|Berlin, Landesarchiv|Berlin: Landesarchiv||City planning, City plans, Comprehensive plans||||||||||Cornell||ECS|MNW|1/13/2004 0:00:00|11/26/2003 0:00:00|Speer|||0||||||Ber|MA||||||1.043|1939| ||||||||Work|0|Modern Architecture-|Unrealized project.||||||||||0|0|Berlin Urban Development Plan|Albert Speer 1029.00|0|Category|15|C|-05.5|/Rou/50|/Ria/A|C -05.5 /Rou/50 /Ria/A|Riace Warrior A|||||||||Riace Warrior A|0|||||0||||0|||||Greek|||Classical|||||Italy||||||0||||0||||0|Calabaria, Italy|||10134|Sculpture||||BCE|-5|||-455|-455|ca|ca 455-455 BCE|ca 455-455 BCE||Riace Warriors|||1027||||0||||||bronze|||||sculpture|casting||||1.98 m high||2372|Reggio Calabria, Museo Nazionale [della Magna Grecia]|Reggio Calabria: Mus. Naz.||Warriors, Male nudes||||||||||Cornell||MNW|ECS|1/5/2004 0:00:00|11/26/2003 0:00:00||||0||||||/Ria/A|C|/Rou/50||05.5|C|||| ||||||||Work|0|||Discovered underwater 300 m of the Calabrian coast near Riace, Italy.|||||||||0|0|Riace Warrior A| 1030.00|0|Architect|02|MA-|LeCorb|1.0 |1920 Cit||Citrohan House|Translated|Print Publication|Maison Citrohan|Original|Online Resource||||Citrohan House (Maison Citrohan)|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||French|||International Style|||Europe||France||||||0||||0||||0||||0|Architecture|House|Theory|||20|||1920|1922||1920-1922|1920-1922|||||0||||0||||||||||||||||||||||Houses||||||||||Cornell||ECS|MNW|6/15/2005 0:00:00|12/1/2003 0:00:00||||0||||||Cit|MA||||||1.0|1920|||||||||Work|0|Modern Architecture-|"Citrohan", was a deliberate pun on the mass-produced Citroen automobile and was intended to encourage production techniques based on a standardized and mechanized process like that of Henry Ford. Unrealized project.||||||||||0|0|Citrohan House;Maison Citrohan|Le Corbusier 1031.00|0|Architect|02|MA-|Burn&Root|6.1 1891-94|Rel||Reliance Building|Assigned|Macmillan|||||||Reliance Building|27824|Burnham & Root||ArchFirm|Burnham & Root|552|Atwood, Charles B.|||0|||||American||||||||United States||||||0|Chicago, Illinois|||10103||||0||||0|Architecture|Office building|Commercial building|||20|||1891|1894||1891-1894|1891-1894|||||0||||0||||||||||||||||||||||Office buildings||||||||||Cornell||ECS|MNW|1/13/2004 0:00:00|12/1/2003 0:00:00||Chi||0||||||Rel|MA||||||6.1|1891-94|||||||||Work|0|Modern Architecture-|Extended to 14 floors in 1894. The designer in charge in 1894-1895 was Charles Atwood; he apparently redesigned the exterior.||||||||||0|0|Reliance Building|Burnham & Root;Atwood, Charles B. 1032.00|0|Architect|03|MA-|Wright|7.5 1938-|Tal/W||Taliesin West|||||||||Taliesin West|12943|Wright, Frank Lloyd||architect|Frank Lloyd Wright|0||||0|||||American||||||||United States||||||0|Scottsdale, Arizona|||10135||||0||||0|Architecture|House|Studio (Work space)|Workshop (Work space)||20|||1938|1959|ca|1938-ca.1959|1938-1959|||||0||||0||||||||||||||||||||||Houses, Workshops (work spaces)||||||||||Cornell||ECS|MNW|5/16/2006 0:00:00|12/1/2003 0:00:00|Wright|||0||||||Tal/W|MA||||||7.5|1938-|||||||||Work|0|Modern Architecture|Taliesin West was the winter home and workshop of Mr. Wright and his students, and was built almost entirely by the students themselves.||||||||||0|0|Taliesin West|Wright, Frank Lloyd 1033.00|0|Architect|02|MA-|Sullivan|6.2 1899-|Car|MA- Sullivan 6.2 1899- Car|Carson, Pirie, Scott Department Store|Assigned|Macmillan|Schlesinger and Meyer Department Store|Original|Online Resource||||Carson, Pirie, Scott Department Store|11508|Sullivan, Louis Henri||architect|Louis Sullivan|0||||0|||||American||||||||United States||||||0|Chicago, Illinois|||10103||||0||||0|Architecture|Department store||||20|||1899|1904||1899-1904|1899-1904|||||0||||0||||||||||||||||||||||Department stores||||||||||Cornell||ECS|MNW|1/13/2004 0:00:00|12/1/2003 0:00:00|Sullivan|||0||||||Car|MA||||||6.2|1899|||||||||Work|0|Modern Architecture-|||||||||||0|0|Carson, Pirie, Scott Department Store;Schlesinger and Meyer Department Store|Sullivan, Louis Henri 1034.00|0|Architect|02|MA-|Gropius|8.1 1911|Fag|MA- Gropius 8.1 1911 Fag|Fagus Shoe Factory|Assigned|Print Publication|Fagus Factory|Assigned|Dict.Art||||Fagus Shoe Factory|28222|Gropius & Meyer||ArchFirm|Gropius & Meyer|0||||0|||||German|||International Style|||Europe||Germany||||||0|Alfeld an der Leine, Germany|||10136||||0||||0|Architecture|Factory||||20|||1911|1911||1911|1911-1911|||||0||||0||||||||||||||||||||||Factories (structures) ; |Factories (structures)|||||||||Cornell||ECS|JNK|3/30/2006 0:00:00|12/1/2003 0:00:00||Alf||0||||||Fag|MA||||||8.1|1911|||||||||Work|0|Modern Architecture-|An influential rejection of ornament in the cause of functionalism.||||||||||0|0|Fagus Shoe Factory;Fagus Factory|Gropius & Meyer 1035.00|0|Architect|02|MA-|SOM|4.2 1970|Cor/UrisH||Uris Hall|Assigned|Collection|||||||Cornell University. Uris Hall|29042|Skidmore, Owings & Merrill||ArchFirm|Skidmore, Owings & Merrill|0||||0|||||American||||||||United States||||||0|Ithaca, New York|||10057||||0||||0|Architecture|University||||20|||1970|1970||1970|1970||Cornell University|||886||||0||||||||||||||||||||||Universities||||||||||Cornell||ECS|MNW|3/31/2006 0:00:00|12/1/2003 0:00:00|SOM|||0||||||Cor/UrisH|MA||||||4.2|1970|||||||||Work|0|Modern Architecture-|||||||||||0|0|Uris Hall|Skidmore, Owings & Merrill 1036.00|0|Architect|02|MA-|Stirling|4.4 1977-84|NSta||Neue Staatsgalerie|Original|Online Resource|New State Gallery|Translated|Print Publication||||Neue Staatsgalerie|29405|Stirling Wilford & Associates||ArchFirm|Stirling Wilford & Associates|0||||0|||||German||||||||Germany||||||0|Stuttgart, Germany|||10137||||0||||0|Architecture|Museum||||20|||1977|1984||1977-1984|1977-1984|||||0||||0||||||||||||||||||||||Museums ; |Museums|||||||||Cornell||ECS|JNK|11/30/2006 0:00:00|12/1/2003 0:00:00|Stirling|||0||||||NSta|MA||||||4.4|1977-84|||||||||Work|0|Modern Architecture-|||||||||||0|0|Neue Staatsgalerie;New State Gallery|Stirling Wilford & Associates 1037.00|0|Architect|02|MA-|Meier|5.2 1977|BroDev||Bronx Developmental Center|Assigned|Print Publication|||||||Bronx Developmental Center|28639|Meier, Richard & Associates||architectural firm|Richard Meier and Associates|0||||0|||||American||||||||United States||||||0|New York, New York|||10060||||0||||0|Architecture|Welfare institutions||||20|||1977|1977||1977|1977-1977|||||0||||0||||||||||||||||||||||Welfare buildings||||||||||Cornell||ECS|MNW|1/12/2004 0:00:00|12/2/2003 0:00:00|Meier|||0||||||BroDev|MA||||||5.2|1977|||||||||Work|0|Modern Architecture-|Conceived as a rehabilitation centre for the mentally retarded, the Center suffered a sad fate: after the State of New York sold it to a developer in May of 2001, the original building was essentially demolished.||||||||||0|0|Bronx Developmental Center|Meier, Richard & Associates 1038.00|0|Architect|02|MA-|Graves|4.2 1984|WVa/Eri||Erickson Alumni Center|Assigned|Print Publication|West Virginia University Alumni Center|Assigned|Online Resource||||West Virginia University. Erickson Alumni Center|4751|Graves, Michael||architect|Michael Graves|0||||0|||||American||||||||United States||||||0|Morgantown, West Virginia|||10138||||0||||0|Architecture|University||||20|||1984|1984||1984|1984-1984||West Virginia University|Larger Entity||1039||||0||||||||||||||||||||||Universities||||||||||Cornell||ECS|MNW|3/29/2006 0:00:00|12/2/2003 0:00:00|Graves|||0||||||WVa/Eri|MA||||||4.2|1984|||||||||Work|0|Modern Architecture-|||||||||||0|0|Erickson Alumni Center;West Virginia University Alumni Center|Graves, Michael 1039.00|0|Site|02|B-B50|Mor|4.2 |||West Virginia University|Original|Online Resource|||||||West Virginia University|0|||||0||||0|||||American||||||||United States||||||0|Morgantown, West Virginia|||10138||||0||||0|Architecture|University||||||||||||||||0||||0||||||||||||||||||||||Universities||||||||||Cornell||ECS|ECS|12/2/2003 0:00:00|12/2/2003 0:00:00||Mor||0|||||||B|||||B50|4.2||||||||||Work|0|Architecture-West Virginia (WV)|||||||||||0|0|West Virginia University| 1040.00|0|Site|02|B-C7|Mex|3.4 |Ten||Great Temple of Tenochtitlan|Translated|Cataloger|Templo Mayor|Original|Print Publication||||Great Temple of Tenochtitlan|0|||||0||||0|||||Aztec||||||||Mexico||||||0|Mexico City, Mexico|||9989|Tenochtitlan, Mexico|||10139||||0|Architecture|Temple||||14|||1325|||1325ff|1325ff|||||0||||0||||||||||||||||||||||Temples||||||||||Cornell||ECS|ECS|12/3/2003 0:00:00|12/2/2003 0:00:00||Mex||0|||||||B|||||C7|3.4||||||||||Work|0|Architecture-Mexico|||||||||||0|0|Great Temple of Tenochtitlan;Templo Mayor| 1041.00|0|Culture|11|W-02.2|NAmerInd/Nat||2||Mortuary Rites for "Tattooed Serpent"|Translated|Image Source (Book)|Mort et Convoi du Serpent piqué|Original|Image Source (Book)||||Mortuary Rites for "Tattooed Serpent"|30012|Le Page du Pratz, Antoine Simon|||Antoine Simon Le Page du Pratz|0||||0|||||Native American|Natchez|||||||United States||||||0||||0||||0||||0|Prints|Illustration||||18|||1758|1758||1758|1758-1758|||||0||||0|||||Engraving on paper|paper|||||printing|engraving (incising)||||||||||||||||||||Cornell||MNW|MNW|12/2/2003 0:00:00|12/2/2003 0:00:00||||0||||||NAmerInd/Nat|W|||02.2|||||||||||||Work|0||||||||||||0|0|Mortuary Rites for "Tattooed Serpent";Mort et Convoi du Serpent piqué|Le Page du Pratz, Antoine Simon 1042.00|0|Culture|11|W-02.2|NAmerInd||3||Cover of Touring America, February, 1994|Descriptive|Cataloger|||||||Cover of Touring America, February, 1994|0|||||0||||0|||||Native American|American|||||||United States||||||0||||0||||0||||0|Photographs|Photogravures||||20|||1994|1994||1994|1994-1994|||||0||||0||||||paper|||||photography|||||||||||Mesa Verde National Park (Colo.), Cliff Palace||||||||||Cornell||MNW|ECS|1/5/2004 0:00:00|12/3/2003 0:00:00||||0||||||NAmerInd|W|||02.2|||||||||||||Work|0||||||||||||0|0|Cover of Touring America, February, 1994| 1043.00|0|Site|02|B-C7|Mex|3.4 |TlaHui|B-C7 Mex 3.4 TlaHui|Temple of Tlaloc & Huitzilopochtli|Assigned|Cataloger|||||||Temple of Tlaloc & Huitzilopochtli|0|||||0||||0|||||Aztec||||||||Mexico||||||0|Mexico City, Mexico|||9989||||||||0|Architecture|Temple||||15|16||1375|1725|ca|15th-16th C|15th-16th Centuries|||||0||||0||||||||||||||||||||||Temples||||||||||Cornell||ECS|MNW|1/14/2004 0:00:00|12/3/2003 0:00:00||Mex||0||||||TlaHui|B|||||C7|3.4||||||||||Work|0|Architecture-Mexico||This temple is in the area known as Tenochtitlan.|||||||||0|0|Temple of Tlaloc & Huitzilopochtli| 1044.00|0|Site|02|B-B6|MesNP|1.1 ||B-B6 MesNP 1.1 |Mesa Verde|Assigned|Dict.Art|Mesa Verde National Park|Assigned|||||Mesa Verde National Park|0|||||0||||0|||||Native American|Anasazi|Pueblo||||||United States||||||0|Mesa Verde, CO|||10140||||0||||0|Architecture|Archaeological site||||-01|13||-99|1300|ca|ca 99 BCE-ca 1300 CE|ca 99 BCE-ca 1300 CE|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|JNK|7/25/2006 0:00:00|12/3/2003 0:00:00||MesNP||0|||||||B|||||B6|1.1||||||||||Work|0|Architecture-Colorado (CO)|||||||||||0|0|Mesa Verde;Mesa Verde National Park| 1045.00|0|Site|02|B-B6|MesNP|7.4 Cliff||B-B6 MesNP 7.4 Cliff |Cliff Palace|Assigned|Dict.Art|||||||Mesa Verde National Park. Cliff Palace|0|||||0||||0|||||Native American|Anasazi|Pueblo||||||United States||||||0|Mesa Verde, CO|||10140||||0||||0|Architecture|Apartment house||||10|11|12|950|1150|ca|ca 950-ca 1150|ca 950-ca 1150||Mesa Verde National Park|Larger Entity||1044||||0|||||Adobe and stone blocks|Adobe|stone|||||||||99 m x 30 m||||||Apartment houses ; |Apartment houses|||||||||Cornell||MNW|MNW|5/11/2006 0:00:00|12/3/2003 0:00:00||MesNP||0||||||Cliff|B|||||B6|7.4||||||||||Work|0|Architecture-Colorado (CO)|Contained over 200 rooms and 23 kivas. DOA.||||||||||0|0|Cliff Palace| 1046.00|0|Culture|11|W-02.2|NAmerInd||38||An American Indian Contemplating the Progress of Civilization|Assigned|Image Source (Book)|||||||An American Indian Contemplating the Progress of Civilization||||||0||||0|||||American|Native American|||||||United States||||||0||||0||||0||||0|Prints|Engraving (Print)||||19|||1844|1844||1844|1844-1844||A Pictorial History of the United States, with notices of othr portions of America north and south|Series||1047||||0||||||paper|ink||||printing|engraving (incising)||||||3670|New York,Public Library|New York: NYPL||Native Americans||||||||||Cornell||MNW|ECS|1/5/2004 0:00:00|12/3/2003 0:00:00||||0||||||NAmerInd|W|||02.2||||| ||||||||Work|0||||||||||||0|0|An American Indian Contemplating the Progress of Civilization| 1047.00|0||||||||A Pictorial History of the United States, with notices of othr portions of America north and south|Published|LC NAF|||||||A Pictorial History of the USA|30013|Goodrich, Samuel G.||author|Samuel G. Goodrich|0||||0|||||American|Native American|||||||United States||||||0||||0||||0||||0|Publications|Book||||19|||1844|1844||1844|1844-1844|||||0||||0||||||paper||||||||||||3670|New York,Public Library|New York: NYPL||||||||||||Cornell||MNW|MNW|12/3/2003 0:00:00|12/3/2003 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|A Pictorial History of the United States, with notices of othr portions of America north and south|Goodrich, Samuel G. 1048.00|0|Architect|02|MA-|Tange|7.4 1960|TokBay||Tokyo Bay Extension Housing Project|Assigned|Collection|||||||Tokyo Bay Extension Housing Project|11610|Tange, Kenzo||architect|Kenzo Tange|0||||0|||||Japanese||||||||Japan||||||0|Tokyo, Japan|||10141||||0||||0|Architecture|Housing development||||20|||1960|1960||1960|1960-1960|||||0||||0||||||||||||||||||||||Housing developments||||||||||Cornell||ECS|MNW|1/14/2004 0:00:00|12/3/2003 0:00:00|Tange|||0||||||TokBay|MA||||||7.4|1960|||||||||Work|0|Modern Architecture-||Project|||||||||0|0|Tokyo Bay Extension Housing Project|Tange, Kenzo 1049.00|0|Culture|11|W-02.2|NAmerInd||36|W-02.2 NAmerInd 36|Group of California Indians|Assigned|Image Source (Book)|||||||Group of California Indians from Ballou's Pictorial, v. 11, no. 24, 12/13/856|13280|Champney, Benjamin||painter|Benjamin Champney|0||||0|||||Native American|American|||||||United States||||||0||||0||||0||||0|Prints|Wood engraving||||19|||1856|1856||1856|1856-1856||Ballou's Pictorial|||1051||||0||||||paper|ink||||printing|wood engraving (process)||||||||||||||||||||Cornell||MNW|MNW|12/3/2003 0:00:00|12/3/2003 0:00:00||||0||||||NAmerInd|W|||02.2|||||||||||||Work|0|||Published in Ballou's Pictorial, v. 11 no. 24, 12/13/1856.|||||||||0|0|Group of California Indians|Champney, Benjamin 1050.00|0|Architect|02|MA-|Niemeyer|2.41 1936-45|Ed&Hea||Ministry of Education and Health|Assigned|Print Publication|||||||Ministry of Education and Health|28725|Niemeyer, Costa & LeCorbusier||ArchFirm|Niemeyer, Costa & LeCorbusier|0||||0|||||Brazilian|||Modernist|||||Brazil||||||0|Rio de Janeiro, Brazil|||10142||||0||||0|Architecture|Government office building|Legislative building|||20|||1936|1945||1936-1945|1936-1945|||||0||||0||||||||||||||||||||||Government office buildings ; Ministries ; |Government office buildings|Ministries||||||||Cornell||ECS|MNW|8/16/2006 0:00:00|12/3/2003 0:00:00||Rio||0|||||||MA||||||2.41|1936-45|||||||||Work|0|Modern Architecture-|||||||||||0|0|Ministry of Education and Health|Niemeyer, Costa & LeCorbusier 1051.00|0||||||||Ballou's Pictorial|Published|LC NAF|Ballou's Pictorial Drawing-room Companion|Published|LC NAF||||Ballou's Pictorial|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Publications|Serials||||19|||1855|1859||1855-1859|1855-1859|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|12/3/2003 0:00:00|12/3/2003 0:00:00||||0||||||||||||||||||||||||0||Weekly published by M. M. Ballous from 1855-1859. Continues as Gleason's Pictorial.||||||||||0|0|Ballou's Pictorial;Ballou's Pictorial Drawing-room Companion| 1052.00|0|Culture|11|W-02.2|NAmerInd||27||Champlain and Hurons versus Iroquois, July 30, 1609|Descriptive|Image Source (Book)|||||||Champlain and Hurons versus Iroquois, July 30, 1609|0|||||0||||0|||||Native American|Iroquois|Huron||||||United States||||||0||||0||||0||||0|Prints|Wood engraving||||17||||||||||||0||||0||||||paper|ink||||printing|wood engraving (process)||||||||||||||||||||Cornell||MNW|MNW|12/3/2003 0:00:00|12/3/2003 0:00:00||||0||||||NAmerInd|W|||02.2|||||||||||||Work|0||||||||||||0|0|Champlain and Hurons versus Iroquois, July 30, 1609| 1053.00|0|Architect|02|MA-|LeCorb|1.04 1930-34|Alg||Algiers Urbanization Scheme; Project A|Assigned|Collection|||||||Algiers Urbanization Scheme; Project A|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||French|Algerian||International Style|||||Algeria||||||0||||0||||0||||0|Architecture|CITY PLAN(NING)||||20|||1930|1930||1930|1930-1930|||||0||||0||||||||||||||||||||||City planning, City plans||||||||||Cornell||ECS|JNK|3/22/2005 0:00:00|12/3/2003 0:00:00||||0|||||||MA||||||1.04|1930-34|||||||||Work|0|Modern Architecture-|||||||||||0|0|Algiers Urbanization Scheme; Project A|Le Corbusier 1054.00|0|Culture|11|W-18|Domestic Life||2|W-18 Domestic Life 2|A Domestic Party in Boston in 1855|Published|Image Source (Book)|||||||A Domestic Party in Boston in 1855 from Ballou's Pictorial v, 8 no. 25, 6/23/1855|13280|Champney, Benjamin||illustrator|Benjamin Champney|0||||0|||||American||||||||United States||||||0||||0|Boston, Massachusetts|||10053||||0|Prints|Wood engraving||||19|||1855|1855||1855|1855-1855||Ballou's Pictorial|Larger Entity||1051||||0||||||paper|ink||||printing|wood engraving (process)||||||||||Parties, Upper class, Fashion (concept), Dresses||||||||||Cornell||MNW|MNW|12/3/2003 0:00:00|12/3/2003 0:00:00|||Bos|0||||||Domestic Life|W|||18|||||||||||||Work|0||||||||||||0|0|A Domestic Party in Boston in 1855|Champney, Benjamin 1055.00|0|Culture|11|W-02.2|NAmerInd/|Hopi|5|W-02.2 NAmerInd/ Hopi 5|Kachina Doll|Assigned|Image Source (Book)|||||||Kachina Doll|0|||||0||||0|||||Native American|Hopi|||||||United States|||Taos, New Mexico|||10143||||0||||0||||0|Sculpture|||||20||||||||||||0||||0||||||feather|leather||||sculpture|||||||||||Kachina dolls||||||||||Cornell||MNW|MNW|12/3/2003 0:00:00|12/3/2003 0:00:00||||0||||||NAmerInd/Hopi|W|||02.2|||||||||||||Work|0||||||||||||0|0|Kachina Doll| 1056.00|0|Culture|11|W-02.2|NAmerInd/|Hopi|3|W-02.2 NAmerInd/ Hopi 3|"Good" Kachina Dancer with Melon and Corn|Descriptive|Image Source (Book)|||||||"Good" Kachina Dancer with Melon and Corn|0|||||0||||0|||||Native American|Hopi|||||||United States||||||0||||0||||0||||0|Human bodies|||||20||||||||||||0||||0|||||||||||photography|||||||||||||||||||||Cornell||MNW|ECS|1/5/2004 0:00:00|12/3/2003 0:00:00||||0||||||NAmerInd/Hopi|W|||02.2|||||||||||||Work|0||||||||||||0|0|"Good" Kachina Dancer with Melon and Corn| 1057.00|0|Culture|11|W-02.2|NAmerInd/|Pue|3|W-02.2 NAmerInd/ Pue 3|Idealized Pueblo|Descriptive|Image Source (Book)|||||||Idealized Pueblo|0|||||0||||0|||||Native American|Pueblo|||||||United States||||||0||||0||||0||||0|Architecture|Drawing||||20||||||||||||0||||0|||||||||||drawing (image-making)|||||||||||||||||||||Cornell||MNW|ECS|1/5/2004 0:00:00|12/3/2003 0:00:00||||0||||||NAmerInd/Pue|W|||02.2|||||||||||||Work|0||||||||||||0|0|Idealized Pueblo| 1058.00|0|Culture|11|W-02.2|NAmerInd|Ana|4||Idealized Pit House||||||||||0|||||0||||0|||||Native American|Anasazi|||||||United States||||||0||||0||||0||||0|Architecture|Pit Dwellings||||20||||||||||||0||||0|||||||||||drawing (image-making)|||||||||||Dwellings||||||||||Cornell||MNW|ECS|1/5/2004 0:00:00|12/3/2003 0:00:00||||0||||||NAmerInd/Ana|W|||02.2|||||||||||||Work|0||||||||||||0|0|Idealized Pit House| 1059.00|0|Culture|11|W-02.2|NAmerInd|Ana|2|W-02.2 NAmerInd Ana 2|Idealized Kiva|Assigned|Image Source (Book)|||||||Idealized Kiva|0|||||0||||0|||||Native American|Anasazi|||||||United States||||||0||||0||||0||||0|Architecture|Kivas||||12||||||||||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|12/3/2003 0:00:00|12/3/2003 0:00:00||||0||||||NAmerInd/Ana|W|||02.2|||||||||||||Work|0||||||||||||0|0|Idealized Kiva| 1060.00|0|Culture|11|W-02.2|NAmerInd|Ana|5|W-02.2 NAmerInd Ana 5|Evidence of Cannabalism|Descriptive|Image Source (Book)|||||||Evidence of Cannabalism|0|||||0||||0|||||Native American|Anasazi|||||||United States||||||0||||0||||0||||0|Human bodies|Drawing||||20||||||||||||0||||0||||||paper|ink||||drawing (image-making)|||||||||||||||||||||Cornell||MNW|MNW|12/4/2003 0:00:00|12/3/2003 0:00:00||||0||||||NAmerInd/Ana|W|||02.2|||||||||||||Work|0||||||||||||0|0|Evidence of Cannabalism| 1061.00|0|Site|02|B-B32|Taos|7.4 Pue||B-B32 Taos 7.4 Pue |Taos Pueblo|Published|Image Source (Book)|||||||Taos Pueblo|0|||||0||||0|||||Native American|Pueblo|||||||United States||||||0|Taos, New Mexico|||10143||||0||||0|City Plans and Views|||||17|20||1600||bef|bef 1600|bef 1600|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|12/4/2003 0:00:00|12/3/2003 0:00:00||Taos||0||||||Pue|B|||||B32|7.4||||||||||Work|0|Architecture-New Mexico (NM)||||Existence is continuous.|||||||0|0|Taos Pueblo| 1062.00|0|Site|02|B-B32|Taos|7.4 NPue||B-B32 Taos 7.4 NPue |North Pueblo|Assigned|Image Source (Book)|||||||Taos Pueblo. North Pueblo|0|||||0||||0|||||Native American|Pueblo|||||||United States||||||0|Taos, New Mexico|||10143||||0||||0|Architecture|Housing||||17|||1600||bef|bef 1600|bef 1600||Taos Pueblo|Larger Entity||1061||||0||||||||||||||||||||||||||||||||Cornell||MNW|ECS|1/5/2004 0:00:00|12/4/2003 0:00:00||Taos||0||||||NPue|B|||||B32|7.4||||||||||Work|0|Architecture-New Mexico (NM)||||Existence is continuous.|||||||0|0|North Pueblo| 1063.00|0|Site|02|B-H2|Par|1.31 Vos||B-H2 Par 1.31 Vos |Place des Vosges|Assigned|Blue Guide|Place Royal|Former|Dict.Art||||Place des Vosges|3315|Du Cerceau, Baptiste Androuet|attributed to|architect|Baptiste Androuet Du Cerceau|0||||0|||||French||||||||France||||||0|Paris, France|||10058||||0||||0|Architecture|Squares (open spaces)||||17|||1606|1611||1606-1611|1606-1611|||||0||||0||||||||||||||||||||||Squares||||||||||Cornell||MNW|ECS|1/5/2004 0:00:00|12/4/2003 0:00:00||Par||0||||||Vos|B|||||H2|1.31||||||||||Work|0|Architecture-France|||||||||||0|0|Place des Vosges;Place Royal|Du Cerceau, Baptiste Androuet 1064.00|0|Site|02|B-H2|Par|1.04 Tur|||Plan de Turgot|Assigned|Image Source (Book)|Plan de Paris|Variant|Image Source (Book)||||Plan de Turgot|30015|Bretez, Louis||cartographer|Louis Bretez|0||||0|||||French||||||||France||||||0|Paris, France|||10058||||0||||0|City Plans and Views|Plan views|Print|||18|||1734|1739||1734-1739|1734-1739|||||0||||0||||||paper|ink||||printing|engraving (printing process)|etching (corroding)|||||||||||||||||||Cornell||MNW|MNW|12/5/2003 0:00:00|12/5/2003 0:00:00||Par||0||||||Tur|B|||||H2|1.04||||||||||Work|0|Architecture-France|Images taken from various facsimiles of the plann commissioned by Michel Etienne Turgot (1690-1751); it was completed by Louis Bretez and engraved by Claude Lucas, Paris, 1739. Bird's-eye view. 21 etched & engraved plates and unnumbered key plate.||||||||||0|0|Plan de Turgot;Plan de Paris|Bretez, Louis 1065.00|0|Site|02|B-H2|Par|1.04 Tur|||Plate 6: Bastille, Arsenal, and Place Royale|Assigned|Image Source (Book)|||||||Plan de Turgot. Plate 6: Bastille, Arsenal, and Place Royale|30015|Bretez, Louis||cartographer|Louis Bretez|0||||0|||||French||||||||France||||||0|Paris, France|||10058||||0||||0|City Plans and Views|Plan views|Print|||18|||1734|1739||1734-1739|1734-1739||Plan de Turgot|Series||1064||||0||||||paper|ink||||printing|engraving (printing process)|etching (corroding)|||||||||Place es Vosges (Paris, France), Place de la Bastille (Paris, France)||||||||||Cornell||MNW|MNW|12/5/2003 0:00:00|12/5/2003 0:00:00||Par||0||||||Tur|B|||||H2|1.04||||||||||Work|0|Architecture-France|Images taken from various facsimiles of the plann commissioned by Michel Etienne Turgot (1690-1751); it was completed by Louis Bretez and engraved by Claude Lucas, Paris, 1739. Bird's-eye view.||||||||||0|0|Plate 6: Bastille, Arsenal, and Place Royale|Bretez, Louis 1067.00|0|Site|02|B-G1|Lon|1.31 CovGar||B-G1 Lon 1.31 CovGar |Covent Garden|Preferred|Blue Guide|||||||Covent Garden|6035|Jones, Inigo||architect|Inigo Jones|0||||0|||||English|||Classicism|||Europe||United Kingdom|England|||||0|London, England|||10018||||0||||0|Architecture|Squares (open spaces)|Marketplace|Piazza||17||||||||||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|JNK|10/2/2006 0:00:00|12/5/2003 0:00:00||Lon||0||||||CovGar|B|||||G1|1.31||||||||||Work|0|Architecture-England|||||||||||0|0|Covent Garden|Jones, Inigo 1068.00|0|Site|02|B-G1|Lon|1.31 CovGar|4b-6||The Piazza|Descriptive|Image Source (Book)|||||||The Piazza. Covent Garden|0|||||0||||0|||||||||||||||||||0|Covent Garden, London, England|||10144||||0||||0|Paintings|Oil painting||||17|||1646|1656|ca|ca 1646-1656|ca 1646-1656|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||||||||Squares, Covent Garden||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|12/5/2003 0:00:00||Lon||0||||||CovGar|B|||||G1|1.31||||||||||Work|0|Architecture-England|This painting by an unknown artist is the earliest view of the Piazza yet traced.||||||||||0|0|The Piazza| 1069.00|0|Creator|15|35|C556-SC|1958|||Packed Bottles and Cans|Assigned|Collection|||||||Packed Bottles and Cans|2314|Christo||artist|Christo|0||||0|||||Bulgarian||||||||Bulgaria||||||0||||0||||0||||0|Sculpture|||||20|||1958|1960||1958-1960|1958-1960|||||0||||0|||||Mixed materials|mixed materials||||||||||28 x 73 x 28||3561|Artist, Collection of the|: Collection of the Artist||Bottles, Cans||||||||||Cornell||ECS|ECS|12/8/2003 0:00:00|12/8/2003 0:00:00|C556|||0|||||||35|||||||1958| ||||||||Work|0||||||||||||0|0|Packed Bottles and Cans|Christo 1070.00|0|Creator|15|35|C556-SC|1970-72|1||Valley Curtain|Original|Artist|||||||Valley Curtain|2314|Christo||artist|Christo|0||||0|||||Bulgarian||||||||Bulgaria|||Rifle Gap Reservoir, Colorado|||10145||||0|Rifle Gap Reservoir, Colorado|||10145||||0|Sculpture|Environmental art||||20|||1970|1972||1970-1972|1970-1972|||||0||||0|||||Woven nylon fabric|cloth (fabric)|nylon||||sculpture|||||381 m||||||Curtains||||||||||Cornell||ECS|MNW|12/12/2003 0:00:00|12/8/2003 0:00:00|C556||Rif|0|||||||35|||||||1970-72|||||||||Work|0||On August 11, 1972, 28 hours after completion of the Valley Curtain, a gale estimated in excess of 100 kph (60 mph) made it necessary to start the removal.||||||||||0|0|Valley Curtain|Christo 1071.00|0|Creator|15|35|C556-D|1971|1|35 C556-D 1971 1|Valley Curtain|Original|Artist|||||||Valley Curtain|2314|Christo||artist|Christo|0||||0|||||Bulgarian||||||||Bulgaria||||||0||||0||||0||||0|Drawings|||||20|||1971|1971||1971|1971-1971|||||||||0|||||||||||drawing (image-making)|||||71 x 56 cm||98|Amsterdam,Stedelijk Museum[Municipal Museum]|Amsterdam: Stedelijk Mus.||Curtains||||||||||Cornell||ECS|MNW|12/11/2003 0:00:00|12/8/2003 0:00:00|C556|||0|||||||35|||||||1971| ||||||||Work|0|||Preparatory drawing for the large scale Valley Curtain sculpture built in the Rifle Gap Reservoir, Colorado.|||||||||0|0|Valley Curtain|Christo 1072.00|0|Creator|15|35|C556-SC|1962|||Wall of Oil Drums|Assigned|Collection|Wall of Oil Barrels-The Iron Curtain|Assigned|Online Resource||||Wall of Oil Drums|2314|Christo||artist|Christo|0||||0|||||Bulgarian||||||||Bulgaria|France||Rue Visconti, Paris, France|||||||0|Rue Visconti, Paris, France|||10146||||0|Sculpture|||||20|||1962|1962||1962|1962-1962|||||0||||0|||||Oil drums|barrels (containers)|oil|||||||||396 x 396 x 152 cm||||||||||||||||Cornell||ECS|MNW|12/12/2003 0:00:00|12/8/2003 0:00:00|C556|||0|||||||35|||||||1962|||||||||Work|0||During 8 hours on the evening of June 27, 1962, Christo and Jeanne-Claude closed the Rue Visconti with 240 oil barrels.||||||||||0|0|Wall of Oil Drums;Wall of Oil Barrels-The Iron Curtain|Christo 1073.00|0|Creator|15|35|W275-P|W277||35 W275-P W277 |Self-Portrait|Original|Artist|||||||Self-Portrait|12489|Warhol, Andy||painter|Andy Warhol|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Paintings|Self portrait||||20|||1967|1967||1967|1967-1967|||||0||||0|||||Silkscreen ink on acrylic paint on primed canvas|ink|acrylic paint|canvas|||screen printing|||||144 x 144 cm||3290|Private Collection|: Private Coll.||Warhol, Andy, 1928-1987||||||||||Cornell||ECS|MNW|12/12/2003 0:00:00|12/9/2003 0:00:00|W275|||0||||||W277|35|||||||1967| ||||||||Work|0||||||||||||0|0|Self-Portrait|Warhol, Andy 1074.00|0|Creator|15|35|W275-P|E520||35 W275-P E520 |Elvis|Assigned|Collection|||||||Elvis|12489|Warhol, Andy||painter|Andy Warhol|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Paintings|Portrait||||20|||1964|1964||1964|1964-1964|||||||||0|||||Silkscreen ink on aluminum paint on primed canvas|ink|aluminum paint|canvas|||screen printing|painting (image-making)||||||3281|Philadelphia,Philadelphia Museum of Art|Philadelphia: Museum of Art||Presley, Elvis, 1935-1977||||||||||Cornell||ECS|MNW|12/15/2005 0:00:00|12/9/2003 0:00:00|W275|||0||||||E520|35|||||||1964| ||||||||Work|0||||||||||||0|0|Elvis|Warhol, Andy 1075.00|0|Creator|15|35|W275|R119||35 W275 R119 |Race Riot|Assigned|Collection|||||||Race Riot|12489|Warhol, Andy||painter|Andy Warhol|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Paintings|||||20|||1965|1965||1965|1965-1965|||||0||||0|||||||||||screen printing|||||||3290|Private Collection|: Private Coll.||Race (concept) ; Racial discrimination ; Race riots ; |Race (concept)|Racial discrimination|Race riots|||||||Cornell||ECS|CLL|12/15/2005 0:00:00|12/9/2003 0:00:00|W275|||0||||||R119|35|||||||1965| ||||||||Work|0||||||||||||0|0|Race Riot|Warhol, Andy 1076.00|0|Creator|15|35|W275-P|W278||35 W275-P W278 |Julie Warhol|Assigned|Collection|Artist's Mother|Assigned|Collection||||Julie Warhol (Artist's Mother)|12489|Warhol, Andy||painter|Andy Warhol|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Paintings|Portrait||||20|||1974|1974||1974|1974-1974|||||0||||0|||||||||||screen printing|||||40 x 40 cm||3561|Artist, Collection of the|: Collection of the Artist||Mothers||||||||||Cornell||ECS|MNW|12/12/2003 0:00:00|12/9/2003 0:00:00|W275|||0||||||W278|35|||||||1974| ||||||||Work|0||||||||||||0|0|Julie Warhol;Artist's Mother|Warhol, Andy 1077.00|0|Creator|15|35|W275-P|W279||35 W275-P W279 |Julie Warhol|Assigned|Collection|Artist's Mother|Assigned|Collection||||Julie Warhol (Artist's Mother)|12489|Warhol, Andy||painter|Andy Warhol|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Paintings|Portrait||||20|||1974|1974||1974|1974-1974|||||0||||0|||||||||||screen printing|||||202 x 201 cm||3290|Private Collection|: Private Coll.||Mothers||||||||||Cornell||ECS|MNW|12/12/2003 0:00:00|12/9/2003 0:00:00|W275|||0||||||W279|35|||||||1974| ||||||||Work|0||||||||||||0|0|Julie Warhol;Artist's Mother|Warhol, Andy 1078.00|0|Creator|15|35|W275|O63||35 W275 O63 |Orange Disaster # 5|Assigned|Online Resource|||||||Orange Disaster # 5|12489|Warhol, Andy||painter|Andy Warhol|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Paintings|||||20|||1963|1963||1963|1963-1963|||||0||||0|||||Acrylic and silkscreen enamel on canvas|acrylic paint|enamel paint|canvas|||screen printing|painting (image-making)||||269.2 x 208.3 cm||1987|New York,Solomon R.Guggenheim Museum|New York: Guggenheim Mus.||||||||||||Cornell||ECS|CLL|12/15/2005 0:00:00|12/9/2003 0:00:00|W275|||0||||||O63|35|||||||1963| ||||||||Work|0|||Acrylic and silkscreen enamel on canvas|||||||||0|0|Orange Disaster # 5|Warhol, Andy 1079.00|0|Creator|15|35|W275|G794||35 W275 G794 |Green Disaster|Assigned|Collection|||||||Green Disaster|12489|Warhol, Andy||painter|Andy Warhol|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Paintings|||||20|||1963|1963||1963|1963-1963|||||0||||0|||||||||||screen printing|||||267 x 201 cm||3290|Private Collection|: Private Coll.||||||||||||Cornell||ECS|CLL|12/15/2005 0:00:00|12/9/2003 0:00:00|W275|||0||||||G794|35|||||||1963| ||||||||Work|0||||||||||||0|0|Green Disaster|Warhol, Andy 1080.00|0|Creator|15|35|W275-P|M296||35 W275-P M296 |Mao Series|Assigned|Collection|||||||Mao Series|12489|Warhol, Andy||painter|Andy Warhol|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Paintings|Installation (Exhibition)||||20|||1972|1972||1972|1972-1972|||||0||||0||||||||||||||||||||||Mao, Tse-tung, 1893-1976||||||||||Cornell||ECS|CLL|12/15/2005 0:00:00|12/9/2003 0:00:00|W275|||0||||||M296|35|||||||1972|||||||||Work|0||||||||||||0|0|Mao Series|Warhol, Andy 1081.00|0|Creator|15|35|W275-P|M756||35 W275-P M756 |Monroe, Marilyn, Twenty Five Times,Colored|Assigned|Collection|Twenty-Five Colored Marilyns|Assigned|Online Resource||||Monroe, Marilyn, Twenty Five Times,Colored|12489|Warhol, Andy||painter|Andy Warhol|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Paintings|||||20|||1962|1962||1962|1962-1962|||||0||||0|||||Acrylic on canvas|acrylic paint|canvas||||painting (image-making)|||||208.3 x 168.3 cm||9275|Fort Worth, Modern Art Museum|Fort Worth: Modern||Monroe, Marilyn, 1926-1962||||||||||Cornell||ECS|MNW|12/12/2003 0:00:00|12/9/2003 0:00:00|W275|||0||||||M756|35|||||||1962| ||||||||Work|0||||||||||||0|0|Monroe, Marilyn, Twenty Five Times,Colored;Twenty-Five Colored Marilyns|Warhol, Andy 1082.00|0|Creator|15|35|W275|E3811||35 W275 E3811|Electric Chair|Assigned|Collection|Early Electric Chair|Assigned|Print Publication||||Electric Chair|12489|Warhol, Andy||painter|Andy Warhol|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Paintings|||||20|||1967|1967||1967|1967-1967|||||0||||0|||||||||||screen printing|||||54 x 73 cm||3290|Private Collection|: Private Coll.||||||||||||Cornell||ECS|MNW|12/15/2005 0:00:00|12/9/2003 0:00:00|W275|||0||||||E3811|35|||||||1967| ||||||||Work|0||||||||||||0|0|Electric Chair;Early Electric Chair|Warhol, Andy 1083.00|0|Creator|15|35|W275-P|M753||35 W275-P M753 |Marilyn Monroe|Assigned|Collection|||||||Marilyn Monroe|12489|Warhol, Andy||painter|Andy Warhol|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Paintings|Portrait||||20|||1964|1964||1964|1964-1964|||||0||||0||||||||||||||||40 x 40 cm||3290|Private Collection|: Private Coll.||Monroe, Marilyn, 1926-1962||||||||||Cornell||ECS|MNW|12/12/2003 0:00:00|12/9/2003 0:00:00|W275|||0||||||M753|35|||||||1964| ||||||||Work|0||||||||||||0|0|Marilyn Monroe|Warhol, Andy 1084.00|0|Creator|15|35|W275-P|J129||35 W275-P J129 |Sixteen Jackies|Original|Artist|||||||Sixteen Jackies|12489|Warhol, Andy||painter|Andy Warhol|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Paintings|Portrait||||20|||1964|1964||1964|1964-1964|||||0||||0|||||acrylic and enamel on canvas|acrylic paint|enamel paint|canvas|||painting (image-making)|||||203.2 x 162.6 cm||3895|Minneapolis,Walker Art Center|Minneapolis: Walker Art Center||Onassis, Jacqueline Kennedy, 1929-1994||||||||||Cornell||ECS|MNW|12/12/2003 0:00:00|12/9/2003 0:00:00|W275|||0||||||J129|35|||||||1964| ||||||||Work|0||||||||||||0|0|Sixteen Jackies|Warhol, Andy 1085.00|0|Creator|15|35|W275|S718||35 W275 S718 |Big Torn Campbell's Soup Can (Vegetable Beef)|Original|Artist|||||||Big Torn Campbell's Soup Can (Vegetable Beef)|12489|Warhol, Andy||painter|Andy Warhol|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Paintings|||||20|||1962|1962||1962|1962-1962|||||0||||0|||||Acrylic paint, pencil and aluminum paint on primed canvas|acrylic paint|Aluminum paint|canvas|||painting (image-making)|||||183 x 137 cm||3263|Zurich,Kunsthaus Zurich|Zurich: Kunsthaus||Cans||||||||||Cornell||ECS|MNW|12/15/2005 0:00:00|12/10/2003 0:00:00|W275|||0||||||S718|35|||||||1962| ||||||||Work|0||||||||||||0|0|Big Torn Campbell's Soup Can (Vegetable Beef)|Warhol, Andy 1086.00|0|Creator|15|35|W275|C659||35 W275 C659 |Coca-Cola|Artists|Collection|||||||Coca-Cola|12489|Warhol, Andy||painter|Andy Warhol|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Paintings|||||20|||1960|1960||1960|1960-1960|||||0||||0|||||Synthetic polymer paint and crayon on canvas|Polymer paint|crayons|canvas|||painting (image-making)|||||183 x 137 cm||9276|Pittsburgh, Andy Warhol Museum|Pittsburgh: Warhol Museum||Bottles||||||||||Cornell||ECS|MNW|12/15/2005 0:00:00|12/10/2003 0:00:00|W275|||0||||||C659|35|||||||1960| ||||||||Work|0|||Synthetic polymer paint and crayon on canvas|||||||||0|0|Coca-Cola|Warhol, Andy 1087.00|0|Creator|15|35|W275-P|J127||35 W275-P J127 |Jackie|Original|Artist|||||||Jackie|12489|Warhol, Andy||painter|Andy Warhol|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Paintings|Portrait||||20|||1963|1963||1963|1963-1963|||||0||||0|||||Silkscreen ink on acrylic paint on primed canvas|ink|acrylic paint|canvas|||screen printing|painting (image-making)||||100 x 100 cm|||Stuttgart,Froehlich Collection|Stuttgart: Froehlich Collection||Portraits ; Onassis, Jacqueline Kennedy, 1929-1994 ; |Portraits|Onassis, Jacqueline Kennedy, 1929-1994||||||||Cornell||ECS|MNW|12/15/2005 0:00:00|12/10/2003 0:00:00|W275|||0||||||J127|35|||||||1963| ||||||||Work|0|||Silkscreen ink on acrylic paint on primed canvas|||||||||0|0|Jackie|Warhol, Andy 1088.00|0|Creator|15|35|W275-P|L789||35 W275-P L789 |Liz|Assigned|Artist|||||||Liz|12489|Warhol, Andy||painter|Andy Warhol|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Paintings|Portrait||||20|||1965|1965||1965|1965-1965|||||0||||0|||||Silkscreen ink and aluminum paint on primed canvas|ink|aluminum paint|canvas|||screen printing|painting (image-making)||||102 x 102 cm||9277|Turin, Galleria Sperone|Turin: Galleria Sperone||Taylor, Elizabeth, 1932-||||||||||Cornell||ECS|MNW|12/15/2005 0:00:00|12/10/2003 0:00:00|W275|||0||||||L789|35|||||||1965| ||||||||Work|0||||||||||||0|0|Liz|Warhol, Andy 1089.00|0|Creator|15|35|L699|B654|||Blonde Waiting|Assigned|Artist|||||||Blonde Waiting|7058|Lichtenstein, Roy||painter|Roy Lichtenstein|0||||0|||||American|||Pop|||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting||||20|||1964|1964||1964|1964-1964|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||122 x 122 cm|||New York, Larry Gagosian Collection|New York: Larry Gagosian Collection||||||||||||Cornell||ECS|JNK|11/27/2006 0:00:00|12/10/2003 0:00:00|L699|||0||||||B654|35|||||||1964| ||||||||Work|0||||||||||||0|0|Blonde Waiting|Lichtenstein, Roy 1090.00|0|Creator|15|35|W275B|P575|||Portrait of Andy Warhol|Assigned|Cataloger|||||||Portrait of Andy Warhol|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Portrait||||20|||1980|1980||1980|1980-1980|||||0||||0|||||||||||photography|||||||||||Portraits, Warhol, Andy, 1928-1987||||||||||Cornell||ECS|MNW|12/12/2003 0:00:00|12/11/2003 0:00:00|L699|||0||||||P575|35|||||||1980|||||||||Work|0||||||||||||0|0|Portrait of Andy Warhol| 1091.00|0|Architect|02|MA-|Wright|1.0 Por|Por 8-1||Frank Lloyd Wright at Taliesin West|Assigned|Cataloger|||||||Frank Lloyd Wright at Taliesin West|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Portrait||||20||||||||||||0||||0|||||||||||photography|||||||||||Portraits, Wright, Frank Lloyd, 1867-1959||||||||||Cornell||ECS|MNW|12/18/2003 0:00:00|12/11/2003 0:00:00|Wright|||0||||||Por|MA||||||1.0||||||||||Work|0|Modern Architecture-|||||||||||0|0|Frank Lloyd Wright at Taliesin West| 1092.00|0|Architect|02|MA-|Wright|1.0 1920|Por 10||Portrait of Frank Lloyd Wright|Assigned|Cataloger|||||||Portrait of Frank Lloyd Wright|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Portrait||||20|||1920|1920||1920|1920-1920|||||0||||0|||||||||||photography|||||||||||Portraits, Wright, Frank Lloyd, 1867-1959||||||||||Cornell||ECS|MNW|12/18/2003 0:00:00|12/11/2003 0:00:00|Wright|||0||||||Por 10|MA||||||1.0|1920|||||||||Work|0|Modern Architecture-|||||||||||0|0|Portrait of Frank Lloyd Wright| 1093.00|0|Creator|15|35|K125-PA|M911|||Moses|Assigned|Print Publication|Nucleas of Creation|Assigned|Online Resource||||Moses or Nucleas of Creation|30004|Kahlo, Frida||painter|Frida Kahlo|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Paintings|||||20|||1945|1945||1945|1945-1945|||||0||||0|||||Oil on masonite|oil paint|Masonite||||painting (image-making)|||||61 x 75.6 cm||3290|Private Collection|: Private Coll.||Moses, Creation||||||||||Cornell||ECS|JNK|1/6/2006 0:00:00|12/11/2003 0:00:00|K125|||0|||||||35|||||||1945| ||||||||Work|0||||||||||||0|0|Moses;Nucleas of Creation|Kahlo, Frida 1094.00|0|Creator|15|35|K125-PA|S463|||Self-Portrait with Cropped Hair|Assigned|Artist|||||||Self-Portrait with Cropped Hair|30004|Kahlo, Frida||painter|Frida Kahlo|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Paintings|Self portrait||||20|||1940|1940||1940|1940-1940|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||40 x 28 cm||3384|New York,Museum of Modern Art|New York: MoMA||Kahlo, Frida, 1907-1954, Portraits||||||||||Cornell||ECS|JNK|1/6/2006 0:00:00|12/11/2003 0:00:00|K125|||0|||||||35|||||||1940| ||||||||Work|0||||||||||||0|0|Self-Portrait with Cropped Hair|Kahlo, Frida 1095.00|0|Creator|15|35|K125-PA|T974|||Two Fridas|Original|Artist|||||||Two Fridas|30004|Kahlo, Frida||painter|Frida Kahlo|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Paintings|Self portrait||||20|||1939|1939||1939|1939-1939|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||173.5 x 173 cm||3890|Mexico City,Museo de Arte Moderno|Mexico City: Mus. Arte Mod.||Portraits, Kahlo, Frida, 1907-1954||||||||||Cornell||ECS|JNK|1/6/2006 0:00:00|12/12/2003 0:00:00|K125|||0|||||||35|||||||1939| ||||||||Work|0||||||||||||0|0|Two Fridas|Kahlo, Frida 1096.00|0|Creator|15|35|G613-PA|Y445||35 G613-PA Y445 |Yellow House|Assigned|Image Source (Book)|||||||Yellow House|12121|Gogh, Vincent van||painter|Gogh, Vincent van|0||||0|||||Dutch|||Post-Impressionist|||Europe||Holland||||||0||||0||||0||||0|Paintings|Oil painting||||19|||1888|1888||1888|1888-1888|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||72 X 91.5 cm||3328|Amsterdam,Rijksmuseum Vincent van Gogh|Amsterdam: V. van Gogh Mus.||Houses||||||||||Cornell||ECS|JNK|1/6/2006 0:00:00|12/12/2003 0:00:00|G613|||0|||||||35|||||||1888| ||||||||Work|0||In May 1888, Van Gogh rented four rooms on the right-hand side of a house on the Place Lamartine in Arles, France. His living quarters were the ones with the green shutters.||||||||||0|0|Yellow House|Gogh, Vincent van 1097.00|0|Creator|15|35|G613-PA|B725||35 G613-PA B725 |Boots with Laces|Assigned|Cataloger|A Pair of Shoes|Assigned|Collection||||Boots with Laces (A Pair of Shoes)|12121|Gogh, Vincent van||painter|Gogh, Vincent van|0||||0|||||Dutch|||Post-Impressionist|||Europe||Holland||||||0||||0||||0||||0|Paintings|Oil painting||||19|||1885|1885||1885|1885-1885|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||37.5 X 45 cm||3328|Amsterdam,Rijksmuseum Vincent van Gogh|Amsterdam: V. van Gogh Mus.||Shoes (footwear)||||||||||Cornell||ECS|JNK|1/6/2006 0:00:00|12/12/2003 0:00:00|G613|||0|||||||35|||||||1885| ||||||||Work|0||Van Gogh made a number of still lives with old shoes. To him, as to several of his contemporaries, they may have been symbolic of the hard yet picturesque life of the laborer.||||||||||0|0|Boots with Laces;A Pair of Shoes|Gogh, Vincent van 1098.00|0|Creator|15|35|G613-PA|S897||35 G613-PA S897 |Self-Portrait as an Artist|Assigned|Collection|Self-Portrait in front of an Easel|Assigned|Cataloger||||Self-Portrait as an Artist|12121|Gogh, Vincent van||painter|Gogh, Vincent van|0||||0|||||Dutch|||Post-Impressionist|||Europe||Holland||||||0||||0||||0||||0|Paintings|Self portrait|Oil painting|||19|||1888|1888||1888|1888-1888|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||65.5 X 50.5 cm||3328|Amsterdam,Rijksmuseum Vincent van Gogh|Amsterdam: V. van Gogh Mus.||Portraits, Gogh, Vincent van, 1853-1890||||||||||Cornell||ECS|JNK|1/6/2006 0:00:00|12/12/2003 0:00:00|G613|||0|||||||35|||||||1888| ||||||||Work|0||Although he painted many self-portraits, this is one of the few in which Van Gogh depicted himself as an artist, with all the necessary equipment: palette, brushes, and a canvas on a wooden easel.||||||||||0|0|Self-Portrait as an Artist;Self-Portrait in front of an Easel|Gogh, Vincent van 1099.00|0|Creator|15|35|O415-PA|1928|3|35 O415-PA 1928 3|East River from the 30th Story, Shelton Hotel, New York|Assigned|Collection|||||||East River from the 30th Story, Shelton Hotel, New York|8643|O’Keeffe, Georgia||painter|O’Keeffe, Georgia|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1928|1928||1928|1928-1928|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||76 x 122 cm||1929|New Britain,New Britain Museum of American Art|New Britain: Mus. Amer. Art||City views, Rivers, East River, New York, NY||||||||||Cornell||ECS|JNK|1/6/2006 0:00:00|12/12/2003 0:00:00|O415|||0|||||||35|||||||1928| ||||||||Work|0||||||||||||0|0|East River from the 30th Story, Shelton Hotel, New York|O’Keeffe, Georgia 1100.00|0|Creator|15|35|O415-PA|1925|1|35 O415-PA 1925 1|New York Street with Moon|Assigned|Collection|||||||New York Street with Moon|8643|O’Keeffe, Georgia||painter|O’Keeffe, Georgia|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1925|1925||1925|1925-1925|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||106 x 69 cm|||:Carmen Thyssen-Bornemisza Collection|:Carmen Thyssen-Bornemisza Collection||Skyscrapers, Moon||||||||||Cornell||ECS|JNK|1/6/2006 0:00:00|12/12/2003 0:00:00|O415|||0|||||||35|||||||1925| ||||||||Work|0||||||||||||0|0|New York Street with Moon|O’Keeffe, Georgia 1101.00|0|Creator|15|35|O415-PA|1922|1|35 O415-PA 1922 1|My Shanty, Lake George|Assigned|Collection|||||||My Shanty, Lake George|8643|O’Keeffe, Georgia||painter|O’Keeffe, Georgia|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1897|1947|ca|ca.1922|1922|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||51 x 69 cm||3303|Washington DC,Phillips Collection|Wash, DC: Phillips Coll.||Houses||||||||||Cornell||ECS|JNK|1/6/2006 0:00:00|12/12/2003 0:00:00|O415|||0|||||||35|||||||1922| ||||||||Work|0||||||||||||0|0|My Shanty, Lake George|O’Keeffe, Georgia 1102.00|0|Creator|15|35|O415-PA|1926|1|35 O415-PA 1926 1|Black Iris III|Assigned|Collection|||||||Black Iris III|8643|O’Keeffe, Georgia||painter|O’Keeffe, Georgia|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1926|1926||1926|1926-1926|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||91 x 76 cm||3294|New York,Metropolitan Museum of Art|New York: Metropolitan||Flowers||||||||||Cornell||ECS|JNK|1/6/2006 0:00:00|12/12/2003 0:00:00|O415|||0|||||||35|||||||1926| ||||||||Work|0|||Part of the Metropolitan's Alfred Stieglitz Collection.|||||||||0|0|Black Iris III|O’Keeffe, Georgia 1103.00|0|Architect|02|MA-|McKMeaWh|2.121 1910|Penn|MA- McKMeaWh 2.121 1910 Penn|Pennsylvania Station|Assigned|Macmillan|Penn Station|Popular|Cataloger||||Pennsylvania Station|28580|McKim, Mead & White||architectural firm|McKim, Mead & White|0||||0|||||American||||||||United States||||||0||||0|New York, New York|||10060||||0|Architecture|Railroad station||||20|||1906|1910||1906-1910; demol. 1963-6|1906-1910|||||0||||0||||||||||||||||||||||Railroad stations ; |Railroad stations|||||||||Cornell||ECS|MNW|2/7/2006 0:00:00|1/6/2004 0:00:00|||NYC|0|||||||MA||||||2.121|1910|||||||||Work|0|Modern Architecture-|Demolished 1963-1966. Moore, Destruction||||||||||0|0|Pennsylvania Station;Penn Station|McKim, Mead & White 1104.00|0|Architect|02|MA-|McKMeaWh|2.121 |Penn/Des||Pennsylvania Station. Destruction|Assigned|Cataloger|||||||Pennsylvania Station. Destruction|28580|McKim, Mead & White||ArchFirm|McKim, Mead & White|0||||0|||||American||||||||United States||||||0||||0|New York, New York|||10060||||0|Architecture|Railroad station||||20|||1910|1910||1910|1910||Pennsylvania Station|Larger Entity||1103||||0||||||||||||||||||||||Railroad stations||||||||||Cornell||ECS|ECS|1/6/2004 0:00:00|1/6/2004 0:00:00|||NYC|0|||||||MA||||||2.121|1910|||||||||Work|0|Modern Architecture-|Demolished 1964||||||||||0|0|Pennsylvania Station. Destruction|McKim, Mead & White 1106.00|0|Creator|08|O-Howard|1.0|1898|Tom|O-Howard 1.0 1898 Tom|Tomorrow: A Peaceful Path to Real Reform|Original|Scholar|||||||Tomorrow: A Peaceful Path to Real Reform|5641|Howard, Ebenezer, Sir||author|Sir Ebenezer Howard|0||||0|||||English||||||Europe||England||||||0||||0||||0||||0|Publications|Municipal plan|Theory|Book||19|||1898|1898||1898|1898-1898|||||0||||0||||||||||||||||||||||Urban planning ; Garden cities ; Architectural theory ; |Urban planning|Garden cities|Architectural theory|||||||Cornell||ECS|MNW|8/25/2006 0:00:00|1/6/2004 0:00:00|Howard|||0||||||Tom|O||||||1.0|1898|||||||||Work|0|Theory|"Tomorrow…" set out not only Howard's concept of the garden city but also his proposals for financing and administering it.||||||||||0|0|Tomorrow: A Peaceful Path to Real Reform|Howard, Ebenezer, Sir 1107.00|0|Creator|08|O-Howard|1.0|1898|Tom|O-Howard 1.0 1898 Tom|Garden City-a New System of Water Supply-Diagram 6|Original|Scholar|||||||Tomorrow: A Peaceful Path to Real Reform. Garden City-a New System of Water Supply-Diagram 6|5641|Howard, Ebenezer, Sir||author|Sir Ebenezer Howard|0||||0|||||English||||||Europe||England||||||0||||||||0||||0|Publications|Municipal plan|Theory|Diagram||19|||1898|1898||1898|1898-1898||Tomorrow: A Peaceful Path to Real Reform|||1106||||0|||||Diagram||||||drawing (image-making)|||||||9278|Hertford: Hertfordshire County Record Office|Hertford:County Record Office||Urban planning ; Cities ; Diagrams ; Architectural theory ; Garden cities ; |Urban planning|Cities|Diagrams|Architectural theory|Garden cities|||||Cornell||ECS|MNW|8/25/2006 0:00:00|1/6/2004 0:00:00||||0||D/EHo/F4/2|||||O||||||1.0|1898| ||||||||Work|0|Theory|||||||||||0|0|Garden City-a New System of Water Supply-Diagram 6|Howard, Ebenezer, Sir 1108.00|0|Creator|08|O-Howard|1.0|Soc|1898|O-Howard 1.0 Soc 1898|The Social City|Assigned|Collection|||||||The Social City|5641|Howard, Ebenezer, Sir||author|Sir Ebenezer Howard|0||||0|||||English||||||Europe||England||||||0||||0||||0||||0|Drawings|Municipal plan|Theory|||19|||1898|1898||1898|1898-1898|||||0||||0|||||Ink and watercolor|ink|watercolor||||drawing (image-making)|||||||9278|Hertford: Hertfordshire County Record Office|Hertford:County Record Office||Urban planning ; Cities ; Architectural theory ; |Urban planning|Cities|Architectural theory|||||||Cornell||ECS|MNW|6/24/2005 0:00:00|1/7/2004 0:00:00||||0||D/EHo/F1/16|||||O||||||1.0|1898| ||||||||Work|0|Theory|||||||||||0|0|The Social City|Howard, Ebenezer, Sir 1135.00|0|Architect|02|MA-Venturi|7.5|1962|Ven||Vanna Venturi House|Assigned|Macmillan|Venturi House|Assigned|Collection||||Vanna Venturi House|29228|Venturi & Rauch||ArchFirm|Venturi & Rauch|0||||0|||||American|||Postmodern|||||United States||||||0|Philadelphia, PA|||10070||||0||||0|Architecture|House||||20|||1962|1962||1962|1962-1962|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||ECS|MNW|4/20/2005 0:00:00|1/15/2004 0:00:00||Phi||0|||||||MA||||||7.5|1962|||||||||Work|0|Modern Architecture-|An icon of post-modernism, created for the architect's mother, and featured in Venturi's architectural polemic "Complexity and Contradiction."||||||||||0|0|Vanna Venturi House;Venturi House|Venturi & Rauch 1136.00|0|Architect|02|MA-McMeaWh|4.3|1895|BosPub||Boston Public Library|Original|Macmillan|||||||Boston Public Library|28580|McKim, Mead & White||ArchFirm|McKim, Mead & White|0||||0|||||American|||Renaissance Revival|||||United States||||||0|Boston, Massachusetts|||10053||||0||||0|Architecture|Library||||19|||1887|1895||1887-1895|1887-1895|||||0||||0||||||||||||||||||||||Libraries||||||||||Cornell||ECS|ECS|1/15/2004 0:00:00|1/15/2004 0:00:00||Bos||0|||||||MA||||||4.3|1895|||||||||Work|0|Modern Architecture-|"The first public building that demonstrated the possibilities of collaborative art, and was the first great example of 'civic art.'"— Richard Guy Wilson. McKim, Mead & White Architects.||||||||||0|0|Boston Public Library|McKim, Mead & White 1137.00|0|Architect|02|MA-Scharoun|2.22|1956-63|Phil||Philharmonic Hall|Translated|Collection|Philharmonie, Berlin|Original|Print Publication||||Philharmonic Hall|13316|Hans Scharoun||architect|Hans Scharoun|0||||0|||||German||||||Europe||Germany||||||0|Berlin, Germany|||10108||||0||||0|Architecture|Concert hall||||20|||1956|1963||1956-1963|1956-1963|||||0||||0||||||||||||||||||||||Auditoriums||||||||||Cornell||ECS|ECS|1/15/2004 0:00:00|1/15/2004 0:00:00||Ber||0|||||||MA||||||2.22|1956-63|||||||||Work|0|Modern Architecture-|"A typical product of the Expressionist movement and of organic architecture, this concert hall in which the audience is seated around the orchestra was worked out in accordance with the laws of acoustics."—Henri Stierlin.||||||||||0|0|Philharmonic Hall;Philharmonie, Berlin|Hans Scharoun 1109.00|0|Creator|08|O-Howard|1.0|GarCit|1898|O-Howard 1.0 GarCit 1898|Garden Cities of Tomorrow|Original|Scholar|||||||Garden Cities of Tomorrow|5641|Howard, Ebenezer, Sir||author|Sir Ebenezer Howard|0||||0|||||English||||||Europe||England||||||0||||0||||0||||0|Publications|Municipal plan|Theory|||19|||1898|1898||1898|1898-1898|||||0||||0||||||||||||||||||||||Urban planning ; Cities ; Architectural theory ; Garden cities ; |Urban planning|Cities|Architectural theory|Garden cities||||||Cornell||ECS|MNW|8/25/2006 0:00:00|1/7/2004 0:00:00||||0|||||||O||||||1.0|1898|||||||||Work|0|Theory|||||||||||0|0|Garden Cities of Tomorrow|Howard, Ebenezer, Sir 1110.00|0|Creator|08|O-Howard|1.0|GarCit|1898|O-Howard 1.0 GarCit 1898|Correct Principle of a Cty's Growth|Assigned|Collection|||||||Garden Cities of Tomorrow. 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He combined illustrations of both completed buildings and unbuilt projects as a blueprint for the future. DOA.||||||||||0|0|The Living City|Wright, Frank Lloyd 1118.00|0|Architect|03|MA-|Wright|1.04 |1958 Liv||Illustration from "Living City"|Assigned|Collection|||||||Illustration from "Living City"|12943|Wright, Frank Lloyd||architect|Frank Lloyd Wright|0||||0|||||American||||||||United States||||||0||||0||||0||||0|City Plans and Views|||||20|||1958|1958||1958|1958-1958||Living City|||1117||||0||||||||||||||||||||||City views, City plans||||||||||Cornell||ECS|MNW|5/16/2006 0:00:00|1/8/2004 0:00:00||||0|||||||MA||||||1.04|1958|||||||||Work|0|Modern Architecture|||||||||||0|0|Illustration from "Living City"|Wright, Frank Lloyd 1119.00|0|Site|02|B-G1|Wel|1.33 |Fou||Fountain|Assigned|Cataloger|||||||Fountain|0|||||0||||0|||||English||||||Europe||England||||||0|Welwyn Garden City, England|||10148||||0||||0|Architecture|Fountain||||20||||||||||||0||||0||||||||||||||||||||||Fountains||||||||||Cornell||ECS|ECS|1/8/2004 0:00:00|1/8/2004 0:00:00||Wel||0|||||||B|||||G1|1.33||||||||||Work|0|Architecture-England|||||||||||0|0|Fountain| 1120.00|0|Site|02|B-B21|Col|1.1 |Aerial||Aerial|Assigned|Cataloger|||||||Aerial|0|||||0||||0|||||American||||||||United States||||||0|Columbia, MD|||10152||||0||||0|City Plans and Views|||||||||||||||||0||||0||||||||||||||||||||||City views||||||||||Cornell||ECS|ECS|1/8/2004 0:00:00|1/8/2004 0:00:00||Col||0|||||||B|||||B21|1.1||||||||||Work|0|Architecture-Maryland (MD)|||||||||||0|0|Aerial| 1121.00|0|Architect|02|MA-|Stirling|6.1 |1971 Oliv||Olivetti Headquarters|Original|Print Publication|||||||Olivetti Headquarters|11383|Stirling, James||architect|James Stirling|0||||0|||||English||||||Europe||England||||||0|Milton Keynes, England|||10153||||0||||0|Architecture|Commercial building|Office building|||20|||1971|1971||1971|1971-1971|||||0||||0||||||||||||||||||||||Office buildings||||||||||Cornell||ECS|GB|10/9/2006 0:00:00|1/9/2004 0:00:00||Mil||0|||||||MA||||||6.1|1971|||||||||Work|0|Modern Architecture-|||||||||||0|0|Olivetti Headquarters|Stirling, James 1122.00|0|Architect|02|MA-|Terragni|2.41 |1932-36 Fas/Como||Casa del Fascio|Original|Print Publication|||||||Casa del Fascio|11677|Terragni, Giuseppe||architect|Giuseppe Terragni|0||||0|||||Italian||||||Europe||Italy||||||0|Como, Italy|||10154||||0||||0|Architecture|Government office building||||20|||1932|1936||1932-1936|1932-1936|||||0||||0||||||||||||||||||||||||||||||||Cornell||ECS|ECS|1/9/2004 0:00:00|1/9/2004 0:00:00||Como||0|||||||MA||||||2.41|1932-36|||||||||Work|0|Modern Architecture-|||||||||||0|0|Casa del Fascio|Terragni, Giuseppe 1123.00|0|Architect|02|MA-LeCorb|7.5|1922-23|LaRoJea||Maisons LaRoche-Jeanneret|Assigned|Collection|||||||Maisons LaRoche-Jeanneret|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||French|||International Style|||Europe||France||||||0|Auteuil, France|||10155||||0||||0|Architecture|House||||20|||1922|1923||1922-1923|1922-1923|||||0||||0||||||||||||||||||||||Houses||||||||||Cornell||ECS|JNK|3/22/2005 0:00:00|1/12/2004 0:00:00||Aut||0|||||||MA|||||||1922-23|||||||||Work|0|Modern Architecture-|||||||||||0|0|Maisons LaRoche-Jeanneret|Le Corbusier 1124.00|0|Architect|02|MA-||7.5 |||Court House Project|Assigned|Cataloger|||||||Court House Project|7969|Mies van der Rohe, Ludwig||architect|Mies van der Rohe, Ludwig|0||||0|||||German|||International Style|||Europe||Germany||||||0||||0||||0||||0|Architecture|House||||20|||1931|1931||1931|1931-1931|||||0||||0||||||||||||||||||||||Houses||||||||||Cornell||ECS|JNK|3/30/2005 0:00:00|1/12/2004 0:00:00||||0|||||||MA||||||7.5|1931|||||||||Work|0|Modern Architecture-|||||||||||0|0|Court House Project|Mies van der Rohe, Ludwig 1125.00|0|Architect|02|MA-Ros&Brag|3.3|1971|SCat||San Cataldo Cemetery|Assigned|Collection|||||||San Cataldo Cemetery|28925|Rossi & Braghieri||ArchFirm|Rossi & Braghieri|0||||0|||||Italian||||||Europe||Italy||||||0|Modena, Italy|||10156||||0||||0|Architecture|Cemetery||||20|||1971|1971||1971|1971-1971|||||0||||0||||||||||||||||||||||Cemeteries||||||||||Cornell||ECS|ECS|1/12/2004 0:00:00|1/12/2004 0:00:00||Mod||0|||||||MA||||||3.3|1971|||||||||Work|0|Modern Architecture-|||||||||||0|0|San Cataldo Cemetery|Rossi & Braghieri 1126.00|0|Architect|02|MA-Ungers|1.063|1976|Mar||Redevelopment Plan for Marburg Germany|Assigned|Collection|||||||Redevelopment Plan for Marburg Germany|12027|Ungers, Oswald Mathias||architect|O.M. Ungers|0||||0|||||German||||||Europe||Germany||||||0||||0||||0||||0|Architecture|Plan views||||20|||1976|1976||1976|1976-1976|||||0||||0||||||||||||||||||9279|Frankfurt: Deutsches Architektur Museum|Frankfurt: DAM||Housing developments||||||||||Cornell||ECS|ECS|1/12/2004 0:00:00|1/12/2004 0:00:00||||0|||||||MA||||||1.063|1976| ||||||||Work|0|Modern Architecture-|||||||||||0|0|Redevelopment Plan for Marburg Germany|Ungers, Oswald Mathias 1127.00|0|Architect|02|MA-Graves|7.5|1967-70|Han||Hanselmann House|Original|Collection|||||||Hanselmann House|4751|Graves, Michael||architect|Michael Graves|0||||0|||||American||||||||United States||||||0|Fort Wayne, IN|||10158||||0||||0|Architecture|House|||||||1967|1970||1967-1970|1967-1970|||||0||||0||||||||||||||||||||||Houses||||||||||Cornell||ECS|ECS|1/12/2004 0:00:00|1/12/2004 0:00:00||FortW||0|||||||MA||||||7.5|1967-70|||||||||Work|0|Modern Architecture-|"The house and the space immediately in front of it make a double square in plan and volumetrically a double cube, with one being open and the other enclosed."-Michael Graves||||||||||0|0|Hanselmann House|Graves, Michael 1128.00|0|Architect|02|MA-Hejduk|7.5|1960-62|Hs5||House 5. Project|Original|Collection|||||||House 5. Project|5289|Hejduk, John||architect|John Hejduk|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Architecture|House||||20|||1960|1962||1960-1962|1960-1962|||||0||||0||||||||||||||||||||||Houses||||||||||Cornell||ECS|ECS|1/12/2004 0:00:00|1/12/2004 0:00:00||||0|||||||MA||||||7.5|1960-62|||||||||Work|0|Modern Architecture-|||||||||||0|0|House 5. Project|Hejduk, John 1129.00|0|Architect|02|MA-Gropius|4.2|Bau/Wei|||Bauhaus, Weimar|Original|Online Resource|||||||Bauhaus, Weimar|4839|Gropius, Walter Adolf||architect|Walter Adolf Gropius|0||||0|||||German||||||Europe||Germany||||||0|Weimar, Germany|||10159||||0||||0|Architectural Theory|University||||20|||1922|1923||1922-1923|1922-1923|||||0||||0||||||||||||||||||||||Universities||||||||||Cornell||ECS|JNK|3/23/2006 0:00:00|1/12/2004 0:00:00||Wei||0|||||||MA||||||4.2|1922-23|||||||||Work|0|Modern Architecture-|||||||||||0|0|Bauhaus, Weimar|Gropius, Walter Adolf 1130.00|0|Architect|02|MA-Pei|6.1|1955|Mile||Mile High Center|Original|Print Publication|||||||Mile High Center|9029|Pei, Ieoh Ming||architect|I.M. Pei|0||||0|||||American||||||||United States||||||0|Denver, CO|||10160||||0||||0|Architecture|Commercial building|Office building|||20|||1955|1955||1955|1955-1955|||||0||||0||||||||||||||||||||||Office buildings||||||||||Cornell||ECS|ECS|1/12/2004 0:00:00|1/12/2004 0:00:00||Den||0|||||||MA||||||6.1|1955|||||||||Work|0|Modern Architecture-|||||||||||0|0|Mile High Center|Pei, Ieoh Ming 1131.00|0|Site|02|B-H3|Ven|7.1 |Ca d'Or||Palazzo Ca' d'Oro|Original|Blue Guide|||||||Palazzo Ca' d'Oro|0|||||0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0|Venice, Italy|||10017||||0||||0|Architecture|Palace||||15|||1421|1440||1421-1440|1421-1440|||||0||||0||||||||||||||||||||||Palaces, Venice, Italy||||||||||Cornell||ECS|JNK|1/12/2005 0:00:00|1/12/2004 0:00:00||Ven||0|||||||B|||||H3|7.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|Palazzo Ca' d'Oro| 1132.00|0|Architect|02|MA-LeCorb|7.5|1927|Plain||Maison Plainex|Original|Print Publication|||||||Maison Plainex|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||French|||International Style|||Europe||France||||||0|Paris, France|||10058||||0||||0|Architecture|House||||20|||1927|1927||1927|1927-1927|||||0||||0||||||||||||||||||||||Houses, Paris, France||||||||||Cornell||ECS|JNK|3/22/2005 0:00:00|1/13/2004 0:00:00||Par||0|||||||MA||||||7.5|1927|||||||||Work|0|Modern Architecture-|||||||||||0|0|Maison Plainex|Le Corbusier 1133.00|0|Architect|02|MA-Botta|7.5|1975-6|Lig||One Family House|Assigned|Collection|||||||One Family House|1434|Botta, Mario||architect|Mario Botta|0||||0|||||Swiss||||||Europe||Switzerland||||||0|Ligornetto, Switzerland|||10161||||0||||0|Architecture|House||||20|||1975|1976||1975-1976|1975-1976|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||ECS|MNW|11/2/2005 0:00:00|1/15/2004 0:00:00||Lig||0|||||||MA||||||7.5|1975-6|||||||||Work|0|Modern Architecture-|||||||||||0|0|One Family House|Botta, Mario 1134.00|0|Site|02|B-H5|| |||Sala de los Reyes|Original|Blue Guide|Sala de la Justicia|LargerEntity|Blue Guide|King's Hall|Assigned|Image Source (Book)|Sala de los Reyes (King's Hall)|0|||||0||||0|||||Islamic|||Medieval|Mudejar|Moorish|||Spain||||||0|Granada, Spain|||10162||||0||||0|Architecture|Palaces|||||||||||||Alhambra. Lion Court|||154||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|1/15/2004 0:00:00|1/15/2004 0:00:00||Gra||0||||||Alh/Lion/Rey|B|||||H5|7.2||||||||||Work|0|Architecture-Spain|||||||||||0|0|Sala de los Reyes;Sala de la Justicia;King's Hall| 1138.00|0|Site|02|B-H5|Gra|7.1 Alh/Lion/Rey|8-1|B-H5 Gra 7.1 Alh/Lion/Rey 8-1|Cupola Ceiling of the Kings|Assigned|Image Source (Book)|||||||Alhambra. Lion Court. King's Hall. Ceiling of the Kings|0|||||0||||0||||||||Medieval|Mudejar|Moorish|||Spain||||||0|Granada, Spain|||10162||||0||||0|Paintings|Ceiling||||14|||1300|1399||14th century|1300-1399||Sala de los Reyes|||1134||||0|||||Leather painting|leather|||||painting (image-making)|||||||||||||||||||||Cornell||MNW|JNK|7/15/2004 0:00:00|1/15/2004 0:00:00||Gra||0||||||Alh/Lion/Rey|B|||||H5|7.1||||||||||Work|0|Architecture-Spain|||||||||||0|0|Cupola Ceiling of the Kings| 1139.00|0|Site|02|B-H5|Gra|7.1 Alh/Lion/Rey|8-2|B-H5 Gra 7.1 Alh/Lion/Rey 8-2|Cupola Ceiling of the Fountains|Assigned|Image Source (Book)|||||||Alhambra. Lion Court. King's Hall. Ceiling of the Fountains|0|||||0||||0||||||||Medieval|Mudejar|Moorish|||Spain||||||0|Granada, Spain|||10162||||0||||0|Paintings|Ceiling||||14|||1300|1399||14th century|1300-1399||Sala de los Reyes|||1134||||0|||||Leather painting|leather|||||painting (image-making)|||||||||||||||||||||Cornell||MNW|ECS|1/16/2004 0:00:00|1/15/2004 0:00:00||Gra||0||||||Alh/Lion/Rey|B|||||H5|7.1||||||||||Work|0||||||||||||0|0|Cupola Ceiling of the Fountains| 1140.00|0|Site|02|B-H5|Gra|7.1 Alh/Lion/Rey|8-3|B-H5 Gra 7.1 Alh/Lion/Rey 8-3|Cupola Ceiling of the Duel|Assigned|Image Source (Book)|||||||Alhambra. Lion Court. King's Hall. Ceiling of the Duel|0|||||0||||0||||||||Medieval|Mudejar|Moorish|||Spain||||||0|Granada, Spain|||10162||||0||||0|Paintings|Ceiling||||14|||1300|1399||14th century|1300-1399||Sala de los Reyes|||1134||||0|||||Leather painting|leather|||||painting (image-making)|||||||||||||||||||||Cornell||MNW|ECS|1/16/2004 0:00:00|1/15/2004 0:00:00||Gra||0||||||Alh/Lion/Rey|B|||||H5|7.1||||||||||Work|0||||||||||||0|0|Cupola Ceiling of the Duel| 1141.00|0|Site|02|B-G1|Lon|4.4 |Soa||Sir John Soane's Museum|Original|Online Resource|||||||Sir John Soane's Museum|11121|Soane, John, Sir||architect|Sir John Soane|0||||0|||||English||||||Europe||England||||||0|London, England|||10018||||0||||0|Architecture|Museum||||19|||1792|1827||1792-1827|1792-1827|||||0||||0||||||||||||||||||||||Museums||||||||||Cornell||ECS|ECS|1/16/2004 0:00:00|1/15/2004 0:00:00||Lon||0|||||||B|||||G1|4.4|1827|||||||||Work|0|Architecture-England|Soane demolished and rebuilt three houses beginning with No. 12 between 1792 and 1794, moving on to No. 13, re-built in two phases in 1808-9 and 1812, and concluding with No. 14, rebuilt in 1823-24. 1827 was the first published description of the museum||||||||||0|0|Sir John Soane's Museum|Soane, John, Sir 1142.00|0|Architect|02|MA-LeCorb|7.5|1928|Car|MA-LeCorb 7.5 1928 Car|Villa Baizeau|Assigned|Online Resource|Villa at Carthage|Descriptive|Image Source (Book)||||Villa Baizeau (Carthage)|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||French||||||Africa||Tunisia|||||||||||Tunis, Tunisia|||10207||||0|Architecture|House||||20|||1928|1928||1928|1928-1928|||||0||||0||||||||||||||||||||||Houses||||||||||Cornell||ECS|MNW|6/7/2004 0:00:00|1/16/2004 0:00:00||Car||0|||||||MA||||||7.5|1928|||||||||Work|0|Modern Architecture-|Still refered to as Carthage in 1928, and on the FLC website. (Tunis is on the site of the destroyed, historic Carthage).||||||||||0|0|Villa Baizeau;Villa at Carthage|Le Corbusier 1143.00|0|Architect|03|MA-Wright|6.4|1913-14|Mid||Midway Gardens|Original|Print Publication|||||||Midway Gardens|12943|Wright, Frank Lloyd||architect|Frank Lloyd Wright|0||||0|||||American|||Prairie School|||||United States||||||0||||0|Chicago, Illinois|||10103||||0|Architecture|Restaurant||||20|||1913|1914||1913-1914|1913-1914|||||0||||0||||||||||||||||||||||Restaurants||||||||||Cornell||ECS|MNW|5/16/2006 0:00:00|1/16/2004 0:00:00|||Chi|0|||||||MA||||||6.4|1913-14|||||||||Work|0|Modern Architecture|Razed in 1929.||||||||||0|0|Midway Gardens|Wright, Frank Lloyd 1144.00|0|Architect|02|MA-Aalto|2.22|1967-71|Fin|MA-Aalto 2.22 1967-71 Fin|Finlandia Concert Hall|Assigned|Collection|||||||Finlandia Concert Hall|126|Aalto, Alvar||architect|Alvar Aalto|0||||0|||||Finnish||||||Europe||Finland||||||0|Helsinki, Finland|||10164||||0||||0|Architecture|Concert hall||||20|||1967|1971||1967-1971|1967-1971|||||0||||0||||||||||||||||||||||Auditoriums||||||||||Cornell||ECS|SJW|3/2/2004 0:00:00|1/16/2004 0:00:00||Fin||0|||||||MA||||||2.22|1967-71|||||||||Work|0|Modern Architecture-|||||||||||0|0|Finlandia Concert Hall|Aalto, Alvar 1145.00|0|Architect|02|MA-Nervi|2.21|1957|Lit||Little Sports Palace|Translated|Collection|Palazzetto dello Sport|Original|Online Resource||||Little Sports Palace (Palazzetto dello Sport)|8462|Nervi, Pier Luigi||architect|Pier Luigi Nervi|0||||0|||||Italian||||||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Stadium||||20|||1957|1957||1957|1957-1957|||||0||||0||||||||||||||||||||||Stadiums||||||||||Cornell||ECS|ECS|1/16/2004 0:00:00|1/16/2004 0:00:00||Rom||0|||||||MA||||||2.21|1957|||||||||Work|0|Modern Architecture-|||||||||||0|0|Little Sports Palace;Palazzetto dello Sport|Nervi, Pier Luigi 1146.00|0|Site|02|B-B30|Exe|4.1 |Phi||Phillips Exeter Academy|||||||||Phillips Exeter Academy|0|||||0||||0|||||American||||||||United States||||||0|Exeter, New Hampshire|||10165||||0||||0|Architecture|School|||||||1781|||1781-|1781-|||||0||||0||||||||||||||||||||||Schools, Academies (organizations)||||||||||Cornell||ECS|ECS|1/16/2004 0:00:00|1/16/2004 0:00:00||Exe||0|||||||B|||||B30|4.1|1781|||||||||Work|0|Architecture-New Hampshire (NH)|||||||||||0|0|Phillips Exeter Academy| 1147.00|0|Architect|02|MA-Kahn|4.1|1967-72|Ex/Lib||Library|Assigned|Collection|||||||Phillips Exeter Academy. Library|6097|Kahn, Louis||architect|Louis Kahn|0||||0|||||American|||Modernist|||||United States||||||0|Exeter, New Hampshire|||10165||||0||||0|Architecture|School|Library|||20|||1967|1972||1967-1972|1967-1972||Phillips Exeter Academy|||1146||||0||||||||||||||||||||||Schools ; Libraries (Buildings) ; Academies (organizations) ; |Schools|Libraries (Buildings)|Academies (organizations)|||||||Cornell||ECS|MNW|4/22/2005 0:00:00|1/16/2004 0:00:00||Exe||0|||||||MA||||||4.1|1967-72|||||||||Work|0|Modern Architecture-|||||||||||0|0|Library|Kahn, Louis 1148.00|0|Architect|02|MA-Kahn|4.2|1957-61|UP/Ric||Richards Medical Research Building|||||||||University of Pennsylvania. Richards Medical Research Building.|6097|Kahn, Louis||architect|Louis Kahn|0||||0|||||American||||||||United States||||||0|Philadelphia, PA|||10070||||0||||0|Architecture|University|Medical center|||20|||1957|1961||1957-1961|1957-1961||University of Pennsylvania|||710||||0||||||||||||||||||||||Medical centers ; Universities ; |Medical centers|Universities||||||||Cornell||ECS|MNW|3/29/2006 0:00:00|1/19/2004 0:00:00||Phi||0|||||||MA||||||4.2|1957-61|||||||||Work|0|Modern Architecture-|||||||||||0|0|Richards Medical Research Building|Kahn, Louis 1149.00|0|Site|02|B-H3|Rom|2.33|Car|B-H3 Rom 2.33 Car|Baths of Caracalla|Translated|Blue Guide|Terme di Caracalla|Variant|Blue Guide|Thermae Antoninianae|Original|Blue Guide|Baths of Caracalla|0|||||0||||0|||||Roman|||Severan|||||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Public building|Roman bath space|||3|||0212|0216|ca|ca 212-216|ca 0212-0216|||||0||||0||||||||||||||||||||||Roman Bath Spaces ; Public Baths ; |Roman Bath Spaces|Public Baths||||||||Cornell||ECS|MNW|11/6/2006 0:00:00|1/19/2004 0:00:00||Rom||0|||||||B|||||H3|2.33||||||||||Work|0|Architecture-Italy|||||||||||0|0|Baths of Caracalla;Terme di Caracalla;Thermae Antoninianae| 1150.00|0|Site|02|B-H3|Rom|7.1 |Papa||Villa di Papa Giulio|||||||||Villa di Papa Giulio|12282|Vignola, Giacomo Barozzi da||architect|Giacomo Barozzi da Vignola|0||||0|||||Italian|||High Renaissance|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Palace|Villa|||16|||1550|1555||1550-1555|1550-1555|||||0||||0||||||||||||||||||||||Palaces, Villa di Papa Giulio, Rome, Italy||||||||||Cornell||ECS|ECS|1/19/2004 0:00:00|1/19/2004 0:00:00||Rom||0|||||||B|||||H3|7.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|Villa di Papa Giulio|Vignola, Giacomo Barozzi da 1151.00|0|Creator|15|G|Burkgkmair|||G Burkgkmair |Triumph of Maximilian|Assigned|Image Source (Book)|||||||Triumph of Maximilian|1791|Burgkmair, Hans, the Elder||author|Hans Burgkmair the Elder|0||||0|||||Bavarian|German|||||||Germany||||||0||||0||||0||||0|Prints|Woodcut||||15|||1516|1526||1516-1526|1516-1526|||||0||||0|||||woodcut|paper|ink||||woodcut (process)|||||||2761|Stuttgart,Staatsgalerie Stuttgart|Stuttgart: Staatsgalerie||||||||||||Cornell||MNW|SJW|2/13/2004 0:00:00|1/19/2004 0:00:00||||0|||||||G|||||||| ||||||||Work|0|||||Drawn ca. 1516; printed in 1526.|||||||0|0|Triumph of Maximilian|Burgkmair, Hans, the Elder 1152.00|0|Didactic|08|O-Worm|1.0|MusWor||O-Worm 1.0 MusWor |Museum Wormianum|Assigned|Image Source (Book)|||||||Museum Wormianum|30016|Worm, Ole||author|Ole Worm|0||||0|||||Danish||||||||Denmark|||Leyden, NL|||10166||||0||||0||||0|Publications|Book||||17|||1655|1655||1655|1655-1655|||||0||||0||||||paper|ink||||printing|||||||||||Museums||||||||||Cornell||MNW|MNW|1/19/2004 0:00:00|1/19/2004 0:00:00|Worm|||0||||||MusWor|O||||||1.0||||||||||Work|0|Theory||Published in Leyden, NL, by the Elzevier family. Cornell University owns a copy of this publication in the Icelandic Collection.|||||||||0|0|Museum Wormianum|Worm, Ole 1153.00|0|Didactic|08|O-Worm|1.0|MusWor|Fr|O-Worm 1.0 MusWor Fr|Ole Worm's Museum|Artists|Image Source (Book)|||||||Museum Wormianum. Ole Worm's Museum|30016|Worm, Ole||author|Ole Worm|0||||0|||||Danish||||||||Denmark|||Leyden, NL|||10166||||0||||0||||0|Publications|Book|Print|||17|||1655|1655||1655|1655-1655||Museum Wormianum|Larger Entity||1152||||0||||||paper|ink||||printing|||||||||||Museums||||||||||Cornell||MNW|MNW|3/29/2006 0:00:00|1/19/2004 0:00:00|Worm|||0||||||MusWor|O||||||1.0||||||||||Work|0|Theory|||||||||||0|0|Ole Worm's Museum|Worm, Ole 1154.00|0|Site|02|B-|Wür|7.1 Res|8|B- Wür 7.1 Res 8|Four Continents|Assigned|Image Source (Pub)|||||||Residenz. Four Continents|11771|Tiepolo, Giovanni Battista||painter|Giovanni Battista Tiepolo|0||||0|||||Italian|German||Rococo|||Europe||Germany|||Würzburg, Germany||||Würzburg, Germany|||10167||||0||||0|Paintings|Fresco||||18|||1752|1753||1752-1753|1752-1753||Residenz|Larger Entity||1155||||0|||||Fresco|frescoes|||||fresco painting|||||||3200|Wurzburg,Residenz|Wurzburg: Residenz||Africa ; America ; Asia ; Europe ; Continents (allegory) ; |Africa|America|Asia|Europe|Continents (allegory)|||||Cornell||MNW|JNK|12/15/2005 0:00:00|1/19/2004 0:00:00|T563|Wür||0||||||Res|B||||||7.1|| ||||||||Work|0|Architecture-||This fresco is located in the staircase and cupola of the Residenz.|||||||||0|0|Four Continents|Tiepolo, Giovanni Battista 1155.00|0|Site|02|B-J3|Wür|7.1 Res||B-J3 Wür 7.1 Res |Residenz|Assigned|Dict.Art|||||||Residenz|8481|Neumann, Balthasar||architect|Balthasar Neumann|0||||0|||||German|||Rococo|||||Germany||||||0|Würzburg, Germany|||10167||||0||||0|Architecture|Palace||||18|||1719|1734||1719-1734|1719-1734|||||0||||0||||||||||||||||||||||Palaces ; |Palaces|||||||||Cornell||MNW|JNK|12/14/2005 0:00:00|1/19/2004 0:00:00||Wür||0||||||Res|B|||||J3|7.1||||||||||Work|0|Architecture-Germany|||||||||||0|0|Residenz|Neumann, Balthasar 1156.00|0|Site|02|B-H2|Par|7.11 |Vril||Hotel de la Vrilliere|Original|Online Resource|||||||Hotel de la Vrilliere|7493|Mansart, Francois||architect|Francois Mansart|0||||0|||||French||||||Europe||France||||||0||||0|Paris, France|||10058||||0|Architecture|Hotel (Public accommodation)||||17|||1635|1635||1635|1635|||||0||||0||||||||||||||||||||||Hotels (public accommodations)||||||||||Cornell||ECS|ECS|1/19/2004 0:00:00|1/19/2004 0:00:00|||Par|0|||||||B|||||H2|7.11||||||||||Work|0|Architecture-France|||||||||||0|0|Hotel de la Vrilliere|Mansart, Francois 1157.00|0|Architect|02|B-J3|Würz|7.1 Res|8-|B-J3 Würz 7.1 Res 8-|America|Assigned|Dict.Art|||||||Four Continents. America|11771|Tiepolo, Giovanni Battista||painter|Giovanni Battista Tiepolo|0||||0|||||German|Italian||Rococo|||||Germany||||||0||||||||0||||0|Paintings|Fresco||||18|||1752|1753||1752-1753|1752-1753||Four Continents|Larger Entity||1154||||0|||||Fresco|frescoes|||||fresco painting|||||||3200|Wurzburg,Residenz|Wurzburg: Residenz||America ; Allegory ; |America|Allegory||||||||Cornell||MNW|MNW|3/29/2006 0:00:00|1/19/2004 0:00:00||Würz||0||||||Res|B|||||J3|7.1|| ||||||||Work|0|Architecture-Germany||Located in Stair Hall.|||||||||0|0|America|Tiepolo, Giovanni Battista 1158.00|0|Site|02|B-H3|Ver|7.1 |PCan||Palazzo Canossa|Original|Blue Guide|||||||Palazzo Canossa|10378|Sanmicheli, Michele||architect|Michele Sanmicheli|0||||0|||||Italian||||||Europe||Italy||||||0|Verona, Italy|||10168||||0||||0|Architecture|Palace||||16|||1530|1537||1530-1537|1530-1537|||||0||||0||||||||||||||||||||||Palaces||||||||||Cornell||ECS|ECS|1/19/2004 0:00:00|1/19/2004 0:00:00||Ver||0|||||||B|||||H3|7.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|Palazzo Canossa|Sanmicheli, Michele 1159.00|0|Didactic|08|O-Vespucci|1.0|Sod||0-Vespucci 1.0 Sod |Vespucci's Letter to Piero Soderini|Assigned|Image Source (Book)|Letter di Amerigo Vespucci delle isole nuovamente trovate|Assigned|LC NAF|Soderini Letter|Assigned|Image Source (Book)|Vespucci's Letter to Piero Soderini|30017|Vespucci, Amerigo|||Amerigo Vespucci|0||||0|||||Italian|||||||||||Strasbourg, France|||||||0||||0||||0|Publications|Book|Woodcut|||16|||1509|1509||1509|1509-1509|||||0||||0|||||Woodcut|paper|ink||||printing|woodcut (process)||||||1512|London,British Library|London: British Library||||||||||||Cornell||MNW|MNW|1/22/2004 0:00:00|1/19/2004 0:00:00|Vespucci|||0||||||Sod|O||||||1.0|| ||||||||Work|0|Theory||This publication was published in Strasbourg.|||||||||0|0|Vespucci's Letter to Piero Soderini;Letter di Amerigo Vespucci delle isole nuovamente trovate;Soderini Letter|Vespucci, Amerigo 1160.00|0|Didactic|08|O-Vespucci|1.0|MunN||O-Vespucci 1.0 MunN |Mundus Novus|Assigned|Image Source (Book)|Epistola Albericij: de nouo mundo|Assigned|LC NAF||||Mundus Novus|30017|Vespucci, Amerigo|||Amerigo Vespucci|0||||0|||||Italian|||||||||||Rostock, Germany|||||||0||||0||||0|Publications|Book|Woodcut|||16|||1505|1505||1505|1505-1505|||||0||||0|||||Woodcut|paper|ink||||printing|woodcut (process)||||||1512|London,British Library|London: British Library||||||||||||Cornell||MNW|MNW|1/22/2004 0:00:00|1/19/2004 0:00:00|Vespucci|||0||||||MunN|O||||||1.0|| ||||||||Work|0|Theory||This publication was published in Rostock.|||||||||0|0|Mundus Novus;Epistola Albericij: de nouo mundo|Vespucci, Amerigo 1161.00|0|Site|02|B-H3|Flo|3.1 |SLor/Fac||Facade. Project|||||||||San Lorenzo. Facade. Project|7960|Buonarroti, Michelangelo||architect|Michelangelo Buonarroti|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0|Florence, Italy|||9985||||0||||0|Architecture|Church||||16|||1515|1520||1515-1520|1515-1520||San Lorenzo|||966||||0||||||||||||||||||||||Facades||||||||||Cornell||ECS|ECS|1/19/2004 0:00:00|1/19/2004 0:00:00||Flo||0|||||||B|||||H3|3.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|Facade. Project|Buonarroti, Michelangelo 1162.00|0|Didactic|11|W-02.2|NAmerInd|2||W-02.2 NAmerInd 2 |People of the Islands Recently Discovered|Assigned|Image Source (Book)|||||||People of the Islands Recently Discovered|0|||||0||||0|||||German||||||||Germany||||||0||||0||||0||||0|Publications|Book|Woodcut|||16|||1505|1505|ca|ca 1505|ca 1505-1505|||||0||||0|||||Woodcut|paper|ink||||printing|woodcut (process)||||||1787|Munich,Bayerische Staatsbibliothek[Bavarian State Library]|Munich: Bayer. Staatsbib.||||||||||||Cornell||MNW|MNW|1/20/2004 0:00:00|1/19/2004 0:00:00|NAmerInd|||0|||||||W|||02.2||||| ||||||||Work|0||German, probably Augsburg or Nuremberg.||||||||||0|0|People of the Islands Recently Discovered| 1163.00|0|Didactic|01|A-AØ1|His|1.01|1525|A-AØ1 His 1.01 1525|Miller World Map|Artists|Image Source (Book)|||||||Miller World Map|30018|Homem, Lopo|attributed to|cartographer|Lopo Homem|0||||0|||||||||||||||||||0||||0||||0||||0|Publications|Map|Drawing||||||1525|1525||1525|1525-1525|||||0||||0|||||Pen, ink, watercolor on vellum|pen|watercolor|vellum (paper)|||drawing (image-making)|||||||3655|Paris,Bibliotheque Nationale|Paris: Bib. Nat.||Maps||||||||||Cornell||MNW|ECS|1/20/2004 0:00:00|1/19/2004 0:00:00||His||0|||||||A|||||AØ1|1.01|1525| ||||||||Work|0|-Graphic Documents|||||||||||0|0|Miller World Map|Homem, Lopo 1164.00|0|Site|02|B-J3|Ber|3.1 |Werder||Werder Church|Assigned|Collection|Friedrichswerdersche Kirche|Original|Blue Guide||||Werder Church (Friedrichswerdersche Kirche)|10508|Schinkel, Karl Friedrich||architect|Karl Friedrich Schinkel|0||||0|||||German|||Neoclassical|Romantic||Europe||Germany||||||0|Berlin, Germany|||10108||||0||||0|Architecture|Church||||19|||1825|1828||1825-1828|1825-1828|||||0||||0||||||||||||||||||||||Churches||||||||||Cornell||ECS|MNW|2/27/2006 0:00:00|1/19/2004 0:00:00||Ber||0|||||||B|||||J3|3.1||||||||||Work|0|Architecture-Germany|||||||||||0|0|Werder Church;Friedrichswerdersche Kirche|Schinkel, Karl Friedrich 1165.00|0|Creator|15|25|B894-F|4M|1|25 B894-F 4M 1|A Mexican Chieftain with His Entourage|Artists|Image Source (Book)|||||||A Mexican Chieftain with His Entourage|30019|Buti, Lodovico||painter|Lodovico Buti|0||||0|||||Italian||||||||Italy||||||0||||0||||0||||0|Paintings|Fresco||||16|||1588|1588||1588|1588-1588|||||0||||0|||||fresco painting||||||fresco painting|||||||3426|Florence,Uffizi(Galleria degli)|Florence: Uffizi||||||||||||Cornell||MNW|MNW|1/20/2004 0:00:00|1/19/2004 0:00:00|B894|||0|||||||25|F||||||| |4M|||||||Work|0||||||||||||0|0|A Mexican Chieftain with His Entourage|Buti, Lodovico 1166.00|0|Site|02|B-H3|Flo|4.4 |Uff||Palazzo degli Uffizi|Original|Blue Guide|||||||Palazzo degli Uffizi|12175|Vasari, Giorgio||architect|Giorgio Vasari|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0|Florence, Italy|||9985||||0||||0|Architecture|Museum||||16|||1560|||1560-|1560|||||0||||0||||||||||||||||||||||Museums||||||||||Cornell||ECS|ECS|1/19/2004 0:00:00|1/19/2004 0:00:00||Flo||0|||||||B|||||H3|4.4||||||||||Work|0|Architecture-Italy|||||||||||0|0|Palazzo degli Uffizi|Vasari, Giorgio 1167.00|0|Didactic|01|A-AØ1|Hist|1.01|1551||World Map|Assigned|Image Source (Book)|||||||World Map|30020|Gutiérrez, Sancho||cartographer|Sancho Gutiérrez|0||||0|||||||||||||||||||0||||0||||0||||0|Maps|Drawing||||16|||1551|1551||1551|1551-1551|||||0||||0|||||Pen, ink, watercolor on vellum.|pencil|ink|vellum (paper)|||drawing (image-making)|||||||3903|Vienna,Osterreichische Nationalbibliothek|Vienna: Oster. Nat'lbibl.||||||||||||Cornell||MNW|MNW|1/19/2004 0:00:00|1/19/2004 0:00:00||||0|||||||A|||AØ1|||1.01|1551| |His|||||||Work|0|-Graphic Documents|||||||||||0|0|World Map|Gutiérrez, Sancho 1168.00|0|Category|08|O-Montanus|1.0|NieOnb|||De nieuwe en onbkende weereld|Assigned|LC NAF|||||||De nieuwe en onbkende weereld|30021|Montanus, Arnoldus||author|Arnoldus Montanus|0||||0|||||Dutch||||||||Holland|||Amsterdam, NL|||||||0||||0||||0|Publications|Book|Engraving (Print)|||17|||1671|1671||1671|1671-1671|||||0||||0||||||paper|ink||||engraving (incising)|||||||||||||||||||||Cornell||MNW|MNW|1/19/2004 0:00:00|1/19/2004 0:00:00|Montanus|||0||||||NieOnb|O||||||1.0||||||||||Work|0|Theory||Published by Meurs in Amsterdam.|||||||||0|0|De nieuwe en onbkende weereld|Montanus, Arnoldus 1169.00|0|Category|11|Q-13|Por/Mei|Amer|1||America|Assigned|Image Source (Book)|||||||America|30022|Meissen Porcelain Factory|||Meissen Porcelain Factory|0||||0|||||German||||||||Germany|||Meissen, Germany|||||||0||||0||||0|Ceramics|||||18|||1745|1745||1745|1745-1745|||||0||||0|||||porcelain|porcelain||||||||||||3381|Hartford,Wadsworth Atheneum|Hartford: Wadsworth Atheneum||America||||||||||Cornell||MNW|MNW|1/19/2004 0:00:00|1/19/2004 0:00:00|Por/Mei|||0||||||Amer|Q|||13||||| ||||||||Work|0||||||||||||0|0|America|Meissen Porcelain Factory 1170.00|0|Site|02|B-H3|Ven|3.1 |SGio||San Giorgio Maggiore|Original|Blue Guide|||||||San Giorgio Maggiore|8858|Andrea Palladio||architect|Andrea Palladio|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0|Venice, Italy|||10017||||0||||0|Architecture|Church||||16|||1566|1610||1566-1610|1566-1610|||||0||||0||||||||||||||||||||||Churches, San Giorgio Maggiore, Venice, Italy||||||||||Cornell||ECS|ECS|1/20/2004 0:00:00|1/20/2004 0:00:00||Ven||0|||||||B|||||H3|3.1||||||||||Work|0|Architecture-Italy|Begun by Palladio in 1566 and completed by Simone Sorella in 1610.||||||||||0|0|San Giorgio Maggiore|Andrea Palladio 1171.00|0|Site|02|B-H3|Ven|3.1 |SGio/Clo||Cloister|Assigned|Collection|||||||San Giorgio Maggiore. 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Nat. Bibl.||||||||||||Cornell||MNW|MNW|1/27/2004 0:00:00|1/20/2004 0:00:00|Hist|||0||Codex Vindobonensis 324||||Peu|A|||||AØ1|1.01|| ||||||||Work|0|Maps-Graphic Documents|Copy of an ancient map.|This map was drawn mainly to show main roads totalling some 70,000 Roman miles; it depicts features such as staging posts, spas, rivers, forests, etc.||Copy = 12th to early 13th C. Original = ca 335-366.|||||||0|0|Peutinger Map;Tabula Peutingeriana| 1177.00|0|Manuscript|11|05|B914|M15652-56||05 B914 M15652-56 |Brussels MS 15.652-56|Descriptive|Image Source (Book)|||||||Brussels MS 15.652-56|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Manuscripts|||||14|||1300|1399||14th century|1300-1399|||||0||||0||||||||||||||||||482|Brussels,Bibliotheque Royale Albert Ier|Brussels: Bibl. 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Royale||Charles IV (the Fair), King of France, 1294-1328||||||||||Cornell||MNW|MNW|1/22/2004 0:00:00|1/20/2004 0:00:00||B914||0||MS 15.652-56, fol. 26r||||M15652-56|05|||||||| ||||||||Work|0||||||||||||0|0|Emperor Charles IV with Orb| 1179.00|0|Didactic|01|A-AØ1|Hist|1.01|1459|A-AØ1 Hist 1.01 1459|Fra Mauro Map|Descriptive|Image Source (Book)|||||||Fra Mauro Map|0|||||0||||0||||||||Renaissance|||||||||||0||||0||||0||||0|Maps|||||15|||1459|1459||1459|1459-1459|||||0||||0||||||||||||||||1.96 x 1.93 M||3069|Venice,Biblioteca Nazionale Marciana|Venice: Bib. Naz. Marciana||||||||||||Cornell||MNW|MNW|1/27/2004 0:00:00|1/20/2004 0:00:00|Hist|||0||||||1459|A|||||AØ1|1.01|| ||||||||Work|0|Maps-Graphic Documents||This map is the surviving copy of the original.|||||||||0|0|Fra Mauro Map| 1180.00|0|Manuscript|07|05|N532|M385, fol. 42v||05 N532 M385, fol. 42v |Orb in the Last Judgement|BrandName|Image Source (Book)|||||||Orb in the Last Judgement|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Manuscripts|||||14|||1300|1399||14th C|1300-1399||Pierpont Morgan MS 385|||1181||||0||||||||||||||||12 x 9.8 cm||3993|New York,Pierpont Morgan Library|New York: Pierpont Morgan Lib.||Last Judgment||||||||||Cornell||MNW|MNW|8/11/2005 0:00:00|1/20/2004 0:00:00||N532||0||MS 385, fol. 42v||||M385, fol. 42v|05|||||||| ||||||||Work|0|-|||||||||||0|0|Orb in the Last Judgement| 1181.00|0|Manuscript|07|05|M0385|M0385||05- M0385 |Pierpont Morgan MS 385|BrandName|Image Source (Book)|||||||Pierpont Morgan MS 385|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Manuscripts|||||14|||1300|1399||14th C.|1300-1399|||||0||||0||||||||||||||||||3993|New York,Pierpont Morgan Library|New York: Pierpont Morgan Lib.||||||||||||Cornell||MNW|MNW|8/11/2005 0:00:00|1/20/2004 0:00:00||B532||0||MS 385||||M0385|05|||||||| ||||||||Work|0|-|||||||||||0|0|Pierpont Morgan MS 385| 1182.00|0|Architect|02|MA-vanDoes|1.0|1922|Part|MA-vanDoes 1.0 1922 Part|Hotel Particular|Assigned|Collection|||||||Hotel Particular|29216|Van Doesburg, Van Eesteren & Rietveld||ArchFirm|Van Doesburg, Van Eesteren & Rietveld|0||||0|||||Dutch|||De Stijl|||Europe||Holland||||||0||||0||||0||||0|Architecture|Theory||||20|||1922|1922||1922|1922-1922|||||0||||0||||||||||||||||||||||Houses ; Buildings ; |Houses|Buildings||||||||Cornell||ECS|JNK|5/11/2006 0:00:00|1/20/2004 0:00:00||||0|||||||MA||||||1.0|1922|||||||||Work|0|Modern Architecture-|||||||||||0|0|Hotel Particular|Van Doesburg, Van Eesteren & Rietveld 1183.00|0|Didactic|01|A-AØ1|Hist|1.01|1448|A-AØ1 Hist 1.01 1448|World Map|||||||||World Map|30024|Walsperger, Andreas||cartographer|Andrea Walsperger|0||||0|||||||||||||||||||0||||0||||0||||0|Maps|||||15|||1448|1448||1448|1448-1448|||||0||||0||||||||||||||||42.5 cm diameter||4303|Rome,Vatican,Biblioteca Vaticana(Bibl.Apostolica Vaticana)|Rome: Vatican; Biblioteca||||||||||||Cornell||MNW|MNW|1/27/2004 0:00:00|1/20/2004 0:00:00|Hist|||0||Pal. Lat. 1362b||||1448|A|||||AØ1|1.01|| ||||||||Work|0|Maps-Graphic Documents|||||||||||0|0|World Map|Walsperger, Andreas 1184.00|0|Didactic|01|A-AØ|Hist|1.01|Atl/1375|A-AØ Hist 1.01 Atl/1375|Catalan Atlas|Assigned|Image Source (Book)|||||||Catalan Atlas|0|||||0||||0|||||Catalan||||||||Spain||||||0||||0||||0||||0|Maps|||||14|||1375|1375||1375|1375-1375|||||0||||0||||||||||||||||||3655|Paris,Bibliotheque Nationale|Paris: Bib. Nat.||||||||||||Cornell||MNW|MNW|1/20/2004 0:00:00|1/20/2004 0:00:00|Hist|||0||||||Atl/1375|A|||||AØ|1.01|| ||||||||Work|0|Maps-Graphic Documents|This is an atlas.||||||||||0|0|Catalan Atlas| 1185.00|0|Didactic|01|A-AØ1|Hist|1.01|Atl/1375|A-AØ1 Hist 1.01 Atl/1375|Wheel Diagram|Descriptive|Image Source (Book)|||||||Wheel Diagram|0|||||0||||0|||||Catalan||||||||Spain||||||0||||0||||0||||0||||||14|||1375|1375||1375|1375-1375||Catalan Atlas|Series||1184||||0||||||||||||||||65 x 50 cm||3655|Paris,Bibliotheque Nationale|Paris: Bib. Nat.||Calendars||||||||||Cornell||MNW|MNW|1/27/2004 0:00:00|1/20/2004 0:00:00||Hist||0||MS Esp. 30||||Atl/1375|A|||AØ1||||| ||||||||Work|0||Lunar calendar found in conjunction with a portolan chart.||||||||||0|0|Wheel Diagram| 1187.00|0||||||||Geographia|Original|Image Source (Book)|Geography|Translated|Image Source (Book)||||Geographia|30025|Ptolemy, Claudius||cartographer|Claudius Ptolemy|0||||0|||||Roman||||||||||||||0||||0||||0||||0|Publications|Book||||2|||90|168|ca|ca 90-ca 168|ca 90-ca 168|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|1/22/2004 0:00:00|1/20/2004 0:00:00||||0||||||||||||||||||||||||0|||Transmitted through copies of the 12th and 13th centuries; most published translations are from the 19th and 20th centuries.|||||||||0|0|Geographia;Geography|Ptolemy, Claudius 1188.00|0|Creator|15|35|H5574-G|1982|1||Sun Mad|Original|Print Publication|||||||Sun Mad|5347|Hernandez, Ester||illustrator|Ester Hernandez|0||||0|||||Mexican American||||||||United States||||||0||||0||||0||||0|Prints|||||20|||1982|1982||1982|1982-1982|||||0||||0|||||Screen print||||||screen printing|||||55.8 x 43 cm||3561|Artist, Collection of the|: Collection of the Artist||||||||||||Cornell||ECS|ECS|1/21/2004 0:00:00|1/21/2004 0:00:00|H5574|||0|||||||35|||||||1982| ||||||||Work|0||||||||||||0|0|Sun Mad|Hernandez, Ester 1189.00|0|Creator|15|35|M578-SC|1984|1||An Ofrenda for Dolores del Rio|Original|Print Publication|||||||An Ofrenda for Dolores del Rio|7905|Mesa-Bains, Amalia||sculptor|Mesa-Bains, Amalia|0||||0|||||Mexican American||||||||United States||||||0||||0||||0||||0|Sculpture|Multimedia work||||20|||1984|1984||1984|1984-1984|||||0||||0|||||Mixed materials|mixed materials|||||sculpture|||||243 x 182 x 122 cm||3561|Artist, Collection of the|: Collection of the Artist||||||||||||Cornell||ECS|ECS|1/21/2004 0:00:00|1/21/2004 0:00:00|M578|||0|||||||35|||||||1984| ||||||||Work|0||||||||||||0|0|An Ofrenda for Dolores del Rio|Mesa-Bains, Amalia 1191.00|0|Creator|15|35|J615-SC|1968|1|35 J615-SC 1968 1|American Dream|Assigned|Collection|||||||American Dream|5968|Jimenez, Luis Alfonso, Jr.||sculptor|Jimenez, Luis Alfonso|0||||0|||||Mexican American|Hispanic American|American||||||United States||||||0||||0||||0||||0|Sculpture|||||20|||1968|1968||1968|1968-1968|||||0||||0|||||||||||sculpture|||||||||||||||||||||Cornell||ECS|MNW|11/11/2005 0:00:00|1/21/2004 0:00:00|J615|||0|||||||35|||||||1968|||||||||Work|0||||||||||||0|0|American Dream|Jimenez, Luis Alfonso, Jr. 1192.00|0|Site|02|B-B42|Char|2.41 |Rec||County Record Building|Assigned|Dict.Art|Fireproof Building|Popular|Macmillan|Charleston District Record Building|Original|Online Resource|County Record Building (Fireproof Building)|8015|Mills, Robert||architect|Robert Mills|0||||0|||||American||||||||United States||||||0|100 Meeting Street, Charleston, South Carolina|||||||0||||0|Architecture|Legislative building|Government office building|||19|||1822|1827||1822-1827|1822-1827|||||0||||0||||||||||||||||||||||Doric order ; Porticoes ; Pediments ; Domes ; Capitals ; Columns (architectural elements) ; Spiral stairs ; |Doric order|Porticoes|Pediments|Domes|Capitals|Columns (architectural elements)|Spiral stairs|||Cornell||ECS|GB|11/30/2006 0:00:00|1/22/2004 0:00:00||||0|||||||B|||||B42|2.41|1822-27|||||||||Work|0|Architecture-South Carolina (SC)|The building was originally called the Charleston District Record Building. It is believed to be the oldest building of fireproof construction in the U.S. and is now home to the South Carolina Historical Society (Source: SC Historical Society).||||||||||0|0|County Record Building;Fireproof Building;Charleston District Record Building|Mills, Robert 1193.00|0|Site|02|B-B33|NYC|2.43 |Tombs||The Tombs|Popular|Dict.ArtO|Halls of Justice|Assigned|Dict.ArtO|New York City Halls of Justice and House of Detention|Original|Macmillan|The Tombs (Halls of Justice)|5216|Haviland, John||architect|John Haviland|0||||0|||||American|||Egyptian Revival|||North and Central America||United States||||||0||||0|New York, New York|||10060||||0|Architecture|Prisons||||19|||1835|1938||1835; demolished 1938|1835-1938|||||0||||0||||||||||||||||||||||Prisons ; |Prisons|||||||||Cornell||ECS|MNW|11/28/2006 0:00:00|1/22/2004 0:00:00|||NYC|0|||||||B|||||B33|2.43|1838|||||||||Work|0|Architecture-New York (NY)||||Demolished in 1938.|||||||0|0|The Tombs;Halls of Justice;New York City Halls of Justice and House of Detention|Haviland, John 1194.00|0|Site|02|B-H3|Rom|1.04 Pto|1|B-H3 Rom 1.04 Pto 1|Rome|||||||||Rome. From undated MS of Ptolemy's "Geographia"|30026|Massaio, Pietro del|workshop of|illustrator|Pietro del Massaio|0||||0|||||Italian||||||||Italy||||||0|Rome, Italy|||10024||||0||||0|Drawings|Plan views||||15|||1468|1472||1468-1472|1468-1472||Geographia|||1187||||0||||||||||||||||||3655|Paris,Bibliotheque Nationale|Paris: Bib. Nat.||Rome, Italy||||||||||Cornell||MNW|MNW|1/23/2004 0:00:00|1/22/2004 0:00:00||Rom||0||||||Pto|B|||||H3|1.04|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Rome|Massaio, Pietro del 1195.00|0|Didactic|11|90|P215||||View of the Earth from the Mediterranean Sea to the Antarctic Continent|Assigned|Image Source (Book)|||||||View of the Earth from the Mediterranean Sea to the Antarctic Continent|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|||||20|||1972|1972||||||||0||||0|||||||||||photography|||||||||||||||||||||Cornell||MNW|MNW|1/22/2004 0:00:00|1/22/2004 0:00:00||||0||||||||||||||||||||||||0||NASA photograph of the world from space. Taken from Apollo 17.|||December, 1972.|||||||0|0|View of the Earth from the Mediterranean Sea to the Antarctic Continent| 1196.00|0|Didactic|01|A-AØ|Map|1.01|Proj||Map Projections|Descriptive|Image Source (Book)|||||||Map Projections|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Maps|||||20|||1900|1999||1900-1999|1900-1999|||||0||||0||||||||||||||||||||||Maps||||||||||Cornell||MNW|ECS|1/28/2004 0:00:00|1/22/2004 0:00:00||Map||0||||||Proj|A|||||AØ|1.01||||||||||Work|0|Maps-Graphic Documents||Compares 3 different types of projections of the world--Mercator, Peters, and Robinson.|||||||||0|0|Map Projections| 1197.00|0|Didactic|01|A-AØ1|Hist|1.01|Fej||Fejervary Screenfold|Assigned|Image Source (Book)|||||||Fejervary Screenfold|0|||||0||||0|||||Aztec|Toltec|||||||Mexico||||||0||||0||||0||||0|Maps|Manuscript||||||||1521|bef|bef 1521|bef 1521|||||0||||0||||||||||||||||||1504|Liverpool,Merseyside County Museum|Liverpool: Merseyside Cty. Mus.||Maps||||||||||Cornell||MNW|ECS|1/28/2004 0:00:00|1/22/2004 0:00:00||Hist||0||HMAI 118||||Fej|A|||||AØ|1.01|| ||||||||Work|0|Maps-Graphic Documents|Map of the empire and civilizations of the Aztecs.||||||||||0|0|Fejervary Screenfold| 1198.00|0|Didactic|01|A-AØ1|Hist|1.01|Psal||"Psalter" World Map|Assigned|Image Source (Book)|||||||"Psalter" World Map|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Maps|Manuscript||||13||||1260|ca|ca 1260|ca 1260|||||0||||0||||||||||||||||||1512|London,British Library|London: British Library||Maps||||||||||Cornell||MNW|ECS|1/28/2004 0:00:00|1/22/2004 0:00:00||Hist||0||MS 28681.f.9||||Psal|A|||||AØ|1.01|| ||||||||Work|0|Maps-Graphic Documents|||||||||||0|0|"Psalter" World Map| 1199.00|0|Site|02|B-B33|NYC|2.31 |1853||New York Exhibition of the Industry of All Nations|Preferred|LC NAF|Science, Art, and Industry Exhibition|Variant|Image Source (Pub)||||New York Exhibition of the Industry of All Nations|0|||||0||||0|||||American||||||||United States||||||0||||0|New York, New York|||10060||||0|Architecture|Exhibition||||19|||1853|1854||1853-1854|1853-1854|||||0||||0||||||||||||||||||||||||||||||||Cornell||ECS|JNK|11/28/2006 0:00:00|1/22/2004 0:00:00|||NYC|0|||||||B|||||B33|2.31|1853|||||||||Work|0|Architecture-New York (NY)|||||||||||0|0|New York Exhibition of the Industry of All Nations;Science, Art, and Industry Exhibition| 1200.00|0|Site|02|B-B33|NYC|2.31 |1853/Cry|B-B33 NYC 2.31 1853/Cry|Crystal Palace|Original|Online Resource|||||||New York Exhibition of the Industry of All Nations. Crystal Palace|27865|Carstensen & Gildemeister||ArchFirm|Carstensen & Gildemeister|0||||0|||||American||||||||United States||||||0||||0|New York, New York|||10060||||0|Architecture|Exhibit building||||19|||1853|1853||1853|1853-1853||New York Exhibition of the Industry of All Nations|Larger entity||1199||||0||||||||||||||||||||||||||||||||Cornell||ECS|JNK|11/28/2006 0:00:00|1/22/2004 0:00:00|||NYC|0|||||||B|||||B33|2.31|1853|||||||||Work|0|Architecture-New York (NY)|||||||||||0|0|Crystal Palace|Carstensen & Gildemeister 1201.00|0|Didactic|01|A-AØ|Map|1.01|McArt||MacArthur's Universal Corrective Map of the World|Inscribed|Image Source (Book)|||||||MacArthur's Universal Corrective Map of the World|30027|MacArthur, Stuart||cartographer|Stuart MacArthur|0||||0|||||Australian||||||||Australia||||||0||||0||||0||||0|Maps|||||20|||1979|1979||1979|1979-1979|||||0||||0||||||||||||||||||||||Maps||||||||||Cornell||MNW|ECS|1/28/2004 0:00:00|1/22/2004 0:00:00||Map||0||||||McArt|A|||||AØ|1.01||||||||||Work|0|Maps-Graphic Documents|A Mercator projection map in South orientation.|Created by Stuart McArthur of Carlton, Melbourne, Australia. Distributed by Rex Publications, 413 Pacific Highway, Artarmon 2064, Australia.|||||||||0|0|MacArthur's Universal Corrective Map of the World|MacArthur, Stuart 1202.00|0|Creator|15|30|G4834-G|96|28||Plumb-pudding in Danger|Assigned|Dict.Art|State Ejpicures Taking un Petit Souper|Assigned|Image Source (Book)||||Plumb-pudding in Danger|30028|Gillray, James||caricaturist|James Gillray|0||||0|||||British||||||||England||||||0||||0||||0||||0|Prints|Caricatures|Engraving (Print)|||19|||1801|1805||1801-1805|1801-1805|||||0||||0||||||paper|ink||||printing|engraving (incising)||||||3373|London,British Museum|London: British Museum||Pitt, William, 1749-1823, Napoleon I, Emperor of the French, 1769-1821, Globes, Maps||||||||||Cornell||MNW|ECS|1/28/2004 0:00:00|1/22/2004 0:00:00|G4834|||0|||||||30|G||||||| |96|||||||Work|0||||||||||||0|0|Plumb-pudding in Danger;State Ejpicures Taking un Petit Souper|Gillray, James 1203.00|0|Category|05|J-Beaton|||3||Queen Elizabeth II at Her Coronation with Orb|Assigned|Image Source (Book)|||||||Queen Elizabeth II at Her Coronation with Orb|885|Beaton, Cecil Walter Hardy||photographer|Cecil Beaton|0||||0|||||British||||||||England||||||0||||0||||0||||0|Photographs|||||20|||1953|1953||1953|1953-1953|||||0||||0|||||||||||photography|color photography||||||||||Elizabeth II, Queen of Great Britain, 1926-, Portraits||||||||||Cornell||MNW|ECS|1/28/2004 0:00:00|1/22/2004 0:00:00|Beaton|||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Queen Elizabeth II at Her Coronation with Orb|Beaton, Cecil Walter Hardy 1204.00|0|Site|02|B-H3|Ven|7.1 |Gri||Palazzo Grimani|Popular|Online Resource|Palazzo Gussoni Grimani della Vida|Original|Blue Guide||||Palazzo Grimani|30029|Sanmicheli, Michele||architect|Michele Sanmicheli|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0|Venice, Italy|||10017||||0||||0|Architecture|House||||16|||1548|1556||1548-1556|1548-1556|||||0||||0||||||||||||||||||||||Venice, Italy, Palazzi||||||||||Cornell||ECS|ECS|1/23/2004 0:00:00|1/23/2004 0:00:00||Ven||0|||||||B|||||H3|7.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|Palazzo Grimani;Palazzo Gussoni Grimani della Vida|Sanmicheli, Michele 1205.00|0|Site|02|B-B22|Han|3.1 |Meet|B-B22 Han 3.1 Meet|Shaker Meeting House|Descriptive|Image Source (Pub)|||||||Shaker Meeting House|5997|Johnson, Moses||architect|Moses Johnson|0||||0|||||American|||Colonial|||||United States||||||0|Hancock, MA|||10174||||0||||0|Architecture|Meeting house||||18|||1792|1793||1792-1793|1792-1793|||||0||||0||||||||||||||||||||||||||||||||Cornell||ECS|JNK|7/26/2006 0:00:00|1/23/2004 0:00:00||Han||0||||||Meet|B|||||B22|3.1||||||||||Work|0|Architecture-Massachusetts (MA)|||||||||||0|0|Shaker Meeting House|Johnson, Moses 1206.00|0|Category|07|U-18|10|Shaker|Table||Shaker table|Assigned|Cataloger|||||||Furniture. American. Shaker. Table|0|||||0||||0|||||American||||||||United States||||||0|Canterbury, NH|||10175||||0||||0|Furnishings|Table||||19|||1800|1900|ca|ca. 19th Century|1800-1900|||||0||||0|||||||||||furniture making|||||||||||Tables, Furniture||||||||||Cornell||ECS|ECS|1/26/2004 0:00:00|1/23/2004 0:00:00||Can||0|||||||U||||||||||||||||Work|0||||||||||||0|0|Shaker table| 1207.00|0|Category|07|U-18|10|Shaker|WhBarrow||Shaker Wheelbarrow|||||||||Furniture. American. Shaker. Wheelbarrow|0|||||0||||0|||||American||||||||United States||||||0|New Lebanon, NY|||10176||||0||||0|Furnishings|tools||||19|||182|1850||1825-1850|1825-1850|||||0||||0|||||Painted birch and pine|birch|pine||||furniture making|||||||||||Tools||||||||||Cornell||ECS|ECS|1/26/2004 0:00:00|1/26/2004 0:00:00||NewLeb||0|||||||U||||||||||||||||Work|0||||||||||||0|0|Shaker Wheelbarrow| 1208.00|0|Site|02|B-B30|NewHam|1.012 |1680|B-B30 NewHam 1.012 1680|Pascatway River in New England|Inscribed|Image Source (Book)|||||||Pascatway River in New England|30030|Americanus, I. S.||cartographer|I. S. Americanus|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Maps|Manuscript||||17|||1680|1680|ca|ca 1680|ca 1680-1680|||||0||||0|||||||||||drawing (image-making)|||||||1512|London,British Library|London: British Library||Maps||||||||||Cornell||MNW|ECS|1/28/2004 0:00:00|1/26/2004 0:00:00||NewHam||0||K. Top 120.27|||||B|||||B30|1.012|1680| ||||||||Work|0|Architecture-New Hampshire (NH)|||||||||||0|0|Pascatway River in New England|Americanus, I. S. 1209.00|0|Site|01|B-HØ|WEur|1.012|1744|B-HØ WEur 1.012 1744|Carte des Provinces des Pays Bas|Descriptive|Image Source (Book)|||||||Carte des Provinces des Pays Bas|30031|Fricx, Eugène Henri||publisher|Eugène Henri Fricx|0||||0|||||French||||||||France||||||0||||0||||0||||0|Maps|||||18|||1744|1744||1744|1744-1744|||||0||||0||||||||||||||||||3519|Windsor,Windsor Castle,Royal Collection|Windsor Castle: Royal Coll.||Maps||||||||||Cornell||MNW|ECS|1/28/2004 0:00:00|1/26/2004 0:00:00||WEur||0|||||||B|||||HØ|1.012|1744| ||||||||Work|0|Maps (Western Europe)-Architecture|With manuscript annotations by F. Hancko.|||Originally published in 1704; reissued in 1744 and 1747.|||||||0|0|Carte des Provinces des Pays Bas|Fricx, Eugène Henri 1210.00|0|Category|07|U-18|10|Shaker|||Retiring room|||||||||Furniture. American. Shaker. Retiring room|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Furnishings|||||||||||||||||0||||0||||||||||||||||||3294|New York,Metropolitan Museum of Art|New York: Metropolitan||Furniture||||||||||Cornell||ECS|ECS|1/26/2004 0:00:00|1/26/2004 0:00:00||||0|||||||U|||||||| ||||||||Work|0||||||||||||0|0|Retiring room| 1211.00|0|Site|01|B-H1|Bel|1.01|1916|B-H1 Bel 1.01 1916|Sheet 57D SE24 Ovillers, Edition 2B (Secret)|BrandName|Image Source (Book)|||||||Sheet 57D SE24 Ovillers, Edition 2B (Secret)|0|||||0||||0|||||British||||||||England||||||0||||0||||0||||0|Maps|||||20|||1916|1916||1916|1916-1916||Ordnance Survey. Series GSGS 3062|||1212||||0||||||||||||||||||||||Maps||||||||||Cornell||MNW|ECS|1/28/2004 0:00:00|1/26/2004 0:00:00||Bel||0|||||||B|||||H1|1.01|1916|||||||||Work|0|Belgium-Architecture||Scale 1:10,000.|||||||||0|0|Sheet 57D SE24 Ovillers, Edition 2B (Secret)| 1212.00|0|Site|01||||||Ordnance Survey. Series GSGS 3062|BrandName|Image Source (Book)|||||||Ordnance Survey. Series GSGS 3062|0|||||0||||0|||||British||||||||England||||||0||||0||||0||||0|Maps|||||20|||1916|1916||1916|1916-1916||Sheet 57D SE24 Ovillers, Edition 2B (Secret)|||1211||||0||||||||||||||||||||||||||||||||Cornell||MNW|ECS|1/28/2004 0:00:00|1/26/2004 0:00:00||||0|||||||||||||||||||||||Work|0|||Scale 1:10,000.|||||||||0|0|Ordnance Survey. Series GSGS 3062| 1213.00|0|Category|07|U-18|10|Shaker|||Brethren's Rocking Chair|||||||||Furniture. American. Shaker. Brethren's Rocking Chair|0|||||0||||0|||||American||||||||United States||||||0|New Lebanon, NY|||10176||||0||||0|Furnishings|Chair||||19|||1805|1855|ca|ca. 1830's|1805-1855|||||0||||0||||||||||||||||||||||Furniture||||||||||Cornell||ECS|ECS|1/26/2004 0:00:00|1/26/2004 0:00:00||NewLeb||0|||||||||||||||||||||||Work|0||||||||||||0|0|Brethren's Rocking Chair| 1214.00|0|Creator|15|D-18|Shaker||||Spirit Drawing|Assigned|Collection|||||||Drawing. American. Shaker. Spirit Drawing|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Drawings|||||19|||1848|1848||1848|1848|||||0||||0|||||Pen and ink|pen|ink||||drawing (image-making)|||||||||||||||||||||Cornell||ECS|ECS|1/26/2004 0:00:00|1/26/2004 0:00:00||||0|||||||D||||||||||||||||Work|0||||||||||||0|0|Spirit Drawing| 1215.00|0|Creator|15|35|D359-PA|1914|1||The Port|Assigned|Image Source (Book)|||||||The Port|30032|Delmarle, Félix||painter|Félix Delmarle|0||||0|||||French||||||||France||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1914|1914||1914|1914-1914|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||64.8 x 50.2 cm||3793|Los Angeles,County Museum of Art|Los Angeles: LACMA||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|1/26/2004 0:00:00|D359|||0|||||||35|PA||||||1914| ||||||||Work|0||||||||||||0|0|The Port|Delmarle, Félix 1216.00|0|Creator|15|35|D826-SC|F771||35 D826-SC F771 |The Fountain|Assigned|Image Source (Book)|||||||The Fountain|3338|Duchamp, Marcel||artist||0||||0|||||French||||||||France||||||0||||0||||0||||0|Sculpture|Ready-mades||||20|||1917|1917||1917|1917-1917|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|1/27/2004 0:00:00|1/26/2004 0:00:00|D826|||0|||||||35|SC||||||||F771|||||||Work|0||||||Original work lost||||||0|0|The Fountain|Duchamp, Marcel 1217.00|0|Creator|07|H76-18|Shaker||||Vegetable Can Labels|Assigned|Collection|||||||Advertising Art. American. Shaker. Vegetable Can Labels|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Advertising|||||||||||||||||0||||0||||||||||||||||||||||||||||||||Cornell||ECS|ECS|1/26/2004 0:00:00|1/26/2004 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Vegetable Can Labels| 1218.00|0|Creator|15|35|D826-SC|F7712||35 D826-SC F7712 |The Fountain by Marcel Duchamp|Assigned|Cataloger|||||||The Fountain by Marcel Duchamp|11377|Stieglitz, Alfred||photographer|Alfred Stieglitz|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1917|1917||1917|1917-1917|||||0||||0|||||Gelatin silver print|paper|||||photography|gelatin silver process||||23.5 x 17.8 cm||3424|New York,Private Collection|New York: Private Coll.||||||||||||Cornell||MNW|MNW|2/23/2004 0:00:00|1/26/2004 0:00:00|D826|||0|||||||35|SC||||||| |F7712|||||||Work|0||This photograph by Stieglitz is the surviving record of Marcel Duchamp's lost original, The Fountain.||||||||||0|0|The Fountain by Marcel Duchamp|Stieglitz, Alfred 1219.00|0|Creator|08||||||Essai sur l’architecture|Original|Dict.ArtO|||||||Essai sur l’architecture|6791|Laugier, Marc Antoine||author|Marc Antoine Laugier|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Publications|Book||||18|||1753|1755||1753; 1755|1753-1755|||||0||||0|||||||||||printing|||||||||||||||||||||Cornell||ECS|MNW|11/21/2004 0:00:00|1/26/2004 0:00:00||||0|||||||||||||||||||||||Work|0||In his Essai sur l’architecture (1753) Laugier argued that architects should always have before them the primitive hut as a reminder of the origins of architecture.|||The first edition was published in 1753. The second edition with the frontispiece of the "Primitive Hut" was published in 1755.|||||||0|0|Essai sur l’architecture|Laugier, Marc Antoine 1220.00|0|Creator|08|O-Laugier|1.0|Hut|||The Primitive Hut|Original|Dict.Art|Frontispiece||||||Essai sur l’architecture.The Primitive Hut (Frontispiece)|6791|Laugier, Marc Antoine||author|Marc Antoine Laugier|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Publications|Frontispiece (illustration)||||18|||1755|1755||1755|1755-1755||Essai sur l’architecture|LargerEntity||1219||||0|||||||||||printing|||||||||||Architectural theory||||||||||Cornell||ECS|MNW|11/21/2004 0:00:00|1/26/2004 0:00:00||||0|||||||O||||||||||||||||Work|0||Architecture, personified as a female, directs the attention of a child to her origins, represented in the form of a rustic hut fashioned from trees and branches that are contrived so as to form a rude pediment.|||The first edition was published in 1753. The second edition with the frontispiece of the "Primitive Hut" was published in 1755.|||||||0|0|The Primitive Hut;Frontispiece|Laugier, Marc Antoine 1221.00|0|Creator|15|35|D826-PA|A644|||Apolinère Enameled|Assigned|Image Source (Book)|||||||Apolinère Enameled|3338|Duchamp, Marcel||artist|Marcel Duchamp|0||||0|||||French||||||||France||||||0||||0||||0||||0|Paintings|||||20|||1916|1917||1916-1917|1916-1917|||||0||||0|||||Graphite on cardboard & painted tin|graphite|cardboard|tin|||painting (image-making)|||||24.4 x 34 cm||3281|Philadelphia,Philadelphia Museum of Art|Philadelphia: Museum of Art||||||||||||Cornell||MNW|SJW|2/23/2004 0:00:00|1/27/2004 0:00:00|D826|||0|||||||35|PA||||||| |A644|||||||Work|0||||||||||||0|0|Apolinère Enameled|Duchamp, Marcel 1222.00|0|Creator|15|35|D826-PA|N964|Y||Nude Descending the Staircase, No. 2|Assigned|Image Source (Book)|||||||Nude Descending the Staircase, No. 2|3338|Duchamp, Marcel||artist||0||||0|||||French||||||||France||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1912|1912||1912|1912-1912|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||147 x 89 cm||3281|Philadelphia,Philadelphia Museum of Art|Philadelphia: Museum of Art||||||||||||Cornell||MNW|MNW|1/27/2004 0:00:00|1/27/2004 0:00:00|D826|||0|||||||35|PA||||||| |N964|||||||Work|0||||||||||||0|0|Nude Descending the Staircase, No. 2|Duchamp, Marcel 1223.00|0|Creator|15|35|D826-T0|D826|Y||The Nude-Descending-a-Staircase Man Surveys Us|Assigned|Image Source (Book)|||||||The Nude-Descending-a-Staircase Man Surveys Us|3338|Duchamp, Marcel||artist|Marcel Duchamp|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Publications|Portrait||||20|||1915|1915||1915|1915-1915|||||0||||0|||||||||||printing|||||||||||Duchamp, Marcel, 1887-1968||||||||||Cornell||MNW|MNW|2/23/2004 0:00:00|1/27/2004 0:00:00|D826|||0|||||||35|T0||||||||D826|||||||Work|0|||From New York Tribune, Sept. 12, 1915.|||||||||0|0|The Nude-Descending-a-Staircase Man Surveys Us|Duchamp, Marcel 1224.00|0|Creator|15|35|C5815-PH|1919|1||The American Girl|Assigned|Image Source (Book)|||||||The American Girl|2340|Citroen, Paul||painter|Paul Citroen|0||||0|||||Dutch||||||||Holland||||||0||||0||||0||||0|Photographs|Photomontage||||20|||1919|1919||1919|1919-1919|||||0||||0|||||Photomontage|paper|||||montage|photography||||29.7 x 28.7 cm||||||||||||||||Cornell||MNW|MNW|2/23/2004 0:00:00|1/27/2004 0:00:00|C5815|||0|||||||35|PH||||||1919|||||||||Work|0|||Photomontage.|||||||||0|0|The American Girl|Citroen, Paul 1225.00|0|Creator|15|35|M978-PA|V712|||Villa America|Assigned|Image Source (Book)|||||||Villa America|8349|Murphy, Gerald||painter|Gerald Murphy|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1924|1924||1924|1924-1924|||||0||||0|||||Oil and gold leaf on canvas|oil paint|Gold leaf|canvas|||painting (image-making)|||||36.8 x 54.6 cm||9288|Minneapolis, Curtis Galleries, Inc.|Minneapolis: Curtis Gal.||||||||||||Cornell||MNW|MNW|2/23/2004 0:00:00|1/27/2004 0:00:00|M978|||0|||||||35|PA||||||| |V712|||||||Work|0||||||||||||0|0|Villa America|Murphy, Gerald 1226.00|0|Architect|03|MA-Schindler|1.0|1923|Por||Rudolf M. and Mark Schindler at Kings Road, Summer 1923|Descriptive|Image Source (Book)|||||||Rudolf M. and Mark Schindler at Kings Road, Summer 1923|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|||||20|||1923|1923||1923|1923-1923|||||0||||0|||||||||||photography|||||||||||Schindler, Rudolf Michael, 1887-1953||||||||||Cornell||MNW|MNW|1/28/2004 0:00:00|1/28/2004 0:00:00|Schindler|||0||||||Por|MA||||||1.0|1923|||||||||Work|0|Modern Architecture|||||||||||0|0|Rudolf M. and Mark Schindler at Kings Road, Summer 1923| 1227.00|0|Architect|03|MA-Schindler|7.5|1946-51 Kal||MA-Schindler 7.5 1946-51 Kal |Mr. & Mrs. Maurice Kallis Residence and Studio|Descriptive|Image Source (Book)|||||||Mr. & Mrs. Maurice Kallis Residence and Studio|10507|Schindler, Rudolph Michael||architect|Rudolph Michael Schindler|0||||0|||||American||||||||United States||||||0|3580 Multiview Drive; Los Angeles, CA|||10177||||0||||0|Architecture|House|Studio (Work space)|||20|||1946|1951||1946-1951|1946-1951|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|2/2/2004 0:00:00|1/28/2004 0:00:00||||0||||||Kal|MA||||||7.5|1946-51|||||||||Work|0|Modern Architecture||||Original building, 1946-1948; additions, 1948-1951.|||||||0|0|Mr. & Mrs. Maurice Kallis Residence and Studio|Schindler, Rudolph Michael 1228.00|0|Architect|03|MA-Schindler|2.34|1916-8 BueS||MA-Schindler 2.34 1916-8 BueS |Buena Shore Club|Descriptive|Image Source (Book)|||||||Buena Shore Club|10507|Schindler, Rudolph Michael||architect|Rudolph Michael Schindler|0||||0|||||American||||||||United States||||||0||||0|Chicago, Illinois|||10103||||0|Architecture|Drawing|Clubs|||20|||1916|1918||1916-1918|1916-1918|||||0||||0|||||||||||drawing (image-making)|||||||||||Clubs||||||||||Cornell||MNW|ECS|1/30/2004 0:00:00|1/28/2004 0:00:00|||Chi|0||||||BueS|MA||||||2.34|1916-8|||||||||Work|0|Modern Architecture|Presentation drawing by Schindler while under the employ of Ottenheimer, Stern, and Reichert.||||||||||0|0|Buena Shore Club|Schindler, Rudolph Michael 1229.00|0|Architect|03|MA-Schindler|7.5|1927-8 BarnTra|||Aline Barnsdall Translucent House (project)|Assigned|Image Source (Book)|||||||Aline Barnsdall Translucent House (project)|10507|Schindler, Rudolph Michael||architect|Rudolph Michael Schindler|0||||0|||||American||||||||United States||||||0||||0|Palos Verdes Estates, CA|||10178||||0|Architecture|Drawing||||20|||1927|1928||1927-1928|1927-1928|||||0||||0|||||||||||drawing (image-making)|||||||||||||||||||||Cornell||MNW|MNW|1/29/2004 0:00:00|1/28/2004 0:00:00|Schindler|||0||||||BarnTra|MA||||||7.5|1927-8|||||||||Work|0|Modern Architecture|Architectural project.||||||||||0|0|Aline Barnsdall Translucent House (project)|Schindler, Rudolph Michael 1230.00|0|Architect|03|MA-Schindler|7.5|1921 SchCha||MA-Schindler 7.5 1921 SchCha |Rudolph M. Schindler and Clyde B. Chace Kings Road Residence|Descriptive|Image Source (Book)|||||||Schindler-Chace Kings Road Residence|10507|Schindler, Rudolph Michael||architect|Rudolph Michael Schindler|0||||0|||||American||||||||United States||||||0|835 North Kings Road, West Hollywood, CA|||10179||||0||||0|Architecture|House|Studio (Work space)|||20|||1921|1922||1921-1922|1921-1922|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|JNK|10/10/2006 0:00:00|1/28/2004 0:00:00||||0||||||SchCha|MA||||||7.5|1921|||||||||Work|0|Modern Architecture|||||||||||0|0|Rudolph M. Schindler and Clyde B. Chace Kings Road Residence|Schindler, Rudolph Michael 1231.00|0|Architect|03|MA-Schindler|7.4|1923-5 Rib||MA-Schindler 7.4 1923-5 Rib |Pueblo Ribera Courts for Dr. and Mrs. W. Llewellyn Lloyd|BrandName|Image Source (Book)|||||||Pueblo Ribera Courts|10507|Schindler, Rudolph Michael||architect|Rudolph Michael Schindler|0||||0|||||American||||||||United States||||||0|Gravilla Avenue, La Jolla, CA|||10182||||0||||0|Architecture|Apartment house||||20|||1923|1925||1923-1925|1923-1925|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|2/2/2004 0:00:00|1/28/2004 0:00:00||||0||||||Rib|MA||||||7.4|1923-5|||||||||Work|0|Modern Architecture|||||||||||0|0|Pueblo Ribera Courts for Dr. and Mrs. W. Llewellyn Lloyd|Schindler, Rudolph Michael 1232.00|0|Architect|03|MA-Schindler|7.5|1928 Wol||MA-Schindler 7.5 1928 Wol |Charles H. Wolfe Residence|Descriptive|Image Source (Book)|||||||Charles H. Wolfe Residence|10507|Schindler, Rudolph Michael||architect|Rudolph Michael Schindler|0||||0|||||American||||||||United States||||||0|Avalon, Santa Catalina Island, CA|||10183||||0||||0|Architecture|House||||20|||1928|1931||1928-1931|1928-1931|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|1/29/2004 0:00:00|1/29/2004 0:00:00|Schindler|||0||||||Wol|MA||||||7.5|1928|||||||||Work|0|Modern Architecture|Vacation residence.||||||||||0|0|Charles H. Wolfe Residence|Schindler, Rudolph Michael 1233.00|0|Architect|03|MA-Schindler|7.5|1934 Buck||MA-Schindler 7.5 1934 Buck |Mr. and Mrs. John J. Buck Residence|Descriptive|Image Source (Book)|||||||John L. Buck Residence|10507|Schindler, Rudolph Michael||architect|Rudolph Michael Schindler|0||||0|||||American||||||||United States||||||0|805 South Genesee St., Los Angeles, CA|||10184||||0||||0|Architecture|House||||20|||1934|1934||1934|1934-1934|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|ECS|1/30/2004 0:00:00|1/29/2004 0:00:00|Schindler|||0||||||Buck|MA||||||7.5|1934|||||||||Work|0|Modern Architecture|||||||||||0|0|Mr. and Mrs. John J. Buck Residence|Schindler, Rudolph Michael 1234.00|0|Architect|03|MA-Schindler|7.5|1935 Dek|||Mr. and Mrs. John Dekeyser Double Residence|BrandName|Image Source (Book)|||||||John Dekeyser Double Residence|10507|Schindler, Rudolph Michael||architect|Rudolph Michael Schindler|0||||0|||||American||||||||United States||||||0|1911 & 1913 North Highland Avenue, Los Angeles, CA|||10185||||0||||0|Architecture|House||||20|||1935|1935||1935|1935-1935|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|ECS|1/30/2004 0:00:00|1/29/2004 0:00:00|Schindler|||0||||||Dek|MA||||||7.5|1935|||||||||Work|0|Modern Architecture|||||||||||0|0|Mr. and Mrs. John Dekeyser Double Residence|Schindler, Rudolph Michael 1235.00|0|Architect|03|MA-Schindler|6.4|1932-4 Sar||MA-Schindler 6.4 1932-4 Sar |Sardi's Restaurant No. 1 Remodeling for A. Eddie Brandstatter|Descriptive|Image Source (Book)|||||||Sardi's Restaurant; No. 1 Remodeling for A. Eddie Brandstatter|10507|Schindler, Rudolph Michael||architect|Rudolph Michael Schindler|0||||0|||||American||||||||United States||||||0|6313 Hollywood Avenue, Los Angeles, CA|||10186||||0||||0|Architecture|Restaurant||||20|||1932|1934||1932-1934|1932-1934|||||0||||0||||||||||||||||||||||Restaurants||||||||||Cornell||MNW|ECS|1/30/2004 0:00:00|1/29/2004 0:00:00|Schindler|||0||||||Sar|MA||||||6.4|1932-4|||||||||Work|0|Modern Architecture|Remodeling project.||||||||||0|0|Sardi's Restaurant No. 1 Remodeling for A. Eddie Brandstatter|Schindler, Rudolph Michael 1236.00|0|Architect|03|MA-Schindler|7.5|1921 SchCha||MA-Schindler 7.5 1921 SchCha |Announcement, Sadakichi Hartmann Talk on Modern Art|Descriptive|Image Source (Book)|||||||Announcement, Sadakichi Hartmann Talk on Modern Art|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Graphics|Advertisement||||20|||1930|1930||1930|1930-1930||Rudolph M. Schindler and Clyde B. Chace Kings Road Residence|||1230||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|1/30/2004 0:00:00|1/29/2004 0:00:00|Schindler|||0||||||SchCha|MA||||||7.5|1921|||||||||Work|0|Modern Architecture-|Announcement of performances at R. M. Schindler's Schindler-Chace House at 836 Kings Road, West Hollywood, CA.|Cataloged as part of the Schindler/Chace House.||Feb. 22, 1930|||||||0|0|Announcement, Sadakichi Hartmann Talk on Modern Art| 1237.00|0|Architect|03|MA-Schindler|7.5|1935-8 Wil||MA-Schindler 7.5 1935-8 Wil |Guy C. Wilson House|Descriptive|Image Source (Book)|||||||Guy C. Wilson House|10507|Schindler, Rudolph Michael||architect|Rudolph Michael Schindler|0||||0|||||American||||||||United States||||||0|2090 Redcliff Street, Los Angeles, CA|||10187||||0||||0|Architecture|House||||20|||1935|1942||1935-1942|1935-1942|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|1/29/2004 0:00:00|1/29/2004 0:00:00|Schindler|||0||||||Wil|MA||||||7.5|1935-8|||||||||Work|0|Modern Architecture||||1935-1938 = original construction; 1942 = alterations.|||||||0|0|Guy C. Wilson House|Schindler, Rudolph Michael 1238.00|0|Architect|03|MA-Schindler|7.5|1919 Mono||MA-Schindler 7.5 1919 Mono |Monolith Home/Worker's Housing|Descriptive|Image Source (Book)|||||||Monolith Home/Worker's Housing|10507|Schindler, Rudolph Michael||architect|Rudolph Michael Schindler|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Architecture|Housing||||20|||1919|1919||1919|1919-1919|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|1/29/2004 0:00:00|1/29/2004 0:00:00|Schindler|||0||||||Mono|MA||||||7.5|1919|||||||||Work|0|Modern Architecture|Project for Frank Lloyd Wright. Low cost, partially prefabricated homes for workers utilizing concrete construction. Location unknown.||||||||||0|0|Monolith Home/Worker's Housing|Schindler, Rudolph Michael 1239.00|0|Architect|03|MA-Schindler|1.0|Drwg|||Sketch of Chicago Skyline Under Construction|Descriptive|Image Source (Book)|||||||Sketch of Chicago Skyline Under Construction|10507|Schindler, Rudolph Michael||architect|Rudolph Michael Schindler|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Drawings|||||20|||1910|1920|ca|ca 1910-1920|ca 1910-1920|||||0||||0|||||||||||drawing (image-making)|||||||||||Chicago, Illinois||||||||||Cornell||MNW|MNW|1/29/2004 0:00:00|1/29/2004 0:00:00|Schindler|||0||||||Drwg|MA||||||1.0|nd|||||||||Work|0|Modern Architecture||||Date unknown.|||||||0|0|Sketch of Chicago Skyline Under Construction|Schindler, Rudolph Michael 1240.00|0|Architect|03|MA-Schindler|1.0|1915 Photo||MA-Schindler 1.0 1915 Photo |Chicago Skyline|Assigned|Image Source (Book)|||||||Chicago Skyline|10507|Schindler, Rudolph Michael||architect|Rudolph Michael Schindler|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|||||20|||1915|1915|ca|ca 1915|ca 1915-1915|||||0||||0|||||||||||photography|||||||||||Chicago, Illinois||||||||||Cornell||MNW|MNW|2/2/2004 0:00:00|1/29/2004 0:00:00||||0||||||Photo|MA||||||1.0|1915|||||||||Work|0|Modern Architecture|||||||||||0|0|Chicago Skyline|Schindler, Rudolph Michael 1241.00|0|Creator|15|35|I995-PA|1943|4|35 I995-PA 1943 4|Altar de Dolores|Original|Print Publication|Altar of our Lady of Sorrows|Translated|Print Publication||||Altar de Dolores (Altar of our Lady of Sorrows)|29849|Izquierdo, María||painter|Izquierdo, María|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Paintings|||||20|||1943|1943||1943|1943-1943|||||0||||0|||||Oil on board|oil paint|board||||painting (image-making)|||||60.3 x 49.8 cm||9228|Santa Fe, Collection Marilyn Maxwell|Santa Fe: Coll. Marilyn Maxwell||Mater Dolorosa||||||||||Cornell||ECS|JNK|1/6/2006 0:00:00|1/29/2004 0:00:00|I995|||0|||||||35|||||||1943| ||||||||Work|0||||||||||||0|0|Altar de Dolores;Altar of our Lady of Sorrows|Izquierdo, María 1242.00|0|Architect|03|MA-Schindler|1.0|1915 Drwg||MA-Schindler 1.0 1915 Drwg |Adobe Building, Taos, New Mexico|Descriptive|Image Source (Book)|||||||Adobe Building, Taos, New Mexico|10507|Schindler, Rudolph Michael||architect|Rudolph Michael Schindler|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Drawings|||||20|||1915|1915||1915|1915-1915|||||0||||0|||||||||||drawing (image-making)|||||||||||Taos, New Mexico||||||||||Cornell||MNW|MNW|2/2/2004 0:00:00|1/29/2004 0:00:00||||0||||||Drwg|MA||||||1.0|1915|||||||||Work|0||||||||||||0|0|Adobe Building, Taos, New Mexico|Schindler, Rudolph Michael 1243.00|0|Architect|03|MA-Schindler|7.5|1915 Mar|||Dr. Thomas Paul Martin Residence|BrandName|Image Source (Book)|||||||Dr. Thomas Paul Martin Residence|10507|Schindler, Rudolph Michael||architect|Rudolph Michael Schindler|0||||0|||||American||||||||United States||||||0|Taos, New Mexico|||10143||||0||||0|Architecture|House||||20|||1915|1915||1915|1915-1915|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|2/2/2004 0:00:00|1/29/2004 0:00:00||||0||||||Mar|MA||||||7.5|1915|||||||||Work|0|Modern Architecture|Project.||||||||||0|0|Dr. Thomas Paul Martin Residence|Schindler, Rudolph Michael 1244.00|0|Architect|03|MA-Schindler|7.3|1924 GouBan|||Gould & Bandini Workmen's Colony|Descriptive|Image Source (Book)|||||||Gould & Bandini Workmen's Colony|10507|Schindler, Rudolph Michael||architect|Rudolph Michael Schindler|0||||0|||||American||||||||United States||||||0||||0|Los Angeles, CA|||10085||||0|Architecture|Housing||||20|||1924|1924||1924|1924-1924|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|2/2/2004 0:00:00|1/29/2004 0:00:00||||0||||||GouBan|MA||||||7.3|1924|||||||||Work|0|Modern Architecture|Project.||||||||||0|0|Gould & Bandini Workmen's Colony|Schindler, Rudolph Michael 1245.00|0|Creator|15|35|I995-PA|1947|2|35 I995-PA 1947 2|Pan de Muertos|Original|Print Publication|Bread for Day of the Dead|Translated|Print Publication||||Pan de Muertos (Bread for Day of the Dead)|29849|Izquierdo, María||painter|Izquierdo, María|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Paintings|Still life||||20|||1947|1947||1947|1947-1947|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||62.5 x 54.5 cm||9281|Mexico City: Collection Maria Rodriguez de Reyero|Mexico City: Coll.Maria Rodriguez de Reyero||||||||||||Cornell||ECS|JNK|1/6/2006 0:00:00|1/29/2004 0:00:00|I995|||0|||||||35|||||||1943| ||||||||Work|0||||||||||||0|0|Pan de Muertos;Bread for Day of the Dead|Izquierdo, María 1246.00|0|Architect|03|MA-Schindler|7.5|1946-8 Tool||MA-Schindler 7.5 1946-8 Tool |Maryon E. Toole Desert Residence|Descriptive|Image Source (Book)|||||||Maryon E. Toole Desert Residence|10507|Schindler, Rudolph Michael||architect|Rudolph Michael Schindler|0||||0|||||American||||||||United States||||||0|Cabrillo Street, Palm Springs, CA|||10189||||0||||0|Architecture|House||||20|||1946|1948||1946-1948|1946-1948|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|2/2/2004 0:00:00|1/29/2004 0:00:00||||0||||||Tool|MA||||||7.5|1946-8|||||||||Work|0|Modern Architecture|||||||||||0|0|Maryon E. Toole Desert Residence|Schindler, Rudolph Michael 1247.00|0|Creator|15|35|I995-PA|1943|5|35 I995-PA 1943 5|Ofrenda de viernes de Dolores|Original|Print Publication|Offering for Our Lady of Sorrows|Translated|Print Publication||||Ofrenda de viernes de Dolores (Offering for Our Lady of Sorrows)|29849|Izquierdo, María||painter|Izquierdo, María|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Paintings|||||20|||1943|1943||1943|1943-1943|||||0||||0|||||Oil on Celotex|oil paint|fiberboard||||painting (image-making)|||||60 x 50 cm||3290|Private Collection|: Private Coll.||Mater Dolorosa||||||||||Cornell||ECS|JNK|1/6/2006 0:00:00|1/29/2004 0:00:00|I995|||0|||||||35|||||||1943| ||||||||Work|0||||||||||||0|0|Ofrenda de viernes de Dolores;Offering for Our Lady of Sorrows|Izquierdo, María 1248.00|0|Creator|15|25|N587-F|90|1||Wedding Scene|BrandName|Image Source (Book)|||||||Wedding scene|30034|Niccolò di Segna||painter|Niccolò di Segna|0||||0|||||Italian||||||||Italy||||||0||||0||||0||||0|Paintings|Fresco||||13|||1290|1325|ca|ca 1290-1325|ca 1290-1325|||||0||||0|||||||||||fresco painting|||||||2725|San Gimignano,Museo Civico [in the Palazzo del Popolo]|S. Gimignano: Museo Civico||||||||||||Cornell||MNW|SJW|2/23/2004 0:00:00|1/30/2004 0:00:00|N587|||0|||||||25|F||||||| |90|||||||Work|0||Frescoes are in the Palazzo del Popolo (1288-1323), in an upper room called the Camera del Podestà. The room contains other frescoes by Memmo di Filippuccio.||||Museo Civico is located in the Palazzo del Popolo.||||||0|0|Wedding Scene|Niccolò di Segna 1249.00|0|Creator|15|35|M978-PA|W822|1|35 M978-PA W822 1|Program Design for "Within the Quota"|BrandName|Image Source (Book)|||||||Program Design for "Within the Quota"|8349|Murphy, Gerald||painter|Gerald Murphy|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Watercolors|Collage||||20|||1923|1923||1923|1923-1923|||||0||||0|||||Watercolor, gouache, collage on paper|watercolors|gouache|paper|||painting (image-making)|collage||||27.3 x 20.8 cm||||||Theater, New York, NY||||||||||Cornell||MNW|SJW|2/23/2004 0:00:00|1/30/2004 0:00:00|M978|||0|||||||35|PA||||||||W822|||||||Work|0||||||||||||0|0|Program Design for "Within the Quota"|Murphy, Gerald 1250.00|0|Creator|15|35|M978-PA|W822|2 Y|35 M978-PA W822 2 Y|Painted Backdrop and Costumes for "Within the Quota"|Descriptive|Image Source (Book)|||||||Painted Backdrop and Costumes for "Within the Quota"|8349|Murphy, Gerald||painter|Gerald Murphy|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs||||||||1923|1923||1923|1923-1923|||||0||||0|||||||||||photography|||||||||||||||||||||Cornell||MNW|MNW|1/30/2004 0:00:00|1/30/2004 0:00:00|M978|||0|||||||35|PA||||||||W822|||||||Work|0||Documentary photograph of the backdrop and costumes in situ.||||||||||0|0|Painted Backdrop and Costumes for "Within the Quota"|Murphy, Gerald 1251.00|0|Creator|15|35|G8795-G|1915|1||Memory of New York|Assigned|Image Source (Book)|||||||Memory of New York|4861|Grosz, George||painter|George Grosz|0||||0|||||German||||||||Germany||||||0||||0||||0||||0|Prints|Lithograph||||20|||1915|1916||1915-1916|1915-1916|||||0||||0|||||Lithograph on Japan vellum|Japanese vellum [paper]|ink||||printing|lithography||||49.5 x 39 cm||545|Cambridge MA,Harvard University,Busch-Reisinger Museum|Cambridge: Harvard; Busch-Reisin.||New York, NY||||||||||Cornell||MNW|SJW|2/23/2004 0:00:00|2/3/2004 0:00:00|G8795|||0|||||||35|G||||||1915| ||||||||Work|0||||||||||||0|0|Memory of New York|Grosz, George 1252.00|0|Creator|15|35|L925-PA|1925|1||New York|Assigned|Image Source (Book)|||||||New York|7259|Lozowick, Louis||painter|Louis Lozowick|0||||0|||||Ukrainian||||||||Ukraine||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1925|1926||1925-1926|1925-1926|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||76.7 x 56.4 cm||3895|Minneapolis,Walker Art Center|Minneapolis: Walker Art Center||New York, NY||||||||||Cornell||MNW|MNW|2/3/2004 0:00:00|2/3/2004 0:00:00|L925|||0|||||||35|PA||||||1925| ||||||||Work|0||||||||||||0|0|New York|Lozowick, Louis 1253.00|0|Creator|15|35|I995-PA|1944|1|35 I995-PA 1944 1|Autorretrato|Original|Print Publication|Self-Portrait|Translated|Print Publication||||Autorretrato (Self-Portrait)|29849|Izquierdo, María||painter|Izquierdo, María|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Paintings|Self portrait||||20|||1944|1944||1944|1944|||||0||||0|||||Oil on board|oil paint|board||||painting (image-making)|||||50 x 39 cm||4869|Mexico City,Galeria OMR|Mexico City: Gal. OMR||Izquierdo, María, 1902-1955; Portraits||||||||||Cornell||SJW|JNK|1/6/2006 0:00:00|2/3/2004 0:00:00|I995|||0|||||||35|||||||1944| ||||||||Work|0||||||||||||0|0|Autorretrato;Self-Portrait|Izquierdo, María 1254.00|0|Creator|15|35|I995-PA|1944|2||India tarasca|Assigned|Print Publication|Tarascan Woman|Translated|Print Publication||||India tarasca (Tarascan Woman)|29849|Izquierdo, María||painter|Izquierdo, María|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Paintings|Portrait||||20|||1944|1944||1944|1944|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||49.5 x 55.8 cm||3290|Private Collection|: Private Coll.||Portraits||||||||||Cornell||SJW|JNK|1/6/2006 0:00:00|2/3/2004 0:00:00|I995|||0|||||||35|||||||1944| ||||||||Work|0||||||||||||0|0|India tarasca;Tarascan Woman|Izquierdo, María 1255.00|0|Creator|15|35|I995-PA|1944|3|35 I995-PA 1944 3|Los gallos|Assigned|Print Publication|The Roosters|Translated|Print Publication||||Los gallos (The Roosters)|29849|Izquierdo, María||painter|Izquierdo, María|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0||Landscape (Environment)||||20|||1944|1944||1944|1944|||||0||||0|||||Oil on Masonite|oil paint|Masonite||||painting (image-making)|||||50 x 60 cm||9281|Mexico City: Collection Maria Rodriguez de Reyero|Mexico City: Coll.Maria Rodriguez de Reyero||||||||||||Cornell||SJW|JNK|1/6/2006 0:00:00|2/3/2004 0:00:00|I995|||0|||||||35|||||||1944| ||||||||Work|0||||||||||||0|0|Los gallos;The Roosters|Izquierdo, María 1256.00|0|Category|15|35|S886-SC|F728|||Forms in Space|Assigned|Image Source (Book)|||||||Forms in Space, no. 2|30035|Storrs, John Bradley||sculptor|John Storrs|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Sculpture|||||20|||1924|1924|ca|ca 1924|ca 1924-1924|||||0||||0|||||Aluminum, brass, copper wood on black marble base.|aluminum|brass|wood|||sculpture|||||72.4 x 14.3 x 13.5 cm||3543|New York,Whitney Museum of American Art|New York: Whitney Mus.||||||||||||Cornell||MNW|MNW|2/5/2004 0:00:00|2/4/2004 0:00:00|S886|||0|||||||35|SC||||||1924| |F728|||||||Work|0||||||||||||0|0|Forms in Space|Storrs, John Bradley 1257.00|0|Creator|15|35|I995-PA|1945|1|35 I995-PA 1945 1|Los coscomates|Assigned|Print Publication|The Corn Cribs|Translated|Print Publication||||Los coscomates (The Corn Cribs)|29849|Izquierdo, María||painter|Izquierdo, María|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Paintings|Landscape (representation)||||20|||1945|1945||1945|1945|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||60 x 80 cm||3290|Private Collection|: Private Coll.||||||||||||Cornell||SJW|JNK|1/6/2006 0:00:00|2/4/2004 0:00:00|I995|||0|||||||35|PA||||||1945| ||||||||Work|0||||||||||||0|0|Los coscomates;The Corn Cribs|Izquierdo, María 1258.00|0|Creator|15|35|I995-PA|1952|1|35 I995-PA 1952 1|La alacena (Viernes de juguetería)|Assigned|Print Publication|The Cupboard (Toy Store Friday)|Translated|Print Publication||||La alacena (The Cupboard)|29849|Izquierdo, María||painter|Izquierdo, María|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Paintings|Still life||||20|||1952|1952||1952|1952|||||0||||0|||||Oil on canvas|oil paint|||||painting (image-making)|||||76 x 66 cm||1682|Mexico City,Museo Nacional de Artes Plasticas|Mexico City: Mus. Nac. Art. Plas||||||||||||Cornell||SJW|JNK|1/6/2006 0:00:00|2/4/2004 0:00:00|I995|||0|||||||35|PA||||||1952| |||||||||0||||||||||||0|0|La alacena (Viernes de juguetería);The Cupboard (Toy Store Friday)|Izquierdo, María 1259.00|0|Creator|15|35|I995-PA|1946|1|35 I995-PA 1946 1|Alacena con dulces cubiertos|Assigned|Print Publication|Cupboard with Covered Sweets|Translated|Print Publication||||Alacena con dulces cubiertos (Cupboard with Covered Sweets)|29849|Izquierdo, María||painter|Izquierdo, María|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Paintings|Still life||||20|||1946|1946||1946|1946|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||62 x 50 cm||3290|Private Collection|: Private Coll.||||||||||||Cornell||SJW|JNK|1/6/2006 0:00:00|2/4/2004 0:00:00|I995|||0|||||||35|PA||||||1946| ||||||||Work|0||||||||||||0|0|Alacena con dulces cubiertos;Cupboard with Covered Sweets|Izquierdo, María 1260.00|0|Creator|15|35|I995-PA|1947|3|35 I995-PA 1947 3|Sueño y presentimiento|Assigned|Print Publication|Dream and Premonition|Translated|Print Publication||||Sueño y presentimiento (Dream and Premonition)|29849|Izquierdo, María||painter|Izquierdo, María|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Paintings|||||20|||1947|1947||1947|1947|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||45 x 60 cm||3290|Private Collection|: Private Coll.||||||||||||Cornell||SJW|JNK|1/6/2006 0:00:00|2/4/2004 0:00:00|I995|||0|||||||35|PA||||||1947| ||||||||Work|0||||||||||||0|0|Sueño y presentimiento;Dream and Premonition|Izquierdo, María 1261.00|0|Architect||MA|CoopHim|9.0 1989|Chair 1|MA CoopHim 9.0 1989 Chair 1|Vodöl|BrandName|Print Publication|Vodöl [chair]|Descriptive|Cataloger||||Vodöl [chair]|27933|Coop Himmeblau||designer|Coop Himmelblau|30037|Vitra AG||manufacturer|0||||||||Deconstructivist|||||Austria||||||0||||0||||0||||0|Furnishings|Chair|Industrial design|||20|||1989|1989||1989|1989-1989|||||0||||0|||||Steel & leather|steel|leather||||furniture making|||||78.5 x 200 x 90 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|MNW|6/14/2004 0:00:00|2/4/2004 0:00:00||||0|||Chair||||MA||||||9.0|1989| ||||||||Work|0|||||Design 1989; produced 1989-1993|||||||0|0|Vodöl;Vodöl [chair]|Coop Himmeblau;Vitra AG 1262.00|0|Creator|15|U13|9.3|Stiletto||U13 9.3 Stiletto|Consumer's Rest|Assigned|Print Publication|Consumer's Rest [furniture line]|Descriptive|Cataloger||||Consumer's Rest|30038|Stiletto||designer|Stiletto (Schreiner, Frank)|0||||0|||||German||||||||Germany||||||0||||0||||0||||0|Furnishings|||||20|21||1983|1983||1983-|1983-1983|||||||||0|||||steel and plastic|steel|plastics||||furniture making|||||||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|MNW|6/14/2004 0:00:00|2/5/2004 0:00:00||||0|||||||U|||13||||1983| ||||||||Work|0||Originally produced by Stiletto Studios, Berlin. Produced since 1990 by Brüder Siegel, Leipheim, Germany. Line includes a table, sofa and arm chair.|||Design 1983; produced since 1984|||||||0|0|Consumer's Rest;Consumer's Rest [furniture line]|Stiletto 1263.00|0|||U||9||U 9 |Book covers showing 20th C. furniture design in Vitra Museum||Cataloger||||||||0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Furnishings|Industrial design||||||||||||||||0||||0|||||||||||furniture making|||||||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|MNW|6/14/2004 0:00:00|2/5/2004 0:00:00||||0|||||||U|||||||| |9||||||||0||4 images (front and back covers with fold-out flaps)|Mixed examples of 20th furniture design in Vitra M. (From different designers and countries).|||||||||0|0|Book covers showing 20th C. furniture design in Vitra Museum| 1264.00|0|Creator|15|U-13.2|9.3|Stiletto|1||Chair|Assigned|Print Publication|Consumer's rest [chair]|LargerEntity|Print Publication||||Consumer's rest [chair]|30038|Stiletto||designer|Stiletto (Schreiner, Frank)|0||||0|||||German||||||||Germany||||||0||||0||||0||||0|Furnishings|Chair||||20|21||1983|1983||1983|1983||Consumer's rest|Larger E||1262||||0|||||Steel & plastic|steel|plastics||||furniture making|||||94 x 73.5 x 76 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|SJW|4/21/2004 0:00:00|2/6/2004 0:00:00|Stiletto|||0|||||||U|||13.2||||1983| ||||||||Work|0||Designed 1983; in production since 1984.|||Designed 1983.|||||||0|0|Chair;Consumer's rest [chair]|Stiletto 1265.00|0|Creator|15|U-13.2|9.2|ThonetFac|Chair 1|U-13.2 9.2 ThonetFac Chair 1|Chair No. 14|BrandName|Print Publication|Bentwood chair|Descriptive|Cataloger||||Chair No. 14|30039|Gebrüder Thonet||manufacturer|Gebrüder Thonet|11743|Thonet, Michael||designer|0|||||Austrian||||||||Austria||||||0||||0||||0||||0|Furnishings|Chair||||19|20|21|1859|1860||1859-1860|1859-1860|||||0||||0|||||Bent beechwood|beech|||||furniture making|||||92.5 x 42 x 50 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||Chairs ; |Chairs|||||||||Cornell||SJW|JNK|5/6/2005 0:00:00|2/6/2004 0:00:00|ThonetFac|||0||||||Chair 1|U|||13.2|||9.2|| ||||||||Work|0||Still produced by the Thonet company.|||Design 1859-60; Production 1865 to present.|||||||0|0|Chair No. 14;Bentwood chair|Gebrüder Thonet;Thonet, Michael 1266.00|0|Creator|15|U-13|9.3|Laubers|1|U-13 9.3 Laubers 1|Verspanntes Regal|BrandName|Print Publication|Taut Shelf|Translated|Print Publication||||Verspanntes Regal (Taut Shelf)|30040|Laubersheimer, Wolfgang||designer|Wolfgang Laubersheimer|0||||0|||||German||||||||Germany||||||0||||0||||0||||0|Furnishings|Bookcase||||20|21||1984|1984||1984|1984-1984|||||0||||0|||||Sheet metal & steel cable|steel|sheet metal||||furniture making|||||250 x 42 x 31 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|MNW|6/14/2004 0:00:00|2/9/2004 0:00:00||||0|||||||U|||13||||1984| ||||||||Work|0||Designed 1984; produced by Pentagon 1984-1990. Now manufactured by Laubersheimer in Aschau, Germany.|||Designed 1984.|||||||0|0|Verspanntes Regal;Taut Shelf|Laubersheimer, Wolfgang 1267.00|0|Creator|15|32|H353-PA|1904|1|32 H353-PA 1904 1|The Hovel and the Skyscraper|Assigned|Image Source (Book)|||||||The Hovel and the Skyscraper|13751|Hassam, Childe||painter|Childe Hassam|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1904|1904||1904|1904-1904|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||88.3 x 78.7 cm||9283|Philadelphia,Mr. and Mrs. Meyer P. Potamkin Collection|Philadelphia: Potamkin Coll.||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|2/9/2004 0:00:00|H353|||0|||||||32|PA||||||1904| ||||||||Work|0||||||||||||0|0|The Hovel and the Skyscraper|Hassam, Childe 1268.00|0|Creator|15|35|B778-PA|1926|1||New York|Artists|Image Source (Book)|||||||New York|30042|Boutet de Monval, Bernard||painter|Bernard Boutet de Monval|0||||0|||||French||||||||France||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1926|1926||1926|1926-1926|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||83.8 x 53.3 cm||9284|Aurillac, Musée Hippolyte de Parieu|Aurillac: Musée Parieu||New York, NY||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|2/9/2004 0:00:00|B778|||0|||||||35|PA||||||1926| ||||||||Work|0||||||||||||0|0|New York|Boutet de Monval, Bernard 1269.00|0|Creator|15|35|M8771-SC|L734||35 M8771-SC L734 |Limp Felt|Assigned|Collection|||||||Limp Felt|8237|Morris, Robert||sculptor|Robert Morris|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Sculpture|Installation (Exhibition)||||20|||1968|1968||1968|1968|||||0||||0|||||Felt|felt|||||sculpture|||||||9285|New York, Leo Castelli Gallery|NYC: Leo Castelli Gallery||||||||||||Cornell||ECS|MNW|3/22/2004 0:00:00|2/9/2004 0:00:00|M8771|||0|||||||35|||||||1968| ||||||||Work|0||||||||||||0|0|Limp Felt|Morris, Robert 1270.00|0|Creator|15|U-13|9.3|Stiletto|2|U 13 Stiletto 2|Table|Assigned|Print Publication|Consumer's rest [table]|LargerEntity|Print Publication||||Consumer's rest [table]|30038|Stiletto||designer|Stiletto (Schreiner, Frank)|0||||0|||||German||||||||Germany||||||0||||0||||0||||0|Furnishings|Table||||20|21||1983|1983||1983-|1983-||Consumer's rest|||1262||||0|||||Steel & plastic|steel|plastics||||furniture making|||||||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|MNW|6/15/2004 0:00:00|2/9/2004 0:00:00||||0|||||||U|||13||||1983| ||||||||Work|0||Design 1983; production (by Brüder Siegel in Leipheim, Germany) from 1984 to present.|||Design 1983|||||||0|0|Table;Consumer's rest [table]|Stiletto 1271.00|0|Creator|15|U-13|9.3|Stiletto|3||Sofa|Assigned|Print Publication|Consumer's Rest [sofa]|LargerEntity|Print Publication||||Consumer's Rest [sofa]|30038|Stiletto||designer|Stiletto (Schreiner, Frank)|0||||0|||||German||||||||Germany||||||0||||0||||0||||0|Furnishings|Sofa||||20|21||1983|1983||1983|1983-1983||Consumer's Rest|Series||1262||||0|||||Steel & plastic|steel|plastics||||furniture making|||||||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|MNW|6/15/2004 0:00:00|2/9/2004 0:00:00|Stiletto|||0|||||||U|||13||||1983| ||||||||Work|0||Design 1983; production (by Brüder Siegel in Leipheim, Germany) from 1984 to present.|||Design 1983; produced since 1984.|||||||0|0|Sofa;Consumer's Rest [sofa]|Stiletto 1272.00|0|Creator|15|MA|Mendini|9.0 1974|Chair 1|MA Mendini 9.0 1974 Chair 1|Lassù|Assigned|Print Publication|Lassù (Up There)|Translated|Print Publication||||Lassù (Up There)|30043|Mendini, Alessandro||designer|Alessandro Mendini|0||||0|||||Italian||||||||Italy||||||0||||0||||0||||0|Furnishings|Chair|Performance art|||20|||1974|1974||1974|1974-1974|||||0||||0|||||Burned & painted wood|wood|||||furniture making|performance art||||136 x 85 x 85 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|MNW|6/14/2004 0:00:00|2/9/2004 0:00:00||||0|||||||MA|||11||||1974| ||||||||Work|0||Chair was burned as a performance piece; this piece still exists although charred.||||||||||0|0|Lassù;Lassù (Up There)|Mendini, Alessandro 1273.00|0|Creator|15|U-11|9.0|Archizoom|3|U-11 9.0 Archizoom 3|Mies|Assigned|Print Publication|Mies [chair and footstool]|Descriptive|Cataloger||||Mies [chair and footstool]|27624|Archizoom Associati||architectural firm|Archizoom Associati|0||||0|||||Italian||||||||Italy||||||0||||0||||0||||0|Furnishings|Chair||||20|||1969|1969||1969|1969-1969|||||0||||0|||||Chromed steel, rubber, cowhide|steel|rubber (material)|hide|||furniture making|||||76 x 74 x 128.5 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|MNW|6/14/2004 0:00:00|2/10/2004 0:00:00||||0|||||||U|||11||||1969| ||||||||Work|0||Also includes a lightbulb and cord under the footstool. Manufactured by Poltronova s.r.l., Agliana, Italy.|||Designed 1969; produced to present.|||||||0|0|Mies;Mies [chair and footstool]|Archizoom Associati 1274.00|0|Creator|15|U-17.3|9.0|Panton|2|U-17.3 9.0 Panton 2|Pantower|BrandName|Print Publication|||||||Pantower|8881|Panton, Verner||architect|Verner Panton|0||||0|||||Danish||||||||Denmark||||||0||||0||||0||||0|Furnishings|Chair||||20|||1968|1969||1968-1969|1968-1969|||||0||||0|||||Wood, foam rubber, fabric|wood|foam rubber|textiles|||furniture making|||||200 x 200 x 67 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|SJW|2/13/2004 0:00:00|2/10/2004 0:00:00||||0|||||||U|||17.3||||1969| ||||||||Work|0||Originally produced by Herman Miller AG, Basel. Called a seating "cave" or tower.|||Designed 1968-1969; produced until 1975.|||||||0|0|Pantower|Panton, Verner 1275.00|0|Creator|15|35|D214-PA|1963|1|35 D214-PA 1963 1|U. S. Highway 1 [panel 2]|Artists|Image Source (Book)|||||||U. S. Highway 1 [panel 2]|468|D'Arcangelo, Allan||painter|Allan D'Arcangelo|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1963|1963||1963|1963-1963|||||0||||0|||||Acrylic on canvas|acrylic|canvas||||painting (image-making)|||||177.8 x 205.7 cm||3561|Collection of the Artist|: Collection of the Artist||Highways ; |Highways|||||||||Cornell||MNW|MNW|11/29/2005 0:00:00|2/10/2004 0:00:00|D214|||0|||||||35|PA||||||1963| ||||||||Work|0||||||||||Owned by the Estate of Allan D'Arcangelo.||0|0|U. S. Highway 1 [panel 2]|D'Arcangelo, Allan 1276.00|0|Creator|15|35|M8771-SC|1967|2|35 M8771-SC 1967 |Untitled|Assigned|Collection|||||||Untitled|8237|Morris, Robert||sculptor|Morris, Robert|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Sculpture|Installation (Exhibition)||||20|||1967|1968||1967-1968|1967-1968|||||0||||0|||||Grey felt|felt|||||sculpture|||||||||||||||||||||Cornell||ECS|MNW|3/22/2004 0:00:00|2/10/2004 0:00:00|M8771|||0|||||||35|||||||1967-1968|||||||||Work|0||||||||||||0|0|Untitled|Morris, Robert 1277.00|0|Creator|15|U-17.3|9.0|Panton|3||Living Tower|Assigned|Print Publication|||||||Living Tower|8881|Panton, Verner||architect|Verner Panton|0||||0|||||Danish||||||||Denmark||||||0||||0||||0||||0|Furnishings|Chair||||20|||1965|1965||1965|1965-1965|||||0||||0|||||Metal rods and panels|metal|||||furniture making|||||||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|MNW|6/14/2004 0:00:00|2/10/2004 0:00:00||||0|||||||U|||17.3||||1965| ||||||||Work|0||Experimental prototype.||||From print publication reprod. in Vitra M. catalog||||||0|0|Living Tower|Panton, Verner 1278.00|0|Creator|15|35|M8771-SC|U611||35 M8771-SC U611 |Untitled|Assigned|Collection|||||||Untitled|8237|Morris, Robert||sculptor|Morris, Robert|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Sculpture|Installation (Exhibition)||||20|||1965|1965||1965|1965-1965|||||0||||0|||||Painted plywood|plywood|paint||||sculpture|||||242 x 60 x 60 cm||5|London, Tate Gallery|London: Tate Gallery London: Tate Gallery||||||||||||Cornell||ECS|MNW|3/22/2004 0:00:00|2/10/2004 0:00:00|M8771|||0|||||||35|||||||1965| ||||||||Work|0||||||||||||0|0|Untitled|Morris, Robert 1279.00|0|Creator|15|U-17.3|9.0|Panton|4||Interior Landscape|Assigned|Print Publication|||||||Interior Landscape|8881|Panton, Verner||architect|Verner Panton|0||||0|||||Danish||||||||Denmark||||||0||||0|Cologne, Germany|||10007||||0|Furnishings|Environmental art|Chair|||20|||1970|1970||1970|1970-1970|||||0||||0|||||Fabric over wood|wood|textiles||||furniture making|||||||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|MNW|6/14/2004 0:00:00|2/10/2004 0:00:00|||Col|0|||||||U|||17.3||||1970| ||||||||Work|0||A seating environment created for the Bayer AG exhibit ("Visiona II") at the 1970 Cologne furniture fair.||||||||||0|0|Interior Landscape|Panton, Verner 1280.00|0|Creator|15|U-11|9.0|Castiglioni|1|U-11 9.0 Castiglioni 1|Mezzadro|BrandName|Print Publication|Sharecropper|Translated|Print Publication|Mezzadro [chair]|Descriptive|Cataloger|Mezzadro (Sharecropper) [chair]|2110|Castiglioni, Achille||architect|Achille Castiglioni|30044|Castiglioni, Pier Giacomo||designer|29327|Zanotta s.p.a.||manufacturer||Italian||||||||Italy||||||||||0||||0||||0||||||20|21||1954|1957||1954-1957|1954-1957|||||0||||0|||||Steel, beech, lacquered sheet steel|steel|sheet metal|beech|||furniture making|||||52 x 49 x 53.5 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|MNW|6/11/2004 0:00:00|2/10/2004 0:00:00||||0|||||||U|||11||||1954| ||||||||Work|0||Produced by Zanotta s.p.a., Nova Milanese, Italy, beginning in 1970. First prototype exhibited 1954 at the X. Milan Triennial. Also exhibited in "Colori e forme nella casa d'oggi", Villa Olmo, Como, Italy, 1957.|||Designed 1954-1957; in production from 1970 to present.|||||||0|0|Mezzadro;Sharecropper;Mezzadro [chair]|Castiglioni, Achille;Castiglioni, Pier Giacomo;Zanotta s.p.a. 1281.00|0|Site|02|B-Q5|Bom|2.111 Mar|||Marine Drive|Descriptive|Image Source (Book)|Queens Necklace|Descriptive|Image Source (Book)||||Marine Drive (Queen's Necklace)|0|||||0||||0|||||Indian||||||||India||||||0|Mumbai, India|||10191||||0||||0|Architecture|Street||||20|||1935|1940||1935-1940|1935-1940|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|2/11/2004 0:00:00|2/11/2004 0:00:00||Bom||0||||||Mar|B|||||Q5|2.111||||||||||Work|0|Architecture-India||Popular seaside promenade.|||||||||0|0|Marine Drive;Queens Necklace| 1282.00|0|Creator|15|MA-Mies|9.0|1929|Chair 4-5|MA-Mies 9.0 1929 Chair 4-5|MR 90, Barcelona Chair|Assigned|Print Publication|||||||MR 90, Barcelona Chair|7969|Mies van der Rohe, Ludwig||architect|Ludwig Mies van der Rohe|0||||0|||||German||||||||Germany||||||0||||0|Barcelona, Spain|||10019||||0|Furnishings|Chair||||20|||1929|1929||1929|1929-1929||German Pavilion|||627||||0|||||Chromed steel, leather|steel|leather||||furniture making|||||75 x 76 x 77 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||Chairs ; Furniture ; |Chairs|Furniture||||||||Cornell||SJW|MNW|4/26/2006 0:00:00|2/11/2004 0:00:00|Mies||Bar|0||||||Chair|MA||||||9.0|1929| ||||||||Work|0||Created for the German pavillion at the 1929 International Exposition in Barcelona. Manufactured (1929-1930) by Berliner Metallgewerbe Josef Müller, Berlin.|||Designed 1929.|||||||0|0|MR 90, Barcelona Chair|Mies van der Rohe, Ludwig 1283.00|0||15|MA-Mies|9.0|1929|Chair 4-6Y|MA-Mies 9.0 1929 Chair 4-6Y|Folding deck chair|Descriptive|Cataloger|||||||Folding deck chair|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Furnishings|Chair||||20|||1927|1928||1927-1928|1927-1928|||||0||||0|||||Wood (teak?)|wood|||||furniture making|||||||||||||||||||||Cornell||SJW|SJW|2/11/2004 0:00:00|2/11/2004 0:00:00||||0|||||||MA|||||||1928|||||||||Work|0||Anonymous folding chair of the type used on deck oceanliners. Related to ancient forms, including Iberian. Used as a point of departure for Mies' Barcelona chair.||||||||||0|0|Folding deck chair| 1284.00|0|Creator|15|MA-Breuer|9.0|1925|Chair 7-7|MA-Breuer 9.0 1925 Chair 7-7|B3, Wassily|BrandName|Print Publication|B3, Wassily [chair]|Descriptive|Cataloger||||B3, Wassily [chair]|1564|Breuer, Marcel Lajos||designer|Marcel Breuer|30045|Standard Möbel Lengyel & Co.||manufacturer|0|||||German|||Bauhaus|||Europe||Germany||||||0||||0||||0||||0|Furnishings|Chair||||20|||1925|1925||1925|1925-1925|||||0||||0|||||Nickel-plated steel, fabric|steel|textiles||||furniture making|||||72.5 x 76.5 x 69.5 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||Furniture ; Chairs ; Bauhaus ; |Furniture|Chairs|Bauhaus|||||||Cornell||SJW|JNK|3/21/2006 0:00:00|2/12/2004 0:00:00||||0|||||||MA|||||||1925| ||||||||Work|0||Manufactured by Standard Möbel Lengyel & Co., Berlin.|||Designed 1925, originally produced 1926-1927.|||||||0|0|B3, Wassily;B3, Wassily [chair]|Breuer, Marcel Lajos;Standard Möbel Lengyel & Co. 1285.00|0|Architect|03|MA-Rietveld|9.0|1918 Chair|4-8|MA-Rietveld 9.0 1918 Chair 4-8|Roodblauwe stoel|Assigned|Print Publication|Red-Blue Chair|Translated|Cataloger||||Roodblauwe stoel (Red-Blue Chair)|9865|Rietveld, Gerrit Thomas||architect|Gerrit Rietveld|30046|Groenekan, Gerard van de||manufacturer|0|||||Dutch|||De Stijl|||||Holland||||||0||||0||||0||||0|Furnishings|Chair||||20|||1918|1918||1918|1918-1918|||||||||0|||||Wood|wood|||||furniture making|||||86 x 66 x 82.5 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||Furniture ; Chairs ; |Furniture|Chairs||||||||Cornell||SJW|JNK|5/11/2006 0:00:00|2/12/2004 0:00:00|Rietveld|||0||||||Chair|MA||||||9.0|1918| ||||||||Work|0|Modern Architecture|Original prototype done 1918 (unpainted and slightly larger). Painted version designed 1923. Manufactured since 1970 by Cassina, Meda, Italy. Originally made by Gerard van de Groenekan, Utrecht.|||Designed 1918; design modified 1923; reproduced since 1970.|||||||0|0|Roodblauwe stoel;Red-Blue Chair|Rietveld, Gerrit Thomas;Groenekan, Gerard van de 1286.00|0|Creator|15|35|O415-PA|1943|3|35 O415-PA 1943 3|Cliffs Beyond Abiquiu, Dry Waterfall|Artists|Image Source (Book)|||||||Cliffs Beyond Abiquiu, Dry Waterfall|8643|O’Keeffe, Georgia||painter|O’Keeffe, Georgia|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1943|1943||1943|1943-1943|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||76.2 x 40.6 cm||3418|Cleveland,Cleveland Museum of Art|Cleveland: Museum of Art||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|2/13/2004 0:00:00|O415|||0||1987.141|||||35|PA||||||1943| ||||||||Work|0||||||||||||0|0|Cliffs Beyond Abiquiu, Dry Waterfall|O’Keeffe, Georgia 1287.00|0|Creator|15|35|O415-PA|1929|5|35 O415-PA 1929 5|Cross with Stars|Artists|Image Source (Book)|||||||Cross with Stars|8643|O’Keeffe, Georgia||painter|Georgia O’Keeffe|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1929|1929||1929|1929-1929|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||101.6 x 76.2 cm||3290|Private Collection|: Private Coll.||Crucifixes, Stars||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|2/13/2004 0:00:00|O415|||0|||||||35|PA||||||1929| ||||||||Work|0||||||||||||0|0|Cross with Stars|O’Keeffe, Georgia 1288.00|0|Creator|15|35|O415-PA|1929|6|35 O415-PA 1929 6|Wooden Virgin|Assigned|Image Source (Book)|||||||Wooden Virgin|8643|O’Keeffe, Georgia||painter|O’Keeffe, Georgia|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1929|1929||1929|1929-1929|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||59.1 x 25.7 cm||3290|Private Collection|: Private Coll.||Virgin Mary||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|2/13/2004 0:00:00|O415|||0|||||||35|PA||||||1929| ||||||||Work|0||||||||||||0|0|Wooden Virgin|O’Keeffe, Georgia 1289.00|0|Creator|02|MA-|Rietveld|7.5 1924|Schro 4b-|MA- Rietveld 7.5 1924 Schro 4b-|Color study for Schroder House interior|Descriptive|Cataloger|||||||Schroder House. Color study for Schroder House interior|9865|Rietveld, Gerrit Thomas||architect|Gerrit Rietveld|0||||0|||||Dutch|||De Stijl|||||Holland||||||0||||0||||0||||0|Architectural Theory|Drawing||||20|||1924|1924||1924|1924||Schroder House|LargerEntity||776||||0|||||||||||drawing (image-making)|||||||||||||||||||||Cornell||SJW|JNK|5/11/2006 0:00:00|2/13/2004 0:00:00|Rietveld|||0|||||||MA||||||7.5|1924|||||||||Work|0|Modern Architecture-|||||||||||0|0|Color study for Schroder House interior|Rietveld, Gerrit Thomas 1290.00|0|Creator|15|U|-12|9.0|Pensi Chair 1|U -12 9.0 Pensi Chair 1|Toledo|Assigned|Print Publication|Toledo [chair]|Descriptive|Cataloger||||Toledo [chair]|30047|Pensi, Jorge||industrial designer|Jorge Pensi|0||||0|||||Spanish||||||||Spain|||Barcelona, Spain|||10019||||0||||0||||0|Furnishings|Chair||||20|21||1986|1988||1986-1988|1986-1988|||||0||||0|||||Epoxy-coated aluminum|aluminum|||||furniture making|||||77 x 56 x 56.5 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|MNW|6/11/2004 0:00:00|2/13/2004 0:00:00||||0|||||||U|||12||||1986| ||||||||Work|0||Manufactured since 1989 by Amat s.a., Martorell, Barcelona, Spain.|||Designed 1986-1988; Produced since 1989.|||||||0|0|Toledo;Toledo [chair]|Pensi, Jorge 1291.00|0|Creator|15|32|G255-PA|1872|1|32 G255-PA |American Progress|Assigned|Image Source (Book)|||||||American Progress|4338|Gast, John||painter|John Gast|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Paintings|Oil painting||||19|||1872|1872||1872|1872-1872|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||32.4 x 42.5 cm||9286|Los Angeles, Autry Museum of Western Heritage|Los Angeles: Autry Museum||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|2/13/2004 0:00:00|G255|||0|||||||32|PA||||||1872| ||||||||Work|0||||||||||||0|0|American Progress|Gast, John 1292.00|0|Creator|15|MA-Kuramata|9.0|1986|Chair 1|MA-Kuramata 9.0 1986 Chair 1|How High The Moon|BrandName|Print Publication|How High The Moon (chair)|Descriptive|Cataloger||||How High The Moon Chair|30048|Kuramata, Shiro||interior designer|Shiro Kuramata|30037|Vitra AG||manufacturer|0|||||Japanese|||Postmodern|||||Japan||||||0||||0||||0||||0|Furnishings|Chair||||20|||1986|1986||1986|1986-1986|||||0||||0|||||Nickel-plated rib mesh|nickel|||||furniture making|||||73 x 95 x 82 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||Chairs ; |Chairs|||||||||Cornell||SJW|JNK|3/28/2005 0:00:00|2/13/2004 0:00:00|Kuramata|||0|||||||MA||||||9.0|1986| ||||||||Work|0|Furniture-Japanese|Produced by Vitra AG. Named after a Duke Ellington jazz piece.|||Designed 1986; produced since 1987.|||||||0|0|How High The Moon;How High The Moon (chair)|Kuramata, Shiro;Vitra AG 1293.00|0|Creator|02|MA-|Kuramata|6.2 |1987 Miy|MA- Kuramata 6.2 1987 Miy|Issey Miyake Boutique|||||||||Issey Miyake Boutique|30048|Kuramata, Shiro||interior designer|Shiro Kuramata|0||||0|||||Japanese|||Postmodern|||||Japan||||||0||||0|Tokyo, Japan|||10141||||0|Interior Design|Showroom||||20|||1987|1987||1987|1987-1987|||||0||||0|||||Metal rib mesh, Plexiglas|metal|Plexiglas||||metalworking|||||||||||||||||||||Cornell||SJW|MNW|6/11/2004 0:00:00|2/13/2004 0:00:00|Kuramata||Tok|0||||||Miy|MA||||||6.2|1987|||||||||Work|0|Modern Architecture-|||||||||||0|0|Issey Miyake Boutique|Kuramata, Shiro 1294.00|0|Creator|05|J-Halsman||4||J-O'Keeffe 4 |Georgia O'Keeffe at Her Ranch|Assigned|Image Source (Book)|||||||Georgia O'Keeffe at Her Ranch|5046|Halsman, Philippe||photographer|Philippe Halsman|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print||||20|||1948|1948||1948|1948-1948|||||0||||0|||||Gelatin silver print|photo paper|||||photography|gelatin silver process||||||9289|New York, Halsman Archive|NYC: Halsman Archive||O'Keeffe, Georgia, 1887-1996||||||||||Cornell||MNW|MNW|2/24/2004 0:00:00|2/13/2004 0:00:00|Halsman|||0|||||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Georgia O'Keeffe at Her Ranch|Halsman, Philippe 1295.00|0|Creator|15|MA-|Venturi|9.0 1979|Chair 1|MA- Venturi 9.0 1979 Chair 1|Queen Anne|BrandName|Print Publication|Queen Anne [chair]|Descriptive|Cataloger||||Queen Anne [chair]|12233|Venturi, Robert||designer|Robert Venturi|30050|Knoll International||manufacturer|0|||||American|||Postmodern|||||United States||||||0||||0||||0||||0|Furnishings|Chair||||20|||1979|1984||1979-1984|1979-1984|||||0||||0|||||Molded, laminated plastic, vinyl cushion|plastic laminate|||||furniture making|||||98 x 68 x 61 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|MNW|6/11/2004 0:00:00|2/13/2004 0:00:00|Venturi|||0|||||||MA||||||9.0|1979| ||||||||Work|0||One of a series of nine chairs designed for Knoll.|||Designed in series 1979-1984; produced 1984-1988.|||||||0|0|Queen Anne;Queen Anne [chair]|Venturi, Robert;Knoll International 1296.00|0|Creator|15|35|M661-G|1989|1||Another Victim of Santa Fe Style|Artists|Image Source (Book)|||||||Another Victim of Santa Fe Style|30051|Milord, Jerome L.||artist|Jerome L. Milord|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Prints|Poster|Screen print|||20|||1989|1988||1989|1989-1988|||||0||||0|||||||||||printing|screen printing||||||||||||||||||||Cornell||MNW|MNW|2/20/2004 0:00:00|2/13/2004 0:00:00|M661|||0|||||||35|G||||||1989|||||||||Work|0||Poster.||||||||||0|0|Another Victim of Santa Fe Style|Milord, Jerome L. 1297.00|0|Creator|15|MA-|Venturi|9.0 1986|Candle 1|MA- Venturi 9.0 1986 Candle 1|Candlesticks for Swid Powell|Descriptive|Print Publication|||||||Candlesticks for Swid Powell|12233|Venturi, Robert||architect|Robert Venturi|0||||0|||||American|||Postmodern|||||United States||||||0||||0||||0||||0|Furnishings|Candlestand (lighting device)||||20|||1986|1986||1986|1986-1986|||||0||||0||||||metal|||||furniture making|metalworking||||||||||||||||||||Cornell||SJW|MNW|6/11/2004 0:00:00|2/16/2004 0:00:00||||0|||||||MA|||||||1986|||||||||Work|0||||||||||||0|0|Candlesticks for Swid Powell|Venturi, Robert 1298.00|0|Creator|15|MA-|Mendini|9.0 1978|Chair 2|MA- Mendini 9.0 1978 Chair 2|Poltrona di Proust|BrandName|Print Publication|Poltrona di Proust [chair]|Descriptive|Cataloger||||Poltrona di Proust [chair]|30043|Mendini, Alessandro||architect|Alessandro Mendini|0||||0|||||Italian|||Postmodern|||||Italy||||||||||0||||0||||0|Furnishings|Chair||||20|||1978|1978||1978|1978-1978|||||0||||0|||||Painted wood and fabric|wood|textiles||||furniture making|painting (image-making)||||107 x 105 x 94 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|MNW|6/11/2004 0:00:00|2/16/2004 0:00:00||||0|||||||MA|||||||1978| ||||||||Work|0||Madein limited editions by Mendini's studio, Studio Alchimia, Milan, Italy.||||||||||0|0|Poltrona di Proust;Poltrona di Proust [chair]|Mendini, Alessandro 1299.00|0|Creator|15|MA-|Mendini|9.0 1979|Chair 3|MA- Mendini 9.0 1979 Chair 3|Redesign of "Wassily"|Assigned|Print Publication|Redesign of Breuer's "Wassily" [chair]|Descriptive|Cataloger||||Redesign of Breuer's "Wassily" [chair]|30043|Mendini, Alessandro||designer|Alessandro Mendini|0||||0|||||Italian|||Postmodern|||||Italy||||||0||||0||||0||||0|Furnishings|Chair||||20|||1979|1979||1979|1979-1979|||||0||||0||||||metal|||||furniture making|||||||||||||||||||||Cornell||SJW|MNW|6/11/2004 0:00:00|2/16/2004 0:00:00||||0|||||||MA||||||9.0|1979|||||||||Work|0||||||||||||0|0|Redesign of "Wassily";Redesign of Breuer's "Wassily" [chair]|Mendini, Alessandro 1300.00|0|Creator|15|35|S5394-PA|1931|5||Home, Sweet Home|Assigned|Image Source (Book)|||||||Home, Sweet Home|10822|Sheeler, Charles||painter|Charles Sheeler|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1931|1931||1931|1931-1931|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||91.4 x 73.7 cm||3724|Detroit,Detroit Institute of Arts|Detroit: Inst. of Arts||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|2/16/2004 0:00:00|S5394|||0|||||||35|PA||||||1931| ||||||||Work|0||||||||||||0|0|Home, Sweet Home|Sheeler, Charles 1301.00|0|Architect|02|MA-|Mendini|4.4|1993 Gron|MA- Mendini 4.4 1993 Gron|Groningen Museum|||||||||Groningen Museum|30043|Mendini, Alessandro||architect|Alessandro Mendini|0||||0|||||Dutch||||||||Holland||||||0|Groningen, Netherlands|||10192||||||||0|Architecture|Museum||||20|||1990|1994||1990-1994|1990-1994|||||0||||0||||||||||||||||||||||||||||||||Cornell||SJW|MNW|6/11/2004 0:00:00|2/16/2004 0:00:00||Gron||0||||||Gron|MA||||||4.4|1993||||||||||0|Modern Architecture-|Mendini did the interior design as well as the architecture.||||||||||0|0|Groningen Museum|Mendini, Alessandro 1302.00|0|Category|07|U-18|11.0|Nelson|Sofa 2|U-18 11.0 Nelson Sofa 2|Marshmallow|BrandName|Print Publication|Marshmallow [sofa]|Descriptive|Cataloger||||Marshmallow [sofa]|8444|Nelson, George||designer|George Nelson|30052|Herman Miller Furniture Company||manufacturer|0|||||American|||Post-1945|||||United States||||||0||||0||||0||||0|Furnishings|Sofa||||20|21||1956|1956||1956|1956-1956|||||0||||0|||||Steel tubing, aluminum, vinyl cushions|steel|aluminum|vinyl|||furniture making|||||77 x 131.5 x 80 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|MNW|5/3/2005 0:00:00|2/16/2004 0:00:00||||0|||||||U|||18||||| ||||||||Work|0||Produced by Herman Miller Furniture Co. Also produced by Vitra, 1988-1994.|||Designed 1956; originally produced 1956-1965. New HM production started 1999.|||||||0|0|Marshmallow;Marshmallow [sofa]|Nelson, George;Herman Miller Furniture Company 1303.00|0|||MA-|Perriand|9.0 1952|Bookcase 1|MA- Perriand 9.0 1952 Bookcase 1|Bibliothèque pour la maison de la Tunisie|Assigned|Print Publication|Bookcase for Tunisian Student Housing|Descriptive|Cataloger||||Bibliothèque pour la maison de la Tunisie (Bookcase for Tunisian Student Housing)|9105|Perriand, Charlotte||designer|Charlotte Perriand|3053|Delaunay-Terk, Sonia||||||||French||||||||France|||Paris, France|||10058||||0||||||||0|Furnishings|Bookcase||||20|||1952|1953||1952-1953|1952-1953|||||0||||0|||||Varnished wood and aluminum|wood|aluminum||||furniture making|||||159.5 x 352.5 x 53 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|MNW|6/11/2004 0:00:00|2/16/2004 0:00:00||||0|||||||MA|||||||1952| |||||||||0||Manufactured by Les Ateliers Jean Prouvé, Maxéville, France. Sonia Delaunay chose the colors used in the shelves. Jean Sebag was the architect of the dormitory and hired Perriand to do the interior of 40 rooms.|||Designed 1952; produced 1953.|||||For a Tunisian student dormitory, Cité Universitaire, Paris.||0|0|Bibliothèque pour la maison de la Tunisie;Bookcase for Tunisian Student Housing|Perriand, Charlotte;Delaunay-Terk, Sonia 1304.00|0|Creator|15|35|D343|C720||35 D343 C720|Rythme coloré|Assigned|Print Publication|Colored Rhythm|Translated|Cataloger||||Rythme coloré (Colored Rhythm)|3053|Delaunay-Terk, Sonia||artist|Sonia Delaunay|0||||0|||||French||||||||France||||||0||||0||||0||||0||||||20|||1953|1953||1953|1953-1953|||||0||||0|||||||||||painting (image-making)|||||||||||||||||||||Cornell||SJW|MNW|6/11/2004 0:00:00|2/16/2004 0:00:00|D343|||0|||||||35|||||||1953|||||||||Work|0||Related to her work on the interior of the Tunisian student housing, Cité Universitaire, Paris, France. (She helped choose color schemes), 1952-1953.||||||||||0|0|Rythme coloré;Colored Rhythm|Delaunay-Terk, Sonia 1305.00|0|Creator|02|MA-Hoffmann|9.0|1905|Chair 3|MA-Hoffmann 9.0 1905 Chair 3|No. 371|BrandName|Print Publication|Seven Ball Chair|Assigned|Print Publication||||No. 371 (Seven Ball Chair)|5511|Hoffmann, Josef Franz Maria||architect|Josef Hoffmann|0||||0|||||Austrian|||Secession Movement|||||Austria||||||||||0||||0||||0|Furnishings|Chair||||20|||1905|1906||1905-1906|1905-1906|||||0||||0|||||Bent and turned beech, plywood|beech|plywood||||furniture making|||||109.5 x 44 x 50.5 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|MNW|6/11/2004 0:00:00|2/17/2004 0:00:00||||0|||||||MA||||||9.0|1905| ||||||||Work|0||Produced by Jakob & Josef Kohn, Vienna, Austria.|||Designed 1905-1906. Produced c. 1906-1910.|||||||0|0|No. 371;Seven Ball Chair|Hoffmann, Josef Franz Maria 1306.00|0|Creator|15|U-13.2|9.2|ThonetFac|2|U-13.2 9.2 ThonetFac 2|Rocking Sofa No. 7500|BrandName|Print Publication|||||||Rocking Sofa No. 7500|30039|Gebrüder Thonet||manufacturer|Gebrüder Thonet|0||||0|||||Austrian||||||||Austria||||||0||||0||||0||||0|Furnishings|Chair|Sofa|||19|20|21|1880|1883||1880-1883|1880-1883|||||0||||0|||||Bent beechwood and cane|beech|cane||||furniture making|||||77.5 x 69.5 x 174 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|MNW|6/11/2004 0:00:00|2/17/2004 0:00:00|ThonetFac|||0|||||||U|||13.2||||1880| ||||||||Work|0||Designer was probably August Thonet.|||Designed 1880-1883. Produced 1883-present.|||||||0|0|Rocking Sofa No. 7500|Gebrüder Thonet 1307.00|0|Creator|15|BAR-P||||BAR-P |Young Woman Reading a Letter|Assigned|Print Publication|||||||Young Woman Reading a Letter|7914|Metsu, Gabriel||artist|Gabriel Metsu|0||||0|||||Dutch||||||||Holland||||||0||||0||||0||||0|Paintings|Oil painting||||17|||1655|1659|ca|ca 1655-1659|ca 1655-1659|||||0||||0|||||Oil on panel|panel|oil||||painting (image-making)|||||25.5 x 20.5 cm||3290|Private Collection|: Private Coll.||||||||||||Cornell||SJW|MNW|2/18/2004 0:00:00|2/17/2004 0:00:00||||0||||||||||||||| ||||||||Work|0||Traces of a signature.|||Dated by Frank Robinson to Metsu's late period.|||||Latest sale Christie's London, April 11, 2002, no. 555, ill. In color.||0|0|Young Woman Reading a Letter|Metsu, Gabriel 1308.00|0|Creator|15|BAR-P||||BAR-P |Man Writing a Letter|Assigned|Print Publication|||||||Man Writing a Letter|7914|Metsu, Gabriel||artist|Gabriel Metsu|0||||0|||||Dutch||||||||Holland||||||0||||0||||0||||0|Paintings|Oil painting||||17|||1655|1660|ca|ca 1655-1660|ca 1655-1660|||||0||||0|||||Oil on panel|oil paint|panel||||painting (image-making)|||||25 x 24 cm||3340|Montpellier, Musée Fabre|Montpellier, Musée Fabre||||||||||||Cornell||SJW|JNK|1/6/2006 0:00:00|2/17/2004 0:00:00||||0||Inv.No. 836.4.38||||||||||||| ||||||||Work|0||Signed on the book, G. Metsu. May have been a pendant to Young Woman Receiving a Letter in the Timken Museum of Art.|||Dated by Robinson to late 1650's or by Gudlaugsson to about 1660.|||||||0|0|Man Writing a Letter|Metsu, Gabriel 1309.00|0|Creator|15|BAR-P|||||Young Woman Receiving a Letter|Assigned|Print Publication|||||||Young Woman Receiving a Letter|7914|Metsu, Gabriel||artist|Gabriel Metsu|0||||0|||||Dutch||||||||Holland||||||0||||0||||0||||0|Paintings|Oil painting||||17|||1658|1658|ca|ca 1658|ca 1658|||||0||||0|||||Oil on panel|oil paint|panel||||painting (image-making)|||||25.7 x 24.4 cm||3369|San Diego,Timken Art Gallery|San Diego: Timken Art Gal.||||||||||||Cornell||SJW|JNK|1/6/2006 0:00:00|2/17/2004 0:00:00||||0||Inv. No. 1958.01||||||||||||| ||||||||Work|0||May be a pendant to Man Writing a Letter (Musee Fabre) and both may be portraits of the artist and his wife. Signed G. Metsu.||||||||||0|0|Young Woman Receiving a Letter|Metsu, Gabriel 1310.00|0|Creator|15|BAR-P|||||Man Writing a Letter|Assigned|Print Publication|||||||Man Writing a Letter|7914|Metsu, Gabriel||artist|Gabriel Metsu|0||||0|||||Dutch||||||||Holland||||||0||||0||||0||||0|Paintings|Oil painting||||17|||1665|1667|ca|ca 1665-1667|ca 1665-1667|||||0||||0|||||Oil on panel|oil paint|panel||||painting (image-making)|||||52.5 x 40.2 cm||3493|Dublin: National Gallery of Ireland|Dublin: Nat. Gal. of Ireland||||||||||||Cornell||SJW|JNK|1/6/2006 0:00:00|2/17/2004 0:00:00||||0||Cat. No. 4536||||||||||||| ||||||||Work|0||Signed upper right, G. Metsu. Actual frame depicted in background owned by Otto Naumann, NYC.||||||||||0|0|Man Writing a Letter|Metsu, Gabriel 1311.00|0|Creator|15|35|M876-PA|1973|1||Times Square, A. M.|Artists|Print Publication|||||||Times Square, A. M.|30054|Morris, George Lovett Kingsland||painter|George Lovett Kingsland Morris|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1973|1973||1973|1973-1973|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||231.1 x 304.8 cm||3561|Artist, Collection of the|: Collection of the Artist||Times Square, New York, NY||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|2/18/2004 0:00:00|M876|||0|||||||35|PA||||||1973| ||||||||Work|0||||||||||||0|0|Times Square, A. M.|Morris, George Lovett Kingsland 1312.00|0|Architect|03|MA-Gas&Bez|7.2|1997 NY||MA-Gas&Bez 7.2 1997 NY |New York / New York Hotel and Casino|Assigned|Print Publication|||||||New York / New York Hotel and Casino|30057|Gaskin and Bezanski||architectural firm|Gaskin and Bezanski with Yates/Silverman|30058|Yates/Silverman|||0|||||American||||||||United States||||||0|Las Vegas, NV|||10194||||0||||0|Architecture|Hotel (Public accommodation)|Casino|||20||||1997||1997|-1997|||||0||||0||||||||||||||||||||||Hotels (public accommodations) ; Casinos ; |Hotels (public accommodations)|Casinos||||||||Cornell||MNW|JNK|5/16/2005 0:00:00|2/18/2004 0:00:00|Gas&Bez|||0||||||NY|MA||||||7.2|1997|||||||||Work|0|Modern Architecture|||||||||||0|0|New York / New York Hotel and Casino|Gaskin and Bezanski;Yates/Silverman 1313.00|0|Architect|02|MA-|OMA|1.0 1978|Del|MA- OMA 1.0 1978 Del|Freud Unlimited|Assigned|Print Publication|||||||Delirious New York. Freud Unlimited|28749|Office for Metropolitan Architecture||architectural firm|OMA (Madelon Vriesendorp)|12383|Vriesendorp, Madelon|||0|||||Dutch||||||||United States||||||0||||0||||0||||0|Paintings|Watercolor|Gouache|||20|||1974|1974||1974|1974-1974||Delirious New York: a Retrospective Manifesto for New York|Larger Entity||1314||||0|||||Watercolor/gouache on paper|watercolors|gouache|paper|||painting (image-making)|||||||||||New York, NY||||||||||Cornell||MNW|CLL|12/15/2005 0:00:00|2/19/2004 0:00:00||||0||||||Del|MA||||||1.0|1978|||||||||Work|0|Modern Architecture-|||||||||||0|0|Freud Unlimited|Office for Metropolitan Architecture;Vriesendorp, Madelon 1314.00|0|Architect|03|MA-OMA|1.0|1978 Del||MA-OMA 1.0 1978 Del |Delirious New York: a Retrospective Manifesto for New York|Preferred|Dict.Art|||||||Delirious New York|6460|Koolhaas, Rem||architect|OMA (Rem Koolhaas)|28749|Office for Metropolitan Architecture|||0|||||American||||||||||||||0||||0||||0||||0|Publications|Book||||20|||1972|1978||1978|1972-1978|||||0||||0||||||||||||||||||||||New York, NY||||||||||Cornell||MNW|MNW|11/3/2005 0:00:00|2/20/2004 0:00:00|OMA|||0||||||Del|MA||||||1.0|1978|||||||||Work|0|Modern Architecture|This book was published in New York and London in 1978.||||||||||0|0|Delirious New York: a Retrospective Manifesto for New York|Koolhaas, Rem;Office for Metropolitan Architecture 1316.00|0|Creator|07||||||Parade|Published|Dict.Art|||||||Parade|30033|Cocteau, Satie, Massine & Picasso|||Cocteau, Satie, Massine & Picasso|0||||0|||||French||||||||France||||||0||||0||||0||||0|Plays|Theater||||20|||1917|1917||1917|1917-1917|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|9/22/2004 0:00:00|2/20/2004 0:00:00||||0|||||||||||||||||||||||Work|0||Cocteau's Parade was staged by Diaghilev at the Théâtre du Châtelet in 1917 bringing together the music of Erik Satie, sets and costumes by Picasso, and choreography by Léonide Massine.||||||||||0|0|Parade|Cocteau, Satie, Massine & Picasso 1317.00|0|Creator|15|35|P5863-TH|1917|1|35 P5863-TH 1917 1|Costume for French Manager from Parade|Assigned|Print Publication|||||||Parade. Costume for French Manager|9196|Picasso, Pablo||painter|Pablo Picasso|0||||0|||||French||||||||France||||||0||||0||||0||||0|Photographs|Costume||||20|||1917|1917||1917|1917-1917||Parade|Larger Entity||1316||||0|||||||||||photography|||||||9287|New York, New York Public Library, Dance Division|New York: NYPL, Dance Div.||||||||||||Cornell||MNW|MNW|3/29/2006 0:00:00|2/20/2004 0:00:00|P5863|||0|||||||35|TH||||||1917| ||||||||Work|0||||||||||||0|0|Costume for French Manager from Parade|Picasso, Pablo 1318.00|0|Creator|15|35|P5863-TH|1917|2|35 P5863-TH 1917 2|Costume for American Manager from Parade|Assigned|Print Publication|||||||Costume for American Manager from Parade|9196|Picasso, Pablo||painter|Pablo Picasso|0||||0|||||French||||||||France||||||0||||0||||0||||0|Photographs|Costume||||20|||1917|1917||1917|1917-1917||Parade|||1316||||0|||||||||||photography|||||||9287|New York, New York Public Library, Dance Division|New York: NYPL, Dance Div.||||||||||||Cornell||MNW|MNW|2/20/2004 0:00:00|2/20/2004 0:00:00|P5863|||0|||||||35|TH||||||1917| ||||||||Work|0||||||||||||0|0|Costume for American Manager from Parade|Picasso, Pablo 1319.00|0|Creator|15|35|P5863-TH|1917|3|35 P5863-TH 1917 3|Marie Chabelska as the Little American Girl in Parade|Assigned|Print Publication|||||||Marie Chabelska as the Little American Girl in Parade|9196|Picasso, Pablo||painter|Pablo Picasso|0||||0|||||French||||||||France||||||0||||0||||0||||0|Photographs|Costume||||20|||1917|1917||1917|1917-1917||Parade|||1316||||0|||||||||||photography|||||||3492|Paris,Musee Picasso|Paris: Musee Picasso||||||||||||Cornell||MNW|MNW|8/30/2004 0:00:00|2/20/2004 0:00:00|P5863|||0|||||||35|TH||||||1917| ||||||||Work|0||||||||||||0|0|Marie Chabelska as the Little American Girl in Parade|Picasso, Pablo 1320.00|0|Architect|03|MA-Cavagnari|1.04|1916 Asm|||Divisione in Zone della Cittá|Assigned|Print Publication|||||||Divisione in Zone della Cittá|30062|Cavagnari, Odorado||engineer|Odorado Cavagnari|0||||0|||||African||||||||Eritrea||||||0|Asmara, Eritrea|||10195||||0||||0|City Plans and Views|Plans (drawings)||||20|||1916|1916||1916|1916-1916|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|2/23/2004 0:00:00|2/23/2004 0:00:00|Cavagnari|Asm||0||||||Asm|MA||||||1.04|1916|||||||||Work|0|Modern Architecture|Illustrates the strict zoning in the city of Asmara.||||||||||0|0|Divisione in Zone della Cittá|Cavagnari, Odorado 1321.00|0|Site|02|B-N7|Asm|1.1 ||B-N7 Asm 1.1|General views of Asmara|Assigned|Cataloger|||||||General views of Asmara|0|||||0||||0|||||African||||||||Eritrea||||||0|Asmara, Eritrea|||10195||||0||||0|Architecture|Documentary photograph||||20|||1936|1941||1936-1941|1936-1941|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|SJW|2/27/2004 0:00:00|2/23/2004 0:00:00||Asm||0|||||||B|||||N7|1.1||||||||||Work|0|Architecture-Ethiopia|||||||||||0|0|General views of Asmara| 1322.00|0|Site|02|B-N7|Asm|2.45 Agd|||Agdos for Askari|Assigned|Print Publication|Housing for Soldiers|Assigned|Cataloger||||Agdos for Askari|0|||||0||||0|||||African||||||||Eritrea||||||0|Asmara, Eritrea|||10195||||0||||0|Architecture|Military housing||||20|||1936|1941||1936-1941|1936-1941|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|SJW|2/27/2004 0:00:00|2/23/2004 0:00:00||Asm||0||||||Agd|B|||||N7|2.45||||||||||Work|0|Architecture-Ethiopia|||||||||||0|0|Agdos for Askari;Housing for Soldiers| 1323.00|0|Site|02|B-N7|Eritrea|7.5 EEur||B-N7 Eritrea 7.5 EEur|Early European Single Story Dwellings|Assigned|Print Publication|||||||Early European Single Story Dwellings|0|||||0||||0|||||African||||||||Eritrea||||||0|Eritrea|||10196||||0||||0|Architecture|Housing||||20|||1936|1941||1936-1941|1936-1941|||||0||||0||||||||||||||||||||||Houses||||||||||Cornell||MNW|SJW|2/27/2004 0:00:00|2/23/2004 0:00:00||Eritrea||0||||||EEur|B|||||N7|7.5||||||||||Work|0|Architecture-Ethiopia|||||||||||0|0|Early European Single Story Dwellings| 1324.00|0|Site|02|B-N7|Asm|9.0 Mon||B-N7 Asm 9.0 Mon |"Monkey-head" Technique|Assigned|Print Publication|||||||"Monkey-head" Technique|0|||||0||||0|||||African||||||||Eritrea||||||0|Asmara, Eritrea|||10195||||0||||0|Architecture|||||20|||1936|1941||1936-1941|1936-1941|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|2/23/2004 0:00:00|2/23/2004 0:00:00||Asm||0||||||Mon|B|||||N7|9.0||||||||||Work|0|Architecture-Ethiopia|||||||||||0|0|"Monkey-head" Technique| 1325.00|0|Site|02|B-N7|Asm|1.1 Aer||B-N7 Asm 1.1 Aer |Aerial view of Asmara|||||||||Aerial view of Asmara|0|||||0||||0|||||African||||||||Eritrea||||||0|Asmara, Eritrea|||10195||||0||||0|Architecture|Aerial view|Documentary photograph|||20|||1936|1941||1936-1941|1936-1941|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|2/26/2004 0:00:00|2/23/2004 0:00:00||Asm||0||||||Aer|B|||||N7|1.1||||||||||Work|0|Architecture-Ethiopia|||||||||||0|0|Aerial view of Asmara| 1326.00|0|Site|02|B-N7|Asm|6.4 Cris|||Bar Crispi|Assigned|Print Publication|||||||Bar Crispi|0|||||0||||0|||||African||||||||Eritrea||||||0|Asmara, Eritrea|||10195||||0||||0|Architecture|Bars||||20|||1936|1941||1936-1941|1936-1941|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|2/23/2004 0:00:00|2/23/2004 0:00:00||Asm||0||||||Cris|B|||||N7|6.4||||||||||Work|0|Architecture-Ethiopia||This bar is located on the former Viale Crispi.|||||||||0|0|Bar Crispi| 1327.00|0|Site|02|B-N7|Asm|6.6 She||B-N7 Asm 6.6 She |Shell Service Station|Descriptive|Cataloger|||||||Shell Service Station|0|||||0||||0|||||African||||||||Eritrea||||||0|Asmara, Eritrea|||10195||||0||||0|Architecture|Service Stations||||20|||1936|1941||1936-1941|1936-1941|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|2/23/2004 0:00:00|2/23/2004 0:00:00||Asm||0||||||She|B|||||N7|6.6||||||||||Work|0|Architecture-Ethiopia|||||||||||0|0|Shell Service Station| 1328.00|0|Site|02|B-N7|Asm|2.41 GovOff|||Government Office|Descriptive|Print Publication|Commando Presidio|Original|Print Publication|Office of the Local Commander of Asmara|BrandName|Print Publication|Government Office (Commando Presidio)|0|||||0||||0|||||African||||||||Eritrea||||||0|Asmara, Eritrea|||10195||||0||||0|Architecture|Government office building||||19|||1889|1895||1889-1895|1889-1895|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|2/23/2004 0:00:00|2/23/2004 0:00:00||Asm||0||||||GovOff|B|||||N7|2.41||||||||||Work|0|Architecture-Ethiopia|||||||||||0|0|Government Office;Commando Presidio;Office of the Local Commander of Asmara| 1329.00|0|Site|02|B-N7|Asm|2.44 1Gov||B-N7 Asm 2.44 1Gov |First Governor's Palace||||||||||0|||||0||||0|||||African||||||||Eritrea||||||0|Asmara, Eritrea|||10195||||0||||0|Architecture|Official Residences||||19|||1889|1895||1889-1895|1889-1895|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|2/23/2004 0:00:00|2/23/2004 0:00:00||Asm||0||||||1Gov|B|||||N7|2.44||||||||||Work|0|Architecture-Ethiopia|||||||||||0|0|First Governor's Palace| 1330.00|0|Site|02|B-N7|Asm|7.1 Villa1||B-N7 Asm 7.1 Villa1 |Villa 1in Villa Quarter|Descriptive|Cataloger|||||||Villa 1in Villa Quarter|0|||||0||||0|||||African||||||Africa||Eritrea||||||0|Asmara, Eritrea|||10195||||0||||0|Architecture|Villa||||20|||1910|1919||1910's|1910-1919|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|2/25/2004 0:00:00|2/23/2004 0:00:00||Asm||0||||||Villa1|B|||||N7|7.1||||||||||Work|0|Architecture-Ethiopia|||||||||||0|0|Villa 1in Villa Quarter| 1331.00|0|Creator|15|MA-Starck|9.0|1990|Stool 1|MA-Starck 9.0 1990 Stool 1|W.W. Stool|Assigned|Print Publication||||||||11262|Starck, Philippe||designer|Philippe Starck|0||||0|||||French||||||||France||||||0||||0||||0||||0|Furnishings|Stool||||20|21||1990|1990||1990|1990|||||0||||0|||||Varnished cast aluminum|aluminum||||||||||97 x 56 x 53 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|MNW|6/11/2004 0:00:00|2/24/2004 0:00:00||||0||||||Starck|MA|||||||1990| ||||||||Work|0||More accurately this is a "standing aid." It was created for the film director Wim Wenders.|||Designed 1990; produced 1992 to present.|||||||0|0|W.W. Stool|Starck, Philippe 1332.00|0|Creator|02|MA-Starck|8.1|1990 Asa||MA-Starck 8.1 1990 Asa |Asahi Brewery|||||||||Asahi Brewery|11262|Starck, Philippe||designer|Philippe Starck|0||||0|||||Japanese|French|||||||Japan|||Tokyo, Japan|||10141||||0|Tokyo, Japan|||10141||||0|Architecture|Factory||||20|||1990|1990||1990|1990-1990|||||0||||0||||||||||||||||||||||||||||||||Cornell||SJW|MNW|6/11/2004 0:00:00|2/24/2004 0:00:00|||Tok|0||||||Asa|MA||||||8.1|1990|||||||||Work|0||Interior design by Starck.||||||||||0|0|Asahi Brewery|Starck, Philippe 1333.00|0|Creator|12|MA-Starck|9.0|Juicer 1||MA-Starck 9.0 Juicer 1|"Juicy Salif|BrandName|Print Publication|Juicy Salif juicer|Descriptive|Cataloger||||"Juicy Salif" Juicer|11262|Starck, Philippe||designer|Philippe Starck|0||||0|||||French||||||||France||||||0||||0||||0||||0|Industrial Design|Cooking utensils||||20|||1989|1990||1989-1990|1989-1990|||||0||||0|||||Cast metal|metal|||||casting|||||||||||Cooking utensils||||||||||Cornell||SJW|MNW|3/4/2005 0:00:00|2/24/2004 0:00:00||||0|||||||MA||||||9.0|1989|||||||||Work|0||||||||||||0|0|"Juicy Salif;Juicy Salif juicer|Starck, Philippe 1334.00|0||15|U-13.2|9.2|ThonetFac|Chair 3|U-13.2 9.2 ThonetFac Chair 3|"Lady's Walking-Stick-Chair No. 3"|BrandName|Print Publication|||||||"Lady's Walking-Stick-Chair No. 3"|30039|Gebrüder Thonet||manufacturer|Gebrüder Thonet|0||||0|||||Austrian||||||||Austria||||||0||||0||||0||||0|Furnishings|Chair||||19|||1890|1890|ca|ca 1890|ca 1890-ca 1890|||||0||||0|||||Bentwood and cane|wood|cane||||furniture making|||||||||||||||||||||Cornell||SJW|MNW|6/15/2004 0:00:00|2/24/2004 0:00:00||||0|||||||U|||13.2|||||||||||||Work|0||||||||||||0|0|"Lady's Walking-Stick-Chair No. 3"|Gebrüder Thonet 1335.00|0|Creator|15|U-21.13|9.3|Newson|Chair 1|U-21.13 9.3 Newson Chair 1|MN-01 LC1, Lockheed Lounge|Assigned|Print Publication|||||||MN-01 LC1, Lockheed Lounge|30063|Newson, Marc||designer|Marc Newson|0||||0|||||Australian||||||||Australia||||||0||||0||||0||||0|Furnishings|Chair||||20|21||1985|1986||1985-1986|1985-1986|||||0||||0|||||Riveted sheet aluminum over fiberglass|fiberglass|aluminum||||furniture making|molding|metalworking|||86 x 166 x 57 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|MNW|6/11/2004 0:00:00|2/24/2004 0:00:00|Newson|||0|||||||U|||21.13||||| ||||||||Work|0||Manufactured by Idée, Tokyo.|||Designed 1985-1986; production since 1986.|||||||0|0|MN-01 LC1, Lockheed Lounge|Newson, Marc 1336.00|0|Site|02|B-N7|Asm|7.1 Villa2||B-N7 Asm 7.1 Villa2 |Villa 2 in Villa Quarter|Descriptive|Cataloger||||||||0|||||0||||0|||||African||||||Africa||Eritrea||||||0|Asmara, Eritrea|||10195||||0||||0|Architecture|Villa||||20|||1910|1919||1910s|1910-1919|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|2/24/2004 0:00:00|2/24/2004 0:00:00||Asm||0||||||Villa2|B|||||N7|7.1|||||||||||0|Architecture-Ethiopia|||||||||||0|0|Villa 2 in Villa Quarter| 1337.00|0|Creator|15|U-13|9.3|Colani|Chair 1|U-13 9.3 Colani Chair 1|Sitzgerät Colani|BrandName|Print Publication|Colani Seating Tool|Translated|Print Publication||||Sitzgerät Colani (Colani Seating Tool)|30064|Colani, Luigi||industrial designer|Luigi Colani|0||||0|||||German||||||||Germany||||||0||||0||||0||||0|Furnishings|Chair||||20|||1972|1972||1972|1972-1972|||||0||||0|||||Molded polyethylene|plastics|||||molding|||||65.5 x 54 x 66 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|CLL|6/15/2004 0:00:00|2/24/2004 0:00:00|Colani|||0|||||||U|||13||||| ||||||||Work|0||Integrated seat and desk surface. Produced by Top System Burkhard Lübke, Gütersloh, Germany.|||Designed 1972; produced 1973- 1982.|||||||0|0|Sitzgerät Colani;Colani Seating Tool|Colani, Luigi 1338.00|0|Architect|03|MA-Sclafani|2.42|1940 Edu|||Ministry of Education|Descriptive|Print Publication|Casa del Fascio|Original|Print Publication|Fascist Party Headquarters|Translated|Print Publication|Ministry of Education (Casa del Fascio)|30065|Sclafani, Bruno||architect|Bruno Sclafani|0||||0|||||African||||||Africa||Eritrea||||||0|Asmara, Eritrea|||10195||||0||||0|Architecture|Clubs (Associations)|Government office building|||20|||1928|1940||1928;1940|1928-1940|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|2/24/2004 0:00:00|2/24/2004 0:00:00|Sclafani|Asm||0||||||Edu|MA||||||2.42|1940|||||||||Work|0|Modern Architecture|Example of monumental Fascist architecture.|||Originally built by an unknown architect in 1928; extended in 1940 by Bruno Sclafani.|||||||0|0|Ministry of Education;Casa del Fascio;Fascist Party Headquarters|Sclafani, Bruno 1339.00|0|Creator|15|U-15|9.3|Paulin|Chair 2|U-15 9.3 Paulin Chair 2|No. 577|BrandName|Print Publication|Osaka|Descriptive|Image Source (Book)|Langue|Descriptive||No. 577 [chair]|8990|Paulin, Pierre||interior designer|Pierre Paulin|0||||0|||||French||||||||France||||||0||||0||||0||||0|Furnishings|Chair||||20|||1966|1966||1966|1966-1966|||||0||||0|||||Tubular steel frame, foam rubber, nylon fabric|steel|foam rubber|textiles|||furniture making|||||61 x 89 x 95 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|MNW|6/11/2004 0:00:00|2/24/2004 0:00:00|Paulin|||0|||||||U|||15||||1966| ||||||||Work|0||Produced by Artifort, Maastricht. Also known as "Osaka" from its use in the World's Fair there and "Langue" because it resembles a tongue.|||Designed 1966; produced since 1967.|||||||0|0|No. 577;Osaka;Langue|Paulin, Pierre 1340.00|0|Site|02|B-N7|Asm|2.43 Pol||B-N7 Asm 2.43 Pol |Colonial Police Headquarters|Original|Print Publication|Ministry of Health|Descriptive|Print Publication||||Colonial Police Headquarters|0|||||0||||0|||||African||||||Africa||Eritrea||||||0|Asmara, Eritrea|||10195||||0||||0|Architecture|Government office building||||20|||1938|1938|ca|ca 1938|ca 1938-1938|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|2/24/2004 0:00:00|2/24/2004 0:00:00||Asm||0||||||Pol|B|||||N7|2.43||||||||||Work|0|Architecture-Ethiopia|||||||||||0|0|Colonial Police Headquarters;Ministry of Health| 1341.00|0|Creator|15|U-17.3|9.0|Wegner|Chair 2|U-17.3 9.0 Wegner Chair 2|3-benet Skalstol|Assigned|Print Publication|3-benet Skalstol [chair]|Descriptive|Cataloger|||||12573|Wegner, Hans J.||architect|Hans J. Wegner|0||||0|||||Danish||||||||Denmark||||||0||||0||||0||||0|Furnishings|Chair||||20|||1963|1963||1963|1963-1963|||||0||||0|||||Varnished bent plywood & birch|birch|plywood||||furniture making|||||73.5 x 90 x 82.5 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||Furniture ; Chairs ; |Furniture|Chairs||||||||Cornell||SJW|JNK|5/6/2005 0:00:00|2/24/2004 0:00:00|Wegner|||0|||||||U|||17.3|||9.0|| ||||||||Work|0||Produced by Johannes Hansen, Copenhagen.|||Designed 1963; produced 1963-1989.|||||||0|0|3-benet Skalstol;3-benet Skalstol [chair]|Wegner, Hans J. 1342.00|0|Architect|02|MA-MazzAraFer|6.3|1938-52 PiaIta||MA-MazzAraFer 6.3 1938-52 PiaIta |Piazza Italia|Descriptive|Print Publication|||||||Piazza Italia|30066|Mazzanti, Arata, Ferrazza||architectural firm|Mazzanti, Arata, Ferrazza|0||||0|||||African||||||Africa||Eritrea||||||0|Asmara, Eritrea|||10195||||0||||0|Architecture|Piazza|Marketplace||||||1938|1952||1938-1952|1938-1952|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|2/24/2004 0:00:00|2/24/2004 0:00:00|MazzAraFer|||0||||||PiaIta|MA||||||6.3|1938-52|||||||||Work|0|Modern Architecture-|||||||||||0|0|Piazza Italia|Mazzanti, Arata, Ferrazza 1343.00|0|Architect|03|MA-Arata|3.4|1943 Gra||MA-Arata 3.4 1943 Gra |Grand Mosque|Descriptive|Print Publication|Kulafa Al Rashidin Mosque|Original||||||30068|Arata, Giuseppe||architect|Giuseppe Arata|0||||0|||||African||||||Africa||Eritrea||||||0|Asmara, Eritrea|||10195||||0||||0|Architecture|Mosque||||20|||1909|1943||1909; 1937-1938; 1943|1909; 1937-1938; 1943|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|2/24/2004 0:00:00|2/24/2004 0:00:00|Arata|Asm||0||||||Gra|MA||||||3.4|1943|||||||||Work|0|Modern Architecture||||Built in 1909; redeveloped 1937-1938; 1943. Guiseppe Arata was involved in 1943.|||||||0|0|Grand Mosque;Kulafa Al Rashidin Mosque|Arata, Giuseppe 1344.00|0|Architect|03|MA-Cavagnari|3.1|1938-9 DegSal||MA-Cavagnari 3.1 1938-9 DegSal |Degghi Selam|Assigned|Print Publication|Biet Christian|Original|Print Publication||||Degghi Selam|30062|Cavagnari, Odorado||engineer|Cavagnari, Odorado|0||||0|||||African||||||Africa||Eritrea||||||0|Asmara, Eritrea|||10195||||0||||0|Architecture|Cathedral|Religious complexes|||20|||1938|1939||1938-1939|1938-1939|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|2/25/2004 0:00:00|2/25/2004 0:00:00|Cavagnari|Asm||0||||||DegSel|MA||||||3.1|1938-9|||||||||Work|0|Modern Architecture|||||||||||0|0|Degghi Selam;Biet Christian|Cavagnari, Odorado 1345.00|0|Architect|03|MA-Cavagnari|3.1|1917 DegSel/Out||MA-Cavagnari 3.1 1917 DegSel/Out |Outlying Building in Degghi Selam Complex|Artists|Cataloger|||||||Outlying Building in Degghi Selam Complex|30062|Cavagnari, Odorado||engineer|Odorado Cavagnari|0||||0|||||African||||||Africa||Eritrea||||||0|Asmara, Eritrea|||10195||||0||||0|Architecture|Relgious complexes||||20|||1917|1917||1917|1917-1917||Degghi Selam|||1344||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|2/25/2004 0:00:00|2/25/2004 0:00:00|Cavagnari|Asm||0||||||DegSel/Out|MA||||||3.1|1917|||||||||Work|0|Modern Architecture|||||||||||0|0|Outlying Building in Degghi Selam Complex|Cavagnari, Odorado 1346.00|0|Architect|03|MA-Reviglio|3.1|1938 SFra||MA-Reviglio 3.1 1938 SFra |San Francesco|Descriptive|Print Publication|||||||San Francesco|30070|Reviglio, Paolo||engineer|Paolo Reviglio|0||||0|||||African||||||Africa||Eritrea||||||0|Asmara, Eritrea|||10195||||0||||0|Architecture|Church||||20|||1938|1939||1938-1939|1938-1939|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|3/1/2004 0:00:00|2/25/2004 0:00:00|Reviglio|Asm||0||||||SFra|MA||||||3.1|1938|||||||||Work|0|Modern Architecture|||||||||||0|0|San Francesco|Reviglio, Paolo 1347.00|0|Architect|03|MA-Borziani|6.1|1937 RACI||MA-Borziani 6.1 1937 RACI |Sedi di Reale Automobile Club d'Italia (RACI)|Original|Print Publication|Head Offices of the Royal Automobile Club of Italy|Translated|Print Publication|Asmara Soap Factory|Descriptive|Print Publication|Sedi di Reale Automobile Club d'Italia (RACI)|30071|Borziani, Giuseppe||architect|Giuseppe Borziani|0||||0|||||African||||||Africa||Eritrea||||||0|Asmara, Eritrea|||10195||||0||||0|Architecture|Office building|Clubs (Associations)|Factory||20|||1937|1937||1937|1937-1937|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|2/25/2004 0:00:00|2/25/2004 0:00:00|Borziani|Asm||0||||||RACI|MA||||||6.1|1937|||||||||Work|0|Modern Architecture|||||||||||0|0|Sedi di Reale Automobile Club d'Italia (RACI);Head Offices of the Royal Automobile Club of Italy;Asmara Soap Factory|Borziani, Giuseppe 1348.00|0|Site|02|B-N7|Asm|7.4 SAR|||Società Anonima Alfa Romeo (SAR)|Original|Print Publication|||||||Società Anonima Alfa Romeo (SAR)|0|||||0||||0|||||African||||||Africa||Eritrea||||||0|Asmara, Eritrea|||10195||||0||||0|Architecture|Apartment house||||20|||1937|1937|ca|ca 1937|ca 1937-1937|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|2/25/2004 0:00:00|2/25/2004 0:00:00||Asm||0||||||SAR|B|||||N7|7.4|1937|||||||||Work|0|Architecture-Ethiopia|||||||||||0|0|Società Anonima Alfa Romeo (SAR)| 1349.00|0|Site|02|B-N7|Asm|6.6 She2||B-N7 Asm 6.6 She2|Shell Service Station|BrandName|Print Publication|||||||Shell Service Station|0|||||0||||0|||||African||||||Africa||Eritrea||||||0|Asmara, Eritrea|||10195||||0||||0|Architecture|Service Stations||||20|||1937|1937||1937|1937-1937|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|9/2/2004 0:00:00|2/25/2004 0:00:00||Asm||0||||||She2|B|||||N7|6.6||||||||||Work|0|Architecture-Ethiopia|||||||||||0|0|Shell Service Station| 1350.00|0|Site|02|B-N7|Asm|8.1 Spin||B- Asm 8.1 Spin |Spinelli Store|Original|Print Publication|||||||Spinelli Store|0|||||0||||0|||||African||||||Africa||Eritrea||||||0|Asmara, Eritrea|||10195||||0||||0|Architecture|Warehouse||||20|||1935|1939||1935-1939|1935-1939|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|2/25/2004 0:00:00|2/25/2004 0:00:00||Asm||0||||||Spin|B|||||N7|8.1||||||||||Work|0|Architecture-Ethiopia||||Late 1930's.|||||||0|0|Spinelli Store| 1351.00|0|Site|02|B-N7|Asm|7.2 Sel||B-N7 Asm 7.2 Sel |Selam Hotel|Descriptive|Print Publication|Albergo CIAAO (Compagnia Immobiliare Alberghi Africa Orientale)|Original|Print Publication||||Selam Hotel|30072|Borgnino, Rinaldo||architect|Rinaldo Borgnino|0||||0|||||African||||||Africa||Eritrea||||||0|Asmara, Eritrea|||10195||||0||||0|Architecture|Hotel (Public accommodation)||||20|||1937|1937||1937|1937-1937|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|2/25/2004 0:00:00|2/25/2004 0:00:00||Asm||0||||||Sel|B|||||N7|7.2||||||||||Work|0|Architecture-Ethiopia|Designed in Rome, Italy,||||||||||0|0|Selam Hotel;Albergo CIAAO (Compagnia Immobiliare Alberghi Africa Orientale)|Borgnino, Rinaldo 1352.00|0|Architect|03|MA-Cappellano|2.22|1937 Roma||MA-Cappellano 2.22 1937 Roma |Cinema Roma|Descriptive|Print Publication|Cinema Dux|Original|Print Publication|Cinema Excelsior|Former|Print Publication|Cinema Roma|30073|Cappellano, Roberto||architect|Robert Cappellano|30065|Sclafani, Bruno||architect|0|||||African||||||Africa||Eritrea||||||0|Asmara, Eritrea|||10195||||0||||0|Architecture|Motion picture theaters||||20|||1937|1944||1937-1944|1937-1944|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|2/25/2004 0:00:00|2/25/2004 0:00:00|Cappellano|Asm||0||||||Roma|MA||||||2.22|1937|||||||||Work|0|Modern Architecture||||First proposal is by Roberto Cappellano is from 1937; the second by Bruno Sclafani is from 1944.|||||||0|0|Cinema Roma;Cinema Dux;Cinema Excelsior|Cappellano, Roberto;Sclafani, Bruno 1353.00|0|Architect|03|MA-Messina|2.22|1937 Imp|||Cinema Impero|Original|Print Publication|||||||Cinema Impero|30074|Messina, Mario||architect|Mario Messina|0||||0|||||African||||||Africa||Eritrea||||||0|Asmara, Eritrea|||10195||||0||||0|Architecture|Motion picture theaters||||20|||1937|1937||1937|1937-1937|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|2/25/2004 0:00:00|2/25/2004 0:00:00|Messina|Asm||0||||||Imp|MA||||||2.22|1937|||||||||Work|0|Modern Architecture|||||||||||0|0|Cinema Impero|Messina, Mario 1354.00|0|Architect|03|MA-Saviele|2.22|1938 Cap||MA-Saviele 2.22 1938 Cap |Capitol Cinema|Descriptive|Print Publication|Cinema Augustus|Original|Print Publication||||Capitol Cinema|30075|Saviele, Ruppert||architect|Ruppert Saviele|0||||0|||||African||||||Africa||Eritrea||||||0|Asmara, Eritrea|||10195||||0||||0|Architecture|Motion picture theaters||||20|||1938|1944||1938; 1944|1938; 1944|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|2/26/2004 0:00:00|2/25/2004 0:00:00|Saviele|Asm||0||||||Cap|MA||||||2.22|1938|||||||||Work|0|Modern Architecture||||Built, 1938; destroyed by fire, 1941; rebuilt, 1944.|||||||0|0|Capitol Cinema;Cinema Augustus|Saviele, Ruppert 1355.00|0|Creator|15|U-2.6|African||Chair 1|U-2.6 African Chair 1|Stool from the Sudan|Assigned|Print Publication|||||||Stool from the Sudan|0|||||0||||0|||||African||||||||||||||0||||0||||0||||0|Furnishings|Chair|Stool|||||||||||||||0||||0|||||Wood||||||furniture making|||||||||||||||||||||Cornell||SJW|MNW|6/11/2004 0:00:00|2/25/2004 0:00:00|African|||0|||||||U|||02.6|||||||||||||Work|0||||||||||||0|0|Stool from the Sudan| 1356.00|0|Creator|15|U-17.3|9.0|Wegner|Chair 3|U-17.3 9.0 Wegner Chair 3|Skalstol|Assigned|Print Publication|Skalstol [chair]|Descriptive|Cataloger||||Skalstol [chair]|12573|Wegner, Hans J.||architect|Hans J. Wegner|0||||0|||||Danish||||||||Denmark||||||0||||0||||0||||0|Furnishings|Chair||||20|||1949|1949||1949|1949-1949|||||0||||0|||||Bent, laminated wood and plywood|birch|plywood||||furniture making|||||||||||||||||||||Cornell||SJW|MNW|6/11/2004 0:00:00|2/25/2004 0:00:00|Wegner|||0|||||||U|||17.3|||||||||||||Work|0||This was the first in a line of Skalstol development and is considered a prototype.||||||||||0|0|Skalstol Prototype;Skalstol [chair]|Wegner, Hans J. 1357.00|0|Creator|15|U-17.3|9.0|Panton|Chair 5|U-17.3 9.0 Panton Chair 5|Panton-Chair|BrandName|Print Publication|||||||Panton-Chair|8881|Panton, Verner||architect|Verner Panton|30052|Herman Miller Furniture Company||manufacturer|30037|Vitra AG||manufacturer||Danish||||||||Denmark||||||0||||0||||0||||0|Furnishings|Chair||||20|21||1959|1960||1959-1960|1959-1960|||||0||||0|||||Varnished polyurethane foam (Baydur)|polyurethane foam|||||molding|furniture making||||88.5 x 50 x 74 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|MNW|6/11/2004 0:00:00|2/25/2004 0:00:00|Panton|||0|||||||U|||17.3||||| ||||||||Work|0||Earlier prototypes done in other materials; this design possible because of development of HR polyurethane foam (brand name Baydur).|||Designed 1959-1960; produced 1968 to present.|||||||0|0|Panton-Chair|Panton, Verner;Herman Miller Furniture Company;Vitra AG 1358.00|0|Creator|15|U-17.3|9.0|Panton|Chair 6|U-17.3 9.0 Panton Chair 6|"S-Chair"|Assigned|Print Publication|||||||"S-Chair"|8881|Panton, Verner||architect|Verner Panton|0||||0|||||Danish||||||||Denmark||||||0||||0||||0||||0|Furnishings|Chair||||20|||1955|1955||1955|1955-1955||3-benet Skalstol|||1341||||0|||||Molded laminated wood|wood|||||furniture making|molding||||||||||||||||||||Cornell||SJW|MNW|6/11/2004 0:00:00|2/25/2004 0:00:00|Panton|||0|||||||U|||17.3||||| ||||||||Work|0||Was produced as part of a laminated wood furniture line.|||Designed 1955.|||||||0|0|"S-Chair"|Panton, Verner 1359.00|0|||U-28.2|9.0|Yanagi|Chair 1|U-28.2 9.0 Yanagi Chair 1|Butterfly|Assigned|Print Publication|Butterfly [chair]|Descriptive|Cataloger||||Butterfly [chair]|30076|Yanagi, Sori||industrial designer|Sori Yanagi|0||||0|||||Japanese||||||||Japan||||||0||||0||||0||||0|Furnishings|Chair|Stool|||20|21||1954|1954||1954|1954-1954|||||0||||0|||||Bent plywood, brass|wood|||||furniture making|||||41.5 x 47.5 x 34 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|MNW|6/11/2004 0:00:00|2/25/2004 0:00:00|Yanagi|||0|||||||U|||28.2||||| |||||||||0||Manufactured by Tendo Mokko Co., Ltd., Tokyo.|||Designed 1954; in production since 1954.|||||||0|0|Butterfly;Butterfly [chair]|Yanagi, Sori 1360.00|0|Architect|02|B-S2|Hir|3.4 Itsu||B-S2 Hir 3.4 Itsu |Itsukushima Shrine|Descriptive|Image Source (Book)|||||||Itsukushima Shrine|0|||||0||||0|||||Japanese|||Heian|||||Japan|||||||Miyajima, Japan|||10197||||||||0|Architecture|Shrine||||6|12||590|1168|ca|ca 590-1168|ca 590-1168|||||0||||0||||||||||||||||||||||||||||||||Cornell||SJW|MNW|6/11/2004 0:00:00|2/25/2004 0:00:00||Hir||0||||||Itsu|B|||||S2|3.4||||||||||Work|0|Architecture-Japan|Japanese Shinto shrine in Miyajima, Saeki Province, Hiroshima Prefecture. It is 15 km south-west of Hiroshima on the island of Itsukushima. Torii gates stand in water at high tide and water flows under many of the buildings which appear to "float".|||Begun end of 6th C.; rebuilt c. 1168|||||||0|0|Itsukushima Shrine| 1361.00|0|Architect|03|MA-ZacBorz|2.22|1937 Odeon||MA-ZacBorz 2.22 1937 Odeon |Odeon Cinema|BrandName|Print Publication|Cinema O.D.E.O.N.|Original|Print Publication||||Odeon Cinema|30078|Zacche and Borziani||architectural firm|Zacche and Borziani|0||||0|||||African||||||Africa||Eritrea||||||0|Asmara, Eritrea|||10195||||0||||0|Architecture|Motion picture theaters||||20|||1937|1937||1937|1937-1937|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|2/26/2004 0:00:00|2/25/2004 0:00:00|ZacBorz|Asm||0||||||Odeon|MA||||||2.22|1937|||||||||Work|0|Modern Architecture|||||||||||0|0|Odeon Cinema;Cinema O.D.E.O.N.|Zacche and Borziani 1362.00|0|Creator|15|MA-Mollino|9.0|1953|Chair 1|MA-Mollino 9.0 1953 Chair 1|Sedia per la Casa Cattaneo, Agra, "feminine"|Assigned|Print Publication|"Feminine" Chair for the Cattaneo House, Agra [Luino]|Translated|Cataloger||||"Feminine" Chair for the Cattaneo House, Agra|30079|Mollino, Carlo||architect|Carlo Mollino|0||||0|||||Italian||||||||Italy||||||0||||0||||0||||0|Furnishings|Chair||||20|||1953|1953||1953|1953-1953|||||0||||0|||||Bent plywood, brass|plywood|brass||||furniture making|||||92 x 40.5 x 50.5 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|MNW|6/10/2004 0:00:00|2/26/2004 0:00:00|Mollino|||0|||||||MA||||||9.0|| ||||||||Work|0||Part of a duo of chairs conceptualized as "male" and "female" for the Cattaneo house. Mollino was the architect for that house, built 1952-1953 on the Agra plateau in Luino, Italy.||||||||||0|0|Sedia per la Casa Cattaneo, Agra, "feminine";"Feminine" Chair for the Cattaneo House, Agra [Luino]|Mollino, Carlo 1363.00|0|Architect|03|MA-StuCMarchi|7.4|1939 PalMin||MA-StuCMarchi 7.4 1939 PalMin |Palazzo Minneci|Artists|Print Publication|||||||Palazzo Minneci|30081|Studio Carlo Marchi||architectural firm|Studio Carlo Marchi|0||||0|||||African||||||Africa||Eritrea||||||0|Asmara, Eritrea|||10195||||0||||0|Architecture|Apartment house||||20|||1939|1939||1939|1939-1939|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|2/26/2004 0:00:00|2/26/2004 0:00:00|StuCMarchi|Asm||0||||||PalMin|MA||||||7.4|1939|||||||||Work|0|Modern Architecture|||||||||||0|0|Palazzo Minneci|Studio Carlo Marchi 1364.00|0|Site|02|B-N7|Asm|6.4 Zilli||B-N7 Asm 6.4 Zilli |Bar Zilli|Assigned|Print Publication|||||||||||||0||||0|||||African||||||Africa||Eritrea||||||0|Asmara, Eritrea|||10195||||0||||0|Architecture|Bars (Commercial buildings)||||20|||1935|1939||Late 1930's|1935-1939|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|2/26/2004 0:00:00|2/26/2004 0:00:00||Asm||0||||||Zilli|B|||||N7|6.4||||||||||Work|0|Architecture-Ethiopia|||||||||||0|0|Bar Zilli| 1365.00|0|Creator|15|MA-Noguchi|9.0|1949|Table 1|MA-Noguchi 9.0 1949 Table 1|Dinette Table IN-20 and Stool|BrandName|Print Publication|||||||Dinette Table IN-20 and Stool|8565|Noguchi, Isamu||artist|Isamu Noguchi|30052|Herman Miller Furniture Company|||0|||||American||||||||United States||||||0||||0||||0||||0|Furnishings|Table|Stool|||20|||1949|1950||1949-1950|1949-1950|||||0||||0|||||Birch with steel rods|birch|steel||||furniture making|||||||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|SJW|2/26/2004 0:00:00|2/26/2004 0:00:00|Noguchi|||0|||||||MA||||||9.0|1949| ||||||||Work|0||Produced by Herman Miller Co., 1949-1950.|||Design 1949-1950; production 1949-1950.|||||||0|0|Dinette Table IN-20 and Stool|Noguchi, Isamu;Herman Miller Furniture Company 1366.00|0|Architect|03|MA-Pozzo|7.4|1937 Kok|||Maisonette on Koken Street|Assigned|Print Publication|||||||Maisonette on Koken Street|30082|Pozzo, Carlo||architect|Carlo Pozzo|0||||0|||||African||||||Africa||Eritrea||||||0|Asmara, Eritrea|||10195||||0||||0|Architecture|Apartment house||||20|||1937|1937||1937|1937-1937|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|2/26/2004 0:00:00|2/26/2004 0:00:00|Pozzo|Asm||0||||||Kok|MA||||||7.4|1937|||||||||Work|0|Modern Architecture|||||||||||0|0|Maisonette on Koken Street|Pozzo, Carlo 1367.00|0|Creator|15|MA-Noguchi|9.0|1949|Table 2|MA-Noguchi 9.0 1949 Table 2|Coffee-Table IN-50|BrandName|Print Publication|||||||Coffee-Table IN-50|8565|Noguchi, Isamu||artist|Isamu Noguchi|30052|Herman Miller Furniture Company|||0|||||American||||||||United States||||||0||||0||||0||||0|Furnishings|Table||||20|||1944|1944||1944|1944-1944|||||0||||0|||||Wood and glass|wood|glass||||furniture making|||||||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|MNW|6/10/2004 0:00:00|2/26/2004 0:00:00|Noguchi|||0|||||||MA||||||9.0|1949| ||||||||Work|0||Produced by Herman Miller Furniture Co.|||Designed 1944|||||||0|0|Coffee-Table IN-50|Noguchi, Isamu;Herman Miller Furniture Company 1368.00|0|Architect|03|MA-Vitali|6.2|1944 PalMut|||Palazzo Mutton|Assigned|Print Publication|||||||Palazzo Mutton|30083|Vitali, Antonio||architect|Antonio Vitali|0||||0|||||African||||||Africa||Eritrea||||||0|Asmara, Eritrea|||10195||||0||||0|Architecture|Apartment house|Commercial building|||20|||1944|1944||1944|1944-1944|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|2/26/2004 0:00:00|2/26/2004 0:00:00|Vitali|Asm||0||||||PalMut|MA||||||6.2|1944|||||||||Work|0|Modern Architecture|||||||||||0|0|Palazzo Mutton|Vitali, Antonio 1369.00|0|Site|02|B-N7|Asm|7.4 Naf||B-N7 Asm 7.4 Naf |Apartment House, Nakfa Avenue|Assigned|Cataloger|||||||Apartment House, Nakfa Avenue|0|||||0||||0|||||African||||||Africa||Eritrea||||||0|Asmara, Eritrea|||10195||||0||||0|Architecture|Apartment house||||20|||1930|1945|||1930-1945|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|2/26/2004 0:00:00|2/26/2004 0:00:00||Asm||0||||||Naf|B|||||N7|7.4||||||||||Work|0|Architecture-Ethiopia||||Unknown date|||||||0|0|Apartment House, Nakfa Avenue| 1370.00|0|||MA-Mollino|9.0|1949|Table 1|MA-Mollino 9.0 1949 Table 1|Arabesco|Assigned|Print Publication|Arabesco [table]|Descriptive|Cataloger||||Arabesco [table]|30079|Mollino, Carlo||designer|Carlo Mollino|0||||0|||||Italian||||||||Italy||||||0||||0||||0||||0|Furnishings|Table||||20|||1949|1949||1949|1949-1949|||||0||||0|||||Bent laminated maple, glass, brass|maple(wood)|glass||||furniture making|||||54 x 123 x 53 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|MNW|5/4/2005 0:00:00|2/27/2004 0:00:00|Mollino|||0|||||||MA|||||||9.0| |||||||||0||Produced by Apellii & Varesio, Milan, Italy.|||Designed 1949; produced 1950.|||||||0|0|Arabesco;Arabesco [table]|Mollino, Carlo 1371.00|0|Architect|03|MA-Yamasaki|6.1|1970-5 WTrC||MA-Yamasaki 6.1 1970-5 WTrC|World Trade Center|Assigned|Image Source (Book)|||||||World Trade Center|12992|Yamasaki, Minoru||architect|Minoru Yamasaki|0||||0|||||American|||Modernist|||||United States|||New York, New York|||10060||||0|New York, New York|||10060||||0|Architecture|Office building||||20|||1970|1975||1970-1975; dest. 2001|1970-1975|||||0||||0||||||||||||||||||||||Skyscrapers ; Office buildings ; |Skyscrapers|Office buildings||||||||Cornell||MNW|JNK|6/13/2006 0:00:00|2/27/2004 0:00:00|Yamasaki||NYC|0||||||WTrC|MA||||||6.1|1970-5|||||||||Work|0|Modern Architecture||||Destroyed on September 11, 2001.|||||||0|0|World Trade Center|Yamasaki, Minoru 1372.00|0|Architect|03|MA-Yamasaki|6.1|1970-5 WTr/Dest||MA-Yamasaki 6.1 1970-5 WTr/Dest |Destruction Views|Assigned|Cataloger|||||||World Trade Center. Destruction Views|12992|Yamasaki, Minoru||architect|Minoru Yamasaki|0||||0|||||American||||||||United States||||||0|New York, New York|||10060||||0||||0|Architecture|Office building|Documentary photograph|||20|||2001|2001||2001|2001-2001||World Trade Center|Larger Entity||1371||||0||||||||||||||||||||||World Trade Center (New York, NY), September 11 Terrorist Attacks, 2001||||||||||Cornell||MNW|MNW|2/27/2004 0:00:00|2/27/2004 0:00:00|Yamasaki|NYC||0||||||WTr/Dest|MA||||||6.1|1970-5|||||||||Work|0|Modern Architecture||||Destroyed on September 11, 2001.|||||||0|0|Destruction Views|Yamasaki, Minoru 1373.00|0|Creator|15|35|F498|||35 F498 |Reclining Nude|||||||||Reclining Nude|30084|Fini, Leonor||painter|Leonor Fini|0||||0|||||French||||||||France||||||0||||0||||0||||0|Drawings|Figures (representations)||||20|||1949|1949|ca|ca 1949|ca 1949-ca 1949|||||0||||0|||||||||||drawing (image-making)|||||||||||Nudes||||||||||Cornell||SJW|MNW|6/10/2004 0:00:00|2/27/2004 0:00:00|F498|||0|||||||35||||||||||||||||Work|0||||||||||||0|0|Reclining Nude|Fini, Leonor 1374.00|0|Architect|03|MA-Yamasaki|6.1|1970-5 WTr/Dest/Eph|||Ephemera|Assigned|Cataloger|||||||World Trade Center. Destruction. Ephemera|12992|Yamasaki, Minoru||architect|Minoru Yamasaki|0||||0|||||American||||||||United States||||||0|New York, New York|||10060||||0||||0|Architecture|Office building|Documentary photograph|||21|||2001|2010|ca|2001 ff|2001-2010||Destruction Views|Larger Entity||1372||||0||||||||||||||||||||||World Trade Center (New York, NY), September 11 Terrorist Attacks, 2001||||||||||Cornell||MNW|MNW|2/27/2004 0:00:00|2/27/2004 0:00:00|Yamasaki|NYC||0||||||WTr/Dest/Eph|MA||||||6.1|1970-5|||||||||Work|0|Modern Architecture||||Destroyed on September 11, 2001.|||||||0|0|Ephemera|Yamasaki, Minoru 1375.00|0|Architect|15|MA-Mollino|7.5|1949|Casa T 1|MA-Mollino 7.5 1949 Casa T 1|Casa Timbrata|||||||||Casa Timbrata|30079|Mollino, Carlo||architect|Carlo Mollino|0||||0|||||Italian||||||||Italy||||||0||||0||||0||||0|Architecture|House||||20|||1949|1949|ca|ca 1949|ca 1949-ca 1949|||||0||||0||||||||||||||||||||||||||||||||Cornell||SJW|MNW|6/10/2004 0:00:00|2/27/2004 0:00:00|Mollino|||0||||||Casa T|MA||||||7.5|1949|||||||||Work|0||No location given, may be Turin.||||||||||0|0|Casa Timbrata|Mollino, Carlo 1376.00|0|Architect|15|MA-Mollino|2.33|1946|Lago 1|MA-Mollino 2.33 1946 Lago 1|Skylift Station, Lago Nero|Descriptive|Image Source (Book)|||||||Skylift station, Lago Nero|30079|Mollino, Carlo||architect|Carlo Mollino|0||||0|||||Italian||||||||Italy||||||0|Lago Nero, Italy|||10198||||0||||0|Architecture|Ski-lift station||||20|||1946|1946|ca|ca 1946|ca 1946-ca 1946|||||0||||0||||||||||||||||||||||||||||||||Cornell||SJW|MNW|6/10/2004 0:00:00|2/27/2004 0:00:00|Mollino|Lag||0||||||Lago|MA||||||2.33||||||||||Work|0||Lago Nero and Monte Nero are in the Appenines near Piacenza, Italy.||||||||||0|0|Skylift Station, Lago Nero|Mollino, Carlo 1377.00|0|Creator|15|35|S8197-G|1976|1|35 S8197-G 1976 1|Map of New York Looking West From Ninth Avenue, New York, NY|Descriptive|Print Publication|||||||New Yorkers. Map of New York Looking West From Ninth Avenue, New York, NY|11300|Steinberg, Saul|||Saul Steinberg|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Graphics|Illustration||||20|||1976|1976||1976|1976-1976||The New Yorker (New York, N.Y. : 1925)|Larger Entity||1378||||0|||||||||||printing|||||||||||New York, NY||||||||||Cornell||MNW|MNW|3/29/2006 0:00:00|2/27/2004 0:00:00|S8197|||0|||||||35|G||||||1976|||||||||Work|0||Cover of the New Yorker, March 29, 1976.||||||||||0|0|Map of New York Looking West From Ninth Avenue, New York, NY|Steinberg, Saul 1378.00|0||||||||The New Yorker (New York, N.Y. : 1925)|Assigned|Image Source (Book)|||||||The New Yorker (New York, N.Y. : 1925)|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Publications|||||20|21||1925|||1925-|1925-|||||0||||0|||||||||||printing|||||||||||||||||||||Cornell||MNW|MNW|2/27/2004 0:00:00|2/27/2004 0:00:00||||0||||||||||||||||||||||||0|||V. 1 - Feb. 21, 1925--|||||||||0|0|The New Yorker (New York, N.Y. : 1925)| 1379.00|0|Architect|03|MA-Yamasaki|6.1|1970-1975 WTr|4b-2||The Man Who Walked Between the Towers|Published|Print Publication|||||||World Trade Center. The Man Who Walked Between the Towers|30087|Gerstein, Mordecai||author|Mordicai Gerstein|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Publications|Book||||21|||2003|2003||2003|2003-2003||World Trade Center|Larger Entity||1371||||0|||||||||||printing|||||||||||World Trade Center (New York, NY), Petit, Philippe, 1949||||||||||Cornell||MNW|MNW|3/29/2006 0:00:00|2/27/2004 0:00:00|Yamasaki|||0||||||WTr|MA||||||6.1|1970-1975|||||||||Work|0|Modern Architecture||Philippe Petit's walk between the two World Trade Center towers occurred on August 7, 1974.|||||||||0|0|The Man Who Walked Between the Towers|Gerstein, Mordecai 1380.00|0|Site|02|B-B33|NYC|1.042|1855 1|B-B33 NYC 1.042 |New York, 1855, from the Latting Observatory|Published|Image Source (Book)|||||||New York, 1855, from the Latting Observatory|11031|Smith, Benjamin Franklin|after|engraver|Benjamin F. Smith|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Prints|Engraving (Print)|Plan views|||19|||1855|1855||1855|1855-1855|||||0||||0|||||Engraving with hand coloring|paper|ink||||printmaking|engraving (incising)||||||3670|New York, New York Public Library|New York: NYPL||New York, NY||||||||||Cornell||MNW|MNW|2/27/2004 0:00:00|2/27/2004 0:00:00||NYC||0||1855-E-138|||||B|||||B33|1.042|1855| ||||||||Work|0|Architecture-New York (NY)|||||||||||0|0|New York, 1855, from the Latting Observatory|Smith, Benjamin Franklin 1381.00|0|Site|02|B-B33|NYC|1.042 |1855 2||The Empire City, Birdseye view of NEW YORK and Environs|Published|Image Source (Book)|||||||The Empire City, Birdseye view of NEW YORK and Environs|606|Bachmann, John|||John Bachman|0||||0|||||American||||||||United States||||||0||||||||0||||0|Prints|Lithograph||||19|||1855|1855||1855|1855-1855|||||0||||0|||||Lithograph printed in colors|paper|ink||||printmaking|lithography||||||3294|New York,Metropolitan Museum of Art|New York: Metropolitan||New York, NY||||||||||Cornell||MNW|MNW|2/27/2004 0:00:00|2/27/2004 0:00:00||NYC||0||54.90.1198|||||B|||||B33|1.042|1855| ||||||||Work|0|Architecture-New York (NY)|Printed by Adam Weingartner and published by L. W. Schmidt.||||||||||0|0|The Empire City, Birdseye view of NEW YORK and Environs|Bachmann, John 1382.00|0|Site|02|B-B33|NYC|1.042 |1859 1||New York City and Environs|Published|Image Source (Book)|||||||New York City and Environs|606|Bachmann, John||lithographer|John Bachmann|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Prints|Lithograph||||19|||1859|1859||1859|1859-1859|||||0||||0|||||Lithograph printed in colors|paper|ink||||printmaking|lithography||||||3828|New York,Museum of the City of New York|New York: Mus. of the City of NY||New York, NY||||||||||Cornell||MNW|MNW|2/27/2004 0:00:00|2/27/2004 0:00:00||NYC||0||1931 31.24|||||B|||||B33|1.042|1859| ||||||||Work|0|Architecture-New York (NY)|Printed by C. Fatzer.||||||||||0|0|New York City and Environs|Bachmann, John 1383.00|0|Site|02|B-B33|NYC|2.111a Bro|5-2||New Paving on Broadway, Between Franklin and Leonard Streets|Descriptive|Print Publication|||||||New Paving on Broadway, Between Franklin and Leonard Streets|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Daguerreotypes||||19|||1850|1852||1850-1852|1850-1852|||||0||||0|||||Stereo daguerreotype, left side|paper|||||photography|daguerreotype||||||4457|Isenburg(Matthew R.)Collection|Connecticut: Matthew Isenburg Coll.||New York, NY||||||||||Cornell||MNW|MNW|2/27/2004 0:00:00|2/27/2004 0:00:00||NYC||0||||||Bro|B|||||B33|2.111a|| ||||||||Work|0|Architecture-New York (NY)|||||||||||0|0|New Paving on Broadway, Between Franklin and Leonard Streets| 1384.00|0|Site|02|B-B33|NYC|1.32 Wash|5-1||Washington Monument at Fourteenth Street and Union Square|Assigned|Print Publication|||||||Washington Monument|30090|Homes, Silas A.|attributed to|photographer|Silas A. Holmes|30091|Frederick, Charles De Forest|attributed to|photographer|0|||||American||||||||United States||||||0|New York, New York|||10060||||0||||0|Photographs|Documentary photograph||||19|||1855|1855|ca|ca 1855|ca 1855-1855|||||0||||0|||||Salted paper print|paper|||||photography|salted paper process||||||3508|Los Angeles, J. Paul Getty Museum|Los Angeles: J. Paul Getty Mus.||New York, NY, Washington, George, 1732-1799||||||||||Cornell||MNW|MNW|2/27/2004 0:00:00|2/27/2004 0:00:00||NYC||0||84.XM.351.12||||Wash|B|||||B33|1.32|| ||||||||Work|0|Architecture-New York (NY)|||||||||||0|0|Washington Monument at Fourteenth Street and Union Square|Homes, Silas A.;Frederick, Charles De Forest 1385.00|0|Site|02|B-B33|NYC|1.1 |||Views of New York|BrandName|Cataloger|||||||Views of New York|0|||||0||||0|||||American||||||||United States||||||0|New York, New York|||10060||||0||||0|Photographs|Documentary photograph||||21|||2001|2004|ca|ca 2001-2004|ca 2001-2004|||||0||||0|||||||||||photography|||||||||||New York, NY||||||||||Cornell||MNW|MNW|2/27/2004 0:00:00|2/27/2004 0:00:00||NYC||0|||||||B|||||B33|1.1||||||||||Work|0|Architecture-New York (NY)||View after the destruction of the World Trade Center on 9/11/2001.|||||||||0|0|Views of New York| 1386.00|0|Creator|03|MA-ShLaHa|6.1|1931 Emp||MA-ShLaHa 6.1 1931 Emp |Empire State Building|Assigned|Macmillan|||||||Empire State Building|29031|Shreve, Lamb & Harmon||architectural firm|Shreve, Lamb & Harmon|0||||0|||||American|||Art Deco|||||United States||||||0|350 Fifth Avenue, New York, NY|||10422||||0||||0|Architecture|Office building|Skyscraper|||20|||1930|1931||1930-1931|1930-1931|||||0||||0||||||||||||||||||||||Skyscrapers ; Office buildings ; |Skyscrapers|Office buildings||||||||Cornell||MNW|JNK|8/29/2006 0:00:00|2/27/2004 0:00:00|ShLaHa|||0||||||Emp|MA||||||6.1|1931|||||||||Work|0|Modern Architecture|||||||||||0|0|Empire State Building|Shreve, Lamb & Harmon 1387.00|0|Architect|03|MA-McMeaWh|2.41|1907 Mun|||Municipal Building|Assigned|Image Source (Book)|||||||Municipal Building|28580|McKim, Mead & White||ArchFirm|McKim, Mead & White|0||||0|||||American||||||||United States||||||0|New York, New York|||10060||||0||||0|Architecture|Government office building||||20|||1907|1914||1907-1914|1907-1914|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|2/27/2004 0:00:00|2/27/2004 0:00:00|McMeaWh|NYC||0||||||Mun|MA||||||2.41|1907|||||||||Work|0|Modern Architecture|||||||||||0|0|Municipal Building|McKim, Mead & White 1388.00|0|Architect|03|MA-Van Alen|6.1|1928 Chr|||Chrysler Building|Assigned|Macmillan|||||||Chrysler Building|12091|Van Alen, William Laurens||architect|William Van Alen|0||||0|||||American|||Art Deco|||||United States||||||0|405 Lexington Ave., New York, NY|||10424||||0||||0|Architecture|Office building|Skyscraper|||20|||1928|1930||1928-1930|1928-1930|||||0||||0||||||||||||||||||||||Skyscrapers ; Office buildings ; |Skyscrapers|Office buildings||||||||Cornell||MNW|JNK|4/12/2006 0:00:00|2/27/2004 0:00:00|Van Alen|||0||||||Chr|MA||||||6.1|1928|||||||||Work|0|Modern Architecture|||||||||||0|0|Chrysler Building|Van Alen, William Laurens 1389.00|0|Category|05|J-SmithWE||0-2|||Portrait of W. Eugene Smith|BrandName|Cataloger|||||||Portrait of W. Eugene Smith|30092|Foree, Jeanette||photographer|Jeanette Foree|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph|Portrait|||20|||1930|1939||1930's|1930-1939|||||0||||0|||||||||||photography|||||||||||Smith, W. Eugene, 1918-1978, New York, NY||||||||||Cornell||MNW|MNW|2/27/2004 0:00:00|2/27/2004 0:00:00|SmithWE|||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Portrait of W. Eugene Smith|Foree, Jeanette 1390.00|0|Architect|03|MA-Burn|6.1|1901-3 Flat|||Flatiron Building|Assigned|Print Publication|Fuller Building|Former|Image Source (Pub)||||Flatiron Building|27823|D. H. Burnham & Company||ArchFirm|D. H. Burnham & Company|0||||0|||||American||||||||United States||||||0|New York, New York|||10060||||0||||0|Architecture|Office building||||20|||1901|1903||1901-1903|1901-1903|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|6/1/2005 0:00:00|2/27/2004 0:00:00|Burn|NYC||0||||||Flat|MA||||||6.1|1901-3| ||||||||Work|0|Modern Architecture|||||||||||0|0|Flatiron Building;Fuller Building|D. H. Burnham & Company 1391.00|0|Category|05|J-Bourke-White||57||J-Bourke-White 57 |Margaret Bourke-White Atop Chrysler Building Gargoyle|Assigned|Print Publication|Margaret Bourke-White Photographing the New York Skyline from a Gargoyle on the Chrysler Building|Descriptive|Print Publication|Margaret Bourke-White Atop Eagle Gargoyle of the Chrysler Building|Descriptive|Print Publication|Chrysler Building. Margaret Bourke-White Atop Chrysler Building Gargoyle|30629|Graubner, Oscar||photographer|Oscar Graubner|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Portrait|||20|||1930|1930||1930's|1930-1930||Chrysler Building|Larger Entity||1388||||0|||||Gelatin silver print|paper|||||photography|gelatin silver process||||||9290|Syracuse NY,University,Library, Department of Special Collections|Syracuse: Univ.; Library||Bourke-White, Margaret, 1904-1971 ; Chrysler Building (New York, NY) ; Portraits ; |Bourke-White, Margaret, 1904-1971|Chrysler Building (New York, NY)|Portraits|||||||Cornell||MNW|MNW|3/29/2006 0:00:00|2/27/2004 0:00:00||||0|||||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Margaret Bourke-White Atop Chrysler Building Gargoyle;Margaret Bourke-White Photographing the New York Skyline from a Gargoyle on the Chrysler Building;Margaret Bourke-White Atop Eagle Gargoyle of the Chrysler Building|Graubner, Oscar 1392.00|0|Architect|03|MA-Yamasaki|6.1|1970-5 WTr/Reb|||Rebuilding|Assigned|Cataloger|||||||World Trade Center. Rebuilding|12992|Yamasaki, Minoru||architect|Minoru Yamasaki|0||||0|||||American||||||||United States||||||0|New York, New York|||10060||||0||||0|Architecture|Office building|Documentary photograph|||21|||2002|||2002 ff|2002||World Trade Center|||1371||||0||||||||||||||||||||||World Trade Center (New York, NY)||||||||||Cornell||MNW|MNW|2/27/2004 0:00:00|2/27/2004 0:00:00|Yamasaki|NYC||0||||||WTr/Reb|MA||||||6.1|1970-5|||||||||Work|0|Modern Architecture|||||||||||0|0|Rebuilding|Yamasaki, Minoru 1393.00|0|Creator|15|J-|Avedon||30|J Avedon 30|Marlene Dietrich Blackglama Advertisement|Descriptive|Cataloger|||||||Marlene Dietrich Blackglama Advertisement (What Becomes a Legend Most?)|574|Avedon, Richard||photographer|Richard Avedon|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Advertising|Advertisement|Photographic print|||20|||1969|1969||1969|1969||What Becomes a Legend Most?|Collective Title||1394||||0||||||ink|paper||||photography|printing||||||||||Furs; Portraits; Dietrich, Marlene, 1904-1992||||||||||Cornell||SJW|MNW|3/1/2004 0:00:00|3/1/2004 0:00:00|Avedon|||0|||||||J||||||||||||||||Work|0||Part of the Blackglama Mink advertising campaign titled "What Becomes a Legend Most?"||||||||||0|0|Marlene Dietrich Blackglama Advertisement|Avedon, Richard 1394.00|0||||||||What Becomes a Legend Most?|Descriptive|Image Source (Book)|||||||What Becomes a Legend Most?|574|Avedon, Richard||photographer|Richard Avedon|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Advertising|Advertisement|Photographic print|||20|||1969|1969||1969|1969|||||0||||0||||||ink|paper||||photography|||||||||||||||||||||Cornell||MNW|MNW|3/1/2004 0:00:00|3/1/2004 0:00:00||||0||||||||||||||||||||||||0||Blackglama Mink advertising campaign.||||||||||0|0|What Becomes a Legend Most?|Avedon, Richard 1395.00|0|Creator|15|MA-Eames|9.0|1948|Chair 14|MA-Eames 9.0 1948 Chair 14|La Chaise|BrandName|Print Publication|La Chaise [chair]|Descriptive|Cataloger||||La Chaise|30085|Eames, Charles and Ray||industrial designfrm|Charles and Ray Eames|30037|Vitra AG|||0|||||American||||||||United States||||||0||||0||||0||||0|Furnishings|Chair||||20|||1948|1948||1948|1948|||||0||||0|||||Fiberglass with iron rods, wood|fiberglass|iron|wood|||furniture making|molding||||82.5 x 150 x 85 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|MNW|6/10/2004 0:00:00|3/1/2004 0:00:00|Eames|||0|||||||MA||||||9.0|1948| ||||||||Work|0||Named "La Chaise" in honor of Gaston Lachaise. Produced by Vitra AG, Basel.|||Designed 1948; produced 1990 to present|||||||0|0|La Chaise;La Chaise [chair]|Eames, Charles and Ray;Vitra AG 1396.00|0|Creator|15|35|L133 SC|F6281||35 L133 SC F6281 |Floating Figure|Assigned|Print Publication|||||||Floating Figure|6659|Lachaise, Gaston||sculptor|Gaston Lachaise|0||||0|||||French||||||||France||||||0||||||||0||||0|Sculpture|Figures (representations)||||20|||1927|1927||1927|1927-1927|||||0||||0|||||Bronze|bronze|||||sculpture|casting||||131.4 cm H.||3384|New York,Museum of Modern Art|New York: MoMA||Nudes||||||||||Cornell||SJW|MNW|6/10/2004 0:00:00|3/1/2004 0:00:00|L1335|||0|||||||35|SC||||||| ||||||||Work|0||||||||||||0|0|Floating Figure|Lachaise, Gaston 1397.00|0|Creator|15|MA-Eames&Saar|9.0|1940|Chair 1|MA-Eames&Saar 9.0 1940 Chair 1|Drawing of Chair for Competition "Organic Design in Home Furnishings"|Assigned|Print Publication|||||||Drawing of chair for Competition "Organic Design in Home Furnishings"|28047|Eames & Saarinen||architectural firm|Eames & Saarinen|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Furnishings|Chair|Drawing|||20|||1940|1940||1940|1940-1940|||||0||||0|||||||||||drawing (image-making)|||||||||||||||||||||Cornell||SJW|MNW|6/10/2004 0:00:00|3/1/2004 0:00:00|Eames&Saar|||0|||||||MA||||||9.0|1940|||||||||Work|0||||||||||||0|0|Drawing of Chair for Competition "Organic Design in Home Furnishings"|Eames & Saarinen 1398.00|0|Creator|15|35|D143|A862||35 D143 A862 |Atavistic Ruins after the Rain|Artists||||||||Atavistic Ruins after the Rain|2843|Dali, Salvador||artist|Salvador Dali|0||||0|||||Spanish|||Surrealist|||||Spain||||||0||||0||||0||||0|Paintings|Painting|||||||1934|1934||1934|1934-1934|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||65 x 54 cm||3928|New York, Mr.& Mrs.Klaus Perls Collection|New York: Klaus Perls Coll.||Dreams||||||||||Cornell||SJW|JNK|1/6/2006 0:00:00|3/1/2004 0:00:00|D143|||0|||||||35|||||||| ||||||||Work|0||||||Web note said "Perls Gallery"||||||0|0|Atavistic Ruins after the Rain|Dali, Salvador 1399.00|0|Creator|15|MA-Noguchi|9.0|1947|Table 3|MA-Noguchi 9.0 1947 Table 3|Chess Table IN-61|BrandName|Print Publication|||||||Chess Table IN-61|8565|Noguchi, Isamu||artist|Isamu Noguchi|30052|Herman Miller Furniture Company|||0|||||American||||||||United States||||||0||||0||||0||||0|Furnishings|Table||||20|||1947|1948||1947-1948|1947-1948|||||0||||0|||||Plywood, cast aluminum, plastic inlay|plywood|aluminum|plastics|||furniture making|casting||||49 x 67 x 67 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||Games||||||||||Cornell||SJW|SJW|3/1/2004 0:00:00|3/1/2004 0:00:00|Noguchi|||0|||||||MA||||||9.0|| ||||||||Work|0||Dimensions are for table closed. The top swivels open revealing storage troughs for the chess pieces.|||Design 1947-1948; Production 1948-1949.|||||||0|0|Chess Table IN-61|Noguchi, Isamu;Herman Miller Furniture Company 1400.00|0|Architect|03|MA-Noguchi|2.33|1947 ConPla||MA-Noguchi 2.33 1947 ConPla |Contoured Playground|Assigned|Print Publication|||||||Contoured Playground|8565|Noguchi, Isamu||artist|Isamu Noguchi|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Landscape architecture|Playground||||20|||1941|1941||1941|1941-1941|||||0||||0||||||||||||||||||||||||||||||||Cornell||SJW|MNW|6/10/2004 0:00:00|3/1/2004 0:00:00|Noguchi|||0||||||ConPla|MA||||||2.33|1947|||||||||Work|0|Modern Architecture|Contoured Playground is a project for a completely safe play area of undulating earth forms proposed for Central Park in NYC. (Bruce Altshuler, Isamu Noguch)||||||||||0|0|Contoured Playground|Noguchi, Isamu 1401.00|0|Creator|15|35|N778-SC|1946|1|35 N778-SC 1946 1|Fish Face|Artists|Print Publication|||||||Fish Face|8565|Noguchi, Isamu||artist|Isamu Noguchi|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Sculpture|||||20|||1946|1946||1946|1946-1946|||||0||||0|||||Slate|slate|||||sculpture|||||75.6 cm high||9313|: Milly and Arne Glimcher|: Milly and Arne Glimcher||Fish||||||||||Cornell||SJW|MNW|6/10/2004 0:00:00|3/1/2004 0:00:00|N778|||0|||||||35|SC||||||1946| ||||||||Work|0||||||||||||0|0|Fish Face|Noguchi, Isamu 1402.00|0|Creator|15|X-18|Elect|Radio|2|X-18 Elect Radio 2|"The Radio Nurse" Loudspeaker|Assigned|Print Publication|||||||"The Radio Nurse" Loudspeaker|8565|Noguchi, Isamu||artist|Isamu Noguchi|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Industrial Design|Loudspeaker||||20|||1937|1937||1937|1937-1937|||||0||||0|||||Bakelite, electrical wiring|Bakelite|||||molding|||||21 x 16.5 x 15.2 cm||||||||||||||||Cornell||SJW|MNW|6/10/2004 0:00:00|3/1/2004 0:00:00||||0|||||||X|||18|||||||||||||Work|0||Commercially produced loudspeaker (used with radio) by Zenith Radio company.||||||||||0|0|"The Radio Nurse" Loudspeaker|Noguchi, Isamu 1403.00|0|Creator|15|MA-Eames|9.0|1946|Screen 15|MA-Eames 9.0 1946 Screen 15|FSW (Folding Screen Wood)|BrandName|Print Publication|||||||FSW (Folding Screen Wood)|30085|Eames, Charles and Ray||industrial designfrm|Charles and Ray Eames|30052|Herman Miller Furniture Company|||0|||||American||||||||United States||||||0||||0||||0||||0|Furnishings|Screen (Furniture)||||20|||1946|1946||1946|1946-1946|||||0||||0|||||Molded plywood, canvas|plywood|canvas||||molding|furniture making||||173 x 200 x 12.5 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|MNW|6/10/2004 0:00:00|3/1/2004 0:00:00|Eames|||0|||||||MA||||||9.0|1946| ||||||||Work|0||Dimensions are screen opened. First production was by Evans Products Company, Venice CA. Production resumed by Herman Miller and Vitra AG.|||Designed 1946; production 1946-1955.|||||||0|0|FSW (Folding Screen Wood)|Eames, Charles and Ray;Herman Miller Furniture Company 1404.00|0|Creator|15|MA-Eames|9.0|1943|Sculp 16|MA-Eames 9.0 1943 Sculp 16|Sculpture of Molded Laminated Wood|Descriptive|Print Publication|||||||Sculpture of molded laminated wood|30085|Eames, Charles and Ray||industrial designfrm|Charles and Ray Eames|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Furnishings|Sculpture||||20|||1943|1943||1943|1943-1943|||||0||||0|||||Molded, laminated wood|wood|||||molding|furniture making|sculpture|||||||||||||||||||Cornell||SJW|MNW|6/10/2004 0:00:00|3/1/2004 0:00:00|Eames|||0|||||||MA||||||9.0|1943|||||||||Work|0||||||||||||0|0|Sculpture of Molded Laminated Wood|Eames, Charles and Ray 1405.00|0|Creator|15|MA-Eames|9.0|1945|Chair 11|MA-Eames 9.0 1945 Chair 11|LCW (Lounge Chair Wood)|||||||||LCW (Lounge Chair Wood)|30085|Eames, Charles and Ray||industrial designfrm|Charles and Ray Eames|30052|Herman Miller Furniture Company|||0|||||American||||||||United States||||||0||||0||||0||||0|Furnishings|Chair||||20|||1945|1945||1945|1945|||||0||||0|||||Molded plywood, rubber shock mounts|plywood|rubber (material)||||furniture making|||||68 x 56 x 62 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||Furniture ; Chairs ; |Furniture|Chairs||||||||Cornell||SJW|JNK|5/9/2005 0:00:00|3/1/2004 0:00:00|Eames|||0|||||||MA||||||9.0|1945| ||||||||Work|0||Produced by Evans Products Co., Venice CA for Herman Miller Furniture Co.|||Designed 1945; production 1946-1957.|||||||0|0|LCW (Lounge Chair Wood)|Eames, Charles and Ray;Herman Miller Furniture Company 1406.00|0|Creator|15|MA-Eames|9.0|1945|Chair 17|MA-Eames 9.0 1945 Chair 17|DCW Test Model|Descriptive|Image Source (Book)||||||||30085|Eames, Charles and Ray||industrial designfrm|Charles and Ray Eames|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Furnishings|Chair||||20|||1945|1945||1945|1945||LCW (Lounge Chair Wood)|LargerEntity||1405||||0|||||Molded plywood, rubber shock mounts|plywood|rubber (material)||||furniture making|||||||||||||||||||||Cornell||SJW|MNW|6/9/2004 0:00:00|3/1/2004 0:00:00||||0|||||||MA||||||9.0|1945|||||||||Work|0||Produced by Evans Products Co., Venice CA for Herman Miller Furniture Co.|||Designed 1945; production 1946-1957.|||||||0|0|DCW Test Model|Eames, Charles and Ray 1407.00|0|Site|02|B-Q5|Bom|2.121 WRR||B-Q5 Bom 2.121 WRR |Western Railroad Offices|Published|Print Publication||||||||14520|Stevens, Frederick William||architect|Frederick Stevens|0||||0|||||Indian||||||||India||||||0|Mumbai, India|||10191||||0||||0|Architecture|Railroad station||||19|||1894|1899||1894-1899|1894-1899|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|3/1/2004 0:00:00|3/1/2004 0:00:00||Bom||0||||||WRR|B|||||Q5|2.121||||||||||Work|0|Architecture-India|||||||||||0|0|Western Railroad Offices|Stevens, Frederick William 1408.00|0|Creator|15|MA-Eames|9.0|1946|Chair 18|MA-Eames 9.0 1945 Chair 18|Chair Shell|Descriptive|Cataloger|||||||Chair Shell|30085|Eames, Charles and Ray||industrial designfrm|Charles and Ray Eames|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Furnishings|Chair||||20|||1946|1946||1946|1946-1946|||||0||||0|||||Molded laminated wood pieces, assembled|plywood|||||furniture making|molding||||||||||||||||||||Cornell||SJW|MNW|6/9/2004 0:00:00|3/1/2004 0:00:00|Eames|||0|||||||MA||||||9.0|1946|||||||||Work|0||Experimental prototype model.||||||||||0|0|Chair Shell|Eames, Charles and Ray 1409.00|0|Site|02|B-Q5|Bom|1.31 Oval||B-Q5 Bom 1.31 Oval |Oval Maidan|Assigned|Cataloger|Pope Paul Maidan||||||Oval Maidan (Pope Paul Maidan)|0|||||0||||0|||||Indian||||||||India||||||0|Mumbai, India|||10191||||0||||0|Architecture|Squares (open spaces)||||19|||1870|1879||1870's|1870-1879|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|3/1/2004 0:00:00|3/1/2004 0:00:00||Bom||0||||||Oval|B|||||Q5|1.31||||||||||Work|0|Architecture-India|||||||||||0|0|Oval Maidan;Pope Paul Maidan| 1410.00|0|Category|06|J-MP-Tati|1|Playtime||J-MP-Tati 1 Playtime |Playtime|Assigned|Artist|||||||Playtime|11629|Tati, Jacques||film director|Jacques Tati|0||||0|||||French||||||||France||||||0||||0||||0||||0|Motion pictures|Film stills||||20|||1967|1967||1967|1967-1967|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|SJW|3/2/2004 0:00:00|3/1/2004 0:00:00|Tati|||0||||||Playtime|J-MP||||||1||||||||||Work|0||Produced by Spectra Films, France.||||||||||0|0|Playtime|Tati, Jacques 1411.00|0|Architect|15|MA-Aalto|9.0|1936|Chair 21|MA-Aalto 9.0 1936 Chair 21|Chaise Longue 39|BrandName|Print Publication||||||||126|Aalto, Alvar||designer|Alvar Aalto|30093|Artek Oy. AB||manufacturer|0|||||Finnish||||||||Finland||||||0||||0||||0||||0|Furnishings|Chair||||20|||1936|1936||1936|1936-1936||Chaise Longue 39|||1411||||0|||||Bent laminated birch wood, fabric|birch|||||furniture making|||||69 x 61 x 161.5 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||Furniture ; chairs (object genres) ; |Furniture|chairs (object genres)||||||||Cornell||SJW|MNW|5/2/2005 0:00:00|3/2/2004 0:00:00|Aalto|||0|||||||MA||||||9.0|1936| ||||||||Work|0||Produced by Artek Oy. AB, Helsinki.|||Designed 1936; production 1936 to present.|||||||0|0|Chaise Longue 39|Aalto, Alvar;Artek Oy. AB 1412.00|0|Architect|15|MA-Aalto|5.1|1929-33|TB 9-5|MA-Aalto 5.1 1929-33 TB 9-5|Armchair 41, Paimio|Assigned|Print Publication|||||||Armchair 41, Paimio|126|Aalto, Alvar||designer|Alvar Aalto|124|Aalto, Aino Marsio||designer|30093|Artek Oy. AB||manufacturer||Finnish||||||||Finland||||||0||||0||||0||||0|Furnishings|Chair||||20|||1930|1931||1930-1931|1930-1931|||||0||||0|||||Bent plywood, bent laminated birch frame|plywood|birch||||furniture making|||||62.5 x 61 x 88 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||Furniture ; Chairs ; |Furniture|Chairs||||||||Cornell||SJW|MNW|5/2/2005 0:00:00|3/2/2004 0:00:00|Aalto|||0|||||||MA||||||5.1|1929-33| ||||||||Work|0||Done for the tuberculosis sanitorium near Paimio designed by Alvar and Aino Aalto, 1929-1933.||||||||||0|0|Armchair 41, Paimio|Aalto, Alvar;Aalto, Aino Marsio;Artek Oy. AB 1413.00|0|Architect|02|MA-Aalto|9.0|1936|Glass 1|MA-Aalto 9.0 1936 Glass 1|"Savoy" Vase|BrandName|Print Publication|Aalto Vase|BrandName|Print Publication||||"Savoy" Vase|126|Aalto, Alvar||designer|Alvar Aalto|30093|Artek Oy. AB||manufacturer|0|||||Finnish||||||||Finland||||||0||||0||||0||||0|Furnishings|Vase||||20|||1936|1936||1936|1936-1936|||||0||||0|||||Glass|glass|||||glassblowing|||||||||||Furniture ; |Furniture|||||||||Cornell||SJW|MNW|5/2/2005 0:00:00|3/2/2004 0:00:00|Aalto|||0|||||||MA||||||9.0|1936|||||||||Work|0||Handblown glass produced by Iittala for Artek.|||Designed 1936; produced 1937 to present.|||||||0|0|"Savoy" Vase;Aalto Vase|Aalto, Alvar;Artek Oy. AB 1414.00|0|Creator|15|U-16|9.0|Morrison|Chair 1|U-16 9.0 Morrison Chair 1|Ply-Chair|||||||||Ply-Chair|30094|Morrison, Jasper||designer|Jasper Morrison|30037|Vitra AG|||0|||||English||||||||England||||||0||||0||||0||||0|Furnishings|Chair||||20|21||1988|1988||1988|1988-1988|||||0||||0|||||Plywood with birch veneer|plywood|birch||||furniture making|||||84.5 x 39.5 x 47 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|MNW|6/9/2004 0:00:00|3/2/2004 0:00:00|Morrison|||0|||||||U|||16||||9.0| |||||||||0||Produced by Vitra AG, Basel.|||Designed 1988; produced 1989 to present.|||||||0|0|Ply-Chair|Morrison, Jasper;Vitra AG 1415.00|0|Creator|15|U-16|9.0|Arad|Chair 1|U-16 9.0 Arad Chair 1|Well Tempered Chair|||||||||Well Tempered Chair|30095|Arad, Ron||designer|Ron Arad|30037|Vitra AG||manufacturer|0|||||English||||||||England||||||0||||0||||0||||0|Furnishings|Chair||||20|||1986|1986||1986|1986-1986|||||0||||0|||||Sheet steel, wing screws|steel|||||welding|furniture making||||80 x 98.5 x 80 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||Chairs ; |Chairs|||||||||Cornell||SJW|MNW|5/2/2005 0:00:00|3/3/2004 0:00:00|Arad|||0||||||Chair|U|||16|||9.0|9.0| ||||||||Work|0|Furniture-English|Produced by Vitra AG, Basel.|||Designed 1986; produced 1986-1993.|||||||0|0|Well Tempered Chair|Arad, Ron;Vitra AG 1416.00|0|Architect|15|MA-Ponti|9.0|1951-7|Chair 1|MA-Ponti 9.0 1951-7 Chair 1|Superleggera, No. 699|BrandName|Print Publication|Superleggera, No. 699 [chair]|Descriptive|Cataloger||||Superleggera, No. 699 [chair]|9361|Ponti, Giovanni||architect|Gio Ponti|0||||0|||||Italian||||||||Italy||||||0||||0||||0||||0|Furnishings|Chair||||20|21||1951|1957||1951-1957|1951-1957|||||0||||0|||||Varnished ash with cane|wood|cane||||furniture making|||||82.5 x 40 x 44.5 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|MNW|6/9/2004 0:00:00|3/3/2004 0:00:00||||0|||||||MA||||||9.0|1951-7| ||||||||Work|0||Produced by Figli di Amedeo Cassina, Meda, Italy (near Milan).|||Designed 1951-1957; produced since 1957.|||||||0|0|Superleggera, No. 699;Superleggera, No. 699 [chair]|Ponti, Giovanni 1417.00|0|Creator|15|U-13.4|9.0|Guhl|Chair 1|U-13.4 9.0 Guhl Chair 1|Garden Chair|Descriptive|Print Publication|||||||Garden Chair|30096|Guhl, Willy||designer|Willy Guhl|0||||0|||||Swiss||||||||Switzerland||||||0||||0||||0||||0|Furnishings|Chair||||20|||1954|1954||1954|1954-1954|||||0||||0|||||Fibrated concrete|concrete|asbestos||||molding|||||54.5 x 54.5 x 76.5 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|CLL|6/14/2004 0:00:00|3/3/2004 0:00:00|Guhl|||0|||||||U|||13.4||||9.0| ||||||||Work|0||Produced by Eternit AG, Niederurnen, Switzerland. The "fiber" used in the concrete was asbestos; the Vitra Design Museum has put sealant on their copy to preserve it safely.|||Designed 1954; produced 1954-1980.|||||||0|0|Garden Chair|Guhl, Willy 1418.00|0|Creator|15|35|B596-SC|U545||35 B596-SC U545|Unendliche Schleife|Artists|Print Publication|Endless Loop|Translated|Print Publication|Endless Ribbon|Repository|Online Resource|Unendliche Schleife (Endless Loop)|1169|Bill, Max||sculptor|Max Bill|0||||0|||||Swiss||||||||Switzerland||||||0||||||||0||||0|Sculpture|Sculpture||||20|||1953|1953||1953|1953-1953|||||0||||0|||||Granite|granite|||||carving|||||||3842|Baltimore,Baltimore Museum of Art|Baltimore: Mus. Art||||||||||||Cornell||SJW|CLL|6/14/2004 0:00:00|3/5/2004 0:00:00|B596|||0|||||||35|SC||||||| ||||||||Work|0||Not sure how many copies made; one apparently in Baltimore Museum sculpture garden. Earlier prototypes made in reinforced plaster.|||Museum notes "originally 1935".|||||||0|0|Unendliche Schleife;Endless Loop;Endless Ribbon|Bill, Max 1419.00|0|Creator|15|25|M6235-F|V345-SC||25 M6235-F V345-SC |Sistine Ceiling|Assigned|Blue Guide|||||||Sistine Ceiling|7960|Buonarroti, Michelangelo||painter|Michelangelo Buonarroti|0||||0|||||Italian|||Renaissance|||||Italy||||||0|Sistine Chapel, Vatican City, Rome, Italy|||10202||||0||||0|Paintings|Fresco||||16|||1508|1512||1508-1512|1508-1512|||||0||||0|||||Fresco||||||painting (image-making)|fresco painting||||||3972|Rome: Vatican; Cappella Sistina|Rome: Vatican; Sistine Chapel||Creation||||||||||Cornell||MNW|MNW|10/18/2006 0:00:00|3/8/2004 0:00:00|M6235|||0|||||||25|F||||||| |V345-SC|||||||Work|0||||||||||||0|0|Sistine Ceiling|Buonarroti, Michelangelo 1420.00|0|Creator|15|25|M6235-F|V345-SC|11A 1|25 M6235-F V345-SC 11A 1|Creation of Adam|Assigned|Dict.Art|||||||Sistine Ceiling. Creation of Adam|7960|Buonarroti, Michelangelo||painter|Michelangelo Buonarroti|0||||0|||||Italian|||Renaissance|||||Italy||||||0||||0||||0||||0|Paintings|Fresco||||16|||1508|1512||1508-1512|1508-1512||Sistine Ceiling|||1419||||0|||||Fresco||||||painting (image-making)|fresco painting||||||3972|Rome,Vatican,Cappella Sistina|Rome: Vatican; Sistine Chapel||Creation||||||||||Cornell||MNW|MNW|3/15/2004 0:00:00|3/8/2004 0:00:00|M6235|||0|||||||25|F||||||| |V345-SC|||||||Work|0||||||||||||0|0|Creation of Adam|Buonarroti, Michelangelo 1421.00|0|Creator|15|25|M6235-F|V345-SC|11E 1|25 M6235-F V345-SC 11E 1|The Fall and Expulsion from the Garden of Eden|Assigned|Dict.Art|||||||Sistine Ceiling. The Fall and Expulsion from the Garden of Eden|7960|Buonarroti, Michelangelo||painter|Michelangelo Buonarroti|0||||0|||||Italian|||Renaissance|||||Italy||||||0||||0||||0||||0|Paintings|Fresco||||16|||1508|1512||1508-1512|1508-1512||Sistine Ceiling|||1419||||0|||||Fresco||||||painting (image-making)|fresco painting||||||3972|Rome,Vatican,Cappella Sistina|Rome: Vatican; Sistine Chapel||Old Testament ; Explusion ; Temptation and Fall (Genesis 3:1-7) ; |Old Testament|Explusion|Temptation and Fall (Genesis 3:1-7)|||||||Cornell||MNW|MNW|10/26/2006 0:00:00|3/8/2004 0:00:00|M6235|||0|||||||25|F||||||| |V345-SC|||||||Work|0||||||||||||0|0|The Fall and Expulsion from the Garden of Eden|Buonarroti, Michelangelo 1422.00|0|Creator|15|25|M6235-F|V345-SC|11N 1|25 M6235-F V345-SC 11N 1|The Flood|Assigned|Cataloger|||||||Sistine Ceiling. The Flood|7960|Buonarroti, Michelangelo||painter|Michelangelo Buonarroti|0||||0|||||Italian|||Renaissance|||||Italy||||||0||||0||||0||||0|Paintings|Fresco||||16|||1508|1512||1508-1512|1508-1512||Sistine Ceiling|||1419||||0|||||Fresco||||||painting (image-making)|fresco painting||||||3972|Rome,Vatican,Cappella Sistina|Rome: Vatican; Sistine Chapel||Noah; Flood||||||||||Cornell||MNW|MNW|3/15/2004 0:00:00|3/8/2004 0:00:00|M6235|||0|||||||25|F||||||| |V345-SC|||||||Work|0||||||||||||0|0|The Flood|Buonarroti, Michelangelo 1424.00|0|Creator|15|25|M6235-F|V345-SC|11N 2||Drunkeness of Noah|Assigned|Cataloger|||||||Sistine Ceiling. The Drunkeness of Noah|7960|Buonarroti, Michelangelo||painter|Michelangelo Buonarroti|0||||0|||||Italian|||Renaissance|||||Italy||||||0||||0||||0||||0|Paintings|Fresco||||16|||1508|1512||1508-1512|1508-1512||Sistine Ceiling|||1419||||0|||||Fresco||||||painting (image-making)|fresco painting||||||3972|Rome,Vatican,Cappella Sistina|Rome: Vatican; Sistine Chapel||Noah; Drunkeness of Noah||||||||||Cornell||MNW|MNW|3/15/2004 0:00:00|3/15/2004 0:00:00|M6235|||0|||||||25|F||||||| |V345-SC|||||||Work|0||||||||||||0|0|Drunkeness of Noah|Buonarroti, Michelangelo 1425.00|0|Creator|15|25|M6235-F|V345-SC|51 3|25 M6235-F V345-SC 51 3|Ignudo above Delphic Sibyl|Assigned|Cataloger|||||||Sistine Ceiling. Ignudo above Delphic Sibyl|7960|Buonarroti, Michelangelo||painter|Michelangelo Buonarroti|0||||0|||||Italian|||Renaissance|||||Italy||||||0||||0||||0||||0|Paintings|Fresco||||16|||1508|1512||1508-1512|1508-1512||Sistine Ceiling|||1419||||0|||||Fresco||||||painting (image-making)|fresco painting||||||3972|Rome,Vatican,Cappella Sistina|Rome: Vatican; Sistine Chapel||||||||||||Cornell||MNW|MNW|3/15/2004 0:00:00|3/15/2004 0:00:00|M6235|||0|||||||25|F||||||| |V345-SC|||||||Work|0||||||||||||0|0|Ignudo above Delphic Sibyl|Buonarroti, Michelangelo 1426.00|0|Creator|15|25|M6235-F|V345-SC|14C 1||Cumaean Sibyl|Assigned|Cataloger|||||||Sistine Ceiling. Cumaen Sibyl|7960|Buonarroti, Michelangelo||painter|Michelangelo Buonarroti|0||||0|||||Italian|||Renaissance|||||Italy||||||0||||0||||0||||0|Paintings|Fresco||||16|||1508|1512||1508-1512|1508-1512||Sistine Ceiling|||1419||||0|||||Fresco||||||painting (image-making)|fresco painting||||||3972|Rome,Vatican,Cappella Sistina|Rome: Vatican; Sistine Chapel||Sibyls||||||||||Cornell||MNW|MNW|3/15/2004 0:00:00|3/15/2004 0:00:00|M6235|||0|||||||25|F||||||| |V345-SC|||||||Work|0||||||||||||0|0|Cumaean Sibyl|Buonarroti, Michelangelo 1427.00|0|Creator|15|25|M6235-F|V345-SC|14Je 1|25 M6235-F V345-SC 14Je 1|Prophet Jeremiah|Assigned|Cataloger|||||||Sistine Ceiling. Prophet Jeremiah|7960|Buonarroti, Michelangelo||painter|Michelangelo Buonarroti|0||||0|||||Italian|||Renaissance|||||Italy||||||0||||0||||0||||0|Paintings|Fresco||||16|||1508|1512||1508-1512|1508-1512||Sistine Ceiling|||1419||||0|||||Fresco||||||painting (image-making)|fresco painting||||||3972|Rome,Vatican,Cappella Sistina|Rome: Vatican; Sistine Chapel||Jeremiah||||||||||Cornell||MNW|MNW|3/15/2004 0:00:00|3/15/2004 0:00:00|M6235|||0|||||||25|F||||||| |V345-SC|||||||Work|0||||||||||||0|0|Prophet Jeremiah|Buonarroti, Michelangelo 1428.00|0|Creator|15|25|M6235-F|V345-SC|14Jo 1|25 M6235-F V345-SC 14Jo 1|Prophet Joel|Assigned|Cataloger|||||||Sistine Ceiling. Prophet Joel|7960|Buonarroti, Michelangelo||painter|Michelangelo Buonarroti|0||||0|||||Italian|||Renaissance|||||Italy||||||0||||||||0||||0|Paintings|Fresco||||16|||1508|1512||1508-1512|1508-1512||Sistine Ceiling|||1419||||0|||||Fresco||||||painting (image-making)|fresco painting||||||3972|Rome,Vatican,Cappella Sistina|Rome: Vatican; Sistine Chapel||Joel||||||||||Cornell||MNW|MNW|3/15/2004 0:00:00|3/15/2004 0:00:00|M6235|||0|||||||25|F||||||| |V345-SC|||||||Work|0||||||||||||0|0|Prophet Joel|Buonarroti, Michelangelo 1429.00|0|Creator|15|35|P586|1906|W866|35 P586 1906 W866|La porteuse de pains|Assigned|Online Resource|Woman with Loaves|Translated|Cataloger||||La porteuse de pains (Woman with Loaves)|9196|Picasso, Pablo||painter|Pablo Picasso|0||||0|||||Spanish|French|||||||Spain|France|||||0||||0||||0||||0|Paintings|Oil painting|Portrait|||20|||1906|1906||1906|1906|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||100 x 69.8 cm||3281|Philadelphia,Philadelphia Museum of Art|Philadelphia: Museum of Art||Portraits; Olivier, Fernande||||||||||Cornell||SJW|MNW|3/18/2004 0:00:00|3/15/2004 0:00:00|P586|||0|||||||35|||||||1906| |W866|||||||Work|0||In May of 1906, Picasso and his new love, Fernande Olivier, journeyed from Paris to Gósol, a tiny Spanish village high in the Pyrenees, where they stayed for two months. A bronze sculpture of this figure now stands in Gósol's town square.|This is a portrait of Fernande.|||||||||0|0|La porteuse de pains;Woman with Loaves|Picasso, Pablo 1430.00|0|Creator|15|25|R217-F|V345-SSe||25 R217-F V345-SSe |Stanza della Segnatura|Assigned|Blue Guide|||||||Stanza della Segnatura|9634|Raphael||painter|Raphael|0||||0|||||Italian|||Renaissance|||||Italy||||||0|Vatican Palace, Vatican City, Rome, Italy|||10589||||0||||0|Paintings|Fresco||||16|||1508|1511||1508-1511|1508-1511|||||0||||0|||||Fresco||||||painting (image-making)|fresco painting||||||4083|Rome,Vatican,Stanza della Segnatura|Rome: Vatican; Stanza della Seg.||||||||||||Cornell||MNW|MNW|10/29/2006 0:00:00|3/16/2004 0:00:00|R217|||0|||||||25|F||||||| |V345-SSe|||||||Work|0||||||||||||0|0|Stanza della Segnatura|Raphael 1431.00|0|Creator|15|25|R217-F|V345-SSe|4 Di 1|25 R217-F V345-SSe 4 Di 1|Disputa|Assigned|Blue Guide|Disputation on the Holy Sacrament|Assigned|Blue Guide||||Stanza della Segnature. Disputa|9634|Raphael||painter|Raphael|0||||0|||||Italian|||Renaissance|||||Italy||||||0||||0||||0||||0|Paintings|Fresco||||16|||1508|1511||1508-1511|1508-1511||Stanza della Segnatura|||1430||||0|||||Fresco||||||painting (image-making)|fresco painting||||||4083|Rome,Vatican,Stanza della Segnatura|Rome: Vatican; Stanza della Seg.||Sacraments; Eucharist||||||||||Cornell||MNW|CLL|8/3/2006 0:00:00|3/16/2004 0:00:00|R217|||0||||||4 Di|25|F||||||| |V345-SSe|||||||Work|0||Glorification of Catholicism.||||||||||0|0|Disputa;Disputation on the Holy Sacrament|Raphael 1432.00|0|Creator|15|25|R217-F|V345-SSe|4 At 1|25 R217-F V345-SSe 4 At 1|School of Athens|Assigned|Blue Guide|||||||Stanza della Segnature. School of Athens|9634|Raphael||painter|Raphael|0||||0|||||Italian|||Renaissance|||||Italy||||||0|Vatican Palace, Vatican City, Rome, Italy|||10589||||0||||0|Paintings|Fresco|Painting|||16|||1508|1511||1508-1511|1508-1511||Stanza della Segnatura|Larger entity||1430||||0|||||Fresco||||||painting (image-making)|fresco painting||||||4083|Rome: Vatican; Stanza della Segnatura|Rome: Vatican; Stanza della Seg.||Philosophy ; Philosphers ; |Philosophy|Philosphers||||||||Cornell||MNW|MNW|11/7/2006 0:00:00|3/16/2004 0:00:00|R217|||0||||||4 At|25|F||||||| |V345-SSe|||||||Work|0||Triumph of philosophy. Various restorations beginning in the 16th century. Nesselrath|||Restoration = 1/1995 to 4/1996.|||||||0|0|School of Athens|Raphael 1433.00|0|Creator|15|25|R217-F|V345-SSe|4 Pa 1||Parnassus|||||||||Stanza della Segnature. Parnassus|9634|Raphael||painter|Raphael|0||||0|||||Italian|||Renaissance|||||Italy||||||0||||0||||0||||0|Paintings|Fresco||||16|||1508|1511||1508-1511|1508-1511||Stanza della Segnatura|||1430||||0|||||Fresco||||||painting (image-making)|fresco painting||||||4083|Rome,Vatican,Stanza della Segnatura|Rome: Vatican; Stanza della Seg.||Apollo; Muses||||||||||Cornell||MNW|CLL|8/3/2006 0:00:00|3/16/2004 0:00:00|R217|||0||||||4 Pa|25|F||||||| |V345-SSe|||||||Work|0||||||||||||0|0|Parnassus|Raphael 1434.00|0|Creator|15|35|P586|1906|F330|35 P586 1906 F330|Female Nude Seated with Her Legs Crossed|Assigned|Image Source (Book)|||||||Female Nude Seated with Her Legs Crossed|9196|Picasso, Pablo||painter|Pablo Picasso|0||||0|||||Spanish|French|||||||Spain|France|||||0||||0||||0||||0|Paintings|Oil painting||||20|||1906|1906||1906|1906|||||0||||0|||||Oil on canvas mounted on wood|oil paint|canvas|wood|||painting (image-making)|||||151 x 100 cm|||Prague, Narodni Muzeum|||Nudes||||||||||Cornell||SJW|MNW|3/18/2004 0:00:00|3/16/2004 0:00:00|P586|||0|||||||35|||||||1906| |F330|||||||Work|0||||||||||||0|0|Female Nude Seated with Her Legs Crossed|Picasso, Pablo 1435.00|0|Creator|15|35|P586-PA|1907|1|35 P586-PA 1907 1|Les Demoiselles d'Avignon|||||||||Les Demoiselles d'Avignon|9196|Picasso, Pablo||painter|Pablo Picasso|0||||0|||||Spanish|French|||||||Spain|France|||||0||||0||||0||||0|Paintings|Oil painting||||20|||1907|1907||1907|1907-1907|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||243.9 x 233.7 cm||3384|New York,Museum of Modern Art|New York: MoMA||Nudes; Prostitutes; Masks||||||||||Cornell||SJW|MNW|6/24/2004 0:00:00|3/16/2004 0:00:00|P586|||0||||||1 D|35|PA||||||1907| ||||||||Work|0||Acquired through the Lillie P. Bliss Bequest. © 2002 Estate of Pablo Picasso/Artists Rights Society (ARS), New York.||||||||||0|0|Les Demoiselles d'Avignon|Picasso, Pablo 1436.00|0|Creator|15|35|P586|1903|R776||Les toits de Barcelone dans la clair de lune|Assigned|Online Resource|Roofs of Barcelona in the Moonlight|Translated|Cataloger||||Roofs of Barcelona in the Moonlight|9196|Picasso, Pablo||painter|Pablo Picasso|0||||0|||||Spanish|French|||||||Spain|France|||||0||||0||||0||||0|Paintings|Oil painting||||20|||1903|1903||1903|1903|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||57.8 x 60.3 cm||247|Barcelona, Museu Picasso|Barcelona: Mus. Picasso||Moon; Barcelona (Spain)||||||||||Cornell||SJW|MNW|3/18/2004 0:00:00|3/16/2004 0:00:00|P586|||0|||||||35|||||||1903| ||||||||Work|0||Painted in Barcelona.||||||||||0|0|Les toits de Barcelone dans la clair de lune;Roofs of Barcelona in the Moonlight|Picasso, Pablo 1437.00|0|Architect|02|MA-Gaudi|2.32|1900-14|Güe|MA-Gaudi 2.32 1900-14 Güe|Park Güell|Assigned|Dict.Art|Parc Güell|Variant|||||Park Güell|4342|Gaudí, Antoni||architect|Antoni Gaudí|0||||0|||||Spanish|Catalan||Art Nouveau|||||Spain|||||||Barcelona, Spain|||10019||||||||0|Landscape architecture|Park (grounds)||||20|||1900|1914||1900-1914|1900-1914|||||0||||0||||||||||||||||||||||Parks||||||||||Cornell||SJW|MNW|7/23/2004 0:00:00|3/16/2004 0:00:00|Gaudi|||0||||||Güe|MA||||||2.32|1900-14|||||||||Work|0||Commissioned by Don Eusebi Güell y Bacigalupi, a textile magnate. There was supposed to be housing with the Park, but the housing was never built. (DOA)||||||||||0|0|Park Güell;Parc Güell|Gaudí, Antoni 1438.00|0|Architect|02|MA-Gaudi|3.1|1898-1915|Gue|MA-Gaudi 3.1 1898-1915 Gue|Colonia Güell Chapel|||Colonia Güell Crypt||||||Colonia Güell Chapel|4342|Gaudí, Antoni||architect|Antoni Gaudí|0||||0|||||Spanish|Catalan|||||||Spain|||||||Santa Coloma de Cervelló , Spain|||10199||||||||0|Architecture|Chapel|Crypt|||19|20||1898|1915||1898-1915|1898-1915||Colonia Güell|||1439||||0||||||||||||||||||||||||||||||||Cornell||SJW|MNW|3/19/2004 0:00:00|3/16/2004 0:00:00|Gaudi|||0||||||Gue|MA||||||3.1|1898-1915|||||||||Work|0|Modern Architecture-|The chapel for the Colonia Güell (1908–15), a settlement for Güell textile workers at Santa Coloma de Cervelló, near Barcelona. The chapel was commissioned in 1898. Only the crypt was completed.||||||||||0|0|Colonia Güell Chapel;Colonia Güell Crypt|Gaudí, Antoni 1439.00|0|Site|02|-|| |||Colonia Güell|||||||||Colonia Güell|0|||||0||||0|||||Spanish|Catalan|||||||Spain|||||||Santa Coloma de Cervelló , Spain|||10199||||||||0|Architecture|Housing development||||20|||1908|1915||1908-1915|1908-1915|||||0||||0||||||||||||||||||||||||||||||||Cornell||SJW|MNW|3/19/2004 0:00:00|3/16/2004 0:00:00||SCol||0|||||||||||||||||||||||Work|0|-|Colonia Güell (1908–15), a settlement for Güell textile workers at Santa Coloma de Cervelló, near Barcelona commissioned by Don Eusebi Güell y Bacigalupi, a textile magnate. The chapel was designed by Antoni Gaudí.||||||||||0|0|Colonia Güell| 1440.00|0|Creator|15|35|C3185-PA|1945|1|35 C3185-PA 1945 1|The House Opposite|Assigned|Image Source (Book)|||||||The House Opposite|29848|Carrington, Leonora||painter|Carrington, Leonora|0||||0|||||English|Mexican|||||||England||||||0||||0||||0||||0|Paintings|Painting||||20|||1945|1945||1945|1945-1945|||||0||||0|||||Tempera on panel|tempera|panel||||painting (image-making)|||||33 x 82 cm||9292|West Dean College, Edward James Foundation|West Dean College: Edward James Fdn.||||||||||||Cornell||MNW|MNW|3/16/2004 0:00:00|3/16/2004 0:00:00|C3185|||0|||||||35|PA||||||1945| ||||||||Work|0||||||||||||0|0|The House Opposite|Carrington, Leonora 1441.00|0|Creator|15|35|C3185-PA|1947|2|35 C3185-PA 1947 2|Portrait of the Late Mrs. Partridge|Assigned|Image Source (Book)|||||||Portrait of the Late Mrs. Partridge|29848|Carrington, Leonora||painter|Carrington, Leonora|0||||0|||||English|Mexican|||||||England||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1947|1947||1947|1947-1947|||||0||||0|||||Oil on cardboard|oil paint|cardboard||||painting (image-making)|||||100 x 68.5 cm||9292|West Dean College, Edward James Foundation|West Dean College: Edward James Fdn.||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|3/16/2004 0:00:00|C3185|||0|||||||35|PA||||||1947| ||||||||Work|0||||||||||||0|0|Portrait of the Late Mrs. Partridge|Carrington, Leonora 1442.00|0|Creator|15|35|C3185-PA|1953|1|35 C3185-PA 1953 1|And Then We Saw the Daughter of the Minotaur|Assigned|Image Source (Book)|||||||And Then We Saw the Daughter of the Minotaur|29848|Carrington, Leonora||painter|Carrington, Leonora|0||||0|||||English|Mexican|||||||England|Mexico|||||0||||0||||0||||0|Paintings|Oil painting||||20|||1953|1953||1953|1953-1953|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||60 x 70 cm||9293|Mexico, Carlos Bernal Collection|Mexico: Carlos Bernal Coll.||Minotaur||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|3/16/2004 0:00:00|C3185|||0|||||||35|PA||||||1953| ||||||||Work|0||||||||||||0|0|And Then We Saw the Daughter of the Minotaur|Carrington, Leonora 1443.00|0|Creator|15|35|C3185-PA|1954|1|35 C3185-PA 1954 1|Temple of the World|Assigned|Image Source (Book)|||||||Temple of the World|29848|Carrington, Leonora||painter|Carrington, Leonora|0||||0|||||English|Mexican|||||||England|Mexico|||||0||||0||||0||||0|Paintings|Oil painting||||20|||1954|1954||1954|1954-1954|||||0||||0|||||Oil and gold leaf on canvas|oil paint|gold|canvas|||painting (image-making)|||||100.5 x 80 cm||3290|Private Collection|: Private Coll.||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|3/16/2004 0:00:00|C3185|||0|||||||35|PA||||||1954| ||||||||Work|0||||||||||||0|0|Temple of the World|Carrington, Leonora 1444.00|0|Creator|15|35|C3185-PA|1956|1|35 C3185-PA 1956 1|AB EQ. QUON|Artists|Image Source (Book)|||||||AB EQ. QUON|29848|Carrington, Leonora||painter|Carrington, Leonora|0||||0|||||English|Mexican|||||||England|Mexico|||||0||||0||||0||||0|Paintings|Oil painting||||20|||1956|1956|ca|ca 1956|ca 1956-1956|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||71 x 61 cm||3290|Private Collection|: Private Coll.||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|3/16/2004 0:00:00|C3185|||0|||||||35|PA||||||1956| ||||||||Work|0||||||||||||0|0|AB EQ. QUON|Carrington, Leonora 1445.00|0|Creator|15|35|C3185-PA|1959|1||Who Art Thou, White Face?|Artists|Image Source (Book)|||||||Who Art Thou, White Face?|29848|Carrington, Leonora||painter|Carrington, Leonora|0||||0|||||English|Mexican|||||||England|Mexico|||||0||||0||||0||||0|Paintings|Oil painting||||20|||1959|1959||1959|1959-1959|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||70 x 100 cm||9294|Mexico, Alfonso Pasquel Collection|Mexico: Alfonso Pasquel Coll.||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|3/16/2004 0:00:00|C3185|||0|||||||35|PA||||||1959| ||||||||Work|0||||||||||||0|0|Who Art Thou, White Face?|Carrington, Leonora 1446.00|0|Creator|15|25|B8695-PA|60|4|25 B8695-PA 60 4|Portrait of a Gentlewoman|Artists|Image Source (Book)|||||||Portrait of a Gentlewoman|1621|Bronzino, Agnolo||painter|Agnolo Bronzino|0||||0|||||Italian|||Mannerist|||||Italy||||||0||||0||||0||||0|Paintings|Oil painting|Portrait|||16|||1550|1555|ca|ca 1550-1555|ca 1550-1555|||||0||||0|||||Oil on wood panel|oil paint|wood||||painting (image-making)|||||116.5 x 85.7 cm||3013|Turin,Galleria Sabauda|Turin: Gal. Sabauda||Portraits||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|3/17/2004 0:00:00|B8695|||0|||||||25|PA||||||| |60|||||||Work|0||||||||||||0|0|Portrait of a Gentlewoman|Bronzino, Agnolo 1447.00|0|Creator|15|32|C334-PA|1893|1|32 C334-PA 1893 1|Garrota vile|Repository|Image Source (Book)|Infamous Hanging|Translated|Cataloger|Garrote Vil|Artists|Image Source (Book)|Garrota vile (Infamous Hanging)|30097|Casas, Ramón||painter|Ramón Casas|0||||0|||||Catalan|Spanish|||||||Spain||||||0||||0||||0||||0|Paintings|Oil painting||||19|||1893|1893||1893|1893-1893|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||12.7 x 16.6 cm||4214|Madrid,Centro De Arte Reina Sofia|Madrid: Centro De Arte Reina Sofia||Executions; Hanging||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|3/18/2004 0:00:00|C334|||0|||||||32|PA||||||1893| ||||||||Work|0||||||||||||0|0|Garrota vile;Infamous Hanging;Garrote Vil|Casas, Ramón 1448.00|0|Culture|15||||||Hadit Bayad wa Riyad|Assigned|Repository|Tale of Bayad and Riyad|Translated|Cataloger|MSS. vat.ar.368|Manuscript|Repository|Tale of Bayad and Riyad|0|||||0||||0|||||Spanish|Islamic||Almohad|||||Spain||||||0||||0||||0||||0|Book Arts|Manuscript|Illumination (Layout feature)|||13|||1250|1299|ca|ca 1250-1299|ca 1250-1299|||||0||||0|||||||||||painting (image-making)|calligraphy||||282 x 200 mm||4303|Rome,Vatican,Biblioteca Vaticana(Bibl.Apostolica Vaticana)|Rome: Vatican; Biblioteca||Courtly love||||||||||Cornell||SJW|MNW|3/19/2004 0:00:00|3/18/2004 0:00:00||||0||MSS. vat.ar.368||||||||||||| ||||||||Work|0||Probably copied in Spain in the first half of the thirteenth century from an eastern manuscript of the Baghdad school. It remains one of the only known examples of Muslim figurative painting in Spain. 30 folios with 14 illustrations.|Arabic; in maghribi script (DOA & Vatican OPAC).||Vatican OPAC and Dictionary of Art list as c. 1201-1225; C. Robinson says mid to late 13th C.|||||||0|0|Hadit Bayad wa Riyad;Tale of Bayad and Riyad;MSS. vat.ar.368| 1449.00|0|Culture|02|B-Q5|Del|3.4 Qut/Quw||B-Q5 Del 3.4 Quw|Quwwat al-Islam Mosque|Preferred|Dict.Art|Might of Islam Mosque|Translated|Dict.Art||||Qutub Minar Complex. Quwwat al-Islam Mosque|0|||||0||||0|||||Indian|Islamic||Khalji|Mamluk|Delhi Sultanate|Asia||India|||||||Delhi, India|||10200||||||||0|Architecture|Mosque||||13|14||1192|1311|ca|ca 1192-1311|ca 1192-1311||Qutub Minar Complex|LargerEntity||7755||||0||||||||||||||||||||||Mosques ; |Mosques|||||||||Cornell||SJW|MNW|8/31/2006 0:00:00|3/19/2004 0:00:00||Del||0||||||Qut/Quw|B|||||Q5|3.4||||||||||Work|0|Architecture-India|Quwwat al-Islam ('Might of Islam') Mosque complex mostly ruined, other buildings are Qutb Minar, the tomb of Sultan Iltutmish, and the ?Ala?i Darvaza. Hindu and Jain temple spolia used in construction. (DOA)|Mosque and complex extended by rulers of the Khalji dynasty, Afghan Turks who ruled N. India from 1290-1320. (DOA).||Original part probably 1191-1198.|||||Built by Qutub-ud-din Aibak.||0|0|Quwwat al-Islam Mosque;Might of Islam Mosque| 1450.00|0|Creator|05||||||Casting operation in the courtyard of the Quwwat al-Islam Mosque|Assigned|Image Source (Book)|||||||Casting operation in the courtyard of the Quwwat al-Islam Mosque|30098|Shepherd, Charles||photographer|Charles Shepherd|0||||0|||||British|Indian|||||||England|India|||||0||||0||||0||||0|Photographs|Photographic print|Book|||19|||1870|1870||1870|1870||The Architecture of Ancient Delhi, Especially the Buildings around the Kutb Minar|||1451||||0|||||Photograph; carbon print|photographic materials|||||photography|||||20.2 x 28 cm||||||Museums; Columns; Casts (sculpture); Imperialism; Great Britain Colonies--Asia||||||||||Cornell||SJW|SJW|3/22/2004 0:00:00|3/19/2004 0:00:00||||0||||||||||||||| ||||||||Work|0||Carbon print tipped into book as an unnumbered plate (?)|Shows plaster casts being made for the South Kensington (later V&A) Museum during British Colonial period. Displayed in the museum along with the Column of Trajan, they paralleled the British Empire with the Roman Empire.||Date of photograph 1870; published in book in 1872.|||||||0|0|Casting operation in the courtyard of the Quwwat al-Islam Mosque|Shepherd, Charles 1451.00|0||||||||The Architecture of Ancient Delhi, Especially the Buildings around the Kutb Minar|||||||||The Architecture of Ancient Delhi, Especially the Buildings around the Kutb Minar|30099|Cole, Henry Hardy||architect|Henry Hardy Cole|0||||0|||||British|Indian|||||||England|India|||||0||||0||||0||||0|Book Arts|Book||||19|||1872|1872||1872|1872|||||0||||0|||||paper, ink, carbon print photographs|paper|ink|photographic materials|||printing|photography||||||3952|Montreal,Canadian Centre for Architecture|Montreal: Can. Ctr. Arch.||Great Britain Colonies--Asia; India; Architecture; Imperialism||||||||||Cornell||SJW|MNW|6/3/2005 0:00:00|3/22/2004 0:00:00||||0||||||||||||||| |||||||||0||Major Henry Hardy Cole (1843–1916), designed the National Training School for Music (now the Royal College of Organists), London, and was the Superintendent of the Archaeological Survey in the north-west provinces of India.|Book published in London by the Arundel Society.||Photographs taken earlier (c. 1870); book published 1872.|Copy of book in Can. C. for Arch., Montreal.||||||0|0|The Architecture of Ancient Delhi, Especially the Buildings around the Kutb Minar|Cole, Henry Hardy 1452.00|0|Creator|15|U-15|9.3|Paulin|Chair 3|U-15 9.3 Paulin Chair 3|Ribbon Chair|Assigned|Image Source (Book)|||||||Ribbon Chair|8990|Paulin, Pierre||interior designer|Pierre Paulin|0||||0|||||French||||||||France||||||0||||0||||0||||0|Furnishings|Chair||||20|21||1965|1965||1965|1965|||||0||||0|||||Fabric over metal tubing; base made of pressed wood|textiles|metal|wood||||||||||||||||||||||||Cornell||SJW|MNW|6/9/2004 0:00:00|3/22/2004 0:00:00|Paulin|||0|||||||U|||15||||9.3|||||||||Work|0||Produced by Artifort; still being made.|||Designed 1965; produced 1966 to present.|||||||0|0|Ribbon Chair|Paulin, Pierre 1453.00|0|Creator|15|U-18|11|Lerner|Chair 1|U-18 11 Lerner Chair 1|One Piece Chair|Assigned|Image Source (Book)|||||||One Piece Chair|30100|Lerner, Nathan Bernard||designer|Nathan Bernard Lerner|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Furnishings|Chair||||20|||1940|1940||1940|1940-1940|||||0||||0|||||Steambent plywood|plywood|||||furniture making|||||||||||||||||||||Cornell||SJW|MNW|6/9/2004 0:00:00|3/22/2004 0:00:00|Lerner|||0|||||||U|||18||||11|||||||||Work|0||||||||||||0|0|One Piece Chair|Lerner, Nathan Bernard 1454.00|0|Creator|15|35|M8771-SC|1962|1|35 M8771-SC 1962 1|Untitled|Assigned|Image Source (Book)|||||||Untitled|8237|Morris, Robert||sculptor|Robert Morris|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Sculpture|Installation (Exhibition)||||20|||1962|1962||1962|1962-1962|||||0||||0|||||Plywood|plywood|||||sculpture|||||30 x 213 x 213 cm||9285|New York, Leo Castelli Gallery|NYC: Leo Castelli Gallery||||||||||||Cornell||MNW|MNW|11/22/2004 0:00:00|3/22/2004 0:00:00|M8771|||0|||||||35|SC||||||1962| ||||||||Work|0||||||||||||0|0|Untitled|Morris, Robert 1455.00|0|Creator|15|35|M8771-SC|C726||35 M8771-SC C726 |Column|Assigned|Image Source (Book)|||||||Column|8237|Morris, Robert||sculptor|Robert Morris|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Sculpture|Installation (Exhibition)||||20|||1961|1961||1961|1961-1961|||||0||||0|||||Painted plywood|plywood|paint||||sculpture|||||487.7 x 61 cm||9285|New York, Leo Castelli Gallery|NYC: Leo Castelli Gallery||||||||||||Cornell||MNW|MNW|11/22/2004 0:00:00|3/22/2004 0:00:00|M8771|||0|||||||35|SC||||||| |C726|||||||Work|0||||||||||||0|0|Column|Morris, Robert 1456.00|0|Creator|15|MA-Jacobsen|9.0|1952|Chair 1|MA-Jacobsen 9.0 1952 Chair 1|No. 3100, Ant|Assigned|Image Source (Book)|No. 3100, Ant [chair]|Descriptive|Cataloger||||No. 3100, Ant [chair]|5868|Jacobsen, Arne||architect|Arne Jacobsen|0||||0|||||Danish||||||||Denmark||||||||||0||||0||||0|Furnishings|Chair||||20|21||1952|1952||1952|1952-1952|||||0||||0|||||Formed plywood, chromed steel tubing|plywood|steel|rubber (material)|||furniture making|||||77 x 52 x 51.5 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|MNW|6/9/2004 0:00:00|3/22/2004 0:00:00|Jacobsen|||0|||||||MA||||||9.0|1952| ||||||||Work|0||Produced by Fritz Hansens Efa. A/S, Copenhagen. Designed with three legs to permit stacking of chairs.|||Designed 1952; produced 1952 to present.|||||||0|0|No. 3100, Ant;No. 3100, Ant [chair]|Jacobsen, Arne 1457.00|0|Creator|03|MA-Bloc|9.0|1951|Chair 1|MA-Bloc 9.0 1951 Chair 1|Chair for Bellevue House|Descriptive|Cataloger|||||||Chair for Bellevue House|1246|Bloc, André Lucien Albert||architect|André Bloc|0||||0|||||French||||||||France||||||0||||0||||0||||0|Furnishings|Chair||||20|||1951|1951||1951|1951-1951|||||0||||0|||||Bent plywood, steel|plywood|steel||||furniture making|||||82.5 x 39.5 x 49 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|MNW|6/9/2004 0:00:00|3/22/2004 0:00:00|Bloc|||0|||||||MA||||||9.0|1951| ||||||||Work|0||Chair was probably commercially produced (by Bloc in Meudon, France) as a short run; only a few copies survive. Probably designed for his Bellevue House in Meudon.|||Designed 1951.|||||||0|0|Chair for Bellevue House|Bloc, André Lucien Albert 1459.00|0|Creator|15|U-18|11|Thaden|Chair 1|U-18 11 Thaden Chair 1|Plywood chair with adjustable back|Descriptive|Cataloger|||||||Plywood chair with adjustable back|30101|Thaden, Herbert V.||furniture worker|Herbert V. Thaden|30102|Thaden Jordan Furniture Corporation|||0|||||American||||||||United States||||||0||||0||||0||||0|Furnishings|Chair||||20|||1947|1947||1947|1947-1947|||||0||||0|||||Birch-faced bent plywood, metal|plywood|birch|metal|||furniture making|||||109 x 50 x 69 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||Furniture ; Chairs ; |Furniture|Chairs||||||||Cornell||SJW|MNW|5/5/2005 0:00:00|3/23/2004 0:00:00||||0|||||||U|||18||||11| ||||||||Work|0||A pair of these experimental chairs were offered at sale at Butterfield's, Nov. 2003, estimated at $8,000 to $12,000. The back is adjustable to 2 heights by means of the metal pins. Never produced in large numbers.|||Designed 1947.|||||||0|0|Plywood chair with adjustable back|Thaden, Herbert V.;Thaden Jordan Furniture Corporation 1460.00|0|Creator|15|U-13.2|9.2|ThonetFac|Chair 4|U-13.2 9.2 ThonetFac Chair 4|Bent Plywood Chair|Descriptive|Cataloger|||||||Bent Plywood Chair|30039|Gebrüder Thonet||manufacturer|Gebrüder Thonet|0||||0|||||Austrian||||||||Austria||||||0||||0||||0||||0|Furnishings|Chair||||19|||1880|1885||1880-1885|1880-1885|||||0||||0|||||Bent plywood|plywood|wood||||furniture making|||||||||||||||||||||Cornell||SJW|MNW|5/2/2005 0:00:00|3/23/2004 0:00:00|ThonetFac|||0|||||||U|||13.2||||9.2|||||||||Work|0||Design possibly attributed to August Thonet (1829–1910).||||||||||0|0|Bent Plywood Chair|Gebrüder Thonet 1461.00|0|Creator|15|U-18|9 Eclectic|Cole|Chair 1|U-18 9 Eclectic Cole Chair 1|Chair Made of Bent Plywood|Descriptive|Cataloger|||||||Chair Made of Bent Plywood|30103|Cole, Isaac||furniture worker|Isaac Cole|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Furnishings|Chair||||19|||1874|1874|ca|ca 1874|ca 1874-ca 1874|||||0||||0|||||Bent plywood|plywood|||||furniture making|||||||||||Chairs ; Furniture ; |Chairs|Furniture||||||||Cornell||SJW|JNK|5/6/2005 0:00:00|3/23/2004 0:00:00|Cole|||0|||||||U|||18||||9 Eclectic|||||||||Work|0||First patented use of bent plywood. (Plywood invented in the 1850's and first used in furniture by John Henry Belter).|||Patent registered 1874.|||||||0|0|Chair Made of Bent Plywood|Cole, Isaac 1462.00|0|Site|02|B-B39|Phi|6.5 1stUS||B-B39 Phi 6.5 1stUS |First Bank of the United States|Assigned|Image Source (Book)|Stephen Girard's Bank|Assigned|Image Source (Book)||||First Bank of the United States|1249|Blodgett, Samuel||architect|Samuel Blodgett|0||||0|||||American||||||||United States||||||0|120 S. Third Street, Philadelphia, PA|||10201||||0||||0|Architecture|Bank (Building)||||18|||1795|1797||1795-1797|1795-1797|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|3/29/2004 0:00:00|3/29/2004 0:00:00||Phi||0||||||1stUS|B|||||B39|6.5||||||||||Work|0|Architecture-Pennsylvania (PA)|Notable early example of Classical monumental building. One of the nation's oldest bank buildings, it served as the Bank of the United States until 1812 and then as Stephen Girard's Bank and its successor, Girard National Bank, 1812-1926.||||||||||0|0|First Bank of the United States;Stephen Girard's Bank|Blodgett, Samuel 1463.00|0|Site|02|B-B39|Phi|6.5 1stUS|5-4|B-B39 Phi 6.5 1stUS 5-4|North-East corner of Third and Dock street, Girard Bank, at the time the latter was occupied by the Military during the riots|Descriptive|Image Source (Book)|||||||Girard Bank when occupied by the military|30104|Langenheim, W. & F.||photographic studio|W. & F. Langenheim|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Daguerreotypes||||19|||1844|1844||1844|1844-1844|||||0||||0|||||||||||photography|daguerreotype||||||||||||||||||||Cornell||MNW|SJW|3/30/2004 0:00:00|3/29/2004 0:00:00||Phi||0||||||1stUS|B|||||B39|6.5||||||||||Work|0||||||||||||0|0|North-East corner of Third and Dock street, Girard Bank, at the time the latter was occupied by the Military during the riots|Langenheim, W. & F. 1464.00|0|Creator|05|J-McClees||1||J-McClees 1 |View of the ruins caused by the great fire Northeast corner of Sixth and Market st. which began on the night of Weds. April 30,1856--From the Northeast|Collective Title|Image Source (Book)|||||||View of the ruins caused by the great fire, Philadelphia, 4/30/1856|30107|McClees, James Earle||photographer|James Earle McClees|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|||||19|||1856|1856||1856|1856-1856|||||0||||0|||||Albumenized salt print|paper|||||photography|salted paper process||||||||||Philadelphia, PA||||||||||Cornell||MNW|MNW|3/29/2004 0:00:00|3/29/2004 0:00:00|McClees|||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|View of the ruins caused by the great fire Northeast corner of Sixth and Market st. which began on the night of Weds. April 30,1856--From the Northeast|McClees, James Earle 1465.00|0|Category|05|N-Walter|||||Thomas Ustick Walter|Descriptive|Image Source (Book)|||||||Thomas Ustick Walter|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Portrait||||19|||1865|1875|ca|ca 1875|ca 1875|||||0||||0|||||||||||photography|||||||3290|Private Collection|: Private Coll.||Portraits; Walter, Thomas Ustick, 1804-1887||||||||||Cornell||MNW|SJW|3/30/2004 0:00:00|3/29/2004 0:00:00|Walter|||0|||||||N|||||||| ||||||||Work|0|Portraits|||||||||||0|0|Thomas Ustick Walter| 1466.00|0|Category|02|B-B39|Phi|5.1 Wills||B-B39 Phi 5.1 Wills |Wills Eye Hospital|Assigned|Image Source (Book)|Wills Hospital for the Blind and Lame|Artists|Macmillan||||Wills Eye Hospital|12466|Walter, Thomas Ustick||architect|Thomas Ustick Walter|0||||0|||||American||||||||United States||||||0|Philadelphia, PA|||10070||||0||||0|Architecture|Hospital||||19|||1831|1834||1831-1834|1831-1834|||||0||||0||||||||||||||||||||||Ionic capitals||||||||||Cornell||MNW|SJW|3/30/2004 0:00:00|3/29/2004 0:00:00||Phi||0||||||Wills|B|||||B39|5.1||||||||||Work|0|Architecture-Pennsylvania (PA)|||||||||||0|0|Wills Eye Hospital;Wills Hospital for the Blind and Lame|Walter, Thomas Ustick 1467.00|0|Category|02|B-B39|Phi|5.1 Wills|4b-1||Ionic capital, split front and side elevations|Collective Title|Image Source (Book)|||||||Ionic capital, split front and side elevations|12466|Walter, Thomas Ustick||architect|Thomas Ustick Walter|0||||0|||||American||||||||United States||||||0||||||||0||||0|Drawings|||||19|||1833|1833||1833|1833-1833||Wills Eye Hospital|||1466||||0|||||Ink and pink wash on paper|ink|wash|paper|||drawing (image-making)|||||48.3 x 70 cm||9295|Philadelphia, Girard College|Philadelphia: Girard College||||||||||||Cornell||MNW|SJW|3/30/2004 0:00:00|3/29/2004 0:00:00||||0||||||Wills|B|||||B39|5.1|| ||||||||Work|0|Architecture-Pennsylvania (PA)|Inscribed at the upper left: Tho. U Walter Archt Jany 9. 1833.||||In the Thomas U. Walter Drawings Collection.||||||0|0|Ionic capital, split front and side elevations|Walter, Thomas Ustick 1468.00|0|Site|02|B-B39|Phi|2.34 SGeo|||St. George's Hall|Descriptive|Image Source (Book)|Matthew Newkirk Residence|Descriptive|||||St. George's Hall (Matthew Newkirk Res.)|12466|Walter, Thomas Ustick||architect|Thomas Ustick Walter|0||||0|||||American||||||||United States||||||0||||0|Philadelphia, PA|||10070||||0|Architecture|House|Clubs (Associations)|||19|||1850|1859|ca|1850s|ca 1850-1859|||||0||||0||||||marble||||||||||||||||||||||||||Cornell||MNW|SJW|3/30/2004 0:00:00|3/29/2004 0:00:00||Phi|Phi|0||||||SGeo|B|||||B39|2.34||||||||||Work|0|Architecture-Pennsylvania (PA)|Built as a home for Matthew Newkirk.|||Became the Headquarters of the Society of the Sons of St. George in 1876. Demolished after 1901.|||||||0|0|St. George's Hall;Matthew Newkirk Residence|Walter, Thomas Ustick 1469.00|0|Creator|15|35|B878-PA|2002|1|35 B878-PA 2002 1|a3 blackface #3|Artists|Artist|||||||a3 blackface #3|30108|Brown, Iona Rozeal||painter|Iona Rozeal Brown|0||||0|||||African American|American|||||||||||||0||||0||||0||||0|Paintings|||||21|||2002|2002||2002|2002-2002|||||0||||0|||||||||||painting (image-making)|||||||||||||||||||||Cornell||MNW|MNW|4/1/2004 0:00:00|3/31/2004 0:00:00|B878|||0|||||||35|PA||||||2002|||||||||Work|0|||Exhibited at the Black Belt exhibition curated by Christine Y. Kim at the Studio Museum in Harlem, New York, NY, Fall, 2003.|||||||||0|0|a3 blackface #3|Brown, Iona Rozeal 1470.00|0|Category||U-18.3|9.0|Grp.Austral|Chair 1|U-18.3 9.0 Grp.Austral Chair 1|B.K.F. (Hardoy Chair)|BrandName|Image Source (Book)|Butterfly Chair|Assigned|Online Resource|||||27758|Grupo Austral||designer|Grupo Austral|30050|Knoll International|||0|||||Argentine||||||||Argentina||||||0||||0||||0||||0|Furnishings|Chair||||20|||1938|1938||1938|1938||B.K.F. (Hardoy Chair)|||||||0|||||Varnished steel, leather|steel|leather||||furniture making|||||93 x 71.5 x 75 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|MNW|6/9/2004 0:00:00|4/1/2004 0:00:00|Grp.Austra|||0|||||||U|||18.3||||9.0| ||||||||Work|0||B.K.F. from initials of firm members; Bonet, Kurchan and Ferrari Hardoy. Produced by Artek-Pascoe, Inc., New York, until 1945 when production was taken over by Knoll.|||Designed 1938; in production up to present.|||||||0|0|B.K.F. (Hardoy Chair);Butterfly Chair|Grupo Austral;Knoll International 1471.00|0|Creator|15|MA-Rietveld|9.0|1932-34|Chair 10|MA-Rietveld 9.0 1932-34 Chair 10|Zig-Zag|Assigned|Image Source (Book)|Zig-Zag [chair]|Descriptive|Cataloger||||Zig-Zag [chair]|9865|Rietveld, Gerrit Thomas||designer|Gerrit Rietveld|0||||0|||||Dutch|||De Stijl|||||Holland||||||0||||0||||0||||0|Furnishings|Chair||||20|21||1932|1934||1932-1934|1932-1934|||||0||||0|||||Elm wood, brass screws|wood|||||furniture making|||||75 x 37 x 44.5 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||Furniture ; Chairs ; |Furniture|Chairs||||||||Cornell||SJW|JNK|5/11/2006 0:00:00|4/1/2004 0:00:00|Rietveld|||0|||||||MA||||||9.0|1932-34| ||||||||Work|0||Manufactured by Metz & Co., Amsterdam. Cassina Company purchased rights to manufacture all Rietveld furniture in 1971.|||Design dates 1932-1934. Produced until c. 1955.|||||||0|0|Zig-Zag;Zig-Zag [chair]|Rietveld, Gerrit Thomas 1472.00|0|Creator|15|35|B878-PA|2003|1|35 B878-PA 2003 1|a3 #10 (down-ass emperor Qianlong)|Artists|Artist|||||||a3 #10 (down-ass emperor Qianlong)|30108|Brown, Iona Rozeal||painter|Iona Rozeal Brown|0||||0|||||African American|American|||||||United States||||||0||||0||||0||||0|Paintings|||||21|||2003|2003||2003|2003-2003|||||0||||0|||||||||||painting (image-making)|||||||||||||||||||||Cornell||MNW|MNW|4/1/2004 0:00:00|4/1/2004 0:00:00|B878|||0|||||||35|PA||||||2003|||||||||Work|0||Exhibited at the Black Belt exhibition curated by Christine Y. Kim at the Studio Museum in Harlem, New York, NY, Fall, 2003.||||||||||0|0|a3 #10 (down-ass emperor Qianlong)|Brown, Iona Rozeal 1473.00|0|Creator|15|35|B878-PA|2001|1|35 B878-PA 2001 1|a3 blackface #0.50|Artists|Artist|||||||a3 blackface #0.50|30108|Brown, Iona Rozeal||painter|Iona Rozeal Brown|0||||0|||||African American|American|||||||United States||||||0||||0||||0||||0|Paintings|||||21|||2001|2001||2001|2001-2001|||||0||||0|||||||||||painting (image-making)|||||||||||||||||||||Cornell||MNW|MNW|4/1/2004 0:00:00|4/1/2004 0:00:00|B878|||0|||||||35|PA||||||2001|||||||||Work|0||Exhibited at the Black Belt exhibition curated by Christine Y. Kim at the Studio Museum in Harlem, New York, NY, Fall, 2003.||||||||||0|0|a3 blackface #0.50|Brown, Iona Rozeal 1474.00|0|Creator|15|U-13|9.3|Rasch|Chair 1|U-13 9.3 Rasch Chair 1|Sitzgeiststuhl|Artists|Image Source (Book)|Sitting Spirit Chair|Translated|Image Source (Book)||||Sitzgeiststuhl (Sitting Spirit Chair)|30110|Rasch, Bodo||industrial designer|Bodo Rasch|0||||0|||||German|||Modernist|||||Germany||||||0||||0||||0||||0|Furnishings|Chair||||20|||1927|1927||1927|1927-1927|||||0||||0|||||Bent wood|wood|||||furniture making|||||||||||Chairs ; |Chairs|||||||||Cornell||SJW|JNK|5/6/2005 0:00:00|4/1/2004 0:00:00|Rasch|||0|||||||U|||13||||9.3|||||||||Work|0||Designed with his brother Heinz.|||Design date.|||||||0|0|Sitzgeiststuhl;Sitting Spirit Chair|Rasch, Bodo 1514.00|0|Architect|15|MA-LeCorb|9.0|1928|Chaise 12|MA-LeCorb 9.0 1928 Chaise 12|Chaise longue à reglage continu, B306|Artists|Image Source (Book)|Chaise longue|Descriptive|Cataloger||||Chaise longue à reglage continu, B306|6857|Le Corbusier||architect|Le Corbusier|5935|Jeanneret, Pierre|||9105|Perriand, Charlotte||||French||||||||France||||||0||||0||||0||||0|Furnishings|Chair||||20|21||1928|1928||1928|1928-1928|||||0||||0|||||Chromed and varnished steel, fabric, rubber|steel|textiles|rubber (material)|||furniture making|||||70 x 56.6 x 156 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|MNW|6/7/2004 0:00:00|4/7/2004 0:00:00|LeCorb|||0|||||||MA||||||9.0|1928| ||||||||Work|0||Originally produced by Thonet, Paris. An additional rocking base design was produced by Thonet in 1930, but withdrawn by the designers. Since 1965, produced by Cassina.|||Designed 1928; produced 1930 to present.|||||||0|0|Chaise longue à reglage continu, B306;Chaise longue|Le Corbusier;Jeanneret, Pierre;Perriand, Charlotte 1515.00|0|Architect|02|MA-LeCorb|7.5|1929|Cann|MA-LeCorb 7.5 1929 Cann|Drawing of Canneel House interior, Brussels (project)|Descriptive|Cataloger|||||||Drawing of Canneel House interior, Brussels (project)|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||French|||International Style|||||France||||||0||||0||||0||||0|Architecture|House||||20|||1929|1929||1929|1929|||||||||0|||||||||||drawing (image-making)|||||||3781|Paris, Fondation Le Corbusier|Paris: Fondation Le Corbusier||||||||||||Cornell||SJW|MNW|6/7/2004 0:00:00|4/7/2004 0:00:00|LeCorb|Cann||0||FLC 8529|||||MA||||||7.5|1929| ||||||||Work|0||Listed as Project: Maison J. Canneel - Bruxelles (Belgique) by FLC. Canneel Villa was built in 1930-31 in Brussels (Avenue I. Gerard) by Louis Herman De Koninck in his purist / International style. (DOA)|The drawing/sketch by Le Corbusier shows his B306 chaise longue in the foreground.||Drawing done in 1929.|||||||0|0|Drawing of Canneel House interior, Brussels (project)|Le Corbusier 1516.00|0|Creator|15|35|L813-PA|1972|1|35 L813-PA 1972 1|No More|Artists|Image Source (Book)|||||||No More|30122|Lockard, Jon Onye||painter|Jon Onye Lockard|0||||0|||||African American|American|||||||United States||||||0||||0||||0||||0|Paintings|||||20|||1972|1972||1972|1972-1972|||||0||||0|||||Acrylic paint|acrylic|||||painting (image-making)|||||101.6 x 76.2 cm||3561|Artist, Collection of the|: Collection of the Artist||Aunt Jemima ; |Aunt Jemima|||||||||Cornell||MNW|MNW|12/21/2005 0:00:00|4/7/2004 0:00:00|L813|||0|||||||35|PA||||||1972| ||||||||Work|0||||||||||||0|0|No More|Lockard, Jon Onye 1517.00|0|Creator|15|35|M919-PA|1922|1|35 M919-PA 1922 1|Octoroon (Portrait of an Octoroon)|Artists|Image Source (Book)|||||||Octoroon (Portrait of an Octoroon)|30123|Motley, Archibald John, Jr.||painter|Archibald J. Motley|0||||0|||||African American|American|||||||United States||||||0||||0||||0||||0|Paintings|Oil painting|Portrait|||20|||1922|1922||1922|1922-1922|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||959 x 75.6 cm||614|Chicago,Chicago Historical Society|Chicago: Hist. Soc.||Portraits||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|4/7/2004 0:00:00|M919|||0|||||||35|PA||||||1922| ||||||||Work|0||||||||||||0|0|Octoroon (Portrait of an Octoroon)|Motley, Archibald John, Jr. 1518.00|0|Architect|02|MA-LeCorb|7.5|1928|Car|MA-LeCorb 7.5 1928 Car|Sketch for interior of Villa Baizeau|Assigned|Repository|||||||Villa Baizeau. Sketch for interior of Villa Baizeau (Carthage)|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||French|Tunisian|||||||France|Tunisia|||||0||||0||||0||||0||||||20|||1928|1928||1928|1928||Villa Baizeau|LargerEntity||1142||||0|||||||||||drawing (image-making)|||||||3781|Paris, Fondation Le Corbusier|Paris: Fondation Le Corbusier||||||||||||Cornell||SJW|MNW|3/29/2006 0:00:00|4/7/2004 0:00:00|LeCorb|Car||0||FLC 8503|||||MA||||||7.5|1928| ||||||||Work|0||FLC lists: Villa Baizeau, Sainte Monique - Carthage (Tunisie). Now Tunis. Sketch shows development of furniture, especially the chaise longue in the foreground.||||||||||0|0|Sketch for interior of Villa Baizeau|Le Corbusier 1519.00|0|Creator|15|35|M919-PA|1925|1|35 M919-PA 1925 1|The Octoroon Girl|Artists|Image Source (Book)|||||||The Octoroon Girl|30123|Motley, Archibald John, Jr.||painter|Archibald J. Motley|0||||0|||||African American|American|||||||United States||||||0||||0||||0||||0|Paintings|Oil painting|Portrait|||20|||1925|1925||1925|1925-1925|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||96.5 x 76.2 cm||614|Chicago,Chicago Historical Society|Chicago: Hist. Soc.||Portraits||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|4/7/2004 0:00:00|M919|||0|||||||35|PA||||||1925| ||||||||Work|0||||||||||||0|0|The Octoroon Girl|Motley, Archibald John, Jr. 1520.00|0|Creator|15|35|C476-D|1995|1||Lifesaball (Forever Free)|Artists|Image Source (Book)|||||||Lifesaball (Forever Free)|30124|Charles, Michael Ray||artist|Michael Ray Charles|0||||0|||||African American|American|||||||United States||||||0||||0||||0||||0|Paintings|||||20|||1995|1995||1995|1995-1995|||||0||||0|||||Acrylic latex, oil wash, penny on paper|acrylic paint|oil|paper|||painting (image-making)|||||152.4 x 91.4 cm||3561|Artist, Collection of the|: Collection of the Artist||||||||||||Cornell||MNW|SJW|4/12/2004 0:00:00|4/7/2004 0:00:00|C476|||0|||||||35|D||||||1995| ||||||||Work|0||||||||||||0|0|Lifesaball (Forever Free)|Charles, Michael Ray 1521.00|0|Architect|02|MA-LeCorb|7.4|1922-29|Imm|MA-LeCorb 7.4 1922-29 Imm|Sketch for the Interior of "Immeubles-villas"|Descriptive|Image Source (Book)|||||||Immeubles-villas. Sketch for the interior of "Immeubles-villas"|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||French||||||||France||||||0||||0||||0||||0|Architecture|Drawing||||20|||1922|1922||1922|1922-1922||Immeubles-villas. Project|study for||||||0|||||||||||drawing (image-making)|||||||3781|Paris, Fondation Le Corbusier|Paris: Fondation Le Corbusier||Housing developments||||||||||Cornell||SJW|MNW|6/7/2004 0:00:00|4/8/2004 0:00:00|LeCorb|Imm||0||FLC 19097|||||MA||||||7.4|1922-29| ||||||||Work|0||Sketch for interior featuring chaise longue (B306) design in foreground.|||Date of sketch.|||||||0|0|Sketch for the Interior of "Immeubles-villas"|Le Corbusier 1522.00|0|Architect|02|MA-LeCorb|7.4|1922-29|Imm|MA-LeCorb 7.4 1922-29 Imm|Immeubles-villas Project|Assigned|Dict.Art|||||||Immeubles-villas. Project|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||French||||||||France||||||0||||0||||0||||0|Architecture|Housing||||20|||1922|1925|ca|1922-1925|1922-1925|||||0||||0||||||||||||||||||||||Housing developments||||||||||Cornell||SJW|MNW|6/7/2004 0:00:00|4/8/2004 0:00:00|LeCorb|Imm||0|||||||MA||||||7.4|1922-29|||||||||Work|0||Project with extensive sketches and plans for L-shaped housing units meant to be aggregated in housing block. Based on a Carthusian monastery outside Florence. Project culminated with one unit being built and displayed at the 1925 Exposition (Paris). DOA||||||||||0|0|Immeubles-villas Project|Le Corbusier 1523.00|0|Architect|15|MA-LeCorb|9.0|1928-30|Chair 6|MA-LeCorb 9.0 1928-30 Chair 6|Fauteuil à dossier basculant|Artists|Image Source (Book)|Armchair with tilting back|Translated|Cataloger|Basculant chair|||Basculant chair|6857|Le Corbusier||designer|Le Corbusier|5935|Jeanneret, Pierre||designer|9105|Perriand, Charlotte||designer||French||||||||France||||||0||||0||||0||||0|Furnishings|Chair||||20|||1928|1930||1928-1930|1928-1930|||||0||||0|||||Chrome-plated steel, leather, springs|steel|leather||||furniture making|||||64 x 64 x 67 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|MNW|6/7/2004 0:00:00|4/8/2004 0:00:00|LeCorb|||0|||||||MA||||||9.0|1928-30| |||||||||0||Some prototypes produced 1928; manufactured 1930 by Thonet and after 1965 by Cassina.|||Designed 1928-1930; produced since 1930.|||||||0|0|Fauteuil à dossier basculant;Armchair with tilting back;Basculant chair|Le Corbusier;Jeanneret, Pierre;Perriand, Charlotte 1524.00|0|Architect|15|MA-Chareau|9.0|1927|Desk 1|MA-Chareau 9.0 1927 Desk 1|MB 744|Artists|Image Source (Book)|MB 744 [desk]|Descriptive|Cataloger||||MB 744 [desk]|2216|Chareau, Pierre||architect|Pierre Chareau|0||||0|||||French||||||||France||||||0||||0||||0||||0|Furnishings|Desk||||20|||1927|1927||1927|1927-1927|||||0||||0|||||Blackened hoop iron, wood|iron|wood||||furniture making|||||98 x 140 x 47 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|MNW|6/7/2004 0:00:00|4/8/2004 0:00:00|Chareau|||0|||||||MA||||||9.0|1927| ||||||||Work|0||Limited production by Atelier Pierre Chareau, Paris.|||Designed and produced 1927.|||||||0|0|MB 744;MB 744 [desk]|Chareau, Pierre 1475.00|0|Creator|15|U-16|9.0|Summers|Chair 1|U-16 9.0 Summers Chair 1|Plywood Armchair|Descriptive|Image Source (Book)|||||||Plywood Armchair|30111|Summers, Gerald||designer|Gerald Summers|0||||0|||||English||||||||England||||||0||||0||||0||||0|Furnishings|Chair||||20|21||1933|1934||1933-1934|1933-1934|||||0||||0|||||Bent plywood|plywood|||||furniture making|||||74 x 60.5 x 91.5 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||Chairs ; Armchairs ; Furniture ; |Chairs|Armchairs|Furniture|||||||Cornell||SJW|JNK|5/6/2005 0:00:00|4/1/2004 0:00:00|Summers|||0|||||||U|||16|||9.0|| ||||||||Work|0||Only 120 chairs originally made (by the firm Summers founded in 1929, Makers of Simple Furniture, Ltd. London).|||Designed 1933-1934. Produced since 1935.|||||||0|0|Plywood Armchair|Summers, Gerald 1476.00|0|Creator|15|25|B9314-PA|4D|1|25 B9314-PA 4D 1|Abduction of Dinah|||||||||Abduction of Dinah|13418|Bugiardini, Giuliano||painter|Giuliano Bugiardini (begun by Fra Bartolommeo)|13711|Bartolommeo, Fra|||0|||||Florentine|Italian||Renaissance|||||Italy||||||0||||0||||0||||0|Paintings|Oil painting||||16|||1535|1535|ca|ca 1535|ca 1535-1535|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||160 x 183 cm (63.0 x 72.0 in)||3403|Vienna,Kunsthistorisches Museum|Vienna: Kunsthistorisches Mus.||Dinah; Abduction||||||||||Cornell||JNK|MNW|4/2/2004 0:00:00|1/6/2006 0:00:00|B9314|||0||1554|||||25|PA||||||| |4D|||||||Work|0||This painting was begun by Fra Bartolommeo and completed by Bugiardini.||||||||||0|0|Abduction of Dinah|Bugiardini, Giuliano;Bartolommeo, Fra 1477.00|0|Creator|15|U-14|9.0|Pieck|Chair 1|U-14 9.0 Pieck Chair 1|Plywood Armchair|Descriptive|Cataloger|||||||Plywood Armchair|30112|Pieck, Hans||designer|Hans Pieck|0||||0|||||Dutch||||||||Holland||||||0||||0||||0||||0|Furnishings|Chair||||20|||1946|1947||1946-1947|1946-1947|||||0||||0|||||Bent plywood|plywood|||||furniture making|||||||||||||||||||||Cornell||SJW|MNW|6/8/2004 0:00:00|4/2/2004 0:00:00||||0|||||||U|||14||||9.0|||||||||Work|0||Web source noted use of a brass stabilizing bar.|||Designed 1946-1947.|||||||0|0|Plywood Armchair|Pieck, Hans 1478.00|0||15|MA-Luckhardt|9.0|1931|Chair 1|MA-Luckhardt 9.0 1931 Chair 1|ST 14|BrandName|Image Source (Book)|ST 14 [chair]|Descriptive|Cataloger||||ST 14 [chair]|7281|Luckhardt, Hans||designer|Hans & Wassili Luckhardt|7284|Luckhardt, Wassili|||0|||||German||||||||Germany||||||0||||0||||0||||0|Furnishings|Chair||||20|||1931|1931||1931|1931|||||0||||0|||||Chromed steel, molded plywood|steel|plywood||||furniture making|||||87.5 x 53.5 x 61 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|MNW|6/8/2004 0:00:00|4/2/2004 0:00:00|Luckhardt|||0|||||||MA||||||9.0|1931| ||||||||Work|0||Manufactured by Desta (Deutsch Stahlmöbel), Berlin. Thonet took over Desta in 1932 and relaunched ST 14 production in 1984.|||Designed 1931; produced 1931-1932.|||||||0|0|ST 14;ST 14 [chair]|Luckhardt, Hans;Luckhardt, Wassili 1479.00|0|Creator|15|U-13|9.3|Zeffner|Table 1|U-13 9.3 Zeffner Table 1|GT 74|BrandName|Image Source (Book)|GT 74 [liqueurs trolley]|Descriptive|Cataloger||||GT 74 [liqueurs trolley]|30113|Zeffner, Alfred||designer|Alfred Zeffner|0||||0|||||German||||||||Germany||||||0||||0|Berlin, Germany|||10108||||0|Furnishings|Table||||20|||1931|1931||1931|1931-1931|||||0||||0|||||Chromed steel, glass|steel|||||furniture making|||||||||||||||||||||Cornell||SJW|MNW|6/8/2004 0:00:00|4/2/2004 0:00:00|Zeffner||Ber|0|||||||U|||13||||9.3|||||||||Work|0||Probably related to the Luckhardt's work with Desta Co., Berlin, in 1931, and probably manufactured by them for the Desta-Haus at the 1931 Berlin Building Exhibition.|||||Cocktail serving cart.|||||0|0|GT 74;GT 74 [liqueurs trolley]|Zeffner, Alfred 1480.00|0|Creator|15|25|P471-F|V345-SC|38 Pe 1||Christ Giving the Keys to Saint Peter|Assigned|Dict.Art|||||||Christ Giving the Keys to Saint Peter|9119|Perugino, Pietro||painter|Pietro Perugino|0||||0|||||Italian|||Renaissance|||||Italy||||||0|Sistine Chapel, Vatican, Rome, Italy|||||||0||||0|Paintings|Fresco||||15|||1481|1481||1481|1481-1481|||||||||0|||||Fresco||||||fresco painting|||||335 x 550 cm. (131.9 x 216.5 in)||3972|Rome,Vatican,Cappella Sistina|Rome: Vatican; Sistine Chapel||Jesus Christ; Saint Peter; Apostles; Saints; Piazzas; Central plan buildings; Ideal cities; Keys; Landscapes||||||||||Cornell|||SJW|4/6/2004 0:00:00||P471|||0|||||||25|F||||||| |38 Pe|||||||Work|0||||||||||||0|0|Christ Giving the Keys to Saint Peter|Perugino, Pietro 1481.00|0|Creator|15|MA-Mies|9.0|1927|Chair 5|MA-Mies 9.0 1927 Chair 5|MR 10|BrandName|Image Source (Book)|MR 10 [chair]|Descriptive|Cataloger||||MR 10 [chair]|7969|Mies van der Rohe, Ludwig||architect|Ludwig Mies van der Rohe|0||||0|||||German||||||||Germany||||||0||||0||||0||||0|Furnishings|Chair||||20|||1927|1927||1927|1927|||||0||||0|||||Cold-bent steel, fabric|steel|textiles||||furniture making|||||79.5 x 46.5 x 71 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|SJW|4/2/2004 0:00:00|4/2/2004 0:00:00|Mies|||0|||||||MA||||||9.0|1927| ||||||||Work|0||After a preliminary model by Mart Stam for the Weissenhof Settlement project. Stam's model used jointed gas pipes. Originally manufactured in Berlin by Berliner Metalgewerbe Josef Müller.|||Designed 1927; produced 1927-1930; later reproduced and still marketed.|||||||0|0|MR 10;MR 10 [chair]|Mies van der Rohe, Ludwig 1482.00|0|Creator|15|MA-Stam|9.0|1927|Chair 2|MA-Stam 9.0 1927 Chair 2|Tubular Steel Furniture for the Weissenhof Settlement|||||||||Tubular Steel Furniture for the Weissenhof Settlement|11252|Stam, Mart||architect|Mart Stam|0||||0|||||German||||||||Germany||||||0||||0||||0||||0|Furnishings|Chair||||20|||1927|1927||1927|1927-1927|||||0||||0|||||Jointed iron piping, leather|iron|leather||||furniture making|||||||||||||||||||||Cornell||SJW|MNW|6/8/2004 0:00:00|4/2/2004 0:00:00|Stam|||0|||||||MA||||||9.0|1927|||||||||Work|0||Prototypes made out of jointed gas pipes. Made in limited production. Mies took this chair design and refined out the joints, using cold-bent steel, creating his MR 10 chair.|||Designed 1927; limited production 1927-1930.|||||||0|0|Tubular Steel Furniture for the Weissenhof Settlement|Stam, Mart 1483.00|0|Creator|15|U-18|11|Nolan|Chair 1|U-18 11 Nolan Chair 1|Drawing for U.S. Patent for Spring-backed Chair|Descriptive|Image Source (Book)|||||||Drawing for U.S. Patent for Spring-backed Chair|30114|Nolan, Harry E.||designer|Harry E. Nolan|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Furnishings|Chair||||20|||1922|1922||1922|1922-1922|||||0||||0|||||||||||furniture making|drawing (image-making)||||||||||||||||||||Cornell||SJW|MNW|6/8/2004 0:00:00|4/2/2004 0:00:00|Nolan|||0|||||||U|||18||||11|||||||||Work|0||Mies van der Rohe was initially turned down in his efforts to patent his MR 10 cantilevered chair because of this design submitted in 1922 and patented in 1924. It is for a garden armchair with a cantilevered spring-base and no back legs.||||||||||0|0|Drawing for U.S. Patent for Spring-backed Chair|Nolan, Harry E. 1484.00|0|Creator|15|U-11|9.0|Bellini|Chair 2|U-11 9.0 Bellini Chair 2|Cab, No. 412|BrandName|Image Source (Book)|Cab, No. 412 [chair]|Descriptive|Cataloger||||Cab, No. 412|977|Bellini, Mario||designer|Mario Bellini|27870|Cassina|||0|||||Italian||||||||Italy||||||0||||0||||0||||0|Furnishings|Chair||||20|21||1976|1976||1976|1976-1976|||||0||||0|||||Tubular steel, leather cover with zippers|steel|leather|plastics|||furniture making|||||81 x 51.5 x 46 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|MNW|6/8/2004 0:00:00|4/2/2004 0:00:00|Bellini|||0|||||||U|||11||||9.0| ||||||||Work|0||Manufactured by Cassina s.p.a., Meda (near Milan), Italy. The leather cover unzips completely from the steel frame. There is a plastic plate supporting the seat.|||Designed 1976; produced 1977 to present.|||||||0|0|Cab, No. 412;Cab, No. 412 [chair]|Bellini, Mario;Cassina 1485.00|0|Creator|15|U-11|9.0|Archizoom|Chair 2|U-11 9.0 Archizoom Chair 2|AEO|||AEO [chair]||||||AEO chair|3024|Deganello, Paolo||architect|Archizoom & Paolo Deganello|27624|Archizoom|||27870|Cassina||||Italian||||||||Italy||||||0||||0||||0||||0|Furnishings|Chair||||20|||1973|1973||1973|1973-1973|||||0||||0|||||Plastic, steel, fabric|steel|plastics|textiles|||furniture making|||||106 x 79 x 70 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|MNW|6/8/2004 0:00:00|4/2/2004 0:00:00|Archizoom|||0|||||||U|||11||||9.0| ||||||||Work|0||Manufactured by Cassina. AEO stands for alpha and omega and was meant to signify that the parts and functionality were equal. Also available as a build-it-yourself kit.|||Designed 1973; produced to present.|||||||0|0|AEO;AEO [chair]|Deganello, Paolo;Archizoom;Cassina 1486.00|0|Creator|15|U-17.3|9.0|Kjaerholm|Chair 3|U-17.3 9.0 Kjaerholm Chair 3|Chaise Longue PK 24|||||||||Chaise Longue PK 24|6330|Kjaerholm, Poul||designer|Poul Kjaerholm|30572|Fritz Hansen A/S||manufacturer|0|||||Danish||||||||Denmark||||||0||||0||||0||||0|Furnishings|Chair||||20|21||1965|1965||1965|1965-1965|||||0||||0|||||Stainless steel, wicker, leather|steel|wicker|leather|||furniture making|||||||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||Furniture ; Chairs ; |Furniture|Chairs||||||||Cornell||SJW|MNW|5/2/2005 0:00:00|4/2/2004 0:00:00|Kjaerholm|||0|||||||U|||17.3||||9.0| ||||||||Work|0||Originally produced by E. Kold Christensen, Copenhagen. Now made by Fritz Hansen, Allerød, Denmark.|||Designed 1965; in production since.|||||||0|0|Chaise Longue PK 24|Kjaerholm, Poul;Fritz Hansen A/S 1487.00|0|Category|05|J-Parks|||47||Dr. Kenneth B. Clark Conducting the "Doll Test" with Male Child|Descriptive|Artist|||||||Dr. Kenneth B. Clark Conducting the "Doll Test" with Male Child|8934|Parks, Gordon, Jr.||photographer|Gordon Parks, Jr.|0||||0|||||African American|American|||||||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print||||20|||1947|1947||1947|1947-1947|||||0||||0|||||Modern gelatin silver print|paper|||||photography|gelatin silver process||||27.9 x 35.5 cm||3892|Washington DC,Library of Congress|Wash, DC: Library of Congress||||||||||||Cornell||MNW|MNW|4/2/2004 0:00:00|4/2/2004 0:00:00|Parks|||0|||||||J|||||||| ||||||||Work|0|Photography||Modern gelatin silver print from original negative.|||||||||0|0|Dr. Kenneth B. Clark Conducting the "Doll Test" with Male Child|Parks, Gordon, Jr. 1488.00|0|Category|05|J-Kimball|||1||Emancipated Slaves|Descriptive|Image Source (Book)|Emanicpated slaves brought from Louisiana by Col. George H. Hanks|Inscribed|Image Source (Book)||||Emancipated Slaves|30115|Kimball, Myron H.||photographer|Myron H. Kimball|0||||0|||||African American|American|||||||United States||||||0||||0||||0||||0|Photographs|Daguerreotypes||||19|||1863|1863||1863|1863-1863|||||0||||0|||||Daguerreotype|paper|||||photography|daguerreotype||||13.2 x 18.2 cm||4191|New York: Gilman Paper Company Collection|New York: Gilman Paper Company||Slavery||||||||||Cornell||MNW|CLL|2/15/2005 0:00:00|4/2/2004 0:00:00|Kimball|||0|||||||J|||||||| ||||||||Work|0|Photography|Captions on photo mount: Emanicpated slaves brought from Louisiana by Col. George H. Hanks. The Children are from the Schools established by order of Maj. Gen. Banks. [followed by names of students].||||Another copy is in the NY Historical Society.||||||0|0|Emancipated Slaves;Emanicpated slaves brought from Louisiana by Col. George H. Hanks|Kimball, Myron H. 1489.00|0|Category|05|J-Collins Studio|||1||Geronimo, Apache Chief and Medicine Man|Inscribed|Image Source (Book)|||||||Geronimo, Apache Chief and Medicine Man|30116|Collins Studio||photographic studio|Collins Studio|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print||||20|||1903|1903||1903|1903-1903|||||0||||0|||||Gelatin sliver print on board|photo paper|board||||photography|gelatin silver process||||18 x 12.7 cm||9296|New York, International Center of Photography|New York: Int'l. Cent. Photo.||Geronimo (1829-1909)||||||||||Cornell||MNW|MNW|4/4/2004 0:00:00|4/2/2004 0:00:00|Collins St|||0|||||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Geronimo, Apache Chief and Medicine Man|Collins Studio 1490.00|0|Creator|15|U-17.2|9.0|Mathsson|Chair 1|U-17.2 9.0 Mathsson Chair 1|Chaise Longue with Bookstand|Descriptive|Image Source (Book)|||||||Chaise Longue with Bookstand|30117|Mathsson, Bruno||architect|Bruno Mathsson|0||||0|||||Swedish||||||||Sweden||||||0||||0||||0||||0|Furnishings|Chair||||20|||1934|1934||1934|1934|||||0||||0|||||Wood with linen webbing|wood|linen (material)||||furniture making|||||||||||||||||||||Cornell||SJW|SJW|4/5/2004 0:00:00|4/5/2004 0:00:00|Mathsson|||0|||||||U|||17.2||||9.0|||||||||Work|0||Similar pieces still produced through Bruno Mathsson International, Värnamo, Sweden.|||Design date.|||||||0|0|Chaise Longue with Bookstand|Mathsson, Bruno 1491.00|0|Creator|15|35|W275-G|C874||35 W275-G C874 |Cowboys and Indians: Geronimo|Assigned|Image Source (Book)|||||||Cowboys and Indians: Geronimo|12489|Warhol, Andy||painter|Andy Warhol|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Graphics|Screen print||||20|||1986|1986||1986|1986-1986|||||0||||0|||||Screenprint on Lenox museum board|board|||||printing|screen printing||||86.4 x 86.4 cm||9276|Pittsburgh, Andy Warhol Museum|Pittsburgh: Warhol Museum||Geronimo (1829-1909)||||||||||Cornell||MNW|SJW|4/6/2004 0:00:00|4/5/2004 0:00:00|W275|||0|||||||35|G||||||1986| |C874|||||||Work|0||||||||||||0|0|Cowboys and Indians: Geronimo|Warhol, Andy 1492.00|0|Category|05|J-SimpsonC|||3|J-SimpsonC 3|Masqued Nude|Assigned|Image Source (Book)|||||||Masqued Nude|10941|Simpson, Coreen||photographer|Coreen Simpson|0||||0|||||African American|American|||||||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print||||20|||1999|1999||1999|1999-1999|||||0||||0|||||Gelatin silver print|photo paper|||||photography|gelatin silver process||||50.8 x 60.9 cm||3561|Artist, Collection of the|: Collection of the Artist||Nudes||||||||||Cornell||MNW|MNW|4/5/2004 0:00:00|4/5/2004 0:00:00|SimpsonC|||0|||||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Masqued Nude|Simpson, Coreen 1493.00|0|Creator|15|MA-Eames|9.0|1956|Chair 3|MA-Eames 9.0 1956 Chair 3|No. 670 and No. 671, Lounge Chair and Ottoman|BrandName|Image Source (Book)|||||||No. 670 and No. 671, Lounge Chair and Ottoman|30085|Eames, Charles and Ray||industrial designfrm|Charles and Ray Eames|30052|Herman Miller Furniture Company|||0|||||American||||||||United States||||||0||||0||||0||||0|Furnishings|Chair||||20|||1956|1956||1956|1956-1956|||||0||||0|||||Plywood w. rosewood veneer, leather, aluminum|plywood|aluminum|leather|||furniture making|||||82 x 83 x 84 cm.||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|MNW|6/8/2004 0:00:00|4/5/2004 0:00:00|Eames|||0|||||||MA||||||9.0|1956| ||||||||Work|0||Dimensions for chair. Ottoman is 42 x 65 x 53.5 cm. Produced by Herman Miller Furniture.|||Designed 1956; in production since.|||||||0|0|No. 670 and No. 671, Lounge Chair and Ottoman|Eames, Charles and Ray;Herman Miller Furniture Company 1494.00|0|Category|05|J-HarrisLA|||4||American Triptych|Assigned|Image Source (Book)|||||||American Triptych|5149|Harris, Lyle Ashton||photographer|Lyle Ashton Harris|0||||0|||||African American|American|||||||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print||||20|||1987|1988||1987-1988|1987-1988|||||0||||0|||||Gelatin silver print|photo paper|||||photography|gelatin silver process||||30 x 20 cm||3290|Private Collection|: Private Coll.||||||||||||Cornell||MNW|MNW|4/5/2004 0:00:00|4/5/2004 0:00:00|HarrisLA|||0|||||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|American Triptych|Harris, Lyle Ashton 1495.00|0|Category|05|J-MiyatakeT|||1|J-MiyatakeT 1|Receiving Dolls Donated by the American Friends Society|Descriptive|Image Source (Book)|||||||Receiving Dolls Donated by the American Friends Society|30118|Miyatake, Toyo||photographer|Toyo Miyatake|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print||||20|||1943|1943|ca|ca 1943|ca 1943-1943|||||0||||0|||||Gelatin silver print|photo paper|||||photography|gelatin silver process||||27.9 x 35.5 cm||9297|San Gabriel, Toyo Miyatake Collection|San Gabriel: Miyatake Coll.||Concentration camps||||||||||Cornell||MNW|MNW|4/5/2004 0:00:00|4/5/2004 0:00:00|MiyatakeT|||0|||||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Receiving Dolls Donated by the American Friends Society|Miyatake, Toyo 1496.00|0|Architect|03|MA-Eames|7.5|1949 Eam|Eam|MA-Eames 7.5 1949 Eam|Charles and Ray Eames House|Descriptive|Cataloger|Case Study House No. 8|Artists|Dict.Art||||Charles and Ray Eames House|30085|Eames, Charles and Ray||industrial designfrm|Charles and Ray Eames|0||||0|||||American|||Post-1945|||||United States||||||0|203 Chautauqua Boulevard, Pacific Palisades, CA|||10203||||||||0|Architecture|House||||20|||1945|1949||1945-1949|1945-1949|||||0||||0||||||||||||||||||||||Houses ; Eames House (Los Angeles, Calif.) ; |Houses|Eames House (Los Angeles, Calif.)||||||||Cornell||SJW|GB|11/20/2006 0:00:00|4/5/2004 0:00:00|Eames|||0||||||Eam|MA||||||7.5|1949|||||||||Work|0|Modern Architecture|203 Chautauqua Boulevard, Pacific Palisades. In 1945 they collaborated with Eero Saarinen and Edgardo Contini on two projected case study houses (nos 8 and 9) for the magazine Arts and Architecture. This was no. 8; became their private home.||||||||||0|0|Charles and Ray Eames House;Case Study House No. 8|Eames, Charles and Ray 1497.00|0|Creator|15|MA-Eames|9.0|1949-50|Stor 11|MA-Eames 9.0 1949-50 Stor 11|ESU (Eames Storage Unit) 421-C|BrandName|Image Source (Book)|||||||ESU (Eames Storage Unit) 421-C|30085|Eames, Charles and Ray||industrial designfrm|Charles and Ray Eames|30052|Herman Miller Furniture Company|||0|||||American||||||||United States||||||0||||0||||0||||0|Furnishings|Cabinet (case furniture)||||20|||1949|1950||1949-1950|1949-1950|||||0||||0|||||Plywood, steel, fiberglass, wood|plywood|steel|fiberglass|||furniture making|||||149 x 120 x 43 cm.||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|SJW|4/5/2004 0:00:00|4/5/2004 0:00:00|Eames|||0|||||||MA||||||9.0|1949-50| ||||||||Work|0||Produced by Herman Miller Co. Sold in six variations of materials as "assemble yourself kits."|||Design 1949-1950; produced 1950-1955.|||||||0|0|ESU (Eames Storage Unit) 421-C|Eames, Charles and Ray;Herman Miller Furniture Company 1498.00|0|Architect|02|MA-Eames|9.0|1946|Stor 12|MA-Eames 9.0 1946 Stor 12|Modular Storage Units|BrandName|Image Source (Book)|||||||Modular Storage Units|3433|Eames, Charles Ormand||designer|Charles Eames|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Furnishings|Cabinet (case furniture)||||20|||1946|1946||1946|1946-1946|||||0||||0|||||Wood and embossed plywood|wood|plywood||||furniture making|||||||||||||||||||||Cornell||SJW|MNW|6/8/2004 0:00:00|4/5/2004 0:00:00|Eames|||0|||||||MA||||||9.0|1946|||||||||Work|0||Related to the work Eames did with Saarinen in 1940-1941 ("Organic Design in Home Furnishings" competition). In 1946 Eames further refined that design in his "Modular Storage Units" which featured plywood with imprinted circles for the first time.|||Designed 1946.|||||||0|0|Modular Storage Units|Eames, Charles Ormand 1499.00|0|Architect|02|MA-Eames&Saar|7.5|1945-49|Ent|MA-Eames&Saar 7.5 1945-49 Ent|John Entenza House|Assigned|Dict.Art|Case Study House no. 9|Artists|Dict.Art||||John Entenza House|28047|Eames & Saarinen||architectural firm|Eames & Saarinen|0||||0|||||American||||||||United States||||||0|205 Chautauqua Boulevard, Pacific Palisades, CA|||10205|205 Chautauqua Boulevard, Pacific Palisades, CA|||10205||||0|Architecture|House||||20|||1945|1949||1945-1949|1945-1949|||||0||||0||||||||||||||||||||||||||||||||Cornell|||SJW|4/5/2004 0:00:00||Eames&Saar|Ent|Ent|0|||||||MA||||||7.5|1945-49|||||||||Work|0||In 1945 the Eames collaborated with Eero Saarinen and Edgardo Contini on two projected case study houses (nos 8 and 9) for the magazine Arts and Architecture.|Case Study House no. 9, which was intended for John Entenza, the editor and publisher of the magazine, was a single-level dwelling of steel and stucco and was built at 205 Chautauqua Boulevard. (DOA)||Building phase 1947-1949.|||||||0|0|John Entenza House;Case Study House no. 9|Eames & Saarinen 1500.00|0|Category|15|E-18|AmosE||2|E-18 AmosE 2|Baggage|Artists|Image Source (Book)|||||||Baggage|371|Amos, Emma||painter|Emma Amos|0||||0|||||African American|American|||||||United States||||||0||||0||||0||||0|Paintings|||||20|||1993|1993||1993|1993-1993|||||0||||0|||||Acrylic on linen, silk screen, African fabric borders|acrylic paint|canvas|cloth (fabric)|||painting (image-making)|screen printing||||201.9 x 292.1 cm||3561|Artist, Collection of the|: Collection of the Artist||||||||||||Cornell||MNW|MNW|4/5/2004 0:00:00|4/5/2004 0:00:00|AmosE|||0|||||||E|||18||||| ||||||||Work|0||Diptych. Each half measures 201.9 x 143.2 cm.||||||||||0|0|Baggage|Amos, Emma 1501.00|0|Category|15|E-18|AmosE||3||Work Suit|Artists|Image Source (Book)|||||||Work Suit|371|Amos, Emma||painter|Emma Amos|0||||0|||||African American|American|||||||United States||||||0||||0||||0||||0|Paintings|||||20|||1994|1994||1994|1994-1994|||||0||||0|||||Acrylic on linen canvas, photo transfer, African fabric|acrylic paint|canvas|cloth (fabric)|||painting (image-making)|photography||||189.2 x 138.4 cm||3561|Artist, Collection of the|: Collection of the Artist||||||||||||Cornell||MNW|SJW|4/6/2004 0:00:00|4/5/2004 0:00:00|AmosE|||0|||||||E|||18||||| ||||||||Work|0||Acrylic on linen canvas, laser transfer photograph, African fabric||||||||||0|0|Work Suit|Amos, Emma 1502.00|0|Category|15|E|AmosE-||4|E-18 AmosE 4|X Flag|Artists|Image Source (Book)|||||||X Flag|371|Amos, Emma||painter|Emma Amos|0||||0|||||African American|American|||||||United States||||||0||||0||||0||||0|Paintings|||||20|||1993|1993||1993|1993-1993|||||0||||0|||||acrylic on linen canvas, laser transfer photograph, Confederate flag borders|acrylic paint|canvas|cloth (fabric)|||painting (image-making)|photography||||147.3 x 101.6 cm||9298|Alice Zimmerman Collection|: Alice Zimmerman Coll.||Flags||||||||||Cornell||MNW|SJW|4/6/2004 0:00:00|4/5/2004 0:00:00|AmosE|||0|||||||E|||18||||| ||||||||Work|0||Acrylic on linen canvas, laser transfer photograph, Confederate flag borders||||||||||0|0|X Flag|Amos, Emma 1503.00|0|Creator|15|MA-Rietveld|9.0|1942|Chair 20|MA-Rietveld 9.0 1942 Chair 20|Aluminum Armchair|Descriptive|Image Source (Book)|||||||Aluminum Armchair|9865|Rietveld, Gerrit Thomas||architect|Gerrit Rietveld|30046|Groenekan, Gerard van de|||0|||||Dutch|||De Stijl|||||Holland||||||0||||0||||0||||0|Furnishings|Chair||||20|||1942|1942||1942|1942-1942|||||0||||0|||||Sheet aluminum|aluminum|||||furniture making|metalworking||||71 x 70 x 65 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||Furniture ; Armchairs ; |Furniture|Armchairs||||||||Cornell||SJW|JNK|5/11/2006 0:00:00|4/5/2004 0:00:00|Rietveld|||0|||||||MA||||||9.0|| ||||||||Work|0||Probably developed as a design for folded fiberboard, adapted for aluminum.||||||||||0|0|Aluminum Armchair|Rietveld, Gerrit Thomas;Groenekan, Gerard van de 1504.00|0|Creator|15|MA-Rietveld|9.0|1930|Chair 21|MA-Rietveld 9.0 1930 Chair 21|Drawing for a Folded Armchair|Descriptive|Image Source (Book)|||||||Aluminum Armchair. Drawing for a Folded Armchair|9865|Rietveld, Gerrit Thomas||architect|Gerrit Rietveld|0||||0|||||Dutch|||De Stijl|||||Holland||||||0||||0||||0||||0|Furnishings|Chair|Drawing|||20|||1930|1940||1930-1940|1930-1940||Aluminum Armchair|LargerEntity||1503||||0|||||||||||furniture making|drawing (image-making)||||||||||Furniture ; Chairs ; |Furniture|Chairs||||||||Cornell||SJW|JNK|5/11/2006 0:00:00|4/5/2004 0:00:00|Rietveld|||0|||||||MA||||||9.0|1930|||||||||Work|0||Rietveld experimented with folding single sheets of plywood, fiberboard, or aluminum into chairs from c. 1927 to 1942.||||||||||0|0|Drawing for a Folded Armchair|Rietveld, Gerrit Thomas 1505.00|0|Creator|15|MA-Rietveld|9.0|1927|Chair 22|MA-Rietveld 9.0 1927 Chair 22|Birza|Artists|Image Source (Book)|Birza [Armchair]|Descriptive|Cataloger||||Birza|9865|Rietveld, Gerrit Thomas||architect|Gerrit Rietveld|0||||0|||||Dutch|||De Stijl|||||Holland||||||0||||0||||0||||0|Furnishings|Chair||||20|||1927|1927||1927|1927-1927|||||0||||0|||||||||||furniture making|drawing (image-making)||||||||||Furniture ; Armchairs ; |Furniture|Armchairs||||||||Cornell||SJW|JNK|5/11/2006 0:00:00|4/5/2004 0:00:00|Rietveld|||0|||||||MA||||||9.0|1927|||||||||Work|0||Schematic drawing in Rietveld's hand exists. "Birza" was meant to be made from one sheet of fiberboard (cut, bent and screwed together). It has been reconstructed in aluminum.||||||||||0|0|Birza;Birza [Armchair]|Rietveld, Gerrit Thomas 1506.00|0|Category|05|J-Polk|||1||The Boss|Collective Title|Image Source (Book)|||||||The Boss|30119|Polk, Prentice Hall||photographer|Prentice Hall Polk|0||||0|||||African American|American|||||||United States||||||0||||0||||0||||0|Photographs|Portrait||||20|||1932|1932||1932|1932-1932|||||0||||0|||||||||||photography|||||||9299|Collection of Paul Jones|: Coll. Paul Jones||Portraits||||||||||Cornell||MNW|MNW|4/5/2004 0:00:00|4/5/2004 0:00:00|Polk|||0|||||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|The Boss|Polk, Prentice Hall 1507.00|0|Category|11|W-18|Min|AfrAm|11||Life of Aunt Jemima: the most famous Colored Woman in the world|Inscribed|Image Source (Book)|||||||Life of Aunt Jemima|0|||||0||||0|||||African American|American|||||||United States||||||0||||0||||0||||0|Prints|||||19|||1893|1893|ca|ca 1893|ca 1893-1893|||||0||||0|||||||||||printing|||||||||||Aunt Jemima||||||||||Cornell||MNW|MNW|4/5/2004 0:00:00|4/5/2004 0:00:00|Min|||0||||||AfrAm|W|||18|||||||||||||Work|0||From the cover of a booklet from the 1893 Chicago World's Columbian Exposition.||||||||||0|0|Life of Aunt Jemima: the most famous Colored Woman in the world| 1508.00|0|Creator|15|MA-Luckhardt|9.0|1936|Chair 2|MA-Luckhardt 9.0 1936 Chair 2|Siesta Medizinal|BrandName|Image Source (Book)|Siesta Medizinal [Reclining chair]|Descriptive|Cataloger||||Siesta Medizinal|7281|Luckhardt, Hans||architect|Hans & Wassili Luckhardt|7284|Luckhardt, Wassili|||30039|Gebrüder Thonet||||German||||||||Germany||||||0||||0||||0||||0|Furnishings|Chair||||20|||1936|1936||1936|1936-1936|||||||||0|||||Wood with leather upholstery|wood|leather||||furniture making|||||84 x 67 x 90.5 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|MNW|6/8/2004 0:00:00|4/6/2004 0:00:00|Luckhardt|||0|||||||MA||||||9.0|1936| ||||||||Work|0||Dimensions are for chair folded upright. It reclines with three separate support areas. Hans Luckhardt later worked with Anton Lorenz on reclining "movement chairs" which Lorenz patented in the 1950's. Produced by Gebruder Thonet.|||Design 1936; produced 1937 to present.|||||||0|0|Siesta Medizinal;Siesta Medizinal [Reclining chair]|Luckhardt, Hans;Luckhardt, Wassili;Gebrüder Thonet 1509.00|0|Creator|15|MA-Prouvé|9.0|1930|Chair 1|MA-Prouvé 9.0 1930 Chair 1|Folding Chair|Descriptive|Image Source (Book)|||||||Folding Chair|9511|Prouvé, Jean||architect|Jean Prouvé|0||||0|||||French||||||||France||||||0||||0||||0||||0|Furnishings|Chair||||20|||1930|1930||1930|1930|||||0||||0|||||Varnished steel, canvas|steel|canvas||||furniture making|metalworking||||102.5 x 45 x 51 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|MNW|6/7/2004 0:00:00|4/6/2004 0:00:00|Prouvé|||0|||||||MA||||||9.0|1930| ||||||||Work|0||Produced by Prouvé's metal shop, Ateliers Jean Prouvé, Nancy, France. Foldable and stackable in a row.|||Designed and produced in 1930.|||||||0|0|Folding Chair|Prouvé, Jean 1510.00|0|||MA-Prouvé|9.0|1950|Chair 2|MA-Prouvé 9.0 1950 Chair 2|School furniture|Descriptive|Image Source (Book)|||||||School furniture|9511|Prouvé, Jean||architect|Jean Prouvé|0||||0|||||French||||||||France||||||0||||0||||0||||0|Furnishings|Chair|Table|||20|||1950|1950|ca|ca 1950|ca 1950-ca 1950|||||0||||0|||||Wood and metal|metal|wood||||furniture making|||||||||||||||||||||Cornell||SJW|MNW|6/7/2004 0:00:00|4/6/2004 0:00:00|Prouvé|||0|||||||MA||||||9.0|1950||||||||||0||Fixed row chairs with folding seats and fixed tables for a classroom.||||||||||0|0|School furniture|Prouvé, Jean 1511.00|0|Architect|02|MA-Prouvé|6.7|1950-51|Lille|MA-Prouvé 6.7 1950-51 Lille|Palais des Expositions|Assigned|Print Publication|Trade Fair Building|Translated|Image Source (Book)||||Palais des Expositions|9511|Prouvé, Jean||architect|Jean Prouvé|0||||0|||||French||||||||France|||||||Lille, France|||10206||||||||0|Architecture|Exhibit building||||20|||1950|1951||1950-1951|1950-1951|||||0||||0||||||||||||||||||||||||||||||||Cornell||SJW|MNW|6/7/2004 0:00:00|4/6/2004 0:00:00|Prouvé|Lille||0|||||||MA||||||6.7|1950-51|||||||||Work|0|Modern Architecture-|Prouvé did the metal facades and turnstiles. Herbé and Gauthier are listed architects. (Contemporary Architects, 3rd ed., 1994)||||||||||0|0|Palais des Expositions;Trade Fair Building|Prouvé, Jean 1512.00|0|Creator|15|MA-Prouvé|9.0|1928-30|Chair 3|MA-Prouvé 9.0 1928-30 Chair 3|Grand Repos|BrandName|Image Source (Book)|Grand Repos [chair]|Descriptive|Cataloger||||Grand Repos [chair]|9511|Prouvé, Jean||architect|Jean Prouvé|0||||0|||||French||||||||France||||||0||||0||||0||||0|Furnishings|Chair||||20|||1928|1930||1928-1930|1928-1930|||||0||||0|||||Varnished steel, ball bearings, springs, canvas|steel|canvas||||furniture making|||||99 x 70 x 172 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|SJW|4/6/2004 0:00:00|4/6/2004 0:00:00|Prouvé|||0|||||||MA||||||9.0|1928-30| ||||||||Work|0||Reclining chair. Only 2 original models known; Tecta Co. in Germany now makes reproductions.|||Designed 1928-1930; produced 1930.|||||||0|0|Grand Repos;Grand Repos [chair]|Prouvé, Jean 1513.00|0|Creator|15|35|D419-D|1968|1||Aunt Jemima|Descriptive|Image Source (Book)|||||||Aunt Jemima|30120|DePillars, Murry||artist|Murry DePillars|0||||0|||||African American|Amrican|||||||United States||||||0||||0||||0||||0|Drawings|||||20|||1968|1968||1968|1968-1968|||||0||||0|||||Pen, ink, pencil on paper|Pen|ink|paper|||drawing (image-making)|||||94 x 79.4 cm||3561|Artist, Collection of the|: Collection of the Artist||Aunt Jemima; Flags||||||||||Cornell||MNW|MNW|4/9/2004 0:00:00|4/6/2004 0:00:00|D419|||0|||||||35|D||||||1968| ||||||||Work|0||||||||||||0|0|Aunt Jemima|DePillars, Murry 1525.00|0|Architect|15|MA-Gray|9.0|1927|Table 1|MA-Gray 9.0 1927 Table 1|E 1027|Artists|Image Source (Book)|E 1027 [adjustable side table]|Descriptive|Cataloger||||E 1027 [adjustable side table]|4755|Gray, Eileen||architect|Eileen Gray|0||||0|||||French||||||||France||||||0||||0||||0||||0|Furnishings|Table||||20|||1927|1927||1927|1927|||||0||||0|||||Varnished tubular steel, glass|steel|glass||||furniture making|metalworking||||100 cm.||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|SJW|4/8/2004 0:00:00|4/8/2004 0:00:00|Gray|||0|||||||MA||||||9.0|1927| ||||||||Work|0||Height adjustable from 61 to 100 cm; diameter of top, 50 cm. Limited production by Gray's Atelier. Mass produced after 1976.|||Designed 1927; limited production 1927-1930; mass produced after 1976.|||||||0|0|E 1027;E 1027 [adjustable side table]|Gray, Eileen 1527.00|0|Category|06|J-MP|Lee|1|Bamboozled|J-MP Lee 1 Bamboozled|Bamboozled|Published|Image Source (Book)|||||||Bamboozled|30126|Lee, Spike||film director|Spike Lee|30127|Kilik, Jon||filmmaker|30128|New Line Cinema Corporation||||African American|American|||||||United States||||||0||||0||||0||||0|Motion Pictures|||||20|21||2000|2000||2000|2000-2000|||||0||||0|||||DVD||||||film making|||||||||||||||||||||Cornell||MNW|MNW|4/9/2004 0:00:00|4/8/2004 0:00:00|Lee|||0||||||Bamboozled|J-MP|||||||||1|||||||Work|0||Lee New Line Cinema presents a 40 Acres and a Mule Filmworks production; produced by Jon Kilik and Spike Lee; written and directed by Spike Lee.||||||||||0|0|Bamboozled|Lee, Spike;Kilik, Jon;New Line Cinema Corporation 1528.00|0|||MA-Hoffmann|9.0|1905|Chair 4|MA-Hoffmann 9.0 1905 Chair 4|No. 670 (Sitzmaschine)|BrandName|Image Source (Book)|Reclining Armchair|Descriptive|Cataloger||||No. 670 (Sitzmaschine)|5511|Hoffmann, Josef Franz Maria||architect|Josef Hoffmann|0||||0|||||Austrian||||||||Austria||||||0||||0||||0||||0|Furnishings|Chair||||20|||1905|1905|ca|ca 1905|ca 1905-ca 1905|||||0||||0|||||Bent beechwood, plywood, brass|beech|wood|plywood|||furniture making|||||106 x 67.5 x 90 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|MNW|6/7/2004 0:00:00|4/8/2004 0:00:00|Hoffmann|||0|||||||MA||||||9.0|1905| |||||||||0||Manufactured by Jacob & Josef Kohn, Vienna. Example in Vitra Museum unusual; has slide-out footrest (a special order feature). Chair sold with or without cushions.|||Design ca. 1905; production ca. 1905-1916|||||||0|0|No. 670 (Sitzmaschine);Reclining Armchair|Hoffmann, Josef Franz Maria 1529.00|0|Creator|15|35|W1815-M|1995|1||The End of Uncle Tom and the Grand Allegorical Tableau of Eva in Heaven|Artists|Image Source (Book)|||||||End of Uncle Tom & Grand Allegorical Tableau of Eva in Heaven|30125|Walker, Kara||painter|Kara Walker|0||||0|||||African American|American|||||||United States||||||0||||||||0||||0|Installations|Installation (Exhibition)||||20|||1995|1995||1995|1995-1995|||||0||||0|||||Cut paper & adhesives on wall|paper|adhesives|wall|||Installations|||||||3561|Artist, Collection of the|: Collection of the Artist||||||||||||Cornell||MNW|MNW|4/8/2004 0:00:00|4/8/2004 0:00:00|W1815|||0|||||||35|M||||||1995| ||||||||Work|0|||Installation at the Brent Sikkema Gallery, New York, NY.|||||||||0|0|The End of Uncle Tom and the Grand Allegorical Tableau of Eva in Heaven|Walker, Kara 1530.00|0|Architect|03|MA-Gray|7.5|1927-29 Vil|Vil|MA-Gray 7.5 1927-9 Vil|E 1027|Artists|Dict.Art|Eileen Gray House|Descriptive|Cataloger||||E 1027 (Eileen Gray House)|4755|Gray, Eileen||architect|Eileen Gray|0||||0|||||French||||||||France||||||0|Roquebrune, France|||10208||||||||0|Architecture|House|Villa|||20|||1927|1929||1927-1929|1927-1929|||||0||||0||||||||||||||||||||||||||||||||Cornell||SJW|MNW|9/22/2004 0:00:00|4/8/2004 0:00:00|Gray|||0||||||Vil|MA||||||7.5|1927-29|||||||||Work|0|Modern Architecture|In 1927, encouraged by the Romanian architect Jean Badovici, she designed and built a villa for herself, ‘E-1027’, at Roquebrune on the Mediterranean coast. DOA||||||||||0|0|E 1027;Eileen Gray House|Gray, Eileen 1531.00|0|Creator|15|U-11|9|Meda|Chair 1|U-11 9 Meda Chair 1|LightLight|BrandName|Image Source (Book)|LightLight [chair]|Descriptive|Cataloger||||LightLight [chair]|7820|Meda, Alberto||engineer|Alberto Meda|27598|Alias|||0|||||Italian||||||||Italy||||||0||||0||||0||||0|Furnishings|Chair||||20|||1986|1986||1986|1986-1986|||||0||||0|||||Epoxy resin, Nomex, carbon fiber|polyurethane|||||furniture making|||||70.5 x 53 x 47.5 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|CLL|6/16/2004 0:00:00|4/8/2004 0:00:00|Meda|||0||||||9|U|||11||||| ||||||||Work|0||Nomex is a brand name polyurethane foam. The chair was briefly manufactured by Alias, but was extremely expensive.|||Design 1986; production 1987-1988.|||||||0|0|LightLight;LightLight [chair]|Meda, Alberto;Alias 1532.00|0|Creator|15|C-50|BoltanskiC||2|C-50 BoltanskiC 2|Jewish School of Grosse Hamburgerstrasse in Berlin in 1938|Artists|Image Source (Book)|||||||Jewish School of Grosse Hamburgerstrasse in Berlin in 1938|1348|Boltanski, Christian||artist|Christian Boltanski|0||||0|||||French||||||||France||||||0||||0||||0||||0|Installations|Installation (Exhibition)||||20|||1994|1994||1994|1994-1994|||||0||||0|||||photographs, florescent lamps, nails, fan|photographic materials|nails|electric lighting|||photography|Installations||||dimensions variable||||||Holocaust, Jewish (1939-1945) Influence||||||||||Cornell||SJW|MNW|4/9/2004 0:00:00|4/8/2004 0:00:00|BoltanskiC|||0|||||||C|||50|||||||||||||Work|0|||Uses "moving photographs." (Moving projections?)||This installation 1994.|Installation at Marian Goodman Gallery, New York.||||||0|0|Jewish School of Grosse Hamburgerstrasse in Berlin in 1938|Boltanski, Christian 1533.00|0|Creator|15|C-50|BoltanskiC||3|C-50 BoltanskiC 3|Monument: the Children of Dijon|Artists|Image Source (Book)|||||||Monument: the Children of Dijon|1348|Boltanski, Christian||artist|Christian Boltanski|0||||0|||||French||||||||France||||||0||||0||||0||||0|Installations|Installation (Exhibition)||||20|||1985|1985||1985|1985-1985|||||0||||0|||||Photograhs, metal frames, light bulbs|photographic materials|glass|electric lighting|||photography|Installations||||20.5 x 15 cm (each photo)||1846|Nantes,Musee des Beaux-Arts|Nantes: MBA||||||||||||Cornell||SJW|MNW|4/9/2004 0:00:00|4/9/2004 0:00:00|BoltanskiC|||0|||||||C|||50||||| ||||||||Work|0||142 black & white and color photographs (from old found photos) surrounded by metal frames, light bulbs, etc.|First installation; Le Consortium, Dijon, 1985. Installation; Palazzo delle Prigione, 42nd Venice Biennale, 1986. Installation; Vancouver Art Gallery, 1989. Installation; Musee de Genoble, 1991. Installation; Kunsthalle, Hamburg, 1991. Also; Oslo, 1994.||Created 1985.|||||||0|0|Monument: the Children of Dijon|Boltanski, Christian 1534.00|0|Category|06|J-MP|Lee|1|Bamboozled||Cover Art for DVD of Spike Lee's Bamboozled|||||||||Cover Art for DVD of Spike Lee's Bamboozled|0|||||0||||0|||||African American|American|||||||United States||||||0||||0||||0||||0|Graphics|Illustration||||20|21||2000|2000||2000|2000-2000||Bamboozled|||1527||||0|||||||||||printing|||||||||||||||||||||Cornell||MNW|MNW|4/9/2004 0:00:00|4/9/2004 0:00:00|Lee|||0||||||Bamboozled|J-MP|||||||||1|||||||Work|0||||||||||||0|0|Cover Art for DVD of Spike Lee's Bamboozled| 1535.00|0|Creator|15|C-50|BoltanskiC||4|C-50 BoltanskiC 4|Reserve: The Dead Swiss|Artists|Image Source (Book)|||||||Reserve: The Dead Swiss|1348|Boltanski, Christian||artist|Christian Boltanski|0||||0|||||French||||||||France||||||0||||0||||0||||0|Installations|Installation (Exhibition)|Assemblage (Sculpture)|Photographic print||20|||1991|1991||1991|1991-1991|||||0||||0|||||2,580 metal boxes w. B&W photos|metal|photographic materials||||Installations|assemblage (sculpture technique)|photography|||21 x 23 x 23 cm (each box)||9300|Valencia, Institut Valencia d' Art Modern|Valencia: IVAM||||||||||||Cornell||SJW|MNW|4/9/2004 0:00:00|4/9/2004 0:00:00|BoltanskiC|||0|||||||C|||50||||| ||||||||Work|0||Consists of 2,580 metal boxes with 4 x 6 cm B&W photos attached to the front. Boxes are stacked. Photographs are cut from the death notices from a Swiss newspaper.|In the permanent collection of IVAM, Valencia; also installed at Galerie Ghislaine Hussenot, Paris, 1991.|||||||||0|0|Reserve: The Dead Swiss|Boltanski, Christian 1537.00|0|Creator|15|C-50|BoltanskiC||6|C-50 BoltanskiC 6|Canada|Artists|Image Source (Book)|||||||Canada|1348|Boltanski, Christian||artist|Christian Boltanski|0||||0|||||French||||||||France||||||0||||0||||0||||0|Installations|Installation (Exhibition)||||20|||1988|1988||1988|1988-1988|||||0||||0|||||Found, used clothing, electric lights|textiles|electric lighting||||Installations|assemblage (sculpture technique)||||Variable dimensions||||||||||||||||Cornell||SJW|MNW|4/9/2004 0:00:00|4/9/2004 0:00:00|BoltanskiC|||0|||||||C|||50|||||||||||||Work|0||Installation at Ydessa Hendeles Foundation, Toronto.|||Created 1988; various installations.|||||||0|0|Canada|Boltanski, Christian 1538.00|0|Creator|15|C-50|BoltanskiC||5|C-50 BoltanskiC 5|Altar to the Chases High School|Artists|Image Source (Book)|||||||Altar to the Chases High School|1348|Boltanski, Christian||artist|Christian Boltanski|0||||0|||||French||||||||France||||||0||||0||||0||||0|Installations|Installation (Exhibition)||||20|||1987|1987||1987|1987-1987|||||0||||0|||||Tin boxes, B&W photos, metal lamps|photographic materials|electric lighting|metal|||Installations|assemblage (sculpture technique)||||205 x 220 x 23 cm (approx.)||1178|Jerusalem, Israel Museum|Jerusalem: Israel Museum||||||||||||Cornell||SJW|MNW|4/9/2004 0:00:00|4/9/2004 0:00:00|BoltanskiC|||0|||||||C|||50||||| ||||||||Work|0|||||Created 1987; various installation dates.|In permanent collection; Jerusalem, Israel Museum.||||||0|0|Altar to the Chases High School|Boltanski, Christian 1539.00|0|Creator|15|C-50|BoltanskiC||7|C-50 BoltanskiC 7|Shadows|||||||||Shadows|1348|Boltanski, Christian||artist|Christian Boltanski|0||||0|||||French||||||||France||||||0||||0||||0||||0|Installations|Installation (Exhibition)||||20|||1990|1990||1990|1990-1990|||||0||||0|||||projector lights, wood, cardboard, wire|wood|electric lighting|wire|||Installations|assemblage (sculpture technique)||||variable dimensions||4235|Nagoya, Institute of Contemporary Arts|Nagoya: Inst. Contemp. Art||Skeleton||||||||||Cornell||SJW|MNW|4/9/2004 0:00:00|4/9/2004 0:00:00|BoltanskiC|||0|||||||C|||50||||| ||||||||Work|0||In permanent collection at Nagoya.|||Creation date, 1990.|||||||0|0|Shadows|Boltanski, Christian 1540.00|0|Creator|15|C-50|BoltanskiC||8|C-50 BoltanskiC 8|Reserve: the Dead Swiss|Artists|Image Source (Book)|Reserve: the Dead Swiss [1989]|Descriptive|Cataloger||||Reserve: the Dead Swiss [1989]|1348|Boltanski, Christian||artist|Christian Boltanski|0||||0|||||French||||||||France||||||0||||0||||0||||0|Installations|Installation (Exhibition)||||20|||1989|1989||1989|1989-1989|||||0||||0|||||Tin boxes, B&W photos in metal frames, lighting|photographic materials|metal|electric lighting|||Installations|photography||||Variable dimensions||||||||||||||||Cornell||SJW|MNW|4/9/2004 0:00:00|4/9/2004 0:00:00|BoltanskiC|||0|||||||C|||50|||||||||||||Work|0||The photographs were cut from death notices from a Swiss newspaper and re-photographed.|Date to distinguish it from 1991 work in permanent collection in Valencia. Photographs are larger in this work, and not affixed to the boxes.|||Installation in Whitechapel Art Gallery, London.||||||0|0|Reserve: the Dead Swiss;Reserve: the Dead Swiss [1989]|Boltanski, Christian 1541.00|0|Creator|15|C-50|BoltanskiC||9|C-50 BoltanskiC 9|Holy Week|Artists|Image Source (Book)|||||||Holy Week|1348|Boltanski, Christian||artist|Christian Boltanski|0||||0|||||French||||||||France||||||0||||0||||0||||0|Installations|Installation (Exhibition)||||20|||1994|1994||1994|1994-1994|||||0||||0|||||Used, found clothing (coats)|textiles|||||Installations|||||Variable dimensions||||||||||||||||Cornell||SJW|MNW|4/9/2004 0:00:00|4/9/2004 0:00:00|BoltanskiC|||0|||||||C|||50|||||||||||||Work|0||Installation in Church of Saint-Eustache, Paris.||||||||||0|0|Holy Week|Boltanski, Christian 1542.00|0|Creator|15|35|S8451-PA|1972|1|35 S8451-PA 1972 1|Spirit Sister|Artists|Image Source (Book)|||||||Spirit Sister|30129|Stevens, Nelson||painter|Nelson Stevens|0||||0|||||African American|American|||||||United States||||||0||||0||||0||||0|Paintings|||||20|||1972|1972||1972|1972-1972|||||0||||0|||||Acrylic on canvas|acrylic|canvas||||painting (image-making)|||||||3561|Artist, Collection of the|: Collection of the Artist||||||||||||Cornell||MNW|MNW|4/9/2004 0:00:00|4/9/2004 0:00:00|S8451|||0|||||||35|PA||||||1972| ||||||||Work|0||||||||||||0|0|Spirit Sister|Stevens, Nelson 1543.00|0|Creator|15|MA-Gehry|9.0|1972|EasEd 2|MA-Gehry 9.0 1972 EasEd 2|Wiggle Side Chair|||||||||Easy Edges Furniture Series. Wiggle Side Chair|4365|Gehry, Frank Owen||architect|Frank O. Gehry|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Furnishings|Chair||||20|||1972|1972||1972|1972-1972||Easy Edges Furniture Series|LargerEntity||1544||||0|||||Glued layers of cardboard, fiberboard|cardboard|glue|fiberboard|||furniture making|||||85 x 42.5 x 60 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|MNW|3/29/2006 0:00:00|4/9/2004 0:00:00|Gehyr|||0||||||EasEd|MA||||||9.0|| ||||||||Work|0||Originally produced by Easy Edges, Inc., New York. Since 1986 Vitra has produced four models of the Easy Edges furniture.|||Designed 1972.|||||||0|0|Wiggle Side Chair|Gehry, Frank Owen 1544.00|0|Creator|15|MA-Gehry|9.0|1972|EasEd|MA-Gehry 9.0 1972 EasEd|Easy Edges Furniture Series|Artists|Image Source (Book)||||||||4365|Gehry, Frank Owen||architect|Frank O. Gehry|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Furnishings|||||20|||1972|1972||1972|1972-1972|||||0||||0||||||cardboard|||||furniture making|||||||||||||||||||||Cornell||SJW|MNW|6/7/2004 0:00:00|4/12/2004 0:00:00|Gehry|||0|||||||MA||||||9.0|1972|||||||||Work|0||Originally produced by Easy Edges, Inc., New York. Since 1986 Vitra has produced four models of the Easy Edges furniture.|Furniture was based on process of gluing corrugated cardboard running in alternate directions, then shaping.||Designed and introduced, 1972.|||||||0|0|Easy Edges Furniture Series|Gehry, Frank Owen 1545.00|0|Creator|15|MA-Pesce|9.0|1969|Chair 3|MA-Pesce 9.0 1969 Chair 3|UP5 and UP6, Donna|BrandName|Image Source (Book)|UP5 and UP6, Donna [chair and ottoman]|Descriptive|Cataloger||||UP5 and UP6, Donna [chair and ottoman]|9122|Pesce, Gaetano||architect|Gaetano Pesce|0||||0|||||Italian||||||||Italy||||||0||||0||||0||||0|Furnishings|Chair||||20|||1969|1969||1969|1969|||||||||0|||||Polyurethane foam covered with nylon jersey fabric|polyurethane|textiles||||furniture making|molding||||92 x 117 x 137 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|MNW|6/7/2004 0:00:00|4/12/2004 0:00:00|Pesce|||0|||||||MA||||||9.0|1969| ||||||||Work|0||The foam chair was vacuum-packed in a foil envelope for easy transport. After removal of the foil, the foam would naturally re-inflate. Produced by Cassina & Busnelli.The chair was designed to represent a prehistoric fertility figure with a ball attached.|||Designed 1969; produced 1970-1973.|||||||0|0|UP5 and UP6, Donna;UP5 and UP6, Donna [chair and ottoman]|Pesce, Gaetano 1546.00|0|Creator|15|U-11|9.0|Zanuso|Chair 1|U-11 9.0 Zanuso Chair 1|Lambda|Artists|Image Source (Book)|Lambda [chair]|Descriptive|Cataloger||||Lambda [chair]|30131|Zanuso, Marco||architect|Marco Zanuso|0||||0|||||Italian||||||||Italy||||||0||||0||||0||||0|Furnishings|Chair||||20|||1959|1964||1959-1964|1959-1964|||||0||||0|||||Painted, stamped steel, rubber|steel|rubber (material)||||furniture making|metalworking||||77.5 x 39.5 x 46 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|SJW|4/12/2004 0:00:00|4/12/2004 0:00:00|Zanuso|||0|||||||U|||11||||9.0| ||||||||Work|0||Worked with Richard Sapper (design partner). Trial production in 1964; discontinued because of expense. Chair had 10 stamped sheets of metal to assemble and weld.|||Designed 1959-1964.|||||||0|0|Lambda;Lambda [chair]|Zanuso, Marco 1547.00|0|Creator|15|MA-Eames|9.0|1958|Chair 5|MA-Eames 9.0 1958 Chair 5|Indoor-Outdoor "Reclining Armchair" no. 684|BrandName|Image Source (Book)|Leisure Group||||||Indoor-Outdoor "Reclining Armchair" no. 684|30085|Eames, Charles and Ray||industrial designfrm|Charles and Ray Eames|30052|Herman Miller Furniture Company|||0|||||American||||||||United States||||||0||||0||||0||||0|Furnishings|Chair||||20|21||1958|1958||1958|1958|||||0||||0|||||Cast aluminum, synthetic fiber (Naugahide)|aluminum|||||furniture making|metalworking||||100 x 65 x 77 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|MNW|6/7/2004 0:00:00|4/12/2004 0:00:00|Eames|||0|||||||MA||||||9.0|1958| ||||||||Work|0||Part of series of aluminum outdoor furniture with synthetic covering. Proved unsuccessful for outdoor use, but were first mass-produced aluminum chairs.|||Designed 1958; produced to present.|||||||0|0|Indoor-Outdoor "Reclining Armchair" no. 684;Leisure Group|Eames, Charles and Ray;Herman Miller Furniture Company 1548.00|0|Creator|15|MA-Eames|9.0|1958|Chair 19|MA-Eames 9.0 1958 Chair 19|DKR (Dining Height, K-Wire Shell, Rod Iron Base)|Artists|Image Source (Book)|DKR [chair]|Descriptive|Cataloger|Wire Chair|||DKR [chair]|30085|Eames, Charles and Ray||industrial designfrm|Charles and Ray Eames|30052|Herman Miller Furniture Company|||0|||||American||||||||United States||||||0||||0||||0||||0|Furnishings|Chair||||20|||1951|1951||1951|1951-1951|||||||||0|||||Varnished wire|wire|||||furniture making|metalworking||||82 x 48 x 52.5 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|MNW|6/7/2004 0:00:00|4/12/2004 0:00:00|Eames|||0|||||||MA||||||9.0|1958| ||||||||Work|0||Charles and Ray Eames won lawsuit brought by Knoll and Harry Bertoia who tried to market a similar chair in 1952. This chair design won a patent for the mecahnical construction. Produced since 1958 by Vitra.|||Design 1951; produced 1951-1967 by Miller.|||||||0|0|DKR (Dining Height, K-Wire Shell, Rod Iron Base);DKR [chair];Wire Chair|Eames, Charles and Ray;Herman Miller Furniture Company 1549.00|0||||||||KiMo Theatre|||||||||KiMo Theatre|30137|Boller Brothers||architectural firm|Boller Brothers|0||||0|||||American|||Art Deco|||||United States||||||0|Albuquerque, NM|||10209||||||||0|Architecture|Theater||||20|||1927|1927||1927|1927-1927|||||0||||0||||||||||||||||||||||Theaters||||||||||Cornell|||MNW|5/6/2004 0:00:00|||Alb||0|||||||||||||||||||||||Work|0||Renovated in 1977 by Harvey Hoshbour and Dan Pearson. Theater built in the Pueblo Deco Style. Interior murals by Carl von Hassler. Hassler murals renovated by Anne Rosenthal in 1988.||||||||||0|0||Boller Brothers 1550.00|0|Creator|15|MA-Eames|9.0|1945|Chair 20|MA-Eames 9.0 1945 Chair 20|[Children's Chair]|Descriptive|Image Source (Book)|||||||[Children's Chair]|30085|Eames, Charles and Ray||industrial designfrm|Charles and Ray Eames|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Furnishings|Chair||||20|||1945|1945||1945|1945-1945|||||0||||0|||||Molded plywood|plywood|||||furniture making|molding||||36.5 x 35 x 28 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|MNW|6/4/2004 0:00:00|4/13/2004 0:00:00|Eames|||0|||||||MA||||||9.0|1945| ||||||||Work|0||Produced in one run of 5,000 in 1945 by the Molded Plywood Division of Evans Product Company, Venice, CA.|||Designed and produced, 1945.|||||||0|0|[Children's Chair]|Eames, Charles and Ray 1551.00|0|Creator|15|MA-Eames|9.0|1942|Medical 1|MA-Eames 9.0 1942 Medical 1|Leg Splints|Descriptive|Image Source (Book)|Leg Splints [medical equipment]|Descriptive|Cataloger||||Leg Splints [medical equipment]|30085|Eames, Charles and Ray||industrial designfrm|Charles and Ray Eames|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Industrial Design|||||20|||1942|1942||1942|1942-1942|||||0||||0|||||Molded plywood|plywood|||||molding|||||||||||||||||||||Cornell||SJW|MNW|6/4/2004 0:00:00|4/13/2004 0:00:00|Eames|||0|||||||MA||||||9.0|1942|||||||||Work|0||Produced for medical use during World War II.||||||||||0|0|Leg Splints;Leg Splints [medical equipment]|Eames, Charles and Ray 1552.00|0|Creator|15|U-13.4|9.0|Coray|Chair 1|U-13.4 9.0 Coray Chair 1|Landi|BrandName|Image Source (Book)|Landi [chair]|Descriptive|Cataloger||||Landi|2594|Coray, Hans||designer|Hans Coray|0||||0|||||Swiss||||||||Switzerland||||||0||||0||||0||||0|Furnishings|Chair||||20|21||1938|1938||1938|1938-1938|||||0||||0|||||Molded aluminum alloy, rubber|aluminum|rubber (material)||||furniture making|metalworking||||77 x 54 x 58 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|MNW|6/4/2004 0:00:00|4/13/2004 0:00:00|Coray|||0|||||||U|||13.4||||9.0| ||||||||Work|0||The official outside (stacking) chair of the Swiss National Exhibition (nicknamed the "Landi") of 1939. Manufactured by P. & W. Blattmann Metallwarenfabrik, Wädenswil, Switzerland.|||Designed 1938; produced to present.|||||||0|0|Landi;Landi [chair]|Coray, Hans 1553.00|0|Creator|15|U-15|9.3|Andre|Chair 1|U-15 9.3 Andre Chair 1|[Garden Chair]|Descriptive|Image Source (Book)|||||||[Garden Chair]|30132|André, Jacques||architect|Jacques André|0||||0|||||French||||||||France||||||0||||0||||0||||0|Furnishings|Chair||||20|||1936|1937||1936-1937|1936-1937|||||0||||0|||||Painted sheet metal, acrylic glass (Plexiglas)|metal|Plexiglas||||furniture making|metalworking||||70 x 74.5 x 97.5 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||||||||||||Cornell||SJW|SJW|4/13/2004 0:00:00|4/13/2004 0:00:00|Andre|||0|||||||U|||15||||9.3| ||||||||Work|0||Manufactured by Ateliers Jean Prouvé, Nancy, France. Prouvé and André worked together and were members of Union des Artistes Modernes (UAM), which displayed this furniture in their pavillion at the 1937 Paris world's fair.|||Designed and produced, 1936-1937|||||||0|0|[Garden Chair]|André, Jacques 1554.00|0|Creator|15|MA-Breuer|9.0|1932|Chair 11|MA-Breuer 9.0 1932 Chair 11|Chaise Longue No. 313|||||||||Chaise Longue No. 313|1564|Breuer, Marcel Lajos||designer|Marcel Breuer|0||||0|||||Swiss||||||||Switzerland||||||0||||0||||0||||0|Furnishings|Chair||||20|21||1932|1932||1932|1932-1932|||||0||||0|||||Aluminum alloy, wood|aluminum|wood||||furniture making|metalworking||||75.5 x 58 x 137 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||Furniture ; Chairs ; |Furniture|Chairs||||||||Cornell||SJW|MNW|5/2/2005 0:00:00|4/15/2004 0:00:00|Breuer|||0||||||Chair 11|MA||||||9.0|1932| ||||||||Work|0||Used a special "Anticorodal" also known as "Duralumin" alloy. Manufactured by Embru AG, Zurich.|||Designed 1932; in production since 1934.|||||||0|0|Chaise Longue No. 313|Breuer, Marcel Lajos 1555.00|0|Creator|15|MA-Breuer|9.0|1936|Chair 10|MA-Breuer 9.0 1936 Chair 10|Isokon Chaise Longue|||||||||Isokon Chaise Longue|1564|Breuer, Marcel Lajos||designer|Marcel Breuer|30133|Isokon||manufacturer|0|||||English||||||||England||||||0||||0||||0||||0|Furnishings|Chair||||20|||1936|1936||1936|1936-1936|||||0||||0|||||Laminated, bent birch and maple plywood, fabric|plywood|textiles|birch|||furniture making|||||65.5 x 81 x 137 cm||||||Furniture ; Chairs ; |Furniture|Chairs||||||||Cornell||SJW|CLL|5/9/2005 0:00:00|4/15/2004 0:00:00|Breuer|||0|||||||MA||||||9.0|1936| ||||||||Work|0||Marcel Breuer became involved in Isokon design projects during his stay in England (1935-1937). This is an adaptation of his 1932 aluminum chaise. Jack Pritchard, owner of Isokon, requested a plywood version.|||Designed 1936.|||||||0|0|Isokon Chaise Longue|Breuer, Marcel Lajos;Isokon 1556.00|0|Creator|15|MA-Breuer|9.0|1928|Chair 8|MA-Breuer 9.0 1928 Chair 8|B 64, Cesca|Artists|Image Source (Book)|B 64, Cesca [chair]|Descriptive|Cataloger||||B 64, Cesca|1564|Breuer, Marcel Lajos||architect|Marcel Breuer|30039|Gebrüder Thonet||manufacturer|0|||||Swiss|German|||||||Switzerland|German|||||0||||0||||0||||0|Furnishings|Chair||||20|21||1928|1928||1928|1928-1928|||||0||||0|||||Chrome-plated steel, wood, wicker|steel|wood|wicker|||furniture making|metalworking||||81 x 57 x 62.5 cm||9282|Weil am Rhein, Vitra Design Museum|Weil am Rhein: Vitra Design M.||Furniture ; cahir ; |Furniture|cahir||||||||Cornell||SJW|MNW|5/2/2005 0:00:00|4/15/2004 0:00:00|Breuer|||0|||||||MA||||||9.0|1928| ||||||||Work|0||Originally produced by Gebrüder Thonet (Frankenberg on Eder, Germany branch of company). Produced by Gavina since 1962, when the chair received the "Cesca" nickname.|||Designed 1928; produced 1929 to present.|||||||0|0|B 64, Cesca;B 64, Cesca [chair]|Breuer, Marcel Lajos;Gebrüder Thonet 1557.00|0|Creator|07|U-13.3|9||||Czech furniture from 'Czech Cubism" exhibit|||||||||Czech furniture from 'Czech Cubism" exhibit|0|||||0||||0|||||Czech|||Cubist|||||Czech Republic||||||0||||0||||0||||0|Furnishings|Cabinet (case furniture)|Chair|||20||||||||||||0||||0||||||wood|glass||||furniture making|||||||||||||||||||||Cornell||SJW|MNW|6/4/2004 0:00:00|4/21/2004 0:00:00||||0|||||||U|||13.3|||9||||||||||Work|0|Furniture-Czechoslovakian|"Czech Cubism" exhibition at Vitra Design Museum, Weil am Rhine, Germany, 1991.||||||||||0|0|Czech furniture from 'Czech Cubism" exhibit| 1558.00|0|Architect|02|B-H5|Bar|2.22 Mus||B-H5 Bar 2.22 Mus |Palau de la Música Catalana|||||||||Palau de la Música Catalana|3219|Doménech y Montaner, Luis||architect|Luis Doménech y Montaner|0||||0|||||Catalan|Spanish||Art Nouveau|||||Spain||||||0|Barcelona, Spain|||10019|Barcelona, Spain|||10019||||0|Architecture|Theater||||20|||1905|1908||1905-1908|1905-1908|||||0||||0||||||||||||||||||||||Auditoriums; Concert halls||||||||||Cornell||SJW|MNW|7/30/2004 0:00:00|4/21/2004 0:00:00||Bar|Bar|0||||||Mus|B|||||H5|2.22||||||||||Work|0|Architecture-Spain|Ornamented with friezes and sculpture by numerous artists. The building and its decorations are connected with the Modernista style and to the Catalan nationalism movement.||||||||||0|0|Palau de la Música Catalana|Doménech y Montaner, Luis 1559.00|0|Architect|02|B-H5|Bar|2.22 Mus||B-H5 Bar 2.22 Mus |Sculptural frieze surrounding stage hemicycle|Descriptive|Cataloger|||||||Sculptural frieze surrounding stage hemicycle|30134|Arnau Mascort, Eusebio||sculptor|Eusebio Arnau Mascort|0||||0|||||Catalan|Spanish||Art Nouveau|||||Spain||||||0|Barcelona, Spain|||10019||||||||0|Sculpture|Mosaic|Sculpture|||20|||1905|1908||1905-1908|1905-1908||Palau de la Música Catalana|||1558||||0|||||Glazed ceramic mosaic|ceramic|||||mosaic|sculpture||||||||||Music; Musical instruments||||||||||Cornell||SJW|MNW|8/2/2004 0:00:00|4/21/2004 0:00:00||Bar||0||||||Mus|B|||||H5|2.22||||||||||Work|0||Eighteen sculptural figures from the waist-up, each playing a musical instrument, surrounded by ceramic mosaic. The mosaic depicts the lower bodies, with the upper half in three dimensions. The mosaic work is by Luis Bru.||||||||||0|0|Sculptural frieze surrounding stage hemicycle|Arnau Mascort, Eusebio 1560.00|0||||||||Gitana vella asseguda||||||||||30135|Nonell, Isidre||artist|Isidre Nonell|0||||0|||||||||||||||||||0||||0||||0||||0||||||||||||||||||0||||0||||||||||||||||||||||||||||||||Cornell||SJW|SJW|4/21/2004 0:00:00|4/21/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Gitana vella asseguda|Nonell, Isidre 1561.00|0|Creator|15|30|B2363-PA|90|1|30 B2363-PA 90 1|Magic Lantern|Assigned|Image Source (Book)|||||||Magic Lantern|1332|Boilly, Louis Leopold||painter|Louis Leopold Boilly|0||||0|||||French||||||||France||||||0||||0||||0||||0|Paintings|Oil painting||||18|||1775|1799|ca|Late 1700's|ca 1775-1799|||||0||||0|||||Oil on glass|oil paint|glass||||painting (image-making)|||||29.5 x 44 cm||9302|Paris, Gilles Panhard Collection|Paris: G. Panhard Coll.||Magic lanterns||||||||||Cornell||MNW|MNW|7/21/2004 0:00:00|4/28/2004 0:00:00|B6795|||0|||||||30|PA||||||| |90|||||||Work|0||||||||||||0|0|Magic Lantern|Boilly, Louis Leopold 1562.00|0|Category|12|X-16|Eye||1||Model of the Eye|Descriptive|Image Source (Book)|||||||Model of the Eye|30140|Martin, Benjamin|attributed to|instrument maker|Benjamin Martin|0||||0|||||English||||||||England||||||0||||0||||0||||0|Scientific Instruments|Model (Representation)|Optical Instruments|||18|||1765|1765|ca|ca 1765|ca 1765-1765|||||0||||0|||||Brass and glass|brass|glass|||||||||23.3 x 8.5 cm||9303|Cambridge MA, Harvard University, Coll. of Historical & Scientific Instruments|Cambridge: Harvard; Coll. Hist. & Scientif Instr.||Eyes||||||||||Cornell||MNW|SJW|7/21/2004 0:00:00|4/29/2004 0:00:00||||0||||||Eye|X|||||16||| ||||||||Work|0||||||||||||0|0|Model of the Eye|Martin, Benjamin 1563.00|0|Creator|15|30|F898-G|10|1|30 F898-G 10 |Psalm xciv, v. 9: Das Auge ein Wercke Gottes|Original|Image Source (Book)|Psalm 94:9: the Eye is a Work of God|Translated|Cataloger||||Psalm xciv, v. 9: Das Auge ein Wercke Gottes|30141|Fridrich, Jacob Andreas, The Elder||engraver|Jacob Andreas Fridrich, The Elder|30142|Pfeffel, Johann Andreas|after|printmaker|0|||||German||||||||Germany||||||0||||0||||0||||0|Prints|Illustration|Engraving (Print)|||18|||1732|1737||1732-1737|1732-1737|||||0||||0|Scheuchzer, Physique sacrée||||Paper & ink|paper|ink||||engraving (printing process)|||||28.8 x 18.8 cm||||||Eyes; Anatomy||||||||||Cornell||MNW|SJW|7/21/2004 0:00:00|4/30/2004 0:00:00|F898|||0|||||||30|G||||||||10|||||||Work|0||From Johann Jakob Scheuchzer, Physique sacrée; ou, Histoire-naturelle de la Bible, Amsterdam, P. Schenk, et al, 1732-1737, vol. 7, pl. 561.|Illustration for Psalm 94:9: "Does he who planted the ear not hear? Does he who formed the eye not see?"|||||||||0|0|Psalm xciv, v. 9: Das Auge ein Wercke Gottes;Psalm 94:9: the Eye is a Work of God|Fridrich, Jacob Andreas, The Elder;Pfeffel, Johann Andreas 1564.00|0|Creator|15|30|W9512-PA|90|10|30 W9512-PA 90 10|Two Boys by Candlelight Blowing a Bladder|Descriptive|Image Source (Book)|||||||Two Boys by Candlelight Blowing a Bladder|12952|Wright of Derby, Joseph||painter|Joseph Wright of Derby|0||||0|||||English||||||||England||||||0||||0||||0||||0|Paintings|Oil painting||||18|||1768|1771||1768-1771|1768-1771|||||0||||0|||||Oil on canvas with silver leaf|oil paint|canvas||||painting (image-making)|||||89 x 70 cm||3900|San Marino CA,Huntington Library,Art Gallery and Bot.Gardens|San Marino, CA: Huntington Lib.||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|4/30/2004 0:00:00|W9512|||0|||||||30|PA||||||| |90|||||||Work|0||||||||||||0|0|Two Boys by Candlelight Blowing a Bladder|Wright of Derby, Joseph 1565.00|0|Creator|15|30|C471-PA|S678||30 C471-PA S678 |Soap Bubbles|Collective Title|Image Source (Book)|||||||Soap Bubbles|2215|Chardin, Jean Baptiste Siméon||painter|Jean Baptiste Siméon Chardin|0||||0|||||French||||||||France||||||0||||0||||0||||0|Paintings|Oil painting||||18|||1739|1739|ca|ca 1739|ca 1739-1739|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||60 x 73 cm||3793|Los Angeles,County Museum of Art|Los Angeles: LACMA||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|4/30/2004 0:00:00|C471|||0|||||||30|PA||||||| |S678|||||||Work|0||||||||||||0|0|Soap Bubbles|Chardin, Jean Baptiste Siméon 1566.00|0|Creator|15|Bar P|||||Perspective Box of a Dutch Interior|Descriptive|Image Source (Book)|||||||Perspective Box of a Dutch Interior|14134|Hoogstraten, Samuel van||painter|Samuel van Hoogstraten|0||||0|||||Dutch||||||||Holland||||||0||||0||||0||||0|Paintings|Oil painting|Box (Container)|||17|||1662|1663||1662/1663|1662-1663|||||0||||0|||||Oil on walnut panel and glass mirror|oil paint|walnut|mirror|||painting (image-making)|||||42 x 30.3 x 28.2 cm||3724|Detroit,Detroit Institute of Arts|Detroit: Inst. of Arts||Mirrors; Interior views; Dinners and dining; Cats||||||||||Cornell||MNW|SJW|7/21/2004 0:00:00|5/3/2004 0:00:00||||0|||||||Bar P|||||||| ||||||||Work|0||Dutch perspective box with a painting of an interior of a wealthy Dutch home.||||||||||0|0|Perspective Box of a Dutch Interior|Hoogstraten, Samuel van 1567.00|0|Creator|15|35|W1815-M|1997|1|35 W1815-M 1997 1|Thinking Her Deed Done She Soundly Settles into a Deep Meditation on the Nature of Her New World|Artists|Image Source (Book)|||||||Freedom: a Fable. Thinking Her Deed Done|30125|Walker, Kara||painter|Kara Walker|0||||0|||||African American|American|||||||United States||||||0||||0||||0||||0|Book Arts|Silhouette|Illustration|||20|||1997|1997||1997|1997-1997||Freedom: a Fable|Artists||1568||||0|||||Paper silhouettes in pop-up book|paper||||||||||22.7 x 40.6 cm||||||||||||||||Cornell||MNW|MNW|5/3/2004 0:00:00|5/3/2004 0:00:00|W1815|||0|||||||35|M||||||1997|||||||||Work|0||Illustrated on pp. 12-13.||||||||||0|0|Thinking Her Deed Done She Soundly Settles into a Deep Meditation on the Nature of Her New World|Walker, Kara 1568.00|0|Creator|15||||||Freedom: a Fable|Artists|Image Source (Book)|||||||Freedom: a Fable|30125|Walker, Kara||painter|Kara Walker|0||||0|||||African American|American|||||||United States||||||0||||0||||0||||0|Publications|Book||||20|||1997|1997||1997|1997-1997|||||0||||0|||||Pop-up book||||||printing|||||22.7 x 40.6 cm||||||||||||||||Cornell||MNW|MNW|5/3/2004 0:00:00|5/3/2004 0:00:00||||0||||||||||||||||||||||||0||Published in Pasadena, CA, by Peter Norton Family.||||||||||0|0|Freedom: a Fable|Walker, Kara 1569.00|0|Creator|15|30|P962-G|91|1||Le dedans du palais de l'Empereur de Chine à Peking|Descriptive|Image Source (Book)|Interior of the Palace of the Emperor of China in Peking|Translated|Cataloger||||Le dedans du palais de l'Empereur de Chine à Peking|30144|Probst, Georg Balthasar||printmaker|Georg Balthasar Probst|30145|Blankaert, P. van|after|artist|30146|Nieuhoff, Johannes|after|artist||German||||||||Germany||||||0||||0||||0||||0|Graphics|Print|Etching|Engraving (Print)||18|||1766|1790||1766-1790|1766-1790|||||0||||0|||||||||||engraving (incising)|etching (corroding)|painting (image-making)|||||3508|Los Angeles, J. Paul Getty Museum|Los Angeles: J. Paul Getty Mus.||||||||||||Cornell||MNW|MNW|5/4/2004 0:00:00|5/4/2004 0:00:00|P962|||0|||||||30|G||||||| |91|||||||Work|0||||||||||||0|0|Le dedans du palais de l'Empereur de Chine à Peking;Interior of the Palace of the Emperor of China in Peking|Probst, Georg Balthasar;Blankaert, P. van;Nieuhoff, Johannes 1570.00|0|Creator|15|32|G613-|N6881||32 G613 N6881 |The Night Café|Descriptive|Repository|The Night Café, Arles|Collective Title|Image Source (Book)||||The Night Café|12121|Gogh, Vincent van||painter|Vincent van Gogh|0||||0|||||Dutch|French|||||||Holland|France|||||0||||||||0||||0|Paintings|Painting||||19|||1888|1888||1888|1888-1888|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||70 x 89 cm||3400|New Haven,Yale University, Art Gallery|New Haven: Yale Univ.; Art Gal.||Night; Restaurants||||||||||Cornell|||MNW|5/6/2004 0:00:00||G613|||0|||||||32|||||||| |N6881|||||||Work|0||The café was located in the Place Lamartine in Arles.|||Painted in September of 1888.|||||||0|0|The Night Café;The Night Café, Arles|Gogh, Vincent van 1571.00|0|Creator|15|35|L966-PA|1963|1|35 L966-PA 1963 1|Drowning Girl|||||||||Drowning Girl|7058|Lichtenstein, Roy||painter|Roy Lichtenstein|0||||0|||||American|||Pop|||||United States||||||0||||||||0||||0|Paintings|Painting||||20|||1963|1963||1963|1963|||||0||||0|||||Oil and acrylic on canvas|oil paint|acrylic|canvas|||painting (image-making)|||||171.6 x 169.5 cm||3384|New York,Museum of Modern Art|New York: MoMA||||||||||||Cornell|||SJW|5/6/2004 0:00:00|||||0|||||||35|||||||1963| ||||||||Work|0||||||||||||0|0||Lichtenstein, Roy 1572.00|0|Creator|15|32|D250|D286||32 D250 D286 |Death of Marat|||Jean-Paul Marat||||||Death of Marat|2895|David, Jacques-Louis||artist|Jacques-Louis David|0||||0|||||French|||Neoclassical|||||France||||||0||||||||0||||0|Paintings|Oil painting||||18|||1793|1793||1793|1793-1793|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||165 x 128.3 cm||3483|Brussels,Musees Royaux des Beaux-Arts de Belgique|Brussels: Mus. Roy. B.-A.||Martyrdom; Marat, Jean Paul, 1742-1793; Deaths||||||||||Cornell|||MNW|6/25/2004 0:00:00||D250|||0|||||||32|||||||| |D286|||||||Work|0||Other versions in, Versailles, Château; Paris, Louvre.||||||||||0|0|Death of Marat;Jean-Paul Marat|David, Jacques-Louis 1573.00|0||||||||Country Politician|||||||||Country Politician|1177|Bingham, George Caleb||artist|George Caleb Bingham|0||||0|||||American||||||||United States||||||0||||||||0||||0|Paintings|Oil Painting||||19|||1849|1849||1849|1849-1849|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||51.8 x 61 cm||2544|San Francisco: San Francisco, CA, M. H. de Young Memorial Museum|San Francisco: De Young Mus.||Genre ; |Genre|||||||||Cornell||MNW|SJW|5/7/2004 0:00:00|3/2/2005 0:00:00||||0||1979.7.16||||||||||||| |||||||||0||||||In Rockefeller collection in the De Young Museum.||||||0|0||Bingham, George Caleb 1574.00|0|Architect|15||||||Camera Picta|Assigned|Dict.Art|Camera degli Sposi|Assigned|Dict.Art||||Palazzo Ducale; Castello di San Giorgio; Camera Picta|7496|Mantegna, Andrea||artist|Andrea Mantegna|0||||0|||||Italian|||Renaissance|||||Italy||||||0|Mantua, Italy|||10072||||0||||0|Paintings|Fresco|Painting|Room||15|||1465|1474||1465-1474|1465-1474||Castello di San Giorgio|LargerEntity||1577||||0|||||Fresco||||||fresco painting|||||||||||Gonzaga family; Gonzaga, Francesco, 1444-1483; Gonzaga, Ludovico, 1412-1478; Barbara of Hohenzollern, 1422-1481||||||||||Cornell|||MNW|5/13/2004 0:00:00|||||0||||||||||||||| ||||||||Work|0||The Camera Picta is a room with a square plan (8.1× 8.1 m). Murals show Ludivico Gonzaga and his consort, Barbara of Brandenburg, with their family and courtiers. (DOA, Northern Italy Blue Guide)||||||||||0|0|Camera Picta;Camera degli Sposi|Mantegna, Andrea 1575.00|0|Creator|15|32|A462-PA|1840s|1|32 A462-PA 1840s 1|Twelve Thaumatropes (fronts and backs)|Collective Title|Image Source (Book)|||||||Twelve Thaumatropes (fronts and backs)|30147|Alsop, Mary W.||artist|Mary W. Alsop|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Paintings|Toys||||19|||1840|1849||1840s|1840-1849|||||0||||0|||||Watercolor on paper and string|watercolors|paper|string|||painting (image-making)|||||7.6 x 7.6 cm each||9304|Watertown, MA: Richard Balzer Collection|Watertown, MA: Richard Balzer Coll.||Thaumatropes; Toys (recreational artifacts)||||||||||Cornell||MNW|MNW|9/19/2004 0:00:00|5/7/2004 0:00:00|A462|||0|||||||32|PA||||||1840s| ||||||||Work|0||Invented in the course of the nineteenth century, the optical toys know as thaumatropes (1825)…offered viewers the thrill of seeing a moving images. It consists of a piece of cardboard with two different images. From Stafford and Terpak.||||||||||0|0|Twelve Thaumatropes (fronts and backs)|Alsop, Mary W. 1576.00|0|Architect|02|B-H3|Man|7.1|Duc|B-H3 Man 7.1 Duc|Palazzo Ducale|Assigned|Blue Guide|||||||Palazzo Ducale|0|||||0||||0|||||Italian|||Renaissance|||||Italy||||||0|Mantua, Italy|||10072||||0||||0|Architecture|Palace|Fortress|||14|15|16|1290|1625|ca|ca 1290-1625|ca 1290-1625|||||0||||0||||||||||||||||||||||Palaces; Palazzi||||||||||Cornell||SJW|MNW|5/13/2004 0:00:00|5/10/2004 0:00:00||Man||0||||||Duc|B|||||H3|7.1||||||||||Work|0||The Palazzo Ducale, a court city within a city, extends over a vast area and incorporates many loosely connected buildings from the Palazzo del Capitano to the Castel S Giorgio, including churcfh of S. Barbara. (Blue Guide, Northern Italy & DOA)||||||||||0|0|Palazzo Ducale| 1577.00|0|Architect|02|B-H3|Man|7.1|Duc/Cas|B-H3 Man 7.1 Duc/Cas|Castello S. Giorgio|||||||||Palazzo Ducale; Castello S. Giorgio|30148|Bartolino da Novara||architect|Bartolino da Novara|0||||0|||||Italian|||Renaissance|||||Italy||||||0|Mantua, Italy|||10072||||0||||0|Architecture|Palace|Fortress|||14|15||1395|1406||1395-1406|1395-1406||Palazzo Ducale|LargerEntity||1576||||0||||||||||||||||||||||Palaces; Palazzi; Gonzaga family||||||||||Cornell||SJW|MNW|5/13/2004 0:00:00|5/10/2004 0:00:00||Man||0||||||Duc/Cas|B|||||H3|7.1||||||||||Work|0||Commissioned by Francesco I Gonzaga (reg 1382–1407). Part of the larger Palazzo Ducale complex. Contains the Camera Picta (Camera degli Sposi) with frescoes by Mantegna. (DOA)||||||||||0|0|Castello S. Giorgio|Bartolino da Novara 1578.00|0|Creator|15||||||Court Scene|Assigned||||||||Palazzo Ducale; Castello S. Giorgio; Camera Picta; Court Scene|7496|Mantegna, Andrea||artist|Andrea Mantegna|0||||0|||||Italian|||Renaissance|||||Italy||||||0|Mantua, Italy|||10072||||0||||0|Paintings|Painting|Fresco|||15|||1465|1470|ca|ca 1465-1470|ca 1465-1470||Camera Picta|||1574||||0|||||Fresco|plaster|pigment||||fresco painting|||||||||||Gonzaga family; Gonzaga, Ludovico, 1412-1478; Dogs||||||||||Cornell||SJW|MNW|5/14/2004 0:00:00|5/10/2004 0:00:00||Man||0|||||||||||||||||||||||Work|0||Over the fireplace on the North wall of the Camera Picta. This scene is painted in true fresco and depicts the Gonzaga court.||||||||||0|0|Court Scene|Mantegna, Andrea 1579.00|0|Creator|15||||||Ceiling with illusionary oculus|Descriptive|Cataloger|||||||Palazzo Ducale; Castello S. Giorgio; Camera Picta; Ceiling with illusionary oculus|7496|Mantegna, Andrea||artist|Andrea Mantegna|0||||0|||||Italian|||Renaissance|||||Italy||||||0|Mantua, Italy|||10072||||0||||0|Paintings|Painting|Fresco|||15|||1465|1470|ca.|ca. 1465-1470|ca. 1465-1470||Camera Picta|LargerEntity||1574||||0|||||Fresco|plaster|pigment||||fresco painting|||||8.1 x 8.1 m||||||Gonzaga family; Putti; Caesar, Julius; Occuli; Augustus, Emperor of Rome, 63 BCE-14CE||||||||||Cornell||SJW|MNW|5/13/2004 0:00:00|5/10/2004 0:00:00||||0|||||||||||||||||||||||Work|0||The oculus represents a tour de force of di sotto in sù illusionism. The ceiling was painted first, and features putti, courtiers and roundels with busts of the first eight Caesars. (DOA)||||||||||0|0|Ceiling with illusionary oculus|Mantegna, Andrea 1580.00|0|Creator|15||||||Meeting Scene|||||||||Palazzo Ducale; Castello S. Giorgio; Camera Picta; Meeting Scene|7496|Mantegna, Andrea||artist|Andrea Mantegna|0||||0|||||Italian|||Renaissance|||||Italy||||||0|Mantua, Italy|||10072||||0||||0|Paintings|Painting|Fresco|||15|||1470|1474|ca.|ca. 1470-1474|ca. 1470-1474|||||||||0|||||Fresco|plaster|pigment||||painting (image-making)|fresco painting||||||||||Gonzaga family; Horses; Gonzaga, Francesco, 1444-1483; Gonzaga, Ludovico, 1414-1478; Christian I, King of Denmark, 1426-1481; Frederick III, Holy Roman Emperor, 1415-1493||||||||||Cornell||SJW|MNW|5/14/2004 0:00:00|5/10/2004 0:00:00||||0|||||||||||||||||||||||Work|0||This scene is painted in secco, not true fresco and so is less well preserved. It is the west wall and depicts the open air meeting of Ludovico and his son Cardinal Francesco. (DOA)||||||||||0|0|Meeting Scene|Mantegna, Andrea 1581.00|0|Creator|15|22|G511-PA|O340||22 G511-PA O340 |Ognissanti Madonna |||Madonna||||||Ognissanti Madonna|4538|Giotto||artist|Giotto|0||||0|||||Italian||||||||Italy||||||0|Florence, Italy|||0||||||||0|Paintings|Panel painting|Altarpiece|||14|||1310|1310|ca|ca 1310|ca 1310-1310|||||0||||0|||||Tempera on panel|tempera|panel||||painting (image-making)|||||325 x 204 cm||859|Florence,Galleria degli Uffizi|Florence: Uffizi||Madonna and Child; Thrones; Angels; Aediculae||||||||||Cornell|||MNW|5/24/2004 0:00:00||G511|||0|||||||22|PA||||||| |O340|||||||Work|0||The Madonna from the church of Ognissanti, (in Florence) is generally dated to c. 1310. DOA||||||||||0|0|Ognissanti Madonna ;Madonna|Giotto 1582.00|0|Culture|15|E-7|Fay/7|1-2|||Septimius Severus, Julia Domna and Their Children, Caracalla and Geta|Assigned|Image Source (Book)|||||||Septimius Severus, Julia Domna and Their Children, Caracalla and Geta|0|||||0||||0|||||Roman|||Roman Period|||||Egypt||||||0|Berlin, Germany|||10108|Al Fayyum, Egypt|||10212||||0||||||2|||199|199|ca|ca. 199|ca. 199|||||0||||0|||||Painted wood|wood|||||painting (image-making)|||||35.6 cm||5112|Berlin,Staatliche Museen zu Berlin; Altes Museum, Antikensammlung|Berlin: Altes Mus.; Antikensamm.||Severus, Lucius Septimius, Emperor of Rome, 146-211; Julia Domna, Empress, consort of Severus, Lucius Septimius, Emperor of Rome, d. 217; Caracalla, Emperor of Rome, 188-217; Geta Lucius Septimius, Emperor of Rome, 189-212.||||||||||Cornell|||SJW|5/19/2004 0:00:00|||Ber|Fay|0|||||||E|||07||||| ||||||||Work|0||Face of Geta has been defaced (by decree of damnatio memoriae), after his murder by Caracalla. Diameter is 35.6 cm.||||||||||0|0|Septimius Severus, Julia Domna and Their Children, Caracalla and Geta| 1583.00|0|Creator|15|35|B3163-PA|1988|1|35 B3163-PA 1988 1|Riding With Death|Assigned|Image Source (Book)|||||||Riding With Death|830|Basquiat, Jean Michel||painter|Jean Michel Basquiat|0||||0|||||American|African American|||||||United States||||||0||||0||||0||||0|Paintings|||||20|||1988|1988||1988|1988-1988|||||0||||0|||||Paintstick & acrylic on linen|acrylic paint|linen (material)||||painting (image-making)|||||249 x 290 cm||4465|New York, Francesco Pellizzi Collection|NYC: Francesco Pellizzi Coll.||Skeleton; Death||||||||||Cornell||MNW|SJW|5/19/2004 0:00:00|5/18/2004 0:00:00|B3163|||0|||||||35|PA||||||1988| ||||||||Work|0||||||||||||0|0|Riding With Death|Basquiat, Jean Michel 1584.00|0|Architect|03|MA-DuaPlaZyb|1.1|1980's Sea||MA-DuaPlaZyb 1.1 1980's Sea|Seaside|Assigned|Image Source (Book)|||||||Seaside|29480|Duany, Plater-Zyberk & Company||architectural firm|Duany, Plater-Zyberk & Company|0||||0|||||American||||||||United States||||||0|Santa Rosa Beach, FL|||10210||||0||||0|Architecture|Housing development|New towns|||20|||1982|||1982-|1982-|||||0||||0||||||||||||||||||||||Urban planning ; Neighborhoods ; |Urban planning|Neighborhoods||||||||Cornell||MNW|MNW|10/23/2006 0:00:00|5/18/2004 0:00:00|DuaPlaZyb|||0||||||Sea|MA||||||1.1|1980's|||||||||Work|0|Modern Architecture|||||||||||0|0|Seaside|Duany, Plater-Zyberk & Company 1585.00|0|Site|02|B-B33|Lev|1.1|||Levittown (N.Y.)|Assigned|LC NAF|||||||Levittown (N.Y.)|30150|Levitt and Sons||builder|Levitt and Sons|0||||0|||||American||||||||United States||||||0|Levittown, NY|||10211||||0||||0|Architecture|Housing development||||20|||1947|||1947-|1947|||||0||||0||||||||||||||||||||||Housing developments||||||||||Cornell||MNW|MNW|5/18/2004 0:00:00|5/18/2004 0:00:00||Lev||0|||||||B|||||B33|1.1||||||||||Work|0|Architecture-New York (NY)|Levittown, NY, was originally developed by Levitt and Sons, Inc. as a mass-produced area of private, low-cost housing.[Columbia Encyclopedia]||||||||||0|0|Levittown (N.Y.)|Levitt and Sons 1586.00|0|Site|02|B-B33|Lev|7.5 Typ||B-B33 Lev 7.5 Typ |Typical Houses|Descriptive|Image Source (Book)|||||||Levittown (N.Y.); Typical Houses|30150|Levitt and Sons||builder|Levitt and Sons|0||||0|||||American||||||||United States||||||0|Levittown, NY|||10211||||0||||0|Architecture|House||||20|||1947|||1947-|1947-||Levittown (N.Y.)|||1585||||0||||||||||||||||||||||Houses||||||||||Cornell||MNW|MNW|5/18/2004 0:00:00|5/18/2004 0:00:00||Lev||0||||||Typ|B|||||B33|7.5||||||||||Work|0|Architecture-New York (NY)|Levittown, NY, was originally developed by Levitt and Sons, Inc. as a mass-produced area of private, low-cost housing.[Columbia Encyclopedia]||||||||||0|0|Typical Houses|Levitt and Sons 1587.00|0|Creator|15|35|H332-PA|1914|6|35 H332-PA 1914 6|Painting No. 47, Berlin|||||||||Painting No. 47, Berlin|5170|Hartley, Marsden||painter|Marsden Hartley|0||||0|||||American||||||||United States||||||0||||||||0||||0|Paintings|Painting||||20|||1914|1914||1914|1914-1914|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||100 x 81 cm||||||Medals; Flags; World War I||||||||||Cornell|||MNW|6/25/2004 0:00:00||H332|||0|||||||35|||||||1914| ||||||||Work|0||||||Not in American Art Museum? (withdrawn?)||||SIRIS Art Inventories lists owner as unlocated.||0|0|Painting No. 47, Berlin|Hartley, Marsden 1588.00|0|Creator|15|35|M676|1923|H9451|35 M676 1923 H9451|The Hunter (Catalan Landscape)|Repository|Repository|Paysage catalan||||||The Hunter (Catalan Landscape)|8045|Miró, Joán||painter|Joán Miró|0||||0|||||Spanish|Catalan||Surrealist|||||Spain||||||0||||||||0||||0|Paintings|Painting||||20|||1923|1924||1923-1924|1923-1924|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||64.8 x 100.3 cm||3384|New York,Museum of Modern Art|New York: MoMA||||||||||||Cornell|||MNW|6/25/2004 0:00:00||M676|||0||95.36|||||35|||||||1923| |H9451|||||||Work|0|||||Painted (July) 1923 - (winter) 1924. (MoMA)|||||||0|0|The Hunter (Catalan Landscape);Paysage catalan|Miró, Joán 1589.00|0|Creator|15|35|M676|1933|C74014|35 M676 C74014 |Painting (Composition)|Preferred|Repository|Composition|Variant|Repository||||Painting (Composition)|8045|Miró, Joán||painter|Joán Miró|0||||0|||||Spanish|Catalan||Surrealist|||||Spain||||||0||||||||0||||0|Paintings|Painting||||20|||1933|1933||1933|1933-1933|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||174 x 196.2 cm||3384|New York,Museum of Modern Art|New York: MoMA||||||||||||Cornell|||MNW|8/5/2004 0:00:00||M676|||0||229.37|||||35|||||||1933| |C74014|||||||Work|0|||||Painted June 13, 1933. (MoMA).|||||||0|0|Painting (Composition);Composition|Miró, Joán 1590.00|0|Creator|15|35|M676|1923|T574|35 M676 1923 T574|The Tilled Field|||||||||The Tilled Field|8045|Miró, Joán||painter|Joán Miró|0||||0|||||Spanish|Catalan||Surrealist|||||Spain||||||0||||||||0||||0|Paintings|Oil Painting||||20|||1923|1924||1923-1924|1923-1924|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||||3384|New York,Museum of Modern Art|New York: MoMA||Farming; Landscapes||||||||||Cornell|||MNW|7/22/2004 0:00:00||M676|||0|||||||35|||||||1923| |T574|||||||Work|0||||||||||||0|0|The Tilled Field|Miró, Joán 1591.00|0||||||||Microcosm: A Grand Display of the Wonders of Nature By Means of 14 Lucernal and Diurnal Microscopes|Assigned|Image Source (Book)|||||||Microcosm: A Grand Display of the Wonders of Nature By Means of 14 Lucernal and Diurnal Microscopes|30151|Carpenter, Philip||optician|Philip Carpenter|0||||0|||||British||||||||England||||||0||||0|24 Regent Street, London, England|||10213||||0||Exhibition||||19|||1826|||1826|1826|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|5/19/2004 0:00:00|5/19/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Microcosm: A Grand Display of the Wonders of Nature By Means of 14 Lucernal and Diurnal Microscopes|Carpenter, Philip 1592.00|0|Creator|15|32|C296-G|1827|1|32 C296-G 1827 1|Microcosm: A Grand Display of the Wonders of Nature By Means of 14 Lucernal and Diurnal Microscopes|Inscribed|Image Source (Book)|||||||Microcosm: A Grand Display of the Wonders of Nature By Means of 14 Lucernal and Diurnal Microscopes|30151|Carpenter, Philip||optician|Philip Carpenter|0||||0|||||British||||||||England||||||0||||0||||0||||0|Prints|Lithograph|Advertisement|||19|||1827|1827|ca|ca 1827|ca 1827-1827||Microcosm: A Grand Display of the Wonders of Nature By Means of 14 Lucernal and Diurnal Microscopes|||1591||||0|||||Lithograph|paper|ink||||printing|lithography||||32.5 x 23 cm||3666|London,Science Museum|London: Science Mus.||||||||||||Cornell||MNW|SJW|7/21/2004 0:00:00|5/19/2004 0:00:00|C296|||0|||||||32|G||||||1827| ||||||||Work|0||Advertisement for the exhibition, Microcosm: A Grand Display of the Wonders of Nature By Means of 14 Lucernal and Diurnal Microscopes, in Regent's Park, London, England.||||||||||0|0|Microcosm: A Grand Display of the Wonders of Nature By Means of 14 Lucernal and Diurnal Microscopes|Carpenter, Philip 1593.00|0|Creator|15|32|C858|B958||32 C858 B958 |Burial at Ornans|Translated|Image Source (Book)|Un enterrement a Ornans|Original|Image Source (Book)||||Burial at Ornans|2648|Courbet, Gustave||painter|Gustave Courbet|0||||0|||||French|||Realist|||||France||||||0||||||||0||||0|Paintings|Painting||||19|||1849|1850||1849-1850|1849-1850|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||315 x 668 cm||2196|Paris,Musee d'Orsay|Paris: Musee d'Orsay||Funerals; Priests; Mourners; Deaths; Burials||||||||||Cornell|||MNW|6/25/2004 0:00:00||C858|||0|||||||32|||||||| |B958|||||||Work|0||Exhibited in Paris Salon of 1851.--Grove DOA||||||||||0|0|Burial at Ornans;Un enterrement a Ornans|Courbet, Gustave 1594.00|0|Creator|15|32|C858|S87812||32 C858 S87812 |The Stone-breakers|Published|Dict.Art|||||||The Stone-breakers|2648|Courbet, Gustave||painter|Gustave Courbet|0||||0|||||French|||Realist|||||France||||||0||||||||0||||0|Paintings|Painting||||19|||1849|1849||1849|1849-1849|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||||||||||||||||||Cornell|||MNW|7/2/2004 0:00:00||C858|||0|||||||32|||||||| |S87812|||||||Work|0||The Stone-breakers was thought to have been destroyed in 1945, but in 1987 the Gemäldegalerie Neue Meister in Dresden catalogued it as missing.--Grove DOA||||Formerly in Gemäldegalerie Neue Meister, Dresden.||||Formerly in Gemäldegalerie Neue Meister, Dresden||0|0|The Stone-breakers|Courbet, Gustave 1598.00|0|||32|C858|P14812|||The Painters Studio||||||||||0|Courbet, Gustave||||0||||0|||||||||||||||||||0|Paris, France|||0||||0||||0|||||||||||||1855|||||0||||0||||||||||||||||359 x 598 cm||||Louvre||||||||||||Cornell|||||||||0||||||||||||||||||||||||0||||||||||||0|0|| 1600.00|0|Creator|15|32|J668-PA|1859|1|32 J668-PA 1859 1|Old Kentucky Home--Life in the South|Published|Dict.Art|||||||Old Kentucky Home--Life in the South|5989|Johnson, Eastman||painter|Eastman Johnson|0||||0|||||American||||||||United States||||||0||||||||0||||0|Paintings|Painting||||19|||1859|1859||1859|1859-1859|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||94 x 116.8 cm||4115|New York,New York Historical Society|New York: NY Historical Society||Musical instruments; Musicians; Genre; African Americans; Slavery||||||||||Cornell|||MNW|6/2/2004 0:00:00||J668|||0|||||||32|PA||||||1859| ||||||||Work|0||||||||||||0|0|Old Kentucky Home--Life in the South|Johnson, Eastman 1601.00|0|Creator|15|32|C858-PA|P14812||32 C858 P14812 |The Painter's Studio|Assigned|Dict.Art|Painter’s Studio: a Real Allegory Determining a Phase of Seven Years of my Artistic Life|Artists|Dict.Art||||The Painter's Studio|2648|Courbet, Gustave||painter|Gustave Courbet|0||||0|||||French||||||||France||||||0||||||||0||||0|Paintings|Painting||||19|||1854|1855||1854-1855|1854-1855|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||359 x 598 cm||2196|Paris,Musee d'Orsay|Paris: Musee d'Orsay||Artists; Allegory||||||||||Cornell|||MNW|7/2/2004 0:00:00||C858|||0|||||||32|PA||||||| |P14812|||||||Work|0||Rejected from the Exposition Universelle held in Paris in 1855; displayed independently nearby in the Pavillon du Réalisme.--Grove DOA||||||||||0|0|The Painter's Studio;Painter’s Studio: a Real Allegory Determining a Phase of Seven Years of my Artistic Life|Courbet, Gustave 1602.00|0|Creator|15|32|J668-PA|1862|1|32 J668-PA 1862 1|A Ride for Liberty, or the Fugitive Slaves|Assigned|Online Resource|||||||A Ride for Liberty, or The Fugitive Slaves|5989|Johnson, Eastman||painter|Eastman Johnson|0||||0|||||American||||||||United States||||||0||||||||0||||0||||||19|||1862|1862|ca|ca 1862|ca 1862-ca 1862|||||0||||0|||||Oil on board|oil paint|board||||painting (image-making)|||||55.9 x 66.7 cm||3838|New York,Brooklyn Museum|New York: Brooklyn Mus.||Slavery; Horses; Night; African Americans; Families||||||||||Cornell|||MNW|6/4/2004 0:00:00||J668|||0|||||||32|PA||||||1862| ||||||||Work|0||||||||||||0|0|A Ride for Liberty, or the Fugitive Slaves|Johnson, Eastman 1603.00|0||||||||Dictionnaire universel de mathématique et de physique…|Published|Online Resource|||||||Dictionnaire universel de mathématique et de physique…|30152|Savérien, Alexandre||engineer|Alexandre Savérien|0||||0|||||||||||||||||||0||||0||||0||||0||||||||||||||||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|5/20/2004 0:00:00|5/20/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Dictionnaire universel de mathématique et de physique…|Savérien, Alexandre 1604.00|0|Culture|11|W-18|Politics|Cartoons|Jackson|W-18 Politics Cartoons Jackson|King Andrew the First, Born to Command|||||||||King Andrew the First, Born to Command|30153|Clay, Edward Williams||artist|Edward Williams Clay|0||||0|||||American||||||||United States||||||0||||||||0||||0|Prints|Lithograph|Caricatures|||19|||1834|1834|ca|ca 1834|ca 1834|||||0||||0|||||Ink on paper|paper|ink||||printmaking|lithography||||||9307|Nashville,Tennessee Historical Society|Nashville: TN Historical Society||Kings; Jackson, Andrew, 1767-1845; Democracy||||||||||Cornell|||MNW|6/4/2004 0:00:00|||||0|||||||W|||18||||| ||||||||Work|0||||||||||||0|0|King Andrew the First, Born to Command|Clay, Edward Williams 1605.00|0|Culture|11|90|I6|||90 I6 |A Quilting Party in Western Virginia|Descriptive|Image Source (Book)|||||||A Quilting Party in Western Virginia|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Prints|Wood engraving||||19|||1854|1854||1854|1854-1854|||||0||||0|Gleason's Pictorial Drawing-Room Companion||||Ink on paper|paper|||||printing|wood engraving (process)||||||3892|Washington DC,Library of Congress|Wash, DC: Library of Congress||Genre; Stoves; Sewing||||||||||Cornell|||MNW|6/4/2004 0:00:00||I6|||0|||||||90|||||||| ||||||||Work|0||This artist's conception illustrates the practicality and utility of an American recreation which continued well into the twentieth century. From Gleason's Pictorial Drawing-Room Companion, Oct. 21, 1854.||||||||||0|0|A Quilting Party in Western Virginia| 1606.00|0|||W-18|Irish|Americans|1|W-18 Irish Americans 1|A Political Debate between Two Irishmen|||||||||A Political Debate between Two Irishmen|30154|Hudson, William|attributed to|artist|William Hudson|0||||0|||||American||||||||United States||||||0||||||||0||||0|Paintings|Painting|Caricatures|||19|||1850|1850|ca|ca 1850|ca 1850-ca 1850|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||||||||Irish; Prejudices||||||||||Cornell|||MNW|6/4/2004 0:00:00|||||0||||||||||||||| |||||||||0||Auctioned at Doyle's, New York in 2002-2003.||||ex-Larchmont NY, Post Road Gallery (sold pre-1990)||||||0|0|A Political Debate between Two Irishmen|Hudson, William 1607.00|0|Category|11|W-18|Culture|Amer AfrAmer|Emanc 1|W-18 Culture Amer AfrAmer Emanc 1|Emancipated Slaves|||Emanicpated slaves brought from Louisiana by Col. George H. Hanks||||||Emancipated Slaves|30115|Kimball, Myron H.||photographer|Myron H. Kimball|0||||0|||||African American|American|||||||United States||||||0||||0||||0||||0|Photographs|Daguerreotypes||||19|||1863|1863||1863|1863|||||0||||0|||||Daguerreotype|paper|||||photography|daguerreotype||||13.2 x 18.2 cm||4115|New York,New York Historical Society|New York: NY Historical Society||Slavery; African Americans; Children||||||||||Cornell||SJW|SJW|5/26/2004 0:00:00|5/21/2004 0:00:00||||0|||||||W|||18||||| ||||||||Work|0||Captions on photo mount: Emanicpated slaves brought from Louisiana by Col. George H. Hanks. The Children are from the Schools established by order of Maj. Gen. Banks. [followed by names of students].|Another copy is in the Gilman Paper Co. Coll (New York).|||||||||0|0|Emancipated Slaves;Emanicpated slaves brought from Louisiana by Col. George H. Hanks|Kimball, Myron H. 1608.00|0|Culture|11|90|O5|||90 O5 |Tree of Temperance|||||||||Tree of Temperance|30155|Macbrair, Archibald||engraver|Archibald Macbrair|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Prints|Lithograph||||19|||1855|1855|ca|ca 1855|ca 1855|||||0||||0|||||Lithograph on wove paper|ink|paper||||printmaking|lithography||||28.4 x 21.3 cm||3892|Washington DC,Library of Congress|Wash, DC: Library of Congress||Virtues; Temperance||||||||||Cornell|||MNW|6/4/2004 0:00:00|||||0||LC-USZ62-54497||||||||||||| ||||||||Work|0||One of a pair of prints (see "Tree of Intemperance,") published by A.D. Fillmore in Cincinnati OH, 1855.||||||||||0|0|Tree of Temperance|Macbrair, Archibald 1609.00|0|Culture|11|90|D75|||90 D75 |Petersburg, Virginia, Dead Confederate Soldier in Trenches of Fort Mahone|Descriptive|Image Source (Book)|||||||Petersburg, Virginia, Dead Confederate Soldier in Trenches of Fort Mahone|30156|Roche, Thomas C.||photographer|Thomas C. Roche|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Stereograph||||19|||1865|1865||1865|1865|||||0||||0|||||Stereograph|photographic materials|||||photography|stereograph|wet collodion process|||||3892|Washington DC,Library of Congress|Wash, DC: Library of Congress||Soldiers; United States History Civil War, 1861-1865||||||||||Cornell|||MNW|6/4/2004 0:00:00|||||0||LC-B811- 3188||||||||||||| ||||||||Work|0||One half of stereograph view. Battle was on April 2, 1865. Photograph taken April 3, 1865.||||P & P collection.||||||0|0|Petersburg, Virginia, Dead Confederate Soldier in Trenches of Fort Mahone|Roche, Thomas C. 1610.00|0|||90|D59|||90 D59 |Cold Harbor, Va. African Americans Collecting Bones of Soldiers Killed in the Battle|Descriptive|Image Source (Book)|||||||Cold Harbor, Va. African Americans Collecting Bones of Soldiers|30157|Reekie, John||photographer|John Reekie|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Photographic print||||19|||1865|1865||1865|1865|||||0||||0|||||Glass negative, wet collodion|photographic plates|||||photography|wet collodion process||||||3892|Washington DC,Library of Congress|Wash, DC: Library of Congress||Skeleton; United States History Civil War, 1861-1865; Deaths||||||||||Cornell|||MNW|6/4/2004 0:00:00|||||0||LC-B817- 7926||||||||||||| |||||||||0||Created April, 1865. Title from Milhollen and Mugridge book, Civil War photographs, 1861-1865, Wash. DC, 1977.||||P & P collection.||||||0|0|Cold Harbor, Va. African Americans Collecting Bones of Soldiers Killed in the Battle|Reekie, John 1611.00|0|Culture|11|90|C2|||90 C2 |Timucua Indians of Florida Planting Beans and Maize|Descriptive|Image Source (Book)|Plate 21||||||Brevis narratio eorvm qvæ in Florida Americæ...Timucua Indians of Florida Planting Beans and Maize|2947|Bry, Theodor de||engraver|Theodor de Bry|6835|Le Moyne, Jacques||painter||||||French|German|||||||France|Germany|||||0||||0||||0||||0|Prints|Engraving (Print)||||16|||1564|1591|ca|ca 1564-1591|ca 1564-1591||Brevis narratio eorvm qvæ in Florida Americæ provi?cia Gallis acciderunt…|LargerEntity||1612||||0|||||||||||printmaking|engraving (printing process)||||||3892|Washington DC,Library of Congress|Wash, DC: Library of Congress||Farming; Indians of North America||||||||||Cornell||MNW|MNW|3/29/2006 0:00:00|3/29/2006 0:00:00||||0||Illus. in G159 .B7||||||||||||| ||||||||Work|0||Engraving by Theodor de Bry after 1564 watercolor by Jacques Le Moyne. Published in Frankfort in 1591 (plate 21).||||||||||0|0|Timucua Indians of Florida Planting Beans and Maize;Plate 21|Bry, Theodor de;Le Moyne, Jacques 1612.00|0|Culture|11|90|C2|||90 C2 |Brevis narratio eorvm qvæ in Florida Americæ provincia Gallis acciderunt…|Descriptive|Image Source (Book)|||||||Brevis narratio eorvm qvæ in Florida Americæ provincia Gallis acciderunt…|2947|Bry, Theodor de||engraver|Theodor de Bry|6835|Le Moyne, Jacques||author|0|||||German|French|||||||Germany|France|||||0||||0||||0||||0|Book Arts|Book|Illustration|||16|||1591|1591||1591|1591|||||0||||0|||||||||||engraving (printing process)|printing||||||3892|Washington DC,Library of Congress|Wash, DC: Library of Congress||America; North America; Colonization; Indians of North America||||||||||Cornell||SJW|MNW|6/3/2004 0:00:00|5/24/2004 0:00:00||||0||G159 .B7||||||||||||| ||||||||Work|0||Published in Frankfort, 1591 by de Bry, who engraved plates after watercolors by Le Moyne. It is Le Moyne's account of Laudonnière's ill-fated Huguenot colony in Florida.||||||||||0|0|Brevis narratio eorvm qvæ in Florida Americæ provincia Gallis acciderunt…|Bry, Theodor de;Le Moyne, Jacques 1613.00|0|Culture|11|90|C3|||90 C3 |Florida (Timucua) Indians Hunting Deer|||||||||Florida (Timucua) Indians Hunting Deer|2947|Bry, Theodor de||engraver|Theodor de Bry|6835|Le Moyne, Jacques||painter|0|||||German|French|||||||Germany|France|||||0||||0||||0||||0|Prints|Engraving (Print)||||16|||1564|1591|ca|ca 1564-1591|ca 1564-1591||Brevis narratio eorvm qvæ in Florida Americæ provi?cia Gallis acciderunt…|||1612||||0|||||||||||engraving (printing process)|||||||3892|Washington DC,Library of Congress|Wash, DC: Library of Congress||Deer; Hunting; Indians of North America||||||||||Cornell|||MNW|6/3/2004 0:00:00|||||0||Illus. in G159 .B7||||||||||||| ||||||||Work|0||Engraving by Theodor de Bry after 1564 watercolor by Jacques Le Moyne. Published in Frankfort in 1591 (plate __).||||||||||0|0|Florida (Timucua) Indians Hunting Deer|Bry, Theodor de;Le Moyne, Jacques 1614.00|0|Culture|10|90|A9|||90 A9 |Arrival in Florida of the French [1564]|||||||||Brevis narratio eorvm qvæ in Florida Americæ… Arrival in Florida of the French [1564]|2947|Bry, Theodor de||engraver|Theodor de Bry|6835|Le Moyne, Jacques||painter|0|||||German|French|||||||Germany|France|||||0||||0||||0||||0|Prints|Engraving (Print)||||16|||1564|1591|ca|ca 1564-1591|ca 1564-1591||Brevis narratio eorvm qvæ in Florida Americæ provi?cia Gallis acciderunt…|LargerEntity||1612||||0|||||||||||engraving (printing process)|||||||3892|Washington DC,Library of Congress|Wash, DC: Library of Congress||North America; Ships; Colonization; Indians of North America||||||||||Cornell||MNW|MNW|6/2/2004 0:00:00|3/29/2006 0:00:00||||0||Illus. in G159 .B7||||||||||||| ||||||||Work|0||Engraving by Theodor de Bry after 1564 watercolor by Jacques Le Moyne. Published in Frankfort in 1591 (plate__ ). Le Moyne's account of Laudonnière's ill-fated Huguenot colony in Florida.||||||||||0|0|Arrival in Florida of the French [1564]|Bry, Theodor de;Le Moyne, Jacques 1615.00|0|Culture|11|90|A11|||90 A11 |French Constructing Fort Caroline in Florida [1564]|||||||||French Constructing Fort Caroline in Florida [1564]|2947|Bry, Theodor de||engraver|Theodor de Bry|6835|Le Moyne, Jacques||painter|0|||||German|French|||||||Germany|France|||||0||||0||||0||||0|Prints|Engraving (Print)||||16|||1564|1591|ca||ca 1564-1591||Brevis narratio eorvm qvæ in Florida Americæ provi?cia Gallis acciderunt…|||1612||||0|||||||||||engraving (printing process)|||||||3892|Washington DC,Library of Congress|Wash, DC: Library of Congress||North America; Colonization; Indians of North America; Fortifications||||||||||Cornell|||MNW|6/3/2004 0:00:00|||||0||Illus. in G159 .B7||||||||||||| ||||||||Work|0||Engraving by Theodor de Bry after 1564 watercolor by Jacques Le Moyne. Published in Frankfort in 1591 (plate__ ). Le Moyne's account of Laudonnière's ill-fated Huguenot colony in Florida.||||||||||0|0|French Constructing Fort Caroline in Florida [1564]|Bry, Theodor de;Le Moyne, Jacques 1616.00|0|Culture|11|90|A10|||90 A10 |Landing of Admiral Jean Ribaut in Florida [1564]|||||||||Landing of Admiral Jean Ribaut in Florida [1564]|2947|Bry, Theodor de||engraver|Theodor de Bry|6835|Le Moyne, Jacques||painter|0|||||German|French|||||||Germany|France|||||0||||0||||0||||0|Prints|Engraving (Print)||||16|||1564|1591|ca|ca 1564-1591|ca 1564-1591||Brevis narratio eorvm qvæ in Florida Americæ provi?cia Gallis acciderunt…|||1612||||0|||||||||||engraving (printing process)|||||||3892|Washington DC,Library of Congress|Wash, DC: Library of Congress||North America; Native Americans; America; Colonization; Alligators||||||||||Cornell|||MNW|6/3/2004 0:00:00|||||0||Illus. in G159 .B7||||||||||||| ||||||||Work|0||Engraving by Theodor de Bry after 1564 watercolor by Jacques Le Moyne. Published in Frankfort in 1591 (plate__ ). Le Moyne's account of Laudonnière's ill-fated Huguenot colony in Florida.||||||||||0|0|Landing of Admiral Jean Ribaut in Florida [1564]|Bry, Theodor de;Le Moyne, Jacques 1617.00|0|Culture|11|90|A14|||90 A14 |Battling the Iroquois Indians in 1609|||Battle of Ticonderoga, 1609||||||Battling the Iroquois Indians in 1609 (Battle of Ticonderoga)|30158|Champlain, Samuel de||explorer|Samuel de Champlain|0||||0|||||French||||||||France||||||0||||0||||0||||0|Prints|Engraving (Print)||||17|||1613|1613|ca|ca 1613|ca 1613|||||0||||0|||||||||||printmaking|engraving (printing process)||||||3892|Washington DC,Library of Congress|Wash, DC: Library of Congress||North America; Native Americans; America; Colonization; Wars; Ticonderoga, NY; Iroquois Indians||||||||||Cornell||||6/3/2004 0:00:00|||||0||||||||||||||| ||||||||Work|0||Based on Champlain's drawing and account of the event, published in his Voyages, 1613.||||||||||0|0|Battling the Iroquois Indians in 1609;Battle of Ticonderoga, 1609|Champlain, Samuel de 1618.00|0|Manuscript|15|G|Anonymous|New|World|G Anonymous New World|Taino Indians of Hispaniola Greet Columbus|Descriptive|Cataloger|Insula hyspana|Inscribed|Image Source (Book)||||De Jnsulis inuentis Epistola Cristoferi Colom… Taino Indians of Hispaniola Greet Columbus|0|||||0||||0|||||Swiss||||||||Switzerland||||||0||||0||||0||||0|Prints|Woodcut||||15|||1493|1493||1493|1493-1493||De Jnsulis inuentis Epistola Cristoferi Colom (cui etas nostra Mult˜u debet : de Jnsulis in mari Jndico nup inu˜etis ...)|LargerEntity||1619||||0|||||Ink on paper|ink|paper||||printmaking|woodcut (process)||||||3670|New York, New York Public Library|New York: NYPL||America; Colonization; Indians of North America; Taino Indians||||||||||Cornell||MNW|MNW|6/2/2004 0:00:00|3/29/2006 0:00:00||||0|||||||G|||||||| ||||||||Work|0||Print has inscription, “Insula hyspana” [Hispaniola Island]. From Latin edition of Columbus' letter (carta) to Raphael Sanchez (Feb. 18, 1493) printed at Basel in 1493 on 10 leaves.||||||||||0|0|Taino Indians of Hispaniola Greet Columbus;Insula hyspana| 1693.00|0||||||||Nova Typis Transacta Navigatio Novi Orbis Indiae Occidentalis..|Published|Print Publication|||||||Nova Typis Transacta Navigatio Novi Orbis Indiae Occidentalis|30165|Plautius, Caspar, abbot of Seitenstein||author|Caspar Plautius|0||||0|||||Austrian||||||||Austria||||||0||||0||||0||||0|Book Arts|Book||||17|||1621|1621||1621|1621-1621|||||0||||0||||||paper|ink||||printing|engraving (incising)||||||||||||||||||||Cornell||MNW|MNW|6/4/2004 0:00:00|6/4/2004 0:00:00||||0||||||||||||||||||||||||0||Published in Linz, Austria, in 1621. Dedicated to Caspar Plautius, abbot of the Benedictine monastery Seitenstetten to whom the authorship of the work itself is attributed.|Title is abbreviated.|||||||||0|0|Nova Typis Transacta Navigatio Novi Orbis Indiae Occidentalis..|Plautius, Caspar, abbot of Seitenstein 1694.00|0|Site|02|B-H2|Par|2.31 1937 Expo/UniArt||B-H2 Par 2.31 1937 Expo/UniArt |Union des Artistes Modernes|Assigned|Image Source (Book)|||||||Exposition Internationale (1937 : Paris, France). Union des Artistes Modernes|30166|Pingusson, Jourdain, Louis||architectural firm|Pingusson, Jourdain, Louis|0||||0|||||French||||||||France||||||0||||0|Paris, France|||10058||||0|Architecture|Exhibit building||||20|||1936|1937||1936-1937|1936-1937||Exposition Internationale (1937 : Paris, France)|Larger entity||3715||||0||||||||||||||||||||||Exhibition buildings ; Exhibitions ; Exposition internationale (1937 : Paris, France) ; |Exhibition buildings|Exhibitions|Exposition internationale (1937 : Paris, France)|||||||Cornell||MNW|JNK|5/16/2005 0:00:00|6/4/2004 0:00:00||Par|Par|0||||||1937 Expo/UniArt|B|||||H2|2.31||||||||||Work|0|Architecture-France|||||||||||0|0|Union des Artistes Modernes|Pingusson, Jourdain, Louis 1695.00|0|Site|02|B-H2|Par|2.31 1937 Expo||B-H2 Par 2.31 1937 Expo |1937 World's Exposition|Descriptive|Image Source (Book)||||||||0|||||0||||0|||||French||||||||France||||||0||||0|Paris, France|||10058||||0|Architecture|Fair|||||||1937|1937||1937|1937-1937|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|6/4/2004 0:00:00|6/4/2004 0:00:00||Par|Par|0||||||1937 Expo|B|||||H2|2.31|1937|||||||||Work|0|Architecture-France|||||||||||0|0|1937 World's Exposition| 1696.00|0|Creator|15|32|C343-PA|1880|1|32 C343-PA 1880 1|The Tea|Repository|Repository|Le Thé|Repository|Repository||||The Tea ( Le Thé)|2095|Cassatt, Mary||painter|Mary Cassatt|0||||0|||||American|French||Impressionist|||||United States|France|||||0||||||||0||||0|Paintings|Oil Painting||||19|||1880|1880|ca|ca 1880|ca 1880-1880|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||64.77 x 92.07 cm||428|Boston,Museum of Fine Arts|Boston: MFA||Tea services; Women; Tea (social aspects)||||||||||Cornell|||MNW|7/13/2004 0:00:00||C343|||0||ISL cat. 53|||||32|PA||||||1880| ||||||||Work|0||||||M. Theresa B. Hopkins Fund 42.178||||||0|0|The Tea;Le Thé|Cassatt, Mary 1697.00|0|Creator|15|32|C343-PA|1875|1|32 C343-PA 1875 1|Picking Flowers in a Field|||||||||Picking Flowers in a Field|2095|Cassatt, Mary||painter|Mary Cassatt|0||||0|||||American|French||Impressionist|||||United States|France|||||0||||0||||0||||0|Paintings|Oil Painting||||19|||1875|1875|ca|ca 1875|ca 1875-1875|||||0||||0|||||Oil on wood panel|oil paint|panel||||painting (image-making)|||||26.6 x 34.3 cm||3290|Private Collection|: Private Coll.||Flowers; Landscapes; Children||||||||||Cornell|||MNW|7/13/2004 0:00:00||C343|||0|||||||32|PA||||||1875| ||||||||Work|0||||||Collect., Mrs. William Coxe Wright, St. Davids, PA||||||0|0|Picking Flowers in a Field|Cassatt, Mary 1699.00|0|Creator|15|32|C343-PA|1879||32 C343-PA 1879|Lydia in a Loge, Wearing a Pearl Necklace|||||||||Lydia in a Loge, Wearing a Pearl Necklace|2095|Cassatt, Mary||painter|Mary Cassatt|0||||0|||||American|French||Impressionist|||||United States|France|||||0||||||||0||||0|Paintings|Oil Painting|Portrait|||19|||1879|1879||1879|1879-1879|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||80.2 x 58.2 cm||3281|Philadelphia,Philadelphia Museum of Art|Philadelphia: Museum of Art||Portraits; Theater; Fans||||||||||Cornell|||MNW|7/13/2004 0:00:00||C343|||0|||||||32|PA||||||1879| ||||||||Work|0||||||||||||0|0|Lydia in a Loge, Wearing a Pearl Necklace|Cassatt, Mary 1700.00|0|Creator|15|32|C425|1873|H837|32 C425 1873 H837|House of the Hanged Man|||||||||House of the Hanged Man|2168|Cézanne, Paul||painter|Paul Cézanne|0||||0|||||French|||Impressionist|||||France||||||0||||||||0||||0|Paintings|Oil Painting|Landscape (representation)|||19|||1873|1873||1873|1873-1873|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||55 x 66 cm||2196|Paris,Musee d'Orsay|Paris: Musee d'Orsay||Landscapes; Houses||||||||||Cornell|||MNW|7/13/2004 0:00:00||C245|||0|||||||32|PA||||||1873| |H837|||||||Work|0||Exhibited at the First Impressionist Exhibition. DOA||||||||||0|0|House of the Hanged Man|Cézanne, Paul 1701.00|0|Creator|15|32|C425-PA|1877|1|32 C425-PA 1877 1|Madame Cézanne in a Red Armchair|Repository|Repository|Madame Cezanne in a Striped Skirt||||||Madame Cézanne in a Red Armchair|2168|Cézanne, Paul||painter|Paul Cézanne|0||||0|||||French|||Impressionist|||||France||||||0||||||||0||||0|Paintings|Oil Painting|Portrait|||19|||1877|1877|ca|ca 1877|ca 1877-1877|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||72.5 x 56 cm||428|Boston,Museum of Fine Arts|Boston: MFA||Women; Portraits; Cézanne, Hortense Fiquet||||||||||Cornell|||MNW|7/13/2004 0:00:00||C245|||0||44.776|||||32|PA||||||1877| ||||||||Work|0||||||||||||0|0|Madame Cézanne in a Red Armchair;Madame Cezanne in a Striped Skirt|Cézanne, Paul 1704.00|0|Creator|15|32|C425|1890|W872|32 C425 1890 W872|Woman with Coffee Pot|||||||||Woman with Coffee Pot|2168|Cézanne, Paul||painter|Paul Cézanne|0||||0|||||French||||||||France||||||0||||||||0||||0|Paintings|Oil Painting|Portrait|||19|||1890|1895|ca|ca 1890-1895|ca 1890-1895|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||131 x 97 cm||2196|Paris,Musee d'Orsay|Paris: Musee d'Orsay||Women; Portraits||||||||||Cornell|||MNW|7/13/2004 0:00:00||C245|||0|||||||32|PA||||||1890| |W872|||||||Work|0||||||||||||0|0|Woman with Coffee Pot|Cézanne, Paul 1705.00|0|Creator|15|32|C425-PA|1882|B852|32 C425-PA 1882 B852|Bridge at Maincy|Assigned|Dict.Art|||||||Bridge at Maincy|2168|Cézanne, Paul||artist|Paul Cézanne|0||||0|||||French||||||||France||||||0||||||||0||||0|Paintings|Oil Painting|Landscape (representation)|||19|||1879|1879||1879|1879-1879|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||||2196|Paris,Musee d'Orsay|Paris: Musee d'Orsay||Landscapes; Bridges (built works)||||||||||Cornell|||MNW|7/16/2004 0:00:00||C425|||0|||||||32|PA||||||1882| |B852|||||||Work|0||One of the works that marked Cezanne's move away from the Impressionists. DOA||||||||||0|0|Bridge at Maincy|Cézanne, Paul 1707.00|0|Creator|15|32|C425-PA|1891|B363|32 C425 1891 B363|The Bay of Marseilles, Seen from L'Estaque|Repository|Repository|||||||The Bay of Marseilles, Seen from L'Estaque|2168|Cézanne, Paul||artist|Paul Cézanne|0||||0|||||French|||Post-Impressionist|||||France||||||0||||||||0||||0|Paintings|Oil Painting|Landscape (representation)|||19|||1886|1890||1886-1890|1886-1890|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||80.2 x 100.6 cm||4073|Chicago,Art Institute of Chicago|Chicago: Art Institute||Landscapes; Houses; Seas||||||||||Cornell|||MNW|7/16/2004 0:00:00||C425|||0||1933.1116|||||32|PA||||||1891| |B363|||||||Work|0||||||||||||0|0|The Bay of Marseilles, Seen from L'Estaque|Cézanne, Paul 1708.00|0|Creator|15|32|C425|1885|M840|32 C425 1885 M840|Mont Sainte-Victoire and the Viaduct of the Arc River Valley|Repository|Repository|||||||Mont Sainte-Victoire and the Viaduct of the Arc River Valley|2168|Cézanne, Paul||artist|Paul Cézanne|0||||0|||||French|||Post-Impressionist|||||France||||||0||||||||0||||0|Paintings|Oil Painting|Landscape (representation)|||19|||1882|1885||1882-1885|1882-1885|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||65.4 x 81.6 cm||3294|New York,Metropolitan Museum of Art|New York: Metropolitan||Landscapes; Bridges; Mountains||||||||||Cornell|||MNW|7/16/2004 0:00:00||C425|||0||29.100.64|||||32|PA||||||1885| |M840|||||||Work|0||||||||||H. O. Havemeyer Collection||0|0|Mont Sainte-Victoire and the Viaduct of the Arc River Valley|Cézanne, Paul 1709.00|0|Creator|15|32|C425-PA|1906|B32812|32 C425-PA 1906 B32812|Large Bathers|Repository|Repository|Les Grandes Baigneuses|Original|Dict.Art||||Large Bathers (Les Grandes Baigneuses)|2168|Cézanne, Paul||artist|Paul Cézanne|0||||0|||||French|||Post-Impressionist|||||France||||||0||||||||0||||0|Paintings|Oil Painting|Figures (representations)|||20|||1906|1906|ca|ca 1906|ca 1906-1906|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||208.5 x 251.5 cm||3281|Philadelphia,Philadelphia Museum of Art|Philadelphia: Museum of Art||Bathing; Landscapes; Nudes; Women||||||||||Cornell|||MNW|7/16/2004 0:00:00||C425|||0||W1937-1-1|||||32|PA||||||1906| |B32812|||||||Work|0||Three large versions, painted between 1895 and 1906 (chronology is unclear). In London, National Gallery; Philadelphia, Barnes Foundation; and Philadelphia, Museum of Art. DOA||||||||||0|0|Large Bathers;Les Grandes Baigneuses|Cézanne, Paul 1710.00|0|Creator|15|32|S496-PA|1884|1|32 S496-PA 1884 1|A Sunday on La Grande Jatte-1884|Preferred|Repository|Sunday Afternoon on the Island of la Grande Jatte|Assigned|LC NAF|Dimanche d’ete´ a` la Grande Jatte|Original|LC NAF|A Sunday on La Grande Jatte-1884|10773|Seurat, Georges||painter|Georges Seurat|0||||0|||||French|||Neo-Impressionist|Pointillist||||France||||||0||||||||0||||0|Paintings|Painting|Figures (representations)|Landscape (representation)||19|||1884|1886||1884-1886|1884-1886|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||207.5 x 308.1 cm||4073|Chicago,Art Institute of Chicago|Chicago: Art Institute||Outdoor recreation ; Men (male humans) ; Women ; Monkeys ; Dogs ; Mother and child ; Rivers ; Parasols ; Parks|Outdoor recreation|Men (male humans)|Women|Monkeys|Dogs|Mother and child|Rivers|Parasols|Parks|Cornell||JNK|MNW|11/22/2006 0:00:00|6/15/2006 0:00:00|S496|||0||1926.224|||||32|PA||||||1884| ||||||||Work|0||||||||||||0|0|A Sunday on La Grande Jatte-1884;Sunday Afternoon on the Island of la Grande Jatte;Dimanche d’ete´ a` la Grande Jatte|Seurat, Georges 1619.00|0|Creator|15|G|Anonymous|New World|||De Jnsulis inuentis Epistola Cristoferi Colom (cui etas nostra Mult˜u debet : de Jnsulis in mari Jndico nup inu˜etis ...)|||Columbus' Letter to Sanchez||||||De Jnsulis inuentis Epistola Cristoferi Colom|0|||||0||||0|||||Swiss||||||||Switzerland||||||0||||0||||0||||0|Book Arts|Book|Illustration|||15|||1493|1493||1493|1493|||||0||||0|||||Ink on paper|ink|paper||||printing|printmaking|woodcut (process)|||20 x 15 cm||3670|New York, New York Public Library|New York: NYPL||America; Columbus, Christopher; Colonization; Indians of North America||||||||||Cornell||SJW|MNW|6/2/2004 0:00:00|5/24/2004 0:00:00||||0|||||||G|||||||| ||||||||Work|0||Printed in 10 leaves with four woodcuts. Letter was dated Feb. 18, 1493.|Original printed at Basel in 1493, probably by Jakob Wolff, although it was formerly assigned to Michael Furter and to Johann Bergmann. --NYPL|||||||||0|0|De Jnsulis inuentis Epistola Cristoferi Colom (cui etas nostra Mult˜u debet : de Jnsulis in mari Jndico nup inu˜etis ...);Columbus' Letter to Sanchez| 1621.00|0|Culture|11|90|A23|||90 A23 |St. Brendan Celebrating Mass on the Back of a Whale|Descriptive|Print Publication|||||||Nova Typis Transacta Navigatio Novi Orbis Indiae Occidentalis.. St. Brendan Celebrating Mass on the Back of a Whale|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Prints|Engraving (Print)|Map|||17|||1621|1621||1621|1621-1621||Nova Typis Transacta Navigatio Novi Orbis Indiae Occidentalis..|LargerEntity||1693||||0|||||||||||printmaking|engraving (printing process)||||||3892|Washington DC,Library of Congress|Wash, DC: Library of Congress||Priests; Maps; Sea monsters; Ships; Holy Mass; Whales||||||||||Cornell||MNW|MNW|6/4/2004 0:00:00|3/29/2006 0:00:00||||0||||||||||||||| ||||||||Work|0||Shows priest giving Mass on the back of a whale (sea monster). Illustration numbered "2".||||||||||0|0|St. Brendan Celebrating Mass on the Back of a Whale| 1622.00|0|Culture|11|90|A18|||90 A18 |Adventures of Captain John Smith, 1607-1609|||||||||The generall historie of Virginia, New-England, and the Summer Isles Adventures of Captain John Smith, 1607-1609|30160|Vaughan, Robert||engraver|Robert Vaughan|30159|Smith, John||author|0|||||English||||||||England||||||0||||0||||0||||0|Book Arts|Engraving (Print)|Map|||17|||1624|1624||1624|1624-1624||The generall historie of Virginia, New-England, and the Summer Isles|LargerEntity||1623||||0|||||Ink on paper|ink|paper||||printmaking|engraving (printing process)||||30 cm||3892|Washington DC,Library of Congress|Wash, DC: Library of Congress||America; North America; Maps; Colonization; Indians of North America||||||||||Cornell||MNW||6/3/2004 0:00:00|3/29/2006 0:00:00||||0||||||||||||||| ||||||||Work|0||A composite view of Smith's adventures with a map of Virginia. Published London : Printed by I. D[awson] and I. [Haviland] for Michael Sparkes, 1624. 7 p.l., 96, 105-248, [1] p. 2 fold. plates, 2 ports., 2 fold. maps. 30 cm.||||||||||0|0|Adventures of Captain John Smith, 1607-1609|Vaughan, Robert;Smith, John 1623.00|0||||||||The generall historie of Virginia, New-England, and the Summer Isles|||||||||The generall historie of Virginia, New-England, and the Summer Isles|30159|Smith, John||author|Captain John Smith|30160|Vaughan, Robert||engraver|0|||||English||||||||England||||||0||||0||||0||||0|Book Arts|Book|Engraving (Print)|Map||17|||1624|1624||1624|1624-1624|||||0||||0||||||ink|paper||||printing|||||30 cm||3892|Washington DC,Library of Congress|Wash, DC: Library of Congress||Colonization; Maps; History; North America; America; Indians of North America||||||||||Cornell||SJW||6/3/2004 0:00:00|5/26/2004 0:00:00||||0||||||||||||||| ||||||||Work|0||Published London : Printed by I. D[awson] and I. [Haviland] for Michael Sparkes, 1624. 7 p.l., 96, 105-248, [1] p. 2 fold. plates, 2 ports., 2 fold. maps. 30 cm.||||||||||0|0|The generall historie of Virginia, New-England, and the Summer Isles|Smith, John;Vaughan, Robert 1624.00|0|Culture|15|30A|E58-G|5H|1|30A E58-G 5H 1|The Brave Old Hendrick the Great Sachem or Chief of the Mohawk Indians, …|Inscribed|Image Source (Book)|||||||The Brave Old Hendrick the Great Sachem or Chief of the Mohawk Indians, …|0|||||0||||0|||||English||||||||England||||||0||||||||0||||0|Prints|Engraving (Print)||||18|||1740|1740|ca|ca 1740|ca 1740-ca 1740|||||0||||0||||||ink|paper||||printmaking|engraving (printing process)|hand coloring|||||3892|Washington DC,Library of Congress|Wash, DC: Library of Congress||North America; Colonization; Indians of North America||||||||||Cornell||||6/3/2004 0:00:00||E58|||0||LC-USZ62-45198|||||30A|G||||||| |5H|||||||Work|0||[London] : Sold by Eliz: Bakewell, opposite Birchin Lane in Cornhill, [176-]. Print shows Hendrick, also known as Tiyanoka, (1680?-1755) in a European style military uniform.|Caption continues: ... one of the Six Nations now in alliance with, & subject to the King of Great Britain.|||LC-USZ62-45198 refers to the reproduction number.||||||0|0|The Brave Old Hendrick the Great Sachem or Chief of the Mohawk Indians, …| 1625.00|0|Creator|15|30|W514-PA|7W|2|30 W514-PA 7W 2|The West Family|||||||||The West Family|30161|West, Benjamin||painter|Benjamin West|0||||0|||||British|American|||||||England||||||0||||||||0||||0|Paintings|Painting|Portrait|||18|||1772|1772|ca|ca 1772|ca 1772|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||52 x 66.5 cm||3692|New Haven,Yale Center for British Art|New Haven: Yale Ctr. For Brit. Art||Portraits; Quakers; Families||||||||||Cornell|||MNW|6/2/2004 0:00:00||W514|||0|||||||30|PA||||||| |7W|||||||Work|0||West's Quaker family had moved to the USA in 1699 from Long Crendon, Bucks., England. (West returned to England in 1763).--DOA.||||||||||0|0|The West Family|West, Benjamin 1626.00|0|Creator|15|30|P358-PA|7C|1|30 P358-PA 7C 1|General John Cadwalader and Family|||||||||General John Cadwalader and Family|9001|Peale, Charles Willson||painter|Charles Willson Peale|0||||0|||||American||||||||United States||||||0||||||||0||||0|Paintings|Painting|Portrait|||18|||1772|1772||1772|1772-1772|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||131 x 105 cm||3281|Philadelphia,Philadelphia Museum of Art|Philadelphia: Museum of Art||Family; Portraits; Children||||||||||Cornell|||MNW|6/2/2004 0:00:00||P358|||0|||||||30|PA||||||| |7C|||||||Work|0||||||||||||0|0|General John Cadwalader and Family|Peale, Charles Willson 1627.00|0|Creator|15|30|H5875-PA|5C|1|30 H5875-PA 5C 1|Charles Calvert|||||||||Charles Calvert|5375|Hesselius, John||artist|John Hesselius|0||||0|||||American||||||||United States||||||0||||||||0||||0|Paintings|Painting|Portrait|||18|||1761|1761||1761|1761|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||127.6 x 101.2 cm||3842|Baltimore,Baltimore Museum of Art|Baltimore: Mus. Art||Children; African Americans; Servants; Drums; Portraits||||||||||Cornell|||MNW|6/2/2004 0:00:00||H5875|||0|||||||30|PA||||||| |5C|||||||Work|0||||||||||||0|0|Charles Calvert|Hesselius, John 1628.00|0|Creator|15|30|C784-PA|7G|1|30 C784-PA 7G 1|The Gore Children|||||||||The Gore Children|2588|Copley, John Singleton||painter|John Singleton Copley|0||||0|||||American||||||||United States||||||0||||||||0||||0|Paintings|Painting|Portrait|||18|||1755|1755|ca|ca 1755|ca 1755-ca 1755|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||104.1 x 143.5 cm||4082|Winterthur DE, H. F. DuPont Winterthur Museum|Winterthur, DE: Museum||Children; Family; Portraits||||||||||Cornell|||MNW|6/2/2004 0:00:00||C784|||0|||||||30|PA||||||| |7G|||||||Work|0||||||||||||0|0|The Gore Children|Copley, John Singleton 1630.00|0|Creator|15|30|T8692-PA|46|3|30 T8692-PA 46 3|Death of General Warren at the Battle of Bunker’s Hill|Assigned|Image Source (Book)|||||||Death of General Warren at the Battle of Bunker’s Hill|11939|Trumbull, John||painter|John Trumbull|0||||0|||||American||||||||United States||||||0||||||||0||||0|Paintings|Painting||||18|||1786|1786|||1786|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||63.5 x 86.4 cm||3400|New Haven,Yale University Art Gallery|New Haven: Yale Univ. Art Gal.||North America; Colonization; Battles; United States History Revolution, 1775-1783; Wars||||||||||Cornell|||MNW|6/2/2004 0:00:00||T8692|||0|||||||30|PA||||||| |46|||||||Work|0||||||||||||0|0|Death of General Warren at the Battle of Bunker’s Hill|Trumbull, John 1631.00|0|Creator|15|32|V2358-PA|1804|1|32 V2358-PA 1804 1|Murder of Jane McCrea|||Death of Jane McCrea|Assigned|Dict.Art||||Murder of Jane McCrea|12156|Vanderlyn, John||painter|John Vanderlyn|0||||0|||||American||||||||United States||||||0||||||||0||||0|Paintings|Painting||||19|||1804|1804||1804|1804-1804|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||82 x 67 cm||3381|Hartford,Wadsworth Atheneum|Hartford: Wadsworth Atheneum||Murder; United States History Revolution, 1775-1783; Indians of North America||||||||||Cornell|||MNW|6/2/2004 0:00:00||V2358|||0|||||||32|PA||||||1804| ||||||||Work|0||Depiction is taken from a poem describing an incident (July 26, 1777) in the Revolutionary War. First exhibited in Paris as Une jeune fille massacré par deux sauvages au service des Anglais dans la guerre d’Amérique--from Fort Ticonderoga website.||||||||||0|0|Murder of Jane McCrea;Death of Jane McCrea|Vanderlyn, John 1632.00|0|Site|02|B-H3|Flo|3.1|S.Lor/Fac|B-H3 Flo 3.1 SLor|Model of the Façade of San Lorenzo|||||||||San Lorenzo. Model of the Façade of San Lorenzo|7960|Buonarroti, Michelangelo||architect|Michelangelo Buonarroti|0||||0|||||Italian|||Renaissance|||||Italy||||||0||||0||||0||||0|Architecture|Model (Representation)||||16|||1515|1520||1515-1520|1515-1520||San Lorenzo|||966||||0|||||Wood|wood||||||||||216 x 283 x 50 cm||851|Florence,Casa Buonarroti|Florence: Casa Buonarroti||San Lorenzo, Florence, Italy||||||||||Cornell|||JNK|8/2/2004 0:00:00|||Flo||0||||||SLor/Fac|B|||||H3|3.1|| ||||||||Work|0||The extent to which this model is the work of Michelangelo is uncertain. There is some possibility that it may have been partially the work of Pietro Urbano or another student of Michelangelo's.||||||||||0|0|Model of the Façade of San Lorenzo|Buonarroti, Michelangelo 1633.00|0|||90|H1|||90 H1 |Stowage of the British SlaveShip Brookes Under the Regulated Slave Trade Act of 1788|||||||||Stowage of the British Slave Ship Brookes…|0|||||0||||0|||||British|American|||||||England|United States|||||0||||0||||0||||0|Prints|Etching||||18|||1788|1788|ca|ca 1788|ca 1788|||||0||||0|||||Ink on paper|ink|paper||||printing|etching (printing process)||||||3892|Washington DC,Library of Congress|Wash, DC: Library of Congress||Ships; Slavery||||||||||Cornell|||MNW|6/4/2004 0:00:00|||||0||Broadside Port. 282, no. 43||||||||||||| |||||||||0||Illustration showing deck plans and cross sections of British slave ship Brookes stowed with cargo of slaves. Republished by J.P. Parke, Philadelphia, in 1808.||||Rare Book RR||||||0|0|Stowage of the British SlaveShip Brookes Under the Regulated Slave Trade Act of 1788| 1634.00|0|Manuscript|15|G|Anon|English|1803|G Anon English 1803|America with Medallions of Hancock, Franklin, and Washington|Descriptive|Cataloger|America|Inscribed|Image Source (Book)||||America with Medallions of Hancock, Franklin, and Washington|0|||||0||||0|||||English||||||||England||||||0||||||||0||||0|Prints|Mezzotint||||19|||1803|1803||1803|1803|||||0||||0|||||Hand colored mezzotint|ink|paper||||printmaking|mezzotint|hand coloring|||23 x 17 cm||3281|Philadelphia,Philadelphia Museum of Art|Philadelphia: Museum of Art||America||||||||||Cornell|||SJW|5/26/2004 0:00:00|||||0|||||||G|||||||| ||||||||Work|0||Personification of America with black child and medallions of Washington, Franklin and Hancock on an obelisk. "Published March 28, 1803 by F. Hinton, 44 Wells St., London."||||||||||0|0|America with Medallions of Hancock, Franklin, and Washington;America| 1635.00|0|Creator|05|90|H13|||90 H13 |Scarred Back of a Former Slave|Descriptive|Image Source (Book)|Gordon|Assigned|Online Resource||||Scarred Back of a Former Slave (Gordon)|30162|McPherson & Oliver||photographic studio|McPherson & Oliver|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Photographic print|Cartes-de-visite|||19|||1863|1863||1863|1863|||||0||||0||||||photographic materials|||||photography|||||||||||United States History Civil War, 1861-1865; Slavery||||||||||Cornell|||MNW|6/4/2004 0:00:00|||||0|||||||||||||||||||||||Work|0||McPherson and Oliver, Baton Rouge, La. distributed this carte de visite photograph of "Gordon" who escaped from his master in Mississippi and joined the Union cause as a soldier. Photograph taked by a Union surgeon.|Reprinted (as wood engraving) in 4 July 1863 Harpers Weekly, p. 429. In Library of Congress, Illus. in AP2.H32 Case Y [P&P].|||||||||0|0|Scarred Back of a Former Slave;Gordon|McPherson & Oliver 1636.00|0|Culture|11|90|H7|||90 H7 |Selling Females by the Pound|||||||||Picture of slavery in the United States of America. Selling Females by the Pound|30163|Bourne, George||author|George Bourne|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Prints|Engraving (Print)|Illustration|||19|||1834|1834||1834|1834||Picture of slavery in the United States of America|LargerEntity||1637||||0|||||Ink on paper|ink|paper||||printing|printmaking|engraving (printing process)|||||9309|College Park MD, University of Maryland, McKeldin Library|College Park MD: UM; McKeldin Lib.||Slavery; Women; African Americans||||||||||Cornell||MNW|MNW|6/2/2004 0:00:00|3/29/2006 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Selling Females by the Pound|Bourne, George 1637.00|0|Culture|11|90|H6|||90 H6 |Picture of Slavery in the United States of America|||||||||Picture of Slavery in the United States of America|30163|Bourne, George||author|George Bourne|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Book Arts|Book|Illustration|Engraving (Print)||19|||1834|1834||1834|1834-1834|||||0||||0|||||Ink on paper|ink|paper||||printing|||||22 cm||9309|College Park MD, University of Maryland, McKeldin Library|College Park MD: UM McKeldin Lib.||Slavery; Women; African Americans||||||||||Cornell||SJW|MNW|6/2/2004 0:00:00|5/27/2004 0:00:00||||0||||||||||||||| ||||||||Work|0||Published by E. Hunt, Middletown CT. Abolitionist work dealing with slavery and chattel slavery of women.||||||||||0|0|Picture of Slavery in the United States of America|Bourne, George 1638.00|0|Creator|15|30|J543-PA|41L|1|30 J543-PA 41L 1|Liberty Displaying the Arts and Sciences|Assigned|Image Source (Book)|||||||Liberty Displaying the Arts and Sciences|30164|Jennings, Samuel||painter|Samuel Jennings|0||||0|||||American||||||||United States||||||0||||||||0||||0|Paintings|Painting||||18|||1792|1792||1792|1792-1792|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||153 x 185.4 cm||3831|Philadelphia,Library Company|Philadelphia: Library Company||African Americans; Slavery; Liberal Arts; Libraries; Education; Allegory||||||||||Cornell|||MNW|6/2/2004 0:00:00||J543|||0|||||||30|PA||||||| |41L|||||||Work|0||Commissioned by the Library Company in 1791-1792 for their then new building (Fifth Street, now on Locust St.)|The Library Company of Philadelphia was formed by 50 subscribers incl. B. Franklin, in 1731.|||||||||0|0|Liberty Displaying the Arts and Sciences|Jennings, Samuel 1639.00|0|Creator|15|35|C9754-PA|1940|1|35 C9754-PA 1940 1|Our Good Earth|||||||||Our Good Earth|2777|Curry, John Steuart||painter|John Steuart Curry|0||||0|||||American||||||||United States||||||0||||||||0||||0|Paintings|Oil painting||||20|||1940|1941||1940-1941|1940-1941|||||0||||0|||||Oil & tempera on canvas|oil paint|tempera|canvas|||painting (image-making)|||||132 x 101.6 cm||9310|Madison WI, University of Wisconsin, College of Agriculture|Madison WI: UWI; College of Agriculture||Children; Wheat; Farming; Families; Agricultural land||||||||||Cornell|||MNW|7/2/2004 0:00:00||C9754|||0|||||||35|PA||||||1940| ||||||||Work|0||||||||||||0|0|Our Good Earth|Curry, John Steuart 1640.00|0|Creator|15|32|D251-PA|1774|1|32 D251-PA 1774 1|Erasistratus Discovers the Cause of the Illness of Antiochus|||||||||Erasistratus Discovers the Cause of the Illness of Antiochus|2895|David, Jacques-Louis||painter|Jacques-Louis David|0||||0|||||French|||Neoclassical|||||France||||||0||||||||0||||0|Paintings|Painting||||18|||1774|1774||1774|1774-1774|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||120 x 135 cm||2193|Paris,Ecole National Superieure des Beaux-Arts,Musee des etudes|Paris: Ecole BA; Musee||||||||||||Cornell|||MNW|6/24/2004 0:00:00||D251|||0|||||||32|PA||||||1774| ||||||||Work|0||Won Prix de Rome in 1774 with this work. Refers to Erasistratos (or Erasistratus) of Iulis (about 304 - 250 BC) and the story of Antiochus and Stratonice.||||||||||0|0|Erasistratus Discovers the Cause of the Illness of Antiochus|David, Jacques-Louis 1641.00|0|Creator|15|32|D251-PA|1784|1|32 D251-PA 1784 1|Oath of the Horatii|||||||||Oath of the Horatii|2895|David, Jacques-Louis||painter|Jacques-Louis David|0||||0|||||French|||Neoclassical|||||France||||||0||||||||0||||0|Paintings|Oil painting||||18|||1784|1784||1784|1784-1784|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||330 x 425 cm||3341|Paris,Musee National du Louvre|Paris: Louvre||Romans; Obedience; Warriors; Families||||||||||Cornell|||MNW|7/2/2004 0:00:00||D251|||0||Inv 3692|||||32|||||||| ||||||||Work|0||Exhibited Salon of 1785. Literary sources: Livy, Plutarch, Corneille.||||||||||0|0|Oath of the Horatii|David, Jacques-Louis 1642.00|0|Creator|15|32|D251-PA|1789|1|32 D251-PA 1789 1|Lictors Bringing Brutus the Bodies of his Sons|Assigned|Dict.Art|||||||Lictors Bringing Brutus the Bodies of his Sons|2895|David, Jacques-Louis||painter|Jacques-Louis David|0||||0|||||French||||||||France||||||0||||||||0||||0|Paintings|Oil painting||||18|||1789|1789||1789|1789-1789|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||325 x 425 cm||3341|Paris,Musee National du Louvre|Paris: Louvre||Romans; Obedience; Families||||||||||Cornell|||MNW|7/2/2004 0:00:00||D251|||0|||||||32|PA||||||1789| ||||||||Work|0||Brutus was painted for Louis XVI and exhibited shortly after the storming of the Bastille. DOA||||||||||0|0|Lictors Bringing Brutus the Bodies of his Sons|David, Jacques-Louis 1643.00|0|Creator|15|32|D332-PA|1822|1|32 D332-PA 1822 1|Barque of Dante|Assigned|Dict.Art|Dante and Virgil|Assigned|Dict.Art||||Barque of Dante (Dante and Virgil)|3040|Delacroix, Eugène||painter|Eugène Delacroix|0||||0|||||French|||Romantic|||||France||||||0||||||||0||||0|Paintings|Oil painting||||19|||1822|1822||1822|1822-1822|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||189 x 246 cm||3341|Paris,Musee National du Louvre|Paris: Louvre||Virgil; Dante Alighieri; Hell||||||||||Cornell|||MNW|7/2/2004 0:00:00||D332|||0|||||||32|PA||||||1822| ||||||||Work|0||Salon of 1822; bought by the State and exhibited at the Musée du Luxembourg.||||||||||0|0|Barque of Dante;Dante and Virgil|Delacroix, Eugène 1644.00|0|Creator|15|32|D332-PA|1824|1|32 D332-PA 1824 1|Massacres of Chios|Assigned|Dict.Art|Scènes des Massacres de Scio|Repository|Repository|||Repostory|Massacres of Chios|3040|Delacroix, Eugène||painter|Eugène Delacroix|0||||0|||||French|||Romantic|||||France||||||0||||||||0||||0|Paintings|Oil painting||||19|||1824|1824||1824|1824-1824|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||417 x 354 cm||3341|Paris,Musee National du Louvre|Paris: Louvre||Death; Greece History War of Independence, 1821-1829||||||||||Cornell|||MNW|7/5/2004 0:00:00||D332|||0|||||||32|PA||||||1824| ||||||||Work|0||Exhibited Salon of 1824; purchased by the State. Refers to Turkish massacres of the Greek population on the island of Chios, in which all but 900 of the 90,000 inhabitants were killed or abducted. DOA||||||||||0|0|Massacres of Chios;Scènes des Massacres de Scio|Delacroix, Eugène 1645.00|0|Creator|15|32|D332-PA|1827|1|32 D332-PA 1827 1|Death of Sardanapalus|Translated|Dict.Art|Mort de Sardanapale|Repository|Repository||||Death of Sardanapalus|3040|Delacroix, Eugène||painter|Eugène Delacroix|0||||0|||||French|||Romantic|Orientalism||||France||||||0||||||||0||||0|Paintings|Painting||||19|||1827|1827||1827|1827-1827|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||145 x 197 cm||3341|Paris,Musee National du Louvre|Paris: Louvre||Kings; Death||||||||||Cornell|||MNW|7/5/2004 0:00:00||D332|||0|||||||32|PA||||||1827| ||||||||Work|0||Exhibited Salon of 1827-1828. Ostensibly based on Byron’s Sardanapalus (1821). DOA||||||||||0|0|Death of Sardanapalus;Mort de Sardanapale|Delacroix, Eugène 1646.00|0|Creator|15|32|D332-PA|A651||32 D332-PA A651 |Arab Lounging (Arab, Seated)|||Arab, Seated||||||Arab Lounging (Arab, Seated)|3040|Delacroix, Eugène||painter|Eugène Delacroix|0||||0|||||French|||Romantic|Orientalism||||France||||||0||||||||0||||0|Paintings|Watercolor||||19|||1830|1839||1830s|1830s|||||0||||0|||||Watercolor|watercolors|paper||||painting (image-making)|drawing (image-making)||||19 x 27 cm||3341|Paris,Musee National du Louvre|Paris: Louvre||||||||||||Cornell|||MNW|7/5/2004 0:00:00||D332|||0|||||||32|PA||||||| |A651|||||||Work|0||Probably done during or after 1832 (trip to N. Africa and Spain).||||||||||0|0|Arab Lounging (Arab, Seated);Arab, Seated|Delacroix, Eugène 1647.00|0|Creator|15|32|D332-PA|1834|1|32 D332-PA 1834 1|Women of Algiers in their Apartment|Assigned|Dict.Art|Femmes d'Alger dans leur appartement|Repository|Repository||Repository|Repository|Women of Algiers in their Apartment|3040|Delacroix, Eugène||painter|Eugène Delacroix|0||||0|||||French|||Orientalism|Romantic||||France||||||0||||||||0||||0|Paintings|Oil painting||||19|||1834|1834||1834|1834-1834|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||180 x 229 cm||3341|Paris,Musee National du Louvre|Paris: Louvre||Women; Africa; Harems||||||||||Cornell|||MNW|7/5/2004 0:00:00||D332|||0|||||||32|PA||||||1834| ||||||||Work|0||Exhibited Salon of 1834.||||||||||0|0|Women of Algiers in their Apartment;Femmes d'Alger dans leur appartement|Delacroix, Eugène 1648.00|0|Creator|15|32|G723-PA|P2231||32 G723-PA P2231 |The Parasol|||||||||The Parasol|4707|Goya y Lucientes, Francisco José de||painter|Francisco Goya y Lucientes|0||||0|||||Spanish||||||||Spain||||||0||||||||0||||0|Paintings|Oil painting||||18|||1777|1777||1777|1777-1777|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||104 x 152 cm||1616|Madrid: Museo del Prado|Madrid: Prado||Women; Dogs; Servants; Fans; Parasols||||||||||Cornell||MNW|MNW|7/5/2004 0:00:00|12/11/2005 0:00:00|G723|||0|||||||32|PA||||||| |P2231|||||||Work|0||Goya produced 63 tapestry cartoons between 1774 and June 1792. This was one of the genre scenes he painted for the Palacio del Pardo tapestries. DOA||||||||||0|0|The Parasol|Goya y Lucientes, Francisco José de 1649.00|0|Creator|15|32|G723-PA|M2821||32 G723-PA M2821 |The Mannequin (Straw Puppet)|||El Pelele|Repository|Repository||||The Mannequin (Straw Puppet)|4707|Goya y Lucientes, Francisco José de||painter|Francisco Goya y Lucientes|0||||0|||||Spanish||||||||Spain||||||0||||||||0||||0|Paintings|Oil painting||||18|||1791|1791||1791|1791-1791|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||267 x 160 cm||1616|Madrid: Museo del Prado|Madrid: Prado||Women||||||||||Cornell||MNW|MNW|7/5/2004 0:00:00|12/11/2005 0:00:00|G723|||0|||||||32|PA||||||| |M2821|||||||Work|0||Goya produced 63 tapestry cartoons between 1774 and June 1792. Goya’s final cartoons, of 1791–2, are the rural and humorous scenes that Charles IV had requested for his Escorial office. DOA||||||||||0|0|The Mannequin (Straw Puppet);El Pelele|Goya y Lucientes, Francisco José de 1650.00|0|Creator|15|32|G613-PA|S961||32 G613-PA S961 |Sunflowers|Assigned|Repository|||||||Sunflowers|12121|Gogh, Vincent van||painter|Vincent van Gogh|0||||0|||||Dutch|French|||||||Holland|France|||||0||||||||0||||0|Paintings|Oil painting|Still life|||19|||1888|1888||1888|1888-1888|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||92.1 x 73 cm||3357|London,National Gallery|London: National Gallery||Flowers; Sunflowers||||||||||Cornell|||MNW|7/5/2004 0:00:00||G613|||0||NG3863|||||32|PA||||||| |S961|||||||Work|0||Painted while van Gogh shared the Yellow House with Gauguin in Arles. NG||||||||||0|0|Sunflowers|Gogh, Vincent van 1651.00|0|Creator|15|32|G613-PA|A7911||32 G613 A7911 |The Bedroom|Repository|Repository|The Artist's Bedroom||||||The Bedroom|12121|Gogh, Vincent van||painter|Vincent van Gogh|0||||0|||||Dutch||||||||Holland||||||0||||||||0||||0|Paintings|Painting|Still life|||19|||1888|1888||1888|1888-1888|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||72 x 90 cm||3328|Amsterdam,Rijksmuseum Vincent van Gogh|Amsterdam: V. van Gogh Mus.||Beds; Sleep; Bedrooms||||||||||Cornell|||MNW|7/5/2004 0:00:00||G613|||0||F 482|||||32|PA||||||| |A7911|||||||Work|0||Painted in the Yellow House in Arles. Over the bed hang his portraits of the poet Eugène Boch and the soldier Paul-Eugène Milliet. --Repository website||||||||||0|0|The Bedroom;The Artist's Bedroom|Gogh, Vincent van 1652.00|0|Creator|15|32|G613-PA|S901||32 G613-PA S901 |Self Portrait with Bandaged Ear and Pipe|||||||||Self Portrait with Bandaged Ear and Pipe|12121|Gogh, Vincent van||painter|Vincent van Gogh|0||||0|||||Dutch|French|||||||Holland|France|||||0||||||||0||||0|Paintings|Oil painting|Self portrait|||19|||1889|1889||1889|1889-1889|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||51 x 45 cm||3290|Private Collection|: Private Coll.||Artists; Pipes; Gogh, Vincent van, 1853-1890||||||||||Cornell|||MNW|7/5/2004 0:00:00||G613|||0|||||||32|PA||||||| |S901|||||||Work|0||Painted in Arles, January 1889. Niarchos Collection. Catalog references nos. F529, JH 1658.||||||||||0|0|Self Portrait with Bandaged Ear and Pipe|Gogh, Vincent van 1653.00|0|Creator|15|32|G613-PA|C561||32 G613-PA C561 |The Church in Auvers-sur-Oise, View from the Chevet|Repository|Repository|L'église d'Auvers-sur-Oise, vue du chevet|Repository|Repository||||The Church at Auvers|12121|Gogh, Vincent van||painter|Vincent van Gogh|0||||0|||||Dutch|French|||||||Holland|France|||||0||||||||0||||0|Paintings|Oil painting|Landscape (representation)|||19|||1890|1890||1890|1890-1890|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||94 x 74 cm||2196|Paris,Musee d'Orsay|Paris: Musee d'Orsay||Chapels||||||||||Cornell|||MNW|7/6/2004 0:00:00||G613|||0|||||||32|PA||||||| |C561|||||||Work|0||The church is 13th C., early Gothic with two Romanesque chapels. (Repository website).|||Painted in June 1890.|||||||0|0|The Church in Auvers-sur-Oise, View from the Chevet;L'église d'Auvers-sur-Oise, vue du chevet|Gogh, Vincent van 1654.00|0|Creator|15|32|G613-PA|C953||32 G613-PA C953 |Wheatfield with Crows|Repository|Repository|Crows in a Wheat-field|Assigned|Dict.Art||||Wheatfield with Crows|12121|Gogh, Vincent van||painter|Vincent van Gogh|0||||0|||||Dutch|French|||||||Holland|France|||||0||||||||0||||0|Paintings|Painting|Landscape (representation)|||19|||1890|1890||1890|1890-1890|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||50.5 x 103 cm||3328|Amsterdam,Rijksmuseum Vincent van Gogh|Amsterdam: V. van Gogh Mus.||Birds; Wheat; Agricultural land||||||||||Cornell|||MNW|7/6/2004 0:00:00||G613|||0||F 779|||||32|PA||||||| |C953|||||||Work|0||Painted July 1890.||||||||||0|0|Wheatfield with Crows;Crows in a Wheat-field|Gogh, Vincent van 1655.00|0|Creator|15|35|M433-PA|1905|I617|35 M433-PA 1905 I617|Interior at Collioure|||||||||Interior at Collioure|7665|Matisse, Henri||painter|Henri Matisse|0||||0|||||French|||Fauve|||||France||||||0||||||||0||||0|Paintings|Oil painting||||20|||1905|1905||1905|1905-1905|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||||9316|Ascona, Private Collection|Ascona: Private Coll.||Balconies; Beds; Women; Bedrooms||||||||||Cornell|||MNW|7/6/2004 0:00:00||M433|||0|||||||35|PA||||||1905| |I167|||||||Work|0||||||||||||0|0|Interior at Collioure|Matisse, Henri 1656.00|0|Creator|15|35|M433-PA|1905|O61912|35 M433-PA 1905 O61912|Open Window, Collioure|||||||||Open Window, Collioure|7665|Matisse, Henri||painter|Henri Matisse|0||||0|||||French|||Fauve|||||France||||||0||||||||0||||0|Paintings|Oil painting|Still life|||20|||1905|1905||1905|1905-1905|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||55.2 x 46 cm||3367|Washington DC,National Gallery of Art|Wash, DC: National Gallery||Windows; Ships; Harbors; Flowerpots||||||||||Cornell|||MNW|7/6/2004 0:00:00||M433|||0||1998.74.7|||||35|PA||||||1905| |O61912|||||||Work|0||Exhibited at the Salon d’Automne in October 1905.(Show that inspired label "the fauves").||||||||Mr. and Mrs. John Hay Whitney collection.||0|0|Open Window, Collioure|Matisse, Henri 1657.00|0|Creator|15|35|M433|1905|M4331|35 M433 1905 M4331|Portrait of Madame Matisse. The Green Line|Repository|Repository|Portrait with the Green Stripe|Assigned|Dict.Art||||Portrait of Madame Matisse. The Green Line|7665|Matisse, Henri||artist|Henri Matisse|0||||0|||||French|||Fauve|||||France||||||0||||||||0||||0|Paintings|Oil Painting|Portrait|||20|||1905|1905||1905|1905-1905|||||0||||0|||||Oil & tempera on canvas|oil paint|tempera|canvas|||painting (image-making)|||||40.5 x 32.5 cm||3882|Copenhagen,Statens Museum for Kunst|Copenhagen: Statens Mus. Kunst||Women; Portraits; Matisse, Amélie Noémie Alexandrine Parayre||||||||||Cornell|||MNW|7/12/2004 0:00:00||M433|||0|||||||35|PA||||||1905| |M4331|||||||Work|0||||||||||||0|0|Portrait of Madame Matisse. The Green Line;Portrait with the Green Stripe|Matisse, Henri 1658.00|0|Creator|15|35|M433P|1905|M434|35 M433P 1905 M434|La Femme au chapeau (Woman with the Hat)|Repository|Repository|||||||La Femme au chapeau (Woman with the Hat)|7665|Matisse, Henri||artist|Henri Matisse|0||||0|||||French|||Fauve|||||France||||||0||||||||0||||0|Paintings|Oil Painting|Portrait|||20|||1905|1905||1905|1905-1905|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||80.65 x 59.69 cm||3887|San Francisco,Museum of Modern Art|San Francisco: MoMA||Women; Portraits; Matisse, Amélie Noémie Alexandrine Parayre||||||||||Cornell|||MNW|7/12/2004 0:00:00||M433|||0||91.161|||||35|PA||||||1905| |M434|||||||Work|0||Madame Matisse was the sitter.||||||||Bequest of Elise S. Haas||0|0|La Femme au chapeau (Woman with the Hat)|Matisse, Henri 1659.00|0|Creator|15|32|G723|T445||32 G723 T445 |Third of May 1808|Assigned|Dict.Art|The Third of May, Execution of the Modrilenos||||||Third of May 1808|4707|Goya y Lucientes, Francisco José de||artist|Francisco Goya y Lucientes|0||||0|||||Spanish||||||||Spain||||||0||||||||0||||0|Paintings|Oil Painting||||19|||1814|1814||1814|1814-1814|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||266 x 345 cm||1616|Madrid: Museo del Prado|Madrid: Prado||Napoleon I, Emperor of the French, 1769-1821; Executions; Firearms; Priests; Soldiers||||||||||Cornell||MNW|MNW|7/12/2004 0:00:00|12/11/2005 0:00:00|G723|||0|||||||32|PA||||||| |T445|||||||Work|0||Painted 6 years after the event. (French troops execute Spanish prisoners the night after the Madrid insurrection of May 2, which Goya also painted.) DOA||||||||||0|0|Third of May 1808;The Third of May, Execution of the Modrilenos|Goya y Lucientes, Francisco José de 1660.00|0|Creator|15|32|M275|G968||32 M275 G968 |Spanish Singer|Repository|Repository|Guitarist||||||Spanish Singer|7474|Manet, Éduard||artist|Éduard Manet|0||||0|||||French||||||||France||||||0||||||||0||||0|Paintings|Oil Painting||||19|||1860|1860||1860|1860-1860|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||147.3 x 114.3 cm||3294|New York,Metropolitan Museum of Art|New York: Metropolitan||Musicians; Musical instruments||||||||||Cornell|||MNW|7/12/2004 0:00:00||M275|||0||49.58.2|||||32|PA||||||| |G968|||||||Work|0||Accepted in the biennial Salon of 1861; won honorable mention. DOA||||||||Gift of William Church Osborn, 1949 (49.58.2)||0|0|Spanish Singer;Guitarist|Manet, Éduard 1661.00|0|Creator|15|32|M275P|Z86311||32 M275P Z86311 |Portrait of Emile Zola|||||||||Portrait of Emile Zola|7474|Manet, Éduard||painter|Éduard Manet|0||||0|||||French||||||||France||||||0||||||||0||||0|Paintings|Oil painting|Portrait|||19|||1868|1868||1868|1868-1868|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||||2196|Paris,Musee d'Orsay|Paris: Musee d'Orsay||Portraits; Authors; Zola, Emile, 1840-1902||||||||||Cornell|||MNW|7/22/2004 0:00:00||M275|||0|||||||32|PA||||||| |Z86311|||||||Work|0||||||||||||0|0|Portrait of Emile Zola|Manet, Éduard 1662.00|0|Creator|15|32|M275|B228||32 M275 B228 |La Barque - Monet peignant dans son atelier flottant|Artists|Online Resource|La Barque - Claude Monet and His Wife in His Floating Studio|Translated|Image Source (Book)||||La Barque - Claude Monet and His Wife in His Floating Studio|7474|Manet, Éduard||painter|Éduard Manet|0||||0|||||French||||||||France||||||0||||||||0||||0|Paintings|Oil Painting|Portrait|||19|||1875|1875||1875|1875-1875|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||82 x 100 cm||9311|Munich, Neue Pinakothek|Munich: Neue Pinakothek||Boats; Artists; Landscapes; Painters (artists); Painting (image making); Monet, Claude, 1840-1926||||||||||Cornell||MNW|MNW|7/12/2004 0:00:00|11/27/2006 0:00:00|M275|||0|||||||32|PA||||||| |B228|||||||Work|0||Portrait of Monet working, painted near Argenteuil. Manet was staying at his family property, Gennevilliers. DOA||||||||Acquired 1913.||0|0|La Barque - Monet peignant dans son atelier flottant;La Barque - Claude Monet and His Wife in His Floating Studio|Manet, Éduard 1663.00|0|Creator|15|32|G723|B629k||32 G723 B629k |Witches’ Sabbath|||The Great He-Goat||||||Witches’ Sabbath [Black paintings]|4707|Goya y Lucientes, Francisco José de||painter|Francisco Goya y Lucientes|0||||0|||||Spanish||||||||Spain||||||0|||||Quinta del Sordo, Madrid, Spain|Near||10221||||0|Paintings|Oil Painting||||19|||1819|1823||1819-1823|1819-1823||Black Paintings|Series||1664||||0|||||Mural transferred to canvas|canvas|||||painting (image-making)|||||140 x 438 cm||1616|Madrid: Museo del Prado|Madrid: Prado||Witchcraft; Goats||||||||||Cornell||MNW|MNW|7/13/2004 0:00:00|12/11/2005 0:00:00|G723|||0|||||||32|PA||||||| |B629k|||||||Work|0||One of the 14 "Black Paintings" from the Quinta del Sordo, Goya's house outside of Madrid. DOA||||||||||0|0|Witches’ Sabbath;The Great He-Goat|Goya y Lucientes, Francisco José de 1664.00|0|Creator|15||||||Black Paintings|Series|Dict.Art|||||||Black Paintings|4707|Goya y Lucientes, Francisco José de||artist|Francisco Goya y Lucientes|0||||0|||||Spanish||||||||Spain||||||0||||0|Quinta del Sordo, Madrid, Spain|Near||10221||||0|Paintings|Oil Painting|Mural painting|||19|||1820|1823||1820-1823|1820-1823|||||0||||0|||||murals transferred to canvas|canvas|||||painting (image-making)|mural painting||||||1616|Madrid: Museo del Prado|Madrid: Prado||||||||||||Cornell||SJW|MNW|12/11/2005 0:00:00|6/1/2004 0:00:00||||0||||||||||||||| ||||||||Work|0||14 paintings from the Quinta del Sordo, Goya's house outside of Madrid. Orginally murals in 2 rooms, they were transferred to canvas and restored in the 1870's. DOA||||||||House given to grandson, Mariano Goya y Goicoechea (1806–74).||0|0|Black Paintings|Goya y Lucientes, Francisco José de 1665.00|0|Creator|15|32|G723|B629L1||32 G723 B629L1 |Saturn Devouring One of His Sons|Repository|Repository|Saturn|Assigned|Dict.Art||||Saturn Devouring One of His Sons [Black Paintings]|4707|Goya y Lucientes, Francisco José de||artist|Francisco Goya y Lucientes|0||||0|||||Spanish||||||||Spain||||||0|||||Quinta del Sordo, Madrid, Spain|Near||10221||||0|Paintings|Oil Painting|Mural painting|||19|||1820|1823||1820-1823|1820-1823||Black Paintings|||1664||||0|||||mural transferred to canvas|canvas|||||painting (image-making)|mural painting||||146 x 83 cm||1616|Madrid: Museo del Prado|Madrid: Prado||Saturn; Cannibalism; Time; Allegory||||||||||Cornell||MNW|MNW|7/13/2004 0:00:00|12/11/2005 0:00:00|G723|||0|||||||32|PA||||||| |B629L1|||||||Work|0||One of the 14 paintings ('black paintings') from the Quinta del Sordo, Goya's house outside of Madrid. DOA||||||||||0|0|Saturn Devouring One of His Sons;Saturn|Goya y Lucientes, Francisco José de 1667.00|0|Creator|15|E-15|ManetE|1||E-15 ManetE 1 |Déjeuner sur lherbe|Artists|Dict.Art|Luncheon on the Grass|Translated|Cataloger||||Déjeuner sur lherbe (Luncheon on the Grass)|7474|Manet, Éduard||artist|Éduard Manet|0||||0|||||French||||||||France||||||0||||||||0||||0|Paintings|Oil Painting||||19|||1863|1863||1863|1863-1863|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||208 x 249.6 cm||2196|Paris,Musee d'Orsay|Paris: Musee d'Orsay||Nudes; Landscapes; Bathing; Dinners and dining; Picnicking; Female nudes||||||||||Cornell|||MNW|7/13/2004 0:00:00||ManetE|||0|||||||E|||15||||| ||||||||Work|0||Submitted and refused from the Salon of 1863. Shown in the "Salon des refusés". DOA||||||||||0|0|Déjeuner sur lherbe;Luncheon on the Grass|Manet, Éduard 1668.00|0|Creator|15|E-15|Manet|17||E-15 Manet 17 |Bar at the Folies-Bergère|Assigned|Dict.Art|||||||Bar at the Folies-Bergère|7474|Manet, Éduard||artist|Éduard Manet|0||||0|||||French||||||||France||||||0||||||||0||||0|Paintings|Oil Painting||||19|||1881|1882||1881-1882|1881-1882|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||96 x 130 cm||3500|London,University of London,Courtauld Institute Galleries|London: Univ.; Courtauld Inst. Gal.||Mirrors; Fruit; Wine; Bars (commercial buildings)||||||||||Cornell|||MNW|7/13/2004 0:00:00||Manet|||0|||||||E|||15||||| ||||||||Work|0||Last major work; exhibited Salon of 1882. DOA||||||||||0|0|Bar at the Folies-Bergère|Manet, Éduard 1670.00|0|Creator|15||||||Déjeuner sur lherbe|Assigned|Dict.Art|Luncheon on the Grass|Translated|Cataloger||||Déjeuner sur lherbe (Luncheon on the Grass)|8110|Monet, Claude||artist|Claude Monet|0||||0|||||French||||||||France||||||0||||||||0||||0|Paintings|Oil Painting||||19|||1865|1866|ca|ca 1865-1866|ca 1865-1866|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||||2196|Paris,Musee d'Orsay|Paris: Musee d'Orsay||Landscapes ; Dinners and dining ; Picnicking ; |Landscapes|Dinners and dining|Picnicking|||||||Cornell||MNW|MNW|7/13/2004 0:00:00|6/6/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||Planned to be c. 4.5× 6.0 m large (figures life-size)--two fragments of the final painting (both Paris, Mus. d’Orsay) and a large (1.30×1.81 m) final sketch (Moscow, Pushkin Mus. F.A.) remain. DOA||||||||||0|0|Déjeuner sur lherbe;Luncheon on the Grass|Monet, Claude 1671.00|0|Creator|15|32|M743|1865|L9622|32 M743 1865 L9622|Déjeuner sur lherbe [Center fragment]|Descriptive|Cataloger|Luncheon on the Grass [Center fragment]|Translated|Cataloger||||Déjeuner sur lherbe. Déjeuner sur lherbe [Center fragment]|8110|Monet, Claude||painter|Claude Monet|0||||0|||||French||||||||France||||||0||||0||||0||||0|Paintings|Oil Painting||||19|||1865|1866|ca|ca 1865-1866|ca 1865-1866||Déjeuner sur lherbe|LargerEntity||1670||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||||2196|Paris,Musee d'Orsay|Paris: Musee d'Orsay||Landscapes; Dinners and dining||||||||||Cornell||SJW|MNW|3/29/2006 0:00:00|6/2/2004 0:00:00|M743|||0|||||||32|PA||||||1865| |L9622|||||||Work|0||Planned to be c. 4.5× 6.0 m large (figures life-size)--two fragments of the final painting (both Paris, Mus. d’Orsay) and a large (1.30×1.81 m) final sketch (Moscow, Pushkin Mus. F.A.) remain. DOA This is the center fragment.||||||||||0|0|Déjeuner sur lherbe [Center fragment];Luncheon on the Grass [Center fragment]|Monet, Claude 1672.00|0|Creator|15|32|M743|1869|G827|32 M743 1869 G827|Bathers at La Grenouillère|Repository|Repository|||||||Bathers at La Grenouillère|8110|Monet, Claude||painter|Claude Monet|0||||0|||||French|||Impressionist|||||France||||||0||||0||||0||||0|Paintings|Oil Painting||||19|||1869|1869||1869|1869-1869|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||73 x 92 cm||3357|London,National Gallery|London: National Gallery||Landscapes; Boats; Bathing||||||||||Cornell|||MNW|7/13/2004 0:00:00||M743|||0||NG6456|||||32|PA||||||1869| |G827|||||||Work|0||||||||||||0|0|Bathers at La Grenouillère|Monet, Claude 1673.00|0|Creator|15|32|M743|1873|I349|32 M743 1873 I349|Impression, Soleil levant|Repository|Repository|Impression, Sunrise|Translated|Cataloger|Impression, Sunrise (Port of Le Havre in Fog)|Descriptive|Cataloger|Impression, Sunrise (Port of Le Havre in Fog)|8110|Monet, Claude||painter|Claude Monet|0||||0|||||French|||Impressionist|||||France||||||0||||0||||0||||0|Paintings|Oil Painting||||19|||1873|1873||1873|1873-1873|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||48 x 63 cm||3287|Paris,Musee Marmottan|Paris: Mus. Marmottan||Boats; Dawn||||||||||Cornell||MNW|MNW|7/13/2004 0:00:00|11/27/2006 0:00:00|M743|||0|||||||32|PA||||||1873| |I349|||||||Work|0||Exhibited at the first show of the Société Anonyme, Paris, April, 1874. DOA|||Signed 72; dated by repository and Grove Dictionary of Art as 1873.|||||||0|0|Impression, Soleil levant;Impression, Sunrise;Impression, Sunrise (Port of Le Havre in Fog)|Monet, Claude 1674.00|0|Creator|15|32|M743|1873|B763|32 M743 1873 B763|Boulevard des Capucines|||||||||Boulevard des Capucines|8110|Monet, Claude||painter|Claude Monet|0||||0|||||French|||Impressionist|||||France||||||0||||||||0||||0|Paintings|Oil Painting||||19|||1873|1874||1873-1874|1873-1874|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||79.4 x 59.1 cm||3395|Kansas City,Nelson-Atkins Museum of Art|Kansas City: Nelson-Atkins||Carriages; Cityscapes||||||||||Cornell|||MNW|7/13/2004 0:00:00||M743|||0||F72-35|||||32|PA||||||1973| |B763|||||||Work|0||Exhibited at the first show of the Société Anonyme, Paris, April, 1874. DOA||||||||||0|0|Boulevard des Capucines|Monet, Claude 1681.00|0|Creator|15|32|M743|1920|W330|32 M743 1920 W330|Water Lilies|Repository|Repository|||||||Water Lilies|8110|Monet, Claude||painter|Claude Monet|0||||0|||||French|||Impressionist|||||France||||||0||||||||0||||0|Paintings|Oil Painting|Triptych|||20|||1920|1920|ca|ca 1920|ca 1920-1920|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||200 x 425 cm (each panel)||3384|New York,Museum of Modern Art|New York: MoMA||Flowers; Fish ponds; Landscapes; Gardens||||||||||Cornell|||MNW|7/13/2004 0:00:00||M743|||0|||||||32|PA||||||1920| |W330|||||||Work|0||This triptych was in Monet's studio when he died and remained there until 1947; his son then sold them to a dealer and they were sold to MoMA in 1958.|http://www.moma.org/collection/conservation/unveiling_monet.html|||||||||0|0|Water Lilies|Monet, Claude 1684.00|0|Creator|15|32|M743|1877|S7991|32 M743 1877 S7991|La gare Saint-Lazare|Repository|Repository|The Saint-Lazare Station|Translated|Cataloger||||La gare Saint-Lazare (The Saint-Lazare Station)|8110|Monet, Claude||artist|Claude Monet|0||||0|||||French|||Impressionist|||||France||||||0||||0||||0||||0|Paintings|Oil Painting||||19|||1877|1877||1877|1877-1877|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||75.5 x 104 cm||2196|Paris,Musee d'Orsay|Paris: Musee d'Orsay||Railroad stations; Railroads||||||||||Cornell||SJW|MNW|7/13/2004 0:00:00|6/2/2004 0:00:00|M743|||0|||||||32|PA||||||1877| |S7991|||||||Work|0||||||||||Gustave Caillebotte bequest, 1894||0|0|La gare Saint-Lazare;The Saint-Lazare Station|Monet, Claude 1685.00|0|Creator|15|35|D614-SC|1973|1|35 D614-SC 1973 1|Mon Père, Mon Père|Artists|Image Source (Book)|||||||Mon Père, Mon Père|3123|Di Suvero, Mark||sculptor|Mark Di Suvero|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Sculpture|||||20|||1973|1975||1973-1975|1973-1975|||||0||||0|||||Steel|steel|||||welding|||||10.7 x 12.2 x 12.2 M||3531|Mountainville NY, Storm King Art Center|Mountainville, NY: Storm King Art Ctr.||||||||||||Cornell||MNW|MNW|6/3/2004 0:00:00|6/3/2004 0:00:00|D614|||0|||||||35|SC||||||1973| ||||||||Work|0||||||||||||0|0|Mon Père, Mon Père|Di Suvero, Mark 1686.00|0|Creator|15|35|D614-SC|1965|2b-2|35 D614-SC 1965 2b-2|Pre-Columbian|Artists|Image Source (Book)|||||||Pre-Columbian|3123|Di Suvero, Mark||sculptor|Mark Di Suvero|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Sculpture|||||20|||1965|1965||1965|1965-1965|||||0||||0|||||Red painted steel, rubber, wood|steel|rubber (material)|wood||||||||244 x 427 x 305 cm||3531|Mountainville NY, Storm King Art Center|Mountainville, NY: Storm King Art Ctr.||||||||||||Cornell||MNW|MNW|6/3/2004 0:00:00|6/3/2004 0:00:00|D614|||0|||||||35|SC||||||1965| ||||||||Work|0||||||||||||0|0|Pre-Columbian|Di Suvero, Mark 1687.00|0|Creator|15|35|D614-SC|1992|1|35 D614-SC 1992 1|Oaxaca|Artists|Image Source (Book)|||||||Oaxaca|3123|Di Suvero, Mark||sculptor|Mark Di Suvero|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Sculpture|||||20|||1992|1992||1992|1992-1992|||||0||||0|||||Welded steel|steel|||||welding|||||450 x 500 x 210 cm||3531|Mountainville NY, Storm King Art Center|Mountainville, NY: Storm King Art Ctr.||||||||||||Cornell||MNW|MNW|6/3/2004 0:00:00|6/3/2004 0:00:00|D614|||0|||||||35|SC||||||1992| ||||||||Work|0||||||||||||0|0|Oaxaca|Di Suvero, Mark 1688.00|0|Creator|15|35|D614-SC|1978|2|35 D614-SC 1978 2|Atman|Artists|Image Source (Book)|||||||Atman|3123|Di Suvero, Mark||sculptor|Mark Di Suvero|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Sculpture|||||20|||1978|1979||1978-1979|1978-1979|||||0||||0|||||Welded steel|steel|||||welding|||||11.4 x 10.9 x 10.9 M||3531|Mountainville NY, Storm King Art Center|Mountainville, NY: Storm King Art Ctr.||||||||||||Cornell||MNW|MNW|6/3/2004 0:00:00|6/3/2004 0:00:00|D614|||0|||||||35|SC||||||1978| ||||||||Work|0||||||||||||0|0|Atman|Di Suvero, Mark 1689.00|0|Creator|15|35|D614-SC|1976|1|35 D614-SC 1976 1|Bygones|Artists|Image Source (Book)|||||||Bygones|3123|Di Suvero, Mark||sculptor|Mark Di Suvero|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Sculpture|||||20|||1976|1976||1976|1976-1976|||||0||||0|||||Welded steel|steel|||||welding|||||7.3 x 9.6 x 3.7 M||3531|Mountainville NY, Storm King Art Center|Mountainville, NY: Storm King Art Ctr.||||||||||||Cornell||MNW|MNW|6/3/2004 0:00:00|6/3/2004 0:00:00|D614|||0|||||||35|SC||||||1976| ||||||||Work|0||||||||||||0|0|Bygones|Di Suvero, Mark 1690.00|0|Creator|15|35|D614-SC|1967|3|35 D614-SC 1967 3|Ik Ook|Artists|Image Source (Book)|||||||Ik Ook|3123|Di Suvero, Mark||sculptor|Mark Di Suvero|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Sculpture|||||20|||1967|1968||1967-1968|1967-1968|||||0||||0|||||Welded steel|steel|||||welding|||||7.3 x 7.3 x 10 M||3531|Mountainville NY, Storm King Art Center|Mountainville, NY: Storm King Art Ctr.||||||||||||Cornell||MNW|MNW|6/4/2004 0:00:00|6/3/2004 0:00:00|D614|||0|||||||35|SC||||||1967| ||||||||Work|0||||||||||||0|0|Ik Ook|Di Suvero, Mark 1691.00|0|Creator|15|35|D614-SC|1981|1|35 D614-SC 1981 1|Arikidea|Artists|Image Source (Book)|||||||Arikidea|3123|Di Suvero, Mark||sculptor|Mark Di Suvero|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Sculpture|||||20|||1981|1982||1981-1982|1981-1982|||||0||||0|||||Welded steel|steel|||||welding|||||8.4 x 13.3 x 11.4 M||3531|Mountainville NY, Storm King Art Center|Mountainville, NY: Storm King Art Ctr.||||||||||||Cornell||MNW|MNW|6/3/2004 0:00:00|6/3/2004 0:00:00|D614|||0|||||||35|SC||||||1981| ||||||||Work|0||||||||||||0|0|Arikidea|Di Suvero, Mark 1692.00|0|Creator|15|35|D614-SC|1967|2-2|35 D614-SC 1967 2-2|Are Years What? (for Marianne Moore)|Artists|Image Source (Book)|||||||Are Years What? (for Marianne Moore)|3123|Di Suvero, Mark||sculptor|Mark Di Suvero|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Sculpture|||||20|||1967|1967||1967|1967-1967|||||0||||0|||||Welded steel|steel|||||welding|||||12.2 x 12.2 x 9.1 M||3531|Mountainville NY, Storm King Art Center|Mountainville, NY: Storm King Art Ctr.||||||||||||Cornell||MNW|MNW|6/3/2004 0:00:00|6/3/2004 0:00:00|D614|||0|||||||35|SC||||||1967| ||||||||Work|0||||||||||||0|0|Are Years What? (for Marianne Moore)|Di Suvero, Mark 1711.00|0|Creator|15|32|G613|C733||32 G613 C733 |Congregation Leaving the Reformed Church in Nuenen|Repository|Repository|||||||Congregation Leaving the Reformed Church in Nuenen|12121|Gogh, Vincent van||painter|Vincent van Gogh|0||||0|||||Dutch||||||||Holland||||||0||||||||0||||0|Paintings|Oil painting|Figures (representations)|Landscape (representation)||19|||1884|1885||1884-1885|1884-1885|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||41 x 32 cm||3328|Amsterdam,Rijksmuseum Vincent van Gogh|Amsterdam: V. van Gogh Mus.||Landscapes; Figures (representations); Churches||||||||||Cornell|||MNW|7/16/2004 0:00:00||G613|||0||F 25|||||32|PA||||||| |C733|||||||Work|0||The church is the one where van Gogh's father became pastor in 1882. (Repository notes)||||||||||0|0|Congregation Leaving the Reformed Church in Nuenen|Gogh, Vincent van 1712.00|0|Creator|15|32|G613|P8591||32 G613 P8591 |The Potato Eaters|||||||||The Potato Eaters|12121|Gogh, Vincent van||painter|Vincent van Gogh|0||||0|||||Dutch||||||||Holland||||||0||||||||0||||0|Paintings|Oil Painting|Figures (representations)|||19|||1885|1885||1885|1885-1885|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||82 x 114 cm||3328|Amsterdam,Rijksmuseum Vincent van Gogh|Amsterdam: V. van Gogh Mus.||Dinners and dining; Interior views||||||||||Cornell|||MNW|7/16/2004 0:00:00||G613|||0||F 82|||||32|PA||||||| |P8591|||||||Work|0||||||||||||0|0|The Potato Eaters|Gogh, Vincent van 1713.00|0|Creator|15|35|K162-PA|1911|10|35 K162-PA 1911 10|Impression V (Park)|||Impression V (Parc)|Repository|Repository||||Impression V (Park)|6117|Kandinsky, Wassily||painter|Wassily Kandinsky|0||||0|||||German|Russian||Modern|||||Germany|Russia|||||0||||0||||0||||0|Paintings|Oil painting||||20|||1911|1911||1911|1911-1911|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||106 x 157 cm||2188|Paris, Centre Georges Pompidou|Paris: Centre Georges Pompidou||Parks||||||||||Cornell|||MNW|7/16/2004 0:00:00||K162|||0||AM 1976-851|||||35|PA||||||1911| ||||||||Work|0||Part of a series of abstractions painted in 1911 entitled Impressions, and then numbered. DOA||||||||Donation Nina Kandinsky, 1976||0|0|Impression V (Park);Impression V (Parc)|Kandinsky, Wassily 1714.00|0|Creator|15|35|K162-PA|1913|4|35 K162-PA 1913 4|Improvisation 30 (Cannons)|Repository|Repository|||||||Improvisation 30 (Cannons)|6117|Kandinsky, Wassily||painter|Wassily Kandinsky|0||||0|||||German|Russian||Modern|||||Germany|Russia|||||0||||||||0||||0|Paintings|Oil painting||||20|||1913|1913||1913|1913-1913|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||109.2 x 109.9 cm||4073|Chicago,Art Institute of Chicago|Chicago: Art Institute||Cannons; Wars||||||||||Cornell|||MNW|7/16/2004 0:00:00||K162|||0||1931.511|||||35|PA||||||1913| ||||||||Work|0||||||||||||0|0|Improvisation 30 (Cannons)|Kandinsky, Wassily 1715.00|0|Creator|15|35|K162-PA|1910|13|35 K162-PA 1910 13|Sketch for Composition II|Repository|Repository|Skizze für Komposition II|Repository|Repository||||Sketch for Composition II|6117|Kandinsky, Wassily||painter|Wassily Kandinsky|0||||0|||||German|Russian||Modern|||||Germany|Russia|||||0||||0||||0||||0|Paintings|Oil Painting||||20|||1909|1910||1909-1910|1909-1910|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||97.5 x 130.8 cm||1987|New York,Solomon R.Guggenheim Museum|New York: Guggenheim Mus.||Horses; Equestrians||||||||||Cornell|||MNW|7/16/2004 0:00:00||K162|||0||45.961|||||35|PA||||||1910| ||||||||Work|0||An abstraction that contains the motif of horse and rider.||||||||||0|0|Sketch for Composition II;Skizze für Komposition II|Kandinsky, Wassily 1716.00|0|Creator|15||||||Der Blaue Reiter Almanach|||||||||Der Blaue Reiter Almanach|6117|Kandinsky, Wassily||author|Wassily Kandinsky|7508|Marc, Franz||author|0|||||German|||Modern|||||Germany||||||0||||||||0||||0|Book Arts|Illustration|Book|||20|||1911|1912||1911-1912|1911-1912|||||0||||0|||||Ink on paper|ink|paper||||printing|||||||3655|Paris,Bibliotheque Nationale|Paris: Bib. Nat.||Artists; Arts; Theater (discipline)||||||||||Cornell|||MNW|7/16/2004 0:00:00||K162|||0|||||||35|||||||| ||||||||Work|0||Published in Munich, Spring 1912. Contained illustrations, essays and a libretto (for Der gelbe Klang) by Kandinsky, as well as others' contributions. DOA||||||||||0|0|Der Blaue Reiter Almanach|Kandinsky, Wassily;Marc, Franz 1717.00|0|Creator|15|35|K162-G|1911|4|35 K162-G 1911 4|Der Blaue Reiter Almanach (Cover)|||||||||Der Blaue Reiter Almanach (Cover)|6117|Kandinsky, Wassily||painter|Wassily Kandinsky|0||||0|||||German|||Modern|||||Germany||||||0||||0||||0||||0|Book Arts|Illustration|Book|Woodcut||20|||1911|1912||1911-1912|1911-1912||Der Blaue Reiter Almanach|||1716||||0|||||Ink on paper|ink|paper||||printmaking|woodcut (process)||||||3655|Paris,Bibliotheque Nationale|Paris: Bib. Nat.||Horses; Equestrians||||||||||Cornell||SJW|CLL|8/3/2004 0:00:00|6/8/2004 0:00:00|K162|||0|||||||35|G||||||1911| |4|||||||Work|0||Published in Munich, Spring 1912. Contained illustrations, essays and a libretto (for Der gelbe Klang) by Kandinsky, as well as others' contributions. DOA||||||||||0|0|Der Blaue Reiter Almanach (Cover)|Kandinsky, Wassily 1718.00|0|Creator|15|35|K162-PA|1913|6|35 K162-PA 1913 6|Study for Composition VII|Descriptive|Cataloger|Study for Composition 7|Descriptive|Cataloger||||Composition VII. Study for Composition VII|6117|Kandinsky, Wassily||painter|Wassily Kandinsky|0||||0|||||German|Russian||Modern|||||Germany|Russia|||||0||||0||||0||||0|Paintings|Painting||||20|||1913|1913||1913|1913-1913||Composition VII|LargerEntity||1719||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||78 x 100 cm||3290|Private Collection|: Private Coll.||||||||||||Cornell||MNW|MNW|7/16/2004 0:00:00|3/29/2006 0:00:00|K162|||0|||||||35|PA||||||1913| ||||||||Work|0||More than thirty preliminary drawings, watercolors, and oil studies were done for Composition VII, now in the Tretyakov Gallery in Moscow. (Albright-Knox site)||||||||||0|0|Study for Composition VII;Study for Composition 7|Kandinsky, Wassily 1719.00|0|Creator|15||||||Composition VII|Translated|Dict.Art|||||||Composition VII|6117|Kandinsky, Wassily||painter|Wassily Kandinsky|0||||0|||||German|Russian||Modern|||||Germany|Russia|||||0||||0||||0||||0|Paintings|Oil Painting||||20|||1913|1913||1913|1913-1913|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||||1777|Moscow,Tret'yakov Gallery(Gosudarstvennaja Tret'jakovskaja Gal.)|Moscow: Tret'yakov Gal.||||||||||||Cornell||SJW|MNW|7/16/2004 0:00:00|6/8/2004 0:00:00|K162|||0||||||||||||||| ||||||||Work|0||More than thirty preliminary drawings, watercolors, and oil studies were done for Composition VII, now in the Tretyakov Gallery in Moscow. (Albright-Knox site)||||||||||0|0|Composition VII|Kandinsky, Wassily 1720.00|0|Creator|15|35|K162-PA|1913|10|35 K162-PA 1913 10|Fragment 2 For Composition VII|Repository|Repository|||||||Fragment 2 For Composition VII|6117|Kandinsky, Wassily||painter|Wassily Kandinsky|0||||0|||||German|Russian||Modern|||||Germany|Russia|||||0||||||||0||||0|Paintings|Oil Painting||||20|||1913|1913||1913|1913-1913||Composition VII|||1719||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||87.63 x 99.69 cm||3339|Buffalo,Albright-Knox Art Gallery|Buffalo: Albright-Knox||||||||||||Cornell|||MNW|7/16/2004 0:00:00||K162|||0||RCA1947:1|||||35|PA||||||1913| ||||||||Work|0||More than thirty preliminary drawings, watercolors, and oil studies were done for Composition VII, now in the Tretyakov Gallery in Moscow. (Albright-Knox site)||||||||||0|0|Fragment 2 For Composition VII|Kandinsky, Wassily 1721.00|0|Creator|15|35|C9754-PA|1933|1|35 C9754-PA 1933 1|Kansas Cornfield|Repository|Repository|||||||Kansas Cornfield|2777|Curry, John Steuart||artist|John Steuart Curry|0||||0|||||American||||||||United States||||||0||||||||0||||0|Paintings|Oil Painting||||20|||1933|1933||1933|1933-1933|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||152.4 x 97.8 cm||3862|Wichita,Wichita Art Museum|Wichita: Art Mus.||Plants; Corn; Farming||||||||||Cornell|||MNW|7/16/2004 0:00:00||C9754|||0||M1.39|||||35|PA||||||1933| ||||||||Work|0||||||||||Roland P. Murdock Collection||0|0|Kansas Cornfield|Curry, John Steuart 1722.00|0|Creator|15|35|D389-PA|1928|2|35 D389-PA 1928 2|The Figure 5 in Gold|Repository|Repository|I Saw the Figure Five in Gold (Homage to William Carlos Williams)|Artists|Dict.Art||||I Saw the Figure 5 in Gold|3071|Demuth, Charles||painter|Charles Demuth|0||||0|||||American||||||||United States||||||0||||||||0||||0|Paintings|Oil painting||||20|||1928|1928||1928|1928-1928|||||0||||0|||||Oil on cardboard|oil paint|cardboard||||painting (image-making)|||||90.2 x 76.2 cm||3294|New York,Metropolitan Museum of Art|New York: Metropolitan||Poetry; Williams, William Carlos, 1883-1963||||||||||Cornell|||MNW|7/19/2004 0:00:00||D389|||0||49.59.1|||||35|PA||||||1928| ||||||||Work|0||One of a series of eight abstract portraits of friends, inspired by Gertrude Stein's word-portraits, that Demuth made between 1924 and 1929. This is of William Carlos Williams and refers to the poem "The Great Figure". (Met website)||||||||Alfred Stieglitz Collection||0|0|The Figure 5 in Gold;I Saw the Figure Five in Gold (Homage to William Carlos Williams)|Demuth, Charles 1723.00|0|Creator|15|32|G724-PA|1797|1|32 G724-PA 1797 1|The Witches' Sabbath|Assigned|Dict.Art|||||||The Witches' Sabbath|4707|Goya y Lucientes, Francisco José de||artist|Francisco Goya y Lucientes|0||||0|||||Spanish||||||||Spain||||||0||||||||0||||0|Paintings|Oil Painting||||18|||1797|1798|ca|ca 1797-1798|ca 1797-1798|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||43.3 x 30.5 cm||1612|Madrid,Museo Lazaro Galdiano|Madrid: Mus. Lazaro Gald.||Witchcraft; Goats||||||||||Cornell|||MNW|7/19/2004 0:00:00||G724|||0|||||||32|PA||||||1797| ||||||||Work|0||One of 6 paintings for the Duquesa de Osuna to decorate the Alameda of Osuna, near Madrid. DOA||||||||||0|0|The Witches' Sabbath|Goya y Lucientes, Francisco José de 1724.00|0|Creator|15|35|P586|1903|O44012|35 P586 1903 O44012|The Old Guitarist|Repository|Repository|||||||The Old Guitarist|9196|Picasso, Pablo||painter|Pablo Picasso|0||||0|||||Spanish||||||||Spain||||||0||||||||0||||0|Paintings|Oil Painting||||20|||1903|1903||1903|1903-1903|||||0||||0|||||Oil on panel|oil paint|panel||||painting (image-making)|||||122.9 x 82.6 cm||4073|Chicago,Art Institute of Chicago|Chicago: Art Institute||Musicians; Musical instruments||||||||||Cornell|||MNW|7/19/2004 0:00:00||P586|||0||1926.253|||||35|||||||1903| |O44012|||||||Work|0||A "Blue Period" (1901-1904) work. DOA||||||||||0|0|The Old Guitarist|Picasso, Pablo 1725.00|0|Creator|15|35|P586|1905|F198|35 P586-PA 1905 F198|Family of Saltimbanques|Artists|Image Source (Book)|||||||Family of Saltimbanques|9196|Picasso, Pablo||painter|Pablo Picasso|0||||0|||||Spanish|French|||||||Spain|France|||||0||||||||0||||0|Paintings|Oil Painting||||20|||1905|1905||1905|1905-1905|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||212.8 x 229.6 cm||3367|Washington DC,National Gallery of Art|Wash, DC: National Gallery||Circuses (performances); Harlequin||||||||||Cornell|||MNW|7/19/2004 0:00:00||P586|||0||1963.10.190|||||35|PA||||||1905| |F198|||||||Work|0||A "Rose Period" (1904-1905) work. (DOA) A saltimbanque is an itinerant circus performer. Picasso frequented the Cirque Médrano, near his studio in Montmartre. (NGA)||||||||||0|0|Family of Saltimbanques|Picasso, Pablo 1726.00|0|Creator|15|35|P586|1910|G5131|35 P586 1910 G5131|Girl with a Mandolin (Fanny Tellier)|Repository|Repository|||||||Girl with a Mandolin (Fanny Tellier)|9196|Picasso, Pablo||painter|Pablo Picasso|0||||0|||||French|Spanish||Analytical Cubist|||||France|Spain|||||0||||0||||0||||0|Paintings|Oil Painting|Portrait|||20|||1910|1910||1910|1910-1910|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||100.3 x 73.6 cm||3384|New York,Museum of Modern Art|New York: MoMA||Musical instruments; Musicians; Portraits; Women||||||||||Cornell|||MNW|7/19/2004 0:00:00||P586|||0||966.79|||||35|PA||||||1910| |G5131|||||||Work|0||Painted in Paris, spring 1910.||||||||||0|0|Girl with a Mandolin (Fanny Tellier)|Picasso, Pablo 1727.00|0|Creator|15|35|P586|1911|M111|35 P586 1911 M111|Ma Jolie|Artists|Repository|Woman with Guitar (‘Ma Jolie’)|Assigned|Dict.Art||||Ma Jolie|9196|Picasso, Pablo||painter|Pablo Picasso|0||||0|||||French|Spanish||Analytical Cubist|||||France|Spain|||||0||||||||0||||0|Paintings|Oil Painting||||20|||1911|1912||1911-1912|1911-1912|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||100 x 65.4 cm||3384|New York,Museum of Modern Art|New York: MoMA||Women; Musicians; Musical instruments||||||||||Cornell|||MNW|7/19/2004 0:00:00||P586|||0||176.45|||||35|PA||||||1911| |M111|||||||Work|0||Painted during winter of 1911–12. (MoMA)||||||||||0|0|Ma Jolie;Woman with Guitar (‘Ma Jolie’)|Picasso, Pablo 1728.00|0|Creator|15|35|P586|1912|S854|35 P586 1912 S854|Still-life with Chair-caning|Assigned|Dict.Art|Nature-morte à la chaise cannée|Repository|Repository||||Still-life with Chair-caning|9196|Picasso, Pablo||painter|Pablo Picasso|0||||0|||||French|Spanish||Cubist|||||France|Spain|||||0||||||||0||||0|Paintings|Oil Painting|Collage|||20|||1912|1912||1912|1912-1912|||||0||||0|||||Oil paint, printed oil-cloth, rope|oil paint|rope||||painting (image-making)|collage||||29 x 37 cm||3492|Paris,Musee Picasso|Paris: Musee Picasso||Still lifes ; |Still lifes|||||||||Cornell||JNK|MNW|7/19/2004 0:00:00|4/19/2006 0:00:00|P586|||0|||||||35|PA||||||1912| |S854|||||||Work|0||Done in May 1912. The collaged oil-cloth is printed with an illusionistic chair-caning pattern (was a common table covering used in kitchens). DOA||||||||||0|0|Still-life with Chair-caning;Nature-morte à la chaise cannée|Picasso, Pablo 1729.00|0|Creator|15|35|P586|1913|C2661|35 P586 1913 C2661|Card Player|||||||||Card Player|9196|Picasso, Pablo||painter|Pablo Picasso|0||||0|||||French|Spanish||Cubist|||||France|Spain|||||0||||||||0||||0|Paintings|Painting||||20|||1913|1914||1913-1914|1913-1914|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||108 x 89.5 cm||3384|New York,Museum of Modern Art|New York: MoMA||Cards; Figures (representations)||||||||||Cornell|||MNW|7/19/2004 0:00:00||P586|||0||177.45|||||35|PA||||||1913| |C2661|||||||Work|0||Painted in the winter of 1913-1914. Has elements of both Analytical and Synthetic Cubism. DOA||||||||||0|0|Card Player|Picasso, Pablo 1730.00|0|Creator|15|35|P586|1932|G5151|35 P586 1932 G5151|Girl Before a Mirror|Translated|Repository|Femme au miroir|Repository|Repository||||Girl Before a Mirror [Femme au miroir]|9196|Picasso, Pablo||painter|Pablo Picasso|0||||0|||||French|Spanish||Modern|||||France|Spain|||||0||||||||0||||0|Paintings|Oil ainting||||20|||1932|1932||1932|1932-1932|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||162.3 x 130.2 cm||3384|New York,Museum of Modern Art|New York: MoMA||Women; Mirrors||||||||||Cornell|||MNW|7/19/2004 0:00:00||P586|||0||2.38|||||35|PA||||||1932| |G5151|||||||Work|0|||||Painted March 1932.|||||Gift of Mrs. Simon Guggenheim, 1938||0|0|Girl Before a Mirror;Femme au miroir|Picasso, Pablo 1731.00|0|Creator|15|35|M741|1911|T7871|35 M741 1911 T7871|Study of a Tree|||||||||Study of a Tree|8108|Mondrian, Piet||painter|Piet Mondrian|0||||0|||||Dutch|||Neo-plasticism|||||Holland||||||0||||||||0||||0|Paintings|Oil Painting||||20|||1911|1912|ca|ca 1911-1912|ca 1911-1912|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||98 x 78 cm||98|Amsterdam,Stedelijk Museum[Municipal Museum]|Amsterdam: Stedelijk Mus.||Trees||||||||||Cornell|||MNW|8/5/2004 0:00:00||M741|||0|||||||35|PA||||||1911| |T7871|||||||Work|0|||||Date from general span of his series of trees.|||||||0|0|Study of a Tree|Mondrian, Piet 1732.00|0|Creator|15|35|M741|1922|S7731|35 M741 1922 S7731|Composition No. III|Repository|Repository|||||||Composition No. III|8108|Mondrian, Piet||painter|Piet Mondrian|0||||0|||||Dutch|||Neo-plasticism|||||Holland||||||0||||||||0||||0|Paintings|Oil Painting||||20|||1921|1925||1921-1925|1921-1925|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||49 x 49 cm||3303|Washington DC,Phillips Collection|Wash, DC: Phillips Coll.||||||||||||Cornell|||MNW|7/19/2004 0:00:00||M741|||0|||||||35|PA||||||1922| |S7731|||||||Work|0||||||||||||0|0|Composition No. III|Mondrian, Piet 1733.00|0|Creator|15|35|M741|1941|N568|35 M741 1941 N568|New York City I|Repository|Repository|||||||New York City I|8108|Mondrian, Piet||painter|Piet Mondrian|0||||0|||||American|Dutch||Neo-plasticism|||||United States|Holland|||||0||||||||0||||0|Paintings|Oil Painting||||20|||1941|1942||1941-1942|1941-1942|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||119.3 x 114.2 cm||2188|Paris, Centre Georges Pompidou|Paris: Centre Georges Pompidou||New York, NY; Cityscapes||||||||||Cornell|||MNW|7/19/2004 0:00:00||M741|||0||AM 1984-352 AM 1984-352|||||35|PA||||||1941| |N568|||||||Work|0||||||||||||0|0|New York City I|Mondrian, Piet 1734.00|0|Creator|15|35|M741|1942|B66212|35 M741 1942 B66212|Broadway Boogie Woogie|||||||||Broadway Boogie Woogie|8108|Mondrian, Piet||painter|Piet Mondrian|0||||0|||||American|Dutch||Neo-plasticism|||||United States|Holland|||||0||||||||0||||0|Paintings|Oil Painting||||20|||1942|1943||1942-1943|1942-1943|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||127 x 127 cm||3384|New York,Museum of Modern Art|New York: MoMA||New York, NY; Cityscapes||||||||||Cornell|||MNW|7/19/2004 0:00:00||M741|||0|||||||35|PA||||||1942| |B66212|||||||Work|0||His last completed work. DOA||||||||||0|0|Broadway Boogie Woogie|Mondrian, Piet 1735.00|0|Creator|15|35|M419|N962||35 M419 N962 |Nudes and Architecture|||||||||Nudes and Architecture|7645|Masson, André||painter|André Masson|0||||0|||||French|||Surrealist|||||France||||||0||||0||||0||||0|Paintings|Oil Painting||||20|||1924|1924||1924|1924-1924|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||92 x 73 cm||3290|Private Collection|: Private Coll.||Nudes||||||||||Cornell|||MNW|7/20/2004 0:00:00||M419|||0|||||||35|PA||||||| |N962|||||||Work|0||||||Selma and Neshui Ertegun Collection||||Selma and Neshui Ertegun Collection||0|0|Nudes and Architecture|Masson, André 1736.00|0|Creator|15|35|M419|B33612||35 M419 B33612 |Battle of Fishes|Repository|Repository|||||||Battle of Fishes|7645|Masson, André||painter|André Masson|0||||0|||||French|||Surrealist|||||France||||||0||||||||0||||0|Paintings|Oil Painting|Drawing|||20|||1926|1926||1926|1926-1926|||||0||||0|||||Sand, gesso, oil, pencil, and charcoal on canvas|oil paint|charcoal|sand|||painting (image-making)|drawing (image-making)||||36.2 x 73 cm||3384|New York,Museum of Modern Art|New York: MoMA||Fish; Landscapes; Seas||||||||||Cornell|||MNW|7/20/2004 0:00:00||M419|||0||260.37|||||35|||||||| |M33612|||||||Work|0||Performed "automatic" drawing with glue/ gesso, and added sand. DOA||||||||||0|0|Battle of Fishes|Masson, André 1737.00|0|Creator|15|35|P776|1934|G615|35 P776 1934 G615|Going West|Repository|Repository|||||||Going West|9348|Pollock, Jackson||painter|Jackson Pollock|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Paintings|Oil Painting||||20|||1934|1935||1934-1935|1934-1935|||||0||||0|||||Oil on fiberboard|oil paint|fiberboard||||painting (image-making)|||||38.3 x 52.7 cm||3174|Washington, DC: Smithsonian Institution; Museum of American Art|Wash, DC: Smithsonian; Mus. Amer. Art||Moon; Mules; Stores; Landscapes; Mountains; Night||||||||||Cornell||MNW|MNW|7/20/2004 0:00:00|6/17/2005 0:00:00|P776|||0||1973.149.1|||||35|PA||||||1934| |G615|||||||Work|0||||||||||Gift of Thomas Hart Benton.||0|0|Going West|Pollock, Jackson 1738.00|0|Creator|15|35|P776|P2821||35 P776 P2821|Pasiphae|||||||||Pasiphae|9348|Pollock, Jackson||painter|Jackson Pollock|0||||0|||||American|||Abstract Expressionist|||||United States||||||0||||||||0||||0|Paintings|Oil painting||||20|||1943|1943||1943|1943-1943|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||143 x 244 cm||3294|New York,Metropolitan Museum of Art|New York: Metropolitan||||||||||||Cornell|||MNW|7/20/2004 0:00:00||P776|||0|||||||35|PA||||||| |P2821|||||||Work|0||||||||||||0|0|Pasiphae|Pollock, Jackson 1739.00|0|Creator|15|35|P776|N9711||35 P776 N9711 |Number 1, 1948|Repository|Repository|||||||Number 1, 1948|9348|Pollock, Jackson||painter|Jackson Pollock|0||||0|||||American|||Abstract Expressionist|||||United States||||||0||||||||0||||0|Paintings|oil Painting||||20|||1948|1948||1948|1948-1948|||||0||||0|||||Oil and enamel paint on canvas|oil paint|enamel paint|canvas|||painting (image-making)|||||172.7 x 264.2 cm||3384|New York,Museum of Modern Art|New York: MoMA||||||||||||Cornell|||MNW|7/20/2004 0:00:00||P776|||0|||||||35|PA||||||| |N9711|||||||Work|0||An "action painting."||||||||||0|0|Number 1, 1948|Pollock, Jackson 1740.00|0|Creator|15|35|P776|1950|L399|35 P776 1950 L399|Number 1, 1950 (Lavender Mist)|Repository|Repository|||||||Number 1, 1950 (Lavender Mist)|9348|Pollock, Jackson||painter|Jackson Pollock|0||||0|||||American|||Abstract Expressionist|||||United States||||||0||||||||0||||0|Paintings|Oil Painting||||20|||1950|1950||1950|1950-1950|||||0||||0|||||Oil, aluminum & enamel paint on canvas|oil paint|enamel paint|aluminum paint|||painting (image-making)|||||221 x 299.7 cm||3367|Washington DC,National Gallery of Art|Wash, DC: National Gallery||||||||||||Cornell|||MNW|7/20/2004 0:00:00||P776|||0||1976.37.1|||||35|PA||||||1950| |L399|||||||Work|0||An "action" or "drip" painting.||||||||||0|0|Number 1, 1950 (Lavender Mist)|Pollock, Jackson 1741.00|0|Creator|15|35|P776|1952|C7661|35 P776 1952 C7661|Convergence|Repository|Repository|||||||Convergence|9348|Pollock, Jackson||painter|Jackson Pollock|0||||0|||||American|||Abstract Expressionist|||||United States||||||0||||||||0||||0|Paintings|Oil Painting||||20|||1952|1952||1952|1952-1952|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||237.49 x 393.7 cm||3339|Buffalo,Albright-Knox Art Gallery|Buffalo: Albright-Knox||||||||||||Cornell|||MNW|7/20/2004 0:00:00||P776|||0||K1956:7|||||35|PA||||||1952| |C7661|||||||Work|0||An "action" or "drip" painting.||||||||||0|0|Convergence|Pollock, Jackson 1742.00|0|Creator|15|35|W275-P|M757||35 W275-P M757|Gold Marilyn Monroe|Repository|Repository|||||||Gold Marilyn Monroe|12489|Warhol, Andy||painter|Andy Warhol|0||||0|||||American|||Pop|||||United States||||||0||||||||0||||0|Paintings|Oil Painting|Screen print|Portrait||20|||1962|1962||1962|1962-1962|||||0||||0|||||Polymer paint, silkscreened, and oil on canvas|Polymer paint|oil paint|canvas|||painting (image-making)|screen printing||||211.4 x 144.7 cm||3384|New York,Museum of Modern Art|New York: MoMA||Monroe, Marilyn, 1926-1962||||||||||Cornell||MNW|MNW|12/15/2005 0:00:00|12/15/2005 0:00:00|W275|||0|||||||35|PA||||||| |M275P|||||||Work|0||||||||||Gift of Philip Johnson||0|0|Gold Marilyn Monroe|Warhol, Andy 1743.00|0|Creator|15|35|W275-SC|B8571||35 W275-SC B8571 |Brillo Boxes|Repository|Repository|||||||Brillo Boxes|12489|Warhol, Andy||sculptor|Andy Warhol|0||||0|||||American|||Pop|||||United States||||||0||||0||||0||||0|Sculpture|Sculpture|Screen print|Advertisement||20|||1964|1964||1964|1964-1964|||||0||||0|||||Acrylic silkscreen on wood|acrylic paint|plywood||||sculpture|screen printing||||50.8 x 50.8 x 43.2 cm each||656|Cologne,Ludwig Museum|Cologne: Ludwig Mus.||||||||||||Cornell|||MNW|7/21/2004 0:00:00||W275|||0|||||||35|SC||||||| |B8571|||||||Work|0||Replicated supermarket cartons to their actual size by screenprinting their designs on to blocks made of plywood. (DOA)||||Also 100 Brillo Boxes in Norton Simon Museum.||||||0|0|Brillo Boxes|Warhol, Andy 1744.00|0|Creator|15|35|W275|S727||35 W275 S727 |100 Cans|Repository|Repository|100 Soup Cans|||One Hundred Cans|Assigned|Dict.Art|100 Cans|12489|Warhol, Andy||painter|Andy Warhol|0||||0|||||American|||Pop|||||United States||||||0||||0||||0||||0|Paintings|Oil Painting||||20|||1962|1962||1962|1962-1962|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||182.88 x 132.08 cm||3339|Buffalo,Albright-Knox Art Gallery|Buffalo: Albright-Knox||||||||||||Cornell|||MNW|7/21/2004 0:00:00||W275|||0||K1963:26|||||35|PA||||||| |S727|||||||Work|0||100 Cans is one of the last paintings he did by hand, using stencils. (As opposed to screen printing). (Repository website).||||||||||0|0|100 Cans;100 Soup Cans;One Hundred Cans|Warhol, Andy 1745.00|0|Creator|15|35|H332-PA|1940|1|35 H332-PA 1940 1|Christ Held By Half-Naked Men|Repository|Repository|||||||Christ Held By Half-Naked Men|5170|Hartley, Marsden||painter|Marsden Hartley|0||||0|||||American||||||||United States||||||0||||||||0||||0|Paintings|Oil Painting||||20|||1940|1941||1940-1941|1940-1941|||||0||||0|||||Oil on fiberboard|oil paint|fiberboard||||painting (image-making)|||||101.4 x 76.3 cm||3175|Washington DC,Smithsonian Institution,Hirshhorn Museum|Wash, DC: Smithsonian; Hirshhorn Mus.||Christ||||||||||Cornell|||MNW|7/21/2004 0:00:00||H332|||0||66.2383|||||35|PA||||||1940| ||||||||Work|0||||||||||||0|0|Christ Held By Half-Naked Men|Hartley, Marsden 1746.00|0|Creator|15|35|H332-PA|1938|3|35 H332-PA 1938 3|Adelard the Drowned, Master of the Phantom|||||||||Adelard the Drowned, Master of the Phantom|5170|Hartley, Marsden||painter|Marsden Hartley|0||||0|||||American||||||||United States||||||0||||||||0||||0|Paintings|Oil Painting|Portrait|||20|||1938|1939||1938-1939|1938-1939|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||71.1 x 55.9 cm||9312|Minneapolis,University of Minnesota, Frederick R. Weisman Art Museum|Minneapolis: UM Weisman Art M.||Portraits; Commemoratives||||||||||Cornell|||MNW|7/21/2004 0:00:00||H332|||0|||||||35|PA||||||1938| ||||||||Work|0||One of a series of expressionist memory portraits started in 1938. (DOA) A tribute to his friend Alty Mason, who died in a tragic accident at sea in 1936. (Repository web site).||||||||||0|0|Adelard the Drowned, Master of the Phantom|Hartley, Marsden 1747.00|0|Creator|15|35|H332-PA|1914|5|35 H332-PA 1914 5|Portrait of a German Officer|Repository|Repository|||||||Portrait of a German Officer|5170|Hartley, Marsden||painter|Marsden Hartley|0||||0|||||American|German||Abstract|||||United States|Germany|||||0||||||||0||||0|Paintings|Oil Painting||||20|||1914|1914||1914|1914-1914|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||173.4 x 105.1 cm||3294|New York,Metropolitan Museum of Art|New York: Metropolitan||Medals; Flags; Deaths; World War I; Commemoratives||||||||||Cornell|||MNW|7/21/2004 0:00:00||H332|||0||49.70.42|||||35|PA||||||1914| ||||||||Work|0||A memorial to his friend, Karl von Freyburg, a Prussian cavalry officer killed in 1914. Painted in Berlin. (Met website).||||||||Alfred Stieglitz Collection||0|0|Portrait of a German Officer|Hartley, Marsden 1748.00|0|Creator|15|35|H332-PA|1915|2|35 H332-PA 1915 2|E|Repository|Repository|||||||E|5170|Hartley, Marsden||painter|Marsden Hartley|0||||0|||||American|German||Abstract|||||United States|Germany|||||0||||||||0||||0|Paintings|Oil Painting||||20|||1915|1915||1915|1915-1915|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||120 x 120 cm||1131|Iowa City,University of Iowa,Museum of Art|Iowa City: Univ. Iowa; Mus. Art||Medals; Flags; World War I||||||||||Cornell|||MNW|7/21/2004 0:00:00||H332|||0|||||||35|PA||||||1915| ||||||||Work|0||||||||||||0|0|E|Hartley, Marsden 1750.00|0|Creator|15|35|H332-PA|1933|2|35 H332-PA 1933 2|Eight Bells Folly: Memorial for Hart Crane|Repository|Repository|||||||Eight Bells Folly: Memorial for Hart Crane|5170|Hartley, Marsden||painter|Marsden Hartley|0||||0|||||American||||||||United States||||||0||||||||0||||0|Paintings|Oil Painting||||20|||1933|1933||1933|1933-1933|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||80.3 x 100.3 cm||9312|Minneapolis,University of Minnesota, Frederick R. Weisman Art Museum|Minneapolis: UM Weisman Art M.||Crane, Hart, 1899-1932; Boats; Ships; Sharks; Commemoratives||||||||||Cornell|||MNW|7/21/2004 0:00:00||H332|||0|||||||35|PA||||||1933| ||||||||Work|0||Memorializes his friend Hart Crane, who committed suicide by jumping off a boat en route to New York in 1932. (Repository).||||||||||0|0|Eight Bells Folly: Memorial for Hart Crane|Hartley, Marsden 1751.00|0|Creator|15|E-14|Mondrian|6||E-14 Mondrian 6 |Avond (Evening); Red Tree||Online Resource|||||||Avond (Evening); Red Tree|8108|Mondrian, Piet||painter|Piet Mondrian|0||||0|||||Dutch||||||||Holland||||||0||||||||0||||0|Paintings|Oil Painting||||20|||1908|1908||1908|1908-1908|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||70 x 99 cm||3346|Hague(The),Haags Gemeentemuseum(Municipal Museum)|Hague: Gemeentemuseum||Trees||||||||||Cornell|||MNW|7/21/2004 0:00:00||Mondrian|||0|||||||E|||14||||| ||||||||Work|0||||||||||||0|0|Avond (Evening); Red Tree|Mondrian, Piet 1752.00|0|Creator|15|35|M337-PA|1922|2|35 M337-PA 1922 2|Lower Manhattan (Composition Derived from Top of Woolworth Building)||Online Resource|||||||Lower Manhattan (Composition Derived from Top of Woolworth Building)|7537|Marin, John||painter|John Marin|0||||0|||||American||||||||United States||||||0||||||||0||||0|Paintings|Painting||||20|||1922|1922||1922|1922-1922|||||0||||0|||||Watercolor and charcoal on paper|watercolors|watercolor paper|charcoal|||painting (image-making)|||||54.9 x 68.3 cm||3384|New York,Museum of Modern Art|New York: MoMA||Cities; Cityscapes||||||||||Cornell|||MNW|7/21/2004 0:00:00||M337|||0|||||||35|PA||||||1922| ||||||||Work|0||The sun or starburst shape at the bottom is a paper cut-out attached with thread. Exhibited at An American Place, 1932. (NGA website).||||||||||0|0|Lower Manhattan (Composition Derived from Top of Woolworth Building)|Marin, John 1753.00|0|Creator|15|35|P585D|H542||35 P585D H542 |Here, This is Stieglitz/ Faith and Love|Repository|Online Resource|||||||291. Here, This is Stieglitz/ Faith and Love|9195|Picabia, Francis||printmaker|Francis Picabia|0||||0|||||French|||Dada|||||France||||||0||||||||0||||0|Book Arts|Illustration|Serials|Portrait||20|||1915|1915||1915|1915-1915||291|LargerEntity||||||0|||||Ink on paper|ink|paper||||printing|drawing (image-making)||||43.8 x 28.9 cm||3176|Washington DC,Smithsonian Institution,National Portrait Gallery|Wash, DC: Smithsonian; Nat. Portrait Gal.||Artists; Stieglitz, Alfred, 1864-1946; Cameras; Portraits||||||||||Cornell||MNW|MNW|7/21/2004 0:00:00|3/29/2006 0:00:00|P585|||0||NPG.93.477.A|||||35|D||||||| |H542|||||||Work|0||From 291 [magazine], nos. 5-6 (July - August 1915) Original camera-ready work size: 73 x 48.5 cm||||Original camera-ready artwork owned by MoMA?||||Gift of Katharine Graham||0|0|Here, This is Stieglitz/ Faith and Love|Picabia, Francis 1754.00|0||||||||291|Descriptive|LC NAF|||||||291|11377|Stieglitz, Alfred||author|Alfred Stieglitz|9195|Picabia, Francis||author|0|||||American|||Dada|||||United States||||||0||||0||||0||||0|Book Arts|Serials||||20|||1915|1916||1915-1916|1915-1916|||||0||||0|||||Ink on paper|ink|paper||||printing|||||||||||Arts; Artists||||||||||Cornell||SJW|MNW|7/21/2004 0:00:00|6/10/2004 0:00:00||||0|||||||||||||||||||||||Work|0||In 1915–16 the 291 gallery gave its name to the short-lived Dadaist magazine 291, edited by Stieglitz. (DOA)||||||||||0|0|291|Stieglitz, Alfred;Picabia, Francis 1755.00|0|Creator|15|35|P586|1921|T53112|35 P586 1921 T53112|Three Musicians|Preferred|Repository|Les trois Masques|Variant|Repository||||Three Musicians|9196|Picasso, Pablo||painter|Pablo Picasso|0||||0|||||French|Spanish||Cubist|||||France|Spain|||||0||||||||0||||0|Paintings|Oil Painting||||20|||1921|1921||1921|1921-1921|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||200.7 x 222.9 cm||3384|New York,Museum of Modern Art|New York: MoMA||Musical instruments; Musicians; Musical notation; Masks; Commedia dell'arte; Harlequin; Pierrot (Fictitious character)||||||||||Cornell|||MNW|7/21/2004 0:00:00||P586|||0||55.49|||||35|PA||||||1921| |T53112|||||||Work|0||Another version is in the Philadelphia Museum of Art. (DOA)|||Painted summer, 1921.|||||||0|0|Three Musicians;Les trois Masques|Picasso, Pablo 1756.00|0|Creator|15|32|S496-PA|1890||32 S496-PA 1890|The Circus|||||||||The Circus|10773|Seurat, Georges||artist|Georges Seurat|0||||0|||||French|||Neo-Impressionist|||||France||||||0||||||||0||||0|Paintings|Oil painting||||19|||1890|1891||1890-1891|1890-1891|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||185.5 x 152 cm||2196|Paris,Musee d'Orsay|Paris: Musee d'Orsay||Circuses (performances); Arenas; Horses||||||||||Cornell|||CLL|8/2/2004 0:00:00||S496|||0|||||||32|PA||||||1890| ||||||||Work|0||Represents a circus performance and was based on the Cirque Fernando in the Boulevard Rochechouart. (DOA)||||||||||0|0|The Circus|Seurat, Georges 1757.00|0|Creator|15|32|G613-PA|P734||32 G613-PA P734 |Flowering Plum Tree (after Hiroshige)|Repository|Repository|||||||Flowering Plum Tree (after Hiroshige)|12121|Gogh, Vincent van||painter|Vincent van Gogh|5453|Ando Hiroshige|after|artist|0|||||French|Dutch||Post-Impressionist|||||France|Holland|||||0||||||||0||||0|Paintings|Oil Painting||||19|||1887|1887||1887|1887|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||55 x 46 cm||3328|Amsterdam,Rijksmuseum Vincent van Gogh|Amsterdam: V. van Gogh Mus.||Trees; Flowers||||||||||Cornell|||MNW|7/21/2004 0:00:00||G613|||0|||||||32|PA||||||| |P734|||||||Work|0||Example of Japonisme; based on the Japanese ukiyoe woodcuts of Hiroshige. (DOA)||||||||||0|0|Flowering Plum Tree (after Hiroshige)|Gogh, Vincent van;Ando Hiroshige 1758.00|0|Creator|15||||||Caprichos|Artists|Dict.Art|Los Caprichos|Variant|||||Caprichos|4707|Goya y Lucientes, Francisco José de||artist|Francisco Goya y Lucientes|0||||0|||||Spanish||||||||Spain||||||0||||0||||0||||0|Prints|Print|Etching|||18|||1799|1799||1799|1799-1799|||||0||||0|||||Ink on paper|ink|paper||||printmaking|etching (printing process)|aquatint|||||||||||||||||||Cornell||SJW|MNW|7/21/2004 0:00:00|6/11/2004 0:00:00||||0|||||||||||||||||||||||Work|0||First edition published 1799. 79 captioned prints plus a frontispiece (Self-portrait, Pl. 1). (80 total). The series satirizes human follies with the hope of "removing harmful beliefs." Most are etching with aquatint, some are aquatint alone. (DOA)|See: http://www.wesleyan.edu/dac/coll/grps/goya/goya_intro.html|||Full set in Davison Art Center, Wesleyan U.||||||0|0|Caprichos;Los Caprichos|Goya y Lucientes, Francisco José de 1759.00|0||||||||Number 40; Of What Ill Will He Die?|Translated|Repository|Caprichos, no. 40: De que mal morira?|Inscribed|Repository||||Caprichos: Number 40; Of What Ill Will He Die?|4707|Goya y Lucientes, Francisco José de||artist|Francisco Goya y Lucientes|0||||0|||||Spanish||||||||Spain||||||0||||0||||0||||0|Prints|Print|Etching|Aquatint||18|||1799|1799||1799|1799-1799||Caprichos|Series||1758||||0|||||Ink on paper|ink|paper||||printmaking|etching (printing process)|aquatint|||21.3 x 14.8 cm (plate dimen.)||3418|Cleveland,Cleveland Museum of Art|Cleveland: Museum of Art||Donkeys; Physicians; Medicine||||||||||Cornell|||MNW|7/21/2004 0:00:00|||||0||1922.635||||||||||||| |||||||||0||Reference: Harris no. 75, Delteil no. 77.Copy in Davison Art Center, Wesleyan U. (1946.D1.40.40)||||||||||0|0|Number 40; Of What Ill Will He Die?;Caprichos, no. 40: De que mal morira?|Goya y Lucientes, Francisco José de 1760.00|0|Creator|15|32|G724-G|1799||32 G724-G 1799 |No. 43; The Sleep of Reason Produces Monsters|Translated|Repository|No. 43; El sueño de la razon produce monstruos|Inscribed|Repository||||Caprichos: Number 43; The Sleep of Reason Produces Nightmares|4707|Goya y Lucientes, Francisco José de||artist|Francisco Goya y Lucientes|0||||0|||||Spanish||||||||Spain||||||0||||||||0||||0|Prints|Print|Etching|||18|||1799|1799||1799|1799-1799||Caprichos|Series||1758||||0|||||Ink on paper (etching, aquatint)|ink|paper||||printmaking|etching (printing process)|aquatint|||21.3 x 15 cm (plate dimen.)||3290|Private Collection|: Private Coll.||Owls; Dreaming; Sleep||||||||||Cornell|||MNW|7/22/2004 0:00:00||G724|||0|||||||32|G||||||1799| |||||||||0||Reference: Harris no. 78, Delteil no. 80. Copy in Davison Art Center, Wesleyan U. (1946.D1.40.43)||||Private collect.: New York: Arthur Ross Foundation||||||0|0|No. 43; The Sleep of Reason Produces Monsters;No. 43; El sueño de la razon produce monstruos|Goya y Lucientes, Francisco José de 1761.00|0|Creator|15|32|G723D|C2578||32 G723D C2578 |The Universal Language, The Author Dreams|Translated|Cataloger|Study for the Caprichos, No. 43|Descriptive|Cataloger||||Caprichos: Number 43; The Sleep of Reason Produces Nightmares; Study for|4707|Goya y Lucientes, Francisco José de||artist|Francisco Goya y Lucientes|0||||0|||||Spanish||||||||Spain||||||0||||||||0||||0|Drawings|Cartoon (working drawing)||||18|||1798|1799||1798-1799|1798-1799||No. 43; The Sleep of Reason Produces Monsters|Cartoon for||1760||||0|||||Sepia ink on paper|ink|paper||||drawing (image-making)|||||||1616|Madrid: Museo del Prado|Madrid: Prado||Dreaming; Sleep||||||||||Cornell||MNW|MNW|7/22/2004 0:00:00|12/11/2005 0:00:00|G724|||0|||||||32|D||||||| |C2578|||||||Work|0||Study for the Caprichos, No. 43. The Caprichos print series was published 1799. Goya worked from prepatory drawings such as this one. (DOA)||||||||||0|0|The Universal Language, The Author Dreams;Study for the Caprichos, No. 43|Goya y Lucientes, Francisco José de 1762.00|0|Architect|03|MA-Rietveld|1.0|1918 Por|3|MA-Rietveld 1.0 1918 Por 3|Rietveld Sitting in Front of His Workshop with G. Groeneken||||||||||0|||||0||||0|||||Dutch||||||||Holland||||||0||||0||||0||||0|Photographs|||||20|||1918|1918||1918|1918-1918|||||0||||0|||||||||||photography|||||||||||Rietveld, Gerrit Thomas, 1888-1964||||||||||Cornell||MNW|MNW|6/11/2004 0:00:00|6/11/2004 0:00:00|Rietveld|||0||||||Por|MA||||||1.0|1918|||||||||Work|0|Modern Architecture|||||||||||0|0|Rietveld Sitting in Front of His Workshop with G. Groeneken| 1763.00|0|Architect|08|0-Vignola|1.0|1583|Reg|0-Vignola 1.0 1583 Reg|Due regole della prospettiva practica|||||||||Due regole della prospettiva practica|12282|Vignola, Giacomo Barozzi da||theorist|Giacomo Barozzi da Vignola|13174|Danti, Ignazio||architect|0|||||Italian|||Renaissance|||||Italy||||||0||||0||||0||||0|Book Arts|Book||||16|||1583|1583||1583|1583-1583|||||0||||0||||||||||||||||||||||Perspective||||||||||Cornell||MNW|MNW|6/14/2004 0:00:00|6/14/2004 0:00:00|Vignola|||0||||||Reg|0||||||1.0|1583|||||||||Work|0||Vignola’s second book, Le due regole della prospettiva pratica (Rome, 1583), was published posthumously by Ignazio Danti, who prefaced it with a biography of the architect. DOA|||Publication date|||||||0|0|Due regole della prospettiva practica|Vignola, Giacomo Barozzi da;Danti, Ignazio 1764.00|0|Architect|08|O-Vignola|1.0|1583 Reg|96|O-Vignola 1.0 1583 Reg|Anamorphosis Perspective Box|Descriptive|Image Source (Book)|||||||Due regole della prospettiva practica. Anamorphosis Perspective Box|12282|Vignola, Giacomo Barozzi da||architect|Giacomo Barozzi da Vignola|13174|Danti, Ignazio|||0|||||Italian|||Renaissance|||||Italy||||||0||||0||||0||||0|Book Arts|Woodcut|Letterpress printing|||16|||1583|1583||1583|1583-1583||Due regole della prospettiva practica|||1763||||0|||||Letterpress and woodcut|paper|ink||||woodcut (process)|Letterpress printing||||35.9 x 24.9 cm||||||Anamorphoses; Perspective||||||||||Cornell||MNW|CLL|7/21/2004 0:00:00|6/14/2004 0:00:00|Vignola|||0||||||Reg|O||||||1.0|1583|||||||||Work|0||Regola 2, p. 93.||||||||||0|0|Anamorphosis Perspective Box|Vignola, Giacomo Barozzi da;Danti, Ignazio 1765.00|0|Category|12||||||Dictionnaire universel de mathématique et de physique|Published|Image Source (Book)|||||||Dictionnaire universel de mathématique et de physique|30152|Savérien, Alexandre||engineer|Alexandre Savérien|0||||0|||||French||||||||France||||||0||||0||||0||||0|Book Arts|Book||||18|||1753|1753||1753|1753-1753|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|CLL|8/3/2006 0:00:00|6/14/2004 0:00:00||||0|||||||||||||||||||||||Work|0||Published by Jacques Rolin and Charles-Antoine Jombert, Paris, 1753.||||||||||0|0|Dictionnaire universel de mathématique et de physique|Savérien, Alexandre 1766.00|0|Category|12|X-15|Anamor|1|||Cylinder, Cone and Pyramid Anamorphoses|Descriptive|Image Source (Book)|||||||Dictionnaire universal de mathématique.. Cylinder, Cone and Pyramid Anamorphoses|30152|Savérien, Alexandre||engineer|Alexandre Savérien|0||||0|||||French||||||||France||||||0||||0||||0||||0|Graphics|Engraving (Print)||||19|||1853|1853||1853|1853-1853||Dictionnaire universel de mathématique et de physique|||1765||||0||||||paper|ink||||engraving (printing process)|||||22.5 x 16.5 cm||||||Anamorphoses; Perspective||||||||||Cornell||MNW|CLL|8/3/2006 0:00:00|6/14/2004 0:00:00||||0||||||Anamor|X|||15|||||||||||||Work|0||Published by Jacques Rolin and Charles-Antoine Jombert, Paris, 1753. Plate 37.||||||||||0|0|Cylinder, Cone and Pyramid Anamorphoses|Savérien, Alexandre 1767.00|0||||||||Anamorphosis Mechanica Nova; oder, Beschreibung dreyer neuen maschinen|Published|Image Source (Book)|||||||Anamorphosis Mechanica Nova; oder, Beschreibung dreyer neuen maschinen|30170|Leupold, Jacob||instrument maker|Jacob Leupold|0||||0|||||German||||||||Germany||||||0||||0||||0||||0|Book Arts|Book||||18|||1713|1713||1713|1713-1713|||||0||||0|||||||||||engraving (incising)|||||||||||||||||||||Cornell||MNW|MNW|6/14/2004 0:00:00|6/14/2004 0:00:00||||0||||||||||||||||||||||||0||Published in Leipzig by Immanuel Tietzen in 1713.||||||||||0|0|Anamorphosis Mechanica Nova; oder, Beschreibung dreyer neuen maschinen|Leupold, Jacob 1768.00|0|Culture|12|X-13|Anamor||1|X-13 Anamor 1|Machine for Making Anamorphic Images|Descriptive|Image Source (Book)|||||||Anamorphosis Mechanica Nova. Machine for Making Anamorphic Images|30170|Leupold, Jacob||instrument maker|Jacob Leupold|0||||0|||||German||||||||Germany||||||0||||0||||0||||0|Graphics|Engraving (Print)||||18|||1713|1713||1713|1713||Anamorphosis Mechanica Nova; oder, Beschreibung dreyer neuen maschinen|||1767||||0|||||Engraving|paper|ink||||engraving (printing process)|||||18.1 x 28.6||||||Anamorphoses||||||||||Cornell||MNW|SJW|7/21/2004 0:00:00|6/14/2004 0:00:00||||0||||||Anamor|X|||13|||||||||||||Work|0||Published in Leipzig by Immanuel Tietzen in 1713. Pl. 1.||||||||||0|0|Machine for Making Anamorphic Images|Leupold, Jacob 1769.00|0|Creator|08|O-Kircher|1.0|Ars|768|O-Kircher 1.0 Ars 768|A Magic Lantern|Descriptive|Image Source (Book)|||||||Ars Magna Lucis et Umbrae. A Magic Lantern|6314|Kircher, Athanasius||printmaker||0||||0|||||German||||||||Germany||||||0||||0||||0||||0|Graphics|Engraving (Print)||||17|||1646|1646||1646|1646-1646||Ars Magna Lucis et Umbrae|Part of||480||||0|||||Engraving||||||engraving (incising)|||||||||||Magic lanterns||||||||||Cornell||MNW|CLL|2/7/2005 0:00:00|6/14/2004 0:00:00|Kircher|||0||||||Ars|O||||||1.0||||||||||Work|0||Ars magna lucies et umbrae (Rome 1646; 2nd ed., Amsterdam 1671), p. 768|Publication #10008 in the publications authority.||Second edition, Amsterdam, 1671.|||||||0|0|A Magic Lantern|Kircher, Athanasius 1770.00|0|Creator|08|O-Kircher|1.0|Ars|776|O-Kircher 1.0 Ars 776|Teatrum catoptricum|Published|Image Source (Book)|||||||Ars Magna Lucis et Umbrae. Teatrum catoptricum|6314|Kircher, Athanasius||printmaker|Kircher, Athanasius|0||||0|||||German||||||||Germany||||||0||||0||||0||||0|Graphics|Engraving (Print)||||17|||1646|1646||1646|1646||Ars Magna Lucis et Umbrae|||480||||0|||||Engraving||||||engraving (printing process)|||||27.6 x 20 cm||||||Mirrors||||||||||Cornell||MNW|CLL|7/21/2004 0:00:00|6/14/2004 0:00:00|Kircher|||0||||||Ars|O||||||1.0||||||||||Work|0||Ars magna lucis et umbrae (Rome 1646; 2nd ed., Amsterdam 1671), p. 776. Types of multiplying mirrors used in viewing boxes or "theaters."|Publication #10008 in the publications authority.||Second edition, Amsterdam, 1671.|||||||0|0|Teatrum catoptricum|Kircher, Athanasius 1771.00|0|Culture|09|H-76|14|Prod/Beu|1||Cards Advertising Chocolat de Beukelaer|Collective Title|Image Source (Book)|||||||Cards Advertising Chocolat de Beukelaer|0|||||0||||0|||||Dutch||||||||Holland||||||0||||0||||0||||0|Graphics|Lithograph|Advertisement|||19|||1800|1899||1800's|1800-1799|||||0||||0|||||Chromolithographic cards||||||lithography|chromogenic processes||||35.6 x 50.8 cm||3508|Los Angeles, J. Paul Getty Museum|Los Angeles: J. Paul Getty Mus.||||||||||||Cornell||MNW|MNW|6/14/2004 0:00:00|6/14/2004 0:00:00||||0||||||Prod/Beu|H-76|||14||||| ||||||||Work|0||Fifteen chromolithographic cards mounted on paper.||||Werner Nekes Collection||||||0|0|Cards Advertising Chocolat de Beukelaer| 1773.00|0|Creator|15|32|M275-PA|1863|1|32 M275-PA 1863 1|Olympia|Repository|Repository|||||||Olympia|7474|Manet, Éduard||painter|Éduard Manet|0||||0|||||French||||||||France||||||0||||||||0||||0|Paintings|Oil Painting|Portrait|||19|||1863|1863||1863|1863-1863|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||130 x 190 cm||2196|Paris,Musee d'Orsay|Paris: Musee d'Orsay||Prostitutes ; Women ; Servants ; Interior views ; Bedrooms ; Cats ; |Prostitutes|Women|Servants|Interior views|Bedrooms|Cats||||Cornell||JNK|MNW|11/21/2006 0:00:00|6/16/2006 0:00:00|M275|||0||R.F.644|||||32|PA||||||1863| ||||||||Work|0||Painted 1863 but first exhibited at the Salon of 1865. DOA.||||||||||0|0|Olympia|Manet, Éduard 1774.00|0|Creator|15|32|M743|1866|W872|32 M743 1866 W872|Women in the Garden|Descriptive|Image Source (Pub)|||||||Women in the Garden|8110|Monet, Claude||painter|Claude Monet|0||||0|||||French|||Impressionist|||||France||||||0||||||||0||||0|Paintings|Oil Painting|Painting|||19|||1866|1867||1866-1867|1866-1867|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||256 x 208 cm||2196|Paris,Musee d'Orsay|Paris: Musee d'Orsay||Women ; Gardens ; |Women|Gardens||||||||Cornell||MNW|MNW|7/22/2004 0:00:00|11/21/2006 0:00:00|M743|||0||R.F.2773|||||32|PA||||||1866| |S872|||||||Work|0||Plein-air painting (completed in the studio). DOA||||||||||0|0|Women in the Garden|Monet, Claude 1775.00|0|Creator|15|32|M743|1866|T323|32 M743 1866 T323|Garden at Sainte-Adresse|||||||||Garden at Sainte-Adresse|8110|Monet, Claude||painter|Claude Monet|0||||0|||||French|||Impressionist|||||France||||||0||||||||0||||0|Paintings|Oil Painting|Landscape (representation)|||19|||1867|1867||1867|1867-1867|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||98.1 x 129.9 cm||3294|New York,Metropolitan Museum of Art|New York: Metropolitan||Flags; Boats; Flowers; Gardens; Ships; Harbors||||||||||Cornell|||CLL|8/2/2004 0:00:00||M743|||0||67.241||||T323|32|PA||||||| |1866|||||||Work|0||||||||||||0|0|Garden at Sainte-Adresse|Monet, Claude 1776.00|0|Creator|15||||||Mother About to Wash Her Sleepy Child|Repository|Repository|||||||Mother About to Wash Her Sleepy Child|2095|Cassatt, Mary||painter|Mary Cassatt|0||||0|||||American|||Impressionist|||||United States||||||0||||||||0||||0|Paintings|Oil Painting|Portrait|||19|||1880|1880||1880|1880-1880|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||100.3 x 65.8 cm||3711|Los Angeles: County Museum of Art|Los Angeles: LACMA||Mother and child ; Children (people by age group) ; Women ; |Mother and child|Children (people by age group)|Women|||||||Cornell||MNW|MNW|7/22/2004 0:00:00|11/17/2006 0:00:00|C343|||0||M.62.8.14||||||||||||| ||||||||Work|0||||||||||||0|0|Mother About to Wash Her Sleepy Child|Cassatt, Mary 1777.00|0||||||||Study for Le Chahut|||||||||Study for Le Chahut|10773|Seurat, Georges||painter|Georges Seurat|0||||0|||||French|||Neo-Impressionist|Pointillist||||France||||||0||||||||0||||0|Paintings|Oil Painting||||19|||1889|1889||1889|1889-1889|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||55.4 x 46.5 cm||3339|Buffalo: Albright-Knox Art Gallery|Buffalo: Albright-Knox||Women ; Dancing ; Musicians ; |Women|Dancing|Musicians|||||||Cornell||JNK|MNW|11/17/2006 0:00:00|6/15/2006 0:00:00|S496|||0||1943:10||||||||||||| |||||||||0||||||||||||0|0|Study for Le Chahut|Seurat, Georges 1778.00|0|Creator|15|35|M433|1905|J888|35 M433 1905 J888|Joy of Life|Preferred|Dict.Art|||||||Joy of Life|7665|Matisse, Henri||painter|Henri Matisse|0||||0|||||French|||Fauve|||||France||||||0||||||||0||||0|Paintings|Oil painting||||20|||1905|1906||1905-1906|1905-1906|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||171.3 x 238 cm||1668|Merion,Barnes Foundation Collection|Merion: Barnes Fdn.||Dancers; Dancing; Nudes||||||||||Cornell|||MNW|7/22/2004 0:00:00||M433|||0|||||||35|PA||||||1905| |J888|||||||Work|0||||||||||||0|0|Joy of Life|Matisse, Henri 1779.00|0|Creator|15|35|M419|A696||35 M419 A696 |Ariadne's Thread|Preferred|Image Source (Book)|Le fil d'Ariane|Original|Image Source (Book)||||Ariadne's Thread|7645|Masson, André||painter|André Masson|0||||0|||||French|||Surrealist|||||France||||||0||||0||||0||||0|Paintings|Oil Painting||||20|||1938|1938||1938|1938-1938|||||0||||0|||||Oil and sand on board|oil paint|sand|board|||painting (image-making)|||||22 x 27 cm||3290|Private Collection|: Private Coll.||Ariadne; Nudes||||||||||Cornell|||MNW|7/22/2004 0:00:00||M419|||0|||||||35|PA||||||| |A696|||||||Work|0||||||Masson Collection||||Former Jacques Lacan Collection||0|0|Ariadne's Thread;Le fil d'Ariane|Masson, André 1780.00|0|Creator|15|32|D250|D2881||32 D250 D2881 |Death of Socrates|Repository|Repository|||||||Death of Socrates|2895|David, Jacques-Louis||painter|Jacques-Louis David|0||||0|||||French|||Neoclassical|||||France||||||0||||||||0||||0|Paintings|Oil Painting||||18|||1787|1787||1787|1787-1787|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||129.5 x 195.6 cm||3294|New York,Metropolitan Museum of Art|New York: Metropolitan||Deaths; Socrates; Suicides||||||||||Cornell|||MNW|7/22/2004 0:00:00||D251|||0||31.45|||||32|PA||||||| |D2881|||||||Work|0||||||||||Catharine Lorillard Wolfe Collection, Wolfe Fund, 1931||0|0|Death of Socrates|David, Jacques-Louis 1781.00|0|Creator|15|35|K162-PA|1909|C561|35 K169-PA 1908 C561|Church at Murnau|Repository|Repository|||||||Church at Murnau|6117|Kandinsky, Wassily||painter|Wassily Kandinsky|0||||0|||||German|Russian|||||||Germany|Russia|||||0||||||||0||||0|Paintings|Oil painting|Landscape (representation)|||20|||1909|1909||1909|1909-1909|||||0||||0|||||Oil on cardboard|oil paint|cardboard||||painting (image-making)|||||48.6 x 69.8 cm||3384|New York,Museum of Modern Art|New York: MoMA||Landscapes; Churches||||||||||Cornell|||MNW|7/22/2004 0:00:00||K162|||0||321.50|||||35|PA||||||1908| |C561|||||||Work|0||||||||||||0|0|Church at Murnau|Kandinsky, Wassily 1782.00|0|Creator|15|35|P586P|1906|S817|35 P586P 1906 S817|Gertrude Stein|Repository|Repository|||||||Gertrude Stein|9196|Picasso, Pablo||painter|Pablo Picasso|0||||0|||||French|Spanish|||||||France|Spain|||||0||||||||0||||0|Paintings|Oil Painting|Portrait|||20|||1906|1906||1906|1906-1906|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||100 x 81.3 cm||3294|New York,Metropolitan Museum of Art|New York: Metropolitan||Portraits; Stein, Gertrude, 1874-1946||||||||||Cornell|||MNW|7/22/2004 0:00:00||P5863|||0||47.106|||||35|PA||||||1906| |S817|||||||Work|0||©1999 Estate of Pablo Picasso/Artists Rights Society (ARS), New York||||||||Bequest of Gertrude Stein, 1946||0|0|Gertrude Stein|Picasso, Pablo 1783.00|0|Creator|15|32|G723P|C479||32 G723P C479 |Family of Charles IV|Assigned|Dict.Art|Charles IV and His Family|Repository|Repository||||Family of Charles IV|4707|Goya y Lucientes, Francisco José de||painter|Francisco Goya y Lucientes|0||||0|||||Spanish||||||||Spain||||||0||||||||0||||0|Paintings|Oil Painting|Portrait|||19|||1800|1800||1800|1800-1800|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||280 x 336 cm||1616|Madrid: Museo del Prado|Madrid: Prado||Group portraits; Kings (people); María Luisa, consort of Carlos IV, King of Spain, 1751-1819; Charles IV, King of Spain, 1748-1819||||||||||Cornell||MNW|MNW|7/22/2004 0:00:00|12/11/2005 0:00:00|G723|||0|||||||32|PA||||||| |C479|||||||Work|0||||||||||||0|0|Family of Charles IV;Charles IV and His Family|Goya y Lucientes, Francisco José de 1784.00|0|Creator|15|35|P586|1937|G93313|35 P586 1937 G93313|Guernica|||||||||Guernica|9196|Picasso, Pablo||painter|Pablo Picasso|0||||0|||||French|Spanish|||||||France|Spain|||||0||||||||0||||0|Paintings|Oil Painting|Mural|||20|||1937|1937||1937|1937|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||349.3 x 776.6 cm||4214|Madrid, Museo Nacional Centro de Arte Reina Sofia|Madrid: Centro De Arte Reina Sofia||Wars; Spain History Civil War, 1936-1939; Commemoratives||||||||||Cornell|||MNW|7/22/2004 0:00:00||P586|||0|||||||35|PA||||||1937| |G93313|||||||Work|0||The Spanish Republican government asked Picasso to paint a mural for the Spanish pavilion at the Exposition Universelle in Paris, due to open in June 1937. Guernica was bombed by the Falangists on April 27, 1937. (DOA)||||Transferred from MoMA, NYC, to Madrid, 1981.||||Returned to Spain on the centenary of Picasso's birth, October 25th, 1981.||0|0|Guernica|Picasso, Pablo 1785.00|0|Creator|15|32|M473|1865|L9623|32 M473 1865 L9623|Déjeuner sur lherbe [Left fragment]|Descriptive|Cataloger|Luncheon on the Grass|Translated|Cataloger||||Déjeuner sur lherbe [Left fragment]|8110|Monet, Claude||artist|Claude Monet|0||||0|||||French||||||||France||||||0||||0||||0||||0|Paintings|Oil Painting||||19|||1865|1866|ca|ca 1865-1866|ca 1865-1866||Déjeuner sur lherbe|||1670||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||||2196|Paris,Musee d'Orsay|Paris: Musee d'Orsay||Landscapes; Dinners and dining||||||||||Cornell||SJW|MNW|7/22/2004 0:00:00|6/24/2004 0:00:00|M473|||0|||||||32|PA||||||1865| |L9623|||||||Work|0||Planned to be c. 4.5× 6.0 m large (figures life-size)--two fragments of the final painting (both Paris, Mus. d’Orsay) and a large (1.30×1.81 m) final sketch (Moscow, Pushkin Mus. F.A.) remain. (DOA) This is the left fragment.||||||||||0|0|Déjeuner sur lherbe [Left fragment];Luncheon on the Grass|Monet, Claude 1786.00|0|Creator|15|E-11|BallaG|4||E-11 BallaG 4 |Dynamism of a Dog on a Leash|Repository|Repository|Dynamism of a Dog on a Lead|Assigned|Dict.Art||||Dynamism of a Dog on a Leash|680|Balla, Giacomo||artist|Giacomo Balla|0||||0|||||Italian|||Futurist|||||Italy||||||0||||||||0||||0|Paintings|Painting||||20|||1912|1912||1912|1912|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||89.9 x 109.9 cm||3339|Buffalo,Albright-Knox Art Gallery|Buffalo: Albright-Knox||Dogs; Motion||||||||||Cornell|||SJW|6/24/2004 0:00:00||BallaG|||0||1964:16|||||E|||11||||| ||||||||Work|0||||||||||||0|0|Dynamism of a Dog on a Leash;Dynamism of a Dog on a Lead|Balla, Giacomo 1787.00|0|Creator|15|E-14|Mondrian|19||E-14 Mondrian 19 |Composition with Red, Yellow and Blue|||||||||Composition with Red, Yellow and Blue|8108|Mondrian, Piet||painter|Piet Mondrian|0||||0|||||Dutch|French||De Stijl|||||Holland|France|||||0||||||||0||||0|Paintings|Painting||||20|||1921|1921||1921|1921|||||0||||0||||||oil paint|||||painting (image-making)|||||||3290|Private Collection|: Private Coll.||||||||||||Cornell|||SJW|6/24/2004 0:00:00|||||0||||||||||||||| ||||||||Work|0||||||||||Collection of Mr. and Mrs. Herbert Rothschild||0|0|Composition with Red, Yellow and Blue|Mondrian, Piet 1788.00|0|Creator|15|E-14|Mondrian|39||E-14 Mondrian 39 |Composition with Blue|Repository|Repository|Composition with Black and Blue||||||Composition with Blue|8108|Mondrian, Piet||painter|Piet Mondrian|0||||0|||||Dutch|||De Stijl|||||Holland||||||0||||||||0||||0|Paintings|Painting||||20|||1926|1926||1926|1926|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||61.1 x 61.1 cm||3281|Philadelphia,Philadelphia Museum of Art|Philadelphia: Museum of Art||||||||||||Cornell|Conell||SJW|6/24/2004 0:00:00||Mondrian|||0||1952-61-87|||||E|||14||||| ||||||||Work|0||Painting is silver-framed predominantly white canvas hung on diagonal (diamond-shaped). Was seized from the Abstract Gallery of the Hanover Museum by Nazis in sweep of "degenerate art" in 1937.|http://www.philamuseum.org/collections/provenance/1952-61-87.shtml Discussion of Nazi era provenance|||||||A. E. Gallatin Collection||0|0|Composition with Blue;Composition with Black and Blue|Mondrian, Piet 1789.00|0|Creator|15|E-14|Mondrian|33||E-14 Mondrian 33 |Victory Boogie Woogie|||||||||Victory Boogie Woogie|8108|Mondrian, Piet||painter|Piet Mondrian|0||||0|||||Dutch||||||||Holland||||||0||||||||0||||0|Paintings|Painting||||20|||1942|1944|ca|ca 1942-1944|ca 1942-1944|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||||3346|Hague(The),Haags Gemeentemuseum(Municipal Museum)|Hague: Gemeentemuseum||Music||||||||||Cornell|||SJW|6/25/2004 0:00:00||Mondrian|||0|||||||E|||14||||| ||||||||Work|0||His unfinished last composition, Victory Boogie Woogie (1942–4; New York, priv. col., see Ottolenghi, 1974, pl. lxiv) (DOA)|Now in Gemeentemuseum, The Hague.|||||||Collection of Burton Tremaine, Meriden CT.||0|0|Victory Boogie Woogie|Mondrian, Piet 1790.00|0|Creator|15|E-14|Mondrian|16||E-14 Mondrian 16 |Composition no. 10 (Pier and Ocean)|Repository|Repository|||||||Composition no. 10 (Pier and Ocean)|8108|Mondrian, Piet||painter|Piet Mondrian|0||||0|||||Dutch||||||||Holland||||||0||||||||0||||0|Paintings|Painting||||20|||1915|1915||1915|1915|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||85.8 x 108.4 cm||3327|Otterlo,Rijksmuseum Kroller-Muller|Otterlo: Kroller-Muller||||||||||||Cornell|||SJW|6/25/2004 0:00:00||Mondrian|||0||KM 104.241|||||E|||14||||| ||||||||Work|0||||||||||||0|0|Composition no. 10 (Pier and Ocean)|Mondrian, Piet 1791.00|0|Creator|15|E-14|Mondrian|32||E-14 Mondrian 32 |Composition with Blue and Yellow (Composition Bleu-Jaune)|Repository|Repository|||||||Composition with Blue and Yellow (Composition Bleu-Jaune)|8108|Mondrian, Piet||painter|Piet Mondrian|0||||0|||||Dutch||||||||Holland||||||0||||||||0||||0|Paintings|Painting||||20|||1935|1935||1935|1935|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||73.0 x 69.6 cm||3175|Washington DC,Smithsonian Institution,Hirshhorn Museum|Wash, DC: Smithsonian; Hirshhorn Mus.||||||||||||Cornell|||SJW|6/25/2004 0:00:00||Mondrian|||0||72.205|||||E|||14||||| ||||||||Work|0||||||||||Gift of Hirshhorn Foundation, 1972||0|0|Composition with Blue and Yellow (Composition Bleu-Jaune)|Mondrian, Piet 1792.00|0|Creator|15|MA-Lissitzky|1.0|1924|Pro|MA-Lissitzky 1.0 1924 Pro|Proun|||||||||Proun|7121|Lissitzky, El||artist|El Lissitzky|0||||0|||||Russian|||Suprematist|||||Russia||||||0||||||||0||||0|Paintings|Painting|Watercolor|Gouache||20|||1919|1924|ca|ca 1919-1924|ca 1919-1924|||||0||||0|||||gouache|gouache|||||painting (image-making)|||||49 x 49 cm||3914|Eindhoven,Stedelijk Van Abbemuseum|Eindhoven: Sted. Van Abbemus.||||||||||||Cornell|||SJW|6/28/2004 0:00:00||Lissitzky|||0|||||||MA|||||||| ||||||||Work|0||||||||||||0|0|Proun|Lissitzky, El 1793.00|0|Creator|15|25|B8897|91|4|25 B8897 91 4|Peasant Dance|Published||||||||Peasant Dance|14682|Bruegel, Pieter, the elder||painter|Pieter Bruegel, the Elder|0||||0|||||Flemish||||||||Belgium||||||0||||||||0||||0|Paintings|Oil Painting|Painting|||16|||1568|1569||1568-1569|1568-1569|||||0||||0|||||Oil on wood panel|oil paint|panel||||painting (image-making)|||||114 x 164 cm||3403|Vienna,Kunsthistorisches Museum|Vienna: Kunsthistorisches Mus.||Dancers ; Dancing ; Musical instruments ; Music ; |Dancers|Dancing|Musical instruments|Music||||||Cornell||MNW|MNW|8/2/2004 0:00:00|8/12/2005 0:00:00|B8897|||0||GG Inv. No. 1059|||||25|PA||||||| |91|||||||Work|0||||||||||||0|0|Peasant Dance|Bruegel, Pieter, the elder 1794.00|0|Creator|15|25|B742-PA|42D|1|25 B742-PA 42D 1|Death and the Miser|Repository|Repository|||||||Death and the Miser|1416|Bosch, Hieronymus||painter|Hieronymus Bosch|0||||0|||||Dutch||||||||Holland||||||0||||||||0||||0|Paintings|Oil Painting||||15|||1485|1490|ca|ca 1485-1490|ca 1485-1490|||||0||||0|||||Oil on panel|oil paint|panel||||painting (image-making)|||||93 x 31.1 cm||3367|Washington DC,National Gallery of Art|Wash, DC: National Gallery||Allegory; Deaths; Money; Arrows; Armor; Angels||||||||||Cornell|||MNW|8/2/2004 0:00:00||B742|||0||1952.5.33|||||25|PA||||||| |42D|||||||Work|0||Netherlandish.||||||||Samuel H. Kress Collection||0|0|Death and the Miser|Bosch, Hieronymus 1796.00|0|Architect|15|B-H2|Ver|7.1|Pal/GT|B-H2 Ver 7.1 Pal/GT|Salle de Bal|||||||||Salle de Bal|2641|Cotelle, Jean, the younger||artist|Jean Cotelle the Younger|0||||0|||||French|||Louis XIV style|||||France||||||0||||||||0||||0|Paintings|Oil Painting||||17|||1688|1688||1688|1688-1688||Cotelle Gallery Series, Grand Trianon|Series||1797||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||200 x 140 cm||9314|Versailles, Grand Trianon (Trianon de Marbre)|Versailles: Grand Trianon||Gardens; Le Nôtre, André, 1613-1700; Fountains; Putti; Amphitheaters (built works); Versailles (France), Parc de||||||||||Cornell|||MNW|8/2/2004 0:00:00|||||0||||||Pal/GT|B|||||H2|7.1|| ||||||||Work|0||Part of the "Cotelle Gallery" of the Grand Trianon (Trianon de Marbre); 21 views of the chateau, gardens and fountains with mythological elements added (series completed 1691). Still in situ at the Trianon. (DOA).||||||||||0|0|Salle de Bal|Cotelle, Jean, the younger 1797.00|0|Architect|15|B-H2|Ver|7.1|Pal/GT|B-H2 Ver 7.1 Pal/GT|Cotelle Gallery Series, Grand Trianon|Descriptive|Cataloger|||||||Cotelle Gallery Series, Grand Trianon|2641|Cotelle, Jean, the younger||painter|Jean Cotelle the Younger|0||||0|||||French|||Louis XIV style|||||France||||||0|Versailles, France|||10214||||0||||0|Paintings|Oil Painting||||17|||1688|1691|ca|ca 1688-1691|ca 1688-1691||Grand Trianon|||1805||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||||9314|Versailles, Grand Trianon (Trianon de Marbre)|Versailles: Grand Trianon||Gardens; Versailles (France); Le Nôtre, André, 1613-1700||||||||||Cornell||SJW|MNW|8/2/2004 0:00:00|6/29/2004 0:00:00||Ver||0||||||Pal/GT|B|||||H2|7.1|| ||||||||Work|0||The "Cotelle Gallery" of the Grand Trianon (Trianon de Marbre); 21 views of the chateau, gardens and fountains with mythological elements added (series completed 1691). Still in situ at the Trianon. (DOA).||||Each painting approx. 200 x 140 cm||||||0|0|Cotelle Gallery Series, Grand Trianon|Cotelle, Jean, the younger 1798.00|0|Architect|02|B-H2|Ver|7.1 Pal/Gar||B-H2 Ver 7.1 Pal/Gar |Salle de Bal|Preferred|Image Source (Book)|Bosquet des Rocailles|Variant|Image Source (Vendor)||||Versailles; Salle de Bal|6869|Le Nôtre, André||landscape architect|André Le Nôtre|0||||0|||||French|||Louis XIV style|||||France||||||0||||0|Versailles, France|||10214||||0|Architecture|Amphitheaters||||17|||1680|1683||1680-1683|1680-1683|||||0||||0||||||||||||||||||||||Gardens; Shells; Fountains; Balls (parties); Dancing; Amphitheaters (built works)||||||||||Cornell||SJW|MNW|8/2/2004 0:00:00|6/29/2004 0:00:00||Ver|Ver|0||||||Pal/Gar|B|||||H2|7.1||||||||||Work|0||An outdoor amphitheater in the Roman style. It featured a fan-shaped bank of water cascades (decorated with shells) and a central dance floor surounded by an oval moat. (No longer extant).||||||||||0|0|Salle de Bal;Bosquet des Rocailles|Le Nôtre, André 1799.00|0|Creator|15|E-11|BallaG|3||E-11 BallaG 3 |Abstract Speed (Passing Car)|||||||||Abstract Speed (Passing Car)|680|Balla, Giacomo||artist|Giacomo Balla|0||||0|||||Italian|||Futurist|||||Italy||||||0||||0||||0||||0|Paintings|Painting||||20|||1913|1913||1913|1913|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||780 x 1080 cm||3290|Private Collection|: Private Coll.||Automobiles; Motion||||||||||Cornell|||SJW|6/29/2004 0:00:00||BallaG|||0|||||||E|||11||||| ||||||||Work|0||||||||||||0|0|Abstract Speed (Passing Car)|Balla, Giacomo 1800.00|0|Creator|15|35|M248-PA|1916|2|35 M248-PA 1916 2|Supremus No. 56||Online Resource|||||||Supremus No. 56|7453|Malevich, Kazimir||artist|Kazimir Malevich|0||||0|||||Russian|||Suprematist|||||Russia||||||0||||||||0||||0|Paintings|Painting||||20|||1916|1916||1916|1916|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||80.5 x 71 cm||3602|Saint Petersburg,State Russian Museum|Saint Petersburg: State Russian Mus.||||||||||||Cornell|||SJW|6/29/2004 0:00:00||M248|||0|||||||35|||||||1916| ||||||||Work|0||||||||||||0|0|Supremus No. 56|Malevich, Kazimir 1801.00|0|Creator|15|E-15|Braque|6||E-15 Braque 6 |Broc et violon|Repository|Repository|Pitcher and Violin|Translated|||||Pitcher and Violin [Broc et violon]|1523|Braque, Georges||painter|Georges Braque|0||||0|||||French|||Cubist|||||France||||||0||||||||0||||0|Paintings|Painting|Still life|||20|||1909|1910||1909-1910|1909-1910|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||117 x 73.5 cm||3456|Basel,Kunstmuseum Basel|Basel: Kunstmuseum||Musical instruments; Pitchers||||||||||Cornell|||SJW|6/29/2004 0:00:00||Braque|||0||Inv. 2285|||||E|||15||||| ||||||||Work|0||Painted Winter, 1909-1910.||||||||Collection of Raoul La Roche||0|0|Broc et violon;Pitcher and Violin|Braque, Georges 1802.00|0|Creator|15|30|W752|L192||30 W752 L192 |Lake Avernus and the Island of Capri|Repository|Repository|||||||Lake Avernus and the Island of Capri|30171|Wilson, Richard||artist|Richard Wilson|0||||0|||||British|Welsh|||||||England|Wales|||||0||||0||||0||||0|Paintings|Painting|Landscape (representation)|||18|||1760|1760|ca|ca 1760|ca 1760|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||47 X 72.4 cm||3297|London,Tate Gallery|London: Tate Gallery||Landscapes||||||||||Cornell||MNW|SJW|6/30/2004 0:00:00|6/3/2005 0:00:00|W752|||0||N00304|||||30|||||||| ||||||||Work|0||Lake Avernus (near Naples) is a site associated with Virgil's Aeneid and was thus a popular stop on the Grand Tour. Henry Hoare's lake at Stourhead may have an allegorical reference to this lake (and the Aeneid) as well. (DOA and Tate).|Several views of Lake Avernus exist, one in Philadelphia Museum of Art.|||In Tate Britain collection.||||This version may have been purchased by H. Hoare, 1760.||0|0|Lake Avernus and the Island of Capri|Wilson, Richard 1803.00|0|Creator|02|B-H2|Ver|7.1 Pal||B-H2 Ver 7.1 Pal |Château de Versailles|Assigned|Dict.Art|Versailles Palace|Descriptive|LC NAF||||Versailles Complex. Château de Versailles|6877|Le Vau, Louis||artist|Le Vau, Le Brun, Mansart et al|6888|Le Brun, Charles|||5111|Mansart, Jules Hardouin||||French|||Louis XIV style|Louis XV style||||France||||||0|Versailles, France|||10214||||0||||0|Architecture|Palace||||17|18||1631|1771|ca|ca 1631-1771|ca 1631-1771||Versailles Complex|LargerEntity||1808||||0||||||||||||||||||||||Palaces ; |Palaces|||||||||Cornell||SJW|MNW|11/6/2006 0:00:00|6/30/2004 0:00:00||Ver||0||||||Pal|B|||||H2|7.1||||||||||Work|0||Present building begun 1631. Enlarged beginning 1661 by Le Vau. Hardouin Mansart appointed to building phase 1678-1687. Interior decoration by Le Brun. Louis XV phases, 1738-1771. Restoration and museum begun 1833. (DOA)||||||||||0|0|Château de Versailles;Versailles Palace|Le Vau, Louis;Le Brun, Charles;Mansart, Jules Hardouin 1804.00|0|Architect|02|B-H2|Ver|7.1 Pal/Gar|||Versailles Gardens|Descriptive|Cataloger|||||||Versailles Complex. Chateau de Versailles. Gardens|6869|Le Nôtre, André||landscape architect|André Le Nôtre, Le Vau, Mansart et al|6877|Le Vau, Louis||architect|5111|Mansart, Jules Hardouin||architect||French|||Louis XIV style|Louis XV style||||France||||||0|Versailles, France|||10214||||0||||0|Landscape architecture|Garden||||17|18||1661|1700|ca|ca 1661-1700|ca 1661-1700||Versailles Complex|LargerEntity||1808||||0||||||||||||||||||||||Kings (people); Gardens||||||||||Cornell||SJW|MNW|3/29/2006 0:00:00|6/30/2004 0:00:00||Ver||0||||||Pal/Gar|B|||||H2|7.1||||||||||Work|0||Rudimentary work 1630's, Le Notre's major work ca. 1661-1683 (with Le Vau and Hardouin Mansart). Sculpture by numerous artists incl. Colbert, Le Brun, LeMoyne, Coyzevox, and Girardon. Restoration begun 1824; replanting ongoing. (DOA)||||||||||0|0|Versailles Gardens|Le Nôtre, André;Le Vau, Louis;Mansart, Jules Hardouin 1805.00|0|Architect|02|B-H2|Ver|7.1 Pal/GT||B-H2 Ver 7.1 Pal/GT|Grand Trianon|Collective Title|Blue Guide|||||||Versailles Complex. Grand Trianon|6877|Le Vau, Louis||architect|Louis Le Vau, Le Brun, Mansart et al|6888|Le Brun, Charles|||5111|Mansart, Jules Hardouin||||French|||Louis XIV style|Empire||||France||||||0|Versailles, France|||10214||||0||||0|Architecture|Palace||||17|18|19|1668|1805|ca||ca 1668-1805||Versailles Complex|LargerEntity||1808||||0||||||||||||||||||||||Palaces; Gardens; Kings (people)||||||||||Cornell||SJW|MNW|3/29/2006 0:00:00|6/30/2004 0:00:00||Ver||0||||||Pal/GT|B|||||H2|7.1||||||||||Work|0||Louis XIV bought area 1668; Le Vau built palace 1668-1670. Garden designed by Michel Le Bouteux, 1667-1668. Hardouin Mansart installed garden sculpture ca. 1704. Napoleon and Louis Phillipe refurnished in Empire style; murals restored 1966. (DOA)||||||||||0|0|Grand Trianon|Le Vau, Louis;Le Brun, Charles;Mansart, Jules Hardouin 1806.00|0|Architect|02|B-H2|Ver|7.1 Pal/PT||B-H2 Ver 7.1 Pal/PT|Petit Trianon|Collective Title|Blue Guide|||||||Versailles Complex. Petit Trianon|4247|Gabriel, Jacques Ange||architect|Ange-Jacques Gabriel, Mique, et al|8038|Mique, Richard||architect|0|||||French|||Louis XV style|Louis XVI style||||France||||||0|Versailles, France|||10214||||0||||0|Architecture|Palace||||18|19||1749|1805|ca|ca 1749-1805|ca 1749-1805||Versailles Complex|LargerEntity||1808||||0||||||||||||||||||||||Palaces; Gardens; Kings (people)||||||||||Cornell||SJW|MNW|3/29/2006 0:00:00|6/30/2004 0:00:00||Ver||0||||||Pal/PT|B|||||H2|7.1||||||||||Work|0||Work begun 1749. Pavillion built by Gabriel, 1762-1768. Petit Trianon and gardens given to Marie-Antoinette, 1774. Hameau (hamlet of 12 houses) built by Mique 1783-1785. Used during Empire period; interiors now restored to 1774-1789 period. (DOA)||||||||||0|0|Petit Trianon|Gabriel, Jacques Ange;Mique, Richard 1807.00|0|Architect|02|B-H2|Ver|7.1 PT/Ham||B-H2 Ver 7.1 PT/Ham|Hameau|Descriptive|Dict.Art|||||||Versailles Complex. Petit Trianon, Hameau|8038|Mique, Richard||architect|Richard Mique|0||||0|||||French|||Louis XVI style|||||France||||||0|Versailles, France|||10214||||0||||0|Architecture|||||18|||1783|1785||1783-1785|1783-1785||Petit Trianon|LargerEntity||1806||||0||||||||||||||||||||||||||||||||Cornell||SJW|MNW|3/29/2006 0:00:00|6/30/2004 0:00:00||Ver||0||||||PT/Ham|B|||||H2|7.1||||||||||Work|0||Petit Trianon and gardens given to Marie-Antoinette, 1774. Hameau (hamlet of 12 "peasant" houses) built by Mique 1783- 1785. Buildings include Moulin with waterwheel, Boudoir, Réchauffoir, Maison du Garde, Maison de la Reine. (DOA)||||||||||0|0|Hameau|Mique, Richard 1808.00|0|Architect|02|B-H2|Ver|7.1 Site 1||B-H2 Ver 7.1 Site|Versailles Complex|Descriptive|Cataloger|||||||Versailles Complex|0|||||0||||0|||||French||||||||France||||||0|Versailles, France|||10214||||0||||0|Architecture|Palace|Park (grounds)|Garden||17|18|19|1631|1837|ca|ca 1631-1837|ca 1631-1837|||||0||||0||||||||||||||||||||||Gardens ; Palaces ; |Gardens|Palaces||||||||Cornell||SJW|MNW|11/6/2006 0:00:00|7/1/2004 0:00:00||Ver||0||||||Site|B|||||H2|7.1||||||||||Work|0|Architecture-France|Entire cultural heritage site inlcuding chateau, grounds, Petit Trianon, Grand Trianon. Building programs and decoration spans the reigns of Louis XIII, Louis XIV, Louis XV, Louis XVI, Napoleon and Louis Phillipe.|Use for entire cultural heritage site, excluding the surrounding town.|||||||||0|0|Versailles Complex| 1809.00|0|Creator|15|B-H2|Ver|7.1 Site 1||B-H2 Ver 7.1 Site 1 |Plan of Versailles|Descriptive|Cataloger|Plan de Versailles, du Petit Parc et de ses Dependancés|Inscribed|Image Source (Book)||||Versailles. Plan of Versailles|3043|Delagrive, Jean||draftsman|Jean Delagrive|6869|Le Nôtre, André|after|architect|0|||||French|||Louis XIV style|||||France||||||0||||0||||0||||0|Prints|Plan views|Engraving (Print)|||18|||1746|1746||1746|1746-1746||Versailles Complex|||1808||||0|||||Ink on paper|ink|paper||||drawing (image-making)|printmaking|engraving (printing process)|||61.5 x 92 cm (plate impression)||3655|Paris,Bibliotheque Nationale|Paris: Bib. Nat.||Palaces; Gardens||||||||||Cornell||SJW|MNW|8/2/2004 0:00:00|7/1/2004 0:00:00||Ver||0||||||Site 1|B|||||H2|7.1|| ||||||||Work|0||Drawn by Delagrive after Le Notre's work. Paris: Published / printed by Fourneau, 1746.||||||||||0|0|Plan of Versailles;Plan de Versailles, du Petit Parc et de ses Dependancés|Delagrive, Jean;Le Nôtre, André 1810.00|0|Architect|15|B-H2|Ver|7.1|Pal/Gar|B-H2 Ver 7.1 Pal/Gar|Maze|Descriptive|Dict.Art|Labyrinth|Translated|Cataloger||||Versailles; Maze|6869|Le Nôtre, André||landscape architect|André Le Nôtre|0||||0|||||French|||Louis XIV style|||||France||||||0|||||Versailles, France|||10214||||0|Landscape (Environment)|Garden||||17|||1667|1688|ca|ca 1667-1688|ca 1667-1688||Versailles Gardens|||1804||||0||||||||||||||||||||||Labyrinths; Gardens||||||||||Cornell|||MNW|8/2/2004 0:00:00|||Ver|Ver|0||||||Pal/Gar|B|||||H2|7.1||||||||||Work|0||Originally located at the S edge of the grounds (W of the Orangerie); contained sculptures and fountains. The Labyrinthe was replaced by the Jardin de la Reine in 1774 (reign of Louis XVI). (DOA)||||||||||0|0|Maze;Labyrinth|Le Nôtre, André 1811.00|0|Creator|15|B-H2|Ver|7.1|Pal|B-H2 Ver 7.1 Pal|View of Versailles|Descriptive|Dict.Art|||||||View of Versailles|8966|Patel, Pierre, I||painter|Pierre Patel, I|0||||0|||||French|||Louis XIV style|||||France||||||0||||||||0||||0|Paintings|Oil Painting||||17|||1668|1668||1668|1668-1668|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||115 x 161 cm||3383|Versailles,Mus.national du Chateau de Versailles et des Trianons|Versailles: Mus. Nac. du Chateau||Palaces; Gardens; Kings (people)||||||||||Cornell|||MNW|8/2/2004 0:00:00|||Ver||0||||||Pal|B|||||H2|7.1|| ||||||||Work|0||Between 1668 and 1676 Patel painted a series of views of royal palaces; the View of Versailles is the only one to survive. (DOA)||||||||||0|0|View of Versailles|Patel, Pierre, I 1812.00|0|Architect|02|B-H2|Ver|7.1|Pal|B-H2 Ver 7.1 Pal|Galerie des Glaces|Original|Dict.Art|Hall of Mirrors|Translated|Cataloger||||Versailles; Galerie des Glaces (Hall of Mirrors)|5111|Mansart, Jules Hardouin||architect|Jules Hardouin Mansart; Charles Le Brun|6888|Le Brun, Charles||painter|0|||||French|||Louis XIV style|||||France||||||0|Versailles, France|||10214||||0||||0|Architecture|Palace|Halls|||17|||1678|1687|ca|ca 1678-1687|ca 1678-1687||Château de Versailles (Versailles, France)|||1803||||0||||||||||||||||||||||Palaces; Kings (people); Mirrors||||||||||Cornell|||MNW|8/2/2004 0:00:00|||Ver||0||||||Pal|B|||||H2|7.1||||||||||Work|0||Arcade with 17 mirrors facing windows looking into gardens. Vault 73 meters long, decorated with allegorical paintings by Le Brun proclaiming the achievements of Louis XIV in the years 1661-1678. (DOA)||||||||||0|0|Galerie des Glaces;Hall of Mirrors|Mansart, Jules Hardouin;Le Brun, Charles 1813.00|0|Creator|02|B-H2|Ver|7.1|Pal/Cha|B-H2 Ver 7.1 Pal/Cha|Versailles; Chapel|Descriptive|Dict.Art|||||||Versailles Complex. Chapel|5111|Mansart, Jules Hardouin||architect|Jules Hardouin Mansart|30172|Cotte, Robert de||architect|0|||||French|||Louis XIV style|||||France||||||0|Versailles, France|||10214||||0||||0|Architecture|Chapel|Palace|||17|18||1699|1710||1699-1710|1699-1710||Versailles Complex|LargerEntity||1808||||0||||||||||||||||||||||Chapels; Kings (people)||||||||||Cornell||MNW|CLL|8/30/2004 0:00:00|3/29/2006 0:00:00||Ver||0||||||Pal/Cha|B|||||H2|7.1||||||||||Work|0||Last building errected during Louis XIV's reign. Plans prepared by Hardouin Mansart; finished by Robert de Cotte. (DOA)|||Dedicated in 1710.|||||||0|0||Mansart, Jules Hardouin;Cotte, Robert de 1814.00|0|Creator|02|B-G1|Chis|7.1 ChisHs|ChiHs|B-G1 Chis 7.1 ChiHs|Chiswick House|Assigned|Dict.Art|||||||Chiswick House|1802|Boyle, Richard, 3rd Earl of Burlington||architect|Richard Boyle, 3rd Earl of Burlington|6228|Kent, William||interior designer|0|||||English|British|||||||England|British Isles|||||0|London, England|||10018||||0||||0|Architecture|House|Villa|||18|||1725|1729||1725-1729|1725-1729|||||0||||0||||||||||||||||||||||Palladian motifs||||||||||Cornell||GB|GB|11/17/2006 0:00:00|11/17/2006 0:00:00||Chis||0||||||ChisHs|B|||||G1|7.1||||||||||Work|0|Architecture-England|Located c. 12 km west of central London in Chiswick, in the Greater London borough of Hounslow. Built to Burlington's designs; William Kent did interiors. (DOA)|See separate work record for Chiswick House Gardens.|||||||||0|0|Chiswick House|Boyle, Richard, 3rd Earl of Burlington;Kent, William 1815.00|0|Creator|02|B-G1|Chis|7.1 ChiHs|ChiHs|B-G1 Chis 7.1 ChiHs|Chiswick House Gardens|Assigned|Dict.Art|||||||Chiswick House. Gardens|1802|Boyle, Richard, 3rd Earl of Burlington||architect|Richard Boyle & William Kent|6228|Kent, William||landscape architect|0|||||English|British|||||||England|British Isles|||||0|London, England|||10018||||0||||0|Architecture|Landscape (Environment)|Garden|||18|||1715|1738|ca|ca 1715-1738|ca 1715-1738||Chiswick House|||1814||||0||||||||||||||||||||||Gardens ; |Gardens|||||||||Cornell||SJW|GB|11/17/2006 0:00:00|7/2/2004 0:00:00||Chis||0||||||ChiHs|B|||||G1|7.1||||||||||Work|0|Architecture-England|Work began 1715. A patte d’oie or goose-foot arrangement of three avenues terminated in small buildings, only one, Rustic House survives. William Kent worked on enlarged gardens and canal, 1730's. DOA.||||||||||0|0|Chiswick House Gardens|Boyle, Richard, 3rd Earl of Burlington;Kent, William 1816.00|0|Creator|03|B-G1|Sto|7.1|Sto/BritWor|B-G1 Sto 7.1 Sto/BritWor|Temple of British Worthies|||||||||Stowe; Temple of British Worthies|6228|Kent, William||architect|William Kent|0||||0|||||English|British|||||||England|British Isles|||||0|Stowe, England|||10215||||0||||0|Architecture|Sculpture|Temple|||18|||1735|1735|ca|ca 1735|ca 1735||Stowe [House and Gardens]|||1817||||0||||||||||||||||||||||Gardens||||||||||Cornell|||SJW|7/2/2004 0:00:00|||Sto||0||||||Sto/BritWor|B|||||G1|7.1||||||||||Work|0||Part of Kent's Elysian Fields area of Stowe grounds.||||||||||0|0|Temple of British Worthies|Kent, William 1817.00|0|Creator|02|B-G1|Sto|7.1|Sto/|B-G1 Sto 7.1 Sto|Stowe [House and Gardens]|||||||||Stowe [House and Gardens]|12151|Vanbrugh, John||architect|Vanbrugh, Bridgeman, Kent et al|1576|Bridgeman, Charles|||6228|Kent, William||||English|British|||||||England|British Isles|||||0|Stowe, England|||10215||||0||||0|Architecture|House|Garden|||17|18||1680|1775|ca|ca 1680-1775|ca 1680-1775|||||0||||0||||||||||||||||||||||Houses; Gardens||||||||||Cornell||SJW|SJW|7/2/2004 0:00:00|7/2/2004 0:00:00||Sto||0||||||Sto/|B|||||G1|7.1||||||||||Work|0||House built ca. 1680; Vanbrugh engaged in project ca. 1718. Garden designed by the 1st Earl, Bridgeman, Kent, James Gibbs and Capability Brown. The 2nd Earl and Giovanna Borra reworked house and grounds, ca. 1750's. (DOA)||||||||||0|0|Stowe [House and Gardens]|Vanbrugh, John;Bridgeman, Charles;Kent, William 1818.00|0|Creator|02|B-G1|Sto|7.1|Sto/Got|B-G1 Sto 7.1 Sto/Got|Gothic Temple of Liberty||Dict.Art|||||||Stowe; Gothic Temple of Liberty|4449|Gibbs, James||architect|James Gibbs|0||||0|||||English|British|||||||England|British Isles|||||0|Stowe, England|||10215||||0||||0|Architecture|Garden|Temple|||18|||1741|1747||1741-1747|1741-1747||Stowe [House and Gardens]|||1817||||0||||||||||||||||||||||Gardens||||||||||Cornell||SJW|SJW|7/2/2004 0:00:00|7/2/2004 0:00:00||Sto||0||||||Sto/Got|B|||||G1|7.1||||||||||Work|0||One of the ornamental garden buildings at Stowe.||||||||||0|0|Gothic Temple of Liberty|Gibbs, James 1819.00|0|Creator|02|B-G1|Stou|7.1||B-G1 Stou 7.1 |Stourhead|Preferred|Dict.Art|||||||Stourhead|1945|Campbell, Colen||architect|Campbell, Flitcroft, Hoare et al|3950|Flitcroft, Henry||architect|30174|Hoare, Henry||landscape architect||English|British||Romantic|||||England|British Isles|||||0|Stourton, England|||10216||||0||||0|Architecture|House|Garden|||18|||1721|1772|ca|ca 1721-1772|ca 1721-1772|||||0||||0||||||||||||||||||||||Houses ; Gardens ; Landscapes ; |Houses|Gardens|Landscapes|||||||Cornell||SJW|MNW|11/17/2006 0:00:00|7/6/2004 0:00:00||Stour||0|||||||B|||||G1|7.1||||||||||Work|0||House built by Campbell for H. Hoare the elder (1721-1724); garden laid out by Henry Hoare the younger (1741-1772) assisted by Henry Flitcroft. Various garden buildings by Flitcroft; the whole program may relate to the Aeneid. (DOA)||||||||||0|0|Stourhead|Campbell, Colen;Flitcroft, Henry;Hoare, Henry 1820.00|0|Creator|15|B-G1|Stou|7.1|1-1|B-G1 Stou 7.1 1-1|Plan of Stourhead|Descriptive|Cataloger|||||||Stourhead. Plan of Stourhead|9250|Piper, Frederik Magnus||draftsman|Frederik Magnus Piper|0||||0|||||English|||Romantic|||||England||||||0|Stourton, England|||10216||||0||||0|Architecture|Plan views|Garden|||18|||1779|1779||1779|1779||Stourhead|Larger entity||1819||||0|||||||||||drawing (image-making)|||||||9315|Stockholm, Kungliga konsthögskolan (Royal Art Academy) Kungliga konsthögskolan|Stockholm: Art Academy||Gardens||||||||||Cornell||JNK|GB|11/20/2006 0:00:00|3/3/2006 0:00:00||Stou||0|||||||B|||||G1|7.1|| ||||||||Work|0||Plan drawn by Piper, 1779. (After work by Campbell, Hoare and Flitcroft, 1721-1772).||||||||||0|0|Plan of Stourhead|Piper, Frederik Magnus 1821.00|0|Architect|02|B-G1|Stour|7.1|Rock|B-G1 Stour 7.1 Rock|Rock Arch|Descriptive|Cataloger|||||||Stourhead. Rock Arch|3950|Flitcroft, Henry||architect|Henry Flitcroft|0||||0|||||English|British||Romantic|||||England|British Isles|||||0|Stourton, England|||10216||||0||||0|Architecture|Arch|Garden|||18|||1765|1765||1765|1765||Stourhead|Larger entity||1819||||0||||||||||||||||||||||Gardens||||||||||Cornell||JNK|GB|11/20/2006 0:00:00|3/3/2006 0:00:00||Stou||0||||||Rock|B|||||G1|7.1||||||||||Work|0||||||||||||0|0|Rock Arch|Flitcroft, Henry 1822.00|0|Architect|03|B-G1|Stour|7.1|/Sto|B-G1 Stour 7.1 /Sto|Stone Bridge|Descriptive|Cataloger|||||||Stourhead. Stone Bridge|3950|Flitcroft, Henry||architect|Henry Flitcroft, Henry Hoare|30174|Hoare, Henry||architect,adjunct|0|||||English|British||Romantic|||||England|British Isles|||||0|Stourton, England|||10216||||0||||0|Architecture|Bridge (Built work)|Garden|||18|||1762|1762|ca|ca 1762|ca 1762||Stourhead|LargerEntity||1819||||0||||||||||||||||||||||Gardens; Bridges||||||||||Cornell||JNK|GB|11/20/2006 0:00:00|3/17/2006 0:00:00||Stou||0||||||/Sto|B|||||G1|7.1||||||||||Work|0||Another feature of Stourhead is the stone bridge of five arches (begun 1762), based on a bridge by Palladio in Vicenza. (DOA)||||||||||0|0|Stone Bridge|Flitcroft, Henry;Hoare, Henry 1823.00|0|Architect|02|B-G1|Stour|7.1|TFlo|B-G1 Stour 7.1 TFlo|Temple of Flora|Assigned|Dict.Art|Temple of Ceres|Former|Dict.Art||||Stourhead. Temple of Flora|3950|Flitcroft, Henry||architect|Henry Flitcroft|0||||0|||||English|British||Romantic|||||England|British Isles|||||0|Stourton, England|||10216||||0||||0|Architecture|Garden|Temple|||18|||1744|1746||1744-1746|1744-1746||Stourhead|Larger entity||1819||||0||||||||||||||||||||||Gardens; Flora||||||||||Cornell||JNK|GB|11/20/2006 0:00:00|3/3/2006 0:00:00||Stou||0||||||TFlo|B|||||G1|7.1||||||||||Work|0||Originally named Temple of Ceres; renamed Temple of Flora. A small classical building fronted with a Tuscan Doric portico. (DOA)||||||||||0|0|Temple of Flora;Temple of Ceres|Flitcroft, Henry 1824.00|0|Architect|02|B-G1|Stour|7.1|Con|B-G1 Stour 7.1 Con|The Convent|Assigned|Dict.Art|Convent in the Wood||Online Resource||||Stourhead. Convent in the Wood|3950|Flitcroft, Henry||architect|Henry Flitcroft|30174|Hoare, Henry|||0|||||English|British||Romantic|||||England|British Isles|||||0|Stourton, England|||10216||||0||||0|Architecture|House||||18|||1765|1790|ca|ca 1765-1790|ca 1765-1790||Stourhead|Larger entity||1819||||0||||||||||||||||||||||Gardens||||||||||Cornell||JNK|GB|11/20/2006 0:00:00|3/3/2006 0:00:00||Stou||0||||||Con|B|||||G1|7.1||||||||||Work|0||One of two "Gothick" cottages built near King Alfred's Tower. (DOA)|http://www.alfredstower.info/convent.htm|||||||||0|0|The Convent;Convent in the Wood|Flitcroft, Henry;Hoare, Henry 1825.00|0|Creator|15|E-12|PicassoP|1912||E-12 PicassoP 1912 3|Still Life (Dead Birds)|Assigned|Dict.Art|||||||Still Life (Dead Birds)|9196|Picasso, Pablo||painter|Pablo Picasso|0||||0|||||Spanish|French||Cubist|||||Spain|France|||||0||||||||0||||0|Paintings|Painting|Still life|||20|||1912|1912||1912|1912|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||46 x 65 cm||4214|Madrid, Museo Nacional Centro de Arte Reina Sofia|Madrid: Centro De Arte Reina Sofia||||||||||||Cornell|||SJW|7/12/2004 0:00:00||PicassoP|||0|||||||E|||12||||1912| ||||||||Work|0||||||Moved from the Prado, (former) Inv. 7078.||||||0|0|Still Life (Dead Birds)|Picasso, Pablo 1826.00|0|Architect|02|B-B10|DisW|7.1|Cas|B-B10 DisW 7.1 Cas|Cinderella Castle|||||||||Cinderella Castle|30175|HuntonBrady Architects||architectural firm|HuntonBrady Architects|0||||0|||||American||||||||United States||||||0|Walt Disney World; Orlando, FL|||10218||||0||||0|Architecture|Amusement park|Castle|||20|||1971|1971||1971|1971|||||0||||0||||||||||||||||||||||Fantasy; Folklore; Parks||||||||||Cornell|||SJW|7/12/2004 0:00:00|||DisW||0||||||Cas|B|||||B10|7.1||||||||||Work|0||||||||||||0|0|Cinderella Castle|HuntonBrady Architects 1827.00|0|Architect|02|MA-Graves|6.1|1991|TDis|MA-Graves 6.1 1991 TDis|Team Disney Building [CA]|Assigned|Image Source (Book)|||||||Team Disney Building [CA]|4751|Graves, Michael||architect|Michael Graves||||architectural firm|0|||||American|||Postmodern|||||United States||||||0|Walt Disney Productions; Burbank, CA|||10219||||0||||0|Architecture|Office building||||20|||1991|1991||1991|1991|||||0||||0||||||||||||||||||||||Dwarfs; Caryatids; Fantasy; Folklore||||||||||Cornell|||SJW|7/12/2004 0:00:00||Graves|Tdis||0||||||TDis|MA||||||6.1|1991|||||||||Work|0||Part of the Disney Studio lot. There is also a Team Disney Corporate Offices building in Orlando, FL (by Arata Isozaki).||||||||||0|0|Team Disney Building [CA]|Graves, Michael 1828.00|0|Architect|02|B-B33|NYC|2.32|Cen|B-B33 NYC 2.32 Cen|Central Park|||||||||Central Park|8708|Olmsted, Frederick Law||landscape architect|Frederick Law Olmsted, Calvert Vaux|12198|Vaux, Calvert||landscape architect|0|||||American||||||||United States||||||0|New York, NY|||10060||||0||||0|Architecture|Landscape (Environment)|Park (grounds)|||19|||1857|1877|ca|ca 1857-1877|ca 1857-1877|||||0||||0||||||||||||||||||||||Parks; Landscapes; Urban landscapes||||||||||Cornell|||SJW|7/13/2004 0:00:00|||NYC||0||||||Cen|B|||||B33|2.32||||||||||Work|0||Dates from DOA. 1877 is the date that Olmsted's position in the NYC Department of Parks was abolished.||||||||||0|0|Central Park|Olmsted, Frederick Law;Vaux, Calvert 1829.00|0|Architect|02|B-B33|NYC|2.32|Cen/Dove|B-B33 NYC 2.32 Cen/Dove|Central Park; Dove Cottage|||||||||Central Park; Dove Cottage|8708|Olmsted, Frederick Law||landscape architect|Frederick Law Olmsted, Calvert Vaux|12198|Vaux, Calvert||landscape architect|0|||||American||||||||United States||||||0||||0|New York, NY|||0||||0|Architecture|Park (grounds)|Dovecotes|||19|||1858|1863|ca|ca 1858-1863|ca 1858-1863||Central Park|||1828||||0||||||||||||||||||||||Parks; Doves||||||||||Cornell|||SJW|7/13/2004 0:00:00|||NYC||0||||||Cen/Dove|B|||||B33|2.32||||||||||Work|0||No longer extant. View of completed building published by Hufnagel, 1863.||||||||||0|0|Central Park; Dove Cottage|Olmsted, Frederick Law;Vaux, Calvert 1830.00|0|Creator|08|O-Bentham|1787|Panopticon|6|O-Bentham 1787 Panopticon 6|Panopticon: or, the Inspection-House|Published|Online Resource|||||||Panopticon: or, the Inspection-House|1038|Bentham, Jeremy||author|Jeremy Bentham|0||||0|||||English||||||||England||||||0||||0||||0||||0|Architectural Theory|Book|Illustration|||18|||1787|1787||1787|1787|||||0||||0||||||ink|paper||||printing|||||||1553|London,London University, University College London (UCL)|London: Univ.; Univ. College (UCL)||Architectural theory; Architecture models; Prisons||||||||||Cornell|||SJW|7/13/2004 0:00:00||Bentham|||0||Catalogue Ref. BENTHAM||||Panopticon|O|||||||1787| ||||||||Work|0||"Containing the idea of a new principle of construction applicable to ... penitentiary-houses, prisons,…" The work is from a series of letters written in 1787; published in Dublin by Thomas Byrne, 1791, with illustrations.||||||||||0|0|Panopticon: or, the Inspection-House|Bentham, Jeremy 1831.00|0|Architect|02|O-Bentham|1787|Panopticon|5|O-Bentham 1787 Panopticon 5|Pentonville Prison|||||||||Pentonville Prison|1038|Bentham, Jeremy||planner|Jeremy Bentham, Joshua Jebb|30176|Jebb, Joshua|||0|||||English|British|||||||England|British Isles|||||0|London, England|||10018||||0||||0|Architecture|Prisons||||19|||1840|1842||1840-1842|1840-1842|||||0||||0||||||||||||||||||||||Architectural theory; Architecture models; Prisons||||||||||Cornell|||SJW|7/13/2004 0:00:00||Bentham|Lon||0||||||Panopticon|O|||||||1787|||||||||Work|0||Based on Bentham's principles laid out in the Panopticon (1787; published 1791). Started 10th of April 1840 and was completed in 1842; cost was £84,186 12s 2d. Plans furnished by Lieut.-Col. Joshua Jebb, RE. Pentonville is still a London prison.||||||||||0|0|Pentonville Prison|Bentham, Jeremy;Jebb, Joshua 1833.00|0|Architect|02|O-Bentham|1787|Panopticon|2|O-Bentham 1787 Panopticon 2|Rotary Jail of Montgomery County, IN|||||||||Rotary Jail of Montgomery County, IN|30178|Brown, William H.||architect|William H. Brown, Benjamin F. Haugh after Bentham|30177|Haugh, Benjamin F.||architect|1038|Bentham, Jeremy|after|planner||American||||||||United States||||||0|Crawfordsville, IN|||10222||||0||||0|Architecture|Prisons||||19||||1882||-1882|-1882|||||0||||0||||||||||||||||||||||Architectural theory; Architecture plans; Prisons||||||||||Cornell|||SJW|7/14/2004 0:00:00|||||0||||||Panopticon|O|||||||1787|||||||||Work|0||225 N. Washington Street, Crawfordsville, Indiana. On National Register of Historic Places. Rotary mechanism turning 16 cells still operates. Based on Bentham's Panopticon.|Completed in 1882, the Rotary Jail of Montgomery County was designed by William H. Brown and Benjamin F. Haugh of Indianapolis, and was the first rotary jail built in the United States.|||||||||0|0|Rotary Jail of Montgomery County, IN|Brown, William H.;Haugh, Benjamin F.;Bentham, Jeremy 1834.00|0|Architect|02|MA-Tatlin|1.0|Mon|1919-20|MA-Tatlin 1.0 Mon 1919-20|Monument to the Third International|Published|Dict.Art|Tatlin's Tower|Variant|Dict.Art||||Monument to the Third International|11631|Tatlin, Vladimir||painter|Vladimir Tatlin|0||||0|||||Russian|Soviet||Constructivist|||||Russia|||Moscow, Russia|||10328||||0||||0||||0|Architecture|Model (Representation)|Government office building|||20|||1919|1920||1919-1920|1919-1920|||||0||||0||||||||||||||||||||||Utopia; Political science; Lenin, Vladimir Il´ich, 1870-1924||||||||||Cornell||MNW|SJW|7/14/2004 0:00:00|3/29/2006 0:00:00|Tatlin|||0||||||Mon|MA|||||||1919-20|||||||||Work|0||Destroyed. Reconstructions have been made. (e.g. 1968; Stockholm, Mod. Mus.) Model for a tower that would hold assembly halls for world government. Part of Lenin's Plan for Monumental Propaganda. (DOA).|||Destroyed|||||||0|0|Monument to the Third International;Tatlin's Tower|Tatlin, Vladimir 1836.00|0|Creator|15|MA-Lissitsky|2.2|1920-24|Len|MA-Lissitsky 2.2 1920 Len|Lenin Podium [project]|Descriptive|Dict.Art|||||||Lenin Podium [project]|7121|Lissitzky, El||artist|El Lissitzky|0||||0|||||Russian|Soviet|||||||Russia||||||0||||||||0||||0|Architecture|Model (Representation)|Photocollage|Drawing||20|||1920|1924||1920-1924|1920-1924|||||0||||0|||||Photocollage and drawing on paper|paper|photo paper|ink|||painting (image-making)|drawing (image-making)|photography|||||1777|Moscow,Tret'yakov Gallery(Gosudarstvennaja Tret'jakovskaja Gal.)|Moscow: Tret'yakov Gal.||Lecterns; Lenin, Vladimir Il´ich, 1870-1924; Political science||||||||||Cornell|||SJW|7/14/2004 0:00:00|||||0||||||||||||||| ||||||||Work|0||Starting in 1920 the Unovis collective devised a plan to support a series of platforms upon a girder diagonally rising from a red cube. Lissitzky evolved the Lenin Podium project of 1924 from this. (DOA)||||||||||0|0|Lenin Podium [project]|Lissitzky, El 1837.00|0|Architect|02|MA-Lissitzky|6.1|1925|Wol|MA-Lissitzky 6.1 1925 Wol|Wolkenbügel (Cloud-Iron) in Nikitskii Square Montage|Repository|Repository|Wolkenbügel (Cloudprop) Photomontage|Assigned|Dict.Art||||Wolkenbügel (Cloud-Iron) in Nikitskii Square Montage|7121|Lissitzky, El||artist|El Lissitzky|0||||0|||||Russian|Soviet||Constructivist|||||Russia||||||0||||||||0||||0|Architecture|Model (Representation)|Photomontage|Office building||20|||1925|1925||1925|1925||Wolkenbügel (Cloud-Iron) in Nikitskii Square [project]|||||||0|||||Photomontage showing project in site||||||photography|||||||3508|Los Angeles, J. Paul Getty Museum|Los Angeles: J. Paul Getty Mus.||Architecture models; Apartment houses; Office buildings||||||||||Cornell|||SJW|7/14/2004 0:00:00||Lissitzky|||0||950076, b. 2||||Wol|MA||||||6.1|1925| ||||||||Work|0||This (unrealized) three-legged skyscraper, surmounted and joined together by horizontal, cantilevered and massive accommodation blocks, was to be repeated at various points in the city. (DOA)||||||||||0|0|Wolkenbügel (Cloud-Iron) in Nikitskii Square Montage;Wolkenbügel (Cloudprop) Photomontage|Lissitzky, El 1838.00|0|Architect|02||||||Wolkenbügel (Cloud-Iron) in Nikitskii Square [project]|Repository|Repository|Wolkenbügel (Cloudprop)|Assigned|Dict.Art||||Wolkenbügel (Cloud-Iron) in Nikitskii Square [project]|7121|Lissitzky, El||artist|El Lissitzky|0||||0|||||Russian|Soviet||Constructivist|||||Russia||||||0||||0||||0||||0|Architecture|||||20|||1924|1925|ca|ca 1924-1925|ca 1924-1925|||||0||||0||||||||||||||||||||||Architecture plans; Apartment houses; Office buildings||||||||||Cornell||SJW|SJW|7/14/2004 0:00:00|7/14/2004 0:00:00||||0|||||||||||||||||||||||Work|0||This (unrealized) three-legged skyscraper, surmounted and joined together by horizontal, cantilevered and massive accommodation blocks, was to be repeated at various points in the city. (DOA)||||||||||0|0|Wolkenbügel (Cloud-Iron) in Nikitskii Square [project];Wolkenbügel (Cloudprop)|Lissitzky, El 1839.00|0|Architect|02|O-Lissitzky|| Russland|26|O-Lissitzky Russland 26|Wolkenbügel (Cloud-Iron) in Nikitskii Square; Printed illustration of aerial plan|Repository|Repository|||||||Wolkenbügel (Cloud-Iron) in Nikitskii Square; Printed illustration of aerial plan|7121|Lissitzky, El||artist|El Lissitzky|0||||0|||||Russian|Soviet||Constructivist|||||Russia||||||0||||0||||0||||0|Architecture||||||||1924|1925|ca|ca 1924-1925|ca 1924-1925||Wolkenbügel (Cloud-Iron) in Nikitskii Square [project]|||1838||||0|||||Printed illustration|ink|paper||||printing|||||||3508|Los Angeles, J. Paul Getty Museum|Los Angeles: J. Paul Getty Mus.||Architecture plans; Office buildings; Apartment houses||||||||||Cornell||SJW|SJW|7/14/2004 0:00:00|7/14/2004 0:00:00|Lissitzky|||0||950076, b. 2||||Russland|O|||||||| ||||||||Work|0||||||||||||0|0|Wolkenbügel (Cloud-Iron) in Nikitskii Square; Printed illustration of aerial plan|Lissitzky, El 1882.00|0|Architect|02|B-M2|Egypt|3.4 Pyr|2|B-M2 Egypt 3.4 Pyr 2|Egyptian Pyramids|||||||||Egyptian Pyramids|0|||||0||||0|||||Egyptian|||Old Kingdom|||||Egypt||||||0||||0||||0||||0|Archaeological Sites|Pyramid (Tomb)|||BCE||||2700|2190|ca|ca. 2550-2460 BCE|ca -2700- ca -2190|||||0||||0||||||||||||||||||||||Tombs; Burials; Pyramids (tombs)||||||||||Cornell|||CLL|8/12/2004 0:00:00|||Egypt||0||||||Pyr|B|||||M2|3.4||||||||||Work|0||||||||||||0|0|Egyptian Pyramids| 1883.00|0|Architect|02|B-M2|Beni|3.3||B-M2 Beni 3.3 |Beni Hasan Necropolis|Descriptive|Cataloger|||||||Beni Hasan Necropolis|0|||||0||||0|||||Egyptian|||Middle Kingdom|||||Egypt||||||0|Beni Hasan, Egypt|||10227||||0||||0|Archaeological Sites|Tomb|||BCE||||2040|1674|ca|ca 2040-ca 1674 BCE|ca -2040-ca -1674|||||0||||0||||||||||||||||||||||Burials; Rock-cut tombs||||||||||Cornell|||MNW|8/2/2004 0:00:00|||Beni||0|||||||B|||||M2|3.3||||||||||Work|0||Vast necropolis of over 900 tombs dating from Old and Middle Kingdoms about 250 km south of Cairo. Tombs contain some of the most important wall paintings in Middle Egypt. (DOA)||||||||||0|0|Beni Hasan Necropolis| 1884.00|0||02||||||Cartoon from Life caricaturing the non-implementation of the Tarsney Act, 1894|Assigned|Image Source (Book)|||||||Cartoon from Life caricaturing the non-implementation of the Tarsney Act, 1894|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Cartoon|Political cartoon||||19||||1894||-1894|-1894|||||0||||0||||||ink|paper||||printing|||||||||||Public buildings; Architects; Architecture plans||||||||||Cornell||JNK|JNK|7/20/2004 0:00:00|7/19/2004 0:00:00||||0|||||||||||||||||||||||Work|0|||The slide for this image came from an unknowwn source and is not part of the KVRF collection. Secretary of Treasury John Carlisle, who refused to honor the Tarsney Act, is depicted as the central robed figure sstriking down ART. (notes/Mary Woods).|||||||||0|0|Cartoon from Life caricaturing the non-implementation of the Tarsney Act, 1894| 1885.00|0|Architect|02|B-M2|Egypt|3.3|Mas|B-M2 Egypt 3.3 Mas|Typical Old Kingdom Mastabas|Collective Title|Cataloger|||||||Typical Old Kingdom Mastabas|0|||||0||||0|||||Egyptian|||Old Kingdom|||||Egypt||||||0||||0||||0||||0|Archaeological Sites|Tomb|||BCE||||2700|2190|ca|ca 2700-ca 2190 BCE|ca - 2700-ca -2190|||||0||||0||||||||||||||||||||||Tombs; Burials||||||||||Cornell|||MNW|8/2/2004 0:00:00|||Egypt||0||||||Mas|B|||||M2|3.3||||||||||Work|0||The mastaba form was the first above-ground Egyptian tomb. Some of the earliest are found at Saqqara dating from ca. 3200 BCE. (First Dynasty). Mastaba is from the Arabic for 'bench.' (Tractenberg)||||||||||0|0|Typical Old Kingdom Mastabas| 1886.00|0||02||||||McMillan Commission plan for Washington, DC|Assigned|Cataloger||||||||1812|Burnham, Daniel H., Jr.||||7784|McKim, Charles Follen|||8708|Olmsted, Frederick Law||||American||||||||United States||||||0||||0||||0||||0|Architecture|Architectural drawing|City planning|||19|||1901|1902||1901-1902|1901-1902|||||0||||0||||||watercolors|paper||||architectural drawing|||||||9320|Washington, DC, US Commission of Fine Arts|Wash, DC: US Commission of Fine Arts||Washington, District of Columbia||||||||||Cornell||JNK|JNK|7/21/2004 0:00:00|7/20/2004 0:00:00||||0||||||||||||||| ||||||||Work|0|Architecture - Washington (DC)||This image comes from the private collection of Mary Woods.|||||||||0|0|McMillan Commission plan for Washington, DC|Burnham, Daniel H., Jr.;McKim, Charles Follen;Olmsted, Frederick Law 1887.00|0||02||||||American Institution of Architects, Circular from March 23, 1837|Assigned|Scholar||||||||12466|Walter, Thomas Ustick||architect|Thomas Ustick Walter|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Architecture|Letter (correspondence)||||19||||1837|||-1837|||||0||||0||||||ink|paper|||||||||||3764|New York,Columbia University,Avery Architectural Library|New York: Columbia; Avery Lib.||By-laws||||||||||Cornell||JNK|JNK|7/21/2004 0:00:00|7/20/2004 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|American Institution of Architects, Circular from March 23, 1837|Walter, Thomas Ustick 1888.00|0||02||||||American Institute of Architects Constitution, 1857|Assigned|Scholar||||||||0|||||0||||0|||||American||||||||||||||0||||0||||0||||0|Architecture|Letter (correspondence)||||19||||1858|||-1858|||||0||||0||||||ink|paper|||||||||||3764|New York,Columbia University,Avery Architectural Library|New York: Columbia; Avery Lib.||Walter, Thomas Ustick, 1804-1887||||||||||Cornell||JNK|JNK|7/21/2004 0:00:00|7/20/2004 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|American Institute of Architects Constitution, 1857| 1889.00|0|Creator|15|32|V233-PA|1830|1|32 V233-PA 1830 1|The Marchesa Cunegunda, Her Infant Son, and His Nurse|Assigned|Collection|||||||The Marchesa Cunegunda, Her Infant Son, and His Nurse|14445|Vernet, Horace||painter|Horace Vernet|0||||0|||||French|||Academic|||||||||||0||||0||||0||||0|Paintings|Portrait||||19||||1830|ca||ca 1830|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||132 x 104 cm||9321|Tuscon, AZ, University of Arizona Museum of Art|Tuscon: Univ. of Arizona Museum of Art||Families; Group portraits; Portraits||||||||||Cornell||JNK|CLL|10/1/2004 0:00:00|7/21/2004 0:00:00|V533|||0|||||||32|PA||||||1830| ||||||||Work|0||||||||||||0|0|The Marchesa Cunegunda, Her Infant Son, and His Nurse|Vernet, Horace 1890.00|0|Category|01|A-AØ|Map|1.011 MME/Nap|1|A-AØ Map 1.011 MME/Nap 1|Napoleon's Voyage to Egypt, May-July 1798|Assigned|Print Publication|||||||Napoleon's Voyage to Egypt, May-July 1798|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Maps|Map||||20|21||1991|2001|ca||ca 1991-2001|||||0||||0||||||ink|paper||||printing|||||||||||Maps; France; Egypt; Mediterranean Sea||||||||||Cornell||JNK|MNW|8/17/2004 0:00:00|7/21/2004 0:00:00||||0||||||MME/Nap|A|||||AØ|1.011||||||||||Work|0|Maps-Graphic Documents|||||||||||0|0|Napoleon's Voyage to Egypt, May-July 1798| 1840.00|0|Architect|02|MA-Lissitzky||6.1 Wol|1925|MA-Lissitzky 6.1 Wol 1925|Wolkenbügel (Cloud-Iron) in Nikitskii Square; Red and Black Graphic|Descriptive|Cataloger|||||||Wolkenbügel (Cloud-Iron) in Nikitskii Square; Red and Black Graphic|7121|Lissitzky, El||artist|El Lissitzky|0||||0|||||Russian|Soviet||Constructivist|||||Russia||||||0||||0||||0||||0|Architecture|Drawing|Plans (drawings)|||20|||1924|1925|ca|ca 1924-1925|ca 1924-1925||Wolkenbügel (Cloud-Iron) in Nikitskii Square [project]|||1838||||0|||||||||||drawing (image-making)|||||||||||Architecture plans; Apartment houses; Office buildings||||||||||Cornell||SJW|SJW|7/14/2004 0:00:00|7/14/2004 0:00:00|Lissitzky|||0||||||Wol|MA||||||6.1|1925|||||||||Work|0||Red and black graphic treatment with typography "Der Wolkenbügel für MOSKAU EL LISSITZKY el" as part of the design.||||||||||0|0|Wolkenbügel (Cloud-Iron) in Nikitskii Square; Red and Black Graphic|Lissitzky, El 1841.00|0|Creator|08|0-Vitruvius|1.0|Arch/Ces||0-Vitruvius 1.0 Arch/Ces|Di Lucio Vitruvio Pollione de Architectura|Original|Dict.Art|Vitruvius' De architectura (Cesariano Edition)|Descriptive|Cataloger||||Vitruvius' De architectura (Cesariano Edition)|12329|Vitruvius||author|Vitruvius (Cesariano Edition)|2165|Cesariano, Cesare||author||||||Italian|||Renaissance|||||Italy||||||0||||0||||0||||0|Architectural Theory|Book||||16|||1521|1521||1521|1521-1521||De architectura|||942||||0|||||Ink on paper|ink|paper||||printing|engraving (printing process)||||||||||Architectural elements; Architectural theory; Models (Representations)||||||||||Cornell||SJW|MNW|8/2/2004 0:00:00|7/15/2004 0:00:00|Vitruvius|||0||||||Arch/Ces|O||||||1.0||||||||||Work|0||1300 copies printed in Como by Gottardo da Ponte on 15 July 1521, the first published Italian translation of the Latin text, with marginal notes and 119 plates. Translation and interpretation by Cesariano, a Milanese architect. (DOA)|Part of the text (beyond Book IX) was missing, due to a publishers dispute. The autograph manuscript for this is in the Escorial.|||||||||0|0|Di Lucio Vitruvio Pollione de Architectura;Vitruvius' De architectura (Cesariano Edition)|Vitruvius;Cesariano, Cesare 1842.00|0|Creator|08|O-Vitruvius|1.0|1556|Arch/Bar|O-Vitruvius 1.0 1556 Arch/Bar|I dieci libri dell’architettura di M. Vitruvio|Original|Dict.Art|Vitruvius' De architectura (Barbaro Edition)|Descriptive|Cataloger||||De architectura. Vitruvius' De architectura (Barbaro Edition)|12329|Vitruvius||author|Vitruvius (Barbaro Edition)|704|Barbaro, Daniele|||8858|Palladio, Andrea||||Italian|Venetian||Renaissance|||||Italy||||||0||||0||||0||||0|Architectural Theory|Book||||16|||1556|1556||1556|1556-1556||De architectura|Larger Context||942||||0|||||Ink on paper|ink|paper||||printing|engraving (printing process)||||||||||Architectural elements; Architectural theory; Models (Representations)||||||||||Cornell||MNW|MNW|8/2/2004 0:00:00|3/29/2006 0:00:00|Vitruvius|||0||||||Arch/Bar|O||||||1.0|1556|||||||||Work|0||Published in Venice, 1556. Palladio provided the illustrations, working for Barbaro. (DOA)||||||||||0|0|I dieci libri dell’architettura di M. Vitruvio;Vitruvius' De architectura (Barbaro Edition)|Vitruvius;Barbaro, Daniele;Palladio, Andrea 1843.00|0|Creator|08|O-Vitruvius|1.0|1556|Arch/Bar|O-Vitruvius 1.0 1556 Arch/Bar|Cut-away view of temple|Descriptive|Cataloger|Book I, plate XXI|Assigned|||||De architectura. Vitruvius' De architectura (Barbaro Edition). Cut-away view of temple; Book I, plate XXI|12329|Vitruvius||author|Vitruvius (Barbaro Edition)|704|Barbaro, Daniele|||8858|Palladio, Andrea||||Italian|Venetian||Renaissance|||||Italy||||||0||||0||||0||||0|Architectural Theory|Book|Illustration|||16|||1556|1556||1556|1556-1556||De architectura. Vitruvius' De architectura (Barbaro Edition)|LargerEntity||||||0|||||Ink on paper|ink|paper||||printing|engraving (printing process)||||||||||Architectural elements; Architectural theory; Temples; Models (Representations)||||||||||Cornell||SJW|MNW|3/29/2006 0:00:00|7/15/2004 0:00:00|Vitruvius|||0||||||Arch/Bar|O||||||1.0|1556|||||||||Work|0||Published in Venice, 1556. Palladio provided the illustrations, working for Barbaro. (DOA)||||||||||0|0|Cut-away view of temple;Book I, plate XXI|Vitruvius;Barbaro, Daniele;Palladio, Andrea 1844.00|0|Creator|08|O-Vitruvius|1.0|Arch/Ces|0|O-Vitruvius 1.0 Arch/Ces 0|The Five Orders||||||||||12329|Vitruvius||author|Vitruvius (Cesariano Edition)|2165|Cesariano, Cesare|||0|||||Italian|||Renaissance|||||Italy||||||0||||||||0||||0|Architectural Theory|Book|Illustration|||16|||1521|1521||1521|1521||Di Lucio Vitruvio Pollione de Architectura|||1841||||0|||||Ink on paper|ink|paper||||printing|engraving (printing process)||||||||||Architectural elements; Architectural theory; Architecture models||||||||||Cornell|||SJW|7/15/2004 0:00:00||Vitruvius|||0||||||Arch/Ces|O||||||1.0||||||||||Work|0||Cesariano's plate showing different orders of columns inaugurated a series of new variations on the theme, starting with Sebastiano Serlio and Jacopo Vignola. (DOA)||||||||||0|0|The Five Orders|Vitruvius;Cesariano, Cesare 1845.00|0|Creator|08|O-Scamozzi|1.0|L'idea||O-Scamozzi 1.0 L'idea |L'idea della architettura universale|Original|Dict.Art|||||||L'idea della architettura universale|10449|Scamozzi, Vincenzo||architect|Vincenzo Scamozzi|0||||0|||||Italian|||Renaissance|||||Italy||||||0||||0||||0||||0|Architectural Theory|Book|Illustration|||17|||1615|1615||1615|1615|||||0||||0|||||Ink on paper|ink|paper||||printing|engraving (printing process)||||||||||Architectural elements; Architectural theory; Architecture models||||||||||Cornell||SJW|SJW|7/15/2004 0:00:00|7/15/2004 0:00:00||||0||||||L'idea|O||||||1.0||||||||||Work|0||Began work on planned 12 volumes, 1591; only six published in 1615. Unpublished material for 4 additional volumes dispersed after his death. (DOA)||||||||||0|0|L'idea della architettura universale|Scamozzi, Vincenzo 1846.00|0|Creator|08|O-Scamozzi|1.0|L'idea|II-6-6|O-Scamozzi 1.0 II-6-6|Five Orders (from Book VI)|Descriptive|Cataloger|||||||Five Orders (from Book VI)|10449|Scamozzi, Vincenzo||architect|Vincenzo Scamozzi|0||||0|||||Italian|||Renaissance|||||Italy||||||0||||0||||0||||0|Architectural Theory|Book|Illustration|||17|||1615|1615||1615|1615||L'idea della architettura universale|||1845||||0|||||Ink on paper|ink|paper||||printing|engraving (printing process)||||||||||Architectural elements; Architectural theory; Architecture models||||||||||Cornell||SJW|MNW|8/2/2004 0:00:00|7/15/2004 0:00:00|Scamozzi|||0||||||L'idea|O||||||1.0||||||||||Work|0||Began work on planned 12 volumes, 1591; only six published in 1615 (Venice). Unpublished material for 4 additional volumes dispersed after his death. (DOA)||||||||||0|0|Five Orders (from Book VI)|Scamozzi, Vincenzo 1847.00|0|Site|02|B-B39|And|7.5 Bid||B-B39 And 7.5 Bid |Andalusia|Assigned|Macmillan|Biddle Mansion|Assigned|Macmillan||||Biddle Mansion|6785|Latrobe, Benjamin Henry|||Thomas Ustick Walter|12466|Walter, Thomas Ustick|||0|||||American|||Neoclassical|||||United States||||||0|Andalusia, PA|||10223||||0||||0|Architecture|House||||19|||1806|1836||1806-1836|1806-1836|||||0||||0||||||||||||||||||||||Houses||||||||||Cornell||JNK|JNK|7/16/2004 0:00:00|7/15/2004 0:00:00||And||0||||||Bid|B|||||B39|7.5||||||||||Work|0|Architecture-Pennsylvania (PA)|Latrobe built original house. T.U. Walter built west porch extension.|||Latrobe: 1806 Walter: design - 1833, construction - 1835-36|||||||0|0|Andalusia;Biddle Mansion|Latrobe, Benjamin Henry;Walter, Thomas Ustick 1848.00|0|Creator|15|32|N3388-PA|1829|1|32 N3388-PA 1829 1|William Strickland, Esq.|Assigned|Image Source (Book)|||||||William Strickland, Esq.|8429|Neagle, John||painter|John Neagle|0||||0|||||American||||||||United States||||||0||||||||0||||0|Paintings|Oil painting|Portrait|||19|||1829|1829||1829-1829|1829-1829|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||76.3 x 63.5 cm||3400|New Haven,Yale University Art Gallery|New Haven: Yale Univ. Art Gal.||Strickland, William, 1788-1854; Portraits||||||||||Cornell||JNK|JNK|7/16/2004 0:00:00|7/15/2004 0:00:00|N3388|||0|||||||32|PA||||||1892|||||||||Work|0||||||||||||0|0|William Strickland, Esq.|Neagle, John 1849.00|0|Creator|08|O-Vitruvius|1.0|1556|Arch/Bar 1|O-Vitruvius 1.0 1556 Arch/Bar 1|Frontispiece|||||||||Frontispiece|12329|Vitruvius||author|Vitruvius (Barbaro Edition)|704|Barbaro, Daniele|||8858|Palladio, Andrea||||Italian|Venetian||Renaissance|||||Italy||||||0||||0||||0||||0|Architectural Theory|Book|Illustration|||16|||1556|1556||1556|1556||I dieci libri dell’architettura di M. Vitruvio|||1842||||0|||||Ink on paper|ink|paper||||printing|engraving (printing process)||||||||||Architectural elements; Architectural theory; Models (Representations)||||||||||Cornell||SJW|MNW|8/2/2004 0:00:00|7/15/2004 0:00:00|Vitruvius|||0||||||Arch/Bar|O||||||1.0|1556|||||||||Work|0||Published in Venice, 1556. Palladio provided the illustrations, working for Barbaro. (DOA)||||||||||0|0|Frontispiece|Vitruvius;Barbaro, Daniele;Palladio, Andrea 1850.00|0|Creator|08|O-Vitruvius|1.0|1556|Arch/Bar 5-183|O-Vitruvius 1.0 1556 Arch/Bar 5-183|Musical intervals, proportions|Descriptive|Cataloger|Book V, plate 183|Assigned|||||Musical intervals, proportions; Book V, plate 183|12329|Vitruvius||author|Vitruvius (Barbaro Edition)|704|Barbaro, Daniele|||8858|Palladio, Andrea||||Italian|Venetian||Renaissance|||||Italy||||||0||||0||||0||||0|Architectural Theory|Book|Illustration|||16|||1556|1556||1556|1556-1556||I dieci libri dell’architettura di M. Vitruvio|Manuscript||1842||||0|||||Ink on paper|ink|paper||||printing|engraving (printing process)||||||||||Architectural theory; Music; Musical notation||||||||||Cornell||SJW|MNW|8/2/2004 0:00:00|7/16/2004 0:00:00|Vitruvius|||0||||||Arch/Bar|O||||||1.0|1556|||||||||Work|0||Published in Venice, 1556. Palladio provided the illustrations, working for Barbaro. (DOA)||||||||||0|0|Musical intervals, proportions;Book V, plate 183|Vitruvius;Barbaro, Daniele;Palladio, Andrea 1851.00|0|Category|15|32|P3585-PA|1815|1|32 P3585-PA 1815 1|Portrait of Benjamin Henry Latrobe|Assigned|Repository|||||||Portrait of Benjamin Henry Latrobe|9002|Peale, Rembrandt||painter|Rembrandt Peale|0||||0|||||American||||||||||||||0||||0||||0||||0|Paintings|Oil painting|Portrait|||19||||1815|ca|ca 1815|ca 1815|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||58.4 x 48.3 cm||230|Baltimore,Maryland Historical Society|Baltimore: MD Hist. Soc.||Portraits; Latrobe, Benjamin Henry, 1764-1820||||||||||Cornell||JNK|JNK|7/16/2004 0:00:00|7/16/2004 0:00:00|P3585|||0||1981-15|||||32|PA||||||1815|||||||||Work|0||Painting was given by Mrs. Gamble Latrobe to the Maryland Historical Society in 1981. Maryland Historical Society web site, 7.16.2004.||||||||||0|0|Portrait of Benjamin Henry Latrobe|Peale, Rembrandt 1852.00|0|Architect|02|MA-Kahn|3.1|1963-64|Uni|MA-Kahn 3.1 1963-64 Uni|First Unitarian Church|||||||||First Unitarian Church|6097|Kahn, Louis Isidore||architect|Louis Isidore Kahn|0||||0|||||American||||||||United States||||||0|Rochester, NY|||10224||||0||||0|Architecture|Church||||20|||1959|1967||1959-1967|1959-1967|||||0||||0||||||concrete|brick|||||||||||||||||||||||||Cornell|||SJW|7/16/2004 0:00:00||Kahn|Roch||0||||||Uni|MA||||||3.1|1963-64|||||||||Work|0||Dates from Grove Dictionary of Art.||||||||||0|0|First Unitarian Church|Kahn, Louis Isidore 1853.00|0|Architect|02|MA-KahnL|4.4|1966-72|Kim|MA-KahnL 4.4 1972 Kim|Kimbell Art Museum|||||||||Kimbell Art Museum|6097|Kahn, Louis Isidore||architect|Louis Isidore Kahn|0||||0|||||American||||||||United States||||||0|Fort Worth, TX|||10225||||0||||0|Architecture|Museum||||20|||1966|1972||1966-1972|1966-1972|||||0||||0||||||||||||||||||||||Museums||||||||||Cornell|||SJW|7/16/2004 0:00:00||KahnL|FtWo||0||||||Kim|MA||||||4.4|1966-72|||||||||Work|0||Dates from Grove Dictionary of Art.||||||||||0|0|Kimbell Art Museum|Kahn, Louis Isidore 1854.00|0|Site|02|B-B39|Phi|4.2 Fra||B-B39 Phi 4.2 Fra 5-1|Franklin Institute (now Atwater Kent Museum)|Assigned|Dict.ArtO|||||||Franklin Institute (now Atwater Kent Museum)|5216|Haviland, John||architect|John Haviland|0||||0|||||American|||Neoclassical|||||United States||||||0|Philadelphia, PA|||10070||||0||||0|Architecture|Institute|Museum|||19|||1825|1827||1825-1827|1825-1827|||||0||||0||||||||||||||||||||||||||||||||Cornell||JNK|JNK|7/16/2004 0:00:00|7/16/2004 0:00:00||Phi||0||||||Fra|B|||||B39|4.2||||||||||Work|0|Architecture - Pennsylvania (PA)|||||||||||0|0|Franklin Institute (now Atwater Kent Museum)|Haviland, John 1855.00|0|Site|02|B-B39|Phi|4.2 Gir||B-B39 Phi 4.2 Gir |Founder's Hall, Girard College for Orphans|Assigned|Dict.ArtO|||||||Founder's Hall, Girard College for Orphans|12466|Walter, Thomas Ustick||architect|Thomas Ustick Walter|0||||0|||||American|||Neoclassical|||||United States||||||0|Philadelphia, PA|||10070||||0||||0|Architecture|University|Institute|||19|||1833|1847||1833-1847|1833-1847|||||||||0||||||||||||||||||||||||||||||||Cornell||JNK|JNK|7/16/2004 0:00:00|7/16/2004 0:00:00||Phi||0||||||Gir|B|||||B39|4.2||||||||||Work|0|Architecture - Philadelphia (PA)|||||||||||0|0|Founder's Hall, Girard College for Orphans|Walter, Thomas Ustick 1856.00|0|Site|02|B-B39|Phi|4.2 Gir||B-B39 Phi 4.2 Gir |Design for Girard College for Orphans|Assigned|Print Publication|||||||Design for Girard College for Orphans|12466|Walter, Thomas Ustick||architect|Thomas Ustick Walter|0||||0|||||American|||Neoclassical|||||United States||||||0||||||||0||||0|Architecture|Architectural drawing|Watercolor|||19||||1835||-1835|-1835|||||0||||0|||||Watercolor on paper|watercolors|paper||||architectural drawing|painting (image-making)||||57.8 x 96.6 cm||4831|Philadelphia,Athenaeum|Philadelphia: Athenaeum||Universities||||||||||Cornell||JNK||7/16/2004 0:00:00|7/16/2004 0:00:00||||0||||||Gir|B|||||B39|4.2|| ||||||||Work|0|Architecture - Philadelphia (PA)|This one of a series of presentation drawings created for the Girard College project. Lowry, Bates. Building a National Image…||||||||||0|0|Design for Girard College for Orphans|Walter, Thomas Ustick 1857.00|0|Site|02|B-B9|Wash|2.41 Cap||B-B9 Wash 2.41 Cap |United States Capitol|Preferred|Repository|U. S. Capitol|Variant|Repository||||United States Capitol|11747|Thornton, William||physician|W. Thornton, B. H. Latrobe & T. U. Walter|6785|Latrobe, Benjamin Henry||architect|12466|Walter, Thomas Ustick||engineer||American|||Neoclassical|||||United States||||||0|Washington, DC|||10054||||0||||0|Architecture|Capitol||||18|19||1793|1868||1793-1868|1793-1868|||||0||||0||||||||||||||||||||||Capitols ; Government office buildings ; |Capitols|Government office buildings||||||||Cornell||JNK|JNK|11/20/2006 0:00:00|7/16/2004 0:00:00||Wash||0||||||Cap|B|||||B9|2.41|| ||||||||Work|0|Architecture-District of Columbia (DC)|||||||||||0|0|United States Capitol;U. S. Capitol|Thornton, William;Latrobe, Benjamin Henry;Walter, Thomas Ustick 1858.00|0|Site|02|B-B9|Wash|2.41 Cap/Wal/Dom|3-1a|B-B9 Wash 2.41 Cap/Wal/Dom 3-1a|United States Capitol. Design for the interior of the dome|Assigned|Image Source (Book)|||||||United States Capitol. Design for the interior of the dome|12466|Walter, Thomas Ustick||architect|Thomas Ustick Walter|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Architecture|Architectural drawing|Watercolor|||19|||1859|1859||1859|1859-1859|||||0||||0|||||Ink, wash, watercolor on paper|ink|wash|watercolors|||architectural drawing|painting (image-making)||||108 x 62.9 cm.||4065|Washington DC,Capitol|Wash, DC: Capitol||United States Capitol (Washington, D.C.) ; Domes ; Architectural drawings ; |United States Capitol (Washington, D.C.)|Domes|Architectural drawings|||||||Cornell||JNK|JNK|11/20/2006 0:00:00|11/17/2006 0:00:00||Wash||0||||||Cap/Wal/Dom|B|||||B9|2.41|| ||||||||Work|0|Architecture - Washington (DC)|||||||||||0|0|United States Capitol. Design for the interior of the dome|Walter, Thomas Ustick 1859.00|0|Site|05|B-B9|Wash|2.41 Cap/Meigs||B-B9 Wash 2.41 Cap/Meigs |Inauguration of President Lincoln, March 4, 1861|Assigned|Repository|||||||Inauguration of President Lincoln, March 4, 1861|7841|Meigs, Montgomery Cunningham||engineer|Montgomery Cunningham Meigs|0||||0|||||American||||||||United States||||||0||||0||||0||||0||||||19||||1861||-1861|-1861||U.S. Capitol Building|||1857||||0|||||Albumen silver print||||||photography|albumen process||||7.62 x 7.62 cm||3892|Washington DC,Library of Congress|Wash, DC: Library of Congress||capitols; Inauguration Day||||||||||Cornell||||7/16/2004 0:00:00|7/16/2004 0:00:00||||0||LC-USZ62-48564|||||B|||||B9|2.41|| ||||||||Work|0||||||The Object number is the number of the reproductio||||||0|0|Inauguration of President Lincoln, March 4, 1861|Meigs, Montgomery Cunningham 1860.00|0|Architect|02|MA-KahnL|4.2|1959-1963|Sal|MA-KahnL 4.2 1959-1963 Sal|Salk Institute for Biological Studies|Assigned|Dict.Art|||||||Salk Institute for Biological Studies|6097|Kahn, Louis Isidore||architect|Louis Isidore Kahn|0||||0|||||American||||||||United States||||||0|La Jolla (San Diego), CA|||10180||||0||||0|Architecture|Research institutes||||20|||1959|1965||1959-1965|1959-1965|||||0||||0||||||||||||||||||||||Medicine||||||||||Cornell||MNW|SJW|7/16/2004 0:00:00|4/22/2005 0:00:00|KahnL|LaJol||0||||||Sal|MA||||||4.2|1959-1963|||||||||Work|0||Dates from Grove Dictionary of Art.||||||||||0|0|Salk Institute for Biological Studies|Kahn, Louis Isidore 1861.00|0|Creator|15|32|N814-PA|1899|1|32 N814-PA 1899 1|Gitana vella asseguda|Original|Image Source (Book)|||||||Gitana vella asseguda|30135|Nonell, Isidre||painter|Isidre Nonell|0||||0|||||Catalan|Spanish|||||||Spain||||||0||||0||||0||||0|Paintings|Oil Painting|Portrait|||19|||1899|1899||1899|1899-1899|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||||9301|Barcelona (province), Museu de Montserrat|Barcelona: Museu de Montserrat||Portraits; Women||||||||||Cornell|||MNW|8/2/2004 0:00:00||N814|||0|||||||32|PA||||||1899| ||||||||Work|0||||||||||||0|0|Gitana vella asseguda|Nonell, Isidre 1862.00|0|Creator|15|35|L791-SC|1903|1|35 L791-SC 1903 1|Desconsul|Original|Image Source (Book)|||||||Desconsul|30179|Llimona Bruguera, Josep||sculptor|Josep Llimona Bruguera|0||||0|||||Catalan|Spanish|||||||Spain||||||0||||0||||0||||0|Sculpture|Figures (representations)|Sculpture|||20|||1903|1903||1903|1903-1903|||||0||||0|||||Marble|marble|||||sculpture|carving||||||248|Barcelona,Museu Nacional d'Art de Catalunya|Barcelona: Mus. Art Catal.||Nudes; Women||||||||||Cornell|||MNW|8/2/2004 0:00:00||L791|||0|||||||35|SC||||||1903| |||||||||0||Exhibited 1907 at the Exposicio general de Belles Arts de Barcelona.||||||||||0|0|Desconsul|Llimona Bruguera, Josep 1863.00|0|Creator|15|32|C334-PA|1894|1|32 C334-PA 1894 1|Nu femini|Original|Image Source (Book)|Nude Woman|Translated|Cataloger||||Nu femini (Nude Woman)|30097|Casas, Ramón||painter|Ramón Casas|0||||0|||||Catalan|Spanish|||||||Spain||||||0||||0||||0||||0|Paintings|Figures (representations)|Oil Painting|||19|||1894|1894||1894|1894-1894|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||||248|Barcelona,Museu Nacional d'Art de Catalunya|Barcelona: Mus. Art Catal.||Nudes; Women||||||||||Cornell|||MNW|8/2/2004 0:00:00||C334|||0|||||||32|PA||||||1894| ||||||||Work|0||||||||||||0|0|Nu femini;Nude Woman|Casas, Ramón 1864.00|0|Creator|14|35|R956-PA|1894|1|35 R956-PA 1894 1|La Morfina|Assigned|Image Source (Book)|Morphine|Translated|Cataloger||||La Morfina (Morphine)|30180|Rusiñol, Santiago||painter|Santiago Rusiñol|0||||0|||||Catalan|Spanish|||||||Spain||||||0||||0||||0||||0|Paintings|Oil Painting|Figures (representations)|||19|||1894|1894||1894|1894-1894|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||||4292|Barcelona,Museo Cau Ferrat USE:Sitges,Museo Cau Ferrat|Sitges: Mus. Cau Ferrat||Morphine; Drugs||||||||||Cornell|||CLL|8/5/2004 0:00:00||R956|||0|||||||35|PA||||||1894| ||||||||Work|0||||||||||||0|0|La Morfina;Morphine|Rusiñol, Santiago 1865.00|0|Creator|15|32|C334-PA|1892|1|32 C334-PA 1892 1|La Madeleine|Assigned|Image Source (Book)|Al Moulin de la Galette|Assigned|Image Source (Book)||||La Madeleine (Al Moulin de la Galette)|30097|Casas, Ramón||painter|Ramón Casas|0||||0|||||Catalan|Spanish|||||||Spain||||||0||||0||||0||||0|Paintings|Oil Painting|Portrait|||19|||1892|1892||1892|1892-1892|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||||9301|Barcelona (province), Museu de Montserrat|Barcelona: Museu de Montserrat||Portraits; Women; Smoking; Alcohol; Restaurants; Drinking; Cigars||||||||||Cornell|||MNW|8/2/2004 0:00:00||C334-PA|||0|||||||32|PA||||||1892| ||||||||Work|0||||||||||||0|0|La Madeleine;Al Moulin de la Galette|Casas, Ramón 1866.00|0|Creator|15|32|F745-PA|1861|1|32 F745-PA 1861 1|L'Odalisca|Assigned|Image Source (Book)|Odalisque|Translated|Cataloger||||L'Odalisca (Odalisque)|30181|Fortuny y Carbó, Mariano José María Bernardo||painter|Marià Fortuny|0||||0|||||Catalan|Spanish||Orientalism|||||Spain||||||0||||0||||0||||0|Paintings|Oil Painting||||19|||1861|1861||1861|1861-1861|||||0||||0|||||Oil on cardboard|oil paint|cardboard||||painting (image-making)|||||||248|Barcelona,Museu Nacional d'Art de Catalunya|Barcelona: Mus. Art Catal.||Harems; Nudes; Women; Musical instruments; Musicians; Smoking||||||||||Cornell|||MNW|8/5/2004 0:00:00||F745|||0|||||||32|PA||||||1861| ||||||||Work|0||||||||||||0|0|L'Odalisca;Odalisque|Fortuny y Carbó, Mariano José María Bernardo 1867.00|0|Creator|15|35|G232-SC|1903|1|35 Gargallo 1903 1|Marc d'un mirall amb noia|Assigned|Image Source (Book)||Translated|Cataloger||||Marc d'un mirall amb noia (Mirror with Woman Holding Flower)|30182|Gargallo, Pablo||sculptor|Pablo Gargallo|0||||0|||||Catalan|Spanish||Art Nouveau|||||Spain||||||0||||0||||0||||0|Sculpture|Sculpture|Mirror|Figures (representations)||20|||1903|1903|ca|ca 1903|ca 1903-1903|||||0||||0|||||Polychrome gypsum, mirror|paint|gypsum|mirror|||sculpture|||||||248|Barcelona,Museu Nacional d'Art de Catalunya|Barcelona: Mus. Art Catal.||Mirrors; Women; Flowers||||||||||Cornell|||MNW|8/2/2004 0:00:00||G232|||0|||||||35|SC||||||1903| ||||||||Work|0||||||||||||0|0|Marc d'un mirall amb noia|Gargallo, Pablo 1868.00|0|Creator|15|35|T6950-PA|1914|1|35 T6950-PA 1914 1|Murals de Mon Repos|Assigned|Image Source (Book)|||||||Murals de Mon Repos|29851|Torres-Garcia, Joaquín||painter|Joaquín Torres-García|0||||0|||||Catalan|Spanish|||||||Spain||||||0|Caixa d'Estalvis, Tarrasa, Spain|||||||0||||0|Paintings|Painting|Mural|Fresco||20|||1914|1914||1914|1914-1914|||||0||||0|||||Fresco|fresco|||||painting (image-making)|fresco painting||||||9317|Tarrasa, Caixa d'Estalvis|Tarrasa, Caixa d'Estalvis||Grapes; Musicians; Musical instruments; Nudes||||||||||Cornell|||MNW|8/2/2004 0:00:00||T6950|||0|||||||35|PA||||||1914| ||||||||Work|0||||||||||||0|0|Murals de Mon Repos|Torres-Garcia, Joaquín 1869.00|0|Creator|15|35|P593-PA|1908|1|35 Pichot 1898 1|Boulevard de Paris|Assigned|Image Source (Book)|||||||Boulevard de Paris|30183|Pichot Gironès, Ramon||illustrator|Ramon Pichot|0||||0|||||Spanish|French||Impressionist|||||Spain|France|||||0||||0||||0||||0|Paintings|Oil Painting||||19|||1898|1898||1898|1898-1898|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||||2700|Sitges,Museo del Cau Ferrat|Sitges: Mus. Cau Ferrat||Cities; Carriages; Night; Paris, France; Boulevards||||||||||Cornell|||MNW|8/2/2004 0:00:00||P593|||0|||||||35|PA||||||1898| ||||||||Work|0||||||||||||0|0|Boulevard de Paris|Pichot Gironès, Ramon 1870.00|0|Architect|02|MA-Caselles|1908|7.4 CasSa||MA-Caselles 1908 7.4 CasSa|Casa Sagarra|||||||||Casa Sagarra|30184|Caselles, Pere||architect|Pere Caselles|0||||0|||||Catalan|Spanish||Art Nouveau|||||Spain||||||0|Reus, Spain|||10226||||0||||0|Architecture|Apartment house||||20|||1908|1908||1908|1908-1908|||||0||||0||||||||||||||||||||||||||||||||Cornell|||MNW|8/2/2004 0:00:00||Caselles|||0||||||CasSa|MA||||||7.4|1908|||||||||Work|0|Modern Architecture-|Located at Carrer de Sant Joan, 12-14, Reus, Spain. (Reus website).||||||||||0|0|Casa Sagarra|Caselles, Pere 1871.00|0||02|B-B9|Wash|2.41 Cap||B-B9 Wash 2.41 Cap |Perspective: Balloon View of Washington, DC and Capitol from Harper's Weekly, July, 27, 1861|Assigned|Print Publication|||||||Perspective: Balloon View of Washington, DC and Capitol from Harper's Weekly, July, 27, 1861|30185|Wells, J.||artist|J. Wells|0||||0|||||American||||||||||||||0||||0||||0||||0|Architecture|Print|Aerial view|City||19||||1861||-1861|-1861||U.S. Capitol|Larger entity||1857||||0|||||Wood engraving|ink|paper||||wood engraving (process)|||||23.5 x 35.3 cm||9318|Washington, DC, The Kiplinger Washington Collection|Wash, DC: The Kiplinger Washington Coll.||Cityscapes; Washington, District of Columbia; capitols||||||||||Cornell||JNK|JNK|11/14/2006 0:00:00|7/19/2004 0:00:00||||0||||||Cap|B|||||B9|2.41|| ||||||||Work|0|Architecture - Washington (DC)|||||||||||0|0|Perspective: Balloon View of Washington, DC and Capitol from Harper's Weekly, July, 27, 1861|Wells, J. 1872.00|0|Architect|02|B-H5|Bar|1.1 Eix|5a|B-H5 Bar 1.1 Eix 5a|Aerial view of Central Barcelona (Eixample)|||||||||Aerial view of Central Barcelona (Eixample)|30186|Cerdà, Ildefonso||engineer|Ildefonso Cerdà|0||||0|||||Spanish|Catalan|||||||Spain||||||0|Barcelona, Spain|||10019||||0||||0|City Plans and Views|City|City planning|||19|||1867|1885|ca|ca 1867-1885|ca 1867-1885|||||0||||0||||||||||||||||||||||Cities; City planning; Cityscapes||||||||||Cornell|||MNW|7/30/2004 0:00:00|||Bar||0||||||Eix|B|||||H5|1.1||||||||||Work|0|Architecture-Spain|A gridiron of building blocks called illes with interior patios. The plan was the result of an innovative theoretical analysis conducted by Ildefons Cerda. (Modernismo)||||||||||0|0|Aerial view of Central Barcelona (Eixample)|Cerdà, Ildefonso 1873.00|0|Architect|03|MA-Gaudi|7.5|1904-06|Bat|MA-Gaudi 7.5 1904-06 Bat|Casa Batlló|Assigned|Image Source (Book)|||||||Casa Batlló|4342|Gaudí, Antoni||architect|Antoni Gaudí|0||||0|||||Catalan|Spanish||Art Nouveau|||||Spain||||||0|Barcelona, Spain|||10019||||0||||0|Architecture|Apartment house||||20|||1904|1906||1904-1906|1904-1906|||||0||||0||||||||||||||||||||||Apartment houses; Houses||||||||||Cornell||SJW|MNW|7/30/2004 0:00:00|7/19/2004 0:00:00|Gaudi|Bar||0||||||Bat|MA||||||7.5|1904-06|||||||||Work|0||Remodeling of a Neo-classical 5 storey town house in the Passeig de Gracia, Barcelona. Added a floor and clothed the ground and first floors in stonework, upper floors in tile. (DOA)||||||||||0|0|Casa Batlló|Gaudí, Antoni 1874.00|0|Site|02|B-B9|Wash|2.41 Cap||B-B9 Wash 2.41 Cap |Birdseye View of the City of Washinton with Capitol in Foreground, from The Illustrated London News, May 25, 1861|Assigned|Print Publication|||||||Birdseye View of the City of Washinton with Capitol in Foreground, from The Illustrated London News, May 25, 1861|30188|Andrews, George Henry||artist|George Henry Andrews|0||||0|||||British||||||||||||||0||||0||||0||||0|Architecture|Print|Aerial view|City||19||||1861||-1861|-1861||U.S. Capitol|||1857||||0|||||Wood engraving|ink|paper||||drawing (image-making)|wood engraving (process)||||34.8 x 50.5 cm||9318|Washington, DC, The Kiplinger Washington Collection|Wash, DC: The Kiplinger Washington Coll.||capitols; Cityscapes; Washington, District of Columbia||||||||||Cornell||JNK|JNK|7/19/2004 0:00:00|7/19/2004 0:00:00||Wash||0||||||Cap|||||||2.41|| ||||||||Work|0|Architecture - Washington (DC)|||||||||||0|0|Birdseye View of the City of Washinton with Capitol in Foreground, from The Illustrated London News, May 25, 1861|Andrews, George Henry 1875.00|0|Site|02|B-H5|Gra|7.1 Alh|4b-10|B-H5 Gra 7.1 Alh 4b-10|General view of the Alhambra|Collective Title|Image Source (Book)|||||||Alhambra. General view of the Alhambra|30187|Murphy, J. C.||artist|J. C. Murphy|0||||0|||||||||||||||||||0||||0||||0||||0|Graphics|Print|||||||||||||Alhambra|Larger Context||155||||0|||||Colored lithograph|paper|||||lithography|||||||||||Alhambra (Granada, Spain)||||||||||Cornell||MNW|MNW|3/29/2006 0:00:00|7/19/2004 0:00:00||Gra||0||||||Alh|B|||||H5|7.1||||||||||Work|0|Architecture-Spain|||||||||||0|0|General view of the Alhambra|Murphy, J. C. 1876.00|0|Site|02|B-B9|Wash|1.042 1869||B-B9 Wash 1.042 1869 |Washington City, D.C., from Harper's Weekly, March 13, 1869|Assigned|Print Publication|||||||Washington City, D.C., from Harper's Weekly, March 13, 1869|2923|Davis, Theodore Russell|||Theodore Russell Davis|0||||0|||||American||||||||||||||0||||0||||0||||0|Architecture|Aerial view|Print|||19||||1869||-1869|-1869|||||0||||0|||||Wood engraving|ink|paper||||wood engraving (process)|||||36.8 x 51.7 cm||9318|Washington, DC, The Kiplinger Washington Collection|Wash, DC: The Kiplinger Washington Coll.||Cityscapes; Washington, District of Columbia||||||||||Cornell||JNK|JNK|7/19/2004 0:00:00|7/19/2004 0:00:00||||0||||||1869|B|||||B9|1.042|| ||||||||Work|0|Architecture - Washington (DC)|||||||||||0|0|Washington City, D.C., from Harper's Weekly, March 13, 1869|Davis, Theodore Russell 1877.00|0|Architect|02|MA-Puig|7.4|1903-05|Ter|MA-Puig 7.4 1903-05 Ter|Casa Terrades|Preferred|Image Source (Book)|Casa de les Punxes|Variant|Image Source (Book)||||Casa Terrades (Casa de les Punxes)|9529|Puig y Cadafalch, José||architect|José Puig y Cadafalch|0||||0|||||Spanish|Catalan||Art Nouveau|||||Spain||||||0|Barcelona, Spain|||10019||||0||||0|Architecture|Apartment house||||20|||1903|1905||1903-1905|1903-1905|||||0||||0||||||||||||||||||||||Apartment houses||||||||||Cornell|||SJW|7/19/2004 0:00:00||Puig|Bar||0||||||Ter|MA||||||7.4|1903-05|||||||||Work|0||||||||||||0|0|Casa Terrades;Casa de les Punxes|Puig y Cadafalch, José 1878.00|0|Site|02|B-B39|Phil|6.5 2ndUS||B-B39 Phil 6.5 2ndUS |Second Bank of the United States|Preferred|Dict.ArtO|||||||Second Bank of the United States|11449|Strickland, William||architect|William Strickland|0||||0|||||American|||Neoclassical|||North and Central America||United States||||||0|Philadelphia, PA|||10070||||0||||0|Architecture|Bank (Building)||||19|||1818|1824||1818-1824|1818-1824|||||0||||0||||||||||||||||||||||Banks (buildings) ; |Banks (buildings)|||||||||Cornell||JNK|JNK|7/26/2006 0:00:00|7/19/2004 0:00:00||Phi||0||||||2ndUS|B|||||B39|6.5||||||||||Work|0|Architecture - Philadelpha (PA)|||||||||||0|0|Second Bank of the United States|Strickland, William 1879.00|0|Site|02|B-B39|Phi|6.5 Pen 4b||B-B39 Phi 6.5 Pen 4b |Bank of Pennsylvania from Northeast|Assigned|Macmillan|||||||Bank of Pennsylvania. Bank of Pennsylvania from Northeast|6785|Latrobe, Benjamin Henry||architect|Benjamin Henry Latrobe|0||||0|||||American||||||North and Central America||United States||||||0||||||||0||||0|Architecture|Architectural drawing|Drawing|||18|19||1798|1800|ca|ca 1798-1800|ca 1798-1800||Bank of Pennsylvania|Larger entity||7512||||0|||||||||||architectural drawing|||||||3408|Philadelphia: Pennsylvania Academy of the Fine Arts|Philadelphia: PA Acad. Fine Arts||Architectural drawings ; Banks (buildings) ; Philadelphia (PA) ; |Architectural drawings|Banks (buildings)|Philadelphia (PA)|||||||Cornell||JNK|JNK|7/26/2006 0:00:00|7/26/2006 0:00:00||Phi||0||||||Pen 4b|B|||||B39|6.5|| ||||||||Building|0|Architecture-Pennsylvania (PA)|||||||||||0|0|Bank of Pennsylvania from Northeast|Latrobe, Benjamin Henry 1880.00|0|Site|02|B-B39|Phi|6.5 Pen||B-B39 Phi 6.5 Pen |Bank of Pennyslvania|Assigned|Dict.ArtO|||||||Bank of Pennyslvania|6785|Latrobe, Benjamin Henry||architect|Benjamin Henry Latrobe|0||||0|||||American||||||||United States||||||0|||||Philadelphia, PA|||0||||0|Architecture|Bank (Building)|Architectural drawing|||18|19||1799|1801||1798-1801; 1867 (demolished)|1798-1801; 1867 (demolished)|||||0||||0||||||||||||||||||||||Banks (buildings)||||||||||Cornell|||JNK|7/19/2004 0:00:00|||||0||||||Pen|||||||6.5||||||||||Work|0|Architecture - Philadelphia (PA)|Latrobe's Bank of Pennsylvania was demolished in 1870. groveart.com||||||||||0|0||Latrobe, Benjamin Henry 1881.00|0|Creator|15|32|C334-PA|1903|1|32 C334-PA 1903 1|Barcelona, 1902|Original|Image Source (Book)|La Càrrega|Popular|Image Source (Book)|The Charge|Translated|Dict.Art|Barcelona, 1902 (The Charge)|30097|Casas, Ramón||painter|Ramón Casas|0||||0|||||Spanish|Catalan|||||||Spain||||||0||||0||||0||||0|Paintings|Oil Painting||||20|||1903|1903|ca|ca 1903|ca 1903-1903|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||||9319|Olot, Museu Comarcal de la Garrotxa|Olot, Museu Comarcal||Military personnel; Labor disputes||||||||||Cornell||SJW|CLL|8/5/2004 0:00:00|7/19/2004 0:00:00|C334-PA|||0|||||||32|PA||||||1903| ||||||||Work|0||Dating uncertain, but depicts events related to the general strike of 1902 (in Barcelona). (Modernismo)||||||||||0|0|Barcelona, 1902;La Càrrega;The Charge|Casas, Ramón 1891.00|0|Creator|15|32|G377-PA|O28||32 G377-PA O28 |Oedipus|Assigned|Repository|Napoleon in Egypt|Assigned|Print Publication||||Oedipus or Napoleon in Egypt|30200|Gérôme, Jean-Léon||painter|Jean-Léon Gérôme|0||||0|||||French||||||||France||||||0||||0||||0||||0|Paintings|Oil painting||||19|||1886|1886||1886|1886-1886|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||30 x 46 cm||9324|Cairo, Muhammad Khalil Museum|Cairo: Muhammad Khalil Museum||Napoleon I, Emperor of the French, 1769-1821; Egypt; Sphinx||||||||||Cornell||JNK|MNW|8/17/2004 0:00:00|7/21/2004 0:00:00|G377|||0|||||||32|PA||||||| |O28|||||||Work|0||||||||||||0|0|Oedipus;Napoleon in Egypt|Gérôme, Jean-Léon 1892.00|0|Creator|15|30|V531-G|91|1|30 V531-G 91 1|A Homesick French Soldier in Egypt (engraving after Carle Vernet)|Assigned|Print Publication|||||||A Homesick French Soldier in Egypt (engraving after Carle Vernet)|14446|Vernet, Carle||printmaker|Carle Vernet|0||||0|||||French|||Napoleonic|||||France||||||0||||0||||0||||0|Graphics|Engraving (Print)||||18|19||1798|1801|ca|ca 1798-1801|ca 1798-1801|||||0||||0|||||Engraving|ink|paper||||engraving (printing process)|||||||||||Soldiers||||||||||Cornell||JNK|MNW|8/23/2004 0:00:00|7/21/2004 0:00:00|V531|||0|||||||30|G||||||||91|||||||Work|0||||||||||||0|0|A Homesick French Soldier in Egypt (engraving after Carle Vernet)|Vernet, Carle 1893.00|0|Architect|03|MA-Gehry|1.0|1989 Por|1|MA-Gehry 1.0 1989 Por 1|Frank Gehry Working on Design for a Chair|Assigned|Cataloger|||||||Frank Gehry Working on Design for a Chair|30191|White, Joshua||photographer|Joshua White|0||||0|||||American|||Post-1945|||||United States||||||0||||0||||0||||0|Photographs|Portrait||||20|||1989|1991|ca|ca 1989-1991|ca 1989-1991|||||0||||0|||||Black and white photograph||||||photography|||||||||||Gehry, Frank O. 1929-; Portraits||||||||||Cornell||JNK|MNW|8/17/2004 0:00:00|7/21/2004 0:00:00|Gehry|||0|||||| Por|MA||||||1.0|1989|||||||||Work|0|Modern Architecture|||||||||||0|0|Frank Gehry Working on Design for a Chair|White, Joshua 1894.00|0|Architect|03|MA-Wright|1.0|1938 Por|13|MA-Wright 1.0 1938 Por 13|A Taliesin Evening with the Wrights,Guests, and Apprentices|Assigned|Print Publication|||||||A Taliesin Evening with the Wrights,Guests, and Apprentices|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Portrait||||20||||1938|||-1938|||||0||||0|||||Black and white photograph||||||photography|||||||614|Chicago,Chicago Historical Society|Chicago: Hist. Soc.||Wright, Frank Lloyd, 1867-1959; Musicians; Group portraits||||||||||Cornell||JNK|MNW|8/17/2004 0:00:00|7/21/2004 0:00:00|Wright|||0||||||Por|MA||||||1.0|1938| ||||||||Work|0|Modern Architecture|||||||||||0|0|A Taliesin Evening with the Wrights,Guests, and Apprentices| 1895.00|0|Architect|03|MA-Wright|1.0|1955 Por|14|MA-Wright 1.0 1955 Por 14|Mr. Wright Surrounded by Apprentices in the Hillside Drafting Room|Assigned|Print Publication|||||||Mr. Wright Surrounded by Apprentices in the Hillside Drafting Room|0|||||0||||0|||||American|||Post-1945|||||United States||||||0||||0||||0||||0|Photographs|Portrait||||20|||1955|1955||1955|1955-1955|||||0||||0|||||Black and white photograph||||||photography|||||||3674|Scottsdale,Wright(Frank Lloyd)Foundation|Scottsdale: Frank Lloyd Wright Fdn.||Wright, Frank Lloyd, 1867-1959; Group portraits; Portraits||||||||||Cornell||JNK|MNW|8/17/2004 0:00:00|7/21/2004 0:00:00|Artist|||0||||||Por|MA||||||1.0|1955| ||||||||Work|0|Modern Architecture|This image shows apprentices: John Howe, Erick Lloyd Wright, Wesley Peters, Gene Masselink, Ling Po, David Dodge, Tom Casey, Stephen Oyakawa, Kenn Lockhart & John Amarantides. Fr. Frank Lloyd Wright's Taliesin Fellowship.||||||||||0|0|Mr. Wright Surrounded by Apprentices in the Hillside Drafting Room| 1896.00|0|Architect|02|MA-Kahn|3.4|1962|Mikv|MA-Kahn 3.4 1962 Mikv|Mikveh Israel Synagogue [project]|Repository|Repository|||||||Mikveh Israel Synagogue [project]|6097|Kahn, Louis Isidore||architect|Louis Isidore Kahn|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Architecture|Architectural drawing||||20|||1961|1972||1961-1972|1961-1972|||||0||||0||||||||||||||||||9322|Philadelphia, Architectural Archives of the University of Pennsylvania|Philadelphia, UPenn Architect. Archives||Synagogues||||||||||Cornell|||SJW|7/21/2004 0:00:00|||||0||||||Mikv|MA||||||3.4|1962| ||||||||Work|0||Unbuilt project planned for Philadelphia, PA. UPenn has working drawings spanning 1962-1972 and has listed: Mechanical Engineer: Vinokur-Pace Engineering Services, Inc., Landscape Architect: Harriet Pattison.||||||||||0|0|Mikveh Israel Synagogue [project]|Kahn, Louis Isidore 1897.00|0|Architect|02|MA-KahnL|2.41|1962-|Ban/|MA-KahnL 2.41 1962ff Ban/|Sher-e-Bangla-Nagar|Assigned|Dict.Art|||||||Sher-e-Bangla-Nagar|6097|Kahn, Louis Isidore||architect|Louis Isidore Kahn|0||||0|||||Pakistani||||||||Bangladesh||||||0|Dhaka, Bangladesh|||10228||||0||||0|Architecture|Government office building|Assembly hall|||20|||1962|1974||1962-1974|1962-1974|||||0||||0||||||||||||||||||||||Government office buildings ; Assembly halls ; |Government office buildings|Assembly halls||||||||Cornell||MNW|SJW|7/22/2004 0:00:00|3/29/2006 0:00:00||Dhak||0||||||Ban|MA||||||2.41|1962-|||||||||Work|0||The new capital in Dhaka, Bangladesh, which was commissioned by the former government of East Pakistan. Kahn worked on the project until his death in 1974. (DOA)||||||||||0|0|Sher-e-Bangla-Nagar|Kahn, Louis Isidore 1898.00|0|Architect|02|MA-KahnL|2.41|1962-|Ban/Ass||Assembly Hall|||||||||Sher-e-Bangla-Nagar. Assembly Hall|6097|Kahn, Louis Isidore||architect|Louis Isidore Kahn|0||||0|||||Pakistani||||||||Bangladesh||||||0|Dhaka, Bangladesh|||10228||||0||||0|Architecture|Assembly hall||||20|||1962|1974|ca|ca 1962-1974|ca 1962-1974||Sher-e-Bangla-Nagar|Larger entity||1897||||0||||||||||||||||||||||Assembly halls ; |Assembly halls|||||||||Cornell||SJW|JNK|3/30/2006 0:00:00|7/22/2004 0:00:00|KahnL|||0||||||Ban|MA||||||2.41|1962-|||||||||Work|0||Part of new capital complex in Dhaka, Bangladesh, which was commissioned by the former government of East Pakistan. Kahn worked on the project until his death in 1974. (DOA)||||||||||0|0|Assembly Hall|Kahn, Louis Isidore 1899.00|0||15||||||Description de l'Égypte, ou Recueil des observations et des recherches qui ont été faites en Égypte pendant l'expédition de l'armée française|Assigned|Print Publication|Description of Egypt, or Account of the observations and research which were made in Egypt during th|Translated|Cataloger||||La Description de l'Egypte|0|||||0||||0|||||French|||Napoleonic|||||France||||||0||||0||||0||||0|Publications|Book|Print|||19|||1801|1822||1801-1822|1801-1822|||||0||||0|||||Copper engraving|copper|engraving||||engraving (incising)|||||53.3 x 69.3 cm||9323|Paris, Institut d'Orient|Paris: Institut d'Orient||Egypt||||||||||Cornell||JNK|MNW|8/16/2004 0:00:00|7/22/2004 0:00:00||||0||||||||||||||| ||||||||Work|0|||There are several copies of this work in the collections of various institutions. These particular images were reproduced from the Institut d'Orient collection. Original prints can be found in the Musée du Louvre, Paris.||The work dates begin with the end of Napoleon's Egyptian campaign and end with the print date of the first publication of the final volume in the series.|||||||0|0|Description de l'Égypte, ou Recueil des observations et des recherches qui ont été faites en Égypte pendant l'expédition de l'armée française;Description of Egypt, or Account of the observations and research which were made in Egypt during th| 1900.00|0|Site|02|B-M2|Egy|1.01 MidUp|4|B-M2 Egy 1.01 MidUp 4|Map of Middle and Upper Egypt at Time of the Napoleonic Expedition|||||||||Map of Middle and Upper Egypt at Time of the Napoleonic Expedition|30192|Carmigniani, Juan Carlos||historian|Juan Carlos Carmigniani|0||||0|||||||||||||||||||0||||0||||0||||0|Architecture|Map||||20||||||||||||||||0||||||||||||||||||||||Egypt||||||||||Cornell||JNK|MNW|8/16/2004 0:00:00|7/22/2004 0:00:00||Egy||0||||||MidUp|B|||||M2|1.01||||||||||Work|0|Architecture-Mediterranean Africa (Egypt)|||||||||||0|0|Map of Middle and Upper Egypt at Time of the Napoleonic Expedition|Carmigniani, Juan Carlos 1901.00|0|Architect|02|MA-Eisenman|7.5|1969-70|III|MA-Eisenman 7.5 1970 III|House III|Artists|Dict.Art|Miller House|Descriptive|Dict.Art||||House III; Miller House|3514|Eisenman, Peter D.||architect|Peter D. Eisenman|0||||0|||||American||||||||United States||||||0|Lakeville, CT|||10230||||0||||0|Architecture|House||||20|||1969|1970||1969-1970|1969-1970|||||0||||0||||||||||||||||||||||Houses; Architectural theory||||||||||Cornell|||SJW|7/22/2004 0:00:00|||Lake||0||||||III|MA||||||7.5|1969-70|||||||||Work|0||Information from DOA.||||||||||0|0|House III;Miller House|Eisenman, Peter D. 1902.00|0|Creator|15|32|D975-G|1801|1|32 D975-G 1|A Sailor From Alexandria|Translated|Cataloger|Le Marin d'Alexandrie|Published|Image Source (Book)|Volume II, plate D|Descriptive|Image Source (Book)|Description de l'Égypte. A Sailor From Alexandria, Volume II, plate D|30194|Dutertre, André||engraver|André Dutertre|0||||0|||||French|||Napoleonic|||||France||||||0||||0||||0||||0|Prints|Engraving (Print)||||19|||1801|1822|ca|ca 1801-1822|ca 1801-1822||Description de l'Égypte, ou Recueil des observations et des recherches qui ont été faites en Égypte pendant l'expédition de l'armée française|||1899||||0|||||Print from copper engraving|copper|engraving||||engraving (incising)|||||53.3 x 69.3 cm||9323|Paris, Institut d'Orient|Paris: Institut d'Orient||Landscapes; Egypt; Seamen||||||||||Cornell||JNK|MNW|8/16/2004 0:00:00|7/22/2004 0:00:00|D975|||0|||||||32|G||||||1801| ||||||||Work|0||||||||||||0|0|A Sailor From Alexandria;Le Marin d'Alexandrie;Volume II, plate D|Dutertre, André 1903.00|0|Architect|02|MA-Eisenman|7.5|1972|VI|MA-Eisenman 7.5 1976 VI|House VI|Artists|Dict.Art|Frank House|Descriptive|Dict.Art||||House VI; Frank House|3514|Eisenman, Peter D.||architect|Peter D. Eisenman|0||||0|||||American||||||||United States||||||0|Cornwall, CT|||10231||||0||||0|Architecture|House||||20|||1972|1975||1972-1975|1972-1975|||||0||||0||||||||||||||||||||||Architectural theory; Houses||||||||||Cornell|||SJW|7/22/2004 0:00:00||Eisenman|||0||||||VI|MA||||||7.5|1972|||||||||Work|0||House VI, Eisenman's sixth house design, was commissioned by Suzanne and Dick Frank in 1972 for a site in Cornwall, Connecticut. House was built in 1975. (Getty site. Getty has 63 drawings from Eisenman's office.)||||||||||0|0|House VI;Frank House|Eisenman, Peter D. 1904.00|0|Creator|15|32|L535-PA|1806|1|32 L535-PA 1806 1|Battle of the Pyramids, 1 July 1798|Translated|Cataloger|La bataille des Pyramides, 1 juillet 1798|Assigned|Repository||||Battle of the Pyramids, 1 July 1798|30195|Lejeune, Louis François||painter|Louis François Lejeune|0||||0|||||French|||Napoleonic|||||France||||||0||||0||||0||||0|Paintings|Oil painting||||19|||1806|1806||1806|1806-1806|||||||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||180 x 258 cm||3383|Versailles,Mus.national du Chateau de Versailles et des Trianons|Versailles: Mus. Nac. du Chateau||Wars; Pyramids (tombs)||||||||||Cornell||JNK|JNK|1/6/2006 0:00:00|7/22/2004 0:00:00||||0|||||||32|PA||||||1806| ||||||||Work|0||||||||||||0|0|Battle of the Pyramids, 1 July 1798;La bataille des Pyramides, 1 juillet 1798|Lejeune, Louis François 1905.00|0|Site|02|B-M2|Kar|3.4|Am/Hypo|B-M2 Kar 3.4 Am/Hypo|Interior Perspective of the Temple (Karnak),Vew From the East|Translated|Cataloger|Vue Perspective Intérieure du palais, prise de l'est (Palais du Karnak)|Original|Print Publication|||||6983|Lepère, Jean-Baptiste||architect|Jean-Baptiste Lepère|0||||0|||||French|||Napoleonic|||||France||||||0||||0||||0||||0|Publications|Print|Architectural drawing|||19|||1801|1822||1801-1822|1801-1822||Description de l'Égypte, ou Recueil des observations et des recherches qui ont été faites en Égypte pendant l'expédition de l'armée française|||1899||||0|||||Copper engraving||||||engraving (incising)|||||53.3 x 69.3 cm||9323|Paris, Institut d'Orient|Paris: Institut d'Orient||Temples; Hypostyle halls; Egypt||||||||||Cornell||JNK|MNW|8/15/2006 0:00:00|7/22/2004 0:00:00||Kar||0||||||Am/Hypo|B|||||M2|3.4|| ||||||||Work|0|Architecture - Karnak|||||||||||0|0|Interior Perspective of the Temple (Karnak),Vew From the East;Vue Perspective Intérieure du palais, prise de l'est (Palais du Karnak)|Lepère, Jean-Baptiste 1906.00|0|Site|02|B-M2|Kar|3.4|Amo/Sph|B-M2 Kar 3.4 Amo/Sph|View & Details of the Sphinx of the Avenue of the Temple of Amon-Mut Khons, Ant. III, pl. 56|Translated|Cataloger|Vue et détails des béliers de l'avenue du grand temple du sud|Original|Print Publication|||||30197|Jollois, Jean Baptiste Prosper||engraver|Jollois & Duvilliers|30198|Villiers du Terrage, Édouard de|||0|||||French|||Napoleonic|||||France||||||0||||0||||0||||0|Publications|Print|Drawing|||19|||1801|1822||1801-1822|1801-1822||Description de l'Égypte, ou Recueil des observations et des recherches qui ont été faites en Égypte pendant l'expédition de l'armée française|LargerEntity||1899||||0|||||Copper engraving||||||engraving (incising)|||||53.3 x 69.3 cm||9323|Paris, Institut d'Orient|Paris: Institut d'Orient||Sphinx; Rams||||||||||Cornell||JNK|MNW|8/17/2004 0:00:00|7/22/2004 0:00:00||Kar||0||||||Amo/Sph|B|||||M2|3.4|| ||||||||Work|0|Architecture - Karnak|||||||||||0|0|View & Details of the Sphinx of the Avenue of the Temple of Amon-Mut Khons, Ant. III, pl. 56;Vue et détails des béliers de l'avenue du grand temple du sud|Jollois, Jean Baptiste Prosper;Villiers du Terrage, Édouard de 1907.00|0|Architect|02|B-H5|Bur|3.2 Hue|||Las Huelgas Abbey||Dict.Art|||||||Las Huelgas Abbey|0|||||0||||0|||||Spanish||||||||Spain||||||0|Burgos, Spain|||10232||||0||||0|Architecture|Monastery|Abbey|Church||12|13||1187|1279|ca|ca 1187-1279|ca 1187-1279|||||0||||0||||||||||||||||||||||Monasteries||||||||||Cornell|||SJW|7/22/2004 0:00:00|||Bur||0||||||Hue|B|||||H5|3.2||||||||||Work|0||Cistercian abbey founded in 1187 by Alfonso VIII of Castile (reg 1158–1214) and Queen Eleanor (who are buried there). Church built ca. 1220-1279. Other noble tombs with tomb textiles have been preserved. (DOA)||||||||||0|0|Las Huelgas Abbey| 1908.00|0|Site|02|B-M2|Egy|1.01 LowUp||B-M2 Egy 1.01 LowUp|Map of Lower and Upper Egypt|Artists|Cataloger|||||||Map of Lower and Upper Egypt|30199|Saks, Cal||graphic designer|Cal Saks|0||||0|||||||||||||||||||0||||0||||0||||0|Architecture|Map||||20|||1975|1976||1975-1976|1975-1976|||||0||||0||||||ink|paper||||printing|||||||||||Egypt||||||||||Cornell||JNK|MNW|8/16/2004 0:00:00|7/23/2004 0:00:00||Egy||0||||||LowUp|B|||||M2|1.01||||||||||Work|0|Architecture - Egypt|||||||||||0|0|Map of Lower and Upper Egypt|Saks, Cal 1909.00|0|Site|02|B-M2|The|3.3 Tut||B-M2 The 3.3 Tut|Tomb of Tutankhamen in the Valley of the Kings (KV62)|Assigned|Print Publication|||||||Tomb of Tutankhamen in the Valley of the Kings (KV62)|0|||||0||||0|||||Egyptian|||Dynasty 18 (Egyptian)|New Kingdom||Africa|Mediterranean Region|Egypt||||||0|Thebes, Egypt|||10119||||0||||0|Architecture|Tomb||||-14|||1350|1330||1350-1330|1350-1330|||||0||||0||||||||||||||||||||||Tombs; Egypt; Tutankhamen, King of Egypt||||||||||Cornell||JNK|MNW|8/24/2004 0:00:00|7/23/2004 0:00:00||The||0||||||Tut|B|||||M2|3.3||||||||||Work|0|Architecture-Egypt|||||||||||0|0|Tomb of Tutankhamen in the Valley of the Kings (KV62)| 1910.00|0|Site|02|B-M2|The|3.3 Tut||B-M2 The 3.3 Tut|Plan of Tomb of Tutankhamen|Assigned|Image Source (Book)|||||||Tomb of Tutankhamen in the Valley of the Kings (KV62). Plan.|30199|Saks, Cal||graphic designer|Cal Saks|0||||0|||||American|||Post-1945|||||United States||||||0||||||||0||||0|Architecture|Plans (drawings)||||20|||1975|1976|ca|1975-1976|1975-1976||Tomb of Tutankhamen in the Valley of the Kings (KV62)|LargerEntity||1909||||0||||||ink|paper||||printing|||||||||||Tombs; Egypt; Tutankhamen, King of Egypt||||||||||Cornell||JNK|MNW|3/29/2006 0:00:00|7/23/2004 0:00:00||||0||||||Tut|B|||||M2|3.3||||||||||Work|0|Architecture-Egypt|||||||||||0|0|Plan of Tomb of Tutankhamen|Saks, Cal 1911.00|0|Site|02|B-M2|The|3.3 Tut||B-M2 The 3.3 Tut |Interior Excavation view of the Antechamber of the Tomb of Tutankhamun|Assigned|Cataloger|||||||Tomb of Tutankhamen in the Valley of the Kings (KV62). Interior Excavation view of the Antechamber|1833|Burton, Harry||photographer|Harry Burton|0||||0|||||British||||||Europe||United Kingdom||||||0||||0||||||||0|Photographs|Gelatin silver print||||20|||1922|1939|ca|ca 1922-1939|ca 1922-1939||Tomb of Tutankhamen in the Valley of the Kings (KV62)|LargerEntity||1909||||0|||||Gelatin Silver Print|photo paper|||||photography|||||||3294|New York,Metropolitan Museum of Art|New York: Metropolitan||Tombs; Egypt; Tutankhamen, King of Egypt||||||||||Cornell||JNK|MNW|3/29/2006 0:00:00|7/23/2004 0:00:00||The||0||||||Tut|B|||||M2|3.3|| ||||||||Work|0|Architecture-Egypt|||||||||||0|0|Interior Excavation view of the Antechamber of the Tomb of Tutankhamun|Burton, Harry 1912.00|0|Site|02|B-M2|The|3.3 Tut||B-M2The 3.3 Tut|Interior excavation view of the hall to the Tomb of Tutankhamun|Assigned|Cataloger|||||||Tomb of Tutankhamen in the Valley of the Kings (KV62). Interior Excavation View of the Hall|1833|Burton, Harry||photographer|Harry Burton|0||||0|||||British||||||Europe||United Kingdom||||||0||||0||||0||||0|Photographs|Gelatin silver print||||20|||1922|1939|ca|ca 1922-1939|ca 1922-1939||Tomb of Tutankhamen in the Valley of the Kings (KV62)|Larger entity||1909||||0|||||Gelatin Silver Print|photo paper|||||photography|||||||3294|New York,Metropolitan Museum of Art|New York: Metropolitan||Tombs; Egypt; Tutankhamen, King of Egypt||||||||||Cornell||JNK|MNW|3/29/2006 0:00:00|7/23/2004 0:00:00||The||0||||||Tut|B|||||M2|3.3|| ||||||||Work|0|Architecture-Egypt|||||||||||0|0|Interior excavation view of the hall to the Tomb of Tutankhamun|Burton, Harry 1913.00|0|Site|02|B-H5|Cor|3.4 Mos/Cath||B-H5 Cor 3.4 Mos/Cath |Cathedral|Assigned|Dict.Art|Cathedral of S. Maria|Published|Dict.Art||||Mezquita (Great Mosque); Cathedral|10187|Ruiz, Hernán, the Elder||architect|Hernán Ruiz the Elder|0||||0|||||Spanish|||Plateresque|||||Spain||||||0|Cordoba, Spain|||10000||||0||||0|Architecture|Mosque|Cathedral|||16|17|18|1523|1799|ca|ca 1523-1799|ca 1523-1799||Great Mosque|LargerEntity||2231||||0||||||||||||||||||||||Mosques; Cathedrals||||||||||Cornell||SJW|MNW|8/9/2005 0:00:00|7/23/2004 0:00:00||Cor||0||||||Mos/Cath|B|||||H5|3.4||||||||||Work|0||Cathedral built in center of the Mezquita (Great Mosque), beginning 1523. Work completed end of 18th century. Hernán Ruiz the Elder drew up the original plan, although it was subsequently altered. (DOA)|See also records for the Capilla de la Villaviciosa and Capilla Real within the Mosque.|||||||||0|0|Cathedral;Cathedral of S. Maria|Ruiz, Hernán, the Elder 1914.00|0|Site|02|B-H5|Cor|3.4 Mos/Real||B-H5 Cor 3.4 Mos/Real|Capilla Real|||||||||Mezquita (Great Mosque). Cathedral. Capilla Real|0|||||0||||0|||||Spanish|||Mudejar|||||Spain||||||0|Cordoba, Spain|||10000||||0||||0|Architecture|Mosque|Chapel|||13|14||1295|1371|ca|ca 1295-1371|ca 1295-1371||Cathedral|||1913||||0||||||||||||||||||||||Chapels; Kings (people)||||||||||Cornell||SJW|MNW|8/9/2005 0:00:00|7/23/2004 0:00:00||Cor||0||||||Mos/Real|B|||||H5|3.4||||||||||Work|0||Capilla Real was first large-scale Christian alteration to Great Mosque, begun late 13th century–early 14th. Second building phase under Henry II in 1371.|See also records for the Capilla de la Villaviciosa and Cathedral within the Mosque.|||||||||0|0|Capilla Real| 1915.00|0|Category|04|C-03|NK/18Dyn/|Tut/2ndCof||C-03 NK/18Dyn/Tut/2ndCof|Second Inner Coffin of Tutankhamun|Assigned|Cataloger|||||||First Inner Coffin of Tutankahamen. Second Inner Coffin of Tutankhamun|0|||||0||||0|||||Egyptian|||Dynasty 18 (Egyptian)|New Kingdom||||Egypt||||||0|||||Thebes, Egypt|||10119|Thebes, Egypt|||10119|Sculpture|Coffin|||BCE|-14|||1350|1330||1350-1330 BCE|1350-1330 BCE||First Inner Coffin of Tutankahamen|Larger entity||2227||||0|||||Wood, gold leaf, faience, glass, and obsidian|gold|wood|faience|||gold-work|||||||522|Cairo,Egyptian Museum|Cairo: Egyptian Mus.||Coffins; Egypt; Tombs; Tutankhamen, King of Egypt||||||||||Cornell||JNK|MNW|3/29/2006 0:00:00|7/23/2004 0:00:00|||The|0||||||Tut/2ndCof|C|||03|NK/18Dyn|||| ||||||||Work|0|Sculpture-New Kingdom|||||||||||0|0|Second Inner Coffin of Tutankhamun| 1916.00|0|Category|04|C-03|NK/18Dyn|Tut/2ndCof||C-03 NK/18Dyn/Tut/2ndCof|Second Inner Coffin Being Removed From the First|Assigned|Cataloger|||||||Second Inner Coffin of Tutankhamun. Second Inner Coffin Being Removed From the First|1833|Burton, Harry||photographer|Harry Burton|0||||0|||||British||||||Europe||United Kingdom||||||0||||0|Thebes, Egypt|||10119|||||Photographs|Gelatin silver print||||20|||1922|1939|ca|ca 1922-1939|ca 1922-1939||Second Inner Coffin of Tutankhamun|LargerEntity||1915||||0|||||Gelatin Silver Print|photo paper|||||photography|||||||3294|New York,Metropolitan Museum of Art|New York: Metropolitan||Coffins; Tombs; Egypt; Tutankhamen, King of Egypt||||||||||Cornell||JNK|MNW|3/29/2006 0:00:00|7/23/2004 0:00:00|||The|0||||||Tut/2ndCof|C|||03|NK/18Dyn|||| ||||||||Work|0|Sculpture-Egypt|||||||||||0|0|Second Inner Coffin Being Removed From the First|Burton, Harry 1917.00|0|Site|02|B-H5|Cor|3.4 Mos/Vil||B-H5 Cor 3.4 Mos/Vil |Capilla de Villaviciosa|Assigned|Blue Guide|||||||Mezquita (Great Mosque). Cathedral. Capilla de Villaviciosa|0|||||0||||0|||||Spanish|||Mudejar|||||Spain||||||0|Cordoba, Spain|||10000||||0||||0|Architecture|Mosque|Chapel|||14|||1371|1371|ca|ca 1371|ca 1371-1371||Cathedral|||1913||||0||||||||||||||||||||||Chapels; Kings (people)||||||||||Cornell||SJW|MNW|8/9/2005 0:00:00|7/23/2004 0:00:00||Cor||0||||||Mos/Real|B|||||H5|3.4||||||||||Work|0||An elevated chapel, possibly on the former site of a maqsra, an elevated prayer platform for the caliphs in the mosque. (Blue Guide)|See also records for the Capilla Real and Cathedral within the Mosque.||Restored 1892.|||||||0|0|Capilla de Villaviciosa| 1918.00|0|Site|04|B-M2|The|3.3 Tut/Doc||B-M2 The 3.3 Tut/Doc |July 25, 1926, Louisville, KY Newspaper Article Describing the Find in the Tomb of Tutankhamun|Assigned|Cataloger|||||||Tomb of Tutankhamen in the Valley of the Kings (KV62). 7/25/1926, Louisville, KY Newspaper Article Describing the Find|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Publications|article||||20|||1926|1926||1926|1926-1926||Tomb of Tutankhamen in the Valley of the Kings (KV62)|LargerEntity||1909||||0|||||Newspaper article||||||printing|||||||||||Coffins; Tombs; Egypt; Tutankhamen, King of Egypt||||||||||Cornell||JNK|MNW|3/29/2006 0:00:00|7/23/2004 0:00:00||The||0||||||Tut/Doc|B|||||M2|3.3||||||||||Work|0|Scultpure-Egypt|||||||||||0|0|July 25, 1926, Louisville, KY Newspaper Article Describing the Find in the Tomb of Tutankhamun| 1919.00|0|Category|04|C-03|NK/18Dyn|Tut/Sarc||C-03 NK/18Dyn/Tut/Sarc|Newspaper Article Describing the Sarcophagus of Tutankhamun|Assigned|Cataloger|||||||Sarcophagus of Tutankamen. Newspaper Article Describing the Sarcophagus of Tutankhamun|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Publications|article||||20|||1924|1924|aft|aft 1924|aft 1924-1924||Sarcophagus of Tutankamen|LargerEntity||2224||||0|||||Newspaper article||||||printing|||||||||||Coffins; Sarcophagi; Tombs; Egypt; Tutankhamen, King of Egypt||||||||||Cornell||JNK|MNW|3/29/2006 0:00:00|7/23/2004 0:00:00||||0||||||Tut/Sarc|C|||03|NK/18Dyn||||||||||||Work|0|Sculpture-Egypt|||||||||||0|0|Newspaper Article Describing the Sarcophagus of Tutankhamun| 1959.00|0|Manuscript|||||||Chess Problem 25|Assigned|Cataloger|Folio 22 R||||||Libro de los Juegos. Chess Problem 25; Folio 22 V|30216|Alfonso X||author|Alfonso X|0||||0|||||Spanish|||Gothic (Medieval)|||||Spain||||||0||||0||||0||||0|Manuscripts|Illumination (Layout feature)||||13|||1251|1282|||1251-1282||Libro de los Juegos|LargerEntity||1944||||0||||||parchment|ink|paint|||painting (image-making)|||||29 x 42 cm||4584|San Lorenzo de El Escorial: Escorial; Biblioteca|San Lorenzo de El Escorial: Escorial; Bib.||Chess; Board games; Kings (people)||||||||||Cornell||MNW|MNW|4/20/2005 0:00:00|7/30/2004 0:00:00||||0||Ms. T.I.6, Folio 22 V||||||||||||| |||||||||0|||Facsimile edition: ISBN 84-85935-28-4. For image see image number 13223.|||||||||0|0|Chess Problem 25;Folio 22 R|Alfonso X 1960.00|0|Site|02|B-H5|Sev|7.1 Alc/Cru|||Patio del Crucero|Assigned|Dict.Art|Patio de Maria de Padilla|Artists|Blue Guide||||Alcázar. Patio del Crucero|0|||||0||||0|||||Islamic|Spanish||Almohad|Mudejar||||Spain||||||0|Seville, Spain|||10234||||0||||0|Architecture|Palace|Patios||||||913|1540|ca|ca 913-1540|ca 913-1540||Alcázar|LargerEntity||1937||||0||||||||||||||||||||||Patios; Baths||||||||||Cornell||MNW|MNW|7/30/2004 0:00:00|7/30/2004 0:00:00||Sev||0||||||Alc/Cru|B|||||H5|7.1|||||||||||0|Architecture-Spain|Contains a vaulted gallery in the basement comprising the Baths of Maria Padilla. (Blue Guide)|||Altered 1732|||||||0|0|Patio del Crucero;Patio de Maria de Padilla| 1961.00|0|Creator|06|J-MP|Edwards|1 Cleopatra|2|J-MP Edwards 1 Cleopatra |Movie Poster for "Cleopatra" featuring Theda Bara|Assigned|Cataloger|||||||Movie Poster for "Cleopatra" featuring Theda Bara|30219|Edwards, J. Gordon||director|J. Gordon Edwards|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Motion Pictures|Poster||||20|||1916|1917||1916-1917|1916-1917|||||0||||0|||||Poster|ink|paper||||printmaking|lithography||||||9328|Los Angeles,Academy of Motion Picture Arts and Sciences|Los Angeles: Acad. Mot. Pict. Arts & Sciences||Bara, Theda, 1890-1955; Cleopatra, Queen of Egypt, d. 30 B.C.||||||||||Cornell||JNK|MNW|8/13/2004 0:00:00|7/30/2004 0:00:00|Edwards|||0||||||Cleopatra|J-MP|||||||| ||||||||Work|0||||||||||||0|0|Movie Poster for "Cleopatra" featuring Theda Bara|Edwards, J. Gordon 1962.00|0|Creator|07|S-18|Tiffany|Dresser-set|||Dresser-set|Translated|Cataloger|Garniture de toilette|Original|Print Publication||||Dresser-set|29170|Tiffany Studios||firm|Tiffany Studio|0||||0|||||American|||Art Nouveau|||||United States||||||0||||0||||0||||0|Metalwork|toilet sets (dresser sets)||||20|||1925|1925|ca|ca 1925|ca 1925-1925|||||0||||0|||||Silver and enamel|silver|enamel||||metalworking|||||||3290|Private Collection|: Private Coll.||Mirrors; Combs; Toilet sets (Dresser sets)||||||||||Cornell||JNK|MNW|8/13/2004 0:00:00|7/30/2004 0:00:00||||0||||||Dresser-set|S|||18||||| ||||||||Work|0||||||||||||0|0|Dresser-set;Garniture de toilette|Tiffany Studios 1963.00|0|Site|02|B-H5|Sev|7.1 Alc/Yes|||Patio El Yeso|Assigned|Blue Guide|||||||Alcázar. Patio El Yeso|0|||||0||||0|||||Islamic|Spanish||Almohad|Mudejar||||Spain||||||0|Seville, Spain|||10234||||0||||0|Architecture|Palace|Patios||||||913|1540|ca|ca 913-1540|ca 913-1540||Alcázar|LargerEntity||1937||||0||||||||||||||||||||||Patios; Palaces||||||||||Cornell||MNW|MNW|7/30/2004 0:00:00|7/30/2004 0:00:00||Sev||0||||||Alc/Yes|B|||||H5|7.1||||||||||Work|0|Architecture-Spain|||||||||||0|0|Patio El Yeso| 1964.00|0|Category|04|C-03|NK/18Dyn|Tut|||"Le caveau du pharaon a été ouvert", La Parisien, le 18 février 1923|Original|Print Publication|The tomb of the pharoah (Tut) is opened, La parisien, February 18, 1923|Translated|Cataloger||||"Le caveau du pharaon a été ouvert", La Parisien, le 18 février 1923|0|||||0||||0|||||French||||||||France||||||0||||0||||0||||0|Publications|article||||20||||1923||-1923|-1923|||||0||||0|||||Newspaper article|ink|paper||||printing|||||||||||Tutankhamen, King of Egypt; Sarcophagi; Tombs; Coffins||||||||||Cornell||JNK|JNK|7/30/2004 0:00:00|7/30/2004 0:00:00||||0||||||Tut|C|||03|NK/18Dyn||||||||||||Work|0|Sculpture-Egypt|||||||||||0|0|"Le caveau du pharaon a été ouvert", La Parisien, le 18 février 1923;The tomb of the pharoah (Tut) is opened, La parisien, February 18, 1923| 1965.00|0|Category|04|C-03|NK/18Dyn|Tut/Cof||C-03 NK/18Dyn/Tut/Cof|Howard Carterchips away at the hardened black unguents poured over innermost coffin, 26 november 1922|Translated|Cataloger|Découverte de la tombe de Tutankhamon ouverture du sarcophage par Howard Carter le 26 novembre 1922|Original|Print Publication||||Third (Innermost) Coffin of Tutankhamen. Howard Carter Chips Away at Hardened Black Unguents Poured Coffin,11/26/1922|1833|Burton, Harry||photographer|Harry Burton|0||||0|||||English||||||||England||||||0||||0||||0||||0|Photographs|Gelatin silver print||||20|||1922|1922||1922|1922-1922||Third (Innermost) Coffin of Tutankhamen|LargerEntity||2228||||0|||||Gelatin silver print|photo paper|||||photography|||||||9338|Oxford,Griffith Institute, Howard Carter Archive|Oxford: Griffith Inst., Howard Carter arch.||Tutankhamen, King of Egypt; Sarcophagi; Carter, Howard, 1874-1939; Coffins; Egypt||||||||||Cornell||JNK|MNW|3/29/2006 0:00:00|7/30/2004 0:00:00||||0||Carter #255, Burton #p0770||||Tut/Cof|C|||03|NK/18Dyn|||| ||||||||Work|0|Sculpture-Egypt||Published in Reeves, 1990, p. 109.|||||||||0|0|Howard Carterchips away at the hardened black unguents poured over innermost coffin, 26 november 1922;Découverte de la tombe de Tutankhamon ouverture du sarcophage par Howard Carter le 26 novembre 1922|Burton, Harry 1920.00|0|Category|04|C-03|NK/18Dyn|Tut/MinCof||C-03 NK/18Dyn/Tut/MinCof|Miniature Coffin That Contained One of Tutankhamun's Internal Organs|Assigned|Print Publication|||||||Tomb of Tutankhamen in the Valley of the Kings (KV62). Tomb of Tutankhamen. Miniature coffin, bottom half|0|||||0||||0|||||Egyptian|||Dynasty 18 (Egyptian)|New Kingdom||||Egypt||||||0||||0|Thebes, Egypt|||10119|Thebes, Egypt|||10119|Sculpture|Coffin||||-14|||1350|1330||1350-1330|1350-1330||Tomb of Tutankhamen in the Valley of the Kings (KV62)|LargerEntity||1909||||0|||||Gold inlaid w/colored glass and carnelian|gold|glass||||gold-work|||||22.5 cm long||522|Cairo,Egyptian Museum|Cairo: Egyptian Mus.||Tutankhamen, King of Egypt; Egypt; Coffins||||||||||Cornell||JNK|MNW|3/29/2006 0:00:00|7/23/2004 0:00:00|||The|0||60691||||Tut/MinCof|C|||03|NK/18Dyn|||| ||||||||Work|0|Sculpture-Egypt|||||||||||0|0|Miniature Coffin That Contained One of Tutankhamun's Internal Organs| 1921.00|0|Architect|02|B-H5|Bur|3.1|Cath|B-H5 Bur 3.1 Cath|Cathedral of Santa Maria|Assigned||Catedral de Burgos|Descriptive|LC NAF||||Cathedral of S. Maria|0|||||0||||0|||||Spanish||||||||Spain||||||0|Burgos, Spain|||10232||||0||||0|Architecture|Cathedral||||13|16||1221|1568|ca|ca 1221-1568|ca 1221-1568|||||0||||0||||||||||||||||||||||Cathedrals ; |Cathedrals|||||||||Cornell||SJW|MNW|2/7/2005 0:00:00|7/23/2004 0:00:00||Bur||0||||||Cath|B|||||H5|3.1||||||||||Work|0|||||A Romanesque cathedral (1075–96) on the site of the present nave was destroyed ca. 1257. Cathedral consecrated 1260. There were extensive additions in the 16th C., and restorations in the 18th. (DOA)|||||||0|0|Cathedral of Santa Maria;Catedral de Burgos| 1922.00|0|Architect|02|B-H5|Bur|3.1|Cath|B-H5 Bur 3.1 Cath|Chapel of the Condestable|Assigned|Dict.Art|Capilla del Condestable Velasco|Assigned|Dict.Art||||Cathedral of S. Maria. Chapel of the Condestable|30201|Colonia, Simón de||architect|Simón de Colonia|0||||0|||||Spanish||||||||Spain||||||0|Burgos, Spain|||10232||||0||||0|Architecture|Chapel||||15|||1482|1492|ca|ca 1492|ca 1482||Cathedral of S. Maria|LargerEntity||1921||||0||||||||||||||||||||||Chapels; Tombs; Heraldry||||||||||Cornell||SJW|MNW|3/29/2006 0:00:00|7/23/2004 0:00:00||Bur||0||||||Cath|B|||||H5|3.1||||||||||Work|0||Chapel founded by the Constable of Castile, Pedro Fernández de Velasco, and his wife Dona Mencia de Mendoza. Located off the axial bay of the ambulatory of the Cathedral. (DOA)||||||||||0|0|Chapel of the Condestable;Capilla del Condestable Velasco|Colonia, Simón de 1923.00|0|Creator|15|32|L848-PA|1878|1|32 L848 1878 1|The Gods and their Makers|Assigned|Repository|||||||The Gods and their Makers|30209|Long, Edwin||painter|Edwin Long|0||||0|||||British||||||Europe||United Kingdom||||||0||||0||||0||||0|Paintings|Oil painting||||19|||1878|1878||1878|1878-1878|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||142.2 x 223.4 cm||507|Burnley,Towneley Hall Art Gallery and Museums|Burnley: Towneley Hall||Artists; Sculptors; Egypt; Studios (Work Spaces); Gods||||||||||Cornell||JNK|JNK|1/6/2006 0:00:00|7/26/2004 0:00:00|L848|||0||PA/OIL 174|||||32|PA||||||1878| ||||||||Work|0||||||||||||0|0|The Gods and their Makers|Long, Edwin 1924.00|0|Creator|15|32|M574-PA|1880|1|32 M574-PA 1880 1|Rest on the Flight to Egypt|Translated|Cataloger|Le Repos pendant la fuite en Égypte|Original|Repository||||Rest on the Flight to Egypt|30210|Merson, Luc Olivier||painter|Luc Olivier Merson|0||||0|||||French||||||||France||||||0||||0||||0||||0|Paintings|Oil painting||||19|||180|1880||1880|180-1880|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||77 x 133 cm||3386|Nice,Musee des Beaux-Arts(Jules Cheret)|Nice: MBA (Jules Cheret)||Sphinx; Egypt; Sleep; Flight into Egypt||||||||||Cornell||JNK|JNK|1/6/2006 0:00:00|7/26/2004 0:00:00||||0||2075|||||32|PA||||||1880| ||||||||Work|0||||||||||||0|0|Rest on the Flight to Egypt;Le Repos pendant la fuite en Égypte|Merson, Luc Olivier 1925.00|0|Creator|15|30|G268-PA|90|1|30 G268-PA 90 1|Meeting of Augustus and Cleopatra after the Battle of Actium|Assigned|Repository|Entrevue d'Augustus et de Cléopâtre après ;a bataille d'Actium|Original|Print Publication||||Meeting of Augustus and Cleopatra after the Battle of Actium|30212|Gauffier, Louis||painter|Louis Gauffier|0||||0|||||French||||||||France||||||0||||0||||0||||0|Paintings|Oil painting||||18|||1788|1788||1788|1788-1788|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||83.3 x 112.5 cm||3446|Edinburgh,National Gallery of Scotland|Edinburgh: Nat. Gal. Scotland||Augustus, Emperor of Rome, 63 BCE-14CE; Cleopatra, Queen of Egypt, d. 30 B.C.||||||||||Cornell||JNK|JNK|1/6/2006 0:00:00|7/26/2004 0:00:00|G268|||0||Inv. 2526|||||30|PA||||||| |90|||||||Work|0||Clepatra before the victorious Augustus, possible giving him a list of her treasures. Iconclass.||||||||||0|0|Meeting of Augustus and Cleopatra after the Battle of Actium;Entrevue d'Augustus et de Cléopâtre après ;a bataille d'Actium|Gauffier, Louis 1926.00|0|Creator|15|32|R625-PA|1874|1|32 R625-PA 1874 1|The Death of Cleopatra|Translated|Cataloger|La Mort de Cléopâtre|Original|Repository||||The Death of Cleopatra|30213|Rixens, Jean Andre||painter|Jean Andre Rixens|0||||0|||||French||||||||France||||||0||||0||||0||||0|Paintings|Oil painting||||19|||1874|1874||1874|1874-1874|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||195 x 286 cm||2952|Toulouse,Musee des Augustins|Toulouse: Mus. Augustins||Deaths; Cleopatra, Queen of Egypt, d. 30 B.C.||||||||||Cornell||JNK|JNK|1/6/2006 0:00:00|7/26/2004 0:00:00||||0||Inv. Ro 239|||||32|PA||||||1874| ||||||||Work|0||||||||||||0|0|The Death of Cleopatra;La Mort de Cléopâtre|Rixens, Jean Andre 1927.00|0|Creator|15|32|G377-PA|1886|2 X|32 G377-PA 1886 2|Stupefication of General Bonaparte confronting, in the middle of the desert, a colossal statue of Napoleon 1st|Translated|Print Publication|Imitation of Gérôme's "Oedipus"|Descriptive|Cataloger||||Stupefication of General Bonaparte confronting, in the middle of the desert, a colossal statue of Napoleon 1st|0|||||0||||0|||||French||||||||France||||||0||||0||||0||||0|Cartoon|Print||||19|||1866|1886|ca|ca 1886|ca 1866-1886|||||||||0|||||||||||printing|||||||||||Napoleon I, Emperor of the French, 1769-1821; Sphinx; Egypt||||||||||Cornell||JNK|MNW|8/12/2004 0:00:00|7/26/2004 0:00:00|G377|||0|||||||32|PA||||||1886|||||||||Work|0||||||||||||0|0|Stupefication of General Bonaparte confronting, in the middle of the desert, a colossal statue of Napoleon 1st;Imitation of Gérôme's "Oedipus"| 1928.00|0|Site|02|B-H5|Ler|3.1|Cath|B-H5 Ler 3.1 Cath|Cathedral of S María in Sede|||||||||Cathedral of S María in Sede|0|||||0||||0|||||Spanish|Catalan|||||||Spain||||||0|Lérida, Spain|||10233||||0||||0|Architecture|Cathedral||||13|14||1203|1278|ca|ca 1203-1278|ca 1203-1278|||||0||||0||||||||||||||||||||||||||||||||Cornell||SJW|MNW|7/30/2004 0:00:00|7/27/2004 0:00:00||Ler||0||||||Cath|B|||||H5|3.1||||||||||Work|0||Built on site that formerly housed mosque and Zuda, an Arab fortress. (DOA)|||Foundation stone laid 1203; building continued into 14th C.|||||||0|0|Cathedral of S María in Sede| 1929.00|0|Culture|15||||||Virgin and Child|Translated|Cataloger|Virgen con niño|Assigned|Image Source (Book)||||Virgin and Child|0|||||0||||0|||||Spanish|||Gothic (Medieval)|Romanesque||||Spain||||||0||||0||||0||||0|Sculpture|Figures (representations)|Sculpture|||13|||1200|1299|ca|ca 1200-1299|ca 1200-1299|||||0||||0|||||Polychromed wood|wood|||||carving|||||||9325|Valladolid, Museo Arqueológico|Valladolid, Museo Arqueológico||Virgin Mary; Christ; Mother and child||||||||||Cornell|||MNW|7/30/2004 0:00:00|||||0||||||||||||||| ||||||||Work|0||'Romanesque' style, from near Burgos. (C. Robinson).||||||||||0|0|Virgin and Child;Virgen con niño| 1930.00|0|Creator|08|O-Piranesi|1.0|Cam||O-Piranesi 1.0 Cam |Diverese maniere d'adornare i camini|Assigned|Dict.Art|||||||Diverese maniere d'adornare i camini|9255|Piranesi, Giovanni Battista||engraver|Piranesi, Giovanni Battista|0||||0|||||Italian||||||||Italy||||||0||||0||||0||||0|Architectural Theory|Fireplace|Architectural drawing|Book||18|||1769|1769||769|1769-1769|||||0||||0|||||Etching|ink|paper||||etching (printing process)|||||24.5 x 38.5 cm||3405|Paris,Private Collection|Paris: Private Coll.||Fireplaces||||||||||Cornell||JNK|MNW|8/12/2004 0:00:00|7/27/2004 0:00:00|Piranesi|||0||||||Cam|O||||||1.0|| ||||||||Work|0|Architecture - Theory|Piranesi’s final polemical and theoretical publication...with parallel texts in Italian, French and English, and was to prove his most influential contribution to the decorative arts. DOA||||||||||0|0|Diverese maniere d'adornare i camini|Piranesi, Giovanni Battista 1931.00|0|Creator|08|O-Piranesi|1.0|Cam|5|O-Piranesi 1.0 Cam 5|Plate 24, Egyptian fireplace|Assigned|Print Publication|||||||Diverse maniere d'adornare I cammini. Plate 24, Egyptian fireplace|9255|Piranesi, Giovanni Battista||engraver|Piranesi, Giovanni Battista|0||||0|||||Italian|||Egyptian Revival|||||Italy||||||0||||0||||0||||0|Architectural Theory|Fireplace|Architectural drawing|||19||||1769||-1769|-1769||Diverese maniere d'adornare i camini|Series||1930||||0|||||Etching|ink|paper||||etching (printing process)|||||24.5 x 38.5 cm||3405|Paris,Private Collection|Paris: Private Coll.||Fireplaces; Egypt||||||||||Cornell||JNK|MNW|8/12/2004 0:00:00|7/27/2004 0:00:00|Piranesi|||0||||||Cam|O||||||1.0|| ||||||||Work|0|Architecture-Theory|Piranesi’s final polemical and theoretical publication...with parallel texts in Italian, French and English, and was to prove his most influential contribution to the decorative arts. DOA||||||||||0|0|Plate 24, Egyptian fireplace|Piranesi, Giovanni Battista 1932.00|0|Creator|07|Q-16|Wedgwood|Tea||Q-16 Wedgwood Tea |Tea Service with Egyptian themes decoration|Assigned|Cataloger|||||||Tea Service with Egyptian themes decoration|30202|Wedgwood||manufacturer|Wedgwood|0||||0|||||English|||Neoclassical|||||England||||||0||||0||||0||||0|Ceramics|Tea service||||19|||1815|1820|ca|ca 1815-1820|ca 1815-1820|||||0||||0|||||Faeince with salt glaze|faience|||||ceramics|||||Teapot: 10.2 cm H||3373|london,british museum|London: British Museum||Egypt; Tea services||||||||||Cornell||JNK|MNW|8/12/2004 0:00:00|7/27/2004 0:00:00|Wedgwood|||0||1989, 11-2, 1, 2, 3||||Tea|Q|||16||||| ||||||||Work|0||||||||||||0|0|Tea Service with Egyptian themes decoration|Wedgwood 1933.00|0|Culture|07||||||Textile from Las Huelgas burial|||||||||Las Huelgas Abbey. Textile from Las Huelgas Burial|0|||||0||||0|||||Spanish|||Gothic (Medieval)|||||Spain||||||0||||0||||0||||0|Textiles|Textile||||13|||1200|1299|ca|ca 1200-1299|ca 1200-1299||Las Huelgas Abbey|Larger Context||1907||||0|||||||||||weaving|||||||||||||||||||||Cornell||MNW|MNW|3/29/2006 0:00:00|3/29/2006 0:00:00||||0|||||||||||||||||||||||Work|0||The clothes of the deceased and the textiles that once covered the coffins have been preserved. They provide valuable evidence for 13th-century Spanish textiles and are of Mudéjar, Christian and Islamic origin, some with delicate borders. (DOA)||||||||||0|0|Textile from Las Huelgas burial| 1934.00|0|Culture|07||||||Textile from Las Huelgas burial|||||||||Las Huelgas Abbey. Textile from Las Huelgas Burial|0|||||0||||0|||||Spanish|||Gothic (Medieval)|||||Spain||||||0||||0||||0||||0|Textiles|Textile||||13|||1200|1299|ca|ca 1200-1299|ca 1200-1299||Las Huelgas Abbey|Larger Context||1907||||0|||||||||||weaving|||||||||||||||||||||Cornell||SJW|MNW|3/29/2006 0:00:00|7/27/2004 0:00:00||||0|||||||||||||||||||||||Work|0||The clothes of the deceased and the textiles that once covered the coffins have been preserved. They provide valuable evidence for 13th-century Spanish textiles and are of Mudéjar, Christian and Islamic origin, some with delicate borders. (DOA)||||||||||0|0|Textile from Las Huelgas burial| 1935.00|0|Architect|02|B-H5|Sev|3.1 Cath||B-H5 Sev 3.1 Cath|Cathedral of S María de la Asunción|||||||||Cathedral of S María de la Asunción|0|||||0||||0|||||Spanish|||Gothic (Medieval)|||||Spain||||||0|Seville, Spain|||10234||||0||||0|Architecture|Cathedral||||13|14|15|1248|1590|ca|ca 1248-1590|ca 1248-1590|||||0||||0||||||||||||||||||||||Cathedrals||||||||||Cornell|||SJW|7/28/2004 0:00:00|||Sev||0||||||Cath|B|||||H5|3.1||||||||||Work|0||The largest medieval church in Christendom. Existing mosque converted in 1248; present cathedral built over this site into the 16th century. The Puerta del Perdón, the Puerta de Oriente and the minaret survive from the mosque. (DOA)||||||||||0|0|Cathedral of S María de la Asunción| 1936.00|0|Architect|02|B-H5|Sev|3.1 Cath/Mos||B-H5 Sev 3.1 Cath/Mos|Congregational Mosque|Descriptive|Image Source (Book)|||||||Cathedral of S María de la Asunción. Congregational Mosque|0|||||0||||0|||||Islamic|Spanish||Almohad|||||Spain||||||0|Seville, Spain|||10234||||0||||0|Architecture|Mosque||||12|||1172|1176||1172-1176|1172-1176||Cathedral of S María de la Asunción|Larger Context||1935||||0||||||||||||||||||||||Mosques||||||||||Cornell||SJW|MNW|7/30/2004 0:00:00|7/28/2004 0:00:00||Sev||0||||||Cath/Mos|B|||||H5|3.1||||||||||Work|0||Existing mosque converted in 1248; present cathedral built over this site into the 16th century. The Puerta del Perdón, the Puerta de Oriente and the minaret (begun in 1184 by Ahmad ibn Basu) survive from the mosque. (DOA)||||||||||0|0|Congregational Mosque| 1937.00|0|Architect|02|B-H5|Sev|7.1 Alc||B-H5 Sev 7.1 Alc |Alcázar|Assigned|Dict.Art|Alcázar al-Mubarak|Variant|Dict.Art||||Alcázar|0|||||0||||0|||||Islamic|Spanish||Almohad|Mudejar||||Spain||||||0|Seville, Spain|||10234||||0||||0|Architecture|Palace|||||||913|1540|ca|ca 913-1540|ca 913-1540|||||0||||0||||||||||||||||||||||Palaces; Fortifications; Gardens||||||||||Cornell|||MNW|7/30/2004 0:00:00|||Sev||0||||||Alc|B|||||H5|7.1||||||||||Work|0||One portion of the 9th-century stone wall restored by the Almohads, the Puerta de León, and three gardens, including the excavated El Yeso and Patio de Crucero, survive from Islamic period. (DOA)||| Rebuilt beginning 1364 through 16th century.|||||||0|0|Alcázar;Alcázar al-Mubarak| 1938.00|0|Creator|07|U-16|Hope|6||U-16 Hope 6 |Clock from the Thomas Hope house, Duchess Street, London|Assigned|Print Publication|||||||Clock from the Thomas Hope house, Duchess Street, London|5594|Hope, Thomas||designer|Hope, Thomas|0||||0|||||English|||Regency|||||England||||||0||||0||||0||||0|Furnishings|Clock||||19|||1807|1807|ca|ca 1807|ca 1807-1807|||||0||||0|||||Patina & gilded bronze, marble|bronze|marble||||furniture making|sculpture||||50.2 cm H||457|Brighton,Brighton Art Gallery and Museum|Brighton: Art Gal. & Mus.||Egypt; Clocks||||||||||Cornell||JNK|MNW|8/12/2004 0:00:00|7/28/2004 0:00:00||||0|||||||U|||16||||6| ||||||||Work|0||||||||||||0|0|Clock from the Thomas Hope house, Duchess Street, London|Hope, Thomas 1939.00|0|Creator|07|Q-15|Por/Sèvres|Cab||Q-15 Por/Sèvres Cab 1|Egyptian Cabaret of Napoleon|Translated|Cataloger|Cabaret égyptien de Napoléon|Original|Print Publication|||||30215|Sèvres Porcelain Manufactory||manufacturer|Sèvres Porcelain Manufactory|0||||0|||||French|||Napoleonic|||||France||||||0||||0||||0||||0|Ceramics|Tea service|Plate (Dish)|Bowl (Vessel)||19|||1809|1810||1809-1810|1809-1810|||||0||||0|||||Porcelain|porcelain|||||ceramics|||||Milk pitcher; 21 cm H||3341|Paris,Musee National du Louvre|Paris: Louvre||Egypt; Landscapes; Architectural elements||||||||||Cornell||JNK|MNW|8/23/2004 0:00:00|7/28/2004 0:00:00||||0||A0 9493||||Cab|Q|||15||||| |Porc/Sevre|||||||Work|0||||||||||||0|0|Egyptian Cabaret of Napoleon;Cabaret égyptien de Napoléon|Sèvres Porcelain Manufactory 1940.00|0|Creator|07|V-15|Oberkampf|1||V-15 Oberkampf 1 |The Monuments of Egypt|Translated|Cataloger|Les Monuments d'Égypte||||||The Monuments of Egypt|30214|Oberkampf, Christophe Philippe||manufacturer|Christophe Philippe Oberkampf|0||||0|||||French|||Napoleonic|||||France||||||0||||0||||0||||0|Textiles|Textile|Textile material|||19|||1808|1808|ca|ca 1808|ca 1808-1808|||||0||||0|||||Cotton printed with copper rollers|cotton (textile)|||||rolling presses|||||40 x 43 cm||5104|Mulhouse, Musée de l’Impression sur Etoffes|Mulhouse: Musée de l’Impression||Egypt; Obelisks; Tombs; Camels; Sphinx; Pyramids (tombs)||||||||||Cornell||JNK|MNW|8/12/2004 0:00:00|7/28/2004 0:00:00|Oberkampf|||0||954.307.2|||||V|||15||||| ||||||||Work|0||This design was manufactured by Oberkampf in his factory - "Manufacture d'Oberkampf a Jouy-en-Josas."||||||||||0|0|The Monuments of Egypt;Les Monuments d'Égypte|Oberkampf, Christophe Philippe 1941.00|0|Site|02|B-H3.3|S.Mart|7.5 Villa S.Mart|||Villa San Martino|Assigned|Blue Guide|||||||Villa San Martino|0|||||0||||0|||||Italian|||Neoclassical|||Europe|Tuscany|Italy||||||0|San Martino, Isola d'Elba, Italy|||10235||||0||||0|Architecture|House||||19|||1814|1814|ca|ca 1814|ca 1814-1814|||||0||||0||||||||||||||||||||||Houses; Villas||||||||||Cornell||JNK|MNW|8/12/2004 0:00:00|7/28/2004 0:00:00||S.Mart||0||||||Villa S.Mart.|B|||||H3.3|7.5||||||||||Work|0|Architecture-Italy|||||||||||0|0|Villa San Martino| 1942.00|0|Site|02|B-H3.3|S.Mart.|7.5 Villa S.Mart.||B-H3.3 S.Mart. 7.5 Villa S.Mart. |Egyptian Room|Assigned|Print Publication|||||||Villa San Martino. Egyptian Room|30204|Revelli, Vincenzo Antonio||painter|Vincenzo Antonio Revelli|0||||0|||||French|||Napoleonic|||||Italy||||||0|San Martino, Isola d'Elba, Italy|||10235||||0||||0|Architecture|House|Room|||19|||1814|1815||1814-1815|1814-1815||Villa San Martino|LargerEntity||1941||||0||||||||||||||||||||||Egypt||||||||||Cornell||JNK|MNW|8/12/2004 0:00:00|7/28/2004 0:00:00||S.Mart||0||||||Villa S.Mart.|B|||||H3.3|7.5||||||||||Work|0|Architecture-Italy|This was Napoleon I's summer residence while in exile on the Island of Elba. Decoration was designed by Revelli. This room was decoraded after prints in the Description de l'Égypte. Blue Guide.||||||||||0|0|Egyptian Room|Revelli, Vincenzo Antonio 1943.00|0|Site|02|B-G1|Lon|4.4 Egy Hall||B-G1 Lon 4.4 Egy Hall |Egyptian Hall, Piccadilly|Assigned|Print Publication|||||||Egyptian Hall, Piccadilly|30268|Robinson, Peter Frederick||architect|Peter Frederick Robinson|0||||0|||||English||||||||England||||||0|London, England|||10018||||0||||0|Architecture|Exhibit building|Museum|||19|||1812|1812||1812|1812-1812|||||0||||0||||||||||||||||||||||Exhibition buildings; Museums; Egypt||||||||||Cornell||JNK|JNK|8/25/2004 0:00:00|7/28/2004 0:00:00||Lon||0||||||Egy Hall|B|||||G1|4.4||||||||||Work|0|Architecture-England|||||||||||0|0|Egyptian Hall, Piccadilly|Robinson, Peter Frederick 1944.00|0|Manuscript|15||||||Libro de los Juegos|Preferred|Online Resource|Libros de acedrex dados et tablas|Inscribed|Online Resource|Book of Games|Translated|Online Resource||30216|Alfonso X||patron|Alfonso X|0||||0|||||Spanish|||Gothic (Medieval)|||||Spain||||||0||||0||||0||||0|Manuscripts|Manuscript|Illumination (Layout feature)|||13|||1251|1282||1251-1282|1251-1282|||||0||||0||||||parchment|ink|paint|||painting (image-making)|||||29 x 42 cm||4584|San Lorenzo de El Escorial: Escorial; Biblioteca|San Lorenzo de El Escorial: Escorial; Bib.||||||||||||Cornell||MNW|MNW|7/30/2004 0:00:00|4/20/2005 0:00:00||||0||Ms. T.I.6||||||||||||| ||||||||Work|0||98 pages, bound in sheepskin with over 150 illuminations. Commissioned by Alfonso X.|Facsimile edition: ISBN 84-85935-28-4|||||||||0|0|Libro de los Juegos;Libros de acedrex dados et tablas;Book of Games|Alfonso X 1945.00|0|Site|02|B-G1|Lon|4.4 Egy Hall||B-G1 Lon 4.4 Egy Hall |Egyptian Hall, Piccadilly, Perspective view|Assigned|Print Publication|||||||Egyptian Hall, Piccadilly, Perspective view|10831|Shepherd, Thomas Hosmer||painter|Thomas Hosmer Shepherd|0||||0|||||English||||||||England||||||0||||0||||0||||0|Publications|Engraving (Print)||||19||||1828||-1828|-1828||Egyptian Hall, Piccadilly|Published||1943||||0|||||Engraving|ink|paper||||engraving (printing process)|||||13.2 x 20.5 cm||3405|Paris,Private Collection|Paris: Private Coll.||Exhibition buildings; Museums; Egypt||||||||||Cornell||JNK|MNW|8/12/2004 0:00:00|7/28/2004 0:00:00||Lon||0||||||Egy Hall|B|||||G1|4.4|| ||||||||Work|0|Architecture-England|Published 7 June 1828 by Jones & Co, 3 Acton Place, Kingland Road, London (p. 273). Egyptomania by Jean-Marcel Humbert.||||||||||0|0|Egyptian Hall, Piccadilly, Perspective view|Shepherd, Thomas Hosmer 1946.00|0|Manuscript|15||||||Frontispiece from an Alfonsine Codex|||King Alfonso X with his court and chancery|Descriptive|Cataloger||||Frontispiece from an Alfonsine Codex|30216|Alfonso X||patron|Alfonso X|0||||0|||||Spanish|||Gothic (Medieval)|||||Spain||||||0||||0||||0||||0|Manuscripts|Manuscript|Illumination (Layout feature)|||13|||1250|1280|ca|ca 1250-1280|ca 1250-1280|||||0||||0||||||ink|pigment||||painting (image-making)|illumination||||||||||Kings (people); Courts (judicial bodies)||||||||||Cornell|||MNW|7/30/2004 0:00:00|||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Frontispiece from an Alfonsine Codex;King Alfonso X with his court and chancery|Alfonso X 1947.00|0|Creator|15|32|D469-TH|1871|1|32 D469 1871 1|Sketch design for Aïda - Act II, Scene 2: Entrance into the city of Thebes|Assigned|Print Publication|||||||Sketch design for Aïda - Act II, Scene 2: Entrance into the city of Thebes|30206|Despléchin, Édouard||scenographer|Édouard Despléchin|0||||0|||||French||||||||France||||||0||||0||||0||||0|Theater Design|Watercolor||||19|||1871|1871||1871|1871-1871|||||0||||0|||||Charcoal, wc, gouache/paper|watercolors|gouache|charcoal|||painting (image-making)|||||48.5 x 63 cm||9326|Paris,Bibliothèque nationale, départment de la Musique|Paris: BN, départ. de la Musique||Egypt; Temples; opera; Sets (architectural elements)||||||||||Cornell||JNK|MNW|8/12/2004 0:00:00|7/29/2004 0:00:00|D469|||0||Esq. Despléchin 36|||||32|TH||||||1871| ||||||||Work|0||This sketch was done for the production of Aïda in Cairo, 24 December 1871. Jean-Marcel Humbert, Egyptomania, p. 426.||||||||||0|0|Sketch design for Aïda - Act II, Scene 2: Entrance into the city of Thebes|Despléchin, Édouard 1948.00|0|Architect|02||||||Plan of Royal Palaces (Reales Alcazares)|Collective Title|Cataloger|||||||Plan of Royal Palaces (Reales Alcazares)|0|||||0||||0|||||Spanish||||||||Spain||||||0|Seville, Spain|||10234||||0||||0|City Plans and Views|City planning|Plans (drawings)|||12|13|14|1100|1399|ca|ca 1100-1399|ca 1100-1399|||||0||||0|||||||||||drawing (image-making)|||||||||||Palaces; Plans (maps)||||||||||Cornell|||MNW|7/30/2004 0:00:00|||||0|||||||||||||||||||||||Work|0||Shows palaces ca. 12th-14th centuries with Almohad, Alfonsine and 14th C. components.||||||||||0|0|Plan of Royal Palaces (Reales Alcazares)| 1949.00|0|Manuscript|15||||||Cantigas de St María|||||||||Cantigas de St María|30216|Alfonso X||author|Alfonso X|0||||0|||||Spanish||||||||Spain||||||0||||0||||0||||0|Manuscripts|Manuscript|Illumination (Layout feature)|||13|||1254|1279||1254-1279|1254-1279|||||0||||0|||||||||||painting (image-making)|calligraphy||||||||||Poetry; Kings (people)||||||||||Cornell|||MNW|7/30/2004 0:00:00|||||0|||||||||||||||||||||||Work|0||Collection of over 400 poems which survives in 4 manuscripts (Madrid, Escorial, Real Bib. Monasterio S Lorenzo, MSS B.I.2 and T.I.1; Madrid, Bib. N., MS. 10069; Florence, Bib. N. Cent., MS. B.R.20). Written in Galician over 25 years ending in 1279. (DOA)|The songs of the Virgin are accompanied by an important and extensive series of over 1000 small genre scenes ‘structured like a modern comic-strip to tell the song’s narrative visually’ (Burns/DOA).|||||||||0|0|Cantigas de St María|Alfonso X 1950.00|0|Creator|15|32|C462-TH|1871|1|32 C462-TH 1871 1|Sketch design for Aïda - Act IV, Scene 1: Interior of Temple of Vulcan|Assigned|Print Publication|||||||Sketch design for Aïda - Act IV, Scene 1: Interior of Temple of Vulcan|30205|Chaperon, Philippe-Marie||scenographer|Philippe-Marie Chaperon|0||||0|||||French||||||||France||||||0||||0||||0||||0|Theater Design|Watercolor||||19||||1871||||||||0||||0|||||Pencil, charcoal, pen, watercolor on paper|watercolors|pencil|charcoal|||painting (image-making)|||||50 x 65 cm||9326|Paris,Bibliothèque nationale, départment de la Musique|Paris: BN, départ. de la Musique||Egypt; Temples; Theatrical scenery; Opera||||||||||Cornell||JNK|MNW|8/12/2004 0:00:00|7/29/2004 0:00:00|C462|||0||Maq. A 379|||||32|TH||||||1871| ||||||||Work|0||||||||||||0|0|Sketch design for Aïda - Act IV, Scene 1: Interior of Temple of Vulcan|Chaperon, Philippe-Marie 1951.00|0|Creator|07|V|15|Lacoste|1|V 15 Lacoste 1|Costume design for production of Aïda at the Paris Opera, Harp Player|Translated|Cataloger|||||||Costume design for production of Aïda at the Paris Opera, Harp Player|30207|Lacoste, Pierre Eugene||costume designer|Pierre Eugene Lacoste|0||||0|||||French||||||||France||||||0||||0||||0||||0|Costume|Watercolor||||19|||1879|1879||1879|1879-1879|||||0||||0|||||Watercolor and gouache|watercolors|gouache||||painting (image-making)|||||26 x 18 cm||9326|Paris,Bibliothèque nationale, départment de la Musique|Paris: BN, départ. de la Musique||Women; Egypt; Musicians; Harps||||||||||Cornell||JNK|MNW|8/13/2004 0:00:00|7/29/2004 0:00:00|Lacoste|||0||D. 216 (31, I), pl. 36|||||V|||15||||| ||||||||Work|0||These costume designs were created for a production of Aïda at the Paris Opera on 22 March 1880. Jean-Marcel Humbert, Egyptomania.|No specific length dimensions were given for each of nine designs, but a range of 18 cm to 22 cm was given.|||||||||0|0|Costume design for production of Aïda at the Paris Opera, Harp Player|Lacoste, Pierre Eugene 1952.00|0|Creator|07|S-15|Anon|Diadem| 1|S-15 Anon Diadem 1|Diadem, Prop for Aïda|Assigned|Print Publication|||||||Diadem, Prop for Aïda|0|||||0||||0|||||French||||||||France||||||0||||0||||0||||0|Jewelry|Crown (Headdress)||||19|||1876|1876|ca|ca 1876|ca 1876-1876|||||0||||0|||||Metal and paste jewels|metal|paste (glass)||||metalworking|||||28.5 x 18 cm||9326|Paris,Bibliothèque nationale, départment de la Musique|Paris: BN, départ. de la Musique||Egypt; Crowns; Opera||||||||||Cornell||JNK|MNW|11/11/2004 0:00:00|7/29/2004 0:00:00||||0||BI-206||||Diadem|S|||15||||| ||||||||Work|0||||||||||||0|0|Diadem, Prop for Aïda| 1953.00|0|Creator|15|32|C462-TH|1901|1|32 C462-TH 1901 1|Sketch design for Aïda - Act IV, Scene 2 at the Paris Opera|Translated|Cataloger|||||||Sketch design for Aïda - Act IV, Scene 2 at the Paris Opera|30205|Chaperon, Philippe-Marie||scenographer|Philippe-Marie Chaperon|0||||0|||||French||||||||France||||||0||||0||||0||||0|Theater Design|Watercolor||||20|||1901|1901||1901|1901-1901|||||0||||0|||||Watercolor, gouache, and collage|watercolors|gouache||||painting (image-making)|collage||||34.5 x 38.2 cm||9326|Paris,Bibliothèque nationale, départment de la Musique|Paris: BN, départ. de la Musique||Egypt; Temples; Opera; Sets (architectural elements)||||||||||Cornell||JNK|MNW|8/12/2004 0:00:00|7/29/2004 0:00:00||||0||D 345 (II, 5)|||||32|TH||||||1901| ||||||||Work|0||This design was created for a production of Aïda at the Paris Opera in 1901.||||||||||0|0|Sketch design for Aïda - Act IV, Scene 2 at the Paris Opera|Chaperon, Philippe-Marie 1954.00|0|Site|02|B-H2|Par|2.31 1900 Expo/Egy||B-H2 Par 2.31 1900 Expo/Egy |Le Palais de l'Égypte|Assigned|Print Publication|||||||Exposition Universelle de 1900 Le Palais de l'Égypte|30208|Dourgnon, Marcel Lazare||architect|Marcel Lazare Dourgnon||Garen, G.|||0|||||French||||||||France||||||0||||0|Paris, France|||10058||||0|Architecture|Exhibit building||||19|||1899|1900||1899-1900|1899-1900||Exposition Universelle de 1900|LargerEntity||2135||||0||||||||||||||||||||||Exhibition buildings||||||||||Cornell||JNK|MNW|8/12/2004 0:00:00|7/30/2004 0:00:00||Par||0||||||Expo/Egy|B|||||H2|2.31||||||||||Work|0||||||||||||0|0|Le Palais de l'Égypte|Dourgnon, Marcel Lazare;Garen, G. 1955.00|0|Manuscript|15||||||Chess Problem 74|Assigned|Cataloger|Folio 48 V|Assigned|Cataloger||||Libro de los Juegos. Chess Problem 74; Folio 48 V|30216|Alfonso X||author|Alfonso X|0||||0|||||Spanish|||Gothic (Medieval)|||||Spain||||||0||||||||0||||0|Manuscripts|Illumination (Layout feature)||||13|||1251|1282||1251-1282|1251-1282||Libro de los Juegos|LargerEntity||1944||||0||||||parchment|ink|paint|||painting (image-making)|||||29 x 42 cm||4584|San Lorenzo de El Escorial: Escorial; Biblioteca|San Lorenzo de El Escorial: Escorial; Bib.||||||||||||Cornell||MNW|MNW|4/20/2005 0:00:00|7/30/2004 0:00:00||||0||Ms. T.I.6, Folio 48 V||||||||||||| ||||||||Work|0|||Facsimile edition: ISBN 84-85935-28-4|||||||||0|0|Chess Problem 74;Folio 48 V|Alfonso X 1956.00|0|Creator|07|Q-16|Wedgwood|Dish||Q-16 Wedgwood Plate 1|Painted Dish|Assigned|Print Publication|||||||Painted Dish|30202|Wedgwood||ceramicist|Wedgwood|30218|Allen, Thomas|||0|||||English|||Aesthetic Movement|||||England||||||0||||0||||0||||0|Ceramics|Plate (Dish)||||19|||1878|1878||1878|1878-1878|||||0||||0|||||Cream colored faïnce, paint|faience|paint||||ceramics|||||38.5 cm Diam||3373|London,British Museum|London: British Museum||Egypt; Women; Papyrus||||||||||Cornell||JNK|MNW|8/12/2004 0:00:00|7/30/2004 0:00:00|Wedgwood|||0||1983, 6-2, I||||Dish|Q|||16||||| ||||||||Work|0|Ceramics-Wedgwood, Josiah|||||||||||0|0|Painted Dish|Wedgwood;Allen, Thomas 1957.00|0||||||||Chess Problem 75|Assigned|Cataloger|Folio 48 R|Assigned|Cataloger||||Libro de los Juegos. Chess Problem 75; Folio 48 R|30216|Alfonso X||author|Alfonso X|0||||0|||||Spanish|||Gothic (Medieval)|||||Spain||||||0||||||||0||||0||||||13|||1251|1282||1251-1282|1251-1282||Libro de los Juegos|||1944||||0||||||parchment|ink|paint|||painting (image-making)|||||29 x 42 cm||4584|San Lorenzo de El Escorial: Escorial; Biblioteca|San Lorenzo de El Escorial: Escorial; Bib.||Chess; Board games; Kings (people)||||||||||Cornell||MNW|MNW|4/20/2005 0:00:00|7/30/2004 0:00:00||||0||Ms. T.I.6, Folio 48R||||||||||||| |||||||||0|||Facsimile edition: ISBN 84-85935-28-4. For image see image number 13232.|||||||||0|0|Chess Problem 75;Folio 48 R|Alfonso X 1958.00|0|Manuscript|15||||||Chess Problem 24|Assigned|Cataloger|Folio 22 V|Assigned|Cataloger||||Libro de los Juegos. Chess Problem 24; Folio 22 V|30216|Alfonso X||author|Alfonso X|0||||0|||||Spanish|||Gothic (Medieval)|||||Spain||||||0||||0||||0||||0|Manuscripts|Illumination (Layout feature)||||13|||1251|1282||1251-1282|1251-1282||Libro de los Juegos|LargerEntity||1944||||0||||||parchment|ink|paint|||painting (image-making)|||||29 x 42 cm||4584|San Lorenzo de El Escorial: Escorial; Biblioteca|San Lorenzo de El Escorial: Escorial; Bib.||Chess; Board games; Moors||||||||||Cornell||MNW|MNW|4/20/2005 0:00:00|7/30/2004 0:00:00||||0||Ms. T.I.6, Folio 22 V||||||||||||| |||||||||0|||Facsimile edition: ISBN 84-85935-28-4.|||||||||0|0|Chess Problem 24;Folio 22 V|Alfonso X 1967.00|0||||||||Cantiga of praise to the Virgin|Artists|Cataloger|||||||Cantigas de St María. Cantiga of praise to the Virgin|30216|Alfonso X||author|Alfonso X|0||||0|||||Spanish||||||||Spain||||||0||||0||||0||||0|Manuscripts|Illumination (Layout feature)||||13|||1254|1279||1254-1279|1254-1279||Cantigas de St María|Manuscript||1949||||0|||||||||||painting (image-making)|calligraphy||||||||||Poetry; Kings (people)||||||||||Cornell||MNW|MNW|7/30/2004 0:00:00|7/30/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Cantiga of praise to the Virgin|Alfonso X 1971.00|0|Manuscript|15||||||The Virgin saves the souls of gamblers|Assigned|Image Source (Book)|Cantiga 38|Assigned|Image Source (Book)||||Cantigas de St María. The Virgin saves the souls of gamblers (Cantiga 38)|30216|Alfonso X||author|Alfonso X|0||||0|||||Spanish||||||||Spain||||||0||||0||||0||||0|Manuscripts|Manuscript|Illumination (Layout feature)|||13|||1254|1279|||1254-1279||Cantigas de St María|Manuscript||1949||||0|||||||||||painting (image-making)|calligraphy||||||||||Poetry; Kings (people)||||||||||Cornell||MNW|MNW|7/30/2004 0:00:00|7/30/2004 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|The Virgin saves the souls of gamblers;Cantiga 38|Alfonso X 1972.00|0|Manuscript|15||||||Scene showing Alfonso X and his court|||||||||Cantigas de St María. Scene showing Alfonso X and his court|30216|Alfonso X||author|Alfonso X|0||||0|||||Spanish||||||||Spain||||||0||||0||||0||||0|Manuscripts|Manuscript|Illumination (Layout feature)|||13|||1254|1279||1254-1279|1254-1279||Cantigas de St María|Manuscript||1949||||0|||||||||||painting (image-making)|calligraphy||||||||||Poetry; Kings (people)||||||||||Cornell||MNW|MNW|7/30/2004 0:00:00|7/30/2004 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Scene showing Alfonso X and his court|Alfonso X 1973.00|0|Creator|09|H-75 15|Tab|||H-75 15 Tab|Poster for Messageries maritimes with "Le Champollion" and Sphinx|Translated|Cataloger|||||||Poster for Messageries maritimes with "Le Champollion" and Sphinx|30220|Taboureau, Georges||graphic designer|Georges Taboureau (Sandy Hook)|0||||0|||||French||||||||France||||||0||||0||||0||||0|Posters|Poster||||20|||1924|1924|ca|ca 1924|ca 1924-1924|||||0||||0|||||Poster||||||printing|||||||3405|Paris,Private Collection|Paris: Private Coll.||Ships; Sphinx; Egypt||||||||||Cornell||JNK|MNW|8/13/2004 0:00:00|7/30/2004 0:00:00|Tab|||0|||||||H|||75 15||||| ||||||||Work|0||||||||||||0|0|Poster for Messageries maritimes with "Le Champollion" and Sphinx|Taboureau, Georges 1974.00|0|Creator|13|Y-15|Ships|Champ||Y-15 Ships Champ |Le Champollion, French liner|Assigned|Print Publication|||||||Le Champollion, French liner|0|||||0||||0|||||French||||||||France||||||0||||0||||0||||0|Industrial Design|cruise ships||||20|||1924|1926||1924-1926|1924-1926|||||0||||0||||||||||||||||||||||Ships; Egypt; Interior views||||||||||Cornell||JNK|MNW|8/13/2004 0:00:00|8/2/2004 0:00:00||Ships||0||||||Champ|Y|||15|||||||||||||Work|0|Transportation-French|||||||||||0|0|Le Champollion, French liner| 1975.00|0|Creator|07|S-15|Cartier|1|||Design for Brooch of the Goddess Sekhmet for Cartier-London|Translated|Cataloger|||||||Design for Brooch of the Goddess Sekhmet for Cartier-London|30211|Cartier, Louis||jeweler|Louis Cartier|0||||0|||||French|||Art Deco|||||France||||||0||||0||||0||||0|Jewelry|Drawing|brooches|||20|||1925|1925|ca|ca 1925|ca 1925-1925|||||0||||0|||||Black lead, ink and gouache on tracing paper|lead|ink|gouache|||drawing (image-making)|||||23 x 14 cm||9329|Paris,Collection of Cartier|Paris: Cartier||Egypt; Statues; Lions; Gods; Sekhmet (Egyptian deity); Jewelry||||||||||Cornell||JNK|MNW|8/13/2004 0:00:00|8/2/2004 0:00:00|Cartier|||0|||||||S|||15||||| ||||||||Work|0||||||||||||0|0|Design for Brooch of the Goddess Sekhmet for Cartier-London|Cartier, Louis 1976.00|0|Creator|15|32|F745-PA|1874|1|32 F745-PA 1874 1|Arab Chief|||||||||Arab Chief|30181|Fortuny y Carbó, Mariano José María Bernardo||painter|Marià Fortuny|0||||0|||||Catalan|Spanish||Orientalism|||||Spain||||||0||||0||||0||||0|Paintings|Oil painting||||19|||1874|1897||1874|1874-1897|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||123 x 79 cm||3281|Philadelphia,Philadelphia Museum of Art|Philadelphia: Museum of Art||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|8/2/2004 0:00:00|F745|||0|||||||32|PA||||||1874| ||||||||Work|0||||||||||||0|0|Arab Chief|Fortuny y Carbó, Mariano José María Bernardo 1977.00|0|Creator|07|R-15|Baccarat|||R-15 Baccarat |Flacon à parfum Ramsès, "Le Secret du sphinx"|Assigned|Print Publication|Bottle of Ramsès perfume, "The Secret of the Sphinx"|Translated|Cataloger||||Flacon à parfum Ramsès, "Le Secret du sphinx"|30221|Baccarat||glassworks|Baccarat|0||||0|||||French|||Art Nouveau|||||France||||||0||||0||||0||||0|Glass|Bottle|Perfume bottles|||20|||1917|1917||1917|1917-1917|||||0||||0|||||Molded glass (stopper), Blown glass (body)|glass|||||glassblowing|molding||||10.5 cm H, 5.2 cm Diam||9330|Paris,Cristelleries de Baccarat|Paris: Cristelleries de Baccarat||Egypt; Sphinx; Bottles; Perfume bottles||||||||||Cornell||JNK|MNW|8/13/2004 0:00:00|8/2/2004 0:00:00||||0|||||||R|||15||||| ||||||||Work|0|Glass-French|||||||||||0|0|Flacon à parfum Ramsès, "Le Secret du sphinx";Bottle of Ramsès perfume, "The Secret of the Sphinx"|Baccarat 1978.00|0|Architect|03|MA-Wright|1.0|Por||MA-Wright 1.0 Por |Wright surrounded by students in drafting room at Taliesin (Wisconsin)|Assigned|Cataloger|||||||Wright surrounded by students in drafting room at Taliesin (Wisconsin)|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Portrait||||20||||||||||||0||||0|||||Color photograph|photo paper|||||photography|||||||3674|Scottsdale,Wright(Frank Lloyd)Foundation|Scottsdale: Frank Lloyd Wright Fdn.||Wright, Frank Lloyd, 1867-1959; Students; Studios (Work Spaces); Portraits||||||||||Cornell||JNK|MNW|8/12/2004 0:00:00|8/2/2004 0:00:00|Wright|||0||||||Por|MA||||||1.0|| ||||||||Work|0|Modern Architecture|||||||||||0|0|Wright surrounded by students in drafting room at Taliesin (Wisconsin)| 1979.00|0|Architect|03|MA-Wright|1.0|Por||MA-Wright 1.0 Por |Wright overseeing farm work at Taliesin (Wisconsin)|Assigned|Cataloger|||||||Wright overseeing farm work at Taliesin (Wisconsin)|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Portrait||||20||||||||||||0||||0|||||Black and white photograph|photo paper|||||photography|||||||3674|Scottsdale,Wright(Frank Lloyd)Foundation|Scottsdale: Frank Lloyd Wright Fdn.||Farming; Wright, Frank Lloyd, 1867-1959; Students; Portraits||||||||||Cornell||JNK|MNW|8/12/2004 0:00:00|8/2/2004 0:00:00|Wright|||0||||||Por|MA||||||1.0|| ||||||||Work|0|Modern Architecture|||||||||||0|0|Wright overseeing farm work at Taliesin (Wisconsin)| 1980.00|0|Architect|03|MA-Wright|1.0|Por||MA-Wright 1.0 Por |Wright surrounded by students during a "Box" review|Assigned|Cataloger|||||||Wright surrounded by students during a "Box" review|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Portrait||||20||||||||||||0||||0|||||Color photograph|photo paper|||||photography|||||||3674|Scottsdale,Wright(Frank Lloyd)Foundation|Scottsdale: Frank Lloyd Wright Fdn.||Wright, Frank Lloyd, 1867-1959; Students; Studios (Work Spaces)||||||||||Cornell||JNK|JNK|8/2/2004 0:00:00|8/2/2004 0:00:00|Wright|||0||||||Por|MA||||||1.0|| ||||||||Work|0|Modern Architecture|||||||||||0|0|Wright surrounded by students during a "Box" review| 1981.00|0|Architect|02|MA-Wright|1.0| 1946 Por||MA-Wright 1.0 1946 Por |Wright at Taliesin West giving a talk to students|Assigned|Cataloger|||||||Wright at Taliesin West giving a talk to students|0|||||0||||0|||||American|||Post-1945|||||United States||||||0||||0||||0||||0|Photographs|Portrait||||20||||1946||-1946|-1946|||||0||||0|||||Color photograph|photo paper|||||photography|||||||3674|Scottsdale,Wright(Frank Lloyd)Foundation|Scottsdale: Frank Lloyd Wright Fdn.||Wright, Frank Lloyd, 1867-1959; Students||||||||||Cornell||JNK|JNK|8/2/2004 0:00:00|8/2/2004 0:00:00|Wright|||0||||||1946 Por|MA||||||1.0|| ||||||||Work|0|Modern Architecture|The studnets from left to right are: Kay Davison, Kenn Lockhart, Ted Bower, Jhon Howe, Peter Berndtson, William Wesley Peters, Svetlana Wright Peters and Cornelia Brierly. Smith FLW's Taliesin.||||||||||0|0|Wright at Taliesin West giving a talk to students| 1982.00|0|Site|02|B-B15|Ind|2.111|ComDia||Composite Diagram of Commercial Architecture in Indiana Between 1820 and 1915|Assigned|Print Publication|||||||Commercial Architecture in Indiana Between 1820 and 1915|30222|Wells, John|||John Wells|0||||0|||||American|||Post-1945|||||United States||||||0||||0||||0||||0|Drawings|Architectural drawing||||20|||1978|1978||1978|1978-1978|||||0||||0|||||Ink on paper|ink|paper||||drawing (image-making)|||||||9331|Indianapolis,Historic Landmarks Foundation of Indiana|Indianapolis: Hist. Landmk. Found/Indiana||commercial buildings; streetscapes||||||||||Cornell||JNK|MNW|8/20/2004 0:00:00|8/2/2004 0:00:00||Ind||0||||||ComDia|B|||||B15|2.111|| ||||||||Work|0|Architecture-Indiana|||||||||||0|0|Composite Diagram of Commercial Architecture in Indiana Between 1820 and 1915|Wells, John 1983.00|0|Architect|03|MA-Gehry|1.0|Por||MA-Gehry 1.0 Por |Gehry as a hockey player with a laminate strip chair for Knoll International|Translated|Cataloger|Frank Gehry in tenuta da giocatore di hockey; accanto, la sedia in strisce di legno laminato per Kno|Original|Print Publication||||Gehry as a hockey player with a laminate strip chair for Knoll International|0|||||0||||0|||||American|||Post-1945|||||United States||||||0||||0||||0||||0|Photographs|Portrait||||20||||1989|ca|ca -1989|ca -1989|||||0||||0|||||Color photograph|photo paper|||||photography|||||||||||Gehry, Frank O. 1929-||||||||||Cornell||JNK|JNK|8/2/2004 0:00:00|8/2/2004 0:00:00|Gehry|||0||||||1989 Por|MA||||||1.0|| ||||||||Work|0|Modern Archtiecture|||||||||||0|0|Gehry as a hockey player with a laminate strip chair for Knoll International;Frank Gehry in tenuta da giocatore di hockey; accanto, la sedia in strisce di legno laminato per Kno| 1984.00|0|Architect|03|MA-Koolhaas|1.0|1998 Por||MA-Koolhaas 1.0 1998 Por |Portrait of Rem Kooklhaas|Assigned|Cataloger|||||||Portrait of Rem Kooklhaas|0|||||0||||0|||||Dutch|||Post-1945|||||Holland||||||0||||0||||0||||0|Photographs|Portrait||||20|||1998|1998|ca|ca 1998|ca 1998-1998|||||0||||0|||||Black and white photograph|photo paper|||||photography|||||||||||Koolhaas, Rem, 1944-; Portraits||||||||||Cornell||JNK|MNW|8/12/2004 0:00:00|8/2/2004 0:00:00|Koolhaas|||0||||||Por|MA||||||1.0|1998|||||||||Work|0|Modern Architecture|||||||||||0|0|Portrait of Rem Kooklhaas| 1985.00|0|Architect|03|MA-Utzon|1.0|1957 Por||MA-Utzon 1.0 1957 Por |Utzon on First Trip to Sydney in 1957 with Andersson and Henry Ashworth|Assigned|Print Publication|||||||Utzon on First Trip to Sydney in 1957 with Andersson & Henry Ashworth|0|||||0||||0||||||||Post-1945|||||||||||0||||0||||0||||0|Photographs|Portrait||||20|||1957|1957||1957|1957-1957|||||0||||0|||||||||||photography|||||||||||Utzon, Jørn, 1918-; Portraits||||||||||Cornell||JNK|MNW|8/12/2004 0:00:00|8/2/2004 0:00:00|Utzon|||0||||||1957 Por|MA||||||1.0||||||||||Work|0|Modern Architecture|||||||||||0|0|Utzon on First Trip to Sydney in 1957 with Andersson and Henry Ashworth| 1986.00|0|Architect|03|MA-Utzon|1.0|1959 Por|2|MA-Utzon 1.0 1959 Por 2|Utzon with the first model of the Opera House|Assigned|Print Publication|||||||Utzon with the first model of the Opera House|0|||||0||||0||||||||Post-1945|||||||||||0||||0||||0||||0|Photographs|Portrait||||20|||1959|1959|ca|ca 1959|ca 1959-1959|||||0||||0|||||||||||photography|||||||||||Utzon, Jørn, 1918-; Portraits; Opera houses; Theaters||||||||||Cornell||JNK|MNW|8/12/2004 0:00:00|8/2/2004 0:00:00|Utzon|||0||||||Por|MA||||||1.0|1959|||||||||Work|0|Modern Architecture|||||||||||0|0|Utzon with the first model of the Opera House| 1987.00|0|Site|02|B-H3|Rom 3.1|S.Pet/Proj/Mic||B-H3 Rom 3.1 S.Pet/Cre |Michelangelo Presenting Model for completion of the building and cupolo of Saint Peter's to Paul IV|Translated|Cataloger|Michelangelo presenta a papa Paolo IV il modello per il completamento dell'edificio e della cupola d|Original|Repository||||Michelangelo Presenting Model for completion of the building and cupolo of Saint Peter's to Paul IV|2706|Cresti, Domenico||painter|Domenico Cresti|0||||0|||||Italian|||Late Renaissance|||||Italy||||||0||||0||||0||||0|Paintings|Oil painting||||17|||1619|1619||-1619|1619-1619|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||236 x 141 cm||851|Florence,Casa Buonarroti|Florence: Casa Buonarroti||Popes; Churches; Saint Peter; Models (Representations); Buonarroti, Michelangelo, 1475-1564||||||||||Cornell||JNK|JNK|1/6/2006 0:00:00|8/2/2004 0:00:00||Rom||0||399||||S.Pet/Proj/Mic|B|||||H3|3.1|| ||||||||Work|0||||||||||||0|0|Michelangelo Presenting Model for completion of the building and cupolo of Saint Peter's to Paul IV;Michelangelo presenta a papa Paolo IV il modello per il completamento dell'edificio e della cupola d|Cresti, Domenico 1988.00|0||||||||Groote Eylandt Creation Narrative|Collective Title|Image Source (Book)|||||||Groote Eylandt Creation Narrative|30223|Gulpidja||painter|Gulpidja|0||||0|||||Australian||||||||Australia||||||0||||0||||0||||0|Paintings|Bark paintings|||||||1948|1948||1948|1948-1948|||||0||||0|||||Natural pigments on bark|bark|pigment||||painting (image-making)|||||||9332|Sydney, Australian Museum|Sydney: Aust. Museum||||||||||||Cornell||MNW|MNW|8/2/2004 0:00:00|8/2/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Groote Eylandt Creation Narrative|Gulpidja 1989.00|0|Category|15|E-21.13|Gulpidj|1|||Jundurrana Creation Story|Collective Title|Image Source (Book)|||||||Groote Eylandt; Jundurrana Creation Story|30223|Gulpidja||painter|Gulpidja|0||||0|||||Australian||||||||Australia||||||0||||0||||0||||0|Paintings|Bark paintings||||20|||1948|1948||1948|1948-1948||Groote Eylandt Creation Narrative|Manuscript||1988||||0|||||Natural pigments on bark|bark|pigment||||painting (image-making)|||||||9332|Sydney, Australian Museum|Sydney: Aust. Museum||||||||||||Cornell||MNW|MNW|8/2/2004 0:00:00|8/2/2004 0:00:00|Gulpidj|||0|||||||E|||21.13||||| ||||||||Work|0||||||||||||0|0|Jundurrana Creation Story|Gulpidja 1990.00|0|Site|02|B-T1|NTer|7.5 Rock|1|B-T1 NTer 7.5 Rock |Rock Shelter from Victoria River|Collective Title|Image Source (Book)|||||||Rock Shelter from Victoria River|0|||||0||||0|||||Australian||||||||Australia||||||0|Northern Territory, Australia|||10239||||0||||0|Sculpture|Rock engraving|||BCE||||||ca|ca 20,000 BCE|ca -20000|||||0||||0|||||Rock engraving|stone|||||engraving (incising)|||||||||||||||||||||Cornell||MNW|MNW|8/2/2004 0:00:00|8/2/2004 0:00:00||NTer||0||||||Rock|B|||||T1|7.5||||||||||Work|0|Architecture-Australia|||||||||||0|0|Rock Shelter from Victoria River| 1991.00|0|Site|02|B-T1|NTer|7.5 Rock|2||Rock Shelter at Thomas Reservoir|Collective Title|Image Source (Book)|||||||Rock Shelter at Thomas Reservoir|0|||||0||||0|||||Australian||||||||Australia||||||0|Northern Territory, Australia|||10239||||0||||0|Sculpture|Rock engraving|||||||||ca|ca 20,000 BCE|ca -20000|||||0||||0|||||Rock engraving|stone|||||engraving (incising)|||||||||||||||||||||Cornell||MNW|MNW|8/2/2004 0:00:00|8/2/2004 0:00:00||NTer||0||||||Rock|B|||||T1|7.5||||||||||Work|0|Architecture-Australia|||||||||||0|0|Rock Shelter at Thomas Reservoir| 1992.00|0|Site|02|B-T1|NTer|7.5 Rock|3||Rock Art|Collective Title|Image Source (Book)|||||||Rock Art|0|||||0||||0|||||Australian||||||||Australia||||||0|Kankadu National Park, Australia|||10240||||0||||0|Sculpture|Rock engraving||||||||||ca 20,000 BCE|ca -20000|||||0||||0|||||Rock engraving|stone|||||engraving (incising)|||||||||||||||||||||Cornell||MNW|JNK|8/12/2004 0:00:00|8/2/2004 0:00:00||NTer||0||||||Rock|B|||||T1|7.5||||||||||Work|0|Architecture-Australia||||Still being altered.|||||||0|0|Rock Art| 1993.00|0|Creator|08|O-Vitruvius|1.0|Fre||O-Vitruvius 1.0 Fre |De Architectura, Libro X|Assigned|Print Publication|||||||De Architectura, Libro X|0|||||0||||0|||||French|||Renaissance|||||France||||||0||||0||||0||||0|Manuscripts|||||15|||1400|1499||1400-1499|1400-1499|||||0||||0||||||||||||||||29 x 40 cm||845|Florence,Biblioteca Laurenziana(Medicea-Laurenziana,S.Lorenzo)|Florence: Bibl. Laurenz.||Architectural theory; Manuscripts||||||||||Cornell||JNK|MNW|11/11/2004 0:00:00|8/3/2004 0:00:00||||0||Cod.Plut.XXX.10||||Fre|O||||||1.0|| ||||||||Work|0||||||||||||0|0|De Architectura, Libro X| 1994.00|0|Creator|08|O-Vitruvius|1.0|Fre|1r|O-Vitruvius 1.0 Fre 1r|Vitruvius presenting his book to Augustus (L) and Vitruvius teaching his students ®|Assigned|Repository|||||||Vitruvius presenting his book to Augustus (L) and Vitruvius teaching his students ®|0|||||0||||0|||||French|||Renaissance|||||France||||||0||||0||||0||||0|Manuscripts|Miniature (painting)||||15|||1400|1499||1400-1499|1400-1499||De Architectura, Libro X|||1993||||0|||||||||||painting (image-making)|||||29 x 40 cm||845|Florence,Biblioteca Laurenziana(Medicea-Laurenziana,S.Lorenzo)|Florence: Bibl. Laurenz.||Architectural theory; Vitruvius Pollio||||||||||Cornell||JNK|MNW|11/11/2004 0:00:00|8/3/2004 0:00:00||||0||Cod.Plut.XXX.10, c. 1r||||Fre|O||||||1.0|| ||||||||Work|0||||||||||||0|0|Vitruvius presenting his book to Augustus (L) and Vitruvius teaching his students ®| 1995.00|0|Creator|08|O-Giorgio|1.0|CodSal||O-Giorgio 1.0 CodSal |Codice Saluzziano 148|Assigned|Repository|||||||Codice Saluzziano 148|4074|Francesco di Giorgio Martini||architect|Francesco di Giorgio Martini|0||||0|||||Italian|||Renaissance|||||Italy||||||0||||0||||0||||0|Manuscripts|Architectural drawing||||15|||1478|1481||1478-1481|1478-1481|||||0||||0|||||||||||architectural drawing|||||||3010|Turin,Biblioteca Reale|Turin: Bibl. Reale||Architectural drawings||||||||||Cornell||JNK|JNK|11/24/2004 0:00:00|8/3/2004 0:00:00||||0||||||CodSal|O||||||1.0|| ||||||||Work|0||||||||||||0|0|Codice Saluzziano 148|Francesco di Giorgio Martini 1996.00|0|Creator|08|O-Giorgio|1.0|CodSal 71r||O-Giorgio 1.0 CodSal 71r|Elevation and plan of the Colosseum|Assigned|Print Publication|||||||Codice Saluzziano 148. Elevation and plan of the Colosseum|4074|Francesco di Giorgio Martini||architect|Francesco di Giorgio Martini|0||||0|||||Italian|||Renaissance|||||Italy||||||0||||0||||0||||0|Manuscripts|Architectural drawing||||15|||1400|1499||1400-1499|1400-1499||Codice Saluzziano 148|||1995||||0|||||||||||architectural drawing|||||||3010|Turin,Biblioteca Reale|Turin: Bibl. Reale||Amphitheaters (built works)||||||||||Cornell||JNK|MNW|8/13/2004 0:00:00|8/3/2004 0:00:00||||0||||||CodSal 71r|O||||||1.0|| ||||||||Work|0||||||||||||0|0|Elevation and plan of the Colosseum|Francesco di Giorgio Martini 1997.00|0|Creator|08|O-Raphael|1.0|Scene||O-Raphael 1.0 Scene |Project for a Stage design|Assigned|Print Publication|||||||Project for a Stage design|9634|Raphael||painter|Raphael|0||||0|||||Italian|||Renaissance|||||Italy||||||0||||0||||0||||0|Theater Design|Theater design||||16|||1517|1520|ca|ca 1517-1520|ca 1517-1520|||||0||||0|||||||||||architectural drawing|||||||856|Florence,Uffizi,Gabinetto Disegni e Stampe degli Uffizi|Florence: Uffizi; Gabinetto||Architectural drawings; Sets (architectural elements)||||||||||Cornell||JNK|CLL|8/3/2006 0:00:00|8/3/2004 0:00:00|R217|||0||560Ar e 242Ar||||Scene|O||||||1.0|| ||||||||Work|0||||||||||||0|0|Project for a Stage design|Raphael 1998.00|0||||||||Physiologie du flaneur|Published|Image Source (Book)|||||||Physiologie du flaneur|30225|Huart, Louis||author|Louis Huart|0||||0|||||French||||||||||||||0||||||||0||||0|Book Arts|Book||||19|||1841|1841||1841|1841-1841|||||0||||0|||||||||||printing|||||||9333|New York,Columbia University, Butler Library|New York: Columbia Univ.; Butler Lib.||Flaneur||||||||||Cornell|||MNW|8/4/2004 0:00:00|||||0||||||||||||||| |||||||||0||Published by Aubert in Paris in 1841.||||||||||0|0|Physiologie du flaneur|Huart, Louis 1999.00|0|Category|08|O-Huart|1.0|Phys||O-Huart 1.0 Phys 1|A Flaneur|Descriptive|Cataloger|||||||Physiologie du flaneur. A Flaneur|30225|Huart, Louis||author|Louis Huart|0||||0|||||French||||||||France||||||0||||0||||0||||0||||||19|||1841|1841||1841|1841-1841||Physiologie du flaneur|||1998||||0|||||||||||printing|||||||||||Flâneurs ; |Flâneurs|||||||||Cornell||MNW|MNW|11/27/2006 0:00:00|8/3/2004 0:00:00|Huart|||0||||||Phys|O||||||1.0||||||||||Work|0||Published by Aubert in Paris Aubert in 1841.||||||||||0|0|A Flaneur|Huart, Louis 2000.00|0|Site|02|B-H3|Rom|3.1 S.Pet/Proj/Bra||B-H3 Rom 3.1 SPet/Proj/Bra|Plan on Parchment for Saint Peter's Basilica|Translated|Cataloger|Pianta su pergamena per la Basilica di San Pietro|Original|Print Publication||||Plan on Parchment for Saint Peter's Basilica|1507|Bramante, Donato||architect|Donato Bramante|0||||0|||||Italian|||Renaissance|||||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Plan views|Architectural drawing|||16|||1505|1505||1505|1505-1505|||||||||0|||||Ink, watercolor, and sanguine on parchment|ink|watercolor paper|parchment|||drawing (image-making)|||||54.4 x 111 cm||856|Florence: Galleria degli Uffizi; Gabinetto Disegni e Stampe degli Uffizi|Florence: Uffizi; Gabinetto||Churches ; Architectural drawings ; Floor plans ; |Churches|Architectural drawings|Floor plans|||||||Cornell||JNK|MNW|5/31/2006 0:00:00|2/17/2006 0:00:00||Rom||0||1A||||S.Pet/Proj/Bra|B|||||H3|3.1|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Plan on Parchment for Saint Peter's Basilica;Pianta su pergamena per la Basilica di San Pietro|Bramante, Donato 2002.00|0|Creator|15|25|V329-F|F632Vec|7 Cos|25 V329-F F632Vec 7 Cos|Cosimo de'Medici tra I suoi artisti, Sala di Cosimo I, Palazzo Vecchio|Original|Repository|Cosimo de'Medici surrounded by his artists, in the Sala di Cosimo I, Palazzo Vecchio|Translated|Cataloger||||Cosimo de'Medici tra I suoi artisti, Sala di Cosimo I, Palazzo Vecchio|12175|Vasari, Giorgio||architect|Giorgio Vasari|0||||0|||||Italian|||Mannerist|Renaissance||||Italy||||||0|Sala di Cosimo I, Palazzo Vecchio, Florence, Italy|||10257||||0||||0|Paintings|Fresco||||16|||1555|1572||1555-1572|1555-1572|||||0||||0|||||Fresco|fresco|||||fresco painting|||||||||||Medici, Cosimo I de', Grand Duke of Tuscany; Artists||||||||||Cornell|||MNW|8/13/2004 0:00:00|8/4/2004 0:00:00|V329|||0|||||||25|F||||||| |7 Cos|||||||Work|0||||||||||||0|0|Cosimo de'Medici tra I suoi artisti, Sala di Cosimo I, Palazzo Vecchio;Cosimo de'Medici surrounded by his artists, in the Sala di Cosimo I, Palazzo Vecchio|Vasari, Giorgio 2003.00|0|Site|02|B-H3|Rim|3.1 S.Fra||B-H3 Rim 3.1 S.Fra|Tempio Malatestiano|Assigned|Blue Guide|San Francesco||||||Tempio Malatestiano (San Francesco)|262|Alberti, Leon Battista||architect|Leon Battista Alberti|0||||0|||||Italian|||Renaissance|||||Italy||||||0|Rimini, Italy|||10241||||0||||0|Architecture|Church||||15|||1446|1468||1446-1468|1446-1468|||||0||||0||||||||||||||||||||||Tombs ; Churches ; |Tombs|Churches||||||||Cornell||JNK|MNW|8/13/2004 0:00:00|8/11/2006 0:00:00||Rim||0||||||S.Fra|B|||||H3|3.1||||||||||Work|0|Architecture-Italy|Patron: Malatesta, Sigismondo.||||||||||0|0|Tempio Malatestiano;San Francesco|Alberti, Leon Battista 2004.00|0|Site|02|B-H3|Rim|3.1 S.Fra||B-H3 Rim 3.1 S.Fra |Study of the Proportions of the façade of the Tempio Malatestiano (San Francesco)|Translated|Cataloger|Studio di proporzioni della facciata|Original|Print Publication||||Tempio Malatestiano (San Francesco). Study of the Proportions of the Façade.|262|Alberti, Leon Battista||architect|Leon Battista Alberti|0||||0|||||Italian|||Renaissance|||||Italy||||||0|Rimini, Italy|||10241||||0||||0|Architecture|Church|Architectural drawing|||15|||1446|1468||1446-1468|1446-1468||Tempio Malatestiano|LargerEntity||2003||||0||||||||||||||||||||||Churches; Proportion; Architectural drawings||||||||||Cornell||MNW|MNW|3/29/2006 0:00:00|3/29/2006 0:00:00||Rim||0||||||S.Fra|B|||||H3|3.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|Study of the Proportions of the façade of the Tempio Malatestiano (San Francesco);Studio di proporzioni della facciata|Alberti, Leon Battista 2005.00|0|Site|02|B-H3|Sie|7.1 San||B-H3 Sie 7.1 San |Palazzo Sansedoni|Assigned|Blue Guide|||||||Palazzo Sansedoni|0|||||0||||0|||||Italian|||Medieval|Rennaissance||||Italy||||||0|Siena, Italy|||10242||||0||||0|Architecture|Palace||||12|14||1100|1399||12th-14th C|1100-1399|||||0||||0||||||||||||||||||||||Palaces||||||||||Cornell|||MNW|8/13/2004 0:00:00|8/4/2004 0:00:00||Sie||0||||||San|B|||||H3|7.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|Palazzo Sansedoni| 2006.00|0|Site|02|B-H3|Sie|7.1 San||B-H3 Sie 7.1 San |Design for the façade of the Palazzo Sansedoni in Siena|Translated|Cataloger|Progetto per la facciata di Palazzo Sansedoni a Siena|Original|Print Publication||||Palazzo Sansedoni. Design for the Façade|30226|Giovanni d'Agostino||sculptor|Giovanni d'Agostino|0||||0|||||Italian|||Early Renaissance|||||Italy||||||0||||0||||0||||0|Architecture|Architectural drawing||||14|||1340|1340||1340|1340-1340||Palazzo Sansedoni|LargerEntity||2005||||0|||||Ink on paper|ink|paper||||architectural drawing|||||122 x 58 cm||9334|Siena,Collezione Monte dei Paschi|Siena: Coll. Monte dei Paschi||Facades; Palaces; Architectural drawings||||||||||Cornell||MNW|MNW|3/29/2006 0:00:00|3/29/2006 0:00:00||Sie||0||||||San|B|||||H3|7.1|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Design for the façade of the Palazzo Sansedoni in Siena;Progetto per la facciata di Palazzo Sansedoni a Siena|Giovanni d'Agostino 2007.00|0|Architect|03|MA-TAC|1.0 n.d.|Off||MA-TAC 1.0 n.d. Off |One of the Design Offices in Cambridge, MA|Assigned|Print Publication|||||||One of the Design Offices in Cambridge, MA|29143|Architects Collaborative, Inc.||ArchFirm|Architects Collaborative, Inc.|0||||0|||||American|||Post-1945|||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||20||||||||||||0||||0|||||Black and white photograph||||||photography|||||||||||Studios (Work Spaces)||||||||||Cornell|||MNW|8/13/2004 0:00:00|8/4/2004 0:00:00||||0||||||Off|MA||||||1.0|n.d.|||||||||Work|0|Modern Architecture|||||||||||0|0|One of the Design Offices in Cambridge, MA|Architects Collaborative, Inc. 2008.00|0|Architect|03|MA-TAC|1.0 n.d.|Por||MA-TAC 1.0 n.d. Por |Members on Sculpture by Richard Lippold: W. Gropius, R. MacMillen, B. Thompson, L. McMillen, N. Fletcher, J. Harkness|Assigned|Cataloger|||||||Members on Sculpture by Richard Lippold: W. Gropius, R. MacMillen, B. Thompson, L. McMillen, N. Fletcher, J. Harkness|29143|Architects Collaborative, Inc.||ArchFirm|Architects Collaborative, Inc.|0||||0|||||American|||Post-1945|||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||20||||||||||||0||||0|||||Black and white photography||||||photography|||||||||||Architects; Gropius, Walter, 1883-1969; MacMillen, Robert, 1916-; McMillen, Louis, 1916-; Thompson, Benjamin, 1918-; Fletcher, Norman, 1917-; Harkness, John C., 1916-||||||||||Cornell|||MNW|8/16/2004 0:00:00|8/4/2004 0:00:00|TAC|||0||||||Por|MA||||||1.0|n.d.|||||||||Work|0|Modern Architecture|||||||||||0|0|Members on Sculpture by Richard Lippold: W. Gropius, R. MacMillen, B. Thompson, L. McMillen, N. Fletcher, J. Harkness|Architects Collaborative, Inc. 2009.00|0|Creator|15|J-Moulin|||1||Moorish Woman with Her Maid|Descriptive|Image Source (Book)|||||||Moorish Woman with Her Maid|30227|Moulin, Jacques Antoine||photographer|Jacques Antoine Moulin|0||||0|||||French||||||||France||||||0||||0||||0||||0|Photographs|||||19|||1865|1865|ca|ca. 1865|ca 1865-1865|||||0||||0|||||Albumen print|paper|||||albumen process|||||18.2 x 22.8 cm||3508|Los Angeles, J. Paul Getty Museum|Los Angeles: J. Paul Getty Mus.||Women; Moors||||||||||Cornell||MNW|JNK|8/6/2004 0:00:00|8/4/2004 0:00:00|Moulin|||0|||||||J|||||||| ||||||||Work|0||||||||||||0|0|Moorish Woman with Her Maid|Moulin, Jacques Antoine 2052.00|0|Creator|15|35|D372-SC|1977|2|35 D372-SC 1977 2|Lightning Field|Artists|Print Publication|||||||Lightning Field|7533|Maria, Walter de||sculptor|Walter de Maria|0||||0|||||American|||Post-1945|||||United States||||||0|Quemado, NM|||10244||||0||||0|Scupture|Earthworks (sculpture)||||20|||1977|1977||1977|1977-1977|||||0||||0|||||400 stainless steel poles|poles|steel||||sculpture|||||1 x 1 kilometer grid||||||Lightning||||||||||Cornell||MNW|MNW|8/19/2005 0:00:00|8/6/2004 0:00:00|D372|||0|||||||35|SC||||||1977|||||||||Work|0||||||||||||0|0|Lightning Field|Maria, Walter de 2053.00|0|Site|02|B-H3|Rom|1.32 Tit|||Arch of Titus|Assigned|Blue Guide|||||||Arch of Titus|0|||||0||||0|||||Roman|||Roman Period|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Arch||||01|||81|81|aft|aft 81|aft 81-81|||||0||||0||||||||||||||||||||||Triumphal arches||||||||||Cornell||JNK|MNW|8/15/2004 0:00:00|8/6/2004 0:00:00||Rom||0||||||Tit|B|||||H3|1.32||||||||||Work|0|Architecture-Italy|||||||||||0|0|Arch of Titus| 2054.00|0|Site|02|B-G1|Lon|2.31 CryPal|4b-|B-G1 Lon 2.31 CryPal 4b-|Spooner's Perspective View of the Transept of the Great Exhibition: with the crystal fountain, and the various statues in that part of the building|Repository|Repository|||||||Spooner's Perspective View|30241|Spooner, William (Firm)||publisher|William Spooner (Firm)|0||||0|||||English|||Victorian|||||England||||||0||||0||||0||||0|Publications|Peepshow|Toys|||19|||1851|1851||1851|1851-1851|||||0||||0||||||||||||||||16 x 20 cm; 35 cm extended||1954|New York: Cooper-Hewitt Museum|New York: Cooper-Hewitt||Peepshows ; Toys (recreational artifacts) ; Exhibition buildings ; Exhibitions ; Crystal Palace (London, England) ; Great Exhibition (1851: London, England) ; |Peepshows|Toys (recreational artifacts)|Exhibition buildings|Exhibitions|Crystal Palace (London, England)|Great Exhibition (1851: London, England)||||Cornell||MNW|JNK|6/13/2006 0:00:00|8/6/2004 0:00:00||Lon||0||# T690.C1 S66 1851 RB||||CryPal|B|||||G1|2.31|| ||||||||Work|0|Architecture-England|A tunnel book, or peep-show, consistig of four cu-out paper panels, hand-painted and connected at the sides by white cloth strips. 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The Current State of the Façade (in 1810)|4898|Guénepin, Auguste Jean Marie||architect|Auguste Jean Marie Guénepin|0||||0|||||French|||Beaux-Arts|||||France||||||0||||0||||0||||0|Drawings|Architectural drawing|Watercolor|||19|||1810|1810||1810|1810-1810||Arch of Titus|LargerEntity||2053||||0|||||Ink & watercolor on paper glued to canvas|ink|watercolors|paper|||drawing (image-making)|||||96 x 116 cm||2193|Paris,Ecole National Superieure des Beaux-Arts,Musee des etudes|Paris: Ecole BA; Musee||Rome, Italy; Ruins; Arch of Titus, Rome, Italy; Ruins; Archaeology; Architectural drawings||||||||||Cornell||JNK|MNW|3/29/2006 0:00:00|8/9/2004 0:00:00||Rom||0||||||Tit|B|||||H3|1.32|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|The Arch of Titus, the current state of the façade (in 1810)|Guénepin, Auguste Jean Marie 2010.00|0|Architect|03|MA-Wright|1.0 1930|Por||MA-Wright 1.0 1930 Por |Frank Lloyd Wright on Road Grader at Taliesin|Assigned|Print Publication|||||||Frank Lloyd Wright on Road Grader at Taliesin|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Portrait|Documentary photograph|||20|||1905|1955|ca|ca -1930|ca 1905-1955|||||0||||0|||||Black and white photograph|photo paper|||||photography|||||||3674|Scottsdale,Wright(Frank Lloyd)Foundation|Scottsdale: Frank Lloyd Wright Fdn.||Wright, Frank Lloyd, 1867-1959; Portraits||||||||||Cornell|||MNW|8/13/2004 0:00:00|8/4/2004 0:00:00|Wright|||0||||||Por|MA||||||1.0|1930| ||||||||Work|0|Modern Architecture|||||||||||0|0|Frank Lloyd Wright on Road Grader at Taliesin| 2011.00|0|Architect|03|MA-Wright|1.0 1932-7|Por||MA-Wright 1.0 1932-7 Por |Frank Lloyd Wright in Taliesin Studio with Apprentices|Assigned|Print Publication|||||||Frank Lloyd Wright in Taliesin Studio with Apprentices|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Portrait|Documentary photograph|||20|||1932|1937|ca|ca 1932-1937|ca 1932-1937|||||0||||0|||||Black and white photograph|photo paper|||||photography|||||||3674|Scottsdale,Wright(Frank Lloyd)Foundation|Scottsdale: Frank Lloyd Wright Fdn.||Wright, Frank Lloyd, 1867-1959; Students; Studios (Work Spaces)||||||||||Cornell|||MNW|8/13/2004 0:00:00|8/4/2004 0:00:00|Wright|||0||||||Por|MA||||||1.0|1932-7| ||||||||Work|0|Modern Architecture|Apprentices are Eugene Masseink, Benjamin Dombar, Edgar Tafel, & John Howe.||||||||||0|0|Frank Lloyd Wright in Taliesin Studio with Apprentices| 2012.00|0|Architect|03|MA-Wright|1.0 1935|Por||MA-Wright 1.0 Por |Apprentices with Frank Lloyd Wright Inspecting the Prefab Farm Unit Model|Assigned|Print Publication|||||||Apprentices with FLW Inspecting the Prefab Farm Unit Model|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Portrait|Documentary photograph|||20|||1910|1960|ca|ca 1935|ca 1910-1960|||||0||||0|||||Black and white photograph|photo paper|||||photography|||||||3674|Scottsdale,Wright(Frank Lloyd)Foundation|Scottsdale: Frank Lloyd Wright Fdn.||Wright, Frank Lloyd, 1867-1959; Students||||||||||Cornell|||MNW|8/13/2004 0:00:00|8/4/2004 0:00:00|Wright|||0||||||Por|MA||||||1.0|1935| ||||||||Work|0|Modern Architecture|Apprentices are Edgar Kaufmann, Jr., and Bill Bernoudy.||||||||||0|0|Apprentices with Frank Lloyd Wright Inspecting the Prefab Farm Unit Model| 2013.00|0|Architect|03|MA-Wright|1.0 1937|Por||MA-Wright 1.0 1937 Por |Apprentice William Wesley Peters, Frank Lloyd Wright, and Herbert Johnson at Johnson Wax Construction Site|Assigned|Print Publication|||||||Apprentice William Wesley Peters, Frank Lloyd Wright, and Herbert Johnson at Johnson Wax Construction Site|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Portrait|Documentary photograph|||20|||1937|1937||1937|1937-1937|||||0||||0|||||Black and white photograph|photo paper|||||photography|||||||9335|Racin,SC Johnson Wax|Racine: SC Johnson Wax||Wright, Frank Lloyd, 1867-1959; Students; Construction||||||||||Cornell|||MNW|8/13/2004 0:00:00|8/4/2004 0:00:00|Wright|||0||||||Por|MA||||||1.0|1937| ||||||||Work|0|Modern Architecture|||||||||||0|0|Apprentice William Wesley Peters, Frank Lloyd Wright, and Herbert Johnson at Johnson Wax Construction Site| 2014.00|0|Creator|15|32|A553-WC|1871|1|32 A553-WC 1871 1|Le Siège de Paris janvier 1871|Descriptive|Image Source (Book)|Siege of Paris, January 1871|Translated|Image Source (Book)||||Le Siège de Paris janvier 1871|30228|Andrieux, Clément-Auguste||printmaker|Clément-Auguste Andrieux|0||||0|||||French||||||||France||||||0||||0||||0||||0|Watercolors|Watercolor||||19|||1871|1871||1871|1871-1871|||||0||||0|||||Watercolor|watercolor paper|watercolors||||painting (image-making)|||||69 x 115 cm||9336|Saint-Denis, Musée d'Art et d'Histoire|S. Denis: Musée d'Art et d'Histoire||Paris, France||||||||||Cornell||MNW|JNK|8/6/2004 0:00:00|8/4/2004 0:00:00|A553|||0|||||||32|WC||||||1871| ||||||||Work|0||||||||||||0|0|Le Siège de Paris janvier 1871;Siege of Paris, January 1871|Andrieux, Clément-Auguste 2015.00|0|Creator|15|30|K69-G|91|1|30 K69-G 91 1|Excavating a Classical Tomb at Nola|Assigned|Print Publication|Frontispiece to Wilhelm Tischbein's "Collection of Engravings from Ancient Vases"|Assigned|Print Publication||||Excavating a Classical Tomb at Nola, frontispiece to Wilhelm Tischbein's "Collection of Engravings from Ancient Vases"|30229|Kniep, Christoph Heinrich||draftsman|Christoph Heinrich Kniep|0||||0|||||German||||||||Germany||||||0||||0||||0||||0|Prints|Engraving (Print)||||18|||1791|1791||1791|1791-1791|||||0||||0|||||Engraving|ink|paper||||engraving (printing process)|||||||1512|London,British Library|London: British Library||Archaeology; Excavations; Tombs||||||||||Cornell|||MNW|8/13/2004 0:00:00|8/4/2004 0:00:00|K69|||0|||||||30|G||||||| |91|||||||Work|0||||||||||||0|0|Excavating a Classical Tomb at Nola;Frontispiece to Wilhelm Tischbein's "Collection of Engravings from Ancient Vases"|Kniep, Christoph Heinrich 2016.00|0|Creator|15|32|A553-G|1871|1|32 A553-G 1871 1|Pour un peu de cheval, quel métier de chien|Inscribed|Image Source (Book)|For a Little Bit of Horse Meat, What Dog's Work|Translated|Image Source (Book)||||Pour un peu de cheval, quel métier de chien|30228|Andrieux, Clément-Auguste||printmaker|Clément-Auguste Andrieux|0||||0|||||French||||||||France||||||0||||0||||0||||0|Prints|Lithograph||||19|||1871|1871||1871|1871-1871|||||0||||0|||||Lithograph|paper|||||lithography|||||41 x 28.6 cm||||||Paris, France||||||||||Cornell||MNW|MNW|8/4/2004 0:00:00|8/4/2004 0:00:00|A553|||0|||||||32|G||||||1871|||||||||Work|0||||||||||||0|0|Pour un peu de cheval, quel métier de chien;For a Little Bit of Horse Meat, What Dog's Work|Andrieux, Clément-Auguste 2017.00|0|Creator|15|J- Moulin|||2||Étude photographique|Assigned|Image Source (Book)|Study: Seduction|Translated|Image Source (Book)||||Étude photographique (Study: Seduction)|30227|Moulin, Jacques Antoine||photographer|Jacques Antoine Moulin|0||||0|||||French||||||||France||||||0||||0||||0||||0|Photographs|Photographic print||||19|||1852|1852||1852|1852-1852|||||0||||0|||||Salt print|paper|||||photography|salted paper process||||20.7 x 15.2 cm||3655|Paris,Bibliotheque Nationale|Paris: Bib. Nat.||Women; men (male humans)||||||||||Cornell||MNW|JNK|8/6/2004 0:00:00|8/4/2004 0:00:00|Moulin|||0|||||||J|||||||| ||||||||Work|0||||||||||||0|0|Étude photographique;Study: Seduction|Moulin, Jacques Antoine 2018.00|0|Creator|05|N-Wharton|||||Edith Wharton in 1907|Assigned|Print Publication|||||||Edith Wharton in 1907|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Portrait|Documentary photograph|||20|||1907|1907||1907|1907-1907|||||0||||0|||||Black and white photograph|photo paper|||||photography|||||||1937|New Haven,Yale University,Beinecke Library|New Haven: Beinecke Lib.||Wharton, Edith, 1862-1937||||||||||Cornell||JNK|MNW|8/13/2004 0:00:00|8/5/2004 0:00:00||||0|||||||N|||||||| ||||||||Work|0|Portraits|||||||||||0|0|Edith Wharton in 1907| 2019.00|0|Creator|05|J|Underwood||||Stereographic View of Italy, #94|Assigned|Print Publication|||||||Stereographic View of Italy, #94|30230|Underwood & Underwood||photographic studio|Underwood & Underwood|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1875|1925|ca|ca -1900|ca 1875-1925|||||0||||0|||||Stereograph||||||stereograph|||||||9337|Los Angeles,Getty Research Institute, Library|Los Angeles: Getty Res. Inst, Lib.||Piazza San Marco, Venice, Italy; San Marco, Venice, Italy; Birds; Women; Children (people by age group); Italy; Men (male humans)||||||||||Cornell||JNK|MNW|8/13/2004 0:00:00|8/5/2004 0:00:00|Underwood|||0|||||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Stereographic View of Italy, #94|Underwood & Underwood 2020.00|0|Creator|05|J|Underwood||||Stereographic View of Italy, #87|Assigned|Print Publication|||||||Stereographic View of Italy, #87|30230|Underwood & Underwood||photographer|Underwood & Underwood|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1875|1925|ca|ca -1900|ca 1875-1925|||||0||||0|||||Stereograph||||||stereograph|||||||9337|Los Angeles,Getty Research Institute, Library|Los Angeles: Getty Res. Inst, Lib.||Priests; Churches; Italy||||||||||Cornell||JNK|JNK|8/12/2004 0:00:00|8/5/2004 0:00:00||||0|||||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Stereographic View of Italy, #87|Underwood & Underwood 2021.00|0|Site|02||||||Exposition universelle de 1867 à Paris|Descriptive|LC NAF|International Exposition of 1867|Translated|Cataloger||||Exposition universelle de 1867 à Paris|0|||||0||||0|||||French||||||||France||||||0|||||Paris, France|||10058||||0|Architecture|Exhibition||||19|||1867|1867||1867|1867-1867|||||0||||0||||||||||||||||||||||Exposition universelle de 1867 à Paris||||||||||Cornell||MNW|MNW|8/29/2004 0:00:00|8/5/2004 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Exposition universelle de 1867 à Paris;International Exposition of 1867| 2022.00|0|Creator|05|W-15|Education|Art||W-15 Education Art |French Artists in Rome|Assigned|Print Publication|||||||French Artists in Rome|0|||||0||||0|||||French||||||||France||||||0||||0||||0||||0|Photographs|Documentary photograph|Portrait|||19|20|||||||||||0||||0|||||Black and white photograph|photo paper|||||photography|||||||||||Artists; Rome, Italy||||||||||Cornell||JNK|MNW|8/13/2004 0:00:00|8/5/2004 0:00:00||||0||||||Education|W|||15|||||||||||||Work|0||||||||||||0|0|French Artists in Rome| 2023.00|0|Site|02|B-H2|Par|2.31 Expo|4b-3||General View of the Exposition Universelle of 1867|Descriptive|Image Source (Book)|||||||General View of the Exposition Universelle of 1867|30232|Thorigny, Felix||artist|Felix Thorigny|0||||0|||||French||||||||France||||||0||||0||||0||||0|Prints|||||19|||1867|1867||1867|1867-1867|||||0||||0|||||||||||printmaking|||||||3655|Paris,Bibliotheque Nationale|Paris: Bib. 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Published in L'Illustration, 4 February 1871.||||||||||0|0|Life in the Caves| 2025.00|0|Site|02|B-H2|Par|4.2 Beaux|||École des Beaux-Arts||||||||||3322|Duban, Felix Louis Jacques||architect|Felix Louis Jacques Duban|30233|Debret, François||architect|0|||||French|||Beaux-Arts|||||France||||||0|Paris, France|||10058||||0||||0|architecture|School||||19|||1820|1862||1820-1862|1820-1862|||||0||||0||||||||||||||||||||||Schools; Paris, France||||||||||Cornell||JNK|JNK|8/6/2004 0:00:00|8/5/2004 0:00:00||Par||0||||||Beaux|B|||||H2|4.2||||||||||Work|0|Architecture-France|||||||||||0|0|École des Beaux-Arts|Duban, Felix Louis Jacques;Debret, François 2026.00|0|Site|02|B-H2|Par|4.2 Beaux||B-H2 Par 4.2 Beaux |Engraving of the first court of the École des Beaux-Arts|Descriptive|Cataloger|||||||École des Beaux-Arts. Engraving of the First Court|0|||||0||||0|||||French||||||||France||||||0||||0||||0||||0|Prints|Engraving (Print)||||19|||1800|1899||19th C|1800-1899||École des Beaux-Arts|LargerEntity||2025||||0|||||Engraving||||||engraving (printing process)|||||||||||Schools; Paris, France; Ecole des Beaux-Arts (Paris, France)||||||||||Cornell||JNK|MNW|3/29/2006 0:00:00|8/5/2004 0:00:00||Par||0||||||Beaux|B|||||H2|4.2||||||||||Work|0|Architecture-France|||||||||||0|0|Engraving of the first court of the École des Beaux-Arts| 2027.00|0|Category|07|N-Parent||1|||Elise Parent in L'Etoile de Messine|Collective Title|Image Source (Book)|||||||Elise Parent in L'Etoile de Messine|0|||||0||||0|||||French||||||||France||||||0||||0||||0||||0|Photographs|Portrait||||19|||1860|1880|ca|ca 1860-1880|ca 1860-1880|||||0||||0|||||||||||photography|||||||3655|Paris,Bibliotheque Nationale|Paris: Bib. Nat.||Parent, Elise; Étoile de Messine; Dancers; Portraits||||||||||Cornell||MNW|MNW|8/6/2004 0:00:00|8/5/2004 0:00:00||||0||||||Parent|N|||||||| ||||||||Work|0|Portraits-|||||||||||0|0|Elise Parent in L'Etoile de Messine| 2028.00|0|Creator|11|W-15|Education|Arch||W-15 Education Arch |Architect During an Exam|Assigned|Print Publication|||||||Architect During an Exam|30234|Lemaistre, Alexis||printmaker|Alexis Lemaistre|0||||0|||||French|||Beaux-Arts|||||France||||||0||||0||||0||||0|Prints|Print||||19|||1800|1899||19th C|1800-1899|||||0||||0|||||Print||||||printmaking|||||||2193|Paris,Ecole National Superieure des Beaux-Arts,Musee des etudes|Paris: Ecole BA; Musee||Architects; Examinations; Ecole des Beaux-Arts (Paris, France)||||||||||Cornell||JNK|MNW|8/15/2004 0:00:00|8/5/2004 0:00:00||||0||||||Education Arch|W|||15||||| ||||||||Work|0||||||||||||0|0|Architect During an Exam|Lemaistre, Alexis 2029.00|0|Creator|11|W-15|Education|Arch||W-15 Education Arch |In Single File (architecture students)|Assigned|Print Publication|||||||In Single File (architecture students)|30234|Lemaistre, Alexis||printmaker|Alexis Lemaistre|0||||0|||||French||||||||France||||||0||||0||||0||||0|Prints|prints||||19|||1800|1899||19th C|1800-1899|||||0||||0|||||Print|print|||||printmaking|||||||2193|Paris,Ecole National Superieure des Beaux-Arts,Musee des etudes|Paris: Ecole BA; Musee||Architects; Processions; Students; Ecole des Beaux-Arts (Paris, France)||||||||||Cornell||JNK|MNW|8/15/2004 0:00:00|8/5/2004 0:00:00||||0||||||Education Arch|W|||15||||| ||||||||Work|0||||||||||||0|0|In Single File (architecture students)|Lemaistre, Alexis 2030.00|0|Creator|15|32|M296-D|1885|1||Caricature of Degas as a Dancer|Assigned|Image Source (Book)|||||||Caricature of Degas as a Dancer|30235|Manzi, Michel||art dealer|Michel Manzi|0||||0|||||French|||Impressionist|||||France||||||0||||0||||0||||0|Drawings|Watercolor|Portrait|||19|||1885|1885||1885|1885-1885|||||0||||0|||||Pencil & ink heightened with gouache & watercolor|watercolor paper|watercolors|pencil|||drawing (image-making)|||||53 x 43.6 cm||3290|Private Collection|: Private Coll.||Degas, Edgar, 1834-1917; Portraits; Dancers||||||||||Cornell||MNW|JNK|8/9/2004 0:00:00|8/5/2004 0:00:00|M296|||0|||||||32|D||||||1885| ||||||||Work|0||||||||||||0|0|Caricature of Degas as a Dancer|Manzi, Michel 2031.00|0|Site|02|B-H2|Par|2.22 SalLep||B-H2 Par 2.22 SalLep |Salle Lepelletier|Descriptive|Image Source (Book)|||||||Salle Lepelletier|30233|Debret, François||architect|François Debret|0||||0|||||French||||||||France||||||0||||0|Paris, France|||10058||||0|Architecture|Opera houses||||19|||1820|1873||1820-1873|1820-1873|||||0||||0||||||||||||||||||||||Opera houses; Paris, France||||||||||Cornell||MNW|JNK|8/9/2004 0:00:00|8/5/2004 0:00:00|||Par|0||||||SalLep|B|||||H2|2.22||||||||||Work|0|Architecture-France|This was intended to be a temporary structure and was eventually replaced by Charles Garnies Opera. (DOA). Located on the Rue le Pelletier.|||Destroyed by fire in 1873.|||||||0|0|Salle Lepelletier|Debret, François 2032.00|0|Site|02|B-H3|Rom|1.042 Pat||B-H3 Rom 1.042 Pat |A Reconstruction of an Aerial View of the Tiberina Island Area|Assigned|Print Publication|||||||A Reconstruction of an Aerial View of the Tiberina Island Area|30236|Patouillard-Demoriane, René||architect|René Patouillard-Demoriane|0||||0|||||French||||||||France||||||0||||0||||0||||0|Drawings|Architectural drawing||||20|||1900|1900||1900|1900-1900|||||0||||0||||||ink|watercolors||||painting (image-making)|||||||2193|Paris,Ecole National Superieure des Beaux-Arts,Musee des etudes|Paris: Ecole BA; Musee||Rome, Italy; Islands; Isola Tiberina||||||||||Cornell||JNK|MNW|8/15/2004 0:00:00|8/5/2004 0:00:00||Rom||0||||||Pat|B|||||H3|1.042|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|A Reconstruction of an Aerial View of the Tiberina Island Area|Patouillard-Demoriane, René 2033.00|0||07|Q-27.1|Ming|Ewer|1||Ewer||Image Source (Book)||||||||0|||||0||||0|||||Chinese|||Ming|||||||||Near||||||0||||0||||0|Ceramics|Ewer|Pottery|||14|15|16|1368|1644||1368-1644|1368-1644|||||0||||0|||||Pale buff earthenware, polychrome, lead glazes|earthenware|lead|paint||||||||18.4 cm high||9352|Kuching, Sarawak Museum|Kuching: Sarawak Mus.||||||||||||Cornell||JNK|MNW|8/20/2004 0:00:00|8/5/2004 0:00:00|Ming|||0||||||Ewer|Q|||27.1||||| ||||||||Work|0|Ceramics-Chinese|The ewer was orginally in the form of a crane standing amid lotus and other aquatic plants. Used by the Kelabit people of upland, interior Borneo for head-hunting ritual. O'Connor||||||||||0|0|Ewer| 2034.00|0|Category|07|Q-27.1|Ming|Ewer|2|Q-27.1 Ming Ewer 2|Duck-shaped Ewer|Descriptive|Cataloger|||||||Duck-shaped Ewer|0|||||0||||0|||||Chinese|||Ming|||||China||||||0||||0||||0||||0|Ceramics|Ewer|Pottery|||14|15|16|1368|1644||1368-1644|1368-1644|||||||||0|||||Pale buff earthenware, polychrome, lead glazes|earthenware|lead|paint||||||||15.6 cm high||9352|Kuching, Sarawak Museum|Kuching: Sarawak Mus.||Ducks||||||||||Cornell||JNK|JNK|8/23/2004 0:00:00|8/5/2004 0:00:00|Ming|||0||||||Ewer|Q|||27.1||||| ||||||||Work|0|Ceramics-Chinese|Ewers like this were traded from ports on the Borneo coast upcountry to the Kelabit uplands. O'Connor.||||||||||0|0|Duck-shaped Ewer| 2035.00|0|Creator|15|30|P194-PA|R7632||30 P194-PA 1758 |Galerie de vues de la Rome antique|Assigned|Repository|Views of Ancient Rome|Translated|Image Source (Book)||||Galerie de vues de la Rome antique|8880|Panini, Giovanni Paolo||painter|Giovanni Paolo Panini|0||||0|||||Italian||||||||Italy||||||0||||0||||0||||0|Paintings|Oil painting||||18|||1758|1758||1758|1758-1758|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||231 x 303 cm||3341|Paris,Musee National du Louvre|Paris: Louvre||Rome, Italy; Vedute||||||||||Cornell||JNK|JNK|1/6/2006 0:00:00|8/5/2004 0:00:00|P194|||0||R.F. 1944-21|||||30|PA||||||| |R7631|||||||Work|0||||||||||||0|0|Galerie de vues de la Rome antique;Views of Ancient Rome|Panini, Giovanni Paolo 2036.00|0|Site|02|B-H2|Par|2.22 Ope||B-H2 Par 2.22 Ope |Opéra de Paris|Assigned|LC NAF|Paris Opera|Translated|Cataloger||||Opéra de Paris|4321|Garnier, Charles||architect|Charles Garnier|0||||0|||||French|||Beaux-Arts|||||France||||||0|Paris, France|||10058||||0||||0|Architecture|Opera houses||||19|||1860|1875||1860-1875|1860-1875|||||0||||0||||||||||||||||||||||Opera houses||||||||||Cornell||MNW|JNK|8/9/2004 0:00:00|8/5/2004 0:00:00||Par||0||||||Ope|B|||||H2|2.22||||||||||Work|0|Architecture-France|||||||||||0|0|Opéra de Paris;Paris Opera|Garnier, Charles 2037.00|0|Site|02|B-H2|Par|2.22 Ope|||Wings at the New Opera|Assigned|Image Source (Book)|||||||Wings at the New Opera|30237|Valnay, ||illustrator|Valnay|0||||0|||||French||||||||France||||||0||||0||||0||||0|Prints|Illustration||||19|||1875|1875||1875|1875-1875|||||0||||0||||||||||||||||||3655|Paris,Bibliotheque Nationale|Paris: Bib. Nat.||Operas; Theater (discipline); Theaters||||||||||Cornell||MNW|JNK|8/9/2004 0:00:00|8/5/2004 0:00:00||Par||0||||||Ope|B|||||H2|2.22|| ||||||||Work|0|Architecture-France|||||||||||0|0|Wings at the New Opera|Valnay, 2038.00|0|Category|07|N-Subra||1|||Julie Subra||||||||||0|||||0||||0|||||French|||Impressionist|||||France||||||0||||0||||0||||0|Photographs|Portrait||||19|||1898|1898||1898|1898-1898|||||0||||0|||||||||||photography|||||||3655|Paris,Bibliotheque Nationale|Paris: Bib. Nat.||Subra, Julie; Dancers; Portraits||||||||||Cornell||MNW|MNW|8/6/2004 0:00:00|8/5/2004 0:00:00||||0||||||Subra|N|||||||| ||||||||Work|0|Portraits-|Published in Le Théâtre, December 1898||||||||||0|0|Julie Subra| 2039.00|0|Category|07|N-Darde|||1|N-Darde 1|Melina Darde and Companion|Collective Title|Image Source (Book)|||||||Melina Darde and Companion|0|||||0||||0|||||French|||Impressionist|||||France||||||0||||0||||0||||0|Photographs|Cartes-de-visite|Portrait|||19|||1875|1899|ca|ca 1875-1899|ca 1875-1899|||||0||||0|||||Carte-de-visite||||||photography|||||||3655|Paris,Bibliotheque Nationale|Paris: Bib. Nat.||Dancers; Portraits; Darde, Melina||||||||||Cornell||MNW|JNK|8/9/2004 0:00:00|8/6/2004 0:00:00||||0||||||Darde|N|||||||| ||||||||Work|0|Portraits-||||Undated, late 19th century photograph.|||||||0|0|Melina Darde and Companion| 2040.00|0|Creator|15|32|D317-D|1884|M291|32 D317-D 1884 M291|Mante Family|Published|Image Source (Book)|||||||Mante Family|3026|Degas, Edgar||painter|Edgar Degas|0||||0|||||French|||Impressionist|||||France||||||0||||0||||0||||0|Drawings|Pastel (Visual work)|Portrait|||19|||1859|1909|ca|ca 1884|ca 1859-1909|||||0||||0|||||Pastel on paper|pastels (crayons)|paper||||drawing (image-making)|||||89.9 x 50.2 cm||3281|Philadelphia,Philadelphia Museum of Art|Philadelphia: Museum of Art||Portraits; Dancers; Mante Family||||||||||Cornell||MNW|JNK|8/12/2004 0:00:00|8/6/2004 0:00:00|D317|||0||1948-31-1|||||32|D||||||1884| |M291|||||||Work|0||||||||||Given by Mrs. John Wintersteen, 1948||0|0|Mante Family|Degas, Edgar 2041.00|0|Creator|15|30|P194-PA|R7632||30 P194-PA R7632 |Galerie de vues de la Rome moderne|Assigned|Repository|Views of Modern Rome|Translated|Image Source (Book)||||Galerie de vues de la Rome moderne|8880|Panini, Giovanni Paolo||painter|Giovanni Paolo Panini|0||||0|||||Italian||||||||Italy||||||0||||0||||0||||0|Paintings|Oil painting||||18|||1759|1759||1759|1759-1759|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||231 x 303 cm||3341|Paris,Musee National du Louvre|Paris: Louvre||Rome, Italy; Vedute; Art galleries||||||||||Cornell||JNK|JNK|1/6/2006 0:00:00|8/6/2004 0:00:00|P194|||0||R.F. 1944-22|||||30|PA||||||| |R7632|||||||Work|0||||||||||||0|0|Galerie de vues de la Rome moderne;Views of Modern Rome|Panini, Giovanni Paolo 2042.00|0|Creator|15|30|R641-D|A780||30 R641-D 1755 |An Artist in the Capitoline Museums|Assigned|Image Source (Book)|||||||An Artist in the Capitoline Museums|9912|Robert, Hubert||artist|Hubert Robert|0||||0|||||French||||||||France||||||0||||0||||0||||0|Drawings|Drawing||||18|||1754|1765||1754-1765|1754-1765|||||0||||0|||||Red chalk|red chalk|||||drawing (image-making)|||||33.5 x 45 cm||3045|Valence,Musee des Beaux-Arts et d'Histoire Naturel|Valence: MBA||Artists; Museums; Rome, Italy||||||||||Cornell||JNK|MNW|8/17/2004 0:00:00|8/6/2004 0:00:00|R641|||0||D. 80|||||30|D||||||| |A780|||||||Work|0||||||||||||0|0|An Artist in the Capitoline Museums|Robert, Hubert 2043.00|0|Creator|15|30|B975-D|8||30 B975-D 8 |Goethe in Rome with Artist Friends|Assigned|Image Source (Book)|||||||Goethe in Rome with Artist Friends|30238|Bury, Friedrich||painter|Friedrich Bury|0||||0|||||German||||||||Germany||||||0||||0||||0||||0|Drawings|Drawing||||18|||1786|1788||1786-1788|1786-1788|||||0||||0|||||||||||drawing (image-making)|||||||776|Dusseldorf,Goethe Museum|Dusseldorf: Goethe Mus.||Artists; Rome, Italy; Goethe, Johann Wolfgang von, 1749-1832||||||||||Cornell||JNK|MNW|8/17/2004 0:00:00|8/6/2004 0:00:00|B975|||0|||||||30|D||||||| |8|||||||Work|0||||||||||||0|0|Goethe in Rome with Artist Friends|Bury, Friedrich 2044.00|0|Creator|05|J-Perraud|||1|J-Perraud 1|Danish artists in Rome|Assigned|Image Source (Book)|||||||Danish artists in Rome|30239|Perraud, Philibert||daguerreotypist|Philibert Perraud|0||||0|||||French||||||||France||||||0||||0||||0||||0|Photographs|Daguerreotypes||||19|||1845|1845||1845|1845-1845|||||0||||0|||||Daguerreotype|paper|||||daguerreotype|||||||679|Copenhagen,Kongelige Bibliotek[Royal Library]|Copenhagen: Kong. Bibl.||Artists; Rome, Italy||||||||||Cornell||JNK|MNW|8/15/2004 0:00:00|8/6/2004 0:00:00||||0|||||||J|||||||| ||||||||Work|0||||||||||||0|0|Danish artists in Rome|Perraud, Philibert 2045.00|0|Site|02|B-H3|Rom|1.31 LarArg|9|B-H3 Rom 1.31 LarArg 9|G. Marchetti Longhi & A. Munoz recovering the head of "Fortuna huiusce diei" during excavation of the Torre Argentina|Assigned|Image Source (Book)|||||||G. Marchetti Longhi & A. Munoz recovering the head of "Fortuna huiusce diei" during excavation of the Torre Argentina|0|||||0||||0|||||Italian||||||||Italy||||||0||||||||0||||0|Photographs|Documentary photograph||||20|||1929|1929||1929|1929-1929|||||0||||0|||||Black and white photograph|photo paper|||||photography|||||||||||Excavations; Archaeology; Sculpture (visual work)||||||||||Cornell||JNK|MNW|8/15/2004 0:00:00|8/6/2004 0:00:00||||0||||||LarArg|B|||||H3|1.31||||||||||Work|0|Architecture-Italy|||||||||||0|0|G. Marchetti Longhi & A. Munoz recovering the head of "Fortuna huiusce diei" during excavation of the Torre Argentina| 2046.00|0|Category|15|N-Mante|||1||Suzanne and Blanche Mante, petit sujets|Descriptive|Image Source (Book)|||||||Suzanne and Blanche Mante, petit sujets|0|||||0||||0|||||French||||||||France||||||0||||0||||0||||0|Photographs|Portrait||||20|||1910|1910|ca|ca 1910|ca 1910-1910|||||0||||0|||||||||||photography|||||||3655|Paris,Bibliotheque Nationale|Paris: Bib. Nat.||Portraits; Dancers; Mante, Blanche; Mante, Suzanne||||||||||Cornell||MNW|MNW|8/6/2004 0:00:00|8/6/2004 0:00:00||||0||||||Mante|N|||||||| ||||||||Work|0||||||||||||0|0|Suzanne and Blanche Mante, petit sujets| 2047.00|0|Site|02|B-H3|Rom|1.31 For/Rom||B-H3 Rom 1.31 For/Rom |Forum Romanum|||||||||Forum Romanum|0|||||0||||0|||||Roman|||Roman Period|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Forum|||BCE|-07|03||-575|250|ca|ca -575 BCE-250 CE|ca -575 BCE -250 CE|||||0||||0||||||||||||||||||||||Forums; Roman Forum (Rome, Italy)||||||||||Cornell||JNK|HB|5/1/2006 0:00:00|8/6/2004 0:00:00||Rom||0||||||For/Rom|B|||||H3|1.31||||||||||Work|0|Architecture-Italy|||||||||||0|0|Forum Romanum| 2048.00|0|Site|02|B-H3|Rom|1.31 For/Rom|1|B-H3 Rom 1.31 For/Rom 1|The Roman Forum (reconstruction plan)|Assigned|Image Source (Book)|||||||Forum Romanum. The Roman Forum (reconstruction plan)|30240|Léveil, Jean-Arnould||architect|Jean-Arnould Leveil|0||||0|||||French||||||||France||||||0|Rome, Italy|||10024||||0||||0|Watercolors|Watercolor|Architectural drawing|||19|||1838|1838||1838|1838-1838||Forum Romanum|LargerEntity||2047||||0|||||Chinese ink and water coloron paper glued to canvas|watercolors|paper|canvas|||painting (image-making)|||||145 x 220 cm||2193|Paris,Ecole National Superieure des Beaux-Arts,Musee des etudes|Paris: Ecole BA; Musee||Forums; Roman Forum (Rome, Italy)||||||||||Cornell||JNK|MNW|3/29/2006 0:00:00|8/6/2004 0:00:00||Rom||0||||||For/Rom|B|||||H3|1.31|| ||||||||Work|0|Architecture-Italy|This reconstructive diagram shows the limitations of Leveil's methods (superficial readings of Nardini's Roma antica and ancient coins). Elements are mistakenly reconstructed without the benefit of archaeological knowledge. Cassanelli, 66.||||||||||0|0|The Roman Forum (reconstruction plan)|Léveil, Jean-Arnould 2049.00|0|Creator|15|32|G6431-PA|90|1||Box at the Theatre des Italiens|||||||||Box at the Theatre des Italiens|14053|Gonzales, Eva||painter|Eva Gonzales|0||||0|||||French|||Impressionist|||||France||||||0||||0||||0||||0|Paintings|Oil painting||||19|||1874|1874||1874|1874-1874|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||98 x 130 cm||2196|Paris,Musee d'Orsay|Paris: Musee d'Orsay||Theaters; opera||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|8/6/2004 0:00:00|G6431|||0|||||||32|PA||||||| |90|||||||Work|0||||||||||Gift of Jean Guerard, the artist's son, 1927.||0|0|Box at the Theatre des Italiens|Gonzales, Eva 2050.00|0|Site|02|B-H3|Rom|1.31 For/Rom|3|B-H3 Rom 1.31 For/Rom 3|The Roman Forum under the last of the Antonines (current state)|Assigned|Image Source (Book)|||||||Forum Romanum. The Roman Forum Under the Last of the Antonines (current state)|3406|Dutert, Charles Louis Ferdinand||architect|Charles-Louis-Ferdinand Dutert|0||||0|||||French||||||||France||||||0|Rome, Italy|||10024||||0||||0|Watercolors|Watercolor|Architectural drawing|||19|||1874|1874||1874|1874-1874||Forum Romanum|LargerEntity||2047||||0|||||Ink and watercolor on paper glued to canvas|watercolors|ink|paper|||painting (image-making)|||||118 x 191 cm||2193|Paris,Ecole National Superieure des Beaux-Arts,Musee des etudes|Paris: Ecole BA; Musee||Forums; Roman Forum (Rome, Italy); Rome, Italy; Archaeology; Excavations||||||||||Cornell||JNK|MNW|3/29/2006 0:00:00|8/6/2004 0:00:00||Rom||0||||||For/Rom|B|||||H3|1.31|| ||||||||Work|0|Architecture-Italy|This is a diagram of the forum in its current state (as of 1874). Cassanelli, 220.||||||||||0|0|The Roman Forum under the last of the Antonines (current state)|Dutert, Charles Louis Ferdinand 2051.00|0|Site|02|B-H3|Rom|1.31 For/Rom|3|B-H3 Rom 1.31 For/Rom 3|The Roman Forum under the last of the Antonines (Reconstruction)|Assigned|Image Source (Book)|||||||Forum Romanum. The Roman Forum under the Last of the Antonines (Reconstruction)|3406|Dutert, Charles Louis Ferdinand||architect|Charles-Louis-Ferdinand Dutert|0||||0|||||French||||||||France||||||0|Rome, Italy|||10024||||0||||0|Watercolors|Watercolor|Architectural drawing|||19|||1874|1874||1874|1874-1874||Forum Romanum|LargerEntity||2047||||0|||||Ink and watercolor on paper on canvas|watercolors|ink|paper|||painting (image-making)|||||188 x 142 cm||2193|Paris,Ecole National Superieure des Beaux-Arts,Musee des etudes|Paris: Ecole BA; Musee||Forums; Roman Forum (Rome, Italy); Rome, Italy||||||||||Cornell||JNK|MNW|3/29/2006 0:00:00|8/6/2004 0:00:00||Rom||0||||||For/Rom|B|||||H3|1.31|| ||||||||Work|0|Architecture-Italy|This is a reconstruction drawing based on the archaeological excavations and texts in 1874. Cassanelli, 220.||||||||||0|0|The Roman Forum under the last of the Antonines (Reconstruction)|Dutert, Charles Louis Ferdinand 2058.00|0|Site|02|B-H3|Rom|1.32 Tit||B-H3 Rom 1.32 Tit |The Arch of Titus, reconstruction of the façade|Assigned|Image Source (Book)|||||||The Arch of Titus. Reconstruction of the Façade|4898|Guénepin, Auguste Jean Marie||architect|Auguste Jean Marie Guénepin|0||||0|||||French|||Beaux-Arts|||||France||||||0||||0||||0||||0|Drawings|Architectural drawing||||19|||1810|1810||1810|1810-1810||Arch of Titus|LargerEntity||2053||||0|||||Ink on paper glued to canvas|ink|paper||||drawing (image-making)|||||||2193|Paris,Ecole National Superieure des Beaux-Arts,Musee des etudes|Paris: Ecole BA; Musee||Arch of Titus, Rome, Italy; Rome, Italy; Architectural drawings||||||||||Cornell||JNK|MNW|3/29/2006 0:00:00|8/9/2004 0:00:00||Rom||0||||||Tit|B|||||H3|1.32|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|The Arch of Titus, reconstruction of the façade|Guénepin, Auguste Jean Marie 2059.00|0|Site|02|B-H3|Rom|2.41 Max||B-H3 Rom 2.41 Max |Longitudinal cross sections of the Basilica and the portico in their current state (in 1814)|Translated|Image Source (Book)|||||||Basilica of Maxentius. Longitudinal Cross Sections of the Basilica and the Portico in Their Current State (1814)|30242|Gauthier, Martin Pierre||architect|Martin Pierre Gauthier|0||||0|||||French|||Beaux-Arts|||||France||||||0||||0||||0||||0|Drawings|Architectural drawing||||19|||1814|1814||1814|1814-1814||Basilica of Maxentius|LargerEntity||665||||0|||||Ink on paper glued to canvas|ink|paper|canvs|||drawing (image-making)|||||95 x 120 cm||2193|Paris,Ecole National Superieure des Beaux-Arts,Musee des etudes|Paris: Ecole BA; Musee||Ruins ; Architectural drawings ; Rome (Italy) ; Basilica of Constantine (Rome, Italy) ; |Ruins|Architectural drawings|Rome (Italy)|Basilica of Constantine (Rome, Italy)||||||Cornell||JNK|MNW|11/16/2006 0:00:00|8/9/2004 0:00:00||Rom||0||||||Max|B|||||H3|2.41|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Longitudinal cross sections of the Basilica and the portico in their current state (in 1814)|Gauthier, Martin Pierre 2060.00|0|Site|02|B-H3|Rom|2.41 Max||B-H3 Rom 2.41 Max |Reconstructive longitudinal section of the Basilica and portico|Assigned|Image Source (Book)|||||||Basilica of Maxentius. Reconstructive Longitudinal Section of the Basilica and Portico|30242|Gauthier, Martin Pierre||architect|Martin Pierre Gauthier|0||||0|||||French|||Beaux-Arts|||||France||||||0||||0||||0||||0|Drawings|Architectural drawing||||19|||1814|1814||1814|1814-1814||Basilica of Maxentius|LargerEntity||665||||0|||||Ink on paper glued to canvas|ink|paper|canvas|||drawing (image-making)|||||98 x 122 cm||2193|Paris,Ecole National Superieure des Beaux-Arts,Musee des etudes|Paris: Ecole BA; Musee||Architectural drawings ; Rome (Italy) ; Basilica of Constantine (Rome, Italy) ; |Architectural drawings|Rome (Italy)|Basilica of Constantine (Rome, Italy)|||||||Cornell||JNK|MNW|11/16/2006 0:00:00|8/9/2004 0:00:00||Rom||0||||||Max|B|||||H3|2.41|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Reconstructive longitudinal section of the Basilica and portico|Gauthier, Martin Pierre 2061.00|0|Site|02|B-H3|Rom|2.41 Max||B-H3 Rom 2.41 Max |Transverse section of the Basilica in current state (in 1814)|Assigned|Image Source (Book)|||||||Basilica of Maxentius. Transverse Section of the Basilica in Current State (1814)|30242|Gauthier, Martin Pierre||architect|Martin Pierre Gauthier|0||||0|||||French|||Beaux-Arts|||||France||||||0||||0||||0||||0|Drawings|Architectural drawing||||19|||1814|1814||1814|1814-1814||Basilica of Maxentius|LargerEntity||665||||0|||||Ink on paper glued to canvas|ink|paper|canvas|||drawing (image-making)|||||98 x 127 cm||2193|Paris,Ecole National Superieure des Beaux-Arts,Musee des etudes|Paris: Ecole BA; Musee||Rome (Italy) ; Ruins ; Architectural drawings ; Basilica of Constantine (Rome, Italy) ; |Rome (Italy)|Ruins|Architectural drawings|Basilica of Constantine (Rome, Italy)||||||Cornell||JNK|MNW|11/16/2006 0:00:00|8/9/2004 0:00:00||Rom||0||||||Max|B|||||H3|2.41|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Transverse section of the Basilica in current state (in 1814)|Gauthier, Martin Pierre 2127.00|0||||||||Coronation of the Virgin Altarpiece||||||||||0|Lorenzo Monaco||||0||||0|||||||||||||||||||0||||0||||0||||0|||||||||||||1414|||||0||||0|||||Tempera on panel; gilding|||||||||||243.8 x 373.4 cm (96.0 x 147.0 in)||||Galleria degli Uffizi||||||||||||Cornell|||||||||0||||||||||||||||||||||||0||||||||||||0|0|| 2128.00|0|Architect|03|MA-Wright|1.0|CARTOON|||"We used to know a family…"|Assigned|Collection|||||||"We used to know a family…"|0|||||0||||0|||||American|||Post-1945|||||United States||||||0||||0||||0||||0|Cartoon|Cartoon (Humorous image)||||20|||1958|1958||1958|1958-1958|||||0||||0|||||Cartoon|ink|||||drawing (image-making)|||||||||||Museums; Solomon R. Guggenheim Museum||||||||||Cornell||JNK|MNW|8/25/2004 0:00:00|8/12/2004 0:00:00|Wright|||0||||||CARTOON|MA||||||1.0|| ||||||||Work|0|Modern Architecture|Cartoon from , NEW YORKER, April 5, 1958, p. 40.||||||||||0|0|"We used to know a family…"| 2129.00|0|Architect|03|MA-Wright|1.0|CARTOON||MA-Wright 1.0 CARTOON |Cartoon. New Yorker, May 24, 1982, p. 38|Assigned|Collection|||||||Cartoon. New Yorker, May 24, 1982, p. 38|0|||||0||||0|||||American|||Post-1945|||||United States||||||0||||0||||0||||0|Cartoon|Cartoon (Humorous image)||||20|||1982|1982||1982|1982-1982|||||0||||0||||||ink|||||drawing (image-making)|||||||||||||||||||||Cornell||JNK|JNK|8/12/2004 0:00:00|8/12/2004 0:00:00|Wright|||0||||||CARTOON|MA||||||1.0||||||||||Work|0|Modern Architecture|||||||||||0|0|Cartoon. New Yorker, May 24, 1982, p. 38| 2130.00|0|Architect|03|MA-Wright|1.0|1933 TalFel|1|MA-Wright 1.0 1933 TalFel 1|Taliesin Fellowship, Brochure Cover|Assigned|Collection|||||||Taliesin Fellowship, Brochure Cover|12943|Wright, Frank Lloyd||architect|Frank Lloyd Wright|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Publications|Graphic design||||20|||1933|1933||1933|1933-1933|||||0||||0|||||Red and black ink on paper|ink|paper||||drawing (image-making)|||||22.2 x 43.8 cm||9346|Oak Park,Private Collection|Oak Park: Private Collection||Graphic design; Architectural drawings||||||||||Cornell||JNK|MNW|5/16/2006 0:00:00|8/12/2004 0:00:00||||0||||||1933 TalFel|MA||||||1.0|| ||||||||Work|0|Modern Architecture|||||||||||0|0|Taliesin Fellowship, Brochure Cover|Wright, Frank Lloyd 2224.00|0|Creator|15|C-03|NK/18Dyn/|Tut/Sarc||C-03 NK/18Dyn/Tut/Sarc|Sarcophagus of Tutankamen|||||||||Sarcophagus of Tutankamen|0|||||0||||0|||||Egyptian|||Dynasty 18 (Egyptian)|New Kingdom||||Egypt||||||0|Thebes, Egypt|||10119||||||||0|Sculpture|Sarcophagus|||BCE|-14|||1350|1330|ca|ca 1350-1330|ca 1350-1330|||||0||||0|||||Cyprus wood covered in gold leaf|wood|gold||||sculpture|||||||||||Sarcophagi; Egypt; Tutankhamen, King of Egypt||||||||||Cornell||JNK|JNK|8/20/2004 0:00:00|8/19/2004 0:00:00||The||0||||||Tut/Sarc|C|||03|NK/18Dyn|||| ||||||||Work|0|Sculpture-Egypt|||||||||||0|0|Sarcophagus of Tutankamen| 2225.00|0|Site|02|B-G1|Lon|1.31 Lin|1-1|B-G1 Lon 1.31 Lin 1-1|Extract from Morden & Lea's Map of London|Inscribed|Image Source (Book)|Plan of Lincoln's Inn Fields|Collective Title|Cataloger||||London & c. Actually Surveyed by Wm. Morgan, his Ma[jes]ties cosmogr. Plan Lincoln's Inn Fields|30257|Riley, W||architect|W. Riley|30254|Lea, Philip|||30255|Morden, Robert||||British||||||||England||||||0||||||||0||||0|Maps|Plans (drawings)|Squares (open spaces)||||||||||||London & c. Actually Surveyed by Wm. Morgan, his Ma[jes]ties cosmogr.|LargerEntity||2226||||0||||||||||||||||||||||Lincoln's Inn (London, England); Squares; Maps||||||||||Cornell||MNW|MNW|3/31/2006 0:00:00|8/19/2004 0:00:00||||0||||||Lin|B|||||G1|1.31||||||||||Work|0|Architecture-England|||||||||||0|0|Extract from Morden & Lea's Map of London;Plan of Lincoln's Inn Fields|Riley, W;Lea, Philip;Morden, Robert 2226.00|0||||||||London & c. Actually Surveyed by Wm. Morgan, his Ma[jes]ties cosmogr.|Descriptive|Cataloger|A Prospect of London and Westminster|Variant|Cataloger||||London & c. Actually Surveyed by Wm. Morgan, his Ma[jes]ties cosmogr.|30253|Morgan, William||cartographer|William Morgan|30256|Ogilby, John|||0|||||English||||||||England||||||0||||0||||0||||0|Maps|Map||||17|||1681|1682||1681-1682|1681-1682|||||0||||0||||||||||||||||||9351|Ithaca, Cornell University, Library|Ithaca: Cornell University; Library||||||||||||Cornell||MNW|MNW|3/31/2006 0:00:00|8/19/2004 0:00:00||||0||||||||||||||| |||||||||0||This survey was begun by Mr. Ogilby, and finished & humbly dedicated by Wm. Morgan. Includes a prospect of London and Westminster taken at serval stations to the southward thereof, by Robt. Morden & Phil Lea. CU OPAc.|||This facsimile was published in London by the London Topographical Society in 1904.|Call number G5754.L7 1682 .M6 1904.||||||0|0|London & c. Actually Surveyed by Wm. Morgan, his Ma[jes]ties cosmogr.;A Prospect of London and Westminster|Morgan, William;Ogilby, John 2227.00|0|Creator|15|C-03|NK/18Dyn/|Tut/1stCof||C-03 NK/18Dyn/ Tut/1stCof |First Inner Coffin of Tutankahamen|||||||||Sarcophagus of Tutankamen. First Inner Coffin|0|||||0||||0|||||Egyptian|||Dynasty 18 (Egyptian)|New Kingdom||||Egypt||||||0||||0|Thebes, Egypt|||10119||||0|Sculpture|Sarcophagus|Coffin||BCE|-14|||1350|1330|ca|ca 1350-1330|ca 1350-1330||Sarcophagus of Tutankamen|Larger entity||2224||||0|||||Cyprus wood covered in gold leaf|wood|gold||||sculpture|||||||522|Cairo,Egyptian Museum|Cairo: Egyptian Mus.||Coffins; Egypt; Tutankhamen, King of Egypt||||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|8/19/2004 0:00:00|||The|0||||||Tut/1stCof|C|||03|NK/18Dyn|||| ||||||||Work|0|Sculpture-Egypt|||||||||||0|0|First Inner Coffin of Tutankahamen| 2228.00|0|Creator|15|C-03|NK/18Dyn|Tut/3rdCof||C-03 NK/18Dyn Tut/3rdCof |Third (Innermost) Coffin of Tutankhamen|Assigned|Collection|||||||Sarcophagus of Tutankamen. Second Inner Coffin.Third (Innermost) Coffin|0|||||0||||0|||||Egyptian|||Dynasty 18 (Egyptian)|New Kingdom||||Egypt||||||0||||0|Thebes, Egypt|||10119||||0|Sculpture|Coffin|Sarcophagus||BCE|-14|||1325|1325|ca|ca 1325|ca 1325-1325||Second Inner Coffin of Tutankhamun|LargerEntity||1915||||0|||||Gold, glass and semi-precious stones|gold|glass|stone|||sculpture|||||1.85 m H||522|Cairo,Egyptian Museum|Cairo: Egyptian Mus.||Tutankhamen, King of Egypt; Coffins; Sarcophagi; Egypt||||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|8/19/2004 0:00:00|||The|0||||||Tut/3rdCof|C|||03|NK/18Dyn|||| ||||||||Work|0|Sculpture-Egypt|||||||||||0|0|Third (Innermost) Coffin of Tutankhamen| 2229.00|0|Site|15|C-03|NK/18Dyn/|Tut/Mummy||C-03 NK/18Dyn/ Tut/Mummy |Mummy of Tutankhamen|||||||||Sarcophagus of Tutankamen. Second Inner Coffin.Third (Innermost) Coffin. Mummy of Tutankhamen|0|||||0||||0|||||Egyptian|||Dynasty 18 (Egyptian)|New Kingdom||||Egypt||||||0||||0|Thebes, Egypt|||10119||||0||Mummy|||BCE|-14|||1323|1323|ca|ca 1323|ca 1323-1323||Third (Innermost) Coffin of Tutankhamen|LargerEntity||2228||||0||||||linen (material)|||||mummification|||||||522|Cairo,Egyptian Museum|Cairo: Egyptian Mus.||Tutankhamen, King of Egypt; Mummies||||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|8/19/2004 0:00:00|||The|0||||||Tut/Mummy|C|||03|NK/18Dyn|||| ||||||||Work|0|Sculpture-Egypt|||||||||||0|0|Mummy of Tutankhamen| 2230.00|0|Site|02|B-G1|Lon|1.31 Lin||B-G1 Lon 1.31 Lin |Lincoln's Inn Fields|Descriptive||||||||Lincoln's Inn Fields|0|||||0||||0|||||English||||||||England||||||0|London, England|||10018||||0||||0|Architecture|Squares (open spaces)||||17|||1600|1699||17th century|1600-1699|||||0||||0||||||||||||||||||||||Squares||||||||||Cornell||MNW|MNW|8/19/2004 0:00:00|8/19/2004 0:00:00||Lon||0||||||Lin|B|||||G1|1.31||||||||||Work|0|Architecture-England|The largest public square in London. It was opened to the public after its acquisition by London County Council in 1895.||||||||||0|0|Lincoln's Inn Fields| 2231.00|0|Site|02|B-H5|Cor|3.4 Mos||B-H5 Cor 3.4 os |Great Mosque|Descriptive|Dict.Art|Mezquita|Variant|Dict.Art|La Asunción|||Great Mosque|0|||||0||||0|||||Islamic|||Moorish|||||Spain||||||0|Córdoba, Spain|||||||0||||0|Architecture|Mosque|Church|||8|9||785|988||Begun 785|785-988|||||0||||0||||||||||||||||||||||Mosques ; |Mosques|||||||||Cornell||MNW|MNW|2/21/2005 0:00:00|2/7/2005 0:00:00||||0||||||Mos|B|||||H5|3.4||||||||||Work|0|Architecture-Spain|Contains the church of La Asunción.||||||||||0|0|Great Mosque;Mezquita;La Asunción| 2232.00|0|Creator|15|C-03|NK/18Dyn/|Tut/Mummy||C-03 NK/18Dyn/Tut/MumMask|Funerary Mask of Tutankhamen|Assigned|Collection|||||||Sarcophagus of Tutankamen. Second Inner Coffin.Third (Innermost) Coffin. Funerary Mask of Tutankhamen|0|||||0||||0|||||Egyptian|||Dynasty 18 (Egyptian)|New Kingdom||||Egypt||||||0||||0|Thebes, Egypt|||10119||||0|Sculpture|Mask (Costume)|||BCE|-14|||1350|1330|ca|ca 1350-1330|ca 1350-1330||Third (Innermost) Coffin of Tutankhamen|LargerEntity||2228||||0|||||Obsidian, gold, turquoise, glass|gold|turquoise|glass|||sculpture|||||Life size||522|Cairo,Egyptian Museum|Cairo: Egyptian Mus.||Tutankhamen, King of Egypt; Masks||||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|8/19/2004 0:00:00|||The|0||60672||||Tut/MumMask|C|||03|NK/18Dyn|||| ||||||||Work|0|Sculpture-Egypt|||||||||||0|0|Funerary Mask of Tutankhamen| 2233.00|0|Site|02|B-H5|Cor|3.4 Mos/Mih||B-H5 Cor 3.4 Mos/Mih |Mihrab|Assigned|Image Source (Book)|||||||Great Mosque. Mihrab|0|||||0||||0|||||Islamic||||||||Spain||||||0|Córdoba , Spain|||10000||||0||||0|Architecture|Mosque|Mihrab|||10|||965|968||965-968|965-968||Great Mosque|||2231||||0||||||||||||||||||||||Mihrabs||||||||||Cornell||MNW|JNK|8/23/2004 0:00:00|8/19/2004 0:00:00||Cor||0||||||Mos/Mih|B|||||H5|3.4||||||||||Work|0|Architecture-Spain|This is the first Mihrab in the form of a room. DOA||||||||||0|0|Mihrab| 2234.00|0|Creator|07|U-03|Tut|Throne||U-03 Tut Throne |Throne of Tutankhamen|Assigned|Repository|||||||Tomb of Tutankhamen. Throne of Tutankhamen|0|||||0||||0|||||Egyptian|||Dynasty 18 (Egyptian)|New Kingdom||||Egypt||||||0||||0|Thebes, Egypt|||10119||||0|Furnishings|Throne|||BCE|-14|||1350|1330|ca|ca 1350-1330|ca 1350-1330||Tomb of Tutankhamen in the Valley of the Kings (KV62)|LargerEntity||1909||||0|||||Stone, gold, silver, glass, wood|stone|gold|silvre|||furniture making|||||||522|Cairo,Egyptian Museum|Cairo: Egyptian Mus.||Tutankhamen, King of Egypt; Thrones; Tombs||||||||||Cornell||JNK|MNW|8/24/2004 0:00:00|8/19/2004 0:00:00|||The|0||62028||||Tut Throne|U|||03||||| ||||||||Work|0|Furniture-Egyptian|||||||||||0|0|Throne of Tutankhamen| 2235.00|0|Creator|07|U-03|Tut|Casket||U-03 Tut/Casket|Painted Casket with Scenes ofHunting and War|Assigned|Collection|||||||Tomb of Tutankhamen. Painted Casket|0|||||0||||0|||||Egyptian|||Dynasty 18 (Egyptian)|New Kingdom||||Egypt||||||0||||0|Thebes, Egypt|||10119||||0|Furnishings|Chest|||BCE|-14|||1350|1330|ca|ca 1350-1330|ca 1350-1330||Tomb of Tutankhamen in the Valley of the Kings (KV62)|Larger Context||1909||||0|||||Wood, stucco, and paint|wood|stucco|paint|||furniture making|||||||522|Cairo,Egyptian Museum|Cairo: Egyptian Mus.||Tutankhamen, King of Egypt; Caskets (personal gear); Tombs||||||||||Cornell||JNK|MNW|8/24/2004 0:00:00|8/19/2004 0:00:00|||The|0||61467||||Tut/Casket|U|||03||||| ||||||||Work|0|Furniture-Egyptian|||||||||||0|0|Painted Casket with Scenes ofHunting and War| 2236.00|0|Creator|07|U-03|Tut|Chest||U-03 Tut/Chest|Chest on Legs|Assigned|Collection|||||||Tomb of Tutankhamen. Chest on legs|0|||||0||||0|||||Egyptian|||Dynasty 18 (Egyptian)|New Kingdom||||Egypt||||||0|||||Thebes, Egypt|||10119||||0|Furnishings|Chest|||BCE|-14|||1350|1330|ca|ca 1350-1330|ca 1350-1330||Tomb of Tutankhamen in the Valley of the Kings (KV62)|LargerEntity||1909||||0|||||Cedarwood and gilded ebony|cedar|ebony||||furniture making|||||||522|Cairo,Egyptian Museum|Cairo: Egyptian Mus.||Tutankhamen, King of Egypt; Tombs; Chests||||||||||Cornell||JNK|MNW|8/24/2004 0:00:00|8/19/2004 0:00:00|||The|0||||||Tut/Chest|U|||03||||| ||||||||Work|0|Furniture-Egyptian|||||||||||0|0|Chest on Legs| 2062.00|0|Site|02|B-H3|Rom|2.41 Max||B-H3 Rom 2.41 Max |Transverse section of the Basilica reconstructed|Assigned|Image Source (Book)|||||||Transverse section of the Basilica reconstructed|30242|Gauthier, Martin Pierre||architect|Martin Pierre Gauthier|0||||0|||||French|||Beaux-Arts|||||France||||||0||||0||||0||||0|Drawings|Architectural drawing||||19|||1814|1814||1814|1814-1814||Basilica of Maxentius|||665||||0|||||Ink on paper glued to canvas|ink|paper|canvas|||drawing (image-making)|||||98 x 127 cm||2193|Paris,Ecole National Superieure des Beaux-Arts,Musee des etudes|Paris: Ecole BA; Musee||Rome (Italy) ; Architectural drawings ; Basilica of Constantine (Rome, Italy) ; |Rome (Italy)|Architectural drawings|Basilica of Constantine (Rome, Italy)|||||||Cornell||JNK|MNW|11/16/2006 0:00:00|8/9/2004 0:00:00||Rom||0||||||Max|B|||||H3|2.41|| ||||||||Work|0|Architecture-Italy|Finding scarce traces of plaster similar to stuco with ashlar in the existing walls convinced Gauthier that the entire building must have originally had facing of this sort. This hypothesis was later discredited. Cassanelli, 96.||||||||||0|0|Transverse section of the Basilica reconstructed|Gauthier, Martin Pierre 2063.00|0|Site|02|B-H3|Rom|2.41 Max||B-H3 Rom 2.41 Max |Frontal perspective of the Basilica in its current state (in 1814)|Assigned|Image Source (Book)|||||||Basilica of Maxentius. Frontal Perspective of the Basilica in its Current State (1814)|30242|Gauthier, Martin Pierre||architect|Martin Pierre Gauthier|0||||0|||||French|||Beaux-Arts|||||France||||||0||||0||||0||||0|Drawings|Architectural drawing||||19|||1814|1814||1814|1814-1814||Basilica of Maxentius|LargerEntity||665||||0|||||Ink on paper glued to canvas|ink|paper|canvas|||drawing (image-making)|||||98 x 125 cm||2193|Paris,Ecole National Superieure des Beaux-Arts,Musee des etudes|Paris: Ecole BA; Musee||Rome (Italy) ; Ruins ; Architectural drawings ; Basilica of Constantine (Rome, Italy) ; |Rome (Italy)|Ruins|Architectural drawings|Basilica of Constantine (Rome, Italy)||||||Cornell||JNK|MNW|11/16/2006 0:00:00|8/9/2004 0:00:00||Rom||0||||||Max|B|||||H3|2.41|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Frontal perspective of the Basilica in its current state (in 1814)|Gauthier, Martin Pierre 2064.00|0|Site|02|B-H3|Rom|2.41 Max||B-H3 Rom 2.41 Max |Frontal Perspective of the Basilica Reconstructed|Assigned|Image Source (Book)|||||||Basilica of Maxentius. Frontal Perspective of the Basilica Reconstructed|30242|Gauthier, Martin Pierre||architect|Martin Pierre Gauthier|0||||0|||||French|||Beaux-Arts|||||France||||||0||||0||||0||||0|Drawings|Architectural drawing||||19|||1814|1814||1814|1814-1814||Basilica of Maxentius|||665||||0|||||Ink on paper glued to canvas|ink|paper|canvas|||drawing (image-making)|||||98 x 125 cm||2193|Paris,Ecole National Superieure des Beaux-Arts,Musee des etudes|Paris: Ecole BA; Musee||Rome (Italy) ; Facades ; Architectural drawings ; Basilica of Constantine (Rome, Italy) ; |Rome (Italy)|Facades|Architectural drawings|Basilica of Constantine (Rome, Italy)||||||Cornell||JNK|MNW|11/16/2006 0:00:00|8/9/2004 0:00:00||Rom||0||||||Max|B|||||H3|2.41|| ||||||||Work|0|Architecture-Italy|The reconstruction demonstrates the theory that the apse that concluded the central nave, which had not yet been excavated, was structurally similar to the apse Constantine added to the aisle area. Cassanelli, 97.||||||||||0|0|Frontal Perspective of the Basilica Reconstructed|Gauthier, Martin Pierre 2065.00|0|Site|02|B-H3|Rom|2.41 Max||B-H3 Rom 2.41 Max |The Basilica of Constantine, diagram of the monument in its current state (in 1921)|Assigned|Image Source (Book)|||||||Basilica of Maxentius. The Basilica of Constantine, Diagram of the Monument in its Current State (1921)|5001|Haffner, Jean Jacques|||Haffner, Jean Jacques|0||||0|||||French||||||||France||||||0||||0||||0||||0|Drawings|Architectural drawing|Watercolor|||20|||1921|1921||1921|1921-1921||Basilica of Maxentius|LargerEntity||665||||0|||||Ink, watercolor, and gouache on paper|ink|watercolors|gouache|||drawing (image-making)|||||165 x 210 cm||2193|Paris,Ecole National Superieure des Beaux-Arts,Musee des etudes|Paris: Ecole BA; Musee||Rome (Italy) ; Ruins ; Architectural drawings ; Basilica of Constantine (Rome, Italy) ; |Rome (Italy)|Ruins|Architectural drawings|Basilica of Constantine (Rome, Italy)||||||Cornell||JNK|MNW|11/16/2006 0:00:00|8/9/2004 0:00:00||Rom||0||||||Max|B|||||H3|2.41|| ||||||||Work|0|Architecture-Italy|The most valuable facts in this diagram are the slender traces of roads behind the basilica, which give an idea how the area looked before the urban upheaval of the Fascist era. The way the monument is insterted into its environment is also noteworthy. 98||||||||||0|0|The Basilica of Constantine, diagram of the monument in its current state (in 1921)|Haffner, Jean Jacques 2066.00|0|Site|02|B-H3|Rom|2.21 Col||B-H3 Rom 2.21 Col |Colosseum, Reconstruction Perspective Along Major Axis|Assigned|Image Source (Book)|||||||Colosseum. Reconstruction Perspective Along Major Axis|3334|Duc, Louis||architect|Louis Duc|0||||0|||||French|||Beaux-Arts|||||France||||||0||||0||||0||||0|Drawings|Architectural drawing||||19|||1831|1831||1831|1831-1831||Colosseum|LargerEntity||663||||0|||||Ink on paper glued to canvas|ink|paper|canvas|||drawing (image-making)|||||94 x 245 cm||2193|Paris,Ecole National Superieure des Beaux-Arts,Musee des etudes|Paris: Ecole BA; Musee||Stadiums; Rome, Italy; Architectural drawings; Colosseum (Rome, Italy)||||||||||Cornell||JNK|MNW|8/15/2006 0:00:00|8/9/2004 0:00:00||||0||||||Col|B||||Rom|H3|2.21|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Colosseum, Reconstruction Perspective Along Major Axis|Duc, Louis 2067.00|0|Site|02|B-H3|Rom|2.21 Col||B-H3 Rom 2.21 Col |Colosseum, reconstruction cross section along major axis|Assigned|Image Source (Book)|||||||Colosseum. Reconstruction Cross Section Along Major Axis|3334|Duc, Louis||architect|Louis Duc|0||||0|||||French|||Beaux-Arts|||||France||||||0||||0||||0||||0|Drawings|Architectural drawing||||19|||1831|1831||1831|1831-1831||Colosseum|LargerEntity||663||||0|||||Ink and watercolor on paper glued to canvas|ink|watercolors|paper|||drawing (image-making)|||||61 x 166 cm||2193|Paris,Ecole National Superieure des Beaux-Arts,Musee des etudes|Paris: Ecole BA; Musee||Stadiums; Rome, Italy; Colosseum (Rome, Italy); Architectural drawings||||||||||Cornell||JNK|MNW|3/29/2006 0:00:00|8/9/2004 0:00:00||Rom||0||||||Col|B|||||H3|2.21|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Colosseum, reconstruction cross section along major axis|Duc, Louis 2068.00|0|Site|02|B-H3|Rom|2.21 Col||B-H3 Rom 2.21 Col |Colosseum, reconstruction plan of various levels|Assigned|Image Source (Book)|||||||Colosseum. Reconstruction Plan of Various Levels|3334|Duc, Louis||architect|Louis Duc|0||||0|||||French|||Beaux-Arts|||||France||||||0||||0||||0||||0|Drawings|Architectural drawing||||19|||1831|1831||1831|1831-1831||Colosseum|LargerEntity||663||||0|||||Ink on paper glued to canvas|ink|paper|canvas|||drawing (image-making)|||||120 x 91 cm||2193|Paris,Ecole National Superieure des Beaux-Arts,Musee des etudes|Paris: Ecole BA; Musee||Stadiums; Rome, Italy; Colosseum (Rome, Italy); Architectural drawings||||||||||Cornell||JNK|MNW|3/29/2006 0:00:00|8/9/2004 0:00:00||Rom||0||||||Col|B|||||H3|2.21|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Colosseum, reconstruction plan of various levels|Duc, Louis 2069.00|0|Site|02|B-H3|Rom|3.1 Pan||B-H3 Rom 3.1 Pan |Front elevation of the Pantheon in its current state (in 1813)|Assigned|Image Source (Book)|||||||Pantheon. Front Elevation of the Pantheon in its Current State (1813)|30243|Leclère, François-René||architect|François-René Leclère|0||||0|||||French|||Beaux-Arts|||||France||||||0||||0||||0||||0|Drawings|Architectural drawing||||19|||1813|1813||1813|1813-1813||Pantheon|LargerEntity||624||||0|||||Ink & watercolors on paper glued to canvas|ink|watercolors|paper|||drawing (image-making)|||||101 x 116 cm||2193|Paris,Ecole National Superieure des Beaux-Arts,Musee des etudes|Paris: Ecole BA; Musee||Rome, Italy; Architectural drawings; Pantheon, Rome, Italy||||||||||Cornell||JNK|MNW|3/29/2006 0:00:00|8/10/2004 0:00:00||Rom||0||||||Pan|B|||||H3|3.1|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Front elevation of the Pantheon in its current state (in 1813)|Leclère, François-René 2070.00|0|Site|02|B-H3|Rom|3.1 Pan||B-H3 Rom 3.1 Pan |Side elevation of the Pantheon in its current state (in 1813)|Assigned|Image Source (Book)|||||||Pantheon. Side Elevation of the Pantheon in its Current State (1813)|30243|Leclère, François-René||architect|François-René Leclère|0||||0|||||French|||Beaux-Arts|||||France||||||0||||0||||0||||0|Drawings|Architectural drawing||||19|||1813|1813||1813|1813-1813||Pantheon|LargerEntity||624||||0|||||Ink and watercolor on paper glued to canvas|ink|watercolors|paper|||drawing (image-making)|||||101 x 124 cm||2193|Paris,Ecole National Superieure des Beaux-Arts,Musee des etudes|Paris: Ecole BA; Musee||Rome, Italy; Pantheon, Rome, Italy; Architectural drawings||||||||||Cornell||JNK|MNW|3/29/2006 0:00:00|8/10/2004 0:00:00||Rom||0||||||Pan|B|||||H3|3.1|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Side elevation of the Pantheon in its current state (in 1813)|Leclère, François-René 2071.00|0|Site|02|B-H3|Rom|3.1 Pan||B-H3 Rom 3.1 Pan |Longitudinal section of the Pantheon in its current state (in 1813)|Assigned|Image Source (Book)|||||||Longitudinal section of the Pantheon in its current state (in 1813)|30243|Leclère, François-René||architect|François-René Leclère|0||||0|||||French|||Beaux-Arts|||||France||||||0||||0||||0||||0|Drawings|Architectural drawing||||19|||1813|1813||1813|1813-1813||Pantheon|||624||||0|||||Ink and watercoloron paper glued to canvas|ink|watercolors|paper|||drawing (image-making)|||||101 x 144 cm||2193|Paris,Ecole National Superieure des Beaux-Arts,Musee des etudes|Paris: Ecole BA; Musee||Rome, Italy; Pantheon, Rome, Italy; Architectural drawings||||||||||Cornell||JNK|MNW|8/15/2004 0:00:00|8/10/2004 0:00:00||Rom||0||||||Pan|B|||||H3|3.1|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Longitudinal section of the Pantheon in its current state (in 1813)|Leclère, François-René 2072.00|0|Site|02|B-H3|Rom|3.1 Pan||B-H3 Rom 3.1 Pan |Transverse Section of the Pantheon in its Current State (in 1891)|Assigned|Image Source (Book)|||||||Pantheon. Transverse Section of the Pantheon in its Current State (1891)|30244|Chedanne, Georges Paul||architect|Georges Paul Chedanne|0||||0|||||French|||Beaux-Arts|||||France||||||0||||0||||0||||0|Drawings|Architectural drawing||||19|||1891|1891||1891|1891-1891||Pantheon|LargerEntity||624||||0|||||Ink and watercolor on paper glued to canvas|ink|watercolors|paper|||drawing (image-making)|||||105 x 136 cm||2193|Paris: Ecole National Superieure des Beaux-Arts; Musee des etudes|Paris: Ecole BA; Musee||Rome, Italy; Pantheon, Rome, Italy; Architectural drawings||||||||||Cornell||JNK|MNW|3/29/2006 0:00:00|8/10/2004 0:00:00||Rom||0||||||Pan|B|||||H3|3.1|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Transverse Section of the Pantheon in its Current State (in 1891)|Chedanne, Georges Paul 2073.00|0|Site|02|B-H3|Rom|3.1 Pan||B-H3 Rom 3.1 Pan |Plan of the Pantheon in its current state (in 1813)|Assigned|Image Source (Book)|||||||Plan of the Pantheon in its current state (in 1813)|30243|Leclère, François-René||architect|François-René Leclère|0||||0|||||French|||Beaux-Arts|||||France||||||0||||0||||0||||0|Drawings|Architectural drawing||||19|||1813|1813||1813|1813-1813||Pantheon|||624||||0|||||Ink and watercolor on paper glued to canvas|ink|watercolors|paper|||drawing (image-making)|||||140 x 101 cm||2193|Paris,Ecole National Superieure des Beaux-Arts,Musee des etudes|Paris: Ecole BA; Musee||Rome, Italy; Pantheon, Rome, Italy; Architectural drawings||||||||||Cornell||JNK|MNW|8/15/2004 0:00:00|8/10/2004 0:00:00||Rom||0||||||Pan|B|||||H3|3.1|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Plan of the Pantheon in its current state (in 1813)|Leclère, François-René 2074.00|0|Site|02|B-H3|Rom|3.1 Pan||B-H3 Rom 3.1 Pan |General study of the Pantheon's Structure|Assigned|Image Source (Book)|||||||General study of the Pantheon's Structure|30244|Chedanne, Georges Paul||architect|Georges Paul Chedanne|0||||0|||||French|||Beaux-Arts|||||France||||||0||||0||||0||||0|Drawings|Architectural drawing||||19|||1891|1891||1891|1891-1891||Pantheon|||624||||0|||||Pencil and ink on canvas on cardboard|pencil|ink|canvas|||drawing (image-making)|||||99 x 129 cm||2193|Paris,Ecole National Superieure des Beaux-Arts,Musee des etudes|Paris: Ecole BA; Musee||Rome, Italy; Pantheon, Rome, Italy; Architectural drawings||||||||||Cornell||JNK|MNW|6/6/2005 0:00:00|8/10/2004 0:00:00||Rom||0||||||Pan|B|||||H3|3.1|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|General study of the Pantheon's Structure|Chedanne, Georges Paul 2075.00|0|Site|02|B-H3|Rom|2.33 Car||B-H3 Rom 2.33 Car |Plan of the Baths' current site (in 1901)|Assigned|Image Source (Book)|||||||Baths of Caracalla. Plan of the Baths' Current Site 1901)|3382|Duquesne, Joseph Eugène Armand||architect|Joseph Eugène Armand Duquesne|0||||0|||||French|||Beaux-Arts|||||France||||||0||||0||||0||||0|Drawings|Architectural drawing||||20|||1901|1901||1901|1901-1901||Baths of Caracalla|LargerEntity||1149||||0|||||Ink, pencil and watercolor|ink|pencil|watercolors|||drawing (image-making)|||||122 x 147 cm||2193|Paris,Ecole National Superieure des Beaux-Arts,Musee des etudes|Paris: Ecole BA; Musee||Rome, Italy; Public Baths; Architectural drawings; Baths of Caracalla (Rome, Italy)||||||||||Cornell||JNK|MNW|3/29/2006 0:00:00|8/10/2004 0:00:00||Rom||0||||||Car|B|||||H3|2.33|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Plan of the Baths' current site (in 1901)|Duquesne, Joseph Eugène Armand 2076.00|0|Site|02|B-H3|Rom|2.33 Car||B-H3 Rom 2.33 Car|Reconstruction plan of the Baths of Caracalla|Assigned|Image Source (Book)|||||||Baths of Caracalla. Reconstruction Plan|1263|Blouet, Guillaume Abel||architect|Guillaume Abel Blouet|0||||0|||||French|||Beaux-Arts|||||France||||||0||||0||||0||||0|Drawings|Architectural drawing||||19|||1825|1825||1825|1825-1825||Baths of Caracalla|LargerEntity||1149||||0|||||Ink and watercolor on paper glued to canvas|ink|watercolors|paper|||drawing (image-making)|||||200 x 224 cm||2193|Paris,Ecole National Superieure des Beaux-Arts,Musee des etudes|Paris: Ecole BA; Musee||Rome, Italy; Public Baths; Baths of Caracalla (Rome, Italy); Architectural drawings||||||||||Cornell||JNK|MNW|3/29/2006 0:00:00|8/10/2004 0:00:00||Rom||0||||||Car|B|||||H3|2.33|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Reconstruction plan of the Baths of Caracalla|Blouet, Guillaume Abel 2077.00|0|Site|02|B-H3|Rom|2.33 Car||B-H3 Rom 2.33 Car |Cross sections of the Baths, reconstruction (top) and current state in 1826 (bottom)|Assigned|Image Source (Book)|||||||Baths of Caracalla. Cross Cections of the Baths, Reconstruction (top) and Current State in 1826 (bottom)|1263|Blouet, Guillaume Abel||architect|Guillaume Abel Blouet|0||||0|||||French|||Beaux-Arts|||||France||||||0||||0||||0||||0|Drawings|Architectural drawing||||19|||1826|1826||1826|1826-1826||Baths of Caracalla|LargerEntity||1149||||0|||||Ink and watercolor on paper glued to canvas|ink|watercolors|paper|||drawing (image-making)|||||71 x 86 cm||2193|Paris,Ecole National Superieure des Beaux-Arts,Musee des etudes|Paris: Ecole BA; Musee||Rome, Italy; Public Baths; Baths of Caracalla (Rome, Italy); Architectural drawings||||||||||Cornell||JNK|MNW|3/29/2006 0:00:00|8/10/2004 0:00:00||Rom||0||||||Car|B|||||H3|2.33|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Cross sections of the Baths, reconstruction (top) and current state in 1826 (bottom)|Blouet, Guillaume Abel 2078.00|0|Creator|15|35|T5875-SC|1960|1|35 T5875-SC 1960 1|Homage to New York|||||||||Homage to New York|11793|Tinguely, Jean||sculptor|Jean Tinguely|0||||0|||||Swiss||||||||United States||||||0||||0|Sculpture Garden,MOMA, New York, NY|||10245||||0|Sculpture|Assemblage (Sculpture)|Installation (Exhibition)|||20|||1960|1960||1960|1960-1960|||||0||||0|||||Mixed materials|mixed materials|||||assemblage (sculpture technique)|||||||||||||||||||||Cornell||MNW|MNW|8/10/2004 0:00:00|8/10/2004 0:00:00|T5875|||0|||||||35|SC||||||1960|||||||||Work|0||"…his self-destructing works should be seen in the spirit of neo-Dadaism. These included the Homage to New York (1960), which burst into flames outside MOMA, New York…" DOA|||Destroyed in 1960.|||||||0|0|Homage to New York|Tinguely, Jean 2079.00|0|Category|15|C|-07| I-2/Rel/97/Sar|6|C -07 I-2/Rel/97/Sar 6|Haterii Monument|Assigned|Image Source (Book)|||||||Haterii Monument|0|||||0||||0|||||Roman|||Imperial (Roman)|||||Italy||||||0||||0||||0||||0|Sculpture|Sarcophagus||||01|02||75|125|ca|ca 100|ca 75-125|||||0||||0|||||Marble|marble|||||relief|||||||4088|Rome,Vatican,Musei Vaticani|Rome: Vatican; Mus. Vaticani||Cityscapes; Arch of Titus, Rome, Italy; Sarcophagi; Arch of Isis, Rome, Italy; Temple of Jupiter the Protector, Rome, Italy; Colosseum (Rome, Italy)||||||||||Cornell||JNK|MNW|8/16/2004 0:00:00|8/10/2004 0:00:00||||0|||||| I-2/Rel/97/Sar|C|||07||||| ||||||||Work|0|Sculpture-Roman|The was created for/by Caius Haterius Tychicus.||||||||||0|0|Haterii Monument| 2080.00|0|Creator|08|O-Giorgio|1.0|Trat|||Trattati di Architettura, Ingegneria e Arte Militare, detail of a page, "The body in the façade of a church"|Assigned|Image Source (Book)|||||||Trattati di Architettura, Ingegneria e Arte Militare, detail of a page, "The body in the façade of a church"|4074|Francesco di Giorgio Martini||architect|Francesco di Giorgio Martini|0||||0|||||Italian|||Renaissance|||||Italy||||||0||||0||||0||||0|Drawings|Architectural drawing|Figures (representations)|||15|||1457|1517|ca|ca 1457-1517|ca 1457-1517|||||0||||0|||||||||||drawing (image-making)|||||||||||Male nudes; Facades; Churches; Figures (representations); Architectural drawings||||||||||Cornell||JNK|MNW|8/13/2004 0:00:00|8/10/2004 0:00:00|Giorgio|||0||||||Trat|O||||||1.0||||||||||Work|0|Architecture-Theory|||||||||||0|0|Trattati di Architettura, Ingegneria e Arte Militare, detail of a page, "The body in the façade of a church"|Francesco di Giorgio Martini 2081.00|0|Creator|15|35|T5875-SC|1960|2|35 T5875-SC 1960 2|Cyclograveur|Assigned|Image Source (Book)|||||||Cyclograveur|11793|Tinguely, Jean||sculptor|Jean Tinguely|0||||0|||||Swiss||||||||Switzerland||||||0||||0||||0||||0|Sculpture|Assemblage (Sculpture)|Installation (Exhibition)|||20|||1960|1960||1960|1960-1960|||||0||||0|||||Mixed materials|Mixed materials|||||sculpture|||||180 X 400 X 120 cm||3263|Zurich,Kunsthaus Zurich|Zurich: Kunsthaus||Bicycles; Machines||||||||||Cornell||MNW|JNK|8/16/2004 0:00:00|8/10/2004 0:00:00|T5875|||0|||||||35|SC||||||1960| ||||||||Work|0|||||Destroyed in 1961.|||||Gift of the artist.||0|0|Cyclograveur|Tinguely, Jean 2082.00|0|Architect|03|MA-|1.0|1946 Por||MA-TAC 1.0 Por|Partners of TAC in the Harvard Graduate Center|Assigned|Collection|||||||Partners of TAC in the Harvard Graduate Center|29143|Architects Collaborative, Inc.||ArchFirm|Architects Collaborative, Inc.|0||||0|||||American|||Modern|||||United States||||||0||||0||||0||||0|Photographs|Portrait|Documentary photograph|||20|||1946|1946||1946|1946-1946|||||0||||0|||||Black and white photograph||||||photography|||||||||||Gropius, Walter, 1883-1969 ; Fletcher, Norman, 1917- ; Harkness, John C., 1916- ; Thompson, Benjamin, 1918- ; |Gropius, Walter, 1883-1969|Fletcher, Norman, 1917-|Harkness, John C., 1916-|Thompson, Benjamin, 1918-||||||Cornell||JNK|GB|11/20/2006 0:00:00|8/10/2004 0:00:00||||0||||||Por|MA||||||1.0||||||||||Work|0|Modern Architecture|The photograph depicts the 8 founding partners of TAC. From left to right: Sarah Harkness, Jean Fletcher, Robert McMillan, Norman Fletcher, Walter Gropius, John Harkness, Benjamin Thompson, and Louis McMillen.||||||||||0|0|Partners of TAC in the Harvard Graduate Center|Architects Collaborative, Inc. 2083.00|0|Culture|11|W-18|OccArch|Arch|2|W-18 OccArch Arch 2|Drafting Room in Office of George B. Post, NYC|Assigned|Collection|||||||Drafting Room in Office of George B. Post, NYC|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||19|20|||||||||||0||||0|||||Black and white photograph||||||photography|||||||||||Studios (Work Spaces); Architects; Students||||||||||Cornell||JNK|MNW|8/25/2004 0:00:00|8/10/2004 0:00:00||||0||||||Occ Arch|W|||18|||||||||||||Work|0|Culture-American|||||||||||0|0|Drafting Room in Office of George B. Post, NYC| 2084.00|0|Culture|11|W-18|Occ|Arch|1|W-18 Occ Arch 1|First Year Drafting Room, Columbia University, NYC|Assigned|Collection|||||||First Year Drafting Room, Columbia University, NYC|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||19|20||1875|1925|ca|ca 1900|ca 1875-1925|||||0||||0|||||Black and white photograph||||||photography|||||||||||Studios (Work Spaces); Architects; Students||||||||||Cornell||JNK|MNW|8/25/2004 0:00:00|8/10/2004 0:00:00||||0||||||OccArch|W|||18|||||||||||||Work|0|Culture-American|||||||||||0|0|First Year Drafting Room, Columbia University, NYC| 2085.00|0|Site|02|B-B33|Ith|4.2 Cu/ArchMus||B-B33 Ith 4.2 CU/ArchMus|Architectural Museum, White Hall, Cornell University|Assigned|Collection|||||||White Hall. Architectural Museum|0|||||0||||0|||||American||||||||United States||||||0|Ithaca, New York|||10057||||0||||0|Architecture|Museum|Public building|||19|||1874|1874||1874|1874-1874||White Hall|LargerEntity||2088||||0||||||||||||||||||||||Museums||||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|8/10/2004 0:00:00||Ith||0||||||CU/ArchMus|B|||||B33|4.2||||||||||Work|0|Architecture-US-New York|||||||||||0|0|Architectural Museum, White Hall, Cornell University| 2086.00|0|Site|02|B-B33|Ith|4.2 CU/ArchMus|6-1|B-B33 Ith 4.2 CU/ArchMus 6-1|Interior View with Plaster Casts|Assigned|Collection|||||||Architectural Museum, White Hall. Interior View with Plaster Casts|30245|Conable, George Willard||photographer|George Willard Conable|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Photographic print||||19|||1888|1890|ca|ca 1888-1890|ca 1888-1890||Architectural Museum, White Hall, Cornell University|Larger entity||2085||||0|||||Cyanotype||||||photography||||||||Ithaca, Cornell university|||Museums; Casts (sculpture)||||||||||Cornell||JNK|MNW|3/29/2006 0:00:00|8/10/2004 0:00:00||Ith||0||||||CU/ArchMus|B|||||B33|4.2|| ||||||||Work|0|Architecture-US-New York|||||||||||0|0|Interior View with Plaster Casts|Conable, George Willard 2087.00|0|Site|02|B-B33|Ith|4.2 CU/ArchMus|6-2|B-B33 Ith 4.2 CU/ArchMus 6-2|Interior View with PlasterCasts|Assigned|Collection|||||||Architectural Museum, White Hall, Interior: view with plaster casts|30245|Conable, George Willard|||George Willard Conable|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Photographic print||||19|||1888|1890|ca|ca 1888-1890|ca 1888-1890||Architectural Museum, White Hall, Cornell University|||2085||||0|||||Cyanotpye||||||photography|||||||1159|Ithaca,Cornell University|Ithaca: Cornell||Museums; Casts (sculpture)||||||||||Cornell||JNK|MNW|8/25/2004 0:00:00|8/10/2004 0:00:00||Ith||0||||||CU/ArchMus|B|||||B33|4.2|| ||||||||Work|0|Architecture-US-New York|||||||||||0|0|Interior View with PlasterCasts|Conable, George Willard 2088.00|0|Site|02|B-B33|Ith|4.2 CU/WhiteH||B-B33 Ith 4.2 CU/WhiteH |White Hall|Assigned|Collection|||||||White Hall|30272|Wilcox and Porter||architectural firm|Wilcox and Porter|0||||0|||||American||||||||United States||||||0|Ithaca, New York|||10057||||0||||0|Architecture|University|Studio (Work space)|||19|||1869|1871||1869-1871|1869-1871||Cornell University|||886||||0||||||||||||||||||||||Universities; Studios (Work Spaces)||||||||||Cornell||JNK|MNW|8/25/2004 0:00:00|8/10/2004 0:00:00||Ith||0||||||CU/WhiteH|B|||||B33|4.2||||||||||Work|0|Architecture-US-New York|||||||||||0|0|White Hall|Wilcox and Porter 2089.00|0|Site|02|B-B33|Ith|4.2 CU/Arch||B-B33 Ith 4.2 CU/Arch |Architecture College, White Hall (?), Interior, drafting room|Assigned|Collection|||||||Cornell University. White Hall. Architecture College, White Hall (?), Interior, drafting room|0|||||0||||0|||||American||||||||United States||||||0|Ithaca, New York|||10057||||0||||0|Architecture|University|Studio (Work space)|||20|||1906|1906||1906|1906-1906||White Hall|Larger entity||2088||||0||||||||||||||||||9354|Ithaca, Cornell University, Rare and Manuscript Collections|Ithaca: Cornell; RMC||Universities; Studios (Work Spaces); Students||||||||||Cornell||JNK|MNW|3/29/2006 0:00:00|8/10/2004 0:00:00||Ith||0||||||CU/Arch|B|||||B33|4.2|| ||||||||Work|0|Architecture-US-New York|||||||||||0|0|Architecture College, White Hall (?), Interior, drafting room| 2090.00|0|Creator|15|35|T5875-SC|1961|1||Study for an End of the World No. 1|Assigned|Image Source (Book)|||||||Study for an End of the World No. 1|11793|Tinguely, Jean||sculptor|Jean Tinguely|0||||0|||||Swiss||||||||Denmark||||||0||||0|Louisiana Museum, Humlebæk, Denmark|||10246||||0|Sculpture|Assemblage (Sculpture)|Installation (Exhibition)|||20|||1961|1961||1961|1961-1961|||||0||||0|||||Mixed materials|Mixed materials|||||sculpture|assemblage (sculpture technique)||||||||||Machines||||||||||Cornell||MNW|JNK|8/16/2004 0:00:00|8/10/2004 0:00:00|T5875|||0|||||||35|SC||||||1961|||||||||Work|0||"…his self-destructing works should be seen in the spirit of neo-Dadaism." DOA||||||||||0|0|Study for an End of the World No. 1|Tinguely, Jean 2091.00|0|Creator|15|35|T5875-SC|1962|2||Study for an End of the World No. 2|Assigned|Image Source (Book)|||||||Study for an End of the World No. 2|11793|Tinguely, Jean||sculptor|Jean Tinguely|0||||0|||||Swiss||||||||United States||||||0||||0|Nevada Desert Valley|||10247||||0|Sculpture|Assemblage (Sculpture)|Installation (Exhibition)|||20|||1962|1962||1962|1962-1962|||||0||||0||||||mixed materials|||||sculpture|assemblage (sculpture technique)||||||||||Machines||||||||||Cornell||MNW|JNK|8/16/2004 0:00:00|8/10/2004 0:00:00|T5875|||0|||||||35|SC||||||1962| ||||||||Work|0||"…his self-destructing works should be seen in the spirit of neo-Dadaism." DOA||||||||||0|0|Study for an End of the World No. 2|Tinguely, Jean 2092.00|0|Creator|15|35|A2594-PA|1961|1|35 A2594-PA 1961 1|Natural Movement|||||||||Natural Movement|13338|Agam, Yaacov||artist|Yaacov Agam|0||||0|||||Israeli||||||||||||||0||||0|Moderna Museet, Stockholm, Sweden|||10248||||0|Paintings|Installation (Exhibition)||||20|||1961|1961||1961|1961-1961|||||0||||0|||||||||||Multimedia|||||||3912|Stockholm,Nationalmuseum,Moderna Museet|Stockholm: Moderna Mus.||||||||||||Cornell|||JNK|8/16/2004 0:00:00||A2594|||0|||||||35|PA||||||1961| ||||||||Work|0||||||||||||0|0||Agam, Yaacov 2093.00|0|Creator|15|35|A2594-M|1967|1|35 A2594-M 1967 1|Espace rythmé "Que la lumiere soi"|Assigned|Image Source (Book)|Rhythmic space "Let there be light"|Translated|Image Source (Book)||||Espace rythmé "Que la lumiere soit"|13338|Agam, Yaacov||artist|Yaacov Agam|0||||0|||||Israeli||||||||||||||0||||0||||0||||0|Multimedia works|Multimedia work|Installation (Exhibition)|||20|||1967|1967||1967|1967-1967|||||0||||0|||||||||||Multimedia|||||||||||||||||||||Cornell|||JNK|8/16/2004 0:00:00||A2594|||0|||||||35|M||||||1967|||||||||Work|0||Immaterial work (tele-art) at its first display in Agam's apartment||||||||||0|0|Espace rythmé "Que la lumiere soi";Rhythmic space "Let there be light"|Agam, Yaacov 2094.00|0|Creator|15|35|A2594-PA|1963||35 A2594-PA 1963|Tactile Rouge Sensible (The Red Touch). Aspect II.|Assigned|Image Source (Book)|||||||Tactile Rouge Sensible (The Red Touch). Aspect II.|13338|Agam, Yaacov||artist|Yaacov Agam|0||||0|||||Israeli||||||||||||||0||||0||||0||||0|Paintings|Multimedia work|Installation (Exhibition)|Painting||20|||1963|1963||1963|1963-1963|||||0||||0|||||Oil on metal; wood with small metal elements|oil paint|metal|wood|||painting (image-making)|Multimedia||||35.9 x 45.1 cm||||||||||||||||Cornell||JNK|MNW|8/11/2004 0:00:00|1/6/2006 0:00:00|A2594|||0|||||||35|PA||||||1963|||||||||Work|0||Tactile painting||||||||||0|0||Agam, Yaacov 2095.00|0|Creator|15|35|A2594-PA|1953|1|35 A2594-PA 1953 1|Signes Pour un Language|Assigned|Image Source (Book)|Signs for a Language|Translated|Image Source (Book)||||Signes Pour un Language (Signs for a Language)|13338|Agam, Yaacov||artist|Yaacov Agam|0||||0|||||Israeli||||||||||||||0||||0||||0||||0|Paintings|||||20|||1953|1953||1953|1953-1953|||||0||||0|||||Oil on wood with moveable parts|oil paint|wood||||painting (image-making)|||||24.8 x 30.5 cm||3290|Private Collection|: Private Coll.||||||||||||Cornell||JNK|MNW|8/11/2004 0:00:00|1/6/2006 0:00:00|A2594|||0|||||||35|PA||||||1953| ||||||||Work|0||Transformable painting.||||||||||0|0|Signes Pour un Language;Signs for a Language|Agam, Yaacov 2096.00|0|Creator|15|35|A2594-SC|1956|1|35 A2594-SC 1956 1|Fusion|Assigned|Image Source (Book)|||||||Fusion|13338|Agam, Yaacov||artist|Yaacov Agam|0||||0|||||Israeli||||||||||||||0||||0||||0||||0|Sculpture|||||20|||1956|1966||1956-1966|1956-1966|||||0||||0|||||Oil on wood suspended in frame|oil paint|wood||||painting (image-making)|||||26 x 13; 41 x 33 cm||3290|Private Collection|: Private Coll.||||||||||||Cornell||JNK|JNK|8/16/2004 0:00:00|1/6/2006 0:00:00|A2594|||0|||||||35|SC||||||1956| ||||||||Work|0||Polymorphic painting||||||||||0|0|Fusion|Agam, Yaacov 2097.00|0|Creator|15|35|A2594-SC|1957|1|35 A2594-SC 1957 1|Relief Accentué|Assigned|Image Source (Book)|Pointed Relief|Translated|Image Source (Book)||||Relief Accentué (Pointed Relief)|13338|Agam, Yaacov||artist|Yaacov Agam|0||||0|||||Israeli||||||||||||||0||||||||0||||0|Sculpture|Painting||||20|||1957|1957||1957|1957-1957|||||0||||0|||||Perforated wood; movable metal elements|wood|metal||||sculpture|painting (image-making)||||45.1 x 33 cm||9341|Ramat Gan: Samuel Dubiner Collection|Ramat Gan: Dubiner Coll.||||||||||||Cornell|||MNW|8/11/2004 0:00:00||A2594|||0|||||||35|SC||||||1957| ||||||||Work|0||Polymorphic painting||||||||||0|0|Relief Accentué;Pointed Relief|Agam, Yaacov 2098.00|0|Creator|15|35|A2594-SC|1963|1|35 A2594-SC 1963 1|Tactile Sonore|Assigned|Image Source (Book)|Sonorous Tactile|Translated|Image Source (Book)||||Tactile Sonore (Sonorous Tactile)|13338|Agam, Yaacov||artist|Yaacov Agam|0||||0|||||Israeli||||||||||||||0||||||||0||||0|Sculpture|Multimedia work||||20|||1963|1963||1963|1963-1963|||||0||||0|||||Stainless steel on wood with resonance box|steel|wood||||Multimedia|sculpture||||99 x 139 cm||1308|Krefeld,Kaiser Wilhelm Museum|Krefeld: Kais. Wilhelm Mus.||||||||||||Cornell|||MNW|8/11/2004 0:00:00||A2594|||0|||||||35|SC||||||1963| ||||||||Work|0||||||||||||0|0|Tactile Sonore;Sonorous Tactile|Agam, Yaacov 2099.00|0|Creator|15|35|A2594-PA|1963|1|35 A2594-PA 1963 1|Hommage to J. S. Bach|Translated|Image Source (Book)|Hommage á J. S. Bach|Assigned|Image Source (Book)||||Hommage to J. S. Bach|13338|Agam, Yaacov||artist|Yaacov Agam|0||||0|||||Israeli||||||||||||||0||||||||0||||0|Paintings|Painting||||20|||1963|1965||1963-1965|1963-1965|||||0||||0|||||Oil on corrugated aluminum|oil paint|aluminum||||painting (image-making)|||||73 x 153 cm||9342|Zurich, Peter Stuyvesant Foundation|Zurich: Peter Stuyvesant Foundation||||||||||||Cornell||JNK|JNK|8/16/2004 0:00:00|1/6/2006 0:00:00|A2594|||0|||||||35|PA||||||1963| ||||||||Work|0||Metapolymorphic painting||||||||||0|0|Hommage to J. S. Bach;Hommage á J. S. Bach|Agam, Yaacov 2100.00|0|Creator|15|35|A2594-PA|1964|1||Jacob's Ladder|||||||||Jacob's Ladder|13338|Agam, Yaacov||artist|Yaacov Agam|0||||0|||||Israeli||||||||Israel||||||0||||||||0||||0|Paintings|||||20|||1963|1965||1963-1965|1963-1965|||||0||||0|||||Acrylic on concrete|acrylic|concrete||||painting (image-making)|||||59 x 3 M||9343|Jerusalem, National Convention House|Jerusalem: Nat'l Convention House||||||||||||Cornell|||MNW|8/11/2004 0:00:00||A2594|||0|||||||35|PA||||||1964| ||||||||Work|0||||||Hangs from the ceiling.||||||0|0|Jacob's Ladder|Agam, Yaacov 2101.00|0|Creator|15|35|A2594-PA|1970|2|35 A2594-PA 1970 1|Jacob's Ladder||||||||||13338|Agam, Yaacov||artist|Yaacov Agam|0||||0|||||Israeli||||||||Israel||||||0||||||||0||||0|Paintings|||||20|||1970|1970||1970|1970-1970|||||0||||0|||||Oil on aluminum|oil paint|aluminum||||painting (image-making)|||||84.9 x 3.6 M||9344|Jerusalem, Residence of the President of Israel|Jerusalem: Res. President of Israel||Ladders; Jacob||||||||||Cornell||JNK|JNK|8/16/2004 0:00:00|1/6/2006 0:00:00|A2594|||0|||||||35|PA||||||1970| ||||||||Work|0||||||||||||0|0|Jacob's Ladder|Agam, Yaacov 2105.00|0|Creator|15|35|A2594-M|1969|1a||Nous ne sommes que des builles de savon|Assigned|Image Source (Book)|We Are Nothing But SoapBubbles|Translated|Image Source (Book)||||Nous ne sommes que des builles de savon|13338|Agam, Yaacov||artist|Yaacov Agam|0||||0|||||Israeli||||||||||||||0||||0||||0||||0|Multimedia works|Multimedia work||||20|||1969|1969||1969|1969-1969|||||0||||0|||||Aluminum base with electronic system|aluminum|||||Multimedia|||||62.9 x 62.9 x 8.9 cm||3290|Private Collection|: Private Coll.||||||||||||Cornell|||JNK|8/16/2004 0:00:00||A2594|||0|||||||35|M1969||||||1969| ||||||||Work|0||||||||||||0|0|Nous ne sommes que des builles de savon;We Are Nothing But SoapBubbles|Agam, Yaacov 2108.00|0|Creator|15|35|A2594-M|1963|1||Tactile Painting|Assigned|Image Source (Book)|||||||Tactile Painting|13338|Agam, Yaacov||artist|Yaacov Agam|0||||0|||||Israeli||||||||||||||0||||0||||0||||0|Multimedia works|Multimedia work||||20|||1963|1963||1963|1963-1963|||||0||||0|||||||||||Multimedia|||||||||||||||||||||Cornell|||MNW|8/12/2004 0:00:00||A2594|||0|||||||35|M||||||1963|||||||||Work|0||||||||||||0|0||Agam, Yaacov 2109.00|0|Creator|15|35|A2594-M|1967|2|35 A2594-M 1967 2|Espace rythmé "Que la lumiere soit"|Assigned|Image Source (Book)|Rhythmic space "Let there be light"|Translated|Image Source (Book)||||Espace rythmé "Que la lumiere soit"|13338|Agam, Yaacov||artist|Yaacov Agam|0||||0|||||Israeli||||||||||||||0||||0|Musée d'Art Moderne, Paris, France|||10249||||0|Multimedia works|Multimedia work|Installation (Exhibition)|||20|||1967|1967||1967|1967-1967|||||0||||0|||||Multimedia installation||||||Multimedia|||||||||||||||||||||Cornell||MNW|JNK|8/16/2004 0:00:00|8/11/2004 0:00:00|A2594|||0|||||||35|M||||||1967|||||||||Work|0||||||||||||0|0|Espace rythmé "Que la lumiere soit";Rhythmic space "Let there be light"|Agam, Yaacov 2110.00|0|Site|02|B-B33|Ith|4.2 CU/Lin||B-B33 Ith 4.2 CU/Lin|Lincoln Hall|Assigned|Collection|||||||Cornell University. Lincoln Hall|593|Babcock, Charles||architect|Charles Babcock|0||||0|||||American||||||||United States||||||0|Ithaca, New York|||10057||||0||||0|Architecture|University||||19|||1888|1888||-1888|1888-1888||Cornell University|||886||||0||||||||||||||||||||||Universities||||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|8/11/2004 0:00:00||Ith||0||||||CU/Lin|B|||||B33|4.2||||||||||Work|0|Architecture-US-New York|||||||||||0|0|Lincoln Hall|Babcock, Charles 2111.00|0|Site|02|B-B33|Ith|4.2 CU/Arch||B-B33 Ith 4.2 CU/Arch |Lincoln Hall, Interior, Senior Draughting Room, College of Architecture|Assigned|Collection|||||||Cornell University. Lincoln Hall. Interior, Senior Draughting Room, College of Architecture|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1900|1900||-1900|1900-1900||Lincoln Hall|Larger entity||2110||||0|||||Black and white photograph|photo paper|||||photography|||||||9354|Ithaca, Cornell University, Rare and Manuscript Collections|Ithaca: Cornell; RMC||Universities; Students; Studios (Work Spaces)||||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|8/11/2004 0:00:00||Ith||0||||||CU/Arch|B|||||B33|4.2|| ||||||||Work|0|Architecture-US-New York|||||||||||0|0|Lincoln Hall, Interior, Senior Draughting Room, College of Architecture| 2112.00|0|Site|02|B-B33|Ith|4.2 CU/Arch||B-B33 Ith 4.2 CU/Arch |Lincoln Hall, Interior, Drawing Studio, College of Architecture|Assigned|Collection|||||||Lincoln Hall, Interior, Drawing Studio, College of Architecture|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||19|20||1875|1925|ca|ca 1900|ca 1875-1925||Lincoln Hall|||2110||||0|||||Black and white photograph|photo paper|||||photography|||||||9354|Ithaca, Cornell University, Rare and Manuscript Collections|Ithaca: Cornell; RMC||Universities; Studios (Work Spaces)||||||||||Cornell||JNK|MNW|8/25/2004 0:00:00|8/11/2004 0:00:00||Ith||0||||||CU/Arch|B|||||B33|4.2|| ||||||||Work|0|Architecture-US-New York|||||||||||0|0|Lincoln Hall, Interior, Drawing Studio, College of Architecture| 2113.00|0|Site|02|B-B33|Ith|4.2 CU/Sib||B-B33 Ith 4.2 CU/Sib|Sibley Hall|Assigned|Collection|||||||Cornell University. Sibley Hall|10215|Russell, Archimedes||architect|Russell, Osborne & Gibb|8763|Osborne, Charles Francis||architect|13526|Gibb, Arthur N.||architect||American||||||||United States||||||0|Ithaca, New York|||10057||||0||||0|Architecture|University||||19|20||1870|1902||1870-1902|1870-1902||Cornell University|LargerEntity||886||||0||||||||||||||||||||||Universities||||||||||Cornell||JNK|MNW|8/25/2004 0:00:00|8/11/2004 0:00:00||Ith||0||||||CU/Sib|B|||||B33|4.2||||||||||Work|0|Architecture-US-New York|||||||||||0|0|Sibley Hall|Russell, Archimedes;Osborne, Charles Francis;Gibb, Arthur N. 2114.00|0|Site|02|B-B33|Ith|4.2 CU/Arch||B-B33 Ith 4.2 CU/Arch |Sibley Hall, Interior, Sibley Studio, College of Architecture|Assigned|Collection|||||||Cornell University. Sibley Hall. Interior, Sibley Studio, College of Architecture|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||||||||Sibley Hall|Larger entity||2113||||0|||||Black and white photograph|photo paper|||||photography|||||||9354|Ithaca, Cornell University, Rare and Manuscript Collections|Ithaca: Cornell; RMC||Universities; Studios (Work Spaces)||||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|8/11/2004 0:00:00||Ith||0||||||CU/Arch|B|||||B33|4.2|| ||||||||Work|0|Architecture-US-New York|||||||||||0|0|Sibley Hall, Interior, Sibley Studio, College of Architecture| 2115.00|0|Architect|03|MA-Libeskind|6.1|2003- WTr/DesS||MA-Libeskind 6.1 2003- WTr/DesS |World Trade Center Master Plan|Assigned|Collection|||||||World Trade Center Master Plan|7054|Libeskind, Daniel||architect|Daniel Libeskind|0||||0|||||American|||Post-1945|||||United States||||||0|New York, NY|||10060||||0||||0|Architecture|Commercial building|Memorial|Office building||21|||2003|||2003|2003|||||0||||0||||||||||||||||||||||||||||||||Cornell||JNK|MNW|8/25/2004 0:00:00|8/11/2004 0:00:00||NYC||0||||||2003- WTr/DesS|MA||||||6.1|| ||||||||Work|0|Modern Architecture||||This project is continuing as of August 2004.|||||||0|0|World Trade Center Master Plan|Libeskind, Daniel 2116.00|0|Architect|02|MA-Libeskind|6.1|2003- WTr/DesS|||World Trade Center, Design Study|Assigned|Collection|||||||World Trade Center Master Plan. Design Study|7054|Libeskind, Daniel||architect|Daniel Libeskind|0||||0|||||American|||Post-1945|||||United States||||||0|New York, NY|||10060||||0||||0|Architecture|Model (Representation)||||21|||2003|2003||2003|2003-2003||World Trade Center Master Plan|Larger entity||2115||||0||||||||||||||||||||||Models (Representations); Memorials; commercial buildings||||||||||Cornell||JNK|MNW|3/29/2006 0:00:00|8/11/2004 0:00:00||NYC||0||||||2003- WTr/DesS|MA||||||6.1||||||||||Work|0|Modern Architecture|||||||||||0|0|World Trade Center, Design Study|Libeskind, Daniel 2117.00|0|Architect|02|MA-Libeskind|6.1|2003- WTr/DesS||MA-Libeskind 6.1 2003- WTr/DesS |The Heart and the Soul: Memory Foundations|Assigned|Collection|||||||The Heart and the Soul: Memory Foundations|7054|Libeskind, Daniel||architect|Daniel Libeskind|0||||0|||||American|||Post-1945|||||United States||||||0||||0||||0||||0|Architecture|Architectural drawing|Drawing|||21|||2003|2003||2003|2003-2003||World Trade Center Master Plan|||2115||||0|||||||||||drawing (image-making)|||||||9340|New York, Studio Daniel Libeskind|New York: Studio Daniel Libeskind||Memorials; Architectural drawings; Commercial buildings||||||||||Cornell||JNK|MNW|8/25/2004 0:00:00|8/11/2004 0:00:00|Libeskind|||0||||||WTr/DesS|MA||||||6.1|2003-| ||||||||Work|0|Modern Architecture|||||||||||0|0|The Heart and the Soul: Memory Foundations|Libeskind, Daniel 2118.00|0|Architect|03|MA-Libeskind|6.1|2003- WTr/DesS||MA-Libeskind 6.1 2003- WTr/DesS |Design Study; Wedge of Light|Assigned|Collection|||||||World Trade Center Master Plan. Design Study, CAD: Wedge of Light|7054|Libeskind, Daniel||architect|Daniel Libeskind|0||||0|||||American|||Post-1945|||||United States||||||0||||0||||0||||0|Architecture|Computer-aided design||||21|||2003|2003||2003|2003-2003||World Trade Center Master Plan|Larger entity||2115||||0|||||CAD|||||||||||||9340|New York, Studio Daniel Libeskind|New York: Studio Daniel Libeskind||Memorials; Office buildings; Commercial buildings||||||||||Cornell||JNK|MNW|3/29/2006 0:00:00|8/11/2004 0:00:00|Libeskind|||0||||||WTr/DesS|MA||||||6.1|2003-| ||||||||Work|0|Modern Architecture|||||||||||0|0|Design Study; Wedge of Light|Libeskind, Daniel 2119.00|0|Architect|03|MA-Libeskind|6.1|2003- WTr/DesS||MA-Libeskind 6.1 2003- WTr/DesS |Design Study. September 11th Place|Assigned|Collection|||||||World Trade Center Master Plan. Design Study, September 11th Place|7054|Libeskind, Daniel||architect|Daniel Libeskind|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Architecture|Computer-aided design||||21|||2003|2003||2003|2003-2003||World Trade Center Master Plan|Larger entity||2115||||0|||||CAD||||||computer-aided-design|||||||9340|New York, Studio Daniel Libeskind|New York: Studio Daniel Libeskind||Memorials||||||||||Cornell||JNK|MNW|3/29/2006 0:00:00|8/11/2004 0:00:00|Libeskind|||0||||||WTr/DesS|MA||||||6.1|2003-| ||||||||Work|0|Modern Architecture|||||||||||0|0|Design Study. September 11th Place|Libeskind, Daniel 2120.00|0|Architect|03|MA-Libeskind|6.1|2003- WTr/DesS||MA-Libeskind 6.1 2003- WTr/DesS |Design Study. View from the Hudson River|Assigned|Collection|||||||World Trade Center Master Plan. Design Study. View from the Hudson River|7054|Libeskind, Daniel||architect|Daniel Libeskind|0||||0|||||American|||Post-1945|||||United States||||||0||||0||||0||||0|Architecture|Computer-aided design||||21|||2003|2003||2003|2003-2003||World Trade Center Master Plan|Larger entity||2115||||0|||||CAD||||||computer-aided design|||||||9340|New York, Studio Daniel Libeskind|New York: Studio Daniel Libeskind||Memorials; Office buildings; Commercial buildings||||||||||Cornell||JNK|MNW|3/29/2006 0:00:00|8/11/2004 0:00:00||||0||||||WTr/DesS|MA||||||6.1|2003-| ||||||||Work|0|Modern Architecture|||||||||||0|0|Design Study. View from the Hudson River|Libeskind, Daniel 2121.00|0|Architect|03|MA-Libeskind|6.1|2003-WTr/DesS||MA-Libeskind 6.1 2003-WTr/DesS |Design Study, Sketch: September 11th Matrix|Assigned|Collection|||||||World Trade Center Master Plan. Design Study, Sketch: September 11th matrix|7054|Libeskind, Daniel||architect|Daniel Libeskind|0||||0|||||American|||Post-1945|||||United States||||||0||||0||||0||||0|Architecture|Drawing||||21|||2003|2003||2003|2003-2003||World Trade Center Master Plan|Larger entity||2115||||0|||||||||||drawing (image-making)|||||||9340|New York, Studio Daniel Libeskind|New York: Studio Daniel Libeskind||Memorials||||||||||Cornell||JNK|MNW|3/29/2006 0:00:00|8/11/2004 0:00:00||||0||||||2003-WTr/DesS|MA||||||6.1|| ||||||||Work|0|Modern Architect|||||||||||0|0|Design Study, Sketch: September 11th Matrix|Libeskind, Daniel 2122.00|0|Creator|15|35|A2594-M|1969|2||Hommage aux pyramides|Assigned|Image Source (Book)|Hommage to the Pyramids|Translated|Image Source (Book)||||Hommage aux pyramides|13338|Agam, Yaacov||artist|Yaacov Agam|0||||0|||||Israeli||||||||||||||0||||0||||0||||0|Multimedia works|Multimedia work||||20|||1969|1970||1969-1970|1969-1970|||||0||||0|||||Plexiglass and electronics|Plexiglas|||||Multimedia|||||27 x27 x 27 cm||3290|Private Collection|: Private Coll.||Pyramids (tombs)||||||||||Cornell||MNW|JNK|8/16/2004 0:00:00|8/12/2004 0:00:00|A2594|||0|||||||35|M||||||1969| ||||||||Work|0||||||||||||0|0|Hommage aux pyramides;Hommage to the Pyramids|Agam, Yaacov 2123.00|0|Creator|15|35|A2594-M|1969|3||Fire and Water Sculpture|Assigned|Image Source (Book)|||||||Fire and Water Sculpture|13338|Agam, Yaacov||artist|Yaacov Agam|0||||0|||||||||||||||||||0||||0||||0||||0|Multimedia works|Multimedia work|Sculpture|||20|||1969|1971||1969-1971|1969-1971|||||0||||0||||||water|fire||||Multimedia|sculpture||||||||||Fires||||||||||Cornell||MNW|MNW|8/12/2004 0:00:00|8/12/2004 0:00:00|A2594|||0|||||||35|M||||||1969|||||||||Work|0||A fountain that changes constantly, the hydraulic force producing a sculpture of water. At the same time it produces designs of water mixed with fire; the fire appears on top of the water. Popper||||||||||0|0|Fire and Water Sculpture|Agam, Yaacov 2124.00|0|Creator|15|35|C518-M|2002|1||Echoes of a Historical Photograph|Translated|Image Source (Book)|Lingchi|Assigned|Image Source (Book)||||Echoes of a Historical Photograph (Lingchi)|30246|Chen, Chieh-Jen||video artist|Chieh-Jen Chen|0||||0|||||Chinese||||||||Taiwan||||||0||||0||||0||||0|Video Art|Video art|Installation (Exhibition)|||21|||2002|2002||2002|2002-2002|||||0||||0|||||||||||video|Installations||||||9345|Taipei, Fine Arts Museum|Taipei: Fine Arts Museum||||||||||||Cornell||MNW|MNW|8/12/2004 0:00:00|8/12/2004 0:00:00|C518|||0|||||||35|M||||||2002| ||||||||Work|0||||||||||||0|0|Echoes of a Historical Photograph;Lingchi|Chen, Chieh-Jen 2125.00|0|Architect|03|MA-Yamasaki|6.1|1970-5 WTr/Reb||MA-Yamasaki 6.1 1970-5 WTr/Reb |Six preliminary Design Concepts forRebuilding the World Trade Center determined by the LMDC and the Port Authority|Assigned|Image Source (Book)|||||||World Trade Center. Six preliminary Design Concepts for Rebuilding Determined by the LMDC and the Port Authority|0|||||0||||0|||||American|||Post-1945|||||United States||||||0|New York, NY|||10060||||0||||0|Architecture|Model (Representation)||||21|||2002|2002||2002|2002-2002||World Trade Center|LargerEntity||1371||||0||||||||||||||||||||||Models (Representations); Skyscrapers||||||||||Cornell||JNK|MNW|3/29/2006 0:00:00|8/12/2004 0:00:00|Yamasaki|NYC||0||||||WTr/Reb|MA||||||6.1|1970-75|||||||||Work|0|Modern Architecture|||||||||||0|0|Six preliminary Design Concepts forRebuilding the World Trade Center determined by the LMDC and the Port Authority| 2126.00|0|Architect|03|MA-Wright|4.4|1956-59 Gugge||MA-Wright 4.4 1956-59 Gugge |Solomon R. Guggenheim Museum|Assigned|Image Source (Book)|||||||Solomon R. Guggenheim Museum|12943|Wright, Frank Lloyd||architect|Frank Lloyd Wright|0||||0|||||American|||Post-1945|Modernist||||United States||||||0|New York, NY|||10060||||0||||0|Architecture|Museum||||20|||1956|1959||1956-1959|1956-1959|||||0||||0||||||||||||||||||||||Museums ; |Museums|||||||||Cornell||JNK|MNW|5/16/2006 0:00:00|8/12/2004 0:00:00||NYC||0||||||1956-59 Gugge|MA||||||4.4||||||||||Work|0|Modern Architecture|||||||||||0|0|Solomon R. Guggenheim Museum|Wright, Frank Lloyd 2131.00|0|Architect|03|MA-LeCorb|1.0|1922 Por||MA-LeCorb 1.0 1922 Por |LeCorbusier|Assigned|Collection|||||||LeCorbusier|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Photographs|Portrait||||20|||1922|1922||1922|1922-1922|||||0||||0|||||Black and white photograph|photo paper|||||photography|||||||||||Le Corbusier, 1887-1965; Portraits||||||||||Cornell||JNK|MNW|8/26/2004 0:00:00|8/12/2004 0:00:00|LeCorb|||0|||||| Por|MA||||||1.0|1922|||||||||Work|0|Modern Architecture|||||||||||0|0|LeCorbusier| 2132.00|0|Architect|03|MA-LeCorb|1.0|1951 Por||MA-LeCorb 1.0 1951 Por |Le Corbusier at home with his collection. Boulogne|Assigned|Collection|||||||Le Corbusier at home with his collection. Boulogne|30247|Hervé, Lucien||photographer|Lucien Hervé|0||||0|||||French||||||||France||||||0||||0||||0||||0|Photographs|Portrait||||20|||1951|1951||1951|1951-1951|||||0||||0|||||Black and white photograph|photo paper|||||photography|||||||||||Le Corbusier, 1887-1965; Portraits||||||||||Cornell||JNK|JNK|8/12/2004 0:00:00|8/12/2004 0:00:00||||0||||||1951 Por|MA||||||1.0||||||||||Work|0|Modern Architecture|||||||||||0|0|Le Corbusier at home with his collection. Boulogne|Hervé, Lucien 2133.00|0|Architect|03|MA-LeCorb|1.0|Por||MA-LeCorb 1.0 Por|Portrait with Albert Einstein at Institute for Advanced Studies, Princeton, N.J.|Assigned|Collection|||||||Portrait with Albert Einstein at Institute for Advanced Studies, Princeton, N.J.|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|portraits|Documentary photograph|||20||||||||||||0||||0|||||Black and white photograph|photo paper|||||photography|||||||||||Le Corbusier, 1887-1965; Einstein, Albert, 1879-1955||||||||||Cornell||JNK|JNK|8/12/2004 0:00:00|8/12/2004 0:00:00|LeCorb|||0||||||Por|MA||||||1.0||||||||||Work|0|Modern Architecture|||||||||||0|0|Portrait with Albert Einstein at Institute for Advanced Studies, Princeton, N.J.| 2134.00|0|Architect|03|MA-LeCorb|1.0|Por||MA-LeCorb 1.0 Por |Portrait with Walter Gropius and Frau Gropius in a Paris café|Assigned|Collection|||||||Portrait with Walter Gropius and Frau Gropius in a Paris café|0|||||0||||0|||||French||||||||France||||||0||||0||||0||||0|Photographs|Portrait|Documentary photograph|||||||||||||||0||||0|||||Black and white photograph|photo paper|||||photography|||||||||||Le Corbusier, 1887-1965; Gropius, Walter, 1883-1969||||||||||Cornell||JNK|JNK|8/12/2004 0:00:00|8/12/2004 0:00:00|LeCorb|||0||||||Por|MA||||||1.0||||||||||Work|0|Modern Architecture|||||||||||0|0|Portrait with Walter Gropius and Frau Gropius in a Paris café| 2135.00|0|Site|02|B-H2|Par|2.31 1900 Expo|||Exposition Universelle de 1900|Artists|Dict.Art||||||||0|||||0||||0|||||French||||||||France||||||0||||0|Paris, France|||10058||||0|Architecture|Exhibition||||20|||1900|1900||1900|1900-1900|||||0||||0||||||||||||||||||||||Exhibitions||||||||||Cornell||MNW|MNW|8/12/2004 0:00:00|8/12/2004 0:00:00|||Par|0||||||1900 Expo|B|||||H2|2.31||||||||||Work|0|Architecture-France|||||||||||0|0|Exposition Universelle de 1900| 2136.00|0|Architect|03|MA-OMA|1.0|1972 Exo||MA-OMA 1.0 1972 Exo |Exodus or Voluntary Prisoners of Architecture,Project for London|Assigned|Collection|||||||Exodus or Voluntary Prisoners of Architecture,Project for London|28749|Office for Metropolitan Architecture||architectural firm|OMA|0||||0|||||||||||||||||||0||||0||||||||0||||||20|||1972|1972||1972|1972-1972|||||0||||0||||||||||||||||||||||Cityscapes; Prisoners; Urban planning||||||||||Cornell|||MNW|8/26/2004 0:00:00||OMA|||0||||||1972 Exo|MA||||||1.0|| ||||||||Work|0|Modern Architecture|||||||||||0|0|Exodus or Voluntary Prisoners of Architecture,Project for London|Office for Metropolitan Architecture 2137.00|0|Architect|03|MA-OMA|1.0|1972 Exo||MA-OMA 1.0 1972 Exo |Persp.: Reception Room|Assigned|Collection|||||||Exodus or Voluntary Prisoners of Architecture, project for London.Persp.: Reception Room|28749|Office for Metropolitan Architecture||architectural firm|OMA|0||||0|||||||||||||||||||0||||0||||0||||0|Architecture|Collage||||20|||1972|1972||1972|1972-1972||Exodus or Voluntary Prisoners of Architecture, project for London|Larger entity||2136||||0|||||Collage||||||collage|||||||9347|Paris,Groupe Pierre Ier|Paris: Groupe Pierre Ier||Cityscapes; Prisoners||||||||||Cornell||JNK|JNK|8/16/2004 0:00:00|8/12/2004 0:00:00||||0||||||1972 Exo|MA||||||1.0|| ||||||||Work|0|Modern Architecture|||||||||||0|0|Persp.: Reception Room|Office for Metropolitan Architecture 2138.00|0|Architect|03|MA-OMA|1.0|1972 Exo||MA-OMA 1.0 1972 Exo |Aerial View|Assigned|Collection|||||||Exodus or Voluntary Prisoners of Architecture, Project for London. Aerial View|28749|Office for Metropolitan Architecture||architectural firm|OMA|0||||0|||||||||||||||||||0||||0||||0||||0|Architecture|Collage||||20|||1972|1972||1972|1972-1972||Exodus or Voluntary Prisoners of Architecture,Project for London|Larger entity||2136||||0|||||Collage||||||collage|||||||||||Cityscapes; Urban planning||||||||||Cornell||JNK|MNW|8/26/2004 0:00:00|8/12/2004 0:00:00||||0||||||1972 Exo|MA||||||1.0||||||||||Work|0|Modern Architecture|||||||||||0|0|Aerial View|Office for Metropolitan Architecture 2139.00|0|Architect|03|MA-OMA|1.0|1978|Del||Delirious New York|Assigned|Collection|||||||Delirious New York|28749|Office for Metropolitan Architecture||architectural firm|OMA|0||||0|||||||||||||||||||0||||0||||0||||0|Architectural Theory|Publications||||20|||1978|1978||1978|1978-1978|||||0||||0||||||||||||||||||||||Architectural theory; Urban planning||||||||||Cornell|||MNW|8/26/2004 0:00:00||OMA|||0||||||Del|MA||||||1.0||||||||||Work|0|Modern Architecture|||||||||||0|0|Delirious New York|Office for Metropolitan Architecture 2144.00|0|Architect|03|MA-OMA|7.5|1984-91 Ava||MA-OMA 7.5 1984-91 Ava |Villa Dall'Ava|Assigned|Collection|||||||Villa Dall'Ava|28749|Office for Metropolitan Architecture||architectural firm|OMA|0||||0||||||||Post-1945|||||France||||||0|Saint-Cloud, France|||10253||||0||||0|Architecture|House||||20|||1984|1991||1984-1991|1984-1991|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK||8/13/2004 0:00:00|6/7/2005 0:00:00||StCl||0||||||1984-91 Ava|MA||||||7.5||||||||||Work|0|Modern Architecture|||||||||||0|0|Villa Dall'Ava|Office for Metropolitan Architecture 2145.00|0|Architect|03|MA-OMA|1.0|1978 Del||MA-OMA 1.0 1978 Del |City of the Captive Globe|Assigned|Collection|||||||Delirious New York. City of the Captive Globe|28749|Office for Metropolitan Architecture||architectural firm|OMA (Zoe Zenghelis)|13076|Zenghelis, Zoe||architect|0||||||||Post-1945|||||||||||0||||0||||0||||0|Architectural Theory|Drawing||||20|||1972|1972||1972|1972-1972||Delirious New York|Larger entity||2139||||0||||||||||||||||||9279|Frankfurt: Deutsches Architektur Museum|Frankfurt: DAM||Architectural theory; Urban planning||||||||||Cornell||JNK|MNW|11/3/2005 0:00:00|8/13/2004 0:00:00||||0||83/202||||1978 Del|MA||||||1.0|| ||||||||Work|0|Modern Architecture|Isometric by Zoe Zenghelis||||||||||0|0|City of the Captive Globe|Office for Metropolitan Architecture;Zenghelis, Zoe 2146.00|0|Architect|03|MA-OMA|1.0|1978 Del||MA-OMA 1.0 1978 Del |Cover Illustration, Flagrant délit, by Melon Vriesendorp|Assigned|Collection|||||||Delirious New York.Cover Illustration, Flagrant délit, by Melon Vriesendorp|28749|Office for Metropolitan Architecture||architectural firm|OMA (Madelon Vriesendorp)|12383|Vriesendorp, Madelon||artist|0||||||||Post-1945|||||||||||0||||0||||0||||0|Architectural Theory|Drawing|Illustration|||20|||1976|1976||1976|1976-1976||Delirious New York|||2139||||0||||||||||||||||||||||Architectural theory; Illustrations||||||||||Cornell||JNK|MNW|11/3/2005 0:00:00|8/13/2004 0:00:00||||0||||||1978 Del|MA||||||1.01||||||||||Work|0|Modern Architect|||||||||||0|0|Cover Illustration, Flagrant délit, by Melon Vriesendorp|Office for Metropolitan Architecture;Vriesendorp, Madelon 2147.00|0|Architect|03|MA-OMA|1.0|1978 Del||MA-OMA 1.0 1978 Del |Welfare Palace Hotel, project for New Welfare Island|Assigned|Collection|||||||Delirious New York.Welfare Palace Hotel, project for New Welfare Island|28749|Office for Metropolitan Architecture||architectural firm|OMA (Rem Koolhaas & Madelon Vriesendorp)|6460|Koolhaas, Rem||architect|12383|Vriesendorp, Madelon||artist|||||Post-1945|||||||||||0||||0||||0||||0|Architectural Theory|Painting|Gouache|||20|||1975|1975||1975|1975-1975||Delirious New York|||2139||||0|||||Gouache|gouache|||||painting (image-making)|||||||||||Architectural theory; Welfare buildings||||||||||Cornell||JNK|MNW|11/3/2005 0:00:00|8/13/2004 0:00:00||||0||||||1978 Del|MA||||||1.01||||||||||Work|0|Modern Architecture|||||||||||0|0|Welfare Palace Hotel, project for New Welfare Island|Office for Metropolitan Architecture;Koolhaas, Rem;Vriesendorp, Madelon 2148.00|0|Architect|03|MA-Gehry|4.4|1988|Smon|MA-Gehry 4.4 1988 Smon|Santa Monica Museum of Art|Assigned|Collection|||||||Santa Monica Museum of Art|4365|Gehry, Frank Owen||architect|Frank O. Gehry|0||||0|||||American|||Post-1945|||||United States||||||0|Santa Monica, CA|||10254||||0||||0|Architecture|Museum||||20|||1988|1988||1988|1988-1988|||||0||||0||||||||||||||||||||||Museums||||||||||Cornell||JNK|MNW|8/26/2004 0:00:00|8/13/2004 0:00:00||Smon||0|||||| SMon|MA||||||4.4|1988|||||||||Work|0|Modern Architecture|||||||||||0|0|Santa Monica Museum of Art|Gehry, Frank Owen 2149.00|0|Architect|03|MA-Gehry|4.4|1980|Mar|MA-Gehry 4.4 1980 Mar|Cabrillo Marine Museum|Assigned|Collection|||||||Cabrillo Marine Museum|4365|Gehry, Frank Owen||architect|Frank O. Gehry|0||||0|||||American|||Post-1945|||||United States||||||0|San Pedro, LA, CA|||10255||||0||||0|Architecture|Museum||||20|||1979|1980||1979-1980|1979-1980|||||0||||0||||||||||||||||||||||Museums||||||||||Cornell||JNK|MNW|8/26/2004 0:00:00|8/13/2004 0:00:00||S.Ped||0||||||Mar|MA||||||4.4|1980|||||||||Work|0|Modern Architecture|||||||||||0|0|Cabrillo Marine Museum|Gehry, Frank Owen 2150.00|0|Architect|03|MA-Gehry|4.4|1997-2000|Exp|MA-Gehry 4.4 1997-2000 Exp|Experience Music Project|Assigned|Collection|||||||Experience Music Project|4365|Gehry, Frank Owen||architect|Frank O. Gehry|0||||0|||||American|||Post-1945|||||United States||||||0|Seattle, WA|||10256||||0||||0|Architecture|Museum||||20|21||1997|2000||1997-2000|1997-2000|||||0||||0||||||||||||||||||||||Museums||||||||||Cornell||JNK|MNW|8/26/2004 0:00:00|8/13/2004 0:00:00||Sea||0||||||Exp|MA||||||4.4|1997-2000|||||||||Work|0|Modern Architecture|||||||||||0|0|Experience Music Project|Gehry, Frank Owen 2151.00|0|Architect|03|MA-Gehry|7.5|1978 Geh||MA-Gehry 7.5 1978 Geh |Gehry Residence|Assigned|Collection|||||||Gehry Residence|4365|Gehry, Frank Owen||architect|Frank O. Gehry|0||||0|||||American|||Post-1945|||||United States||||||0|Santa Monica, CA|||10254||||0||||0|Architecture|House||||20|||1978|1978||1978|1978-1978|||||0||||0||||||||||||||||||||||Houses||||||||||Cornell||JNK|JNK|8/13/2004 0:00:00|8/13/2004 0:00:00||Smon||0||||||1978 Geh|MA||||||7.5||||||||||Work|0|Modern Architecture|||||||||||0|0|Gehry Residence|Gehry, Frank Owen 2152.00|0|Architect|03|MA-Gehry|9.0|1980 ExpEd||MA-Gehry 9.0 1980 ExpEd |Experimental Edges Armchair|Assigned|Collection|||||||Experimental Edges Armchair|4365|Gehry, Frank Owen||architect|Frank O. 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Hypostyle Hall|0|||||0||||0|||||Egyptian|||Dynasty 19|||||Egypt||||||0|Karnak, Egypt|||10037||||0||||0|Architecture|Temple|Halls||BCE||||1275|1225|ca|ca 1275-1225 BCE|ca 1275-1225 BCE||Temple of Amon-Ra|LargerEntity||564||||0||||||||||||||||102 x 53 M||||||||||||||||Cornell||MNW|MNW|8/17/2004 0:00:00|8/16/2004 0:00:00||Kar||0||||||Amon/Hypo|B|||||M2|3.4||||||||||Work|0|Architecture-Egypt|||||||||||0|0|Hypostyle Hall| 2168.00|0|Category|08|O-Med.Con.|9.0|Manus.Source||O-Med.Con. 9.0 Manus.Source |Tower of Babel|Assigned|Collection|||||||Tower of Babel|0|||||0||||0||||||||Medieval|||||||||||0||||0||||0||||0|Manuscripts|Illumination (Layout feature)||||15|||1400|1499||15th C|1400-1499|||||0||||0|||||||||||illumination|||||||||||Towers; Babel, Tower of; Babylon; Construction||||||||||Cornell||JNK|MNW|8/26/2004 0:00:00|8/17/2004 0:00:00|Med.Con.|||0||||||Manus.Source|O||||||9.0||||||||||Work|0|Architecture-Theory|||||||||||0|0|Tower of Babel| 2169.00|0|Category|08|O-Med.Con.|9.0|Manus.Source||O-Med.Con. 9.0 Manus.Source |Manuscript illumination Showing Construction in Wood|Assigned|Collection|||||||Manuscript illumination Showing Construction in Wood|0|||||0||||0||||||||Medieval|||||||||||0||||0||||0||||0|Manuscripts|Illumination (Layout feature)||||||||||||||||0||||0|||||Illumination||||||illumination|||||||||||Construction||||||||||Cornell||JNK|MNW|8/26/2004 0:00:00|8/17/2004 0:00:00|Med.Con.|||0||||||Manus.Source|O||||||9.0||||||||||Work|0|Architecture-Theory|||||||||||0|0|Manuscript illumination Showing Construction in Wood| 2170.00|0|Creator|08|O-MedCosmol|1.0|ManusSoruce||O-MedCosmol 1.0 ManusSoruce |Bible Moralisée, Codex vindobonensis 2554|Assigned|Repository|||||||Bible Moralisée, Codex vindobonensis 2554|0|||||0||||0|||||French|||Medieval|||||France||||||0||||0||||0||||0|Manuscripts|Manuscript||||13|||1220|1230||1220-1230|1220-1230|||||0||||0||||||||||||||||||3903|Vienna,Osterreichische Nationalbibliothek|Vienna: Oster. 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Students Rushing Drawings to École in a Charette|2489|Collens, Charles||architect|Charles Collens|0||||0|||||American|||Post-1945|||||United States||||||0|Paris, France|||10058||||0||||0|Cartoon|Cartoon (Humorous image)||||20|||1947|1947||1947|1947-1947||École des Beaux-Arts|LargerEntity||2025||||0|||||Drawing||||||drawing (image-making)|||||||||||Students; Architects; Charettes||||||||||Cornell||JNK|MNW|3/29/2006 0:00:00|8/17/2004 0:00:00||Par||0||||||Beaux|B|||||H2|4.2||||||||||Work|0|Architecture-France|||||||||||0|0|Students rushing drawings to École in a charette|Collens, Charles 2176.00|0|Site|02|B-H2|Par|4.2 Beaux||B-H2 Par 4.2 Beaux |Students Registering Drawings in Salle Melpomene at the École des Beaux-Arts|Assigned|Collection|||||||École des Beaux-Arts. Students Registering Drawings in Salle Melpomene at the École des Beaux-Arts|0|||||0||||0||||||||Beaux-Arts|||||||||||0|Paris, France|||10058||||0||||0|Drawings|Drawing|||||||||||||École des Beaux-Arts|LargerEntity||2025||||0|||||Drawing||||||drawing (image-making)|||||||||||Students; Ecole des Beaux-Arts (Paris, France); Architects||||||||||Cornell||JNK|MNW|3/29/2006 0:00:00|8/17/2004 0:00:00||Par||0||||||Beaux|B|||||H2|4.2||||||||||Work|0|Architecture-France|||||||||||0|0|Students Registering Drawings in Salle Melpomene at the École des Beaux-Arts| 2177.00|0|Site|02|B-M2|Egy|1.011 Nile|1||Map of the Nile Valley, Egypt|Collective Title|Cataloger|||||||Map of the Nile Valley, Egypt|0|||||0||||0|||||||||||||||||||0||||0||||0||||0||||||20||||||||||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|8/17/2004 0:00:00|8/17/2004 0:00:00||Egy||0||||||Nile|B|||||M2|1.011||||||||||Work|0|Architecture-Egypt|||||||||||0|0|Map of the Nile Valley, Egypt| 2178.00|0|Site|02|B-H2|Par|4.2 Beaux||B-H2 Par 4.2 Beaux |Palais des Études|Assigned|Collection|||||||École des Beaux-Arts. Palais des Études|3322|Duban, Felix Louis Jacques||architect|Felix Louis Jacques Duban|0||||0|||||French|||Beaux-Arts|||||France||||||0|Paris, France|||10058||||0||||0|architecutre|University|School|||19|||1839|1839||1839-1839|1839-1839||École des Beaux-Arts|LargerEntity||2025||||0||||||||||||||||||||||Ecole des Beaux-Arts (Paris, France); Universities||||||||||Cornell||JNK|MNW|3/29/2006 0:00:00|8/17/2004 0:00:00||Par||0||||||Beaux|B|||||H2|4.2||||||||||Work|0|Architecture-France|||||||||||0|0|Palais des Études|Duban, Felix Louis Jacques 2179.00|0|Site|02|B-H2|Par|4.2 Beaux||B-H2 Par 4.2 Beaux |Salle Melpomène|Assigned|Collection|||||||École des Beaux-Arts. Salle Melpomène|3322|Duban, Felix Louis Jacques||architect|Felix Louis Jacques Duban|0||||0|||||French|||Beaux-Arts|||||France||||||0|Paris, France|||10058||||0||||0|Architecture|University|School|||19|||1832|1864||1832-1864|1832-1864||École des Beaux-Arts|LargerEntity||2025||||0||||||||||||||||||||||Universities; Ecole des Beaux-Arts (Paris, France); Exhibition buildings||||||||||Cornell||JNK|MNW|3/29/2006 0:00:00|8/17/2004 0:00:00||Par||0||||||Beaux|B|||||H2|4.2||||||||||Work|0|Architecture-France|||||||||||0|0|Salle Melpomène|Duban, Felix Louis Jacques 2180.00|0|Creator|08|O-Boullée|3.3|Tur|4b-1|O-Boullée 3.3 Tur 4b-1|Centotaph for Turenne|Assigned|Image Source (Book)|||||||Architecture, Essai sur l'art. Centotaph for Turenne|1446|Boullée, Étienne-Louis||architect|Étienne-Louis Boullée|0||||0|||||French||||||||France||||||0||||0||||0||||0|Architecture|Drawing|Tomb|||18|||1785|1799|ca|ca 1785-1799|ca 1785-1799||Architecture, Essai sur l'art|Manuscript||2182||||0||||||||||||||||||3655|Paris,Bibliotheque Nationale|Paris: Bib. Nat.||Cenotaphs ; |Cenotaphs|||||||||Cornell||MNW|JNK|8/1/2006 0:00:00|8/17/2004 0:00:00|Boullée|||0||||||Tur|O||||||3.3|| ||||||||Work|0||Project||||||||||0|0|Centotaph for Turenne|Boullée, Étienne-Louis 2181.00|0|Site|02|B-h2|par|4.2 Beaux||B-H2 par 4.2 Beaux|Students in an Atelier at the École des Beaux-Arts|Assigned|Collection|||||||École des Beaux-Arts. Students in an Atelier at the École des Beaux-Arts|0|||||0||||0|||||French|||Beaux-Arts|||||France||||||0|Paris, France|||10058||||0||||0|Photographs|Documentary photograph|||||||||||||École des Beaux-Arts|LargerEntity||2025||||0|||||Black and white photograph||||||photography|||||||||||Studios (Work Spaces); Ecole des Beaux-Arts (Paris, France); Students||||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|8/17/2004 0:00:00||Par||0||||||Beaux|B|||||H2|4.2||||||||||Work|0|Architecture-France|||||||||||0|0|Students in an Atelier at the École des Beaux-Arts| 2182.00|0|Creator|08||||||Architecture, Essai sur l'art|Artists|Print Publication|||||||Architecture, Essai sur l'art|1446|Boullée, Étienne-Louis||architect|Étienne-Louis Boullée|0||||0|||||French||||||||France||||||0||||0||||0||||0|Manuscripts|Manuscript||||18|||1785|1799|ca|ca 1785-1799|ca 1785-1799|||||0||||0||||||||||||||||||3655|Paris,Bibliotheque Nationale|Paris: Bib. Nat.||||||||||||Cornell||MNW|MNW|8/17/2004 0:00:00|8/17/2004 0:00:00||||0||9153||||||||||||| ||||||||Work|0||This treatise was first published in 1953.||||||||||0|0|Architecture, Essai sur l'art|Boullée, Étienne-Louis 2183.00|0|Architect|03|MA-Bauhaus|4.2|Curriculum||MA-Bauhaus 4.2 Curriculum |Seven Biotechnical Elements|Assigned|Collection|||||||Seven Biotechnical Elements|0|||||0||||0|||||German|||Bauhaus|||||Germany||||||0||||0||||0||||0|Drawings|Drawing||||20||||||||||||0||||0||||||||||||||||||||||Curricula||||||||||Cornell||JNK|MNW|8/26/2004 0:00:00|8/17/2004 0:00:00|Bauhaus|||0||||||Curriculum|MA||||||4.2||||||||||Work|0|Modern Architecture-Bauhaus|||||||||||0|0|Seven Biotechnical Elements| 2184.00|0|Architect|03|MA-Bauhaus|4.2|Curr|||Concept & Structure of the Bauhaus|Assigned|Collection|||||||Concept & Structure of the Bauhaus|6335|Klee, Paul|||Paul Klee|0||||0|||||German|||Bauhaus|||||Germany||||||0||||0||||0||||0|Drawings|Drawing||||20|||1922|1922||1922|1922-1922|||||0||||0|||||Pen and ink|pen|ink||||drawing (image-making)|||||||9350|Darmstadt,Private Collection|Darmstadt: Private Collection||Diagrams; Bauhaus||||||||||Cornell||JNK|JNK|8/17/2004 0:00:00|8/17/2004 0:00:00|Bauhaus|||0||||||Curr|MA||||||4.3|| ||||||||Work|0|Modern Architecture-Bauhaus|||||||||||0|0|Concept & Structure of the Bauhaus|Klee, Paul 2185.00|0|Architect|03|MA-Bauhaus|4.2|Docum||MA-Bauhaus 4.2 Docum |Oskar Schlemmer & Joseph Hartwig working on a relief sculpture at Weimar|Assigned|Collection|||||||Oskar Schlemmer & Joseph Hartwig working on a relief sculpture at Weimar|0|||||0||||0|||||German|||Bauhaus|||||Germany||||||0||||0||||0||||0|Photographs|Documentary photograph|Portrait|||20|||1922|1922|ca|ca 1922|ca 1922-1922|||||0||||0|||||Black and white photograph||||||photography|||||||||||Bauhaus; Studios (Work Spaces); Schlemmer, Oskar, 1888-1943||||||||||Cornell||JNK|MNW|8/26/2004 0:00:00|8/17/2004 0:00:00|Bauhaus|||0||||||Docum|MA||||||4.2||||||||||Work|0|Modern Architecture-Bauhaus|||||||||||0|0|Oskar Schlemmer & Joseph Hartwig working on a relief sculpture at Weimar| 2186.00|0|Creator|08|O-Boullée|3.3|Tur|3-1|O-Boullée 3.3 Tur 3-1|Centotaph for Turenne|Assigned|Image Source (Book)|||||||Architecture, Essai sur l'art. Centotaph for Turenne|1446|Boullée, Étienne-Louis||architect|Étienne-Louis Boullée|0||||0|||||French||||||||France||||||0||||0||||0||||0|Architecture|Drawing|Tomb|||18|||1785|1799|ca|ca 1785-1799|ca 1785-1799||Architecture, Essai sur l'art|Manuscript||2182||||0||||||||||||||||||3655|Paris,Bibliotheque Nationale|Paris: Bib. Nat.||Cenotaphs ; |Cenotaphs|||||||||Cornell||MNW|JNK|8/1/2006 0:00:00|8/17/2004 0:00:00|Boullée|||0||HA 57, no. 14||||Tur|O||||||3.3|| ||||||||Work|0||Project.||||||||||0|0|Centotaph for Turenne|Boullée, Étienne-Louis 2187.00|0|Creator|08|0-Boullée|3.3|Tur|2-1|0-Boullée 3.3 Tur 2-1|Centotaph for Turenne|Assigned|Image Source (Book)|||||||Architecture, Essai sur l'art. Centotaph for Turenne|1446|Boullée, Étienne-Louis||architect|Étienne-Louis Boullée|0||||0|||||French||||||||France||||||0||||0||||0||||0|Architecture|Drawing|Tomb|||18|||1785|1799|ca|ca 1785-1799|ca 1785-1799||Architecture, Essai sur l'art|||2182||||0||||||||||||||||||3655|Paris,Bibliotheque Nationale|Paris: Bib. Nat.||Cenotaphs ; |Cenotaphs|||||||||Cornell||MNW|JNK|8/1/2006 0:00:00|8/17/2004 0:00:00|Boullée|||0||HA 57, no. 13||||Tur|0||||||3.3|| ||||||||Work|0||Project.||||||||||0|0|Centotaph for Turenne|Boullée, Étienne-Louis 2188.00|0|Creator|08|0-Boullée|3.3|Cone|4b-1|0-Boullée 3.3 Cone 4b-1|Centotaph (in the Shape of a Truncated Cone)|Assigned|Image Source (Book)|||||||Architecture, Essai sur l'art. Centotaph (in the Shape of a Truncated Cone)|1446|Boullée, Étienne-Louis||architect|Étienne-Louis Boullée|0||||0|||||French||||||||France||||||0||||0||||0||||0|Architecture|Drawing|Tomb|||18|||1785|1799|ca|ca 1785-1799|ca 1785-1799||Architecture, Essai sur l'art|||2182||||0||||||||||||||||||3655|Paris,Bibliotheque Nationale|Paris: Bib. Nat.||Cenotaphs ; |Cenotaphs|||||||||Cornell||MNW|JNK|8/1/2006 0:00:00|8/17/2004 0:00:00|Boullée|||0||HA 57, no. 20||||Cone|0||||||3.3|| ||||||||Work|0||Project.||||||||||0|0|Centotaph (in the Shape of a Truncated Cone)|Boullée, Étienne-Louis 2189.00|0|Site|02|B-H2|Par|2.31 1889||B-H2 Par 2.31 1889 |Exposition Universelle de 1889|Descriptive|Dict.Art|||||||Exposition Universelle de 1889|0|||||0||||0|||||French||||||||France||||||0||||0|Paris, France|||10058||||0|Architecture|Exhibiton||||19|||1889|1889||1889|1889-1889|||||0||||0||||||||||||||||||||||Exhibitions||||||||||Cornell||MNW|MNW|8/17/2004 0:00:00|8/17/2004 0:00:00|||Par|0||||||1889|B|||||H2|2.31||||||||||Work|0|Architecture-France|||||||||||0|0|Exposition Universelle de 1889| 2190.00|0|Site|02|B-H2|Par|2.31 1889/Hum|2||Egyptian House|Descriptive|Image Source (Book)|||||||Exposition Universelle de 1889. Egyptian House|4321|Garnier, Charles||architect|Charles Garnier|0||||0|||||French||||||||France||||||0||||0|Paris, France|||10058||||0|Architecture|Exhibit building|House|||19|||1889|1889||1889|1889-1889||Exposition Universelle de 1889|||2189||||0|Garnier, Charles, 1825-1898. L'habitation humaine, 1892|||||||||||||||||||||Egypt||||||||||Cornell||MNW|MNW|8/17/2004 0:00:00|8/17/2004 0:00:00|||Par|0||||||1889/Hum|B|||||H2|2.31||||||||||Work|0||Published in Charles Garnier's L'habitation humaine, 1892.||||||||||0|0|Egyptian House|Garnier, Charles 2191.00|0|Site|02|B-B44|Nash|3.1 1stPres||B-B44 Nash 3.1 1stPres |First Presbyterian Church|Collective Title|Image Source (Book)|||||||First Presbyterian Church|11449|Strickland, William||architect|William Strickland|0||||0|||||American||||||||United States||||||0|Nashville, TN|||10258||||0||||0|Architecture|Church||||19|||1848|1851||1848-1851|1848-1851|||||0||||0||||||||||||||||||||||Churches||||||||||Cornell||MNW|JNK|8/4/2006 0:00:00|8/17/2004 0:00:00||Nash||0||||||1stPres|B|||||B44|3.1||||||||||Work|0|Architecture-Tennessee (TN)|||||||||||0|0|First Presbyterian Church|Strickland, William 2192.00|0|Site|02|B-H3|Rom|1.31 Min|7-|B-H3 Rom 1.31 Min 7-|Elephant Bearing an Obelisk|Descriptive|Dict.Art|||||||Elephant Bearing an Obelisk|1103|Bernini, Gian Lorenzo||architect|Gian Lorenzo Bernini|0||||0|||||Italian|||Baroque|||||Italy||||||0|Piazza S Maria sopra Minerva, Rome, Italy|||10259||||0||||0|Sculpture|Monument||||17|||1667|1667||1667|1667-1667|||||0||||0|||||||||||sculpture|||||||||||||||||||||Cornell||MNW|MNW|8/29/2004 0:00:00|8/17/2004 0:00:00||Rom||0||||||Min|B|||||H3|1.31||||||||||Work|0|Architecture-Italy|Executed by Ercole Ferrata. The obelisk was originally part of the Iseum Campense (Temple of Isis) in the Campus Martius.||||||||||0|0|Elephant Bearing an Obelisk|Bernini, Gian Lorenzo 2193.00|0|Architect|03|MA-Bauhaus|4.2|Documentation||MA-Bauhaus 4.2 Documentation |Photograph of Teaching Staff in 1926|Assigned|Collection|||||||Photograph of Teaching Staff in 1926|0|||||0||||0|||||German|||Bauhaus|||||Germany||||||0||||0||||0||||0|Photographs|Documentary photograph|Portrait|||20|||1926|1926||1926|1926-1926|||||0||||0|||||Black and white photograph||||||photography|||||||||||Albers, Josef, 1888-1976; Scheper, Hinnerk, 1897-1957; Muche, Georg, 1895-1987; Moholy-Nagy, Laszlo, 1894-1946; Bayer, Herbert, 1900-1985; Schmidt, Joost, 1893-1948; Gropius, Walter, 1883-1969; Breuer, Marcel, 1902-1981; Kandinsky, Vassily, 1866-1944; Klee, Paul, 1879-1940; Feininger, Lyonel, 1871-1956; Stölzl, Gunta, 1897-1983; Schlemmer, Oskar, 1888-1943||||||||||Cornell||JNK|MNW|8/26/2004 0:00:00|8/18/2004 0:00:00|Bauhaus|||0||||||Documentation|MA||||||4.2||||||||||Work|0|Modern Architecture - Bauhaus|||||||||||0|0|Photograph of Teaching Staff in 1926| 2194.00|0|Category|07|R-07|Portland|||R-07 Portland |Portland Vase|||||||||Portland Vase|0|||||0||||0|||||Roman||||||||Italy||||||0||||0||||0||||0|Glass|Vase||||1|||1|25||Early 1st century|1-25|||||0||||0|||||Blue & white cameo glass, faux sardonyx|cameo glass|sardonyx|||||||||24.5 cm hight||1513|London,British Museum of Natural History|London: Brit. Mus. Nat. Hist.||||||||||||Cornell||MNW|MNW|8/18/2004 0:00:00|8/18/2004 0:00:00||||0||||||Portland|R|||||07||| ||||||||Work|0|Glass & Enamels-|||||||||||0|0|Portland Vase| 2195.00|0|Architect|03|MA-Bauhaus|4.2|Docum||MA-Bauhaus 4.2 Documentation |View of Pottery Workshop. Max Krehan with apprentices|Assigned|Collection|||||||View of Pottery Workshop. Max Krehan with apprentices|0|||||0||||0|||||German|||Bauhaus|||||Germany||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1924|1924||1924|1924-1924|||||0||||0|||||Black and white photograph||||||photography|||||||||||Studios (Work Spaces); Krehan, Max; Students||||||||||Cornell||JNK|MNW|8/26/2004 0:00:00|8/18/2004 0:00:00|Bauhaus|||0||||||Docum|MA||||||4.2||||||||||Work|0|Modern Architecture-Bauhaus|||||||||||0|0|View of Pottery Workshop. Max Krehan with apprentices| 2196.00|0|Architect|03|MA-Bauhaus|4.2|Docum||MA-Bauhaus 4.2 Docum |Cartoon from a Newspaper, "Ein Ehepaar aus Weimar mit seinem Goethe vor dem Bauhaus Dessau"|Assigned|Collection|||||||Cartoon from a Newspaper, "Ein Ehepaar aus Weimar mit seinem Goethe vor dem Bauhaus Dessau"|0|||||0||||0|||||German|||Bauhaus|||||Germany||||||0||||0||||0||||0|Cartoon|Cartoon (Humorous image)||||20|||1926|1927||1926-1927|1926-1927|||||0||||0|||||Cartoon|||||||||||||||||Bauhaus||||||||||Cornell||JNK|MNW|8/26/2004 0:00:00|8/18/2004 0:00:00|Bauhaus|||0||||||Docum|MA||||||4.2||||||||||Work|0|Modern Architecture-Bauhaus|||||||||||0|0|Cartoon from a Newspaper, "Ein Ehepaar aus Weimar mit seinem Goethe vor dem Bauhaus Dessau"| 2197.00|0|Architect|03|MA-Bauhaus|4.2|Docum||MA-Bauhaus 4.2 Docum |Dragon Festival of Bauhaus People. Weimar|Assigned|Collection|||||||Dragon Festival of Bauhaus People. Weimar|0|||||0||||0|||||German|||Bauhaus|||||Germany||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1922|1922||1922|1922-1922|||||||||0|||||Black and white photograph||||||photography|||||||||||Bauhaus; Festivals; Dragons||||||||||Cornell||JNK|MNW|8/26/2004 0:00:00|8/18/2004 0:00:00|Bauhaus|||0||||||Docum|MA||||||4.2||||||||||Work|0|Modern Architecture-Bauhaus|||||||||||0|0|Dragon Festival of Bauhaus People. Weimar| 2198.00|0|Architect|03|MA-Bauhaus|4.2|Curr|5||Curriculum of the Bauhaus. From "Idee und Aufbau des Staadlichen Bauhauses Weimar."|Assigned|Collection|||||||Bauhaus. Curriculum of the Bauhaus. From "Idee und Aufbau des Staadlichen Bauhauses Weimar."|4839|Gropius, Walter Adolf||architect|Walter Adolf Gropius|0||||0|||||German|||Bauhaus|||||Germany||||||0||||0||||0||||0|Drawings|Drawing||||20|||||||||Bauhaus|LargerEntity||605||||0|||||||||||drawing (image-making)|||||||||||Diagrams; Bauhaus; Curricula||||||||||Cornell||JNK|MNW|3/29/2006 0:00:00|8/18/2004 0:00:00||||0||||||Curr|MA||||||4.2||||||||||Work|0|Modern Architecture-Bauhaus|||||||||||0|0|Curriculum of the Bauhaus. From "Idee und Aufbau des Staadlichen Bauhauses Weimar."|Gropius, Walter Adolf 2199.00|0|Creator|15||||||Chapel of Eleonora di Toledo|Assigned|Collection|||||||Palazzo Vecchio. Chapel of Eleonora di Toledo|1621|Bronzino, Agnolo||painter|Agnolo Bronzino|0||||0|||||Italian|||Renaissance|||||Italy||||||0|Florence, Italy|||9985||||0||||0|Paintings|Fresco||||16|||1540|1546||1540-1546|1540-1546||Palazzo Vecchio|LargerEntity||2201||||0|||||Fresco|fresco|||||fresco painting|||||||880|Florence,Palazzo Vecchio(Palazzo della Signoria)|Florence: Pal. Vecchio||Old Testament; New Testament||||||||||Cornell||MNW|JNK|8/18/2004 0:00:00|3/29/2006 0:00:00||Flo||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Chapel of Eleonora di Toledo|Bronzino, Agnolo 2200.00|0|Site|02|B-H3|Flo|3.1 OrSanMic||B-H3 Flo 3.1 OrSanMic |Orsanmichele|Descriptive|Dict.Art|Or San Michele|Assigned|Collection||||Orsanmichele|0|||||0||||0|||||Florentine|Italian||Medieval|Early Renaissance||||Italy||||||0|Florence, Italy|||9985||||0||||0|Architecture|Church|Market (building)|Granary||14|||1337|1380||1337; completed, 1367-1380|1337-1380|||||0||||0||||||||||||||||||||||Churches ; Markets (buildings) ; Granaries ; Battlements ; Cornices ; Coupled windows ; Tracery ; Tripartite windows ; Arches|Churches|Markets (buildings)|Granaries|Battlements|Cornices|Coupled windows|Tracery|Tripartite windows|Arches|Cornell||JNK|JNK|8/1/2006 0:00:00|8/18/2004 0:00:00||Flo||0||||||OrSanMic|B|||||H3|3.1||||||||||Work|0|Architecture-Italy|Originally built as a granary. Vasari attributed the deisgn to Taddeo Gaddi; others to Andrea Orcagna, Neri Fioravanti and Benci di Cione, Andrea Pisano, Francesco Talenti, and Maso di Banco. Of these Andrea Pisano remains the most likely candidate.|Work notes from "Orsanmichele a Firenze."||Completed, 1367-1380.|||||||0|0|Orsanmichele;Or San Michele| 2201.00|0|Site|02|B-H3|Flo|2.41 Vec||B-H3 Flo 2.41 Vec |Palazzo Vecchio|Assigned|Blue Guide|||||||Palazzo Vecchio|509|Arnolfo di Cambio|attributed to|architect|Arnolfo di Cambio, attributed to|0||||0|||||Florentine|Italian||Medieval|||||Italy||||||0|Florence, Italy|||9985||||0||||0|Architecture|Public building|Government office building|||13|14||1298|1314||1298-1314|1298-1314|||||0||||0||||||||||||||||||||||Public buildings ; Government office buildings ; |Public buildings|Government office buildings||||||||Cornell||MNW|MNW|11/9/2005 0:00:00|11/9/2005 0:00:00||Flo||0||||||Vec|B|||||H3|2.41||||||||||Work|0|Architecture-Italy|The orginal design is traditionally attributed to Arnolfo di Cambio. The Salone dei Cinquecento is dated 1563-1565; the Sala dei Duecento, 1472-1477.|||The Salone dei Cinquecento is dated 1563-1565; the Sala dei Duecento, 1472-1477.|||||||0|0||Arnolfo di Cambio 2202.00|0|Site|02|B-H3|Pom|9.0 Det|2||Dead in Pompeii|Assigned|Image Source (Book)|||||||Dead in Pompeii|30251|Flinn, Michael||photographer|Michael Flinn|0||||0|||||Roman||||||||Italy||||||0|Pompeii, Italy|||10133|Pompeii, Italy|||10133||||0|Photographs|Slide (photograph)||||1|||79|79|ca|ca 79|ca 79-79|||||0||||0||||||||||||||||||||||Deaths; Corpses||||||||||Cornell||MNW|CLL|9/17/2004 0:00:00|8/18/2004 0:00:00||Pom|Pom|0||||||Det|B|||||H3|9.0||||||||||Work|0|Architecture-Italy|||||||||||0|0|Dead in Pompeii|Flinn, Michael 2203.00|0|Site|02|B-G1|Lon|6.5 Ban||B-G1 Lon 6.5 Ban |Bank of England|Descriptive|Image Source (Book)|||||||Bank of England|11121|Soane, John, Sir||architect|Sir John Soane|0||||0|||||British||||||||England||||||0|London, England|||10018||||0||||0|Architecture|Bank (Building)||||18|19||1788|1833||1788-1833|1788-1833|||||0||||0||||||||||||||||||||||Banks (buildings)||||||||||Cornell||MNW|MNW|8/18/2004 0:00:00|8/18/2004 0:00:00||Lon||0||||||Ban|B|||||G1|6.5||||||||||Work|0|Architecture-England|||||||||||0|0|Bank of England|Soane, John, Sir 2204.00|0|Site|02|B-G1|Lon|6.5 Ban|1-3|B-G1 Lon 6.5 Ban 1-3|Bank of England: Survey of Ground Floor as Existing, 1924|Inscribed|Image Source (Book)|||||||Bank of England. Bank of England: Survey of Ground Floor as Existing, 1924|30252|Troup, Francis William||architect|Francis William Troup|0||||0|||||British||||||||England||||||0||||||||0||||0|Drawings|Plans (drawings)||||20|||1924|1924|ca|ca 1924|ca 1924-1924||Bank of England|LargerEntity||2203||||0|||||||||||drawing (image-making)|||||||||||Banks (buildings); Bank of England, London, England||||||||||Cornell||MNW|MNW|3/31/2006 0:00:00|8/18/2004 0:00:00||Lon||0||||||Ban|B|||||G1|6.5||||||||||Work|0|Architecture-England|||||||||||0|0|Bank of England: Survey of Ground Floor as Existing, 1924|Troup, Francis William 2205.00|0|Site|02|B-G1|Lon|6.5 Ban|4-20||Bird's-eye Cut-away View of the Bank of England as Completed by Soane in 1830|Descriptive|Image Source (Book)|||||||Bank of England. Bird's-eye Cut-away View as Completed by Soane in 1830|4292|Gandy, Joseph Michael||architect|Joseph Michael Gandy|0||||0|||||British||||||||England||||||0||||0||||0||||0|Watercolors|Watercolor||||19|||1830|1830||1830|1830-1830||Bank of England|LargerEntity||2203||||0|||||||||||painting (image-making)|||||||3710|London, Sir John Soane’s Museum|London: John Soane's Mus.||Banks (buildings); Bank of England, London, England||||||||||Cornell||MNW|MNW|10/6/2004 0:00:00|8/18/2004 0:00:00||Lon||0||||||Ban|B|||||G1|6.5|| ||||||||Work|0||||||||||||0|0|Bird's-eye Cut-away View of the Bank of England as Completed by Soane in 1830|Gandy, Joseph Michael 2206.00|0|Site|02|B-G1|Lon|6.5 Ban|4b-18|B-G1 Lon 6.5 Ban 4b-18|Design for 3% Consols Office: Interior Perspective|Repository|Image Source (Book)|||||||Consols Office. Design for 3% Consols Office: Interior Perspective|11121|Soane, John, Sir||architect|Sir John Soane|0||||0|||||British||||||||England||||||0||||0||||0||||0|Watercolors|Watercolor||||18|||1799|1799||1799|1799-1799||Consols Office|LargerEntity||2219||||0|||||Watercolor|watercolors|watercolor paper||||painting (image-making)|||||45.5 x 60.5 cm||4468|London,Royal Institute of British Architects|London: RIBA||Bank of England, London, England; Banks (buildings)||||||||||Cornell||MNW|MNW|3/31/2006 0:00:00|8/18/2004 0:00:00||Lon||0||||||Ban|B|||||G1|6.5|| ||||||||Work|0|Architecture-England|||||||||||0|0|Design for 3% Consols Office: Interior Perspective|Soane, John, Sir 2207.00|0|Site|02|B-H3|Flo|3.1 S.Lor||B-H3 Flo 3.1 S.Lor |Room of Cosimo the Elder|Assigned|Collection|||||||Room of Cosimo the Elder|12175|Vasari, Giorgio||architect|Giorgio Vasari|0||||0|||||Florentine|Italian||Mannerist|||||Italy||||||0|Florence, Italy|||9985||||0||||0|Paintings|Fresco||||16|||1556|1556||1556|1556-1556|||||0||||0|||||Fresco|fresco|||||painting (image-making)|||||||880|Florence,Palazzo Vecchio(Palazzo della Signoria)|Florence: Pal. Vecchio||Medici, Cosimo de' (Cosimo il Vecchio)||||||||||Cornell|||JNK|8/18/2004 0:00:00|||Flo||0||||||S.Lor|B|||||H3|3.1|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Room of Cosimo the Elder|Vasari, Giorgio 2208.00|0|Site|02|B-H3|Flo|3.1 S.Lor||B-H3 Flo 3.1 S.Lor |Brunelleschi and Ghiberti Presenting their Model of San Lorenzo to Cosimo the Elder|Assigned|Collection|||||||Room of Cosimo the Elder. Brunelleschi and Ghiberti Presenting their Model of San Lorenzo to Cosimo the Elder|12175|Vasari, Giorgio||architect|Giorgio Vasari|0||||0|||||Florentine|Italian||Mannerist|||||Italy||||||0|Florence, Italy|||9985||||0||||0|Paintings|Fresco||||16|||1556|1556||1556|1556-1556||Room of Cosimo the Elder|LargerEntity||2207||||0|||||Fresco.|fresco|||||painting (image-making)|||||||880|Florence,Palazzo Vecchio(Palazzo della Signoria)|Florence: Pal. Vecchio||Medici, Cosimo de' (Cosimo il Vecchio); Ghiberti, Lorenzo; Brunelleschi, Filippo; San Lorenzo||||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|8/18/2004 0:00:00||Flo||0||||||S.Lor|B|||||H3|3.1|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Brunelleschi and Ghiberti Presenting their Model of San Lorenzo to Cosimo the Elder|Vasari, Giorgio 2209.00|0|Site|02||||||Entrance Wall|Assigned|Collection|||||||Chapel of Eleonora di Toledo. Entrance Wall.|1621|Bronzino, Agnolo||painter|Agnolo Bronzino|0||||0|||||Florentine|Italian||Mannerist|||||Italy||||||0|Florence, Italy|||0||||0||||0|Paintings|Fresco||||16|||1540|1546||1540-1546|1540-1546||Chapel of Eleonora di Toledo|LargerEntity||2199||||0|||||Fresco|fresco|||||painting (image-making)|fresco painting||||490 x 385 cm (192.9 x 151.6 in)||880|Florence,Palazzo Vecchio(Palazzo della Signoria)|Florence: Pal. Vecchio||Moses; Old Testament; Animals; Nudes; Serpents||||||||||Cornell||MNW|JNK|8/18/2004 0:00:00|3/31/2006 0:00:00||||0||||||||||||||| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Entrance Wall|Bronzino, Agnolo 2210.00|0|Site|02||||||Right Wall|Assigned|Collection|||||||Chapel of Eleonora di Toledo. Right Wall|1621|Bronzino, Agnolo||painter|Agnolo Bronzino|0||||0|||||Florentine|Italian||Mannerist|||||Italy||||||0|Florence, Italy|||0||||0||||0|Paintings|Fresco||||16|||1540|1546||1540-1546|1540-1546||Chapel of Eleonora di Toledo|LargerEntity||2199||||0|||||Fresco|fresco|||||fresco painting|||||490 x 385 cm (192.9 x 151.6 in)||880|Florence,Palazzo Vecchio(Palazzo della Signoria)|Florence: Pal. Vecchio||Joshua; Moses; Red Sea; Old Testament; Landscapes; Nudes||||||||||Cornell||MNW|JNK|8/18/2004 0:00:00|3/31/2006 0:00:00||||0||||||||||||||| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Right Wall|Bronzino, Agnolo 2211.00|0|Site|02||||||Vault|Assigned|Collection|||||||Chapel of Eleonora di Toledo.Vault|1621|Bronzino, Agnolo||painter|Agnolo Bronzino|0||||0|||||Florentine|Italian||Mannerist|||||Italy||||||0|Florence, Italy|||0||||0||||0||||||16|||1540|1546||1540-1546|1540-1546||Chapel of Eleonora di Toledo|LargerEntity||2199||||0|||||Fresco|fresco|||||fresco painting|||||490 x 385 cm (192.9 x 151.6 in)||880|Florence,Palazzo Vecchio(Palazzo della Signoria)|Florence: Pal. Vecchio||Saint Francis; Saint John the Evangelist; Saint Jerome; Saint Michael; Animals; Saints||||||||||Cornell||MNW|JNK|8/18/2004 0:00:00|3/31/2006 0:00:00||||0||||||||||||||| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Vault|Bronzino, Agnolo 2212.00|0||||||||Joseph Making Himself Known to his Brothers from Sala dei Duecento|Assigned|Collection|||||||Joseph Making Himself Known to his Brothers from Sala dei Duecento|1621|Bronzino, Agnolo||painter|Agnolo Bronzino|0||||0|||||Florentine|Italian||Mannerist|||||Italy||||||0|Florence, Italy|||9985||||0||||0|Textiles|Tapestry (Wall hanging)||||16|||1549|1553|ca|ca. 1549-1553|ca. 1549-1553|||||||||0|||||Tapestry||||||tapestry (process)|||||500 x 452 cm (196.9 x 178.0 in)||880|Florence,Palazzo Vecchio(Palazzo della Signoria)|Florence: Pal. Vecchio||Joseph; Old Testament||||||||||Cornell|||JNK|8/18/2004 0:00:00|||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Joseph Making Himself Known to his Brothers from Sala dei Duecento|Bronzino, Agnolo 2213.00|0||||||||Apollo from Studiolo of Francesco I|Assigned|Collection|||||||Palazzo Vecchio. Apollo from Studiolo of Francesco I|13742|Giambologna||sculptor|Giambologna|0||||0|||||Florentine|Italian||Mannerist|||||Italy||||||0||||0||||0||||0|Sculpture|Bronze||||16|||1573|1575||1573-1575|1573-1575||Palazzo Vecchio|LargerEntity||2201||||0|||||Bronze|bronze|||||sculpture|||||88.5 cm (34.8 in)||880|Florence,Palazzo Vecchio(Palazzo della Signoria)|Florence: Pal. Vecchio||Apollo; Mythology; Nudes||||||||||Cornell||MNW|JNK|8/18/2004 0:00:00|3/31/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Apollo from Studiolo of Francesco I|Giambologna 2214.00|0|Site|02|B-H3|Flo|2.41 Vec||B-H3 Flo 2.41 Vec |Salone dei Cinquecento|Assigned|Collection|||||||Palazzo Vecchio. Salone dei Cinquecento|12175|Vasari, Giorgio||architect|Giorgio Vasari|0||||0|||||Florentine|Italian||Mannerist|||||Italy||||||0|Florence, Italy|||9985||||0||||0|Paintings|Fresco||||16|||1562|1562|ca|ca 1562|ca 1562-1562||Palazzo Vecchio|LargerEntity||2201||||0|||||Fresco|fresco|||||fresco painting|||||||||||Arched windows; Coffered ceilings||||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|8/18/2004 0:00:00||Flo||0||||||Vec|B|||||H3|2.41||||||||||Work|0|Architecture-Italy|||||||||||0|0|Salone dei Cinquecento|Vasari, Giorgio 2215.00|0|Site|02|B-H3|Flo|2.41 Vec||B-H3 Flo 2.41 Vec |Studiolo di Francesco I|Assigned|Collection|||||||Palazzo Vecchio. Studiolo di Francesco I|12175|Vasari, Giorgio||architect|Giorgio Vasari (and others)|0||||0|||||Florentine|Italian||Mannerist|||||Italy||||||0|Florence, Italy|||9985||||0||||0|Architecture|Interior design|Fresco|||16|||1570|1575||1570-1575|1570-1575||Palazzo Vecchio|LargerEntity||2201||||0|||||Fresco|fresco|||||fresco painting|||||||||||Barrel vaults||||||||||Cornell||MNW|JNK|8/18/2004 0:00:00|3/31/2006 0:00:00||Flo||0||||||Vec|B|||||H3|2.41||||||||||Work|0|Architecture-Italy|||||||||||0|0|Studiolo di Francesco I|Vasari, Giorgio 2216.00|0|Site|02|B-H3|Flo|2.41 Vec||B-H3 Flo 2.41 Vec | Sala di Leone X|Assigned|Collection|||||||Palazzo Vecchio. Sala di Leone X|12175|Vasari, Giorgio||architect|Giorgio Vasari (and others)|0||||0|||||Florentine|Italian||Mannerist|||||Italy||||||0|Florence, Italy|||9985||||0||||0|Architecture|Fresco||||16|||1555|1562||1555-1562|1555-1562||Palazzo Vecchio|LargerEntity||2201||||0|||||Fresco|fresco|||||fresco painting|||||||||||Polychromatic marbles||||||||||Cornell||MNW|JNK|8/18/2004 0:00:00|3/31/2006 0:00:00||Flo||0||||||Vec|B|||||H3|2.41||||||||||Work|0|Architecture-Italy|||||||||||0|0| Sala di Leone X|Vasari, Giorgio 2217.00|0|Site|02|B-H3|Flo|2.41|Vec|B-H3 Flo 2.41 Vec|Sala delle Carte Geografiche|Assigned|Collection|||||||Palazzo Vecchio. Sala delle Carte Geografiche|12175|Vasari, Giorgio||architect|Giorgio Vasari (and others)|0||||0|||||Florentine|Italian||Mannerist|||||Italy||||||0|Florence, Italy|||9985||||0||||0||||||16|||1563|1565||1563-1565|1563-1565||Palazzo Vecchio|LargerEntity||2201||||0||||||||||||||||||||||Maps; Globes||||||||||Cornell||MNW|JNK|8/18/2004 0:00:00|3/31/2006 0:00:00||Flo||0||||||Vec|B|||||H3|2.41||||||||||Work|0|Architecture-Italy|||||||||||0|0|Sala delle Carte Geografiche|Vasari, Giorgio 2218.00|0|Site|02|B-H3|Flo|2.41|Vec|B-H3 Flo 2.41 Vec|Salone di Lorenzo|Assigned|Collection|||||||Palazzo Vecchio. Salone di Lorenzo|12175|Vasari, Giorgio||architect|Giorgio Vasari (and others)|0||||0|||||Florentine|Italian||Mannerist|||||Italy||||||0|Florence, Italy|||9985||||0||||0|Architecture|||||16|||1555|1562||1555-1562|1555-1562||Palazzo Vecchio|LargerEntity||2201||||0|||||Stucco|||||||||||||||||||||||||||Cornell||MNW|JNK|8/18/2004 0:00:00|3/31/2006 0:00:00||Flo||0||||||Vec|B|||||H3|2.41||||||||||Work|0|Architecture-Italy|||||||||||0|0|Salone di Lorenzo|Vasari, Giorgio 2219.00|0|Site|02|B-G1|Lon|6.5 Lon||B-G1 Lon 6.5 Lon |Consols Office|Assigned|Dict.Art||||||||11121|Soane, John, Sir||architect|Sir John Soane|0||||0|||||British||||||||England||||||0|London, England|||10018||||0||||0|Architecture|Bank (Building)||||18|||1797|1799||1797-1799|1797-1799||Bank of England|||2203||||0||||||||||||||||||||||Banks (buildings); Bank of England, London, England||||||||||Cornell||MNW|MNW|8/19/2004 0:00:00|8/19/2004 0:00:00||Lon||0||||||Lon|B|||||G1|6.5||||||||||Work|0|Architecture-England|||||||||||0|0|Consols Office|Soane, John, Sir 2220.00|0|Site|02|B-G1|Lon|6.5 Lon||B-G1 Lon 6.5 Lon |Stock Office|Assigned|Dict.Art||||||||11121|Soane, John, Sir||architect|Sir John Soane|0||||0|||||British||||||||England||||||0|London, England|||10018||||0||||0|Architecture|Bank (Building)||||18|||1791|1792||1791-1792|1791-1792||Bank of England|||2203||||0||||||||||||||||||||||Banks (buildings)||||||||||Cornell||MNW|MNW|8/19/2004 0:00:00|8/19/2004 0:00:00||Lon||0||||||Lon|B|||||G1|6.5||||||||||Work|0|Architecture-England|||||||||||0|0|Stock Office|Soane, John, Sir 2221.00|0|Site|02|B-G1|Lon|6.5 Lon||B-G1 Lon 6.5 Lon |Old Dividend Office|Descriptive|Image Source (Book)|4 Per Cent Office|Former|Image Source (Book)|3.5 Per Cent Consols Transfer Office|Descriptive|Image Source (Book)||11121|Soane, John, Sir||architect|Sir John Soane|0||||0|||||British||||||||England||||||0|London, England|||10018||||0||||0|Architecture|Bank (Building)||||19|||1818|1833||1818-1833|1818-1833||Bank of England|||2203||||0||||||||||||||||||||||Banks (buildings)||||||||||Cornell||MNW|MNW|8/19/2004 0:00:00|8/19/2004 0:00:00||Lon||0||||||Lon|B|||||G1|6.5||||||||||Work|0|Architecture-England|||||||||||0|0|Old Dividend Office;4 Per Cent Office;3.5 Per Cent Consols Transfer Office|Soane, John, Sir 2222.00|0|Site|02|B-G1|Lon|6.5 Lon|4-9|B-G1 Lon 6.5 Lon 4-9|Perspective of the Lothbury Front as First Built|Descriptive|Image Source (Book)|||||||Bank of England. Perspective of the Lothbury Front as First Built|11121|Soane, John, Sir||architect|Sir John Soane|0||||0|||||British||||||||England||||||0||||0||||0||||0|Watercolors|Watercolor||||18|||1795|1795||1795|1795-1795||Bank of England|LargerEntity||2203||||0|||||Watercolor|watercolor paper|watercolors||||painting (image-making)|||||||||||Banks (buildings); Bank of England, London, England||||||||||Cornell||MNW|MNW|3/31/2006 0:00:00|8/19/2004 0:00:00||Lon||0||||||Lon|B|||||G1|6.5||||||||||Work|0|Architecture-England|||||||||||0|0|Perspective of the Lothbury Front as First Built|Soane, John, Sir 2223.00|0|Site|02|B-G1|Lon|6.5 Lon||B-G1 Lon 6.5 Lon |Tivoli Corner|Assigned|Image Source (Book)||||||||11121|Soane, John, Sir|attributed to|architect|Sir John Soane|0||||0|||||British||||||||England||||||0||||0||||0||||0|Watercolors|Watercolor||||19|||1805|1805||1805|1805-1805||Bank of England|||2203||||0|||||Watercolor|watercolor paper|watercolors|||||||||||||||Banks (buildings); Bank of England, London, England||||||||||Cornell||MNW|MNW|9/15/2004 0:00:00|8/19/2004 0:00:00||Lon||0||||||Lon|B|||||G1|6.5||||||||||Work|0|Architecture-England|||||||||||0|0|Tivoli Corner|Soane, John, Sir 2237.00|0|Site|02|B-H5|Gra|7.1 Ahl/Sis||B-H5 Gra 7.1 Alh/Sis |Hall of the Two Sisters|Translated|Image Source (Book)|Sala de las Dos Hermanas|Descriptive|Blue Guide||||Alhambra. Hall of the Two Sisters|0|||||0||||0|||||Islamic|||Nasrid|Mudéjar|Moorish|||Spain||||||0|Granada, Spain|||10162||||0||||0|Architecture|Palace|Room|||14|||1377|1377|ca|ca 1377|ca 1377-1377||Alhambra|||155||||0||||||||||||||||||||||Harems||||||||||Cornell||MNW|MNW|5/25/2006 0:00:00|8/19/2004 0:00:00||Gra||0||||||Ahl/Sis|B|||||H5|7.1||||||||||Work|0|Architecture-Spain|||||||||||0|0|Hall of the Two Sisters;Sala de las Dos Hermanas| 2238.00|0|Creator|07|U-03|Tut|Casket||U-03 Tut/Casket|Casket|Assigned|Collection|||||||Tomb of Tutankhamen. Casket|0|||||0||||0|||||Egyptian|||Dynasty 18 (Egyptian)|New Kingdom||||Egypt||||||0|||||Thebes, Egypt|||10119||||0|Furnishings|Chest|||BCE|-14|||1350|1330|ca|ca 1350-1330|ca 1350-1330||Tomb of Tutankhamen in the Valley of the Kings (KV62)|Larger Context||1909||||0|||||Gilt wood and ivory|wood|ivory||||furniture making|||||||522|Cairo,Egyptian Museum|Cairo: Egyptian Mus.||Caskets (personal gear); Tutankhamen, King of Egypt; Tombs||||||||||Cornell||JNK|MNW|8/24/2004 0:00:00|8/19/2004 0:00:00|||The|0||||||Tut/Casket|U|||03||||| ||||||||Work|0|Furniture-Egyptian|||||||||||0|0|Casket| 2239.00|0||||||||Map of Pisa|Descriptive|Image Source (Book)||||||||0|||||0||||0|||||Italian||||||||Italy||||||0|Pisa, Italy|||0||||0||||0|Maps|Map||||20|||1996|1996||1996|1996-1996|||||0||||0||||||||||||||||||||||||||||||||Cornell|||MNW|8/19/2004 0:00:00|||||0||||||||||||||||||||||||0||||||||||||0|0|Map of Pisa| 2240.00|0|Site|02|B-H3|Pisa|1.31 Pia||B-H3 Pisa 1.31 Pia |Piazza dei Miracoli|Assigned|Blue Guide|Campo dei Miracoli|Translated|Blue Guide|Piazza del Duomo|Assigned|Dict.Art|Piazza dei Miracoli|0|||||0||||0|||||Italian||||||||||||||0|Pisa, Italy|||10068||||0||||0|Architecture|Squares (open spaces)|Piazza|||11|12|13|1063|1450|ca|ca 1063-1450|ca 1063-1450|||||0||||0||||||||||||||||||||||Squares||||||||||Cornell||MNW|MNW|8/19/2004 0:00:00|8/19/2004 0:00:00||Pisa||0||||||Pia|B|||||H3|1.31||||||||||Work|0|Architecture-Italy|||||||||||0|0|Piazza dei Miracoli;Campo dei Miracoli;Piazza del Duomo| 2241.00|0|Site|02|B-H3|Pisa|3.1 Bap||B-H3 Pisa 3.1 Bap |Baptistery|Descriptive|Blue Guide|||||||Baptistery|29859|Diotisalvi||architect|Diotisalvi|0||||0|||||Italian|||Medieval|||||Italy||||||0|Pisa, Italy|||10068||||0||||0|Architecture|Baptistery||||12|13||1152|1278||1152-1278|1152-1278|||||0||||0||||||||||||||||||||||Baptisteries ; |Baptisteries|||||||||Cornell||MNW|MNW|6/6/2005 0:00:00|8/19/2004 0:00:00||Pisa||0||||||Bap|B|||||H3|3.1||||||||||Work|0|Architecture-Italy|Centrally planned, its design is based on that of the Holy Sepulchre in Jerusalem.||||||||||0|0|Baptistery|Diotisalvi 2242.00|0|Site|02|B-M2|The|3.3 Tut||B-M2 The 3.3 Tut|Excavation View of the Tomb of Tutankhamen,Looking Into the Treasury|Assigned|Collection|||||||Tomb of Tutankhamen. Excavation View of the Tomb of Tutankhamen,Looking Into the Treasury|1833|Burton, Harry||photographer|Harry Burton|0||||0|||||English||||||||England||||||0||||0|Thebes, Egypt|||10119||||0|Photographs|Documentary photograph|Tomb|||20|||1922|1931||1922-1931|1922-1931||Tomb of Tutankhamen in the Valley of the Kings (KV62)|LargerEntity||1909||||0|||||Gelatin Silver Print|gelatin|silver|print|||gelatin silver process|||||||3294|New York,Metropolitan Museum of Art|New York: Metropolitan||Tombs; Tutankhamen, King of Egypt; Anubis (Egyptian deity); Jackals||||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|8/19/2004 0:00:00||The|The|0||||||Tut|B|||||M2|3.3|| ||||||||Work|0|Architecture-Egypt|||||||||||0|0|Excavation View of the Tomb of Tutankhamen,Looking Into the Treasury|Burton, Harry 2243.00|0|Site|02|B-H3|Luc|1.1 Aer||B-H3 Luc 1.1 Aer |Aerial views of Lucca, Italy|Assigned|Cataloger|||||||Lucca, Italy|0|||||0||||0|||||Italian||||||||Italy||||||0|Lucca, Italy|||10260||||0||||0|Architecture|City||||20|||1950|1999|ca|ca 1950-1999|ca 1950-1999|||||0||||0|||||||||||photography|||||||||||Lucca (Italy)||||||||||Cornell||MNW|MNW|8/19/2004 0:00:00|8/19/2004 0:00:00||Luc||0||||||Aer|B|||||H3|1.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|Aerial views of Lucca, Italy| 2244.00|0|Site|02|B-H3|Luc|1.31 AntRom||B-H3 Luc 1.31 AntRom |Piazza dell'Anfiteatro Romano|Assigned|Image Source (Book)|||||||Piazza dell'Anfiteatro Romano|0|||||0||||0|||||Roman|||Roman Period|||||Italy||||||0|Lucca, Italy|||10260||||0||||0|Architecture|Amphitheaters|Piazza||BCE|-1|||-100|-1|ca|1st century BCE|ca -100- -1 BCE|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|8/19/2004 0:00:00|8/19/2004 0:00:00||Luc||0||||||AntRom|B|||||H3|1.31||||||||||Work|0|Architecture-Italy|||||||||||0|0|Piazza dell'Anfiteatro Romano| 2245.00|0|Site|02|B-H3|Sie|1.31 Cam||B-H3 Sie 1.31 Cam |Campo|Assigned|Blue Guide|||||||Campo|0|||||0||||0|||||Italian|||Medieval|||||Italy||||||0|Siena, Italy|||10242||||0||||0|Architecture|Piazza||||11|12|13|1000|1299|ca|ca 1000-1299|ca 1000-1299|||||0||||0||||||||||||||||||||||Squares||||||||||Cornell||MNW|MNW|8/19/2004 0:00:00|8/19/2004 0:00:00||Sie||0||||||Cam|B|||||H3|1.31||||||||||Work|0|Architecture-Italy|||||||||||0|0|Campo| 2246.00|0|Site|02|B-H3|Flo|1.1 Aer||B-H3 Flo 1.1 Aer |Aerial view of Florence, Italy|Descriptive|Cataloger|||||||Aerial view of Florence, Italy|30258|Rossi, L.||photographer|L. Rossi|0||||0|||||Italian||||||||Italy||||||0|Florence, Italy|||9985||||0||||0|Architecture|Aerial view|||||||1993|1993||1993|1993-1993|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|8/19/2004 0:00:00|8/19/2004 0:00:00||Flo||0||||||Aer|B|||||H3|1.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|Aerial view of Florence, Italy|Rossi, L. 2247.00|0|Architect|03|MA-Gehry|4.4|1991-7|GugBil|MA-Gehry 4.4 1991-7 GugBil|Guggenheim Museum|Assigned|Image Source (Book)|||||||Guggenheim Museum|4365|Gehry, Frank Owen||architect|Frank O. Gehry|0||||0|||||American|||Post-1945|||||Spain||||||0|Bilbao, Spain|||10261||||0||||0|Architecture|Museum||||20|||1991|1997||1991-1997|1991-1997|||||0||||0||||||||||||||||||||||Museums ; |Museums|||||||||Cornell||JNK|JNK|4/1/2005 0:00:00|8/19/2004 0:00:00|Gehry|Bil||0||||||GugBil|MA||||||4.4|1991-7|||||||||Work|0|Modern Architecture-Gehry|||||||||||0|0|Guggenheim Museum|Gehry, Frank Owen 2248.00|0|Site|02|B-M2|Saq|3.3 Ptah||B-M2 Saq 3.3 Ptah |Mastaba of Ptah-hotep II & Akhet-hotep|Assigned|Collection|||||||Mastaba of Ptah-hotep II & Akhet-hotep|0|||||0||||0|||||Egyptian|||Old Kingdom|||||Egypt||||||0|Saqqâra, Egypt|||10118||||0||||0|Architecture|Tomb|||BCE|-26|||2465|2325||2465-2325|2465-2325|||||0||||0||||||||||||||||||||||Tombs; Egypt||||||||||Cornell||JNK|JNK|8/20/2004 0:00:00|8/19/2004 0:00:00||Saq||0||||||Ptah|B|||||M2|3.3||||||||||Work|0|Architecture-Egypt|||||||||||0|0|Mastaba of Ptah-hotep II & Akhet-hotep| 2249.00|0|Site|02|B-H3|Pom|3.4 Isis|4b-1|B-H3 Pom 3.4 Isis 4b-1|Temple of Isis at Pompeii|Repository|Repository|Vedute di due ale dell'altrio del Tenysio d"Iside|Former|Repository||||Temple of Isis at Pompeii|9255|Piranesi, Giovanni Battista||engraver|Piranesi, Giovanni Battista|0||||0|||||Italian||||||||Italy||||||0||||0||||0||||0|Drawings|Drawing||||18|||1701|1799|ca|ca 1701-1799|ca 1701-1799|||||0||||0|||||Pen and ink with chalk|ink|chalk||||drawing (image-making)|||||52 x 78 cm||3993|New York,Pierpont Morgan Library|New York: Pierpont Morgan Lib.||Temple of Isis (Pompeii, Italy)||||||||||Cornell||MNW|MNW|8/19/2004 0:00:00|8/19/2004 0:00:00||Pom||0||1963.12||||Isis|B|||||H3|3.4|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Temple of Isis at Pompeii;Vedute di due ale dell'altrio del Tenysio d"Iside|Piranesi, Giovanni Battista 2250.00|0|Site|02|B-C7|Tep|4.2 SMar/Ch||B-C7 Tep 4.2 SMar/Ch |Seminary of San Martin, Church|Collective Title|Cataloger|||||||Seminary of San Martin, Church|0|||||0||||0|||||Spanish||||||||Mexico||||||0|Tepotzotlán, Mexico|||10263||||0||||0|Architecture|Church||||17|18||1670|1762||1670-1762|1670-1762|||||0||||0||||||||||||||||||||||||||||||||Cornell|||MNW|8/20/2004 0:00:00|||Tep||0||||||SMar/Ch|B|||||C7|4.2||||||||||Work|0|Architecture-Mexico|Jesuit church.|||Church; 1670-1678. Façade & tower; 1760-1762.|||||||0|0|Seminary of San Martin, Church| 2251.00|0|Site|02|B-H3|Rom|1.04 Tem||B-H3 Rom 1.04 Tem |Pianta di Antonio Tempesta|Descriptive|Cataloger|Urbis Romae prospectus 1593|Original|Image Source (Book)||||Pianta di Antonio Tempesta|30259|Tempesta, Antonio||printmaker|Antonio Tempesta|0||||0|||||Italian|||Baroque|||||Italy||||||0||||0||||0||||0|Maps|Plans (drawings)||||16|||1593|1593||1593|1593-1593|||||0||||0|||||Engraving||||||engraving (incising)|||||||4303|Rome,Vatican,Biblioteca Vaticana(Bibl.Apostolica Vaticana)|Rome: Vatican; Biblioteca||Rome, Italy ; Urban planning ; Maps ; |Rome, Italy|Urban planning|Maps|||||||Cornell||MNW|JNK|6/8/2005 0:00:00|8/19/2004 0:00:00||Rom||0||||||Tem|B|||||H3|1.04|| |||||||||0|Architecture-Italy|||||||||||0|0|Pianta di Antonio Tempesta;Urbis Romae prospectus 1593|Tempesta, Antonio 2252.00|0|Site|02|B-M2|Saq|3.3 Teti||B-M2 Saq 3.3 Teti |Pyramid of Teti|Assigned|Collection|||||||Pyramid of Teti|0|||||0||||0|||||Egyptian|||Dynasty 6 (Egyptian)|Old Kingdom||||Egypt||||||0|Saqqâra, Egypt|||10118||||0||||0|Architecture|Pyramid (Tomb)|Tomb||BCE|-24|-22||2325|2150||2325-2150|2325-2150|||||0||||0||||||||||||||||||||||Egypt; Tombs; Pyramids (tombs)||||||||||Cornell||JNK|JNK|8/20/2004 0:00:00|8/20/2004 0:00:00||Saq||0||||||Teti|B|||||M2|3.3||||||||||Work|0|Architecture-Egypt|||||||||||0|0|Pyramid of Teti| 2253.00|0|Site|02|B-M2|Saq|3.3 Zoser||B-M2 Saq 3.3 Zoser |Complex of Zoser|Assigned|Collection|||||||Complex of Zoser|30260|Imhotep||architect|Imhotep|0||||0|||||Egyptian|||Dynasty 3|Old Kingdom||||Egypt||||||0|Saqqâra, Egypt|||10118||||0||||0|Architecture|Pyramid (Tomb)|Tomb|Necropolises|BCE|-27|||2620|2600|ca|ca 2620-2600|ca 2620-2600|||||0||||0||||||||||||||||||||||Egypt; Pyramids (tombs); Tombs; Necropolises||||||||||Cornell||JNK|JNK|8/20/2004 0:00:00|8/20/2004 0:00:00||Saq||0||||||Zoser|B|||||M2|3.3||||||||||Work|0|Architecture-Egypt|||||||||||0|0|Complex of Zoser|Imhotep 2254.00|0|Site|02|B-M2|Deir|3.4 Men||B-M2 Deir 3.4 Men |Temple of Nebhepetre Mentuhotep II|Assigned|Collection|||||||Temple of Nebhepetre Mentuhotep II|0|||||0||||0|||||Egyptian|||Dynasty 11 (Egyptian)|Middle Kingdom||||Egypt||||||0|Dayr al-Bahri, Egypt|||10028||||0||||0|Architecture|Temple|Funerary buildings||BCE|-21|-20||2134|1991|ca|ca 2134-1991 BCE|ca 2134-1991 BCE|||||0||||0||||||||||||||||||||||Temples; Egypt||||||||||Cornell||JNK|JNK|8/20/2004 0:00:00|8/20/2004 0:00:00||Deir||0||||||Men|B|||||M2|3.4||||||||||Work|0|Architecture-Egypt|||||||||||0|0|Temple of Nebhepetre Mentuhotep II| 2255.00|0|Site|02|B-M2|Deir|3.4 Hat||B-M2 Deir 3.4 Hat |Mortuary Temple of Hatshepsut|Assigned|Collection|||||||Mortuary Temple of Hatshepsut|0|||||0||||0|||||Egyptian|||Dynasty 18 (Egyptian)|New Kingdom||||Egypt||||||0|Dayr al-Bahri, Egypt|||10028||||0||||0|Architecture|Funerary buildings|Temple||BCE|-16|-15||1504|1482|ca|ca 1504-1482 BCE|ca -1504 - 11482|||||0||||0||||||||||||||||||||||Temples ; |Temples|||||||||Cornell||JNK|MNW|4/25/2005 0:00:00|8/20/2004 0:00:00||Deir||0||||||Hat|B|||||M2|3.4||||||||||Work|0|Architecture-Egypt|||||||||||0|0|Mortuary Temple of Hatshepsut| 2256.00|0|Site|02|B-D9|Cuz|3.1 Comp||B-D9 Cuz 3.1 Comp |La Compañia de Jesus|Assigned|Dict.Art||||||||0|||||0||||0|||||Spanish||||||||Peru||||||0|Cuzco, Peru|||10262||||0||||0|Architecture|Church||||17|||1651|1668||1651-1668|1651-1668|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|8/20/2004 0:00:00|8/20/2004 0:00:00||Cuz||0||||||Comp|B|||||D9|3.1||||||||||Work|0|Architecture-Peru|A Jesuit church built on the Inca site of the Amarucancha ( Palace of the Serpents) in the late 17th century. Considered by many to be the finest church in Peru, it is filled with exceptional murals, paintings and carved altars. DOA||||||||||0|0|La Compañia de Jesus| 2257.00|0|Site|02|B-M2|Deir|3.3 Shrine||B-M2 Deir 3.3 Shrine |Shrine|Assigned|Collection|||||||Shrine|0|||||0||||0|||||Egyptian|||Middle Kingdom|New Kingdom||||Egypt||||||0|Dayr al-Bahri, Egypt|||10028||||0||||0|Architecture|Shrine||||||||||||||||0||||0||||||||||||||||||||||Egypt; Shrines (structures)||||||||||Cornell||JNK|JNK|8/20/2004 0:00:00|8/20/2004 0:00:00||Deir||0||||||Shrine|B|||||M2|3.3||||||||||Work|0|Architecture-Egypt|||||||||||0|0|Shrine| 2258.00|0|Site|02|B-M2|Deir|3.3 Shrine||B-M2 Deir 3.3 Shrine |Ostracon with Rough Drawing of Shrine|Assigned|Collection|||||||Shrine. Ostracon with Rough Drawing of Shrine|0|||||0||||0|||||Egyptian|||Middle Kingdom|New Kingdom||||Egypt||||||0||||0|Dayr al-Bahri, Egypt|||10028||||0|Architecture|Plans (drawings)|||||||||||||Shrine|LargerEntity||2257||||0|||||||||||||||||||London,british museum|||Plans (maps)||||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|8/20/2004 0:00:00||Deir|Deir|0||41228||||Shrine|B|||||M2|3.3|| ||||||||Work|0|Architecture-Egypt|||||||||||0|0|Ostracon with Rough Drawing of Shrine| 2259.00|0|Site|02|B-M2|Giza|3.3||B-M2 Giza 3.3 |Pyramids of Mycerinus, Chephren & Cheops|Assigned|Collection|||||||Pyramids of Mycerinus, Chephren & Cheops|0|||||0||||0|||||Egyptian|||Dynasty 3|Old Kingdom||||Egypt||||||0|Giza, Egypt|||10045||||0||||0|Architecture|Pyramid (Tomb)|Tomb||BCE|-26|||2589|2500|ca|ca 2589-2500|ca 2589-2500|||||0||||0||||||||||||||||||||||Pyramids (tombs); Egypt||||||||||Cornell||JNK|JNK|8/20/2004 0:00:00|8/20/2004 0:00:00||Giza||0|||||||B|||||M2|3.3||||||||||Work|0|Architecture-Egypt|||||||||||0|0|Pyramids of Mycerinus, Chephren & Cheops| 2260.00|0|Site|02|B-B29|Las Vegas|7.2 Lux||B-B29 Las Vegas 7.2 Lux |Luxor|Assigned|Collection|||||||Luxor|10947|Veldon Simpson-Architect, Inc.||architectural firm|Veldon Simpson-Architect, Inc.|0||||0|||||American|||Post-1945|||||United States||||||0|Las Vegas, NV|||10194||||0||||0|Architecture|Casino|Hotel (Public accommodation)|||20|||1992|1992||1992|1992-1992|||||0||||0||||||||||||||||||||||Hotels (public accommodations) ; Gambling casinos ; |Hotels (public accommodations)|Gambling casinos||||||||Cornell||JNK|MNW|11/2/2005 0:00:00|8/20/2004 0:00:00||LasVeg||0||||||Lux|B|||||B29|7.2||||||||||Work|0|Architecture-US-Nevada|||||||||||0|0|Luxor|Veldon Simpson-Architect, Inc. 2261.00|0|Site|02|B-H3|Rom|1.32 Obel||B-H3 Rom 1.32 Obel |Vatican Obelisk (in Saint Peter's Piazza)|Assigned|Collection|||||||Vatican Obelisk (in Saint Peter's Piazza)|0|||||0||||0|||||Egyptian||||||||Egypt||||||0|Rome, Italy|||10024|Heliopolis, Egypt|||10264||||0|Architecture|Sculpture||||||||||||||||0||||0||||||||||||||||||||||Obelisks ; |Obelisks|||||||||Cornell||JNK|MNW|5/31/2006 0:00:00|8/20/2004 0:00:00||Rom|Hel|0||||||Obel|B|||||H3|1.32||||||||||Work|0|Architecture-Italy|The obelisk was brought to Rome by Calligula from Heliopolis, Egypt. Domenico Fontana was hired to move the Obelisk to its present location in the Piazza of St. Peter's.||||||||||0|0|Vatican Obelisk (in Saint Peter's Piazza)| 2262.00|0|Site|02|B-H3|Rom|1.32 Obel||B-H3 Rom 1.32 Obel |Erection of the Vatican Obelisk in front of St. Peter's|Assigned|Print Publication|||||||Il Tempio Vaticano e sua Origine. Erection of the Vatican Obelisk in front of St. Peter's|3976|Fontana, Carlo||architect|Carlo Fontana|0||||0|||||Italian||||||||Italy||||||0||||0||||0||||0|Publications|Print||||17|||1694|1694||1694|1694-1694||Il Tempio Vaticano e sua Origine|Larger entity||2312||||0|||||Print||||||printmaking|||||||4303|Rome,Vatican,Biblioteca Vaticana(Bibl.Apostolica Vaticana)|Rome: Vatican; Biblioteca||Obelisks; Rome, Italy||||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|8/20/2004 0:00:00||Rom||0||||||Obel|B|||||H3|1.32|| ||||||||Work|0|Architecture-Italy|The obelisk was brought to Rome by Calligula from Heliopolis, Egypt. Domenico Fontana was hired to move the Obelisk to its present location in the Piazza of St. Peter's.|Page 169 of Book III of Fontana's "Il Tempio Vaticano."|||||||||0|0|Erection of the Vatican Obelisk in front of St. Peter's|Fontana, Carlo 2263.00|0|Site|02|B-H3|Rom|1.32 Obel||B-H3 Rom 1.32 Obel |Lowering of the Vatican Obelisk|Assigned|Image Source (Book)|||||||Il Tempio Vaticano e sua Origine. Lowering of the Vatican Obelisk|3976|Fontana, Carlo||architect|Carlo Fontana|0||||0|||||Italian||||||||Italy||||||0||||0||||0||||0|Publications|Print||||17|||1694|1694||1694|1694-1694||Il Tempio Vaticano e sua Origine|Larger entity||2312||||0|||||Print||||||printmaking|||||||4303|Rome,Vatican,Biblioteca Vaticana(Bibl.Apostolica Vaticana)|Rome: Vatican; Biblioteca||Obelisks; Rome, Italy||||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|8/20/2004 0:00:00||Rom||0||||||Obel|B|||||H3|1.32|| ||||||||Work|0|Architecture-Italy|The obelisk was brought to Rome by Calligula from Heliopolis, Egypt. 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Empedrado and O'Reilly), Habana Vieja|Descriptive|Image Source (Book)|||||||Mercaderes 16 (between Empedrado and O'Reilly), Habana Vieja|30262|Polidori, Robert||photographer|Robert Polidori|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Photographs|Documentary photograph||||21|||2000|2001|ca|ca 2000-2001|ca 2000-2001|||||0||||0|||||||||||photography|color photography||||||||||Havana, Cuba||||||||||Cornell||MNW|MNW|8/23/2004 0:00:00|8/23/2004 0:00:00|Polidori|Hav||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Mercaderes 16 (between Empedrado and O'Reilly), Habana Vieja|Polidori, Robert 2315.00|0|Creator|05|J-Polidori|Hav||10|J-Polidori Hav 10|House of Amelia Peláez, Estrada Palma 261 (between Juan Bruno Zayas and Concejal Veiga), Vibora|Descriptive|Image Source (Book)|||||||House of Amelia Peláez, Estrada Palma 261|30262|Polidori, Robert||photographer|Robert Polidori|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Photographs|Documentary photograph||||21|||2000|2001|ca|ca 2000-2001|ca 2000-2001|||||0||||0|||||||||||photography|color photography||||||||||Havana, Cuba||||||||||Cornell||MNW|MNW|8/23/2004 0:00:00|8/23/2004 0:00:00|Polidori|Hav||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|House of Amelia Peláez, Estrada Palma 261 (between Juan Bruno Zayas and Concejal Veiga), Vibora|Polidori, Robert 2316.00|0|Site|02||||||Salone Sistino|Assigned|Repository|||||||Vatican Library. Salone Sistino|0|||||0||||0|||||Italian|||Renaissance|||||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Library||||16|||1587|1589||1587-1589|1587-1589||Vatican Library|Larger Context||2264||||0||||||||||||||||||||||Rome, Italy ; Libraries (rooms) ; |Rome, Italy|Libraries (rooms)||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|8/23/2004 0:00:00||Rom||0|||||||||||||||||||||||Work|0|Architecture-Italy|||||||||||0|0|Salone Sistino| 2317.00|0|Site|02|B-H3|Rom|1.32 Obel||B-H3 Rom 1.32 Obel |Vatican Obelisk|Assigned|Repository|Piazza S. Pietro con la basilica in costruzione e l'obelisco sistino|Descriptive|Print Publication|L'Obelisco sistino|Variant|Print Publication|Vatican Library. Salone Sistino.Vatican Obelisk|8430|Nebbia, Cesare||painter|Cesare Nebbia & Giovanni Guerra|4907|Guerra, Giovanni||painter|0|||||Italian|||Renaissance|||||Italy||||||0|Rome, Italy|||10024||||||||0|Paintings|Fresco||||16|||1590|1591||1590-1591|1590-1591||Salone Sistino|Larger entity||2316||||0|||||Fresco|fresco|||||fresco painting|||||||9353|Rome, Vatican, Biblioteca Vatican, Salone Sisto|Rome: Vatican; Biblioteca; Sisto||Obelisks ; Basilica di San Pietro in Vaticano ; Rome, Italy ; |Obelisks|Basilica di San Pietro in Vaticano|Rome, Italy|||||||Cornell||JNK|JNK|5/25/2006 0:00:00|8/23/2004 0:00:00||Rom||0||||||Obel|B|||||H3|1.32|| ||||||||Work|0|Architecture - Italy|Lunette in the Salone Sistino, Vatican Library|||Jörg Garms dates the fresco to 1588-1589.|||||||0|0|Vatican Obelisk;Piazza S. Pietro con la basilica in costruzione e l'obelisco sistino;L'Obelisco sistino|Nebbia, Cesare;Guerra, Giovanni 2318.00|0|Creator|05|J-Polidori|Hav||11|J-Polidori Hav 11|Gran Teatro de La Habana, Paseo del Prado 452-458 (between San José and San Rafael), Habana Vieja|Descriptive|Image Source (Book)|||||||Gran Teatro de La Habana, Paseo del Prado 452-458, Habana Vieja|30262|Polidori, Robert||photographer|Robert Polidori|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Photographs|Documentary photograph||||21|||2000|2001|ca|ca 2000-2001|ca 2000-2001|||||0||||0|||||||||||photography|color photography||||||||||Havana, Cuba; Theaters||||||||||Cornell||MNW|JNK|8/26/2004 0:00:00|8/23/2004 0:00:00|Polidori|Hav||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Gran Teatro de La Habana, Paseo del Prado 452-458 (between San José and San Rafael), Habana Vieja|Polidori, Robert 2319.00|0|Creator|05|J-Polidori|Hav||12|J-Polidori Hav 12|Gran Teatro de La Habana, Paseo del Prado 452-458 (between San José and San Rafael), Habana Vieja|Descriptive|Image Source (Book)|||||||Gran Teatro de La Habana, Paseo del Prado 452-458, Habana Vieja|30262|Polidori, Robert||photographer|Robert Polidori|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Photographs|Documentary photograph||||21|||2000|2001|ca|ca 2000-2001|ca 2000-2001|||||0||||0|||||||||||photography|color photography||||||||||Havana, Cuba; Theaters||||||||||Cornell||MNW|JNK|8/26/2004 0:00:00|8/23/2004 0:00:00|Polidori|Hav||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Gran Teatro de La Habana, Paseo del Prado 452-458 (between San José and San Rafael), Habana Vieja|Polidori, Robert 2320.00|0|Creator|05|J-Polidori|Hav||13|J-Polidori Hav 13|Gran Teatro de La Habana, Paseo del Prado 452-458 (between San José and San Rafael), Habana Vieja|Descriptive|Image Source (Book)|||||||Gran Teatro de La Habana, Paseo del Prado 452-458, Habana Vieja|30262|Polidori, Robert||photographer|Robert Polidori|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Photographs|Documentary photograph||||21|||2000|2001|ca|ca 2000-2001|ca 2000-2001|||||0||||0|||||||||||photography|color photography||||||||||Havana, Cuba; Theaters||||||||||Cornell||MNW|JNK|8/26/2004 0:00:00|8/23/2004 0:00:00|Polidori|Hav||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Gran Teatro de La Habana, Paseo del Prado 452-458 (between San José and San Rafael), Habana Vieja|Polidori, Robert 2321.00|0|Creator|05|J-Polidori|Hav||14|J-Polidori Hav 14|Escuela Modelo, 19 #102 (at the corner of M), Vedado|Descriptive|Image Source (Book)|||||||Escuela Modelo, 19 #102, Vedado|30262|Polidori, Robert||photographer|Robert Polidori|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Photographs|Documentary photograph||||21|||2000|2001|ca|ca 2000-2001|ca 2000-2001|||||0||||0|||||||||||photography|color photography||||||||||Havana, Cuba||||||||||Cornell||MNW|JNK|8/26/2004 0:00:00|8/23/2004 0:00:00|Polidori|Hav||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Escuela Modelo, 19 #102 (at the corner of M), Vedado|Polidori, Robert 2322.00|0|Creator|15||-||||Panorama of Rome|Assigned|Image Source (Book)|||||||Panorama of Rome|30263|Caracciolo, Lodovico||painter|Lodovico Caracciolo|0||||0|||||Italian||||||||Italy||||||0||||0||||0||||0|Paintings|Oil painting||||19|||1824|1824||1824|1824-1824|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||170 x 1340 cm||6|London,Victoria and Albert Museum|London: Victoria & Albert||Rome, Italy||||||||||Cornell||JNK|JNK|8/8/2006 0:00:00|8/23/2004 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Panorama of Rome|Caracciolo, Lodovico 2323.00|0|Creator|15||||||Neorama of the Interior of St. Peter's in Rome|Assigned|Image Source (Book)|||||||Neorama of the Interior of St. Peter's in Rome|30264|Alaux, Jean||painter|Jean Alaux|0||||0|||||French||||||||France||||||0||||0||||0||||0|Paintings|Oil painting||||19|||1827|1827||1827|1827-1827|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||1700 x 5400 cm||3341|Paris,Musee National du Louvre|Paris: Louvre||Rome, Italy; Interior views; Basilica di San Pietro in Vaticano||||||||||Cornell||JNK|JNK|1/6/2006 0:00:00|8/23/2004 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Neorama of the Interior of St. Peter's in Rome|Alaux, Jean 2324.00|0|Creator|05|J-Polidori|Hav||15|J-Polidori Hav 15|Edificio Focsa, 17 #55 (between M and N), Vedado|Descriptive|Image Source (Book)|||||||Edificio Focsa, 17 #55, Vedado|30262|Polidori, Robert||photographer|Robert Polidori|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Photographs|Documentary photograph||||21|||2000|2001|ca|ca 2000-2001|ca 2000-2001|||||0||||0|||||||||||photography|color photography||||||||||Havana, Cuba||||||||||Cornell||MNW|JNK|8/26/2004 0:00:00|8/23/2004 0:00:00|Polidori|Hav||0|||||||J||||||||||||||||Work|0||||||||||||0|0|Edificio Focsa, 17 #55 (between M and N), Vedado|Polidori, Robert 2325.00|0|Creator|05|J-Polidori|Hav||16|J-Polidori Hav 16|Apartment Building, Concordia 409 (between Gervasio and Escobar), Centro Habana|Descriptive|Image Source (Book)|||||||Apartment Building, Concordia 409, Centro Habana|30262|Polidori, Robert||photographer|Robert Polidori|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Photographs|Documentary photograph||||21|||2000|2001|ca|ca 2000-2001|ca 2000-2001|||||0||||0|||||||||||photography|color photography||||||||||Havana, Cuba||||||||||Cornell||MNW|JNK|8/26/2004 0:00:00|8/23/2004 0:00:00|Polidori|Hav||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Apartment Building, Concordia 409 (between Gervasio and Escobar), Centro Habana|Polidori, Robert 2326.00|0|Creator|05|J-Polidori|Hav||17|J-Polidori Hav 17|Downstairs from the paladar La Guarida, Concordia 418 (between Gervasio and Escobar), Centro Habana|Descriptive|Image Source (Book)|||||||Downstairs from the paladar La Guarida, Concordia 418, Centro Habana|30262|Polidori, Robert||photographer|Robert Polidori|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Photographs|Documentary photograph||||21|||2000|2001|ca|ca 2000-2001|ca 2000-2001|||||0||||0|||||||||||photography|color photography||||||||||Havana, Cuba||||||||||Cornell||MNW|JNK|8/26/2004 0:00:00|8/23/2004 0:00:00|Polidori|Hav||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Downstairs from the paladar La Guarida, Concordia 418 (between Gervasio and Escobar), Centro Habana|Polidori, Robert 2327.00|0|Creator|05|J-Polidori|Hav||18|J-Polidori Hav 18|Ballet School and National Center for Gymnastics, formerly the Merchants Association, Paseo del Prado 207 (at the corner of Trocadero), Habana Vieja|Descriptive|Image Source (Book)|||||||Ballet School and National Center for Gymnastics, formerly the Merchants Association, Habana Vieja|30262|Polidori, Robert||photographer|Robert Polidori|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Photographs|Documentary photograph||||21|||2000|2001|ca|ca 2000-2001|ca 2000-2001|||||0||||0|||||||||||photography|color photography||||||||||Havana, Cuba||||||||||Cornell||MNW|JNK|8/26/2004 0:00:00|8/23/2004 0:00:00|Polidori|Hav||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Ballet School and National Center for Gymnastics, formerly the Merchants Association, Paseo del Prado 207 (at the corner of Trocadero), Habana Vieja|Polidori, Robert 2328.00|0|Creator|05|J-Polidori|Hav||19|J-Polidori Hav 19|Avenida 44 #2710 (between 27 and 29), Mariano|Descriptive|Image Source (Book)|||||||Avenida 44 #2710, Marianao|30262|Polidori, Robert||photographer|Robert Polidori|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Photographs|Documentary photograph||||21|||2000|2001|ca|ca 2000-2001|ca 2000-2001|||||0||||0|||||||||||photography|color photography||||||||||Havana, Cuba||||||||||Cornell||MNW|JNK|8/26/2004 0:00:00|8/23/2004 0:00:00|Polidori|Hav||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Avenida 44 #2710 (between 27 and 29), Mariano|Polidori, Robert 2329.00|0|Creator|05|J-Polidori|Hav||20||Avenida 44 #2710 (between 27 and 29), Mariano|Descriptive|Image Source (Book)|||||||Avenida 44 #2710, Marianao|30262|Polidori, Robert||photographer|Robert Polidori|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Photographs|Documentary photograph||||21|||2000|2001|ca|ca 2000-2001|ca 2000-2001|||||0||||0|||||||||||photography|color photography||||||||||Havana, Cuba||||||||||Cornell||MNW|JNK|8/26/2004 0:00:00|8/23/2004 0:00:00|Polidori|Hav||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Avenida 44 #2710 (between 27 and 29), Mariano|Polidori, Robert 2330.00|0|Creator|05|J-Polidori|Hav||21|J-Polidori Hav 21|Avenida 44 #2710 (between 27 and 29), Mariano|Descriptive|Image Source (Book)|||||||Avenida 44 #2710, Marianao|30262|Polidori, Robert||photographer|Robert Polidori|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Photographs|Documentary photograph||||21|||2000|2001|ca|ca 2000-2001|ca 2000-2001|||||0||||0|||||||||||photography|color photography||||||||||Havana, Cuba||||||||||Cornell||MNW|JNK|8/26/2004 0:00:00|8/23/2004 0:00:00|Polidori|Hav||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Avenida 44 #2710 (between 27 and 29), Mariano|Polidori, Robert 2331.00|0|Creator|05|J-Polidori|Hav||22|J-Polidori Hav 22|Avenida 44 #2710 (between 27 and 29), Mariano|Descriptive|Image Source (Book)|||||||Avenida 44 #2710, Marianao|30262|Polidori, Robert||photographer|Robert Polidori|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Photographs|Documentary photograph||||21|||2000|2001|ca|ca 2000-2001|ca 2000-2001|||||0||||0|||||||||||photography|color photography||||||||||Havana, Cuba||||||||||Cornell||MNW|JNK|8/26/2004 0:00:00|8/23/2004 0:00:00|Polidori|Hav||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Avenida 44 #2710 (between 27 and 29), Mariano|Polidori, Robert 2332.00|0|Creator|05|J-Polidori|Hav||23||Comité de Defensa de la Revolución (CDR), Vedado|Descriptive|Image Source (Book)|||||||Comité de Defensa de la Revolución (CDR), Vedado|30262|Polidori, Robert||photographer|Robert Polidori|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Photographs|Documentary photograph||||21|||2000|2001|ca|ca 2000-2001|ca 2000-2001|||||0||||0|||||||||||photography|color photography||||||||||Havana, Cuba||||||||||Cornell||MNW|JNK|8/26/2004 0:00:00|8/23/2004 0:00:00|Polidori|Hav||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Comité de Defensa de la Revolución (CDR), Vedado|Polidori, Robert 2333.00|0|Creator|05|J-Polidori|Hav||24|J-Polidori Hav 34|Vestibule of a ciudadela, Habana Vieja|Descriptive|Image Source (Book)|||||||Vestibule of a ciudadela, Habana Vieja|30262|Polidori, Robert||photographer|Robert Polidori|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Photographs|Documentary photograph||||21|||2000|2001|ca|ca 2000-2001|ca 2000-2001|||||0||||0|||||||||||photography|color photography||||||||||Havana, Cuba||||||||||Cornell||MNW|MNW|8/24/2004 0:00:00|8/23/2004 0:00:00|Polidori|Hav||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Vestibule of a ciudadela, Habana Vieja|Polidori, Robert 2334.00|0|Creator|05|J-Polidori|Hav||25||Palacio de las Ursulinas, Egido 509 (between Sol and Muralla), Habana Vieja|Descriptive|Image Source (Book)|||||||Palacio de las Ursulinas, Habana Vieja|30262|Polidori, Robert||photographer|Robert Polidori|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Photographs|Documentary photograph||||21|||2000|2001|ca|ca 2000-2001|ca 2000-2001|||||0||||0|||||||||||photography|color photography||||||||||Havana, Cuba||||||||||Cornell||MNW|JNK|8/26/2004 0:00:00|8/23/2004 0:00:00|Polidori|Hav||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Palacio de las Ursulinas, Egido 509 (between Sol and Muralla), Habana Vieja|Polidori, Robert 2335.00|0|Creator|05|J-Polidori|Hav||26|J-Polidori Hav 36|Palacio de las Ursulinas, Egido 509 (between Sol and Muralla), Habana Vieja|Descriptive|Image Source (Book)|||||||Palacio de las Ursulinas, Habana Vieja|30262|Polidori, Robert||photographer|Robert Polidori|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Photographs|Documentary photograph||||21|||2000|2001|ca|ca 2000-2001|ca 2000-2001|||||0||||0|||||||||||photography|color photography||||||||||Havana, Cuba||||||||||Cornell||MNW|JNK|8/26/2004 0:00:00|8/23/2004 0:00:00|Polidori|Hav||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Palacio de las Ursulinas, Egido 509 (between Sol and Muralla), Habana Vieja|Polidori, Robert 2336.00|0|Creator|05|J-Polidori|Hav||27|J-Polidori Hav 37|Cine Cosmos, Avenida 19 #7011 (between 70 and 72), Playa|Descriptive|Image Source (Book)|||||||Cine Cosmos, Avenida 19 #7011, Playa|30262|Polidori, Robert||photographer|Robert Polidori|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Photographs|Documentary photograph||||21|||2000|2001|ca|ca 2000-2001|ca 2000-2001|||||0||||0|||||||||||photography|color photography||||||||||Havana, Cuba; Motion picture theaters||||||||||Cornell||MNW|JNK|8/26/2004 0:00:00|8/23/2004 0:00:00|Polidori|Hav||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Cine Cosmos, Avenida 19 #7011 (between 70 and 72), Playa|Polidori, Robert 2337.00|0|Creator|05|J-Polidori|Hav||28|J-Polidori Hav 38|Cine Florida, Calzada de Diez de Octubre (between Via Blanca and Serafines), Santos Suárez|Descriptive|Image Source (Book)|||||||Cine Florida, Calzada de Diez de Octubre, Santos Suárez|30262|Polidori, Robert||photographer|Robert Polidori|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Photographs|Documentary photograph||||21|||2000|2001|ca|ca 2000-2001|ca 2000-2001|||||0||||0|||||||||||photography|color photography||||||||||Havana, Cuba; Motion picture theaters||||||||||Cornell||MNW|MNW|8/24/2004 0:00:00|8/23/2004 0:00:00|Polidori|Hav||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Cine Florida, Calzada de Diez de Octubre (between Via Blanca and Serafines), Santos Suárez|Polidori, Robert 2338.00|0|Site|02|B-H3|Rom|2.111 App||B-H3 Rom 2.111 App |Appian Way|Descriptive|Collection|Via Appia Antica|Descriptive|Blue Guide||||Appian Way|0|||||0||||0|||||Roman|||Roman Period|||||Italy||||||0|Rome, Italy|||10024||||0||||0||||||01|||52|52||52|52-52|||||0||||0||||||||||||||||||||||Rome, Italy; Roads||||||||||Cornell||JNK|JNK|8/24/2004 0:00:00|8/24/2004 0:00:00||Rom||0||||||App|B|||||H3|2.111||||||||||Work|0|Architecture-Italy|||||||||||0|0|Appian Way;Via Appia Antica| 2339.00|0|Site|02||||||Roma - Via Appia ed acquedotti di Claudio|Assigned|Image Source (Book)|||||||Appian Way. Roma - Via Appia ed acquedotti di Claudio|0|||||0||||0|||||Italian||||||||Italy||||||0||||0||||0||||0|Photographs|Documentary photograph||||19|20||||||||Appian Way|Larger entity||2338||||0|||||Postcard||||||photography|||||||||||Rome, Italy; Roads||||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|8/24/2004 0:00:00||||0|||||||||||||||||||||||Work|0|Architecture - Italy|||||||||||0|0|Roma - Via Appia ed acquedotti di Claudio| 2340.00|0|Site|02|B-H3|Rom|1.04 Bar||B-H3 Rom 1.04 Bar |Map of Rome|Assigned|Collection|||||||Map of Rome|11577|Taddeo di Bartolo||painter|Taddeo di Bartolo|0||||0|||||Sienese|Italian||Renaissance|||||Italy||||||0||||0||||0||||0|Paintings|Fresco|Map|||15|||1406|1414||1406-1414|1406-1414|||||0||||0|||||Fresco|fresco|||||fresco painting|||||||3273|Siena,Palazzo Pubblico|Siena: Pal. Pub.||Rome, Italy; Maps||||||||||Cornell||JNK|MNW|8/25/2004 0:00:00|8/24/2004 0:00:00||Rom||0||||||Bar|B|||||H3|1.04|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Map of Rome|Taddeo di Bartolo 2341.00|0|Site|02|B-H3|Sie|2.41 Pub||B-H3 Sie 2.41 Pub |Palazzo Pubblico|Assigned|Collection|||||||Palazzo Pubblico|0|||||0||||0|||||Sienese|Italian||Medieval|Early Renaissance||||Italy||||||0|Siena, Italy|||10242||||0||||0|Architecture|Public building||||13|14||1288|1309||1288-1309|1288-1309|||||0||||0||||||||||||||||||||||Public buildings; Siena, Italy||||||||||Cornell||JNK|JNK|8/24/2004 0:00:00|8/24/2004 0:00:00||Sie||0||||||Pub|B|||||H3|2.41||||||||||Work|0|Architecture-Italy|||||||||||0|0|Palazzo Pubblico| 2342.00|0|Site|02|B-H3|Sie|2.41 Pub||B-H3 Sie 2.41 Pub |Effects of Good Government|Assigned|Collection|||||||Sala dei Nove. Effects of Good Government|7228|Lorenzetti, Ambrogio||painter|Ambrogio Lorenzetti|0||||0|||||Sienese|Italian||Medieval|Early Renaissance||||Italy||||||0|Siena, Italy|||0||||0||||0|Paintings|Fresco||||14|||1338|1340||1338-1340|1338-1340||Sala dei Nove|LargerEntity||2343||||0|||||Fresco|fresco|||||fresco painting|||||||3273|Siena,Palazzo Pubblico|Siena: Pal. Pub.||Siena, Italy; Cityscapes; Rural areas; Government||||||||||Cornell||MNW|JNK|8/24/2004 0:00:00|3/31/2006 0:00:00||Sie||0||||||Pub|B|||||H3|2.41|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Effects of Good Government|Lorenzetti, Ambrogio 2343.00|0|Site|02|B-H3|Sie|2.41 Pub||B-H3 Sie 2.41 Pub |Sala dei Nove|Assigned|Collection|||||||Palazzo Pubblico. Sala dei Nove|0|||||0||||0|||||Sienese|Italian||Medieval|Early Renaissance||||Italy||||||0|Siena, Italy|||10242||||0||||0|Architecture|Public building||||13|14||1297|1342||1297-1342|1297-1342||Palazzo Pubblico|LargerEntity||2341||||0||||||||||||||||||||||Palaces; Public buildings; Siena, Italy||||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|8/24/2004 0:00:00||Sie||0||||||Pub|B|||||H3|2.41||||||||||Work|0|Architecture-Italy|||||||||||0|0|Sala dei Nove| 2344.00|0|Site|02|B-H3|Sie|2.41 Pub||B-H3 Sie 2.41 Pub |Anticappella|Assigned|Collection|||||||Palazzo Pubblico. Anticappella|0|||||0||||0|||||Sienese|Italian||Medieval|Early Renaissance||||Italy||||||0|Siena, Italy|||10242||||0||||0|Architecture|Public building||||13|14||1288|1390||1288-1390|1288-1390||Palazzo Pubblico|LargerEntity||2341||||0||||||||||||||||||||||Siena, Italy; Public buildings; Chapels||||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|8/24/2004 0:00:00||Sie||0||||||Pub|B|||||H3|2.41||||||||||Work|0|Architecture - Italy|||||||||||0|0|Anticappella| 2345.00|0|Site|02|B-H3|Sie|2.41 Pub||B-H3 Sie 2.41 Pub |Allegory of Good Government|Assigned|Collection|||||||Sala dei Nove. Allegory of Good Government|7228|Lorenzetti, Ambrogio||painter|Ambrogio Lorenzetti|0||||0|||||Sienese|Italian||Medieval|Early Renaissance||||Italy||||||0|siea|||||||0||||0|Paintings|Fresco||||14|||1338|1340||1338-1340|1338-1340||Sala dei Nove|LargerEntity||2343||||0|||||Fresco|fresco|||||fresco painting|||||||||||Siena, Italy; Government||||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|8/24/2004 0:00:00||||0||||||Pub|B|||||H3|2.41||||||||||Work|0|Architecture-Italy|||||||||||0|0|Allegory of Good Government|Lorenzetti, Ambrogio 2346.00|0|Site|02|B-H3|Sie|2.41 Pub||B-H3 Sie 2.41 Pub |Allegory of Bad Government|Assigned|Collection|||||||Sala dei Nove. Allegory of Bad Government|7228|Lorenzetti, Ambrogio||painter|Ambrogio Lorenzetti|0||||0|||||Sienese|Italian||Medieval|Early Renaissance||||Italy||||||0|Siena, Italy|||10242||||0||||0|Paintings|Fresco||||14|||1338|1340||1338-1340|1338-1340||Sala dei Nove|LargerEntity||2343||||0|||||Fresco|fresco|||||fresco painting|||||||||||Siena, Italy; Government||||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|8/24/2004 0:00:00||Sie||0||||||Pub|B|||||H3|2.41||||||||||Work|0|Architecture-Italy|||||||||||0|0|Allegory of Bad Government|Lorenzetti, Ambrogio 2347.00|0|Site|02|B-H3|Rom|2.111a Mil||B-H3 Rom 2.111a Mil |Ponte Milvio|Assigned|Blue Guide|Ponte Molle|Assigned|Blue Guide||||Ponte Milvio|0|||||0||||0|||||Roman|||Roman Period|||||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Bridge (Built work)|||BCE|-01|||109|109||109 BCE|109-109 BCE|||||0||||0||||||||||||||||||||||Rome, Italy; Bridges (built works)||||||||||Cornell||JNK|MNW|8/25/2004 0:00:00|8/24/2004 0:00:00||Rom||0||||||Mil|B|||||H3|2.111a||||||||||Work|0|Architecture-Italy|||||||||||0|0|Ponte Milvio;Ponte Molle| 2348.00|0|Creator|05|J-Polidori|Hav||29|J-Polidori Hav 39|Calzada de Infanta (between Humboldt and 23), Centro Habana|Descriptive|Image Source (Book)|||||||Calzada de Infanta (between Humboldt and 23), Centro Habana|30262|Polidori, Robert||photographer|Robert Polidori|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Photographs|Documentary photograph||||21|||2000|2001|ca|ca 2000-2001|ca 2000-2001|||||0||||0|||||||||||photography|color photography||||||||||Havana, Cuba||||||||||Cornell||MNW|MNW|8/24/2004 0:00:00|8/24/2004 0:00:00|Polidori|Hav||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Calzada de Infanta (between Humboldt and 23), Centro Habana|Polidori, Robert 2349.00|0|Creator|05|J-Polidori|Hav||30|J-Polidori Hav 40|Calzada de Infanta (between 23 and Espada), Centro Habana|Descriptive|Image Source (Book)|||||||Calzada de Infanta (between 23 and Espada), Centro Habana|30262|Polidori, Robert||photographer|Robert Polidori|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Photographs|Documentary photograph||||21|||2000|2001|ca|ca 2000-2001|ca 2000-2001|||||0||||0|||||||||||photography|color photography||||||||||||||||||||Cornell||MNW|MNW|8/24/2004 0:00:00|8/24/2004 0:00:00|Polidori|Hav||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Calzada de Infanta (between 23 and Espada), Centro Habana|Polidori, Robert 2350.00|0|Creator|05|J-Polidori|Hav||31|J-Polidori Hav 41|Avenida San Lázaro (from the Paseo del Prado), Centro Habana|Descriptive|Image Source (Book)|||||||Avenida San Lázaro (from the Paseo del Prado), Centro Habana|30262|Polidori, Robert||photographer|Robert Polidori|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Photographs|Documentary photograph||||21|||2000|2001|ca|ca 2000-2001|ca 2000-2001|||||0||||0|||||||||||photography|color photography||||||||||Havana, Cuba||||||||||Cornell||MNW|MNW|8/24/2004 0:00:00|8/24/2004 0:00:00|Polidori|Hav||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Avenida San Lázaro (from the Paseo del Prado), Centro Habana|Polidori, Robert 2351.00|0|Creator|05|J-Polidori|Hav||32|J-Polidori Hav 42|José Martí Sports Park, Avenida 5ta. And H. Vedado|Descriptive|Image Source (Book)|||||||José Martí Sports Park, Vedado|30262|Polidori, Robert||photographer|Robert Polidori|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Photographs|Documentary photograph||||21|||2000|2001|ca|ca 2000-2001|ca 2000-2001|||||0||||0|||||||||||photography|color photography||||||||||Havana, Cuba||||||||||Cornell||MNW|MNW|8/24/2004 0:00:00|8/24/2004 0:00:00|Polidori|Hav||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|José Martí Sports Park, Avenida 5ta. And H. Vedado|Polidori, Robert 2352.00|0|Creator|05|J-Polidori|Hav||46|J-Polidori Hav 46|Avenida 5ta. #105-107 (between G and H), Vedado|Descriptive|Image Source (Book)|||||||Avenida 5ta. #105-107, Vedado|30262|Polidori, Robert||photographer|Robert Polidori|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Photographs|Documentary photograph||||21|||2000|2001|ca|ca 2000-2001|ca 2000-2001|||||0||||0|||||||||||photography|color photography||||||||||Havana, Cuba||||||||||Cornell||MNW|CLL|12/9/2004 0:00:00|8/24/2004 0:00:00|Polidori|Hav||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Avenida 5ta. #105-107 (between G and H), Vedado|Polidori, Robert 2353.00|0|Creator|05|J-Polidori|Hav||33|J-Polidori Hav 43|Edificio Solimar, Soledad #205 (between San Lázaro and Animas), Centro Habana|Descriptive|Image Source (Book)|||||||Edificio Solimar, Soledad #205, Centro Habana|30262|Polidori, Robert||photographer|Robert Polidori|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Photographs|Documentary photograph||||21|||2000|2001|ca|ca 2000-2001|ca 2000-2001|||||0||||0|||||||||||photography|color photography||||||||||Havana, Cuba||||||||||Cornell||MNW|MNW|8/24/2004 0:00:00|8/24/2004 0:00:00|Polidori|Hav||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Edificio Solimar, Soledad #205 (between San Lázaro and Animas), Centro Habana|Polidori, Robert 2354.00|0|Creator|05|J-Polidori|Hav||34|J-Polidori Hav 44|Student Recreation Center, Avenida 1ra. #1802 (at corner of 18), Miramar|Descriptive|Image Source (Book)|||||||Student Recreation Center, Avenida 1ra. #1802 , Miramar|30262|Polidori, Robert||photographer|Robert Polidori|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Photographs|Documentary photograph||||21|||2000|2001|ca|ca 2000-2001|ca 2000-2001|||||0||||0|||||||||||photography|color photography||||||||||Havana, Cuba||||||||||Cornell||MNW|MNW|8/24/2004 0:00:00|8/24/2004 0:00:00|Polidori|Hav||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Student Recreation Center, Avenida 1ra. #1802 (at corner of 18), Miramar|Polidori, Robert 2355.00|0|Creator|05|J-Polidori|Hav||35|J-Polidori Hav 45|Mercaderes 265-267 (between Amargura and Teniente Rey), Habana Vieja|Descriptive|Image Source (Book)|||||||Mercaderes 265-267), Habana Vieja|30262|Polidori, Robert||photographer|Robert Polidori|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Photographs|Documentary photograph||||21|||2000|2001|ca|ca 2000-2001|ca 2000-2001|||||0||||0|||||||||||photography|color photography||||||||||Havana, Cuba||||||||||Cornell||MNW|MNW|8/24/2004 0:00:00|8/24/2004 0:00:00|Polidori|Hav||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Mercaderes 265-267 (between Amargura and Teniente Rey), Habana Vieja|Polidori, Robert 2356.00|0|Creator|05|J-Polidori|Hav||36|J-Polidori Hav 46|Building Façade, Habana Vieja|Descriptive|Image Source (Book)|||||||Building Façade, Habana Vieja|30262|Polidori, Robert||photographer|Robert Polidori|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Photographs|Documentary photograph||||21|||2000|2001|ca|ca 2000-2001|ca 2000-2001|||||0||||0|||||||||||photography|color photography||||||||||Havana, Cuba||||||||||Cornell||MNW|MNW|8/24/2004 0:00:00|8/24/2004 0:00:00|Polidori|Hav||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Building Façade, Habana Vieja|Polidori, Robert 2357.00|0|Creator|05|J-Polidori|Hav||37|J-Polidori Hav 47|Galiano Department Store. Galiano 360 (at the corner of San Rafael), Centro Habana|Descriptive|Image Source (Book)|||||||Galiano Department Store, Centro Habana|30262|Polidori, Robert||photographer|Robert Polidori|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Photographs|Documentary photograph||||21|||2000|2001|ca|ca 2000-2001|ca 2000-2001|||||0||||0|||||||||||photography|color photography||||||||||Havana, Cuba; Department stores||||||||||Cornell||MNW|MNW|8/24/2004 0:00:00|8/24/2004 0:00:00|Polidori|Hav||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Galiano Department Store. Galiano 360 (at the corner of San Rafael), Centro Habana|Polidori, Robert 2358.00|0|Creator|05|J-Polidori|Hav||38|J-Polidori Hav 48|Zanja 668 (between Soledad and Aramburu), Centro Habana|Descriptive|Image Source (Book)|||||||Zanja 668, Centro Habana|30262|Polidori, Robert||photographer|Robert Polidori|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Photographs|Documentary photograph||||21|||2000|2001|ca|ca 2000-2001|ca 2000-2001|||||0||||0|||||||||||photography|color photography||||||||||Havana, Cuba||||||||||Cornell||MNW|MNW|8/24/2004 0:00:00|8/24/2004 0:00:00|Polidori|Hav||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Zanja 668 (between Soledad and Aramburu), Centro Habana|Polidori, Robert 2359.00|0|Creator|05|J-Polidori|Hav||39|J-Polidori Hav 49|Zanja 668 (between Soledad and Aramburu), Centro Habana|Descriptive|Image Source (Book)|||||||Zanja 668, Centro Habana|30262|Polidori, Robert||photographer|Robert Polidori|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Photographs|Documentary photograph||||21|||2000|2001|ca|ca 2000-2001|ca 2000-2001|||||0||||0|||||||||||photography|color photography||||||||||Havana, Cuba||||||||||Cornell||MNW|MNW|8/24/2004 0:00:00|8/24/2004 0:00:00|Polidori|Hav||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Zanja 668 (between Soledad and Aramburu), Centro Habana|Polidori, Robert 2360.00|0|Creator|05|J-Polidori|Hav||40|J-Polidori Hav 50|Manrique 152 (between Virtudes and Animas), Centro Habana|Descriptive|Image Source (Book)|||||||Manrique 152, Centro Habana|30262|Polidori, Robert||photographer|Robert Polidori|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Photographs|Documentary photograph||||21|||2000|2001|ca|ca 2000-2001|ca 2000-2001|||||0||||0|||||||||||photography|color photography||||||||||Havana, Cuba||||||||||Cornell||MNW|MNW|8/24/2004 0:00:00|8/24/2004 0:00:00|Polidori|Hav||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Manrique 152 (between Virtudes and Animas), Centro Habana|Polidori, Robert 2361.00|0|Creator|05|J-Polidori|Hav||41|J-Polidori Hav 51|Buillding Facades, Calzada de Diez de Octubre, Cerro|Descriptive|Image Source (Book)|||||||Buillding Facades, Calzada de Diez de Octubre, Cerro|30262|Polidori, Robert||photographer|Robert Polidori|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Photographs|Documentary photograph||||21|||2000|2001|ca|ca 2000-2001|ca 2000-2001|||||0||||0|||||||||||photography|color photography||||||||||Havana, Cuba||||||||||Cornell||MNW|MNW|8/24/2004 0:00:00|8/24/2004 0:00:00|Polidori|Hav||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Buillding Facades, Calzada de Diez de Octubre, Cerro|Polidori, Robert 2362.00|0|Site|02||||||Le Temple de Sibylle à Tivoli|Assigned|Repository|The Temple of the Sibyl at Tivoli|Translated|Cataloger||||Le Temple de Sibylle à Tivoli|4065|Fragonard, Jean-Honoré||painter|Jean-Honoré Fragonard|0||||0|||||French|||Rococo|||||France||||||0||||0||||0||||0|Drawings|Drawing||||18|||1756|1761||1756-1761|1756-1761|||||0||||0|||||Red chalk on paper|red chalk|||||drawing (image-making)|||||36 x 48.7 cm||367|Besancon,Musee des Beaux-Arts et d'Archeologie|Besancon: MBA||Temples; Sibyls||||||||||Cornell||JNK|MNW|8/25/2004 0:00:00|8/24/2004 0:00:00||||0||||||||||||||| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Le Temple de Sibylle à Tivoli;The Temple of the Sibyl at Tivoli|Fragonard, Jean-Honoré 2363.00|0|Creator|05|J-Polidori|Hav||42|J-Polidori Hav 52|National School of Ballet, 134 and 15. Cubanacán|Descriptive|Image Source (Book)|||||||National School of Ballet, 134 and 15. Cubanacán|30262|Polidori, Robert||photographer|Robert Polidori|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Photographs|Documentary photograph||||21|||2000|2001|ca|ca 2000-2001|ca 2000-2001|||||0||||0|||||||||||photography|color photography||||||||||Havana, Cuba||||||||||Cornell||MNW|MNW|8/24/2004 0:00:00|8/24/2004 0:00:00|Polidori|Hav||0|||||||J||||||||||||||||Work|0||||||||||||0|0|National School of Ballet, 134 and 15. Cubanacán|Polidori, Robert 2364.00|0|Creator|05|J-Polidori|Hav||43|J-Polidori Hav 53|National School of Ballet, 134 and 15. Cubanacán|Descriptive|Image Source (Book)|||||||National School of Ballet, 134 and 15. Cubanacán|30262|Polidori, Robert||photographer|Robert Polidori|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Photographs|Documentary photograph||||21|||2000|2001|ca|ca 2000-2001|ca 2000-2001|||||0||||0|||||||||||photography|color photography||||||||||Havana, Cuba||||||||||Cornell||MNW|MNW|8/24/2004 0:00:00|8/24/2004 0:00:00|Polidori|Hav||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|National School of Ballet, 134 and 15. Cubanacán|Polidori, Robert 2365.00|0|Creator|05|J-Polidori|Hav||44|J-Polidori Hav 54|Apartment Buildings in the Unidad Vecinal #1, Via Monumental, Habana del Este|Descriptive|Image Source (Book)|||||||Apartment Buildings in the Unidad Vecinal #1, Via Monumental, Habana del Este|30262|Polidori, Robert||photographer|Robert Polidori|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Photographs|Documentary photograph||||21|||2000|2001|ca|ca 2000-2001|ca 2000-2001|||||0||||0|||||||||||photography|color photography||||||||||Havana, Cuba||||||||||Cornell||MNW|MNW|8/24/2004 0:00:00|8/24/2004 0:00:00|Polidori|Hav||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Apartment Buildings in the Unidad Vecinal #1, Via Monumental, Habana del Este|Polidori, Robert 2366.00|0|Creator|05|J-Polidori|Hav||45|J-Polidori Hav 55|Apartment Buildings in the Unidad Vecinal #1, Via Monumental, Habana del Este|Descriptive|Image Source (Book)|||||||Apartment Buildings in the Unidad Vecinal #1, Via Monumental, Habana del Este|30262|Polidori, Robert||photographer|Robert Polidori|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Photographs|Documentary photograph||||21|||2000|2001|ca|ca 2000-2001|ca 2000-2001|||||0||||0|||||||||||photography|color photography||||||||||Havana, Cuba||||||||||Cornell||MNW|JNK|8/26/2004 0:00:00|8/24/2004 0:00:00|Polidori|Hav||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Apartment Buildings in the Unidad Vecinal #1, Via Monumental, Habana del Este|Polidori, Robert 2367.00|0|Site|02|B-H3|Rom|3.4 Isis||B-H3 Rom 3.4 Isis |Iseum Campense|Descriptive|Blue Guide|Temple of Isis, Campus Martius|Translated|Cataloger||||Iseum Campense|0|||||0||||0|||||Roman|||Roman Period|||||Italy||||||0||||0|Rome, Italy|||10024||||0|Architecture|Temple||||01|||12|41||12-41|12-41|||||0||||0||||||||||||||||||||||Temples; Isis (Egyptian deity); Temple of Isis and Serapis (Rome, Italy)||||||||||Cornell||JNK|MNW|8/29/2004 0:00:00|8/24/2004 0:00:00|||Rom|0||||||Isis|B|||||H3|3.3|| ||||||||Work|0|Architecture-Italy|The obelisk of the temple was reused by Bernini in his elephant and obelisk sculpture in the Piazza Minerva. Other remnants of the temple are in the Capitoline Museum, the Egyptian collection of the Vatican, and the Piazza dei Cinquecento. Blue Guide.||||||||||0|0|Iseum Campense;Temple of Isis, Campus Martius| 2368.00|0|Site|02|B-H3|Rom|3.3 Cest||B-H3 Rom 3.3 Cest |Pyramid of Gaius Cestius|Assigned|Blue Guide|||||||Pyramid of Gaius Cestius|0|||||0||||0|||||Roman|||Roman Period|||||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Tomb|||BCE|-01|||12|12||12 BC|12-12|||||0||||0||||||||||||||||||||||Tombs; Pyramids (tombs)||||||||||Cornell||JNK|JNK|3/2/2006 0:00:00|8/24/2004 0:00:00||Rom||0||||||Cest|B|||||H3|3.3||||||||||Work|0|Architecture-Italy|Gaius Cestius was praetor, tribune of the plebs, and member of the college of the Septemvrii Epulones, who had charge of colemn banquets…The pyramid is made of brick and covered with marble.Blue Guide.||||||||||0|0|Pyramid of Gaius Cestius| 2369.00|0|Site|02|B-H2|Par|7.11 Beau||B-H2 Par 7.11 Beau |Hôtel de Beauharnais|Assigned|Image Source (Book)|||||||Hôtel de Beauharnais|1302|Boffrand, Germain||architect|Germain Boffrand|0||||0|||||French|||Rococo|||||France||||||0|78 rue de Lille, Paris, France|||10273||||0||||0|Architecture|Hotel (town house)||||18|||1713|1714||1713-1714|1713-1714|||||0||||0||||||||||||||||||||||Hôtels (town houses); Paris, France||||||||||Cornell||JNK|MNW|8/29/2004 0:00:00|8/24/2004 0:00:00||Par||0||||||Beau|B|||||H2|7.11||||||||||Work|0|Architecture-France|||||||||||0|0|Hôtel de Beauharnais|Boffrand, Germain 2370.00|0|Site|02|B-H2|Par|7.11 Beau||B-H2 Par 7.11 Beau |Portico of the Hôtel de Beauharnais|Assigned|Image Source (Book)|||||||Hôtel de Beauharnais. Portico|30267|Bataille, Laurent-Edme||architect|Laurent-Edme Bataille|0||||0|||||French|||Napoleonic|||||France||||||0|78 rue de Lille, Paris, France|||10273||||0||||0|Architecture|Hotel (town house)||||19|||1804|1807||1804-1807|1804-1807||Hôtel de Beauharnais|Larger entity||2369||||0||||||||||||||||||||||Hôtels (town houses); Egypt||||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|8/24/2004 0:00:00||Par||0||||||Beau|B|||||H2|7.11||||||||||Work|0|Architecture-France|The style of this portico (Egyptian revival) is a response to the Egyptian expeditions of Napoleon.||||||||||0|0|Portico of the Hôtel de Beauharnais|Bataille, Laurent-Edme 2371.00|0|Site|02|B-G1|Penz|7.5 Egypt||B-G1 Penz 7.5 Egypt |Egyptian House|Assigned|Image Source (Book)|||||||Egyptian House|0|||||0||||0|||||English|||Neoclassical|||||England||||||0|Penzance, England|||10268||||0||||0|Architecture|House||||19|||1835|1835|ca|ca 1835|ca 1835-1835|||||0||||0||||||||||||||||||||||Houses; Egypt||||||||||Cornell||JNK|JNK|8/25/2004 0:00:00|8/25/2004 0:00:00||Penz||0||||||Egypt|B|||||G1|7.5||||||||||Work|0|Architecture-England|||||||||||0|0|Egyptian House| 2372.00|0|Site|02|B-P2|Tsar|7.1 CathGate||B-P2 Tsar 7.1 CathGate |Egyptian Gates of the Alexander Park|Assigned|Image Source (Book)|||||||Egyptian Gates of the Alexander Park|30269|Menelas, Adam||architect|Adam Menelas|0||||0|||||Russian|||Neoclassical|||||Russia||||||0|Pushkin (Tsarskoe Selo) , Russia|||10269||||0||||0|Architecture|Gate||||19|||1827|1830||1827-1830|1827-1830|||||0||||0||||||||||||||||||||||Gates||||||||||Cornell||JNK|JNK|1/31/2005 0:00:00|8/25/2004 0:00:00||Tsar||0||||||CathGate|B|||||P2|7.1||||||||||Work|0|Architecture-Russia|||||||||||0|0|Egyptian Gates of the Alexander Park|Menelas, Adam 2373.00|0|Site|02|B-H1|Ant|2.32 Zoo||B-H1 Ant 2.32 Zoo |Egyptian Temple|Translated|Cataloger|||||||Antwerp Zoo. Egyptian Temple|30270|Servais, Charles||architect|Charles Servais|0||||0|||||Belgian||||||||Belgium||||||0|Antwerp, Belgium|||10270||||0||||0|Architecture|Temple||||19|||1855|1856||1855-1856|1855-1856||Antwerp Zoo|Larger entity||2374||||0||||||||||||||||||||||Egypt; Temples; Zoos||||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|8/25/2004 0:00:00||Ant||0||||||Zoo|B|||||H1|2.32||||||||||Work|0|Architecture-Belgium|||||||||||0|0|Egyptian Temple|Servais, Charles 2374.00|0|Site|02|B-H1|Ant|2.32 Zoo||B-H1 Ant 2.32 Zoo |Antwerp Zoo|Assigned|Image Source (Book)|||||||Antwerp Zoo|0|||||0||||0|||||Belgian||||||||Belgium||||||0|Antwerp, Belgium|||10270||||0||||0|Architecture|||||19|20|21|1843|||1843-|1843-|||||0||||0||||||||||||||||||||||Zoos||||||||||Cornell||JNK|JNK|8/25/2004 0:00:00|8/25/2004 0:00:00||Ant||0||||||Zoo|B|||||H1|2.32||||||||||Work|0|Architecture-Belgium|||||||||||0|0|Antwerp Zoo| 2375.00|0|Site|02|B-H2|Par|2.31 1867 Expo/Suez||B-H2 Par 2.31 1867 Expo/Suez |Le pavillion de l'isthme de Suez|Assigned|Image Source (Book)|The Pavilion of the Isthmus of Suez|Translated|Cataloger||||Exposition universelle de 1867 à Paris. Le pavillion de l'isthme de Suez|30271|Chapon, Alfred||architect|Alfred Chapon|0||||0|||||French||||||||France||||||0||||0|Paris, France|||10058||||0|Architecture|Pavilion (Garden structure)|Exhibit building|||19|||1867|1867||1867-1867|1867-1867||Exposition universelle de 1867 à Paris|Larger entity||2021||||0||||||||||||||||||||||Exhibition buildings; Exposition universelle de 1867 à Paris||||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|8/25/2004 0:00:00||Par|Par|0||||||1867 Expo/Suez|B|||||H2|2.31||||||||||Work|0|Architecture-Paris|||||||||||0|0|Le pavillion de l'isthme de Suez;The Pavilion of the Isthmus of Suez|Chapon, Alfred 2376.00|0|Site|02|B-H2|Par|2.31 1889 Expo/Egy||B-H2 Par 2.31 1889 Expo/Egy |Le pavillon égyptien|Assigned|Image Source (Book)|The Egyptian Pavilion|Translated|Cataloger||||Exposition Universelle de 1889. Le pavillon égyptien|0|||||0||||0|||||Egyptian||||||||France||||||0||||0|Paris, France|||10058||||0|Architecture|Exhibit building|Pavilion (Garden structure)|||19|||1889|1889||1889-1889|1889-1889||Exposition Universelle de 1889|Larger entity||2189||||0||||||||||||||||||||||Exhibition buildings; Exposition universelle de 1867 à Paris||||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|8/25/2004 0:00:00||Par|Par|0||||||1889 Expo/Egy|B|||||H2|2.31||||||||||Work|0|Architecture-France|||||||||||0|0|Le pavillon égyptien;The Egyptian Pavilion| 2377.00|0|Architect|02|MA-Coles|2.22|1930 Carl||MA-Coles 2.22 1930 Carl |Carlton Cinema|Former|Image Source (Book)|Mecca Bingo Cinema|Assigned|Image Source (Book)||||Carlton Cinema (Mecca Bingo)|30275|Coles, George||architect|George Coles|0||||0|||||British|||Art Deco|||||England||||||0|Islington, London, England|||10274||||0||||0|Architecture|Motion picture theaters||||20|||1930|1930||1930|1930-1930|||||0||||0||||||||||||||||||||||Motion picture theaters||||||||||Cornell||JNK|MNW|6/3/2005 0:00:00|8/25/2004 0:00:00|Coles|||0||||||Carl|MA||||||2.22|1930|||||||||Work|0|Modern Architecture-|||||||||||0|0|Carlton Cinema;Mecca Bingo Cinema|Coles, George 2378.00|0|Site|02|B-H2|Par|2.31 1867 Expo/EgyTemp||B-H2 Par 2.31 1867 Expo/EgyTemp |Temple égyptien|Assigned|Image Source (Book)|Egyptian Temple|Translated|Cataloger||||Exposition universelle de 1867 à Paris. Temple égyptien|30276|Mariette, Auguste||architect|Auguste Mariette|0||||0|||||Egyptian||||||||France||||||0||||0|Paris, France|||10058||||0|Architecture|Exhibit building||||19|||1867|1867||1867-1867|1867-1867||Exposition universelle de 1867 à Paris|Larger entity||2021||||0||||||||||||||||||||||Temples; Egypt; Exhibition buildings; Exposition universelle de 1867 à Paris||||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|8/25/2004 0:00:00||Par|Par|0||||||1867 Expo/EgyTemp|B|||||H2|2.31||||||||||Work|0|Architecture-France|||||||||||0|0|Temple égyptien;Egyptian Temple|Mariette, Auguste 2379.00|0|Site|02|MA|Mey&Hol|2.22 1922 Gra||MA Mey&Hol 2.22 1922 Gra |Grauman's Egyptian Theater|Assigned|Image Source (Book)|||||||Grauman's Egyptian Theater|28650|Meyer & Holler||ArchFirm|Meyer & Holler|0||||0|||||American|||Art Deco|||||United States||||||0|Los Angeles, CA|||10085||||0||||0|Architecture|Motion picture theaters||||20|||1921|1922||1921-1922|1921-1922|||||0||||0||||||||||||||||||||||Motion picture theaters||||||||||Cornell||JNK|JNK|8/25/2004 0:00:00|8/25/2004 0:00:00|Me & Hol|LosA||0||||||1922 Gra|MA||||||2.22||||||||||Work|0|Modern Architecture|The Egyptian Theatre was built by Sid Grauman.||||||||||0|0|Grauman's Egyptian Theater|Meyer & Holler 2380.00|0|Creator|07|U-15|9.1|Morel Cabinet||U-15 9.1 Morel Cabinet|Cabinet Designed to Hold the 22 Volumes of the Description de l'Égypte|Assigned|Image Source (Book)|||||||Cabinet designed to hold the Description de l'Égypte|30277|Morel, Charles||ébéniste|Charles Morel|0||||0|||||French|||Empire|||||France||||||0||||0||||0||||0|Furnishings|Cabinet (case furniture)||||19|||1813|1836||1813-1836|1813-1836|||||0||||0|||||Carved wood|wood|||||carving|||||||9355|Paris,Bibliothèque du Sénat, Palais du Luxembourg|Paris: Bibliothèque du Sénat||Furniture; Books; Egypt||||||||||Cornell||JNK|MNW|8/29/2004 0:00:00|8/26/2004 0:00:00||||0||||||Morel Cabinet|U|||15||||| |9.1|||||||Work|0|Furniture-French|The top of the cabinet lifts up to become a lecturne for consulting the volumes.||||||||||0|0|Cabinet Designed to Hold the 22 Volumes of the Description de l'Égypte|Morel, Charles 2381.00|0|Creator|07|T-15|Deharme|||T-15 Deharme |Egyptian Vase|Assigned|Image Source (Book)|||||||Egyptian Vase|30278|Deharme, Blaise Louis||manufacturer|Blaise Louis Deharme|30233|Debret, François||architect|0|||||French|||Empire|||||France||||||0||||0||||0||||0|Metalwork|Vase||||19|||1804|1806||1804-1806|1804-1806|||||0||||0|||||Varnished sheet-matal and gilded bronze|metal|bronze|varnish|||metalworking|||||1.8 m H||3341|Paris,Musee National du Louvre|Paris: Louvre||Egypt||||||||||Cornell||JNK|MNW|8/29/2004 0:00:00|8/26/2004 0:00:00||||0||||||Deharme|T|||15||||| ||||||||Work|0|Matalwork - France|This vase was first presented at the Exposition des Produite de l'Industrie in 1806.||||||||||0|0|Egyptian Vase|Deharme, Blaise Louis;Debret, François 2382.00|0|Site|02|B-G1|Lon|1.32 Cleo||B-G1 Lon 1.32 Cleo |Cleopatra's Needle (London)|Assigned|Blue Guide|||||||Cleopatra's Needle (London)|0|||||0||||0|||||Egyptian|||New Kingdom|||||Egypt||||||0|London, England|||10018|Heliopolis, Egypt|||10264|Alexandria, Egypt||||Architecture|Obelisks|||BCE|-16|||1500|1500||1500|1500-1500|||||0||||0|||||Pink granite|granite|||||sculpture|||||21 m H||||||Obelisks||||||||||Cornell||JNK|JNK|8/26/2004 0:00:00|8/26/2004 0:00:00||Lon|Hel|0||||||Cleo|B|||||G1|1.32||||||||||Work|0|Architecture-England|The obelisk was erected at Heliopolis by Thutmose III in 1500 BC. It was moved to Alexandria by the Romans in 12 BC. The obelisk was given as a gift to Great Britain by Mehemet Ali, viceroy of Egypt in 1819. Not moved to its present location until 1878.||||||||||0|0|Cleopatra's Needle (London)| 2383.00|0|Site|02|B-G1|Lon|1.32 Cleo||B-G1 Lon 1.32 Cleo |One of Two sphinxes Flanking Cleopatra's Needle on the Victoria Embankment|Assigned|Image Source (Book)|||||||One of Two sphinxes Flanking Cleopatra's Needle on the Victoria Embankment|30279|Vulliamy, George J||sculptor|George J. Vulliamy|0||||0|||||British|||Victorian|||Europe||United Kingdom||||||0|London, England|||10018||||0||||0|Sculpture|Sculpture||||19|||1880|1880||1880|1880-1880|||||0||||0|||||Cast bronze|bronze|||||casting|sculpture||||||||||Sphinx||||||||||Cornell||JNK|MNW|6/3/2005 0:00:00|8/26/2004 0:00:00||Lon||0||||||Cleo|B|||||G1|1.32||||||||||Work|0|Architecture-England|||||||||||0|0|One of Two sphinxes Flanking Cleopatra's Needle on the Victoria Embankment|Vulliamy, George J 2384.00|0|Site|02|B-H3|Rom|3.1 SPet/Neb||B-H3 Rom 3.1 SPet/Neb |Coronation of Sixtus V|Assigned|Collection|Piazza S. Pietro, senza l'obelisco, con la basilica in costruzione|Descriptive|Print Publication||||Vatican Library. Salone Sistino. Coronation of Sixtus V|8430|Nebbia, Cesare||painter|Cesare Nebbia & Giovanni Guerra|4907|Guerra, Giovanni|||0|||||Italian|||Baroque|||||Italy||||||0|Rome, Italy|||10024||||0||||0|Paintings|Fresco||||16|||1590|1591||1590-1591|1590-1591||Salone Sistino|Larger entity||2316||||0|||||Fresco|fresco|||||fresco painting|||||||9353|Rome, Vatican, Biblioteca Vatican, Salone Sisto|Rome: Vatican; Biblioteca; Sisto||Sixtus IV, Pope (Francesco della Rovere) ; Basilica di San Pietro in Vaticano ; Processions ; Coronations ; |Sixtus IV, Pope (Francesco della Rovere)|Basilica di San Pietro in Vaticano|Processions|Coronations||||||Cornell||JNK|JNK|5/25/2006 0:00:00|8/26/2004 0:00:00||Rom||0||||||SPet/Neb|B|||||H3|3.1|| ||||||||Work|0|Architecture-Italy||||Jörg Garms dates the fresco to 1588-1589.|||||||0|0|Coronation of Sixtus V;Piazza S. Pietro, senza l'obelisco, con la basilica in costruzione|Nebbia, Cesare;Guerra, Giovanni 2385.00|0|Site|02|B-H3|Rom|3.1 SPet/P&C||B-H3 Rom 3.1 SPet/P&C|Lowering of the Vatican Obelisk|Assigned|Collection|Piazza S. Pietro durante l'innalzamento dell'obelisco sistino|Descriptive|Print Publication||||Vatican Library. Salone Sistino. Lowering of the Vatican Obelisk|8430|Nebbia, Cesare||painter|Cesare Nebbia & Giovanni Guerra|4907|Guerra, Giovanni|||0|||||Italian|||Baroque|||||Italy||||||0|Rome, Italy|||10024||||0||||0|Paintings|Fresco||||16|||1590|1591||1590-1591|1590-1591||Salone Sistino|LargerEntity||2316||||0|||||Fresco|fresco|||||fresco painting|||||||9353|Rome, Vatican, Biblioteca Vatican, Salone Sisto|Rome: Vatican; Biblioteca; Sisto||Basilica di San Pietro in Vaticano ; Obelisks ; |Basilica di San Pietro in Vaticano|Obelisks||||||||Cornell||JNK|JNK|5/25/2006 0:00:00|8/26/2004 0:00:00||Rom||0||||||SPet/P&C|B|||||H3|3.1|| ||||||||Work|0|Architecture-Italy||||Jörg Garms dates the fresco to 1588-1589.|||||||0|0|Lowering of the Vatican Obelisk;Piazza S. Pietro durante l'innalzamento dell'obelisco sistino|Nebbia, Cesare;Guerra, Giovanni 2386.00|0|Site|02|B-H3|Rom|3.1 Vat/Lib||B-H3 Rom 3.1 Vat/Lib |Domenico Fontana Presents the Project for the Vatican Library to Sixtus V|Assigned|Collection|||||||Domenico Fontana Presents the Project for the Vatican Library to Sixtus V|13172|Facchetti, Pietro||painter|Pietro Facchetti|0||||0|||||Italian|||Baroque|||||Italy||||||0|Rome, Italy|||10024||||0||||0|Paintings|Fresco||||16|||1590|1591||1590-1591|1590-1591||Salone Sistino|||2316||||0|||||Fresco|fresco|||||fresco painting|||||||9353|Rome: Vatican; Biblioteca Apostolica Vaticana; Salone Sisto|Rome: Vatican; Biblio. Apost.; Sisto||Sixtus V, Pope, 1520-1590 (Felice Peretti) ; Fontana, Domenico, 1543-1607 ; Portraits ; Plans (drawings) ; Biblioteca apostolica vaticana ; |Sixtus V, Pope, 1520-1590 (Felice Peretti)|Fontana, Domenico, 1543-1607|Portraits|Plans (drawings)|Biblioteca apostolica vaticana|||||Cornell||JNK|MNW|2/17/2005 0:00:00|8/26/2004 0:00:00||Rom||0||||||Vat/Lib|B|||||H3|3.1|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Domenico Fontana Presents the Project for the Vatican Library to Sixtus V|Facchetti, Pietro 2387.00|0|Creator|06|J-MP|DeMille|1 Cleopatra||J-MP DeMille 1 Cleopatra |Cleopatra|Assigned|Image Source (Book)|||||||Cleopatra|2989|DeMille, Cecil Blount||filmmaker|Cecil B. DeMille|0||||0|||||American|||Art Deco|||||United States||||||0||||0||||0||||0|Film Stills|Film stills|Portraits|||20|||1934|1934||1934|1934-1934|||||0||||0|||||Film Still||||||film making|||||||||||Cleopatra, Queen of Egypt, d. 30 B.C.; Colbert, Claudette; Portraits||||||||||Cornell||JNK|MNW|9/27/2004 0:00:00|8/26/2004 0:00:00|DeMille|||0||||||Cleopatra|J-MP|1|||||||||||||||Work|0|Photography-MotionPicture|Produced by Paramount, USA||||||||||0|0|Cleopatra|DeMille, Cecil Blount 2388.00|0|Creator|06|J-MP|DeMille|1 Ten Command||J-MP DeMille 1 Ten Command|The Ten Commandments|Assigned|Image Source (Book)|||||||The Ten Commandments|2989|DeMille, Cecil Blount||filmmaker|Cecil B. DeMille|0||||0|||||American|||Post-1945|||||United States||||||0||||0||||0||||0|Film Stills|Film stills||||20|||1956|1956||1956|1956-1956|||||0||||0|||||Film Still.|film|||||film making|||||||||||Old Testament; Ten commandments||||||||||Cornell||JNK|MNW|8/29/2004 0:00:00|8/26/2004 0:00:00||||0||||||Ten Command|J-MP|1|||||||||||||||Work|0|Photography-MotionPicture|Produced in the United States by Paramount||||||||||0|0|The Ten Commandments|DeMille, Cecil Blount 2419.00|0|Site|08|O-Fischer|1.0|HisArc|1/IX|O-Fischer 1.0 HisArc 1/IX|Lighthouse at the Port of Alexandria. Taf. IX|Assigned|Collection|||||||Entwurfeiner Historischen Architektur. Lighthouse at the Port of Alexandria. Taf. IX|3893|Fischer von Erlach, Johann Bernhard||architect|Johann Berhnard Fischer von Erlach|0||||0|||||German|Austrian||Baroque|||||Germany|Austria|||||0||||0||||0||||0|Publications|Architectural drawing|Engraving (Print)|||18|||1725|1725||1725|1725-1725||Entwurfeiner Historischen Architektur|Larger entity||2417||||0|||||Engraving||||||engraving (printing process)|||||||||||Alexandria, Egypt; Lighthouses; Seven Wonders of the World||||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|8/27/2004 0:00:00|Fischer|||0||||||HisArc|O||||||1.0||||||||||Work|0|Architecture-Theory|||||||||||0|0|Lighthouse at the Port of Alexandria. Taf. IX|Fischer von Erlach, Johann Bernhard 2420.00|0|Architect|08|O-Fischer|1.0|HistArc|1/V|O-Fischer 1.0 HistArc 1/V|Colossal Statue of Olympic Jupiter (by Pheidias). Taf. V|Assigned|Collection|||||||Entwurfeiner Historischen Architektur. Colossal Statue of Olympic Jupiter (by Pheidias). Taf. V|3893|Fischer von Erlach, Johann Bernhard||architect|Johann Berhnard Fischer von Erlach|0||||0|||||German|Austrian||Baroque|||||Germany|Austria|||||0||||0||||0||||0|Publications|Architectural drawing|Engraving (Print)|||18|||1725|1725||1725|1725-1725||Entwurfeiner Historischen Architektur|Larger entity||2417||||0|||||Engraving||||||engraving (printing process)|||||||||||Jupiter; Statues; Colossi; Seven Wonders of the World||||||||||Cornell||JNK|MNW|11/3/2004 0:00:00|8/27/2004 0:00:00|Fischer|||0||||||HistArc|O||||||1.0||||||||||Work|0|Architecture-Theory|||||||||||0|0|Colossal Statue of Olympic Jupiter (by Pheidias). Taf. V|Fischer von Erlach, Johann Bernhard 2421.00|0|Architect|08|O-Fischer|1.0|HisArc|1/VI|O-Fischer 1.0 HisArc 1/VI|Mausoleum of Artemesia., Halicarnassus Taf. VI|Assigned|Collection|||||||Entwurfeiner Historischen Architektur. Mausoleum of Artemesia., Halicarnassus Taf. VI|3893|Fischer von Erlach, Johann Bernhard||architect|Johann Berhnard Fischer von Erlach|0||||0|||||German|Austrian||Baroque|||||Germany|Austria|||||0||||0||||0||||0|Publications|Architectural drawing|Engraving (Print)|||18|||1725|1725||1725|1725-1725||Entwurfeiner Historischen Architektur|Larger entity||2417||||0|||||Engraving||||||engraving (printing process)|||||||||||Mausoleums; Artemesia; Seven Wonders of the World||||||||||Cornell||JNK|MNW|11/3/2004 0:00:00|8/27/2004 0:00:00|Fischer|||0||||||HisArc|O||||||1.01||||||||||Work|0|Architecture-Theory|||||||||||0|0|Mausoleum of Artemesia., Halicarnassus Taf. VI|Fischer von Erlach, Johann Bernhard 2422.00|0|Architect|08|O-Fischer|1.0|HisArc|1/VIII|O-Fischer 1.0 HisArc 1/VIII|Colossus of Rhodes. Taf. VIII|||||||||Entwurfeiner Historischen Architektur. Colossus of Rhodes. Taf. VIII|3893|Fischer von Erlach, Johann Bernhard||architect|Johann Berhnard Fischer von Erlach|0||||0|||||German|Austrian||Baroque|||||Germany|Austria|||||0||||0||||0||||0|Publications|Architectural drawing|Engraving (Print)|||18|||1725|1725||1725|1725-1725||Entwurfeiner Historischen Architektur|Larger entity||2417||||0|||||Engraving||||||engraving (printing process)|||||||||||Colossi; Rhodes, Greece; Seven Wonders of the World||||||||||Cornell||JNK|MNW|11/3/2004 0:00:00|8/27/2004 0:00:00|Fischer|||0||||||HisArc|O||||||1.01||||||||||Work|0|Architecture-Theory|||||||||||0|0|Colossus of Rhodes. Taf. VIII|Fischer von Erlach, Johann Bernhard 2423.00|0|Architect|08|O-Fischer|1.0|HisArc|1/IIIa|O-Fischer 1.0 HisArc 1/IIIa|View of Babylon. Taf. III|Assigned|Collection|||||||Entwurfeiner Historischen Architektur. View of Babylon. Taf. III|3893|Fischer von Erlach, Johann Bernhard||architect|Johann Berhnard Fischer von Erlach|0||||0|||||German|Austrian||Baroque|||||Germany|Austria|||||0||||0||||0||||0|Publications|Architectural drawing|Engraving (Print)|||18|||1725|1725||1725|1725-1725||Entwurfeiner Historischen Architektur|Larger entity||2417||||0|||||Engraving||||||engraving (printing process)|||||||||||Babylon; Seven Wonders of the World; Hanging gardens||||||||||Cornell||JNK|MNW|11/3/2004 0:00:00|8/27/2004 0:00:00|Fischer|||0||||||HisArc|O||||||1.0||||||||||Work|0|Architecture-Theory|||||||||||0|0|View of Babylon. Taf. III|Fischer von Erlach, Johann Bernhard 2424.00|0|Architect|08|O-Fischer|1.0|HisArc|1/VII|O-Fischer 1.0 HisArc |Temple of Diana (Artemis), Ephesus. Taf. VII|Assigned|Collection|||||||Entwurfeiner Historischen Architektur. Temple of Diana (Artemis), Ephesus. Taf. VII|3893|Fischer von Erlach, Johann Bernhard||architect|Johann Berhnard Fischer von Erlach|0||||0|||||German|Austrian||Baroque|||||Germany|Austria|||||0||||0||||0||||0|Publications|Architectural drawing|Engraving (Print)|||18|||1725|1725||1725|1725-1725||Entwurfeiner Historischen Architektur|LargerEntity||2417||||0|||||Engraving||||||engraving (printing process)|||||||||||Temples; Diana; Artemis; Seven Wonders of the World||||||||||Cornell||JNK|MNW|11/3/2004 0:00:00|8/27/2004 0:00:00|Fischer|||0||||||HisArc|O||||||1.0||||||||||Work|0|Architecture-Theory|||||||||||0|0|Temple of Diana (Artemis), Ephesus. Taf. VII|Fischer von Erlach, Johann Bernhard 2425.00|0|Architect|02|MA-|AbbFerNam|2.22|1947-50 Lib|MA- AbbFerNam 2.22 1947-50 Lib|Liberty|Assigned|Image Source (Book)|||||||Liberty|30282|Riddley Abbott, M. A.||architect|Abbott, Fernandes & Namjoshi|30283|Fernandes, John Berchmans||architect|30284|Namjoshi, W. M.||designer||Indian|||Art Deco|||||India||||||0|Mumbai, India|||10191||||0||||0|Architecture|Motion picture theaters||||20|||1947|1950||1947-1950|1947-1950|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|8/27/2004 0:00:00|8/27/2004 0:00:00|AbbFerNam|||0||||||Lib|MA||||||2.22|1947-1950|||||||||Work|0|Modern Architecture-||||Riddley Abbott died in 1948.|||||||0|0|Liberty|Riddley Abbott, M. A.;Fernandes, John Berchmans;Namjoshi, W. 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(Stopping Time)||||||||||0|0|Atomic Bomb Explosion|Edgerton, Harold Eugene 2396.00|0|Site|15||||||Moving Statue in Form of Ancient Egyptian Mummy|Assigned|Cataloger|||||||Moving Statue in Form of Ancient Egyptian Mummy|0|||||0||||0|||||Italian|||Postmodern|||||Italy||||||0||||0|Rome, Italy|||10024||||0|Performance Art|Performance art||||20|21|||||||||||0||||0|||||Performance Art||||||performance art|||||||||||Egypt; Mummies||||||||||Cornell||JNK|MNW|8/29/2004 0:00:00|8/26/2004 0:00:00||||0|||||||||||||||||||||||Work|0||Took place on the streets of Rome, Italy.||||||||||0|0|Moving Statue in Form of Ancient Egyptian Mummy| 2397.00|0||||||||Atomic Bomb Explosion|Artists|Image Source (Book)|||||||Atomic Bomb Explosion|30280|Edgerton, Harold Eugene||scientist|Harold Eugene Edgerton|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|||||20|||1952|1952|ca|ca 1952|ca 1952-1952|||||0||||0|||||Photography||||||photography|||||||||||Nuclear bombs||||||||||Cornell||MNW|MNW|8/27/2004 0:00:00|8/26/2004 0:00:00||||0||||||||||||||||||||||||0||This picutre of the atomic bomb test was taken automatically by instrumentation situated seven miles from the blast. 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The Voyage|12307|Viola, Bill||video artist|Bill Viola|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Video Art|||||21|||2002|2002||2002|2002-2002||Going Forth By Day|LargerEntity||2404||||0|||||Video art||||||video art|Installations||||6.1 x 24.1 x 8.15 m||||||||||||||||Cornell||MNW|MNW|3/31/2006 0:00:00|8/26/2004 0:00:00||||0||||||||||||||||||||||||0||Five High-Definition color video channels projected onto walls in dark room; two channels of stereo sound for four panels; one panel with 4 channels spatial quadraphonic sound. Room dimensions given.||||||||||0|0|The Voyage|Viola, Bill 2407.00|0||||||||First Light|Artists|Image Source (Book)|||||||Going Forth By Day. First Light|12307|Viola, Bill||video artist|Bill Viola|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Video Art|||||21|||2002|2002||2002|2002-2002||Going Forth By Day|LargerEntity||2404||||0|||||Video art||||||video art|Installations||||6.1 x 24.1 x 8.15 m||||||||||||||||Cornell||MNW|MNW|3/31/2006 0:00:00|8/26/2004 0:00:00||||0||||||||||||||||||||||||0||Five High-Definition color video channels projected onto walls in dark room; two channels of stereo sound for four panels; one panel with 4 channels spatial quadraphonic sound. Room dimensions given.||||||||||0|0|First Light|Viola, Bill 2408.00|0||||||||Quintet Series|Artists|Image Source (Book)|||||||Quintet Series|12307|Viola, Bill||video artist|Bill Viola|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Video Art|Video art||||21|||2000|2000||2000|2000-2000|||||0||||0|||||Video art||||||video art|||||6.1 x 24.1 x 8.15 m||||||||||||||||Cornell||MNW|MNW|8/27/2004 0:00:00|8/26/2004 0:00:00||||0||||||||||||||||||||||||0||Video still.||||||||||0|0|Quintet Series|Viola, Bill 2409.00|0||||||||Quintet of the Unseen|Artists|Image Source (Book)|||||||Quintet Series. 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Léonide Massine as the Chinese Conjurer|9196|Picasso, Pablo||costume designer|Pablo Picasso|0||||0|||||French|||Cubist|||||France||||||0||||0||||0||||0|Costume|Costume|Theater design|Documentary photograph||20|||1917|1917||1917|1917-1917||Parade|LargerEntity||1316||||0|||||||||||photography|||||||||||Parade (Choreographic work : Massine); Massine, Leonide, 1896-; Magicians||||||||||Cornell||MNW|MNW|3/31/2006 0:00:00|8/27/2004 0:00:00|P5863|||0|||||||35|TH||||||1917|||||||||Work|0||||||||||||0|0|Léonide Massine as the Chinese Conjurer|Picasso, Pablo 2417.00|0|Architect|08|O-Fischer|1.0|HisArc||O-Fischer 1.0 HisArc |Entwurfeiner Historischen Architektur|Assigned|Collection|||||||Entwurfeiner Historischen Architektur|3893|Fischer von Erlach, Johann Bernhard||architect|Johann Berhnard Fischer von Erlach|0||||0|||||German|||Baroque|||||Germany||||||0||||0||||0||||0|Publications|Book|Architectural drawing|||18|||1725|1725||1725|1725-1725|||||0||||0||||||||||||||||||||||Architectural drawings; Architectural theory||||||||||Cornell||JNK|MNW|11/3/2004 0:00:00|8/27/2004 0:00:00|Fischer|||0||||||HisArc|O||||||1.0||||||||||Work|0|Architecture-Theory|There is more than one publication of this work. These images are taken from a facsimile of the posthumous 1725 Leipzig publication. The first was published in Vienna in 1721.||||||||||0|0|Entwurfeiner Historischen Architektur|Fischer von Erlach, Johann Bernhard 2418.00|0|Site|08|O-Fischer|1.0|HisArc|1/IV|O-Fischer 1.0 HisArc 1/IV|Egyptian Pyramids, Taf. IV|Assigned|Collection|||||||Entwurfeiner Historischen Architektur. Egyptian Pyramids, Taf. IV|3893|Fischer von Erlach, Johann Bernhard||architect|Johann Berhnard Fischer von Erlach|0||||0|||||German|Austrian||Baroque|||||Germany|Austria|||||0||||0||||0||||0|Publications|Architectural drawing|Engraving (Print)|||18|||1725|1725||1725|1725-1725||Entwurfeiner Historischen Architektur|Larger entity||||||0|||||Engraving||||||engraving (printing process)|||||||||||Egypt; Pyramids (tombs); Seven Wonders of the World||||||||||Cornell||JNK|MNW|11/3/2004 0:00:00|8/27/2004 0:00:00|Fischer|||0||||||HisArc|0||||||1.0||||||||||Work|0|Architecture-Theory|||||||||||0|0|Egyptian Pyramids, Taf. IV|Fischer von Erlach, Johann Bernhard 2432.00|0|Creator|15|35|P5853-TH|1917|4|35 P5853-TH 1917 4|Managers and the Horse|Assigned|Image Source (Book)|||||||Parade. Managers and the Horse from Parade|9196|Picasso, Pablo||costume designer|Pablo Picasso|0||||0|||||French|||Cubist|||||France||||||0||||0||||0||||0|Costume|Costume|Theater design|Documentary photograph||20|||1917|1917||1917|1917-1917||Parade|LargerEntity||1316||||0|||||||||||photography|||||||||||Parade (Choreographic work : Massine); Costume||||||||||Cornell||MNW|MNW|3/31/2006 0:00:00|8/29/2004 0:00:00|P5853|||0|||||||35|TH||||||1917|||||||||Work|0||||||||||||0|0|Managers and the Horse|Picasso, Pablo 2433.00|0|Creator|15|35|P5853-TH|1917|6|35 P5853-TH 1917 6|Maria Chalbelska as the Little American Girl in Parade|Assigned|Image Source (Book)|||||||Parade. Maria Chalbelska as the Little American Girl in Parade|9196|Picasso, Pablo||costume designer|Pablo Picasso|0||||0|||||French|||Cubist|||||France||||||0||||0||||0||||0|Costume|Costume|Documentary photograph|||20|||1917|1917||1917|1917-1917||Parade|LargerEntity||1316||||0|||||||||||photography|||||||||||Parade (Choreographic work : Massine); Shabelska, Maria||||||||||Cornell||MNW|MNW|3/31/2006 0:00:00|8/29/2004 0:00:00|P5853|||0|||||||35|TH||||||1917|||||||||Work|0||||||||||||0|0|Maria Chalbelska as the Little American Girl in Parade|Picasso, Pablo 2434.00|0|Creator|15|35|P5853-TH|1917|7|35 P5853-TH 1917 7|Costume for French Manager from Parade|Assigned|Image Source (Book)|||||||Parade. Costume for French Manager from Parade|9196|Picasso, Pablo||costume designer|Pablo Picasso|0||||0|||||French|||Cubist|||||France||||||0||||0||||0||||0|Costume|Costume|Documentary photograph|||20|||1917|1917||1917|1917-1917||Parade|LargerEntity||1316||||0|||||||||||photography|||||||||||Parade (Choreographic work : Massine); Costume||||||||||Cornell||MNW|MNW|3/31/2006 0:00:00|8/29/2004 0:00:00|P5853|||0|||||||35|TH||||||1917|||||||||Work|0||||||||||||0|0|Costume for French Manager from Parade|Picasso, Pablo 2435.00|0|Site|02|B-H2|Par|1.1 19th|5|B-H2 Par 19th 5|Street Vendor in Paris|Collective Title|Image Source (Book)|||||||Street Vendor in Paris|0|||||0||||0|||||French|||Second Empire|||||France||||||0||||0|Paris, France|||10058||||0|Photographs|Documentary photograph||||19|||1850|1899|ca|ca 1850-1899|ca 1850-1899|||||0||||0|||||||||||photography|||||||||||||||||||||Cornell||MNW|MNW|8/30/2004 0:00:00|8/29/2004 0:00:00||Par||0||||||19th|B|||||H2||||1.1|||||||Work|0|Architecture-France|||||||||||0|0|Street Vendor in Paris| 2436.00|0|Creator|05|J-Atget|||73|J-Atget 73|A Traveling Forain, Fête des Invalides|Descriptive|Image Source (Book)|||||||A Traveling Forain, Fête des Invalides|544|Atget, Eugene||photographer|Eugene Atget|0||||0|||||French||||||||France||||||0||||0||||0||||0|Photographs|Documentary photograph||||19|||1898|1898||1898|1898-1898|||||0||||0|||||||||||photography|||||||||||Paris, France||||||||||Cornell||MNW|MNW|8/29/2004 0:00:00|8/29/2004 0:00:00|Atget|||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|A Traveling Forain, Fête des Invalides|Atget, Eugene 2437.00|0|Creator|15|35|P5853-TH|1917|8|35 P5853-TH 1917 8|Parade Set|Collective Title|Image Source (Book)|||||||Parade. Parade Set|9196|Picasso, Pablo||set designer|Pablo Picasso|0||||0|||||French|||Cubist|||||France||||||0||||0||||0||||0|Theater Design|Theater design|Documentary photograph|||20|||1917|1917||1917|1917-1917||Parade|LargerEntity||1316||||0|||||||||||photography|||||||||||Parade (Choreographic work : Massine); Sets (architectural elements)||||||||||Cornell||MNW|MNW|3/31/2006 0:00:00|8/29/2004 0:00:00|P5853|||0|||||||35|TH||||||1917|||||||||Work|0||||||||||||0|0|Parade Set|Picasso, Pablo 2438.00|0|Architect|08|O-Heemskerck|1.0|SevenWond||O-Heemskerck 1.0 SevenWond |Les Sept Merveilles du monde et les ruines du Colisée|Assigned|Repository|The Seven Wonders of the World and the Ruines of the Colosseum|Translated|Cataloger||||Les Sept Merveilles du monde et les ruines du Colisée|5262|Heemskerck, Maerten van||engraver|Maerten van Heemskerck|0||||0|||||Dutch|||Renaissance|||||Holland||||||0||||0||||0||||0|Publications|Engraving (Print)||||16|||1570|1570|ca|ca 1570|ca 1570-1570|||||0||||0|||||Engraving||||||engraving (printing process)|||||20.9 x 25.6 cm||||||Seven Wonders of the World||||||||||Cornell||JNK|JNK|8/30/2004 0:00:00|8/30/2004 0:00:00|H4584|||0||||||SevenWond|0||||||1.0||||||||||Work|0|Architecture-Theory|||||||||||0|0|Les Sept Merveilles du monde et les ruines du Colisée;The Seven Wonders of the World and the Ruines of the Colosseum|Heemskerck, Maerten van 2439.00|0|Architect|08|O-Heemskerck|1.0|SevenWond||O-Heemskerck 1.0 SevenWond |Pyramids of Egypt|Assigned|Image Source (Book)|||||||Les Sept Merveilles du monde et les ruines du Colisée. Pyramids of Egypt|5262|Heemskerck, Maerten van||engraver|Maerten van Heemskerck|0||||0|||||Dutch|||Renaissance|||||Holland||||||0||||0||||0||||0|Publications|Engraving (Print)||||16|||1570|1570|ca|ca 1570|ca 1570-1570||Les Sept Merveilles du monde et les ruines du Colisée|Larger entity||2438||||0|||||Engraving||||||engraving (printing process)|||||20.9 x 25.6 cm||||||Seven Wonders of the World; Pyramids (tombs); Egypt||||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|8/30/2004 0:00:00|Heemskerch|||0||||||SevenWond|O||||||1.0||||||||||Work|0|Architecture-Theory|||||||||||0|0|Pyramids of Egypt|Heemskerck, Maerten van 2440.00|0|Architect|08|O-Heemskerck|1.0|SevenWond||O-Heemskerck 1.0 SevenWond |Mausoleum at Halicarnassus|Assigned|Image Source (Book)|||||||Les Sept Merveilles du monde et les ruines du Colisée. Mausoleum at Halicarnassus|5262|Heemskerck, Maerten van||painter|Maerten van Heemskerck|0||||0|||||Dutch|||Renaissance|||||Holland||||||0||||0||||0||||0|Publications|Engraving (Print)||||16|||1570|1570|ca|ca 1570|ca 1570-1570||Les Sept Merveilles du monde et les ruines du Colisée|Larger entity||2438||||0|||||Engraving||||||engraving (printing process)|||||20.9 x 25.6 cm||||||Seven Wonders of the World; Mausoleums; Mausoleum (Halicarnassus)||||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|8/30/2004 0:00:00||||0||||||SevenWond|O||||||1.0||||||||||Work|0|Architecture-Theory|||||||||||0|0|Mausoleum at Halicarnassus|Heemskerck, Maerten van 2441.00|0|Architect|08|O-Heemskerck|1.0|SevenWond||O-Heemskerck 1.0 SevenWond |Babylon (Hanging Gardens)|Assigned|Image Source (Book)|||||||Les Sept Merveilles du monde et les ruines du Colisée. Babylon (Hanging Gardens)|5262|Heemskerck, Maerten van||painter|Maerten van Heemskerck|0||||0|||||Dutch|||Renaissance|||||Holland||||||0||||0||||0||||0|Publications|Engraving (Print)||||16|||1570|1570|ca|ca 1570|ca 1570-1570||Les Sept Merveilles du monde et les ruines du Colisée|Larger entity||2438||||0|||||Engraving||||||engraving (printing process)|||||20.9 x 25.6 cm||||||Seven Wonders of the World; Babylon; Gardens; Hanging gardens||||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|8/30/2004 0:00:00||||0||||||SevenWond|O||||||1.0||||||||||Work|0|Architecture-Theory|||||||||||0|0|Babylon (Hanging Gardens)|Heemskerck, Maerten van 2442.00|0|Architect|08|O-Heemskerck|1.0|SevenWond||O-Heemskerck 1.0 SevenWond |Colossus of Rhodes|Assigned|Image Source (Book)|||||||Les Sept Merveilles du monde et les ruines du Colisée. Colossus of Rhodes|5262|Heemskerck, Maerten van||painter|Maerten van Heemskerck|0||||0|||||Dutch|||Renaissance|||||Holland||||||0||||0||||0||||0|Publications|Engraving (Print)||||16|||1570|1570|ca|ca 1570|ca 1570-1570||Les Sept Merveilles du monde et les ruines du Colisée|Larger entity||2438||||0|||||Engraving||||||engraving (printing process)|||||20.9 x 25.6 cm||||||Seven Wonders of the World; Colossi; Rhodes, Greece||||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|8/30/2004 0:00:00||||0||||||SevenWond|O||||||1.0||||||||||Work|0|Architecture-Theory|||||||||||0|0|Colossus of Rhodes|Heemskerck, Maerten van 2443.00|0|Architect|08|O-Heemskerck|1.0|SevenWond||O-Heemskerck 1.0 SevenWond |Pharos (Lighthouse) of Alexandria|Assigned|Image Source (Book)|||||||Les Sept Merveilles du monde et les ruines du Colisée. Pharos (Lighthouse) of Alexandria|5262|Heemskerck, Maerten van||painter|Maerten van Heemskerck|0||||0|||||Dutch|||Renaissance|||||Holland||||||0||||0||||0||||0|Publications|Engraving (Print)||||16|||1570|1570|ca|ca 1570|ca 1570-1570||Les Sept Merveilles du monde et les ruines du Colisée|Larger entity||2438||||0|||||Engraving||||||engraving (printing process)|||||20.9 x 25.6 cm||||||Seven Wonders of the World; Lighthouses; Alexandria, Egypt||||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|8/30/2004 0:00:00||||0||||||SevenWond|O||||||1.0||||||||||Work|0|Architecture-Theory|||||||||||0|0|Pharos (Lighthouse) of Alexandria|Heemskerck, Maerten van 2444.00|0|Architect|08|O-Heemskerck|1.0|SevenWond||O-Heemskerck 1.0 SevenWond |Pheidias' statue of Zeus at Olympia|Assigned|Image Source (Book)|||||||Les Sept Merveilles du monde et les ruines du Colisée. Pheidias' statue of Zeus at Olympia|5262|Heemskerck, Maerten van||painter|Maerten van Heemskerck|0||||0|||||Dutch|||Renaissance|||||Holland||||||0||||0||||0||||0|Publications|Engraving (Print)||||16|||1570|1570|ca|ca 1570|ca 1570-1570||Les Sept Merveilles du monde et les ruines du Colisée|Larger entity||2438||||0|||||Engraving||||||engraving (printing process)|||||20.9 x 25.6 cm||||||Seven Wonders of the World; Statues; Zeus; Jupiter||||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|8/30/2004 0:00:00||||0||||||SevenWond|O||||||1.0||||||||||Work|0|Architecture-Theory|||||||||||0|0|Pheidias' statue of Zeus at Olympia|Heemskerck, Maerten van 2445.00|0|Architect|08|O-Heemskerck|1.0|SevenWond||O-Heemskerck 1.0 SevenWond |Temple of Artemis (Diana), Ephesus|Assigned|Image Source (Book)|||||||Les Sept Merveilles du monde et les ruines du Colisée. Temple of Artemis (Diana), Ephesus|5262|Heemskerck, Maerten van||painter|Maerten van Heemskerck|0||||0|||||Dutch|||Renaissance|||||Holland||||||0||||0||||0||||0|Publications|Engraving (Print)||||16|||1570|1570|ca|ca 1570|ca 1570-1570||Les Sept Merveilles du monde et les ruines du Colisée|LargerEntity||2438||||0|||||Engraving||||||engraving (printing process)|||||20.9 x 25.6 cm||||||Ephesus (extinct city); Temples; Diana; Artemis||||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|8/30/2004 0:00:00||||0||||||SevenWond|O||||||1.0||||||||||Work|0|Architecture-Theory|||||||||||0|0|Temple of Artemis (Diana), Ephesus|Heemskerck, Maerten van 2446.00|0|Creator|15|35|D143-PA|T284||35 D143-PA 1952 |The Temple of Diana at Ephesus|Assigned|Image Source (Book)|||||||The Temple of Diana at Ephesus|2843|Dali, Salvador||artist|Salvador Dali|0||||0|||||Spanish|||Post-1945|||||Spain||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1952|1952||1952|1952-1952|||||0||||0|||||Oil on Canvas|oil paint|canvas||||painting (image-making)|||||||3290|Private Collection|: Private Coll.||Seven Wonders of the World; Temples; Diana; Artemis; Ephesus (extinct city)||||||||||Cornell||JNK|JNK|8/30/2004 0:00:00|8/30/2004 0:00:00|D143|||0||||||T284|35|PA||||||| ||||||||Work|0||||||||||||0|0|The Temple of Diana at Ephesus|Dali, Salvador 2447.00|0|Creator|11|N-Elgin|||||Thomas Bruce, 7th Earl of Elgin|Assigned|Repository|||||||Thomas Bruce, 7th Earl of Elgin|30288|Harding, George Perfect||draftsman|George Perfect Harding|0||||0|||||British|||Neoclassical|||||England||||||0||||0||||0||||0|Drawings|Portrait||||18|||1787|1787||1787|1787-1787|||||0||||0|||||Pen, gray wash, and pencil|pen|wash|pencil|||drawing (image-making)|||||29.2 x 20.5 cm||3559|London,National Portrait Gallery|London: Nat. Portrait Gal.||Portraits; Elgin, Thomas Bruce, Earl of, 1766-1841||||||||||Cornell||JNK|MNW|6/3/2005 0:00:00|8/30/2004 0:00:00||||0||NPG 5733||||Elgin|N|||||||| ||||||||Work|0|Portraits|||||||||||0|0|Thomas Bruce, 7th Earl of Elgin|Harding, George Perfect 2448.00|0|Creator|15|I-16|Cruikshank|||I-16 Cruikshank |The Elgin Marbles! Or John Bull buying Stones at the time his numerous Family want Bread!!|Assigned|Image Source (Book)|||||||The Elgin Marbles!...|2734|Cruikshank, George, I||draftsman|George Cruikshank I|0||||0|||||British||||||||England||||||0||||0||||0||||0|Cartoon|Cartoon (Humorous image)||||19|||1816|1816|ca|ca 1816|ca 1816-1816|||||||||0|||||Cartoon|||||||||||||3373|London,British Museum|London: British Museum||Elgin marbles||||||||||Cornell||JNK|MNW|6/3/2005 0:00:00|8/30/2004 0:00:00||||0||||||Cruikshank|I|||16||||| ||||||||Work|0|Prints - England|||||||||||0|0|The Elgin Marbles! Or John Bull buying Stones at the time his numerous Family want Bread!!|Cruikshank, George, I 2449.00|0|Category|11|N-Byron|||1|N-Byron 1|Frontispiece from 1825 edition of Stanhope's "Greece in 1823 and 1824; Being a Series of Letters and other Docutments, on the Greek Revolution, Written During a Visit to that country|Assigned|Image Source (Book)|||||||Frontispiece from 1825 edition of Stanhope's "Greece in 1823 and 1824…"|0|||||0||||0|||||British|||Neoclassical|||||England||||||0||||0||||0||||0|Publications|Book|Portrait|||19|||1825|1825||1825|1825-1825|||||0||||0||||||||||||||||||||||Portraits; Byron, George Gordon Byron, Baron, 1788-1824||||||||||Cornell||JNK|MNW|6/3/2005 0:00:00|8/31/2004 0:00:00||||0||||||Byron|N||||||||||||||||Work|0||||||||||||0|0|Frontispiece from 1825 edition of Stanhope's "Greece in 1823 and 1824; Being a Series of Letters and other Docutments, on the Greek Revolution, Written During a Visit to that country| 2450.00|0|Creator|15|30|S931-PA|91|1|30 S931-PA 91 1|Stuart Sketching the Erechtheum|Assigned|Image Source (Book)|||||||Stuart Sketching the Erechtheum|11463|Stuart, James||architect|James Stuart|0||||0|||||British|||Neoclassical|||||England||||||0||||0||||0||||0|Watercolors|Watercolor||||18|||1751|1751||1751|1751-1751|||||0||||0|||||Watercolor|watercolors|||||painting (image-making)|||||26.5 x 38.5 cm||4468|London,Royal Institute of British Architects|London: RIBA||Acropolises; Athens, Greece; Erechtheum (Athens, Greece); Stuart, James, 1713-1788||||||||||Cornell||JNK|MNW|6/3/2005 0:00:00|8/31/2004 0:00:00|S931|||0|||||||30|PA||||||| |91|||||||Work|0||||||||||||0|0|Stuart Sketching the Erechtheum|Stuart, James 2451.00|0|Creator|15|30|C343-PA|91|1|30 C343-PA 91 1|Hadrian's Acqueduct|Assigned|Image Source (Book)|||||||Hadrian's Acqueduct|30289|Cassas, Louis-François||draftsman|Louis-François Cassas|0||||0|||||French|||Neoclassical|||||France||||||0||||0||||0||||0|Watercolors|Watercolor||||18|||1775|1775||1775|1775-1775|||||0||||0|||||Watercolor|watercolors|||||painting (image-making)|||||46 x 65 cm||177|Athens,City of Athens Museum|Athens: City Mus.||Hadrian, 76-138; Ruins; Aqueducts||||||||||Cornell||JNK|MNW|9/7/2004 0:00:00|8/31/2004 0:00:00|C343|||0|||||||30|PA||||||| |91|||||||Work|0||||||||||||0|0|Hadrian's Acqueduct|Cassas, Louis-François 2452.00|0|Creator|15|32|E13-PA|1829||32 E13-PA 1829 |Byron's Dream|Assigned|Image Source (Book)|||||||Byron's Dream|30290|Eastlake, Charles Lock||painter|Charles Lock Eastlake|0||||0|||||British|||Neoclassical|||||England||||||0||||0||||0||||0|Paintings|Oil painting||||19|||1829|1829||1829|1829-1829|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||114 x 167 cm||5|London, Tate Gallery|London: Tate Gallery London: Tate Gallery||Byron, George Gordon Byron, Baron, 1788-1824; Dreaming||||||||||Cornell||JNK|MNW|6/3/2005 0:00:00|9/1/2004 0:00:00|E13|||0|||||||32|PA||||||1829| ||||||||Work|0||||||||||||0|0|Byron's Dream|Eastlake, Charles Lock 2453.00|0|Creator|15|32|E13-PA|1820||32 E13-PA 1820 |The Erechtheum|Assigned|Image Source (Book)|||||||The Erechtheum|30290|Eastlake, Charles Lock||painter|Charles Lock Eastlake|0||||0|||||British|||Neoclassical|||||England||||||0||||0||||0||||0|Paintings|Oil painting||||19|||1820|1820||1820|1820-1820|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||64.7 x 87.6 cm||9356|Private Collection, Sir Ellis Waterhouse|Private Coll: Sir Ellis Waterhouse||Erechtheum (Athens, Greece)||||||||||Cornell||JNK|MNW|6/3/2005 0:00:00|9/1/2004 0:00:00|E13|||0|||||||32|PA||||||1820| ||||||||Work|0||||||||||||0|0|The Erechtheum|Eastlake, Charles Lock 2454.00|0|Creator|15|32|L297-PA|1869||32 L297-PA 1869 |View of the Area Around the Theseum|Assigned|Image Source (Book)|||||||View of the Area Around the Theseum|30291|Lanaza, Vincenzo||painter|Vincenzo Lanza|0||||0|||||Italian||||||||Italy|Greece|||||0||||0||||0||||0|Watercolors|Watercolor||||19|||1869|1869||1869|1869-1869|||||0||||0|||||Watercolor|watercolors|||||painting (image-making)|||||24 x 35 cm||175|Athens,Benaki Museum|Athens: Benaki Mus.||Acropolises; Athens, Greece||||||||||Cornell||JNK|MNW|9/7/2004 0:00:00|9/1/2004 0:00:00|L297|||0|||||||32|PA||||||1869| ||||||||Work|0||||||||||||0|0|View of the Area Around the Theseum|Lanaza, Vincenzo 2455.00|0|Site|02|B-K3|Ath|1.32 Cho||B-K3 Ath 1.32 Cho |The Choragic Monument of Lysicrates|Assigned|Image Source (Book)|||||||The Choragic Monument of Lysicrates|30292|Beaumont, Alfred||architect|Alfred Beaumont|0||||0|||||British||||||||England||||||0||||0||||0||||0|Watercolors|Watercolor||||19|||1834|1834||1834|1834-1834|||||0||||0|||||Watercolor|watercolors|||||painting (image-making)|||||21.5 x 48.5 cm||177|Athens,City of Athens Museum|Athens: City Mus.||Athens, Greece||||||||||Cornell||JNK|MNW|6/3/2005 0:00:00|9/1/2004 0:00:00||Ath||0||||||Cho|B|||||K3|1.32|| ||||||||Work|0|Architecture-Greece|||||||||||0|0|The Choragic Monument of Lysicrates|Beaumont, Alfred 2456.00|0|Creator|15|32|H715-PA|1890|1|32 H715-PA 1890 1|The Church of St. Eleutherios, or the Old Cathedral, Plate from "Scenes in Athens"|Assigned|Image Source (Book)|||||||The Church of St. Eleutherios, or the Old Cathedral, Plate from "Scenes in Athens"|30293|Hogarth, Mary||draftsman|Mary Hogarth|0||||0|||||British|||Victorian|||||England||||||0||||0||||0||||0|Watercolors|Watercolor||||19|||1890|1890|ca|ca 1890|ca 1890-1890|||||0||||0|||||Watercolor|watercolors|||||painting (image-making)|||||37.5 x 57.5 cm||9357|Athens, Private Collection|Athens: Private Collection.||Churches; Athens, Greece||||||||||Cornell||JNK|MNW|6/3/2005 0:00:00|9/2/2004 0:00:00|H715|||0|||||||32|PA||||||1890| ||||||||Work|0||||||||||||0|0|The Church of St. Eleutherios, or the Old Cathedral, Plate from "Scenes in Athens"|Hogarth, Mary 2458.00|0|Site|02|B-K3|Myc|1.2 Lion||B-K3 Myc 1.2 Lion |The Lion Gate at Mycenae, from "La Grèce. Vues pittoresques et topographiques|Assigned|Image Source (Book)|||||||The Lion Gate at Mycenae, from "La Grèce. Vues pittoresques et topographiques|30294|Stackelberg, Otto Magnus, Freiherr von||archaeologist|Otto Magnus Freiherr von Stackelberg|0||||0|||||Russian|French||Neoclassical|||||Russia|France|||||0||||0||||0||||0|Publications|Print||||19|||1812|1812||1812|1812-1812|||||0||||0|||||Lithograph||||||lithography|||||32 x 63 cm||||||Gates; Lions||||||||||Cornell||JNK|MNW|9/8/2004 0:00:00|9/2/2004 0:00:00||Myc||0||||||Lion|B|||||K3|1.2||||||||||Work|0|Architecture-Greece|||||||||||0|0|The Lion Gate at Mycenae, from "La Grèce. Vues pittoresques et topographiques|Stackelberg, Otto Magnus, Freiherr von 2459.00|0|Creator|15|32|W689-PA|1820|1|32 W689-PA 1820 1|The Temple of Jupiter Penhellenius (Aphaea) in Aegina|Assigned|Image Source (Book)|||||||The Temple of Jupiter Penhellenius (Aphaea) in Aegina|30295|Williams, Hugh William||painter|Hugh William Williams|0||||0|||||British|||Neoclassical|||||England||||||0||||0||||0||||0|Watercolors|Watercolor||||19|||1820|1820||1820|1820-1820|||||0||||0|||||Watercolor and gouache|watercolors|gouache||||painting (image-making)|||||51 x 80 cm||9357|Athens, Private Collection|Athens: Private Collection.||Temples; Temple of Aphaea (Aegina, Italy)||||||||||Cornell||JNK|MNW|6/3/2005 0:00:00|9/2/2004 0:00:00|W689|||0|||||||32|PA||||||1820| ||||||||Work|0||||||||||||0|0|The Temple of Jupiter Penhellenius (Aphaea) in Aegina|Williams, Hugh William 2460.00|0|Creator|05|J-Modotti|||2|J-Modotti 2|Tenda|Artists|Image Source (Book)|||||||Tenda|8074|Modotti, Tina||photographer|Tina Modotti|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1924|1924||1924|1924-1924|||||0||||0|||||||||||photography|||||||3961|Tucson,University of Arizona,Center for Creative Photography|Tucson: Univ. AZ; Ctr. Creative Photo.||||||||||||Cornell||MNW|MNW|9/2/2004 0:00:00|9/2/2004 0:00:00|Modotti|||0|||||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Tenda|Modotti, Tina 2461.00|0|Creator|05|J-Modotti|||3|J-Modotti 3|Convento di Tepotzotlan|Assigned|Image Source (Book)|||||||Convento di Tepotzotlan|8074|Modotti, Tina||photographer|Tina Modotti|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1924|1924||1924|1924-1924|||||0||||0|||||||||||photography|||||||3384|New York,Museum of Modern Art|New York: MoMA||||||||||||Cornell||MNW|MNW|9/7/2004 0:00:00|9/2/2004 0:00:00|Modotti|||0|||||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Convento di Tepotzotlan|Modotti, Tina 2462.00|0|Architect|08|O-Hope|1.0|Painting||O-Hope 1.0 Painting |View of Naxos with the Portico of the Temple of Bacchus|Assigned|Image Source (Book)|||||||View of Naxos with the Portico of the Temple of Bacchus|5594|Hope, Thomas||architect|Thomas Hope|0||||0|||||British|||Neoclassical|||||England||||||0||||0||||0||||0|Watercolors|Watercolor||||18|||1795|1795|ca|ca 1795|ca 1795-1795|||||0||||0|||||Watercolor|watercolors|||||painting (image-making)|||||41.5 x 29 cm||175|Athens,Benaki Museum|Athens: Benaki Mus.||Temples; Bacchus; Dionysos; Temple of Bacchus (Naxos Island, Greece); Temple of Apollo (Naxos Island, Greece)||||||||||Cornell||JNK|MNW|6/3/2005 0:00:00|9/3/2004 0:00:00||||0||||||Painting|O||||||1.0|| ||||||||Work|0|Architecture-Theory|||||||||||0|0|View of Naxos with the Portico of the Temple of Bacchus|Hope, Thomas 2463.00|0|Creator|07|Q-16|Wedgewood|Port/Tick|1|Q-16 Wedgewood Port/Tick 1|Ticket to See the Portland Vase at Greek Street, Soho|Descriptive|Cataloger|||||||Ticket to See the Portland Vase at Greek Street, Soho|0|||||0||||0|||||English|||Neoclassical|||||England||||||0||||0||||0||||0|Prints|Print||||||||||||||||0||||0||||||||||||||||||||||Portland Vase||||||||||Cornell||JNK|MNW|9/8/2004 0:00:00|9/3/2004 0:00:00|Wedgewood|||0||||||Port/Tick|Q|||16|||||||||||||Work|0|Ceramics-England|||||||||||0|0|Ticket to See the Portland Vase at Greek Street, Soho| 2464.00|0|Site|02|B-K3|Kos|3.4 Askl||B-K3 Kos 3.4 Askl|Asklepieion|Assigned|Image Source (Book)|The Sanctuary of Asklepios||||||Asklepieion (The Sanctuary of Asklepios)|0|||||0||||0|||||Greek|||Hellenistic|||||Greece||||||0|Kos, Greece|||10275||||0||||0|Architecture|Temple|||BCE|-04|-03|-02|300|150|ca|ca 300-150|ca 300-150|||||0||||0||||||||||||||||||||||Temples||||||||||Cornell||JNK|CLL|9/8/2004 0:00:00|9/3/2004 0:00:00||Kos||0||||||Askl|B|||||K3|3.4||||||||||Work|0|Architecture-Greece|||||||||||0|0|Asklepieion;The Sanctuary of Asklepios| 2465.00|0|Site|02|B-K3|Lin|3.4 Ath|||Sanctuary of Athena on the Acropolis|Assigned|Image Source (Book)|Athene Lindaia|Variant|||||Sanctuary of Athena (Athene Lindaia) on the Acropolis|0|||||0||||0|||||Greek|||Hellenistic|||||Greece||||||0|Lindos, Rhodes, Greece|||10276||||0||||0|Architecture|Temple|||BCE|-04|-03||399|200|ca|ca 399-200|ca 399-200|||||0||||0||||||||||||||||||||||Temples||||||||||Cornell||JNK|MNW|9/8/2004 0:00:00|9/3/2004 0:00:00||Lin||0||||||Ath|B|||||K3|3.4||||||||||Work|0|Architecture-Greece|||||||||||0|0|Sanctuary of Athena on the Acropolis;Athene Lindaia| 2466.00|0|Creator|15|32|W395-PA|1892|1|32 W395-PA 1892 1|Temples of Rameshwar Shiva and Ganpati in the Banganga Tank at Walkeshwar|Descriptive|Cataloger|||||||Temples of Rameshwar Shiva and Ganpati|30297|Weeks. Edwin Lord||painter|Edwin Lord Weeks|0||||0|||||American||||||||India||||||0||||0||||0||||0|Paintings|Oil painting||||19|||1892|1892|ca|ca 1892|ca 1892-1892|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||75 x 50.2 cm||9358|London, Indar Pasricha Fine Art Gallery|London: Inda Pasricha Fine Art||India; Temple of Ganpati (Bombay, India); Temple of Rameshwar Shiva (Bombay, India)||||||||||Cornell||MNW|MNW|9/5/2004 0:00:00|9/5/2004 0:00:00|W395|||0|||||||32|PA||||||1892| ||||||||Work|0||||||||||||0|0|Temples of Rameshwar Shiva and Ganpati in the Banganga Tank at Walkeshwar|Weeks. Edwin Lord 2467.00|0|Creator|15|32|W769-PA|1840|1|32 W769-PA 1840 1|Circular Panorama of Bombay|Collective Title|Cataloger|||||||Circular Panorama of Bombay|30298|Wingate, Thomas W.||painter|Thomas W. Wingate|0||||0|||||British||||||||India||||||0||||0||||0||||0|Paintings|Watercolor|Drawing|||19|||1840|1840|ca|ca 1840|ca 1840-1840|||||0||||0|||||Pencil and watercolor on paper|pencil|watercolors|paper|||painting (image-making)|drawing (image-making)||||35 cm x ca 6 m||9359|Cambridge, Cambridge University Library|Cambridge: Univ. Library||Bombay||||||||||Cornell||MNW|MNW|9/5/2004 0:00:00|9/5/2004 0:00:00|W769|||0|||||||32|PA||||||1840| ||||||||Work|0||Complete circular panorama of Bombay from the top of Sir Jamsetjee Jeejeebhoy's house in the fort.||||||||||0|0|Circular Panorama of Bombay|Wingate, Thomas W. 2468.00|0|Site|02|B-Q5|Bom|2.41 Tow||B-Q5 Bom 2.41 Tow |Town Hall||||||||||30299|Cowper, Thomas||engineer|Thomas Cowper|0||||0|||||Indian||||||||India||||||0|Mumbai, India|||10191||||0||||0|Architecture|Town hall||||19|||1820|1835||1820-1835|1820-1835|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|9/5/2004 0:00:00|9/5/2004 0:00:00||Bom||0||||||Tow|B|||||Q5|2.41||||||||||Work|0|Architecture-India|||||||||||0|0|Town Hall|Cowper, Thomas 2469.00|0||||||||View at Bombay|Published|Image Source (Book)|||||||Vieww at Bombay|30300|Gonsalves, Jose M.||printmaker|Jose M. 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Town Hall and Bombay Green|0|||||0||||0|||||Indian||||||||India||||||0||||0||||0||||0|Photographs|Photographic print||||19|||1858|1858|ca|1858|1858||Town Hall|||2468||||0|||||||||||photography|||||||9360|London,British Library, India Office Library and Records|London: British Library; India Office||Bombay||||||||||Cornell||MNW|MNW|9/5/2004 0:00:00|9/5/2004 0:00:00||Bom||0||||||Town|B|||||Q5|2.41|| ||||||||Work|0|Architecture-India|||||||||||0|0|Town Hall and Bombay Green| 2472.00|0|Site|02|B-Q5|Bom|7.4 Hor|||Horniman Circle|Assigned|Image Source (Book)|Elphinstone Circle|Original|Image Source (Book)|Bombay Green|Original|Image Source (Book)|Horniman Circle (Elphinstone Circle)|0|||||0||||0|||||Indian||||||||India||||||0|Mumbai, India|||10191||||0||||0|Architecture|Apartment house||||19|||1869|1869||1869|1869-1869|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|9/5/2004 0:00:00|9/5/2004 0:00:00||Bom||0||||||Hor|B|||||Q5|7.4||||||||||Work|0|Architecture-India|Built on the site of the Bombay Green.||||||||||0|0|Horniman Circle;Elphinstone Circle;Bombay Green| 2474.00|0|Site|02|B-Q5|Bom|7.4 Hor||B-Q5 Bom 7.4 Hor |Elphinstone Circle (Formerly Bombay Green)|Assigned|Image Source (Book)|||||||Horniman Circle. Elphinstone Circle (Formerly Bombay Green)|0|||||0||||0|||||Indian||||||||India||||||0||||0||||0||||0|Photographs|Photographic print||||19|||1860|1960||1860's|1860-1960||Horniman Circle|LargerEntity||2472||||0|||||||||||photography|||||15.7 x 20.7 cm||3952|Montreal,Canadian Centre for Architecture|Montreal: Can. Ctr. Arch.||Bombay||||||||||Cornell||MNW|MNW|3/31/2006 0:00:00|9/5/2004 0:00:00||Bom||0||||||Hor|B|||||Q5|7.4|| ||||||||Work|0|Architecture-India|||||Part of the Frith series.||||||0|0|Elphinstone Circle (Formerly Bombay Green)| 2475.00|0|Creator|15|32|C297-PA|1850|1|32 C297-PA 1850 1|A Street in the Native Town, Bombay|Descriptive|Image Source (Book)|||||||A Street in the Native Town, Bombay|30301|Carpenter, William||painter|William Carpenter|0||||0|||||British|||Victorian|||||India||||||0||||0||||0||||0|Paintings|Watercolor||||19|||1850|1851||1850-1851|1850-1851|||||0||||0|||||Watercolor|watercolors|watercolor paper||||painting (image-making)|||||25 x 17 cm||3943|London,Victoria and Albert Museum|London: Victoria & Albert||Streetscapes ; |Streetscapes|||||||||Cornell||MNW|JNK|6/13/2006 0:00:00|9/5/2004 0:00:00|C297|||0|||||||32|PA||||||1850| ||||||||Work|0||||||||||||0|0|A Street in the Native Town, Bombay|Carpenter, William 2476.00|0|Creator|15|C-18|RubinsN||3|C-18 RubinsN 3|Worlds Apart|Artists|Image Source (Book)|||||||Worlds Apart|10149|Rubins, Nancy||sculptor|Nancy Rubins|0||||0|||||American||||||||United States||||||0||||0|Washington, DC|||10054||||0|Sculpture|Installation (Exhibition)|Assemblage (Sculpture)|||20|||1982|1982||1982|1982-1982|||||0||||0|||||Used household appliances||||||assemblage (sculpture technique)|Installations||||||||||||||||||||Cornell||MNW|MNW|9/6/2004 0:00:00|9/6/2004 0:00:00|RubinsN|||0|||||||C|||18|||||||||||||Work|0||Assemblage of used household appliances. Installed at Whitehurst Freeway during the Washington Project for the Arts.||||||||||0|0|Worlds Apart|Rubins, Nancy 2477.00|0|Creator|15|35|E630-SC|1929|1|35 E630-SC 1929 1|Genesis|Artists|Image Source (Book)|||||||Genesis|3606|Epstein, Jacob, Sir||sculptor|Sir Jacob Epstein|0||||0|||||British||||||||England||||||0||||0||||0||||0|Sculpture|||||20|||1929|1930||1929-1930|1929-1930|||||0||||0|||||Seravezza marble|marble|||||sculpture|||||158.1 cm H||3498|Manchester, University of Manchester, Whitworth Art Gallery|Manchester: Univ.; Whitworth Art Gal.||||||||||||Cornell||MNW|MNW|9/6/2004 0:00:00|9/6/2004 0:00:00|E630|||0|||||||35|SC||||||1929| ||||||||Work|0||||||Owned by Granada Television, Ltd||||||0|0|Genesis|Epstein, Jacob, Sir 2478.00|0|Creator|15|35|D614-SC|1969|1|35 D614-SC 1969 1|Mother Peace|Artists|Image Source (Book)|||||||Mother Peace|3123|Di Suvero, Mark||sculptor|Mark Di Suvero|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Sculpture|Construction (Sculpture)||||20|||1969|1970||1969-1970|1969-1970|||||0||||0|||||Steel painted orange|steel|||||sculpture|||||12.7 x 15.1 x 13.5 M||3531|Mountainville NY, Storm King Art Center|Mountainville, NY: Storm King Art Ctr.||||||||||||Cornell||MNW|MNW|9/6/2004 0:00:00|9/6/2004 0:00:00|D614|||0|||||||35|SC||||||1969| ||||||||Work|0||||||||||||0|0|Mother Peace|Di Suvero, Mark 2479.00|0|Site|02|B-Q5|Bom|1.32 Gate||B-Q5 Bom 1.32 Gate |Gateway of India|||||||||Gateway of India|30302|Wittet, George||architect|George Wittet|0||||0|||||Indian||||||||India||||||0|Mumbai, India|||10191||||0||||0|Architecture|Monument||||20|||1911|1927||1911-1927|1911-1927|||||0||||0|||||Yellow basalt|basalt||||||||||||||||||||||||||Cornell||MNW|MNW|9/6/2004 0:00:00|9/6/2004 0:00:00||Bom||0||||||Gate|B|||||Q5|1.32||||||||||Work|0|Architecture-India|This triumphal arch was raised to commemorate the landing of King George V and Queen Mary en route to the Delhi Durbar of 1911. Symbolically it was also the point of departure of the last British troops to leave India in 1948. DOA||||||||||0|0|Gateway of India|Wittet, George 2480.00|0|Site|02|B-Q5|Bom|1.32 Gate||B-Q5 Bom 1.32 Gate |Gateway of India: Temporary Pavilion|Collective Title|Cataloger|||||||Gateway to India. Gateway of India: Temporary Pavilion|30303|Vernon and Company Ltd, Madras||photographic studio|Vernon and Company Ltd, Madras|0||||0|||||Indian||||||||India||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1912|1912||1912|1912-1912||Gateway of India|LargerEntity||2479||||0|||||||||||photography|||||||9360|London,British Library, India Office Library and Records|London: British Library; India Office||||||||||||Cornell||MNW|MNW|3/31/2006 0:00:00|9/6/2004 0:00:00||Bom||0||||||Gate|B|||||Q5|1.32|| ||||||||Work|0|Architecture-India|This triumphal arch was raised to commemorate the landing of King George V and Queen Mary en route to the Delhi Durbar of 1911. DOA This photograph show the temporary pavilion built of plaster.|||January 10, 1912|||||||0|0|Gateway of India: Temporary Pavilion|Vernon and Company Ltd, Madras 2481.00|0|Creator|15|32|R9346-PA|1900|1|32 R9346-PA 1900 1|The Tailor, Adalji Ghadiali of Bombay|Artists|Image Source (Book)|||||||The Tailor, Adalji Ghadiali of Bombay|14521|Ruith, Horace van||painter|Horace van Ruith|0||||0|||||||||||||||||||0||||0||||0||||0|Paintings|Watercolor||||20|||1900|1900|ca|ca 1900|ca 1900-1900|||||0||||0|||||Watercolor|watercolors|watercolor paper||||painting (image-making)|||||50.8 x 65.8 cm||9360|London,British Library, India Office Library and Records|London: British Library; India Office||Hookahs; Tailors||||||||||Cornell||MNW|MNW|9/6/2004 0:00:00|9/6/2004 0:00:00|R9346|||0|||||||32|PA||||||1900| ||||||||Work|0||||||||||||0|0|The Tailor, Adalji Ghadiali of Bombay|Ruith, Horace van 2482.00|0|Site|02|B-Q5|Bom|3.4 Bhu||B-Q5 Bom 3.4 Bhu |Bhuleshwar Temple Complex|Collective Title|Image Source (Book)|||||||Bhuleshwar Temple Complex|0|||||0||||0|||||Indian||||||||India||||||0|Mumbai, India|||10191||||0||||0|Architecture|Temple||||19|||1800|1899||19th century|1800-1899|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|9/6/2004 0:00:00|9/6/2004 0:00:00||Bom||0||||||Bhu|B|||||Q5|3.4||||||||||Work|0|Architecture-India|Contains three temples: Bhuleshwar (Bholeshwar), Ganapati, Rameshwar.||||||||||0|0|Bhuleshwar Temple Complex| 2483.00|0|Creator|15|32|S613-D|1879|1|32 S613-D 1879 1|Unveiling Ceremony of the Statue of Albert Edward as Prince of Wales by the Governor of Bombay|||||||||Unveiling Ceremony of the Statue of Albert Edward|30304|Simpson, William||artist|William Simpson|0||||0|||||British||||||||||||||0||||0||||0||||0|Drawings|||||19|||1879|1879||1879|1879-1879|||||0||||0|||||Pencil, grey wash on paper|pencil|wash|paper|||drawing (image-making)|||||28 x 43.5 cm||9363|Glasgow, Mitchell Library [part of Glasgow District Libraries]|Glasgow: Mitchell Lib.||Edward VII, King of Great Britain, 1841-1910; Equestrian statues||||||||||Cornell||MNW|MNW|9/6/2004 0:00:00|9/6/2004 0:00:00|S613|||0|||||||32|D||||||1879| ||||||||Work|0||This statue known as "Kala Ghoda" was presented by the Governor of Bombay, Sir Richard Temple.|||June 26, 1879|||||||0|0|Unveiling Ceremony of the Statue of Albert Edward as Prince of Wales by the Governor of Bombay|Simpson, William 2484.00|0|Site|02|B-Q5|Bom|6.3 Lal||B-Q5 Bom 6.3 Lal |Lalbagh Market (Parel)|Collective Title|Image Source (Book)|||||||Lalbagh Market (Parel)|0|||||0||||0|||||Indian||||||||India||||||0|Mumbai, India|||10191||||0||||0|Architecture|Marketplace|Bazaar|||20|||1900|1999||20th century|1900-1999|||||0||||0||||||||||||||||||||||Markets (buildings) ; |Markets (buildings)|||||||||Cornell||MNW|JNK|6/13/2006 0:00:00|9/6/2004 0:00:00||Bom||0||||||Lal|B|||||Q5|6.3||||||||||Work|0|Architecture-India|Migrant workers' bazaar||||||||||0|0|Lalbagh Market (Parel)| 2485.00|0|Site|02|B-Q5|Bom|8.1 Tex||B-Q5 Bom 8.1 Tex |India United Mills No. 1|Former|Image Source (Book)|||||||India United Mills No. 1|0|||||0||||0|||||Indian||||||||India||||||0|Mumbai, India|||10191||||0||||0|Architecture|Textile mills||||20|||1900|1999||20th century|1900-1999|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|9/7/2004 0:00:00|9/6/2004 0:00:00||Bom||0||||||Tex|B|||||Q5|8.1||||||||||Work|0|Architecture-India|Located in the Parel mill area of Mumbai.||||||||||0|0|India United Mills No. 1| 2486.00|0|Creator|15|32|H149-PA|1878|1|32 H149-PA 1878 1|The Great India Pennisula Railway Terminus and Offices|Assigned|Image Source (Book)|||||||The Great India Pennisula Railway Terminus and Offices|5016|Haig, Axel Herman||architect|Axel Herman Haig|0||||0|||||||||||||||||||0||||0||||0||||0|Paintings|Watercolor||||19|||1878|1878||1878|1878-1878|||||0||||0|||||Watercolor on paper|watercolor paper|watercolors|paper|||painting (image-making)|||||90 x 155 cm||9360|London,British Library, India Office Library and Records|London: British Library; India Office||Victoria Terminus (Bombay, India); Bombay||||||||||Cornell||MNW|JNK|9/7/2004 0:00:00|9/6/2004 0:00:00|H149|||0|||||||32|PA||||||1878| ||||||||Work|0||||||||||||0|0|The Great India Pennisula Railway Terminus and Offices|Haig, Axel Herman 2487.00|0|Site|02|B-B33|NYC|2.121 HighL||B-B33 NYC 2.121 HighL |High Line|Assigned|Online Resource||Variant|Image Source (Book)||||High Line|31225|New York Central Railroad Company||firm|New York Central Railroad Company|0||||0|||||American|||Art Deco|||North and Central America||United States||||||0|New York, NY|||10060||||0||||0|Architecture|Viaduct|Railroad|||20|||1929|1934||1929-1934|1929-1934|||||0||||0||||||||||||||||||||||Viaducts ; Elevated railroads ; |Viaducts|Elevated railroads||||||||Cornell||MNW|MNW|6/14/2006 0:00:00|9/6/2004 0:00:00||NYC||0||||||HighL|B|||||B33|2.121|| ||||||||Work|0|Architecture-New York (NY)|Originally stretched from 35th Street to St. John's Park Terminal (Holland Tunnel rotary); now runs from Gansevoort to almost 34th Street. It mostly runs mid-block. Www.nyc-architecture-com; accessed 6/13/2006.|||Partially torn down in 1960; abandoned in 1980.|||||||0|0|High Line|New York Central Railroad Company 2488.00|0|Site|02|B-Q5|Bom|2.22 Reg||B-Q5 Bom 2.22 Reg |Regal Cinema|Assigned|Image Source (Book)|||||||Regal Cinema|30305|Stevens, Charles Frederick||architect|Charles Frederick Stevens|0||||0|||||Indian|||Art Deco|||||India||||||0|Mumbai, India|||10191||||0||||0|Architecture|Motion picture theaters||||20|||1933|1933||1933|1933-1933|||||0||||0||||||||||||||||||||||Bombay; Motion picture theaters||||||||||Cornell||MNW|MNW|9/7/2004 0:00:00|9/6/2004 0:00:00||Bom||0||||||Reg|B|||||Q5|2.22||||||||||Work|0|Architecture-India|||||||||||0|0|Regal Cinema|Stevens, Charles Frederick 2489.00|0|Site|02|B-Q5|Bom|3.4 Bhu||B-Q5 Bom 3.4 Bhu |Bhuleshwar Temple|Descriptive|Cataloger|||||||Bhuleshwar Temple Complex. Bhuleshwar Temple|30306|Ramamrutham, Bharath||photographer|Bharath Ramamrutham|0||||0|||||Indian||||||||India||||||0||||0||||0||||0|Photographs|Photographic print|Documentary photograph|||20|||1997|1997||1997|1997-1997||Bhuleshwar Temple Complex|Larger Context||2482||||0|||||||||||photography|||||||||||Bombay||||||||||Cornell||MNW|MNW|3/31/2006 0:00:00|9/6/2004 0:00:00||Bom||0||||||Bhu|B|||||Q5|3.4||||||||||Work|0|Architecture-India|||||||||||0|0|Bhuleshwar Temple|Ramamrutham, Bharath 2490.00|0|Site|02|B-Q5|Bom|7.4 Squ|5-2|B-Q5 Bom 7.4 Squ 5-2|Squatter Settlement, Bombay|Descriptive|Cataloger|||||||Squatter Settlement, Bombay|30306|Ramamrutham, Bharath||photographer|Bharath Ramamrutham|0||||0|||||Indian||||||||India||||||0|Mumbai, India|||10191||||0||||0|Photographs|Photographic print|Documentary photograph|Housing development||20|||1996|1996||1996|1996-1996|||||0||||0|||||||||||photography|||||||||||Bombay; Housing developments||||||||||Cornell||MNW|MNW|9/6/2004 0:00:00|9/6/2004 0:00:00||Bom||0||||||Squ|B|||||Q5|7.4||||||||||Work|0|Architecture-India|||||||||||0|0|Squatter Settlement, Bombay|Ramamrutham, Bharath 2491.00|0|Site|02|B-Q5|Bom|7.4 Squ|6-1|B-Q5 Bom 7.4 Squ 6-1|Interior of a Home in a Self-Built Housing Settlement|Descriptive|Cataloger|||||||Interior of a Home in a Self-Built Housing Settlement|30306|Ramamrutham, Bharath||photographer|Bharath Ramamrutham|0||||0|||||Indian||||||||India||||||0|Mumbai, India|||10191||||0||||0|Photographs|Photographic print|Documentary photograph|Housing development||20|||1996|1996||1996|1996-1996|||||0||||0|||||||||||photography|||||||||||Bombay; Housing developments||||||||||Cornell||MNW|MNW|9/6/2004 0:00:00|9/6/2004 0:00:00||Bom||0||||||Squ|B|||||Q5|7.4||||||||||Work|0|Architecture-India|||||||||||0|0|Interior of a Home in a Self-Built Housing Settlement|Ramamrutham, Bharath 2492.00|0|Site|02|B-Q5|Bom|7.4 Squ|5-3|B-Q5 Bom 7.4 Squ 5-3|Common Area of Self-Built Housing Complex|Descriptive|Cataloger|||||||Common Area of Self-Built Housing Complex|30306|Ramamrutham, Bharath||photographer|Bharath Ramamrutham|0||||0|||||Indian||||||||India||||||0||||0||||0||||0|Photographs|Photographic print|Documentary photograph|Housing development||20|||1996|1996||1996|1996-1996|||||0||||0|||||||||||photography|||||||||||Bombay; Housing developments||||||||||Cornell||MNW|MNW|9/6/2004 0:00:00|9/6/2004 0:00:00||Bom||0||||||Squ|B|||||Q5|7.4||||||||||Work|0|Architecture-India|||||||||||0|0|Common Area of Self-Built Housing Complex|Ramamrutham, Bharath 2493.00|0|Creator|03|MA-Correa|7.4|1970-2|Kan|MA-Correa 7.4 1970-2 Kan|Kanchenjunga Apartments|Assigned|Image Source (Book)|||||||Kanchenjunga Apartments|2618|Correa, Charles Mark||architect|Charles Mark Correa|0||||0|||||Indian|||Modernist|||||India||||||0|Mumbai, India|||10191||||0||||0|Architecture|Apartment house||||20|||1970|1983||1970-1983|1970-1983|||||0||||0||||||||||||||||||||||Apartment houses ; |Apartment houses|||||||||Cornell||MNW|MNW|9/22/2006 0:00:00|9/6/2004 0:00:00|Correa|||0||||||Kan|MA||||||7.4|1970-2|||||||||Work|0|Modern Architecture|||||||||||0|0|Kanchenjunga Apartments|Correa, Charles Mark 2494.00|0|Creator|03|MA-Correa|7.4|1970-2|Kan|MA-Correa 7.4 1970-2 Kan|View of Kanchenjunga, Bombay|Descriptive|Image Source (Book)|||||||Kanchenjunga. 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Large Bath. Circular Room|9255|Piranesi, Giovanni Battista||engraver|Piranesi, Giovanni Battista|0||||0|||||Italian||||||||Italy||||||0||||0||||0||||0|Architecture|Architectural drawing|Villa|||18|||1775|1775|ca|ca 1775|ca 1775-1775||Hadrian's Villa|Larger Context||922||||0|||||||||||drawing (image-making)|||||||||||Villas; Hadrian, 76-138||||||||||Cornell||JNK|MNW|9/16/2004 0:00:00|9/13/2004 0:00:00||Tiv||0||||||Had/Bat|B|||||H3|7.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|Circular Room|Piranesi, Giovanni Battista 2575.00|0|Site|02|B-H3.1|PiaArm|7.1 Villa||BH3.1 PiaArm 7.1 Villa |Villa|Assigned|Image Source (Book)|||||||Villa|0|||||0||||0|||||Roman|||Imperial (Roman)||||Sicily|Italy||||||0|Piazza Armerina, Sicily, Italy|||10296||||0||||0|Architecture|Villa||||04|||300|325|ca|ca 300-325|ca 300-325|||||0||||0||||||||||||||||||||||Villas||||||||||Cornell||JNK|JNK|9/13/2004 0:00:00|9/13/2004 0:00:00||PiaArm||0||||||Villa|B|||||H3.1|7.1||||||||||Work|0|Architecture-Sicily|||||||||||0|0|Villa| 2576.00|0|Site|02|B-C2|Hav|3.1 Cath||B-C2 Hav 3.1 Cath|Cathedral|Assigned|Image Source (Pub)||||||||0|||||0||||0|||||Cuban||||||||Cuba||||||0|Havana, Cuba|||10267||||0||||0|Architecture|Cathedral||||18|||1704|1777||1704; 1748-1777|1704; 1748-1777|||||0||||0||||||||||||||||||||||Cathedrals ; |Cathedrals|||||||||Cornell||MNW|JNK|11/4/2005 0:00:00|9/13/2004 0:00:00||Hav||0||||||Cath|B|||C2||C2|3.1||||||||||Work|0|Architecture-|||||||||||0|0|Cathedral| 2577.00|0|Creator|15|27A|S735-PA|34|1|27A S735-PA 34 1|Fifteen Marian Mysteries with Madonna and Child and Matthew, Ignazio, Francis Xavier, and Lucy in Adoration|Descriptive|Image Source (Book)|||||||Fifteen Marian Mysteries with Madonna and Child and Matthew, Ignazio, Francis Xavier, and Lucy in Adoration|0|||||0||||0|||||Spanish||||||||||||||0||||||||0||||0|Paintings|Painting||||16|||1600|1625||Beginning of 16th century|1600-1625|||||0||||0|||||||||||painting (image-making)|||||||1399|Kyoto,University, Faculty of Letters Museum|Kyoto: Univ. 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Peristyle Pool Building.|0|||||0||||0|||||Roman|||Imperial (Roman)|||||Italy||||||0||||0||||0||||0|Architecture|Villa||||02|||117|138||117-138|117-138||Hadrian's Villa|LargerEntity||922||||0||||||||||||||||||||||Villas||||||||||Cornell||JNK|JNK|9/13/2004 0:00:00|9/13/2004 0:00:00||Tivoli||0||||||Had/Pool|B|||||H3|7.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|Peristyle Pool Building| 2582.00|0|Site|02|B-H3|Tiv|7.1|Had/Poe|B-H3 Tiv 7.1 Had/Poe|Poekile Wall and East-West Terrace|Assigned|Image Source (Book)|||||||Hadrian's Villa. Poekile. Wall and East-West Terrace.|9255|Piranesi, Giovanni Battista||engraver|Piranesi, Giovanni Battista|0||||0|||||Italian||||||||Italy||||||0||||0||||0||||0|Architecture|Etching|||||||1770|1770||1770|1770-1770||Poekile|LargerEntity||2569||||0|||||Etching||||||etching (printing process)|||||||9337|Los Angeles,Getty Research Institute, Library|Los Angeles: Getty Res. Inst, Lib.||Hadrian, 76-138; Villas||||||||||Cornell||JNK|MNW|9/16/2004 0:00:00|9/13/2004 0:00:00||Tiv||0||||||Had/Poe|B|||||H3|7.1|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Poekile Wall and East-West Terrace|Piranesi, Giovanni Battista 2583.00|0|Site|02|B-H3|Tiv|7.1 Had/Bat||B-H3 Tiv 7.1 Had/Bat |Large Bath, Central room|Assigned|Image Source (Book)|||||||Hadrian's Villa. Large Bath. Central Room|9255|Piranesi, Giovanni Battista||engraver|Piranesi, Giovanni Battista|0||||0|||||Italian||||||||Italy||||||0||||0||||0||||0|Architecture|Architectural drawing|Etching|||18|||1770|1770||1770|1770-1770||Large Bath|Larger entity||2566||||0|||||Etching||||||etching (printing process)|||||||||||||||||||||Cornell||JNK|MNW|9/16/2004 0:00:00|9/13/2004 0:00:00||Tiv||0||||||Had/Bat|B|||||H3|7.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|Large Bath, Central room|Piranesi, Giovanni Battista 2584.00|0|Category|15|27|R373-PA|38F|1|27 R373-PA 38F 1|Procession of Saint Francis Xavier to Goa|Translated|Cataloger|||||||Procession of Saint Francis Xavier to Goa|30312|Reinoso, André||painter|André Reinoso|0||||0|||||Portuguese||||||||Portugal||||||0||||0||||0||||0|Paintings|Oil painting||||17|||1619|1619|ca|ca 1619|ca 1619-1619|||||0||||0|||||||||||painting (image-making)|||||||9366|Lisbon, Church of S. Roque|Lisbon: S. Roque||Saint Francis Xavier||||||||||Cornell||MNW|MNW|9/14/2004 0:00:00|9/14/2004 0:00:00|R373|||0|||||||27|PA||||||| |38F|||||||Work|0||Painting is located in the Sacristy.||||||||||0|0|Procession of Saint Francis Xavier to Goa|Reinoso, André 2585.00|0|Architect|02|MA-|LeCorb|1.0|1910 Travel|MA- LeCorb 1.0 1910 Travel|Poekile wall and East-West Terrace of Hadrian's Villa, Tivoli|Assigned|Image Source (Book)|||||||Hadrian's Villa. Poekile. Poekile wall and East-West Terrace of Hadrian's Villa, Tivoli|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||French||||||||France||||||0||||0||||0||||0|Architecture|Architectural drawing||||20|||1910|1910||1910|1910-1910||Poekile|Larger entity||2569||||0|||||Pencil on paper|pencil|paper||||drawing (image-making)|||||||||||Hadrian, 76-138; Villas||||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|9/14/2004 0:00:00|LeCorb|||0||||||1910 Travel|MA||||||1.0||||||||||Work|0|Modern Architecture-|||||||||||0|0|Poekile wall and East-West Terrace of Hadrian's Villa, Tivoli|Le Corbusier 2586.00|0|Site|02|B-H3|Tiv|7.1 Had/Mer||B-H3 Tiv 7.1 Had/Mer |Piranesi drawing of the Meritime Theatre|Descriptive|Cataloger|||||||Hadrian's Villa. Meritime Theatre. Piranesi drawing|9255|Piranesi, Giovanni Battista||engraver|Piranesi, Giovanni Battista|0||||0|||||Italian||||||||Italy||||||0||||0||||0||||0|Architecture|Architectural drawing||||18|||1775|1775|ca|ca 1775|ca 1775-1775||Maritime Theater|Larger entity||929||||0|||||Red Chalk|red chalk|||||drawing (image-making)|||||||||||||||||||||Cornell||JNK|MNW|9/16/2004 0:00:00|9/14/2004 0:00:00||Tiv||0||||||Had/Mer|B|||||H3|7.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|Piranesi drawing of the Meritime Theatre|Piranesi, Giovanni Battista 2587.00|0|Creator|15|JAPAN|PTG|MOMOYAMA||JAPAN PTG MOMOYAMA |Saint Francis Xavier|Translated|||||||||0|||||0||||0|||||Japanese|||Momoyama|||||Japan||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|Portrait||16|||1500|1599||16th century|1500-1599|||||0||||0|||||||||||painting (image-making)|||||||9367|Kobe, City Museum|Kobe: City Museum||Saint Francis Xavier; Portraits||||||||||Cornell||MNW|MNW|9/14/2004 0:00:00|9/14/2004 0:00:00|PTG|||0|||||||JAPAN|||||||| |MOMOYAMA|||||||Work|0||Presumably painted by a Japenese artist trained in Western painting techniques. Made as a hanging scroll to be used as an object of worship. Kobe City Museum.||||||||||0|0|Saint Francis Xavier| 2588.00|0|Architect|03|MA-|Wright|7.5|1938-59 FloSo|MA- Wright 7.5 1938-59 FloSo|Florida Southern College|Preferred|Repository|||||||Florida Southern College|12943|Wright, Frank Lloyd||architect|Frank Lloyd Wright|0||||0|||||American|||Modern|||||United States||||||0|Lakeland, FL|||10297||||0||||0|Architecture|University||||20|||1938|1959||1938-1959|1938-1959|||||0||||0||||||||||||||||||||||Universities ; Campuses ; |Universities|Campuses||||||||Cornell||JNK|JNK|7/19/2006 0:00:00|9/14/2004 0:00:00||Lake||0||||||1938-59 FloSo|MA||||||7.5||||||||||Work|0|Modern Architecture|||||||||||0|0|Florida Southern College|Wright, Frank Lloyd 2589.00|0|Architect|03|MA-|Wright|7.5|1887 Coop|MA- Wright 7.5 1887 Coop|H. M. Cooper House|Assigned|Image Source (Book)|||||||H. M. Cooper House|12943|Wright, Frank Lloyd||architect|Frank Lloyd Wright|0||||0|||||American|||Victorian|||||United States||||||0|La Grange, IL|||10298||||0||||0|Architecture|House||||19|||1887|1887|ca|ca 1887|ca 1887-1887|||||0||||0||||||||||||||||||||||Houses||||||||||Cornell||JNK|MNW|5/16/2006 0:00:00|9/14/2004 0:00:00|Wright|||0||||||1887 Coop|MA||||||7.5||||||||||Work|0|Modern Architecture|||||||||||0|0|H. M. Cooper House|Wright, Frank Lloyd 2590.00|0|Site|01|B-H3|Italy|1.011 Sou/Ves||B-H3 Italy 1.011 Sou/Ves |Area of Distribution of Depostis Left by Surges During the Eruption of Vesuvius|Assigned|Image Source (Book)|||||||Area of Distribution of Depostis Left by Surges During the Eruption of Vesuvius|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Maps|Map|||||||1985|1985||1985|1985-1985|||||0||||0||||||||||||||||||||||Vesuvius (Italy) Eruption, 79; Pompeii (extinct city)||||||||||Cornell||JNK|MNW|9/16/2004 0:00:00|9/14/2004 0:00:00||Italy||0||||||Sou/Ves|B|||||H3|1.011||||||||||Work|0||Published in Sigurdsson et al., 1985.||||||||||0|0|Area of Distribution of Depostis Left by Surges During the Eruption of Vesuvius| 2591.00|0|Site|02|B-H3|Pom|9.0 Det||B-H3 Pom 9.0 Det |Cast of a Dog Discovered in the Atrium of the House of Orpheus|Assigned|Image Source (Book)|||||||Cast of a Dog Discovered in the Atrium of the House of Orpheus|30314|Sommer, Giorgio||photographer|Giorgio Sommer|0||||0|||||Italian|German|||||||Italy|Germany|||||0||||0||||0||||0|Photographs|Photographic print|Documentary photograph|||19|||1860|1890|ca|ca 1860-1890|ca 1860-1890|||||0||||0|||||Albumen silver print||||||albumen process|||||||3423|Ottawa,National Gallery of Canada|Ottawa: Nat. Gal. of Canada||Dogs; Casts (sculpture); Pompeii (extinct city)||||||||||Cornell||JNK|MNW|9/16/2004 0:00:00|9/14/2004 0:00:00||Pom||0||33087||||Det|B|||||H3|9.0|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Cast of a Dog Discovered in the Atrium of the House of Orpheus|Sommer, Giorgio 2592.00|0|Creator|15|JAPAN|PTG-|MOMOYAMA|Kano Naizen|JAPAN PTG- MOMOYAMA Kano Naizen|Namban Screen|||||||||Namban Screen|30313|Kano, Naizen||painter|Kano Naizen|0||||0|||||Japanese|||Momoyama|||||Japan||||||0||||0||||0||||0|Paintings|Screen (Furniture)||||17|||1600|1625||Beg. 17th Century|1600-1625|||||0||||0|||||Color on gold-leaf paper|paper|gold||||painting (image-making)|||||155.5 x 364.5 cm each||9367|Kobe, City Museum|Kobe: City Museum||||||||||||Cornell||MNW|MNW|9/14/2004 0:00:00|9/14/2004 0:00:00|PTG|||0||||||Kano Naizen|JAPAN|||||||| |MOMOYAMA|||||||Work|0||This namban ("southern barbarian") screen depicts some of the Portuguese who arrived in Japan in the Azuchi-Momoyama and very early Edo periods. The left-hand screen shows Portuguese departing from a port in one of their colonies in SE Asia. Web|Pair of screens.|||||||||0|0|Namban Screen|Kano, Naizen 2593.00|0|Creator|05|J-Dahl-Wolfe|||2|J-Dahl-Wolfe 2|Magritte-Inspired Cutouts|Descriptive|Image Source (Book)|||||||Magritte-Inspired Cutouts|14319|Dahl-Wolfe, Louise||photographer|Louise Dahl-Wolfe|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Photographic print|Illustration|||20|||1947|1947||1947|1947-1947|||||0||||0|||||||||||photography|||||||4595|New York,Fashion Institute of Technology|New York: Fashion Inst. Tech.||||||||||||Cornell||MNW|JNK|9/15/2004 0:00:00|9/14/2004 0:00:00|Dahl-Wolfe|||0|||||||J|||||||| ||||||||Work|0|Photography|Published in Harper's Bazar, March 1947.||||||||||0|0|Magritte-Inspired Cutouts|Dahl-Wolfe, Louise 2594.00|0|Creator|05|J-Dahl-Wolfe|||3|J-Dahl-Wolfe 3|Harper's Bazaar Cover, March 1943|Inscribed|Image Source (Book)|||||||Harper's Bazaar Cover, March 1943|14319|Dahl-Wolfe, Louise||photographer|Louise Dahl-Wolfe|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Photographic print|Portraits|Illustration||20|||1943|1943||1943|1943-1943|||||0||||0|||||||||||photography|||||||4595|New York,Fashion Institute of Technology|New York: Fashion Inst. Tech.||Bacall, Lauren, 1924-||||||||||Cornell||MNW|MNW|9/14/2004 0:00:00|9/14/2004 0:00:00|Dahl-Wolfe|||0|||||||J|||||||| ||||||||Work|0|Photography|The model is Lauren Bacall.||||||||||0|0|Harper's Bazaar Cover, March 1943|Dahl-Wolfe, Louise 2595.00|0|Creator|05|J-Dahl-Wolfe|||4|J-Dahl-Wolfe 4|Lenore Simon|Descriptive|Image Source (Book)|||||||Lenore Simon|14319|Dahl-Wolfe, Louise||photographer|Louise Dahl-Wolfe|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Photographic print|Portraits|Illustration||20|||1944|1944||1944|1944-1944|||||0||||0|||||||||||photography|||||||4595|New York,Fashion Institute of Technology|New York: Fashion Inst. Tech.||Portraits||||||||||Cornell||MNW|MNW|9/14/2004 0:00:00|9/14/2004 0:00:00|Dahl-Wolfe|||0|||||||J|||||||| ||||||||Work|0|Photography|Published in Harper's Bazar, August, 1944.||||||||||0|0|Lenore Simon|Dahl-Wolfe, Louise 2596.00|0|Creator|05|J-Dahl-Wolfe|||5|J-Dahl-Wolfe 5|Georgia Hamilton|Descriptive|Image Source (Book)|||||||Georgia Hamilton|14319|Dahl-Wolfe, Louise||photographer|Louise Dahl-Wolfe|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Photographic print|Portraits|Illustration||20|||1952|1952||1952|1952-1952|||||0||||0|||||||||||photography|||||||4595|New York,Fashion Institute of Technology|New York: Fashion Inst. Tech.||||||||||||Cornell||MNW|MNW|9/14/2004 0:00:00|9/14/2004 0:00:00|Dahl-Wolfe|||0|||||||J|||||||| ||||||||Work|0|Photography|Published in Harper's Bazar, September, 1952. Photographed at the Museum of Modern Art, NYC. Photographs by Man Ray and Paul Strand from the exhibition, Photography: the First Hundred Years, in the background.||||||||||0|0|Georgia Hamilton|Dahl-Wolfe, Louise 2597.00|0|Creator|05|J-Dahl-Wolfe|||6|J-Dahl-Wolfe 6|Sandra Payson|Descriptive|Image Source (Book)|||||||Sandra Payson|14319|Dahl-Wolfe, Louise||photographer|Louise Dahl-Wolfe|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Photographic print|Illustration|||20|||1947|1947||1947|1947-1947|||||0||||0|||||||||||photography|||||||4595|New York,Fashion Institute of Technology|New York: Fashion Inst. Tech.||Corinthean columns||||||||||Cornell||MNW|JNK|9/15/2004 0:00:00|9/14/2004 0:00:00|Dahl-Wolfe|||0|||||||J|||||||| ||||||||Work|0|Photography|Published in Harper's Bazar, March, 1947.||||||||||0|0|Sandra Payson|Dahl-Wolfe, Louise 2598.00|0|Creator|05|J-Dahl-Wolfe|||7|J-Dahl-Wolfe 7|Bijou Barrington|Descriptive|Image Source (Book)|||||||Bijou Barrington|14319|Dahl-Wolfe, Louise||photographer|Louise Dahl-Wolfe|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Photographic print|Illustration|||20|||1942|1942||1942|1942-1942|||||0||||0|||||||||||photography|||||||4595|New York,Fashion Institute of Technology|New York: Fashion Inst. Tech.||Taliesin West (Scottsdale, Ariz.)||||||||||Cornell||MNW|MNW|9/14/2004 0:00:00|9/14/2004 0:00:00|Dahl-Wolfe|||0|||||||J|||||||| ||||||||Work|0|Photography|Published in Harper's Bazaar, January, 1942.||||||||||0|0|Bijou Barrington|Dahl-Wolfe, Louise 2599.00|0|Creator|05|J-Dahl-Wolfe|||8|J-Dahl-Wolfe 8|Bijou Barrington|Artists|Image Source (Book)|||||||Bijou Barrington|14319|Dahl-Wolfe, Louise||photographer|Louise Dahl-Wolfe|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Photographic print|Illustration|||20|||1942|1942||1942|1942-1942|||||0||||0|||||||||||photography|||||||4595|New York,Fashion Institute of Technology|New York: Fashion Inst. Tech.||Taliesin West (Scottsdale, Ariz.)||||||||||Cornell||MNW|MNW|9/14/2004 0:00:00|9/14/2004 0:00:00|Dahl-Wolfe|||0|||||||J|||||||| ||||||||Work|0|Photography|Published in Harper's Bazaar, January, 1942.||||||||||0|0|Bijou Barrington|Dahl-Wolfe, Louise 2600.00|0|Creator|05|J-Dahl-Wolfe|||9|J-Dahl-Wolfe 9|Bobby Munroe|Artists|Image Source (Book)|||||||Bobby Munroe|14319|Dahl-Wolfe, Louise||photographer|Louise Dahl-Wolfe|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Photographic print|Illustration|||20|||1941|1941||1941|1941-1941|||||0||||0|||||||||||photography|||||||4595|New York,Fashion Institute of Technology|New York: Fashion Inst. Tech.||||||||||||Cornell||MNW|MNW|9/14/2004 0:00:00|9/14/2004 0:00:00|Dahl-Wolfe|||0|||||||J|||||||| ||||||||Work|0|Photography|Published in Harper's Bazaar, February, 1941.||||||||||0|0|Bobby Munroe|Dahl-Wolfe, Louise 2601.00|0|Creator|05|J-Dahl-Wolfe|||10|J-Dahl-Wolfe 10|Night Bathing|Artists|Image Source (Book)|||||||Night Bathing|14319|Dahl-Wolfe, Louise||photographer|Louise Dahl-Wolfe|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Photographic print|Illustration|||20|||1939|1939||1939|1939-1939|||||0||||0|||||||||||photography|||||||3961|Tucson,University of Arizona,Center for Creative Photography|Tucson: Univ. AZ; Ctr. Creative Photo.||||||||||||Cornell||MNW|MNW|9/14/2004 0:00:00|9/14/2004 0:00:00|Dahl-Wolfe|||0|||||||J|||||||| ||||||||Work|0|Photography|Published in Harper's Bazaar,June, 1939.||||||||||0|0|Night Bathing|Dahl-Wolfe, Louise 2602.00|0|Creator|05|J-Dahl-Wolfe|||11|J-Dahl-Wolfe 11|Mary Jane Russell|Assigned|Image Source (Book)|||||||Mary Jane Russell|14319|Dahl-Wolfe, Louise||photographer|Louise Dahl-Wolfe|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Photographic print|Illustration|||20|||1951|1951||1951|1951-1951|||||0||||0|||||||||||photography|||||||3961|Tucson,University of Arizona,Center for Creative Photography|Tucson: Univ. AZ; Ctr. Creative Photo.||Plan de Paris de Louis Bretez, dit plan de Turgot||||||||||Cornell||MNW|MNW|9/14/2004 0:00:00|9/14/2004 0:00:00|Dahl-Wolfe|||0|||||||J|||||||| ||||||||Work|0|Photography|Includes a reproduction of the 18th-century Plan de Paris by economist Turgot. Published in Harper's Bazaar,October, 1951.||||||||||0|0|Mary Jane Russell|Dahl-Wolfe, Louise 2603.00|0|Creator|05|J-Dahl-Wolfe|||12|J-Dahl-Wolfe 12|Suzy Parker|Assigned|Image Source (Book)|||||||Suzy Parker|14319|Dahl-Wolfe, Louise||photographer|Louise Dahl-Wolfe|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Photographic print|Illustration|||20|||1953|1953||1953|1953-1953|||||0||||0|||||||||||photography|||||||3961|Tucson,University of Arizona,Center for Creative Photography|Tucson: Univ. AZ; Ctr. Creative Photo.||||||||||||Cornell||MNW|MNW|9/14/2004 0:00:00|9/14/2004 0:00:00|Dahl-Wolfe|||0|||||||J|||||||| ||||||||Work|0|Photography|Published in Harper's Bazaar,April, 1953.||||||||||0|0|Suzy Parker|Dahl-Wolfe, Louise 2604.00|0|Creator|05|J-Grotz|||1|J-Grotz 1|Walker Evans with Handheld Camera, New York|Collective Title|Image Source (Book)|||||||Walker Evans with Handheld Camera, New York|30315|Grotz, Paul||photographer|Paul Grotz|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Photographic print|Portrait|||20|||1929|1930||1929-1930|1929-1930|||||0||||0|||||||||||photography|||||||3294|New York,Metropolitan Museum of Art|New York: Metropolitan||Evans, Walker, 1903-1975; Portraits||||||||||Cornell||MNW|MNW|9/15/2004 0:00:00|9/14/2004 0:00:00|Grotz|||0|||||||J|||||||| ||||||||Work|0|Photography|||||Part of the Walker Evans Archive||||||0|0|Walker Evans with Handheld Camera, New York|Grotz, Paul 2605.00|0|Creator|05|J-EvansW|||160|J-EvansW 160|Subway Passengers, New York||||||||||3656|Evans, Walker||photographer|Walker Evans|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Illustration|||20|||1941|1941||1941|1941-1941|||||0||||0|||||||||||photography|gelatin silver process||||||||||||||||||||Cornell||MNW|MNW|9/14/2004 0:00:00|9/14/2004 0:00:00|EvansW|||0|||||||J||||||||||||||||Work|0|Photography|From "Walker Evans: the Unposed Portrait," Harper's Bazaar, March 1962, p. 123.||||||||||0|0|Subway Passengers, New York|Evans, Walker 2606.00|0|Creator|05|J-EvansW|||161|J-EvansW 161|42nd Street|Assigned|Image Source (Book)|Forty Second Street, New York|Variant|Cataloger||||42nd Street|3656|Evans, Walker||photographer|Walker Evans|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print||||20|||1929|1929||1929|1929-1929|||||0||||0|||||Gelatin silver print||||||photography|gelatin silver process||||16.1 x 23.9 cm||3294|New York,Metropolitan Museum of Art|New York: Metropolitan||New York, NY||||||||||Cornell||MNW|MNW|9/15/2004 0:00:00|9/15/2004 0:00:00|EvansW|||0||1987.1100.68|||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|42nd Street;Forty Second Street, New York|Evans, Walker 2607.00|0|Creator|05|J-EvansW|||162||Buildings, New York|Descriptive|Image Source (Book)|||||||Buildings, New York|3656|Evans, Walker||photographer|Walker Evans|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print||||20|||1928|1929||1928-1929|1928-1929|||||0||||0|||||Gelatin silver print||||||photography|gelatin silver process||||10 x 6.3 cm||3294|New York,Metropolitan Museum of Art|New York: Metropolitan||New York, NY||||||||||Cornell||MNW|MNW|9/15/2004 0:00:00|9/15/2004 0:00:00|EvansW|||0||1988.1129.2|||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Buildings, New York|Evans, Walker 2608.00|0|Creator|05|J-EvansW|||163|J-EvansW 163|Street Scene, New York|Descriptive|Image Source (Book)|||||||Street Scene, New York|3656|Evans, Walker||photographer|Walker Evans|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print||||20|||1928|1928||1928|1928-1928|||||0||||0|||||Gelatin silver print||||||photography|gelatin silver process||||12.8 x 9 cm||3294|New York,Metropolitan Museum of Art|New York: Metropolitan||New York, NY||||||||||Cornell||MNW|MNW|9/15/2004 0:00:00|9/15/2004 0:00:00|EvansW|||0||1988.1129.3|||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Street Scene, New York|Evans, Walker 2609.00|0|Creator|05|J-EvansW|Cuba||47|J-EvansW Cuba 47|Vagrant in the Prado of Havana|Assigned|Image Source (Book)|||||||Vagrant in the Prado of Havana|3656|Evans, Walker||photographer|Walker Evans|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Photographs|Gelatin silver print||||20|||1933|1933||1933|1933-1933|||||0||||0|||||Gelatin silver print||||||photography|gelatin silver process||||16.9 x 23.8 cm||4073|Chicago,Art Institute of Chicago|Chicago: Art Institute||Havana, Cuba||||||||||Cornell||MNW|MNW|9/15/2004 0:00:00|9/15/2004 0:00:00|EvansW|||0||1988.157.29||||Cuba|J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Vagrant in the Prado of Havana|Evans, Walker 2610.00|0|Creator|05|J-EvansW|||164|J-EvansW 164|Room in Louisiana Plantation House|Assigned|Image Source (Book)|||||||Room in Louisiana Plantation House|3656|Evans, Walker||photographer|Walker Evans|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print||||20|||1935|1935||1935|1935-1935|||||0||||0|||||Gelatin silver print||||||photography|gelatin silver process||||17.2 x 23 cm||4191|New York, Gilman Paper Company Collection|New York: Gilman Paper Company||Corinthian capitals; Corinthian columns; Corinthian order||||||||||Cornell||MNW|MNW|9/15/2004 0:00:00|9/15/2004 0:00:00|EvansW|||0||PH76.54|||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Room in Louisiana Plantation House|Evans, Walker 2611.00|0|Site|02|B-H3|Pom|9.0 Det||B-H3 Pom 9.0 Det |Garden of the Fugitives|Assigned|Image Source (Book)|||||||Garden of the Fugitives|0|||||0||||0|||||Roman|||Republican|||||Italy||||||0|Pompeii, Italy|||10133||||0||||0|Archaeological Sites|Cast||||01|||79|79||79|79-79|||||0||||0||||||||||||||||||||||Casts (sculpture); Figures (representations); Pompeii (extinct city)||||||||||Cornell||JNK|CLL|9/17/2004 0:00:00|9/15/2004 0:00:00||Pom||0||||||Det|B|||||H3|9.0||||||||||Work|0|Architecture-Italy|A group of human bodies discovered in 1961||||||||||0|0|Garden of the Fugitives| 2612.00|0|Creator|15|I-11|Piranesi||3|I-11 Piranesi 3|Ruins of a Sculpture Gallery at Hadrian's Villa, Tivoli, Near Rome|Collective Title|Image Source (Book)|||||||Ruins of a Sculpture Gallery at Hadrian's Villa, Tivoli, Near Rome|9255|Piranesi, Giovanni Battista||engraver|Piranesi, Giovanni Battista|0||||0|||||Italian||||||||Italy||||||0||||0||||0||||0|Graphics|Print|Engraving (Print)|||18|||1770|1770||1770|1770-1770|||||0||||0|||||Engraving||||||engraving (incising)|printing||||45.5 x 58 cm||4468|London,Royal Institute of British Architects|London: RIBA||Hadrian's Villa (Tivoli, Italy)||||||||||Cornell||MNW|MNW|9/16/2004 0:00:00|9/15/2004 0:00:00|Piranesi|||0|||||||I|||11||||| ||||||||Work|0||||||||||||0|0|Ruins of a Sculpture Gallery at Hadrian's Villa, Tivoli, Near Rome|Piranesi, Giovanni Battista 2613.00|0|Site|02|B-H3|Pom|9.0 Det||B-H3 Pom 9.0 Det |Amedeo Maiuri Looking at the Cast of a Human Body in the Via Nocera Necropolis Discovered in September 1956|Descriptive|Image Source (Book)|||||||Amedeo Maiuri Looking at the Cast of a Human Body in the Via Nocera Necropolis Discovered in September 1956|0|||||0||||0|||||Roman|||Republican|||||Italy||||||0|Pompeii, Italy|||10133||||0||||0|Archaeological Sites|Cast||||01|||1956|1956|ca|ca 1956|ca 1956-1956|||||0||||0||||||||||||||||||||||Figures (representations); Casts (sculpture); Maiuri, Amedeo, 1886-1963; Pompeii (extinct city)||||||||||Cornell||JNK|CLL|9/17/2004 0:00:00|9/15/2004 0:00:00||Pom||0||||||Det|B|||||H3|9.0||||||||||Work|0|Architecture-Italy|||||||||||0|0|Amedeo Maiuri Looking at the Cast of a Human Body in the Via Nocera Necropolis Discovered in September 1956| 2614.00|0|Creator|15|32|P237-D|nd|1|32 P237-D nd 1|Royal Academy Lecture Drawing Showing a Student on a Ladder, with a Rod, Measuring the Corinthian Order of the Temple of Jupiter Stator|||||||||Royal Academy Lecture Drawing Showing a Student on a Ladder|30317|Parke, Henry||painter|Henry Parke|0||||0|||||English||||||||Italy||||||0||||0||||0||||0|Drawings|Drawing||||19|||1800|1835|ca|Early 19th century|ca 1800-1835|||||0||||0|||||Pencil, pen, watercolor on paper|pencil|pen|watercolors|||drawing (image-making)|||||94 x 63.4 cm||3710|London,Soane(Sir John)Museum(Sir John Soane's House and Museum)|London: John Soane's Mus.||Corinthian capitals; Corinthian order||||||||||Cornell||MNW|MNW|9/16/2004 0:00:00|9/15/2004 0:00:00|P237|||0||PM 23/9/3|||||32|D||||||nd| ||||||||Work|0||This lecture drawing, which formed part of a discussion of the Corinthian order, provided its Royal Academy audiences with a dramatic representation of the activities typically undertaken by architectural students on the Grand Tour||||||||||0|0|Royal Academy Lecture Drawing Showing a Student on a Ladder, with a Rod, Measuring the Corinthian Order of the Temple of Jupiter Stator|Parke, Henry 2615.00|0|Site|02|B-H3|Pom|3.4 Isis||B-H3 Pom 3.4 Isis |The Discovery of the Temple of Isis, from Campi Phlegraei by William Hamilton William Hamilton The Discovery of the Temple of Isis, planche XXXXI from William Hamilton's Campi Phlegraei|Assigned|Image Source (Book)|Campi Phlegraei ou Observations sur les volcans des Deux Siciles||||||The Discovery of the Temple of Isis from Campi Phlegraei by Wm. Hamilton|30316|Fabris, Pietro||painter|Pietro Fabris|0||||0|||||Italian|English||Neoclassical|||||Italy||||||0||||0||||0||||0|Publications|Etching|Print|||18|||1776|1779||1776-1779|1776-1779|||||0||||0|||||Etching and water color|Etching|watercolors||||etching (printing process)|||||||||||Pompeii (extinct city); Vesuvius (Italy) Eruption, 79; Temple of Isis (Pompeii, Italy)||||||||||Cornell||JNK|MNW|9/16/2004 0:00:00|9/15/2004 0:00:00||pom||0||||||Isis|B|||||H3|3.4||||||||||Work|0|Architecture-Italy|This is plate XXXXI from William Hamilton's Campi Phlegraei: : Observations on the volcanos of the two Sicilies as they have been communicated to the Royal Society of London, Naples 1776-1779. Ed. Pietro Fabris.||||||||||0|0|The Discovery of the Temple of Isis, from Campi Phlegraei by William Hamilton William Hamilton The Discovery of the Temple of Isis, planche XXXXI from William Hamilton's Campi Phlegraei;Campi Phlegraei ou Observations sur les volcans des Deux Siciles|Fabris, Pietro 2616.00|0|Site|08|O-Soane|2.111|Pom|4b-1|O-Soane 2.111 Pom 4b-1|Royal Academy Lecture Drawing of the Street of Tombs, Pompeii|Descriptive|Image Source (Book)|STREET OF THE TOMBS POMPEII|Inscribed|Artist||||Royal Academy Lecture Drawing of the Street of Tombs, Pompeii|11121|Soane, John, Sir||architect|Sir John Soane|0||||0|||||Italian||||||||Italy||||||0||||0||||0||||0|Drawings|Drawing||||18|19||1780|1837|ca|Late 18th-early 19th C|ca 1780-1837|||||0||||0|||||Pen and wash on paper|pen|wash|paper|||drawing (image-making)|||||59.7 x 77.4 cm||3710|London,Soane(Sir John)Museum(Sir John Soane's House and Museum)|London: John Soane's Mus.||Pompeii (extinct city); Tombs||||||||||Cornell||MNW|CLL|9/17/2004 0:00:00|9/15/2004 0:00:00|Soane|||0||SM 20/4/7||||Pom|O||||||2.111|| ||||||||Work|0||||||||||||0|0|Royal Academy Lecture Drawing of the Street of Tombs, Pompeii;STREET OF THE TOMBS POMPEII|Soane, John, Sir 2617.00|0|Site|02|B-H3|Rom|3.1 Pan|2-7|B-H3 Rom 3.1 Pan 2-7|Elevation of the Pantheon|Assigned|Image Source (Book)|LA FACCIATA DELLA ROTONDA A ROMA OGGI CHIESA DI SANTA MARIA AD MARYRES|Inscribed|Artist||||Elevation of the Pantheon|11121|Soane, John, Sir||architect|Sir John Soane|0||||0|||||English||||||||Italy||||||0||||0||||0||||0||||||18|||1778|1778||1778|1778-1778|||||0||||0|||||Pencil, pen & washes on paper|pencil|pen|wash|||drawing (image-making)||wash|||63.2 x 99.1 cm||3710|London,Soane(Sir John)Museum(Sir John Soane's House and Museum)|London: John Soane's Mus.||Pantheon (Rome, Italy)||||||||||Cornell||MNW|CLL|9/27/2005 0:00:00|9/15/2004 0:00:00||Rom||0||SM 45/3/54||||Pan|B|||||H3|3.1|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Elevation of the Pantheon;LA FACCIATA DELLA ROTONDA A ROMA OGGI CHIESA DI SANTA MARIA AD MARYRES|Soane, John, Sir 2618.00|0|Site|02|B-G1|Lon|6.5 Ban|4-24|B-G1 Lon 6.5 Ban 4-24|Bird's-eye Perspective of the Bank of England from the North|Collective Title|Image Source (Book)|||||||Bank of England. Bird's-eye Perspective of the Bank of England from the North|11121|Soane, John, Sir||architect|Sir John Soane|0||||0|||||British||||||||England||||||0||||0||||0||||0|Drawings|Drawing||||19|||1810|1810||1810|1810-1810||Bank of England|LargerEntity||2203||||0|||||Watercolor|watercolors|||||painting (image-making)|||||46.9 x 70.3 cm||3710|London,Soane(Sir John)Museum(Sir John Soane's House and Museum)|London: John Soane's Mus.||Bank of England, London, England||||||||||Cornell||MNW|MNW|3/31/2006 0:00:00|9/15/2004 0:00:00||Lon||0||SM 1/8/12||||Ban|B|||||G1|6.5|| ||||||||Work|0|Architecture-England|||||||||||0|0|Bird's-eye Perspective of the Bank of England from the North|Soane, John, Sir 2619.00|0|Creator|08|O-Soane|1.0|Bldgs|4b-1a|0-Soane 1.0 Bldgs 4b-1a|Public and Private Buildings Executed by Sir John Soane Between 1780 and 1815, 1818|Descriptive|Image Source (Book)|A Selection of Buildings Executed by Sir John Soane|Collective Title|Collection|A SELECTION/OF PARTS OF BUILDINGS PUBLIC AND PRIVATE|Artists|Artist|A Selection of Buildings Executed by Sir John Soane|4292|Gandy, Joseph Michael||architect|Joseph Michael Gandy|0||||0|||||British||||||||England||||||0||||0||||0||||0|Paintings|Watercolor||||19|||1818|1818|ca|ca 1818|ca 1818-1818|||||0||||0|||||Pencil, pen & ink, watercolors|pencil|ink|watercolors|||painting (image-making)|||||72.5 x 129.3 cm||3710|London,Soane(Sir John)Museum(Sir John Soane's House and Museum)|London: John Soane's Mus.||||||||||||Cornell||MNW|CLL|9/17/2004 0:00:00|9/16/2004 0:00:00|Soane|||0||SM P87||||Bldgs|O||||||1.0|| ||||||||Work|0||A SELECTION/OF PARTS OF BUILDINGS PUBLIC AND PRIVATE ERECTED FROM THE DESIGNS OF SIR JOHN SOANE ESQ. R.A. FSA/IN THE METROPOLIS AND OTHER PLACES IN THE/UNITED KINGDOM/BETWEEN THE YEARS/MDCCLXXX AND MDCCCXV … Lettered title.||||||||||0|0|Public and Private Buildings Executed by Sir John Soane Between 1780 and 1815, 1818;A Selection of Buildings Executed by Sir John Soane;A SELECTION/OF PARTS OF BUILDINGS PUBLIC AND PRIVATE|Gandy, Joseph Michael 2620.00|0||||||||Cross in the Mountains|Translated|Dict.Art|Das Kreuz im Gebirge|Assigned|Image Source (Book)|Tetschener Altar|Variant|Image Source (Book)|Cross in the Mountains (Das Kreuz im Gebirge)|4175|Friedrich, Caspar David||painter|Caspar David Friedrich|0||||0|||||German|||Romantic|||||Germany||||||0||||0||||0||||0|Paintings|Oil painting||||19|||1807|1808||1807-1808|1807-1808|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||115 x 110.5 cm||4675|Dresden,Staatliche Kunstsammlungen,Gemaldegalerie Neue Meister|Dresden: Neue Meister||Crucifixes||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/16/2004 0:00:00|F9115|||0||||||||||||||| |||||||||0||||||||||||0|0|Cross in the Mountains;Das Kreuz im Gebirge;Tetschener Altar|Friedrich, Caspar David 2621.00|0||||||||Monk By the Sea|Translated|Dict.Art|Der Mönch am Meer|Assigned|Image Source (Book)||||Monk By the Sea (Der Mönch am Meer)|4175|Friedrich, Caspar David||painter|Caspar David Friedrich|0||||0|||||German|||Romantic|||||Germany||||||0||||0||||0||||0|Paintings|Oil painting||||19|||1809|1810||1809-1810|1809-1810|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||110 x 171.5 cm||4433|Berlin,Staatliche Museen zu Berlin; Schloss Charlottenburg|Berlin: Charlottenburg||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/16/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Monk By the Sea;Der Mönch am Meer|Friedrich, Caspar David 2622.00|0||||||||Woman at Sunset|Translated|Collection|Frau vor der untergehenden Sonne|Assigned|Image Source (Book)||||Woman at Sunset (Frau vor der untergehenden Sonne)|4175|Friedrich, Caspar David||painter|Caspar David Friedrich|0||||0|||||German|||Romantic|||||Germany||||||0||||0||||0||||0|Paintings|Oil painting||||19|||1818|1818|ca|ca 1818|ca 1818-1818|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||25 x 30 cm||3443|Essen,Museum Folkwang Essen|Essen: Museum Folkwang||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/16/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Woman at Sunset;Frau vor der untergehenden Sonne|Friedrich, Caspar David 2623.00|0||||||||Man and a Woman Contemplating the Moon|Translated|Collection|Mann und Frau den Mond betrachtend||||||Man and a Woman Contemplating the Moon (Mann und Frau den Mond betrachtend)|4175|Friedrich, Caspar David||painter|Caspar David Friedrich|0||||0|||||German|||Romantic|||||Germany||||||0||||0||||0||||0|Paintings|Oil painting||||19|||1830|1835|ca|ca 1830-1835|ca 1830-1835|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||34 x 44 cm||356|Berlin,Neue Nationalgalerie|Berlin: Neue Natgal.||Moon||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/16/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Man and a Woman Contemplating the Moon;Mann und Frau den Mond betrachtend|Friedrich, Caspar David 2624.00|0||||||||Sunrise at Neubrandenburg|Translated|Cataloger|Sonnenaufgang bei Neubrandenburg|Assigned|Image Source (Book)||||Sunrise at Neubrandenburg (Sonnenaufgang bei Neubrandenburg)|4175|Friedrich, Caspar David||painter|Caspar David Friedrich|0||||0|||||German|||Romantic|||||Germany||||||0||||0||||0||||0|Paintings|Oil painting||||19|||1835|1835|ca|ca 1835|ca 1835-1835|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||72.2 x 101.3 cm||1038|Hamburg,Hamburger Kunsthalle|Hamburg: Kunsthalle||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/16/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Sunrise at Neubrandenburg;Sonnenaufgang bei Neubrandenburg|Friedrich, Caspar David 2625.00|0||||||||Hunter in the Woods|Translated|Cataloger|||||||Hunter in the Woods|4175|Friedrich, Caspar David||painter|Caspar David Friedrich|0||||0|||||German|||Romantic|||||Germany||||||0||||0||||0||||0|Paintings|Oil painting||||19|||1813|1814||1813-1814|1813-1814|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||65.7 x 46.7 cm||3290|Private Collection|: Private Coll.||Hunting||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/16/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Hunter in the Woods|Friedrich, Caspar David 2626.00|0||||||||Two Men Contemplating the Moon|Translated|Dict.Art|||||||Two Men Contemplating the Moon|4175|Friedrich, Caspar David||painter|Caspar David Friedrich|0||||0|||||German|||Romantic|||||Germany||||||0||||0||||0||||0|Paintings|Oil painting||||19|||1819|1819||1819|1819-1819|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||35 x 44 cm||4675|Dresden,Staatliche Kunstsammlungen,Gemaldegalerie Neue Meister|Dresden: Neue Meister||Moon||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/16/2004 0:00:00||||0||Inv. 2194||||||||||||| |||||||||0||||||||||||0|0|Two Men Contemplating the Moon|Friedrich, Caspar David 2627.00|0||||||||Three Studies of Ice-floes|Translated|Cataloger|||||||Three studies of Ice-floes|4175|Friedrich, Caspar David||painter|Caspar David Friedrich|0||||0|||||German|||Romantic|||||Germany||||||0||||0||||0||||0|Paintings|Oil painting||||19|||1820|1821|ca|ca 1820-1821|ca 1820-1821|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||||1038|Hamburg,Hamburger Kunsthalle|Hamburg: Kunsthalle||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/16/2004 0:00:00||||0||Inv. 41084, 41085, 41086||||||||||||| |||||||||0||||||||||||0|0|Three Studies of Ice-floes|Friedrich, Caspar David 2628.00|0||||||||Fog in the Valley of the Elbe|Translated|Cataloger|||||||Fog in the Valley of the Elbe|4175|Friedrich, Caspar David||painter|Caspar David Friedrich|0||||0|||||German|||Romantic|||||Germany||||||0||||0||||0||||0|Paintings|Oil painting||||19|||1821|1821||1821|1821-1821|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||33 x 42.5 cm||356|Berlin,Neue Nationalgalerie|Berlin: Neue Natgal.||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/16/2004 0:00:00||||0||NG 11/85||||||||||||| |||||||||0||||||||||||0|0|Fog in the Valley of the Elbe|Friedrich, Caspar David 2629.00|0||||||||Discours de la methode, pour bien conduire sa raison, & chercher la verité dans les sciences. Plus la dioptrique, Les meteores, La mechanique, & La musique; qui sont des essais de cette methode|Published|Print Publication|||||||Discours de la methode|30318|Descartes, René||philosopher|René Descartes|0||||0|||||French||||||||France||||||0||||0||||0||||0|Pulbication|Book||||18|||1724|1724||1724|1724-1724|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|9/19/2004 0:00:00|9/19/2004 0:00:00||||0||||||||||||||||||||||||0||New edition; revised, corrected, and augmented with remarks by P. Poisson. Published in Paris by Compagnie des Libraries.||||||||||0|0|Discours de la methode, pour bien conduire sa raison, & chercher la verité dans les sciences. Plus la dioptrique, Les meteores, La mechanique, & La musique; qui sont des essais de cette methode|Descartes, René 2630.00|0|Creator|08|O-Descartes|1.01|Opt|1|O-Descartes 1.01 Opt 1|La d'optrique||Image Source (Book)|||||||Discourse de la methode. La d'optrique|30318|Descartes, René||philosopher|René Descartes|0||||0|||||French||||||||France||||||0||||0||||0||||0|Pulbication|Book||||18|||1724|1724||1724|1724-1724||Discours de la methode|LargerEntity||||||0||||||||||||||||||||||Blindness||||||||||Cornell||MNW|CLL|9/21/2004 0:00:00|9/19/2004 0:00:00|Descartes|||0||||||Opt|O||||||1.01||||||||||Work|0||New edition; revised, corrected, and augmented with remarks by P. Poisson. Published in Paris by Compagnie des Libraries.||||||||||0|0|La d'optrique|Descartes, René 2631.00|0||||||||Traité complete de l'anatomie de l'homme, comprenant la médecine opératoire|Published|Online Resource|||||||Traité complete de l'anatomie de l'homme, comprenant la médecine opératoire|30319|Bourgery, J. M.||author|J. M. Bourgery|0||||0|||||French||||||||France||||||0||||0||||0||||0|Publications|Book||||19|||1839|1839||1839|1839-1839|||||0||||0||||||||||||||||||||||Anatomy||||||||||Cornell||MNW|MNW|9/20/2004 0:00:00|9/19/2004 0:00:00||||0||||||||||||||||||||||||0||Published in Paris.||||||||||0|0|Traité complete de l'anatomie de l'homme, comprenant la médecine opératoire|Bourgery, J. M. 2632.00|0|Creator|08|O-Bourgery|1.01|Anat|1|O-Bourgery 1.01 Anat 1|Eye Examination|Descriptive|Image Source (Book)|||||||Traité complete de l'anatomie de l'homme. Eye Examination|30319|Bourgery, J. M.||author|J. M. Bourgery|30320|Jacob, Nicolas Henri||artist|0|||||French||||||||France||||||0||||0||||0||||0|Publications|Book|Illustration|||19|||1839|1839||1839|1839-1839||Traité complete de l'anatomie de l'homme, comprenant la médecine opératoire|LargerEntity||2631||||0|||||||||||drawing (image-making)|||||||||||Anatomy; Eyes||||||||||Cornell||MNW|CLL|9/21/2004 0:00:00|9/19/2004 0:00:00|Bourgery|||0||||||Anat|O||||||1.01||||||||||Work|0||||||||||||0|0|Eye Examination|Bourgery, J. M.;Jacob, Nicolas Henri 2633.00|0|Culture|07|W-16|Rec Toys||1|W-16 Rec Toys 1|Thaumatropes|Collective Title|Image Source (Book)|||||||Thaumatropes|0|||||0||||0|||||English||||||||England||||||0||||0||||0||||0|Photographs|Documentary photograph|Toys|||19|||1825|1825|ca|ca 1825|ca 1825-1825|||||0||||0||||||||||||||||||||||Thaumatropes; Toys (recreational artifacts)||||||||||Cornell||MNW|MNW|9/20/2004 0:00:00|9/19/2004 0:00:00||||0||||||Rec Toys|W|||16|||||||||||||Work|0|Culture-English|Invented in the course of the nineteenth century, the optical toys know as thaumatropes (1825)…offered viewers the thrill of seeing a moving images. It consists of a piece of cardboard with two different images. From Stafford and Terpak.||||||||||0|0|Thaumatropes| 2634.00|0|Category|12|X-14.2|Phena|||X-14.2 Phena |Phenakistoscope|Collective Title|Image Source (Book)|||||||Phenakistoscope|30321|Plateau, Joseph Antoine Ferdinand||scientist|Joseph Antoine Ferdinand Plateau|0||||0|||||Belgian||||||||Belgium||||||0||||0||||0||||0|Scientific Instruments|Toys||||19|||1830|1834|ca|Early 1830's|ca 1830-1834|||||0||||0||||||||||||||||||||||Phenakistoscope; Toys (recreational artifacts)||||||||||Cornell||MNW|MNW|9/20/2004 0:00:00|9/19/2004 0:00:00||||0||||||Phena|X|||14.2|||||||||||||Work|0||A scientific toy, consisting of a disk with figures upon it arranged radially, representing a moving object in successive positions; the persistence of the successive visual images produces the impression of actual motion. OED||||||||||0|0|Phenakistoscope|Plateau, Joseph Antoine Ferdinand 2635.00|0|Culture|11|X-16|Zoetrope||1|X-16 Zoetrope 1|Zoetrope|Assigned|Image Source (Book)|||||||Zoetrope|30322|Horner, William George||scientist|William George Horner|0||||0|||||||||||||||||||0||||0||||0||||0|Furnishings|Toys||||19|||1833|1836||Mid 1830's|1833-1836|||||0||||0||||||||||||||||||||||Zoetropes; Toys (recreational artifacts)||||||||||Cornell||MNW|MNW|9/19/2004 0:00:00|9/19/2004 0:00:00||||0||||||Zoetrope|X|||16|||||||||||||Work|0||Optical toys that create moving images, consisting of a revolving slitted drum with a paper band of successive images mounted within the drum and facing inward; developed in the early 19th century. Also called, Wheel of Lif. AAT||||||||||0|0|Zoetrope|Horner, William George 2636.00|0|Category|12|X-16|Diorama||2|X-16 Dio 2|London Diorama|Descriptive|Image Source (Book)|||||||London Diorama|0|||||0||||0|||||English||||||||England||||||0||||0||||0||||0|Paintings|Painting||||19|||1823|1823||1823|1823-1823|||||0||||0||||||||||||||||||||||Dioramas||||||||||Cornell||MNW|MNW|9/19/2004 0:00:00|9/19/2004 0:00:00||||0||||||Dio|X|||16|||||||||||||Work|0||||||||||||0|0|London Diorama| 2637.00|0|Category|12|X-16|Kaleidoscope|||X-16 Kaleidoscope|Kaleidoscope|||||||||Kaleidoscope|30323|Brewster, David, Sir||scientist|Sir David Brewster|0||||0|||||Scottish||||||||Scotland||||||0||||0||||0||||0|Furnishings|Toys||||19|||1816|1817||1816-1817|1816-1817|||||0||||0||||||||||||||||||||||Kaleidoscopes; Toys (recreational artifacts)||||||||||Cornell||MNW|MNW|9/20/2004 0:00:00|9/19/2004 0:00:00||||0||||||Kaleidoscope|X|||16|||||||||||||Work|0||Patented in 1817. Sold usually as a toy, the kaleidoscope also has value for the pattern designer. Britannica.||||||||||0|0|Kaleidoscope|Brewster, David, Sir 2638.00|0|Category|05|J-Stereoscope|||4|J-Stereoscope 4|Lenticular Stereoscope|Assigned|Image Source (Book)|||||||Lenticular Stereoscope|0|Brewster, David, Sir||||0||||0|||||Scottish||||||||Scotland||||||0||||0||||0||||0|Scientific Instruments|Optical Instrument||||19|||1849|1849||1849|1849-1849|||||0||||0||||||||||||||||||||||Stereographs||||||||||Cornell||MNW|MNW|9/20/2004 0:00:00|9/19/2004 0:00:00|Stereoscop|||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Lenticular Stereoscope|Brewster, David, Sir 2639.00|0|Category|05|J-Stereoscope|||3|J-Stereoscope 3|Stereoscope|Collective Title|Image Source (Book)|||||||Holmes Stereoscope|30324|Holmes, Oliver Wendell||physician|Oliver Wendell Holmes|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Scientific Instruments|Optical Instrument||||19|||1861|1861||1861|1861-1861|||||0||||0||||||||||||||||||||||Stereographs||||||||||Cornell||MNW|MNW|9/20/2004 0:00:00|9/20/2004 0:00:00|Stereoscop|||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Stereoscope|Holmes, Oliver Wendell 2640.00|0|Category|05|J-Stereoscope|||5|J-Stereoscope 5|Column Stereoscope|Collective Title|Image Source (Book)|||||||Column Stereoscope|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Scientific Instruments|Optical Instrument||||19|||1870|1879||1870s|1870-1879|||||0||||0||||||||||||||||||||||Stereographs||||||||||Cornell||MNW|MNW|9/20/2004 0:00:00|9/20/2004 0:00:00|Stereoscop|||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Column Stereoscope| 2641.00|0|Creator|08|0-Purkyne|1.0|AftImg|1|0-Purkyne 1.0 AftImg 1|Afterimages||||||||||30325|Purkyne, Jan Evangelista||author|Jan Evangelista Purkyne|0||||0|||||Czech||||||||||||||0||||0||||0||||0|Theory [non-architectural]|Illustration||||19|||1823|1823||1823|1823|||||0||||0||||||||||||||||||||||||||||||||Cornell|||MNW|9/20/2004 0:00:00||Purkyne|||0||||||AftImg|0||||||1.0||||||||||Work|0||||||||||||0|0||Purkyne, Jan Evangelista 2642.00|0|Category|12|X-18|MagicLan|3||X-18 MagicLan 3 |Magic Lantern: Phantasmagoric Effects|||||||||Magic Lantern: Phantasmagoric Effects|0|||||0||||0|||||||||||||||||||0||||0||||0||||0||||||19|||1825|1875||Mid 19th century|1825-1875|||||0||||0||||||||||||||||||||||||||||||||Cornell|||MNW|9/20/2004 0:00:00||MagicLan|||0|||||||X|||18|||||||||||||Work|0||||||||||||0|0|Magic Lantern: Phantasmagoric Effects| 2643.00|0|Category|07|R-15|Stained||1|R-15 Stained 1|Armature Systems in Gothic Stained-glass Windows|Descriptive|Image Source (Book)|||||||Armature Systems in Gothic Stained-glass Windows|0|||||0||||0|||||French|||Gothic (Medieval)|||||France||||||0||||0||||0||||0|Drawings|Illustration|Diagram|||13|||1200|1299||13th century|1200-1299|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|9/20/2004 0:00:00|9/20/2004 0:00:00||||0||||||Stained|R|||15|||||||||||||Work|0|Glass & Enamels-French|||||||||||0|0|Armature Systems in Gothic Stained-glass Windows| 2644.00|0|Site|02|B-H2|Cha|3.1 ND|8a-22|B-H2 Cha 3.1 ND 8a-22|Prodigal Son|Collective Title|Image Source (Book)|||||||Cathedral of Notre Dame. Prodigal Son|0|||||0||||0||||||||Gothic (Medieval)|||||||||||0|Notre-Dame Cathedral, Chartres France|||10299||||0||||0|Stained Glass|Stained glass (visual works)||||13|||1205|1215||1205-1215|1205-1215||Cathedral of Notre Dame|Larger entity||699||||0|||||Stained glass|stained glass (material)||||||||||8.44 x 2.7 M||||||Parable of the Prodigal Son; Parables||||||||||Cornell||MNW|JNK|10/27/2006 0:00:00|9/20/2004 0:00:00||Cha||0||||||ND|B|||||H2|3.1||||||||||Work|0|Architecture-France|This window has 30 pictorial panels and is located in the side aisle of the Cathedral's north transept. Kemp, Narratives.||||||||||0|0|Prodigal Son| 2645.00|0|Site|02|B-H2|Bour|3.1 Cath|8a-16||Prodigal Son|Collective Title|Image Source (Book)|||||||Prodigal Son|0|||||0||||0|||||French|||Gothic (Medieval)|||||France||||||0|Cathedral of Saint Etienne, Bourges, France|||10300||||0||||0|Stained Glass|Stained glass (visual works)||||13|||1210|1215||1210-1215|1210-1215|||||0||||0|||||Stained glass|stained glass (material)||||||||||6 x 2.2 M||||||Parable of the Prodigal Son; Parables||||||||||Cornell||MNW|MNW|9/20/2004 0:00:00|9/20/2004 0:00:00||Bour||0||||||Cath|B|||||H2|3.1||||||||||Work|0|Architecture-France|A lancet window in the ambulatory which forms part of a large decorative program. Kemp, Narratives.||||||||||0|0|Prodigal Son| 2646.00|0|Creator|15|40|R632-SC|M183||40 R632-SC M183 |Madonna and Child|Descriptive|Image Source (Book)|||||||Madonna and Child|30326|Robbia, Luca della||sculptor|Luca della Robbia|0||||0|||||Italian||||||||||||||0||||0||||0||||0|Sculpture|||||15|||1450|1452||1450-1452|1450-1452|||||0||||0|||||Terracotta; enamel|terracotta|enamel||||sculpture|||||83 x 63 cm (32.7 x 24.8 in)||865|Florence,Museo Nazionale del Bargello|Florence: Bargello||Christ; Madonna and Child; Virgin Mary; Plants (vegetation); Roses; Flowers||||||||||Cornell|||MNW|9/20/2004 0:00:00||R632|||0|||||||40|SC||||||| |M183|||||||Work|0||||||||||||0|0||Robbia, Luca della 2647.00|0|Site|02|B-H2|Cha|3.1 ND|8a-11||Charlemagne Window|Assigned|Image Source (Book)|||||||Cathedral of Notre Dame. Charlemagne Window|0|||||0||||0|||||French|||Gothic (Medieval)|||||France||||||0|Notre-Dame Cathedral, Chartres France|||10299||||0||||0|Stained Glass|Stained glass (visual works)||||13|||1210|1222||1210-1222|1210-1222||Cathedral of Notre Dame|Larger entity||699||||0||||||stained glass (material)||||||||||||||||Charlemagne, Emperor, 742-814||||||||||Cornell||MNW|JNK|10/27/2006 0:00:00|9/20/2004 0:00:00||Cha||0||||||ND|B|||||H2|3.1||||||||||Work|0|Architecture-France|||||||||||0|0|Charlemagne Window| 2648.00|0|Manuscript|04|05|L848|MO1526/27||05 L848 MO1526/27 |Bible moralisée|Descriptive|Online Resource|||||||Bible moralisée|0|||||0||||0|||||French||||||||France||||||0||||0||||0||||0|Illuminated Manuscripts|Illumination (Layout feature)||||16|||1526|1527||1526-1527|1526-1527|||||0||||0|||||||||||illumination|||||||9368|London, British Library, Manuscript Department|London: Britsh Library; MSS||||||||||||Cornell||MNW|MNW|9/21/2004 0:00:00|9/21/2004 0:00:00||L848||0||Codex Harley|||||05|||||||| |MO1526/27|||||||Work|0||||||||||||0|0|Bible moralisée| 2649.00|0|Manuscript|04|05|L848|MO1526/27|.34||Prodigal Son|||||||||Bible moralisée. Prodigal Son|0|||||0||||0|||||French||||||||France||||||0||||0||||0||||0|Illuminated Manuscripts|Illumination (Layout feature)||||16|||1526|1527||1526-1527|1526-1527||Bible moralisée|Manuscript||2648||||0|||||||||||illumination|||||||9368|London, British Library, Manuscript Department|London: Britsh Library; MSS||Parable of the Prodigal Son; Parables||||||||||Cornell||MNW|MNW|9/21/2004 0:00:00|9/21/2004 0:00:00||L848||0||Fol. 34|||||05|||||||| |MO1526/27|||||||Work|0||||||||||||0|0|Prodigal Son| 2650.00|0|Category|15|MED/Goth|FR|SC||MED/Goth FR SC |Prodigal Son|||||||||Prodigal Son|0|||||0||||0|||||French|||Gothic (Medieval)|||||France||||||0||||0||||0||||0|Sculpture|Relief||||14|||1300|1325|ca|Beginning of 14th C|ca 1300-1325|||||0||||0|||||Ivory|ivory|||||relief|sculpture||||||||||Parable of the Prodigal Son; Parables||||||||||Cornell||MNW|MNW|9/21/2004 0:00:00|9/21/2004 0:00:00||FR||0|||||||MED/Goth|SC|||||||||||||||Work|0||Relief panels from an ivory casket.||||||||||0|0|Prodigal Son| 2651.00|0|Site|02|B-H2|SDen|3.1 Abb||B-H2 SDen 3.1 Abb |Childhood of Christ||||||||||0|||||0||||0|||||French|||Gothic (Medieval)|||||France||||||0|Saint-Denis Abbey, Saint-Denis, France|||10243||||0||||0|Stained Glass|Stained glass (visual works)||||12|||1150|1150|ca|ca 1150-1150|ca 1150-1150|||||0||||0||||||stained glass (material)||||||||||||||||Christ; Birth and youth of Christ||||||||||Cornell||MNW|MNW|9/21/2004 0:00:00|9/21/2004 0:00:00||SDen||0||||||Abb|B|||||H2|3.1||||||||||Work|0|Architecture-France|||||||||||0|0|Childhood of Christ| 2652.00|0|Site|02|B-H2|Bour|3.1 Cath|8a-17|B-H2 Bour 3.1 Cath 8a-17|Dives and Lazarus|Collective Title|Image Source (Book)||||||||0|||||0||||0|||||French|||Gothic (Medieval)|||||France||||||0|Cathedral of Saint Etienne, Bourges, France|||10300||||0||||0|Stained Glass|Stained glass (visual works)||||13|||1210|1215||1210-1215|1210-1215|||||0||||0||||||stained glass (material)||||||||||||||||Parables; Lazarus; Parables of Richness and Poverty; Dives||||||||||Cornell||MNW|MNW|9/21/2004 0:00:00|9/21/2004 0:00:00||Bour||0||||||Cath|B|||||H2|3.1|| ||||||||Work|0|Architecture-France|||||||||||0|0|Dives and Lazarus| 2653.00|0|Site|02|B-H2|Par|1.31 Conc||B-H2 Par 1.31 Conc |Place de la Concorde|Assigned|Blue Guide|||||||Place de la Concorde|4247|Gabriel, Jacques Ange||architect|Ange-Jacques Gabriel|0||||0|||||French|||Neoclassical|||||France||||||0|Paris, France|||10058||||0||||0|Architecture|Squares (open spaces)||||18|||1753|1770||1753-1770|1753-1770|||||0||||0||||||||||||||||||||||Paris, France; Place de la Concorde (Paris, France)||||||||||Cornell|||JNK|9/21/2004 0:00:00|||Par||0||||||Conc|B|||||H2|1.31||||||||||Work|0|Architecture-France|||||||||||0|0|Place de la Concorde|Gabriel, Jacques Ange 2654.00|0|Site|02|B-B33|NYC|4.4 Met||B-B33 NYC 4.4 Met |Metropolitan Museum of Art|Assigned|Blue Guide|||||||Metropolitan Museum of Art|12648|Weston, Theodore||architect|Theodore Weston|0||||0|||||American||||||||United States||||||0|New York, NY|||10060||||0||||0|Architecture|Museum||||19|||1880|1890||1880-1890|1880-1890|||||0||||0||||||||||||||||||||||Museums; New York, NY; Metropolitan Museum of Art (New York, NY)||||||||||Cornell|||JNK|9/21/2004 0:00:00|||NYC||0||||||Met|B|||||B33|4.4||||||||||Work|0|Architecture-United States|||||||||||0|0|Metropolitan Museum of Art|Weston, Theodore 2655.00|0|Site|02|B-H2|Chal|3.1 Cath|||Typological Window|Collective Title|Image Source (Book)|||||||Typological Window|0|||||0||||0|||||French|||Gothic (Medieval)|||||||||||0|Notre-Dame-en-Vaux, Châlons-sur-Marne, France|||10301||||0||||0|Stained Glass|Stained glass (visual works)||||12|||1100|1199||12th century|1100-1199|||||0||||0||||||stained glass (material)||||||||||||||||||||||||||Cornell||MNW|MNW|9/21/2004 0:00:00|9/21/2004 0:00:00||Chal||0||||||Cath|B|||||H2|3.1||||||||||Work|0|Architecture-France|||||||||||0|0|Typological Window| 2656.00|0|Creator|05||||||Elevator Garage, Chicago|Descriptive|Repository|||||||Elevator Garage, Chicago|4961|Gutmann, John||photographer|John Gutmann|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Photographic print|||20|||1936|1936||1936|1936-1936|||||0||||0|||||Gelatin silver print||||||gelatin silver process|photography||||23.6 x 17.8 cm||3294|New York,Metropolitan Museum of Art|New York: Metropolitan||Automobiles; Elevators||||||||||Cornell||MNW|MNW|9/27/2004 0:00:00|9/21/2004 0:00:00||||0||1987.1100.122||||||||||||| ||||||||Work|0||||||Gift of the Ford Motor Company.||||||0|0|Elevator Garage, Chicago|Gutmann, John 2657.00|0|Creator|06|J-MP|Bacon|1|Footlight|J-MP Bacon 1 Footlight|Footlight Parade|Assigned|Print Publication|||||||Footlight Parade|618|Bacon, Lloyd||film director|Lloyd Bacon|1076|Berkeley, Busby|||0|||||American||||||||United States||||||0||||0||||0||||0|Film Stills|Film stills||||20|||1933|1933||1933|1933-1933|||||0||||0|||||||||||film making|||||||||||||||||||||Cornell||MNW|CLL|9/30/2004 0:00:00|9/21/2004 0:00:00|Bacon|||0||||||Footlight|J-MP||||||1||||||||||Work|0||||||||||||0|0|Footlight Parade|Bacon, Lloyd;Berkeley, Busby 2658.00|0|Architect|03|MA-Coles|2.22|Car||MA-Coles 2.22 Car |Carlton Cinema|Original|Print Publication|Mecca Bingo|Assigned|Online Resource||||Carlton Cinema (Mecca Bingo)|30327|Coles, George||architect|George Coles|0||||0|||||English|||Art Deco|||||England||||||0|London, England|||10018||||0||||0|Architecture|Motion picture theaters||||20|||1930|1930||1930|1930-1930|||||0||||0||||||||||||||||||||||Motion picture theaters||||||||||Cornell||MNW|MNW|9/27/2004 0:00:00|9/21/2004 0:00:00||Lon||0||||||Car|MA||||||2.22||||||||||Work|0|Modern Architecture|||||||||||0|0|Carlton Cinema;Mecca Bingo|Coles, George 2659.00|0|Category|07|U-28.2|9|Screen|1|U-28.2 9 Screen 1|Lacquer Panels from a Shrine|Descriptive|Image Source (Book)|||||||Lacquer Panels from a Shrine|0|||||0||||0|||||Japanese||||||||Japan||||||0||||||||0||||0|Furnishings|Screen (Furniture)||||19|||1800|1899||19th century|1800-1899|||||0||||0|||||Lacquer on Wood|lacquer|wood|||||||||||3943|London,Victoria and Albert Museum|London: Victoria & Albert||||||||||||Cornell|||MNW|9/22/2004 0:00:00|||||0||W.1A/9-1913 to W.1A/12-1913||||Screen|U|||28.2|||9|| ||||||||Work|0|Furniture-Japanese|Panel Dimensions: 153.5 x 34.5 cm; 153.5 x 35 cm; 148.5 x 37.5 cm; 148.5 x 36.8 cm.||||9-1913; 10-1913; 11-1913; 12-1913.||||||0|0|Lacquer Panels from a Shrine| 2660.00|0|Architect|03|MA-Gray|9.0|1928 Screen|1|MA-Gray 9.0 1928 Screen 1|Screen|Descriptive|Image Source (Book)|||||||Screen|4755|Gray, Eileen||designer|Eileen Gray|0||||0|||||French|Irish|||||||France||||||0||||0||||0||||0|Furnishings|Screen (Furniture)||||20|||1928|1928||1928|1928-1928|||||0||||0|||||Lacquer on wood with silver leaf veneer|lacquer|wood|silver||||||||207 x 435 x 1.7 cm||3943|London,Victoria and Albert Museum|London: Victoria & Albert||||||||||||Cornell||MNW|MNW|9/22/2004 0:00:00|9/22/2004 0:00:00|Gray|||0||W.40-1977||||Screen|MA||||||9.0|1928| ||||||||Work|0|Modern Architecture|Two panels; each 207 x 54 x 1.7 cm.||||||||||0|0|Screen|Gray, Eileen 2661.00|0|Category|13|Y-18|Air|12||Y-18 Air 12 |Airplane.|||||||||Design This Day: the Technique of Order in the Machine Age|11654|Teague, Walter Dorwin||designer|Walter Dorwin Teague|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Transportation|Airplanes|Illustration|Documentary photograph||20|||1940|1940||1940|1940-1940|||||0||||0||||||||||||||||||||||||||||||||Cornell|||MNW|9/22/2004 0:00:00|||||0||||||Air|Y|||||18|||||||||||Work|0||Illustrated in Design This Day: the Technique of Order in the Machine Age.||||||||||0|0|Airplane.|Teague, Walter Dorwin 2662.00|0|Category|05|J-Kodak|||3|J-Kodak 3|Beau Brownie Camera|Assigned|Image Source (Book)|||||||Beau Brownie Camera|11654|Teague, Walter Dorwin||designer|Walter Dorwin Teague|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Industrial Design|Camera||||20|||1930|1933||1930-1933|1930-1933|||||0||||0||||||||||||||||||3948|Bath,Royal Photographic Society|Bath: Royal Photo. Soc.||Cameras||||||||||Cornell||MNW|MNW|9/22/2004 0:00:00|9/22/2004 0:00:00|Kodak|||0|||||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Beau Brownie Camera|Teague, Walter Dorwin 2663.00|0|Creator|15|35|P5863-TH|1917|9|35 P5863-TH 1917 9|Costume for Chinese Conjurer from Parade|Descriptive|Image Source (Book)|||||||Costume for Chinese Conjurer from Parade|9196|Picasso, Pablo||painter|Pablo Picasso|0||||0|||||French||||||||France||||||0||||0||||0||||0|Costume|Costume||||20|||1917|1917|ca|ca 1917|ca 1917-1917||Parade|||1316||||0|||||Satin and silver cloth|satin|silver|||||||||||9369|London, Theatre Museum|London: Theatre Museum||||||||||||Cornell||MNW|MNW|9/22/2004 0:00:00|9/22/2004 0:00:00|P5863|||0|||||||35|TH||||||1917| ||||||||Work|0||||||||||||0|0|Costume for Chinese Conjurer from Parade|Picasso, Pablo 2664.00|0|Category|07|U-13|9.3|Weber|2|U-13 9.3 Weber 2|Zephyr Electric Clock|Assigned|Image Source (Book)|||||||Zephyr Electric Clock|12549|Weber, Kem||architect|Kem Weber|0||||0|||||American|||Art Deco|||||United States||||||0||||0||||0||||0|Furnishings|Clock||||20|||1934|1934|ca|ca 1934|ca 1934-1934|||||0||||0|||||Brass and bakelite|brass|Bakelite|||||||||8.3 x 20.3 x 7.9 cm||3294|New York,Metropolitan Museum of Art|New York: Metropolitan||Clocks||||||||||Cornell||MNW|MNW|9/23/2004 0:00:00|9/23/2004 0:00:00||||0||1986.418.2||||Weber|U|||13|||9.3|| ||||||||Work|0|Furniture-German|Made by Lawson Time Inc.||||||||||0|0|Zephyr Electric Clock|Weber, Kem 2665.00|0|Creator|15|35|D733-PA|1934|1|35 D733-PA 1934 1|Aspects of Negro Life: Song of the Towers|Artists|Image Source (Book)|||||||Aspects of Negro Life: Song of the Towers|30328|Douglas, Aaron||painter|Aaron Douglas|0||||0|||||American|African American|||||||United States||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1934|1934||1934|1934-1934|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||||3670|New York, New York Public Library|New York: NYPL||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/23/2004 0:00:00|D733|||0|||||||35|PA||||||1934| ||||||||Work|0||||||Schomburg Center for Reserch in Black Culture||||||0|0|Aspects of Negro Life: Song of the Towers|Douglas, Aaron 2666.00|0|Culture|05||||||Le tumulte noir|Published|Online Resource|||||||Le tumulte noir|30329|Colin, Paul||painter|Paul Colin|0||||0|||||French||||||||France||||||0||||0||||0||||0|Publications|Publications||||20|||1927|1927||1927|1927-1927|||||0||||0|||||||||||printing|||||||||||||||||||||Cornell||MNW|MNW|9/23/2004 0:00:00|9/23/2004 0:00:00||||0|||||||||||||||||||||||Work|0||Published in Paris by Editions d'Art Succes.||||||||||0|0|Le tumulte noir|Colin, Paul 2667.00|0|Category|15|N|Baker||6|N Baker 6|Josephine Baker|Preferred|Image Source (Book)|||||||Le tumulte noir. Josephine Baker|30329|Colin, Paul||painter|Paul Colin|0||||0|||||French||||||||France||||||0||||0||||0||||0|Graphics|Lithograph|portraits|||20|||1927|1927||1927|1927-1927||Le tumulte noir|LargerEntity||2666||||0|||||Colored pochoir|paper|||||pochoir|lithography||||47.3 x 31.8 cm||||||Baker, Josephine, 1906-1975; Portraits||||||||||Cornell||MNW|MNW|9/23/2004 0:00:00|9/23/2004 0:00:00||||0||||||Baker|N||||||||||||||||Work|0||||||||||||0|0|Josephine Baker|Colin, Paul 2714.00|0|Creator|05|J-Plowden|Imprints||21|J-Plowden Imprints 21|Cedar County, Iowa|Descriptive|Artist|||||||Imprints. Cedar County, Iowa|9300|Plowden, David||photographer|David Plowden|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Documentary photograph|||20|||1985|1985||1985|1985-1985||Imprints: David Plowden: a Retrospective|LargerEntity||2712||||0|||||Gelatin silver print||||||photography|gelatin silver process||||||||||||||||||||Cornell||MNW|CLL|10/7/2004 0:00:00|10/1/2004 0:00:00|Plowden|||0||||||Imprints|J||||||||||||||||Work|0|Photography|||||||||||0|0|Cedar County, Iowa|Plowden, David 2715.00|0|Creator|05|J-Plowden|Imprints||22|J-Plowden Imprints 22|Green County Near Grand Junction, Iowa|Descriptive|Artist|||||||Imprints. Green County Near Grand Junction, Iowa|9300|Plowden, David||photographer|David Plowden|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Documentary photograph|||20|||1981|1981||1981|1981-1981||Imprints: David Plowden: a Retrospective|LargerEntity||2712||||0|||||Gelatin silver print||||||photography|gelatin silver process||||||||||||||||||||Cornell||MNW|MNW|10/5/2004 0:00:00|10/1/2004 0:00:00|Plowden|||0||||||Imprints|J||||||||||||||||Work|0|Photography|||||||||||0|0|Green County Near Grand Junction, Iowa|Plowden, David 2716.00|0|Creator|05|J-Plowden|Imprints||23|J-Plowden Imprints 23|Jones County, Iowa|Descriptive|Artist|||||||Imprints. Jones County, Iowa|9300|Plowden, David||photographer|David Plowden|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Documentary photograph|||20|||1987|1987||1987|1987-1987||Imprints: David Plowden: a Retrospective|LargerEntity||2712||||0|||||Gelatin silver print||||||photography|gelatin silver process||||||||||||||||||||Cornell||MNW|MNW|10/5/2004 0:00:00|10/1/2004 0:00:00|Plowden|||0||||||Imprints|J||||||||||||||||Work|0|Photography|||||||||||0|0|Jones County, Iowa|Plowden, David 2717.00|0|Creator|05|J-Plowden|Imprints||24|J-Plowden Imprints 24|Harvested Wheat Fields, Whitman County Washington|Descriptive|Artist|||||||Imprints. Harvested Wheat Fields, Whitman County Washington|9300|Plowden, David||photographer|David Plowden|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Documentary photograph|||20|||1973|1973||1973|1973-1973||Imprints: David Plowden: a Retrospective|LargerEntity||2712||||0|||||Gelatin silver print||||||photography|gelatin silver process||||||||||||||||||||Cornell||MNW|MNW|10/5/2004 0:00:00|10/1/2004 0:00:00|Plowden|||0||||||Imprints|J||||||||||||||||Work|0|Photography|||||||||||0|0|Harvested Wheat Fields, Whitman County Washington|Plowden, David 2718.00|0|Creator|05|J-Plowden|Imprints||32|J-Plowden Imprints 32|Farm, Will County, Illinois|Descriptive|Artist|||||||Imprints. Farm, Will County, Illinois|9300|Plowden, David||photographer|David Plowden|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Documentary photograph|||20|||1981|1981||1981|1981-1981||Imprints: David Plowden: a Retrospective|LargerEntity||2712||||0|||||Gelatin silver print||||||photography|gelatin silver process||||||||||||||||||||Cornell||MNW|MNW|10/5/2004 0:00:00|10/1/2004 0:00:00|Plowden|||0||||||Imprints|J||||||||||||||||Work|0|Photography|||||||||||0|0|Farm, Will County, Illinois|Plowden, David 2719.00|0|Creator|05|J-Plowden|Imprints||33|J-Plowden Imprints 33|Church, Saline County, Missouri|Descriptive|Artist|||||||Imprints. Church, Saline County, Missouri|9300|Plowden, David||photographer|David Plowden|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Documentary photograph|||20|||1974|1974||1974|1974-1974||Imprints: David Plowden: a Retrospective|LargerEntity||2712||||0|||||Gelatin silver print||||||photography|gelatin silver process||||||||||||||||||||Cornell||MNW|MNW|10/5/2004 0:00:00|10/1/2004 0:00:00|Plowden|||0||||||Imprints|J||||||||||||||||Work|0|Photography|||||||||||0|0|Church, Saline County, Missouri|Plowden, David 2720.00|0|Creator|05|J-Plowden|Imprints||35|J-Plowden Imprints 35|Grain Elevator, Antelope, Montana|Descriptive|Artist|||||||Imprints. Grain Elevator, Antelope, Montana|9300|Plowden, David||photographer|David Plowden|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Documentary photograph|||20|||1971|1971||1971|1971-1971||Imprints: David Plowden: a Retrospective|LargerEntity||2712||||0|||||Gelatin silver print||||||photography|gelatin silver process||||||||||||||||||||Cornell||MNW|MNW|10/5/2004 0:00:00|10/1/2004 0:00:00|Plowden|||0||||||Imprints|J||||||||||||||||Work|0|Photography|||||||||||0|0|Grain Elevator, Antelope, Montana|Plowden, David 2721.00|0|Creator|05|J-Plowden|Imprints||61|J-Plowden Imprints 61|Main Street, Cazenovia, New York|Descriptive|Artist|||||||Imprints. Main Street, Cazenovia, New York|9300|Plowden, David||photographer|David Plowden|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Documentary photograph|||20|||1966|1966||1966|1966-1966||Imprints: David Plowden: a Retrospective|LargerEntity||2712||||0|||||Gelatin silver print||||||photography|gelatin silver process||||||||||Cazenovia (N.Y.)||||||||||Cornell||MNW|MNW|10/5/2004 0:00:00|10/1/2004 0:00:00|Plowden|||0||||||Imprints|J||||||||||||||||Work|0|Photography|||||||||||0|0|Main Street, Cazenovia, New York|Plowden, David 2722.00|0|Creator|05|J-Plowden|Imprints||72|J-Plowden Imprints 72|Hillsboro, New Hampshire|Descriptive|Artist|||||||Imprints. Hillsboro, New Hampshire|9300|Plowden, David||photographer|David Plowden|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Documentary photograph|||20|||1975|1975||1975|1975-1975||Imprints: David Plowden: a Retrospective|LargerEntity||2712||||0|||||Gelatin silver print||||||photography|gelatin silver process||||||||||Hillsboro (N.H.)||||||||||Cornell||MNW|MNW|10/5/2004 0:00:00|10/1/2004 0:00:00|Plowden|||0||||||Imprints|J||||||||||||||||Work|0|Photography|||||||||||0|0|Hillsboro, New Hampshire|Plowden, David 2668.00|0|Site|02|B-H2|Par|2.31 1889/Eif|||Tour Eiffel|Assigned|Image Source (Book)|Eiffel Tower|Translated|Cataloger||||Tour Eiffel (Eiffel Tower)|3509|Eiffel, Gustave||architect|Gustave Eiffel|0||||0|||||French||||||||France||||||0|Paris, France|||10058||||0||||0|Architecture|Tower (Single built work)||||19|||1889|1889||1889|1889-1889||Exposition universelle de 1867 à Paris|||2021||||0||||||iron||||||||||||||||||||||||||Cornell||MNW|MNW|9/23/2004 0:00:00|9/23/2004 0:00:00||Par||0||||||1889/Eif|B|||||H2|2.31||||||||||Work|0|Architecture-France|Completed on 31 March 1889, the tower, which now bears Eiffel’s name, took 26 months to build but never required more than 250 workmen on the site. DOA.||||||||||0|0|Tour Eiffel;Eiffel Tower|Eiffel, Gustave 2669.00|0|Creator|15|35|L591-G|1925|1|35 L591-G 1925 1|Cover for British Vogue, Late January 1925|Descriptive|Image Source (Book)|||||||Cover for British Vogue, Late January 1925|30330|Lepape, Georges||illustrator|Georges Lepape|0||||0|||||French|||Art Deco|||||France||||||0||||0||||0||||0|Graphics|Illustration||||20|||1925|1925||1925|1925-1925|||||0||||0||||||||||||||||||||||Delaunay, Sonja, 1885-1979; Dresses; Automobiles||||||||||Cornell||MNW|MNW|9/30/2004 0:00:00|9/23/2004 0:00:00|L591|||0|||||||35|G||||||1925|||||||||Work|0||Show a model wearing a Sonia Delaunay "simultaneous" dress next to a "simultaneous" car. Benton, Art Deco.||||||||||0|0|Cover for British Vogue, Late January 1925|Lepape, Georges 2670.00|0|Creator|15|35|D343-TE|1924|1|35 D343-TE 1924 1|Jacket|Descriptive|Image Source (Book)|||||||Jacket|3053|Delaunay-Terk, Sonia||artist|Sonia Delaunay|0||||0|||||Russian|French||Art Deco|||||France||||||0||||0||||0||||0|Textiles|Textile||||20|||1924|1924||1924|1924-1924|||||0||||0|||||Cotton, wool, and silk|cotton (textile)|wool|silk||||||||70 cm high||2195|Paris, Musée de la Mode et du Costume [in Pal. Galliéra]|Paris: Mus. Mode & Costume||||||||||||Cornell||MNW|MNW|9/23/2004 0:00:00|9/23/2004 0:00:00|D343|||0||UF 65-10-2|||||35|TE||||||1924| ||||||||Work|0||||||||||||0|0|Jacket|Delaunay-Terk, Sonia 2671.00|0|Category|07|V-14|Gidding||1|V-14 Gidding 1|Foyer of the Tuschinski Cinema|Collective Title|Image Source (Book)|||||||Foyer of the Tuschinski Cinema|30331|Gidding, Jaap||designer|Jaap Gidding|30332|Jong, H. L. de||architect|0|||||Dutch|||Art Deco|||||Holland||||||0|Amsterdam, Netherlands|||10171||||0||||0|Textiles|Carpet|Motion picture theaters|||20|||1918|1921||1918-1921|1918-1921|||||0||||0|||||||||||weaving|||||||||||||||||||||Cornell||MNW|MNW|9/24/2004 0:00:00|9/24/2004 0:00:00||||0||||||Gidding|V|||14|||||||||||||Work|0|Tapestry, Textiles, Embroidery-Dutch|||||||||||0|0|Foyer of the Tuschinski Cinema|Gidding, Jaap;Jong, H. L. de 2672.00|0|Site|02|B-H2|Par|6.2 Auto||B-H2 Par 6.2 Auto |Marbeuf Garage|Descriptive|Image Source (Book)|Citroën Showroom|Descriptive|Dict.Art||||Marbeuf Garage (Citroën Showroom)|6762|Laprade, Albert||architect|Albert Laprade|0||||0|||||French|||Art Deco|||||France||||||0|Rue Marbeuf, Paris, France|||10302||||0||||0|Architecture|Showroom|Store|||20|||1928|1929||1928-1929|1928-1929|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|9/24/2004 0:00:00|9/24/2004 0:00:00||Par||0||||||Auto|B|||||H2|6.2||||||||||Work|0|Architecture-France|||||||||||0|0|Marbeuf Garage;Citroën Showroom|Laprade, Albert 2673.00|0|Architect|03|MA-Hood|6.1|1924 AmerRad||MA-Hood 6.1 1924 AmerRad |American Radiator Building|Assigned|Macmillan|||||||American Radiator Building|5583|Hood, Raymond M.||architect|Raymond Hood|0||||0|||||American|||Art Deco|||||United States||||||0|New York, NY|||10060||||0||||0|Architecture|Office building||||20|||1924|1924||1924|1924-1924|||||0||||0||||||||||||||||||||||Office buildings||||||||||Cornell||MNW|MNW|9/24/2004 0:00:00|9/24/2004 0:00:00|Hood|||0||||||AmerRad|MA||||||6.1|1924|||||||||Work|0|Modern Architecture|||||||||||0|0|American Radiator Building|Hood, Raymond M. 2674.00|0|Category|07|V-16|JamesC|Gown|1||Evening Gown|Collective Title|Image Source (Book)|||||||Evening Gown|30333|James, Charles||designer|Charles James|0||||0|||||American|||Art Deco|||||United States||||||0||||0||||0||||0|Textiles|Evening dresses||||20|||1936|1937||1936-1937|1936-1937|||||0||||0|||||Black satin|satin||||||||||152 x 79 cm circ.||3943|London,Victoria and Albert Museum|London: Victoria & Albert||Evening dresses||||||||||Cornell||MNW|MNW|9/27/2004 0:00:00|9/24/2004 0:00:00|JamesC|||0||T.290-1978||||Gown|V|||||16||| ||||||||Work|0|Tapestry, Textiles, Embroidery-|||||||||||0|0|Evening Gown|James, Charles 2675.00|0|Creator|05|J-Steichen|||36|J-Steichen 36|Art Deco Clothing Design|Collective Title|Image Source (Book)|||||||Art Deco Clothing Design|11288|Steichen, Edward J.||photographer|Edward J. Steichen|0||||0|||||American|||Art Deco|||||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print||||20|||1925|1925||1925|1925-1925|||||0||||0|||||Gelatin silver print.||||||photography|gelatin silver process||||34.3 x 27.2 cm||||||||||||||||Cornell||MNW|MNW|9/26/2004 0:00:00|9/26/2004 0:00:00|Steichen|||0|||||||J||||||||||||||||Work|0|Photography|Photographed in the apartment of Nina Price. Published in Vogue, June 1, 1925. © Conde Nast, New York. Benton, Art Deco.||||||||||0|0|Art Deco Clothing Design|Steichen, Edward J. 2676.00|0|Creator|05|J-Steichen|||37|J-Steichen 37|Spectacles|Assigned|Image Source (Book)|||||||Spectacles|11288|Steichen, Edward J.||photographer|Edward J. Steichen|0||||0|||||American|||Art Deco|||||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print||||20|||1927|1927||1927|1927-1927|||||0||||0|||||Gelatin silver print.||||||photography|gelatin silver process||||27.2 x 34.3 cm||3943|London,Victoria and Albert Museum|London: Victoria & Albert||Eyeglasses||||||||||Cornell||MNW|MNW|9/26/2004 0:00:00|9/26/2004 0:00:00|Steichen|||0||Circ. 970-1967|||||J|||||||| ||||||||Work|0|Photography|Fabric design for Stehli Silks Corporation. Benton, Art Deco.||||||||||0|0|Spectacles|Steichen, Edward J. 2677.00|0|Category|07|H-15|Bonet||1|H-15 Bonet 1|Binding for Guillaume Apollinaire, Calligrammes: Poèmes de la Paix et de la Guerre, 1913-1916|Published|Image Source (Book)|||||||Binding for Guillaume Apollinaire, Calligrammes|30335|Bonet, Paul||bookbinder|Paul Bonet|0||||0|||||French|||Art Deco|||||France||||||0||||0||||0||||0|Book Arts|Bookbinding||||20|||1932|1932||1932|1932-1932|||||0||||0|||||Green morocco, lacquer & aluminum|leather|lacquer|aluminum||||||||||||||||||||||||Cornell|Cornell.|MNW|MNW|9/26/2004 0:00:00|9/26/2004 0:00:00|Bonet|||0|||||||H|||15|||||||||||||Work|0|Book Arts-French|Guillaume Apollinaire, Calligrammes: Poèmes de la Paix et de la Guerre, 1913-1916. Paris, Gallimard, 1930.||||||||||0|0|Binding for Guillaume Apollinaire, Calligrammes: Poèmes de la Paix et de la Guerre, 1913-1916|Bonet, Paul 2678.00|0|Category|07|Y-18|Auto|Auburn 851/1935|1|Y-18 Auto Auburn 851/1935 1|Auburn 851|Assigned|Repository|Auburn 851 "Boat Tail" Speedster|Descriptive|Image Source (Book)||||Auburn 851|30336|Buehrig, Gordon Miller||designer|Gordon Miller Buehrig|0||||0|||||American|||Art Deco|||||United States||||||0||||0||||0||||0|Transportation|Automobile||||20|||1935|1935||1935|1935-1935|||||0||||0||||||||||||||||||9370|Beaulieu, National Motor Museum|Beaulieu: Nat'l. Motor Museum||||||||||||Cornell||MNW|MNW|9/26/2004 0:00:00|9/26/2004 0:00:00|Auto|||0||||||Auburn 851/1935|Y|||18||||| ||||||||Work|0|Transportation-American (USA)|This car is reputed to have been used by Marlene Dietrich in the film “Desiré”. It is fitted with a period car radio. Website.||||||||||0|0|Auburn 851;Auburn 851 "Boat Tail" Speedster|Buehrig, Gordon Miller 2679.00|0|Category|07|Y-13|Air|Hind/1936|||Hindenburg Airship (LZ-129)|Assigned|Image Source (Book)|||||||Hindenburg Airship (LZ-129)|0|||||0||||0|||||German|||Art Deco|||||Germany||||||0||||0||||0||||0|Transportation|Airships||||20|||1936|1937||1936-1937|1936-1937|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|9/26/2004 0:00:00|9/26/2004 0:00:00|Air|||0||||||Hind/1936|Y|||13|||||||||||||Work|0|Transportation-German|The Hindenburg burst into flames while preparing to dock at Lakehurst, N.J., in 1937, killing 36 people.|Rigid airship of a type originally manufactured by Luftschiffsbau-Zeppelin and consisting of a cigar-shaped, trussed, and covered frame supported by internal gas cells.|||||||||0|0|Hindenburg Airship (LZ-129)| 2680.00|0|Creator|06|J-MP-Chaplin|1|Modern||J-MP-Chaplin 1 Modern |Modern Times|Published|Online Resource|The Masses|Original||||||2209|Chaplin, Charles Spencer||film director|Charlie Chaplin|0||||0|||||American|||Art Deco|||||United States||||||0||||0||||0||||0|Motion Pictures|||||20|||1936|1936||1936|1936-1936|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|9/26/2004 0:00:00|9/26/2004 0:00:00|Chaplin|||0||||||Modern|J-MP||||||1||||||||||Work|0||||||||||||0|0|Modern Times;The Masses|Chaplin, Charles Spencer 2681.00|0|Architect|03|MA-Slo&Rob|6.1|1927-30 Cha||MA-Slo&Rob 6.1 1927-30 Cha |Chanin Building|Assigned|Print Publication|||||||Chanin Building|29047|Sloan & Robertson||architectural firm|Sloan & Robertson|0||||0|||||American|||Art Deco|||||United States||||||0|New York, NY|||10060||||0||||0|Architecture|Office building||||20|||1927|1930||1927-1930|1927-1930|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|9/26/2004 0:00:00|9/26/2004 0:00:00|Slo&Rob|||0||||||Cha|MA||||||6.1|1927-30|||||||||Work|0|Modern Architecture|||||||||||0|0|Chanin Building|Sloan & Robertson 2682.00|0|Architect|03|MA-Slo&Rob|6.1|1927-30 Cha||MA-Slo&Rob 6.1 1927-30 Cha |Entrance Gates to the Executive Suites|Collective Title|Image Source (Book)|||||||Chanin Building. Entrance Gates to the Executive Suites|2184|Chambellan, Rene||architect|Rene Chambellan|0||||0|||||American|||Art Deco|||||United States||||||0||||0||||0||||0|Sculpture|Gate||||20|||1928|1928||1928|1928-1928||Chanin Building|Larger entity||2681||||0|||||Wrought iron & bronze|iron|bronze|||||||||||1954|New York, Cooper-Hewitt Museum|New York: Cooper-Hewitt||||||||||||Cornell||MNW|MNW|9/26/2004 0:00:00|9/26/2004 0:00:00|SloRob|||0||||||Cha|MA||||||6.1|1927-30| ||||||||Work|0||On 52nd floor.||||||||||0|0|Entrance Gates to the Executive Suites|Chambellan, Rene 2683.00|0|Creator|07|U-13.2|9.3|Frankl|1|U-13.2 9.3 Frankl 1|Desk and Bookcase|Descriptive|Image Source (Book)|||||||Desk and Bookcase|30337|Frankl, Paul Theodore||designer|Paul T. Frankl|0||||0|||||American|||Art Deco|||||United States||||||0||||0||||0||||0|Furnishings|Desk|Bookcase|||20|||1928|1928|ca|ca 1928-1928|ca 1928-1928|||||0||||0|||||Walnut, paint, and brass handles|walnut|paint|brass||||||||172.7 x 221 x 48.3 cm||9221|Boston, Collection John P. Axelrod|Boston: Coll. Axelrod||||||||||||Cornell||MNW|MNW|9/26/2004 0:00:00|9/26/2004 0:00:00||||0||||||Frankl|U|||13.2|||9.3|| ||||||||Work|0|Furniture-Austrian & Hungarian|||||||||||0|0|Desk and Bookcase|Frankl, Paul Theodore 2684.00|0|Category|07|S-18|Apollo|Coffee||S-18 Apollo Coffee |Advertisement for the "Apollo Skyscraper Line" Made By Bernard Rice's Sons, Inc.|Inscribed|Image Source (Book)|||||||Advertisement for the "Apollo Skyscraper Line" Made By Bernard Rice's Sons, Inc.|0|||||0||||0|||||American|||Art Deco|||||United States||||||0||||0||||0||||0|Advertising|Advertisement||||20|||1928|1928||1928|1928-1928|||||0||||0||||||||||||||||||||||Skyscrapers||||||||||Cornell||MNW|MNW|9/26/2004 0:00:00|9/26/2004 0:00:00|Apollo|||0||||||Coffee|S|||18|||||||||||||Work|0|Jewelry, Jewels, Metalwork-American (USA)|||||||||||0|0|Advertisement for the "Apollo Skyscraper Line" Made By Bernard Rice's Sons, Inc.| 2685.00|0|Category|07|X-18|Office|PenSh|Loewy|X-18 Office PenSh Loewy|Pencil Sharpener [prototype]|Descriptive|Image Source (Book)|||||||Pencil Sharpener [prototype]|7171|Loewy, Raymond Fernand||designer|Raymond Loewy|0||||0|||||American|||Art Deco|||||United States||||||0||||0||||0||||0|Tools and equipment|Tools||||20|||1933|1933||1933|1933|||||0||||0|||||Metal|metal||||||||||||||||||||||||||Cornell|||MNW|9/27/2004 0:00:00||Office|||0||||||Loewy|X|||||18|PenSh||||||||||Work|0|Tools & Inventions-|||||||||||0|0||Loewy, Raymond Fernand 2686.00|0|Category|07|U-15|9.3 Brandt||1|U-15 9.3 Brandt 1|L'Oasis|Artists|Image Source (Book)|Oasis|Translated|Image Source (Book)||||L'Oasis|30338|Brandt, Edgar||metalworker|Edgar Brandt|0||||0|||||French|||Art Deco|||||France||||||0||||0||||0||||0|Furnishings|Screen (Furniture)||||20|||1924|1924|ca|ca 1924|ca 1924|||||0||||0|||||Iron and Brass|iron|brass|||||||||||||||||||||||||Cornell||MNW|MNW|9/27/2004 0:00:00|9/27/2004 0:00:00||||0||||||Brandt|U|||15||||||9.3|||||||Work|0|Furniture-French|||||||||||0|0|L'Oasis;Oasis|Brandt, Edgar 2687.00|0|Creator|07|U-16|9.0 McLaren||1|U-16 9.0 McLaren 1|Chair|Collective Title|Image Source (Book)|||||||Chair|30339|McLaren, Denham||designer|Denham McLaren|0||||0|||||British|||Art Deco|||||England||||||0||||0||||0||||0|Furnishings|Chair||||20|||1931|1931||1931|1931|||||0||||0|||||Glass, metal fittings, zebra skin|glass|metal|leather||||||||68 x 57 x 85 cm||3943|London,Victoria and Albert Museum|London: Victoria & Albert||||||||||||Cornell||MNW|MNW|9/27/2004 0:00:00|9/27/2004 0:00:00||||0||W.26-1979||||McLaren|U|||16||||| |9.0|||||||Work|0|Furniture-English|||||||||||0|0|Chair|McLaren, Denham 2688.00|0|Category|07|X-18|Elect Radio||3|X-18 Elect Radio 3|Fada Bullet Radio, Model 115|Descriptive|Dict.Art|Streamliner Radio, MOdel 115|Collective Title|Image Source (Book)||||Fada Bullet or Streamliner Radio, Model 115|0|||||0||||0|||||American|||Art Deco|||||United States||||||0||||0||||0||||0|Tools and Equipment|Clock||||20|||1940|1949||1940's|1940-1949|||||0||||0|||||Catalin|Catalin||||||||||||3943|London,Victoria and Albert Museum|London: Victoria & Albert||||||||||||Cornell||MNW|MNW|9/27/2004 0:00:00|9/27/2004 0:00:00||||0||W.26-1992||||Elect Radio|X|||||18||| ||||||||Work|0|Tools & Inventions-|||||||||||0|0|Fada Bullet Radio, Model 115;Streamliner Radio, MOdel 115| 2689.00|0|Category|07|X-18|Vacuum||1|X-18 Vacuum 1|Electrolux Vacuum Cleaner , Model 30|Assigned|Image Source (Book)|||||||Electrolux Vacuum Cleaner , Model 30|4920|Guild, Lurelle||industrial designer|Laurelle Guild|0||||0|||||American|||Art Deco|||||United States||||||0||||0||||0||||0|Tools and Equipment|Tools||||20|||1937|1937||1937|1937-1937|||||0||||0|||||Steel, aluminum, rubber, vinyl|steel|aluminum|rubber (material)||||||||||3294|New York,Metropolitan Museum of Art|New York: Metropolitan||||||||||||Cornell||MNW|JNK|9/30/2004 0:00:00|9/27/2004 0:00:00||||0||||||Vacuum|X|||||18||| ||||||||Work|0|Tools & Inventions-|Manufactured by Electrolux.||||||||||0|0|Electrolux Vacuum Cleaner , Model 30|Guild, Lurelle 2690.00|0|Category|07|X-18-|Elect Phono|Vassos|1|X-18- Elect Phono Vassos 1|RCA Victor Special Portable Phonograph|Descriptive|Image Source (Book)|||||||RCA Victor Special Portable Phonograph|12187|Vassos, John||designer|John Vassos|0||||0|||||American|||Art Deco|||||United States||||||0||||0||||0||||0|Tools and Equipment|Tools||||20|||1937|1937|ca|ca 1937|ca 1937-1937|||||0||||0|||||Aluminum,chrome plated steel, plastics, velvet|aluminum|steel|plastics||||||||20 x 42 x 43 cm||3943|London,Victoria and Albert Museum|London: Victoria & Albert||||||||||||Cornell||MNW|MNW|9/27/2004 0:00:00|9/27/2004 0:00:00|Vassos|||0||W.1-1997||||Elect Phono|X-18|||||||| ||||||||Work|0|-|Measurements in closed position. Made by RCA.||||||||||0|0|RCA Victor Special Portable Phonograph|Vassos, John 2691.00|0|Site|02|B-B| USA|6.4 Din|||American Diner, Massachusetts|Descriptive|Image Source (Book)|||||||American Diner, Massachusetts|0|||||0||||0|||||American|||Art Deco|||||United States||||||0||||0||||0||||0|Architecture|Restaurant||||20|||1930|1930|ca|1930's|ca 1930-1930|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|9/27/2004 0:00:00|9/27/2004 0:00:00||||0||||||Din|B|||||B USA|6.4||||||||||Work|0|Architecture-|Typical Art Deco diner.||||||||||0|0|American Diner, Massachusetts| 2693.00|0|Creator|15|25|G422-SC|F632-BapE|10|25 G422-SC F632-BapE 10|Gates of Paradise|||East Doors||||||Baptistery of San Giovanni; East Doors (Gates of Paradise)|4430|Ghiberti, Lorenzo||sculptor||0||||0|||||Italian|||Renaissance|||||Italy||||||0|Florence, Italy|||9985||||0||||0|Sculpture|doors|Relief|||15|||1425|1452||1425-1452|1425-1452||Baptistery of San Giovanni|LargerEntity||980||||0|||||Gilt cast bronze|bronze|||||casting|gilding||||457 x 251 cm||4052|Florence: Museo dell’Opera del Duomo|Florence: Opera del Duomo||Old Testament ; Doors ; |Old Testament|Doors||||||||Cornell||MNW|MNW|4/25/2005 0:00:00|4/25/2005 0:00:00|G422|Flo||0||||||F632-BapE|25|SC||||||| ||||||||Work|0||Patron: Arte di Calimala.||||The restored doors are now exhibited in the Museo.||||||0|0|Gates of Paradise;East Doors|Ghiberti, Lorenzo 2694.00|0|Creator|15||||||Temporary Elgin Room at the British Museum|Assigned|Repository|||||||Temporary Elgin Room at the British Museum|30340|Archer, Archibald||painter|Archibald Archier|0||||0|||||British||||||||England||||||0||||0||||0||||0|Paintings|Oil painting||||19|||1819|1819||1819|1819-1819|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||||3373|London,British Museum|London: British Museum||Elgin marbles||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/29/2004 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Temporary Elgin Room at the British Museum|Archer, Archibald 2695.00|0||||||||The "Travellers," David Sears and Sons|Assigned|Repository|||||||The "Travellers," David Sears and Sons|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Paintings|Oil painting|Portrait|||19|||1833|1834||1833-1834|1833-1834|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||174.6 x 125.7 cm||9371|Searsburg, Penobscot Marine Museum|Searsport: Penobscot Marine Mus.||Rome, Italy; Pantheon (Rome, Italy); Basilica di San Pietro in Vaticano; Castel Sant'Angelo, Rome, Italy; Group portraits||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/29/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|The "Travellers," David Sears and Sons| 2696.00|0||||||||Picnic House|Assigned|Image Source (Book)|||||||Picnic House|0|||||0||||0|||||American||||||||United States||||||0|Pittsburgh, PA|||10303||||0||||0|Architecture|House||||19|||1830|1839||1830s|1830-1839|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|9/29/2004 0:00:00|9/29/2004 0:00:00||Pit||0||||||||||||||||||||||||0||Built by William Croghan, a wealthy Pittsburgh entrepreneur. Cooper, Classical Taste||||||||||0|0|Picnic House| 2697.00|0||||||||Trade Advertisement: Joseph Meeks and Sons|Inscribed|Image Source (Book)|||||||Trade Advertisement: Joseph Meeks and Sons|7825|Meeks, Joseph||furniture worker|Joseph Meeks|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Graphics|Lithograph|Furniture|||19|||1833|1833||1833|1833-1833|||||0||||0|||||Hand colored lithograph|paper|||||graphics|lithography||||54.6 c 43.2 cm||||||Furniture||||||||||Cornell||MNW|WRS|9/29/2004 0:00:00|9/29/2004 0:00:00||||0||||||||||||||||||||||||0||Published by George Endicott and Moses Swett of New York||||||||||0|0|Trade Advertisement: Joseph Meeks and Sons|Meeks, Joseph 2698.00|0||||||||Acropolis, Athens, Greece|Published|Image Source (Book)|||||||Acropolis, Athens, Greece|30341|Paar, Martin||photographer|Martin Paar|0||||0|||||English||||||||||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1987|1994||1987-1994|1987-1994|||||0||||0|||||Color photograph||||||photography|||||||||||Athens, Greece; Acropolises; Parthenon (Athens, Greece)||||||||||Cornell||MNW|MNW|9/29/2004 0:00:00|9/29/2004 0:00:00||||0||||||||||||||||||||||||0||Published in Small World: a Global Photographic Project, 1987-1994.||||||||||0|0|Acropolis, Athens, Greece|Paar, Martin 2699.00|0||||||||Pantheon, Rome, Italy|Published|Image Source (Book)|||||||Pantheon, Rome, Italy|30341|Paar, Martin||photographer|Martin Paar|0||||0|||||English||||||||||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1987|1994||1987-1994|1987-1994|||||0||||0|||||Color photograph||||||photography|||||||||||Rome, Italy; Pantheon (Rome, Italy)||||||||||Cornell||MNW|MNW|9/29/2004 0:00:00|9/29/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Pantheon, Rome, Italy|Paar, Martin 2700.00|0|Creator|08|O-Schinkel|2.2|MagFl|4b-4|0-Schinkel 2.2 MagFl 4b-4|Palace of the Queen of the Night, Act I, Scene 4|Descriptive|Image Source (Book)|||||||Stage Set for Mozart's Magic Flute. Palace of the Queen of the Night, Act I, Scene 4|10508|Schinkel, Karl Friedrich||architect|Karl Friedrich Schinkel|0||||0|||||German|||Neoclassical|Romantic||||Germany||||||0||||0||||0||||0|Theater Design|Theater design||||19|||1815|1815||1815|1815-1815||Set Designs for Mozart's the Magic Flute|LargerEntity||2701||||0||||||gouache||||||||||||3786|Berlin,Staatliche Museen zu Berlin; Schloss Charlottenburg, Schinkel-Pavilion|Berlin: Charlottenburg; Schinkel-Pavil.||||||||||||Cornell||MNW|MNW|3/31/2006 0:00:00|9/29/2004 0:00:00|Schinkel|||0||||||MagFl|O||||||2.2|| ||||||||Work|0||||||||||||0|0|Palace of the Queen of the Night, Act I, Scene 4|Schinkel, Karl Friedrich 2701.00|0||||||||Set Designs for Mozart's the Magic Flute|Descriptive|Image Source (Book)|||||||Set Designs for Mozart's the Magic Flute|10508|Schinkel, Karl Friedrich||architect|Karl Friedrich Schinkel|0||||0|||||German|||Neoclassical|Romantic||||Germany||||||0||||0||||0||||0|Theater Design|Theater design||||19|||1815|1816||1815-1816|1815-1816|||||0||||0||||||gouache||||||||||||3786|Berlin,Staatliche Museen zu Berlin; Schloss Charlottenburg, Schinkel-Pavilion|Berlin: Charlottenburg; Schinkel-Pavil.||||||||||||Cornell||MNW|MNW|9/30/2004 0:00:00|9/29/2004 0:00:00||||0||||||||||||||| |||||||||0||The premier took place in the Unter den Linden Royal Opera House on January 18, 1816, on the occasion of Frederick I's coronation anniversary as the first King of Prussia on January 18, 1701.||||||||||0|0|Set Designs for Mozart's the Magic Flute|Schinkel, Karl Friedrich 2702.00|0|Creator|||||||Sarastro's Garden, Act II, Scenes 7-12|Descriptive|Image Source (Book)|||||||Stage Set for Mozart's Magic Flute, Sarastro's Garden, Act II, Scenes 7-12|10508|Schinkel, Karl Friedrich||architect|Karl Friedrich Schinkel|0||||0|||||German|||Neoclassical|Romantic||||Germany||||||0||||0||||0||||0|Theater Design|Theater design||||19|||1815|1815||1815|1815-1815||Set Designs for Mozart's the Magic Flute|||2701||||0||||||gouache||||||||||||3786|Berlin,Staatliche Museen zu Berlin; Schloss Charlottenburg, Schinkel-Pavilion|Berlin: Charlottenburg; Schinkel-Pavil.||Sphinx||||||||||Cornell||MNW|MNW|9/30/2004 0:00:00|9/29/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Sarastro's Garden, Act II, Scenes 7-12|Schinkel, Karl Friedrich 2703.00|0||||||||In Front of the Mausoleum, Act II, Scene 7|||||||||Stage Set for Mozart's Magic Flute. In Front of the Mausoleum, Acty II, Scene 7|10508|Schinkel, Karl Friedrich||architect|Karl Friedrich Schinkel|0||||0|||||German|||Neoclassical|Romantic||||Germany||||||0||||0||||0||||0|Theater Design|Theater design||||19|||1815|1815||1815|1815-1815||Set Designs for Mozart's the Magic Flute|LargerEntity||2701||||0||||||gouache||||||||||||3786|Berlin,Staatliche Museen zu Berlin; Schloss Charlottenburg, Schinkel-Pavilion|Berlin: Charlottenburg; Schinkel-Pavil.||Mausoleums||||||||||Cornell||MNW|MNW|3/31/2006 0:00:00|9/30/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|In Front of the Mausoleum, Act II, Scene 7|Schinkel, Karl Friedrich 2704.00|0|Site|02|B-J3|Ber|2.22 Schinkel||B-J3 Ber 2.22 Schinkel |National Theatre|Descriptive|Image Source (Book)|Schauspielhaus|Original|Image Source (Book)||||National Theatre (Schauspielhaus)|10508|Schinkel, Karl Friedrich||architect|Karl Friedrich Schinkel|0||||0|||||German|||Neoclassical|Romantic||||Germany||||||0|Gendarmenmarkt, Berlin, Germany|||10304||||0||||0|Architecture|Theater|Concert hall|||19|||1818|1821||1818-1821|1818-1821|||||0||||0||||||||||||||||||||||Theaters ; |Theaters|||||||||Cornell||MNW|JNK|8/4/2006 0:00:00|9/30/2004 0:00:00||Ber||0||||||Schinkel|B|||||J3|2.22||||||||||Work|0|Architecture-Germany||||Interior destroyed, 1945; rebuilt, 1980's as a concert hall.|||||||0|0|National Theatre;Schauspielhaus|Schinkel, Karl Friedrich 2705.00|0|Site|02|B-J3|Ber|4.4 Altes||B-J3 Ber 4.4 Altes |Altes Museum|Collective Title|Image Source (Book)|||||||Altes Museum|10508|Schinkel, Karl Friedrich||architect|Karl Friedrich Schinkel|0||||0|||||German|||Neoclassical|Romantic||||Germany||||||0|Lustgarten, Berlin, Germany|||10305||||0||||0|Architecture|Museum||||19|||1823|1830||1823-1830|1823-1830|||||0||||0||||||||||||||||||||||Museums ; |Museums|||||||||Cornell||MNW|MNW|2/26/2006 0:00:00|9/30/2004 0:00:00||Ber||0||||||Altes|B|||||J3|4.4||||||||||Work|0|Architecture-Germany||||Interior destroyed, 1945; partially restored, 1960's.|||||||0|0|Altes Museum|Schinkel, Karl Friedrich 2706.00|0||||||||Glimpse of Greece's Golden Age|Translated|Image Source (Book)|Die Blüte Griechenlands|Descriptive|Print Publication|Blick in Grienchenlands Blüte|Descriptive|Print Publication|Glimpse of Greece's Golden Age|30342|Ahlborn, August Wilhelm Julius||painter|Wilhelm Ahlborn|10508|Schinkel, Karl Friedrich||painter|0|||||German|||Romantic|Romantic||||Germany||||||0||||0||||0||||0|Paintings|Oil painting||||19|||1836|1836||1836|1836-1836|||||0||||0|||||||||||painting (image-making)|||||||356|Berlin,Neue Nationalgalerie|Berlin: Neue Natgal.||||||||||||Cornell||MNW|JNK|10/1/2004 0:00:00|9/30/2004 0:00:00|A285|||0||||||||||||||| |||||||||0||This is a copy of Schinkel's original painting which was painted in 1825 and is now lost.||||||||||0|0|Glimpse of Greece's Golden Age;Die Blüte Griechenlands;Blick in Grienchenlands Blüte|Ahlborn, August Wilhelm Julius;Schinkel, Karl Friedrich 2707.00|0||||||||Design for the Acropolis|Descriptive|Image Source (Book)|Royal Palace on the Acropolis|Descriptive|Image Source (Book)||||Design for the Acropolis|10508|Schinkel, Karl Friedrich||architect|Karl Friedrich Schinkel|0||||0|||||German|||Neoclassical|Romantic||||Germany||||||0||||||||0||||0|Architecture|Palace|Watercolor|||19|||1834|1835||1834-1835|1834-1835|||||0||||0||||||watercolors|||||painting (image-making)|||||||||||Athens, Greece; Acropolises||||||||||Cornell||MNW|MNW|1/18/2006 0:00:00|9/30/2004 0:00:00||||0||||||||||||||||||||||||0||Design project to convert the Athenian Acropolis into a residence for the Bavarian Prince Otto named protector king of Greece by a European Congress of 1833. MacMillan||||||||||0|0|Design for the Acropolis;Royal Palace on the Acropolis|Schinkel, Karl Friedrich 2708.00|0||||||||Portrait of Karl Friedrich Schinkel|Collective Title|Image Source (Book)|||||||Portrait of Karl Friedrich Schinkel|30343|Schmid, Carl Friedrich Ludwig||painter|Carl Friedrich Ludwig Schmid|0||||0|||||German|||Romantic|||||Germany||||||0||||0||||0||||0|Paintings|Portrait|Oil painting|||19|||1832|1832||1832|1832-1832|||||0||||0|||||||||||painting (image-making)|||||||356|Berlin,Neue Nationalgalerie|Berlin: Neue Natgal.||Schinkel, Karl Friedrich, 1781-1841||||||||||Cornell||MNW|MNW|9/30/2004 0:00:00|9/30/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Portrait of Karl Friedrich Schinkel|Schmid, Carl Friedrich Ludwig 2709.00|0||||||||Die architektonischen Ordnungen der Griechen und Römer|Published|Online Resource|||||||Die architektonischen Ordnungen der Griechen und Römer|30344|Mauch, Johann Mathäus von||printmaker|Johann Mathäus von Mauch|0||||0|||||German|||Neoclassical|||||Germany||||||0||||0||||0||||0|Publications|Book||||19|||1821|1821||1821|1821-1821|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|10/1/2004 0:00:00|10/1/2004 0:00:00||||0||||||||||||||||||||||||0||Published in Berlin by Ernst & Korn.||||||||||0|0|Die architektonischen Ordnungen der Griechen und Römer|Mauch, Johann Mathäus von 2710.00|0||||||||Ancient Tripods from Herculaneum|Collective Title|Image Source (Book)|||||||Die architektonischen Ordnungen der Griecehn und Römer, Ancient Tripods from Herculaneum|30344|Mauch, Johann Mathäus von||printmaker|Johann Mathäus von Mauch|0||||0|||||German|||Neoclassical|||||Germany||||||0||||0||||0||||0|Publications|Illustration|Engraving (Print)|||19|||1821|1821||1821|1821-1821||Die architektonischen Ordnungen der Griecehn und Römer|||2709||||0|||||||||||engraving (incising)|||||||||||||||||||||Cornell||MNW|MNW|10/1/2004 0:00:00|10/1/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Ancient Tripods from Herculaneum|Mauch, Johann Mathäus von 2711.00|0||||||||View of the Lustgarten as Seen From the Upper Landing of the Staircase of Schinkel's Altes Museum, Berlin|Descriptive|Cataloger|||||||View of the Lustgarten as Seen From the Upper Landing of the Staircase of Schinkel's Altes Museum, Berlin|30345|Gregorovius, Michael Carl||painter|Michael Carl Gregorovius|0||||0|||||German|||Romantic|||||Germany||||||0||||0||||0||||0|Paintings|Watercolor||||19|||1843|1843||1843|1843-1843|||||0||||0|||||Watercolor|watercolors|||||painting (image-making)|||||||||||Altes Museum (Berlin, Germany); Museums||||||||||Cornell||MNW|MNW|10/1/2004 0:00:00|10/1/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|View of the Lustgarten as Seen From the Upper Landing of the Staircase of Schinkel's Altes Museum, Berlin|Gregorovius, Michael Carl 2712.00|0||||||||Imprints: David Plowden: a Retrospective|Published|Image Source (Book)|||||||Imprints: David Plowden: a Retrospective|9300|Plowden, David||photographer|David Plowden|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Publications|Book||||20|||1997|1997||1997|1997-1997|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|10/1/2004 0:00:00|10/1/2004 0:00:00||||0||||||||||||||||||||||||0||Published in Boston by Little, Brown.||||||||||0|0|Imprints: David Plowden: a Retrospective|Plowden, David 2713.00|0|Creator|05|J-Plowden|Imprints||20|J-Plowden Imprints 20|Plowed Wheat Fields, Whitman County, Washington|Descriptive|Artist|||||||Imprints. Plowed Wheat Fields, Whitman County, Washington|9300|Plowden, David||photographer|David Plowden|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Documentary photograph|||20|||1972|1972||1972|1972-1972||Imprints: David Plowden: a Retrospective|LargerEntity||2712||||0|||||Gelatin silver print||||||photography|gelatin silver process||||||||||||||||||||Cornell||MNW|MNW|10/5/2004 0:00:00|10/1/2004 0:00:00|Plowden|||0||||||Imprints|J||||||||||||||||Work|0|Photography|||||||||||0|0|Plowed Wheat Fields, Whitman County, Washington|Plowden, David 2723.00|0|Creator|05|J-Plowden|Imprints||74|J-Plowden Imprints 74|Pekin, North Dakota|Descriptive|Artist|||||||Imprints. Pekin, North Dakota|9300|Plowden, David||photographer|David Plowden|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Documentary photograph|||20|||1973|1973||1973|1973-1973||Imprints: David Plowden: a Retrospective|LargerEntity||2712||||0|||||Gelatin silver print||||||photography|gelatin silver process||||||||||Pekin (N.D.)||||||||||Cornell||MNW|MNW|10/5/2004 0:00:00|10/1/2004 0:00:00|Plowden|||0||||||Imprints|J||||||||||||||||Work|0|Photography|||||||||||0|0|Pekin, North Dakota|Plowden, David 2724.00|0|Creator|05|J-Plowden|Imprints||75|J-Plowden Imprints 75|Faxon, Oklahoma|Descriptive|Artist|||||||Imprints. Faxon, Oklahoma|9300|Plowden, David||photographer|David Plowden|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Documentary photograph|||20|||1969|1969||1969|1969-1969||Imprints: David Plowden: a Retrospective|LargerEntity||2712||||0|||||Gelatin silver print||||||photography|gelatin silver process||||||||||Faxon (Okla.)||||||||||Cornell||MNW|MNW|10/5/2004 0:00:00|10/1/2004 0:00:00|Plowden|||0||||||Imprints|J||||||||||||||||Work|0|Photography|||||||||||0|0|Faxon, Oklahoma|Plowden, David 2725.00|0|Creator|05|J-Plowden|Imprints||124|J-Plowden Imprints 124|Grain Elevator, Duluth, Minnesota|Descriptive|Artist|||||||Imprints. Grain Elevator, Duluth, Minnesota|9300|Plowden, David||photographer|David Plowden|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Documentary photograph|||20|||1968|1968||1968|1968-1968||Imprints: David Plowden: a Retrospective|LargerEntity||2712||||0|||||Gelatin silver print||||||photography|gelatin silver process||||||||||Grain elevators||||||||||Cornell||MNW|MNW|10/5/2004 0:00:00|10/1/2004 0:00:00|Plowden|||0||||||Imprints|J||||||||||||||||Work|0|Photography|||||||||||0|0|Grain Elevator, Duluth, Minnesota|Plowden, David 2726.00|0|Creator|05|J-Plowden|Imprints||125|J-Plowden Imprints 125|General Mills Elevator, Chicago, Illinois|Descriptive|Artist|||||||Imprints. General Mills Elevator, Chicago, Illinois|9300|Plowden, David||photographer|David Plowden|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Documentary photograph|||20|||1983|1983||1983|1983-1983||Imprints: David Plowden: a Retrospective|LargerEntity||2712||||0|||||Gelatin silver print||||||photography|gelatin silver process||||||||||Grain elevators||||||||||Cornell||MNW|MNW|10/5/2004 0:00:00|10/1/2004 0:00:00|Plowden|||0||||||Imprints|J||||||||||||||||Work|0|Photography|||||||||||0|0|General Mills Elevator, Chicago, Illinois|Plowden, David 2727.00|0|Creator|05|J-Plowden|Imprints||135|J-Plowden Imprints 135|Tunkhannock Viaduct, Nicholson, Pennsylvania|Descriptive|Artist|||||||Imprints. Tunkhannock Viaduct, Nicholson, Pennsylvania|9300|Plowden, David||photographer|David Plowden|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Documentary photograph|||20|||1973|1973||1973|1973-1973||Imprints: David Plowden: a Retrospective|LargerEntity||2712||||0|||||Gelatin silver print||||||photography|gelatin silver process||||||||||Viaducts||||||||||Cornell||MNW|MNW|10/5/2004 0:00:00|10/1/2004 0:00:00|Plowden|||0||||||Imprints|J||||||||||||||||Work|0|Photography|||||||||||0|0|Tunkhannock Viaduct, Nicholson, Pennsylvania|Plowden, David 2728.00|0|Creator|05|J-Plowden|Imprints||137|J-Plowden Imprints 137|Starrucca Viaduct, Lanesboro, Pennsylvania|Descriptive|Artist|||||||Imprints. Starrucca Viaduct, Lanesboro, Pennsylvania|9300|Plowden, David||photographer|David Plowden|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Documentary photograph|||20|||1973|1973||1973|1973-1973||Imprints: David Plowden: a Retrospective|LargerEntity||2712||||0|||||Gelatin silver print||||||photography|gelatin silver process||||||||||Viaducts||||||||||Cornell||MNW|MNW|10/5/2004 0:00:00|10/1/2004 0:00:00|Plowden|||0||||||Imprints|J||||||||||||||||Work|0|Photography|||||||||||0|0|Starrucca Viaduct, Lanesboro, Pennsylvania|Plowden, David 2729.00|0|Creator|05|J-Plowden|Imprints||138|J-Plowden Imprints 138|Sciotoville Bridge, Ohio River, Sciotoville, Ohio|Descriptive|Artist|||||||Imprints. Sciotoville Bridge, Ohio River, Sciotoville, Ohio|9300|Plowden, David||photographer|David Plowden|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Documentary photograph|||20|||1968|1968||1968|1968-1968||Imprints: David Plowden: a Retrospective|LargerEntity||2712||||0|||||Gelatin silver print||||||photography|gelatin silver process||||||||||Railroad bridges; Viaducts||||||||||Cornell||MNW|MNW|10/5/2004 0:00:00|10/1/2004 0:00:00|Plowden|||0||||||Imprints|J||||||||||||||||Work|0|Photography|||||||||||0|0|Sciotoville Bridge, Ohio River, Sciotoville, Ohio|Plowden, David 2730.00|0|Creator|05|J-Plowden|Imprints||139|J-Plowden Imprints 139|Former Boston and Maine Railroad Bridge, Connecticut River, Northampton, Massachusetts|Descriptive|Artist|||||||Imprints. Former Boston and Maine Railroad Bridge, Connecticut River, Northampton, Massachusetts|9300|Plowden, David||photographer|David Plowden|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Documentary photograph|||20|||1968|1968||1968|1968-1968||Imprints: David Plowden: a Retrospective|LargerEntity||2712||||0|||||Gelatin silver print||||||photography|gelatin silver process||||||||||Railroad bridges; Viaducts||||||||||Cornell||MNW|MNW|10/5/2004 0:00:00|10/1/2004 0:00:00|Plowden|||0||||||Imprints|J||||||||||||||||Work|0|Photography|||||||||||0|0|Former Boston and Maine Railroad Bridge, Connecticut River, Northampton, Massachusetts|Plowden, David 2731.00|0|Creator|05|J-Plowden|Imprints||142|J-Plowden Imprints 142|Astoria Bridge, Columbia River, Astoria, Oregon|Descriptive|Artist|||||||Imprints. Astoria Bridge, Columbia River, Astoria, Oregon|9300|Plowden, David||photographer|David Plowden|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Documentary photograph|||20|||1968|1968||1968|1968-1968||Imprints: David Plowden: a Retrospective|LargerEntity||2712||||0|||||Gelatin silver print||||||photography|gelatin silver process||||||||||Bridges (built works)||||||||||Cornell||MNW|MNW|10/5/2004 0:00:00|10/1/2004 0:00:00|Plowden|||0||||||Imprints|J||||||||||||||||Work|0|Photography|||||||||||0|0|Astoria Bridge, Columbia River, Astoria, Oregon|Plowden, David 2732.00|0|Creator|05|J-Plowden|Imprints||143|J-Plowden Imprints 143|Chesapeake City, Maryland|Descriptive|Artist|||||||Imprints. Chesapeake City, Maryland|9300|Plowden, David||photographer|David Plowden|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Documentary photograph|||20|||1971|1971||1971|1971-1971||Imprints: David Plowden: a Retrospective|LargerEntity||2712||||0|||||Gelatin silver print||||||photography|gelatin silver process||||||||||Chesapeake City (Md.); Bridges (built works)||||||||||Cornell||MNW|MNW|10/5/2004 0:00:00|10/1/2004 0:00:00|Plowden|||0||||||Imprints|J||||||||||||||||Work|0|Photography|||||||||||0|0|Chesapeake City, Maryland|Plowden, David 2733.00|0|Creator|05|J-Plowden|Imprints||151|J-Plowden Imprints 151|Welch, West Virginia|Descriptive|Artist|||||||Imprints. Welch, West Virginia|9300|Plowden, David||photographer|David Plowden|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Documentary photograph|||20|||1974|1974||1974|1974-1974||Imprints: David Plowden: a Retrospective|LargerEntity||2712||||0|||||Gelatin silver print||||||photography|gelatin silver process||||||||||||||||||||Cornell||MNW|MNW|10/5/2004 0:00:00|10/1/2004 0:00:00|Plowden|||0||||||Imprints|J||||||||||||||||Work|0|Photography|||||||||||0|0|Welch, West Virginia|Plowden, David 2734.00|0|Creator|05|J-Plowden|Imprints||166|J-Plowden Imprints 166|Gotebo, Oklahoma|Descriptive|Artist|||||||Imprints. Gotebo, Oklahoma|9300|Plowden, David||photographer|David Plowden|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Documentary photograph|||20|||1969|1969||1969|1969-1969||Imprints: David Plowden: a Retrospective|||2712||||0|||||Gelatin silver print||||||photography|gelatin silver process||||||||||Automobiles||||||||||Cornell||MNW|MNW|10/5/2004 0:00:00|10/1/2004 0:00:00|Plowden|||0||||||Imprints|J||||||||||||||||Work|0|Photography|||||||||||0|0|Gotebo, Oklahoma|Plowden, David 2735.00|0|Creator|05|J-Plowden|Imprints||167|J-Plowden Imprints 167|Mayetta, Kansas|Descriptive|Artist|||||||Imprints. Mayetta, Kansas|9300|Plowden, David||photographer|David Plowden|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Documentary photograph|||20|||1991|1991||1991|1991-1991||Imprints: David Plowden: a Retrospective|||2712||||0|||||Gelatin silver print||||||photography|gelatin silver process||||||||||||||||||||Cornell||MNW|MNW|10/5/2004 0:00:00|10/1/2004 0:00:00|Plowden|||0||||||Imprints|J||||||||||||||||Work|0|Photography|||||||||||0|0|Mayetta, Kansas|Plowden, David 2736.00|0|Creator|05|J-Plowden|Imprints||186|J-Plowden Imprints 186|Bosler, Wyoming|Descriptive|Artist|||||||Imprints. Bosler, Wyoming|9300|Plowden, David||photographer|David Plowden|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Documentary photograph|||20|||1974|1074||1974|1974-1074||Imprints: David Plowden: a Retrospective|LargerEntity||2712||||0|||||Gelatin silver print||||||photography|gelatin silver process||||||||||||||||||||Cornell||MNW|MNW|10/5/2004 0:00:00|10/1/2004 0:00:00|Plowden|||0||||||Imprints|J||||||||||||||||Work|0|Photography|||||||||||0|0|Bosler, Wyoming|Plowden, David 2737.00|0|Creator|05|J-Plowden|Imprints||187|J-Plowden Imprints 187|Gas Station, Piute County, Utah|Descriptive|Artist|||||||Imprints. Gas Station, Piute County, Utah|9300|Plowden, David||photographer|David Plowden|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Documentary photograph|||20|||1973|1973||1973|1973-1973||Imprints: David Plowden: a Retrospective|LargerEntity||2712||||0|||||Gelatin silver print||||||photography|gelatin silver process||||||||||||||||||||Cornell||MNW|MNW|10/5/2004 0:00:00|10/1/2004 0:00:00|Plowden|||0||||||Imprints|J||||||||||||||||Work|0|Photography|||||||||||0|0|Gas Station, Piute County, Utah|Plowden, David 2738.00|0|Creator|05|J-Plowden|Imprints||189|J-Plowden Imprints 187|Near Pullman, Washington|Descriptive|Artist|||||||Imprints. Near Pullman, Washington|9300|Plowden, David||photographer|David Plowden|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Documentary photograph|||20|||1973|1973||1973|1973-1973||Imprints: David Plowden: a Retrospective|LargerEntity||2712||||0|||||Gelatin silver print||||||photography|gelatin silver process||||||||||||||||||||Cornell||MNW|MNW|10/5/2004 0:00:00|10/1/2004 0:00:00|Plowden|||0||||||Imprints|J||||||||||||||||Work|0|Photography|||||||||||0|0|Near Pullman, Washington|Plowden, David 2739.00|0|Creator|05|J-Burtynsky|||1|J-Burtynsky 1|Mines #43, Berkeley Pit, Anaconda Oopper Mine, Butte, Montana|Descriptive|Artist|||||||Mines #43, Berkeley Pit, Anaconda Oopper Mine, Butte, Montana|30346|Burtynsky, Edward||photographer|Edward Burtynsky|0||||0|||||Canadian||||||||||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1985|1985||1985|1985-1985|||||0||||0|||||Dye-coupler print||||||photography|chromogenic processes||||69 x 86 cm||9372|San Francisco, Robert Koch Gallery|San Francisco: Robert Koch Gallery||Mining; Berkeley Pit||||||||||Cornell||MNW|MNW|10/4/2004 0:00:00|10/1/2004 0:00:00|Burtynsky|||0|||||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Mines #43, Berkeley Pit, Anaconda Oopper Mine, Butte, Montana|Burtynsky, Edward 2740.00|0|Creator|05|J-Burtynsky|||2|J-Burtynsky 2|Mines #22, Kennecott Copper Mine, Bingham Valley, Utah|Descriptive|Artist|||||||Mines #22, Kennecott Copper Mine, Bingham Valley, Utah|30346|Burtynsky, Edward||photographer|Edward Burtynsky|0||||0|||||Canadian||||||||||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1985|1985||1985|1985-1985|||||0||||0|||||Dye-coupler print||||||photography|chromogenic processes||||102 x 127 cm||9373|Toronto, Mira Godard Gallery|Toronto: Mira Godard Gallery||Mining||||||||||Cornell||MNW|MNW|10/4/2004 0:00:00|10/4/2004 0:00:00|Burtynsky|||0|||||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Mines #22, Kennecott Copper Mine, Bingham Valley, Utah|Burtynsky, Edward 2741.00|0|Creator|05|J-Burtynsky|||3|J-Burtynsky 3|Rock of Ages #15, Active Granite Section, E. L. Smith Quarry, Barre, Vermont|Descriptive|Artist|||||||Rock of Ages #15, Active Granite Section, E. L. Smith Quarry, Barre, Vermont|30346|Burtynsky, Edward||photographer|Edward Burtynsky|0||||0|||||Canadian||||||||||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1992|1992||1992|1992-1992|||||0||||0|||||Dye-coupler print||||||photography|chromogenic processes||||102 x 127 cm||3561|Artist, Collection of the|: Collection of the Artist||Quarries||||||||||Cornell||MNW|MNW|10/4/2004 0:00:00|10/4/2004 0:00:00|Burtynsky|||0|||||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Rock of Ages #15, Active Granite Section, E. L. Smith Quarry, Barre, Vermont|Burtynsky, Edward 2742.00|0|Creator|05|J-Burtynsky|||4|J-Burtynsky 4|Rock of Ages #17, Abandoned Granite Section, E. L. Smith Quarry, Barre, Vermont|Descriptive|Artist|||||||Rock of Ages #17, Abandoned Granite Section, E. L. Smith Quarry, Barre, Vermont|30346|Burtynsky, Edward||photographer|Edward Burtynsky|0||||0|||||Canadian||||||||||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1992|1992||1992|1992-1992|||||0||||0|||||Dye-coupler print||||||photography|chromogenic processes||||102 x 127 cm||3572|New York,Cowles(Charles)Gallery|New York: Charles Cowles Gal.||Quarries||||||||||Cornell||MNW|MNW|10/4/2004 0:00:00|10/4/2004 0:00:00|Burtynsky|||0|||||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Rock of Ages #17, Abandoned Granite Section, E. L. Smith Quarry, Barre, Vermont|Burtynsky, Edward 2743.00|0|Creator|05|J-Burtynsky|||5|J-Burtynsky 5|Rock of Ages #26, Abandoned Section, E. L. Smith Quarry, Barre, Vermont|Descriptive|Artist|||||||Rock of Ages #26, Abandoned Section, E. L. Smith Quarry, Barre, Vermont|30346|Burtynsky, Edward||photographer|Edward Burtynsky|0||||0|||||Canadian||||||||||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1991|1991||1991|1991-1991|||||0||||0|||||Dye-coupler print||||||photography|chromogenic processes||||102 x 127 cm||9373|Toronto, Mira Godard Gallery|Toronto: Mira Godard Gallery||Quarries||||||||||Cornell||MNW|MNW|10/4/2004 0:00:00|10/4/2004 0:00:00|Burtynsky|||0|||||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Rock of Ages #26, Abandoned Section, E. L. Smith Quarry, Barre, Vermont|Burtynsky, Edward 2744.00|0|Creator|05|J-Burtynsky|||6|J-Burtynsky 6|Rock of Ages #4, Abandoned Section, Adam-Pirie Quarry, Barre, Vermont|Descriptive|Artist|||||||Rock of Ages #4, Abandoned Section, Adam-Pirie Quarry, Barre, Vermont|30346|Burtynsky, Edward||photographer|Edward Burtynsky|0||||0|||||Canadian||||||||||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1992|1992||1992|1992-1992|||||0||||0|||||Dye-coupler print||||||photography|chromogenic processes||||86 x 69 cm||9374|Owen Sound, Ontario, Tom Thomson Memorial Art Gallery|Owen Sound: Tom Thomson Mem. Art Gallery||Quarries||||||||||Cornell||MNW|MNW|10/4/2004 0:00:00|10/4/2004 0:00:00|Burtynsky|||0|||||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Rock of Ages #4, Abandoned Section, Adam-Pirie Quarry, Barre, Vermont|Burtynsky, Edward 2745.00|0|Creator|05|J-Burtynsky|||7|J-Burtynsky 7|Rock of Ages #25, Abandoned Section, Adam-Pirie Quarry, Barre, Vermont|Descriptive|Artist|||||||Rock of Ages #25, Abandoned Section, Adam-Pirie Quarry, Barre, Vermont|30346|Burtynsky, Edward||photographer|Edward Burtynsky|0||||0|||||Canadian||||||||||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1991|1991||1991|1991-1991|||||0||||0|||||Dye-coupler print||||||photography|chromogenic processes||||102 x 127 cm||9372|San Francisco, Robert Koch Gallery|San Francisco: Robert Koch Gallery||Quarries||||||||||Cornell||MNW|MNW|10/4/2004 0:00:00|10/4/2004 0:00:00|Burtynsky|||0|||||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Rock of Ages #25, Abandoned Section, Adam-Pirie Quarry, Barre, Vermont|Burtynsky, Edward 2746.00|0|Creator|05|J-Burtynsky|||8|J-Burtynsky 8|Rock of Ages #7, Active Granite Section, Wells-Lamson Quarry, Barre, Vermont|Descriptive|Artist|||||||Rock of Ages #7, Active Granite Section, Wells-Lamson Quarry, Barre, Vermont|30346|Burtynsky, Edward||photographer|Edward Burtynsky|0||||0|||||Canadian||||||||||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1991|1991||1991|1991-1991|||||0||||0|||||Dye-coupler print||||||photography|chromogenic processes||||76 x 102 cm||1096|Houston,Museum of Fine Arts|Houston: MFA||Quarries||||||||||Cornell||MNW|MNW|10/4/2004 0:00:00|10/4/2004 0:00:00|Burtynsky|||0|||||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Rock of Ages #7, Active Granite Section, Wells-Lamson Quarry, Barre, Vermont|Burtynsky, Edward 2747.00|0|Creator|05|J-Burtynsky|||9|J-Burtynsky 9|Abandoned Marble Quarries #1, Near Rutland, Vermont|Descriptive|Artist|||||||Abandoned Marble Quarries #1, Near Rutland, Vermont|30346|Burtynsky, Edward||photographer|Edward Burtynsky|0||||0|||||Canadian||||||||||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1991|1991||1991|1991-1991|||||0||||0|||||Dye-coupler print||||||photography|chromogenic processes||||76 x 102 cm||1096|Houston,Museum of Fine Arts|Houston: MFA||Quarries||||||||||Cornell||MNW|MNW|10/5/2004 0:00:00|10/4/2004 0:00:00|Burtynsky|||0|||||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Abandoned Marble Quarries #1, Near Rutland, Vermont|Burtynsky, Edward 2748.00|0|Creator|05|J-Burtynsky|||10|J-Burtynsky 10|Rock of Ages #1, Active Section, E. L. Smith Quarry, Barre, Vermont|Descriptive|Artist|||||||Rock of Ages #1, Active Section, E. L. Smith Quarry, Barre, Vermont|30346|Burtynsky, Edward||photographer|Edward Burtynsky|0||||0|||||Canadian||||||||||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1991|1991||1991|1991-1991|||||0||||0|||||Dye-coupler print||||||photography|chromogenic processes||||102 x 127 cm||3561|Artist, Collection of the|: Collection of the Artist||Quarries||||||||||Cornell||MNW|MNW|10/4/2004 0:00:00|10/4/2004 0:00:00|Burtynsky|||0|||||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Rock of Ages #1, Active Section, E. L. Smith Quarry, Barre, Vermont|Burtynsky, Edward 2749.00|0|Creator|05|J-Burtynsky|||11|J-Burtynsky 11|Oxford Tire Pile # 1, Westley, California|Descriptive|Artist|||||||Oxford Tire Pile # 1, Westley, California|30346|Burtynsky, Edward||photographer|Edward Burtynsky|0||||0|||||Canadian||||||||||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1997|1997||1997|1997-1997|||||0||||0|||||Dye-coupler print||||||photography|chromogenic processes||||102 x 127 cm||9373|Toronto, Mira Godard Gallery|Toronto: Mira Godard Gallery||||||||||||Cornell||MNW|MNW|10/4/2004 0:00:00|10/4/2004 0:00:00|Burtynsky|||0|||||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Oxford Tire Pile # 1, Westley, California|Burtynsky, Edward 2750.00|0|Creator|05|J-Burtynsky|||12|J-Burtynsky 12|Oxford Tire Pile # 8, Westley, California|Descriptive|Artist|||||||Oxford Tire Pile # 8, Westley, California|30346|Burtynsky, Edward||photographer|Edward Burtynsky|0||||0|||||Canadian||||||||||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1999|1999||1999|1999-1999|||||0||||0|||||Dye-coupler print||||||photography|chromogenic processes||||102 x 127 cm||9375|Kitchener, Ontario, Kitchener-Waterloo Art Gallery|Kitchener: Kitchener-Waterloo Art Gal.||||||||||||Cornell||MNW|MNW|10/4/2004 0:00:00|10/4/2004 0:00:00|Burtynsky|||0|||||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Oxford Tire Pile # 8, Westley, California|Burtynsky, Edward 2751.00|0|Creator|05|J-Burtynsky|||13|J-Burtynsky 13|Oxford Tire Pile #5, Westley, California|Descriptive|Artist|||||||Oxford Tire Pile #5, Westley, California|30346|Burtynsky, Edward||photographer|Edward Burtynsky|0||||0|||||Canadian||||||||||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1999|1999||1999|1999-1999|||||0||||0|||||Dye-coupler print||||||photography|chromogenic processes||||102 x 127 cm||3561|Artist, Collection of the|: Collection of the Artist||||||||||||Cornell||MNW|MNW|10/4/2004 0:00:00|10/4/2004 0:00:00|Burtynsky|||0|||||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Oxford Tire Pile #5, Westley, California|Burtynsky, Edward 2752.00|0|Creator|05|J-Burtynsky|||14|J-Burtynsky 14|Oil Fields #6, McKittrick, California|Descriptive|Artist|||||||Oil Fields #6, McKittrick, California|30346|Burtynsky, Edward||photographer|Edward Burtynsky|0||||0|||||Canadian||||||||||||||0||||0||||0||||0|Photographs|Documentary photograph||||21|||2002|2002||2002|2002-2002|||||0||||0|||||Dye-coupler print||||||photography|chromogenic processes||||102 x 127 cm||3572|New York,Cowles(Charles)Gallery|New York: Charles Cowles Gal.||||||||||||Cornell||MNW|MNW|10/4/2004 0:00:00|10/4/2004 0:00:00|Burtynsky|||0|||||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Oil Fields #6, McKittrick, California|Burtynsky, Edward 2753.00|0|Creator|05|J-Burtynsky|||15|J-Burtynsky 15|Oil Fields #13, Taft, California|Descriptive|Artist|||||||Oil Fields #13, Taft, California|30346|Burtynsky, Edward||photographer|Edward Burtynsky|0||||0|||||Canadian||||||||||||||0||||0||||0||||0|Photographs|Documentary photograph||||21|||2002|2002||2002|2002-2002|||||0||||0|||||Dye-coupler print||||||photography|chromogenic processes||||102 x 127 cm||3561|Artist, Collection of the|: Collection of the Artist||||||||||||Cornell||MNW|MNW|10/4/2004 0:00:00|10/4/2004 0:00:00|Burtynsky|||0|||||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Oil Fields #13, Taft, California|Burtynsky, Edward 2754.00|0|Creator|05|J-Burtynsky|||16|J-Burtynsky 16|Oil Fields #2, Belridge, California|Descriptive|Artist|||||||Oil Fields #2, Belridge, California|30346|Burtynsky, Edward||photographer|Edward Burtynsky|0||||0|||||Canadian||||||||||||||0||||0||||0||||0|Photographs|Documentary photograph||||21|||2002|2002||2002|2002-2002|||||0||||0|||||Dye-coupler print||||||photography|chromogenic processes||||102 x 127 cm||3561|Artist, Collection of the|: Collection of the Artist||||||||||||Cornell||MNW|MNW|10/4/2004 0:00:00|10/4/2004 0:00:00|Burtynsky|||0|||||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Oil Fields #2, Belridge, California|Burtynsky, Edward 2755.00|0|Creator|15|32|D317-D|1877|W872|32 D317-PA 1877 W872|Women on a Café Terrace, Evening|Descriptive|Image Source (Book)|||||||Women on a Café Terrace, Evening|3026|Degas, Edgar||painter|Edgar Degas|0||||0|||||French|||Impressionist|||||France||||||0||||0||||0||||0|Drawings|Pastel (Visual work)||||19|||1877|1877||1877|1877-1877|||||0||||0|||||Pastel on monotype|pastels (crayons)|||||drawing (image-making)|||||54.5 x 71.5 cm||2196|Paris,Musee d'Orsay|Paris: Musee d'Orsay||Prostitutes||||||||||Cornell||MNW|MNW|10/5/2004 0:00:00|10/5/2004 0:00:00|D317|||0|||||||32|D||||||1877| |W872|||||||Work|0||||||||||||0|0|Women on a Café Terrace, Evening|Degas, Edgar 2756.00|0||||||||Sir Arthur Evans at Knossos||||||||||0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Photographs|Documentary photograph|Portrait|||20|||1900|1925||First quarter 20th C|1900-1925|||||0||||0|||||||||||photography|||||||9376|Oxford, Ashmolean Museum of Art and Archaeology|Oxford: Ashmolean||Portraits; Evans, Arthur, Sir, 1851-1941||||||||||Cornell||MNW|MNW|10/5/2004 0:00:00|10/5/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Sir Arthur Evans at Knossos| 2757.00|0||||||||Display of the Elgin Marbles at the British Museum|Descriptive|Image Source (Book)|||||||Display of the Elgin Marbles at the British Museum|30348|Stepanhoff, James||artist|James Stepanhoff|0||||0|||||||||||||||||||0||||0||||0||||0|Drawings|Drawing||||19|||1819|1819||1819|1819-1819|||||0||||0|||||||||||drawing (image-making)|||||||3373|London,British Museum|London: British Museum||Elgin marbles||||||||||Cornell||MNW|MNW|10/5/2004 0:00:00|10/5/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Display of the Elgin Marbles at the British Museum|Stepanhoff, James 2758.00|0||||||||'Dubourg's Museum', London, ca 1818|Descriptive|Image Source (Book)|||||||Richard Dubourg: 'Dubourg's Museum', London, ca 1818|30349|Dubourg, Richard|attributed to|artist|Richard Dubourg|0||||0|||||||||||||||||||0||||0||||0||||0|Drawings|Drawing||||19|||1818|1818|ca|ca 1818|ca 1818-1818|||||0||||0|||||Drawing||||||drawing (image-making)|||||||3707|London,Guildhall Library|London: Guildhall Lib.||Colosseum (Rome, Italy); Arch of Titus, Rome, Italy; Tombs; Museums||||||||||Cornell||MNW|MNW|10/6/2004 0:00:00|10/5/2004 0:00:00||||0||||||||||||||| |||||||||0||A group of visitors are shown a very large model of the colosseum. The display was thematic (with tombs on the left here) as well as pseudo-topographical (with the Arch of Titus on the right, placed as though across the Via Sacra). Salmon||||||||The museum was at Grosvenor Street.||0|0|'Dubourg's Museum', London, ca 1818|Dubourg, Richard 2759.00|0||||||||View of the Arch of Titus, Rome, From the West|Descriptive|Image Source (Book)|||||||Architectural Antiquities of Rome. View of the Arch of Titus, Rome, From the West, vol. 1, pl. 2|30350|Taylor, George Ledwell||artist|George Ledwell Taylor & Edward Cresy|30351|Cresy, Edward||artist|0|||||||||||||||||||0||||0||||0||||0|Publications|Illustration|Engraving (Print)|||19|||1821|1822||1821-1822|1821-1822||Architectural Antiquities of Rome|LargerEntity||2760||||0|||||Engraving||||||engraving (incising)|||||||||||Arch of Titus, Rome, Italy||||||||||Cornell||MNW|JNK|10/14/2004 0:00:00|10/5/2004 0:00:00||||0||||||||||||||||||||||||0||Volume 1, plate 2. Taylor and Cresy show themselves on Rafaelle Stern's scaffolding with sketchpad and measuring rod in hand, studying the coffers. Salmon||||||||||0|0|View of the Arch of Titus, Rome, From the West|Taylor, George Ledwell;Cresy, Edward 2760.00|0||||||||Architectural Antiquities of Rome|||||||||Architectural Antiquities of Rome|30350|Taylor, George Ledwell||author|George Ledwell Taylor & Edward Cresy|30351|Cresy, Edward||author|0|||||||||||||||||||0||||0||||0||||0|Publications|Book||||19|||1821|1822||1821-1822|1821-1822|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|10/5/2004 0:00:00|10/5/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Architectural Antiquities of Rome|Taylor, George Ledwell;Cresy, Edward 2761.00|0||||||||Temple of Vespasian, Rome, Scaffolded for Measuring, December 1816|Collective Title|Image Source (Book)|||||||Temple of Vespasian, Rome, Scaffolded for Measuring, December 1816|30352|Goldicutt, John||artist|John Goldicutt|0||||0|||||British||||||||||||||0||||0||||0||||0|Drawings|Drawing||||19|||1816|1816||1816|1816-1816|||||0||||0|||||Drawing||||||drawing (image-making)|||||24.5 x 18 cm||4468|London,Royal Institute of British Architects|London: RIBA||Temple of Vespasian (Rome, Italy)||||||||||Cornell||MNW|MNW|10/5/2004 0:00:00|10/5/2004 0:00:00||||0||J6/230||||||||||||| |||||||||0||||||||||||0|0|Temple of Vespasian, Rome, Scaffolded for Measuring, December 1816|Goldicutt, John 2762.00|0||||||||Sketch of Acanthus Leaves of a Capital of the Temple of Castor and Pollux, Rome, 'finished on ye scaffold' March 1822|Descriptive|Image Source (Book)|||||||Sketch of Acanthus Leaves of a Capital of the Temple of Castor and Pollux, Rome, 'finished on ye scaffold' March 1822|30353|Donaldson, Thomas Leverton||artist|Thomas Leverton Donaldson|0||||0|||||||||||||||||||0||||0||||0||||0|Drawings|Drawing||||19|||1822|1822||1822|1822-1822|||||0||||0|||||Drawing||||||drawing (image-making)|||||26.5 x 45 cm||4468|London,Royal Institute of British Architects|London: RIBA||Temple of the Dioscuri in the Circus Flaminius (Rome, Italy); Acanthus||||||||||Cornell||MNW|MNW|10/5/2004 0:00:00|10/5/2004 0:00:00||||0||||||||||||||| |||||||||0||Donaldson Album 'Greek and Roman', fol. 34v.||||||||||0|0|Sketch of Acanthus Leaves of a Capital of the Temple of Castor and Pollux, Rome, 'finished on ye scaffold' March 1822|Donaldson, Thomas Leverton 2763.00|0||||||||View of the Temple of Mars Ultor, Rome, Showing Preparations For Cast-making|Collective Title|Image Source (Book)|||||||Architectural Antiquities of Rome. View of the Temple of Mars Ultor, Rome, Showing Preparations For Cast-making, vol. 2,|30350|Taylor, George Ledwell||artist|George Ledwell Taylor|30351|Cresy, Edward||artist|0|||||||||||||||||||0||||0||||0||||0|Publications|Illustration|Engraving (Print)|||19|||1822|1822||1822|1822-1822||Architectural Antiquities of Rome|LargerEntity||2760||||0|||||Engraving||||||engraving (incising)|printing||||||||||Temple of Mars Ultor (Rome, Italy)||||||||||Cornell||MNW|MNW|10/6/2004 0:00:00|10/5/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|View of the Temple of Mars Ultor, Rome, Showing Preparations For Cast-making|Taylor, George Ledwell;Cresy, Edward 2764.00|0||||||||View Inside the House of Sallust, Pompeii|Descriptive|Image Source (Book)|||||||View Inside the House of Sallust, Pompeii|30317|Parke, Henry||painter|Henry Parke|0||||0|||||English||||||||||||||0||||0||||0||||0|Drawings|Watercolor||||19|||1821|1821||1821|1821-1821|||||0||||0|||||Watercolor drawing|watercolors|||||drawing (image-making)|||||37 x 54.8 cm||4468|London,Royal Institute of British Architects|London: RIBA||Pompeii (extinct city); House of Sallust (Pompeii)||||||||||Cornell||MNW|CLL|8/3/2006 0:00:00|10/5/2004 0:00:00||||0||W5/43/2||||||||||||| |||||||||0||||||||||||0|0|View Inside the House of Sallust, Pompeii|Parke, Henry 2765.00|0||||||||The Great Theatre, Pompeii, Semi-restored|Descriptive|Image Source (Book)|||||||The Great Theatre, Pompeii, Semi-restored|2440|Cockerell, Charles Robert||architect|Charles Robert Cockerell|0||||0|||||English||||||||||||||0||||0||||0||||0|Paintings|Watercolor||||19|||1832|1832||1832|1832-1832|||||0||||0|||||Watercolor|watercolors|||||Pating|||||44 x 82 cm||4468|London,Royal Institute of British Architects|London: RIBA||Pompeii (extinct city); Theaters||||||||||Cornell||MNW|MNW|10/6/2004 0:00:00|10/6/2004 0:00:00||||0||E2/11||||||||||||| |||||||||0||||||||||||0|0|The Great Theatre, Pompeii, Semi-restored|Cockerell, Charles Robert 2766.00|0||||||||Scene in Ancient Rome|Descriptive|Image Source (Book)|||||||Scene in Ancient Rome|4292|Gandy, Joseph Michael||architect|Joseph Michael Gandy|0||||0|||||English||||||||||||||0||||0||||0||||0|Paintings|Watercolor|Theater design|||19|||1823|1828||mid 1820's|1823-1828|||||0||||0|||||Watercolor|watercolors|||||painting (image-making)|||||18.5 x 29 cm||3692|New Haven,Yale Center for British Art|New Haven: Yale Ctr. For Brit. Art||||||||||||Cornell||MNW|MNW|10/6/2004 0:00:00|10/6/2004 0:00:00||||0||B1975.4.1203||||||||||||| |||||||||0||Stage design for the opening scene of Shakespeare's Titus Andronicus.||||||||||0|0|Scene in Ancient Rome|Gandy, Joseph Michael 2767.00|0||||||||Model of the Temple of Vesta at Tivoli Near Rome|Descriptive|Image Source (Book)|||||||Model of the Temple of Vesta at Tivoli Near Rome|30356|Altieri, Giovanni||model maker|Giovanni Altieri|0||||0|||||Italian||||||||Italy||||||0||||0||||0||||0|Architecture|Model (Representation)||||18|||1767|1790|ca|ca 1767-1790|ca 1767-1790|||||0||||0|||||Cork|cork|||||model-making|||||39.5 x 53.3 x 51.5 cm||3710|London, Sir John Soane’s Museum|London: John Soane's Mus.||Temple of Vesta (Tivoli, Italy)||||||||||Cornell||MNW|JNK|10/14/2004 0:00:00|10/6/2004 0:00:00||||0||SM MR2||||||||||||| |||||||||0||||||||||||0|0|Model of the Temple of Vesta at Tivoli Near Rome|Altieri, Giovanni 2768.00|0||||||||Barn a la Paestum|Descriptive|Image Source (Book)|||||||Barn a la Paestum|11121|Soane, John, Sir||architect|Sir John Soane|0||||0|||||English||||||||England||||||0|936 Warwick Road, Solihull, England|||10306||||||||0|Architecture|Barn||||18|||1798|1798||1798|1798-1798|||||0||||0||||||||||||||||||||||Barns||||||||||Cornell||MNW|JNK|10/14/2004 0:00:00|10/6/2004 0:00:00||||0||||||||||||||||||||||||0||Originally part of the Malvern Hall estate, Warwickshire, England. Constructed for Sir John Soane's friend, Henry Greswold Lewis.||||||||||0|0|Barn a la Paestum|Soane, John, Sir 2769.00|0||||||||Tyringham||||||||||11121|Soane, John, Sir||architect|Sir John Soane|0||||0|||||English||||||||England||||||0|Buckinghamshire, England|||10307||||0||||0|Architecture|House||||18|||1792|1800||1792-1800|1792-1800|||||0||||0||||||||||||||||||||||Houses||||||||||Cornell||MNW|MNW|10/6/2004 0:00:00|10/6/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Tyringham|Soane, John, Sir 2770.00|0|Creator|15|25|SET 335.7|Michelangelo||25 SET 335.7 Michelangelo |The Last Judgement|Assigned|Collection|||||||The Last Judgement|7960|Buonarroti, Michelangelo||painter|Michelangelo Buonarroti|0||||0|||||Italian|||High Renaissance|||||Italy||||||0|Sistine Chapel, Vatican City, Rome, Italy|||10202||||0||||0|Paintings|Fresco|Painting|||16|||1536|1541||1536-1541|1536-1541|||||||||0|||||Fresco.|fresco|||||fresco painting|||||1370 x 1220 cm||3972|Rome: Vatican; Cappella Sistina|Rome: Vatican; Sistine Chapel||Last Judgment ; New Testament ; |Last Judgment|New Testament||||||||Cornell||JNK|MNW|10/26/2006 0:00:00|10/14/2004 0:00:00||||0||||||SET 335.7 Michelan|25|||||||| ||||||||Work|0||||||||||||0|0|The Last Judgement|Buonarroti, Michelangelo 2771.00|0||||||||"Prepared" Discovery|Assigned|Image Source (Book)|||||||Les Ruines des Pompéi. "Prepared" Discovery|30357|Mazois, Charles François||architect|Charles François Mazois|0||||0|||||French|||Neoclassical|||||France||||||0||||0||||0||||0|Drawings|Drawing||||19|||1812|1812||1812|1812-1812||Les Ruines des Pompéi|LargerEntity||2772||||0|||||Wash drawing|wash|||||drawing (image-making)|||||||3655|Paris,Bibliotheque Nationale|Paris: Bib. Nat.||Archaeology; Pompeii (extinct city); Exhibitions||||||||||Cornell||JNK|MNW|11/3/2004 0:00:00|10/15/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|"Prepared" Discovery|Mazois, Charles François 2772.00|0||||||||Les Ruines des Pompéi|Assigned|Image Source (Book)||||||||30357|Mazois, Charles François||architect|Charles François Mazois|0||||0|||||French|||Neoclassical|||||France||||||0||||0||||0||||0|Publications|Publications||||19|||1812|1812||1812|1812-1812|||||0||||0||||||||||||||||||3655|Paris,Bibliotheque Nationale|Paris: Bib. Nat.||||||||||||Cornell||JNK|MNW|11/3/2004 0:00:00|10/15/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Les Ruines des Pompéi|Mazois, Charles François 2773.00|0||||||||The Excavations at Pompeii|Assigned|Image Source (Book)|||||||The Excavations at Pompeii|0|||||0||||0|||||Italian||||||||Italy||||||0||||0||||0||||0|Photographs|Documentary photograph||||19|||1863|1863||1863|1863-1863|||||0||||0|||||Photograph||||||photography|||||||||||Excavations; Pompeii (extinct city)||||||||||Cornell||JNK|MNW|11/3/2004 0:00:00|10/15/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|The Excavations at Pompeii| 2774.00|0||||||||Chora Monastery|Former|Scholar|Kariye Camii Museum|Assigned|Blue Guide|Kariye Djami|Assigned|Blue Guide|Chora Monastery (Kariye Camii Museum)|30358|Metochites, Theodoros||remodeler|Theodoros Metochites|0||||0|||||Byzantine|||Palaeologan|||||Turkey||||||0|Istanbul, Turkey|||10021||||0||||0|Architecture|Monastery|Mosque|||14|||1315|1321||1315-1321|1315-1321|||||0||||0||||||||||||||||||||||Monasteries; Mosques; Churches||||||||||Cornell||JNK|JNK|10/18/2004 0:00:00|10/15/2004 0:00:00||Ist||0||||||||||||||||||||||||0||Originally founded by Maria Doukaina, mother-in-law of Alexius I Comnenus, 1077-1081. What remains of the monastery is the Main Chapel with the rennovations of Metochites and the changes made when the building was turned into a mosque.||||||||||0|0|Chora Monastery;Kariye Camii Museum;Kariye Djami|Metochites, Theodoros 2775.00|0||||||||Exonarthex|Assigned|Blue Guide|||||||Chora Monastery. Exonarthex|30358|Metochites, Theodoros||remodeler|Theodoros Metochites|0||||0|||||Byzantine|||Paleologan|||||Turkey||||||0|Istanbul, Turkey|||10021||||0||||0|Architecture|Church|Monastery|||14|||1315|1321|||1315-1321||Chora Monastery|||2774||||0||||||||||||||||||||||Monasteries; Churches; Exonarthexes||||||||||Cornell||ELS|JNK|11/2/2004 0:00:00|10/15/2004 0:00:00||Ist||0||||||||||||||||||||||||0||Metochites added the exonarthex to the Chora Monastery.||||||||||0|0|Exonarthex|Metochites, Theodoros 2776.00|0||||||||Election Graffito, Via dell'Abbondanza|Descriptive|Image Source (Book)|||||||Election graffito, Via dell'Abbondanza|0|||||0||||0|||||Roman|||Roman Period|||||Italy||||||0|Pompeii, Italy|||10133||||0||||0|Paintings|Graffiti|Calligraphy|||01||||079|bef|Before 079|bef -079|||||0||||0|||||||||||mural painting|calligraphy||||||||||Graffiti ; |Graffiti|||||||||Cornell||JNK|MNW|11/3/2004 0:00:00|11/9/2005 0:00:00||Pom||0||||||||||||||||||||||||0||||||||||||0|0|Election Graffito, Via dell'Abbondanza| 2777.00|0||||||||Map of Principal Sites, Frontiers and Roads of Roman Britian|Assigned|Image Source (Book)|||||||Map of Principal Sites, Frontiers and Roads of Roman Britian|0|||||0||||0|||||||||||Europe||United Kingdom||||||0||||0||||0||||0|Maps|Map||||20|||1963|1983|ca|ca 1963-1983|ca 1963-1983|||||0||||0||||||||||||||||||||||Maps; Colonization; Romans||||||||||Cornell||JNK|MNW|6/3/2005 0:00:00|10/18/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Map of Principal Sites, Frontiers and Roads of Roman Britian| 2778.00|0||||||||Fort|Descriptive|Image Source (Book)|||||||Fort|0|||||0||||0|||||Roman|||Roman Period|||||England||||||0|Housesteads, England|||10309||||0||||0|Archaeological Sites|Settlements||||02|||122|128||122-128|122-128|||||0||||0||||||||||||||||||||||Archaeology; Housesteads (deserted settlement), England; Hagar in the Desert||||||||||Cornell||JNK|MNW|11/3/2004 0:00:00|10/18/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Fort| 2779.00|0||||||||Painting of a Sancuary Beside the Sea|Descriptive|Image Source (Book)|||||||Painting of a Sancuary Beside the Sea|0|||||0||||0|||||Roman|||Roman Period|||||Italy||||||0||||0|Pompeii, Italy|||10133||||0|Paintings|Mural|Fresco|||-01|01||-099|079|ca|ca 099 BCE-079 CE|ca -099 BCE-079 CE|||||0||||0|||||Fresco|fresco|||||mural painting|||||62 x 52 cm||1854|Naples,Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Seas; Sancutaries; Tholoi; Pompeii (extinct city)||||||||||Cornell||JNK|MNW|11/3/2004 0:00:00|10/18/2004 0:00:00|||Pom|0||||||||||||||| |||||||||0||||||||||||0|0|Painting of a Sancuary Beside the Sea| 2780.00|0|Site|02|B-H3|Pom|1.31 For||B-H3 Pom 1.31 For |Forum at Pompeii|Assigned|Blue Guide|||||||Forum at Pompeii|0|||||0||||0|||||Roman|||Roman Period|||||Italy||||||0|Pompeii, Italy|||10133||||0||||0|Architecture|Forum||||-02|01||-199|079|ca|ca 199 BCE-079 CE|ca -199 BCE - 079|||||0||||0||||||||||||||||||||||Forums ; |Forums|||||||||Cornell||JNK|MNW|11/6/2006 0:00:00|10/18/2004 0:00:00||Pom||0||||||For|B|||||H3|1.31||||||||||Work|0|Architecture-Italy|||||||||||0|0|Forum at Pompeii| 2781.00|0||||||||House of Sallust|Assigned|Image Source (Book)|||||||House of Sallust|0|||||0||||0|||||Roman|||Roman Period|||||Italy||||||0|Pompeii, Italy|||10133||||0||||0|Architecture|House||||-02|01||-199|079|ca|ca 199 BCE-079 CE|ca 199 BCE-079 CE|||||0||||0||||||||||||||||||||||House of Sallust (Pompeii); Pompeii (extinct city)||||||||||Cornell||JNK|MNW|11/3/2004 0:00:00|10/18/2004 0:00:00||Pom||0||||||||||||||||||||||||0||||||||||||0|0|House of Sallust| 2782.00|0||||||||Statuette of Aphrodite with Priapus|Assigned|Image Source (Book)|||||||Statuette of Aphrodite with Priapus|0|||||0||||0|||||Roman|||Roman Period|||||Italy||||||0||||0|Pompeii, Italy|||10133||||0|Sculpture|Statue||||-02|01||-199|079||199 BCE-79 CE|199 BCE-79 CE|||||0||||0|||||Marble|marble|||||sculpture|||||62 cm high||1854|Naples,Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Aphrodite; Priapus; Eros||||||||||Cornell||JNK|MNW|11/3/2004 0:00:00|10/18/2004 0:00:00|||Pom|0||||||||||||||| |||||||||0||||||||||Found on a table in the tablinum of House II, 4,6.||0|0|Statuette of Aphrodite with Priapus| 2783.00|0||||||||Erotic Scene from a Brothel in Pompeii|Descriptive|Image Source (Book)|||||||Erotic Scene from a Brothel in Pompeii|0|||||0||||0|||||Roman|||Roman Period|||||Italy||||||0|Pompeii, Italy|||10133||||||||0|Paintings|Fresco|Mural|||01||||079|bef|before 079 BCE|bef -079|||||0||||0||||||||||||||||||||||Erotic painting; Prostitution; Prostitutes; Sex; Eroticism||||||||||Cornell||JNK|MNW|11/3/2004 0:00:00|10/18/2004 0:00:00||Pom||0||||||||||||||||||||||||0||||||||||||0|0|Erotic Scene from a Brothel in Pompeii| 2784.00|0||||||||Erotic Scene on a Wall Painting from Pompeii|Descriptive|Image Source (Book)|||||||Erotic Scene on a Wall Painting from Pompeii|0|||||0||||0|||||Roman|||Roman Period|||||Italy||||||0|Pompeii, Italy|||10133||||0||||0|Paintings|Fresco|Mural|||01||||079|bef|Before 079 BCE|bef -079|||||0||||0||||||||||||||||||||||Erotic painting; Prostitutes; Prostitution; Sex; Eroticism||||||||||Cornell||JNK|MNW|11/3/2004 0:00:00|10/18/2004 0:00:00||Pom||0||||||||||||||||||||||||0||||||||||||0|0|Erotic Scene on a Wall Painting from Pompeii| 2785.00|0|Site|02|B-H3|Pom|7.5 VenMar||B-H3 Pom 7.5 VenMar |House of Venus Marina|Assigned|Image Source (Book)|||||||House of Venus Marina|0|||||0||||0|||||Roman|||Roman Period|||||Italy||||||0|Pompeii, Italy|||10133||||0||||0|Architecture|House||||1|||62|79|ca|ca 62-79|ca 62-79|||||0||||0|||||mural painting||||||mural painting|painting (image-making)|fresco painting|||||||||House of Venus Marina (Pompeii) ; Houses ; |House of Venus Marina (Pompeii)|Houses||||||||Cornell||JNK|HB|6/19/2006 0:00:00|10/18/2004 0:00:00||Pom||0||||||VenMar|B|||||H3|7.5||||||||||Building|0|Architecture-Italy|||||||||||0|0|House of Venus Marina| 2786.00|0|Site|02|B-H5|Tol|1.1|||Aerial view of Toledo|Assigned|Image Source (Book)|||||||Aerial view of Toledo|0|||||0||||0|||||Spanish||||||||Spain||||||0|Toledo, Spain|||10310||||0||||0|Architecture|Aerial view||||||||||||||||0||||0||||||||||||||||||||||Toledo, Spain||||||||||Cornell||JNK|JNK|10/22/2004 0:00:00|10/22/2004 0:00:00||Tol||0|||||||B|||||H5|1.1||||||||||Work|0|Architecture-Spain|||||||||||0|0|Aerial view of Toledo| 2787.00|0||||||||House of Trebius Valens|Assigned|Image Source (Book)|||||||House of Trebius Valens|0|||||0||||0|||||Roman|||Roman Period|||||Italy||||||0|Pompeii, Italy|||10133||||0||||0|Architecture|House|Archaeological site|||01||||079||79|79|||||0||||0||||||||||||||||||||||Pompeii (extinct city); House of Trebius Valens (Pompeii)||||||||||Cornell||JNK|MNW|11/3/2004 0:00:00|10/25/2004 0:00:00||Pom||0||||||||||||||||||||||||0||||||||||||0|0|House of Trebius Valens| 2788.00|0||||||||Façade of the House of Trebius Valens from "Letters from Pompeii" by W. F. Jashemski|Assigned|Image Source (Book)|||||||Façade of the House of Trebius Valens from "Letters from Pompeii" by W. F. Jashemski|30359|Sasek, M.||illustrator|M. Sasek|0||||0|||||Czech||||||||Czech Republic||||||0||||0||||0||||0|Cartoon|Illustration||||20|||1963|1963|ca|ca 1963|ca 1963-1963||House of Trebius Valens|||2787||||0|||||Painting||||||painting (image-making)|||||||||||Graffiti; House of Trebius Valens (Pompeii); Pompeii (extinct city)||||||||||Cornell||JNK|MNW|11/3/2004 0:00:00|10/25/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Façade of the House of Trebius Valens from "Letters from Pompeii" by W. F. Jashemski|Sasek, M. 2789.00|0||||||||House of Pansa (VI.vi.1)|Assigned|Image Source (Book)|||||||House of Pansa|0|||||0||||0|||||Roman|||Roman Period|||||Italy||||||0|Pompeii, Italy|||10133||||0||||0|Architecture|House|Archaeological site||BCE|-02|||-199|-100||199-100 BCE|199-100 BCE|||||0||||0||||||||||||||||||||||Pompeii (extinct city); House of Pansa (Pompeii)||||||||||Cornell||JNK|MNW|11/3/2004 0:00:00|10/25/2004 0:00:00||Pom||0||||||||||||||||||||||||0||||||||||||0|0|House of Pansa (VI.vi.1)| 2790.00|0||||||||House of Julia Felix|Assigned|Image Source (Book)|||||||House of Julia Felix|0|||||0||||0|||||Roman|||Roman Period|||||Italy||||||0|Pompeii, Italy|||10133||||0||||0|Architecture|House|Archaeological site||BCE|-01|01||-099|079||99 BCE-079 CE|99 BCE-079 CE|||||0||||0||||||||||||||||||||||Pompeii (extinct city); House of Julia Felix (Pompeii)||||||||||Cornell||JNK|MNW|11/3/2004 0:00:00|10/25/2004 0:00:00||Pom||0||||||||||||||||||||||||0||||||||||||0|0|House of Julia Felix| 2791.00|0||||||||"Unswept Floor" Mosaic from Triclinium of a Pompeiian House|Descriptive|Image Source (Book)|||||||"Unswept Floor" Mosaic from Triclinium of a Pompeiian House|0|||||0||||0|||||Roman|||Roman Period|||||Italy||||||0||||0||||0||||0|Mosaics|Mosaic||||01|||01|79|||01-79|||||0||||0|||||Mosaic||||||mosaic|||||||3064|Rome,Vatican,Museo Gregoriano Etrusco|Rome: Vatican; Mus. Greg. Etr.||Pompeii (extinct city); Mosaic floors||||||||||Cornell||JNK|MNW|11/3/2004 0:00:00|10/25/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|"Unswept Floor" Mosaic from Triclinium of a Pompeiian House| 2792.00|0||||||||House of L. Caecilius Jucundus|Assigned|Image Source (Book)|||||||House of L. Caecilius Jucundus|0|||||0||||0|||||Roman|||Roman Period|||||Italy||||||0|Pompeii, Italy|||10133||||0||||0|Architecture|House|Archaeological site|||03|02||-299|-100||299 BCE - 100 BCE|299 BCE - 100 BCE|||||0||||0|||||Mosaic||||||mosaic|||||||||||Pompeii (extinct city); House of L. Caecilius Jucundus (Pompeii)||||||||||Cornell||JNK|MNW|11/3/2004 0:00:00|10/25/2004 0:00:00||Pom||0||||||||||||||||||||||||0||||||||||||0|0|House of L. Caecilius Jucundus| 2793.00|0||||||||Dog with a Jewelled Collar, from a Caupona on the Via dell'Abondanza (I.xii.3)|Descriptive|Image Source (Book)|||||||Dog with aJewelled Collar, from a Caupona on the Via dell'Abondanza (I.xii.3)|0|||||0||||0|||||Roman|||Roman Period|||||Italy||||||0|Pompeii, Italy|||10133||||0||||0|Paintings|Archaeological site|Store|Fresco||02|01||-199|079||199 BCE - 079 CE|199 BCE - 079 CE|||||0||||0|||||Fresco||||||fresco painting|||||||||||Dogs; Pompeii (extinct city)||||||||||Cornell||JNK|MNW|11/3/2004 0:00:00|10/25/2004 0:00:00||Pom||0||||||||||||||||||||||||0||||||||||||0|0|Dog with a Jewelled Collar, from a Caupona on the Via dell'Abondanza (I.xii.3)| 2794.00|0||||||||Painting Fragment of White Pigeon from First House North of Fabius Rufus|Descriptive|Image Source (Book)|||||||Painting Fragment of White Pigeon from First House North of Fabius Rufus|0|||||0||||0|||||Roman|||Roman Period|||||Italy||||||0|Pompeii, Italy|||10133||||0||||0|Paintings|Archaeological site|Fresco|||-02|01||-199|079||199 BCE - 079 CE|199 BCE - 079 CE|||||0||||0|||||Fresco||||||fresco painting|||||||||||Pompeii (extinct city); Pigeons||||||||||Cornell||JNK|MNW|11/3/2004 0:00:00|10/25/2004 0:00:00||Pom||0||||||||||||||||||||||||0||||||||||||0|0|Painting Fragment of White Pigeon from First House North of Fabius Rufus| 2795.00|0||||||||House of the Ship Europa|Assigned|Image Source (Book)|||||||House of the Ship Europa|0|||||0||||0|||||Roman|||Roman Period|||||Italy||||||0|Pompeii, Italy|||10133||||0||||0|Architecture|House|Archaeological site||BCE|-02|01||-199|079||BCE199-079 CE|BCE199-079 CE|||||0||||0||||||||||||||||||||||Pompeii (extinct city); House of the Ship Europa (Pompeii)||||||||||Cornell||JNK|MNW|11/3/2004 0:00:00|10/25/2004 0:00:00||Pom||0||||||||||||||||||||||||0||||||||||||0|0|House of the Ship Europa| 2796.00|0|Creator|15|25|B742-PA|42||25 B742-PA 42 |Table of the Seven Deadly Sins and the Four Last Things|Translated|Repository|Mesa del los pecados capitales|Repository|Repository||||Table of the Seven Deadly Sins and the Four Last Things|1416|Bosch, Hieronymus||painter|Hieronymus Bosch|0||||0|||||Netherlandish|||Renaissance|||||Holland||||||0||||0||||0||||0|Paintings|Painting||||15|||1475|1480||1475-1480|1475-1480|||||0||||0|||||Oil on panel|oil paint|panel||||painting (image-making)|||||||1616|Madrid: Museo del Prado|Madrid: Prado||Seven Deadly Sins (personified); Seven Deadly Sins (symbolized)||||||||||Cornell||JNK|JNK|1/6/2006 0:00:00|10/25/2004 0:00:00|B742|||0|||||||25|PA||||||| |42|||||||Work|0|Painting-Renaissance|||||||||||0|0|Table of the Seven Deadly Sins and the Four Last Things;Mesa del los pecados capitales|Bosch, Hieronymus 2797.00|0||||||||Charles V Holy Roman Emperor and King of Spain with his Dog|Translated|Dict.Art|Carlos V|Original|Image Source (Book)||||Charles V|11807|Titian||painter|Titian|0||||0|||||Venetian|||Renaissance|||||Italy||||||0||||0||||0||||0|Paintings|Painting|Portrait|||16|||1533|1533||1533|1533-1533|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||192x111 cm||1616|Madrid: Museo del Prado|Madrid: Prado||Charles V, Holy Roman Emperor; Dogs; Portraits||||||||||Cornell||JNK|MNW|12/11/2005 0:00:00|10/25/2004 0:00:00||||0||||||||||||||| |||||||||0|||Charles V (1500-58) Holy Roman Emperor and King of Spain with his Dog, 1533 (oil on canvas)|||||||||0|0|Charles V Holy Roman Emperor and King of Spain with his Dog;Carlos V|Titian 2798.00|0||||||||King Philip II (1527-98)|Translated|Dict.Art|Felipe II|Original|Image Source (Book)||||King Philip II (1527-98)|11807|Titian||painter|Titian|0||||0|||||Venetian|||Renaissance|||||Italy||||||0||||0||||0||||0|Paintings|Painting|Portrait|||16|||1550|1550||1550|1550-1550|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||193x111 cm||1616|Madrid: Museo del Prado|Madrid: Prado||Philip II, King of Spain, 1527-1598; Portraits; Armor||||||||||Cornell||JNK|MNW|12/11/2005 0:00:00|10/25/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|King Philip II (1527-98);Felipe II|Titian 2799.00|0||||||||Bat|Translated|Cataloger|Murciélago|Assigned|Image Source (Book)||||Bat|3427|Dürer, Albrecht|attributed to|painter|Dürer, Albrecht (attributed to)|0||||0|||||German|||Renaissance|||||Germany||||||0||||||||0||||0|Drawings|Drawing||||16|||1500|1599||Sixteenth century|1500-1599|||||0||||0||||||||||||||||||9465|San Lorenzo de El Escorial: Escorial; Nuevos Museos|San Lorenzo de El Escorial: Escorial ; NueMus||Bats||||||||||Cornell||JNK|MNW|4/20/2005 0:00:00|10/25/2004 0:00:00|D955|||0||||||||||||||| |||||||||0||||||||||||0|0|Bat;Murciélago|Dürer, Albrecht 2800.00|0||||||||El Escorial|Descriptive|Blue Guide|||||||El Escorial|5352|Herrera, Juan de||architect|Juan de Herrera & Juan Bautista de Toledo|11826|Toledo, Juan Bautista de||architect|0|||||Spanish|||Renaissance|||||Spain||||||0|San Lorenzo de Escorial, Spain|||10311||||0||||0|Architecture|Monastery|Palace|Mausoleum||16|||1563|1584||1563-1584|1563-1584|||||0||||0||||||||||||||||||||||San Lorenzo del Escorial (Spain) ; Mausoleums ; Palaces ; Monasteries ; |San Lorenzo del Escorial (Spain)|Mausoleums|Palaces|Monasteries||||||Cornell||JNK|MNW|2/21/2005 0:00:00|10/25/2004 0:00:00||Esc||0||||||||||||||||||||||||0||||||||||||0|0|El Escorial|Herrera, Juan de;Toledo, Juan Bautista de 2801.00|0||||||||Palazzo del Popolo|Assigned|Blue Guide|Palazzo del Capitano del Popolo|Assigned|Image Source (Book)||||Palazzo del Popolo (Palazzo del Capitano del Popolo)|0|||||0||||0|||||Italian|||Romanesque|Gothic||||Italy||||||0|Orvieto, Italy|||10312||||0||||0|Architecture|Palace||||12|||1157|1157|ca|ca 1157|ca 1157-1157|||||0||||0||||||||||||||||||||||Palaces; Palazzo del Popolo (Orvieto, Italy)||||||||||Cornell||JNK|MNW|11/3/2004 0:00:00|10/25/2004 0:00:00||Orv||0||||||||||||||||||||||||0||||||||||||0|0|Palazzo del Popolo;Palazzo del Capitano del Popolo| 2802.00|0||||||||History of Philip II, King of Spain|Descriptive|Image Source (Book)|||||||History of Philip II, King of Spain|30360|Cabrera de Córdoba, Luis||historian|Luis Cabrera de Córdoba|0||||0|||||Spanish|||Baroque|||||Spain||||||0||||0||||0||||0|Illuminated Manuscripts|Manuscript||||17|||1619|1619||1619|1619-1619|||||0||||0||||||||||||||||||||||Philip II, King of Spain, 1527-1598; Portraits||||||||||Cornell||JNK|MNW|11/2/2004 0:00:00|10/25/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|History of Philip II, King of Spain|Cabrera de Córdoba, Luis 2803.00|0||||||||Charles V and Isabel of Portugal|Translated|Cataloger|Carlos V e Isabel de Portugal|Assigned|Image Source (Book)||||Charles V and Isabel of Portugal|10147|Rubens, Peter Paul||painter|Peter Paul Rubens (copy after Titian)|11807|Titian|after|painter|0|||||Flemish|Italian||Baroque|Renaissance||||Spain||||||0||||0||||0||||0|Paintings|Painting|Portrait|||17|||1600|1640||First half of 17th C.|1600-1640|||||0||||0||||||||||||||||||9379|Madrid, Palacio Liria, Colección Casa de Alba|Madrid: Col. Casa de Alba||Charles V, Holy Roman Emperor; Isabel, Empress, consort of Charles V, Holy Roman Emperor, 1503-1539; Portraits||||||||||Cornell||JNK|MNW|11/2/2004 0:00:00|10/25/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Charles V and Isabel of Portugal;Carlos V e Isabel de Portugal|Rubens, Peter Paul;Titian 2804.00|0||||||||Vista de Roma|Assigned|Image Source (Book)|View of Rome|Translated|Cataloger||||Vista de Roma|13170|Cleve, Hendrick III, van||painter|Hendrick van Cleve III|0||||0|||||Flemish|||Renaissance|||||Belgium||||||0||||0||||0||||0|Paintings|Painting||||16|||1589|1589||1589-1589|1589-1589|||||0||||0|||||Oil on panel|oil paint|panel||||painting (image-making)|||||55.5 x 101.5 cm||3483|Brussels,Musees Royaux des Beaux-Arts de Belgique|Brussels: Mus. Roy. B.-A.||Rome, Italy; Belvedere Court, Vatican, Rome, Italy||||||||||Cornell||JNK|JNK|1/6/2006 0:00:00|10/26/2004 0:00:00||||0||Inv: 6904||||||||||||| |||||||||0||||||||||||0|0|Vista de Roma;View of Rome|Cleve, Hendrick III, van 2805.00|0||||||||Vista del Real Sitio de Aranjuez|Assigned|Image Source (Book)|View of the Real Sitio de Aranjuez|Translated|Cataloger||||Vista del Real Sitio de Aranjuez|0|||||0||||0|||||Flemish|||Baroque|||||||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1630|1630|ca|ca 1630-1630|ca 1630-1630|||||0||||0|||||Oil on linen|oil paint|linen (material)||||painting (image-making)|||||103 x 216 cm||1616|Madrid: Museo del Prado|Madrid: Prado||Villas; Spain; Aranjuez (Spain); Palaces; Aranjuez Palace||||||||||Cornell||JNK|JNK|1/6/2006 0:00:00|10/26/2004 0:00:00||||0||Inv. 7090||||||||||||| |||||||||0||||||||||||0|0|Vista del Real Sitio de Aranjuez;View of the Real Sitio de Aranjuez| 2904.00|0||||||||Las Estampas de la Fábrica de San Lorenzo el Real de El Escorial|Assigned|Image Source (Book)|||||||Las Estampas de la Fábrica de San Lorenzo el Real de El Escorial|30392|Perret, Pedro||engraver|Pedro Perret|0||||0|||||Flemish|Spanish||Baroque|||||Spain||||||0||||0||||0||||0|Publications|Architectural drawing|Engraving (Print)|||16|||1583|1589||1583-1589|1583-1589|||||||||0||||||||||||||||||1607|Madrid: Biblioteca Nacional|Madrid: Bibl. Nac.||San Lorenzo del Escorial (Spain) ; |San Lorenzo del Escorial (Spain)|||||||||Cornell||JNK|MNW|2/17/2005 0:00:00|11/11/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Las Estampas de la Fábrica de San Lorenzo el Real de El Escorial|Perret, Pedro 2905.00|0||||||||Atlas Maiorsive Cosmographiae Blaviana, vol. 9|Assigned|Image Source (Book)|||||||Atlas Maiorsive Cosmographiae Blaviana, vol. 9|1214|Blaeu, Joan||printmaker|Joah Blaeu|0||||0|||||Dutch|Spanish||Baroque|||||Spain||||||0||||0||||0||||0|Publications|Architectural drawing||||17|||1662|1662||1662-1662|1662-1662|||||||||0||||||||||||||||||4680|Providence,Brown University,Library|Providence: Brown Univ.; Lib.||San Lorenzo del Escorial (Spain)||||||||||Cornell||JNK|JNK|11/11/2004 0:00:00|11/11/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Atlas Maiorsive Cosmographiae Blaviana, vol. 9|Blaeu, Joan 2906.00|0||||||||Perspective View of the Escorial|Assigned|Image Source (Book)|Scenographia Fabaricae S. Lavrentii in Escvriall|Inscribed|Image Source (Book)||||Atlas Maiorsive Cosmographiae Blaviana, vol. 9. Perspective view of the Escorial|1214|Blaeu, Joan||printmaker|Joah Blaeu|0||||0|||||Dutch|Spanish||Baroque|||||Spain||||||0||||0||||0||||0|Prints|Engraving (Print)||||17|||1662|1662||1662|1662-1662||Atlas Maiorsive Cosmographiae Blaviana, vol. 9|LargerEntity||2905||||0|||||Engraved illustration||||||engraving (incising)|||||||4680|Providence,Brown University,Library|Providence: Brown Univ.; Lib.||San Lorenzo del Escorial (Spain)||||||||||Cornell||JNK|MNW|8/15/2006 0:00:00|11/11/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Perspective View of the Escorial;Scenographia Fabaricae S. Lavrentii in Escvriall|Blaeu, Joan 2907.00|0||||||||Planta primera y general de todo el edificio.|Inscribed|Image Source (Book)|||||||Las Estampas de la Fábrica de San Lorenzo el Real de El Escorial, Plate 1: Planta primer y general de todo el edificio.|30392|Perret, Pedro||engraver|Pedro Perret|0||||0|||||Flemish|Spanish||Baroque|||||Spain||||||0||||0||||0||||0|Prints|Engraving (Print)||||16|||1583|1589||1583-1589|1583-1589||Las Estampas de la Fábrica de San Lorenzo el Real de El Escorial|LargerEntity||2904||||0|||||Engraving|ink|paper||||engraving (incising)|||||48.4 x 61.4 cm||1607|Madrid,Biblioteca Nacional|Madrid: Bibl. Nac.||San Lorenzo del Escorial (Spain)||||||||||Cornell||JNK|MNW|11/23/2004 0:00:00|11/11/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Planta primera y general de todo el edificio.|Perret, Pedro 2908.00|0||||||||Les Raisons des forces movvantes. Auec diuerses machines tant utilles que plaisantes aus quelles sont adoints plusieurs desseings de grotes et fontaines|Assigned|Image Source (Book)|||||||Les Raisons des forces movvantes.Auec diuerses machines...plusieurs desseings de grotes et fontaines|2136|Caus, Salomon de||architect|Salomon de Caus|0||||0|||||French|German||Baroque|||||Germany||||||0||||0||||0||||0|Prints|Engraving (Print)||||17|||1615|1615||1615|1615-1615|||||0||||0|||||Engraved illustration|ink|paper||||engraving (incising)|||||||9391|Washington, DC, Smithsonian Institution, Nat. Mus.of Amer. History, Dibner Lib.|Wash.,DC:Smithsonian; Mus.Amer.Hist.; Dibner Lib.||Machines; Water; Fountains||||||||||Cornell||JNK|MNW|11/23/2004 0:00:00|11/11/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Les Raisons des forces movvantes. Auec diuerses machines tant utilles que plaisantes aus quelles sont adoints plusieurs desseings de grotes et fontaines|Caus, Salomon de 2909.00|0||||||||Caprarola: Palazzo Farnese|Assigned|Image Source (Book)|||||||Villa Farnese. Caprarola: Palazzo Farnese|30393|Villamena, Francesco||engraver|Francesco Villamena|0||||0|||||Italian|||Baroque|||||Italy||||||0||||0||||0||||0|Prints|Engraving (Print)||||17|||1617|1617||1617|1617-1617||Villa Farnese|Larger Context||3010||||0|Bartsch, Adam von, 1757-1821.Illus.Bartsch||||Engraving|ink|paper||||engraving (incising)|||||37.8 x 44.6 cm||||||Caprarola, Italy; Palazzi; Palazzo Farnese (Caprarola, Italy)||||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|11/11/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Caprarola: Palazzo Farnese|Villamena, Francesco 2910.00|0||||||||The Assyrian Central Saloon at the British Museum|Assigned|Image Source (Book)|||||||The Assyrian Central Saloon at the British Museum|0|||||0||||0|||||English|||Victorian|||||England||||||0||||0||||0||||0|Prints|Print|Engraving (Print)|||19|||1854|1854|ca|ca 1854|ca 1854-1854|||||0||||0||||||ink|paper||||printing|||||||3373|London,British Museum|London: British Museum||British Museum; Museums||||||||||Cornell||JNK|MNW|11/23/2004 0:00:00|11/15/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|The Assyrian Central Saloon at the British Museum| 2911.00|0||||||||Der Stil in den technischen und tektonischen Künsten oder praktische Ästhetik|Assigned|Image Source (Pub)|||||||Der Stil in den technischen und tektonischen Künsten oder praktische Ästhetik|10746|Semper, Gottfried||architect|Gottfried Semper|0||||0|||||German|||Victorian|||||Germany||||||0||||0||||0||||0|Publications|Book||||19|||1878|1878||1878|1878-1878|||||0||||0||||||||||||||||||||||||||||||||Cornell||JNK|MNW|5/16/2006 0:00:00|11/15/2004 0:00:00||||0||||||||||||||| |||||||||0|||||First published, 1860-1863. The second edition was published in 1878.|||||||0|0|Der Stil in den technischen und tektonischen Künsten oder praktische Ästhetik|Semper, Gottfried 2912.00|0||||||||Assyrian Stool, Vol. 1, p. 353|Assigned|Image Source (Book)|||||||Der Stil, 2nd edition. Assyrian Stool: Vol. 1, p. 353|10746|Semper, Gottfried||architect|Gottfried Semper|0||||0|||||German|||Victorian|||||Germany||||||0||||0||||0||||0|Publications|Book|Illustration|||19|||1878|1878|ca|ca 1878|ca 1878-1878||Der Stil in den technischen und tektonischen Künsten oder praktische Ästhetik|Larger entity||2911||||0|||||||||||printing|||||||782|Edinburgh,University of Edinburgh,Library|Edinburgh: Univ.; Library||Furniture; Stools||||||||||Cornell||JNK|MNW|11/23/2004 0:00:00|11/15/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Assyrian Stool, Vol. 1, p. 353|Semper, Gottfried 2913.00|0|Didactic|08|0-Semper|7.5|Car|2-1|0-Semper 7.5 Car 2-1|"The Caraib Hut," Vol. 2, p. 263|Assigned|Image Source (Book)|||||||Der Stil, 2nd edition."The Caraib Hut," Vol. 2, p. 263|10746|Semper, Gottfried||architect|Gottfried Semper|0||||0|||||German|||Victorian|||||Germany||||||0||||0||||0||||0|Publications|Book|Illustration|||19|||1878|1878|ca|ca 1878|ca 1878-1878||Der Stil in den technischen und tektonischen Künsten oder praktische Ästhetik|LargerEntity||2911||||0|||||||||||printing|||||||782|Edinburgh,University of Edinburgh,Library|Edinburgh: Univ.; Library||Huts ; |Huts|||||||||Cornell||JNK|MNW|5/16/2006 0:00:00|11/15/2004 0:00:00|Semper|||0||||||Car|0||||||7.5|| ||||||||Work|0||||||||||||0|0|"The Caraib Hut," Vol. 2, p. 263|Semper, Gottfried 2914.00|0||||||||Knots and Braids, Vol. 1, p. 169-172|Assigned|Image Source (Book)|||||||Der Stil, 2nd edition. Knots and Braids, Vol. 1, p. 169-172|10746|Semper, Gottfried||architect|Gottfried Semper|0||||0|||||German|||Victorian|||||Germany||||||0||||0||||0||||0|Publications|Book|Illustration|||19|||1878|1878|ca|ca 1878|ca 1878-1878||Der Stil in den technischen und tektonischen Künsten oder praktische Ästhetik|Larger entity||2911||||0|||||||||||printing|||||||782|Edinburgh,University of Edinburgh,Library|Edinburgh: Univ.; Library||Braid; Knots (motifs); Knotwork||||||||||Cornell||JNK|MNW|11/23/2004 0:00:00|11/15/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Knots and Braids, Vol. 1, p. 169-172|Semper, Gottfried 2915.00|0||||||||Techniques of Weaving. Vol. 1, p. 177|Assigned|Image Source (Book)|||||||Der Stil, 2nd edition.Techniques of Weaving. Vol. 1, p. 177|10746|Semper, Gottfried||architect|Gottfried Semper|0||||0|||||German|||Victorian|||||Germany||||||0||||0||||0||||0|Publications|Book|Illustration|||19|||1878|1878|ca|ca 1878|ca 1878-1878||Der Stil in den technischen und tektonischen Künsten oder praktische Ästhetik|Larger entity||2911||||0|||||||||||printing|||||||782|Edinburgh,University of Edinburgh,Library|Edinburgh: Univ.; Library||Weaving||||||||||Cornell||JNK|MNW|11/23/2004 0:00:00|11/15/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Techniques of Weaving. Vol. 1, p. 177|Semper, Gottfried 2916.00|0||||||||Examples of " Bekleidung": Assyrian Stone Panel Decorated with Carpet Patterns. Vol. 1, p. 51|Assigned|Image Source (Book)|||||||Der Stil, 2nd edition. Examples of " Bekleidung": Assyrian Stone Panel Decorated with Carpet Patterns. Vol. 1, p. 51|10746|Semper, Gottfried||architect|Gottfried Semper|0||||0|||||German|||Victorian|||||Germany||||||0||||0||||0||||0|Publications|Book|Illustration|||19|||1878|1878|ca|ca 1878|ca 1878-1878||Der Stil in den technischen und tektonischen Künsten oder praktische Ästhetik|Larger entity||2911||||0|||||||||||printing|||||||782|Edinburgh,University of Edinburgh,Library|Edinburgh: Univ.; Library||||||||||||Cornell||JNK|MNW|11/23/2004 0:00:00|11/15/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Examples of " Bekleidung": Assyrian Stone Panel Decorated with Carpet Patterns. Vol. 1, p. 51|Semper, Gottfried 2806.00|0||||||||Vista panorámica de la Real Casa de Vaciamadrid|Assigned|Image Source (Book)|Panoramic view of the Real Casa de Vaciamadrid|Translated|Cataloger||||Vista panorámica de la Real Casa de Vaciamadrid|0|||||0||||0|||||Spanish|||Baroque|||||Spain||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1600|1699|ca|ca 1600-1699|ca 1600-1699|||||0||||0|||||Oil on linen|oil paint|linen (material)||||painting (image-making)|||||109 x 186 cm||1626|Madrid,Patrimonio Nacional|Madrid: Patrimonio Nac.||Villas; Spain; Real Casa de Vaciamadrid||||||||||Cornell||JNK|JNK|1/6/2006 0:00:00|10/26/2004 0:00:00||||0||Inv. 10014324||||||||||||| |||||||||0||||||||||||0|0|Vista panorámica de la Real Casa de Vaciamadrid;Panoramic view of the Real Casa de Vaciamadrid| 2807.00|0||||||||Vista de los Jardines de la Real Casa de Campo. El Jardin del Caballo|Assigned|Image Source (Book)|View of the Gardens of the Real Casa de Campo. The Garden of the Horseman|Translated|Cataloger||||Vista de los Jardines de la Real Casa de Campo. El Jardin del Caballo|0|||||0||||0||||||||Baroque|||||||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1600|1699|ca|ca 1600-1699|ca 1600-1699|||||0||||0|||||Oil on linen|oil paint|linen (material)||||painting (image-making)|||||105 x 136 cm||9151|Burgos,Museo de Burgos|Burgos: Museo||Gardens; Villas; Spain; Real Casa de Campo||||||||||Cornell||JNK|JNK|1/6/2006 0:00:00|10/26/2004 0:00:00||||0||Inv. 308||||||||||||| |||||||||0||||||||||||0|0|Vista de los Jardines de la Real Casa de Campo. El Jardin del Caballo;View of the Gardens of the Real Casa de Campo. The Garden of the Horseman| 2808.00|0||||||||The Escorial During Construction|Assigned|Image Source (Book)|||||||El Escorial. The Escorial During Construction|30361|Castello, Fabrizio||painter|Fabrizio Castello|0||||0|||||Italian|Spanish||Baroque|||||Italy|Spain|||||0||||0||||0||||0|Drawings|Drawing||||16|||1576|1576|ca|ca 1576|ca 1576-1576||El Escorial|LargerEntity||2800||||0|||||Drawing||||||drawing (image-making)|||||||9380|Hatfield, Hatfield House|Hatfield: Hatfield House||Construction; San Lorenzo del Escorial (Spain); Cranes||||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|10/26/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|The Escorial During Construction|Castello, Fabrizio 2809.00|0||||||||Perspectiva de la Plaza Mayor|Assigned|Image Source (Book)|Perspective of the Plaza Mayor|Translated|Cataloger||||Perspectiva de la Plaza Mayor|0|||||0||||0|||||Spanish|||Baroque|||||Spain||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1620|1630|ca|ca 1620-1630|ca 1620-1630|||||0||||0|||||Oil on linen|oil paint|linen (material)||||painting (image-making)|||||108 x 166 cm||1613|Madrid,Museo Municipal de Madrid|Madrid: Museo Munic.||Plaza Mayor (Madrid, Spain) ; |Plaza Mayor (Madrid, Spain)|||||||||Cornell||JNK|JNK|1/6/2006 0:00:00|10/26/2004 0:00:00||||0||Inv. 3152||||||||||||| |||||||||0||||||||||||0|0|Perspectiva de la Plaza Mayor;Perspective of the Plaza Mayor| 2810.00|0||||||||Vista de Madrid desde la Salida del Puente de Segovia, con Toros Desmandados|Assigned|Image Source (Book)|View of Madrid at the Exit of the Segovia Bridge, with Unruly Bulls|Translated|Cataloger||||Vista de Madrid desde la Salida del Puente de Segovia, con Toros Desmandados|0|||||0||||0|||||Spanish|||Baroque|||||Spain||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1650|1660|ca|ca 1650-1660|ca 1650-1660|||||0||||0||||||oil paint|linen (material)||||painting (image-making)|||||104 x 162 cm||1613|Madrid,Museo Municipal de Madrid|Madrid: Museo Munic.||Bridges (built works); Bulls||||||||||Cornell||JNK|JNK|1/6/2006 0:00:00|10/26/2004 0:00:00||||0||Inv. 4432||||||||||||| |||||||||0||||||||||||0|0|Vista de Madrid desde la Salida del Puente de Segovia, con Toros Desmandados;View of Madrid at the Exit of the Segovia Bridge, with Unruly Bulls| 2811.00|0||||||||Esonarthex|Descriptive|Blue Guide|Inner Narthex||||||Chora Monastery. Inner Narthex|30358|Metochites, Theodoros||remodeler|Theodoros Metochites|0||||0|||||Byzantine|||Palaeologan|||||Turkey||||||0|Istanbul, Turkey|||10021||||0||||0|Architecture|Monastery|Mosque|Museum||14|||1315|1321||1315-1321|1315-1321||Chora Monastery|LargerEntity||2774||||0||||||||||||||||||||||Monasteries; Mosques; Churches; Esonarthexes||||||||||Cornell||JNK|ELS|4/22/2005 0:00:00|10/28/2004 0:00:00||Ist||0||||||||||||||||||||||||0||Metochites added a new mosaic program to the Chora Monastery.||||||||||0|0|Esonarthex;Inner Narthex|Metochites, Theodoros 2814.00|0||||||||Naos|Descriptive|Image Source (Book)|Nave|Descriptive|Blue Guide||||Chora Monastery. Naos|30358|Metochites, Theodoros||remodeler|Theodoros Metochites|0||||0|||||Byzantine|||Palaeologan|||||||||||0|Istanbul, Turkey|||10021||||||||0|Architecture|Monastery|Mosque|Museum||14|||1315|1321||1315-1321|1315-1321||Chora Monastery|||2774||||0||||||||||||||||||||||||||||||||Cornell||ELS|ELS|4/22/2005 0:00:00|11/1/2004 0:00:00||Ist||0||||||||||||||||||||||||0||||||||||||0|0|Naos;Nave|Metochites, Theodoros 2815.00|0||||||||Parekklesion|Descriptive|Image Source (Book)|Parecclesion|Descriptive|Blue Guide||||Chora Monastery. Parekklesion|30358|Metochites, Theodoros||remodeler|Theodoros Metochites|0||||0|||||Byzantine|||Palaeologan|||||Turkey||||||0|Istanbul, Turkey|||10021||||||||0|Architecture|Monastery|Mosque|Museum||14|||1315|1321||1315-1321|1315-1321||Chora Monastery|LargerEntity||2774||||0||||||||||||||||||||||||||||||||Cornell||ELS|ELS|11/1/2004 0:00:00|11/1/2004 0:00:00||Ist||0||||||||||||||||||||||||0||||||||||||0|0|Parekklesion;Parecclesion|Metochites, Theodoros 2816.00|0||15||-||||Codex Durán|Assigned|Image Source (Book)|Historia de las Indias de Nueva España||||||Codex Durán (Historia de las Indias de Nueva España)|30362|Durán, Diego||priest|Diego Durán|0||||0|||||Spanish|Dominican||Spanish Colonial|||||Spain||||||0||||0||||0||||0|Manuscripts|Manuscript|Illumination (Layout feature)|||16|||1579|1581||1579-1581|1579-1581|||||0||||0||||||||||||||||||1607|Madrid,Biblioteca Nacional|Madrid: Bibl. Nac.||Aztecs; Spaniards||||||||||Cornell||JNK|JNK|12/22/2004 0:00:00|11/2/2004 0:00:00||||0||Vit. 26-11||||||||||||| ||||||||Work|0||Codex Durán is the name given to the paintings done on European paper to illustrate the Historia de las Indias de Nueva España by the Dominican Friar Diego Durán. Gruzinski, Conquest.||||||||||0|0|Codex Durán;Historia de las Indias de Nueva España|Durán, Diego 2817.00|0||15||||||Lienzo de Tlaxcala|Assigned|LC NAF|Tlaxcala Codex|Variant|Print Publication||||Lienzo de Tlaxcala|30363|Yllañez, Juan Manuel||scribe|Juan Manuel Yllañez|0||||0|||||Tlaxcalan|Mexican|Spanish|Spanish Colonial|||||Mexico|Spain|||||0||||0||||0||||0|Manuscripts|Manuscript||||18|||1772|1772|ca|ca 1772-1772|ca 1772-1772|||||0||||0||||||||||||||||||1680|Mexico City,Museo Nacional de Antropologia|Mexico City: Mus. Nac. Antro.||Spaniards; Tlaxcalan indians; Tlaxcala códices y manuscritos; Manuscripts; Mexico||||||||||Cornell||JNK|MNW|2/6/2005 0:00:00|11/2/2004 0:00:00||||0||||||||||||||| ||||||||Work|0||This work is known only through copies dating from ca. 1772. Images are based upon original murals created by Tlaxcalan artists by the year 1560. The original three manuscrips were lost by 1804. (Gruzinski, Conquest, 231)|||The original manuscript dated from ca. 1560.|||||||0|0|Lienzo de Tlaxcala;Tlaxcala Codex|Yllañez, Juan Manuel 2818.00|0||||||||Descripción de la Ciudad y Provincia de de Tlaxcala|Assigned|Image Source (Book)|||||||Descripción de la Ciudad y Provincia de de Tlaxcala|30364|Muñoz Camargo, Diego||historian|Diego Muñoz Camargo|0||||0|||||Mexican|||Spanish Colonial|||||Mexico||||||0||||0||||0||||0|Manuscripts|Manuscript||||16|||1583|1585|ca||ca 1583-1585|||||0||||0||||||||||||||||||9381|Glasgow, University of Glasgow, Library|Glasgow: University of Glasgow; Library||Tlaxcala códices y manuscritos ; Tlaxcalan indians ; Spaniards ; |Tlaxcala códices y manuscritos|Tlaxcalan indians|Spaniards|||||||Cornell||JNK|MNW|2/6/2005 0:00:00|11/2/2004 0:00:00||||0||||||||||||||| |||||||||0||The description includes 156 pen & ink drawings, 80 of which are taken from the Lienzo de Tlaxcala. Camargo also authored a Historia de Tlaxcala. (Gruzinski, Conquest, 231).||||||||||0|0|Descripción de la Ciudad y Provincia de de Tlaxcala|Muñoz Camargo, Diego 2819.00|0||||||||Codex Magliabechiano|Assigned|Image Source (Book)|||||||Codex Magliabechiano|0|||||0||||0|||||Mexican|||Spanish Colonial|||||Mexico||||||0||||0||||0||||0|Manuscripts|Manuscript||||16|||1566||bef|bef 1566|bef 1566|||||0||||0||||||||||||||||||846|Florence, Biblioteca Nazionale Centrale|Florence: Bib. N. Cent.||Art, Mexican ; Art, Spanish Colonial ; Manuscripts ; |Art, Mexican|Art, Spanish Colonial|Manuscripts|||||||Cornell||JNK|MNW|2/6/2005 0:00:00|11/2/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Codex Magliabechiano| 2820.00|0||||||||Codex Tellerianus-Remensis|Assigned|Image Source (Book)|Codex Telleriano-Remensis|Assigned|Image Source (Book)|Le Tellier Codex|Assigned|Image Source (Book)|Codex Tellerianus-Remensis|0|||||0||||0|||||Mexican|Spanish||Spanish Colonial|||||Mexico||||||0||||0||||0||||0|Manuscripts|Manuscript||||16|||1562|1563||1562-1563|1562-1563|||||0||||0||||||||||||||||||3655|Paris, Bibliothèque Nationale|Paris: Bib. Nat.||Art, Mexican ; Art, Spanish Colonial ; Manuscripts ; |Art, Mexican|Art, Spanish Colonial|Manuscripts|||||||Cornell||JNK|MNW|2/6/2005 0:00:00|11/2/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Codex Tellerianus-Remensis;Codex Telleriano-Remensis;Le Tellier Codex| 2821.00|0||||||||Codex Borbonicus|Assigned|Image Source (Book)|||||||Codex Borbonicus|0|||||0||||0|||||Mexican|Spanish||Spanish Colonial|||||Mexico||||||0||||0||||0||||0|Manuscripts|Manuscript||||16|||1500|1599|||1500-1599|||||0||||0||||||||||||||||||9382|Paris, Palais Bourbon, Library of the Assemblée Nationale|Paris: Pal. Bourbon; Lib. of Assemblée Nationale||Art, Spanish Colonial ; Art, Mexican ; Manuscripts ; Ball courts ; |Art, Spanish Colonial|Art, Mexican|Manuscripts|Ball courts||||||Cornell||JNK|MNW|2/6/2005 0:00:00|11/2/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Codex Borbonicus| 2822.00|0||||||||Codex Mendoza|Assigned|Image Source (Book)|Codex Mendocino|Assigned|Image Source (Book)||||Codex Mendoza|0|||||0||||0|||||Mexican|Spanish||Spanish Colonial|||||Mexico||||||0||||0||||0||||0|Manuscripts|Manuscript||||16|||1531|1532||1531-1532|1531-1532|||||0||||0||||||||||||||||||2123|Oxford,University,Bodleian Library|Oxford: Univ.; Bodleian Library||Art, Mexican ; Art, Spanish Colonial ; Manuscripts ; |Art, Mexican|Art, Spanish Colonial|Manuscripts|||||||Cornell||JNK|MNW|2/6/2005 0:00:00|11/2/2004 0:00:00||||0||||||||||||||| |||||||||0||This work was commissioned by the Viceroy Antonio de Mendoza, who sent it to Charles V. It was intercepted by French pirates and then turned up in the collection of André Thévet.||||||||||0|0|Codex Mendoza;Codex Mendocino| 2823.00|0||||||||Codex Ixtlilxóchitl|Assigned|Image Source (Book)|||||||Codex Ixtlilxóchitl|30365|Alva Ixtlilxóchitl, Fernando de|attributed to|historian|Fernando de Alva Ixtlilxóchitl (attrributed to)|0||||0|||||Mexican|Spanish||Spanish Colonial|||||Mexico||||||0||||0||||0||||0|Manuscripts|Manuscript||||16|||1550|1599|ca|ca 1550-1599|ca 1550-1599|||||0||||0||||||||||||||||||3655|Paris, Bibliothèque Nationale|Paris: Bib. Nat.||Art, Mexican; Art, Spanish Colonial||||||||||Cornell||JNK|MNW|5/4/2005 0:00:00|11/3/2004 0:00:00||||0||||||||||||||| |||||||||0||This codex contains drawings relating to native gods and ancient rites, along with texts in Spanish…it was based on texts and drawings froun din the Codex Magliabechiano. Gruzinski, Conquest.||||||||||0|0|Codex Ixtlilxóchitl|Alva Ixtlilxóchitl, Fernando de 2824.00|0||||||||Relacion Geográfica: Guaxtepec (Tepuztlan)|Assigned|Repository|The Mexican Countryside under Spanish Rule: Relacion Geográfica de Oaxtepec|Assigned|Image Source (Book)||||Relacion Geográfica: Guaxtepec (Tepuztlan)|0|||||0||||0|||||Mexican|Spanish||Spanish Colonial|||||Mexico||||||0||||0||||0||||0|Maps|Map||||15|||1580|1580||1580|1580-1580|||||0||||0||||||||||||||||62 x 85 cm||9383|Austin, University of Texas; Benson Latin American Collection|Austin: UT; Benson Latin Amer. Coll.||Art, Mexican ; Art, Spanish Colonial ; Maps ; |Art, Mexican|Art, Spanish Colonial|Maps|||||||Cornell||JNK|MNW|2/6/2005 0:00:00|11/3/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Relacion Geográfica: Guaxtepec (Tepuztlan);The Mexican Countryside under Spanish Rule: Relacion Geográfica de Oaxtepec| 2825.00|0||||||||The Pantocrator|Assigned|Image Source (Book)|||||||The Pantocrator|0|||||0||||0|||||Mexican|||Spanish Colonial|||||Mexico||||||0||||0||||0||||0|Featherwork|Featherwork|Mosaic|||16|||1500|1599|ca|1500-1599|1500-1599|||||0||||0|||||Feather mosaic||||||mosaic|featherwork||||||2846|Tepotzotlan, Museo Nacional del Virreinato|Tepotzotlan: Mus. Nat. Virreinato||Pantocrator ; |Pantocrator|||||||||Cornell||JNK|MNW|2/6/2005 0:00:00|11/3/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|The Pantocrator| 2826.00|0||||||||Florentine Codex|Assigned|Image Source (Book)|Historia General de las Cosas de Nueva Expaña|Assigned|Image Source (Book)||||Florentine Codex|30366|Sahagún, Bernardino de||monk|Bernardino de Sahagún|0||||0|||||Mexican|Spanish||Spanish Colonial|||||Mexico||||||0||||0||||0||||0|Manuscripts|Manuscript||||16|||1579|1579|ca|ca 1579|ca 1579-1579|||||0||||0||||||||||||||||||845|Florence,Biblioteca Laurenziana(Medicea-Laurenziana,S.Lorenzo)|Florence: Bibl. Laurenz.||Art, Mexican ; Art, Spanish Colonial ; Manuscripts ; |Art, Mexican|Art, Spanish Colonial|Manuscripts|||||||Cornell||JNK|MNW|2/6/2005 0:00:00|11/3/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Florentine Codex;Historia General de las Cosas de Nueva Expaña|Sahagún, Bernardino de 2827.00|0||||||||Aerial view of Orvieto|Descriptive|Cataloger||||||||0|||||0||||0|||||Italian||||||||Italy||||||0|Orvieto, Italy|||10312||||0||||0|Architecture|Documentary photograph|Aerial view|||20|||1975|1995|ca|ca 1975-1995|ca 1975-1995|||||0||||0|||||Photograph||||||photography|||||||||||Orvieto (Italy)||||||||||Cornell||MNW|MNW|11/3/2004 0:00:00|11/3/2004 0:00:00||Orv||0||||||||||||||||||||||||0||||||||||||0|0|Aerial view of Orvieto| 2828.00|0||03||||||Charles Ennis House|Assigned|Image Source (Book)|||||||Charles Ennis House|12943|Wright, Frank Lloyd||architect|Frank Lloyd Wright|0||||0|||||American|||Modern|||||United States||||||0|2607 Glendower Ave, Los Feliz, Los Angeles, CA|||10372||||0||||0|Architecture|House||||20|||1923|1924||1923-1924|1923-1924|||||0||||0||||||||||||||||||||||||||||||||Cornell||JNK|MNW|5/16/2006 0:00:00|11/4/2004 0:00:00||||0|||||||||||||||||||||||Work|0|Modern Architecture|||||||||||0|0|Charles Ennis House|Wright, Frank Lloyd 2829.00|0|Architect|03|MA-Wright|7.5| 1920 Barn||MA-Wright 7.5 1920 Barn |Aline Barnsdall Hollyhock House|Assigned|Print Publication|||||||Aline Barnsdall Hollyhock House|12943|Wright, Frank Lloyd||architect|Frank Lloyd Wright|0||||0|||||American|||Modern|||||United States||||||0|4800 Hollywood Boulevard, Los Angeles, CA|||10373||||0||||0|Architecture|House||||20|||1917|1921||1917-1921|1917-1921|||||0||||0||||||||||||||||||||||Hollyhock House (Hollywood, Los Angeles, Calif) ; Houses ; |Hollyhock House (Hollywood, Los Angeles, Calif)|Houses||||||||Cornell||JNK|JNK|8/2/2006 0:00:00|11/4/2004 0:00:00|Wright|||0||||||1920 Barn|MA||||||7.5||||||||||Work|0|Modern Architecture|||||||||||0|0|Aline Barnsdall Hollyhock House|Wright, Frank Lloyd 2832.00|0||||||||Veduta dell'Arco di Costantino|Assigned|Image Source (Book)|View of the Arch of Constantine|Translated|Cataloger||||Veduta dell'Arco di Costantino|30367|Ulfft, Jacob van der||engraver|Jacob van der Ulfft|0||||0|||||Dutch|||Baroque|||||Holland||||||0||||0||||0||||0|Drawings|Drawing||||17|||1668|1668||1668|1668-1668|||||0||||0||||||graphite|watercolors|pen|||drawing (image-making)|||||24.2 x 32 cm||3660|Vienna: Graphische Sammlung Albertina|Vienna: Albertina Museum||Arch of Constantine, Rome, Italy ; |Arch of Constantine, Rome, Italy|||||||||Cornell||JNK|MNW|2/17/2005 0:00:00|11/4/2004 0:00:00||||0||Inv. 9878||||||||||||| |||||||||0||||||||||||0|0|Veduta dell'Arco di Costantino;View of the Arch of Constantine|Ulfft, Jacob van der 2833.00|0||||||||Ospitalità di San Filippo Neri|Assigned|Image Source (Book)|||||||Ospitalità di San Filippo Neri|0|||||0||||0|||||Italian|||Baroque|||||Italy||||||0||||0||||0||||0|Paintings|Painting||||17|||1675|1699|ca|ca 1675-1699|ca 1675-1699|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||50 x 100 cm||9384|Rome: Sovrintendenza ai Beni Culturali; Monumenti Medieovali e Moderni|Rome: Sov. ai Beni Culturali; Mon. Med. & Mod.||Hospitals ; |Hospitals|||||||||Cornell||JNK|JNK|1/6/2006 0:00:00|11/4/2004 0:00:00||||0||SS.T.P. n. 501||||||||||||| |||||||||0||||||||||||0|0|Ospitalità di San Filippo Neri| 2834.00|0||||||||Tompe-l'oeil di un gabinetto di curiosità|Assigned|Image Source (Book)|||||||Tompe-l'oeil di un gabinetto di curiosità|30368|Remps, Domenico|attributed to|painter|Remps, Domenico (attributed to)|0||||0|||||Italian|||Baroque|||||Italy||||||0||||0||||0||||0|Paintings|Oil painting||||17|||1680|1700|ca|ca 1680-1700|ca 1680-1700|||||0||||0||||||oil paint|canvas||||painting (image-making)|||||98.5 x 135 cm||9385|Florence: Museo dell'Opificio delle Pietre Dure|Florence: Mus. dell'Opificio delle Pietre Dure||Trompe-l'oeil ; Cabinets of curiosities ; |Trompe-l'oeil|Cabinets of curiosities||||||||Cornell||JNK|JNK|1/6/2006 0:00:00|11/4/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Tompe-l'oeil di un gabinetto di curiosità|Remps, Domenico 2835.00|0||||||||Some Living American Women Artists/Last Supper|Artists|Image Source (Book)|||||||Some Living American Women Artists/Last Supper|3470|Edelson, Mary Beth||artist|Mary Beth Edelson|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Graphics|Poster||||20|||1971|1971||1971|1971-1971|||||0||||0|||||Offset poster|paper|||||offset printing|||||||3561|Artist, Collection of the|: Collection of the Artist||Last Supper (S Maria delle Grazie, Milan, Italy); Benglis, Lynda, 1941-; Frankenthaler, Helen, 1928-; Wayne, June, 1918-; Thomas, Alma, 1891-1978; Krasner, Lee, 1908-1984; Graves, Nancy, 1940-1995; O'Keeffe, Georgia, 1887-1986; Kooning, Elaine de, 1920-1989; Nevelson, Louise, 1899-1988; Richards, M. C.; Bourgeois, Louise, 1911-; Katzen, Lila, ca 1926-1998; Ono, Yoko, 1933-; Group portraits||||||||||Cornell||MNW|MNW|11/5/2004 0:00:00|11/5/2004 0:00:00||||0||||||||||||||| |||||||||0||Left to right: Lynda Benglis, Helen Frankenthaler, June Wayne, Alma Thomas, Lee Krasner, Nancy Graves, Georgia O'Keeffe, Elaine de Kooning, Louise Nevelson, M. C. Richard, Louise Bourgeois, Lila Katzen, Yoko Ono. Border=67 other women artists. Broude.||||||||||0|0|Some Living American Women Artists/Last Supper|Edelson, Mary Beth 2836.00|0||||||||Bourgos [F] Vienna 27|Assigned|Image Source (Book)|||||||Bourgos [F] Vienna 27|30369|Wyngaerde, Anthonis van den||painter|Anthonis van den Wyngaerde|0||||0|||||Flemish|||Baroque|||||Belgium|Spain|||||0||||0||||0||||0|Drawings|Drawing||||16|||1565|1565||1565|1565-1565|||||0||||0||||||watercolors|||||drawing (image-making)|||||42 x 14.33 cm||3903|Vienna: Österreichische Nationalbibliothek|Vienna: Öster. Nat. Bibl.||Cities ; Burgos (Spain) ; Vedute ; |Cities|Burgos (Spain)|Vedute|||||||Cornell||MNW|JNK|11/8/2004 0:00:00|4/19/2005 0:00:00||||0||f.a.1565||||||||||||| |||||||||0||||||||||||0|0|Bourgos [F] Vienna 27|Wyngaerde, Anthonis van den 2837.00|0||||||||The Walls of Ávila|Assigned|Image Source (Book)|||||||The Walls of Ávila|0|||||0||||0|||||Spanish|||Medieval|||||Spain||||||0|Ávila, Spain|||10313||||0||||0|Architecture|Wall|City|||11|12||1075|1125|ca|ca 1075-1125|ca 1075-1125|||||0||||0||||||||||||||||||||||Walls ; Ávila, Spain ; Cities ; |Walls|Ávila, Spain|Cities|||||||Cornell||JNK|MNW|2/18/2005 0:00:00|11/8/2004 0:00:00||Avi||0||||||||||||||||||||||||0||||||||||||0|0|The Walls of Ávila| 2838.00|0||||||||The Vault of the Zodiac|Assigned|Image Source (Book)|||||||Universidad de Salamanca. Library. The Vault of the Zodiac|13208|Gállego, Fernando||painter|Fernando Gállego|0||||0|||||Spanish|||Gothic (Medieval)|||||Spain||||||0|Library, University of Salamanca, Salamanca, Spain|||10357||||0||||0|Paintings|Mural||||15|||1479|1483|ca|ca 1479-1483|ca 1479-1483||Library|LargerEntity||1147||||0|||||||||||mural painting|||||||9386|Salamanca: University of Salamanca; Library|Salamanca: Univ. Salamanca; Library||Constellations ; Zodiac symbols ; |Constellations|Zodiac symbols||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|11/8/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|The Vault of the Zodiac|Gállego, Fernando 2839.00|0||||||||Flesh Petals|Artists|Image Source (Book)|||||||Flesh Petals|14534|Wilding, Faith||painter|Faith Wilding|30370|Fresno Feminist Art Program|||0|||||American||||||||United States||||||0||||0||||0||||0|Drawings|||||20|||1970|1970||1970|1970-1970|||||0||||0|||||Graphite on paper|graphite|paper||||drawing (image-making)|||||76.2 x 61 cm||3561|Artist, Collection of the|: Collection of the Artist||Cunt||||||||||Cornell||MNW|MNW|11/8/2004 0:00:00|11/8/2004 0:00:00|W6735|||0||||||||||||||| |||||||||0||One of the many "cunt" images generated by the Fresno Feminist Art Program. Broude & Garrard.||||||||||0|0|Flesh Petals|Wilding, Faith;Fresno Feminist Art Program 2840.00|0||||||||Sacrifice|||||||||Sacrifice|14534|Wilding, Faith||painter|Faith Wilding|30370|Fresno Feminist Art Program|||0|||||American||||||||United States||||||0||||0||||0||||0|Multimedia works|Installation (Exhibition)|Multimedia work|||20|||1970|1970||1970|1970-1970|||||0||||0|||||Mannequin, Kotex, mixed media|mixed materials|||||Multimedia|||||||||||Sacrifices||||||||||Cornell||MNW|MNW|11/8/2004 0:00:00|11/8/2004 0:00:00|W6735|||0||||||||||||||||||||||||0||||||||||||0|0|Sacrifice|Wilding, Faith;Fresno Feminist Art Program 2841.00|0||||||||Cock and Cunt Play|Artists|Image Source (Book)|||||||Cock and Cunt Play|2274|Chicago, Judy||sculptor|Judy Chicago|5071|Hamrol, Lloyd||photographer|0|||||American||||||||United States||||||0||||0|Los Angeles, CA|||10085||||0|Performance Art|Performance art||||20|||1970|1970||1970; 1972|1970-1970|||||0||||0|||||Performance Art||||||performance art|||||||||||Wilding, Faith; Lester, Janice, 1947-; Cunt; Cock||||||||||Cornell||MNW|JNK|1/14/2005 0:00:00|11/8/2004 0:00:00|C532||LosA|0||||||||||||||||||||||||0||Photograph by Lloyd Hamrol. This parodic sexual comedy ends with a self-castration image in which the "Cock" rips off his penis and beats the "Cunt" to death for demanind sexual pleasure. Broude & Garrard.||||||||Peformed by Faith Wilding (L) and Janice Lester at Womanhouse, Los Angeles, 1972.||0|0|Cock and Cunt Play|Chicago, Judy;Hamrol, Lloyd 2842.00|0||||||||Shoe|Artists|Image Source (Book)|||||||Shoe|30371|Schor, Mira||artist|Mira Schor|30370|Fresno Feminist Art Program|||0|||||American||||||||United States||||||0||||0||||0||||0|Watercolors|Gouache||||20|||1972|1972||1972|1972-1972|||||0||||0|||||Gouache|gouache|||||painting (image-making)|||||24.1 x 17.1 cm||3561|Artist, Collection of the|: Collection of the Artist||Shoes (footwear)||||||||||Cornell||MNW|MNW|11/8/2004 0:00:00|11/8/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Shoe|Schor, Mira;Fresno Feminist Art Program 2843.00|0||||||||Medina Azahara|Assigned|Blue Guide|Medinat az-Zahara|Assigned|Image Source (Book)||||Medina Azahara|0|||||0||||0|||||Spanish|Islamic||Gothic (Medieval)|||||Spain||||||0|Medina Azahara|||10359||||0||||0|Architecture|Palace|City|||10|||936|1000|ca|ca 936-1000|ca 936-1000|||||0||||0||||||||||||||||||||||Palaces ; Medinas ; |Palaces|Medinas||||||||Cornell||JNK|MNW|2/21/2005 0:00:00|11/8/2004 0:00:00||MedAza||0||||||||||||||||||||||||0||||||||||||0|0|Medina Azahara;Medinat az-Zahara| 2844.00|0||||||||Salón Rico|Assigned|Image Source (Book)|||||||Medina Azahara. Salón Rico.|0|||||0||||0|||||Spanish|Islamic||Gothic (Medieval)|||||Spain||||||0|Medina Azahara|||10359||||0||||0|Architecture|Palace|Room|||10|||936|1000|ca|ca 936-1000|ca 936-1000||Medina Azahara|LargerEntity||2843||||0||||||||||||||||||||||Medinas ; Palaces ; |Medinas|Palaces||||||||Cornell||JNK|MNW|2/21/2005 0:00:00|11/8/2004 0:00:00||MedAza||0||||||||||||||||||||||||0||||||||||||0|0|Salón Rico| 2845.00|0||||||||Linen Closet|Artists|Image Source (Book)|||||||Linen Closet|30372|Orgel, Sandy||artist|Sandy Orgel|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Installations|Installation (Exhibition)||||20|||1972|1972||1972|1972-1972|||||0||||0|||||Mixed media installation|mixed materials|||||Installations|||||||||||||||||||||Cornell||MNW|JNK|1/14/2005 0:00:00|11/8/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||Installation at Womanhouse, 1972.||0|0|Linen Closet|Orgel, Sandy 2846.00|0||||||||Patio de la Acequita|Assigned|Image Source (Book)|||||||Generalife. Patio de la Acequita|0|||||0||||0|||||Islamic|Spanish||Mudejar|Nasrid||||Spain||||||0|Granada, Spain|||10162||||0||||0|Architecture|Palace|Patios|||13|||1250|1299||Second half of the 13th C|1250-1299||Generalife|LargerEntity||2538||||0||||||||||||||||||||||Palaces ; Patios ; |Palaces|Patios||||||||Cornell||JNK|MNW|2/21/2005 0:00:00|11/8/2004 0:00:00||Gra||0||||||||||||||||||||||||0||Summer palace of the Sultans.||||||||||0|0|Patio de la Acequita| 2847.00|0||||||||Sala de las Camas|Assigned|Image Source (Book)|Hall of Beds||||||Alhambra. Sala de las Camas.|0|||||0||||0|||||Islamic|Spanish||Mudejar|Nasrid||||Spain||||||0|Granada, Spain|||10162||||0||||0|Architecture|Bathhouses|Room|||14|||1300|1399||14th century|1300-1399||Alhambra|LargerEntity||155||||0||||||||||||||||||||||Alhambra (Granada, Spain) ; Palaces ; |Alhambra (Granada, Spain)|Palaces||||||||Cornell||JNK|MNW|2/21/2005 0:00:00|11/8/2004 0:00:00||Gra||0||||||||||||||||||||||||0||||||||||||0|0|Sala de las Camas;Hall of Beds| 2848.00|0||||||||University of Salamanca|Assigned|Image Source (Book)|||||||University of Salamanca|0|||||0||||0|||||Spanish|||Renaissance|||||Spain||||||0|Salamanca, Spain|||10314||||0||||0|Architecture|University||||16|||1535|1540||End of third decade of the 16th C|1535-1540|||||0||||0||||||||||||||||||||||Universities ; Plaques (flat objects) ; |Universities|Plaques (flat objects)||||||||Cornell||JNK|MNW|2/21/2005 0:00:00|11/8/2004 0:00:00||Sal||0||||||||||||||||||||||||0||||||||||||0|0|University of Salamanca| 2849.00|0||||||||Dining Room|Artists|Image Source (Book)|||||||Dining Room|30373|Schapiro, Miriam||painter|Miriam Schapiro, Faith Wilding, Robin Mitchell…|14534|Wilding, Faith|||8058|Mitchell, Robin||||American||||||||United States||||||0||||0||||0||||0|Installations|Installation (Exhibition)||||20|||1972|1972||1972|1972-1972|||||0||||0|||||Mixed media site installation|mixed materials|||||Installations|||||||||||||||||||||Cornell||MNW|MNW|11/8/2004 0:00:00|11/8/2004 0:00:00|S2995|||0||||||||||||||||||||||||0||Other artists include: Beth Bachenheimer, Sherry Brody, and Karen LeCoq. This work was the most extensive collaborative effort of Womanhouse students. Brody & Garrard.||||||||Installation at Womanhouse, 1972.||0|0|Dining Room|Schapiro, Miriam;Wilding, Faith;Mitchell, Robin 2850.00|0||||||||Cogolludo Palace|Assigned|Image Source (Book)|||||||Cogolludo Palace|12206|Vázquez de Segovia, Lorenzo||architect|Lorenzo Vázquez de Segovia|0||||0|||||Spanish|||Renaissance|||||Spain||||||0|Guadalajara, Spain|||10315||||0||||0|Architecture|Palace||||15|||1492|1495||1492-1495|1492-1495|||||0||||0||||||||||||||||||||||Palaces ; |Palaces|||||||||Cornell||JNK|MNW|2/21/2005 0:00:00|11/8/2004 0:00:00||||0||||||||||||||||||||||||0||Built for the Mendoza Family.||||||||||0|0|Cogolludo Palace|Vázquez de Segovia, Lorenzo 2851.00|0||||||||Scrubbing|Artists|Image Source (Book)||||||||30370|Fresno Feminist Art Program||artist|Fresno Feminist Art Program|5071|Hamrol, Lloyd||photographer|0|||||American||||||||United States||||||0||||0||||0||||0|Performance Art|Performance art||||20|||1972|1972||1972|1972-1972|||||0||||0|||||Performance Art||||||performance art|||||||||||||||||||||Cornell||MNW|JNK|1/14/2005 0:00:00|11/8/2004 0:00:00||||0||||||||||||||||||||||||0||Photograph by Lloyd Hamrol; performed by Chris Rush. Broude & Garrard.||||||||Performed at Womanhouse, 1972.||0|0|Scrubbing|Fresno Feminist Art Program;Hamrol, Lloyd 2852.00|0||||||||Waiting|Artists|Image Source (Book)|||||||Waiting|14534|Wilding, Faith||painter|Faith Wilding|30370|Fresno Feminist Art Program|||0|||||American||||||||United States||||||0||||0||||0||||0|Performance Art|Performance art||||20|||1972|1972||1972|1972-1972|||||0||||0|||||Performance Art||||||performance art|||||||||||||||||||||Cornell||MNW|JNK|1/14/2005 0:00:00|11/8/2004 0:00:00||||0||||||||||||||||||||||||0||First performed by Faith Wilding. Broude & Garrard.||||||||Performed at Womanhouse, 1972.||0|0|Waiting|Wilding, Faith;Fresno Feminist Art Program 2853.00|0||||||||Palace of the Duque del Infantado|Assigned|Image Source (Book)|||||||Palace of the Duque del Infantado|4895|Guas, Juan||architect|Juan Guas|0||||0|||||Spanish|French||Renaissance|||||Spain||||||0|Guadalajara, Spain|||10315||||0||||0|Architecture|Palace||||15|||1480|1480||1480|1480-1480|||||0||||0||||||||||||||||||||||Palaces ; |Palaces|||||||||Cornell||JNK|MNW|2/21/2005 0:00:00|11/8/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Palace of the Duque del Infantado|Guas, Juan 2854.00|0||||||||Alcázar of Toledo|Assigned|Image Source (Book)|||||||Alcázar of Toledo|30377|Covarrubias, Alonso de||architect|Alonso de Covarrubias|0||||0|||||Spanish|||Renaissance|||||Spain||||||0|Toledo, Spain|||10310||||0||||0|Architecture|Palace||||16|||1537|1537||1537|1537-1537|||||0||||0||||||||||||||||||||||Palaces ; |Palaces|||||||||Cornell||JNK|MNW|2/21/2005 0:00:00|11/8/2004 0:00:00||Tol||0||||||||||||||||||||||||0||||||||||||0|0|Alcázar of Toledo|Covarrubias, Alonso de 2855.00|0||||||||Palace of Charles V|Assigned|Blue Guide|||||||Palace of Charles V|7369|Machuca, Pedro||architect|Pedro Machuca|0||||0|||||Spanish|||Renaissance|||||Spain||||||0|Granada, Spain|||10162||||0||||0|Architecture|Palace||||16|17||1526|1626|ca|ca 1526-1626|ca 1526-1626|||||0||||0||||||||||||||||||||||Palaces||||||||||Cornell||JNK|JNK|11/8/2004 0:00:00|11/8/2004 0:00:00||Gra||0||||||||||||||||||||||||0||||||||||||0|0|Palace of Charles V|Machuca, Pedro 2856.00|0||||||||Leah's Room|Artists|Image Source (Book)|||||||Leah's Room|30376|LeCoq, Karen|||Karen LeCoq and Nancy Youdelman|30378|Youdelman, Nancy|||0|||||American||||||||United States||||||0||||0||||0||||0|Installations|Installation (Exhibition)||||20|||1972|1972||1972|1972-1972|||||0||||0|||||Mixed materials|mixed materials|||||Installations|||||||||||||||||||||Cornell||MNW|MNW|11/8/2004 0:00:00|11/8/2004 0:00:00||||0||||||||||||||||||||||||0||Based on Colette's Chérie (Paris, 1937) .||||||||Mixed media site installation at Womanhouse.||0|0|Leah's Room|LeCoq, Karen;Youdelman, Nancy 2857.00|0||||||||Crocheted Environment|Artists|Image Source (Book)|||||||Crocheted Environment|14534|Wilding, Faith||painter|Faith Wilding|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Musical Instruments|Crochet||||20|||1972|1972||1972|1972-1972|||||0||||0|||||Mixed media site installation|mixed materials|||||Crochet|Installations||||||||||||||||||||Cornell||MNW|MNW|11/8/2004 0:00:00|11/8/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Crocheted Environment|Wilding, Faith 2858.00|0||||||||Plaza Mayor|Assigned|Image Source (Book)|||||||Plaza Mayor|30379|Gómez de Mora, Juan||architect|Juan Gómez de Mora|0||||0|||||Spanish|||Baroque|||||Spain||||||0|Madrid, Spain|||10220||||0||||0|Architecture|Plaza||||17|||1617|1620||1617-1620|1617-1620|||||0||||0||||||||||||||||||||||Plaza Mayor (Madrid, Spain) ; Plazas ; |Plaza Mayor (Madrid, Spain)|Plazas||||||||Cornell||JNK|MNW|11/29/2005 0:00:00|11/8/2004 0:00:00||Mad||0||||||||||||||||||||||||0||||||||||||0|0|Plaza Mayor|Gómez de Mora, Juan 2859.00|0||||||||Plaza Mayor|Assigned|Blue Guide|||||||Plaza Mayor|30380|Churriguera, Alberto||architect|Alberto Churriguera & Andrés García de Quiñones|30381|García de Quiñones, Andrés|||0|||||Spanish||||||||Spain||||||0|Salamanca, Spain|||10314||||0||||0|Architecture|Plaza||||1/8|||1729|1755||1729-1755|1729-1755|||||0||||0||||||||||||||||||||||Plazas; Plaza Mayor (Salamanca, Spain)||||||||||Cornell||JNK|JNK|11/8/2004 0:00:00|11/8/2004 0:00:00||Sal||0||||||||||||||||||||||||0||||||||||||0|0|Plaza Mayor|Churriguera, Alberto;García de Quiñones, Andrés 2860.00|0||||||||The Dollhouse|Artists|Image Source (Book)|||||||The Dollhouse|30375|Brody, Sherry|||Sherry Brody with Miriam Schapiro|30373|Schapiro, Miriam|||0|||||American||||||||United States||||||0||||0||||0||||0|Sculpture|||||20|||1972|1972||1972|1972-1972|||||0||||0|||||Three dimensional construction|mixed materials||||||||||||3561|Artist, Collection of the|: Collection of the Artist||||||||||||Cornell||MNW|MNW|11/9/2004 0:00:00|11/8/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||Created for Womanhouse, 1972.||0|0|The Dollhouse|Brody, Sherry;Schapiro, Miriam 2861.00|0||||||||Floor Piece VI (Sculpture)|Artists|Image Source (Book)|||||||Floor Piece VI (Sculpture)|5064|Hammond, Harmony||painter|Harmony Hammond|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Textiles|Textile||||20|||1973|1973||1973|1973-1973|||||0||||0|||||Cloth and acrylic paint|cloth|acrylic paint|||||||||ca 15.2 diameter||3561|Artist, Collection of the|: Collection of the Artist||||||||||||Cornell||MNW|MNW|11/8/2004 0:00:00|11/8/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Floor Piece VI (Sculpture)|Hammond, Harmony 2862.00|0||||||||Christ Reclining|Assigned|Image Source (Book)|||||||Christ Reclining|3804|Fernandez, Gregorio||sculptor|Gregorio Fernandez|0||||0|||||Spanish|||Baroque|||||Spain||||||0||||0||||0||||0|Sculpture|Sculpture||||17|||1600|1633|ca|First third of the 17th C|ca 1600-1633|||||0||||0||||||wood|paint||||sculpture|||||||9247|Segovia, Cathedral Museum|Segovia: Cathedral Museum||Christ ; |Christ|||||||||Cornell||JNK|MNW|2/22/2005 0:00:00|11/8/2004 0:00:00|F3634|||0||||||||||||||| |||||||||0||||||||||||0|0|Christ Reclining|Fernandez, Gregorio 2863.00|0||||||||Convent Church of San Francisco|Assigned|Image Source (Book)|||||||Convent Church of San Francisco|0|||||0||||0|||||Ecuadorian|Spanish Colonial|Spanish|Spanish Colonial|||||Ecuador||||||0|Quito, Ecuador|||10316||||0||||0|Architecture|Church||||16|||1550|1600||Late 16th C|1550-1600|||||0||||0||||||||||||||||||||||Churches ; |Churches|||||||||Cornell||JNK|MNW|2/22/2005 0:00:00|11/8/2004 0:00:00||Qui||0||||||||||||||||||||||||0||||||||||||0|0|Convent Church of San Francisco| 2864.00|0|Site|02|B-H3|Rom|3.1 SIvo||B-H3 Rom 3.1 SIvo |S. Ivo della Sapienza|Popular|Dict.Art|||||||S. Ivo della Sapienza|1414|Borromini, Francesco||architect|Francesco Borromini|0||||0|||||Italian|||Baroque|||||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Church||||17|||1642|1650||1642-1650|1642-1650|||||0||||0||||||||||||||||||||||Churches ; Courtyards ; |Churches|Courtyards||||||||Cornell||JNK|MNW|10/30/2006 0:00:00|11/8/2004 0:00:00||Rom||0||||||SIvo|B|||||H3|3.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|S. Ivo della Sapienza|Borromini, Francesco 2865.00|0||||||||Map of Rome|Assigned|Image Source (Book)||||||||30382|Maggi, Giovanni||painter|Giovanni Maggi|0||||0|||||Italian|||Baroque|||||Italy||||||0||||0||||0||||0|Maps|Map||||17|||1600|1600||1600|1600-1600|||||0||||0||||||||||||||||||1705|Milan,Civica Raccolta Bertarelli,Castello Sforzesco(Mus.Castello)|Milan: Civ. Rac. Bertarelli||Maps; Rome, Italy; Churches||||||||||Cornell||JNK|JNK|11/8/2004 0:00:00|11/8/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Map of Rome|Maggi, Giovanni 2866.00|0|Site|02|B-H2|Rom|3.1 SCarQF||B-H2 Rom 3.1 SCarQF |San Carlo alle Quattro Fontane|Assigned|Blue Guide|San Carlino|Variant|Blue Guide||||San Carlo alle Quattro Fontane (San Carlino)|1414|Borromini, Francesco||architect|Francesco Borromini|0||||0|||||Italian|||Baroque|||||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Church||||17|||1638|1668||1638-1668|1638-1668|||||0||||0||||||||||||||||||||||Churches ; |Churches|||||||||Cornell||JNK||12/13/2005 0:00:00|11/8/2004 0:00:00||Rom||0||||||SCarQF|B|||||H2|3.1||||||||||Work|0|Architecture-France||||Dates for the church design are 1638-1641. Dates for the façade are 1665-1668.|||||||0|0|San Carlo alle Quattro Fontane;San Carlino|Borromini, Francesco 2867.00|0||||||||Bozzetto for the Ecstasy of Saint Theresa|Assigned|Image Source (Book)|||||||Bozzetto for the Ecstasy of Saint Theresa|1103|Bernini, Gian Lorenzo||sculptor|Gian Lorenzo Bernini|0||||0|||||Italian|||Baroque|||||Italy||||||0||||0||||0||||0|Sculpture|Sculpture|Model (Representation)|||17|||1647|1652|ca|ca 1647-1652|ca 1647-1652||Ecstasy of St. Teresa|||3015||||0|||||Terracotta|terracotta|||||sculpture|||||47 cm high||3431|Saint Petersburg,Hermitage|Saint Petersburg: Hermitage||Ecstasy of Saint Theresa ; |Ecstasy of Saint Theresa|||||||||Cornell||JNK|JNK|1/6/2006 0:00:00|11/8/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Bozzetto for the Ecstasy of Saint Theresa|Bernini, Gian Lorenzo 2868.00|0||||||||View of the Cappella Cornaro in Santa Maria della Vittoria by Gian Lorenzo Bernini|Assigned|Image Source (Book)|||||||Cornaro Chapel. View of the Cappella Cornaro in Santa Maria della Vittoria by Gian Lorenzo Bernini|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Paintings|Oil painting|||||||||||||Cornaro Chapel|Larger Entity||3017||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||168.2 x 120 cm||3486|Schwerin,Staatliches Museum Schwerin|Schwerin: Staatliches Mus.||Ecstasy of Saint Theresa; Cornaro Chapel, Sta. maria della Vittoria (Rome, Italy)||||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|11/8/2004 0:00:00||||0||Inv. G 930||||||||||||| |||||||||0||||||||||||0|0|View of the Cappella Cornaro in Santa Maria della Vittoria by Gian Lorenzo Bernini| 2869.00|0|Creator|15|40|B528|B1756||40 B528 B1756 |Baldacchino|Assigned|Image Source (Book)|||||||St. Peter's Basilica. Baldacchino.|1103|Bernini, Gian Lorenzo||architect|Gian Lorenzo Bernini|0||||0|||||Italian|||Baroque|||||Italy||||||0|St. Peter's, Vatican City, Rome, Italy|||10611||||0||||0|Architecture|Architecture|Sculpture|||17|||1623|1634||1623-1634|1623-1634||St. Peter's Basilica|LargerEntity||133||||0|||||Bronze|bronze|||||casting|||||||3552|Rome: Vatican; St. Peter's|Rome: Vatican; St. Peter's||Balconies||||||||||Cornell||JNK|MNW|10/30/2006 0:00:00|11/8/2004 0:00:00|B528|||0|||||||40|||||||| |B1756|||||||Work|0||||||||||||0|0|Baldacchino|Bernini, Gian Lorenzo 2870.00|0||||||||Wonderland|Artists|Image Source (Book)|||||||Wonderland|30373|Schapiro, Miriam||painter|Miriam Schapiro|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Collages|Collage||||20|||1983|1983||1983|1983-1983|||||0||||0|||||Acrylic and fabric femmage|acrylic paint|cloth||||collage|||||22.9 x 36.6 M||3561|Artist, Collection of the|: Collection of the Artist||||||||||||Cornell||MNW|MNW|11/8/2004 0:00:00|11/8/2004 0:00:00|S2995|||0||||||||||||||| |||||||||0||In the 1970s Schapiro developed a method of collage, assemblage and painting that used found or saved material relating to women’s lives and traditionally female skills such as embroidery and quilting, calling it ‘femmage’. DOA.||||||||||0|0|Wonderland|Schapiro, Miriam 2871.00|0||||||||Connection|Artists|Image Source (Book)|||||||Connection|30373|Schapiro, Miriam||painter|Miriam Schapiro|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Collages|Collage||||20|||1976|1976||1976|1976-1976|||||0||||0|||||Acrylic and handkerchiefs|acrylic paint|cloth||||collage|||||18.29 x 18.29 M||3561|Artist, Collection of the|: Collection of the Artist||||||||||||Cornell||MNW|MNW|11/8/2004 0:00:00|11/8/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Connection|Schapiro, Miriam 2872.00|0||||||||Perspective View of the Transept and Choir of Turin Cathedral Toward the Chapel of theSindone (Holy Shroud)|Assigned|Image Source (Book)|||||||Perspective View of the Transept and Choir of Turin Cathedral Toward the Chapel of theSindone (Holy Shroud)|0|||||0||||0|||||Italian|||Baroque|||||Italy||||||0||||0||||0||||0|Drawings|Drawing||||17|||1690|1699||1690's|1690-1699|||||0||||0|||||Drawing|pen|pencil|watercolors|||drawing (image-making)|||||60 x 54.2 cm||9387|Turin,Archivio Capitolare|Turin: Archivio Capitolare|`|Turin, Italy; Churches; Cathedral of San Giovanni Battista, Turin, Italy; Chapel of the Holy Shroud, Turin, Italy||||||||||Cornell||JNK|MNW|11/24/2004 0:00:00|11/8/2004 0:00:00||||0||||||||||||||| |||||||||0||Artist is believed to be a draftsman active in Piedmont. Millon, Triumph.||||||||||0|0|Perspective View of the Transept and Choir of Turin Cathedral Toward the Chapel of theSindone (Holy Shroud)| 2873.00|0||||||||Members of Women in the Arts (WIA) Picket in Front of the Museum of Modern Art|Descriptive|Image Source (Book)|||||||Members of Women in the Arts (WIA) Picket in Front of the Museum of Modern Art|30384|Nemser, Chuck||photographer|Chuck Nemser|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1972|1972||1972|1972-1972|||||0||||0|||||Photograph||||||photography|||||||||||Women in the Arts Foundation, Inc.||||||||||Cornell||MNW|MNW|11/8/2004 0:00:00|11/8/2004 0:00:00||||0||||||||||||||||||||||||0||Wearing sandwich signs and costumes, member of Women in the Arts (WIA) picket in front of the Museum of Modern Art on April 12, 1972, to demand more exhibitions by women artists in New York museums. Broude & Garrard.|||April 12, 1972.|||||||0|0|Members of Women in the Arts (WIA) Picket in Front of the Museum of Modern Art|Nemser, Chuck 2874.00|0|Site|02|B-H3|Tur|3.1 Cath/SSin||B-H3 Tur 3.1 Cath/SSin |Cappella della Sacra Sindone|Assigned|Blue Guide|Chapel of the Holy Shroud|Translated|Blue Guide|Cappella SS Sindone|Assigned|Print Publication|Cathedral of Turin. Cappella della Sacra Sindone|4894|Guarini, Guarino||architect|Guarino Guarini|0||||0|||||Italian|||Baroque|||||Italy||||||0|Turin, Italy|||10097||||0||||0|Architecture|Chapel||||17|||1667|1690||1667-1690|1667-1690||Cathderal of Turin|LargerEntity||2877||||0||||||||||||||||||||||Chapels||||||||||Cornell||JNK|JNK|12/1/2006 0:00:00|11/8/2004 0:00:00||Tur||0||||||Cath/SSin|B|||||H3|3.1||||||||||Building|0|Architecture-Italy|||||||||||0|0|Cappella della Sacra Sindone;Chapel of the Holy Shroud;Cappella SS Sindone|Guarini, Guarino 2875.00|0||||||||Members of the Coalition of Women's Arts Organizations During the Equal Rights Amendment March in Washington, DC|Descriptive|Image Source (Book)|||||||Members of the Coalition of Women's Arts Organizations During the Equal Rights Amendment March in Washington, DC|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1976|1976||1976|1976-1976|||||0||||0|||||Photograph||||||photography|||||||||||Coalition of Womens's Arts Organizations||||||||||Cornell||MNW|JNK|1/14/2005 0:00:00|11/8/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Members of the Coalition of Women's Arts Organizations During the Equal Rights Amendment March in Washington, DC| 2876.00|0||||||||How Many Women Had One-Person Exhibitions At NYC Museums Last Year?|Inscribed|Image Source (Book)|||||||How Many Women Had One-Person Exhibitions At NYC Museums Last Year?|29478|Guerrilla Girls||group of artists|Guerrilla Girls|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Posters|Poster||||20|||1985|1994|ca|ca 1985-ca 1994|ca 1985-ca 1994|||||0||||0|||||Poster||||||printing|||||||9388|New York: Franklin Furnace Archive, Inc.|New York: Franklin Furnace Archive||||||||||||Cornell||MNW|MNW|11/8/2004 0:00:00|11/8/2004 0:00:00|G935|||0||||||||||||||| |||||||||0||||||||||||0|0|How Many Women Had One-Person Exhibitions At NYC Museums Last Year?|Guerrilla Girls 2877.00|0||||||||Cathderal of Turin|Assigned|Blue Guide|Duomo di Torino|Assigned|Repository||||Turin Cathderal|30385|Caprino, Meo da||architect|Meo da Caprino|0||||0|||||Italian|||Renaissance|||||Italy||||||0|Turin, Italy|||10097||||0||||0|Architecture|Church|Cathedral|||15|||1490|1492||1490-1492|1490-1492|||||0||||0||||||||||||||||||||||Cathedrals; Turin, Italy||||||||||Cornell||JNK|JNK|11/9/2004 0:00:00|11/9/2004 0:00:00||Tur||0||||||||||||||||||||||||0||||||||||||0|0|Cathderal of Turin;Duomo di Torino|Caprino, Meo da 2878.00|0||||||||Plan of the Chapel of the Holy Shroud|Assigned|Image Source (Book)|Plan of the Cappella della Sacra Sindone||||||Cathedral of Turin. Cappella della Sacra Sindone. Plan of the Chapel of the Holy Shroud|30386|Bertola, Pio Giulio||surveyor|Pio Giulio Bertola|0||||0|||||Italian||||||||Italy||||||0||||0||||0||||0||||||18|||1713|1714|ca|ca 1713-1714|ca 1713-1714||Cappella della Sacra Sindone|LargerEntity||2874||||0||||||||||||||||21.2 x 33 cm||9387|Turin, Archivio Capitolare|Turin: Archivio Capitolare||Chapels; Turin, Italy; Chapel of the Holy Shroud, Turin, Italy||||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|11/9/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Plan of the Chapel of the Holy Shroud;Plan of the Cappella della Sacra Sindone|Bertola, Pio Giulio 2879.00|0||||||||Plan and cross section of the Capella della Sacra Sindone from Guarini's "Dissegni d'architettura civile e ecclesiastica…"|Assigned|Image Source (Book)|||||||Cathedral of Turin. Cappella della Sacra Sindone. Plan and cross section of the Capella della Sacra Sindone|4894|Guarini, Guarino||architect|Guarino Guarini|0||||0|||||Italian|||Baroque|||||Italy||||||0||||0||||0||||0|Architecture|Engraving (Print)|Architectural drawing|||17|||1686|1686||1686|1686-1686||Cappella della Sacra Sindone|LargerEntity||2874||||0|||||Engraving||||||printing|engraving (incising)||||71 x 43 cm||3010|Turin,Biblioteca Reale|Turin: Bibl. Reale||Chapels; Turin, Italy; Chapel of the Holy Shroud, Turin, Italy||||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|11/9/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Plan and cross section of the Capella della Sacra Sindone from Guarini's "Dissegni d'architettura civile e ecclesiastica…"|Guarini, Guarino 2880.00|0||||||||View Across the Vatican from the Dome of St. Peter's|Assigned|Image Source (Book)|||||||View Across the Vatican from the Dome of St. Peter's|10920|Silvestre, Israël, The Younger||printmaker|Israël Silvestre, the Younger|0||||0|||||French|||Baroque|||||France||||||0||||0||||0||||0|Drawings|Drawing||||17|||1641|1641||1641|1641-1641|||||0||||0||||||graphite|wash||||drawing (image-making)|||||33.5 x 113.4 cm||3689|Cambridge MA,Harvard University,Fogg Art Museum|Cambridge: Harvard; Fogg||Vatican City ; Vatican Gardens, Rome, Italy ; |Vatican City|Vatican Gardens, Rome, Italy||||||||Cornell||JNK|MNW|4/20/2005 0:00:00|11/9/2004 0:00:00||||0||1961.7||||||||||||| |||||||||0||||||||||||0|0|View Across the Vatican from the Dome of St. Peter's|Silvestre, Israël, The Younger 2881.00|0||||||||Members of the Women's Action Coalition Demonstrating at the Inaugural Opening of the Soho Guggenheim Museum|Descriptive|Image Source (Book)|||||||Members of the Women's Action Coalition Demonstrating at the Inaugural Opening of the Soho Guggenheim Museum|30387|Kahane, Lisa||photographer|Lisa Kahane|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1992|1992||1992|1992-1992|||||0||||0|||||Photograph||||||photography|||||||||||Women's Action Coalition (New York, N.Y.) [WAC]; Demonstrations; Discrimination||||||||||Cornell||MNW|JNK|1/14/2005 0:00:00|11/9/2004 0:00:00||||0||||||||||||||||||||||||0||Members of the Women's Action Coalition (WAC) demonstrating against sex discrimination and racism at the inaugural opening of the Soho Guggenheim Museum, New York, July 25, 1992. Broude & Garrard.|||July 25, 1992.|||||||0|0|Members of the Women's Action Coalition Demonstrating at the Inaugural Opening of the Soho Guggenheim Museum|Kahane, Lisa 2882.00|0||||||||Where We At Women Artists at M.A.R.C. Exhibition, New York|Collective Title|Image Source (Book)|||||||Where We At Women Artists at M.A.R.C. Exhibition, New York|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1973|1973||1973|1973-1973|||||0||||0|||||Photograph||||||photography|||||||||||; New York; N.Y.)"; Group portraits||||||||||Cornell||MNW|JNK|1/14/2005 0:00:00|11/9/2004 0:00:00||||0||||||||||||||||||||||||0||From left to right: Carol Blank, Jean Taylor, Kay Brown, Viola Burley, Dr. Kenneth Clark, unidentified, Akweke Singho, Dindga McCannon, Jemillah Jennings.|||October, 1973.|||||||0|0|Where We At Women Artists at M.A.R.C. Exhibition, New York| 2883.00|0||||||||Some Members of the Heresies Collective at Joan Snyder's Farm||||||||||3470|Edelson, Mary Beth||photographer|Mary Beth Edelson|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1976|1976||1976|1976-1976|||||0||||0|||||Photograph||||||photography|||||||||||Heresies Collective, inc.; Group portraits||||||||||Cornell||MNW|JNK|1/14/2005 0:00:00|11/9/2004 0:00:00|E218|||0||||||||||||||||||||||||0||Top row from L: Mary Miss, J. Kozloff, A. Ladden, J. Snyder, P. Beckert, Eliz. Hess, May Stevens, H. Hammond, S. Webster, S.Torre. Seated from L: Mary Beth Edelson, M.Schapiro, L. Lippard, J. Braderman, Eliz. Weatherford, M. Pottenger, M. Stuart.||||||||||0|0|Some Members of the Heresies Collective at Joan Snyder's Farm|Edelson, Mary Beth 2884.00|0||||||||La Ofrenda II|Artists|Image Source (Book)|The Offering|Translated|Image Source (Book)||||La Ofrenda II (The Offering)|5347|Hernandez, Ester||painter|Ester Hernandez|0||||0|||||Mexican American||||||||United States||||||0||||0||||0||||0|Graphics|Screen print||||20|||1988|1988||1988|1988-1988|||||0||||0|||||Screen print|paper|||||screen printing|||||56.5 x 76.5 cm||3561|Artist, Collection of the|: Collection of the Artist||||||||||||Cornell||MNW|JNK|1/14/2005 0:00:00|11/9/2004 0:00:00|H5574|||0||||||||||||||| |||||||||0||||||||||||0|0|La Ofrenda II;The Offering|Hernandez, Ester 2885.00|0||||||||Frida Kahlo Altar|Artists|Image Source (Book)|||||||Frida Kahlo Altar|7905|Mesa-Bains, Amalia||sculptor|Amalia, Mesa-Bains with Carmen Lomas Garza|29862|Lomas Garza, Carmen|||0|||||Mexican American||||||||United States||||||0||||0||||0||||0|Installations|Installation (Exhibition)|Altar|||20|||1979|1979||1979|1979-1979|||||0||||0|||||Altar and mixed media|mixed materials|||||Installations|||||||3561|Artist, Collection of the|: Collection of the Artist||Kahlo, Frida, 1907-1954; Altars||||||||||Cornell||MNW|MNW|11/9/2004 0:00:00|11/9/2004 0:00:00|M578|||0||||||||||||||| |||||||||0||||||||||||0|0|Frida Kahlo Altar|Mesa-Bains, Amalia;Lomas Garza, Carmen 2886.00|0||||||||Wake and Resurrection of the Bicentennial Negro|Artists|Image Source (Book)|||||||Wake and Resurrection of the Bicentennial Negro|9881|Ringgold, Faith||painter|Faith Ringgold|0||||0|||||African American||||||||United States||||||0||||0||||0||||0|Performance Art|Performance art||||20|||1976|1976||1976|1976-1976|||||0||||0|||||||||||performance art|||||||||||||||||||||Cornell||MNW|MNW|11/9/2004 0:00:00|11/9/2004 0:00:00|R582|||0||||||||||||||||||||||||0||Commissioned by and first performed at Wilson College in Chambersburg, PA. Broude & Garrard.||||||||||0|0|Wake and Resurrection of the Bicentennial Negro|Ringgold, Faith 2887.00|0||||||||Bena, Bubba, Nana, Moma|Artists|Image Source (Book)|||||||Wake and Resurrection of the Bicentennial Negro. Bena, Bubba, Nana, Moma|9881|Ringgold, Faith||painter|Faith Ringgold|0||||0|||||African American||||||||United States||||||0||||0||||0||||0|Performance Art|Performance art||||20|||1976|1976||1976|1976-1976||Wake and Resurrection of the Bicentennial Negro|||2886||||0|||||Performance. Mixed media||||||performance art|||||||||||||||||||||Cornell||MNW|MNW|11/9/2004 0:00:00|11/9/2004 0:00:00|R582|||0||||||||||||||||||||||||0||||||||||||0|0|Bena, Bubba, Nana, Moma|Ringgold, Faith 2888.00|0||||||||The Seraglio|Artists|Image Source (Book)|||||||The Dollhouse. The Seraglio|30373|Schapiro, Miriam||painter|Miriam Schapiro with Sherry Brody|30375|Brody, Sherry|||0|||||American||||||||United States||||||0||||||||0||||0|Sculpture|Sculpture||||20|||1972|1972||1972|1972-1972||The Dollhouse|LargerEntity||2860||||0|||||3D construction and mixed media|mixed materials|||||sculpture|||||||3561|Artist, Collection of the|: Collection of the Artist||||||||||||Cornell||MNW|JNK|1/14/2005 0:00:00|11/9/2004 0:00:00||||0||||||||||||||| |||||||||0||Room detail from the Dollhouse.||||||||||0|0|The Seraglio|Schapiro, Miriam;Brody, Sherry 2889.00|0||||||||The Dinner Party|Artists|Image Source (Book)|||||||The Dinner Party|2274|Chicago, Judy||sculptor|Judy Chicago|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Multimedia works|Multimedia work||||20|||1974|1979||1974-1979|1974-1979|||||0||||0||||||mixed materials||||||||||Each side, 146.3 m||3561|Artist, Collection of the|: Collection of the Artist||||||||||||Cornell||MNW|MNW|11/9/2004 0:00:00|11/9/2004 0:00:00||||0||||||||||||||| |||||||||0||White tile floor inscribed in gold with 999 women's names; triangular table with painted porcelain, sculpted porcelain plates, and needlework; 39 place settings, each representing a historic or legendary woman. Broude & Garrard.||||||||||0|0|The Dinner Party|Chicago, Judy 2890.00|0||||||||Palazzo Reggia|Assigned|Blue Guide|Palazzo Reale|Variant|Blue Guide|Reale Palazzo|Variant|Image Source (Book)|Palazzo Reggia|30388|Vanvitelli, Luigi||architect|Luigi Vanvitelli|0||||0|||||Italian|||Neoclassical|||||Italy||||||0|Caserta, Italy|||10317||||0||||0|Architecture|Palace|Government office building|||18|||1752|1774||1752-1774|1752-1774|||||0||||0||||||||||||||||||||||Palaces ; Palaces ; Government office buildings ; |Palaces|Palaces|Government office buildings|||||||Cornell||JNK|MNW|4/20/2005 0:00:00|11/10/2004 0:00:00||Cas||0||||||||||||||||||||||||0||The building was begun by Charles III and completed by Ferdinande I.||||||||||0|0|Palazzo Reggia;Palazzo Reale;Reale Palazzo|Vanvitelli, Luigi 2891.00|0||||||||Pope Benedict XIV Visits the Trevi Fountain in Rome|Assigned|Image Source (Book)|||||||Pope Benedict XIV Visits the Trevi Fountain in Rome|8880|Panini, Giovanni Paolo||painter|Giovanni Paolo Panini|0||||0|||||Italian|||Neoclassical|||||Italy||||||0||||0||||0||||0|Paintings|Oil painting||||18|||1750|1756|ca|ca 1750-1756|ca 1750-1756|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||107 x 167 cm||3659|Moscow, Pushkin Museum of Fine Arts|Moscow: Pushkin MFA||Benedict XIV, Pope, 1675-1758 ; Fontana di Trevi (Rome, Italy) ; Rome, Italy ; |Benedict XIV, Pope, 1675-1758|Fontana di Trevi (Rome, Italy)|Rome, Italy|||||||Cornell||JNK|JNK|1/6/2006 0:00:00|11/10/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Pope Benedict XIV Visits the Trevi Fountain in Rome|Panini, Giovanni Paolo 2892.00|0||||||||Map of St. Petersburg (Russia)|Assigned|Image Source (Book)|||||||Map of St. Petersburg (Russia)|30389|Le Blond, Jean-Baptiste-Alexandre||architect|Jean-Baptiste-Alexandre Le Blond|0||||0|||||French|Russian||Neoclassical|||||Russia||||||0||||0||||0||||0|Maps|Map|Drawing|||18|||1717|1717||1717-1717|1717-1717|||||0||||0|||||||||||drawing (image-making)|||||||9389|St. Petersburg: Academy of Sciences; Library|St. Petersburg: Acad. Sciences; Library||Maps ; Cities ; Saint Petersburg (Russia) ; |Maps|Cities|Saint Petersburg (Russia)|||||||Cornell||JNK|MNW|4/20/2005 0:00:00|11/10/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Map of St. Petersburg (Russia)|Le Blond, Jean-Baptiste-Alexandre 2893.00|0||||||||View of the Scala Regia and the Statue of Constantine, From the North Corridor of Piazza San Pietro|Assigned|Image Source (Book)|||||||View of the Scala Regia and the Statue of Constantine, From the North Corridor of Piazza San Pietro|30390|Panini, Francesco||painter|Francesco Panini|0||||0|||||Italian|||Neoclassical|||||Italy||||||0||||0||||0||||0|Prints|Engraving (Print)||||18||||||||||||0||||0||||||||||||||||||4774|Rome: Biblioteca Hertziana|Rome: Bibl. 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Inst.; Lib.||Great Exhibition (1851: London, England); Crystal Palace (London, England); Exhibition buildings; Exhibitions||||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|11/15/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|The Medieval Court| 2930.00|0||||||||Eye Body: 36 Transformations|Artists|Image Source (Book)|||||||Eye Body: 36 Transformations|10563|Schneemann, Carolee||artist|Carolee Schneemann|0||||0|||||American||||||||United States|||New York, NY|||10060||||0||||0||||0|Body Art|Body Art||||20|||1963|1963||1963|1963-1963|||||0||||0|||||Body art||||||body art|||||||||||Schneemann, Carolee, 1939-||||||||||Cornell||MNW|CLL|8/3/2006 0:00:00|11/15/2004 0:00:00|S358|||0||||||||||||||||||||||||0||Took place in New York.||||||||||0|0|Eye Body: 36 Transformations|Schneemann, Carolee 2931.00|0||||||| |Meat Joy|Artists|Image Source (Book)|||||||Meat Joy|10563|Schneemann, Carolee||performance artist|Carolee Schneemann|0||||0|||||American||||||||France|||Paris, France|||10058||||0||||0||||0|Performance Art|Body Art|Happenings|||20|||1964|1964||1964|1964-1964|||||0||||0|||||Performance Art||||||performance art|||||||||||||||||||||Cornell||MNW|JNK|1/14/2005 0:00:00|11/15/2004 0:00:00||||0||||||||||||||||||||||||0||Meat Joy was an orgiastic Happening in which male and female performers grappled with one another and a variety of fleshy, messy materials in close proximity to the audience. It was first performed in Paris in an event called "Expression." Reckitt||||||||||0|0|Meat Joy|Schneemann, Carolee 2932.00|0||||||||Goddess Head|Artists|Image Source (Book)|||||||Goddess Head|3470|Edelson, Mary Beth||artist|Mary Beth Edelson|0||||0|||||American||||||||France||||||0||||0||||0||||0|Collages|Body Art|Collage||||||1975|1975||1975|1975-1975|||||0||||0|||||Spiral shell with female body||||||photography|collage||||20 x 25 cm||||||||||||||||Cornell||MNW|CLL|8/1/2006 0:00:00|11/15/2004 0:00:00|E218|||0||||||||||||||||||||||||0||||||||||||0|0|Goddess Head|Edelson, Mary Beth 2933.00|0||||||||Hartford Wash: Washing, Tracks, Maintenance: Outside|Artists|Image Source (Book)|||||||Maintenance Art. Hartford Wash: Washing, Tracks, Maintenance: Outside|12014|Ukeles, Mierle Laderman||artist, performance|Mierle Laderman Ukeles|0||||0|||||American|||||||||||Hartford, CT|10318||||||0||||0||||0|Performance Art|Performance art||||20|||1973|1976||1973-1976|1973-1976||Maintenance Art|Series||4728||||0|||||Performance Art||||||performance art|||||||||||Ukeles, Mierle Laderman, 1939-||||||||||Cornell||MNW|MNW|8/19/2005 0:00:00|11/15/2004 0:00:00||||0||||||||||||||||||||||||0||One of a series of seventeen performances; this one occurred in Hartford, CT. Kastner, Land||||||||||0|0|Hartford Wash: Washing, Tracks, Maintenance: Outside|Ukeles, Mierle Laderman 2934.00|0||||||||Burnt Breakfast|||||||||Burnt Breakfast|30397|Richardson, Su||artist|Su Richardson|0||||0|||||English||||||||England||||||0||||0||||0||||0|Needlework (Visual Works)|Crochet||||20|||1975|1977||1975-1977|1975-1977|||||0||||0|||||Crocheted wool|wool|||||crochet|||||ca 23 cm diam||||||||||||||||Cornell||MNW|JNK|1/14/2005 0:00:00|11/15/2004 0:00:00||||0||||||||||||||||||||||||0||Exhibited in Feministo: Portrait of the Artist as a Housewife. Reckitt, Art and Feminism.||||||||||0|0|Burnt Breakfast|Richardson, Su 2935.00|0||||||||A History of Architecture on the Comparative Method for Students, Craftsmen & Amateurs, ninth edition|Assigned|Image Source (Book)|||||||A History of Architecture on the Comparative Method for Students, Craftsmen & Amateurs, ninth edition|30398|Fletcher, Banister, Sir||architect|Sir Banister Fletcher|0||||0|||||English|||Victorian|||||England||||||0||||0||||0||||0|Publications|Book||||20|||1896|||1896|1896|||||0||||0||||||||||||||||||||||Architectural theory ; History ; Buildings ; Architectural drawings ; Plans (drawings) ; |Architectural theory|History|Buildings|Architectural drawings|Plans (drawings)|||||Cornell||JNK|JNK|9/15/2006 0:00:00|11/17/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|A History of Architecture on the Comparative Method for Students, Craftsmen & Amateurs, ninth edition|Fletcher, Banister, Sir 2936.00|0|Architect|08|O-Fletcher|1.0|HisArch|1|O-Fletcher 1.0 HisArch 1|"Tree of Architecture", Frontispiece, p. iii|Assigned|Image Source (Book)|||||||A History of Architecture… "Tree of Architecture", Frontispiece, p. iii|30398|Fletcher, Banister, Sir||architect|Sir Banister Fletcher|0||||0|||||English|||Victorian|Modern||||England||||||0||||0||||0||||0|Publications|Frontispiece (illustration)|Illustration|Book||20|||1931|1931||1931|1931-1931||A History of Architecture on the Comparative Method for Students, Craftsmen & Amateurs, ninth edition|Larger entity||2935||||0||||||||||||||||||||||Architectural theory ; Trees ; History ; Illustrations ; |Architectural theory|Trees|History|Illustrations||||||Cornell||JNK|JNK|9/15/2006 0:00:00|11/17/2004 0:00:00|Fletcher|||0||||||HisArch|O||||||1.0||||||||||Work|0|Theory||||The first edition was published in 1896; this is the 9th edition.|||||||0|0|"Tree of Architecture", Frontispiece, p. iii|Fletcher, Banister, Sir 2937.00|0||||||||Title Pageof Ninth Edition, p. v|Assigned|Image Source (Book)|||||||A History of Architecture…Title Page of Ninth Edition, p. v|30398|Fletcher, Banister, Sir||architect|Sir Banister Fletcher|0||||0|||||English|||Victorian|Modern||||England||||||0||||0||||0||||0|Publications|Book|Illustration|||20|||1931|1931||1931|1931-1931||A History of Architecture on the Comparative Method for Students, Craftsmen & Amateurs, ninth edition|Larger entity||2935||||0||||||||||||||||||||||||||||||||Cornell||JNK|MNW|11/23/2004 0:00:00|11/17/2004 0:00:00||||0||||||||||||||||||||||||0|||||The first edition was published in 1896; this is the nineth edition.|||||||0|0|Title Pageof Ninth Edition, p. v|Fletcher, Banister, Sir 2938.00|0||||||||Table of Contents, p. xi|Assigned|Image Source (Book)|||||||A History of Architecture…Table of Contents, p. xi|30398|Fletcher, Banister, Sir||architect|Sir Banister Fletcher|0||||0|||||English|||Victorian|Modern||||England||||||0||||0||||0||||0|Publications|Illustration|Book|||20|||1931|1931||1931|1931-1931||A History of Architecture on the Comparative Method for Students, Craftsmen & Amateurs, ninth edition|Larger entity||2935||||0||||||||||||||||||||||Architectural theory||||||||||Cornell||JNK|MNW|11/23/2004 0:00:00|11/17/2004 0:00:00||||0||||||||||||||||||||||||0|||||The first edition was published in 1896; this is from the nineth edition.|||||||0|0|Table of Contents, p. xi|Fletcher, Banister, Sir 2939.00|0||||||||The Caribbean Hut as Represented in the Great Exhibition of 1851 Compared with Paxton's Crystal Palace, Which Housed the Exhibition|Assigned|Image Source (Book)|||||||Crystal Palace. The Caribbean Hut as Represented in the Great Exhibition of 1851 Compared to Paxton's Crystal Palace|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Publications|Illustration|||||||||||||Crystal Palace|Larger Context||528||||0||||||||||||||||||||||Hut; Crystal Palace (London, England); Exhibition buildings; Exhibitions||||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|11/17/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|The Caribbean Hut as Represented in the Great Exhibition of 1851 Compared with Paxton's Crystal Palace, Which Housed the Exhibition| 2940.00|0||||||||Design for the Canadian stand, Crystal Palace, London|Assigned|Image Source (Book)|||||||Great Exhibition. Crystal Palace. Design for the Canadian stand, Crystal Palace, London|10746|Semper, Gottfried||architect|Gottfried Semper|0||||0|||||German|||Victorian|||||Germany||||||0||||0||||0||||0|Architecture|Architectural drawing||||19|||1851|1851|ca|ca 1851|ca 1851-1851||Crystal Palace|LargerEntity||528||||0|||||||||||drawing (image-making)|||||||9392|Dresden,Institut für Denkmalpflege|Dresden:Institut für Denkmalpflege||Crystal Palace (London, England); Great Exhibition (1851: London, England)||||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|11/17/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Design for the Canadian stand, Crystal Palace, London|Semper, Gottfried 2941.00|0||||||||Design for the title page.|Assigned|Image Source (Book)|||||||Der Stil in den technischen und tektonischen Künsten oder praktische Ästhetik. Design for the title page.|10746|Semper, Gottfried||architect|Gottfried Semper|0||||0|||||German|||Victorian|||||Germany||||||0||||0||||0||||0|Publications|Book||||19|||1860|1863||1860-1863|1860-1863||Der Stil in den technischen und tektonischen Künsten oder praktische Ästhetik|Larger entity||2911||||0||||||||||||||||||3525|Zurich,Eidgenossischen Technische Hochschule,Semper-Archiv|Zurich: Semper-Archiv||Architectural theory||||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|11/17/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Design for the title page.|Semper, Gottfried 2942.00|0||||||||The Crystal Palace|Assigned|Image Source (Book)|||||||Great Exhibition. The Crystal Palace|30399|Nash, Joseph||lithographer|Joseph Nash|0||||0|||||English|||Victorian|||||England||||||0||||0||||0||||0|Prints|Lithograph||||19|||1851|1854|ca|ca 1851-1854|ca 1851-1854||Great Exhibition (1851 : London, England)|Larger Context||2949||||0|||||Lithograph|ink|paper||||lithography|||||||3943|London,Victoria and Albert Museum|London: Victoria & Albert||Crystal Palace (London, England) ; Great Exhibition (1851: London, England) ; Exhibition buildings ; Exhibitions ; |Crystal Palace (London, England)|Great Exhibition (1851: London, England)|Exhibition buildings|Exhibitions||||||Cornell||JNK|MNW|5/17/2005 0:00:00|11/19/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|The Crystal Palace|Nash, Joseph 2943.00|0||||||||The Foreign Nave on Opening Day (of the Great Exhibition of 1851). The Royal Family, seen on the left, are about to pass the bronze "Amazon"|Assigned|Image Source (Book)|||||||Great Exhibition. The Foreign Nave on Opening Day (of the Great Exhibition of 1851).|30399|Nash, Joseph||painter|Joseph Nash|0||||0|||||English|||Victorian|||||England||||||0||||0||||0||||0|Prints|Lithograph||||19|||1851|1854|ca|ca 1851-1854|ca 1851-1854||Great Exhibition (1851 : London, England)|Larger Context||2949||||0|||||Lithograph|ink|paper||||lithography|||||||3943|London,Victoria and Albert Museum|London: Victoria & Albert||Crystal Palace (London, England) ; Great Exhibition (1851: London, England) ; Exhibition buildings ; Exhibitions ; |Crystal Palace (London, England)|Great Exhibition (1851: London, England)|Exhibition buildings|Exhibitions||||||Cornell||JNK|MNW|3/31/2006 0:00:00|11/19/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|The Foreign Nave on Opening Day (of the Great Exhibition of 1851). The Royal Family, seen on the left, are about to pass the bronze "Amazon"|Nash, Joseph 2944.00|0||||||||The Indian Section (of the Great Exhibition of 1851)|Assigned|Image Source (Book)|||||||The Indian Section (of the Great Exhibition of 1851)|30399|Nash, Joseph||painter|Joseph Nash|0||||0|||||English|||Victorian|||||England||||||0||||0||||0||||0|Prints|Lithograph||||19|||1851|1854|ca|ca 1851-1854|ca 1851-1854||Great Exhibition (1851 : London, England)|Larger Context||2949||||0|||||Lithograph|ink|paper||||lithography|||||||3943|London,Victoria and Albert Museum|London: Victoria & Albert||India ; Great Exhibition (1851: London, England) ; Crystal Palace (London, England) ; Exhibition buildings ; Exhibitions ; |India|Great Exhibition (1851: London, England)|Crystal Palace (London, England)|Exhibition buildings|Exhibitions|||||Cornell||JNK|MNW|5/17/2005 0:00:00|11/19/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|The Indian Section (of the Great Exhibition of 1851)|Nash, Joseph 2945.00|0||||||||Prince Albert's Model Lodging House|Assigned|Image Source (Book)|||||||Great Exhibition. Prince Albert's Model Lodging House|0|||||0||||0|||||English|||Victorian|||||England||||||0||||0|London, England|||10018||||0|Prints|Engraving (Print)|Illustration|||19|||1851|1851||1851|1851-1851||Great ExhibitionGreat Exhibition (1851 : London, England)|Larger Context||||||0|||||Engraving|ink|paper||||engraving (incising)|||||||||||Dwellings||||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|11/19/2004 0:00:00|||Lon|0||||||||||||||||||||||||0||Illustrated in the "Illustrated London News," June, 1851. Prince Albert's Model Lodging House was designed to accommodate four working class families and to allow the addition of a third or fourth story. FFrench.||||||||||0|0|Prince Albert's Model Lodging House| 2948.00|0||||||||Title Page|Assigned|Image Source (Book)|||||||Essai sur l'architecture.Title Page|6791|Laugier, Marc Antoine||author|Marc Antoine Laugier|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Publications|Illustration||||18|||1753|1753||1753|1753-1753||Essai sur l’architecture|LargerEntity||1219||||0||||||||||||||||||||||Architectural theory||||||||||Cornell||JNK|MNW|11/21/2004 0:00:00|11/19/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Title Page|Laugier, Marc Antoine 2949.00|0||02||||||Great Exhibition (1851 : London, England)|Original|LC NAF|||||||Great Exhibition|0|||||0||||0|||||English|||Victorian|||||England||||||0|||||London, England|||10018||||0|Architecture|Exhibition||||19|||1851|1851||1851|1851-1851|||||0||||0||||||||||||||||||||||Great Exhibition (1851: London, England) ; Exhibitions ; |Great Exhibition (1851: London, England)|Exhibitions||||||||Cornell||JNK|MNW|5/17/2005 0:00:00|11/19/2004 0:00:00|||Lon|0|||||||||||||||||||||||Work|0||||||||||||0|0|Great Exhibition (1851 : London, England)| 2950.00|0||07||||||Objects Exhibited at the Great Exhibition of 1851|Descriptive|Cataloger|||||||Great Exhibition. Objects Exhibited at the Great Exhibition of 1851|0|||||0||||0|||||||||||||||||||0||||0|London, England|||10018||||0|Industrial Design||||||||||||||Great Exhibition (1851 : London, England)|LargerEntity||2949||||0||||||||||||||||||||||Great Exhibition (1851: London, England)||||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|11/19/2004 0:00:00|||Lon|0|||||||||||||||||||||||Work|0|||These are objects representing the industrial productions of those countries and colonies exhibiting at the Great Exhibition of 1851.|||||||||0|0|Objects Exhibited at the Great Exhibition of 1851| 2951.00|0||||||||Genital Panic|Artists|Image Source (Book)|||||||Genital Panic|30400|Export, Valie||video artist|Valie Export|0||||0|||||||||||||||||||0||||0|Munich, Germany|||10087||||0|Performance Art|Performance art||||20|||1969|1969||1969|1969-1969|||||0||||0|||||Performance Art||||||performance art|||||||||||Portraits; Export, Valie, 1942-||||||||||Cornell||MNW|JNK|1/14/2005 0:00:00|11/21/2004 0:00:00|||Mun|0||||||||||||||||||||||||0||Dressed in a black shirt, jeans with crotch removed and with a machine gun slung over her sholder, Export entered a sex cinema in Munich. She announced that real female genitals were available and they could do whatever they wished. Reckitt & Phelan.||||||||||0|0|Genital Panic|Export, Valie 2952.00|0||||||||Red Flag|||||||||Red Flag|2274|Chicago, Judy||printmaker|Judy Chicago|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Prints|Photographic print|Lithograph|||20|||1971|1971||1971|1971-1971|||||0||||0|||||Photo lithograph|paper|ink||||photography|lithography||||51 x 61cm||||||Chicago, Judy, 1939-; Portraits||||||||||Cornell||MNW|MNW|11/21/2004 0:00:00|11/21/2004 0:00:00||||0||||||||||||||||||||||||0||A photo lithograph of Judy Chicago from the waist down pulling out a bloody tampon. Reckitt & Phelan.||||||||||0|0|Red Flag|Chicago, Judy 2953.00|0||||||||Untitled (detail)|Artists|Image Source (Book)|||||||Untitled (detail)|30401|Tutti, Cosey Fanni||performance artist|Cosey Fanni Tutti|0||||0|||||British||||||Europe||United Kingdom||||||0||||0||||0||||0|Photographs|Installation (Exhibition)|Documentary photograph|||20|||1976|1976||1976|1976-1976|||||0||||0|||||Black and white photograph||||||Installations|photography||||||9393|London, Institute of Contemporary Arts (ICA)|London: Inst. of Contemp. Arts||Prostitutes; Prostitution||||||||||Cornell||MNW|MNW|6/3/2005 0:00:00|11/21/2004 0:00:00||||0||||||||||||||| |||||||||0||Part of "Prostitution" Project devised by COUM, this material was shown as "Prostitution" at the Institute of Contemporary Arts. Hammer approached procucers of sex magazines and films offering herself as a model without revealing her own project. Reckitt||||||||||0|0|Untitled (detail)|Tutti, Cosey Fanni 2954.00|0||||||||Multiple Orgasm|Artists|Image Source (Book)|||||||Multiple Orgasm|30402|Hammer, Barbara||filmmaker|Barbara Hammer|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Film Stills|Film (Performing arts)|Photographic print|||20|||1976|1976||1976|1976-1976|||||0||||0|||||16 mm color film|film|||||film making|||||||||||Masturbation||||||||||Cornell||MNW|JNK|1/14/2005 0:00:00|11/21/2004 0:00:00||||0||||||||||||||||||||||||0||An image of acve's interior is superimposed upon the artist's filmic view of herself during masturbation. Experimental film. Reckitt.||||||||||0|0|Multiple Orgasm|Hammer, Barbara 2955.00|0||||||||Breast forms Permutated|Artists|Image Source (Book)|||||||Breast forms Permutated|30403|Wilson, Martha Storey||artist|Martha Storey Wilson|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1972|1972||1972|1972-1972|||||0||||0|||||Black and white photograph||||||photography|||||71 x 81 cm||||||Breasts||||||||||Cornell||MNW|MNW|11/21/2004 0:00:00|11/21/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Breast forms Permutated|Wilson, Martha Storey 2956.00|0||||||||Roberta's Body Language Chart|Artists|Image Source (Book)|||||||Roberta's Body Language Chart|5358|Hershman, Lynn||artist|Lynn Hershman|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print||||20|||1976|1976||1976|1976-1976|||||0||||0|||||Gelatin silver print|paper|||||photography|gelatin silver process||||86 x 76 cm||||||||||||||||Cornell||MNW|JNK|1/14/2005 0:00:00|11/21/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Roberta's Body Language Chart|Hershman, Lynn 2957.00|0||||||||Technology/Transformation: Wonder Woman|Artists|Image Source (Book)|||||||Technology/Transformation: Wonder Woman|1191|Birnbaum, Dara||video artist|Dara Birnbaum|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Video Art|Video art||||20|||1978|1979||1978-1979|1978-1979|||||0||||0|||||Color video with sound||||||video|||||6 minutes||||||||||||||||Cornell||MNW|MNW|11/21/2004 0:00:00|11/21/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Technology/Transformation: Wonder Woman|Birnbaum, Dara 2958.00|0||||||||S.O.S. Starification Object Series|Artists|Artist|||||||S.O.S. Starification Object Series|12751|Wilke, Hannah||performance artist|Hannah Wilke|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Photographic print|Performance art|Self portrait||20|||1974|1979||1974-1979|1974-1979|||||0||||0|||||28 black and white photographs||||||photography|performance art||||15 x 10 cm each||||||Wilke, Hannah, 1940-1993; Portraits||||||||||Cornell||MNW|MNW|11/21/2004 0:00:00|11/21/2004 0:00:00|W681|||0||||||||||||||||||||||||0||This photographic series arose from live performances where Wilke, topless, flired with her audience as they chewed pieces of gum, which she then collected and arranged on the surface of her body. Reckitt.||||||||||0|0|S.O.S. Starification Object Series|Wilke, Hannah 2959.00|0||||||||Mirror, Mirror|Artists|Image Source (Book)|||||||Mirror, Mirror|12567|Weems, Carrie Mae||photographer|Carrie Mae Weems|0||||0|||||African American|American|||||||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print||||20|||1987|1988||1987-1988|1987-1988|||||0||||0|||||Gelatin silver print||||||gelatin silver process|photography||||51 x 41 cm||||||Mirrors||||||||||Cornell||MNW|MNW|11/21/2004 0:00:00|11/21/2004 0:00:00|W3974|||0||||||||||||||||||||||||0||||||||||||0|0|Mirror, Mirror|Weems, Carrie Mae 2960.00|0||||||||Back|Artists|Image Source (Book)|||||||Back|10945|Simpson, Lorna||photographer|Lorna Simpson|0||||0|||||African American|American|||||||||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1991|1991||1991|1991-1991|||||0||||0|||||2 color polaroids with 3 plastic plaques||||||photography|||||65.5 x 105.5 cm||||||||||||||||Cornell||MNW|MNW|11/21/2004 0:00:00|11/21/2004 0:00:00|S6135|||0||||||||||||||||||||||||0||||||||||||0|0|Back|Simpson, Lorna 2961.00|0||||||||My Calling Card 1||Image Source (Book)|||||||My Calling Card 1|9249|Piper, Adrian Margaret Smith||conceptual artist|Adrian Piper|0||||0|||||African American|American|||||||United States||||||0||||0||||0||||0|Performance Art|Performance art||||20|||1986|1990||1986-1990|1986-1990|||||0||||0|||||Guerrilla performance with calling card||||||printing|||||5 x 9 cm (calling card)||||||||||||||||Cornell||MNW|MNW|11/21/2004 0:00:00|11/21/2004 0:00:00|P6651|||0||||||||||||||||||||||||0||||||||||||0|0|My Calling Card 1|Piper, Adrian Margaret Smith 2962.00|0||||||||Untitled (Your Body is a Battle Ground)|Artists|Image Source (Book)|||||||Untitled (Your Body is a Battle Ground)|6561|Kruger, Barbara||conceptual artist|Barbara Kruger|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Prints|Screen print|Poster|||20|||1989|1989||1989-1989|1989-1989|||||0||||0|||||Photographic silkscreen on vinyl|vinyl|||||printing|screen printing||||61 x 61 cm||||||||||||||||Cornell||MNW|MNW|11/21/2004 0:00:00|11/21/2004 0:00:00|K944|||0||||||||||||||||||||||||0||||||||||||0|0|Untitled (Your Body is a Battle Ground)|Kruger, Barbara 2963.00|0||||||||Do Women Have to Be Naked to Get Into the Met. Museum?|Artists|Image Source (Book)|||||||Do Women Have to Be Naked to Get Into the Met. Museum?|29478|Guerrilla Girls||group of artists|Guerrilla Girls|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Posters|Poster||||20|||1989|1989||1989|1989-1989|||||0||||0|||||Poster||||||printing|||||||||||||||||||||Cornell||MNW|MNW|11/21/2004 0:00:00|11/21/2004 0:00:00||||0||||||||||||||||||||||||0||Originally intended for a billboard, this poster was rejected by the Public Art fund in New York and was subsequently self-funded and displayed on the buses and streets of New York. Reckitt.||||||||||0|0|Do Women Have to Be Naked to Get Into the Met. Museum?|Guerrilla Girls 2964.00|0||||||||Anthropometry of the Blue Epoch|Artists|Image Source (Book)|||||||Anthropometry of the Blue Epoch|6340|Klein, Yves||painter|Yves Klein|0||||0|||||French||||||||France||||||0||||0||||0||||0|Performance Art|Performance art|Body Art||||||1960|1960||1960|1960-1960|||||0||||0|||||Performance Art|paint|||||body art|performance art||||||9394|Paris, Paris, Galerie Internationale d’Art Contemporain|Paris: Gal. Int'l d'Art Contemporain||||||||||||Cornell||MNW|JNK|1/14/2005 0:00:00|11/21/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Anthropometry of the Blue Epoch|Klein, Yves 2965.00|0||||||||First Shooting Impasse Ronsin|Artists|Image Source (Book)|||||||First Shooting Impasse Ronsin|10291|Saint-Phalle, Niki de||performance artist|Niki de Saint-Phalle|0||||0|||||French||||||||France|||Paris, France|||10058||||0||||||||0|Performance Art|Performance art||||20|||1961|1961||1961|1961-1961|||||0||||0|||||Performance Art||||||performance art|||||||||||Saint-Phalle, Niki de, 1930-2002 ; Rifles (long guns) ; |Saint-Phalle, Niki de, 1930-2002|Rifles (long guns)||||||||Cornell||MNW|MNW|2/7/2006 0:00:00|11/21/2004 0:00:00|S149|||0||||||||||||||||||||||||0||A Fire at Will painting.||||||||||0|0|First Shooting Impasse Ronsin|Saint-Phalle, Niki de 2966.00|0||||||||Vagina Painting|Artists|Image Source (Book)|||||||Vagina Painting|14621|Kubota, Shigeko||performance artist|Shigeko Kubota|0||||0|||||Japanese||||||||Japan||||||0||||0|New York, NY|||10060||||0|Performance Art|Performance art||||20|||1965|1965||1965|1965-1965|||||0||||0|||||Performance art||||||performance art|||||||||||||||||||||Cornell||MNW|JNK|1/14/2005 0:00:00|11/21/2004 0:00:00|K953||NYC|0||||||||||||||||||||||||0||Performed at "Perpetual Fluxfest" in New York.||||||||||0|0|Vagina Painting|Kubota, Shigeko 2967.00|0||||||||Red Not Blue|Artists|Image Source (Book)|||||||Red Not Blue|6663|Lachowicz, Rachel||sculptor|Rachel Lachowicz|0||||0|||||American||||||||United States||||||0||||0|Santa Monica, CA|||10254||||0|Performance Art|Performance art|Body Art|||20|||1992|1992||1992|1992-1992|||||0||||0|||||Performance Art; Body Art||||||body art|performance art||||||||||||||||||||Cornell||MNW|JNK|1/14/2005 0:00:00|11/21/2004 0:00:00||||0||||||||||||||||||||||||0||This feminist critque of Yves Klein's Anthropometries was presented in a performance at Shoshana Wayne Gallery, Santa Monica, CA. Tracey Warr.||||||||||0|0|Red Not Blue|Lachowicz, Rachel 2968.00|0||||||||Leap Into the Void|Artists|Image Source (Book)|A Man in Space|Artists|Image Source (Book)||||Leap Into the Void|6340|Klein, Yves||painter|Klein, Yves|30404|Shunk, Harry||photographer|0|||||French||||||||France||||||0||||0||||0||||0|Photographs|Documentary photograph|Performance art|Self portrait||20|||1960|1960||1960|1960-1960|||||0||||0|||||Black and white photograph||||||photography|performance art||||Variable dimensions||||||Klein, Yves, 1928-1962; Suicides; Portraits||||||||||Cornell||MNW|JNK|1/14/2005 0:00:00|11/21/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Leap Into the Void;A Man in Space|Klein, Yves;Shunk, Harry 2969.00|0||||||||Cut Piece|Artists|Image Source (Book)|||||||Cut Piece|8720|Ono, Yoko|||Ono, Yoko|0||||0|||||Japanese|American|||||||||||||0||||0|Kyoto, Japan|||10319||||0|Performance Art|Performance art||||20|||1964|1966||1964-1966|1964-1966|||||0||||0|||||Performance Art||||||performance art|||||||||||Ono, Yoko, 1933-; Portraits||||||||||Cornell||MNW|JNK|1/14/2005 0:00:00|11/22/2004 0:00:00|||Kyo|0||||||||||||||||||||||||0||Ono sat on stage and invited the audience to come and cut away her clothing. Performed at the Yamaichi Concert Hall, Kyoto; also performed in 1966 at the "Destruction Art" symposium in London, England. Warr||||||||||0|0|Cut Piece|Ono, Yoko 2991.00|0||||||||So Help Me Hannah|Artists|Image Source (Book)|||||||So Help Me Hannah|12751|Wilke, Hannah||sculptor|Hannah Wilke|0||||0|||||American||||||||United States||||||0||||0|New York, NY|||10060||||0|Photographs|Photographic print|Self portrait|||20|||1978|1984||1978-1984|1978-1984|||||0||||0|||||Black and white photographs|photo paper|||||photography|||||152 x 102 cm each||||||Wilke, Hannah, 1940-1993; Portraits||||||||||Cornell||MNW|MNW|11/23/2004 0:00:00|11/23/2004 0:00:00|||NYC|0||||||||||||||||||||||||0||Hannah Wilke made a series titled "So Help Me Hannah" of "peformalist self-portrait photographs as P.S. 1, New York, posing with a gun, naked and in high heels in a variety of run-down spaces.||||||||||0|0|So Help Me Hannah|Wilke, Hannah 2994.00|0||||||||Opportunity Makes Relations as it Makes Thieves|Artists|Image Source (Book)|||||||So Help Me Hannah. Opportunity Makes Relations as it Makes Thieves|12751|Wilke, Hannah||sculptor|Hannah Wilke|0||||0|||||American||||||||United States||||||0||||0|New York, NY|||10060||||0|Photographs|Photographic print|Self portrait|||20|||1978|1984||1978-1984|1978-1984||So Help Me Hannah|Series||2991||||0|||||Black and white photograph|photo paper|||||photography|||||152 x 102 cm||||||Wilke, Hannah, 1940-1993; Portraits||||||||||Cornell||MNW|MNW|11/23/2004 0:00:00|11/23/2004 0:00:00|W681||NYC|0||||||||||||||||||||||||0||Hannah Wilke made a series titled "So Help Me Hannah" of "peformalist self-portrait photographs as P.S. 1, New York, posing with a gun, naked and in high heels in a variety of run-down spaces.||||||||||0|0|Opportunity Makes Relations as it Makes Thieves|Wilke, Hannah 2995.00|0||||||||His Farced Epistol (Joyce)|Artists|Image Source (Book)|||||||So Help Me Hannah. His Farced Epistol (Joyce)|12751|Wilke, Hannah||sculptor|Hannah Wilke|0||||0|||||American||||||||United States||||||0||||0|New York, NY|||10060||||0|Photographs|Photographic print|Self portrait|||20|||1978|1984||1978-1984|1978-1984||So Help Me Hannah|||2991||||0|||||Black and white photograph|photo paper|||||photography|||||152 x 102 cm||||||Wilke, Hannah, 1940-1993; Portraits||||||||||Cornell||MNW|JNK|1/14/2005 0:00:00|11/23/2004 0:00:00|||NYC|0||||||||||||||||||||||||0||Hannah Wilke made a series titled "So Help Me Hannah" of "peformalist self-portrait photographs as P.S. 1, New York, posing with a gun, naked and in high heels in a variety of run-down spaces.||||||||||0|0|His Farced Epistol (Joyce)|Wilke, Hannah 2996.00|0||||||||Intra-Venus|Artists|Image Source (Book)|||||||Intra-Venus|12751|Wilke, Hannah||performance artist|Hannah Wilke with Donald Goddard|30410|Goddard, Donald||photographer|0|||||American||||||||United States||||||0||||0|New York, NY|||10060||||0|Photographs|Photographic print|Self portrait|||20|||1993|1993||1993|1993-1993|||||0||||0|||||Black and white photographs|photo paper|||||photography|||||121 x 182 cm each||||||Wilke, Hannah, 1940-1993; Portraits||||||||||Cornell||MNW|MNW|11/23/2004 0:00:00|11/23/2004 0:00:00|||NYC|0||||||||||||||||||||||||0||"Intra-Venus" was made while Wilke was dying of Lymphoma. The work consists of a series of life-sized color photographs of her swollen and bruised body displaying the deforming effects of cancer treatment. Warr||||||||||0|0|Intra-Venus|Wilke, Hannah;Goddard, Donald 2997.00|0||||||||L'Origine du monde|Assigned|Image Source (Book)|The Origin of the World|Translated|Image Source (Book)||||L'Origine du monde (the Origin of the World)|2648|Courbet, Gustave||painter|Gustave Courbet|0||||0|||||French|||Realist|||||France||||||0||||0||||0||||0|Paintings|Oil painting|||||||1866|1866||1866|1866-1866|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||46 x 55 cm||2196|Paris,Musee d'Orsay|Paris: Musee d'Orsay||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|11/23/2004 0:00:00||||0||RF1995-10||||||||||||| |||||||||0||||||||||||0|0|L'Origine du monde;The Origin of the World|Courbet, Gustave 2998.00|0|||B-H3|Rom|3.1|Gesu||Il Gesu; Triumph of the Name of Jesus||||||||||0|Vignola, Giacomo Barozzi da||||0||||0|||||||||||||||||||0||||0||||0||||0|||||||||||||1568-1679|||||0||||0|||||Fresco|||||||||||||||||||||||||||Cornell|||||||||0||||||||||||||||||||||||0||||||||||||0|0|| 2999.00|0|Site|02|B-H3|Rom|3.1 Gesu|Gesu|B-H3 Rom 3.1 Gesu|Altar of San Francis Xavier|Assigned|Image Source (Pub)|||||||Il Gesu. Altar of San Francis Xavier|31159|Berrettini, Luca||architect|Luca Berrettini|0||||0|||||Italian|||Baroque|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Altar||||17|||1674|1678||1674-1678|1674-1678||Il Gesu|Larger entity||2564||||0||||||||||||||||||||||Altars ; Saint Francis Xavier ; Reliquaries ; Broken pediments ; Saints ; |Altars|Saint Francis Xavier|Reliquaries|Broken pediments|Saints|||||Cornell||JNK|MNW|5/25/2006 0:00:00|2/20/2006 0:00:00||Rom||0||||||Gesu|B|||||H3|3.1||||||||||Work|0|Architecture-Italy|Located in the South Transept. Based on a drawing by Pietro da Cortona (Berrettini's uncle). Redesigned by Antonio Sarti in 1840.||||||||||0|0|Altar of San Francis Xavier|Berrettini, Luca 3000.00|0|Site|02|B-H3|Rom|3.1 Gesu||B-H3 Rom 3.1 Gesu |Altar-tomb of Saint Ignatius|Assigned|Blue Guide|||||||Il Gesu. Altar-tomb of Saint Ignatius|9450|Pozzo, Andrea||painter|Andrea Pozzo|0||||0|||||Italian|||Baroque|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Altar|Tomb|||17|18||1695|1700||1695-1700|1695-1700||Il Gesu|Larger entity||2564||||0||||||||||||||||||||||Chapel of the Holy Shroud, Turin, Italy ; Saint Ignatius ; Tombs ; |Chapel of the Holy Shroud, Turin, Italy|Saint Ignatius|Tombs|||||||Cornell||JNK|MNW|5/25/2006 0:00:00|2/20/2006 0:00:00||Rom||0||||||Gesu|B|||||H3|3.1||||||||||Work|0|Architecture-Italy|Located in the North Transept.||||||||||0|0|Altar-tomb of Saint Ignatius|Pozzo, Andrea 3001.00|0|Site|02|B-H3|Rom|3.1 Gesu|Gesu||Adoration of the Lamb|Assigned|Print Publication|||||||Il Gesu. Adoration of the Lamb|4346|Gaulli, Giovanni Battista||painter|Giovanni Battista Gaulli (Baciccio)|0||||0|||||Italian|||Baroque|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Paintings|Fresco|Painting|||17|||1676|1679||1676-1679|1676-1679||Il Gesu|Larger entity||2564||||0|||||Fresco|frescoes|||||painting (image-making)|fresco painting||||||||||Adoration of the Lamb ; |Adoration of the Lamb|||||||||Cornell||JNK|JNK|2/20/2006 0:00:00|2/20/2006 0:00:00||Rom||0||||||Gesu|B|||||H3|3.1||||||||||Work|0|Architecture-Italy|This fresco is located above the High Altar in the apse.||||||||||0|0|Adoration of the Lamb|Gaulli, Giovanni Battista 3002.00|0|Site|02|B-H3|Rom|3.1|Gesu|B-H3 Rom 3.1 Gesu|Triumph of the Name of Jesus|Assigned|Dict.Art|Triumph of the Sacred Name of Jesus|Variant|Image Source (Pub)||||Il Gesu. Triumph in the Name of Jesus|4346|Gaulli, Giovanni Battista||painter|Giovanni Battista Gaulli|0||||0|||||Italian|||Baroque|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Paintings|Fresco|Painting|||17|||1676|1679||1676-1679|1676-1679||Il Gesu|LargerEntity||2564||||0|||||||||||fresco painting|||||||||||Christ ; Processions ; Heaven ; God the Father ; Angels ; |Christ|Processions|Heaven|God the Father|Angels|||||Cornell||MNW|MNW|10/30/2006 0:00:00|8/12/2005 0:00:00||Rom||0||||||Gesu|B|||||H3|3.1||||||||||Work|0||Vault fresco.||||||||||0|0|Triumph of the Name of Jesus;Triumph of the Sacred Name of Jesus|Gaulli, Giovanni Battista 3003.00|0||||||||The Canadian Section (of the Great Exhibition of 1851)|Assigned|Image Source (Book)|||||||The Canadian Section (of the Great Exhibition of 1851)|30399|Nash, Joseph||painter|Joseph Nash|0||||0|||||English|||Victorian|||||England||||||0||||0||||0||||0|Prints|Lithograph||||19|||1851|1854||1851-1854|1851-1854||Great Exhibition (1851 : London, England)|Referenced by||2949||||0|||||Chromolithograph|ink|paper||||chromolithography|||||||3943|London: Victoria and Albert Museum|London: Victoria & Albert||Great Exhibition (1851: London, England) ; Exhibitions ; Crystal Palace (London, England) ; Exhibition buildings ; Canada ; |Great Exhibition (1851: London, England)|Exhibitions|Crystal Palace (London, England)|Exhibition buildings|Canada|||||Cornell||JNK|MNW|5/17/2005 0:00:00|11/23/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|The Canadian Section (of the Great Exhibition of 1851)|Nash, Joseph 3004.00|0||||||||Canadian Trophy|Assigned|Image Source (Book)|||||||The Canadian Section (of the Great Exhibition of 1851). Canadian Trophy|30399|Nash, Joseph||painter|Joseph Nash|0||||0|||||English|||Victorian|||||England||||||0||||0||||0||||0|Prints|Lithograph||||19|||1851|1854||1851-1854|1851-1854||The Canadian Section (of the Great Exhibition of 1851)|LargerEntity||3003||||0||||||paper|ink||||lithography|||||||3943|London: Victoria and Albert Museum|London: Victoria & Albert||Great Exhibition (1851: London, England) ; Canada ; |Great Exhibition (1851: London, England)|Canada||||||||Cornell||JNK|MNW|5/17/2005 0:00:00|11/23/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Canadian Trophy|Nash, Joseph 3005.00|0||||||||Sketch of the Canadian Section of the Great Exhibition|Assigned|Image Source (Book)|||||||Sketch of the Canadian Section of the Great Exhibition|10746|Semper, Gottfried||architect|Gottfried Semper|0||||0|||||German|||Victorian|||||Germany||||||0||||0||||0||||0|Drawings|Drawing||||19|||1851|1851||1851|1851-1851|||||0||||0|||||pencil and watercolor|pencil|watercolors||||drawing (image-making)|||||50 c 65.8 cm||9392|Dresden: Institut für Denkmalpflege|Dresden:Institut für Denkmalpflege||Great Exhibition (1851: London, England) ; Crystal Palace (London, England) ; Exhibition buildings ; Exhibtions ; Canada ; |Great Exhibition (1851: London, England)|Crystal Palace (London, England)|Exhibition buildings|Exhibtions|Canada|||||Cornell||JNK|MNW|5/17/2005 0:00:00|11/23/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Sketch of the Canadian Section of the Great Exhibition|Semper, Gottfried 3006.00|0||||||||Biologia Centrali-Americana|Assigned|Image Source (Book)|||||||Biologia Centrali-Americana|30411|Maudslay, Alfred Percival||archaeologist|Alfred Percival Maudslay|0||||0|||||English||||||||England||||||0||||0||||0||||0|Publications|Book||||19|20||1889|1902||1889-1902|1889-1902|||||0||||0|||||||||||photography|||||||||||Archaeology ; |Archaeology|||||||||Cornell||JNK|MNW|2/7/2005 0:00:00|11/23/2004 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Biologia Centrali-Americana|Maudslay, Alfred Percival 3007.00|0||||||||View of the West Plaza and Tower of the Palace of Palenque|Assigned|Image Source (Book)|||||||Biologia Centrali-Americana. View of the west plaza and tower of the Palace of Palenque|30411|Maudslay, Alfred Percival||archaeologist|Alfred Percival Maudslay|0||||0|||||English||||||||England||||||0||||0||||0||||0|Photographs|Documentary photograph||||19|20||1889|1902||1889-1902|1889-1902||Biologia Centrali-Americana|Larger entity||3006||||0|||||Black and white photograph||||||photography|||||||||||Palenque (deserted settlement), Mexico ; Palaces ; Archaeology ; |Palenque (deserted settlement), Mexico|Palaces|Archaeology|||||||Cornell||JNK|JNK|2/20/2006 0:00:00|11/23/2004 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|View of the West Plaza and Tower of the Palace of Palenque|Maudslay, Alfred Percival 3008.00|0||||||||Picturesque View and Elevation in Oils of the Ruined Façade of the Palace of Palenque|Assigned|Image Source (Book)|||||||Picturesque View and Elevation in Oils of the Ruined Façade of the Palace of Palenque|30412|Waldeck, Johann Friedrich||painter|Johann Friedrich Waldeck|0||||0|||||Austrian||||||||Austria||||||0||||0||||0||||0|Paintings|Oil painting||||19|||1801|1899|ca|19th century|ca 1801-1899|||||0||||0|||||Oil|oil paint|||||painting (image-making)|||||||2171|Paris, Bibliotheque Nationale, Cabinet des Estampes|Paris: Bib. Nat.; Cab. des Estampes||Palaces ; Palenque, Mexico (deserted settlement) ; Mexico ; |Palaces|Palenque, Mexico (deserted settlement)|Mexico|||||||Cornell||MNW|JNK|1/6/2006 0:00:00|2/7/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Picturesque View and Elevation in Oils of the Ruined Façade of the Palace of Palenque|Waldeck, Johann Friedrich 3009.00|0||||||||Dresden Codex|Assigned|Image Source (Book)|Codex Dresdenis|Variant|Online Resource||||Dresden Codex|0|||||0||||0|||||Mayan||||||||Mexico||||||0||||0||||0||||0|Illuminated Manuscripts|Book|Illumination (Layout feature)|||13|||1200|1250||1200-1250|1200-1250|||||0||||0||||||||||||||||||9349|Dresden,Sächsische Landesbibliothek|Dresden: Sächsische Landesbibliothek||Calendars ; |Calendars|||||||||Cornell||MNW|JNK|11/24/2004 0:00:00|2/7/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Dresden Codex;Codex Dresdenis| 3010.00|0|Site|02|B-H3|Cap|7.1 Far|PalF|B-H3 Cap 7.1 Far|Villa Farnese|Assigned|Blue Guide|Palazzo Farnese|Assigned|Collection||||Villa Farnese|12282|Vignola, Giacomo Barozzi da||architect|Giacomo Barozzi da Vignola (and others)|0||||0|||||Italian|||Renaissance|Mannerist||||Italy||||||0|Caprarola, Italy|||10327||||0||||0|Architecture|Villa||||16|||1559|1573||1559-1573|1559-1573|||||0||||0||||||||||||||||||||||Palazzo Farnese (Caprarola, Italy); Villa Farnese, Caprarola, Italy||||||||||Cornell|||JNK|1/13/2005 0:00:00|||Cap||0||||||PalF|B|||||H3|7.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|Villa Farnese;Palazzo Farnese|Vignola, Giacomo Barozzi da 3011.00|0|Site|02|B-H3|Cap|7.1 Far|Far|B-H3 Cap 7.1 Far|View of Caprarola and Villa Farnese|||||||||Villa Farnese. View of Caprarola and Villa Farnese|13136|Zuccaro, Federico||painter|Federico Zuccaro|0||||0|||||||||||||||||||0|Caprarola, Italy|||10327||||0||||0|Paintings|Fresco||||16|||1567|1567||1567|1567-1567||Villa Farnese|Larger context||3010||||0|||||Fresco||||||fresco painting|||||||||Villa Farnese||Caprarola, Italy; Villa Farnese, Caprarola, Italy||||||||||Cornell||MNW|MNW|11/23/2004 0:00:00|3/31/2006 0:00:00||Cap||0||||||Far|B|||||H3|7.1||||||||||Work|0|Architecture-Italy|||||||||||0|0||Zuccaro, Federico 3012.00|0|Site|02|B-H3|Cap| 7.1|PalF|B-H3 Cap 7.1 PalF|Villa Farnese|||||||||Villa Farnese. Villa Farnese|12180|Vasi, Giuseppe||printmaker|Giuseppe Vasi|0||||0|||||Italian||||||||Italy||||||0||||0||||0||||0|Prints|Engraving (Print)|||||||||||||Villa Farnese|Larger Context||3010||||0||||||||||||||||||||||Villa Farnese, Caprarola, Italy; Caprarola, Italy||||||||||Cornell||MNW|MNW|11/23/2004 0:00:00|3/31/2006 0:00:00||Cap||0||||||Cap|B|||||H3|7.1||||||||||Work|0|Architecture-Italy|||||||||||0|0||Vasi, Giuseppe 3013.00|0|Site|02|B-H3|Cap|7.1 Far/Pal|Far/Pal|B-H3 Cap 7.1 Far/Pal|Palazzina|||||||||Villa Farnese. Palazzina|3037|Del Duca, Giacomo|attributed to|architect|Giacomo Del Duca (attributed to)|0||||0|||||Italian|||Renaissance|||||Italy||||||0|Caprarola, Italy|||10327||||0||||0|Architecture||||||||1584|1616||1584-1626|1584-1626||Villa Farnese|LargerEntity||3010||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|5/4/2005 0:00:00|5/4/2005 0:00:00||Cap||0||||||Far/Pal|B|||||H3|7.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|Palazzina|Del Duca, Giacomo 3014.00|0|||B-H3|Cap|7.1|Far/Pal||Villa Farnese; Palazzina||||||||||0|Duca, Giacomo del, Attributed to||||0||||0|||||||||||||||||||0||||0||||0||||0||||||||||||||||||0||||0||||||||||||||||||||||||||||||||Cornell|||||||||0||||||||||||||||||||||||0||||||||||||0|0|| 2970.00|0||||||||Mirror Check|Artists|Image Source (Book)|||||||Mirror Check|6015|Jonas, Joan||performance artist|Joan Jonas|0||||0|||||American||||||||United States||||||0||||0|Los Angeles, CA|||10085||||0|Performance Art|Performance art||||20|||1970|1970||1970|1970-1970|||||0||||0|||||Performance Art||||||performance art|||||||||||Portraits; Jonas, Joan, 1936-||||||||||Cornell||MNW|JNK|1/14/2005 0:00:00|11/22/2004 0:00:00|||LosA|0||||||||||||||||||||||||0||||||||||||0|0|Mirror Check|Jonas, Joan 2971.00|0||||||||Carving: a Traditional Sculpture|Artists|Image Source (Book)|||||||Carving: a Traditional Sculpture|438|Antin, Eleanor||conceptual artist|Eleanor Antin|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph|Self portrait|||20|||1972|1973||1972-1973|1972-1973|||||0||||0|||||144 photographs and text|photo paper|texts||||photography|||||18 x 12.5 cm each||4073|Chicago,Art Institute of Chicago|Chicago: Art Institute||Antin, Eleanor, 1935-; Portraits||||||||||Cornell||MNW|MNW|11/22/2004 0:00:00|11/22/2004 0:00:00||||0||||||||||||||| |||||||||0||This work was carved during the period between 7/15 and8/ 21/1972. The artist's body was photographed every moring in four positions--front, back, right and left profile--to depict the process of "carving" down during a strict dieting regime. Warr.|||July 15, 1972-August 21, 1972|||||||0|0|Carving: a Traditional Sculpture|Antin, Eleanor 2972.00|0||||||||Up To and Including Her Limits|Artists|Image Source (Book)|||||||Up To and Including Her Limits|10563|Schneemann, Carolee||performance artist|Carolee Schneemann|0||||0|||||American||||||||United States||||||0||||0|New York, NY|||10060||||0|Performance Art|Installation (Exhibition)|Performance art|Self portrait||20|||1973|1976||1973-1976|1973-1976|||||0||||0|||||Performance Art; Installation||||||performance art|Installations||||||||||Schneemann, Carolee, 1939-; Portraits||||||||||Cornell||MNW|JNK|1/14/2005 0:00:00|11/22/2004 0:00:00|||NYC|0||||||||||||||||||||||||0||First performed in an empty boxcar in Grand Central Station, New York, NY.||||||||||0|0|Up To and Including Her Limits|Schneemann, Carolee 2973.00|0||||||||80th Action: Orgies-Mysteries Theatre|Artists|Image Source (Book)|Three Day Play||||||80th Action: Orgies-Mysteries Theatre (Three Day Play)|8552|Nitsch, Hermann||performance artist|Hermann Nitsch|0||||0|||||Austrian||||||||Austria||||||0||||0|Schloss Prinzendorf, near Vienna, Austria|||10320||||0|Performance Art||||||||1984|1984||1984|1984-1984|||||0||||0|||||Bull and 11 sheep||||||performance art|||||||||||||||||||||Cornell||MNW|MNW|11/22/2004 0:00:00|11/22/2004 0:00:00||||0||||||||||||||||||||||||0||This is a large-scale Gesamtkunstwerk, the form of which, as a six-day festival, was first thought up in 1957 and entitled the Orgies–Mysteries Theatre. DOA|||First performance = Sunrise July 26-sunrise July 27, 1975; second performance = 1984.| Schloss Prinzendorf, near Vienna||||||0|0|80th Action: Orgies-Mysteries Theatre;Three Day Play|Nitsch, Hermann 2974.00|0||||||||Material Action No. 1: Degradation of a Venus|Artists|Image Source (Book)|||||||Material Action No. 1: Degradation of a Venus|30189|Muehl, Otto||performance artist|Otto Muehl|0||||0|||||Austrian||||||||Austria||||||0||||0|Vienna, Austria|||10321||||0|Performance Art|Performance art||||20|||1963|1963||1963|1963-1963|||||0||||0|||||Performance art||||||performance art|||||||||||||||||||||Cornell||MNW|JNK|1/14/2005 0:00:00|11/22/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Material Action No. 1: Degradation of a Venus|Muehl, Otto 2975.00|0||||||||Pissaction|Artists|Image Source (Book)|||||||Pissaction|30189|Muehl, Otto||performance artist|Otto Muehl|0||||0|||||Austrian||||||||Austria||||||0||||0|Munich, Germany|||10087||||0|Performance Art|Performance art|Self portrait|||20|||1968|1969||1968-1969|1968-1969|||||0||||0|||||||||||performance art|||||||||||Muehl, Otto, 1925-; Portraits||||||||||Cornell||MNW|MNW|11/22/2004 0:00:00|11/22/2004 0:00:00|||Mun|0||||||||||||||||||||||||0||Standing naked on the stage, Muehl urinated into the mouth of his friend and fellow actionist, Günter Brus. Warr.||||||||First carried out in Munich, Germany. Peformed at Hamburg Film Festival, 1969.||0|0|Pissaction|Muehl, Otto 2976.00|0||||||||Death of a Chicken|Artists|Image Source (Book)|||||||Death of a Chicken|7872|Mendieta, Ana||sculptor|Mendieta, Ana|0||||0|||||Cuban||||||||Cuba||||||0||||0|Iowa City, IA|||10322||||0|Performance Art|Performance art|Self portrait|||20|||1972|1972||1972|1972-1972|||||0||||0|||||Performance Art||||||performance art|||||||||||Mendieta, Ana, 1948-1985; Portraits; Chickens||||||||||Cornell||MNW|JNK|1/14/2005 0:00:00|11/22/2004 0:00:00||||0||||||||||||||||||||||||0||Mendieta stood naked holding a chicken that had just been beheaded. Warr.||||||||Performance took place at the University of Iowa.||0|0|Death of a Chicken|Mendieta, Ana 2977.00|0||||||||Post-Porn Modernist Show|Artists|Image Source (Book)|||||||Post-Porn Modernist Show|30224|Sprinkle, Annie||performance artist|Annie Sprinkle|0||||0|||||American||||||||United States||||||0||||0|New York, NY|||10060||||0|Performance Art|Performance art|Self portrait|||20|||1992|1992||1992|1992-1992|||||0||||0|||||Performance art||||||performance art|||||||||||Sprinkle, Annie, 1955-; Portraits; Prostitutes||||||||||Cornell||MNW|JNK|1/14/2005 0:00:00|11/22/2004 0:00:00|||NYC|0||||||||||||||||||||||||0||The performance involved Sprinkle masturbating to orgasm with a vibrator. Warr.||||||||First performed in a lower Manhattan burlesque theater. Warr.||0|0|Post-Porn Modernist Show|Sprinkle, Annie 2978.00|0||||||||Balkan Baroque|Artists|Artist|||||||Balkan Baroque|149|Abramovic, Marina||performance artist|Marina Abrovic|0||||0|||||Serbian||||||||||||||0||||0|Venice, Italy|||10017||||0|Performance Art|Performance art||||20|||1997|1997||1997|1997-1997|||||0||||0|||||Performance Art|bone|||||performance art|||||||||||Abramovic, Marina, 1946-; Portraits; War memorials||||||||||Cornell||MNW|JNK|1/14/2005 0:00:00|11/22/2004 0:00:00|A1613||Ven|0||||||||||||||||||||||||0||Gesture of mourning and healing for the civil wars in the Balkans. Warr||||||||Performed at the XLVI Venice Biennale.||0|0|Balkan Baroque|Abramovic, Marina 2979.00|0||||||||Aus der Mappe der Hundigkeit|Artists|Image Source (Book)|From the Portfolio of Doggishness|Translated|Image Source (Book)||||Aus der Mappe der Hundigkeit (From the Portfolio of Doggishness)|30400|Export, Valie||performance artist|Valie Export and Peter Weibel|30405|Weibel, Peter||performance artist|0|||||Austrian||||||||Austria||||||0||||0|Vienna, Austria|||10321||||0|Performance Art|Performance art|Self portrait|||20|||1968|1968||1968|1968-1968|||||0||||0|||||Performance art||||||performance art|||||||||||Export, Valie, 1942-; Weibel, Peter, 1945-; Portraits||||||||||Cornell||MNW|JNK|1/14/2005 0:00:00|11/22/2004 0:00:00||||0||||||||||||||||||||||||0||Weibel crawled around the city of Vienna on a lead held by Export. Warr||||||||||0|0|Aus der Mappe der Hundigkeit;From the Portfolio of Doggishness|Export, Valie;Weibel, Peter 2980.00|0||||||||Eros/ion|Artists|Image Source (Book)|||||||Eros/ion|30400|Export, Valie||video artist|Valie Export|0||||0|||||Austrian||||||||Austria||||||0||||0|Vienna, Austria|||10321||||0|Performance Art|Performance art|Self portrait||||||1971|1971||1971|1971-1971|||||0||||0|||||Performance Art||||||performance art|||||||||||Export, Valie, 1942-; Portraits||||||||||Cornell||MNW|JNK|1/14/2005 0:00:00|11/22/2004 0:00:00||||0||||||||||||||||||||||||0||"I first rolled naked on the glass sheet, then in the glass splinters, and finally on the paper screen…" Warr||||||||||0|0|Eros/ion|Export, Valie 2981.00|0||||||||Peepshow or Endless Love Show|Artists|Image Source (Book)|||||||Peepshow or Endless Love Show|6611|Kusama, Yayoi||sculptor|Yayoi Kusama|0||||0|||||Japanese||||||||||||||0||||0||||0||||0|Installations|Installation (Exhibition)||||20|||1966|1966||1966|1966-1966|||||0||||0|||||Mirrors and colored lights|mirror|electric lighting||||Installations|||||210 x 240 x 205 cm||4237|New York,Castellane Gallery|New York: Castellane Gal.||||||||||||Cornell||MNW|MNW|11/22/2004 0:00:00|11/22/2004 0:00:00|K971|||0||||||||||||||| |||||||||0||||||||||||0|0|Peepshow or Endless Love Show|Kusama, Yayoi 2982.00|0||||||||Feed Me|Artists|Image Source (Book)|||||||Feed Me|30406|Smith, Barbara Turner||performance artist|Barbara Turner Smith|0||||0|||||American||||||||United States||||||0||||0|San Francisco, CA|||10323||||0|Performance Art|Performance art|Self portrait|||20|||1973|1973||1973|1973-1973|||||0||||0|||||Performance Art||||||performance art|||||||||||Smith, Barbara, 1931-; Portraits||||||||||Cornell||MNW|JNK|1/14/2005 0:00:00|11/22/2004 0:00:00|||SanF|0||||||||||||||||||||||||0||Staged at an evening event at the San Francisco Museum of Contemporary Art.||||||||||0|0|Feed Me|Smith, Barbara Turner 2983.00|0||||||||Rhythm 0|Artists|Image Source (Book)|||||||Rhythm 0|149|Abramovic, Marina||performance artist|Marina Abrovic|0||||0|||||Serbian||||||||||||||0||||0|Naples, Italy|||10324||||0|Performance Art|Performance art|Self portrait|||20|||1974|1974||1974|1974-1974|||||0||||0|||||Performance art||||||performance art|||||||||||Abramovic, Marina, 1946-; Portraits||||||||||Cornell||MNW|JNK|1/14/2005 0:00:00|11/22/2004 0:00:00|||Nap|0||||||||||||||||||||||||0||In an evening performance exploring the dynamics of passive agression. Abramovic stood by a table and offered herself passively to spectators, who could do what they liked with a range of objects and her body. Warr.||||||||||0|0|Rhythm 0|Abramovic, Marina 2984.00|0||||||||Corps étranger|Artists|Image Source (Book)|||||||Corps étranger|30407|Hatoum, Mona||video artist|Mona Hatoum|0||||0|||||||||||||||||||0||||||||0||||0|Video Art|Video art|Installation (Exhibition)|Self portrait||20|||1994|1994||1994|1994-1994|||||0||||0|||||Video installation||||||video|Installations||||350 x 300 x 300 cm||2188|Paris, Centre Georges Pompidou|Paris: Centre Georges Pompidou||Hartoum, Mona, 1952-; Portraits||||||||||Cornell||MNW|MNW|11/22/2004 0:00:00|11/22/2004 0:00:00||||0||||||||||||||| |||||||||0||Corps étranger consists of a cylindrical white enclosure with two openings through which the viewer may enter to stand over a large circular video projection of a medical scan of the inteior the artist's body. Warr.||||||||||0|0|Corps étranger|Hatoum, Mona 2985.00|0||||||||The Spur of Love|Artists|Image Source (Book)|||||||The Spur of Love|30408|Molinier, Pierre||artist|Pierre Molinier|0||||0|||||French||||||||France||||||0||||0||||0||||0|Photographs|Gelatin silver print|Self portrait|||20|||1966|1968||1966-1968|1966-1968|||||0||||0|||||Gelatin silver print|photo paper|||||photography|gelatin silver process||||16 x 9.5 cm||||||Molinier, Pierre, 1900-1976; Portraits||||||||||Cornell||MNW|MNW|11/22/2004 0:00:00|11/22/2004 0:00:00||||0||||||||||||||||||||||||0||Molinieri's photographs depict himself and other models wearing glamorous make-up, female masks, corsets, stocking and stiletto heelswith propps such as mannequins or handmade dildos. He recreates himself as the image of his own desire. Warr.||||||||||0|0|The Spur of Love|Molinier, Pierre 2986.00|0||||||||Transformer 1 A/B|Artists|Image Source (Book)|||||||Transformer 1 A/B|30409|Sieverding, Katharina||artist|Katharina Sieverding|0||||0|||||Czech||||||||Czech Republic||||||0||||0||||0||||0|Photographs|Photographic print|Montage|Portrait||20|||1973|1973||1973|1973-1973|||||0||||0|||||Digital analogue, acrylic, Perspex|acrylic|Perspex||||photography|montage||||190 x 125 cm whole||||||Portraits||||||||||Cornell||MNW|MNW|11/22/2004 0:00:00|11/22/2004 0:00:00||||0||||||||||||||||||||||||0||Male and female faces become almost indistinguishable. Warr||||||||||0|0|Transformer 1 A/B|Sieverding, Katharina 2987.00|0||||||||Untitled (detail)|Artists|Image Source (Book)|||||||Untitled (detail)|1010|Benglis, Lynda||video artist|Lynda Benglis|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Photographic print|Self portrait|||20|||1974|1974||1974|1974-1974|||||0||||0|||||Color photograph|photo paper|||||color photography|||||26.5 x 26.5 cm||||||Benglis, Lynda, 1941-; Portraits||||||||||Cornell||MNW|MNW|11/22/2004 0:00:00|11/22/2004 0:00:00||||0||||||||||||||||||||||||0||Advertisement placed in "Artforum." Warr||||||||||0|0|Untitled (detail)|Benglis, Lynda 2988.00|0||||||||Untitled|Artists|Image Source (Book)|||||||Untitled|8236|Morris, Robert|||Robert Morris|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Prints|Lithograph|Self portrait|||20|||1974|1974||1974|1974-1974|||||0||||0|||||Offset lithograph|paper|||||Offset printing|lithography||||94 x 61 cm||||||Morris, Robert, 1931-; Portraits||||||||||Cornell||MNW|MNW|11/22/2004 0:00:00|11/22/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Untitled|Morris, Robert 2989.00|0||||||||Interior Scroll|Artists|Image Source (Book)|||||||Interior Scroll|10563|Schneemann, Carolee||performance artist|Carolee Schneemann|0||||0|||||American||||||||United States||||||0||||0|East Hampton, New York|||10052||||0|Performance Art|Performance art|Self portrait|||20|||1975|1975||1975|1975-1975|||||0||||0|||||Performance Art||||||performance art|||||||||||Schneemann, Carolee, 1939-; Portraits||||||||||Cornell||MNW|JNK|1/14/2005 0:00:00|11/22/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Interior Scroll|Schneemann, Carolee 2990.00|0||||||||Exchange Values (Marx)|Artists|Image Source (Book)|||||||So Help Me Hannah. Exchange Values (Marx)|12751|Wilke, Hannah||sculptor|Hannah Wilke|0||||0|||||American||||||||United States||||||0||||0|New York, NY|||10060||||0|Photographs|Photographic print|Self portrait|||20|||1978|1984||1978-1984|1978-1984||So Help Me Hannah|Series||2991||||0|||||Black and white photograph|photo paper|||||photography|||||152 x 102 cm||||||Wilke, Hannah, 1940-1993; Portraits||||||||||Cornell||MNW|MNW|11/23/2004 0:00:00|11/23/2004 0:00:00|||NYC|0||||||||||||||||||||||||0||Hannah Wilke made a series titled "So Help Me Hannah" of "peformalist self-portrait photographs as P.S. 1, New York, posing with a gun, naked and in high heels in a variety of run-down spaces. Warr.||||||||||0|0|Exchange Values (Marx)|Wilke, Hannah 3015.00|0|Creator|15|40|B528|E199||40 B528 E199 |Ecstasy of St. Teresa|Preferred|Dict.Art|||||||S. Maria della Vittoria. Cornaro Chapel. Ecstasy of St. Teresa|1103|Bernini, Gian Lorenzo||sculptor|Gian Lorenzo Bernini|0||||0|||||Italian|||Baroque|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Sculpture|Sculpture||||17|||1645|1652||1645-1652|1645-1652||Cornaro Chapel|LargerEntity||3017||||0|||||Marble, stucco, bronze|marble|stucco|bronze|||sculpture|||||||2462|Rome: S. Maria della Vittoria|Rome: S. Maria d. Vittoria||Ecstasy of Saint Theresa ; |Ecstasy of Saint Theresa|||||||||Cornell||JNK|JNK|12/1/2006 0:00:00|12/20/2005 0:00:00|B528|Rom||0|||||||40|||||||| |E199|||||||Work|0||||||||||||0|0|Ecstasy of St. Teresa|Bernini, Gian Lorenzo 3016.00|0|Site|02|B-H3|Rom|3.1 SMVit||B-H3 Rom 3.1 SMVit |Santa Maria della Vittoria|Assigned|Blue Guide|||||||Santa Maria della Vittoria|7391|Maderna, Carlo||architect|Carlo Maderna; G. B. Soria|11164|Soria, Giovanni Battista|||0|||||Italian|||Baroque|||||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Church||||17|||1620|1620||1620|1620-1620|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|JNK|12/1/2006 0:00:00|11/23/2004 0:00:00||Rom||0||||||SMVit|B|||||H3|3.1||||||||||Building|0|Architecture-Italy|The façade is by G. B. Soria||||||||||0|0|Santa Maria della Vittoria|Maderna, Carlo;Soria, Giovanni Battista 3017.00|0|Site|02|B-H3|Rom|3.1 SMVit/Cor||B-H3 Rom 3.1 SMVit/Cor |Cornaro Chapel|||||||||Santa Maria della Vittoria. 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Oudhd||Plaques (flat objects) ; |Plaques (flat objects)|||||||||Cornell||JNK|MNW|2/7/2005 0:00:00|11/24/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Leiden Plaque;Leyden Plaque| 3020.00|0||||||||Incidents of Travel in Central America, Chiapas, and Yucatan|Assigned|Image Source (Book)|||||||Incidents of Travel in Central America, Chiapas, and Yucatan|30413|Stephens, John Lloyd||author|John Lloyd Stephens|0||||0|||||English||||||||England||||||0||||0||||0||||0|Publications|Book||||19|||1842|1842||1842|1842-1842|||||0||||0|||||||||||printing|||||||||||Latin America ; |Latin America|||||||||Cornell||JNK|MNW|2/16/2005 0:00:00|11/24/2004 0:00:00||||0||||||||||||||||||||||||0||This work is in two volumes.||||||||||0|0|Incidents of Travel in Central America, Chiapas, and Yucatan|Stephens, John Lloyd 3021.00|0||||||||Palace at Palenque|Assigned|Image Source (Book)|||||||Incidents/Travel in Central America, Vol. II. 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East Side of Court Yard of Palace at Palenque|30414|Catherwood, Frederick||draftsman|Frederick Catherwood|0||||0|||||English||||||||England||||||0||||0||||0||||0|Prints|Engraving (Print)||||19|||1839|1840||1839-1840|1839-1840||Incidents of Travel in Central America, Chiapas, and Yucatan|Larger entity||3020||||0|||||Engraving|ink|paper||||engraving (incising)|||||||||||Palaces ; Palenque, Mexico (deserted settlement) ; Ruins ; |Palaces|Palenque, Mexico (deserted settlement)|Ruins|||||||Cornell||JNK|MNW|2/16/2005 0:00:00|11/24/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|East Side of Court Yard of Palace at Palenque|Catherwood, Frederick 3023.00|0||||||||Bas Relief in Stucco on West Side of Palace Palenque|Assigned|Image Source (Book)|||||||Incidents/Travel in Cetnral America, Vol. II. Bas Relief in Stucco on West Side of Palace Palenque|30414|Catherwood, Frederick||draftsman|Frederick Catherwood|0||||0|||||English||||||||England||||||0||||0||||0||||0|Prints|Engraving (Print)||||19|||1839|1840||1839-1840|1839-1840||Incidents of Travel in Central America, Chiapas, and Yucatan|LargerEntity||3020||||0|||||Engraving|ink|paper||||engraving (incising)|||||||||||Palenque, Mexico (deserted settlement) ; Palaces ; Bas-reliefs ; |Palenque, Mexico (deserted settlement)|Palaces|Bas-reliefs|||||||Cornell||JNK|MNW|2/16/2005 0:00:00|11/24/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Bas Relief in Stucco on West Side of Palace Palenque|Catherwood, Frederick 3024.00|0||||||||Casa No. 4, Front Corridor|Assigned|Image Source (Book)|||||||Incidents/Travel in Central America, Vol. II. Casa No. 4, Front Corridor|30414|Catherwood, Frederick||draftsman|Frederick Catherwood|0||||0|||||English||||||||England||||||0||||0||||0||||0|Prints|Engraving (Print)||||19|||1839|1840||1839-1840|1839-1840||Incidents of Travel in Central America, Chiapas, and Yucatan|Larger entity||3020||||0|||||Engraving|ink|paper||||engraving (incising)|||||||||||Palenque, Mexico (deserted settlement) ; Houses ; |Palenque, Mexico (deserted settlement)|Houses||||||||Cornell||JNK|MNW|2/16/2005 0:00:00|11/24/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Casa No. 4, Front Corridor|Catherwood, Frederick 3025.00|0||||||||Stone Idol at Copán|Assigned|Image Source (Book)|Frontispiece to Vol. I||||||Incidents of Travel in Central America, vol I.Stone Idol, Frontispiece to Vol. I|30414|Catherwood, Frederick||draftsman|Frederick Catherwood|0||||0|||||English||||||||England|||Copán, Honduras|||10334||||0||||0||||0|Prints|Engraving (Print)||||19|||1839|1840||1839-1840|1839-1840||Incidents of Travel in Central America, Chiapas, and Yucatan|Larger entity||3020||||0|||||Engraving|ink|paper||||engraving (incising)|||||||||||Copán, Honduras ; Idols and images ; |Copán, Honduras|Idols and images||||||||Cornell||JNK|MNW|2/16/2005 0:00:00|11/24/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Stone Idol at Copán;Frontispiece to Vol. I|Catherwood, Frederick 3026.00|0||||||||Fortress Sacsahuaman|Assigned|Image Source (Book)|||||||Fortress Sacsahuaman|0|||||0||||0|||||Inca|||Pre-Columbian|||||Peru||||||0|Cuzco, Peru|||10262||||0||||0|Archaeological Sites|architecture|Fortress|||15|||1475|1499||Later 15th C|1475-1499|||||0||||0||||||||||||||||||||||Fortress ; Walls ; |Fortress|Walls||||||||Cornell||JNK|MNW|2/7/2005 0:00:00|11/29/2004 0:00:00||Cuz||0|||||||||||||||||||||||Work|0||||||||||||0|0|Fortress Sacsahuaman| 3027.00|0||||||||Vue des Cordillères ed des Monuments des Peuples de l'Amérique|Assigned|Image Source (Book)|||||||Vue des Cordillères ed des Monuments des Peuples de l'Amérique|30415|Humboldt, Alexander van||scientist|Alexander van Humboldt|0||||0|||||German||||||||Germany||||||0||||0||||0||||0|Publications|Book||||19|||1810|1810||1810|1810-1810|||||0||||0||||||||||||||||||9395|Paris,Muséum Ntional d'Histoire Naturell, Bibliothèque|Paris:Mus.Nat. d'Hist Naturelle, Bibliotheque||Bridges (built works)||||||||||Cornell||JNK|JNK|11/29/2004 0:00:00|11/29/2004 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Vue des Cordillères ed des Monuments des Peuples de l'Amérique|Humboldt, Alexander van 3028.00|0||||||||Types of Inca Bridges|Assigned|Image Source (Book)|||||||Relación histórica del viage a la América Meridional. Types of Inca Bridges|0|||||0||||0|||||Spanish||||||||Spain||||||0||||0||||0||||0|Prints|Engraving (Print)||||19|||1752|1752||1752|1752-1752||Relación histórica del viage a la América Meridional|LargerEntity||3346||||0|||||Colored engraving|ink|paper||||engraving (incising)|||||||9354|Ithaca, Cornell University, Rare and Manuscript Collections|Ithaca: Cornell; RMC||Bridges (built works) ; |Bridges (built works)|||||||||Cornell||JNK|MNW|2/7/2005 0:00:00|11/29/2004 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Types of Inca Bridges| 3029.00|0||||||||Portrait of Topa Amaru, the Last Inca, as a Prisoner|Assigned|Image Source (Book)|||||||Portrait of Topa Amaru, the Last Inca, as a Prisoner|0|||||0||||0|||||Spanish||||||||Argentina||||||0||||0||||0||||0|Paintings|Painting|Portrait|||18|||1700|1799||18th century|1700-1799|||||0||||0|||||Painting||||||painting (image-making)|||||||9396|Buenos Aires, Museo Histórico Nacional|Buenos Aires: Mus. 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San Roque||Missionaries ; |Missionaries|||||||||Cornell||JNK|MNW|2/7/2005 0:00:00|11/29/2004 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Brother Luis Bolaños Apostal del Paraguay and an Inca Headman| 3033.00|0||||||||Church of Santo Domingo|Assigned|Image Source (Book)|||||||Church of Santo Domingo|0|||||0||||0|||||Peruvian|||Spanish Colonial|||||Peru||||||0|Cuzco, Peru|||10262||||0||||0|Architecture|Church||||16|||1536|1536|ca|ca 1536|ca 1536-1536|||||0||||0||||||||||||||||||||||Churches ; Cuzco, Peru ; |Churches|Cuzco, Peru||||||||Cornell||JNK|MNW|2/7/2005 0:00:00|11/29/2004 0:00:00||Cuz||0||||||||||||||| |||||||||0||||||||||||0|0|Church of Santo Domingo| 3034.00|0||||||||Photograph of the Ruins at Machupicchu, Peru|Descriptive|Cataloger|||||||Photograph of the Ruins at Machupicchu, Peru|0|||||0||||0|||||||||||||||||||0|Machupicchu, Peru|||10332||||0||||0|Archaeological Sites|City|Documentary photograph|||20|||1900|1992|ca|20th century|ca 1900-1992|||||0||||0|||||Color photograph||||||color photography|||||||||||Machupicchu, Peru ; Ruined cities ; Ruins ; |Machupicchu, Peru|Ruined cities|Ruins|||||||Cornell||JNK|MNW|2/7/2005 0:00:00|11/29/2004 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Photograph of the Ruins at Machupicchu, Peru| 3035.00|0||||||||Aerial View of the City of Machupicchu, Peru|Descriptive|Cataloger|||||||Aerial View of the City of Machupicchu, Peru|0|||||0||||0|||||||||||||||||||0|Machupicchu, Peru|||10332||||0||||0|Archaeological Sites|City|Documentary photograph|||20|||1900|1992|ca|20th century|ca 1900-1992|||||0||||0|||||Color photograph||||||color photography|||||||||||Machupicchu, Peru ; Ruins ; Ruined cities ; |Machupicchu, Peru|Ruins|Ruined cities|||||||Cornell||JNK|MNW|2/7/2005 0:00:00|11/29/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Aerial View of the City of Machupicchu, Peru| 3036.00|0||||||||Artist's Reconstruction of Machupicchu, Peru|Assigned|Image Source (Book)|||||||Artist's Reconstruction of Machupicchu, Peru|30417|Hochain, Serge||illustrator|Serge Hochain|0||||0|||||French|||Post-1945|||||France||||||0||||0||||0||||0|Paintings|Illustration|Reconstruction|||20|||1988|1988|bef|bef 1988|bef 1988-1988|||||0||||0|||||Painting||||||painting (image-making)|||||||||||Machupicchu, Peru ; Illustrations ; Reconstructions ; |Machupicchu, Peru|Illustrations|Reconstructions|||||||Cornell||JNK|MNW|2/7/2005 0:00:00|11/29/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Artist's Reconstruction of Machupicchu, Peru|Hochain, Serge 3037.00|0|Creator|15|35|O415-PA|1922|3|35 O415-PA 1922 3|Lake George|Assigned|Image Source (Book)|||||||Lake George|8643|O'Keeffe, Georgia||painter|Georgia O'Keeffe|0||||0|||||American|||Modern|||||United States||||||0||||0||||0||||0|Paintings|Oil painting|Landscape (representation)|||20|||1922|1922||1922|1922-1922|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||45.7 x 81.7 cm||9288|Minneapolis, Curtis Galleries, Inc.|Minneapolis: Curtis Gal.||Lake George, NY ; Landscapes ; Clouds ; |Lake George, NY|Landscapes|Clouds|||||||Cornell||JNK|JNK|1/6/2006 0:00:00|12/3/2004 0:00:00|0415|||0|||||||35|PA||||||1922| ||||||||Work|0|20th Century|||||||||Alfred Stieglitz, New York, NY||0|0|Lake George|O'Keeffe, Georgia 3038.00|0|Creator|15|35|O415-D|1922|1|35 O415-D 1922 1|Pond in the Woods|Assigned|Image Source (Book)|||||||Pond in the Woods|8643|O'Keeffe, Georgia||painter|Georgia O'Keeffe|0||||0|||||American|||Modern|||||United States||||||0||||0||||0||||0|Drawings|Pastel (Visual work)|Landscape (representation)|||20|||1922|1922||1922|1922-1922|||||0||||0|||||Pastel on paper|pastels (crayons)|paper||||drawing (image-making)|||||61 x 45.7 cm||3424|New York: Private Collection|New York: Private Coll.||Landscapes ; |Landscapes|||||||||Cornell||JNK|MNW|2/14/2005 0:00:00|12/7/2004 0:00:00|0415|||0|||||||35|D||||||1922| ||||||||Work|0|20th Century|||||||||||0|0|Pond in the Woods|O'Keeffe, Georgia 3039.00|0|Creator|15|35|O415-PA|1923|2|35 O415-PA 1923 2|Untitled (Four Dark Red Oak Leaves)|Assigned|Image Source (Book)|||||||Untitled (Four Dark Red Oak Leaves)|8643|O'Keeffe, Georgia||painter|Georgia O'Keeffe|0||||0|||||American|||Modern|||||United States||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1923|1923||1923|1923-1923|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||31.7 x 23.5 cm||3290|Private Collection|: Private Coll.||Leaf (plant material) ; |Leaf (plant material)|||||||||Cornell||JNK|JNK|1/6/2006 0:00:00|12/7/2004 0:00:00|0415|||0|||||||35|PA||||||1923| ||||||||Work|0|20th Century|||||||||Alfred Stieglitz, New York, NY||0|0|Untitled (Four Dark Red Oak Leaves)|O'Keeffe, Georgia 3040.00|0|Creator|15|35|O415-PA|1923|3|35 O415-PA 1923 3|Storm Cloud, Lake George|Assigned|Image Source (Book)|||||||Storm Cloud, Lake George|8643|O'Keeffe, Georgia||painter|O'Keeffe, Georgia|0||||0|||||American|||Modern|||||United States||||||0||||0||||0||||0|Paintings|Oil painting|Landscape (representation)|||20|||1923|1923||1923|1923-1923|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||45.7 x 76.5 cm||3290|Private Collection|: Private Coll.||Lake George, NY ; Landscapes ; Clouds ; |Lake George, NY|Landscapes|Clouds|||||||Cornell||JNK|JNK|1/6/2006 0:00:00|12/7/2004 0:00:00|0415|||0|||||||35|PA||||||1923| ||||||||Work|0|20th Century|||||||||||0|0|Storm Cloud, Lake George|O'Keeffe, Georgia 3084.00|0||||||||Le miroir de la tyrannie espagnole perpêtrée aux Indes Occidentales|Assigned|Image Source (Book)|||||||Le miroir de la tyrannie espagnole perpêtrée aux Indes Occidentales|30430|Cloppenburg, Johannes||engraver|Johannes Cloppenburg|0||||0|||||Dutch|||Baroque|||||Holland||||||0||||0||||0||||0|Publications|Book||||17|||1620|1620||1620|1620-1620|||||0||||0|||||||||||printing|||||||||||Spain; Indians of Central America; Indians of North America; Torturing||||||||||Cornell||JNK|MNW|2/2/2005 0:00:00|12/14/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||Published in Amsterdam.||0|0|Le miroir de la tyrannie espagnole perpêtrée aux Indes Occidentales|Cloppenburg, Johannes 3085.00|0||||||||Spaniards in Mexico Flaying Indians with Whips and Pouring Molten Lead on Others|Assigned|Image Source (Book)|||||||Le miroir de la tyrannie espagnole...Spaniards in Mexico flaying Indians with whips and pouring molten lead on others|30430|Cloppenburg, Johannes||engraver|Johannes Cloppenburg|0||||0|||||Dutch|||Baroque|||||Holland||||||0||||0||||0||||0|Prints|Engraving (Print)||||17|||1620|1620||1620|1620-1620||Le miroir de la tyrannie espagnole perpêtrée aux Indes Occidentales (Amsterdam)|Larger entity||3084||||0|||||Engraving|ink|paper||||engraving (incising)|||||||||||Spain ; Spaniards ; Torturing ; Indians of Central America ; Indians of North America ; |Spain|Spaniards|Torturing|Indians of Central America|Indians of North America|||||Cornell||JNK|MNW|2/2/2005 0:00:00|12/14/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Spaniards in Mexico Flaying Indians with Whips and Pouring Molten Lead on Others|Cloppenburg, Johannes 3086.00|0||||||||Het podium de martelaren|Assigned|Image Source (Book)|The Theatre of Martyrs|Translated|Print Publication||||Het podium de martelaren|30431|Luyken, Jan||painter|Jan Luyken|0||||0|||||Dutch|||Baroque|||||Holland||||||0||||0||||0||||0|Prints|Engraving (Print)||||17|18||1700|1700|ca|ca 1700|ca 1700-1700|||||0||||0|||||Engraving|ink|paper||||engraving (incising)|||||||||||Torturing||||||||||Cornell||JNK|JNK|12/14/2004 0:00:00|12/14/2004 0:00:00||||0||||||||||||||||||||||||0||This is a series of 112 engravings||||||||||0|0|Het podium de martelaren;The Theatre of Martyrs|Luyken, Jan 3087.00|0||||||||Man Hung By One Arm With a Weight Attached to One Ankle|Descriptive|Cataloger|||||||Het podium de martelaren. Man Hung By One Arm With a Weight Attached to One Ankle|30431|Luyken, Jan||painter|Jan Luyken|0||||0|||||Dutch|||Baroque|||||Holland||||||0||||0||||0||||0|Prints|Engraving (Print)||||17|18||1700|1700|ca|ca 1700|ca 1700-1700||Het podium de martelaren|Larger entity||3086||||0|||||Engraving|ink|paper||||engraving (incising)|||||||||||Torturing ; Hanging ; |Torturing|Hanging||||||||Cornell||JNK|MNW|2/2/2005 0:00:00|12/14/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Man Hung By One Arm With a Weight Attached to One Ankle|Luyken, Jan 3088.00|0||||||||Fireworks Demonstration Held at Nuremberg, 22 June 1665|Translated|Image Source (Book)|Anno MDCLXV. den 22. Junij. ist dieses Feuerwerck von Georg Carl Hornung. Lehrmeister…|Inscribed|Image Source (Book)||||Fireworks Demonstration Held at Nuremberg, 22 June 1665|0|||||0||||0|||||German|||Baroque|||||Germany||||||0||||0||||0||||0|Prints|Engraving (Print)||||17|||1665|1665||1665|1665-1665|||||0||||0|||||Engraving|ink|paper||||engraving (incising)|||||36.6 x 30.4 cm||9337|Santa Monica: Getty Center for the History of Art and the Humanities; Library|Santa Monica: Getty Center.; Lib.||Fireworks (visual works) ; |Fireworks (visual works)|||||||||Cornell||JNK|MNW|2/16/2005 0:00:00|12/16/2004 0:00:00||||0||P950001**.013||||||||||||| |||||||||0||Full inscribed title: Anno MDCLXV. den 22. Junij. ist dieses Feuerwerck von Georg Carl Hornung. Lehrmeister. Johann Arnold. Arithmetico. und Johann Conrad Hornung. auf St Johannis Schiesplatz verbrend worden||||||||||0|0|Fireworks Demonstration Held at Nuremberg, 22 June 1665;Anno MDCLXV. den 22. Junij. ist dieses Feuerwerck von Georg Carl Hornung. Lehrmeister…| 3089.00|0||||||||Acropolis||||||||||0|||||0||||0|||||Mayan|||Early Classic|Middle Classic||||Honduras||||||0|Copán, Honduras|||10334||||0||||0|Archaeological Sites|Archaeological site|architecture|||05|06|07|465|800|ca|ca 465-800|ca 465-800|||||0||||0||||||||||||||||||||||Acropolises ; Copán, Honduras ; |Acropolises|Copán, Honduras||||||||Cornell||JNK|MNW|2/4/2005 0:00:00|12/16/2004 0:00:00||Cop||0||||||||||||||||||||||||0||||||||||||0|0|Acropolis| 3090.00|0||||||||Ballcourt A-III|Assigned|Image Source (Book)|||||||Acropolis. Ballcourt A-III|0|||||0||||0|||||Mayan|||Late Classic|||||Hondruas||||||0|Copán, Honduras|||10334||||0||||0|Archaeological Sites|Archaeological site|architecture|||08|||738|738|ca|ca 738|ca 738-738||Acropolis|Larger entity||3089||||0||||||||||||||||||||||Ball courts ; Copán, Honduras ; Acropolises ; |Ball courts|Copán, Honduras|Acropolises|||||||Cornell||JNK|MNW|2/4/2005 0:00:00|12/16/2004 0:00:00||Cop||0||||||||||||||||||||||||0||||||||||||0|0|Ballcourt A-III| 3091.00|0||||||||Stela B|Assigned|Image Source (Book)|||||||Acropolis. Stela B|0|||||0||||0|||||Mayan|||Late Classic|||||Honduras||||||0|Copán, Honduras|||10334||||0||||0|Archaeological Sites|Stela||||08|||731|731||731|731-731||Acropolis|Larger entity||3089||||0||||||||||||||||||||||Copán, Honduras ; Stelae ; Acropolises ; |Copán, Honduras|Stelae|Acropolises|||||||Cornell||JNK|MNW|2/4/2005 0:00:00|12/16/2004 0:00:00||Cop||0||||||||||||||||||||||||0||||||||||||0|0|Stela B| 3092.00|0||||||||View to the North Over Ballcourt A-III|Assigned|Image Source (Book)|||||||Acropolis. Ballcourt A-III. View to the North Over Ballcourt A-III|30432|Proskouriakoff, Tatiana||architect|Tatiana Proskouriakoff|0||||0|||||American|||Modern|||||United States||||||0||||||||0||||0|Archaeological Sites|Architectural drawing|Drawing|||20|||1936|1939|ca|ca 1936|ca 1936-1939||Ballcourt A-III|Larger entity||3090||||0|||||Drawing|ink|wash|paper|||drawing (image-making)|||||||||||Copán, Honduras ; Ball courts ; Acropolises ; |Copán, Honduras|Ball courts|Acropolises|||||||Cornell||JNK|MNW|9/7/2005 0:00:00|12/16/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|View to the North Over Ballcourt A-III|Proskouriakoff, Tatiana 3093.00|0||||||||Reconstruction of Structure 10L-26 and Ballcourt A-III, as Viewed From the Summit of the Final Version of Structure 10L-11|Assigned|Image Source (Book)|||||||Acropolis. Ballcourt A-III. Reconst. of Structure 10L-26 & Ballcourt A-III, Viewed From Summit of the Structure 10L-11|0|||||0||||0||||||||Modern|||||||||||0|Copán, Honduras|||10334||||0||||0|Archaeological Sites|Architectural drawing||||20|||1900|1991|ca|20th century|ca 1900-1991||Ballcourt A-III|Larger entity||3090||||0|||||Drawing||||||drawing (image-making)|||||||||||Copán, Honduras ; Ball courts ; Acropolises ; Reconstructions ; |Copán, Honduras|Ball courts|Acropolises|Reconstructions||||||Cornell||JNK|MNW|9/7/2005 0:00:00|12/16/2004 0:00:00||Cop||0||||||||||||||||||||||||0||||||||||||0|0|Reconstruction of Structure 10L-26 and Ballcourt A-III, as Viewed From the Summit of the Final Version of Structure 10L-11| 3094.00|0||||||||Temple I|Assigned|Image Source (Book)|||||||Temple I|0|||||0||||0|||||Mayan|||Late Classic|||||Guatemala||||||0|Tikal, Guatemala|||10335||||0||||0|Archaeological Sites|architecture|Temple|||08|||741|741||741|741-741|||||0||||0||||||||||||||||||||||Temples ; Tikal (Guatemala) ; |Temples|Tikal (Guatemala)||||||||Cornell||JNK|MNW|4/21/2005 0:00:00|12/16/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Temple I| 3095.00|0||||||||Castillo|Assigned|Collection|||||||Castillo|0|||||0||||0|||||Mayan|||Late Classic|||||Mexico||||||0|Tulum, Mexico|||10336||||0||||0|Archaeological Sites|Archaeological site|architecture|||10|16||900|1500||900-1500|900-1500|||||0||||0||||||||||||||||||||||Tulum, Quintana Roo, Mexico (deserted settlement) ; Archaeology ; |Tulum, Quintana Roo, Mexico (deserted settlement)|Archaeology||||||||Cornell||JNK|MNW|4/21/2005 0:00:00|12/16/2004 0:00:00||Tulum||0||||||||||||||||||||||||0||||||||||||0|0|Castillo| 3096.00|0||||||||Arch|Assigned|Image Source (Book)|||||||Arch|0|||||0||||0|||||Mayan|||Late Classic|||||Mexico||||||0|Labná, Mexico|||10337||||0||||0|Archaeological Sites|architecture|Arch|||09|10|11|800|1000||800-1000|800-1000|||||0||||0||||||||||||||||||||||Arches ; |Arches|||||||||Cornell||JNK|MNW|4/21/2005 0:00:00|12/16/2004 0:00:00||Lab||0||||||||||||||||||||||||0||||||||||||0|0|Arch| 3097.00|0||||||||Profile of a Human Head|Assigned|Image Source (Book)|||||||Profile of a Human Head|0|||||0||||0|||||Mayan|||Late Classic|||||Mexico||||||0||||0|Palenque, Mexico|||10338||||0|Sculpture|Sculpture||||08|09|10|700|900||700-900|700-900|||||0||||0|||||Stucco|stucco|||||sculpture|||||43 cm high||1680|Mexico City: Museo Nacional de Antropologia|Mexico City: Mus. Nac. Antro.||Heads (representations) ; |Heads (representations)|||||||||Cornell||JNK|MNW|4/21/2005 0:00:00|12/16/2004 0:00:00|||Pal|0||Inv. N. 10-223526||||||||||||| |||||||||0||||||||||||0|0|Profile of a Human Head| 3098.00|0||||||||Caracol|Assigned|Collection|Observatory|Translated|Collection||||Caracol (Observatory)|0|||||0||||0|||||Mayan|||Late Classic|||||Mexico||||||0|Chichén Itzá, Mexico|||10020||||0||||0|Archaeological Sites|architecture|Observatory|||09|10|11|800|1000|ca|ca 800-1000|ca 800-1000|||||0||||0||||||||||||||||||||||Chichén Itzá, Mexico (deserted settlement) ; Observatories ; |Chichén Itzá, Mexico (deserted settlement)|Observatories||||||||Cornell||JNK|MNW|4/21/2005 0:00:00|12/17/2004 0:00:00||Chic||0||||||||||||||||||||||||0||||||||||||0|0|Caracol;Observatory| 3099.00|0||||||||Vase with the Representation of a King of Río Azul|Assigned|Image Source (Book)|||||||Vase with the Representation of a King of Río Azul|0|||||0||||0|||||Mayan|||Classic|||||Mexico||||||0||||0|Río Azul, Guatemala|||10339||||0|Vase Paintings|Ceramics|Painting|||03|07|10|250|900|ca|ca 250-900|ca 250-900|||||0||||0|||||Vase painting|clay|paint||||ceramics|painting (image-making)||||||3290|Private Collection|: Private Coll.||Executions ; Río Azul, Guatemala ; Beheading ; Decapitation ; |Executions|Río Azul, Guatemala|Beheading|Decapitation||||||Cornell||JNK|MNW|4/21/2005 0:00:00|12/17/2004 0:00:00|||Ríp|0||||||||||||||| |||||||||0||||||||||||0|0|Vase with the Representation of a King of Río Azul| 3100.00|0||||||||Female Statue with Bare Feet|Assigned|Image Source (Book)|||||||Female Statue with Bare Feet|0|||||0||||0|||||Mayan|||Late Classic|||||Mexico||||||0||||0|Jaina Island, Mexico|||10340||||0|Sculpture|clay|Ceramics|||08|09||700|900|ca|ca 700-900|ca 700-900|||||0||||0|||||Medeled Clay|clay|||||sculpture|||||22.6 cm high||1680|Mexico City: Museo Nacional de Antropologia|Mexico City: Mus. Nac. Antro.||Figures (representations) ; Jaina Island (Mexico) ; |Figures (representations)|Jaina Island (Mexico)||||||||Cornell||JNK|MNW|4/21/2005 0:00:00|12/17/2004 0:00:00|||Jain|0||Inv. N. 10-001197||||||||||||| |||||||||0||||||||||||0|0|Female Statue with Bare Feet| 3101.00|0|Site|02|B-H3|Bosc|7.5|Syn|B-H3 Bosc 7.5 Syn|House of Publius Fannius Synistor|Assigned|Collection|||||||House of Publius Fannius Synistor|0|||||0||||0|||||Roman|||Empire|Republican||||Italy||||||0|New York, NY|||10060|Boscoreale, Italy|||10341||||0|Architecture|Room|Fresco|||01|||50|100|ca|Late 1st Century|ca 50-100|||||0||||0|||||||||||fresco painting|||||||3294|New York: Metropolitan Museum of Art|New York: Metropolitan||House of Publius Fannius Synistor (Pompeii) ; Reconstructions ; |House of Publius Fannius Synistor (Pompeii)|Reconstructions||||||||Cornell||MNW|MNW|2/15/2005 0:00:00|2/15/2005 0:00:00||NYC|Bosc|0||03.04.13||||Syn|B|||||H3|7.5|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|| 3102.00|0||||||||Fosse Way|Assigned|Image Source (Book)|Foss Way|Assigned|Blue Guide||||Fosse Way|0|||||0||||0|||||Roman|||Imperial (Roman)|||||England||||||0|Exeter, England|||10342||||0||||0|Transportation|Street||||01|||43|100|ca|Second half of 1st century|ca 43-100|||||0||||0||||||||||||||||||||||Romans ; Roads ; |Romans|Roads||||||||Cornell||JNK|MNW|2/15/2005 0:00:00|12/20/2004 0:00:00||Exe||0||||||||||||||||||||||||0||||||||||||0|0|Fosse Way;Foss Way| 3103.00|0||||||||Milestone|Assigned|Image Source (Book)|||||||Milestone|0|||||0||||0|||||Roman|||Augustan|Imperial (Roman)||||Libya||||||0|Leptis Magna, Libya|||10344||||0||||0|Transportation|Monument||||02|04|06|146|523|ca|ca 146-523|ca 146-523|||||0||||0||||||||||||||||||||||Milestones ; |Milestones|||||||||Cornell||JNK|MNW|2/15/2005 0:00:00|12/20/2004 0:00:00||Lep||0||||||||||||||||||||||||0||||||||||||0|0|Milestone| 3104.00|0||||||||Roman aqueduct|Descriptive|Image Source (Book)|||||||Roman aqueduct|0|||||0||||0|||||Roman|||Augustan|Imperia (Roman)||||Tunisia||||||0|Oudna (Uthina), Tunisia|||10345||||0||||0|Architecture|Aqueducts||||02|03||146|235|ca|ca 146-235|ca 146-235|||||0||||0||||||||||||||||||||||Aqueducts ; |Aqueducts|||||||||Cornell||JNK|MNW|2/15/2005 0:00:00|12/20/2004 0:00:00||Oud||0||||||||||||||||||||||||0||||||||||||0|0|Roman aqueduct| 3105.00|0||||||||Hadrian's Wall|Assigned|Image Source (Book)|||||||Hadrian's Wall|0|||||0||||0|||||Roman|||Hadrianic|Imperial (Roman)||||England||||||0|England|||10099||||0||||0|Architecture|Wall||||02|||122|122|ca|ca 122|ca 122-122|||||0||||0||||||||||||||||||||||Hadrian's Wall, England ; |Hadrian's Wall, England|||||||||Cornell||JNK|MNW|2/15/2005 0:00:00|12/20/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Hadrian's Wall| 3106.00|0|Creator|15|32|M463-PA|1865|||The Christian Martyr|Assigned|Repository|Saint Julia|Descriptive|Print Publication|A Christian Martyr on the Cross (Saint Julia)|Descriptive|Print Publication|The Christian Martyr|30433|Max, Gabriel||painter|Gabriel Max|0||||0|||||Czech|German|||||||Germany||||||0||||||||0||||0|Paintings|Oil painting||||19|||1865|1865|ca|ca 1865|ca 1865-1865|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||121.92 x 93.35 cm||9404|Seattle: Charles and Emma Frye Art Museum|Seattle: Frye Art Museum||Saint Julia of Corsica ; Martyrdom ; Crucifixes ; |Saint Julia of Corsica|Martyrdom|Crucifixes|||||||Cornell||JNK|MNW|5/5/2005 0:00:00|12/21/2004 0:00:00|M463|||0||1952.116|||||32|PA||||||1865| ||||||||Work|0|Painting|||||||||||0|0|The Christian Martyr;Saint Julia;A Christian Martyr on the Cross (Saint Julia)|Max, Gabriel 3107.00|0||||||||Civilian amphitheatre|Assigned|Image Source (Book)|||||||Civilian amphitheatre|0|||||0||||0|||||Roman|||Imperial (Roman)|||||Austria||||||0|Petronell (Carnuntum), Austria|||10346||||0||||0|Architecture|Amphitheaters||||02|||100|199|ca|2nd century|ca 100-599|||||0||||0||||||||||||||||||||||Amphitheaters (built works) ; |Amphitheaters (built works)|||||||||Cornell||JNK|MNW|2/15/2005 0:00:00|12/21/2004 0:00:00||Pet||0||||||||||||||||||||||||0||||||||||||0|0|Civilian amphitheatre| 3041.00|0|Creator|15|35|O415-PA|1925|3|35 O415-PA 1925 3|Grey Lake George|Assigned|Image Source (Book)|Lake George-November|Variant|Image Source (Book)|Grey Lake George (Lake George November)|Variant|Image Source (Book)|Grey Lake George|8643|O'Keeffe, Georgia||painter|Georgia O'Keeffe|0||||0|||||American|||Modern|||||United States||||||0||||0||||0||||0|Paintings|Oil painting|Landscape (representation)|||20|||1925|1925||1925|1925-1925|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||55.9 x 91.4 cm||3290|Private Collection|: Private Coll.||Lake George, NY ; Landscapes ; Clouds ; |Lake George, NY|Landscapes|Clouds|||||||Cornell||JNK|JNK|1/6/2006 0:00:00|12/7/2004 0:00:00|0415|||0|||||||35|PA||||||1925| ||||||||Work|0|20th Century||||||Lake George - November from The Whitney Archive and The Abiquiu Notebooks; Grey Lake George (Lake George November) from The Downtown Gallery Archive|||||0|0|Grey Lake George;Lake George-November;Grey Lake George (Lake George November)|O'Keeffe, Georgia 3042.00|0|Creator|15|35|O415-PA|1926|4|35 O415-PA 1926 4|Lake George Blue|Assigned|Image Source (Book)|Lake George - Bleu|Variant|Image Source (Book)||||Lake George Blue|8643|O'Keeffe, Georgia||painter|Georgia O'Keeffe|0||||0|||||American|||Modern|||||United States||||||0||||0||||0||||0|Paintings|Oil painting|Landscape (representation)|||20|||1926|1926||1926|1926-1926|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||45.72 x 76.2 cm||3290|Private Collection|: Private Coll.||Lake George, NY ; Landscapes ; Clouds ; |Lake George, NY|Landscapes|Clouds|||||||Cornell||JNK|JNK|1/6/2006 0:00:00|12/7/2004 0:00:00|0415|||0|||||||35|PA||||||1926| ||||||||Work|0|20th Century|||||Private Collection in Chevy Chase, Maryland|Lake George - Blue from The Whitney Archive, The Abiquiu Notebooks, and The Downtown Gallery Archive.|||||0|0|Lake George Blue;Lake George - Bleu|O'Keeffe, Georgia 3043.00|0|Creator|15|35|O415-PA|1926|5|35 O415-PA 1926 5|The Old Maple, Lake George|Assigned|Image Source (Book)|The Old Maple|Variant|Image Source (Book)|Old Maple Tree|Variant|Image Source (Book)|The Old Maple, Lake George|8643|O'Keeffe, Georgia||painter|Georgia O'Keeffe|0||||0|||||American|||Modern|||||United States||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1926|1926||1926|1926-1926|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||91.4 x 81.3 cm||9398|Jackson, MS: Mississippi Museum of Art|Jackson, MS: MS Mus. Art.||Trees ; |Trees|||||||||Cornell||JNK|MNW|2/14/2005 0:00:00|12/7/2004 0:00:00|0415|||0|||||||35|PA||||||1926| ||||||||Work|0|20th Century|||||||||||0|0|The Old Maple, Lake George;The Old Maple;Old Maple Tree|O'Keeffe, Georgia 3044.00|0|Creator|15|35|O415-PA|1926|6|35 O415-PA 1926 6|The Red Maple at Lake George|Assigned|Image Source (Book)|The Red Maple, Lake George|Variant|Image Source (Book)|Red Maple - Lake George|||The Red Maple at Lake George|8643|O'Keeffe, Georgia||painter|Georgia O'Keeffe|0||||0|||||American|||Modern|||||United States||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1926|1926||1926|1926-1926|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||914 x 76.2 cm||3290|Private Collection|: Private Coll.||Trees||||||||||Cornell||JNK|JNK|12/7/2004 0:00:00|12/7/2004 0:00:00|0415|||0|||||||35|PA||||||1926| ||||||||Work|0|20th Century|||||Bedford Family Collection||||||0|0|The Red Maple at Lake George;The Red Maple, Lake George;Red Maple - Lake George|O'Keeffe, Georgia 3045.00|0|Creator|15|35|O415-PA|1927|5|35 O415-PA 1927 5|Lake George Autumn|Assigned|Image Source (Book)|Autumn - Lake George|Variant|Image Source (Book)|Lake George - Autumn|Variant|Image Source (Book)|Lake George Autumn|8643|O'Keeffe, Georgia||painter|Georgia O'Keeffe|0||||0|||||American|||Modern|||||United States||||||0||||0||||0||||0|Paintings|Oil painting|Landscape (representation)|||20|||1927|1927||1927|1927-1927|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||43.1 x 81.3 cm||1722|Milwaukee: Art Museum|Milwaukee: Art Museum||Lake George, NY ; Landscapes ; Clouds ; |Lake George, NY|Landscapes|Clouds|||||||Cornell||JNK|MNW|2/14/2005 0:00:00|12/7/2004 0:00:00|0415|||0|||||||35|PA||||||1927| ||||||||Work|0|20th Century|||||||||||0|0|Lake George Autumn;Autumn - Lake George;Lake George - Autumn|O'Keeffe, Georgia 3046.00|0|Creator|15|35|O415-PA|1930|5|35 O415-PA 1930 5|Lake George Early Moonrise|Assigned|Image Source (Book)|Spring|Variant|Image Source (Book)||||Lake George Early Moonrise|8643|O'Keeffe, Georgia||painter|Georgia O'Keeffe|0||||0|||||American|||Modern|||||United States||||||0||||0||||0||||0|Paintings|Oil painting|Landscape (representation)|||20|||1930|1930||1930|1930-1930|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||60 x 91.4 cm||2328|Purchase,State University of New York,Neuberger Museum|Purchase: SUNY; Neuberger Mus.||Landscapes ; Lake George, NY ; Moon ; |Landscapes|Lake George, NY|Moon|||||||Cornell||JNK|MNW|2/14/2005 0:00:00|12/7/2004 0:00:00|0415|||0|||||||35|PA||||||1930| ||||||||Work|0|20th Century||||||Spring from The Downtown Gallery Archive|||||0|0|Lake George Early Moonrise;Spring|O'Keeffe, Georgia 3047.00|0||||||||Map of the Plaza Mayor of Madrid and its Environs, Based on an Anonymous Printed Map of 1790|Assigned|Image Source (Book)|||||||Map of the Plaza Mayor of Madrid and its Environs, Based on an Anonymous Printed Map of 1790|30418|Escobar, Jésus Roberto||author|Jésus RobertoEscobar|0||||0|||||Spanish|||Post-1945|||||Spain||||||0||||0||||0||||0|Maps|Map|Plans (drawings)|||21|||2003|2003|ca|ca 2003|ca 2003-2003|||||0||||0||||||ink|paper||||drawing (image-making)|||||||||||Plaza Mayor (Madrid, Spain) ; Plans (drawings) ; |Plaza Mayor (Madrid, Spain)|Plans (drawings)||||||||Cornell||JNK|MNW|2/17/2005 0:00:00|12/7/2004 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Map of the Plaza Mayor of Madrid and its Environs, Based on an Anonymous Printed Map of 1790|Escobar, Jésus Roberto 3048.00|0||||||||Bird's Eye view of the Monastery of El Escorial (Pl. 7)|Descriptive|Image Source (Book)|||||||Las Estampas de la Fábrica de San Lorenzo el Real de el Escorial. Plate 7: Bird's-eye View/Monastery of El Escorial|30392|Perret, Pedro||engraver|Pedro Perret|0||||0|||||Flemish|Spanish||Baroque|||||Spain||||||0||||0||||0||||0|Prints|Engraving (Print)||||16|||1583|1589||1583-1589|1583-1589||Las Estampas de la Fábrica de San Lorenzo el Real de El Escorial|Larger entity||2904||||0|||||Engraving|ink|paper||||engraving (incising)|||||48.4 x 61.4 cm||1607|Madrid: Biblioteca Nacional|Madrid: Bibl. Nac.||San Lorenzo del Escorial (Spain) ; Monasteries ; |San Lorenzo del Escorial (Spain)|Monasteries||||||||Cornell||JNK|MNW|2/17/2005 0:00:00|12/7/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Bird's Eye view of the Monastery of El Escorial (Pl. 7)|Perret, Pedro 3050.00|0||||||||Carte du Government de la Cour d'Espagne|Assigned|Image Source (Book)|||||||Carte du Government de la Cour d'Espagne|0|||||0||||0|||||Spanish|French|||||||Spain|France|||||0||||0||||0||||0|Prints|Etching||||18|||1700|1750||Early 18th C|1700-1750|||||0||||0|||||Etching|ink|paper||||etching (corroding)|||||||3290|Private Collection|: Private Coll.||Spain ; Government ; Plaza Mayor (Madrid, Spain) ; Bulls ; Bullfights ; |Spain|Government|Plaza Mayor (Madrid, Spain)|Bulls|Bullfights|||||Cornell||JNK|MNW|2/17/2005 0:00:00|12/7/2004 0:00:00||||0||||||||||||||| |||||||||0||||||Private Collection of Jésus Escobar.||||||0|0|Carte du Government de la Cour d'Espagne| 3051.00|0||||||||Portrait of Philip II|Assigned|Image Source (Book)|||||||Portrait of Philip II|8222|Mor (van Dashorst), Antonis||painter|Antonis Mor (van Dashorst)|0||||0|||||Dutch|Spanish||Late Renaissance|Baroque||||Holland|Spain|||||0||||0||||0||||0|Paintings|Oil painting|Portrait|||16|||1557|1557||1557|1557-1557|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||||9465|San Lorenzo de El Escorial: Escorial; Nuevos Museos|San Lorenzo de El Escorial: Escorial ; NueMus||Philip II, King of Spain, 1527-1598; Portraits||||||||||Cornell||JNK|MNW|4/20/2005 0:00:00|12/9/2004 0:00:00||||0||||||||||||||| |||||||||0||This portrait was a wedding present for Mary Tudor.||||||||||0|0|Portrait of Philip II|Mor (van Dashorst), Antonis 3052.00|0||||||||Portrait Group of Felip II and His Fourth Wife, Anna de Austira|Assigned|Image Source (Book)|||||||Portrait Group of Felip II and His Fourth Wife, Anna of Austira|30420|Leoni, Pompeo||sculptor|Pompeo Leoni|0||||0|||||Italian|Spanish||Late Renaissance|||||Spain||||||0||||0||||0||||0|Sculpture|Bronze|Portrait|||16|||1570|1570||1570|1570-1570|||||0||||0|||||Gilt-bronze|bronze|||||sculpture|||||||9465|San Lorenzo de El Escorial: Escorial; Nuevos Museos|San Lorenzo de El Escorial: Escorial ; NueMus||Philip II, King of Spain, 1527-1598 ; Group portraits ; |Philip II, King of Spain, 1527-1598|Group portraits||||||||Cornell||JNK|MNW|4/20/2005 0:00:00|12/9/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Portrait Group of Felip II and His Fourth Wife, Anna de Austira|Leoni, Pompeo 3053.00|0||||||||The Arab Room|||||||||El Escorial. The Arab Room.|30421|Contraras, Rafael||architect|Rafael, Contreras|0||||0|||||Spanish||||||||Spain||||||0|San Lorenzo de Escorial, Spain|||10311||||0||||0|Architecture|Room||||19|||1848|1850||1848-1850|1848-1850||El Escorial|Larger entity||2800||||0||||||||||||||||||||||San Lorenzo del Escorial (Spain) ; |San Lorenzo del Escorial (Spain)|||||||||Cornell||JNK|MNW|4/19/2005 0:00:00|12/9/2004 0:00:00||Esc||0||||||||||||||||||||||||0||The Arab Room was designed as a smoking room for King Don Francisco de Asis, consort of Isabel II.||||||||||0|0|The Arab Room|Contraras, Rafael 3054.00|0||||||||Panoramic View of Seville, Spain|Assigned|Image Source (Book)|||||||Panoramic view of Seville, Spain|0|||||0||||0|||||||||||||||||||0|Seville, Spain|||10234||||0||||0|Photographs|Documentary photograph||||20||||||||||||0||||0|||||Color photograph||||||color photography|||||||||||Seville, Spain||||||||||Cornell||JNK|MNW|4/19/2005 0:00:00|12/9/2004 0:00:00||Sev||0||||||||||||||||||||||||0||||||||||||0|0|Panoramic View of Seville, Spain| 3055.00|0||||||||Ceramic Altar in the Chapel of the Catholic Kings|Assigned||||||||Ceramic Altar in the Chapel of the Catholic Kings|30422|Pisano, Francesco||ceramicist|Francesco Pisano|0||||0|||||Italian|Spanish||Renaissance|||||Spain||||||0||||0||||0||||0|Ceramics|Altar||||16|||1504|1504||1504|1504-1504|||||0||||0|||||Ceramic tiles|ceramic|tile||||ceramics|||||||9399|Seville: Alcázar; Archivos Reales|Seville: Alcázar; Archivos Reales||Visitation ; Altars ; |Visitation|Altars||||||||Cornell||JNK|MNW|4/20/2005 0:00:00|12/9/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Ceramic Altar in the Chapel of the Catholic Kings|Pisano, Francesco 3056.00|0||||||||Reales Alcázares|Assigned|Image Source (Book)|Alcázar|Assigned|Blue Guide||||Reales Alcázares|0|||||0||||0|||||Spanish|Islamic||Medieval|Renaissance|Mudejar|||Spain||||||0|Seville, Spain|||10234||||0||||0|Architecture|Palace||||13|16|19|1248|1856||1248-1856|1248-1856|||||0||||0||||||||||||||||||||||Seville (Spain) ; Palaces ; |Seville (Spain)|Palaces||||||||Cornell||JNK|MNW|4/20/2005 0:00:00|12/9/2004 0:00:00||Sev||0||||||||||||||||||||||||0||||||||||||0|0|Reales Alcázares;Alcázar| 3057.00|0|Architect|02|MA-LeCorb|1.01|1923ff|Vers|MA-LeCorb 1.01 1923ff Vers|Towards a New Architecture|Translated|Print Publication|Vers une architecture|Original|Dict.Art||||Towards a New Architecture (Vers une architecture)|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||French|||International Style|||||Switzerland||||||0||||0||||0||||0|Publications|Book|Theory|||20|||1923|1948||1923 ff|1923-1948|||||0||||0||||||||||||||||||||||Books ; Architectural theory ; |Books|Architectural theory||||||||Cornell||JNK|MNW|6/16/2005 0:00:00|12/9/2004 0:00:00|LeCorb|||0||||||Vers|MA||||||1.01|1923ff|||||||||Work|0|Modern Architecture-|Published in Paris, France.|||1923 = orginal date of publication. Various editions and translations issued over time.|||||||0|0|Towards a New Architecture;Vers une architecture|Le Corbusier 3058.00|0||||||||Triumphzug|Assigned|Image Source (Book)|Corteo trionfale|Assigned|Image Source (Book)||||Triumphzug (Corteo trionfale)|0|||||0||||0|||||German|||Baroque|||||Germany||||||0||||0||||0||||0|Illuminated Manuscripts|Illumination (Layout feature)|Miniature (painting)|||17|||1606|1606||1606|1606-1606|||||0||||0|||||Watercolor and gold on parchment|watercolors|gold|parchment|||painting (image-making)|||||46 x 95.5 cm||1607|Madrid,Biblioteca Nacional|Madrid: Bibl. Nac.||Processions ; Triumphal processions ; |Processions|Triumphal processions||||||||Cornell||JNK|MNW|2/7/2005 0:00:00|12/9/2004 0:00:00||||0||Res. 254||||||||||||| |||||||||0||Copy of the original of the so-called "Maestro dell'artiglieria" in the Graphische Sammulung Albertina, D.256.||||||||||0|0|Triumphzug;Corteo trionfale| 3059.00|0||||||||Fol. 61: Il tesoro d'uso|Assigned|Image Source (Book)|||||||Triumphzug (Corteo trionfale). Fol. 61: Il tesoro d'uso|0|||||0||||0|||||German|||Baroque|||||Germany||||||0||||0||||0||||0|Illuminated Manuscripts|Illumination (Layout feature)|Miniature (painting)|||17|||1606|1606||1606|1606-1606||Triumphzug (Corteo trionfale)|Larger entity||3058||||0|||||Watercolor and gold on parchment|watercolors|gold|parchment|||painting (image-making)|||||46 x 95.5 cm||1607|Madrid, Biblioteca Nacional|Madrid: Bibl. Nac.||||||||||||Cornell||JNK|MNW|2/7/2005 0:00:00|12/9/2004 0:00:00||||0||Res. 254||||||||||||| |||||||||0||Page is inscribed: "Die Clainod und der Schatz / des Kaiserlichen gebräuchs."||||||||||0|0|Fol. 61: Il tesoro d'uso| 3060.00|0||||||||Preliminary Contract for the Habsburg-Spanish Double Wedding|Translated|Cataloger|Contratto preliminare per le doppie nozze asburgico-spagnole|Assigned|Image Source (Book)||||Preliminary Contract for the Habsburg-Spanish Double Wedding|0|||||0||||0|||||Austrian|||Renaissance|||||Austria||||||0||||0||||0||||0|Objects|||||15|||1495|1495||20 January 1495|1495-1495|||||0||||0|||||Ink on parchment|ink|parchment|||||||||81 x 50.5 cm||9400|Vienna, Vienna, Haus-, Hof- und Staatsarchiv|Vienna: Vienna, Haus-, Hof- und Staatsarchiv||Contracts ; |Contracts|||||||||Cornell||JNK|MNW|2/7/2005 0:00:00|12/9/2004 0:00:00||||0||||||||||||||| |||||||||0||This item is in the Habsburg-Lothringisches Familenarchiv, Familienurkunden, n. 838.||||||||||0|0|Preliminary Contract for the Habsburg-Spanish Double Wedding;Contratto preliminare per le doppie nozze asburgico-spagnole| 3061.00|0||||||||The Northwestern Provinces of the Roman Empire|Assigned|Image Source (Book)|||||||The Northwestern Provinces of the Roman Empire|0|||||0||||0|||||||||||Europe||United Kingdom|France|||||0||||0||||0||||0|Maps|Map||||20|||1986|1986|ca|ca 1986|ca 1986-1986|||||0||||0||||||||||||||||||||||Maps ; Colonization ; Romans ; |Maps|Colonization|Romans|||||||Cornell||JNK|MNW|6/3/2005 0:00:00|12/9/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|The Northwestern Provinces of the Roman Empire| 3062.00|0||||||||The Western Mediterranean Provinces and North Africa|Assigned|Image Source (Book)|||||||The Western Mediterranean Provinces and North Africa|0|||||0||||0|||||||||||||Tunisia|Spain|||||0||||0||||0||||0|Maps|Map||||20|||1986|1986|ca|ca 1986|ca 1986-1986|||||0||||0||||||||||||||||||||||Maps ; Colonization ; Romans ; |Maps|Colonization|Romans|||||||Cornell||JNK|MNW|2/15/2005 0:00:00|12/9/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|The Western Mediterranean Provinces and North Africa| 3063.00|0||||||||The Eastern Mediterranean Provinces and the Near East|Assigned|Image Source (Book)|||||||The Eastern Mediterranean Provinces and the Near East|0|||||0||||0|||||||||||||Greece|Turkey|||||0||||0||||0||||0|Maps|Map||||20|||1986|1986||1986|1986-1986|||||0||||0||||||||||||||||||||||Maps ; Colonization ; Romans ; |Maps|Colonization|Romans|||||||Cornell||JNK|MNW|2/15/2005 0:00:00|12/9/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|The Eastern Mediterranean Provinces and the Near East| 3064.00|0||||||||Firework Display at the Castel Sant'Angelo|Assigned|Image Source (Book)|||||||Firework Display at the Castel Sant'Angelo|12952|Wright of Derby, Joseph||painter|Joseph Wright of Derby|0||||0|||||English|||Academic|||||England||||||0||||0||||0||||0|Paintings|Oil painting||||18|||1774|1775|ca|ca 1774-1775|ca 1774-1775|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||42.5 x 71.1 cm||3523|Birmingham: City of Birmingham Museum and Art Gallery|Birmingham: Mus.& Art Gal.||Rome, Italy ; Castel Sant'Angelo, Rome, Italy ; Basilica di San Pietro in Vaticano ; |Rome, Italy|Castel Sant'Angelo, Rome, Italy|Basilica di San Pietro in Vaticano|||||||Cornell||JNK|MNW|2/16/2005 0:00:00|12/9/2004 0:00:00|W9512|||0||||||||||||||| |||||||||0||||||||||||0|0|Firework Display at the Castel Sant'Angelo|Wright of Derby, Joseph 3065.00|0||||||||Fireworks in Stuttgart 10 November 1609, for the Marriage of Johann Friedrich and Barbara Sophie Margravine of Brandenburg|Assigned|Image Source (Book)|||||||Rapresentatio. Fireworks in Stuttgart 10 November 1609, for the marriage of Johann Friedrich and Barbara Sophie|30423|Küchler, Balthasar||painter|Balthasar Küchler|0||||0|||||German|||Baroque|||||Germany||||||0||||0||||0||||0|Prints|Engraving (Print)||||17|||1611|1611||1611|1611-1611||Rapresentatio|Larger entity||3066||||0|||||Engraving|ink|paper||||engraving (incising)|||||37.7 x 29.5 cm||||||Fireworks (visual works) ; Marriage ; |Fireworks (visual works)|Marriage||||||||Cornell||JNK|MNW|2/16/2005 0:00:00|12/9/2004 0:00:00||||0||||||||||||||| |||||||||0||Eigentliche Contrafeitung des Künstlichen Feuerwerckhs so bei des…Johann Friderichen Hertzogen zu Wirtenberg und Teckh etc Fürstlichem Beilager in der Fürstlichen Hapt Stat Studgartt…A. 1609. den 10 Novembris zugetichtet und geworffen worden.|Inscribed title above.|||||||||0|0|Fireworks in Stuttgart 10 November 1609, for the Marriage of Johann Friedrich and Barbara Sophie Margravine of Brandenburg|Küchler, Balthasar 3066.00|0||||||||Rapresentatio|Assigned|Image Source (Book)|||||||Rapresentatio|30423|Küchler, Balthasar||painter|Balthasar Küchler|0||||0|||||German|||Baroque|||||Germany||||||0||||0||||0||||0|Publications|Book|Engraving (Print)|||17|||1611|1611||1611|1611-1611|||||0||||0||||||||||||||||||||||Books ; |Books|||||||||Cornell||JNK|MNW|2/16/2005 0:00:00|12/9/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Rapresentatio|Küchler, Balthasar 3067.00|0||||||||Temptation of Saint Anthony|Assigned|Image Source (Book)|||||||Temptation of Saint Anthony|1416|Bosch, Hieronymus||painter|Hieronymus Bosch|0||||0|||||Dutch|||Renaissance|||||Holland||||||0||||0||||0||||0|Paintings|Oil painting||||16|||1500|1505|ca|ca 1500-1505|ca 1500-1505|||||0||||0|||||Oil on wood|oil paint|wood||||painting (image-making)|||||394.5 x 225 cm overall||1501|Lisbon,Museu Nacional de Arte Antigua|Lisbon: Mus. Nac. Antiqua||Temptation of Saint Anthony Abbot ; Saint Anthony Abbot ; |Temptation of Saint Anthony Abbot|Saint Anthony Abbot||||||||Cornell||JNK|MNW|2/4/2005 0:00:00|12/14/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Temptation of Saint Anthony|Bosch, Hieronymus 3068.00|0||||||||World Map from a Protolan Atlas|Assigned|Image Source (Book)|||||||World Map from a Protolan Atlas|30424|Battista, Agnese||illuminator|Agnese Battista|0||||0|||||Genoese|Italian||Renaissance|||||Italy||||||0||||0||||0||||0|Maps|Map|Woodcut|||16|||1543|1545|ca|ca 1543-1545|ca 1543-1545|||||0||||0|||||Illumination||||||illumination|||||21.6 x 28.2 cm||4680|Providence,Brown University,Library|Providence: Brown Univ.; Lib.||Maps||||||||||Cornell||JNK|MNW|2/3/2005 0:00:00|12/14/2004 0:00:00||||0||||||||||||||| |||||||||0||This map is from a manuscript of 14 folios||||||||||0|0|World Map from a Protolan Atlas|Battista, Agnese 3069.00|0||||||||De insulis inventis Epistola, Basel|Assigned|Image Source (Book)|||||||De insulis inventis Epistola, Basel|30425|Columbus, Christopher||author|Christopher Columbus|0||||0|||||Italian|Spanish||Renaissance|||||Italy|Spain|||||0||||0||||0||||0|Publications|Book||||15|||1493|1493||1493|1493-1493|||||0||||0||||||||||||||||||4680|Providence,Brown University,Library|Providence: Brown Univ.; Lib.||Columbus, Christopher ; America ; |Columbus, Christopher|America||||||||Cornell||JNK|MNW|2/3/2005 0:00:00|12/14/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|De insulis inventis Epistola, Basel|Columbus, Christopher 3070.00|0||||||||Columbus' Landing, Fol. 1v|||||||||De insulis inventis Epistola, Basel. Columbus' Landing, Fol. 1v.|30425|Columbus, Christopher||author|Christopher Columbus|0||||0|||||Spanish|||Renaissance|||||Spain||||||0||||0||||0||||0|Prints|Woodcut||||15|||1493|1493||1493|1493-1493||De insulis inventis Epistola, Basel|Larger entity||3069||||0|||||Woodcut|ink|paper||||woodcut (process)|printing||||13.5 x 10.5 cm||4680|Providence,Brown University,Library|Providence: Brown Univ.; Lib.||America ; Columbus, Christopher ; |America|Columbus, Christopher||||||||Cornell||JNK|MNW|2/3/2005 0:00:00|12/14/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Columbus' Landing, Fol. 1v|Columbus, Christopher 3071.00|0||||||||New World Scene|Assigned|Image Source (Book)|||||||New World Scene|0|||||0||||0|||||German|||Renaissance|||||Germany||||||0||||0||||0||||0|Prints|Woodcut||||16|||1505|1505|ca|ca 1505|ca 1505-1505|||||0||||0|||||Colored woodcut|ink|paper||||woodcut (process)|||||||3670|New York, New York Public Library|New York: NYPL||Indians of North America ; America ; |Indians of North America|America||||||||Cornell||JNK|MNW|2/3/2005 0:00:00|12/14/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|New World Scene| 3072.00|0||||||||The Triumph of Maximilian|Assigned|Image Source (Book)|||||||The Triumph of Maximilian|1791|Burgkmair, Hans, the Elder||author|Hans Burgkmair, the Elder|0||||0|||||Bavarian|German||Renaissance|||||Germany||||||0||||0||||0||||0|Prints|Woodcut||||16|||1517|1518|ca|ca 1517-1518|ca 1517-1518|||||0||||0|||||Woodcut|ink|paper||||woodcut (process)|||||||9401|Stuttgart,Staatsgalerie Stuttgart, Graphische Sammlung|Stuttgart: Staatsgalerie, Graphische Sammlung||Maximilian I, Holy Roman Emperor, 1459-1519 ; |Maximilian I, Holy Roman Emperor, 1459-1519|||||||||Cornell||JNK|MNW|2/3/2005 0:00:00|12/14/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|The Triumph of Maximilian|Burgkmair, Hans, the Elder 3073.00|0||||||||Trachtenbuch|Assigned|Image Source (Book)|||||||Trachtenbuch|30426|Weiditz, Christof, I||medalist|Christof Weiditz I|0||||0|||||German|||Renaissance|Late Renaissance||||Germany||||||0||||0||||0||||0|Manuscripts|Manuscript||||16|||1529|1529||1529|1529-1529|||||0||||0||||||||||||||||19.8 x 15 cm||2037|Nuremberg,Germanisches Nationalmuseum|Nuremberg: German. Nat. Mus.||Indians of Central America ; Indians of North America ; |Indians of Central America|Indians of North America||||||||Cornell||JNK|MNW|2/3/2005 0:00:00|12/14/2004 0:00:00||||0||Hs 22.494||||||||||||| |||||||||0||||||||||||0|0|Trachtenbuch|Weiditz, Christof, I 3074.00|0||||||||Mexican Indian, Plate 2|||||||||Trachtenbuch. Mexican Indian, Plate 2|30426|Weiditz, Christof, I||medalist|Christof Weiditz I|0||||0|||||German|||Renaissance|Late Renaissance||||Germany||||||0||||0||||0||||0|Drawings|Drawing||||16|||1529|1529||1529|1529-1529||Trachtenbuch|Larger entity||3073||||0|||||Drawing|ink|paper||||drawing (image-making)|||||19.8 x 15 cm||2037|Nuremberg,Germanisches Nationalmuseum|Nuremberg: German. Nat. Mus.||Aztecs ; Indians of Central America ; |Aztecs|Indians of Central America||||||||Cornell||JNK|MNW|2/3/2005 0:00:00|12/14/2004 0:00:00||||0||Hs 22.494||||||||||||| |||||||||0||||||||||||0|0|Mexican Indian, Plate 2|Weiditz, Christof, I 3075.00|0||||||||The Inca Site of Machupicchu Before the Pinnacle of Huayna Picchu|Assigned|Image Source (Book)|||||||The Inca Site of Machupicchu Before the Pinnacle of Huayna Picchu|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Photographs|Documentary photograph||||||||||||||||0||||0|||||Black and white photograph||||||photography|||||||||||Machupicchu, Peru ; |Machupicchu, Peru|||||||||Cornell||JNK|MNW|2/3/2005 0:00:00|12/14/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|The Inca Site of Machupicchu Before the Pinnacle of Huayna Picchu| 3076.00|0||||||||The Sculpted Grotton Known as the Royal Mausoleum, Below the Torreón at Machupicchu|Assigned|Image Source (Book)|||||||The Sculpted Grotton Known as the Royal Mausoleum, Below the Torreón at Machupicchu|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Photographs|Documentary photograph||||||||||||||||0||||0|||||Black and white photograph||||||photography|||||||||||Machupicchu, Peru ; |Machupicchu, Peru|||||||||Cornell||JNK|MNW|2/3/2005 0:00:00|12/14/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|The Sculpted Grotton Known as the Royal Mausoleum, Below the Torreón at Machupicchu| 3077.00|0||||||||Aztecs Playing Tlachtli|Assigned|Image Source (Book)|||||||Trachtenbuch.Aztecs Playing Tlachtli|30426|Weiditz, Christof, I||medalist|Christof Weiditz, I|0||||0|||||German|||Renaissance|||||Germany||||||0||||0||||0||||0|Drawings|Drawing||||16|||1529|1529||1529|1529-1529||Trachtenbuch|Larger entity||3073||||0|||||Drawing|ink|paper||||drawing (image-making)|||||19.8 x 15 cm||2037|Nuremberg,Germanisches Nationalmuseum|Nuremberg: German. Nat. Mus.||Aztecs ; Indians of Central America ; Indians of North America ; Ball courts ; |Aztecs|Indians of Central America|Indians of North America|Ball courts||||||Cornell||JNK|MNW|2/3/2005 0:00:00|12/14/2004 0:00:00||||0||Hs 22.494||||||||||||| |||||||||0||||||||||||0|0|Aztecs Playing Tlachtli|Weiditz, Christof, I 3078.00|0||||||||Praeclara de Nova maris Oceani Hyspania Narratio...|Assigned|Image Source (Book)|||||||Praeclara de Nova maris Oceani Hyspania Narratio...|30427|Cortés, Hernán||author|Hernán Cortés|0||||0|||||Spanish|German||Renaissance|||||Spanish|German|||||0||||0||||0||||0|Publications|Book||||16|||1524|1524||1524|1524-1524|||||0||||0||||||||||||||||||9402|Chicago: Newberry Library|Chicago: Newberry Library||Tenochtitlán ; America ; |Tenochtitlán|America||||||||Cornell||JNK|MNW|2/17/2005 0:00:00|12/14/2004 0:00:00||||0||||||||||||||| |||||||||0||Published by Friedrich Peypus in Nuremberg, Germany, in 1524.||||||||||0|0|Praeclara de Nova maris Oceani Hyspania Narratio...|Cortés, Hernán 3079.00|0||||||||Map of Tenochtitlán and the Gulf of Mexico|Assigned|Image Source (Book)|||||||Praeclara de Nova maris Oceani Hyspania Narratio... Map of Tenochtitlán and the Gulf of Mexico|0|||||0||||0|||||Spanish|German||Renaissance|||||Spain|Germany|||||0||||0||||0||||0|Prints|Woodcut|Plans (drawings)|||16|||1524|1524||1524|1524-1524||Praeclara de Nova maris Oceani Hyspania Narratio...|Larger entity||3078||||0|||||Hand colored woodcut|ink|paper||||woodcut (process)|||||31 x 46.5 cm||9402|Chicago: Newberry Library|Chicago: Newberry Library||Tenochtitlán ; Plans (maps) ; Mexico City, Mexico ; |Tenochtitlán|Plans (maps)|Mexico City, Mexico|||||||Cornell||JNK|MNW|2/17/2005 0:00:00|12/14/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Map of Tenochtitlán and the Gulf of Mexico| 3080.00|0|||N-Pocahontas|1||||Pocahontas|Assigned|Image Source (Book)|||||||Pocahontas|30429|Passe, Simone de||engraver|Simone de Passe|0||||0|||||Dutch|||Baroque|||||Holland||||||0||||0||||0||||0|Prints|Engraving (Print)||||17|||1616|1616||1616|1616-1616|||||0||||0|||||Engraving|ink|paper||||engraving (incising)|||||||||||Portraits; Pocahontas, d. 1617||||||||||Cornell|||JNK|12/14/2004 0:00:00|||||0||||||||||||||||||||||||0||||||||||||0|0||Passe, Simone de 3081.00|0||||||||The Herbal or Generall Historie of Plantes|Assigned|Image Source (Book)|||||||The Herbal or Generall Historie of Plantes|30428|Gerard, John||author|John Gerard|0||||0|||||English|||Late Renaissance|Baroque||||England||||||0||||0||||0||||0|Publications|Book||||16|||1597|1597||1597-|1597-1597|||||0||||0||||||||||||||||||9403|Cleveland, Cleveland Medical Library Association|Cleveland: Cleveland Medical Library Assoc.||Plants (vegetation) ; History ; Maize ; |Plants (vegetation)|History|Maize|||||||Cornell||JNK|MNW|2/4/2005 0:00:00|12/14/2004 0:00:00||||0||||||||||||||| |||||||||0||Published in London, England||||||||||0|0|The Herbal or Generall Historie of Plantes|Gerard, John 3082.00|0||||||||Woodcut from the Criminal Code of Bamberg|Assigned|Image Source (Book)|||||||Woodcut from the Criminal Code of Bamberg|0|||||0||||0|||||German|||Renaissance|||||Germany||||||0||||0||||0||||0|Prints|Woodcut||||16|||1508|1508||1508|1508-1508|||||0||||0|||||Woodcut|ink|paper||||woodcut (process)|||||||||||Punishing ; |Punishing|||||||||Cornell||JNK|MNW|2/2/2005 0:00:00|12/14/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Woodcut from the Criminal Code of Bamberg| 3083.00|0||||||||Münster Cathedral|Assigned|Blue Guide||||||||0|||||0||||0|||||German|||Romanesque|Gothic||||Germany||||||0|Münster, Germany|||10333||||0||||0|Architecture|Cathedral||||12|13||1172|1265||1172-1265|1172-1265|||||0||||0||||||||||||||||||||||Cathedrals ; |Cathedrals|||||||||Cornell||JNK|MNW|2/2/2005 0:00:00|12/14/2004 0:00:00||Mün||0||||||||||||||||||||||||0||||||||||||0|0|Münster Cathedral| 3108.00|0||||||||Electoral Inscription|Descriptive|Image Source (Book)|||||||Electoral Inscription|0|||||0||||0|||||Roman|||Republican|Roman Period|Imperial (Roman)|||Italy||||||0|Pompeii, Italy|||10133||||0||||0|Paintings|Graffiti|Poster||BCE|-02|-01|01|-199|79|ca|ca 199 BCE-79 CE|ca 199 BCE-79 CE|||||0||||0|||||||||||painting (image-making)|||||||||||Graffiti ; Inscriptions ; |Graffiti|Inscriptions||||||||Cornell||JNK|MNW|2/15/2005 0:00:00|12/21/2004 0:00:00||Pom||0||||||||||||||||||||||||0||These electoral inscriptions were painted in red or black capitals by professional notice painters. (Pompeii and its Museums, p. 21).||||||||||0|0|Electoral Inscription| 3109.00|0|Site|02|B-H3|Pom|7.5 Glad||B-H3 Pom 7.5 Glad |Brawl in the Amphitheatre|Assigned|Image Source (Book)|||||||House of the Gladiator Actius Anicetus. Brawl in the Amphitheatre|0|||||0||||0|||||Roman|||Imperial (Roman)|Roman Period|Republican|||Italy||||||0||||0|Pompeii, Italy|||10133||||0|Paintings|Mural painting|Fresco|Painting||01|||60|79|ca|ca 60-79|ca 60-79||House of the Gladiator Actius Anicetus|Larger entity||3110||||0|||||Mural painting|paint|plaster||||mural painting|fresco painting|painting (image-making)|||169.86 x 185.1 cm||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Amphitheaters (built works) ; |Amphitheaters (built works)|||||||||Cornell||JNK|HB|6/19/2006 0:00:00|12/21/2004 0:00:00||Pom||0||||||Glad|B|||||H3|7.5|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Brawl in the Amphitheatre| 3110.00|0||||||||House of the Gladiator Actius Anicetus|Assigned|Image Source (Book)|House I, 3, 23|Assigned|Print Publication||||House of the Gladiator Actius Anicetus|0|||||0||||0|||||Roman|||Imperial (Roman)|Roman Period|Republican|||Italy||||||0|Pompeii, Italy|||10133||||0||||0|Architecture|House||||01|||60|79|ca|ca 60-79|ca 60-79|||||0||||0||||||||||||||||||||||House of the Gladiator Actius Anicetus, Pompeii, Italy ; Houses ; |House of the Gladiator Actius Anicetus, Pompeii, Italy|Houses||||||||Cornell||JNK|MNW|2/15/2005 0:00:00|12/21/2004 0:00:00||Pom||0||||||||||||||||||||||||0||||||||||||0|0|House of the Gladiator Actius Anicetus;House I, 3, 23| 3111.00|0||||||||House of the Tragic Poet|Assigned|Image Source (Book)|House VI, 8, 5|Assigned|Print Publication||||House of the Tragic Poet|0|||||0||||0|||||Roman|||Republican|Roman Period|Imperial (Roman)|||Italy||||||0|Pompeii, Italy|||10133||||0||||0|Architecture|House|||BCE|01|||-79|-79|bef|bef 79 BCE|bef 79 BCE-79 BCE|||||0||||0||||||||||||||||||||||House of the Tragic Poet (Pompeii) ; Houses ; |House of the Tragic Poet (Pompeii)|Houses||||||||Cornell||JNK|MNW|2/15/2005 0:00:00|12/21/2004 0:00:00||Pom||0||||||||||||||||||||||||0||||||||||||0|0|House of the Tragic Poet;House VI, 8, 5| 3112.00|0|Site|02|B-H3|Pom|7.5 TPoet||B-H3 Pom 7.5 TPoet |Rehearsal for a Greek Satyr Play|Assigned|Image Source (Book)|||||||House of the Tragic Poet. Rehearsal for a Greek Satyr Play|0|||||0||||0|||||Roman|||Republican|Roman Period|Imperial (Roman)|||Italy||||||0||||0|House of the Tragic Poet, Pompeii, Italy|||10356||||0|Mosaics|Mosaic|||BCE|01|||-79|-79|bef|bef 79 BCE|bef 79 BCE-79 BCE||House of the Tragic Poet|Larger entity||3111||||0|||||Mosaic emblema||||||mosaic|||||58.1 x 59 cm||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Plays ; House of the Tragic Poet (Pompeii) ; |Plays|House of the Tragic Poet (Pompeii)||||||||Cornell||JNK|HB|6/26/2006 0:00:00|12/21/2004 0:00:00||Pom|Pom|0||||||TPoet|B|||||H3|7.5|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Rehearsal for a Greek Satyr Play| 3113.00|0|Site|02|B-H3|Pom|7.5 BreBas||B-H3 Pom 7.5 BreBas |The Bakery|Assigned|Image Source (Book)|||||||House of the Bread Baskets. The Bakery|0|||||0||||0|||||Roman|||Republican|Roman Period|Imperial (Roman)|||Italy||||||0||||0|Pompeii, Italy|||10133||||0|Paintings|Mural painting|||CE|01|||50|79|ca|ca 50-79|ca 50-79||House of the Bread Baskets|LargerEntity||7163||||0|||||Mural painting||||||mural painting|painting (image-making)|fresco painting|||58 x 49 cm||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Bakeries ; |Bakeries|||||||||Cornell||JNK|GB|11/6/2006 0:00:00|12/21/2004 0:00:00||Pom|Pom|0||||||BreBas|B|||||H3|7.5|| ||||||||Building|0|Architecture-Italy|May represent the free distribution of bread during elections||||||||||0|0|The Bakery| 3182.00|0||||||||Elevation and Plan of a Spiral Staircase|Assigned|Image Source (Book)|||||||Architettura Civile. Elevation and Plan of a Spiral Staircase|4894|Guarini, Guarino||architect|Guarino Guarini|12331|Vittone, Bernardo|||0|||||Italian|||Baroque|||||Italy||||||0||||0||||0||||0|Architectural Theory|Theory|Book|Architectural drawing||17|||1679|1683|ca|ca 1679-1683|ca 1679-1683||Architettura Civile|Larger entity||3176||||0|||||Drawing||||||drawing (image-making)|||||||||||Spiral stairs ; Architectural drawings ; Architectural theory ; Stairs ; |Spiral stairs|Architectural drawings|Architectural theory|Stairs||||||Cornell||JNK|MNW|4/21/2005 0:00:00|1/4/2005 0:00:00||||0||||||||||||||||||||||||0||Tavola XXVI.||||||||||0|0|Elevation and Plan of a Spiral Staircase|Guarini, Guarino;Vittone, Bernardo 3183.00|0||||||||Vita Beati Patris Ingatii|Assigned|Image Source (Book)|||||||Vita Beati Patris Ingatii|30443|Mallery, Karl van||engraver|Karl van Mallery|||||0|||||Flemish|||Baroque|||||||||||0||||0||||0||||0|Prints|Engraving (Print)|Book|||17|||1610|1610||1610|1610-1610|||||0||||0|||||Engraving|ink|paper||||engraving (incising)|||||||9409|Paris: Centre Sèvres; Bibliothèque|Paris: Centre Sèvres; Biblio.||||||||||||Cornell||JNK|MNW|2/16/2005 0:00:00|1/5/2005 0:00:00||||0||||||||||||||| |||||||||0||This series was published in Antwerp in 1610.||||||||||0|0|Vita Beati Patris Ingatii|Mallery, Karl van 3184.00|0||||||||Paul III Confirms the Society of Jesus (A), Ignatius Composes the Constitutions (B)|Assigned|Image Source (Book)|||||||Vita Beati Patris Ingatii. Paul III Confirms the Society of Jesus (A), Ignatius composes the Constitutions (B)|30443|Mallery, Karl van||engraver|Karl van Mallery aft. Juan de Mesa|30444|Mesa, Juan de|after|painter|0|||||Flemish|||Baroque|||||||||||0||||0||||0||||0|Prints|Engraving (Print)||||17|||1610|1610||1610|1610-1610||Vita Beati Patris Ingatii|Larger entity||3183||||0|||||Engraving|ink|paper||||engraving (incising)|||||||9409|Paris: Centre Sèvres; Bibliothèque|Paris: Centre Sèvres; Biblio.||Paul III, Pope (Alessandro Farnese) ; Saint Ignatius ; Jesuits ; |Paul III, Pope (Alessandro Farnese)|Saint Ignatius|Jesuits|||||||Cornell||JNK|MNW|2/16/2005 0:00:00|1/5/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Paul III Confirms the Society of Jesus (A), Ignatius Composes the Constitutions (B)|Mallery, Karl van;Mesa, Juan de 3185.00|0||||||||St. Ignatius|Assigned|Image Source (Book)|||||||St. Ignatius|30393|Villamena, Francesco||painter|Francesco Villamena|0||||0|||||Italian|||Baroque|||||Italy||||||0||||0||||0||||0|Prints|Engraving (Print)|Portrait|||17|||1600|1600||1600|1600-1600|||||0||||0|||||Engraving|ink|paper||||engraving (incising)|||||||753|Dresden: Kupferstichkabinett|Dresden: Kupferstichkab.||Saint Ignatius ; |Saint Ignatius|||||||||Cornell||JNK|MNW|2/16/2005 0:00:00|1/5/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|St. Ignatius|Villamena, Francesco 3186.00|0||||||||Invicti Quinarii Numeri Series Quae Summatim a Superioribus Pontificibus et Maxime A Sixto Quinto|Published|Repository|||||||Invicti Quinarii Numeri Series Quae Summatim a Superioribus Pontificibus et Maxime A Sixto Quinto|30445|Pinadello, Giovanni||author|Giovanni Pinadello|0||||0|||||Italian|||Baroque|||||Italy||||||0||||0||||0||||0|Publications|Book||||16|||1589|1589||1589|1589-1589|||||0||||0||||||||||||||||||4774|Rome: Biblioteca Hertziana|Rome: Bibl. Hertziana||Sixtus V, Pope, 1520-1590 (Felice Peretti)||||||||||Cornell||JNK|MNW|2/17/2005 0:00:00|1/5/2005 0:00:00||||0||||||||||||||| |||||||||0||The text was published in Rome in 1589.||||||||||0|0|Invicti Quinarii Numeri Series Quae Summatim a Superioribus Pontificibus et Maxime A Sixto Quinto|Pinadello, Giovanni 3187.00|0||||||||Sixtus V|Assigned|Image Source (Book)|||||||Invicti Quinarii Numeri Series Quae Summatim a Superioribus Pontificibus et Maxime A Sixto Quinto. Sixtus V|30445|Pinadello, Giovanni||author|Giovanni Pinadello|0||||0|||||Italian|||Baroque|||||Italy||||||0||||0||||0||||0|Prints|Engraving (Print)|Portrait|||16|||1589|1589||1589|1589-1589||Invicti Quinarii Numeri Series Quae Summatim a Superioribus Pontificibus et Maxime A Sixto Quinto|Larger entity||3186||||0|||||Engraving|ink|paper||||engraving (incising)|||||||4774|Rome: Biblioteca Hertziana|Rome: Bibl. Hertziana||Sixtus V, Pope, 1520-1590 (Felice Peretti) ; Portraits ; |Sixtus V, Pope, 1520-1590 (Felice Peretti)|Portraits||||||||Cornell||JNK|MNW|2/17/2005 0:00:00|1/5/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Sixtus V|Pinadello, Giovanni 3188.00|0||||||||Plans for Jesuit Churches|Assigned|Image Source (Book)|||||||Plans for Jesuit Churches|30446|Rosis, Giovanni de|attributed to|architect|Rosis, Giovanni de (attributed to)|0||||0|||||Italian|||Renaissance|Baroque||||Italy||||||0||||0||||0||||0|Drawings|Drawing|Plans (drawings)|||16|||1580|1580|ca|ca 1580|ca 1580-1580|||||0||||0|||||Pen and ink and wash on paper|pen|wash|ink|||drawing (image-making)|||||||1733|Modena: Biblioteca Estense|Modena: Bibl. Estense||Churches ; Jesuits ; Plans (drawings) ; |Churches|Jesuits|Plans (drawings)|||||||Cornell||JNK|MNW|2/17/2005 0:00:00|1/5/2005 0:00:00||||0||||||||||||||| |||||||||0||||||Raccolta I.I.50, fol. 6.||||||0|0|Plans for Jesuit Churches|Rosis, Giovanni de 3189.00|0||||||||Architects Working on Models of Maya Temples, the Brooklyn Museum|Assigned|Image Source (Book)|||||||Architects Working on Models of Maya Temples, the Brooklyn Museum|0|||||0||||0|||||American|||Modern|||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1934|1934||1934|1934-1934|||||0||||0|||||Black and white photograph||||||photography|||||||3838|New York,Brooklyn Museum|New York: Brooklyn Mus.||Architects ; Studios (Work Spaces) ; Models (Representations) ; Maya ; Temples ; |Architects|Studios (Work Spaces)|Models (Representations)|Maya|Temples|||||Cornell||JNK|MNW|2/6/2005 0:00:00|1/5/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Architects Working on Models of Maya Temples, the Brooklyn Museum| 3190.00|0||||||||Dinner Dress Inspired by Tehuana Costumes in Vogue, January 15, 1942|Assigned|Image Source (Book)|||||||Dinner Dress Inspired by Tehuana Costumes in Vogue, January 15, 1942|30447|Rawllings, John Wilsey||photographer|John Wilsey Rawlings|0||||0|||||American|||Modern|||||United States||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1942|1942||1942|1942-1942|||||0||||0|||||Black and white photograph||||||photography|||||||||||Fashion (concept) ; Dresses ; |Fashion (concept)|Dresses||||||||Cornell||JNK|MNW|2/6/2005 0:00:00|1/5/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Dinner Dress Inspired by Tehuana Costumes in Vogue, January 15, 1942|Rawllings, John Wilsey 3191.00|0||||||||Inca wall|Descriptive|Cataloger|||||||Inca wall|0|||||0||||0|||||Inca||||||||Peru||||||0|Cuzco, Peru|||10262||||0||||0|Architecture|Wall||||15|||1450|1499||Later 15th C|1450-1499|||||0||||0||||||||||||||||||||||Walls ; Cuzco, Peru ; |Walls|Cuzco, Peru||||||||Cornell||JNK|MNW|2/6/2005 0:00:00|1/5/2005 0:00:00||Cuz||0||||||||||||||||||||||||0||||||||||||0|0|Inca wall| 3192.00|0||||||||View of Cuzco, Showing the Superimposition of a European City Structure Over Inca Foundations|Assigned|Image Source (Book)|||||||View of Cuzco, Showing the Superimposition of a European City Structure Over Inca Foundations|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Photographs|Documentary photograph|Street|Wall||20||||||||||||0||||0||||||||||||||||||||||Cuzco, Peru ; Walls ; Buildings ; Streetscapes ; |Cuzco, Peru|Walls|Buildings|Streetscapes||||||Cornell||JNK|MNW|2/6/2005 0:00:00|1/5/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|View of Cuzco, Showing the Superimposition of a European City Structure Over Inca Foundations| 3193.00|0||||||||Monastery of Santo Domingo|Assigned|Image Source (Book)|Coricancha (Temple of the Sun)|Former|Image Source (Book)||||Monastery of Santo Domingo|0|||||0||||0|||||Spanish|||Spanish Colonial|||||Peru||||||0|Cuzco, Peru|||10262||||0||||0|Architecture|Convent|Church|||17|||1600|1699||17th century|1600-1699|||||0||||0||||||||||||||||||||||Monasteries ; Churches ; Cuzco, Peru ; |Monasteries|Churches|Cuzco, Peru|||||||Cornell||JNK|MNW|2/6/2005 0:00:00|1/5/2005 0:00:00||Cuz||0||||||||||||||||||||||||0||Monastery of Santo Domingo was built on foundation of the Coricancha.||||||||||0|0|Monastery of Santo Domingo;Coricancha (Temple of the Sun)| 3194.00|0||||||||Nineteenth Century Representation of Christ of the Earthquakes in Cuzco, Peru|Assigned|Image Source (Book)|||||||Nineteenth Century Representation of Christ of the Earthquakes in Cuzco, Peru|0|||||0||||0|||||Peruvian||||||||||||||0||||0||||0||||0|Prints|Engraving (Print)||||19|||1800|1899||19th century|1800-1899|||||0||||0|||||Engraving|ink|paper||||engraving (incising)|||||||||||Cuzco, Peru ; Christ ; Earthquakes ; Processions ; |Cuzco, Peru|Christ|Earthquakes|Processions||||||Cornell||JNK|MNW|2/6/2005 0:00:00|1/5/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Nineteenth Century Representation of Christ of the Earthquakes in Cuzco, Peru| 3195.00|0||||||||Saint John of God|Assigned|Image Source (Book)|||||||Saint John of God|30448|Nolasco y Lara, Pedro|circle of|painter|Circle of Pedro Nolasco y Lara|0||||0|||||Peruvian||||||||Peru||||||0||||0||||0||||0|Paintings|Oil painting||||18|||1700|1799||18th century|1700-1799|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||101 x 151 cm||3838|New York, The Brooklyn Museum|New York: Brooklyn Mus.||Saint John of God ; |Saint John of God|||||||||Cornell||JNK|MNW|2/6/2005 0:00:00|1/5/2005 0:00:00||||0||41.1275.190||||||||||||| |||||||||0||Cuzco school of painting.||||||||||0|0|Saint John of God|Nolasco y Lara, Pedro 3196.00|0||||||||Saint Joseph and the Christ Child|Assigned|Image Source (Book)|||||||Saint Joseph and the Christ Child|30449|Cuzco School of Painting||painter|Cuzco School of Painting|0||||0|||||Peruvian||||||||Peru||||||0||||0||||0||||0|Paintings|Oil painting||||17|18||1650|1799||Late 17th-18th century|1650-1799|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||109.22 x 81.6 cm||3838|New York,Brooklyn Museum|New York: Brooklyn Mus.||Saint Joseph ; Christ ; Lilies ; |Saint Joseph|Christ|Lilies|||||||Cornell||JNK|MNW|2/6/2005 0:00:00|1/5/2005 0:00:00||||0||41.1275.191||||||||||||| |||||||||0||||||||||||0|0|Saint Joseph and the Christ Child|Cuzco School of Painting 3197.00|0||||||||View of Imola|Assigned|Image Source (Book)|||||||View of Imola|6972|Leonardo da Vinci||painter|Leonardo da Vinci|0||||0|||||Italian|||Renaissance|||||Italy||||||0||||0||||0||||0|City Plans and Views|City|Plan views|Architectural drawing||16|||1503|1503||1503|1503-1503|||||0||||0|||||Ink on paper|ink|paper||||architectural drawing|drawing (image-making)||||||3519|Windsor: Windsor Castle; Royal Collection|Windsor Castle: Royal Coll.||Imola, Italy ; Architectural drawings ; Maps ; Plans (drawings) ; Cities ; |Imola, Italy|Architectural drawings|Maps|Plans (drawings)|Cities|||||Cornell||JNK|MNW|2/17/2005 0:00:00|1/7/2005 0:00:00||||0||RL 12284||||||||||||| |||||||||0||||||||||||0|0|View of Imola|Leonardo da Vinci 3198.00|0||||||||Map of Texúpa|Assigned|Image Source (Book)|||||||Map of Texúpa|0|||||0||||0|||||Spanish|||Spanish Colonial|||||Spain||||||0||||0||||0||||0|Maps|Map||||16|||1579|1579||1579|1579-1579|||||0||||0|||||Ink on paper|ink|paper||||drawing (image-making)|||||||1627|Madrid: Real Academia de la Historia|Madrid: Real Acad. Hist.||Maps ; |Maps|||||||||Cornell||JNK|MNW|2/17/2005 0:00:00|1/7/2005 0:00:00||||0||||||||||||||| |||||||||0||The modern site name is Santiago Tejúpan, Oaxaca, Mexico.||||||||||0|0|Map of Texúpa| 3199.00|0||||||||Mapamundi|Assigned|Image Source (Book)|||||||Mapamundi|30450|Cosa, Juan de la||cartographer|Juan de la Cosa|0||||0|||||Spanish|||Renaissance|||||Spain||||||0||||0||||0||||0|Maps|Map||||15|16||1500|1500|ca|ca 1500|ca 1500-1500|||||0||||0||||||ink|paint||||drawing (image-making)|||||||1617|Madrid: Museo Naval|Madrid: Mus. Naval||Maps ; Mapamundi ; |Maps|Mapamundi||||||||Cornell||JNK|MNW|2/17/2005 0:00:00|1/7/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Mapamundi|Cosa, Juan de la 3200.00|0||||||||Map of Macuilsúchil|Assigned|Image Source (Book)|||||||Map of Macuilsúchil|0|||||0||||0|||||Spanish|||Spanish Colonial|||||Spain||||||0||||0||||0||||0|Maps|Map||||16|||1580|1580||1580|1580-1580|||||0||||0|||||Ink and paint on paper|ink|paint|paper|||drawing (image-making)|||||||1627|Madrid: Real Academia de la Historia|Madrid: Real Acad. Hist.||Maps ; |Maps|||||||||Cornell||JNK|MNW|2/17/2005 0:00:00|1/7/2005 0:00:00||||0||||||||||||||| |||||||||0||The site is present-day San Mateo Macuilxochitl, Oaxaca, Mexico||||||||||0|0|Map of Macuilsúchil| 3114.00|0||||||||Portrait of a Lady|Assigned|Image Source (Book)|||||||Portrait of a Lady|0|||||0||||0|||||Roman|||Republican|Roman Period|Imperial (Roman)|||Italy||||||0||||0|Pompeii, Italy|||10133||||0|Mosaics|Mosaic|Portraits|||01|||79|79|bef|bef 79|bef 79-79|||||0||||0|||||Mosaic||||||mosaic|||||||1854|Naples,Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Women ; Portraits ; |Women|Portraits||||||||Cornell||JNK|MNW|2/15/2005 0:00:00|12/21/2004 0:00:00|||Pom|0||||||||||||||| |||||||||0||Found in a cubiculum of a house in Pompeii. Probably depicts the domina of the house as indicated by the jewelry and the dress. (Pompeii and its museums, p. 74).||||||||||0|0|Portrait of a Lady| 3115.00|0||||||||Casts of Victims at Pompeii|Descriptive|Image Source (Book)|||||||Casts of Victims at Pompeii|0|||||0||||0|||||||||||||Italy||||||0|Pompeii, Italy|||10133||||0||||0|Sculpture|Cast||||20|||1900|1979|ca|20th century|ca 1900-1979|||||0||||0|||||Plaster casts|plaster|||||casting|||||||||||Casts (sculpture) ; Corpses ; Pompeii (extinct city) ; |Casts (sculpture)|Corpses|Pompeii (extinct city)|||||||Cornell||JNK|MNW|2/15/2005 0:00:00|12/21/2004 0:00:00||Pom||0||||||||||||||||||||||||0||Casts were obtained by filling with liquid plaster the hollow shapes left by the hardening of the lava around the corpses. This method was discovered by Giuseppe Fiorelli in 1864. Pompeii and Its Museums, p. 80.||||||||||0|0|Casts of Victims at Pompeii| 3116.00|0||||||||Portrait of a Magistrate (Terentius Neo) and his Wife|Assigned|Image Source (Book)|||||||Portrait of a Magistrate (Terentius Neo) and his Wife|0|||||0||||0|||||Roman|||Imperial (Roman)|Roman Period||||Italy||||||0||||0|Pompeii, Italy|||10133||||0|Paintings|Fresco|Mural painting|Portrait||01|||01|79|ca|1st Century|ca 01-79|||||0||||0|||||Fresco|fresco|||||fresco painting|mural painting||||58.10 x 52.07 cm||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Portraits||||||||||Cornell||JNK|MNW|2/15/2005 0:00:00|12/21/2004 0:00:00|||Pom|0||||||||||||||| |||||||||0||||||||||||0|0|Portrait of a Magistrate (Terentius Neo) and his Wife| 3117.00|0||||||||Basilica de San Sebastiano|Assigned|Blue Guide|Basilica of Saint Sebastian|Translated|Cataloger|St. Sebastian Outside the Walls|Assigned|Image Source (Book)|Basilica de San Sebastiano|9370|Ponzio, Flaminio||architect|Falminio Ponzio|0||||0|||||Italian|||Baroque|||||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Church||||17|||1612|1612||1612|1612-1612|||||0||||0||||||||||||||||||||||Churches ; Basilicas ; Saint Sebastian ; |Churches|Basilicas|Saint Sebastian|||||||Cornell||JNK|MNW|2/15/2005 0:00:00|12/21/2004 0:00:00||Rom||0||||||||||||||||||||||||0||The basilica was one of the original seven pilgrimage churches. It was completely rebuilt in 1612 by Cardinal Scipio Borghese.|||The original structure dated from the first halfof the 4th century.|||||||0|0|Basilica de San Sebastiano;Basilica of Saint Sebastian;St. Sebastian Outside the Walls|Ponzio, Flaminio 3118.00|0||||||||Chapel of Saint Sebastian|Assigned|Image Source (Book)|||||||Basilica de San Sebastiano. Chapel of Saint Sebastian|30434|Ferri, Ciro||painter|Ciro Ferri|0||||0|||||Italian|||Baroque|||||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Chapel||||17|||1672|1672|ca|ca 1672|ca 1672-1672||Basilica de San Sebastiano|Larger entity||3117||||0||||||||||||||||||||||Chapels ; Saint Sebastian ; |Chapels|Saint Sebastian||||||||Cornell||JNK|MNW|2/15/2005 0:00:00|12/21/2004 0:00:00||Rom||0||||||||||||||||||||||||0||||||||||||0|0|Chapel of Saint Sebastian|Ferri, Ciro 3119.00|0||||||||Procession of Innocent X|Assigned|Image Source (Book)|||||||Procession of Innocent X|0|||||0||||0|||||Italian|||Baroque|||||Italy||||||0||||0||||0||||0|Prints|Engraving (Print)||||17|||1644|1644|ca|ca 1644|ca 1644-1644|||||0||||0|||||Engraving|ink|paper||||engraving (incising)|||||||9405|Rome: Gabinetto Nazionale delle Stampe|Rome: Gab. Naz. delle Stampe||Innocent X, Pope, 1574-1655 ; Processions ; |Innocent X, Pope, 1574-1655|Processions||||||||Cornell||JNK|MNW|2/15/2005 0:00:00|12/21/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Procession of Innocent X| 3120.00|0||||||||Drawing of a Banquet with "trionfi" of the Passion of Christ|Descriptive|Image Source (Book)|||||||Drawing of a Banquet with "trionfi" of the Passion of Christ|10778|Sevin, Pierre Paul||painter|Pierre Paul Sevin|0||||0|||||French||||||||France||||||0||||0||||0||||0|Drawings|Drawing||||17|||1667|1669|ca|ca 1667-1669|ca 1667-1669|||||0||||0|||||Drawing|ink|paper||||drawing (image-making)|||||||3333|Stockholm: Nationalmuseum|Stockholm: Nat. Mus.||Passion of Christ ; Banquets (Feasts) ; |Passion of Christ|Banquets (Feasts)||||||||Cornell||JNK|MNW|2/15/2005 0:00:00|12/21/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Drawing of a Banquet with "trionfi" of the Passion of Christ|Sevin, Pierre Paul 3121.00|0||||||||Drawing of a Banquet with "trionfi" of Scenes of the Life of Christ|Descriptive|Image Source (Book)|||||||Drawing of a Banquet with "trionfi" of Scenes of the Life of Christ|10778|Sevin, Pierre Paul||painter|Pierre paul Sevin|0||||0|||||French|||Baroque|||||France||||||0||||0||||0||||0|Drawings|Drawing||||17|||1667|1669|ca|ca 1667-1669|ca 1667-1669|||||0||||0|||||Drawing|ink|paper||||drawing (image-making)|||||||3333|Stockholm: Nationalmuseum|Stockholm: Nat. Mus.||Banquets (Feasts) ; Christ ; |Banquets (Feasts)|Christ||||||||Cornell||JNK|MNW|2/15/2005 0:00:00|12/21/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Drawing of a Banquet with "trionfi" of Scenes of the Life of Christ|Sevin, Pierre Paul 3122.00|0||||||||Map of Ancient Mesoamerica Showing Areas Controlled by Teotihuacan|Descriptive|Cataloger|||||||Map of Ancient Mesoamerica Showing Areas Controlled by Teotihuacan|0|||||0||||0|||||Teotihuacan|Mayan|Aztec||||||Mexico|Guatemala|||||0||||0||||0||||0|Maps|Map||||20|||1900|1993|ca|20th Century|ca 1900-1993|||||0||||0||||||||||||||||||||||Teotihuacán, Mexico ; Maps ; Central America ; |Teotihuacán, Mexico|Maps|Central America|||||||Cornell||JNK|MNW|2/6/2005 0:00:00|12/21/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Map of Ancient Mesoamerica Showing Areas Controlled by Teotihuacan| 3123.00|0||||||||Avenue of the Dead|Assigned|Image Source (Book)|||||||Avenue of the Dead|0|||||0||||0|||||Teotihuacan|||Tzacualli|||||Mexico||||||0|Teotihuacán, Mexico|||10347||||0||||0|Archaeological Sites|Street||||01|||01|99||1st century|01-99|||||0||||0||||||||||||||||||||||Pyramids (tombs) ; Streetscapes ; |Pyramids (tombs)|Streetscapes||||||||Cornell||JNK|MNW|2/6/2005 0:00:00|12/21/2004 0:00:00||Teo||0||||||||||||||||||||||||0||||||||||||0|0|Avenue of the Dead| 3124.00|0||||||||Atetelco Apartment Compound|Assigned|Image Source (Book)|||||||Atetelco Apartment Compound|0|||||0||||0|||||Teotihuacan|||Tlamimilolpa|||||Mexico||||||0|Teotihuacán, Mexico|||10347||||0||||0|Architecture|Apartment house||||03|04|05|250|400||250-400|250-400|||||0||||0||||||||||||||||||||||Apartment houses||||||||||Cornell||JNK|JNK|1/18/2005 0:00:00|12/22/2004 0:00:00||Teo||0||||||||||||||||||||||||0||||||||||||0|0|Atetelco Apartment Compound| 3125.00|0||||||||Skeleton with Necklace from the Tomb of the Feathered Serpent, Teotihuacán|Assigned|Image Source (Book)|||||||Skeleton with Necklace from the Tomb of the Feathered Serpent, Teotihuacán|0|||||0||||0|||||Teotihuacan|||Miccaotli|||||Mexico||||||0||||0|Teotihuacán, Mexico|||10347||||0|Archaeological Sites|Skeleton|Documentary photograph|||02|03||150|200||150-200|150-200|||||0||||0|||||||||||photography|||||||1677|Mexico City, Instituto Nacional de Antropología e Historia (Mexico)|Mexico City: INAH||Skeleton ; Archaeology ; Burials ;|Skeleton|Archaeology|Burials|||||||Cornell||JNK|MNW|2/6/2005 0:00:00|12/22/2004 0:00:00|||Teo|0||||||||||||||| |||||||||0||||||||||||0|0|Skeleton with Necklace from the Tomb of the Feathered Serpent, Teotihuacán| 3126.00|0||||||||Ciudadela|Assigned|Image Source (Book)|||||||Ciudadela|0|||||0||||0|||||Teotihuacan|||Classic|||||Mexico||||||0|Teotihuacán, Mexico|||10347||||0||||0|Archaeological Sites|architecture|Archaeological site|City||02|04|08|100|700||100-700|100-700|||||0||||0||||||||||||||||||||||Cities ; Citadels ; Archaeology ; |Cities|Citadels|Archaeology|||||||Cornell||JNK|MNW|2/6/2005 0:00:00|12/22/2004 0:00:00||Teo||0||||||||||||||||||||||||0||||||||||||0|0|Ciudadela| 3127.00|0||||||||Host Figurine|Assigned|Image Source (Book)|||||||Host Figurine|0|||||0||||0|||||Teotihuacan|||Metepec|||||Mexico||||||0||||0|Teotihuacán, Mexico|||10347|Teotihuacán, Mexico|||10347|Sculpture|Figures (representations)|Ceramics|||08|||750|750|ca|ca 750|ca 750-750|||||0||||0|||||Ceramic and pigment|ceramic|pigment||||sculpture|||||38 cm high||1677|Mexico City, Instituto Nacional de Antropología e Historia (Mexico)|Mexico City: INAH||Figures (representations) ; |Figures (representations)|||||||||Cornell||JNK|MNW|2/6/2005 0:00:00|12/22/2004 0:00:00|||Teo|0||10-411079-82||||||||||||| |||||||||0|||||This dates from the Terminal Metepec period.|||||||0|0|Host Figurine| 3128.00|0||||||||Map of Ancient Mesoamerica: the Principal Cultures|Assigned|Image Source (Book)|||||||Map of Ancient Mesoamerica: the Principal Cultures|0|||||0||||0|||||Mayan|Aztec|Teotihuacan||||||Mexico|Guatemala|||||0||||0||||0||||0|Maps|Map||||20|||1900|1994|ca|20th century|ca 1900-1994|||||0||||0||||||||||||||||||||||Maps ; Central America ; |Maps|Central America||||||||Cornell||JNK|MNW|2/4/2005 0:00:00|12/22/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Map of Ancient Mesoamerica: the Principal Cultures| 3129.00|0||||||||Chronological Chart of Mesoamerican Cultures|Descriptive|Image Source (Book)|||||||Chronological Chart of Mesoamerican Cultures|0|||||0||||0|||||Aztec|Mayan|Teotihuacan||||||Mexico|Guatemala|||||0||||0||||0||||0|Graphics|Chart||||20|||1900|1994|ca|20th century|ca 1900-1994|||||0||||0||||||||||||||||||||||Charts (graphic documents) ; 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McEwan.||||||||||0|0|Colossal Head, No. 8| 3131.00|0||||||||Temple of the Inscriptions|Assigned|Image Source (Book)|||||||Temple of the Inscriptions|0|||||0||||0|||||Mayan|||Classic|||||Mexico||||||0|Palenque, Mexico|||10338||||0||||0|Archaeological Sites|Temple|Pyramid (Tomb)|||07|||615|683||615-683|615-683|||||0||||0||||||||||||||||||||||Palenque, Mexico (deserted settlement) ; Temples ; Pyramids (tombs) ; |Palenque, Mexico (deserted settlement)|Temples|Pyramids (tombs)|||||||Cornell||JNK|MNW|2/4/2005 0:00:00|12/22/2004 0:00:00||Pal||0||||||||||||||||||||||||0||This buildng is dedicated to the ruler Pakal (Lord Shield). McEwan, Ancient Mexico British, 39. McEwan||||||||||0|0|Temple of the Inscriptions| 3132.00|0||||||||Map of Classic Maya City States and Principal Sites|Descriptive|Cataloger|||||||Map of Classic Maya City States and Principal Sites|0|||||0||||0|||||Mayan|||Modern|||||Mexico|Guatemala|||||0||||0||||0||||0|Maps|Map||||20|||1900|1994|ca|20th century|ca 1900-1994|||||0||||0||||||||||||||||||||||Maps ; Maya ; |Maps|Maya||||||||Cornell||JNK|MNW|2/4/2005 0:00:00|12/22/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Map of Classic Maya City States and Principal Sites| 3133.00|0||||||||Map of Teotihuacán culture|Assigned|Image Source (Book)|||||||Map of Teotihuacán culture|0|||||0||||0|||||Teotihuacan||||||||Mexico||||||0||||0||||0||||0|Maps|Map||||||||||||||||0||||0||||||||||||||||||||||Maps; Teotihuacán, Mexico||||||||||Cornell||JNK|JNK|12/23/2004 0:00:00|12/22/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Map of Teotihuacán culture| 3134.00|0||||||||Map of the Aztec Culture|Assigned|Image Source (Book)|||||||Map of the Aztec Culture|0|||||0||||0|||||Aztec|||Modern|||||Mexico||||||0||||0||||0||||0|Maps|Map||||20|||1900|1994|ca|20th century|ca 1900-1994|||||0||||0||||||||||||||||||||||Maps ; Aztecs ; |Maps|Aztecs||||||||Cornell||JNK|MNW|2/4/2005 0:00:00|12/22/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Map of the Aztec Culture| 3135.00|0||||||||Turquoise Mosaic Mask of Tezcatlipoca|Assigned|Image Source (Book)|||||||Turquoise Mosaic Mask of Tezcatlipoca|0|||||0||||0|||||Mixtec|Aztec||Mixtec|Aztec||||Mexico||||||0||||0||||0||||0|Sculpture|Head (representation)|Mosaic|||15|16||1400|1521||1400-1521|1400-1521|||||0||||0|||||Skull with mosaic of turquoise, lignite and shell|skull (skeleton component)|Mosaic||||sculpture|||||19.5 x 12.5 cm||3373|London,British Museum|London: British Museum||Tezcatlipoca (Aztec deity) ; Heads (representations) ; |Tezcatlipoca (Aztec deity)|Heads (representations)||||||||Cornell||JNK|MNW|2/4/2005 0:00:00|12/22/2004 0:00:00||||0||Ethno. St.401||||||||||||| |||||||||0||||||||||||0|0|Turquoise Mosaic Mask of Tezcatlipoca| 3136.00|0||||||||View of the "Ancient and Modern Mexico" Exhibition at the Egyptian Hall, Piccadilly|Assigned|Image Source (Book)|||||||View of the "Ancient and Modern Mexico" Exhibition at the Egyptian Hall, Piccadilly|30435|Aglio, Agostino Maria||painter|Agostino Maria Aglio|0||||0|||||Italian|English|||||||England||||||0||||0||||0||||0|Prints|Lithograph||||19|||1824|1824||1824|1824-1824|||||0||||0|||||Lithograph on paper|ink|paper||||lithography|||||||3707|London, Guildhall Library|London: Guildhall Lib.||Exhibition buildings ; Exhibitions ; Aztec art ; |Exhibition buildings|Exhibitions|Aztec art|||||||Cornell||JNK|MNW|2/7/2005 0:00:00|12/22/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|View of the "Ancient and Modern Mexico" Exhibition at the Egyptian Hall, Piccadilly|Aglio, Agostino Maria 3137.00|0||||||||Newspaper Advertisement Announcing the exhibition of Two "Aztecs" from Ixamaya at the Egyiptian Hall, Piccadilly|Assigned|Image Source (Book)|||||||Newspaper Advertisement Announcing the exhibition of Two "Aztecs" from Ixamaya at the Egyiptian Hall, Piccadilly|0|||||0||||0|||||English|||Victorian|||||England||||||0||||0||||0||||0|Advertising|Advertisement||||19|||1853|1853||1853|1853-1853|||||0||||0||||||newsprint|||||printing|||||||3707|London, Guildhall Library|London: Guildhall Lib.||Aztecs ; Exhibitions ; |Aztecs|Exhibitions||||||||Cornell||JNK|MNW|2/7/2005 0:00:00|12/22/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Newspaper Advertisement Announcing the exhibition of Two "Aztecs" from Ixamaya at the Egyiptian Hall, Piccadilly| 3138.00|0||||||||Solar disc|Assigned|Image Source (Book)|||||||Solar disc|0|||||0||||0|||||Aztec|||Classic|||||Mexico||||||0||||0||||0||||0|Sculpture|Sculpture||||16|||1500|1500|ca|ca 1500|ca 1500-1500|||||0||||0|||||Stone|stone|||||sculpture|||||11 cm high, 46 cm diameter||1680|Mexico City, Museo Nacional de Antropologia|Mexico City: Mus. Nac. Antro.||Astronomy ; Astrology ; Aztec art ; Aztecs ; |Astronomy|Astrology|Aztec art|Aztecs||||||Cornell||JNK|MNW|2/7/2005 0:00:00|12/22/2004 0:00:00||||0||10-13570||||||||||||| |||||||||0||||||||||||0|0|Solar disc| 3139.00|0||||||||Pendant Bell|Assigned|Image Source (Book)|||||||Pendant Bell|0|||||0||||0|||||Aztec|||Classic|||||Mexico||||||0||||0||||0||||0|Metalwork|Pendant (jewelry)||||16|||1500|1500|ca|ca 1500|ca 1500-1500|||||0||||0|||||Gold|gold|||||metalworking|||||9 x 7.5 x 3.8 cm||3431|Saint Petersburg, Hermitage|Saint Petersburg: Hermitage||||||||||||Cornell||JNK|MNW|2/7/2005 0:00:00|12/22/2004 0:00:00||||0||DM 321||||||||||||| |||||||||0||||||||||||0|0|Pendant Bell| 3140.00|0||||||||Fan|Assigned|Image Source (Book)|||||||Fan|0|||||0||||0|||||Aztec|||Classic|||||Mexico||||||0||||0||||0||||0|Objects|Fan (Costume accessory)|Featherwork|||16|||1500|1500|ca|ca 1500|ca 1500-1500|||||0||||0|||||Wood|wood|||||sculpture|||||40 x 10.5 x 4.5 cm||1680|Mexico City, Museo Nacional de Antropologia|Mexico City: Mus. Nac. Antro.||Fans ; Featherwork ; |Fans|Featherwork||||||||Cornell||JNK|MNW|2/7/2005 0:00:00|12/22/2004 0:00:00||||0||10-393455||||||||||||| |||||||||0||Feathers added in 1999.|||Feathers date from 1999.|||||||0|0|Fan| 3141.00|0||||||||Great Plaza|Assigned|Image Source (Book)|||||||Great Plaza|0|||||0||||0|||||Mayan|||Late Classic|||||Guatemala||||||0|Tikal, Guatemala|||10335||||0||||0|Archaeological Sites|Temple|Pyramid (Tomb)|||01|03|09|1|850||1-850|1-850|||||0||||0||||||||||||||||||||||Temples ; Pyramids (tombs) ; Tikal, Guatemala ; |Temples|Pyramids (tombs)|Tikal, Guatemala|||||||Cornell||JNK|MNW|2/2/2005 0:00:00|12/22/2004 0:00:00||||0||||||||||||||||||||||||0||The Great Plaza was discernable in the early first century, but took its present shape in the 8th century with the construction of Temple I, Temple II and the Ballcourt.||||||||||0|0|Great Plaza| 3142.00|0||||||||Views of Cleared Temples II, III, and IV at Tikal, Guatemala|Assigned|Image Source (Book)|||||||Views of Cleared Temples II, III, and IV at Tikal, Guatemala|30411|Maudslay, Alfred Percival||archaeologist|Alfred Percival Maudslay|0||||0|||||English|||Victorian|||||England||||||0||||0||||0||||0|Photographs|Documentary photograph||||19|||1881|1882||1881-1882|1881-1882|||||0||||0|||||Black and white photograph||||||photography|||||||||||Temples ; Pyramids (tombs) ; Tikal, Guatemala ; |Temples|Pyramids (tombs)|Tikal, Guatemala|||||||Cornell||JNK|MNW|2/2/2005 0:00:00|12/22/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Views of Cleared Temples II, III, and IV at Tikal, Guatemala|Maudslay, Alfred Percival 3143.00|0||||||||Chichén Itzá. West Façade of the Building Northwest of the Nunnery, Known as the Temple|Translated|Cataloger|Façade to the Left of the Nun's Palace in Chichén Itzá|Former|Artist||||Chichén Itzá. West Façade of the Building Northwest of the Nunnery, Known as the Temple|30436|Charnay,Claude-Joseph-Désiré||photographer|Claude-Joseph-Désiré Charnay|0||||0|||||French||||||||France||||||0||||0||||0||||0|Photographs|Documentary photograph||||19|||1857|1861|ca|ca 1857-1861|ca 1857-1861|||||0||||0|||||Albumen print||||||albumen process|photography||||43.2 x 34.4||||||Chichén Itzá, Mexico (deserted settlement) ; Temples ; |Chichén Itzá, Mexico (deserted settlement)|Temples||||||||Cornell||JNK|MNW|2/17/2005 0:00:00|12/22/2004 0:00:00||||0||||||||||||||||||||||||0||The exhibition prints were 47% of the originals. THe original of this particular image is actually 19.7 x 15.3 cm.||||||||||0|0|Chichén Itzá. West Façade of the Building Northwest of the Nunnery, Known as the Temple;Façade to the Left of the Nun's Palace in Chichén Itzá|Charnay,Claude-Joseph-Désiré 3144.00|0||||||||Map Showing the Expansion of Christian Kingdoms in Spain|Descriptive|Cataloger|||||||Map Showing the Expansion of Christian Kingdoms in Spain|0|||||0||||0|||||Spanish|||Modern|||||Spain||||||0||||0||||0||||0|Maps|Map||||20|||1900|1995|ca|20th century|1900-1995|||||0||||0||||||||||||||||||||||Spain ; Maps ; |Spain|Maps||||||||Cornell||JNK|MNW|2/7/2005 0:00:00|12/23/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Map Showing the Expansion of Christian Kingdoms in Spain| 3145.00|0||||||||Map Showing the "Castilianization" of Spain, 1480-1600|Assigned|Image Source (Book)|||||||Map Showing the "Castilianization" of Spain, 1480-1600|0|||||0||||0|||||Spanish|||Renaissance|Baroque|Modern|||Spain||||||0||||0||||0||||0|Maps|Map||||20|||1900|1994|ca|20th century|ca 1900-1994|||||0||||0||||||||||||||||||||||Maps ; |Maps|||||||||Cornell||JNK|MNW|2/7/2005 0:00:00|12/23/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Map Showing the "Castilianization" of Spain, 1480-1600| 3146.00|0||||||||The Catholic World Empire in the 16th century|Assigned|Image Source (Book)|||||||The Catholic World Empire in the 16th century|0|||||0||||0|||||Spanish|||Baroque|Modern||||Spain||||||0||||0||||0||||0|Maps|Map||||20|||1900|1994|ca|20th century|ca 1900-1994|||||0||||0||||||||||||||||||||||Roman Catholicism ; North America ; South America ; Africa ; India ; Asia ; Australia ; Maps ; |Roman Catholicism|North America|South America|Africa|India|Asia|Australia|Maps||Cornell||JNK|MNW|2/7/2005 0:00:00|12/23/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|The Catholic World Empire in the 16th century| 3148.00|0|||25|G789|V656|||View of Toledo|Assigned|Repository|||||||View of Toledo|4759|Greco, El||painter|El Greco|0||||0|||||Spanish|||Baroque|||||Spain||||||0||||0||||0||||0|Paintings|Oil painting||||16|||1597|1597|ca||ca. 1597|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||121 x 108 cm.||3294|New York, Meopolitan Museum of Art|New York: Metropolitan||Toledo, Spain ; Landscapes ; Townscapes (built environment) ; |Toledo, Spain|Landscapes|Townscapes (built environment)|||||||Cornell||MNW|MNW|2/7/2005 0:00:00|2/7/2005 0:00:00|G759|||0||7.83.2848||||V656|25|||||||| |||||||||0||||||||||||0|0||Greco, El 3149.00|0||||||||Morisco in Muslim Attire|Descriptive|Image Source (Book)|||||||Morisco in Muslim Attire|30426|Weiditz, Christof, I||medalist|Christof Weiditz, I|0||||0|||||German|||Renaissance|||||Germany||||||0||||0||||0||||0|Drawings|Drawing||||16|||1529|1529|ca|ca 1529|ca 1529-1529|||||0||||0|||||Drawing|ink|paper||||drawing (image-making)|||||||||||Moriscos ; |Moriscos|||||||||Cornell||JNK|MNW|2/7/2005 0:00:00|12/23/2004 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Morisco in Muslim Attire|Weiditz, Christof, I 3150.00|0||||||||Carlos II and Mariana of Austria Presiding Over Bullfight|Assigned|Image Source (Book)|||||||Carlos II and Mariana of Austria Presiding Over Bullfight|0|||||0||||0|||||Spanish||||||||Spain||||||0||||0||||0||||0|Paintings|Oil painting||||18|||1780|1780|ca|ca 1780|ca 1780-1780|||||||||0||||||paint|canvas||||painting (image-making)|||||||1613|Madrid, Museo Municipal de Madrid|Madrid: Museo Munic.||Plaza Mayor (Madrid, Spain) ; Bulls ; |Plaza Mayor (Madrid, Spain)|Bulls||||||||Cornell||JNK|MNW|2/7/2005 0:00:00|12/23/2004 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Carlos II and Mariana of Austria Presiding Over Bullfight| 3151.00|0||||||||The Valley of the Kings|Assigned|Image Source (Book)|||||||The Valley of the Kings|0|||||0||||0|||||Egyptian|||New Kingdom|||||Egypt||||||0|Thebes, Egypt|||10119||||0||||0|Archaeological Sites|Archaeological site|||BCE|-16|-11||1550|1070||1550-1070|1550-1070|||||0||||0||||||||||||||||||||||Tombs ; Archaeology ; Egypt ; |Tombs|Archaeology|Egypt|||||||Cornell||JNK|MNW|2/7/2005 0:00:00|1/3/2005 0:00:00||The||0||||||||||||||||||||||||0||||||||||||0|0|The Valley of the Kings| 3152.00|0||||||||House of the Silver Wedding|Translated|Cataloger|Casa delle Nozze d'Argento (V, 2)|Assigned|Blue Guide||||House of the Silver Wedding|0|||||0||||0|||||Roman|Italian||Imperial (Roman)|||||Italy||||||0|Pompeii, Italy|||10133||||0||||0|Architecture|House|Archaeological site||BCE|-02|-01||199|01||199-01|199-01|||||0||||0||||||||||||||||||||||Casa delle Nozze d'Argento (Pompeii) ; Archaeology ; Houses ; |Casa delle Nozze d'Argento (Pompeii)|Archaeology|Houses|||||||Cornell||JNK|MNW|2/7/2005 0:00:00|1/3/2005 0:00:00||Pom||0||||||||||||||||||||||||0||||||||||||0|0|House of the Silver Wedding;Casa delle Nozze d'Argento (V, 2)| 3153.00|0||||||||Human Sacrifice on a Teocalli|Assigned|Image Source (Book)|||||||Human Sacrifice on a Teocalli|30437|Chapman, J.||engraver|J. Chapman|0||||0|||||||||||||||||||0||||0||||0||||0|Prints|Engraving (Print)||||18|19||1800|1800|ca|ca 1800|ca 1800-1800|||||0||||0|||||Engraving|ink|paper||||engraving (incising)|||||||||||Tenochtitlán ; Human sacrifice ; Altars ; Temples ; |Tenochtitlán|Human sacrifice|Altars|Temples||||||Cornell||JNK|MNW|2/4/2005 0:00:00|1/3/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Human Sacrifice on a Teocalli|Chapman, J. 3154.00|0||||||||Panorama of the Valley of Mexico and Tenochtitlán at the Start of the 17th Century|Assigned|Image Source (Book)|||||||Panorama of the Valley of Mexico and Tenochtitlán at the Start of the 17th Century|30438|Covarrubias, Andrés de|after|artist|Andrés de Covarrubias|0||||0|||||Spanish|||Baroque|Spanish Colonial||||Mexico||||||0||||0||||0||||0|Paintings|Fresco||||16|17||1650|1699|bef|bef 1699|bef 1650-1699|||||0||||0|||||Fresco|fresco|||||fresco painting|||||||9408|Mexico City, Museo de la Ciudad|Mexico City: Museo de la Ciudad||Tenochtitlán ; Mexico City, Mexico ; |Tenochtitlán|Mexico City, Mexico||||||||Cornell||JNK|MNW|2/4/2005 0:00:00|1/3/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Panorama of the Valley of Mexico and Tenochtitlán at the Start of the 17th Century|Covarrubias, Andrés de 3155.00|0||||||||Raising the Cross in an Aztec Town|Assigned|Image Source (Book)|||||||Raising the Cross in an Aztec Town|0|||||0||||0|||||spanish|||Spanish Colonial|||||Mexico||||||0||||0||||0||||0|Drawings|Drawing||||16|||1519|1599|ca|16th century|ca 1519-1599|||||0||||0|||||Drawing|ink|paper||||drawing (image-making)|||||||||||Spaniards ; Aztecs ; Crosses ; |Spaniards|Aztecs|Crosses|||||||Cornell||JNK|MNW|2/4/2005 0:00:00|1/3/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Raising the Cross in an Aztec Town| 3156.00|0||||||||Lienzo de Tlaxcala|Assigned|Image Source (Book)|Tlaxcala Codex|Variant|Print Publication||||Lienzo de Tlaxcala|0|||||0||||0|||||Tlaxcalan|Mexican|Spanish|Spanish Colonial|||||Mexico|Spain|||||0||||0||||0||||0|Manuscripts|Manuscript||||18|||1772|1772|ca|ca 1772|ca 1772-1772|||||0||||0||||||||||||||||||3655|paris,bibliotheque nationale|Paris: Bib. Nat.||Manuscripts ; Spain ; Spaniards ; Tlaxcala códices y manuscritos ; Tlaxcalan indians ; Mexico ; Colonization ; |Manuscripts|Spain|Spaniards|Tlaxcala códices y manuscritos|Tlaxcalan indians|Mexico|Colonization|||Cornell||JNK|MNW|2/4/2005 0:00:00|1/3/2005 0:00:00||||0||||||||||||||| |||||||||0||This work is known only through copies dating from ca. 1772. Images are based upon original murals created by Tlaxcalan artists by the year 1560. The original three manuscrips were lost by 1804. (Gruzinski, Conquest, 231)|||The original manuscript dated from ca. 1560.|||||||0|0|Lienzo de Tlaxcala;Tlaxcala Codex| 3157.00|0||||||||Cortéz and His Mistress Marina|Assigned|Image Source (Book)|||||||Cortéz andHis Mistress Marina|0|||||0||||0|||||Spanish|||Spanish Colonial|||||Spain||||||0||||0||||0||||0|Paintings|Painting|Portrait|||16|||1519|1519|aft|aft 1519|aft 1519-1519|||||0||||0|||||Painting|paint|canvas||||painting (image-making)|||||||1621|Madrid,Museo de América|Madrid: Museo de América||Aztecs ; Cortez, Hernan, 1485-1547 ; Portraits ; |Aztecs|Cortez, Hernan, 1485-1547|Portraits|||||||Cornell||JNK|MNW|10/11/2005 0:00:00|1/3/2005 0:00:00||||0||||||||||||||| |||||||||0||Malinche, a young Aztec baptized Marina by the Spanish, became Cortéz' mistress as well as his interpreter.||||||||||0|0|Cortéz and His Mistress Marina| 3158.00|0||||||||Paestum and the Humber, p. 124|Assigned|Image Source (Book)|||||||Towards a New Architecture. Paestum and the Humber, p.124|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||Swiss|||Modern|||||Switzerland||||||0||||0||||0||||0|Publications|Book|Illustration|||20|||1927|1927||1927|1927-1927||Towards a New Architecture|Larger entity||3057||||0|||||||||||printing|||||||||||Automobiles ; Paestum, Italy ; Temples ; Architectural theory ; |Automobiles|Paestum, Italy|Temples|Architectural theory||||||Cornell||MNW|MNW|3/31/2006 0:00:00|2/17/2005 0:00:00|L467|||0||||||||||||||||||||||||0||||||||||||0|0|Paestum and the Humber, p. 124|Le Corbusier 3159.00|0||||||||The Parthenon and the Delage, "Grand Sport", p. 125|Descriptive|Image Source (Book)|||||||Towards a New Architecture. The Parthenon and the Delage, "Grand Sport", Page 125|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||Swiss|||Modern|||||Switzerland||||||0||||0||||0||||0|Publications|Book|Illustration|||20|||1927|1927||1927|1927-1927||Towards a New Architecture|Larger entity||3057||||0||||||||||||||||||||||Architectural theory ; Automobiles ; Parthenon (Athens, Greece) ; Temples ; |Architectural theory|Automobiles|Parthenon (Athens, Greece)|Temples||||||Cornell||MNW|MNW|6/9/2005 0:00:00|2/17/2005 0:00:00|L467|||0||||||||||||||||||||||||0||||||||||||0|0|The Parthenon and the Delage, "Grand Sport", p. 125|Le Corbusier 3161.00|0||||||||The Four Tlatoque of Tlaxcala Receive the Body of Christ|Descriptive|Online Resource|||||||Lienzo de Tlaxcala.The Four Tlatoque of Tlaxcala Receive the Body of Christ|0|||||0||||0|||||Tlaxcalan|Mexican|Spanish|Spanish Colonial|||||Mexico|Spain|||||0||||0||||0||||0|Illuminated Manuscripts|Illumination (Layout feature)||||18|||1772|1772|ca|ca 1772|ca 1772-1772||Lienzo de Tlaxcala|Larger entity||3156||||0|||||Illumination|paint|paper||||illumination|||||||3655|Paris,Bibliotheque Nationale|Paris: Bib. Nat.||Tlaxcalan indians ; Eucharist ; |Tlaxcalan indians|Eucharist||||||||Cornell||JNK|MNW|2/4/2005 0:00:00|1/4/2005 0:00:00||||0||||||||||||||| |||||||||0||The Tlatoque are the hereditary rulers of Tlaxcala.||||||||||0|0|The Four Tlatoque of Tlaxcala Receive the Body of Christ| 3162.00|0||||||||Pl 18 & 18a: the Rout of la Noche Triste (30 June 1520)|Assigned|Image Source (Book)|||||||Lienzo de Tlaxcala. Pl 18 & 18a: the Rout of la Noche Triste (30 June 1520)|30363|Yllañez, Juan Manuel||scribe|Juan Manuel Yllañez|0||||0|||||Tlaxcalan|Mexican|Spanish|Spanish Colonial|||||Mexico|Spain|||||0||||0||||0||||0|Illuminated Manuscripts|Illumination (Layout feature)||||18|||1772|1772|ca|ca 1772|ca 1772-1772||Lienzo de Tlaxcala|Larger entity||2817||||0|||||Illumination|paint|paper||||illumination|||||||1680|Mexico City,Museo Nacional de Antropologia|Mexico City: Mus. Nac. Antro.||Tlaxcalan indians ; Spaniards ; Processions ; |Tlaxcalan indians|Spaniards|Processions|||||||Cornell||MNW|JNK|1/4/2005 0:00:00|2/6/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Pl 18 & 18a: the Rout of la Noche Triste (30 June 1520)|Yllañez, Juan Manuel 3163.00|0|Category|11|W-02.2|NAmerInd||9b|W-02.2 NAmerInd 9b|An Indian Painted for the Hunt|Assigned|Image Source (Book)|||||||An Indian Painted for the Hunt|12686|White, John||draftsman|John White|0||||0|||||British|||Baroque|||||England||||||0||||0||||0||||0|Watercolors|Watercolor||||16|||1585|1585|ca|ca 1585|ca 1585-1585|||||0||||0|||||Watercolor|watercolors|paper||||painting (image-making)|||||||3373|London,British Museum|London: British Museum||Indians of North America ; Hunting ; |Indians of North America|Hunting||||||||Cornell||JNK|MNW|6/3/2005 0:00:00|1/4/2005 0:00:00||||0||||||NAmerInd|W|||02.2||||| ||||||||Work|0||||||||||||0|0|An Indian Painted for the Hunt|White, John 3164.00|0|Site|02|B-H3|Tur|3.1 SLor||B-H3 Tur 3.1 SLor |San Lorenzo|Assigned|Blue Guide|||||||San Lorenzo|4894|Guarini, Guarino||architect|Guarino Guarini|0||||0|||||Italian|||Baroque|||Europe||Italy||||||0|Turin, Italy|||10097||||0||||0|Architecture|Church||||17|||1667|1667||1667|1667-1667|||||0||||0||||||||||||||||||||||Churches ; |Churches|||||||||Cornell||JNK|JNK|12/1/2006 0:00:00|1/4/2005 0:00:00||Tur||0||||||SLor|B|||||H3|3.1||||||||||Building|0|Architecture-Italy|||||||||||0|0|San Lorenzo|Guarini, Guarino 3166.00|0|Site|02|B-H3|Rom|3.1 SMPace||B-H3 Rom 3.1 SMPace |S. Maria della Pace|Assigned|Blue Guide|Santa Maria della Pace|Variant|Cataloger||||S. Maria della Pace|9359|Pontelli, Baccio||architect|Baccio Pontelli|2628|Cortona, Pietro da|||0|||||Italian|||Renaissance|Baroque||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Church||||15|||1480|1484||1480-1484|1480-1484|||||0||||0||||||||||||||||||||||Rome, Italy; Churches; S. Maria della Pace (Church: Rome, Italy)||||||||||Cornell||JNK|JNK|12/1/2006 0:00:00|1/4/2005 0:00:00||Rom||0||||||SMPace|B|||||H3|3.1||||||||||Building|0|Architecture-Italy|||||||||||0|0|S. Maria della Pace;Santa Maria della Pace|Pontelli, Baccio;Cortona, Pietro da 3167.00|0||||||||Façade and Porch|Descriptive|Blue Guide|||||||S. Maria della Pace. Façade and Porch|2628|Cortona, Pietro da||architect|Pietro da Cortona|0||||0|||||Italian|||Baroque|||||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Church||||17|||1656|1657||1656-1657|1656-1657||S. Maria della Pace|Larger entity||3166||||0||||||||||||||||||||||Churches; Rome, Italy; S. Maria della Pace (Church: Rome, Italy); Facades||||||||||Cornell||JNK|JNK|1/4/2005 0:00:00|1/4/2005 0:00:00||Rom||0||||||||||||||||||||||||0||The Façade and porch were added under Alexander VII. The Piazza project was never completed.||||||||||0|0|Façade and Porch|Cortona, Pietro da 3168.00|0||||||||Project for the Piazza S. Maria della Pace|Assigned|Image Source (Book)|||||||S. Maria della Pace. Project for the Piazza S. Maria della Pace|2628|Cortona, Pietro da||architect|Pietro da Cortona|0||||0|||||Italian|||Baroque|||||Italy||||||0||||0||||0||||0|Architecture|Architectural drawing||||17|||1656|1656|ca|ca 1656|ca 1656-1656||S. Maria della Pace|Larger entity||3166||||0||||||||||||||||||||||Architectural drawings ; Piazzas ; Rome, Italy ; S. Maria della Pace (Church: Rome, Italy) ; |Architectural drawings|Piazzas|Rome, Italy|S. Maria della Pace (Church: Rome, Italy)||||||Cornell||JNK|MNW|2/22/2005 0:00:00|1/4/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Project for the Piazza S. Maria della Pace|Cortona, Pietro da 3169.00|0|Site|02|B-H3|Rom|7.1 Spa||B-H3 Rom 7.1 Spa |Palazzo Spada|Assigned|Blue Guide|||||||Palazzo Spada|7730|Mazzoni, Giulio||architect|Giulio Mazzoni|1414|Borromini, Francesco||architect|0|||||Italian|||Renaissance|||||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Palace||||16|||1540|1540||1540|1540-1540|||||0||||0||||||||||||||||||||||Palaces ; Palazzi ; |Palaces|Palazzi||||||||Cornell||JNK|JNK|12/1/2006 0:00:00|1/4/2005 0:00:00||Rom||0||||||Spa|B|||||H3|7.1||||||||||Building|0|Architecture-Italy|Borromini restored the palace for Cardinal Bernardino Spada and added the tompe l'oeil colonnade or perspectival gallery between the garden and the Palazzo Massari.|||The Colonnade dates from 1632-1635.|||||||0|0|Palazzo Spada|Mazzoni, Giulio;Borromini, Francesco 3170.00|0||||||||Colonnade|Assigned|Macmillan|Perspectival Gallery|Assigned|Blue Guide||||Palazzo Spada. Colonnade|1414|Borromini, Francesco||architect|Francesco Borromini|0||||0|||||Italian|||Baroque|||||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Palace||||17|||1632|1635||1632-1635|1632-1635||Palazzo Spada|Larger entity||3169||||0||||||||||||||||||||||Palazzo Spada, Rome, Italy ; Palazzi ; Palaces ; Perspective ; |Palazzo Spada, Rome, Italy|Palazzi|Palaces|Perspective||||||Cornell||JNK|MNW|2/22/2005 0:00:00|1/4/2005 0:00:00||Rom||0||||||||||||||||||||||||0||||||||||||0|0|Colonnade;Perspectival Gallery|Borromini, Francesco 3171.00|0||||||||Discours de la méthode pour bien conduire sa raison, & chercher la vérite dans les sciences. Plus la dioptrique, les météores et la géometrie. Qui sont des essais de cete methode|Assigned|Image Source (Book)|||||||Discours de la méthode plus la dioptrique, les météores et la géometrie|30318|Descartes, René||philosopher|René Descartes|0||||0|||||French|||Baroque|||||France||||||0||||0||||0||||0|Publications|Book||||17|||1637|1637||1637|1637-1637|||||0||||0||||||||||||||||||9351|Ithaca: Cornell University; Library|Ithaca: Cornell University; Library||Optics ; Refraction ; Meteors ; Geometry ; |Optics|Refraction|Meteors|Geometry||||||Cornell||JNK|MNW|4/21/2005 0:00:00|1/4/2005 0:00:00||||0||B1845.A2||||||||||||| |||||||||0||Published in Leyden byJean Maire.||||In the Rare and Manuscript collection.||||||0|0|Discours de la méthode pour bien conduire sa raison, & chercher la vérite dans les sciences. Plus la dioptrique, les météores et la géometrie. Qui sont des essais de cete methode|Descartes, René 3172.00|0||||||||An Observer and a Cross-section of a Human Eye|Descriptive|Image Source (Book)|||||||Dioptrique. An Observer and a Cross-section of a Human Eye|30318|Descartes, René||philosopher|René Descartes|0||||0|||||French|||Baroque|||||France||||||0||||0||||0||||0|Graphics|Engraving (Print)||||17|||1637|1637||1637|1637-1637||Dioptrique|Larger entity||3651||||0|||||||||||printing|engraving (incising)||||||||||Optics ; Eyes ; Refraction ; |Optics|Eyes|Refraction|||||||Cornell||JNK|MNW|3/31/2006 0:00:00|1/4/2005 0:00:00||||0||||||||||||||||||||||||0||This illustration appears in Discours Sixieme titled "La Vision."||||||||||0|0|An Observer and a Cross-section of a Human Eye|Descartes, René 3173.00|0||||||||Dome Interior|Descriptive|Cataloger|||||||St. Peter's Basilica. Dome Interior|30440|Cesari, Giuseppe||painter|Giuseppe Cesari|0||||0|||||Italian|||Baroque|||||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Mosaic|Dome|||17|||1603|1606||1603-1606|1603-1606||St. Peter's Basilica|Larger entity||133||||0|||||Mosaic|mortar|tile||||mosaic|||||||||||Saints ; Angels ; Domes ; Apostles ; |Saints|Angels|Domes|Apostles||||||Cornell||JNK|MNW|4/21/2005 0:00:00|1/4/2005 0:00:00||Rom||0||||||||||||||||||||||||0||||||||||||0|0|Dome Interior|Cesari, Giuseppe 3174.00|0||||||||Ioannis Keppleri Harmonices mundi libri V.|Assigned|Image Source (Book)|||||||Ioannis Keppleri Harmonices mundi libri V.|30441|Kepler, Johannes||author|Johannes Kepler|0||||0|||||German|||Baroque|||||Germany||||||0||||0||||0||||0|Publications|Book||||17|||1619|1619||1619|1619-1619|||||0||||0|||||||||||printing|||||||||||||||||||||Cornell||JNK|MNW|4/21/2005 0:00:00|1/4/2005 0:00:00||||0||||||||||||||||||||||||0||Published in Linz, Austria, by Gottfried Tampach||||||||||0|0|Ioannis Keppleri Harmonices mundi libri V.|Kepler, Johannes 3175.00|0||||||||Patterns of "Congruence" or Tiling Among Regular Polygons|Descriptive|Image Source (Book)|||||||Ioannis Keppleri Harmonices mundi libri V. Patterns of "Congruence" or Tiling Among Regular Polygons|30441|Kepler, Johannes||author|Johannes Kepler|0||||0|||||German|||Baroque|||||Germany||||||0||||0||||0||||0|Graphics|Engraving (Print)||||17|||1619|1619||1619|1619-1619||Ioannis Keppleri Harmonices mundi libri V.|Larger entity||3174||||0|||||||||||printing|engraving (incising)||||||||||Geometry ; |Geometry|||||||||Cornell||JNK|MNW|4/21/2005 0:00:00|1/4/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Patterns of "Congruence" or Tiling Among Regular Polygons|Kepler, Johannes 3176.00|0||||||||Architettura Civile|Assigned|Image Source (Book)|||||||Architettura Civile|4894|Guarini, Guarino||architect|Guarino Guarini|12331|Vittone, Bernardo|||0|||||Italian|||Baroque|||||Italy||||||0||||0||||0||||0|Architectural Theory|Theory|Book|||17|||1679|1683|ca|ca 1679-1683|ca 1679-1683|||||0||||0||||||||||||||||||||||Architectural theory ; Architectural drawings ; Architectural elements ; |Architectural theory|Architectural drawings|Architectural elements|||||||Cornell||JNK|MNW|4/21/2005 0:00:00|1/4/2005 0:00:00||||0||||||||||||||||||||||||0||Bernardo Vittone edited the work posthumously. The book was published in Turin in 1737.|||This book was published in 1737.|||||||0|0|Architettura Civile|Guarini, Guarino;Vittone, Bernardo 3177.00|0||||||||Tavola XV, Corinthian Order|Assigned|Image Source (Book)|||||||Architettura Civile. Tavola XV, Corinthian Order|4894|Guarini, Guarino||architect|Guarino Guarini|12331|Vittone, Bernardo|||0|||||Italian|||Baroque|||||Italy||||||0||||0||||0||||0|Architectural Theory|Theory|Book|||17|||1679|1683|ca|ca 1679-1683|ca 1679-1683||Architettura Civile|Larger entity||3176||||0|||||Drawing|ink|paper||||drawing (image-making)|||||||||||Columns (architectural elements) ; Corinthian capitals ; Corinthian columns ; Corinthian order ; |Columns (architectural elements)|Corinthian capitals|Corinthian columns|Corinthian order||||||Cornell||JNK|MNW|3/31/2006 0:00:00|1/4/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Tavola XV, Corinthian Order|Guarini, Guarino;Vittone, Bernardo 3178.00|0||||||||Mathematics, the Science of Patterns: the Search for Order in Life, Mind, and the Universe|Inscribed|Print Publication|||||||Mathematics, the Science of Patterns: the Search for Order in Life, Mind, and the Universe|30442|Devlin, Keith J.||author|Keith J. Devlin|0||||0|||||American|||Post-1945|||||United States||||||0||||0||||0||||0|Publications|Book||||20|||1994|1994||1994|1994-1994|||||0||||0||||||||||||||||||||||Mathematics ; |Mathematics|||||||||Cornell||JNK|MNW|4/21/2005 0:00:00|1/4/2005 0:00:00||||0||||||||||||||||||||||||0||Published in New York by the Scientific American Library. Available in the Cornell University Library, QA36.D48x 1994.||||||||||0|0|Mathematics, the Science of Patterns: the Search for Order in Life, Mind, and the Universe|Devlin, Keith J. 3179.00|0||||||||Cours d'architecture enseigné dans l'Académie royale d'architecture|Assigned|Image Source (Book)|||||||Cours d'architecture enseigné dans l'Académie royale d'architecture|1256|Blondel, François||architect|François Blondel|0||||0|||||French|||Baroque|||||France||||||0||||0||||0||||0|Architectural Theory|Theory|Book|||17|||1698|1698||1698|1698-1698|||||0||||0|||||||||||printing|||||||||||Architectural theory ; Education ; Architects ; |Architectural theory|Education|Architects|||||||Cornell||JNK|MNW|4/21/2005 0:00:00|1/4/2005 0:00:00||||0||||||||||||||||||||||||0||Published in Paris, Chez l'Auteur.||||||||||0|0|Cours d'architecture enseigné dans l'Académie royale d'architecture|Blondel, François 3180.00|0||||||||Pantograph or Compasses for Drawing Continuous Parabolic, Hyperbolic, and Elliptical Curves|Assigned|Image Source (Book)|||||||Cours d'architecture enseigné dans l'Académie royale d'architecture.Second part, page 25, Pantograph for drawing curves.|1256|Blondel, François||architect|François Blondel|0||||0|||||French|||Baroque|||||France||||||0||||0||||0||||0|Architectural Theory|Architectural drawing||||17|||1698|1698||1698|1698-1698||Cours d'architecture enseigné dans l'Académie royale d'architecture|Larger entity||3179||||0||||||||||||||||||||||Architectural drawings ; Architectural theory ; Compasses ; |Architectural drawings|Architectural theory|Compasses|||||||Cornell||JNK|MNW|3/31/2006 0:00:00|1/4/2005 0:00:00||||0||||||||||||||||||||||||0||This illustration is in the second part, page 25.||||||||||0|0|Pantograph or Compasses for Drawing Continuous Parabolic, Hyperbolic, and Elliptical Curves|Blondel, François 3181.00|0||||||||Doubled Drawing of Half the Oval of San Carlino|Assigned|Image Source (Book)|||||||San Carlo alle Quattro Fontane. Doubled Drawing of Half the Oval|1414|Borromini, Francesco||architect|Francesco Borromini|0||||0|||||Italian|||Baroque|||||Italy||||||0||||0||||0||||0|Architecture|Architectural drawing||||17|||1638|1668|ca|ca 1638-1668|ca 1638-1668||San Carlo alle Quattro Fontane|Larger entity||2866||||0|||||Drawing||||||drawing (image-making)|||||||3660|Vienna,Graphische Sammlung Albertina|Vienna: Albertina Museum||Chiesa di S. Carlo alle Quattro Fontane (Rome, Italy) ; Architectural drawings ; Plans (drawings) ; |Chiesa di S. Carlo alle Quattro Fontane (Rome, Italy)|Architectural drawings|Plans (drawings)|||||||Cornell||JNK|MNW|4/21/2005 0:00:00|1/4/2005 0:00:00||||0||||||||||||||| |||||||||0|| Labels added.||||||||||0|0|Doubled Drawing of Half the Oval of San Carlino|Borromini, Francesco 3201.00|0||||||||De insulis in mari Indico nuper inventis|Assigned|Image Source (Book)|||||||De insulis in mari Indico nuper inventis|30425|Columbus, Christopher||author|Christopher Columbus|0||||0|||||Italian|Spanish||Renaissance|Spanish Colonial||||Spain|Italy|||||0||||0||||0||||0|Publications|Book||||15|||1494|1494||1494|1494-1494|||||0||||0||||||||||||||||||||||Columbus, Christopher ; Exploration and discovery ; Books ; |Columbus, Christopher|Exploration and discovery|Books|||||||Cornell||JNK|MNW|2/17/2005 0:00:00|1/7/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|De insulis in mari Indico nuper inventis|Columbus, Christopher 3202.00|0||||||||View of Hispaniola|Assigned|Image Source (Book)|||||||De insulis in mari Indico nuper inventis.View of Hispaniola|30425|Columbus, Christopher||author|Christopher Columbus|0||||0|||||Spanish|||Renaissance|Spanish colonial||||Spain||||||0||||0||||0||||0|Prints|Woodcut||||15|||1494|1494||1494|1494-1494||De insulis in mari Indico nuper inventis|Larger entity||3201||||0|||||Woodcut|ink|paper||||woodcut (process)|||||||||||Exploration and discovery ; Columbus, Christopher ; Hispaniola (island) ; |Exploration and discovery|Columbus, Christopher|Hispaniola (island)|||||||Cornell||JNK|MNW|2/17/2005 0:00:00|1/7/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|View of Hispaniola|Columbus, Christopher 3203.00|0||||||||Islario|Assigned|Image Source (Book)|||||||Islario|30451|Bordon, Benedetto||illuminator|Benedetto Bordon|0||||0|||||Italian|||Renaissance|||||Italy||||||0||||0||||0||||0|Publications|Book||||16|||1528|1528||1528|1528-1528|||||0||||0||||||||||||||||||||||||||||||||Cornell||JNK|JNK|1/7/2005 0:00:00|1/7/2005 0:00:00||||0||||||||||||||||||||||||0||The book was initially published in 1528.||||||||||0|0|Islario|Bordon, Benedetto 3204.00|0||||||||La gran città di Temixtitan (Libro I, p. x)|Assigned|Image Source (Book)|||||||Islario. La gran città di Temixtitan (Libro I, p. x)|30451|Bordon, Benedetto||illuminator|Benedetto Bordon|0||||0|||||Italian|||Renaissance|||||Italy||||||0||||0||||0||||0|Prints|Woodcut||||16|||1528|1528||1528|1528-1528||Islario|Larger entity||3203||||0|||||Woodcut|ink|paper||||woodcut (process)|||||||||||Maps ; Cities ; |Maps|Cities||||||||Cornell||JNK|JNK|3/27/2006 0:00:00|1/7/2005 0:00:00||||0||||||||||||||||||||||||0||This image was taken from an edition published in Venice in 1529.||||||||||0|0|La gran città di Temixtitan (Libro I, p. x)|Bordon, Benedetto 3205.00|0||||||||Foundational Plan of Mendoza (Argentina)|Assigned|Image Source (Book)|||||||Foundational Plan of Mendoza (Argentina)|0|||||0||||0|||||Spanish|||Spanish Colonial|||||Spain||||||0||||0||||0||||0|City Plans and Views|Plan views|Drawing|Map||16|||1561|1561||1561|1561-1561|||||0||||0|||||Ink on paper|ink|paper||||drawing (image-making)|||||||9410|Seville: Archivo General de las Indias|Seville: Archivo General de las Indias||Mendoza, Argentina ; Urban planning ; Maps ; Cities ; |Mendoza, Argentina|Urban planning|Maps|Cities||||||Cornell||JNK|MNW|2/17/2005 0:00:00|1/7/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Foundational Plan of Mendoza (Argentina)| 3206.00|0||||||||Our Lady of Caracas|Assigned|Image Source (Book)|||||||Our Lady of Caracas|0|||||0||||0|||||Venezuelan|Spanish||Spanish Colonial|||||Venezuela||||||0||||0||||0||||0|Paintings|Oil painting||||18|||1760|1760|ca|ca 1760|ca 1760-1760|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||||9205|Caracas: Private Collection|Caracas: Priv. Coll.||Caracas, Venezuela ; God the Father ; Madonna and Child ; |Caracas, Venezuela|God the Father|Madonna and Child|||||||Cornell||JNK|MNW|2/17/2005 0:00:00|1/7/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Our Lady of Caracas| 3207.00|0||||||||Biombo (folding screen)|Assigned|Image Source (Book)|||||||Biombo (folding screen)|0|||||0||||0|||||Spanish|Mexican||Spanish Colonial|||||Mexico||||||0||||0||||0||||0|Paintings|Screen (Furniture)||||17|||1690|1692||1690-1692|1690-1692|||||0||||0|||||Oil on wood|oil paint|wood||||painting (image-making)|||||||9412|Mexico City,Museo Franz Mayer|Mexico City: Museo Franz Mayer||Mexico; Screens (furniture)||||||||||Cornell||JNK|JNK|1/7/2005 0:00:00|1/7/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Biombo (folding screen)| 3208.00|0||||||||La muy noble y lead ciudad de México|Assigned|Image Source (Book)|||||||Biombo (folding screen). La muy noble y lead ciudad de México. Font side.|0|||||0||||0|||||Spanish|Mexican||Spanish Colonial|||||Mexico||||||0||||0||||0||||0|Paintings|Painting|Screen (Furniture)|||17|||1690|1692||1690-1692|1690-1692||Biombo (folding screen)|Larger entity||3207||||0|||||Oil on wood|oil paint|wood||||painting (image-making)|||||||9412|Mexico City: Museo Franz Mayer|Mexico City: Museo Franz Mayer||Cityscapes ; Mexico City, Mexico ; |Cityscapes|Mexico City, Mexico||||||||Cornell||JNK|MNW|2/17/2005 0:00:00|1/7/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|La muy noble y lead ciudad de México| 3209.00|0||||||||Conquista de México|Assigned|Image Source (Book)|||||||Biombo (folding screen). Conquista de México. Inverse.|0|||||0||||0|||||Spanish|Mexican||Spanish Colonial|||||Mexico||||||0||||0||||0||||0|Paintings|Screen (Furniture)|Painting|||17|||1690|1692||1690-1692|1690-1692||Biombo (folding screen)|Larger entity||3207||||0|||||Oil on wood|oil paint|wood||||painting (image-making)|||||||9412|Mexico City: Museo Franz Mayer|Mexico City: Museo Franz Mayer||Mexico ; Conquerors ; |Mexico|Conquerors||||||||Cornell||JNK|MNW|2/17/2005 0:00:00|1/7/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Conquista de México| 3210.00|0||||||||Corpus Christi Procession|Assigned|Image Source (Book)|||||||Corpus Christi Procession|0|||||0||||0|||||Peruvian|Spanish||Spanish Colonial|||||Peru||||||0||||0||||0||||0|Paintings|Oil painting||||18|||1700|1700|ca|ca 1700|ca 1700-1700|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||||9365|Lima: Museo de Arte Colonial Pedro de Osma|Lima: Pedro de Osma||Processions ; Corpus Christi Festival ; Cuzco, Peru ; |Processions|Corpus Christi Festival|Cuzco, Peru|||||||Cornell||JNK|MNW|2/17/2005 0:00:00|1/7/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Corpus Christi Procession| 3211.00|0||||||||View and Plan of Toledo|Assigned|Image Source (Book)|||||||View and Plan of Toledo|4759|Greco, El||painter|El Greco|0||||0|||||Spanish|||Baroque|||||Spain||||||0||||0||||0||||0|Paintings|Oil painting||||17|||1610|1610|ca|ca 1610|ca 1610-1610|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||||2934|Toledo: Casa y Museo del Greco|Toledo: Casa/Mus. Greco||Toledo, Spain ; Cityscapes ; Plans (maps) ; |Toledo, Spain|Cityscapes|Plans (maps)|||||||Cornell||JNK|MNW|2/17/2005 0:00:00|1/7/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|View and Plan of Toledo|Greco, El 3212.00|0|Creator|15|27|G338-PA|J921|D|27 G338-PA J921 D|Judith and Maid Servant with Head of Holofernes|Assigned|Image Source (Book)|||||||Judith and Maid Servant with Head of Holofernes|4388|Gentileschi, Artemisia||painter|Artemisia Gentileschi|0||||0|||||Italian|||Baroque|||||Italy||||||0||||0||||0||||0|Paintings|Oil painting||||17|||1625|1625|ca|ca 1625|ca 1625-1625|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||184 x 141.6 cm||3724|Detroit: Detroit Institute of Arts|Detroit: Inst. of Arts||Judith ; Holofernes ; Judith and Holofernes ; |Judith|Holofernes|Judith and Holofernes|||||||Cornell||JNK|MNW|4/25/2005 0:00:00|1/7/2005 0:00:00|G338|||0||||||J921|27|PA||||||| ||||||||Work|0||||||||||||0|0|Judith and Maid Servant with Head of Holofernes|Gentileschi, Artemisia 3213.00|0|Creator|15|27|G338-P|S465||27 G338-P S465 |Self-portrait as Pittura|Assigned|Image Source (Book)|||||||Self-portrait as Pittura|4388|Gentileschi, Artemisia||painter|Artemisia Gentileschi|0||||0|||||Italian|||Baroque|||||Italy||||||0||||0||||0||||0|Paintings|Oil painting|Portrait|||17|||1630|1639|ca|1630's|ca 1630-1639|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||||1530|London: Kensington Palace|London: Kensington Pal.||Pittura ; Gentileschi, Artemisia, 1593-1652 or 1653 ; Portraits ; Pittura ; |Pittura|Gentileschi, Artemisia, 1593-1652 or 1653|Portraits|Pittura||||||Cornell||JNK|MNW|4/25/2005 0:00:00|1/7/2005 0:00:00|G338|||0||||||S465|27|PA||||||| ||||||||Work|0|Painting|||||||||||0|0|Self-portrait as Pittura|Gentileschi, Artemisia 3214.00|0|Creator|15|35|O415-PA|1929|7|35 O415-PA 1929 7|Black Cross, New Mexico|Repository|Repository|||||||Black Cross, New Mexico|8643|O'Keeffe, Georgia||painter|Georgia O'Keeffe|0||||0|||||American|||Modern|||||United States||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1929|1929||1929|1929-1929|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||99.2 x 76.3 cm||4073|Chicago: Art Institute of Chicago|Chicago: Art Institute||Crosses ; |Crosses|||||||||Cornell||JNK|CLL|5/2/2005 0:00:00|1/7/2005 0:00:00|O415|||0||1943.95|||||35|PA||||||1929| ||||||||Work|0|Painting|||||||||||0|0|Black Cross, New Mexico|O'Keeffe, Georgia 3215.00|0|Creator|15|27|G338-PA|J918||27 G338-PA J918 |Judith and Holofernes|Assigned|Collection|||||||Judith and Holofernes|4388|Gentileschi, Artemisia||painter|Artemisia Gentileschi|0||||0|||||Italian|||Baroque|||||Italy||||||0||||0||||0||||0|Paintings|Oil painting||||17|||1620|1620||1620|1620-1620|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||||859|Florence: Galleria degli Uffizi|Florence: Uffizi||Judith ; Holofernes ; Judith and Holofernes ; Beheading ; |Judith|Holofernes|Judith and Holofernes|Beheading||||||Cornell||JNK|MNW|4/25/2005 0:00:00|1/7/2005 0:00:00|G338|||0||||||J918|27|PA||||||| ||||||||Work|0|Painting|||||||||||0|0|Judith and Holofernes|Gentileschi, Artemisia 3216.00|0|Creator|15|27|G338-PA|S9645||27 G338-PA S9645 |Susanna Surprised by the Elders|Assigned|Collection|||||||Susanna Surprised by the Elders|4388|Gentileschi, Artemisia||painter|Artemisia Gentileschi|0||||0|||||Italian|||Baroque|||||Italy||||||0||||0||||0||||0|Paintings|Oil painting||||17|||1610|1610||1610|1610-1610|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||170 x 121 cm||4622|Pommersfelden: Schloss Weissenstein; Graf von Schönborn Collection|Pommersfelden: Schloss||Susanna ; Elders making advances on Susanna ; |Susanna|Elders making advances on Susanna||||||||Cornell||JNK|MNW|4/25/2005 0:00:00|1/7/2005 0:00:00|G338|||0||||||S9645|27|PA||||||| ||||||||Work|0|Painting|||||||||||0|0|Susanna Surprised by the Elders|Gentileschi, Artemisia 3217.00|0|Creator|15|35|O415-PA|1927|2|35 O415-PA 1927 2|Red Hills and the Sun, Lake George|Assigned|Collection|The Red Hills with Sun||||||Red Hills and the Sun, Lake George|8643|O'Keeffe, Georgia||painter|Georgia O'Keeffe|0||||0|||||American|||Modern|||||United States||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1927|1927||1927|1927-1927|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||69 x 81 cm||3303|Washington, DC: Phillips Collection|Wash, DC: Phillips Coll.||Lake George, NY ; Hills ; |Lake George, NY|Hills||||||||Cornell||JNK|MNW|4/25/2005 0:00:00|1/7/2005 0:00:00|O415|||0||1450|||||35|PA||||||1927| ||||||||Work|0|Painting|||||||||||0|0|Red Hills and the Sun, Lake George;The Red Hills with Sun|O'Keeffe, Georgia 3218.00|0|Creator|15|27|C262|BJ920||27 C262 BJ920 |Judith and Holofernes|Assigned|Collection|||||||Judith and Holofernes|2006|Caravaggio, Michelangelo Merisi da||painter|Michelangelo Merisi da Caravaggio|0||||0|||||Italian|||Baroque|||||Italy||||||0||||0||||0||||0|Paintings|Oil painting||||16|||1598|1598|ca|ca 1598|ca 1598-1598|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||145 x 195 cm||2408|Rome: Galleria Nazionale del Palazzo Barberini|Rome: Pal. Barberini||Judith ; Holofernes ; Judith and Holofernes ; Beheading ; |Judith|Holofernes|Judith and Holofernes|Beheading||||||Cornell||JNK|MNW|4/25/2005 0:00:00|1/7/2005 0:00:00|C262|||0||2533||||BJ920|27|||||||| ||||||||Work|0|Painting|||||||||||0|0|Judith and Holofernes|Caravaggio, Michelangelo Merisi da 3219.00|0|Creator|15|27|C262-PA|BC1611||27 C262-PA BC1611 |Calling of St. Matthew|Assigned|Collection|||||||Calling of St. Matthew|2006|Caravaggio, Michelangelo Merisi da||painter|Michelangelo Merisi da Caravaggio|0||||0|||||Italian|||Baroque|||||Italy||||||0|Rome, Italy|||10024||||0||||0|Paintings|Oil painting||||16|17||1599|1600||1599-1600|1599-1600|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||320 x 340 cm||2456|Rome: San Luigi dei Francesi; Contaralli Chapel|Rome: S. Luigi d. Francesi; Conatralli Chapel||Saint Matthew ; New Testament ; |Saint Matthew|New Testament||||||||Cornell||JNK|MNW|10/17/2006 0:00:00|1/7/2005 0:00:00|C262|Rom||0||||||BC1611|27|PA||||||| ||||||||Work|0|Painting|||||||||||0|0|Calling of St. Matthew|Caravaggio, Michelangelo Merisi da 3220.00|0|Creator|15|27|C262-PA|38 Mat|1 D|27 C262-PA 38 Mat 1 D|The Martyrdom of St. Matthew|Assigned|Collection|||||||The Martyrdom of St. Matthew|2006|Caravaggio, Michelangelo Merisi da||painter|Michelangelo Merisi da Caravaggio|0||||0|||||Italian|||Baroque|||||Italy||||||0|Rome, Italy|||10024||||0||||0|Paintings|Oil painting||||16|17||1599|1600||1599-1600|1599-1600|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||323 x 343 cm||2456|Rome: San Luigi dei Francesi; Contaralli Chapel|Rome: S. Luigi d. Francesi; Conatralli Chapel||Saint Matthew ; Martyrdom ; |Saint Matthew|Martyrdom||||||||Cornell||JNK|MNW|4/25/2005 0:00:00|1/7/2005 0:00:00|C262|Rom||0||||||38 Mat 1 D|27|PA||||||| ||||||||Work|0|Painting|||||||||||0|0|The Martyrdom of St. Matthew|Caravaggio, Michelangelo Merisi da 3221.00|0|Creator|15|27|C262-PA|BI379||27 C262-PA BI379 |Incredulity of St. Thomas|Assigned|Collection|||||||Incredulity of St. Thomas|2006|Caravaggio, Michelangelo Merisi da||painter|Michelangelo Merisi da Caravaggio|0||||0|||||Italian|||Baroque|||||Italy||||||0||||0||||0||||0|Paintings|Oil painting||||17|||1601|1602||1601-1602|1601-1602|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||122.23 x 146.05 cm||9413|Potsdam: Potsdam, Neues Palais [in Park Sanssouci]|Potsdam: Neues Palais||Saint Thomas ; |Saint Thomas|||||||||Cornell||JNK|MNW|4/25/2005 0:00:00|1/7/2005 0:00:00|C262|||0||||||BI379|27|PA||||||| ||||||||Work|0|Painting|||||||||||0|0|Incredulity of St. Thomas|Caravaggio, Michelangelo Merisi da 3222.00|0|Creator|15|27|C262-PA|38 P|1 D|27 C262-PA 38 P 1 D|Conversion of St. Paul|Assigned|Image Source (Book)|||||||Conversion of St. Paul|2006|Caravaggio, Michelangelo Merisi da||painter|Michelangelo Merisi da Caravaggio|0||||0|||||Italian|||Baroque|||||Italy||||||0|Rome, Italy|||10024||||0||||0|Paintings|Oil painting||||17|||1600|1601||1600-1601|1600-1601|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||230 x 175 cm||2460|Rome: S. Maria del Popolo; Cerasi Chapel|Rome: S. Maria d. Popolo; Cerasi Chapel||Saint Paul ; Horses ; |Saint Paul|Horses||||||||Cornell||JNK|MNW|4/25/2005 0:00:00|1/7/2005 0:00:00||Rom||0||||||38 P 1 D|27|PA||||||| ||||||||Work|0|Painting|||||||||||0|0|Conversion of St. Paul|Caravaggio, Michelangelo Merisi da 3223.00|0|Creator|15|27|C262-PA|4 L|1|27 C262-PA 4 L |The Lute Player|Assigned|Collection|||||||The Lute Player|2006|Caravaggio, Michelangelo Merisi da||painter|Michelangelo Merisi da Caravaggio|0||||0|||||Italian|||Baroque|||||Italy||||||0||||0||||0||||0|Paintings|Oil painting||||16|||1595|1596|ca|ca 1595-1596|ca 1595-1596|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||94 x 119 cm||3431|Saint Petersburg: Hermitage|Saint Petersburg: Hermitage||Lutes ; Musicians ; Musical instruments ; Musical notation ; |Lutes|Musicians|Musical instruments|Musical notation||||||Cornell||JNK|MNW|4/25/2005 0:00:00|1/7/2005 0:00:00|C262|||0||||||4 L 1|27|PA||||||| ||||||||Work|0|Painting|||||||||||0|0|The Lute Player|Caravaggio, Michelangelo Merisi da 3225.00|0|Creator|15|27|C262-PA|90|1|27 C262-PA 90 1|The Cardsharps|Assigned|Collection|||||||The Cardsharps|2006|Caravaggio, Michelangelo Merisi da||painter|Michelangelo Merisi da Caravaggio|0||||0|||||Italian|||Baroque|||||Italy||||||0||||0||||0||||0|Paintings|Oil painting||||16|||1594|1594|ca|ca 1594|ca 1594-1594|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||94 x 131 cm||3372|Fort Worth: Kimbell Art Museum|Fort Worth: Kimbell Art Mus.||Card-sharps ; |Card-sharps|||||||||Cornell||JNK|MNW|4/25/2005 0:00:00|1/10/2005 0:00:00|C262|||0||||||90 1|27|PA||||||| ||||||||Work|0|Painting|||||||||||0|0|The Cardsharps|Caravaggio, Michelangelo Merisi da 3228.00|0|Creator|15|35|O415-PA|1931||35 O415-PA 1931|Cow's Skull: Red, White, and Blue|Assigned|Collection|||||||Cow's Skull: Red, White, and Blue|8643|O'Keeffe, Georgia||painter|Georgia O'Keeffe|0||||0|||||American|||Modern|||||United States||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1931|1931||1931|1931-1931|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||101.3 x 91.1 cm||3294|New York: Metropolitan Museum of Art|New York: Metropolitan||Skulls ; Cattle ; Cows ; |Skulls|Cattle|Cows|||||||Cornell||JNK|JNK|8/10/2006 0:00:00|1/10/2005 0:00:00|O415|||0||52.203|||||35|PA||||||1931| ||||||||Work|0|Painting|||||||||||0|0|Cow's Skull: Red, White, and Blue|O'Keeffe, Georgia 3229.00|0|Creator|15|27|C262-PA|93|1|27 C262-PA 93 1|Basket of Fruit|Assigned|Collection|||||||Basket of Fruit|2006|Caravaggio, Michelangelo Merisi da||painter|Michelangelo Merisi da Caravaggio|0||||0|||||Italian|||Baroque|||||Italy||||||0||||0||||0||||0|Paintings|Oil painting||||16|||1596|1596||1596|1596-1596|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||31 x 47.5 cm||1713|Milan: Biblioteca Ambrosiana|Milan: Bibl. Ambrosiana||Fruit ; Baskets ; Still lifes ; |Fruit|Baskets|Still lifes|||||||Cornell||JNK|MNW|4/25/2005 0:00:00|1/10/2005 0:00:00|C262|||0||||||93 1|27|PA||||||| ||||||||Work|0|Painting|||||||||||0|0|Basket of Fruit|Caravaggio, Michelangelo Merisi da 3230.00|0|Creator|15|27|C262-PA|4 B|1|27 C262-PA 4 B 1|Sick Bacchus|Assigned|Image Source (Book)|||||||Sick Bacchus|2006|Caravaggio, Michelangelo Merisi da||painter|Michelangelo Merisi da Caravaggio|0||||0|||||Italian|||Baroque|||||Italy||||||0||||0||||0||||0|Paintings|Oil painting||||16|||1593|1593||1593|1593-1593|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||67 x 53 cm||2429|Rome: Galleria Borghese|Rome: Galleria Borghese||Bacchus ; |Bacchus|||||||||Cornell||JNK|MNW|4/25/2005 0:00:00|1/10/2005 0:00:00|C262|||0||||||4 B 1|27|PA||||||| ||||||||Work|0|Painting|||||||||||0|0|Sick Bacchus|Caravaggio, Michelangelo Merisi da 3231.00|0|Creator|15|27|C262-PA|4 M|1|27 C262-PA 4 M 1|The Musicians|Assigned|Collection|||||||The Musicians|2006|Caravaggio, Michelangelo Merisi da||painter|Michelangelo Merisi da Caravaggio|0||||0|||||Italian|||Baroque|||||Italy||||||0||||0||||0||||0|Paintings|Oil painting||||16|||1595|1595|ca|ca 1595|ca 1595-1595|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||92.1 x 118.4 cm (36.3 x 46.6 in)||3294|New York: Metropolitan Museum of Art|New York: Metropolitan||Musicians ; Musical instruments ; Lutes ; |Musicians|Musical instruments|Lutes|||||||Cornell||MNW|MNW|4/25/2005 0:00:00|4/25/2005 0:00:00|C262|||0||||||4 M 1|27|PA||||||| ||||||||Work|0|Painting|||||||||||0|0|The Musicians|Caravaggio, Michelangelo Merisi da 3232.00|0|Creator|15|27|C262-PA|90|2|27 C262-PA 90 2|The Fortune Teller|Assigned|Collection|||||||The Fortune Teller|2006|Caravaggio, Michelangelo Merisi da||painter|Michelangelo Merisi da Caravaggio|0||||0|||||Italian|||Baroque|||||Italy||||||0||||0||||0||||0|Paintings|Oil painting||||16|||1596|1597|ca|ca 1596-1597|ca 1596-1597|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||99 x 131 cm||3341|Paris: Musée du Louvre|Paris: Louvre||Fortune-teller ; Divination ; |Fortune-teller|Divination||||||||Cornell||JNK|MNW|4/25/2005 0:00:00|1/10/2005 0:00:00|C262|||0||||||90 2|27|PA||||||| ||||||||Work|0|Painting|||||||||||0|0|The Fortune Teller|Caravaggio, Michelangelo Merisi da 3233.00|0|Site|02|B-M2|Saq|3.3|Zos/Heb|B-M2 Saq 3.3 Zos/Heb|Heb-Sed Court|Assigned|Image Source (Book)|||||||Step Pyramid Complex of Djoser. Heb-Sed Court|30260|Imhotep||architect|Imhotep|0||||0|||||Egyptian|||Old Kingdom|||||Egypt||||||0|Saqqâra, Egypt|||10118||||0||||0|Archaeological Sites|architecture|||BCE|-27|||2620|2600||-2620 - -2600|-2620 - -2600||Step Pyramid Complex of Djoser|Larger entity||579||||0||||||||||||||||||||||Courtyards ; Necropolises ; Tombs ; |Courtyards|Necropolises|Tombs|||||||Cornell||JNK|MNW|3/31/2006 0:00:00|1/10/2005 0:00:00||Saq||0||||||Zos/Heb|B|||||M2|||||||||||Work|0|Architecture-Egypt|||||||||||0|0|Heb-Sed Court|Imhotep 3234.00|0|Site|02|B-H2|Nim|3.4|Car|B-H2 Nim 3.4 Car|Maison Carrée|Assigned|Collection|||||||Maison Carrée|0|||||0||||0|||||Roman|||Roman Period|||||France||||||0|Nîmes, France|||10115||||0||||0|Architecture|Temple|||BCE|-01|||-16|-16||16 BCE|-16 - -16|||||0||||0||||||||||||||||||||||Temples ; Maison Carrée, Nîmes, France ; |Temples|Maison Carrée, Nîmes, France||||||||Cornell||MNW|JNK|1/10/2005 0:00:00|4/25/2005 0:00:00||Nîm||0||||||Car|B|||||H2|3.4||||||||||Work|0|Architecture-France|||||||||||0|0|Maison Carrée| 3235.00|0|Creator|15|22|G511F-PA|P125-Scr||22 G511F-PA P125-Scr |Cappella degli Scrovegni|Assigned|Blue Guide|Arena Chapel|Assigned|Dict.Art||||Cappella degli Scrovegni (Arena Chapel)|4538|Giotto||artist|Giotto|0||||0|||||Italian|||Early Renaissance|||||Italy||||||0|Cappella degli Scrovegni, Padua, Italy|||10349||||0||||0|Paintings|Fresco||||14|||1304|1313||1304-1313|1304-1313|||||0||||0|||||Fresco|plaster|paint||||fresco painting|||||||||||Chapels; Cappella degli Scrovegni, Padua, Italy; Interior views||||||||||Cornell||JNK|JNK|12/21/2005 0:00:00|1/10/2005 0:00:00|G511F|||0||||||P125-Scr|22|PA||||||| ||||||||Work|0|Painting|||||||||||0|0|Cappella degli Scrovegni;Arena Chapel|Giotto 3236.00|0|Creator|15|22|G511F-PA|P125-Scr|26La|22 G511F-PA P125-Scr 26La|North Wall. The Lamentation of Christ|Assigned|Image Source (Book)|||||||Cappella degli Scrovegni (Arena Chapel). North Wall. The Lamentation of Christ|4538|Giotto||artist|Giotto|0||||0|||||Italian|||Early Renaissance|||||Italy||||||0|Cappella degli Scrovegni, Padua, Italy|||10349||||0||||0|Paintings|Fresco||||14|||1304|1313||1304-1313|1304-1313||Cappella degli Scrovegni|Larger entity||3235||||0|||||Fresco|fresco|||||painting (image-making)|fresco painting||||200 x 185 cm||||||Lamentation over the Dead Christ ; |Lamentation over the Dead Christ|||||||||Cornell||JNK|JNK|11/9/2006 0:00:00|1/11/2005 0:00:00|G511F|||0||||||P125-Scr 26La|22|PA||||||| ||||||||Work|0|Painting|||||||||||0|0|North Wall. The Lamentation of Christ|Giotto 3284.00|0|Creator|05|J-Alvarez Bravo|||10|J-Alvarez Bravo 10|Crowned with Palms|Assigned|Image Source (Book)|||||||Crowned with Palms|13367|Alvarez Bravo, Manuel||photographer|Manuel Alvarez Bravo|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1936|1936||1936|1936-1936|||||0||||0|||||Black and white photograph|photo paper|||||photography|||||||||||Boats ; |Boats|||||||||Cornell||MNW|MNW|1/25/2005 0:00:00|1/25/2005 0:00:00|Alvarez Br|||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Crowned with Palms|Alvarez Bravo, Manuel 3285.00|0|Creator|05|32|C3662-TO|1851|1|32 C3662-TO 1851 1|Six Chippewa (Ojibwa) Indians who Visited Europe with George Catlin|Assigned|Image Source (Book)|||||||Six Chippewa (Ojibwa) Indians who Visited Europe with George Catlin|0|||||0||||0|||||American|||Realist|||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph|Daguerreotypes|||19|||1851|1851||1851|1851-1851|||||0||||0|||||Daguerreotype||||||daguerreotype|||||||614|Chicago,Chicago Historical Society|Chicago: Hist. Soc.||Indians of North America ; |Indians of North America|||||||||Cornell||JNK||2/14/2005 0:00:00|1/25/2005 0:00:00|C3662|||0|||||||32|TO||||||1851| ||||||||Work|0|Photography|||||||||||0|0|Six Chippewa (Ojibwa) Indians who Visited Europe with George Catlin| 3286.00|0|Creator|05|J-Alvarez Bravo|||11|J-Alvarez Bravo 11|Good Reputation Lies Sleeping|Assigned|Image Source (Book)|||||||Good Reputation Lies Sleeping|13367|Alvarez Bravo, Manuel||photographer|Manuel Alvarez Bravo|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1938|1938||1938|1938-1938|||||0||||0|||||Black and white photograph|photo paper|||||photography|||||||||||||||||||||Cornell||MNW|MNW|1/25/2005 0:00:00|1/25/2005 0:00:00|Alvarez Br|||0|||||||J||||||||||||||||Work|0|Photography|This image was created for the Surrealist Exhibition curated by André Breton.||||||||||0|0|Good Reputation Lies Sleeping|Alvarez Bravo, Manuel 3287.00|0|Creator|05|J-Alvarez Bravo|||12|J-Alvarez Bravo 12|Threshold|Assigned|Image Source (Book)|||||||Threshold|13367|Alvarez Bravo, Manuel||photographer|Manuel Alvarez Bravo|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1947|1947||1947|1947-1947|||||0||||0|||||Black and white photograph|photo paper|||||photography|||||||||||Feet ; |Feet|||||||||Cornell||MNW|MNW|1/25/2005 0:00:00|1/25/2005 0:00:00|Alvarez Br|||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Threshold|Alvarez Bravo, Manuel 3288.00|0|Category|05|N-Blackmore|1|||N-Blackmore 1 |William Blackmore Dressed in Indian Regalia|Assigned|Image Source (Book)|||||||William Blackmore Dressed in Indian Regalia|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph|Portrait|||19|||1875|1875|ca|ca 1875|ca 1875-1875|||||0||||0|||||Black and white photograph||||||photography|||||||9421|Laramie, WY: University of Wyoming; American Heritage Center|Laramie, WY: UWY; Amer. Herit. Ctr.||Indians of North America ; Blackmore, William, 1827-1878 ; Portraits ; |Indians of North America|Blackmore, William, 1827-1878|Portraits|||||||Cornell||JNK||2/14/2005 0:00:00|1/25/2005 0:00:00||||0||||||Blackmore|N|||||||| ||||||||Work|0|Photography|||||||||||0|0|William Blackmore Dressed in Indian Regalia| 3289.00|0|Creator|05|32|C3662-TO|1883|1|32 C3662-TO 1883 1|Catlin Indian Gallery|Assigned|Image Source (Book)|||||||Catlin Indian Gallery|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||19|||1883|1883|ca|ca 1883|ca 1883-1883|||||0||||0|||||Black and white photograph||||||photography|||||||4904|Washington, DC: Smithsonian Institution; Archives of American Art|Wash, DC: Smithsonian; Archives Amer. Art||Indians of North America ; Catlin, George, 1796-1872 ; |Indians of North America|Catlin, George, 1796-1872||||||||Cornell||JNK|MNW|2/14/2005 0:00:00|1/25/2005 0:00:00|C3662|||0|||||||32|TO||||||1883| ||||||||Work|0|Photogrpahy|||||||||||0|0|Catlin Indian Gallery| 3290.00|0|Creator|05|J-Alvarez Bravo|||13|J-Alvarez Bravo 13|Dog Number Twenty|Assigned|Image Source (Book)|||||||Dog Number Twenty|13367|Alvarez Bravo, Manuel||photographer|Manuel Alvarez Bravo|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1958|1958||1958|1958-1958|||||0||||0|||||Black and white photograph|photo paper|||||photography|||||||||||Dogs ; |Dogs|||||||||Cornell||MNW|MNW|1/25/2005 0:00:00|1/25/2005 0:00:00|Alvarez Br|||0|||||||J|||||||||||||||||0|Photography|||||||||||0|0|Dog Number Twenty|Alvarez Bravo, Manuel 3291.00|0|Creator|05|J-Alvarez Bravo|||14|J-Alvarez Bravo 14|Boy Sweeping|Assigned|Image Source (Book)|||||||Boy Sweeping|13367|Alvarez Bravo, Manuel||photographer|Manuel Alvarez Bravo|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1950|1959||1950's|1950-1959|||||0||||0|||||Black and white photograph|photo paper|||||photography|||||||||||||||||||||Cornell||MNW|MNW|1/25/2005 0:00:00|1/25/2005 0:00:00|Alvarez Br|||0|||||||J|||||||||||||||||0|Photography|||||||||||0|0|Boy Sweeping|Alvarez Bravo, Manuel 3292.00|0|Creator|05|J-Alvarez Bravo|||15|J-Alvarez Bravo 15|In a Small Space|Assigned|Image Source (Book)|||||||In a Small Space|13367|Alvarez Bravo, Manuel||photographer|Manuel Alvarez Bravo|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1995|1997||1995-1997|1995-1997|||||0||||0|||||Black and white photograph|photo paper|||||photography|||||||||||||||||||||Cornell||MNW|MNW|1/25/2005 0:00:00|1/25/2005 0:00:00||||0|||||||J|||||||||||||||||0|Photography|||||||||||0|0|In a Small Space|Alvarez Bravo, Manuel 3293.00|0||||||||Portrait of Sixtus V|Translated|Cataloger|Ritratto di Sisto V|Assigned|Image Source (Book)||||Portrait of Sixtus V|13173|Bellini, Filippo||painter|Filippo Bellini|0||||0|||||Italian|||Renaissance|||||Italy||||||0||||0||||0||||0|Paintings|Oil painting|Portrait|||16|||1590|1590|ca|ca 1590|ca 1590-1590|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||94 x 120 cm||3405|Paris,Private Collection|Paris: Private Coll.||Sixtus V, Pope, 1520-1590 (Felice Peretti) ; Portraits ; |Sixtus V, Pope, 1520-1590 (Felice Peretti)|Portraits||||||||Cornell||JNK|JNK|1/26/2005 0:00:00|1/25/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Portrait of Sixtus V;Ritratto di Sisto V|Bellini, Filippo 3294.00|0||||||||Column of Trajan and Column of Marcus Aurelius, Views of the tops in elevation|Translated|Cataloger|Colonna Traiana e Colonna di marco Aurelio. Prospetti dell esommita in livellazione|Assigned|Image Source (Book)||||Column of Trajan and Column of Marcus Aurelius, Views of the tops in elevation|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Drawings|Drawing||||||||||||||||0||||0||||||||||||||||||||||||||||||||Cornell||JNK|GB|10/25/2006 0:00:00|1/25/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Column of Trajan and Column of Marcus Aurelius, Views of the tops in elevation;Colonna Traiana e Colonna di marco Aurelio. Prospetti dell esommita in livellazione| 3295.00|0|Creator|15|35|R612-PA|E65|1|35 R612-PA E65 1|La Era|Assigned|Image Source (Book)|||||||La Era|9901|Rivera, Diego||painter|Rivera, Diego|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1904|1904||1904|1904-1904|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||100 x 114.6 cm||9426|Guanajuato, Museo Casa Diego Rivera|Guanajuato: Mus. Casa D. Rivera||Landscapes ; Horses ; |Landscapes|Horses||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|1/25/2005 0:00:00|R612|||0|||||||35|PA||||||1904| |E65|||||||Work|0||||||||||||0|0|La Era|Rivera, Diego 3296.00|0|Creator|15|35|K125-PA|P187||35 K125-PA P187 |Pancho Villa and Adelita|Assigned|Image Source (Book)|||||||Pancho Villa and Adelita|30004|Kahlo, Frida||painter|Frida Kahlo|0||||0|||||Mexican|||Modern|||||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Portrait|||20|||1927|1927|ca|ca 1927|ca 1927-1927|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||65 x 45 cm||9422|Tlaxcala, Instituto Tlaxcalteca de Cultura|Tlaxcala: Inst. Tlaxcalteca de Cult.||Kahlo, Frida, 1907-1954 ; Villa, Pancho, 1878-1923 ; Portraits ; |Kahlo, Frida, 1907-1954|Villa, Pancho, 1878-1923|Portraits|||||||Cornell||JNK|MNW|2/1/2005 0:00:00|1/25/2005 0:00:00|K125|||0|||||||35|PA||||||| |P187|||||||Work|0|Painting|||||||||||0|0|Pancho Villa and Adelita|Kahlo, Frida 3297.00|0|Creator|05|N-Kahlo|Kahlo|6||N- Kahlo 6 |Frida Kahlo in Her Living Room|Assigned|Image Source (Book)|||||||Frida Kahlo in Her Living Room|30496|Silberstein, Barnard G.||photographer|Bernard G. Silberstein|0||||0|||||American|||Modern|||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph|Portrait|||20|||1940|1940||1940|1940-1940|||||0||||0|||||Black and white photograph||||||photography|||||||||||Kahlo, Frida, 1907-1954 ; Portraits ; |Kahlo, Frida, 1907-1954|Portraits||||||||Cornell||JNK|MNW|6/5/2006 0:00:00|1/25/2005 0:00:00||||0||||||Kahlo 6|N||||||||||||||||Work|0|Photography|||||||||||0|0|Frida Kahlo in Her Living Room|Silberstein, Barnard G. 3298.00|0|Creator|15|35|R612-D|1898|1|35 R612-D 1898 1|Head of a Woman|Assigned|Image Source (Book)|||||||Head of a Woman|9901|Rivera, Diego||painter|Rivera, Diego|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Drawings|Drawing||||19|||1898|1898||1898|1898-1898|||||0||||0|||||Pencil on greenish blue paper|pencil|paper||||drawing (image-making)|||||36.2 x 28.3 cm||9423|Mexico City: UNAM; Escuela Nacional de Artes Plasticas|Mexico City: UNAM; Esc. Nac.de Artes Plasticas||Portraits ; |Portraits|||||||||Cornell||MNW|MNW|1/26/2005 0:00:00|1/25/2005 0:00:00|R612|||0|||||||35|D||||||1898| ||||||||Work|0||||||||||||0|0|Head of a Woman|Rivera, Diego 3238.00|0|Creator|15|22|G511F|S440n||22 G511F S440n|North Wall. Baptism of Christ|Assigned|Image Source (Book)|||||||Cappella degli Scrovegni (Arena Chapel).North Wall. Baptism of Christ|4538|Giotto||artist|Giotto|0||||0|||||Italian|||Early Renaissance|||||Italy||||||0|Cappella degli Scrovegni, Padua, Italy|||10349||||0||||0|Paintings|Fresco||||14|||1304|1313||1304-1313|1304-1313||Cappella degli Scrovegni|Larger entity||3235||||0|||||Fresco|fresco|||||fresco painting|painting (image-making)||||200 x 185 cm||||||Baptism of Christ ; God the Father ; Christ ; Saint John the Baptist ; |Baptism of Christ|God the Father|Christ|Saint John the Baptist||||||Cornell||MNW|JNK|11/9/2006 0:00:00|4/25/2005 0:00:00|G511F|||0||||||2440n|22|||||||| ||||||||Work|0|Painting|||||||||||0|0|North Wall. Baptism of Christ|Giotto 3239.00|0|Creator|15|22|G511F|S442a||22 G511F S442a |West (Entrance) Wall. Last Judgment|Assigned|Image Source (Book)|||||||Cappella degli Scrovegni (Arena Chapel). West (Entrance) Wall. Last Judgment|4538|Giotto||artist|Giotto|0||||0|||||Italian|||Early Renaissance|||||Italy||||||0|Cappella degli Scrovegni, Padua, Italy|||10349||||0||||0|Paintings|Fresco||||14|||1304|1313||1304-1313|1304-1313||Cappella degli Scrovegni|Larger entity||3235||||0|||||Fresco|fresco|||||fresco painting|painting (image-making)||||1000 x 840 cm||||||Last Judgment ; |Last Judgment|||||||||Cornell||MNW|JNK|11/9/2006 0:00:00|4/25/2005 0:00:00|G511F|||0||||||S442a|22|||||||| ||||||||Work|0|Painting|||||||||||0|0|West (Entrance) Wall. Last Judgment|Giotto 3240.00|0|Creator|15|22|G511F|S441y||22 G511F S441y |South Wall. Last Supper|Assigned|Image Source (Book)|||||||Cappella degli Scrovegni (Arena Chapel). South Wall. Last Supper|4538|Giotto||artist|Giotto|0||||0|||||Italian|||Early Renaissance|||||Italy||||||0|Cappella degli Scrovegni, Padua, Italy|||10349||||0||||0|Paintings|Fresco||||14|||1304|1313||1304-1313|1304-1313||Cappella degli Scrovegni|Larger entity||3235||||0|||||Fresco|fresco|||||fresco painting|painting (image-making)||||200 x 185 cm||||||Last Supper ; |Last Supper|||||||||Cornell||MNW|JNK|11/9/2006 0:00:00|4/25/2005 0:00:00|G511F|||0||||||S441y|22|||||||| ||||||||Work|0|Painting|||||||||||0|0|South Wall. Last Supper|Giotto 3241.00|0|Creator|15|22|G511F|S440j||22 G511F S440j|North Wall. Marriage of the Virgin|Assigned|Image Source (Book)|||||||Cappella degli Scrovegni (Arena Chapel). North Wall. Marriage of the Virgin|4538|Giotto||artist|Giotto|0||||0|||||Italian|||Early Renaissance|||||Italy||||||0|Cappella degli Scrovegni, Padua, Italy|||10349||||0||||0|Paintings|Fresco||||14|||1304|1313||1304-1313|1304-1313||Cappella degli Scrovegni|Larger entity||3235||||0|||||Fresco|fresco|||||painting (image-making)|fresco painting||||200 x 185 cm||||||Marriage of the Virgin ; Life of the Virgin ; |Marriage of the Virgin|Life of the Virgin||||||||Cornell||MNW|JNK|11/9/2006 0:00:00|4/25/2005 0:00:00|G511F|||0||||||S2440j|22|||||||| ||||||||Work|0|Painting|||||||||||0|0|North Wall. Marriage of the Virgin|Giotto 3242.00|0|Creator|15|22|G511F|S2440b||22 G511F S2440b |South Wall. Birth of the Virgin|Assigned|Image Source (Book)|||||||Cappella degli Scrovegni (Arena Chapel). South Wall. Birth of the Virgin|4538|Giotto||artist|Giotto|0||||0|||||Italian|||Early Renaissance|||||Italy||||||0|Cappella degli Scrovegni, Padua, Italy|||10349||||0||||0|Paintings|Fresco||||14|||1304|1313||1304-1313|1304-1313||Cappella degli Scrovegni|Larger entity||3235||||0|||||Fresco|fresco|||||fresco painting|painting (image-making)||||200 x 185 cm||||||Virgin Mary ; Births ; Saint Anna ; |Virgin Mary|Births|Saint Anna|||||||Cornell||MNW|JNK|11/9/2006 0:00:00|4/25/2005 0:00:00||||0||||||S2440b|22|||||||| ||||||||Work|0|Painting|||||||||||0|0|South Wall. Birth of the Virgin|Giotto 3246.00|0|Creator|15|22|G511F|S441c||22 G511F S441c |South Wall. Joachim's Return to the Sheepfold|Assigned|Image Source (Book)|Joachim among the Shepherds|Variant|Online Resource||||Cappella degli Scrovegni (Arena Chapel). South Wall. Joachim's Return to the Sheepfold|4538|Giotto||artist|Giotto|0||||0|||||Italian|||Early Renaissance|||||Italy||||||0|Cappella degli Scrovegni, Padua, Italy|||10349||||0||||0|Paintings|Fresco||||14|||1304|1313||1304-1313|1304-1313||Cappella degli Scrovegni|Larger entity||3235||||0|||||Fresco|fresco|||||fresco painting|painting (image-making)||||200 x 185 cm||||||Joachim ; Shepherds ; |Joachim|Shepherds||||||||Cornell||JNK|JNK|11/9/2006 0:00:00|1/11/2005 0:00:00|G511F|||0||||||S441c|22|||||||| ||||||||Work|0|Painting|||||||||||0|0|South Wall. Joachim's Return to the Sheepfold;Joachim among the Shepherds|Giotto 3247.00|0|Creator|15|22|G511F|S440u||22 G511F S440u |North Wall. Raising of Lazarus|Assigned|Image Source (Book)|||||||Cappella degli Scrovegni (Arena Chapel). North Wall. Raising of Lazarus|4538|Giotto||artist|Giotto|0||||0|||||Italian|||Early Renaissance|||||Italy||||||0|Cappella degli Scrovegni, Padua, Italy|||10349||||0||||0|Paintings|Fresco||||14|||1304|1313||1304-1313|1304-1313||Cappella degli Scrovegni|Larger entity||3235||||0|||||Fresco|fresco|||||fresco painting|painting (image-making)||||200 x 185 cm||||||Raising of Lazarus ; |Raising of Lazarus|||||||||Cornell||MNW|JNK|11/9/2006 0:00:00|4/25/2005 0:00:00|G511F|||0||||||S2440u|22|||||||| ||||||||Work|0|Painting|||||||||||0|0|North Wall. Raising of Lazarus|Giotto 3248.00|0|Site|02|B-H3|Rom|3.4|AraP|B-H3 Rom 3.4 AraP|Ara Pacis Augustae|Assigned|Blue Guide|Altar of Augustan Peace|Assigned|Blue Guide||||Ara Pacis Augustae (Altar of Augustan Peace)|0|||||0||||0|||||Roman|||Augustan|||||Italy||||||0|Campo Marzio, Rome, Italy|||10350||||||||0|Architecture|Altar|||BCE|-01|||-13|-9||13-9 BCE|-013 - -09|||||0||||0|||||Marble|marble||||||||||10.5 x 11.6 x 7 m||||||Ara Pacis (Rome, Italy) ; Altars ; |Ara Pacis (Rome, Italy)|Altars||||||||Cornell||JNK|MNW|11/6/2006 0:00:00|1/11/2005 0:00:00||Rom||0||||||AraP|B|||||H3|3.4||||||||||Work|0|Architecture-Italy|||||||||||0|0|Ara Pacis Augustae;Altar of Augustan Peace| 3249.00|0|Category|04|EG|MA|1 Dyn||EG MA 1 Dyn |Palatte of Narmer|Assigned|Image Source (Book)|||||||Palatte of Narmer|0|||||0||||0|||||Egyptian|||Pre-Dynastic|||||Egypt||||||0||||0||||0||||0|Sculpture|Relief|Portrait||BCE|-33|-30||3200|2980|ca|ca 3200-2980 BC|ca 3200-2980|||||0||||0|||||Slate|slate|||||sculpture|||||63.5 cm high||522|Cairo: Egyptian Museum|Cairo: Egyptian Mus.||Narmer, King of Egypt, fl. ca. 3100 B.C. ; Kings (people) ; Portraits ; |Narmer, King of Egypt, fl. ca. 3100 B.C.|Kings (people)|Portraits|||||||Cornell||JNK|MNW|4/25/2005 0:00:00|1/11/2005 0:00:00||||0||||||EG MA 1 Dyn||||||||| ||||||||Work|0|Sculpture|||||||||||0|0|Palatte of Narmer| 3251.00|0|Site|02|B-H3|Rom|1.31|Cam 4b|B-H3 Rom 1.31 Cam 4b|Anonymous View of the Campidoglio|Assigned|Collection|||||||Piazza del Campidoglio. Anonymous View of the Campidoglio|0|||||0||||0||||||||Renaissance|||||||||||0||||||||0||||0|Drawings|Drawing||||16|||1554|1560|ca|ca 1554-1560|ca 1554-1560||Piazza del Campidoglio|Larger entity||790||||0||||||ink|paper||||drawing (image-making)|||||||9414|Braunschweig,Herzog Anton Ulrich Museum, Kupferstichkabinett|Brauschweig: Ulrich Mus., Kupferstichkabinett||Campidoglio, Rome, Italy; Piazza del Campidoglio, Rome, Italy||||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|1/11/2005 0:00:00||||0||||||Cam|B|||||H3|1.31|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Anonymous View of the Campidoglio| 3252.00|0|Site|02|B-H3|Rom|1.31|Cam/MA|B-H3 Rom 1.31 Cam/MA|Base for the statue of Marcus Aurelius|Assigned|Image Source (Book)|||||||Piazza del Campidoglio. Base for the statue of Marcus Aurelius|7960|Buonarroti, Michelangelo||architect|Michelangelo Buonarroti|0||||0|||||Italian|||Renaissance|||||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Pedestals||||16|||1538|1539||1538-1539|1538-1539||Piazza del Campidoglio|Larger entity||790||||0||||||||||||||||||||||Pedestals; Campidoglio, Rome, Italy; Piazza del Campidoglio, Rome, Italy||||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|1/11/2005 0:00:00||Rom||0||||||Cam/MA|B|||||H3|1.31||||||||||Work|0|Architecture-Italy|||||||||||0|0|Base for the statue of Marcus Aurelius|Buonarroti, Michelangelo 3253.00|0|Site|02|B-H3|Rom|1.31|Cam/Cor|B-H3 Rom 1.31 Cam/Cor|Cordonata|Assigned|Image Source (Book)|||||||Piazza del Campidoglio. Cordonata|7960|Buonarroti, Michelangelo||architect|Michelangelo Buonarroti|0||||0|||||Italian|||Renaissance|||||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Stair|Piazza|||16|||1538|1564||1538-1564|1538-1564||Piazza del Campidoglio|Larger entity||790||||0||||||||||||||||||||||Stairs; Campidoglio, Rome, Italy; Piazza del Campidoglio, Rome, Italy||||||||||Cornell||JNK|JNK|1/12/2005 0:00:00|1/12/2005 0:00:00||Rom||0||||||Cam/Cor|B|||||H3|1.31||||||||||Work|0|Architecture-Italy|||||||||||0|0|Cordonata|Buonarroti, Michelangelo 3254.00|0|Site|02|B-H3|Rom|1.31|Pop|B-H3 Rom 1.31 Pop|Piazza del Popolo|Assigned|Image Source (Book)|||||||Piazza del Popolo|0|||||0||||0|||||Italian|||Baroque|||||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Piazza||||17|||1670|1690|ca|ca 1670-1690|ca 1670-1690|||||0||||0||||||||||||||||||||||Piazza del Popolo, Rome, Italy||||||||||Cornell||JNK|JNK|1/12/2005 0:00:00|1/12/2005 0:00:00||Rom||0||||||Pop|B|||||H3|1.31||||||||||Work|0|Architecture-Italy|||||||||||0|0|Piazza del Popolo| 3255.00|0|Site|02|B-H3|Flo|7.1|Med|B-H3 Flo 7.1 Med|Palazzo Medici-Riccardi|Assigned|Image Source (Book)|||||||Palazzo Medici-Riccardi|7961|Michelozzo di Bartolomeo||architect|Michelozzo di Bartolomeo|0||||0|||||Italian|||Renaissance|||||Italy||||||0|Florence, Italy|||9985||||0||||0|Architecture|Palace|Palazzo|||15|17||1444|1670||1444, 1670|1444-1670|||||0||||0||||||||||||||||||||||Palazzo Medici Riccardi, Florence, Italy||||||||||Cornell|||JNK|1/12/2005 0:00:00|||Flo||0||||||Med|B|||||H3|7.1||||||||||Work|0|Architecture-Italy|||||||||||0|0||Michelozzo di Bartolomeo 3256.00|0|Site|02|B-H3|Flo|1.1|Aer|B-H3 Flo 1.1 Aer|Aerial view: central area with surroundings|Assigned|Image Source (Book)|||||||Aerial view: central area with surroundings|30258|Rossi, L.||photographer|L. Rossi|0||||0|||||Italian|||Modern|||||Italy||||||0|Florence, Italy|||9985||||0||||0|Photographs|Documentary photograph||||20|||1993|1993||1993|1993-1993|||||0||||0|||||Color photograph|photo paper|||||color photography|||||||||||Florence, Italy||||||||||Cornell||JNK|JNK|1/12/2005 0:00:00|1/12/2005 0:00:00||Flo||0||||||Aer|B|||||H3|1.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|Aerial view: central area with surroundings|Rossi, L. 3257.00|0|Site|02|B-H3|Cap|7.1|Far 4b|B-H3 Cap 7.1 Far 4b|General View of the Palazzo di Caprarola Belonging to the Duke of Parma|Assigned|Image Source (Book)|||||||Villa Farnese. 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Taylor, Esq. Columbia, S.C.|Inscribed|Artist|Portrait of Renty|Assigned|Repository||||Renty, Congo on Plantation of B.F. Taylor, Esq. Columbia, S.C.|13068|Zealy, Joseph T.||daguerreotypist|Joseph T. Zealy|0||||0|||||American|||Realist|||||United States||||||0||||0||||0||||0|Photographs|Daguerreotypes||||19|||1850|1850||March 1850|1850-1850|||||0||||0|||||Daguerreotype||||||daguerreotype|||||Quarter plate||550|Cambridge MA,Harvard University,Peabody Museum|Cambridge: Harvard; Peabody Mus.||Slavery ; Ethnology ; |Slavery|Ethnology||||||||Cornell||JNK|MNW|1/26/2005 0:00:00|1/13/2005 0:00:00|Zealy|||0||35-5-10/53037 (D1)|||||J|||||||| ||||||||Work|0|Photography|Louis Agassiz hired Joseph Zealy to photograph the bodies of African slaves in order to better prove his theory of polygenesis.||||||||||0|0|Renty, Congo on Plantation of B.F. Taylor, Esq. Columbia, S.C.;Portrait of Renty|Zealy, Joseph T. 3262.00|0|Creator|05|J-Zealy|||2|J-Zealy 2|Jack (Driver) Guinea. Plantation of B.F. Taylor, Columbia, South Carolina|Inscribed|Artist|Portrait of Jack|Assigned|Repository||||Jack (driver) Guinea. Plantation of B.F. Taylor, Columbia, South Carolina|13068|Zealy, Joseph T.||daguerreotypist|Joseph T. Zealy|0||||0|||||American|||Realist|||||United States||||||0||||0||||0||||0|Photographs|Daguerreotypes||||19|||1850|1850||March 1850|1850-1850|||||0||||0|||||Daguerreotype||||||daguerreotype|||||Quarter plate||550|Cambridge MA,Harvard University,Peabody Museum|Cambridge: Harvard; Peabody Mus.||Slavery ; Ethnology ; |Slavery|Ethnology||||||||Cornell||JNK|MNW|1/26/2005 0:00:00|1/13/2005 0:00:00|Zealy|||0||35-5-10-53043 (D7)|||||J|||||||| ||||||||Work|0|Photography|Louis Agassiz hired Joseph Zealy to photograph the bodies of African slaves in order to better prove his theory of polygenesis.||||||||||0|0|Jack (Driver) Guinea. Plantation of B.F. Taylor, Columbia, South Carolina;Portrait of Jack|Zealy, Joseph T. 3263.00|0|Creator|05|J-Zealy|||3|J-Zealy 3|Delia, Country Born of African parents ,Daughter of Renty Congo. Columbia, S.C.|Inscribed|Artist|Portrait of Delia, Daughter of Renty|Assigned|Repository||||Delia, Country Born of African parents ,Daughter of Renty Congo. Columbia, S.C.|13068|Zealy, Joseph T.||daguerreotypist|Joseph T. Zealy|0||||0|||||American|||Realist|||||United States||||||0||||0||||0||||0|Photographs|Daguerreotypes||||19|||1850|1850||March 1850|1850-1850|||||0||||0|||||Daguerreotype||||||daguerreotype|||||Quarter plate||550|Cambridge MA,Harvard University,Peabody Museum|Cambridge: Harvard; Peabody Mus.||Slavery ; Ethnology ; |Slavery|Ethnology||||||||Cornell||JNK|MNW|1/26/2005 0:00:00|1/13/2005 0:00:00|Zealy|||0||35-5-10/53039 (D3), 35-5-10-53040 (D4)|||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Delia, Country Born of African parents ,Daughter of Renty Congo. Columbia, S.C.;Portrait of Delia, Daughter of Renty|Zealy, Joseph T. 3264.00|0|Creator|09|H-18|Agassiz||1|H-18 Agassiz 1|"Tableau" to Accompany His Introduction|Assigned|Image Source (Book)|||||||Types of Mankind. 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Illustration Pages|30454|Nott, Josiah Clark||author|Josiah Nott & George Gliddon|30455|Gliddon, George Robins|||0|||||American||||||||United States||||||0||||0||||0||||0|Prints|Illustration||||19|||1854|1854||1854|1854-1854||Types of Mankind|Larger entity||3265||||0|||||Illustration|ink|paper||||printing|||||||||||Ethnology ; |Ethnology|||||||||Cornell||JNK|MNW|1/26/2005 0:00:00|1/13/2005 0:00:00||||0||||||Nott & Gliddon|H|||18|||||||||||||Work|0||||||||||||0|0|Illustration Pages from Nott and Gliddon, Types of Mankind|Nott, Josiah Clark;Gliddon, George Robins 3267.00|0|Creator|15|32|F538-PA|1849|1|32 F538-PA 1849 1|George Catlin|Assigned|Image Source (Book)|||||||George Catlin|30456|Fisk, William Henry||painter|William Henry Fisk|0||||0|||||British|||Victorian|||||||||||0||||0||||0||||0|Paintings|Oil painting|Portrait|||19|||1849|1849||1849|1849-1849|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||127 x 101.6 cm||3176|Washington DC,Smithsonian Institution,National Portrait Gallery|Wash, DC: Smithsonian; Nat. Portrait Gal.||Catlin, George, 1796-1872 ; Portraits ; |Catlin, George, 1796-1872|Portraits||||||||Cornell||JNK|MNW|6/3/2005 0:00:00|1/14/2005 0:00:00|F538|||0||NPG.70.14|||||32|PA||||||1849| ||||||||Work|0|Painting|||||||||||0|0|George Catlin|Fisk, William Henry 3268.00|0|Creator|15|32|C3662-PA|1832|6|32 C3662-PA 1832 6|Wá-Hón-Ga-Shee, No Fool, A Great Fop|Repository|Repository|||||||Wá-Hón-Ga-Shee, No Fool, A Great Fop|2126|Catlin, George||painter|George Catlin|0||||0|||||American|||Realist|||||United States||||||0||||0||||0||||0|Paintings|Oil painting|Portrait|||19|||1832|1832||1832|1832-1832|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||73.66 x 60.96 cm||3174|Washington, DC: Smithsonian Institution; Museum of American Art|Wash, DC: Smithsonian; Mus. Amer. Art||Portraits ; Indians of North America ; |Portraits|Indians of North America||||||||Cornell||JNK|MNW|6/17/2005 0:00:00|1/14/2005 0:00:00|C3662|||0||1985.66.24|||||32|PA||||||1832| ||||||||Work|0|Painting|Kansas/Kaw culture.||||||||||0|0|Wá-Hón-Ga-Shee, No Fool, A Great Fop|Catlin, George 3269.00|0|Creator|15|32|C3662-PA|1832-1833||32 C3662-PA 1832-1833 |Dying Buffalo, Shot with an Arrow|Assigned|Image Source (Book)|||||||Dying Buffalo, Shot with an Arrow|2126|Catlin, George||painter|George Catlin|0||||0|||||American|||Realist|||||United States||||||0||||0||||0||||0|Paintings|Oil painting||||19|||1832|1833||1832-1833|1832-1833|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||60.96 x 73.66 cm||3174|Washington, DC: Smithsonian Institution; Museum of American Art|Wash, DC: Smithsonian; Mus. Amer. Art||American bison ; |American bison|||||||||Cornell||JNK|MNW|6/17/2005 0:00:00|1/14/2005 0:00:00|C3662|||0||1985.66.407|||||32|PA||||||1832-1833| ||||||||Work|0|Painting|||||||||||0|0|Dying Buffalo, Shot with an Arrow|Catlin, George 3270.00|0|Category|11|V-02.2|NAmerInd|NPlains||V-02.2 NAmerInd/NPlains|Man's Shirt|Assigned|Image Source (Book)|||||||Man's Shirt|0|||||0||||0|||||Native American||||||||United States||||||0||||0||||0||||0|Textiles|Shirt||||19|||1830|1849||1830's-1840's|1830-1849|||||0||||0|||||Hide, rabbit skin, porcupine quills, beads, sinew, human hair, pigment|hide|beads|pigment|||leatherworking|||||86.36 cm high||4066|Washington, DC: Smithsonian Institution|Wash, DC: Smithsonian||Costume ; |Costume|||||||||Cornell||JNK||2/14/2005 0:00:00|1/14/2005 0:00:00||||0||386.505||||NAmerInd/NPlains|V|||02.2||||| ||||||||Work|0|Textiles-North American Indian|Northern Plains?||||In Dept. of Anthropology||||||0|0|Man's Shirt| 3271.00|0|Creator|15|32|C3662-PA|1832|7|32 C3662-PA 1832 7|Stu-Mick-O-Súcks, Buffalo Bull's Back Fat, Head Chief, Blood Tribe|Assigned|Image Source (Book)|||||||Stu-Mick-O-Súcks, Buffalo Bull's Back Fat, Head Chief, Blood Tribe|2126|Catlin, George||painter|George Catlin|0||||0|||||American|||Realist|||||United States||||||0||||0||||0||||0|Paintings|Oil painting|Portrait|||19|||1832|1832||1832|1832-1832|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||73.66 x 60.96 cm||3174|Washington, DC: Smithsonian Institution; Museum of American Art|Wash, DC: Smithsonian; Mus. Amer. Art||Indians of North America ; Portraits ; |Indians of North America|Portraits||||||||Cornell||JNK|MNW|6/17/2005 0:00:00|1/14/2005 0:00:00|C3662|||0||1985.66.149|||||32|PA||||||1832| ||||||||Work|0|Painting|Blackfoot/Kainai culture||||||||||0|0|Stu-Mick-O-Súcks, Buffalo Bull's Back Fat, Head Chief, Blood Tribe|Catlin, George 3272.00|0|Creator|15|32|C3662-PA|1831|1|32 C3662-PA 1831 1|Wi-Jún-Jon, Pigeon's Egg Head (The Light), A Distinguished Young Warrior|Assigned|Image Source (Book)|||||||Wi-Jún-Jon, Pigeon's Egg Head (The Light), A Distinguished Young Warrior|2126|Catlin, George||painter|George Catlin|0||||0|||||American|||Realist|||||United States||||||0||||0||||0||||0|Paintings|Oil painting|Portrait|||19|||1831|1831||1831|1831-1831|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||73.66 x 60.96 cm||3174|Washington, DC: Smithsonian Institution; Museum of American Art|Wash, DC: Smithsonian; Mus. Amer. Art||Indians of North America ; Portraits ; |Indians of North America|Portraits||||||||Cornell||JNK|MNW|6/17/2005 0:00:00|1/14/2005 0:00:00|C3662|||0||1985.66.179|||||32|PA||||||1831| ||||||||Work|0|Painting|Assiniboine/Nakoda culture.||||||||||0|0|Wi-Jún-Jon, Pigeon's Egg Head (The Light), A Distinguished Young Warrior|Catlin, George 3273.00|0|Creator|15|32|C3662-PA|1838|1|32 C3662-PA 1838 1|Os-Ce-O-Lá, The Black Drink, A Warrior of Great Distinction|Assigned|Image Source (Book)|||||||Os-Ce-O-Lá, The Black Drink, A Warrior of Great Distinction|2126|Catlin, George||painter|George Catlin|0||||0|||||American|||Realist|||||United States||||||0||||0||||0||||0|Paintings|Oil painting|Portrait|||19|||1838|1838||1838|1838-1838|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||78.42 x65.72 cm||3174|Washington, DC: Smithsonian Institution; Museum of American Art|Wash, DC: Smithsonian; Mus. Amer. Art||Indians of North America ; Portraits ; |Indians of North America|Portraits||||||||Cornell||JNK|MNW|6/17/2005 0:00:00|1/14/2005 0:00:00|C3662|||0||1985.66.301|||||32|PA||||||1838| ||||||||Work|0|Painting|Seminole culture.||||||||||0|0|Os-Ce-O-Lá, The Black Drink, A Warrior of Great Distinction|Catlin, George 3274.00|0|Creator|15|32|C3662-PA|1844|1|32 C3662-PA 1844 1|Wash-Ka-Mon-Ya, Fast Dancer, A Warrior|Assigned|Image Source (Book)|||||||Wash-Ka-Mon-Ya, Fast Dancer, A Warrior|2126|Catlin, George||painter|George Catlin|0||||0|||||American|||Realist|||||United States||||||0||||0||||0||||0|Paintings|Oil painting|Portrait|||19|||1844|1844||1844|1844-1844|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||73.66 x 60.96 cm||3174|Washington, DC: Smithsonian Institution; Museum of American Art|Wash, DC: Smithsonian; Mus. Amer. Art||Indians of North America ; Portraits ; |Indians of North America|Portraits||||||||Cornell||JNK|MNW|6/17/2005 0:00:00|1/14/2005 0:00:00|C3662|||0||1985.66.520|||||32|PA||||||1844| ||||||||Work|0|Painting|Iowa culture.||||||||||0|0|Wash-Ka-Mon-Ya, Fast Dancer, A Warrior|Catlin, George 3275.00|0|Creator|05|J-Alvarez Bravo|||1|J-Alvarez Bravo 1|Barber|Assigned|Image Source (Book)|||||||Barber|13367|Alvarez Bravo, Manuel||photographer|Manuel Alvarez Bravo|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1924|1924||1924|1924-1924|||||0||||0|||||Black and white photograph|photo paper|||||photography|||||||||||Barbers ; |Barbers|||||||||Cornell||MNW|MNW|1/25/2005 0:00:00|1/24/2005 0:00:00|A473|||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Barber|Alvarez Bravo, Manuel 3276.00|0|Creator|05|J-Alvarez Bravo|||2|J-Alvarez Bravo 2|Squash and Snail|Assigned|Image Source (Book)|||||||Squash and Snail|13367|Alvarez Bravo, Manuel|||Manuel Alvarez Bravo|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1928|1928||1928|1928-1928|||||0||||0|||||Black and white photograph|photo paper|||||photography|||||||||||Snails ; Squash ; |Snails|Squash||||||||Cornell||MNW|MNW|1/25/2005 0:00:00|1/25/2005 0:00:00|A473|||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Squash and Snail|Alvarez Bravo, Manuel 3277.00|0|Creator|05|J-Alvarez Bravo|||3|J-Alvarez Bravo 3|Jicamas|Assigned|Image Source (Book)|||||||Jicamas|13367|Alvarez Bravo, Manuel||photographer|Manuel Alvarez Bravo|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1929|1929||1929|1929-1929|||||0||||0|||||Black and white photograph|photo paper|||||photography|||||||||||Jicamas ; |Jicamas|||||||||Cornell||MNW|MNW|1/25/2005 0:00:00|1/25/2005 0:00:00|Alvarez Br|||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Jicamas|Alvarez Bravo, Manuel 3278.00|0|Creator|05|J-Alvarez Bravo|||4|J-Alvarez Bravo 4|Daydream|Assigned|Image Source (Book)|||||||Daydream|13367|Alvarez Bravo, Manuel||photographer|Manuel Alvarez Bravo|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1931|1931||1931|1931-1931|||||0||||0|||||Black and white photograph|photo paper|||||photography|||||||||||||||||||||Cornell||MNW|MNW|1/25/2005 0:00:00|1/25/2005 0:00:00|Alvarez Br|||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Daydream|Alvarez Bravo, Manuel 3279.00|0|Creator|05|J-Alvarez Bravo|||5|J-Alvarez Bravo 5|Optical Parable|Assigned|Image Source (Book)|||||||Optical Parable|13367|Alvarez Bravo, Manuel||photographer|Manuel Alvarez Bravo|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1931|1931||1931|1931-1931|||||0||||0|||||Black and white photograph|photo paper|||||photography|||||||||||||||||||||Cornell||MNW|MNW|1/25/2005 0:00:00|1/25/2005 0:00:00|Alvarez Br|||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Optical Parable|Alvarez Bravo, Manuel 3280.00|0|Creator|05|J-Alvarez Bravo|||6|J-Alvarez Bravo 6|Christ|Assigned|Image Source (Book)|||||||Christ|13367|Alvarez Bravo, Manuel||photographer|Manuel Alvarez Bravo|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1932|1932||1932|1932-1932|||||0||||0|||||Black and white photograph|photo paper|||||photography|||||||||||Christ ; |Christ|||||||||Cornell||MNW|JNK|1/25/2005 0:00:00|1/25/2005 0:00:00|Alvarez Br|||0|||||||J||||||||||||||||Work|0|Photography|This photograph was taken for the magazine "Mexican Folkways." Hopkinson, Bravo||||||||||0|0|Christ|Alvarez Bravo, Manuel 3281.00|0|Creator|05|J-Alvarez Bravo|||7|J-Alvarez Bravo 7|The Dancers' Daughter|Assigned|Image Source (Book)|||||||The Dancers' Daughter|13367|Alvarez Bravo, Manuel||photographer|Manuel Alvarez Bravo|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1933|1933||1933|1933-1933|||||0||||0|||||Black and white photograph|photo paper|||||photography|||||||||||||||||||||Cornell||MNW|MNW|1/25/2005 0:00:00|1/25/2005 0:00:00|Alvarez Br|||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|The Dancers' Daughter|Alvarez Bravo, Manuel 3282.00|0|Creator|05|J-Alvarez Bravo|||8|J-Alvarez Bravo 8|Striking Worker Assassinated|Assigned|Image Source (Book)|||||||Striking Worker Assassinated|13367|Alvarez Bravo, Manuel||photographer|Manuel Alvarez Bravo|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1934|1934||1934|1934-1934|||||0||||0|||||Black and white photograph|photo paper|||||photography|||||||||||Labor disputes ; Assissinations ; Workers ; |Labor disputes|Assissinations|Workers|||||||Cornell||MNW|MNW|1/25/2005 0:00:00|1/25/2005 0:00:00|Alvarez Br|||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Striking Worker Assassinated|Alvarez Bravo, Manuel 3283.00|0|Creator|05|J-Alvarez Bravo|||9|J-Alvarez Bravo 9|Firefighters|Assigned|Image Source (Book)|||||||Firefighters|13367|Alvarez Bravo, Manuel||photographer|Manuel Alvarez Bravo|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1935|1935||1935|1935-1935|||||0||||0|||||Black and white photograph|photo paper|||||photography|||||||||||Firefighters ; |Firefighters|||||||||Cornell||MNW|MNW|1/25/2005 0:00:00|1/25/2005 0:00:00|Alvarez Br|||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Firefighters|Alvarez Bravo, Manuel 3299.00|0|Creator|15|35|K125-PA|F898||35 K125-PA F898 |Frida Kahlo and Diego Rivera|Assigned|Image Source (Book)|Frida and Diego Rivera|Variant|Image Source (Book)||||Frida Kahlo and Diego Rivera|30004|Kahlo, Frida||painter|Frida Kahlo|0||||0|||||Mexican|||Modern|||||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Portrait|||20|||1931|1931||1931|1931-1931|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||100 x 79 cm||3887|San Francisco,Museum of Modern Art|San Francisco: MoMA||Kahlo, Frida, 1907-1954 ; Rivera, Diego, 1886-1957 ; Portraits ; |Kahlo, Frida, 1907-1954|Rivera, Diego, 1886-1957|Portraits|||||||Cornell||JNK|JNK|1/26/2005 0:00:00|1/25/2005 0:00:00|K125|||0|||||||35|PA||||||| |F898|||||||Work|0|Painting|||||||||||0|0|Frida Kahlo and Diego Rivera;Frida and Diego Rivera|Kahlo, Frida 3300.00|0|Creator|05|N-Kahlo|7|||N-Kahlo 7 |Frida Kahlo and Diego Rivera in Coyoacán on Their Wedding Day in August 1929|Assigned|Image Source (Book)|||||||Frida Kahlo and Diego Rivera in Coyoacán on Their Wedding Day in August 1929|0|||||0||||0||||||||Modern|||||||||||0||||0||||0||||0|Photographs|Documentary photograph|Portrait|||20|||1929|1929||1929|1929-1929|||||0||||0|||||Black and white photograph||||||photography|||||||||||Kahlo, Frida, 1907-1954 ; Rivera, Diego, 1886-1957 ; Portraits ; Weddings ; |Kahlo, Frida, 1907-1954|Rivera, Diego, 1886-1957|Portraits|Weddings||||||Cornell||JNK|MNW|2/1/2005 0:00:00|1/25/2005 0:00:00||||0||||||Kahlo 7|N||||||||||||||||Work|0|Photography|||||||||||0|0|Frida Kahlo and Diego Rivera in Coyoacán on Their Wedding Day in August 1929| 3301.00|0|Creator|15|35|K125-PA|S461||35 K125-PA S461 |Self-Portrait with Necklace|Assigned|Image Source (Book)|||||||Self-Portrait with Necklace|30004|Kahlo, Frida||painter|Frida Kahlo|0||||0|||||Mexican|||Modern|||||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Self Portrait|||20|||1933|1933||1933|1933-1933|||||0||||0|||||Oil on metal|oil paint|metal||||painting (image-making)|||||34.5 x 29.5 cm||3888|Gelman(Jacques & Natasha)Collection|: Jacques & Natasha Gelman Coll.||Kahlo, Frida, 1907-1954 ; Portraits ; |Kahlo, Frida, 1907-1954|Portraits||||||||Cornell||JNK|MNW|2/1/2005 0:00:00|1/26/2005 0:00:00|K125|||0|||||||35|PA||||||| |S461|||||||Work|0|Painting|||||||||||0|0|Self-Portrait with Necklace|Kahlo, Frida 3302.00|0|Creator|15|35|K125-PA|M9951||35 K125-PA M9951 |My Dress Hangs There|Assigned|Image Source (Book)|New York|Assigned|Image Source (Book)||||My Dress Hangs There or New York|30004|Kahlo, Frida||painter|Frida Kahlo|0||||0|||||Mexican|||Modern|||||Mexico||||||0||||0||||0||||0|Collages|Collage||||20|||1933|1933||1933|1933-1933|||||0||||0|||||Oil and collage on masonite|oil paint|Masonite||||painting (image-making)|collage||||46 x 50 cm||9424|San Francisco, Hoover Gallery|San Francisco: Hoover Gallery||Dresses ; New York, NY ; |Dresses|New York, NY||||||||Cornell||JNK|MNW|2/1/2005 0:00:00|1/26/2005 0:00:00|K125|||0|||||||35|PA||||||| |M9951|||||||Work|0|Painting|||||||||||0|0|My Dress Hangs There;New York|Kahlo, Frida 3303.00|0|Creator|15|35|K125-PA|A257||35 K125-PA A257 |A Few Small Nips|Assigned|Image Source (Book)|Unos cuantos piquetitos|Assigned|Image Source (Book)||||A Few Small Nips|30004|Kahlo, Frida||painter|Frida Kahlo|0||||0|||||Mexican|||Modern|||||Mexico||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1935|1935||1935|1935-1935|||||0||||0|||||Oil on metal|oil paint|metal||||painting (image-making)|||||38 x 48.5 cm||4422|Mexico City,Olmedo(Dolores)Collection|Mexico City: Olmedo Col.||Kahlo, Frida, 1907-1954 ; |Kahlo, Frida, 1907-1954|||||||||Cornell||JNK|MNW|2/1/2005 0:00:00|1/26/2005 0:00:00|K125|||0|||||||35|PA||||||| |A257|||||||Work|0|Painting|||||||||||0|0|A Few Small Nips;Unos cuantos piquetitos|Kahlo, Frida 3304.00|0|Creator|15|35|K125-PA|S462||35 K125-PA S462 |Self-Portrait Dedicated to Leon Trotsky|Assigned|Image Source (Book)|Between the Curtains|Assigned|Image Source (Book)||||Self-Portrait Dedicated to Leon Trotsky or Between the Curtains|30004|Kahlo, Frida||painter|Frida Kahlo|0||||0|||||Mexican|||Modern|||||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Self Portrait|||20|||1937|1937||1937|1937-1937|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||87 x 70 cm||4763|Washington DC,National Museum of Women in the Arts|Wash, DC: Nat. Mus. Women Arts||Kahlo, Frida, 1907-1954 ; Portraits ; |Kahlo, Frida, 1907-1954|Portraits||||||||Cornell||JNK|MNW|2/1/2005 0:00:00|1/26/2005 0:00:00|K125|||0|||||||35|PA||||||| |S462|||||||Work|0|Painting|||||||||||0|0|Self-Portrait Dedicated to Leon Trotsky;Between the Curtains|Kahlo, Frida 3305.00|0|Creator|15|35|K125-PA|M9952||35 K125-PA M9952 |My Nurse and I|Assigned|Image Source (Book)|Me Suckling|Assigned|Image Source (Book)||||My Nurse and I or Me Suckling|30004|Kahlo, Frida||painter|Frida Kahlo|0||||0|||||Mexican|||Modern|||||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Self portrait|||20|||1937|1937||1937|1937-1937|||||0||||0|||||Oil on metal|oil paint|metal||||painting (image-making)|||||30.5 x 34.7 cm||4422|Mexico City,Olmedo(Dolores)Collection|Mexico City: Olmedo Col.||Kahlo, Frida, 1907-1954 ; Portraits ; |Kahlo, Frida, 1907-1954|Portraits||||||||Cornell||JNK|MNW|2/2/2005 0:00:00|1/26/2005 0:00:00|K125|||0|||||||35|PA||||||| |M9952|||||||Work|0|Painting|||||||||||0|0|My Nurse and I;Me Suckling|Kahlo, Frida 3306.00|0|Creator|15|35|K125-PA|D771||35 K125-PA D771 |The Dream|Assigned|Image Source (Book)|The Bed||||||The Dream orThe Bed|30004|Kahlo, Frida||painter|Frida Kahlo|0||||0|||||Mexican|||Modern|||||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Self portrait|||20|||1940|1940||1940|1940-1940|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||74 x 98.5 cm||9425|New York, NY, Selma and Nesuhi Ertegun Collection|New York: Selma and Nesuhi Ertegun||Kahlo, Frida, 1907-1954 ; Bedrooms ; Beds ; Dreaming ; |Kahlo, Frida, 1907-1954|Bedrooms|Beds|Dreaming||||||Cornell||JNK|MNW|2/2/2005 0:00:00|1/26/2005 0:00:00|K125|||0|||||||35|PA||||||| |D771|||||||Work|0|Painting|||||||||||0|0|The Dream;The Bed|Kahlo, Frida 3307.00|0|Creator|15|35|K125-PA|S948||35 K125-PA S948 |The Suicide of Dorothy Hale|Assigned|Image Source (Book)|||||||The Suicide of Dorothy Hale|30004|Kahlo, Frida||painter|Frida Kahlo|0||||0|||||Mexican|||Modern|||||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Portrait|||20|||1938|1939||1938-1939|1938-1939|||||0||||0|||||Oil on masonite|oil paint|Masonite||||painting (image-making)|||||60.4 x 48.6 cm||4004|Phoenix,Phoenix Art Museum|Phoenix: Art Museum||Suicides ; Hale, Dorothy ; |Suicides|Hale, Dorothy||||||||Cornell||JNK|MNW|2/2/2005 0:00:00|1/26/2005 0:00:00|K125|||0|||||||35|PA||||||| |S948|||||||Work|0|Painting|||||||||||0|0|The Suicide of Dorothy Hale|Kahlo, Frida 3308.00|0|Creator|15|35|R612-PA|O44||35 R612-PA O44 |The Old Ones|Translated|Image Source (Book)|En las afueras de Toledo|Assigned|Image Source (Book)||||The Old Ones (En las afueras de Toledo)|9901|Rivera, Diego||painter|Rivera, Diego|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1912|1912||1912|1912-1912|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||210 x 184 cm||4422|Mexico City, Museo Dolores Olmedo|Mexico City: Mus. Dolores Olmedo||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|1/26/2005 0:00:00|R612|||0|||||||35|PA||||||1912| |O44|||||||Work|0||||||||||||0|0|The Old Ones;En las afueras de Toledo|Rivera, Diego 3309.00|0|Creator|15|35|K125-PA|T975||35 K125-PA T975 |Two Nudes in a Forest|Assigned|Image Source (Book)|Earth Herself|Assigned|Image Source (Book)|My Nurse and I|||Two Nudes in a Forest or Earth Herself or My Nurse and I|30004|Kahlo, Frida||painter|Frida Kahlo|0||||0|||||Mexican|||Modern|||||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Self portrait|||20|||1939|1939||1939|1939-1939|||||0||||0|||||Oil on metal|oil paint|metal||||painting (image-making)|||||25 x 30.5 cm||3290|Private Collection|: Private Coll.||Kahlo, Frida, 1907-1954 ; Portraits ; Earth ; |Kahlo, Frida, 1907-1954|Portraits|Earth|||||||Cornell||JNK|MNW|2/2/2005 0:00:00|1/26/2005 0:00:00|K125|||0|||||||35|PA||||||| |T975|||||||Work|0|Painting|||||||||||0|0|Two Nudes in a Forest;Earth Herself;My Nurse and I|Kahlo, Frida 3310.00|0|Creator|15|35|K125-PA|S464||35 K125-PA S464|Self-Portrait Dedicated to Dr. Eloesser|Assigned|Image Source (Book)|||||||Self-Portrait Dedicated to Dr. Eloesser|30004|Kahlo, Frida||painter|Frida Kahlo|0||||0|||||Mexican|||Modern|||||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Self portrait|||20|||1940|1940||1940|1940-1940|||||0||||0|||||Oil on masonite|oil paint|Masonite||||painting (image-making)|||||59.5 x 40 cm||3290|Private Collection|: Private Coll.||Kahlo, Frida, 1907-1954 ; Portraits ; |Kahlo, Frida, 1907-1954|Portraits||||||||Cornell||JNK|MNW|2/2/2005 0:00:00|1/26/2005 0:00:00|K125|||0|||||||35|PA||||||| |S464|||||||Work|0|Painting|||||||||||0|0|Self-Portrait Dedicated to Dr. Eloesser|Kahlo, Frida 3311.00|0|Creator|15|35|K125-PA|S4655||35 K125-PA S4655 |Self-Portrait with Thorn Necklace and Hummingbird|Assigned|Image Source (Book)|||||||Self-Portrait with Thorn Necklace and Hummingbird|30004|Kahlo, Frida||painter|Frida Kahlo|0||||0|||||Mexican|||Modern|||||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Self Portrait|||20|||1940|1940||1940|1940-1940|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||55.2 x 43.5 cm||3957|Austin,University of Texas,Harry Ransom Humanties Research Center|Austin: Univ. TX; Ransom Ctr.||Kahlo, Frida, 1907-1954 ; Portraits ; Birds ; |Kahlo, Frida, 1907-1954|Portraits|Birds|||||||Cornell||JNK|MNW|2/2/2005 0:00:00|1/26/2005 0:00:00|K125|||0|||||||35|PA||||||| |S4655|||||||Work|0|Painting|||||||||||0|0|Self-Portrait with Thorn Necklace and Hummingbird|Kahlo, Frida 3312.00|0|Creator|15||||||Women at the Fountain|Assigned|Image Source (Book)|At the Fountain Near Toledo|Assigned|Image Source (Book)||||Women at the Fountain (At the Fountain Near Toledo)|9901|Rivera, Diego||painter|Rivera, Diego|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1913|1913||1913|1913-1913|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||166 x 204||4422|Mexico City, Museo Dolores Olmedo|Mexico City: Mus. Dolores Olmedo||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|1/26/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Women at the Fountain;At the Fountain Near Toledo|Rivera, Diego 3313.00|0|Creator|15||||||Portrait of Adolfo Best Maugard|Assigned|Image Source (Book)|Young Man at Balcony|Assigned|Image Source (Book)||||Portrait of Adolfo Best Maugard (Young Man at Balcony)|9901|Rivera, Diego||painter|Rivera, Diego|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Portrait|||20|||1913|1913||1913|1913-1913|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||226.8 x 161.6 cm||9428|Mexico City: Mexico City, Museo Nacional de Arte|Mexico City, Mus. Nac. de Arte||Mangard, Adolfo Best, 1891-1965 ; Portraits ; |Mangard, Adolfo Best, 1891-1965|Portraits||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|1/27/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Portrait of Adolfo Best Maugard;Young Man at Balcony|Rivera, Diego 3314.00|0|Creator|15|35|R612-PA|S132||35 R612-PA S132 |Sailor at Lunch|Assigned|Image Source (Book)|||||||Sailor at Lunch|9901|Rivera, Diego||painter|Rivera, Diego|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1914|1914||1914|1914-1914|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||114 x 70 cm||9426|Guanajuato, Museo Casa Diego Rivera|Guanajuato: Mus. Casa D. Rivera||Seamen ; |Seamen|||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|1/27/2005 0:00:00|R612|||0|||||||35|PA||||||| |S132|||||||Work|0||||||||||||0|0|Sailor at Lunch|Rivera, Diego 3315.00|0|Creator|15|35|R612-PA|G993||35 R612-PA G993 |Portrait of Martín Luís Guzmán|Assigned|Image Source (Book)|||||||Portrait of Martín Luís Guzmán|9901|Rivera, Diego||painter|Rivera, Diego|0||||0|||||Mexican||||||||||||||0||||0||||0||||0|Paintings|Oil painting|Portrait|||20|||1915|1915||1915|1915-1915|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||72.3 x 59.3 cm||9429|Mexico City: Mexico City, Fundación Cultural Televisa|Mexico City: Fund. Cult. TV||Guzmán, Martín Luis, 1887-1976 ; Portraits ; |Guzmán, Martín Luis, 1887-1976|Portraits||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|1/27/2005 0:00:00|R612|||0|||||||35|PA||||||| |G993|||||||Work|0||||||||||||0|0|Portrait of Martín Luís Guzmán|Rivera, Diego 3316.00|0|Creator|15|35|R612-PA|A679||35 R612-PA A679 |The Architect|Assigned|Image Source (Book)|Jesús T. Acevedo|Assigned|Image Source (Book)||||The Architect (Jesús T. Acevedo)|9901|Rivera, Diego||painter|Rivera, Diego|0||||0|||||Mexican||||||||||||||0||||0||||0||||0|Paintings|Oil painting|Portrait|||20|||1915|1915||1915|1915-1915|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||144 x 113.5||9430|Mexico City, Museo de Arte Alvar y Carmen T. Carrillo Gil|Mexico City: Mus. Arte Carrillo Gil||Acevedo, Jesús T. ; Portraits ; |Acevedo, Jesús T.|Portraits||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|1/27/2005 0:00:00|R612|||0|||||||35|PA||||||| |A679|||||||Work|0||||||||||||0|0|The Architect;Jesús T. Acevedo|Rivera, Diego 3317.00|0|Creator|15|35|R612-PA|F452||35 R612-PA F452 |Fiesta Tehuana|Assigned|Image Source (Book)|Dance in Tehuantepec|Assigned|Image Source (Book)||||Fiesta Tehuana (Dance in Tehuantepec)|9901|Rivera, Diego||painter|Rivera, Diego|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1928|1928||1928|1928-1928|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||199 x 162 cm||9431|Armonk, NY, Collection of the IBM Corporation|Armonk, NY: IBM Corporation||Dancers ; Dancing ; |Dancers|Dancing||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|1/27/2005 0:00:00|R612|||0|||||||35|PA||||||| |F452|||||||Work|0||||||||||||0|0|Fiesta Tehuana;Dance in Tehuantepec|Rivera, Diego 3318.00|0|Creator|15|35|R612-PA|Z27||35 R612-PA Z27 |Zanduga, Tehuantepec Dance|Assigned|Image Source (Book)|||||||Zanduga, Tehuantepec Dance|9901|Rivera, Diego||painter|Rivera, Diego|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Paintings|||||20|||1935|1935|ca|ca 1935|ca 1935-ca 1935|||||0||||0|||||Charcoal and watercolor on paper|watercolor|charcoal|paper|||painting (image-making)|||||48.1 x 60.6 cm||3793|Los Angeles,County Museum of Art|Los Angeles: LACMA||Dancers ; Dancing ; |Dancers|Dancing||||||||Cornell||MNW|JNK|2/2/2005 0:00:00|1/27/2005 0:00:00|R612|||0||M.74.22.4|||||35|PA||||||| |Z27|||||||Work|0||||||||||||0|0|Zanduga, Tehuantepec Dance|Rivera, Diego 3319.00|0|Creator|15|35|R612-PA|S857||35 R612-PA S857 |Still Life with Gray Bowl|Assigned|Image Source (Book)|||||||Still Life with Gray Bowl|9901|Rivera, Diego||painter|Rivera, Diego|0||||0|||||Mexican||||||||||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1915|1915||1915|1915-1915|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||79.4 x 63.8 cm||9432|Austin, Lyndon Baines Johnson Library|Austin, Lyndon Baines Johnson Library||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|1/27/2005 0:00:00|R612|||0|||||||35|PA||||||| |S857|||||||Work|0||||||||||||0|0|Still Life with Gray Bowl|Rivera, Diego 3320.00|0|Site|02|B-C7|Mex|2.41 NatP|8-2|B-C7 Mex 2.41 |Totonac Civilization|Assigned|Image Source (Book)|||||||National Palace. Totonac Civilization|9901|Rivera, Diego||painter|Rivera, Diego|0||||0|||||Mexican||||||||Mexico||||||0|Mexico City, Mexico|||9989||||0||||0|Paintings|Mural painting|Fresco|||20|||1950|1950||1950|1950-1950||National Palace|LargerEntity||512||||0|||||||||||fresco painting|||||||9211|Mexico City,National Palace|Mexico City: Nat'l Palace||Toltonac ; |Toltonac|||||||||Cornell||MNW|MNW|3/31/2006 0:00:00|1/27/2005 0:00:00||Mex||0||||||NatP|B|||||C7|2.41|| ||||||||Work|0|Architecture-Mexico|||||||||||0|0|Totonac Civilization|Rivera, Diego 3321.00|0|Architect|03|MA-Cret|4.4|1922 InstArt||MA-Cret 4.4 1922 InstArt |Detroit Institute of Arts||||||||||2712|Cret, Paul Philippe||architect|Cret, Paul Philippe|9901|Rivera, Diego||painter|0|||||American||||||||United States||||||0|Detroit, MI|10354||||||0||||0|Architecture|Museum||||20|||1920|1926||1920-1926|1920-1926|||||0||||0||||||||||||||||||||||Museums ; |Museums|||||||||Cornell||MNW|MNW|1/31/2005 0:00:00|1/27/2005 0:00:00|Cret|||0||||||InstArt|MA||||||4.4|1922-1926|||||||||Work|0|Modern Architecture|||||||||||0|0|Detroit Institute of Arts|Cret, Paul Philippe;Rivera, Diego 3322.00|0|Creator|15|35|K125-PA|S466||35 K125-PA S466 |Self-Portrait with Monkey|Assigned|Image Source (Book)|||||||Self-Portrait with Monkey|30004|Kahlo, Frida||painter|Frida Kahlo|0||||0|||||Mexican|||Modern|||||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Self Portrait|||20|||1940|1940||1940|1940-1940|||||0||||0|||||Oil on masonite|oil paint|Masonite||||painting (image-making)|||||55.2 x 43.5 cm||9205|Caracas: Private Collection|Caracas: Priv. Coll.||Kahlo, Frida, 1907-1954 ; Monkeys ; Portraits ; |Kahlo, Frida, 1907-1954|Monkeys|Portraits|||||||Cornell||JNK|CLL|2/15/2005 0:00:00|1/28/2005 0:00:00|K125|||0|||||||35|PA||||||| |S466|||||||Work|0|Painting|||||||||||0|0|Self-Portrait with Monkey|Kahlo, Frida 3323.00|0|Creator|15|35|K125-PA|S467||35 K125-PA S467 |Me and My Parrots|Assigned|Image Source (Book)|||||||Me and My Parrots|30004|Kahlo, Frida||painter|Frida Kahlo|0||||0|||||Mexican|||Modern|||||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Self Portrait|||20|||1941|1941||1941|1941-1941|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||82 x 62.8 cm||3290|Private Collection|: Private Coll.||Kahlo, Frida, 1907-1954 ; Portraits ; Parrots ; |Kahlo, Frida, 1907-1954|Portraits|Parrots|||||||Cornell||JNK|MNW|2/2/2005 0:00:00|1/28/2005 0:00:00|K125|||0|||||||35|PA||||||| |S467|||||||Work|0|Painting|||||||||||0|0|Me and My Parrots|Kahlo, Frida 3324.00|0|Creator|15|35|K125-PA|S4675||35 K125-PA S4675 |Self-Portrait with Braid|Assigned|Image Source (Book)|||||||Self-Portrait with Braid|30004|Kahlo, Frida||painter|Frida Kahlo|0||||0|||||Mexican|||Modern|||||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Self Portrait|||20|||1941|1941||1941|1941-1941|||||0||||0|||||Oil on masonite|oil paint|Masonite||||painting (image-making)|||||51 x 38.5 cm||3888|Jacques & Natasha Gelman Collection|: Jacques & Natasha Gelman Coll.||Kahlo, Frida, 1907-1954 ; Portraits ; |Kahlo, Frida, 1907-1954|Portraits||||||||Cornell||JNK|MNW|2/2/2005 0:00:00|1/28/2005 0:00:00|K125|||0|||||||35|PA||||||| |S4675|||||||Work|0|Painting|||||||||||0|0|Self-Portrait with Braid|Kahlo, Frida 3327.00|0|Creator|15|35|K125-PA|R782||35 K125-PA R782 |Roots|Assigned|Image Source (Book)|Self-Portrait on Rocky Ground|Assigned|Image Source (Book)||||Roots or Self-Portrait on Rocky Ground|30004|Kahlo, Frida||painter|Frida Kahlo|0||||0|||||Mexican|||Modern|||||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Self Portrait|||20|||1943|1943||1943|1943-1943|||||0||||0|||||Oil on metal|oil paint|metal||||painting (image-making)|||||30.5 x 49.9 cm||9433|Houston, TX, Private Collection|Houston, TX: Priv. Coll.||Kahlo, Frida, 1907-1954 ; Portraits ; |Kahlo, Frida, 1907-1954|Portraits||||||||Cornell||JNK|MNW|2/2/2005 0:00:00|1/31/2005 0:00:00|K125|||0|||||||35|PA||||||| |R782|||||||Work|0|Painting|||||||||||0|0|Roots;Self-Portrait on Rocky Ground|Kahlo, Frida 3371.00|0|Creator|15|32|E115-PA|1875|5|32 E115-PA 1875 5|Baseball Players Practicing|Assigned|Image Source (Book)|||||||Baseball Players Practicing|3432|Eakins, Thomas||painter|Thomas Eakins|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Watercolors|||||19|||1875|1875||1875|1875-1875|||||0||||0|||||Watercolor on paper|watercolors|paper||||painting (image-making)|||||27.3 x 33 cm||2321|Providence: Rhode Island School of Design|Providence: RISD||Baseball ; Sports ; |Baseball|Sports||||||||Cornell||MNW|MNW|2/12/2005 0:00:00|2/10/2005 0:00:00|E115|||0|||||||32|PA||||||1875| ||||||||Work|0||||||||||||0|0|Baseball Players Practicing|Eakins, Thomas 3372.00|0|Creator|15|32|E115-PA|1876|3|32 E115-PA 1876 3|William Rush Carving His Allegorical Figure of the Schuykill River|Repository|Image Source (Book)|||||||William Rush Carving His Allegorical Figure of the Schuykill River|3432|Eakins, Thomas||painter|Thomas Eakins|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Paintings|Oil painting||||19|||1876|1877||1876-1877|1876-1877|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||51.1 x 64.4 cm||3281|Philadelphia: Philadelphia Museum of Art|Philadelphia: Museum of Art||Allegory ; Models (Representations) ; Sculptors ; Rush, William, 1756-1833 ; |Allegory|Models (Representations)|Sculptors|Rush, William, 1756-1833||||||Cornell||MNW|JNK|1/6/2006 0:00:00|2/12/2005 0:00:00|E115|||0||1929-184-27|||||32|PA||||||1876| ||||||||Work|0||||||||||||0|0|William Rush Carving His Allegorical Figure of the Schuykill River|Eakins, Thomas 3373.00|0|Creator|15|32|E115-PA|1876|3S||Study for William Rush Carving His Allegorical Figure of the Schuykill River|||||||||Study for William Rush Carving His Allegorical Figure of the Schuykill River|3432|Eakins, Thomas||painter|Thomas Eakins|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Paintings|Oil painting||||19|||1876|1876||1876|1876-1876||William Rush Carving His Allegorical Figure of the Schuykill River|LargerEntity||3372||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||51.3 x 61 cm||3400|New Haven: Yale University Art Gallery|New Haven: Yale Univ. Art Gal.||Allegory ; Models (Representations) ; Sculptors ; Rush, William, 1756-1833 ; |Allegory|Models (Representations)|Sculptors|Rush, William, 1756-1833||||||Cornell||MNW|MNW|3/31/2006 0:00:00|2/12/2005 0:00:00|E115|||0|||||||32|PA||||||1876| ||||||||Work|0||||||||||||0|0|Study for William Rush Carving His Allegorical Figure of the Schuykill River|Eakins, Thomas 3374.00|0|Creator|15|32|E115-PA|1878|2||Negro Boy Dancing|Repository|Repository|The Dancing Lesson||||||Negro Boy Dancing (The Dancing Lesson)|3432|Eakins, Thomas||painter|Thomas Eakins|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Paintings|Watercolor||||||||||||||||0||||0|||||Watercolor on off-white wove paper|watercolors|paper||||painting (image-making)|||||46 x 57.4 cm||3294|New York: Metropolitan Museum of Art|New York: Metropolitan||Musical instruments ; Dancing ; Dancers ; |Musical instruments|Dancing|Dancers|||||||Cornell||MNW|MNW|2/12/2005 0:00:00|2/12/2005 0:00:00|E115|||0||25.97.1|||||32|PA||||||1878| ||||||||Work|0||||||||||||0|0|Negro Boy Dancing;The Dancing Lesson|Eakins, Thomas 3375.00|0|Creator|15|32|E115-PA|1898|2|32 E115-PA 1898 1|Taking the Count|Collective Title|Image Source (Book)|||||||Taking the Count|3432|Eakins, Thomas||photographer|Eakins, Thomas|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Paintings|Oil painting||||19|||1898|1898||1898|1898-1898|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||12.7 x 14.3 cm||3400|New Haven: Yale University Art Gallery|New Haven: Yale Univ. Art Gal.||Boxing ; Sports ; |Boxing|Sports||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|2/12/2005 0:00:00|E115|||0|||||||32|PA||||||1898| ||||||||Work|0||||||||||||0|0|Taking the Count|Eakins, Thomas 3376.00|0|Creator|15|32|E115.3-PH|1883|1|32 E115.3-PH 1883 1|Thomas Eakins Carrying a Nude Woman at the Pennsylvania Academy of the Fine Arts|Collective Title|Image Source (Book)|||||||Thomas Eakins Carrying a Nude Woman at the Pennsylvania Academy of the Fine Arts|3432|Eakins, Thomas|circle of|photographer|Eakins, Thomas (circle of)|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|||||19|||1883|1885||1883-1885|1883-1885|||||0||||0|||||Digital inkjet print from original gelatin dry-plate negative||||||photography|||||12.7 x 9.2 cm||3408|Philadelphia: Pennsylvania Academy of the Fine Arts|Philadelphia: PA Acad. Fine Arts||Eakins, Thomas, 1844-1916 ; Nudes ; Female nudes ; |Eakins, Thomas, 1844-1916|Nudes|Female nudes|||||||Cornell||MNW|MNW|2/23/2005 0:00:00|2/12/2005 0:00:00|E115.3|||0||1985.68.2.848|||||32|PH||||||1883| ||||||||Work|0|||||Late 20th century digital inkjet print from original gelatin dry-plate negative.|||||||0|0|Thomas Eakins Carrying a Nude Woman at the Pennsylvania Academy of the Fine Arts|Eakins, Thomas 3377.00|0|Creator|15|32|E115.3-PH|1886|1|32 E115.3-PH 1886 1|Male Students Posing at the Art Students' League of Philadelphia|Collective Title|Image Source (Book)|||||||Male Students Posing at the Art Students' League of Philadelphia|3432|Eakins, Thomas|circle of|painter|Eakins, Thomas (circle of)|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Photographic print||||19|||1886|1886||1886|1886-1886|||||0||||0|||||Albumen print|photo paper|||||photography|albumen process||||ca 11.4 x 19.1 cm||3300|Williamstown: Sterling and Francine Clark Art Institute|Williamstown: Clark Art Inst.||Nudes ; Male nudes ; |Nudes|Male nudes||||||||Cornell||MNW|MNW|2/12/2005 0:00:00|2/12/2005 0:00:00|E115.3|||0|||||||32|PH||||||1886| ||||||||Work|0||One of twenty albument prints and one gelatin silver print, mounted in an album.||||||||||0|0|Male Students Posing at the Art Students' League of Philadelphia|Eakins, Thomas 3378.00|0|Creator|15|35|S5568-PA|1906|1|35 S5568-PA 1906 1|The Orchestra Pit, Old Proctor's Fifth Avenue Theatre|Assigned|Image Source (Book)|||||||The Orchestra Pit, Old Proctor's Fifth Avenue Theatre|10855|Shinn, Everett L.||painter|Everett Shinn|0||||0|||||American||||||||||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1906|1907|ca|ca 1906-1907|ca 1906-1907|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||44.3 x 49.5 cm||4604|New York: Arthur G. Altschul Collection|New York: Arthur G. Altschul Coll.||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|2/14/2005 0:00:00|S5568|||0|||||||35|PA||||||1906| ||||||||Work|0||||||||||||0|0|The Orchestra Pit, Old Proctor's Fifth Avenue Theatre|Shinn, Everett L. 3379.00|0|Creator|15|35|M366-PA|P222||35 M366-PA P222 |A Paramount Picture|Assigned|Image Source (Book)|||||||A Paramount Picture|7562|Marsh, Reginald||painter|Reginald Marsh|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Paintings|Painting||||20|||1934|1934||1934|1934-1934|||||0||||0|||||Tempera on board mounted on Masonite|tempera|board|Masonite|||painting (image-making)|||||91.4 x 71.1 cm||9439|New York: D. Wigmore Fine Art, Inc.|New York: Wigmore Fine Art||Motion picture theaters ; |Motion picture theaters|||||||||Cornell||MNW|MNW|2/15/2005 0:00:00|2/14/2005 0:00:00|M366|||0|||||||35|PA||||||| |P222|||||||Work|0||||||||||||0|0|A Paramount Picture|Marsh, Reginald 3380.00|0|Creator|15|32|C3662-G|1848|1|32 C3662-G 1848 1|Souvenir of the North American Indians|Collective Title|Image Source (Book)|||||||Souvenir of the North American Indians|2126|Catlin, George||painter|George Catlin|0||||0|||||American|||Realist|||||United States||||||0||||0||||0||||0|Manuscripts|Manuscript|Painting|Drawing||19|||1848|1849||1848-1849|1848-1849|||||||||0||||||watercolos|paper||||painting (image-making)|drawing (image-making)||||||9440|Tulsa: Thomas Gilcrease Institute of American History and Art|Tulsa: Gilcrease Museum of Hist. & Art||Indians of North America ; portrais ; Landscapes ; |Indians of North America|portrais|Landscapes|||||||Cornell||MNW|MNW|2/15/2005 0:00:00|2/15/2005 0:00:00|C3662|||0|||||||32|G||||||1848| ||||||||Work|0||This catalog can be considered the final inventory of Catlin's Indian Gallery. It accompanied the 1849 exhibition of the Indian Gallery at Egyptian Hall, London. Catlin, George Catlin's Souvenir.|Contains portraits, landscapes, and scenes of Indian life.|||||||||0|0|Souvenir of the North American Indians|Catlin, George 3381.00|0|Creator|15|32|C3662-G|1948|0|32 C3662-G 1948 0|Souvenir of the North American Indians (Title page)|Manuscript|Image Source (Book)|||||||Souvenir of the North American Indians. Souvenir of the North American Indians (Title page)|2126|Catlin, George||painter|George Catlin|0||||0|||||American|||Realist|||||United States||||||0||||0||||0||||0|Manuscripts|Manuscript||||19|||1848|1849||1848-1849|1848-1849||Souvenir of the North American Indians|LargerEntity||3380||||0|||||||||||calligraphy|||||||9440|Tulsa: Thomas Gilcrease Institute of American History and Art|Tulsa: Gilcrease Museum of Hist. & Art||Indians of North America ; |Indians of North America|||||||||Cornell||MNW|MNW|3/31/2006 0:00:00|2/15/2005 0:00:00|C3662|||0|||||||32|G||||||1848| ||||||||Work|0||"SOUVENIR of the NORTH AMERICAN INDIANS as they were, in the middle of the Nineteenth Century. a numerous and noble race of HUMAN BEINGS vast passing ato extinction, and leaving no monuments of their own, behind them. Title page transcription.||||||||||0|0|Souvenir of the North American Indians (Title page)|Catlin, George 3382.00|0|Creator|15|32|C3662-G|1948|29|32 C3662-G 1948 29|Blackfoot: a) Wun-nes-tow, b) Mah-to-chee-ga|Inscribed|Image Source (Book)|||||||Souvenir of the North American Indians. Blackfoot: a) Wun-nes-tow, b) Mah-to-chee-ga|2126|Catlin, George||painter|George Catlin|0||||0|||||American|||Realist|||||United States||||||0||||0||||0||||0|Manuscripts|Manuscript||||19|||1848|1849||1848-1849|1848-1849||Souvenir of the North American Indians|LargerEntity||3380||||0|||||||||||calligraphy|||||||9440|Tulsa: Thomas Gilcrease Institute of American History and Art|Tulsa: Gilcrease Museum of Hist. & Art||Indians of North America ; Shamans ; |Indians of North America|Shamans||||||||Cornell||MNW|MNW|2/15/2005 0:00:00|2/15/2005 0:00:00|C3662|||0|||||||32|G||||||1848| ||||||||Work|0||Blacktoot culture. Wun-nes-tow (the white Buffalo) is a Blackfoot doctor. 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Wun-nes-tow (the white Buffalo) is a Blackfoot doctor. 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Dolores Olmedo||Kahlo, Frida, 1907-1954 ; Portraits ; Deaths ; Skulls ; |Kahlo, Frida, 1907-1954|Portraits|Deaths|Skulls||||||Cornell||JNK|MNW|2/2/2005 0:00:00|1/31/2005 0:00:00|K125|||0|||||||35|PA||||||| |W822|||||||Work|0|Painting|||||||||||0|0|Without Hope|Kahlo, Frida 3332.00|0|Creator|15|35|K125-PA|T786|||Tree of Hope, keep firm|Assigned|Image Source (Book)|||||||Tree of Hope, keep firm|30004|Kahlo, Frida||painter|Frida Kahlo|0||||0|||||Mexican|||Modern|||||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Self Portrait|||20|||1946|1946||1946|1946-1946|||||0||||0|||||Oil on masonite|oil paint|Masonite||||painting (image-making)|||||55.9 x 40.6 cm||9434|New York, NY, Isadore Ducasse Fine Arts|New York: Isadore Ducasse Fine Arts||Kahlo, Frida, 1907-1954 ; Portraits ; |Kahlo, Frida, 1907-1954|Portraits||||||||Cornell||JNK|CLL|2/4/2005 0:00:00|1/31/2005 0:00:00|K125|||0|||||||35|PA||||||| |T786|||||||Work|0|Painting|||||||||||0|0|Tree of Hope, keep firm|Kahlo, Frida 3333.00|0|Creator|15|35|K125-PA|W937||35 K125-PA W937|The Wounded Deer|Assigned|Image Source (Book)|The Little Deer|Assigned|Image Source (Book)|I Am Just a Poor Deer|Assigned|Image Source (Book)|The Wounded Deer or The Little Deer or I Am Just a Poor Deer|30004|Kahlo, Frida||painter|Frida Kahlo|0||||0|||||Mexican|||Modern|||||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Portrait|||20|||1946|1946||1946|1946-1946|||||0||||0|||||Oil on masonite|oil paint|Masonite||||painting (image-making)|||||22.4 x 30 cm||9433|Houston, TX, Private Collection|Houston, TX: Priv. Coll.||Kahlo, Frida, 1907-1954 ; Portraits ; Deer ; |Kahlo, Frida, 1907-1954|Portraits|Deer|||||||Cornell||JNK|MNW|2/2/2005 0:00:00|1/31/2005 0:00:00|K125|||0|||||||35|PA||||||| |W937|||||||Work|0|Painting|||||||||||0|0|The Wounded Deer;The Little Deer;I Am Just a Poor Deer|Kahlo, Frida 3334.00|0|Creator|15|35|K125-PA|S470||35 K125-PA S470 |Self-Portrait with Loose Hair|Assigned|Image Source (Book)|||||||Self-Portrait with Loose Hair|30004|Kahlo, Frida||painter|Frida Kahlo|0||||0|||||Mexican|||Modern|||||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Self Portrait|||20|||1947|1947||1947|1947-1947|||||0||||0|||||Oil on masonite|oil paint|Masonite||||painting (image-making)|||||61 x 45 cm||3290|Private Collection|: Private Coll.||Kahlo, Frida, 1907-1954 ; Portraits ; |Kahlo, Frida, 1907-1954|Portraits||||||||Cornell||JNK|MNW|2/2/2005 0:00:00|1/31/2005 0:00:00|K125|||0|||||||35|PA||||||| |S470|||||||Work|0|Painting|||||||||||0|0|Self-Portrait with Loose Hair|Kahlo, Frida 3335.00|0|Creator|15|35|K125-PA|S471||35 K125-PA S471 |Self-Portrait|Assigned|Image Source (Book)|||||||Self-Portrait|30004|Kahlo, Frida||painter|Frida Kahlo|0||||0|||||Mexican|||Modern|||||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Self Portrait|||20|||1948|1948||1948|1948-1948|||||0||||0|||||Oil on masonite|oil paint|Masonite||||painting (image-making)|||||50 x 39.5 cm||3290|Private Collection|: Private Coll.||Kahlo, Frida, 1907-1954 ; Portraits ; |Kahlo, Frida, 1907-1954|Portraits||||||||Cornell||JNK|MNW|2/2/2005 0:00:00|1/31/2005 0:00:00|K125|||0|||||||35|PA||||||| |S471|||||||Work|0|Painting|||||||||||0|0|Self-Portrait|Kahlo, Frida 3336.00|0|Creator|15|35|K125-PA|D559||35 K125-PA D559 |Diego and I|Assigned|Image Source (Book)|||||||Diego and I|30004|Kahlo, Frida||painter|Frida Kahlo|0||||0|||||Mexican|||Modern|||||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Portrait|Self portrait||20|||1949|1949||1949|1949-1949|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||28 x 22 cm||3290|Private Collection|: Private Coll.||Kahlo, Frida, 1907-1954 ; Rivera, Diego, 1886-1957 ; Portraits ; |Kahlo, Frida, 1907-1954|Rivera, Diego, 1886-1957|Portraits|||||||Cornell||JNK|MNW|2/2/2005 0:00:00|1/31/2005 0:00:00|K125|||0|||||||35|PA||||||| |D559|||||||Work|0|Painting|||||||||||0|0|Diego and I|Kahlo, Frida 3337.00|0|Creator|15|35|K125-PA|S857||35 K125-PA S857 |Still-Life with Parrot and Flag|Assigned|Image Source (Book)|||||||Still-Life with Parrot and Flag|30004|Kahlo, Frida||painter|Frida Kahlo|0||||0|||||Mexican|||Modern|||||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Still life|||20|||1951|1951||1951|1951-1951|||||0||||0|||||Oil on masonite|oil paint|Masonite||||painting (image-making)|||||28 x 40 cm||3290|Private Collection|: Private Coll.||Still lifes ; Parrots ; Flags ; |Still lifes|Parrots|Flags|||||||Cornell||JNK|JNK|1/31/2005 0:00:00|1/31/2005 0:00:00|K125|||0|||||||35|PA||||||| |S857|||||||Work|0|Painting|||||||||||0|0|Still-Life with Parrot and Flag|Kahlo, Frida 3338.00|0|Creator|15|35|L213-PA|1962|3|35 L213-PA 1962 3|A trois centimètres de la terre|Assigned|Image Source (Book)|||||||A trois centimètres de la terre|6685|Lam, Wifredo||painter|Wifredo Lam|0||||0|||||Cuban||||||||||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1962|1962||1962|1962-1962|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||146 x 218 cm||9435|A. Fraiberger|Neuilly: Coll. A. Fraiberger||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|1/31/2005 0:00:00|L213|||0|||||||35|PA||||||1962| ||||||||Work|0||Signed and dated in the lower right.||||||||||0|0|A trois centimètres de la terre|Lam, Wifredo 3339.00|0|Architect|03|MA-Cret|4.4|1933 InstArt|8-1|MA-Cret 4.4 1933 InstArt 8-1|Detroit Industry, North Wall|||||||||Detroit Institute of Arts. Detroit Industry, North Wall|9901|Rivera, Diego||painter|Rivera, Diego|0||||0|||||Mexican||||||||Mexico||||||0|Detroit, MI|||10354||||0||||0|Paintings|Fresco|Mural|||20|||1932|1933||1932-1933|1932-1933||Detroit Institute of Arts|LargerEntity||3321||||0|||||Mural||||||fresco painting|||||||3724|Detroit,Detroit Institute of Arts|Detroit: Inst. of Arts||Workers ; |Workers|||||||||Cornell||MNW|MNW|1/31/2005 0:00:00|1/31/2005 0:00:00|Cret|||0||||||InstArt|MA||||||4.4|1933| ||||||||Work|0|Modern Architecture|North wall of the garden court.||||||||||0|0|Detroit Industry, North Wall|Rivera, Diego 3340.00|0|Architect|03|MA-Cret|4.4|1933 InstArt|8-2|MA-Cret 4.4 1933 InstArt 8-2|Detroit Industry, South Wall|||||||||Detroit Institute of Arts. Detroit Industry, South Wall|9901|Rivera, Diego||painter|Rivera, Diego|0||||0|||||Mexican||||||||Mexico||||||0|Detroit, MI|||10354||||0||||0|Paintings|Fresco|Mural|||20|||1932|1933||1932-1933|1932-1933||Detroit Institute of Arts|||3321||||0|||||Mural||||||fresco painting|||||||3724|Detroit,Detroit Institute of Arts|Detroit: Inst. of Arts||Workers ; |Workers|||||||||Cornell||MNW|MNW|11/8/2005 0:00:00|1/31/2005 0:00:00|Cret|||0||||||InstArt|MA||||||4.4|1933| ||||||||Work|0|Modern Architecture|South wall of the garden court.||||||||||0|0|Detroit Industry, South Wall|Rivera, Diego 3341.00|0|Site|02|B-C7|Mex|2.41 NatPal|8-5|B-C7 Mex 2.41 NatPal 8-5|Tarasca Civilization|Assigned|Image Source (Book)|||||||National Palace. Tarasca Civilization|9901|Rivera, Diego||painter|Diego Rivera|0||||0|||||Mexican||||||||Mexico||||||0|Mexico City, Mexico|||9989||||0||||0|Paintings|Fresco|Mural|||20|||1950|1950||1950|1950-1950||National Palace|||512||||0|||||Fresco||||||fresco painting|||||||9211|Mexico City,National Palace|Mexico City: Nat'l Palace||||||||||||Cornell||MNW|MNW|9/4/2006 0:00:00|2/1/2005 0:00:00||Mex||0||||||NatPal|B|||||C7|2.41|| ||||||||Work|0|Architecture-Mexico|||||||||||0|0|Tarasca Civilization|Rivera, Diego 3342.00|0|Creator|15|35|L213-PA|1950|2|35 L213-PA 1950 2|Umbral|Assigned|Image Source (Book)|Seuil|Assigned|Image Source (Book)||||Umbral|6685|Lam, Wifredo||painter|Wifredo Lam|0||||0|||||Cuban|||Modern|||||||||||0||||0||||0||||0|Paintings|Oil Painting||||20|||1950|1950||1950|1950-1950|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||185 x 170 cm||9437|Paris, Musée National d’Art Moderne|Paris: Mus. Nat. d’Art Moderne||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|2/2/2005 0:00:00|L213|||0|||||||35|PA||||||1950| ||||||||Work|0||||||||||||0|0|Umbral;Seuil|Lam, Wifredo 3343.00|0||||||||Germany's Modern Architecture|Assigned|Image Source (Book)|||||||Germany's Modern Architecture|30497|Klein, Richard||architect|Richard Klein|0||||0|||||German|||National Socialist|||||Germany||||||0||||0||||0||||0|Posters|Poster|Lithograph|||20|||1938|1938|ca|ca 1938|ca 1938-1938|||||0||||0|||||Commerical color lithograph, with gold metallic ink|ink|paper||||lithography|||||101.1 x 63.3 cm||9436|Miami Beach, FL: Wolfsonian Foundation|Miami Beach, FL: Wolfsonian||Architectural drawings ; Eagles ; |Architectural drawings|Eagles||||||||Cornell|Cornell|JNK|MNW|4/19/2005 0:00:00|2/7/2005 0:00:00||||0||XX1990.4073||||||||||||| |||||||||0||Published by Reichsbahnzentrale für den Deutschen Reiseverkehr, Berlin||||||||||0|0|Germany's Modern Architecture|Klein, Richard 3344.00|0||||||||Volkswagen-Werk GmbH, Berlin|Assigned|Image Source (Book)|||||||Volkswagen-Werk GmbH, Berlin|30498|Abeking, Thomas||graphic designer|Thomas Abeking|0||||0|||||German|||National Socialist|||||Germany||||||0||||0||||0||||0|Advertising|Advertisement|Pamphlet|||20|||1937|1937|ca|ca 1937|ca 1937-1937|||||0||||0|||||Booklet with acetate overlays|ink|paper||||printing|||||21 x 30.5 cm||9436|Miami Beach, FL: Wolfsonian Foundation|Miami Beach, FL: Wolfsonian||Volkswagen automobiles ; Graphic design ; |Volkswagen automobiles|Graphic design||||||||Cornell|Cornell|JNK|MNW|4/19/2005 0:00:00|2/7/2005 0:00:00||||0||84.2.612||||||||||||| |||||||||0||Printed by Transard Akteingesellschaft fur Zellglass-Kunstdruck, Berlin. Published by Volkswagen-Werk G.m.b.H., Wolfsburg, Germany.||||||||||0|0|Volkswagen-Werk GmbH, Berlin|Abeking, Thomas 3345.00|0||||||||Promote General Welfare|Assigned|Image Source (Book)|||||||Promote General Welfare|0|||||0||||0|||||American|||New Deal|||||United States||||||0||||0||||0||||0|Paintings|Study|Mural|||20|||1935|1935|ca|ca 1935|ca 1935-1935|||||0||||0|||||Oil on canvas with plywood back|oil paint|canvas|plywood|||painting (image-making)|||||107.6 x 46 cm||9436|Miami Beach, FL: Wolfsonian Foundation|Miami Beach, FL: Wolfsonian||Government ; Workers ; Farming ; New Deal ; Murals (any medium) ; |Government|Workers|Farming|New Deal|Murals (any medium)|||||Cornell||JNK|MNW|4/19/2005 0:00:00|2/7/2005 0:00:00||||0||TD1989.45.66||||||||||||| |||||||||0||Study for U.S. Post Office, no. 235, San Jose, California mural competition. Unknown if realized.||||||||||0|0|Promote General Welfare| 3346.00|0||||||||Relación histórica del viage a la América Meridional|Assigned|LC NAF|||||||Relación histórica del viage a la América Meridional|30499|Juan, Jorge||author|Jorge Juan and Antonio de Ulloa|30500|Ulloa, Antonio de|||0|||||Spanish||||||||Spain||||||0||||0||||0||||0|Publications|Print||||18|||1752|1752||1752|1752-1752|||||0||||0|||||||||||printing|||||||||||||||||||||Cornell||MNW|MNW|2/7/2005 0:00:00|2/7/2005 0:00:00||||0||||||||||||||||||||||||0||Published in Amsterdam and Leipzig by Chez Arksteé & Merkus., MDCCLII [1752].|The Kroch Library (Rare & Manuscripts) owns this volume (F2221 .U42 1752 +).|||||||||0|0|Relación histórica del viage a la América Meridional|Juan, Jorge;Ulloa, Antonio de 3347.00|0|Creator|15|35|L213-PA|1951|1|35 L213-PA 1951 1|Contrepoint|Assigned|Image Source (Book)|Composition|Assigned|Image Source (Book)||||Contrepoint|6685|Lam, Wifredo||painter|Wifredo Lam|0||||0|||||Cuban|||Modern|||||||||||0||||0||||0||||0|Paintings|oil Painting||||20|||1951|1951|ca|ca 1951|ca 1951-1951|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||217 x 196 cm||3536|Havana, Museo Nacional de Bellas Artes|Havana: Mus. Nac. de Bellas Artes||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|2/8/2005 0:00:00|L213|||0|||||||35|PA||||||1951| ||||||||Work|0||||||||||||0|0|Contrepoint;Composition|Lam, Wifredo 3348.00|0|Creator|15|35|L213-PA|1960|1|35 L213-PA 1960 1|Grande Composition|Assigned|Image Source (Book)|||||||Grande Composition|6685|Lam, Wifredo||painter|Wifredo Lam|0||||0|||||Cuban|||Modern|||||||||||0||||0||||0||||0|Paintings|Oil Painting||||20|||1960|1960||1960|1960-1960|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||213 x 208 cm||3405|Paris, Private Collection|Paris: Private Coll.||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|2/8/2005 0:00:00|L213|||0|||||||35|PA||||||1960| ||||||||Work|0||||||||||||0|0|Grande Composition|Lam, Wifredo 3349.00|0|Creator|15|35|L213-PA|1948|1|35 L213-PA 1948 1|Bélial, empereur des mouches|Assigned|Image Source (Book)|||||||Bélial, empereur des mouches|6685|Lam, Wifredo||painter|Wifredo Lam|0||||0|||||Cuban|||Modern|||||||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1948|1948||1948|1948-1948|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||216 x 200 cm||9438|Turin: Private Collection|Turin: Private Collection||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|2/8/2005 0:00:00|L213|||0|||||||35|PA||||||1948| |||||||||0||||||||||||0|0|Bélial, empereur des mouches|Lam, Wifredo 3350.00|0|Creator|15|35|C965-G|1962|1|35 C965-G 1962 1|Self Portrait after Rembrandt|Assigned|Image Source (Book)|||||||Self Portrait after Rembrandt|2751|Cuevas, José Luis||draftsman|José Luis Cuevas|0||||0|||||Mexican|||Modern|||||||||||0||||0||||0||||0|Graphics|Lithograph|Self portrait|||20|||1962|1962||1962|1962-1962|||||0||||0|||||Lithograph||||||printing|lithography||||||||||Portraits ; Cuevas, José Luis, 1934- ; |Portraits|Cuevas, José Luis, 1934-||||||||Cornell||MNW|MNW|2/8/2005 0:00:00|2/8/2005 0:00:00|C965|||0|||||||35|G||||||1962|||||||||Work|0||||||||||||0|0|Self Portrait after Rembrandt|Cuevas, José Luis 3351.00|0|Creator|15|35|C965-D|1963|1|35 C965-D 1963 1|El Dr. Laforet y sus pacientes|Assigned|Image Source (Book)|||||||El Dr. Laforet y sus pacientes|2751|Cuevas, José Luis||draftsman|José Luis Cuevas|0||||0|||||Mexican|||Modern|||||||||||0||||0||||0||||0|Drawings|Drawing|Portrait|||20|||1963|1963||1963|1963-1963|||||0||||0|||||Ink and watercolor drawing|ink|watercolors||||drawing (image-making)|||||||||||Portaits ; |Portaits|||||||||Cornell||MNW|MNW|2/8/2005 0:00:00|2/8/2005 0:00:00|C965|||0|||||||35|D||||||1963|||||||||Work|0||||||||||||0|0|El Dr. Laforet y sus pacientes|Cuevas, José Luis 3352.00|0|Creator|15|35|C965-D|1965|1|35 C965-D 1965 1|Juana de Arco visita al Marqués de Sade|Assigned|Image Source (Book)|||||||Juana de Arco visita al Marqués de Sade|2751|Cuevas, José Luis||draftsman|José Luis Cuevas|0||||0|||||Mexican|||Modern|||||||||||0||||0||||0||||0|Drawings|Drawing||||20|||1965|1965||1965|1965-1965|||||0||||0|||||Ink and watercolor drawing|ink|watercolors||||drawing (image-making)|||||||||||||||||||||Cornell||MNW|MNW|2/8/2005 0:00:00|2/8/2005 0:00:00|C965|||0|||||||35|D||||||1965|||||||||Work|0||||||||||||0|0|Juana de Arco visita al Marqués de Sade|Cuevas, José Luis 3353.00|0|Creator|15|35|C965-D|1965|2|35 C965-D 1965 2|La adivinadora y los enfermos|Assigned|Image Source (Book)|||||||La adivinadora y los enfermos|2751|Cuevas, José Luis||draftsman|José Luis Cuevas|0||||0|||||Mexican|||Modern|||||||||||0||||0||||0||||0|Drawings|Drawing||||20|||1965|1965||1965|1965-1965|||||0||||0|||||Drawing with watercolor|watercolors|||||drawing (image-making)|||||||||||||||||||||Cornell||MNW|MNW|2/8/2005 0:00:00|2/8/2005 0:00:00|C965|||0|||||||35|D||||||1965|||||||||Work|0||||||||||||0|0|La adivinadora y los enfermos|Cuevas, José Luis 3354.00|0|Creator|15|35|C965-D|1968|1|35 C965-D 1968 1|Jack the Ripper|Assigned|Image Source (Book)|||||||Jack the Ripper|2751|Cuevas, José Luis||draftsman|José Luis Cuevas|0||||0|||||Mexican|||Modern|||||||||||0||||0||||0||||0|Drawings|Drawing||||20|||1968|1968||1968|1968-1968|||||0||||0|||||Drawing with watercolor|watercolors|||||drawing (image-making)|||||||||||||||||||||Cornell||MNW|MNW|2/8/2005 0:00:00|2/8/2005 0:00:00|C965|||0|||||||35|D||||||1968|||||||||Work|0||||||||||||0|0|Jack the Ripper|Cuevas, José Luis 3355.00|0|Creator|15|35|C965-G|1971|1|35 C965-G 1971 1|Political Poster|Translated|Cataloger|Cartel político|Assigned|Image Source (Book)||||Political Poster (Cartel político)|2751|Cuevas, José Luis||draftsman|José Luis Cuevas|0||||0|||||Mexican|||Modern|||||||||||0||||0||||0||||0|Graphics|Poster|Self portrait|||20|||1971|1971||1971|1971-1971|||||0||||0|||||Poster||||||Graphics|printing||||||||||Portraits ; Cuevas, José Luis, 1934- ; |Portraits|Cuevas, José Luis, 1934-||||||||Cornell||MNW|MNW|2/8/2005 0:00:00|2/8/2005 0:00:00|C965|||0|||||||35|G||||||1971|||||||||Work|0||||||||||||0|0|Political Poster;Cartel político|Cuevas, José Luis 3356.00|0|Creator|15|35|C965-D|1973|1|35 C965-D 1973 1|Painters and Models|Translated|Cataloger|Pintores y modelos|Assigned|Image Source (Book)||||Painters and Models (Pintores y modelos)|2751|Cuevas, José Luis||draftsman|José Luis Cuevas|0||||0|||||Mexican|||Modern|||||||||||0||||0||||0||||0|Drawings|Drawing||||20|||1973|1973||1973|1973-1973|||||0||||0|||||Drawing with watercolor|watercolors|||||drawing (image-making)|||||||||||||||||||||Cornell||MNW|JNK|2/14/2005 0:00:00|2/8/2005 0:00:00|C965|||0|||||||35|D||||||1973|||||||||Work|0||||||||||||0|0|Painters and Models;Pintores y modelos|Cuevas, José Luis 3357.00|0|Creator|15|35|C965-D|1973|2|35 C965-D 1973 2|Self Portrait with Models No. 1|Translated|Cataloger|Autorretrato con modelos No. 1|Assigned|Image Source (Book)||||Self Portrait with Models No. 1|2751|Cuevas, José Luis||draftsman|José Luis Cuevas|0||||0|||||Mexican|||Modern|||||Mexico||||||0||||0||||0||||0|Drawings|Watercolor|Self portrait|||20|||1973|1973||1973|1973-1973|||||0||||0|||||Watercolor|watercolors|||||drawing (image-making)|||||||||||Portraits ; Cuevas, José Luis, 1934- ; |Portraits|Cuevas, José Luis, 1934-||||||||Cornell||MNW|JNK|2/14/2005 0:00:00|2/8/2005 0:00:00|C965|||0|||||||35|D||||||1973|||||||||Work|0||||||||||||0|0|Self Portrait with Models No. 1;Autorretrato con modelos No. 1|Cuevas, José Luis 3358.00|0|Creator|15|35|C965-D|1973|3|35 C965-D 1973 3|Self Portrait with the Arnolfini Wedding|Translated|Cataloger|Autorretrato con el matrimonio Arnolfini|Assigned|Image Source (Book)||||Self Portrait with the Arnolfini Wedding|2751|Cuevas, José Luis||draftsman|José Luis Cuevas|0||||0|||||Mexican|||Modern|||||||||||0||||0||||0||||0|Drawings|Drawing|Self portrait|||20|||1973|1973||1973|1973-1973|||||0||||0|||||Pen and watercolor drawing|pen|watercolors||||drawing (image-making)|||||||||||Arnolfini Marriage ; Portraits ; Cuevas, José Luis, 1934- ; |Arnolfini Marriage|Portraits|Cuevas, José Luis, 1934-|||||||Cornell||MNW|MNW|2/8/2005 0:00:00|2/8/2005 0:00:00||||0|||||||35|D||||||1973|||||||||Work|0||||||||||||0|0|Self Portrait with the Arnolfini Wedding;Autorretrato con el matrimonio Arnolfini|Cuevas, José Luis 3359.00|0|Creator|15|25|E974-PA|A662||25 E974-PA A662 |The Arnolfini Portrait|Assigned|Repository|Portrait of Giovanni (?) Arnolfini and His Wife|Assigned|Repository|The Arnolfini Marriage|Descriptive|Image Source (Book)|The Arnolfini Portrait|3675|Eyck, Jan van||painter|Jan van Eyck|0||||0|||||Flemish|||Renaissance|||||Belgium||||||0||||0||||0||||0|Paintings|Oil painting|Portrait|||15|||1434|1434||1434|1434-1434|||||0||||0|||||Oil on oak|oil paint|oak||||painting (image-making)|||||82.2 cx 60 cm||3357|London,National Gallery|London: National Gallery||Portraits ; Weddings ; Arnolfini, Giovanni ; Cenami, Giovanna ; Marriage ; Dogs ; |Portraits|Weddings|Arnolfini, Giovanni|Cenami, Giovanna|Marriage|Dogs||||Cornell||MNW|JNK|1/6/2006 0:00:00|2/8/2005 0:00:00|E974|||0||NG186|||||25|PA||||||| |A662|||||||Work|0||||||||||||0|0|The Arnolfini Portrait;Portrait of Giovanni (?) Arnolfini and His Wife;The Arnolfini Marriage|Eyck, Jan van 3360.00|0|Creator|15|35|C965-D|1973|4|35 C965-D 1973 4|Las reinas del burlesque|Assigned|Image Source (Book)|||||||Las reinas del burlesque|2751|Cuevas, José Luis||draftsman|José Luis Cuevas|0||||0|||||Mexican|||Modern|||||||||||0||||0||||0||||0|Drawings|Drawing||||20|||1973|1973||1973|1973-1973|||||0||||0|||||Drawing with watercolor|watercolors|||||drawing (image-making)|||||||||||||||||||||Cornell||MNW|MNW|2/8/2005 0:00:00|2/8/2005 0:00:00|C965|||0|||||||35|D||||||1973|||||||||Work|0||||||||||||0|0|Las reinas del burlesque|Cuevas, José Luis 3361.00|0|Creator|15|35|C965-D|1973|5|35 C965-D 1973 5|Rebecca's House N. 1|Translated|Cataloger|La casa de Rebeca No. 1|Assigned|Image Source (Book)||||Rebecca's House N. 1|2751|Cuevas, José Luis||draftsman|José Luis Cuevas|0||||0|||||Mexican|||Modern|||||||||||0||||0||||0||||0|Drawings|Drawing||||20|||1973|1973||1973|1973-1973|||||0||||0|||||Pen and watercolor|pen|watercolors||||drawing (image-making)|||||||||||||||||||||Cornell||MNW|MNW|2/8/2005 0:00:00|2/8/2005 0:00:00|C965|||0|||||||35|D||||||1973|||||||||Work|0||||||||||||0|0|Rebecca's House N. 1;La casa de Rebeca No. 1|Cuevas, José Luis 3362.00|0|Creator|15|35|C965-D|1976|1|35 C965-D 1976 1|The Confession of the Painter Armondo Morales|Translated|Cataloger|La confesión del pintor Armando Morales|Assigned|Image Source (Book)|||||2751|Cuevas, José Luis||draftsman|José Luis Cuevas|0||||0|||||Mexican|||Modern|||||||||||0||||0||||0||||0|Watercolors|Watercolor||||20|||1976|1976||1976|1976-1976|||||0||||0|||||Watercolor|watercolors|||||drawing (image-making)|||||||||||||||||||||Cornell||MNW|MNW|2/10/2005 0:00:00|2/8/2005 0:00:00|C965|||0|||||||35|D||||||1976|||||||||Work|0||||||||||||0|0|The Confession of the Painter Armondo Morales;La confesión del pintor Armando Morales|Cuevas, José Luis 3363.00|0|Creator|15|35|C965-D|1976|2||Self Portait with Bertha at la Renaudière|Assigned|Image Source (Book)|Bertha y autorretrato en la Renaudière|Assigned|Image Source (Book)||||Self Portait with Bertha at la Renaudière|2751|Cuevas, José Luis||draftsman|José Luis Cuevas|0||||0|||||Mexican|||Modern|||||||||||0||||0||||0||||0|Drawings|Drawing|Self portrait|||20|||1976|1976||1976|1976-1976|||||0||||0|||||Ink and watercolor drawing|ink|watercolors||||drawing (image-making)|||||||||||Portraits ; Cuevas, José Luis, 1934- ; Riestra de Cuevas, Bertha, 1937-2000 ; |Portraits|Cuevas, José Luis, 1934-|Riestra de Cuevas, Bertha, 1937-2000|||||||Cornell||MNW|MNW|2/10/2005 0:00:00|2/8/2005 0:00:00|C965|||0|||||||35|D||||||1976|||||||||Work|0||||||||||||0|0|Self Portait with Bertha at la Renaudière;Bertha y autorretrato en la Renaudière|Cuevas, José Luis 3364.00|0|Creator|15|35|C965-D|1979|1|35 C965-D 1979 1|Self Portrait with Wife|Translated|Cataloger|Autorretrato con mujer|Assigned|Image Source (Book)||||Self Portrait with Wife|2751|Cuevas, José Luis||draftsman|José Luis Cuevas|0||||0|||||Mexican|||Modern|||||||||||0||||0||||0||||0|Drawings|Drawing|Self portrait|||20|||1979|1979||1979|1979-1979|||||0||||0|||||Watercolor|watercolors|||||drawing (image-making)|||||||||||Portraits ; Cuevas, José Luis, 1934- ; Riestra de Cuevas, Bertha, 1937-2000 ; |Portraits|Cuevas, José Luis, 1934-|Riestra de Cuevas, Bertha, 1937-2000|||||||Cornell||MNW|MNW|2/9/2005 0:00:00|2/8/2005 0:00:00|C965|||0|||||||35|D||||||1979|||||||||Work|0||||||||||||0|0|Self Portrait with Wife;Autorretrato con mujer|Cuevas, José Luis 3365.00|0|Creator|15|35|B569-SC|C955|1962/1963||Crucifixion|Translated|Cataloger|Kreuzigung|Original|Image Source (Book)||||Crucifixion (Kreuzigung)|1133|Beuys, Joseph||sculptor|Beuys, Joseph|0||||0|||||German|||Modern|||||||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1962|1963||1962/63|1962-1963|||||0||||0|||||Wood, nails, electric cord, thread, etc.|mixed materials|||||sculpture|||||42.5 x 19 x 15 cm||2761|Stuttgart: Staatsgalerie Stuttgart|Stuttgart: Staatsgalerie||Crucifixes ; Crucifixion ; |Crucifixes|Crucifixion||||||||Cornell||MNW|JNK|2/10/2005 0:00:00|2/9/2005 0:00:00|B569|||0|||||||35|SC||||||1962/1963| |C955|||||||Work|0||Signed on the back, "Beuys 1962/63."||||||||||0|0|Crucifixion;Kreuzigung|Beuys, Joseph 3366.00|0|Category|05|J-WolcottMP|||50|J-WolcottMP 50|Belle Glade, February 1939, Migratory Packing House Workers Waiting Around the Post Office During the Slack Season|Descriptive|Image Source (Book)|||||||Belle Glade, February 1939, Migratory Packing House Workers Waiting|12868|Wolcott, Marion Post||photographer|Marion Post Wolcott|0||||0|||||American||||||||||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1939|1939||1939|1939-1939|||||0||||0|||||||||||photography|||||||3892|Washington, DC: Library of Congress|Wash, DC: Library of Congress||||||||||||Cornell||MNW|MNW|2/9/2005 0:00:00|2/9/2005 0:00:00|WolcottMP|||0||LC-USF33-30450-M4|||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Belle Glade, February 1939, Migratory Packing House Workers Waiting Around the Post Office During the Slack Season|Wolcott, Marion Post 3367.00|0|Creator|15|35|C965-D|1980|1|35 C965-D 1980 1|Wife|Translated|Cataloger|Mujer|Assigned|Image Source (Book)||||Wife (Mujer)|2751|Cuevas, José Luis||draftsman|José Luis Cuevas|0||||0|||||Mexican|||Modern|||||||||||0||||0||||0||||0|Drawings|Drawing|Portrait|||20|||1980|1980||1980|1980-1980|||||0||||0|||||Watercolor|watercolors|||||drawing (image-making)|||||||||||Portraits ; |Portraits|||||||||Cornell||MNW|MNW|2/9/2005 0:00:00|2/9/2005 0:00:00|C965|||0|||||||35|D||||||1980|||||||||Work|0||||||||||||0|0|Wife;Mujer|Cuevas, José Luis 3368.00|0|Creator|15|35|C965-D|1981|1|35 C965-D 1981 1|House of Vice|Translated|Cataloger|Casa de vicio|Assigned|Image Source (Book)||||House of Vice (Casa de vicio)|2751|Cuevas, José Luis||draftsman|José Luis Cuevas|0||||0|||||Mexican|||Modern|||||||||||0||||0||||0||||0|Drawings|Drawing||||20|||1981|1981||1981|1981-1981|||||0||||0|||||Watercolor|watercolors|||||drawing (image-making)|||||||||||||||||||||Cornell||MNW|MNW|2/9/2005 0:00:00|2/9/2005 0:00:00|C965|||0|||||||35|D||||||1981|||||||||Work|0||||||||||||0|0|House of Vice;Casa de vicio|Cuevas, José Luis 3369.00|0|Creator|15|35|C965-TO|1971|1|35 C965-TO 1971 1|Fernando Benítez, José Luis Cuevas & Vicente Rojo|Descriptive|Image Source (Book)|||||||Fernando Benítez, José Luis Cuevas & Vicente Rojo|30501|Riestra de Cuevas, Bertha||photographer|Bertha Riestra de Cuevas|0||||0|||||Mexican|||Modern|||||||||||0||||0||||0||||0|Photographs|Documentary photograph|Portraits|||20|||1971|1971||1971|1971-1971|||||0||||0|||||Documentary photograph||||||photography|||||||||||Cuevas, José Luis, 1934- ; Benítez, Fernando, 1912-2000 ; Rojo, Vicente, 1932 ; Portraiats ; |Cuevas, José Luis, 1934-|Benítez, Fernando, 1912-2000|Rojo, Vicente, 1932|Portraits||||||Cornell||MNW|MNW|2/10/2005 0:00:00|2/9/2005 0:00:00|C965|||0|||||||35|TO||||||1971|||||||||Work|0||||||||||||0|0|Fernando Benítez, José Luis Cuevas & Vicente Rojo|Riestra de Cuevas, Bertha 3370.00|0|Creator|15|35|C965-TO|1976|1|35 C965-TO 1976 1|Ailing José Luis Cuevas Surrounded by Two Figures in Masquerade|Translated|Cataloger|José Luis Cuevas enfermo con personajes enmascarados|Descriptive|Image Source (Book)||||Ailing José Luis Cuevas Surrounded by Two Figures in Masquerade|30502|Ascher, Daisy||photographer|Daisy Ascher|0||||0|||||Mexican|||Modern|||||||||||0||||0||||0||||0|Photographs|Documentary photograph|Portrait|||20|||1976|1976||1976|1976-1976|||||0||||0|||||Documentary photograph||||||photography|||||||||||Cuevas, José Luis, 1934- ; Portraits ; |Cuevas, José Luis, 1934-|Portraits||||||||Cornell||MNW|MNW|2/10/2005 0:00:00|2/9/2005 0:00:00|C965|||0|||||||35|TO||||||1976|||||||||Work|0||||||||||||0|0|Ailing José Luis Cuevas Surrounded by Two Figures in Masquerade;José Luis Cuevas enfermo con personajes enmascarados|Ascher, Daisy 3388.00|0|Creator|15|32|Q691-PA|1832|2|32 Q691-PA 1832 2|Money Diggers|Assigned|Image Source (Book)|||||||Money Diggers|9564|Quidor, John||painter|John Quidor|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Paintings|Oil painting|Genre|||19|||1832|1832||1832|1832-1832|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||42 x 54.6 cm||3838|New York: The Brooklyn Museum|New York: Brooklyn Mus.||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|2/21/2005 0:00:00|Q691|||0|||||||32|PA||||||1832| ||||||||Work|0||||||||||||0|0|Money Diggers|Quidor, John 3389.00|0|Architect|03|MA-Taniguchi|4.4|1997-2004 MoMA||MA-Taniguchi 4.4 1997-2004 MoMA |Museum of Modern Art|Descriptive|Image Source (Book)|||||||Museum of Modern Art|14644|Taniguchi, Yoshio||architect|Yoshio Taniguchi|0||||0|||||Japanese||||||||||||||0|11 West 53 Street, New York, NY|||10358||||0||||0|Architecture|Museums||||20|21||1997|2004|||||Museum of Modern Art|||3390||||0||||||||||||||||||||||Museums ; |Museums|||||||||Cornell||MNW|MNW|2/21/2005 0:00:00|2/21/2005 0:00:00|Taniguchi|||0||||||MoMA|MA||||||4.4|1997-2004|||||||||Work|0|Modern Architecture||||Competition = 1997; Museum opened in Nov., 2004.|||||||0|0|Museum of Modern Art|Taniguchi, Yoshio 3390.00|0|Architect|03|MA-Stone|4.4|1939 MoMA||MA-Stone 4.4 1939 MoMA|Museum of Modern Art|Inscribed|Repository|||||||Museum of Modern Art|29108|Stone & Goodwin||architectural firm|Stone & Goodwin|0||||0|||||American|||Modernist|||||United States||||||0|11 West 53 Street, New York, NY|||10358||||0||||0|Architecture|Museum||||20|||1936|1939||1936-1939|1936-1939|||||0||||0||||||||||||||||||||||Museums ; |Museums|||||||||Cornell||MNW|JNK|3/2/2006 0:00:00|2/21/2005 0:00:00|Stone|||0||||||MoMA|MA||||||4.4|1939|||||||||Work|0|Modern Architecture|The original Museum of Modern Art.||||||||||0|0||Stone & Goodwin 3391.00|0|Architect|03||||||North Wing|Assigned|Image Source (Book)|Grace Rainey Rogers Memorial Annex|Assigned|Image Source (Pub)||||Museum of Modern Art. North Wing.|5998|Johnson, Philip Cortelyou||architect|Philip Johnson|0||||0|||||American||||||||United States||||||0|11 West 53 Street, New York, NY|||10358||||0||||0|Architecture|Museum||||20|||1951|1954||1951-1954|1951-1954||Museum of Modern Art|LargerEntity||3390||||0||||||||||||||||||||||Museums ; |Museums|||||||||Cornell||MNW|MNW|6/29/2005 0:00:00|2/21/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|North Wing;Grace Rainey Rogers Memorial Annex|Johnson, Philip Cortelyou 3392.00|0|Architect|03||||||East Wing|Assigned|Image Source (Book)|||||||Museum of Modern. East Wing|5998|Johnson, Philip Cortelyou||architect|Philip Johnson|0||||0|||||American||||||||United States||||||0|11 West 53 Street, New York, NY|||10358||||0||||0|Architecture|Museum||||20|||1964|1964||1964|1964-1964||Museum of Modern Art|LargerEntity||3390||||0||||||||||||||||||||||Museums ; |Museums|||||||||Cornell||MNW|MNW|2/21/2005 0:00:00|2/21/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|East Wing|Johnson, Philip Cortelyou 3393.00|0|Architect|02||||||Museum Tower|||||||||Musueum of Modern Art. Museum Tower|9038|Pelli, Cesar Antonio||architect|Cesar Pelli|0||||0|||||American||||||||United States||||||0|11 West 53 Street, New York, NY|||10358||||0||||0|Architecture|Museum|Apartment house|||20|||1984|1985||1984-1985|1984-1985||Museum of Modern Art|LargerEntity||3390||||0||||||||||||||||||||||Museums ; Apartment houses ; |Museums|Apartment houses||||||||Cornell||MNW|MNW|3/31/2006 0:00:00|2/21/2005 0:00:00||||0|||||||||||||||||||||||Work|0||Includes alterations to the Museum of Modern Art.||||||||||0|0|Museum Tower|Pelli, Cesar Antonio 3394.00|0|Creator|05|J-Dahl-Wolfe|||13|J-Dahl-Wolfe 13|Model in Dior Suit, Walking Poodles in Paris|Descriptive|Image Source (Book)|||||||Model in Dior Suit, Walking Poodles in Paris|14319|Dahl-Wolfe, Louise||photographer|Louise Dahl-Wolfe|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print||||20|||1940|1940|ca|ca 1940|ca 1940-1940|||||0||||0|||||Gelatin silver print||||||photography|gelatin silver process||||26.7 x 24.1 cm||4763|Washington, DC: National Museum of Women in the Arts|Wash, DC: Nat. Mus. Women Arts||Dogs ; Eiffel Tower, Paris, France ; Poodles ; Models (people) ; Paris, France ; |Dogs|Eiffel Tower, Paris, France|Poodles|Models (people)|Paris, France|||||Cornell||MNW|MNW|2/21/2005 0:00:00|2/21/2005 0:00:00|Dahl-Wolfe|||0|||||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Model in Dior Suit, Walking Poodles in Paris|Dahl-Wolfe, Louise 3395.00|0|Creator|05|J-Dahl-Wolfe|||14|J-Dahl-Wolfe 14|Rita Touhy on Balcony of the Museum of Modern Art|Descriptive|Image Source (Book)|||||||Rita Touhy on Balcony of the Museum of Modern Art|14319|Dahl-Wolfe, Louise||photographer|Louise Dahl-Wolfe|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print||||20|||1940|1940||1940|1940-1940|||||0||||0|||||Gelatin silver print||||||photography|gelatin silver process||||28.9 x 24.1 cm||4763|Washington, DC: National Museum of Women in the Arts|Wash, DC: Nat. Mus. Women Arts||Museum of Modern Art (New York, N.Y.) ; Models (people) ; |Museum of Modern Art (New York, N.Y.)|Models (people)||||||||Cornell||MNW|MNW|2/21/2005 0:00:00|2/21/2005 0:00:00|Dahl-Wolfe|||0|||||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Rita Touhy on Balcony of the Museum of Modern Art|Dahl-Wolfe, Louise 3396.00|0|Creator|15|32|S7453-PA|1854|1|32 S7453-PA 1854 1|The Young Husband: First Marketing|Assigned|Image Source (Book)|||||||The Young Husband: First Marketing|30503|Spencer, Lilly Martin||painter|Lilly Martin Spencer|0||||0|||||American|||Victorian|||||United States||||||0||||0||||0||||0|Paintings|Oil painting||||19|||1854|1854|ca|ca 1854|ca 1854-1854|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||75 x 63 cm||9441|Chattanooga, TN: Hunter Museum of American Art|Chattanooga: Hunter Mus. of Amer. Art||Marriage ; |Marriage|||||||||Cornell||JNK|MNW|2/23/2005 0:00:00|2/22/2005 0:00:00|S7453|||0|||||||32|PA||||||1854| ||||||||Work|0|Painting|||||||||||0|0||Spencer, Lilly Martin 3401.00|0|Creator|15|32|S7453-PA|1856|1|32 S7453-PA 1856 1|Kiss Me and You'll Kiss the Lasses|Assigned|Image Source (Book)|||||||Kiss Me and You'll Kiss the Lasses|30503|Spencer, Lilly Martin||painter|Lilly Martin Spencer|0||||0|||||American|||Victorian|||||United States||||||0||||0||||0||||0|Paintings|Oil painting||||19|||1856|1856||1856|1856-1856|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||76 x 63.5 cm||3838|New York: The Brooklyn Museum|New York: Brooklyn Mus.||||||||||||Cornell||JNK|JNK|2/22/2005 0:00:00|2/22/2005 0:00:00|S7453|||0|||||||32|PA||||||1856| ||||||||Work|0|Painting|||||||||||0|0|Kiss Me and You'll Kiss the Lasses|Spencer, Lilly Martin 3402.00|0|Creator|15|32|S7453-PA|1854|2|32 S7453-PA 1854 2|Shake Hands?|Assigned|Image Source (Book)|||||||Shake Hands?|30503|Spencer, Lilly Martin||painter|Lilly Martin Spencer|0||||0|||||American|||Victorian|||||United States||||||0||||0||||0||||0|Paintings|Oil painting||||19|||1854|1854||1854|1854-1854|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||76 x 63.5 cm||9442|Columbus, OH: Ohio Historical Society|Columbus: Ohio Historical Society||||||||||||Cornell||JNK|JNK|2/22/2005 0:00:00|2/22/2005 0:00:00|S7453|||0|||||||32|PA||||||1854| ||||||||Work|0|Painting|||||||||||0|0|Shake Hands?|Spencer, Lilly Martin 3403.00|0|Creator|15|35|B748-PA|1968|1|35 B748-PA 1968 1|S. Rosa di Lima|Artists|Image Source (Book)|||||||S. Rosa di Lima|1428|Botero, Fernando||painter|Fernando Botero|0||||0|||||Colombian|||Modern|||||Colombia||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1968|1968||1968|1968-1968|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||167.7 x 175.3 cm||||||Saints ; |Saints|||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|2/22/2005 0:00:00|B748|||0|||||||35|PA||||||1968|||||||||Work|0||||||||||||0|0|S. Rosa di Lima|Botero, Fernando 3404.00|0|Creator|15|35|B748-PA|1967|1|35 B748-PA 1967 1|Bishops Bathing in a River|Translated|Cataloger|Il bagno dei vescovi in un fiume||||||Bishops Bathing in a River|1428|Botero, Fernando||painter|Fernando Botero|0||||0|||||Colombian|||Modern|||||Colombia||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1967|1967||1967|1967-1967|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||||||||Bishops (prelates) ; |Bishops (prelates)|||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|2/22/2005 0:00:00|B748|||0|||||||35|PA||||||1967|||||||||Work|0||||||||||||0|0|Bishops Bathing in a River;Il bagno dei vescovi in un fiume|Botero, Fernando 3405.00|0|Creator|15|35|B748-PA|1968|2|35 B748-PA 1968 2|Adam and Eve|Translated|Cataloger|||||||Adam and Eve|1428|Botero, Fernando||painter|Fernando Botero|0||||0|||||Colombian|||Modern|||||Colombia||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1968|1968||1968|1968-1968|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||A=195 x 102 ; E=195 x 110||||||Adam ; Eve ; |Adam|Eve||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|2/22/2005 0:00:00|B748|||0|||||||35|PA||||||1968|||||||||Work|0||Quotation of typical paintings by Lucas Cranach the Elder and the Younger.||||||||||0|0|Adam and Eve|Botero, Fernando 3406.00|0|Creator|15|35|B748-PA|1970|1|35 B748-PA 1970 1|Self Portrait on the Day of First Communion|Translated|Cataloger|||||||Self Portrait on the Day of First Communion|1428|Botero, Fernando||painter|Fernando Botero|0||||0|||||Colombian|||Modern|||||Colombia||||||0||||0||||0||||0|Paintings|Oil painting|Self portrait|Portrait||20|||1970|1970||1970|1970-1970|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||109 x 94 cm||||||Portraits ; Botero, Fernando, 1932- ; |Portraits|Botero, Fernando, 1932-||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|2/22/2005 0:00:00|B748|||0|||||||35|PA||||||1970|||||||||Work|0||||||||||||0|0|Self Portrait on the Day of First Communion|Botero, Fernando 3407.00|0|Creator|15|35|B748-PA|1975|1|35 B748-PA 1975 1|Newborn Nun|Translated|Cataloger|Monaca neonata|Assigned|Image Source (Book)||||Newborn Nun|1428|Botero, Fernando||painter|Fernando Botero|0||||0|||||Colombian|||Modern|||||Colombia||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1975|1975||1975|1975-1975|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||94 x 129 cm||||||Nuns ; |Nuns|||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|2/22/2005 0:00:00|B748|||0|||||||35|PA||||||1975|||||||||Work|0||||||||||||0|0|Newborn Nun;Monaca neonata|Botero, Fernando 3408.00|0|Creator|15|35|B748-PA|1969|1|35 B748-PA 1969 1|The Man Who Leaves for the Office|Translated|Cataloger|||||||The Man Who Leaves for the Office|1428|Botero, Fernando||painter|Fernando Botero|0||||0|||||Colombian|||Modern|||||Colombia||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1969|1969||1969|1969-1969|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||185 x 85 cm||||||Families ; |Families|||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|2/22/2005 0:00:00|B748|||0|||||||35|PA||||||1969|||||||||Work|0||||||||||||0|0|The Man Who Leaves for the Office|Botero, Fernando 3409.00|0|Creator|15|35|B748-PA|1971|1|35 B748-PA 1971 1|Barboncino|Assigned|Image Source (Book)|||||||Barboncino|1428|Botero, Fernando||painter|Fernando Botero|0||||0|||||Colombian|||Modern|||||Colombia||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1971|1971||1971|1971-1971|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||155 x 121 cm||||||Dogs ; Poodles ; |Dogs|Poodles||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|2/22/2005 0:00:00|B748|||0|||||||35|PA||||||1971|||||||||Work|0||||||||||||0|0|Barboncino|Botero, Fernando 3410.00|0|Creator|15|35|B748-PA|1976|1|35 B748-PA 1976 1|Watermelon|Series|Cataloger|||||||Watermelon|1428|Botero, Fernando||painter|Fernando Botero|0||||0|||||Colombian|||Modern|||||Colombia||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1976|1976||1976|1976-1976|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||133 x 177||||||Watermelon ; Fruit ; |Watermelon|Fruit||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|2/22/2005 0:00:00|B748|||0|||||||35|PA||||||1976|||||||||Work|0||||||||||||0|0|Watermelon|Botero, Fernando 3411.00|0|Creator|15|35|B748-PA|1976|2|35 B748-PA 1976 2|Pear|Series|Cataloger|||||||Pear|1428|Botero, Fernando||painter|Fernando Botero|0||||0|||||Colombian|||Modern|||||Colombia||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1976|1976||1976|1976-1976|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||241 x 196 cm||||||Fruit ; Pears ; |Fruit|Pears||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|2/22/2005 0:00:00|B748|||0|||||||35|PA||||||1976|||||||||Work|0||||||||||||0|0|Pear|Botero, Fernando 3412.00|0|Creator|15|35|B748-PA|1978|1|35 B748-PA 1978 1|The Arnolfini Wedding after Van Eyck|Series|Cataloger|||||||The Arnolfini Wedding after Van Eyck|1428|Botero, Fernando||painter|Fernando Botero|0||||0|||||Colombian|||Modern|||||Colombia||||||0||||0||||0||||0|Paintings|Oil painting|portraits|||20|||1978|1978||1978|1978-1978|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||135 x 118 cm||||||Arnolfini Marriage ; Portraits ; Group portraits ; Weddings ; Dogs ; |Arnolfini Marriage|Portraits|Group portraits|Weddings|Dogs|||||Cornell||MNW|JNK|1/6/2006 0:00:00|2/22/2005 0:00:00|B748|||0|||||||35|PA||||||1978|||||||||Work|0||||||||||||0|0|The Arnolfini Wedding after Van Eyck|Botero, Fernando 3413.00|0|Creator|15|35|B748-PA|1983|1|35 B748-PA 1983 1|Guitar and Chair|Series|Cataloger|||||||Guitar and Chair|1428|Botero, Fernando||painter|Fernando Botero|0||||0|||||Colombian|||Modern|||||Colombia||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1983|1983||1983|1983-1983|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||160 x 118 cm||||||Chairs ; Musical instruments ; Guitars ; |Chairs|Musical instruments|Guitars|||||||Cornell||MNW|JNK|1/6/2006 0:00:00|2/22/2005 0:00:00|B748|||0|||||||35|PA||||||1983|||||||||Work|0||||||||||||0|0|Guitar and Chair|Botero, Fernando 3414.00|0|Creator|15|35|B748-PA|1984|1|35 B748-PA 1984 1|Four Musicians|Series|Cataloger|||||||Four Musicians|1428|Botero, Fernando||painter|Fernando Botero|0||||0|||||Colombian|||Modern|||||Colombia||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1984|1984||1984|1984-1984|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||225 x 185||||||Musicians ; |Musicians|||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|2/22/2005 0:00:00|B748|||0|||||||35|PA||||||1984|||||||||Work|0||||||||||||0|0|Four Musicians|Botero, Fernando 3415.00|0|Creator|15|35|B748-PA|1973|1|35 B748-PA 1973 1|Self Portrait with Louis XIV (after Rigaud)|Assigned|Image Source (Book)|||||||Self Portrait with Louis XIV (after Rigaud)|1428|Botero, Fernando||painter|Fernando Botero|0||||0|||||Colombian|||Modern|||||Colombia||||||0||||0||||0||||0|Paintings|Oil painting|Portraits|Self portrait||20|||1973|1973||1973|1973-1973|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||289.5 x 197||9443|Caracas: Museo de Arte Contemporáneo de Caracas|Caracas: Mus. Arte Contemporáneo||Louis XIV, King of France, 1638-1715 ; Portraits ; Botero, Fernando, 1932 ; |Louis XIV, King of France, 1638-1715|Portraits|Botero, Fernando, 1932|||||||Cornell||MNW|JNK|1/6/2006 0:00:00|2/22/2005 0:00:00|B748|||0|||||||35|PA||||||1973| ||||||||Work|0||||||||||||0|0|Self Portrait with Louis XIV (after Rigaud)|Botero, Fernando 3416.00|0|Creator|15|35|B748-PA|1959|1|35 B748-PA 1959 1|Mona Lisa, Age Twelve|Assigned|Image Source (Book)|||||||Mona Lisa, Age Twelve|1428|Botero, Fernando||painter|Fernando Botero|0||||0|||||Colombian|||Modern|||||Colombia||||||0||||0||||0||||0|Paintings|Oil painting|Portrait|||20|||1959|1959||1959|1959-1959|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||211 x 195.5 cm||3384|New York: Museum of Modern Art|New York: MoMA||Mona Lisa ; Portraits ; |Mona Lisa|Portraits||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|2/22/2005 0:00:00|B748|||0|||||||35|PA||||||1959| ||||||||Work|0||||||||||||0|0|Mona Lisa, Age Twelve|Botero, Fernando 3417.00|0|Creator|15|25|Set 148|Leonardo||25 Set 148 Leonardo|Mona Lisa|Repository|Repository|La Gioconda|Former|Repository||||Mona Lisa|6972|Leonardo da Vinci||painter|Leonardo da Vinci|0||||0|||||Italian|||Renaissance|||||Italy||||||0||||||||0||||0|Paintings|Panel (wood)|Portrait|Landscape (representation)||15|16||1452|1519||1452-1519|1452-1519|||||0||||0|||||Panel|panel|||||painting (image-making)|||||77 x 53 cm (cut at sides)||3341|Paris: Musée du Louvre|Paris: Louvre||Portraits ; Del Giocondo, Lisa, b. 1479 ; Landscapes ; |Portraits|Del Giocondo, Lisa, b. 1479|Landscapes|||||||Cornell||MNW|JNK|8/11/2006 0:00:00|2/22/2005 0:00:00|Set 148|||0||Inv. 779||||Leonardo|25|||||||| ||||||||Work|0||||||||||||0|0|Mona Lisa;La Gioconda|Leonardo da Vinci 3418.00|0|Creator|15|35|B748-PA|1978|2|35 B748-PA 1978 2|Mona Lisa|Artists|Image Source (Book)|||||||Mona Lisa|1428|Botero, Fernando||painter|Fernando Botero|0||||0|||||Colombian|||Modern|||||Colombia||||||0||||0||||0||||0|Paintings|Oil painting|Portrait|||20|||1978|1978||1978|1978-1978|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||187 x 166 cm||||||Mona Lisa ; Portraits ; Landscapes ; |Mona Lisa|Portraits|Landscapes|||||||Cornell||MNW|JNK|1/6/2006 0:00:00|2/22/2005 0:00:00|B748|||0|||||||35|PA||||||1978|||||||||Work|0||||||||||||0|0|Mona Lisa|Botero, Fernando 3419.00|0|Creator|15|35|B748-PA|1978|3|35 B748-PA 1978 3|Menina (after Velázquez)|Assigned|Image Source (Book)|||||||Menina (after Velázquez)|1428|Botero, Fernando||painter|Fernando Botero|0||||0|||||Colombian|||Modern|||||Colombia||||||0||||0||||0||||0|Paintings|Oil painting|Portrait|||20|||1978|1978||1978|1978-1978|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||200 x 183 cm||||||Margarita Teresa, Infanta of Spain, 1651-1673 ; Portraits ; |Margarita Teresa, Infanta of Spain, 1651-1673|Portraits||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|2/22/2005 0:00:00|B748|||0|||||||35|PA||||||1978|||||||||Work|0||||||||||||0|0|Menina (after Velázquez)|Botero, Fernando 3420.00|0|Creator|15|35|B748-PA|1965|1|35 B748-PA 1965 1|Rubens and His Wife|Assigned|Image Source (Book)|||||||Rubens and His Wife|1428|Botero, Fernando||painter|Fernando Botero|0||||0|||||Colombian|||Modern|||||Colombia||||||0||||0||||0||||0|Paintings|Oil painting|Portrait|||20|||1965|1965||1965|1965-1965|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||198 x 196 cm||||||Portraits ; |Portraits|||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|2/22/2005 0:00:00|B748|||0|||||||35|PA||||||1965|||||||||Work|0||||||||||||0|0|Rubens and His Wife|Botero, Fernando 3421.00|0|Creator|15|35|B748-PA|1969|2|35 B748-PA 1969 2|Le Déjeuner sur L'Herbe|Assigned|Image Source (Book)|||||||Le Déjeuner sur L'Herbe|1428|Botero, Fernando||painter|Fernando Botero|0||||0|||||Colombian|||Modern|||||Colombia||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1988|1988||1988|1988-1988|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||130 x 188 cm||||||Snakes ; Male nudes ; Déjeuner sur l’herbe ; |Snakes|Male nudes|Déjeuner sur l’herbe|||||||Cornell||MNW|JNK|1/6/2006 0:00:00|2/22/2005 0:00:00|B748|||0|||||||35|PA||||||1969|||||||||Work|0||Refers to Manet's Le Déjeuner sur L'Herbe but the nudity is reversed in Botero's painting.||||||||||0|0|Le Déjeuner sur L'Herbe|Botero, Fernando 3422.00|0|Creator|15|35|B748-PA|1979|1|35 B748-PA 1979 1|The Musicians|Assigned|Image Source (Book)|||||||The Musicians|1428|Botero, Fernando||painter|Fernando Botero|0||||0|||||Colombian|||Modern|||||Colombia||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1979|1979||1979|1979-1979|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||217 x 90 cm||||||Musicians ; Genre ; |Musicians|Genre||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|2/22/2005 0:00:00|B748|||0|||||||35|PA||||||1979|||||||||Work|0||||||||||||0|0|The Musicians|Botero, Fernando 3423.00|0|Creator|15|35|B748-PA|1989|1|35 B748-PA 1989 1|Melancholia|Assigned|Image Source (Book)|||||||Melancholia|1428|Botero, Fernando||painter|Fernando Botero|0||||0|||||Colombian|||Modern|||||Colombia||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1989|1989||1989|1989-1989|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||193 x 130 cm||||||Mirrors ; Portraits ; |Mirrors|Portraits||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|2/22/2005 0:00:00|B748|||0|||||||35|PA||||||1989|||||||||Work|0||||||||||||0|0|Melancholia|Botero, Fernando 3424.00|0|Creator|15|35|B748-PA|1971|2|35 B748-PA 1971 2|Official Portrait of the Military Junta|Assigned|Image Source (Book)|||||||Official Portrait of the Military Junta|1428|Botero, Fernando||painter|Fernando Botero|0||||0|||||Colombian|||Modern|||||Colombia||||||0||||0||||0||||0|Paintings|Oil painting|Portrait|||20|||1971|1971||1971|1971-1971|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||174 x 219 cm||||||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|2/22/2005 0:00:00|B748|||0|||||||35|PA||||||1971|||||||||Work|0||||||||||||0|0|Official Portrait of the Military Junta|Botero, Fernando 3425.00|0|Creator|15|35|B748-PA|1988|2|35 B748-PA 1988 2|Guerillas|Assigned|Image Source (Book)|||||||Guerillas|1428|Botero, Fernando||painter|Fernando Botero|0||||0|||||Colombian|||Modern|||||Colombia||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1988|1988||1988|1988-1988|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||154 x 201 cm||||||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|2/22/2005 0:00:00|B748|||0|||||||35|PA||||||1988|||||||||Work|0||||||||||||0|0|Guerillas|Botero, Fernando 3426.00|0|Creator|15|35|B748-PA|1986|1|35 B748-PA 1986 1|Saint Michael, Archangel|Assigned|Image Source (Book)|||||||Saint Michael, Archangel|1428|Botero, Fernando||painter|Fernando Botero|0||||0|||||Colombian|||Modern|||||Colombia||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1986|1986||1986|1986-1986|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||195 x 136 cm||||||Archangel Michael ; |Archangel Michael|||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|2/22/2005 0:00:00|B748|||0|||||||35|PA||||||1986|||||||||Work|0||||||||||||0|0|Saint Michael, Archangel|Botero, Fernando 3427.00|0||||||||Highland Park Ford Plant|Descriptive|Image Source (Pub)|||||||Highland Park Ford Plant|6091|Kahn, Albert||architect|Albert Kahn|0||||0|||||American||||||North and Central America||United States||||||0|Highland Park, Michigan|||10950||||0||||0|Architecture|Factory||||20|||1908|1911||1908-1911|1908-1911|||||0||||0||||||||||||||||||||||Factories (structures) ; |Factories (structures)|||||||||Cornell||MNW|MNW|8/25/2006 0:00:00|2/22/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Highland Park Ford Plant|Kahn, Albert 3428.00|0|Creator|15|27|V433|M2182||27 V433 M2182|Las Meninas|Inscribed|Repository|The Family of Philip IV|Inscribed|Repository||||Las Meninas|12216|Velazquez, Diego Rodriguez de S||painter|Velazquez, Diego|0||||0|||||Spanish|||Baroque|||||Spain||||||0|Madrid, Spain|||0||||0||||0|Paintings|Oil painting||||17|||1656|1657||1656-1657|1656-1657|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||318 x 276 cm||1616|Madrid: Museo del Prado|Madrid: Prado||Spain ; |Spain|||||||||Cornell||JNK|MNW|12/11/2005 0:00:00|2/23/2005 0:00:00|V433|||0|||||||27|M2182||||||| ||||||||Work|0|Painting|||||||||||0|0|Las Meninas;The Family of Philip IV|Velazquez, Diego Rodriguez de S 3429.00|0|Category|07|U-11|9|Matrix|3|U-11 9 Matrix 3|Dry Side Chair|BrandName|Image Source (Book)|||||||Dry Side Chair|28616|Matrix||manufacturer|Matrix (Massimo Morozzi)|8228|Morozzi, Massimo||designer|0|||||Italian|||Modern|||||Italy||||||0||||0||||0||||0|Furnishings|Chair||||20|||1987|1987||1987|1987-1987|||||0||||0|||||Beechwood|beech||||||||||||||||Chairs ; Furniture ; |Chairs|Furniture||||||||Cornell||MNW|MNW|3/14/2005 0:00:00|2/23/2005 0:00:00|Matrix|||0|||||||U|||11|9||||||||||||Work|0|Furniture-Italian|This chair's assembly and disassembly is accomplished by a single winged bolt. Byars, 50 Chairs.|||Design date.|||||||0|0|Dry Side Chair|Matrix;Morozzi, Massimo 3430.00|0|Category|07|U-15|9.3|Essaime|1|U-15 9.3 Essaime 1|Puzzle Stacking Chair|BrandName|Image Source (Book)|||||||Puzzle Stacking Chair|30458|Essaime||designer|Essaime|30504|Quart de Poil'|||0|||||French|||Modern|||||France||||||0||||0||||0||||0|Furnishings|Chair||||20|||1994|1994||1994|1994-1994|||||0||||0|||||Plywood with extruded steel legs|plywood|steel|||||||||||||||Chairs ; Furniture ; |Chairs|Furniture||||||||Cornell||MNW|MNW|3/14/2005 0:00:00|2/23/2005 0:00:00|Essaime|||0|||||||U|||15|9.3||||||||||||Work|0|Furniture-French|Manufactured by Quart de Poil, Paris, France.|U-15 9.3 Essaime|||||||||0|0|Puzzle Stacking Chair|Essaime;Quart de Poil' 3431.00|0|Category|07|U-16|9.0|Dav&Wall|1|U-16 9.0 Dav&Wall 1|Chair 9|BrandName|Image Source (Book)|||||||Chair 9|30459|Davis, James||designer|James Davis & David Walley|30460|Walley, David||designer|30505|Yellow Diva||manufacturer||British|||Modern|||||London||||||0||||0||||0||||0|Furnishings|Chair||||20|||1994|1994||1994|1994-1994|||||0||||0|||||Cloth covered foam over plywood|foam|cloth|plywood||||||||40 x 60 x 75 cm||||||Chairs ; Furniture ; |Chairs|Furniture||||||||Cornell||MNW|JNK|3/28/2005 0:00:00|2/23/2005 0:00:00|Dav&Wall|||0|||||||U|||16|9.0||||||||||||Work|0|Furniture-English|Manufactured by Yellow Diva in London, England. Byars, 50 Chairs.|||Design date.|||||||0|0|Chair 9|Davis, James;Walley, David;Yellow Diva 3432.00|0|Architect|03|MA-Stein&Schm|9.0|1995 Stack|1|MA-Stein&Schm 9.0 1995 Stack 1|Cantilevered Stacking Chair|Assigned|Image Source (Book)|Schalenstuhl|Original|Artist||||Cantilevered Stacking Chair|30463|Steinman & Schmid Architekten||designer|Steinman & Schmid Architekten|0||||0|||||Swiss|||Modern|||||Switzerland||||||0||||0||||0||||0|Furnishings|Chair||||20|||1995|1995||1995|1995-1995|||||0||||0|||||Plywood & steel|plywood|steel|||||||||||||||Chairs ; Furniture ; |Chairs|Furniture||||||||Cornell||MNW|JNK|3/28/2005 0:00:00|2/23/2005 0:00:00|Stein&Schm|||0||||||Stack|MA||||||9.0|1995|||||||||Work|0|Modern Architecture|Manufactured by Atelier Alinea, Basel, Switzerland. Byars, 50 Chairs.|||Design date.|||||||0|0|Cantilevered Stacking Chair;Schalenstuhl|Steinman & Schmid Architekten 3433.00|0|Architect|03|MA-Gehry|9.0|1992 Cross|1|MA-Gehry 9.0 1992 Cross 1|Cross Check Armchair|BrandName|Image Source (Book)|||||||Cross Check Armchair|4365|Gehry, Frank Owen||architect|Frank O. Gehry|30050|Knoll International||manufacturer|0|||||American|||Modern|||||United States||||||0||||0||||0||||0|Furnishings|Chair||||20|||1992|1992||1992|1992-1992|||||0||||0|||||Bentwood|bentwood||||||||||||||||Armchairs ; Chairs ; Furniture ; |Armchairs|Chairs|Furniture|||||||Cornell||MNW|JNK|3/28/2005 0:00:00|2/24/2005 0:00:00|Gehry|||0||||||Cross|MA||||||9.0|1992|||||||||Work|0|Modern Architecture|Manufactured by the Knoll Group.|||Date of design.|||||||0|0|Cross Check Armchair|Gehry, Frank Owen;Knoll International 3434.00|0|Architect|03|MA-Gehry|9.0|1991 Hat|1|MA-Gehry 9.0 1991 Hat 1|Hat Trick Chair|BrandName|Image Source (Book)|||||||Hat Trick Chair|4365|Gehry, Frank Owen||architect|Frank O. Gehry|0||||0|||||American|||Modern|||||United States||||||0||||0||||0||||0|Furnishings|Chair||||20|||1991|1991||1991|1991-1991|||||0||||0|||||Bentwood|bentwood||||||||||||||||Chairs ; Furniture ; |Chairs|Furniture||||||||Cornell||MNW|JNK|3/28/2005 0:00:00|2/24/2005 0:00:00|Gehry|||0||||||Hat|MA||||||9.0|1991|||||||||Work|0|Modern Architecture|Early version of this side chair.|||Design date.|||||||0|0|Hat Trick Chair|Gehry, Frank Owen 3435.00|0|Architect|03|MA-Gehry|9.0|1989 Exper|1|MA-Gehry 9.0 1989 Exper 1|Gehry's Earliest Experiment in Manipulating Maplewood|Descriptive|Image Source (Book)|||||||Gehry's Earliest Experiment in Manipulating Maplewood|4365|Gehry, Frank Owen||architect|Frank O. Gehry|0||||0|||||American|||Modern|||||United States||||||0||||0||||0||||0|Furnishings|||||20|||1989|1989||1989|1989-1989|||||0||||0|||||Bent maple wood|maple(wood)|bentwood|||||||||||||||||||||||||Cornell||MNW|MNW|2/24/2005 0:00:00|2/24/2005 0:00:00|Gehry|||0||||||Exper|MA||||||9.0|1989|||||||||Work|0|Modern Architecture|||||||||||0|0|Gehry's Earliest Experiment in Manipulating Maplewood|Gehry, Frank Owen 3436.00|0|Architect|03|MA-Gehry|9.0|1991 HighSti|1|MA-Gehry 9.0 1991 HighSti 1|High Sticking Side Chair|BrandName|Image Source (Book)|||||||High Sticking Side Chair|4365|Gehry, Frank Owen||architect|Frank O. Gehry|0||||0|||||American|||Modern|||||United States||||||0||||0||||0||||0|Furnishings|Chair|Maquette|||20|||1991|1991||1991|1991-1991|||||0||||0|||||Bentwood maquette|bentwood||||||||||||||||Chairs ; Maquettes ; Furniture ; |Chairs|Maquettes|Furniture|||||||Cornell||MNW|JNK|3/28/2005 0:00:00|2/24/2005 0:00:00|Gehry|||0||||||HighSti|MA||||||9.0|1991|||||||||Work|0|Modern Architecture|||||||||||0|0|High Sticking Side Chair|Gehry, Frank Owen 3437.00|0|Category|07|U-11|9.0|Ferreri|1|U-11 9.0 Ferreri 1|Less Stacking Chair|BrandName|Image Source (Book)|||||||Less Stacking Chair|30464|Ferreri, Marco||designer|Marco Ferreri|30506|BPA International|||0|||||Italian|||Modern|||||Italy||||||0||||0||||0||||0|Furnishings|Chair||||20|||1993|1993||1993|1993-1993|||||0||||0|||||"Softwood" upholstery over wood|wood||||||||||||||||Chairs ; Furniture ; |Chairs|Furniture||||||||Cornell||MNW|JNK|3/28/2005 0:00:00|2/24/2005 0:00:00|Ferreri|||0|||||||U|||11||||||9.0|||||||Work|0|Furniture-Italian|Manufactured by BPA International.|||Design date.|||||||0|0|Less Stacking Chair|Ferreri, Marco;BPA International 3438.00|0|Category|07|U-17.3|9.0|Karpf|1|U-17.3 9.0 Karpf 1|NXT Stacking Chair|BrandName|Image Source (Book)|||||||NXT Stacking Chair|30465|Karpf, Peter||designer|Peter Karpf|30507|Swedese||manufacturer|30508|Inredningsform||manufacturer||Danish|||Modern|||||Denmark||||||0||||0||||0||||0|Furnishings|Chair||||20|||1991|1991||1991|1991-1991|||||0||||0|||||Fused wood|wood||||||||||||||||Chairs ; Furniture ; |Chairs|Furniture||||||||Cornell||MNW|MNW|3/14/2005 0:00:00|2/24/2005 0:00:00||||0|||||||U|||17.3||||||9.0|||||||Work|0|Furniture-Danish|Manufactured by Swedese to 1996; Inredningsform from 1996.|||Design date.|||||||0|0|NXT Stacking Chair|Karpf, Peter;Swedese;Inredningsform 3439.00|0|Category|07|U-13.3|9.0|Sipek|1|U-13.3 9.0 Sipek 1|Ota Otanek Chair|BrandName|Image Source (Book)|||||||Ota Otanek Chair|30466|Sipek, Borek||designer|Borek Sipek|30037|Vitra AG|||0|||||Czech|||Modern|||||Czech Republic||||||0||||0||||0||||0|Furnishings|Chair||||20|||1988|1988||1988|1988-1988|||||0||||0|||||Beaten copper, hand-worked wood, steel|copper|wood|steel||||||||||||||Chairs ; Furniture ; |Chairs|Furniture||||||||Cornell||MNW|MNW|3/14/2005 0:00:00|2/24/2005 0:00:00|Sipek|||0|||||||U|||13.3||||||9.0|||||||Work|0|Furniture-Czechoslovakian|Manufactured by Vitra GmbH.|||Design date.|||||||0|0|Ota Otanek Chair|Sipek, Borek;Vitra AG 3440.00|0|Category|07|U-11|9.0|Arosio|1|U-11 9.0 Arosio 1|Mirandolina Stacking Chair|BrandName|Image Source (Book)|||||||Mirandolina Stacking Chair|30467|Arosio, Pietro||designer|Pietro Arosio|29327|Zanotta s.p.a.|||0|||||Italian|||Modern|||||Italy||||||0||||0||||0||||0|Furnishings|Chair||||20|||1992|1992||1992|1992-1992|||||0||||0|||||Extruded aluminum|aluminum||||||||||||||||Chairs ; Furniture ; |Chairs|Furniture||||||||Cornell||MNW|JNK|3/28/2005 0:00:00|2/24/2005 0:00:00|Arosio|||0|||||||U|||11||||||9.0|||||||Work|0|Furniture-Italian|Manufactured by Zanotta, S.p.A., Nova Milanese (MI), Italy. Byars, 50 Chairs.|The "Mirandolina" is a chair realized with a unique piece of extruded aluminium designed for Zanotta.||Design date.|||||||0|0|Mirandolina Stacking Chair|Arosio, Pietro;Zanotta s.p.a. 3441.00|0|Category|07|U-11|9.0|Alias|2|U-11 9.0 Alias 2|Miro Chair|BrandName|Image Source (Book)|||||||Miro Chair|3995|Forcolini, Carlo||designer|Alias (Carlo Forcolini)|27598|Alias||manufacturer|0|||||Italian|||Modern|||||Italy||||||0||||0||||0||||0|Furnishings|Chair||||20|||1989|1989||1989|1989-1989|||||0||||0|||||Tempered steel|steel||||||||||||||||Chairs ; Furniture ; |Chairs|Furniture||||||||Cornell||MNW|JNK|3/28/2005 0:00:00|2/24/2005 0:00:00|Alias|||0|||||||U|||11||||||9.0|||||||Work|0|Furniture-Italian|Manufactured by Alias.|||Design date.|||||||0|0|Miro Chair|Forcolini, Carlo;Alias 3442.00|0|Category|07|U-11|9.0|Favetta|1|U-11 9.0 Favetta 1|Billboard Chair|BrandName|Image Source (Book)|||||||Billboard Chair|30468|Favetta, Maurizio||designer|Maurizio Favetta|30526|King Size Edition|||0|||||Italian|||Modern|||||Italy||||||0||||0||||0||||0|Furnishings|Chair||||20|||1993|1993||1993|1993-1993|||||0||||0|||||Leather, cast aluminum, and pictures|leather|aluminum|photographic materials||||||||||||||Chairs ; Furniture ; |Chairs|Furniture||||||||Cornell||MNW|JNK|3/28/2005 0:00:00|2/24/2005 0:00:00|Favetta|||0|||||||U|||11||||||9.0|||||||Work|0|Furniture-Italian|Manufactured by King Size by Lasar.|||Design date.|||||||0|0|Billboard Chair|Favetta, Maurizio;King Size Edition 3443.00|0|Category|07|U-18.5|9.0|Campana|1|U-18.5 9.0 Campana 1|Discs Chair|BrandName|Image Source (Book)|||||||Discs Chair|30469|Campana, Fernando||designer|Fernando Campana & Humberto Campana|30470|Campana, Humberto||designer|30527|Campana Objetos Ltda||manufacturer||Brazilian||||||||Brazil||||||0||||0||||0||||0|Furnishings|Chair||||20|||1992|1992||1992|1992-1992|||||0||||0|||||Wood and steel|wood|steel|||||||||||||||Chairs ; Furniture ; |Chairs|Furniture||||||||Cornell||MNW|JNK|3/28/2005 0:00:00|2/24/2005 0:00:00|Campana|||0|||||||U|||18.5||||||9.0|||||||Work|0|Furniture-Brazilian|Manufactured by Campana Objetos Ltda.|||Design date.|||||||0|0|Discs Chair|Campana, Fernando;Campana, Humberto;Campana Objetos Ltda 3444.00|0|Category|07|U-14|9.0|Eek|1|U-14 9.0 Eek 1|Aluminum Stacking Chair|Assigned|Image Source (Book)|||||||Aluminum Stacking Chair|30473|Eek en Ruijgrok vof||manufacturer|Eek en Ruijgrok vof|30471|Eek, Piet Hein||designer|30472|Ruijgrok, Nob||designer||Dutch|||Modern|||||Holland||||||0||||0||||0||||0|Furnishings|Chair||||20|||1994|1994||1994|1994-1994|||||0||||0|||||Bent aluminum sheeting|aluminum||||||||||||||||Chairs ; Furniture ; |Chairs|Furniture||||||||Cornell||MNW|JNK|3/28/2005 0:00:00|2/24/2005 0:00:00|9.0|||0|||||||U|||14|||||||||||||Work|0|Furniture-Dutch|Manufactured by Eed en Ruijgrok vof, Geldrop, The Netherlands. Byars, 50 Chairs.|||Design date.|||||||0|0|Aluminum Stacking Chair|Eek en Ruijgrok vof;Eek, Piet Hein;Ruijgrok, Nob 3445.00|0|Culture|11|W-26.5|British Raj||1|W-26.5 British Raj 1|Coronation on Durbar of King George V, December 11, 1911, Delhi|Descriptive|Cataloger|||||||Coronation on Durbar of King George V, December 11, 1911, Delhi|0|||||0||||0|||||British|Indian|||||||India||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1911|1911||1911|1911-1911|||||0||||0|||||Photograph||||||photography|||||||9444|New Dehli: Nehru Memorial Museum and Library|New Dehli: Nehru Mem. Mus. & Lib.||Processions ; George V, King of Great Britain, 1865-1936 ; Delhi, India ; |Processions|George V, King of Great Britain, 1865-1936|Delhi, India|||||||Cornell||MNW|JNK|3/2/2005 0:00:00|2/25/2005 0:00:00||||0|||||||W|||26.5||||| |Baritish R|||||||Work|0||King George V formally proclaimed the relocation of the imptrial capital from Calcutta to Delhi on this occasion. Singh, Millennium.|||December 11, 1911|||||||0|0|Coronation on Durbar of King George V, December 11, 1911, Delhi| 3446.00|0|Culture|11|W-26.5|Indep||1|W-26.5 Indep 1|Jawaharlal Nehru at the Red Fort, Independence Day, 1947|Descriptive|Image Source (Book)|||||||Jawaharlal Nehru at the Red Fort, Independence Day, 1947|0|||||0||||0|||||Indian||||||||India||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1947|1947||1947|1947-1947|||||0||||0|||||Photograph||||||photography|||||||9444|New Dehli: Nehru Memorial Museum and Library|New Dehli: Nehru Mem. Mus. & Lib.||Lal Qila (Delhi, India) ; Nehru, Jawaharlal, 1889-1964 ; |Lal Qila (Delhi, India)|Nehru, Jawaharlal, 1889-1964||||||||Cornell||MNW|JNK|3/2/2005 0:00:00|2/25/2005 0:00:00||||0|||||||W|||26.5||||| |Indep|||||||Work|0||The Lal Qila is also known as the Red Fort.|||August 15, 1947.|||||||0|0|Jawaharlal Nehru at the Red Fort, Independence Day, 1947| 3447.00|0|Culture|11|W-26.5|Fest||1|W-26.5 Fest 1|Celebrants at the Ram Lila, Red Fort, New Delhi, Burn Effigies of Evil Mythical Figures|Collective Title|Cataloger|||||||Celebrants at the Ram Lila at the Red Fort Burn Effigies|0|||||0||||0|||||Indian||||||||India||||||0||||0||||0||||0||||||20|||1975|1999||End of 20th C|1975-1999|||||0||||0|||||||||||photography|||||||||||Lal Qila (Delhi, India) ; Festivals ; Effigies ; |Lal Qila (Delhi, India)|Festivals|Effigies|||||||Cornell||MNW|MNW|2/25/2005 0:00:00|2/25/2005 0:00:00||||0|||||||W|||26.5||||||Fest|||||||Work|0||The Lal Qila is also known as the Red Fort.||||||||||0|0|Celebrants at the Ram Lila, Red Fort, New Delhi, Burn Effigies of Evil Mythical Figures| 3448.00|0|Site|02|B-Q5|Del|8.1 Indra||B-Q5 Del 8.1 Indra |Indraprastha Thermal Power Plant||||||||||0|||||0||||0|||||Inca||||||||India||||||0|New Delhi, India|||10360||||0||||0|Architecture|Power plant|Documentary photograph|||20|||1982|1982||1982|1982-1982|||||0||||0|||||||||||photography|||||||||||Pollution ; Power plants ; |Pollution|Power plants||||||||Cornell||MNW|MNW|2/25/2005 0:00:00|2/25/2005 0:00:00||Del||0||||||Indra|B|||||Q5|8.1||||||||||Work|0|Architecture-India||||Year commissioned.|||||||0|0|Indraprastha Thermal Power Plant| 3449.00|0|Category|07|U-15|9.3|Dubuisson|1|U-15 9.3 Dubuisson 1|Dawn and the Time It Lasts Stacking Chair|Translated|Image Source (Book)|L'aube et le temps qu'elle dure|Artists|||||Dawn and the Time It Lasts Stacking Chair|30474|Dubuisson, Sylvain||designer|Sylvain Dubuisson|0||||0|||||French|||Modern|||||France||||||0||||0||||0||||0|Furnishings|Chair||||20|||1987|1987||1987|1987-1987|||||0||||0|||||Aluminum sheets|aluminum||||||||||||||||Chairs ; Furniture ; |Chairs|Furniture||||||||Cornell||MNW|JNK|3/28/2005 0:00:00|2/25/2005 0:00:00||||0|||||||U|||15||||||9.3|||||||Work|0|Furniture-French|Manufactured by L.C.S.D., Le Pin, France. Byars, 50 Charis.|||Date of design.|||||||0|0|Dawn and the Time It Lasts Stacking Chair;L'aube et le temps qu'elle dure|Dubuisson, Sylvain 3450.00|0|Architect|03|MA-Ohl|9.0|1991 Chair|1|MA-Ohl 9.0 1991 Chair 1|Armonica Side Chair|BrandName|Image Source (Book)|||||||Armonica Side Chair|8673|Ohl, Herbert||designer|Herbert Ohl & Jutta Ohl|30475|Ohl, Jutta||designer|30532|Matteograssi S.p.A.||manufacturer||German|||Modern|||||Germany||||||0||||0||||0||||0|Furnishings|Chair||||20|||1991|1991||1991|1991-1991|||||0||||0|||||Leather covered steel, aluminum tubing|leather|steel|aluminum||||||||||||||Chairs ; Furniture ; |Chairs|Furniture||||||||Cornell||MNW|JNK|3/28/2005 0:00:00|2/25/2005 0:00:00|Ohl|||0||||||Chair|MA||||||9.0|1991|||||||||Work|0|Modern Architecture|Herbert Ohl calls this chair a "seating tool." Byars, 50. Manufactured by Matteograssi.|||Date of design.|||||||0|0|Armonica Side Chair|Ohl, Herbert;Ohl, Jutta;Matteograssi S.p.A. 3451.00|0|Category|07|U-11|9 Meda|Chair|2|U-11 9 Meda Chair 2|Longframe Chaise Longue|BrandName|Image Source (Book)|||||||Longframe Chaise Longue|7820|Meda, Alberto||designer|Alberto Meda|27598|Alias||manufacturer|0|||||Italian|||Modern|||||Italy||||||0||||0||||0||||0|Furnishings|Chair||||20|||1993|1993||1993|1993-1993|||||0||||0|||||Net upholstery with plastic tubing|||||||||||||||||Chaises longues ; Furniture ; Chairs ; |Chaises longues|Furniture|Chairs|||||||Cornell||MNW|JNK|3/28/2005 0:00:00|2/25/2005 0:00:00|Meda|||0||||||Chair|U|||11||||||9|||||||Work|0|Furniture-Italian|Manufactured by Alias.|||Date of design.|||||||0|0|Longframe Chaise Longue|Meda, Alberto;Alias 3452.00|0|Category|07|U-11|9 Meda|Chair|3|U-11 9 Meda Chair 3|Armframe Easy Chair|BrandName|Image Source (Book)|||||||Armframe Easy Chair|7820|Meda, Alberto||designer|Alberto Meda|27598|Alias||manufacturer|0|||||Italian|||Modern|||||Italy||||||0||||0||||0||||0|Furnishings|Chair||||20|||1993|1993||1993|1993-1993|||||0||||0|||||Net upholstery with plastic tubing|||||||||||||||||Chairs ; Furniture ; |Chairs|Furniture||||||||Cornell||MNW|JNK|3/28/2005 0:00:00|2/25/2005 0:00:00|Meda|||0||||||Chair|U|||11||||||9|||||||Work|0|Furniture-Italian|Manufactured by Alias.|||Date of design.|||||||0|0|Armframe Easy Chair|Meda, Alberto;Alias 3453.00|0|Category|07|U-11|9.0|Luc&Orlan|1|U-11 9.0 Luc&Orlan 1|LAM L 1000 Chair System|Assigned|Image Source (Book)|||||||LAM L 1000 Chair System|30476|Lucci, Roberto||designer|Roberto Lucci & Paolo Orlandini|30477|Orlandini, Paolo||designer|30534|Shelby Williams Industries||manufacturer||Italian|||Modern|||||Italy||||||0||||0||||0||||0|Furnishings|Chair||||20|||1991|1991||1991|1991-1991|||||0||||0||||||||||||||||||||||Chairs ; Human engineering ; Furniture ; |Chairs|Human engineering|Furniture|||||||Cornell||MNW|MNW|3/23/2005 0:00:00|2/25/2005 0:00:00||||0||||||Luc&Orlan|U|||11|||9.0||||||||||Work|0|Furniture-Italian|Manufactured by Shelby Williams Industries.|||Date of design.|||||||0|0|LAM L 1000 Chair System|Lucci, Roberto;Orlandini, Paolo;Shelby Williams Industries 3454.00|0|Creator|15|32|B613-PA|1851|2|32 B613-PA 1851 2|The County Election|Assigned|Image Source (Book)|||||||The County Election|1177|Bingham, George Caleb||artist|George Caleb Bingham|0||||0|||||American|||Victorian|||||United States||||||0||||||||0||||0|Paintings|Oil painting||||19|||1851|1852||1851-1852|1851-1852|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||36.3 x 49.3 cm||3268|Saint Louis: Saint Louis Art Museum|Saint Louis: Art Mus.||Rural areas ; Elections ; Voting ; Ballot boxes ; |Rural areas|Elections|Voting|Ballot boxes||||||Cornell||JNK|MNW|3/2/2005 0:00:00|3/2/2005 0:00:00|B613|||0|||||||32|PA||||||1851| ||||||||Work|0|Painting|||||||||||0|0||Bingham, George Caleb 3455.00|0|Creator|15|27|R895-P|R8991||27 R895-P R8991 |Rubens and Isabella Brandt in the Honeysuckle Bower|Assigned|Dict.ArtO|||||||Rubens and Isabella Brandt in the Honeysuckle Bower|10147|Rubens, Peter Paul||painter|Peter Paul Rubens|0||||0|||||Dutch|||Baroque|||||Holland||||||0||||0||||0||||0|Paintings|Oil painting||||17|||1609|1610||1609-1610|1609-1610|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||178 x 136.5 cm||1784|Munich: Bayerische Staatsgemaldesammlungen; Alte Pinakothek|Munich: Alte Pinakothek||Portraits ; Rubens, Peter Paul, 1577-1640 ; Brandt, Isabella ; |Portraits|Rubens, Peter Paul, 1577-1640|Brandt, Isabella|||||||Cornell||JNK|JNK|12/15/2005 0:00:00|3/2/2005 0:00:00|R895|||0|||||||27|PA||||||| |R8991|||||||Work|0|Painting|||||||||||0|0|Rubens and Isabella Brandt in the Honeysuckle Bower|Rubens, Peter Paul 3456.00|0|Architect|03|MA-Starck|9.0|1995 MissT||MA-Starck 9.0 1995 MissT |Miss Trip Side Chair|Assigned|Image Source (Book)|||||||Miss Trip Side Chair|11262|Starck, Philippe||designer|Philippe Starck|30535|Kartell, S.p.A.||manufacturer|0|||||French|||Modern|||||France|Italy|||||0||||0||||0||||0|Furnishings|Chair|||||||1995|1995||1995|1995-1995|||||0||||0||||||wood||||||||||||||||Chairs ; Furniture ; |Chairs|Furniture||||||||Cornell||MNW|MNW|3/23/2005 0:00:00|3/4/2005 0:00:00|Starck|||0||||||MissT|MA||||||9.0|1995|||||||||Work|0|Modern Architecture|Manufactured by Kartell, S.p.A.|||Date of design.|||||||0|0|Miss Trip Side Chair|Starck, Philippe;Kartell, S.p.A. 3457.00|0|Category|07|U-21.13|9.3|MAP|Pepe 1|U-21.13 9.3 MAP Pepe 1|Pepe Chair|Assigned|Image Source (Book)|||||||Pepe Chair|30480|MAP||manufacturer|MAP (Connell and Hogg)|30478|Connell, Christopher||designer|30479|Hogg, Raoul C.||designer||Australian||||||||Australia||||||0||||0||||0||||0|Furnishings|Chair||||20|||1992|1993||1992-1993|1992-1993|||||0||||0|||||Steel and polyurethane foam|steel|polyurethane|||||||||||||||Chairs ; Furniture ; |Chairs|Furniture||||||||Cornell||MNW|MNW|3/23/2005 0:00:00|3/4/2005 0:00:00|MAP|||0||||||Pepe|U|||21.13|||9.3|1992-3|||||||||Work|0|Furniture-Australian||||Date of design.|||||||0|0|Pepe Chair|MAP;Connell, Christopher;Hogg, Raoul C. 3458.00|0|Category|07|U-11|9.0|Ball&Cost|San 1|U-11 9.0 Ball&Cost San 1|Sansiro Chair|Assigned|Image Source (Book)|||||||Sansiro Chair|30481|Ballardini, Fabrizio||designer|Fabrizio Ballardini & Lucio Costanzi|30482|Costanzi, Lucio||designer|30537|Bernini S. p. A.||manufacturer||Italian||||||||Italy||||||0||||0||||0||||0|Furnishings|Chair||||20|||1994|1994||1994|1994-1994|||||0||||0|||||Steel tubing and rubber ball|steel|rubber (material)|||||||||||||||Furniture ; Chairs ; |Furniture|Chairs||||||||Cornell||MNW|MNW|5/5/2005 0:00:00|3/4/2005 0:00:00|Ball&Cost|||0||||||San|U|||11||||1994||9.0|||||||Work|0|Furniture-Italian|Manufactured by Bernini S.p.A.|||Date of design.|||||||0|0|Sansiro Chair|Ballardini, Fabrizio;Costanzi, Lucio;Bernini S. p. A. 3459.00|0|Category|07|U-18.5|9.0|Mar&Oliv|Cadé 1|U-18.5 9.0 Mar&Oliv Cadé 1|Cadé armchair|Assigned|Image Source (Book)|||||||Cadé armchair|30483|Martins, Luciana||designer|Luciana Martins & Gerson de Oliveira|30484|Oliveira, Gerson de||designer|30538|Probjeto S.A.--Produtos e Objetos Projetados, ||manufacturer||Brazilian||||||||Brazil||||||0||||0||||0||||0|Furnishings|Chair||||20|||1986|1987||1986-1987|1986-1987|||||0||||0|||||Steel-tube frame, Elastex fabric, and foam rubber|stainless steel|steel|foam rubber||||||||||||||Chairs ; Armchairs ; Furniture ; |Chairs|Armchairs|Furniture|||||||Cornell||MNW|MNW|3/29/2005 0:00:00|3/4/2005 0:00:00|Mar&Oliv|||0||||||Cadé|U|||18.5||||1986-7||9.0|||||||Work|0|Furniture-Brazilian|Manufactured by Probjeto S.A.--Produtos e Objetos Projetados. The name is a pun on the Portuguese word, Cadé, meaning "Where is it?"|||Date of design.|||||||0|0|Cadé armchair|Martins, Luciana;Oliveira, Gerson de;Probjeto S.A.--Produtos e Objetos Projetados, 3460.00|0|Category|07|U-11|9.0|Cananzi|Quad 1|U-11 9.0 Cananzi|Quadraona Armchair|Assigned|Image Source (Book)|||||||Quadraona Armchair|30485|Cananzi, Mario||designer|Mario Cananzi|30539|Vittorio Banacina||manufacturer|0|||||Italian||||||||Italy||||||0||||0||||0||||0|Furnishings|Chair||||20|||1991|1991||1991|1991-1991|||||0||||0|||||Rattan and steel|rattan|steel||||metalworking|weaving|welding|||||||||Chairs ; Furniture ; |Chairs|Furniture||||||||Cornell||MNW|MNW|3/24/2005 0:00:00|3/4/2005 0:00:00|Cananzi|||0||||||Quad|U|||11|||9.0|1991|||||||||Work|0|Furniture-Italian|Manufactured by Vittorio Bonacina & C. s.n.c.|||Date of design.|||||||0|0|Quadraona Armchair|Cananzi, Mario;Vittorio Banacina 3461.00|0|Category|07|U-11|9.0|Campana|CotStr 1|U-11 9.0 Cananzi|Cotton-string Armchair (Blue)|Assigned|Image Source (Book)|||||||Cotton-string Armchair (Blue)|30469|Campana, Fernando||designer|Fernando Campana & Humberto Campana|30470|Campana, Humberto||designer|30527|Campana Objetos Ltda||manufacturer||Brazilian||||||||Brazil||||||0||||0||||0||||0|Furnishings|Chair||||20|||1993|1993||1993|1993-1993|||||0||||0|||||Welded steel rods with cotton cord|steel|cord||||welding|weaving||||||||||Chairs ; Furniture ; |Chairs|Furniture||||||||Cornell||MNW|MNW|3/24/2005 0:00:00|3/4/2005 0:00:00|Campana|||0||||||CotStr|U|||11|||9.0||||||||||Work|0|Furniture-Italian|Manufactured by Campana Objectos Ltd.|||Date of design.|||||||0|0|Cotton-string Armchair (Blue)|Campana, Fernando;Campana, Humberto;Campana Objetos Ltda 3462.00|0|Category|07|U-18.3|9.0|Liévore|Rothko 1|U-18.3 9.0 Liévore Rothko 1|Rothko Armchair (Maderón Version)|Assigned|Image Source (Book)|||||||Rothko Armchair (Maderón Version)|30486|Liévore, Alberto||designer|Alberto Liévore|30540|Indartu||designer|0|||||Argentine||||||||Spain||||||0||||0||||0||||0|Furnishings|Chair||||20|||1994|1994||1994|1994-1994|||||0||||0|||||Molded Maderón|plastics|||||molding|||||||||||Chairs ; Furniture ; |Chairs|Furniture||||||||Cornell||MNW|MNW|5/5/2005 0:00:00|3/11/2005 0:00:00|Liévore|||0||||||Rothko|U|||18.3|||9.0||||||||||Work|0|Furniture-Argentinian|Manufactured by Indartu.|||Date of design of Maderón version.|||||||0|0|Rothko Armchair (Maderón Version)|Liévore, Alberto;Indartu 3463.00|0|Category|07|U-15|9.3|Pollard|Equity 1|U-15 9.3 Pollard Equity 1|Equity Armchair|Assigned|Image Source (Book)|||||||Equity Armchair|30487|Pollard, J.-H.||designer|J.-H. Pollard|28617|Matteograssi||manufacturer|0|||||French||||||||France||||||0||||0||||0||||0|Furnishings|Chair||||20|||1987|1987||1987|1987-1987|||||0||||0|||||Leather, plastics, and steel tubing|leather|plastics|steel||||||||||||||Chairs ; Furniture ; |Chairs|Furniture||||||||Cornell||MNW|MNW|5/5/2005 0:00:00|3/11/2005 0:00:00|Pollard|||0||||||Equity|U|||15|||9.3||||||||||Work|0|Furniture-French|Manufactured by Matteograssi, S. p. A.|||Date of design.|||||||0|0|Equity Armchair|Pollard, J.-H.;Matteograssi 3464.00|0|Category|07|U-15|9.3|Leblois|T.4.1 1|U-15 9.3 Leblois|T. 4. 1 (Tea for One) Armchair|Assigned|Image Source (Book)|||||||T. 4. 1 (Tea for One) Armchair|30488|Leblois, Olivier||architect|Olivier Leblois|30504|Quart de Poil'||manufacturer|0|||||French||||||||France||||||0||||0||||0||||0|Furnishings|Chair||||20|||1995|1995||1995|1995-1995|||||0||||0|||||Folded cardboard|cardboard||||||||||||||||Chairs ; Furniture ; |Chairs|Furniture||||||||Cornell||MNW|MNW|3/14/2005 0:00:00|3/11/2005 0:00:00|Leblois|||0||||||T.4.1|U|||15|||9.3||||||||||Work|0|Furniture-French|Manufactured by Quart de Poil'. Two-part cardboard armchair supporting the weight of an adult meant to be thrown-away. Byars, 50 Chairs.|||Date of design.|||||||0|0|T. 4. 1 (Tea for One) Armchair|Leblois, Olivier;Quart de Poil' 3465.00|0|Category|07|U-11|9|Prina|Coll 1|U-11 9 Prina Coll 1|Collezione Pak Armchair|Assigned|Image Source (Book)|||||||Collezione Pak Armchair|30489|Prina, Nani||designer|Nani Prina|30541|Rimadesio||manufacturer|0|||||Italian||||||||Italy||||||0||||0||||0||||0|Furnishings|Chair||||20|||1984|1984||1984|1984-1984|||||0||||0|||||Glass & wood with steel connecting cylinders|glass|wood|steel||||||||||||||Chairs ; Furniture ; |Chairs|Furniture||||||||Cornell||MNW|MNW|3/24/2005 0:00:00|3/14/2005 0:00:00|Prina|||0||||||Coll|U|||11|||9.0||||||||||Work|0|Furniture-Italian|Manufactured by Rimadesio.|||Date of design.|||||||0|0|Collezione Pak Armchair|Prina, Nani;Rimadesio 3466.00|0|Category|07|U-11|9.0|Boeri&Katy|1|U-11 9.0 Boeri&Katy 1|Ghost Armchair|Assigned|Image Source (Book)|||||||Ghost Armchair|1296|Boeri, Cini||designer|Cini Boeri and Tomu Katyanagi|30492|Katayanagi, Tomu||designer|28112|FIAM||manufacturer||Italian||||||||Italy||||||0||||0||||0||||0|Furnishings|Chair||||20|||1987|1987||1987|1987-1987|||||0||||0|||||Furnace bent glass|glass||||||||||||||||Chairs ; Furniture ; |Chairs|Furniture||||||||Cornell||MNW|JNK|3/28/2005 0:00:00|3/14/2005 0:00:00|Boeri&Katy|||0|||||||U|||11|||9||||||||||Work|0|Furniture-Italian|Manufactured by Fiam Italia, S.p.A.|||Date of design.|||||||0|0|Ghost Armchair|Boeri, Cini;Katayanagi, Tomu;FIAM 3467.00|0|Category|07|U-11|9|Rinaldi|Dafne 1|U-11 9 Rinaldi Dafne 1|Dafne Folding Chair|Assigned|Image Source (Book)|||||||Dafne Folding Chair|30490|Rinaldi, Gastone||designer|Gastone Rinaldi|30543|Fly Line S.r.l.||manufacturer|0|||||Italian||||||||Italy||||||0||||0||||0||||0|Furnishings|Chair||||20|||1979|1979||1979|1979-1979|||||0||||0|||||Metal|metal||||||||||||||||Chairs ; Furniture ; |Chairs|Furniture||||||||Cornell||MNW|MNW|3/28/2005 0:00:00|3/14/2005 0:00:00|Rinaldi|||0||||||Dafne|U|||11|||9||||||||||Work|0|Furniture-Italian|Manufactured by Fly Line, S.r.l.|||Date of design.|||||||0|0|Dafne Folding Chair|Rinaldi, Gastone;Fly Line S.r.l. 3468.00|0|Category|07|U-15|9.3|Mouligne|Rock 1|U-15 9.3 Mouligne Rock 1|Rocking-chaîne 1 and 2 Chairs|Assigned|Image Source (Book)|||||||Rocking-chaîne 1 and 2 Chairs|30493|Mouligne, Jean-Marc||designer|Jean-Marc Mouligne|30504|Quart de Poil'||manufacturer|0|||||French||||||||France||||||0||||0||||0||||0|Furnishings|Chair||||20|||1992|1992||1992|1992-1992|||||0||||0|||||Steel and rubber|steel|rubber (material)|||||||||||||||Chairs ; Furniture ; |Chairs|Furniture||||||||Cornell||MNW|MNW|3/14/2005 0:00:00|3/14/2005 0:00:00|Moulingne|||0||||||Rock|U|||15|||9.3||||||||||Work|0|Furniture-French|Easily demountable rocking chairthat may be used indoors or outdoors. Byars, 50 Chairs.|||Date of design.|||||||0|0|Rocking-chaîne 1 and 2 Chairs|Mouligne, Jean-Marc;Quart de Poil' 3469.00|0|Category|07|U-21.13|9.3|Costello|Snap 1|U-21.13 9.3 Costello Snap 1|Snap Chair|Assigned|Image Source (Book)|||||||Snap Chair|30494|Costello, Peter||designer|Peter Costello|30544|Pongrass Furniture Pty. Ltd.||manufacturer|0|||||Australian||||||||Australia||||||0||||0||||0||||0|Furnishings|Chair||||20|||1992|1992||1992|1992-1992|||||0||||0|||||Plywood folding chair|plywood||||||||||||||||Chairs ; Furniture ; |Chairs|Furniture||||||||Cornell||MNW|MNW|5/5/2005 0:00:00|3/14/2005 0:00:00|Costello|||0||||||Snap|U|||21.13|||9.3||||||||||Work|0|Furniture-Australian|Manufactured by Pongrass Furniture, Pty. Ltd.|||Date of design.|||||||0|0|Snap Chair|Costello, Peter;Pongrass Furniture Pty. Ltd. 3470.00|0||||||||Magney House|Assigned|Image Source (Book)|||||||Magney House|14533|Murcutt, Glenn Marcus||architect|Glenn Murcutt|0||||0|||||Australian|||Post-1945|||||Australia||||||0|Bingi Point, Australia|||10361||||0||||0|Architecture|House||||20|||1982|1984||1982-1984|1982-1984|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|MNW|4/22/2005 0:00:00|3/15/2005 0:00:00||Bing||0||||||||||||||||||||||||0||||||||||||0|0|Magney House|Murcutt, Glenn Marcus 3471.00|0||||||||Simpson-Lee house|Assigned|Image Source (Book)|||||||Simpson-Lee house|14533|Murcutt, Glenn Marcus||architect|Glenn Murcutt|0||||0|||||Australian|||Post-1945|||||Australia||||||0|Mount Wilson, Australia|||10362||||0||||0|Architecture|House||||20|||1989|1994||1989-1994|1989-1994|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|JNK|3/15/2005 0:00:00|3/15/2005 0:00:00||Mt.Wil||0||||||||||||||| |||||||||0||||||||||||0|0|Simpson-Lee house|Murcutt, Glenn Marcus 3472.00|0||||||||Fletcher-Page House|Assigned|Image Source (Book)|||||||Fletcher-Page House|14533|Murcutt, Glenn Marcus||architect|Glenn Murcutt|0||||0|||||Australian|||Post-1945|||||Australia||||||0|Kangaroo Valley, Australia|||10363||||0||||0|Architecture|House||||20|||1996|1998||1996-1998|1996-1998|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|MNW|4/22/2005 0:00:00|3/16/2005 0:00:00||Kang||0||||||||||||||||||||||||0||||||||||||0|0|Fletcher-Page House|Murcutt, Glenn Marcus 3473.00|0|Creator|15|35|R843-SC|1947|1|35 R843-SC 1947 1|Sculpture with Revolving Motion or Gearbox|Translated|Image Source (Book)|Escultura con movimientorotativo o Caja de Cambio|Original|Image Source (Book)||||Sculpture with Revolving Motion or Gearbox|30509|Rothfuss, Rhod||painter|Rhod Rothfuss|0||||0|||||Uruguayan||||||||Uruguay||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1947|1947||1947|1947-1947|||||0||||0|||||Painted wood|wood|paint||||sculpture|||||99.5 x 73 x 19.6 cm||9202|Buenos Aires: Private Collection|Buenos Aires: Priv. Coll.||||||||||||Cornell||MNW|MNW|3/28/2005 0:00:00|3/16/2005 0:00:00|R843|||0|||||||35|SC||||||1947| ||||||||Work|0|Sculpture|||||||||||0|0|Sculpture with Revolving Motion or Gearbox;Escultura con movimientorotativo o Caja de Cambio|Rothfuss, Rhod 3474.00|0|Creator|15|35|K863-SC|1946|1|35 K863-SC 1946 1|Jointed Sculpture|Translated|Image Source (Book)|Escultura articulada|Published|Image Source (Book)||||Jointed Sculpture|30510|Kosice, Gyula||sculptor|Gyula Kosice|0||||0|||||Slovak||||||||Slovakia||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1946|1946||1946|1946-1946|||||0||||0|||||Bronze strips with articulated rivets|bronze|||||sculpture|||||34.5 x 34.3 x 22 cm||9445|Buenos Aires: Collection of the artist|Buenos Aires: Collection of the artist||||||||||||Cornell||MNW|JNK|3/23/2005 0:00:00|3/16/2005 0:00:00|K863|||0|||||||35|SC||||||1946| ||||||||Work|0|Sculpture|||||||||||0|0|Jointed Sculpture;Escultura articulada|Kosice, Gyula 3475.00|0|Creator|15|35|K863-SC|1964|1|35 K863-SC 1964 1|Hommage à ma Femme Diyi|Assigned|Image Source (Book)|||||||Hommage à ma Femme Diyi|30510|Kosice, Gyula||sculptor|Gyula Kosice|0||||0|||||Slovak||||||||Slovakia||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1964|1964||1964|1964-1964|||||0||||0|||||Plexiglass & water|Plexiglas|water||||sculpture|||||||||||||||||||||Cornell||MNW|JNK|3/23/2005 0:00:00|3/16/2005 0:00:00|K863|||0|||||||35|SC||||||1964|||||||||Work|0|Sculpture|||||||||||0|0||Kosice, Gyula 3476.00|0|Creator|15|35|A676-SC|1946|1|35 A676-SC 1946 1|White Transformable Sculpture|Translated|Image Source (Book)|Esculltura blanca tranformable|Published|Image Source (Book)||||White Transformable Sculpture|30511|Arden Quin, Carmelo||painter|Carmelo Arden Quin|0||||0|||||Uruguayan||||||||Uruguay||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1946|1946||1946|1946-1946|||||0||||0|||||Lacquered sandalwood, glass and Bakelite|sandalwood|Bakelite|glass|||scup|||||45.2 x 21 x 16.3 cm||9446|Buenos Aires: Museo de Arte Latinoamericano Buenos Aires|Buenos Aires: MALBA||||||||||||Cornell||MNW|JNK|3/23/2005 0:00:00|3/16/2005 0:00:00|A676|||0|||||||35|SC||||||1946| ||||||||Work|0|Sculpture|||||||||||0|0|White Transformable Sculpture;Esculltura blanca tranformable|Arden Quin, Carmelo 3477.00|0|Creator|15|35|I645-SC|1947|1|35 I645-SC 1947 1|Construction in Space|Translated|Image Source (Book)|Construcción en el espacio||||||Construction in Space|30512|Iommi, Enio||sculptor|Enio Iommi|0||||0|||||Argentine||||||||Argentina||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1947|1947||1947|1947-1947|||||0||||0|||||Aluminum and bronze|aluminum|bronze||||sculpture|||||94 x 75.5 cm||991|Grenoble, Musée de Grenoble|Grenoble: Musée Grenoble||||||||||||Cornell||MNW|JNK|3/23/2005 0:00:00|3/16/2005 0:00:00|I645|||0|||||||35|SC||||||1947| ||||||||Work|0|Sculpture|||||||||||0|0|Construction in Space;Construcción en el espacio|Iommi, Enio 3478.00|0|Creator|15|35|K863-SC|1944|1|35 K863-SC 1944 1|Röyi|Artists|Image Source (Book)|||||||Röyi|30510|Kosice, Gyula||sculptor|Gyula Kosice|0||||0|||||Slovak||||||||Slovakia||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1944|1944||1944|1944-1944|||||0||||0|||||Wood joined with nuts and bolts|wood|||||sculpture|||||120 x 64 x 15 cm||9445|Buenos Aires: Collection of the artist|Buenos Aires: Collection of the artist||||||||||||Cornell||MNW|JNK|3/23/2005 0:00:00|3/16/2005 0:00:00|K863|||0|||||||35|SC||||||1944| ||||||||Work|0|Sculpture|||||||||||0|0|Röyi|Kosice, Gyula 3479.00|0|Creator|15|35|A676-SC|1949|1|35 A676-SC 1949 1|The Black Ball|Translated|Image Source (Book)|Le boule noire|Published|Image Source (Book)||||The Black Ball|30511|Arden Quin, Carmelo||painter|Carmelo Arden Quin|0||||0|||||Uruguayan||||||||Uruguay||||||0||||0||||0||||0|Sculpture|Mobile||||20|||1949|1949||1949|1949-1949|||||0||||0|||||Mobile of wood and strings|wood|string||||sculpture|||||26.5 x 40.5 x 29.5 cm||9446|Buenos Aires: Museo de Arte Latinoamericano Buenos Aires|Buenos Aires: MALBA||||||||||||Cornell||MNW|JNK|3/23/2005 0:00:00|3/16/2005 0:00:00|A676|||0|||||||35|SC||||||1949| ||||||||Work|0|Sculpture|||||||||||0|0|The Black Ball;Le boule noire|Arden Quin, Carmelo 3480.00|0|Creator|15|35|I645-SC|1945|1|35 I645-SC 1945 1|Opposite Directions|Translated|Image Source (Book)|Direcciones opuestas|Published|Image Source (Book)||||Opposite Directions|30512|Iommi, Enio||sculptor|Enio Iommi|0||||0|||||Argentine||||||||Argentina||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1945|1945||1945|1945-1945|||||0||||0|||||Painted iron|paint|iron||||sculpture|||||89 x 70 x 1 cm||9202|Buenos Aires: Private Collection|Buenos Aires: Priv. Coll.||||||||||||Cornell||MNW|JNK|3/23/2005 0:00:00|3/16/2005 0:00:00|I645|||0|||||||35|SC||||||1945| ||||||||Work|0|Sculpture|||||||||||0|0|Opposite Directions;Direcciones opuestas|Iommi, Enio 3481.00|0|Creator|15|35|I645-SC|1946|1|35 I645-SC 1946 1|Spaceward Construction|Translated|Image Source (Book)|Construcción sobre el espacio|Published|Image Source (Book)||||Spaceward Construction|30512|Iommi, Enio||sculptor|Enio Iommi|0||||0|||||Argentine||||||||Argentina||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1946|1946||1946|1946-1946|||||0||||0|||||Plexiglas, wood, metal|Plexiglas|wood|metal|||sculpture|||||46 x 56 x 62 cm||9447|Basel: Galerie von Bartha|Basel: Gal. von Bartha||||||||||||Cornell||MNW|JNK|3/23/2005 0:00:00|3/16/2005 0:00:00|I645|||0|||||||35|SC||||||1946| ||||||||Work|0|Sculpture|||||||||||0|0|Spaceward Construction;Construcción sobre el espacio|Iommi, Enio 3482.00|0|Creator|15|35|R843-PA|1948|1|35 R843-PA 1948 1|Three Red Circles|Translated|Image Source (Book)|Tres circulos rojos|Published|Image Source (Book)||||Three Red Circles|30509|Rothfuss, Rhod||painter|Rhod Rothfuss|0||||0|||||Uruguayan||||||||Uruguay||||||0||||0||||0||||0|Paintings|Painting|||||||1948|1948||1948|1948-1948|||||0||||0|||||Enamel on hardboard on wood|enamel|hardboard|wood|||painting (image-making)|||||101 x 64||9446|Buenos Aires: Museo de Arte Latinoamericano Buenos Aires|Buenos Aires: MALBA||||||||||||Cornell||MNW|MNW|3/28/2005 0:00:00|3/16/2005 0:00:00|R843|||0|||||||35|PA||||||1948| ||||||||Work|0|Painting|||||||||||0|0|Three Red Circles;Tres circulos rojos|Rothfuss, Rhod 3483.00|0|Creator|05|J-Plumbe|1|||J-Plumbe 1 |Sausage Maker|Assigned|Image Source (Book)|||||||Sausage Maker|9302|Plumbe, John, Jr.||daguerreotypist|John Plumbe, Jr.|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Daguerreotypes||||19|||1845|1845|ca|ca 1845|ca 1845-1845|||||0||||0|||||Daguerreotype||||||daguerreotype|||||||910|Fort Worth: Amon Carter Museum of Western Art|Fort Worth: Amon Carter Mus.||Man ; Portraits ; |Man|Portraits||||||||Cornell||JNK|JNK|3/17/2005 0:00:00|3/17/2005 0:00:00|Plumbe|||0|||||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Sausage Maker|Plumbe, John, Jr. 3484.00|0|Creator|05|J-Dag-Amer|8|||J-Dag-Amer 8 |California Forty-Niner|Assigned|Image Source (Book)|||||||California Forty-Niner|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Daguerreotypes||||19|||1850|1850|ca|ca 1850|ca 1850-1850|||||0||||0|||||Daguerreotype||||||daguerreotype|||||||910|Fort Worth: Amon Carter Museum of Western Art|Fort Worth: Amon Carter Mus.||Man ; Portraits ; |Man|Portraits||||||||Cornell||JNK|JNK|3/30/2005 0:00:00|3/17/2005 0:00:00|Dag-Amer|||0|||||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|California Forty-Niner| 3485.00|0|Creator|05|J-Dag-Amer|9|||J-Dag-Amer 9 |Officer and Maidservant|Assigned|Image Source (Book)|||||||Officer and Maidservant|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Daguerreotypes|Portrait|||19|||1851|1851|ca|ca 1851|ca 1851-1851|||||0||||0|||||Daguerreotype||||||daguerreotype|||||||910|Fort Worth: Amon Carter Museum of Western Art|Fort Worth: Amon Carter Mus.||Military personnel ; Servants ; Portraits ; Group portraits ; |Military personnel|Servants|Portraits|Group portraits||||||Cornell||JNK|MNW|4/28/2005 0:00:00|3/17/2005 0:00:00|Dag-Amer|||0|||||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Officer and Maidservant| 3486.00|0|Creator|15|35|C794-PA||1|35 C794-PA 1952 1|Visible Idea|Translated|Image Source (Book)|Idéia visivel|Published|Image Source (Book)||||Visible Idea|30513|Cordeiro, Waldemar||painter|Waldemar Cordeiro|0||||0|||||Brazilian||||||||Brazil||||||0||||0||||0||||0|Paintings|Painting||||20|||1952|1952||1952|1952-1952|||||0||||0|||||Tempera on wood|tempera|wood||||painting (image-making)|||||61 x 61 cm||||||||||||||||Cornell||MNW|JNK|3/30/2005 0:00:00|3/17/2005 0:00:00|C794|||0|||||||35|PA||||||1952|||||||||Work|0|Painting|||||||||||0|0|Visible Idea;Idéia visivel|Cordeiro, Waldemar 3487.00|0|Creator|15|35|S718-SC|1969|1|35 S718-SC 1969 1|Box in Ambiguous Space|Translated|Image Source (Book)|Cube à espace ambigu|Published|Image Source (Book)||||Box in Ambiguous Space|11175|Soto, Jesús Raphael||painter|Jesús Raphael Soto|0||||0|||||Brazilian||||||||Brazil||||||0||||0||||0||||0|Sculpture|Sculpture|Installation (Sculpture)|||20|||1969|1969||1969|1969-1969|||||0||||0|||||Acrylic paint on plexiglas and wood|acrylic paint|Plexiglas|wood|||Installations|sculpture||||250 x 250 x 250 cm||9448|Ciudad Bolívar, Fundacíon Museo de Arte Moderno ‘Jesus Soto’|Ciudad Bolívar: Fund. Mus. ‘Jesus Soto’||||||||||||Cornell||MNW|JNK|3/23/2005 0:00:00|3/17/2005 0:00:00|S718|||0|||||||35|SC||||||1969| ||||||||Work|0|Sculpture|||||||||||0|0|Box in Ambiguous Space;Cube à espace ambigu|Soto, Jesús Raphael 3488.00|0|Creator|15|35|S718-SC|1956|2|35 S718-SC 1956 2|Silvery Light|Translated|Image Source (Book)|Luz plateada|Published|Image Source (Book)||||Silvery Light|11175|Soto, Jesús Raphael||painter|Jesús Raphael Soto|0||||0|||||Brazilian||||||||Brazil||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1956|1956||1956|1956-1956|||||0||||0|||||Acrylic paint on wood, Plexiglas and iron bolts|acrylic paint|wood|Plexiglas|||sculpture|||||100 x 100 x 15 cm||9205|Caracas: Private Collection|Caracas: Priv. Coll.||||||||||||Cornell||MNW|JNK|3/23/2005 0:00:00|3/17/2005 0:00:00|S718|||0|||||||35|SC||||||1956| ||||||||Work|0|Sculpture|||||||||||0|0|Silvery Light;Luz plateada|Soto, Jesús Raphael 3489.00|0|Creator|15|35|G300-SC|1957|1|35 G300-SC 1957 1|Vibration in Black|Translated|Image Source (Book)|Vibración en negro|Published|Image Source (Book)||||Vibration in Black|30514|Gego||sculptor|Gego|0||||0|||||Venezuelan||||||||Venezuela||||||0||||0||||0||||0|Sculpture|Sculpture|||||||1957|1957||1957|1957-1957|||||0||||0|||||Aluminum painted black|aluminum|paint||||sculpture|||||75 x 60 x 43 cm||9449|Caracas: Fundación Gego|Caracas: Fundación Gego||||||||||||Cornell||MNW|JNK|3/23/2005 0:00:00|3/17/2005 0:00:00|G300|||0|||||||35|SC||||||1957| ||||||||Work|0|Sculpture|||||||||||0|0|Vibration in Black;Vibración en negro|Gego 3490.00|0|Creator|15|35|G300-SC|1967|1|35 G300-SC 1967 1|Sphere Within a Cube|Translated|Image Source (Book)|Esfera en cubo|Published|Image Source (Book)||||Sphere Within a Cube|30514|Gego||sculptor|Gego|0||||0|||||Venezuelan||||||||Venezuela||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1967|1967||1967|1967-1967|||||0||||0|||||Welded and painted iron rods|iron|paint||||sculpture|welding||||101 x 180 x 103 cm||9129|Caracas, Galería de Arte Nacional|Caracas: Gal. Arte Nacional||||||||||||Cornell||MNW|JNK|3/23/2005 0:00:00|3/17/2005 0:00:00|G300|||0|||||||35|SC||||||1967| ||||||||Work|0|Sculpture|||||||||||0|0|Sphere Within a Cube;Esfera en cubo|Gego 3491.00|0|Creator|15|35|G300-SC|1962|1|35 G300-SC 1962 1|The Ribbon|Translated|Image Source (Book)|La cinta|Published|Image Source (Book)|||||30514|Gego||sculptor|Gego|0||||0|||||Venezuelan||||||||Venezuela||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1962|1962||1962|1962-1962|||||0||||0|||||Welded and painted iron|iron|paint||||sculpture|welding||||161 x 164 x 113 cm||9129|Caracas, Galería de Arte Nacional|Caracas: Gal. Arte Nacional||||||||||||Cornell||MNW|JNK|3/23/2005 0:00:00|3/17/2005 0:00:00|G300|||0|||||||35|SC||||||1962| ||||||||Work|0|Sculpture|||||||||||0|0|The Ribbon;La cinta|Gego 3492.00|0|Creator|15|35|G300-SC|1961|1|35 G300-SC 1961 1|Eight Squares|Translated|Image Source (Book)|Ocho cuadrados|Published|Image Source (Book)|||||30514|Gego||sculptor|Gego|0||||0|||||Venezuelan||||||||Venezuela||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1961|1961||1961|1961-1961|||||0||||0|||||Painted and welded iron rods|iron|packaging materials||||sculpture|welding||||ca 150 cm high||9450|Caracas: Fundación Cisneros|Caracas: Fundación Cisneros||||||||||||Cornell||MNW|JNK|3/23/2005 0:00:00|3/17/2005 0:00:00|G300|||0|||||||35|SC||||||1961| ||||||||Work|0|Sculpture|||||||||||0|0|Eight Squares;Ocho cuadrados|Gego 3493.00|0|Creator|15|35|G300-SC|1987|1|35 G300-SC 1987 1|Drawing Without Paper (87/2)|Translated|Image Source (Book)|Dibujo sin pael (87/2)|Published|Image Source (Book)||||Drawing Without Paper (87/2)|30514|Gego||sculptor|Gego|0||||0|||||Venezuelan||||||||Venezuela||||||0||||0||||0||||0|Sculpture|Sculpture|Installation (Exhibition)|||20|||1987|1987||1987|1987-1987|||||0||||0|||||Stainless steel wire, metal nodes, bronze caps|steel|wire|bronze|||sculpture|welding||||45 x 47 x 30 cm||9451|Zurich: Daros-Latin America|Zurich: Daros-Latin Amer.||||||||||||Cornell||MNW|JNK|3/23/2005 0:00:00|3/17/2005 0:00:00|G300|||0|||||||35|SC||||||1987| ||||||||Work|0|Sculpture|||||||||||0|0|Drawing Without Paper (87/2);Dibujo sin pael (87/2)|Gego 3494.00|0|Creator|15|35|G300-D|1964|1|35 G300-D 1964 1|Untitled|Assigned|Image Source (Book)|Sin titulo|Published|Image Source (Book)|||||30514|Gego||artist|Gego|0||||0|||||Venezuelan||||||||Venezuela||||||0||||0||||0||||0|Drawings|Drawing||||20|||1964|1964||1964|1964-1964|||||0||||0|||||Ink on paper|ink|paper||||drawing (image-making)|||||54 x 34 cm||9449|Caracas: Fundación Gego|Caracas: Fundación Gego||||||||||||Cornell||MNW|JNK|3/23/2005 0:00:00|3/17/2005 0:00:00|G300|||0|||||||35|D||||||1964| ||||||||Work|0|Drawing|||||||||||0|0|Untitled;Sin titulo|Gego 3495.00|0|Creator|15|35|G300-SC|1962|2|35 G300-SC 1962 2|Sculpture in the Banco Industrial de Venezuela|Translated|Cataloger|Escultura en el Banco Industrial de Venezuela|Published|Image Source (Book)||||Sculpture in the Banco Industrial de Venezuela|30514|Gego||sculptor|Gego|0||||0|||||Venezuelan||||||||Venezuela||||||0|Caracas, Venezuela|||10365||||0||||0|Sculpture|Sculpture||||20|||1962|1962||1962|1962-1962|||||0||||0|||||Aluminum and stainless steel pipes|aluminum|stainless steel|pipe (conduit)|||sculpture|||||10 m high||9452|Caracas: Banco Industrial de Venezuela|Caracas: Banco Indust.de Venezuela||||||||||||Cornell||MNW|JNK|3/23/2005 0:00:00|3/17/2005 0:00:00|G300|||0|||||||35|SC||||||1962| ||||||||Work|0|Sculpture|||||||||||0|0|Sculpture in the Banco Industrial de Venezuela;Escultura en el Banco Industrial de Venezuela|Gego 3496.00|0|Creator|15|35|G300-SC|1968|1|35 G300-SC 1968 1|Lines (Installation View of Series)|Translated|Image Source (Book)|Lineas (visión de conjunto)|Published|Image Source (Book)||||Lines (Installation View of Series)|30514|Gego||sculptor|Gego|0||||0|||||Venezuelan||||||||Venezuela||||||0||||0||||0||||0|Sculpture|Sculpture|Installation (Exhibition)|||20|||1968|1970||1968-1970|1968-1970|||||0||||0|||||Stainless steel wire, plumb lines, plexiglas|stainless steel|wire|Plexiglas|||sculpture|Installations||||||9449|Caracas: Fundación Gego|Caracas: Fundación Gego||||||||||||Cornell||MNW|JNK|3/23/2005 0:00:00|3/17/2005 0:00:00|G300|||0|||||||35|SC||||||1968| ||||||||Work|0|Sculpture|||||||||||0|0|Lines (Installation View of Series);Lineas (visión de conjunto)|Gego 3497.00|0|Creator|15|35|G300-SC|1968|2|35 G300-SC 1968 2|Reticulárea|Artists|Image Source (Book)|||||||Reticulárea|30514|Gego||sculptor|Gego|0||||0|||||Venezuelan||||||||Venezuela||||||0||||0||||0||||0|Sculpture|Sculpture|Installation (Sculpture)|||20|||1968|1981||1968-1981|1968-1981|||||0||||0|||||Wire|wire||||||||||Variable dimensions||9129|Caracas, Galería de Arte Nacional|Caracas: Gal. Arte Nacional||Spider webs ; |Spider webs|||||||||Cornell||MNW|JNK|3/23/2005 0:00:00|3/18/2005 0:00:00|G300|||0|||||||35|SC||||||1968| ||||||||Work|0|Sculpture|||||||||||0|0|Reticulárea|Gego 3498.00|0|Creator|15|35|S324-SC|1971|1|35 S324-SC 1971 1|I Ching Acrylic Disk|Translated|Image Source (Book)|Disco acrilico do I Ching|Published|Image Source (Book)||||I Ching Acrylic Disk|30515|Schendel, Mira||painter|Mira Schendel|0||||0|||||Brazilian||||||||Brazil||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1971|1971||1971|1971-1971|||||0||||0|||||Spiral shaped acrylic object in layers with Letraset|acrylic|letters (signs)||||Lettering (layout features)|sculpture||||Each, 6 cm thick x 18 cm diam.||9453|São Paulo: Ada Schendel Collection|São Paulo: Ada Schendel Coll.||||||||||||Cornell||MNW|CLL|3/24/2005 0:00:00|3/18/2005 0:00:00|S324|||0|||||||35|SC||||||1971| ||||||||Work|0|Sculpture|||||||||||0|0|I Ching Acrylic Disk;Disco acrilico do I Ching|Schendel, Mira 3499.00|0|Creator|15|35|G300-SC|1985|1|35 G300-SC 1985 1|Drawing Without Paper (85/12)|Translated|Image Source (Book)|Dibujo sin pael (85/12)|Published|Image Source (Book)||||Drawing Without Paper (85/12)|30514|Gego||architect|Gego|0||||0|||||Venezuelan||||||||Venezuela||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1985|1985||1985|1985-1985|||||0||||0|||||Stainless steel wire, thread, and metal junctures|wire|thread|stainless steel|||sculpture|||||104 x 101 cm||9449|Caracas: Fundación Gego|Caracas: Fundación Gego||||||||||||Cornell||MNW|JNK|3/23/2005 0:00:00|3/18/2005 0:00:00|G300|||0|||||||35|SC||||||1985| ||||||||Work|0|Sculpture|||||||||||0|0|Drawing Without Paper (85/12);Dibujo sin pael (85/12)|Gego 3500.00|0|Creator|15|35|S324-SC||1|35 S324-SC 1970 1|Pliable|Translated|Image Source (Book)|Pregável|Published|Image Source (Book)|||||30515|Schendel, Mira||painter|Mira Schendel|0||||0|||||Brazilian||||||||Brazil||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1970|1970|ca|ca 1970|ca 1970-1970|||||0||||0|||||Riveted strips of transparent acrylic|acrylic|||||sculpture|||||15 cm long||9453|São Paulo: Ada Schendel Collection|São Paulo: Ada Schendel Coll.||||||||||||Cornell||MNW|JNK|3/23/2005 0:00:00|3/18/2005 0:00:00|S324|||0|||||||35|SC||||||1970| ||||||||Work|0|Sculpture|||||||||||0|0|Pliable;Pregável|Schendel, Mira 3501.00|0|Creator|15|35|G300-SC|1987|2|35 G300-SC 1987 2|Critter (87/11)|Translated|Image Source (Book)|Bicho (87/11)|Published|Image Source (Book)||||Critter (87/11)|30514|Gego||architect|Gego|0||||0|||||Venezuelan||||||||Venezuela||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1987|1987||1987|1987-1987|||||0||||0|||||Stainless steel wire and pebbles|stainless steel|wire|pebble|||sculpture|||||40 x 30 x 31 cm||9450|Caracas: Fundación Cisneros|Caracas: Fundación Cisneros||||||||||||Cornell||MNW|JNK|3/23/2005 0:00:00|3/18/2005 0:00:00|G300|||0|||||||35|SC||||||1987| ||||||||Work|0|Sculpture|||||||||||0|0|Critter (87/11);Bicho (87/11)|Gego 3502.00|0|Creator|15|35|S324-G|1967|1|35 S324-SC 1967 1|Graphic Object (Black)|Translated|Image Source (Book)|Objecto gráfico (preto)|Published|Image Source (Book)||||Graphic Object (Black)|30515|Schendel, Mira||painter|Mira Schendel|0||||0|||||Brazilian||||||||Brazil||||||0||||0||||0||||0|Graphics|Graphic arts||||20|||1967|1967||1967|1967-1967|||||0||||0|||||Oil and Letraset on black rice paper between acrylic sheets|letters (signs)|rice paper|oil paint|||sculpture|Lettering (layout features)||||100 x 100 cm||9454|Phoenix: Diane and Bruce Halle Collection|Phoenix: Halle Coll.||||||||||||Cornell||MNW|CLL|3/24/2005 0:00:00|3/18/2005 0:00:00|S324|||0|||||||35|G||||||1967| ||||||||Work|0|Graphic arts|||||||||||0|0|Graphic Object (Black);Objecto gráfico (preto)|Schendel, Mira 3503.00|0|Creator|15|35|G300-SC|1975|1|35 G300-SC 1975 1|Reticulárea|Artists|Image Source (Book)|||||||Reticulárea|30514|Gego||architect|Gego|0||||0|||||Venezuelan||||||||Venezuela||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1975|1975||1975|1975-1975|||||0||||0|||||Stainless steel wire|stainless steel|wire||||sculpture|||||210 x 260 cm||1096|Houston: Museum of Fine Arts|Houston: MFA||||||||||||Cornell||MNW|JNK|3/23/2005 0:00:00|3/18/2005 0:00:00|G300|||0||2002.165|||||35|SC||||||1975| ||||||||Work|0|Sculpture|||||||||Gift of AT & T||0|0|Reticulárea|Gego 3504.00|0|Creator|15|35|G300-SC|1973|1|35 G300-SC 1973 1|Square Reticulárea No. 7|Translated|Image Source (Book)|Reticulárea cuadrada no. 7|Published|Image Source (Book)||||Square Reticulárea No. 7|30514|Gego||architect|Gego|0||||0|||||Venezuelan||||||||Venezuela||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1973|1973||1973|1973-1973|||||0||||0|||||Stainless steel wire, leader sleeve, washers|stainless steel|wire||||sculpture|||||190 x 80 x 80 cm||9454|Phoenix: Diane and Bruce Halle Collection|Phoenix, Halle Coll.||||||||||||Cornell||MNW|JNK|3/23/2005 0:00:00|3/18/2005 0:00:00|G300|||0|||||||35|SC||||||1973| ||||||||Work|0|Sculpture|||||||||||0|0|Square Reticulárea No. 7;Reticulárea cuadrada no. 7|Gego 3505.00|0|Creator|15|35|S324-SC|1966|1|35 S324-SC 1966 1|Mere Trifle|Translated|Image Source (Book)|Droguinha||||||Mere Trifle|30515|Schendel, Mira||painter|Mira Schendel|0||||0|||||Brazilian||||||||Brazil||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1966|1966||1966|1966-1966|||||0||||0|||||Intertwined twisted pieces of rice paper|rice paper|||||sculpture|||||Variable dimensions||9454|Phoenix: Diane and Bruce Halle Collection|Phoenix, Halle Coll.||||||||||||Cornell||MNW|JNK|3/23/2005 0:00:00|3/18/2005 0:00:00|S324|||0|||||||35|SC||||||| ||||||||Work|0|Sculpture|||||||||||0|0|Mere Trifle;Droguinha|Schendel, Mira 3506.00|0|Creator|15|35|L593-SC|1966|1|35 L593-SC 1966 1|Continuous Light Mural|Translated|Image Source (Book)|Mural de luz continua|Published|Image Source (Book)||||Continuous Light Mural|30516|Le Parc, Julia||painter|Julio Le Parc|0||||0|||||Argentine||||||||Argentina||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1966|1967||1966-1967|1966-1967|||||0||||0|||||Wood, electric motors, Lumaline sheets, lamps|mixed materials|||||sculpture|||||250 x 500 x 20 cm||565|Caracas: Museo de Bellas Artes|Caracas: MBA||||||||||||Cornell||MNW|JNK|3/23/2005 0:00:00|3/18/2005 0:00:00|L593|||0|||||||35|SC||||||1966| ||||||||Work|0|Sculpture|||||||||||0|0|Continuous Light Mural;Mural de luz continua|Le Parc, Julia 3507.00|0|Creator|15|35|L593-SC|1960|1|35 L593-SC 1960 1|Continuous Light Mobile|Translated|Image Source (Book)|Continuel-lumière mobile|Published|Image Source (Book)|||||30516|Le Parc, Julia||painter|Julio Le Parc|0||||0|||||Argentine||||||||Argentina||||||0||||0||||0||||0|Sculpture|Sculpture|Mobile|||20|||1960|1966||1960-1966|1960-1966|||||0||||0|||||Hanging metallic elements and spot lights|mixed materials|||||sculpture|||||220 x 200 x 30 cm||9455|Paris: Collection of the artist|Paris: Coll. of artist||||||||||||Cornell||MNW|JNK|3/23/2005 0:00:00|3/18/2005 0:00:00|L593|||0|||||||35|SC||||||1960| ||||||||Work|0|Sculpture|||||||||||0|0|Continuous Light Mobile;Continuel-lumière mobile|Le Parc, Julia 3508.00|0|Creator|15|35|K863-SC|1970|1|35 K863-SC 1970 1|Space|Translated|Image Source (Book)|Espacio|Published|Image Source (Book)||||Space|30510|Kosice, Gyula||sculptor|Gyula Kosice|0||||0|||||Slovak||||||||Slovakia||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1970|1970||1970|1970-1970|||||0||||0|||||Plexiglas|Plexiglas|||||sculpture|||||210 x 90 x 1.8 cm||9456|New York: Clara D. Sujo Collection|New York: Clara D. Sujo Coll.||||||||||||Cornell||MNW|JNK|3/23/2005 0:00:00|3/18/2005 0:00:00|K863|||0|||||||35|SC||||||1970| ||||||||Work|0|Sculpture|||||||||||0|0|Space;Espacio|Kosice, Gyula 3509.00|0|Creator|15|35|K863-SC|1962|1|35 K863-SC 1962 1|Revolving Water|Translated|Image Source (Book)|Agua girable|Published|Image Source (Book)||||Revolving Water|30510|Kosice, Gyula||sculptor|Gyula Kosice|0||||0|||||Slovak||||||||Slovakia||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1964|1964||1964|1964-1964|||||0||||0|||||Plexiglas, water, metal|Plexiglas|water|metal|||sculpture|||||60 x 60 x 16 cm||9445|Buenos Aires: Collection of the artist|Buenos Aires: Collection of the artist||||||||||||Cornell||MNW|JNK|3/23/2005 0:00:00|3/18/2005 0:00:00|K863|||0|||||||35|SC||||||1962| ||||||||Work|0|Sculpture|||||||||||0|0|Revolving Water;Agua girable|Kosice, Gyula 3510.00|0|Creator|15|35|K863-SC|1952|1|35 K863-SC 1952 1|Circular Table of Moving Water|Translated|Image Source (Book)|Mesa circular de agua móvil|Published|Image Source (Book)|||||30510|Kosice, Gyula||sculptor|Gyula Kosice|0||||0|||||Slovak||||||||Slovakia||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1952|1952||1952|1952-1952|||||0||||0|||||Plexiglas, water, metal|Plexiglas|water|metal|||sculpture|||||35 x 61 cm||9445|Buenos Aires: Collection of the artist|Buenos Aires: Collection of the artist||||||||||||Cornell||MNW|JNK|3/23/2005 0:00:00|3/18/2005 0:00:00|K863|||0|||||||35|SC||||||| ||||||||Work|0|Sculpture|||||||||||0|0|Circular Table of Moving Water;Mesa circular de agua móvil|Kosice, Gyula 3511.00|0|Creator|15|35|S324-SC|1971|2|35 S324-SC 1971 2|Stamps Notebook|Translated|Image Source (Book)|Caderno selos||||||Stamps Notebook|30515|Schendel, Mira||painter|Mira Schendel|0||||0|||||Brazilian||||||||Brazil||||||0||||0||||0||||0|Sculpture|Sculpture||||30515|||1971|1971||1971|1971-1971|||||0||||0|||||Six acrylic pages with transparent paper and adhesive|acrylic|paper|adhesives|||sculpture|||||6 x 19 x 19 cm||9453|São Paulo: Ada Schendel Collection|São Paulo: Ada Schendel Coll.||||||||||||Cornell||MNW|CLL|3/24/2005 0:00:00|3/18/2005 0:00:00|S324|||0|||||||35|SC||||||1971| ||||||||Work|0|Sculpture|||||||||||0|0|Stamps Notebook;Caderno selos|Schendel, Mira 3512.00|0|Creator|15|35|C5945-SC|1966|1|35 C5945-SC 1966 1|Sensorial Book (Replica)|Translated|Image Source (Book)|Livro sensorial (replica)|Published|Image Source (Book)||||Sensorial Book (Replica)|2358|Clark, Lygia||painter|Lygia Clark|0||||0|||||Brazilian||||||||Brazil||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1966|1966||1966|1966-1966|||||0||||0|||||Plastic bags containing water, shells, pebbles, etc.|mixed materials|||||sculpture|||||18 x 18 cm each page||9458|Rio de Janeiro: Associação Cultural “O Mundo de Lygia Clark"|Rio: Assoc. Cult. “O Mundo de Lygia Clark"||||||||||||Cornell||MNW|JNK|3/23/2005 0:00:00|3/18/2005 0:00:00|C5945|||0|||||||35|SC||||||1966| ||||||||Work|0|Sculpture|||||||||||0|0|Sensorial Book (Replica);Livro sensorial (replica)|Clark, Lygia 3513.00|0|Creator|15|35|K863-SC|1960|1|35 K863-SC 1960 1|Parabolic|Translated|Image Source (Book)|Parabólica|Published|Image Source (Book)||||Parabolic|30510|Kosice, Gyula||sculptor|Gyula Kosice|0||||0|||||Slovak||||||||Slovakia||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1960|1960||1960|1960-1960|||||0||||0|||||Plexiglas|Plexiglas|||||sculpture|||||50 x 60 cm||9445|Buenos Aires: Collection of the artist|Buenos Aires: Collection of the artist||||||||||||Cornell||MNW|JNK|3/23/2005 0:00:00|3/18/2005 0:00:00|K863|||0|||||||35|SC||||||1960| ||||||||Work|0|Sculpture|Hydraulic sculpture||||||||||0|0|Parabolic;Parabólica|Kosice, Gyula 3514.00|0|Creator|15|35|K863-SC|1965|1|35 K863-SC 1965 1|Luminescent Sculpture|Translated|Image Source (Book)|Escultura luminica|Published|Image Source (Book)|||||30510|Kosice, Gyula||sculptor|Gyula Kosice|0||||0|||||Slovak||||||||Slovakia||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1965|1965||1965|1965-1965|||||0||||0|||||Plexiglas, air, movable colors|mixed materials|||||sculpture|||||110 x 30 cm||9445|Buenos Aires: Collection of the artist|Buenos Aires: Collection of the artist||||||||||||Cornell||MNW|JNK|3/23/2005 0:00:00|3/18/2005 0:00:00|K863|||0|||||||35|SC||||||1965| ||||||||Work|0|Sculpture|||||||||||0|0|Luminescent Sculpture;Escultura luminica|Kosice, Gyula 3515.00|0|Creator|15|35|K863-SC|1946|2|35 K863-SC 1946 2|Luminescent Madi Structure No. 6|Translated|Image Source (Book)|Estructura luminica Madi 6|Published|Image Source (Book)|||||30510|Kosice, Gyula||sculptor|Gyula Kosice|0||||0|||||Slovak||||||||Slovakia||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1946|1946||1946|1946-1946|||||0||||0|||||Neon gas, Plexiglas, wooden box|neon|Plexiglas|wood|||sculpture|||||60 x 50 x 12 cm||9445|Buenos Aires: Collection of the artist|Buenos Aires: Collection of the artist||||||||||||Cornell||MNW|JNK|3/23/2005 0:00:00|3/18/2005 0:00:00|K863|||0|||||||35|SC||||||1946| ||||||||Work|0|Sculpture|||||||||||0|0|Luminescent Madi Structure No. 6;Estructura luminica Madi 6|Kosice, Gyula 3516.00|0|Creator|15|35|K863-SC|1970|2|35 K863-SC 1970 2|Light and Moving Water Relief|Translated|Image Source (Book)|Relieve de luz y agua móvil|||||||30510|Kosice, Gyula||sculptor|Gyula Kosice|0||||0|||||Slovak||||||||Slovakia||||||0||||0||||0||||0|Sculpture|Relief|Sculpture|||20|||1970|1970|ca|ca 1970|ca 1970-1970|||||0||||0|||||Plexiglas, light, water|Plexiglas|light|water|||relief|sculpture||||65 x 50.2 x 10.2 cm||9445|Buenos Aires: Collection of the artist|Buenos Aires: Collection of the artist||||||||||||Cornell||MNW|JNK|3/23/2005 0:00:00|3/18/2005 0:00:00|K863|||0|||||||35|SC||||||1970| ||||||||Work|0|Sculpture|||||||||||0|0|Light and Moving Water Relief;Relieve de luz y agua móvil|Kosice, Gyula 3517.00|0|Creator|15|35|S718-SC|1973|1|35 S718-SC 1973 1|Yellow Penetrable|Translated|Image Source (Book)|Penetrable amarillo|Published|Image Source (Book)||||Yellow Penetrable|11175|Soto, Jesús Raphael||sculptor|Jesús Raphael Soto|0||||0|||||Brazilian||||||||Brazil||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1973|1995||1973 & 1995|1973-1995|||||0||||0|||||Iron, acrylic, nylon|iron|acrylic|nylon|||sculpture|||||520 x 520 x 520 cm||9450|Caracas: Fundación Cisneros|Caracas: Fundación Cisneros||||||||||||Cornell||MNW|JNK|3/23/2005 0:00:00|3/18/2005 0:00:00|S718|||0|||||||35|SC||||||1973| ||||||||Work|0|Sculpture|||||||||||0|0|Yellow Penetrable;Penetrable amarillo|Soto, Jesús Raphael 3518.00|0|Creator|15|35|L593-SC|1965|1|35 L593-SC 1965 1|Spectacles for Different Visions|Translated|Image Source (Book)|Lunettes pour des differentes visions|Published|Image Source (Book)|||||30516|Le Parc, Julia||painter|Julio Le Parc|0||||0|||||Argentine||||||||Argentina||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1965|1965||1965|1965-1965|||||0||||0|||||Plastic and metal|plastics|metal||||sculpture|||||130 x 130 x 15 cm||9455|Paris: Collection of the artist|Paris: Coll. of artist||Eyeglasses ; |Eyeglasses|||||||||Cornell||MNW|JNK|3/23/2005 0:00:00|3/18/2005 0:00:00|L593|||0|||||||35|SC||||||1965| ||||||||Work|0|Sculpture|||||||||||0|0|Spectacles for Different Visions;Lunettes pour des differentes visions|Le Parc, Julia 3519.00|0|Creator|15|35|L593-SC|1966|2|35 L593-SC 1966 2|Double Mirrors|Translated|Image Source (Book)|Espejos dobles|Published|Image Source (Book)||||Double Mirrors|30516|Le Parc, Julia||painter|Julio Le Parc|0||||0|||||Argentine||||||||Argentina||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1966|1966||1966|1966-1966|||||0||||0|||||Mirror and wood|mirror|wood||||sculpture|||||6 x 16 x 16 cm||9455|Paris: Collection of the artist|Paris: Coll. of artist||||||||||||Cornell||MNW|JNK|3/23/2005 0:00:00|3/18/2005 0:00:00|L593|||0|||||||35|SC||||||1966| ||||||||Work|0|Sculpture|||||||||||0|0|Double Mirrors;Espejos dobles|Le Parc, Julia 3520.00|0|Creator|15|35|C5945-SC|1967|2|35 C5945-SC 1967 2|Sensorial Masks|Translated|Image Source (Book)|Máscaras sensorials|Published|Image Source (Book)||||Sensorial Masks|2358|Clark, Lygia||painter|Lygia Clark|0||||0|||||Brazilian||||||||Brazil||||||0||||0||||0||||0|Sculpture|Performance art|Sculpture|||20|||1967|1967||1967|1967-1967|||||0||||0|||||Set of masks of various fabrics, colors, and smells|mixed materials|||||sculpture|||||||9458|Rio de Janeiro: Associação Cultural “O Mundo de Lygia Clark"|Rio: Assoc. Cult. “O Mundo de Lygia Clark"||||||||||||Cornell||MNW|JNK|3/23/2005 0:00:00|3/18/2005 0:00:00|C5945|||0|||||||35|SC||||||1967| ||||||||Work|0|Sculpture|||||||||||0|0|Sensorial Masks;Máscaras sensorials|Clark, Lygia 3521.00|0||||||||Villa Medici Walk|Assigned|Image Source (Book)|||||||Villa Medici Walk|30520|Cardiff, Janet||performance artist|Janet Cardiff|0||||0|||||Canadian|||Post-1945|||||Italy||||||0||||0||||0||||0|Installations|Installation (Exhibition)|Installation (Sculpture)|Performance art||20|||1998|1998||1998|1998-1998|||||0||||0|||||Audio walk: binaural audio and discman||||||Installations|performance art||||16 minutes, 25 seconds duration||||||Villa Medici, Rome, Italy ; |Villa Medici, Rome, Italy|||||||||Cornell||JNK|MNW|3/28/2005 0:00:00|3/18/2005 0:00:00||||0||||||||||||||||||||||||0||English and Italian versions. 16 minutes, 25 seconds. English voices: Janet Cardiff and George Bures Miller. Italian voices: Cesare Pietrojusti, Cecilia Rinaldini.||||||||||0|0|Villa Medici Walk|Cardiff, Janet 3522.00|0|Creator|15|35|P154-SC|1960|1|35 P154-SC 1960 1|Symmetrical Chromo-kinetic|Translated|Image Source (Book)|Cinechromático simétrico|Published|Image Source (Book)||||Symmetrical Chromo-kinetic|30521|Palatnik, Abraham||painter|Abraham Palatnik|0||||0|||||Brazilian||||||||Brazil||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1960|1960||1960|1960-1960|||||0||||0|||||Canvas, wood boxes with two motors, colored lights, etc.|mixed materials|||||sculpture|||||99 x 90 x 17 cm||2392|Rio de Janeiro: Museu de Arte Moderna do Rio de Janeiro|Rio: Mus. Arte Mod.||||||||||||Cornell||MNW|JNK|3/23/2005 0:00:00|3/18/2005 0:00:00|P154|||0|||||||35|SC||||||1960| ||||||||Work|0|Sculpture|Chromo-kinetic sculpture.||||In the Gilberto Chateaubriand Collection.||||||0|0|Symmetrical Chromo-kinetic;Cinechromático simétrico|Palatnik, Abraham 3523.00|0|Creator|15|35|P154-SC|1958|1|35 P154-SC 1958 1|Asymmetrical Chromo-kinetic|Translated|Image Source (Book)|Cinechromático assimétrico|Published|Image Source (Book)|||||30521|Palatnik, Abraham||artist|Abraham Palatnik|0||||0|||||Brazilian||||||||Brazil||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1958|1958||1958|1958-1958|||||0||||0|||||Canvas, wood boxes with two motors, colored lights, etc.|mixed materials|||||sculpture|||||110 x 68 x 19.5 cm||2579|São Paulo: Museu de Arte Moderna|São Paulo: Mus. Art Mod.||||||||||||Cornell||MNW|JNK|3/23/2005 0:00:00|3/18/2005 0:00:00|P154|||0|||||||35|SC||||||1958| ||||||||Work|0|Sculpture|Chromo-kinetic sculpture.||||||||||0|0|Asymmetrical Chromo-kinetic;Cinechromático assimétrico|Palatnik, Abraham 3524.00|0|Creator|15|35|P154-SC|1965|1|35 P154-SC 1965 1|Chromosaturation|Translated|Image Source (Book)|Cromosaturación|Published|Image Source (Book)|||||30521|Palatnik, Abraham||artist|Abraham Palatnik|0||||0|||||Brazilian||||||||Brazil||||||0||||0||||0||||0|Sculpture|Sculpture|Installation (Exhibition)|||20|||1965|1965||1965|1965-1965|||||0||||0|||||Three chromo-cubicles|mixed materials|light||||sculpture|Installations||||300 x 300 cm each||||||||||||||||Cornell||MNW|JNK|3/23/2005 0:00:00|3/18/2005 0:00:00|P154|||0|||||||35|SC|||||||1965||||||||Work|0|Sculpture|Reconstruction of a site specific installation. Three chromo-cubicles (flourescent lights with red, blue, and green filters) generating a tristimulus effect of additive color. Ramirez, Inverted Utopias.||||||||||0|0|Chromosaturation;Cromosaturación|Palatnik, Abraham 3525.00|0|Creator|15|35|M5145-SC|1969|1|35 M5145-SC 1969 1|The Money Tree|Translated|Image Source (Book)|A árvore do dinheiro|Published|Image Source (Book)||||The Money Tree|7843|Meireles, Cildo Campos||painter|Meireles, Cildo Campos|0||||0|||||Brazilian||||||||Brazil||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1969|1969||1969|1969-1969|||||0||||0|||||101 Conto-de-Reais bills tied together with rubber bands|paper money|rubber (material)||||sculpture|||||||9459|Rio de Janiero: Collection of the artist|Rio: Coll. of artist||||||||||||Cornell||MNW|JNK|3/23/2005 0:00:00|3/18/2005 0:00:00|M5145|||0|||||||35|SC||||||1969| ||||||||Work|0|Sculpture|||||||||||0|0|The Money Tree;A árvore do dinheiro|Meireles, Cildo Campos 3526.00|0|Creator|15|35|C1845-SC|1970|1|35 C1845-SC 1970 1|Execution|Artists|Image Source (Book)|||||||Execution|29824|Camnitzer, Luis||conceptual artist|Luis Camnitzer|0||||0|||||Uruguayan||||||||Uruguay||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1970|1970||1970|1970-1970|||||0||||0|||||Mirror broken by bullet with printed title and epoxy resin|mirror|letters (signs)|epoxy||||||||35 cm diameter||9460|New York: Collection of the Artist|New York: Coll. Artist||Executions ; |Executions|||||||||Cornell||MNW|JNK|3/23/2005 0:00:00|3/18/2005 0:00:00|C1845|||0|||||||35|SC||||||1970| ||||||||Work|0|Sculpture|||||||||||0|0|Execution|Camnitzer, Luis 3527.00|0|Category|15|35|B275-PH|1969|1|35 B275-PH 1969 1|The Toilet Paper Situation, Bahía Da Guanbara, Rio de Janeiro|Translated|Image Source (Book)|Situaçao…P…..H….Bahía Da Guanbara, Rio de Janeiro.|Artists|Image Source (Book)||||The Toilet Paper Situation, Bahía Da Guanbara, Rio de Janeiro|30523|Barrio, Artur Alípio||conceptual artist|Artur Alípio Barrio|0||||0|||||Brazilian||||||||Brazil||||||0||||0||||0||||0|Photographs|Slide (photograph)|||||||1969|1969||1969|1969-1969|||||0||||0|||||Slides and projector|projections|||||photography|||||||9459|Rio de Janiero: Collection of the artist|Rio: Coll. of artist||Pollution ; |Pollution|||||||||Cornell||MNW|MNW|3/21/2005 0:00:00|3/21/2005 0:00:00|B275|||0|||||||35|PH||||||1969| ||||||||Work|0|Photography|||||||||||0|0|The Toilet Paper Situation, Bahía Da Guanbara, Rio de Janeiro;Situaçao…P…..H….Bahía Da Guanbara, Rio de Janeiro.|Barrio, Artur Alípio 3528.00|0|Category|15|35|B275-SC|1969|1|35 B275-SC 1969 1|Stained Rag with Blood|Translated|Image Source (Book)|Trouxa ensanguentada|Published|Image Source (Book)||||Stained Rag with Blood|30523|Barrio, Artur Alípio||conceptual artist|Artur Alípio Barrio|0||||0|||||Brazilian||||||||Brazil||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1969|1969|ca|ca 1969|ca 1969-1969|||||0||||0|||||Oil paint on fabric tied up with hemp|oil paint|cloth|hemp|||sculpture|||||11 x 24 x 20 cm||9461|Niterói: Niterói Museum of Contemporary Art|Niterói: Museum of Contemporary Art||||||||||||Cornell||MNW|JNK|3/23/2005 0:00:00|3/21/2005 0:00:00|B275|||0|||||||35|SC||||||1969| ||||||||Work|0|Sculpture|||||Part of the Joao Sattamini Collection.||||||0|0|Stained Rag with Blood;Trouxa ensanguentada|Barrio, Artur Alípio 3529.00|0||||||||Housing Estate|Assigned|Image Source (Book)|||||||Housing Estate|11474|Studer, André M.||architect|André Studer|0||||0|||||Swiss|African||Modern|International Style||Africa||Morocco||||||0|Casablanca, Morocco|||10367||||0||||0|Architecture|Housing||||20|||1953|1955||1953-1955|1953-1955|||||0||||0||||||||||||||||||||||Housing ; |Housing|||||||||Cornell||JNK|JNK|3/21/2005 0:00:00|3/21/2005 0:00:00||Cas||0||||||||||||||||||||||||0||||||||||||0|0|Housing Estate|Studer, André M. 3530.00|0||||||||Copan Building|Assigned|Image Source (Book)|||||||Copan Building|8539|Niemeyer, Oscar||architect|Oscar Niemeyer|0||||0|||||Brazilian|||Modern|||||Brazil||||||0|São Paulo, Brazil|||10368||||0||||0|Architecture|Apartment house|Housing|||20|||1951|1957||1951-1957|1951-1957|||||0||||0||||||||||||||||||||||Apartment houses ; Housing ; |Apartment houses|Housing||||||||Cornell||JNK|MNW|8/23/2006 0:00:00|3/21/2005 0:00:00||Sao||0|||||||||||||||||||||||Work|0|Modern Architecture-|||||||||||0|0|Copan Building|Niemeyer, Oscar 3531.00|0||||||||Tilted Arc|Assigned|Image Source (Book)|||||||Tilted Arc|10761|Serra, Richard||sculptor|Richard Serra|0||||0|||||American|||Minimal|||||United States||||||0|||||26 Federal Plaza, New York City, NY|||10369||||0|Sculpture|Sculpture||||20|||1981|1981||1981|1981-1981|||||0||||0|||||Steel|steel|||||sculpture|||||3.66 x 36.58 m||||||Sculpture (visual work) ; |Sculpture (visual work)|||||||||Cornell||JNK|MNW|4/20/2005 0:00:00|3/21/2005 0:00:00||||0||||||||||||||||||||||||0|||||Sculpture removed from the plaza in 1989.|||||Work was destroyed.||0|0|Tilted Arc|Serra, Richard 3532.00|0||||||||Intersection|Assigned|Image Source (Book)|||||||Intersection|10761|Serra, Richard||sculptor|Richard Serra|0||||0|||||American|Swiss||Minimal|||||Switzerland||||||0|Basel, Switzerland|||10370||||0||||0|Sculpture|Sculpture||||20|||1992|1992||1992|1992-1992|||||0||||0|||||Steel|steel|||||sculpture|||||3.7 x 13.0 m each||||||Sculpture (visual work) ; |Sculpture (visual work)|||||||||Cornell||JNK|MNW|4/20/2005 0:00:00|3/21/2005 0:00:00||Bas||0||||||||||||||||||||||||0||||||||||||0|0|Intersection|Serra, Richard 3533.00|0||||||||School of Plastic Arts|Assigned|Image Source (Book)|||||||Escuelas nacionales de Arte. School of Plastic Arts|9386|Porro, Ricardo||architect|Ricardo Porro|0||||0|||||Cuban|||Modern|||||Cuba||||||0|Havana, Cuba|||10267||||0||||0|Architecture|School||||20|||1961|1965||1961-1965|1961-1965||Escuelas nacionales de Arte|Larger entity||4035||||0||||||||||||||||||||||Schools ; Arts ; |Schools|Arts||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|3/21/2005 0:00:00||Hav||0||||||||||||||||||||||||0|||||Completion dates|||||||0|0|School of Plastic Arts|Porro, Ricardo 3534.00|0|Category|15|35|B275-PH|1970|1|35 B275-PH 1970 1|Unfolding of the Body Situation, Belo Horizonte|Translated|Image Source (Book)|Situaçao…T/T1, Belo Horizonte|Published|Image Source (Book)||||Unfolding of the Body Situation, Belo Horizonte|30523|Barrio, Artur Alípio||conceptual artist|Artur Alípio Barrio|0||||0|||||Brazilian||||||||Brazil||||||0||||0||||0||||0|Photographs|Slide (photograph)||||20|||1970|1970||April 19-20, 1970|1970-1970|||||0||||0|||||Slides and projector|projections|||||photography|||||||9459|Rio de Janiero: Collection of the artist|Rio: Coll. of artist||||||||||||Cornell||MNW|MNW|3/22/2005 0:00:00|3/21/2005 0:00:00|B275|||0|||||||35|PH||||||1970| ||||||||Work|0|Photography|Strategic placement of blood-stained rags (Trouxa ensanguentadas) in a park to provoke public reaction before Police arrive. Ramírez, Inverted Utopia.|||Took place April 19-20, 1970.|||||||0|0|Unfolding of the Body Situation, Belo Horizonte;Situaçao…T/T1, Belo Horizonte|Barrio, Artur Alípio 3535.00|0||||||||School of Modern Dance|Assigned|Image Source (Book)|||||||School of Modern Dance|9386|Porro, Ricardo||architect|Ricardo Porro|0||||0|||||Cuban|||Modern|||||Cuba||||||0|Havana, Cuba|||10267||||0||||0|Architecture|School||||20|||1961|1965||1961-1965|1961-1965||School of Plastic Arts|Sibling||3533||||0||||||||||||||||||||||Schools ; Arts ; |Schools|Arts||||||||Cornell||JNK|JNK|6/9/2005 0:00:00|3/21/2005 0:00:00||Hav||0||||||||||||||||||||||||0|||||Completion dates.|||||||0|0|School of Modern Dance|Porro, Ricardo 3536.00|0||||||||Meeting House|Assigned|Image Source (Book)|||||||Salk Institute for Biological Studies. Meeting House|6097|Kahn, Louis Isidore||architect|Louis Isidore Kahn|0||||0|||||American||||||||United States||||||0|La Jolla (San Diego), CA|||10180||||0||||0|Architecture|Institute|Research institutes|||20|||1959|1965||1959-1965|1959-1965||Salk Institute for Biological Studies|Larger entity||1860||||0||||||||||||||||||||||Research buildings ; |Research buildings|||||||||Cornell||JNK|MNW|4/22/2005 0:00:00|3/21/2005 0:00:00||LaJol||0||||||||||||||||||||||||0||||||||||||0|0|Meeting House|Kahn, Louis Isidore 3537.00|0|Creator|15|35|O393-SC|1965|1|35 O393-SC 1965 1|Glass Bólide 5, Tribute to Mondrian|Translated|Image Source (Book)|Bólide vidro 5, homenagem a Mondrian|Published|Image Source (Book)||||Glass Bólide 5, Tribute to Mondrian|8679|Oiticica, Hélio||painter|Hélio Oiticica|0||||0|||||Brazilian||||||||||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1965|1965||1965|1965-1965|||||0||||0|||||Glass container with pigmented water|glass|water|cloth|||sculpture|assemblage (sculpture technique)||||30 x 38 - 44 cm diameter||3541|Rio de Janeiro: Projeto Helio Oiticica|Rio: Projeto Helio Oiticica||||||||||||Cornell||MNW|JNK|3/23/2005 0:00:00|3/21/2005 0:00:00|O393|||0|||||||35|SC||||||1965| ||||||||Work|0|Sculpture|||||||||||0|0|Glass Bólide 5, Tribute to Mondrian;Bólide vidro 5, homenagem a Mondrian|Oiticica, Hélio 3538.00|0||||||||Hurva Synagogue, First Proposal|Assigned|Image Source (Book)|||||||Hurva Synagogue, First Proposal|6097|Kahn, Louis Isidore||architect|Louis Isidore Kahn|0||||0|||||Jewish||||||||Israel||||||0|Jerusalem, Israel|||9999||||0||||0|Architecture|Synagogue||||20|||1967|1968||1967-1968|1967-1968|||||0||||0||||||||||||||||||||||Synagogues ; |Synagogues|||||||||Cornell||JNK|MNW|4/22/2005 0:00:00|3/21/2005 0:00:00||Jer||0||||||||||||||||||||||||0||||||||||||0|0|Hurva Synagogue, First Proposal|Kahn, Louis Isidore 3539.00|0|Architect|02|MA-|Niemeyer|2.44 1957-60 AlvPal||MA- Niemeyer 2.44 1957-60 AlvPal |Alvorada Palace|Assigned|Image Source (Book)|Palace of the Dawn|Variant|Image Source (Book)|Palácio da Alvorada|Original|Dict.Art|Alvorada Palace (Palace of the Dawn)|8539|Niemeyer, Oscar||architect|Oscar Niemeyer|0||||0|||||Brazilian|||Modern|International Style||||Brazil||||||0|Brasília, Brazil|||10371||||0||||0|Architecture|Palace||||20|||1956|1958||1956-1958|1956-1958||Brasilia Master Plan|||6452||||0||||||||||||||||||||||Palaces ; Dwellings ; |Palaces|Dwellings||||||||Cornell||JNK|GB|11/20/2006 0:00:00|3/21/2005 0:00:00|Niemeyer|||0||||||1957-60 AlvPal|MA||||||2.44||||||||||Work|0|Modern Architecture-|This is the presidential residence.||||||||||0|0|Alvorada Palace;Palace of the Dawn;Palácio da Alvorada|Niemeyer, Oscar 3540.00|0|Architect|03|MA-Niemeyer|2.41|1959-60 Cong||MA-Niemeyer 2.41 1959-60 Cong |National Congress Complex|Assigned|Image Source (Book)|||||||National Congress Complex|8539|Niemeyer, Oscar||architect|Oscar Niemeyer|0||||0|||||Brazilian|||Modern|International Style||||Brazil||||||0|Brasília, Brazil|||10371||||0||||0|Architecture|Government office building|Office building|Capitol||20|||1958|1960||1958-1960|1958-1960||Brasilia Master Plan|||6452||||0||||||||||||||||||||||Government office buildings ; Office buildings ; Capitols ; |Government office buildings|Office buildings|Capitols|||||||Cornell||JNK|GB|11/20/2006 0:00:00|3/21/2005 0:00:00|Niemeyer|||0||||||Cong|MA||||||2.41|1959-60|||||||||Work|0|Modern Architecture|||||||||||0|0|National Congress Complex|Niemeyer, Oscar 3541.00|0|Architect|02|MA-|Niemeyer|2.41 1959-60 Cong||MA- Niemeyer 2.41 1959-60 Cong |Senate and Chamber of Deputies|Assigned|Image Source (Book)|||||||National Congress Complex. Senate and Chamber of Deputies|8539|Niemeyer, Oscar||architect|Oscar Niemeyer|0||||0|||||Brazilian|||Modern|International Style||||Brazil||||||0|Brasília, Brazil|||10371||||0||||0|Architecture|Office building|Government office building|Capitol||20|||1958|1960||1958-1960|1958-1960||National Congress Complex|Larger entity||3540||||0||||||||||||||||||||||Government office buildings ; Office buildings ; Capitols ; |Government office buildings|Office buildings|Capitols|||||||Cornell||JNK|MNW|5/25/2006 0:00:00|3/21/2005 0:00:00|Niemeyer|||0||||||1959-60 Cong|MA||||||2.41||||||||||Work|0|Modern Architecture-|||||||||||0|0|Senate and Chamber of Deputies|Niemeyer, Oscar 3542.00|0|Architect|02|MA-|Niemeyer|3.1 1971 Cath/Bras||MA- Niemeyer 3.1 1971 Cath/Bras |Metropolitan Cathedral|Assigned|Image Source (Book)|||||||Metropolitan Cathedral|8539|Niemeyer, Oscar||architect|Oscar Niemeyer|0||||0|||||Brazilian|||Modern|International Style||||Brazil||||||0|Brasília, Brazil|||10371||||0||||0|Architecture|Cathedral|Church|||20|||1959|1970||1959-1970|1959-1970||Brasilia Master Plan|||6452||||0||||||||||||||||||||||Cathedrals ; Churches ; |Cathedrals|Churches||||||||Cornell||JNK|GB|11/20/2006 0:00:00|3/21/2005 0:00:00|Niemeyer|||0||||||1971 Cath/Bras|MA||||||3.1||||||||||Work|0|Modern Architecture-|||||||||||0|0|Metropolitan Cathedral|Niemeyer, Oscar 3543.00|0|Architect|02|MA-|Niemeyer|2.22 1957 NatTh||MA- Niemeyer 2.22 1957 NatTh |National Theatre|Assigned|Image Source (Book)|||||||National Theatre|8539|Niemeyer, Oscar||architect|Oscar Niemeyer|0||||0|||||Brazilian|||Modern|International Style||||Brazil||||||0|Brasília, Brazil|||10371||||0||||0|Architecture|Theater||||20|||1958|1981||1958-1981|1958-1981||Brasilia Master Plan|||6452||||0||||||||||||||||||||||Theaters ; |Theaters|||||||||Cornell||JNK|GB|11/21/2006 0:00:00|3/21/2005 0:00:00|Niemeyer|||0||||||1957 NatTh|MA||||||2.22||||||||||Work|0|Modern Architecture-|||||||||||0|0|National Theatre|Niemeyer, Oscar 3544.00|0||||||||Franklin Court|Assigned|Image Source (Book)|||||||Franklin Court|29228|Venturi and Rauch||architectural firm|Venturi and Rauch (Robert Venturi)|12233|Venturi, Robert||architect|0|||||American|||Postmodern|||||United States||||||0|Philadelphia, PA|||10070||||0||||0|Architecture|Monument|Sculpture|||20|||1972|1976||1972-1976|1972-1976|||||0||||0||||||||||||||||||||||Houses ; Memorials ; Sculpture (visual work) ; Monuments ; |Houses|Memorials|Sculpture (visual work)|Monuments||||||Cornell||JNK|MNW|11/2/2005 0:00:00|3/21/2005 0:00:00||Phi||0||||||||||||||||||||||||0||||||||||||0|0|Franklin Court|Venturi and Rauch;Venturi, Robert 3545.00|0||||||||William and Mary Bureau|Assigned|Image Source (Book)|||||||William and Mary Bureau|12233|Venturi, Robert||designer|Robert Venturi|0||||0|||||American|||Postmodern|||||United States||||||0||||0||||0||||0|Furnishings|Furniture|Chest|||20|||1984|1984||1984|1984-1984|||||0||||0|||||Painted plywood, gilded brass, and plastic|plywood|brass|plastic|||furniture making|||||102.9 x 76.2 x 52.1 cm||3290|Private Collection|: Private Coll.||Furniture ; Chests ; |Furniture|Chests||||||||Cornell||JNK|MNW|4/20/2005 0:00:00|3/21/2005 0:00:00||||0||||||||||||||| |||||||||0||Made by Renzo Brugola, Lissone, Italy for the XVII International Triennale, Milan.||||||||||0|0|William and Mary Bureau|Venturi, Robert 3546.00|0||||||||Robert Venturi and Denise Scott Brown in Las Vegas|Descriptive|Image Source (Book)|||||||Robert Venturi and Denise Scott Brown in Las Vegas|0|||||0||||0|||||American|||Postmodern|||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1966|1966||1966|1966-1966|||||0||||0|||||Color photograph||||||color photography|||||||||||Venturi, Robert, 1925- ; Scott Brown, Denise, 1931- ; Automobiles ; Las Vegas, Nevada ; |Venturi, Robert, 1925-|Scott Brown, Denise, 1931-|Automobiles|Las Vegas, Nevada||||||Cornell||JNK|JNK|3/21/2005 0:00:00|3/21/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Robert Venturi and Denise Scott Brown in Las Vegas| 3547.00|0|Creator|02|MA-LeCorb|1.04|1952-65|Chan|MA-LeCorb 1.04 1952-65 Chan|Plan of Chandigarh|Descriptive|Cataloger|||||||Plan of Chandigarh|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||Indian||||||||India||||||0||||||||0||||0|Architecture|City planning|Capital|||20|||1952|1965||1952-1965|1952-1965|||||0||||0||||||||||||||||||||||Urban planning ; Chandigarh, India ; |Urban planning|Chandigarh, India||||||||Cornell||JNK|MNW|4/28/2005 0:00:00|3/22/2005 0:00:00|LeCorb|||0|||||||MA||||||1.04|1952-65|||||||||Work|0|Architecture|||||||||||0|0|Plan of Chandigarh|Le Corbusier 3548.00|0|Creator|02||||||Atlas [of Chandigarh]|||||||||Atlas [of Chandigarh]|30525|Purnami, Chetna||draftsman|Chetna Purnami (drwg); Bahrat Petroleum (publ.)|6857|Le Corbusier||architect|30565|Bahrat Petroleum Corporation||publisher||Indian||||||||India||||||0||||||||0||||0|Architecture|City planning|Capital|||20|||1980|1980||1980|1980-1980|||||0||||0||||||||||||||||||||||Maps ; Cities ; Chandigarh, India ; |Maps|Cities|Chandigarh, India|||||||Cornell||JNK|MNW|4/28/2005 0:00:00|3/22/2005 0:00:00||||0|||||||||||||||||||||||Work|0|Architecture|Published by Bahrat Petroleum Corp.||||||||||0|0|Atlas [of Chandigarh]|Purnami, Chetna;Le Corbusier;Bahrat Petroleum Corporation 3549.00|0|Creator|02|MA-LeCorb|1.04|1952-65|ChanAtlas 1-|MA-LeCorb 1.04 1952-65 ChanAtlas 1-|Plan: sector one|Assigned|Image Source (Book)|||||||Atlas [of Chandigarh]. Plan: sector one|30525|Purnami, Chetna||draftsman|LeCorbusier|6857|Le Corbusier||architect|0|||||Indian||||||||India||||||0|Chandigarh, India|||10048||||0||||0|Architecture|City planning|Capital|||20|||1980|1980||1980|1980-1980||Atlas [of Chandigarh]|Larger entity||3548||||0||||||ink|paper||||drawing (image-making)|||||||||||Maps ; Plans (drawings) ; Cities ; |Maps|Plans (drawings)|Cities|||||||Cornell||JNK|MNW|4/28/2005 0:00:00|3/22/2005 0:00:00||Chan||0||||||ChanAtlas|MA||||||1.04|1952-65|||||||||Work|0|Architecture|Published by Bahrat Petroleum Corp.||||||||||0|0|Plan: sector one|Purnami, Chetna;Le Corbusier 3550.00|0|Creator|02||||||Félix Candela in Mexico Working on a Maquette|Assigned|Image Source (Book)|||||||Félix Candela in Mexico Working on a Maquette||||||0||||0|||||Spanish|Mexican||Modern|||||Mexico||||||0||||||||0||||0|Photographs|Documentary photograph|Photographic print|||20|||1939|1939|aft|aft 1939|aft 1939-1939|||||0||||0|||||Black and white photograph||||||photography|||||||||||Portraits ; Candela, Félix, 1910-1998 ; |Portraits|Candela, Félix, 1910-1998||||||||Cornell||JNK|MNW|4/22/2005 0:00:00|3/22/2005 0:00:00||||0|||||||||||||||||||||||Work|0|Architecture|||||||||||0|0|Félix Candela in Mexico Working on a Maquette| 3551.00|0|Creator|02|MA-LeCorb|2.41|1952-65|Chan/OH|MA-LeCorb 2.41 1952-65 Chan/OH|Open Hand Monument|Descriptive|Image Source (Pub)|||||||Capitol Complex. Open Hand Monument|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||Indian||||||||India||||||0|Chandigarh, India|||10048||||0||||0|Architecture|Monument||||20|||1952|1965||1952-1965|1952-1965||Capitol Complex|Larger entity||3550||||0||||||||||||||||||||||Monuments ; |Monuments|||||||||Cornell||JNK|MNW|4/28/2005 0:00:00|3/22/2005 0:00:00|LeCorb|Chan||0||||||Chan/OH|MA||||||2.41|1952-65|||||||||Work|0|Architecture|||||||||||0|0|Open Hand Monument|Le Corbusier 3552.00|0|Creator|02||||||Experimental School|Assigned|Image Source (Book)|||||||Experimental School|1967|Candela, Félix||architect|Félix Candela|0||||0|||||Mexican||||||||Mexico||||||0|Ciudad Victoria, Mexico|||10374||||0||||0|Architecture|Government office building|Capital|||20|||1949|1950||1949-1950|1949-1950|||||0||||0||||||||||||||||||||||Schools ; |Schools|||||||||Cornell||JNK|MNW|4/22/2005 0:00:00|3/22/2005 0:00:00||||0|||||||||||||||||||||||Work|0|Architecture|||||||||||0|0|Experimental School|Candela, Félix 3553.00|0||||||||Customs Warehouse|Translated|Cataloger|Almacenes para la Aduana de México||||||Customs (Las Aduanas) Warehouse|1967|Candela, Félix||architect|Félix Candela|0||||0|||||Mexican|||Modern|||||Mexico||||||0|Mexico City, Mexico|||9989||||0||||0|Architecture|Warehouse||||20|||1952|1953||1952-1953|1952-1953|||||0||||0||||||||||||||||||||||Warehouses ; |Warehouses|||||||||Cornell||JNK|MNW|4/22/2005 0:00:00|3/22/2005 0:00:00||Mex||0||||||||||||||||||||||||0||These warehouses were created for Mexican customs in the Colonia Vallejo neighborhood of the District Federale, Mexico City, Mexico.||||||||||0|0|Customs Warehouse;Almacenes para la Aduana de México|Candela, Félix 3554.00|0||||||||Hernáiz Warehouses|Translated|Cataloger|Almacenes Hernáiz|Assigned|Image Source (Book)||||Hernáiz Warehouses|1967|Candela, Félix||architect|Félix Candela|0||||0|||||Mexican|||Modern|||||Mexico||||||0|Mexico City, Mexico|||9989||||0||||0|Architecture|Warehouse||||20|||1955|1956||1955-1956|1955-1956|||||0||||0||||||||||||||||||||||Warehouses ; |Warehouses|||||||||Cornell||JNK|JNK|3/22/2005 0:00:00|3/22/2005 0:00:00||Mex||0||||||||||||||||||||||||0||||||||||||0|0|Hernáiz Warehouses;Almacenes Hernáiz|Candela, Félix 3555.00|0|Architect|03|MA-Candela|3.1|1958-9 LomCh||MA-Candela 3.1 1958-9 LomCh |Open Chapel|Translated|Cataloger|Capilla abierta|Assigned|Image Source (Book)||||Open Chapel|1967|Candela, Félix||architect|Félix Candela & Guillermo Rossell|30528|Rossell, Guillermo||architect|0|||||Mexican|||Modern|||||Mexico||||||0|Lomas de Cuernavaca, Mexico|||10376||||0||||0|Architecture|Chapel||||20|||1958|1959||1958-1959|1958-1959|||||0||||0||||||||||||||||||||||Chapels ; |Chapels|||||||||Cornell||JNK|MNW|10/23/2006 0:00:00|3/22/2005 0:00:00|Candela|||0||||||LomCh|MA||||||3.1|1958-9|||||||||Building|0|Modern Architecture|||||||||||0|0|Open Chapel;Capilla abierta|Candela, Félix;Rossell, Guillermo 3556.00|0||||||||La Jacaranda Night Club|Published|Contemporary Arch|Night Club La Jacaranda|Assigned|Image Source (Book)||||La Jacaranda Night Club|1967|Candela, Félix||architect|Félix Candela & Juan Sordo Madaleno|30529|Sordo Madaleno, Juan|||0|||||Mexican|||Modern|||||Mexico||||||0|Acapulco de Juárez, Mexico|||10377||||0||||0|Architecture|Bars (Commercial buildings)||||20|||1957|1957||1957|1957-1957|||||0||||0||||||||||||||||||||||Bars (commercial buildings) ; Nightclubs ; |Bars (commercial buildings)|Nightclubs||||||||Cornell||JNK|MNW|4/22/2005 0:00:00|3/22/2005 0:00:00||||0||||||||||||||||||||||||0||Located in the Hotel Presidente.||||||||||0|0|La Jacaranda Night Club;Night Club La Jacaranda|Candela, Félix;Sordo Madaleno, Juan 3557.00|0||||||||Los Manatiales Restaurant|Translated|Cataloger|Restaurante Los Manantiales|Assigned|Image Source (Book)||||Los Manatiales Restaurant|1968|Candela, Felix||architect|Candela & Ordonez|8734|Ordonez, J. A.||archaeologist|0|||||Mexican|||Modern|||||Mexico||||||0|Mexico City, Mexico|||9989||||0||||0|Architecture|Restaurant||||20|||1957|1958||1957-1958|1957-1958|||||0||||0||||||||||||||||||||||Restaurants ; |Restaurants|||||||||Cornell||JNK|MNW|4/22/2005 0:00:00|3/22/2005 0:00:00||Mex||0||||||||||||||||||||||||0||The Los Manatiales Restaurant is located in the Xochimilco neighborhood of the Mexico Federal District (Mexico City).||||||||||0|0|Los Manatiales Restaurant;Restaurante Los Manantiales|Candela, Felix;Ordonez, J. A. 3558.00|0||||||||Bacardí Bottling Plant|Translated|Cataloger|Planta embotelladora Bacardí||||||Bacardí Bottling Plant|1967|Candela, Félix||architect|Félix Candela|0||||0|||||Mexican|||Modern|||||Mexico||||||0|Cuautitlán de Romero, Mexico|||10378||||0||||0|Architecture|Industrial building||||20|||1960|1960||1960|1960-1960|||||0||||0||||||||||||||||||||||Industrial buildings ; |Industrial buildings|||||||||Cornell||JNK|MNW|4/22/2005 0:00:00|3/22/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Bacardí Bottling Plant;Planta embotelladora Bacardí|Candela, Félix 3559.00|0||||||||Farm Work. Rural Electrification Administration|Assigned|Image Source (Book)|||||||Farm Work. Rural Electrification Administration|30530|Beall, Lester||graphic designer|Lester Beall|0||||0|||||American|||New Deal|||||United States||||||0||||0||||0||||0|Posters|Poster|Graphic arts|||20|||1937|1937||1937|1937-1937|||||0||||0|||||Silkscreen|ink|paper||||screen printing|||||100.4 x 76.7 cm||9436|Miami Beach, FL: Wolfsonian Foundation|Miami Beach, FL: Wolfsonian||Power plants ; |Power plants|||||||||Cornell||JNK|MNW|4/19/2005 0:00:00|3/22/2005 0:00:00||||0||TD1991.174.1||||||||||||| |||||||||0||||||||||||0|0|Farm Work. Rural Electrification Administration|Beall, Lester 3560.00|0||||||||Study for the Washington, NJ Post Office Mural Compeition|Assigned|Image Source (Book)|||||||Study for the Washington, NJ Post Office Mural Compeition|30531|Shapiro, Frank||painter|Frank Shapiro|0||||0|||||American|||New Deal|||||United States||||||0||||0||||0||||0|Paintings|Painting|Gouache|||20|||1935|1935|ca|ca 1935|ca 1935-1935|||||0||||0|||||Temera, gouache on fiberboard|tempera|gouache|fiberboard|||painting (image-making)|||||51.4 x 190.5 cm||9436|Miami Beach, FL: Wolfsonian Foundation|Miami Beach, FL: Wolfsonian||Families ; Chess ; Science ; |Families|Chess|Science|||||||Cornell||JNK|MNW|4/19/2005 0:00:00|3/22/2005 0:00:00||||0||84.5.104.2||||||||||||| |||||||||0||||||||||||0|0|Study for the Washington, NJ Post Office Mural Compeition|Shapiro, Frank 3561.00|0|Architect|02|MA-|Saarinen|2.131 1956-62 TWA|||Trans World Airlines Terminal|Assigned|Macmillan|TWA Terminal|Variant|Image Source (Book)||||Trans World Airlines Terminal|10248|Saarinen, Eero||architect|Eero Saarinen|0||||0|||||American|||Modern|||||United States||||||0|J.F.K. International Airport, New York, NY|||10379||||0||||0|Architecture|Airport|Terminals|||20|||1957|1962||1957-1962|1957-1962|||||0||||0||||||||||||||||||||||Airports ; |Airports|||||||||Cornell||JNK|JNK|8/2/2006 0:00:00|3/23/2005 0:00:00|Saarinen|||0||||||1956-62 TWA|MA||||||2.131||||||||||Building|0|Modern Architecture-|||||||||||0|0|Trans World Airlines Terminal;TWA Terminal|Saarinen, Eero 3562.00|0||||||||TWA Terminal with Signage from South|Descriptive|Image Source (Book)|||||||TWA Terminal with Signage from South|30533|Stoller, Ezra||photographer|Ezra Stoller|0||||0|||||American|||Modern|||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1962|1962||1962|1962-1962|||||0||||0|||||Black and white photograph||||||photography|||||||||||Airports ; Trans World Airlines Terminal (New York, N.Y.) ; |Airports|Trans World Airlines Terminal (New York, N.Y.)||||||||Cornell||JNK|MNW|4/19/2005 0:00:00|3/23/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|TWA Terminal with Signage from South|Stoller, Ezra 3563.00|0||||||||Lounge Space Below Skylight of the TWA Terminal|Descriptive|Image Source (Book)|||||||Lounge Space Below Skylight of the TWA Terminal|30533|Stoller, Ezra||photographer|Ezra Stoller|0||||0|||||American|||Modern|||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1962|1962||1962|1962-1962|||||0||||0|||||Black and white photograph||||||photography|||||||||||Airports ; Trans World Airlines Terminal (New York, N.Y.) ; |Airports|Trans World Airlines Terminal (New York, N.Y.)||||||||Cornell||JNK|MNW|4/19/2005 0:00:00|3/23/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Lounge Space Below Skylight of the TWA Terminal|Stoller, Ezra 3564.00|0||||||||Main Lobby and Lounge Pit from the Gallery of the TWA Terminal|Descriptive|Image Source (Book)|||||||Main Lobby and Lounge Pit from the Gallery of the TWA Terminal|30533|Stoller, Ezra||photographer|Ezra Stoller|0||||0|||||American|||Modern|||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1962|1962||1962|1962-1962|||||0||||0|||||Black and white photograph||||||photography|||||||||||Airports ; Trans World Airlines Terminal (New York, N.Y.) ; |Airports|Trans World Airlines Terminal (New York, N.Y.)||||||||Cornell||JNK|MNW|4/19/2005 0:00:00|3/23/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Main Lobby and Lounge Pit from the Gallery of the TWA Terminal|Stoller, Ezra 3565.00|0||||||||Lounge Pit from the Gallery Bridge of the TWA Terminal|Descriptive|Image Source (Book)|||||||Lounge Pit from the Gallery Bridge of the TWA Terminal|30533|Stoller, Ezra||photographer|Ezra Stoller|0||||0|||||American|||Modern|||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1962|1962||1962|1962-1962|||||0||||0|||||Black and white photograph||||||photography|||||||||||Airports ; Trans World Airlines Terminal (New York, N.Y.) ; |Airports|Trans World Airlines Terminal (New York, N.Y.)||||||||Cornell||JNK|MNW|4/19/2005 0:00:00|3/23/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Lounge Pit from the Gallery Bridge of the TWA Terminal|Stoller, Ezra 3566.00|0||||||||TWA Terminal with TWA Jet Airplane|Descriptive|Image Source (Book)|||||||TWA Terminal with TWA Jet Airplane|30533|Stoller, Ezra||photographer|Ezra Stoller|0||||0|||||American|||Modern|||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1962|1962||1962|1962-1962|||||0||||0|||||Black and white photograph||||||photography|||||||||||Airports ; Trans World Airlines Terminal (New York, N.Y.) ; Airplanes ; |Airports|Trans World Airlines Terminal (New York, N.Y.)|Airplanes|||||||Cornell||JNK|MNW|4/19/2005 0:00:00|3/23/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|TWA Terminal with TWA Jet Airplane|Stoller, Ezra 3567.00|0||||||||Womb Chair|Assigned|Image Source (Book)|||||||Womb Chair|10248|Saarinen, Eero||architect|Eero Saarinen|30050|Knoll International||manufacturer|0|||||American|||Modern|||||United States||||||0||||0||||0||||0|Furnishings|Chair||||20|||1948|1948||1948|1948-1948|||||0||||0|||||Molded plastic and foam rubber|foam rubber|plastics|||||||||||3384|New York: Museum of Modern Art|New York: MoMA||Chairs ; Furniture ; |Chairs|Furniture||||||||Cornell||JNK|MNW|8/18/2005 0:00:00|3/25/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Womb Chair|Saarinen, Eero;Knoll International 3568.00|0|Architect|02|MA-|Saarinen|2.131 1958-62 Dul||MA- Saarinen 2.131 1958-62 Dul |Dulles International Airport|Assigned|Image Source (Book)|||||||Dulles International Airport|10248|Saarinen, Eero||architect|Eero Saarinen|0||||0|||||American|||Modern|||||United States||||||0|Chantilly, VA|||10380||||0||||0|Architecture|Airport||||20|||1958|1962||1958-1962|1958-1962|||||0||||0||||||||||||||||||||||Airports ; |Airports|||||||||Cornell||JNK|JNK|8/2/2006 0:00:00|3/25/2005 0:00:00|Saarinen|||0||||||1958-62 Dul|MA||||||2.131||||||||||Building|0|Modern Architecture-|||||||||||0|0|Dulles International Airport|Saarinen, Eero 3569.00|0||||||||Mobile Lounge|Assigned|Image Source (Book)|||||||Dulles International Airport. Mobile Lounge|10248|Saarinen, Eero||designer|Eero Saarinen|0||||0|||||American|||Modern|||||United States||||||0|Chantilly, Virginia|||10380||||0||||0|Transportation|Automobile||||20|||1958|1962||1958-1962|1958-1962||Dulles International Airport|Larger entity||3568||||0||||||||||||||||||||||Dulles International Airport, Chantilly, Virginia ; Mobile lounges ; |Dulles International Airport, Chantilly, Virginia|Mobile lounges||||||||Cornell||JNK|MNW|4/19/2005 0:00:00|3/25/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Mobile Lounge|Saarinen, Eero 3570.00|0|Architect|02|MA-|Saarinen|1.32 1949-64 Jef||MA- Saarinen 1.32 1949-64 Jef |Jefferson National Expansion Memorial|Assigned|LC NAF|Gateway Arch|Variant|Dict.ArtO||||Jefferson National Expansion Memorial|10248|Saarinen, Eero||architect|Eero Saarinen|0||||0|||||American|||Modern|||||United States||||||0|Saint Louis, MO|||10092||||0||||0|Architecture|Memorial|Monument|||20|||1961|1966||1961-1966|1961-1966|||||0||||0||||||||||||||||||||||Memorials ; Monuments ; |Memorials|Monuments||||||||Cornell||JNK|JNK|8/3/2006 0:00:00|3/25/2005 0:00:00|Saarinen|||0||||||1949-64 Jef|MA||||||1.32||||||||||Building|0|Modern Architecture-|||||||||||0|0|Jefferson National Expansion Memorial;Gateway Arch|Saarinen, Eero 3571.00|0||||||||Atlántida Church|Assigned|Image Source (Book)|Church of Christ the Worker|Variant|Image Source (Book)||||Atlántida Church (Church of Christ the Worker)|30542|Dieste, Eladio||architect|Eladio Dieste|0||||0|||||Uruguayan|||Modern|||||Uruguay||||||0|Atlántida, Uruguay|||10381||||0||||0|Architecture|Church||||20|||1957|1960||1957-1960|1957-1960|||||0||||0||||||||||||||||||||||Churches ; |Churches|||||||||Cornell||JNK|MNW|4/18/2005 0:00:00|3/25/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Atlántida Church;Church of Christ the Worker|Dieste, Eladio 3572.00|0||||||||Montevideo Shopping Center|Assigned|Image Source (Book)|||||||Montevideo Shopping Center|30542|Dieste, Eladio||engineer|Eladio Dieste (Gomez Platero, Lopez Rey)|30560|Gómez Platero, Guillermo||architect|30561|Cohe, Enrique||associated architect||Uruguayan|||Modern|||||Uruguay||||||0|Montevideo, Uruguay|||10382||||0||||0|Architecture|Shopping Arcade||||20|||1984|1988||1984-1988|1984-1988|||||0||||0||||||||||||||||||||||Shopping centers ; |Shopping centers|||||||||Cornell||JNK|MNW|4/18/2005 0:00:00|3/25/2005 0:00:00||||0||||||||||||||||||||||||0|||||1984-1985; 1988. Built in two stages; the addition is dated 1988.|||||||0|0|Montevideo Shopping Center|Dieste, Eladio;Gómez Platero, Guillermo;Cohe, Enrique 3573.00|0||||||||Agroindustrias Massaro|Assigned|Image Source (Book)|||||||Agroindustrias Massaro|30542|Dieste, Eladio||engineer|Eladio Dieste|0||||0|||||Uruguayan|||Modern|||||Uruguay||||||0|Montevideo, Uruguay|||10382||||0||||0|Architecture|Agricultural building|Industrial building|||20|||1955|1955||1955|1955-1955|||||0||||0||||||||||||||||||||||Industrial buildings ; Agricultural buildings ; |Industrial buildings|Agricultural buildings||||||||Cornell||JNK|JNK|3/25/2005 0:00:00|3/25/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Agroindustrias Massaro|Dieste, Eladio 3574.00|0||||||||Frugoni Warehouse|Assigned|Image Source (Book)|Julio César Lestido, S.A.|Variant|Print Publication||||Frugoni Warehouse|30542|Dieste, Eladio||engineer|Eladio Dieste|0||||0|||||Uruguayan|||Modern|||||Uruguay||||||0|Montevideo, Uruguay|||10382||||0||||0|Architecture|Warehouse||||20|||1955|1955||1955|1955-1955|||||0||||0||||||||||||||||||||||Warehouses ; |Warehouses|||||||||Cornell||JNK|MNW|4/18/2005 0:00:00|3/25/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Frugoni Warehouse;Julio César Lestido, S.A.|Dieste, Eladio 3575.00|0||||||||Eladio Dieste on a Worksite|Descriptive|Image Source (Book)|||||||Eladio Dieste on a Worksite|0|||||0||||0|||||Uruguayan|||Modern|||||Uruguay||||||0||||0||||0||||0|Photographs|Documentary photograph|Portrait|||20||||||||||||0||||0|||||Black and white photograph||||||photography|||||||||||Portraits ; Dieste, Eladio, 1917-2000 ; Building site ; |Portraits|Dieste, Eladio, 1917-2000|Building site|||||||Cornell||JNK|MNW|4/18/2005 0:00:00|3/25/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Eladio Dieste on a Worksite| 3576.00|0||||||||Dirigible Hangar|Descriptive|Image Source (Book)|||||||Dirigible Hangar|4153|Freyssinet, Eugène||engineer|Eugène Freyssinet|0||||0|||||French|||Modern|||||France||||||0|Orly, France|||10383||||0||||0|Architecture|Hangar||||20|||1921|1923||1921-1923|1921-1923|||||0||||0||||||||||||||||||||||Hangars ; |Hangars|||||||||Cornell||JNK|MNW|4/18/2005 0:00:00|3/28/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Dirigible Hangar|Freyssinet, Eugène 3577.00|0|Creator|15|32|W8988-PA|1848|2|32 W8988-PA 1848 2|War News From Mexico|Assigned|Image Source (Book)|||||||War News From Mexico|12919|Woodville, Richard Caton, I||painter|Richard Caton Woodville, I|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Paintings|Oil painting||||19|||1848|1848||1848|1848-1848|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||68.6 x 62.9 cm||3367|Washington, DC: National Gallery of Art|Wash, DC: National Gallery||Newspapers ; Mexican War, 1846-1848 ; Wars ; |Newspapers|Mexican War, 1846-1848|Wars|||||||Cornell||MNW|JNK|1/6/2006 0:00:00|3/28/2005 0:00:00|W8988|||0|||||||32|PA||||||1848| ||||||||Work|0||This painting was exhibited at the American Art Union in 1849 and distributed as a folio engraving by Alfred Jones (1819–1900) in 1851 to 14,000 subscribers.||||On loan from the Manoogian Foundation.||||||0|0|War News From Mexico|Woodville, Richard Caton, I 3578.00|0|Creator|15|32|J760-G|1853|1|32 J760-G 1853 1|Mexican News|Assigned|Image Source (Book)|||||||Mexican News|30545|Jones, Alfred||engraver|Alfred Jones (after Richard Caton Woodville)|12919|Woodville, Richard Caton, I|after|painter|0|||||American||||||||United States||||||0||||0||||0||||0|Graphics|Engraving (Print)||||19|||1853|1853|ca|ca 1853|ca 1853-1853|||||0||||0|||||Engraving|paper|ink||||engraving (incising)|||||||3892|Washington, DC: Library of Congress|Wash, DC: Library of Congress||Wars ; Newspapers ; Mexican War, 1846-1848 ; |Wars|Newspapers|Mexican War, 1846-1848|||||||Cornell||MNW|JNK|3/29/2005 0:00:00|3/28/2005 0:00:00|J760|||0|||||||32|G||||||1853| ||||||||Work|0||||||In the Prints and Photographs Division.||||||0|0|Mexican News|Jones, Alfred;Woodville, Richard Caton, I 3579.00|0||||||||Geodesic Airplane Hangar|Descriptive|Image Source (Book)|||||||Geodesic Airplane Hangar|8462|Nervi, Pier Luigi||architect|Pier Luigi Nervi|0||||0|||||Italian|||Modern|||||Italy||||||0|Orvieto, Italy|||10312||||0||||0|Architecture|Hangar||||20|||1935|1936||1935-1936|1935-1936|||||0||||0||||||||||||||||||||||Hangars ; |Hangars|||||||||Cornell||JNK|MNW|4/18/2005 0:00:00|3/29/2005 0:00:00||Orv||0||||||||||||||||||||||||0||||||||||||0|0|Geodesic Airplane Hangar|Nervi, Pier Luigi 3580.00|0||||||||Church of San Juan de Ávila|Assigned|Image Source (Book)|||||||Church of San Juan de Ávila|30542|Dieste, Eladio||architect|Eladio Dieste, C. Clemente & J. de Dios de la Hoz|30546|Clemente San Román, Carlos||architect|30547|Hoz Martínez,Juan de Dios de la||architect||Spanish|||Postmodern|||||Spain||||||0|Alcalá de Heneres, Spain|||10384||||0||||0|Architecture|Church||||20|||1993|1998||1993-1998|1993-1998|||||0||||0||||||||||||||||||||||Churches ; |Churches|||||||||Cornell||JNK|JNK|3/29/2005 0:00:00|3/29/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Church of San Juan de Ávila|Dieste, Eladio;Clemente San Román, Carlos;Hoz Martínez,Juan de Dios de la 3581.00|0||||||||Church of San Pedro|Assigned|Image Source (Book)|||||||Church of San Pedro|30542|Dieste, Eladio||engineer|Eladio Dieste|0||||0|||||Uruguayan|||Post-1945|||||Uruguay||||||0|Durazno, Uruguay|||10385||||0||||0|Architecture|Church||||20|||1967|1971||1967-1971|1967-1971|||||0||||0||||||||||||||||||||||Churches ; |Churches|||||||||Cornell||JNK|JNK|3/29/2005 0:00:00|3/29/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Church of San Pedro|Dieste, Eladio 3582.00|0||||||||Solsire Salt Silo|Assigned|Image Source (Book)|||||||Solsire Salt Silo|30542|Dieste, Eladio||engineer|Eladio Dieste|0||||0|||||Uruguayan|||Postmodern|||||Uruguay||||||0|Montevideo, Uruguay|||10382||||0||||0|Architecture|Warehouse||||20|||1992|1994||1992-1994|1992-1994|||||0||||0||||||||||||||||||||||Warehouses ; |Warehouses|||||||||Cornell||JNK|MNW|4/19/2005 0:00:00|3/29/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Solsire Salt Silo|Dieste, Eladio 3583.00|0||||||||Cadyl Horizontal Silo|Assigned|Image Source (Book)|||||||Cadyl Horizontal Silo|30542|Dieste, Eladio||engineer|Eladio Dieste|0||||0|||||Uruguayan|||Post-1945|||||Uruguay||||||0|Young, Uruguay|||10386||||0||||0|Architecture|Warehouse|Silo (agricultural structure)|||20|||1976|1978||1976-1978|1976-1978|||||0||||0||||||||||||||||||||||Warehouses ; Silos (agricultural structures) ; |Warehouses|Silos (agricultural structures)||||||||Cornell||JNK|MNW|4/18/2005 0:00:00|3/29/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Cadyl Horizontal Silo|Dieste, Eladio 3584.00|0|Architect|03|MA-Niemeyer|7.5|1953 Nie||MA-Niemeyer 7.5 1953 Nie |Niemeyer House at Canoa|Assigned|Image Source (Pub)|||||||Niemeyer House at Canoa|8539|Niemeyer, Oscar||architect|Oscar Niemeyer|0||||0|||||Brazilian|||Modern|||||Brazil||||||0|Rio de Janeiro, Brazil|||10142||||0||||0|Architecture|House||||20|||1953|1954||1953-1954|1953-1954|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|JNK|8/24/2006 0:00:00|3/29/2005 0:00:00|Niemeyer|||0||||||Nie|MA||||||7.5|1953|||||||||Work|0|Modern Architecture|This is the architect's own house.||||||||||0|0|Niemeyer House at Canoa|Niemeyer, Oscar 3585.00|0||||||||Memorial da America Latina|Assigned|Image Source (Book)|Memorial of Latin America|Translated|Image Source (Book)||||Memorial da America Latina|8539|Niemeyer, Oscar||architect|Oscar Niemeyer|0||||0|||||Brazilian|||Modern|||||Brazil||||||0|São Paulo, Brazil|||10368||||0||||0|Architecture|Memorial||||20|||1987|1987||1987|1987-1987|||||0||||0||||||||||||||||||||||Memorials ; Libraries (Buildings) ; Restaurants ; Auditoriums ; |Memorials|Libraries (Buildings)|Restaurants|Auditoriums||||||Cornell||JNK|MNW|8/23/2006 0:00:00|3/29/2005 0:00:00||Sao||0|||||||||||||||||||||||Work|0|Modern Architecture-|||||||||||0|0|Memorial da America Latina;Memorial of Latin America|Niemeyer, Oscar 3586.00|0||||||||Library|Assigned|Image Source (Book)|||||||Memorial da America Latina. Library|8539|Niemeyer, Oscar||architect|Oscar Niemeyer|0||||0|||||Brazilian|||Modern|||||Brazil||||||0|São Paulo, Brazil|||10368||||0||||0|Architecture|Library||||20|||1987|1987||1987|1987-1987||Memorial da America Latina|Larger entity||3585||||0||||||||||||||||||||||Libraries (Buildings) ; |Libraries (Buildings)|||||||||Cornell||JNK|MNW|8/23/2006 0:00:00|3/29/2005 0:00:00||Sao||0|||||||||||||||||||||||Work|0|Modern Architecture-|||||||||||0|0|Library|Niemeyer, Oscar 3657.00|0|Creator|15||||||Coronation of the Virgin|Assigned|Image Source (Pub)|||||||Coronation of the Virgin|3689|Gentile di Fabriano, ||||0||||0|||||Italian|||Gothic (Medieval)|||||Italy||||||0||||0||||0||||0|Paintings|Painting||||15|||1415|1425|ca|ca 1420|ca 1415-1425|||||0||||0|||||Tempera over a layer of gold leaf, on cradled panel|tempera|gold|panel|||painting (image-making)|||||87.5 x 64 cm||3508|Los Angeles: J. Paul Getty Museum|Los Angeles: J. Paul Getty Mus.||Coronation of the Virgin ; God the Holy Spirit ; Christ ; Doves ; Crowns ; Virgin Mary ; |Coronation of the Virgin|God the Holy Spirit|Christ|Doves|Crowns|Virgin Mary||||Cornell||MNW|JNK|6/14/2006 0:00:00|4/26/2005 0:00:00|G337|||0||77.PB.92||||||||||||| ||||||||Work|0||Patron: Franciscan Friars, Fabriano. Originally one side of a double-sided processional standard, the other side of which showed Saint Francis Receiving the Stigmata.||||||||||0|0||Gentile di Fabriano, 3658.00|0|Creator|15|E-18.8|Botero F|1||E-18.8 Botero F 1 |La familia presidencial|Assigned|Repository|||||||La familia presidencial|1428|Botero, Fernando||painter|Fernando Botero|0||||0|||||Colombian|||Postmodern|||||Colombia||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1967|1967||1967|1967-1967|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||203.5 x 196.2 cm||3384|New York: Museum of Modern Art|New York: MoMA||Portraits ; Families ; |Portraits|Families||||||||Cornell||JNK|JNK|5/2/2005 0:00:00|5/2/2005 0:00:00|Botero F|||0|||||||E|||18.8||||| ||||||||Work|0||||||||||||0|0|La familia presidencial|Botero, Fernando 3659.00|0|Creator|15|32|S245-PA|1884|3|32 S245-PA 1884 3|Madame X (Madame Pierre Gautreau)|Assigned|Repository|||||||Madame X (Madame Pierre Gautreau)|10396|Sargent, John Singer||painter|John Singer Sargent|0||||0|||||American||||||||United States||||||0||||||||0||||0|Paintings|Oil painting|Portrait|||19|||1882|1884||1882-1884|1882-1884|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||209.5 x 110.5 cm||3294|New York: Metropolitan Museum of Art|New York: Metropolitan||Portraits ; Gautreau, Virginie Avegno, 1859-1915 ; |Portraits|Gautreau, Virginie Avegno, 1859-1915||||||||Cornell||JNK|JNK|4/17/2006 0:00:00|5/2/2005 0:00:00|S245|||0||16.53|||||32|PA||||||1884| ||||||||Work|0||||||||||||0|0|Madame X (Madame Pierre Gautreau)|Sargent, John Singer 3747.00|0|Creator|05||||||The Night View|Assigned|Image Source (Pub)|||||||The Night View|139|Abbott, Berenice|||Berenice Abbott|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1936|1936|ca|ca 1936|ca 1936-1936|||||0||||0|||||Black and white photograph||||||photography|||||||3828|New York: Museum of the City of New York|New York: Mus. of the City of NY||New York, NY ; Cities ; Night ; |New York, NY|Cities|Night|||||||Cornell||JNK|JNK|5/12/2005 0:00:00|5/12/2005 0:00:00|AbbottB|||0||||||||||||||| ||||||||Work|0||||||||||||0|0|The Night View|Abbott, Berenice 3748.00|0|Architect|02||| |||Ford Motor Company Pavilion|Assigned|Image Source (Pub)|Ford Building|Variant|Dict.Art||||New York World's Fair (1939-1940). Ford Motor Company Pavilion|6091|Kahn, Albert||architect|Albert Kahn & Walter Dorwin Teague|11654|Teague, Walter Dorwin||industrial designer|0|||||American||||||||United States||||||0||||0|New York, NY|||10060||||0|Architecture|Exhibit building||||20|||1938|1939||1938-1939|1938-1939||New York World's Fair (1939-1940)|Larger entity||3671||||0||||||||||||||||||||||Exhibition buildings ; New York World's Fair (1939-1940) ; Automobiles ; |Exhibition buildings|New York World's Fair (1939-1940)|Automobiles|||||||Cornell||JNK|MNW|11/2/2005 0:00:00|5/12/2005 0:00:00|||NYC|0|||||||||||||||||||||||Work|0||||||||||||0|0|Ford Motor Company Pavilion;Ford Building|Kahn, Albert;Teague, Walter Dorwin 3749.00|0|Creator|05||||||The Flatiron|Assigned|Image Source (Pub)|||||||The Flatiron|11288|Steichen, Edward J.||photographer|Edward J. Steichen|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1904|1904||1904|1904-1904|||||0||||0|||||Photograph||||||photography|||||||3294|New York: Metropolitan Museum of Art|New York: Metropolitan||New York, NY ; Cities ; Buildings ; Flatiron Building (New York, NY) ; |New York, NY|Cities|Buildings|Flatiron Building (New York, NY)||||||Cornell||JNK|JNK|5/16/2005 0:00:00|5/12/2005 0:00:00||||0||33.43.39||||||||||||| ||||||||Work|0||1909 print from 1904 negative.||||||||||0|0|The Flatiron|Steichen, Edward J. 3750.00|0|Architect|03||||||Mile-High Skyscraper|Assigned|Image Source (Pub)|"The Illinois"|Variant|Cataloger||||Mile-High Skyscraper|12943|Wright, Frank Lloyd||architect|Frank Lloyd Wright|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Architecture|Architectural drawing||||20|||1956|1956||1956|1956-1956|||||0||||0|||||Drawing||||||drawing (image-making)|||||||3674|Scottsdale: Wright (Frank Lloyd) Foundation|Scottsdale: Frank Lloyd Wright Fdn.||Skyscrapers ; |Skyscrapers|||||||||Cornell||JNK|MNW|5/16/2006 0:00:00|5/12/2005 0:00:00||||0||||||||||||||| ||||||||Work|0|Modern Architecture|||||||||||0|0|Mile-High Skyscraper;"The Illinois"|Wright, Frank Lloyd 3751.00|0|Architect|02||||||Lloyds of London|Assigned|Image Source (Pub)|||||||Lloyds of London|9998|Rogers, Richard||architect|Richard Rogers|0||||0|||||British|English||Post-1945|||Europe||United Kingdom|England|||||0|London, England|||10018||||0||||0|Architecture|Office building||||20|||1978|1986||1978-1986|1978-1986|||||0||||0||||||||||||||||||||||Office buildings ; |Office buildings|||||||||Cornell||JNK|MNW|6/3/2005 0:00:00|5/12/2005 0:00:00||Lon||0|||||||||||||||||||||||Work|0||||||||||||0|0|Lloyds of London|Rogers, Richard 3752.00|0|Category|05||||||Walt Disney Introduces Disneyland on Television|Descriptive|Image Source (Pub)|||||||Walt Disney Introduces Disneyland on Television|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph|Portrait|||20|||1954|1954||1954|1954-1954|||||0||||0|||||Documentary photograph||||||photography|||||||||||Disneyland (Calif.) ; Disney, Walt, 1901-1966 ; |Disneyland (Calif.)|Disney, Walt, 1901-1966||||||||Cornell||JNK|MNW|11/2/2005 0:00:00|5/16/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Walt Disney Introduces Disneyland on Television| 3753.00|0|Architect|02||||||Plug-In City|Assigned|Image Source (Pub)|||||||Plug-In City|2563|Cook, Peter||architect|Peter Cook (Archigram)|27622|Archigram||architectural firm|0|||||British|English|||||Europe||United Kingdom|England|||||0||||0||||0||||0|Architecture|Architectural drawing||||20|||1964|1964||1964-1964|1964-1964|||||0||||0|||||||||||architectural drawing|||||||2188|Paris: Centre Georges Pompidou|Paris: Centre Georges Pompidou||Urban planning ; Cities ; Architectural theory ; |Urban planning|Cities|Architectural theory|||||||Cornell||JNK|MNW|6/3/2005 0:00:00|5/16/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Plug-In City|Cook, Peter;Archigram 3754.00|0|Architect|02||||||Shizuoka Press Administration Building|Assigned|Image Source (Pub)|||||||Shizuoka Press Administration Building|11610|Tange, Kenzo||architect|Kenzo Tange|0||||0|||||Japanese||||||||Japan||||||0|Tokyo, Japan|||10141||||0||||0|Architecture|Office building||||20|||1965|1970||1965-1970|1965-1970|||||0||||0||||||||||||||||||||||Office buildings ; |Office buildings|||||||||Cornell||JNK|JNK|5/16/2005 0:00:00|5/16/2005 0:00:00||Tok||0|||||||||||||||||||||||Work|0||||||||||||0|0|Shizuoka Press Administration Building|Tange, Kenzo 3755.00|0|Architect|02|MA-|FosterAss|6.5 1986 Hongkong||MA- FosterAss 6.5 1986 Hongkong |Hongkong and Shanghai Banking Corporation Headquarters|Assigned|Dict.Art|||||||Hongkong and Shanghai Banking Corporation Headquarters|4033|Foster, Norman Robert, Sir||architect|Norman Foster|0||||0|||||English|Chinese||Post-1945|||Asia||China||||||0|Hong Kong, China|||10404||||0||||0|Architecture|Office building||||20|||1981|1986||1981-1986|1981-1986|||||0||||0||||||||||||||||||||||Office buildings ; |Office buildings|||||||||Cornell||JNK|JNK|8/22/2006 0:00:00|5/16/2005 0:00:00|FosterAss|||0||||||1986 Hongkong|MA||||||6.5||||||||||Work|0|Modern Architecture-|||||||||||0|0|Hongkong and Shanghai Banking Corporation Headquarters|Foster, Norman Robert, Sir 3756.00|0|Architect|02|MA-|Pei|6.5 1989 Chi||MA- Pei 6.5 1989 Chi |Bank of China Tower|Assigned|Dict.Art|||||||Bank of China Tower|9029|Pei, Ieoh Ming||architect|I.M. Pei|0||||0|||||Chinese|||Post-1945|||Asia||China||||||0|Hong Kong, China|||10404||||0||||0|Architecture|Office building||||20|||1982|1990||1982-1990|1982-1990|||||0||||0||||||||||||||||||||||Office buildings ; |Office buildings|||||||||Cornell||JNK|JNK|8/22/2006 0:00:00|5/16/2005 0:00:00|Pei|||0||||||1989 Chi|MA||||||6.5||||||||||Work|0|Modern Architecture-|||||||||||0|0|Bank of China Tower|Pei, Ieoh Ming 3757.00|0|Creator|15|32|D9486-PA|1849|1|32 D9486-PA 1849 1|Kindred Spirits|||||||||Kindred Spirits|3386|Durand, Asher Brown||painter|Asher Durand|0||||0|||||American|||Hudson River School|||||United States||||||0||||||||0||||0|Paintings|Oil painting|Landscape (representation)|||19|||1849|1849||1849-1849|1849|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||112 x 92 cm||9470|Bentonville: Crystal Bridges|Bentonville: Crystal Bridges||Bryant, William Cullen, 1794-1878 ; Cole, Thomas, 1801-1848 ; Landscapes ; |Bryant, William Cullen, 1794-1878|Cole, Thomas, 1801-1848|Landscapes|||||||Cornell||MNW|JNK|1/6/2006 0:00:00|5/16/2005 0:00:00|D9486|||0|||||||32|PA||||||1849| ||||||||Work|0||Depicts the painter Thomas Cole and the poet William Cullen Bruant standing on a rocky ledge overlooking the Catskills, is titled after a phrase in a Keats sonnet. NY Times||||||||Sold by the New York Public Library in May, 2005. Purchased by Alice L. Walton for the||0|0||Durand, Asher Brown 3758.00|0|Architect|02||||||Shanghai World Financial Center|Assigned|Image Source (Pub)|||||||Shanghai World Financial Center|28471|Kohn Pedersen Fox||architectural firm|Kohn Pedersen Fox|0||||0|||||||||||||China||||||0|Shanghai, China|||10405||||0||||0|Architecture|Office building|Hotel (public accommodation)|||20|21||1994|2007|ca|1994-ca 2007|1994-ca 2007|||||0||||0||||||||||||||||||||||Office buildings ; Hotels (public accommodations) ; |Office buildings|Hotels (public accommodations)||||||||Cornell||JNK|MNW|11/3/2005 0:00:00|5/16/2005 0:00:00||||0|||||||||||||||||||||||Work|0|||||2007 is a projected completion date for the project.|||||||0|0|Shanghai World Financial Center|Kohn Pedersen Fox 3759.00|0|Creator|06||||||L'architecture d'aujourd'hui|Assigned|Image Source (Pub)|||||||L'architecture d'aujourd'hui|2249|Chenal, Pierre||film director|Pierre Chenal|0||||0|||||French||||||||France||||||0||||0||||0||||0|Motion Pictures|Motion picture (visual work)||||20|||1930|1931||1930-1931|1930-1931|||||0||||0||||||||||||||||||||||Urban planning ; Architectural theory ; |Urban planning|Architectural theory||||||||Cornell||JNK|JNK|5/16/2005 0:00:00|5/16/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|L'architecture d'aujourd'hui|Chenal, Pierre 3760.00|0|Architect|02||||||Une Cité Industrielle: Étude pour La Construction des Villes|Assigned|Print Publication|Une Cité Industrielle|Assigned|Macmillan||||Une Cité Industrielle: Étude pour La Construction des Villes|4323|Garnier, Tony||architect|Tony Garnier|0||||0|||||French|||International Style|||||France||||||0||||0||||0||||0|Publications|Book|Architectural drawing|||20|||1917|1918||1917-1918|1917-1918|||||0||||0||||||||||||||||||||||Urban planning ; City plans ; |Urban planning|City plans||||||||Cornell||JNK|JNK|5/16/2005 0:00:00|5/16/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Une Cité Industrielle: Étude pour La Construction des Villes;Une Cité Industrielle|Garnier, Tony 3761.00|0|Architect|02||||||Plate 2: Aerial View, Public Services|Assigned|Print Publication|Les services publiques|Assigned|Image Source (Pub)||||Une Cité Industrielle: Étude pour La Construction des Villes. Plate 2: Aerial View, Public Services|4323|Garnier, Tony||architect|Tony Garnier|0||||0|||||French|||International Style|||||France||||||0||||0||||0||||0|Architecture|Architectural drawing|Watercolor|||20|||1917|1918||1917-1918|1917-1918||Une Cité Industrielle: Étude pour La Construction des Villes|Larger entity||3760||||0|||||Watercolor|watercolors|||||architectural drawing|||||||||||Urban landscapes ; Urban planning ; City plans ; Public buildings ; |Urban landscapes|Urban planning|City plans|Public buildings||||||Cornell||JNK|JNK|5/16/2005 0:00:00|5/16/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Plate 2: Aerial View, Public Services;Les services publiques|Garnier, Tony 3587.00|0||||||||Assembly Hall|Assigned|Image Source (Book)|||||||Memorial da America Latina. Assembly Hall|8539|Niemeyer, Oscar||architect|Oscar Niemeyer|0||||0|||||Brazilian|||Modern|||||Brazil||||||0|São Paulo, Brazil|||10368||||0||||0|Architecture|Assembly hall||||20|||1987|1987||1987|1987-1987||Memorial da America Latina|Larger entity||3585||||0||||||||||||||||||||||Assembly halls ; |Assembly halls|||||||||Cornell||JNK|MNW|8/23/2006 0:00:00|3/29/2005 0:00:00||Sao||0|||||||||||||||||||||||Work|0|Modern Architecture-|||||||||||0|0|Assembly Hall|Niemeyer, Oscar 3588.00|0|Architect|02|MA-|Niemeyer|2.42 1960 Ita||MA- Niemeyer 2.42 1960 Ita |Palácio dos Arcos|Assigned|Dict.Art|Palácio Itamaraty|Variant|Image Source (Book)|Ministry of Foreign Affairs|Variant|Image Source (Book)|Palácio dos Arcos (Palácio Itamaraty)|8539|Niemeyer, Oscar||architect|Oscar Niemeyer|0||||0|||||Brazilian|||Modern|||||Brazil||||||0|Brasília, Brazil|||10371||||0||||0|Architecture|Government office building||||20|||1962|1970||1962-1970|1962-1970||Brasilia Master Plan|||6452||||0||||||||||||||||||||||Government ; Office buildings ; Capitols ; Minstrels ; |Government|Office buildings|Capitols|Minstrels||||||Cornell||JNK|GB|11/21/2006 0:00:00|3/29/2005 0:00:00|Niemeyer|||0||||||1960 Ita|MA||||||2.42||||||||||Work|0|Modern Architecture-|||||||||||0|0|Palácio dos Arcos;Palácio Itamaraty;Ministry of Foreign Affairs|Niemeyer, Oscar 3589.00|0|Architect|03|MA-Niemeyer|1.32|1985 Tancr||MA- Niemeyer 1.32 1985 Tancr |Tancredo Neves Pantheon of Liberty and Democracy|Assigned|Image Source (Book)|||||||Tancredo Neves Pantheon of Liberty and Democracy|8539|Niemeyer, Oscar||architect|Oscar Niemeyer|0||||0|||||Brazilian|||Modern|||||Brazil||||||0|Brasília, Brazil|||10371||||0||||0|Architecture|Memorial||||20|||1985|1985||1985|1985-1985||Brasilia Master Plan|||6452||||0||||||||||||||||||||||Memorials ; |Memorials|||||||||Cornell||JNK|GB|11/21/2006 0:00:00|3/29/2005 0:00:00|Niemeyer|||0||||||Tancr|MA||||||1.32|1985|||||||||Work|0|Modern Architecture|||||||||||0|0|Tancredo Neves Pantheon of Liberty and Democracy|Niemeyer, Oscar 3590.00|0||||||||Museum of Contemporary Art|Assigned|Image Source (Book)|||||||Museum of Contemporary Art|8539|Niemeyer, Oscar||architect|Oscar Niemeyer|0||||0|||||Brazilian|||Modern|||||Brazil||||||0|Niterói, Brazil|||10366||||0||||0|Architecture|Museum||||20|||1991|1991||1991|1991-1991|||||0||||0||||||||||||||||||||||Museums ; |Museums|||||||||Cornell||JNK|MNW|8/23/2006 0:00:00|3/29/2005 0:00:00||||0|||||||||||||||||||||||Work|0|Modern Architecture|||||||||||0|0|Museum of Contemporary Art|Niemeyer, Oscar 3591.00|0||||||||Oscar Niemeyer Cultural Center|Assigned|Image Source (Book)|||||||Oscar Niemeyer Cultural Center|8539|Niemeyer, Oscar||architect|Oscar Niemeyer|0||||0|||||French|||Modern|||||France||||||0|Le Havre, France|||10387||||0||||0|Architecture|Cultural center||||20|||1972|1972||1972|1972-1972|||||0||||0||||||||||||||||||||||Cultural centers ; |Cultural centers|||||||||Cornell||JNK|MNW|8/23/2006 0:00:00|3/29/2005 0:00:00||||0|||||||||||||||||||||||Work|0|Modern Architecture|||||||||||0|0|Oscar Niemeyer Cultural Center|Niemeyer, Oscar 3592.00|0||||||||University of Constantine|Assigned|Image Source (Book)|||||||University of Constantine|8539|Niemeyer, Oscar||architect|Oscar Niemeyer|0||||0||||||||Modern|||||Algeria||||||0|Qacentina, Algeria|||10388||||0||||0|Architecture|University||||20|||1969|1969||1969|1969-1969|||||0||||0||||||||||||||||||||||Universities ; |Universities|||||||||Cornell||JNK|MNW|8/23/2006 0:00:00|3/29/2005 0:00:00||||0|||||||||||||||||||||||Work|0|Modern Architecture|||||||||||0|0|University of Constantine|Niemeyer, Oscar 3593.00|0||||||||Aeroplani + metropoli|Assigned|Image Source (Book)|Airplanes + Metropolis|Translated|Cataloger||||Airplanes + Metropolis (Aeroplani + metropoli)|30548|Tato||photographer|Tato|0||||0|||||Italian|||Futurist|||||Italy||||||0||||0||||0||||0|Paintings|Painting|Collage|||20|||1930|1930||1930|1930-1930|||||0||||0|||||Tempera and collage on cardboard|tempera|cardboard||||painting (image-making)|collage||||51 x 68 cm||3503|Rome: Private Collection|Rome: Private Coll.||Cities ; Airplanes ; |Cities|Airplanes||||||||Cornell||JNK|MNW|4/22/2005 0:00:00|3/30/2005 0:00:00|T219|||0||||||||||||||| |||||||||0||||||||||||0|0|Aeroplani + metropoli;Airplanes + Metropolis|Tato 3594.00|0||||||||Spiralata|Assigned|Image Source (Book)|Spiraling|Translated|Cataloger||||Spiraling (Spiralata)|30548|Tato||painter|Tato|0||||0|||||Italian|||Futurist|||||Italy||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1936|1936|ca|ca 1936|ca 1936-1936|||||0||||0|||||Oil on board|oil paint|board||||painting (image-making)|||||50 x 70 cm||9462|Milan: Marinetti Collection|Milan: Marinetti Collection||Airplanes ; Cities ; Spirals ; |Airplanes|Cities|Spirals|||||||Cornell||JNK|MNW|4/22/2005 0:00:00|3/30/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Spiralata;Spiraling|Tato 3595.00|0||||||||Tavola rotativa dell'Arena di Verona|Assigned|Image Source (Pub)||Assigned|Image Source (Book)||||Tavola rotativa dell'Arena di Verona|30549|Di Bosso, Renato||painter|Renato Di Bosso|0||||0|||||Italian|||Futurist|||||Italy||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1935|1935||1935|1935-1935|||||0||||0|||||Oil on wood|oil paint|wood||||painting (image-making)|||||85 cm diameter||||||Arena (Verona, Italy) ; |Arena (Verona, Italy)|||||||||Cornell||JNK|MNW|4/22/2005 0:00:00|3/30/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Tavola rotativa dell'Arena di Verona|Di Bosso, Renato 3596.00|0||11|-|||||California: A Guide to the Golden State|Inscribed|Image Source (Book)|||||||California: A Guide to the Golden State|30536|Federal Writers' Project||author|Federal Writers' Project|0||||0|||||American|||New Deal|||||United States||||||0||||0||||0||||0|Publications|Book||||20|||1939|1939||1939|1939-1939|||||0||||0||||||||||||||||||||||Books ; Travel guidebooks ; |Books|Travel guidebooks||||||||Cornell||JNK|MNW|4/22/2005 0:00:00|3/30/2005 0:00:00||||0||||||||||||||||||||||||0||One volume of the American Guide Series.|||May, 1939|||||||0|0|California: A Guide to the Golden State|Federal Writers' Project 3597.00|0||||||||Lumbering and Logging|Assigned|Image Source (Book)|||||||Lumbering and Logging|30550|Runquist, Albert C.||painter|Albert C. Runquist|0||||0|||||American|||New Deal|||||United States||||||0||||0||||0||||0|Paintings|Painting||||20|||1940|1940||1940|1940-1940|||||0||||0|||||Tempera on paperboard|tempera|board||||painting (image-making)|||||55.3 x 74.7 cm||9464|College Park: University of Maryland; Art Gallery|College Park: Univ. of MD; Art Gall.||Murals (any medium) ; Post offices ; Logging ; Lumbering ; |Murals (any medium)|Post offices|Logging|Lumbering||||||Cornell||JNK|MNW|4/22/2005 0:00:00|3/30/2005 0:00:00||||0||||||||||||||| |||||||||0||This study was done for a mural to be located in the Sedro-Wooley, Washington post office. Mecklenburg, Public, 104.||||||||||0|0|Lumbering and Logging|Runquist, Albert C. 3598.00|0|Creator|02|MA-Mies|7.4|1951 Lake||MA-Mies 7.4 1951 Lake |Lake Shore Drive Apartment Buildings|Assigned|Image Source (Book)|||||||Lake Shore Drive Apartment Buildings|7969|Mies van der Rohe, Ludwig||architect|Ludwig Mies van der Rohe|0||||0|||||American|||Modern|||||United States||||||0|860-880 Lake Shore Dr., Chicago, IL|||10389||||0||||0|Archtitecture|Apartment house|Skyscraper|||20|||1950|1951||1950-1951|1950-1951|||||0||||0||||||||||||||||||||||Apartment houses ; Skyscrapers ; |Apartment houses|Skyscrapers||||||||Cornell||JNK|JNK|3/31/2005 0:00:00|3/30/2005 0:00:00|Mies|||0||||||Lake|MA||||||7.4|1951|||||||||Work|0||||||||||||0|0|Lake Shore Drive Apartment Buildings|Mies van der Rohe, Ludwig 3599.00|0|Architect|02|MA-|Mies|7.4 1951 LakSh||MA- Mies 7.4 1951 LakSh |No. 860 Lake Shore Drive Apartment Building|Assigned|Image Source (Book)|||||||Lake Shore Drive Apartment Buildings. No. 860|7969|Mies van der Rohe, Ludwig||architect|Ludwig Mies van der Rohe|0||||0|||||American|||Modern|||||United States||||||0|860-880 Lake Shore Dr., Chicago, IL|||10389||||0||||0|Architecture|Apartment house|Skyscraper|||20|||1950|1951||1950-1951|1950-1951||Lake Shore Drive Apartment Buildings|LargerEntity||3598||||0||||||||||||||||||||||Apartment houses ; Skyscrapers ; |Apartment houses|Skyscrapers||||||||Cornell||JNK|MNW|5/25/2006 0:00:00|3/31/2005 0:00:00|Mies|||0||||||1951 LakSh|MA||||||7.4||||||||||Work|0|Modern Architecture-|||||||||||0|0|No. 860 Lake Shore Drive Apartment Building|Mies van der Rohe, Ludwig 3600.00|0||||||||No. 880 Lake Shore Drive Apartment Building|Assigned|Image Source (Book)|||||||Lake Shore Drive Apartment Buildings, No. 880|7969|Mies van der Rohe, Ludwig||architect|Ludwig Mies van der Rohe|0||||0|||||American|||Modern|||||United States||||||0|860-880 Lake Shore Dr., Chicago, IL|||10389||||0||||0|Architecture|Apartment house|Skyscraper|||20|||1950|1951||1950-1951|1950-1951||Lake Shore Drive Apartment Buildings|Larger entity||3598||||0||||||||||||||||||||||Apartment houses ; Skyscrapers ; |Apartment houses|Skyscrapers||||||||Cornell||JNK|JNK|3/31/2005 0:00:00|3/31/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|No. 880 Lake Shore Drive Apartment Building|Mies van der Rohe, Ludwig 3601.00|0|Creator|02|MA-Mies|4.2|1939-54 IIT||MA-Mies 4.2 1939-54 IIT |Illinois Institute of Technology|Assigned|Dict.Art|IIT|Variant|Dict.Art||||Illinois Institute of Technology|7969|Mies van der Rohe, Ludwig||architect|Ludwig Mies van der Rohe|0|||firm|0|||||American|||Modern|||||United States||||||0|Chicago, Illinois|||10103||||0||||0|Architecture|University||||20|||1939|1954||1939-1954|1939-1954|||||0||||0||||||||||||||||||||||Universities ; |Universities|||||||||Cornell||JNK|MNW|4/20/2005 0:00:00|3/31/2005 0:00:00|Mies|Chi||0||||||IIT|MA||||||4.2|1939-54|||||||||Work|0|-|||||||||||0|0|Illinois Institute of Technology;IIT|Mies van der Rohe, Ludwig 3602.00|0|Creator|02|MA-Mies|4.2|1945 IIT/Alum||MA-Mies 4.2 1945 IIT/Alum |Alumni Memorial Hall|Assigned|Dict.Art|Navy Building|Assigned|Image Source (Book)||||Illinois Institute of Technology. Alumni Memorial Hall|7969|Mies van der Rohe, Ludwig||architect|Ludwig Mies van der Rohe with Holabird & Root|28333|Holabird & Root||architectural firm|0|||||American|||Modern|||||United States||||||0|Chicago, Illinois|||10103||||0||||0|Architecture|University|Halls|||20|||1945|1946||1945-1946|1945-1946||Illinois Institute of Technology|Larger entity||3601||||0||||||||||||||||||||||Universities ; |Universities|||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|3/31/2005 0:00:00|Mies|Chi||0||||||IIT/Alum|MA||||||4.2|1945|||||||||Work|0||||||||||||0|0|Alumni Memorial Hall;Navy Building|Mies van der Rohe, Ludwig;Holabird & Root 3603.00|0||||||||Early Study with Landscape|Assigned|Image Source (Book)|||||||Farnsworth House. Early Study with Landscape|7969|Mies van der Rohe, Ludwig||architect|Ludwig Mies van der Rohe & Edward Duckett|30551|Duckett, Edward Austin||draftsman|0|||||American|||Modern|||||United States||||||0||||0||||0||||0|Watercolors|Watercolor|Drawing|||20|||1945|1945||1945|1945-1945||Farnsworth House|Larger entity||918||||0|||||Watercolors over graphite on tracing paper|watercolors|tracing paper|graphite|||drawing (image-making)|painting (image-making)||||33.02 x 63.5 cm||3384|New York: Museum of Modern Art|New York: MoMA||Houses ; Farnsworth House (Plano, IL) ; |Houses|Farnsworth House (Plano, IL)||||||||Cornell||JNK|MNW|4/20/2005 0:00:00|3/31/2005 0:00:00||||0||1002.65||||||||||||| |||||||||0||Watercolor by Mies van der Rohe, delineated by Edward Duckett.||||||||||0|0|Early Study with Landscape|Mies van der Rohe, Ludwig;Duckett, Edward Austin 3604.00|0||||||||Totonto-Dominion Centre|Assigned|Image Source (Book)|||||||Totonto-Dominion Centre|7969|Mies van der Rohe, Ludwig||architect|Ludwig Mies van der Rohe|0||||0|||||Canadian|||Modern|||||Canada||||||0|Toronto, Canada|||10390||||0||||0|Architecture|Office building|Skyscraper|||20|||1963|1969||1963-1969|1963-1969|||||0||||0||||||||||||||||||||||Office buildings ; Skyscrapers ; |Office buildings|Skyscrapers||||||||Cornell||JNK|JNK|4/1/2005 0:00:00|4/1/2005 0:00:00||Tor||0||||||||||||||||||||||||0||||||||||||0|0|Totonto-Dominion Centre|Mies van der Rohe, Ludwig 3605.00|0|Creator|02|MA-Fuller|7.5|1927-28|Dymax|MA-Fuller 7.5 1927-28 Dymax|Dymaxion House (4-D Utility Unit)|Assigned|Image Source (Book)|||||||Dymaxion House (4-D Utility Unit)|4213|Fuller, Buckminster||architect|Buckminster Fuller|0||||0|||||American|||Modern|||||United States||||||0||||||||0||||0|Architecture|Houses||||20|||1927|1928||1927-1928|1927-1928|||||0||||0||||||||||||||||||||||Houses ; Models (Representations) ; Dymaxion house ; |Houses|Models (Representations)|Dymaxion house|||||||Cornell||JNK|GB|11/22/2006 0:00:00|4/1/2005 0:00:00|Fuller|||0||||||Dymax|MA||||||7.5|1927-28| ||||||||Work|0|Modern Architecture||The Dymaxion House (the term is derived from the words: ‘dynamism’, ‘maximum’ and ‘ions’) was developed by Fuller as factory manufactured kit housing. No houses were ever built, but two prototypes were created: the Barwise and the Danbury Houses.|||||||||0|0|Dymaxion House (4-D Utility Unit)|Fuller, Buckminster 3606.00|0||||||||Dymaxion House at the Sea Shore|Assigned|Image Source (Book)|||||||Dymaxion House (4-D Utility Unit). Dymaxion House at the Sea Shore|4213|Fuller, Buckminster||architect|Buckminster Fuller|0||||0|||||American|||Modern|||||United States||||||0||||0||||0||||0|Paintings|Gouache|Architectural drawing|||20|||1934|1934|ca|ca 1934|ca 1934-1934||Dymaxion House (4-D Utility Unit)|Larger entity||3605||||0|||||Gouache|gouache|||||painting (image-making)|||||33 x 43.5 cm||3990|Stanford, CA: Stanford University; Library; R. Buckminster Fuller Archive|Stanford, CA: Stanford Univ.; Lib.; Fuller Archive||Dymaxion house ; Houses ; Painting (image making) ; |Dymaxion house|Houses|Painting (image making)|||||||Cornell||JNK|MNW|3/31/2006 0:00:00|4/1/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Dymaxion House at the Sea Shore|Fuller, Buckminster 3607.00|0|Creator|15|35|B129-PA|F479||35 B129-PA F479 |Three Studies of Figures on Beds, Triptych|Assigned|Image Source (Book)|||||||Three Studies of Figures on Beds, Triptych|614|Bacon, Francis||painter|Francis Bacon|0||||0|||||British|||Post-1945|||Europe||United Kingdom||||||0||||0||||0||||0|Paintings|Oil painting|Triptych|||20|||1972|1972||1972|1972-1972|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||198 x 147.5 cm each panel||3442|Switzerland: Private Collection|Switzerland: Private Coll.||Figures (representations) ; Beds ; |Figures (representations)|Beds||||||||Cornell||JNK|MNW|6/3/2005 0:00:00|4/1/2005 0:00:00|B129|||0||||||F479|35|PA||||||| ||||||||Work|0||||||||||||0|0|Three Studies of Figures on Beds, Triptych|Bacon, Francis 3608.00|0|Creator|15||||||Disasters of War|Assigned|Image Source (Book)|||||||Disasters of War|4707|Goya y Lucientes, Francisco José de||painter|Francisco Goya y Lucientes|0||||0|||||Spanish||||||Europe||Spain||||||0||||0||||0||||0|Prints|Etching|Aquatint|||19|||1804|1814|ca|ca 1812-1815|ca 1812-1815|||||0||||0|||||Etching, aquatint & drypoint|ink|paper||||etching (corroding)|aquatint||||15.5 x 20.5 cm||||||Wars ; Torturing ; Corpses ; Destruction ; |Wars|Torturing|Corpses|Destruction||||||Cornell||JNK|JNK|10/13/2005 0:00:00|4/1/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Disasters of War|Goya y Lucientes, Francisco José de 3609.00|0|Creator|15|32|G723-G|D6143||32 G723G D6143 |No. 32: Por qué?|Inscribed|Image Source (Book)|No. 32: Why?|Translated|Cataloger||||Disasters of War. No. 32: Por qué? (Why?)|4707|Goya y Lucientes, Francisco José de||painter|Francisco Goya y Lucientes|0||||0|||||Spanish||||||Europe||Spain||||||0||||0||||0||||0|Prints|Etching|Aquatint|Drypoint||19|||1804|1814|ca|ca 1812-1815|ca 1812-1815||Disasters of War|Larger entity||3608||||0|||||Etching, aquatint, & drypoint|ink|paper||||etching (corroding)|aquatint||||15.5 x 20.5 cm||||||Wars ; Torturing ; |Wars|Torturing||||||||Cornell||JNK|JNK|10/13/2005 0:00:00|4/1/2005 0:00:00|G723G|||0||||||D6143|32|G|||||||||||||||Work|0||||||||||||0|0|No. 32: Por qué?;No. 32: Why?|Goya y Lucientes, Francisco José de 3610.00|0|Creator|15|35|B129-PA|L981||35 B129-PA L981 |Lying Figure|Assigned|Artist|||||||Lying Figure|614|Bacon, Francis||painter|Francis Bacon|0||||0|||||British|||Post-1945|||Europe||United Kingdom||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1969|1969||1969|1969-1969|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||198 x 147.5 cm||267|Basel: Galerie Beyeler|Basel: Gal. Beyeler||Figures (representations) ; Beds ; |Figures (representations)|Beds||||||||Cornell||JNK|MNW|6/3/2005 0:00:00|4/6/2005 0:00:00|B129|||0||||||L981|35|PA||||||| ||||||||Work|0||||||||||||0|0|Lying Figure|Bacon, Francis 3611.00|0|Site|02|B-H3|Pie|3.1|Cath|B-H3 Pie 3.1 Cath|Pienza Cathedral|Assigned|Blue Guide|||||||Pienza Cathedral|10068|Rossellino, Bernardo||architect|Bernardo Rossellino|0||||0|||||Italian|||Renaissance|||||Italy||||||0|Pienza, Italy|||10391||||0||||0|Architecture|Cathedral||||15|||1459|1464||1459-1464|1459-1464|||||0||||0||||||||||||||||||||||Cathedrals ; Churches ; |Cathedrals|Churches||||||||Cornell||JNK|MNW|4/14/2005 0:00:00|4/6/2005 0:00:00||Pie||0||||||Cath|B|||||H3|3.1||||||||||Work|0|Architecture-Italy|Pius II, Pope (Aeneas Sylvius Piccolomini) was the patron.||||||||||0|0||Rossellino, Bernardo 3612.00|0|Creator|15|35|B129-PA|F480||35 B129 F480 |Three Figures in a Room|Assigned|Repository|||||||Three Figures in a Room|614|Bacon, Francis||painter|Francis Bacon|0||||0|||||British|||Post-1945|||Europe||United Kingdom||||||0||||0||||0||||0|Paintings|Oil painting|Triptych|||20|||1964|1964||1964|1964-1964|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||198 x 147 cm each panel||2188|Paris: Centre Georges Pompidou|Paris: Centre Georges Pompidou||Figures (representations) ; |Figures (representations)|||||||||Cornell||JNK|MNW|6/3/2005 0:00:00|4/6/2005 0:00:00|B129|||0||AM 1976-925||||F480|35|PA||||||| ||||||||Work|0||||||||||||0|0|Three Figures in a Room|Bacon, Francis 3613.00|0|Creator|15|35|B129-PA|F478||35 B129 F478 |Figure with Meat|Assigned|Repository|||||||Figure with Meat|614|Bacon, Francis||painter|Francis Bacon|0||||0|||||British|||Post-1945|||Europe||United Kingdom||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1954|1954||1954|1954-1954|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||129.9 x 121.9||4073|Chicago: Art Institute of Chicago|Chicago: Art Institute||Figures (representations) ; |Figures (representations)|||||||||Cornell||JNK|MNW|6/3/2005 0:00:00|4/6/2005 0:00:00|B129|||0||1956.1201||||F478|25|PA||||||| ||||||||Work|0||||||||||||0|0|Figure with Meat|Bacon, Francis 3614.00|0|Creator|15|35|M741-PA|1921|T133|35 M741 1921 T133|Tableau II|Assigned|Dict.ArtO|||||||Tableau II|8108|Mondrian, Piet||painter|Piet Mondrian|0||||0|||||Dutch|||De Stijl|||||Holland||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1921|1925||1921-1925|1921-1925|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||75 x 65 cm||3449|Zurich: Private Collection|Zurich: Private Coll.||||||||||||Cornell||JNK|JNK|4/7/2005 0:00:00|4/6/2005 0:00:00|M741|||0||||||T133|35|PA||||||1921| ||||||||Work|0||||||||||||0|0|Tableau II|Mondrian, Piet 3615.00|0|Creator|15|35|P776-PA|U603|1943|35 P776 U603 1943|Untitled Composition|Descriptive|Image Source (Book)|||||||Untitled Composition|9348|Pollock, Jackson||painter|Jackson Pollock|0||||0|||||American|||Abstract Expressionist|Post-1945||||United States||||||0||||0||||0||||0|Paintings|Painting||||20|||1943|1943||1943|1943-1943|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||||3290|Private Collection|: Private Coll.||||||||||||Cornell||JNK||4/15/2005 0:00:00|4/7/2005 0:00:00|P776|||0|||||||35|PA||||||1943| |U603|||||||Work|0||||||||||||0|0|Untitled Composition|Pollock, Jackson 3616.00|0|Creator|15|35|C425-PA|B872|1895|35 C425-PA B872 1895|The Brook|Assigned|Repository|||||||The Brook|2168|Cézanne, Paul||painter|Paul Cézanne|0||||0|||||French|||Post-Impressionist|||||France||||||0||||0||||0||||0|Paintings|Oil painting||||19|||1895|1900|ca|ca 1895-1900|ca 1895-1900|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||59.2 x 81 cm||3418|Cleveland: Cleveland Museum of Art|Cleveland: Museum of Art||Landscapes ; |Landscapes|||||||||Cornell||JNK|JNK|4/7/2005 0:00:00|4/7/2005 0:00:00|C425|||0||1958.20||||B872|35|PA||||||1895| ||||||||Work|0||||||||||||0|0|The Brook|Cézanne, Paul 3617.00|0|Creator|15|35|B129-PA|D497||35 B129-PA D497 |Studies of George Dyer and Isabel Rawsthorne|Assigned|Image Source (Book)|||||||Studies of George Dyer and Isabel Rawsthorne|614|Bacon, Francis||painter|Francis Bacon|0||||0|||||British|||Post-1945|||Europe||United Kingdom||||||0||||0||||0||||0|Paintings|Portrait|Diptych|Oil painting||20|||1970|1970||1970|1970-1970|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||35.3 x 30.5 cm each panel||3290|Private Collection|: Private Coll.||Portraits ; Dyer, George, -1971 ; Lambert, Isabel, 1912-1992 ; |Portraits|Dyer, George, -1971|Lambert, Isabel, 1912-1992|||||||Cornell||JNK|MNW|6/3/2005 0:00:00|4/7/2005 0:00:00||||0||||||D497|35|PA||||||| ||||||||Work|0||||||||||||0|0|Studies of George Dyer and Isabel Rawsthorne|Bacon, Francis 3618.00|0|Site|02|B-B6|Col|1.01|1|B-B6 Col 1.01 1|Colorado|Assigned|Image Source (Book)|||||||Colorado|0|||||0||||0|||||||||||||United States||||||0||||0||||0||||0|Maps|Map||||20|||1994|1994||1994|1994-1994|||||0||||0||||||||||||||||||||||Maps ; Colorado, United States ; |Maps|Colorado, United States||||||||Cornell||JNK|JNK|4/7/2005 0:00:00|4/7/2005 0:00:00||Col||0|||||||B|||||B-6|1.01||||||||||Work|0||||||||||||0|0|Colorado| 3619.00|0|Site|02|B-A2|BriCol|1.1||B-A2 BriCol 1.1 |Village with Painted House Fronts|Assigned|Image Source (Book)|||||||Village with Painted House Fronts|0|||||0||||0|||||Canadian||||||||Canada||||||0|British Columbia, Canada|||10392||||0||||0|Photographs|Documentary photograph||||20|||1900|1950|ca|First half of 20th C|ca 1900-1950|||||0||||0|||||Documentary photograph|photo paper|||||photography|||||||||||Houses ; |Houses|||||||||Cornell||JNK||4/15/2005 0:00:00|4/7/2005 0:00:00||BriCol||0|||||||B|||||A2|1.1||||||||||Work|0||||||||||||0|0|Village with Painted House Fronts| 3620.00|0|Site|02|B-M2|The|3.3 Huy||B-M2 The 3.3 Huy |Tomb of Huy (or Amenhotep)|Assigned|Image Source (Book)|||||||Tomb of Huy (or Amenhotep)|0|||||0||||0|||||Egyptian|||New Kingdom|||||Egypt||||||0|Thebes, Egypt|||10119||||0||||0|Archaeological Sites|Tomb|||BCE|-14|||1335|1326||1335-1326 BCE|1335-1326 BCE|||||0||||0||||||||||||||||||||||Tombs ; |Tombs|||||||||Cornell||JNK|JNK|4/14/2005 0:00:00|4/7/2005 0:00:00||The||0||||||Huy|B|||||M2|3.3||||||||||Work|0|Architecture-Egypt|||||||||||0|0|Tomb of Huy (or Amenhotep)| 3621.00|0|Creator|15|32|H765-G|1861|7|32 H765-G 1861 7|Making Havelocks for the Volunteers|Assigned|Image Source (Book)|||||||Making Havelocks for the Volunteers|5572|Homer, Winslow||painter|Winslow Homer|0||||0|||||American|||Realist|||||United States||||||0||||0||||0||||0|Prints|Illustration||||19|||1861|1861||1861|1861-1861|||||0||||0|Harper's Weekly|6/29/1861|||Wood engraving|ink|paper||||wood engraving (process)|||||27.6 x 23.5 cm||3418|Cleveland: Cleveland Museum of Art|Cleveland: Museum of Art||United States History Civil War, 1861-1865 ; |United States History Civil War, 1861-1865|||||||||Cornell||JNK|MNW|5/5/2005 0:00:00|4/8/2005 0:00:00|H765|||0|||||||32|G||||||1861| ||||||||Work|0||From Harper's Weekly, 6/29/1861|||June 29, 1861.|||||||0|0|Making Havelocks for the Volunteers|Homer, Winslow 3622.00|0|Category|11|W-02.6|Congo|War|1|W-02.6 Congo War 1|How They Die: the Nonviolent Deaths from the Conflict in Congo|Descriptive|Cataloger|||||||How They Die: the Nonviolent Deaths from the Conflict in Congo|30553|International Rescue Committee||publisher|International Rescue Committee (IRC); Bill Marsh|30554|Marsh, Bill||journalist|0|||||African||||||||Congo||||||0||||0||||0||||0|Graphics|Chart|Graph|||21|||2005|2005||2005|2005-2005|||||0||||0||||||paper|ink||||printing|||||||||||Congo ; Wars ; Deaths ; |Congo|Wars|Deaths|||||||Cornell||MNW|CLL|4/18/2005 0:00:00|4/11/2005 0:00:00||Congo||0|||||||W|||02.6||||||War|||||||Work|0||Graph published in the New York Times, Sunday, March 20, 2005, Section 4.|||Published in the New York Times, Sunday, March 20, 2005, Section 4.|||||||0|0|How They Die: the Nonviolent Deaths from the Conflict in Congo|International Rescue Committee;Marsh, Bill 3623.00|0|Creator|05|J-Salgado|||1|J-Salgado 1|Rwandans Walking to the Refugee Camp in the Region of Ngara Just Outside Rwanda in Tanzania|Descriptive|Image Source (Book)|||||||Rwandans Walking Refugee Camp Just Outside Rwanda in Tanzania|30555|Salgado, Sebastião||photographer|Sebastião Salgado|0||||0|||||||||||||||||||0||||0||||0||||0|Photographs|Gelatin silver print|Documentary photograph|||20|||1994|1994||1994|1994-1994|||||0||||0|||||Gelatin silver print|photo paper|||||photography|gelatin silver process||||||||||Wars ; Refugees ; Africa ; |Wars|Refugees|Africa|||||||Cornell||MNW|MNW|4/12/2005 0:00:00|4/12/2005 0:00:00|Salgado|||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Rwandans Walking to the Refugee Camp in the Region of Ngara Just Outside Rwanda in Tanzania|Salgado, Sebastião 3624.00|0|Creator|05|J-Salgado|||2|J-Salgado 2|Aerial View of New Barrio in Greater Mexico City|Descriptive|Cataloger|||||||Aerial View of New Barrio in Greater Mexico City|30555|Salgado, Sebastião||photographer|Sebastião Salgado|0||||0|||||||||||||||||||0||||0||||0||||0|Photographs|Gelatin silver print|Documentary photograph|Aerial view||20|||1996|1996||1996|1996-1996|||||0||||0|||||Gelatin silver print|photo paper|||||photography|gelatin silver process||||||||||Mexico City (Mexico) ; Quarries ; Barrios ; |Mexico City (Mexico)|Quarries|Barrios|||||||Cornell||MNW|MNW|4/12/2005 0:00:00|4/12/2005 0:00:00|Salgado|||0|||||||J||||||||||||||||Work|0|Photography|This barrio incorporates a former stone quarry.||||||||||0|0|Aerial View of New Barrio in Greater Mexico City|Salgado, Sebastião 3625.00|0|Creator|05|J-Salgado|||3|J-Salgado 3|Construction Worker in São Paulo|Descriptive|Cataloger|||||||Construction Worker in São Paulo|30555|Salgado, Sebastião||photographer|Sebastião Salgado|0||||0|||||||||||||||||||0||||0||||0||||0|Photographs|Gelatin silver print|Documentary photograph|||20|||1996|1996||1996|1996-1996|||||0||||0|||||Gelatin silver print|photo paper|||||photography|gelatin silver process||||||||||Construction ; |Construction|||||||||Cornell||MNW|MNW|4/12/2005 0:00:00|4/12/2005 0:00:00|Salgado|||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Construction Worker in São Paulo|Salgado, Sebastião 3626.00|0|Creator|05|J-Salgado|||4|J-Salgado 4|Garbage Dump of Netzahualcóyotl|Descriptive|Image Source (Book)|||||||Garbage Dump of Netzahualcóyotl|30555|Salgado, Sebastião||photographer|Sebastião Salgado|0||||0|||||||||||||||||||0||||||||0||||0|Photographs|Gelatin silver print|Documentary photograph|||20|||1998|1998||1998|1998-1998|||||0||||0|||||Gelatin silver print|photo paper|||||photography|gelatin silver process||||||||||Mexico City (Mexico) ; Dumps (refuse areas) ; Scavengers ; |Mexico City (Mexico)|Dumps (refuse areas)|Scavengers|||||||Cornell||MNW|MNW|4/13/2005 0:00:00|4/12/2005 0:00:00|Salgado|||0|||||||J||||||||||||||||Work|0|Photography|This dump is located in Mexico City.||||||||||0|0|Garbage Dump of Netzahualcóyotl|Salgado, Sebastião 3627.00|0|Creator|05|J-Salgado|||5|J-Salgado 5|Garbage Dump of Netzahualcóyotl|||||||||Garbage Dump of Netzahualcóyotl|30555|Salgado, Sebastião||photographer|Sebastião Salgado|0||||0|||||||||||||||||||0||||0||||0||||0|Photographs|Gelatin silver print|Documentary photograph|||20|||1998|1998||1998|1998-1998|||||0||||0|||||Gelatin silver print|photo paper|||||photography|gelatin silver process||||||||||Mexico City (Mexico) ; Dumps (refuse areas) ; Scavengers ; |Mexico City (Mexico)|Dumps (refuse areas)|Scavengers|||||||Cornell||MNW|MNW|4/13/2005 0:00:00|4/13/2005 0:00:00|Salgado|||0|||||||J||||||||||||||||Work|0|Photography|This dump is located in Mexico City.||||||||||0|0|Garbage Dump of Netzahualcóyotl|Salgado, Sebastião 3628.00|0|Creator|05|J-Salgado|||7|J-Salgado 7|Group of Homeless Boys in Underground Chamber in Mexico City|Descriptive|Cataloger|||||||Group of Homeless Boys in Underground Chamber in Mexico City|30555|Salgado, Sebastião||photographer|Sebastião Salgado|0||||0|||||||||||||||||||0||||0||||0||||0|Photographs|Gelatin silver print|Documentary photograph|||20|||1998|1998||1998|1998-1998|||||0||||0|||||Gelatin silver print|photo paper|||||photography|gelatin silver process||||||||||Mexico City (Mexico) ; Addiction ; Homeless persons ; Squatters ; |Mexico City (Mexico)|Addiction|Homeless persons|Squatters||||||Cornell||MNW|MNW|4/13/2005 0:00:00|4/13/2005 0:00:00|Salgado|||0|||||||J||||||||||||||||Work|0|Photography|These boys share two underground concrete chambers that are part of the city's flood control system. All are addicted to sniffing glue and other products. Salgado, Migrations.||||||||||0|0|Group of Homeless Boys in Underground Chamber in Mexico City|Salgado, Sebastião 3629.00|0|Creator|05|J-Salgado|||8|J-Salgado 8|Street Children in São Paulo|Descriptive|Cataloger|||||||Street Children in São Paulo|30555|Salgado, Sebastião||photographer|Sebastião Salgado|0||||0|||||||||||||||||||0||||0||||0||||0|Photographs|Gelatin silver print|Documentary photograph|||20|||1996|1996||1996|1996-1996|||||0||||0|||||Gelatin silver print|photo paper|||||photography|gelatin silver process||||||||||São Paulo, Brazil ; Addiction ; Homeless persons ; Squatters ; |São Paulo, Brazil|Addiction|Homeless persons|Squatters||||||Cornell||MNW|MNW|4/13/2005 0:00:00|4/13/2005 0:00:00|Salgado|||0|||||||J||||||||||||||||Work|0|Photography|These boys are addicted to sniffing glue and have begun smoking crack. Salgado, Migrations.||||||||||0|0|Street Children in São Paulo|Salgado, Sebastião 3630.00|0|Creator|05|J-Salgado|||6|J-Salgado 6|Garbage Dump Outside of São Paulo, Brazil|Descriptive|Cataloger|||||||Garbage Dump Outside of São Paulo, Brazil|30555|Salgado, Sebastião||photographer|Sebastião Salgado|0||||0|||||||||||||||||||0||||0||||0||||0|Photographs|Gelatin silver print|Documentary photograph|||20|||1996|1996||1996|1996-1996|||||0||||0|||||Gelatin silver print|photo paper|||||photography|gelatin silver process||||||||||São Paulo, Brazil ; Dumps (refuse areas) ; |São Paulo, Brazil|Dumps (refuse areas)||||||||Cornell||MNW|MNW|4/13/2005 0:00:00|4/13/2005 0:00:00|Salgado|||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Garbage Dump Outside of São Paulo, Brazil|Salgado, Sebastião 3631.00|0|Creator|05|J-Salgado|||9|J-Salgado 9|Aerial View of São Paulo, Brazil|Descriptive|Cataloger|||||||Aerial View of São Paulo, Brazil|30555|Salgado, Sebastião||photographer|Sebastião Salgado|0||||0|||||||||||||||||||0||||0||||0||||0|Photographs|Gelatin silver print|Documentary photograph|||20|||1996|1996||1996|1996-1996|||||0||||0|||||Gelatin silver print|photo paper|||||photography|gelatin silver process||||||||||São Paulo, Brazil ; CITY PLANNING, use Urban planning ; Office buildings ; Apartment houses ; |São Paulo, Brazil|CITY PLANNING, use Urban planning|Office buildings|Apartment houses||||||Cornell||MNW|MNW|4/13/2005 0:00:00|4/13/2005 0:00:00|Salgado|||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Aerial View of São Paulo, Brazil|Salgado, Sebastião 3632.00|0|Creator|05|J-Salgado|||10|J-Salgado 10|High Rises in Jakarta in View of Farmland|Descriptive|Cataloger|||||||High Rises in Jakarta in View of Farmland|30555|Salgado, Sebastião||photographer|Sebastião Salgado|0||||0|||||||||||||||||||0||||0||||0||||0|Photographs|Gelatin silver print|Documentary photograph|||20|||1996|1996||1996|1996-1996|||||0||||0|||||Gelatin silver print|photo paper|||||photography|gelatin silver process||||||||||Jakarta, Indonesia ; Cityscapes ; Apartment houses ; Office buildings ; |Jakarta, Indonesia|Cityscapes|Apartment houses|Office buildings||||||Cornell||MNW|MNW|4/13/2005 0:00:00|4/13/2005 0:00:00|Salgado|||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|High Rises in Jakarta in View of Farmland|Salgado, Sebastião 3633.00|0|Creator|05|J-Salgado|||11|J-Salgado 11|Cairo: the Modern and the Traditional|Descriptive|Cataloger|||||||Cairo: the Modern and the Traditional|30555|Salgado, Sebastião||photographer|Sebastião Salgado|0||||0|||||||||||||||||||0||||0||||0||||0|Photographs|Gelatin silver print|Documentary photograph|||20|||1997|1997||1997|1997-1997|||||0||||0|||||Gelatin silver print|photo paper|||||photography|gelatin silver process||||||||||Cairo, Egypt ; Cityscapes ; Landscapes ; |Cairo, Egypt|Cityscapes|Landscapes|||||||Cornell||MNW|MNW|4/13/2005 0:00:00|4/13/2005 0:00:00|Salgado|||0|||||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Cairo: the Modern and the Traditional|Salgado, Sebastião 3634.00|0|Creator|05|J-Salgado|||12|J-Salgado 12|The Railroad With Squatters in Manila|Descriptive|Cataloger|||||||The Railroad With Squatters in Manila|30555|Salgado, Sebastião||photographer|Sebastião Salgado|0||||0|||||||||||||||||||0||||0||||0||||0|Photographs|Gelatin silver print|Documentary photograph|||20|||1999|1999||1999|1999-1999|||||0||||0|||||Gelatin silver print|photo paper|||||photography|gelatin silver process||||||||||Manila, Philippines ; Railroads ; Squatters ; |Manila, Philippines|Railroads|Squatters|||||||Cornell||MNW|MNW|4/13/2005 0:00:00|4/13/2005 0:00:00|Salgado|||0|||||||J||||||||||||||||Work|0|Photography|The land on either side of railroad tracks in Manila is occupied by tens of thousands of squatters. Salgado, Migrations||||||||||0|0|The Railroad With Squatters in Manila|Salgado, Sebastião 3635.00|0|Creator|05|J-Salgado|||13|J-Salgado 13|Pipeline Carrying Drinking Water Passes Through Shanty-town of Mahim in Bombay (Mumbai)|Descriptive|Cataloger|||||||Pipeline Carrying Drinking Water Passes Through Shanty-town of Mahim in Bombay (Mumbai)|30555|Salgado, Sebastião||photographer|Sebastião Salgado|0||||0|||||||||||||||||||0||||0||||0||||0|Photographs|Gelatin silver print|Documentary photograph|||20|||1995|1995||1995|1995-1995|||||0||||0|||||Gelatin silver print|photo paper|||||photography|gelatin silver process||||||||||Cityscapes ; Shantytowns ; Mumbai, India ; |Cityscapes|Shantytowns|Mumbai, India|||||||Cornell||MNW|MNW|4/13/2005 0:00:00|4/13/2005 0:00:00|Salgado|||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Pipeline Carrying Drinking Water Passes Through Shanty-town of Mahim in Bombay (Mumbai)|Salgado, Sebastião 3636.00|0|Creator|05|J-Salgado|||14|J-Salgado 14|Train in Greater Mumbai (Bombay)|Descriptive|Cataloger|||||||Train in Greater Mumbai|30555|Salgado, Sebastião||photographer|Sebastião Salgado|0||||0|||||||||||||||||||0||||0||||0||||0|Photographs|Gelatin silver print|Documentary photograph|||20|||1995|1995||1995|1995-1995|||||0||||0|||||Gelatin silver print|photo paper|||||photography|gelatin silver process||||||||||Mumbai, India ; Railroads ; |Mumbai, India|Railroads||||||||Cornell||MNW|MNW|4/13/2005 0:00:00|4/13/2005 0:00:00|Salgado|||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Train in Greater Mumbai (Bombay)|Salgado, Sebastião 3637.00|0|Creator|05|J-Salgado|||15||Interior View of Church Gate Railroad Station in Mumbai (Bombay), India|Descriptive|Cataloger|||||||Interior View of Church Gate Railroad Station in Mumbai (Bombay), India|30555|Salgado, Sebastião||photographer|Sebastião Salgado|0||||0|||||||||||||||||||0||||0||||0||||0|Photographs|Gelatin silver print|Documentary photograph|||20|||1995|1995||1995|1995-1995|||||0||||0|||||Gelatin silver print|photo paper|||||photography|gelatin silver process||||||||||Mumbai, India ; Railroad stations ; |Mumbai, India|Railroad stations||||||||Cornell||MNW|JNK|4/13/2005 0:00:00|4/13/2005 0:00:00|Salgado|||0|||||||J||||||||||||||||Work|0|Photography|The Church Gate is the terminus station of the Western Railroad line which brings 2.7 million communters into Bombay every day. Salgado, Migrations||||||||||0|0|Interior View of Church Gate Railroad Station in Mumbai (Bombay), India|Salgado, Sebastião 3638.00|0|Creator|15||||||The Most Requested Song of All Time|Artists|Image Source (Book)|||||||The Most Requested Song of All Time|11561|Syrop, Mitchell||conceptual artist|Mitchell Syrop|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Portrait|Printouts|||20|||1997|1998||1997-1998|1997-1998|||||0||||0|||||Inkjet prints mounted on board|paper|board||||printing|ink jet printing||||94 x 124.5 cm||||||Group portraits ; |Group portraits|||||||||Cornell||MNW|MNW|4/14/2005 0:00:00|4/13/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|The Most Requested Song of All Time|Syrop, Mitchell 3639.00|0|Creator|15||||||RFG Constellation #3|Artists|Image Source (Book)|||||||RFG Constellation #3|11561|Syrop, Mitchell||conceptual artist|Mitchell Syrop|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Portrait|Printouts|||20|||1976|1982||||||||0||||0|||||Laser prints mounted on board, aluminum extrusion, monofilament|paper|aluminum|monofilament|||printing|laser printing||||160 x 231.1 cm||||||Portraits ; |Portraits|||||||||Cornell||MNW|MNW|4/14/2005 0:00:00|4/14/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|RFG Constellation #3|Syrop, Mitchell 3640.00|0|Creator|05|J-Salgado J-Salgado|||16|J-Salgado J-Salgado 16|Partial View of the Climbing of Ladders and Other Activities in the Gold Mine of Serra Pelada, Brazil|Descriptive|Image Source (Book)|||||||Partial View of the Climbing of Ladders in the Gold Mine of Serra Pelada, Brazil|30555|Salgado, Sebastião||photographer|Sebastião Salgado|0||||0|||||Brazilian||||||||Brazil||||||0||||0||||0||||0|Photographs|Gelatin silver print|Documentary photograph|||20|||1986|1986||1986|1986-1986|||||0||||0|||||Gelatin silver print|paper|||||photography|gelatin silver process||||||||||Mining ; Ladders ; Workers ; Serra Pelada Mine, Brazil ; |Mining|Ladders|Workers|Serra Pelada Mine, Brazil||||||Cornell||MNW|JNK|4/15/2005 0:00:00|4/14/2005 0:00:00|Salgado|||0|||||||J J||||||||||||||||Work|0|Photography|||||||||||0|0|Partial View of the Climbing of Ladders and Other Activities in the Gold Mine of Serra Pelada, Brazil|Salgado, Sebastião 3641.00|0|Creator|05|J-Salgado|||17|J-Salgado 17|The Serra Pelada Gold Mine, Brazil|Descriptive|Image Source (Book)|||||||The Serra Pelada Gold Mine, Brazil|30555|Salgado, Sebastião||photographer|Sebastião Salgado|0||||0|||||Brazilian||||||||Brazil||||||0||||0||||0||||0|Photographs|Gelatin silver print|Documentary photograph|||20|||1986|1986||1986|1986-1986|||||0||||0|||||Gelatin silver print|paper|||||photography|gelatin silver process||||||||||Mining ; Ladders ; Workers ; Serra Pelada Mine, Brazil ; |Mining|Ladders|Workers|Serra Pelada Mine, Brazil||||||Cornell||MNW|MNW|4/14/2005 0:00:00|4/14/2005 0:00:00|Salgado|||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|The Serra Pelada Gold Mine, Brazil|Salgado, Sebastião 3642.00|0|Creator|05|J-Salgado|||18|J-Salgado 18|Overview of the Serra Pelada Mine|Collective Title|Image Source (Book)|||||||Overview of the Serra Pelada Mine|30555|Salgado, Sebastião||photographer|Sebastião Salgado|0||||0|||||Brazilian||||||||Brazil||||||0||||0||||0||||0|Photographs|Gelatin silver print|Documentary photograph|||20|||1986|1986||1986|1986-1986|||||0||||0|||||Gelatin silver print|paper|||||photography|gelatin silver process||||||||||Mining ; Ladders ; Workers ; Serra Pelada Mine, Brazil ; |Mining|Ladders|Workers|Serra Pelada Mine, Brazil||||||Cornell||MNW|MNW|4/14/2005 0:00:00|4/14/2005 0:00:00|Salgado|||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Overview of the Serra Pelada Mine|Salgado, Sebastião 3643.00|0|Site|02||||||Hand Painted Movie Poster|Descriptive|Image Source (Book)|||||||Hand Painted Movie Poster|0|||||0||||0|||||Ghanaian||||||||Ghana||||||0||||0||||0||||0|Paintings|Poster||||||||||||||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|4/14/2005 0:00:00|4/14/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Hand Painted Movie Poster| 3644.00|0|Architect|02|MA-Libera|7.5|1938-40|Mal|MA-Libera 7.5 1938-40 Mal|Casa Malaparte|||||||||Casa Malaparte|7049|Libera, Adalberto||architect|Adalberto Libera|30558|Malaparte, Curzio|attributed to|architect|0|||||Italian|||Modern|||||Italy||||||0|Isola di Capri, Italy|||10394||||0||||0|Architecture|House||||20|||1938|1940||1938-1940|1938-1940|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|4/15/2005 0:00:00|4/15/2005 0:00:00|Libera|||0||||||Mal|MA||||||7.5|1938-1940|||||||||Work|0|Modern Architecture-|||||||||||0|0|Casa Malaparte|Libera, Adalberto;Malaparte, Curzio 3645.00|0|Category|05||||||Curzio Malaparte on Lipari|Descriptive|Image Source (Book)|||||||Curzio Malaparte on Lipari|0|||||0||||0|||||Italian||||||||Italy||||||0||||0||||0||||0|Photographs|Documentary photograph|Portrait|||20|||1934|1934||1934|1934-1934|||||0||||0|||||Documentary photograph|photo paper|||||photography|||||||||||Portraits ; Malaparte, Curzio, 1898-1957 ; |Portraits|Malaparte, Curzio, 1898-1957||||||||Cornell||MNW|MNW|4/15/2005 0:00:00|4/15/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Curzio Malaparte on Lipari| 3646.00|0|Creator|05||||||Green Sticks Partially Scraped and Rubbed|Artists|Image Source (Book)|||||||Green Sticks Partially Scraped and Rubbed|4632|Goldsworthy, Andy||photographer|Andy Goldworthy|0||||0|||||English|||Post-1945|||||England||||||0||||0||||0||||0|Photographs|Environmental art|Documentary photograph|||||||||||||||0||||0|||||Cibachrome|photo paper|||||photography|cibachrome ™||||||||||||||||||||Cornell||MNW|MNW|4/15/2005 0:00:00|4/15/2005 0:00:00|G6245|||0|||||||||||||||||||||||Work|0||||||||||||0|0|Green Sticks Partially Scraped and Rubbed|Goldsworthy, Andy 3648.00|0|Architect|03||||||Santiago Claret House|Descriptive|Image Source (Book)|||||||Santiago Claret House|30562|Borges Recio, Jr., Max||architect|Max Borges Recio, Jr.|0||||0|||||Cuban|||Modern|||||Cuba||||||0|Havana, Cuba|||10267||||0||||0|Architecture|House|||||||1941|1941||1941|1941-1941|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||MNW|JNK|11/4/2005 0:00:00|4/19/2005 0:00:00||Hav||0|||||||||||||||||||||||Work|0||||||||||||0|0|Santiago Claret House|Borges Recio, Jr., Max 3649.00|0|Creator|05||||||Mies van der Rohe Viewing Model of the Farnsworth House|Collective Title|Image Source (Pub)|||||||Mies van der Rohe Viewing Model of the Farnsworth House|30563|Leftwich, William||photographer|William Leftwich|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1947|1947||1947|1947-1947|||||0||||0|||||||||||photography|||||||4073|Chicago: Art Institute of Chicago|Chicago: Art Institute||Mies van der Rohe, Ludwig, 1886-1969 ; Farnsworth House (Plano, IL) ; Portraits ; Models (Representations) ; |Mies van der Rohe, Ludwig, 1886-1969|Farnsworth House (Plano, IL)|Portraits|Models (Representations)||||||Cornell||MNW|MNW|4/21/2005 0:00:00|4/21/2005 0:00:00||||0||1986.2, box 4.32||||||||||||| ||||||||Work|0||||||||||||0|0|Mies van der Rohe Viewing Model of the Farnsworth House|Leftwich, William 3650.00|0|Creator|02||||||Farnsworth House: Presentation Plan|Descriptive|Image Source (Pub)|||||||Farnsworth House: Presentation Plan|30552|Fujikawa, Joseph Y.||architect|Joseph Y. Fujikawa|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Drawings|Plans (drawings)||||20|||1946|1946||1946|1946-1946|||||0||||0|||||Pen and ink on illustration board|pen|ink|illustration board|||drawing (image-making)|||||76.2 x 101.6 cm||3384|New York: Museum of Modern Art|New York: MoMA||Farnsworth House (Plano, IL) ; Houses ; |Farnsworth House (Plano, IL)|Houses||||||||Cornell||MNW|MNW|4/21/2005 0:00:00|4/21/2005 0:00:00||||0||737.63||||||||||||| ||||||||Work|0||||||||||||0|0|Farnsworth House: Presentation Plan|Fujikawa, Joseph Y. 3651.00|0|Creator|08||||||Dioptrique|Published||||||||Discours de la méthode pour bien conduire sa raison. Dioptrique|30318|Descartes, René||philosopher|René Descartes|0||||0|||||French|||Baroque|||||France||||||0||||0||||0||||0|Publications|Book||||17|||1637|1637||1637|1637-1637||Discours de la méthode pour bien conduire sa raison|LargerEntity||||||0||||||||||||||||||||||Optics ; Refraction ; Eyes ; |Optics|Refraction|Eyes|||||||Cornell||MNW|MNW|4/21/2005 0:00:00|4/21/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Dioptrique|Descartes, René 3652.00|0||||||||The Urban Structure at the Neighborhood Scale|Descriptive|Image Source (Book)|||||||The Urban Structure at the Neighborhood Scale|29480|Duany, Plater-Zyberk & Company||architectural firm|Duany, Plater-Zyberk & Company|0||||0|||||American|||Postmodern|||||United States||||||0||||0||||0||||0|Architectural Theory|Plan views|Architectural drawing|||20||||||||||||0||||0|||||||||||architectural drawing|||||||||||Architectural theory ; Urban planning ; |Architectural theory|Urban planning||||||||Cornell||JNK|JNK|4/22/2005 0:00:00|4/22/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|The Urban Structure at the Neighborhood Scale|Duany, Plater-Zyberk & Company 3653.00|0||||||||Kemer Country|Assigned|Image Source (Book)|||||||Kemer Country|29480|Duany, Plater-Zyberk & Company||architectural firm|Duany, Plater-Zyberk & Company|0||||0||||||||Postmodern|||||Turkey||||||0|Istanbul, Turkey|||10021||||0||||0|Architecture|Housing development|Housing|||20|||1992|||1992-|1992-|||||0||||0||||||||||||||||||||||Urban planning ; Housing developments ; |Urban planning|Housing developments||||||||Cornell||JNK|JNK|4/22/2005 0:00:00|4/22/2005 0:00:00||Ist||0||||||||||||||||||||||||0||||||||||||0|0|Kemer Country|Duany, Plater-Zyberk & Company 3654.00|0|Creator|15|32|D5215-PA|1896|1|32 D5215-PA 1896 1|The White Birch|Assigned|Image Source (Book)|||||||The White Birch|30564|Dewing, Thomas Wilmer||painter|Thomas Wilmer Dewing|0||||0|||||American||||||||United States||||||0||||||||0||||0|Paintings|Oil painting||||19|||1896|1899||1896-1899|1896-1899|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||||9466|Saint Louis, MO: Washington University; Gallery of Art|St. Louis: Wash. Univ.; Gall. Of Art||Women ; Landscapes ; Trees ; |Women|Landscapes|Trees|||||||Cornell||JNK|JNK|4/26/2005 0:00:00|4/22/2005 0:00:00|D5215|||0|||||||32|PA||||||1896| ||||||||Work|0||||||||||||0|0|The White Birch|Dewing, Thomas Wilmer 3655.00|0|Creator|15|32|D5215-PA|1890|1|32 D5215-PA 1890 1|Summer|Assigned|Image Source (Book)|||||||Summer|30564|Dewing, Thomas Wilmer||painter|Thomas Wilmer Dewing|0||||0|||||American||||||||United States||||||0||||||||0||||0|Paintings|Oil painting||||19|||1890|1890|ca|ca 1890|ca 1890-1890|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||107 x 137.8 cm||31743174||||Women ; Landscapes ; |Women|Landscapes||||||||Cornell||JNK|MNW|6/17/2005 0:00:00|4/26/2005 0:00:00|D5215|||0|||||||32|PA||||||1890| ||||||||Work|0||||||||||||0|0||Dewing, Thomas Wilmer 3656.00|0|Creator|15|32|D5215PA|1897|1|32 D5215PA 1897 1|A Reading|Assigned|Repository|||||||A Reading|30564|Dewing, Thomas Wilmer||painter|Thomas Wilmer Dewing|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Paintings|Oil painting||||19|||1897|1897||1897|1897-1897|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||51.3 x 76.8 cm||3174|Washington, DC: Smithsonian Institution; Museum of American Art|Wash, DC: Smithsonian; Mus. Amer. Art||Women ; Reading ; Interior views ; |Women|Reading|Interior views|||||||Cornell||JNK|MNW|6/17/2005 0:00:00|4/26/2005 0:00:00|D5215|||0|||||||32|PA||||||1897| ||||||||Work|0||||||||||||0|0|A Reading|Dewing, Thomas Wilmer 3660.00|0|Category|07|U-18|11|Plywood|1|U-18 11 Plywood 1|Stacks of Wood Veneer|Descriptive|Cataloger|||||||Stacks of Wood Veneer|30567|Pfeiffer, Eric||photographer|Eric Pfeiffer|0||||0|||||||||||||||||||0||||0||||0||||0|Furnishings|Furniture|Documentary photograph|||20|21||1993|2003|ca|ca 1993-2003|ca 1993-2003|||||0||||0||||||||||||||||||||||Veneer ; |Veneer|||||||||Cornell||MNW|MNW|5/4/2005 0:00:00|5/2/2005 0:00:00||||0||||||Plywood|U|||18||||||11|||||||Work|0|Furniture-American (USA)|||||||||||0|0|Stacks of Wood Veneer|Pfeiffer, Eric 3661.00|0|Creator|15|32|S245-PA|1881|1|32 S245-PA 1881 1|Dr. Pozzi at Home|Assigned|Image Source (Pub)|||||||Dr. Pozzi at Home|10396|Sargent, John Singer||painter|John Singer Sargent|0||||0|||||American||||||||United States||||||0|Los Angeles, CA|||0||||0||||0|Paintings|Oil painting||||19|||1881|1881||1881|1881-1881|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||204 x 109 cm||1565|Los Angeles: Hammer (Armand) Collection (/Foundation)|Los Angeles: Armand Hammer Coll||Portraits ; Pozzi, Samuel, 1846-1918 ; |Portraits|Pozzi, Samuel, 1846-1918||||||||Cornell||JNK|JNK|5/2/2005 0:00:00|5/2/2005 0:00:00|S245|||0|||||||32|PA||||||1881| ||||||||Work|0||||||||||||0|0|Dr. Pozzi at Home|Sargent, John Singer 3662.00|0|Category|07|U-18|11|Plywood|2|U-18 11 Plywood 2|Bent Plywood|Descriptive|Cataloger|||||||Bent Plywood|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Furnishings|Furniture||||20|21||1993|2003|ca|ca 1993-2003|ca 1993-2003|||||0||||0|||||Bent plywood|plywood|||||bending|||||||||||||||||||||Cornell||MNW|MNW|5/2/2005 0:00:00|5/2/2005 0:00:00||||0||||||Plywood|U|||18||||||11|||||||Work|0|Furniture-American (USA)|||||||||||0|0|Bent Plywood| 3663.00|0|Category|07|U-18|11|Plywood|3|U-18 11 Plywood 3|Molded Plywood|Descriptive|Cataloger|||||||Molded Plywood|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Furnishings|Furniture||||20|21||1993|2003|ca|ca 1993-2003|ca 1993-2003|||||0||||0|||||Molded plywood|plywood|||||molding|||||||||||||||||||||Cornell||MNW|MNW|5/2/2005 0:00:00|5/2/2005 0:00:00||||0||||||Plywood|U|||18||||||11|||||||Work|0|Furniture-American (USA)|||||||||||0|0|Molded Plywood| 3664.00|0|Creator|05|32|S245-TO|1883|1|32 S245-TO 1883 1|John Singer Sargent in his Studio at 41 Blvd. Berthier, Paris, with Portrait of Madame Pierre Gautreau (Madame X)|Descriptive|Image Source (Pub)|||||||John Singer Sargent in his Studio at 41 Blvd. Berthier, Paris, with Portrait of Madame Pierre Gautreau (Madame X)|31214|Giraudon, Auguste||photographer|Auguste Giraudon|0||||0|||||||||||||||||||0||||||||0||||0|Photographs|Documentary photograph||||19|||1883|1884|ca|ca 1883-1884|ca 1883-1884|||||0||||0|||||Black and white photograph||||||photography|||||||4904|Washington, DC: Smithsonian Institution; Archives of American Art|Wash, DC: Smithsonian; Archives Amer. Art||Portraits ; Artists ; Studios (Work Spaces) ; Painters (artists) ; Sargent, John Singer, 1856-1925 ; |Portraits|Artists|Studios (Work Spaces)|Painters (artists)|Sargent, John Singer, 1856-1925|||||Cornell||JNK|JNK|5/31/2006 0:00:00|5/2/2005 0:00:00|S245|||0|||||||32|TO||||||1883| ||||||||Work|0||||||||||||0|0||Giraudon, Auguste 3665.00|0|Creator|15|U-13.2|9.2|Thonet Fac|BendMac 1-1|U-13.2 9.2 Thonet Fac BendMac 1-1|Steam-bending Forms|Descriptive|Image Source (Pub)|||||||Steam-bending Forms|30039|Gebrüder Thonet||manufacturer|Gebrüder Thonet|11743|Thonet, Michael||designer|0|||||Austrian||||||||Austria||||||0||||0||||0||||0|Graphics|Illustration||||19|||1856|1856||1856|1856-1856|||||0||||0|||||||||||printing|||||||||||||||||||||Cornell||MNW|JNK|5/6/2005 0:00:00|5/2/2005 0:00:00|Thonet Fac|||0||||||BendMac|U|||13.2|||9.2||||||||||Work|0||||||||||||0|0|Steam-bending Forms|Gebrüder Thonet;Thonet, Michael 3666.00|0|Creator|15|U-13.2|9.2|Thonet Fac|Bop 1|U-13.2 9.2 Thonet Fac Bop 1|Boppard Chair Patent Drawing|Descriptive|Image Source (Pub)|||||||Boppard Chair Patent Drawing|30039|Gebrüder Thonet||manufacturer|Gebrüder Thonet|11743|Thonet, Michael||designer|0|||||Austrian||||||||Austria||||||0||||0||||0||||0|Furnishings|Chair|Drawing|||19|||1841|1841||1841|1841-1841|||||0||||0|||||Drawing||||||drawing (image-making)|||||||||||Chairs ; |Chairs|||||||||Cornell||MNW|JNK|5/6/2005 0:00:00|5/2/2005 0:00:00|Thonet Fac|||0||||||Bop|U|||13.2|||9.2||||||||||Work|0||||||||||||0|0|Boppard Chair Patent Drawing|Gebrüder Thonet;Thonet, Michael 3667.00|0|Architect|02|MA-Aalto|9.0|1931|Hybrid|MA-Aalto 9.0 1931 Hybrid|Hybrid Armchair|Artists|Image Source (Pub)|||||||Hybrid Armchair|126|Aalto, Alvar||designer|Alvar Aalto|27635|Artek Oy||manufacturer|0|||||Finnish|||Modernist|||||Finland||||||0||||0||||0||||0|Furnishings|Chair||||20|||1931|1931||1931|1931-1931|||||0||||0|||||Bent and laminated wood|wood|||||bending|laminating||||||||||Furniture ; Armchairs ; Chairs ; |Furniture|Armchairs|Chairs|||||||Cornell||MNW|JNK|5/6/2005 0:00:00|5/2/2005 0:00:00|Aalto|||0||||||Hybrid|MA||||||9.0|1931|||||||||Work|0|Modern Architecture-|||||||||||0|0|Hybrid Armchair|Aalto, Alvar;Artek Oy 3668.00|0|Architect|02|MA-Aalto|9.0|1931|Exper|MA-Aalto 9.0 1931 Exper|Laminated Wood Laboratory Experiment|Descriptive|Image Source (Pub)|||||||Laminated Wood Laboratory Experiment|126|Aalto, Alvar||designer|Alvar Aalto|0||||0|||||Finnish|||Modernist|||||Finland||||||0||||0||||0||||0|Furnishings|Furniture||||20|||1931|1931||1931|1931-1931|||||0||||0|||||Laminated wood|wood|||||laminating|||||||||||Furniture ; |Furniture|||||||||Cornell||MNW|JNK|5/6/2005 0:00:00|5/2/2005 0:00:00|Aalto|||0||||||Exper|MA||||||9.0|1931|||||||||Work|0|Modern Architecture-|||||||||||0|0|Laminated Wood Laboratory Experiment|Aalto, Alvar 3669.00|0|Architect|03|MA-Rietveld|9.0|1927 Beugel4||MA-Rietveld 9.0 1927 Beugel4 |Beugelstoel 4|Assigned|Image Source (Pub)|||||||Beugelstoel 4|9865|Rietveld, Gerrit Thomas||architect|Gerrit Rietveld|0||||0|||||Dutch|||De Stijl|||||Holland||||||0||||0||||0||||0|Furniture|Chair|||||||1927|1927|ca|ca 1927|ca 1927-1927|||||0||||0|||||Steel, painted aluminum, laminated wood|steel|aluminum|wood|||laminating|||||||||||Furniture ; Armchairs ; Chairs ; |Furniture|Armchairs|Chairs|||||||Cornell||MNW|JNK|5/11/2006 0:00:00|5/2/2005 0:00:00|Rietveld|||0||||||Beugel4|MA||||||9.0|1927|||||||||Work|0|Modern Architecture|||||||||||0|0|Beugelstoel 4|Rietveld, Gerrit Thomas 3670.00|0|Architect|03|MA-Aalto|9.0|1932 BenKne||MA-Aalto 9.0 1932 BenKne |Bent Knee Patent Drawing|Descriptive|Image Source (Pub)|||||||Bent Knee Patent Drawing|126|Aalto, Alvar||architect|Alvar Aalto|0||||0|||||Finnish|||Modernist|||||Finland||||||0||||0||||0||||0|Furnishings|Chair|Drawing|||20|||1932|1932||1932|1932-1932|||||0||||0|||||Patent drawing||||||drawing (image-making)|||||||||||Furniture ; Chairs ; |Furniture|Chairs||||||||Cornell||MNW|JNK|5/6/2005 0:00:00|5/2/2005 0:00:00|Aalto|||0||||||BenKne|MA||||||9.0|1932|||||||||Work|0|Modern Architecture|||||||||||0|0|Bent Knee Patent Drawing|Aalto, Alvar 3671.00|0||||||||New York World's Fair (1939-1940)|Assigned|LC NAF|‘World of Tomorrow’ Exposition|Variant|Dict.Art||||New York World's Fair (1939-1940)|0|||||0||||0|||||American||||||||United States||||||0||||0|New York, NY|||10060||||0|Architecture|Exhibition||||20|||1939|1940||1939-1940|1939-1940|||||0||||0||||||||||||||||||||||Exhibitions ; New York World's Fair (1939-1940) ; |Exhibitions|New York World's Fair (1939-1940)||||||||Cornell||MNW|GB|11/20/2006 0:00:00|5/2/2005 0:00:00|||NYC|0||||||||||||||||||||||||0||||||||||||0|0|New York World's Fair (1939-1940);‘World of Tomorrow’ Exposition| 3672.00|0|Site|03|B-B33|NYC|2.31|1939 WolF/Fin|B-B33 2.31 1939 WolF/Fin |Finnish Pavilion|||||||||New York World's Fair (1939-1940). Finnish Pavilion|126|Aalto, Alvar||architect|Alvar Aalto|0||||0|||||Finnish|||Modernist|||||Finland||||||0||||0|New York, NY|||10060||||0|Architecture|Exhibition building space||||20|||1939|1939||1939|1939-1939||New York World's Fair (1939-1940)|LargerEntity||3671||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|9/30/2005 0:00:00|5/2/2005 0:00:00||NYC||0||||||1939 WolF/Fin|B|||||B33|2.31||||||||||Work|0|Architecture|||||||||||0|0|Finnish Pavilion|Aalto, Alvar 3673.00|0|Category|07|U-18|11|Plywood||U-18 11 Plywood |Advertisement for Plymold in Fortune Magazine|Descriptive|Image Source (Pub)|||||||Advertisement for Plymold|30566|Haskelite Manufacturing Corporation||manufacturer|Haskelite Manufacturing Corporation|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Advertising|Advertisement||||20|||1944|1944||1944|1944-1944|||||0||||0|||||||||||printing|||||||||||Moldings ; |Moldings|||||||||Cornell||MNW|MNW|5/2/2005 0:00:00|5/2/2005 0:00:00|Plywood|||0|||||||U|||18||||||11|||||||Work|0|Furniture-American (USA)|||||||||||0|0|Advertisement for Plymold in Fortune Magazine|Haskelite Manufacturing Corporation 3674.00|0|Category|07|U-18|11|Plywood||U-18 11 Plywood |Sorting Harvested Beech Logs at the Log Yard|Descriptive|Cataloger|||||||Sorting Harvested Beech Logs at the Log Yard|30567|Pfeiffer, Eric||photographer|Eric Pfeiffer|0||||0|||||||||||||||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|21||1993|2003|ca|ca 1993-2003|ca 1993-2003|||||0||||0|||||||||||photography|||||||||||Logging ; |Logging|||||||||Cornell||MNW|MNW|5/2/2005 0:00:00|5/2/2005 0:00:00|Plywood|||0|||||||U|||18||||||11|||||||Work|0|Furniture-American (USA)|||||||||||0|0|Sorting Harvested Beech Logs at the Log Yard|Pfeiffer, Eric 3675.00|0|Creator|05|32|S245-PA|1884|3|32 S245-PA 1884 3|Madame Pierre Gautreau (Madame X) (Photograph of original version)|Assigned|Image Source (Pub)|||||||Madame Pierre Gautreau (Madame X) (Photograph of original version)|10396|Sargent, John Singer||painter|John Singer Sargent|0||||0|||||American||||||||United States||||||0||||||||0||||0|Photographs|Documentary photograph||||19|||1884|1884||1884|1884-1884|||||0||||0|||||Black and white photograph|||||||||||208.6 x 109.9 cm||3294|new york: Metropolitan Museum of Art|New York: Metropolitan||Gautreau, Virginie Avegno, 1859-1915 ; Portraits ; Photographs ; |Gautreau, Virginie Avegno, 1859-1915|Portraits|Photographs|||||||Cornell||JNK|JNK|5/2/2005 0:00:00|5/2/2005 0:00:00|S245|||0|||||||32|PA||||||1884| ||||||||Work|0||||||||||||0|0|Madame Pierre Gautreau (Madame X) (Photograph of original version)|Sargent, John Singer 3676.00|0|Category|07|U-18|11|Plywood||U-18 11 Plywood |Logs Stacked in the Log Yard|Descriptive|Cataloger|||||||Logs Stacked in the Log Yard|30567|Pfeiffer, Eric||photographer|Eric Pfeiffer|0||||0|||||||||||||||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|21||1993|2003|ca|ca 1993-2003|ca 1993-2003|||||0||||0|||||||||||photography|||||||||||Logging ; |Logging|||||||||Cornell||MNW|MNW|5/2/2005 0:00:00|5/2/2005 0:00:00|Plywood|||0|||||||U|||18||||||11|||||||Work|0|Furniture-American (USA)|||||||||||0|0|Logs Stacked in the Log Yard|Pfeiffer, Eric 3677.00|0|Category|07|U-18|11|Plywood||U-18 11 Plywood |Transportation of Logs from Log Yard to Sawmill|Descriptive|Cataloger|||||||Transportation of Logs from Log Yard to Sawmill|30567|Pfeiffer, Eric||photographer|Eric Pfeiffer|0||||0|||||||||||||||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|21||1993|2003|ca|ca 1993-2003|ca 1993-2003|||||0||||0|||||||||||photography|||||||||||Logging ; |Logging|||||||||Cornell||MNW|MNW|5/2/2005 0:00:00|5/2/2005 0:00:00|Plywood|||0|||||||U|||18||||||11|||||||Work|0|Furniture-American (USA)|||||||||||0|0|Transportation of Logs from Log Yard to Sawmill|Pfeiffer, Eric 3678.00|0|Category|07|U-18|11|Plywood||U-18 11 Plywood |Bent Plywood Mold|Descriptive|Image Source (Pub)|||||||Bent Plywood Mold|30590|Ricci, Stefano||photographer|Stefano Ricci|0||||0|||||||||||||||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|21||1993|2003|ca|ca 1993-2003|ca 1993-2003|||||0||||0|||||||||||photography|||||||||||Molds ; |Molds|||||||||Cornell||MNW|MNW|5/5/2005 0:00:00|5/2/2005 0:00:00||||0|||||||U|||18||||||11|||||||Work|0|Furniture-American (USA)|||||||||||0|0|Bent Plywood Mold|Ricci, Stefano 3679.00|0|Category|07|U-18|11|Tayer|Mich 1|U-18 11 Tayer 1|Michael's Table|Artists|Artist|||||||Michael's Table|30568|Tayar, Ali||architect|Ali Tayar|30569|Parallel Design Partnership|||0|||||||||||||||||||0||||0||||0||||0|Furnishings|Table||||20|||1991|1991||1991|1991-1991|||||0||||0|||||Laminated birch plywood, folded aluminum, and glass|plywood|aluminum|glass|||laminating|||||74.9 x 60 x 152.4 cm||||||Furniture ; Tables (support furniture) ; |Furniture|Tables (support furniture)||||||||Cornell||MNW|MNW|5/5/2005 0:00:00|5/2/2005 0:00:00|Tayar|||0||||||Mich|U|||18||||||11|||||||15|0|Furniture-American (USA)|Named after Michael Basset, the New York attorney who commissioned the first one. It comes in two sizes--dining and coffee. Production run was limited to ca 5 coffee tables and 3 dining tables. Www.architonic.web.||||||||||0|0|Michael's Table|Tayar, Ali;Parallel Design Partnership 3680.00|0|Creator|07|U-16|9.0|Arad|Chair 2|U-16 9.0 Arad Chair 2|Schizzo Chair|Assigned|Image Source (Pub)|||||||Schizzo Chair|30095|Arad, Ron||architect|Ron Arad|30037|Vitra AG||manufacturer|0|||||English||||||||England||||||0||||0||||0||||0|Furnishings|Chair||||20|||1989|1989||1989|1989-1989|||||0||||0|||||Laminated and molded plywood|plywood|||||laminating|molding||||||9282|Weil am Rhein: Vitra Design Museum|Weil am Rhein: Vitra Design M.||Furniture ; Chairs ; |Furniture|Chairs||||||||Cornell||MNW|MNW|5/2/2005 0:00:00|5/2/2005 0:00:00|Arad|||0||||||Chair|U|||16|||9.0|| ||||||||Work|0|Furniture-English|||||||||||0|0|Schizzo Chair|Arad, Ron;Vitra AG 3681.00|0|Category|07|U-18|11 Catalano|Cap||U-18 11 Catalano Cap |Capelli Stool|Artists|Image Source (Pub)|||||||Capelli Stool|2119|Catalano, Carol||designer|Carol Catalano|30052|Herman Miller Furniture Company||manufacturer|0|||||American||||||||United States||||||0||||0||||0||||0|Furnishings|Stool||||20|||1999|1999||1999|1999-1999|||||0||||0|||||Laminated and bent plywood|plywood|||||bending|laminating||||||||||Furniture ; Stools ; |Furniture|Stools||||||||Cornell||MNW|MNW|5/2/2005 0:00:00|5/2/2005 0:00:00|Catalano|||0||||||Cap|U|||18||||||11|||||||Work|0|Furniture-American (USA)|||||||||||0|0|Capelli Stool|Catalano, Carol;Herman Miller Furniture Company 3682.00|0|Category|07|U-28.2|9.0|Takahashi|Twi|U-28.2 9.0 Takahashi Twi|Twister Stools|Assigned|Image Source (Pub)|||||||Twister Stools|30571|Takahashi, Yukio||designer|Yukio Takahashi|30507|Swedese||manufacturer|0|||||Japanese||||||||Japan||||||0||||0||||0||||0|Furnishings|Stool||||21|||2002|2002||2002|2002-2002|||||0||||0|||||Laminated and bent plywood|plywood|||||laminating|bending||||||||||Furniture ; Stools ; |Furniture|Stools||||||||Cornell||MNW|MNW|5/2/2005 0:00:00|5/2/2005 0:00:00|Takahashi|||0||||||Twi|U|||28.2|||9.0||||||||||Work|0|Furniture-Japanese|||||||||||0|0|Twister Stools|Takahashi, Yukio;Swedese 3683.00|0|Creator|15|U-17.3|9.0|Kjaerholm|PKO 4|U-17.3 9.0 Kjaerholm PKO 4|PKO Chair|Assigned|Image Source (Pub)|||||||PKO Chair|6330|Kjaerholm, Poul||designer|Poul Kjaerholm|30572|Fritz Hansen A/S|||0|||||Danish||||||||Denmark||||||0||||0||||0||||0|Furnishings|Chair||||20|||1952|1997||1952-1997|1952-1997|||||0||||0|||||Laminated and molded plywood|plywood|||||molding|laminating||||||||||Furniture ; Chairs ; |Furniture|Chairs||||||||Cornell||MNW|MNW|5/2/2005 0:00:00|5/2/2005 0:00:00||||0||||||PKO|U|||17.3||||||9.0|||||||Work|0||||||||||||0|0|PKO Chair|Kjaerholm, Poul;Fritz Hansen A/S 3684.00|0|Creator|15|32|S245-PA|1883|2|32 S245-PA 1883 2|Study for Madame Gautreau (Madame X)|Assigned|Repository|Study for Madame Pierre Gautreau (Madame X)||||||Study for Madame Gautreau (Madame X)|10396|Sargent, John Singer||painter|John Singer Sargent|0||||0|||||American||||||||United States||||||0||||||||0||||0|Paintings|Painting|Watercolor|||19|||1883|1883|ca|ca 1883|ca 1883-1883|||||0||||0|||||Watercolor on paper|watercolors|||||painting (image-making)|||||35 x 24 cm||3689|Cambridge, MA: Harvard University; Fogg Art Museum|Cambridge: Harvard; Fogg||Portraits ; Gautreau, Virginie Avegno, 1859-1915 ; |Portraits|Gautreau, Virginie Avegno, 1859-1915||||||||Cornell||JNK|JNK|5/3/2005 0:00:00|5/3/2005 0:00:00|S245|||0||1943.316|||||32|PA||||||1883| ||||||||Work|0||||||||||||0|0|Study for Madame Gautreau (Madame X);Study for Madame Pierre Gautreau (Madame X)|Sargent, John Singer 3685.00|0|Creator|15|32|S245-D|1884|1|32 S245-D 1884 1|Study for Madame Pierre Gautreau (Madame X)|Assigned|Image Source (Pub)|Madame X (Madame Pierre Gautreau)|Assigned|Repository||||Study for Madame Pierre Gautreau (Madame X)|10396|Sargent, John Singer||painter|John Singer Sargent|0||||0|||||American||||||||United States||||||0||||||||0||||0||||||19|||1883|1884||1883-1884|1883-1884|||||0||||0|||||Pencil on paper|pencil|paper||||drawing (image-making)|||||32 x 20.9 cm||3294|New York: Metropolitan Museum of Art|New York: Metropolitan||Portraits ; Gautreau, Virginie Avegno, 1859-1915 ; |Portraits|Gautreau, Virginie Avegno, 1859-1915||||||||Cornell||JNK|JNK|5/3/2005 0:00:00|5/3/2005 0:00:00|S245|||0|||||||32|D||||||1884| ||||||||Work|0||||||||||||0|0|Study for Madame Pierre Gautreau (Madame X);Madame X (Madame Pierre Gautreau)|Sargent, John Singer 3686.00|0|Creator|15|32|S245-D|nd|2|32 S245-D nd 2|Study for Madame Pierre Gautreau (Madame X)|Descriptive|Image Source (Pub)|Madame X (Madame Pierre Gautreau)|Assigned|Repository||||Study for Madame Pierre Gautreau (Madame X)|10396|Sargent, John Singer||painter|John Singer Sargent|0||||0|||||American||||||||United States||||||0||||||||0||||0|Drawings|Drawing||||19|||1883|1884||1883-1884|1883-1884|||||0||||0|||||Graphite on white-wove paper|graphite|paper||||drawing (image-making)|||||32 x 21 cm||3294|New York: Metropolitan Museum of Art|New York: Metropolitan||Portraits ; Gautreau, Virginie Avegno, 1859-1915 ; |Portraits|Gautreau, Virginie Avegno, 1859-1915||||||||Cornell||JNK|JNK|5/3/2005 0:00:00|5/3/2005 0:00:00||||0|||||||32|D||||||nd| ||||||||Work|0||||||||||||0|0|Study for Madame Pierre Gautreau (Madame X);Madame X (Madame Pierre Gautreau)|Sargent, John Singer 3687.00|0|Creator|15|32|S245-D|1883|3|32 S245-D 1883 3|Madame Pierre Gautreau (Madame X) (two studies)|Assigned|Repository|||||||Madame Pierre Gautreau (Madame X) (two studies)|10396|Sargent, John Singer||painter|John Singer Sargent|0||||0|||||American||||||||United States||||||0|London, England|||0||||0||||0|Drawings|Drawing||||19|||1883|1883|ca|ca 1883|ca 1883-1883|||||0||||0|||||Charcoal on paper|charcoal|paper||||drawing (image-making)|||||24.4 x 34 cm||3373|London: British Museum|London: British Museum||Portraits ; Gautreau, Virginie Avegno, 1859-1915 ; |Portraits|Gautreau, Virginie Avegno, 1859-1915||||||||Cornell||JNK|JNK|5/3/2005 0:00:00|5/3/2005 0:00:00||||0|||||||32|D||||||1883| ||||||||Work|0||||||||||||0|0|Madame Pierre Gautreau (Madame X) (two studies)|Sargent, John Singer 3688.00|0|Creator|15|32|S245-PA|1884|4|32 S245-PA 1884 4|Study of Madam Gautreau|Assigned|Repository|Madame Gautreau (unfinished copy)|Assigned|Image Source (Pub)||||Study of Madam Gautreau|10396|Sargent, John Singer||painter|John Singer Sargent|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Paintings|Oil painting||||19|||1884|1884|ca|ca 1884|ca 1884-1884|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||206.4 x 107.9 cm||3297|London: Tate Gallery|London: Tate Gallery||Portraits ; Gautreau, Virginie Avegno, 1859-1915 ; |Portraits|Gautreau, Virginie Avegno, 1859-1915||||||||Cornell||JNK|JNK|5/3/2005 0:00:00|5/3/2005 0:00:00|S245|||0|||||||32|PA||||||1884| ||||||||Work|0||||||||||||0|0|Study of Madam Gautreau;Madame Gautreau (unfinished copy)|Sargent, John Singer 3689.00|0|Creator|15|32|S245-D|1883|2|32 S245-D 1883 2|Study for Madame Pierre Gautreau (Madame X)|Assigned|Image Source (Pub)|||||||Study for Madame Pierre Gautreau (Madame X)|10396|Sargent, John Singer||painter|John Singer Sargent|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Drawings|Drawing||||19|||1883|1883|ca|ca 1883|ca 1883-1883|||||0||||0|||||Graphite on paper|graphite|paper||||drawing (image-making)|||||29.2 x 21 cm||9467|Mr. and Mrs. Jean-Marie Eveillard Collection|: J-M. Eveillard Collection||Portraits ; Gautreau, Virginie Avegno, 1859-1915 ; |Portraits|Gautreau, Virginie Avegno, 1859-1915||||||||Cornell||JNK|JNK|5/3/2005 0:00:00|5/3/2005 0:00:00||||0|||||||32|D||||||1883| ||||||||Work|0||||||||||||0|0|Study for Madame Pierre Gautreau (Madame X)|Sargent, John Singer 3690.00|0|Creator|15|32|S245-D|1883|4|32 S245-D 1883 4|Madame X (Madame Pierre Gautreau)|Assigned|Repository|||||||Madame X (Madame Pierre Gautreau)|10396|Sargent, John Singer||painter|John Singer Sargent|0||||0|||||American||||||||United States||||||0||||||||0||||0||||||19|||1883|1884|ca|1883-1884|1883-1884|||||0||||0|||||Graphite on paper|graphite|paper||||drawing (image-making)|||||24.6 x 33.5 cm||3294|New York: Metropolitan Museum of Art|New York: Metropolitan||Portraits ; Gautreau, Virginie Avegno, 1859-1915 ; |Portraits|Gautreau, Virginie Avegno, 1859-1915||||||||Cornell||JNK|JNK|5/3/2005 0:00:00|5/3/2005 0:00:00||||0|||||||32|D||||||1883| ||||||||Work|0||||||||||||0|0|Madame X (Madame Pierre Gautreau)|Sargent, John Singer 3691.00|0|Creator|15|32|S245-PA|1882|6|32 S245-PA 1882 6|The Daughters of Edward Darley Boit|Assigned|Repository|||||||The Daughters of Edward Darley Boit|10396|Sargent, John Singer||painter|John Singer Sargent|0||||0|||||American||||||||United States||||||0||||||||0||||0|Paintings|Oil painting|portraits|||19|||1882|1882||1882|1882-1882|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||221.9 x 222.6 cm||428|Boston: Museum of Fine Arts|Boston: MFA||Portraits ; Children (people by age group) ; |Portraits|Children (people by age group)||||||||Cornell||JNK|MNW|8/10/2005 0:00:00|5/3/2005 0:00:00||||0||19.124|||||32|PA||||||1882| ||||||||Work|0||||||||||||0|0|The Daughters of Edward Darley Boit|Sargent, John Singer 3692.00|0|Category|07|U-17.3|9|Jalk|Chair 1|U-17.3 9 Jalk Chair 1|Side Chair|Descriptive|Image Source (Pub)|||||||Side Chair|30574|Jalk, Grete||designer|Grete Jalk|30573|Poul Jeppesen Møbelfabrik||manufacturer|0|||||Danish||||||||Denmark||||||0||||0||||0||||0|Furnishings|Chair||||20|||1963|1963||1963|1963-1963|||||0||||0|||||Oak-laminated plywood|plywood|oak||||bending|laminating||||74.6 cm high||||||Furniture ; Chairs ; |Furniture|Chairs||||||||Cornell||MNW|MNW|5/3/2005 0:00:00|5/3/2005 0:00:00|Jalk|||0||||||Chair|U|||17.3||||||9|||||||Work|0|Furniture-Danish|Jalk's "folded" furniture designs of 1962-1963 are the apotheosis of the bent-plywood tradition. www.architonic.com||||||||||0|0|Side Chair|Jalk, Grete;Poul Jeppesen Møbelfabrik 3693.00|0|Category|07|U-11|9|Colombo|4801 1|U-11 9 Colombo 4801 1|Model No. 4801 Chair|Artists|Image Source (Pub)|||||||Model No. 4801 Chair|30575|Colombo, Joe||designer|Joe Colombo|28437|Kartell||manufacturer|0|||||Italian||||||||Italy||||||0||||0||||0||||0|Furnishings|Chair||||20|||1965|1973||1965-1973|1965-1973|||||0||||0|||||Lacquered plywood.|plywood|lacquer||||bending|laminating||||||||||Furniture ; Chairs ; |Furniture|Chairs||||||||Cornell||MNW|MNW|5/3/2005 0:00:00|5/3/2005 0:00:00|Colombo|||0|||||||U|||11||||||9|||||||Work|0|Furniture-Italian||||Dates from www.kartell.it|||||||0|0|Model No. 4801 Chair|Colombo, Joe;Kartell 3694.00|0|Architect|03|MA-Aalto|9.0|1931 Mod31|22|MA-Aalto 9.0 1931 Mod31 22|Model 31 Chair|Descriptive|Image Source (Pub)|||||||Model 31 Chair|126|Aalto, Alvar||architect|Alvar Aalto|27635|Artek Oy|||0|||||Finnish||||||||Finland||||||0||||0||||0||||0|Furnishings|Chair||||20|||1931|1932||1931-1932|1931-1932|||||0||||0|||||Bent plywood|plywood|||||bending|laminating||||||||||Chairs ; Furniture ; |Chairs|Furniture||||||||Cornell||MNW|MNW|5/3/2005 0:00:00|5/3/2005 0:00:00|Aalto|||0||||||Mod31|MA||||||9.0|1931|||||||||Work|0|Modern Architecture|||||||||||0|0|Model 31 Chair|Aalto, Alvar;Artek Oy 3695.00|0|Category|07|U-18|11 Nelson|Pret|3-|U-18 11 Nelson Pret 3-|Pretzel Chair|Artists|Image Source (Pub)|||||||Pretzel Chair|8444|Nelson, George||architect|George Nelson|30052|Herman Miller Furniture Company||manufacturer|0|||||American|||Post-1945|||||United States||||||0||||0||||0||||0|Furnishings|Chair||||20|||1957|||1957|1957|||||0||||0|||||Plywood ribbon with molded plywood seat|plywood|||||bending|laminating||||||||||Furniture ; Armchairs ; |Furniture|Armchairs||||||||Cornell||MNW|MNW|5/3/2005 0:00:00|5/3/2005 0:00:00|Nelson|||0||||||Pret|U|||18||||||11|||||||Work|0|Furniture-American (USA)||||Out of production.|||||||0|0|Pretzel Chair|Nelson, George;Herman Miller Furniture Company 3696.00|0|Category|07|U-14|9.0|von Wageningen|Chair 1|U-14 9.0 von Wageningen Chair 1|Plywood Chair|Descriptive|Image Source (Pub)|||||||Plywood Chair|30576|von Wageningen, Wim||designer|Wim von Wageningen|0||||0|||||Dutch|||Modernist|||||Holland||||||0||||0||||0||||0|Furnishings|Chair||||20|||1958|1958||1958|1958-1958|||||0||||0|||||Bent plywood|plywood|||||bending|laminating||||72.4 x 71.1 x 78.7 cm||||||Armchairs ; Furniture ; |Armchairs|Furniture||||||||Cornell||MNW|MNW|5/3/2005 0:00:00|5/3/2005 0:00:00|von Wagen|||0||||||Chair|U|||14||||||9.0|||||||Work|0|Furniture-Dutch|This chair was created while von Wageningen was a student of Gerrit Rietveld. Www.architonic.com.||||||||||0|0|Plywood Chair|von Wageningen, Wim 3697.00|0|Category|07|U-18|11|Komai|939 1|U-18 11 Komai 939 1|Model 939 Chair|Artists|Image Source (Pub)|||||||Model 939 Chair|30577|Komai, Ray||designer|Ray Komai|30578|J. G. Furniture Systems||manufacturer|0|||||American||||||||United States||||||0||||0||||0||||0|Furnishings|Chair||||20|||1949|1955||1949-1955|1949-1955|||||0||||0|||||Molded plywood with metal connector & tubular legs|plywood|metal||||molding|laminating||||67 x 52.8 x 59.8 cm||9282|Weil am Rhein: Vitra Design Museum|Weil am Rhein: Vitra Design M.||Furniture ; Chairs ; |Furniture|Chairs||||||||Cornell||MNW|JNK|5/9/2005 0:00:00|5/3/2005 0:00:00|Komai|||0||||||939|U|||18||||| |11|||||||Work|0|Furniture-American (USA)|||||||||||0|0|Model 939 Chair|Komai, Ray;J. G. Furniture Systems 3698.00|0|Category|07|U-13|9.3|Gebert|Taino 1-||Taino Chair|||||||||Taino Chair|30579|Gebert, Jakob||designer|Jakob Gebert|30037|Vitra AG||manufacturer|0|||||German||||||||Germany||||||0||||0||||0||||0|Furnishings|Chair||||20|||1999|1999||1999|1999-1999|||||0||||0|||||Bent plywood with aluminum legs|plywood|aluminum||||bending|laminating||||82.6 x 48.3 x 55.9 cm||||||Furniture ; Chairs ; |Furniture|Chairs||||||||Cornell||MNW|MNW|5/3/2005 0:00:00|5/3/2005 0:00:00|Gebert|||0||||||Taino|U|||13||||||9.3|||||||Work|0|Furniture-German|||||||||||0|0|Taino Chair|Gebert, Jakob;Vitra AG 3699.00|0|Architect|02|MA-Foster|9.0|2000|AirLine|MA-Foster 9.0 2000 AirLine|Air Line Chair|Artists|Image Source (Pub)|||||||Air Line Chair|4033|Foster, Norman Robert, Sir||architect|Norman Foster|30037|Vitra AG|||0|||||British||||||||England||||||0||||0||||0||||0|Furnishings|Chair||||21|||2000|2000||2000|2000-2000|||||0||||0|||||Bent plywood with metal legs|metal|plywood||||bending|||||||||||Furniture ; Armchairs ; |Furniture|Armchairs||||||||Cornell||MNW|JNK|5/9/2005 0:00:00|5/3/2005 0:00:00|Foster|||0||||||AirLine|MA||||||9.0|2000|||||||||Work|0|Modern Architecture-|||||||||||0|0|Air Line Chair|Foster, Norman Robert, Sir;Vitra AG 3700.00|0|Creator|07|U-16|9.0|Arad|Chair 3|U-16 9.0 Arad Empty 3|Empty Chair|Artists|Image Source (Pub)|||||||Empty Chair|30095|Arad, Ron||architect|Ron Arad|30580|Driade||manufacturer|0|||||Italian||||||||Italy||||||0||||0||||0||||0|Furnishings|Chair||||20|||1993|1993||1993|1993-1993|||||0||||0|||||Bent plywood with tubular metal legs|plywood|metal||||bending|laminating||||||||||Furniture ; Chairs ; |Furniture|Chairs||||||||Cornell||MNW|MNW|5/3/2005 0:00:00|5/3/2005 0:00:00|Arad|||0||||||Empty|U|||16|||9.0||||||||||Work|0|Furniture-English|||||||||||0|0|Empty Chair|Arad, Ron;Driade 3701.00|0|Category|07|U-17.1|9.0|Voll & Bye|360 1-|U-17.1 9.0 Voll & Bye 360 1-|360 Chair|Artists|Image Source (Pub)|||||||360 Chair|30581|Voll, Espen||designer|Espen Voll & Bjorn Bye|30582|Bye, Bjorn||designer|0|||||Norwegian||||||||Norway||||||0||||0||||0||||0|Furnishings|Chair||||21|||2001|2001||2001|2001-2001|||||0||||0|||||Bent plywood|plywood|||||bending|laminating||||||||||Furniture ; Chairs ; |Furniture|Chairs||||||||Cornell||MNW|CLL|5/11/2005 0:00:00|5/4/2005 0:00:00|Voll & Bye|||0||||||360|U|||17.1||||||9.0|||||||Work|0|Furniture-Norwegian|||||||||||0|0|360 Chair|Voll, Espen;Bye, Bjorn 3702.00|0|Category|07|U-17.35|9.0|Bergroth|SAS 1-||SAS Chair|Artists|Image Source (Pub)|||||||SAS Chair|30583|Bergroth, Linda||designer|Linda Bergroth|0||||0|||||Finnish||||||||Finland||||||0||||0||||0||||0|Furnishings|Chair||||21|||2001|2001||2001|2001-2001|||||0||||0|||||Bent plywood|plywood|||||bending|laminating||||||||||Furniture ; Chairs ; |Furniture|Chairs||||||||Cornell||MNW|CLL|5/9/2005 0:00:00|5/4/2005 0:00:00|Bergroth|||0||||||SAS|U|||17.35||||||9.0|||||||Work|0|Furniture-Finnish|This is a prototype.||||||||||0|0|SAS Chair|Bergroth, Linda 3703.00|0|Category|07|U-17.35|9.0|Issakainen|Kite 1-|U-17.35 9.0 Issakainen Kite 1-|Kite Lounge|Artists|Image Source (Pub)|||||||Kite Lounge|30584|Issakainen, Ilmari||designer|Ilmari Issakainen|0||||0|||||Finnish||||||||Finland||||||0||||0||||0||||0|Furnishings|Chair||||21|||2002|2002||2002|2002-2002|||||0||||0|||||Bent plywood with metal frame|plywood|metal||||bending|laminating||||||||||Furniture ; Chairs ; |Furniture|Chairs||||||||Cornell||MNW|MNW|5/4/2005 0:00:00|5/4/2005 0:00:00|Issakainen|||0||||||Kite|U|||17.35||||||9.0|||||||Work|0|Furniture-Finnish|||||||||||0|0|Kite Lounge|Issakainen, Ilmari 3704.00|0|Category|07|U-18|11|Blue Dot|Weave 1-||Weave Shelves|Artists|Image Source (Pub)|||||||Weave Shelves|30585|Blu Dot Design and Manufacturing, Inc.||manufacturer|Blu Dot Design and Manufacturing, Inc.|0||||0|||||American|||Modernist|||||United States||||||0||||0||||0||||0|Furnishings|Shelf||||21|||2003|2003||2003|2003-2003|||||0||||0|||||Plywood|plywood||||||||||||||||Furniture ; shelves ; |Furniture|shelves||||||||Cornell||MNW|MNW|5/4/2005 0:00:00|5/4/2005 0:00:00|Blu Dot|||0||||||Weave|U|||18||||||11|||||||Work|0|Furniture-American (USA)|||||||||||0|0|Weave Shelves|Blu Dot Design and Manufacturing, Inc. 3705.00|0|Category|07|U-13|9.3|Franck|Tre 1-|U-13 9.3 Franck Tre 1-|Trestle Table|Artists|Image Source (Pub)|||||||Trestle Table|30587|Franck, Thorsten||designer|Thorsten Franck|30586|Möbelbau Kaether & Weise||manufacturer|0|||||German|||Modernist|||||Germany||||||0||||0||||0||||0|Furnishings|Table||||21|||2001|2001||2001|2001-2001|||||0||||0|||||Plywood|plywood|||||laminating|||||||||||Furniture ; Tables (support furniture) ; |Furniture|Tables (support furniture)||||||||Cornell||MNW|MNW|5/4/2005 0:00:00|5/4/2005 0:00:00|Franck|||0||||||Tre|U|||13||||||9.3|||||||Work|0|Furniture-German|||||||||||0|0|Trestle Table|Franck, Thorsten;Möbelbau Kaether & Weise 3706.00|0|Category|07|U-18|11|Cherner|Arm 1-|U-18 11 Cherner Arm 1-|Armchair|Descriptive|Image Source (Pub)|Cherner chair|Assigned|Image Source (Pub)||||Armchair|30588|Cherner, Norman||designer|Norman Cherner|0||||0|||||American|||Modernist|||||United States||||||0||||0||||0||||0|Furnishings|Chair||||20|||1958|1958||1958|1958-1958|||||0||||0|||||Bent plywood|plywood|||||laminating|bending||||78.7 x 68.6 x 61 cm||||||Furniture ; Armchairs ; |Furniture|Armchairs||||||||Cornell||MNW|JNK|5/9/2005 0:00:00|5/4/2005 0:00:00|Cherner|||0||||||Arm|U|||18||||||11|||||||Work|0|Furniture-American (USA)|||||||||||0|0|Armchair;Cherner chair|Cherner, Norman 3707.00|0|Category|07|U-17.1|9.0|Anderssen|Kim 1-||Kimono Chair|Artists|Image Source (Pub)|||||||Kimono Chair|30589|Anderssen, Torbjorn||designer|Torbjorn Anderssen|0||||0|||||Norwegian||||||||Norway||||||0||||0||||0||||0|Furnishings|Chair||||21|||2001|2001||2001|2001-2001|||||0||||0|||||Plywood with metal legs|plywood|metal||||laminating|bending||||||||||Furniture ; Chairs ; |Furniture|Chairs||||||||Cornell||MNW|MNW|5/4/2005 0:00:00|5/4/2005 0:00:00|Anderssen|||0||||||Kim|U|||17.1||||||9.0|||||||Work|0|Furniture-Norwegian|||||||||||0|0|Kimono Chair|Anderssen, Torbjorn 3708.00|0||||||||Porta S. Giovanni (interior) and the Church of Madonna dei Lumi (before demolition)|Translated|Cataloger|Porta S. Giovanni (interno) e Chiesa "Madonna dei Lumi"|Assigned|Image Source (Pub)||||Porta S. Giovanni (interior) and the Church of Madonna dei Lumi (before demolition)|0|||||0||||0|||||Italian||||||||Italy||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1921|1921|bef|bef 1921|bef 1921-1921|||||0||||0|||||Black and white photograph||||||photography|||||||||||San Gimignano, Italy ; Churches ; Gates ; Cities ; Porta S. Giovanni, San Gimignano, Italy ; Chiesa della Madonna dei Lumi, San Gimignano, Italy ; |San Gimignano, Italy|Churches|Gates|Cities|Porta S. Giovanni, San Gimignano, Italy|Chiesa della Madonna dei Lumi, San Gimignano, Italy||||Cornell||JNK|JNK|5/6/2005 0:00:00|5/5/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Porta S. Giovanni (interior) and the Church of Madonna dei Lumi (before demolition);Porta S. Giovanni (interno) e Chiesa "Madonna dei Lumi"| 3709.00|0|Site|02||||||Mausoleum of the Asociación de Reporters de la Habana|Descriptive|Image Source (Pub)|||||||Mausoleum of the Asociación de Reporters de la Habana|0|||||0||||0|||||Cuban|||Modernist|||||Cuba||||||0|Havana, Cuba|||10267||||0||||0|Architecture|Mausoleum||||20|||1950|1950|ca|ca 1950|ca 1950-1950|||||0||||0||||||||||||||||||||||Mausoleums ; |Mausoleums|||||||||Cornell||MNW|JNK|5/12/2005 0:00:00|5/5/2005 0:00:00||Hav||0||||||||||||||||||||||||0||||||||||||0|0|Mausoleum of the Asociación de Reporters de la Habana| 3710.00|0||||||||Amelia Peláez in Her Studio|Collective Title|Image Source (Pub)|||||||Amelia Peláez in Her Studio|0|||||0||||0|||||||||||||||||||0||||0||||0||||0||||||||||||||||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|5/5/2005 0:00:00|5/5/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Amelia Peláez in Her Studio| 3711.00|0|Creator|15||||||Amelia Peláez in Her Studio|Descriptive|Image Source (Pub)|||||||Amelia Peláez in Her Studio|30592|Gómez Sicre, José||photographer|José Gómez Sicre|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Photographs|Documentary photograph|Portrait|||20|||1945|1945|ca|ca 1945|ca 1945-1945|||||0||||0|||||Photograph||||||photography|||||||||||Peláez, Amelia, 1896-1968 ; Portraits ; |Peláez, Amelia, 1896-1968|Portraits||||||||Cornell||MNW|MNW|5/6/2005 0:00:00|5/6/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Amelia Peláez in Her Studio|Gómez Sicre, José 3712.00|0|Architect|02||||||American Theater|Translated|Image Source (Pub)|Cine América|Assigned|Image Source (Pub)|Rodrígues Vázquez|Assigned|Image Source (Pub)|American Theater (Cine América)|30972|Martinez Campos, Fernando||architect|Fernando Martinez Campos, Pascual de Rojas|30594|Rojas, Pascual de|||0|||||Cuban|||Republican|||||Cuba||||||0|Havana, Cuba|||10267||||0||||0|Architecture|Theater||||20|||1939|1941||1939-1941|1939-1941|||||0||||0||||||||||||||||||||||Havana, Cuba ; Theaters ; Motion picture theaters ; |Havana, Cuba|Theaters|Motion picture theaters|||||||Cornell||MNW|CLL|8/3/2006 0:00:00|5/6/2005 0:00:00||Hav||0|||||||||||||||||||||||Work|0||||||||||||0|0|American Theater;Cine América;Rodrígues Vázquez|Martinez Campos, Fernando;Rojas, Pascual de 3713.00|0|Architect|03|MA-Copado|7.4|1944 Sol||MA-Copado 7.4 1944 Sol |Solimar Building|Artists|Image Source (Pub)|Solymar Building|Variant|Print Publication||||Solimar Building|30597|Copado, Manuel||architect|Manuel Copado|0||||0|||||Cuban|||Republican|||||Cuba||||||0|Soledad 205, Havana, Cuba|||10400||||0||||0|Architecture|Apartment house||||20|||1944|1944||1944|1944-1944|||||0||||0||||||||||||||||||||||Apartment houses ; Havana, Cuba ; |Apartment houses|Havana, Cuba||||||||Cornell||MNW|MNW|10/31/2005 0:00:00|5/6/2005 0:00:00|Copado|||0||||||Sol|MA||||||7.4|1944|||||||||Work|0|Modern Architecture|||||||||||0|0|Solimar Building;Solymar Building|Copado, Manuel 3714.00|0|Architect|03||||||José Noval Residence|Assigned|Image Source (Pub)|||||||José Noval Residence|30595|Romañach, Mario||architect|Mario Romañach and Silverio Bosch|30596|Bosch, Silverio|||0|||||Cuban|||Republican|||||Cuba||||||0|Marianao, Havana, Cuba|||10401||||0||||0|Architecture|House||||20|||1949|1949||1949|1949-1949|||||0||||0||||||||||||||||||10401||||Havana, Cuba ; Houses ; |Havana, Cuba|Houses||||||||Cornell||MNW|MNW|5/6/2005 0:00:00|5/6/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||Located at Avenida 19, No. 17420 between 174 and 190.||||||||||0|0|José Noval Residence|Romañach, Mario;Bosch, Silverio 3715.00|0|Site|02|B-H2|Par|2.31 1937|Expo|B-H2 Par 2.31 1937 Expo|Exposition Internationale (1937 : Paris, France)|Assigned|LC NAF|||||||Exposition Internationale (1937 : Paris, France)|0|||||0||||0|||||French||||||||France||||||0||||0|Paris, France|||10058||||0|Architecture|Exhibition||||20|||1937|1937||1937|1937-1937|||||0||||0||||||||||||||||||||||Exhibitions ; Exhibition buildings ; Exposition internationale (1937 : Paris, France) ; |Exhibitions|Exhibition buildings|Exposition internationale (1937 : Paris, France)|||||||Cornell||MNW|JNK|5/16/2005 0:00:00|5/6/2005 0:00:00|||Par|0||||||Expo|B|||||H2|2.31|1937|||||||||Work|0|Architecture-France|||||||||||0|0|Exposition Internationale (1937 : Paris, France)| 3716.00|0|Site|02|B-H3|SGim|1.2|SGio|B-H3 SGim 1.2 SGio|Porta San Giovanni|Assigned|Image Source (Pub)|||||||Porta San Giovanni|0|||||0||||0|||||Italian|||Medieval|||||Italy||||||0|San Gimignano, Italy|||10402||||0||||0|Architecture|Gate||||13|||1262|1262||1262|1262-1262|||||0||||0||||||||||||||||||||||Porta San Giovanni, San Gimignano, Italy ; Gates ; San Gimignano, Italy ; |Porta San Giovanni, San Gimignano, Italy|Gates|San Gimignano, Italy|||||||Cornell||JNK|JNK|5/6/2005 0:00:00|5/6/2005 0:00:00||SGim||0||||||SGio|B|||||H3|1.2||||||||||Work|0|-|The gate was 'restored' to its medieval appearance after 1921 when the Chiesa della Madonna dei Lumi, once located above the gate, was destroyed.||||||||||0|0|Porta San Giovanni| 3717.00|0||||||||Chiesa della Madonna dei Lumi|Assigned|Print Publication|||||||Chiesa della Madonna dei Lumi|0|||||0||||0|||||Italian|||Baroque|||||Italy||||||0||||0|San Gimignano, Italy|||10402||||0|Architecture|Church||||||||||||||||0||||0||||||||||||||||||||||Chiesa della Madonna dei Lumi, San Gimignano, Italy ; San Gimignano, Italy ; Churches ; |Chiesa della Madonna dei Lumi, San Gimignano, Italy|San Gimignano, Italy|Churches|||||||Cornell||JNK|JNK|5/6/2005 0:00:00|5/6/2005 0:00:00|||SGim|0||||||||||||||||||||||||0||Central portion which was over the Porta San Giovanni was demolished after 1921 for "restoration" of the Porta San Giovanni to its medieval appearance.||||||||||0|0|Chiesa della Madonna dei Lumi| 3718.00|0||||||||Porta San Giovanni (interior)|Assigned|Image Source (Pub)|Porta San Giovanni (interno)||||||Porta San Giovanni (interior)|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Photographs|Documentary photograph||||||||||||||||0||||0||||||||||||||||||||||||||||||||Cornell||JNK|JNK|5/6/2005 0:00:00|5/6/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Porta San Giovanni (interior);Porta San Giovanni (interno)| 3719.00|0|Creator|15||||||Comradeship|Translated|Dict.Art|Kameradschaft|Original|Image Source (Pub)||||Comradeship|30598|Thorak, Josef||sculptor|Josef Thorak|0||||0|||||German||||||||Germany||||||0||||0|Paris, France|||10058||||0|Sculpture|Sculpture||||20|||1937|1937||1937|1937-1937|||||0||||0|||||Plaster|plaster|||||casting|sculpture||||ca 5 m high||||||German Pavilion (Exposition internationale (1937 : Paris, France)) ; Portraits ; Male nudes ; |German Pavilion (Exposition internationale (1937 : Paris, France))|Portraits|Male nudes|||||||Cornell||MNW|MNW|2/15/2006 0:00:00|5/6/2005 0:00:00|||Par|0|||||||||||||||||||||||Work|0||Work was destroyed.||||||||Exhibited in the German Pavilion of the 1937 International Exhibition in Paris. Destroyed.||0|0|Comradeship;Kameradschaft|Thorak, Josef 3720.00|0|Creator|15||||||Nose-Diving on the City|Translated|Image Source (Pub)|Il tuffo sulla città|Original|Image Source (Pub)||||Nose-Diving on the City|30599|Crali, Tullio||painter|Tullio Crali|0||||0|||||Italian||||||||Italy||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1939|1939||1939|1939-1939|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||130 x 155 cm||3502|Milan: Private Collection|Milan: Private Coll.||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|5/6/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||Exhibited in the 1937 International Exhibition in Paris.||0|0|Nose-Diving on the City;Il tuffo sulla città|Crali, Tullio 3721.00|0|Architect|03||||||Perspective from Theatre Square. Competition Project for Commissariat of Heavy Industry|Assigned|Image Source (Pub)|||||||Ministry of Heavy Industry. Perspective from Theatre Square. Competition Project for Commissariat of Heavy Industry|3970|Fomin, Ivan Aleksandrovich||architect|I. A. Fomin, P.V. Abrosimov, & M. A. Minkus|156|Abrosimov, Pavel Vasilevich||architect|8026|Minkus, Mikhail Adolfovich||architect||Russian|||Socialist Realist|||||Russia||||||0||||0||||0||||0|Drawings|Architectural drawing|Competition drawing|Competition entry||20|||1934|1934||1934|1934-1934||Ministry of Heavy Industry|LargerEntity||3722||||0|||||Ink, gouache, white pigment on paper|gouache|ink|paper|||drawing (image-making)|||||97.8 x 148.2 cm||9468|Moscow: A.V. Shchusev Research and Scientific Museum of Russian Architecture|Moscow: Shchusev Arch. Museum||Competitions ; Architectural drawings ; |Competitions|Architectural drawings||||||||Cornell||MNW|MNW|3/31/2006 0:00:00|5/6/2005 0:00:00||||0||R1a 3491||||||||||||| ||||||||Work|0||||||||||||0|0|Perspective from Theatre Square. Competition Project for Commissariat of Heavy Industry|Fomin, Ivan Aleksandrovich;Abrosimov, Pavel Vasilevich;Minkus, Mikhail Adolfovich 3722.00|0|Architect|03||||||Ministry of Heavy Industry|Assigned|Image Source (Pub)|||||||Ministry of Heavy Industry|3970|Fomin, Ivan Aleksandrovich||architect|Ivan Aleksandrovich Fomin|156|Abrosimov, Pavel Vasilevich|||0|||||Russian|||Socialist Realist|||||Russia||||||0||||0|Moscow, Russia|||10328||||0|Architecture|Government office building||||20|||1934|1934||1934|1934-1934|||||0||||0||||||||||||||||||||||Government office buildings ; |Government office buildings|||||||||Cornell||MNW|MNW|5/6/2005 0:00:00|5/6/2005 0:00:00|||Mos|0|||||||||||||||||||||||Work|0||Unrealized project.||||||||||0|0|Ministry of Heavy Industry|Fomin, Ivan Aleksandrovich;Abrosimov, Pavel Vasilevich 3723.00|0|Architect|03|MA-IofGelShc|2.41|1935 PSov||MA-IofGelShc 2.41 1935 PSov |Project for the Palace of the Soviets|Assigned|Image Source (Pub)|Project for Dvorets Sovetov|Variant|||||First Competition for the Palace of the Soviets. Project for the Palace of the Soviets|28384|Iofan,Gel'freykh, Shchuko||architectural firm|Iofan,Gel'freykh, Shchuko|0||||0|||||Russian|||Socialist Realist|||||Russia||||||0||||0||||0||||0|Drawings|Architectural drawing|Competition drawing|Competition entry||20|||1929|1932||1929-1932; unexecuted|1929-1932||First Competition for the Palace of the Soviets|LargerEntity||3724||||0|||||||||||drawing (image-making)|||||||9468|Moscow: A.V. Shchusev Research and Scientific Museum of Russian Architecture|Moscow: Shchusev Arch. Museum||Government office buildings ; Dvorets Sovetov (Moscow, Russia) ; Competitions ; |Government office buildings|Dvorets Sovetov (Moscow, Russia)|Competitions|||||||Cornell||MNW|MNW|3/29/2006 0:00:00|5/6/2005 0:00:00|IofGelShc|||0||||||PSov|MA||||||2.41|1935| ||||||||Work|0|Modern Architecture|This was the winning entry. "The construction of this palace, 'taller than the Eiffel Tower and the Empire State Building,' was interrupted by World War II. Kopp, Town, p. 222.|||Unexecuted/|||||||0|0|Project for the Palace of the Soviets;Project for Dvorets Sovetov|Iofan,Gel'freykh, Shchuko 3724.00|0|Category|02||||||First Competition for the Palace of the Soviets|Descriptive|Print Publication||||||||0|||||0||||0|||||Russian|||Socialist Realist|||||Russia|||Moscow, Russia|||10328||||0||||0||||0|Architecture|Government office building||||20|||1929|1932||1929-1932|1929-1932|||||0||||0||||||||||||||||||||||Competitions ; Dvorets Sovetov (Moscow, Russia) ; |Competitions|Dvorets Sovetov (Moscow, Russia)||||||||Cornell||MNW|MNW|5/10/2005 0:00:00|5/9/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|First Competition for the Palace of the Soviets| 3725.00|0|Creator|15||||||Industrial Worker and Collective Farm Girl|Assigned|Image Source (Pub)|||||||Industrial Worker and Collective Farm Girl|8302|Mukhina, Vera Ignat'evna|||Vera Ignat'evna Mukhina|0||||0|||||Russian|||Socialist Realist|||||Russia||||||0||||0||||0||||0|Sculpture|Model (representation)||||20|||1935|1935||1935|1935-1935|||||0||||0|||||Bronze|bronze|||||casting|||||158.5 x 106 x 112 cm||3602|Saint Petersburg: Russian Museum (Russkiy Muzey)|Saint Petersburg: Russian Museum||Models (Representations) ; Exposition internationale (1937 : Paris, France) ; Workers ; |Models (Representations)|Exposition internationale (1937 : Paris, France)|Workers|||||||Cornell||MNW|MNW|5/10/2005 0:00:00|5/9/2005 0:00:00|M9535|||0||SO-724||||||||||||| ||||||||Work|0||Model of group installed at the Paris International Exhibition 1937. Art and Power.||||||||||0|0|Industrial Worker and Collective Farm Girl|Mukhina, Vera Ignat'evna 3726.00|0|Creator|15||||||Portrait of Stalin|Assigned|Image Source (Pub)|||||||Portrait of Stalin|1605|Brodskii, Isaak Izrailevich||painter|Isaak Izrailevich Brodskii|0||||0|||||Russian|||Socialist Realist|||||Russia||||||0||||0||||0||||0|Paintings|Oil painting|Portrait||||||1937|1937||1937|1937-1937|||||0||||0|||||Oil painting|oil paint|canvas||||painting (image-making)|||||||3602|Saint Petersburg: Russian Museum (Russkiy Muzey)|Saint Petersburg: Russian Museum||Portraits ; Stalin, Joseph, 1879-1953 ; |Portraits|Stalin, Joseph, 1879-1953||||||||Cornell||MNW|JNK|5/12/2005 0:00:00|5/9/2005 0:00:00||||0||Zh-4381||||||||||||| ||||||||Work|0||||||||||||0|0|Portrait of Stalin|Brodskii, Isaak Izrailevich 3727.00|0|Creator|15||||||Citizens of the USSR Have a Right to Recreation|Translated|Image Source (Pub)|||||||Citizens of the USSR Have a Right to Recreation|30601|Govorkov, Vladimir||lithographer|Vladimir Govorkov|0||||0|||||Russian|||Socialist Realist|||||Russia||||||0||||0||||0||||0|Graphics|Poster|Lithograph|||20|||1936|1936||1936|1936-1936|||||0||||0|||||Chromolithograph||||||lithography|chromolithography||||108 x 69.5 cm||9469|Moscow: Russian Library (Rossiyskaya Biblioteka)|Moscow: Russian Library||Swimming ; Bathing ; |Swimming|Bathing||||||||Cornell||MNW|JNK|5/12/2005 0:00:00|5/9/2005 0:00:00||||0||36-74829||||||||||||| ||||||||Work|0||||||||||||0|0|Citizens of the USSR Have a Right to Recreation|Govorkov, Vladimir 3728.00|0|Creator|15||||||We Demand Universal Compulsory Education|Translated|Image Source (Pub)|||||||We Demand Universal Compulsory Education|3030|Deineka, Aleksandr Aleksandrovich||lithographer|Aleksandr Aleksandrovich Deineka|0||||0|||||Russian|||Socialist Realist|||||Russia||||||0||||0||||0||||0|Graphics|Poster|Lithograph|||20|||1930|1930||1930|1930-1930|||||0||||0|||||Chromolithograph||||||lithography|chromolithography||||106 x 72.2 cm||9469|Moscow: Russian Library (Rossiyskaya Biblioteka)|Moscow: Russian Library||Education ; Children (people by age group) ; |Education|Children (people by age group)||||||||Cornell||MNW|JNK|5/12/2005 0:00:00|5/9/2005 0:00:00||||0||55-13970||||||||||||| ||||||||Work|0||||||||||||0|0|We Demand Universal Compulsory Education|Deineka, Aleksandr Aleksandrovich 3729.00|0|Creator|15||||||Life Has Become Better, Comrades….|Translated|Image Source (Pub)|||||||Life Has Become Better, Comrades….|30600|Kaplan, Anatoli L.||painter|Anatoli L. Kaplan|0||||0|||||Russian|||Socialist Realist|||||Russia||||||0||||0||||0||||0|Graphics|Poster|Lithograph|||20|||1936|1936||1936|1936-1936|||||0||||0|||||Chromolithograph||||||lithography|chromolithography||||90.5 x 59.5 cm||9469|Moscow: Russian Library (Rossiyskaya Biblioteka)|Moscow: Russian Library||Machines ; Workers ; Women ; |Machines|Workers|Women|||||||Cornell||MNW|JNK|5/12/2005 0:00:00|5/9/2005 0:00:00||||0||36-68381||||||||||||| ||||||||Work|0||||||||||||0|0|Life Has Become Better, Comrades….|Kaplan, Anatoli L. 3730.00|0|Creator|15||||||The Train Goes from the Station Socialism to the Station of Communism|Translated|Image Source (Pub)|||||||The Train Goes from the Station Socialism to the Station of Communism|30602|Sokolov-Skalya, Pavel||lithographer|Pavel Sokolov-Skalya|0||||0|||||Russian|||Socialist Realist|||||Russia||||||0||||0||||0||||0|Graphics|Poster|Lithograph|||20|||1939|1939||1939|1939-1939|||||0||||0|||||Chromolithograph||||||lithography|chromolithography||||103.5 x 70.3 cm||9469|Moscow: Russian Library (Rossiyskaya Biblioteka)|Moscow: Russian Library||Trains ; |Trains|||||||||Cornell||MNW|MNW|5/10/2005 0:00:00|5/9/2005 0:00:00||||0||39-73106||||||||||||| ||||||||Work|0||||||||||||0|0|The Train Goes from the Station Socialism to the Station of Communism|Sokolov-Skalya, Pavel 3731.00|0|Category|05||||||Goering and Speer (2nd from left) With Model of Victory Column as Moved|Descriptive|Image Source (Pub)|||||||Victory Column. Goering and Speer (2nd from left) With Model of Victory Column as Moved|0|||||0||||0|||||German|||National Socialist|||||Germany||||||0||||0||||0||||0|Photographs|Documentary photograph|Portrait||||||1938|1938||1938|1938-1938||Victory Column|Larger Context||3732||||0|||||Photograph||||||photography|||||||||||Models (Representations) ; Portraits ; Speer, Albert, 1905 ; Göring, Herrmann, 1893-1946 ; Urban planning ; Models (Representations) ; Victory Column (Berlin, Germany) ; |Models (Representations)|Portraits|Speer, Albert, 1905|Göring, Herrmann, 1893-1946|Urban planning|Models (Representations)|Victory Column (Berlin, Germany)|||Cornell||MNW|MNW|3/31/2006 0:00:00|5/9/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Goering and Speer (2nd from left) With Model of Victory Column as Moved| 3732.00|0|Architect|02||||||Victory Column|Translated|Blue Guide|Siegessäule|Original|Blue Guide||||Victory Column (Siegessäule)|11431|Strack, Johann Heinrich||Architect|Johann Heinrich Strack|30603|Drake, Johann Friedrich|||0|||||German||||||||Germany||||||0|Berlin, Germany|||10108||||0||||0|Architecture|Monument||||19|||1865|1873||1865-1873|1865-1873|||||0||||0||||||||||||||||||||||Victory ; Columns (architectural elements) ; |Victory|Columns (architectural elements)||||||||Cornell||MNW|JNK|5/12/2005 0:00:00|5/9/2005 0:00:00||Ber||0|||||||||||||||||||||||Work|0||Commemorates the German victories against Denmark in 1864, Austria in 1866, and France in 1871.||||||||||0|0|Victory Column;Siegessäule|Strack, Johann Heinrich;Drake, Johann Friedrich 3733.00|0|Creator|15||||||Boxer|Descriptive|Image Source (Pub)|||||||Boxer|30598|Thorak, Josef||sculptor|Josef Thorak|0||||0|||||German|||National Socialist|||||Germany||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1936|1936||1936|1936-1936|||||0||||0|||||Sculpture||||||casting|||||||||||Boxing ; Sports ; |Boxing|Sports||||||||Cornell||MNW|JNK|5/12/2005 0:00:00|5/9/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Boxer|Thorak, Josef 3734.00|0|Creator|15|C-05.5|MyrE||2|C-05.5 MyrE 2|Discobolus|Descriptive|DOA|Discus Thrower|Translated|||||Discobolus|8379|Myron of Eleutherae|after|sculptor|Myron of Eleutherae (after)|0||||0|||||Greek|||Early Classical|||||||||||0||||||||0||||0|Sculpture|Sculpture|||BCE|- 4|||450|450||450 BCE|-450|||||0||||0||||||marble|||||sculpture|||||Life-size||2421|Rome: Museo Nazionale Romano|Rome: Mus. Naz. Romano||||||||||||Cornell||MNW|MNW|5/9/2005 0:00:00|5/9/2005 0:00:00|MyrE|||0|||||||C|||05.5||||| ||||||||Work|0||||||||||||0|0|Discobolus;Discus Thrower|Myron of Eleutherae 3735.00|0|Creator|06||||||Erwin Huber as "Living Statue"|Descriptive|Image Source (Pub)|||||||Olympia. Erwin Huber as "Living Statue"|9857|Riefenstahl, Leni||filmmaker|Leni Riefenstahl|0||||0|||||German|||National Socialist|||||Germany||||||0||||0||||0||||0|Film Stills|Film still||||20|||1937|1937||1937|1937-1937||Olympia|LargerEntity||3739||||0|||||Film still||||||film making|||||||||||Discobolus ; Olympiastadion (Berlin, Germany) ; |Discobolus|Olympiastadion (Berlin, Germany)||||||||Cornell||MNW|MNW|3/31/2006 0:00:00|5/9/2005 0:00:00||||0|||||||||||||||||||||||Work|0||Still from Olympia, Part I, Festival of the Peoples.||||||||||0|0|Erwin Huber as "Living Statue"|Riefenstahl, Leni 3736.00|0|Creator|06||||||Free Exercises in the Olympic Stadium|Descriptive|Image Source (Pub)|||||||Olympia. Free Exercises in the Olympic Stadium|9857|Riefenstahl, Leni||filmmaker|Leni Riefenstahl|0||||0|||||German|||National Socialist|||||Germany||||||0||||0||||0||||0|Film Stills|Film still||||20|||1936|1936||1936|1936-1936||Olympia|LargerEntity||3739||||0|||||Film still||||||film making|||||||||||Olympiastadion (Berlin, Germany) ; |Olympiastadion (Berlin, Germany)|||||||||Cornell||MNW|MNW|3/31/2006 0:00:00|5/9/2005 0:00:00||||0|||||||||||||||||||||||Work|0||Still from Olympia, Part I, Festival of the Peoples.||||||||||0|0|Free Exercises in the Olympic Stadium|Riefenstahl, Leni 3737.00|0|Architect|03||||||Light Architecture Above the Olympic Stadium|Assigned|Image Source (Pub)|||||||Olympic Stadium. Light Architecture Above the Olympic Stadium|11206|Speer, Albert||architect|Albert Speer|0||||0|||||German|||National Socialist|||||Germany||||||0||||0||||0||||0|Architecture|Memorial|Stadium|Documentary photograph||20|||1936|1936||1936|1936-1936||Olympic Stadium|LargerEntity||3738||||0|||||Photograph||||||photography|||||||3994|London: Private Collection|London: Private Coll.||Olympiastadion (Berlin, Germany) ; Olympic Games (11th: 1936: Berlin, Germany) ; |Olympiastadion (Berlin, Germany)|Olympic Games (11th: 1936: Berlin, Germany)||||||||Cornell||MNW|MNW|3/31/2006 0:00:00|5/9/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Light Architecture Above the Olympic Stadium|Speer, Albert 3738.00|0|Architect|03||||||Olympic Stadium|Translated|Blue Guide|Olympiastadion|Original|Dict.Art||||Olympic Stadium|7512|March, Werner||architect|Werner March|0||||0|||||German|||National Socialist|||||Germany||||||0|Berlin, Germany|||10108||||0||||0|Architecture|Stadium||||20|||1934|1936||1934-1936|1934-1936|||||0||||0||||||||||||||||||||||Stadiums ; |Stadiums|||||||||Cornell||MNW|JNK|5/12/2005 0:00:00|5/9/2005 0:00:00||Ber||0|||||||||||||||||||||||Work|0||||||||||||0|0|Olympic Stadium;Olympiastadion|March, Werner 3739.00|0|Creator|06||||||Olympia|Translated|Image Source (Pub)|Olympische Spiele|Original|LC NAF||||Olympia (Olympische Spiele)|9857|Riefenstahl, Leni||filmmaker|Leni Riefenstahl|0||||0|||||German||||||||Germany||||||0||||0||||0||||0|Motion Pictures|Motion picture||||20|||1936|1936||1936|1936-1936|||||0||||0|||||||||||photography|||||||||||Olympic Games (11th: 1936: Berlin, Germany) ; |Olympic Games (11th: 1936: Berlin, Germany)|||||||||Cornell||MNW|MNW|5/10/2005 0:00:00|5/10/2005 0:00:00||||0|||||||||||||||||||||||Work|0||Part 1. Festival of the People; Part. 2, Festival of Beauty||||||||||0|0|Olympia;Olympische Spiele|Riefenstahl, Leni 3740.00|0|Creator|15||||||Design for a Domed Hall|Descriptive|Image Source (Pub)|||||||Design for a Domed Hall|5464|Hitler, Adolf||painter|Adolf Hitler|0||||0|||||German|||National Socialist|||||Germany||||||0||||0||||0||||0|Drawings|Architectural drawing||||20|||1925|1925|ca|ca 1925|ca 1925-1925|||||0||||0|||||Drawing||||||drawing (image-making)|||||||||||Domes ; Architectural drawings ; |Domes|Architectural drawings||||||||Cornell||MNW|JNK|5/12/2005 0:00:00|5/10/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Design for a Domed Hall|Hitler, Adolf 3741.00|0|Category|05||||||Labor Convention, Zeppelinfeld, Nuremberg, Germany, September, 1937|Collective Title|Image Source (Pub)|||||||Labor Convention, Zeppelinfeld, Nuremberg, Germany, September, 1937|0|||||0||||0|||||German||||||||Germany||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1937|1937||1937|1937-1937|||||0||||0|||||Photograph||||||photography|||||||||||Parades ; |Parades|||||||||Cornell||MNW|MNW|5/10/2005 0:00:00|5/10/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Labor Convention, Zeppelinfeld, Nuremberg, Germany, September, 1937| 3742.00|0|Architect|03||||||Great Hall|Assigned|Image Source (Pub)|||||||GBI Model of the North-South Axis, Final Version. Great Hall|11206|Speer, Albert||architect|Albert Speer|0||||0|||||German|||National Socialist|||||Germany||||||0||||0|Berlin, Germany|||10108||||0|Architecture|Municipal plan|Model (representation)|Documentary photograph||20|||1941|1941||1941|1941-1941||GBI Model of the North-South Axis, Final Version|LargerEntity||3743||||0||||||||||||||||||3994|London: Private Collection|London: Private Coll.||Domes ; Models (Representations) ; Urban planning ; |Domes|Models (Representations)|Urban planning|||||||Cornell||MNW|JNK|5/12/2005 0:00:00|5/10/2005 0:00:00|||Ber|0||||||||||||||| ||||||||Work|0|||||Photographed in 1941.|||||||0|0|Great Hall|Speer, Albert 3743.00|0|Architect|03||||||GBI Model of the North-South Axis, Final Version|Descriptive|Image Source (Pub)|||||||GBI Model of the North-South Axis, Final Version|11206|Speer, Albert||architect|Albert Speer|0||||0|||||German|||National Socialist|||||Germany||||||0||||0|Berlin, Germany|||10108||||0|Architecture|Municipal plan|Model (representation)|Documentary photograph||20|||1942|1942||1942|1942-1942|||||0||||0||||||||||||||||||||||Models (Representations) ; Triumphal arches ; Domes ; Urban planning ; |Models (Representations)|Triumphal arches|Domes|Urban planning||||||Cornell||MNW|JNK|5/12/2005 0:00:00|5/10/2005 0:00:00|||Ber|0|||||||||||||||||||||||Work|0||||||Photo. in collection of Wolfgang Schäche, Berlin.||||||0|0|GBI Model of the North-South Axis, Final Version|Speer, Albert 3744.00|0|Creator|15||||||The Gates|Artists|Image Source (Pub)|||||||The Gates|30604|Christo and Jeanne-Claude||environmental artist|Christo and Jeanne-Claude|0||||0|||||American||||||||United States||||||||||0|Central Park, New York, NY|||10403||||0|Sculpture|Environmental art||||20|21||1979|2005||1979-2005; 2/12 - 2/28/2005|1979-2005|||||0||||0|||||7,500 Gates of saffron panels|cloth||||||||||23 miles||||||||||||||||Cornell||MNW|MNW|5/10/2005 0:00:00|5/10/2005 0:00:00||||0|||||||||||||||||||||||Work|0|||||The Gates were in place from Feb. 12 to Feb. 28, 2005.|||||||0|0|The Gates|Christo and Jeanne-Claude 3745.00|0|Site|02||||||Fairlands Valley Park|||||||||Fairlands Valley Park|0|||||0||||0|||||British||||||||||||||0|Stevenage, England|||10951||||0||||0|Architecture|Landscape (environment)||||20|||1900|1999|ca|20th century|ca 1900-1999|||||0||||0||||||||||||||||||||||Landscapes ; |Landscapes|||||||||Cornell||MNW|MNW|8/25/2006 0:00:00|5/10/2005 0:00:00||||0|||||||||||||||||||||||Work|0||Fairlands Valley Park consists of 120 acres of beautiful parkland situated within the heart of Stevenage. Http://www.bbc.co.uk/threecounties/content/articles/2006/01/30/things_to_do_in_hertfordshire_feature.shtml; accessed, 8/25/2006.||||||||||0|0|Fairlands Valley Park| 3746.00|0|Creator|05||||||Empire State Building Under Construction|Assigned|Image Source (Pub)|||||||Empire State Building Under Construction|5447|Hine, Lewis Wickes||photographer|Lewis Wickes Hine|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph|Photographic print|||20|||1929|1929|ca|ca 1929|ca 1929-1929|||||0||||0|||||Black and white photograph||||||photography|||||||3828|New York: Museum of the City of New York|New York: Mus. of the City of NY||Workers ; Skyscrapers ; Construction ; Empire State Building (New York, NY) ; |Workers|Skyscrapers|Construction|Empire State Building (New York, NY)||||||Cornell||JNK|MNW|11/3/2005 0:00:00|5/12/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Empire State Building Under Construction|Hine, Lewis Wickes 3762.00|0|Architect|03||| |||Planet m|Assigned|Image Source (Pub)|Medien für Menschen|Variant|Image Source (Pub)|Media for the World|Translated|Image Source (Pub)|Expo 2000 (2000: Hannover, Germany. Planet m|30611|Triad Architects LTD||architectural firm|Triad Architects LTD; James Turrell|30605|Becker Gewers Kühn & Kühn||architectural firm|11979|Turrell, James||designer||German||||||||Germany||||||0||||0|Hannover, Germany|||10407||||0|Architecture|Exhibit building|Temporary structure|||20|||1999|2000||1999-2000|1999-2000||Expo 2000 (2000: Hannover, Germany)|LargerEntity||3763||||0|||||Stainless steel cladding|stainless steel||||||||||46 x 36 x 17 m at largest point||||||Expo 2000 (2000: Hannover, Germany) ; Exhibition buildings ; Exhibitions ; |Expo 2000 (2000: Hannover, Germany)|Exhibition buildings|Exhibitions|||||||Cornell||MNW|MNW|3/31/2006 0:00:00|5/16/2005 0:00:00||||0|||||||||||||||||||||||Work|0||This pavilion was built by Berelsmann AG. This temporary structure was a spheroid and clad in stainless steel. Triad Architects worked with Karl Karau and Axel Büther worked with Becker, Gewers, Kühn & Kühn. James Turrell was the lighting designer.|||Construction dates. Destroyed.|||||||0|0|Planet m;Medien für Menschen;Media for the World|Triad Architects LTD;Becker Gewers Kühn & Kühn;Turrell, James 3763.00|0|Site|02||||||Expo 2000 (2000: Hannover, Germany)|Assigned|LC NAF|Universale Weltausstellung Expo 2000|Variant|LC NAF|Exposition universelle 2000 Hanovre|Variant|LC NAF|Expo 2000|0|||||0||||0|||||||||||||||||||0||||0|Hannover, Germany|||10407||||0|Architecture|Exhibition||||||||||||||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|5/16/2005 0:00:00|5/16/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Expo 2000 (2000: Hannover, Germany);Universale Weltausstellung Expo 2000;Exposition universelle 2000 Hanovre| 3764.00|0|Architect|08||||||The Metropolis of Tomorrow|Assigned|Print Publication|||||||The Metropolis of Tomorrow|3831|Ferriss, Hugh||architect|Hugh Ferriss|0||||0|||||American|||Art Deco|||||United States||||||0||||0||||0||||0|Publications|Book||||20|||1929|1929||1929|1929-1929|||||0||||0||||||||||||||||||||||Books ; Architectural theory ; Skyscrapers ; Cities ; Architectural drawings ; Urban planning ; |Books|Architectural theory|Skyscrapers|Cities|Architectural drawings|Urban planning||||Cornell||JNK|MNW|8/28/2006 0:00:00|5/17/2005 0:00:00||||0|||||||||||||||||||||||Work|0||Contains three parts: Part 1=Cities of Today; Part 2=Projected Trends; Part 3=an Imaginary Mettropolis.||||||||||0|0|The Metropolis of Tomorrow|Ferriss, Hugh 3765.00|0|Architect|08|O-Ferriss|1.0|MetTom/PT|73|O-Ferriss 1.0 MetTom/PT 73|Study for the Maximum Mass Permitted by the 1916 New York Zoning Law, Stage 1|Assigned|Repository|Evolution of the Set-Back Building, First Stage|Descriptive|Print Publication||||The Metropolis of Tomorrow. Study for the Maximum Mass Permitted by the 1916 New York Zoning Law, Stage 1|3831|Ferriss, Hugh||architect|Hugh Ferriss|0||||0|||||American|||Art Deco|||||United States||||||0||||0||||0||||0|Architectural Theory|Architectural drawing||||20|||1922|1922||1922|1922-1922||The Metropolis of Tomorrow|Larger Context||3764||||0|||||Black crayon,; pen and black ink, brush and black wash, varnish on illustration board|crayons|pen|wash|||drawing (image-making)|||||66.5 x 50.8 cm||1954|New York: Cooper-Hewitt Museum|New York: Cooper-Hewitt||Skyscrapers ; Office buildings ; Architectural drawings ; Architectural theory ; |Skyscrapers|Office buildings|Architectural drawings|Architectural theory||||||Cornell||JNK|MNW|3/31/2006 0:00:00|5/17/2005 0:00:00|Ferriss|||0||1969-137-7||||MetTom/PT|O||||||1.0|| ||||||||Work|0|Theory|Drawings were produced before the book was written, then used as illustrations for the second part entitled "Projected Trends."||||||||||0|0|Study for the Maximum Mass Permitted by the 1916 New York Zoning Law, Stage 1;Evolution of the Set-Back Building, First Stage|Ferriss, Hugh 3766.00|0|Architect|08|O-Ferriss|1.0|MetTom/PT|75|O-Ferriss 1.0 MetTom/PT 75|Study for the Maximum Mass Permitted by the 1916 New York Zoning Law, Stage 2|Assigned|Repository|Evolution of the Set-Back Building, Second Stage|Descriptive|Print Publication||||The Metropolis of Tomorrow. Study for the Maximum Mass Permitted by the 1916 New York Zoning Law, Stage 2|3831|Ferriss, Hugh||architect|Hugh Ferriss|0||||0|||||American|||Art Deco|||||United States||||||0||||0||||0||||0|Architectural Theory|Architectural drawing||||20|||1922|1922||1922|1922-1922||The Metropolis of Tomorrow|Larger Context||3764||||0|||||Black crayon,; pen and black ink, brush and black wash, varnish on illustration board|crayons|pen|wash|||drawing (image-making)|||||66.5 x 50.8 cm||1954|New York: Cooper-Hewitt Museum|New York: Cooper-Hewitt||Skyscrapers ; Office buildings ; Architectural drawings ; Architectural theory ; |Skyscrapers|Office buildings|Architectural drawings|Architectural theory||||||Cornell||JNK|MNW|3/31/2006 0:00:00|5/17/2005 0:00:00|Ferriss|||0||1969-137-4||||MetTom/PT|O||||||1.0|| ||||||||Work|0|Theory|Drawings were produced before the book was written, then used as illustrations for the second part entitled "Projected Trends."||||||||||0|0|Study for the Maximum Mass Permitted by the 1916 New York Zoning Law, Stage 2;Evolution of the Set-Back Building, Second Stage|Ferriss, Hugh 3767.00|0|Architect|08|O-Ferriss|1.0|MetTom/PT|77|O-Ferriss 1.0 MetTom/PT 77|Study for the Maximum Mass Permitted by the 1916 New York Zoning Law, Stage 3|Assigned|Repository|Evolution of the Set-Back Building, Third Stage|Descriptive|Print Publication||||The Metropolis of Tomorrow. Study for the Maximum Mass Permitted by the 1916 New York Zoning Law, Stage 3|3831|Ferriss, Hugh||architect|Hugh Ferriss|0||||0|||||American|||Art Deco|||||United States||||||0||||0||||0||||0|Architectural Theory|Architectural drawing||||20|||1922|1922||1922|1922-1922||The Metropolis of Tomorrow|Larger Context||3764||||0|||||Black crayon,; pen and black ink, brush and black wash, varnish on illustration board|crayons|pen|wash|||drawing (image-making)|||||66.5 x 50.8 cm||1954|New York: Cooper-Hewitt Museum|New York: Cooper-Hewitt||Skyscrapers ; Office buildings ; Architectural drawings ; Architectural theory ; |Skyscrapers|Office buildings|Architectural drawings|Architectural theory||||||Cornell||JNK|MNW|3/31/2006 0:00:00|5/17/2005 0:00:00|Ferriss|||0||1969-137-4||||MetTom/PT|O||||||1.0|| ||||||||Work|0|Theory|Drawings were produced before the book was written, then used as illustrations for the second part entitled "Projected Trends."||||||||||0|0|Study for the Maximum Mass Permitted by the 1916 New York Zoning Law, Stage 3;Evolution of the Set-Back Building, Third Stage|Ferriss, Hugh 3768.00|0|Architect|08|O-Ferriss|1.0|MetTom/PT|79|O-Ferriss 1.0 MetTom/PT 79|Study for the Maximum Mass Permitted by the 1916 New York Zoning Law, Stage 4|Assigned|Repository|Evolution of the Set-Back Building, Fourth Stage|Descriptive|Print Publication||||The Metropolis of Tomorrow. Study for the Maximum Mass Permitted by the 1916 New York Zoning Law, Stage 4|3831|Ferriss, Hugh||architect|Hugh Ferriss|0||||0|||||American|||Art Deco|||||United States||||||0||||0||||0||||0|Architectural Theory|Architectural drawing||||20|||1922|1922||1922|1922-1922||The Metropolis of Tomorrow|Larger Context||3764||||0|||||Black crayon,; pen and black ink, brush and black wash, varnish on illustration board|crayons|pen|wash|||drawing (image-making)|||||66.5 x 50.8 cm||1954|New York: Cooper-Hewitt Museum|New York: Cooper-Hewitt||Skyscrapers ; Office buildings ; Architectural drawings ; Architectural theory ; |Skyscrapers|Office buildings|Architectural drawings|Architectural theory||||||Cornell||JNK|MNW|3/31/2006 0:00:00|5/17/2005 0:00:00|Ferriss|||0||1969-137-4||||MetTom/PT|O||||||1.0|| ||||||||Work|0|Theory|Drawings were produced before the book was written, then used as illustrations for the second part entitled "Projected Trends."||||||||||0|0|Study for the Maximum Mass Permitted by the 1916 New York Zoning Law, Stage 4;Evolution of the Set-Back Building, Fourth Stage|Ferriss, Hugh 3769.00|0||||||||Light Installation at the Pont du Gard|Descriptive|Image Source (Pub)|||||||Pont du Gard. Light Installation at the Pont du Gard|11979|Turrell, James||environmental artist|James Turrell|0||||0|||||American|||||||||||Nîmes, France|||10115||||||||0||||0|Sculpture|Environmental art||||20|||2000|2000||2000|2000-2000||Pont du Gard|Larger Context||936||||0||||||||||||||||||||||Pont du Gard (France) ; |Pont du Gard (France)|||||||||Cornell||MNW|MNW|3/31/2006 0:00:00|5/17/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Light Installation at the Pont du Gard|Turrell, James 3770.00|0|Creator|05||||||Rockefeller Center Seen From the Shelton Hotel|Assigned|Image Source (Pub)|||||||Rockefeller Center Seen From the Shelton Hotel|11377|Stieglitz, Alfred||photographer|Alfred Stieglitz|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1935|1935||1935|1935-1935|||||0||||0|||||Black and white photograph||||||photography|||||||3952|Montreal: Canadian Centre for Architecture|Montreal: Can. Ctr. Arch.||New York, NY ; Rockefeller Center (New York, NY) ; RCA Building, Rockefeller Center (New York, NY) ; International Building, Rockefeller Center (New York, NY) ; RKO Building, Rockefeller Center (New York, NY) ; |New York, NY|Rockefeller Center (New York, NY)|RCA Building, Rockefeller Center (New York, NY)|International Building, Rockefeller Center (New York, NY)|RKO Building, Rockefeller Center (New York, NY)|||||Cornell||JNK|MNW|11/3/2005 0:00:00|5/17/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Rockefeller Center Seen From the Shelton Hotel|Stieglitz, Alfred 3771.00|0|Creator|15||||||Annual Rings|Artists|Image Source (Pub)|||||||Annual Rings|8724|Oppenheim, Dennis A.||environmental artist|Dennis A. Oppenheim|0||||0|||||American||||||||United States|||Fort Kent, ME|Near||10409||||0||||0||||0|Sculpture|Environmental art||||20|||1968|1968||1968|1968-1968|||||0||||0|||||Snow|snow|||||environmental art|||||45.72 x 60.96 m||||||||||||||||Cornell||MNW|MNW|1/19/2006 0:00:00|5/17/2005 0:00:00|O624|||0|||||||||||||||||||||||Work|0||Located on the boundary between the United States and Canada at Fort Kent, Maine, and Claire New Brunswick.||||||||||0|0|Annual Rings|Oppenheim, Dennis A. 3772.00|0|Creator|15||||||Accumulation Cut|Artists|Image Source (Pub)|||||||Untitled. Accumulation Cut|8724|Oppenheim, Dennis A.||environmental artist|Dennis A. Oppenheim|0||||0|||||American||||||||United States|||Cornell University, Ithaca, NY|||||||0||||0||||0|Sculpture|Environmental art|Sculpture|||20|||1969|1969||1969|1969-1969||Untitled|LargerContext||3775||||0|||||100 foot trench|snow||||||||||30.48 m long||||||||||||||||Cornell||MNW|MNW|3/31/2006 0:00:00|5/17/2005 0:00:00||||0|||||||||||||||||||||||Work|0||Originally located on Bebe Lake on the Cornell University campus.||||||||||0|0|Accumulation Cut|Oppenheim, Dennis A. 3773.00|0|Creator|15||||||Depression|Artists|Image Source (Pub)|||||||Earth Art Exhibit. Depression|5288|Heizer, Michael||painter|Michael Heizer|0||||0|||||American||||||||United States|||Cornell University, Ithaca, NY|||||||0||||0||||0|Sculpture|Environmental art||||20|||1969|1969||1969|1969-1969||Earth Art Exhibit|LargerContext||3774||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|3/31/2006 0:00:00|5/17/2005 0:00:00|H4733|||0|||||||||||||||||||||||Work|0||This work was located behind the Andrew Dickson White Museum (now the A. D. White House) at Cornell University.|||February, 1969|||||||0|0|Depression|Heizer, Michael 3774.00|0||||||||Earth Art Exhibit|Descriptive|Image Source (Pub)|||||||Earth Art Exhibit|0|||||0||||0|||||American||||||||United States||||||||||0|Cornell University, Ithaca, NY|||10410||||0||Exhibition||||20|||1969|1969||1969|1969-1969|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|8/18/2005 0:00:00|5/17/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Earth Art Exhibit| 3775.00|0||||||||Untitled|Artists|Image Source (Pub)|||||||Earth Art Exhibit. Untitled|7193|Long, Richard||sculptor|Long, Richard|0||||0|||||American||||||||United States||||||||||0|Cornell University, Ithaca, NY|||10410||||0|Sculpture|Environmental art||||20|||1969|1969||1969|1969-1969||Earth Art Exhibit|Larger Context||3774||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|3/31/2006 0:00:00|5/17/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Untitled|Long, Richard 3777.00|0||||||||The Turkish Section (of the Great Exhibition of 1851)|Assigned|Image Source (Book)|||||||The Turkish Section (of the Great Exhibition of 1851)|30399|Nash, Joseph||painter|Joseph Nash|0||||0|||||English|||Victorian|||||England||||||0||||0||||0||||0|Prints|Lithograph||||19|||1851|1854||ca 1851-1854|ca 1851-1854||Great Exhibition (1851 : London, England)|||2949||||0|||||Lithograph|ink|paper||||lithography|||||||3943|London: Victoria and Albert Museum|London: Victoria & Albert||Turkey (nation) ; Great Exhibition (1851: London, England) ; Crystal Palace (London, England) ; Exhibition buildings ; Exhibitions ; |Turkey (nation)|Great Exhibition (1851: London, England)|Crystal Palace (London, England)|Exhibition buildings|Exhibitions|||||Cornell||MNW|MNW|5/17/2005 0:00:00|5/17/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|The Turkish Section (of the Great Exhibition of 1851)|Nash, Joseph 3778.00|0||||||||The Chinese Section (of the Great Exhibition of 1851)|||||||||The Chinese Section (of the Great Exhibition of 1851)|30399|Nash, Joseph||painter|Joseph Nash|0||||0|||||English|||Victorian|||||England||||||0||||0||||0||||0|Prints|Lithograph||||19|||1851|1854||ca 1851-1854|ca 1851-1854||Great Exhibition (1851 : London, England)|||2949||||0|||||Lithograph|ink|paper||||lithography|||||||3943|London: Victoria and Albert Museum|London: Victoria & Albert||||||||||||Cornell||MNW|MNW|5/17/2005 0:00:00|5/17/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|The Chinese Section (of the Great Exhibition of 1851)|Nash, Joseph 3780.00|0||||||||The Tunisian Section (of the Great Exhibition of 1851)|||||||||The Tunisian Section (of the Great Exhibition of 1851)|30399|Nash, Joseph||painter|Joseph Nash|0||||0|||||English|||Victorian|||||England||||||0||||0||||0||||0|Prints|Lithograph||||19|||1851|1854||ca 1851-1854|ca 1851-1854||Great Exhibition (1851 : London, England)|||2949||||0|||||Lithograph|ink|paper||||lithography|||||||3943|London: Victoria and Albert Museum|London: Victoria & Albert||Tunisia ; Great Exhibition (1851: London, England) ; Crystal Palace (London, England) ; Exhibition buildings ; Exhibitions ; |Tunisia|Great Exhibition (1851: London, England)|Crystal Palace (London, England)|Exhibition buildings|Exhibitions|||||Cornell||MNW|MNW|5/17/2005 0:00:00|5/17/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|The Tunisian Section (of the Great Exhibition of 1851)|Nash, Joseph 3781.00|0||||||||The Swedish, Norwegian and Danish Section (of the Great Exhibition of 1851)|||||||||The Swedish, Norwegian and Danish Section (of the Great Exhibition of 1851)|30399|Nash, Joseph||painter|Joseph Nash|0||||0|||||English|||Victorian|||||England||||||0||||0||||0||||0|Prints|Lithograph||||19|||1851|1854||ca 1851-1854|ca 1851-1854|||||0||||0|||||Lithograph|ink|paper||||lithography|||||||3943|London: Victoria and Albert Museum|London: Victoria & Albert||Great Exhibition (1851: London, England) ; Crystal Palace (London, England) ; Exhibition buildings ; Exhibitions ; |Great Exhibition (1851: London, England)|Crystal Palace (London, England)|Exhibition buildings|Exhibitions||||||Cornell||MNW|MNW|5/17/2005 0:00:00|5/17/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|The Swedish, Norwegian and Danish Section (of the Great Exhibition of 1851)|Nash, Joseph 3782.00|0|Architect|03||||||Goldman and Salatsch|Original|Dict.Art|Looshaus|Variant|Dict.Art||||Goldman and Salatsch|7208|Loos, Adolf||architect|Adolf Loos|0||||0|||||Austrian||||||||Austria||||||0|Vienna, Austria|||10321||||0||||0|Architecture|Department store||||20|||1910|1910||1910-1910|1910-1910|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|5/17/2005 0:00:00|5/17/2005 0:00:00||Vie||0|||||||||||||||||||||||Work|0||||||||||||0|0|Goldman and Salatsch;Looshaus|Loos, Adolf 3822.00|0|Architect|02|MA-Cooper|Robertson|1.1 |1995-Cel|MA-Cooper Robertson 1.1 1995-Cel|Celebration|Assigned|Image Source (Pub)|||||||Celebration|30623|Cooper Robertson & Partners||architectural firm|Cooper Robertson & Partners with Robert A.M. Stern|11339|Stern, Robert A. M.||architect|0|||||American|||Postmodern|||||United States||||||0|Celebration, FL|||10481||||0||||0|Architecture|Municipal plan|Town|||20|||1995|1995|ca|ca 1995|ca 1995-1995|||||0||||0||||||||||||||||||||||Urban planning ; New towns ; |Urban planning|New towns||||||||Cornell||JNK|MNW|10/23/2006 0:00:00|5/23/2005 0:00:00|Cooper|||0|||||||MA||||||1.1|1995-Cel||Robertson|||||||Work|0|Modern Architecture-|||||||||||0|0|Celebration|Cooper Robertson & Partners;Stern, Robert A. M. 3823.00|0||||||||View of Las Vegas from the New York, New York Hotel|Descriptive|Image Source (Pub)|||||||View of Las Vegas from the New York, New York Hotel|30618|Cummins, Richard M.||photographer|Richard M. Cummins|0||||0|||||American||||||||United States||||||0||||||||0||||0|Photographs|Documentary photograph||||20|||2000|2000||2000|2000-2000|||||0||||0|||||Color photograph||||||color photography|||||||||||Chrysler Building (New York, NY) ; Eiffel Tower, Paris, France ; Las Vegas, Nevada ; Casinos ; |Chrysler Building (New York, NY)|Eiffel Tower, Paris, France|Las Vegas, Nevada|Casinos||||||Cornell||MNW|JNK|5/27/2005 0:00:00|5/23/2005 0:00:00||||0||||||||||||||||||||||||0||View cotains a replica of the Chrysler Building in the foreground and looks towards the Paris Hotel, with its half-scale model of the Eiffel Tower. Neumann, Architecture of the Night. © Richard Cummins/Corbis||||||||||0|0|View of Las Vegas from the New York, New York Hotel|Cummins, Richard M. 3824.00|0|Architect|02|MA-|Pelli|6.1 1991-98 Pet||MA- Pelli 6.1 1991-98 Pet |Petronas Towers|Assigned|LC NAF|||||||Petronas Towers|28791|Cesar Pelli & Associates||architectural firm|Cesar Pelli & Associates (Cesar Pelli; Fred Clark)|9038|Pelli, Cesar Antonio||designer|30626|Clarke, Fred, ||||American|||Post-1945|||Asia||Malaysia||||||0|Kuala Lumpur, Malaysia|||10427||||0||||0|Architecture|Office building|Skyscraper|||20|||1991|1996||1991-1996|1991-1996|||||0||||0||||||||||||||||||||||Office buildings ; Skyscrapers ; |Office buildings|Skyscrapers||||||||Cornell||MNW|JNK|8/22/2006 0:00:00|5/23/2005 0:00:00|Pelli|||0||||||1991-98 Pet|MA||||||6.1||||||||||Building|0|Modern Architecture-|||||||||||0|0|Petronas Towers|Cesar Pelli & Associates;Pelli, Cesar Antonio;Clarke, Fred, 3825.00|0|Architect|02||||||Pleasant View Gardens|Assigned|Online Resource|Lafayette Courts Revitalization|Former|Image Source (Pub)||||Pleasant View Gardens|30617|Torti Gallas and Partners - CHK, Inc.||architectural firm|Torti Gallas and Partners - CHK, Inc.|0||||0|||||American|||Postmodern|||||United States||||||0|Aisquith Street, Baltimore, MD|||10425||||0||||0|Architecture|Municipal plan|Apartment house|||20|||1994|1997||1994-1997|1994-1997|||||0||||0||||||||||||||||||||||Urban planning ; Apartment houses ; Houses ; |Urban planning|Apartment houses|Houses|||||||Cornell||JNK|MNW|11/9/2005 0:00:00|5/23/2005 0:00:00||||0|||||||||||||||||||||||Work|0||The high rises of Lafayette Courts were demolished and replaced with row houses, apartments and mixed use structures. First intervention of urban renaissance according to the Program Hope VI.||||||||||0|0|Pleasant View Gardens;Lafayette Courts Revitalization|Torti Gallas and Partners - CHK, Inc. 3826.00|0|Architect|02||||||Masterplan for Downtown Kendall|Descriptive|Cataloger|||||||Masterplan for Downtown Kendall|30620|Dover Kohl & Partners||architectural firm|Dover Kohl & Partners|0||||0|||||American||||||||United States||||||0|Miami-Dade (County), Florida|||10426||||||||0|Architecture|Municipal plan||||21|||2000|2002||2000-2002|2000-2002|||||0||||0||||||||||||||||||||||Urban planning ; Cities ; |Urban planning|Cities||||||||Cornell||JNK|MNW|11/8/2005 0:00:00|5/23/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Masterplan for Downtown Kendall|Dover Kohl & Partners 3827.00|0|Architect|02||||||Naoshima Contemporary Art Museum|Assigned|Image Source (Pub)|||||||Naoshima Contemporary Art Museum|399|Ando, Tadao||architect|Tadao Ando|0||||0|||||Japanese||||||||Japan||||||0|Naoshima, Japan|||10428||||0||||0|Architecture|Museum||||20|||1992|1992|ca|ca 1992|ca 1992-1992|||||0||||0||||||||||||||||||||||Museums ; Galleries (display spaces) ; |Museums|Galleries (display spaces)||||||||Cornell||JNK|JNK|5/23/2005 0:00:00|5/23/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Naoshima Contemporary Art Museum|Ando, Tadao 3828.00|0||||||||Burj al Arab Hotel|Assigned|Image Source (Pub)|Arabian Tower Hotel|Translated|Cataloger||||Burj al Arab Hotel|30627|WS Atkins and Consultants|||WS Atkins and Consultants (Tom Wright)|30628|Wright, Tom|||0|||||||||||||United Arab Emirates||||||0|Dubai, United Arab Emirates|Near||10429||||0||||0|Architecture|Hotel (public accommodation)|Skyscraper||||||1999|1999||1999|1999-1999|||||0||||0||||||||||||||||||||||Hotels (public accommodations) ; Skyscrapers ; |Hotels (public accommodations)|Skyscrapers||||||||Cornell||MNW|JNK|5/27/2005 0:00:00|5/23/2005 0:00:00||||0||||||||||||||||||||||||0||Located at Jumeirah Beach Resort.||||||||||0|0|Burj al Arab Hotel;Arabian Tower Hotel|WS Atkins and Consultants;Wright, Tom 3829.00|0|Architect|02||||||Annex|Descriptive|Image Source (Pub)|||||||Naoshima Contemporary Art Museum. Annex|399|Ando, Tadao||architect|Tadao Ando|0||||0|||||Japanese||||||||Japan||||||0|Naoshima, Japan|||10428||||0||||0|Architecture|Museum||||20|||1995|1995||1995|1995-1995||Naoshima Contemporary Art Museum|Larger entity||3827||||0||||||||||||||||||||||Museums ; Guest rooms ; Galleries (display spaces) ; |Museums|Guest rooms|Galleries (display spaces)|||||||Cornell||JNK|MNW|3/31/2006 0:00:00|5/23/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Annex|Ando, Tadao 3830.00|0|Architect|02||||||San Francisco Museum of Modern Art|Assigned|Image Source (Pub)|||||||San Francisco Museum of Modern Art|1434|Botta, Mario||architect|Mario Botta|0||||0|||||American||||||||United States||||||0|San Francisco, CA|||10323||||0||||0|Architecture|Museum||||20|||1995|1995||1995|1995-1995|||||0||||0||||||||||||||||||||||Museums ; |Museums|||||||||Cornell||JNK|JNK|5/23/2005 0:00:00|5/23/2005 0:00:00||SanF||0|||||||||||||||||||||||Work|0||||||||||||0|0|San Francisco Museum of Modern Art|Botta, Mario 3831.00|0||||||||The Museum of African Art|Assigned|Image Source (Pub)|||||||The Museum of African Art|7075|Lin, Maya Ying||architect|Maya Lin|0||||0|||||American||||||||United States||||||0|New York, NY|||10060||||0||||0|Architecture|Museum||||20|||1984|1992||1984-1992|1984-1992|||||0||||0||||||||||||||||||||||Museums ; Galleries (display spaces) ; |Museums|Galleries (display spaces)||||||||Cornell||JNK|MNW|11/2/2005 0:00:00|5/23/2005 0:00:00||NYC||0||||||||||||||||||||||||0||The Museum of African Art is located in the storefront and basement level of an 1859 building in NYC's SoHo District.||||||||||0|0|The Museum of African Art|Lin, Maya Ying 3832.00|0|Architect|02||||||Ehime Prefectural Museum of General Science|Assigned|Image Source (Pub)|||||||Ehime Prefectural Museum of General Science|6608|Kurokawa, Kisho||architect|Kisho Kurokawa|0||||0|||||Japanese||||||||Japan||||||0|Ehime, Japan|||10430||||0||||0|Architecture|Museum||||20|||1994|1994||1994|1994-1994|||||0||||0||||||||||||||||||||||Museums ; |Museums|||||||||Cornell||JNK|MNW|11/2/2005 0:00:00|5/23/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Ehime Prefectural Museum of General Science|Kurokawa, Kisho 3833.00|0||||||||View of Midtown Manhattan Skyline from Central Park|Descriptive|Image Source (Pub)|||||||View of Midtown Manhattan Skyline from Central Park|13217|Gottscho, Samuel H.||photographer|Samuel H. Gottscho|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1932|1932||1932|1932-1932|||||0||||0|||||Documentary photograph||||||photography|||||||3892|Washington, DC: Library of Congress|Wash, DC: Library of Congress||New York, NY ; Cityscapes ; |New York, NY|Cityscapes||||||||Cornell||MNW|JNK|5/27/2005 0:00:00|5/23/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||From the GOTTSCHO-SCHLEISNER COLLECTION||0|0|View of Midtown Manhattan Skyline from Central Park|Gottscho, Samuel H. 3834.00|0||||||||Modern Architecture: International Exhibition 1932|Descriptive|Image Source (Pub)|||||||Museum of Modern Art. Modern Architecture: International Exhibition 1932|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Architecture|Exhibition||||20|||1932|1932||1932|1932-1932||Museum of Modern Art|LargerEntity||3390||||0||||||||||||||||||||||Exhibitions ; Museum of Modern Art (New York, N.Y.) ; |Exhibitions|Museum of Modern Art (New York, N.Y.)||||||||Cornell||MNW|MNW|3/31/2006 0:00:00|5/23/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Modern Architecture: International Exhibition 1932| 3835.00|0||||||||Aerial View of Lower Manhattan|Descriptive|Image Source (Pub)|"Find the Citizen." The Disappearing City|Variant|Image Source (Pub)||||Aerial View of Lower Manhattan|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1932|1932||1932|1932-1932|||||0||||0|||||Documentary photograph||||||photography|||||||1953|New York: Columbia University|New York: Columbia Univ.||New York, NY ; Cityscapes ; |New York, NY|Cityscapes||||||||Cornell||MNW|JNK|5/27/2005 0:00:00|5/23/2005 0:00:00||||0||||||||||||||| |||||||||0||Reproduced in Frank Lloyd Wright's the Disappering City, 1932, with the caption "Find the Citizen." The Disappearing City.||||||||||0|0|Aerial View of Lower Manhattan;"Find the Citizen." The Disappearing City| 3836.00|0||||||||Steel Worker, Empire State Building, New York|Descriptive|Image Source (Pub)|||||||Steel Worker, Empire State Building, New York|5447|Hine, Lewis Wickes||photographer|Lewis Wickes Hine|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1931|1931||1931|1931-1931|||||0||||0|||||Photograph||||||photography|||||||3675|Rochester, NY: International Museum of Photography at George Eastman House|Rochester: George Eastman House||New York, NY ; Cityscapes ; Empire State Building (New York, NY) ; |New York, NY|Cityscapes|Empire State Building (New York, NY)|||||||Cornell||MNW|JNK|5/27/2005 0:00:00|5/23/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Steel Worker, Empire State Building, New York|Hine, Lewis Wickes 3838.00|0|Category|06|J-MP|Butler|1|JustImag|J-MP Butler 1 JustImag|Just Imagine|Assigned|Print Publication|||||||Just Imagine|1861|Butler, David||film director|David Butler|30630|Goosson, Stephen||art director|30631|Hammeras, Ralph||art director||American|||Art Deco|||||United States||||||0||||0||||0||||0|Motion Pictures|Motion picture (visual work)||||20|||1930|1930||1930|1930-1930|||||0||||0|||||||||||film making|||||||||||||||||||||Cornell||MNW|JNK|6/7/2005 0:00:00|5/24/2005 0:00:00|Butler|||0||||||JustImag|J-MP||||||1||||||||||Work|0|Motion Pictures|Produced in the US by Fox Film Corporation.||||||||||0|0|Just Imagine|Butler, David;Goosson, Stephen;Hammeras, Ralph 3839.00|0|Category|06|J-MP|Bacon|1|42nd|J-MP Bacon 1 42nd|Forty Second Street|Assigned|Print Publication|||||||Forty Second Street|618|Bacon, Lloyd||film director|Lloyd Bacon; Jack Okey (Warner Bros.)|8682|Okey, Jack||art director|29718|Warner Bros.||||American||||||||United States||||||0||||0||||0||||0|Film Stills|Film still||||20|||1933|1933||1933|1933-1933|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|5/24/2005 0:00:00|5/24/2005 0:00:00|Bacon|||0||||||42nd St|J-MP|||||||||10|||||||Work|0|Motion pictures|||||||||||0|0||Bacon, Lloyd;Okey, Jack;Warner Bros. 3840.00|0|Architect|02||||||Arizona Science Center|Assigned|Image Source (Pub)|||||||Arizona Science Center|9467|Predock, Antoine||architect|Antoine Predock|0||||0|||||American||||||||United States||||||0|Phoenix, Arizona|||10431||||0||||0|Architecture|Museum||||20|||1990|1997||1990-1997|1990-1997|||||0||||0||||||||||||||||||||||Museums ; |Museums|||||||||Cornell||JNK|MNW|11/2/2005 0:00:00|5/24/2005 0:00:00||Pho||0|||||||||||||||||||||||Work|0||||||||||||0|0|Arizona Science Center|Predock, Antoine 3841.00|0|Architect|02||||||Chikatsu-Asuka Historical Museum|Assigned|Image Source (Pub)|||||||Chikatsu-Asuka Historical Museum|399|Ando, Tadao||architect|Tadao Ando|0||||0|||||Japanese||||||||Japan||||||0|Osaka (urban prefecture), Japan|||10432||||0||||0|Architecture|Museum||||20|||1994|1994||1994|1994-1994|||||0||||0||||||||||||||||||||||Museums ; |Museums|||||||||Cornell||JNK|MNW|11/2/2005 0:00:00|5/24/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Chikatsu-Asuka Historical Museum|Ando, Tadao 3842.00|0|Site|02|B-B33|NYC|6.1 RockCen/Rad||B-B33 NYC 6.1 RockCen/Rad |Radio City Music Hall|Assigned|Image Source (Pub)|||||||Rockefeller Center. Radio City Music Hall|11396|Stone, Edward Durrell||architect|Edward Durrell Stone & Donald Desky|3097|Deskey, Donald||industrial designer||||||American|||Art Deco|||Asia||United Arab Emirates||||||0|1260 Ave. of the Americas, New York, NY|||10433||||0||||0|Architecture|Commercial building|Theater|Skyscraper||20|||1932|1932||1932|1932-1932||Rockefeller Center|||3783||||0||||||||||||||||||||||Commercial buildings ; Skyscrapers ; Rockefeller Center (New York, NY) ; Theaters ; |Commercial buildings|Skyscrapers|Rockefeller Center (New York, NY)|Theaters||||||Cornell||MNW|JNK|5/27/2005 0:00:00|5/24/2005 0:00:00||NYC||0||||||RockCen/Rad|B|||||B33|6.1||||||||||Work|0|Architecture-New York (NY)|Interior design by Donald Desky.||||||||||0|0|Radio City Music Hall|Stone, Edward Durrell;Deskey, Donald 3843.00|0|Architect|02||||||United States Holocaust Memorial Museum|Assigned|Image Source (Pub)|||||||United States Holocaust Memorial Museum|29362|Pei, Cobb, Freed & Partners||architectural firm|Pei, Cobb, Freed & Partners (James Freed)|4126|Freed, James Ingo||architect|0|||||American||||||||United States||||||0|Washington, DC|||10054||||0||||0|Architecture|Museum|Memorial|||20|||1993|1993||1993|1993-1993|||||0||||0||||||||||||||||||||||Museums ; Memorials ; |Museums|Memorials||||||||Cornell||JNK|MNW|11/2/2005 0:00:00|5/24/2005 0:00:00||Wash||0|||||||||||||||||||||||Work|0||||||||||||0|0|United States Holocaust Memorial Museum|Pei, Cobb, Freed & Partners;Freed, James Ingo 3844.00|0|Architect|02||||||New Metropolis National Science and Technology Center|Assigned|Image Source (Pub)|NEMO (National Center for Science and Technology)|Variant|Online Resource||||New Metropolis National Science and Technology Center|30632|Renzo Piano Building Workshop||architectural firm|Renzo Piano Building Workshop|0||||0|||||||||||||||||||0|Amsterdam, Netherlands|||10171||||0||||0|Architecture|Museum||||20|||1992|1997||1992-1997|1992-1997|||||0||||0||||||||||||||||||||||Museums ; |Museums|||||||||Cornell||JNK|MNW|11/2/2005 0:00:00|5/24/2005 0:00:00||Ams||0|||||||||||||||||||||||Work|0||Also known as NEMO (National Center for Science and Technology).||||||||||0|0|New Metropolis National Science and Technology Center;NEMO (National Center for Science and Technology)|Renzo Piano Building Workshop 3783.00|0|Architect|02|B-B33|NYC|6.1 RockCen||B-B33 NYC 6.1 RockCen |Rockefeller Center|Assigned|Macmillan|||||||Rockefeller Center|28884|Reinhard & Hofmeister||architectural firm|Reinhard & Hofmeister, et al.|27943|Corbett, Harrison & MacMurray||architectural firm|28343|Hood, Godley & Fouilhoux||architectural firm||American|||Art Deco|||||United States||||||0|New York, NY|||10060||||0||||0|Architecture|Office building|Theater|Skyscraper||20|||1932|1940||1932-1940|1932-1940|||||0||||0||||||||||||||||||||||Office buildings ; Skyscrapers ; |Office buildings|Skyscrapers||||||||Cornell||JNK|JNK|5/17/2005 0:00:00|5/17/2005 0:00:00||NYC||0||||||RockCen|B|||||B33|6.1||||||||||Work|0|Architecture-New York (NY)||||The complex was expanded from 1947-1973.|||||||0|0|Rockefeller Center|Reinhard & Hofmeister;Corbett, Harrison & MacMurray;Hood, Godley & Fouilhoux 3784.00|0|Architect|02|MA-Mies|7.5|1923|Brick||Brick Country House|Descriptive|Image Source (Pub)|||||||Brick Country House|7969|Mies van der Rohe, Ludwig||architect|Ludwig Mies van der Rohe|0||||0|||||German||||||||Germany||||||0||||0||||0||||0|Architecture|House|Architectural drawing|||20|||1923|1924||1923-1924|1923-1924|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||MNW|JNK|5/23/2005 0:00:00|5/17/2005 0:00:00||||0|||||||||||||||||||||||Work|0||Unrealized project.||||||||||0|0|Brick Country House|Mies van der Rohe, Ludwig 3785.00|0||||||||Palazzo della Civiltá Italiana|Assigned|Dict.Art|||||||Palazzo della Civiltá Italiana|29721|Guerrini, La Padula & Romano||architectural firm|Guerrini, La Padula & Romano|0||||0|||||Italian||||||||Iceland||||||0|Rome, Italy|||10024||||0||||0|Architecture|Government office building||||20|||1938|1939||1938-1939|1938-1939||Esposizione universale di Roma (1942 : Rome, Italy)|||3791||||0||||||||||||||||||||||Government office buildings ; |Government office buildings|||||||||Cornell||MNW|MNW|5/19/2005 0:00:00|5/17/2005 0:00:00||Rom||0||||||||||||||||||||||||0||||||||||||0|0|Palazzo della Civiltá Italiana|Guerrini, La Padula & Romano 3786.00|0|Architect|02|B-B33|NYC|6.1 RocCen/RCA||B-B33 NYC 6.1 RocCen/RCA |RCA Building|Original|Dict.Art|GE Building|Owners|Online Resource||||Rockefeller Center. RCA Building|5583|Hood, Raymond M.||architect|Raymond Hood|0||||0|||||American|||Art Deco|||||United States||||||0|30 Rockefeller Plaza, New York, NY|||10411||||0||||0|Architecture|Commercial building|Office building|Skyscraper||20|||1933|1933||1933|1933-1933||Rockefeller Center|Larger entity||3783||||0||||||||||||||||||||||Skyscrapers ; Office buildings ; Commercial buildings ; |Skyscrapers|Office buildings|Commercial buildings|||||||Cornell||JNK|JNK|8/22/2006 0:00:00|5/18/2005 0:00:00||NYC||0||||||RocCen/RCA|B|||||B33|6.1||||||||||Work|0|Architecture-New York (NY)|||||||||||0|0|RCA Building;GE Building|Hood, Raymond M. 3787.00|0|Architect|02||||||RKO Building|Former|Print Publication|1270 Sixth Avenue Building|Assigned|Print Publication||||Rockefeller Center. RKO Building|28884|Reinhard & Hofmeister||architectural firm|Reinhard & Hofmeister, et al.|28343|Hood, Godley & Fouilhoux||architectural firm|27943|Corbett, Harrison & MacMurray||architectural firm||American|||Art Deco|||||United States||||||0|1270 Sixth Avenue, New York, NY|||10412||||0||||0|Architecture|Commercial building|Skyscraper|Office building||20|||1932|1932||1932|1932-1932||Rockefeller Center|Larger entity||3783||||0||||||||||||||||||||||Commercial buildings ; Skyscrapers ; Office buildings ; |Commercial buildings|Skyscrapers|Office buildings|||||||Cornell||JNK|MNW|3/31/2006 0:00:00|5/18/2005 0:00:00||||0|||||||||||||||||||||||Work|0||Interior design by Eugene Schoen, 1932.||||||||||0|0|RKO Building;1270 Sixth Avenue Building|Reinhard & Hofmeister;Hood, Godley & Fouilhoux;Corbett, Harrison & MacMurray 3788.00|0||||||||International Building|Assigned|Print Publication|||||||Rockefeller Center. International Building|27908|Clinton & Russell||architectural firm|Clinton & Russell, Holton & George|30614|Holton & George||architectural firm|0|||||American|||Art Deco|||||United States||||||0|630 Fifth Avenue, New York, NY|||10413||||0||||0|Architecture|Skyscraper|Commercial building|Office building||20|||1935|1935||1935|1935-1935||Rockefeller Center|Larger entity||3783||||0||||||||||||||||||||||Commercial buildings ; Office buildings ; Skyscrapers ; |Commercial buildings|Office buildings|Skyscrapers|||||||Cornell||JNK|JNK|5/18/2005 0:00:00|5/18/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|International Building|Clinton & Russell;Holton & George 3789.00|0|Architect|02||| |||The Atlantis|Assigned|Dict.Art|The Atlantis Condominiums|Variant|Online Resource||||The Atlantis|27631|Arquitectónica||architectural firm|Arquitectónica|0||||0|||||American|||Postmodern|||||United States||||||0|Miami, FL|||10414||||0||||0|Architecture|Apartment house|Skyscraper|||20|||1980|1982||1980-1982|1980-1982|||||0||||0||||||||||||||||||||||Apartment houses ; Skyscrapers ; Condominiums ; |Apartment houses|Skyscrapers|Condominiums|||||||Cornell||JNK|MNW|11/3/2005 0:00:00|5/18/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|The Atlantis;The Atlantis Condominiums|Arquitectónica 3790.00|0|Architect|02||||||Camino Real Cancún Hotel|Assigned|Image Source (Pub)|||||||Camino Real Cancún Hotel|6923|Legorreta, Ricardo Vilchis||architect|Ricardo Vilchis Legorreta|0||||0|||||Mexican|||Modernist|||||Mexico||||||0|Cancún, Mexico|||10415||||0||||0|Architecture|Hotel (public accommodation)||||20|||1975|1975||1975|1975-1975|||||0||||0||||||||||||||||||||||Hotels (public accommodations) ; |Hotels (public accommodations)|||||||||Cornell||JNK|MNW|11/3/2005 0:00:00|5/18/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Camino Real Cancún Hotel|Legorreta, Ricardo Vilchis 3791.00|0||||||||Esposizione universale di Roma (1942 : Rome, Italy)|Assigned|LC NAF|EUR|Variant|Blue Guide||||Esposizione universale di Roma (1942 : Rome, Italy)(EUR.)|9187|Piacentini, Marcello||architect|Marcello Piacentini|0||||0|||||Italian||||||||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Exhibition|Quarter|||20|||1938|1952||1938-1942; 1952|1938-1952|||||0||||0||||||||||||||||||||||Esposizione universale di Roma (1942 : Rome, Italy) ; Urban planning ; |Esposizione universale di Roma (1942 : Rome, Italy)|Urban planning||||||||Cornell||MNW|MNW|5/18/2005 0:00:00|5/18/2005 0:00:00||Rom||0||||||||||||||||||||||||0||Project was to symbolize the achievements of Fascism; however, its buildings were only partly completed. From its origins as a simple exhibition site the EUR was impelled by Piacentini into becoming a new monumental quarter of Rome. Blue Guide, DOA.|||1938-1942; completed and restored in 1952.|||||||0|0|Esposizione universale di Roma (1942 : Rome, Italy);EUR|Piacentini, Marcello 3792.00|0|Creator|15|32|S245-PA|1881|2|32 S245-PA 1881 2|Edouard and Marie-Louise Pailleron|Assigned|Image Source (Pub)|||||||Edouard and Marie-Louise Pailleron|10396|Sargent, John Singer||painter|John Singer Sargent|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Paintings|Oil painting|Portrait|||19|||1881|1881||1881|1881-1881|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||152.4 x 175.3 cm||733|Des Moines: Art Center|Des Moines: Art Center||Portraits ; Pailleron, Edouard ; Pailleron, Marie-Louise, 1870-1951 ; Group portraits ; Children (people by age group) ; |Portraits|Pailleron, Edouard|Pailleron, Marie-Louise, 1870-1951|Group portraits|Children (people by age group)|||||Cornell||JNK||6/17/2005 0:00:00|5/19/2005 0:00:00|S245|||0||1976.61|||||32|PA||||||1881| ||||||||Work|0||||||||||||0|0|Edouard and Marie-Louise Pailleron|Sargent, John Singer 3793.00|0|Creator|15|32|C561-PA|1859|1|32 C561-PA 1859 1|Heart of the Andes|Assigned|Repository|||||||Heart of the Andes|2321|Church, Frederic Edwin||painter|Frederic Edwin Church|0||||0|||||American|||Hudson River School|Luminist||North and Central America||United States||||||0||||||||0||||0|Paintings|Oil painting||||19|||1859|1859||1859|1859-1859|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||168 x 302 cm||3294|New York: Metropolitan Museum of Art|New York: Metropolitan||Landscapes ; Andes (mountain system) ; |Landscapes|Andes (mountain system)||||||||Cornell||JNK|JNK|4/3/2006 0:00:00|5/19/2005 0:00:00|C561|||0||09.95|||||32|PA||||||1859| ||||||||Work|0||||||||||||0|0||Church, Frederic Edwin 3794.00|0|Creator|15|32|C561-PA|1859|1 X|32 C561-PA 1859 1 X|Heart of the Andes on exhibit at the Metropolitan Fair, New York|Assigned|Image Source (Pub)|||||||Heart of the Andes on exhibit at the Metropolitan Fair, New York|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||19|||1864|1864||1864|1864-1864|||||0||||0|||||Black and white photograph||||||photography|||||||4165|Leonard A. Walle Collection|: Leonard A. Walle Coll.||Painting (image making) ; Art exhibitions ; Metropolitan Fair (1864: New York, NY) ; Portraits ; Heart of the Andes ; |Painting (image making)|Art exhibitions|Metropolitan Fair (1864: New York, NY)|Portraits|Heart of the Andes|||||Cornell||JNK||6/17/2005 0:00:00|5/19/2005 0:00:00|C561|||0|||||||32|PA||||||1859| ||||||||Work|0|19th Century|||||||||||0|0|Heart of the Andes on exhibit at the Metropolitan Fair, New York| 3795.00|0|Creator|15|30|R463-PA|M534||30 R463-PA M534 |The Dilettanti Society, First Group|Assigned|Print Publication|||||||The Dilettanti Society, First Group|9791|Reynolds, Joshua, Sir||painter|Sir Joshua Reynolds|0||||0|||||English|British||Academic|||||England|British Isles|||||0||||0||||0||||0|Paintings|portraits|Oil painting|||18|||1777|1778||1777-1778|1777-1778|||||0||||0| Mandragola.||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||197 x 142 cm||9471|London: Society of Dilettanti|London: Soc. of Dilettanti||Portraits ; Group portraits ; Williams-Wynn, Watkin, 1749-1789 ; Taylor, Sir John, 1745-1796 ; Payne-Gallwey, Stephen, 1750-1803 ; Hamilton, Sir William, 1730-1803 ; Thompson, Richard, 1745-1820 ; Stanhope, Walter Spencer, 1749-1822 ; Smyth, John Lewin|Portraits|Group portraits|Williams-Wynn, Watkin, 1749-1789|Taylor, Sir John, 1745-1796|Payne-Gallwey, Stephen, 1750-1803|Hamilton, Sir William, 1730-1803|Thompson, Richard, 1745-1820|Stanhope, Walter Spencer, 1749-1822|Smyth, John Lewin|Cornell||JNK|MNW|7/25/2005 0:00:00|5/19/2005 0:00:00|R463|||0||||||M534|30|PA||||||| ||||||||Work|0||Catalog number 510 in David Mannings's Sir Joshua Reynolds: A Complete Catalogue of His Paintings.||||||||||0|0|The Dilettanti Society, First Group|Reynolds, Joshua, Sir 3796.00|0|Creator|15|30|R463-PA|M5341||30 R463-PA M5341 |The Dilettanti Society, Second Group|Assigned|Print Publication|||||||The Dilettanti Society, Second Group|9791|Reynolds, Joshua, Sir||painter|Sir Joshua Reynolds|0||||0|||||English|British||Academic|||||England|British Isles|||||0||||0||||0||||0|Paintings|Oil painting|Portrait|||18|||1777|1778||1777-1778|1777-1778|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||197 x 142 cm||9471|London: Society of Dilettanti|London: Soc. of Dilettanti||Portraits ; Group portraits ; Mulgrave, Constantine John Phipps, Baron, 1744-1792 ; Dundas of Aske, Thomas Dundas, Baron, 1741-1820 ; Greville, Charles Francis, 1749-1809 ; Mackenzie, Kenneth, 1st Earl of Seaforth, 1744-1781 ; Crowe, John Charles, -1811 ; Leeds, Francis Godolphin Osborne, Duke of, 1751-1799 ; Banks, Joseph, Sir, 1743-1820|Portraits|Group portraits|Mulgrave, Constantine John Phipps, Baron, 1744-1792|Dundas of Aske, Thomas Dundas, Baron, 1741-1820|Greville, Charles Francis, 1749-1809|Mackenzie, Kenneth, 1st Earl of Seaforth, 1744-1781|Crowe, John Charles, -1811|Leeds, Francis Godolphin Osborne, Duke of, 1751-1799|Banks, Joseph, Sir, 1743-1820|Cornell||JNK|MNW|7/25/2005 0:00:00|5/19/2005 0:00:00|R463|||0|||||||30|PA||||||| |M5341|||||||Work|0||Catalog number 511 in David Mannings's Sir Joshua Reynolds: A Complete Catalogue of His Paintings.||||||||||0|0|The Dilettanti Society, Second Group|Reynolds, Joshua, Sir 3797.00|0|Architect|02||||||Wardway Homes, Bungalows, and Cottages 1925|Assigned|Print Publication|||||||Wardway Homes, Bungalows, and Cottages 1925|29579|Montgomery Ward||architectural firm|Montgomery Ward|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Publications|Book||||21|||1925|1925||1925|1925-1925|||||0||||0||||||||||||||||||||||Commercial catalogs ; Houses ; Catalogs ; |Commercial catalogs|Houses|Catalogs|||||||Cornell||JNK|MNW|11/7/2005 0:00:00|5/19/2005 0:00:00||||0|||||||||||||||||||||||Work|0||2004 Dover unabridged re-publication of the original 1925 catalog. Cover design by Jeff A. Menges, based on original 1925 cover. 2004 Dover unabridged re-publication of the original 1925 catalog.||||||||||0|0|Wardway Homes, Bungalows, and Cottages 1925|Montgomery Ward 3798.00|0|Architect|02||||||Hillside Homes: 208 Sloping-Lot and Multi-Level Designs|Assigned|Image Source (Pub)|||||||Hillside Homes: 208 Sloping-Lot and Multi-Level Designs|30634|Home Planners, inc.||builder|Home Planners, inc.|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Publications|Book|Architectural drawing|||20|||1999|1999||1999|1999-1999|||||||||0||||||||||||||||||||||Commercial catalogs ; Houses ; Architectural drawings ; |Commercial catalogs|Houses|Architectural drawings|||||||Cornell||JNK|JNK|5/25/2005 0:00:00|5/19/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Hillside Homes: 208 Sloping-Lot and Multi-Level Designs|Home Planners, inc. 3799.00|0|Architect|02||||||Prices of Wardway Homes, p. 2|Descriptive|Cataloger|||||||Wardway Homes, Bungalows, and Cottages 1925. Prices of Wardway Homes, p. 2|29579|Montgomery Ward||architectural firm|Montgomery Ward|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Publications|Book||||20|||1925|1925||1925|1925-1925||Wardway Homes, Bungalows, and Cottages 1925|Larger entity||3797||||0||||||||||||||||||||||Commercial catalogs ; Houses ; Catalogs ; |Commercial catalogs|Houses|Catalogs|||||||Cornell||JNK|MNW|11/7/2005 0:00:00|5/19/2005 0:00:00||||0|||||||||||||||||||||||Work|0||2004 Dover unabridged re-publication of the original 1925 catalog.||||||||||0|0|Prices of Wardway Homes, p. 2|Montgomery Ward 3800.00|0|Architect|02||||||Lowest Freight Rates, p. 7|Descriptive|Cataloger|||||||Wardway Homes, Bungalows, and Cottages 1925. Lowest Freight Rates, p. 7|29579|Montgomery Ward||architectural firm|Montgomery Ward|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Publications|Book||||20|||1925|1925||1925|1925-1925||Wardway Homes, Bungalows, and Cottages 1925|Larger entity||3797||||0||||||||||||||||||||||Commercial catalogs ; Houses ; Maps ; |Commercial catalogs|Houses|Maps|||||||Cornell||JNK|MNW|11/7/2005 0:00:00|5/19/2005 0:00:00||||0|||||||||||||||||||||||Work|0||2004 Dover unabridged re-publication of the original 1925 catalog.||||||||||0|0|Lowest Freight Rates, p. 7|Montgomery Ward 3801.00|0|Architect|02||||||Wardway Read-Cut Construction, page 8|Descriptive|Cataloger|||||||Wardway Homes, Bungalows, and Cottages 1925. Wardway Read-Cut Construction, page 8|29579|Montgomery Ward||architectural firm|Montgomery Ward|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Publications|Book||||20|||1925|1925||1925|1925-1925||Wardway Homes, Bungalows, and Cottages 1925|Larger entity||3797||||0||||||||||||||||||||||Commercial catalogs ; Houses ; Construction ; Architectural drawings ; |Commercial catalogs|Houses|Construction|Architectural drawings||||||Cornell||JNK|JNK|5/19/2005 0:00:00|5/19/2005 0:00:00||||0|||||||||||||||||||||||Work|0||2004 Dover unabridged re-publication of the original 1925 catalog.||||||||||0|0|Wardway Read-Cut Construction, page 8|Montgomery Ward 3802.00|0|Architect|02||||||Specifications for Wardway Homes, p. 10|Descriptive|Cataloger|||||||Wardway Homes, Bungalows, and Cottages 1925. Specifications for Wardway Homes, p. 10|29579|Montgomery Ward||architectural firm|Montgomery Ward|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Publications|Book||||20|||1925|1925||1925|1925-1925||Wardway Homes, Bungalows, and Cottages 1925|Larger entity||3797||||0||||||||||||||||||||||Commercial catalogs ; Houses ; Architectural drawings ; Catalogs ; |Commercial catalogs|Houses|Architectural drawings|Catalogs||||||Cornell||JNK|MNW|3/31/2006 0:00:00|5/19/2005 0:00:00||||0|||||||||||||||||||||||Work|0||2004 Dover unabridged re-publication of the original 1925 catalog.||||||||||0|0|Specifications for Wardway Homes, p. 10|Montgomery Ward 3803.00|0|Architect|02||||||The Warrenton model, p. 13|Descriptive|Cataloger|||||||Wardway Homes, Bungalows, and Cottages 1925. The Warrenton, p. 13|29579|Montgomery Ward||architectural firm|Montgomery Ward|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Publications|Book||||20|||1925|1925||1925|1925-1925||Wardway Homes, Bungalows, and Cottages 1925|Larger entity||3797||||0||||||||||||||||||||||Commercial catalogs ; Houses ; Architectural drawings ; Catalogs ; |Commercial catalogs|Houses|Architectural drawings|Catalogs||||||Cornell||JNK|MNW|11/7/2005 0:00:00|5/19/2005 0:00:00||||0|||||||||||||||||||||||Work|0||2004 Dover unabridged re-publication of the original 1925 catalog.||||||||||0|0|The Warrenton model, p. 13|Montgomery Ward 3804.00|0|Architect|02||||||The Lexington Model, p. 18|Descriptive|Cataloger|||||||Wardway Homes, Bungalows, and Cottages 1925. The Lexington Model, p. 18|29579|Montgomery Ward||architectural firm|Montgomery Ward|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Publications|Book||||20|||1925|1925||1925|1925-1925||Wardway Homes, Bungalows, and Cottages 1925|Larger entity||3797||||0||||||||||||||||||||||Commercial catalogs ; Houses ; Architectural drawings ; |Commercial catalogs|Houses|Architectural drawings|||||||Cornell||JNK|MNW|11/7/2005 0:00:00|5/19/2005 0:00:00||||0|||||||||||||||||||||||Work|0||2004 Dover unabridged re-publication of the original 1925 catalog. Also pictured on the cover of the catalog. Cover design by Jeff A. Menges, based on original 1925 cover.||||||||||0|0|The Lexington Model, p. 18|Montgomery Ward 3805.00|0|Architect|02||||||The Buena Vista Model, p. 28|Descriptive|Cataloger|||||||Wardway Homes, Bungalows, and Cottages 1925. The Buena Vista, p. 28|29579|Montgomery Ward||architectural firm|Montgomery Ward|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Publications|Book||||20|||1925|1925||1925|1925-1925||Wardway Homes, Bungalows, and Cottages 1925|Larger entity||3797||||0||||||||||||||||||||||Commercial catalogs ; Houses ; Architectural drawings ; |Commercial catalogs|Houses|Architectural drawings|||||||Cornell||JNK|MNW|11/7/2005 0:00:00|5/19/2005 0:00:00||||0|||||||||||||||||||||||Work|0||2004 Dover unabridged re-publication of the original 1925 catalog.||||||||||0|0|The Buena Vista Model, p. 28|Montgomery Ward 3806.00|0|Architect|02||||||The Ardmore Model, p. 80|Descriptive|Cataloger|||||||Wardway Homes, Bungalows, and Cottages 1925. The Ardmore Model, p. 80|29579|Montgomery Ward||architectural firm|Montgomery Ward|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Publications|Book||||20|||1925|1925||1925|1925-1925||Wardway Homes, Bungalows, and Cottages 1925|Larger entity||3797||||0||||||||||||||||||||||Commercial catalogs ; Houses ; Architectural drawings ; Catalogs ; |Commercial catalogs|Houses|Architectural drawings|Catalogs||||||Cornell||JNK|MNW|11/7/2005 0:00:00|5/19/2005 0:00:00||||0|||||||||||||||||||||||Work|0||2004 Dover unabridged re-publication of the original 1925 catalog.||||||||||0|0|The Ardmore Model, p. 80|Montgomery Ward 3808.00|0||||||||Sky-Hy Building Blocks|Assigned|Image Source (Pub)|||||||Sky-Hy Building Blocks|30615|Embossing Company||manufacturer|Embossing Company|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Architecture|Toy|Skyscraper|||20|||1920|1929||1920's|1920-1929|||||0||||0|||||Painted, embossed wood|paint|wood||||embossing|||||Cubes = 5.4 cm square; squares = 5.5 x 5.5 x .7 cm||3952|Montreal: Centre Canadien d’Architecture|Montreal: Cent. Can. Archit.||Skyscrapers ; Toys (recreational artifacts) ; Building blocks ; |Skyscrapers|Toys (recreational artifacts)|Building blocks|||||||Cornell||MNW|MNW|5/20/2005 0:00:00|5/20/2005 0:00:00||||0||3105||||||||||||| |||||||||0||This building block set allowed the child of that era to build a tower representative of the set-back skyscrapers that began to appear after the New York City zoning ordinance of 1916. Le Jouet.|Largest dimensions given. Ridge-and-groove assembly system.|||||||||0|0|Sky-Hy Building Blocks|Embossing Company 3809.00|0|Architect|||||||Magnet Master|Assigned|Image Source (Pub)|||||||Magnet Master|30616|Carrara, Arthur A.||architect|Arthur A. Carrara|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Architecture|Toy||||20|||1947|1947||1947-1947|1947-1947|||||0||||0|||||Painted metal|metal|paint|||||||||||3952|Montreal: Centre Canadien d’Architecture|Montreal: Cent. Can. Archit.||Toys (recreational artifacts) ; |Toys (recreational artifacts)|||||||||Cornell||MNW|MNW|5/20/2005 0:00:00|5/20/2005 0:00:00||||0||||||||||||||| |||||||||0||Magnet Master encourages the child to explore all avenues of design freely, through fully flexible construction systems that build vertical, horizontal, cantilevered, and even hanging structures. Uses a magnetic assembly system. Les Jouet.|Plates = 20.3 cm long; disks = 5.2 cm diameter; rods = 25.3 cm; magnets = 2.5 x .7 x .7 cm. These dimensions are for the largest pieces; smaller ones were included.|||||||||0|0|Magnet Master|Carrara, Arthur A. 3810.00|0||||||||Bryant (Hay Bale) House|Artists|Image Source (Pub)|||||||Bryant (Hay Bale) House|29720|Auburn Univ. Dept. of Architecture. Rural Studio||architectural firm|Auburn Univ. Dept. of Architecture. Rural Studio|0||||0|||||American||||||||United States||||||0|Mason's Bend, AL|||10417||||0||||0|Architecture|House||||20|||1994|1994||1994|1994-1994|||||0||||0||||||||||||||||||||||Auburn University. Dept. of Architecture. Rural Studio ; Houses ; |Auburn University. Dept. of Architecture. Rural Studio|Houses||||||||Cornell||MNW|JNK|5/27/2005 0:00:00|5/20/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Bryant (Hay Bale) House|Auburn Univ. Dept. of Architecture. Rural Studio 3811.00|0||||||||Mason's Bend Community Center|Assigned|Image Source (Pub)|||||||Mason's Bend Community Center|29720|Auburn Univ. Dept. of Architecture. Rural Studio||architectural firm|Auburn Univ. Dept. of Architecture. Rural Studio|0||||0|||||American||||||||United States||||||0|Mason's Bend, AL|||10417||||0||||0|Architecture|Community center||||21|||2000|2000||2000|2000-2000|||||0||||0||||||||||||||||||||||Community centers ; Auburn University. Dept. of Architecture. Rural Studio ; |Community centers|Auburn University. Dept. of Architecture. Rural Studio||||||||Cornell||MNW|MNW|5/20/2005 0:00:00|5/20/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Mason's Bend Community Center|Auburn Univ. Dept. of Architecture. Rural Studio 3812.00|0||||||||Pods|Artists|Image Source (Pub)|||||||Pods|29720|Auburn Univ. Dept. of Architecture. Rural Studio||architectural firm|Auburn Univ. Dept. of Architecture. Rural Studio|0||||0|||||American||||||||United States||||||0|Newbern, AL|||10418||||0||||0|Architecture|Studio (work space)|Housing|||20|||1999|1999||1999|1999-1999|||||0||||0||||||||||||||||||||||Auburn University. Dept. of Architecture. Rural Studio ; Studios (Work Spaces) ; |Auburn University. Dept. of Architecture. Rural Studio|Studios (Work Spaces)||||||||Cornell||MNW|JNK|5/27/2005 0:00:00|5/20/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Pods|Auburn Univ. Dept. of Architecture. Rural Studio 3813.00|0||||||||Corrugated Cardboard Pod|Assigned|Image Source (Pub)|||||||Corrugated Cardboard Pod|29720|Auburn Univ. Dept. of Architecture. Rural Studio||architectural firm|Auburn Univ. Dept. of Architecture. Rural Studio|0||||0|||||American||||||||United States||||||0|Newbern, AL|||||||0||||0|Architecture|Studio (work space)|Housing|||21|||2001|2001||2001|2001-2001|||||0||||0|||||Corrugated cardboard bales|cardboard||||||||||||||||Auburn University. Dept. of Architecture. Rural Studio ; Studios (Work Spaces) ; |Auburn University. Dept. of Architecture. Rural Studio|Studios (Work Spaces)||||||||Cornell||MNW|JNK|5/27/2005 0:00:00|5/20/2005 0:00:00||||0||||||||||||||||||||||||0||Built by Gabe Comstock, Amy Holtz, and Andrew Olds.||||||||||0|0|Corrugated Cardboard Pod|Auburn Univ. Dept. of Architecture. Rural Studio 3814.00|0||||||||Yancy Chapel|Assigned|Image Source (Pub)|||||||Yancy Chapel|29720|Auburn Univ. Dept. of Architecture. Rural Studio||architectural firm|Auburn Univ. Dept. of Architecture. Rural Studio|0||||0|||||American||||||||United States||||||0|Sawyerville, AL|||10419||||0||||0|Architecture|Church||||20|||1995|1995||1995|1995-1995|||||0||||0||||||||||||||||||||||Churches ; |Churches|||||||||Cornell||MNW|JNK|5/27/2005 0:00:00|5/20/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Yancy Chapel|Auburn Univ. Dept. of Architecture. Rural Studio 3815.00|0||||||||Sanders-Dudley House|Assigned|Image Source (Pub)|||||||Sanders-Dudley House|29720|Auburn Univ. Dept. of Architecture. Rural Studio||architectural firm|Auburn Univ. Dept. of Architecture. Rural Studio|0||||0|||||American||||||||United States||||||0|Sawyerville, AL|||10419||||0||||0|Architecture|House||||21|||2001|2001||2001|2001-2001|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||MNW|JNK|5/27/2005 0:00:00|5/20/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Sanders-Dudley House|Auburn Univ. Dept. of Architecture. Rural Studio 3816.00|0||||||||Mockbee with Students at Newbern Design Studio|Descriptive|Print Publication|||||||Mockbee with Students at Newbern Design Studio|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph|Portrait|||20|||1997|1997||1997|1997-1997|||||0||||0|||||Color photograph||||||photography|||||||||||Portraits ; Mockbee, Samuel, 1944-2001 ; Auburn University. Dept. of Architecture. Rural Studio ; |Portraits|Mockbee, Samuel, 1944-2001|Auburn University. Dept. of Architecture. Rural Studio|||||||Cornell||MNW|MNW|5/20/2005 0:00:00|5/20/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Mockbee with Students at Newbern Design Studio| 3817.00|0|Creator|05|J-Stieglitz|52|||J-Stieglitz 52 |The Flatiron Building|Assigned|Repository|||||||The Flatiron Building|11377|Stieglitz, Alfred||photographer|Alfred Stieglitz|0||||0|||||American||||||||American||||||0||||||||0||||0|Photographs|Photogravure||||20|||1902|1902||1902|1902-1902|||||0||||0|||||Photogravure||||||photography|photogravure||||33 x 17.1 cm||5026|Ithaca: Cornell University; Herbert F.Johnson Museum of Art|Ithaca: Cornell; H. F. Johnson Mus.||Flatiron Building (New York, NY) ; Skyscrapers ; Benches ; Seasons ; Urban landscapes ; Streetscapes ; |Flatiron Building (New York, NY)|Skyscrapers|Benches|Seasons|Urban landscapes|Streetscapes||||Cornell||MNW|MNW|5/20/2005 0:00:00|5/20/2005 0:00:00|Stieglitz|||0||62.3266|||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0||Stieglitz, Alfred 3818.00|0||||||||General Electric Company Building|Assigned|Image Source (Pub)|||||||General Electric Company Building|28085|Esenwein & Johnson||architectural firm|Esenwein & Johnson|0||||0|||||American||||||||||||||0|535 Washington Street, Buffalo, NY|||10420||||0||||0|Architecture|Office building|Skyscraper|||20|||1912|1927||1912; 1924; 1927|1912-1927|||||0||||0||||||||||||||||||||||Skyscrapers ; Office buildings ; |Skyscrapers|Office buildings||||||||Cornell||MNW|JNK|5/27/2005 0:00:00|5/20/2005 0:00:00||||0||||||||||||||||||||||||0|||||Original building = 1912; additions = 1924 & 1927.|||||||0|0|General Electric Company Building|Esenwein & Johnson 3819.00|0|Architect|02|MA-|Hood|6.1 1925 Trib||MA- Hood 6.1 1925 Trib |Chicago Tribune Tower|Assigned|Macmillan|Tribune Tower (Chicago, Ill.)|Variant|LC NAF||||Chicago Tribune Tower|28344|Hood & Howells||architectural firm|Hood & Howells|0||||0|||||American|||Art Deco|||||United States||||||0|435 North Michigan Avenue, Chicago, IL|||10421||||0||||0|Architecture|Office building|Skyscraper|||20|||1924|1924||1924|1924-1924|||||0||||0||||||||||||||||||||||Office buildings ; Skyscrapers ; |Office buildings|Skyscrapers||||||||Cornell||MNW|JNK|8/22/2006 0:00:00|5/20/2005 0:00:00|Hood|||0||||||1925 Trib|MA||||||6.1||||||||||Building|0|Modern Architecture-|||||||||||0|0|Chicago Tribune Tower;Tribune Tower (Chicago, Ill.)|Hood & Howells 3820.00|0||||||||Golden Glow Floodlighting Projectors Electric Service Supplies Company|Assigned|Print Publication|||||||Golden Glow Floodlighting Projectors Electric Service Supplies Company|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Publications|Advertisement||||20|||1932|1932||1932|1932-1932|||||0||||0|||||Cover of sales brochure||||||printing|||||||3952|Montreal: Centre Canadien d’Architecture|Montreal: Cent. Can. Archit.||Skyscrapers ; Tribune Tower (Chicago, Ill.) ; Office buildings ; |Skyscrapers|Tribune Tower (Chicago, Ill.)|Office buildings|||||||Cornell||MNW|JNK|5/27/2005 0:00:00|5/20/2005 0:00:00||||0||||||||||||||| |||||||||0||Cover of sales brochure.||||||||||0|0|Golden Glow Floodlighting Projectors Electric Service Supplies Company| 3821.00|0|Architect|02|MA-|King|6.1 1932 Nia Moh||MA- King 6.1 1932 Nia Moh |Niagara Mohawk Power Company Building|Assigned|Print Publication|Niagara-Hudson-Syracuse Lighting Company Building|Variant|Print Publication|Syracuse Lighting Company Building|Variant||Niagara Mohawk Power Company Building|6292|King, Melvin L.||architect|Melvin L. King; Bley & Lyman|27743|Bley & Lyman|||0|||||American|||Art Deco|||||United States||||||0|300 Erie Boulevard West, Syracuse, NY|||10423||||0||||0|Architecture|Office building||||20|||1930|1932||1930-1932|1930-1932|||||0||||0||||||||||||||||||||||Office buildings ; |Office buildings|||||||||Cornell||MNW|JNK|7/21/2006 0:00:00|5/23/2005 0:00:00|King|Syr||0||||||1932 Nia Moh|MA||||||6.1||||||||||Building|0|Modern Architecture-|||||||||||0|0|Niagara Mohawk Power Company Building;Niagara-Hudson-Syracuse Lighting Company Building;Syracuse Lighting Company Building|King, Melvin L.;Bley & Lyman 3845.00|0|Architect|02|MA-Graves|2.41|1980|PubSer|MA-Graves 2.41 1980 PubSer|Public Services Building|Assigned|Image Source (Pub)|Portland Building|Variant|Online Resource||||Public Services Building (Portland Building)|4751|Graves, Michael||architect|Michael Graves|0||||0|||||American|||Postmodern|||Asia||United Arab Emirates||||||0|Portland, Oregon|||10434||||0||||0|Architecture|Municipal building|Public building|||20|||1980|1980||1980|1980-1980|||||0||||0||||||||||||||||||||||Public buildings ; Municipal buildings ; |Public buildings|Municipal buildings||||||||Cornell||JNK|JNK|5/24/2005 0:00:00|5/24/2005 0:00:00|Graves|Port||0||||||PubSer|MA||||||2.41|1980|||||||||Work|0|Modern Architecture-|||||||||||0|0|Public Services Building;Portland Building|Graves, Michael 3846.00|0||||||||Margaret Bourke-White Atop Chrysler Building Gargoyle|Assigned|Print Publication|Margaret Bourke-White Photographing the New York Skyline from a Gargoyle on the Chrysler Building|Descriptive|Print Publication|Margaret Bourke-White Atop Eagle Gargoyle of the Chrysler Building|Descriptive|Print Publication|Margaret Bourke-White Atop Chrysler Building Gargoyle|30629|Graubner, Oscar||photographer|Oscar Graubner|0||||0|||||American|||Art Deco|||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph|Gelatin silver print|Portrait||20|||1934|1934||1934|1934-1934||Chrysler Building|||1388||||0|||||Gelatin silver print||||||photography|gelatin silver process||||50.8 x 40.6 cm||||||Bourke-White, Margaret, 1904-1971 ; Portraits ; Cityscapes ; New York, NY ; Chrysler Building (New York, NY) ; |Bourke-White, Margaret, 1904-1971|Portraits|Cityscapes|New York, NY|Chrysler Building (New York, NY)|||||Cornell||MNW|JNK|5/27/2005 0:00:00|5/24/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Margaret Bourke-White Atop Chrysler Building Gargoyle;Margaret Bourke-White Photographing the New York Skyline from a Gargoyle on the Chrysler Building;Margaret Bourke-White Atop Eagle Gargoyle of the Chrysler Building|Graubner, Oscar 3847.00|0|Architect|02||||||L'Institut du Monde Arabe|Assigned|Image Source (Pub)|||||||L'Institut du Monde Arabe|8595|Nouvel, Jean||architect|Jean Nouvel|0||||0|||||French||||||||France||||||0|Paris, France|||10058||||0||||0|Architecture|Cultural center||||20|||1987|1988||1987-1988|1987-1988|||||0||||0||||||||||||||||||||||Cultural centers ; |Cultural centers|||||||||Cornell||JNK|JNK|5/24/2005 0:00:00|5/24/2005 0:00:00||Par||0|||||||||||||||||||||||Work|0||||||||||||0|0|L'Institut du Monde Arabe|Nouvel, Jean 3848.00|0|Category|05||||||Delivery of the Heralic Emblems of fFlags (Cinematography is the Strongest Weapon)|Translated|Cataloger|Consegna degli emblemi araldici delle bandiere (La cinematografia e l'arma piu forte)|Descriptive|Image Source (Pub)||||Delivery of the Heralic Emblems of Flags (Cinematography is the Strongest Weapon)|0|||||0||||0|||||Italian||||||||Italy||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1937|1937||1937|1937-1937|||||0||||0|||||||||||photography|||||||9472|Rome: Istituto Luce|Rome: Istituto Luce||Mussolini, Benito, 1883-1945 ; Flags ; Fascism ; Motion pictures (visual works) ; |Mussolini, Benito, 1883-1945|Flags|Fascism|Motion pictures (visual works)||||||Cornell||JNK|JNK|11/1/2006 0:00:00|5/24/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Delivery of the Heralic Emblems of fFlags (Cinematography is the Strongest Weapon);Consegna degli emblemi araldici delle bandiere (La cinematografia e l'arma piu forte)| 3849.00|0||||||||Skyline of Rome from an 1883 Baedeker Guide|Descriptive|Image Source (Pub)|||||||Skyline of Rome from an 1883 Baedeker Guide|0|||||0||||0|||||Italian||||||||Italy||||||0||||0||||0||||0|Graphics|Engraving (print)||||19|||1883|1883|ca|ca 1883|ca 1883-1883|||||0||||0|||||Foldout engraving||||||engraving (incising)|||||||||||Rome, Italy ; Cityscapes ; Churches ; Piazzas ; Villas ; |Rome, Italy|Cityscapes|Churches|Piazzas|Villas|||||Cornell||MNW|JNK|5/27/2005 0:00:00|5/24/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Skyline of Rome from an 1883 Baedeker Guide| 3850.00|0||||||||Chicago: Commercial Towers at the Michigan Avenue Bridge|Descriptive|Image Source (Pub)|||||||Chicago: Commercial Towers at the Michigan Avenue Bridge|0|||||0||||0|||||||||||||||||||0|Chicago, Illinois|||10103||||0||||0|Photographs|Documentary photograph||||20|||1925|1925|aft|aft 1925|aft 1925-1925|||||0||||0||||||||||||||||||||||Chicago, Illinois ; Michigan Avenue (Chicago, Ill.) ; Tribune Tower (Chicago, Ill.) ; Wrigley Building (Chicago, Ill.) ; |Chicago, Illinois|Michigan Avenue (Chicago, Ill.)|Tribune Tower (Chicago, Ill.)|Wrigley Building (Chicago, Ill.)||||||Cornell||MNW|JNK|5/27/2005 0:00:00|5/24/2005 0:00:00||Chi||0||||||||||||||||||||||||0||||||||||||0|0|Chicago: Commercial Towers at the Michigan Avenue Bridge| 3851.00|0||||||||Ironworker, Chicago||||||||||30633|Dovydenas, Jonas||photographer|Jonas Dovydenas|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1969|1969||1969|1969-1969|||||0||||0|||||Gelatin silver print||||||photography|gelatin silver process||||||3290|Private Collection|: Private Coll.||Chicago, Illinois ; Workers ; Cityscapes ; Skyscrapers ; |Chicago, Illinois|Workers|Cityscapes|Skyscrapers||||||Cornell||MNW|MNW|5/24/2005 0:00:00|5/24/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Ironworker, Chicago|Dovydenas, Jonas 3852.00|0||||||||Great Fire (Chicago, IL), October 9, 1871|Series|Cataloger|||||||Great Fire (Chicago, IL), October 9, 1871|30683|Bardwell, Jex J.||daguerreotypist|Jex J. Bardwell|0||||0|||||American||||||||United States||||||0||||0|Chicago, Illinois|||10103||||0|Photographs|Documentary photograph|Stereograph|||19|||1871|1871||1871|1871-1871|||||0||||0|||||Stereograph||||||stereograph|||||||614|Chicago: Chicago Historical Society|Chicago: Hist. Soc.||Great Fire, Chicago, Ill., 1871 ; Chicago, Illinois ; Fires ; |Great Fire, Chicago, Ill., 1871|Chicago, Illinois|Fires|||||||Cornell||MNW|JNK|6/7/2005 0:00:00|5/24/2005 0:00:00|||Chi|0||||||||||||||| |||||||||0||From a stereograph, Jex Bardwell of Detroit.|||October 9, 1871|||||||0|0|Great Fire (Chicago, IL), October 9, 1871|Bardwell, Jex J. 3853.00|0|Architect|03|MA-Adl&Sul|6.1| 1893 StoExc||MA-Adl&Sul 6.1 1893 StoExc |Chicago Stock Exchange Building|Assigned|LC NAF|||||||Chicago Stock Exchange Building|27585|Adler & Sullivan||architectural firm|Adler & Sullivan|0||||0|||||American||||||||United States||||||0||||0|Chicago, Illinois|||10103||||0|Architecture|Skyscraper|Office building|Commercial building||19|||1893|1971||1893; destr. 1971|1893; destr. 1971|||||0||||0||||||||||||||||||||||Office buildings ; Commercial buildings ; Skyscrapers ; |Office buildings|Commercial buildings|Skyscrapers|||||||Cornell||MNW|JNK|8/29/2006 0:00:00|5/24/2005 0:00:00|Adl&Sul|||0||||||1893 StoExc|MA||||||6.1||||||||||Work|0|Modern Architecture||||Built in 1893; destroyed in 1971.|||||||0|0|Chicago Stock Exchange Building|Adler & Sullivan 3854.00|0|Category|09||||||Aveda Advertisement: no profit at the expense of our future|Descriptive|Cataloger|||||||Aveda Advertisement: no profit at the expense of our future|0|||||0||||0|||||American||||||Asia||United Arab Emirates||||||0||||0||||0||||0|Advertising|Advertisement||||21|||2004|2004||2004|2004-2004|||||0||||0||||||||||||||||||||||Advertisements ; Hairstyling ; |Advertisements|Hairstyling||||||||Cornell||JNK|MNW|11/7/2005 0:00:00|5/25/2005 0:00:00||||0|||||||||||||||||||||||Work|0||Full page advertisement in "Natural Home" magazine, July/August 2004.||||||||||0|0|Aveda Advertisement: no profit at the expense of our future| 3855.00|0|Category|09||||||Gaiam Advertisement: What's eco style? Everything you want|Descriptive|Cataloger|||||||Gaiam Advertisement: What's eco style? Everything you want|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Advertising|Advertisement||||21|||2004|2004||2004|2004-2004|||||0||||0||||||||||||||||||||||Advertisements ; Fashion (concept) ; |Advertisements|Fashion (concept)||||||||Cornell||JNK|MNW|11/7/2005 0:00:00|5/25/2005 0:00:00||||0|||||||||||||||||||||||Work|0||Full page ad in "Natural Home" magazine, July/August 2004.||||||||||0|0|Gaiam Advertisement: What's eco style? Everything you want| 3856.00|0||||||||Broadside Advertising House Lots in Lake View Township|Descriptive|Image Source (Pub)|||||||Broadside Advertising House Lots in Lake View Township|0|||||0||||0|||||American||||||Asia||United Arab Emirates||||||0||||0||||0||||0|Advertising|Broadside||||19|||1883|1883||1883|1883-1883|||||0||||0|||||Broadside||||||printing|||||||614|Chicago: Chicago Historical Society|Chicago: Hist. Soc.||Subdivisions ; Chicago, Illinois ; |Subdivisions|Chicago, Illinois||||||||Cornell|||||5/25/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Broadside Advertising House Lots in Lake View Township| 3857.00|0|Category|09||||||Hillside Homes|Assigned|Image Source (Pub)|||||||Hillside Homes|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Publications|Book|Architectural drawing|||||||||||||||0||||0||||||||||||||||||||||||||||||||Cornell||JNK|JNK|5/25/2005 0:00:00|5/25/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Hillside Homes| 3858.00|0||||||||General Plan of Riverside|Inscribed|Image Source (Pub)|||||||General Plan of Riverside|29223|Olmsted, Vaux & Co.||architectural firm|Olmsted, Vaux & Co.|0||||0|||||American||||||||United States||||||0|Riverside, IL|||10487||||0||||0|City Plans and Views|Plan (drawing)|Municipal plan|||19|||1869|1869||1869|1869-1869|||||0||||0||||||||||||||||||||||Suburbs ; Chicago, Illinois ; Urban planning ; Plans (drawings) ; |Suburbs|Chicago, Illinois|Urban planning|Plans (drawings)||||||Cornell||JNK|||6/7/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|General Plan of Riverside|Olmsted, Vaux & Co. 3928.00|0|Category|06|J-MP-Lang|Lang|1|Metropolis 4b-7|J-MP-Lang Lang 1 Metropolis 4b-7|City from Above with Tower, Image No. 1|Assigned|Image Source (Pub)|||||||City from Above with Tower, Image No. 1|6244|Kettelhut, Erich||designer, set|Erich Kettelhut|0||||0|||||German||||||||Germany||||||0||||0||||0||||0|Theater Designs|Theater design|Painting|||20|||1925|1926||1925-1926|1925-1926||Metropolis|||3925||||0|||||Gouache on cardboard sketch|gouache|cardboard||||painting (image-making)|sketching||||||9477|Berlin: Filmmuseum Berlin--Deutsche Kinemathek|Berlin: Filmmuseum Berlin--Deutsche Kinemathek||Towers (single built works) ; |Towers (single built works)|||||||||Cornell||MNW|MNW|6/2/2005 0:00:00|6/2/2005 0:00:00|Lang|||0||||||Metropolis|J-MP||||||1|| ||||||||Work|0||||||||||||0|0|City from Above with Tower, Image No. 1|Kettelhut, Erich 3929.00|0||||||||Cemesto house|Descriptive|Image Source (Pub)|||||||Cemesto house|30659|Celotex Corporation||manufacturer|Celotex Corporation|0||||0|||||American|||Modernist|||||United States||||||0|Middle River, MD|||10462||||0||||0|Architecture|House||||20|||1941|1941|ca|ca 1941|ca 1941-1941|||||0||||0|||||Cemesto board|||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|MNW|8/18/2005 0:00:00|6/2/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Cemesto house|Celotex Corporation 3930.00|0|Category|06|J-MP-Lang|Lang|1|Metropolis 4b-8|J-MP-Lang Lang 1 Metropolis 4b-8|Hall of Machines from Above|Descriptive|Image Source (Pub)|||||||Hall of Machines from Above|6244|Kettelhut, Erich||designer, set|Erich Kettelhut|0||||0|||||German||||||||Germany||||||0||||0||||0||||0|Theater Designs|Theater design|Painting|||20|||1925|1926||1925-1926|1925-1926|||||0||||0|||||Gouache on cardboard sketch|gouache|cardboard||||painting (image-making)|sketching||||||9478|Paris: Cinémathèque française|Paris: Cinémathèque française||||||||||||Cornell||MNW|MNW|6/2/2005 0:00:00|6/2/2005 0:00:00||||0||||||Metropolis|J-MP||||||1|| ||||||||Work|0||||||||||||0|0|Hall of Machines from Above|Kettelhut, Erich 3931.00|0|Category|05||||||Cemesto House, Middle River, MD|Descriptive|Image Source (Pub)|||||||Cemesto House, Middle River, MD|0|||||0||||0|||||American|||Modernist|||||United States||||||0||||0|Middle River, MD|||||||0|Photographs|Documentary photograph||||20|||1941|1941|ca|ca 1941|ca 1941-1941||Cemesto house|Larger entity||3929||||0|||||Black and white photograph|photo paper|||||photography|||||||3172|Washington, DC: National Archives|Wash, DC: Nat. Archives||Houses ; Cemesto house ; |Houses|Cemesto house||||||||Cornell||JNK|MNW|8/18/2005 0:00:00|6/2/2005 0:00:00||||0||RG 208-EX-D-L-240||||||||||||| ||||||||Work|0||||||||||||0|0|Cemesto House, Middle River, MD| 3932.00|0||||||||The Lustron Home…the house America has been waiting for|Descriptive|Image Source (Pub)|||||||The Lustron Home…the house America has been waiting for|30662|Lustron Corporation||manufacturer|Lustron Corporation|0||||0|||||American|||Modernist|||||United States||||||0||||0||||0||||0|Advertising|Advertisement||||20|||1948|1948||1948, April 19|1948-1948|||||0||||0|||||||||||printing|||||||||||Houses ; Lustron home ; |Houses|Lustron home||||||||Cornell||JNK|MNW|8/18/2005 0:00:00|6/2/2005 0:00:00||||0||||||||||||||||||||||||0||Advertisement found in Life magazine, 19 April 19, 1948.||||||||||0|0|The Lustron Home…the house America has been waiting for|Lustron Corporation 3933.00|0||||||||City University|Translated|Print Publication|Ciudad Universitaria|Assigned|Image Source (Pub)||||National Autonomous University of Mexico. City University|28772|Pani & Moral||architectural firm|Pani & Moral|0||||0|||||Mexican|||Modernist|||||Mexico||||||0|Mexico City, Mexico|||9989||||0||||0|Architecture|University||||20|||1950|1952||1950-1952|1950-1952||National Autonomous University of Mexico|Larger entity||3934||||0||||||||||||||||||||||Campuses ; Universities ; |Campuses|Universities||||||||Cornell||JNK|MNW|11/8/2005 0:00:00|6/2/2005 0:00:00||Mex||0||||||||||||||||||||||||0||||||||||||0|0|City University;Ciudad Universitaria|Pani & Moral 3934.00|0||||||||National Autonomous University of Mexico|Translated||Universidad Nacional Autónoma de México||||||National Autonomous University of Mexico|0|||||0||||0|||||Mexican||||||||Mexico||||||0|Mexico City, Mexico|||9989||||0||||0|Architecture|University||||16|18|20|1551|||1551-|1551-|||||0||||0||||||||||||||||||||||Universities ; |Universities|||||||||Cornell||JNK|MNW|11/8/2005 0:00:00|6/2/2005 0:00:00||Mex||0||||||||||||||||||||||||0||Mexican government-financed university in Mexico City, founded in 1551. The university was given administrative autonomy in 1929. Britannica Online.||||||||||0|0|National Autonomous University of Mexico;Universidad Nacional Autónoma de México| 3935.00|0|Category|||||||Poster for the French Premier|Descriptive|Image Source (Pub)|||||||Metropolis. Poster for the French Premier|30663|Bilinsky, Boris Konstantinovitch||artist|Boris Konstantinovitch Bilinsky|0||||0|||||||||||||||||||0||||0||||0||||0|Posters|Poster||||20|||1927|1927|ca|ca 1927|ca 1927-1927||Metropolis|Larger entity||3925||||0|||||||||||printing|||||||351|Berlin: Kunstbibliothek|Berlin: Kunstbibl.||||||||||||Cornell||MNW|MNW|6/2/2005 0:00:00|6/2/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Poster for the French Premier|Bilinsky, Boris Konstantinovitch 3936.00|0||||||||Things to Come|Assigned|Image Source (Pub)|The Hundred Years to Come|Variant|Print Publication|The Shape of Things to Come|Variant|Print Publication|Things to Come|7880|Menzies, William Cameron||director, film|William Cameron Menzies|30664|London Film Productions|||0|||||British||||||||England||||||0||||0||||0||||0|Motion Pictures|Motion picture (visual work)|||||||1936|1936||1936|1936-1936|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|JNK|6/7/2005 0:00:00|6/2/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Things to Come;The Hundred Years to Come;The Shape of Things to Come|Menzies, William Cameron;London Film Productions 3859.00|0||||||||Michigan Avenue Between Jackson and Adams|Descriptive|Image Source (Pub)|||||||Michigan Avenue Between Jackson and Adams|0|||||0||||0|||||American||||||||United States||||||0|Chicago, Illinois|||10103||||0||||0|Architecture|Streetscape|Documentary photograph|||20|||1912|1912|ca|ca 1912|ca 1912-1912|||||0||||0|||||Documentary photograph||||||photography|||||||3892|Washington, DC: Library of Congress|Wash, DC: Library of Congress||Michigan Avenue (Chicago, Ill.) ; Railway Exchange Building (Chicago, Ill.) ; Orchestra Hall (Chicago, Ill.) ; People's Gas Co. Building (Chicago, Ill.) ; Pullman Building (Chicago, Ill.) ; Chicago, Illinois ; Streetscapes ; |Michigan Avenue (Chicago, Ill.)|Railway Exchange Building (Chicago, Ill.)|Orchestra Hall (Chicago, Ill.)|People's Gas Co. Building (Chicago, Ill.)|Pullman Building (Chicago, Ill.)|Chicago, Illinois|Streetscapes|||Cornell||JNK|JNK|6/7/2005 0:00:00|6/7/2005 0:00:00||Chi||0||||||||||||||| |||||||||0||Photograph from the collection of the Library of Congress.||||||||||0|0|Michigan Avenue Between Jackson and Adams| 3860.00|0|Architect|02||||||Design 7402, page 28|Assigned|Image Source (Pub)|||||||Hillside Homes: 208 Sloping-Lot and Multi-Level Designs. Design 7402, page 28|30635|Alan Mascord Design Associates, Inc.||architectural firm|Alan Mascord Design Associates, Inc.|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Architecture|Architectural drawing|House|||21|||2004|2004|ca|ca 2004|ca 2004-2004||Hillside Homes: 208 Sloping-Lot and Multi-Level Designs|Larger entity||3798||||0||||||||||||||||||||||Architectural drawings ; Houses ; |Architectural drawings|Houses||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|5/25/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Design 7402, page 28|Alan Mascord Design Associates, Inc. 3861.00|0||||||||Chicago Tribune Tower Competition Entry|Descriptive|LC NAF|||||||Chicago Tribune Tower Competition Entry|10254|Saarinen, Eliel||architect|Eliel Saarinen with D. G. Wallace and B. Grenman|30637|Wallace, Dwight G.||architect,adjunct|30636|Grenman, Bertell||architect,adjunct||||||||||||||||0||||0|Chicago, Illinois|||10103||||0|Architecture|Competition entry||||20|||1922|1922||1922|1922-1922||Chicago Tribune Tower Competition|||3865||||0|||||||||||drawing (image-making)|||||||||||Competitions ; Chicago, Illinois ; Tribune Tower (Chicago, Ill.) ; Skyscrapers ; |Competitions|Chicago, Illinois|Tribune Tower (Chicago, Ill.)|Skyscrapers||||||Cornell||MNW|||5/25/2005 0:00:00||||0||||||||||||||||||||||||0||Second prize winner.||||||||||0|0|Chicago Tribune Tower Competition Entry|Saarinen, Eliel;Wallace, Dwight G.;Grenman, Bertell 3862.00|0|Architect|02||||||Design 7412, page 145|Assigned|Image Source (Pub)|||||||Hillside Homes: 208 Sloping-Lot and Multi-Level Designs. Design 7412, page 145|30635|Alan Mascord Design Associates, Inc.||architectural firm|Alan Mascord Design Associates, Inc.|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Architecture|Architectural drawing|House|||21|||2004|2004|ca|ca 2004|ca 2004-2004||Hillside Homes: 208 Sloping-Lot and Multi-Level Designs|Larger entity||3798||||0||||||||||||||||||||||Architectural drawings ; Houses ; |Architectural drawings|Houses||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|5/25/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Design 7412, page 145|Alan Mascord Design Associates, Inc. 3863.00|0|Architect|02||||||Educatorium|Assigned|Image Source (Pub)|||||||Universiteit Utrecht. De Uithof Campus. Educatorium|28749|Office for Metropolitan Architecture||architectural firm|OMA|0||||0|||||Dutch||||||||Holland||||||0|Utrecht, Netherlands|||10083||||0||||0|Architecture|University|Assembly hall|Restaurant||20|||1992|1997||1992-1997|1992-1997||De Uithof Campus|Larger entity||3866||||0||||||||||||||||||||||Restaurants ; Auditoriums ; Universities ; |Restaurants|Auditoriums|Universities|||||||Cornell||JNK|MNW|11/2/2005 0:00:00|5/25/2005 0:00:00||Utr||0|||||||||||||||||||||||Work|0||||||||||||0|0|Educatorium|Office for Metropolitan Architecture 3864.00|0|Site|02||||||Universiteit Utrecht|Assigned|Online Resource|||||||Universiteit Utrecht|0|||||0||||0|||||Dutch||||||||Holland||||||0|Utrecht, Netherlands|||10083||||0||||0|Architecture|University||||17|21||1636|||1636-|1636-|||||0||||0||||||||||||||||||||||Universities ; |Universities|||||||||Cornell||JNK|JNK|5/25/2005 0:00:00|5/25/2005 0:00:00||Utr||0|||||||||||||||||||||||Work|0||||||||||||0|0|Universiteit Utrecht| 3865.00|0||||||||Chicago Tribune Tower Competition|Descriptive|Macmillan|International Competition for a New Administration Building|Assigned|LC NAF||||Chicago Tribune Tower Competition|0|||||0||||0|||||American||||||||United States||||||0||||0|Chicago, Illinois|||10103||||0|Architecture|Competition||||20|||1922|1922||1922|1922-1922|||||0||||0||||||||||||||||||||||Competitions ; Chicago, Illinois ; Tribune Tower (Chicago, Ill.) ; Skyscrapers ; |Competitions|Chicago, Illinois|Tribune Tower (Chicago, Ill.)|Skyscrapers||||||Cornell||MNW|||5/25/2005 0:00:00|||Chi|0||||||||||||||||||||||||0||||||||||||0|0|Chicago Tribune Tower Competition;International Competition for a New Administration Building| 3866.00|0|Site|02||||||De Uithof Campus|Assigned|Online Resource|||||||Universiteit Utrecht. De Uithof Campus||||||0||||0|||||Dutch||||||||Holland||||||0|Utrecht, Netherlands|||10083||||0||||0|Architecture|University|||||||||||||Universiteit Utrecht|Larger entity||3864||||0||||||||||||||||||||||Universities ; Campuses ; |Universities|Campuses||||||||Cornell||JNK|MNW|11/2/2005 0:00:00|5/25/2005 0:00:00||Utr||0|||||||||||||||||||||||Work|0||||||||||||0|0|De Uithof Campus| 3867.00|0|Architect|02||||||Maison à Bordeaux|Assigned|Image Source (Pub)|Villa Bordeaux|Variant|Online Resource||||Maison à Bordeaux|28749|Office for Metropolitan Architecture||architectural firm|OMA|0||||0|||||French||||||||France||||||0|Bordeaux, France|||10435||||0||||0|Architecture|House||||20|||1994|1998||1994-1998|1994-1998|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|MNW|11/2/2005 0:00:00|5/25/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Maison à Bordeaux;Villa Bordeaux|Office for Metropolitan Architecture 3868.00|0||||||||Chicago Tribune Tower Competition Entry|Descriptive|Image Source (Pub)|||||||Chicago Tribune Tower Competition Entry|28105|Fellheimer & Wagner||architectural firm|Fellheimer & Wagner|0||||0|||||American||||||||United States||||||0||||0|Chicago, Illinois|||10103||||0|Architecture|Competition entry||||20|||1922|1922||1922|1922-1922||Chicago Tribune Tower Competition|||3865||||0|||||||||||drawing (image-making)|||||||||||Competitions ; Chicago, Illinois ; Tribune Tower (Chicago, Ill.) ; Skyscrapers ; |Competitions|Chicago, Illinois|Tribune Tower (Chicago, Ill.)|Skyscrapers||||||Cornell||MNW|MNW|5/25/2005 0:00:00|5/25/2005 0:00:00|||Chi|0||||||||||||||||||||||||0||Honorable mention||||||||||0|0|Chicago Tribune Tower Competition Entry|Fellheimer & Wagner 3869.00|0|Architect|03|MA-Gropius|6.1|1922 TribCom||MA-Gropius 6.1 1922 TribCom |Chicago Tribune Tower Competition Entry|||||||||Chicago Tribune Tower Competition. Chicago Tribune Tower Competition Entry|4839|Gropius, Walter Adolf||architect|Walter Adolf Gropius|0||||0|||||||||||||||||||0||||0|Chicago, Illinois|||10103||||0|Architecture|Competition entry||||20|||1922|1922||1922|1922-1922||Chicago Tribune Tower Competition|||3865||||0|||||||||||drawing (image-making)|||||||||||Competitions ; Chicago, Illinois ; Tribune Tower (Chicago, Ill.) ; Skyscrapers ; |Competitions|Chicago, Illinois|Tribune Tower (Chicago, Ill.)|Skyscrapers||||||Cornell||MNW|MNW|3/29/2006 0:00:00|5/25/2005 0:00:00||||0||||||TribCom|MA||||||6.1|1922|||||||||Work|0|Modern Architecture|||||||||||0|0|Chicago Tribune Tower Competition Entry|Gropius, Walter Adolf 3870.00|0|Architect|03|MA-Loos|6.1|1922 Tri||MA-Loos 6.1 1922 Tri |Chicago Tribune Tower Competition Entry|||||||||Chicago Tribune Tower Competition Entry|7208|Loos, Adolf||architect|Adolf Loos|0||||0|||||German||||||Europe||Germany||||||0||||0|Chicago, Illinois|||10103||||0|Architecture|Competition entry||||20|||1922|1922||1922|1922-1922||Chicago Tribune Tower Competition|||3865||||0|||||||||||drawing (image-making)|||||||||||Competitions ; Chicago, Illinois ; Tribune Tower (Chicago, Ill.) ; Skyscrapers ; |Competitions|Chicago, Illinois|Tribune Tower (Chicago, Ill.)|Skyscrapers||||||Cornell||MNW|JNK|8/22/2006 0:00:00|5/25/2005 0:00:00|Loos|||0||||||Tri|MA||||||6.1|1922|||||||||Work|0|Modern Architecture|||||||||||0|0|Chicago Tribune Tower Competition Entry|Loos, Adolf 3871.00|0|Creator|15|35|S665-SC|S761||35 S665-SC S761 |Spiral Jetty|Assigned|Image Source (Pub)|||||||Spiral Jetty|11102|Smithson, Robert||sculptor|Robert Smithson|0||||0|||||American||||||||United States||||||0|Great Salt Lake, UT|||10436||||0||||0|Sculpture|Earthwork (sculpture)||||20|||1970|1970||1970|1970-1970|||||0||||0|||||Salt, crystal, earth||||||sculpture|||||457.2 m Diameter||||||Spirals ; Jetties (erosion protection works) ; Earthworks (sculpture) ; |Spirals|Jetties (erosion protection works)|Earthworks (sculpture)|||||||Cornell||JNK|JNK|5/18/2006 0:00:00|5/25/2005 0:00:00|S665|||0|||||||35|SC||||||||S761|||||||Work|0||||||||||||0|0||Smithson, Robert 3872.00|0|Architect|03|MA-Burn&Root|6.1| 1889-92 Mon||MA-Burn&Root 6.1 1889-92 Mon |Monadnock Block|Descriptive|Image Source (Pub)|||||||Monadnock Block|27824|Burnham & Root||architectural firm|Burnham & Root|0||||0|||||American||||||||United States||||||0|53 W. Jackson Blvd., Chicago, IL|||10437||||0||||0|Architecture|Office building|Commercial building|Skyscraper||19|||1889|1893||1889-1893|1889-1893|||||0||||0||||||||||||||||||||||Commercial buildings ; Office buildings ; Skyscrapers ; |Commercial buildings|Office buildings|Skyscrapers|||||||Cornell||MNW|JNK|8/29/2006 0:00:00|5/25/2005 0:00:00|Burn&Root|||0||||||1889-92 Mon|MA||||||6.1||||||||||Building|0|Modern Architecture|Consists of two parts. The north half W. Was built between 1889 and 1891; the south half was built between 1891 and 1893.||||||||||0|0|Monadnock Block|Burnham & Root 3873.00|0||||||||Monadnock Building--South Half|Descriptive|Image Source (Pub)|Monadnock Block||||||Monadnock Building. South Half|28332|Holabird & Roche||architectural firm|Holabird & Roche|0||||0|||||American||||||||United States||||||0|53 W. Jackson Blvd., Chicago, IL|||10437||||0||||0|Architecture|Office building|Commercial building|Skyscraper|||||1891|1893|||||Monadnock Block|LargerEntity||3872||||0||||||||||||||||||||||Commercial buildings ; Office buildings ; Skyscrapers ; |Commercial buildings|Office buildings|Skyscrapers|||||||Cornell||MNW|MNW|3/31/2006 0:00:00|5/25/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Monadnock Building--South Half;Monadnock Block|Holabird & Roche 3874.00|0|Creator|15||||||Cancelled Crop|Assigned|Image Source (Pub)|||||||Cancelled Crop|8724|Oppenheim, Dennis A.||conceptual artist|Dennis A. Oppenheim|0||||0|||||Dutch||||||||Holland|||Finsterwolde, Netherlands|||10438||||0||||0||||0|Sculpture|Earthwork (sculpture)|Environmental art|||20|||1969|1969||1969|1969-1969|||||0||||0|||||Wheatfield, harvester||||||sculpture|||||267 x 154 m||||||Earthworks (sculpture) ; Wheat ; |Earthworks (sculpture)|Wheat||||||||Cornell||JNK|MNW|1/19/2006 0:00:00|5/25/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Cancelled Crop|Oppenheim, Dennis A. 3875.00|0||||||||View Eastward toward Wacker Drive and Michigan Avenue|Descriptive|Image Source (Pub)|||||||View Eastward toward Wacker Drive and Michigan Avenue|30684|Kaufmann & Fabry, Co.||photographer|Kaufmann & Fabry, Co.|0||||0|||||American||||||||United States||||||0|Chicago, Illinois|||10103||||0||||0|Architecture|Streetscape|Cityscape|Documentary photograph||20|||1929|1929||1929|1929-1929|||||0||||0|||||Photograph||||||photography|||||||614|Chicago: Chicago Historical Society|Chicago: Hist. Soc.||Cityscapes ; Bridges (built works) ; Skyscrapers ; Rivers ; Railroads ; Roads ; |Cityscapes|Bridges (built works)|Skyscrapers|Rivers|Railroads|Roads||||Cornell||MNW|JNK|6/7/2005 0:00:00|5/25/2005 0:00:00||Chi||0||||||||||||||| |||||||||0||||||||||||0|0|View Eastward toward Wacker Drive and Michigan Avenue|Kaufmann & Fabry, Co. 3876.00|0||||||||Construction of Defense Housing in Erie, Pennsylvania|Descriptive|Image Source (Pub)|||||||Construction of Defense Housing in Erie, Pennsylvania|30678|Palmer, Al||photographer|Al Palmer|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1941|1941||1941|1941-1941|||||0||||0|||||Black and white photograph||||||photography|||||||3892|Washington, DC: Library of Congress|Wash, DC: Library of Congress||Construction ; Housing developments ; Workers ; Building site ; |Construction|Housing developments|Workers|Building site||||||Cornell||MNW|JNK|6/6/2005 0:00:00|5/25/2005 0:00:00||||0||||||||||||||| |||||||||0||Photographed for the U.S. Ofice for Emergency Management.||||||||||0|0|Construction of Defense Housing in Erie, Pennsylvania|Palmer, Al 3877.00|0||||||||Empire State Building under Construction|Descriptive|Image Source (Pub)|||||||Empire State Building under Construction|5447|Hine, Lewis Wickes||photographer|Lewis Wickes Hine|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1929|1929|ca|ca 1929|ca 1929-1929|||||0||||0|||||||||||photography|||||||3828|New York: Museum of the City of New York|New York: Mus. of the City of NY||Empire State Building (New York, NY) ; Construction ; Skyscrapers ; Workers ; |Empire State Building (New York, NY)|Construction|Skyscrapers|Workers||||||Cornell||MNW|JNK|6/6/2005 0:00:00|5/25/2005 0:00:00||||0||L 638.3||||||||||||| |||||||||0||||||||||||0|0|Empire State Building under Construction|Hine, Lewis Wickes 3878.00|0||||||||Hoover Dam|Assigned|Image Source (Pub)|||||||Hoover Dam|6152|Kaufmann, Gordon Bernie||architect|Gordon B. Kaufmann|0||||0|||||American||||||||United States||||||0|Boulder City, NV|Near||10439||||0||||0|Architecture|Dam||||20|||1931|1935||1931-1935|1931-1935|||||0||||0||||||||||||||||||||||Dams ; |Dams|||||||||Cornell||MNW|MNW|5/25/2005 0:00:00|5/25/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Hoover Dam|Kaufmann, Gordon Bernie 3879.00|0||||||||Arthurdale Subsistence Homestead Project Housing|Descriptive|Image Source (Pub)|||||||Arthurdale Subsistence Homestead Project Housing|3656|Evans, Walker||photographer|Evans, Walker|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1935|1935||1935|1935-1935|||||0||||0|||||||||||photography|||||||3892|Washington, DC: Library of Congress|Wash, DC: Library of Congress||Housing developments ; Houses ; Construction ; |Housing developments|Houses|Construction|||||||Cornell||MNW|MNW|5/25/2005 0:00:00|5/25/2005 0:00:00||||0||||||||||||||| |||||||||0|||||June, 1935|||||||0|0|Arthurdale Subsistence Homestead Project Housing|Evans, Walker 3880.00|0||||||||Grand Coulee Dam|Assigned|Image Source (Pub)|||||||Grand Coulee Dam|30651|United States. Bureau of Reclamation||engineer|United States. Bureau of Reclamation|6152|Kaufmann, Gordon Bernie||architect,associated|0|||||American||||||||United States||||||0|Grand Coulee Dam, WA|||10456||||0||||0|Architecture|Dam||||20|||1933|1942||1933-1942|1933-1942|||||0||||0||||||||||||||||168 m high x 1,592 m long||||||dams ; |dams|||||||||Cornell||MNW|MNW|6/1/2005 0:00:00|5/25/2005 0:00:00||GrCou||0||||||||||||||||||||||||0||Located 28 miles northeast of Coulee City, WA on the Columbia River. www.usbr.gov/dataweb/dams|||Original construction dates. Modified in 1967-1974 and 1982-1988.|||||||0|0|Grand Coulee Dam|United States. Bureau of Reclamation;Kaufmann, Gordon Bernie 3881.00|0|Creator|15||||||A Trace in the Woods in the Form of an Angle of 30° Crossing a Path|Assigned|Image Source (Pub)|||||||Earth Art Exhibit. A Trace in the Woods in the Form of an Angle of 30° Crossing a Path|3136|Dibbets, Jan||conceptual artist|Jan Dibbets|0||||0||||||||||||||||Cornell University, Ithaca, NY|||10410||||0||||0||||0|Sculpture|Earthwork (sculpture)||||20|||1969|1969||1969|1969-1969||Earth Art Exhibit|Larger entity||3774||||0|||||Overturned turf, snow|earth|snow||||sculpture|||||300 x 152 cm||||||Earthworks (sculpture) ; Earth ; |Earthworks (sculpture)|Earth||||||||Cornell||JNK|MNW|8/18/2005 0:00:00|5/26/2005 0:00:00|D543|||0|||||||||||||||||||||||Work|0||The work was made fo rhte 'Earth Art' exhibitionat Andrew Dickson White museum, Cornell University, Ithaca. 1969.||||||||||0|0|A Trace in the Woods in the Form of an Angle of 30° Crossing a Path|Dibbets, Jan 3882.00|0|Creator|15||||||Nine Nevada Depressions|Assigned|Image Source (Pub)|||||||Nine Nevada Depressions|5288|Heizer, Michael||environmental artist|Michael Heizer|0||||0|||||American||||||||United States|||Nevada Desert Valley|||10247|Nevada Desert Valley|||10247||||0||||0|Sculpture|Earthwork (sculpture)||||20|||1968|1968||1968|1968-1968|||||0||||0|||||Displacement on dry lake bed|earth|||||sculpture|||||||||||Earthworks (sculpture) ; Earth ; |Earthworks (sculpture)|Earth||||||||Cornell||JNK|MNW|8/19/2005 0:00:00|5/26/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Nine Nevada Depressions|Heizer, Michael 3883.00|0|Creator|15||||||Isolated Mass, Circumflex #9|Assigned|Image Source (Pub)|||||||Nine Nevada Depressions. Isolated Mass, Circumflex #9|5288|Heizer, Michael||environmental artist|Michael Heizer|0||||0|||||American||||||||United States|||||||Massacre Lake (intermittent lake), NV|||10441||||0||||0|Sculpture|Earthwork (sculpture)||||20|||1968|1968||1968|1968-1968||Nine Nevada Depressions|Larger entity||3882||||0|||||1.5 ton displacement on the botom of a dry lake bed|earth|||||sculpture|||||366 x 36 x 3 m||||||Earthworks (sculpture) ; Earth ; |Earthworks (sculpture)|Earth||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|5/26/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Isolated Mass, Circumflex #9|Heizer, Michael 3884.00|0|Creator|15||||||Sod Maze|Assigned|Image Source (Pub)|||||||Sod Maze|3936|Fleischner, Richard||sculptor|Richard Fleischner|0||||0|||||American||||||||United States|||||||Chateau-sur-Mer, Newport, RI|||10442||||0||||0|Sculpture|Earthwork (sculpture)||||20|||1974|1974||1974|1974-1974|||||0||||0|||||Sod, earth|earth|||||sculpture|||||46 cm high, 350 cm diameter||||||Earthworks (sculpture) ; Earth ; |Earthworks (sculpture)|Earth||||||||Cornell||JNK|MNW|8/18/2005 0:00:00|5/26/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Sod Maze|Fleischner, Richard 3885.00|0|Creator|15||||||Ice Piece|Assigned|Image Source (Pub)|||||||Ice Piece (Scaur Water, Penpont, Dumfriesshire, Scotland)|4632|Goldsworthy, Andy||environmental artist|Andy Goldworthy|0||||0|||||British|||Post-1945|||Europe||United Kingdom|Scotland||Scaur Water, Penpont, Dumfriesshire, Scotland|||10527||||0||||0||||0|Photographs|Photographic print|Environmental art|Documentary photograph||20|||1987|1987||January 12, 1987|1987-1987|||||0||||0|||||Cibachrome photograph|photo paper|||||photography|cibachrome ™||||76 x 76 cm||||||Earthworks (sculpture) ; |Earthworks (sculpture)|||||||||Cornell||JNK|MNW|8/19/2005 0:00:00|5/26/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Ice Piece|Goldsworthy, Andy 3886.00|0|Creator|15||||||Heart|Assigned|Image Source (Pub)|||||||Heart (Walkerville, Johannesburg, South Africa)|30639|Bloom, Doris||sculptor|Doris Bloom & William Kentridge|30638|Kentridge, William||sculptor|0|||||South African||||||||South Africa|||Walkerville, Johannesburg, South Africa|||10443||||0||||0||||0|Drawings|Earthwork (sculpture)|Drawing|||20|||1995|1995||1995-1995|1995-1995|||||0||||0|||||Whitewash drawing on fire-scarred veld|chalk|||||drawing (image-making)|||||130 x 70 m||||||Earthworks (sculpture) ; Heart ; |Earthworks (sculpture)|Heart||||||||Cornell||JNK|MNW|8/19/2005 0:00:00|5/26/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Heart|Bloom, Doris;Kentridge, William 3887.00|0|Creator|15||||||Running Fence|Assigned|Image Source (Pub)|||||||Running Fence (Sonoma and Marin Counties, CA)|30604|Christo and Jeanne-Claude||environmental artist|Christo and Jeanne-Claude|0||||0|||||||||||||United States|||Sonoma and Marin Counties, CA|||10444||||0||||0||||0|Sculpture|Earthwork (sculpture)||||20|||1972|1976||1972-1976|1972-1976|||||0||||0|||||Steel and nylon|steel|nylon||||sculpture|||||5.5m x 39 km||||||Fences ; Earthworks (sculpture) ; |Fences|Earthworks (sculpture)||||||||Cornell||JNK|MNW|8/19/2005 0:00:00|5/26/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Running Fence|Christo and Jeanne-Claude 3888.00|0|Creator|15||||||Whirlpool, Eye of the Storm|Assigned|Image Source (Pub)|||||||Whirlpool, Eye of the Storm (El Mirage Lake, CA)|8724|Oppenheim, Dennis A.||conceptual artist|Dennis A. Oppenheim|0||||0|||||American||||||||United States|||El Mirage Lake (Dry), CA|||10445||||0||||0||||0|Performance Art|Performance art|Earthwork (sculpture)|||20|||1973|1973||1973|1973-1973|||||0||||0|||||Airplane, jet of smoke|||||||||||1206 x 6436 m area||||||Earthworks (sculpture) ; Airplanes ; Tornados ; |Earthworks (sculpture)|Airplanes|Tornados|||||||Cornell||JNK|MNW|8/19/2005 0:00:00|5/26/2005 0:00:00||||0|||||||||||||||||||||||Work|0||Duration 1 hour. An airplane pilot, directed by radio from the ground, traced the schemata of a tornado in the sky using the jet of smoke discharged by the aircraft. Kastner, Land.||||||||||0|0|Whirlpool, Eye of the Storm|Oppenheim, Dennis A. 3889.00|0|Creator|15||||||Surrounded Islands|Assigned|Image Source (Pub)|||||||Surrounded Islands (Biscayne Bay, FL)|30604|Christo and Jeanne-Claude||environmental artist|Christo and Jeanne-Claude|0||||0|||||||||||||United States|||Biscayne Bay, FL|||10446||||0||||0||||0|Sculpture|Earthwork (sculpture)||||20|||1980|1983||1980-1983|1980-1983|||||0||||0|||||Woven polypropylene||||||sculpture|||||55 sq. m of fabric floating around 11 islands||||||Earthworks (sculpture) ; Islands ; |Earthworks (sculpture)|Islands||||||||Cornell||JNK|MNW|8/19/2005 0:00:00|5/26/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Surrounded Islands|Christo and Jeanne-Claude 3890.00|0|Creator|15||||||The Umbrellas, Japan-USA|Assigned|Image Source (Pub)|||||||The Umbrellas, Japan-USA|30604|Christo and Jeanne-Claude||environmental artist|Christo and Jeanne-Claude|0||||0|||||||||||||United States|Japan||Los Angeles, CA|Near||10085||||0|Tokyo, Japan|Near||10141||||0|Sculpture|Earthwork (sculpture)||||20|||1984|1991||1984-1991|1984-1991|||||0||||0|||||3,100 octagonal umbrellas (fabric, aluminum, steel, wood)|aluminum|steel|wood||||||||Each umbrella: 6m High, 9m Diameter||||||Parasols ; |Parasols|||||||||Cornell||JNK|MNW|8/19/2005 0:00:00|5/26/2005 0:00:00|||Tok|0|||||||||||||||||||||||Work|0||Valleys: Ibaraki, Japan, 19 km (1,340 blue parasols); California, USA, 26 km (1760 yellow parasols). The installation lasted 19 days. Kastner, Land.|||October 4, 1991 = simultaneous installation in Ibaraki, Japan and California.|||||||0|0|The Umbrellas, Japan-USA|Christo and Jeanne-Claude 3891.00|0|Creator|15||||||Dissipate (Deteriorated), #8|Assigned|Image Source (Pub)|||||||Nine Nevada Depressions. Dissipate (Deteriorated), #8|5288|Heizer, Michael||painter|Michael Heizer|0||||0|||||American||||||||United States|||||||Black Rock Desert, NV|||10447||||0||||0|Sculpture|Earthwork (sculpture)||||20|||1968|1968||1968|1968-1968||Nine Nevada Depressions|Larger entity||3882||||0|||||Wood|wood|||||sculpture|||||1,400 x 1,500 x 30 cm||||||Earthworks (sculpture) ; |Earthworks (sculpture)|||||||||Cornell||JNK|MNW|8/19/2005 0:00:00|5/26/2005 0:00:00||||0|||||||||||||||||||||||Work|0||Pieces of wood set into the flat bottom of a dried lake. Kastner, Land.||||||||||0|0|Dissipate (Deteriorated), #8|Heizer, Michael 3892.00|0|Creator|15||||||Cadillac Ranch|Assigned|Image Source (Pub)|||||||Cadillac Ranch|30640|Ant Farm||artist|Ant Farm|0||||0|||||American||||||||United States||||||0|Amarillo, TX|||10448||||0||||0|Sculpture|Earthwork (sculpture)||||20|||1974|1974||1974|1974-1974|||||0||||0|||||10 Cadilla automobiles||||||sculpture|||||274 x 4,605 x 213 cm||||||Earthworks (sculpture) ; Automobiles ; Cadillac automobiles ; |Earthworks (sculpture)|Automobiles|Cadillac automobiles|||||||Cornell||JNK|MNW|8/19/2005 0:00:00|5/26/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Cadillac Ranch|Ant Farm 3893.00|0|Creator|15||||||Grass Grows|Assigned|Image Source (Pub)|||||||Earth Art Exhibit. Grass Grows|4982|Haacke, Hans||conceptual artist|Hans Haacke|0||||0|||||American||||||||United States|||Cornell University, Ithaca, NY|||10410||||0||||0||||0|Sculpture|Earthwork (sculpture)|Sculpture|||20|||1969|1969||1969|1969-1969||Earth Art Exhibit|Larger entity||3774||||0|||||Earth, winter and anuual rye grass|earth|||||sculpture|||||Dimensions variable||||||Earthworks (sculpture) ; Sculpture (visual work) ; Grasses (plants) ; Earth ; |Earthworks (sculpture)|Sculpture (visual work)|Grasses (plants)|Earth||||||Cornell||JNK|MNW|8/19/2005 0:00:00|5/27/2005 0:00:00||||0|||||||||||||||||||||||Work|0||This version of Grass Grows was made for the 'Earth Art' exhibition at the Andrew Dickson White Museum, Cornell University, Ithaca, 1969. Kastner, Land.||||||||||0|0|Grass Grows|Haacke, Hans 3894.00|0|Creator|15||||||Untitled (Reclamation of Johnson Gravel Pit)|Descriptive|Image Source (Pub)|||||||Untitled (Reclamation of Johnson Gravel Pit)|8236|Morris, Robert|||Robert Morris|0||||0|||||American||||||||United States||||||0|King County, Washington|||10449||||0||||0|Sculpture|Earthwork (sculpture)||||20|||1979|1979||1979|1979-1979|||||0||||0|||||Earth, grass, tree stumps|earth|||||sculpture|||||1.6 hectares||||||Earthworks (sculpture) ; Grasses (plants) ; Earth ; |Earthworks (sculpture)|Grasses (plants)|Earth|||||||Cornell||JNK|MNW|8/19/2005 0:00:00|5/27/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Untitled (Reclamation of Johnson Gravel Pit)|Morris, Robert 3895.00|0|Creator|15||||||Wheatfield - A Confrontation|Assigned|Image Source (Pub)|||||||Wheatfield - A Confrontation (Battery Park Landfill, Manhattan, New York, NY)|3072|Denes, Agnes||sculptor|Agnes Denes|0||||0|||||American||||||||United States|||Battery Park Landfill, Manhattan, New York, NY|||10450||||0||||0||||0|Sculpture|Earthwork (sculpture)||||20|||1982|1982||Summer 1982|1982-1982|||||0||||0|||||Wheat|||||||||||2 acres||||||Earthworks (sculpture) ; Wheat ; Landfills ; |Earthworks (sculpture)|Wheat|Landfills|||||||Cornell||JNK|MNW|8/19/2005 0:00:00|5/27/2005 0:00:00|D392|||0|||||||||||||||||||||||Work|0||||||||||||0|0|Wheatfield - A Confrontation|Denes, Agnes 3896.00|0|Creator|15||||||The Meadow|Translated|Image Source (Pub)|Wiese|Original|Image Source (Pub)||||The Meadow (Wiese)|30644|Vries, Herman de||painter|Herman de Vries|0||||0|||||||||||||||||||0|Eschenau, Germany|Near||10451||||0||||0|Sculpture|Earthwork (sculpture)||||20|21||1986|||1986-Present|1986|||||0||||0||||||||||||||||4000 square meters||||||Earthworks (sculpture) ; Grasses (plants) ; Plants (vegetation) ; |Earthworks (sculpture)|Grasses (plants)|Plants (vegetation)|||||||Cornell||JNK|MNW|8/19/2005 0:00:00|5/27/2005 0:00:00||||0|||||||||||||||||||||||Work|0|||||The work continues to change and is an ongoing project. Kastner, Land.|||||||0|0|The Meadow;Wiese|Vries, Herman de 3897.00|0|Creator|15||||||7,000 Oaks|Assigned|Image Source (Pub)|||||||7,000 Oaks|1133|Beuys, Joseph||sculptor|Beuys, Joseph|30645|Dia Center for the Arts||patron|0|||||German|American|||||||Germany|United States|||||0|Kassel, Germany|||10453|Friedrichplatz, Kassel, Germany|||10452||||0|Sculpture|Earthwork (sculpture)||||20|||1982|1987||1982-1987|1982-1987|||||0||||0|||||Basalt stone markers, Oak trees|stone|||||sculpture|||||||||||Trees ; Earthworks (sculpture) ; |Trees|Earthworks (sculpture)||||||||Cornell||JNK|MNW|8/19/2005 0:00:00|5/27/2005 0:00:00||||0|||||||||||||||||||||||Work|0||Between the opening of Documenta 7 in 1982 and Documenta 8 in 1987, the pile of basalt markers gradually dwindled until the last tree was planted on June 8, 1987. The Dia Center for the Arts continued the project in NYC.|Beuys intended the Kassel project to be the first stage in an ongoing scheme of tree planting to be extended througout the world…(Dia Art Foundation, http://www.diacenter.org/ltproj/7000/)|||||||||0|0|7,000 Oaks|Beuys, Joseph;Dia Center for the Arts 3898.00|0|Site|02|B-H3|Tod|1.04 Cor|1|B-H3 Tod 1.04 Cor 1|Todi|Assigned|Image Source (Pub)|Plan|Descriptive|Cataloger||||Todi (Plan)|31270|Coronelli, Vincenzo Maria||author|Vincenzo Maria Coronelli|0||||0|||||Italian||||||Europe||Italy||||||0|Todi, Italy|||10635||||0||||0|Maps|Plan (drawing)||||18|||1708|1708|ca|ca 1708|ca 1708-1708|||||0||||0||||||||||||||||||||||Plans (drawings) ; Todi (Italy) ; |Plans (drawings)|Todi (Italy)||||||||Cornell||JNK|JNK|8/28/2006 0:00:00|5/27/2005 0:00:00||Tod||0||||||Cor|B|||||H3|1.04||||||||||Work|0|Architecture-Italy|||||||||||0|0|Todi;Plan|Coronelli, Vincenzo Maria 3899.00|0|Site|13||||||Roman Road|Descriptive|Image Source (Pub)|||||||Roman Road|0|||||0||||0|||||Roman|||Roman Period|||Europe||United Kingdom|England|||||0|Northumberland, England|||10454||||0||||0|Transportation|Roads|||CE|01|||120|120|ca|ca 120|ca 120-120|||||0||||0||||||||||||||||||||||Roads ; |Roads|||||||||Cornell||JNK|MNW|8/19/2005 0:00:00|5/27/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Roman Road| 3900.00|0|Site|02||||||Cup and Ring Markings|Descriptive|Image Source (Pub)|||||||Cup and Ring Markings|0|||||0||||0|||||||||||||||||||0|Roughting Linn, Northumberland, England|||10455||||0||||0|Sculpture|Earthwork (sculpture)|Sculpture||BCE|-31|-30||3000|3000||3000 BCE|3000-3000 BCE|||||0||||0|||||Stone|stone||||||||||||||||Earthworks (sculpture) ; |Earthworks (sculpture)|||||||||Cornell||JNK|JNK|5/27/2005 0:00:00|5/27/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Cup and Ring Markings| 3901.00|0||||||||Portrait of Louis Sullivan|Descriptive|Image Source (Pub)|||||||Portrait of Louis Sullivan|30646|Werner, Frank A.||painter|Frank A. Werner|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Paintings|Oil painting|Portrait|||20|||1919|1919||1919|1919-1919|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||160.3 x 104.5 cm||614|Chicago: Chicago Historical Society|Chicago: Hist. Soc.||Portraits ; Sullivan, Louis H., 1856-1924 ; |Portraits|Sullivan, Louis H., 1856-1924||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|5/27/2005 0:00:00||||0||1943.3||||||||||||| |||||||||0||||||||||||0|0|Portrait of Louis Sullivan|Werner, Frank A. 3902.00|0||||||||Virgin of the Annunciation|Translated|Cataloger|Vergine Annunciata|Assigned|Image Source (Pub)||||Virgin of the Annunciation (Vergine Annunciata)|30648|Joni, Icilio Federico||painter|Icilio Federico Joni|0||||0|||||Italian||||||||Italy||||||0||||0||||0||||0|Paintings|Panel (wood)|Painting|||19|20||1930|1939||1930's|1930-1939|||||0||||0|||||Tempera and gold on panel|tempera|gold|panel|||painting (image-making)|||||29.9 x 23 cm||9473|Siena: Private Collection|Siena: Priv. Coll.||Virgin Mary ; Annunciation ; Christ ; Madonna and Child ; |Virgin Mary|Annunciation|Christ|Madonna and Child||||||Cornell||JNK|MNW|8/19/2005 0:00:00|5/31/2005 0:00:00||||0||||||||||||||| |||||||||0||Painted in the Sienese style of the 14th C.||||||||||0|0|Virgin of the Annunciation;Vergine Annunciata|Joni, Icilio Federico 3903.00|0||||||||Madonna with the Christ Child and an Angel|Translated|Cataloger|Madonna con il Bambino e un Angelo|Assigned|Catalogerima||||Madonna con il Bambino e un Angelo|30649|Giunti, Umberto||painter|Umberto Giunti|0||||0|||||Italian||||||||Italy||||||0||||0||||0||||0|Paintings|Painting|Panel (wood)|||20|||1925|1925|bef|bef 1925|bef 1925-1925|||||0||||0|||||Tempera on panel|tempera|panel||||painting (image-making)|||||59 x 42 cm||9474|Florence: Private Collection|Florence: Priv. Coll.||Madonna and Child ; Angels ; Virgin Mary ; Christ ; |Madonna and Child|Angels|Virgin Mary|Christ||||||Cornell||JNK|MNW|8/19/2005 0:00:00|5/31/2005 0:00:00||||0||||||||||||||| |||||||||0||The painting is in the sytle of Sandro Botticelli. Dimensions with the frame: 112 x 77 cm||||||||||0|0|Madonna with the Christ Child and an Angel;Madonna con il Bambino e un Angelo|Giunti, Umberto 3904.00|0||||||||Noguchi Coffee Table|Assigned|Image Source (Pub)|||||||Noguchi Coffee Table|8565|Noguchi, Isamu||artist|Isamu Noguchi|30052|Herman Miller Furniture Company||manufacturer|0|||||American|Japanese||Modernist|||||United States||||||0||||0||||0||||0|Furnishings|Table|Furniture|||20|||1948|1948|ca|ca 1948|ca 1948-1948|||||0||||0|||||clear plate glass and wood|||||||||||91.4 x 127 x 40 cm||||||Furniture ; Tables (support furniture) ; |Furniture|Tables (support furniture)||||||||Cornell||JNK|MNW|8/18/2005 0:00:00|5/31/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Noguchi Coffee Table|Noguchi, Isamu;Herman Miller Furniture Company 3905.00|0||||||||Futuro-comfy House|Descriptive|Image Source (Pub)|||||||Futuro-comfy House|30150|Levitt and Sons||builder|Levitt and Sons|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Architecture|House||||20|||1950|1950||1950|1950-1950|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|JNK|5/31/2005 0:00:00|5/31/2005 0:00:00||||0||||||||||||||||||||||||0||This model cost $7,990 in 1950. The plan includes a television built into the living room wall and a backyard.||||||||||0|0|Futuro-comfy House|Levitt and Sons 3906.00|0||||||||Nationwide Surveys Prove Motorola TV Most Dependable|Inscribed|Image Source (Pub)|Motorola Television Advertisement|Variant|Cataloger||||Nationwide Surveys Prove Motorola TV Most Dependable|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Advertising|Print|Advertisement|||20|||1952|1952|ca|ca 1952|ca 1952-1952|||||0||||0|||||Print advertisement|||||||||||||9475|Schaumburg, IL: Motorola Archives|Schaumburg, IL: Motorola Archives||Advertisements ; Television receivers ; |Advertisements|Television receivers||||||||Cornell||JNK|MNW|7/25/2005 0:00:00|5/31/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Nationwide Surveys Prove Motorola TV Most Dependable;Motorola Television Advertisement| 3907.00|0||||||||House in Levittown|Descriptive|Image Source (Pub)|||||||House in Levittown|30149|Levitt, William Jaird||builder|William Jaird Levitt|0||||0|||||American||||||||United States||||||0|Levittown, NY|||10211||||0||||0|Architecture|House||||20|||1947|1948||1947-1948|1947-1948|||||0||||0||||||||||||||||||||||Houses ; Housing developments ; |Houses|Housing developments||||||||Cornell||JNK|MNW|7/25/2005 0:00:00|5/31/2005 0:00:00||Lev||0||||||||||||||||||||||||0||||||||||||0|0|House in Levittown|Levitt, William Jaird 3908.00|0||||||||Farm Mural|Descriptive|Cataloger|||||||Farm Mural|0|||||0||||0|||||American|||New Deal|||||United States||||||0|Selinsgrove Post Office, Selinsgrove, PA|||10457||||0||||0|Paintings|Mural||||20||||||||||||0||||0||||||||||||||||||||||Farming ; |Farming|||||||||Cornell||JNK|JNK|6/1/2005 0:00:00|5/31/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Farm Mural| 3909.00|0||||||||Mr. Blandings Builds His Dream House|Assigned|Image Source (Pub)|||||||Mr. Blandings Builds His Dream House|30650|Potter, Henry Codman||film director|Potter, H. C.|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Motion Pictures|Photographic print||||20|||1948|1948||1948|1948-1948|||||0||||0|||||||||||film making|||||||||||Houses ; Buildings ; Motion pictures (visual works) ; |Houses|Buildings|Motion pictures (visual works)|||||||Cornell||JNK|MNW|8/18/2005 0:00:00|5/31/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Mr. Blandings Builds His Dream House|Potter, Henry Codman 3910.00|0||||||||Too Much Is Never Enough: an Autobiography|Assigned|Image Source (Pub)|||||||Too Much Is Never Enough: an Autobiography|6758|Lapidus, Morris||architect|Morris Lapidus|0||||0|||||American|||Modernist|||||United States||||||0||||0||||0||||0|Publications|Book||||20|||1996|1996||1996|1996-1996|||||0||||0||||||||||||||||||||||Autobiogrpahy ; Lapidus, Morris, 1901-2001 ; |Autobiogrpahy|Lapidus, Morris, 1901-2001||||||||Cornell||JNK|MNW|8/18/2005 0:00:00|6/1/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Too Much Is Never Enough: an Autobiography|Lapidus, Morris 3911.00|0||||||||A Main Street Scene in Oswego, New York|Descriptive|Image Source (Pub)|||||||A Main Street Scene in Oswego, New York|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||19|||1850|1850|ca|ca 1850|ca 1850-1850|||||0||||0|||||Black and white photograph||||||photography|||||||9476|Syracuse: Onondaga Historical Association|Syracuse: Onondaga Hist. Assoc.||Streetscapes ; Oswego (N.Y.) ; |Streetscapes|Oswego (N.Y.)||||||||Cornell||JNK|MNW|8/18/2005 0:00:00|6/1/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|A Main Street Scene in Oswego, New York| 3912.00|0||||||||Greenbelt (MD)|Published|LC NAF|||||||Greenbelt (MD)|28071|Ellington & Wadsworth||ArchFirm||0||||0|||||American||||||||United States||||||0|Greenbelt, MD|||10460||||0||||0|Architecture|New town|Housing|||20|||1935|1937||1935-1937|1935-1937|||||0||||0||||||||||||||||||||||New towns ; Housing developments ; Greenbelts ; |New towns|Housing developments|Greenbelts|||||||Cornell||MNW|MNW|6/24/2005 0:00:00|6/1/2005 0:00:00||||0||||||||||||||||||||||||0||Designed for the U. S. Housing Corporation. Duany, The New Civic Art.||||||||||0|0|Greenbelt (MD)|Ellington & Wadsworth 3913.00|0||||||||Architecture Without Architects: A Short Introduction to Non-Pedigreed Architecture|Assigned|Image Source (Pub)|||||||Architecture Without Architects: A Short Introduction to Non-Pedigreed Architecture|10167|Rudofsky, Bernard||architect|Bernard Rudofsky|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Publications|Book||||20|||1964|1964||1964|1964-1964|||||0||||0||||||||||||||||||||||Vernacular architecture ; |Vernacular architecture|||||||||Cornell||JNK|MNW|8/18/2005 0:00:00|6/1/2005 0:00:00||||0||||||||||||||||||||||||0||Originally published by the Museum of Modern Art, NY in 1964.||||||||||0|0|Architecture Without Architects: A Short Introduction to Non-Pedigreed Architecture|Rudofsky, Bernard 3914.00|0||||||||Horreos|Assigned|Image Source (Pub)|Corncribs|Translated|Image Source (Pub)|Graneries|Variant|Cataloger|Horreos|0|||||0||||0|||||Spanish|Celtic|||||||Spain||||||0|Galicia, Spain|||10459||||0||||0|Architecture|Farm|Agricultural building|||||||||||||||0||||0|||||Granite.|granite||||||||||||||||Agricultural buildings ; Silos (agricultural structures) ; Corncribs ; Granaries ; |Agricultural buildings|Silos (agricultural structures)|Corncribs|Granaries||||||Cornell||JNK|MNW|8/18/2005 0:00:00|6/1/2005 0:00:00||||0||||||||||||||||||||||||0||Put together from large granite slabs, the Horreo is fire- and vermin-proof. It rests on pillars topped by circular stones that act as rat-guards…Interstices in the walls serve for ventilation. (Rudofsky, Architecture Without Architects).||||||||||0|0|Horreos;Corncribs;Graneries| 3915.00|0||||||||Epigueiros|Assigned|Image Source (Pub)|Granaries|Translated|Image Source (Pub)||||Epigueiros (Granaries)|0|||||0||||0|||||Portuguese||||||||Portugal||||||0|Lindoso, Portugal|||10458||||0||||0|Architecture|Agricultural building|Silo (agricultural structure)|||||||||||||||0||||0|||||Granite|granite||||||||||||||||Farming ; Silos (agricultural structures) ; Granaries ; |Farming|Silos (agricultural structures)|Granaries|||||||Cornell||JNK|MNW|8/18/2005 0:00:00|6/1/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Epigueiros;Granaries| 3916.00|0||||||||Santa Anita, California|Descriptive|Image Source (Pub)|||||||Santa Anita, California|6907|Lee, Russell||photographer|Russell Lee|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1942|1942||1942|1942-1942|||||0||||0||||||||||||||||||3892|Washington, DC: Library of Congress|Wash, DC: Library of Congress||Relocation camps California 1940-1950 ; |Relocation camps California 1940-1950|||||||||Cornell||MNW|JNK|6/6/2005 0:00:00|6/1/2005 0:00:00||||0||||||||||||||| |||||||||0||Photographed for the Farm Security Administration.||||||||||0|0|Santa Anita, California|Lee, Russell 3917.00|0|Architect|03|MA-SOM|6.1| 1968 Han-Chi||MA-SOM 6.1 1968 Han-Chi |John Hancock Center|Assigned|Image Source (Pub)|||||||John Hancock Center|29042|Skidmore, Owings & Merrill||architectural firm|Skidmore, Owings & Merrill|4720|Graham, Bruce||architect|0|||||American|||Modern|||||United States||||||0|875 N. Michigan Ave., Chicago, IL|||10461||||0||||0|Architecture|Skyscraper|Office building|Commercial building||20|||1966|1970||1966-1970|1966-1970|||||0||||0||||||||||||||||||||||Skyscrapers ; Commercial buildings ; Office buildings ; Chicago, Illinois ; |Skyscrapers|Commercial buildings|Office buildings|Chicago, Illinois||||||Cornell||MNW|JNK|8/29/2006 0:00:00|6/1/2005 0:00:00|SOM|||0||||||1968 Han-Chi|MA||||||6.1||||||||||Building|0|Modern Architecture|||||||||||0|0|John Hancock Center|Skidmore, Owings & Merrill;Graham, Bruce 3918.00|0|Architect|03||||||Grain-bin House|Assigned|Image Source (Pub)|Dymaxion|Variant|Image Source (Pub)||||Grain-bin House (Dymaxion)|4213|Fuller, Buckminster||architect|Buckminster Fuller & Bulter Manufacturing Co.|30653|Butler Manufacturing Company||manufacturer|0|||||American||||||||United States||||||0||||0||||0||||0|Architecture|House||||20|||1941|1941|ca|ca 1941|ca 1941-1941|||||0||||0|||||Galvanized steel|steel||||||||||||||||Houses ; Dymaxion house ; Grain bins ; |Houses|Dymaxion house|Grain bins|||||||Cornell||JNK|MNW|8/18/2005 0:00:00|6/1/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Grain-bin House;Dymaxion|Fuller, Buckminster;Butler Manufacturing Company 3919.00|0|Architect|03||||||Dymaxion Wichita House Prototype|Assigned|Image Source (Pub)|||||||Dymaxion Wichita House Prototype|4213|Fuller, Buckminster||architect|Buckminster Fuller|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Architecture|House||||20|||1946|1946||1946|1946-1946||Dymaxion House (4-D Utility Unit)|||3605||||0|||||Steel|steel||||||||||||||||Houses ; Dymaxion house ; |Houses|Dymaxion house||||||||Cornell||JNK|GB|11/17/2006 0:00:00|6/1/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Dymaxion Wichita House Prototype|Fuller, Buckminster 3920.00|0|Architect|03||||||Molded Dining Chair|Descriptive|Image Source (Pub)|Eames Molded-plywood Chair||||||Molded Dining Chair|30085|Eames, Charles and Ray||industrial designfrm|Charles and Ray Eames|30052|Herman Miller Furniture Company||manufacturer|0|||||American|||Modernist|||||United States||||||0||||0||||0||||0|Furnishings|Chair|Furniture|||20|||1946|1946||1946|1946-1946|||||0||||0|||||Plywood chair with metal legs|plywood|metal||||molding|||||||||||Chairs ; Furniture ; |Chairs|Furniture||||||||Cornell||JNK|MNW|8/18/2005 0:00:00|6/1/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Molded Dining Chair;Eames Molded-plywood Chair|Eames, Charles and Ray;Herman Miller Furniture Company 3921.00|0||||||||Child of Manhattan|Assigned||||||||Child of Manhattan|30654|Buzzell, Edward||director, film|Edward Buzzell|30655|Columbia Pictures Corporation|||0|||||American||||||||United States||||||0||||0||||0||||0|Motion Pictures|Motion picture (visual work)||||20|||1933|1933||1933|1933-1933|||||0||||0||||||||||||||||||||||New York, NY ; |New York, NY|||||||||Cornell||MNW|JNK|6/7/2005 0:00:00|6/1/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Child of Manhattan|Buzzell, Edward;Columbia Pictures Corporation 3922.00|0|||J-MP|Cooper|1|KingKong||King Kong||||||||||0|Cooper, Merian; Warner Brothers||||0||||0|||||||||||||||||||0||||0||||0||||0|||||||||||||1933|||||0||||0||||||||||||||||||||||||||||||||||MNW|||6/1/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|| 3923.00|0|||J-MP|Cooper|1|KingKong||King Kong|Assigned|Image Source (Pub)|||||||King Kong|2577|Cooper, Merian C.||director, film|Merian C. Cooper & Ernest B. Schoesack|30656|Schoedsack, Ernest B.|||30657|RKO Radio Pictures, Inc.||||American||||||||United States||||||0||||0||||0||||0|Motion Pictures|Motion picture (visual work)||||20|||1933|1933||1933|1933-1933|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|JNK|6/7/2005 0:00:00|6/1/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|King Kong|Cooper, Merian C.;Schoedsack, Ernest B.;RKO Radio Pictures, Inc. 3924.00|0|Category|06|J-MP-Vidor|Vidor|1|FountHead|J-MP-Vidor Vidor 1 FountHead|The Fountainhead|Assigned|Image Source (Pub)|||||||The Fountainhead|12270|Vidor, King||director, film|King Vidor|29718|Warner Bros.|||0|||||American||||||||United States||||||0||||0||||0||||0|Motion Pictures|Motion picture (visual work)||||20|||1949|1949||1949|1949-1949|||||0||||0||||||||||||||||||||||Architects ; |Architects|||||||||Cornell||MNW|JNK|6/7/2005 0:00:00|6/1/2005 0:00:00|Vidor|||0||||||FountHead|J-MP||||||1||||||||||Work|0||||||||||||0|0|The Fountainhead|Vidor, King;Warner Bros. 3925.00|0|Category|06|J-MP-Lang|Lang|1|Metropolis|J-MP-Lang Lang 1 Metropolis|Metropolis|Assigned|Image Source (Pub)|||||||Metropolis|6723|Lang, Fritz||director, film|Fritz Lang|30660|UFA|||0|||||German||||||||Germany||||||0||||0||||0||||0|Motion Pictures|Motion picture (visual work)||||20|||1927|1927||1927|1927-1927|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|JNK|8/22/2006 0:00:00|6/2/2005 0:00:00|Lang|||0||||||Metropolis|J-MP||||||1||||||||||Work|0|Motion Pictures|||||||||||0|0|Metropolis|Lang, Fritz;UFA 3926.00|0||||||||The Tower of Babel|Assigned|Image Source (Pub)|||||||Metropolis. The Tower of Babel|6244|Kettelhut, Erich||designer, set|Erich Kettelhut|0||||0|||||German||||||||Germany||||||0||||0||||0||||0|Theater Designs|Theater design|Painting|||20|||1925|1926||1925-1926|1925-1926||Metropolis|||3925||||0|||||Oil on cardboard sketch|oil paint|cardboard||||painting (image-making)|sketching||||43.6 x 55.2 cm||9477|Berlin: Filmmuseum Berlin--Deutsche Kinemathek|Berlin: Filmmuseum Berlin--Deutsche Kinemathek||Skyscrapers ; Towers (single built works) ; Babel, Tower of ; |Skyscrapers|Towers (single built works)|Babel, Tower of|||||||Cornell||MNW|JNK|1/6/2006 0:00:00|6/2/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|The Tower of Babel|Kettelhut, Erich 3927.00|0|Category|06|J-MP-Lang|Lang|1|Metropolis 4b-1|J-MP-Lang Lang 1 Metropolis 4b-1|City of the Future|Descriptive|Image Source (Pub)|||||||Metropolis. City of the Future|6244|Kettelhut, Erich||designer, set|Erich Kettelhut|0||||0|||||German||||||||Germany||||||0||||0||||0||||0|Theater Designs|Theater design|Painting|||20|||1925|1926||1925-1926|1925-1926||Metropolis|||3925||||0|||||Gouache on grey paper sketch|gouache|paper||||painting (image-making)|sketching||||||9477|Berlin: Filmmuseum Berlin--Deutsche Kinemathek|Berlin: Filmmuseum Berlin--Deutsche Kinemathek||Cityscapes ; |Cityscapes|||||||||Cornell||MNW|JNK|8/22/2006 0:00:00|6/2/2005 0:00:00|Lang|||0||||||Metropolis|J-MP||||||1|| ||||||||Work|0||||||||||||0|0|City of the Future|Kettelhut, Erich 3937.00|0||||||||Rectorate|Assigned|Image Source (Pub)|||||||Ciudad Universitaria. Rectorate|28773|Pani, Moral & Ortega Flores||architectural firm|Pani, Moral & Ortega Flores|10959|Siqueiros, David Alfaro||painter|0|||||Mexican|||Modernist|||||Mexico||||||0|Mexico City, Mexico|||9989||||0||||0|Architecture|University|Office building||20||||1952|1952||1952|1952-1952||Ciudad Universitaria|Larger entity||3933||||0||||||||||||||||||||||Universities ; Campuses ; Office buildings ; Murals (any medium) ; |Universities|Campuses|Office buildings|Murals (any medium)||||||Cornell||JNK|MNW|3/31/2006 0:00:00|6/2/2005 0:00:00||Mex||0||||||||||||||||||||||||0||Murals by David Siqueiros: The Right to Learning (north wing); the university crest (east façade); and From the People to the University -- From the University to the People: for a New Humanist National Culture of Universal Profundity (south wing).||||||||||0|0|Rectorate|Pani, Moral & Ortega Flores;Siqueiros, David Alfaro 3938.00|0||||||||Faculty of Medicine|Translated|Image Source (Vendor)|La Facultad de Medicina|Assigned|Print Publication||||Ciudad Universitaria. Faculty of Medicine|344|Álvarez Espinoza, Roberto||architect|Espinoza, Vásquez,Torres & Velázquez|9611|Ramírez Vásquez, Pedro||architect|30667|Torres & Velázquez||architect||Mexican|||Modernist|||||Mexico||||||0|Mexico City, Mexico|||9989||||0||||0|Architecture|University|Office building|School||20|||1950|1952||1950-1952|1950-1952||Ciudad Universitaria|Larger entity||3933||||0||||||||||||||||||||||Universities ; Campuses ; Office buildings ; Schools ; Murals (any medium) ; |Universities|Campuses|Office buildings|Schools|Murals (any medium)|||||Cornell||JNK|MNW|3/31/2006 0:00:00|6/2/2005 0:00:00||Mex||0||||||||||||||||||||||||0||Mosaic mural by Frank Eppens||||||||||0|0|Faculty of Medicine;La Facultad de Medicina|Álvarez Espinoza, Roberto;Ramírez Vásquez, Pedro;Torres & Velázquez 3939.00|0|Architect|03||||||Cottage Studio for Ayn Rand, Hollywood|Assigned|Repository|Cottage Studio for Ayn Rand|Inscribed|Image Source (Pub)||||Cottage Studio for Ayn Rand|12943|Wright, Frank Lloyd||architect|Frank Lloyd Wright|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Architecture|Architectural drawing||||20|||1946|1946||1946|1946-1946|||||0||||0|||||||||||drawing (image-making)|||||||3674|Scottsdale, AZ: Frank Lloyd Wright Foundation|Scottsdale: Frank Lloyd Wright Fdn.||Architectural drawings ; Studios (Work Spaces) ; Houses ; Rand, Ayn ; |Architectural drawings|Studios (Work Spaces)|Houses|Rand, Ayn||||||Cornell||MNW|MNW|5/16/2006 0:00:00|6/2/2005 0:00:00||||0||||||||||||||| ||||||||Work|0|Modern Architecture|Architectural project.||||||||||0|0|Cottage Studio for Ayn Rand, Hollywood;Cottage Studio for Ayn Rand|Wright, Frank Lloyd 3940.00|0|Category|06|J-MP|Scott|1|Blade|J-MP Scott 1 Blade|Blade Runner|Assigned|Print Publication|||||||Blade Runner|10688|Scott, Ridley, Sir||director, film|Sir Ridley Scott|30665|Blade Runner Partnership|||29718|Warner Bros.||||American||||||||United States||||||0||||0||||0||||0|Motion Pictures|Motion picture (visual work)||||20|||1982|1982||1982|1982-1982|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|JNK|6/7/2005 0:00:00|6/2/2005 0:00:00||||0||||||Blade|J-MP||||||1||||||||||Work|0||Produced in the USA by Blade Runner Partnership, Ladd Company, Warner Brothers.||||||||||0|0|Blade Runner|Scott, Ridley, Sir;Blade Runner Partnership;Warner Bros. 3941.00|0|Category|06|J-MP|Scott|1|Blade 4b-6|J-MP Scott 1 Blade 4b-6|Street Set: Corner Bookshop|||||||||Blade Runner. Street Set: Corner Bookshop|7809|Mead, Syd||designer, set|Syd Mead|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Theater Designs|Theater design|Painting|||20|||1980|1980||1980|1980-1980||Blade Runner|LargerEntity||3940||||0|||||Gouache on board|gouache|board||||painting (image-making)|sketching||||||||||Stores ; Commercial buildings ; Streetscapes ; |Stores|Commercial buildings|Streetscapes|||||||Cornell||MNW|MNW|3/31/2006 0:00:00|6/2/2005 0:00:00|Scott|||0||||||Blade|J-MP||||||1||||||||||Work|0||||||||||||0|0|Street Set: Corner Bookshop|Mead, Syd 3942.00|0|Category|06|J-MP|Burton|1 Batman||J-MP Burton 1 Batman |Batman|Assigned|Print Publication|||||||Batman|1842|Burton, Tim||director, film|Tim Burton|29718|Warner Bros.|||0|||||American||||||||United States||||||0||||0||||0||||0|Motion Pictures|Motion picture (visual work)||||20|||1989|1989||1989|1989-1989|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|JNK|6/8/2005 0:00:00|6/2/2005 0:00:00|Burton|||0||||||1 Batman|J-MP||||||||||||||||Work|0||||||||||||0|0|Batman|Burton, Tim;Warner Bros. 3943.00|0||||||||Cosmic Ray Laboratory|Assigned|Print Publication|Cosmic Ray Pavilion|Variant|Image Source (Pub)||||Ciudad Universitaria. Cosmic Ray Laboratory|9790|González Reyna, Jorge||architect|Jorge González Reyna & Felix Candela|1968|Candela, Felix||engineer|0|||||Mexican|||Modernist|||||Mexico||||||0|Mexico City, Mexico|||9989||||0||||0|Architecture|University|Monument|||20|||1952|1952||1952|1952-1952||Ciudad Universitaria|Larger entity||3933||||0||||||||||||||||||||||Universities ; Campuses ; Schools ; Monuments ; |Universities|Campuses|Schools|Monuments||||||Cornell||JNK|MNW|3/31/2006 0:00:00|6/2/2005 0:00:00||Mex||0||||||||||||||||||||||||0||||||||||||0|0|Cosmic Ray Laboratory;Cosmic Ray Pavilion|González Reyna, Jorge;Candela, Felix 3944.00|0||||||||Empire State Building|Assigned|Repository|||||||Empire State Building|3831|Ferriss, Hugh||architect|Hugh Ferriss|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1930|1930|ca|ca 1930|ca 1930-1930|||||0||||0|||||Sepia photoprint on paper|sepia|paper||||photography|||||99.1 x 48.3 cm||3764|New York: Columbia University; Avery Architectural Library|New York: Columbia Univ.; Avery Lib.||Empire State Building (New York, NY) ; |Empire State Building (New York, NY)|||||||||Cornell||MNW|MNW|6/2/2005 0:00:00|6/2/2005 0:00:00|Ferriss|||0||||||||||||||| |||||||||0||||||||||||0|0|Empire State Building|Ferriss, Hugh 3945.00|0||||||||The Brooklyn Bridge and Downtown Manhattan|Assigned|Print Publication|||||||The Brooklyn Bridge and Downtown Manhattan|3765|Feininger, Andreas||photographer|Andreas Feininger|0||||0|||||American||||||||'||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1949|1949||1949|1949-1949|||||0||||0|||||Black and white photograph||||||photography|||||||||||New York, NY ; Brooklyn Bridge (New York, N.Y.) ; Cityscapes ; |New York, NY|Brooklyn Bridge (New York, N.Y.)|Cityscapes|||||||Cornell||MNW|MNW|6/2/2005 0:00:00|6/2/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|The Brooklyn Bridge and Downtown Manhattan|Feininger, Andreas 3946.00|0||||||||Casa y Estudio Diego Rivera y Frida Kahlo|Assigned|Dict.Art|Rivera/Kahlo House|Variant|Image Source (Pub)||||Casa y Estudio Diego Rivera y Frida Kahlo|8639|O'Gorman, Juan||architect|Juan O'Gorman|0||||0|||||Mexican|||Modernist|||||Mexico||||||0|San Angel, Mexico City, Mexico|||10463||||0||||0|Architecture|House|Studio (work space)|||20|||1931|1932||1931-1932|1931-1932|||||0||||0||||||||||||||||||||||Houses ; Studios (Work Spaces) ; |Houses|Studios (Work Spaces)||||||||Cornell||JNK|JNK|6/2/2005 0:00:00|6/2/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Casa y Estudio Diego Rivera y Frida Kahlo;Rivera/Kahlo House|O'Gorman, Juan 3947.00|0||||||||Central Library|Assigned|Print Publication|Library|Descriptive|Image Source (Pub)||||Ciudad Universitaria. Central Library|8639|O'Gorman, Juan||architect|Juan O'Gorman, G. Saavedra & J Martínez de Velazco|10259|Saavedra, Gustavo||architect|7607|Martínez de Velazco, Juan||architect||Mexican|||Modernist|||||Mexico||||||0|Mexico City, Mexico|||9989||||0||||0|Architecture|University|Library|||20|||1950|1952||1950-1952|1950-1952||Ciudad Universitaria|Larger entity||3933||||0||||||||||||||||||||||Universities ; Libraries (Buildings) ; |Universities|Libraries (Buildings)||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|6/2/2005 0:00:00||Mex||0||||||||||||||||||||||||0||Mosaics on exterior by Juan O'Gorman.||||||||||0|0|Central Library;Library|O'Gorman, Juan;Saavedra, Gustavo;Martínez de Velazco, Juan 3948.00|0||||||||Olympic Stadium|Translated|Image Source (Vendor)|Estadio Olímpico|Assigned|Print Publication|University Stadium|Variant|Online Resource|Ciudad Universitaria. Estadio Olímpico (Olympic Stadium)|9081|Pérez Palacios, Augusto||architect|Pérez Palacios, Bravo & Salinas|1535|Bravo Jiménez, Jorge||architect|10301|Salinas Moro, Raúl||architect||Mexican|||Modernist|||||Mexico||||||0|Mexico City, Mexico|||9989||||0||||0|Architecture|University|Stadium|||20|||1950|1952||1950-1952|1950-1952||Ciudad Universitaria|Larger entity||3933||||0||||||||||||||||||||||Universities ; Stadiums ; |Universities|Stadiums||||||||Cornell||JNK|MNW|6/30/2005 0:00:00|6/2/2005 0:00:00||Mex||0||||||||||||||||||||||||0||Relief at entrance by Diego Rivera.||||||||||0|0|Olympic Stadium;Estadio Olímpico;University Stadium|Pérez Palacios, Augusto;Bravo Jiménez, Jorge;Salinas Moro, Raúl 3949.00|0|Category|06|J-MP|Protazanov|1|Aelita|J-MP Protazanov 1 Aelita|Aelita|Assigned|Print Publication|Aelita: Queen of Mars|Variant|Image Source (Pub)|Aelita: the Revolt of the Robots|Variant|Image Source (Pub)|Aelita|9507|Protazanov, Iakov||director, film|Iakov Protazanov|30669|Mezhrabpom|||0|||||Russian||||||||Russia||||||0||||0||||0||||0|Motion Pictures|Motion picture (visual work)||||20|||1924|1924||1924-1924|1924-1924|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|JNK|6/7/2005 0:00:00|6/2/2005 0:00:00||||0||||||Aelita|J-MP||||||1||||||||||Work|0||||||||||||0|0|Aelita;Aelita: Queen of Mars;Aelita: the Revolt of the Robots|Protazanov, Iakov;Mezhrabpom 3950.00|0|Architect|03|MA-Pia+Rog|2.23| 1974-1977 Beau||MA-Pia+Rog 2.23 1974-1977 Beau |Centre National d'Art et de Culture Georges Pompidou|Assigned|Dict.Art|Beaubourg Centre|Variant|Dict.Art||||Centre Georges Pompidou|28819|Piano & Rogers||architectural firm|Piano & Rogers|0||||0|||||French|||High-Tech|||||France||||||0|Les Halles, Paris, France|||10464||||0||||0|Architecture|Museum|Cultural center|||20|||1971|1977||1971-1977|1971-1977|||||0||||0||||||||||||||||||||||Museums ; Cultural centers ; Musée National d'Art Moderne (Paris, France) ; |Museums|Cultural centers|Musée National d'Art Moderne (Paris, France)|||||||Cornell||JNK|GB|10/6/2006 0:00:00|6/3/2005 0:00:00|Pia+Rog|||0||||||1974-1977 Beau|MA||||||2.23||||||||||Building|0|Modern Architecture|||||||||||0|0|Centre National d'Art et de Culture Georges Pompidou;Beaubourg Centre|Piano & Rogers 3951.00|0||||||||Lloyd's Building|Assigned|Image Source (Pub)|||||||Lloyd's Building|9998|Rogers, Richard||architect|Richard Rogers|0||||0|||||British|English||High-Tech|||||United Kingdom|England|||||0|London, England|||10018||||0||||0|Architecture|Office building||||20|||1978|1986||1978-1986|1978-1986|||||0||||0||||||||||||||||||||||Office buildings ; |Office buildings|||||||||Cornell||JNK|JNK|6/3/2005 0:00:00|6/3/2005 0:00:00||Lon||0||||||||||||||||||||||||0||||||||||||0|0|Lloyd's Building|Rogers, Richard 3952.00|0||||||||Carré d'Art|Assigned|Image Source (Pub)|||||||Carré d'Art|4033|Foster, Norman Robert, Sir||architect|Norman Foster|0||||0||||||||High-Tech|||||||||||0|Nîmes, France|||10115||||0||||0|Architecture|Museum|Cultural center|||20|||1985|1993||1985-1993|1985-1993|||||0||||0||||||||||||||||||||||Museums ; Cultural centers ; |Museums|Cultural centers||||||||Cornell||JNK|JNK|6/3/2005 0:00:00|6/3/2005 0:00:00||Nîm||0||||||||||||||||||||||||0||||||||||||0|0|Carré d'Art|Foster, Norman Robert, Sir 3953.00|0||||||||Seibu Department Store|Assigned|Image Source (Pub)|||||||Seibu Department Store||||||0||||0|||||Japanese|||Minimal|||||Japan||||||0|Tokyo, Japan|||10141||||0||||0|Architecture|Department store||||20||||||||||||0||||0||||||||||||||||||||||Department stores ; |Department stores|||||||||Cornell||JNK|JNK|6/3/2005 0:00:00|6/3/2005 0:00:00||Tok||0||||||||||||||||||||||||0||||||||||||0|0|Seibu Department Store| 3954.00|0||||||||A Group of Igloos Being Built on Igloolik, Nunavut, Canada|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||Inuit||||||||Canada|||Igloolik, Canada|||10465||||||||0||||0|Architecture|House|Documentary photograph|||20|21||1990|2003|ca|ca 1990-2003|ca 1990-2003|||||0||||0|||||Snow|snow||||||||||||||||Igloos ; Houses ; Construction ; |Igloos|Houses|Construction|||||||Cornell||MNW|MNW|6/3/2005 0:00:00|6/3/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|A Group of Igloos Being Built on Igloolik, Nunavut, Canada| 3955.00|0||||||||Issey Miyake Men|Assigned|Image Source (Pub)|||||||Seibu Department Store. Issey Miyake Men|30048|Kuramata, Shiro||interior designer|Shiro Kuramata|0||||0|||||Japanese|||Minimal|||||Japan||||||0|Tokyo, Japan|||10141||||0||||0|Architecture|Store||||20|||1988|1988||1988|1988-1988||Seibu Department Store|Larger entity||3953||||0||||||||||||||||||||||Stores ; Clothing stores ; Boutiques ; |Stores|Clothing stores|Boutiques|||||||Cornell||JNK|MNW|11/2/2005 0:00:00|6/3/2005 0:00:00||Tok||0||||||||||||||||||||||||0||||||||||||0|0|Issey Miyake Men|Kuramata, Shiro 3956.00|0||||||||Hand-hewn Dwelling in a Tufa Rock Pinnacle|Descriptive|Image Source (Pub)|||||||Hand-hewn Dwelling in a Tufa Rock Pinnacle|0|||||0||||0|||||Turkish||||||||Turkey||||||0|Cappadocia, Turkey|||10466||||0||||0|Architecture|House|Documentary photograph|||20|||1900|1999|ca|20th century|ca 1900-1999|||||0||||0|||||Hand-hewn Tufa Rock|Tufa|rocks||||carving|||||||||||Houses ; |Houses|||||||||Cornell||MNW|MNW|6/3/2005 0:00:00|6/3/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Hand-hewn Dwelling in a Tufa Rock Pinnacle| 3957.00|0||||||||Tufa Pinnacles in a Valley|Descriptive|Image Source (Pub)|||||||Tufa Pinnacles in a Valley|0|||||0||||0|||||Turkish||||||||Turkey||||||0|Cappadocia, Turkey|||10466||||0||||0|Architecture|House|Cityscape|||20|||1900|1999|ca|20th century|ca 1900-1999|||||0||||0|||||Hand-hewn Tufa Rock|Tufa|rocks||||carving|||||||||||Houses ; Cityscapes ; |Houses|Cityscapes||||||||Cornell||MNW|MNW|6/3/2005 0:00:00|6/3/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Tufa Pinnacles in a Valley| 3958.00|0||||||||Ma'dan 'mudhif'|Descriptive|Image Source (Pub)|||||||Ma'dan 'mudhif'|0|||||0||||0|||||Iraqi||||||||Iraq|||||||Iraq|||10467||||0||||0|Architecture|House||||20|||1900|1999|ca|20th century|ca 1900-1999|||||0||||0|||||Bundled reeds|reed||||||||||||||||Houses ; Guest rooms ; |Houses|Guest rooms||||||||Cornell||MNW|MNW|6/3/2005 0:00:00|6/3/2005 0:00:00||||0||||||||||||||||||||||||0||Located in southern Iraq.||||||||||0|0|Ma'dan 'mudhif'| 3959.00|0||||||||Adobe House|Descriptive|Cataloger|||||||Adobe House|0|||||0||||0|||||American||||||Asia||United Arab Emirates||||||0|Santa Fe, NM|||10124||||0||||0|Architecture|House||||C|||1975|1999|ca|Last quarter of 20th C|ca 1975-1999|||||0||||0|||||Adobe construction with mud plaster|adobe|mud|||||||||||||||Houses ; |Houses|||||||||Cornell||MNW|MNW|6/3/2005 0:00:00|6/3/2005 0:00:00||SFe||0||||||||||||||||||||||||0||||||||||||0|0|Adobe House| 3960.00|0||||||||Typical Austrian Blockbau House|Descriptive|Cataloger|||||||Typical Austrian Blockbau House|0|||||0||||0|||||Austrian||||||||Austria||||||0|Austria|||10469||||0||||0|Architecture|House||||20|||1900|1999|ca|20th century|ca 1900-1999|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||MNW|MNW|6/3/2005 0:00:00|6/3/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Typical Austrian Blockbau House| 3961.00|0||||||||Matmata Hausch|Descriptive|Cataloger|||||||Matmata Hausch|0|||||0||||0|||||African|Berber|||||Africa||Tunisia||||||0|Matmata, Tunisia|||10468||||0||||0|Architecture|House||||20|||1900|1999|ca|20th century|ca 1900-1999|||||0||||0||||||||||||||||||||||Houses ; Caves ; |Houses|Caves||||||||Cornell||MNW|MNW|6/3/2005 0:00:00|6/3/2005 0:00:00||||0||||||||||||||||||||||||0||A haush is a subterranean shaft dwelling used by the Matmata Berber.||||||||||0|0|Matmata Hausch| 3962.00|0||||||||Galician Center for Contemporary Art|Translated|Cataloger|Centro Galego de Arte Contemporaneo|Assigned|Image Source (Pub)||||Galician Center for Contemporary Art|10969|Siza Vieira, Álvaro||architect|Álvaro Siza Vieira|0||||0|||||Spanish||||||||Spain||||||0|Santiago de Compostela, Spain|||10470||||0||||0|Architecture|Museum||||20|||1988|1994||1988-1994|1988-1994|||||0||||0||||||||||||||||||||||Museums ; Galleries (display spaces) ; |Museums|Galleries (display spaces)||||||||Cornell||JNK|MNW|11/2/2005 0:00:00|6/3/2005 0:00:00||San||0||||||||||||||||||||||||0||||||||||||0|0|Galician Center for Contemporary Art;Centro Galego de Arte Contemporaneo|Siza Vieira, Álvaro 3963.00|0||||||||Poundbury Development|Assigned|Print Publication|||||||Poundbury Development|6542|Krier, Léon||architect|Léon Krier|0||||0|||||English||||||||England||||||0|Dorchester, England|||10471||||0||||0|Architecture|City|Municipal plan|||20|||1988|1991||1988-1991|1988-1991|||||0||||0||||||||||||||||||||||Urban planning ; Townscapes (built environment) ; Mixed-use developments ; |Urban planning|Townscapes (built environment)|Mixed-use developments|||||||Cornell||JNK|JNK|6/3/2005 0:00:00|6/3/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Poundbury Development|Krier, Léon 3964.00|0||||||||Ruined Woodward East Mansion|Descriptive|Cataloger|||||||Ruined Woodward East Mansion|0|||||0||||0|||||American||||||||United States||||||0|Detroit, MI|||10354||||0||||0|Architecture|House||||19|||1850|1899|ca|2nd half of 19th century|ca 1850-1899|||||0||||0||||||||||||||||||||||Houses ; Ruins ; Urban blight ; |Houses|Ruins|Urban blight|||||||Cornell||MNW|MNW|6/3/2005 0:00:00|6/3/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Ruined Woodward East Mansion| 3965.00|0||||||||Renaissance Center|Artists|Print Publication|||||||Renaissance Center|9404|Portman, John Calvin, Jr.||architect|John Portman|0||||0|||||American||||||||United States||||||0|Detroit, MI|||10354||||0||||0|Architecture|Commercial building|Hotel (public accommodation)|Skyscraper||20|||1974|1977||1974-1977|1974-1977|||||0||||0||||||||||||||||||||||Commercial buildings ; Skyscrapers ; Hotels (public accommodations) ; Office buildings ; Stores ; |Commercial buildings|Skyscrapers|Hotels (public accommodations)|Office buildings|Stores|||||Cornell||MNW|JNK|6/9/2005 0:00:00|6/3/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Renaissance Center|Portman, John Calvin, Jr. 3966.00|0||||||||Seattle Art Museum|Assigned|Image Source (Pub)|||||||Seattle Art Museum|30049|Venturi Scott Brown and Associates||architectural firm|Venturi Scott Brown and Associates|0||||0|||||American|||Postmodern|||||United States||||||0|Seattle, WA|||10256||||0||||0|Architecture|Museum||||20|||1984|1991||1984-1991|1984-1991|||||||||0||||||||||||||||||||||Museums ; |Museums|||||||||Cornell||JNK|JNK|6/3/2005 0:00:00|6/3/2005 0:00:00||Sea||0||||||||||||||||||||||||0||||||||||||0|0|Seattle Art Museum|Venturi Scott Brown and Associates 3967.00|0||||||||Wexner Center for the Visual Arts|Assigned|Image Source (Pub)|||||||Wexner Center for the Visual Arts|3514|Eisenman, Peter D.||architect|Peter D. Eisenman|0||||0|||||American|||Deconstructivist|||||United States||||||0|Columbus, OH|||10472||||0||||0|Architecture|Museum||||20|||1989|1989||1989|1989-1989||Ohio State University|Part of||3968||||0||||||||||||||||||||||Museums ; |Museums|||||||||Cornell||JNK|JNK|6/3/2005 0:00:00|6/3/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Wexner Center for the Visual Arts|Eisenman, Peter D. 3968.00|0||||||||Ohio State University|Assigned|Print Publication|||||||Ohio State University|0|||||0||||0|||||American||||||||United States||||||0|Columbus, OH|||10472||||0||||0|Architecture|University||||19|20|21|1870|||1870-|1870-|||||0||||0||||||||||||||||||||||Universities ; Campuses ; Schools ; |Universities|Campuses|Schools|||||||Cornell||JNK|JNK|6/3/2005 0:00:00|6/3/2005 0:00:00||||0||||||||||||||||||||||||0||Originally called Ohio Agricultural and Mechanical College, name changed to Ohio State University in 1878.||||||||||0|0|Ohio State University| 3969.00|0||||||||The Peak|Assigned|Image Source (Pub)|||||||The Peak|4991|Hadid, Zaha M.||architect|Zaha Hadid|0||||0|||||||||||||||||||0|Hong Kong, China|||10404||||0||||0|Architecture|Competition entry||||20|||1982|1982||1982-1982|1982-1982|||||0||||0||||||||||||||||||||||Competitions ; Recreation centers ; |Competitions|Recreation centers||||||||Cornell||JNK|MNW|11/2/2005 0:00:00|6/3/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|The Peak|Hadid, Zaha M. 3970.00|0||||||||Vitra Fire Station|Assigned|Image Source (Pub)|||||||Vitra Fire Station|4991|Hadid, Zaha M.||architect|Zaha Hadid|0||||0|||||||||||||||||||0|Weil am Rhein, Germany|||10190||||0||||0|Architecture|Fire station||||20|||1990|1993||1990-1993|1990-1993|||||0||||0||||||||||||||||||||||Fire stations ; Municipal buildings ; Public buildings ; |Fire stations|Municipal buildings|Public buildings|||||||Cornell||JNK|JNK|6/3/2005 0:00:00|6/3/2005 0:00:00||Weil||0||||||||||||||||||||||||0||||||||||||0|0|Vitra Fire Station|Hadid, Zaha M. 3971.00|0||||||||Downtown Detroit, 1991|Descriptive|Image Source (Pub)|||||||Downtown Detroit, 1991|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph|||||||1991|1991||1991|1991-1991|||||0||||0|||||Color photograph||||||photography|color photography||||||||||Urban blight ; Detroit (Mich.) ; Cityscapes ; |Urban blight|Detroit (Mich.)|Cityscapes|||||||Cornell||MNW|MNW|6/3/2005 0:00:00|6/3/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Downtown Detroit, 1991| 3972.00|0|Creator|15|35|O415-PA|1929|8|35 O415-PA 1929 8|Lake George Window|Assigned|Repository|||||||Lake George Window|8643|O'Keeffe, Georgia||painter|Georgia O'Keeffe|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1929|1929||1929|1929-1929|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||101.6 x 76.2 cm||3384|New York: Museum of Modern Art|New York: MoMA||Windows ; Lake George, NY ; |Windows|Lake George, NY||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|6/3/2005 0:00:00|O415|||0|||||||35|PA||||||1929| ||||||||Work|0|Painting|||||||||||0|0|Lake George Window|O'Keeffe, Georgia 3973.00|0||||||||De Montfort University|Assigned|Image Source (Pub)|||||||De Montfort University|0|||||0||||0|||||English||||||||England||||||0|Leicester, England|||10473||||0||||0|Architecture|University||||20|||1992|||1992-|1992-|||||0||||0||||||||||||||||||||||Universities ; Campuses ; Schools ; |Universities|Campuses|Schools|||||||Cornell||JNK|JNK|6/3/2005 0:00:00|6/3/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|De Montfort University| 3974.00|0||||||||Queen's Building|Assigned|Image Source (Pub)|School of Engineering and Manufacture|Variant|Online Resource||||De Montfort University. Queen's Building (School of Engineering and Manufacture)|30673|Short, Ford & Associates||architectural firm|Short, Ford & Associates|0||||0|||||English|British|||||||England|United Kingdom|||||0|Leicester, England|||10473||||0||||0|Architecture|University|School|||20|||1991|1993||1991-1993|1991-1993||De Montfort University|Larger entity||3973||||0||||||||||||||||||||||Universities ; Schools ; Campuses ; |Universities|Schools|Campuses|||||||Cornell||JNK|MNW|11/2/2005 0:00:00|6/3/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Queen's Building;School of Engineering and Manufacture|Short, Ford & Associates 3975.00|0||||||||Raw Stuff|Artists|Image Source (Pub)|||||||Raw Stuff|30675|Bennett, Bill||builder|Bill Bennett|0||||0|||||American||||||||United States|||Pennslyvania|||10474||||0||||0||||0|Architecture|House||||20|||1972|1972||1972|1972-1972|||||0||||0|||||Ferro-cement dome and automobile doors|cement||||||||||||||||Houses ; Domes ; |Houses|Domes||||||||Cornell||MNW|JNK|6/9/2005 0:00:00|6/3/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Raw Stuff|Bennett, Bill 3976.00|0|Creator|15||||||Niche Containing Donatello's Statue of St. Mark, Or San Michele, Florence, Italy|Descriptive|Cataloger|Niche de Donatello en Or San Michele|Inscribed|Image Source (Pub)||||Niche Containing Donatello's Statue of St. Mark, Or San Michele, Florence, Italy|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||||||||||||||||0||||0||||0||||0|Paintings|Watercolor||||20|||1907|1907||1907|1907-1907|||||0||||0|||||Watercolor|watercolors|paper||||painting (image-making)|||||31 x 15.5 cm||3781|Paris: Fondation Le Corbusier|Paris: Fondation Le Corbusier||Or San Michele (Florence, Italy) ; |Or San Michele (Florence, Italy)|||||||||Cornell||MNW|MNW|6/3/2005 0:00:00|6/3/2005 0:00:00||||0||2162||||||||||||| ||||||||Work|0||This watercolor is a study of the inlaid marble niche, not Donatello's sculpture. Brooks, Le Corbusier.|||October 9, 1907.|||||||0|0|Niche Containing Donatello's Statue of St. Mark, Or San Michele, Florence, Italy;Niche de Donatello en Or San Michele|Le Corbusier 3977.00|0||||||||Villa Jaquement|Assigned|Image Source (Pub)|||||||Villa Jaquement|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||Swiss||||||||Switzerland||||||0|La Chaux-de-Fonds, Switzerland|||10475||||0||||0|Architecture|House||||20|||1908|1908||1908|1908-1908|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||MNW|MNW|6/3/2005 0:00:00|6/3/2005 0:00:00|L467|||0||||||||||||||||||||||||0||||||||||||0|0|Villa Jaquement|Le Corbusier 3978.00|0||||||||Octave Matthey, Edouard Jeanneret, and Louis Houriet Executing the Sgraffito Decoration on the Villa Fallet|||||||||Octave Matthey, Edouard Jeanneret, and Louis Houriet Executing the Sgraffito Decoration on the Villa Fallet|30676|Evard, André Jean||photographer|André Jean Evard|0||||0|||||Swiss||||||||Switzerland||||||0||||0||||0||||0|Photographs|Documentary photograph|Portrait|||20|||1907|1907||1907|1907-1907|||||0||||0|||||Photography||||||photography|||||||9479|La Chaux-de-Fonds: Bibliothèque de la ville de La Chaux-de-Fonds|La Chaux-de-Fonds: Bib. de la Ville||Portraits ; Le Corbusier, 1887-1965 ; Villa Fallet (La Chaux-de-Fonds, Switzerland) ; |Portraits|Le Corbusier, 1887-1965|Villa Fallet (La Chaux-de-Fonds, Switzerland)|||||||Cornell||MNW|JNK|6/9/2005 0:00:00|6/3/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Octave Matthey, Edouard Jeanneret, and Louis Houriet Executing the Sgraffito Decoration on the Villa Fallet|Evard, André Jean 3979.00|0||||||||Palazzo Vecchio, Florence|Descriptive|Image Source (Pub)|||||||Palazzo Vecchio, Florence|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||||||||||||||||0||||0||||0||||0|Drawings|Drawing||||20|||1907|1907||1907|1907-1907|||||0||||0|||||Pencil and ink on fibrous paper|pencil|paper|ink|||drawing (image-making)|||||36 x 25 cm||3781|Paris: Fondation Le Corbusier|Paris: Fondation Le Corbusier||Palazzo vecchio (Florence, Italy) ; |Palazzo vecchio (Florence, Italy)|||||||||Cornell||MNW|MNW|6/3/2005 0:00:00|6/3/2005 0:00:00|L467|||0||2173||||||||||||| |||||||||0||||||||||||0|0|Palazzo Vecchio, Florence|Le Corbusier 4025.00|0||||||||Christ Carrying the Cross|Assigned|Image Source (Pub)|||||||Large Passion. Christ Carrying the Cross|3427|Dürer, Albrecht||woodcutters|Albrecht Dürer|0||||0|||||German|||Renaissance|||||Germany||||||0||||0||||0||||0|Prints|Woodcut||||15|||1498|1499||1498-1499|1498-1499||Large Passion|Larger entity||4023||||0|Hollstein, F. W. H. The New Hollstein Dutch & Flemish Etchings, Engravings, and Woodcuts, 1450-1700.||||Woodcut|ink|paper||||woodcut (process)|||||38.4 x 28.3 cm||3842|Baltimore: Baltimore Museum of Art|Baltimore: Mus. Art||Christ ; Crosses ; Passion of Christ ; Christ bearing the cross ; |Christ|Crosses|Passion of Christ|Christ bearing the cross||||||Cornell||JNK|MNW|3/31/2006 0:00:00|6/8/2005 0:00:00||||0||||||||||||||| |||||||||0||Hollstein, 119.||||||||||0|0|Christ Carrying the Cross|Dürer, Albrecht 4026.00|0||||||||Christ Carrying the Cross|Assigned|Image Source (Pub)|||||||Large Passion. Christ Carrying the Cross|3427|Dürer, Albrecht||painter|Albrecht Dürer, Unknown colorist|0||||0|||||German|||Renaissance|||||Germany||||||0||||0||||0||||0|Prints|Woodcut|Print|||15|||1498|1499||1498-1499|1498-1499||Large Passion|Larger entity||4023||||0|Hollstein, F. W. H. The New Hollstein Dutch & Flemish Etchings, Engravings, and Woodcuts, 1450-1700.||||Woodcut with transparent washes and body colors, highlighted with gold and silver|ink|wash|gold|||woodcut (process)|||||38.4 x 28.3 cm||428|Boston: Museum of Fine Arts|Boston: MFA||Christ ; Crosses ; Passion of Christ ; Christ bearing the cross ; |Christ|Crosses|Passion of Christ|Christ bearing the cross||||||Cornell||JNK|MNW|7/25/2005 0:00:00|6/8/2005 0:00:00||||0||1968.275||||||||||||| |||||||||0||Colorist unknown. From the Latin Edition of the Large Passion, 1511. Hollstein, 119.||||||||||0|0|Christ Carrying the Cross|Dürer, Albrecht 4027.00|0||||||||Voyage d'Orient: Carnets|Inscribed|Repository|Voyage d'Orient Sketchbooks|Translated|Image Source (Pub)||||Voyage d'Orient: Carnets|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||Swiss|||Modernist|||||Switzerland||||||0||||0||||0||||0|Architectural Theory|Book|Drawing|||20|||1911|1911||1911|1911-1911|||||0||||0|||||Sketchbooks||||||sketching|drawing (image-making)||||17 x 9.5 cm each||3781|Paris: Fondation Le Corbusier|Paris: Fondation Le Corbusier||Books ; Turkey (nation) ; Architectural drawings ; Greece (nation) ; Middle East ; Italy ; Pompeii (extinct city) ; Rome, Italy ; |Books|Turkey (nation)|Architectural drawings|Greece (nation)|Middle East|Italy|Pompeii (extinct city)|Rome, Italy||Cornell||JNK|JNK|6/9/2005 0:00:00|6/9/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Voyage d'Orient: Carnets;Voyage d'Orient Sketchbooks|Le Corbusier 4028.00|0||||||||Carnet 4|Assigned|Repository|||||||Voyage d'Orient: Carnets. Carnet 4|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||Swiss|||Modernist|||||Switzerland||||||0||||0||||0||||0|Architectural Theory|Drawing|Architectural drawing|||20|||1911|1911||1911 October|1911-1911||Voyage d'Orient: Carnets|Larger entity||4027||||0|||||Sketchbook/Notebook||||||drawing (image-making)|sketching||||17 x 9.5 cm||3781|Paris: Fondation Le Corbusier|Paris: Fondation Le Corbusier||Italy ; Pompeii (extinct city) ; Architectural drawings ; |Italy|Pompeii (extinct city)|Architectural drawings|||||||Cornell||JNK|MNW|3/31/2006 0:00:00|6/9/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Carnet 4|Le Corbusier 4029.00|0||||||||Carnet 5|Assigned|Repository|||||||Voyage d'Orient: Carnets. Carnet 5|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||Swiss|||Modernist|||||Switzerland||||||0||||0||||0||||0|Architectural Theory|Drawing|Architectural drawing|||20|||1911|1911||1911 October|1911-1911||Voyage d'Orient: Carnets|Larger entity||4027||||0|||||Sketchbook|pencil|||||drawing (image-making)|sketching||||17 x 9.5 cm||3781|Paris: Fondation Le Corbusier|Paris: Fondation Le Corbusier||Italy ; Rome, Italy ; Hadrian's Villa (Tivoli, Italy) ; Architectural drawings ; |Italy|Rome, Italy|Hadrian's Villa (Tivoli, Italy)|Architectural drawings||||||Cornell||JNK|MNW|3/31/2006 0:00:00|6/9/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Carnet 5|Le Corbusier 4030.00|0||||||||Piazza della Signoria|Assigned|Dict.Art|||||||Piazza della Signoria|0|||||0||||0|||||Italian|||Gothic (Medieval)|||||Italy||||||0|Florence, Italy|||9985||||0||||0|Architecture|Piazza|Square (open space)|||13|14||1299|1389|bef|bef 1299- late 1380s|bef 1299-1389|||||0||||0||||||||||||||||||||||Piazzas ; |Piazzas|||||||||Cornell||MNW|MNW|6/9/2005 0:00:00|6/9/2005 0:00:00||Flo||0||||||||||||||||||||||||0||||||||||||0|0|Piazza della Signoria| 4031.00|0||||||||Carnet 6|Assigned|Repository|||||||Voyage d'Orient: Carnets. Carnet 6|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||Swiss|||Modernist|||||Switzerland||||||0||||0||||0||||0|Architectural Theory|Drawing|Architectural drawing|||20|||1911|1911||1911 October|1911-1911||Voyage d'Orient: Carnets|Larger entity||4027||||0|||||Sketchbook|pencil|||||drawing (image-making)|sketching||||17 x 9.5 cm||3781|Paris: Fondation Le Corbusier|Paris: Fondation Le Corbusier||Italy ; Florence, Italy ; Architectural drawings ; |Italy|Florence, Italy|Architectural drawings|||||||Cornell||JNK|MNW|3/31/2006 0:00:00|6/9/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Carnet 6|Le Corbusier 4032.00|0||||||||Stages of Development of Trecento Perspective: A=Frontal; B=Foreshortened Frontal; C=Oblique|Descriptive|Image Source (Pub)|||||||Stages of Development of Trecento Perspective|30686|Trachtenberg, Marvin||scholar|Marvin Trachtenberg after John White|30687|White, John|after||0|||||||||||||||||||0||||0||||0||||0|Drawings|Diagram||||20|||1987|1997|ca|ca 1987-1997|ca 1987-1997|||||0||||0|||||||||||drawing (image-making)|||||||||||Perspective ; Diagrams ; |Perspective|Diagrams||||||||Cornell||MNW|MNW|6/9/2005 0:00:00|6/9/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Stages of Development of Trecento Perspective: A=Frontal; B=Foreshortened Frontal; C=Oblique|Trachtenberg, Marvin;White, John 3980.00|0||||||||Santa Croce, Florence, Interior|Descriptive|Image Source (Pub)|||||||Santa Croce, Florence, Interior|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||||||||||||||||0||||0||||0||||0|Drawings|Drawing|Watercolor|||20|||1907|1907|ca|ca 1907|ca 1907-1907|||||0||||0|||||Pencil and watercolor on ivory paper|pencil|watercolors|paper|||drawing (image-making)|||||24.5 x 32.3 cm||3781|Paris: Fondation Le Corbusier|Paris: Fondation Le Corbusier||Santa Croce (Church : Florence, Italy) ; |Santa Croce (Church : Florence, Italy)|||||||||Cornell||MNW|JNK|6/9/2005 0:00:00|6/3/2005 0:00:00|L467|||0||2175||||||||||||| |||||||||0||||||||||||0|0|Santa Croce, Florence, Interior|Le Corbusier 3981.00|0||||||||Plan and Cross Section of "Cellule d'un père à la Chartreuse d'Ema"|Collective Title|Image Source (Pub)|Cellule d'un père à la Chartreuse d'Ema|Inscribed|Image Source (Pub)||||Plan and Cross Section of "Cellule d'un père à la Chartreuse d'Ema"|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||||||||||||||||0||||0||||0||||0|Drawings|Drawing||||20|||1907|1907||1907|1907-1907|||||0||||0|||||||||||drawing (image-making)|||||||||||Certosa del Galluzzo (Florence, Italy) ; |Certosa del Galluzzo (Florence, Italy)|||||||||Cornell||MNW|MNW|6/6/2005 0:00:00|6/3/2005 0:00:00|L467|||0||||||||||||||||||||||||0||Lost original is reproduced from Jean Petit, Le Corbusier lui-même, p. 43. Brooks, Le Corbusier.||||||||||0|0|Plan and Cross Section of "Cellule d'un père à la Chartreuse d'Ema";Cellule d'un père à la Chartreuse d'Ema|Le Corbusier 3982.00|0||||||||Baptistry, Siena, 1382|Descriptive|Image Source (Pub)|||||||Baptistry, Siena, 1382|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||||||||||||||||0||||0||||0||||0|Drawings|Drawing|Watercolor|||20|||1907|1907|ca|ca 1907|ca 1907-1907|||||0||||0|||||Pencil, ink, and watercolor on paper|pencil|ink|watercolors|||drawing (image-making)|||||24.6 x 32.4 cm||3781|Paris: Fondation Le Corbusier|Paris: Fondation Le Corbusier||Battistero di San Giovanni (Siena, Italy) ; |Battistero di San Giovanni (Siena, Italy)|||||||||Cornell||MNW|MNW|6/3/2005 0:00:00|6/3/2005 0:00:00|L467|||0||1791||||||||||||| |||||||||0||||||||||||0|0|Baptistry, Siena, 1382|Le Corbusier 3983.00|0||||||||Doges' Palace, Venice|Collective Title|Image Source (Pub)|||||||Doges' Palace, Venice|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||||||||||||||||0||||0||||0||||0|Drawings|Drawing||||20|||1907|1907|ca|ca 1907|ca 1907-1907|||||0||||0|||||Pencil and ink on paper|pencil|ink|paper|||drawing (image-making)|||||24.5 x 32 cm||3781|Paris: Fondation Le Corbusier|Paris: Fondation Le Corbusier||Palazzo ducale (Venice, Italy) ; |Palazzo ducale (Venice, Italy)|||||||||Cornell||MNW|JNK|6/9/2005 0:00:00|6/3/2005 0:00:00|L467|||0||2176||||||||||||| |||||||||0||Detail of gallery in the manner of John Ruskin, "The Stones of Venice." Brooks, Le Corbusier.||||||||||0|0|Doges' Palace, Venice|Le Corbusier 3984.00|0||||||||Tennessee Aquatorium Project|Assigned|Image Source (Pub)|||||||Tennessee Aquatorium Project|29038|SITE||architectural firm|SITE|0||||0|||||American||||||||United States||||||0|Chattanooga, TN|||10476||||0||||0|Architecture|Model (representation)||||20|||1993|1993||1993|1993-1993|||||0||||0||||||||||||||||||||||Aquariums ; Exhibition buildings ; |Aquariums|Exhibition buildings||||||||Cornell||JNK|MNW|11/2/2005 0:00:00|6/6/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Tennessee Aquatorium Project|SITE 3985.00|0||||||||MBF Tower|Assigned|Image Source (Pub)|||||||MBF Tower|30677|Yeang, Ken||architect|Ken Yeang|0||||0|||||Malaysian||||||||Malaysia||||||0|George Town, Malaysia|||10477||||0||||0|Architecture|Office building||||20|||1990|1993||1990-1993|1990-1993|||||0||||0||||||||||||||||||||||Office buildings ; |Office buildings|||||||||Cornell||JNK|JNK|6/6/2005 0:00:00|6/6/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|MBF Tower|Yeang, Ken 3986.00|0||||||||124, rue Réaumur|Descriptive|Print Publication|||||||124, rue Réaumur|30244|Chedanne, Georges Paul|attributed to|architect|Georges Paul Chedanne|0||||0|||||French||||||||France||||||0|124 rue Réamur, Paris, France|||10478||||0||||0|Architecture|Industrial building||||20|||1903|1905|||1903-1905|||||0||||0|||||Metal building with brick upper floor|metal|bricks|||||||||||||||Industrial buildings ; |Industrial buildings|||||||||Cornell||MNW|MNW|6/6/2005 0:00:00|6/6/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|124, rue Réaumur|Chedanne, Georges Paul 3987.00|0||||||||Barcelona Museum of Contemporary Art|Assigned|Online Resource|Museu d'Art Contemporani de Barcelona|Original|Online Resource||||Barcelona Museum of Contemporary Art|7835|Meier, Richard Alan||architect|Richard Meier|0||||0|||||||||||||||||||0|Barcelona, Spain|||10019||||0||||0|Architecture|Museum||||20|||1990|1996||1990-1996|1990-1996|||||0||||0||||||||||||||||||||||Museums ; |Museums|||||||||Cornell||JNK|JNK|6/6/2005 0:00:00|6/6/2005 0:00:00||Bar||0||||||||||||||||||||||||0||||||||||||0|0|Barcelona Museum of Contemporary Art;Museu d'Art Contemporani de Barcelona|Meier, Richard Alan 3988.00|0|Architect|03|MA-GawSie|4.4| 1985-92 Gug||MA-GawSie 4.4 1985-92 Gug |Guggenheim Museum Addition|Assigned|Image Source (Pub)|||||||Guggenheim Museum Addition|28237|Gwathmey Siegel Architects||architectural firm|Gwathmey Siegel Architects|0||||0|||||American||||||||United States||||||0|New York, NY|||10060||||0||||0|Architecture|Museum||||20|||1985|1992||1990-1992|1990-1992|||||0||||0||||||||||||||||||||||Museums ; |Museums|||||||||Cornell||JNK|GB|10/9/2006 0:00:00|6/6/2005 0:00:00|GawSie|NYC||0||||||1985-92 Gug|MA||||||4.4||||||||||Building|0|Modern Architecture|||||||||||0|0|Guggenheim Museum Addition|Gwathmey Siegel Architects 3989.00|0||||||||Rome, Forum with Arch of Septimus Severus as "Composed", P. 179|Descriptive|Image Source (Pub)|||||||Carnet 4, Voyage d'Orient: Carnets. Rome, Forum with Arch of Septimus Severus as "Composed", P. 179|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||Swiss|||Modernist|||||Switzerland||||||0||||0||||0||||0|Drawings|Drawing||||20|||1911|1911||1911, mid-October|1911-1911||Carnet 4, Voyage d'Orient: Carnets|Larger entity||||||0|||||Pencil sketch||||||drawing (image-making)|sketching||||17 x 9.5 cm||||||Arch of Septimus Severus (Rome, Italy) ; Roman Forum (Rome, Italy) ; Rome, Italy ; |Arch of Septimus Severus (Rome, Italy)|Roman Forum (Rome, Italy)|Rome, Italy|||||||Cornell||MNW|MNW|6/15/2005 0:00:00|6/6/2005 0:00:00||||0||||||||||||||||||||||||0||Drawing emphasizes geometric components. Brooks, Le Corbusier.|||Mid-October, 1911|||||||0|0|Rome, Forum with Arch of Septimus Severus as "Composed", P. 179|Le Corbusier 3990.00|0||||||||Swan Hotel|Assigned|Image Source (Pub)|||||||Walt Disney World. Swan Hotel|4751|Graves, Michael||architect|Michael Graves|0||||0|||||American|||Postmodern|||||United States||||||0|Buena Vista, FL|||10479||||0||||0|Architecture|Hotel (public accommodation)||||20|||1987|1987||1987|1987-1987||Walt Disney World|Larger entity||3994||||0||||||||||||||||||||||Hotels (public accommodations) ; Swans ; |Hotels (public accommodations)|Swans||||||||Cornell||JNK|MNW|11/2/2005 0:00:00|6/6/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Swan Hotel|Graves, Michael 3991.00|0||||||||Pompeii, House of the Tragic Poet, Plan, p. 87|Descriptive|Image Source (Pub)|||||||Carnet 4, Voyage d'Orient: Carnets. Pompeii, House of the Tragic Poet, Plan, p. 87|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||Swiss|||Modernist|||||Switzerland||||||0||||0||||0||||0|Drawings|Drawing||||20|||1911|1911||1911|1911-1911||Carnet 4, Voyage d'Orient: Carnets|Larger entity||||||0|||||Pencil and green pencil sketch|pencil|||||drawing (image-making)|sketching||||17 x 9.5 cm||||||House of the Tragic Poet (Pompeii) ; Plans (drawings) ; Pompeii (extinct city) ; |House of the Tragic Poet (Pompeii)|Plans (drawings)|Pompeii (extinct city)|||||||Cornell||MNW|MNW|6/9/2005 0:00:00|6/6/2005 0:00:00||||0||||||||||||||||||||||||0||Carnet 4, p. 87, October 1911.|||October, 1911|||||||0|0|Pompeii, House of the Tragic Poet, Plan, p. 87|Le Corbusier 3992.00|0||||||||Tivoli, Hadrian's Villa, Apse End of the Canopus,pp. 68-69|Descriptive|Image Source (Pub)|||||||Carnet 5, Voyage d'Orient: Carnets. Tivoli, Hadrian's Villa, Apse End of the Canopus,pp. 68-69|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||Swiss|||Modernist|||||Switzerland||||||0||||0||||0||||0|Drawings|Drawing||||20|||1911|1911||1911|1911-1911||Carnet 5, Voyage d'Orient: Carnets|Larger entity||||||0|||||Pencil sketch on graph paper|pencil|paper||||drawing (image-making)|sketching||||17 x 9.5 cm||||||Hadrian's Villa (Tivoli, Italy) ; Canopus (Hadrian's Villa, Tivoli, Italy) ; |Hadrian's Villa (Tivoli, Italy)|Canopus (Hadrian's Villa, Tivoli, Italy)||||||||Cornell||MNW|MNW|6/9/2005 0:00:00|6/6/2005 0:00:00||||0||||||||||||||||||||||||0||Le Corbusier later redrew these sketches and published them as the idea-source fo the chapel towers at Ronchamp. Brooks, Le Corbusier's Formative Years.|||October, 1911|||||||0|0|Tivoli, Hadrian's Villa, Apse End of the Canopus,pp. 68-69|Le Corbusier 3993.00|0||||||||Florence, Chartreuse d'Ema, "promenade architecturale" and Courtyard of a Monk's Cell, p. 13|Descriptive|Image Source (Pub)|||||||Carnet 6, Voyage d'Orient. Florence, Chartreuse d'Ema, Carnet 6, Voyage d'Orient, Carnet 6, Voyage d'Orient, p. 13|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||Swiss|||Modernist|||||Switzerland||||||0||||0||||0||||0|Drawings|Drawing||||20|||1911|1911||1911 October|1911-1911||Carnet 6|Larger entity||4031||||0|||||Pencil sketch on graph paper|pencil|paper||||drawing (image-making)|sketching||||17 x 9.5 cm||||||Certosa del Galluzzo (Florence, Italy) Certosa del Galluzzo (Florence, Italy) ; Italy ; |Certosa del Galluzzo (Florence, Italy) Certosa del Galluzzo (Florence, Italy)|Italy||||||||Cornell||MNW|MNW|3/31/2006 0:00:00|6/6/2005 0:00:00||||0||||||||||||||||||||||||0|||||October, 1911|||||||0|0|Florence, Chartreuse d'Ema, "promenade architecturale" and Courtyard of a Monk's Cell, p. 13|Le Corbusier 3994.00|0||||||||Walt Disney World|Assigned|Dict.Art|||||||Walt Disney World|3186|Disney, Walt||designer|Walt Disney|0||||0|||||American||||||||United States||||||0|Orlando, FL|Near||10480||||0||||0|Architecture|Amusement park||||20|||1971|1971||1971|1971-1971|||||0||||0||||||||||||||||||||||Disney, Walt, 1901-1966 ; Amusement parks ; |Disney, Walt, 1901-1966|Amusement parks||||||||Cornell||JNK|MNW|11/2/2005 0:00:00|6/6/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Walt Disney World|Disney, Walt 3995.00|0||||||||Dolphin Hotel|Assigned|Image Source (Pub)|||||||Walt Disney World. Dolphin Hotel|4751|Graves, Michael||architect|Michael Graves|0||||0|||||American|||Postmodern|||||United States||||||0|Buena Vista, FL|||10479||||0||||0|Architecture|Hotel (public accommodation)||||20|||1987|1987||1987|1987-1987||Walt Disney World|Larger entity||3994||||0||||||||||||||||||||||Hotels (public accommodations) ; Dolphins ; |Hotels (public accommodations)|Dolphins||||||||Cornell||JNK|MNW|11/2/2005 0:00:00|6/6/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Dolphin Hotel|Graves, Michael 3996.00|0||||||||Town Hall|Assigned|Image Source (Pub)|||||||Celebration. Town Hall|5998|Johnson, Philip Cortelyou||architect|Philip Johnson|0||||0|||||American|||Postmodern|||||United States||||||0|Celebration, FL|||10481||||0||||0|Architecture|Municipal building|Government office building|||20|||1996|1996||1996|1996-1996||Celebration|Larger entity||3822||||0||||||||||||||||||||||Municipal buildings ; Government office buildings ; |Municipal buildings|Government office buildings||||||||Cornell||JNK|MNW|11/2/2005 0:00:00|6/6/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Town Hall|Johnson, Philip Cortelyou 3997.00|0|Architect|02|MA-|Gehry|6.1|1992 F&G|MA- Gehry 6.1 1992 F&G|"Fred and Ginger" Building|Assigned|Image Source (Pub)|||||||"Fred and Ginger" Building|4365|Gehry, Frank Owen||architect|Frank O. Gehry|0||||0||||||||Postmodern|||||||||||0|Prague, Czech Republic|||10482||||0||||0|Architecture|Office building||||20|||1992|1997||1992-1997|1992-1997|||||0||||0||||||||||||||||||||||Office buildings ; |Office buildings|||||||||Cornell||JNK|JNK|6/6/2005 0:00:00|6/6/2005 0:00:00|Gehry|||0||||||F&G|MA||||||6.1|1992|||||||||Work|0|Modern Architecture-|||||||||||0|0|"Fred and Ginger" Building|Gehry, Frank Owen 3998.00|0||||||||Blades Residence|Assigned|Image Source (Pub)|Richard and Vicki Blades Residence|Assigned|Online Resource||||Blades Residence|29484|Morphosis||architectural firm|Morphosis|0||||0|||||American|||Deconstructivist|||||United States||||||0|Santa Barbara, CA|||10483||||0||||0|Architecture|House||||20|||1995|1997||1995-1997|1995-1997|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|GB|10/2/2006 0:00:00|6/6/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Blades Residence;Richard and Vicki Blades Residence|Morphosis 3999.00|0||||||||Studies for Dom-Ino Villas|Descriptive|Image Source (Pub)|||||||Le Maison Dom-Ino. Studies for Dom-Ino Villas|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||Swiss|||Modernist|||||Switzerland||||||0||||0||||0||||0|Drawings|Drawing||||20|||1915|1915||1915|1915-1915||Le Maison Dom-Ino|LargerEntity||626||||0|||||Pencil|pencil|||||drawing (image-making)|sketching||||35 zx 41 cm||3781|Paris: Fondation Le Corbusier|Paris: Fondation Le Corbusier||Houses ; Villas ; |Houses|Villas||||||||Cornell||MNW|MNW|3/31/2006 0:00:00|6/6/2005 0:00:00||||0||19134||||||||||||| |||||||||0||||||||||||0|0|Studies for Dom-Ino Villas|Le Corbusier 4000.00|0||||||||Tate Museum of Modern Art|Assigned|Image Source (Pub)|||||||Tate Museum of Modern Art|29743|Herzog & de Meuron||architectural firm|Herzog & de Meuron|0||||0|||||||||||||||||||0|London, England|||10018||||0||||0|Architecture|Museum||||20|||1994|1999||1994-1999|1994-1999|||||0||||0||||||||||||||||||||||Museums ; Bankside (Southwark, London, England) ; London (England) ; |Museums|Bankside (Southwark, London, England)|London (England)|||||||Cornell||JNK|MNW|11/7/2005 0:00:00|6/6/2005 0:00:00||Lon||0||||||||||||||||||||||||0||||||||||||0|0|Tate Museum of Modern Art|Herzog & de Meuron 4001.00|0|Architect|03|MA-LeCorb|1.0|1914-15 Dom||MA-LeCorb 1.0 1914-15 Dom |Extensible Dom-Ino Housing|Descriptive|Image Source (Pub)|||||||Le Maison Dom-Ino. Extensible Dom-Ino Housing|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||Swiss||||||||||||||0||||0||||0||||0|Drawings|Drawing||||20|||1915|1916||1915 or 1916|1915-1916||Le Maison Dom-Ino|Larger entity||626||||0|||||India ink on paper|India ink|paper||||drawing (image-making)|architectural drawing||||37 x 104 cm||3781|Paris: Fondation Le Corbusier|Paris: Fondation Le Corbusier||Houses ; |Houses|||||||||Cornell||MNW|MNW|3/31/2006 0:00:00|6/6/2005 0:00:00|LeCorb|||0||19131||||Dom|MA||||||1.0|1914-15| ||||||||Work|0|Modern Architecture|||||||||||0|0|Extensible Dom-Ino Housing|Le Corbusier 4002.00|0|Architect|03|MA-LeCorb|1.0|1914-15 Dom||MA-LeCorb 1.0 1914-15 Dom |Perspective of a Dom-Ino Module|Descriptive|Print Publication|||||||Perspective of a Dom-Ino Module|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||Swiss||||||||||||||0||||0||||0||||0|Drawings|Drawing||||20|||1915|1915||1915|1915-1915||Le Maison Dom-Ino|||626||||0|||||India ink and pencil on paper|India ink|pencil|paper|||drawing (image-making)|architectural drawing||||47 x 57 cm||3781|Paris: Fondation Le Corbusier|Paris: Fondation Le Corbusier||Houses ; |Houses|||||||||Cornell||MNW|MNW|6/6/2005 0:00:00|6/6/2005 0:00:00|LeCorb|||0||19209||||Dom|MA||||||1.0|1914-15| ||||||||Work|0|Modern Architecture|||||||||||0|0|Perspective of a Dom-Ino Module|Le Corbusier 4003.00|0||||||||Capitoline Hill, Rome, After Michelangelo|Descriptive|Image Source (Pub)|||||||Piazza del Campidoglio. Capitoline Hill, Rome, After Michelangelo|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||Swiss||||||||||||||0||||0||||0||||0|Drawings|Drawing||||20|||1915|1915||1915|1915-1915||Piazza del Campidoglio|LargerEntity||790||||0|||||Pen and ink on paper|pen|ink|paper|||drawing (image-making)|sketching||||21.3 x 25.5 cm||3781|Paris: Fondation Le Corbusier|Paris: Fondation Le Corbusier||Campidoglio, Rome, Italy ; |Campidoglio, Rome, Italy|||||||||Cornell||MNW|MNW|3/31/2006 0:00:00|6/6/2005 0:00:00||||0||2284||||||||||||| |||||||||0||Pland and bird's-eye view. This drawing was made at the Bibliothèque National in Paris. Brooks, Le Corbusier.|||September, 1915|||||||0|0|Capitoline Hill, Rome, After Michelangelo|Le Corbusier 4004.00|0||||||||Monsoon Restaurant|Assigned|Image Source (Pub)|||||||Monsoon Restaurant|4991|Hadid, Zaha M.||architect|Zaha Hadid|0||||0|||||||||||||||||||0|Sapporo, Japan|||10484||||0||||0|Architecture|Restaurant||||20|||1989|1990||1989-1990|1989-1990|||||0||||0||||||||||||||||||||||Restaurants ; |Restaurants|||||||||Cornell||JNK|JNK|6/7/2005 0:00:00|6/7/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Monsoon Restaurant|Hadid, Zaha M. 4005.00|0||||||||Bankside Power Station|Assigned|LC NAF|||||||Bankside Power Station|10680|Scott, Giles Gilbert||architect|Giles Gilbert Scott|0||||0|||||English|||Modernist|||||England|United Kingdom|||||0|London, England|||10018||||0||||0|Architecture|Power plant||||20|||1947|1963||1947-1963|1947-1963|||||0||||0||||||||||||||||||||||Power plants ; Bankside (Southwark, London, England) ; |Power plants|Bankside (Southwark, London, England)||||||||Cornell||JNK|JNK|6/7/2005 0:00:00|6/7/2005 0:00:00||Lon||0||||||||||||||||||||||||0||The Power station was decommissioned in 1981 and subsequently converted by Herzog & de Meuron into the Tate Modern.||||||||||0|0|Bankside Power Station|Scott, Giles Gilbert 4006.00|0||||||||Goetz Collection|Assigned|Image Source (Pub)|||||||Goetz Collection|29743|Herzog & de Meuron||architectural firm|Herzog & de Meuron with Josef Peter Meier-Scupin|30681|Meier-Scupin, Josef Peter||architect,associated|0|||||||||||||||||||0|Munich, Germany|||10087||||0||||0|Architecture|Museum||||20|||1992|1992||1992|1992-1992|||||0||||0||||||||||||||||||||||Museums ; Art galleries ; |Museums|Art galleries||||||||Cornell||JNK|MNW|6/29/2005 0:00:00|6/7/2005 0:00:00||Mun||0||||||||||||||||||||||||0||||||||||||0|0|Goetz Collection|Herzog & de Meuron;Meier-Scupin, Josef Peter 4007.00|0||||||||Kunsthaus Bregenz|Assigned|Image Source (Pub)|Museum of Art in Bregenz|Translated|Online Resource||||Kunsthaus Bregenz|30682|Zumthor, Peter||architect|Peter Zumthor|0||||0|||||||||||||||||||0|Bregenz, Austria|||10485||||0||||0|Architecture|Museum||||20|||1991|1997||1991-1997|1991-1997|||||0||||0||||||||||||||||||||||Museums ; |Museums|||||||||Cornell||JNK|MNW|6/29/2005 0:00:00|6/7/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Kunsthaus Bregenz;Museum of Art in Bregenz|Zumthor, Peter 4008.00|0||||||||The Chinati Foundation|Assigned|Image Source (Pub)|La Fundación Chinati|Variant|Image Source (Pub)||||The Chinati Foundation|6064|Judd, Donald||architect|Donald Judd|0||||0|||||American|||Minimal|||||United States||||||0|Marfa, TX|||10486||||0||||0|Architecture|Museum||||20|||1972|1994||1972-1994|1972-1994|||||0||||0||||||||||||||||||||||Museums ; |Museums|||||||||Cornell||JNK|JNK|6/7/2005 0:00:00|6/7/2005 0:00:00|J925|||0||||||||||||||||||||||||0||||||||||||0|0|The Chinati Foundation;La Fundación Chinati|Judd, Donald 4009.00|0||||||||North Artillery Shed|Assigned|Image Source (Pub)|||||||The Chinati Foundation. North Artillery Shed|6064|Judd, Donald||remodeler|Donald Judd|0||||0|||||American|||Minimal|||||United States||||||0|Marfa, TX|||10486||||0||||0|Architecture|Museum||||20|||1938|1938||1938|1938-1938||The Chinati Foundation|Larger entity||4008||||0||||||||||||||||||||||Art galleries ; |Art galleries|||||||||Cornell||JNK|MNW|6/29/2005 0:00:00|6/7/2005 0:00:00||||0||||||||||||||||||||||||0|||||Artillery sheds were remodeled/renovated by Judd between 1972 and 1994.|||||||0|0|North Artillery Shed|Judd, Donald 4010.00|0||||||||Lingotto Fiat Factory|Assigned|Image Source (Pub)|||||||Lingotto Fiat Factory|11931|Matte-Truco, Giacomo||architect|Giacomo Matte-Truco|0||||0|||||Italian|||Modernist|||||Italy||||||0|Turin, Italy|||10097||||0||||0|Architecture|Factory||||20|||1915|1921||1915-1921|1915-1921|||||0||||0||||||||||||||||||||||Automobiles ; Factories (structures) ; |Automobiles|Factories (structures)||||||||Cornell||JNK|MNW|6/29/2005 0:00:00|6/7/2005 0:00:00||Tur||0||||||||||||||||||||||||0||||||||||||0|0|Lingotto Fiat Factory|Matte-Truco, Giacomo 4011.00|0|Architect|03|MA-Libeskind|4.4|1988-98 Jud||MA-Libeskind 4.4 1988-98 Jud |The Jewish Museum|Assigned|Image Source (Pub)|Extension of the Berlin Museum with the Jewish Museum Department|Original|Image Source (Vendor)|Between the Lines|Assigned|Artist|The Jewish Museum|7054|Libeskind, Daniel||architect|Daniel Libeskind|0||||0|||||German|||Modern|||||Germany||||||0|Berlin, Germany|||10108||||0||||0|Architecture|Museum||||20|||1988|1998||1988-1998|1988-1998|||||0||||0||||||||||||||||||||||Museums ; History ; |Museums|History||||||||Cornell||JNK|GB|10/2/2006 0:00:00|6/7/2005 0:00:00|Libeskind|||0||||||Jud|MA||||||4.4|1988-98|||||||||Work|0|Modern Architecture|||||||||||0|0|The Jewish Museum;Extension of the Berlin Museum with the Jewish Museum Department;Between the Lines|Libeskind, Daniel 4012.00|0|Creator|15|35|S634-PA|1906|1|35 S634-PA 1906 1|The Picnic Grounds|Assigned|Image Source (Pub)|||||||The Picnic Grounds|10994|Sloan, John||painter|John Sloan|0||||0|||||American|||Ashcan School|||||United States||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1906|1907||1906-1907|1906-1907|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||61 x 91.4 cm||3543|New York: Whitney Museum of American Art|New York: Whitney Mus.||Picnicking ; Parks ; |Picnicking|Parks||||||||Cornell||JNK|CLL|6/22/2005 0:00:00|6/7/2005 0:00:00|S634|||0||Purchase 41.34|||||35|PA||||||1906| ||||||||Work|0||||||||||||0|0|The Picnic Grounds|Sloan, John 4013.00|0|Creator|15|35|S634-PA|1907|9|35 S634-PA 1907 9|Movies, Five Cents|Assigned|Image Source (Pub)|||||||Movies, Five Cents|10994|Sloan, John||painter|John Sloan|0||||0|||||American|||Ashcan School|||||United States||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1907|1907||1907|1907-1907|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||59.7 x 80 cm||3290|Private Collection|: Private Coll.||Motion picture theaters ; Motion pictures (visual works) ; Audiences ; |Motion picture theaters|Motion pictures (visual works)|Audiences|||||||Cornell||JNK|JNK|6/7/2005 0:00:00|6/7/2005 0:00:00|S634|||0|||||||35|PA||||||1907| ||||||||Work|0||||||||||||0|0|Movies, Five Cents|Sloan, John 4014.00|0|Creator|15|35|G541-PA|1907|1|35 G541-PA 1907 1|The Shoppers|Assigned|Image Source (Pub)|||||||The Shoppers|4568|Glackens, William James||painter|William James Glackens|0||||0|||||American|||Ashcan School|||||United States||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1907|1907||1907|1907-1907|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||152.4 x 152.4 cm||3438|Norfolk, VA: Chrysler Museum|Norfolk, VA: Chrysler Mus.||Women ; Shopping ; |Women|Shopping||||||||Cornell||JNK|JNK|6/7/2005 0:00:00|6/7/2005 0:00:00|G541|||0||71.651|||||35|PA||||||1907| ||||||||Work|0||||||||||||0|0|The Shoppers|Glackens, William James 4015.00|0||||||||North America's Top Selling Home Plans|Assigned|Image Source (Pub)|||||||North America's Top Selling Home Plans|30685|Garlinghouse Company||builder|Garlinghouse Company|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Publications|Book||||20|||1990|1990||1990-1990|1990-1990|||||0||||0||||||||||||||||||||||Houses ; Plans (drawings) ; Architectural drawings ; |Houses|Plans (drawings)|Architectural drawings|||||||Cornell||JNK|MNW|11/8/2005 0:00:00|6/7/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|North America's Top Selling Home Plans|Garlinghouse Company 4016.00|0||||||||No. 90300|Assigned|Image Source (Pub)|Compact Design Provides for Family|Descriptive|Image Source (Pub)||||North America's Top Selling Home Plans. No. 90300, Compact Design Provides for Family|30685|Garlinghouse Company||builder|Garlinghouse Company|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Architecture|Plan (drawing)|Architectural drawing|House||20|||1990|1990||1990|1990-1990||North America's Top Selling Home Plans|Larger entity||4015||||0||||||||||||||||||||||Houses ; Plans (drawings) ; Architectural drawings ; |Houses|Plans (drawings)|Architectural drawings|||||||Cornell||JNK|MNW|3/31/2006 0:00:00|6/7/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|No. 90300;Compact Design Provides for Family|Garlinghouse Company 4017.00|0||||||||CCTV|Assigned|Image Source (Pub)|Headquarters for China Central Television|Descriptive|Image Source (Pub)||||CCTV|28749|Office for Metropolitan Architecture||architectural firm|OMA|6460|Koolhaas, Rem||architect|0|||||||||||||||||||0|Beijing, China|||10078||||0||||0|Architecture|Office building||||21|||2002|2008|ca|ca 2002-2008|ca 2002-2008|||||0||||0||||||||||||||||||||||Office buildings ; |Office buildings|||||||||Cornell||JNK|JNK|6/7/2005 0:00:00|6/7/2005 0:00:00||Bei||0||||||||||||||||||||||||0||||||||||||0|0|CCTV;Headquarters for China Central Television|Office for Metropolitan Architecture;Koolhaas, Rem 4018.00|0||||||||McCormick Tribune Campus Centre|Assigned|Online Resource|Campus Centre|Assigned|Image Source (Pub)||||Illinois Institute of Technology. McCormick Tribune Campus Centre|6460|Koolhaas, Rem||architect|OMA (Rem Koolhaas)|28749|Office for Metropolitan Architecture||architectural firm|0|||||||||||||||||||0|Chicago, Illinois|||10103||||0||||0|Architecture|University||||20|21||1997|2003||1997-2003|1997-2003||Illinois Institute of Technology|Larger entity||3601||||0||||||||||||||||||||||Universities ; Campuses ; |Universities|Campuses||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|6/7/2005 0:00:00||Chi||0||||||||||||||||||||||||0||OMA won first prize in the competition for the project. Koolhaas, Considering.||||||||||0|0|McCormick Tribune Campus Centre;Campus Centre|Koolhaas, Rem;Office for Metropolitan Architecture 4019.00|0||||||||Prada Epicenter Beverly Hills|Assigned|Image Source (Pub)|Prada Los Angeles|Variant|Online Resource||||Prada Epicenter Beverly Hills|6460|Koolhaas, Rem||architect|OMA (Rem Koolhaas)|0|OMA||architectural firm|0|||||||||||||||||||0|Beverly Hills, Los Angeles, CA|||10488||||0||||0|Architecture|Store||||20|21||1999|2004||1999-2004|1999-2004|||||0||||0||||||||||||||||||||||Clothing stores ; Stores ; |Clothing stores|Stores||||||||Cornell||JNK|MNW|11/3/2005 0:00:00|6/7/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Prada Epicenter Beverly Hills;Prada Los Angeles|Koolhaas, Rem;OMA 4020.00|0||||||||Prada Epicenter Broadway|Assigned|Image Source (Pub)|Prada New York|Variant|Online Resource||||Prada Epicenter Broadway|6460|Koolhaas, Rem||architect|OMA (Rem Koolhaas)|28749|Office for Metropolitan Architecture||architectural firm|0|||||||||||||||||||0|New York, NY|||10060||||0||||0|Architecture|Store||||20|21||1999|2001||1999-2001|1999-2001|||||0||||0||||||||||||||||||||||Stores ; Clothing stores ; |Stores|Clothing stores||||||||Cornell||JNK|MNW|11/3/2005 0:00:00|6/7/2005 0:00:00||NYC||0||||||||||||||||||||||||0||||||||||||0|0|Prada Epicenter Broadway;Prada New York|Koolhaas, Rem;Office for Metropolitan Architecture 4021.00|0||||||||Dutch House|Assigned|Image Source (Pub)|||||||Dutch House|6460|Koolhaas, Rem||architect|OMA (Rem Koolhaas)|28749|Office for Metropolitan Architecture||architectural firm|0|||||Dutch||||||||Holland||||||0|Holten, The Netherlands|||10489||||0||||0|Architecture|House||||20|||1992|1993||1992-1993|1992-1993|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|MNW|11/2/2005 0:00:00|6/7/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Dutch House|Koolhaas, Rem;Office for Metropolitan Architecture 4022.00|0||||||||Ecce Homo|Assigned|Image Source (Pub)|Christ Presented to the People|Variant|Image Source (Pub)||||Large Passion. Ecce Homo|3427|Dürer, Albrecht||printmaker|Albrecht Dürer|0||||0|||||German|||Renaissance|||||Germany||||||0||||0||||0||||0|Prints|Woodcut||||15|||1498|1499||1498-1499|1498-1499||Large Passion|Larger entity||4023||||0|||||Woodcut|ink|paper||||woodcut (process)|printing||||39.2 x 28.4 cm||3842|Baltimore: Baltimore Museum of Art|Baltimore: Mus. Art||Ecce Homo ; Christ ; Pilate, Pontius, 1st cent. ; Passion of Christ ; |Ecce Homo|Christ|Pilate, Pontius, 1st cent.|Passion of Christ||||||Cornell||JNK|MNW|7/25/2005 0:00:00|6/8/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Ecce Homo;Christ Presented to the People|Dürer, Albrecht 4023.00|0||||||||Large Passion|Assigned|Image Source (Pub)|||||||Large Passion|3427|Dürer, Albrecht||printmaker|Albrecht Dürer|0||||0|||||German|||Renaissance|||||Germany||||||0||||0||||0||||0|Publications|Print|Woodcut|||16|||1511|1511||1511|1511-1511|||||0||||0||||||||||||||||||||||Passion of Christ ; |Passion of Christ|||||||||Cornell||JNK|JNK|6/8/2005 0:00:00|6/8/2005 0:00:00||||0||||||||||||||||||||||||0||Begun in 1497, the series originally consisted of 7 images, 4 more were added in 1510.||||||||||0|0|Large Passion|Dürer, Albrecht 4024.00|0||||||||Ecce Homo|Assigned|Image Source (Pub)|Chist Presented to the People|Variant|Image Source (Pub)||||Large Passion. Ecce Homo|3427|Dürer, Albrecht||woodcutters|Albrecht Dürer, Unknown colorist|0||||0|||||German|||Renaissance|||||Germany||||||0||||0||||0||||0|Prints|Woodcut||||15|||1498|1499||1498-1499|1498-1499||Large Passion|Larger entity||4023||||0|Hollstein, F. W. H. The New Hollstein Dutch & Flemish Etchings, Engravings, and Woodcuts, 1450-1700.||||Woodcut with transparent washes and body colors, highlighted with gold and silver|ink|wash|gold|||woodcut (process)|||||40 x 28.8 cm||3842|Baltimore: Baltimore Museum of Art|Baltimore: Mus. Art||Ecce Homo ; Pilate, Pontius, 1st cent. ; Christ ; Passion of Christ ; |Ecce Homo|Pilate, Pontius, 1st cent.|Christ|Passion of Christ||||||Cornell||JNK|MNW|7/25/2005 0:00:00|6/8/2005 0:00:00||||0||2000.91||||||||||||| |||||||||0||Colorist unknown. From the Latin Edition of the Large Passion, 1511. Hollstein, 118.||||||||||0|0|Ecce Homo;Chist Presented to the People|Dürer, Albrecht 4033.00|0||||||||Plan of Central Florence in the Trecento with Principal North--South Streets, Spaces, and Monuments|Descriptive|Print Publication|||||||Plan of Central Florence in the Trecento with Principal North--South Streets, Spaces, and Monuments|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Drawings|Plan (drawing)|Diagram|||20|||1990|1997|ca|ca 1990-1997|ca 1990-1997|||||0||||0|||||||||||drawing (image-making)|||||||||||Florence, Italy ; Plans (drawings) ; Diagrams ; |Florence, Italy|Plans (drawings)|Diagrams|||||||Cornell||MNW|MNW|6/9/2005 0:00:00|6/9/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Plan of Central Florence in the Trecento with Principal North--South Streets, Spaces, and Monuments| 4034.00|0||||||||"Ringstrasse" of Constructed Scenography of Central Florence|Descriptive|Print Publication|||||||"Ringstrasse" of Constructed Scenography of Central Florence|30686|Trachtenberg, Marvin||scholar|Marvin Trachtenberg|0||||0|||||||||||||||||||0||||0||||0||||0|||||||||1990|1997|ca|ca 1990-1997|ca 1990-1997|||||0||||0|||||||||||drawing (image-making)|||||||||||Perspective ; Florence, Italy ; |Perspective|Florence, Italy||||||||Cornell||MNW|MNW|6/9/2005 0:00:00|6/9/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|"Ringstrasse" of Constructed Scenography of Central Florence|Trachtenberg, Marvin 4035.00|0|Architect|03|MA-PorGotGar|4.2|Arte||MA-PorGotGar 4.2 Arte |Escuelas Nacionales de Arte|Assigned|Online Resource|National Art Schools|Translated|Cataloger||||Escuelas Nacionales de Arte|9386|Porro, Ricardo||architect|Ricardo Porro, Roberto Gottardi & Vittorio Garatti|30688|Gottardi, Roberto||architect|30689|Garratti, Vittorio||architect||Cuban||||||||Cuba||||||0|Havana, Cuba|||10267||||0||||0|Architecture|School||||20|||1961|1965||1961-1965|1961-1965|||||0||||0||||||||||||||||||||||Schools ; Arts ; |Schools|Arts||||||||Cornell||JNK|MNW|11/1/2005 0:00:00|6/9/2005 0:00:00|PorGotGar|||0||||||Arte|MA||||||4.2||||||||||Work|0|Modern Architecture|||||||||||0|0|Escuelas Nacionales de Arte;National Art Schools|Porro, Ricardo;Gottardi, Roberto;Garratti, Vittorio 4036.00|0||||||||Canadian Government Grain Elevator|Inscribed|Image Source (Pub)|||||||Towards a New Architecture. Canadian Government Grain Elevator|6857|Le Corbusier||architect|Le Corbusier|0||||0||||||||International Style|||||||||||0||||0||||0||||0|Publications|Book|Illustration|Documentary photograph||20||||1931|ca|ca -1931|ca -1931||Towards a New Architecture (Vers une architecture)|LargerEntity||||||0|||||||||||photography|||||||||||Grain elevators ; |Grain elevators|||||||||Cornell||MNW|MNW|3/31/2006 0:00:00|6/9/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Canadian Government Grain Elevator|Le Corbusier 4037.00|0||||||||School of Ballet|Assigned|Image Source (Pub)|||||||Escuelas Nacionales de Arte. School of Ballet|9386|Porro, Ricardo||architect|Ricardo Porro|0||||0|||||Cuban|||Modernist|||||Cuba||||||0|Havana, Cuba|||10267||||0||||0|Architecture|School||||20|||1961|1965||1961-1965|1961-1965||Escuelas Nacionales de Arte|Larger entity||4035||||0||||||||||||||||||||||Schools ; Arts ; Dance ; |Schools|Arts|Dance|||||||Cornell||JNK|MNW|3/31/2006 0:00:00|6/9/2005 0:00:00||Hav||0||||||||||||||||||||||||0||||||||||||0|0|School of Ballet|Porro, Ricardo 4038.00|0||||||||School of Dramatic Arts|Assigned|Image Source (Pub)|||||||Escuelas Nacionales de Arte. School of Dramatic Arts|30688|Gottardi, Roberto||architect|Roberto Gottardi|0||||0|||||Cuban|||Modernist|||||Cuba||||||0|Havana, Cuba|||10267||||0||||0|Architecture|School||||20|||1961|1965||1961-1965|1961-1965||Escuelas Nacionales de Arte|Larger entity||4035||||0||||||||||||||||||||||Schools ; Arts ; Theater (discipline) ; |Schools|Arts|Theater (discipline)|||||||Cornell||JNK|MNW|3/31/2006 0:00:00|6/9/2005 0:00:00||Hav||0||||||||||||||||||||||||0||||||||||||0|0|School of Dramatic Arts|Gottardi, Roberto 4039.00|0|Creator|05|J-EvansW|Cuba||48|J-EvansW Cuba 48|Public Square|Assigned|Image Source (Book)|||||||Public Square|3656|Evans, Walker||photographer|Walker Evans|0||||0|||||Cuban||||||||Cuba||||||0||||||||0||||0|Photographs|Gelatin silver print||||20|||1933|1933||1933|1933-1933|||||0||||0|||||Gelatin silver photography||||||photography|gelatin silver process||||||||||Squares ; Havana, Cuba ; |Squares|Havana, Cuba||||||||Cornell||MNW|MNW|6/9/2005 0:00:00|6/9/2005 0:00:00|Evans|||0||||||Cuba|J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Public Square|Evans, Walker 4040.00|0||||||||School of Music|Assigned|Image Source (Pub)|||||||Escuelas Nacionales de Arte. School of Music|30689|Garatti, Vittorio||architect|Vittorio Garatti|0||||0|||||Cuban|||Modernist|||||Cuba||||||0|Havana, Cuba|||10267||||0||||0|Architecture|School||||20|||1961|1965||1961-1965|1961-1965||Escuelas Nacionales de Arte|Larger entity||4035||||0||||||||||||||||||||||Schools ; Arts ; Music ; |Schools|Arts|Music|||||||Cornell||JNK|MNW|3/31/2006 0:00:00|6/9/2005 0:00:00||Hav||0||||||||||||||||||||||||0||||||||||||0|0|School of Music|Garatti, Vittorio 4041.00|0|Creator|05|J-Evans|Cuba|Butcher Shop|49|J-Evans Cuba Butcher Shop 49|Butcher Shop|Assigned|Image Source (Book)|||||||Butcher Shop|3656|Evans, Walker||photographer|Walker Evans|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Photographs|Gelatin silver print||||20|||1933|1933||1933|1933-1933|||||0||||0|||||Gelatin silver photography||||||photography|gelatin silver process||||||||||Havana, Cuba ; |Havana, Cuba|||||||||Cornell||MNW|MNW|6/9/2005 0:00:00|6/9/2005 0:00:00|Evans|||0||||||Butcher Shop|J||||||||||||||||Work|0|Photography|||||||||||0|0|Butcher Shop|Evans, Walker 4042.00|0||||||||Roberto Gottardi (second from right) and model makers with model of theater|Descriptive|Image Source (Pub)|||||||Roberto Gottardi (second from right) and model makers with model of theater|0|||||0||||0|||||Cuban|||Modernist|||||Cuba||||||0||||0||||0||||0|Architecture|Documentary photograph|Model (representation)|Portraits||20|||1961|1965|ca|ca 1961-1965|ca 1961-1965|||||0||||0|||||Black and white photograph||||||photography|||||||||||Theaters ; Models (Representations) ; Gottardi, Roberto, 1927- ; School of Dramatic Arts (Havana, Cuba) ; Portraits ; |Theaters|Models (Representations)|Gottardi, Roberto, 1927-|School of Dramatic Arts (Havana, Cuba)|Portraits|||||Cornell||JNK|MNW|7/25/2005 0:00:00|6/9/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Roberto Gottardi (second from right) and model makers with model of theater| 4043.00|0|Creator|05|J-Evans|Cuba|Breadline|50|J-Evans Cuba Breadline 50|Breadline|Assigned|Image Source (Book)|||||||Breadline|3656|Evans, Walker||photographer|Walker Evans|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Photographs|Gelatin silver print||||20|||1933|1933||1933|1933-1933|||||0||||0|||||Gelatin silver photography||||||photography|gelatin silver process||||||||||Havana, Cuba ; |Havana, Cuba|||||||||Cornell||MNW|MNW|6/9/2005 0:00:00|6/9/2005 0:00:00|Evans|||0||||||Breadline|J||||||||||||||||Work|0|Photography|||||||||||0|0|Breadline|Evans, Walker 4044.00|0|Creator|05|J-Evans|Cuba|Wall Writing|51|J-Evans Cuba Wall Writing 51|Wall Writing|Assigned|Image Source (Book)|||||||Wall Writing|3656|Evans, Walker||photographer|Walker Evans|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Photographs|Gelatin silver print||||20|||1933|1933||1933|1933-1933|||||0||||0|||||Gelatin silver photography||||||photography|gelatin silver process||||||||||Havana, Cuba ; Graffiti ; |Havana, Cuba|Graffiti||||||||Cornell||MNW|JNK|6/10/2005 0:00:00|6/9/2005 0:00:00|Evans|||0||||||Wall Writing|J||||||||||||||||Work|0|Photography|Text is translated as: "We support the strike of cigar workers" and "Down with the Imperialist War."||||||||||0|0|Wall Writing|Evans, Walker 4045.00|0||||||||Untitled (to Ward Jackson, an old friend and colleague who, when, during Fall, 1957, I finally returned to New York from Washington and joined him to work together in this museum, kindly communicated)|Assigned|Image Source (Pub)|||||||Untitled (to Ward Jackson, an old friend and colleague…)|3931|Flavin, Dan||sculptor|Dan Flavin|0||||0|||||American|||Minimal|||||United States|||Solomon R. Guggenheim Museum, New York, NY|||10490||||0||||0||||0|Sculpture|Installation (exhibition)||||20|||1971|1971||Feb. 12 - April 11, 1971|1971-1971|||||0||||0|||||Flourescent light tubes|light|||||sculpture|||||||||||||||||||||Cornell||JNK|MNW|11/8/2005 0:00:00|6/9/2005 0:00:00||||0||||||||||||||||||||||||0||This work was part of the exhibit "Sixth Guggenheim International Exhibition." at the Solomon R. Guggenheim Museum in 1971.|||The exhibit was on display from February 12 - April 11, 1971|||||||0|0|Untitled (to Ward Jackson, an old friend and colleague who, when, during Fall, 1957, I finally returned to New York from Washington and joined him to work together in this museum, kindly communicated)|Flavin, Dan 4046.00|0||||||||Untitled (to Tracy, to celebrate the love of a lifetime)|Assigned|Image Source (Pub)|||||||Untitled (to Tracy, to celebrate the love of a lifetime)|3931|Flavin, Dan||sculptor|Dan Flavin|0||||0|||||American|||Minimal|||||United States|||Solomon R. Guggenheim Museum, New York, NY|||10490||||0||||0||||0|Sculpture|Installation (exhibition)||||20|||1992|1992||June 28-August 27, 1992|1992-1992|||||0||||0|||||Flourescent light tubes|light|||||sculpture|||||||||||||||||||||Cornell||JNK|MNW|11/8/2005 0:00:00|6/9/2005 0:00:00||||0||||||||||||||||||||||||0||This work was part of the "Dan Flavin" exhibit at the Solomon R. Guggenheim Museum in 1992.|||The exhibit was on display from June28 - August 27, 1992|||||||0|0|Untitled (to Tracy, to celebrate the love of a lifetime)|Flavin, Dan 4047.00|0|Creator|05|J-Piña|Time||1|J-Piña Time 1|Time|Assigned|Print Publication|||||||Time|30690|Piña, Manuel||photographer|Manuel Piña|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Photographs|Photographic print||||21|||2003|2003||2003|2003-2003|||||0||||0|||||||||||color photography|||||||||||Havana, Cuba ; Walls ; |Havana, Cuba|Walls||||||||Cornell||MNW|MNW|6/9/2005 0:00:00|6/9/2005 0:00:00|Piña|||0||||||Time|J||||||||||||||||Work|0|Photography|||||||||||0|0|Time|Piña, Manuel 4048.00|0|Creator|05|J-Piña|Time||2|J-Piña Time 2|Time|Assigned|Print Publication|||||||Time|30690|Piña, Manuel||photographer|Manuel Piña|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Photographs|Photographic print||||21|||2003|2003||2003|2003-2003|||||0||||0|||||||||||color photography|||||||||||Havana, Cuba ; Shutters ; |Havana, Cuba|Shutters||||||||Cornell||MNW|MNW|6/9/2005 0:00:00|6/9/2005 0:00:00|Piña|||0||||||Time|J||||||||||||||||Work|0|Photography|||||||||||0|0|Time|Piña, Manuel 4049.00|0|Creator|05|J-Piña|Time||3|J-Piña Time 3|Time|Assigned|Print Publication||||||||30690|Piña, Manuel||photographer|Manuel Piña|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Photographs|Photographic print||||21|||2003|2003||2003|2003-2003|||||0||||0|||||||||||color photography|||||||||||Havana, Cuba ; Walls ; Plaques (flat objects) ; |Havana, Cuba|Walls|Plaques (flat objects)|||||||Cornell||MNW|MNW|6/9/2005 0:00:00|6/9/2005 0:00:00|Piña|||0||||||Time|J||||||||||||||||Work|0|Photography|||||||||||0|0|Time|Piña, Manuel 4119.00|0||||||||Fresh Pine Needls (Snowball)|Descriptive|Image Source (Pub)|||||||Snowballs in Summer. Fresh Pine Needls (Snowball)|4632|Goldsworthy, Andy||environmental artist|Andy Goldworthy|0||||0|||||British|Scottish|||||||Scotland|||Tramway, Glasgow, Scotland|||10501||||0||||0||||0|Sculpture|Sculpture|Environmental art|||20|||1989|1989||July, 1989|1989-1989||Snowballs in Summer|Larger entity||4114||||0|||||Snow and Fresh Pine Needles|snow|pine||||sculpture|environmental art||||||||||Snowballs ; Pine ; Sculpture (visual work) ; Needles (botany) ; |Snowballs|Pine|Sculpture (visual work)|Needles (botany)||||||Cornell||JNK|MNW|11/8/2005 0:00:00|6/28/2005 0:00:00||||0||||||||||||||||||||||||0|||||July, 1989|||||||0|0|Fresh Pine Needls (Snowball)|Goldsworthy, Andy 4120.00|0||||||||Hawthorn Tree Snowball|Descriptive|Image Source (Pub)|||||||Hawthorn Tree Snowball|4632|Goldsworthy, Andy||environmental artist|Andy Goldworthy|0||||0|||||British|Scottish|||||||Scotland|||Penpont, Scotland|||10502||||0||||0||||0|Sculpture|Sculpture|Environmental art|||21|||2001|2001||January, 2001|2001-2001|||||0||||0|||||Snow and Hawthorn Tree|snow|||||sculpture|environmental art||||||||||Snowballs ; Trees ; Hawthorn ; |Snowballs|Trees|Hawthorn|||||||Cornell||JNK|MNW|11/8/2005 0:00:00|6/28/2005 0:00:00||||0||||||||||||||||||||||||0||Hawthorn tree snowball made from the remains of a drift sheltered by a wall. Goldsworthy, Midsummer Snowballs, p. 30.|||January, 2001|||||||0|0|Hawthorn Tree Snowball|Goldsworthy, Andy 4121.00|0||||||||ELderberries (Snowball)|Descriptive|Image Source (Pub)|||||||ELderberries (Snowball)|4632|Goldsworthy, Andy||environmental artist|Andy Goldworthy|0||||0|||||British||||||||England|||Moorfields, London, England|||10503||||0||||0||||0|Sculpture|Sculpture|Environmental art|||20|21||2000|2000||June 21-22, 2000|2000-2000|||||0||||0|||||Snow and Elderberries|snow|||||sculpture|environmental art||||||||||Snowballs ; Elderberries ; Sculpture (visual work) ; |Snowballs|Elderberries|Sculpture (visual work)|||||||Cornell||JNK|MNW|11/8/2005 0:00:00|6/28/2005 0:00:00||||0||||||||||||||||||||||||0||Documented melting in photographs taken between the morning of 21 June 2000 to the morning of June 22, 2000.|||June 21-22, 2000.|||||||0|0|ELderberries (Snowball)|Goldsworthy, Andy 4122.00|0|Creator|05|J-Johnston|FB|20||J-Johnston FB 20 |American History Class "Studying" Classmate in Full Tribal Costume|Descriptive|Image Source (Pub)|||||||American History Class "Studying" Classmate in Full Tribal Costume|6007|Johnston, Frances Benjamin||photographer|Frances Benjamin Johnston|0||||0|||||American|||Realist|||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||19|||1899|1899||1899|1899-1899|||||0||||0|||||Black and white photograph|photo paper|||||photography|||||||9482|Washington, DC: Library of Congress, Hampton Institute|Wash, DC: Lib of Congress, Hampton Inst.||Indians of North America ; Costume ; Education ; History ; |Indians of North America|Costume|Education|History||||||Cornell||JNK|MNW|8/10/2005 0:00:00|6/28/2005 0:00:00|Johnston|||0|||||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|American History Class "Studying" Classmate in Full Tribal Costume|Johnston, Frances Benjamin 4123.00|0|Creator|15|Ren|P|Juan de Flandes||Ren P Juan de Flandes|Christ Calming the Storm on the Sea|Descriptive|Print Publication|||||||Retablo de Isabel la Católica. Christ Calming the Storm on the Sea|30700|Flandes, Juan de||painter|Juan de Flandes|0|||painter|0|||||Spanish|||Early Renaissance|||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|Panel (wood)||15|||1496|1496|ca|ca 1496-1496|ca 1496-1496||Retablo de Isabel la Católica|Larger entity||4161||||0|||||Oil on wood|oil paint|wood|||||||||21 x 16 cm||1628|Madrid: Palacio Real|Madrid: Pal. Real||Christ ; Christ stilling the storm ; Miracles ; |Christ|Christ stilling the storm|Miracles|||||||Cornell||ElA|JNK|1/6/2006 0:00:00|6/28/2005 0:00:00|Juan de Fl|||0||10002018|||||Ren|P||||||| ||||||||Work|0||||||||||||0|0|Christ Calming the Storm on the Sea|Flandes, Juan de 4050.00|0|Creator|05|J-Piña|Time||4|J-Piña Time 4|Time|||||||||Time|30690|Piña, Manuel||photographer|Manuel Piña|0||||0|||||Cuban||||||||Cuba||||||0||||0||||0||||0|Photographs|Photographic print||||21|||2003|2003||2003|2003-2003|||||0||||0|||||||||||color photography|||||||||||Havana, Cuba ; Walls ; |Havana, Cuba|Walls||||||||Cornell||MNW|MNW|6/9/2005 0:00:00|6/9/2005 0:00:00||||0||||||Time|J||||||||||||||||Work|0|Photography|||||||||||0|0|Time|Piña, Manuel 4051.00|0|Architect|02|O-Downing|1.0|CouHou||O-Downing 1.0 CouHou |The Architecture of Country Houses|Inscribed|Image Source (Pub)|||||||The Architecture of Country Houses|3275|Downing, Andrew Jackson||architect|A. J. Downing|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Architectural Theory|Book||||19|||1850|1850||1850|1850-1850|||||0||||0||||||||||||||||||||||Houses ; Architectural theory ; Architectural drawings ; |Houses|Architectural theory|Architectural drawings|||||||Cornell||JNK|JNK|6/10/2005 0:00:00|6/10/2005 0:00:00|Downing|||0||||||CouHou|O||||||1.0||||||||||Work|0|Theory-|||||||||||0|0|The Architecture of Country Houses|Downing, Andrew Jackson 4052.00|0|Architect|02|O-Downing|1.0|CouHou|37|O-Downing 1.0 CouHou 37|Regular Bracketed Cottage, Design IX, Fig. 37|Assigned|Image Source (Pub)|||||||The Architecture of Country Houses. Regular Bracketed Cottage, Design IX|3275|Downing, Andrew Jackson||architect|A. J. Downing|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Architectural Theory|Architectural drawing||||20|||1850|1850||1850|1850-1850||The Architecture of Country Houses|Larger entity||4051||||0||||||||||||||||||||||Houses ; Architectural drawings ; |Houses|Architectural drawings||||||||Cornell||JNK|MNW|11/8/2005 0:00:00|6/10/2005 0:00:00||||0||||||CouHou|O||||||1.0||||||||||Work|0|Theory-|||||||||||0|0|Regular Bracketed Cottage, Design IX, Fig. 37|Downing, Andrew Jackson 4053.00|0|Architect|02|O-Downing|1.0|CouHou|65|O-Downing 1.0 CouHou 65|Bracketed Farm House of Wood, Design XVI, Fig. 65|Assigned|Image Source (Pub)|||||||The Architecture of Country Houses. Bracketed Farm House of Wood, Design XVI, Fig. 65|3275|Downing, Andrew Jackson||architect|A. J. Downing|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Architectural Theory|Architectural drawing||||19|||1850|1850||1850|1850-1850||The Architecture of Country Houses|Larger entity||4051||||0||||||||||||||||||||||Houses ; Architectural drawings ; |Houses|Architectural drawings||||||||Cornell||JNK|MNW|11/8/2005 0:00:00|6/10/2005 0:00:00|Downing|||0||||||CouHou|O||||||1.0||||||||||Work|0|Theory-|||||||||||0|0|Bracketed Farm House of Wood, Design XVI, Fig. 65|Downing, Andrew Jackson 4054.00|0|Architect|02|O-Downing|1.0|CouHou|66|O-Downing 1.0 CouHou 66|Bracketed Farm House of Wood, Design XVI, Fig. 66|Assigned|Image Source (Pub)|||||||The Architecture of Country Houses. Bracketed Farm House of Wood, Design XVI, Fig. 66|3275|Downing, Andrew Jackson||architect|A. J. Downing|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Architectural Theory|Architectural drawing||||19|||1850|1850||1850|1850-1850||The Architecture of Country Houses|Larger entity||4051||||0||||||||||||||||||||||Houses ; Plans (drawings) ; |Houses|Plans (drawings)||||||||Cornell||JNK|MNW|11/8/2005 0:00:00|6/10/2005 0:00:00|Downing|||0||||||CouHou|O||||||1.0||||||||||Work|0|Theory-|||||||||||0|0|Bracketed Farm House of Wood, Design XVI, Fig. 66|Downing, Andrew Jackson 4055.00|0|Architect|03||| |||Luis Barragán House and Studio|Assigned|Image Source (Pub)|||||||Luis Barragán House and Studio|755|Barragán, Luis||architect|Luis Barragán|0||||0|||||Mexican||||||||Mexico||||||0|Mexico City, Mexico|||9989||||0||||0|Architecture|House|Studio (work space)|||20|||1947|1950||1947-1950|1947-1950|||||0||||0||||||||||||||||||||||Houses ; Studios (Work Spaces) ; |Houses|Studios (Work Spaces)||||||||Cornell||JNK|MNW|8/16/2005 0:00:00|6/10/2005 0:00:00||Mex||0|||||||||||||||||||||||Work|0||||||||||||0|0|Luis Barragán House and Studio|Barragán, Luis 4056.00|0|Architect|02|MA-|Barragan|7.5 1967-68 LosClu SCr||MA- Barragan 7.5 1967-68 LosClu SCr |San Cristóbal Stables and Folk Egerstrom House|Assigned|Image Source (Pub)|||||||Los Clubes. San Cristóbal Stables and Folk Egerstrom House|27673|Barragan & Casillas||ArchFirm|Barragan & Casillas|2091|Casillas, Andreas||architect|0|||||Mexican||||||||Mexico||||||0|Ciudad López Mateos, Mexico|||10491||||0||||0|Architecture|House|Barn|||20|||1967|1968||1967-1968|1967-1968||Los Clubes|Larger entity||7600||||0||||||||||||||||||||||Houses ; Stables ; |Houses|Stables||||||||Cornell||JNK|JNK|8/2/2006 0:00:00|6/10/2005 0:00:00|Barragan|||0||||||1967-68 LosClu SCr|MA||||||7.5||||||||||Building|0|Modern Architecture-|||||||||||0|0|San Cristóbal Stables and Folk Egerstrom House|Barragan & Casillas;Casillas, Andreas 4057.00|0||||||||Administration Building|Descriptive|Image Source (Pub)|||||||Universidad Autonoma Chapingo. Administration Building|0|||||0||||0|||||Mexican||||||North and Central America||Mexico||||||0|Texcoco de Mora, Mexico|||9990||||0||||0|Architecture|University|School|Office building||20|||||||||Universidad Autonoma Chapingo|Larger entity||315||||0||||||||||||||||||||||Office buildings ; Universities ; Schools ; |Office buildings|Universities|Schools|||||||Cornell||JNK|JNK|6/10/2005 0:00:00|6/10/2005 0:00:00||Tex||0||||||||||||||||||||||||0||||||||||||0|0|Administration Building| 4058.00|0||||||||Alliance of the Peasant and the Industrial Worker, North wall, second floor foyer|Assigned|Image Source (Pub)|||||||Univ. Autonoma Chapingo. Admin. Bldg. Alliance of the Peasant and the Industrial Worker, North wall, second floor foyer|9901|Rivera, Diego||painter|Diego Rivera|0||||0|||||Mexican||||||||Mexico||||||0|Texcoco de Mora, Mexico|||9990||||0||||0|Paintings|Fresco||||20|||1924|1924||1924|1924-1924||Administration Building|Larger entity||4057||||0|||||Fresco|fresco|||||painting (image-making)|mural painting||||||||||Peasants ; Workers ; |Peasants|Workers||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|6/10/2005 0:00:00||Tex||0||||||||||||||||||||||||0||||||||||Universidad Autonoma Chapingo. Administration Building||0|0|Alliance of the Peasant and the Industrial Worker, North wall, second floor foyer|Rivera, Diego 4059.00|0||||||||National Museum of Anthropology|Assigned|Image Source (Pub)|||||||National Museum of Anthropology|9611|Ramírez Vásquez, Pedro||architect|Pedro Ramírez Vásquez, J. Campuzano & R. Mijares|30693|Campuzano, Jorge||architect|30692|Mijares, Rafael||architect||Mexican||||||||Mexico||||||0|Mexico City, Mexico|||9989||||0||||0|Architecture|Museum||||20|0|0|1964|1964||1964|1964-1964|||||0||||0||||||||||||||||||||||Museums ; |Museums|||||||||Cornell||JNK|MNW|11/8/2005 0:00:00|6/10/2005 0:00:00||Mex||0||||||||||||||||||||||||0||||||||||||0|0|National Museum of Anthropology|Ramírez Vásquez, Pedro;Campuzano, Jorge;Mijares, Rafael 4060.00|0||||||||The People for the University. The University for the People|Assigned|Image Source (Pub)|||||||National Autonomous University of Mexico. The People for the University. The University for the People|10959|Siqueiros, David Alfaro||painter|Siqueiros, David Alfaro|0||||0|||||Mexican||||||||Mexico||||||0|Mexico City, Mexico|||9989||||0||||0|Mosaics|Mosaic||||20|||1952|1956||1952-1956|1952-1956||National Autonomous University of Mexico|Larger entity||4059||||0|||||Relief Mosaic||||||mosaic|||||||||||Universities ; |Universities|||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|6/10/2005 0:00:00||Mex||0||||||||||||||||||||||||0||||||||||||0|0|The People for the University. The University for the People|Siqueiros, David Alfaro 4061.00|0||||||||Foro Italico|Assigned|Image Source (Pub)|Foro Mussolini|Original|Blue Guide||||Foro Italico|3036|Del Debbio, Enrico||architect|Enrico Del Debbio and Luigi Moretti|8194|Moretti, Luigi||architect|0|||||Italian||||||||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Forum|Stadium|||20|||1928|1936||1928-1936|1928-1936|||||0||||0||||||||||||||||||||||Forums ; Stadiums ; Sculpture (visual work) ; Fascism ; |Forums|Stadiums|Sculpture (visual work)|Fascism||||||Cornell||JNK|JNK|6/21/2005 0:00:00|6/10/2005 0:00:00||Rom||0||||||||||||||||||||||||0||||||||||||0|0|Foro Italico;Foro Mussolini|Del Debbio, Enrico;Moretti, Luigi 4062.00|0||||||||Southern Guesthouse|Translated|Cataloger|Foresterie Sud|Assigned|Image Source (Pub)||||Foro Italico. Southern Guesthouse (Foresterie Sud)|3036|Del Debbio, Enrico||architect|Enrico Del Debbio|0||||0|||||Italian||||||||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|||||20|||1933|1933|ca|ca 1933|ca 1933-1933||Foro Italico|Larger entity||4061||||0||||||||||||||||||||||Guest rooms ; Dormitories (buildings) ; |Guest rooms|Dormitories (buildings)||||||||Cornell||JNK|MNW|11/8/2005 0:00:00|6/10/2005 0:00:00||Rom||0||||||||||||||||||||||||0||||||||||||0|0|Southern Guesthouse;Foresterie Sud|Del Debbio, Enrico 4063.00|0||||||||House of Arms|Translated|Cataloger|La Casa delle Armi|Assigned|Image Source (Pub)||||Foro Italico. House of Arms (La Casa delle Armi)|8194|Moretti, Luigi||architect|Luigi Moretti|0||||0|||||Italian||||||||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Library|Museum|School||20|||1935|1936||1935-1936|1935-1936||Foro Italico|Larger entity||4061||||0||||||||||||||||||||||Schools ; Libraries (Buildings) ; Museums ; |Schools|Libraries (Buildings)|Museums|||||||Cornell||JNK|MNW|3/31/2006 0:00:00|6/10/2005 0:00:00||Rom||0||||||||||||||||||||||||0|||||The Casa delle Armi was designed in 1933 by Moretti and constructed between 1935 and 1936.|||||||0|0|House of Arms;La Casa delle Armi|Moretti, Luigi 4064.00|0||||||||A Group Test of Fencing Pupils Outside the Casa delle Armi|Translated|Cataloger|Un Saggio collettive degli allievi schermidori, all'esterno dell'edificio|Descriptive|Image Source (Pub)||||A Group Test of Fencing Pupils Outside the Casa delle Armi|0|||||0||||0|||||Italian||||||||Italy||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1937|1937|aft|aft 1937|aft 1937-1937|||||0||||0|||||Black and white photograph||||||photography|||||||||||Students ; Fencing ; Fascism ; |Students|Fencing|Fascism|||||||Cornell||JNK|MNW|11/8/2005 0:00:00|6/10/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|A Group Test of Fencing Pupils Outside the Casa delle Armi;Un Saggio collettive degli allievi schermidori, all'esterno dell'edificio| 4065.00|0||||||||Terme del Foro Mussolini|Assigned|Image Source (Pub)|Baths of the Foro Italico|Variant|Cataloger||||Terme del Foro Mussolini|8194|Moretti, Luigi||architect|Luigi Moretti|0||||0|||||Italian||||||||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Bathhouse|Swimming pool|||||||||||||||0||||0||||||||||||||||||||||||||||||||Cornell||JNK|JNK|6/10/2005 0:00:00|6/10/2005 0:00:00||Rom||0||||||||||||||||||||||||0||||||||||||0|0|Terme del Foro Mussolini;Baths of the Foro Italico|Moretti, Luigi 4066.00|0||||||||Concrete Houses|Artists|Image Source (Pub)|||||||Towards a New Architecture. Concrete Houses|6857|Le Corbusier||architect|Le Corbusier|0||||0||||||||International Style|||||||||||0||||0||||0||||0|Publications|Book|Illustration|Drawing||20|||1920|1920||1920|1920-1920||Towards a New Architecture (Vers une architecture)|Larger entity||||||0|||||||||||drawing (image-making)|||||||||||Houses ; |Houses|||||||||Cornell||MNW|MNW|6/16/2005 0:00:00|6/15/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Concrete Houses|Le Corbusier 4067.00|0||||||||"Freehold Maisonettes"" the Hanging Gardens|Published|Image Source (Pub)|||||||Towards a New Architecture. "Freehold Maisonettes"" the Hanging Gardens|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||Swiss|French||Modernist|||Europe||France|Switzerland|||||0||||0||||0||||0|Publications|Book|Illustration|Drawing||20|||1922|1922||1922|1922-1922||Towards a New Architecture|Larger entity||3057||||0|||||||||||drawing (image-making)|||||||||||Apartment houses ; Architectural drawings ; |Apartment houses|Architectural drawings||||||||Cornell||MNW|JNK|4/19/2006 0:00:00|6/15/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|"Freehold Maisonettes"" the Hanging Gardens|Le Corbusier 4068.00|0|Architect|03||||||Learning From Las Vegas: Revised Edition|Inscribed|Print Publication|||||||Learning From Las Vegas: Revised Edition|12233|Venturi, Robert||author|Robert Venturi|10692|Scott Brown, Denise||author|5848|Izenour, Steven||author||American|||Postmodern|||||United States||||||0||||0||||0||||0|Publications|Book|Theory|||20|||1977|1977||1977|1977-1977|||||0||||0||||||||||||||||||||||Las Vegas, Nevada ; Buildings ; Architectural theory ; |Las Vegas, Nevada|Buildings|Architectural theory|||||||Cornell||MNW|JNK|12/1/2006 0:00:00|6/16/2005 0:00:00||||0|||||||||||||||||||||||Work|0|Modern Architecture||||Date of revised edition; original edition was published in 1972.|||||||0|0|Learning From Las Vegas: Revised Edition|Venturi, Robert;Scott Brown, Denise;Izenour, Steven 4069.00|0||||||||Iron Pouring|Artists|Image Source (Pub)|||||||Iron Pouring|30691|De Marco, Antoine||sculptor|Antoine De Marco|0||||0|||||American|||New Deal|||||United States||||||0|Post Office, Danville, PA|||10492||||0||||0|Sculpture|Relief||||20|||1941|1941||1941|1941-1941|||||0||||0|||||Cast aluminum sculpture|aluminum|||||casting|sculpture||||||||||Workers ; Ironworking ; |Workers|Ironworking||||||||Cornell||MNW|JNK|6/21/2005 0:00:00|6/16/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Iron Pouring|De Marco, Antoine 4070.00|0|Architect|03|MA-Gropius|7.5|1938 Gro||MA-Gropius 7.5 1938 Gro |Gropius House|Descriptive|Macmillan|||||||Gropius House|28219|Gropius & Breuer||architectural firm|Gropius & Breuer|0||||0|||||American|||International Style|||Asia||United Arab Emirates||||||0|Lincoln, MA|||10493||||0||||0|Architecture|House||||20|||1937|1938||1937-1938|1937-1938|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||MNW|MNW|3/28/2006 0:00:00|6/16/2005 0:00:00|Gropius|||0||||||Gro|MA||||||7.5|1938|||||||||Work|0|Modern Architecture|||||||||||0|0|Gropius House|Gropius & Breuer 4071.00|0||||||||Cover of "The Family Handyman," April/May 1952|Descriptive|Image Source (Pub)|||||||Cover of "The Family Handyman," April/May 1952|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Publications|Illustration||||20|||1952|1952||1952|1952-1952|||||0||||0||||||||||||||||||||||Illustrations ; |Illustrations|||||||||Cornell||MNW|MNW|6/17/2005 0:00:00|6/16/2005 0:00:00||||0||||||||||||||||||||||||0|||||April/May 1952|||||||0|0|Cover of "The Family Handyman," April/May 1952| 4072.00|0||||||||Cover of "Popular Mechanics Magazine," April 1947|Descriptive|Image Source (Pub)|||||||Cover of "Popular Mechanics Magazine," April 1947|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Publications|Illustration||||20|||1947|1947||1947|1947-1947|||||0||||0||||||||||||||||||||||Illustrations ; Construction ; |Illustrations|Construction||||||||Cornell||MNW|MNW|6/17/2005 0:00:00|6/16/2005 0:00:00||||0||||||||||||||||||||||||0||Popular Mechanics commissioned plans for a "Build-It-Yourself House" and then followed the efforts of veteran Jacques Brownson to build it in 1947. Goldstein, Do It Yourself|||April, 1947|||||||0|0|Cover of "Popular Mechanics Magazine," April 1947| 4073.00|0||||||||Do-it-yourself Installation of Faux-stone Wall Covering and Coordinating Tile|Descriptive|Image Source (Pub)|||||||Do-it-yourself Installation of Faux-stone Wall Covering and Coordinating Tile|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Advertising|Advertisement||||20|||1960|1960|ca|ca 1960|ca 1960-1960|||||0||||0||||||||||||||||||||||Artificial stone ; Advertisements ; |Artificial stone|Advertisements||||||||Cornell||MNW|MNW|6/16/2005 0:00:00|6/16/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Do-it-yourself Installation of Faux-stone Wall Covering and Coordinating Tile| 4074.00|0||||||||Home Depot Store|Descriptive|Image Source (Pub)|||||||Home Depot Store|0|||||0||||0|||||American||||||Asia||United Arab Emirates||||||0||||0||||0||||0|Architecture|Commercial building|Store|||20|||1996|1996||1996|1996-1996|||||0||||0||||||||||||||||||||||Stores ; Commercial buildings ; |Stores|Commercial buildings||||||||Cornell||MNW|MNW|6/16/2005 0:00:00|6/16/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Home Depot Store| 4075.00|0||||||||Advertisement for Plumb Tools|Descriptive|Image Source (Pub)|||||||Advertisement for Plumb Tools|0|||||0||||0|||||American||||||Asia||United Arab Emirates||||||0||||0||||0||||0|Advertising|Advertisement|||||||1952|1952||1952|1952-1952|||||0||||0||||||||||||||||||||||Advertisements ; Tools ; |Advertisements|Tools||||||||Cornell||MNW|MNW|6/16/2005 0:00:00|6/16/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Advertisement for Plumb Tools| 4076.00|0||||||||Advertisement for Craftsman Industrial Plunge Router|Descriptive|Cataloger|||||||Advertisement for Craftsman Industrial Plunge Router|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Advertising|Advertisement|||||||1995|1995||1995|1995-1995|||||0||||0||||||||||||||||||||||Advertisements ; Tools ; Women ; |Advertisements|Tools|Women|||||||Cornell||MNW|MNW|6/16/2005 0:00:00|6/16/2005 0:00:00||||0||||||||||||||||||||||||0||Published by Sears, Roebuck and Co.||||||||||0|0|Advertisement for Craftsman Industrial Plunge Router| 4077.00|0||||||||Your Doing It Right|Inscribed|Image Source (Pub)|Stanley Television Advertisement|Descriptive|Cataloger||||Your Doing It Right (Stanley Television Advertisement)|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Advertising|Advertisement||||20|||1986|1986||1986|1986-1986|||||0||||0||||||||||||||||||||||Advertisements ; Tools ; Women ; |Advertisements|Tools|Women|||||||Cornell||MNW|MNW|6/16/2005 0:00:00|6/16/2005 0:00:00||||0||||||||||||||||||||||||0||Photograph reproduced from Jeffrey L. Rodengen, The Legend of Stanley: 150 Years of the Stanley Works. Goldstein, Do It Yourself.||||||||||0|0|Your Doing It Right;Stanley Television Advertisement| 4078.00|0||||||||Palaestra of the Duce|Translated|Cataloger|Palestra del Duce|Assigned|Image Source (Pub)||||Foro Italico. Palaestra of the Duce (Palestra del Duce)|8194|Moretti, Luigi||architect|Luigi Moretti|0||||0|||||Italian||||||||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Sports building||||20|||1937|1937||1937|1937-1937||Foro Italico|Larger entity||4061||||0||||||||||||||||||||||Palestrae ; Gymnasia ; |Palestrae|Gymnasia||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|6/21/2005 0:00:00||Rom||0||||||||||||||||||||||||0||||||||||||0|0|Palaestra of the Duce;Palestra del Duce|Moretti, Luigi 4079.00|0||||||||Stadium of Marmi|Translated|Cataloger|Stadio dei Marmi|Assigned|Image Source (Pub)||||Foro Italico. Stadium of Marmi (Stadio dei Marmi)|3036|Del Debbio, Enrico||architect|Enrico Del Debbio|0||||0|||||Italian||||||||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Sports building|Stadium|||20|||1928|1930||1928-1930|1928-1930||Foro Italico|Larger entity||4061||||0||||||||||||||||||||||Stadiums ; Statues ; |Stadiums|Statues||||||||Cornell||JNK|MNW|11/8/2005 0:00:00|6/21/2005 0:00:00||Rom||0||||||||||||||||||||||||0||||||||||||0|0|Stadium of Marmi;Stadio dei Marmi|Del Debbio, Enrico 4080.00|0||||||||How Will the Great Modern Cities Develop|Translated|Cataloger|Como Deben Desarrollarse las Grandes Ciudades Modernas|Inscribed|Image Source (Pub)||||How Will the Great Modern Cities Develop|755|Barragán, Luis||architect|Luis Barragán|0||||0|||||Mexican|||Modernist|||||Mexico||||||0||||0||||0||||0|Publications|Article||||20|||1959|1959||October12, 1959|1959-1959|||||0||||0||||||||||||||||||||||Newspapers ; Architectural theory ; |Newspapers|Architectural theory||||||||Cornell||JNK|MNW|11/8/2005 0:00:00|6/21/2005 0:00:00||||0||||||||||||||||||||||||0||Full-page newspaper article in Zócalo.|||October 12, 1959|||||||0|0|How Will the Great Modern Cities Develop;Como Deben Desarrollarse las Grandes Ciudades Modernas|Barragán, Luis 4081.00|0||||||||Museum of Literature|Assigned|Image Source (Pub)|||||||Museum of Literature|399|Ando, Tadao||architect|Tadao Ando|0||||0|||||Japanese||||||||Japan||||||0|Himeji, Japan|||10494||||0||||0|Architecture|Museum||||20|||1988|1991||1988-1991|1988-1991|||||0||||0||||||||||||||||||||||Museums ; |Museums|||||||||Cornell||JNK|JNK|6/21/2005 0:00:00|6/21/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Museum of Literature|Ando, Tadao 4082.00|0|Architect|03|MA-|4.4|1989 Chi||MA- 4.4 1989 |Children's Museum|Assigned|Image Source (Pub)|||||||Children's Museum|399|Ando, Tadao||architect|Tadao Ando|0||||0|||||Japanese|||Modernist|||||Japan||||||0|Himeji, Japan|||10494||||0||||0|Architecture|Museum||||20|||1987|1989||1987-1989|1987-1989|||||0||||0||||||||||||||||||||||Museums ; |Museums|||||||||Cornell||JNK||10/10/2006 0:00:00|6/21/2005 0:00:00||||0||||||Chi|MA||||||4.4|1989|||||||||Building|0|Modern Architecture|||||||||||0|0|Children's Museum|Ando, Tadao 4083.00|0||||||||Sketches of Horses|Descriptive|Image Source (Pub)|||||||Sketches of Horses|755|Barragán, Luis||architect|Luis Barragán|0||||0|||||Mexican||||||||Mexico||||||0||||0||||0||||0|Drawings|Drawing||||20||||||||||||0||||0|||||||||||drawing (image-making)|||||||9480|Birsfelden: Barragán Foundation|Birsfelden: Barragán Foundation||Horses ; |Horses|||||||||Cornell||JNK|MNW|11/8/2005 0:00:00|6/21/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Sketches of Horses|Barragán, Luis 4084.00|0||||||||Tlalpan Chapel|Assigned|Image Source (Pub)|||||||Tlalpan Chapel|755|Barragán, Luis||architect|Luis Barragán|0||||0|||||Mexican||||||||Mexico||||||0|Mexico City, Mexico|||9989||||0||||0|Architecture|Church|Chapel|||20|||1953|1960||1953-1960|1953-1960|||||0||||0||||||||||||||||||||||Churches ; Chapels ; |Churches|Chapels||||||||Cornell||JNK|JNK|6/21/2005 0:00:00|6/21/2005 0:00:00||Mex||0||||||||||||||||||||||||0||||||||||||0|0|Tlalpan Chapel|Barragán, Luis 4085.00|0||||||||Gilardi House|Assigned|Image Source (Pub)|||||||Gilardi House|755|Barragán, Luis||architect|Luis Barragán|0||||0|||||Mexican||||||||Mexico||||||0|Mexico City, Mexico|||9989||||0||||0|Architecture|House||||20|||1975|1977||1975-1977|1975-1977|||||0||||0||||||||||||||||||||||Houses ; Dwellings ; |Houses|Dwellings||||||||Cornell||JNK|JNK|6/21/2005 0:00:00|6/21/2005 0:00:00||Mex||0||||||||||||||||||||||||0||||||||||||0|0|Gilardi House|Barragán, Luis 4086.00|0||||||||Pianta di Roma|Assigned|Image Source (Pub)|Map of Rome|Translated|Cataloger||||Pianta di Roma|30694|Cartaro, Mario||printmaker|Mario Cartaro|0||||0|||||Italian|||Renaissance|||||Italy||||||0||||0||||0||||0|Maps|Map|Engraving (print)|||16|||1576|1576||1576|1576-1576|||||0||||0||||||paper|||||engraving (incising)|||||||||||Rome, Italy ; Basilica di S. Giovanni in Laterano ; Maps ; |Rome, Italy|Basilica di S. Giovanni in Laterano|Maps|||||||Cornell||JNK|MNW|6/28/2005 0:00:00|6/22/2005 0:00:00||||0||||||||||||||||||||||||0||Published in A. P. Frutaz, Le Piante di Roma, Roma, 1962, vol. II, tav. 241.||||||||||0|0|Pianta di Roma;Map of Rome|Cartaro, Mario 4087.00|0||||||||View of Marcus Aurelius in Front of the Lateran|Descriptive|Online Resource|Il Laterano in un disegno di M. Van heemskerck|Descriptive|Image Source (Pub)||||View of Marcus Aurelius in Front of the Lateran|5262|Heemskerck, Maerten van||draftsman|Maerten van Heemskerck|0||||0|||||Dutch|||Renaissance|||||Holland||||||0||||0||||0||||0|Drawings|Drawing||||16|||1535|1536||1535-1536|1535-1536|||||0||||0|||||Paper|paper|||||drawing (image-making)|||||12.6 x 20.5 cm||336|Berlin: Staatliche Museen zu Berlin; Kupferstichkabinett|Berlin: Kupferstichkab.||Basilica di S. Giovanni in Laterano ; Rome, Italy ; |Basilica di S. Giovanni in Laterano|Rome, Italy||||||||Cornell||JNK|MNW|6/28/2005 0:00:00|6/22/2005 0:00:00||||0||Inv. 79, D2, fol. 71r||||||||||||| |||||||||0||||||||||||0|0|View of Marcus Aurelius in Front of the Lateran;Il Laterano in un disegno di M. Van heemskerck|Heemskerck, Maerten van 4088.00|0||||||||Scala Santa|Assigned|Blue Guide|||||||Scala Santa|3978|Fontana, Domenico||architect|Domenico Fontana|0||||0|||||Italian|||Renaissance|Baroque||||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Chapel||||16|||1585|1590||1585-1590|1585-1590|||||0||||0||||||||||||||||||||||Santuario della Scala santa (Rome, Italy) ; |Santuario della Scala santa (Rome, Italy)|||||||||Cornell||JNK|MNW|6/28/2005 0:00:00|6/22/2005 0:00:00||Rom||0||||||||||||||||||||||||0||||||||||||0|0|Scala Santa|Fontana, Domenico 4089.00|0||||||||Tratto nuovo delle cose meravigliose dell'alma città di Roma|Inscribed|Image Source (Pub)|||||||Tratto nuovo delle cose meravigliose dell'alma città di Roma|30695|Felini, Pietro Martire||author|Pietro Martire Felini|0||||0|||||Italian|||Baroque|||||Italy||||||0||||0||||0||||0|Publications|Book||||17|||1610|1610||1610|1610-1610|||||0||||0||||||||||||||||||||||Scala Santa (Rome, Italy) ; Travel guidebooks ; Churches ; Rome, Italy ; |Scala Santa (Rome, Italy)|Travel guidebooks|Churches|Rome, Italy||||||Cornell||JNK|JNK|6/22/2005 0:00:00|6/22/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Tratto nuovo delle cose meravigliose dell'alma città di Roma|Felini, Pietro Martire 4090.00|0||||||||Scala Sancta Sancti Iohannis|Assigned|Image Source (Pub)|Scala Santa Saint John|Translated|Cataloger||||Tratto nuovo delle cose meravigliose. Scala Sancta Sancti Iohannis|30695|Felini, Pietro Martire||author|Pietro Martire Felini|0||||0|||||Italian|||Baroque|||||Italy||||||0||||0||||0||||0|Prints|Woodcut|Illustration|||17|||1610|1610||1610|1610-1610||Tratto nuovo delle cose meravigliose dell'alma città di Roma|Larger entity||4089||||0|||||Woodcut|paper|||||woodcut (process)|||||||||||||||||||||Cornell||JNK|MNW|6/29/2005 0:00:00|6/22/2005 0:00:00||||0||||||||||||||||||||||||0||One of the seven principal churches.||||||||||0|0|Scala Sancta Sancti Iohannis;Scala Santa Saint John|Felini, Pietro Martire 4091.00|0|Creator|02|O-Howard|1.0|1898|Tom|O-Howard 1.0 1898 Tom|Three Magnets-Diagram No. 1|Assigned|Image Source (Pub)|||||||Tomorrow: A Peaceful Path to Real Reform. Three Magnets-Diagram No. 1|5641|Howard, Ebenezer, Sir||author|Sir Ebenezer Howard|0||||0|||||English|||Victorian|||||England||||||0||||0||||0||||0|Architectural Theory|Publication|Book|||19|||1898|1898||1898|1898-1898||Tomorrow: A Peaceful Path to Real Reform|Larger entity||1106||||0||||||||||||||||||9278|Hertford: Hertfordshire County Record Office|Hertford:County Record Office||Urban planning ; Architectural theory ; Cities ; |Urban planning|Architectural theory|Cities|||||||Cornell||JNK|JNK|6/23/2005 0:00:00|6/23/2005 0:00:00|Howard|||0||D/EHo/F4/1||||Tom|O||||||1.0|1898| ||||||||Work|0|Theory-|||||||||||0|0|Three Magnets-Diagram No. 1|Howard, Ebenezer, Sir 4092.00|0||||||||Sociable Cities: The Legacy of Ebenezer Howard|Inscribed|Print Publication|||||||Sociable Cities: The Legacy of Ebenezer Howard|30696|Hall, Peter, Sir||urban planner|Sir Peter Hall|0||||0|||||English||||||||England|United Kingdom|||||0||||0||||0||||0|Architectural Theory|Book|Publication|||20|||1998|1998||1998|1998-1998|||||0||||0||||||||||||||||||||||Architectural theory ; Urban planning ; Howard, Sir Ebenezer, 1850-1928 ; Cities ; |Architectural theory|Urban planning|Howard, Sir Ebenezer, 1850-1928|Cities||||||Cornell||JNK|MNW|6/24/2005 0:00:00|6/23/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Sociable Cities: The Legacy of Ebenezer Howard|Hall, Peter, Sir 4093.00|0||||||||The Three Magnets|Assigned|Image Source (Pub)|||||||Sociable Cities: The Legacy of Ebenezer Howard. The Three Magnets|30696|Hall, Peter, Sir||urban planner|Sir Peter Hall|0||||0|||||English||||||||England|United Kingdom|||||0||||0||||0||||0|Architectural Theory|Drawing|Diagram|Illustration||20|||1998|1998||1998|1998-1998||Sociable Cities: The Legacy of Ebenezer Howard|Larger entity||4092||||0|||||Diagram||||||drawing (image-making)|||||||||||Diagrams ; Urban planning ; Cities ; |Diagrams|Urban planning|Cities|||||||Cornell||JNK|MNW|3/31/2006 0:00:00|6/23/2005 0:00:00||||0||||||||||||||||||||||||0||This diagram is an update of The Three Magnets by Ebenezer Howard, in Hall's words, "Howard's famous statement of advantages and disavantages, repharased fo rthe conditions of the 1990's…" New Civic Art, 13.||||||||||0|0|The Three Magnets|Hall, Peter, Sir 4094.00|0||||||||The European City and the American City|Descriptive|Cataloger|||||||The European City and the American City|6542|Krier, Léon||architect|Léon Krier|0||||0|||||||||||||||||||0||||0||||0||||0|Architectural Theory|Diagram|Illustration|||20||||1984|bef|before1984|- bef 1984|||||0||||0|||||Diagram||||||drawing (image-making)|||||||9481|Claviers: Léon Krier Collection|Claviers: Léon Krier Collection||Cities ; Urban planning ; American cities ; American ; European ; Diagrams ; Illustrations ; |Cities|Urban planning|American cities|American|European|Diagrams|Illustrations|||Cornell||JNK|MNW|6/24/2005 0:00:00|6/23/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|The European City and the American City|Krier, Léon 4095.00|0||||||||Orangewood|Inscribed|Image Source (Pub)|||||||Orangewood|8572|Nolen, John||urban planner|John Nolen|0||||0|||||American||||||||United States||||||0|Fort Myers, FL|||10496||||0||||0|Architecture|Municipal plan|City|||20|||1926|1926||1926|1926-1926|||||0||||0||||||||||||||||||9351|Ithaca: Cornell University; Library|Ithaca: Cornell University; Library||Urban planning ; Cities ; Garden cities ; Fort Meyers, FL ; |Urban planning|Cities|Garden cities|Fort Meyers, FL||||||Cornell||JNK|MNW|6/24/2005 0:00:00|6/23/2005 0:00:00||||0||||||||||||||| |||||||||0||This was a plan for an extension inland of the exisiting city of Fort Myers, FL.||||In the Rare and Manuscript Collection.||||||0|0|Orangewood|Nolen, John 4096.00|0||||||||Plan of Letchworth|Descriptive|Image Source (Pub)|||||||Plan of Letchworth|28776|Parker & Unwin||architectural firm|Parker & Unwin|0||||0|||||English||||||||England||||||0||||0||||0||||0|Architectural Theory|Plan (drawing)|Municipal plan|Architectural drawing||19|20||1900|1900|ca|ca 1900|ca 1900-1900|||||0||||0|||||Architectural drawing||||||architectural drawing|||||||||||Architectural drawings ; Urban planning ; Cities ; Garden cities ; Letchworth (England) ; |Architectural drawings|Urban planning|Cities|Garden cities|Letchworth (England)|||||Cornell||JNK|MNW|6/24/2005 0:00:00|6/23/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Plan of Letchworth|Parker & Unwin 4097.00|0||||||||Garden City Project|Descriptive|Image Source (Pub)|||||||Garden City Project|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||Swiss|||International Style|||||Switzerland||||||0||||0||||0||||0|Architectural Theory|Architectural drawing|Municipal plan|||20|||1914|1914||1914|1914-1914|||||0||||0|||||||||||architectural drawing|||||||||||Garden cities ; Urban planning ; Cities ; |Garden cities|Urban planning|Cities|||||||Cornell||JNK|MNW|6/24/2005 0:00:00|6/23/2005 0:00:00||||0||||||||||||||||||||||||0||This drawing is based on the Garden City principles developed by Raymond Unwin. Duany, The New Civic Art.||||||||||0|0|Garden City Project|Le Corbusier 4098.00|0||||||||1940's City Being Retrofitted for Parking Through Demolition|Descriptive|Cataloger|||||||1940's City Being Retrofitted for Parking Through Demolition|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1940|1949||1940's|1940-1949|||||0||||0|||||||||||photography|||||||||||Cities ; Parking ; Urban renewal ; |Cities|Parking|Urban renewal|||||||Cornell||JNK|MNW|6/24/2005 0:00:00|6/23/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|1940's City Being Retrofitted for Parking Through Demolition| 4099.00|0||||||||Merritt Parkway|Assigned|Image Source (Pub)|||||||Merritt Parkway|30697|Thayer, Chase||architect, landscape|Chase Thayer, A. Earl Wood, & George Dunkelberger|30698|Wood, A. Earl||engineer|30699|Dunkelberger, George Leonard||architect||American|||Art Deco|||||United States||||||0|Connecticut, USA|||10497||||0||||0|Architecture|Landscape (environment)|Roads|||20|||1934|1940||1934-1940|1934-1940|||||0||||0||||||||||||||||||||||Highways ; Roads ; Bridges (built works) ; Landscapes ; Parkways ; |Highways|Roads|Bridges (built works)|Landscapes|Parkways|||||Cornell||JNK|MNW|6/24/2005 0:00:00|6/24/2005 0:00:00||||0||||||||||||||||||||||||0||There are 68 bridges on the Merritt Parkway designed by George Dunkelberger. A. Earl Wood was the Landscape Engineer and Thayer Chase was the Landscape Architect.||||||||||0|0|Merritt Parkway|Thayer, Chase;Wood, A. Earl;Dunkelberger, George Leonard 4100.00|0|Architect|02|MA-Stei&Wri|7.4|1928-33|Rad/Und|MA-Stei&Wri 7.4 1928-33 Rad/Und|Pedestrian Underpass|Assigned|Image Source (Pub)|||||||Radburn (N.J.). Pedestrian Underpass|29085|Stein, Wright & Ackerman||ArchFirm|Stein, Wright & Ackerman|0||||0|||||American||||||||United States||||||0|Radburn, NJ|||10149||||0||||0|Architecture|Housing development|Bridge (built work)|Underpass||20|||1928|1933||1928-1933|1928-1933||Radburn (N.J.)|Larger entity||1114||||0||||||||||||||||||||||Housing developments ; Bridges (built works) ; Underpasses ; |Housing developments|Bridges (built works)|Underpasses|||||||Cornell||JNK|MNW|10/19/2006 0:00:00|6/24/2005 0:00:00||Rad||0|||||||MA||||||7.4|1928-33|||||||||Work|0|Modern Architecture-|||||||||||0|0|Pedestrian Underpass|Stein, Wright & Ackerman 4101.00|0||||||||Proposal for a Secure Block for Inner City Development|Descriptive|Image Source (Pub)|||||||Proposal for a Secure Block for Inner City Development|29480|Duany, Plater-Zyberk & Company||architectural firm|Duany, Plater-Zyberk & Company|0||||0|||||American|||Postmodern|||||United States||||||0||||0||||0||||0|Architecture|Architectural drawing|Housing development|Architectural drawing||20|21|||2003||-2003|-2003|||||0||||0|||||||||||architectural drawing|||||||||||Housing developments ; Urban planning ; Houses ; |Housing developments|Urban planning|Houses|||||||Cornell||JNK|MNW|6/24/2005 0:00:00|6/24/2005 0:00:00||||0||||||||||||||| |||||||||0||Drawing by Charles Barrett.||||||||||0|0|Proposal for a Secure Block for Inner City Development|Duany, Plater-Zyberk & Company 4102.00|0||||||||Cover of House & Garden Plans Guide|Descriptive|Image Source (Pub)|||||||Cover of House & Garden Plans Guide|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Publications|Book||||20|||1975|1975||Spring-Summer, 1975|1975-1975|||||0||||0||||||||||||||||||||||Plans (drawings) ; Houses ; |Plans (drawings)|Houses||||||||Cornell||JNK|MNW|6/24/2005 0:00:00|6/24/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Cover of House & Garden Plans Guide| 4103.00|0||||||||Universal City Walk|Assigned|Image Source (Pub)|||||||Universal City Walk|29626|Jerde Partnership International||architectural firm|Jerde Partnership International|0||||0|||||American||||||||United States||||||0|Universal City, CA|||10498||||0||||0|Architecture|Motion picture theater|Amphitheater|Restaurant||20|||1993|1994||1993-1994|1993-1994|||||0||||0||||||||||||||||||||||Entertainment buildings ; Stores ; Hotels (public accommodations) ; Motion picture theaters ; Amphitheaters (built works) ; Restaurants ; |Entertainment buildings|Stores|Hotels (public accommodations)|Motion picture theaters|Amphitheaters (built works)|Restaurants||||Cornell||JNK|JNK|6/27/2005 0:00:00|6/27/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Universal City Walk|Jerde Partnership International 4104.00|0||||||||Downtown Plaza|Assigned|Image Source (Pub)|||||||Downtown Plaza|29626|Jerde Partnership International||architectural firm|Jerde Partnership International|0||||0|||||American||||||||United States||||||0|Sacramento, CA|||10093||||0||||0|Architecture|Plaza|||||||1993|1993||1993|1993-1993|||||0||||0||||||||||||||||||||||Plazas ; Central business districts ; |Plazas|Central business districts||||||||Cornell||JNK|JNK|6/27/2005 0:00:00|6/27/2005 0:00:00||Sac||0||||||||||||||||||||||||0||||||||||||0|0|Downtown Plaza|Jerde Partnership International 4105.00|0||||||||The Piazza|Assigned|Image Source (Pub)|||||||Downtown Plaza. The Piazza|29626|Jerde Partnership International||architectural firm|Jerde Partnership International|0||||0|||||American||||||||United States||||||0|Sacramento, CA|||10093||||0||||0|Architecture|Piazza|Plaza|||20|||1993|1993||1993|1993-1993||Downtown Plaza|Larger entity||4104||||0||||||||||||||||||||||Piazzas ; |Piazzas|||||||||Cornell||JNK|MNW|11/8/2005 0:00:00|6/27/2005 0:00:00||Sac||0||||||||||||||||||||||||0||||||||||||0|0|The Piazza|Jerde Partnership International 4106.00|0||||||||The Garden Court|Assigned|Image Source (Pub)|||||||Downtown Plaza. The Garden Court|29626|Jerde Partnership International||architectural firm|Jerde Partnership International|0||||0|||||American||||||||United States||||||0|Sacramento, CA|||10093||||0||||0|Architecture|Piazza|Plaza|||20|||1993|1993||1993|1993-1993||Downtown Plaza|Larger entity||4104||||0||||||||||||||||||||||Plazas ; Piazzas ; |Plazas|Piazzas||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|6/27/2005 0:00:00||Sac||0||||||||||||||||||||||||0||||||||||||0|0|The Garden Court|Jerde Partnership International 4107.00|0||||||||Fremont Street Experience|Assigned|Image Source (Pub)|||||||Fremont Street Experience|29626|Jerde Partnership International||architectural firm|Jerde Partnership International|0||||0|||||American||||||||United States||||||0|Las Vegas, NV|||10194||||0||||0|Architecture|Theater||||20|||1995|1995||1995|1995-1995|||||0||||0||||||||||||||||||||||Urban renewal ; Central business districts ; Shopping ; |Urban renewal|Central business districts|Shopping|||||||Cornell||JNK|JNK|6/27/2005 0:00:00|6/27/2005 0:00:00||LasVeg||0||||||||||||||||||||||||0||||||||||||0|0|Fremont Street Experience|Jerde Partnership International 4108.00|0||||||||Rammed Earth Construction|Descriptive|Cataloger|||||||Rammed Earth Construction|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Architecture|Wall|Documentary photograph|||20|21||2003|2003|bef|bef 2003|bef 2003-2003|||||0||||0||||||||||||||||||||||Construction ; |Construction|||||||||Cornell||JNK|MNW|11/8/2005 0:00:00|6/27/2005 0:00:00||||0||||||||||||||||||||||||0||Rammed earth construction, while labor-intensive to install, provides a natrual, durable, and beautiful structure that will stand the test of time. Andela Dean, Green by Design, p. 107.||||||||||0|0|Rammed Earth Construction| 4109.00|0||||||||Straw Bale Construction|Descriptive|Cataloger|||||||Straw Bale Construction|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Architecture|Wall|Documentary photograph|||20|21||2003|2003|bef|bef 2003|bef 2003-2003|||||0||||0||||||||||||||||||||||Construction ; |Construction|||||||||Cornell||JNK|JNK|6/27/2005 0:00:00|6/27/2005 0:00:00||||0||||||||||||||||||||||||0||Many green building methods are conducive to owner-built projects. Here, a team of twelve places the walls of a 1,200-square-foot straw bale structure in weekend. Angela Dean, Green by Design, p. 109.||||||||||0|0|Straw Bale Construction| 4110.00|0||||||||Straw-clay Wall Construction|Descriptive|Cataloger|||||||Straw-clay Wall Construction|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Architecture|Wall|Documentary photograph|||20|21||2003|2003|bef|bef 2003|bef 2003-2003|||||0||||0||||||||||||||||||||||Construction ; |Construction|||||||||Cornell||JNK|MNW|11/8/2005 0:00:00|6/27/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Straw-clay Wall Construction| 4111.00|0||||||||Ross's Landing Plaza and Park|Assigned|Image Source (Pub)|||||||Ross's Landing Plaza and Park|29038|SITE||architectural firm|SITE|0||||0|||||American||||||||United States||||||0|Chattanooga, TN|||10476||||0||||0|Architecture|Plaza|Park (recreation area)|||20|||1992|1992|ca|ca 1992|ca 1992-1992|||||0||||0||||||||||||||||||||||Plazas ; Parks ; Urban landscapes ; Urban renewal ; |Plazas|Parks|Urban landscapes|Urban renewal||||||Cornell||JNK|MNW|8/5/2005 0:00:00|6/27/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Ross's Landing Plaza and Park|SITE 4112.00|0||||||||Best Forest Building|Assigned|Image Source (Pub)|Forest Building|Variant|Cataloger||||Best Products. Best Forest Building|29038|SITE||architectural firm|SITE|0||||0|||||American|||Postmodern|||||United States||||||0|Richmond, VA|||10288||||0||||0|Architecture|Store||||20|||1978|1980||1978-1980|1978-1980||Best Products|Larger entity||880||||0||||||||||||||||||||||Stores ; |Stores|||||||||Cornell||JNK|JNK|11/30/2006 0:00:00|6/27/2005 0:00:00||||0||||||||||||||||||||||||0||Built for the Best Company.||||||||||0|0|Best Forest Building;Forest Building|SITE 4113.00|0||||||||Beech Branches (Snowball)|Descriptive|Image Source (Pub)|||||||Beech Branches (Snowball)|4632|Goldsworthy, Andy||environmental artist|Andy Goldworthy|0||||0|||||British|Scottish|||||||England|||Finsbury Square & Moorgate, London, England|||10499||||0||||0||||0|Sculpture|Sculpture|Environmental art|||21|||2000|2000||June 21-22, 2000|2000-2000|||||0||||0|||||Snowball and beech branches|snow|beech||||sculpture|environmental art||||||||||Snowballs ; Wood (plant material) ; Sculpture (visual work) ; |Snowballs|Wood (plant material)|Sculpture (visual work)|||||||Cornell||JNK|MNW|11/8/2005 0:00:00|6/27/2005 0:00:00||||0||||||||||||||||||||||||0||Photographs document the snowball from the morning of June 21, 2000 to the morning of June 22, 2000.||||||||||0|0|Beech Branches (Snowball)|Goldsworthy, Andy 4114.00|0||||||||Snowballs in Summer|Assigned|Image Source (Pub)|||||||Snowballs in Summer|4632|Goldsworthy, Andy||environmental artist|Andy Goldworthy|0||||0|||||British|Scottish|||||||Scotland|||Tramway, Glasgow, Scotland|||10501||||||||0||||0|Sculpture|Sculpture|Environmental art|||20|||1989|1989||July, 1989|1989-1989|||||0||||0|||||Snowballs with organic materials|snow|||||sculpture|environmental art||||||||||Snowballs ; Sculpture (visual work) ; Plants (vegetation) ; Pebble (rock) ; Reeds ; Horse chestunt ; Pine ; Oak ; |Snowballs|Sculpture (visual work)|Plants (vegetation)|Pebble (rock)|Reeds|Horse chestunt|Pine|Oak||Cornell||JNK|MNW|11/8/2005 0:00:00|6/28/2005 0:00:00||||0||||||||||||||||||||||||0|||||July, 1989|||||||0|0|Snowballs in Summer|Goldsworthy, Andy 4115.00|0||||||||Reeds (Snowball)|Descriptive|Image Source (Pub)|||||||Snowballs in Summer. Reeds (Snowball)|4632|Goldsworthy, Andy||environmental artist|Andy Goldworthy|0||||0|||||British|Scottish|||||||Scotland|||Tramway, Glasgow, Scotland|||10501||||0||||0||||0|Sculpture|Sculpture|Environmental art|||20|||1989|1989||July, 1989|1989-1989||Snowballs in Summer|Larger entity||4114||||0|||||Snow and reeds|snow|reed||||sculpture|environmental art||||||||||Snowballs ; Reeds ; Sculpture (visual work) ; |Snowballs|Reeds|Sculpture (visual work)|||||||Cornell||JNK|MNW|11/8/2005 0:00:00|6/28/2005 0:00:00||||0||||||||||||||||||||||||0|||||July, 1989|||||||0|0|Reeds (Snowball)|Goldsworthy, Andy 4116.00|0||||||||Oak Sticks (Snowball)|Descriptive|Image Source (Pub)|||||||Snowballs in Summer. Oak Sticks (Snowball)|4632|Goldsworthy, Andy||environmental artist|Andy Goldworthy|0||||0|||||British|Scottish|||||||Scotland|||Tramway, Glasgow, Scotland|||10501||||0||||0||||0|Sculpture|Sculpture|Environmental art|||20|||1989|1989||July, 1989|1989-1989||Snowballs in Summer|Larger entity||4114||||0|||||Snow and Oak Sticks|snow|oak||||sculpture|environmental art||||||||||Snowballs ; Oak ; Sculpture (visual work) ; |Snowballs|Oak|Sculpture (visual work)|||||||Cornell||JNK|MNW|11/8/2005 0:00:00|6/28/2005 0:00:00||||0||||||||||||||||||||||||0|||||July, 1989|||||||0|0|Oak Sticks (Snowball)|Goldsworthy, Andy 4117.00|0||||||||Pebbles (Snowball)|Descriptive|Image Source (Pub)|||||||Snowballs in Summer. Pebbles (Snowball)|4632|Goldsworthy, Andy||environmental artist|Andy Goldworthy|0||||0|||||British|Scottish|||||||Scotland|||Tramway, Glasgow, Scotland|||10501||||0||||0||||0|Sculpture|Sculpture|Environmental art|||20|||1989|1989||July, 1989|1989-1989||Snowballs in Summer|Larger entity||4114||||0|||||Snow and Pebbles|snow|pebble (rock)||||sculpture|environmental art||||||||||Snowballs ; Pebble (rock) ; Sculpture (visual work) ; |Snowballs|Pebble (rock)|Sculpture (visual work)|||||||Cornell||JNK|MNW|11/8/2005 0:00:00|6/28/2005 0:00:00||||0||||||||||||||||||||||||0|||||July, 1989|||||||0|0|Pebbles (Snowball)|Goldsworthy, Andy 4118.00|0||||||||Horse Chestnut Stalks (Snowball)|Descriptive|Image Source (Pub)|||||||Snowballs in Summer. Horse Chestnut Stalks (Snowball)|4632|Goldsworthy, Andy||environmental artist|Andy Goldworthy|0||||0|||||British|Scottish|||||||Scotland|||Tramway, Glasgow, Scotland|||10501||||0||||0||||0|Sculpture|Sculpture|Environmental art|||20|||1989|1989||July, 1989|1989-1989||Snowballs in Summer|Larger entity||4114||||0|||||Snow and Horse Chestnut Stalks|snow|||||sculpture|environmental art||||||||||Horse chestunt ; Snowballs ; Sculpture (visual work) ; |Horse chestunt|Snowballs|Sculpture (visual work)|||||||Cornell||JNK|MNW|11/8/2005 0:00:00|6/28/2005 0:00:00||||0||||||||||||||||||||||||0|||||July, 1989|||||||0|0|Horse Chestnut Stalks (Snowball)|Goldsworthy, Andy 4124.00|0|Creator|15|Ren|P|Juan de Flandes||Ren P Juan de Flandes|Last Supper|Descriptive|Print Publication|||||||Retablo de Isabel la Católica. Last Supper|30700|Flandes, Juan de||painter|Juan de Flandes|0||||0|||||Spanish|||Early Renaissance|||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|Panel (wood)||15|||1496|1496|ca|ca 1496|ca 1496||Retablo de Isabel la Católica|Larger entity||4161||||0|||||Oil on oak|oil paint|oak|||||||||21 x 15.8 cm||1555|London: Wellington Museum|London: Wellington Mus.||Last Supper ; Christ ; Eucharist ; Apostles ; |Last Supper|Christ|Eucharist|Apostles||||||Cornell||ElA|JNK|1/6/2006 0:00:00|6/28/2005 0:00:00|Juan de Fl|||0||81|||||Ren|P||||||| ||||||||Work|0||||||||||||0|0|Last Supper|Flandes, Juan de 4125.00|0|Creator|15|Ren|P|Juan de Flandes||Ren P Juan de Flandes|Mocking of Christ|Descriptive|Print Publication|||||||Retablo de Isabel la Católica. Mocking of Christ|30700|Flandes, Juan de||painter|Juan de Flandes|0|||painter|0|||||Spanish|||Early Renaissance|||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|Panel (wood)||15|||1496|1496|ca|ca 1496|ca 1496-1496||Retablo de Isabel la Católica|Larger entity||4161||||0|Bible. New Testament.||||Oil on wood|oil paint|wood|panel|||painting (image-making)|||||21 x 15.2 cm||1628|Madrid: Palacio Real|Madrid: Pal. Real||Christ ; Passion of Christ ; Mockings of Christ ; |Christ|Passion of Christ|Mockings of Christ|||||||Cornell||ElA|JNK|1/6/2006 0:00:00|6/28/2005 0:00:00|Juan de Fl|||0||10002026|||||Ren|P||||||| ||||||||Work|0||||||||||||0|0|Mocking of Christ|Flandes, Juan de 4126.00|0|Creator|15|Ren|P|Juan de Flandes||Ren P Juan de Flandes|Penitence of Mary Magdalene|Descriptive|Print Publication|||||||Retablo de Isabel la Católica. Penitence of Mary Magdalene|30700|Flandes, Juan de||painter|Juan de Flandes|0||||0|||||Spanish|||Early Renaissance|||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|Panel (wood)||15|||1496|1497|ca|ca. 1496-1497|1496-1497||Retablo de Isabel la Católica|LargerEntity||4161||||0|||||Oil on wood|oil paint|wood||||painting (image-making)|||||21.1 x 15.8 cm||1628|Madrid: Palacio Real|Madrid: Pal. Real||Christ ; Penitence ; Mary Magdalene ; |Christ|Penitence|Mary Magdalene|||||||Cornell||ElA|JNK|1/6/2006 0:00:00|6/28/2005 0:00:00|Juan de Fl|||0||10002032|||||Ren|P||||||| ||||||||Work|0||||||||||||0|0|Penitence of Mary Magdalene|Flandes, Juan de 4127.00|0|Creator|15|Ren|P|Juan de Flandes||Ren P Juan de Flandes|Marriage at Cana||Print Publication|||||||Retablo de Isabel la Católica. Marriage at Cana|30700|Flandes, Juan de||painter|Juan de Flandes|0|||painter|0|||||Spanish|||Early Renaissance|||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|Panel (wood)||15|||1497|1497|ca|ca 1497|1497||Retablo de Isabel la Católica|Larger entity||4161||||0|||||Oil on wood|oil paint|wood||||painting (image-making)|||||21 x 15.9 cm||1951|New York: Metropolitan Museum of Art; Cloisters|New York: Metropolitan; Cloisters||Christ ; Marriage at Cana ; Miracles ; |Christ|Marriage at Cana|Miracles|||||||Cornell||ElA|JNK|1/6/2006 0:00:00|6/28/2005 0:00:00|Juan de Fl|||0||1982.60.20|||||Ren|P||||||| ||||||||Work|0||||||||||||0|0|Marriage at Cana|Flandes, Juan de 4128.00|0||||||||Green Sticks Partly Scraped and Rubbed|Descriptive|Image Source (Pub)|||||||Green Sticks Partly Scraped and Rubbed|4632|Goldsworthy, Andy||environmental artist|Andy Goldworthy|0||||0|||||British||||||||England|||Yorkshire Scupture Park, West Bretton, England|||10504||||||||0||||0|Sculpture|Sculpture|Environmental art|Photographic print||20|||1987|1987||February 10, 1987|1987-1987|||||0||||0|||||Cibachrome photograph|photo paper|||||sculpture|photography||||49.6 x 50 cm||3290|Private Collection|: Private Coll.||Sticks ; Sculpture (visual work) ; |Sticks|Sculpture (visual work)||||||||Cornell||JNK|MNW|11/8/2005 0:00:00|6/28/2005 0:00:00||||0||||||||||||||| |||||||||0||The ephemeral sculpture was created at the Yorkshire Sculpture Park and documented by Goldsworthy on 35mm transparencies (slides).|||February 10, 1987.|||||||0|0|Green Sticks Partly Scraped and Rubbed|Goldsworthy, Andy 4129.00|0|Creator|15|Ren|P|Juan de Flandes||Ren P Juan de Flandes|Crowning with Thorns||Print Publication|||||||Retablo de Isabel la Católica. Crowning with Thorns|30700|Flandes, Juan de||painter|Juan de Flandes|0|||painter|0|||||Spanish|||Early Renaissance|||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|Panel (wood)||15|||1496|1497|ca|ca 1496-1497|1496-1497||Retablo de Isabel la Católica|Larger entity||4161||||0|||||Oil on oak|oil paint|oak||||painting (image-making)|||||21.5 x 16.4 cm||3724|Detroit: Detroit Institute of Arts|Detroit: Inst. of Arts||Christ ; Passion of Christ ; Crowning with thorns ; |Christ|Passion of Christ|Crowning with thorns|||||||Cornell||ElA|JNK|1/6/2006 0:00:00|6/28/2005 0:00:00|Juan de Fl|||0||30.345|||||Ren|P||||||| ||||||||Work|0||||||||||||0|0|Crowning with Thorns|Flandes, Juan de 4130.00|0|Creator|15|Ren|P|Juan de Flandes||Ren P Juan de Flandes|Entry into Jerusalem||Print Publication|||||||Retablo de Isabel la Católica. Entry into Jerusalem|30700|Flandes, Juan de||painter|Juan de Flandes|0|||painter|0|||||Spanish|||Early Renaissance|||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|Panel (wood)||15|||1497|1498|ca|ca 1497-1498|1497-1498||Retablo de Isabel la Católica|Larger entity||4161||||0|||||Oil on wood|oil paint|wood||||painting (image-making)|||||21.2 x 15.6 cm||1628|Madrid: Palacio Real|Madrid: Pal. Real||Christ ; Jerusalem ; |Christ|Jerusalem||||||||Cornell||ElA|ElA|8/23/2005 0:00:00|6/28/2005 0:00:00|Juan de Fl|||0||10002024|||||Ren|P||||||| ||||||||Work|0||||||||||||0|0|Entry into Jerusalem|Flandes, Juan de 4131.00|0|Creator|15|Ren|P|Juan de Flandes||Ren P Juan de Flandes|Christ before Pilate||Print Publication|||||||Retablo de Isabel la Católica. Christ before Pilate|30700|Flandes, Juan de||painter|Juan de Flandes|0|||painter|0|||||Spanish|||Early Renaissance|||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|Panel (wood)||15|||1497|1498|ca|ca 1497-1498|1497-1498||Retablo de Isabel la Católica|Larger entity||4161||||0|||||Oil on wood|oil paint|wood||||painting (image-making)|||||21.2 x 15.8 cm||1628|Madrid: Palacio Real|Madrid: Pal. Real||Christ ; Passion of Christ ; Pilate, Pontius ; |Christ|Passion of Christ|Pilate, Pontius|||||||Cornell||ElA|MNW|8/4/2005 0:00:00|6/28/2005 0:00:00|Juan de Fl|||0||10002031|||||Ren|P||||||| ||||||||Work|0||||||||||||0|0|Christ before Pilate|Flandes, Juan de 4132.00|0|Creator|15|Ren|P|Juan de Flandes||Ren P Juan de Flandes|Christ with the Woman of Samaria||Print Publication|||||||Retablo de Isabel la Católica. Christ with the Woman of Samaria|30700|Flandes, Juan de||painter|Juan de Flandes|0||||0|||||Spanish|||Early Renaissance|||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|Panel (wood)||15|||1499|1499|ca|ca 1499|1499-1499||Retablo de Isabel la Católica|Larger entity||4161||||0|||||Oil on wood transferred to canvas and remounted on panel|oil paint|oak|canvas|||painting (image-making)|||||21.1 x 14.9 cm||3341|Paris: Musée du Louvre|Paris: Louvre||Christ ; Parable of Christ and the Woman of Samaria ; Parables ; |Christ|Parable of Christ and the Woman of Samaria|Parables|||||||Cornell||ElA|JNK|1/6/2006 0:00:00|6/28/2005 0:00:00|Juan de Fl|||0||RF2557|||||Ren|P||||||| ||||||||Work|0||||||||||||0|0|Christ with the Woman of Samaria|Flandes, Juan de 4133.00|0|Creator|15|Ren|P|Juan de Flandes||Ren P Juan de Flandes|Christ Appearing to His Mother Alone||Print Publication|||||||Retablo de Isabel la Católica. Christ Appearing to His Mother Alone|30700|Flandes, Juan de||painter|Juan de Flandes|0|||painter|0|||||Spanish|||Early Renaissance|||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|Panel (wood)||15|||1499|1499|ca|ca 1499|1499-1499||Retablo de Isabel la Católica|Larger entity||4161||||0|||||Oil on wood|oil paint|wood||||painting (image-making)|||||21.8 x 15.8 cm||357|Berlin: Staatsbibliothek|Berlin: Staatsbibl.||Christ ; Life of the Virgin ; |Christ|Life of the Virgin||||||||Cornell||ElA|MNW|8/4/2005 0:00:00|6/28/2005 0:00:00|Juan de Fl|||0||2064|||||Ren|P||||||| ||||||||Work|0||||||||||||0|0|Christ Appearing to His Mother Alone|Flandes, Juan de 4134.00|0||||||||Trench dug over two days, earth brought to an edge, clay supported with sticks, cold, darlky overcast but no rain, a hot day would have caused the clay to dry out, a wet day would have washed the earth away|Descriptive|Image Source (Pub)|||||||Trench Dug over Two Days…|4632|Goldsworthy, Andy||environmental artist|Andy Goldworthy|0||||0|||||British||||||||England|||Yorkshire Sculpture Park, West Bretton, England|||10504||||0||||0||||0|Sculpture|Sculpture|Environmental art|Photographic print||20|||1987|1987||August 6-7, 1987|1987-1987|||||0||||0|||||4 Cibachrome photographs|photo paper|earth||||sculpture|photography||||59x 59 cm each, joined||||||Earth ; Trenches ; |Earth|Trenches||||||||Cornell||JNK|MNW|11/8/2005 0:00:00|6/28/2005 0:00:00||||0||||||||||||||||||||||||0||The ephemeral sculpture was created at the Yorkshire Sculpture Park and documented by Goldsworthy on 35mm transparencies (slides).|||August 6-7, 1987.|||||||0|0|Trench dug over two days, earth brought to an edge, clay supported with sticks, cold, darlky overcast but no rain, a hot day would have caused the clay to dry out, a wet day would have washed the earth away|Goldsworthy, Andy 4135.00|0|Creator|15|Ren|P|Juan de Flandes||Ren P Juan de Flandes|Betrayal and Arrest of Christ||Print Publication|||||||Retablo de Isabel la Católica. Betrayal and Arrest of Christ|30700|Flandes, Juan de||painter|Juan de Flandes|0|||painter|0|||||Spanish|||Early Renaissance|||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|Panel (wood)||15|||1499|1499|ca|ca 1499|1499-1499||Retablo de Isabel la Católica|Larger entity||4161||||0|||||Oil on wood panel|oil paint|wood||||painting (image-making)|||||21.3 x 16 cm||1628|Madrid: Palacio Real|Madrid: Pal. Real||Christ ; Passion of Christ ; Judas Iscariot betrays Christ ; Judas Iscariot ; |Christ|Passion of Christ|Judas Iscariot betrays Christ|Judas Iscariot||||||Cornell||ElA|JNK|1/6/2006 0:00:00|6/28/2005 0:00:00|Juan de Fl|||0||10002024|||||Ren|P||||||| ||||||||Work|0||||||||||||0|0|Betrayal and Arrest of Christ|Flandes, Juan de 4136.00|0|Creator|15|REN P|JUAN DE FLANDES|||REN P JUAN DE FLANDES |Christ Bearing the Cross||Print Publication|||||||Retablo de Isabel la Católica. Christ Bearing the Cross|30700|Flandes, Juan de||painter|Juan de Flandes|0|||painter|0|||||Spanish|||Early Renaissance|||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|Pane1||15|||1499|1499|ca|ca 1499|1499-1499||Retablo de Isabel la Católica|Larger entity||4161||||0|||||Oil on wood panel|oil paint|wood||||painting (image-making)|||||21.5 x 15.7 cm||3403|Vienna: Kunsthistorisches Museum|Vienna: Kunsthistorisches Mus.||Christ ; Passion of Christ ; Crucifixion ; |Christ|Passion of Christ|Crucifixion|||||||Cornell||ElA|MNW|8/12/2005 0:00:00|6/28/2005 0:00:00|JUAN DE F|||0||6269|||||REN P|||||||| ||||||||Work|0||||||||||||0|0|Christ Bearing the Cross|Flandes, Juan de 4137.00|0||||||||Morris Lapidus With a Model of the Exhibition in the Distilled Spirits Institute Building at the New York World's Fair|Descriptive|Image Source (Pub)|||||||Morris Lapidus With a Model of the Exhibition in the Distilled Spirits Institute Building at the New York World's Fair|0|||||0||||0|||||American|||Modernist|||||United States||||||||||0||||0||||0|Photographs|Documentary photograph|Portrait|Model (representation)||20|||1939|1939||1939|1939-1939|||||0||||0|||||Black and white photograph||||||photography|||||||||||Lapidus, Morris, 1901-2001 ; Models (Representations) ; Exhibition buildings ; Exhibitions ; New York World's Fair (1939-1940) ; |Lapidus, Morris, 1901-2001|Models (Representations)|Exhibition buildings|Exhibitions|New York World's Fair (1939-1940)|||||Cornell||JNK|MNW|9/28/2005 0:00:00|6/28/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Morris Lapidus With a Model of the Exhibition in the Distilled Spirits Institute Building at the New York World's Fair| 4138.00|0|Category|15||||||Christ Appearing to His Mother with the Saved of the Old Testament||Print Publication|||||||Retablo de Isabel la Católica. Christ Appearing to His Mother with the Saved of the Old Testament|30700|Flandes, Juan de||painter|Juan de Flandes|0|||painter|0|||||Spanish|||Early Renaissance|||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|Pane1||15|16||1499|1500|ca|ca 1499-1500|1499-1500||Retablo de Isabel la Católica|Larger entity||4161||||0|||||Oil on oak panel|oil paint|oak||||painting (image-making)|||||21.4 x 16 cm||3357|London: National Gallery|London: National Gallery||Christ ; Life of the Virgin ; |Christ|Life of the Virgin||||||||Cornell||ElA|ElA|8/23/2005 0:00:00|6/28/2005 0:00:00||||0||1280||||||||||||| ||||||||Work|0||||||||||||0|0|Christ Appearing to His Mother with the Saved of the Old Testament|Flandes, Juan de 4139.00|0|Creator|15|Ren|P|Juan de Flandes||Ren P Juan de Flandes|Christ and the Woman with the Issue of Blood||Print Publication|||||||Retablo de Isabel la Católica. Christ and the Woman with the Issue of Blood|30700|Flandes, Juan de||painter|Juan de Flandes|0|||painter|0|||||Spanish|||Early Renaissance|||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|Panel (wood)||16|||1500|1500|ca|ca 1500|1500-1500||Retablo de Isabel la Católica|Larger entity||4161||||0|||||Oil on wood (linden?) panel|oil paint|wood||||painting (image-making)|panel painting||||21 x 15.9 cm||1628|Madrid: Palacio Real|Madrid: Pal. Real||Christ ; Miracles ; Healing of a woman with an issue of blood ; Resurrection ; |Christ|Miracles|Healing of a woman with an issue of blood|Resurrection||||||Cornell||ElA|JNK|1/6/2006 0:00:00|6/28/2005 0:00:00|Juan de Fl|||0||10002022|||||Ren|P||||||| ||||||||Work|0||||||||||||0|0|Christ and the Woman with the Issue of Blood|Flandes, Juan de 4140.00|0|Creator|15|Ren|P|Juan de Flandes||Ren P Juan de Flandes|Transfiguration||Print Publication|||||||Retablo de Isabel la Católica. Transfiguration|30700|Flandes, Juan de||painter|Juan de Flandes|0|||painter|0|||||Spanish|||Early Renaissance|||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|Panel (wood)||16|||1500|1500|ca|ca 1500|1500-1500||Retablo de Isabel la Católica|Larger entity||4161||||0|||||Oil on wood panel|oil paint|wood||||painting (image-making)|||||21.3 x 15.8 cm||1628|Madrid: Palacio Real|Madrid: Pal. Real||Christ ; Transfiguration ; |Christ|Transfiguration||||||||Cornell||ElA|MNW|8/4/2005 0:00:00|6/28/2005 0:00:00|Juan de Fl|||0||10002030|||||Ren|P||||||| ||||||||Work|0||||||||||||0|0|Transfiguration|Flandes, Juan de 4141.00|0||||||||Barton's Candy Store|Assigned|Image Source (Pub)|Barton's Cortland Street||||||Barton's Candy Store|6758|Lapidus, Morris||architect|Morris Lapidus|0||||0|||||American|||Art Deco|Modernist||||United States||||||0||||0|Cortland Street, New York, NY|||10505||||0|Architecture|Store|Exhibition|Interior design||20|||1947|1948||1947-1948|1947-1948|||||0||||0||||||||||||||||||||||Stores ; Show-windows ; Exhibitions ; |Stores|Show-windows|Exhibitions|||||||Cornell||JNK|JNK|6/28/2005 0:00:00|6/28/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Barton's Candy Store;Barton's Cortland Street|Lapidus, Morris 4142.00|0|Creator|15|Ren|P|Juan de Flandes||Ren P Juan de Flandes|Noli me tangere||Print Publication|||||||Retablo de Isabel la Católica. Noli me tangere|30700|Flandes, Juan de||painter|Juan de Flandes|0|||painter|0|||||Spanish|||Early Renaissance|||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|Panel (wood)||16|||1500|1500|ca|ca 1500|1500-1500||Retablo de Isabel la Católica|Larger entity||4161||||0|||||Oil on wood panel|oil paint|wood||||painting (image-making)|||||21 x 15.6 cm||1628|Madrid: Palacio Real|Madrid: Pal. Real||Christ ; Mary Magdalene ; Noli Me Tangere ; Resurrection ; |Christ|Mary Magdalene|Noli Me Tangere|Resurrection||||||Cornell||ElA|MNW|8/4/2005 0:00:00|6/28/2005 0:00:00|Juan de Fl|||0||10002028|||||Ren|P||||||| ||||||||Work|0||||||||||||0|0|Noli me tangere|Flandes, Juan de 4143.00|0|Creator|15|Ren|P|Juan de Flandes||Ren P Juan de Flandes|Descent into Limbo||Print Publication|||||||Retablo de Isabel la Católica. Descent into Limbo|30700|Flandes, Juan de||painter|Juan de Flandes|0|||painter|0|||||Spanish|||Early Renaissance|||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|Panel (wood)||16|||1501|1501|ca|ca 1501|1501-1501||Retablo de Isabel la Católica|Larger entity||4161||||0|||||Oil on wood panel|oil paint|wood||||painting (image-making)|||||21.2 x 15.9 cm||1628|Madrid: Palacio Real|Madrid: Pal. Real||Christ ; Descent into limbo ; |Christ|Descent into limbo||||||||Cornell||ElA|MNW|8/4/2005 0:00:00|6/28/2005 0:00:00|Juan de Fl|||0||10002020|||||Ren|P||||||| ||||||||Work|0||||||||||||0|0|Descent into Limbo|Flandes, Juan de 4144.00|0|Creator|15|Ren|P|Juan de Flandes||Ren P Juan de Flandes|Descent of the Holy Spirit||Print Publication|||||||Retablo de Isabel la Católica. Descent of the Holy Spirit|30700|Flandes, Juan de||painter|Juan de Flandes|0|||painter|0|||||Spanish|||Early Renaissance|||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|Panel (wood)||16|||1501|1502|ca|ca 1501-1502|ca 1501-1502||Retablo de Isabel la Católica|Larger entity||4161||||0|||||Oil on wood panel|oil paint|wood||||painting (image-making)|||||21.4 x 15.8 cm||1628|Madrid: Palacio Real|Madrid: Pal. Real||Life of the Virgin ; Pentecost ; |Life of the Virgin|Pentecost||||||||Cornell||ElA|MNW|8/4/2005 0:00:00|6/28/2005 0:00:00|Juan de Fl|||0||10002023|||||Ren|P||||||| ||||||||Work|0||||||||||||0|0|Descent of the Holy Spirit|Flandes, Juan de 4145.00|0||||||||Mangel's|Assigned|Image Source (Pub)|||||||Mangel's|6758|Lapidus, Morris||architect|Morris Lapidus|0||||0|||||American|||Art Deco|Modernist||||United States||||||0||||0|Chicago, Illinois|||10103||||0|Architecture|Store|Interior design|||20|||1938|1938||1938|1938-1938|||||0||||0||||||||||||||||||||||Department stores ; Exhibitions ; |Department stores|Exhibitions||||||||Cornell||JNK|MNW|9/28/2005 0:00:00|6/28/2005 0:00:00|||Chi|0||||||||||||||||||||||||0||||||||||||0|0|Mangel's|Lapidus, Morris 4146.00|0||||||||Seagram's Private Bar|Assigned|Image Source (Pub)|||||||Chrysler Building. Seagram's Private Bar|6758|Lapidus, Morris||architect|Morris Lapidus|0||||0|||||American|||Art Deco|||||United States||||||0||||0|Chrysler Building, New York, NY|||10506||||0|Interior Design|Bar (commercial buildings)||||20|||1936|1936||1936|1936-1936||Chrysler Building|Larger entity||1388||||0||||||||||||||||||||||Bars (commercial buildings) ; |Bars (commercial buildings)|||||||||Cornell||JNK|MNW|9/28/2005 0:00:00|6/28/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Seagram's Private Bar|Lapidus, Morris 4147.00|0|Creator|15|Ren|P|Juan de Flandes||Ren P Juan de Flandes|Supper at Emmaus||Print Publication|||||||Retablo de Isabel la Católica. Supper at Emmaus|30700|Flandes, Juan de||painter|Juan de Flandes|0|||painter|0|||||Spanish|||Early Renaissance|||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|Panel (wood)||16|||1502|1502|ca|ca 1502|ca 1502-1502||Retablo de Isabel la Católica|Larger entity||4161||||0|||||Oil on panel|oil paint|wood||||painting (image-making)|||||21.3 x 15.6||1628|Madrid: Palacio Real|Madrid: Pal. Real||Christ ; Resurrection ; Supper at Emmaus ; |Christ|Resurrection|Supper at Emmaus|||||||Cornell||ElA|JNK|1/6/2006 0:00:00|6/28/2005 0:00:00|Juan de Fl|||0||10002027|||||Ren|P||||||| ||||||||Work|0||||||||||||0|0|Supper at Emmaus|Flandes, Juan de 4148.00|0|Creator|15|Ren|P|Juan de Flandes||Ren P Juan de Flandes|Miracle of the Loaves and Fishes||Print Publication|||||||Retablo de Isabel la Católica. Miracle of the Loaves and Fishes|30700|Flandes, Juan de||painter|Juan de Flandes|0|||painter|0|||||Spanish|||Early Renaissance|||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|Panel (wood)||16|||1502|1502|ca|ca 1502|ca 1502-1502||Retablo de Isabel la Católica|Larger entity||4161||||0|||||Oil paint panel|oil paint|panel||||painting (image-making)|||||21.2 x 15.8 cm||1628|Madrid: Palacio Real|Madrid: Pal. Real||Christ ; Miracles ; Multiplication of Loaves and Fishes ; |Christ|Miracles|Multiplication of Loaves and Fishes|||||||Cornell||ElA|MNW|8/4/2005 0:00:00|6/28/2005 0:00:00|Juan de Fl|||0||10002021|||||Ren|P||||||| ||||||||Work|0||||||||||||0|0|Miracle of the Loaves and Fishes|Flandes, Juan de 4149.00|0|Creator|15|Ren|P|Juan de Flandes||Ren P Juan de Flandes|Nailing to the Cross||Print Publication|||||||Retablo de Isabel la Católica. Nailing to the Cross|30700|Flandes, Juan de||painter|Juan de Flandes|0|||painter|0|||||Spanish|||Early Renaissance|||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|Panel (wood)||16|||1502|1502|ca|ca 1502|ca 1502-1502||Retablo de Isabel la Católica|Larger entity||4161||||0|||||Oil on oak|oil paint|oak||||painting (image-making)|||||21.4 x 15.8 cm||3403|Vienna: Kunsthistorisches Museum|Vienna: Kunsthistorisches Mus.||Christ ; Passion of Christ ; Crucifixion ; |Christ|Passion of Christ|Crucifixion|||||||Cornell||ElA|MNW|8/12/2005 0:00:00|6/28/2005 0:00:00|Juan de Fl|||0||6276|||||Ren|P||||||| ||||||||Work|0||||||||||||0|0|Nailing to the Cross|Flandes, Juan de 4150.00|0||||||||Fontainbleau Hotel|Assigned|Dict.Art|||||||Fontainbleau Hotel|6758|Lapidus, Morris||architect|Morris Lapidus|0||||0|||||American|||Modernist|||||United States||||||0|Miami Beach, FL|||10395||||0||||0|Architecture|Hotel (public accommodation)||||20|||1953|1953||1953-1953|1953-1953|||||0||||0||||||||||||||||||||||Hotels (public accommodations) ; |Hotels (public accommodations)|||||||||Cornell||JNK|MNW|9/28/2005 0:00:00|6/28/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Fontainbleau Hotel|Lapidus, Morris 4151.00|0|Creator|15|Ren|P|Juan de Flandes||Ren P Juan de Flandes|Temptation of Christ||Print Publication|||||||Retablo de Isabel la Católica. Temptation of Christ|30700|Flandes, Juan de||painter|Juan de Flandes|0|||painter|0|||||Spanish|||Early Renaissance|||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|Panel (wood)||16|||1502|1503|ca|ca 1502-1503|ca 1502-1503||Retablo de Isabel la Católica|Larger entity||4161||||0|||||Oil on wood panel|oil paint|panel||||painting (image-making)|||||21.3 x 16 cm||3367|Washington, DC: National Gallery of Art|Wash, DC: National Gallery||Christ ; Temptation of Christ in the Wilderness ; Devils ; Satan ; Landscapes ; |Christ|Temptation of Christ in the Wilderness|Devils|Satan|Landscapes|||||Cornell||ElA|MNW|8/4/2005 0:00:00|6/28/2005 0:00:00|Juan de Fl|||0||1967.7.1|||||Ren|P||||||| ||||||||Work|0||||||||||||0|0|Temptation of Christ|Flandes, Juan de 4152.00|0||||||||Eden Roc Hotel|Assigned|Image Source (Pub)|||||||Eden Roc Hotel|6758|Lapidus, Morris||architect|Morris Lapidus|0||||0|||||American|||Modernist|||||United States||||||0|Miami Beach, FL|||10395||||0||||0|Architecture|Hotel (public accommodation)||||20|||1955|1955||1955|1955-1955|||||0||||0||||||||||||||||||||||Hotels (public accommodations) ; |Hotels (public accommodations)|||||||||Cornell||JNK|JNK|6/28/2005 0:00:00|6/28/2005 0:00:00||MiaB||0||||||||||||||||||||||||0||||||||||||0|0|Eden Roc Hotel|Lapidus, Morris 4153.00|0|Creator|15|Ren|P|Juan de Flandes||Ren P Juan de Flandes|Three Maries at the Tomb||Print Publication|||||||Retablo de Isabel la Católica. Three Maries at the Tomb|30700|Flandes, Juan de||painter|Juan de Flandes|0|||painter|0|||||Spanish|||Early Renaissance|||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|Panel (wood)||16|||1503|1503|ca|ca 1503|ca 1503-1503||Retablo de Isabel la Católica|Larger entity||4161||||0|||||Oil on wood|oil paint|wood||||painting (image-making)|||||21.2 x 16 cm||1628|Madrid: Palacio Real|Madrid: Pal. Real||Resurrection ; Christ ; Mary Magdalene ; Virgin Mary ; Three Maries at the tomb ; |Resurrection|Christ|Mary Magdalene|Virgin Mary|Three Maries at the tomb|||||Cornell||ElA|MNW|8/4/2005 0:00:00|6/28/2005 0:00:00|Juan de Fl|||0||10002029|||||Ren|P||||||| ||||||||Work|0||||||||||||0|0|Three Maries at the Tomb|Flandes, Juan de 4154.00|0|Creator|15|Ren|P|Juan de Flandes||Ren P Juan de Flandes|Raising of Lazarus||Print Publication|||||||Retablo de Isabel la Católica. Raising of Lazarus|30700|Flandes, Juan de||painter|Juan de Flandes|0|||painter|0|||||Spanish|||Early Renaissance|||||Spain||||||0|Madrid, Spain|||10220||||0||||0|Paintings|Altarpiece|Retablo|Panel (wood)||16|||1504|1504|ca|ca 1504|ca 1504-1504||Retablo de Isabel la Católica|Larger entity||4161||||0|||||Oil on wood panel|oil paint|panel|wood|||painting (image-making)|||||21 x 15.7 cm||1628|Madrid: Palacio Real|Madrid: Pal. Real||Christ ; Lazarus ; Parables ; Miracles ; |Christ|Lazarus|Parables|Miracles||||||Cornell||ElA|JNK|1/6/2006 0:00:00|6/28/2005 0:00:00|Juan de Fl|||0||10002019|||||Ren|P||||||| ||||||||Work|0||||||||||||0|0|Raising of Lazarus|Flandes, Juan de 4155.00|0|Creator|15|Ren|P|Michael Sittow||Ren P Michael Sittow|Ascension of Christ||Print Publication|||||||Retablo de Isabel la Católica. Ascension of Christ|30701|Sittow, Michael||painter|Michael Sittow|0||||0|||||Spanish|||Early Renaissance|||||Spain||||||0|Lincolnshire, England|||||||0||||0|Paintings|Altarpiece|Retablo|||15|16||1496|1502|ca|ca 1496-1502|ca 1496-1502||Retablo de Isabel la Católica|||||||0|||||Oil on wood panel|oil paint|wood|panel|||painting (image-making)|||||22 x 16.5 cm||9485|Lincolnshire: Collection Earl of Yarborough|Lincolnshire, England: Coll. Earl of Yarborough||Christ ; Ascension ; |Christ|Ascension||||||||Cornell||ElA|JNK|1/6/2006 0:00:00|6/28/2005 0:00:00||||0|||||||25|PA||12||H5||| |26As|||||||Work|0||||||||||||0|0|Ascension of Christ|Sittow, Michael 4156.00|0|Creator|15|Ren|P|Michael Sittow||Ren P Michael Sittow|Assumption of the Virgin|||||||||Retablo de Isabel la Católica. Ascension of Christ|30701|Sittow, Michael||painter|Michael Sittow|0||||0|||||Spanish|||Early Renaissance|||||Spain||||||0|Washington, DC|||10054||||0||||0|Paintings|Altarpiece|Retablo|||15|16||1496|1502|ca|ca 1495-1502|ca 1496-1502||Retablo de Isabel la Católica|||4161||||0|||||Oil on wood|oil paint|wood||||painting (image-making)|||||21.1 x 16.5 cm||3367|Washington, DC: National Gallery of Art|Wash, DC: National Gallery||Life of the Virgin ; Assumption of the Virgin ; |Life of the Virgin|Assumption of the Virgin||||||||Cornell||ElA|ElA|7/21/2005 0:00:00|6/28/2005 0:00:00||Wash||0||1965.1.1|||||25|PA||12||H5||| |26As|||||||Work|0||||||||||||0|0|Assumption of the Virgin|Sittow, Michael 4157.00|0||||||||Habitat '67|Assigned|Dict.Art|||||||Expo '67. Habitat '67|10278|Safdie, Moshe||architect|Moshe Safdie|0||||0|||||Canadian|||Modernist|||||Canada||||||0|Montreal, Quebec|||10416||||0||||0|Architecture|Exhibit building|Apartment house|House||20|||1964|1967||1964-1967|1964-1967||Expo '67|Larger entity||4158||||0||||||||||||||||||||||Expo 67 (Montréal, Québec) ; Dwellings ; Apartment houses ; |Expo 67 (Montréal, Québec)|Dwellings|Apartment houses|||||||Cornell||JNK|MNW|7/25/2005 0:00:00|6/28/2005 0:00:00||Mon||0||||||||||||||||||||||||0||||||||||||0|0|Habitat '67|Safdie, Moshe 4158.00|0||||||||Expo '67|Assigned|Dict.Art|||||||Expo '67|0|||||0||||0||||||||Modernist|||||||||||0|Montreal, Quebec|||10416||||0||||0|Architecture|Exhibition||||20|||1967|1967||1967|1967-1967|||||0||||0||||||||||||||||||||||Expo 67 (Montréal, Québec) ; |Expo 67 (Montréal, Québec)|||||||||Cornell||JNK|JNK|6/28/2005 0:00:00|6/28/2005 0:00:00||Mon||0||||||||||||||||||||||||0||||||||||||0|0|Expo '67| 4159.00|0||||||||Cartoon Referencing Habitat '67 from the New Yorker|Descriptive|Cataloger|||||||Cartoon Referencing Habitat '67 from the New Yorker|30702|Porges, Paul Peter||cartoonist|Paul Peter Porges|0||||0|||||American|||Modernist|||||United States||||||0||||0||||0||||0|Cartoons|Cartoon (humorous image)||||20|||1967|1967||1967|1967-1967|||||0||||0|||||Cartoon||||||drawing (image-making)|||||||||||Expo 67 (Montréal, Québec) ; |Expo 67 (Montréal, Québec)|||||||||Cornell||JNK|MNW|7/25/2005 0:00:00|6/28/2005 0:00:00||||0||||||||||||||||||||||||0||Cartoon was published in the New Yorker Magazine in 1967.||||||||||0|0|Cartoon Referencing Habitat '67 from the New Yorker|Porges, Paul Peter 4160.00|0||||||||Habitat Puerto Rico|Assigned|Image Source (Pub)|||||||Habitat Puerto Rico|10278|Safdie, Moshe||architect|Moshe Safdie|0||||0||||||||Modernist|||||||||||0|San Juan, Puerto Rico|||10507||||0||||0|Architecture|House|Apartment house|||20|||1968|1971||1968-1971|1968-1971|||||0||||0||||||||||||||||||||||Dwellings ; Houses ; Apartment houses ; |Dwellings|Houses|Apartment houses|||||||Cornell||JNK|JNK|6/28/2005 0:00:00|6/28/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Habitat Puerto Rico|Safdie, Moshe 4161.00|0|Creator|15|Ren|P|Juan de Flandes||Ren P Juan de Flandes|Retablo de Isabel la Católica|Published|Image Source (Pub)|Oratorio de la Reina Católica|Published|Dict.Art||||Retablo de Isabel la Católica|30700|Flandes, Juan de||painter|Juan de Flandes & Michael Sittow|30701|Sittow, Michael||painter|0|||||Spanish|||Early Renaissance|||||Spain||||||0||||0||||0||||0|Paintings|Altarpiece|Retablo|||15|16||1496|1502|ca|ca 1496-1502|ca 1496-1502|||||0||||0|||||Oil on wood|oil paint|wood||||painting (image-making)|||||||||||Christ ; |Christ|||||||||Cornell||ElA|JNK|1/6/2006 0:00:00|6/28/2005 0:00:00|Juan de Fl|||0|||||||Ren|P|||||||||||||||Work|0||The panels belonging to this work are dispersed to many collections.||||||||||0|0|Retablo de Isabel la Católica;Oratorio de la Reina Católica|Flandes, Juan de;Sittow, Michael 4162.00|0||||||||Making Mud Bricks|Descriptive|Image Source (Pub)|||||||Making Mud Bricks|0|||||0||||0|||||Egyptian|||Modern|||||Egypt||||||0||||0||||0||||0|Architecture|Documentary photograph||||20|||1988|1988|bef|bef 1988|bef 1988-1988|||||0||||0|||||||||||photography|||||||||||Construction ; Sun-dried brick ; Photographs ; Building blocks ; |Construction|Sun-dried brick|Photographs|Building blocks||||||Cornell||JNK|JNK|6/29/2005 0:00:00|6/29/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Making Mud Bricks| 4163.00|0||||||||Mud-brick Arch|Descriptive|Image Source (Pub)|||||||Mud-brick Arch|0|||||0||||0|||||Egyptian|||Modern|||||Egypt||||||0||||0||||0||||0|Architecture|Documentary photograph||||20|||1988|1988|bef|bef 1988|bef 1988-1988|||||0||||0|||||||||||photography|||||||||||Sun-dried brick ; Construction ; Photographs ; Arches ; |Sun-dried brick|Construction|Photographs|Arches||||||Cornell||JNK|MNW|7/25/2005 0:00:00|6/29/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Mud-brick Arch| 4184.00|0|Creator|15|35|S645-PH|P5745||35 S645-PH P5745 |Photograph of Voltri XXV Taken at Bolton Landing, NY|Descriptive|Cataloger|||||||Photograph of Voltri XXV Taken at Bolton Landing, NY|11038|Smith, David||sculptor|David Smith|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1965|1965|bef|bef 1965|bef 1965-1965|||||0||||0|||||Black and white photograph|photo paper|||||photography|||||||4904|Washington, DC: Smithsonian Institution; Archives of American Art|Wash, DC: Smithsonian; Archives Amer. Art||Sculpture (visual work) ; Voltri XXV (by David Smith) ; |Sculpture (visual work)|Voltri XXV (by David Smith)||||||||Cornell||JNK|MNW|6/29/2005 0:00:00|6/29/2005 0:00:00|S645|||0|||||||35|PH||||||| |P5745|||||||Work|0||||||||||||0|0|Photograph of Voltri XXV Taken at Bolton Landing, NY|Smith, David 4185.00|0||||||||Australian Barns, Woolsheds, and Other Farm Buildings|Descriptive|Image Source (Pub)|||||||Australian Barns, Woolsheds, and Other Farm Buildings|0|||||0||||0|||||Australian||||||||Australia||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|21||2003|2003|bef|bef 2003|bef 2003-2003|||||0||||0|||||Color photograph|photo paper|||||photography|||||||9487|Glenn Murcutt|: Glenn Murcutt||Barns ; Farms ; Woolsheds ; |Barns|Farms|Woolsheds|||||||Cornell||JNK|MNW|7/25/2005 0:00:00|6/30/2005 0:00:00||||0||||||||||||||| |||||||||0||Photograph taken by Clive Lucas.||||||||||0|0|Australian Barns, Woolsheds, and Other Farm Buildings| 4186.00|0||||||||Aboriginal Bark Shelters in Northern Australia|Descriptive|Image Source (Pub)|||||||Aboriginal Bark Shelters in Northern Australia|30704|Roth, Walter E.||scholar|Walter E. Roth|0||||0|||||British|||Colonial|||||Australia||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1905|1905|ca|ca 1905|ca 1905-1905|||||0||||0|||||Black and white photograph||||||photography|||||||9332|Sydney: Australian Museum|Sydney: Aust. Museum||Vernacular architecture ; |Vernacular architecture|||||||||Cornell||JNK|MNW|7/25/2005 0:00:00|6/30/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Aboriginal Bark Shelters in Northern Australia|Roth, Walter E. 4187.00|0||||||||Aboriginal Cave Paintings in the Northern Territory|Descriptive|Image Source (Pub)|||||||Aboriginal Cave Paintings in the Northern Territory|14533|Murcutt, Glenn Marcus||architect|Glenn Murcutt|0||||0|||||Australian||||||||Australia||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|21||2003|2003|bef|bef 2003|bef 2003-2003|||||0||||0|||||Color photograph|photo paper|||||photography|||||||9487|Glenn Murcutt|: Glenn Murcutt||Cave paintings ; |Cave paintings|||||||||Cornell||JNK|MNW|7/25/2005 0:00:00|6/30/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Aboriginal Cave Paintings in the Northern Territory|Murcutt, Glenn Marcus 4188.00|0||||||||Marie Short House|Assigned|Image Source (Pub)|||||||Marie Short House|14533|Murcutt, Glenn Marcus||architect|Glenn Murcutt|0||||0|||||Australian|||Post-1945|||||Australia||||||0|Kempsey, Australia|||10508||||0||||0|Architecture|House|||||||1975|1975||1975|1975-1975|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|MNW|7/25/2005 0:00:00|6/30/2005 0:00:00||||0||||||||||||||||||||||||0|||||This house was purchased by Glenn Murcutt in 1980, then enlarged and rearranged.|||||||0|0|Marie Short House|Murcutt, Glenn Marcus 4189.00|0||||||||Nicholas House|Assigned|Image Source (Pub)|||||||Nicholas House|14533|Murcutt, Glenn Marcus||architect|Glenn Murcutt|0||||0|||||Australian|||Post-1945|||||Australia||||||0|Mount Irvine, Australia|||10509||||0||||0|Architecture|House||||20|21||1977|2001||1977-2001|1977-2001|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|MNW|7/25/2005 0:00:00|6/30/2005 0:00:00||||0||||||||||||||| |||||||||0|||||The house was built from 1977-1980 & enlarged in 2001.|||||||0|0|Nicholas House|Murcutt, Glenn Marcus 4190.00|0||||||||Carruthers House|Assigned|Image Source (Pub)|||||||Carruthers House|14533|Murcutt, Glenn Marcus||architect|Glenn Murcutt|0||||0|||||Australian|||Post-1945|||||Australia||||||0|Mount Irvine, Australia|||10509||||0||||0|Architecture|House||||20|||1979|2001||1979-2001|1979-2001|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|MNW|7/25/2005 0:00:00|6/30/2005 0:00:00||||0||||||||||||||||||||||||0|||||The house was built from 1979-1980 and enlarged in 2001.|||||||0|0|Carruthers House|Murcutt, Glenn Marcus 4191.00|0||||||||Marika-Alderton House|Assigned|Image Source (Pub)|||||||Marika-Alderton House|14533|Murcutt, Glenn Marcus||architect|Glenn Murcutt|0||||0|||||Australian|||Post-1945|||||Australia||||||0|Yirrkala Community, Eastern Arnhem Land, Australia|||10510||||0||||0|Architecture|House||||20|||1991|1994||1991-1994|1991-1994|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|JNK|6/30/2005 0:00:00|6/30/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Marika-Alderton House|Murcutt, Glenn Marcus 4192.00|0||||||||Rajasthan, India (Aerial View)|Descriptive|Cataloger|||||||Rajasthan, India (Aerial View)|10278|Safdie, Moshe||photographer|Moshe Safdie|0||||0|||||Israeli||||||||Israel||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1979|1979||1979|1979-1979|||||0||||0||||||photo paper|||||photography|||||||9488|Moshe Safdie|: Moshe Safdie||Cities ; Photographs ; Rajasthan, India ; |Cities|Photographs|Rajasthan, India|||||||Cornell||JNK|MNW|7/25/2005 0:00:00|7/1/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Rajasthan, India (Aerial View)|Safdie, Moshe 4193.00|0||||||||McGill University Thesis Sketch|Descriptive|Image Source (Pub)|||||||McGill University Thesis Sketch|10278|Safdie, Moshe||architect|Moshe Safdie|0||||0|||||Israeli||||||||Israel||||||0||||0||||0||||0|Drawings|Drawing||||20|||1961|1961||1961|1961-1961|||||0||||0|||||Drawing||||||drawing (image-making)|||||||9488|Moshe Safdie|: Moshe Safdie||Architectural drawings ; Buildings ; Expo 67 (Montréal, Québec) ; |Architectural drawings|Buildings|Expo 67 (Montréal, Québec)|||||||Cornell||JNK|MNW|7/25/2005 0:00:00|7/1/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|McGill University Thesis Sketch|Safdie, Moshe 4194.00|0||||||||Front Porch Fosters Neighborly Charm from the Boston Globe|Inscribed|Cataloger|||||||Front Porch Fosters Neighborly Charm from the Boston Globe|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Publications|Article||||20|||1996|1996||August 18, 1996|1996-1996|||||0||||0||||||||||||||||||||||Porches ; |Porches|||||||||Cornell||JNK|MNW|11/8/2005 0:00:00|7/1/2005 0:00:00||||0||||||||||||||||||||||||0|||||August 16, 1996|||||||0|0|Front Porch Fosters Neighborly Charm from the Boston Globe| 4195.00|0||||||||Typical Sprawl in Toronto Area|Descriptive|Image Source (Pub)|||||||Typical Sprawl in Toronto Area|0|||||0||||0|||||||||||||||||||0|Toronto, Canada|Near||10390||||0||||0|Photographs|Documentary photograph||||20|21||2002|2002|bef|bef 2002|bef 2002-2002|||||0||||0|||||||||||photography|||||||||||Suburbs ; Toronto, Canada ; Urban sprawl ; |Suburbs|Toronto, Canada|Urban sprawl|||||||Cornell||JNK|MNW|11/8/2005 0:00:00|7/1/2005 0:00:00||Tor||0||||||||||||||||||||||||0||||||||||||0|0|Typical Sprawl in Toronto Area| 4196.00|0||||||||Cornell Regional Plan|Assigned|Image Source (Pub)|||||||Cornell Regional Plan|29480|Duany, Plater-Zyberk & Company||architectural firm|Duany, Plater-Zyberk & Company|0||||0||||||||Postmodern|||||||||||0|Markham, Canada|||10511||||0||||0|Architecture|Municipal building||||20|||1992|1994||1992-1994|1992-1994|||||0||||0||||||||||||||||||||||Urban planning ; |Urban planning|||||||||Cornell||JNK|MNW|11/8/2005 0:00:00|7/1/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Cornell Regional Plan|Duany, Plater-Zyberk & Company 4197.00|0||||||||He Weeps For You (Edition 1)|Assigned|Image Source (Pub)|||||||He Weeps For You (Edition 1)|12307|Viola, Bill||video artist|Bill Viola|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Installations|Video art||||20|||1976|1976||1976|1976-1976|||||0||||0|||||Video/sound installation (Brass valve, water, video camera)||||||video|Installations||||||356|Berlin: Staatliche Museen zu Berlin; Neue Nationalgalerie|Berlin: Neue Nat. Gal.||||||||||||Cornell||JNK|MNW|11/8/2005 0:00:00|7/1/2005 0:00:00||||0||||||||||||||| |||||||||0||||||Edition 2: Coll. Pamela & Richard Kramlich||||||0|0|He Weeps For You (Edition 1)|Viola, Bill 4198.00|0||||||||Room for St. John of the Cross|Assigned|Image Source (Pub)|||||||Room for St. John of the Cross|12307|Viola, Bill||video artist|Bill Viola|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Installations|Video art||||20|||1983|1983||1983|1983-1983|||||0||||0|||||Video/sound installation||||||Installations|video||||||3533|Los Angeles: Museum of Contemporary Art|Los Angeles: MoCA||||||||||||Cornell||JNK|MNW|11/8/2005 0:00:00|7/1/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Room for St. John of the Cross|Viola, Bill 4199.00|0|Architect|02|MA-|Fathy|3.4 1948 NewGour||MA- Fathy 3.4 1948 NewGour |Mosque|Assigned|Image Source (Pub)|||||||New Gourna Village. Mosque|3738|Fathy, Hassan||architect|Hassan Fathy|0||||0|||||Egyptian|||Modernist|||||Egypt||||||0|Luxor, Egypt|Near||10041||||0||||0|Architecture|Mosque||||20|||1948|1948||1948|1948-1948||New Gourna Village|Larger entity||4164||||0||||||||||||||||||||||Mosques ; |Mosques|||||||||Cornell||JNK|MNW|5/25/2006 0:00:00|7/1/2005 0:00:00|Fathy|||0||||||1948 NewGour|MA||||||3.4||||||||||Work|0|Modern Architecture-|||||||||||0|0|Mosque|Fathy, Hassan 4200.00|0||||||||Portrait of Hassan Fathy|Descriptive|Cataloger|||||||Portrait of Hassan Fathy|0|||||0||||0|||||||||||||||||||0||||0||||0||||0||||||||||||||||||0||||0||||||||||||||||||||||||||||||||Cornell||JNK|JNK|7/1/2005 0:00:00|7/1/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Portrait of Hassan Fathy| 4201.00|0||||||||Photograph of Hassan Fathy|Descriptive|Image Source (Pub)|||||||Photograph of Hassan Fathy|30705|Avedissian, Chant||photographer|Chant Avedissian|0||||0|||||Egyptian||||||||Egypt||||||0||||0||||0||||0|Photographs|Portrait|Photographic print|||20|||1985|1985|bef|bef 1985|bef 1985-1985|||||0||||0|||||Color photograph||||||photography|||||||9490|Geneva: Aga Khan Award for Architecture|Geneva: Aga Khan Award for Arch.||Fathy, Hassan, 1899-1989 ; Portraits ; Photographs ; |Fathy, Hassan, 1899-1989|Portraits|Photographs|||||||Cornell||JNK|JNK|7/5/2005 0:00:00|7/5/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Photograph of Hassan Fathy|Avedissian, Chant 4202.00|0|Architect|02|MA-|Fathy|7.5 |1945 Hamdi|MA- Fathy 7.5 1945 Hamdi|Hamdi Seif al-Nasr Resthouse|Assigned|Scholar|Hamdi Seif al-Nasr House|Variant|Scholar||||Hamdi Seif al-Nasr Resthouse|3738|Fathy, Hassan||architect|Hassan Fathy|0||||0|||||Egyptian||||||||Egypt||||||0|Al Fayyum, Egypt|||10513||||0||||0|Architecture|House||||20|||1945|1945||1945|1945-1945|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|MNW|5/25/2006 0:00:00|7/5/2005 0:00:00|Fathy|||0||||||1945 Hamdi|MA||||||7.5||||||||||Work|0|Modern Architecture-|||||||||||0|0|Hamdi Seif al-Nasr Resthouse;Hamdi Seif al-Nasr House|Fathy, Hassan 4203.00|0|Architect|02|MA-|Fathy|7.5 1945 Hamdi|4b-1|MA- Fathy 7.5 1945 Hamdi 4b-1|Elevation Study for the Hamdi Seif al-Nasr Resthouse|Descriptive|Cataloger|||||||Hamdi Seif al-Nasr Resthouse. Elevation Study for the Hamdi Seif al-Nasr Resthouse|3738|Fathy, Hassan||architect|Hassan Fathy|0||||0|||||Egyptian||||||||Egypt||||||0||||0||||0||||0|Architecture|Architectural drawing||||20|||1945|1945|ca|ca 1945|ca 1945-1945||Hamdi Seif al-Nasr Resthouse|Larger entity||4202||||0|||||Gouache|gouache|||||drawing (image-making)|architectural drawing||||20.32 x 25.4 cm||9490|Geneva: The Aga Khan Award for Architecture|Geneva: The Aga Khan Award for Arch.||Architectural drawings ; |Architectural drawings|||||||||Cornell||JNK|MNW|5/25/2006 0:00:00|7/5/2005 0:00:00|Fathy|||0||||||1945 Hamdi|MA||||||7.5|| ||||||||Work|0|Modern Architecture-|||||||||||0|0|Elevation Study for the Hamdi Seif al-Nasr Resthouse|Fathy, Hassan 4204.00|0|Architect|02|MA-|Fathy|7.5 1973 Riad||MA- Fathy 7.5 1973 Riad |Riad House|Assigned|Image Source (Pub)|||||||Riad House|3738|Fathy, Hassan||architect|Hassan Fathy|0||||0|||||Egyptian|||Post-1945|||||Egypt||||||0|Cairo, Egypt|Near||10514||||0||||0|Architecture|House||||20|||1973|1973||1973|1973-1973|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|MNW|5/25/2006 0:00:00|7/5/2005 0:00:00|Fathy|||0||||||1973 Riad|MA||||||7.5||||||||||Work|0|Modern Architecture-|||||||||||0|0|Riad House|Fathy, Hassan 4205.00|0|Creator|15|25|B5165-PA|33|1|25 B5165-PA 33 1|Virgen con el Niño|Published|Image Source (Pub)|Madonna and Child|Translated|Cataloger||||Virgen con el Niño (Madonna and Child)|13207|Bermejo, Bartolomé||painter|Bartolomé Bermejo|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||||||||||0||||0|Paintings|Painting|Oil painting|||15|||1460|1469|ca|1460's|ca 1460-1469|||||0||||0|||||Oil on panel|oil paint|panel||||painting (image-making)|||||49 x 36.2 cm||9554|Madrid: Private Collection|Madrid: Private Coll.||Virgin Mary ; Christ ; Madonna and Child ; |Virgin Mary|Christ|Madonna and Child|||||||Cornell||ElA|JNK|1/6/2006 0:00:00|7/5/2005 0:00:00|B5165|||0|||||||25|PA||||||| |33|||||||Work|0||||||||||||0|0|Virgen con el Niño;Madonna and Child|Bermejo, Bartolomé 4206.00|0||||||||New Baris Village|Assigned|Online Resource|New Bariz Village|Variant|Image Source (Pub)|||||3738|Fathy, Hassan||urban planner|Hassan Fathy|0||||0|||||Egyptian|||Post-1945|||||Egypt||||||0|Al-Kharga Oasis, Egypt|||10515||||0||||0|City Plans and Views|Municipal plan||||20|||1967|1967||1967|1967-1967|||||0||||0||||||||||||||||||||||Urban planning ; |Urban planning|||||||||Cornell||JNK|JNK|7/5/2005 0:00:00|7/5/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|New Baris Village;New Bariz Village|Fathy, Hassan 4207.00|0|Creator|15|25|B5165-PA|33|2|25 B5165-PA 33 2|Virgen de la Leche|Published|Image Source (Pub)|Lactating Madonna|Translated|Cataloger||||Virgen de la Leche (Lactating Madonna)|13207|Bermejo, Bartolomé||painter|Bartolomé Bermejo|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0|||||Convento de Santo Domingo|||||||0|Paintings|Oil painting|Painting|||15|||1468|1468|ca|ca 1468|ca 1468-1468|||||0||||0|||||Oil on panel|oil paint|panel||||painting (image-making)|||||58.2 x 43.3 cm||9491|València: Museode Belles Artes de València|València: Museo de Belles Artes||Christ ; Virgin Mary ; Virgin and Child ; Lactating virgin ; |Christ|Virgin Mary|Madonna and child|Lactating virgin||||||Cornell||ElA|MNW|7/28/2005 0:00:00|7/5/2005 0:00:00|B5165|||0||279|||||25|PA||||||| |33|||||||Work|0||||||||||||0|0|Virgen de la Leche;Lactating Madonna|Bermejo, Bartolomé 4164.00|0|Architect|02|MA-|Fathy|1.04 1945-53 NewGour||MA- Fathy 1.04 1945-53 NewGour |New Gourna Village|Assigned|Dict.Art|||||||New Gourna Village|3738|Fathy, Hassan||architect|Hassan Fathy|0||||0|||||Egyptian|||Modern|||||Egypt||||||0|Luxor, Egypt|Near||10041||||0||||0|Architecture|Municipal plan||||20|||1945|1953||1945-1953|1945-1953|||||0||||0||||||||||||||||||||||Urban planning ; |Urban planning|||||||||Cornell||JNK|JNK|4/13/2006 0:00:00|6/29/2005 0:00:00|Fathy|||0||||||1945-53 NewGour|MA||||||1.04||||||||||Work|0|Modern Architecture-|||||||||||0|0|New Gourna Village|Fathy, Hassan 4165.00|0|Creator|15|35|S645-TO|D249||35 S645-TO D249|David Smith at the Public Dock, Bolton Landing, NY|Descriptive|Image Source (Pub)|||||||David Smith at the Public Dock, Bolton Landing, NY|30703|Budnik, Dan||photographer|Dan Budnik|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph|Portraits|||20|||1962|1963||1962-1963|1962-1963|||||0||||0|||||Black and white photograph|photo paper|||||photography|||||||||||Portraits ; Smith, David, 1906-1965 ; |Portraits|Smith, David, 1906-1965||||||||Cornell||JNK|MNW|6/29/2005 0:00:00|6/29/2005 0:00:00|S645|||0|||||||35|TO||||||||D249|||||||Work|0|20th Century|||||||||||0|0|David Smith at the Public Dock, Bolton Landing, NY|Budnik, Dan 4166.00|0|Creator|15||||||3 Forgings|Assigned|Image Source (Pub)|||||||3 Forgings|11038|Smith, David||sculptor|David Smith|0||||0|||||American|||Expressionist|||||United States||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1955|1955||1955|1955-1955|||||0||||0|||||Steel|steel|||||sculpture|||||||||||Sculpture (visual work) ; |Sculpture (visual work)|||||||||Cornell||JNK|JNK|6/29/2005 0:00:00|6/29/2005 0:00:00|S645|||0|||||||35|SC|||||||||||||||Work|0||||||||||||0|0|3 Forgings|Smith, David 4167.00|0|Creator|15|35|S645-SC|1955|Y440|35 S645-SC 1955 Y440|Yellow Vertical|Assigned|Image Source (Pub)|||||||Yellow Vertical|11038|Smith, David||sculptor|David Smith|0||||0|||||American|||Expressionist|||||United States||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1955|1955||1955|1955-1955|||||0||||0|||||Steel painted|steel|||||sculpture|||||235.7 x 42.2 x 36.8 cm||9486|Private Collection: Candida & Rebecca Smith|Private coll: Candida & Rebecca Smith||Sculpture (visual work) ; |Sculpture (visual work)|||||||||Cornell||JNK|JNK|6/29/2005 0:00:00|6/29/2005 0:00:00|S645|||0|||||||35|SC||||||1955| |Y440|||||||Work|0|Sculpture|||||||||||0|0|Yellow Vertical|Smith, David 4168.00|0|Creator|15||||||The Woman Bandit|Assigned|Image Source (Pub)|||||||The Woman Bandit|11038|Smith, David||sculptor|David Smith|0||||0|||||American|||Minimal|||||United States||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1955|1955||1955|1955-1955|||||0||||0|||||Steel, cast iron, and bronze|steel|iron|bronze|||sculpture|||||||||||Sculpture (visual work) ; |Sculpture (visual work)|||||||||Cornell||JNK|JNK|6/29/2005 0:00:00|6/29/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|The Woman Bandit|Smith, David 4169.00|0|Creator|15||||||Forging|Assigned|Image Source (Pub)|||||||Forging|11038|Smith, David||sculptor|David Smith|0||||0|||||American|||Expressionist|||||United States||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1955|1955||1955|1955-1955|||||0||||0|||||Steel painted|steel|||||sculpture|||||||||||Sculpture (visual work) ; |Sculpture (visual work)|||||||||Cornell||JNK|JNK|6/29/2005 0:00:00|6/29/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Forging|Smith, David 4170.00|0|Creator|15|35|S645-PH|P574||35 S645-PH P574 |Photograph of 3 Forgings, Yellow Vertical, The Woman Bandit, and Forging Taken at Bolton Landing, NY|Descriptive|Cataloger|||||||Photograph of 3 Forgings, Yellow Vertical, The Woman Bandit, and Forging Taken at Bolton Landing, NY|11038|Smith, David||sculptor|David Smith|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1965|1965|bef|bef 1965|bef 1965-1965|||||0||||0|||||Black and white photograph|photo paper|||||photography|||||||4904|Washington, DC: Smithsonian Institution; Archives of American Art|Wash, DC: Smithsonian; Archives Amer. Art||Sculpture (visual work) ; 3 Forgings ; Yellow Vertical ; The Woman Bandit ; Forging ; |Sculpture (visual work)|3 Forgings|Yellow Vertical|The Woman Bandit|Forging|||||Cornell||JNK|JNK|6/30/2005 0:00:00|6/29/2005 0:00:00|S645|||0|||||||35|PH||||||| |P574|||||||Work|0||||||||||||0|0|Photograph of 3 Forgings, Yellow Vertical, The Woman Bandit, and Forging Taken at Bolton Landing, NY|Smith, David 4171.00|0|Creator|15|35|S645-SC|1953|T165|35 S645-SC 1953 T165|Tanktotem IV|Assigned|Dict.Art|Tank Totem IV|Variant|Image Source (Pub)||||Tanktotem IV|11038|Smith, David||sculptor|David Smith|0||||0|||||American|||Expressionist|||||United States||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1953|1953||1953|1953-1953|||||0||||0|||||Steel|steel|||||sculpture|||||92.5 x 29 x 34 cm||3339|Buffalo: Albright-Knox Art Gallery|Buffalo: Albright-Knox||Sculpture (visual work) ; |Sculpture (visual work)|||||||||Cornell||JNK|JNK|6/29/2005 0:00:00|6/29/2005 0:00:00|S645|||0||K1957:15|||||35|SC||||||1953| |T165|||||||Work|0||||||||||||0|0|Tanktotem IV;Tank Totem IV|Smith, David 4172.00|0||||||||Untitled|Assigned|Image Source (Pub)|||||||Untitled|11038|Smith, David||sculptor|David Smith|0||||0|||||American|||Expressionist|||||United States||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1953|1953||1953|1953-1953|||||0||||0|||||Steel painted|steel|||||sculpture|||||||||||Sculpture (visual work) ; |Sculpture (visual work)|||||||||Cornell||JNK|JNK|6/29/2005 0:00:00|6/29/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Untitled|Smith, David 4173.00|0||||||||Tanktotem III|Assigned|Dict.Art|Tank Totem III|Variant|Image Source (Pub)||||Tanktotem III|11038|Smith, David||sculptor|David Smith|0||||0|||||American|||Expressionist|||||United States||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1953|1953||1953|1953-1953|||||0||||0|||||Steel|steel|||||sculpture|||||||||||Sculpture (visual work) ; |Sculpture (visual work)|||||||||Cornell||JNK|JNK|6/29/2005 0:00:00|6/29/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Tanktotem III;Tank Totem III|Smith, David 4174.00|0|Creator|15|35|S645-PH|P5741||35 S645-PH P5741|Photograph of Tanktotem IV, Untitled (1953), and Tanktotem III at Bolton Landing, NY|Descriptive|Cataloger|||||||Photograph of Tanktotem IV, Untitled (1953), and Tanktotem III at Bolton Landing, NY|11038|Smith, David||sculptor|David Smith|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1965|1965|bef|bef 1965|bef 1965-1965|||||0||||0|||||Black and white photograph|photo paper|||||photography|||||||4904|Washington, DC: Smithsonian Institution; Archives of American Art|Wash, DC: Smithsonian; Archives Amer. Art||Tanktotem IV ; Tanktotem III ; Untitled (1953) (by David Smith) ; |Tanktotem IV|Tanktotem III|Untitled (1953) (by David Smith)|||||||Cornell||JNK|MNW|6/29/2005 0:00:00|6/29/2005 0:00:00|S645|||0|||||||35|PH||||||| |P5741|||||||Work|0||||||||||||0|0|Photograph of Tanktotem IV, Untitled (1953), and Tanktotem III at Bolton Landing, NY|Smith, David 4175.00|0||||||||History of LeRoy Burton|Assigned|Repository|||||||History of LeRoy Burton|11038|Smith, David||sculptor|David Smith|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1956|1956||1956|1956-1956|||||0||||0|||||Steel|steel|||||sculpture|||||||3384|New York: Museum of Modern Art|New York: MoMA||Sculpture (visual work) ; |Sculpture (visual work)|||||||||Cornell||JNK|JNK|6/29/2005 0:00:00|6/29/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|History of LeRoy Burton|Smith, David 4176.00|0||||||||Portrait of a Lady Painter|Assigned|Repository|Portrait of a Painter|Variant|Image Source (Pub)||||Portrait of a Lady Painter|11038|Smith, David||sculptor|David Smith|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1956|1957||1956-1957|1956-1957|||||0||||0|||||Bronze|bronze|||||sculpture|||||162.56 x 151.77 x 31.75 cm||3531|Mountainville, NY: Storm King Art Center|Mountainville, NY: Storm King Art Ctr.||Sculpture (visual work) ; Painters (artists) ; |Sculpture (visual work)|Painters (artists)||||||||Cornell||JNK|JNK|6/29/2005 0:00:00|6/29/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Portrait of a Lady Painter;Portrait of a Painter|Smith, David 4177.00|0||||||||The Sitting Printer|Assigned|Image Source (Pub)|||||||The Sitting Printer|11038|Smith, David||sculptor|David Smith|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1954|1955||1954-1955|1954-1955|||||0||||0|||||Bronze|bronze|||||sculpture|||||220.98 x 40 x 43.18 cm||3531|Mountainville, NY: Storm King Art Center|Mountainville, NY: Storm King Art Ctr.||Sculpture (visual work) ; |Sculpture (visual work)|||||||||Cornell||JNK|JNK|6/29/2005 0:00:00|6/29/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|The Sitting Printer|Smith, David 4178.00|0|Creator|15|35|S645-PH|P5742||35 S645-PH P5742 |Photograph of History of LeRoy Burton, Portrait of a Lady Painter, and The Sitting Printer taken at Bolton Landing, NY|Descriptive|Cataloger|||||||Photograph of History of LeRoy Burton, Portrait of a Lady Painter, and The Sitting Printer taken at Bolton Landing, NY|11038|Smith, David||sculptor|David Smith|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1965|1965|bef|bef 1965|bef 1965-1965|||||0||||0|||||Black and white photograph|photo paper|||||photography|||||||4904|Washington, DC: Smithsonian Institution; Archives of American Art|Wash, DC: Smithsonian; Archives Amer. Art||History of LeRoy Burton (by David Smith) ; Portrait of a Lady Painter (by David Smith) ; The Sitting Printer (by David Smith) ; Sculpture (visual work) ; |History of LeRoy Burton (by David Smith)|Portrait of a Lady Painter (by David Smith)|The Sitting Printer (by David Smith)|Sculpture (visual work)||||||Cornell||JNK|JNK|6/29/2005 0:00:00|6/29/2005 0:00:00|S645|||0|||||||35|PH||||||| |P5742|||||||Work|0||||||||||||0|0|Photograph of History of LeRoy Burton, Portrait of a Lady Painter, and The Sitting Printer taken at Bolton Landing, NY|Smith, David 4179.00|0||||||||Cubi XVIII|Assigned|Image Source (Pub)|||||||Cubi XVIII|11038|Smith, David||sculptor|David Smith|0||||0|||||American|||Minimal|||||United States||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1964|1964||1964|1964-1964|||||0||||0|||||Stainless steel|stainless steel|||||sculpture|||||294 cm High||428|Boston: Museum of Fine Arts|Boston: MFA||Sculpture (visual work) ; |Sculpture (visual work)|||||||||Cornell||JNK|JNK|6/29/2005 0:00:00|6/29/2005 0:00:00||||0||68.28||||||||||||| |||||||||0||||||||||||0|0|Cubi XVIII|Smith, David 4180.00|0||||||||Cubi XVII|Assigned|Image Source (Pub)|||||||Cubi XVII|11038|Smith, David||sculptor|David Smith|0||||0|||||American|||Minimal|||||United States||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1963|1963||1963|1963-1963|||||0||||0|||||Stainless steel|stainless steel|||||sculpture|||||273.68 x 163.53 x 96.85 cm||3678|Dallas: Dallas Museum of Art|Dallas: Mus. of Art||Sculpture (visual work) ; |Sculpture (visual work)|||||||||Cornell||JNK|JNK|6/29/2005 0:00:00|6/29/2005 0:00:00||||0||1965.32.MCD||||||||||||| |||||||||0||||||||||||0|0|Cubi XVII|Smith, David 4181.00|0||||||||Cubi XIX|Assigned|Image Source (Pub)|||||||Cubi XIX|11038|Smith, David||sculptor|David Smith|0||||0|||||American|||Minimal|||||United States||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1964|1964||1964|1964-1964|||||0||||0|||||Stainless steel|stainless steel|||||sculpture|||||286.4 x 148 x 101.6 cm||3297|London: Tate Gallery|London: Tate Gallery||Sculpture (visual work) ; |Sculpture (visual work)|||||||||Cornell||JNK|JNK|6/29/2005 0:00:00|6/29/2005 0:00:00||||0||T00891||||||||||||| |||||||||0||||||||||||0|0|Cubi XIX|Smith, David 4182.00|0||||||||Voltri XXV|Assigned|Image Source (Pub)|||||||Voltri XXV|11038|Smith, David||sculptor|David Smith|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1963|1963||1963|1963-1963|||||||||0|||||Steel|steel|||||sculpture|||||||||||Sculpture (visual work) ; |Sculpture (visual work)|||||||||Cornell||JNK|JNK|6/29/2005 0:00:00|6/29/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Voltri XXV|Smith, David 4183.00|0|Creator|15|35|S645-PH|P5744||35 S645-PH P5744 |Photograph of Cubi XVIII, Cubi XVII, and Cubi XIX Taken at Bolton Landing, NY|Descriptive|Cataloger|||||||Photograph of Cubi XVIII, Cubi XVII, and Cubi XIX Taken at Bolton Landing, NY|11038|Smith, David||sculptor|David Smith|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1965|1965|bef|bef 1965|bef 1965-1965|||||0||||0|||||Black and white photograph|photo paper|||||photography|||||||4904|Washington, DC: Smithsonian Institution; Archives of American Art|Wash, DC: Smithsonian; Archives Amer. Art||Cubi XVIII (by David Smith) ; Cubi XVII (by David Smith) ; Cubi XIX (by David Smith) ; Sculpture (visual work) ; |Cubi XVIII (by David Smith)|Cubi XVII (by David Smith)|Cubi XIX (by David Smith)|Sculpture (visual work)||||||Cornell||JNK|MNW|6/29/2005 0:00:00|6/29/2005 0:00:00|S645|||0|||||||35|PH||||||| |P5744|||||||Work|0||||||||||||0|0|Photograph of Cubi XVIII, Cubi XVII, and Cubi XIX Taken at Bolton Landing, NY|Smith, David 4208.00|0|Architect|02|MA-|Fathy|6.3 1967 NewBarMark||MA- Fathy 6.3 1967 NewBarMark |Market|Descriptive|Image Source (Pub)|||||||Market|3738|Fathy, Hassan||architect|Hassan Fathy|0||||0|||||Egyptian|||Post-1945|||||Egypt||||||0|New Baris Village, Al-Kharga Oasis, Egypt|||10516||||0||||0|Architecture|Market (building)||||20|||1967|1967||1967|1967-1967|||||||||0||||||||||||||||||||||Commercial buildings ; Markets (buildings) ; |Commercial buildings|Markets (buildings)||||||||Cornell||JNK|MNW|5/25/2006 0:00:00|7/5/2005 0:00:00|Fathy|||0||||||1967 NewBarMark|MA||||||6.3||||||||||Work|0|Modern Architecture-|||||||||||0|0|Market|Fathy, Hassan 4209.00|0|Architect|02|MA-|Fathy|1.1 1981 DarAlIs||MA- Fathy 1.1 1981 DarAlIs |Dar Al Islam Community|Assigned|Image Source (Pub)|||||||Dar Al Islam Community|3738|Fathy, Hassan||urban planner|Hassan Fathy|0||||0|||||Islamic|||Post-1945|||||United States||||||0|Abiquiu, NM|||10517||||0||||0|City Plans and Views|Municipal plan||||20|||1981|1981||1981|1981-1981|||||0||||0||||||||||||||||||||||Urban planning ; Madrasas ; Mosques ; |Urban planning|Madrasas|Mosques|||||||Cornell||JNK|JNK|4/13/2006 0:00:00|7/5/2005 0:00:00|Fathy|||0||||||1981 DarAlIs|MA||||||1.1||||||||||Work|0|Modern Architecture-|||||||||||0|0|Dar Al Islam Community|Fathy, Hassan 4210.00|0||||||||Poésie sur Alger|Inscribed|Image Source (Pub)|||||||Poésie sur Alger|6857|Le Corbusier||architect|Le Corbusier|0||||0||||||||International Style|||||||||||0||||0||||0||||0|Publications|Book||||20|||1950|1950||1950|1950-1950|||||0||||0||||||||||||||||||||||Books ; Urban planning ; Algiers (Algeria) ; |Books|Urban planning|Algiers (Algeria)|||||||Cornell||JNK|JNK|7/5/2005 0:00:00|7/5/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Poésie sur Alger|Le Corbusier 4211.00|0||||||||Drawing Showing a Correlation Between European Sea and River Cities and Algiers|Descriptive|Cataloger|||||||Poésie sur Alger. Drawing Showing a Correlation Between European Sea and River Cities and Algiers|6857|Le Corbusier||architect|Le Corbusier|0||||0||||||||International Style|||||||||||0||||0||||0||||0|Drawings|Drawing|Illustration|||20|||1933|1942||1933-1942|1933-1942||Poésie sur Alger|Larger entity||4210||||0|||||||||||drawing (image-making)|||||||||||Plans (drawings) ; Africa ; Algiers (Algeria) ; Europe ; Cities ; Ports ; Rivers ; |Plans (drawings)|Africa|Algiers (Algeria)|Europe|Cities|Ports|Rivers|||Cornell||JNK|MNW|8/16/2005 0:00:00|7/5/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Drawing Showing a Correlation Between European Sea and River Cities and Algiers|Le Corbusier 4212.00|0|Creator|15|25|B5165-PA|38Aug|1|25 B5165-PA 38Aug 1|Saint Augustine in His Studio|Translated|Cataloger|San Agustín en su estudio|Published|Image Source (Pub)||||Saint Augustine in His Studio|13207|Bermejo, Bartolomé||painter|Bartolomé Bermejo|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0||||||15|||1472|1475|ca|ca 1472-1475|ca 1472-1475|||||0||||0|||||Oil on panel|oil paint|panel||||painting (image-making)|||||48 x 26 cm||4073|Chicago: Art Institute of Chicago|Chicago: Art Institute||Saint Augustine ; |Saint Augustine|||||||||Cornell||ElA|CLL|8/16/2005 0:00:00|7/6/2005 0:00:00|B5165|||0|||||||25|PA||12||H5||| |38Aug|||||||Work|0||||||||||||0|0|Saint Augustine in His Studio;San Agustín en su estudio|Bermejo, Bartolomé 4213.00|0|Creator|15|25|B5165-PA|31D|1|25 B5165-PA 31D 1|Dormición de la Virgen|Published|Image Source (Pub)|Dormition of the Virgen|Translated|Cataloger||||Dormición de la Virgen (Dormition of the Virgin)|13207|Bermejo, Bartolomé||painter|Bartolomé Bermejo|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|||||15|||1468|1476|ca|ca 1468-1476|ca 1468-1476|||||0||||0|||||Oil on panel|oil paint|panel||||painting (image-making)|||||63 x 41 cm||332|Berlin: Staatliche Museen zu Berlin; Gemaldegalerie|Berlin: Gemaldegalerie||Virgin Mary ; Dormition of the Virgin ; |Virgin Mary|Dormition of the Virgin||||||||Cornell||ElA|MNW|7/28/2005 0:00:00|7/6/2005 0:00:00|B5165|||0||552|||||25|PA||||||| |31D|||||||Work|0||||||||||||0|0|Dormición de la Virgen;Dormition of the Virgen|Bermejo, Bartolomé 4214.00|0|Creator|15|25|B5165-PA|28So|1|25 B5165-PA 28So 1|Cristo de Piedad|||Christ||||||Cristo de Piedad|13207|Bermejo, Bartolomé||painter|Bartolomé Bermejo|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|||||15||||1474|bef|bef 1474|bef 1474|||||0||||0|||||Oil on panel|oil paint|panel||||painting (image-making)|||||94.8 x 61.9 cm||9492|Perelada: Museo del Castillo-Palacio de Perelada|Perelada: Mus. Castillo-Pal.||Christ ; Passion of Christ ; Resurrection ; Man of Sorrows ; |Christ|Passion of Christ|Resurrection|Man of Sorrows||||||Cornell||ElA|MNW|7/28/2005 0:00:00|7/6/2005 0:00:00|B5165|||0|||||||25|PA||||||| |28So|||||||Work|0||||||||||||0|0|Cristo de Piedad;Christ|Bermejo, Bartolomé 4215.00|0|Creator|15|25|B5165-PA|38En|1|25 B5165-PA 38En 1|Retablo de santa Engracia|||||||||Retablo de santa Engracia|13207|Bermejo, Bartolomé||painter|Bartolomé Bermejo|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||0||||0||||0|Paintings|Altarpiece|Retablo|||15|||1474|1478|ca|ca 1474-1478|ca 1474-1478|||||0||||0|||||Oil on panel|oil paint|panel||||painting (image-making)|||||||||||Saint Engracia ; |Saint Engracia|||||||||Cornell||ElA|MNW|8/5/2005 0:00:00|7/6/2005 0:00:00|B5165|||0|||||||25|PA||||||||38En|||||||Work|0||This work is dispersed; the extant panels are in various locations.||||||||||0|0|Retablo de santa Engracia|Bermejo, Bartolomé 4216.00|0|Creator|15|25|B5165-PA|38 En|2C1|25 B5165-PA 38 En 2C1|Santa Engracia|||||||||Retablo de santa Engracia. Santa Engracia|13207|Bermejo, Bartolomé||painter|Bartolomé Bermejo|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|oil Painting|Painting|Panel (wood)||15|||1474|1478|ca|ca 1474-1478|ca 1474-1478||Retablo de santa Engracia|Larger entity||4215||||0|||||Oil on panel|oil paint|panel||||painting (image-making)|||||163 x 72 cm||425|Boston: Isabella Stewart Gardner Museum|Boston: Gardner Mus.||Saint Engracia ; |Saint Engracia|||||||||Cornell||ElA|JNK|1/6/2006 0:00:00|7/6/2005 0:00:00|B5165|||0|||||||25|PA||||||| |38 En||||||||0||||||||||||0|0|Santa Engracia|Bermejo, Bartolomé 4217.00|0|Creator|15|25|B5165-PA|38 En|2C2|25 B5165-PA 38 En 2C2|Calvario|||Calvary||||||Retablo de santa Engracia. Calvario (Calvary)|13207|Bermejo, Bartolomé||painter|Bartolomé Bermejo|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|||15|||1474|1478|ca|ca 1474-1478|ca 1474-1478||Retablo de santa Engracia|LargerEntity||4215||||0|||||Oil on panel|oil paint|panel||||painting (image-making)|||||82.5 x 63.6||9493|Zaragoza: Museo de la Colegiata de Daroca|Zaragoza: Mus. Colegiata de Daroca||Crucifxion ; Passion of Christ ; |Crucifxion|Passion of Christ||||||||Cornell||ElA|MNW|7/28/2005 0:00:00|7/6/2005 0:00:00|B5165|||0|||||||25|PA||||||| |38 En|||||||Work|0||||||||||||0|0|Calvario;Calvary|Bermejo, Bartolomé 4218.00|0|Creator|15|25|B5165-PA|38 En|2L1|25 B5165-PA 38 En 2L1|Arresto de santa Engracia|Published|Image Source (Pub)|The Arrest of Santa Engracia|Translated|Cataloger||||Retablo de santa Engracia. Arresto de santa Engracia (the Arrest of S. Engracia)|13207|Bermejo, Bartolomé||painter|Bartolomé Bermejo|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|||15|||1474|1478|ca|ca 1474-1478|ca 1474-1474||Retablo de santa Engracia|LargerEntity||4215||||0|||||Oil on panel|oil paint|panel||||painting (image-making)|||||92 x 49.5 cm||3417|San Diego: San Diego Museum of Art|San Diego: Museum of Art||Saint Engracia ; |Saint Engracia|||||||||Cornell||ElA|MNW|7/28/2005 0:00:00|7/6/2005 0:00:00|B5165|||0|||||||25|PA||||||| |38 En|||||||Work|0||||||||||||0|0|Arresto de santa Engracia;The Arrest of Santa Engracia|Bermejo, Bartolomé 4219.00|0|Creator|15|25|B5165-PA|38 En|2L2|25 B5165-PA 38 En 2L2|Flagelación de santa Engracia|Published|Image Source (Pub)|Flagellation of Santa Engracia|Translated|Cataloger||||Retablo de santa Engracia. Flagelación de santa Engracia (Flagellation of S. Engracia)|13207|Bermejo, Bartolomé||painter|Bartolomé Bermejo|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0||||||15|||1474|1478|ca|ca 1474-1478|ca 1474-1478||Retablo de santa Engracia|||4215||||0|||||Oil on panel|oil paint|panel||||painting (image-making)|||||92.5 x 52 cm||378|Bilbao: Museo de Bellas Artes|Bilbao: Museo de Bellas Artes||Santa Engracia ; |Santa Engracia|||||||||Cornell||ElA|MNW|7/28/2005 0:00:00|7/6/2005 0:00:00|B5165|||0||69/35|||||25|PA||||||| |38 En|||||||Work|0||||||||||||0|0|Flagelación de santa Engracia;Flagellation of Santa Engracia|Bermejo, Bartolomé 4220.00|0|Creator|15|25|B5165-PA|26Re|||Cuatro Compartimientos de un retablo dedicado a Cristo Redentor|||||||||Cuatro Compartimientos de un retablo dedicado a Cristo Redentor|13207|Bermejo, Bartolomé||painter|Bartolomé Bermejo|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||0||||0||||0|Paintings|Altarpiece|Retablo|||15|||1475|1475|ca|ca 1475|ca 1475-1475|||||0||||0|||||Mixed materials on panel|mixed materials|panel||||painting (image-making)|||||||||||Christ ; Passion of Christ ; |Christ|Passion of Christ||||||||Cornell||ElA|MNW|7/28/2005 0:00:00|7/6/2005 0:00:00|B5165|||0|||||||25|PA||12||H5||||26|||||||Work|0||||||||||||0|0|Cuatro Compartimientos de un retablo dedicado a Cristo Redentor|Bermejo, Bartolomé 4221.00|0|Creator|15|25|B5165-PA|26Re|1A|25 B5165-PA 26Re 1A|Descenso de Cristo al Limbo|||Descent of Christ to Limbo||||||Cuatro Compartimientos. Descenso de Cristo al Limbo|13207|Bermejo, Bartolomé||painter|Bartolomé Bermejo|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|||15|||1475|1475|ca|ca 1475|ca 1475-1475||Cuatro Compartimientos de un retablo dedicado a Cristo Redentor|Larger entity||4220||||0|||||Mixed materials on panel|mixed materials|panel||||painting (image-making)|||||89 x 69 cm||248|Barcelona: Museu d’Art de Catalunya|Barcelona: Mus. Art Catal.||Descent into limbo ; Christ ; Passion of Christ ; |Descent into limbo|Christ|Passion of Christ|||||||Cornell||ElA|MNW|7/28/2005 0:00:00|7/6/2005 0:00:00|B5165|||0||MNAC/MAC 15872|||||25|PA||||||| |26Re|||||||Work|0||||||||||||0|0|Descenso de Cristo al Limbo;Descent of Christ to Limbo|Bermejo, Bartolomé 4222.00|0|Creator|15|25|B5165-PA|26Re|1B|25 B5165-PA 26Re 1B|Cristo in Paraíso|Published|Image Source (Pub)|Christ in Paradise|Translated|Cataloger||||Cuatro Compartimientos. Cristo in Paraíso (Christ in Paradise)|13207|Bermejo, Bartolomé||painter|Bartolomé Bermejo|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|Painting|Panel (wood)|||15|||1475|1475|ca|ca 1475|ca 1475-1475||Cuatro compartimientos de un retablo dedicado a Cristo Redentor|||||||0|||||Mixed materials on panel|mixed materials|panel||||painting (image-making)|||||104 x 68||9494|Barcelona, Instituto Amatller de Arte Hispánico|Barcelona, Inst. Amatller A. Hisp.||Christ ; Passion of Christ ; Paradise ; |Christ|Passion of Christ|Paradise|||||||Cornell||ElA|MNW|7/28/2005 0:00:00|7/6/2005 0:00:00|B5165|||0||IAAH 546|||||25|PA||||||| |26Re|||||||Work|0||||||||||||0|0|Cristo in Paraíso;Christ in Paradise|Bermejo, Bartolomé 4223.00|0|Creator|15|25|B5165-PA|26 Re|1C|25 B5165-PA 26 Re 1C|Resurreción|Published|Image Source (Pub)|Ressurection|Translated|Cataloger||||Cuatro compartimientos. Resurreción (Resurrection)|13207|Bermejo, Bartolomé||painter|Bartolomé Bermejo|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|Painting|Panel (wood)|||15|||1475|1475|ca|ca 1475|ca 1475-1475||Cuatro compartimientos de un retablo dedicado a Cristo Redentor|||||||0|||||Mixed materials on panel|mixed materials|panel||||painting (image-making)|||||90 x 69||248|Barcelona: Museu Nacional d'Art de Catalunya|Barcelona: Mus. Art Catal.||Christ ; Passion of Christ ; Resurrection ; |Christ|Passion of Christ|Resurrection|||||||Cornell||ElA|MNW|7/28/2005 0:00:00|7/6/2005 0:00:00|B5165|||0||MNAC/MAC 15871|||||25|PA||||||| |26 Re|||||||Work|0||||||||||||0|0|Resurreción;Ressurection|Bermejo, Bartolomé 4224.00|0|Creator|15|25|B5165-PA|26Re|1D|25 B5165-PA 26Re 1D|Ascensión|Published|Image Source (Pub)|Resurrection of Christ|Translated|Cataloger||||Cuatro Compartimientos. Ascensión (Ascension)|13207|Bermejo, Bartolomé||painter|Bartolomé Bermejo|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|Painting|Panel (wood)|||15|||1475|1475|ca|ca 1475|ca 1475-1475||Cuatro Compartimientos de un retablo dedicado a Cristo Redentor|||||||0|||||Mixed materials on panel|mixed materials|panel||||painting (image-making)|||||104 x 68.5 cm||9494|Barcelona, Instituto Amatller de Arte Hispánico|Barcelona, Inst. Amatller A. Hisp.||Christ ; Passion of Christ ; Ascension ; |Christ|Passion of Christ|Ascension|||||||Cornell||ElA|MNW|7/28/2005 0:00:00|7/6/2005 0:00:00|B5165|||0||IAAH 545|||||25|PA||||||| |26Re|||||||Work|0||||||||||||0|0|Ascensión;Resurrection of Christ|Bermejo, Bartolomé 4225.00|0|Creator|15|25|B5165-PA|26De|1|25 B5165-PA 26De 1|Descendimiento|Published|Image Source (Pub)|Descent from the Cross|Translated|Cataloger||||Descendimiento (Descent from the Cross)|13207|Bermejo, Bartolomé||painter|Bartolomé Bermejo & Martin Bernat, Y.|30735|Bernat, Martin, The Younger||painter|0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|Oil painting|Panel (wood)|Painting||15|||1479|1480|ca|ca 1479-1480|ca 1479-1480|||||0||||0|||||Oil on panel|oil paint|panel||||painting (image-making)|||||134 x 132.5 cm||9495|Zaragoza: Museo de Zaragoza|Zaragoza: Mus. Zaragoza||Christ ; Descent from the Cross ; Passion of Christ ; |Christ|Descent from the Cross|Passion of Christ|||||||Cornell||ElA|MNW|7/28/2005 0:00:00|7/6/2005 0:00:00|B5165|||0||10043|||||25|PA||12||H5||| |26De|||||||Work|0||||||||||||0|0|Descendimiento;Descent from the Cross|Bermejo, Bartolomé;Bernat, Martin, The Younger 4226.00|0|Creator|15|25|B5165-PA|33|3|25 B5165-PA 33 3|Tríptico de la Virgen de Montserrat|Published|Image Source (Pub)|Triptych of the Virgin of Montserrat|Translated|Cataloger||||Tríptico de la Virgen de Montserrat|13207|Bermejo, Bartolomé||painter|Bartolomé Bermejo with Taller de los Osona|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|Triptych|Altarpiece|||15|16||1468|1501|ca|ca 1468-1501|ca 1468-1501|||||0||||0|||||Oil on panel|oil paint|panel||||painting (image-making)|||||156 x 100 cm||9496|Acqui Terme: Cathedral of Acqui Terme|Acqui Terme: Cathedral of Acqui Terme||Virgin Mary ; Christ ; Virgin and Child ; |Virgin Mary|Christ|Madonna and child|||||||Cornell||ElA|MNW|7/28/2005 0:00:00|7/6/2005 0:00:00|B5165|||0|||||||25|PA||12||H5||| |33|||||||Work|0||||||||||||0|0|Tríptico de la Virgen de Montserrat;Triptych of the Virgin of Montserrat|Bermejo, Bartolomé 4227.00|0|Creator|15|25|B5165-PA|26P|2|25 B5165-PA 26P 2|Piedad|Published|Image Source (Pub)|Pieta||||||Piedad (Pieta)|13207|Bermejo, Bartolomé||painter|Bartolomé Bermejo|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|||||15|||1490|1490|ca|ca 1490|ca 1490-1490|||||0||||0|||||Oil on panel|oil paint|panel||||painting (image-making)|||||175 x 189 cm||9497|Barcelona: Museu de la Catedral|Barcelona: Mus. de la Catedral||Christ ; Virgin Mary ; Pieta ; |Christ|Virgin Mary|Pieta|||||||Cornell||ElA|MNW|7/28/2005 0:00:00|7/6/2005 0:00:00|B5165|||0|||||||25|PA||||||| |26P|||||||Work|0||||||||||||0|0|Piedad;Pieta|Bermejo, Bartolomé 4228.00|0||||||||Rainforest Café|Assigned|Image Source (Pub)|||||||Rainforest Café|30710|Elkins, Tod||architect|Tod Elkins, Kevin Thade; Cuningham Group|30711|Thade, Kevin||architect|30707|Cuningham Group||architectural firm||American|||Post-1945|||||United States||||||0|Village Marketplace, Lake Buena Vista, FL|||10519||||0||||0|Architecture|Restaurant||||20|||1996|1996||1996|1996-1996|||||0||||0||||||||||||||||||||||Restaurants ; |Restaurants|||||||||Cornell||JNK|JNK|7/6/2005 0:00:00|7/6/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Rainforest Café|Elkins, Tod;Thade, Kevin;Cuningham Group 4229.00|0|Creator|15|25|B5165-PA|22A|1|25 B5165-PA 22A 1|Epifanía and Verónica de Cristo|Published|Image Source (Pub)|Adoration of the Magi|Translated|Cataloger||||Epifanía and Verónica de Cristo (Adoration of the Magi)|13207|Bermejo, Bartolomé||painter|Bartolomé Bermejo|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|Oil painting|Panel (wood)|Painting||15|||1497|1497|ca|ca 1497|ca 1497-1497|||||0||||0|||||Oil on panel|oil paint|panel||||painting (image-making)|||||47 x 45 cm||982|Granada: Cathedral; Museo de la Capilla Real|Granada: Cath.; Mus. Cap. Real||Virgin Mary ; Christ ; Virgin and Child ; Adoration of the Magi ; |Virgin Mary|Christ|Madonna and child|Adoration of the Magi||||||Cornell||ElA|MNW|7/28/2005 0:00:00|7/6/2005 0:00:00|B5165|||0|||||||25|PA||12||H5||| |22A|||||||Work|0||||||||||||0|0|Epifanía and Verónica de Cristo;Adoration of the Magi|Bermejo, Bartolomé 4230.00|0|Creator|15|25|A411-PA|26 C|1|25 A411-PA 26 C 1|Tríptico de la Crucifixión|Published|Image Source (Pub)|Crucifixion Triptych|Translated|Cataloger||||Tríptico de la Crucifixión (Crucifixion Triptych)|30709|Alincbrot, Louis||painter|Louis Alincbrot|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|Triptych|Oil painting|Painting||15|||1440|1450|ca|ca 1440-1450|ca 1440-1450|||||0||||0|||||Oil on panel|oil paint|panel||||painting (image-making)|||||78 x 134 cm||1616|Madrid: Museo del Prado|Madrid: Prado||Crucifixion ; Christ ; Passion of Christ ; |Crucifixion|Christ|Passion of Christ|||||||Cornell||ElA|MNW|12/11/2005 0:00:00|7/6/2005 0:00:00|A411|||0||2538|||||25|PA||||||| |26 C|||||||Work|0||||||||||||0|0|Tríptico de la Crucifixión;Crucifixion Triptych|Alincbrot, Louis 4231.00|0|Creator|15|25|J17-PA|23Tr|1|25 J17-PA 23Tr 1|Transfiguración|Published|Image Source (Pub)|Transfiguration|Translated|Cataloger||||Transfiguración (Transfiguration)|30712|Jacomart||painter|Jacomart|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0|València, Spain|||10518||||0||||0|Paintings|||||15|||1448|1448|ca|1448|ca 1448-1448|||||0||||0|||||Oil on panel|oil paint|panel||||painting (image-making)|||||115 x 76 cm||9498|Valencia: Catedral Metropolitana de Valencia|Valencia: Cat. Metropolitana de Val.||Christ ; Transfiguration ; |Christ|Transfiguration||||||||Cornell||ElA|MNW|7/28/2005 0:00:00|7/6/2005 0:00:00|J17|Val||0|||||||25|PA||12||H5||| |23Tr|||||||Work|0||||||||||||0|0|Transfiguración;Transfiguration|Jacomart 4232.00|0|Creator|15|25|MP853-PA|34|1|25 -PA 34 1|Aparición de la Virgen a san Francisco en la Porciúncula|Published|Image Source (Pub)|Apparition of the Virgin bevore Saint Francis at the Porciúncula|Translated|Image Source (Pub)||||Aparición de la Virgen a san Francisco en la Porciúncula (Apparition of the Virgin)|30777|Master of the Porciúncula|attributed to|painter|Master of the Porciúncula|30712|Jacomart|attributed to|painter|0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|Painting|Oil painting|Panel (wood)||15|||1450|1450|ca|ca 1450|ca 1450-1450|||||0||||0|||||Oil on panel|oil paint|panel||||painting (image-making)|||||250.5 x 136 cm||248|Barcelona: Museu d’Art de Catalunya|Barcelona: Mus. Art Catal.||Virgin Mary ; Christ ; Virgin and Child ; Saint Francis ; |Virgin Mary|Christ|Madonna and child|Saint Francis||||||Cornell||ElA|MNW|7/29/2005 0:00:00|7/6/2005 0:00:00|MP853|||0||MNAC/MAC 64103|||||25|PA||||||| |34|||||||Work|0||||||||||||0|0|Aparición de la Virgen a san Francisco en la Porciúncula;Apparition of the Virgin bevore Saint Francis at the Porciúncula|Master of the Porciúncula;Jacomart 4233.00|0|Creator|15|25|R455-PA|34|1|25 R455-PA 34 1|Santa Ana, la Virgen, y el Niño|Published|Image Source (Pub)|Saint Anne, the Virgin, and Child|Translated|Image Source (Pub)||||Santa Ana, la Virgen, y el Niño (Saint Anne, Virgin, and Child)|30713|Rexach, Juan, II,|attributed to|painter|Juan Rexach, II (or Pere Rexach)|30779|Rexach, Pere|attributed to|painter|30712|Jacomart|attributed to|painter||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Painting|Panel (wood)||15|||1452|1452||1452|1452-1452|||||0||||0|||||Mixed materials on panel|mixed materials|panel||||painting (image-making)|||||136 x 67 cm||9499|Játiva: Iglesia Colegial Basílica Santa María|Játiva: Iglesia Colegial Basílica Santa María||Virgin Mary ; Christ-child ; Christ ; Virgin and Child ; Saint Anna ; |Virgin Mary|Christ-child|Christ|Virgin and Child|Saint Anna|||||Cornell||ElA|MNW|7/29/2005 0:00:00|7/6/2005 0:00:00|R455|||0|||||||25|PA||||||| |34|||||||Work|0||||||||||||0|0|Santa Ana, la Virgen, y el Niño;Saint Anne, the Virgin, and Child|Rexach, Juan, II,;Rexach, Pere;Jacomart 4234.00|0|Creator|15|25|O83-PA|34|1|25 O83-PA 34 1|Virgen con el Niño y dos ángeles|Published|Image Source (Pub)|Virgin and Child with Two Angels|Translated|Image Source (Pub)||||Virgen con el Niño y dos ángeles (Virgin and Child with Two Angels)|30714|Osona, Francesc d'||painter|Francesc d'Osona|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||0||||0||||0|Paintings|Painting||||16|||1500|1500|ca|ca 1500|ca 1500-1500|||||0||||0|||||Mixed materials on panel|mixed materials|panel||||painting (image-making)|||||100 x 76 cm||3290|Private Collection|: Private Coll.||Virgin Mary ; Christ ; Christ-child ; Angels ; |Virgin Mary|Christ|Christ-child|Angels||||||Cornell||ElA|MNW|7/29/2005 0:00:00|7/6/2005 0:00:00|O83|||0|||||||25|PA||||||| |34|||||||Work|0||||||||||||0|0|Virgen con el Niño y dos ángeles;Virgin and Child with Two Angels|Osona, Francesc d' 4235.00|0|Creator|15|25|C957-PA|28 So|2|25 C957-PA 28 So 2|Cristo de Piedad|Published|Image Source (Pub)|Pietá|Translated|Image Source (Pub)||||Cristo de Piedad (Pietá)|29866|Cruz, Diego de la||painter|Diego de la Cruz|0||||0|||||Spanish|||Medieval|Early Renaissance||Europe||Spain||||||0||||||||0||||0|Paintings|Oil painting|Painting|Panel (wood)||15|||1485|1485|ca|ca 1485|ca 1485-1485|||||0||||0|||||Oil on panel|oil paint|panel||||painting (image-making)|||||84.5 x 71 cm||378|Bilbao: Museo de Bellas Artes|Bilbao: Museo de Bellas Artes||Christ ; Man of Sorrows ; |Christ|Man of Sorrows||||||||Cornell||ElA|CLL|8/22/2005 0:00:00|7/6/2005 0:00:00|C957|||0||69/72|||||25|PA||||||| |28 So|||||||Work|0||||||||||||0|0|Cristo de Piedad;Pietá|Cruz, Diego de la 4236.00|0|Creator|15|25|G166-PA|38 Gr|1|25 G166-PA 38 Gr 1|Misa de san Gregorio|Published|Image Source (Pub)|Mass of Saint Gregory|Translated|Image Source (Pub)||||Misa de san Gregorio (Mass of Saint Gregory)|13208|Gállego, Fernando||painter|Fernando Gállego|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||0||||0||||0|Paintings|Painting||||15|||1470|1480|ca|ca 1470-1480|ca 1470-1480|||||0||||0|||||Tempera on panel|tempera|panel||||painting (image-making)|||||104 x 83 cm||3290|Private Collection|: Private Coll.||Saint Gregory ; |Saint Gregory|||||||||Cornell||ElA|CLL|8/1/2006 0:00:00|7/6/2005 0:00:00|G166|||0|||||||25|PA||||||| |38 Gr||||||||0||This painting exists as a fragment.||||||||||0|0|Misa de san Gregorio;Mass of Saint Gregory|Gállego, Fernando 4237.00|0|Creator|15|25|G166-PA|34|1|25 G166-PA 34 1|Epifanía|Published|Image Source (Pub)|Adoration of the Magi|Translated|Cataloger||||Epifanía (Adoration of the Magi)|13208|Gállego, Fernando||painter|Fernando Gállego|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|Painting|Oil painting|Panel (wood)||15|||1480|1490|ca|ca 1480-1490|ca 1480-1490|||||0||||0|||||Oil on panel|oil paint|panel||||painting (image-making)|||||136 x 106 cm||248|Barcelona: Museu d’Art de Catalunya|Barcelona: Mus. Art Catal.||Christ ; Virgin Mary ; Virgin and Child ; Adoration of the Magi ; Christ-child ; |Christ|Virgin Mary|Madonna and child|Adoration of the Magi|Christ-child|||||Cornell||ElA|CLL|8/1/2006 0:00:00|7/6/2005 0:00:00|G166|||0||MNAC/MAC 64084|||||25|PA||||||| |34|||||||Work|0||||||||||||0|0|Epifanía;Adoration of the Magi|Gállego, Fernando 4277.00|0|Creator|15|25|B5335-PA|38 Gr|1|25 B5335-PA 38 Gr 1|Misa de san Gregorio|Published|Image Source (Pub)|Mass of San Gregorio|Translated|Cataloger||||Misa de san Gregorio (Mass of San Gregorio)|13586|Berruguete, Pedro|||Pedro Berruguete|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|Painting|Panel (wood)|||15|||1490|1500|ca|ca 1490-1500|ca 1490-1500|||||0||||0|||||Panel|panel|||||painting (image-making)|panel painting||||143 x 131 cm||9151|Burgos: Museo de Burgos|Burgos: Museo||Saint Gregory ; |Saint Gregory|||||||||Cornell||ElA|ElA|7/28/2005 0:00:00|7/7/2005 0:00:00|B5335|||0||402|||||25|PA||||||| |38 Gr|||||||Work|0||||||||||||0|0|Misa de san Gregorio;Mass of San Gregorio|Berruguete, Pedro 4278.00|0|Creator|15|25|B5335-PA|26|1|25 B5335-PA 26 1|Díptico de la Pasión|||||||||Díptico de la Pasión|13586|Berruguete, Pedro|||Pedro Berruguete|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0||||||15|||1490|1490|ca|ca 1490|ca 1490-1490|||||0||||0||||||panel|||||painting (image-making)|panel painting||||||9509|Palencia: Museo Catedralicio|Palencia: Mus. Catedralicio||||||||||||Cornell||ElA|MNW|7/28/2005 0:00:00|7/7/2005 0:00:00|B5335|||0|||||||25|PA||12||H5||| |26||||||||0||||||||||||0|0|Díptico de la Pasión|Berruguete, Pedro 4279.00|0|Creator|15|25|B5335-PA|26 C|1|25 B5335-PA 26 C 1|Crucifixión|Published|Image Source (Pub)|Crucifixion|Translated|Image Source (Pub)||||Díptico de la Pasión. Crucifixión (Crucifixion)|13586|Berruguete, Pedro|||Pedro Berruguete|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|Diptych|Painting|||15|||1490|1490|ca|ca 1490|ca 1490-1490||Díptico de la Pasión|Larger entity||4278||||0|||||Panel|panel|||||painting (image-making)|panel painting||||128 x 97 cm||9509|Palencia: Museo Catedralicio|Palencia: Mus. Catedralicio||Christ ; Passion of Christ ; Crucifixion ; |Christ|Passion of Christ|Crucifixion|||||||Cornell||ElA|MNW|7/28/2005 0:00:00|7/7/2005 0:00:00|B5335|||0|||||||25|PA||||||| |26 C|||||||Work|0||||||||||||0|0|Crucifixión;Crucifixion|Berruguete, Pedro 4280.00|0|Creator|15|25|B5335-PA|26 La|2|25 B5335-PA 26 La 2|Lamentación sobre el cuerpo de Cristo|Published|Image Source (Pub)|Lamentation of Christ|Translated|Cataloger||||Díptico de la Pasión. Lamentación sobre el cuerpo de Cristo (Lamentation)|13586|Berruguete, Pedro|||Pedro Berruguete|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|Diptych||||15|||1490|1490|ca|ca 1490|ca 1490-1490||Díptico de la Pasión|Larger entity||4278||||0|||||Panel|panel|||||painting (image-making)|panel painting||||128 x 97 cm||9509|Palencia: Museo Catedralicio|Palencia: Mus. Catedralicio||Christ ; Passion of Christ ; Lamentation over the Dead Christ ; |Christ|Passion of Christ|Lamentation over the Dead Christ|||||||Cornell||ElA|MNW|7/28/2005 0:00:00|7/7/2005 0:00:00|B5335|||0|||||||25|PA||||||| |26 La|||||||Work|0||||||||||||0|0|Lamentación sobre el cuerpo de Cristo;Lamentation of Christ|Berruguete, Pedro 4281.00|0|Creator|15|25|B5335-PA|26 C|2|25 B5335-PA 26 C 2|Cristo en la Cruz|Published|Image Source (Pub)|Christ on the Cross|Translated|Cataloger||||Cristo en la Cruz (Christ on the Cross)|13586|Berruguete, Pedro||painter|Pedro Berruguete|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|Painting|Panel (wood)|||15|||1493|1498||1493-1498|1493-1498|||||0||||0|||||Panel|panel|||||panel painting|painting (image-making)||||186 x 131 cm||9510|Segovia: Diputación Provincial|Segovia: Diputación Provincial||Christ ; Passion of Christ ; Crucifixion ; Crucifixes ; |Christ|Passion of Christ|Crucifixion|Crucifixes||||||Cornell||ElA|MNW|7/28/2005 0:00:00|7/7/2005 0:00:00|B5335|||0|||||||25|PA||||||| |26 C|||||||Work|0||||||||||||0|0|Cristo en la Cruz;Christ on the Cross|Berruguete, Pedro 4282.00|0|Creator|15|25|B5335-PA|38 G|1|25 B5335-PA 38 G 1|Misa de san Gregorio|Published|Image Source (Pub)|Mass of Saint Gregory|Translated|Cataloger||||Misa de san Gregorio (Mass of Saint Gregory)|13586|Berruguete, Pedro|||Pedro Berruguete|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|||||15|||1500|1500|ca|ca 1500|ca 1500-1500|||||0||||0|||||Panel|panel|||||panel painting|painting (image-making)||||160 x 140 cm||9247|Segovia: Cathedral Museum|Segovia: Cathedral Museum||Saint Gregory ; |Saint Gregory|||||||||Cornell||ElA|MNW|7/28/2005 0:00:00|7/7/2005 0:00:00|B5335|||0|||||||25|PA||||||| |38 G|||||||Work|0||||||||||||0|0|Misa de san Gregorio;Mass of Saint Gregory|Berruguete, Pedro 4283.00|0||||||||The "Little Beaver" Chair and Stool|Assigned|Image Source (Pub)|||||||The "Little Beaver" Chair and Stool|4365|Gehry, Frank Owen||architect|Frank O. Gehry|30037|Vitra AG|||0|||||||||||||||||||0||||0||||0||||0|Furnishings|Chair|Furniture|||20|||1987|1987||1987|1987-1987|||||0||||0|||||Cardboard|cardboard||||||||||||9282|Weil am Rhein: Vitra Design Museum|Weil am Rhein: Vitra Design M.||Chairs ; Furniture ; Recycling ; |Chairs|Furniture|Recycling|||||||Cornell||JNK|MNW|9/28/2005 0:00:00|7/7/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|The "Little Beaver" Chair and Stool|Gehry, Frank Owen;Vitra AG 4284.00|0||||||||Slate Arch (Scaur Glen, Dumfriesshire, Scotland)|Assigned|Image Source (Pub)|||||||Slate Arch (Scaur Glen, Dumfriesshire, Scotland)|4632|Goldsworthy, Andy||environmental artist|Andy Goldworthy|0||||0||||||||||||||||Scaur Glen, Penpont, Dumfriesshire, Scotland|||10528||||0||||0||||0|Sculpture|Environmental art|Sculpture|||20|||1993|1993||May 26, 1993|1993-1993|||||0||||0|||||Slate|stone|||||sculpture|||||||||||Arches ; Sculpture (visual work) ; Stone ; Rock ; |Arches|Sculpture (visual work)|Stone|Rock||||||Cornell||JNK|MNW|11/9/2005 0:00:00|7/7/2005 0:00:00||||0||||||||||||||||||||||||0|||||May 26, 1993.|||||||0|0|Slate Arch (Scaur Glen, Dumfriesshire, Scotland)|Goldsworthy, Andy 4238.00|0|Creator|15|25|MC363-PA|34|1|25 MC363-PA 34 1|Virgen de los Reyes Católicos|Published|Image Source (Pub)|Virgin of the Catholic Monarchs|Translated|Image Source (Pub)||||Virgen de los Reyes Católicos (Virgin of the Catholic Monarchs)|30716|Master of the Catholic Kings||painter|Master of the Catholic Kings|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|Painting|Panel (wood)|||15|||1490|1493|ca|ca 1490-1493|ca 1490-1493|||||0||||0|||||Tempera on panel|tempera|panel||||painting (image-making)|||||||1616|Madrid: Museo del Prado|Madrid: Prado||Virgin Mary ; Christ ; Madonna and Child ; Christ-child ; |Virgin Mary|Christ|Madonna and Child|Christ-child||||||Cornell||ElA|MNW|12/11/2005 0:00:00|7/6/2005 0:00:00|MC363|||0||1260|||||25|PA||||||| |34|||||||Work|0||||||||||||0|0|Virgen de los Reyes Católicos;Virgin of the Catholic Monarchs|Master of the Catholic Kings 4239.00|0||||||||Arnold Schwarzenegger Holding a Planet Holywood, Las Vegas T-shirt|Descriptive|Cataloger|||||||Arnold Schwarzenegger Holding a Planet Holywood, Las Vegas T-shirt|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Photographic print|Portrait|Documentary photograph||20|||1997|1997|bef|bef 1997|bef 1997-1997|||||0||||0|||||Color photograph|photo paper|||||photography|||||||||||Portraits ; Schwarzenegger, Arnold, 1947- ; |Portraits|Schwarzenegger, Arnold, 1947-||||||||Cornell||JNK|MNW|9/13/2005 0:00:00|7/6/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Arnold Schwarzenegger Holding a Planet Holywood, Las Vegas T-shirt| 4240.00|0||||||||Planet Hollywood|Assigned|Image Source (Pub)|||||||Planet Hollywood|30717|Haverson/Rockwell Architects, P.C.||architectural firm|Haverson/Rockwell Architects, P.C.|0||||0|||||American||||||||United States||||||0|Chicago, Illinois|||10103||||0||||0|Architecture|Restaurant||||20|||1997|1997|bef|bef 1997|bef 1997-1997|||||0||||0||||||||||||||||||||||Restaurants ; |Restaurants|||||||||Cornell||JNK|MNW|9/13/2005 0:00:00|7/6/2005 0:00:00||Chi||0||||||||||||||||||||||||0||||||||||||0|0|Planet Hollywood|Haverson/Rockwell Architects, P.C. 4241.00|0|Creator|15|25|N971-PA|26Pie|1|25 N971-PA 26Pie 1|Piedad con san Vicente, san Miguel, y un donante|Published|Image Source (Pub)|Pieta with Saint Vincent, Saint Michael, and a donor|Translated|Image Source (Pub)||||Piedad con san Vicente, san Miguel, y un donante (Pieta)|30718|Núñez, Juan||painter|Juan Núñez|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|Painting|Oil painting|||15|16||1490|1500|ca|ca 1490-1500|ca 1490-1500|||||0||||0|||||Oil on panel|oil paint|panel||||painting (image-making)|||||99 x 63 cm||9500|Seville: Catedral de Seville|Seville: Cat. de Seville||Virgin Mary ; Christ ; Passion of Christ ; Pieta ; Saint Gregory ; Saint Michael ; |Virgin Mary|Christ|Passion of Christ|Pieta|Saint Gregory|Saint Michael||||Cornell||ElA|MNW|7/29/2005 0:00:00|7/6/2005 0:00:00|N971|||0|||||||25|PA||||||| |26Pie|||||||Work|0||||||||||||0|0|Piedad con san Vicente, san Miguel, y un donante;Pieta with Saint Vincent, Saint Michael, and a donor|Núñez, Juan 4242.00|0|Creator|15|Ren P|Sittow, Michel|||Ren P Sittow, Michel |Coronación de la Virgen|Published|Image Source (Pub)|Coronation of the Virgin|Translated|Image Source (Pub)||||Coronación de la Virgen|30701|Sittow, Michael||painter|Michael Sittow|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|||||15|||1492|1496|ca|ca 1492-1496|ca 1492-1496|||||0||||0|||||Oil on panel|oil paint|panel||||painting (image-making)|||||24.5 x 18.3 cm||3341|Paris: Musée du Louvre|Paris: Louvre||Virgin Mary ; Coronation of Mary ; Angels ; Christ ; God the Father ; |Virgin Mary|Coronation of Mary|Angels|Christ|God the Father|||||Cornell||ElA|MNW|7/29/2005 0:00:00|7/6/2005 0:00:00|Sittow, Mi|||0||R.F 1966-11|||||Ren P|||||||| ||||||||Work|0||||||||||||0|0|Coronación de la Virgen;Coronation of the Virgin|Sittow, Michael 4243.00|0|Creator|15|25|B5335-PA|36|1|25 B5335-PA 36 1|Ángel músico|Published|Image Source (Pub)|Musician Angel|Translated|Cataloger||||Ángel músico (Musician Angel)|13586|Berruguete, Pedro||painter|Pedro Berruguete|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0||||||15|16||1480|1500|ca|ca 1480-1500|ca 1480-1500|||||0||||0|||||Oil on panel|oil paint|panel||||painting (image-making)|||||84 x 45 cm||9501|Sitges: Museu Maricel|Sitges: Mus. Maricel||Angels ; |Angels|||||||||Cornell||ElA|MNW|7/29/2005 0:00:00|7/6/2005 0:00:00|B5335|||0|||||||25|PA||||||| |36|||||||Work|0||||||||||||0|0|Ángel músico;Musician Angel|Berruguete, Pedro 4244.00|0|Creator|15|25|B5335-PA|33|||Virgen con el Niño|||||||||Virgen con el Niño|13586|Berruguete, Pedro||painter|Pedro Berruguete|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0|Madrid, Spain|||10220||||0||||0||||||15|16||1480|1500|ca|ca 1480-1500|ca 1480-1500|||||0||||0|||||Oil on panel|oil paint|panel||||painting (image-making)|||||61 x 44 cm||1613|Madrid: Museo Municipal de Madrid|Madrid: Museo Munic.||Virgin Mary ; Infant Christ ; Christ ; Virgin and Child ; |Virgin Mary|Infant Christ|Christ|Virgin and Child||||||Cornell||ElA|MNW|7/28/2005 0:00:00|7/6/2005 0:00:00|B5335|Mad||0|||||||25|PA||||||| |33|||||||Work|0||||||||||||0|0|Virgen con el Niño|Berruguete, Pedro 4245.00|0|Creator|15|25|B5335-PA|31 As|1|25 B5335-PA 31 As 1|Asunción de la Virgen|Published|Image Source (Pub)|Assumption of the Virgin|Translated|Cataloger||||Asunción de la Virgen (Assumption of the Virgin)|13586|Berruguete, Pedro||painter|Pedro Berruguete|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|Retablo|Altarpiece|||15|||1480|1499|ca|Late 15th century|ca 1480-ca 1499|||||0||||0|||||||||||painting (image-making)|||||||9502|Oviedo, Museo de Bellas Artes de Asturias|Oviedo: Mus. BA||Assumption of Mary ; Virgin Mary ; Coronation of Mary ; |Assumption of Mary|Virgin Mary|Coronation of Mary|||||||Cornell||ElA|MNW|7/28/2005 0:00:00|7/6/2005 0:00:00|B5335|||0|||||||25|PA||||||| |31 As|||||||Work|0||||||||||||0|0|Asunción de la Virgen;Assumption of the Virgin|Berruguete, Pedro 4246.00|0|Creator|15|25|B5335-PA|22 B|1|25 B5335-PA 22 B 1|Nacimiento de Cristo|||||||||Nacimiento de Cristo|13586|Berruguete, Pedro|attributed to|painter|Pedro Berruguete|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|Oil painting|Retablo|Altarpiece||15|||1480|1499|ca|Late 15th century|ca 1480-1499|||||0||||0|||||||||||painting (image-making)|||||||9503|Becerril de Campos: Museo Iglesia Santa María|Becerril de Campos: Mus. Igl. Santa María||Birth and youth of Christ ; Christ ; Virgin Mary ; |Birth and youth of Christ|Christ|Virgin Mary|||||||Cornell||ElA|MNW|7/28/2005 0:00:00|7/6/2005 0:00:00|B5335|||0|||||||25|PA||||||| |22 B|||||||Work|0||||||||||||0|0|Nacimiento de Cristo|Berruguete, Pedro 4247.00|0|Creator|15|25|B5335-PA|22 A|1|25 B5335-PA 22 A 1|Adoración de los magos|Published|Image Source (Pub)|Adoration of the Magi|Translated|Cataloger||||Adoración de los magos (Adoration of the Magi)|13586|Berruguete, Pedro||painter|Pedro Berruguete|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|Panel (wood)|Painting|||15|||1470|1471|ca|ca 1470-1471|ca 1470-1471|||||0||||0|||||Panel|panel|||||painting (image-making)|painting (image-making)||||104 x 75 cm||9565|Madrid: Museo Arqueológico Nacional; Coleccion Varez Fisa|Madrid: Mus. Arqueológico Nac.; Col. Varez Fisa||Christ ; Adoration of the Magi ; Birth and youth of Christ ; Virgin Mary ; |Christ|Adoration of the Magi|Birth and youth of Christ|Virgin Mary||||||Cornell||ElA|MNW|12/11/2005 0:00:00|7/6/2005 0:00:00|B5335|||0|||||||25|PA||||||| |22 A|||||||Work|0||||||||||||0|0|Adoración de los magos;Adoration of the Magi|Berruguete, Pedro 4248.00|0|Creator|15|25|B5335-PA|38D|2|25 B5335-PA 38D 2|La prueba del fuego|Published|Image Source (Pub)|The Burning of the Heretical Books|Translated|Cataloger||||La prueba del fuego|13586|Berruguete, Pedro|||Pedro Berruguete|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|Painting|Panel (wood)|||15|||1470|1471|ca|ca 1470-1471|ca 1470-1471|||||0||||0|||||Panel|panel|||||painting (image-making)|||||113 x 75 cm||1616|Madrid: Museo del Prado|Madrid: Prado||Saint Dominic ; |Saint Dominic|||||||||Cornell||ElA|MNW|12/11/2005 0:00:00|7/6/2005 0:00:00|B5335|||0||1305|||||25|PA||||||| |38D|||||||Work|0||During his mission among the Albigensians a was made of heretical books. The book of dominic, however, when cast into the flames sprang out again unconsumed. Hall, Dict. Of Subjects & Symbols in Art.||||||||||0|0|La prueba del fuego;The Burning of the Heretical Books|Berruguete, Pedro 4249.00|0|Creator|15|25|B5335-PA|38 S||25 B5335-PA 38 S |San Sebastián|Published|Image Source (Pub)|Saint Sebastian|Translated|Cataloger||||San Sebastián (Saint Sebastian)|13586|Berruguete, Pedro||painter|Pedro Berruguete|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|||||15|||1480|1483|ca|ca 1480-1483|ca 1480-1483|||||0||||0|||||Panel|panel|||||painting (image-making)|||||151 x 87 cm||3032|Urbino: Palazzo Ducale; Galleria Nazionale delle Marche|Urbino: Pal. Ducale; Gal. Naz. delle Marche||Saint Sebastian ; Martyrdom ; |Saint Sebastian|Martyrdom||||||||Cornell||ElA|MNW|7/27/2005 0:00:00|7/6/2005 0:00:00|B5335|||0||1990 D.70|||||25|PA||||||| |38 S|||||||Work|0||||||||||||0|0|San Sebastián;Saint Sebastian|Berruguete, Pedro 4250.00|0|Creator|15|25|B5335-PA|28 So|1|25 B5335-PA 28 So 1|Cristo de Piedad entre dos ángeles|Published|Image Source (Pub)|Christ Between Two Angels|Translated|Cataloger||||Cristo de Piedad entre dos ángeles|13586|Berruguete, Pedro|||Pedro Berruguete|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|Oil painting||||15|||1480|1483|ca|ca 1480-1483|ca 1480-1483|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||62 x 71 cm||1714|Milan: Pinacoteca di Brera|Milan: Pinacoteca Brera||Christ ; Passion of Christ ; |Christ|Passion of Christ||||||||Cornell||ElA|MNW|7/28/2005 0:00:00|7/6/2005 0:00:00|B5335|||0||reg.cron.233|||||25|PA||||||| |28 So|||||||Work|0||||||||||||0|0|Cristo de Piedad entre dos ángeles;Christ Between Two Angels|Berruguete, Pedro 4251.00|0|Creator|15|25|B5335-PA|5 F|1|25 B5335-PA 5 F 1|Retrato de Federico de Montefeltro y de su hijo Guidobaldo|Preferred|Image Source (Pub)|Federico de Montefeltro and His Son Guidobaldo|Translated|Cataloger||||Retrato de Federico de Montefeltro y de su hijo Guidobaldo|13586|Berruguete, Pedro|||Pedro Berruguete|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|Portrait|Retablo|Altarpiece||15|||1476|1477|ca|ca 1476-1477|ca 1476-1477|||||0||||0|||||Panel|panel|||||painting (image-making)|||||138.5 x 82.5 cm||3032|Urbino: Palazzo Ducale; Galleria Nazionale delle Marche|Urbino: Pal. Ducale; Gal. Naz. delle Marche||Portraits ; Federico, da Montefeltro, Duke of Urbino, 1422-1482 ; Guidobaldo, da Montefeltro, Duke of Urbino, 1472-1508 ; |Portraits|Federico, da Montefeltro, Duke of Urbino, 1422-1482|Guidobaldo, da Montefeltro, Duke of Urbino, 1472-1508|||||||Cornell||ElA|MNW|7/28/2005 0:00:00|7/6/2005 0:00:00|B5335|||0||1990 D 56|||||25|PA||||||| |5 F|||||||Work|0||||||||||||0|0|Retrato de Federico de Montefeltro y de su hijo Guidobaldo;Federico de Montefeltro and His Son Guidobaldo|Berruguete, Pedro 4252.00|0|Creator|15|25|B5335-PA||||Berruguete Retablo|Descriptive||||||||Berruguete Retablo|13586|Berruguete, Pedro|||Pedro Berruguete|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|||15|||1485|1490|ca|ca 1485-1490|ca 1485-1490|||||0||||0|||||Panel|panel|||||painting (image-making)|||||||9505|Palencia: Museo Diocesano|Palencia: Mus. Diocesano Palencia: Mus. Diocesano||Christ ; |Christ|||||||||Cornell||ElA|MNW|7/28/2005 0:00:00|7/6/2005 0:00:00|B5335|||0|||||||25|PA||||||| ||||||||Work|0||||||||||||0|0|Berruguete Retablo|Berruguete, Pedro 4253.00|0|Creator|15|25|B5335-PA|28 S|1|25 B5335-PA 28 S 1|El Salvador bendiciendo|||Salvator Mundi||||||El Salvador bendiciendo (Salvator Mundi)|13586|Berruguete, Pedro|||Pedro Berruguete|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|||15|||1485|1490|ca|ca 1485-1490|ca 1485-1490||Berruguete Retablo|||4252||||0|||||Panel|panel|||||painting (image-making)|||||102 x 78 cm||9505|Palencia: Museo Diocesano|Palencia: Mus. Diocesano Palencia: Mus. Diocesano||Christ ; Salvator Mundi ; |Christ|Salvator Mundi||||||||Cornell||ElA|MNW|7/28/2005 0:00:00|7/6/2005 0:00:00|B5335|||0|||||||25|PA||||||| |28 S|||||||Work|0||Inscription: "salvactor mundy misere nobis. Amen."||||||||||0|0|El Salvador bendiciendo;Salvator Mundi|Berruguete, Pedro 4254.00|0|Creator|15|25|B5335-PA|5 E|1|25 B5335-PA 5 E 1|Rey Esdras|Published|Image Source (Pub)|King Esdras|Translated|Cataloger||||Rey Esdras (King Esdras)|13586|Berruguete, Pedro|||Pedro Berruguete|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|||15|||1485|1490|ca|ca 1485-1490|ca 1485-1490||Berruguete Retablo|||4252||||0|||||Panel|panel|||||painting (image-making)|||||86.5 x 50.6 cm||9505|Palencia: Museo Diocesano|Palencia: Mus. Diocesano Palencia: Mus. Diocesano||Kings (people) ; |Kings (people)|||||||||Cornell||ElA|MNW|7/28/2005 0:00:00|7/6/2005 0:00:00|B5335|||0|||||||25|PA||||||| |5 E|||||||Work|0||Inscription: "Rei Exdras P."||||||||||0|0|Rey Esdras;King Esdras|Berruguete, Pedro 4255.00|0||||||||Standard Oil Company of Ohio Filling Station|Descriptive|Image Source (Pub)|||||||Standard Oil Company of Ohio Filling Station|30721|Clauss & Daub||architectural firm|Clauss & Daub|0||||0|||||American|||International Style|||||United States||||||0||||||||0||||0|Architecture|Industrial building|Service station|||20|||1931|1931||1931|1931-1931|||||0||||0||||||||||||||||||||||Service stations ; |Service stations|||||||||Cornell||JNK|MNW|8/23/2005 0:00:00|7/6/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Standard Oil Company of Ohio Filling Station|Clauss & Daub 4256.00|0|Creator|15|25|B5335-PA|31 A|||Retablo de la vida de la Virgen|||||||||Retablo de la vida de la Virgen|13586|Berruguete, Pedro|||Pedro Berruguete|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|||15|||1490|1490|ca|ca 1490|ca 1490|||||0||||0|||||Panel|panel|||||painting (image-making)|||||||9506|Paredes de Nava: Iglesia de Santa Eulalia|Paredes de Nava: Iglesia de S. Eulalia||||||||||||Cornell||ElA|MNW|7/28/2005 0:00:00|7/6/2005 0:00:00|B5335|||0|||||||25|PA||||||| |31 A|||||||Work|0||||||||||||0|0|Retablo de la vida de la Virgen|Berruguete, Pedro 4257.00|0|Creator|15|25|B5335-PA|31 J|1|25 B5335-PA 31 J 1|Anuncio del ángel a santa Ana|Published|Image Source (Pub)|Annunciation of the Angel to Saint Anne|Series|Cataloger||||Retablo de la vida de la Virgen. Anuncio del ángel a santa Ana|13586|Berruguete, Pedro|||Pedro Berruguete|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|Panel (wood)||15|||1490|1490|ca|ca 1490|ca 1490-1490||Retablo de la vida de la Virgen|Larger entity||4256||||0|||||Panel|panel|||||painting (image-making)|||||196 x 95 cm||9506|Paredes de Nava: Iglesia de Santa Eulalia|Paredes de Nava: Iglesia de S. Eulalia||Saint Anna ; Annunciation of the birth of Mary ; |Saint Anna|Annunciation of the birth of Mary||||||||Cornell||ElA|MNW|7/28/2005 0:00:00|7/6/2005 0:00:00|B5335|||0|||||||25|PA||||||| |31 J|||||||Work|0||||||||||||0|0|Anuncio del ángel a santa Ana;Annunciation of the Angel to Saint Anne|Berruguete, Pedro 4258.00|0|Creator|15|25|B5335-PA|31 A|1|25 B5335-PA 31 A 1|Anunciación|Published|Image Source (Pub)|Annunciation|Translated|Cataloger||||Anunciación (Annunciation)|13586|Berruguete, Pedro|||Pedro Berruguete|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|Painting|Panel (wood)|||15|16||1495|1500||1495-1500|1495-1500|||||0||||0|||||Panel|panel|||||panel painting|||||108 x 45 cm||9507|Burgos: Cartuja de Miraflores|Burgos: Cartuja de Miraflores||Virgin Mary ; Life of the Virgin ; Annunciation ; |Virgin Mary|Life of the Virgin|Annunciation|||||||Cornell||ElA|MNW|7/28/2005 0:00:00|7/6/2005 0:00:00|B5335|||0|||||||25|PA||||||| |31 A|||||||Work|0||||||||||||0|0|Anunciación;Annunciation|Berruguete, Pedro 4259.00|0|Creator|15|25|B5335-PA||||Retablo de la vida de la Virgen y de Cristo|||||||||Retablo de la vida de la Virgen y de Cristo|13586|Berruguete, Pedro|||Pedro Berruguete|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|||15|||1485|1490||1485-1490|1485-1490|||||0||||0|||||Panel|panel|||||painting (image-making)|panel painting||||||9503|Becerril de Campos: Museo Iglesia Santa María|Becerril de Campos: Mus. Igl. Santa María||Virgin Mary ; Christ ; |Virgin Mary|Christ||||||||Cornell||ElA|MNW|7/28/2005 0:00:00|7/6/2005 0:00:00|B5335|||0|||||||25|PA||||||| ||||||||Work|0||||||||||||0|0|Retablo de la vida de la Virgen y de Cristo|Berruguete, Pedro 4260.00|0|Creator|15|25|B5335-PA|13 S|1|25 B5335-PA 13 S1|Rey Salomón|Published|Image Source (Pub)|King Salomon|Translated|Cataloger||||Retablo de la vida de la Virgen y de Cristo. Rey Salomón (King Salomon)|13586|Berruguete, Pedro||painter|Pedro Berruguete|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|||15|||1485|1490|||1485-1490||Retablo de la vida de la Virgen y de Cristo|LargerEntity||4259||||0|||||Panel|panel|||||painting (image-making)|panel painting||||113 x 94||9503|Becerril de Campos: Museo Iglesia Santa María|Becerril de Campos: Mus. Igl. Santa María||Solomon ; |Solomon|||||||||Cornell||ElA|MNW|7/28/2005 0:00:00|7/6/2005 0:00:00|B5335|||0|||||||25|PA||||||| |13 S|||||||Work|0||||||||||||0|0|Rey Salomón;King Salomon|Berruguete, Pedro 4261.00|0|Creator|15|25|B5335-PA|13 D|1|25 B5335-PA 13 D 1|Rey David|Published|Image Source (Pub)|King David|Translated|Cataloger||||Retablo de la vida de la Virgen y de Cristo. Rey David (King David)|13586|Berruguete, Pedro|||Pedro Berruguete|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|||15|||1485|1490||1485-1490|1485-1490||Retablo de la vida de la Virgen y de Cristo|||||||0|||||Panel|panel|||||painting (image-making)|panel painting||||118 x 94 cm||9503|Becerril de Campos: Museo Iglesia Santa María|Becerril de Campos: Mus. Igl. Santa María||David ; |David|||||||||Cornell||ElA|MNW|7/28/2005 0:00:00|7/6/2005 0:00:00|B5335|||0|||||||25|PA||||||| |13 D|||||||Work|0||||||||||||0|0|Rey David;King David|Berruguete, Pedro 4262.00|0|Creator|15|25|B5335-PA|31 P|1|25 B5335-PA 31 P 1|Presentación de la Virgen en el templo|Published|Image Source (Pub)|Presentation of the Virgin in the Temple|Translated|Cataloger||||Retablo de la vida de la Virgen y de Cristo. Presentación de la Virgen en el templo|13586|Berruguete, Pedro|||Pedro Berruguete|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|Retablo|Altarpiece|||15|||1485|1490||1485-1490|1485-1490||Retablo de la vida de la Virgen y de Cristo|Larger entity||4259||||0|||||Panel|panel|||||painting (image-making)|panel painting||||146 x 98 cm||9503|Becerril de Campos: Museo Iglesia Santa María|Becerril de Campos: Mus. Igl. Santa María||Presentation of Mary ; Life of the Virgin ; |Presentation of Mary|Life of the Virgin||||||||Cornell||ElA|MNW|7/28/2005 0:00:00|7/6/2005 0:00:00|B5335|||0|||||||25|PA||||||| |31 P|||||||Work|0||||||||||||0|0|Presentación de la Virgen en el templo;Presentation of the Virgin in the Temple|Berruguete, Pedro 4263.00|0|Creator|15|25|B5335-PA|22 A|1|25 B5335-PA 22 A 1|Adoración de los magos|Published|Image Source (Pub)|Adoration of the Magi|Translated|Cataloger||||Retablo de la vida de la Virgen y de Cristo. Adoración de los magos (Adoration of the Magi)|13586|Berruguete, Pedro||painter|Pedro Berruguete|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|||15|||1485|1490||1485-1490|1485-1490||Retablo de la vida de la Virgen y de Cristo|||||||0|||||Panel|panel|||||painting (image-making)|panel painting||||138 x 110 cm||9503|Becerril de Campos: Museo Iglesia Santa María|Becerril de Campos: Mus. Igl. Santa María||Christ ; Birth and youth of Christ ; Virgin Mary ; Adoration of the Magi ; |Christ|Birth and youth of Christ|Virgin Mary|Adoration of the Magi||||||Cornell||ElA|MNW|7/28/2005 0:00:00|7/6/2005 0:00:00|B5335|||0|||||||25|PA||||||| |22 A|||||||Work|0||||||||||||0|0|Adoración de los magos;Adoration of the Magi|Berruguete, Pedro 4264.00|0|Creator|15|25|B5335-PA|34|1|25 B5335-PA 34 1|Virgen de la leche|Published|Image Source (Pub)|Lactating Madonna and Child|Translated|Cataloger||||Virgen de la leche|13586|Berruguete, Pedro|||Pedro Berruguete|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|Painting|Panel (wood)|||15|||1490|1490|ca|ca 1490-1490|ca 1490-1490|||||0||||0|||||Panel|panel|||||painting (image-making)|panel painting||||64 x 51.5 cm||3290|Private Collection|: Private Coll.||Virgin Mary ; Christ ; Birth and youth of Christ ; Lactating virgin ; |Virgin Mary|Christ|Birth and youth of Christ|Lactating virgin||||||Cornell||ElA|MNW|7/27/2005 0:00:00|7/6/2005 0:00:00|B5335|||0|||||||25|PA||||||| |34|||||||Work|0||||||||||||0|0|Virgen de la leche;Lactating Madonna and Child|Berruguete, Pedro 4265.00|0|Creator|15|25|B5335-PA|33|1|25 B5335-PA 33 1|Virgen con el Niño|Published|Image Source (Pub)|Virgin and Child|Translated|Cataloger||||Virgen con el Niño (Virgin and Child)|13586|Berruguete, Pedro|||Pedro Berruguete|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|Painting|Panel (wood)|||15|||1490|1490|ca|ca 1490-1490|ca 1490-1490|||||0||||0|||||Panel|panel|||||painting (image-making)|panel painting||||97.5 x 130 cm||9505|Palencia: Museo Diocesano|Palencia: Mus. Diocesano Palencia: Mus. Diocesano||Virgin Mary ; Christ ; Birth and youth of Christ ; Lactating virgin ; |Virgin Mary|Christ|Birth and youth of Christ|Lactating virgin||||||Cornell||ElA|MNW|7/27/2005 0:00:00|7/6/2005 0:00:00|B5335|||0|||||||25|PA||||||| |33|||||||Work|0||||||||||||0|0|Virgen con el Niño;Virgin and Child|Berruguete, Pedro 4266.00|0||||||||Electrical House|Assigned|Image Source (Pub)|||||||Triennale di Monza. Electrical House|28115|Figini & Pollini||architectural firm|Figini & Pollini|0||||0|||||Italian|||International Style|||||Italy||||||0|||||Monza, Italy|||10522||||0|Architecture|House|Exhibit building|||20|||1930|1930||1930|1930-1930||Triennale di Monza|Larger entity||4267||||0||||||||||||||||||||||Exhibition buildings ; Houses ; |Exhibition buildings|Houses||||||||Cornell||JNK|MNW|8/23/2005 0:00:00|7/6/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Electrical House|Figini & Pollini 4267.00|0||||||||Triennale di Monza|Assigned|LC NAF|Esposizione triennale internazionale delle arti decorative industriali moderne|Variant|LC NAF||||Triennale di Monza|0|||||0||||0|||||Italian|||International Style|||||Italy||||||0|Monza, Italy|||10522||||0||||0|Architecture|Exhibition||||20|||1930|1930||1930|1930-1930|||||0||||0||||||||||||||||||||||Exhibitions ; |Exhibitions|||||||||Cornell||JNK|MNW|8/23/2005 0:00:00|7/6/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Triennale di Monza;Esposizione triennale internazionale delle arti decorative industriali moderne| 4268.00|0||||||||Hotel Nord-Sud|Assigned|Image Source (Pub)|||||||Hotel Nord-Sud|7320|Lurçat, André||architect|André Lurçat|0||||0|||||French|||International Style|||||France||||||0|Calvi, France|||10523||||0||||0|Architecture|Hotel (public accommodation)||||20|||1931|1931||1931|1931-1931|||||0||||0||||||||||||||||||||||Hotels (public accommodations) ; |Hotels (public accommodations)|||||||||Cornell||JNK|MNW|8/23/2005 0:00:00|7/6/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Hotel Nord-Sud|Lurçat, André 4269.00|0||||||||Clubhouse|Assigned|Image Source (Pub)|||||||Clubhouse|30724|Labayen, Joaquin||architect|Joaquin Labayen & Juan Manuel Aizpurua|30725|Aizpurua, Juan Manuel||architect|0|||||Spanish|||International Style|||||Spain||||||0|San Sebastián, Spain|||10524||||0||||0|Architecture|Club (association)|Clubhouses|||20|||1929|1929||1929|1929-1929|||||0||||0||||||||||||||||||||||Clubhouses ; |Clubhouses|||||||||Cornell||JNK|MNW|8/23/2005 0:00:00|7/6/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Clubhouse|Labayen, Joaquin;Aizpurua, Juan Manuel 4270.00|0||||||||Trucks Dumping Garbage Into a Landfill|Descriptive|Cataloger|||||||Trucks Dumping Garbage Into a Landfill|30726|Glendell, Greg||photographer|Greg Glendell|0||||0|||||||||||||||||||0||||0||||0||||0|Photographs|Documentary photograph|Photographic print|||20|||1991|1991|bef|bef 1991|bef 1991-1991|||||0||||0||||||photographic paper|||||photography|||||||9508|: Environmental Picture Library|: Environmental Picture Library||Landfills ; Dumps (refuse areas) ; Pollution ; Garbage ; |Landfills|Dumps (refuse areas)|Pollution|Garbage||||||Cornell||JNK|MNW|9/28/2005 0:00:00|7/7/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Trucks Dumping Garbage Into a Landfill|Glendell, Greg 4271.00|0||||||||Avian Chair|Assigned|Image Source (Pub)|||||||Avian Chair|30052|Herman Miller Furniture Company||manufacturer|Herman Miller Furniture Company|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Furnishings|Chair|Furniture|||20|||1994|1995||1994-1995|1994-1995|||||0||||0||||||||||||||||||||||Chairs ; Furniture ; |Chairs|Furniture||||||||Cornell||JNK|MNW|9/28/2005 0:00:00|7/7/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Avian Chair|Herman Miller Furniture Company 4272.00|0||||||||A Truck Used to Distribute The Body Shop's Products|Descriptive|Image Source (Pub)|||||||A Truck Used to Distribute The Body Shop's Products|0|||||0||||0|||||British|English|||||Europe||United Kingdom||||||0||||0||||0||||0|Advertising|Advertisement||||20|||1997|1997|bef|bef 1997|bef 1997-1997|||||0||||0||||||||||||||||||||||Advertisements ; Pollution ; Recycling ; |Advertisements|Pollution|Recycling|||||||Cornell||JNK|MNW|9/28/2005 0:00:00|7/7/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|A Truck Used to Distribute The Body Shop's Products| 4273.00|0||||||||Sun-Activated Lawn Mower|Descriptive|Image Source (Pub)|||||||Sun-Activated Lawn Mower|0|||||0||||0|||||Australian||||||||Australia||||||0||||0||||0||||0|Industrial Design|Tool||||20|||1997|1997|bef|bef 1997|bef 1997-1997|||||0||||0||||||||||||||||||||||Lawn mowers ; Tools ; |Lawn mowers|Tools||||||||Cornell||JNK|MNW|9/28/2005 0:00:00|7/7/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Sun-Activated Lawn Mower| 4274.00|0|Creator|15|25|B5335-PA|38 P|1|25 B5335-PA 38 P 1|Retablo de san Pedro Mártir|Published|Image Source (Pub)|Retable of Saint Peter Martyr|Translated|Cataloger||||Retablo de san Pedro Mártir (Retable of Saint Peter Martyr)|13586|Berruguete, Pedro||painter|Pedro Berruguete|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|||15|||1493|1499||1493-1499|1493-1499|||||0||||0|||||Panel|panel|||||painting (image-making)|panel painting||||||1616|Madrid: Museo del Prado|Madrid: Prado||Saint Peter Martyr ; |Saint Peter Martyr|||||||||Cornell||ElA|MNW|12/11/2005 0:00:00|7/7/2005 0:00:00|B5335|||0||611-614|||||25|PA||||||| |38 P|||||||Work|0||||||||||||0|0|Retablo de san Pedro Mártir;Retable of Saint Peter Martyr|Berruguete, Pedro 4275.00|0|Creator|15|25|B5335-PA|38 P|1|25 B5335-PA 38 P 2|San Pedro Mártir en oración|Published|Image Source (Pub)|Saint Peter Martyr Praying|Translated|Cataloger||||Retablo de san Pedro Mártir. San Pedro Mártir en oración (S. Peter Martyr Praying)|13586|Berruguete, Pedro|||Pedro Berruguete|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|||15|||1493|1499||1493-1499|1493-1499||Retablo de san Pedro Mártir|LargerEntity||4274||||0|||||Panel|panel|||||painting (image-making)|panel painting||||133 x 86 cm||1616|Madrid: Museo del Prado|Madrid: Prado||Saint Peter Martyr ; Crucifixes ; |Saint Peter Martyr|Crucifixes||||||||Cornell||ElA|MNW|12/11/2005 0:00:00|7/7/2005 0:00:00|B5335|||0||611|||||25|PA||||||| |38 P|||||||Work|0||||||||||||0|0|San Pedro Mártir en oración;Saint Peter Martyr Praying|Berruguete, Pedro 4276.00|0|Creator|15|25|B5335-PA|26 La|1|25 B5335-PA 26 La 1|Lamentación sobre el cuerpo de Cristo|Published|Image Source (Pub)|Lamentation of Christ|Translated|Cataloger||||Lamentación sobre el cuerpo de Cristo (Lamentation of Christ)|13586|Berruguete, Pedro|||Pedro Berruguete|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|Painting|Panel (wood)|||15|||1475|1499|ca|Late 15th century|ca 1475-1499|||||0||||0|||||Panel|panel|||||panel painting|painting (image-making)||||127 x 91.5 cm||3053|Valladolid: Museo Nacional de Escultura|Valladolid: Mus. Nac. Escul.||Passion of Christ ; Virgin Mary ; Lamentation over the Dead Christ ; |Passion of Christ|Virgin Mary|Lamentation over the Dead Christ|||||||Cornell||ElA|ElA|7/28/2005 0:00:00|7/7/2005 0:00:00|B5335|||0|||||||25|PA||||||| |26 La|||||||Work|0||||||||||||0|0|Lamentación sobre el cuerpo de Cristo;Lamentation of Christ|Berruguete, Pedro 4285.00|0||||||||Dandelions on Rock (Scaur Water, Penpont, Dumfriesshire, Scotland)|Assigned|Image Source (Pub)|||||||Dandelions on Rock (Scaur Water, Penpont, Dumfriesshire, Scotland)|4632|Goldsworthy, Andy||environmental artist|Andy Goldworthy|0||||0||||||||||||||||Scaur Water, Penpont, Dumfriesshire, Scotland|||10527||||0||||0||||0|Sculpture|Sculpture|Environmental art|||20|||1993|1993||May, 1993|1993-1993|||||0||||0|||||Dandelions||||||sculpture|||||||||||Sculpture (visual work) ; Rock ; Dandelions ; |Sculpture (visual work)|Rock|Dandelions|||||||Cornell||JNK|MNW|11/9/2005 0:00:00|7/7/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Dandelions on Rock (Scaur Water, Penpont, Dumfriesshire, Scotland)|Goldsworthy, Andy 4286.00|0||||||||Penpont Stone|Assigned|Image Source (Pub)|||||||Penpont Stone|4632|Goldsworthy, Andy||environmental artist|Andy Goldworthy|0||||0||||||||||||||||Penpont, Scotland|||10502||||0||||0||||0|Sculpture|Sculpture|Environmental art|||20|||1991|1993||1991-1993|1991-1993|||||0||||0|||||Stone with leaves from Ash, Beech, Sycamore, and Hazel trees||||||sculpture|||||||||||Sculpture (visual work) ; Rock ; Leaf (plant material) ; |Sculpture (visual work)|Rock|Leaf (plant material)|||||||Cornell||JNK|JNK|7/7/2005 0:00:00|7/7/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Penpont Stone|Goldsworthy, Andy 4287.00|0||||||||Yellow Elm Leaves Laid Over a Rock Low Water (Scaur Water, Penpont, Dumfriesshire, Scotland)|Descriptive|Image Source (Pub)|||||||Yellow Elm Leaves Laid Over a Rock Low Water (Scaur Water, Penpont, Dumfriesshire, Scotland)|4632|Goldsworthy, Andy||environmental artist|Andy Goldworthy|0||||0||||||||||||||||Scaur Water, Penpont, Dumfriesshire, Scotland|||10527||||0||||0||||0|Sculpture|Environmental art|Sculpture|Rock||20|||1991|1991||October 15, 1991|1991-1991|||||0||||0|||||Rock and yellow elm leaves||||||sculpture|||||||||||Leaf (plant material) ; Rock ; Sculpture (visual work) ; |Leaf (plant material)|Rock|Sculpture (visual work)|||||||Cornell||JNK|MNW|11/9/2005 0:00:00|7/7/2005 0:00:00||||0||||||||||||||||||||||||0|||||October 15, 1991.|||||||0|0|Yellow Elm Leaves Laid Over a Rock Low Water (Scaur Water, Penpont, Dumfriesshire, Scotland)|Goldsworthy, Andy 4288.00|0||||||||Late Afternoon - Rain Forecast - Waited Four Hours - No Rain,Returned two days later - waited an hour and a half - began to rain gently, dust, stone becoming wet without running, laid down for half an hour before getting up|Descriptive|Image Source (Pub)|Dry silhouette on wet pavement|Descriptive|Cataloger||||Late Afternoon… (Dry Pavement Silhouette) (Central Park, NY, NY)|4632|Goldsworthy, Andy||environmental artist|Andy Goldworthy|0||||0||||||||||||||||Central Park, New York, NY|||10403||||0||||0||||0|Sculpture|Environmental art|Silhouette|||20|||1993|1993||June 19, 1993|1993-1993|||||0||||0|||||Dust, pavement, rain||||||sculpture|||||||||||Silhouettes ; |Silhouettes|||||||||Cornell||JNK|MNW|11/9/2005 0:00:00|7/7/2005 0:00:00||||0||||||||||||||||||||||||0|||||June 19, 1993|||||||0|0|Late Afternoon - Rain Forecast - Waited Four Hours - No Rain,Returned two days later - waited an hour and a half - began to rain gently, dust, stone becoming wet without running, laid down for half an hour before getting up;Dry silhouette on wet pavement|Goldsworthy, Andy 4289.00|0||||||||To the Land of the Blue Mosque Comes the New Istanbul Hilton|Inscribed|Image Source (Pub)|Istanbul Hilton Advertisement|Descriptive|Image Source (Pub)||||To the Land of the Blue Mosque Comes the New Istanbul Hilton|0|||||0||||0||||||||Modernist|||||||||||0||||0||||0||||0|Advertising|Advertisement||||20|||1955|1955|ca|ca 1955|ca 1955-1955|||||0||||0|||||Advertisement|||||||||||||9511|Houston: University of Houston; Conrad N. Hilton College Archives and Library|Houston: U. Houston; Conrad N. Hilton Arch & Lib.||Hotels (public accommodations) ; Istanbul (Turkey) ; Hagia Sophia (Mosque: Istanbul, Turkey) ; |Hotels (public accommodations)|Istanbul (Turkey)|Hagia Sophia (Mosque: Istanbul, Turkey)|||||||Cornell||JNK|MNW|11/9/2005 0:00:00|7/7/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|To the Land of the Blue Mosque Comes the New Istanbul Hilton;Istanbul Hilton Advertisement| 4290.00|0||||||||Istanbul Hilton|Assigned|Image Source (Pub)|||||||Istanbul Hilton|29042|Skidmore, Owings & Merrill||architectural firm|Skidmore, Owings & Merrill with Sedad Hakk Eldem|3528|Eldem, Sedad Hakk||architect|0||||||||Modernist|||||||||||0|Istanbul, Turkey|||10021||||0||||0|Architecture|Hotel (public accommodation)||||20|||1951|1955||1951-1955|1951-1955|||||0||||0||||||||||||||||||||||Hotels (public accommodations) ; |Hotels (public accommodations)|||||||||Cornell||JNK|JNK|7/7/2005 0:00:00|7/7/2005 0:00:00||Ist||0||||||||||||||||||||||||0||||||||||||0|0|Istanbul Hilton|Skidmore, Owings & Merrill;Eldem, Sedad Hakk 4291.00|0||||||||Athens Hilton|Assigned|Image Source (Pub)|||||||Athens Hilton|30727|Vassiliadis, Prokopios||architect|P. Vassiliadis, E.M. Vourekas & S. Staikos|30728|Vourekas, E. M.||architect|30729|Staikos, Spyros||architect||Greek|||Modernist|||||Greece||||||0|Athens, Greece|||10065||||0||||0|Architecture|Hotel (public accommodation)||||20|||1963|1963|ca|ca 1963|ca 1963-1963|||||0||||0||||||||||||||||||||||Hotels (public accommodations) ; |Hotels (public accommodations)|||||||||Cornell||JNK|MNW|11/9/2005 0:00:00|7/7/2005 0:00:00||Ath||0||||||||||||||||||||||||0||||||||||||0|0|Athens Hilton|Vassiliadis, Prokopios;Vourekas, E. M.;Staikos, Spyros 4292.00|0||||||||Ellsworth Statler|Assigned|Image Source (Pub)|||||||Ellsworth Statler|30732|Hotel Statler, Co.|||Hotel Statler, Co.|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Publications|Book|Comic|||20|||1948|1948||1948|1948-1948|||||0||||0||||||||||||||||||||||Hotels (public accommodations) ; Biographies ; Comics ; Statler, Ellsworth Milton, 1863-1928 ; |Hotels (public accommodations)|Biographies|Comics|Statler, Ellsworth Milton, 1863-1928||||||Cornell||JNK|MNW|11/9/2005 0:00:00|7/7/2005 0:00:00||||0||||||||||||||||||||||||0||This book was published by Hotels Statler, Co. as a comic book version of Ellsworth Statler's life.|Hotel Statler, Co. Ellsworth Statler (n.p.: Hotel Statler, Co., 1948)|||||||||0|0|Ellsworth Statler|Hotel Statler, Co. 4293.00|0|Creator|15|25|-PA|26|||Retablo de la Resurrección|||||||||Retablo de la Resurrección|30730|Serra, Jaume||painter|Serra, Jaume|0||||0|||||Spanish|||Medieval|||||Spain||||||0|Zaragoza, Spain|||10529||||0||||0|Paintings|Altarpiece|Retablo|||14|||1361|1362||1361-1362|1361-1362|||||0||||0|||||Tempera on panel|tempera|panel||||painting (image-making)|panel painting||||||9495|Zaragoza: Museo de Zaragoza|Zaragoza: Mus. Zaragoza||Christ ; Passion of Christ ; Resurrection ; |Christ|Passion of Christ|Resurrection|||||||Cornell||ElA|ElA|7/26/2005 0:00:00|7/8/2005 0:00:00||Zar||0|||||||25|PA||12||H5||| |26|||||||Work|0||||||||||||0|0|Retablo de la Resurrección|Serra, Jaume 4294.00|0|Creator|15|25|J41-PA|26 R|1A|25 J41-PA 26 R 1A|Descenso a los infiernos|Published|Image Source (Pub)|Descent Into Hell|Translated|Cataloger||||Retablo de la Resurrección. Descenso a los infiernos (Descent into Hell)|30730|Serra, Jaume||painter|Jaume Serra|0||||0|||||Spanish|||Medieval|||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|Painting||14|||1361|1362||1361-1362|1361-1362||Retablo de la Resurrección|Larger entity||4293||||0|||||Tempera on panel|tempera|panel||||painting (image-making)|panel painting||||116 x 115 cm||9495|Zaragoza: Museo de Zaragoza|Zaragoza: Mus. Zaragoza||Christ ; Christ enters hell ; |Christ|Christ enters hell||||||||Cornell||ElA|MNW|7/29/2005 0:00:00|7/8/2005 0:00:00|J41|||0|||||||25|PA||||||| |26 R|||||||Work|0||||||||||||0|0|Descenso a los infiernos;Descent Into Hell|Serra, Jaume 4348.00|0|Creator|15|25|A248-TE|31|2 B 1|25 A248-TE 31 2 B 1|Presentation in the Temple|Translated|Cataloger|Presentación en el Templo|Published|Image Source (Pub)||||Vida de la Virgen. Presentation in the Temple|30739|Aelst, Pieter van, The Younger||tapestry maker|Pieter van Aelst the Younger|0||||0|||||Spanish|Belgian||Early Renaissance|Medieval||||Spain|Belgium||Brussels, Belgium|||10533||||||||0||||0|Textiles|Tapestry (wall hanging)||||16|||1502|1504||1502-1504|1502-1504||Vida de la Virgen|Larger entity||4349||||0|||||Tapestry- gold, silver, silk, and wood thread|gold thread|silk|wool|||tapestry (process)|||||355 x 374 cm||1608|San Lorenzo de El Escorial: El Escorial|San Lorenzo de El Escorial: El Escorial||Life of the Virgin ; Presentation in the Temple ; |Life of the Virgin|Presentation in the Temple||||||||Cornell||ElA|MNW|3/31/2006 0:00:00|7/11/2005 0:00:00|A248|||0||10005809|||||25|TE||||||| |31|||||||Work|0||Second panel in the tapestry "Vida de la Virgen"||||||||From the collection of Juana of Castille.||0|0|Presentation in the Temple;Presentación en el Templo|Aelst, Pieter van, The Younger 4349.00|0|Creator|15|25|A248-TE|31|||Vida de la Virgen|||||||||Vida de la Virgen|30739|Aelst, Pieter van, The Younger||tapestry maker|Pieter van Aelst the Younger|0||||0|||||Spanish|Belgian||Early Renaissance|Medieval||||Spain|Belgium||Brussels, Belgium|||10533||||||||0||||0|Textiles|Tapestry (wall hanging)||||16|||1502|1504||1502-1504|1502-1504|||||0||||0|||||Tapestry- gold, silver, silk and wool thread|gold thread|silk|wool|||tapestry (process)|||||||1608|San Lorenzo de El Escorial: El Escorial|San Lorenzo de El Escorial: El Escorial||Life of the Virgin ; Tapestries ; |Life of the Virgin|Tapestries||||||||Cornell||ElA|MNW|8/11/2005 0:00:00|7/11/2005 0:00:00|A248|||0|||||||25|TE||||||| |31|||||||Work|0||||||||||||0|0|Vida de la Virgen|Aelst, Pieter van, The Younger 4350.00|0|Creator|15|25|A248-TE|31||25 A248-TE 31 |Paños de oro|||||||||Paños de oro|30739|Aelst, Pieter van, The Younger||tapestry maker|Pieter van Aelst the Younger|0||||0|||||Spanish|Belgian||Early Renaissance|Medieval||||Spain|Belgium|||||0||||||||0||||0|Textiles|Tapestry (wall hanging)||||16|||1502|1504||1502-1504|1502-1504|||||||||0|||||Tapestry- gold, silver, silk and wool thread|gold thread|silk|wool|||tapestry (process)|||||||1608|San Lorenzo de El Escorial: El Escorial|San Lorenzo de El Escorial: El Escorial||Annunciation ; Birth and youth of Christ ; Nativity ; Coronation of the Virgin ; Life of the Virgin ; Gabriel ; |Annunciation|Birth and youth of Christ|Nativity|Coronation of the Virgin|Life of the Virgin|Gabriel||||Cornell||ElA|MNW|8/11/2005 0:00:00|7/11/2005 0:00:00|A248|||0|||||||25|TE||||||| |31|||||||Work|0||||||||||||0|0|Paños de oro|Aelst, Pieter van, The Younger 4351.00|0|Creator|15|25|A248-TE|26D|1|25 A248-TE 26D 1|Descent from the Cross|Translated|Cataloger|Descendimiento|Published|Image Source (Pub)||||Descent from the Cross|30739|Aelst, Pieter van, The Younger||tapestry maker|Pieter van Aelst the Younger|0||||0|||||Spanish|Belgian||Early Renaissance|Medieval||||Spain|Belgium||Brussels, Belgium|||10533||||||||0||||0|Textiles|Tapestry (wall hanging)||||16|||1507|1520|ca|ca 1507-1520|ca 1507-1520|||||0||||0|||||Tapestry- gold, silk, silver and wool thread|gold thread|silk|wool|||tapestry (process)|||||261 x 291 cm||1628|Madrid: Palacio Real|Madrid: Pal. Real||Passion of Christ ; Christ ; Deposition ; |Passion of Christ|Christ|Deposition|||||||Cornell||ElA|MNW|8/11/2005 0:00:00|7/11/2005 0:00:00|A248|||0||10005835|||||25|TE||||||| |26D|||||||Work|0|||||Cartoon made in 1507.|||||||0|0|Descent from the Cross;Descendimiento|Aelst, Pieter van, The Younger 4352.00|0|Creator|15|25|O713.3-TE|26Cru|1|25 A248-TE 26Cru 1|Crucifixion|Translated|Cataloger|Crucifixión|Published|Image Source (Pub)||||Crucifixion|8740|Orley, Bernaert van|circle of|painter|Bernaert van Orley (circle of)|30739|Aelst, Pieter van, The Younger|attributed to|tapestry maker|0|||||Spanish|Belgian||Early Renaissance|Medieval||||Spain|Belgium||Brussels, Belgium|||10533||||||||0||||0|Textiles|Tapestry (wall hanging)||||16|||1525|1525|ca|ca 1525|ca 1525-1525|||||0||||0|||||Tapestry- gold, silver, silk and wool thread|gold thread|silk|wool|||tapestry (process)|||||248 x 231 cm||1628|Madrid: Palacio Real|Madrid: Pal. Real||Christ ; Crucifixion ; Passion of Christ ; |Christ|Crucifixion|Passion of Christ|||||||Cornell||ElA|MNW|8/11/2005 0:00:00|7/11/2005 0:00:00|O713.3|||0||10005818|||||25|TE||||||| |26Cru|||||||Work|0||||||||||||0|0|Crucifixion;Crucifixión|Orley, Bernaert van;Aelst, Pieter van, The Younger 4353.00|0|Creator|15|25|M387-PA|23Tra|1A 1|25 M387-PA 23Tra 1A 1|Deposition|Descriptive||||||||Transfiguration. Deposition|30740|Martorell, Bernat, II||painter|Bernat Martorell II|0||||0|||||Spanish|||Early Renaissance|Medieval||||Spain||||||0||||||||0||||0|Paintings|Retablo|Altarpiece|Panel (wood)||15|||1445|1452|ca|ca 1445-1452|ca 1445-1452||Transfiguration|Larger entity||4140||||0|||||||||||painting (image-making)|||||||9513|Barcelona: Cathedral of Barcelona|Barcelona: Cath. of Barcelona||Descent from the cross ; Passion of Christ ; Arcades ; |Descent from the cross|Passion of Christ|Arcades|||||||Cornell||ElA|MNW|8/25/2005 0:00:00|7/11/2005 0:00:00|M387|||0|||||||25|PA||||||| |23Tra|||||||Work|0||||||||||||0|0|Deposition|Martorell, Bernat, II 4354.00|0|Creator|15|25|M387-PA|23Tra|1B 1|25 M387-PA 23Tra 1B 1|Christ and the Woman from Samaria|Translated|Cataloger|Jesús y la samaritana|Published|Image Source (Pub)||||Transfiguration. Christ and the Woman from Samaria|30740|Martorell, Bernat, II||painter|Bernat Martorell II|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|||15|||1445|1452|ca|ca 1445-1452|ca 1445-1452||Transfiguration|Larger entity||4359||||0|||||||||||painting (image-making)|||||||9513|Barcelona: Cathedral of Barcelona|Barcelona: Cath. of Barcelona||Christ ; Parable of Christ and the woman of Samaria ; Parables ; |Christ|Parable of Christ and the woman of Samaria|Parables|||||||Cornell||ElA|CLL|8/17/2005 0:00:00|7/11/2005 0:00:00|M387|||0|||||||25|PA||||||| |23Tra|||||||Work|0||||||||||||0|0|Christ and the Woman from Samaria;Jesús y la samaritana|Martorell, Bernat, II 4355.00|0|Creator|15|25|M387-PA|23Tra|1C 1|25 M387-PA 23Tra 1C 1|Christ Healing a Possessed Person|Translated|Cataloger|La curación de un posseo|Published|Image Source (Pub)||||Transfiguration. Christ Healing a Possessed Person|30740|Martorell, Bernat, II||painter|Bernat Martorell II|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|Panel (wood)||15|||1445|1452|ca|ca 1445-1452|ca 1445-1452||Transfiguration|Larger entity||4359||||0|||||||||||painting (image-making)|||||||9513|Barcelona: Cathedral of Barcelona|Barcelona: Cath. of Barcelona||Christ ; Christ healing possessed people ; Miracles ; |Christ|Christ healing possessed people|Miracles|||||||Cornell||ElA|MNW|8/5/2005 0:00:00|7/11/2005 0:00:00|M387|||0|||||||25|PA||||||| |23Tra|||||||Work|0||||||||||||0|0|Christ Healing a Possessed Person;La curación de un posseo|Martorell, Bernat, II 4295.00|0|Creator|15|25|J41-PA|26 R|1B|25 J41-PA 26 R 1B|Resurrección de Cristo|Published|Image Source (Pub)|Resurrection of Christ|Translated|Cataloger||||Retablo de la Resurrección. Resurrección de Cristo (Resurrection of Christ)|30730|Serra, Jaume||painter|Jaume Serra|0||||0|||||Spanish|||Medieval|||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|Painting||14|||1361|1362||1361-1362|1361-1362||Retablo de la Resurrección|Larger entity||4293||||0|||||Tempera on panel|tempera|panel||||painting (image-making)|panel painting||||138 x 115 cm||9495|Zaragoza: Museo de Zaragoza|Zaragoza: Mus. Zaragoza||Christ ; Passion of Christ ; Resurrection ; |Christ|Passion of Christ|Resurrection|||||||Cornell||ElA|MNW|7/29/2005 0:00:00|7/8/2005 0:00:00|J41|||0|||||||25|PA||||||| |26 R|||||||Work|0||||||||||||0|0|Resurrección de Cristo;Resurrection of Christ|Serra, Jaume 4296.00|0|Creator|15|25|J41-PA|26 R|1C|25 J41-PA 26 R 1C|Dormición de Maria Virgen|Published|Image Source (Pub)|Dormition of the Virgin|Translated|Image Source (Pub)||||Retablo de la Resurrección. Dormición de Maria Virgen (Dormition of the Virgin)|30730|Serra, Jaume||painter|Jaume Serra|0||||0|||||Spanish|||Medieval|||||Spain||||||0|Zaragoza, Spain|||||||0||||0|Paintings|Altarpiece|Retablo|Painting||14|||1361|1362||1361-1362|1361-1362||Retablo de la Resurrección|Larger entity||4293||||0|||||Tempera panel|tempera|panel||||painting (image-making)|panel painting||||116 x 115 cm||9495|Zaragoza: Museo de Zaragoza|Zaragoza: Mus. Zaragoza||Virgin Mary ; Dormition of the Virgin ; |Virgin Mary|Dormition of the Virgin||||||||Cornell||ElA|MNW|7/29/2005 0:00:00|7/8/2005 0:00:00|J41|||0|||||||25|PA||12||H5||| |26 R|||||||Work|0||||||||||||0|0|Dormición de Maria Virgen;Dormition of the Virgin|Serra, Jaume 4297.00|0|Creator|15|25|J41-PA|26 R|1D||Coronación de María por su Hijo Jesucristo|Published|Image Source (Pub)|Coronation of the Virgin by Christ|Translated|Cataloger||||Retablo de la Resurrección. Coronación de María por su Hijo Jesucristo|30730|Serra, Jaume||painter|Jaume Serra|0||||0|||||Spanish|||Medieval|||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|Painting||14|||1361|1362||1361-1362|1361-1362||Retablo de la Resurrección|Larger entity||4293||||0|||||Tempera on panel|tempera|panel||||painting (image-making)|panel painting||||||9495|Zaragoza: Museo de Zaragoza|Zaragoza: Mus. Zaragoza||Virgin Mary ; Coronation of Mary ; |Virgin Mary|Coronation of Mary||||||||Cornell||ElA|MNW|7/29/2005 0:00:00|7/8/2005 0:00:00|J41|||0|||||||25|PA||||||| |26 R|||||||Work|0||||||||||||0|0|Coronación de María por su Hijo Jesucristo;Coronation of the Virgin by Christ|Serra, Jaume 4298.00|0|Creator|15|25|J41-PA|26 R|1E|25 J41-PA 26 R 1E|Juicio Final|Published|Image Source (Pub)|Last Judgement|Translated|Cataloger||||Retablo de la Resurrección. Juicio Final (Last Judgement)|30730|Serra, Jaume||painter|Jaume Serra|0||||0|||||Spanish|||Medieval|||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|||14|||1361|1362||1361-1362|1361-1362||Retablo de la Resurrección|||4293||||0|||||Tempera on panel|tempera|panel||||painting (image-making)|panel painting||||133 x 115 cm||9495|Zaragoza: Museo de Zaragoza|Zaragoza: Mus. Zaragoza||Christ ; Last Judgment ; |Christ|Last Judgment||||||||Cornell||ElA|MNW|7/29/2005 0:00:00|7/8/2005 0:00:00|J41|||0|||||||25|PA||12||H5||| |26 R|||||||Work|0||||||||||||0|0|Juicio Final;Last Judgement|Serra, Jaume 4299.00|0|Creator|15|25|S714-PA|34|1|25 S714-PA 34 1|El Angel custodio ante la Virgen y el Niño|Published|Image Source (Pub)|Custodial Angel Before the Virgin and Child|Translated|Cataloger||||El Angel custodio ante la Virgen y el Niño|30731|Soria, Martin de||painter|Martin de Soria|0||||0|||||Spanish|||Medieval|||||Spain||||||0||||||||0||||0|Paintings|||||15|||1465|1475|ca|ca 1465-1475|ca 1465-1475|||||0||||0|||||Tempera on fabric|tempera|fabric||||painting (image-making)|||||100 x 78 cm||9495|Zaragoza: Museo de Zaragoza|Zaragoza: Mus. Zaragoza||Madonna and Child ; Virgin Mary ; Christ ; Christ-child ; Angels ; |Madonna and Child|Virgin Mary|Christ|Christ-child|Angels|||||Cornell||ElA|MNW|7/29/2005 0:00:00|7/8/2005 0:00:00|S714|||0|||||||25|PA||||||| |34|||||||Work|0||||||||||||0|0|El Angel custodio ante la Virgen y el Niño;Custodial Angel Before the Virgin and Child|Soria, Martin de 4300.00|0|Creator|15|25|S714-PA|31|||Retablo de la Virgen, San Miguel, y Santa Catalina|||||||||Retablo de la Virgen San Miguel, y Santa Catalina|30731|Soria, Martin de||painter|Martin de Soria|0||||0|||||Spanish|||Medieval|||||Spain||||||0|Zaragoza, Spain|||||||0||||0|Paintings|Altarpiece|Retablo|||15|||1459|1460||1459-1460|1459-1460|||||0||||0|||||Tempera on panel|tempera|panel||||painting (image-making)|panel painting||||||9495|Zaragoza: Museo de Zaragoza|Zaragoza: Mus. Zaragoza||Virgin Mary ; |Virgin Mary|||||||||Cornell||ElA|MNW|7/29/2005 0:00:00|7/8/2005 0:00:00|S714|||0|||||||25|PA||12||H5||| |31|||||||Work|0||||||||||||0|0|Retablo de la Virgen, San Miguel, y Santa Catalina|Soria, Martin de 4301.00|0|Creator|15|25|S714-PA|31|1A|25 S714-PA 38 Mic 1|San Miguel Arcángel|Published|Image Source (Pub)|Archangel Michael|Translated|Cataloger||||Retablo de la Virgen, San Miguel, y Santa Catalina. San Miguel Arcángel (Archangel Michael)|30731|Soria, Martin de||painter|Martin de Soria|0||||0|||||Spanish|||Medieval|||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|Painting||15|||1459|1460||1459-1460|1459-1460||Retablo de la Virgen, San Miguel, y Santa Catalina|Larger entity||4300||||0|||||Tempera on panel|tempera|panel||||painting (image-making)|||||133 x 59 cm||9495|Zaragoza: Museo de Zaragoza|Zaragoza: Mus. Zaragoza||Saint Michael ; |Saint Michael|||||||||Cornell||ElA|MNW|7/29/2005 0:00:00|7/8/2005 0:00:00|S714|||0|||||||25|PA||||||| |31|||||||Work|0||||||||||||0|0|San Miguel Arcángel;Archangel Michael|Soria, Martin de 4302.00|0|Creator|15|25|S714-PA|31|1B|25 S714-PA 31 1B|Dormición de la Virgen María|Published|Image Source (Pub)|Dormition of the Virgin|Translated|Image Source (Pub)||||Retablo de la Virgen San Miguel, y Santa Catalina. Dormición de la Virgen María|30731|Soria, Martin de||painter|Martin de Soria|0||||0|||||Spanish|||Medieval|||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|Painting||15|||1459|1460||1459-1460|1459-1460||Retablo de la Virgen San Miguel, y Santa Catalina|Larger entity||4300||||0|||||Tempera on panel|tempera|panel||||painting (image-making)|panel painting||||133 x 59 cm||9495|Zaragoza: Museo de Zaragoza|Zaragoza: Mus. Zaragoza||Life of the Virgin ; Dormition of the Virgin ; Virgin Mary ; |Life of the Virgin|Dormition of the Virgin|Virgin Mary|||||||Cornell||ElA|MNW|7/29/2005 0:00:00|7/8/2005 0:00:00|S714|||0|||||||25|PA||||||| |31|||||||Work|0||||||||||||0|0|Dormición de la Virgen María;Dormition of the Virgin|Soria, Martin de 4303.00|0|Creator|15|25|A116-PA|28|1|25 A116-PA 28 1|Retablo del Salvador, San Marcos, San Blas, Santa Lucía y Santa Barbara|Published|Image Source (Pub)|Altar of Saviour, Saint Mark, Saint Blaise, Saint Lucy and Saint Barbara|Translated|Cataloger||||Retablo del Salvador, San Marcos, San Blas, Santa Lucía y Santa Barbara|30733|Abadia, Juan de la, The Elder||painter|Juan de la Abadia, the Elder|0||||0|||||Spanish|||Medieval|||||Spain||||||0|Zaragoza, Spain|||10529||||0||||0|Paintings|Altarpiece|Retablo|||15|||1490|1498|ca|ca 1490-1498|ca 1490-1498|||||0||||0|||||Oil on panel|oil paint|panel||||painting (image-making)|panel painting||||258 x 258 cm||9495|Zaragoza: Museo de Zaragoza|Zaragoza: Mus. Zaragoza||Salvator Mundi ; Saint Mark ; Saint Blaise ; Saint Lucy ; Saint Barbara ; |Salvator Mundi|Saint Mark|Saint Blaise|Saint Lucy|Saint Barbara|||||Cornell||ElA|MNW|8/23/2005 0:00:00|7/8/2005 0:00:00|A116|Zar||0|||||||25|PA||||||| |28|||||||Work|0||||||||||||0|0|Retablo del Salvador, San Marcos, San Blas, Santa Lucía y Santa Barbara;Altar of Saviour, Saint Mark, Saint Blaise, Saint Lucy and Saint Barbara|Abadia, Juan de la, The Elder 4304.00|0|Creator|15|25|A116-PA|26 C|1|25 A116-PA 26 C 1|Calvario|Published|Image Source (Pub)|Calvary|Translated|Cataloger||||Calvario|30733|Abadia, Juan de la, The Elder||painter|Juan de la Abadia, the Elder|0||||0|||||Spanish|||Medieval|||||Spain||||||0|Zaragoza, Spain|||10529||||0||||0|Paintings|||||15|||1490|1498|ca|ca 1490-1498|ca 1490-1498|||||||||0|||||Oil on panel|oil paint|panel||||painting (image-making)|panel painting||||120 x 90 cm||9495|Zaragoza: Museo de Zaragoza|Zaragoza: Mus. Zaragoza||Christ ; Passion of Christ ; Crucifixion ; |Christ|Passion of Christ|Crucifixion|||||||Cornell||ElA|MNW|8/23/2005 0:00:00|7/8/2005 0:00:00|A116|Zar||0|||||||25|PA||||||| |26 C|||||||Work|0||||||||||||0|0|Calvario;Calvary|Abadia, Juan de la, The Elder 4305.00|0|Creator|15|25|X6-PA|26 C|||Retablo de la Santa Cruz|||||||||Retablo de la Santa Cruz|30734|Ximenez, Miguel||painter|Miguel Ximenez|30735|Bernat, Martin, The Younger|||0|||||Spanish|||Medieval|||||Spain||||||0|Zaragoza, Spain|||10529||||0||||0|Paintings|Altarpiece|Retablo|||15|||1485|1487||1485-1487|1485-1487|||||0||||0|||||Oil on panel|oil paint|panel||||painting (image-making)|panel painting||||||9495|Zaragoza: Museo de Zaragoza|Zaragoza: Mus. Zaragoza||Christ ; Passion of Christ ; |Christ|Passion of Christ||||||||Cornell||ElA|ElA|7/26/2005 0:00:00|7/8/2005 0:00:00|X6|Zar||0|||||||25|PA||12||H5||| |26 C|||||||Work|0||||||||||||0|0|Retablo de la Santa Cruz|Ximenez, Miguel;Bernat, Martin, The Younger 4306.00|0||||||||Cottage Residences or A Series of Designs for Rural Cottages and Cottage Villas and Their Gardens and Grounds, Adapted to North America|Assigned|Online Resource|||||||Cottage Residences|3275|Downing, Andrew Jackson||architect|A. J. Downing|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Architectural Theory|Book||||19|||1842|1842||1842|1842-1842|||||0||||0||||||||||||||||||||||Houses ; Architectural drawings ; Architectural theory ; Villas ; |Houses|Architectural drawings|Architectural theory|Villas||||||Cornell||JNK|MNW|11/14/2006 0:00:00|7/8/2005 0:00:00||||0||||||||||||||||||||||||0||Published in New York by Wiley and Putnam. CU Library Catalog||||||||||0|0|Cottage Residences or A Series of Designs for Rural Cottages and Cottage Villas and Their Gardens and Grounds, Adapted to North America|Downing, Andrew Jackson 4307.00|0|Architect|02|O-Downing|1.0|Cot-Res||O-Downing 1.0 Cot-Res|A Villa in the Italian Style, Bracketed, Design VI|Assigned|Image Source (Pub)|||||||Cottage Residences. A Villa in the Italian Style, Bracketed, Design VI|3275|Downing, Andrew Jackson||architect|A. J. Downing|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Architectural Theory|Architectural drawing||||19|||1842|1842||1842|1842-1842||Cottage Residences|Larger entity||4306||||0|||||||||||drawing (image-making)|||||||||||Houses ; Architectural drawings ; |Houses|Architectural drawings||||||||Cornell||JNK|MNW|7/25/2005 0:00:00|7/8/2005 0:00:00|Downing|||0||||||Cot-Res|O||||||1.0||||||||||Work|0|Theory-|||||||||||0|0|A Villa in the Italian Style, Bracketed, Design VI|Downing, Andrew Jackson 4308.00|0|Creator|15|25|X6-PA|26 C|1 A 1|25 X6-PA 26 C 1 A 1|Jesus con la cruz a cuestas|Published|Image Source (Pub)|Christ Carrying the Cross|Translated|Cataloger||||Retablo de la Santa Cruz. Jesus con la cruz a cuestas (Christ Carrying the Cross)|30734|Ximenez, Miguel||painter|Miguel Ximenez, Martin Bernat & workshop|30735|Bernat, Martin, The Younger|||0|||||Spanish|||Medieval|||||Spain||||||0|Zaragoza, Spain|||10529||||0||||0|Paintings|Altarpiece|Retablo|Painting||15|||1485|1487||1485-1487|1485-1487||Retablo de la Santa Cruz|Larger entity||4305||||0|||||Oil on panel|oil paint|panel||||painting (image-making)|panel painting||||176 x 93||9495|Zaragoza: Museo de Zaragoza|Zaragoza: Mus. Zaragoza||Christ ; Passion of Christ ; Crucifixion ; |Christ|Passion of Christ|Crucifixion|||||||Cornell||ElA|MNW|8/1/2005 0:00:00|7/8/2005 0:00:00|X6|Zar||0|||||||25|PA||||||| |26 C|||||||Work|0||||||||||||0|0|Jesus con la cruz a cuestas;Christ Carrying the Cross|Ximenez, Miguel;Bernat, Martin, The Younger 4309.00|0|Creator|15|25|X6-PA|26 C|1 B 1|25 X6-PA 26 C 1 B 1|Calvario|Published|Image Source (Pub)|Calvary|Translated|Cataloger||||Retablo de la Santa Cruz. Calvario (Calvary)|30734|Ximenez, Miguel||painter|Miguel Ximenez, Martin Bernat and workshop|30735|Bernat, Martin, The Younger|||0|||||Spanish|||Medieval|||||Spain||||||0|Zaragoza, Spain|||10529||||0||||0|Paintings|Altarpiece|Retablo|||15|||1485|1487||1485-1487|1485-1487||Retablo de la Santa Cruz|Larger entity||4305||||0|||||Oil on panel|oil paint|panel||||painting (image-making)|panel painting||||191 x 139 cm||9495|Zaragoza: Museo de Zaragoza|Zaragoza: Mus. Zaragoza||Christ ; Passion of Christ ; Crucifixion ; |Christ|Passion of Christ|Crucifixion|||||||Cornell||ElA|CLL|8/10/2005 0:00:00|7/8/2005 0:00:00|X6|Zar||0|||||||25|PA||||||| |26 C|||||||Work|0||||||||||||0|0|Calvario;Calvary|Ximenez, Miguel;Bernat, Martin, The Younger 4310.00|0|Creator|15|25|X6-PA|26 C|1C 1|25 X6-PA 26 C 1C 1|Juicio Final|Published|Image Source (Pub)|Last Judgement|Translated|Cataloger||||Retablo de la Santa Cruz. Juicio Final (Last Judgement)|30734|Ximenez, Miguel||painter|Miguel Ximenez, Martin Bernat & workshop|30735|Bernat, Martin, The Younger|||0|||||Spanish|||Medieval|||||Spain||||||0|Zaragoza, Spain|||10529||||0||||0|Paintings|Altarpiece|Retablo|Painting||15|||1485|1487||1485-1487|1485-1487||Retablo de la Santa Cruz|Larger entity||4305||||0|||||Oil on panel|oil paint|panel||||painting (image-making)|panel painting||||191 x 140 cm||9495|Zaragoza: Museo de Zaragoza|Zaragoza: Mus. Zaragoza||Christ ; Last Judgment ; Apocalypse ; |Christ|Last Judgment|Apocalypse|||||||Cornell||ElA|MNW|8/1/2005 0:00:00|7/8/2005 0:00:00|X6|Zar||0|||||||25|PA||||||| |26 C|||||||Work|0||||||||||||0|0|Juicio Final;Last Judgement|Ximenez, Miguel;Bernat, Martin, The Younger 4311.00|0|Creator|15|25|X6-PA|26 C|1D 1|25 X6-PA 26 C 1D 1|Entrada de la emperatriz Elena y del emperador Heraclio en Jerusalén con la cruz de Cristo|Published|Image Source (Pub)|Entry of the Empress Helena and the Emperor Heraclius into Jerusalem Bearing the True Cross|Translated|Image Source (Pub)||||Retablo de la Santa Cruz. Entrada de la emperatriz Elena y del emperador Heraclio en Jerusalén con la cruz de Cristo|30734|Ximenez, Miguel||painter|Miguel Ximenez, Martin Bernat & workshop|30735|Bernat, Martin, The Younger|||0|||||Spanish|||Medieval|||||Spain||||||0|Zaragoza, Spain|||10529||||0||||0|Paintings|Altarpiece|Retablo|||15|||1485|1487||1485-1487|1485-1487||Retablo de la Santa Cruz|Larger entity||4305||||0|||||Oil on panel|oil paint|panel||||painting (image-making)|panel painting||||173 x 93 cm||9495|Zaragoza: Museo de Zaragoza|Zaragoza: Mus. Zaragoza||Crucifixes ; Saint Helena ; Legend of the True Cross ; |Crucifixes|Saint Helena|Legend of the True Cross|||||||Cornell||ElA|MNW|8/1/2005 0:00:00|7/8/2005 0:00:00|X6|Zar||0|||||||25|PA||||||| |26 C|||||||Work|0||||||||||||0|0|Entrada de la emperatriz Elena y del emperador Heraclio en Jerusalén con la cruz de Cristo;Entry of the Empress Helena and the Emperor Heraclius into Jerusalem Bearing the True Cross|Ximenez, Miguel;Bernat, Martin, The Younger 4312.00|0|Creator|15|25|X6-PA|26 C|1E 1|25 X6-PA 26 C 1E 1|Adoración de la Santa Cruz por Santa Elena e el emperador Heraclio|Published|Image Source (Pub)|Saint Helena and the Emperor Heraclius worshipping the True Cross|Translated|Image Source (Pub)||||Retablo de la Santa Cruz. Adoración de la Santa Cruz por Santa Elena e el emperador Heraclio|30734|Ximenez, Miguel||painter|Miguel Ximenez, Martin Bernal & workshop|30735|Bernat, Martin, The Younger||painter|0|||||Spanish|||Medieval|||||Spain||||||0|Zaragoza, Spain|||10529||||0||||0|Paintings|Altarpiece|Retablo|Painting||15|||1485|1487||1485-1487|1485-1487||Retablo de la Santa Cruz|Larger entity||4305||||0|||||Oil on panel|oil paint|panel||||painting (image-making)|panel painting||||191 x 139 cm||9495|Zaragoza: Museo de Zaragoza|Zaragoza: Mus. Zaragoza||Cross ; Crucifixes ; Legend of the True Cross ; Saint Helena ; |Cross|Crucifixes|Legend of the True Cross|Saint Helena||||||Cornell||ElA|MNW|8/1/2005 0:00:00|7/8/2005 0:00:00|X6|Zar||0|||||||25|PA||||||| |26 C|||||||Work|0||||||||||||0|0|Adoración de la Santa Cruz por Santa Elena e el emperador Heraclio;Saint Helena and the Emperor Heraclius worshipping the True Cross|Ximenez, Miguel;Bernat, Martin, The Younger 4313.00|0||||||||Villa|Assigned|Image Source (Pub)|||||||Villa|0|||||0||||0|||||American|||Victorian|||||United States||||||0|Mayville, NY|Near||10530||||0||||0|Architecture|House|Villa|||19|||1867|1867|ca|ca 1867|ca 1867-1867|||||0||||0||||||||||||||||||||||Villas ; Houses ; |Villas|Houses||||||||Cornell||JNK|MNW|7/25/2005 0:00:00|7/8/2005 0:00:00||||0||||||||||||||||||||||||0||An example of Alexander Jackson Downing's Design VI (An Irregular Villa in the Italian Style, Bracketed) from Cottage Residences.||||||||||0|0|Villa| 4314.00|0||||||||199, 197, and 195 Water Street|Descriptive|Image Source (Pub)|||||||199, 197, and 195 Water Street|0|||||0||||0|||||American||||||||United States||||||0|Fredonia, NY|||10531||||0||||0|Architecture|House||||20|||1920|1929||1920's|1920-1929|||||0||||0||||||||||||||||||||||Houses ; Bungalows ; |Houses|Bungalows||||||||Cornell||JNK|MNW|7/25/2005 0:00:00|7/8/2005 0:00:00||||0||||||||||||||||||||||||0|||||Three houses built in the 1920's.|||||||0|0|199, 197, and 195 Water Street| 4315.00|0||||||||Honor Bilt Modern Homes Catalog|Descriptive|Image Source (Pub)|||||||Honor Bilt Modern Homes Catalog|30736|Sears, Roebuck and Company|||Sears, Roebuck and Company|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Publications|Book||||20|||1918|1918||1918|1918-1918|||||0||||0||||||||||||||||||||||Houses ; Plans (drawings) ; Commercial catalogs ; |Houses|Plans (drawings)|Commercial catalogs|||||||Cornell||JNK|JNK|7/8/2005 0:00:00|7/8/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Honor Bilt Modern Homes Catalog|Sears, Roebuck and Company 4316.00|0|Creator|15|25|X6-PA|26Mic|1|25 X6-PA 26Mic 1|Retablo de San Miguel, San Fabian, y San Sebastián|Published|Image Source (Pub)|Altarpiece of Saint Michael, Saint Fabian, and Saint Sebstian|Translated|Cataloger||||Retablo de San Miguel, San Fabian, y San Sebastián|30734|Ximenez, Miguel||painter|Miguel Ximenez|0||||0|||||Spanish|||Medieval|||||Spain||||||0|Zaragoza, Spain|||10529||||0||||0|Paintings|Altarpiece|Retablo|Painting||15|16||1485|1505|ca|ca 1485-1505|ca 1485-1505|||||0||||0|||||Oil on panel|oil paint|panel||||painting (image-making)|panel painting||||287 x 224 cm||9495|Zaragoza: Museo de Zaragoza|Zaragoza: Mus. Zaragoza||Christ ; Passion of Christ ; Saint Michael ; |Christ|Passion of Christ|Saint Michael|||||||Cornell||ElA|MNW|8/1/2005 0:00:00|7/8/2005 0:00:00|X6|Zar||0|||||||25|PA||||||| |26Mic|||||||Work|0||||||||||||0|0|Retablo de San Miguel, San Fabian, y San Sebastián;Altarpiece of Saint Michael, Saint Fabian, and Saint Sebstian|Ximenez, Miguel 4317.00|0||||||||Cover|Assigned|Image Source (Pub)|||||||Honor Bilt Modern Homes Catalog. Cover|30736|Sears, Roebuck and Company|||Sears, Roebuck and Company|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Publications|Illustration|Book|||20|||1918|1918||1918|1918-1918||Honor Bilt Modern Homes Catalog|Larger entity||4315||||0||||||||||||||||||||||Commercial catalogs ; Houses ; |Commercial catalogs|Houses||||||||Cornell||JNK|MNW|7/25/2005 0:00:00|7/8/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Cover|Sears, Roebuck and Company 4318.00|0||||||||"The Verona", Model no. 2094, Page 32|Assigned|Image Source (Pub)|||||||Honor Bilt Modern Homes Catalog. "The Verona", Model no. 2094, Page 32|30736|Sears, Roebuck and Company|||Sears, Roebuck and Company|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Publications|Illustration|Book|||20|||1918|1918||1918|1918-1918||Honor Bilt Modern Homes Catalog|Larger entity||4315||||0||||||||||||||||||||||Houses ; Commercial catalogs ; Interior views ; |Houses|Commercial catalogs|Interior views|||||||Cornell||JNK|MNW|7/25/2005 0:00:00|7/8/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|"The Verona", Model no. 2094, Page 32|Sears, Roebuck and Company 4319.00|0|Creator|15|25A|S733-PA|38Au|1|25A S733-PA 38Au 1|Retablo de San Agustín, San Onofre, Santa Elena, y María Magdalena|||||||||Retablo de San Agustín, San Onofre, Santa Elena, y María Magdalena|0|||||0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|Pagoda (building)||16|||1500|1505|ca|ca 1500-1505|ca 1500-1505|||||0||||0|||||Oil on panel|oil paint|panel||||painting (image-making)|panel painting||||284 x 220 cm||9495|Zaragoza: Museo de Zaragoza|Zaragoza: Mus. Zaragoza||Saint Augustine ; Saint Helena ; Saint Mary Magdalene ; |Saint Augustine|Saint Helena|Saint Mary Magdalene|||||||Cornell||ElA|MNW|8/1/2005 0:00:00|7/8/2005 0:00:00|S733|||0|||||||25A|PA||||||| |38Au|||||||Work|0||||||||||||0|0|Retablo de San Agustín, San Onofre, Santa Elena, y María Magdalena| 4320.00|0||||||||"The Verona", Model No. 2094, Page 33|Descriptive|Image Source (Pub)|||||||Honor Bilt Modern Homes Catalog. "The Verona", Model No. 2094, Page 33|30736|Sears, Roebuck and Company|||Sears, Roebuck and Company|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Publications|Illustration|Book|||20|||1918|1918||1918|1918-1918||Honor Bilt Modern Homes Catalog|Larger entity||4315||||0||||||||||||||||||||||Houses ; Commercial catalogs ; Interior views ; Plans (drawings) ; |Houses|Commercial catalogs|Interior views|Plans (drawings)||||||Cornell||JNK|MNW|7/25/2005 0:00:00|7/8/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|"The Verona", Model No. 2094, Page 33|Sears, Roebuck and Company 4321.00|0|Creator|15|25A|S733-PA|38Au|1CN 1|25A S733-PA 38Au 1CN 1|San Agustín, obispo de Hipona|Published|Image Source (Pub)|Saint Augustine, Bishop of Hippo|Translated|Cataloger||||Retablo de San Agustín, San Onofre, Santa Elena, y María Magdalena. San Agustín, obispo de Hipona (Saint Augustine)|0|||||0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|||16|||1500|1505|ca|ca 1500-1505|ca 1500-1505||Retablo de San Agustín, San Onofre, Santa Elena, y María Magdalena|Larger entity||4319||||0|||||Oil on panel|oil paint|panel||||painting (image-making)|panel painting||||||9495|Zaragoza: Museo de Zaragoza|Zaragoza: Mus. Zaragoza||Saint Augustine ; Models (representations) ; |Saint Augustine|Models (representations)||||||||Cornell||ElA|CLL|8/19/2005 0:00:00|7/8/2005 0:00:00|S733|||0|||||||25|PA||||||| |38Au|||||||Work|0||||||||||||0|0|San Agustín, obispo de Hipona;Saint Augustine, Bishop of Hippo| 4322.00|0|Creator|15|25A|S733-PA|38 Au|1P 1|25A S733-PA 38 Au 1P 1|Interrogación de judío po Santa Elena y Santa Mónica rezando por su hijo Sant Agustín, detail|Published|Image Source (Pub)|Interrogation of the Jew by Saint Helena and Saint Monica Praying for Her Son, Saint Augustine|Translated|Cataloger||||Retalbo de San Agustín… Interrogación de judío por Santa Elena y Santa Mónica rezando por su hijo Sant Agustín|0|||||0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|Painting||16|||1500|1505|ca|ca 1500-1505|ca 1500-1505||Retablo de San Agustín, San Onofre, Santa Elena, y María Magdalena|||4319||||0|||||Oil on panel|oil paint|panel||||painting (image-making)|panel painting||||||9495|Zaragoza: Museo de Zaragoza|Zaragoza: Mus. Zaragoza||Saint Monica ; Saint Helena ; |Saint Monica|Saint Helena||||||||Cornell||ElA|CLL|8/19/2005 0:00:00|7/8/2005 0:00:00|S733|||0|||||||25|PA||12||H5||| |38 Au|||||||Work|0||||||||||||0|0|Interrogación de judío po Santa Elena y Santa Mónica rezando por su hijo Sant Agustín, detail;Interrogation of the Jew by Saint Helena and Saint Monica Praying for Her Son, Saint Augustine| 4323.00|0||||||||Honor Bilt Modern Homes Catalog|Assigned|Image Source (Pub)|||||||Honor Bilt Modern Homes Catalog|30736|Sears, Roebuck and Company|||Sears, Roebuck and Company|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Publications|Book||||20|||1928|1928||1928|1928-1928|||||0||||0||||||||||||||||||||||Houses ; Commercial catalogs ; Plans (drawings) ; Architectural drawings ; |Houses|Commercial catalogs|Plans (drawings)|Architectural drawings||||||Cornell||JNK|JNK|7/8/2005 0:00:00|7/8/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Honor Bilt Modern Homes Catalog|Sears, Roebuck and Company 4324.00|0||||||||"Own Your Own Home", Page 2|Descriptive|Cataloger|||||||Honor Bilt Modern Homes Catalog. "Own Your Own Home", Page 2|30736|Sears, Roebuck and Company|||Sears, Roebuck and Company|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Publications|Book|Illustration|||20|||1928|1928||1928|1928-1928||Honor Bilt Modern Homes Catalog|Larger entity||4323||||0||||||||||||||||||||||Commercial catalogs ; Houses ; Children (people by age group) ; Families ; |Commercial catalogs|Houses|Children (people by age group)|Families||||||Cornell||JNK|MNW|7/25/2005 0:00:00|7/8/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|"Own Your Own Home", Page 2|Sears, Roebuck and Company 4325.00|0||||||||"Architectural Service: What's It Worth to You?", Page 17|Descriptive|Cataloger|||||||Honor Bilt Modern Homes Catalog. "Architectural Service: What's It Worth to You?", Page 17|30736|Sears, Roebuck and Company|||Sears, Roebuck and Company|0||||0|||||American||||||||United States||||||0||||0||||||||0|Publications|Book|Illustration|||20|||1928|1928||1928|1928-1928||Honor Bilt Modern Homes Catalog|Larger entity||4323||||0||||||||||||||||||||||Commercial catalogs ; Houses ; |Commercial catalogs|Houses||||||||Cornell||JNK|MNW|7/25/2005 0:00:00|7/8/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|"Architectural Service: What's It Worth to You?", Page 17|Sears, Roebuck and Company 4326.00|0||||||||"This Service Free to Buyers of Honor Bilt Homes," Pages 18-19|Inscribed|Image Source (Pub)|||||||Honor Bilt Modern Homes Catalog. "This Service Free to Buyers of Honor Bilt Homes," pages 18-19|30736|Sears, Roebuck and Company|||Sears, Roebuck and Company|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Publications|Book|Illustration|||20|||1928|1928||1928|1928-1928||Honor Bilt Modern Homes Catalog|Larger entity||4323||||0||||||||||||||||||||||Architectural drawings ; Commercial catalogs ; |Architectural drawings|Commercial catalogs||||||||Cornell||JNK|MNW|7/25/2005 0:00:00|7/8/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|"This Service Free to Buyers of Honor Bilt Homes," Pages 18-19|Sears, Roebuck and Company 4327.00|0||||||||"We Furnish 3 Coats of Paint for Honor Bilt Homes", Page 20|Inscribed|Image Source (Pub)|||||||Honor Bilt Modern Homes Catalog "We Furnish 3 Coats of Paint for Honor Bilt Homes", Page 20|30736|Sears, Roebuck and Company|||Sears, Roebuck and Company|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Publications|Book|Illustration|||20|||1928|1928||1928|1928-1928||Honor Bilt Modern Homes Catalog|Larger entity||4323||||0||||||||||||||||||||||Commercial catalogs ; Houses ; House paint ; |Commercial catalogs|Houses|House paint|||||||Cornell||JNK|MNW|7/25/2005 0:00:00|7/8/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|"We Furnish 3 Coats of Paint for Honor Bilt Homes", Page 20|Sears, Roebuck and Company 4328.00|0||||||||Aladdin, Readi-cut Homes Catalog|Descriptive|Image Source (Pub)|||||||Aladdin, Readi-cut Homes Catalog|29559|Aladdin Company||architectural firm|Aladdin Company|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Publications|Book||||20|||1952|1952||1952|1952-1952|||||0||||0||||||||||||||||||||||Houses ; Commercial catalogs ; Plans (drawings) ; Architectural drawings ; |Houses|Commercial catalogs|Plans (drawings)|Architectural drawings||||||Cornell||JNK|MNW|7/25/2005 0:00:00|7/8/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Aladdin, Readi-cut Homes Catalog|Aladdin Company 4329.00|0||||||||"The Pilgrim," Page 44|Descriptive|Cataloger|||||||Aladdin, Readi-cut Homes Catalog. "The Pilgrim," Page 44|29559|Aladdin Company||architectural firm|Aladdin Company|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Publications|Book|Illustration|||20|||1952|1952||1952|1952-1952||Aladdin, Readi-cut Homes Catalog|Larger entity||4328||||0||||||||||||||||||||||Houses ; Commercial catalogs ; Plans (drawings) ; Architectural drawings ; |Houses|Commercial catalogs|Plans (drawings)|Architectural drawings||||||Cornell||JNK|MNW|7/25/2005 0:00:00|7/8/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|"The Pilgrim," Page 44|Aladdin Company 4330.00|0||||||||Advertisement for George F. Barber's "Cottage Souvenir", from Harper's Weekly|Descriptive|Image Source (Pub)|||||||Advertisement for George F. Barber's "Cottage Souvenir", from Harper's Weekly|0|||||0||||0|||||American|||Victorian|||||United States||||||0||||0||||0||||0|Advertising|Advertisement||||19|||1892|1892||1892|1892-1892|||||0||||0||||||||||||||||||||||Houses ; Plans (drawings) ; Commercial catalogs ; Architectural drawings ; Barber, George F., 1854-1915 ; |Houses|Plans (drawings)|Commercial catalogs|Architectural drawings|Barber, George F., 1854-1915|||||Cornell||JNK|MNW|7/25/2005 0:00:00|7/8/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Advertisement for George F. Barber's "Cottage Souvenir", from Harper's Weekly| 4331.00|0||||||||George M. Roueche House|Assigned|Image Source (Pub)|||||||George M. Roueche House|0|||||0||||0|||||American|||Victorian|||||United States||||||0|Meadville, PA|||10532||||0||||0|Architecture|House||||19|||1892|1892||1892|1892-1892|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|JNK|7/8/2005 0:00:00|7/8/2005 0:00:00||||0||||||||||||||||||||||||0||The design of this house is based on one from George F. Barber's Cottage Souvenir, no. 2.||||||||||0|0|George M. Roueche House| 4332.00|0|Creator|15|32|C343-PA|1877|1|32 C343-PA 1877 1|Reading "La Figaro"|Assigned|Image Source (Pub)|||||||Reading "La Figaro"|2095|Cassatt, Mary||painter|Mary Cassatt|0||||0|||||American|||Impressionist|||||United States||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1877|1878||1877|1877-1878|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||101 x 81.2 cm||3304|Washington, DC: Private Collection|Wash, DC: Private Coll.||Reading ; Women ; Newspapers ; |Reading|Women|Newspapers|||||||Cornell||JNK|CLL|7/28/2005 0:00:00|7/8/2005 0:00:00|C343|||0|||||||32|PA||||||1877| ||||||||Work|0||||||||||||0|0|Reading "La Figaro"|Cassatt, Mary 4333.00|0||||||||Mary Cassatt Drinking Tea, Château-Beaufresne, Mesnil-Théribus|Descriptive|Image Source (Pub)|||||||Mary Cassatt Drinking Tea, Château-Beaufresne, Mesnil-Théribus|30737|Riddle, Theodate Pope||architect|Theodate Pope Riddle|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Portrait|Photographic print|Documentary photograph||20|||1905|1905|ca|ca 1905|ca 1905-1905|||||0||||0|||||Black and white photograph||||||photography|||||||825|Farmington, CT: Hill-Stead Museum|Farmington, CT: Hill-Stead Mus.||Cassatt, Mary, 1844-1926 ; Tea (social aspects) ; Portraits ; |Cassatt, Mary, 1844-1926|Tea (social aspects)|Portraits|||||||Cornell||JNK|JNK|7/8/2005 0:00:00|7/8/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Mary Cassatt Drinking Tea, Château-Beaufresne, Mesnil-Théribus|Riddle, Theodate Pope 4334.00|0|Creator|15|32|C343-D|1890||32 C343-D 1890|Study for In the Omnibus|Assigned|Image Source (Pub)|||||||Study for In the Omnibus|2095|Cassatt, Mary||painter|Mary Cassatt|0||||0|||||American|||Impressionist|||||United States||||||0||||0||||0||||0|Drawings|Drawing||||19|||1890|1891||1890|1890-1891|||||0||||0|||||Black chalk and graphite on wove paper|chalk|graphite|paper|||drawing (image-making)|||||37.9 x 27.1 cm||3367|Washington, DC: National Gallery of Art|Wash, DC: National Gallery||Women ; Children (people by age group) ; Men (male humans) ; Omnibuses ; |Women|Children (people by age group)|Men (male humans)|Omnibuses||||||Cornell||JNK|CLL|7/28/2005 0:00:00|7/8/2005 0:00:00|C343|||0|||||||32|D||||||1890| ||||||||Work|0||||||||||||0|0|Study for In the Omnibus|Cassatt, Mary 4335.00|0||||||||Mary Cassatt Reading a Newspaper, Château-Beaufresne, Mesnil-Théribus|Descriptive|Image Source (Pub)|||||||Mary Cassatt Reading a Newspaper, Château-Beaufresne, Mesnil-Théribus|30737|Riddle, Theodate Pope||architect|Theodate Pope Riddle|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Photographic print|Portrait|Documentary photograph||20|||1905|1905|ca|ca 1905|ca 1905-1905|||||0||||0|||||Black and white photograph||||||photography|||||||825|Farmington, CT: Hill-Stead Museum|Farmington, CT: Hill-Stead Mus.||Newspapers ; Reading ; Cassatt, Mary, 1844-1926 ; Portraits ; |Newspapers|Reading|Cassatt, Mary, 1844-1926|Portraits||||||Cornell||JNK|MNW|7/28/2005 0:00:00|7/8/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Mary Cassatt Reading a Newspaper, Château-Beaufresne, Mesnil-Théribus|Riddle, Theodate Pope 4336.00|0||||||||Portrait of a Laundress|Assigned|Image Source (Pub)|||||||Portrait of a Laundress|0|||||0||||0|||||French||||||||France||||||0||||0||||0||||0|Photographs|Daguerreotype|Portrait|||19|||1848|1850||1848-1850|1848-1850|||||0||||0|||||Daguerreotype; Three-quarter plate (oval cut)||||||daguerreotype|||||||3508|Los Angeles: J. Paul Getty Museum|Los Angeles: J. Paul Getty Mus.||Portraits ; Laundresses ; Women ; |Portraits|Laundresses|Women|||||||Cornell||JNK|MNW|7/29/2005 0:00:00|7/8/2005 0:00:00||||0||84.XT.403.21||||||||||||| |||||||||0||||||||||||0|0|Portrait of a Laundress| 4337.00|0|Creator|05|J-Anonymous|19thC|French|4|J-Anonymous 19thC French 4|Two Nude Women Embracing|Assigned|Image Source (Pub)|||||||Two Nude Women Embracing|0|||||0||||0|||||French||||||||France||||||0||||0||||0||||0|Photographs|Daguerreotype||||10|||1848|1848|ca|ca 1848|ca 1848-1848|||||0||||0|||||Daguerreotype; Half plate with applied color||||||photography|daguerreotype||||||3508|Los Angeles: J. Paul Getty Museum|Los Angeles: J. Paul Getty Mus.||Women ; Nudes ; |Women|Nudes||||||||Cornell||JNK|MNW|7/29/2005 0:00:00|7/8/2005 0:00:00|Anonymous|||0||84.XT.172.6||||French|J|||||||19thC| ||||||||Work|0|Photography|||||||||||0|0|Two Nude Women Embracing| 4338.00|0||||||||Early Operation Using Ether for Anesthesia|Assigned|Image Source (Pub)|||||||Early Operation Using Ether for Anesthesia|29390|Southworth & Hawes||photographer|Southworth & Hawes|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Daguerreotype||||19|||1847|1847||1847|1847-1847|||||0||||0|||||Daguerreotype; Whole plate (reversed)||||||daguerreotype|photography||||||3508|Los Angeles: J. Paul Getty Museum|Los Angeles: J. Paul Getty Mus.||Operating rooms ; |Operating rooms|||||||||Cornell||JNK|MNW|7/29/2005 0:00:00|7/8/2005 0:00:00||||0||84.XT.958||||||||||||| |||||||||0||||||||||||0|0|Early Operation Using Ether for Anesthesia|Southworth & Hawes 4339.00|0|Creator|15|25|W546.3-TE|22B|1|25 W546.3-TE 22B 1|The Birth of Christ|Translated|Cataloger|Nacimiento de Jesús||||||The Birth of Christ|12657|Weyden, Rogier van der|circle of|painter|Circle of Rogier van der Weyden|0||||0|||||Flemish|||Medieval|Early Renaissance||||Spain||||||||||0||||0||||0|Textiles|Tapestry (wall hanging)||||15|||1498|1498|ca|ca 1498|ca 1498-1498|||||0||||0|||||Tapestry|gold|silk|wool|||tapestry (process)|||||205 x 273 cm||9512|Segovia: Palacio de la Granja de San Ildefonso|Segovia: Pal. de la Granja||Christ ; Birth and youth of Christ ; Nativity ; Tapestries ; |Christ|Birth and youth of Christ|Nativity|Tapestries||||||Cornell||ElA|CLL|8/23/2005 0:00:00|7/11/2005 0:00:00|W546.3|||0||10005862|||||25|TE||||||| |22B|||||||Work|0||The artist who produced the cartoon was in the Circle of Rogier van der Weyden.||||||||This tapestry was in the collection of Isabel la Católica.||0|0|The Birth of Christ;Nacimiento de Jesús|Weyden, Rogier van der 4340.00|0|Creator|15|25|A248-TE|38 Gr|||detail of Misa de San Grogorio|||||||||detail of Misa de San Grogorio|30739|Aelst, Pieter van, The Younger||tapestry maker|AELST, Pieter van, The Younger|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0|Segovia, Spain|||10526||||0||||0|Textiles|Tapestry (wall hanging)||||16|||1502|1504||1502-1504|1502-1504||Misa de san Gregorio|||4236||||0|||||Tapestry|gold thread|silk|wool|||tapestry (process)|||||||9512|Segovia: Palacio de la Granja de San Ildefonso|Segovia: Pal. de la Granja||Saint Gregory ; |Saint Gregory|||||||||Cornell||ElA|ElA|7/18/2005 0:00:00|7/11/2005 0:00:00|A248|||0||10005810|||||25|TE||12||H5||| |38 Gr|||||||Work|0||Cartón de círculo de Robert Campin o Maestro de la Flemalle Bruselas Collection of Juana of Castille||||||||||0|0|detail of Misa de San Grogorio|Aelst, Pieter van, The Younger 4341.00|0|Creator|15|25|C1968.3-TE|38Gr|1|25 C1968.3-TE 38Gr 1|Mass of Saint Gregory|Translated|Cataloger|Misa de San Gregorio|Published|Image Source (Pub)||||Mass of Saint Gregory|3938|Campin, Robert|circle of|cartoonist|Robert Campin, circle of|30739|Aelst, Pieter van, The Younger||tapestry maker|0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Textiles|Tapestry (wall hanging)||||16|||1502|1504||1502-1504|1502-1504|||||0||||0|||||Tapestry|gold thread|silk|wool|||tapestry (process)|||||342 x 407 cm||9512|Segovia: Palacio de la Granja de San Ildefonso|Segovia: Pal. de la Granja||Saint Gregory ; Passion of Christ ; Christ ; |Saint Gregory|Passion of Christ|Christ|||||||Cornell||ElA|MNW|8/11/2005 0:00:00|7/11/2005 0:00:00|C1968.3|||0||10005810|||||25|TE||||||| |38Gr|||||||Work|0||||||||||From the collection of Isabel la Católica.||0|0|Mass of Saint Gregory;Misa de San Gregorio|Campin, Robert;Aelst, Pieter van, The Younger 4342.00|0|Creator|15|25|A248-TE|31|1A 1|25 A248-TE 31 1A 1|God Sends the Archangel Gabriel|Translated|Cataloger|Dios envía al arcángel Gabriel|Published|Image Source (Pub)||||Paños de oro. God Sends the Archangel Gabriel|30739|Aelst, Pieter van, The Younger||tapestry maker|Pieter van Aelst the Younger|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain|||Brussels, Belgium|||10533||||||||0||||0|Textiles|Tapestry (wall hanging)||||16|||1502|1504||1502-1504|1502-1504||Paños de oro|Larger entity||4350||||0|||||Tapestry|gold thread|silk|wool|||tapestry (process)|||||320 x 372||1608|San Lorenzo de El Escorial: El Escorial|San Lorenzo de El Escorial: El Escorial||Archangel Gabriel ; God the Father ; Virgin Mary ; Angels ; |Archangel Gabriel|God the Father|Virgin Mary|Angels||||||Cornell||ElA|MNW|8/11/2005 0:00:00|7/11/2005 0:00:00|A248|||0||10034476|||||25|TE||||||| |31|||||||Work|0|| First panel of the tapestry "Paños de oro".||||||||From the collection of Juana de Castile.||0|0|God Sends the Archangel Gabriel;Dios envía al arcángel Gabriel|Aelst, Pieter van, The Younger 4343.00|0|Creator|05|J-Gurney||||J-Gurney 1|Portrait of an American Youth|Assigned|Image Source (Pub)|||||||Portrait of an American Youth|30738|Gurney, Jeremiah||photographer|Jeremiah Gurney|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Daguerreotype|Portrait|||19|||1852|1856||1852-1856|1852-1856|||||0||||0|||||Daguerreotype; Quarter plate with applied color||||||daguerreotype|||||||3508|Los Angeles: J. Paul Getty Museum|Los Angeles: J. Paul Getty Mus.||Portraits ; Men (male humans) ; |Portraits|Men (male humans)||||||||Cornell||JNK|JNK|7/11/2005 0:00:00|7/11/2005 0:00:00|Gurney|||0||84.XT.1564.27|||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Portrait of an American Youth|Gurney, Jeremiah 4344.00|0|Creator|15|25|A248-TE|31|1B 1|25 A248-TE 31 1B 1|Birth of Christ|Translated|Cataloger|Nacimiento de Cristo|Published|Image Source (Pub)||||Paños de oro. Birth of Christ|30739|Aelst, Pieter van, The Younger||tapestry maker|Pieter van Aelst the Younger|0||||0|||||Spanish|||Early Renaissance|Medieval||||Spain|||Brussels, Belgium|||10533||||||||0||||0|Textiles|Tapestry (wall hanging)||||16|||1502|1504||1502-1504|1502-1504||Paños de oro|Larger entity||4350||||0|||||Tapestry- gold, silver, silk and wool|gold thread|silk|wool|||tapestry (process)|||||305 x 335 cm||1608|San Lorenzo de El Escorial: El Escorial|San Lorenzo de El Escorial: El Escorial||Christ ; Nativity ; Birth and youth of Christ ; Virgin Mary ; |Christ|Nativity|Birth and youth of Christ|Virgin Mary||||||Cornell||ElA|MNW|8/11/2005 0:00:00|7/11/2005 0:00:00|A248|||0||10014828|||||25|TE||||||| |31|||||||Work|0||Third panel of the tapestry "Paños de oro".||||||||From the collection of Juana of Castile.||0|0|Birth of Christ;Nacimiento de Cristo|Aelst, Pieter van, The Younger 4345.00|0|Creator|15|25|A248-TE|31|1C 1|25 A248-TE 31 1C 1|Coronation of the Virgin|Translated|Cataloger|Coronación de al Virgen|Published|Image Source (Pub)||||Paños de oro. Coronation of the Virgin|30739|Aelst, Pieter van, The Younger||tapestry maker|Pieter van Aelst the Younger|0||||0|||||Spanish|||Early Renaissance|Medieval||||Spain|||Brussels, Belgium|||10533||||||||0||||0|Textiles|Tapestry (wall hanging)||||16|||1502|1504||1502-1504|1502-1504||Paños de oro|Larger entity||4350||||0|||||Tapestry- gold, silver, silk and wool thread|gold thread|silk|wool|||tapestry (process)|||||322 x 375 cm||1608|San Lorenzo de El Escorial: El Escorial|San Lorenzo de El Escorial: El Escorial||Life of the Virgin ; Coronation of the Mary ; |Life of the Virgin|Coronation of the Mary||||||||Cornell||ElA|MNW|8/11/2005 0:00:00|7/11/2005 0:00:00|A248|||0||10014829|||||25|TE||||||| |31|||||||Work|0||Fourth panel of the tapestry "Paños de oro".||||||||From the collection of Juana of Castile.||0|0|Coronation of the Virgin;Coronación de al Virgen|Aelst, Pieter van, The Younger 4346.00|0|Creator|15|25A|F584-TE|29J|1|25A F584-TE 29J 1|Tree of Jesse|Translated|Cataloger|El Árbol de Jesé|Published|Image Source (Pub)||||Tree of Jesse|0|||||0||||0|||||Flemish|||Early Renaissance|Medieval||||Spain||||||0||||||||0||||0|Textiles|Tapestry (wall hanging)||||15|||1490|1490|ca|ca 1490|ca 1490-1490|||||0||||0|||||Tapestry- silk and wool|silk|wool||||tapestry (process)|||||159 x 113 cm||1628|Madrid: Palacio Real|Madrid: Pal. Real||Tree of Jesse ; New Testament ; |Tree of Jesse|New Testament||||||||Cornell||ElA|MNW|8/11/2005 0:00:00|7/11/2005 0:00:00|F584|||0||10199609|||||25A|TE||||||| |29J|||||||Work|0||||||||||From the collection of Isabel la Católica.||0|0|Tree of Jesse;El Árbol de Jesé| 4347.00|0|Creator|15|25|A248-TE|31|2 A 1|25 A248-TE 31 2 A 1|Compliments on the Prophecy of the Birth of the Son of God|Translated|Cataloger|Cumplimiento de las Profecías en el Nacimiento del Hijo de Dios|Published|Image Source (Pub)||||Vida de la Virgen. Compliments on the Prophecy of the Birth of the Son of God|30739|Aelst, Pieter van, The Younger||tapestry maker|Pieter van Aelst the Younger|0||||0|||||Spanish|Belgian||Early Renaissance|Medieval||||Spain|Belgium||Brussels, Belgium|||10533|San Lorenzo de Escorial, Spain|||10311||||0||||0|Textiles|Tapestry (wall hanging)||||16|||1502|1504||1502-1504|1502-1504||Vida de la Virgen|Larger entity||4349||||0|||||Tapestry- gold thread, silver thread, silk and wool|gold thread|silk|wool|||tapestry (process)|||||356 x 440 cm||1608|San Lorenzo de El Escorial: El Escorial|San Lorenzo de El Escorial: El Escorial||Life of the Virgin ; Birth and youth of Christ ; Adam ; Eve ; |Life of the Virgin|Birth and youth of Christ|Adam|Eve||||||Cornell||ElA|CLL|9/28/2005 0:00:00|7/11/2005 0:00:00|A248|||0||10005808|||||25|TE||||||| |31|||||||Work|0||First panel of the tapestry "Vida de la Virgen"||||||||||0|0|Compliments on the Prophecy of the Birth of the Son of God;Cumplimiento de las Profecías en el Nacimiento del Hijo de Dios|Aelst, Pieter van, The Younger 4356.00|0|Creator|15|25|M387-PA|23Tra|1D 1|25 M387-PA 23Tra 1D 1|The Marriage at Cana|Translated|Cataloger|Las Bodas de Caná|Published|Image Source (Pub)||||Transfiguration. The Marriage at Cana|30740|Martorell, Bernat, II||painter|Bernat Martorell II|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|Panel (wood)||15|||1445|1452|ca|ca 1445-1452|ca 1445-1452||Transfiguration|Larger entity||4359||||0|||||||||||painting (image-making)|||||||9513|Barcelona: Cathedral of Barcelona|Barcelona: Cath. of Barcelona||Christ ; Marriage at Cana ; Miracles ; |Christ|Marriage at Cana|Miracles|||||||Cornell||ElA|MNW|8/5/2005 0:00:00|7/11/2005 0:00:00|M387|||0|||||||25|PA||||||| |23Tra|||||||Work|0||||||||||||0|0|The Marriage at Cana;Las Bodas de Caná|Martorell, Bernat, II 4357.00|0|Creator|15|25|M387-PA|23Tra|1E 1|25 M387-PA 23Tra 1E 1|Multiplication of the Loaves and Fishes|Descriptive||Milagro del al multiplicación de los panes y los peces|Published|Image Source (Pub)||||Transfiguration. Multiplication of the Loaves and Fishes|30740|Martorell, Bernat, II||painter|Bernat Martorell II|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|Panel (wood)||15|||1445|1452||1445-1452|1445-1452||Transfiguration|Larger entity||4359||||0|||||||||||painting (image-making)|||||||9513|Barcelona: Cathedral of Barcelona|Barcelona: Cath. of Barcelona||Christ ; Multiplication of Loaves and Fishes ; Miracles ; |Christ|Multiplication of Loaves and Fishes|Miracles|||||||Cornell||ElA|MNW|8/5/2005 0:00:00|7/11/2005 0:00:00|M387|||0|||||||25|PA||||||| |23Tra|||||||Work|0||||||||||||0|0|Multiplication of the Loaves and Fishes;Milagro del al multiplicación de los panes y los peces|Martorell, Bernat, II 4358.00|0|Creator|15|25|M387-PA|23Tra|1F 1|25 M387-PA 23Tra 1F 1|Christ Speaking with Moses and Elijah; Saints Peter, John, and Andrew in Foreground|Translated|Cataloger|Jesús conversando con Moisés, Elías, san Pedro, san Juan, y san Andrés|Published|Image Source (Pub)||||Transfiguration. Christ Speaking with Moses and Elijah; Saints Peter, John, and Andrew in Foreground|30740|Martorell, Bernat, II||painter|Bernat Martorell II|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|Panel (wood)||15|||1445|1452|ca|ca 1445-1452|ca 1445-1452||Transfiguration|Larger entity||4359||||0|||||||||||painting (image-making)|||||||9513|Barcelona: Cathedral of Barcelona|Barcelona: Cath. of Barcelona||Transfiguration ; |Transfiguration|||||||||Cornell||ElA|MNW|8/5/2005 0:00:00|7/11/2005 0:00:00|M387|||0|||||||25|PA||||||| |23Tra|||||||Work|0||||||||||||0|0|Christ Speaking with Moses and Elijah; Saints Peter, John, and Andrew in Foreground;Jesús conversando con Moisés, Elías, san Pedro, san Juan, y san Andrés|Martorell, Bernat, II 4359.00|0|Creator|15|25|M3872-PA|23Tra|1|25 M3872-PA 23Tra 1|Transfiguration|Translated|Dict.Art|Transfiguración||||||Transfiguration|30740|Martorell, Bernat, II||painter|Bernat Martorell II|0||||0|||||Spanish|||Early Renaissance|Medieval||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|||15|||1445|1452|ca|ca 1445-1452|ca 1445-1452|||||0||||0|||||Painting (image-making)||||||painting (image-making)|||||||9513|Barcelona: Cathedral of Barcelona|Barcelona: Cat. Of Barcelona||Christ ; Transfiguration ; |Christ|Transfiguration||||||||Cornell||ElA|MNW|8/5/2005 0:00:00|7/11/2005 0:00:00|M3872|||0|||||||25|PA||||||| |23Tra|||||||Work|0||||||||||||0|0|Transfiguration;Transfiguración|Martorell, Bernat, II 4360.00|0|Creator|15|32|R418-PA|1870|O222|32 R418-PA 1870 O222|Odalisque|Assigned|Repository|Woman of Algiers|Variant|Image Source (Pub)||||Odalisque (Woman of Algiers)|9760|Renoir, Pierre-Auguste||painter|Pierre-Auguste Renoir|0||||0|||||French|||Impressionist|||||France||||||0||||0||||0||||0|Paintings|Oil painting||||19|||1870|1870||1870|1870-1870|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||69.2 x 122.6 cm||3367|Washington, DC: National Gallery of Art|Wash, DC: National Gallery||Slavery ; Harems ; Odalisques ; Algiers (Algeria) ; |Slavery|Harems|Odalisques|Algiers (Algeria)||||||Cornell||JNK|MNW|7/29/2005 0:00:00|7/11/2005 0:00:00|R418|||0||1963.10.207|||||32|PA||||||1870| |O222|||||||Work|0||Exhibited at the Salon of 1870.||||||||||0|0|Odalisque;Woman of Algiers|Renoir, Pierre-Auguste 4361.00|0|Creator|15|32|R418-PA|1872|4|32 R418-PA 1872 4|Parisian Women in Algerian Costume|Assigned|Image Source (Pub)|The Harem|Variant|Image Source (Pub)||||Parisian Women in Algerian Costume (The Harem)|9760|Renoir, Pierre-Auguste||painter|Pierre-Auguste Renoir|0||||0|||||French|||Impressionist|||||France||||||0||||0||||0||||0|Paintings|Oil painting||||19|||1872|1872||1872|1872-1872|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||157 x 130 cm||3298|Tokyo: National Museum of Western Art|Tokyo: Nat. Mus. Western Art||Women ; Harems ; Algiers (Algeria) ; |Women|Harems|Algiers (Algeria)|||||||Cornell||JNK|MNW|7/29/2005 0:00:00|7/11/2005 0:00:00|R418|||0|||||||32|PA||||||1872| ||||||||Work|0||||||||||||0|0|Parisian Women in Algerian Costume;The Harem|Renoir, Pierre-Auguste 4362.00|0||||||||Woman of Algiers Seated at Table (three-quarter view)|Assigned|Image Source (Pub)|||||||Algérie 1884. Woman of Algiers Seated at Table (three-quarter view)|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Photographs|Photographic print|Portrait|Documentary photograph||19|||1884|1884||1884|1884-1884||Algérie 1884|Larger entity||4363||||0|||||Black and white photograph||||||photography|||||||9337|Santa Monica: Getty Center for the History of Art and the Humanities; Library|Santa Monica: Getty Center.; Lib.||Women ; Portraits ; Algiers (Algeria) ; |Women|Portraits|Algiers (Algeria)|||||||Cornell||JNK|MNW|3/31/2006 0:00:00|7/11/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Woman of Algiers Seated at Table (three-quarter view)| 4363.00|0||||||||Algérie 1884|Assigned|Image Source (Pub)|||||||Algérie 1884|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Photographs|Album||||19|||1884|1884||1884|1884-1884|||||0||||0||||||||||||||||||9337|Santa Monica: Getty Center for the History of Art and the Humanities; Library|Santa Monica: Getty Center.; Lib.||Photographs ; Photograph albums ; |Photographs|Photograph albums||||||||Cornell||JNK|JNK|7/11/2005 0:00:00|7/11/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Algérie 1884| 4364.00|0|Creator|15|32|D241-G|1830|2|32 D241-G 1830 2|Two Ragpickers|Assigned|Image Source (Pub)|||||||Two Ragpickers|2891|Daumier, Honore||printmaker|Honore Daumier|0||||0|||||French||||||||France||||||0||||0||||0||||0|Prints|Lithograph||||19|||1830|1830|ca|ca 1830|ca 1830-1830|||||0||||0|||||Lithograph|ink|paper||||lithography|||||21 x 18.2 cm||3373|London: British Museum|London: British Museum||Men (male humans) ; Ragpickers ; |Men (male humans)|Ragpickers||||||||Cornell||JNK|JNK|7/19/2005 0:00:00|7/12/2005 0:00:00|D241|||0|||||||32|G||||||1830| ||||||||Work|0||||||||||||0|0|Two Ragpickers|Daumier, Honore 4365.00|0|Creator|15|32|S578-PA|1885|1|32 S578-PA 1885 1|The Milliners|Assigned|Image Source (Pub)|The Seamstress|Variant|||||The Milliners|10900|Signac, Paul||painter|Paul Signac|0||||0|||||French|||Post-Impressionist|Neo-Impressionist||||France||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||19|||1885|1886||1885-1886|1885-1886|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||116 x 89 cm||3394|Zurich: Stiftung Sammlung E.G. Bührle|Zurich: Stift. Samml. Bührle||Women ; Milliners ; |Women|Milliners||||||||Cornell||JNK|MNW|7/29/2005 0:00:00|7/12/2005 0:00:00|S578|||0|||||||32|PA||||||1885| ||||||||Work|0||||||||||||0|0|The Milliners;The Seamstress|Signac, Paul 4366.00|0|Creator|15|32|S578-PA|1886|5|32 S578-PA 1886 5|The Dining Room, Opus 152|Assigned|Image Source (Pub)|La Salle à manger, Opus 152|Original|Image Source (Pub)||||The Dining Room, Opus 152|10900|Signac, Paul||painter|Paul Signac|0||||0|||||French|||Post-Impressionist|Neo-Impressionist||||France||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||19|||1886|1887||1886|1886-1887|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||89 x 115 cm||3327|Otterlo: Rijksmuseum Kröller-Müller|Otterlo: Kröller-Müller||Interior views ; Servants ; Dinners and dining ; Tea (social aspects) ; Tea services ; |Interior views|Servants|Dinners and dining|Tea (social aspects)|Tea services|||||Cornell||JNK|CLL|8/1/2005 0:00:00|7/12/2005 0:00:00|S578|||0|||||||32|PA||||||1886| ||||||||Work|0||||||||||||0|0|The Dining Room, Opus 152;La Salle à manger, Opus 152|Signac, Paul 4367.00|0|Creator|15|32|S578-PA|1888|4|32 S578-PA 1888 4|The Masts, Portrieux, Opus 182|Assigned|Image Source (Pub)|Potrieux. Les Mâts. Opus 182|Variant|Image Source (Pub)||||The Masts, Portrieux, Opus 182|10900|Signac, Paul||painter|Paul Signac|0||||0|||||French|||Post-Impressionist|Neo-Impressionist||||France||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||19|||1888|1888||1888|1888-1888|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||46 x 55 cm||3290|Private Collection|: Private Coll.||Boats ; Masts ; Seashores ; |Boats|Masts|Seashores|||||||Cornell||JNK|MNW|7/29/2005 0:00:00|7/12/2005 0:00:00|S578|||0|||||||32|PA||||||1888| ||||||||Work|0||||||||||||0|0|The Masts, Portrieux, Opus 182;Potrieux. Les Mâts. Opus 182|Signac, Paul 4368.00|0|Creator|15|32|S578-PA|1888|5|32 S578-PA 1888 5|Tertre Denis, Portrieux, Opus 189|Assigned|Image Source (Pub)|Portrieux. Tertre Denis. Opus 189|Variant|Image Source (Pub)||||Tertre Denis, Portrieux, Opus 189|10900|Signac, Paul||painter|Paul Signac|0||||0|||||French|||Post-Impressionist|Neo-Impressionist||||France||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||19|||1888|1888||1888|1888-1888|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||65 x 81 cm||4515|Phillips Family Collection|: Phillips Family Coll.||Landscapes ; Seashores ; |Landscapes|Seashores||||||||Cornell||JNK|MNW|7/29/2005 0:00:00|7/12/2005 0:00:00|S578|||0|||||||32|PA||||||1888| ||||||||Work|0||||||||||||0|0|Tertre Denis, Portrieux, Opus 189;Portrieux. Tertre Denis. Opus 189|Signac, Paul 4369.00|0|Creator|15|32|S578-PA|1892|2|32 S578-PA 1892 2|Woman Arranging Her Hair, Opus 227|Assigned|Image Source (Pub)|Arabesques For a Dressing Room|Variant|Image Source (Pub)|Femme se coiffant. Opus 227 (arabesques pour une salle de toilette)|Original|Image Source (Pub)|Woman Arranging Her Hair, Opus 227 (Arabesques For a Dressing Room)|10900|Signac, Paul||painter|Paul Signac|0||||0|||||French|||Post-Impressionist|Neo-Impressionist||||France||||||0||||0||||0||||0|Paintings|Painting||||19|||1892|1892||1892|1892-1892|||||0||||0|||||Encaustic on canvas mounted on canvas|encaustic paint|canvas||||painting (image-making)|||||59 x 70 cm||3290|Private Collection|: Private Coll.||Women ; Hairstyling ; |Women|Hairstyling||||||||Cornell||JNK|MNW|7/29/2005 0:00:00|7/12/2005 0:00:00|S578|||0|||||||32|PA||||||1892| ||||||||Work|0||||||||||||0|0|Woman Arranging Her Hair, Opus 227;Arabesques For a Dressing Room;Femme se coiffant. Opus 227 (arabesques pour une salle de toilette)|Signac, Paul 4370.00|0|Creator|15|32|S578-PA|1893-1895|1|32 S578-PA 1893 1|In the Time of Harmony|Assigned|Image Source (Pub)|The Golden Age Has Not Passed; It is Still to Come|Variant|Image Source (Pub)|Au temps d'harmonie (l'age d'or n'est pas dand le passé, il est dand l'avenir)|Original|Image Source (Pub)|In the Time of Harmony (The Golden Age Has Not Passed; It is Still to Come)|10900|Signac, Paul||painter|Paul Signac|0||||0|||||French|||Post-Impressionist|Neo-Impressionist||||France||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||19|||1893|1895||1893|1893-1895|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||300 x 400 cm||9514|: Marie de Montreuil|: Marie de Montreuil||Bathing ; Swimming ; Landscapes ; Picnicking ; Boules ; Men (male humans) ; Women ; Children (people by age group) ; |Bathing|Swimming|Landscapes|Picnicking|Boules|Men (male humans)|Women|Children (people by age group)||Cornell||JNK|CLL|8/1/2005 0:00:00|7/12/2005 0:00:00|S578|||0|||||||32|PA||||||1893| ||||||||Work|0||||||||||||0|0|In the Time of Harmony;The Golden Age Has Not Passed; It is Still to Come;Au temps d'harmonie (l'age d'or n'est pas dand le passé, il est dand l'avenir)|Signac, Paul 4371.00|0|Creator|15|32|M275-PA|1878|3|32 M275-PA 1878 3|Café-Concert|Assigned|Image Source (Pub)|||||||Café-Concert|7474|Manet, Éduard||painter|Éduard Manet|0||||0|||||French|||Impressionist|||||France||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||19|||1878|1878||1878|1878-1878|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||47.5 x 30.2 cm||233|Baltimore: Walters Art Gallery|Baltimore: Walters Art Gal.||Men (male humans) ; Women ; Cafés ; |Men (male humans)|Women|Cafés|||||||Cornell||JNK|JNK|8/1/2005 0:00:00|7/12/2005 0:00:00|M275|||0|||||||32|PA||||||1878| ||||||||Work|0||||||||||||0|0|Café-Concert|Manet, Éduard 4372.00|0||||||||Photograph of Mary Cassatt Seated Beneath her Degas Fan|Descriptive|Image Source (Pub)|||||||Photograph of Mary Cassatt Seated Beneath her Degas Fan|30737|Riddle, Theodate Pope||architect|Theodate Pope Riddle|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Photographic print|Portrait|Documentary photograph||20|||1903|1903||1903|1903-1903|||||0||||0|||||Black and white photograph||||||photography|||||||825|Farmington, CT: Hill-Stead Museum|Farmington, CT: Hill-Stead Mus.||Cassatt, Mary, 1844-1926 ; Reading ; |Cassatt, Mary, 1844-1926|Reading||||||||Cornell||JNK|MNW|7/29/2005 0:00:00|7/12/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Photograph of Mary Cassatt Seated Beneath her Degas Fan|Riddle, Theodate Pope 4373.00|0|Creator|15|32|C343-PA|1879|5|32 C343-PA 1879 5|A Corner of the Loge|Assigned|Image Source (Pub)|||||||A Corner of the Loge|2095|Cassatt, Mary||painter|Mary Cassatt|0||||0|||||American|||Impressionist|||||United States||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||19|||1879|1879||1879|1879-1879|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||43.8 x 62.2 cm||3290|Private Collection|: Private Coll.||Operas ; Loges ; |Operas|Loges||||||||Cornell||JNK|MNW|7/29/2005 0:00:00|7/12/2005 0:00:00|C343|||0|||||||32|PA||||||1879| ||||||||Work|0||||||||||||0|0|A Corner of the Loge|Cassatt, Mary 4374.00|0||||||||Women in Loges|Assigned|Image Source (Pub)|||||||Women in Loges|30741|Colin, Adèle-Anaïs||painter|Adèle-Anaïs Colin|0||||0|||||French||||||||France||||||0||||0||||0||||0|Graphics|Illustration||||19|||1879|1879||1879, 9 February|1879-1879|||||0||||0||||||||||||||||||431|Boston: Public Library|Boston: Public Library||Women ; Loges ; |Women|Loges||||||||Cornell||JNK|MNW|7/29/2005 0:00:00|7/12/2005 0:00:00||||0||||||||||||||| |||||||||0||lllustration in "La Mode illustrée."||||||||||0|0|Women in Loges|Colin, Adèle-Anaïs 4375.00|0|Creator|15|32|C343-D|1880|3|32 C343-D 1880 3|Mother and Child|Assigned|Image Source (Pub)|||||||Mother and Child|2095|Cassatt, Mary||painter|Mary Cassatt|0||||0|||||American|||Impressionist|||||United States||||||0||||0||||0||||0|Paintings|Pastel (visual work)||||19|||1880|1880||1880|1880-1880|||||0||||0|||||Pastels on paper|pastels (crayons)|paper||||drawing (image-making)|||||42 x 61 cm||3290|Private Collection|: Private Coll.||Mother and child ; |Mother and child|||||||||Cornell||JNK|JNK|7/12/2005 0:00:00|7/12/2005 0:00:00|C343|||0|||||||32|D||||||1880| ||||||||Work|0||||||||||||0|0|Mother and Child|Cassatt, Mary 4376.00|0|Creator|15|32|C343-PA|1878|3|32 C343-PA 1878 3|Portrait of the Artist|Assigned|Image Source (Pub)|||||||Portrait of the Artist|2095|Cassatt, Mary||painter|Mary Cassatt|0||||0|||||American|||Impressionist|||||United States||||||0||||0||||0||||0|Paintings|Painting|Self portrait|Portrait||19|||1878|1878||1878|1878-1878|||||0||||0|||||Gouache on paper|gouache|paper||||painting (image-making)|||||59.7 x 44.5 cm||3294|New York: Metropolitan Museum of Art|New York: Metropolitan||Cassatt, Mary, 1844-1926 ; Portraits ; Self-portraits ; |Cassatt, Mary, 1844-1926|Portraits|Self-portraits|||||||Cornell||JNK|JNK|7/12/2005 0:00:00|7/12/2005 0:00:00|C343|||0||1975.319.1|||||32|PA||||||1878| ||||||||Work|0||||||||||||0|0|Portrait of the Artist|Cassatt, Mary 4377.00|0|Creator|15|32|C343-G|1890|14|32 C343-G 1890 14|The Visit|Assigned|Image Source (Pub)|||||||The Visit|2095|Cassatt, Mary||painter|Mary Cassatt|0||||0|||||American|||Impressionist|||||United States||||||0||||0||||0||||0|Prints|Drypoint|Aquatint|||19|||1890|1891||1890-1891|1890-1891|||||0||||0|||||Drypoint and aquatint on cream laid paper|ink|paper||||printmaking|aquatint||||34.8 x 26.3 cm||4073|Chicago: Art Institute of Chicago|Chicago: Art Institute||Tea (social aspects) ; Women ; Interior views ; |Tea (social aspects)|Women|Interior views|||||||Cornell||JNK|JNK|7/12/2005 0:00:00|7/12/2005 0:00:00|C343|||0|||||||32|G||||||1890| ||||||||Work|0||||||||||||0|0|The Visit|Cassatt, Mary 4378.00|0||||||||March 16, 1871|Assigned|Image Source (Pub)|Degas Observing Prostitutes|Descriptive|Cataloger||||March 16, 1871 (Degas Observing Prostitutes)|9196|Picasso, Pablo||painter|Pablo Picasso|0||||0|||||Spanish|||Modernist|||||Spain||||||0||||0||||0||||0|Prints|Etching||||20|||1971|1971||1971|1971-1971|||||0||||0|||||Etching||||||etching (corroding)|||||||||||Women ; Prostitutes ; Brothels ; Degas, Edgar, 1834-1917 ; Portraits ; |Women|Prostitutes|Brothels|Degas, Edgar, 1834-1917|Portraits|||||Cornell||JNK|MNW|7/29/2005 0:00:00|7/12/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|March 16, 1871;Degas Observing Prostitutes|Picasso, Pablo 4379.00|0|Creator|15|32|D317-D|1882|M655|32 D317-D 1882 M655|The Millinery Shop|Assigned|Image Source (Pub)|Milliners|Variant|Online Resource||||The Millinery Shop|3026|Degas, Edgar||painter|Edgar Degas|0||||0|||||French|||Impressionist|||||France||||||0||||0||||0||||0|Drawings|Pastel (visual work)||||19|||1882|1882||1882|1882-1882|||||0||||0|||||Pastel on paper|pastels (crayons)|paper||||drawing (image-making)|||||48.3 x 68.6 cm||3395|Kansas City: Nelson-Atkins Museum of Art|Kansas City: Nelson-Atkins||Milliners ; Women ; Shopping ; |Milliners|Women|Shopping|||||||Cornell||JNK|MNW|7/29/2005 0:00:00|7/13/2005 0:00:00|D317|||0|||||||32|D||||||1882| |M655|||||||Work|0||||||||||||0|0|The Millinery Shop;Milliners|Degas, Edgar 4380.00|0|Creator|15|25A|S733-PA|26PilC|1|25A S733-PA 26PilC 1|Christ Before Pilate and the Flagellation|Translated|Cataloger|Cristo ante Pilato y Flagelación|Published|Image Source (Pub)||||Christ Before Pilate and the Flagellation|0|||||0||||0|||||Spanish|||Medieval|||||Spain||||||0||||||||0||||0|Paintings|Panel (wood)|Painting|||14|||1330|1350|ca|ca 1330-1350|ca 1330-1350|||||0||||0|||||Painted panel|paint|panel||||painting (image-making)|||||100 x 175 cm||9515|Santa Maria de Riaza, Spain: Iglesia de Nostra Senora de la Natividad|Santa Maria de Riaza: Natividad||Christ ; Passion of Christ ; Flagellation ; Pilate, Pontius, 1st cent. ; |Christ|Passion of Christ|Flagellation|Pilate, Pontius, 1st cent.||||||Cornell||ElA|MNW|8/10/2005 0:00:00|7/13/2005 0:00:00|S733|||0|||||||25A|PA||||||| |26PilC|||||||Work|0||||||||||||0|0|Christ Before Pilate and the Flagellation;Cristo ante Pilato y Flagelación| 4381.00|0|Creator|15|25|F364-PA|26Cru|1|25 F364-PA 26Cru 1|Crucifixion with the Annunciation and the Ecstasy of Mary Magdalene|Translated|Cataloger|Crucifixión con la Anunciación y Extasis de La Magdalena|Published|Image Source (Pub)||||Crucifixion with the Annunciation and the Ecstasy of Mary Magdalene|30742|Fernandez, Juan||painter|Juan Fernandez|0||||0|||||Spanish|||Medieval|||||Spain||||||0||||||||0||||0|Paintings|Panel (wood)|Diptych|||15|||1429|1429||1429|1429-1429|||||0||||0|||||Paint on pine panel|paint|pine|panel|||painting (image-making)|||||75 x 46 cm||9516|Segovia: Escmo. Ayuntamiento de Cuéllar|Segovia: Excmo. Ayuntamiento de Cuéllar||Christ ; Passion of Christ ; Annunciation ; Mary Magdalene ; |Christ|Passion of Christ|Annunciation|Mary Magdalene||||||Cornell||ElA|MNW|8/23/2005 0:00:00|7/13/2005 0:00:00|F364|||0|||||||25|PA||||||| |26Cru|||||||Work|0||||||||||||0|0|Crucifixion with the Annunciation and the Ecstasy of Mary Magdalene;Crucifixión con la Anunciación y Extasis de La Magdalena|Fernandez, Juan 4382.00|0|Creator|15|25A|S733-SC|26D|1|25A S733-SC 26D 1|Descent from the Cross|Translated|Cataloger|Descendimiento|Published|Image Source (Pub)||||Descent from the Cross|0|||||0||||0|||||Spanish|||Medieval|||||Spain||||||0||||||||0||||0|Sculpture|Sculpture||||15|||1440|1440|ca|ca 1440|ca 1440-1440|||||0||||0|||||Painted wood sculpture|wood|paint||||sculpture|||||94 x 65 x 22 cm||9517|Galinduste: Iglesia de Nuestra Señora de la Zarza|Galinduste: Igl. de Nstra. Sra. de la Zarza||Christ ; Passion of Christ ; Deposition ; |Christ|Passion of Christ|Deposition|||||||Cornell||ElA|MNW|8/5/2005 0:00:00|7/13/2005 0:00:00|S733|||0|||||||25A|SC||||||| |26D|||||||Work|0||||||||||||0|0|Descent from the Cross;Descendimiento| 4383.00|0|Creator|15|25|MC617-PA|26Pie|1|25 MC617-PA 26Pie 1|Pieta|Translated|Cataloger|Piedad|Published|Image Source (Pub)||||Pieta|30743|Master of the Claveles||painter|Master of the Claveles|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|||||15|||1466|1499|ca|ca 1466-1499|ca 1466-1499|||||0||||0|||||Tempera and oil on panel|tempera|oil paint|panel|||painting (image-making)|panel painting||||||9518|Segovia: Iglesia de San Miguel|Segovia: Igl. de San Miguel||Christ ; Passion of Christ ; Virgin Mary ; Pieta ; |Christ|Passion of Christ|Virgin Mary|Pieta||||||Cornell||ElA|MNW|8/5/2005 0:00:00|7/13/2005 0:00:00|MC617|||0|||||||25|PA||||||| |26Pie|||||||Work|0||||||||||||0|0|Pieta;Piedad|Master of the Claveles 4384.00|0||||||||Walking, Crying Doll|Assigned|Image Source (Pub)|||||||Walking, Crying Doll|30744|Steiner, Jules Nicolas||designer|Jules Nicolas Steiner|0||||0|||||French||||||||France||||||0||||0||||0||||0|Objects|Toy||||19|||1860|1860|ca|ca 1860|ca 1860-1860|||||0||||0|||||Wax over composition|wax|||||molding|||||51 cm High||4158|London: Sotheby Parke Bernet & Company|London: Sotheby's||Toys (recreational artifacts) ; Baby dolls ; |Toys (recreational artifacts)|Baby dolls||||||||Cornell||JNK|MNW|7/29/2005 0:00:00|7/13/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Walking, Crying Doll|Steiner, Jules Nicolas 4385.00|0|Creator|15|25A|S733-SC|28D|1|25A S733-SC 28D 1|Christ Lying Down|Translated|Cataloger|Cristo yacente|Published|Image Source (Pub)||||Christ Lying Down|0|||||0||||0|||||Spanish|||Medieval|||||Spain||||||0||||||||0||||0|Sculpture|Sculpture||||14|||1400|1499|ca|ca 1400-1499|ca 1400-1499|||||0||||0|||||Painted wood|wood|paint||||sculpture|||||163 cm long||9519|Zamarramala: Iglesia de Santa María Magdalena.|Zamarramala: Igl. de Santa María Magdalena||Christ ; |Christ|||||||||Cornell||ElA|MNW|8/5/2005 0:00:00|7/13/2005 0:00:00|S733|||0|||||||25A|SC||||||| |28D|||||||Work|0||||||||||||0|0|Christ Lying Down;Cristo yacente| 4386.00|0|Creator|15|25A|S733-SC|20T|1|25A S733-SC 20T 1|Relief with the Holy Trinity|Translated|Cataloger|Relieve con La Trinidad|Published|Image Source (Pub)||||Relief with the Holy Trinity|0|||||0||||0|||||Spanish|||Medieval|||||Spain||||||0||||||||0||||0|Sculpture|Sculpture|Relief|||15|||1420|1450||1420-1450|1420-1450|||||0||||0|||||Alabaster with paint|alabaster|paint||||sculpture|relief||||50 x 26 x 5 cm||9520|Avila: Santa Iglesia Cathedral|Avila: Cathedral||Holy Trinity ; Christ ; Crucifixion ; |Holy Trinity|Christ|Crucifixion|||||||Cornell||ElA|MNW|8/5/2005 0:00:00|7/13/2005 0:00:00|S733|||0|||||||25A|SC||||||| |20T|||||||Work|0||||||||||||0|0|Relief with the Holy Trinity;Relieve con La Trinidad| 4387.00|0|Creator|15|32|D317-SC|1878|L778|32 D317-SC 1878 L778|Little Dancer Aged Fourteen|Assigned|Image Source (Pub)|||||||Little Dancer Aged Fourteen|3026|Degas, Edgar||painter|Edgar Degas|0||||0|||||French|||Impressionist|||||France||||||0||||0||||0||||0|Sculpture|Sculpture||||19|||1878|1881||1878-1881|1878-1881|||||0||||0|||||Wax and fabric|wax|||||sculpture|||||99 cm High||3367|Washington, DC: National Gallery of Art|Wash, DC: National Gallery||Dancers ; Ballet dancers ; |Dancers|Ballet dancers||||||||Cornell||JNK|MNW|7/29/2005 0:00:00|7/13/2005 0:00:00|D317|||0||1999.80.28|||||32|SC||||||1878| |L778|||||||Work|0||||||||||||0|0|Little Dancer Aged Fourteen|Degas, Edgar 4388.00|0|Creator|05|J-Disderi||15||J-Disderi 15 |Les jambes de l'opera|Assigned|Image Source (Pub)|||||||Les jambes de l'opera|3185|Disderi, Andre Adolphe-Eugene||photographer|Andre Adolphe-Eugene Disderi|0||||0|||||French||||||||France||||||0||||0||||0||||0|Photographs|Photographic print||||19|||1870|1870|ca|ca 1870|ca 1870-1870|||||0||||0|||||Albumen print||||||photography|albumen process||||8.8 x 5.1 cm||3675|Rochester, NY: International Museum of Photography at George Eastman House|Rochester: George Eastman House||Operas ; Legs ; Ballet dancers ; |Operas|Legs|Ballet dancers|||||||Cornell||JNK|MNW|8/10/2005 0:00:00|7/13/2005 0:00:00|Disderi|||0||81:1226:0002|||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Les jambes de l'opera|Disderi, Andre Adolphe-Eugene 4389.00|0|Creator|15|32|D241-G|1840|4|32 D241-G 1840 4|C'est unique! J'ai pris quatre tailles, juste comme celle-là dans ma vie; Fifine ma première! Cocotte, cette gueuse de Cocotte! La grande Mimi, et mon épouse là haut dans le coin.(no. 17)|Inscribed|Image Source (Pub)|It's unique! I've had my arm around four waists, just like those, in my life; Fifine, my first! Coco|Translated|Image Source (Pub)||||Emotions Parisiennes. C'est unique! J'ai pris quatre tailles…|2891|Daumier, Honore||printmaker|Honore Daumier|0||||0|||||French||||||||France||||||0||||0||||0||||0|Prints|Caricature|Lithograph|||19|||1840|1840||1840|1840-1840||Emotions Parisiennes|Larger entity||4390||||0|||||Lithograph|ink|paper||||lithography|||||||3670|New York: New York Public Library|New York: NYPL||Caricatures ; Corsets ; |Caricatures|Corsets||||||||Cornell||JNK|MNW|7/25/2005 0:00:00|7/13/2005 0:00:00|D241|||0|||||||32|G||||||1840| ||||||||Work|0||Published in "Le Charivari", February 7, 1840.|||||It's unique! I've had my arm around four waists, just like those, in my life; Fifine, my first! Cocotte, that wench, Cocotte! Big Mimi, and my wife up ther ein the corner - translation.|||||0|0|No. 17: C'est unique! J'ai pris quatre tailles, juste comme celle-là dans ma vie; Fifine ma première! Cocotte, cette gueuse de Cocotte! La grande Mimi, et mon épouse là haut dans le coin.|Daumier, Honore 4390.00|0||||||||Emotions Parisiennes|Series|Image Source (Pub)|Parisian Emotions|Translated|Image Source (Pub)||||Emotions Parisiennes|2891|Daumier, Honore||printmaker|Honore Daumier|0||||0|||||French||||||||France||||||0||||0||||0||||0|Prints|Lithograph|Caricature|||19|||1840|1840||1840|1840-1840|||||0||||0|||||||||||lithography|||||||||||Caricatures ; |Caricatures|||||||||Cornell||JNK|MNW|7/25/2005 0:00:00|7/13/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Emotions Parisiennes;Parisian Emotions|Daumier, Honore 4391.00|0||||||||Actualités|Series|Image Source (Pub)|Current Events|Translated|Image Source (Pub)||||Actualités|2891|Daumier, Honore||printmaker|Honore Daumier|0||||0|||||French||||||||France||||||0||||0||||0||||0|Prints|Lithograph|Caricature|||19|||1857|1857||1857|1857-1857|||||0||||0|||||||||||lithography|||||||||||caricatures ; |caricatures|||||||||Cornell||JNK|JNK|7/13/2005 0:00:00|7/13/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Actualités;Current Events|Daumier, Honore 4392.00|0|Creator|15|32|D241-G|1857|1|32 D241-G 1857 1|Saprelotte! Si les femmes continuent à porter des jupons en acier, on fera bien d'inventer, pout leur donner le bras, des hommes en caoutchouc (No. 347).|Inscribed|Image Source (Pub)|Great Heavens! If women go on wearing steel petticoats, they'd better invent rubber men to give them|Translated|Image Source (Pub)||||Actualités. Saprelotte! Si les femmes continuent à porter des juons en acier…|2891|Daumier, Honore||printmaker|Honore Daumier|0||||0|||||French||||||||France||||||0||||0||||0||||0|Prints|Lithograph|Caricature|||19|||1857|1857||1857|1857-1857||Actualités|Larger entity||4391||||0|||||Lithograph|imk|paper||||lithography|||||||3639|Waltham: Brandeis University; Rose Art Museum|Waltham: Brandeis Univ.; Rose Art Mus.||Caricatures ; Fashion (concept) ; |Caricatures|Fashion (concept)||||||||Cornell||JNK|MNW|7/25/2005 0:00:00|7/13/2005 0:00:00|D241|||0|||||||32|G||||||1857| ||||||||Work|0||Published in "Le Charivari," 19 August and 9 S September1851|||||Great Heavens! If women go on wearing steel petticoats, they'd better invent rubber men to give them their arm. - translation.|||||0|0|Saprelotte! Si les femmes continuent à porter des jupons en acier, on fera bien d'inventer, pout leur donner le bras, des hommes en caoutchouc (No. 347).;Great Heavens! If women go on wearing steel petticoats, they'd better invent rubber men to give them|Daumier, Honore 4393.00|0||||||||Types parisiens|Series|Image Source (Pub)|Parisian types|Translated|Image Source (Pub)||||Types parisiens|2891|Daumier, Honore||printmaker|Honore Daumier|0||||0|||||French||||||||France||||||0||||0||||0||||0|Prints|Lithograph|Caricature|||19|||1839|1839||1839|1839-1839|||||0||||0|||||Lithographs||||||lithography|||||||||||Caricatures ; |Caricatures|||||||||Cornell||JNK|JNK|7/13/2005 0:00:00|7/13/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Types parisiens;Parisian types|Daumier, Honore 4394.00|0|Creator|15|32|D241-G|1839|3|32 D241-G 1839 3|Intérieur d'un omnibus. Entre un homme ivre et un charcutier, No. 8|Inscribed|Image Source (Pub)|Interior of an omnibus. Between a drunk man and a pork-butcher|Translated|Image Source (Pub)||||Types parisiens. Intérieur d'un omnibus. Entre un homme ivre et un charcutier, No. 8|2891|Daumier, Honore||printmaker|Honore Daumier|0||||0|||||French||||||||France||||||0||||0||||0||||0|Prints|Lithograph|Caricature|||19|||1839|1839||1839|1839-1839||Types parisiens|Larger entity||4393||||0|||||Lithograph|ink|paper||||lithography|||||||3670|New York: New York Public Library|New York: NYPL||Caricatures ; Men (male humans) ; Women ; Omnibuses ; |Caricatures|Men (male humans)|Women|Omnibuses||||||Cornell||JNK|MNW|7/25/2005 0:00:00|7/13/2005 0:00:00|D241|||0|||||||32|G||||||1839| ||||||||Work|0||Published in "La Caricature," November 13, 1839.|||||Interior of an omnibus. Between a drunk man and a pork-butcher. - translation.|||||0|0|Intérieur d'un omnibus. Entre un homme ivre et un charcutier, No. 8;Interior of an omnibus. Between a drunk man and a pork-butcher|Daumier, Honore 4395.00|0||||||||Les Bas-Bleus|Series|Image Source (Pub)|The bluestockings|Translated|Image Source (Pub)||||Les Bas-Bleus|2891|Daumier, Honore||printmaker|Honore Daumier|0||||0|||||French||||||||France||||||0||||0||||0||||0|Prints|Lithograph|Caricature|||19|||1844|1844||1844|1844-1844|||||0||||0|||||Lithographs||||||lithography|||||||||||Caricatures ; |Caricatures|||||||||Cornell||JNK|JNK|7/13/2005 0:00:00|7/13/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Les Bas-Bleus;The bluestockings|Daumier, Honore 4396.00|0|Creator|15|32|D241-G|1844|2|32 D241-G 1844 2|Une femme comme moi…remettre un bouton?...vous êtes fou!... - Allons bon!...voilà qu'elle ne se contente plus de porter les coulottes..il faut encore qu'elle me les jette à la tête! No. 28|Inscribed|Image Source (Pub)|A woman like me…sew on a button?...you're crazy!... - She is no longer satisfied with wearing the|Translated|Image Source (Pub)||||Les Bas-Bleus. Une femme comme moi…remettre un bouton?...vous êtes fou!..., No. 28.|2891|Daumier, Honore||printmaker|Honore Daumier|0||||0|||||French||||||||France||||||0||||0||||0||||0|Prints|Lithograph|Caricature|||19|||1844|1844||1844|1844-1844||Les Bas-Bleus|Larger entity||4395||||0|||||Lithograph|ink|paper||||lithography|||||||3639|Waltham: Brandeis University; Rose Art Museum|Waltham: Brandeis Univ.; Rose Art Mus.||Caricatures ; Marriage ; Women ; Bluestocking ; Feminism ; |Caricatures|Marriage|Women|Bluestocking|Feminism|||||Cornell||JNK|MNW|7/26/2005 0:00:00|7/13/2005 0:00:00|D241|||0|||||||32|G||||||1844| ||||||||Work|0||Published in "Le Charivari," May 23, 1844.|||||- A woman like me…sew on a button?...you're crazy!... - She is no longer satisfied with wearing the pants in the family…she needs to throw them in my face too! - translation|||||0|0|No. 28: - Une femme comme moi…remettre un bouton?...vous êtes fou!... - Allons bon!...voilà qu'elle ne se contente plus de porter les coulottes..il faut encore qu'elle me les jette à la tête!|Daumier, Honore 4397.00|0||||||||Les Femmes socialistes|Series|Image Source (Pub)|Socialist women|Translated|Image Source (Pub)||||Les Femmes socialistes|2891|Daumier, Honore||printmaker|Honore Daumier|0||||0|||||French||||||||France||||||0||||0||||0||||0|Prints|Lithograph|Caricature|||19|||1849|1849||1849|1849-1849|||||0||||0|||||Lithographs||||||lithography|||||||||||Caricatures ; Women ; |Caricatures|Women||||||||Cornell||JNK|JNK|7/13/2005 0:00:00|7/13/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Les Femmes socialistes;Socialist women|Daumier, Honore 4398.00|0|Creator|15|32|D241-G|1849|1|32 D241-G 1849 1|L'Insurrection contre les maris est proclamée le plus saint des devoirs! No. 1.|Assigned|Image Source (Pub)|Insurrection against husbands is proclaimed th holiest of duties|Translated|Image Source (Pub)||||Les Femmes socialistes. L'Insurrection contre les maris est proclamée le plus saint des devoirs! No. 1.|2891|Daumier, Honore||printmaker|Honore Daumier|0||||0|||||French||||||||France||||||0||||0||||0||||0|Prints|Lithograph|Caricature|||19|||1849|1849||1849|1849-1849||Les Femmes socialistes|Larger entity||4397||||0|||||Lithograph|ink|paper||||lithography|||||||3639|Waltham: Brandeis University; Rose Art Museum|Waltham: Brandeis Univ.; Rose Art Mus.||Women ; Caricatures ; |Women|Caricatures||||||||Cornell||JNK|MNW|7/25/2005 0:00:00|7/13/2005 0:00:00|D241|||0|||||||32|G||||||1849| ||||||||Work|0||Published in "Le Charivari," April 20, 1849.||||||||||0|0|L'Insurrection contre les maris est proclamée le plus saint des devoirs! No. 1.;Insurrection against husbands is proclaimed th holiest of duties|Daumier, Honore 4399.00|0|Creator|15|25|B474-PA|26|1|25 B474-PA 26 1|Altarpiece of the Gallo Family|Published|Image Source (Pub)|||||||Altarpiece of the Gallo Family|30745|Benson, Ambrosius||painter|Ambrosius Benson|0||||0|||||Netherlandish|Spanish||Renaissance|||||Holland||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|||16|||1550|1550||1550|1550-1550|||||0||||0|||||Two oil panels on oak|oil paint|panel|oak|||painting (image-making)|panel painting||||45.5 x 41.5 cm||9521|Burgos: Church of San Juan. Castrojeriz|Burgos: Church of San Juan||Christ ; Saint Gregory ; Crucifixion ; Passion of Christ ; Annunciation ; Visitation ; |Christ|Saint Gregory|Crucifixion|Passion of Christ|Annunciation|Visitation||||Cornell||ElA|MNW|8/1/2005 0:00:00|7/14/2005 0:00:00|B474|||0|||||||25|PA||||||| |26|||||||Work|0||||||||||||0|0|Altarpiece of the Gallo Family|Benson, Ambrosius 4400.00|0|Creator|15|32|D241-G|1832|4|32 D241-G 1832 4|Masks of 1831, Plate 143, "La Caricature," no. 71, 8 March 1832|Assigned|Image Source (Pub)|Masques de 1831|Original|Image Source (Pub)||||Masks of 1831, Plate 143, "La Caricature," no. 71, 8 March 1832|2891|Daumier, Honore||printmaker|Honore Daumier|0||||0|||||French||||||||France||||||0||||0||||0||||0|Prints|Lithograph||||19|||1832|1832||1832, 8 March|1832-1832|||||0||||0|||||Lithograph|ink|paper||||printing|lithography||||21.2 x 29 cm||9336|Saint-Denis: Musée d'Art et d'Histoire|S. Denis: Musée d'Art et d'Histoire||Masks ; Kings (people) ; Politicians ; Pears ; |Masks|Kings (people)|Politicians|Pears||||||Cornell||JNK|MNW|7/29/2005 0:00:00|7/14/2005 0:00:00|D241|||0|||||||32|G||||||1832| ||||||||Work|0||LD 42 (Delteil)||||||||||0|0|Masks of 1831, Plate 143, "La Caricature," no. 71, 8 March 1832;Masques de 1831|Daumier, Honore 4421.00|0|Creator|15|25|M533-PA|D4232||25 M533-PA D4232 |Deposition|Translated|Cataloger|||||||Deposition Diptych. Deposition|7863|Memling, Hans||painter|Hans Memling|0||||0|||||German|Spanish||Medieval|||||Germany||||||0||||||||0||||0|Paintings|Painting|Panel (wood)|||15|||1492|1494|ca|ca 1492-1494|ca 1492-1494||Deposition Diptych|||4589||||0|||||Oil on panel|oil paint|panel||||painting (image-making)|||||53.6 x 38.2 cm||982|Granada: Capilla Real|Granada: Capilla Real||Christ ; Passion of Christ ; Deposition ; |Christ|Passion of Christ|Deposition|||||||Cornell||ElA|JNK|1/6/2006 0:00:00|7/15/2005 0:00:00|M533|||0|||||||25|PA||13||||| |D4232|||||||Work|0||||||||||||0|0|Deposition|Memling, Hans 4422.00|0|Manuscript|15|05|L848|M004.5||05 L848 M004.5 |Breviario de Isabel la Católica|Published|Image Source (Pub)|Breviary of Isabel the Catholic|Translated|Cataloger||||Breviario de Isabel la Católica|0|||||0||||0|||||Spanish|||Medieval|||||Spain||||||0||||||||0||||0|Manuscripts|Illumination (layout feature)||||15|||1475|1499|ca|late 15th century|ca 1475-1499|||||0||||0|||||||||||illumination|||||||1512|London: British Library|London: British Library||||||||||||Cornell||ElA|MNW|8/11/2005 0:00:00|7/15/2005 0:00:00||L848||0|||||||05|||||||| |M004.5|||||||Work|0||||||||||||0|0|Breviario de Isabel la Católica;Breviary of Isabel the Catholic| 4423.00|0|Category|11|S-12|||1|S-12 1|Reliquary of the Tree of Jesse|Translated|Cataloger|Relicario del Arbol de Jesé|Published|Image Source (Pub)||||Reliquary of the Tree of Jesse|0|||||0||||0|||||Spanish|||Medieval|||||Spain||||||0||||||||0||||0|Objects|Reliquary||||15|||1400|1499||15th century|1400-1499|||||0||||0||||||||||||||||||982|Granada: Capilla Real|Granada: Capilla Real||reliquary ; Tree of Jesse ; Sculpture (visual work) ; |reliquary|Tree of Jesse|Sculpture (visual work)|||||||Cornell||ElA|MNW|8/4/2005 0:00:00|7/15/2005 0:00:00||||0|||||||S|||12||||| ||||||||Work|0||||||||||||0|0|Reliquary of the Tree of Jesse;Relicario del Arbol de Jesé| 4424.00|0|Manuscript|15|05|M184|M00090||05 M184 M00090 |Misal Rico de Cisneros|Assigned|Image Source (Pub)|||||||Misal Rico de Cisneros|0|||||0||||0|||||Spanish|||Medieval|||||Spain||||||0||||||||0||||0|Paintings|Illumination (layout feature)|Manuscript|||16|||1503|1518|ca||ca 1503-1518|||||0||||0|||||Illuminated manuscript||||||illumination|||||48.5 x 34 cm||1607|Madrid: Biblioteca Nacional|Madrid: Bibl. Nac.||||||||||||Cornell||ElA|MNW|8/11/2005 0:00:00|7/15/2005 0:00:00||||0|||||||05|M00090||||||| ||||||||Work|0||||||||||||0|0|Misal Rico de Cisneros| 4425.00|0|Creator|15|25|V127-SC|26Cru|1|25 V127-SC 26Cru 1|Crucifixion|Translated|Cataloger|Crucificado|Published|Image Source (Pub)||||Crucifixion (Crucificado)|30749|Vahia, Alejo de||sculptor|Alejo de Vahia|0||||0|||||Spanish|||Medieval|||||Spain||||||0||||||||0||||0|Sculpture|||||15|16||1490|1510|ca|ca 1490-1510|ca 1490-1510|||||0||||0|||||Wood sculpture|wood|||||sculpture|||||||9526|Barcelona, Museu Frederic Marés|Barcelona, Mus. Marés||Christ ; Crucifixes ; Crucifixion ; |Christ|Crucifixes|Crucifixion|||||||Cornell||ElA|MNW|8/4/2005 0:00:00|7/15/2005 0:00:00|V127|||0|||||||25|SC||||||| |26Cru|||||||Work|0||||||||||||0|0|Crucifixion;Crucificado|Vahia, Alejo de 4427.00|0|Creator|15|25A|S733-SC|28 S|1|25A S733-SC 28 S 1|Retablo de Montearagón|||||||||Retablo de Montearagón|0|||||0||||0|||||Spanish|||Medieval|||||Spain||||||0||||||||0||||0|Sculpture|Altarpiece|Retablo|||15|||1400|1499|ca|15th century|ca 1400-1499|||||0||||0|||||||||||sculpture|||||||9528|Huesca: Museo Diocesano|Huesca: Mus. Diocesano||Sculpture (visual work) ; Altars ; Man of Sorrows ; Christ ; |Sculpture (visual work)|Altars|Man of Sorrows|Christ||||||Cornell||ElA|MNW|8/4/2005 0:00:00|7/15/2005 0:00:00|S733|||0|||||||25A|SC||||||| |28 S|||||||Work|0||||||||||||0|0|Retablo de Montearagón| 4428.00|0|Creator|15|25A|S733-PA|34|1|25A S733-PA 34 1|Retablo de Maese Rodrigo|Published|Image Source (Pub)|||||||Retablo de Maese Rodrigo|0|||||0||||0|||||Spanish|||Medieval|||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo||||||1475|1499|ca|late 15th century|ca 1475-1499|||||0||||0|||||||||||painting (image-making)|||||||9529|Seville: Colegio de Santa María|Seville: Colegio S María||Altars ; Virgin and Child ; Saints ; |Altars|Virgin and Child|Saints|||||||Cornell||ElA|CLL|8/23/2005 0:00:00|7/15/2005 0:00:00|S733|||0|||||||25|PA||||||| |34|||||||Work|0||||||||||||0|0|Retablo de Maese Rodrigo| 4429.00|0|Site|02|B-H5|Zam|3.1 Cath|7-1|B-H5 Zam 3.1 Cath 7-1|Sepulchre of Juan of Grado|Translated|Cataloger|Sepulcro de Juan de Grado|Published|Image Source (Pub)||||Cathedral of Zamora. Sepulchre of Juan of Grado|0|||||0||||0|||||Spanish|||Medieval|||||Spain||||||0|Zamora, Spain|||10537||||0||||0|Sculpture|Tomb||||15|||1400|1499|ca|15th century|ca 1400-1499||Cathedral of Zamora|LargerEntity||4591||||0||||||||||||||||||||||Tombs ; |Tombs|||||||||Cornell||ElA|MNW|8/4/2005 0:00:00|7/15/2005 0:00:00||Zam||0||||||cath|B|||||H5|3.1|| ||||||||Work|0|Architecture-Spain|||||||||||0|0|Sepulchre of Juan of Grado;Sepulcro de Juan de Grado| 4433.00|0|Creator|15|25A|S733-PA|7S|1A 1|25A S733-PA 7S 1A 1|Supposed Portrait of the Duke of Infantado|Translated|Cataloger|Supuesto retrato del duque del Infantado|Published|Image Source (Pub)|||||0|||||0||||0|||||Spanish|||Medieval|||||Spain||||||0||||||||0||||0|Paintings|Retablo|Altarpiece|Portrait|||||1450|1499|ca|Second half 15th century|ca 1450-1499||Retablo de Sopetrán|||4597||||0|||||||||||painting (image-making)|||||||1616|Madrid: Museo del Prado|Madrid: Prado||Portraits ; Altars ; |Portraits|Altars||||||||Cornell||ElA|MNW|12/11/2005 0:00:00|7/15/2005 0:00:00|S733|||0|||||||25A|PA||||||| |7S|||||||Work|0||||||||||||0|0|Supposed Portrait of the Duke of Infantado;Supuesto retrato del duque del Infantado| 4434.00|0|Creator|15|Ren|P|Juan de Flandes||25 F584-PA 22 1A 1|Adoration of the Magi|Published|Dict.Art|Epifanía|Published|Image Source (Pub)||||Retable of Cervera de Pisuerga. Epifanía|30700|Flandes, Juan de|follower of|painter|Juan de Flandes|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|Panel (wood)|Retablo|Altarpiece||15|||1496|1519|ca|ca 1496-1519|ca 1496-1519||Retable of Cervera de Pisuerga|||4639||||0|||||||||||painting (image-making)|||||||9564|Cervera de Pisuerga: Santa Maria|Cervera de Pisuerga: S. Maria||Epiphany ; Madonna and Child ; Virgin Mary ; Christ ; Adoration of the Magi ; |Epiphany|Madonna and Child|Virgin Mary|Christ|Adoration of the Magi|||||Cornell||ElA|MNW|8/4/2005 0:00:00|7/15/2005 0:00:00|Juan de Fl|||0|||||||Ren|P||||||| ||||||||Work|0||||||||||||0|0|Adoration of the Magi;Epifanía|Flandes, Juan de 4435.00|0|Manuscript|15|05|E749|00004|1|05 E749 00004 1|Geneological Tree of Juan II|Translated|Cataloger|Árbol genealógico de Juan II|Published|Image Source (Pub)||||Geneological Tree of Juan II|0|||||0||||0|||||Spanish|||Medieval|||||Spain||||||0||||||||0||||0|Paintings|Genealogical table|Illumination (layout feature)|||15|||1406|1454|ca|ca 1406-1454|ca 1406-1454|||||0||||0|||||||||||illumination|||||||1608|San Lorenzo de El Escorial: El Escorial|San Lorenzo de El Escorial: El Escorial||Genealogies ; Juan II, King of Castile and Leon, 1405-1454 ; |Genealogies|Juan II, King of Castile and Leon, 1405-1454||||||||Cornell||ElA|MNW|8/17/2005 0:00:00|7/15/2005 0:00:00|E749|||0|||||||05|||||||| |00004|||||||Work|0||||||||||||0|0|Geneological Tree of Juan II;Árbol genealógico de Juan II| 4436.00|0|Creator|15|25A|S733-PA|26Pie|2|25A S733-PA 26Pie 2|Pieta of the Catholic Kings|Translated|Cataloger|Piedad de los Reyes Católicos|Popular|Image Source (Pub)||||Pieta of the Catholic Kings (Piedad de los Reyes Católicos)|0|||||0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|||||15|||1400|1499|ca|15th century|ca 1400-1499|||||0||||0|||||Panel|panel|||||painting (image-making)|||||||983|Granada: Cathedral|Granada: Cathedral||Christ ; Passion of Christ ; Lamentation over the Dead Christ ; Virgin Mary ; Pieta ; Saint John the Evangelist ; |Christ|Passion of Christ|Lamentation over the Dead Christ|Virgin Mary|Pieta|Saint John the Evangelist||||Cornell||ElA|MNW|8/8/2005 0:00:00|7/18/2005 0:00:00|S733|||0|||||||25A|PA||||||| |26Pie||||||||0||||||||||||0|0|Pieta of the Catholic Kings;Piedad de los Reyes Católicos| 4401.00|0|Creator|15|25|MS226.2-PA|34|1|25 MS226.2-PA 34 1|Triptych of Madonna and Child|Descriptive|Image Source (Pub)|Tríptych de la Virgen con el Niño|Descriptive|Image Source (Pub)|||||30746|Maestro de la Sangre|attributed to|painter|Maestro de la Sangre (attributed to)|0||||0|||||Spanish|||Early Renaissance|||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|Triptych||16|||1500|1525|ca|ca 1500-1525|ca 1500-1525|||||0||||0|||||Oil on panel|oil paint|panel||||painting (image-making)|panel painting||||centerpiece: 117.5 x 85 cm; side panels: 117.5 x 43.5 c||9247|Segovia: Cathedral Museum|Segovia: Cathedral Museum||Christ ; Virgin Mary ; Madonna and child ; Birth and youth of Christ ; |Christ|Virgin Mary|Madonna and child|Birth and youth of Christ||||||Cornell||ElA|MNW|8/25/2005 0:00:00|7/14/2005 0:00:00|MS226.2|||0|||||||25|PA||||||| |34|||||||Work|0||||||||||||0|0|Triptych of Madonna and Child;Tríptych de la Virgen con el Niño|Maestro de la Sangre 4402.00|0|Creator|15||||||Choir Book "Antiphonic. Easter Time"|Descriptive|Image Source (Pub)|Cantoral "Antifonario. Tiempo de Pascua"|Descriptive|Image Source (Pub)|Codex G|||Choir Book "Antiphonic. Easter Time"|30747|Master of the Burgo de Osma||painter|Master of the Burgo de Osma|0||||0|||||Spanish|||Early Renaissance|||||Spain||||||0||||||||0||||0|Illuminated Manuscripts|Illumination (layout feature)||||16|||1500|1550|ca|ca 1500-1550|ca 1500-1550|||||0||||0|||||Watercolor miniatures on parchment, with tones of gold|parchment|watercolor paint|gold|||illumination|||||86 x 60 cm||9149|El Burgo de Osma: Cathedral Archive|El Burgo de Osma: Cath.Archive||Christ ; Ascension ; |Christ|Ascension||||||||Cornell||ElA|MNW|8/2/2005 0:00:00|7/14/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Choir Book "Antiphonic. Easter Time";Cantoral "Antifonario. Tiempo de Pascua";Codex G|Master of the Burgo de Osma 4404.00|0||||||||Les Divorceuses|Series|Image Source (Pub)|||||||Les Divorceuses|2891|Daumier, Honore||printmaker|Honore Daumier|0||||0|||||French||||||||France||||||0||||0||||0||||0|Prints|Lithograph|Caricature|||19|||1848|1848||1848|1848-1848|||||0||||0|||||Lithographs||||||lithography|||||||||||Caricatures ; Divorce ; |Caricatures|Divorce||||||||Cornell||JNK|JNK|7/14/2005 0:00:00|7/14/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Les Divorceuses|Daumier, Honore 4405.00|0|Creator|15|32|D241-G|1848|1|32 D241-G 1848 1|Women Citizens…a Report is Spreading That Soon We Will Be Refused a Law for Divorce…Let's Organize Ourselves Here Permanently and Declare That the Nation is in Danger!, No. 1|Assigned|Image Source (Pub)|Citoyennes…on fait courir le bruit que le divorce est sur le point de nous être refusé…constituons n|Original|Image Source (Pub)||||Les Divorceuses. Women Citizens…a Report is Spreading…, No. 1|2891|Daumier, Honore||printmaker|Honore Daumier|0||||0|||||French||||||||France||||||0||||0||||0||||0|Prints|Lithograph|Caricature|||19|||1848|1848||1848|1848-1848||Les Divorceuses|Larger entity||4404||||0|||||Lithograph on heavy white paper|ink|paper||||lithography|||||25 x 21 cm||9523|Paris: Bibliothèque de l’Ecole Nationale Supérieure des Beaux-Arts|Paris: L'Ecole Nationale BA; Bibliothèque||Divorce ; Women ; Protests ; |Divorce|Women|Protests|||||||Cornell||JNK|MNW|7/29/2005 0:00:00|7/14/2005 0:00:00|D241|||0||PC 26 894|||||32|G||||||1848| ||||||||Work|0||LD 1769 (Delteil catalog). Published in "Le Charivari, 4 August 1848||||||||||0|0|Women citizens…a report is spreading that soon we will be refused a law for divorce…Let's organize ourselves here permanently and declare that the nation is in danger!|Daumier, Honore 4406.00|0||||||||Croquis d'hiver|Series|Image Source (Pub)|Sketches of winter|Translated|Cataloger||||Croquis d'hiver|2891|Daumier, Honore||printmaker|Honore Daumier|0||||0|||||French||||||||France||||||0||||0||||0||||0|Prints|Lithograph||||19|||1858|1858||1858|1858-1858|||||0||||0|||||Lithographs||||||lithography|||||||||||Winter ; |Winter|||||||||Cornell||JNK|JNK|7/14/2005 0:00:00|7/14/2005 0:00:00|D241|||0||||||||||||||||||||||||0||||||||||||0|0|Croquis d'hiver;Sketches of winter|Daumier, Honore 4407.00|0|Creator|15|32|D241-G|1858|1|32 D241-G 1858 1|The Crinoline in Winter - Fair Lady…Shall I Sweep You off?, No. 1.|Assigned|Image Source (Pub)|La crinoline en temps de neige - Ma belle dame…faut-y vous donner un coup d'balai?|Inscribed|Image Source (Pub)||||Croquis d'hiver.The Crinoline in Winter - Fair Lady…shall I sweep you off?, No. 1.|2891|Daumier, Honore||printmaker|Honore Daumier|0||||0|||||French||||||||France||||||0||||0||||0||||0|Prints|Lithograph||||19|||1858|1858||1858|1858-1858||Croquis d'hiver|Larger entity||4406||||0|||||Lithograph on heavy white paper; second state of two|ink|paper||||lithography|||||26.1 x 22.1 cm||2171|Paris: Bibliotheque Nationale; Cabinet des Estampes|Paris: Bib. Nat.; Cab. des Estampes||Women ; Winter ; |Women|Winter||||||||Cornell||JNK|MNW|7/29/2005 0:00:00|7/14/2005 0:00:00|D241|||0||DC. 180b rés. Tome 61|||||32|G||||||1858| ||||||||Work|0||LD 3089 (Delteil catalog). Published in "Le Charivari," 13 November 1858||||||||||0|0|The Crinoline in Winter - Fair Lady…Shall I Sweep You off?, No. 1.;La crinoline en temps de neige - Ma belle dame…faut-y vous donner un coup d'balai?|Daumier, Honore 4408.00|0|Creator|15|32|D241-D|I61||32 D241-D I61 |Interior of an Omnibus|Assigned|Image Source (Pub)|Intérieur d'un omnibus|Original|Image Source (Pub)||||Interior of an Omnibus|2891|Daumier, Honore||printmaker|Honore Daumier|0||||0|||||French||||||||France||||||0||||0||||0||||0|Drawings|Drawing||||19|||1864|1864||1864|1864-1864|||||0||||0|||||Black chalk, pen and ink watercolour on wove paper|chalk|pen|ink|||drawing (image-making)|||||21.1 x 30.2 cm||233|Baltimore: Walters Art Gallery|Baltimore: Walters Art Gal.||Men (male humans) ; Women ; Omnibuses ; |Men (male humans)|Women|Omnibuses|||||||Cornell||JNK|JNK|7/14/2005 0:00:00|7/14/2005 0:00:00|D241|||0||37.1227|||||32|D||||||| |I61|||||||Work|0||Maison D-294||||||||||0|0|Interior of an Omnibus;Intérieur d'un omnibus|Daumier, Honore 4409.00|0|Creator|15|32|D241-D|T445|1|32 D241-D T445 1|Third-Class Carriage|Assigned|Image Source (Pub)|Intérieur d'un wagon de troisième classe|Original|Image Source (Pub)||||Third-Class Carriage|2891|Daumier, Honore||printmaker|Honore Daumier|0||||0|||||French||||||||France||||||0||||0||||0||||0|Drawings|Drawing||||19|||1864|1864||1864|1864-1864|||||0||||0|||||Conté crayon, wash, watercolour, and gouache on wove paper|Conte crayon|watercolors|gouache|||drawing (image-making)|||||21.2 x 34 cm||233|Baltimore: Walters Art Gallery|Baltimore: Walters Art Gal.||Men (male humans) ; Women ; Carriages ; |Men (male humans)|Women|Carriages|||||||Cornell||JNK|MNW|7/29/2005 0:00:00|7/14/2005 0:00:00|D241|||0||37.1226|||||32|D||||||| |T445|||||||Work|0||||||||||||0|0|Third-Class Carriage;Intérieur d'un wagon de troisième classe|Daumier, Honore 4410.00|0|Creator|15|32|D241-PA|T447|1|32 D241-PA T447 1|A Third-Class Carriage|Assigned|Image Source (Pub)|Un wagon de troisième classe|Original|Image Source (Pub)||||A Third-Class Carriage|2891|Daumier, Honore||printmaker|Honore Daumier|0||||0|||||French||||||||France||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||19|||1862|1864|ca|ca 1862-1864|ca 1862-1864|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||65.4 x 90.2 cm||3294|New York: Metropolitan Museum of Art|New York: Metropolitan||Men (male humans) ; Women ; Carriages ; |Men (male humans)|Women|Carriages|||||||Cornell||JNK|MNW|7/29/2005 0:00:00|7/14/2005 0:00:00|D241|||0||29.100.129|||||32|PA||||||| |T447|||||||Work|0||Maison I-165||||||||||0|0|A Third-Class Carriage;Un wagon de troisième classe|Daumier, Honore 4411.00|0|Creator|15|32|D241-D|D419|1|32 D241-D D419 1|Departure of the Clowns|Assigned|Image Source (Pub)|Le Déplacement des saltimbanques|Original|Image Source (Pub)||||Departure of the Clowns|2891|Daumier, Honore||printmaker|Honore Daumier|0||||0|||||French||||||||France||||||0||||0||||0||||0|Drawings|Drawing||||19|||1866|1867|ca|ca 1866-1867|ca 1866-1867|||||0||||0|||||Charcoal, grey wash, watercolour, and Conté crayon on wove paper|charcoal|watercolors|Conte crayon|||drawing (image-making)|||||36 x 27.1 cm||3381|Hartford: Wadsworth Atheneum|Hartford: Wadsworth Atheneum||Families ; Clowns ; |Families|Clowns||||||||Cornell||JNK|MNW|7/29/2005 0:00:00|7/14/2005 0:00:00|D241|||0||1928.273|||||32|D||||||| |D419|||||||Work|0||Maison D-550||||||||||0|0|Departure of the Clowns;Le Déplacement des saltimbanques|Daumier, Honore 4412.00|0|Creator|15|25|A3673-Rel|91||25 A3673-Rel 91|Lower Choir Stalls in the Toledo Cathedral|Translated|Dict.Art|Sillería del coro bajo|Published|Image Source (Pub)||||Lower Choir Stalls in the Toledo Cathedral|29787|Aleman, Rodrigo|||Rodrigo Aleman|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0|Toledo, Spain|||10310||||0||||0|Sculpture|Relief|Furniture|||15|||1495|1495|ca|ca 1495|ca 1495|||||0||||0|||||Walnut|walnut|||||sculpture|relief||||||2929|Toledo: Cathedral|Toledo: Cathedral||Sculpture (visual work) ; Reliefs ; Furniture ; |Sculpture (visual work)|Reliefs|Furniture|||||||Cornell||ElA|MNW|8/2/2005 0:00:00|7/15/2005 0:00:00|A3673|||0|||||||25|Rel||||||| ||||||||Work|0||The series of choir stalls depicts the Conquest of Granada (Blue Guide)||||||||||0|0|Lower Choir Stalls in the Toledo Cathedral;Sillería del coro bajo|Aleman, Rodrigo 4414.00|0|Creator|15|25A|S733-SC|95|1|25A S733-SC 95 1|Chalice of Fernando de Soto|Translated|Cataloger|Cáliz of Fernando de Soto|Published|Image Source (Pub)||||Chalice of Fernando de Soto|0|||||0||||0|||||Spanish|||Medieval|||||Spain||||||0||||||||0||||0|Objects|Chalice||||15|||1475|1499|ca|late 15th century|ca 1475-1499|||||0||||0||||||||||||||||||9524|Almuñécar: Iglesia de la Encarnación|Almuñécar: Igl. Encarnación||Chalices ; Liturgical objects ; |Chalices|Liturgical objects||||||||Cornell||ElA|MNW|8/2/2005 0:00:00|7/15/2005 0:00:00|S733|||0|||||||25A|SC||||||| |95|||||||Work|0||||||||||||0|0|Chalice of Fernando de Soto;Cáliz of Fernando de Soto| 4415.00|0|Period|02|B-H5|Tol|3.1 JuanR/Clo|7-1|B-H5 Tol 3.1 JuanR/Clo 7-1|Verónica Tympanum|Descriptive|Image Source (Pub)|||||||San Juan de Reyes. Cloister. Verónica Tympanum|0|||||0||||0|||||Spanish|||Medieval|Gothic (Medieval)||||Spain||||||0|Toledo, Spain|||10310||||0||||0|Sculpture|Relief|Tympana|||16|||1510|1510|ca|ca 1510|ca 1510-1510||Cloister|LargerEntity||4416||||0||||||||||||||||||9525|Toledo: San Juan de los Reyes|Toledo: San Juan de los Reyes||Saint Veronica ; Tympana ; |Saint Veronica|Tympana||||||||Cornell||ElA|MNW|8/3/2005 0:00:00|7/15/2005 0:00:00||Tol||0||||||JuanR/Clo|B|||||H5|3.1|| ||||||||Work|0|Architecture-Spain|Example of Florid Gothic in Spain. Found in the Cloisters. (Blue Guide)||||||||||0|0|Verónica Tympanum| 4416.00|0|Site|02|B-H5|Tol|3.1 JuanR/Clo||B-H5 Tol 3.1 JuanR/Clo |Cloister|Descriptive|Blue Guide|||||||San Juan de los Reyes. Cloister|0|||||0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0|Toledo, Spain|||10310||||||||0|Architecture|Cloister|Cathedral|||16|||1510|1510||1510-|1510-1510||San Juan de los Reyes|||4587||||0||||||||||||||||||||||Cathedral ; Cloisters ; |Cathedral|Cloisters||||||||Cornell||ElA|MNW|8/2/2005 0:00:00|7/15/2005 0:00:00||Tol||0||||||JuanR/Clo|B|||||H5|3.1|| ||||||||Work|0|Architecture-Spain|||||||||||0|0|Cloister| 4417.00|0|Site|02|B-H5|Bur|3.2 Mir||B-H5 Bur 3.2 Mir |Carthusian Monastery of Miraflores|Translated|Cataloger|Cartuja de Miraflores|Published|Blue Guide||||Cartuja de Miraflores (Carthusian Monastery of Miraflores)|0|||||0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0|Burgos, Spain|||10232||||0||||0|Architecture|Monastery|Church|||15|||1441|1451|ca|ca 1441-1451|ca 1441-1451|||||0||||0||||||||||||||||||||||Monasteries ; Burgos (Spain) ; Churches ; |Monasteries|Burgos (Spain)|Churches|||||||Cornell||ElA|MNW|8/9/2005 0:00:00|7/15/2005 0:00:00||Bur||0||||||Mir|B|||||H5|3.2|| ||||||||Work|0|Architecture-Spain|||||||||||0|0|Carthusian Monastery of Miraflores;Cartuja de Miraflores| 4418.00|0|Site|02|B-H5|Bur|3.2 Mira||B-H5 Bur 3.2 Mira|Sepulchre of Juan II and Isabel of Portugal|Translated|Image Source (Pub)|||||||Cartuja de Miraflores. Sepulchre of Juan II and Isabel of Portugal|30753|Siloe, Gil de||sculptor|Gil de Siloe|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0|Burgos, Spain|||10232||||0||||0|Sculpture|Tomb||||15|||1486|1496||1486-1496|1486-1496||Cartuja de Miraflores|||4417||||0|||||Marble sculpture|marble|||||sculpture|||||||||||Tombs ; Kings (people) ; Queens ; Juan II, King of Castile and Leon, 1405-1454 ; |Tombs|Kings (people)|Queens|Juan II, King of Castile and Leon, 1405-1454||||||Cornell||ElA|MNW|8/3/2005 0:00:00|7/15/2005 0:00:00||Bur||0||||||Mira|B|||||H5|3.2|| ||||||||Work|0|Architecture-Spain|||||||||||0|0|Sepulchre of Juan II and Isabel of Portugal|Siloe, Gil de 4437.00|0|Manuscript|15|05|S588|0001||05 S588- 0001 |Letter O with Crucifixion|Descriptive|Cataloger|||||||Carta de Hermandad. Letter O with Crucifixion|0|||||0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Illuminated Manuscripts|Illumination (layout feature)||||15|||1477|1477||1477|1477-1477||Carta de Hermandad|Larger entity||4601||||0|||||||||||illumination|||||||9534|Simancas: Archivo General de Simancas|Simancas: Archv General||Christ ; Illustrations ; Manuscripts ; Passion of Christ ; Crucifixion ; |Christ|Illustrations|Manuscripts|Passion of Christ|Crucifixion|||||Cornell||ElA|MNW|8/11/2005 0:00:00|7/18/2005 0:00:00|S588|||0|||||||05|||||||| |0001|||||||Work|0||||||||||||0|0|Letter O with Crucifixion| 4438.00|0|Creator|15|25A|S733-PA|26Cru|2|25A S733- 26Cru 2|Fountain of Life|Translated|Cataloger||Published|Image Source (Pub)||||Fountain of Life (Fuente de Vida)|0|||||0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|Oil painting||||16|||1500|1525|ca|early 16th century|ca 1500-1525|||||0||||0|||||||||||painting (image-making)|||||||9535|Oporto: Iglesia de la Misericordia|Oporto: Igl. Misericordia||Christ ; Passion of Christ ; Crucifixion ; Fountain of Life ; Manuel I, King of Portugal, 1469-1521 ; |Christ|Passion of Christ|Crucifixion|Fountain of Life|Manuel I, King of Portugal, 1469-1521|||||Cornell||ElA|MNW|8/8/2005 0:00:00|7/18/2005 0:00:00|S733|||0|||||||25A|PA||||||| |26Cru|||||||Work|0||Manuel I of Portugal and María, daughter of the Catholic Kings, represented at the foot of Christ as the Fountain of Life||||||||||0|0|Fountain of Life| 4439.00|0|Creator|15|25|P471.2-PA|26E|1|25 P471.2-PA 26E 1|Ecce Homo|Published|Image Source (Pub)|||||||Ecce Homo|9119|Perugino, Pietro|attributed to|painter|Pietro Perugino, attributed to|0||||0|||||Spanish|||Early Renaissance|||||Spain||||||0||||||||0||||0|Paintings|Painting|Oil painting|||15|||1450|1500|ca|ca 1450-1500|ca 1450-1500|||||0||||0|||||||||||painting (image-making)|||||||982|Granada: Capilla Real|Granada: Capilla Real||Ecce Homo ; Christ ; Passion of Christ ; |Ecce Homo|Christ|Passion of Christ|||||||Cornell||ElA|MNW|8/8/2005 0:00:00|7/18/2005 0:00:00|P471.2|||0|||||||25|PA||||||| |26E|||||||Work|0||||||||||||0|0|Ecce Homo|Perugino, Pietro 4440.00|0|Creator|15|25|G166-PA|26Pie|1|25 G166-PA 26Pie 1|Pieta|Translated|Cataloger|Piedad|Published|Image Source (Pub)||||Pieta (Piedad)|13208|Gállego, Fernando||painter|Fernando Gállego|0||||0|||||Spanish|||Early Renaissance|Medieval||||Spain||||||0||||||||0||||0|Paintings|Oil painting|Painting|Panel (wood)||15|||1470|1470|ca|ca 1470|ca 1470-1470|||||0||||0|||||Oil on panel|oil paint|panels (wood)||||painting (image-making)|||||118 x 102 cm||1616|Madrid: Museo del Prado|Madrid: Prado||Christ ; Passion of Christ ; Lamentation over the Dead Christ ; Virgin Mary ; Pieta ; |Christ|Passion of Christ|Lamentation over the Dead Christ|Virgin Mary|Pieta|||||Cornell||ElA|CLL|8/1/2006 0:00:00|7/18/2005 0:00:00|G166|||0|||||||25|PA||||||| |26Pie||||||||0||||||||||||0|0|Pieta;Piedad|Gállego, Fernando 4441.00|0|Creator|15|25|B5335-PA|33|2|25 B5335-PA 33 2|Virgin and Child|Translated|Cataloger|La Virgen con el Niño|Published|Image Source (Pub)||||Virgin and Child|13586|Berruguete, Pedro|attributed to||Pedro Berruguete|0||||0|||||Spanish|||Early Renaissance|Medieval||||Spain||||||0||||||||0||||0|Paintings|Painting|Oil painting|||15|16||1480|1500|ca|ca 1480-1500|ca 1480-1500|||||0||||0|||||||||||painting (image-making)|||||||1616|Madrid: Museo del Prado|Madrid: Prado||Madonna and Child ; Virgin Mary ; Christ ; |Madonna and Child|Virgin Mary|Christ|||||||Cornell||ElA|MNW|12/11/2005 0:00:00|7/18/2005 0:00:00|B5335|||0|||||||25|PA||||||| |33|||||||Work|0||||||||||||0|0|Virgin and Child;La Virgen con el Niño|Berruguete, Pedro 4442.00|0|Creator|15|25|C957-PA|31|1|25 C957-PA 31 1|Mater Misericordia with the Family of the Catholic Kings|Translated|Cataloger|Virgen de la Misericordia con la familia de los Reyes Católicos|Published|Image Source (Pub)||||Mater Misericordia with the Family of the Catholic Kings|29866|Cruz, Diego de la||painter|Diego de la Cruz and Workshop|0||||0|||||Spanish|||Medieval|||||Spain||||||0||||||||0||||0|Paintings|Painting|Oil painting|||15|||1485|1485|ca|ca 1485|ca 1485-1485|||||0||||0|||||||||||painting (image-making)|||||||505|Burgos: Real Monasterio de las Huelgas; Museo de Telas y Preseas|Burgos: Las Huelgas; Telas y Presea||Virgin Mary ; Mother of Mercy ; |Virgin Mary|Mother of Mercy||||||||Cornell||ElA|MNW|8/8/2005 0:00:00|7/18/2005 0:00:00|C957|||0|||||||25|PA||||||| |31|||||||Work|0||||||||||||0|0|Mater Misericordia with the Family of the Catholic Kings;Virgen de la Misericordia con la familia de los Reyes Católicos|Cruz, Diego de la 4443.00|0||||||||Regatta of Empire City Rowing Club at Harlem - The Ladies' Double-Scull Race|Assigned|Image Source (Pub)|||||||Frank Leslie's Illustrated Newspaper. Regatta of Empire City Rowing Club at Harlem - The Ladies' Double-Scull Race|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Prints|Wood engraving||||19|||1871|1871||1871, October 14|1871-1871||Frank Leslie's Illustrated Newspaper|Larger entity||4446||||0|||||Wood engraving||||||wood engraving (process)|printing||||||9536|Private Collection: Thomas E. Weil, Jr.|Priv. Coll: Thomas E. Weil, Jr.||Women ; Rowing ; Sports ; Rivers ; |Women|Rowing|Sports|Rivers||||||Cornell||JNK|MNW|3/31/2006 0:00:00|7/18/2005 0:00:00||||0||||||||||||||| |||||||||0||Published in Frank Leslie's Illustrated Newspaper, October 14, 1871, p. 69.||||||||||0|0|Regatta of Empire City Rowing Club at Harlem - The Ladies' Double-Scull Race| 4444.00|0|Creator|15|25|N165-PA|31|1A 1|25 N165-PA 31 1A 1|Mater Misericordia|Translated|Cataloger|Virgen de la Misericordia||||||Retablo de la vida de la Virgen. Mater Misericordia (Virgen de la Misericordia)|30750|Nalda, Juan de||painter|Juan de Nalda|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|Panel (wood)||16|||1500|1500|ca|ca 1500|ca 1500-1500||Retablo de la vida de la Virgen|Larger entity||4603||||0|||||||||||painting (image-making)|||||||1609|Madrid: Museo Arqueologico Nacional|Madrid: Mus. Arqueol. Nac.||Virgin Mary ; Mother of Mercy ; |Virgin Mary|Mother of Mercy||||||||Cornell||ElA|MNW|8/8/2005 0:00:00|7/18/2005 0:00:00|N165|||0|||||||25|PA||||||| |31|||||||Work|0||||||||||||0|0|Mater Misericordia;Virgen de la Misericordia|Nalda, Juan de 4445.00|0|Creator|15|25|N165-PA|31|1B 1|25 N165-PA 31 1B 1|Mass of Saint Gregory|Translated|Cataloger|Misa de San Gregorio|Published|Image Source (Pub)||||Retablo de la vida de la Virgen. Mass of Saint Gregory|30750|Nalda, Juan de||painter|Juan de Nalda|0||||0|||||Spanish|||Early Renaissance|Medieval||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|Panel (wood)||15|16||1500|1500|ca|ca 1500|ca 1500-1500||Retablo de la vida de la Virgen|Larger entity||4603||||0|||||||||||painting (image-making)|||||||1609|Madrid: Museo Arqueologico Nacional|Madrid: Mus. Arqueol. Nac.||Saint Gregory ; |Saint Gregory|||||||||Cornell||ElA|MNW|8/8/2005 0:00:00|7/18/2005 0:00:00|N165|||0|||||||25|PA||||||| |31|||||||Work|0||||||||||||0|0|Mass of Saint Gregory;Misa de San Gregorio|Nalda, Juan de 4446.00|0||||||||Frank Leslie's Illustrated Newspaper|Assigned|Image Source (Pub)|||||||Frank Leslie's Illustrated Newspaper|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Publications|||||19|20||1855|1922||1855-1922|1855-1922|||||0||||0||||||||||||||||||||||Newspapers ; Illustrations ; |Newspapers|Illustrations||||||||Cornell||JNK|JNK|7/18/2005 0:00:00|7/18/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Frank Leslie's Illustrated Newspaper| 4447.00|0|Creator|15|25|MP434-PA|34|1|25 MP434-PA 34 1|Retable of Epiphany and the Three Magi|Translated||Retablo de la Epifanía o de Los Tres Reyes||||||Retable of Epiphany and the Three Magi|30751|Master of Perea||painter|Master of Perea|0||||0|||||Spanish|||Early Renaissance|Medieval||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|||15|16||1500|1500|ca|ca 1500|ca 1500-1500|||||0||||0|||||||||||painting (image-making)|||||||9537|Valencia, Museo de Bellas Artes|Valencia: Mus. B.A.||Epiphany ; Madonna and Child ; Virgin Mary ; Christ ; |Epiphany|Madonna and Child|Virgin Mary|Christ||||||Cornell||ElA|MNW|8/17/2005 0:00:00|7/18/2005 0:00:00|MP434|||0|||||||25|PA||||||| |34|||||||Work|0||||||||||||0|0|Retable of Epiphany and the Three Magi;Retablo de la Epifanía o de Los Tres Reyes|Master of Perea 4448.00|0|Creator|15|32|E115-D|1872|1|32 E115-D 1872 1|Perspective Drawing for the Pair-Oared Shell|Assigned|Image Source (Pub)|||||||Perspective Drawing for the Pair-Oared Shell|3432|Eakins, Thomas||painter|Thomas Eakins|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Drawings|Drawing||||19|||1872|1872|ca|ca 1872|ca 1872-1872|||||0||||0|||||Pencil, ink and wash on paper|pencil|ink|wash|||drawing (image-making)|||||78.9 x 119.7 cm||3281|Philadelphia: Philadelphia Museum of Art|Philadelphia: Museum of Art||Rowing ; Perspective ; Rivers ; |Rowing|Perspective|Rivers|||||||Cornell||JNK|JNK|7/18/2005 0:00:00|7/18/2005 0:00:00|E115|||0|||||||32|D||||||1872| ||||||||Work|0||||||||||||0|0|Perspective Drawing for the Pair-Oared Shell|Eakins, Thomas 4449.00|0|Site|02|B-H5|Bur|3.1 Bur/Col||B-H5 Bur 3.1 Bur/Col |Portal to Cloister from South Transcept|Descriptive|Cataloger|Puerta del claustro|Published|Image Source (Pub)||||Cathedral of Burgos. Portal to Cloister from South Transcept|2510|Colonia, Simón de||sculptor|Simón de Colonia|0||||0|||||Spanish|||Early Renaissance|Medieval||||Spain||||||0|Burgos, Spain|||10232||||0||||0|Sculpture|Relief|Door|||14|||1445|1511|ca|ca 1445-1511|ca 1445-1511||Cathedral of Burgos|||4618||||0||||||wood|||||carving|||||||||||||||||||||Cornell||ElA|MNW|8/8/2005 0:00:00|7/18/2005 0:00:00||Bur||0||||||Bur/Col|B|||||H5|3.1|| ||||||||Work|0|Architecture-Spain|||||||||||0|0|Portal to Cloister from South Transcept;Puerta del claustro|Colonia, Simón de 4450.00|0|Site|02|B-H5|Tol|3.1 Cath/San|||Capilla de Santiago|||||||||Cathedral of Toledo. Capilla de Santiago|0||.|||0||||0|||||Spanish|||Early Renaissance|Medieval|Gothic (Medieval)|||Spain||||||0|Toledo, Spain|||10310||||0||||0|Architecture|Cathedral|Chapel|||15|||1450|1450|ca|ca 1450|ca 1450-1450||Cathedral of Toledo|Larger||4612||||0|||||||||||sculpture|||||||||||Tombs ; Altars ; |Tombs|Altars||||||||Cornell||ElA|MNW|8/9/2005 0:00:00|7/18/2005 0:00:00||Tol||0||||||Cath/San|B|||||H5|3.1|| ||||||||Work|0|Architecture-Spain|||||||||||0|0|Capilla de Santiago| 4451.00|0|Creator|15|32|E115-D|1873|2|32 E115-D 1873 2|Perspective Drawing for The Biglin Brothers Turning the Stake|Assigned|Image Source (Pub)|||||||Perspective Drawing for The Biglin Brothers Turning the Stake|3432|Eakins, Thomas||painter|Thomas Eakins|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Drawings|Drawing||||19|||1873|1873|ca|ca 1873|ca 1873-1873|||||0||||0|||||Pen and colored ink , pencil, and ink wash on paper|pen|ink|pencil|||drawing (image-making)|||||81 x 121.1 cm||3175|Washington, DC: Smithsonian Institution; Hirshhorn Museum|Wash, DC: Smithsonian; Hirshhorn Mus.||Rowing ; Perspective ; |Rowing|Perspective||||||||Cornell||JNK|MNW|8/10/2005 0:00:00|7/18/2005 0:00:00|E115|||0|||||||32|D||||||1873| ||||||||Work|0||||||||||||0|0|Perspective Drawing for The Biglin Brothers Turning the Stake|Eakins, Thomas 4452.00|0|Creator|15|25A|S733-SC|26|1|25A S733-SC 26 1|Main Altar|Translated|Cataloger|Retablo mayor|Published|Image Source (Pub)||||Main Altar (Retablo mayor)|0|||||0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Sculpture|Altarpiece|Retablo|||15|16||1490|1500|ca|ca 1490-1500|ca 1490-1500|||||0||||0|||||||||||sculpture|||||||9539|Rascafría: El Paular|Rascafría: El Paular||Altars ; Passion of Christ ; |Altars|Passion of Christ||||||||Cornell||ElA|MNW|8/9/2005 0:00:00|7/18/2005 0:00:00|S733|||0|||||||25A|SC||||||| |26|||||||Work|0||||||||||||0|0|Main Altar;Retablo mayor| 4453.00|0|Creator|15|32|E115-PA|1871|1|32 E115-PA 1871 1|The Champion Single Sculls (Max Schmitt in a Single Scull)|Assigned|Repository|||||||The Champion Single Sculls (Max Schmitt in a Single Scull)|3432|Eakins, Thomas||painter|Thomas Eakins|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||19|||1871|1871||1871|1871-1871|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||82 x 117.5 cm||3294|New York: Metropolitan Museum of Art|New York: Metropolitan||Rowing ; Boats ; Rivers ; Schuylkill (river) ; |Rowing|Boats|Rivers|Schuylkill (river)||||||Cornell||JNK|JNK|4/17/2006 0:00:00|7/18/2005 0:00:00|E115|||0||34.92|||||32|PA||||||1871| ||||||||Work|0||||||||||||0|0|The Champion Single Sculls (Max Schmitt in a Single Scull)|Eakins, Thomas 4454.00|0|Site|02|B-H5|Bur|3.2 Mira|7-1|B-H5 Bur 3.2 Mira 7-1|Monument of Juan II and Isabel of Portugal|||Retablo mayor y sepulcro real|Published|Image Source (Pub)||||Carthusian Monastery of Miraflores. Monument of Juan II and Isabel of Portugal|30753|Siloe, Gil de||sculptor|Gil de Siloe|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0|Burgos, Spain|||10232||||0||||0|Sculpture|Altarpiece|Retablo|Sculpture||15|||1496|1499|ca|ca 1496-1499|ca 1496-1499||Carthusian Monastery of Miraflores|Larger entity||4417||||0|||||||||||sculpture|||||||||||Altars ; Christ ; Passion of Christ ; Crucifixion ; Juan II, King of Castile and Leon, 1405-1454 ; Monuments ; Tombs ; |Altars|Christ|Passion of Christ|Crucifixion|Juan II, King of Castile and Leon, 1405-1454|Monuments|Tombs|||Cornell||ElA|MNW|8/9/2005 0:00:00|7/18/2005 0:00:00||Bur||0||||||Mira|B|||||H5|3.2|| ||||||||Work|0|Architecture-Spain|||||||||||0|0|Monument of Juan II and Isabel of Portugal;Retablo mayor y sepulcro real|Siloe, Gil de 4455.00|0|Creator|15|32|D241-G|1855|2|32 D241-G 1855 2|"These Are No longer Women,These Are Balloons."|Translated|Image Source (Pub)|||||||Actualités. "These Are No longer Women,These Are Balloons."|2891|Daumier, Honore||printmaker|Honore Daumier|0||||0|||||French||||||||France||||||0||||0||||0||||0|Prints|Lithograph|Caricature|||19|||1855|1855||1855|1855-1855||Actualités|Larger entity||4391||||0|||||Lithograph||||||lithography|||||||||||Caricatures ; Women ; Dresses ; |Caricatures|Women|Dresses|||||||Cornell||JNK|MNW|7/27/2005 0:00:00|7/18/2005 0:00:00|D241|||0|||||||32|G||||||1855|||||||||Work|0||||||||||||0|0|"These Are No longer Women,These Are Balloons."|Daumier, Honore 4456.00|0|Site|02|B-H5|Bur|3.1 Cath|7-1|B-H5 Bur 3.1 Cath 7-1|Retablo de Santa Ana|||||||||Cathedral of Santa Maria. Retablo de Santa Ana|30753|Siloe, Gil de||sculptor|Gil de Siloe|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0|Burgos, Spain|||10232||||0||||0|Sculpture|Altarpiece|Retablo|Sculpture||15|||1483|1484||1483-1484|1483-1484||Cathedral of Santa Maria|Larger entity||1921||||0|||||||||||sculpture|||||||||||Christ ; Altars ; Passion of Christ ; Madonna and Child ; Joachim ; Saint Anna ; |Christ|Altars|Passion of Christ|Madonna and Child|Joachim|Saint Anna||||Cornell||ElA|MNW|8/9/2005 0:00:00|7/18/2005 0:00:00||Bur||0||||||Cath|B|||||H5|3.1|| ||||||||Work|0|Architecture-Spain|||||||||||0|0|Retablo de Santa Ana|Siloe, Gil de 4457.00|0|Site|02|B-H5|Val|3.1 SPab||B-H5 Val 3.1 SPab |Iglesia de San Pablo|||||||||Iglesia de San Pablo|0|||||0||||0|||||Spanish|||Medieval|||||Spain||||||0|Valladolid, Spain|||10525||||0||||0|Architecture|Church||||15|16|17|1463|1463|ca|ca 1463|ca 1463-1463|||||0||||0||||||||||||||||||||||Churches ; Cathedrals ; Spain ; |Churches|Cathedrals|Spain|||||||Cornell||ElA|MNW|8/9/2005 0:00:00|7/18/2005 0:00:00||Val||0||||||SPab|B|||12||H5|3.1|| ||||||||Work|0|Architecture-Spain||||Work dates from year of rebuilding by Juan de Torquemada.|||||||0|0|Iglesia de San Pablo| 4458.00|0|Site|02|B-H5|Val|3.1 SGre||B-H5 Val 3.1 SGre |Colegio de San Gregorio|Published|Blue Guide|||||||Colegio de San Gregorio|0|||||0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0|Valladolid, Spain|||10525||||0||||0|Architecture|Church||||15||||1496|ca|Completed in 1496|-1496|||||0||||0||||||||||||||||||||||Churches ; |Churches|||||||||Cornell||ElA|MNW|5/25/2006 0:00:00|7/18/2005 0:00:00||Val||0||||||SGre|B|||||H5|3.1||||||||||Work|0|Architecture-Spain|||||||||||0|0|Colegio de San Gregorio| 4460.00|0|Creator|15|25|G216-PA|38Mic|1|25 G216-PA 38Mic 1|St. Michael|||||||||St. Michael|30754|Garcia de Benabarre, Pedro||painter|Pedro Garcia de Benabarre|0||||0|||||Spanish|Aragonese|Catalan|Early Renaissance|Medieval||||Spain||||||0|Boston, Massachusetts|||10053||||0||||0|Paintings|||||15|||1461|1461|aft|aft 1461|aft 1461-1461|||||0||||0|||||Tempera and gold leaf on panel|tempera|panel|gold leaf|||painting (image-making)|panel painting||||182.9 x 142.2 cm||425|Boston: Isabella Stewart Gardner Museum|Boston: Gardner Mus.||St. Michael ; Dragons ; |St. Michael|Dragons||||||||Cornell||ElA|MNW|8/5/2005 0:00:00|7/18/2005 0:00:00|G216|Bos||0||P19s7|||||25|PA||||||| |38Mic|||||||Work|0||||||||||||0|0|St. Michael|Garcia de Benabarre, Pedro 4461.00|0|Creator|15|25|P446-PA|38Luc|1|25 P446-PA 38Luc 1|Saint Lucy|||||||||Saint Lucy|30755|Peris, Goncal||painter|Goncal Peris|0||||0|||||Spanish|||Early Renaissance|Medieval|||Valencia|Spain||||||0|Williamstown, Massachusetts|||10540||||0||||0|Paintings|Painting|Panel (wood)|||15|||1425|1425|ca|ca 1425|ca 1425-1425|||||0||||0|||||Egg tempera and some oil on conifer panel|tempera|oil paint|panel|||painting (image-making)|panel painting||||142.6 x 93 cm||3191|Williamstown: Williams College; Museum of Art|Williamstown: Williams College; Mus.||Saint Lucy ; |Saint Lucy|||||||||Cornell||ElA|MNW|8/5/2005 0:00:00|7/18/2005 0:00:00|P446|||0||54.2|||||25|PA||||||| |38Luc|||||||Work|0||||||||||||0|0|Saint Lucy|Peris, Goncal 4462.00|0|Creator|15|25|MC363-PA|22P|1|25 MC363-PA 22P 1|The Presentation in the Temple|||||||||The Presentation in the Temple|30716|Master of the Catholic Kings||painter|Master of the Catholic Kings|0||||0|||||Spanish|Castilian||Early Renaissance|Medieval||||Spain||||||0||||||||0||||0|Paintings|Painting|Panel (wood)|Oil painting||15|||1495|1500|ca|ca 1495-1500|ca 1495-1500|||||0||||0|||||Oil on panel|oil paint|panel||||painting (image-making)|||||157.5 x 96.5 cm||3689|Cambridge, MA: Harvard University; Fogg Art Museum|Cambridge: Harvard; Fogg||Madonna and Child ; Presentation in the Temple ; |Madonna and Child|Presentation in the Temple||||||||Cornell||ElA|MNW|8/5/2005 0:00:00|7/18/2005 0:00:00|MC363|||0||1933.29|||||25|PA||||||| |22P|||||||Work|0||||||||||||0|0|The Presentation in the Temple|Master of the Catholic Kings 4463.00|0|Creator|15|25|B5335-PA|31As|2|25 B5335-PA 31As 2|The Assumption of the Virgin|Assigned|Image Source (Pub)|||||||The Assumption of the Virgin|13586|Berruguete, Pedro||painter|Pedro Berruguete|0||||0|||||Spanish|||Early Renaissance|Medieval||||Spain||||||0||||||||0||||0|Paintings|Painting|Oil painting|Panel (wood)||15|16||1477|1504|ca|ca 1477-1504|ca 1477-1504|||||0||||0|||||Oil and gold leaf on panel|oil paint|gold|panel|||painting (image-making)|panel painting||||142.2 x 91.4 cm||9542|Wellesley: Wellesley College; Davis Museum and Cultural Centre|Wellesley: Well. Coll.; Davis Mus. & Cult. Cent.||Virgin Mary ; Assumption of the Virgin ; |Virgin Mary|Assumption of the Virgin||||||||Cornell||ElA|CLL|8/22/2005 0:00:00|7/18/2005 0:00:00|B5335|||0||1965.52|||||25|PA||||||| |31As|||||||Work|0||||||||||||0|0|The Assumption of the Virgin|Berruguete, Pedro 4464.00|0|Creator|15|32|S245-PA|1884|4|32 S245-PA 1884 4|Madame Gautreau (unfinished copy)|Assigned|Image Source (Pub)|||||||Madame Gautreau (unfinished copy)|10396|Sargent, John Singer||painter|John Singer Sargent|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Paintings|Oil painting|Portrait|||19|||1884|1884|ca|ca 1884|ca 1884-1884|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||206.38 x 120.65 cm||3297|London: Tate Gallery|London: Tate Gallery||Gautreau, Virginie Avegno, 1859-1915 ; Portraits ; |Gautreau, Virginie Avegno, 1859-1915|Portraits||||||||Cornell||JNK|MNW|8/10/2005 0:00:00|7/18/2005 0:00:00|S245|||0|||||||32|PA||||||1884| ||||||||Work|0||||||||||||0|0|Madame Gautreau (unfinished copy)|Sargent, John Singer 4465.00|0|Creator|05|J-ButcherSD|||2|J ButcherSD- 2|The Shores Family Near Westerville, Custer County, Nebraska|Descriptive|Image Source (Pub)|||||||The Shores Family Near Westerville, Custer County, Nebraska|14363|Butcher, Solomon D.||photographer|Solomon D. Butcher|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph|Portrait|||19|||1887|1887||1887|1887-1887|||||0||||0|||||Modern print from original negative||||||photography|||||||9543|Lincoln: Nebraska State Historical Society|Lincoln: Nebraska State Historical Soc.||Families ; Pioneers ; African Americans ; Slavery ; Portraits ; |Families|Pioneers|African Americans|Slavery|Portraits|||||Cornell||JNK|MNW|8/9/2005 0:00:00|7/18/2005 0:00:00|ButcherSD|||0|||||||J|||||||| ||||||||Work|0|Photography|Jerry Shores was one of a number of former slaves to settle in Custer County. He took a claim adjacent to that of his brother, Moses Speese, and Henry Webb (each had taken the name of his former owner). John Carter, Solomon D. Buther, P. 43.||||||||||0|0|The Shores Family Near Westerville, Custer County, Nebraska|Butcher, Solomon D. 4466.00|0|Creator|05|J-ButcherSD|||3|J-ButcherSD 3|Jack Bush, Sr., and His Family at Their House Near Sumner, Dawson County, Nebraska|Translated|Image Source (Pub)|||||||Jack Bush, Sr., and His Family at Their House Near Sumner, Dawson County, Nebraska|14363|Butcher, Solomon D.||photographer|Solomon D. Butcher|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph|Portraits|||20|||1903|1903||1903|1903-1903|||||0||||0|||||Modern print from original negative||||||photography|||||||9543|Lincoln: Nebraska State Historical Society|Lincoln: Nebraska State Historical Soc.||Families ; Pioneers ; Windnills ; Portraits ; |Families|Pioneers|Windnills|Portraits||||||Cornell||JNK|MNW|8/9/2005 0:00:00|7/18/2005 0:00:00|ButcherSD|||0|||||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Jack Bush, Sr., and His Family at Their House Near Sumner, Dawson County, Nebraska|Butcher, Solomon D. 4467.00|0|Creator|15|32|S245-PA|1913|2|32 S245-PA 1913 2|Henry James|Assigned|Image Source (Pub)|||||||Henry James|10396|Sargent, John Singer||painter|John Singer Sargent|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Paintings|Portrait|Oil painting|||20|||1913|1913||1913|1913-1913|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||85.1 x 67.3 cm||3559|London: National Portrait Gallery|London: Nat. Portrait Gal.||Portraits ; James, Henry, 1843-1916 ; |Portraits|James, Henry, 1843-1916||||||||Cornell||JNK|JNK|7/18/2005 0:00:00|7/18/2005 0:00:00|S245|||0|||||||32|PA||||||1913| ||||||||Work|0||||||||||||0|0|Henry James|Sargent, John Singer 4468.00|0|Creator|15|30|L397-D|1806|1|30 L397-D 1806 1|A Group of Mean Faces|Assigned|Image Source (Pub)|||||||L'Art de connaître les hommes par la physionomie. A Group of Mean Faces|30756|Lavater, Johann Caspar||draftsman|Johann Caspar Lavater|0||||0|||||Swiss|French|||||||Switzerland|France|||||0||||0||||0||||0|Drawings|Illustration|Drawing|Caricature||19|||1806|1809||1806-1809|1806-1809||L'Art de connaître les hommes par la physionomie|Larger entity||4480||||0|||||||||||drawing (image-making)|||||||||||Physiognomy ; Women ; Men (male humans) ; |Physiognomy|Women|Men (male humans)|||||||Cornell||JNK|JNK|7/19/2005 0:00:00|7/18/2005 0:00:00|L397|||0|||||||30|D||||||1806| ||||||||Work|0||This drawing appeared in "L'Art de connaitre les hommes par la physionomie," ed. by Dr. Moreau de la Sarthe, 1806-09. Previous vers. appeared in 1781 & 1803 under title: "Essai sur la physiognomonie detine a faire connaitre l'homme et la faire aimer"|||These dates are posthumous due to the drawing's appearance in a posthumous publication/edition of Lavater's work. Exact date of drawing not given.|||||||0|0|A Group of Mean Faces|Lavater, Johann Caspar 4469.00|0|Creator|15|30|T779-G|1831|1|30 T779-G 1831 1|"You Have to Admit the Head of Government Looks Pretty Funny."|Assigned|Image Source (Pub)|||||||"You Have to Admit the Head of Government Looks Pretty Funny."|30757|Travies de Villers, Charles Joseph||caricaturist|Charles Joseph Travies de Villers|0||||0|||||Swiss|French|||||||Switzerland|France|||||0||||0||||0||||0|Prints|Print|Satire|Caricature||19|||1831|1831||1831|1831-1831|||||0||||0|||||Print||||||printing|||||||1565|Los Angeles: Hammer (Armand) Collection (/Foundation)|Los Angeles: Armand Hammer Coll||Caricatures ; Government ; |Caricatures|Government||||||||Cornell||JNK|MNW|7/27/2005 0:00:00|7/18/2005 0:00:00|T779|||0|||||||30|G||||||1831| ||||||||Work|0||||||||||||0|0|"You Have to Admit the Head of Government Looks Pretty Funny."|Travies de Villers, Charles Joseph 4513.00|0|Culture|15|Q-12|Earthen|Font|1|Q-12 Earthen Font 1|Mudejar Baptismal Font|Published|Image Source (Pub)|||||||Mudejar Baptismal Font|0|||||0||||0|||||Spanish|||Medieval|Mudejar||||Spain||||||0|||||Toledo, Spain|||10310||||0|Objects|Font (religious building fixture)||||15|||1400|1400|ca|ca 1400|ca 1400-1400|||||0||||0|||||Tin-glazed earthenware with green glaze|earthenware||||||||||64 x 86.5 cm||1968|New York: Hispanic Society of America|New York: Hispanic Soc. Amer.||||||||||||Cornell||ElA|MNW|8/9/2005 0:00:00|7/21/2005 0:00:00||||0||E503||||Font|Q|||12||||| |Earthen|||||||Work|0||||||||||||0|0|Mudejar Baptismal Font| 4514.00|0|Creator|15|25A|S733-SC|95|4|25A S733-SC 95 4|Mudejar Door|Published|Image Source (Pub)|||||||Mudejar Door|0|||||0||||0|||||Spanish|||Medieval|Mudejar||||Spain||||||0||||0|Seville, Spain|||10234||||0|Objects|Door||||15|||1400|1500||1400-1500|1400-1500|||||0||||0|||||Poplar wood, traces of gesso, polychrome, and gilding|poplar|gesso||||carving|||||182 x 67 x 8.2 cm||1968|New York: Hispanic Society of America|New York: Hispanic Soc. Amer.||Doors ; |Doors|||||||||Cornell||ElA|MNW|8/9/2005 0:00:00|7/21/2005 0:00:00|S733||Sev|0||D71|||||25A|SC||||||| |95|||||||Work|0||||||||||||0|0|Mudejar Door| 4515.00|0|Creator|15|25A|S733-TE|95|3|25A S733-TE 95 3|Mudejar Textile Fragment|Published|Image Source (Pub)|||||||Mudejar Textile Fragment|0|||||0||||0|||||Spanish|||Medieval|Mudejar||||Spain||||||0||||0|Toledo, Spain|||10310||||0|Textiles|Textile||||15|||1400|1500||1400-1500|1400-1500|||||0||||0|||||Silk threads|silk|||||weaving|||||188 x 171 cm||1968|New York: Hispanic Society of America|New York: Hispanic Soc. Amer.||||||||||||Cornell||ElA|MNW|8/9/2005 0:00:00|7/21/2005 0:00:00|S733||Tol|0||H985|||||25A|TE||||||| |95|||||||Work|0||||||||||||0|0|Mudejar Textile Fragment| 4516.00|0|Manuscript|15|05|W318|M1931||05 W318 M1931 |Qur'an Folios|Published|Image Source (Pub)|||||||Qur'an Folios|0|||||0||||0|||||Spanish|African||Medieval|||||Spain|||Spain|||||||0||||||||0|Manuscripts|Manuscript||||13|||1200|1300||13th century|1200-1300|||||0||||0|||||Brown ink, opaque color, and gold on parchment|ink|gold|parchment||||||||21 x 20 cm||9545|Washington, DC: Freer Gallery of Art (Smithsonian Institution)|Wash, DC: Freer||Korans ; |Korans|||||||||Cornell||ElA|MNW|8/11/2005 0:00:00|7/21/2005 0:00:00|W318|||0||F1931.9||||M1931|05|||||||| ||||||||Work|0||||||||||||0|0|Qur'an Folios| 4517.00|0|Manuscript|15|05|N525|Alpha||05 N525 Alpha |Antiphonary|Published|Image Source (Pub)|||||||Antiphonary|0|||||0||||0|||||Spanish|||Medieval|||||Spain||||||||||0|Belalcázar, Spain|||10556||||0|Manuscripts|Manuscript||||15|||1476|1500|ca|ca 1476-1500|ca 1476-1500|||||0||||0|||||Ink and color on parchment, leather over wooden boards, and bronze fittings|ink|parchment|leather||||||||64 x 15 x 45 cm||1968|New York: Hispanic Society of America|New York: Hispanic Soc. Amer.||Antiphonaries ; Music ; |Antiphonaries|Music||||||||Cornell||ElA|MNW|8/11/2005 0:00:00|7/21/2005 0:00:00|N525|||0||Alpha|||||05|||||||| |Alpha|||||||Work|0||||||||||||0|0|Antiphonary| 4518.00|0|Manuscript|15|05|N525-|371.169||05 N525 371.169 |Hebrew Bible|Published|Image Source (Pub)|||||||Hebrew Bible|0|||||0||||0|||||Spanish|||Medieval|||||Spain|||Seville, Spain|||10234||||0||||||||0|Manuscripts|Manuscript||||15|||1472|1472||1472|1472-1472|||||0||||0|||||Brown and black ink on parchment|ink|parchment|||||||||23.7 x 20.3 x 9 cm||1968|New York: Hispanic Society of America|New York: Hispanic Soc. Amer.||Bible ; |Bible|||||||||Cornell||ElA|MNW|8/11/2005 0:00:00|7/21/2005 0:00:00|N525|||0||371/169|||||05|||||||| |371.169|||||||Work|0||Scribe: Moshe b. Ya'akov Qalif, S[efardi] T[ahor] (the true Sephardi) b. haRav Moshe b. Qalif. Contains 358 folios and 4 blank folios. Ecker, Caliphs and Kings.||||||||||0|0|Hebrew Bible| 4519.00|0|Manuscript|15|05|N525|B241||05 N525 B241 |Hebrew Bible|Published|Image Source (Pub)|||||||Hebrew Bible|0|||||0||||0|||||Spanish|Portuguese||Medieval|||||Spain||||||0||||0||||0||||0|Manuscripts|Manuscript||||15|||1450|1496||1450-1496|1450-1496|||||0||||0|||||Ink, color, and gold on parchment|ink|gold|parchment||||||||28.9 x 25 x 13 cm||1968|New York: Hispanic Society of America|New York: Hispanic Soc. Amer.||Bible ; |Bible|||||||||Cornell||ElA|MNW|8/11/2005 0:00:00|7/21/2005 0:00:00|N525|||0||B241|||||05|||||||| |B241|||||||Work|0||Contains 588 folios and 7 blank folios. Ecker, Caliphs and Kings.||||||||||0|0|Hebrew Bible| 4520.00|0|Category|07|Q-12|Mudejar|Bowl|1|Q-12 Mudejar Bowl 1|Bowl|Published|Image Source (Pub)|||||||Bowl|0|||||0||||0|||||Spanish|||Medieval|||||Spain||||||0||||0|Manises, Spain|||10557||||0|Objects|Bowl (vessel)|Lustreware|||14|||1370|1380|ca|ca 1370-1380|ca 1370-1380|||||0||||0|||||Tin-glazed earthenware with cobalt and luster|earthenware|||||ceramics|lusterware||||14 x 45.7 cm||1968|New York: Hispanic Society of America|New York: Hispanic Soc. Amer.||||||||||||Cornell||ElA|MNW|8/11/2005 0:00:00|7/21/2005 0:00:00|Mudejar|||0||E643||||Bowl|Q|||12||||| ||||||||Work|0|Ceramics-Spanish|||||||||||0|0|Bowl| 4521.00|0|Category|07|Q-12|Mudejar|Albar|1|Q-12 Mudejar Albar 1|Albarello|Published|Image Source (Pub)|||||||Albarello|0|||||0||||0|||||Spanish|||Medieval|||||Spain|||Manises, Spain|||10557||||0||||||||0|Objects|Ceramic|Lusterware|Albarello||14|||1390|1390|ca|ca 1390|ca 1390-1390|||||0||||0|||||Tin-glazed earthenware with cobalt and luster|earthenware|||||ceramics|lusterware||||29.7 x 11 cm||1968|New York: Hispanic Society of America|New York: Hispanic Soc. Amer.||||||||||||Cornell||ElA|MNW|8/11/2005 0:00:00|7/21/2005 0:00:00|Mudejar|||0||E574||||Albar|Q|||12||||| ||||||||Work|0|Ceramics-Spanish|||||||||||0|0|Albarello| 4470.00|0|Culture|11|W-15|Caricature|1||W-15 Caricature 1 |Police Ordinance Concerning the Seizure of Satirical Pamphlets, Published in the Shape of a Pear|Descriptive|Image Source (Pub)|||||||Police Ordinance Concerning the Seizure of Satirical Pamphlets, Published in the Shape of a Pear|0|||||0||||0|||||French||||||||France||||||0||||0||||0||||0|Publications|Print|Satire|||19|||1835|1835||1835, 1 May|1835-1835|||||0||||0|||||||||||printing|||||||||||Pears ; Newspapers ; France ; Government ; Ordinances ; |Pears|Newspapers|France|Government|Ordinances|||||Cornell||JNK|MNW|7/25/2005 0:00:00|7/19/2005 0:00:00||||0||||||Caricature|W|||15||||| ||||||||Work|0||Published in "Le Charivari," 1 may 1835||||||||||0|0|Police Ordinance Concerning the Seizure of Satirical Pamphlets, Published in the Shape of a Pear| 4471.00|0|Creator|15|30|BOILLY||1823|30 BOILLY 1823|Smokers and Snuff-takers|Translated|Image Source (Pub)|Les Fumeurs et les Triseurs|Inscribed|Image Source (Pub)||||Les Grimaces. Smokers and Snuff-takers|1332|Boilly, Louis Leopold||painter|Louis Leopold Boilly|0||||0|||||French||||||||France||||||0||||0||||0||||0|Prints|Lithograph|Caricature|||19|||1823|1823||1823|1823-1823||Les Grimaces|Larger entity||4472||||0|||||Lithograph||||||lithography|||||||2171|Paris: Bibliotheque Nationale; Cabinet des Estampes|Paris: Bib. Nat.; Cab. des Estampes||Smoking ; Men (male humans) ; Women ; Caricatures ; |Smoking|Men (male humans)|Women|Caricatures||||||Cornell||JNK|MNW|3/31/2006 0:00:00|7/19/2005 0:00:00|BOILLY|||0|||||||30|||||||1823| ||||||||Work|0||||||||||||0|0|Smokers and Snuff-takers;Les Fumeurs et les Triseurs|Boilly, Louis Leopold 4472.00|0||||||||Les Grimaces|Series|Image Source (Pub)|||||||Les Grimaces|1332|Boilly, Louis Leopold||painter|Louis Leopold Boilly|0||||0|||||French||||||||France||||||0||||0||||0||||0|Prints|Lithograph|Serial|Caricature||19|||1823|1823||1823|1823-1823|||||0||||0|||||Series of lithographs||||||lithography|||||||||||Caricatures ; |Caricatures|||||||||Cornell||JNK|JNK|7/19/2005 0:00:00|7/19/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Les Grimaces|Boilly, Louis Leopold 4473.00|0||||||||Un Autre Monde|Assigned|Image Source (Pub)|Another World|Translated|Image Source (Pub)||||Un Autre Monde|14432|Grandville, J. J.||illustrator|J. J. Grandville|0||||0|||||French||||||||France||||||0||||0||||0||||0|Publications|Serial|Wood engraving|Caricature||19|||1844|1844||1844|1844-1844|||||0||||0|||||Series of 188 wood engravings||||||wood engraving (process)|printing||||||||||Caricatures ; |Caricatures|||||||||Cornell||JNK|JNK|7/19/2005 0:00:00|7/19/2005 0:00:00||||0||||||||||||||||||||||||0||"This work was initially issued in 36 installments: the author's name was given as Taxile Delord, a pseudonym for Grandville. The story tells of three travellers who explore the modern world from three points of view: [sea, sky & land]. Wechsler, 101.||||||||||0|0|Un Autre Monde;Another World|Grandville, J. J. 4474.00|0|Creator|15|30|G755-G|1844|1|30 G755-G 1844 1|Venus at the Opera|Assigned|Image Source (Pub)|||||||Un Autre Monde. Venus at the Opera|14432|Grandville, J. J.||illustrator|J. J. Grandville|0||||0|||||French||||||||France||||||0||||0||||0||||0|Prints|Wood engraving|Caricature|||19|||1844|1844||1844|1844-1844||Un Autre Monde|Larger entity||4473||||0|||||Wood engraving||||||wood engraving (process)|||||||||||Caricatures ; Opera ; Venus ; France ; |Caricatures|Operas|Venus|France||||||Cornell||JNK|MNW|7/27/2005 0:00:00|7/19/2005 0:00:00|G755|||0|||||||30|G||||||1844|||||||||Work|0||||||||||||0|0|Venus at the Opera|Grandville, J. J. 4475.00|0|Creator|15||||||Le Bon Bourgeois|Series|Image Source (Pub)|The Good Bourgeois|Translated|Image Source (Pub)||||Le Bon Bourgeois|2891|Daumier, Honore||printmaker|Honore Daumier|0||||0|||||French||||||||France||||||0||||0||||0||||0|Prints|Lithograph|Serial|Caricature||19|||1865|1865||1865|1865-1865|||||0||||0|||||Series of lithographs||||||lithography|printing||||||||||Caricatures ; Bourgeoisie ; |Caricatures|Bourgeoisie||||||||Cornell||JNK|JNK|7/19/2005 0:00:00|7/19/2005 0:00:00|D241|||0|||||||||||||||||||||||Work|0||||||||||||0|0|Le Bon Bourgeois;The Good Bourgeois|Daumier, Honore 4476.00|0|Creator|15|32|D241-G|1865|3|32 D241-G 1865 3|"Posed as a Member of the Agricultural Board in His County"|Assigned|Image Source (Pub)|||||||Le Bon Bourgeois. "Posed as a Member of the Agricultural Board in His County"|2891|Daumier, Honore||printmaker|Honore Daumier|0||||0|||||French||||||||France||||||0||||0||||0||||0|Prints|Lithograph|Caricature|Satire||19|||1865|1865||1865|1865-1865||Le Bon Bourgeois|Larger entity||4475||||0|||||Lithograph||||||lithography|||||||3163|Waltham: Brandeis University|Waltham: Brandeis Univ.||Bourgeoisie ; Farming ; Caricatures ; |Bourgeoisie|Farming|Caricatures|||||||Cornell||JNK|MNW|7/26/2005 0:00:00|7/19/2005 0:00:00|D241|||0|||||||32|G||||||1865| ||||||||Work|0||||||||||||0|0|"Posed as a Member of the Agricultural Board in His County"|Daumier, Honore 4477.00|0||||||||Croquis parisiens|Series|Image Source (Pub)|Parisian sketches|Translated|Image Source (Pub)||||Croquis parisiens|2891|Daumier, Honore||printmaker|Honore Daumier|0||||0|||||French||||||||France||||||0||||0||||0||||0|Prints|Lithograph|Serial|Caricature||19|||1856|1856||1856|1856-1856|||||0||||0|||||Series of lithographs||||||lithography|||||||||||Caricatures ; Paris, France ; France ; |Caricatures|Paris, France|France|||||||Cornell||JNK|JNK|7/19/2005 0:00:00|7/19/2005 0:00:00|D241|||0||||||||||||||||||||||||0||||||||||||0|0|Croquis parisiens;Parisian sketches|Daumier, Honore 4478.00|0|Creator|15|32|D241-G|1856|1|32 D241-G 1856 1|"Photography. A New procedure, Used to Ensure Graceful Poses."|Assigned|Image Source (Pub)|||||||Croquis parisiens. "Photography. A New procedure, Used to Ensure Graceful Poses."|2891|Daumier, Honore||printmaker|Honore Daumier|0||||0|||||French||||||||France||||||0||||0||||0||||0|Prints|Lithograph|Caricature|Satire||19|||1856|1856||1856|1856-1856||Croquis parisiens|Larger entity||4477||||0|||||Lithograph||||||lithography|||||||1565|Los Angeles: Armand Hammer Museum of Art and Cultural Center|Los Angeles: Armand Hammer Coll||Caricatures ; Photography ; Portraits ; |Caricatures|Photography|Portraits|||||||Cornell||JNK|MNW|7/26/2005 0:00:00|7/19/2005 0:00:00|D241|||0|||||||32|G||||||1856| ||||||||Work|0||||||||||||0|0|"Photography. A New procedure, Used to Ensure Graceful Poses."|Daumier, Honore 4479.00|0|Creator|15|27|L454-G|96|1|27 L454-G 96 1|Oxen|Translated|Image Source (Pub)|Les Boeufs|Inscribed|Image Source (Pub)||Inscribed|Image Source (Pub)|Oxen (Les Boeufs)|6888|Le Brun, Charles||draftsman|Charles Le Brun|0||||0|||||French||||||||France||||||0||||0||||0|||||Prints|Print||||17|||1671|1671|ca|ca 1671|ca 1671-1671|||||0||||0|||||Print combining two drawings||||||printing|||||||||||Physiognomy ; Faces (anatomy) ; |Physiognomy|Faces (anatomy)||||||||Cornell||JNK|MNW|8/15/2006 0:00:00|7/19/2005 0:00:00|L454|||0|||||||27|G||||||| |96|||||||Work|0||"Le Brun likens them to the inhabitants of the parish of Saint-Pierre-aux-Boeufs." Wechsler, 160. This image is a print combining two separate drawings located in the Louvre.||||||||||0|0|Oxen;Les Boeufs|Le Brun, Charles 4480.00|0||||||||L'Art de connaître les hommes par la physionomie|Assigned|Image Source (Pub)|||||||L'Art de connaître les hommes par la physionomie|30756|Lavater, Johann Caspar||draftsman|Johann Caspar Lavater; J.L. Moreau de la Sarthe,ed|30758|Moreau de la Sarthe, J. L. (Jacques Louis)|||0|||||French||||||||France||||||0||||0||||0||||0|Publications|Book||||19|||1806|1809||1806-1809|1806-1809|||||0||||0||||||||||||||||||||||Physiognomy ; |Physiognomy|||||||||Cornell||JNK|JNK|7/19/2005 0:00:00|7/19/2005 0:00:00|L397|||0||||||||||||||||||||||||0||This is an edited version of Lavater's "Essai sur la physiognomonie destiné à faire connaître l'homme et à le faire aimer."||||||||||0|0|L'Art de connaître les hommes par la physionomie|Lavater, Johann Caspar;Moreau de la Sarthe, J. L. (Jacques Louis) 4481.00|0|Creator|15|32|D317-PA|1882|A862|32 D317-PA 1882 A862|At the Milliner's|Assigned|Image Source (Pub)|||||||At the Milliner's|3026|Degas, Edgar||painter|Edgar Degas|0||||0|||||French|||Impressionist|||||France||||||0||||0||||0||||0|Paintings|Pastel (visual work)||||19|||1882|1882||1882|1882-1882|||||0||||0|||||Pastel on pale gray wove paper|pastels (crayons)|paper||||painting (image-making)|drawing (image-making)||||75.6 x 85.7 cm||3294|New York: Metropolitan Museum of Art|New York: Metropolitan||Milliners ; Shopping ; |Milliners|Shopping||||||||Cornell||JNK|JNK|7/19/2005 0:00:00|7/19/2005 0:00:00|D317|||0||29.100.38|||||32|PA||||||1882| |A862|||||||Work|0||||||||||||0|0|At the Milliner's|Degas, Edgar 4482.00|0|Creator|15|32|D317-PA|1882|M655|32 D317-PA 1882 M655|The Milliner|Assigned|Image Source (Pub)|||||||The Milliner|3026|Degas, Edgar||painter|Edgar Degas|0||||0|||||French|||Impressionist|||||France||||||0||||0||||0||||0|Paintings|Pastel (visual work)||||19|||1882|1882|ca|ca 1882|ca 1882-1882|||||0||||0|||||Pastel and charcoal on gray laid paper now discolored to buff mounted on dark brown wove|pastels (crayons)|paper|charcoal|||painting (image-making)|drawing (image-making)||||47.6 x 62.2 cm||3294|New York: Metropolitan Museum of Art|New York: Metropolitan||Milliners ; |Milliners|||||||||Cornell||JNK|MNW|8/9/2005 0:00:00|7/19/2005 0:00:00|D317|||0||22.27.3|||||32|PA||||||1882| |M655|||||||Work|0||||||||||||0|0|The Milliner|Degas, Edgar 4483.00|0|Creator|15|32|G377-PA|1859|1|32 G377-PA 1859 1|Ave Caesar, Morituri te Salutant|Assigned|Image Source (Pub)|Les Gladiateurs|Variant|Image Source (Pub)||||Ave Caesar, Morituri te Salutant|30200|Gérôme, Jean-Léon||painter|Jean-Léon Gérôme|0||||0|||||French|||Academic|||||France||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||19|||1859|1859||1859|1859-1859|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||91.6 x 145.4 cm||3400|New Haven: Yale University; Art Gallery|New Haven: Yale Univ. Art Gal.||Colosseum (Rome, Italy) ; Gladiators ; Caesars ; |Colosseum (Rome, Italy)|Gladiators|Caesars|||||||Cornell||JNK|MNW|8/10/2005 0:00:00|7/20/2005 0:00:00|G377|||0|||||||32|PA||||||1859| ||||||||Work|0||Exhibited at the Salon of 1859.||||||||||0|0|Ave Caesar, Morituri te Salutant;Les Gladiateurs|Gérôme, Jean-Léon 4484.00|0|Creator|15|32|G377-PA|1872|1|32 G377-PA 1872 1|Pollice Verso|Assigned|Image Source (Pub)|Pouce en bas|Variant|Image Source (Pub)|Mort aux vaincus|Variant|Image Source (Pub)|Pollice Verso|30200|Gérôme, Jean-Léon||painter|Jean-Léon Gérôme|0||||0|||||French|||Academic|||||France||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||19|||1872|1872||1872|1872-1872|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||100.3 x 148.9 cm||4004|Phoenix: Phoenix Art Museum|Phoenix: Art Museum||Gladiators ; |Gladiators|||||||||Cornell||JNK|MNW|8/10/2005 0:00:00|7/20/2005 0:00:00|G377|||0|||||||32|PA||||||1872| ||||||||Work|0||||||||||||0|0|Pollice Verso;Pouce en bas;Mort aux vaincus|Gérôme, Jean-Léon 4485.00|0|Creator|15|32|G377-PA|1870|1|32 G377-PA 1870 1|Bain Maure|Assigned|Image Source (Pub)|||||||Bain Maure|30200|Gérôme, Jean-Léon||painter|Jean-Léon Gérôme|0||||0|||||French|||Academic|||||France||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||19|||1870|1870||1870|1870-1870|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||50.8 x 40.8 cm||428|Boston: Museum of Fine Arts|Boston: MFA||Bathing ; Harems ; Slavery ; Public Baths ; |Bathing|Harems|Slavery|Public Baths||||||Cornell||JNK|MNW|8/10/2005 0:00:00|7/20/2005 0:00:00|G377|||0|||||||32|PA||||||1870| ||||||||Work|0||||||||||||0|0|Bain Maure|Gérôme, Jean-Léon 4486.00|0|Creator|15|32|G377-PA|T9391||32 G377-PA T9391 |The Bath|Assigned|Repository|Bain maure|Assigned|Image Source (Pub)|The Turkish Bath|Variant||The Bath (The Turkish Bath)|30200|Gérôme, Jean-Léon||painter|Jean-Léon Gérôme|0||||0|||||French|||Academic|||||France||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||19|||1880|1885|ca|ca 1880-1885|ca 1880-1885|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||73.6 x 59.7 cm||3343|San Francisco: Fine Arts Museums of San Francisco|San Francisco: Fine Arts Museums||Bathing ; Harems ; Slavery ; Public Baths ; |Bathing|Harems|Slavery|Public Baths||||||Cornell||JNK|MNW|8/10/2005 0:00:00|7/20/2005 0:00:00|G377|||0|||||||32|PA||||||| |T9391|||||||Work|0||||||||||||0|0|The Bath;Bain maure;The Turkish Bath|Gérôme, Jean-Léon 4487.00|0|Creator|15|30|C698-G|1770|1|30 C698-G 1770 1|Tight Lacing, or Fashion Before Ease|Inscribed|Image Source (Pub)|||||||Tight Lacing, or Fashion Before Ease|30759|Collet, John||painter|John Collet|0||||0|||||English|British||Georgian|||||England|United Kingdom|||||0||||0||||0||||0|Prints|Print|Mezzotint|||18|||1770|1775||1770-1775|1770-1775|||||0||||0|||||Mezzotint||||||mezzotint|||||||9544|Williamsburg: Colonial Williamsburg Foundation|Williamsburg: Colonial Williamsburg Found.||Dresses ; Corsets ; |Dresses|Corsets||||||||Cornell||JNK|JNK|8/12/2005 0:00:00|7/20/2005 0:00:00|C698|||0|||||||30|G||||||1770| ||||||||Work|0||Mezzotint after original painting.||||||||||0|0|Tight Lacing, or Fashion Before Ease|Collet, John 4488.00|0|Culture|11|W-15|Fashion||1|W-15 Fashion 1|The Corset Seller|Translated|Cataloger|Marchande de Corsets|Assigned|Image Source (Pub)||||The Corset Seller (Marchande de Corsets|30760|Philipon, Charles||caricaturist|Charles Philipon|0||||0|||||French||||||||France||||||0||||0||||0||||0|Prints|Print||||19|||1830|1830||1830|1830-1830|||||0||||0|||||||||||printing|||||||||||Corsets ; Fashion (concept) ; |Corsets|Fashion (concept)||||||||Cornell||JNK|MNW|8/9/2005 0:00:00|7/20/2005 0:00:00||||0||||||Fashion|W|||15|||||||||||||Work|0||||||||||||0|0|The Corset Seller;Marchande de Corsets|Philipon, Charles 4489.00|0||||||||Le Corset dans l'art et les moeurs du XIIIe au XXe siècle|Assigned|Image Source (Pub)|||||||Le Corset dans l'art et les moeurs du XIIIe au XXe siècle|30761|Libron, Fernand||author|Fernand Libron & Henri Clouzot|30762|Clouzot, Henri|||0|||||French||||||||France||||||0||||0||||0||||0|Publications|Book||||20|||1933|1933||1933|1933-1933|||||0||||0||||||||||||||||||||||Corsets ; Fashion (concept) ; |Corsets|Fashion (concept)||||||||Cornell||JNK|JNK|7/20/2005 0:00:00|7/20/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Le Corset dans l'art et les moeurs du XIIIe au XXe siècle|Libron, Fernand;Clouzot, Henri 4490.00|0||||||||Evolution of Corset Design Between 1867 and 1878, pg. 13|Descriptive|Image Source (Pub)|||||||Le Corset dans l'art et les moeurs du XIIIe au Xxe siècle. Evolution of Corset Design Between 1867 and 1878, pg. 13|30761|Libron, Fernand||author|Fernand Libron & Henri Clouzot|30762|Clouzot, Henri|||0|||||French||||||||France||||||0||||0||||0||||0|Publications|Illustration|Print|||20|||1933|1933||1933|1933-1933||Le Corset dans l'art et les moeurs du XIIIe au XXe siècle|Larger entity||4489||||0|||||||||||printmaking|||||||||||Corsets ; |Corsets|||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|7/20/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Evolution of Corset Design Between 1867 and 1878, pg. 13|Libron, Fernand;Clouzot, Henri 4491.00|0||||||||Tetoniana, curiosités médicales, littéraires et artistiques sur les seins et l'allaitement|Assigned|Online Resource|Curiosités médicales, littéraires et artistiques sur les seins et l'allaitement|Variant|Image Source (Pub)||||Tetoniana, curiosités médicales, littéraires et artistiques sur les seins et l'allaitement|30763|Witkowski, Gustave Joseph||author|Gustave Joseph Witkowski|0||||0|||||French||||||||France||||||0||||0||||0||||0|Publications|Book||||19|||1898|1898||1898|1898-1898|||||0||||0||||||||||||||||||||||Corsets ; Anatomy ; Breasts ; |Corsets|Anatomy|Breasts|||||||Cornell||JNK|JNK|7/20/2005 0:00:00|7/20/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Tetoniana, curiosités médicales, littéraires et artistiques sur les seins et l'allaitement;Curiosités médicales, littéraires et artistiques sur les seins et l'allaitement|Witkowski, Gustave Joseph 4492.00|0||||||||Illustration of a Woman's Skeleton, Uncorseted and Corseted, Figs. 194 and 195|Descriptive|Image Source (Pub)|||||||Tetoniana. Illustration of a Woman's Skeleton, Uncorseted and Corseted, Figs.194 and 195|30763|Witkowski, Gustave Joseph||author|Gustave Joseph Witkowski|0||||0|||||French||||||||France||||||0||||0||||0||||0|Publications|Illustration|Print|||19|||1898|1898||1898|1898-1898||Tetoniana, curiosités médicales, littéraires et artistiques sur les seins et l'allaitement|Larger entity||4491||||0||||||||||||||||||||||Women ; Anatomy ; Corsets ; |Women|Anatomy|Corsets|||||||Cornell||JNK|MNW|3/31/2006 0:00:00|7/20/2005 0:00:00||||0||||||||||||||||||||||||0||After drawings by Samuel Thomas von Soemmering (1755-1830), 1793.||||||||||0|0|Illustration of a Woman's Skeleton, Uncorseted and Corseted, Figs. 194 and 195|Witkowski, Gustave Joseph 4493.00|0||||||||Blue Satin Corset|Descriptive|Image Source (Pub)|||||||Blue Satin Corset|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Costumes|Costume||||19|||1890|1890|ca|ca 1890|ca 1890-1890|||||0||||0|||||Satin|satin||||||||||32-20-31 inches||4595|New York: Fashion Institute of Technology|New York: Fashion Inst. Tech.||Corsets ; Fashion (concept) ; |Corsets|Fashion (concept)||||||||Cornell||JNK|MNW|8/9/2005 0:00:00|7/20/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Blue Satin Corset| 4494.00|0||||||||Madonna Wearing a Corset by Jean-Paul Gaultier|Descriptive|Image Source (Pub)|||||||Madonna Wearing a Corset by Jean-Paul Gaultier|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph|Portrait|||20|||1990|1990|ca|ca 1990|ca 1990-1990|||||0||||0|||||Documentary photograph||||||photography|||||||||||Corsets ; Madonna, 1958- ; Portraits ; Fashion (concept) ; |Corsets|Madonna, 1958-|Portraits|Fashion (concept)||||||Cornell||JNK|MNW|8/9/2005 0:00:00|7/20/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Madonna Wearing a Corset by Jean-Paul Gaultier| 4495.00|0|Creator|15|32|T616-PA|1870|1|32 T616-PA 1870 1|Young Woman in a Boat|Translated|Image Source (Pub)|Jeune femme en bateau|Original|Image Source (Pub)||||Young Woman in a Boat|11804|Tissot, James||painter|James Tissot|0||||0|||||French|||Victorian|||||France||||||0||||0||||0||||0|Paintings|Oil painting||||19|||1870|1870|ca|ca 1870|ca 1870-1870|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||48.26 x 63.5 cm||3290|Private Collection|: Private Coll.||Boats ; Women ; Dogs ; Rivers ; |Boats|Women|Dogs|Rivers||||||Cornell||JNK|MNW|8/10/2005 0:00:00|7/20/2005 0:00:00|T616|||0|||||||32|PA||||||1870| ||||||||Work|0||Exhibited in the Salon of 1870.||||||||||0|0|Young Woman in a Boat;Jeune femme en bateau|Tissot, James 4496.00|0|Creator|15|32|T616-PA|1883|1|32 T616-PA 1883 1|The "Young Lady" of the Shop|Translated|Image Source (Pub)|La Demoiselle de magasin|Original|Image Source (Pub)||||The "Young Lady" of the Shop|11804|Tissot, James||painter|James Tissot|0||||0|||||French|||Victorian|||||France||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||19|||1883|1885||1883-1885|1883-1885|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||147.32 x 100.65 cm||3399|Toronto: Art Gallery of Ontario|Toronto: Art Gal. of Ontario||Shopping ; Stores ; Dresses ; |Shopping|Stores|Dresses|||||||Cornell||JNK|MNW|8/10/2005 0:00:00|7/21/2005 0:00:00|T616|||0|||||||32|PA||||||1883| ||||||||Work|0||||||||||||0|0|The "Young Lady" of the Shop;La Demoiselle de magasin|Tissot, James 4497.00|0|Creator|15|32|T616-PA|1883|3|32 T616-PA 1883 3|Political Woman|Translated|Image Source (Pub)|L'Ambitieuse|Original|Image Source (Pub)|The Reception|Variant|Repository|Political Woman|11804|Tissot, James||painter|James Tissot|0||||0|||||French|||Victorian|||||France||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||19|||1883|1885||1883-1885|1883-1885|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||142.24 x 101.6 cm||3339|Buffalo: Albright-Knox Art Gallery|Buffalo: Albright-Knox||Men (male humans) ; Women ; Balls (parties) ; Fashion (concept) ; |Men (male humans)|Women|Balls (parties)|Fashion (concept)||||||Cornell||JNK|MNW|8/10/2005 0:00:00|7/21/2005 0:00:00|T616|||0||1909:10|||||32|PA||||||1883| ||||||||Work|0|||This work is also available on Camio.|||||||||0|0|Political Woman;L'Ambitieuse;The Reception|Tissot, James 4498.00|0|Creator|15|32|T616-PA|1883|4|32 T616-PA 1883 4|The Bridesmaid|Translated|Image Source (Pub)|La Demoiselle d'honneur|Original|Image Source (Pub)||||The Bridesmaid|11804|Tissot, James||painter|James Tissot|0||||0|||||French|||Victorian|||||France||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||19|||1883|1885||1883-1885|1883-1885|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||127 x 101.6 cm||3499|Leeds: Leeds City Art Gallery|Leeds: City Art Gall.||Men (male humans) ; Women ; Paris, France ; Bridesmaids ; Carriages ; |Men (male humans)|Women|Paris, France|Bridesmaids|Carriages|||||Cornell||JNK|MNW|8/10/2005 0:00:00|7/21/2005 0:00:00|T616|||0|||||||32|PA||||||1883| ||||||||Work|0||||||||||||0|0|The Bridesmaid;La Demoiselle d'honneur|Tissot, James 4499.00|0|Creator|05|35|S645-TO|S645|1|35 S645-TO S645 1|David Smith in his Bolton Landing Studio Workshop with "Detroit Queen"|Descriptive|Image Source (Pub)|||||||David Smith in his Bolton Landing Studio Workshop with "Detroit Queen"|0|||||0||||0|||||American||||||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1957|1957||1957|1957-1957|||||0||||0|||||Black and white photograph|photo paper|||||photography|||||||4904|Washington, DC: Smithsonian Institution; Archives of American Art|Wash, DC: Smithsonian; Archives Amer. Art||Smith, David, 1906-1965 ; Studios (Work Spaces) ; Sculpture (visual work) ; |Smith, David, 1906-1965|Studios (Work Spaces)|Sculpture (visual work)|||||||Cornell||JNK|MNW|8/10/2005 0:00:00|7/21/2005 0:00:00|S645|||0|||||||35|TO||||||| ||||||||Work|0|20th Century|||||||||||0|0|David Smith in his Bolton Landing Studio Workshop with "Detroit Queen"| 4500.00|0|Creator|15|35|S645-TO|T319|1|35 S645-TO T319 1|Terminal Iron Works, David Smith's Place Near Bolton Landing, New York|Descriptive|Image Source (Pub)|||||||Terminal Iron Works, David Smith's Place Near Bolton Landing, New York|30764|Mulas, Ugo||photographer|Ugo Mulas|0||||0|||||Italian|American||Modernist|||||Italy|United States|||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1965|1965||1965|1965-1965|||||0||||0||||||photo paper|||||photography|||||||4904|Washington, DC: Smithsonian Institution; Archives of American Art|Wash, DC: Smithsonian; Archives Amer. Art||Smith, David, 1906-1965 ; Sculpture (visual work) ; Bolton Landing, New York ; |Smith, David, 1906-1965|Sculpture (visual work)|Bolton Landing, New York|||||||Cornell||JNK|MNW|8/10/2005 0:00:00|7/21/2005 0:00:00|S645|||0|||||||35|TO||||||| |T319|||||||Work|0||||||||||||0|0|Terminal Iron Works, David Smith's Place Near Bolton Landing, New York|Mulas, Ugo 4501.00|0|Site|02|-H5|Cor| |||Detail of Mudéjar paster work|||||||||Detail of Mudéjar paster work|0|||||0||||0|||||Spanish|||Medieval|||||Spain||||||0|Córdoba , Spain|||10000||||0||||0|Architecture|INTERIOR|||||||||||||Great Mosque|||2231||||0||||||||||||||||||||||||||||||||Cornell||ElA|MNW|5/25/2006 0:00:00|7/21/2005 0:00:00||Cor||0||||||||||12||H5|||||||||||Work|0|-Spain|||||||||||0|0|Detail of Mudéjar paster work| 4502.00|0|Site|02|B-H5|Sev|3.1 SCat||B-H5 Sev 3.1 SCat |Santa Catalina and Mudéjar Tower|Published|Image Source (Pub)|||||||Santa Catalina and Mudéjar Tower|0|||||0||||0|||||Spanish|||Medieval|Mudejar||||Spain||||||0|Seville, Spain|||10234||||0||||0|Architecture|Church|Tower (building division)|||14|||1350|1350|ca|ca 1350|ca 1350-1350|||||0||||0||||||||||||||||||||||Churchs ; Towers (single built works) ; |Churchs|Towers (single built works)||||||||Cornell||ElA|MNW|5/25/2006 0:00:00|7/21/2005 0:00:00||Sev||0||||||SCat|B|||12||H5|3.1||||||||||Work|0|Architecture-Spain|||||||||||0|0|Santa Catalina and Mudéjar Tower| 4503.00|0|Creator|15|25A|S733-SC|95|2|25A S733-SC 95 2|Basin|||||||||Basin|0|||||0||||0|||||Spanish|||Medieval|||||Spain|||Seville, Spain|||10234||||||||0||||0|Objects|Bowl (vessel)|Sculpture|||11|||1000|1100|ca|ca 1000-1100|ca 1000-1100|||||0||||0|||||Marble|marble|||||carving|||||Top: 28.5 x 80.5 cm; bottom: 45 cm||1968|New York: Hispanic Society of America|New York: Hispanic Soc. Amer.||Basins ; |Basins|||||||||Cornell||ElA|CLL|9/20/2005 0:00:00|7/21/2005 0:00:00|S733|||0||D213|||||25A|SC||||||| |95|||||||Work|0||Created during the Taifa period.||||||||||0|0|Basin| 4504.00|0|Creator|15|35|S645-TO|T3191|1|35 S645-TO T3191 1|Terminal Iron Works, David Smith's Place Near Bolton Landing, New York|Descriptive|Image Source (Pub)|||||||Terminal Iron Works, David Smith's Place Near Bolton Landing, New York|30764|Mulas, Ugo||photographer|Ugo Mulas|0||||0|||||Italian|American||Modernist|||||Italy|United States|||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1965|1965||1965|1965-1965|||||0||||0||||||photo paper|||||photography|||||||4904|Washington, DC: Smithsonian Institution; Archives of American Art|Wash, DC: Smithsonian; Archives Amer. Art||Smith, David, 1906-1965 ; Sculpture (visual work) ; Bolton Landing, New York ; |Smith, David, 1906-1965|Sculpture (visual work)|Bolton Landing, New York|||||||Cornell||JNK|MNW|8/10/2005 0:00:00|7/21/2005 0:00:00|S645|||0|||||||35|TO||||||| |T3191|||||||Work|0||||||||||||0|0|Terminal Iron Works, David Smith's Place Near Bolton Landing, New York|Mulas, Ugo 4505.00|0|Creator|15|35|S645-TO|T3192|1|35 S645-TO T3192 1|Terminal Iron Works, David Smith's Place Near Bolton Landing, New York|Descriptive|Image Source (Pub)|||||||Terminal Iron Works, David Smith's Place Near Bolton Landing, New York|30764|Mulas, Ugo||photographer|Ugo Mulas|0||||0|||||Italian|American||Modernist|||||Italy|United States|||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1965|1965||1965|1965-1965|||||0||||0||||||photo paper|||||photography|||||||4904|Washington, DC: Smithsonian Institution; Archives of American Art|Wash, DC: Smithsonian; Archives Amer. Art||Smith, David, 1906-1965 ; Sculpture (visual work) ; Bolton Landing, New York ; |Smith, David, 1906-1965|Sculpture (visual work)|Bolton Landing, New York|||||||Cornell||JNK|MNW|8/10/2005 0:00:00|7/21/2005 0:00:00|S645|||0|||||||35|TO||||||| |T3192|||||||Work|0||||||||||||0|0|Terminal Iron Works, David Smith's Place Near Bolton Landing, New York|Mulas, Ugo 4506.00|0|Creator|15|25A|S733-TE|95|1|25A S733-TE 95 1|Textile Fragment|||||||||Textile Fragment|0|||||0||||0|||||Spanish|||Medieval|||||Spain|||Granada, Spain|||10162||||0||||0|Villalcázar de Sirga, Spain|||10555|Textiles|Textile||||13|||1270|1274|ca|ca 1270-1274|ca 1270-1274|||||0||||0|||||Silk and gold thread|silk|gold thread||||weaving|||||45 x 35 cm||1968|New York: Hispanic Society of America|New York: Hispanic Soc. Amer.||||||||||||Cornell||ElA|MNW|8/9/2005 0:00:00|7/21/2005 0:00:00|S733|||0||H904a|||||25A|TE||||||| |95|||||||Work|0||Discovered at Villalcázar de Sirga, Palencia. Manufactured in Granada? Inscription: Prosperity.||||||||||0|0|Textile Fragment| 4507.00|0|Manuscript|15|05|N525|00001|||Compendium of Mathematical and Astronomical Treatises|Published|Image Source (Pub)|||||||Compendium of Mathematical and Astronomical Treatises|0|||||0||||0|||||Spanish|||Medieval|||||Spain||||||0||||0||||0||||0|Manuscripts|Manuscript||||13|||1200|1300|ca|ca 1200-1300|ca 1200-1300|||||0||||0|||||Brown ink and color on parchment|ink|parchment|||||||||22.4 x 16.3 x 3.8 cm; folio: 21.3 x 15 cm||1968|New York: Hispanic Society of America|New York: Hispanic Soc. Amer.||Mathematics ; Astronomy ; |Mathematics|Astronomy||||||||Cornell||ElA|MNW|8/11/2005 0:00:00|7/21/2005 0:00:00|N525|||0||HC:397/726|||||05|||||||| |00001|||||||Work|0||||||||||||0|0|Compendium of Mathematical and Astronomical Treatises| 4508.00|0|Manuscript|15|05|N525|00002||05 N525 00002 |Book of the Morals of Philosphers|Translated|Image Source (Pub)|Sefer Musré Hafilosofim|Published|Image Source (Pub)||||Book of the Morals of Philosphers|0|||||0||||0|||||Spanish|||Medieval|||||Spain||||||0||||0||||0||||0||||||13|14|15|1200|1400|ca|ca 1200-1400|ca 1200-1400|||||0||||0|||||Ink and color on parchment|ink|parchment|||||||||14.8 x 11 cm; fols.: 13.2 x 9.7 cm||1968|New York: Hispanic Society of America|New York: Hispanic Soc. Amer.||Philosophy ; |Philosophy|||||||||Cornell||ElA|MNW|8/11/2005 0:00:00|7/21/2005 0:00:00|N525|||0||B1158|||||05|||||||| |00002|||||||Work|0||Translators: Hunayn b. Ishaq al-'Ibadi (809-73) and Yehuda b. Shlomo al-Harizi (1170-1235).||||||||||0|0|Book of the Morals of Philosphers;Sefer Musré Hafilosofim| 4509.00|0|Creator|15|25A|S733-TE|95|2|25A S733-TE 95 2|Nasrid Textile|Published|Image Source (Pub)|||||||Nasrid Textile|0|||||0||||0|||||Spanish|||Medieval|Nasrid||||Spain||||||0||||0||||0||||0|Textiles|Textile||||14|15||1400|1400|ca|ca 1400|ca 1400-1400|||||0||||0|||||Silk threads|silk|||||weaving|||||237.5 x 152.3 cm||1968|New York: Hispanic Society of America|New York: Hispanic Soc. Amer.||||||||||||Cornell||ElA|MNW|8/9/2005 0:00:00|7/21/2005 0:00:00|S733|||0||H921|||||25A|TE||||||| |95|||||||Work|0||Inscription: Happiness in Kufic; Properity and good fortune in red cartouches; Perpetual honor in white cartouches.||||||||||0|0|Nasrid Textile| 4510.00|0|Creator|15|25A|S733-SC|95|3|25A S733-SC 95 3|Nasrid Door|Descriptive|Image Source (Pub)|||||||Nasrid Door|0|||||0||||0|||||Spanish|||Medieval|Nasrid||||Spain|||Granada, Spain|||10162||||0||||0||||0|Objects|Door||||14|||1300|1400||1300-1400|1300-1400|||||0||||0|||||Cedar wood, polychrome, and gilding|cedar|polychrome|gilding|||carving|||||211 x 120 x 7.9 cm||1968|New York: Hispanic Society of America|New York: Hispanic Soc. Amer.||||||||||||Cornell||ElA|MNW|8/9/2005 0:00:00|7/21/2005 0:00:00|S733|||0||D70|||||25A|SC||||||| |95|||||||Work|0||||||||||||0|0|Nasrid Door| 4511.00|0|Culture|15|Q-12|Earthen|Vase|1|Q-12 Earthen Vase 1|Malaga Vase|Published|Image Source (Pub)|||||||Malaga Vase|0|||||0||||0|||||Spanish|||Medieval|||||Spain||||||0||||0||||0||||0|Objects|Vase|Ceramic|||15|||1400|1500|ca|ca 1400-1500|ca 1400-1500|||||0||||0|||||Tin-glazed earthenware with cobal and luster, later gold overpainting|earthenware|cobalt|tin||||||||77.2 x 68.2 cm||4061|Washington, DC: Smithsonian Institution; Freer Gallery of Art|Wash, DC: Smithsonian; Freer Gallery||||||||||||Cornell||ElA|MNW|8/9/2005 0:00:00|7/21/2005 0:00:00||||0||F1903.206a|||||Q|||12||||| |Earthen|||||||Work|0||||||||||||0|0|Malaga Vase| 4512.00|0|Creator|15|35|S645-SC|1962|V933|35 S645-SC 1962 V933|Voltri VI|Assigned|Image Source (Pub)|||||||Voltri VI|11038|Smith, David||sculptor|David Smith|0||||0|||||American|||Minimal|||||United States||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1962|1962||1962|1962-1962|||||0||||0|||||Steel|steel|||||sculpture|||||248.92 x 262.26 x 64.77 cm||9546|Private Collection: Mr. and Mrs. Raymond D. Nasher|Private Coll: Mr. & Mrs. Raymond D. Nasher||Sculpture (visual work) ; |Sculpture (visual work)|||||||||Cornell||JNK|CLL|8/22/2005 0:00:00|7/21/2005 0:00:00|S645|||0|||||||35|SC||||||1962| |V933|||||||Work|0||||||||||||0|0|Voltri VI|Smith, David 4522.00|0|Category|07|Q-12|Mudejar|Jar|1|Q-12 Mudejar Jar 1|Jar|Published|Image Source (Pub)|||||||Jar|0|||||0||||0|||||Spanish|||Medieval|||||Spain||||||0||||0||||0||||0|Objects|Jar|Ceramic|Lusterware||15|||1450|1475|ca|ca 1450-1475|ca 1450-1475|||||0||||0|||||Tin-glazed earthenware with cobalt and luster|earthenware|||||ceramics|||||26.7 x 26.7 cm||1968|New York: Hispanic Society of America|New York: Hispanic Soc. Amer.||||||||||||Cornell||ElA|MNW|8/11/2005 0:00:00|7/21/2005 0:00:00|Mudejar|||0||E617||||Jar|Q|||12||||| ||||||||Work|0|Ceramics-Spanish|||||||||||0|0|Jar| 4523.00|0|Category|07|Q-12|Mudejar|Basin|1|Q-12 Mudejar Basin 1|Basin|Published|Image Source (Pub)|||||||Basin|0|||||0||||0|||||Spanish|||Medieval|||||Spain|||Manises, Spain|||10557||||0||||0||||0|Objects|Ceramic|Lusterware|Basin||15|||1425|1450|ca|ca 1425-1450|ca 1425-1450|||||0||||0|||||Tin-glazed earthenware with cobalt and luster|earthenware|||||ceramics|lusterware||||13 x 48.5 cm||1968|New York: Hispanic Society of America|New York: Hispanic Soc. Amer.||||||||||||Cornell||ElA|MNW|8/11/2005 0:00:00|7/21/2005 0:00:00|Mudejar|||0||E635||||Basin|Q|||12||||| ||||||||Work|0|Ceramics-Spanish|||||||||||0|0|Basin| 4524.00|0|Category|07|Q-12|Mudejar|Plate|1|Q-12 Mudejar Plate 1|Galleried Plate|||||||||Galleried Plate|0|||||0||||0|||||Spanish|||Medieval|||||Spain|||Manises, Spain|||10557||||0||||0||||0|Objects|Plate (dish)|Ceramic|Lusterware||15|||1430|1470|ca|ca 1430-1470|ca 1430-1470|||||0||||0|||||Tin-glazed earthenware with cobalt and luster|earthenware|||||ceramics|lustreware||||4.5 x 42.5 cm||1968|New York: Hispanic Society of America|New York: Hispanic Soc. Amer.||||||||||||Cornell||ElA|MNW|8/11/2005 0:00:00|7/21/2005 0:00:00|Mudejar|||0||E578||||Plate|Q|||12||||| ||||||||Work|0|Ceramics-Spanish|||||||||||0|0|Galleried Plate| 4525.00|0|Creator|15|35|S645-PH|C962|1|35 S645-PH C962 1|"Cubis" in fields at Bolton Landing|Descriptive|Image Source (Pub)|||||||"Cubis" in fields at Bolton Landing|11038|Smith, David||sculptor|David Smith|0||||0|||||American|||Minimal|||||United States||||||0||||0||||0||||0|Photographs|Documentary photograph|Sculpture|||20|||1965|1965|ca|ca 1965|ca 1965-1965|||||0||||0||||||photo paper|||||photography|||||||4904|Washington, DC: Smithsonian Institution; Archives of American Art|Wash, DC: Smithsonian; Archives Amer. Art||Sculpture (visual work) ; |Sculpture (visual work)|||||||||Cornell||JNK|MNW|8/10/2005 0:00:00|7/21/2005 0:00:00|S645|||0|||||||35|PH||||||| |C962|||||||Work|0||||||||||||0|0|"Cubis" in fields at Bolton Landing|Smith, David 4526.00|0|Category|07|Q-12|Mudejar|Plate|2|Q-12 Mudejar Plate 2|Plate|Published|Image Source (Pub)|||||||Plate|0|||||0||||0|||||Spanish|||Medieval|||||Spain|||Manises, Spain|||10557||||0||||0||||0|Objects|Plate (dish)|Ceramic|Lusterware||15|||1400|1430|ca|ca 1400-1430|ca 1400-1430|||||0||||0|||||Tin-glazed earthenware with cobalt and luster|earthenware|||||ceramics|lusterware||||5.3 x 28.1 cm||1968|New York: Hispanic Society of America|New York: Hispanic Soc. Amer.||||||||||||Cornell||ElA|MNW|8/11/2005 0:00:00|7/21/2005 0:00:00|Mudejar|||0||E586||||Plate|Q|||12||||| ||||||||Work|0|Ceramics-Spanish|||||||||||0|0|Plate| 4527.00|0|Category|07|V-12|Mudejar|Carpet|1|V-12 Mudejar Carpet 1|Armorial Carpet|Published|Image Source (Pub)|||||||Armorial Carpet|0|||||0||||0|||||Spanish|||Medieval|||||Spain||||||0||||0||||0||||0|Textiles|Carpet|Textile|||15|||1416|1458|ca|ca 1416-1458|ca 1416-1458|||||0||||0|||||Goat hair|Goat hair|||||weaving|||||502 x 238 cm||1968|New York: Hispanic Society of America|New York: Hispanic Soc. Amer.||Coats of arms ; |Coats of arms|||||||||Cornell||ElA|MNW|8/11/2005 0:00:00|7/21/2005 0:00:00|Mudejar|||0||H328||||Carpet|V|||12||||| ||||||||Work|0|Tapestry, Textiles, Embroidery-Spanish|From Letur, Spain.||||||||||0|0|Armorial Carpet| 4528.00|0|Creator|15|25A|S733-PA|34|3|25 -PA 34 3|Our Lady of Tobed|||Nuestra Señora de Tobed|Published|Image Source (Pub)||||Our Lady of Tobed|0|||||0||||0|||||Spanish|||Medieval|||||Spain||||||0||||||||0||||0|Paintings|Painting||||14|||1370|1370|ca|ca 1370|ca 1370-1370|||||0||||0|||||||||||painting (image-making)|||||||9565|Madrid: Museo Arqueológico Nacional; Coleccion Varez Fisa|Madrid: Mus. Arqueológico Nac.; Col. Varez Fisa||Madonna and Child ; Virgin Mary ; Christ ; |Madonna and Child|Virgin Mary|Christ|||||||Cornell||ElA|MNW|8/5/2005 0:00:00|7/21/2005 0:00:00|S733|||0|||||||25A|PA||||||| |34|||||||Work|0||||||||||||0|0|Our Lady of Tobed;Nuestra Señora de Tobed| 4529.00|0|Creator|15|32|B363-PA|T646|1|32 B363-PA T646 1|La Toilette|Assigned|Image Source (Pub)|||||||La Toilette|876|Bazille, Frederic||painter|Frederic Bazille|0||||0|||||French||||||||France||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||19|||1869|1870||1869-1870|1869-1870|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||132 x 127 cm||3340|Montpellier: Musée Fabre|Montpellier, Musée Fabre||Women ; Dressing (process) ; Servants ; |Women|Dressing (process)|Servants|||||||Cornell||JNK|MNW|8/10/2005 0:00:00|7/21/2005 0:00:00|B363|||0|||||||32|PA||||||| |T646|||||||Work|0||||||||||||0|0|La Toilette|Bazille, Frederic 4530.00|0|Creator|02|B-H5|Tor|3.2 SCl/Dor||B-H5 Tor 3.2 SCl/Dor |Capilla Dorada|Descriptive|Image Source (Pub)|||||||Real Convento de Santa Clara de Tordesillas. Capilla Dorada|0|||||0||||0|||||Spanish|||Medieval|||||Spain||||||0|Tordesillas, Spain|||10554||||0||||0|Architecture|Chapel||||14|||1340|1350|ca|ca 1340-1350|ca 1340-1350||Real Convento de Santa Clara de Tordesillas|Larger entity||4531||||0||||||||||||||||||||||||||||||||Cornell||ElA|MNW|8/8/2005 0:00:00|7/21/2005 0:00:00||Tor||0||||||SCl/Dor|B|||||H5|3.2||||||||||Work|0|Architecture-Spain|||||||||||0|0|Capilla Dorada| 4531.00|0|Site|02|B-H5|Tor|3.2 SCl||B-H5 Tor 3.2 SCl |Real Convento de Santa Clara de Tordesillas|||||||||Real Convento de Santa Clara de Tordesillas|0|||||0||||0|||||Spanish|||Medieval|||||Spain||||||0|Tordesillas, Spain|||10554||||0||||0|Architecture|Convent||||14|15||1340||ca|14th century|ca 1340|||||0||||0||||||||||||||||||||||||||||||||Cornell||ElA|MNW|8/8/2005 0:00:00|7/21/2005 0:00:00||Tor||0||||||SCl|B|||||H5|3.2||||||||||Work|0|Architecture-Spain|||||||||||0|0|Real Convento de Santa Clara de Tordesillas| 4532.00|0|Creator|15|32|B363-PA|S289|1|32 B363-PA S289 1|Scène d'été|Assigned|Image Source (Pub)|Summer Scene|Translated|Image Source (Pub)||||Scène d'été (Summer Scene)|876|Bazille, Frederic||painter|Frederic Bazille|0||||0|||||French||||||||France||||||0||||0||||0||||0|Paintings|Oil painting||||19|||1869|1869||1869|1869-1869|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||158.1 x 158.9 cm||3689|Cambridge, MA: Harvard University; Fogg Art Museum|Cambridge: Harvard; Fogg||Bathing ; Swimming ; Men (male humans) ; Forests ; Wrestlers (athletes) ; |Bathing|Swimming|Men (male humans)|Forests|Wrestlers (athletes)|||||Cornell||JNK|MNW|8/10/2005 0:00:00|7/21/2005 0:00:00|B363|||0|||||||32|PA||||||| |S289|||||||Work|0||||||||||||0|0|Scène d'été;Summer Scene|Bazille, Frederic 4535.00|0|Site|02|B-H5|Tor|3.2 SCl/Dor|8-|B-H5 Tor 3.2 SCl/Dor 8-|Adoration of the Magi|||Adoración de los Magos|Published|Image Source (Pub)||||Real Convento de Santa Clara de Tordesillas. Capilla Dorada. Adoración de los Magos|0|||||0||||0|||||Spanish|||Medieval|||||Spain||||||0|Tordesillas, Spain|||10554||||0||||0|Paintings|Fresco||||14|||1340|1350|ca|ca 1340-1350|ca 1340-1350||Capilla Dorada|LargerEntity||4530||||0|||||||||||painting (image-making)|fresco painting||||||||||Madonna and Child ; Virgin Mary ; Christ ; Adoration of the Magi ; |Madonna and Child|Virgin Mary|Christ|Adoration of the Magi||||||Cornell||ElA|MNW|8/8/2005 0:00:00|7/21/2005 0:00:00||Tor||0||||||SCl/Dor|B|||||H5|3.2||||||||||Work|0|Architecture-Spain|||||||||||0|0|Adoration of the Magi;Adoración de los Magos| 4537.00|0|Creator|15|25|H897-PA|38Mic|1|25 H897-PA 38Mic 1|Retablo of Saint Michael the Archangel|Translated|Dict.Art|Retaule de Sant Miquel||||||Retablo of Saint Michael the Archangel|30765|Huguet, Jaume||painter|Jaume Huguet|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||0||||0||||0|Paintings|Altarpiece|Retablo|Painting||15|||1455|1460||1455-1460|1455-1460|||||0||||0|||||||||||painting (image-making)|panel painting||||||248|Barcelona: Museu d’Art de Catalunya|Barcelona: Mus. Art Catal.||Saint Michael ; Passion of Christ ; Christ ; Crucifixion ; Madonna and Child ; |Saint Michael|Passion of Christ|Christ|Crucifixion|Madonna and Child|||||Cornell||MNW|MNW|8/2/2005 0:00:00|8/2/2005 0:00:00|H897|||0|||||||25|PA||||||| |38Mic|||||||Work|0||||||||||||0|0|Retablo of Saint Michael the Archangel;Retaule de Sant Miquel|Huguet, Jaume 4538.00|0|Creator|15|25|H897-PA|38Vi|1|25 H897-PA 38Vi 1|Retablo de San Vincente de Sarrià|Published|Image Source (Pub)|Retaule de Sant Vicenç de Sarrià|Published|Image Source (Pub)|Retablo mayor of St. Vincent|Published|Dict.Art|Retablo de San Vincente de Sarrià|30765|Huguet, Jaume||painter|Jaume Huguet|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||||||||||0||||0|Paintings|Altarpiece|Retablo|||15|16||1455|1510|ca|ca 1455-1510|ca 1455-1510|||||||||0|||||Tempera on panel|tempera|panel||||painting (image-making)|panel painting||||||248|Barcelona: Museu Nacional d'Art de Catalunya|Barcelona: Mus. Art Catal.||Saint Vincent ; Martyrdom ; |Saint Vincent|Martyrdom||||||||Cornell||ElA|MNW|8/2/2005 0:00:00|7/25/2005 0:00:00|H897|||0|||||||25|PA||||||| |38Vi|||||||Work|0||c 1455-1462/1492/1500-1510||||||||||0|0|Retablo de San Vincente de Sarrià;Retaule de Sant Vicenç de Sarrià;Retablo mayor of St. Vincent|Huguet, Jaume 4539.00|0|Creator|15|25|H897-PA|38Vi|1E 1|25 H897-PA 38Vi 1E 1|Sant Vicenç a la foguera|Descriptive|Image Source (Pub)|Saint Vincent on the Cross|Translated|Cataloger||||Retablo de San Vincente de Sarrià. Sant Vicenç a la foguera (S. Vincent on the Cross)|30765|Huguet, Jaume||painter|Jaume Huguet|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||||||0||||0||||0|Paintings|Altarpiece|Retablo|Painting||15|16||1455|1510|ca|ca 1455-1510|ca 1455-1510||Retablo de San Vincente de Sarrià|Larger entity||4538||||0|||||Tempera on panel|tempera|panel||||painting (image-making)|panel painting||||166 x 93 cm||248|Barcelona: Museu Nacional d'Art de Catalunya|Barcelona: Mus. Art Catal.||Saint Vincent ; Martyrdom ; Crucifixion ; |Saint Vincent|Martyrdom|Crucifixion|||||||Cornell||MNW|MNW|8/2/2005 0:00:00|8/2/2005 0:00:00|H897|||0||24135|||||25|PA||||||| |38Vi|||||||Work|0||||||||||||0|0|Sant Vicenç a la foguera;Saint Vincent on the Cross|Huguet, Jaume 4540.00|0|Creator|15|25|H897-PA|38Vi|1A 1|25 H897-PA 38Vi 1A 1|Sant Vicenç ordenat per sant Valeri|Published|Image Source (Pub)|Ordination of Saint Vincent||||||Retablo de San Vincente de Sarrià. Sant Vicenç ordenat per sant Valeri (Ordination of S. Vincent)|30765|Huguet, Jaume||painter|Jaume Huguet|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||0||||0||||0|Paintings|Altarpiece|Retablo|||15|16||1455|1510|ca|ca 1455-1510|ca 1455-1510||Retablo de San Vincente de Sarrià|Larger entity||4538||||0|||||Tempera on panel|Tempera|panel||||painting (image-making)|panel painting||||169 x 94 cm||248|Barcelona: Museu Nacional d'Art de Catalunya|Barcelona: Mus. Art Catal.||Saint Vincent ; Ordinations ; |Saint Vincent|Ordinations||||||||Cornell||MNW|MNW|8/2/2005 0:00:00|8/2/2005 0:00:00|H897|||0||15866|||||25|PA||||||| |38Vi|||||||Work|0||||||||||||0|0|Sant Vicenç ordenat per sant Valeri;Ordination of Saint Vincent|Huguet, Jaume 4541.00|0|Creator|15|25|H897-PA|38Vi|1B 1|25 H897-PA 38Vi 1B 1|Sant Vicenç enderroca un idol davant Daci|Published|Image Source (Pub)|Saint Vincent Knocks Down an Idol|Translated|Cataloger||||Retablo de San Vincente de Sarrià. Sant Vicenç enderroca un idol davant Daci|30765|Huguet, Jaume||painter|Jaume Huguet|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||0||||0||||0|Paintings|Altarpiece|Retablo|Panel (wood)||15|16||1455|1510|ca|ca 1455-1510|ca 1455-1510||Retablo de San Vincente de Sarrià|Larger entity||4538||||0|||||Tempera on panel|tempera|panel||||painting (image-making)|panel painting||||168 x 94 cm||248|Barcelona: Museu Nacional d'Art de Catalunya|Barcelona: Mus. Art Catal.||Saint Vincent ; Idols and images ; |Saint Vincent|Idols and images||||||||Cornell||MNW|MNW|8/2/2005 0:00:00|8/2/2005 0:00:00|H897|||0||24118|||||25|PA||||||| |38Vi|||||||Work|0||||||||||||0|0|Sant Vicenç enderroca un idol davant Daci;Saint Vincent Knocks Down an Idol|Huguet, Jaume 4542.00|0|Creator|15|25|H897-PA|38Vi|1C 1|25 H897-PA 38Vi 1C 1|Sant Vicenç a l'eculi|Published|Image Source (Pub)|Saint Vincent is Roasted on a Gridiron|Translated|Cataloger||||Retablo de San Vincente de Sarrià. Sant Vicenç a l'eculi (S. Vincent Roasted on Gridiron)|30765|Huguet, Jaume||painter|Jaume Huguet|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||0||||0||||0|Paintings|Altarpiece|Retablo|Panel (wood)||15|16||1455|1510|ca|ca 1455-1510|ca 1455-1510||Retablo de San Vincente de Sarrià|Larger entity||4538||||0|||||Tempera on panel|tempera|panel||||painting (image-making)|panel painting||||152 x 94 cm||248|Barcelona: Museu Nacional d'Art de Catalunya|Barcelona: Mus. Art Catal.||Saint Vincent ; Martyrdom ; |Saint Vincent|Martyrdom||||||||Cornell||MNW|MNW|8/2/2005 0:00:00|8/2/2005 0:00:00|H897|||0||24134|||||25|PA||||||| |38Vi|||||||Work|0||||||||||||0|0|Sant Vicenç a l'eculi;Saint Vincent is Roasted on a Gridiron|Huguet, Jaume 4543.00|0|Creator|15|25|H897-PA|38Vi|1D 1|25 H897-PA 38Vi 1D 1|Miracles de sant Vincenç|Published|Image Source (Pub)|Worshippers at the Tomb of Saint Vincent|Translated|Cataloger||||Retablo de San Vincente de Sarrià. Miracles de sant Vincenç (Worshippers at the Tomb of S. Vincent)|30765|Huguet, Jaume||painter|Jaume Huguet|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||0||||0||||0|Paintings|Altarpiece|Retablo|Panel (wood)||15|16||1455|1510|ca|ca 1455-1510|ca 1455-1510||Retablo de San Vincente de Sarrià|Larger entity||4538||||0|||||Tempera on panel|tempera|panel||||painting (image-making)|panel painting||||152 x 94 cm||248|Barcelona: Museu Nacional d'Art de Catalunya|Barcelona: Mus. Art Catal.||Saint Vicent ; |Saint Vicent|||||||||Cornell||MNW|MNW|8/2/2005 0:00:00|8/2/2005 0:00:00|H897|||0||24138|||||25|PA||||||| |38Vi|||||||Work|0||||||||||||0|0|Miracles de sant Vincenç;Worshippers at the Tomb of Saint Vincent|Huguet, Jaume 4544.00|0|Creator|15|25|H897-PA|38St|1|25 H897-PA 38St 1|Retablo Dedicated to Saint Stephen|||||||||Retablo Dedicated to Saint Stephen|30765|Huguet, Jaume||painter|Jaume Huguet|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||0||||0||||0|Paintings|Altarpiece|Retablo|||15|||1462|1466|ca|ca 1462-1466|ca 1462-1466|||||||||0|||||Tempera on panel|tempera|panel||||painting (image-making)|panel painting||||||9497|Barcelona: Museu de la Catedral|Barcelona: Mus. de la Catedral||Lamentation over the Dead Christ ; Virgin Mary ; Christ ; Passion of Christ ; Saint Stephen ; |Lamentation over the Dead Christ|Virgin Mary|Christ|Passion of Christ|Saint Stephen|||||Cornell||MNW|||8/2/2005 0:00:00|H897|||0|||||||25|PA||||||| |38St|||||||Work|0||Provinent de la capella deis freners de la catedral de Barcelona||||||||||0|0|Retablo Dedicated to Saint Stephen|Huguet, Jaume 4545.00|0|Creator|15|25|H897-PA|38St|1A 1|25 H897-PA 38St 1A 1|La Pietat|Published|Image Source (Pub)|Pieta|Translated|Cataloger||||Retablo Dedicated to Saint Stephen. La Pietat (Pieta)|30765|Huguet, Jaume||painter|Jaume Huguet|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||0||||0||||0|Paintings|Altarpiece|Retablo|Panel (wood)||15|16||1462|1466|ca|ca 1462-1466|ca 1462-1466||Retablo Dedicated to Saint Stephen|Larger entity||4544||||0|||||Tempera on panel|tempera|panel||||painting (image-making)|panel painting||||78 x 67 cm||9497|Barcelona: Museu de la Catedral|Barcelona: Mus. de la Catedral||Lamentation over the Dead Christ ; Passion of Christ ; Virgin Mary ; Christ ; |Lamentation over the Dead Christ|Passion of Christ|Virgin Mary|Christ||||||Cornell||MNW|MNW|8/2/2005 0:00:00|8/2/2005 0:00:00|H897|||0|||||||25|PA||||||| |38St|||||||Work|0||||||||||||0|0|La Pietat;Pieta|Huguet, Jaume 4546.00|0|Creator|15|35|T6936-PA|1969|1|35 T6936-PA 1969 1|Viva La Raza|Assigned|Image Source (Pub)|||||||Viva La Raza|30766|Torres, Salvador Roberto||painter|Salvador Roberto Torres|0||||0|||||American|Mexican American|Latin American|Abstract Expressionist|||||United States||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||20|||1969|1969||1969|1969-1969|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||134.62 x 106.68 cm||3561|Collection of the Artist|: Collection of the Artist||Graffiti ; |Graffiti|||||||||Cornell||JNK|CLL|9/27/2005 0:00:00|7/22/2005 0:00:00|T6936|||0|||||||35|PA||||||1969| ||||||||Work|0||||||||||||0|0|Viva La Raza|Torres, Salvador Roberto 4547.00|0|Creator|15|I-18|GarciaR|1||I-18 GarciaR 1 |¡Cesen Deportación!|Assigned|un|||||||¡Cesen Deportación!|4301|García, Rupert||painter|Rupert García|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Prints|Screen print||||20|||1973|1973||1973|1973-1973|||||0||||0|||||Silkscreen|ink|paper||||printing|screen printing||||51.1 x 66.4 cm||3561|Collection of the Artist|: Collection of the Artist||Fences ; Barbed wire ; |Fences|Barbed wire||||||||Cornell||JNK|MNW|8/15/2005 0:00:00|7/22/2005 0:00:00|GarciaR|||0|||||||I|||18||||| ||||||||Work|0||||||||||||0|0|¡Cesen Deportación!|García, Rupert 4548.00|0|Creator|15|25|H897-PA|38Ab|1|25 H897-PA 38Ab 1|Retablo of Saints Abdó and Senén|Published|Dict.Art|||||||Retablo of Saints Abdó and Senén|30765|Huguet, Jaume||painter|Jaume Huguet|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Panel (wood)|Retablo||15|||1459|1460||1459-1460|1459-1460|||||0||||0|||||Tempera on panel|tempera|panel||||painting (image-making)|panel painting||||290 x 220 cm||9547|Tarrasa: Englésia de Santa Maria|Tarrasa: Englésia S. Maria||Abdon ; |Abdon|||||||||Cornell||MNW|MNW|8/2/2005 0:00:00|8/2/2005 0:00:00|H897|||0|||||||25|PA||||||| |38Ab|||||||Work|0||Originally in S. Perein Tarrasa.||||||||||0|0|Retablo of Saints Abdó and Senén|Huguet, Jaume 4549.00|0|Creator|15|25|H897-PA|21|1|25 H897-PA 21 1|Retablo of Conestable|Published|Image Source (Pub)|Retaule de Conestable|Published|Image Source (Pub)|Retable of the High Constable|Translated|Cataloger|Retablo of Conestable (Retable of the High Constable)|30765|Huguet, Jaume||painter|Jaume Huguet|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||0||||0||||0|Paintings|Altarpiece|Retablo|Panel (wood)||15|||1464|1465||1464-1465|1464-1465|||||0||||0|||||Tempera on panel|tempera|panel||||painting (image-making)|panel painting||||675 x 370 cm||9548|Barcelona: Palau Real Major|Barcelona: Pal. Real Maj.||Passion of Christ ; Life of Christ ; |Passion of Christ|Life of Christ||||||||Cornell||MNW|MNW|8/2/2005 0:00:00|8/2/2005 0:00:00|H897|||0|||||||25|PA||||||| |21|||||||Work|0||||||||||||0|0|Retablo of Conestable;Retaule de Conestable;Retable of the High Constable|Huguet, Jaume 4550.00|0|Creator|15|25|H897-PA|38Ber|1|25 H897-PA 38Ber 1|Retablo of Saint Bernard y el Angel Custodio|Published|Image Source (Pub)|Retaule de Sant Bernardí I ''angel custodi|Published|Image Source (Pub)|Retable of Saint Bernardino and the Guardian Angel|Translated|Cataloger|Retablo of Saint Bernard y el Angel Custodio|30765|Huguet, Jaume||painter|Jaume Huguet|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||0||||0||||0|Paintings|Altarpiece|Retablo|Panel (wood)||15|||1462|1475||1462-1475|1462-1475|||||0||||0|||||Tempera on panel|tempera|panel||||painting (image-making)|panel painting||||480 x 350 cm||9497|Barcelona: Museu de la Catedral|Barcelona: Mus. de la Catedral||Saint Bernardino ; Angels ; |Saint Bernardino|Angels||||||||Cornell||ElA|MNW|8/2/2005 0:00:00|7/26/2005 0:00:00|H897|||0|||||||25|PA||||||| |38Ber|||||||Work|0||||||||||||0|0|Retablo of Saint Bernard y el Angel Custodio;Retaule de Sant Bernardí I ''angel custodi;Retable of Saint Bernardino and the Guardian Angel|Huguet, Jaume 4551.00|0|Creator|15|25|H897-PA|38Ber|1 A||Panel A|Assigned|Cataloger|||||||Retablo of Saint Bernard y el Angel Custodio. Panel A|30765|Huguet, Jaume||painter|Jaume Huguet|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||0||||0||||0|Paintings|Altarpiece|Retablo|Panel (wood)||15|||1462|1475||1462-1475|1462-1475||Retablo of Saint Bernard y el Angel Custodio|LargerEntity||4550||||0|||||Tempera on panel|tempera|panel||||painting (image-making)|panel painting||||||9497|Barcelona: Museu de la Catedral|Barcelona: Mus. de la Catedral||Saint Bernardino ; |Saint Bernardino|||||||||Cornell||ElA|MNW|8/2/2005 0:00:00|7/26/2005 0:00:00|H897|||0|||||||25|PA||||||| |38Ber|||||||Work|0||||||||||||0|0|Panel A|Huguet, Jaume 4552.00|0|Creator|15|25|H897-PA|38Ber|1B 1|25 H897-PA 38Ber 1B 1|Panel B|Assigned|Cataloger|||||||Retablo of Saint Bernard y el Angel Custodio. Panel B|30765|Huguet, Jaume||painter|Jaume Huguet|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||0||||0||||0|Paintings|Altarpiece|Retablo|Panel (wood)||15|||1462|1475||1462-1475|1462-1475||Retablo of Saint Bernard y el Angel Custodio|Larger entity||4550||||0|||||Tempera on panel|tempera|panel||||painting (image-making)|panel painting||||||9497|Barcelona: Museu de la Catedral|Barcelona: Mus. de la Catedral||Saint Bernardino ; |Saint Bernardino|||||||||Cornell||ElA|MNW|8/2/2005 0:00:00|7/26/2005 0:00:00|H897|||0|||||||25|PA||||||| |38Ber|||||||Work|0||||||||||||0|0|Panel B|Huguet, Jaume 4553.00|0|Creator|15|25|H897-PA|38Ber|1C 1|25 H897-PA 38Ber 1C 1|Panel C|Descriptive|Cataloger|||||||Retablo of Saint Bernard. Panel C|30765|Huguet, Jaume||painter|Jaume Huguet|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||0||||0||||0|Paintings|Altarpiece|Retablo|Panel (wood)||15|||1462|1475||1462-1475|1462-1475||Retablo of Saint Bernard y el Angel Custodio|Larger entity||4550||||0|||||Tempera on panel|tempera|panel||||painting (image-making)|panel painting||||||9497|Barcelona: Museu de la Catedral|Barcelona: Mus. de la Catedral||Saint Bernardino ; |Saint Bernardino|||||||||Cornell||ElA|MNW|8/2/2005 0:00:00|7/26/2005 0:00:00|H897|||0|||||||25|PA||||||| |38Ber|||||||Work|0||||||||||||0|0|Panel C|Huguet, Jaume 4554.00|0|Creator|15|25|H897-PA|38Ber|1D 1|25 H897-PA 38Ber 1D 1|Panel D|Descriptive|Cataloger|||||||Retablo of Saint Bernard. Panel D|30765|Huguet, Jaume||painter|Jaume Huguet|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||0||||0||||0|Paintings|altarpe|Retablo|Panel (wood)||15|||1462|1475||1462-1475|1462-1475||Retablo of Saint Bernard y el Angel Custodio|Larger entity||4550||||0|||||Tempera on panel|tempera|panel||||painting (image-making)|panel painting||||||9497|Barcelona: Museu de la Catedral|Barcelona: Mus. de la Catedral||Saint Bernardino ; |Saint Bernardino|||||||||Cornell||ElA|MNW|8/2/2005 0:00:00|7/26/2005 0:00:00|H897|||0|||||||25|PA||||||| |38Ber|||||||Work|0||||||||||||0|0|Panel D|Huguet, Jaume 4555.00|0|Creator|15|25|H897-PA|38Ber|1E 1|25 H897-PA 38Ber 1E 1|Panel E|Descriptive|Cataloger|||||||Retablo of Saint Bernard y el Angel Custodio. Panel E|30765|Huguet, Jaume||painter|Jaume Huguet|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||0||||0||||0|Paintings|Altarpiece|Retablo|Panel (wood)||15|||1462|1475||1462-1475|1462-1475||Retablo of Saint Bernard y el Angel Custodio|Larger entity||4550||||0|||||Tempera on panel|tempera|panel||||painting (image-making)|panel painting||||||9497|Barcelona: Museu de la Catedral|Barcelona: Mus. de la Catedral||Saint Bernard ; Angels ; |Saint Bernard|Angels||||||||Cornell||ElA|MNW|8/2/2005 0:00:00|7/26/2005 0:00:00|H897|||0|||||||25|PA||||||| |38Ber|||||||Work|0||||||||||||0|0|Panel E|Huguet, Jaume 4556.00|0|Creator|15|25|H897-PA|38Ber|1O 1|25 H897-PA 38Ber 1O 1|Open View|Descriptive|Cataloger|||||||Retablo of Saint Bernard y el Angel Custodio. Open View|30765|Huguet, Jaume||painter|Jaume Huguet|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||0||||0||||0|Paintings|Altarpiece|Retablo|Panel (wood)||15|||1462|1475||1462-1475|1462-1475||Retablo of Saint Bernard y el Angel Custodio|Larger entity||4550||||0|||||Tempera on panel|tempera|panel||||painting (image-making)|panel painting||||||9497|Barcelona: Museu de la Catedral|Barcelona: Mus. de la Catedral||Saint Bernardino ; |Saint Bernardino|||||||||Cornell||ElA|MNW|8/2/2005 0:00:00|7/26/2005 0:00:00|H897|||0|||||||25|PA||||||| |38Ber|||||||Work|0||||||||||||0|0|Open View|Huguet, Jaume 4557.00|0|Creator|15|25|H897-PA|38Ann|1|25 H897-PA 38Ann 1|Retaule de Santa Anna, sant Bartomeu i santa Magdalena|Published|Image Source (Pub)|Retablo de Saint Anne, Saint Bartolemew, and Saint Magdalene|Published|Image Source (Pub)|Retable of Saints Anna, Bartholomew, and Mary Magdalene|Translated|Cataloger|Retaule de Santa Anna, sant Bartomeu i santa Magdalena|30765|Huguet, Jaume|`|painter|Jaume Huguet|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||||||0||||0||||0|Paintings|Altarpiece|Retablo|Panel (wood)||15|||1465|1480||1465-1480|1465-1480|||||||||0|||||Tempera on panel|tempera|panel||||painting (image-making)|panel painting||||||248|Barcelona: Museu Nacional d'Art de Catalunya|Barcelona: Mus. Art Catal.||Saint Anna ; Saint Bartholemew ; Mary Magdalene ; |Saint Anna|Saint Bartholemew|Mary Magdalene|||||||Cornell||ElA|MNW|8/2/2005 0:00:00|7/25/2005 0:00:00|H897|||0||24365|||||25|PA||||||| |38Ann|||||||Work|0||||||||||||0|0|Retaule de Santa Anna, sant Bartomeu i santa Magdalena;Retablo de Saint Anne, Saint Bartolemew, and Saint Magdalene;Retable of Saints Anna, Bartholomew, and Mary Magdalene|Huguet, Jaume 4558.00|0|Creator|15|35|C419-PA|1978|1|35 C419-PA 1978 1|Homage to Frida Kahlo|Translated|Cataloger|Homenaje a Frida Kahlo|Assigned|Image Source (Pub)||||Homage to Frida Kahlo|30767|Cervántez, Yreina D.||painter|Yriena D. Cervántez|0||||0|||||American||||||||United States||||||0||||0||||0||||0|Paintings|Watercolor|Painting|||20|||1978|1978||1978|1978-1978|||||0||||0|||||Watercolor|watercolors|||||painting (image-making)|||||50.48 x 35.56 cm||3561|Collection of the Artist|: Collection of the Artist||Kahlo, Frida, 1907-1954 ; Birth ; Lilies ; |Kahlo, Frida, 1907-1954|Birth|Lilies|||||||Cornell||JNK|MNW|8/15/2005 0:00:00|7/22/2005 0:00:00|C419|||0|||||||35|PA||||||1978| ||||||||Work|0||||||||||||0|0|Homage to Frida Kahlo;Homenaje a Frida Kahlo|Cervántez, Yreina D. 4559.00|0|Creator|||||||||||||||||30765|Huguet, Jaume||painter|Jaume Huguet|0||||0|||||||||||||||||||0||||0||||0||||0||||||||||||||||||0||||0||||||||||||||||||||||||||||||||Cornell||ElA|||7/22/2005 0:00:00|H897|||0||||||||||||||||||||||||0||||||||||||0|0||Huguet, Jaume 4560.00|0|Creator|||||||||||||||||30765|Huguet, Jaume||painter|Jaume Huguet|0||||0|||||||||||||||||||0||||0||||0||||0||||||||||||||||||0||||0||||||||||||||||||||||||||||||||Cornell||ElA|||7/22/2005 0:00:00|H897|||0||||||||||||||||||||||||0||||||||||||0|0||Huguet, Jaume 4561.00|0|Creator|15|25|H897-PA|38Aug|1|25 H897-PA 38Aug 1|Retablo of Saint Augustine of the Tanners' Guild|Assigned|Dict.Art|||||||Retablo of Saint Augustine of the Tanners' Guild|30765|Huguet, Jaume||painter|Jaume Huguet|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||||||||||0||||0|Paintings|Altarpiece|Retablo|Panel (wood)||15|||1463|1486||1463-1486|1463-1486|||||0||||0|||||Tempera and oil on panel|tempera|panel|oil|||painting (image-making)|panel painting||||||248|Barcelona: Museu Nacional d'Art de Catalunya|Barcelona: Mus. Art Catal.||Saint Augustine ; |Saint Augustine|||||||||Cornell||ElA|MNW|8/2/2005 0:00:00|7/22/2005 0:00:00|H897|||0||MNAC 21141|||||25|PA||||||| |38Aug|||||||Work|0||||||||||||0|0|Retablo of Saint Augustine of the Tanners' Guild|Huguet, Jaume 4562.00|0|Creator|15|35|P3965-G|1974|1|35 P3965-G 1974 1|Chicano Gothic|Assigned|Image Source (Pub)|||||||Chicano Gothic|30768|Peña, Amado Maurilio||painter|Amado Maurilio Peña|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Prints|Screen print|Print|||20|||1974|1974||1974|1974-1974|||||0||||0|||||Silkscreen|ink|paper||||screen printing|||||45.72 x 30.48 cm||9551|Texas Union Chicano Culture Committee|: Texas Union Chicano Culture Committee||Drinking ; Men (male humans) ; Restaurants ; Bars (commercial buildings) ; |Drinking|Men (male humans)|Restaurants|Bars (commercial buildings)||||||Cornell||JNK|MNW|8/15/2005 0:00:00|7/22/2005 0:00:00|P3965|||0|||||||35|G||||||1974| ||||||||Work|0||||||||||||0|0|Chicano Gothic|Peña, Amado Maurilio 4563.00|0|Creator|15|25|H897-PA|38Aug|1A 1|25 H897-PA 38Aug 1A 1|Consegració de sant Agustí|Published|Image Source (Pub)|Coronation of Saint Augustine|Translated|||||Retablo of Saint Augustine of the Tanners' Guild. Consegració de sant Agustí|30765|Huguet, Jaume||painter|Jaume Huguet|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||||||0||||0||||0|Paintings|Altarpiece|Retablo|Panel (wood)||15|||1463|1486||1463-1486|1463-1486||Retablo of Saint Augustine of the Tanners' Guild|Larger entity||4561||||0|||||Tempera and oil on panel|tempera|oil|panel|||painting (image-making)|panel painting||||251 x 192 cm||248|Barcelona: Museu Nacional d'Art de Catalunya|Barcelona: Mus. Art Catal.||Saint Augustine ; Coronations ; |Saint Augustine|Coronations||||||||Cornell||ElA|MNW|8/2/2005 0:00:00|7/22/2005 0:00:00|H897|||0|||||||25|PA||||||| |38Aug|||||||Work|0||||||||||||0|0|Consegració de sant Agustí;Coronation of Saint Augustine|Huguet, Jaume 4564.00|0|Creator|15|25|H897-PA|38Aug|1B 1|25 H897-PA 38Aug 1B 1|The Last Supper|Translated|Cataloger|L'ultim sopar|Published|Image Source (Pub)||||Retablo of Saint Augustine of the Tanners' Guild. The Last Supper|30765|Huguet, Jaume||painter|Jaume Huguet|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||||||0||||0||||0|Paintings|Altarpiece|Retablo|Panel (wood)||15|||1463|1486||1463-1486|1463-1486||Retablo of Saint Augustine of the Tanners' Guild|Larger Context||4561||||0|||||Tempera and oil on panel|tempera|oil|panel|||painting (image-making)|panel painting||||162 x 170 cm||248|Barcelona: Museu Nacional d'Art de Catalunya|Barcelona: Mus. Art Catal.||Last Supper ; Passion of Christ ; |Last Supper|Passion of Christ||||||||Cornell||ElA|MNW|8/2/2005 0:00:00|7/22/2005 0:00:00|H897|||0||MNAC 40412|||||25|PA||||||| |38Aug|||||||Work|0||||||||||||0|0|The Last Supper;L'ultim sopar|Huguet, Jaume 4565.00|0|Creator|15|25|H897-PA|38The|1|25 H897-PA 38The 1|Retablo of Saint Thecla and Saint Sebastian|Translated|Cataloger|Retaule de Santa Tecla I sant Sebastià|Published|Image Source (Pub)||||Retablo of Saint Thecla and Saint Sebastian|30765|Huguet, Jaume||painter|Jaume Huguet|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||0||||0||||0|Paintings|Altarpiece|Retablo|Panel (wood)||15|||1486|1498||1486-1498|1486-1498|||||0||||0|||||Tempera on panel|tempera|panel||||painting (image-making)|panel painting||||||9513|Barcelona: Cathedral of Barcelona|Barcelona: Cath. of Barcelona||Saint Sebastian ; Saint Thecla ; |Saint Sebastian|Saint Thecla||||||||Cornell||ElA|MNW|8/2/2005 0:00:00|7/22/2005 0:00:00|H897|||0|||||||25|PA||||||| |38The|||||||Work|0||||||||||||0|0|Retablo of Saint Thecla and Saint Sebastian;Retaule de Santa Tecla I sant Sebastià|Huguet, Jaume 4566.00|0|Creator|15|25|H897-PA|26La|1|25 H897-PA 26La 1|Plany sobre el cos de Crist mort|Published|Image Source (Pub)|Lamentation of Christ|Translated|Cataloger||||Plany sobre el cos de Crist mort (Lamentation of Christ)|30765|Huguet, Jaume||painter|Jaume Huguet|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||0||||0||||0|Paintings|Altarpiece|Retablo|Panel (wood)||15|||1460|1460|ca|ca 1460|ca 1460-1460|||||0||||0|||||Tempera on panel transferred to canvas|tempera|panel|canvas|||painting (image-making)|panel painting||||75 x 156 cm||3341|Paris: Musée du Louvre|Paris: Louvre||Lamentation over the Dead Christ ; Passion of Christ ; Virgin Mary ; Christ ; Pieta ; |Lamentation over the Dead Christ|Passion of Christ|Virgin Mary|Christ|Pieta|||||Cornell||ElA|MNW|8/2/2005 0:00:00|7/22/2005 0:00:00|H897|||0||8562 BIS|||||25|PA||||||| |26La|||||||Work|0||Record in ARTstor.||||||||||0|0|Plany sobre el cos de Crist mort;Lamentation of Christ|Huguet, Jaume 4567.00|0|Creator|15|25|H897-PA|38Ge|1|25 H897-PA 38Ge 1|Saint George and the Princess|Translated|Cataloger|Sant Jordi i la princessa|Published|Image Source (Pub)||||Saint George and the Princess|30765|Huguet, Jaume||painter|Jaume Huguet|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||||||0||||0|Paintings|Altarpiece|Retablo|Panel (wood)||15|||1459|1460|ca|ca 1459-1460|ca 1459-1460|||||0||||0|||||Tempera on pine panel|tempera|panel|pine|||painting (image-making)|panel painting||||89 x 56 cm||248|Barcelona: Museu Nacional d'Art de Catalunya|Barcelona: Mus. Art Catal.||Saint George ; |Saint George|||||||||Cornell||ElA|MNW|8/2/2005 0:00:00|7/22/2005 0:00:00|H897|||0||15868|||||25|PA||12||||| |38Ge|||||||Work|0||File available in ARTstor. Part of a triptych.||||||||||0|0|Saint George and the Princess;Sant Jordi i la princessa|Huguet, Jaume 4568.00|0|Creator|15|25|H897-PA|28Tr|1|25 H897-PA 28Tr 1|Retable of the Transfiguration|Translated|Cataloger|Retaule de la Transfiguració|Published|Image Source (Pub)||||Retable of the Transfiguration|30765|Huguet, Jaume||painter|Jaume Huguet|0||||0|||||Spanish|||Medieval|Early Renaissance||||Spain||||||0||||0||||0||||0|Paintings|Altarpiece|Retablo|Panel (wood)||15|||1466|1480|ca|ca 1466-1480|ca 1466-1480|||||0||||0|||||Tempera on panel|tempera|panel||||painting (image-making)|panel painting||||310 x 235 cm||9550|Tortosa: Catedral de Tortossa|Tortosa: Cath. Tortosa||Transfiguration ; Passion of Christ ; Christ ; Man of Sorrows ; |Transfiguration|Passion of Christ|Christ|Man of Sorrows||||||Cornell||ElA|MNW|8/2/2005 0:00:00|7/22/2005 0:00:00|H897|||0|||||||25|PA||||||| |28Tr|||||||Work|0||||||||||||0|0|Retable of the Transfiguration;Retaule de la Transfiguració|Huguet, Jaume 4569.00|0|Creator|15|MED/GOTHIC|SPAIN|SC/MA||MED/GOTHIC SPAIN SC/MA |Reliquary Crucifix|Published|Image Source (Pub)|||||||Reliquary Crucifix|0|||||0||||0|||||Spanish|Catalan||Medieval|Gothic (Medieval)||||Spain||||||0||||0|Barcelona, Spain|||10019||||0|Metalwork|Reliquary||||14|15||1375|1450|ca|ca 1375-1450|ca 1375-1450|||||0||||0|||||Silver gilt with champlevé and translucent enamels|Silver|enamel||||metalworking|||||48.3 cm||1968|New York: Hispanic Society of America Museum|New York: Hispanic Soc. Amer. Mus.||Crucifixes ; |Crucifixes|||||||||Cornell||ElA|MNW|7/28/2005 0:00:00|7/25/2005 0:00:00||SPAIN|Bar|0|||||||MED/GOTHIC|||||||| |SC/MA|||||||Work|0||True Cross reliquary.||||||||||0|0|Reliquary Crucifix| 4570.00|0|Creator|15|25|S795-PA|26As|1|25 S795-PA 26As 1|Ascension Panel and Saint Vincent|Assigned|Image Source (Pub)|||||||Altarpiece of Saints Vincent and Giles. Ascension Panel and St. Vincent|30769|Starnina, Gherardo||painter|Gherardo Starnina|0||||0|||||Italian|Spanish||Medieval||||Valencia|Spain||||||0||||0||||0||||0|Paintings|Altarpiece|Retablo|Panel (wood)||15|||1400|1400|ca|ca 1400|ca 1400-1400||Altarpiece of Saints Vincent and Giles|LargerEntity||4579||||0|||||Tempera on panel|tempera|panel||||painting (image-making)|panel painting||||210 cm||1968|New York: Hispanic Society of America Museum|New York: Hispanic Soc. Amer. Mus.||Ascension ; Christ ; Saint Vincent ; |Ascension|Christ|Saint Vincent|||||||Cornell||ElA|MNW|7/28/2005 0:00:00|7/25/2005 0:00:00|S795|||0|||||||25|PA||||||| |26As|||||||Work|0||||||||||||0|0|Ascension Panel and Saint Vincent|Starnina, Gherardo 4594.00|0|Site|02|B-H5|Bur|7.5 Cor||B-H5 Bur 7.5 Cor |Casa Cordón|Published|Blue Guide|||||||Casa Cordón|0|||||0||||0|||||Spanish|||Medieval|||Europe||Spain||||||0|Burgos, Spain|||10232||||0||||0|Architecture|House||||15|||1482|1499|ca|Begun 1482|ca 1482-1499|||||0||||0||||||||||||||||||||||||||||||||Cornell||ElA|MNW|8/4/2005 0:00:00|7/29/2005 0:00:00||Bur||0||||||Cor|B|||||H5|7.5||||||||||Work|0|Architecture-Spain|||||||||||0|0|Casa Cordón| 4595.00|0|Creator|15|35|C3357-PA|1970||35 C3357-PA 1970 |Humanscape 62|Assigned|Image Source (Pub)|Brownies of the Southwest|Inscribed|Image Source (Pub)||||Humanscape 62: Brownies of the Southwest|2083|Casas, Melesio||painter|Casas, Melesio|0||||0|||||Hispanic American|American|||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting||||20|||1970|1970||1970|1970-1970|||||0||||0|||||Acrylic on canvas|acrylic|canvas||||painting (image-making)|||||182.88 x 243.84 cm||3561|Collection of the Artist|: Collection of the Artist||Hispanic American ; Latin America ; History ; Culture ; |Hispanic American|Latin America|History|Culture||||||Cornell||JNK|MNW|8/23/2005 0:00:00|7/29/2005 0:00:00|C3357|||0|||||||35|PA||||||1970| ||||||||Work|0||||||||||||0|0|Humanscape 62;Brownies of the Southwest|Casas, Melesio 4596.00|0|Site|02|B-H5|Guad|7.1 Inf||B-H5 Guad 7.1 Inf |Palacio del Infantado|Published|Blue Guide|||||||Palacio del Infantado|4895|Guas, Juan||architect|Juan Guas|0||||0|||||Spanish|||Medieval|||Europe||Spain||||||0|Guadalajara, Spain|||10315||||0||||0|Architecture|Palace||||15|||1461|1492||1461-1492|1461-1492|||||||||0||||||||||||||||||||||Palaces ; |Palaces|||||||||Cornell||ElA|MNW|8/9/2005 0:00:00|7/29/2005 0:00:00||Guad||0||||||Inf|B|||||H5|7.1||||||||||Work|0|Architecture-Spain|||||||||||0|0|Palacio del Infantado|Guas, Juan 4597.00|0|Creator|15|25|S733-PA|7S|1|25 S733-PA 7S 1|Retablo de Sopetrán|||||||||Retablo de Sopetrán|0|||||0||||0|||||Spanish|||Medieval|||Europe||Spain||||||0||||0||||0||||0|Paintings|Altarpiece|Retablo|||15|||1450|1499|ca|Second half 15th century|ca 1450-1499|||||0||||0|||||||||||painting (image-making)|||||||1616|Madrid: Museo del Prado|Madrid: Prado||||||||||||Cornell||ElA|MNW|12/11/2005 0:00:00|7/29/2005 0:00:00|S733|||0|||||||25|PA||||||| |7S|||||||Work|0||||||||||||0|0|Retablo de Sopetrán| 4598.00|0|Creator|15|Ren|P|Juan de Flandes||Ren P Juan de Flandes |Retablo de Sopetrán|||||||||Retablo de Sopetrán|30700|Flandes, Juan de||painter|Juan de Flandes|0||||0|||||Spanish|||Medieval|||Europe||Spain||||||0|Palencia, Spain|||10521||||0||||0|Paintings|Altarpiece|Retablo|||15|||1496|1519|ca|ca 1496-1519|ca 1496-1519||Adoration of the Magi|Part of||4434||||0|||||||||||painting (image-making)|||||||||||||||||||||Cornell||ElA|ElA|8/23/2005 0:00:00|7/29/2005 0:00:00|Juan de Fl|||0|||||||Ren|P||||||| ||||||||Work|0||||||||||||0|0|Retablo de Sopetrán|Flandes, Juan de 4599.00|0|Creator|05|35|M7983-PH|1981|1|35 M7983-PH 1981 1|The World Opens Up #1|Assigned|Image Source (Pub)|Se Abre el Mundo #1|Assigned|Image Source (Pub)||||Se Abre el Mundo (The World Opens Up #1)|29876|Montoya, Delilah||photographer|Delilah Montoya|0||||0|||||Hispanic American|American|||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Photocollage||||20|||1981|1981||1981|1981-1981|||||0||||0|||||Ektacolor photocollage||||||photography|||||20.32 x 25.4 cm||9556|: Helen Laura Lopez, Esq.|: Helen Laura Lopez, Esq.||Landscapes ; |Landscapes|||||||||Cornell||JNK|MNW|8/22/2005 0:00:00|7/29/2005 0:00:00|M7983|||0|||||||35|PH||||||1981| ||||||||Work|0||||||||||||0|0|The World Opens Up #1;Se Abre el Mundo #1|Montoya, Delilah 4600.00|0|Creator|05|J|Bernal-|7||J Bernal- 7 |Lynn and Albert Morales|Translated|Cataloger|Lynn y Albert Morales|Assigned|Image Source (Pub)||||Lynn y Albert Morales|1088|Bernal, Louis Carlos||photographer|Louis Carlos Bernal|0||||0|||||Hispanic American|American|||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1978|1978||1978|1978-1978|||||0||||0|||||Type C Color Print|photo paper|||||photography|||||27.94 x 35.56 cm||3961|Tucson: University of Arizona; Center for Creative Photography|Tucson: Univ. AZ; Ctr. Creative Photo.||Portraits ; Group portraits ; Restaurants ; |Portraits|Group portraits|Restaurants|||||||Cornell||JNK|MNW|8/15/2005 0:00:00|7/29/2005 0:00:00|Bernal|||0|||||||J|||||||| ||||||||Work|0||||||||||||0|0|Lynn and Albert Morales;Lynn y Albert Morales|Bernal, Louis Carlos 4601.00|0|Manuscript|15|05|S588|0001||05 S588 0001 |Carta de Hermandad|Published|Image Source (Pub)|||||||Carta de Hermandad|0|||||0||||0|||||Spanish|||Medieval|||Europe||Spain||||||0||||0||||0||||0|Illuminated Manuscripts|Manuscript||||15|||1477|1477||1477|1477-1477|||||0||||0|||||||||||illumination|||||||9534|Simancas: Archivo General de Simancas|Simancas: Archv General||||||||||||Cornell||ElA|MNW|8/11/2005 0:00:00|7/29/2005 0:00:00|S588|||0|||||||05|||||||| |0001|||||||Work|0||||||||||||0|0|Carta de Hermandad| 4602.00|0|Creator|15|35|M9678-SC|1982|1|35 M9678-SC 1982 1|"Which Came First?" Enlightenment #4|Assigned|Image Source (Pub)|||||||"Which Came First?" Enlightenment #4|8325|Muñoz, Celia Alvarez||printmaker|Celia Alvarez Muñoz|0||||0|||||Hispanic American|American|||||North and Central America||United States||||||0||||0||||0||||0|Sculpture|Artist's book||||20|||1982|1982||1982|1982-1982|||||0||||0|||||Mixed media book, five pages|mixed materials|||||sculpture|||||31.7 x 48.2 cm||3561|Collection of the Artist|: Collection of the Artist||Books ; Artists' books ; |Books|Artists' books||||||||Cornell||JNK|JNK|7/29/2005 0:00:00|7/29/2005 0:00:00|M9678|||0|||||||35|SC||||||1982| ||||||||Work|0||||||||||||0|0|"Which Came First?" Enlightenment #4|Muñoz, Celia Alvarez 4603.00|0|Creator|15|25|N165-PA|31|||Retablo de la vida de la Virgen|||||||||Retablo de la vida de la Virgen|30750|Nalda, Juan de||painter|Juan de Nalda|0||||0|||||Spanish|||Medieval|||Europe||Spain||||||0||||0||||0||||0|Paintings|Altarpiece|Retablo|||16|||1500|1500|ca|ca 1500|ca 1500-1500|||||||||0|||||||||||painting (image-making)|||||||||||||||||||||Cornell||ElA|ElA|7/29/2005 0:00:00|7/29/2005 0:00:00|N165|||0|||||||25|PA||||||||31|||||||Work|0||||||||||||0|0|Retablo de la vida de la Virgen|Nalda, Juan de 4604.00|0|Creator|15|35|G216-D|1984|1|35 G216-D 1984 1|The Virgin and Yo|Translated|Cataloger|La Virgen y Yo|Assigned|Image Source (Pub)||||La Virgen y Yo|4301|García, Rupert||painter|Rupert García|0||||0|||||Hispanic American|American|||||North and Central America||United States||||||0||||0||||0||||0|Drawings|Pastel (visual work)|Drawing|||20|||1984|1984||1984|1984-1984|||||0||||0|||||Pastel on paper|pastels (crayons)|paper||||drawing (image-making)|||||121.92 x 185.42 cm||9558|: Dr. and Mrs. William Kroes|: Dr. & Mrs. William Kroes||Virgin Mary ; |Virgin Mary|||||||||Cornell||JNK|MNW|8/15/2005 0:00:00|7/29/2005 0:00:00|G216|||0|||||||35|D||||||1984| ||||||||Work|0||||||||||||0|0|The Virgin and Yo;La Virgen y Yo|García, Rupert 4605.00|0|Creator|15|35|V136-D|1985|1|35 V136-D 1985 1|The Wedding|Assigned|Image Source (Pub)|||||||The Wedding|12061|Valadez, John||muralist|John Valadez|0||||0|||||Hispanic American|American|||||North and Central America||United States||||||0||||0||||0||||0|Drawings|Pastel (visual work)||||20|||1985|1985||1985|1985-1985|||||0||||0|||||Oil pastels on paper|pastels (crayons)|paper||||drawing (image-making)|||||97.16 x 127 cm||9559|: Dixie Swift|: Dixie Swift||Weddings ; Group portraits ; |Weddings|Group portraits||||||||Cornell||JNK|MNW|8/15/2005 0:00:00|7/29/2005 0:00:00|V136|||0|||||||35|D||||||1985| ||||||||Work|0||||||||||||0|0|The Wedding|Valadez, John 4606.00|0|Creator|05|35|V144-PH|1983|1|35 V144-PH 1983 1|Downtown Los Angeles|Assigned|Image Source (Pub)|||||||Downtown Los Angeles|29809|Valdez, Patssi||muralist|Patssi Valdez|0||||0|||||Hispanic American|American|||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Photocollage||||20|||1983|1983||1983|1983-1983|||||0||||0|||||Hand-colored photocollage,||||||photography|collage||||3 panels, each 203.2 x 76.2 cm||9560|Vienna: Christin and Günter Joetze|Vienna: Christin and Günter Joetze||Los Angeles ; Cityscapes ; |Los Angeles|Cityscapes||||||||Cornell||JNK|JNK|7/29/2005 0:00:00|7/29/2005 0:00:00|V144|||0|||||||35|PH||||||1983| ||||||||Work|0|20th Century|||||||||||0|0|Downtown Los Angeles|Valdez, Patssi 4607.00|0|Category|11|W-18|Disc|Hisp|1|W-18 Disc Hisp 1|Two Pachucos Stripped and Beaten by Ranging Bands of Servicemen in Front of Movie Theatre on 8th and Main Streets, Los Angeles|Descriptive|Image Source (Pub)|||||||Two Pachucos Stripped and Beaten by Ranging Bands of Servicemen|0|||||0||||0|||||Hispanic American|American|||||North and Central America||United States|||Los Angeles, CA|||10085||||0||||0||||0|Photographs|Documentary photograph||||20|||1943|1943||June 7, 1943|1943-1943|||||0||||0|||||Black and white photograph||||||photography|||||||||||Discrimination ; Hispanic American ; |Discrimination|Hispanic American||||||||Cornell||JNK|MNW|8/16/2005 0:00:00|7/29/2005 0:00:00||||0||||||Hisp|W|||18||||||Disc|||||||Work|0||Courtesy of World Wide Photos.|||June 7, 1943.|||||||0|0|Two Pachucos Stripped and Beaten by Ranging Bands of Servicemen in Front of Movie Theatre on 8th and Main Streets, Los Angeles| 4571.00|0|Manuscript|15|05|N529|0001||05 N529 0001|Horae beatae marie secundum usum curie romane|Assigned|Image Source (Pub)|Black Book of Hours|Assigned|Image Source (Pub)||||Horae beatae marie secundum usum curie romane (Black Book of Hours)|0|||||0||||0|||||Spanish|Flemish||Medieval|||||Spain||||||0||||0||||0||||0|Manuscripts|Manuscript||||15|||1458|1458|ca|ca 1458|ca 1458-1458|||||0||||0|||||Illuminated manuscript on parchment|parchment|||||illumination|||||14.7 x 10.1 cm||1968|New York: Hispanic Society of America Museum|New York: Hispanic Soc. Amer. Mus.||Manuscripts ; |Manuscripts|||||||||Cornell||ElA|MNW|8/11/2005 0:00:00|7/25/2005 0:00:00|N529|||0|||||||05|||||||| |0001|||||||Work|0||||||||||||0|0|Horae beatae marie secundum usum curie romane;Black Book of Hours| 4572.00|0|Creator|07|H-12|Actos del capitulo||1|H-12 Actos del capitulo 1|Actos del Capitulo general de la orden de santiago|Published|Image Source (Pub)|||||||Actos del Capitulo general de la orden de santiago|0|||||0||||0|||||Spanish|||Medieval|Mudejar||||Spain||||||0||||0||||0||||0|Book Arts|Bookbinding||||15|||1480|1480|ca|ca 1480|ca 1480-1480|||||0||||0||||||||||||||||28.1 x 20.3 cm||1968|New York: Hispanic Society of America Museum|New York: Hispanic Soc. Amer. Mus.||Books ; |Books|||||||||Cornell||ElA|MNW|7/28/2005 0:00:00|7/25/2005 0:00:00||||0||||||Actos del capitulo|H|||||12||| ||||||||Work|0|Book Arts-|||||||||||0|0|Actos del Capitulo general de la orden de santiago| 4573.00|0|Manuscript|15|05|N529|0002||05 N529 0002 |Hebrew Bible|||||||||Hebrew Bible|0|||||0||||0|||||Spanish|Jewish||Medieval|||||Spain||||||0||||0||||0||||0|Manuscripts|Illumination (layout feature)||||15|||1490|1500|ca|ca 1490-1500|ca 1490-1500|||||0||||0|||||Illuminated manuscript on parchment|parchment|||||illumination|||||28 x 17.8 cm||1968|New York: Hispanic Society of America Museum|New York: Hispanic Soc. Amer. Mus.||Manuscripts ; |Manuscripts|||||||||Cornell||ElA|MNW|8/11/2005 0:00:00|7/25/2005 0:00:00|N529|||0|||||||05|||||||| |0002|||||||Work|0||||||||||||0|0|Hebrew Bible| 4574.00|0|Creator|15|MED/GOTHIC|SPAIN|SC/MA||MED/GOTHIC SPAIN SC/MA |Chalice|||||||||Chalice|0|||||0||||0|||||Spanish|||Medieval|||||Spain||||||0||||0|Segovia, Spain|||10526||||0|Metalwork|Chalice||||16|||1500|1515|ca|ca 1500-1515|ca 1500-1515|||||0||||0|||||Silver gilt, cast, repouseé, and chased|silver|||||metalworking|||||23.8 cm||1968|New York: Hispanic Society of America Museum|New York: Hispanic Soc. Amer. Mus.||Chalice ; |Chalice|||||||||Cornell||ElA|MNW|7/28/2005 0:00:00|7/25/2005 0:00:00|SPAIN|||0|||||||MED/GOTHIC|||||||| |SC/MA|||||||Work|0||||||||||||0|0|Chalice| 4575.00|0|Creator|15|MED/GOTH|SPAIN|SC/MA||MED/GOTH SPAIN SC/MA |50 excelentes|||||||||50 excelentes|0|||||0||||0|||||Spanish|||Medieval|||||Spain||||||0||||0|Seville, Spain|||10234||||0|Objects|Coin||||15|16||1497|1504||1497-1504|1497-1504|||||0||||0|||||Gold coin|gold|||||metalworking|||||6.6 cm, weight 175.908 g||1968|New York: Hispanic Society of America Museum|New York: Hispanic Soc. Amer. Mus.||Coins ; |Coins|||||||||Cornell||ElA|MNW|7/28/2005 0:00:00|7/25/2005 0:00:00||||0||||||SC/MA|MED/GOTH|||||||| |SPAIN|||||||Work|0||||||||||||0|0|50 excelentes| 4576.00|0|Creator|15|25|G633-PA|38Joh|1|25 G633-PA 38Joh 1|Altarpiece of the Two Saint Johns|Assigned|Image Source (Pub)|||||||Altarpiece of the Two Saint Johns|30770|Gomez, Martin, The Elder||painter|Martin Gomez the Elder|0||||0|||||Spanish|||Medieval|||||Spain||||||0||||0||||0||||0|Paintings|Altarpiece|Retablo|Panel (wood)||16|||1550|1550|ca|ca 1550|ca 1550-1550|||||0||||0|||||Tempera on panel|tempera|panel||||painting (image-making)|panel painting||||248 x 208 cm||1968|New York: Hispanic Society of America|New York: Hispanic Soc. Amer.||Saint John of God ; Saint John the Baptist ; |Saint John of God|Saint John the Baptist||||||||Cornell||ElA|MNW|7/28/2005 0:00:00|7/25/2005 0:00:00|G633|||0|||||||25|PA||||||| |38Joh|||||||Work|0||||||||||||0|0|Altarpiece of the Two Saint Johns|Gomez, Martin, The Elder 4577.00|0|Creator|15|25A|S733-TE|21|1|25A S733-TE 21 1|Retable and Altar Front|||||||||Retable and Altar Front|0|||||0||||0|||||Spanish|||Medieval|||||Spain||||||0|||||El Burgo de Osma, Spain|||10550||||0|Textiles|Altarpiece|Retablo|Textile||15|||1468|1468|ca|ca 1468|ca 1468-1468|||||0||||0|||||Embroidered & appliquéd linen; silk thread|linen (material)|thread||||embroidering|appliqué||||Retable: 165.2 x 200.8 cm; frontal: 88.8 x 202.3 cm||4073|Chicago: Art Institute of Chicago|Chicago: Art Institute||Life of the Virgin ; Life of Christ ; Adoration of the Magi ; Christ ; Passion of Christ ; Nativity ; |Life of the Virgin|Life of Christ|Adoration of the Magi|Christ|Passion of Christ|Nativity||||Cornell||ElA|MNW|8/5/2005 0:00:00|7/25/2005 0:00:00|S733|||0||1927.1779|||||25A|TE||||||| |21|||||||Work|0||Made for Pedro de Montoya, who served from 1454 to 1475 as Bishop of Osma. Devotion & Splendor.||||||||||0|0|Retable and Altar Front| 4579.00|0||||||||Altarpiece of Saints Vincent and Giles|Assigned|Image Source (Pub)|||||||Altarpiece of Saints Vincent and Giles|30769|Starnina, Gherardo||painter|Gherardo Starnina|0||||0|||||Italian|Spanish||Medieval|||Europe||Spain||||||0||||0||||0||||0|Paintings|Altarpiece|Retablo|||15|||1400|1400|ca|ca 1400|ca 1400-1400|||||||||0|||||Tempera on panel|tempera|panel||||painting (image-making)|panel painting||||||||||||||||||||Cornell||MNW|MNW|7/28/2005 0:00:00|7/28/2005 0:00:00||||0||||||||||||||||||||||||0||The panels comprising this altarpiece are dispersed.||||||||||0|0|Altarpiece of Saints Vincent and Giles|Starnina, Gherardo 4580.00|0|Creator|15|35|G182-PA|1983|1|35 G182-PA 1983 1|Home Girl #1|Assigned|Image Source (Pub)|||||||Home Girl #1|30771|Galvez, Daniel||painter|Daniel Galvez|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1983|1983||1983|1983-1983|||||0||||0|||||Oil on masonite|oil paint|Masonite||||painting (image-making)|||||91.44 x 68.58 cm||9552|San Antonio: DagenBela Galeria|San Antonio: DagenBela Galeria||Women ; Portraits ; |Women|Portraits||||||||Cornell||JNK|MNW|8/15/2005 0:00:00|7/28/2005 0:00:00|G182|||0|||||||35|PA||||||1983| ||||||||Work|0||||||||||||0|0|Home Girl #1|Galvez, Daniel 4581.00|0|Creator|15|35|L7345-PA|1978|1|35 L7345-PA 1978 1|No Vale Homes|Assigned|Image Source (Pub)|||||||No Vale Homes|30772|Limón, Leo||painter|Leo Limón|0||||0|||||American|Mexican American|||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting||||20|||1978|1978||1978|1978-1978|||||0||||0|||||Acrylic and spray paint on canvas|acrylic|canvas||||painting (image-making)|||||55.88 x 76.2 cm||9553|: Oliver Stone|: Oliver Stone||Murders ; Men (male humans) ; Firearms ; Masks ; |Murders|Men (male humans)|Firearms|Masks||||||Cornell||JNK|MNW|8/15/2005 0:00:00|7/28/2005 0:00:00|L7345|||0|||||||35|PA||||||1978| ||||||||Work|0||||||||||||0|0|No Vale Homes|Limón, Leo 4582.00|0|Creator|15|35|M7985-G|1978|1|35 M7985-G 1978 1|Pachuco: a Historical Update|Assigned|Image Source (Pub)|||||||Pachuco: a Historical Update|30773|Montoya, José||painter|José Montoya|0||||0|||||American|Mexican American|||||North and Central America||United States||||||0||||0||||0||||0|Prints|Screen print|Print|||20|||1978|1978||1978|1978-1978|||||0||||0|||||Silkscreen|ink|||||screen printing|||||78.74 x 33.02 cm||3561|Collection of the Artist|: Collection of the Artist||Skeleton ; History ; Culture ; |Skeleton|History|Culture|||||||Cornell||JNK|MNW|8/15/2005 0:00:00|7/28/2005 0:00:00|M7985|||0|||||||35|G||||||1978| ||||||||Work|0||||||||||||0|0|Pachuco: a Historical Update|Montoya, José 4583.00|0|Creator|15|35|T813-PA|1972|1|35 T813-PA 1972 1|My Life|Translated|Cataloger|Mi Vida|Assigned|Image Source (Pub)||||My Life (Mi Vida)|30774|Treviño, Jesse||painter|Jesse Treviño|0||||0|||||American|Mexican American|||||North and Central America||United States||||||0|San Antonio, TX|||10558||||0||||0|Paintings|Mural|Painting|||20|||1972|1972||1972|1972-1972|||||0||||0|||||Mural||||||painting (image-making)|mural painting||||||||||Military personnel ; Automobiles ; Women ; Culture ; |Military personnel|Automobiles|Women|Culture||||||Cornell||JNK|MNW|8/15/2005 0:00:00|7/28/2005 0:00:00|T813|||0|||||||35|PA||||||1972|||||||||Work|0||||||||||||0|0|My Life;Mi Vida|Treviño, Jesse 4584.00|0|Creator|15|35|H434-PA|1974|1|35 H434-PA 1974 1|Ghosts of the Barrio|Assigned|Image Source (Pub)|||||||Ghosts of the Barrio|30775|Healy, Wayne Alaniz||muralist|Wayne Alaniz Healy|0||||0|||||American|Mexican American|||||North and Central America||United States||||||0|Ramona Gard. Hous. Proj, Lancaster St, East LA, CA|||10543||||0||||0|Paintings|Mural|Painting|||20|||1974|1974||1974|1974-1974|||||0||||0|||||Mural|paint|wall||||mural painting|||||||||||Houses ; Barrios ; Murals (any medium) ; Culture ; |Houses|Barrios|Murals (any medium)|Culture||||||Cornell||JNK|MNW|8/15/2005 0:00:00|7/28/2005 0:00:00|H434|||0|||||||35|PA||||||1974|||||||||Work|0||||||||||||0|0|Ghosts of the Barrio|Healy, Wayne Alaniz 4585.00|0|Creator|15|35|D4573-PA|1976|1|35 D4573-PA 1976 1|Farmer|Translated|Cataloger|Campesino|Assigned|Image Source (Pub)||||Campesino|30776|DeSiga, Daniel||painter|Daniel DeSiga|0||||0|||||Hispanic American|American|||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||20|||1976|1976||1976|1976-1976|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||128 x 149 cm||9555|: Alfredo Aragón Collection|: Alfredo Aragón Collection||Farming ; Migrant workers ; |Farming|Migrant workers||||||||Cornell||JNK|MNW|8/15/2005 0:00:00|7/28/2005 0:00:00|D4573|||0|||||||35|PA||||||1976| ||||||||Work|0||||||||||||0|0|Farmer;Campesino|DeSiga, Daniel 4586.00|0|Creator|15|35|M9533-PA|1974|2|35 M9533-PA 1974 2|Panamerica|Assigned|Image Source (Pub)|||||||Panamerica|29818|Las Mujeres Muralistas||muralists|Las Mujeres Muralistas|0||||0|||||Hispanic American|American|||||North and Central America||United States|||Mission & 26th St, San Francisco, CA|||10545||||0||||0||||0|Paintings|Mural|Painting|||20|||1974|1974||1974|1974-1974|||||0||||0|||||Mural||||||mural painting|||||||||||Hispanic American ; Mexican American ; Mexico ; History ; Culture ; |Hispanic American|Mexican American|Mexico|History|Culture|||||Cornell||JNK|MNW|8/15/2005 0:00:00|7/28/2005 0:00:00|M9533|||0|||||||35|PA||||||1974|||||||||Work|0||No longer extant.||||||||||0|0|Panamerica|Las Mujeres Muralistas 4587.00|0|Site|02|B-H5|Tol|3.1 JuanR||B-H5 Tol 3.1 JuanR |San Juan de los Reyes|Assigned|Blue Guide|||||||San Juan de los Reyes|0|||||0||||0|||||Spanish|||Medieval|Gothic (Medieval)||Europe||Spain||||||0|Toledo, Spain|||10310||||0||||0|Architecture|Cathedral||||15|16||1476|1510||1476-1510|1476-1510|||||0||||0||||||||||||||||||||||Cathedrals ; |Cathedrals|||||||||Cornell||ElA|MNW|8/3/2005 0:00:00|7/29/2005 0:00:00||Tol||0||||||JuanR|B|||||H5|3.1||||||||||Work|0|Architecture-Spain|||||||||||0|0|San Juan de los Reyes| 4588.00|0|Creator|15|35|A8151-TO|1990|1|35 A8151-TO 1990 1|ASCO Installation at the UCLA Wight Art Gallery|Descriptive|Image Source (Pub)|||||||ASCO Installation at the UCLA Wight Art Gallery|29808|ASCO Chicano Performance Group||performance artists|ASCO Chicano Performance Group|0||||0|||||American|Hispanic American|||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Documentary photograph|Installation (exhibition)|||20|||1990|1990||1990|1990-1990|||||0||||0|||||Color photograph||||||photography|Installations||||||||||Art exhibitions ; |Art exhibitions|||||||||Cornell||JNK|MNW|8/15/2005 0:00:00|7/29/2005 0:00:00|A8151|||0|||||||35|TO|||||||||||||||Work|0||||||||||||0|0|ASCO Installation at the UCLA Wight Art Gallery|ASCO Chicano Performance Group 4589.00|0|Creator|15|25|M533-PA|26D|||Deposition Diptych|||||||||Deposition Diptych|7863|Memling, Hans|||Hans Memling|0||||0|||||Spanish|||Medieval|||Europe||Spain||||||0||||0||||0||||0|Paintings|Altarpiece|Retablo|Panel (wood)||15|||1492|1494|ca|ca 1492-1494|ca 1492-1494|||||0||||0|||||||||||painting (image-making)|||||||982|Granada: Capilla Real|Granada: Capilla Real||Christ ; Passion of Christ ; Deposition ; |Christ|Passion of Christ|Deposition|||||||Cornell||ElA|MNW|8/3/2005 0:00:00|7/29/2005 0:00:00|M533|||0|||||||25|PA||||||| |26D|||||||Work|0||The left panel is the the Capilla Real in Granada and the right in the Museo de Arte in Sao Paulo.||||||||||0|0|Deposition Diptych|Memling, Hans 4590.00|0|Site|02|B-H5|Seg|3.1 VCru||B-H5 Seg 3.1 VCru |La Vera Cruz|Published|Blue Guide|Monasterio de Santa Cruz|Published|Image Source (Pub)||||Monasterio de Santa Cruz|0|||||0||||0|||||Spanish|||Medieval|||Europe||Spain||||||0|Segovia, Spain|||10526||||0||||0|Architecture|Church||||15|||1204|1208|ca|ca 1204-1208|ca 1204-1208|||||0||||0||||||||||||||||||||||||||||||||Cornell||ElA|MNW|8/4/2005 0:00:00|7/29/2005 0:00:00||Seg||0||||||VCru|B|||||H5|3.1||||||||||Work|0|Architecture-Spain|||||||||||0|0|La Vera Cruz;Monasterio de Santa Cruz| 4591.00|0|Site|02|B-H5|Zam|3.1 Cath|||Cathedral of Zamora|Descriptive|Blue Guide|||||||Cathedral of Zamora|0|||||0||||0|||||Spanish|||Medieval|||Europe||Spain||||||0|Zamora, Spain|||10537||||0||||0|Architecture|Cathedral||||12|16||1150|1506|ca|ca 1150-1506|ca 1150-1506|||||0||||0||||||||||||||||||||||||||||||||Cornell||ElA|MNW|8/4/2005 0:00:00|7/29/2005 0:00:00||Zam||0||||||Cath|B|||12||H5|3.1||||||||||Work|0|Architecture-Spain|||||||||||0|0|Cathedral of Zamora| 4592.00|0|Site|02|B-H5|Val|3.1 SGre||B-H5 Val 3.1 SGre |Colegio de San Gregorio|||||||||Colegio de San Gregorio|0|||||0||||0|||||Spanish|||Medieval|||Europe||Spain||||||0|Valladolid, Spain|||10525||||0||||0|Architecture|||||15||||1496|bef|bef -1496|bef -1496|||||0||||0|||||||||||architecture|||||||||||||||||||||Cornell||ElA|MNW|8/4/2005 0:00:00|7/29/2005 0:00:00||Val||0||||||SGre|B|||||H5|3.1||||||||||Work|0|Architecture-Spain||||Completed in 1496.|||||||0|0|Colegio de San Gregorio| 4593.00|0|Creator|15|35|R8885-TO|1990|1|35 R8885-TO 1990 1|Installation at UCLA Wight Art Gallery|Descriptive|Image Source (Pub)|||||||Installation at UCLA Wight Art Gallery|30778|Royal Chicano Air Force||muralist|Royal Chicano Air Force|0||||0|||||Hispanic American|American|||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1990|1990||1990|1990-1990|||||0||||0|||||Color photograph||||||photography|||||||||||Art exhibitions ; |Art exhibitions|||||||||Cornell||JNK|JNK|7/29/2005 0:00:00|7/29/2005 0:00:00|R8885|||0|||||||35|TO||||||1990|||||||||Work|0||||||||||||0|0|Installation at UCLA Wight Art Gallery|Royal Chicano Air Force 4608.00|0|Culture|11|W-18|Disc|Hisp|2|W-18 Disc Hisp 2|Mexicana Night/Colored Night Bulletin|Descriptive|Image Source (Pub)|||||||Mexicana Night/Colored Night Bulletin|0|||||0||||0|||||Hispanic American|American|||||North and Central America||United States|||Los Angeles, CA|||10085||||0||||0||||0|Photographs|Documentary photograph||||20|||1942|1942||1942|1942-1942|||||0||||0|||||Black and white photograph||||||photography|||||||9561|Los Angeles: University of California; Department of Special Collections|Los Angeles: UCLA; Dept. of Special Collections||Motion picture theaters ; Discrimination ; African Americans ; Hispanic American ; |Motion picture theaters|Discrimination|African Americans|Hispanic American||||||Cornell||JNK|MNW|8/16/2005 0:00:00|7/29/2005 0:00:00||||0||||||Hisp|W|||18||||| |Disc|||||||Work|0||||||||||||0|0|Mexicana Night/Colored Night Bulletin| 4609.00|0|Culture|11|W-18|Disc|Hisp|3|W-18 Disc Hisp 3|Sleepy Lagoon Girl Murder Suspects in Custody|Descriptive|Image Source (Pub)|||||||Sleepy Lagoon Girl Murder Suspects in Custody|0|||||0||||0|||||Hispanic American|American|||||North and Central America||United States|||Los Angeles, CA|||10085||||0||||0||||0|Publications|Article||||20|||1942|1942||1942|1942-1942|||||0||||0|||||Newspaper article||||||printing|||||||9562|Los Angeles: Los Angeles Times|Los Angeles: LA Times||Murders ; Newspapers ; Hispanic American ; Gangs ; |Murders|Newspapers|Hispanic American|Gangs||||||Cornell||JNK|MNW|8/16/2005 0:00:00|7/29/2005 0:00:00||||0||||||Hisp|W|||18||||| |Disc|||||||Work|0||||||||||||0|0|Sleepy Lagoon Girl Murder Suspects in Custody| 4610.00|0|Culture|11|W-18|Disc|Hisp|4|W-18 Protest 3|Mexican-American Girls Meet In Protest|Assigned|Image Source (Pub)|||||||Mexican-American Girls Meet In Protest|0|||||0||||0|||||Hispanic American|Mexican American|American||||North and Central America||United States||||||0||||0||||0||||0|Publications|Article|Documentary photograph|||20|||1943|1943||June 16, 1943|1943-1943|||||0||||0|||||Newspaper article|||||||||||||9563|Los Angeles: Eastside Journal|Los Angeles: Eastside Journal||Mexican American ; Newspapers ; Protests ; |Mexican American|Newspapers|Protests|||||||Cornell||JNK|MNW|8/16/2005 0:00:00|7/29/2005 0:00:00||||0||||||Hisp|W|||18||||| |Disc|||||||Work|0||||||||||||0|0|Mexican-American Girls Meet In Protest| 4611.00|0|Creator|15|35|A8151-TO|1975|1|35 A8151-TO 1975 1|ASCO group; left to right: Harry Gamboa, Jr., Patssi Valdez, Humberto Sandoval, Gronk, Willie Herrón|Descriptive|Image Source (Pub)|||||||ASCO group; left to right: Harry Gamboa, Jr., Patssi Valdez, Humberto Sandoval, Gronk, Willie Herrón|30784|Sandoval, Humberto||photographer|Humberto Sandoval|0||||0|||||Hispanic American|Mexican American|American||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1975|1975||1975|1975-1975|||||0||||0|||||Black and white photograph||||||photography|||||||||||Sandoval, Humberto ; Gronk, 1954- ; Valdez, Patssi, 1953- ; Gamboa, Jr., Harry, 1951- ; Herrón, Willie, 1951- ; Asco (Group of artists) ; |Sandoval, Humberto|Gronk, 1954-|Valdez, Patssi, 1953-|Gamboa, Jr., Harry, 1951-|Herrón, Willie, 1951-|Asco (Group of artists)||||Cornell||JNK|MNW|8/16/2005 0:00:00|8/1/2005 0:00:00|A8151|||0|||||||35|TO||||||1075|||||||||Work|0||||||||||||0|0|ASCO group; left to right: Harry Gamboa, Jr., Patssi Valdez, Humberto Sandoval, Gronk, Willie Herrón|Sandoval, Humberto 4612.00|0|Site|02|B-H5|Tol|3.1 Cath|||Cathedral of Toledo|||||||||Cathedral of Toledo|0|||||0||||0|||||Spanish|||Medieval|Gothic (Medieval)||Europe||Spain||||||0|Toledo, Spain|||10310||||0||||0|Architecture|Cathedral||||13|14|15|1227|1493||1227-1493|1227-1493|||||0||||0||||||||||||||||||||||Spain ; Toledo, Spain ; Cathedrals ; |Spain|Toledo, Spain|Cathedrals|||||||Cornell||ElA|MNW|8/8/2005 0:00:00|8/1/2005 0:00:00||Tol||0||||||Cath|B|||||H5|3.1||||||||||Work|0|Architecture-Spain|||||||||||0|0|Cathedral of Toledo| 4613.00|0|Creator|15|35|A8151-M|1974|2|35 A8151-M 1974 2|Day of the Dead|Translated|Cataloger|Dia de los Muertos|Assigned|Image Source (Pub)||||Day of the Dead (Dia de los Muertos)|29808|ASCO Chicano Performance Group||performance artists|ASCO Chicano Performance Group|30708|Gamboa, Diane||photographer|0|||||Hispanic American|Mexican American|American||||North and Central America||United States|||Evergreen Cemetery, Boyle Hts, Los Angeles, CA|||10548||||0||||0||||0|Performance Art|Performance art||||20|||1974|1974||1974|1974-1974|||||0||||0|||||Performance||||||performance art|||||||||||All Souls' Day ; Performance art ; Hispanic American ; |All Souls' Day|Performance art|Hispanic American|||||||Cornell||JNK|MNW|8/16/2005 0:00:00|8/1/2005 0:00:00|A8151|||0|||||||35|M||||||1974|||||||||Work|0||||||||||||0|0|Day of the Dead;Dia de los Muertos|ASCO Chicano Performance Group;Gamboa, Diane 4614.00|0|Creator|15||||||Tombs of Álvaro de Luna and Juana de Pimentel|||||||||Capilla de Santiago. Tombs of Álvaro de Luna and Juana de Pimentel|30752|Sebastian de Toledo||sculptor|Sebastian de Toledo|0||||0|||||Spanish|||Medieval|Gothic (Medieval)||Europe||Spain||||||0|Toledo, Spain|||10310||||0||||0|Paintings|Altarpiece|Retablo|Sculpture||15|||1489|1489||1489|1489-1489||Capilla de Santiago|LargerEntity||4450||||0||||||marble|||||sculpture|||||||||||Spain ; Toledo, Spain ; Cathedrals ; Tombs ; |Spain|Toledo, Spain|Cathedrals|Tombs||||||Cornell||ElA|MNW|3/31/2006 0:00:00|8/1/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Tombs of Álvaro de Luna and Juana de Pimentel|Sebastian de Toledo 4615.00|0|Creator|15|25|-PA||||Retablo Mayor|||||||||Retablo Mayor|0|||||0||||0|||||Spanish|||Medieval|Gothic (Medieval)||Europe||Spain||||||0|Toledo, Spain|||10310||||0||||0|Paintings|Altarpiece|Retablo|||16|||1504|1504||1504|1504-1504||Cathedral of Toledo|||4612||||0|||||||||||painting (image-making)|||||||||||Altars ; Christ ; |Altars|Christ||||||||Cornell||ElA|ElA|8/1/2005 0:00:00|8/1/2005 0:00:00||Tol||0|||||||25|PA|||||||||||||||Work|0||completed in 1504 under the direction of Enrique de Egas and Pedro Gumiel (Blue Book)||||||||||0|0|Retablo Mayor| 4616.00|0|Site|15|25|-||||El Paular|||||||||El Paular|0|||||0||||0|||||Spanish|||Medieval|Gothic (Medieval)||Europe||Spain||||||0|Madrid, Spain|||10220||||0||||0|Architecture|Monastery|||||||1390|1440||1390-1440|1390-1440|||||0||||0||||||||||||||||||||||Spain ; Monasteries ; |Spain|Monasteries||||||||Cornell||ElA|ElA|8/1/2005 0:00:00|8/1/2005 0:00:00||Mad||0|||||||25|||12||H5|||||||||||Work|0||Carthusian Monastery. Architect the same as Cathedral of Toledo. Recently occupied by the Benedictines. (Blue Book)||||||||||0|0|El Paular| 4617.00|0|Creator|15|35|A8151-M|1974|3|35 A8151-M 1974 3|First Supper (After a Major Riot)|Assigned|Image Source (Pub)|||||||First Supper (After a Major Riot)|29808|ASCO Chicano Performance Group||performance artists|ASCO Chicano Performance Group|29810|Gamboa Jr. , Harry||photographer|0|||||Hispanic American|Mexican American|American||||North and Central America||United States|||Whittier Blvd, Los Angeles, CA|||||||0||||0||||0|Performance Art|Performance art||||20|||1974|1974||1974|1974-1974|||||0||||0|||||Performance||||||performance art|||||||||||Performance art ; Hispanic American ; |Performance art|Hispanic American||||||||Cornell||JNK|MNW|8/16/2005 0:00:00|8/1/2005 0:00:00|A8151|||0|||||||35|M||||||1974|||||||||Work|0||||||||||||0|0|First Supper (After a Major Riot)|ASCO Chicano Performance Group;Gamboa Jr. , Harry 4619.00|0|Creator|15|35|L86419-G|1978|2|35 L86419-G 1978 2|Who's the Illegal Alien, Pilgrim?|Assigned|Image Source (Pub)|||||||Who's the Illegal Alien, Pilgrim?|7214|López, Yolanda M.||printmaker|Yolanda M. López|0||||0|||||Mexican American|Hispanic American|American||||North and Central America||United States||||||0||||0||||0||||0|Prints|Lithograph||||20|||1978|1978||1978|1978-1978|||||0||||0|||||Offset lithograph|ink|paper||||offset printing|lithography||||||||||Hispanic American ; Mexican American ; Immigration ; |Hispanic American|Mexican American|Immigration|||||||Cornell||JNK|CLL|12/12/2005 0:00:00|8/1/2005 0:00:00|L86419|||0|||||||35|G||||||1978|||||||||Work|0|||||Printed in 1981|||||||0|0|Who's the Illegal Alien, Pilgrim?|López, Yolanda M. 4620.00|0|Culture|11|W-18|Reli|Altar|1|W-18 Reli Altar 1|Home Altar Dedicated to El Niño Fidencio|Descriptive|Image Source (Pub)|||||||Home Altar Dedicated to El Niño Fidencio|0|||||0||||0|||||Hispanic American|Mexican American|American||||North and Central America||United States||||||0|San Antonio, TX|||10558||||0||||0|Photographs|Altar|Documentary photograph|||20|||1987|1987||1987|1987-1987|||||0||||0|||||Documentary photograph||||||photography|||||||||||Altars ; |Altars|||||||||Cornell||JNK|MNW|8/16/2005 0:00:00|8/1/2005 0:00:00||||0||||||Altar|W|||18||||||Relig|||||||Work|0||||||||||||0|0|Home Altar Dedicated to El Niño Fidencio| 4621.00|0|Manuscript|15|05|B967|0004|1|05 B967 0004 1|Pentecost|Descriptive|Image Source (Pub)|Letter D, fol. 69|Descriptive|Image Source (Pub)||||Choir Book "Antiphonic. Easter Time". Pentecost (Letter D, fol. 69)|30747|Master of the Burgo de Osma||painter|Master of the Burgo de Osma|0||||0|||||Spanish|||Early Renaissance|||Europe||Spain||||||0|El Burgo de Osma, Spain|||10550||||0||||0|Illuminated Manuscripts|Illumination (layout feature)||||16|||1500|1530|ca|ca 1500-1530|ca 1500-1530||Choir Book "Antiphonic. Easter Time"|||4402||||0|||||Watercolor on parchment with gold|watercolors|parchment|gold|||illumination|||||86 x 60 cm||9149|El Burgo de Osma: Cathedral Archive|El Burgo de Osma: Cath.Archive||Pentecost ; Christ ; Angels ; Apostles ; Virgin Mary ; |Pentecost|Christ|Angels|Apostles|Virgin Mary|||||Cornell||MNW|MNW|8/11/2005 0:00:00|8/2/2005 0:00:00|B967|||0|||||||05|||||||| |0004|||||||Work|0||||||||||||0|0|Pentecost;Letter D, fol. 69|Master of the Burgo de Osma 4622.00|0|Creator|15|35|A945-G|1988|1|35 A945-G 1988 1|Welcome to America's Finest Tourist Plantation|Assigned|Image Source (Pub)|||||||Welcome to America's Finest Tourist Plantation|30785|Avalos, David||artist|David Avalos, Elizabeth Sisco, & Louis Hock|30786|Sisco, Elizabeth||artist|30787|Hock, Louis||artist||Mexican American|Hispanic American|American||||North and Central America||United States||||||0||||0||||0||||0|Prints|Screen print||||20|||1988|1988||1988|1988-1988|||||0||||0|||||Silkscreen print|ink|||||printing|screen printing||||||||||Discrimination ; Mexican American ; Hispanic American ; Racial discrimination ; |Discrimination|Mexican American|Hispanic American|Racial discrimination||||||Cornell||JNK|JNK|8/3/2005 0:00:00|8/3/2005 0:00:00|A945|||0|||||||35|G||||||1988|||||||||Work|0||||||||||||0|0|Welcome to America's Finest Tourist Plantation|Avalos, David;Sisco, Elizabeth;Hock, Louis 4623.00|0|Creator|05|J-Avila||1||J-Avila 1 |Four Brothers|Assigned|Image Source (Pub)|Cuarto Hermanos|Assigned|Image Source (Pub)||||Cuarto Hermanos (Four Brothers)|30788|Avila, Adam||photographer|Adam Avila|0||||0|||||Hispanic American|Mexican American|American||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1975|1975||1975|1975-1975|||||0||||0|||||Silver print photograph|photographic paper|||||photography|gelatin silver process||||40.64 x 50.8 cm||3561|Collection of the Artist|: Collection of the Artist||Hispanic American ; Mexican American ; Families ; Brothers ; |Hispanic American|Mexican American|Families|Brothers||||||Cornell||JNK|MNW|8/16/2005 0:00:00|8/3/2005 0:00:00|Avila|||0|||||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Four Brothers;Cuarto Hermanos|Avila, Adam 4624.00|0|Creator|05|J-Valverde|||1|J-Valverde 1|La Reina|Assigned|Image Source (Pub)|||||||La Reina|30789|Valverde, Ricardo||photographer|Ricardo Valverde|0||||0|||||Hispanic American|Mexican American|American||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1974|1974||1974|1974-1974|||||0||||0|||||Silver print photograph|photographic paper|||||gelatin silver process|photography||||40.64 x 50.8 cm||3561|Collection of the Artist|: Collection of the Artist||Hispanic American ; Mexican American ; Culture ; Parades ; Automobiles ; |Hispanic American|Mexican American|Culture|Parades|Automobiles|||||Cornell||JNK|MNW|8/16/2005 0:00:00|8/3/2005 0:00:00|Valverde|||0|||||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|La Reina|Valverde, Ricardo 4625.00|0|Creator|05|J-Perez||1||J-Perez 1 |School Kids|Assigned|Image Source (Pub)|||||||School Kids|30790|Perez, Antonio||photographer|Antonio Perez|0||||0|||||Mexican American|Hispanic American|American||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1983|1983||1983|1983-1983|||||0||||0|||||Black and white photograph|photographic paper|||||photography|||||27.94 x 35.56 cm||3561|Collection of the Artist|: Collection of the Artist||Children (people by age group) ; Boys ; Hispanic American ; Mexican American ; |Children (people by age group)|Boys|Hispanic American|Mexican American||||||Cornell||JNK|MNW|8/16/2005 0:00:00|8/3/2005 0:00:00|Perez|||0|||||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|School Kids|Perez, Antonio 4626.00|0|Creator|15|35|S6185-PA|1922|1|35 S6185-PA 1922 1|The Elements|Assigned|Image Source (Pub)|||||||The Elements|10959|Siqueiros, David Alfaro||painter|Siqueiros, David Alfaro|0||||0|||||Mexican||||||North and Central America||Mexico||||||0|Colegio di San Ildefonso, Mexico City, Mexico|||10551||||0||||0|Paintings|Fresco||||20|||1922|1923||1922-1923|1922-1923|||||0||||0|||||Fresco and encaustic|encaustic paint|tempera|plaster|||fresco painting|||||||||||||||||||||Cornell||JNK|MNW|11/8/2005 0:00:00|8/3/2005 0:00:00|S6185|||0|||||||35|PA||||||1922|||||||||Work|0||||||||||||0|0|The Elements|Siqueiros, David Alfaro 4627.00|0|Creator|15|35|S6185-PA|1939|1|35 S6185-PA 1939 1|The Echo of the Scream|Assigned|Image Source (Pub)|||||||The Echo of the Scream|10959|Siqueiros, David Alfaro||painter|Siqueiros, David Alfaro|0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Painting||||20|||1939|1939||1939|1939-1939|||||0||||0|||||Pyroxylin on wood|paint|wood||||painting (image-making)|||||124.5 x 90.2 cm||3384|New York: Museum of Modern Art|New York: MoMA||Infants ; Wars ; Destruction ; |Infants|Wars|Destruction|||||||Cornell||JNK|JNK|8/3/2005 0:00:00|8/3/2005 0:00:00|S6185|||0|||||||35|PA||||||1939| ||||||||Work|0||||||||||||0|0|The Echo of the Scream|Siqueiros, David Alfaro 4628.00|0|Creator|15||||||The Epic of American Civilization|Assigned|Print Publication|||||||The Epic of American Civilization|8748|Orozco, Jose Clemente||painter|José Clemente Orozco|0||||0|||||Mexican||||||North and Central America||Mexico||||||0|Baker Library, Dartmouth, Hanover, NH|||10552||||0||||0|Paintings|Fresco||||20|||1932|1934||1932-1934|1932-1934|||||0||||0|||||Fresco|fresco|||||painting (image-making)|fresco painting||||||4188|Hanover, NH: Dartmouth College; Baker Library|Hanover, NH: Dartmouth; Baker Lib.||America ; History ; |America|History||||||||Cornell||JNK|MNW|11/8/2005 0:00:00|8/3/2005 0:00:00|O746|||0||||||||||||||| ||||||||Work|0||||||||||||0|0|The Epic of American Civilization|Orozco, Jose Clemente 4629.00|0|Creator|15|35|O746-PA|1932||35 O746-PA 1932 |West Wing: the Native World|Descriptive|Print Publication|||||||The Epic of American Civilization. West Wing: the Native World|8748|Orozco, Jose Clemente||painter|José Clemente Orozco|0||||0|||||Mexican||||||North and Central America||Mexico||||||0|Baker Library, Dartmouth, Hanover, NH|||10552||||0||||0|Paintings|Fresco||||20|||1932|1934||1932-1934|1932-1934||The Epic of American Civilization|Larger entity||4628||||0|||||Fresco|fresco|||||fresco painting|||||||4188|Hanover, NH: Dartmouth College; Baker Library|Hanover, NH: Dartmouth; Baker Lib.||Quetzalcoatl (Aztec deity) ; |Quetzalcoatl (Aztec deity)|||||||||Cornell||JNK|MNW|11/8/2005 0:00:00|8/3/2005 0:00:00|O746|||0|||||||35|PA||||||1932| ||||||||Work|0||||||||||||0|0|West Wing: the Native World|Orozco, Jose Clemente 4630.00|0|Site|16|B-C7|Mex|4.1|NacPr|B-C7 Mex 4.1 NacPr|The Rich Banquet While the Workers Quarrel|Assigned|Image Source (Pub)|||||||Escuela Nacional Preparatoria. The Rich Banquet While the Workers Quarrel|8748|Orozco, Jose Clemente||painter|José Clemente Orozco|0||||0|||||Mexican||||||North and Central America||Mexico||||||0|Mexico City, Mexico|||9989||||0||||0|Paintings|Fresco||||20|||1926|1926||1926|1926-1926||Escuela Nacional Preparatoria|Larger entity||247||||0|||||Fresco|fresco|||||fresco painting|||||||1688|Mexico City: National Preparatory School|Mexico City: Nat. Prep. Sch.||||||||||||Cornell||JNK|MNW|11/8/2005 0:00:00|8/3/2005 0:00:00|O746|Mex||0||||||NacPr|B|||||C7|4.1|| ||||||||Work|0|Architecture-Mexico|Located on the ground floor courtyard.||||||||||0|0|The Rich Banquet While the Workers Quarrel|Orozco, Jose Clemente 4631.00|0|Creator|15|35|H5574-SC|1998|1|35 H5574-SC 1998 1|Immigrant Woman's Dress|Assigned|Image Source (Pub)|||||||Immigrant Woman's Dress|5347|Hernández, Ester||painter|Ester Hernández|0||||0|||||Mexican American|American|Hispanic American||||North and Central America||United States||||||0||||0||||0||||0|Sculpture|Installation (sculpture)||||20|||1998|1998||1998|1998-1998|||||0||||0|||||Mixed media installation||||||sculpture|Installations||||Ca. 152.4 x 76.2 cm||||||Immigration ; Dresses ; Corn ; |Immigration|Dresses|Corn|||||||Cornell||JNK|MNW|11/15/2005 0:00:00|8/4/2005 0:00:00|H5574|||0|||||||35|SC||||||1998|||||||||Work|0||||||||||||0|0|Immigrant Woman's Dress|Hernández, Ester 4635.00|0|Manuscript|15|05|L848|M004.5|1|05 L848 M004.5 1|Coronation|Descriptive|Cataloger|||||||Breviario de Isabel la Católica. Coronation|0|||||0||||0|||||Spanish|||Medieval|||Europe||Spain||||||0||||0||||0||||0|Manuscripts|Illumination (layout feature)||||15|||1475|1499|ca|Late 15th century|ca 1475-1499||Breviario de Isabel la Católica|||4422||||0|||||||||||illumination|||||||1512|London: British Library|London: British Library||Coronation of the Mary ; Manuscripts ; Holy Trinity ; |Coronation of the Mary|Manuscripts|Holy Trinity|||||||Cornell||MNW|MNW|8/11/2005 0:00:00|8/4/2005 0:00:00|L848|||0|||||||05|||||||| |M004.5|||||||Work|0||||||||||||0|0|Coronation| 4636.00|0|Creator|15|35|H6639-PA|2000|1|35 H6639-PA 2000 1|Gallero I|Assigned|Image Source (Pub)|||||||Gallero I|30791|Hinojosa, Celina||painter|Celina Hinojosa|0||||0|||||Mexican American|American|Hispanic American||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting||||20|21||2000|2000||2000|2000-2000|||||0||||0|||||Acrylic on canvas|acrylic|canvas||||painting (image-making)|||||121.92 x 91.44 cm||||||Cockfighting ; |Cockfighting|||||||||Cornell||JNK|MNW|11/15/2005 0:00:00|8/4/2005 0:00:00|H6639|||0|||||||35|PA||||||2000|||||||||Work|0||||||||||||0|0|Gallero I|Hinojosa, Celina 4637.00|0|Creator|15|35|H8874-SC|1999|1|35 H8874-SC 1999 1|Elegy #1|Assigned|Image Source (Pub)|||||||Elegy #1|30792|Huerta, Leticia||printmaker|Leticia Huerta|0||||0|||||Mexican American|Hispanic American|American||||North and Central America||United States||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1999|1999||1999|1999-1999|||||0||||0|||||Mixed media on panel||||||sculpture|||||60.96 x 121.92 cm||||||Musicians ; Violoncellos ; Music ; Scores ; Pinwheels ; |Musicians|Violoncellos|Music|Scores|Pinwheels|||||Cornell||JNK|MNW|11/15/2005 0:00:00|8/4/2005 0:00:00|H8874|||0|||||||35|SC||||||1999|||||||||Work|0||Inspired by Gabriel Fauré's work for cello, Elegie, Op. 24. Keller, Chicano.||||||||||0|0|Elegy #1|Huerta, Leticia 4638.00|0|Manuscript|07|05|M184|M00090|1|05 M184 M00090 1|Presentation in the Temple|Descriptive|Cataloger|||||||Misal Rico de Cisneros. Presentation in the Temple|0|||||0||||0|||||Spanish|||Medieval|||Europe||Spain||||||0||||0||||0||||0|Illuminated Manuscripts|Illumination (layout feature)||||16|||1503|1518|ca|ca 1503-1518|ca 1503-1518||Misal Rico de Cisneros|||4424||||0|||||Parchment|parchment|||||illumination|||||48.5 x 34 cm||1607|Madrid: Biblioteca Nacional|Madrid: Bibl. Nac.||Christ ; Virgin Mary ; Presentation of Christ ; |Christ|Virgin Mary|Presentation of Christ|||||||Cornell||MNW|MNW|8/11/2005 0:00:00|8/4/2005 0:00:00||M184||0|||||||05|||||||| |M00090|||||||Work|0|-|||||||||||0|0|Presentation in the Temple| 4639.00|0|Creator|15|Ren|P|Juan de Flandes||Ren P Juan de Flandes |Retable of Cervera de Pisuerga|Published|Dict.Art|||||||Retable of Cervera de Pisuerga|30700|Flandes, Juan de||painter|Juan de Flandes|0||||0|||||Spanish|||Renaissance|||Europe||Spain||||||0||||0||||0||||0|Paintings|Altarpiece|Retablo|||16|||1509|1519||1509-1519|1509-1519||Adoration of the Magi|Part of||4434||||0|||||||||||painting (image-making)|||||||9564|Cervera de Pisuerga: Santa Maria|Cervera de Pisuerga: S. Maria|| Christ ; | Christ|||||||||Cornell||MNW|ElA|8/23/2005 0:00:00|8/4/2005 0:00:00|Juan de Fl|||0|||||||Ren|P||||||| ||||||||Work|0||||||||||||0|0|Retable of Cervera de Pisuerga|Flandes, Juan de 4640.00|0||||||||||||||||||29877|Jáquez, Anna Ruth||sculptor|Anna Jáquez|0||||0|||||||||||||||||||0||||0||||0||||0||||||||||||||||||0||||0||||||||||||||||||||||||||||||||Cornell||JNK|JNK|8/4/2005 0:00:00|8/4/2005 0:00:00|J360|||0||||||||||||||||||||||||0||||||||||||0|0||Jáquez, Anna Ruth 4641.00|0|Creator|15|35|V136-G|1985|1|35 V136-G 1985 1|Untitled (pobrecitos)|Artists|Image Source (Pub)|||||||Untitled (pobrecitos)|12061|Valadez, John||muralist|John Valadez|0||||0|||||Mexican American|Hispanic American|American||||North and Central America||United States||||||0||||0||||0||||0|Prints|Print|Screen print|||20|||1985|1985||1985|1985-1985|||||0||||0|||||Serigraph|ink|paper (fiber product)||||screen printing|||||91.44 x 60.96 cm||||||Men (male humans) ; Fighting ; Poor ; |Men (male humans)|Fighting|Poor|||||||Cornell||JNK|MNW|11/15/2005 0:00:00|8/4/2005 0:00:00|V136|||0|||||||35|G||||||1985|||||||||Work|0||||||||||||0|0|Untitled (pobrecitos)|Valadez, John 4642.00|0|Creator|15|35|J615-G|1999|1|35 J615-G 1999 1|El buen pastor (The Good Shepherd: Profile of a Drug Smuggler)|Artists|Image Source (Pub)|||||||El buen pastor (The Good Shepherd: Profile of a Drug Smuggler)|5968|Jiménez, Luis Alfonso, Jr.||sculptor|Luis Alfonso Jiménez|0||||0|||||Mexican American|Hispanic American|American||||North and Central America||United States||||||0||||0||||0||||0|Prints|Lithograph|Print|||20|||1999|1999||1999|1999-1999|||||0||||0|||||Lithograph|ink|paper (fiber product)||||lithography|||||105.41 x 74.93 cm||794|El Paso: Museum of Art|El Paso: Mus. Art||Shepherds ; Sheep ; Soldiers ; Drugs ; |Shepherds|Sheep|Soldiers|Drugs||||||Cornell||JNK|MNW|11/15/2005 0:00:00|8/4/2005 0:00:00|J615|||0|||||||35|G||||||1999| ||||||||Work|0||||||||||||0|0|El buen pastor (The Good Shepherd: Profile of a Drug Smuggler)|Jiménez, Luis Alfonso, Jr. 4643.00|0|Creator|15|35|L1855-PA|2000|1|35 L1855-PA 2000 1|Moonless Night|Assigned|Image Source (Pub)|||||||Moonless Night|30794|Lailson, Rudolf||painter|Rudolf Lailson|0||||0|||||Mexican American|Hispanic American|American||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||20|21||2000|2000||2000|2000-2000|||||0||||0|||||Oil on linen|oil paint|linen (material)||||painting (image-making)|||||35.56 x 25.4 cm||||||Men (male humans) ; Women ; Sex ; Houses ; |Men (male humans)|Women|Sex|Houses||||||Cornell||JNK|JNK|1/6/2006 0:00:00|8/4/2005 0:00:00|L1855|||0|||||||35|PA||||||2000|||||||||Work|0||||||||||||0|0|Moonless Night|Lailson, Rudolf 4644.00|0|Creator|15|35|L437-CA|1999|1|35 L437-CA 1999 1|The Mission Y2K? Dome|Assigned|Image Source (Pub)|||||||The Mission Y2K? Dome|30795|Leaños, John Jota||artist, computer|John Jota Leaños|0||||0|||||Mexican American|Hispanic American|American||||North and Central America||United States||||||0||||0||||0||||0|Computer Art|Computer art||||20|||1999|1999||1999|1999-1999|||||0||||0|||||Digital image|||||||||||304.8 x 731.52 cm||||||Gentrification ; San Francisco, CA ; Spacecraft ; |Gentrification|San Francisco, CA|Spacecraft|||||||Cornell||JNK|JNK|8/8/2005 0:00:00|8/5/2005 0:00:00|L437|||0|||||||35|CA||||||1999|||||||||Work|0||This work also exists as a digital mural on the exterior of the building that houses the Galería de la Raza. Keller, Contemporary Chicano and Chicana Art, vol. II, 48.||||||||||0|0|The Mission Y2K? Dome|Leaños, John Jota 4645.00|0|Creator|15|35|L437-CA|1998|1|35 L437-M 1998 1|Opposition Panel|Assigned|Image Source (Pub)|||||||Oppositional Gaze Series: Opposition Panel|30795|Leaños, John Jota||artist, computer|John Jota Leaños|0||||0|||||Mexican American|Hispanic American|American||||North and Central America||United States||||||0||||0||||0||||0|Computer Art|Computer art||||20|||1998|1998||1998|1998-1998||Oppositional Gaze Series|Series||4646||||0|||||Digital Image|||||||||||91.44 x 60.96 cm||||||Postcolonialism ; Women ; Culture ; |Postcolonialism|Women|Culture|||||||Cornell||JNK|MNW|11/15/2005 0:00:00|8/5/2005 0:00:00|L437|||0|||||||35|CA||||||1998|||||||||Work|0||||||||||||0|0|Opposition Panel|Leaños, John Jota 4646.00|0||||||||Oppositional Gaze Series|Series|Image Source (Pub)|||||||Oppositional Gaze Series|30795|Leaños, John Jota||artist, computer|John Jota Leaños|0||||0|||||Mexican American|Hispanic American|American||||North and Central America||United States||||||0||||0||||0||||0|Computer Art|Computer art||||20|||1998|1998||1998|1998-1998|||||0||||0|||||Digital Image|||||||||||||||||||||||||||Cornell||JNK|MNW|11/15/2005 0:00:00|8/5/2005 0:00:00|L437|||0||||||||||||||||||||||||0||||||||||||0|0|Oppositional Gaze Series|Leaños, John Jota 4647.00|0|Creator|15|35|H5574-SC|1980|1|35 H5574-SC 1980 1|The Bald One|Translated|Cataloger|La pelona|Assigned|Image Source (Pub)||||The Bald One (La pelona)|5347|Hernández, Ester||painter|Ester Hernández|0||||0|||||Mexican American|Hispanic American|American||||North and Central America||United States||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1980|1980||1980|1980-1980|||||0||||0|||||Mixed media||||||sculpture|||||15.24 x 10.16 cm||||||Skulls ; Skeleton ; Watermelon ; |Skulls|Skeleton|Watermelon|||||||Cornell||JNK|MNW|11/10/2005 0:00:00|8/5/2005 0:00:00|H5574|||0|||||||35|SC||||||1980|||||||||Work|0||||||||||||0|0|The Bald One;La pelona|Hernández, Ester 4648.00|0|Creator|15|35|M7215-PA|1992|1|35 M7215-PA 1992 1|Past Due|Assigned|Image Source (Pub)|||||||Past Due|30796|Molina, Laura||painter|Laura Molina|0||||0|||||Mexican American|Hispanic American|American||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting||||20|||1992|1992||1992|1992-1992|||||0||||0|||||Acrylic on canvas|acrylic|canvas||||painting (image-making)|||||55.88 x 43.18 cm||||||Skeletons ; Coffins ; Cemeteries ; Alcoholic beverages ; Smoking ; Tombstones ; |Skeletons|Coffins|Cemeteries|Alcoholic beverages|Smoking|Tombstones||||Cornell||JNK|MNW|11/15/2005 0:00:00|8/5/2005 0:00:00|M7215|||0|||||||35|PA||||||1992|||||||||Work|0||||||||||||0|0|Past Due|Molina, Laura 4649.00|0|Category|05|J|Postcard||4|J Postcard 4|Meriem Smoking a Hookah|Translated|Image Source (Pub)|139. Algérie. -- Meriem fumant le nargullah|Inscribed|Image Source (Pub)||||Meriem Smoking a Hookah|0|||||0||||0|||||French|Algerian|||||Africa||Algeria||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1900|1930|ca|First three decades, 20th C.|ca 1900-1930|||||0||||0|||||Photographic postcard||||||photography|||||||||||Postcards ; Women ; Smoking ; Hookahs ; Harems ; |Postcards|Women|Smoking|Hookahs|Harems|||||Cornell||MNW|CLL|8/10/2005 0:00:00|8/5/2005 0:00:00||||0|||||||J|||||||||Photo Post|||||||Work|0|Photography|Picture postcard of an Algerian woman produced and sent by the French in Algeria during the first three decades of the 20th C.||||||||||0|0|Meriem Smoking a Hookah;139. Algérie. -- Meriem fumant le nargullah| 4650.00|0||||||||Moorish Woman|Translated|Image Source (Pub)|Femme Mauresque|Inscribed|Image Source (Pub)||||Moorish Woman|0|||||0||||0|||||French|Algerian|||||Africa||Algeria||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1900|1930|ca|First three decades, 20th C.|ca 1900-1930|||||0||||0|||||Photographic postcard||||||photography|||||||||||Women ; Harems ; |Women|Harems||||||||Cornell||MNW|MNW|8/5/2005 0:00:00|8/5/2005 0:00:00||||0||||||||||||||||||||||||0||Picture postcard of an Algerian woman produced and sent by the French in Algeria during the first three decades of the 20th C.||||||||||0|0|Moorish Woman;Femme Mauresque| 4693.00|0|Creator|15|32|C689-PA|1832|2|32 C689-PA 1832 2|A View Near Tivoli|Artists|Image Source (Pub)|Morning|Variant|Image Source (Pub)||||A View Near Tivoli (Morning)|2475|Cole, Thomas||painter|Thomas Cole|0||||0|||||American||||||North and Central America||United States||||||0||||||||0||||0|Paintings|Oil painting|Painting|Landscape (representation)||19|||1832|1832||1832|1832-1832|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||36.2 x 58.7 cm||3294|New York: Metropolitan Museum of Art|New York: Metropolitan||Landscapes ; Italy ; Ruins ; |Landscapes|Italy|Ruins|||||||Cornell||MNW|JNK|1/6/2006 0:00:00|8/10/2005 0:00:00|C689|||0|||||||32|PA||||||1832| ||||||||Work|0||||||||||||0|0|A View Near Tivoli;Morning|Cole, Thomas 4694.00|0|Creator|15|32|C689-PA|1833|7|32 C689-PA 1833 7|Desolation|Artists|Image Source (Pub)|||||||The Course of Empire. Desolation|2475|Cole, Thomas||painter|Thomas Cole|0||||0|||||American||||||North and Central America||United States||||||0||||||||0||||0|Paintings|Oil painting|Painting|||19|||1833|1836||1833-1836|1833-1836||The Course of Empire|LargerEntity||4692||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||99 x 160 cm||4115|New York: New York Historical Society|New York: NY Historical Society||Destruction ; Landscapes ; Empires ; |Destruction|Landscapes|Empires|||||||Cornell||MNW|JNK|1/6/2006 0:00:00|8/10/2005 0:00:00|C689|||0|||||||32|PA||||||1833| ||||||||Work|0||||||||||||0|0|Desolation|Cole, Thomas 4695.00|0|Creator|15|32|C689-PA|1827|4|32 C689-PA 1827 4|View in the White Mountains|Artists|Image Source (Pub)|||||||View in the White Mountains|2475|Cole, Thomas||painter|Thomas Cole|0||||0|||||American||||||North and Central America||United States||||||0||||||||0||||0|Paintings|Oil painting|Painting|Landscape (representation)||19|||1827|1827|ca|ca. 1827|ca 1827-1827|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||68.9 x 81.9 cm||3343|San Francisco: Fine Arts Museums of San Francisco|San Francisco: Fine Arts Museums||Landscapes ; Mountains ; |Landscapes|Mountains||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|8/10/2005 0:00:00|C689|||0|||||||32|PA||||||1827| ||||||||Work|0||||||||||||0|0||Cole, Thomas 4699.00|0|Creator|15|32|C689-PA|1840|4|32 C689-PA 1840 4|The Architect's Dream|Artists|Image Source (Pub)|||||||The Architect's Dream|2475|Cole, Thomas||painter|Thomas Cole|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||19|||1840|1840||1840|1840-1840|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||135 x 214 cm||3349|Toledo, OH: Museum of Art|Toledo, OH: Mus. of Art||Architects ; Cityscapes ; Dreaming ; |Architects|Cityscapes|Dreaming|||||||Cornell||MNW|JNK|1/6/2006 0:00:00|8/10/2005 0:00:00|C689|||0|||||||32|PA||||||1840| ||||||||Work|0||||||||||||0|0|The Architect's Dream|Cole, Thomas 4700.00|0|Creator|15|32|C689-PA|1838|1|32 C689-PA 1838 1|View of Schroon Mountain, Essex County, New York, After a Storm|Artists|Image Source (Pub)|Schroon Mountain, Adirondacks|Assigned|Image Source (Pub)||||View of Schroon Mountain, Essex County, New York, After a Storm|2475|Cole, Thomas||painter|Thomas Cole|0||||0|||||American|||Hudson River School|||North and Central America||United States||||||0||||||||0||||0|Paintings|Oil painting|Painting|Landscape (representation)||19|||1838|1838||1838|1838-1838|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||100 x 157.5 cm||3418|Cleveland: Cleveland Museum of Art|Cleveland: Museum of Art||Landscapes ; Mountains ; Trees ; |Landscapes|Mountains|Trees|||||||Cornell||MNW|JNK|4/17/2006 0:00:00|8/10/2005 0:00:00|C689|||0|||||||32|PA||||||1838| ||||||||Work|0||||||||||||0|0|View of Schroon Mountain, Essex County, New York, After a Storm;Schroon Mountain, Adirondacks|Cole, Thomas 4651.00|0||||||||Scenes and Types. Reclining Odalisque|Translated|Image Source (Pub)|Scénes et Types. Odalisque couchees|Inscribed|Image Source (Pub)||||Scenes and Types. Reclining Odalisque|0|||||0||||0|||||French|Algerian|||||Africa||Algeria||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1900|1930|ca|First three decades, 20th C.|ca 1900-1930|||||0||||0|||||Photographic postcard||||||photography|||||||||||Women ; Harems ; Dinners and dining ; Odalisques ; |Women|Harems|Dinners and dining|Odalisques||||||Cornell||MNW|MNW|8/5/2005 0:00:00|8/5/2005 0:00:00||||0||||||||||||||||||||||||0||Picture postcard of an Algerian woman produced and sent by the French in Algeria during the first three decades of the 20th C.||||||||||0|0|Scenes and Types. Reclining Odalisque;Scénes et Types. Odalisque couchees| 4652.00|0|Creator|15|32|D317-PA|1882|M656|32 D317-PA 1882 M656|At the Milliner's|Assigned|Image Source (Pub)|||||||At the Milliner's|3026|Degas, Edgar||painter|Edgar Degas|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Drawings|Pastel (visual work)|Drawing|||19|||1882|1882|ca|ca 1882|ca 1882-1882|||||0||||0|||||Pastel on paper|pastels (crayons)|||||painting (image-making)|drawing (image-making)||||69 x 69.5 cm||3384|New York: Museum of Modern Art|New York: MoMA||Women ; Milliners ; Shopping ; |Women|Milliners|Shopping|||||||Cornell||JNK|CLL|8/15/2005 0:00:00|8/5/2005 0:00:00|D317|||0|||||||32|PA||||||1882| |M656|||||||Work|0||||||||||||0|0|At the Milliner's|Degas, Edgar 4653.00|0|Creator|15|35|L864-CA|1999|1|35 L864-CA 1999 1|Sacred Heart|Translated|Cataloger|Sagrado Corazón|Artists|Cataloger||||Sacred Heart (Sagrado Corazón)|30797|López, Alma||photographer|Alma López|0||||0|||||Mexican|Mexican American|Hispanic American||||North and Central America||United States||||||0||||0||||0||||0|Computer Art|Computer art||||20|||1999|1999||1999|1999-1999|||||0||||0|||||Iris/Giclée print||||||printing|||||44.45 x 35.56 cm||||||Hearts ; Butterflies ; Women ; Roses ; Gay and lesbian art ; |Hearts|Butterflies|Women|Roses|Gay and lesbian art|||||Cornell||JNK|MNW|11/15/2005 0:00:00|8/5/2005 0:00:00|L864|||0|||||||35|CA||||||1999|||||||||Work|0||||||||||||0|0|Sacred Heart;Sagrado Corazón|López, Alma 4654.00|0|Creator|15|35|L8641-G|1998|1|35 L8641-G 1998 1|1/4 Hispanic loves rice and beans|Inscribed|Image Source (Pub)|||||||Hispanic Series. 1/4 Hispanic|30798|Lopez, Annie||printmaker|Annie Lopez|0||||0|||||Mexican American|American|Hispanic American||||North and Central America||United States||||||0||||0||||0||||0|Prints|Print||||20|||1998|1998||1998|1998-1998||Hispanic Series|Larger entity||4655||||0|||||Liquid light on paper||||||printmaking|||||25.4 x 20.32 cm||||||Infants ; Hispanic American ; |Infants|Hispanic American||||||||Cornell||JNK|MNW|11/15/2005 0:00:00|8/5/2005 0:00:00|L8641|||0|||||||35|G||||||1998|||||||||Work|0||Cyanotype on watercolor paper.||||||||||0|0|1/4 Hispanic loves rice and beans|Lopez, Annie 4655.00|0||||||||Hispanic Series|Series|Image Source (Pub)|||||||Hispanic series|30798|Lopez, Annie||printmaker|Annie Lopez|0||||0|||||Mexican American|American|Hispanic American||||North and Central America||United States||||||0||||0||||0||||0|Prints|Print||||20|||1998|1998|ca|ca 1998|ca 1998-1998|||||0||||0|||||Liquid light on paper||||||printmaking|||||||||||Hispanic American ; |Hispanic American|||||||||Cornell||JNK|MNW|11/15/2005 0:00:00|8/5/2005 0:00:00|L8641|||0||||||||||||||||||||||||0||Cyanotypes on watercolor paper||||||||||0|0|Hispanic Series|Lopez, Annie 4656.00|0|Creator|15|35|L86419-G|1978|2|35 L86419-G 1978 2|Guadalupe Walking|Assigned|Image Source (Pub)|||||||Guadalupe Walking|7214|López, Yolanda M.||printmaker|Yolanda M. López|0||||0|||||Mexican American|Hispanic American|American||||North and Central America||United States||||||0||||0||||0||||0|Prints|Print|Drawing|||20|||1978|1978||1978|1978-1978|||||0||||0|||||Xerox and color pencil|pencils|||||printing|drawing (image-making)||||27.94 x 22.86 cm||||||Guadalupe, Our Lady of ; Apparitions of Mary ; Virgin Mary ; |Guadalupe, Our Lady of|Apparitions of Mary|Virgin Mary|||||||Cornell||JNK|MNW|11/15/2005 0:00:00|8/5/2005 0:00:00|L86419|||0|||||||35|G||||||1978|||||||||Work|0||||||||||||0|0|Guadalupe Walking|López, Yolanda M. 4657.00|0|Creator|15|35|L86419-PA|1981|1|35 L86419-PA 1981 1|Virgin at the Crossroads|Assigned|Image Source (Pub)|||||||Virgin at the Crossroads|7214|López, Yolanda M.||printmaker|Yolanda M. López|0||||0|||||Mexican American|American|Hispanic American||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting||||20|||1981|1981||1981|1981-1981|||||0||||0|||||Mixed media|mixed materials|||||painting (image-making)|||||45.72 x 30.48 cm||||||Apparitions of Mary ; Deserts ; Virgin Mary ; |Apparitions of Mary|Deserts|Virgin Mary|||||||Cornell||JNK|MNW|11/15/2005 0:00:00|8/5/2005 0:00:00|L86419|||0|||||||35|PA||||||1981|||||||||Work|0||||||||||||0|0|Virgin at the Crossroads|López, Yolanda M. 4658.00|0|Creator|15|35|L86419-PA|1982|2|35 L86419-PA 1982 2|Our Mother|Translated|Cataloger|Nuestra Madre|Inscribed|Catalogerim||||Our Mother (Nuestra Madre)|7214|López, Yolanda M.||printmaker|Yolanda M. López|0||||0|||||Mexican American|American|Hispanic American||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting||||20|||1981|1988||1981-1988|1981-1988|||||0||||0|||||Oil and acrylic on masonite|oil paint|acrylic|Masonite|||painting (image-making)|||||243.84 x 121.92 cm||||||Apparitions of Mary ; Gods ; Aztec art ; |Apparitions of Mary|Gods|Aztec art|||||||Cornell||JNK|JNK|1/6/2006 0:00:00|8/5/2005 0:00:00|L86419|||0|||||||35|PA||||||1981|||||||||Work|0||||||||||||0|0|Our Mother;Nuestra Madre|López, Yolanda M. 4659.00|0|Creator|15|35|L86419-D|1978|1|35 L86419-D 1978 1|Portrait of the Artist as the Virgin of Guadalupe|Assigned|Image Source (Pub)|||||||Portrait of the Artist as the Virgin of Guadalupe|7214|López, Yolanda M.||printmaker|Yolanda M. López|0||||0|||||Mexican American|American|Hispanic American||||North and Central America||United States||||||0||||0||||0||||0|Drawings|Drawing||||20|||1978|1978||1978|1978-1978|||||0||||0|||||Oil pastel on paper|pastels (crayons)|paper (fiber product)||||drawing (image-making)|||||81.28 x 55.88 cm||||||Guadalupe, Our Lady of ; Apparitions of Mary ; López, Yolanda M., 1942- ; Self-portraits ; |Guadalupe, Our Lady of|Apparitions of Mary|López, Yolanda M., 1942-|Self-portraits||||||Cornell||JNK|MNW|11/15/2005 0:00:00|8/5/2005 0:00:00|L86419|||0|||||||35|D||||||1978|||||||||Work|0||||||||||||0|0|Portrait of the Artist as the Virgin of Guadalupe|López, Yolanda M. 4660.00|0|Creator|15|35|L86419-D|1978|2|35 L86419-D 1978 2|Margaret F. Stewart: Our Lady of Guadalupe|Assigned|Image Source (Pub)|||||||Margaret F. Stewart: Our Lady of Guadalupe|7214|López, Yolanda M.||printmaker|Yolanda M. López|0||||0|||||Mexican American|American|Hispanic American||||North and Central America||United States||||||0||||0||||0||||0|Drawings|Drawing||||20|||1978|1978||1978|1978-1978|||||0||||0|||||Oil pastel on paper|pastels (crayons)|paper (fiber product)||||drawing (image-making)|||||81.28 x 50.8 cm||||||Guadalupe, Our Lady of ; Apparitions of Mary ; Portraits ; Sewing (process) ; Roses ; Angels ; Stars ; |Guadalupe, Our Lady of|Apparitions of Mary|Portraits|Sewing (process)|Roses|Angels|Stars|||Cornell||JNK|MNW|11/15/2005 0:00:00|8/5/2005 0:00:00|L86419|||0|||||||35|D||||||1978|||||||||Work|0||||||||||||0|0|Margaret F. Stewart: Our Lady of Guadalupe|López, Yolanda M. 4661.00|0|Creator|15|35|L86419-D|1978|3|35 L86419-D 1978 3|Victoria F. Franco: Our Lady of Guadalupe|Assigned|Image Source (Pub)|||||||Victoria F. Franco: Our Lady of Guadalupe|7214|López, Yolanda M.||printmaker|Yolanda M. López|0||||0|||||Mexican American|American|Hispanic American||||North and Central America||United States||||||0||||0||||0||||0|Drawings|Drawing||||20|||1978|1978||1978|1978-1978|||||0||||0|||||Oil pastel on paper|pastels (crayons)|paper (fiber product)||||drawing (image-making)|||||81.28 x 50.8 cm||||||Guadalupe, Our Lady of ; Apparitions of Mary ; Portraits ; Stars ; Angels ; |Guadalupe, Our Lady of|Apparitions of Mary|Portraits|Stars|Angels|||||Cornell||JNK|MNW|11/15/2005 0:00:00|8/5/2005 0:00:00|L86419|||0|||||||35|D||||||1978|||||||||Work|0||||||||||||0|0|Victoria F. Franco: Our Lady of Guadalupe|López, Yolanda M. 4662.00|0|Creator|15|35|L86415-SC|2001|1|35 L86415-SC 2001 1|San Miguel Arcángel|Assigned|Image Source (Pub)|Archangel Michael|Translated|Cataloger||||San Miguel Arcángel|30799|López, Félix||sculptor|Félix López|0||||0|||||Mexican American|American|Hispanic American||||North and Central America||United States||||||0||||0||||0||||0|Sculpture|Sculpture||||21|||2001|2001||2001|2001-2001|||||0||||0|||||Aspen, homemade gesso, mineral pigments, piñon sap varnish, beeswax|wood (plant material)|gesso|pigment|||sculpture|||||Ca. 76.2 x 35.56 x 30.48 cm||||||Archangel Michael ; |Archangel Michael|||||||||Cornell||JNK|MNW|11/15/2005 0:00:00|8/5/2005 0:00:00|L86415|||0|||||||35|SC||||||2001|||||||||Work|0||||||||||||0|0|San Miguel Arcángel;Archangel Michael|López, Félix 4663.00|0|Creator|15|35|L86415-SC|1998|1|35 L86415-SC 1998 1|Saint Isidor the Laborer|Translated|Cataloger|San Ysidro Labrador|Translated|Cataloger||||Saint Isidor the Laborer (San Ysidro Labrador)|30799|López, Félix||sculptor|Félix López|0||||0|||||Mexican American|American|Hispanic American||||North and Central America||United States||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1998|1998||1998|1998-1998|||||0||||0|||||Aspen, pine, homemade gesso, mineral pigments, piñon sap varnish, beeswax|wood (plant material)|gesso|pigment|||sculpture|||||137.16 x 81.28 x 101.6 cm||||||Saint Isidore ; |Saint Isidore|||||||||Cornell||JNK|MNW|11/15/2005 0:00:00|8/5/2005 0:00:00|L86415|||0|||||||35|SC||||||1998|||||||||Work|0||||||||||||0|0|Saint Isidor the Laborer;San Ysidro Labrador|López, Félix 4664.00|0|Creator|15|35|L86417-PA|1996|1|35 L86417-PA 1996 1|The Tug of War|Assigned|Image Source (Pub)|||||||The Tug of War|30800|López, Joe L.||painter|Joe L. López|0||||0|||||Mexican American|Hispanic American|American||||North and Central America||United States||||||0||||0||||0||||0|Watercolors|Watercolor||||20|||1995|1995||1995|1995-1995|||||0||||0|||||Watercolor|watercolor|||||painting (image-making)|||||||||||Gangs ; Families ; Children (people by age group) ; Mother and child ; Tug-of-war ; |Gangs|Families|Children (people by age group)|Mother and child|Tug-of-war|||||Cornell||JNK|JNK|8/8/2005 0:00:00|8/8/2005 0:00:00|L86417|||0|||||||35|PA||||||1996|||||||||Work|0|||||Date given in image source is one year different that that accompanying the signature in the lower right hand corner of the work.|||||||0|0|The Tug of War|López, Joe L. 4665.00|0|Creator|15|35|L86419-SC|1994|1|35 L86419-SC 1994 1|The Nanny|Assigned|Image Source (Pub)|||||||The Nanny|7214|López, Yolanda M.||printmaker|Yolanda M. López|0||||0|||||Mexican American|Hispanic American|American||||North and Central America||United States||||||0||||0||||0||||0|Sculpture|Installation (sculpture)||||20|||1994|1994||1994|1994-1994|||||0||||0|||||Mixed media installation||||||sculpture|Installations||||Variable dimensions||||||Immigration ; Nannies ; Mexican American ; Hispanic American ; |Immigration|Nannies|Mexican American|Hispanic American||||||Cornell||JNK|JNK|8/8/2005 0:00:00|8/8/2005 0:00:00|L86419|||0|||||||35|SC||||||1994|||||||||Work|0||||||||||||0|0|The Nanny|López, Yolanda M. 4666.00|0|Creator|15|35|H5574-G|1988|1|35 H5574-G 1988 1|The Offering|Translated|Image Source (Pub)|La ofrenda|Original|Image Source (Pub)||||The Offering (La ofrenda)|5347|Hernández, Ester||painter|Ester Hernández|0||||0|||||Mexican American|Hispanic American|American||||North and Central America||United States||||||0||||0||||0||||0|Prints|Print|Screen print|||20|||1988|1988||1988|1988-1988|||||0||||0|||||Serigraph (screen print)||||||screen printing|||||95.25 x 63.75 cm||||||Guadalupe, Our Lady of ; Tattoos ; |Guadalupe, Our Lady of|Tattoos||||||||Cornell||JNK|MNW|11/10/2005 0:00:00|8/8/2005 0:00:00|H5574|||0|||||||35|G||||||1988|||||||||Work|0||||||||||||0|0|The Offering;La ofrenda|Hernández, Ester 4667.00|0|Creator|15|35|M385-PA|1999|1|35 M385-PA 1999 1|V. G. Gets Variety|Assigned|Image Source (Pub)|||||||V. G. Gets Variety|30802|Martínez, Isabel||painter|Isabel Martínez|0||||0|||||Mexican|Mexican American|American||||North and Central America||Mexico|United States|||||0||||0||||0||||0|Paintings|Painting||||20|||1999|1999||1999|1999-1999|||||0||||0|||||Mixed media|mixed materials|||||painting (image-making)|||||30.48 x 22.86 cm||||||Guadalupe, Our Lady of ; Newspapers ; |Guadalupe, Our Lady of|Newspapers||||||||Cornell||JNK|CLL|12/8/2005 0:00:00|8/8/2005 0:00:00|M385|||0|||||||35|PA||||||1999|||||||||Work|0||||||||||||0|0|V. G. Gets Variety|Martínez, Isabel 4668.00|0|Creator|15|35|D683-G|1996|1|35 D683-G 1996 1|I Lied|Assigned|Image Source (Pub)|||||||I Lied|30990|Donis, Alex||printmaker|Alex Donis|0||||0|||||Hispanic American|American|||||North and Central America||United States||||||0||||0||||0||||0|Prints|Print|Screen print|Poster||20|||1996|1996||1996|1996-1996|||||0||||0|||||Silkscreen on litho poster||||||screen printing|||||76.2 x 53.34 cm||||||Virgin Mary ; |Virgin Mary|||||||||Cornell||JNK|CLL|8/1/2006 0:00:00|8/8/2005 0:00:00|D683|||0|||||||35|G||||||1996|||||||||Work|0||||||||||||0|0|I Lied|Donis, Alex 4669.00|0||||||||Lupe & Sirena Series|Series|Image Source (Pub)|||||||Lupe & Sirena Series|30797|López, Alma||printmaker|Alma López|0||||0|||||Mexican|Mexican American|Hispanic American||||North and Central America||United States||||||0||||0||||0||||0|Computer Art|Print|Computer art|||20|||1999|1999||1999|1999-1999|||||0||||0|||||Iris/Giclé prints on canvas and paper||||||printing|||||||||||Guadalupe, Our Lady of ; |Guadalupe, Our Lady of|||||||||Cornell||JNK|MNW|11/2/2005 0:00:00|8/8/2005 0:00:00|L864|||0||||||||||||||||||||||||0||||||||||||0|0|Lupe & Sirena Series|López, Alma 4670.00|0|Creator|15|35|L864-M|1999|1|35 L864-M 1999 1|Our Lady|Assigned|Image Source (Pub)|||||||Lupe & Sirena Series. Our Lady|30797|López, Alma||printmaker|Alma López|0||||0|||||Mexican|Mexican American|Hispanic American||||North and Central America||United States||||||0||||0||||0||||0|Computer Art|Computer art|Print|||20|||1999|1999||1999|1999-1999||Lupe & Sirena Series|Series||4669||||0|||||Iris/Giclé print on canvas||||||printing|||||44.45 x 35.56 cm||||||Guadalupe, Our Lady of ; Butterflies ; Roses ; Aztec art ; Gay and lesbian art ; |Guadalupe, Our Lady of|Butterflies|Roses|Aztec art|Gay and lesbian art|||||Cornell||JNK|MNW|11/15/2005 0:00:00|8/8/2005 0:00:00|L864|||0|||||||35|M||||||1999|||||||||Work|0||||||||||||0|0|Our Lady|López, Alma 4671.00|0|Creator|15|35|H5574-D|2001|1|35 H5574-D 2001 1|The Virgin of the Streets|Translated|Cataloger|La Virgen de las Calles|Translated|Cataloger||||The Virgin of the Streets (La Virgen de las Calles)|5347|Hernández, Ester||painter|Ester Hernández|0||||0|||||Mexican American|Hispanic American|American||||North and Central America||United States||||||0||||0||||0||||0|Drawings|Pastel (visual work)||||21|||2001|2001||2001|2001-2001|||||0||||0|||||Pastel|pastels (crayons)|||||drawing (image-making)|||||111.76 x 76.2 cm||||||Virgin Mary ; Roses ; |Virgin Mary|Roses||||||||Cornell||JNK|MNW|11/10/2005 0:00:00|8/8/2005 0:00:00|H5574|||0|||||||35|D||||||2001|||||||||Work|0||||||||||||0|0|The Virgin of the Streets;La Virgen de las Calles|Hernández, Ester 4672.00|0|Creator|15|35|M3854-PA|1992|1|35 M3854-PA 1992 1|Self-Portrait as Rodney King|Assigned|Image Source (Pub)|||||||Self-Portrait as Rodney King|30804|Martínez, Óscar J.||painter|Óscar J. Martínez|0||||0|||||Hispanic American|Mexican American|American||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting|Self portrait|||20|||1992|1992||1992|1992-1992|||||0||||0|||||Oil and collage on wood panel|oil paint|panels (wood)||||painting (image-making)|collage||||142.24 x 109.22 cm||||||Portraits ; Self-portraits ; King, Rodney ; |Portraits|Self-portraits|King, Rodney|||||||Cornell||JNK|MNW|11/15/2005 0:00:00|8/8/2005 0:00:00|M3854|||0|||||||35|PA||||||1992|||||||||Work|0||||||||||||0|0|Self-Portrait as Rodney King|Martínez, Óscar J. 4673.00|0|Creator|15|35|M3854-SC|1990|1|35 M3854-SC 1990 1|New Freedoms|Assigned|Image Source (Pub)|New Freedome. Fnew Ideas. New Benefits for Everyone|Inscribed|Image Source (Pub)||||New Freedoms|30804|Martínez, Óscar J.||painter|Óscar J. Martínez|0||||0|||||Hispanic American|Mexican American|American||||North and Central America||United States||||||0||||0||||0||||0|Sculpture|Sculpture|Collage|||20|||1990|1990||1990|1990-1990|||||0||||0|||||Collage on steel sculpture|steel|||||collage|sculpture||||160.02 cm tall||||||Men (male humans) ; Freedom ; |Men (male humans)|Freedom||||||||Cornell||JNK|MNW|11/18/2005 0:00:00|8/8/2005 0:00:00|M3854|||0|||||||35|SC||||||1990|||||||||Work|0||||||||||||0|0|New Freedoms;New Freedome. Fnew Ideas. New Benefits for Everyone|Martínez, Óscar J. 4674.00|0|Creator|15|35|M7983-G|1994|1|35 M7983-G 1994 1|Jesus' Carburetor Repair|Series|Image Source (Pub)|||||||Jesus' Carburetor Repair|29876|Montoya, Delilah||photographer|Delilah Montoya|0||||0|||||Hispanic American|American|||||North and Central America||United States||||||0||||0||||0||||0|Prints|Photomechanical prints||||20|||1994|1994||1994|1994-1994|||||0||||0|||||Collotype (photolithograph)||||||photolithography|||||38.1 x 33.02 cm||||||Automobiles ; Mechanics ; |Automobiles|Mechanics||||||||Cornell||JNK|MNW|11/18/2005 0:00:00|8/8/2005 0:00:00|M7983|||0|||||||35|G||||||1994|||||||||Work|0||||||||||||0|0|Jesus' Carburetor Repair|Montoya, Delilah 4675.00|0|Creator|15|35|L9535-SC|1984|1|35 L9535-SC 1984 1|Our Family Car|Assigned|Image Source (Pub)|||||||Our Family Car|30805|Luján, Gilbert "Magú"||sculptor|Gilbert "Magú" Luján|0||||0|||||Mexican American|Hispanic American|American||||North and Central America||United States||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1984|1984||1984|1984-1984|||||0||||0|||||1950 Chevy sedan, lacquer, and Emeron clear paint job||||||sculpture|||||||||||Automobiles ; |Automobiles|||||||||Cornell||JNK|MNW|11/18/2005 0:00:00|8/9/2005 0:00:00|L9535|||0|||||||35|SC||||||1984|||||||||Work|0||||||||||||0|0|Our Family Car|Luján, Gilbert "Magú" 4676.00|0|Creator|15|35|T171-SC|1992|1|35 T171-SC 1992 1|Chima Altar II: Bertram's Cruise|Assigned|Image Source (Pub)|||||||Chima Altar II: Bertram's Cruise|30806|Tapia, Luis Eligio||sculptor|Luis Eligio Tapia|0||||0|||||Mexican American|Hispanic American|American||||North and Central America||United States||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1992|1992||1992|1992-1992|||||0||||0|||||Carved and painted wood|wood (plant material)|paint||||sculpture|carving||||||||||Automobiles ; Altars ; |Automobiles|Altars||||||||Cornell||JNK|MNW|11/18/2005 0:00:00|8/9/2005 0:00:00|T171|||0|||||||35|SC||||||1992|||||||||Work|0||||||||||||0|0|Chima Altar II: Bertram's Cruise|Tapia, Luis Eligio 4677.00|0|Creator|15|35|O164-SC|1991|1|35 O164-SC 1991 1|Chicanosauro|Assigned|Image Source (Pub)|||||||Chicanosauro|8658|Ochoa, Victor||muralist|Ochoa, Victor|0||||0|||||Mexican American|Hispanic American|American||||North and Central America||United States||||||0||||0||||0||||0|Sculpture|Installation (sculpture)|Sculpture|||20|||1991|1991||1991|1991-1991|||||0||||0|||||Mixed materials sculpture installation|mixed materials|||||sculpture|||||243.84 x 182.88 x 457.2 cm||||||Automobiles ; Dinosaurs ; Hispanic American ; Mexican American ; |Automobiles|Dinosaurs|Hispanic American|Mexican American||||||Cornell||JNK|JNK|8/9/2005 0:00:00|8/9/2005 0:00:00|O164|||0|||||||35|SC||||||1991|||||||||Work|0||||||||||||0|0|Chicanosauro|Ochoa, Victor 4678.00|0|Creator|15|35|O425-SC|2000|1|35 O425-SC 2000 1|Chronicity of Ethnicity|Assigned|Image Source (Pub)|||||||Chronicity of Ethnicity|30807|Olague, Mauricio||sculptor|Mauricio Olague|0||||0|||||Mexican American|Hispanic American|American||||North and Central America||United States||||||0||||0||||0||||0|Sculpture|Sculpture||||20|21||2000|2000||2000|2000-2000|||||0||||0|||||Mixed media|mixed materials|||||sculpture|||||129.54 x 50.8 x 10.16 cm||||||Flags ; Women ; Nudes ; Slavery ; |Flags|Women|Nudes|Slavery||||||Cornell||JNK|JNK|8/9/2005 0:00:00|8/9/2005 0:00:00|O425|||0|||||||35|SC||||||2000|||||||||Work|0||||||||||||0|0|Chronicity of Ethnicity|Olague, Mauricio 4679.00|0|Creator|15|35|O771-CA|2000|1|35 O771-CA 2000 1|Passing|Assigned|Image Source (Pub)|||||||Passing|30809|Ortiz, Andrew J.||artist, computer|Andrew J. Ortiz|0||||0|||||Mexican American|Hispanic American|American||||North and Central America||United States||||||0||||0||||0||||0|Computer Art|Computer art||||20|21||2000|2000||2000|2000-2000|||||0||||0|||||Ink jet print|||||||||||88.9 x 88.9 cm||||||Angels ; Crown of thorns ; Icons ; Religions ; |Angels|Crown of thorns|Icons|Religions||||||Cornell||JNK|JNK|8/9/2005 0:00:00|8/9/2005 0:00:00|O771|||0|||||||35|CA||||||2000|||||||||Work|0||||||||||||0|0|Passing|Ortiz, Andrew J. 4680.00|0|Creator|15|32|E115-PA|182|2|32 E115-PA 1872 2|The Biglen Brothers Racing|Published|Repository|||||||The Biglen Brothers Racing|3432|Eakins, Thomas||painter|Thomas Eakins|0||||0|||||American||||||North and Central America||United States||||||0||||||||0||||0|Paintings|Oil painting||||19|||1872|1872||1872|1872-1872|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||61.2 x 91.6 cm||3367|Washington, DC: National Gallery of Art|Wash, DC: National Gallery||Boats ; Racing ; |Boats|Racing||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|8/10/2005 0:00:00|E115|||0|||||||32|PA||||||1872| ||||||||Work|0||||||||||||0|0||Eakins, Thomas 4681.00|0|Creator|15|32|E115-PA|1875|2|32 E115-PA 1875 2|The Gross Clinic|Published|Dict.Art|||||||The Gross Clinic|3432|Eakins, Thomas||painter|Thomas Eakins|0||||0|||||American||||||North and Central America||United States||||||0||||||||0||||0|Paintings|Oil painting|Painting|||19|||1875|1875||1875|1875-1875|||||0||||0|||||Oil on canvas|oil paint|cane (plant material)||||painting (image-making)|||||243.8 x 198 cm||2247|Philadelphia: Jefferson Medical College|Philadelphia: Jefferson Med. College||Education ; Medicine ; Surgery ; |Education|Medicine|Surgery|||||||Cornell||MNW|JNK|4/18/2006 0:00:00|8/10/2005 0:00:00|E115|||0|||||||32|PA||||||1875| ||||||||Work|0||||||||||||0|0||Eakins, Thomas 4682.00|0|Creator|15|32|E115-PA|1883|1|32 E115-PA 1883 1|The Swimming Hole|||||||||The Swimming Hole|3432|Eakins, Thomas||painter|Thomas Eakins|0||||0|||||American||||||North and Central America||United States||||||0||||||||0||||0|Paintings|Oil painting|Painting|||19|||1883|1885|ca|ca. 1883-1885|ca. 1883-1885|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||69.4 x 92.2 cm||910|Fort Worth: Amon Carter Museum of Western Art|Fort Worth: Amon Carter Mus.||Swimming ; Male nudes ; Men (male humans) ; |Swimming|Male nudes|Men (male humans)|||||||Cornell||MNW|JNK|1/6/2006 0:00:00|8/10/2005 0:00:00|E115|||0|||||||32|PA||||||1883| ||||||||Work|0||||||||||||0|0||Eakins, Thomas 4683.00|0|Creator|15|32|E115-PA|1889|1|32 E115-PA 1889 1|The Agnew Clinic|Published|Dict.Art|||||||The Agnew Clinic|3432|Eakins, Thomas||painter|Thomas Eakins|0||||0|||||American||||||North and Central America||United States||||||0||||||||0||||0|Paintings|Oil painting|Painting|||19|||1889|1889||1889|1889-1889|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||214.3 x 300 cm||4341|Philadelphia: University of Pennsylvania; School of Medicine|Philadelphia: Univ. Penn.: Sch. Med.||Medicine ; Education ; Surgery ; |Medicine|Education|Surgery|||||||Cornell||MNW|JNK|1/6/2006 0:00:00|8/10/2005 0:00:00||||0|||||||32|PA||||||1889|||||||||Work|0||||||||||||0|0||Eakins, Thomas 4684.00|0|Creator|15|32|E115-PA|1899|1|32 E115-PA 1899 1|Between Rounds|||||||||Between Rounds|3432|Eakins, Thomas||painter|Thomas Eakins|0||||0|||||American||||||North and Central America||United States||||||0||||||||0||||0|Paintings|Oil painting|Painting|||19|||1899|1899||1899|1899-1899|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||127.3 x 101.3 cm||3281|Philadelphia: Philadelphia Museum of Art|Philadelphia: Museum of Art||Boxing ; |Boxing|||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|8/10/2005 0:00:00|E115|||0|||||||32|PA||||||1889| ||||||||Work|0||||||||||||0|0||Eakins, Thomas 4685.00|0|Creator|15|32|E115-PA|1898|1|32 E115-PA 1898 1|Salutat|||||||||Salutat|3432|Eakins, Thomas||painter|Thomas Eakins|0||||0|||||American||||||North and Central America||United States||||||0||||||||0||||0|Paintings|Oil painting|Painting|||19|||1898|1898||1898|1898-1898|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||127.3 x 101.6 cm||3893|Andover MA: Phillips Academy; Addison Gallery of American Art|Andover, MA: Phillips Acad.; Addison Gal.||Men (male humans) ; Sports ; |Men (male humans)|Sports||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|8/10/2005 0:00:00|E115|||0|||||||32|PA||||||1898| ||||||||Work|0||||||||||||0|0||Eakins, Thomas 4686.00|0||||||||The Garden of Eden|||||||||The Garden of Eden|2475|Cole, Thomas||painter|Thomas Cole|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Oil painting|Painting|Landscape (representation)||19|||1828|1828||1828|1828-1828|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||||910|Fort Worth: Amon Carter Museum of Western Art|Fort Worth: Amon Carter Mus.||Landscapes ; Garden of Eden ; |Landscapes|Garden of Eden||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|8/10/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0||Cole, Thomas 4687.00|0|Creator|15|32|C689-PA|1828|1|32 C689-PA 1828 1|Expulsion from the Garden of Eden|Published|Image Source (Pub)|||||||Expulsion from the Garden of Eden|2475|Cole, Thomas||painter|Thomas cole|0||||0|||||American|||Hudson River School|||North and Central America||United States||||||0||||||||0||||0|Paintings|Oil painting|Painting|Landscape (representation)||19|||1827|1828||1827-1828|1827-1828|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||99 x 137.2 cm||428|Boston: Museum of Fine Arts|Boston: MFA||Expulsion from Paradise ; Adam ; Eve ; Landscapes ; Garden of Eden ; |Expulsion from Paradise|Adam|Eve|Landscapes|Garden of Eden|||||Cornell||MNW|JNK|4/17/2006 0:00:00|8/10/2005 0:00:00|C689|||0||47.1188|||||32|PA||||||1828| ||||||||Work|0||||||||||||0|0||Cole, Thomas 4688.00|0|Creator|15|32|C689-PA|1833|3|32 C689-PA 1833 3|The Savage State|Artists|Image Source (Pub)|||||||The Course of Empire. The Savage State|2475|Cole, Thomas||painter|Thomas Cole|0||||0|||||American|||Hudson River School|||North and Central America||United States||||||0||||||||0||||0|Paintings|Oil painting|Painting|||19|||1836|1836||1836|1836-1836||The Course of Empire|LargerEntity||4692||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||99.7 x 160.7 cm||4115|New York: New York Historical Society|New York: NY Historical Society||Landscapes ; Empires ; |Landscapes|Empires||||||||Cornell||MNW|JNK|5/31/2006 0:00:00|8/10/2005 0:00:00|C689|||0|||||||32|PA||||||1833| ||||||||Work|0||||||||||||0|0|The Savage State|Cole, Thomas 4689.00|0|Creator|15|32|C689-PA|1833|4|32 C689-PA 1833 4|The Arcadian State|Assigned|Artist|The Pastoral State|Variant|Artist||||The Course of Empire. The Arcadian State|2475|Cole, Thomas||painter|Thomas Cole|0||||0|||||American|||Hudson River School|||North and Central America||United States||||||0|New York|||0||||0||||0|Paintings|Painting|Oil painting|||19|||1836|1836||1836|1836-1836||The Course of Empire|LargerEntity||4692||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||99.7 x 160.7 cm||4115|New York: New York Historical Society|New York: NY Historical Society||Landscapes ; Empires ; |Landscapes|Empires||||||||Cornell||MNW|JNK|5/31/2006 0:00:00|8/10/2005 0:00:00|C689|||0|||||||32|PA||||||1833| ||||||||Work|0||||||||||||0|0|The Arcadian State;The Pastoral State|Cole, Thomas 4690.00|0|Creator|15|32|C689-PA|1833|5|32 C689-PA 1833 5|The Consummation of Empire|Artists|Image Source (Pub)|||||||The Course of Empire. The Consummation of Empire|2475|Cole, Thomas||painter|Thomas Cole|0||||0|||||American|||Hudson River School|||North and Central America||United States||||||0||||||||0||||0|Paintings|Painting|Oil painting|||19|||1833|1836||1833-1836|1833-1836||The Course of Empire|LargerEntity||4692||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||130.2 x 193 cm||4115|New York: New York Historical Society|New York: NY Historical Society||Cityscapes ; Empires ; |Cityscapes|Empires||||||||Cornell||MNW|JNK|5/31/2006 0:00:00|8/10/2005 0:00:00|C689|||0|||||||32|PA||||||1833| ||||||||Work|0||||||||||||0|0|The Consummation of Empire|Cole, Thomas 4691.00|0|Creator|15|32|C689-PA|1833|6|32 C689-PA 1833 6|Destruction|Assigned|Artist|||||||The Course of Empire. Destruction|2475|Cole, Thomas||painter|Thomas Cole|0||||0|||||American|||Hudson River School|||North and Central America||United States||||||0||||||||0||||0|Paintings|Oil painting|Painting|||19|||1833|1836||1833-1836|1833-1836||The Course of Empire|LargerEntity||4692||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||99 x 161.3 cm||4115|New York: New York Historical Society|New York: NY Historical Society||Cityscapes ; Empires ; Destruction ; Wars ; |Cityscapes|Empires|Destruction|Wars||||||Cornell||MNW|JNK|5/31/2006 0:00:00|8/10/2005 0:00:00|C689|||0|||||||32|PA||||||1833| ||||||||Work|0||||||||||||0|0|Destruction|Cole, Thomas 4692.00|0|Creator|15|32|C689-PA||||The Course of Empire|Series|Image Source (Pub)|||||||The Course of Empire|2475|Cole, Thomas||painter|Thomas Cole|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||19|||1832|1836||1832-1836|1832-1836|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||||||||Landscapes ; Empires ; |Landscapes|Empires||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|8/10/2005 0:00:00|C689|||0|||||||32|PA|||||||||||||||Work|0||||||||||||0|0|The Course of Empire|Cole, Thomas 4701.00|0|Creator|15|32|C689-PA|1836|1|32 C689-PA 1836 1|View from Mount Holyoke, Northampton, Massachusetts, After a Thunderstorm - The Oxbow|Assigned|Repository|The Oxbow|Variant|Image Source (Pub)|The Connecticut River near Northampton|Variant|Image Source (Pub)|View from Mount Holyoke, Northampton, Massachusetts, After a Thunderstorm - The Oxbow|2475|Cole, Thomas||painter|Thomas Cole|0||||0|||||American|||Hudson River School|||North and Central America||United States||||||0|New York, NY|||0||||0||||0|Paintings|Oil painting|Painting|Landscape (representation)||19|||1836|1836||1836|1836-1836|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||130.8 x 193 cm||3294|New York: Metropolitan Museum of Art|New York: Metropolitan||Rivers ; Landscapes ; Trees ; |Rivers|Landscapes|Trees|||||||Cornell||MNW|JNK|4/17/2006 0:00:00|8/10/2005 0:00:00|C689|||0||08.228|||||32|PA||||||1836| ||||||||Work|0||||||||||||0|0|View from Mount Holyoke, Northampton, Massachusetts, After a Thunderstorm - The Oxbow;The Oxbow;The Connecticut River near Northampton|Cole, Thomas 4702.00|0|Creator|15|32|C689-PA|1829|1|32 C689-PA 1829 1|The Subsiding Waters of the Deluge|Artists|Repository|||||||The Subsiding Waters of the Deluge|2475|Cole, Thomas||painter|Thomas Cole|0||||0|||||American|||Hudson River School|||North and Central America||United States||||||0||||||||0||||0|Paintings|Oil painting|Painting|Landscape (representation)||19|||1829|1829||1829|1829-1829|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||90.8 x 121.4 cm||3174|Washington, DC: Smithsonian Institution; Museum of American Art|Wash, DC: Smithsonian; Mus. Amer. Art||Landscapes ; Flood ; |Landscapes|Flood||||||||Cornell||MNW|JNK|4/17/2006 0:00:00|8/10/2005 0:00:00|C689|||0||1983.40|||||32|PA||||||1829| ||||||||Work|0||||||||||||0|0||Cole, Thomas 4703.00|0||||||||Peace at Sunset (in the White Mountains)|Artists|Image Source (Pub)|||||||Peace at Sunset (in the White Mountains)|2475|Cole, Thomas||painter|Thomas Cole|0||||0|||||American||||||North and Central America||United States||||||0|San Francisco, CA|||0||||0||||0|Paintings|Oil painting|Painting|Landscape (representation)||19|||1827|1827||1827|1827-1827|||||0||||0|||||oil on canvas|oil paint|canvas||||painting (image-making)|||||68.9 x 81.91 cm||3343|San Francisco: Fine Arts Museums of San Francisco|San Francisco: Fine Arts Museums||Landscapes ; Mountains ; Trees ; |Landscapes|Mountains|Trees|||||||Cornell||MNW|JNK|8/11/2005 0:00:00|8/10/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0||Cole, Thomas 4704.00|0||||||||The Cross of Solitude|Artists|Image Source (Pub)|||||||The Cross of Solitude|2475|Cole, Thomas||painter|Thomas Cole|0||||0|||||American|||Hudson River School|||North and Central America||United States||||||0||||||||0||||0|Paintings|Oil painting|Painting|Landscape (representation)||19||||||||||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||42 x 42 cm||3341|Paris: Musée du Louvre|Paris: Louvre||Landscapes ; Crosses (visual works) ; Trees ; |Landscapes|Crosses (visual works)|Trees|||||||Cornell||MNW|JNK|5/31/2006 0:00:00|8/10/2005 0:00:00|C689|||0||||||||||||||| |||||||||0||||||||||||0|0||Cole, Thomas 4705.00|0|Creator|15|H-75|18|Gómez, I|2|H-75 18 Gómez, I 2|Corridos|Assigned|Image Source (Pub)|||||||Corridos|4646|Gómez, Ignacio||painter|Ignacio Gómez|0||||0|||||Hispanic American|Mexican American|American||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Poster|Painting|||20|||1984|1984||1984|1984-1984|||||0||||0|||||Acrylic|acrylic|||||painting (image-making)|||||60.96 x 45.72 cm||||||Hispanic American ; Mexican American ; Musicals ; |Hispanic American|Mexican American|Musicals|||||||Cornell||JNK|MNW|11/18/2005 0:00:00|8/11/2005 0:00:00|Gómez, I|||0|||||||H|75||18|||||||||||||Work|0||Original painting reproduced as poster for the musical by Luis Valdez.||||||||||0|0|Corridos|Gómez, Ignacio 4706.00|0|Creator|15|32|B588-PA|1871||32 B588-PA 1871 |Bridal Veil Falls, Yosemite|Assigned|Image Source (Pub)|||||||Bridal Veil Falls, Yosemite|1158|Bierstadt, Albert||painter|Albert Bierstadt|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Oil painting|Painting|Landscape (representation)||19|||1871|1873||1871-1873|1871-1873|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||182.9 x 304.8 cm||3269|Raleigh, NC: North Carolina Museum of Art|Raleigh: NC Mus. Art||Landscapes ; Waterfalls ; |Landscapes|Waterfalls||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|8/11/2005 0:00:00|B588|||0||87.9|||||32|PA||||||1871| ||||||||Work|0||||||||||||0|0|Bridal Veil Falls, Yosemite|Bierstadt, Albert 4707.00|0|Creator|15|27|V433-PA|4B|1|27 V433-PA 4B |The Topers|Assigned|Image Source (Pub)|Triumph of Bacchus|Variant|Collection|Los Borrachos|Original|Image Source (Pub)|The Topers (Los Borrachos)|12216|Velazquez, Diego Rodriguez de S.||painter|Diego Velazquez|0||||0|||||Spanish|||Baroque|||Europe||Spain||||||0||||||||0||||0|Paintings|Oil painting|Painting|||17|||1629|1629||1629|1629-1629|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||165 x 225 cm||1616|Madrid: Museo del Prado|Madrid: Prado||Bacchus ; Drinking ; |Bacchus|Drinking||||||||Cornell||MNW|MNW|11/21/2006 0:00:00|8/11/2005 0:00:00|V433|||0||1170|||||27|PA||||||| |4B|||||||Work|0||||||||||||0|0|The Topers;Triumph of Bacchus;Los Borrachos|Velazquez, Diego Rodriguez de S. 4708.00|0|Creator|15|27|R895-PA|MG2191||27 R895-PA MG2191 |Garden of Love|Assigned|Image Source (Pub)|||||||Garden of Love|10147|Rubens, Peter Paul||painter|Peter Paul Rubens|0||||0|||||Flemish|||Baroque|||Europe||Belgium||||||0||||||||0||||0|Paintings|Oil painting|Painting|||17|||1633|1633||1633|1633-1633|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||198 x 283 cm||1616|Madrid: Museo del Prado|Madrid: Prado||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|8/11/2005 0:00:00|R895|||0||1690|||||27|PA||||||| |MG2191|||||||Work|0||||||||||||0|0||Rubens, Peter Paul 4709.00|0|Site|02|B-H3|Rom|1.31|Nav|B-H3 Rom 1.31 Nav|Fountain of the Four Rivers|Translated|Image Source (Pub)|Fontana dei Quattro Fiumi|Original|Blue Guide||||Piazza Navona. Fountain of the Four Rivers|1103|Bernini, Gian Lorenzo||architect|Gian Lorenzo Bernini|0||||0|||||Italian|||Baroque|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Fountain|Sculputre|Obelisk||17|||1648|1651||1648-1651|1648-1651||Piazza Navona|LargerEntity||4710||||0|||||||||||sculpture|||||||||||Fountains ; Obelisks ; Tiber (river) ; Danube River ; Ganges River (India and Bangladesh) ; Rio de la Plata (Argentina and Uruguay) ; River gods ; River God Nile ; River God Tiber|Fountains|Obelisks|Tiber (river)|Danube River|Ganges River (India and Bangladesh)|Rio de la Plata (Argentina and Uruguay)|River gods|River God Nile|River God Tiber|Cornell||MNW|MNW|10/30/2006 0:00:00|8/11/2005 0:00:00||Rom||0||||||Nav|B|||||H3|1.31||||||||||Work|0||||||||||||0|0|Fountain of the Four Rivers;Fontana dei Quattro Fiumi|Bernini, Gian Lorenzo 4710.00|0|Site|02|B-H3|Rom|1.31 Nav||B-H3 Rom 1.31 Nav |Piazza Navona|Descriptive|Blue Guide|Campus Agonis|Original|Blue Guide||||Piazza Navona|0|||||0||||0|||||Italian||||||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|architecture|Piazza|Square (open space)|||1|||86|||86-|86-|||||0||||0||||||||||||||||||||||Piazzas ; |Piazzas|||||||||Cornell||MNW|MNW|5/11/2006 0:00:00|8/11/2005 0:00:00||Rom||0||||||Nav|B|||||H3|1.31||||||||||Work|0|Architecture-Italy|||||||||||0|0|Piazza Navona;Campus Agonis| 4713.00|0|Creator|15|27|R385-|T6291||27 R385- T6291 |Tobias Healing His Father's Blindness|Assigned|Image Source (Pub)|||||||Tobias Healing His Father's Blindness|9750|Rembrandt van Rijn||painter|Rembrandt van Rijn|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Genre||17|||1636|1636||1636|1636|||||||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||99 x 121.9 cm||2761|Stuttgart: Staatsgalerie Stuttgart|Stuttgart: Staatsgalerie||Tobit (Blindness of) ; |Tobit (Blindness of)|||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|8/11/2005 0:00:00|R385|||0|||||||27|||||||| |T6291|||||||Work|0||||||||||||0|0|Tobias Healing His Father's Blindness|Rembrandt van Rijn 4714.00|0|Site|02|B-H3|Rom|3.1|SPet/Bald|B-H3 Rom 3.1 SPet/Bald|Baldacchino|Assigned|Blue Guide|||||||St. Peter's Basilica. Baldacchino|1103|Bernini, Gian Lorenzo||architect|Gian Lorenzo Bernini|0||||0|||||Italian|||Baroque|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Sculpture|Sculpture||||17|||1624|1633||1624-1633|1624-1633||St. Peter's Basilica|LargerEntity||133||||0|||||||||||sculpture|||||||||||||||||||||Cornell||MNW|MNW|8/11/2005 0:00:00|8/11/2005 0:00:00||Rom||0||||||SPet/Bald|B|||||H3|3.1||||||||||Work|0||||||||||||0|0||Bernini, Gian Lorenzo 4715.00|0|Creator|15|27|R385.2-PA|50|1|27 R385.2-PA 50 1|Man with the Golden Helmet|Assigned|Image Source (Pub)|||||||Man with the Golden Helmet|9750|Rembrandt van Rijn||painter|Rembrandt van Rijn|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)||||||0||||||||0||||0|Paintings|Oil painting|Painting|Portrait||17|||1650|1655|ca|ca 1650-1655|ca 1650-1655|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||67 x 50 cm||332|Berlin: Staatliche Museen zu Berlin; Gemaldegalerie|Berlin: Gemaldegalerie||Portraits ; |Portraits|||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|8/12/2005 0:00:00|R385.2|||0|||||||27|PA||||||| |50|||||||Work|0||||||||||||0|0||Rembrandt van Rijn 4716.00|0|Creator|15|40|B528-SC|D247||40 B528-SC D247 |David|Assigned|Image Source (Pub)|||||||David|1103|Bernini, Gian Lorenzo||architect|Gian Lorenzo Bernini|0||||0|||||Italian|||Baroque|||Europe||Italy||||||0||||0||||0||||0|Sculpture|Sculpture||||17|||1623|1624||1623-1624|1623-1624|||||0||||0|||||Marble|marble|||||sculpture|||||170 cm high||2429|Rome: Galleria Borghese|Rome: Galleria Borghese||David ; |David|||||||||Cornell||MNW|MNW|8/12/2005 0:00:00|8/12/2005 0:00:00|B528|||0|||||||40|SC||||||| |D247|||||||Work|0||||||||||||0|0|David|Bernini, Gian Lorenzo 4717.00|0|Creator|15|27|R895-PA|MC755||27 R895-PA MC755 |Consequences of War|Assigned|Image Source (Pub)|||||||Consequences of War|10147|Rubens, Peter Paul||painter|Peter Paul Rubens|0||||0|||||Flemish|||Baroque|||Europe||Belgium||||||0|Florence, Italy|||0||||0||||0|Paintings|Oil painting|Painting|||17|||1638|1638||1638|1638-1638|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||206 x 345 cm||878|Florence: Palazzo Pitti; Galleria Palatina|Florence: Pitti Palace; Gal. Palatine||Wars ; |Wars|||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|8/12/2005 0:00:00|R895|||0|||||||27|PA||||||| |MC55|||||||Work|0||||||||||||0|0||Rubens, Peter Paul 4718.00|0|Creator|15|27|P878-PA|ME179||27 P878-PA ME179 |Echo and Narcissus|Assigned|Image Source (Pub)|||||||Echo and Narcissus|9436|Poussin, Nicolas||painter|Nicolas Poussin|0||||0|||||French|||Baroque|||Europe||Italy||||||0||||||||0||||0|Paintings|Oil painting|Painting|||17|||1625|1625|ca|ca. 1625|ca 1625-1625|||||0||||0|||||Oil on canvas|oil paint|cane (plant material)||||painting (image-making)|||||74 x 100 cm||3341|Paris: Musée du Louvre|Paris: Louvre||Landscapes ; Mythology ; |Landscapes|Mythology||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|8/12/2005 0:00:00|P878|||0|||||||27|PA||||||| |ME179|||||||Work|0||||||||||||0|0||Poussin, Nicolas 4719.00|0|Creator|15|REN P|Correggio||||The Holy Night|Assigned|Image Source (Pub)|Adoration of the Shepherds|Assigned|Image Source (Pub)||||The Holy Night (Adoration of the Shepherds)|2621|Correggio||painter|Correggio|0||||0|||||Italian|||Baroque|||Europe||Italy||||||0||||||||0||||0|Paintings|Oil painting|Painting|||16|||1522|1530||1522-1530|1522-1530|||||0||||0|||||Oil on wood and canvas|canvas|wood (plant material)|oil|||painting (image-making)|||||256 x 188 cm||751|Dresden: Staatliche Kunstsammlungen; Gemäldegalerie Alte Meister|Dresden: Gemäldegalerie Alte Meister||Adoration of the Shepherds ; Birth and youth of Christ ; |Adoration of the Shepherds|Birth and youth of Christ||||||||Cornell||MNW|MNW|8/12/2005 0:00:00|8/12/2005 0:00:00|Correggio|||0||152|||||REN P|||||||| ||||||||Work|0||||||||||||0|0|The Holy Night;Adoration of the Shepherds|Correggio 4720.00|0|Creator|15|25|R895-PA|MP363||27 R895 MP363 |Peasant Dance|Assigned|Image Source (Pub)|||||||Peasant Dance|10147|Rubens, Peter Paul||painter|Peter Paul Rubens|0||||0|||||Flemish|||Baroque|||Europe||Belgium||||||0||||||||0||||0|Paintings|Oil painting|Painting|||17|||1636|1640||1636-1640|1636-1640|||||0||||0|||||Oil on wood|oil paint|wood (plant material)||||painting (image-making)|||||73 x 106 cm||1616|Madrid: Museo del Prado|Madrid: Prado||Dancing ; Dancers ; |Dancing|Dancers||||||||Cornell||MNW|JNK|1/12/2006 0:00:00|8/12/2005 0:00:00|R895|||0|||||||25|PA||||||| |MP363|||||||Work|0||||||||||||0|0||Rubens, Peter Paul 4723.00|0|Site|02|B-H3|Rom|3.1 SAgn||B-H3 Rom 3.1 SAgn |Church of Sant Agnese|Assigned|Image Source (Pub)|Sant'Agnese in Agone|Variant|Blue Guide||||Piazza Navona. Church of Sant Agnese|1414|Borromini, Francesco||architect|Francesco Borromini|0||||0|||||Italian|||Baroque|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Church||||17|||1599|1667||1599-1667|1599-1667||Piazza Navona|||4710||||0||||||||||||||||||||||Churches ; |Churches|||||||||Cornell||MNW|MNW|10/30/2006 0:00:00|8/12/2005 0:00:00||Rom||0||||||SAgn|B|||||H3|3.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|Church of Sant Agnese;Sant'Agnese in Agone|Borromini, Francesco 4724.00|0|Creator|15|BAR P|Kalf, Willem|1662||BAR P Kalf, Willem 1662 |Still Life with Chinese Bowl|Assigned|Image Source (Pub)|||||||Still Life with Chinese Bowl|30811|Kalf, Willem||painter|Willem Kalf|0||||0|||||Dutch||||||Europe||Holland (historical region)||||||0|Berlin, Germany|||0||||0||||0|Paintings|Painting|Oil painting|Still life||17|||1662|1662||1662|1662-1662|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||64 x 53 cm||332|Berlin: Staatliche Museen zu Berlin; Gemaldegalerie|Berlin: Gemaldegalerie||Still lifes ; |Still lifes|||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|8/12/2005 0:00:00|Kalf|||0|||||||BAR P|||||||1662| ||||||||Work|0||||||||||||0|0||Kalf, Willem 4725.00|0|Creator|15|BAR P|Zurbaran, F|1629||BAR P Zurbaran, F 1629 |Apparition of St. Peter to St. Peter Nolasco|Assigned|Image Source (Pub)|||||||Apparition of St. Peter to St. Peter Nolasco|30812|Zurbarán, Francisco de||painter|Francisco de Zurbarán|0||||0|||||Spanish|||Baroque|||Europe||Spain||||||0||||||||0||||0||||||17|||1629|1629||1629|1629-1629|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||179 x 223 cm||1616|Madrid: Museo del Prado|Madrid: Prado||Saint Peter ; |Saint Peter|||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|8/12/2005 0:00:00|Zurbaran,|||0|||||||BAR P|||||||1629| ||||||||Work|0||||||||||||0|0|Apparition of St. Peter to St. Peter Nolasco|Zurbarán, Francisco de 4726.00|0|Site|02|B-H3|Rom|3.1 SSus||B-H3 Rom 3.1 SSus |Santa Susanna|Assigned|Blue Guide|||||||Santa Susanna|7390|Maderno, Carlo||architect|Carlo Maderno|0||||0|||||Italian|||Renaissance|||Europe||Italy|||||||Rome, Italy|||10024|||||||||Architecture|Church||||16|17||1597|1603||1597-1603|1597-1603|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|8/17/2005 0:00:00|8/12/2005 0:00:00||Rom||0||||||SSus|B|||||H3|3.1||||||||||Work|0|Architecture-Italy|||||||||||0|0||Maderno, Carlo 4727.00|0|Creator|15|35|R248-PA||||Collection|Repository|Online Resource|Untitled|Former|Image Source (Pub)||||Collection (formerly Untitled)|9667|Rauschenberg, Robert||painter|Robert Rauschenberg|0||||0|||||American|||Pop|||North and Central America||United States||||||0||||||||0||||0|Paintings|Oil painting|Painting|||20|||1954|1954||1954|1954-1954|||||0||||0|||||Oil, paper, fabric & metal on wood|oil paint|paper (fiber product)|fabric|||painting (image-making)|collage||||203.2 x 243.84 x 8.89 cm||3887|San Francisco: Museum of Modern Art|San Francisco: MoMA||Painting (image making) ; |Painting (image making)|||||||||Cornell||MNW|ElA|6/20/2006 0:00:00|8/15/2005 0:00:00|R248|||0||72.26|||||35|PA||||||| ||||||||Work|0||||||||||||0|0|Collection;Untitled|Rauschenberg, Robert 4728.00|0||||||||Maintenance Art|Artists|Image Source (Pub)|||||||Maintenance Art|12014|Ukeles, Mierle Laderman||artist|Mierle Laderman Ukeles|0||||0|||||American||||||||||||||0||||0||||0||||0|Performance Art|Performance art||||20|||1973|1976||1973-1976|1973-1976|||||0||||0|||||Performance Art||||||performance art|||||||||||||||||||||Cornell||MNW|MNW|8/19/2005 0:00:00|8/19/2005 0:00:00||||0||||||||||||||||||||||||0||Seriess of seventeen performances acknowledging the drudergy of maintenance activities such as cleaning and washing while also acknowledging their necessity. Kastner, Land.||||||||||0|0|Maintenance Art|Ukeles, Mierle Laderman 4729.00|0|Creator|15|35|M7987-PA|1997|1|35 M7987-PA 1997 1|A Master of the Future|Translated|Cataloger|Un maestro pa'l futuro|Artists|Image Source (Pub)||||A Master of the Future (Un maestro pa'l futuro)|29797|Montoya, Malaquias||painter|Malaquias Montoya|0||||0|||||Hispanic American|American|||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||20|||1997|1997||1997|1997-1997|||||0||||0|||||Oil painting|oil paint|||||painting (image-making)|||||123.2 x 92.7 cm||||||Education ; |Education|||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|8/22/2005 0:00:00|M7987|||0|||||||35|PA||||||1997|||||||||Work|0||||||||||||0|0|A Master of the Future;Un maestro pa'l futuro|Montoya, Malaquias 4730.00|0|Creator|15|35|G184-PA|2000|1|35 G184-PA 2000 1|Me in My Home|Artists|Image Source (Pub)|Mä chêz' mo|Artists|Image Source (Pub)||||Me in My Home (Mä chêz' mo)|30813|Gama, Esperanza||painter|Esperanza Gama|0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Painting||||21|||2000|2000||2000|2000-2000|||||0||||0|||||Acrylic on canvas|acrylic|canvas||||painting (image-making)|||||152.4 x 91.4 cm||||||||||||||||Cornell||MNW|MNW|11/18/2005 0:00:00|8/22/2005 0:00:00|G184|||0|||||||35|PA||||||2000|||||||||Work|0||||||||||||0|0|Me in My Home;Mä chêz' mo|Gama, Esperanza 4731.00|0|Creator|15||||||El Sagrado Corazón|Series|Image Source (Pub)|||||||El Sagrado Corazón|29876|Montoya, Delilah||photographer|Delilah Montoya|0||||0|||||Mexican American||||||||||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1994|1994||1994|1994-1994|||||0||||0|||||Collotype||||||photography|photolithography||||||||||||||||||||Cornell||MNW|MNW|8/22/2005 0:00:00|8/22/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|El Sagrado Corazón|Montoya, Delilah 4732.00|0|Creator|15|35|M7983-PH|1994|2|35 M7983-PH 1994 2|The Half-breed|Translated|Cataloger|La genízara|Artists|Image Source (Pub)||||El Sagrado Corazón.The Half-breed ( La genízara)|29876|Montoya, Delilah||photographer|Delilah Montoya|0||||0|||||Mexican American||||||||||||||0||||0||||0||||0|Photographs|Photocollage|Lithograph|Portrait||20|||1994|1994||1994|1994-1994||El Sagrado Corazón|Series||4731||||0|||||Collodion print||||||photography|photolithography||||20.3 x 25.4 cm||||||Portraits ; |Portraits|||||||||Cornell||MNW|MNW|11/18/2005 0:00:00|8/22/2005 0:00:00|M7983|||0|||||||35|PH||||||1994|||||||||Work|0||||||||||||0|0|The Half-breed;La genízara|Montoya, Delilah 4733.00|0|Creator|15|35|M7983-PH|1994|3|35 M7983-PH 1994 3|La Malinche|Artists|Image Source (Pub)|||||||El Sagrado Corazón. La Malinche|29876|Montoya, Delilah||photographer|Delilah Montoya|0||||0|||||Mexican American||||||||||||||0||||0||||0||||0|Photographs|Photocollage|Lithograph|Portrait||20|||1994|1994||1994|1994-1994||El Sagrado Corazón|Series||4731||||0|||||Collodion print||||||photography|photolithography||||20.3 x 25.4 cm||||||Portraits ; |Portraits|||||||||Cornell||MNW|MNW|8/22/2005 0:00:00|8/22/2005 0:00:00|M7983|||0|||||||35|PH||||||1994|||||||||Work|0||||||||||||0|0|La Malinche|Montoya, Delilah 4734.00|0|Creator|15|35|M7987-G|1998|1|35 M7987-G 1998 1|The Treaty of Guadalupe Hidalgo, 1848|Inscribed|Image Source (Pub)|||||||The Treaty of Guadalupe Hidalgo, 1848|29797|Montoya, Malaquias||painter|Malaquias Montoya|0||||0|||||Hispanic American||||||North and Central America||United States||||||0||||0||||0||||0|Graphics|Poster|Print|||20|||1998|1998||1998|1998-1998|||||0||||0|||||Mixed materials|mixed materials||||||||||47 x 62.9 cm||||||||||||||||Cornell||MNW|MNW|11/18/2005 0:00:00|8/22/2005 0:00:00|M7987|||0|||||||35|G||||||1998|||||||||Work|0||||||||||||0|0|The Treaty of Guadalupe Hidalgo, 1848|Montoya, Malaquias 4735.00|0|Creator|15|35|A628-PH|1992|1|35 A628-PH 1992 1|Manilow LP: Dig Site|Artists|Image Source (Pub)|||||||Manilow LP: Dig Site|30814|Los Anthropolocos||group of artists|Los Anthropolocos|0||||0|||||||||||||||||||0||||0||||0||||0|Photographs|Documentary photograph|Performance art|||20|||1992|1994||1992-1994|1992-1994|||||0||||0|||||Color photograph and text||||||photography|color photography|performance art|||||||||Excavations ; Archaeology ; Anthropology ; Race (concept) ; |Excavations|Archaeology|Anthropology|Race (concept)||||||Cornell||MNW|JNK|11/28/2005 0:00:00|8/22/2005 0:00:00|A628|||0|||||||35|PH||||||1992|||||||||Work|0||Photograph of actual dig site in East County San Diego being excavated by Los Anthropolocos. Keller, Chicano.||||||||||0|0|Manilow LP: Dig Site|Los Anthropolocos 4736.00|0|Creator|15|35|A628-PH|1995|1|35 A628-PH 1995 1|Captives of Fate|Artists|Image Source (Pub)|||||||Captives of Fate|30814|Los Anthropolocos||group of artists|Los Anthropolocos|0||||0|||||||||||||||||||0||||0||||0||||0|Photographs|Performance art|Documentary photograph|Portrait||20|||1995|1995||1995|1995-1995|||||0||||0|||||Color photograph and text||||||photography|performance art|color photography|||||||||Captivity ; Anthropology ; Race (concept) ; |Captivity|Anthropology|Race (concept)|||||||Cornell||MNW|JNK|11/28/2005 0:00:00|8/22/2005 0:00:00|A628|||0|||||||35|PH||||||1995|||||||||Work|0||||||||||||0|0|Captives of Fate|Los Anthropolocos 4737.00|0|Creator|15|35|A714-SC|1996|1|35 A714-SC 1996 1|The Leaf and the Flame|Artists|Image Source (Pub)|||||||The Leaf and the Flame|29878|Arismendi, Connie||sculptor|Connie Arismendi|0||||0|||||Mexican American|American|||||North and Central America||United States||||||0||||0||||0||||0|Sculpture|Relief||||20|||1996|1996||1996|1996-1996|||||0||||0|||||Velvet on wood-cast Hydrastone|velvet|castings||||sculpture|molding||||144.8 x 114.3 cm||||||Leaf (plant material) ; Fires ; Books ; |Leaf (plant material)|Fires|Books|||||||Cornell||MNW|JNK|11/28/2005 0:00:00|8/23/2005 0:00:00|A714|||0|||||||35|SC||||||1996|||||||||Work|0||||||||||||0|0|The Leaf and the Flame|Arismendi, Connie 4738.00|0|Creator|15|35|A945-SC|1995|1|35 A945-SC 1995 1|Bulletproof Piñata|Artists|Image Source (Pub)|||||||Bulletproof Piñata|30785|Avalos, David||sculptor|David Avalos|0||||0|||||Mexican American||||||North and Central America||United States||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1995|1995||1995|1995-1995|||||0||||0|||||Mixed materials|mixed materials|||||sculpture|||||83.8 cm across||9566|: Collection of Linda Pace|: Coll. Linda Pace||||||||||||Cornell||MNW|MNW|8/23/2005 0:00:00|8/23/2005 0:00:00|A945|||0|||||||35|SC||||||1995| ||||||||Work|0||||||||||||0|0|Bulletproof Piñata|Avalos, David 4739.00|0|Creator|15|35|A945-SC|1989|1|35 A945-SC 1989 1|Hubcap Milagro|Artists|Image Source (Pub)|Junípero Serra's Next Miracle: Turning Blood Into Thunderbird Wine|Variant|Image Source (Pub)||||Hubcap Milagro (Junípero Serra's Next Miracle…)|30785|Avalos, David||artist|David Avalos|0||||0|||||Mexican American||||||North and Central America||United States||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1989|1989||1989|1989-1989|||||0||||0||||||mixed materials|||||sculpture|||||81.3 x 38.1 x 15.2 cm||9567|: Collection of Doug Simay|: Coll. Doug Simay||Mexican American ; Culture ; |Mexican American|Culture||||||||Cornell||MNW|JNK|11/28/2005 0:00:00|8/23/2005 0:00:00|A945|||0|||||||35|SC||||||1989| ||||||||Work|0||||||||||||0|0|Hubcap Milagro;Junípero Serra's Next Miracle: Turning Blood Into Thunderbird Wine|Avalos, David 4740.00|0|Creator|15|35|B849-TE|2000|1|35 B849-TE 2000 1|500 Plus|Artists|Image Source (Pub)|||||||500 Plus|30817|Briceño, Candace M.||artist, fiber|Candace M. Briceño|0||||0|||||Mexican American||||||Asia||United Arab Emirates||||||0||||0||||0||||0|Textiles|Textile||||21|||2000|2000||2000|2000-2000|||||0||||0|||||Red felt and thread on canvas|felt|thread|canvas|||embroidering|||||122 x 122 cm||||||||||||||||Cornell||MNW|MNW|8/23/2005 0:00:00|8/23/2005 0:00:00|B849|||0|||||||35|TE||||||2000|||||||||Work|0||||||||||||0|0|500 Plus|Briceño, Candace M. 4741.00|0|Creator|15|35|V136-D|1999|2|35 V136-D 1999 2|Sweet|Translated|Cataloger|Dulces|Artists|Image Source (Pub)||||Sweets (Dulces)|12061|Valadez, John||muralist|John Valadez|0||||0|||||Mexican American||||||North and Central America||United States||||||0||||0||||0||||0|Drawings|Pastel (visual work)|Portrait|||20|||1999|1999||1999|1999-1999|||||0||||0|||||Pastel on paper|pastels (crayons)|paper (fiber product)||||drawing (image-making)|||||132 x 109.2 cm||||||Group portraits ; |Group portraits|||||||||Cornell||MNW|MNW|11/20/2005 0:00:00|8/23/2005 0:00:00|V136|||0|||||||35|D||||||1999|||||||||Work|0||||||||||||0|0|Sweet;Dulces|Valadez, John 4742.00|0|Creator|15|35|V136-D|1984|1|35 V136-D 1984 1|Robert and Liz|Artists|Image Source (Pub)|||||||Robert and Liz|12061|Valadez, John||muralist|John Valadez|0||||0|||||Mexican American||||||North and Central America||United States||||||0||||0||||0||||0|Drawings|Pastel (visual work)|Portrait|||20|||1984|1984||1984|1984-1984|||||0||||0|||||Pastel on paper|pastels (crayons)|paper (fiber product)||||drawing (image-making)|||||152.4 x 106.7 cm||||||Group portraits ; |Group portraits|||||||||Cornell||MNW|MNW|8/23/2005 0:00:00|8/23/2005 0:00:00|V136|||0|||||||35|D||||||1984|||||||||Work|0||||||||||||0|0|Robert and Liz|Valadez, John 4743.00|0|Creator|15|35|C3357-PA|1984|1|35 C3357-PA 1984 1|Humanscape 133|Artists|Image Source (Pub)|Sandia|Inscribed|Image Source (Pub)||||Humanscape 133: Sandia|2083|Casas, Melesio||painter|Melesio Casas|0||||0|||||Hispanic American||||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting||||20|||1984|1984||1984|1984-1984|||||0||||0|||||Acrylic on canvas|acrylic|canvas||||painting (image-making)|||||182.9 x 243.8 cm||||||Watermelon ; |Watermelon|||||||||Cornell||MNW|JNK|11/28/2005 0:00:00|8/23/2005 0:00:00|C3357|||0|||||||35|PA||||||1984|||||||||Work|0||||||||||||0|0|Humanscape 133;Sandia|Casas, Melesio 4744.00|0|Creator|15|35|C3357-PA|1988|1|35 C3357-PA 1988 1|Humanscape 149|Artists|Image Source (Pub)|Serape Land|Inscribed|Image Source (Pub)||||Humanscape 149: Serape Land|2083|Casas, Melesio||painter|Casas, Melesio|0||||0|||||Hispanic American||||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting||||20|||1988|1988||1988|1988-1988|||||0||||0|||||Acrylic on canvas|acrylic|canvas||||painting (image-making)|||||182.9 x 243.8 cm||||||Serapes ; |Serapes|||||||||Cornell||MNW|MNW|8/23/2005 0:00:00|8/23/2005 0:00:00|C3357|||0|||||||35|PA||||||1988|||||||||Work|0||||||||||||0|0|Humanscape 149;Serape Land|Casas, Melesio 4745.00|0|Creator|15|35|C434-PA|2000|1|35 C434-PA 2000 1|Pocahontas Gets a New Passport|Artists|Image Source (Pub)|More Art Faster|Inscribed|Image Source (Pub)||||Pocahontas Gets a New Passport (More Art Faster)|30818|Chagoya, Enrique||painter|Enrique Chagoya|0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Portrait||21|||2000|2000||2000|2000-2000|||||0||||0|||||Acrylic, water-based oil on Amate paper|acrylic|oil|amate paper|||painting (image-making)|||||121.9 x 248.9 cm||||||Elizabeth of Austria ; Portraits ; |Elizabeth of Austria|Portraits||||||||Cornell||MNW|MNW|11/20/2005 0:00:00|8/23/2005 0:00:00|C434|||0|||||||35|PA||||||2000|||||||||Work|0||The right portion of the composition is dominated by a tightly executed reproduction of a sixteenth-century portrait of Elizabeth of Austria by the French artist Francois Clouet, 1570. Keller, Chicano.||||||||||0|0|Pocahontas Gets a New Passport;More Art Faster|Chagoya, Enrique 4785.00|0|Category|15||||||Statue of a Ram|Descriptive|Image Source (Pub)|||||||Statue of a Ram|0|||||0||||0||||||||Dynasty 18 (Egyptian)|Kushite|Nubian|Africa||Sudan||||||0||||0|Jebel Barkal, Sudan|||10563|Jebel Barkal, Sudan|||10563|Sculpture|Statue|||BCE||||1360|1360|ca|ca 1360 BCE|ca 1360-1360 BCE|||||0||||0|||||Granite|granite|||||carving|||||130 x 87 x 207 cm||329|Berlin: Staatliche Museen zu Berlin; Agyptisches Museum|Berlin: Agyptisches Mus.||Rams ; Sculpture (visual work) ; Amon (Egyptian deity) ; |Rams|Sculpture (visual work)|Amon (Egyptian deity)|||||||Cornell||MNW|JNK|9/1/2005 0:00:00|8/31/2005 0:00:00||||0||7262||||||||||||| ||||||||Work|0||Originally from Soleb Prussian Egyptian Expedition, 1844.||||||||From Jebel Barkal, outer court (B 501) of Temple B 500.||0|0|Statue of a Ram| 4786.00|0|Category|15||||||Sphinx of Shepenwepet II|Descriptive|Image Source (Pub)|||||||Sphinx of Shepenwepet II|0|||||0||||0|||||Egyptian|||Dynasty 25|Kushite|Napatan|Africa||Egypt||||||0||||0|Karnak, Egypt|||10037|||||Sculpture|Statue|||BCE|-7|||-670|-660||670-660 BCE|-670 - -660|||||||||0|||||Black granite|granite|||||carving|||||46.5 x 82 cm||329|Berlin: Staatliche Museen zu Berlin; Agyptisches Museum|Berlin: Agyptisches Mus.||Sphinx ; |Sphinx|||||||||Cornell||MNW|MNW|8/31/2005 0:00:00|8/31/2005 0:00:00|||Kar|0||7972||||||||||||| ||||||||Work|0||||||||||Acquired in 1879.||0|0|Sphinx of Shepenwepet II| 4787.00|0|Category|15||||||Kneeling Statue of King Taharqo|Descriptive|Image Source (Pub)|||||||Kneeling Statue of King Taharqo|0|||||0||||0||||||||Dynasty 25|Kushite|Napatan|||||||||0||||0||||0||||0|Sculpture|Statue|||BCE|-7|||-690|-664||690-664 BCE|-690- -664|||||0||||0|||||Bronze|bronze|||||casting|||||15.5 cm high||329|Berlin: Staatliche Museen zu Berlin; Agyptisches Museum|Berlin: Agyptisches Mus.||||||||||||Cornell||MNW|MNW|8/31/2005 0:00:00|8/31/2005 0:00:00||||0||34397||||||||||||| ||||||||Work|0||||||||||||0|0|Kneeling Statue of King Taharqo| 4788.00|0|Category|15||||||Statue of God Amun|Descriptive|Image Source (Pub)|||||||Statue of God Amun|0|||||0||||0|||||Egyptian|||Dynasty 26|Kushite|Nubian|Africa||Egypt||||||0||||0||||||||0|Sculpture|Statue|||BCE|-7|||-610|-595||670-660 BCE|-610 - 595|||||0||||0|||||Bronze|bronze|||||casting|||||44.4 x 8 x 13 cm||329|Berlin: Staatliche Museen zu Berlin; Agyptisches Museum|Berlin: Agyptisches Mus.||Amon (Egyptian deity) ; |Amon (Egyptian deity)|||||||||Cornell||MNW|MNW|9/1/2005 0:00:00|8/31/2005 0:00:00||||0||6978||||||||||||| ||||||||Work|0||||||||||||0|0|Statue of God Amun| 4789.00|0|Category|15||||||Male Head|Descriptive|Image Source (Pub)|||||||Male Head|0|||||0||||0||||||||Napatan|Meroitic|Nubian|Africa||Sudan||||||||||0|||||||||Sculpture|Statue|Sculpture|||2|3||100|299||100-299|100-299|||||0||||0|||||Painted Sandstone|sandstone|||||carving|||||26. x 15.2 x 18.4 cm||1250|Khartoum: Sudan National Museum|Khartoum: Sudan Natl. Mus.||Sculpture (visual work) ; Heads (representations) ; Men (male humans) ; |Sculpture (visual work)|Heads (representations)|Men (male humans)|||||||Cornell||MNW|JNK|9/1/2005 0:00:00|9/1/2005 0:00:00||||0||13365||||||||||||| ||||||||Work|0||Discovered by Mission Arqueologica Espanola en Nubia.||||||||From Argin, surface find between Tombs 26 and 27||0|0|Male Head| 4790.00|0|Creator|15|35|E60-M|1998|1|35 E60-M 1998 1|The Painful Rose of My Crazy Life|Translated|Cataloger|La rosa dolorosa de mi vida loca|Artists|Image Source (Pub)||||The Painful Rose of My Crazy Life (La rosa dolorosa de mi vida loca)|30822|Enríquez, Gaspar||artist|Gaspar Enríquez|0||||0|||||Hispanic American|American|||||North and Central America||United States||||||0||||0||||0||||0|Multimedia works|Multimedia work||||20|||1998|1998||1998|1998-1998|||||0||||0|||||Mixed materials|mixed materials|||||multimedia|||||304.8 x 243.8 x 121.9 cm||||||Mater Dolorosa ; Altars ; Murders ; |Mater Dolorosa|Altars|Murders|||||||Cornell||MNW|JNK|11/28/2005 0:00:00|9/2/2005 0:00:00|E60|||0|||||||35|M||||||1998|||||||||Work|0||||||||||||0|0|The Painful Rose of My Crazy Life;La rosa dolorosa de mi vida loca|Enríquez, Gaspar 4746.00|0|Creator|15|35|C434-PA|1995|1|35 C434-PA 1995 1|Color Theory After Baldessari|Artists|Image Source (Pub)|||||||Color Theory After Baldessari|30818|Chagoya, Enrique||painter|Enrique Chagoya|0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Painting||||20|||1995|1995||1995|1995-1995|||||0||||0|||||Acrylic, oil on amate paper|acrylic|oil|amate paper|||painting (image-making)|||||121.9 x 182.9 cm||||||Race (concept) ; Immigration ; |Race (concept)|Immigration||||||||Cornell||MNW|JNK|11/28/2005 0:00:00|8/23/2005 0:00:00|C434|||0|||||||35|PA||||||1995|||||||||Work|0||||||||||||0|0|Color Theory After Baldessari|Chagoya, Enrique 4747.00|0|Creator|15||||||Elisabeth of Austria, Queen of France|Assigned|Repository|||||||Elisabeth of Austria, Queen of France|2406|Clouet, Francois|||Francois Clouet|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Paintings|Oil painting|Portrait|||16|||1571|1571|ca|ca 1571|ca 1571-1571|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||36 x 26 cm||3341|Paris: Musée du Louvre|Paris: Louvre||Elizabeth of Austria ; Portraits ; |Elizabeth of Austria|Portraits||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|8/23/2005 0:00:00|C6474|||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Elisabeth of Austria, Queen of France|Clouet, Francois 4748.00|0|Creator|15|35|C478-PA|2000|1|35 C478-PA 2000 1|Family, Rancho Park|Artists|Image Source (Pub)|||||||Family, Rancho Park|30819|Charlot, Martin||painter|Martin Charlot|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Oil painting|Portrait|||21|||2000|2000||2000|2000-2000|||||0||||0|||||Oil on linen|oil paint|linen (material)||||painting (image-making)|||||61 x 91.4 cm||||||Portraits ; Dogs ; Parrots ; Families ; |Portraits|Dogs|Parrots|Families||||||Cornell||MNW|JNK|1/6/2006 0:00:00|8/23/2005 0:00:00|C478|||0|||||||35|PA||||||2000||||||||||0||||||||||||0|0|Family, Rancho Park|Charlot, Martin 4749.00|0|Creator|15|35|M7215-PA|1993|1|35 M7215-PA 1993 1|It's a Boy|Artists|Image Source (Pub)|||||||It's a Boy|30796|Molina, Laura||painter|Laura Molina|0||||0|||||Mexican American|Hispanic American|||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||20|||1993|1993||1993|1993-1993|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||101.6 x 71.12 cm||||||Birth ; Infants ; Angels ; Blood ; Nudes ; Boys ; |Birth|Infants|Angels|Blood|Nudes|Boys||||Cornell||MNW|JNK|1/6/2006 0:00:00|8/24/2005 0:00:00|M7215|||0|||||||35|PA||||||1993|||||||||Work|0||||||||||||0|0|It's a Boy|Molina, Laura 4750.00|0|Creator|15|35|C434-PA|2000|2|35 C434-PA 2000 2|An American Primitive in Paris|Artists|Image Source (Pub)|||||||An American Primitive in Paris|30818|Chagoya, Enrique||painter|Enrique Chagoya|0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Painting||||21|||2000|2000||2000|2000-2000|||||0||||0|||||Acrylic, oil, transfers on Amate paper|acrylic|oil|amate paper|||painting (image-making)|||||20.32 x 292.1 cm||||||Indians of Central America ; Indians of North America ; Colonization ; |Indians of Central America|Indians of North America|Colonization|||||||Cornell||MNW|JNK|11/28/2005 0:00:00|8/24/2005 0:00:00|C434|||0|||||||35|PA||||||2000|||||||||Work|0||||||||||||0|0|An American Primitive in Paris|Chagoya, Enrique 4751.00|0|Creator|15|35|C434-PA|1994|1|35 C434-PA 1994 1|Xenophobic Nightmare in a Foreign Language|Artists|Image Source (Pub)|||||||Xenophobic Nightmare in a Foreign Language|30818|Chagoya, Enrique||painter|Enrique Chagoya|0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||20|||1994|1994||1994|1994-1994|||||0||||0|||||Acrylic and oil on Amate paper|acrylic|oil|amate paper|||painting (image-making)|||||121.9 x 177.8 cm||||||Indians of Central America ; Indians of North America ; Cannibalism ; |Indians of Central America|Indians of North America|Cannibalism|||||||Cornell||MNW|JNK|11/28/2005 0:00:00|8/24/2005 0:00:00|C434|||0|||||||35|PA||||||1994|||||||||Work|0||||||||||||0|0|Xenophobic Nightmare in a Foreign Language|Chagoya, Enrique 4752.00|0|Creator|15|35|D858-G|1997|1|35 D858-G 1997 1|The New Order|Artists|Image Source (Pub)|||||||The New Order|30820|Duffy, Ricardo||printmaker|Ricardo Duffy|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Graphics|Screen print||||20|||1997|1997||1997|1997-1997|||||0||||0|||||Serigraph||||||screen printing|||||55.88 x 76.2 cm||||||Smoking ; Washington, George, 1732-1799 ; Signs ; |Smoking|Washington, George, 1732-1799|Signs|||||||Cornell||MNW|MNW|11/21/2005 0:00:00|8/24/2005 0:00:00|D858|||0|||||||35|G||||||1997|||||||||Work|0||The caution sign is also depicted in Jesus Rangel's painting, "The Family 187 (La familia, 187)" and in Ricardo Duffy's "Hollywood via Tijuana."||||||||||0|0|The New Order|Duffy, Ricardo 4753.00|0|Creator|15|35|E10-M|1996|1|35 E10-M 1996 1|Opening the Heart Chakra|Artists|Image Source (Pub)|||||||Opening the Heart Chakra|30821|Eagar, Jorge||artist|Jorge Eagar|0||||0|||||Mexican American|American|||||North and Central America||United States||||||0||||0||||0||||0|Multimedia works|Diptych|Montage|||20|||1996|1996||1996|1996-1996|||||0||||0|||||Mixed-media small box montage cajita||||||montage|||||20.3 x 20.3 cm (each panel)||||||Angels ; Christ ; Virgin Mary ; Shells (animal material) ; Stars ; |Angels|Christ|Virgin Mary|Shells (animal material)|Stars|||||Cornell||MNW|MNW|1/29/2006 0:00:00|8/24/2005 0:00:00|E10|||0|||||||35|M||||||1996|||||||||Work|0||||||||||||0|0|Opening the Heart Chakra|Eagar, Jorge 4754.00|0|Creator|15|32|D241-G|1859|2|32 D241-G 1859 2|La Dame. --Oh! mon ami…|Inscribed|Image Source (Pub)|The Wife. --Oh, My Dear…|Translated|Image Source (Pub)||||La Dame. --Oh! mon ami…|2891|Daumier, Honore||printmaker|Honore Daumier|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Prints|Lithograph|Caricature|Satire||19|||1859|1859||1859|1859-1859|||||0||||0|Delteil, Loys. Le Peintre-Graveur illustre: Duamier (Paris: Chez l'auteur, 1925-1930)|3193|||Lithograph||||||lithography|printing||||||3294|New York: Metropolitan Museum of Art|New York: Metropolitan||Women ; Feminism ; |Women|Feminism||||||||Cornell||MNW|CLL|9/27/2005 0:00:00|8/25/2005 0:00:00|D241|||0||62.650.348|||||32|G||||||1859| ||||||||Work|0||Published in Le Charivari.|||Published in Le Charivari, August 15, 1859.|||||||0|0|La Dame. --Oh! mon ami…;The Wife. --Oh, My Dear…|Daumier, Honore 4755.00|0|Creator|15|32|D241-G|1844|3|32 D241-G 1844 3|Monsieur, pardon si je vous gêne un peu…|Inscribed|Image Source (Pub)|Monsieur, Excuse Me if I Get in Your Way a Little…|Translated|Image Source (Pub)||||Monsieur, pardon si je vous gêne un peu…|2891|Daumier, Honore||printmaker|Honore Daumier|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Prints|Lithograph|Caricature|Satire||19|||1844|1844||1844|1844-1844|||||0||||0|Delteil, Loys. Le Peintre-Graveur illustre: Duamier (Paris: Chez l'auteur, 1925-1930)|1233|||Lithograph||||||lithography|||||||9568|New York: New York Public Library; Wallach Div. of Art, Prints, & Photographs|NYC: NYPL; Div. of Art, Prints, Photographs||Libraries (rooms) ; Women ; Feminism ; |Libraries (rooms)|Women|Feminism|||||||Cornell||MNW||8/26/2005 0:00:00|8/25/2005 0:00:00|D241|||0|||||||32|G||||||1844| ||||||||Work|0||Published in Le Charivari.|||Published in Le Charivari, March 8, 1844.|||||||0|0|Monsieur, pardon si je vous gêne un peu…;Monsieur, Excuse Me if I Get in Your Way a Little…|Daumier, Honore 4756.00|0|Creator|15|32|D241-G|1844|4|32 D241-G 1844 4|Depuis que Virginie a obtenu le septième accessit de poésie à L'Académie de française…|Inscribed|Image Source (Pub)|Every Since Virginia Got the Seventh Price for Poetry at the Académie française…|Translated|Image Source (Pub)||||Depuis que Virginie a obtenu le septième accessit de poésie à L'Académie de française…|2891|Daumier, Honore||printmaker|Honore Daumier|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Prints|Lithograph|Caricature|Satire||19|||1844|1844||1844|1844-1844|||||0||||0|Delteil, Loys. Le Peintre-Graveur illustre: Duamier (Paris: Chez l'auteur, 1925-1930)|1244|||Lithograph||||||lithography|||||||9568|New York: New York Public Library; Wallach Div. of Art, Prints, & Photographs|NYC: NYPL; Div. of Art, Prints, Photographs||Feminism ; Women ; |Feminism|Women||||||||Cornell||MNW||8/26/2005 0:00:00|8/26/2005 0:00:00|D241|||0|||||||32|G||||||1844| ||||||||Work|0||Published in Le Charivari.|||Published in Le Charivari, April 18, 1844.|||||||0|0|Depuis que Virginie a obtenu le septième accessit de poésie à L'Académie de française…;Every Since Virginia Got the Seventh Price for Poetry at the Académie française…|Daumier, Honore 4757.00|0|Creator|15|32|D241-G|1844|5|32 D241-G 1844 5|La mère est dan le feu de la composition, l'enfant est dan l'eau de la baignoire!|Inscribed|Image Source (Pub)|The Mother is in the Fire of Composition, the Baby is in the Bath Water!|Translated|Image Source (Pub)||||La mère est dan le feu de la composition, l'enfant est dan l'eau de la baignoire!|2891|Daumier, Honore||printmaker|Honore Daumier|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Prints|Lithograph|Caricature|Satire||19|||1844|1844||1844|1844-1844|||||0||||0|Delteil, Loys. Le Peintre-Graveur illustre: Duamier (Paris: Chez l'auteur, 1925-1930)|1227|||Lithograph||||||lithography|||||||3639|Waltham: Brandeis University; Rose Art Museum|Waltham: Brandeis Univ.; Rose Art Mus.||Feminism ; Women ; Bathing ; Children (people by age group) ; |Feminism|Women|Bathing|Children (people by age group)||||||Cornell||MNW||8/26/2005 0:00:00|8/26/2005 0:00:00|D241|||0|||||||32|G||||||1844| ||||||||Work|0||Published in Le Charivari.|||Published in Le Charivari, Feb. 26, 1844.|||||||0|0|La mère est dan le feu de la composition, l'enfant est dan l'eau de la baignoire!;The Mother is in the Fire of Composition, the Baby is in the Bath Water!|Daumier, Honore 4758.00|0|Creator|15|32|D241-G|1844|6|32 D241-G 1844 6|Emportez donc ça plus loin….il est impossible de travailler ua milieu d'un vacarme pareil…|Inscribed|Image Source (Pub)|Take That Farther Away…It is Impossible to Work in the Middle of Such a Racket…|Translated|Image Source (Pub)||||Emportez donc ça plus loin….il est impossible de travailler ua milieu d'un vacarme pareil…|2891|Daumier, Honore||printmaker|Honore Daumier|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Prints|Lithograph|Caricature|Satire||19|||1844|1844||1844|1844-1844|||||0||||0|Delteil, Loys. Le Peintre-Graveur illustre: Duamier (Paris: Chez l'auteur, 1925-1930)|1231|||Lithograph||||||lithography|||||||3639|Waltham: Brandeis University; Rose Art Museum|Waltham: Brandeis Univ.; Rose Art Mus.||Feminism ; Women ; Children (people by age group) ; |Feminism|Women|Children (people by age group)|||||||Cornell||MNW||8/26/2005 0:00:00|8/26/2005 0:00:00|D241|||0|||||||32|G||||||1844| ||||||||Work|0||Published in Le Charivari.|||Published in Le Charivari, March 2, 1844.|||||||0|0|Emportez donc ça plus loin….il est impossible de travailler ua milieu d'un vacarme pareil…;Take That Farther Away…It is Impossible to Work in the Middle of Such a Racket…|Daumier, Honore 4759.00|0|Creator|15|32|D241-G|1844|7|32 D241-G 1844 7|Dis donc…mon mari…j'ai bien envie d'appeler mon drame "Arthur" et d'intituler mon enfant Oscar!...|Inscribed|Image Source (Pub)|Say, Husband…I have a Mind to Call my Play "Arthur" and to Entitle My Child "Oscar"!...|Translated|Image Source (Pub)||||Dis donc…mon mari…j'ai bien envie d'appeler mon drame "Arthur" et d'intituler mon enfant Oscar!...|2891|Daumier, Honore||printmaker|Honore Daumier|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Prints|Lithograph|Caricature|Satire||19|||1844|1844||1844|1844-1844|||||0||||0|Delteil, Loys. Le Peintre-Graveur illustre: Duamier (Paris: Chez l'auteur, 1925-1930)|1222|||Lithograph||||||lithography|||||||428|Boston: Museum of Fine Arts|Boston: MFA||Feminism ; Women ; |Feminism|Women||||||||Cornell||MNW||8/26/2005 0:00:00|8/26/2005 0:00:00|D241|||0|||||||32|G||||||1844| ||||||||Work|0||Published in Le Charivari.|||Published in Le Charivari, Feb. 1, 1844.|||||||0|0|Dis donc…mon mari…j'ai bien envie d'appeler mon drame "Arthur" et d'intituler mon enfant Oscar!...;Say, Husband…I have a Mind to Call my Play "Arthur" and to Entitle My Child "Oscar"!...|Daumier, Honore 4760.00|0|Creator|15||||||Pastorales|Series|Image Source (Pub)|||||||Pastorales|2891|Daumier, Honore||printmaker|Honore Daumier|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Prints|Lithograph|Caricature|Satire||19|||1845|1846||1845-1846|1845-1846|||||0||||0|||||Lithograph||||||lithography|||||||||||||||||||||Cornell||MNW|MNW|8/26/2005 0:00:00|8/26/2005 0:00:00|D241|||0|||||||32||||||||||||||||Work|0||This series of fifty prints appeared in Le Charivari between 1845 and 1846. Symonds, Daumier.||||||||||0|0|Pastorales|Daumier, Honore 4761.00|0|Creator|15|32|D241-G|1845|3|32 D241-G 1845 3|Face to Face with a Frightful Creature, no. 36|Translated|Image Source (Pub)|Une terrible rencontre, no. 36|Original|Image Source (Pub)||||Pastorales. Face to Face with a Frightful Creature, no. 36 (Une terrible rencontre)|2891|Daumier, Honore||printmaker|Honore Daumier|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Prints|Lithograph|Caricature|Satire||19|||1845|1845||1845|1845-1845||Pastorales|Series||4760||||0|Delteil, Loys. Le Peintre-Graveur illustre: Daumier (Paris: Chez l'auteur, 1925-1930)|2251|||Lithograph||||||lithography|||||26.2 x 22.6 cm||2171|Paris: Bibliotheque Nationale; Cabinet des Estampes|Paris: Bib. Nat.; Cab. des Estampes||||||||||||Cornell||MNW|CLL|9/27/2005 0:00:00|8/26/2005 0:00:00|D241|||0|||||||32|G||||||1845| ||||||||Work|0||Published in Le Charivari|||Published in Le Charivari, Dec. 7, 1845.|||||||0|0|Face to Face with a Frightful Creature, no. 36;Une terrible rencontre, no. 36|Daumier, Honore 4762.00|0|Creator|06|J-MP-Melford||||J-MP-Melford|The Sheik|Assigned|Image Source (Pub)|||||||The Sheik|30826|Melford, George||director, film|George Melford|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Motion Pictures|Film (performing art)|Film still|||20|||1921|1921||1921|1921-1921|||||0||||0|||||||||||film making|||||||||||Sheikhs ; |Sheikhs|||||||||Cornell||JNK|MNW|11/9/2005 0:00:00|9/1/2005 0:00:00|Melford|||0|||||||J-MP||||||||||||||||Work|0||||||||||||0|0|The Sheik|Melford, George 4763.00|0|Site|02||||||Apedemak Temple|Descriptive|Image Source (Pub)|||||||Apedemak Temple|0|||||0||||0||||||||Meroitic|Kushite||Africa||Sudan||||||0|Musawwarat al-Sufrah, Sudan|||10560||||0||||0|Architecture|Temple|||BCE|-03|||-235|-128||235 -128|-235 - -128|||||0||||0||||||||||||||||||||||Temples ; |Temples|||||||||Cornell||MNW|JNK|9/2/2005 0:00:00|8/29/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Apedemak Temple| 4764.00|0|Category|15||||||Emperor Augustus|Descriptive|Image Source (Pub)|||||||Emperor Augustus|0|||||0||||0||||||||Meroitic|Kushite||Africa||Sudan||||||0||||0||||0|Meroë|||10561|Scupture|Sculpture|Bust|Portrait|BCE|-01|01||-27|14||27 BCE-14CE|-27-14|||||0||||0|||||Bronze|bronze|||||casting|||||||3373|London: British Museum|London: British Museum||Augustus, Emperor of Rome, 63 BCE-14CE ; Portraits ; |Augustus, Emperor of Rome, 63 BCE-14CE|Portraits||||||||Cornell||MNW|JNK|9/2/2005 0:00:00|8/29/2005 0:00:00||||0||1911.9-1.1||||||||||||| ||||||||Work|0||||||||||||0|0|Emperor Augustus| 4765.00|0||||||||Bishop Marianos with the Virgin Mary and Child|Descriptive|Online Resource|||||||Bishop Marianos with the Virgin Mary and Child|0|||||0||||0||||||||Medieval|||Africa||Sudan|||Cathedral, Faras, Sudan|||10562||||0|Cathedral, Faras, Sudan|||10562||||0|Paintings|Fresco||||02|||1003|1036||1003-1036|1003-1036|||||0||||0|||||Fresco||||||fresco painting|||||||3336|Warsaw: National Museum|Warsaw: Nat'l. Museum||Madonna and Child ; Bishops (prelates) ; |Madonna and Child|Bishops (prelates)||||||||Cornell||MNW|JNK|9/1/2005 0:00:00|8/29/2005 0:00:00||||0||234036||||||||||||| |||||||||0||This is one of the so-called "Miracles of Faras."||||||||From the east wall of the south chapel of the Great Cathedral at Faras.||0|0|Bishop Marianos with the Virgin Mary and Child| 4766.00|0|Category|01||||||Map of Northeast Africa and Surrounding Countries Highlighting the Location of Ancient Nubia|Descriptive|Image Source (Pub)|||||||Map of Northeast Africa and Surrounding Countries Highlighting the Location of Ancient Nubia|0|||||0||||0|||||||||||Africa||Egypt|Sudan|||||0||||0||||0||||0|Maps|Map||||20|||1950|1992|ca|ca 1950-1992|ca 1950-1992|||||0||||0|||||Map||||||printing|||||||||||Maps ; Nubia ; Africa ; |Maps|Nubia|Africa|||||||Cornell||MNW|JNK|9/2/2005 0:00:00|8/29/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Map of Northeast Africa and Surrounding Countries Highlighting the Location of Ancient Nubia| 4767.00|0|Category|15||||||Colossal Statue of King Aspelta|Descriptive|Repository|||||||Colossal Statue of King Aspelta|0|||||0||||0|||||Nubian|||Nubian|Kushite|Napatan|Africa||Sudan|||Jebel Barkal, Sudan|||10563||||0||||0||||0|Sculpture|Sculpture|||BCE|06|||593|568||593-568 BCE|593-568 BCE|||||0||||0|||||Granite gneiss|granite|||||carving|||||332.1 cm high||428|Boston: Museum of Fine Arts|Boston: MFA||Kings (people) ; Statues ; Sculpture (visual work) ; |Kings (people)|Statues|Sculpture (visual work)|||||||Cornell||MNW|JNK|9/2/2005 0:00:00|8/29/2005 0:00:00||||0||23.730||||||||||||| ||||||||Work|0||||||||||From the Temple of Amen at Gebel Barkal, Sudan.||0|0|Colossal Statue of King Aspelta| 4768.00|0||||||||Computer Reconstruction of Ancient Temple Complex|Assigned|Image Source (Pub)|||||||Computer Reconstruction of Ancient Temple Complex|0|||||0||||0|||||Nubian|||Nubian|Kushite|Napatan|Africa||Sudan||||||0|||||Jebel Barkal, Sudan|||10563||||0|Archaeological Sites|Documentary photograph|Reconstruction||BCE|-02|||1200|1300|ca|ca 1250 BCE|ca -1200 - -1300 BCE|||||0||||0||||||||||||||||||||||Jebel Barkal, Sudan ; |Jebel Barkal, Sudan|||||||||Cornell||MNW|JNK|9/2/2005 0:00:00|8/29/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Computer Reconstruction of Ancient Temple Complex| 4769.00|0||||||||Pinnacle and Ancient Ruins of Jebel Barkal|Assigned|Image Source (Pub)|||||||Pinnacle and Ancient Ruins of Jebel Barkal|0|||||0||||0||||||||Nubian|Kushite|Napatan|Africa||Sudan||||||0|Jebel Barkal, Sudan|||10563||||0||||0|Archaeological Sites|Temple||||-13|||1300|1200|ca|ca 1250 BCE|ca -1300 - -1200 BCE|||||0||||0||||||||||||||||||||||Jebel Barkal, Sudan ; Temples ; |Jebel Barkal, Sudan|Temples||||||||Cornell||MNW|JNK|9/1/2005 0:00:00|8/29/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Pinnacle and Ancient Ruins of Jebel Barkal| 4770.00|0|Category|05||||||Nubians Moving to Kom Ombo From Aswan|Descriptive|Cataloger|||||||Nubians Moving to Kom Ombo From Aswan|30823|Gerster, Georg||photographer|Georg Gerster|0||||0|||||||||||Africa||Egypt||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1960|1970|ca|ca 1960-1970|ca 1960-1970|||||0||||0|||||Documentary photograph|photographic paper|||||photography|||||||||||Aswan ; Nubia ; |Aswan|Nubia||||||||Cornell||MNW|JNK|9/2/2005 0:00:00|8/29/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Nubians Moving to Kom Ombo From Aswan|Gerster, Georg 4771.00|0|Category|05||||||Nubian Women with New Houses in Kom Ombo|Descriptive|Cataloger|||||||Nubian Women with New Houses in Kom Ombo|30823|Gerster, Georg||photographer|Georg Gerster|0||||0|||||||||||Africa||Egypt||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1960|1970||ca 1960-1970|ca 1960-1970|||||0||||0|||||Documentary photograph|photographic paper|||||photography|||||||||||Aswan ; Nubia ; |Aswan|Nubia||||||||Cornell||MNW|JNK|9/2/2005 0:00:00|8/29/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Nubian Women with New Houses in Kom Ombo|Gerster, Georg 4772.00|0|Category|07||||||Shield Ring with Ram's Head of Amun|Descriptive|Image Source (Pub)|||||||Shield Ring with Ram's Head of Amun|0|||||0||||0|||||Egyptian|||Nubian|Meroitic|Kushite|Africa||Egypt||||||0||||0||||0|Meroë, Sudan||||Jewelry|Jewelry||||-01|||-99|-01|ca|First century BCE|ca -99- -01|||||0||||0|||||Gold and fused glass|gold|glass (material)|||||||||4.7 cm high||5112|Berlin: Staatliche Museen zu Berlin; Altes Museum: Antikensammlung|Berlin: Altes Mus.; Antikensamm.||Amon (Egyptian deity) ; Rams ; Shields ; |Amon (Egyptian deity)|Rams|Shields|||||||Cornell||MNW|JNK|9/1/2005 0:00:00|8/29/2005 0:00:00||||0||22871||||||||||||| ||||||||Work|0||||||||||||0|0|Shield Ring with Ram's Head of Amun| 4773.00|0|Category|07||||||Shield Ring with Ram's Head of Amun in Front of a Chapel|Descriptive|Image Source (Pub)|||||||Shield Ring with Ram's Head of Amun in Front of a Chapel|0|||||0||||0|||||Egyptian|||Nubian|Meroitic|Kushite|Africa||Egypt||||||0||||0||||0||||0|Jewelry|Jewelry|||BCE|-01|||-99|-01|ca|First century BCE|ca -99--01 BCE|||||0||||0|||||Gold, fused glass, and carnelian|gold|glass (material)|carnelian||||||||5.5 cm high||1799|Munich: Staatliche Antikensammlungen|Munich: Antikensammlung.||Amon (Egyptian deity) ; Rams ; Shields ; Chapels ; |Amon (Egyptian deity)|Rams|Shields|Chapels||||||Cornell||MNW|CLL|9/6/2005 0:00:00|8/29/2005 0:00:00||||0||2446b||||||||||||| ||||||||Work|0||||||||||||0|0|Shield Ring with Ram's Head of Amun in Front of a Chapel| 4774.00|0|Category|07||||||Shield Ring with Crowned Sun Disk|Descriptive|Image Source (Pub)|||||||Shield Ring with Crowned Sun Disk|0|||||0||||0|||||Egyptian|||Nubian|Meroitic|Kushite|||||||||0||||0||||0||||0|Jewelry|Jewelry||||-01|||-99|-01|ca|First century BCE|ca -99--01|||||0||||0|||||Gold and fused glass|gold|glass (material)|||||||||5.0 cm high||1799|Munich: Staatliche Antikensammlungen|Munich: Antikensammlung.||||||||||||Cornell||MNW|JNK|9/2/2005 0:00:00|8/29/2005 0:00:00||||0||246d||||||||||||| ||||||||Work|0||||||||||||0|0|Shield Ring with Crowned Sun Disk| 4775.00|0|Category|15||||||Wall Painting of a Nubian Queen Protected by the Holy Virgin and Child|Collective Title|Image Source (Pub)|||||||Wall Painting of a Nubian Queen Protected by the Holy Virgin and Child|0|||||0||||0||||||||Medieval|||Africa||Sudan|||Cathedral, Faras, Sudan|||10562||||0|Cathedral, Faras, Sudan|||10562||||0|Paintings|Painting||||12|||1150|1199|ca|2nd half of 12th century|ca 1150-1199|||||0||||0|||||mud plaster, paint|mud|paint||||painting (image-making)|||||1.75 m x 590 mm (Madonna)||1250|Khartoum: Sudan National Museum|Khartoum: Sudan Natl. Mus.||Madonna and Child ; Queens ; |Madonna and Child|Queens||||||||Cornell||MNW|JNK|9/1/2005 0:00:00|8/29/2005 0:00:00||||0||SNM 24362||||||||||||| ||||||||Work|0||This is one of the so-called "Miracles of Faras."||||||||From the north aisle, west face of the first pilaster of the Great Cathedral at Faras.||0|0|Wall Painting of a Nubian Queen Protected by the Holy Virgin and Child| 4776.00|0|Category|01||||||Map of the Egyptian Middle Kingdom (2055-1650 BCE) Showing Pharonic Sites|Descriptive|Cataloger|||||||Map of the Egyptian Middle Kingdom (2055-1650 BCE)|0|||||0||||0|||||Egyptian|||Middle Kingdom|||Africa||Egypt||||||0||||0||||0||||0|Maps|Map||||||||||||||||0||||0||||||||||||||||||||||Maps ; Egypt ; Middle Kingdom (Egyptian) ; Nile River ; |Maps|Egypt|Middle Kingdom (Egyptian)|Nile River||||||Cornell||MNW|JNK|9/1/2005 0:00:00|8/30/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Map of the Egyptian Middle Kingdom (2055-1650 BCE) Showing Pharonic Sites| 4777.00|0|Site|02||||||Pyramid Field at Jebel Barkal|Descriptive|Image Source (Pub)|||||||Pyramid Field at Jebel Barkal|0|||||0||||0||||||||Nubian|Kushite|Napatan|Africa||Sudan||||||0|Jebel Barkal, Sudan|||10563||||0||||0|Architecture|Pyramid (tomb)|||BCE|-02|||1200|1300|ca|ca 1200-1300 BCE|ca -1200 - -1300|||||0||||0||||||||||||||||||||||Architecture ; Pyramids (tombs) ; |Architecture|Pyramids (tombs)||||||||Cornell||MNW|JNK|9/1/2005 0:00:00|8/31/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Pyramid Field at Jebel Barkal| 4778.00|0|Category|15||||||Sphinx of Senkamanisken|Descriptive|Image Source (Pub)|||||||Sphinx of Senkamanisken|0|||||0||||0||||||||Kushite|Nubian|Napatan|Africa||Sudan||||||0||||0||||0|Jebel Barkal, Sudan|||10563|Sculpture|Statue|Sculpture||BCE|-03|||255|201|ca|3rd quarter of 3rd C. BCE|ca -255 - -201|||||0||||0|||||Granite|granite|||||carving|||||88.3 x 53.9 x 25.5 cm||1250|Khartoum: Sudan National Museum|Khartoum: Sudan Natl. Mus.||Sculpture (visual work) ; Sphinx ; |Sculpture (visual work)|Sphinx||||||||Cornell||MNW|JNK|9/1/2005 0:00:00|8/31/2005 0:00:00||||0||SNM 1852||||||||||||| ||||||||Work|0||||||||||From the Great Temple of Amun, Court B 501.||0|0|Sphinx of Senkamanisken| 4779.00|0|Category|15||||||Statuette of the God Amun With Ram Head|Descriptive|Image Source (Pub)|||||||Statuette of the God Amun With Ram Head|0|||||0||||0||||||||Kushite|Meroitic|Nubian|Africa||Sudan||||||0||||0||||0|Jebel Barkal, Sudan|||10563|Sculpture|Figurine|Sculpture||BCE|-03|-02|-01|300|001|ca|Third to first centuries BCE|ca -300 - -001|||||0||||0|||||Granite|granite|||||carving|||||60 x 15.7 x 20.5 cm||1250|Khartoum: Sudan National Museum|Khartoum: Sudan Natl. Mus.||Amon (Egyptian deity) ; Rams ; |Amon (Egyptian deity)|Rams||||||||Cornell||MNW|JNK|9/1/2005 0:00:00|8/31/2005 0:00:00||||0||1844||||||||||||| ||||||||Work|0||||||||||From Jebel Barkal, Temple B 700, Room B 704 (sanctuary)||0|0|Statuette of the God Amun With Ram Head| 4780.00|0|Site|02||||||Lion Temple|Descriptive|Image Source (Pub)|Temple of Apedemak|Descriptive|Dict.Art||||Lion Temple (Temple of Apedemak)|0|||||0||||0||||||||Meroitic|Nubian|Kushite|Africa||Sudan||||||0|Naqa, Sudan|||10566||||0||||0|architecture|Temple||||01|||10|40|ca|ca 10-40|ca 10-40||Lion Temple|||4780||||0||||||||||||||||||||||Apedemak (Egyptian deity) ; Temples ; |Apedemak (Egyptian deity)|Temples||||||||Cornell||MNW|JNK|9/1/2005 0:00:00|8/31/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Lion Temple;Temple of Apedemak| 4782.00|0||||||||King Natakamani Stands Before the Lion God Apedemek, Horus, and Amun|Descriptive|Cataloger|||||||King Natakamani Stands Before the Lion God Apedemek, Horus, and Amun|0|||||0||||0||||||||Meroitic|Nubian|Kushite|Africa||Sudan||||||0|Naqa, Sudan|||10566||||0||||0|Sculpture|Relief||||01|||10|40|ca|ca 10-40|ca 10-40||Lion Temple|||4780||||0||||||||||||||||||||||Natakamani ; Apedemak (Egyptian deity) ; Horus (Egyptian deity) ; Amon (Egyptian deity) ; |Natakamani|Apedemak (Egyptian deity)|Horus (Egyptian deity)|Amon (Egyptian deity)||||||Cornell||MNW|JNK|9/1/2005 0:00:00|8/31/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|King Natakamani Stands Before the Lion God Apedemek, Horus, and Amun| 4783.00|0|Category|15||||||Wall Painting of Christ Victor Trampling Evil Powers|Descriptive|Image Source (Pub)|||||||Wall Painting of Christ Victor Trampling Evil Powers|0|||||0||||0||||||||Medieval|||Africa||Sudan||||||0||||0||||0|Old Dunqulah, Sudan|||10567|Paintings|Painting||||8|9||775|825|ca|Late 8th to early 9th C.|ca 775-825|||||0||||0|||||Mud plaster and paint|mud|plaster|paint|||painting (image-making)|||||1.9 M x 90 cm||1250|Khartoum: Sudan National Museum|Khartoum: Sudan Natl. Mus.||Christ ; |Christ|||||||||Cornell||MNW|JNK|9/1/2005 0:00:00|8/31/2005 0:00:00||||0||SNM 31260||||||||||||| ||||||||Work|0||||||||||From House PCHA, Room 3 (Bathroom) 6/A-3||0|0|Wall Painting of Christ Victor Trampling Evil Powers| 4784.00|0||||||||North Pyramid Field at Meroë|Descriptive|Cataloger|||||||North Pyramid Field at Meroë|0|||||0||||0||||||||Meroitic|Kushite|Nubian|Africa||Sudan||||||0|Meroë, Sudan|||10561||||0||||0|Architecture|Pyramid (tomb)|||BCE|-3|6||-300|600|ca|3rd C. BCE - 4th C.|-300 - 600|||||0||||0||||||||||||||||||||||Pyramids (tombs) ; Tombs ; |Pyramids (tombs)|Tombs||||||||Cornell||MNW|JNK|9/1/2005 0:00:00|8/31/2005 0:00:00||||0||||||||||||||||||||||||0||3rd century B.C. - 4th century A.D.||||||||||0|0|North Pyramid Field at Meroë| 4791.00|0|Creator|15|35|E60-PA|1993|1|35 E60-PA 1993 1|Wasting Time|Translated|Cataloger|Tirando tiempo|Artists|Image Source (Pub)||||Wasting Time (Tirando tiempo)|30822|Enríquez, Gaspar||painter|Gaspar Enríquez|0||||0|||||Hispanic American|American|||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting||||20|||1993|1993||1993|1993-1993|||||0||||0|||||Acrylic on board|acrylic|boards (flat objects)||||painting (image-making)|||||121.92 x 81.28 cm||||||Tattoos ; Roses ; Man of Sorrows ; |Tattoos|Roses|Man of Sorrows|||||||Cornell||MNW|JNK|11/28/2005 0:00:00|9/2/2005 0:00:00|E60|||0|||||||35|PA||||||1993|||||||||Work|0||||||||||||0|0|Wasting Time;Tirando tiempo|Enríquez, Gaspar 4792.00|0|Creator|15|32|M6531|G555||32 M6531 G555 |The Gleaners|Preferred|Dict.Art|Les Glaneuses|Original|Image Source (Pub)||||The Gleaners (Les Glaneuses)|8006|Millet, Jean-François||painter|Jean-François Millet|0||||0|||||French|||Realist|||Europe||France||||||0||||||||0||||0|Paintings|Oil painting||||19|||1857|1857||1857|1857-1857|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||84 x 111 cm||2196|Paris: Musée d’Orsay|Paris: Musée d’Orsay||Harvesting ; |Harvesting|||||||||Cornell||JNK|MNW|11/17/2006 0:00:00|9/2/2005 0:00:00|M6531|||0||Inv. RF892|||||32|||||||| |G555|||||||Work|0||Exhibited in the Salon of 1857.||||||||||0|0|The Gleaners;Les Glaneuses|Millet, Jean-François 4793.00|0|Creator|15|35|R457-PA|1997|1|35 R457-PA 1997 1|Rod|Artists|Image Source (Pub)|||||||Rod|30824|Reyes, Miguel Ángel||illustrator|Miguel Ángel Reyes|0||||0|||||Mexican American||||||||||||||0||||0||||0||||0|Paintings|Painting|Portrait|||20|||1997|1997||1997|1997-1997|||||0||||0|||||Acrylic on canvas|acrylic|canvas||||painting (image-making)|||||27.9 x 27.9 cm||||||Portraits ; |Portraits|||||||||Cornell||MNW|MNW|9/2/2005 0:00:00|9/2/2005 0:00:00|R457|||0|||||||35|PA||||||1997|||||||||Work|0||||||||||||0|0|Rod|Reyes, Miguel Ángel 4794.00|0|Creator|15|G|Posada|||G Posada |Don't Go to the Gringo|Translated|Image Source (Pub)|¡No vayas al gringo!|Artists|Image Source (Pub)||||Don't Go to the Gringo (¡No vayas al gringo!)|30825|Posada, José Guadalupe||printmaker|José Guadalupe Posada|0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Graphics|Lithograph|Zincograph||||||1910|1910||1910|1910-1910|||||0||||0|||||Zincograph||||||lithography|zincography||||9.7 x 16.3 cm||||||Mexican American ; Immigration ; |Mexican American|Immigration||||||||Cornell||MNW|JNK|11/28/2005 0:00:00|9/2/2005 0:00:00|Posada|||0|||||||G||||||||||||||||Work|0||||||||||||0|0|Don't Go to the Gringo;¡No vayas al gringo!|Posada, José Guadalupe 4795.00|0|Creator|15|32|B852-PA|1878|1|32 B852-PA 1878 1|The Siesta|Assigned|Image Source (Pub)|||||||The Siesta|30827|Bridgman, Frederick Arthur||painter|Frederick Arthur Bridgman|0||||0|||||American|||Orientalism|||North and Central America||United States||||||0||||0||||0||||0|Paintings|Oil painting||||19|||1878|1878||1878|1878-1878|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||28.6 x 43.2 cm||3290|Private Collection|: Private Coll.||Siesta ; Women ; Sleep ; Middle East ; Monkeys ; |Siesta|Women|Sleep|Middle East|Monkeys|||||Cornell||JNK|MNW|11/9/2005 0:00:00|9/6/2005 0:00:00|B852|||0||||||1878|32|PA||||||| ||||||||Work|0||||||||||||0|0|The Siesta|Bridgman, Frederick Arthur 4796.00|0||||||||Mogul Cigarettes Advertising Sign|Descriptive|Image Source (Pub)|Mogul Egyptian Cigarettes|Inscribed|Image Source (Pub)||||Mogul Cigarettes Advertising Sign|0|||||0||||0|||||American|||Orientalism|||North and Central America||United States||||||0||||0||||0||||0|Advertising|Sign|Advertisement|||19|20||1890|1920||1890-1920|1890-1920|||||0||||0|||||Painted tin|tin|paint||||painting (image-making)|||||58.4 x 48.3 cm||9569|Durham, NC: Duke Homestead & Tobacco Museum|Durham, NC: Duke Homestead & Tobacco Mus.||Cigarettes ; Advertisements ; Signs ; Middle East ; |Cigarettes|Advertisements|Signs|Middle East||||||Cornell||JNK|MNW|11/9/2005 0:00:00|9/6/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Mogul Cigarettes Advertising Sign;Mogul Egyptian Cigarettes| 4797.00|0||||||||Omar the Tentmaker Poster|Descriptive|Image Source (Pub)|||||||Omar the Tentmaker Poster|30828|Peters, G. W.||painter|G. W. Peters|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Posters|Lithograph||||20|||1914|1914||1914|1914-1914|||||0||||0|||||Lithograph||||||lithography|||||104.1 x 71.1 cm||9570|New York: New York Public Library for the Performing Arts|New York: NYPL for the Performing Arts||Posters ; Motion pictures (visual works) ; Middle East ; |Posters|Motion pictures (visual works)|Middle East|||||||Cornell||JNK|MNW|11/9/2005 0:00:00|9/6/2005 0:00:00||||0||||||||||||||| |||||||||0||Motion picture poster.||||||||||0|0|Omar the Tentmaker Poster|Peters, G. W. 4798.00|0||||||||"1002nd Night" Dress Ensemble with Turban|Descriptive|Image Source (Pub)|||||||"1002nd Night" Dress Ensemble with Turban|9321|Poiret, Paul||designer|Paul Poiret|0||||0|||||French|||Orientalism|||Europe||France||||||0||||0||||0||||0|Costumes|Costume||||20|||1911|1911|ca|ca 1911|ca 1911-1911|||||0||||0|||||Silver lamé & green dress w/harem pants and wired panniers|cloth||||||||||||3294|New York: Metropolitan Museum of Art|New York: Metropolitan||Costume ; Middle East ; Turbans ; |Costume|Middle East|Turbans|||||||Cornell||JNK|MNW|11/9/2005 0:00:00|9/6/2005 0:00:00||||0||||||||||||||| |||||||||0||Silver lamé and green dress with harem pants and wired panniers; trimmed with blue and green foil, gold metal beads, and faceted celluloid beads in shades of blue, green , red, and yellow.||||||||||0|0|"1002nd Night" Dress Ensemble with Turban|Poiret, Paul 4799.00|0|Creator|15||||||Rendition of a Chichimeco|Assigned|Image Source (Pub)|||||||Rendition of a Chichimeco|30829|Arellano, Manuel de||painter|Manuel de Arellano|0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Painting|Portrait||18|||1711|1711||1711|1711-1711|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||103.5 x 78.5 cm||1621|Madrid: Museo de América|Madrid: Museo de América||Group portraits ; Bows ; Arrows ; Quivers ; Race (concept) ; |Group portraits|Bows|Arrows|Quivers|Race (concept)|||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/9/2005 0:00:00|A680|||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Rendition of a Chichimeco|Arellano, Manuel de 4800.00|0|Creator|15||||||Rendition of a Chichimeca|Assigned|Image Source (Pub)|||||||Rendition of a Chichimeca|30829|Arellano, Manuel de||painter|Manuel de Arellano|0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Painting|Portrait||18|||1711|1711||1711|1711-1711|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||103.5 x 78.5 cm||1621|Madrid: Museo de América|Madrid: Museo de América||Group portraits ; Mother and child ; Birds ; Race (concept) ; |Group portraits|Mother and child|Birds|Race (concept)||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/9/2005 0:00:00|A680|||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Rendition of a Chichimeca|Arellano, Manuel de 4801.00|0|Creator|15||||||Rendition of a Mulatto|Assigned|Image Source (Pub)|||||||Rendition of a Mulatto|30829|Arellano, Manuel de||painter|Manuel de Arellano|0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Painting|Portrait||18|||1711|1711||1711|1711-1711|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||101.6 x 74.3 cm||9577|Denver: Jan and Frederic Mayer|Denver: Jan and Frederick Mayer||Group portraits ; Race (concept) ; |Group portraits|Race (concept)||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/9/2005 0:00:00|A680|||0||||||||||||||| ||||||||Work|0||||||||||Collection of Jan and Frederick Mayer.||0|0|Rendition of a Mulatto|Arellano, Manuel de 4802.00|0|Creator|15||||||Barbarian Mountaineer Indians|Translated|Image Source (Pub)|Indios bárbaros montarases. 1.|Inscribed|Image Source (Pub)||||Barbarian Mountaineer Indians|30830|Paez, José||painter|José Paez|0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||18|||1770|1780|ca|ca 1770-1780|ca 1770-1780|||||0||||0|||||Oil on copper|oil paint|copper||||painting (image-making)|||||50.2 x 63.8 cm||3290|Private Collection|: Private Coll.||Indians of Central America ; Families ; Birds ; Quivers ; Bows ; Race (concept) ; |Indians of Central America|Families|Birds|Quivers|Bows|Race (concept)||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/9/2005 0:00:00|P127|||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Barbarian Mountaineer Indians;Indios bárbaros montarases. 1.|Paez, José 4803.00|0|Creator|15||||||From Spaniard and Morisca, Albino|Inscribed|Image Source (Pub)|De español y morisca, albina. 8.|Original|Image Source (Pub)||||From Spaniard and Morisca, Albino|30830|Paez, José||painter|José Paez|0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||||||0||||0|Paintings|Oil painting|Painting|||11|||1770|1780||ca 1770-1780|ca 1770-1780|||||0||||0|||||Oil on copper|oil paint|copper||||painting (image-making)|||||50.2 x 63.8 cm||3290|Private Collection|: Private Coll.||Interior views ; Race (concept) ; |Interior views|Race (concept)||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/9/2005 0:00:00|P127|||0||||||||||||||| ||||||||Work|0||||||||||||0|0|From Spaniard and Morisca, Albino;De español y morisca, albina. 8.|Paez, José 4804.00|0|Creator|15||||||Casta Painting|Descriptive|Image Source (Pub)|||||||Casta Painting|0|||||0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||11|||1750|1750|ca|ca 1750|ca 1750-1750|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||67 x 56.2 cm||3290|Private Collection|: Private Coll.||Race (concept) ; |Race (concept)|||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/9/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||Contains sixteen scenes.||||||||||0|0|Casta Painting| 4805.00|0|Creator|08||||||Habiti antichi, et moderni di tutto il mondo|Published|Image Source (Pub)|||||||Habiti antichi, et moderni di tutto il mondo|30832|Vecellio, Cesare||author|Cesare Vecellio|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0||||0||||0||||0|Publications|Book||||16|||1598|1598||1598|1598-1598|||||0||||0|||||||||||printing|||||||||||Costume ; Race (concept) ; |Costume|Race (concept)||||||||Cornell||MNW|MNW|9/13/2005 0:00:00|9/9/2005 0:00:00||||0|||||||||||||||||||||||Work|0||Various different editions were published at various times. Published in Venetia by Appresso I Sessa, M.D.XCVII [1598].||||||||||0|0|Habiti antichi, et moderni di tutto il mondo|Vecellio, Cesare 4806.00|0|Creator|08||||||A Voyage to the South-Sea, and Along the Coasts of Chili and Peru, in the Years 1712, 1713, and 1714. …|Published|Image Source (Pub)|||||||A Voyage to the South-Sea, and Along the Coasts of Chili and Peru, in the Years 1712, 1713, and 1714. …|30833|Frézier, Amédée François||author|Amédée François Frézier|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Publications|Book||||18|||1717|1717||1717|1717-1717|||||0||||0|||||||||||printing|||||||1607|Madrid: Biblioteca Nacional|Madrid: Bibl. Nac.||Jesuits ; Indians of South America ; Race (concept) ; |Jesuits|Indians of South America|Race (concept)|||||||Cornell||MNW|JNK|9/15/2005 0:00:00|9/9/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||Printed in London for Jonah Bowyer, 1717.||||||||||0|0|A Voyage to the South-Sea, and Along the Coasts of Chili and Peru, in the Years 1712, 1713, and 1714. …|Frézier, Amédée François 4807.00|0|Creator|15||||||From Barcino and Mulatta, Chino|Translated|Image Source (Pub)|13. De barcino y mulata, chino|Inscribed|Image Source (Pub)||||From Barcino and Mulatta, Chino|30831|Clapera, Francisco||painter|Francisco Clapera|0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||18|||1785|1785|ca|ca 1785|ca 1785-1785|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||54 x 40.5 cm||9572|Denver: Art Museum|Denver: Art Museum||Families ; Group portraits ; Race (concept) ; |Families|Group portraits|Race (concept)|||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/9/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|From Barcino and Mulatta, Chino;13. De barcino y mulata, chino|Clapera, Francisco 4808.00|0|Creator|15||||||From Chino and Indian, Genizaro|Translated|Image Source (Pub)|4. De chino e india, genizaro|Inscribed|Image Source (Pub)||||From Chino and Indian, Genizaro|30831|Clapera, Francisco||painter|Francisco Clapera|0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||18|||1785|1785|ca|ca 1785|ca 1785-1785|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||54 x 40.5 cm||9572|Denver: Museum of Western Art|Denver: Museum of Western Art||Families ; Group portraits ; Race (concept) ; |Families|Group portraits|Race (concept)|||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/9/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|From Chino and Indian, Genizaro;4. De chino e india, genizaro|Clapera, Francisco 4809.00|0|Creator|15||||||Spaniard and Indian Produce a Mestizo|Translated|Image Source (Pub)|De español y de india, produce mestizio|Inscribed|Image Source (Pub)|||||30834|Juarez, Juan Rodríguez|attributed to|painter|Juan Rodríguez Juarez (attributed to)|0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Painting|Portrait||18|||1715|1715|ca|ca 1715|ca 1715-1715|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||104.1 x 147 cm||3290|Private Collection|: Private Coll.||Group portraits ; Families ; Race (concept) ; |Group portraits|Families|Race (concept)|||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/9/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Spaniard and Indian Produce a Mestizo;De español y de india, produce mestizio|Juarez, Juan Rodríguez 4866.00|0|Creator|05|J-Bartholome|||1|J-Bartholomew J-Bartholome 1|Self-Portrait|Artists|Image Source (Pub)|||||||Self-Portrait|30840|Bartholomew, Ralph, Jr.||photographer|Ralph Bartholomew, Jr.|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Self portrait|||20|||1940|1949|ca|1940s|ca 1940-1949|||||0||||0|||||Gelatin-silver print||||||photography|gelatin silver process||||33.8 x 26.4 cm||3793|Los Angeles: County Museum of Art|Los Angeles: LACMA||Bartholomew, Ralph, 1907-1985 ; Self-portraits ; Portraits ; Light ; |Bartholomew, Ralph, 1907-1985|Self-portraits|Portraits|Light||||||Cornell||MNW|JNK|9/29/2005 0:00:00|9/28/2005 0:00:00|Bartholome|||0||AC1992.197.8|||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Self-Portrait|Bartholomew, Ralph, Jr. 4867.00|0|Creator|05|J-Man Ray|||22|J-Man Ray 22|Self-Portrait|Artists|Image Source (Pub)|||||||Self-Portrait|9679|Man Ray||photographer|Man Ray|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Self portrait|||20|||1944|1944|ca|ca 1944|ca 1944-1944|||||0||||0|||||Gelatin-silver print||||||photography|gelatin silver process||||17.3 x 12.8 cm||3793|Los Angeles: County Museum of Art|Los Angeles: LACMA||Man Ray, 1890-1976 ; Self-portraits ; Portraits ; |Man Ray, 1890-1976|Self-portraits|Portraits|||||||Cornell||MNW|MNW|9/29/2005 0:00:00|9/28/2005 0:00:00|Man Ray|||0||AC1992.197.86|||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Self-Portrait|Man Ray 4868.00|0|Creator|05|J-Weegee|Port||7|J-Weegee Port 7|Self-Portrait|Artists|Image Source (Pub)|||||||Self-Portrait|12561|Weegee||photographer|Weegee|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Self portrait|||20|||1940|1940|ca|ca 1940|ca 1940-1940|||||0||||0|||||Gelatin-silver print||||||photography|gelatin silver process||||34.2 x 27 cm||3793|Los Angeles: County Museum of Art|Los Angeles: LACMA||Weegee, 1899-1968 ; Self-portraits ; Portraits ; Cameras ; |Weegee, 1899-1968|Self-portraits|Portraits|Cameras||||||Cornell||MNW|MNW|9/29/2005 0:00:00|9/28/2005 0:00:00|Weegee|||0||AC1992.197.133|||||J|||||||| |Por|||||||Work|0|Photography|||||||||||0|0|Self-Portrait|Weegee 4810.00|0|Creator|15||||||Castizo and Spaniard Produce a Spaniard|Translated|Image Source (Pub)|De castizo y española, produce española|Inscribed|Image Source (Pub)||||Castizo and Spaniard Produce a Spaniard|30834|Juarez, Juan Rodríguez|attributed to|painter|Juan Rodríguez Juarez (attributed to)|0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Painting|Portrait||18|||1715|1715|ca|ca 1715|ca 1715-1715|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||103.5 x 145.5 cm||3290|Private Collection|: Private Coll.||Group portraits ; Families ; Race (concept) ; |Group portraits|Families|Race (concept)|||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/9/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Castizo and Spaniard Produce a Spaniard;De castizo y española, produce española|Juarez, Juan Rodríguez 4811.00|0|Creator|15||||||Spaniard and Mulatto Produce a Morisca|Translated|Image Source (Pub)|De español y mulata produce morisca|Inscribed|Image Source (Pub)||||Spaniard and Mulatto Produce a Morisca|30834|Juarez, Juan Rodríguez|attributed to|painter|Juan Rodríguez Juarez (attributed to)|0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Painting|Portrait||18|||1715|1715|ca|ca 1715|ca 1715-1715|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||102.9 x 146.7 cm||3290|Private Collection|: Private Coll.||Group portraits ; Families ; Race (concept) ; |Group portraits|Families|Race (concept)|||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/9/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Spaniard and Mulatto Produce a Morisca;De español y mulata produce morisca|Juarez, Juan Rodríguez 4812.00|0|Creator|15||||||Mestizo and Indian Produce a Coyote|Translated|Image Source (Pub)|De mestizo y de india produce coyote|Inscribed|Image Source (Pub)||||Mestizo and Indian Produce a Coyote|30834|Juarez, Juan Rodríguez|attributed to|painter|Juan Rodríguez Juarez (attributed to)|0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Painting|Portrait||18|||1715|1715|ca|ca 1715|ca 1715-1715|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||103.8 x 146.6 cm||1968|New York: Hispanic Society of America Museum|New York: Hispanic Soc. Amer. Mus.||Group portraits ; Families ; Race (concept) ; |Group portraits|Families|Race (concept)|||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/9/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Mestizo and Indian Produce a Coyote;De mestizo y de india produce coyote|Juarez, Juan Rodríguez 4813.00|0|Creator|15||||||Mulatto and Mestiza Produce a Mulatto Return-Backwards|Translated|Image Source (Pub)|De mulato y mestiza, produce mulato es torna atrás|Inscribed|Image Source (Pub)|||||30834|Juarez, Juan Rodríguez|attributed to|painter|Juan Rodríguez Juarez (attributed to)|0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Painting|Portrait||18|||1715|1715||ca 1715|ca 1715-1715|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||102.9 x 144.1 cm||3290|Private Collection|: Private Coll.||Group portraits ; Families ; Race (concept) ; |Group portraits|Families|Race (concept)|||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/9/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Mulatto and Mestiza Produce a Mulatto Return-Backwards;De mulato y mestiza, produce mulato es torna atrás|Juarez, Juan Rodríguez 4814.00|0|Creator|15||||||From Spaniard and Indian, Mestizo|Translated|Image Source (Pub)|De español e india, mestizo|Inscribed|Image Source (Pub)||||From Spaniard and Indian, Mestizo|30835|Ibarra, José de|attributed to|painter|José de Ibarra (attributed to)|0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Painting|Portrait||18|||1725|1725|ca|ca 1725|ca 1725-1725|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||164 x 91 cm||1621|Madrid: Museo de América|Madrid: Museo de América||Group portraits ; Families ; Race (concept) ; |Group portraits|Families|Race (concept)|||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/9/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|From Spaniard and Indian, Mestizo;De español e india, mestizo|Ibarra, José de 4815.00|0|Creator|15||||||From Mestizo and Spaniard, Castizo|Translated|Image Source (Pub)|De mestizo y española, castizo|Inscribed|Image Source (Pub)||||From Mestizo and Spaniard, Castizo|30835|Ibarra, José de|attributed to|painter|José de Ibarra (attributed to)|0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Painting|Portrait||18|||1725|1725|ca|ca 1725|ca 1725-1725|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||164 x 91 cm||1621|Madrid: Museo de América|Madrid: Museo de América||Group portraits ; Families ; Race (concept) ; |Group portraits|Families|Race (concept)|||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/9/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|From Mestizo and Spaniard, Castizo;De mestizo y española, castizo|Ibarra, José de 4816.00|0|Creator|15||||||From Castzo and Spaniard, Spaniard|Translated|Image Source (Pub)|De castizo y española, español|Inscribed|Image Source (Pub)||||From Castzo and Spaniard, Spaniard|30835|Ibarra, José de|attributed to|painter|José de Ibarra (attributed to)|0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Painting|Portrait||18|||1725|1725|ca|ca 1725|ca 1725-1725|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||164 x 91 cm||1621|Madrid: Museo de América|Madrid: Museo de América||Group portraits ; Families ; Race (concept) ; |Group portraits|Families|Race (concept)|||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/12/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|From Castzo and Spaniard, Spaniard;De castizo y española, español|Ibarra, José de 4817.00|0|Creator|15||||||From Black and Indian, Wolf|Translated|Image Source (Pub)|De negro e india, lobo|Inscribed|Image Source (Pub)||||From Black and Indian, Wolf|30835|Ibarra, José de|attributed to|painter|José de Ibarra (attributed to)|0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Painting|Portrait||18|||1725|1725|ca|ca 1725|ca 1725-1725|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||164 x 91 cm||9573|Spain: Private Collection|Spain: Priv. Coll.||Group portraits ; Families ; Race (concept) ; |Group portraits|Families|Race (concept)|||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/12/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|From Black and Indian, Wolf;De negro e india, lobo|Ibarra, José de 4818.00|0|Creator|15||||||Otomí Indians|Translated|Image Source (Pub)|Indios otomites|Inscribed|Image Source (Pub)||||Otomí Indians|30835|Ibarra, José de|attributed to|painter|José de Ibarra (attributed to)|0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Painting|Portrait||18|||1725|1725|ca|ca 1725|ca 1725-1725|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||164 x 91 cm|||Spain: Private Collection|||Group portraits ; Families ; Indians of Central America ; Birds ; Race (concept) ; |Group portraits|Families|Indians of Central America|Birds|Race (concept)|||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/12/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Otomí Indians;Indios otomites|Ibarra, José de 4819.00|0||||||||Athanasii Kircheri e Soc. Jesu China monumentis : quà sacris quà profanis, nec non variis naturae & artis spectaculis, aliarumque rerum memorabilium argumentis illustrata|Published|Image Source (Pub)|||||||China monumentis qua sacris qua profanis …|6314|Kircher, Athanasius||theorist|Athanasius Kircher|0||||0|||||German||||||Europe||Germany||||||0||||0||||0||||0|Publications|Engraving (Print)||||17|||1667|1667||1667|1667-1667|||||0||||0|||||||||||engraving (printing process)|||||||1607|Madrid: Biblioteca Nacional|Madrid: Bibl. Nac.||Race (concept) ; Costume ; |Race (concept)|Costume||||||||Cornell||MNW|MNW|9/13/2005 0:00:00|9/12/2005 0:00:00||||0||||||||||||||| |||||||||0||Published in Amstelodami by Apud Joannem Janssonium à Waesberge & Elizeum Weyerstraet, 1667||||||||||0|0|Athanasii Kircheri e Soc. Jesu China monumentis : quà sacris quà profanis, nec non variis naturae & artis spectaculis, aliarumque rerum memorabilium argumentis illustrata|Kircher, Athanasius 4820.00|0|Creator|15||||||From Spaniard and Indian, Mestiza|Translated|Image Source (Pub)|1. De español y de india, mestiza|Inscribed|Image Source (Pub)||||From Spaniard and Indian, Mestiza|30836|Cabrera, Miguel||painter|Miguel Cabrera|0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Portrait||17|||1763|1763||1763|1763-1763|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||132 x 101 cm||3290|Private Collection|: Private Coll.||Group portraits ; Families ; Race (concept) ; |Group portraits|Families|Race (concept)|||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/12/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|From Spaniard and Indian, Mestiza;1. De español y de india, mestiza|Cabrera, Miguel 4821.00|0|Creator|15||||||From Spaniard and Black, Mulatto|Translated|Image Source (Pub)|4. De español y negra, mulatto|Inscribed|Image Source (Pub)||||From Spaniard and Black, Mulatto|30836|Cabrera, Miguel||painter|Miguel Cabrera|0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Portrait||17|||1763|1763||1763|1763-1763|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||132 x 101 cm||3290|Private Collection|: Private Coll.||Group portraits ; Families ; Race (concept) ; |Group portraits|Families|Race (concept)|||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/12/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|From Spaniard and Black, Mulatto;4. De español y negra, mulatto|Cabrera, Miguel 4822.00|0|Creator|15||||||From Spaniard and Mulatto, Morisca|Translated|Image Source (Pub)|5. De español y mulata, morisca|Inscribed|Image Source (Pub)||||From Spaniard and Mulatto, Morisca|30836|Cabrera, Miguel||painter|Miguel Cabrera|0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Portrait||17|||1763|1763||1763|1763-1763|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||132 x 101 cm||3290|Private Collection|: Private Coll.||Group portraits ; Families ; Race (concept) ; |Group portraits|Families|Race (concept)|||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/12/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|From Spaniard and Mulatto, Morisca;5. De español y mulata, morisca|Cabrera, Miguel 4823.00|0|Creator|15||||||From Spaniard and Albino, Return-Backwards|Translated|Image Source (Pub)|7. De español y albina, torna atrás|Inscribed|Image Source (Pub)||||From Spaniard and Albino, Return-Backwards||Cabrera, Miguel||painter|Miguel Cabrera|0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Portrait||17|||1763|1763||1763|1763-1763|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||132 x 101 cm||3290|Private Collection|: Private Coll.||Group portraits ; Families ; Parrots ; Birds ; Race (concept) ; |Group portraits|Families|Parrots|Birds|Race (concept)|||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/12/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|From Spaniard and Albino, Return-Backwards;7. De español y albina, torna atrás|Cabrera, Miguel 4824.00|0|Creator|15||||||From Mestizo and Indian, Coyote|Translated|Image Source (Pub)|15. De mestizo y india, coyote|Inscribed|Image Source (Pub)||||From Mestizo and Indian, Coyote|30836|Cabrera, Miguel||painter|Miguel Cabrera|0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Portrait||17|||1763|1763||1763|1763-1763|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||132 x 101 cm||4137|Northridge, CA: Waldo-Dentzel (Elisabeth) Collection|Northridge, CA: Waldo-Dentzel||Group portraits ; Families ; Donkeys ; Race (concept) ; |Group portraits|Families|Donkeys|Race (concept)||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/12/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|From Mestizo and Indian, Coyote;15. De mestizo y india, coyote|Cabrera, Miguel 4825.00|0|Creator|15||||||From Spaniard and Black, Mulatto|Translated|Image Source (Pub)|6. De español y negra, mulato|Inscribed|Image Source (Pub)||||From Spaniard and Black, Mulatto|13351|Alcibar, José|attributed to|painter|José de Alcibar (attributed to)|0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Portrait||18|||1760|1770|ca|ca 1760-1770|ca 1760-1770|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||78.8 x 97.2 cm||9572|Denver: Art Museum|Denver: Art Museum||Group portraits ; Families ; Race (concept) ; |Group portraits|Families|Race (concept)|||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/12/2005 0:00:00|A351|||0||||||||||||||| ||||||||Work|0||||||||||From the Collection of Jan and Frederick Mayer.||0|0|From Spaniard and Black, Mulatto;6. De español y negra, mulato|Alcibar, José 4826.00|0|Creator|15||||||From Spaniard and Morisca, Albino|Translated|Image Source (Pub)|9. De español y morisca, albino|Inscribed|Image Source (Pub)||||From Spaniard and Morisca, Albino|0|||||0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Portrait||18|||1780|1780|ca|ca 1780|ca 1780-1780|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||58 x 75 cm||9574|Palma de Mallorca: Private Collection|Palma de Mallorca: Priv. Coll.||Group portraits ; Families ; Race (concept) ; |Group portraits|Families|Race (concept)|||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/12/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|From Spaniard and Morisca, Albino;9. De español y morisca, albino| 4827.00|0|Creator|15||||||From Spaniard and Black, a Mulatta is Born|Translated|Image Source (Pub)|No. 4. De español y negra, nace mulata|Inscribed|Image Source (Pub)||||From Spaniard and Black, a Mulatta is Born|30837|Islas, Andrés de||painter|Andrés de Islas|0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Portrait||18|||1774|1774||1774|1774-1774|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||75 x 54cm||1621|Madrid: Museo de América|Madrid: Museo de América||Group portraits ; Families ; Race (concept) ; |Group portraits|Families|Race (concept)|||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/13/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|From Spaniard and Black, a Mulatta is Born;No. 4. De español y negra, nace mulata|Islas, Andrés de 4828.00|0|Creator|15||||||Mulatto and Spaniard Makes Morisco|Translated|Image Source (Pub)|No. 6. De mulato y española, sale morisco. Mulato 1. Española 2.|Inscribed|Image Source (Pub)||||Mulatto and Spaniard Makes Morisco|0|||||0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Portrait||18|||1780|1780|ca|ca 1780|ca 1780-1780|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||38 x 52 cm||9575|Mexico City: Collection Malú and Alejandra Escadón|Mexico City: Coll. Escandón||Group portraits ; Families ; Race (concept) ; |Group portraits|Families|Race (concept)|||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/13/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Mulatto and Spaniard Makes Morisco;No. 6. De mulato y española, sale morisco. Mulato 1. Española 2.| 4829.00|0|Creator|15||||||Chamizo and Indian Makes Cambuja|Translated|Image Source (Pub)|13. De chamizo e india, sale cambuja. Chamizo 1. India 2. Cambuja 3.|Inscribed|Image Source (Pub)||||Chamizo and Indian Makes Cambuja|0|||||0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Portrait||18|||1780|1780|ca|ca 1780|ca 1780-1780|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||38 x 52 cm||9575|Mexico City: Collection Malú and Alejandra Escadón|Mexico City: Coll. Escandón||Group portraits ; Families ; Race (concept) ; |Group portraits|Families|Race (concept)|||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/13/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Chamizo and Indian Makes Cambuja;13. De chamizo e india, sale cambuja. Chamizo 1. India 2. Cambuja 3.| 4830.00|0|Creator|15||||||From Spaniard and Black, a Mulatta is Born|Translated|Image Source (Pub)|De español y negra, nace mulata|Inscribed|Image Source (Pub)||||From Spaniard and Black, a Mulatta is Born|0|||||0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Portrait||18|||1785|1790|ca|ca 1785-1790|ca 1785-1790|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||62.6 x 83.2 cm||3290|Private Collection|: Private Coll.||Group portraits ; Families ; Race (concept) ; |Group portraits|Families|Race (concept)|||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/13/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|From Spaniard and Black, a Mulatta is Born;De español y negra, nace mulata| 4831.00|0|Creator|15||||||From Spaniard and Morisca, an Albino is Born|Translated|Image Source (Pub)|De español y morisca, nace albina|Inscribed|Image Source (Pub)||||From Spaniard and Morisca, an Albino is Born|0|||||0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Portrait||18|||1785|1790|ca|ca 1785-1790|ca 1785-1790|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||62.6 x 83.2 cm||3290|Private Collection|: Private Coll.||Group portraits ; Families ; Race (concept) ; |Group portraits|Families|Race (concept)|||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/13/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|From Spaniard and Morisca, an Albino is Born;De español y morisca, nace albina| 4832.00|0|Creator|15||||||From Albino and Spaniard, a Return-Backwards is Born|Translated|Image Source (Pub)|De albina y español, nace torn atrás|Inscribed|Image Source (Pub)||||From Albino and Spaniard, a Return-Backwards is Born|0|||||0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Portrait||18|||1785|1790|ca|ca 1785-1790|ca 1785-1790|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||62.6 x 83.2 cm||3290|Private Collection|: Private Coll.||Group portraits ; Families ; Race (concept) ; |Group portraits|Families|Race (concept)|||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/13/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|From Albino and Spaniard, a Return-Backwards is Born;De albina y español, nace torn atrás| 4833.00|0|Creator|15||||||Birds of Mexico|Descriptive|Image Source (Pub)|||||||Birds of Mexico|30838|Guiol, Buenaventura José||painter|Buenaventura José Guiol|0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||18|||1770|1780|ca|ca 1770-1780|ca 1770-1780|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||62.3 x 55.5 cm||9572|Denver: Art Museum|Denver: Art Museum||Birds ; Mexico ; |Birds|Mexico||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/13/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||From the Collection of Jan and Frederick Mayer.||0|0|Birds of Mexico|Guiol, Buenaventura José 4834.00|0|Creator|15||||||Birds of Mexico|||||||||Birds of Mexico|30838|Guiol, Buenaventura José||painter|Buenaventura José Guiol|0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||18|||1770|1780|ca|ca 1770-1780|ca 1770-1780|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||62.3 x 55.5 cm||9572|Denver: Art Museum|Denver: Art Museum||Birds ; Mexico ; |Birds|Mexico||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/13/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Birds of Mexico|Guiol, Buenaventura José 4835.00|0|Creator|15||||||From Spaniard and Indian a Mestiza is Born|Translated|Image Source (Pub)|1. De español e india, nace mestiza|Inscribed|Image Source (Pub)||||From Spaniard and Indian a Mestiza is Born|30839|Magón, José Joaquín||painter|José Joaquín Magón|0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Portal||18|||1770|1770|ca|ca 1770|ca 1770-1770|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||115 x 141 cm||9576|Madrid: Museo Nacional de Antropología|Madrid: Mus. Nac. Antropología||Group portraits ; Families ; Race (concept) ; |Group portraits|Families|Race (concept)|||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/13/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|From Spaniard and Indian a Mestiza is Born;1. De español e india, nace mestiza|Magón, José Joaquín 4836.00|0|Creator|15||||||Spaniard and Metiza Produce a Castiza|Translated|Image Source (Pub)|2. español y mestiza, producen castiza|Inscribed|Image Source (Pub)||||Spaniard and Metiza Produce a Castiza|30839|Magón, José Joaquín||painter|José Joaquín Magón|0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Portal||18|||1770|1770|ca|ca 1770|ca 1770-1770|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||115 x 141 cm|||Madrid: Museo Nacional de Antropología|||Group portraits ; Families ; Race (concept) ; |Group portraits|Families|Race (concept)|||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/13/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Spaniard and Metiza Produce a Castiza;2. español y mestiza, producen castiza|Magón, José Joaquín 4837.00|0|Creator|15||||||Indian and Cambuja Makes Zambaiga|Translated|Image Source (Pub)|12. De indio y cambuja, sale zambaiga|Inscribed|Image Source (Pub)||||Indian and Cambuja Makes Zambaiga|30839|Magón, José Joaquín||painter|José Joaquín Magón|0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Portal||18|||1770|1770|ca|ca 1770|ca 1770-1770|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||115 x 141 cm|||Madrid: Museo Nacional de Antropología|||Group portraits ; Families ; Race (concept) ; |Group portraits|Families|Race (concept)|||||||Cornell||MNW|JNK|1/6/2006 0:00:00|9/13/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Indian and Cambuja Makes Zambaiga;12. De indio y cambuja, sale zambaiga|Magón, José Joaquín 4838.00|0|Site|02|B-R1|Any|3.3 FuH||B-R1 Any 3.3 FuH |Tomb of Fu Hao|Descriptive|Image Source (Pub)|||||||Tomb of Fu Hao|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0|Anyang, China|||10570||||0||||0|Architecture|Tomb|Mausoleum||BCE|-12|||1150|1100||1150-1100 BCE|1150-1100 BCE|||||0||||0||||||||||||||||||||||Tombs ; Sacrifices ; Skeleton ; Burials ; Mausoleums ; |Tombs|Sacrifices|Skeleton|Burials|Mausoleums|||||Cornell||BZ|BZ|3/22/2006 0:00:00|9/13/2005 0:00:00||Any||0||||||FuH|B|||||R1|3.3||||||||||Work|0|Architecture-China|This is one of the Shang tombs.||||||||||0|0|Tomb of Fu Hao| 4839.00|0|Creator|15|CHINA|SC|SHANG||CHINA SC SHANG |Human Face Mold|Descriptive|Image Source (Pub)|||||||Human Face Mold|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0||||||||0||||0|Tools and Equipment|Death mask|Ceramic||BCE|-14|-13|-12|1300|1030||1300-1030 BCE|1300-1030 BCE|||||0||||0|||||clay|clay|||||ceramics|||||14 x 12.7cm||9578|Anyang: Exhibition Hall of the Yin Ruins|Anyang: Exh. Hall of Yin Ruins||Molds ; Masks ; Tools ; |Molds|Masks|Tools|||||||Cornell||BZ|MNW|3/28/2006 0:00:00|9/16/2005 0:00:00||||0|||||||SC|||CHINA|SHANG|||| ||||||||Work|0||The face resembles jade and stone figurines from Fu Hao Tomb. Qian, Out of China's Earth.||||||||||0|0|Human Face Mold| 4840.00|0|Creator|15|||||||Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||||||||||||||||0||||||||0||||0||||||||||||||||||||||0||||||||||||||||||||||||||||||||Cornell||JNK|BZ|3/22/2006 0:00:00|9/16/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|| 4841.00|0|Site|02|B-R1|Xian|3.3 QinM||B-R1 Xian 3.3 QinM|Mausoleum of the First Emperor of Qin|Descriptive|Image Source (Pub)|||||||Mausoleum of the First Emperor of Qin|0|||||0||||0|||||Chinese|||Qin (Ch'in)|||Asia||China||||||0|Sian, China|||||||||||0|Architecture|Mausoleum|Tomb|Archaeological site|BCE|-3|||-221|-210||221-210 BCE|221-210 BCE|||||0||||0||||||||||||||||||||||Mausoleums ; Tombs ; Archaeology ; |Mausoleums|Tombs|Archaeology|||||||Cornell||JNK|MNW|4/19/2006 0:00:00|9/16/2005 0:00:00||||0||||||QinM|B|||||R1|3.3|| ||||||||Work|0|Architecture-China|||||||||||0|0|Mausoleum of the First Emperor of Qin| 4842.00|0|Site|02|B-R1|Chs|3.3 Mawd/1||B-R1 Chs 3.3 Mawd/1 |Mawangdui Tombs: Tomb No.1|Descriptive|Image Source (Pub)|||||||Mawangdui Tombs: Tomb No.1|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0|Changsha, China|||10574||||||||0|Architecture|Tomb|Archaeological site|Mausoleum|BCE|-3|-2|-1|-206|-24||206 BCE-24 CE|206 BCE-24 CE|||||||||0||||||||||||||||||||||Tombs ; Mausoleums ; Archaeology ; |Tombs|Mausoleums|Archaeology|||||||Cornell||BZ|MNW|3/28/2006 0:00:00|9/22/2005 0:00:00||Chs||0||||||Mawd/1|B|||||R1|3.3||||||||||Work|0|Architecture-China|Tomb belongs to a member of the Da Family of Marquis Da. Well preserved body of a woman found in this tomb. Quian, Out of China's Earth.||||||||||0|0|Mawangdui Tombs: Tomb No.1| 4843.00|0|Culture|15|CHINA|SC|HAN||CHINA SC HAN |Bronze Scarlet Bird Lamp|Descriptive|Image Source (Pub)|||||||Bronze Scarlet Bird Lamp|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0||||||||0|Sculpture|Sculpture|||BCE|-3|-2|-1|-206|-24||206 BCE-24 CE|206 BCE-24 CE|||||0||||0|||||bronze|bronze|||||metalworking|||||27.9 cm (height)||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||Birds ; Lamps ; Animals ; Tools ; |Birds|Lamps|Animals|Tools||||||Cornell||BZ|MNW|4/24/2006 0:00:00|9/22/2005 0:00:00||||0|||||||SC|||CHINA|HAN|||| ||||||||Work|0||The scarlet bird was regarded as supernatural in ancient times. Qian, Out of China's Earth||||||||||0|0|Bronze Scarlet Bird Lamp| 4844.00|0|Creator|15|CHINA|SC|HAN||CHINA SC HAN |Lamp in Shape of Kneeling Ram|Descriptive|Image Source (Pub)|||||||Lamp in Shape of Kneeling Ram|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0||||||||0|Sculpture|Sculpture|Lamp (lighting device)||BCE|-3|-2|-1|-206|-24||206 BCE-24 CE|206 BCE-24 CE|||||0||||0|||||bronze|bronze|||||metalworking|||||22.9cm (height)||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||Rams ; Lamps ; Tools ; Animals ; |Rams|Lamps|Tools|Animals||||||Cornell||BZ|MNW|4/24/2006 0:00:00|9/22/2005 0:00:00||||0|||||||SC|||CHINA|HAN|||| ||||||||Work|0||The back becomes an oval-shaped dish. The mouth of the dish held the wick, and the dish contained lamp oil. Qian, Out of China's Earth.||||||||||0|0|Lamp in Shape of Kneeling Ram| 4845.00|0|Creator|15|CHINA|SC|HAN||CHINA SC HAN |Wine Vessel|Descriptive|Image Source (Pub)|||||||Wine Vessel|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0||||||||0|Metalwork|Vessel|||BCE|-3|-2|-1|-206|-24||206 BCE-24 CE|206 BCE-24 CE|||||0||||0|||||bronze|bronze|||||metalworking|||||59.7cm (height)||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||Dragons ; Clouds ; Twins ; Vessels ; Tools ; |Dragons|Clouds|Twins|Vessels|Tools|||||Cornell||BZ|MNW|4/24/2006 0:00:00|9/22/2005 0:00:00||||0|||||||SC|||CHINA|HAN|||| ||||||||Work|0||Gilt-bronze wine container with gold and silver inlaid patterns. Four coiled dragons with twin bodies are dancing among the golden clouds. All the subjects are depicted on the surface. Qian, Out of China's Earth.||||||||||0|0|Wine Vessel| 4846.00|0|Creator|15|CHINA|SC|HAN||CHINA SC HAN |Horse and Swallow|Descriptive|Image Source (Pub)|||||||Horse and Swallow|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0||||||||0|Sculpture|Sculpture||||1|2|3|25|200||25-200|25-200|||||0||||0|||||bronze|bronze|||||metalworking|||||34.3 x 45.1cm||9581|Lanzhou: Gansu Provincial Museum|Lanzhou: Gansu Provincial Museum||Horses ; Swallows ; Sculpture (visual work) ; Animals ; |Horses|Swallows|Sculpture (visual work)|Animals||||||Cornell||BZ|MNW|3/28/2006 0:00:00|9/22/2005 0:00:00||||0|||||||SC|||CHINA|HAN|||| ||||||||Work|0||With hoofs raised high, this vivid image of a fine steed is the embodiment of movement. The startled bird sets off the neighing horse. The whole weight of the horse is cleverly pivoted on the flyng swallow. Qian, Out of China's Earth.||||||||||0|0|Horse and Swallow| 4847.00|0|Creator|15|CHINA|SC|HAN||CHINA SC HAN |Five Bronze Horses|Descriptive|Image Source (Pub)|||||||Five Bronze Horses|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0||||||||0|Sculpture|Sculpture||||1|2|3|25|200||25-200|25-200|||||0||||0|||||bronze|bronze|||||metalworking|||||||9581|Lanzhou: Gansu Provincial Museum|Lanzhou: Gansu Provincial Museum||Horses ; Sculpture (visual work) ; Animals ; |Horses|Sculpture (visual work)|Animals|||||||Cornell||BZ|BZ|3/22/2006 0:00:00|9/22/2005 0:00:00||||0|||||||SC|||CHINA|HAN|||| ||||||||Work|0||||||||||||0|0|Five Bronze Horses| 4848.00|0|Culture|15|CHINA|SC|HAN||CHINA SC HAN |Five Horsemen of a Guard o Honor Holding Weapons|Descriptive|Image Source (Pub)|||||||Five Horsemen of a Guard o Honor Holding Weapons|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0||||||||0|Sculpture|Sculpture||||1|2|3|25|200||25-200|25-200|||||0||||0|||||bronze|bronze|||||metalworking|||||53.3 cm (average height)||9581|Lanzhou: Gansu Provincial Museum|Lanzhou: Gansu Provincial Museum||Horses ; Equestrians ; Weapons ; Halberds ; Tools ; Sculpture (visual work) ; |Horses|Equestrians|Weapons|Halberds|Tools|Sculpture (visual work)||||Cornell||BZ|MNW|3/28/2006 0:00:00|9/22/2005 0:00:00||||0|||||||SC|||CHINA|HAN|||| ||||||||Work|0||||||||||||0|0|Five Horsemen of a Guard o Honor Holding Weapons| 4849.00|0|Creator|15|CHINA|SC|HAN||CHINA SC HAN |Da Carts|Descriptive|Image Source (Pub)|||||||Da Carts|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0||||||||0|Sculpture|Sculpture||||1|2|3|25|220||25-220|25-220|||||0||||0|||||bronze|bronze|||||metalworking|||||30.5 cm wide each||9581|Lanzhou: Gansu Provincial Museum|Lanzhou: Gansu Provincial Museum||Carts ; Sculpture (visual work) ; Figures (representations) ; Horses ; Slavery ; |Carts|Sculpture (visual work)|Figures (representations)|Horses|Slavery|||||Cornell||BZ|MNW|3/30/2006 0:00:00|9/23/2005 0:00:00||||0|||||||SC|||CHINA|HAN|||| ||||||||Work|0||A Da cart is a baggage cart for the retinue. The figures are driver slaves and attendant slaves. Qian, Out of China's Earth.||||||||||0|0|Da Carts| 4850.00|0|Creator|15|CHINA|SC|HAN||CHINA SC HAN |Ox Cart|Descriptive|Image Source (Pub)|||||||Ox Cart|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0||||||||0|Sculpture|Sculpture||||1|2|3|25|220||25-220|25-220|||||0||||0|||||bronze|bronze|||||metalworking|||||ox = 20.3 cm h; cart = 25.4 cm h x 67.9 cm long||9581|Lanzhou: Gansu Provincial Museum|Lanzhou: Gansu Provincial Museum||Carts ; Animals ; Figures (representations) ; Sculpture (visual work) ; |Carts|Animals|Figures (representations)|Sculpture (visual work)||||||Cornell||BZ|MNW|3/30/2006 0:00:00|9/23/2005 0:00:00||||0|||||||SC|||CHINA|HAN|||| ||||||||Work|0||||||||||||0|0|Ox Cart| 4851.00|0|Creator|15|CHINA|SC|HAN||CHINA SC HAN |Bronze Deer with Antlers|Descriptive|Image Source (Pub)|||||||Bronze Deer with Antlers|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0||||||||0|Sculpture|Sculpture|||BCE|-5|-4|-3|-470|221||470 BCE-221 CE|-470 - 221|||||0||||0|||||bronze|bronze|||||metalworking|||||16.5 x 14.6 cm||9582|Hohhot: Inner Mongolian Museum|Hohhot: Inner Mongolian Museum||Deer ; Sculpture (visual work) ; Animals ; |Deer|Sculpture (visual work)|Animals|||||||Cornell||BZ|MNW|3/30/2006 0:00:00|9/23/2005 0:00:00||||0|||||||SC|||CHINA|HAN|||| ||||||||Work|0||||||||||||0|0|Bronze Deer with Antlers| 4852.00|0|Creator|15|CHINA|SC|HAN||CHINA SC HAN |Sheep's Head|Descriptive|Image Source (Pub)|||||||Sheep's Head|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0||||||||0|Sculpture|Sculpture|||BCE|-5|-4|-3|-470|221||470 BCE-221CE|-470-221|||||0||||0|||||bronze|bronze|||||metalworking|||||||9582|Hohhot: Inner Mongolian Museum|Hohhot: Inner Mongolian Museum||Sheep ; Sculpture (visual work) ; Animals ; |Sheep|Sculpture (visual work)|Animals|||||||Cornell||BZ|MNW|3/30/2006 0:00:00|9/23/2005 0:00:00||||0|||||||SC|||CHINA|HAN|||| ||||||||Work|0||||||||||||0|0|Sheep's Head| 4853.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Three-colored Galloping Horse and Rider|Descriptive|Image Source (Pub)|||||||Three-colored Galloping Horse and Rider|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||||||0|Sculpture|Sculpture|Ceramic|||7|8|9|618|907||618-907|618-907|||||0||||0|||||ceramic glaze and color (pigment)|ceramic glaze|color (pigment)||||ceramics|glazing (coating)|coloring|||24.8 cm (high)||9583|Xian: Municipal Cultural Administration Council|Xian: Municipal Cultural Administration Council||Horses ; Equestrians ; Figures (representations) ; Women ; Animals ; Sculpture (visual work) ; |Horses|Equestrians|Figures (representations)|Women|Animals|Sculpture (visual work)||||Cornell||BZ|MNW|3/30/2006 0:00:00|9/23/2005 0:00:00||||0|||||||SC|||CHINA|TANG|||| ||||||||Work|0||||||||||||0|0|Three-colored Galloping Horse and Rider| 4854.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Musicians and Dancer on Camel Back|Descriptive|Image Source (Pub)|||||||Musicians and Dancer on Camel Back|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||||||0|Sculpture|Sculpture|Ceramic|||7|8|9|618|907||618-907|618-907|||||0||||0|||||Ceramic glaze and color (pigment)|ceramic glaze|color (pigment)||||ceramics|glazing (coating)|coloring|||48.3 cm (height)||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Musicians ; Dancers ; Camels ; Figures (representations) ; Animals ; Sculpture (visual work) ; |Musicians|Dancers|Camels|Figures (representations)|Animals|Sculpture (visual work)||||Cornell||BZ|MNW|4/24/2006 0:00:00|9/23/2005 0:00:00||||0|||||||SC|||CHINA|TANG|||| ||||||||Work|0||||||||||||0|0|Musicians and Dancer on Camel Back| 4855.00|0|Creator|15|CHINA|PTG|TANG||CHINA PTG TANG |Captain of the Guard|Descriptive|Image Source (Pub)|||||||Captain of the Guard|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||||||0|Paintings|Painting|Portrait|Figure (representation)||7|8|9|618|907||618-907|618-907|||||0||||0|||||Color (pigment)|color (pigment)|||||mural painting|||||||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Figures (representations) ; Guardsmen ; Painting (image making) ; |Figures (representations)|Guardsmen|Painting (image making)|||||||Cornell||BZ|MNW|4/24/2006 0:00:00|9/23/2005 0:00:00||||0|||||||PTG|||CHINA|TANG|||| ||||||||Work|0||||||||||||0|0|Captain of the Guard| 4856.00|0|Culture|15|CHINA|PTG|TANG||CHINA PTG TANG |Polo Players|Descriptive|Image Source (Pub)|||||||Polo Players|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||||||0|Paintings|Painting|Portrait|Figure (representation)||7|8|9|618|907||618-907|618-907|||||0||||0|||||Color (pigment)|color (pigment)|||||mural painting|||||190.5 x 175.3 cm||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Horses ; Polo ; Figures (representations) ; Animals ; |Horses|Polo|Figures (representations)|Animals||||||Cornell||BZ|MNW|4/24/2006 0:00:00|9/23/2005 0:00:00||||0|||||||PTG|||CHINA|TANG|||| ||||||||Work|0||||||||||||0|0|Polo Players| 4857.00|0|Creator|15|CHINA|PTG|TANG||CHINA PTG TANG |Ladies At a Game of Chess|Descriptive|Image Source (Pub)|||||||Ladies At a Game of Chess|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||||||0||||0|Paintings|Painting|Portrait|Figure (representation)||7|8|9|618|907||618-907|618-907|||||0||||0|||||Ink|ink|||||drawing (image-making)|||||||9585|Ürümqi: Museum of the Xinjiang Uygur Autonomous Region|Ürümqi: Museum of the Xinjiang||Courts (judicial bodies) ; Children (people by age group) ; Chess ; Figures (representations) ; Women ; Board games ; |Courts (judicial bodies)|Children (people by age group)|Chess|Figures (representations)|Women|Board games||||Cornell||BZ|MNW|3/30/2006 0:00:00|9/23/2005 0:00:00||||0|||||||PTG|||CHINA|TANG|||| ||||||||Work|0||From Tomb 187, Astana, Turpan.||||||||||0|0|Ladies At a Game of Chess| 4858.00|0|Creator|15|35|Q8-PA|1991|1|35 Q8-PA 1991 1|The Colonist|Translated|Cataloger|El Encomendero||||||Happy Quincentary Series. The Colonist (El Encomendero)|9571|Quiroz, Alfred||painter|Alfred Quiroz|0||||0|||||Mexican American|Hispanic American|American||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1991|1991||1991|1991-1991||Happy Quincentary Series|Series||5524||||0|||||Oil and glitter on canvas|oil paint|glitter|canvas|||painting (image-making)|||||185.4 x 148.6 cm||||||Slavery ; Colonization ; Discrimination ; Encomendero ; |Slavery|Colonization|Discrimination|Encomendero||||||Cornell||BZ|JNK|1/6/2006 0:00:00|9/23/2005 0:00:00|Q8|||0|||||||35|PA||||||1991|||||||||Work|0||||||||||||0|0|The Colonist;El Encomendero|Quiroz, Alfred 4859.00|0|Creator|05|J-Fenton|||15||Zouave 2nd Division|Artists|Image Source (Pub)|Self-Portrait in Collaboration with Marcus Sparling|Artists|Image Source (Pub)||||Zouave 2nd Division|3793|Fenton, Roger||photographer|Roger Fenton|0||||0|||||English||||||Europe||England||||||0||||0||||0||||0|Photographs|Photographic print|Self portrait|||19|||1855|1856||1855-1856|1855-1856|||||0||||0|||||Salted paper print|paper (fiber product)|||||photography|salted paper process||||18.1 x 14.9 cm||3793|Los Angeles: County Museum of Art|Los Angeles: LACMA||Self-portraits ; Fenton, Roger, 1819-1869 ; Portraits ; |Self-portraits|Fenton, Roger, 1819-1869|Portraits|||||||Cornell||MNW|MNW|9/28/2005 0:00:00|9/26/2005 0:00:00|Fenton|||0||AC1992.197.50|||||J|||||||| ||||||||Work|0|Photography||||Created in 1855; printed in 1856.|||||Part of the Audrey and Sidney Irmas Collection.||0|0|Zouave 2nd Division;Self-Portrait in Collaboration with Marcus Sparling|Fenton, Roger 4860.00|0|Creator|05|J-Stieglitz|||53|J-Stieglitz 53|Self-Portrait, Cortina|Artists|Image Source (Pub)|||||||Self-Portrait, Cortina|11377|Stieglitz, Alfred||photographer|Alfred Stieglitz|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Photographic print|Self portrait|||20|||1890|1934|ca|1890-ca 1934|1890-ca 1934|||||0||||0|||||Gelatin silver print|photographic paper|||||photography|gelatin silver process||||12.4 x 16.7 cm||3793|Los Angeles: County Museum of Art|Los Angeles: LACMA||Self-portraits ; Stieglitz, Alfred, 1864-1946 ; Portraits ; |Self-portraits|Stieglitz, Alfred, 1864-1946|Portraits|||||||Cornell||MNW|JNK|9/29/2005 0:00:00|9/26/2005 0:00:00||||0||AC1992.197.121|||||J|||||||| ||||||||Work|0|Photography||||Created in 1890; printed, ca. 1934|||||Part of the Audrey and Sidney Irmas Collection.||0|0|Self-Portrait, Cortina|Stieglitz, Alfred 4861.00|0|Creator|05|J-WestonE|||73|J-WestonE 73|Self-Portrait|Artists|Image Source (Pub)|||||||Self-Portrait|12646|Weston, Edward||photographer|Edward Weston|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Self portrait|||20|||1911|1911||1911|1911-1911|||||0||||0|||||Toned gelatin-silver print||||||photography|gelatin silver process||||22.9 x 17.8 cm||3793|Los Angeles: County Museum of Art|Los Angeles: LACMA||Portraits ; Self-portraits ; |Portraits|Self-portraits||||||||Cornell||MNW|JNK|9/29/2005 0:00:00|9/28/2005 0:00:00|WestonE|||0||AC1992.197.135|||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Self-Portrait|Weston, Edward 4862.00|0|Creator|05|J-Evans|||161|J-Evans 161|Silhouette Self-Portrait|Artists|Image Source (Pub)|||||||Silhouette Self-Portrait|3656|Evans, Walker||photographer|Walker Evans|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Self portrait|||20|||1927|1927||1927|1927-1927|||||0||||0|||||Gelatin-silver print||||||photography|gelatin silver process||||13.6 x 8.5 cm||3793|Los Angeles: County Museum of Art|Los Angeles: LACMA||Evans, Walker, 1903-1975 ; Self-portraits ; Portraits ; |Evans, Walker, 1903-1975|Self-portraits|Portraits|||||||Cornell||MNW|JNK|9/29/2005 0:00:00|9/28/2005 0:00:00|Evans|||0||AC1992.197.49|||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Silhouette Self-Portrait|Evans, Walker 4863.00|0|Creator|05|J-Cartier-Bresson|||29|J-Cartier-Bresson 29|Italy|Artists|Image Source (Pub)|||||||Italy|30457|Cartier-Bresson, Henri||photographer|Henri Cartier-Bresson|0||||0|||||French||||||||||||||0||||0||||0||||0|Photographs|Gelatin silver print|Self portrait|||20|||1932|1932||1932|1932-1932|||||0||||0|||||Gelatin-silver print||||||photography|gelatin silver process||||15.9 x 23.5 cm||3793|Los Angeles: County Museum of Art|Los Angeles: LACMA||Self-portraits ; Portraits ; Cartier-Bresson, Henri, 1908-2004 ; |Self-portraits|Portraits|Cartier-Bresson, Henri, 1908-2004|||||||Cornell||MNW|MNW|9/28/2005 0:00:00|9/28/2005 0:00:00|Cartier-Br|||0||AC1992.197.30|||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Italy|Cartier-Bresson, Henri 4864.00|0|Creator|05|J-Bourke-White|||58|J-Bourke-White 58|Self-Portrait With Camera|Artists|Image Source (Pub)|||||||Self-Portrait With Camera|1462|Bourke-White, Margaret||photographer|Margaret Bourke-White|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Self portrait|||20|||1933|1933|ca|ca 1933|ca 1933-1933|||||0||||0|||||Toned gelatin-silver print||||||photography|gelatin silver process||||33 x 22.7 cm||3793|Los Angeles: County Museum of Art|Los Angeles: LACMA||Bourke-White, Margaret, 1904-1971 ; Self-portraits ; Portraits ; Cameras ; Tripods (camera accessories) ; |Bourke-White, Margaret, 1904-1971|Self-portraits|Portraits|Cameras|Tripods (camera accessories)|||||Cornell||MNW|MNW|9/29/2005 0:00:00|9/28/2005 0:00:00|Bourke-Whi|||0||AC1992.197.18|||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Self-Portrait With Camera|Bourke-White, Margaret 4865.00|0|Creator|05|J-Kertész|||9|J-Kertész 9|Self-Portrait With "Distortion #91"|Artists|Image Source (Pub)|||||||Self-Portrait With "Distortion #91"|6236|Kertész, André||photographer|André Kertész|0||||0|||||Hungarian||||||Europe||Hungary||||||0||||0||||0||||0|Photographs|Gelatin silver print|Self portrait|||20|||1933|1980||1933-1980|1933-1980|||||0||||0|||||Toned gelatin-silver print||||||photography|gelatin silver process||||17.8 x 24.8 cm||3793|Los Angeles: County Museum of Art|Los Angeles: LACMA||Kertész, André, 1894-1985 ; Self-portraits ; Portraits ; Cameras ; Tripods (camera accessories) ; Female nudes ; |Kertész, André, 1894-1985|Self-portraits|Portraits|Cameras|Tripods (camera accessories)|Female nudes||||Cornell||MNW|JNK|9/29/2005 0:00:00|9/28/2005 0:00:00|Kertész|||0||AC1993.197.77|||||J|||||||| ||||||||Work|0|Photography||||Photographed in 1933 but printed in 1980.|||||||0|0|Self-Portrait With "Distortion #91"|Kertész, André 4869.00|0|Creator|05|J-Doisneau|||1|J-Doisneau 1|Self-Portrait|Artists|Image Source (Pub)|||||||Self-Portrait|30841|Doisneau, Robert||photographer|Robert Doisneau|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Photographs|Gelatin silver print|Self portrait|||20|||1953|1953|ca|ca 1953|ca 1953-1953|||||0||||0|||||Gelatin-silver print||||||photography|gelatin silver process||||24.1 x 17.8 cm||3793|Los Angeles: County Museum of Art|Los Angeles: LACMA||Doisneau, Robert, 1912-1994 ; Self-portraits ; Portraits ; Mirrors ; |Doisneau, Robert, 1912-1994|Self-portraits|Portraits|Mirrors||||||Cornell||MNW|JNK|9/29/2005 0:00:00|9/28/2005 0:00:00|Doisneau|||0||AC1992.197.45|||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Self-Portrait|Doisneau, Robert 4870.00|0|Creator|05|J-Arbus|||80|J-Arbus 80|Self-Portrait in Mirror|Artists|Image Source (Pub)|||||||Self-Portrait in Mirror|467|Arbus, Diane Nemerov||photographer|Diane Arbus|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Self portrait|||20|||1945|1945||1945|1945-1945|||||0||||0|||||Gelatin-silver print||||||photography|gelatin silver process||||16.5 x 11.8 cm||3793|Los Angeles: County Museum of Art|Los Angeles: LACMA||Arbus, Diane Nemerov, 1923-1971 ; Self-portraits ; Portraits ; Cameras ; Tripods (camera accessories) ; Female nudes ; Mirrors ; |Arbus, Diane Nemerov, 1923-1971|Self-portraits|Portraits|Cameras|Tripods (camera accessories)|Female nudes|Mirrors|||Cornell||MNW|MNW|9/28/2005 0:00:00|9/28/2005 0:00:00|Arbus|||0||AC1992.197.4|||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Self-Portrait in Mirror|Arbus, Diane Nemerov 4871.00|0|Creator|05|J-Frank|||28|J-Frank 28|NYC, 1947|Artists|Image Source (Pub)|||||||NYC, 1947|4089|Frank, Robert||photographer|Robert Frank|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Self portrait|||20|||1947|1980|ca|1947- ca 1980|1947- ca 1980|||||0||||0|||||Gelatin-silver print||||||photography|gelatin silver process||||26.7 x 26.5 cm||3793|Los Angeles: County Museum of Art|Los Angeles: LACMA||Frank, Robert, 1924 ; Self-portraits ; Portraits ; Cameras ; New York, NY ; Cityscapes ; |Frank, Robert, 1924|Self-portraits|Portraits|Cameras|New York, NY|Cityscapes||||Cornell||MNW|JNK|9/29/2005 0:00:00|9/28/2005 0:00:00|Frank|||0||AC1992.197.55|||||J|||||||| ||||||||Work|0|Photography||||Photographed in 1947; printed in ca. 1980.|||||||0|0|NYC, 1947|Frank, Robert 4872.00|0|Creator|05|J-SmithWE|||30|J-SmithWE 30|Self-Portrait|Artists|Image Source (Pub)|||||||Self-Portrait|11093|Smith, W. Eugene||photographer|Eugene Smith|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Self portrait|||20|||1968|1968|ca|ca 1968|ca 1968-1968||The Loft From Inside In|Series||4873||||0|||||Gelatin-silver print||||||photography|gelatin silver process||||34 x 24.1 cm||3793|Los Angeles: County Museum of Art|Los Angeles: LACMA||Smith, W. Eugene, 1918-1978 ; Self-portraits ; Portraits ; |Smith, W. Eugene, 1918-1978|Self-portraits|Portraits|||||||Cornell||MNW|JNK|9/29/2005 0:00:00|9/28/2005 0:00:00|SmithWE|||0||AC1992.197.115|||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Self-Portrait|Smith, W. Eugene 4873.00|0|Creator|05||||||The Loft From Inside In|Series|Image Source (Pub)|||||||The Loft From Inside In|11093|Smith, W. Eugene||photographer|Eugene Smith|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print||||20|||1968|1968|ca|ca 1968|ca 1968-1968|||||0||||0|||||||||||photography|gelatin silver process||||||||||||||||||||Cornell||MNW|MNW|9/28/2005 0:00:00|9/28/2005 0:00:00|S6635|||0|||||||||||||||||||||||Work|0||||||||||||0|0|The Loft From Inside In|Smith, W. Eugene 4874.00|0|Creator|05|J-Brandt|||18|J-Brandt 18|Self-Portrait With Mirror, East Sussex Coast, 1965|Artists|Image Source (Vendor)|||||||Self-Portrait With Mirror, East Sussex Coast, 1965|1521|Brandt, Bill||photographer|Bill Brandt|0||||0|||||British||||||Europe||England||||||0||||0||||0||||0|Photographs|Gelatin silver print|Self portrait|||20|||1965|1979|ca|1965; 1970's|1965- ca 1979|||||0||||0|||||Gelatin silver print||||||photography|gelatin silver process||||34.3 x 29.2 cm||3793|Los Angeles: County Museum of Art|Los Angeles: LACMA||Brandt, Bill, 1904-1983 ; Self-portraits ; Portraits ; Mirrors ; Landscapes ; |Brandt, Bill, 1904-1983|Self-portraits|Portraits|Mirrors|Landscapes|||||Cornell||MNW|MNW|9/28/2005 0:00:00|9/28/2005 0:00:00|Brandt|||0||AC1992.197.20|||||J|||||||| ||||||||Work|0|Photography||||Photographed in 1965; printed in the 1970's.|||||||0|0|Self-Portrait With Mirror, East Sussex Coast, 1965|Brandt, Bill 4875.00|0|Creator|05|J-Friedland J-Friedlande|||40|J-FriedlanderL 40 J-Friedlande 40|New York City, 1966|Artists|Image Source (Pub)|||||||New York City, 1966|4166|Friedlander, Lee||photographer|Lee Friedlander|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Self portrait|||20|||1966|1966||1966|1966-1966|||||0||||0|||||Gelatin silver print||||||photography|gelatin silver process||||18.8 x 28.3 cm||3793|Los Angeles: County Museum of Art|Los Angeles: LACMA||Friedlander, Lee, 1934 ; Self-portraits ; Portraits ; Shadows ; New York, NY ; Streetscapes ; |Friedlander, Lee, 1934|Self-portraits|Portraits|Shadows|New York, NY|Streetscapes||||Cornell||MNW|MNW|9/28/2005 0:00:00|9/28/2005 0:00:00|Friedlande|||0||AC1992.197.56|||||J J|||||||| ||||||||Work|0|Photography|||||||||||0|0|New York City, 1966|Friedlander, Lee 4876.00|0|Creator|05|J-Michals|||83|J-Michals 83|Self-Portrait as I Were Dead|Inscribed|Image Source (Pub)|||||||Self-Portrait as I Were Dead|7955|Michals, Duane||photographer|Duane Michals|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Self portrait|||20|||1968|1968||1968|1968-1968|||||0||||0|||||Gelatin silver print||||||photography|gelatin silver process||||12.7 x 18.9 cm||3793|Los Angeles: County Museum of Art|Los Angeles: LACMA||Michals, Duane, 1932 ; Self-portraits ; Portraits ; |Michals, Duane, 1932|Self-portraits|Portraits|||||||Cornell||MNW|MNW|9/28/2005 0:00:00|9/28/2005 0:00:00|Michals|||0||AC1992.197.92|||||J|||||||| ||||||||Work|0|Photography||||Photographed in 1968; printed later.|||||ed. 8/25.||0|0|Self-Portrait as I Were Dead|Michals, Duane 4877.00|0|Creator|05|J-Boskovich|||1|J-Boskovich 1|Self-Portrait|Artists|Image Source (Pub)|||||||Self-Portrait|30842|Boskovich, John||photographer|John Boskovich|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Self portrait|||20|||1987|1987||1987|1987-1987|||||0||||0|||||Gelatin silver print, gouache, photostat|gouache|||||photography|gelatin silver process||||45.7 x 58.4 cm||3793|Los Angeles: County Museum of Art|Los Angeles: LACMA||Boskovich, John, 1956- ; Self-portraits ; Portraits ; Rabbits ; Costume ; |Boskovich, John, 1956-|Self-portraits|Portraits|Rabbits|Costume|||||Cornell||MNW|JNK|9/29/2005 0:00:00|9/28/2005 0:00:00|||Boskovich|0||AC1992.197.16|||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Self-Portrait|Boskovich, John 4878.00|0|Creator|05|J-Mappletho J-Mapplethor|1980||13|J-Mapplethorpe 1980 13 J-Mapplethor 1980 13|Self-Portrait|Artists|Image Source (Pub)|||||||Self-Portrait|7505|Mapplethorpe, Robert||photographer|Robert Mapplethorpe|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Self portrait|||20|||1988|1988||1988|1988-1988|||||0||||0|||||Gelatin silver print||||||photography|gelatin silver process||||58.7 x 48.9 cm||3793|Los Angeles: County Museum of Art|Los Angeles: LACMA||Mapplethorpe, Robert, 1946-1989 ; Self-portraits ; Portraits ; Skulls ; |Mapplethorpe, Robert, 1946-1989|Self-portraits|Portraits|Skulls||||||Cornell||MNW|JNK|9/29/2005 0:00:00|9/28/2005 0:00:00|Mapplethor|||0||AC1992.197.88|||||J J|||||||1980| ||||||||Work|0|Photography|||||||||Edition 5/15.||0|0|Self-Portrait|Mapplethorpe, Robert 4879.00|0||||||||||||||||||0|||||0||||0|||||||||||||||||||0||||0||||0||||0||||||||||||||||||0||||0||||||||||||||||||||||||||||||||Cornell||BZ|BZ|10/7/2005 0:00:00|9/30/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|| 4880.00|0|Creator|15|CHINA|PTG|SONG||CHINA PTG SONG |Wind in the Pines Amid Ten Thousand Valleys|Descriptive|Image Source (Pub)|Wan He Song Feng Tu Zhou|Descriptive|Image Source (Vendor)||||Wind in the Pines Amid Ten Thousand Valleys|30843|Li Tang||painter|Li Tang|0||||0|||||Chinese|||Song (Sung)|Northern Song (N.Sung)||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|Landscape (representation)||12|||1124|1124||dated 1124|1124-1124|||||0||||0|||||Ink and color on silk|ink|silk (textile)|color (pigment)|||painting (image-making)|||||188.7 × 139.8 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Mountains ; Trees ; Spring ; Pine ; Clouds ; Rock ; |Mountains|Trees|Spring|Pine|Clouds|Rock||||Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|SONG|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Wind in the Pines Amid Ten Thousand Valleys;Wan He Song Feng Tu Zhou|Li Tang 4881.00|0|Creator|15|CHINA|PTG|SONG||CHINA PTG SONG |Sitting Alone By A Stream|Descriptive|Image Source (Pub)|Lin Liu Du Zuo Tu Zhou|Descriptive|Image Source (Pub)||||Sitting Alone By A Stream|30862|Fan Kuan|formerly attributed|artist|Fan Kuan, formerly attributed to|0||||0|||||Chinese|||Song (Sung)|Northern Song (N.Sung)||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|Landscape (representation)||12||||||Early 12th century||||||0||||0|||||Ink and light color on silk|ink|silk (textile)|color (pigment)|||painting (image-making)|||||156.1 × 106.3 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Mountains ; Rock ; Trees ; Figures (representations) ; Spring ; Boats ; Architects ; Clouds ; Bridges (built works)|Mountains|Rock|Trees|Figures (representations)|Spring|Boats|Architects|Clouds|Bridges (built works)|Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|SONG|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Sitting Alone By A Stream;Lin Liu Du Zuo Tu Zhou|Fan Kuan 4882.00|0|Creator|15|CHINA|PTG|SONG||CHINA PTG SONG |Deer Among Red Maples|Descriptive|Image Source (Pub)|Dan Feng Ao Lu Tu Zhou|Descriptive|Image Source (Pub)||||Deer Among Red Maples|0|||||0||||0|||||Chinese|||Song (Sung)|Northern Song (N.Sung)||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||10|11|||||10th-early 11th century||||||||||0|||||Ink and color on silk|ink|silk (textile)|color (pigment)|||painting (image-making)|||||118.5 × 64.6 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Deer ; Trees ; Mountains ; |Deer|Trees|Mountains|||||||Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|SONG|||| ||||||||Work|0||Hanging scroll||||||||||0|0|Deer Among Red Maples;Dan Feng Ao Lu Tu Zhou| 4883.00|0|Site|02||||||Banpo Archaeological Site|Translated|Cataloger|Xi'an ban po yi zhi yi hao da fang zi|Descriptive|Image Source (Pub)||||Banpo Archaeological Site|0|||||0||||0|||||Chinese|||Neolithic|||Asia||China||||||0||||||||0||||0|Architecture|Archaeological site|||BCE|-4|||3600|3600|ca|ca 3600 BCE|ca 3600 BCE|||||0||||0||||||||||||||||||9676|Sian: Banpo Museum|Sian: Banpo Museum||Dwellings ; Houses ; Archaeology ; |Dwellings|Houses|Archaeology|||||||Cornell||BZ|MNW|4/24/2006 0:00:00|9/30/2005 0:00:00||||0||||||||||||||| ||||||||Work|0|Architecture-China|||||||||||0|0|Banpo Archaeological Site;Xi'an ban po yi zhi yi hao da fang zi| 4884.00|0|Creator|15|CHINA|PTG|SONG||CHINA PTG SONG |Peonies and Cat|Descriptive|Image Source (Pub)|Fu Gui Hua Li Zhou|Descriptive|Image Source (Pub)||||Peonies and Cat|0|||||0||||0|||||Chinese|||Song (Sung)|Northern Song (N.Sung)||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||12||||||12th century||||||0||||0|||||Ink and color on silk|ink|silk (textile)|color (pigment)|||painting (image-making)|||||141× 107.5 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Flowers ; Animals ; Cats ; Peonies ; |Flowers|Animals|Cats|Peonies||||||Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|SONG|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Peonies and Cat;Fu Gui Hua Li Zhou| 4937.00|0|Creator|15|CHINA|CALL|NEOLITHIC||CHINA CALL NEOLITHIC |Characters Carved in Animal Bone (Jia Gu Wen)|Translated|Cataloger|Ban po yi zhi jia gu wen|Descriptive|Image Source (Pub)||||Banpo Archaeological Site. Characters Carved in Animal Bone (Jia Gu Wen)|0|||||0||||0|||||Chinese|||Neolithic|||Asia||China||||||0||||0||||0||||0|Calligraphy|Calligraphy|||BCE|-40|||3600|3600|ca|ca 3600 BCE|ca 3600 BCE||Banpo Archaeological Site|LargerEntity||4883||||0|||||Bone|bone|||||calligraphy|carving||||||9676|Sian: Banpo Museum|Sian: Banpo Museum||Calligraphy ; Bones ; Carving ; |Calligraphy|Bones|Carving|||||||Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||CALL|||CHINA||||| ||||||||Work|0||||||||||||0|0|Characters Carved in Animal Bone (Jia Gu Wen);Ban po yi zhi jia gu wen| 4938.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Sketches From Life|Descriptive|Image Source (Pub)|Xie Sheng Ce|Descriptive|Image Source (Pub)||||Sketches From Life|30886|Sun Long||painter|Sun Long|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Album|||15||||||||||||0||||0|||||Ink and color on silk|ink|silk (textile)|color (pigment)|||painting (image-making)|||||23.5 × 22 cm (each leaf)||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Birds ; Trees ; Flowers ; Rivers ; Animals ; Dragonflies ; |Birds|Trees|Flowers|Rivers|Animals|Dragonflies||||Cornell||BZ|BZ|6/23/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||4 leaves from an album of 12 paintings.||||||||||0|0|Sketches From Life;Xie Sheng Ce|Sun Long 4939.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Four Immortals Honoring The God Of Longevity|Descriptive|Image Source (Pub)|Si Xian Gong Shou Tu Zhou|Descriptive|Image Source (Pub)||||Four Immortals Honoring The God Of Longevity|30887|Shang Xi||painter|Shang Xi|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||15|||1430|1439||1430s|1430-1439|||||0||||0|||||Ink and color on silk|ink|silk (textile)|color (pigment)|||painting (image-making)|||||98.3 × 143.8 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Sea gods ; Cranes ; Clouds ; Seas ; Figures (representations) ; Leaf (plant material) ; Turtles ; Flowers ; |Sea gods|Cranes|Clouds|Seas|Figures (representations)|Leaf (plant material)|Turtles|Flowers||Cornell||BZ|BZ|6/23/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Four Immortals Honoring The God Of Longevity;Si Xian Gong Shou Tu Zhou|Shang Xi 4940.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Xuanyuan Asking The Way|Descriptive|Image Source (Pub)|Xuanyuan Wen Dao Tu Juan|Descriptive|Image Source (Pub)||||Xuanyuan Asking The Way|30888|Shi Rui||painter|Shi Rui|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||15||||||||||||0||||0|||||Ink and color on silk|ink|silk (textile)|color (pigment)|||painting (image-making)|||||31.8 × 152.4 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Figures (representations) ; Mountains ; Pine ; Palaces ; Architects ; Rock ; Clouds ; Seals ; |Figures (representations)|Mountains|Pine|Palaces|Architects|Rock|Clouds|Seals||Cornell||BZ|BZ|6/23/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Handscroll.||||||||||0|0|Xuanyuan Asking The Way;Xuanyuan Wen Dao Tu Juan|Shi Rui 4885.00|0|Creator|15|CHINA|PTG|SONG||CHINA PTG SONG |Lotus Pond|Descriptive|Image Source (Pub)|Tai Ye He Feng Ce Ye|Descriptive|Image Source (Pub)||||Lotus Pond|30864|Feng Dayou|attributed to|painter|Feng Dayou (attributed to)|0||||0|||||Chinese|||Song (Sung)|Southern Song (S.Sung)||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Fan (costume accessory)|||12||||||||||||0||||0|||||Ink and color on silk|ink|silk (textile)|color (pigment)|||painting (image-making)|||||23.8 × 25.1 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Flowers ; Animals ; Swallows ; Ducks ; |Flowers|Animals|Swallows|Ducks||||||Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|SONG|||| ||||||||Work|0||Fan mounted as an album leaf.||||||||||0|0|Lotus Pond;Tai Ye He Feng Ce Ye|Feng Dayou 4886.00|0|Creator|15|CHINA|PTG|SONG||CHINA PTG SONG |Hen And Chicks|Descriptive|Image Source (Pub)|Zi Mu Ji Zhou|Descriptive|Image Source (Pub)||||Hen And Chicks|0|||||0||||0|||||Chinese|||Song (Sung)|Southern Song (S.Sung)||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|Seal||12||||||12th century||||||0||||0|||||Ink and color on paper|ink|paper (fiber product)|color (pigment)|||painting (image-making)|||||41.9 × 33 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Chickens ; Animals ; Seals ; |Chickens|Animals|Seals|||||||Cornell||BZ|BZ|7/27/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|SONG|||| ||||||||Work|0||Hanging scroll||||||||||0|0|Hen And Chicks;Zi Mu Ji Zhou| 4887.00|0|Creator|15|CHINA|PTG|SONG||CHINA PTG SONG |Kitten|Descriptive|Image Source (Pub)|Li Nu Xiao Ying Ce Ye|Descriptive|Image Source (Pub)||||Kitten|30865|Li Di||painter|Li Di|0||||0|||||Chinese|||Song (Sung)|Southern Song (S.Sung)||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Album|||12|||1174|1174||Dated 1174|1174-1174|||||0||||0|||||Ink and color on silk|ink|silk (textile)|color (pigment)|||painting (image-making)|||||23.6 × 24.1 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Animals ; Cats ; |Animals|Cats||||||||Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|SONG|||| ||||||||Work|0||Album leaf.||||||||||0|0|Kitten;Li Nu Xiao Ying Ce Ye|Li Di 4888.00|0|Creator|15|CHINA|PTG|SONG||CHINA PTG SONG |Kitten|Descriptive|Image Source (Pub)|Li Nu Tu Ce Ye|Descriptive|Image Source (Pub)||||Kitten|0|||||0||||0|||||Chinese|||Song (Sung)|Southern Song (S.Sung)||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Album|||12||||||12th century||||||0||||0|||||Ink and color on silk|ink|silk (textile)|color (pigment)|||painting (image-making)|||||25.5 × 25.3 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Animals ; Cats ; |Animals|Cats||||||||Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|SONG|||| ||||||||Work|0||Album leaf.||||||||||0|0|Kitten;Li Nu Tu Ce Ye| 4889.00|0|Creator|15|CHINA|PTG|SONG||CHINA PTG SONG |Apricot Blossoms|Descriptive|Image Source (Pub)|Yi Yun Xian Xing Ce Ye|Descriptive|Image Source (Pub)||||Apricot Blossoms|30866|Ma Yuan||painter|Ma Yuan|0||||0|||||Chinese|||Song (Sung)|Southern Song (S.Sung)||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Album|||||||||||||||0||||0|||||Ink and color on silk|ink|silk (textile)|color (pigment)|||painting (image-making)|||||25.8 × 27.3 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Flowers ; |Flowers|||||||||Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|SONG|||| ||||||||Work|0||Inscribed by Yang Meizi (1162-1232). Album leaf.||||||||||0|0|Apricot Blossoms;Yi Yun Xian Xing Ce Ye|Ma Yuan 4890.00|0|Creator|15|CHINA|PTG|SONG||CHINA PTG SONG |Peach Blossoms|Descriptive|Image Source (Pub)|Tao Hua Tu Ce Ye|Descriptive|Image Source (Pub)||||Peach Blossoms|30866|Ma Yuan||painter|Ma Yuan|0||||0|||||Chinese|||Song (Sung)|Southern Song (S.Sung)||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Fan (costume accessory)|||12|13|||||||||||0||||0|||||Ink and color on silk|ink|silk (textile)|color (pigment)|||painting (image-making)|||||25.8 × 27.3 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Flowers ; Peaches ; |Flowers|Peaches||||||||Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|SONG|||| ||||||||Work|0||Inscribed by Yang Meizi (1162-1232). Fan mounted as an album leaf.||||||||||0|0|Peach Blossoms;Tao Hua Tu Ce Ye|Ma Yuan 4891.00|0|Creator|15|CHINA|PTG|SONG||CHINA PTG SONG |Winter Play|Descriptive|Image Source (Pub)|Dong Ri Ying Xi Tu Zhou|Descriptive|Image Source (Pub)||||Winter Play|30868|Su Hanchen|attributed to|painter|Attributed to Su Hanchen|0||||0|||||Chinese|||Song (Sung)|Southern Song (S.Sung)||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||12||||||||||||0||||0|||||Ink and color on silk|ink|silk (textile)|color (pigment)|||painting (image-making)|||||196.2 × 107.1 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Children (people by age group) ; Animals ; Stone ; Trees ; Flowers ; Stone ; Grasses (plants) ; Peaches ; |Children (people by age group)|Animals|Stone|Trees|Flowers|Stone|Grasses (plants)|Peaches||Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|SONG|||| ||||||||Work|0||Hanging scroll||||||||||0|0|Winter Play;Dong Ri Ying Xi Tu Zhou|Su Hanchen 4892.00|0|Creator|15|CHINA|PTG|SONG||CHINA PTG SONG |Han Palace|Descriptive|Image Source (Pub)|Han Gong Tu Zhou|Descriptive|Image Source (Pub)||||Han Palace|30941|Zhao Boju|formerly attributed|painter|Formerly attributed to Zhao Boju|0||||0|||||Chinese|||Song (Sung)|Southern Song (S.Sung)||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Album|||12||||||||||||0||||0|||||Ink and color on silk|ink|silk (textile)|color (pigment)|||painting (image-making)|||||24.5 cm diam.||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Mountains ; Trees ; Figures (representations) ; Palaces ; Stone ; Architects ; Animals ; Furniture ; |Mountains|Trees|Figures (representations)|Palaces|Stone|Architects|Animals|Furniture||Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|SONG|||| ||||||||Work|0||Fan-shaped album leaf mounted as a hanging scroll.||||||||||0|0|Han Palace;Han Gong Tu Zhou|Zhao Boju 4893.00|0|Creator|15|CHINA|PTG|SONG||CHINA PTG SONG |Knickknack Peddler|Descriptive|Image Source (Pub)|Shi Dan Ying Xi Ce Ye|Descriptive|Image Source (Pub)||||Knickknack Peddler|30869|Li Song||painter|Li Song|0||||0|||||Chinese|||Song (Sung)|Southern Song (S.Sung)||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Fan (costume accessory)||||||1210|1210||Dated 1210|1210-1210|||||0||||0|||||Ink and light color on silk|ink|silk (textile)|color (pigment)|||painting (image-making)|||||25.8 × 27.6 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Figures (representations) ; Children (people by age group) ; Women ; Trees ; |Figures (representations)|Children (people by age group)|Women|Trees||||||Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|SONG|||| ||||||||Work|0||Fan mounted as an album leaf.||||||||||0|0|Knickknack Peddler;Shi Dan Ying Xi Ce Ye|Li Song 4894.00|0|Creator|15|CHINA|PTG|SONG||CHINA PTG SONG |Villa Beneath Pines On A Rocky Ledge|Descriptive|Image Source (Pub)|Song Cheng Jing Lu Ce Ye|Descriptive|Image Source (Pub)||||Villa Beneath Pines On A Rocky Ledge|30870|Yan Ciping||painter|Yan Ciping|0||||0|||||Chinese|||Song (Sung)|Southern Song (S.Sung)||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Fan (costume accessory)|||12||||||||||||0||||0|||||Ink and color on silk|ink|silk (textile)|color (pigment)|||painting (image-making)|||||22.6 × 22.6 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Architects ; Trees ; Rock ; Villas ; Pine ; Rivers ; |Architects|Trees|Rock|Villas|Pine|Rivers||||Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|SONG|||| ||||||||Work|0||Fan mounted as an album leaf.||||||||||0|0|Villa Beneath Pines On A Rocky Ledge;Song Cheng Jing Lu Ce Ye|Yan Ciping 4895.00|0|Creator|15|CHINA|PTG|SONG||CHINA PTG SONG |Banquet By Lantern Light|Descriptive|Image Source (Pub)|Hua Deng Dai Yan Zhou|Descriptive|Image Source (Pub)||||Banquet By Lantern Light|30866|Ma Yuan||painter|Ma Yuan|0||||0|||||Chinese|||Song (Sung)|Southern Song (S.Sung)||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||12|13|||||||||||0||||0|||||Ink and color on silk|ink|silk (textile)|color (pigment)|||painting (image-making)|||||111.9 × 53.5 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Banquets (Feasts) ; Lanterns (roof appendages) ; Trees ; Mountains ; Clouds ; Figures (representations) ; Architects ; Furniture ; Pine|Banquets (Feasts)|Lanterns (roof appendages)|Trees|Mountains|Clouds|Figures (representations)|Architects|Furniture|Pine|Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|SONG|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Banquet By Lantern Light;Hua Deng Dai Yan Zhou|Ma Yuan 4896.00|0|Creator|15|CHINA|PTG|SONG||CHINA PTG SONG |Streams And Mountains, Pure And Remote|Descriptive|Image Source (Pub)|Xi Shan Qing Yuan Juan|Descriptive|Image Source (Pub)||||Streams And Mountains, Pure And Remote|30871|Xia Gui||painter|Xia Gui|0||||0|||||Chinese|||Song (Sung)|Southern Song (S.Sung)||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|Landscape (representation)||13||||||||||||0||||0|||||Ink on paper|ink|paper (fiber product)||||painting (image-making)|||||46.5 × 889.1 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Mountains ; Trees ; Architects ; Figures (representations) ; Bridges (built works) ; Rock ; Pine ; Boats ; Rivers|Mountains|Trees|Architects|Figures (representations)|Bridges (built works)|Rock|Pine|Boats|Rivers|Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|SONG|||| ||||||||Work|0||Handscroll.||||||||||0|0|Streams And Mountains, Pure And Remote;Xi Shan Qing Yuan Juan|Xia Gui 4897.00|0|Site|02|B-R1|Ban|7.4 Dwel||B-R1 Ban 7.4 Dwel |Quadrangular Housing Type|Descriptive|Image Source (Pub)|Ban po yi zhi yi hao da fang zi yi zhi|Descriptive|Image Source (Pub)||||Banpo Archaeological Site. Quadrangular Housing Type|0|||||0||||0|||||Chinese|||Neolithic|||Asia||China||||||0||||||||0||||0|Architecture|House|||BCE|-40|||3600|3600|ca|ca 3600 BC|ca 3600 BC||Banpo Archaeological Site|LargerEntity||4883||||0||||||||||||||||||9676|Sian: Banpo Museum|Sian: Banpo Museum||Dwellings ; Houses ; Archaeology ; |Dwellings|Houses|Archaeology|||||||Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0||||||Dwel|B|||||R1|7.4|| ||||||||Work|0|Architecture-China|||||||||||0|0|Quadrangular Housing Type;Ban po yi zhi yi hao da fang zi yi zhi| 4898.00|0|Site|02|B-R1|Ban|7.4 Dwel||B-R1 Ban 7.4 Dwel |Circular Housing Type|Translated|Cataloger|Ban po yi zhi yuan xing fang wu yi zhi|Descriptive|Image Source (Pub)||||Banpo Archaeological Site. Circular Housing Type|0|||||0||||0|||||Chinese|||Neolithic|||Asia||China||||||0||||||||0||||0|Architecture|House|||BCE|-40|||3600|3600|ca|ca 3600 BCE|ca 3600 BCE||Banpo Archaeological Site|Larger entity||4883||||0||||||||||||||||||9676|Sian: Banpo Museum|Sian: Banpo Museum||Houses ; Dwellings ; Archaeology ; |Houses|Dwellings|Archaeology|||||||Cornell||BZ|MNW|4/24/2006 0:00:00|9/30/2005 0:00:00||||0||||||Dwel|B|||||R1|7.4|| ||||||||Work|0|Architecture-China|||||||||||0|0|Banpo Archaeological Sites;Ban po yi zhi yuan xing fang wu yi zhi| 4899.00|0|Creator|15|CHINA|POT|NEOLITHIC||CHINA POT NEOLITHIC |Pottery Bottle and Vessels|Translated|Cataloger|Hu lu ping; fu jia dui wen guan; dai liu guan|Descriptive|Image Source (Pub)||||Banpo Archaeological Site. Pottery Bottle and Vessels|0|||||0||||0|||||Chinese|||Neolithic|||Asia||China||||||0||||||||0||||0|Ceramics|Ceramic|Pottery||BCE|-40|||3600|3600|ca|ca 3600 BCE|ca 3600 BCE||Banpo Archaeological Site|Larger entity||4883||||0|||||Ceramic|ceramic|||||ceramics|||||||9676|Sian: Banpo Museum|Sian: Banpo Museum||Vessels ; Bottles ; |Vessels|Bottles||||||||Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||POT|||CHINA||||| ||||||||Work|0||||||||||||0|0|Pottery Bottle and Vessels;Hu lu ping; fu jia dui wen guan; dai liu guan| 4900.00|0|Creator|15|CHINA|POT|NEOLITHIC||CHINA POT NEOLITHIC |Pottery Vessel with Image of Double Fishes|Translated|Cataloger|Shuang yu guan|Descriptive|Image Source (Pub)||||Banpo Archaeological Site. Pottery Vessel with Image of Double Fishes|0|||||0||||0|||||Chinese|||Neolithic|||Asia||China||||||0||||0||||0||||0|Ceramics|Ceramic|Pottery||BCE|-40|||3600|3600|ca|ca 3600 BCE|ca 3600 BCE||Banpo Archaeological Site|||4883||||0|||||Ceramic|ceramic|||||ceramics|||||||9676|Sian: Banpo Museum|Sian: Banpo Museum||Vessels ; |Vessels|||||||||Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||POT|||CHINA||||| ||||||||Work|0||||||||||||0|0|Pottery Vessel with Image of Double Fishes;Shuang yu guan| 4901.00|0|Creator|15|CHINA|POT|NEOLITHIC||CHINA POT NEOLITHIC |Pottery Basin with Net Design|Translated|Cataloger|Wang wen pen|Descriptive|Image Source (Pub)||||Banpo Archaeological Site. Pottery Basin with Net Design|0|||||0||||0|||||Chinese|||Neolithic|||Asia||China||||||0||||0||||0||||0|Ceramics|Ceramic|Pottery||BCE|-40|||3600|3600|ca|ca 3600 BCE|ca 3600 BCE||Banpo Archaeological Site|LargerEntity||4883||||0|||||Ceramic|ceramic|||||ceramics|||||||9676|Sian: Banpo Museum|Sian: Banpo Museum||Basins ; |Basins|||||||||Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||POT|||CHINA||||| ||||||||Work|0||||||||||||0|0|Pottery Basin with Net Design;Wang wen pen| 4902.00|0|Creator|15|CHINA|PTG|SONG||CHINA PTG SONG |Winter Landscape|Descriptive|Image Source (Pub)|Shan Shui Zhou|Descriptive|Image Source (Pub)||||Winter Landscape|30871|Xia Gui|attributed to|painter|Attributed to Xia Gui|0||||0|||||Chinese|||Song (Sung)|Southern Song (S.Sung)||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|Landscape (representation)||13||||||||||||0||||0|||||Ink on silk|ink|silk (textile)||||painting (image-making)|||||47.6 × 32.5 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Mountains ; Rivers ; Trees ; Boats ; Palaces ; Architects ; Figures (representations) ; |Mountains|Rivers|Trees|Boats|Palaces|Architects|Figures (representations)|||Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA||||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Winter Landscape;Shan Shui Zhou|Xia Gui 4903.00|0|Creator|15|CHINA|PTG|SONG||CHINA PTG SONG |Waiting For Guests By Candlelight|Descriptive|Image Source (Pub)|Bing Zhu Ye You Ce Ye|Descriptive|Image Source (Pub)||||Waiting For Guests By Candlelight|30872|Ma Lin||painter|Ma Lin|0||||0|||||Chinese|||Song (Sung)|Southern Song (S.Sung)||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Fan (costume accessory)|||12|13|||||||||||0||||0|||||Ink and color on silk|ink|silk (textile)|color (pigment)|||painting (image-making)|||||24.8 × 25.2 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Figures (representations) ; Candles ; Architects ; Trees ; Mountains ; Clouds ; |Figures (representations)|Candles|Architects|Trees|Mountains|Clouds||||Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|SONG|||| ||||||||Work|0||Fan mounted as an album leaf.||||||||||0|0|Waiting For Guests By Candlelight;Bing Zhu Ye You Ce Ye|Ma Lin 4904.00|0|Creator|15|CHINA|PTG|SONG||CHINA PTG SONG |Buddha Shakyamuni Preaching|Descriptive|Image Source (Pub)|Ru Lai Shuo Fa Tu Zhou|Descriptive|Image Source (Pub)||||Buddha Shakyamuni Preaching|0|||||0||||0|||||Chinese|||Song (Sung)|Southern Song (S.Sung)||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||13||||||Mid-13th century||||||0||||0|||||Ink and color on silk|ink|silk (textile)|color (pigment)|||painting (image-making)|||||188.1 × 111.3 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Figures (representations) ; Architects ; Gods ; |Figures (representations)|Architects|Gods|||||||Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|SONG|||| ||||||||Work|0||Hanging scroll||||||||||0|0|Buddha Shakyamuni Preaching;Ru Lai Shuo Fa Tu Zhou| 4905.00|0|Creator|15|CHINA|PTG|SONG||CHINA PTG SONG |Thousand-Armed, Thousand-Eyed Kuan-yin|Descriptive|Image Source (Pub)|Qian Shou Qian Yan Guan Shi Yin Pu Sa Zhou|Descriptive|Image Source (Pub)||||Thousand-Armed, Thousand-Eyed Kuan-yin|0|||||0||||0|||||Chinese|||Song (Sung)|Southern Song (S.Sung)||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||12||||||12th century||||||0||||0|||||Ink and color on silk|ink|silk (textile)|color (pigment)|||painting (image-making)|||||176.8 × 79.2 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Figures (representations) ; Clouds ; Sea gods ; Gods ; |Figures (representations)|Clouds|Sea gods|Gods||||||Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|SONG|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Thousand-Armed, Thousand-Eyed Kuan-yin;Qian Shou Qian Yan Guan Shi Yin Pu Sa Zhou| 4906.00|0|Creator|15|CHINA|POT|NEOLITHIC||CHINA POT NEOLITHIC |Pottery Bottle with Wave Design|Translated|Cataloger|Qu zhe wen ping|Descriptive|Image Source (Pub)||||Banpo Archaeological Site. Pottery Bottle with Wave Design|0|||||0||||0|||||Chinese|||Neolithic|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|||BCE|-40|||3600|3600|ca|ca 3600 BCE|ca 3600 BCE||Banpo Archaeological Site|LargerEntity||4883||||0|||||Ceramic|ceramic|||||ceramics|||||||9676|Sian: Banpo Museum|Sian: Banpo Museum||Bottles ; |Bottles|||||||||Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||POT|||CHINA||||| ||||||||Work|0||||||||||||0|0|Pottery Bottle with Wave Design;Qu zhe wen ping| 4907.00|0|Creator|15|CHINA|PTG|SONG||CHINA PTG SONG |Images Of Lohans: Lohan|Descriptive|Image Source (Pub)|Luo Han Zhou|Descriptive|Image Source (Pub)||||Images Of Lohans: Lohan|30873|Liu Songnian||painter|Liu Songnian|0||||0|||||Chinese|||Song (Sung)|Southern Song (S.Sung)||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||13|||1207|1207||Dated 1207|1207-1207||Images Of Lohans|Series||5105||||0|||||Ink and color on silk|ink|silk (textile)|color (pigment)|||painting (image-making)|||||118.1 × 56 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Figures (representations) ; Trees ; Furniture ; Screens (furniture) ; Plants (vegetation) ; |Figures (representations)|Trees|Furniture|Screens (furniture)|Plants (vegetation)|||||Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|SONG|||| ||||||||Work|0||Group of 3 hanging scrolls from an original set of 16.||||||||||0|0|Images Of Lohans: Lohan;Luo Han Zhou|Liu Songnian 4908.00|0|Creator|15|CHINA|PTG|SONG||CHINA PTG SONG |Images Of Lohans: Lohan|Descriptive|Image Source (Pub)|Luo Han Zhou|Descriptive|Image Source (Pub)||||Images Of Lohans: Lohan|30873|Liu Songnian||painter|Liu Songnian|0||||0|||||Chinese|||Song (Sung)|Southern Song (S.Sung)||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||13|||1207|1207||Dated 1207|1207-1207||Images Of Lohans|Series||5105||||0|||||Ink and color on silk|ink|silk (textile)|color (pigment)|||painting (image-making)|||||117.4 × 56.1 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Figures (representations) ; Trees ; Stone ; Rivers ; Bamboo ; Clouds ; |Figures (representations)|Trees|Stone|Rivers|Bamboo|Clouds||||Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|SONG|||| ||||||||Work|0||Group of 3 hanging scrolls from an original set of 16.||||||||||0|0|Images Of Lohans: Lohan;Luo Han Zhou|Liu Songnian 4909.00|0|Creator|15|CHINA|PTG|TANG||CHINA PTG TANG|Jin Gang Ban Ruo Bo Luo Mi Jing|Descriptive|Image Source (Pub)|||||||Jin Gang Ban Ruo Bo Luo Mi Jing|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Print|||9|||868|868||Dated 868|868-868|||||0||||0|||||Ink on paper|ink|paper (fiber product)||||painting (image-making)|printing||||23.7 × 28.5 cm||1512|London: British Library|London: British Library||Figures (representations) ; Gods ; Lions ; Tables (support furniture) ; Clouds ; |Figures (representations)|Gods|Lions|Tables (support furniture)|Clouds|||||Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|TANG|||| ||||||||Work|0||Wood-block print. Frontispiece.||||||||||0|0|Jin Gang Ban Ruo Bo Luo Mi Jing| 4910.00|0|Creator|15|CHINA|PTG|SONG||CHINA PTG SONG |Immortals In A Mountain Pavillion|Descriptive|Image Source (Pub)|Jin Si Xian Shan Lou Ge Ce Ye|Descriptive|Image Source (Pub)||||Immortals In A Mountain Pavillion|0|||||0||||0|||||Chinese|||Song (Sung)|Northern Song (N.Sung)||Asia||China||||||0||||0||||0||||0|Paintings|Painting||||12||||||Early 12th century|||Lou hui ji jin ce|||5186||||0|||||Silk tapestry (ke si)|silk (textile)|||||tapestry (process)|||||28.2 × 35.8 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Mountains ; Trees ; Clouds ; Figures (representations) ; Palaces ; Architects ; Monkeys ; Flowers ; Birds|Mountains|Trees|Clouds|Figures (representations)|Palaces|Architects|Monkeys|Flowers|Birds|Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|SONG|||| ||||||||Work|0||From the album Lou hui ji jin ce, Leaf 5. Early 12th century. Silk Tapestry (ke si) Technique.||||||||||0|0|Immortals In A Mountain Pavillion;Jin Si Xian Shan Lou Ge Ce Ye| 4911.00|0|Creator|15|CHINA|PTG|SONG||CHINA PTG SONG |Portrait Of King Yao|Descriptive|Image Source (Pub)|Di Yao Li Xiang Zhou|Descriptive|Image Source (Pub)||||Portrait Of King Yao|30872|Ma Lin||painter|Ma Lin|0||||0|||||Chinese|||Song (Sung)|Southern Song (S.Sung)||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||13|||1230|1230||1230|1230||Confucian Sages And Worthies|LargerEntity||5188||||0|||||Ink and color on silk|ink|silk (textile)|color (pigment)|||painting (image-making)|||||248 × 111.1 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Figures (representations) ; Inscriptions ; |Figures (representations)|Inscriptions||||||||Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|SONG|||| ||||||||Work|0||From Confucian Sages and Worthies. Group of 5 hanging scrolls from an original set of 13.||||||||||0|0|Portrait Of King Yao;Di Yao Li Xiang Zhou|Ma Lin 4912.00|0|Creator|15|CHINA|PTG|SONG||CHINA PTG SONG |Portrait Of King Yu Of The Xia Dynasty|Descriptive|Image Source (Pub)|Xia Yu Wang Li Xiang Tu Zhou|Descriptive|Image Source (Pub)||||Portrait Of King Yu Of The Xia Dynasty|30872|Ma Lin||painter|Ma Lin|0||||0|||||Chinese|||Song (Sung)|Southern Song (S.Sung)||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||13|||1230|1230||1230|1230||Confucian Sages and Worthies|||5188||||0|||||Ink and color on silk|ink|silk (textile)|color (pigment)|||painting (image-making)|||||247.8 × 110.7 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Figures (representations) ; Inscriptions ; |Figures (representations)|Inscriptions||||||||Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|SONG|||| ||||||||Work|0||From Confucian Sages and Worthies. Group of 5 hanging scrolls from an original set of 13.||||||||||0|0|Portrait Of King Yu Of The Xia Dynasty;Xia Yu Wang Li Xiang Tu Zhou|Ma Lin 4913.00|0|Creator|15|CHINA|POT|NEOLITHIC||CHINA POT NEOLITHIC |Pottery Vessel with Incised Texture|Translated|Cataloger|Ban po yi zhi zhi jia wen tao guan|Descriptive|Image Source (Pub)||||Banpo Archaeological Site. Pottery Vessel with Incised Texture|0|||||0||||0|||||Chinese|||Neolithic|||Asia||China||||||0||||0||||0||||0|Ceramics|Ceramic|Pottery||BCE|-40|||3600|3600|ca|ca 3600 BCE|ca 3600 BCE||Banpo Archaeological Site|LargerEntity||4883||||0|||||Ceramic|ceramic|||||ceramics|||||||9676|Sian: Banpo Museum|Sian: Banpo Museum||Vessels ; |Vessels|||||||||Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||POT|||CHINA||||| ||||||||Work|0||||||||||||0|0|Pottery Vessel with Incised Texture;Ban po yi zhi zhi jia wen tao guan| 4914.00|0|Creator|15|CHINA|PTG|SONG||CHINA PTG SONG |Portrait Of King Tang Of The Shang Dynasty|Descriptive|Image Source (Pub)|Shang Tang Wang Li Xiang Zhou|Descriptive|Image Source (Pub)||||Portrait Of King Tang Of The Shang Dynasty|30872|Ma Lin||painter|Ma Lin|0||||0|||||Chinese|||Song (Sung)|Southern Song (S.Sung)||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||13|||1230|1230||1230|1230||Confucian Sages and Worthies|||5188||||0|||||Ink and color on silk|ink|silk (textile)|color (pigment)|||painting (image-making)|||||249.2 × 111.4 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Figures (representations) ; Animals ; Foxes ; |Figures (representations)|Animals|Foxes|||||||Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|SONG|||| ||||||||Work|0||From Confucian Sages and Worthies. Group of 5 hanging scrolls from an original set of 13.||||||||||0|0|Portrait Of King Tang Of The Shang Dynasty;Shang Tang Wang Li Xiang Zhou|Ma Lin 4915.00|0|Creator|15|CHINA|PTG|SONG||CHINA PTG SONG |Portriat Of King Wu Of The Zhou Dynasty|Descriptive|Image Source (Pub)|Zhou Wu Wang Li Xiang Zhou|Descriptive|Image Source (Pub)||||Portriat Of King Wu Of The Zhou Dynasty|30872|Ma Lin||painter|Ma Lin|0||||0|||||Chinese|||Song (Sung)|Southern Song (S.Sung)||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||13|||1230|1230||1230|1230||Confucian Sages and Worthies|||5188||||0|||||Ink and color on silk|ink|silk (textile)|color (pigment)|||painting (image-making)|||||250 × 111.2 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Figures (representations) ; Inscriptions ; |Figures (representations)|Inscriptions||||||||Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|SONG|||| ||||||||Work|0||From Confucian Sages and Worthies. Group of 5 hanging scrolls from an original set of 13.||||||||||0|0|Portriat Of King Wu Of The Zhou Dynasty;Zhou Wu Wang Li Xiang Zhou|Ma Lin 4916.00|0|Creator|15|CHINA|PTG|YUAN||CHINA PTG YUAN |Hubilie Han Hunting|Descriptive|Image Source (Pub)|Yuan Shi Zu Chu Lie Tu Zhou|Descriptive|Image Source (Pub)||||Hubilie Han Hungting|30875|Liu Guandao||painter|Liu Guandao|0||||0|||||Chinese|||Yuan|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||13|||1280|1280||Dated 1280|1280-1280|||||0||||0|||||Ink and color on silk|ink|silk (textile)|color (pigment)|||painting (image-making)|||||182.9 × 104.1 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Figures (representations) ; Hunting ; Camels ; Deserts ; Horses ; Dogs ; Men (male humans) ; Women ; |Figures (representations)|Hunting|Camels|Deserts|Horses|Dogs|Men (male humans)|Women||Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|YUAN|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Hubilie Han Hunting;Yuan Shi Zu Chu Lie Tu Zhou|Liu Guandao 4917.00|0|Creator|15|CHINA|POT|NEOLITHIC||CHINA POT NEOLITHIC |Pottery Vessel|Translated|Cataloger|Ban po yi zhi zhui ci wen tao guan|Descriptive|Image Source (Pub)||||Banpo Archaeological Site. Pottery Vessel|0|||||0||||0|||||Chinese|||Neolithic|||Asia||China||||||0||||0||||0||||0|Ceramics|Ceramic|Pottery||BCE|-40|||3600|3600|ca|ca 3600 BCE|ca 3600 BCE||Banpo Archaeological Site|LargerEntity||4883||||0|||||Ceramic|ceramic|||||ceramics|||||||9676|Sian: Banpo Museum|Sian: Banpo Museum||Vessels ; |Vessels|||||||||Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||POT|||CHINA||||| ||||||||Work|0||||||||||||0|0|Pottery Vessel;Ban po yi zhi zhui ci wen tao guan| 4918.00|0|Creator|15|CHINA|PTG|YUAN||CHINA PTG YUAN |Auspicious Grain|Descriptive|Image Source (Pub)|Jia He Tu Zhou|Descriptive|Image Source (Pub)||||Auspicious Grain|0|||||0||||0|||||Chinese|||Yuan|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||14||||||14th century||||||0||||0|||||Ink and color on paper|ink|paper (fiber product)|color (pigment)|||painting (image-making)|||||190.2 × 67.9 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Grain bins ; Rivers ; Seals ; |Grain bins|Rivers|Seals|||||||Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|YUAN|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Auspicious Grain;Jia He Tu Zhou| 4919.00|0|Creator|15|CHINA|PTG|YUAN||CHINA PTG YUAN |Old Tree, Bamboo, And Rock|Descriptive|Image Source (Pub)|Ke Mu Zhu Shi Zhou|Descriptive|Image Source (Pub)||||Old Tree, Bamboo, And Rock|30876|Zhao Mengfu||painter|Zhao Mengfu|0||||0|||||Chinese|||Yuan|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||13|14|||||||||||0||||0|||||Ink on silk|ink|silk (textile)||||painting (image-making)|||||99.4 × 48.2 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Trees ; Rock ; Inscriptions ; Seals ; Plants (vegetation) ; |Trees|Rock|Inscriptions|Seals|Plants (vegetation)|||||Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|YUAN|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Old Tree, Bamboo, And Rock;Ke Mu Zhu Shi Zhou|Zhao Mengfu 4920.00|0|Creator|15|CHINA|CALL|YUAN||CHINA CALL YUAN |Two Odes On The Red Cliff|Descriptive|Image Source (Pub)|Chi Bi Er Fu Ce|Descriptive|Image Source (Pub)||Descriptive|Image Source (Pub)|Two Odes On The Red Cliff|30876|Zhao Mengfu||painter|Zhao Mengfu|0||||0|||||Chinese|||Yuan|||Asia||China||||||0||||0||||0||||0|Calligraphy|Calligraphy||||14|||1301|1301||Dated 1301|1301|||||0||||0|||||Ink on paper|ink|paper (fiber product)||||calligraphy|||||27.2 × 11.1 cm (each leaf)||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Calligraphy ; Seals ; |Calligraphy|Seals||||||||Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||CALL|||CHINA|YUAN|||| ||||||||Work|0||3 leaves from an album of1painting and 21 leaves of calligraphy.||||||||||0|0|Two Odes On The Red Cliff;Chi Bi Er Fu Ce|Zhao Mengfu 4921.00|0|Creator|15|CHINA|POT|NEOLITHIC||||Translated|Cataloger|Ban po yi zhi kuan dai wen bo|Descriptive|Image Source (Pub)||||Banpo Archaeological Site. Pottery Bowl|0|||||0||||0|||||Chinese|||Neolithic|||Asia||China||||||0||||0||||0||||0|Ceramics|Ceramic|Pottery||BCE|-40|||3600|3600|ca|ca 3600 BCE|ca 3600 BCE||Banpo Archaeological Site|LargerEntity||4883||||0|||||Ceramic|ceramic|||||ceramics|||||||9676|Sian: Banpo Museum|Sian: Banpo Museum||Vessels ; |Vessels|||||||||Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||POT|||CHINA||||| ||||||||Work|0||||||||||||0|0|Pottery Bowl;Ban po yi zhi kuan dai wen bo| 4922.00|0|Creator|15|CHINA|PTG|YUAN||CHINA PTG YUAN |Landscape With Figures|Descriptive|Image Source (Pub)|Shan Shui Ren Wu Zhou|Descriptive|Image Source (Pub)||||Landscape With Figures|30866|Ma Yuan|formerly attributed|painter|Formerly attributed Ma Yuan|0||||0|||||Chinese|||Yuan|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||14||||||14th century||||||0||||0|||||Ink and color on paper|ink|silk (textile)|color (pigment)|||painting (image-making)|||||77.1 × 126.4 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Landscapes ; Figures (representations) ; Pine ; Clouds ; Mountains ; Seals ; Sun ; |Landscapes|Figures (representations)|Pine|Clouds|Mountains|Seals|Sun|||Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|YUAN|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Landscape With Figures;Shan Shui Ren Wu Zhou|Ma Yuan 4923.00|0|Creator|15|CHINA|PTG|YUAN||CHINA PTG YUAN |Peace In The Four Seasons|Descriptive|Image Source (Pub)|Si Ji Ping An Tu Zhou|Descriptive|Image Source (Pub)||||Peace In The Four Seasons|30877|Li Kan||painter|Li Kan|0||||0|||||Chinese|||Yuan|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||14|||1310|1319||1310s|1310-1319|||||0||||0|||||Ink on silk|ink|silk (textile)||||painting (image-making)|||||131.4 × 51.1 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Bamboo ; Stone ; Inscriptions ; Seals ; |Bamboo|Stone|Inscriptions|Seals||||||Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|YUAN|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Peace In The Four Seasons;Si Ji Ping An Tu Zhou|Li Kan 4924.00|0|Creator|15|CHINA|PTG|YUAN||CHINA PTG YUAN |After Guo Xi's Travelers In The Autumn Mountains|Descriptive|Image Source (Pub)|Fang Guo Xi Qiu Shan Xing Lü Zhou|Descriptive|Image Source (Pub)||||After Guo Xi's Travelers In The Autumn Mountains|30878|Tang Di||painter|Tang Di|0||||0|||||Chinese|||Yuan|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||13|14|||||||||||0||||0|||||Ink and color on silk|ink|silk (textile)|color (pigment)|||painting (image-making)|||||151.9 × 103.7 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Rivers ; Mountains ; Trees ; Figures (representations) ; Spring ; Architects ; Boats ; Donkeys ; Bridges (built works)|Rivers|Mountains|Trees|Figures (representations)|Spring|Architects|Boats|Donkeys|Bridges (built works)|Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|YUAN|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|After Guo Xi's Travelers In The Autumn Mountains;Fang Guo Xi Qiu Shan Xing Lü Zhou|Tang Di 4925.00|0|Creator|15|CHINA|PTG|YUAN||CHINA PTG YUAN |Hawk Chasing A Thrush|Descriptive|Image Source (Pub)|Ying Zhu Hua Mei Zhou|Descriptive|Image Source (Pub)||||Hawk Chasing A Thrush|30879|Wang Yuan||painter|Wang Yuan|0||||0|||||Chinese|||Yuan|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||14|||1327|1329||Late 1330s|1327-1329|||||0||||0|||||Ink and color on silk|ink|silk (textile)|color (pigment)|||painting (image-making)|||||117.2 × 53.3 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Hawks ; Birds ; Stone ; Trees ; Flowers ; Grasses (plants) ; Inscriptions ; Seals ; |Hawks|Birds|Stone|Trees|Flowers|Grasses (plants)|Inscriptions|Seals||Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|YUAN|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Hawk Chasing A Thrush;Ying Zhu Hua Mei Zhou|Wang Yuan 4926.00|0|Creator|15|CHINA|PTG|YUAN||CHINA PTG YUAN |Han Place|Descriptive|Image Source (Pub)|Han Yuan Tu Zhou|Descriptive|Image Source (Pub)||||Han Place|30880|Li Rongjin||painter|Li Rongjin|0||||0|||||Chinese|||Yuan|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||14||||||Mid-14th century||||||0||||0|||||Ink on silk|ink|silk (textile)||||painting (image-making)|||||156.6 × 108.7 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Palaces ; Architects ; Mountains ; Rivers ; Trees ; Figures (representations) ; Clouds ; |Palaces|Architects|Mountains|Rivers|Trees|Figures (representations)|Clouds|||Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|YUAN|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Han Place;Han Yuan Tu Zhou|Li Rongjin 4927.00|0|Creator|15|CHINA|PTG|YUAN||CHINA PTG YUAN |Manual Of Ink-Bamboo|Descriptive|Image Source (Pub)|Mo Zhu Pu Ce|Descriptive|Image Source (Pub)||||Manual Of Ink-Bamboo|30881|Wu Zhen||painter|Wu Zhen|0||||0|||||Chinese|||Yuan|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Album|||14|||1350|1350||Dated 1350|1350|||||||||0|||||Ink on paper|ink|paper (fiber product)||||painting (image-making)|||||41.3 × 52 cm (each leaf)||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Bamboo ; Inscriptions ; Seals ; Snow ; Grasses (plants) ; Rock ; |Bamboo|Inscriptions|Seals|Snow|Grasses (plants)|Rock||||Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|YUAN|||| ||||||||Work|0||5 leaves from an album of 20 paintings and 2 leaves of calligraphy.||||||||||0|0|Manual Of Ink-Bamboo;Mo Zhu Pu Ce|Wu Zhen 4928.00|0|Creator|15|CHINA|POT|NEOLITHIC||CHINA POT NEOLITHIC |Pottery Vessel (Ding) In Shape of Hawk|Translated|Cataloger|Ban po yi zhi ying ding|Descriptive|Image Source (Pub)||||Banpo Archaeological Site. Pottery Vessel (Ding) In Shape of Hawk|0|||||0||||0|||||Chinese|||Neolithic|||Asia||China||||||0||||0||||0||||0|Ceramics|Ceramic|Pottery|Vessel|BCE|-40|||3600|3600|ca|ca 3600 BCE|ca 3600 BCE||Banpo Archaeological Site|LargerEntity||4883||||0|||||Ceramic|ceramic|||||ceramics|||||||9676|Sian: Banpo Museum|Sian: Banpo Museum||Vessels ; Hawks ; |Vessels|Hawks||||||||Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||POT|||CHINA||||| ||||||||Work|0||||||||||||0|0|Pottery Vessel (Ding) In Shape of Hawk;Ban po yi zhi ying ding| 4929.00|0|Creator|15|CHINA|POT|NEOLITHIC||CHINA POT NEOLITHIC |Pottery Drawing Equipment|Translated|Cataloger|Ban po yi zhi cai tao wen hua hui hua gong ju|Descriptive|Image Source (Pub)||||Banpo Archaeological Site. Pottery Drawing Equipment|0|||||0||||0|||||Chinese|||Neolithic|||Asia||China||||||0||||0||||0||||0|Ceramics|Drafting, drawing and writing equipment|Ceramic|Pottery|BCE|-40|||3600|3600|ca|ca 3600 BCE|ca 3600 BCE||Banpo Archaeological Site|LargerEntity||4883||||0|||||Ceramic|ceramic|||||carving|||||||9676|Sian: Banpo Museum|Sian: Banpo Museum||Tools ; |Tools|||||||||Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||POT|||CHINA||||| ||||||||Work|0||||||||||||0|0|Pottery Drawing Equipment;Ban po yi zhi cai tao wen hua hui hua gong ju| 4930.00|0|Creator|15|CHINA|PTG|YUAN||CHINA PTG YUAN |Empty Pavilion In A Pine Grove|Descriptive|Image Source (Pub)|Song Lin Ting Zi Zhou|Descriptive|Image Source (Pub)||||Empty Pavilion In A Pine Grove|30882|Ni Zan||painter|Ni Zan|0||||0|||||Chinese|||Yuan|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||14|||1354|1354||Dated 1354|1354|||||0||||0|||||Ink on silk|ink|silk (textile)||||painting (image-making)|||||83.4 × 52.9 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Landscapes ; Trees ; Rivers ; Mountains ; Rock ; Grasses (plants) ; Houses ; Inscriptions ; Seals|Landscapes|Trees|Rivers|Mountains|Rock|Grasses (plants)|Houses|Inscriptions|Seals|Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|YUAN|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Empty Pavilion In A Pine Grove;Song Lin Ting Zi Zhou|Ni Zan 4931.00|0|Creator|15|CHINA|POT|NEOLITHIC||CHINA POT NEOLITHIC |Pottery Pots with Covers|Translated|Cataloger|Ban po yi zhi dai gai guan|Descriptive|Image Source (Pub)||||Banpo Archaeological Site. Pottery Pots with Covers|0|||||0||||0|||||Chinese|||Neolithic|||Asia||China||||||0||||0||||0||||0|Ceramics|Ceramic|Pottery||BCE|-40|||3600|3600|ca|ca 3600 BCE|ca 3600 BCE||Banpo Archaeological Site|LargerEntity||4883||||0|||||Ceramic|ceramic|||||ceramics|||||||9676|Sian: Banpo Museum|Sian: Banpo Museum||Vessels ; |Vessels|||||||||Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||POT|||CHINA||||| ||||||||Work|0||||||||||||0|0|Pottery Pots with Covers;Ban po yi zhi dai gai guan| 4932.00|0|Creator|15|CHINA|PTG|YUAN||CHINA PTG YUAN |Rongqi Studio|Descriptive|Image Source (Pub)|Rongqi Zhai Tu Zhou|Descriptive|Image Source (Pub)||||Rongqi Studio|30882|Ni Zan||painter|Ni Zan|0||||0|||||Chinese|||Yuan|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||14|||1372|1372||Dated 1372|1372|||||0||||0|||||Ink on paper|ink|paper (fiber product)||||painting (image-making)|||||74.7 × 35.5 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Studios (Work Spaces) ; Architects ; Trees ; Mountains ; Rivers ; Rock ; |Studios (Work Spaces)|Architects|Trees|Mountains|Rivers|Rock||||Cornell||BZ|BZ|6/23/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|YUAN|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Rongqi Studio;Rongqi Zhai Tu Zhou|Ni Zan 4933.00|0|Creator|15|CHINA|PTG|YUAN||CHINA PTG YUAN |Hermit-Fisherman Of Huaxi|Descriptive|Image Source (Pub)|Huaxi Yu Yin Zhou|Descriptive|Image Source (Pub)||||Hermit-Fisherman Of Huaxi|30883|Wang Meng||painter|Wang Meng|0||||0|||||Chinese|||Yuan|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||14|||1360|1360|ca|ca. 1360|ca. 1360|||||0||||0|||||Ink and light color on paper|ink|paper (fiber product)|color (pigment)|||painting (image-making)|||||129 × 58.3 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Hermits ; Fishermen ; Mountains ; Trees ; Rivers ; Boats ; Architects ; Figures (representations) ; Inscriptions|Hermits|Fishermen|Mountains|Trees|Rivers|Boats|Architects|Figures (representations)|Inscriptions|Cornell||BZ|BZ|6/23/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|YUAN|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Hermit-Fisherman Of Huaxi;Huaxi Yu Yin Zhou|Wang Meng 4934.00|0|Creator|15|CHINA|PTG|YUAN||CHINA PTG YUAN |Forest Chamber Grotto At Jüqü|Descriptive|Image Source (Pub)|Jüqü Lin Wu Zhou|Descriptive|Image Source (Pub)||||Forest Chamber Grotto At Jüqü|30883|Wang Meng||painter|Wang Meng|0||||0|||||Chinese|||Yuan|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||14|||1368|1368|aft|After 1368|After 1368|||||0||||0|||||Ink and color on paper|ink|paper (fiber product)|color (pigment)|||painting (image-making)|||||68.7 × 42.5 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Forests ; Grottoes ; Figures (representations) ; Mountains ; Rivers ; Boats ; Furniture ; Inscriptions ; |Forests|Grottoes|Figures (representations)|Mountains|Rivers|Boats|Furniture|Inscriptions||Cornell||BZ|BZ|6/23/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|YUAN|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Forest Chamber Grotto At Jüqü;Jüqü Lin Wu Zhou|Wang Meng 4935.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Gibbons At Play|Descriptive|Image Source (Pub)|Xi Yuan Tu Zhou|Descriptive|Image Source (Pub)||||Gibbons At Play|30884|Xuan Zong||painter|Xuan Zong|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||15|||1427|1427||Dated 1427|1427|||||0||||0|||||Ink and color on paper|ink|paper (fiber product)|color (pigment)|||painting (image-making)|||||162.3 × 127.7 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Animals ; Trees ; bamboo ; Rivers ; Rock ; Inscriptions ; Seals ; Monkeys ; |Animals|Trees|bamboo|Rivers|Rock|Inscriptions|Seals|Monkeys||Cornell||BZ|BZ|6/23/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Gibbons At Play;Xi Yuan Tu Zhou|Xuan Zong 4936.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Three Friends Of Winter And One Hundred Birds|Descriptive|Image Source (Pub)|San You Bai Qin Tu Zhou|Descriptive|Image Source (Pub)||||Three Friends Of Winter And One Hundred Birds|30885|Bian Wenjin||painter|Bian Wenjin|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||15|||1413|1413||Dated 1413|1413|||||||||0|||||Ink and color on silk|ink|silk (textile)|color (pigment)|||painting (image-making)|||||151.3 × 78.1 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Birds ; Pine ; Peaches ; Bamboo ; Stone ; |Birds|Pine|Peaches|Bamboo|Stone|||||Cornell||BZ|BZ|6/23/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Three Friends Of Winter And One Hundred Birds;San You Bai Qin Tu Zhou|Bian Wenjin 4941.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Catching Fish|Descriptive|Image Source (Pub)|Pu Yu Tu Zhou|Descriptive|Image Source (Pub)||||Catching Fish|30889|Ni Duan||painter|Ni Duan|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||15||||||||||||0||||0|||||Ink and color on silk|ink|silk (textile)|color (pigment)|||painting (image-making)|||||117.8 × 42.3 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Fishermen ; Plants (vegetation) ; Stone ; Rivers ; Fish ; Inscriptions ; Seals ; Bamboo ; |Fishermen|Plants (vegetation)|Stone|Rivers|Fish|Inscriptions|Seals|Bamboo||Cornell||BZ|BZ|6/23/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Catching Fish;Pu Yu Tu Zhou|Ni Duan 4942.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Mountain Villa And Lofty Recluse|Descriptive|Image Source (Pub)|Shan Zhuang Gao Yi Zhou|Descriptive|Image Source (Pub)||||Mountain Villa And Lofty Recluse|30890|Li Zai||painter|Li Zai. Formerly atttibuted to Guo Xi.|31162|Guo Xi|formerly attributed|painter|0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||15||||||||||||0||||0|||||Ink on silk|ink|silk (textile)||||painting (image-making)|||||188.8 × 109.1 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Mountains ; Forests ; Villas ; Bridges (built works) ; Architects ; Figures (representations) ; Animals ; Rivers ; Boats|Mountains|Forests|Villas|Bridges (built works)|Architects|Figures (representations)|Animals|Rivers|Boats|Cornell||BZ|BZ|6/23/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Mountain Villa And Lofty Recluse;Shan Zhuang Gao Yi Zhou|Li Zai;Guo Xi 4943.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Village Dwelling In Spring Mountains|Descriptive|Image Source (Pub)|Chun Wu Cun Jü Tu Zhou|Descriptive|Image Source (Pub)||||Village Dwelling In Spring Mountains|30891|Ma Shi||painter|Ma Shi|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||15||||||Mid-15th century||||||0||||0|||||Ink and color on silk|ink|silk (textile)|color (pigment)|||painting (image-making)|||||178.6 × 112.1 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Mountains ; Trees ; Rock ; Architects ; Figures (representations) ; Clouds ; Spring ; Rivers ; Forests|Mountains|Trees|Rock|Architects|Figures (representations)|Clouds|Spring|Rivers|Forests|Cornell||BZ|BZ|6/23/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Village Dwelling In Spring Mountains;Chun Wu Cun Jü Tu Zhou|Ma Shi 4944.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Returning Late From A Spring Outing|Descriptive|Image Source (Pub)|Chun You Wan Gui Zhou|Descriptive|Image Source (Pub)||||Returning Late From A Spring Outing|30892|Dai Jin||painter|Dai Jin|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||14|15|||||||||||0||||0|||||Ink and color on silk|ink|silk (textile)|color (pigment)|||painting (image-making)|||||167.9 × 83.1 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Mountains ; Pine ; Forests ; Architects ; Bridges (built works) ; Figures (representations) ; Rivers ; Houses ; Farms|Mountains|Pine|Forests|Architects|Bridges (built works)|Figures (representations)|Rivers|Houses|Farms|Cornell||BZ|CLL|8/1/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Returning Late From A Spring Outing;Chun You Wan Gui Zhou|Dai Jin 4945.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Five Deers Among Tall Pines|Descriptive|Image Source (Pub)|Chang Song Wu Lu Zhou|Descriptive|Image Source (Pub)||||Five Deers Among Tall Pines|30892|Dai Jin||painter|Dai Jin|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||14|15|||||||||||0||||0|||||Ink and color on silk|ink|silk (textile)|color (pigment)|||painting (image-making)|||||142.5 × 72.4 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Deer ; Pine ; Mountains ; Clouds ; Inscriptions ; Seals ; |Deer|Pine|Mountains|Clouds|Inscriptions|Seals||||Cornell||BZ|CLL|8/1/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Five Deers Among Tall Pines;Chang Song Wu Lu Zhou|Dai Jin 4946.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Crossing A Bridge|Descriptive|Image Source (Pub)|Xi Qiao Ce Jian Zhou|Descriptive|Image Source (Pub)||||Crossing A Bridge|30892|Dai Jin||painter|Dai Jin|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||14|15|||||||||||0||||0|||||Ink and color on silk|ink|silk (textile)|color (pigment)|||painting (image-making)|||||137.5 × 63.1 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Bridges (built works) ; Spring ; Rivers ; Pine ; Trees ; Mountains ; Boats ; Figures (representations) ; Architects|Bridges (built works)|Spring|Rivers|Pine|Trees|Mountains|Boats|Figures (representations)|Architects|Cornell||BZ|CLL|8/1/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Crossing A Bridge;Xi Qiao Ce Jian Zhou|Dai Jin 4947.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Visiting Dai on A Snowy Night|Descriptive|Image Source (Pub)|Xue Ye Fang Dai Zhou|Descriptive|Image Source (Pub)||||Visiting Dai on A Snowy Night|30894|Zhou Wenjing||painter|Zhou Wenjing|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||15||||||||||||0||||0|||||Ink and light color on silk|ink|silk (textile)|color (pigment)|||painting (image-making)|||||161.5 × 93.9 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Mountains ; Trees ; Rivers ; Boats ; Figures (representations) ; Rock ; Clouds ; Fishermen ; Inscriptions|Mountains|Trees|Rivers|Boats|Figures (representations)|Rock|Clouds|Fishermen|Inscriptions|Cornell||BZ|BZ|6/26/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Visiting Dai on A Snowy Night;Xue Ye Fang Dai Zhou|Zhou Wenjing 4948.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Autumn Hawk|Descriptive|Image Source (Pub)|Qiu Ying Tu Zhou|Descriptive|Image Source (Pub)||||Autumn Hawk|30895|Lin Liang||painter|Lin Liang|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||15||||||||||||0||||0|||||Ink and color on silk|ink|silk (textile)|color (pigment)|||painting (image-making)|||||136.8 × 74.8 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Hawks ; Trees ; Inscriptions ; Seals ; |Hawks|Trees|Inscriptions|Seals||||||Cornell||BZ|BZ|6/26/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Autumn Hawk;Qiu Ying Tu Zhou|Lin Liang 4949.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Egrets And Hibiscus|Descriptive|Image Source (Pub)|Qiu Lu Fu Rong Tu Zhou|Descriptive|Image Source (Pub)||||Egrets And Hibiscus|30896|Lü Ji||painter|Lü Ji|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||15||||||||||||0||||0|||||Ink and color on silk|ink|silk (textile)|color (pigment)|||painting (image-making)|||||192.6 × 111.9 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Birds ; Flowers ; Trees ; Rivers ; Rock ; Wind ; Grasses (plants) ; Seals ; Lotus|Birds|Flowers|Trees|Rivers|Rock|Wind|Grasses (plants)|Seals|Lotus|Cornell||BZ|BZ|6/26/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Egrets And Hibiscus;Qiu Lu Fu Rong Tu Zhou|Lü Ji 4950.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Pheasant In Snow|Descriptive|Image Source (Pub)|Han Xue Shan Ji Tu Zhou|Descriptive|Image Source (Pub)||||Pheasant In Snow|30896|Lü Ji||painter|Lü Ji|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||15|16|||||||||||0||||0|||||Ink on paper|ink|paper (fiber product)||||painting (image-making)|||||135.3 × 47.2 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Birds ; Trees ; Snow ; Rock ; Grasses (plants) ; Seals ; Inscriptions ; |Birds|Trees|Snow|Rock|Grasses (plants)|Seals|Inscriptions|||Cornell||BZ|BZ|6/26/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Pheasant In Snow;Han Xue Shan Ji Tu Zhou|Lü Ji 4951.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Layers Of Snow In Cold Mountains|Descriptive|Image Source (Pub)|Han Shan Ji Xue Zhou|Descriptive|Image Source (Pub)||||Layers Of Snow In Cold Mountains|30897|Wu Wei||painter|Wu Wei|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||15||||||||||||0||||0|||||Ink on silk|ink|silk (textile)||||painting (image-making)|||||242.6 × 156.4 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Mountains ; Trees ; Spring ; Figures (representations) ; Bridges (built works) ; Snow ; Rivers ; Rock ; Clouds|Mountains|Trees|Spring|Figures (representations)|Bridges (built works)|Snow|Rivers|Rock|Clouds|Cornell||BZ|BZ|6/26/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Layers Of Snow In Cold Mountains;Han Shan Ji Xue Zhou|Wu Wei 5003.00|0|Culture|15|CHINA|CALL|MING||CHINA CALL MING |Zhou Dunyi's "Treatise On Understanding"|Descriptive|Image Source (Pub)|Shu Zhou Zi Tong Shu Zhou|Descriptive|Image Source (Pub)||||Zhou Dunyi's "Treatise On Understanding"|30918|Dong Qichang||painter|Dong Qichang|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Calligraphy|Calligraphy||||17|||1625|1625|ca|ca. 1625|ca. 1625|||||0||||0|||||Ink on paper|ink|paper (fiber product)||||painting (image-making)|||||189.4 × 154.5 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Calligraphy ; Seals ; |Calligraphy|Seals||||||||Cornell||BZ|BZ|6/29/2006 0:00:00|9/30/2005 0:00:00||||0|||||||CALL|||CHINA|MING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Zhou Dunyi's "Treatise On Understanding";Shu Zhou Zi Tong Shu Zhou|Dong Qichang 5004.00|0|Creator|15|CHINA|CALL|MING||CHINA CALL MING |Eulogy On The Biography Of Ni Kuan|Descriptive|Image Source (Pub)||Descriptive|Image Source (Pub)||||Eulogy on the Biography of Ni Kuan|30918|Dong Qichang||painter|Dong Qichang|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Calligraphy|Calligraphy||||17|||1615|1615|ca|1615|ca. 1615|||||0||||0|||||Ink on silk|ink|silk (textile)||||painting (image-making)|||||36.8 × 1588 cm||9587|Beijing: Palace Museum|Beijing: Palace Museum||Calligraphy ; |Calligraphy|||||||||Cornell||BZ|BZ|6/29/2006 0:00:00|9/30/2005 0:00:00||||0|||||||CALL|||CHINA|MING|||| ||||||||Work|0||Handscroll.||||||||||0|0|Eulogy On The Biography Of Ni Kuan|Dong Qichang 5005.00|0|Culture|15|CHINA|PTG|MING||CHINA PTG MING |In The Shade Of Summer Trees|Descriptive|Image Source (Pub)|Xia Mu Chui Yin Zhou|Descriptive|Image Source (Pub)||||In The Shade Of Summer Trees|30918|Dong Qichang||painter|Dong Qichang|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||17|||1635|1635|ca|ca. 1635|ca. 1635|||||0||||0|||||Ink on paper|ink|paper (fiber product)||||painting (image-making)|||||321.9 x 102.3 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Mountains ; Forests ; Clouds ; Architects ; Rock ; Rivers ; Inscriptions ; Seals ; Landscapes|Mountains|Forests|Clouds|Architects|Rock|Rivers|Inscriptions|Seals|Landscapes|Cornell||BZ|BZ|6/29/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|In The Shade Of Summer Trees;Xia Mu Chui Yin Zhou|Dong Qichang 5006.00|0|Culture|15|CHINA|PTG|MING||CHINA PTG MING |To See Large Within Small|Descriptive|Image Source (Pub)|Xiao Zhong Jian Da|Descriptive|Image Source (Pub)|Fang Song Yuan Ren Suo Ben Hua Ji Ba Ce|Original|Image Source (Pub)|To See Large Within Small|30919|Chen Lian||painter|Chen Lian, formerly attributed to Dong Qichang|30918|Dong Qichang|formerly attributed|painter|0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|Landscape (representation)||17||||||||||||0||||0|||||Ink and color on silk|ink|silk (textile)|color (pigment)|||painting (image-making)|||||70.2 × 40.2 cm (each leaf)||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Mountains ; Pine ; Trees ; Rivers ; Bridges (built works) ; Architects ; Snow ; Landscapes ; |Mountains|Pine|Trees|Rivers|Bridges (built works)|Architects|Snow|Landscapes||Cornell||BZ|BZ|6/29/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||4 leaves from an album of 22 paintings with facing pages inscribed by Tong Qichang (1555-1636).||||||||||0|0|To See Large Within Small;Xiao Zhong Jian Da;Fang Song Yuan Ren Suo Ben Hua Ji Ba Ce|Chen Lian;Dong Qichang 5007.00|0|Culture|15|CHINA|SC|TANG||CHINA SC TANG |Painted Woman in Bosnian Clothing|Translated|Cataloger|Cai hui hu zhuang yong|Descriptive|Image Source (Pub)||||Painted Woman in Bosnian Clothing|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0||||0|Sculpture|Sculpture|Ceramic|Figure (representation)||7|8|9|618|906||618-906|618-906|||||0||||0|||||ceramic|Ceramic|||||sculpture|carving|ceramics|||||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Figures (representations) ; Sculpture (visual work) ; Women ; |Figures (representations)|Sculpture (visual work)|Women|||||||Cornell||BZ|MNW|4/24/2006 0:00:00|9/30/2005 0:00:00||||0|||||||SC|||CHINA||||| ||||||||Work|0||||||||||||0|0|Painted Woman in Bosnian Clothing;Cai hui hu zhuang yong| 5008.00|0|Culture|15|CHINA|SC|TANG||CHINA SC TANG |Painted Figure Riding on a Horse|Translated|Cataloger|Cai hui qi ma nü yong|Descriptive|Image Source (Pub)||||Painted Figure Riding on a Horse|0|||||0||formerly attributed|painter|0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0||||0|Sculpture|Sculpture|Figure (representation)|Ceramic||7|8|9|618|906||618-906|618-906|||||0||||0|||||Ceramic|ceramic|||||sculpture|ceramics|carving|||||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Figures (representations) ; Horses ; Animals ; Sculpture (visual work) ; |Figures (representations)|Horses|Animals|Sculpture (visual work)||||||Cornell||BZ|MNW|4/24/2006 0:00:00|9/30/2005 0:00:00||||0|||||||SC|||CHINA||||| ||||||||Work|0||||||||||||0|0|Painted Figure Riding on a Horse;Cai hui qi ma nü yong| 5009.00|0|Culture|15|CHINA|MTL|TANG||CHINA MTL TANG |Bronze Mirror with Aquatic Animal and Grape Relief|Translated|Cataloger|Hai shou pu tao jing|Descriptive|Image Source (Pub)||||Bronze Mirror with Aquatic Animal and Grape Relief|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0||||0|Metalwork|Mirror||||7|8|9|618|906||618-906|618-906|||||0||||0|||||Bronze|bronze|||||metalworking|carving|bronzing|||||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Mirrors ; Animals ; Grapes ; |Mirrors|Animals|Grapes|||||||Cornell||BZ|MNW|4/24/2006 0:00:00|9/30/2005 0:00:00||||0|||||||MTL|||CHINA||||| ||||||||Work|0||||||||||||0|0|Bronze Mirror with Aquatic Animal and Grape Relief;Hai shou pu tao jing| 4952.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Crossing A Bridge To Visit A Friend|Descriptive|Image Source (Pub)|Xi Qiao Fang You Zhou|Descriptive|Image Source (Pub)||||Crossing A Bridge To Visit A Friend|30898|Wang E||painter|Wang E|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||15|16|||||||||||0||||0|||||Ink and color on silk|ink|silk (textile)|color (pigment)|||painting (image-making)|||||172 × 105.8 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Mountains ; Pine ; Trees ; Figures (representations) ; Architects ; Bridges (built works) ; Clouds ; Donkeys ; Rivers|Mountains|Pine|Trees|Figures (representations)|Architects|Bridges (built works)|Clouds|Donkeys|Rivers|Cornell||BZ|BZ|6/26/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Crossing A Bridge To Visit A Friend;Xi Qiao Fang You Zhou|Wang E 4953.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Perfected Man Of The Northern Sea|Descriptive|Image Source (Pub)|Bei Hai Zhen Ren Xiang Zhou|Descriptive|Image Source (Pub)||||Perfected Man Of The Northern Sea|30897|Wu Wei||painter|Wu Wei|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||15||||||||||||0||||0|||||Ink and color on silk|ink|silk (textile)|color (pigment)|||painting (image-making)|||||158.4 × 93.2 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Figures (representations) ; Animals ; Seas ; Plants (vegetation) ; Turtles ; Inscriptions ; Seals ; |Figures (representations)|Animals|Seas|Plants (vegetation)|Turtles|Inscriptions|Seals|||Cornell||BZ|BZ|6/26/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Perfected Man Of The Northern Sea;Bei Hai Zhen Ren Xiang Zhou|Wu Wei 4954.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Laozi Riding An Ox|Descriptive|Image Source (Pub)|Laozi Qi Niu Zhou|Descriptive|Image Source (Pub)||||Laozi Riding An Ox|30899|Zhang Lu||painter|Zhang Lu|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||15|16|||||||||||0||||0|||||Ink and light color on paper|ink|paper (fiber product)|color (pigment)|||painting (image-making)|||||101.5 × 55.3 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Figures (representations) ; Oxen ; Books ; Inscriptions ; Seals ; |Figures (representations)|Oxen|Books|Inscriptions|Seals|||||Cornell||BZ|BZ|6/26/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Laozi Riding An Ox;Laozi Qi Niu Zhou|Zhang Lu 4955.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Enjoying Antiquities|Descriptive|Image Source (Pub)|Wan Gu Tu Zhou|Descriptive|Image Source (Pub)||||Enjoying Antiquities|30900|Du Jin||painter|Du Jin|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||15||||||||||||0||||0|||||Ink and color on silk|ink|silk (textile)|color (pigment)|||painting (image-making)|||||126.1 × 187 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Figures (representations) ; Trees ; Stone ; Tables (support furniture) ; Architects ; Furniture ; Musical instruments ; Chairs ; Flowers|Figures (representations)|Trees|Stone|Tables (support furniture)|Architects|Furniture|Musical instruments|Chairs|Flowers|Cornell||BZ|BZ|6/26/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Enjoying Antiquities;Wan Gu Tu Zhou|Du Jin 4956.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Literary Gathering At A Mountain Pavillion|Descriptive|Image Source (Pub)|Shan Ting Wen Hui Tu Zhou|Descriptive|Image Source (Pub)||||Literary Gathering At A Mountain Pavillion|30901|Wang Fu||painter|Wang Fu|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||15|||1404|1404||Dated 1404|1404|||||0||||0|||||Ink and light color on paper|ink|paper (fiber product)|color (pigment)|||painting (image-making)|||||129.5 × 51.4 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Mountains ; Architects ; Rock ; Forests ; Figures (representations) ; Spring ; Clouds ; Rivers ; Boats|Mountains|Architects|Rock|Forests|Figures (representations)|Spring|Clouds|Rivers|Boats|Cornell||BZ|BZ|6/26/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Literary Gathering At A Mountain Pavillion;Shan Ting Wen Hui Tu Zhou|Wang Fu 4957.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Lofty Mount Lu|Descriptive|Image Source (Pub)|Lu Shan Gao Tu Zhou|Descriptive|Image Source (Pub)||||Lofty Mount Lu|30902|Shen Zhou||painter|Shen Zhou|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||15|||1467|1467||Dated 1467|1467|||||0||||0|||||Ink and color on paper|ink|paper (fiber product)|color (pigment)|||painting (image-making)|||||193.8 × 98.1 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Mountains ; Forests ; Spring ; Bridges (built works) ; Pine ; Figures (representations) ; Rivers ; Grasses (plants) ; Rock|Mountains|Forests|Spring|Bridges (built works)|Pine|Figures (representations)|Rivers|Grasses (plants)|Rock|Cornell||BZ|BZ|6/26/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Lofty Mount Lu;Lu Shan Gao Tu Zhou|Shen Zhou 4958.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Walking With A Staff|Descriptive|Image Source (Pub)|Ce Zhang Tu Zhou|Descriptive|Image Source (Pub)||||Walking With A Staff|30902|Shen Zhou||painter|Shen Zhou|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||15|||1485|1485|ca|ca. 1485|ca. 1485|||||0||||0|||||Ink on paper|ink|paper (fiber product)||||painting (image-making)|||||159.1 × 72.2 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Staffs ; Figures (representations) ; Mountains ; Trees ; Rivers ; Bridges (built works) ; Rock ; Inscriptions ; Seals|Staffs|Figures (representations)|Mountains|Trees|Rivers|Bridges (built works)|Rock|Inscriptions|Seals|Cornell||BZ|BZ|6/26/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Walking With A Staff;Ce Zhang Tu Zhou|Shen Zhou 4959.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Night Vigil|Descriptive|Image Source (Pub)|Ye Zuo Tu Zhou|Descriptive|Image Source (Pub)||||Night Vigil|30902|Shen Zhou||painter|Shen Zhou|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||15|||1492|1492||Dated 1492|1492|||||0||||0|||||Ink and color on paper|ink|paper (fiber product)|color (pigment)|||painting (image-making)|||||84.8 × 21.8 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Mountains ; Pine ; Architects ; Rivers ; Bridges (built works) ; Forests ; Clouds ; Figures (representations) ; Rock|Mountains|Pine|Architects|Rivers|Bridges (built works)|Forests|Clouds|Figures (representations)|Rock|Cornell||BZ|BZ|6/26/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Night Vigil;Ye Zuo Tu Zhou|Shen Zhou 4960.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Drawings From Life|Descriptive|Image Source (Pub)|Xie Sheng Ce|Descriptive|Image Source (Pub)||||Drawings From Life|30902|Shen Zhou||painter|Shen Zhou|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||15|||1494|1494||Dated 1494|1494|||||0||||0|||||Ink on paper|ink|paper (fiber product)||||painting (image-making)|||||34.7 × 55.4 cm (each leaf approx)||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Flowers ; Leaf (plant material) ; Lotus ; Chickens ; Plants (vegetation) ; Inscriptions ; Seals ; |Flowers|Leaf (plant material)|Lotus|Chickens|Plants (vegetation)|Inscriptions|Seals|||Cornell||BZ|BZ|6/26/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||3 leaves from an album of 16 paintings.||||||||||0|0|Drawings From Life;Xie Sheng Ce|Shen Zhou 4961.00|0|Architect|02|B-R1|Xianyang|7.4 Dwel||B-R1 Xianyang 7.4 Dwel |Xianyang Palace Archaeological Site|Translated|Cataloger|Xianyang gong yi zhi|Descriptive|Image Source (Pub)||||Xianyang Palace Archaeological Site|0|||||0||||0|||||Chinese|||Qin (Ch'in)|||Asia||China||||||0|Sian, China|||10572||||||||0|Architecture|Archaeological site|Palace||BCE|-4|||-350|-350|ca|ca 350 BCE|ca -350 - -350|||||0||||0||||||||||||||||||||||Palaces ; Archaeology ; |Palaces|Archaeology||||||||Cornell||BZ|MNW|5/16/2006 0:00:00|9/30/2005 0:00:00||||0||||||Dwel|B|||||R1|7.4|| ||||||||Work|0|Architecture-China|||||||||||0|0|Xianyang Palace Archaeological Site;Xianyang gong yi zhi| 4962.00|0|Architect|02|B-R1|Xianyang|7.4 Dwel||B-R1 Xianyang 7.4 Dwel |No.1 Palace Site|Translated|Cataloger|Xianyang gong yi hao yi zhi|Descriptive|Image Source (Pub)||||Xianyang Palace Archaeological Site. No.1 Palace Site|0|||||0||||0|||||Chinese|||Qin (Ch'in)|||Asia||China||||||0|Sian, China|||10572||||0||||0|Architecture|Archaeological site|Palace|House|BCE|-4|||-350|-350|ca|ca 350 BCE|ca -350- -350||Xianyang Palace Archaeological Site|LargerEntity||4961||||0||||||||||||||||||||||Archaeology ; Palaces ; Houses ; |Archaeology|Palaces|Houses|||||||Cornell||BZ|MNW|5/16/2006 0:00:00|9/30/2005 0:00:00||||0||||||Dwel|B|||||R1|7.4|| ||||||||Work|0|Architecture-China|||||||||||0|0|No.1 Palace Site;Xianyang gong yi hao yi zhi| 4963.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Watching Boys Catch Willow Flowers|Descriptive|Image Source (Pub)|Guan Kan Er Tong Zhuo Liu Hua Jü Yi Zhou|Descriptive|Image Source (Pub)||||Watching Boys Catch Willow Flowers|30903|Zhou Chen||painter|Zhou Chen|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||16|||1510|1510|ca|ca. 1510|ca. 1510|||||0||||0|||||Ink and color on silk|ink|silk (textile)|color (pigment)|||painting (image-making)|||||116.5 × 63.5 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Children (people by age group) ; Figures (representations) ; Flowers ; Architects ; Mountains ; Trees ; Clouds ; Inscriptions ; Seals|Children (people by age group)|Figures (representations)|Flowers|Architects|Mountains|Trees|Clouds|Inscriptions|Seals|Cornell||BZ|BZ|6/26/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Watching Boys Catch Willow Flowers;Guan Kan Er Tong Zhuo Liu Hua Jü Yi Zhou|Zhou Chen 4964.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING|Tao Gu Presents A Poem|Descriptive|Image Source (Pub)|Tao Gu Zeng Ci Tu Zhou|Descriptive|Image Source (Pub)||||Tao Gu Presents A Poem|30904|Tang Yin||painter|Tang Yin|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||16|||1515|1515|ca|ca. 1515|ca. 1515|||||||||0|||||Ink and color on silk|ink|silk (textile)|color (pigment)|||painting (image-making)|||||168.8 × 102.1 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Figures (representations) ; Stone ; Trees ; Candles ; Architects ; Furniture ; Musical instruments ; Beds ; Chairs|Figures (representations)|Stone|Trees|Candles|Architects|Furniture|Musical instruments|Beds|Chairs|Cornell||BZ|BZ|6/26/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Tao Gu Presents A Poem;Tao Gu Zeng Ci Tu Zhou|Tang Yin 4965.00|0|Creator|15|CHINA|POT|QIN||CHINA POT QIN |Brick with Phoenix Design|Translated|Cataloger|Xianyang gong feng wen zhuan|Descriptive|Image Source (Pub)||||Xianyang Palace Archaeological Site. Brick with Phoenix Design|0|||||0||||0|||||Chinese|||Qin (Ch'in)|||Asia||China||||||0||||0||||0||||0|Ceramics|Brick|||BCE|-4|||-350|-350|ca|ca 350 BCE|ca -350- -350 BCE||Xianyang Palace Archaeological Site|LargerEntity||4961||||0|||||brick|Brick|||||carving|||||||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Carving ; |Carving|||||||||Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||POT|||CHINA||||| ||||||||Work|0||||||||||||0|0|Brick with Phoenix Design;Xianyang gong feng wen zhuan| 4966.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Whispering Pines On A Mountain Path|Descriptive|Image Source (Pub)|Shan Lu Song Sheng Zhou|Descriptive|Image Source (Pub)||||Whispering Pines On A Mountain Path|30904|Tang Yin||painter|Tang Yin|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||16|||1516|1516|ca|ca. 1516|ca. 1516|||||0||||0|||||Ink and color on silk|ink|silk (textile)||||painting (image-making)|||||194.5 × 102.8 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Mountains ; Pine ; Spring ; Clouds ; Rivers ; Bridges (built works) ; Architects ; Figures (representations) ; Forests|Mountains|Pine|Spring|Clouds|Rivers|Bridges (built works)|Architects|Figures (representations)|Forests|Cornell||BZ|BZ|6/26/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Whispering Pines On A Mountain Path;Shan Lu Song Sheng Zhou|Tang Yin 4967.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Lofty Scholars|Descriptive|Image Source (Pub)|Gao Shi Tu Juan|Descriptive|Image Source (Pub)||||Lofty Scholars|30904|Tang Yin||painter|Tang Yin|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||16|||1520|1520|ca|ca. 1520|ca. 1520|||||0||||0|||||Ink on paper|ink|paper (fiber product)||||painting (image-making)|||||23.7 × 195.8 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Figures (representations) ; Stone ; Trees ; Tables (support furniture) ; Flowers ; Grasses (plants) ; |Figures (representations)|Stone|Trees|Tables (support furniture)|Flowers|Grasses (plants)||||Cornell||BZ|BZ|6/26/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Handscroll.||||||||||0|0|Lofty Scholars;Gao Shi Tu Juan|Tang Yin 4968.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Pine Forest And Waterfall|Descriptive|Image Source (Pub)|Song He Fei Quan Tu Zhou|Descriptive|Image Source (Pub)||||Pine Forest And Waterfall|30905|Wen Zhengming||painter|Wen Zhengming|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||16|||1527|1531||Dated 1527-1531|1527-1531|||||0||||0|||||Ink and color on paper|ink|paper (fiber product)|color (pigment)|||painting (image-making)|||||108.1 × 37.8 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Waterfalls ; Rivers ; Mountains ; Pine ; Forests ; Figures (representations) ; Rock ; Inscriptions ; Seals|Waterfalls|Rivers|Mountains|Pine|Forests|Figures (representations)|Rock|Inscriptions|Seals|Cornell||BZ|BZ|6/26/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Pine Forest And Waterfall;Song He Fei Quan Tu Zhou|Wen Zhengming 4969.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Wangchuan Villa|Descriptive|Image Source (Pub)|Wangchuan Tu|Descriptive|Image Source (Pub)||||Wangchuan Villa|30906|Wang Wei||painter|Wang Wei|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Rubbing|Landscape (representation)||17|||1617|1617||Dated 1617|1617|||||0||||0|||||Ink on paper|ink|paper (fiber product)||||painting (image-making)|||||30 × 487.5 cm||9586|NJ:Department of Art and Archaeology, Princeton University|NJ: Princeton University||Mountains ; Forests ; Architects ; Rivers ; Villas ; Landscapes ; Inscriptions ; Seals ; |Mountains|Forests|Architects|Rivers|Villas|Landscapes|Inscriptions|Seals||Cornell||BZ|BZ|6/26/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Detail from a rubbing of a stone engraving.||||||||||0|0|Wangchuan Villa;Wangchuan Tu|Wang Wei 4970.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Heavy Snow In The Mountain Passes|Descriptive|Image Source (Pub)|Guan Shan Ji Xue Tu Juan|Descriptive|Image Source (Pub)||||Heavy Snow In The Mountain Passes|30905|Wen Zhengming||painter|Wen Zhengming|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|Landscape (representation)||16|||1528|1532||Dated 1528-1532|1528-1532|||||0||||0|||||Ink and color on paper|ink|paper (fiber product)|color (pigment)|||painting (image-making)|||||25.3 × 445.2 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Mountains ; Forests ; Bridges (built works) ; Rivers ; Figures (representations) ; Horses ; Architects ; Boats ; Snow|Mountains|Forests|Bridges (built works)|Rivers|Figures (representations)|Horses|Architects|Boats|Snow|Cornell||BZ|BZ|6/28/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Handscroll.||||||||||0|0|Heavy Snow In The Mountain Passes;Guan Shan Ji Xue Tu Juan|Wen Zhengming 4971.00|0|Creator|15|CHINA|POT|QIN||CHINA POT QIN |Brick with Dragon Design|Translated|Cataloger|Xianyang gong long wen zhuan|Descriptive|Image Source (Pub)||||Xianyang Palace Archaeological Site. Brick with Dragon Design|0|||||0||||0|||||Chinese|||Qin (Ch'in)|||Asia||China||||||0||||0||||0||||0|Ceramics|Brick|||BCE|-4|||-350|-350|ca|ca 350 BCE|ca -350- -350||Xianyang Palace Archaeological Site|||4961||||0|||||Brick|brick|||||carving|||||||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Carving ; Dragons ; |Carving|Dragons||||||||Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||POT|||CHINA||||| ||||||||Work|0||||||||||||0|0|Brick with Dragon Design;Xianyang gong long wen zhuan| 4972.00|0|Architect|02|B-R1|Xi'an|7.4 DaM||B-R1 Xi'an 7.4 DaM |Da Ming Palace Archaeological Site|Translated|Cataloger|Da ming gong yi zhi|Descriptive|Image Source (Pub)||||Da Ming Palace Archaeological Site|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Sian, China|||10572||||0||||0|Architecture|Archaeological site|House|Palace||7|8|9|618|906|ca|ca 618-906|ca 618-906|||||0||||0||||||||||||||||||||||Archaeology ; Palaces ; Houses ; |Archaeology|Palaces|Houses|||||||Cornell||BZ|MNW|5/16/2006 0:00:00|9/30/2005 0:00:00||||0||||||DaM|B|||||R1|7.4|| ||||||||Work|0|Architecture-China|||||||||||0|0|Da Ming Palace Archaeological Site;Da ming gong yi zhi| 4973.00|0|Architect|02|B-R1|Xi'an|7.4 DaM/Han||B-R1 Xi'an 7.4 DaM/Han |Han Yuan Hall|Translated|Cataloger|Da ming gong han yan dian fu yuan tu|Descriptive|Image Source (Pub)||||Da Ming Palace Archaeological Site. Han Yuan Hall|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Sian, China|||||||0||||0|Architecture|Archaeological site|Halls|Palace||7|8|9|618|906||618-906|618-906||Da Ming Palace Archaeological Site|LargerEntity||4972||||0||||||||||||||||||||||Archaeology ; Hall ; Palaces ; Houses ; |Archaeology|Hall|Palaces|Houses||||||Cornell||BZ|MNW|4/19/2006 0:00:00|9/30/2005 0:00:00||||0||||||DaM/Han|B|||||R1|7.4|| ||||||||Work|0|Architecture-China|||||||||||0|0|Han Yuan Hall;Da ming gong han yan dian fu yuan tu| 4974.00|0|Creator|15|CHINA|POT|TANG||CHINA POT TANG |Da Ming Palace Bricks|Translated|Cataloger|Da ming gong zhuan|Descriptive|Image Source (Pub)||||Da Ming Palace Archaeological Site. Da Ming Palace Bricks|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0||||0|Ceramics|Brick||||7|8|9|618|906||618-906|618-906||Da Ming Palace Archaeological Site|LargerEntity||4972||||0|||||Brick|brick|||||carving|||||||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||||||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|9/30/2005 0:00:00||||0|||||||POT|||CHINA||||| ||||||||Work|0||||||||||||0|0|Da Ming Palace Bricks;Da ming gong zhuan| 4975.00|0|Architect|02|B-R1|Xi'an|7.4 DaM/Lin||B-R1 Xi'an 7.4 DaM/Lin |Lin De Hall|Translated|Cataloger|Da ming gong lin de dian yi zhi|Descriptive|Image Source (Pub)||||Da Ming Palace Archaeological Site. Lin De Hall|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Sian, China|||||||0||||0|Architecture|Archaeological site|Palace|House||7|8|9|618|906||618-906|618-906||Da Ming Palace Archaeological Site|LargerEntity||4972||||0||||||||||||||||||||||Archaeology ; Palaces ; Houses ; |Archaeology|Palaces|Houses|||||||Cornell||BZ|MNW|4/19/2006 0:00:00|9/30/2005 0:00:00||||0||||||DaM/Lin|B|||||R1|7.4|| ||||||||Work|0|Architecture-China|||||||||||0|0|Lin De Hall;Da ming gong lin de dian yi zhi| 4976.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |After Li Cheng's "Wintry Forest On A Level Plain"|Descriptive|Image Source (Pub)|Fang Li Cheng Han Lin Ping Ye Tu|Descriptive|Image Source (Pub)||||After Li Cheng's "Wintry Forest On A Level Plain"|30908|Xie Shichen||painter|Xie Shichen|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|Landscape (representation)||16|||1547|1547||Dated 1547|1547|||||0||||0|||||Ink on paper|ink|paper (fiber product)||||painting (image-making)|||||42.5 × 159.4 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Forests ; Rivers ; Clouds ; Rock ; Seals ; Landscapes ; Pine ; |Forests|Rivers|Clouds|Rock|Seals|Landscapes|Pine|||Cornell||BZ|BZ|6/28/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Handscroll.||||||||||0|0|After Li Cheng's "Wintry Forest On A Level Plain";Fang Li Cheng Han Lin Ping Ye Tu|Xie Shichen 4977.00|0|Creator|15|CHINA|CALL|MING||CHINA CALL MING |Poem In Praise of Li Cheng's "Wintry Forest On A Level Plain"|Descriptive|Image Source (Pub)|Ti Fang Li Cheng Han Lin Ping Ye Tu Chang Ge He Juan|Descriptive|Image Source (Pub)||||Poem In Praise of Li Cheng's "Wintry Forest On A Level Plain"|30905|Wen Zhengming||painter|Wen Zhengming|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Calligraphy|Calligraphy||||16|||1536|1536||Dated 1536|1536|||||0||||0|||||Ink on paper|ink|paper (fiber product)||||calligraphy|||||42.5 × 1714.5 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||||||||||||Cornell||BZ|BZ|6/28/2006 0:00:00|9/30/2005 0:00:00||||0|||||||CALL|||CHINA|MING|||| ||||||||Work|0||Accompanies After Li Cheng's "Wintry Forest on a Level Plain". Handscroll.||||||||||0|0|Poem In Praise of Li Cheng's "Wintry Forest On A Level Plain";Ti Fang Li Cheng Han Lin Ping Ye Tu Chang Ge He Juan|Wen Zhengming 4978.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Immortal's Isle Fanghu|Descriptive|Image Source (Pub)|Fanghu Tu Zhou|Descriptive|Image Source (Pub)||||Immortal's Isle Fanghu|30909|Wen Boren||painter|Wen Boren|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||16|||1563|1563||Dated 1563|1563|||||0||||0|||||Ink and color on paper|ink|paper (fiber product)|color (pigment)|||painting (image-making)|||||120.6 × 31.8 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Rivers ; Mountains ; Forests ; Architects ; Clouds ; Rock ; Bridges (built works) ; Pine ; Inscriptions|Rivers|Mountains|Forests|Architects|Clouds|Rock|Bridges (built works)|Pine|Inscriptions|Cornell||BZ|BZ|6/28/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Immortal's Isle Fanghu;Fanghu Tu Zhou|Wen Boren 4979.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Hermit-Fisherman At Huashi|Descriptive|Image Source (Pub)|Huaxi Yu Yin Tu|Descriptive|Image Source (Pub)||||Hermit-Fisherman At Huashi|30910|Lu Zhi||painter|Lu Zhi|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||16|||1568|1568||Dated 1568|1568|||||0||||0|||||Ink and color on paper|ink|paper (fiber product)|color (pigment)|||painting (image-making)|||||119.2 × 26.8 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Mountains ; Forests ; Rivers ; Waterfalls ; Architects ; Hermits ; Fishermen ; Figures (representations) ; Inscriptions|Mountains|Forests|Rivers|Waterfalls|Architects|Hermits|Fishermen|Figures (representations)|Inscriptions|Cornell||BZ|BZ|6/28/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Hermit-Fisherman At Huashi;Huaxi Yu Yin Tu|Lu Zhi 4980.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Four Graybeards|Descriptive|Image Source (Pub)|Si Ku Tu Zhou|Descriptive|Image Source (Pub)||||Four Graybeards|30908|Xie Shichen||painter|Xie Shichen|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||16|||1550|1559||1550s|1550-1559|||||0||||0|||||Ink and color on silk|ink|silk (textile)|color (pigment)|||painting (image-making)|||||252.4 × 100 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Figures (representations) ; Mountains ; Pine ; Clouds ; Waterfalls ; Chess ; Bridges (built works) ; Rivers ; Animals|Figures (representations)|Mountains|Pine|Clouds|Waterfalls|Chess|Bridges (built works)|Rivers|Animals|Cornell||BZ|BZ|6/28/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Four Graybeards;Si Ku Tu Zhou|Xie Shichen 4981.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Pavilions In The Mountains Of The Immortals|Descriptive|Image Source (Pub)|Xian Shan Lou Ge Tu Zhou|Descriptive|Image Source (Pub)||||Pavilions In The Mountains Of The Immortals|30911|Qiu Ying||painter|Qiu Ying|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|Landscape (representation)||16|||1550|1550||Dated 1550|1550|||||0||||0|||||Ink and color on paper|ink|paper (fiber product)|color (pigment)|||painting (image-making)|||||110.5 × 42.1 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Mountains ; Forests ; Architects ; Clouds ; Palaces ; Waterfalls ; Rivers ; Rock ; Inscriptions|Mountains|Forests|Architects|Clouds|Palaces|Waterfalls|Rivers|Rock|Inscriptions|Cornell||BZ|BZ|6/28/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Pavilions In The Mountains Of The Immortals;Xian Shan Lou Ge Tu Zhou|Qiu Ying 4982.00|0|Architect|02|B-R1|Xi'an|7.4 XingQ||B-R1 Xi'an 7.4 XingQ |Xing Qing Palace|Translated|Cataloger|Xing qing gong tu|Descriptive|Image Source (Pub)||||Xing Qing Palace|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Sian, China|||||||0||||0|Architecture|Archaeological site|Palace|House||7|8|9|618|906||618-906|618-906|||||0||||0||||||||||||||||||||||Archaeology ; Palaces ; Houses ; |Archaeology|Palaces|Houses|||||||Cornell||BZ|MNW|4/19/2006 0:00:00|9/30/2005 0:00:00||||0||||||XingQ|B|||||R1|7.4|| ||||||||Work|0|Architecture-China|||||||||||0|0|Xing Qing Palace;Xing qing gong tu| 4983.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Gathering Of Lohans|Descriptive|Image Source (Pub)|Yingzhen Yun Hui Juan|Descriptive|Image Source (Pub)||||Gathering Of Lohans|30912|Ding Yunpeng||painter|Ding Yunpeng|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||16|||1596|1596||Dated 1596|1596|||||0||||0|||||Ink on paper|ink|paper (fiber product)||||painting (image-making)|||||33.8 × 663.7 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Figures (representations) ; Tigers ; Trees ; Pine ; Rock ; Tables (support furniture) ; Grasses (plants) ; |Figures (representations)|Tigers|Trees|Pine|Rock|Tables (support furniture)|Grasses (plants)|||Cornell||BZ|BZ|6/28/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Handscroll.||||||||||0|0|Gathering Of Lohans;Yingzhen Yun Hui Juan|Ding Yunpeng 4984.00|0|Architect|02|B-R1|Xi'an|3.3 ZhangQ||B-R1 Xi'an 3.3 ZhangQ |Zhang Qian Tomb|Translated|Cataloger|Zhang Qian mu|Descriptive|Image Source (Pub)||||Zhang Qian Tomb|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0|Sian, China|||||||0||||0|Architecture|Archaeological site|Tomb|Mausoleum|BCE|-2|||-113|-113||113 BCE|-113- -113|||||0||||0||||||||||||||||||||||Archaeology ; Tombs ; Mausoleums ; |Archaeology|Tombs|Mausoleums|||||||Cornell||BZ|MNW|4/19/2006 0:00:00|9/30/2005 0:00:00||||0||||||ZhangQ|B|||||R1|3.3|| ||||||||Work|0|Architecture-China|||||||||||0|0|Zhang Qian Tomb;Zhang Qian mu| 4985.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Wood-block Illustration From The Ink Gardern Of The Cheng Family|Descriptive|Image Source (Pub)||Descriptive|Image Source (Pub)||||Wood-block Illustration From The Ink Gardern Of The Cheng Family|30912|Ding Yunpeng||painter|Ding Yunpeng|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Woodblock|||17|||1605|1605||1605|1605||Ink Garden of the Cheng Family|||5195||||0|||||Ink on paper|ink|paper (fiber product)||||wood engraving (process)|||||||||||Gardens ; Mountains ; Trees ; Deer ; Rivers ; Rock ; |Gardens|Mountains|Trees|Deer|Rivers|Rock||||Cornell||BZ|BZ|6/28/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||From "Ink Gardern of the Cheng Family".||||||||||0|0|Wood-block Illustration From The Ink Gardern Of The Cheng Family|Ding Yunpeng 4986.00|0|Creator|15|CHINA|PTG|QING||CHINA PTG QING |Lohan|Descriptive|Image Source (Pub)|Luo Han||||||Lohan|30913|Guanxiu|attributed to|painter|Attributed to Guanxiu|0||||0|||||Chinese|||Qing (Ch'ing)|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Rubbing|||18||||||18th century|||Sixteen Lohans|Descriptive||5196||||0|||||Ink on paper|ink|paper (fiber product)||||painting (image-making)|||||||||||Figures (representations) ; Inscriptions ; |Figures (representations)|Inscriptions||||||||Cornell||BZ|BZ|6/28/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|Qing|||| ||||||||Work|0||From "Sixteen Lohans". Detail from an 18th-century rubbing.||||||||||0|0|Lohan;Luo Han|Guanxiu 4987.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Record Of Yearly Observances|Descriptive|Image Source (Pub)|Sui Hua Ji Sheng Tu Ce|Descriptive|Image Source (Pub)||||Record Of Yearly Observances|30914|Wu Bin||painter|Wu Bin|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Album|||17|||1600|1600|ca|ca. 1600|ca. 1600|||||0||||0|||||Ink and color on silk|ink|silk (textile)|color (pigment)|||painting (image-making)|||||29.4 × 69.8 cm (each leaf)||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Architects ; Gates ; Bridges (built works) ; Figures (representations) ; Trees ; City walls ; Horses ; Rivers ; Boats|Architects|Gates|Bridges (built works)|Figures (representations)|Trees|City walls|Horses|Rivers|Boats|Cornell||BZ|BZ|6/28/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||4 leaves from an album of 12 paintings. Leaf 1 The Lantern Festival.||||||||||0|0|Record Of Yearly Observances;Sui Hua Ji Sheng Tu Ce|Wu Bin 4988.00|0|Site|02|B-R1|Sian|3.3 Qianl||B-R1 Sian 3.3 Qianl |Qianling Tomb|Translated|Cataloger|Qian ling|Descriptive|Image Source (Pub)||||Qianling Tomb|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Sian, China|||10572||||0||||0|Architecture|Archaeological site|Sculpture|Tomb||7|8|9|618|906||618-906|618-906|||||0||||0||||||||||||||||||||||Archaeology ; Tombs ; Mausoleums ; |Archaeology|Tombs|Mausoleums|||||||Cornell||BZ|BZ|5/19/2006 0:00:00|9/30/2005 0:00:00||Sian||0||||||Qianl|B|||||R1|3.3|| ||||||||Work|0|Architecture-China|||||||||||0|0|Qianling Tomb;Qian ling| 4989.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Bronze Horse with Gold Surface|Translated|Cataloger|Liu jin tong ma|Descriptive|Image Source (Pub)||||Bronze Horse with Gold Surface|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0||||0|Sculpture|Sculpture||||7|8|9|618|906||618-906|618-906|||||0||||0|||||Bronze and gold|bronze|gold||||bronzing|gold-work|sculpture|||||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Sculpture (visual work) ; Horses ; Animals ; |Sculpture (visual work)|Horses|Animals|||||||Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||SC|||CHINA||||| ||||||||Work|0||||||||||||0|0|Bronze Horse with Gold Surface;Liu jin tong ma| 4990.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Lions in Three Colors|Translated|Cataloger|San cai shi|Descriptive|Image Source (Pub)||||Lions in Three Colors|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0||||0|Sculpture|Sculpture|Ceramic|||7|8|9|618|906||618-906|618-906|||||0||||0|||||Glazed ceramic|ceramic|||||sculpture|glazing (coating)|ceramics|||||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Sculpture (visual work) ; Lions ; Animals ; |Sculpture (visual work)|Lions|Animals|||||||Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||SC|||CHINA||||| ||||||||Work|0||||||||||||0|0|Lions in Three Colors;San cai shi| 4991.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Steep Ravines And Flying Cascades|Descriptive|Image Source (Pub)|Dou He Fei Quan Tu|Descriptive|Image Source (Pub)||||Steep Ravines And Flying Cascades|30914|Wu Bin||painter|Wu Bin|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|Landscape (representation)||17|||1610|1610|bef|Before 1610|Before 1610|||||0||||0|||||Ink on silk|ink|silk (textile)||||painting (image-making)v|||||252.7 × 82.1 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Mountains ; Waterfalls ; Architects ; Bridges (built works) ; Rivers ; Figures (representations) ; Clouds ; Forests ; Spring|Mountains|Waterfalls|Architects|Bridges (built works)|Rivers|Figures (representations)|Clouds|Forests|Spring|Cornell||BZ|BZ|6/28/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Steep Ravines And Flying Cascades;Dou He Fei Quan Tu|Wu Bin 4992.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Twenty-five Buddhist Deties Of The Surangama Sutra|Descriptive|Image Source (Pub)|Hua Leng Yan Er Shi Wu Yuan Tong Fo Xiang Ce|Descriptive|Image Source (Pub)||||Twenty-five Buddhist Deties Of The Surangama Sutra|30914|Wu Bin||painter|Wu Bin|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Album|||17|||1617|1619||Late 1610s|1617-1619|||||0||||0|||||Ink and color on silk|ink|silk (textile)|color (pigment)|||painting (image-making)|||||62.3 × 35.3 cm (each leaf)||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Figures (representations) ; Trees ; Rock ; Pine ; Animals ; Elephants ; Lotus ; Flowers ; Plants (vegetation)|Figures (representations)|Trees|Rock|Pine|Animals|Elephants|Lotus|Flowers|Plants (vegetation)|Cornell||BZ|BZ|6/28/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||4 leaves from an album of 25 paintings. Leaf 6 The Five Bhikshus. Created in late 1610s.||||||||||0|0|Twenty-five Buddhist Deties Of The Surangama Sutra;Hua Leng Yan Er Shi Wu Yuan Tong Fo Xiang Ce|Wu Bin 4993.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Musicians on Camel's Back|Translated|Cataloger|San cai zai yue luo tuo yong|Descriptive|Image Source (Pub)||||Musicians on Camel's Back|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0||||0|Sculpture|Sculpture|Ceramic|||7|8|9|618|906||618-906|618-906|||||0||||0|||||Glazed ceramic|ceramic|||||ceramics|sculpture|carving|||||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Sculpture (visual work) ; Animals ; Figures (representations) ; Camels ; |Sculpture (visual work)|Animals|Figures (representations)|Camels||||||Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||SC|||CHINA||||| ||||||||Work|0||||||||||||0|0|Musicians on Camel's Back;San cai zai yue luo tuo yong| 4994.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Bosnian and Camel|Translated|Cataloger|Qian tuo hu yong|Descriptive|Image Source (Pub)||||Bosnian and Camel|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0||||0|Sculpture|Sculpture|Ceramic|||7|8|9|618|906||618-906|618-906|||||0||||0|||||Glazed ceramic|ceramic|||||sculpture|glazing (coating)|ceramics|||||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Figures (representations) ; Camels ; Animals ; |Figures (representations)|Camels|Animals|||||||Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||SC|||CHINA||||| ||||||||Work|0||||||||||||0|0|Bosnian and Camel;Qian tuo hu yong| 4995.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Painted Bosnian Riding on a Horse|Translated|Cataloger|Cai hui hu ren qi ma yong|Descriptive|Image Source (Pub)||||Painted Bosnian Riding on a Horse|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0||||0|Sculpture|Sculpture|Ceramic|||7|8|9|618|906||618-906|618-906|||||0||||0|||||ceramic|Glazed ceramic|||||ceramics|glazing (coating)|sculpture|||||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Figures (representations) ; Horses ; Animals ; Sculpture (visual work) ; |Figures (representations)|Horses|Animals|Sculpture (visual work)||||||Cornell||BZ|BZ|6/22/2006 0:00:00|9/30/2005 0:00:00||||0|||||||SC|||CHINA||||| ||||||||Work|0||||||||||||0|0|Painted Bosnian Riding on a Horse;Cai hui hu ren qi ma yong| 4996.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Immortal Under Pines|Descriptive|Image Source (Pub)|Qiao Song Xian Shou Zhou|Descriptive|Image Source (Pub)||||Immortal Under Pines|30915|Chen Hongshou||painter|Chen Hongshou|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||17|||1635|1635||Dated 1635|Dated 1635|||||0||||0|||||Ink and color on silk|ink|silk (textile)|color (pigment)|||painting (image-making)|||||202.1 × 97.8 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Figures (representations) ; Pine ; Mountains ; Rock ; Spring ; Rivers ; Clouds ; Inscriptions ; Seals|Figures (representations)|Pine|Mountains|Rock|Spring|Rivers|Clouds|Inscriptions|Seals|Cornell||BZ|BZ|6/28/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Made by Chen Hongshou (1598-1652) and studio. Hanging scroll.||||||||||0|0|Immortal Under Pines;Qiao Song Xian Shou Zhou|Chen Hongshou 4997.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Sixteen Views Of Living In Seclusion|Descriptive|Image Source (Pub)|Hua Yin Ju Shi Liu Guan Ce|Descriptive|Image Source (Pub)||||Sixteen Views Of Living In Seclusion|30915|Chen Hongshou||painter|Chen Hongshou|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Album|||17|||1651|1651||Dated 1651|1651|||||0||||0|||||Ink and light color on paper|ink|paper (fiber product)|color (pigment)|||painting (image-making)v|||||21.4 × 29.8 cm (each leaf)||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Figures (representations) ; Rock ; Fans ; Chairs ; Flowers ; Women ; Bamboo ; Monks ; Grasses (plants)|Figures (representations)|Rock|Fans|Chairs|Flowers|Women|Bamboo|Monks|Grasses (plants)|Cornell||BZ|BZ|6/28/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||4 leafs from an album of 16 paintings and 4 leaves of calligraphy. Leaf 3 A Morning Drink.||||||||||0|0|Sixteen Views Of Living In Seclusion;Hua Yin Ju Shi Liu Guan Ce|Chen Hongshou 4998.00|0|Culture|15|CHINA|SC|TANG||CHINA SC TANG |Africans|Translated|Cataloger|Hei ren tao yong|Descriptive|Image Source (Pub)||||Africans|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0||||0|Sculpture|Sculpture|Pottery|Ceramic||7|8|9|618|906||618-906|618-906|||||0||||0|||||Ceramic|ceramic|||||ceramics|sculpture|carving|||||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Figures (representations) ; Sculpture (visual work) ; |Figures (representations)|Sculpture (visual work)||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|9/30/2005 0:00:00||||0|||||||SC|||CHINA||||| ||||||||Work|0||||||||||||0|0|Africans;Hei ren tao yong| 4999.00|0|Culture|15|CHINA|SC|TANG||CHINA SC TANG |Painted Figure With Curly Hair|Translated|Cataloger|Juan fa yong|Descriptive|Image Source (Pub)||||Painted Figure With Curly Hair|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0||||0|Sculpture|Sculpture|Ceramic|Figure (representation)||7|8|9|618|906||618-906|618-906|||||0||||0|||||Ceramic|ceramic|||||sculpture|ceramics|carving|||||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Figures (representations) ; Sculpture (visual work) ; |Figures (representations)|Sculpture (visual work)||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|9/30/2005 0:00:00||||0|||||||SC|||CHINA||||| ||||||||Work|0||||||||||||0|0|Painted Figure With Curly Hair;Juan fa yong| 5000.00|0|Culture|15|CHINA|SC|TANG||CHINA SC TANG |Painted Bosnian Head|Translated|Cataloger|Cai hui hu yong tou|Descriptive|Image Source (Pub)||||Painted Bosnian Head|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0||||0|Sculpture|Sculpture|Ceramic|Figure (representation)||7|8|9|618|906||618-906|618-906|||||0||||0|||||Ceramic|ceramic|||||sculpture|carving|ceramics|||||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Figures (representations) ; Sculpture (visual work) ; |Figures (representations)|Sculpture (visual work)||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|9/30/2005 0:00:00||||0|||||||SC|||CHINA||||| ||||||||Work|0||||||||||||0|0|Painted Bosnian Head;Cai hui hu yong tou| 5001.00|0|Culture|15|CHINA|PTG|MING||CHINA PTG MING |Ni Zan Washing The Paulownia Tree|Descriptive|Image Source (Pub)|Yun Lin Xi Tong Zhou|Descriptive|Image Source (Pub)||||Ni Zan Washing The Paulownia Tree|30916|Cui Zizhong||painter|Cui Zizhong|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||17|||1638|1638|ca|ca. 1638|ca. 1638|||||0||||0|||||Ink and color on fine satin|ink|satin|color (pigment)|||painting (image-making)|||||160 × 53 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Figures (representations) ; Stone ; Trees ; Rock ; Vessels ; Knives ; Inscriptions ; Seals ; Women|Figures (representations)|Stone|Trees|Rock|Vessels|Knives|Inscriptions|Seals|Women|Cornell||BZ|BZ|6/28/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Ni Zan Washing The Paulownia Tree;Yun Lin Xi Tong Zhou|Cui Zizhong 5002.00|0|Culture|15|CHINA|PTG|MING||CHINA PTG MING |Mount Qixia|Descriptive|Image Source (Pub)|Qixia Shan Zhou|Descriptive|Image Source (Pub)||||Mount Qixia|30917|Zhang Hong||painter|Zhang Hong|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting||||17|||1634|1634||Dated 1634|1634|||||0||||0|||||Ink and color on paper|ink|paper (fiber product)|color (pigment)|||painting (image-making)|||||341.9 × 101.8 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Mountains ; Forests ; Pine ; Clouds ; Architects ; Bamboo ; Figures (representations) ; Towers (single built works) ; Walls|Mountains|Forests|Pine|Clouds|Architects|Bamboo|Figures (representations)|Towers (single built works)|Walls|Cornell||BZ|BZ|6/29/2006 0:00:00|9/30/2005 0:00:00||MING||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Mount Qixia;Qixia Shan Zhou|Zhang Hong 5010.00|0|Culture|15|CHINA|CALL|MING||CHINA CALL MING |To See Large Within Small|Descriptive|Image Source (Pub)|Xiao Zhong Jian Da|Descriptive|Image Source (Pub)||||To See Large Within Small|30918|Dong Qichang||painter|Dong Qichang|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Calligraphy|Calligraphy||||17||||||||||||0||||0|||||Ink on silk|ink|silk (textile)||||calligraphy|||||||||||Calligraphy ; |Calligraphy|||||||||Cornell||BZ|BZ|6/29/2006 0:00:00|9/30/2005 0:00:00||||0|||||||CALL|||CHINA|MING|||| ||||||||Work|0||Frontispiece of "To See Large Within Small".||||||||||0|0|To See Large Within Small;Xiao Zhong Jian Da|Dong Qichang 5011.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Landscape After Huang Gongwang|Descriptive|Image Source (Pub)|Fang Huang Gongwang Shan Shui Zhou|Descriptive|Image Source (Pub)||||Landscape After Huang Gongwang|30920|Wang Shimin||painter|Wang Shimin|0||||0|||||Chinese|||Qing (Ch'ing)|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Landscape (representation)|Scroll painting||17|||1670|1670||Dated 1670|1670|||||0||||0|||||Ink and color on silk|ink|silk (textile)|color (pigment)|||painting (image-making)|||||147.8 × 67.4 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Mountains ; Forests ; Clouds ; Waterfalls ; Rivers ; Architects ; Rock ; Landscapes ; Inscriptions|Mountains|Forests|Clouds|Waterfalls|Rivers|Architects|Rock|Landscapes|Inscriptions|Cornell||BZ|BZ|7/7/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Landscape After Huang Gongwang;Fang Huang Gongwang Shan Shui Zhou|Wang Shimin 5012.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |After Huang Gongwang's "Floating Mist And Distant Peaks"|Descriptive|Image Source (Pub)|Fang Huang Gongwang Yan Fu Yuan Xiu Tu Zhou|Descriptive|Image Source (Pub)||||After Huang Gongwang's "Floating Mist And Distant Peaks"|30922|Wang Jian||painter|Wang Jian|0||||0|||||Chinese|||Qing (Ch'ing)|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Landscape (representation)|Scroll painting||17|||1675|1675||Dated 1675|1675|||||0||||0|||||Ink and color on silk|ink|silk (textile)|color (pigment)|||painting (image-making)|||||134.9 × 78.9 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Mountains ; Pine ; Forests ; Clouds ; Architects ; Spring ; Rivers ; Bridges (built works) ; Rock|Mountains|Pine|Forests|Clouds|Architects|Spring|Rivers|Bridges (built works)|Rock|Cornell||BZ|BZ|7/7/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|After Huang Gongwang's "Floating Mist And Distant Peaks";Fang Huang Gongwang Yan Fu Yuan Xiu Tu Zhou|Wang Jian 5013.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Autumn Mountains, Red Trees|Descriptive|Image Source (Pub)|Xi Shan Hong Shu Zhou|Descriptive|Image Source (Pub)||||Autumn Mountains, Red Trees|30923|Wang Hui||painter|Wang Hui|0||||0|||||Chinese|||Qing (Ch'ing)|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Landscape (representation)|Scroll painting||17|||1670|1670||Dated 1670|1670|||||0||||0|||||Ink and color on paper|ink|paper (fiber product)|color (pigment)|||painting (image-making)|||||112.4 × 39.5 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Mountains ; Trees ; Clouds ; Waterfalls ; Rivers ; Bridges (built works) ; Towers (single built works) ; Inscriptions ; Seals|Mountains|Trees|Clouds|Waterfalls|Rivers|Bridges (built works)|Towers (single built works)|Inscriptions|Seals|Cornell||BZ|BZ|7/7/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Autumn Mountains, Red Trees;Xi Shan Hong Shu Zhou|Wang Hui 5014.00|0|Culture|15|CHINA|MTL|TANG||CHINA MTL TANG |Bronze Mirror with Auspicious Animal and Grape Reliefs|Translated|Cataloger|Rui shou pu tao jing|Descriptive|Image Source (Pub)||||Bronze Mirror with Auspicious Animal and Grape Reliefs|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0||||0|Metalwork|Mirror||||7|8|9|618|906||618-906|618-906|||||0||||0|||||Bronze|bronze|||||metalworking|carving|bronzing|||||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Mirrors ; Animals ; Grapes ; |Mirrors|Animals|Grapes|||||||Cornell||BZ|MNW|4/24/2006 0:00:00|9/30/2005 0:00:00||||0|||||||MTL|||CHINA||||| ||||||||Work|0||||||||||||0|0|Bronze Mirror with Auspicious Animal and Grape Reliefs;Rui shou pu tao jing| 5015.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Travelers|Descriptive|Image Source (Pub)|Lü Xing Tu Zhou|Descriptive|Image Source (Pub)||||Travelers|30923|Wang Hui||painter|Wang Hui. Formerly attributed to Fan Kuan.|30862|Fan Kuan|formerly attributed||0|||||Chinese|||Qing (Ch'ing)|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Landscape (representation)|Scroll painting||17|18|||||||||||0||||0|||||Ink on silk|ink|silk (textile)||||painting (image-making)|||||155.3 × 74.4 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Mountains ; Forests ; Waterfalls ; Clouds ; Spring ; Rivers ; Architects ; Figures (representations) ; Donkeys|Mountains|Forests|Waterfalls|Clouds|Spring|Rivers|Architects|Figures (representations)|Donkeys|Cornell||BZ|BZ|7/7/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Forgery of Fan Kuan. Hanging scroll.||||||||||0|0|Travelers;Lü Xing Tu Zhou|Wang Hui;Fan Kuan 5016.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Landscapes And Flowers|Descriptive|Image Source (Pub)|Hua Hui Shan Shui He Ce|Descriptive|Image Source (Pub)||||Landscapes And Flowers|30923|Wang Hui||painter|Wang Hui|0||||0|||||Chinese|||Qing (Ch'ing)|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Album|||17|||1672|1672||Dated 1672|1672|||||0||||0|||||Ink and color on paper|ink|paper (fiber prxoduct)|color (pigment)|||painting (image-making)|||||28.5 × 43 cm (each leaf)||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Mountains ; Forests ; Architects ; Spring ; Rivers ; Snow ; Pine ; Rock ; Inscriptions|Mountains|Forests|Architects|Spring|Rivers|Snow|Pine|Rock|Inscriptions|Cornell||BZ|BZ|7/7/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||3 leaves from a collaborative album of 12 paintings with Yun Shouping (1633-1690).||||||||||0|0|Landscapes And Flowers;Hua Hui Shan Shui He Ce|Wang Hui 5017.00|0|Culture|15|35|X65-PA|nd|1|35 X65-PA nd 1|Western Market of Chang'an (Xi'an)|Translated|Cataloger|Chang'an xi shi tu|Descriptive|Image Source (Pub)||||Western Market of Chang'an (Xi'an)|31164|Xie Zhenou||painter|Xie Zhenou|0||||0|||||Chinese||||||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||20|||1950|1999|ca|2nd half of 20th C|ca 1950-1999|||||0||||0|||||Ink and color on paper|ink|paper (fiber prxoduct)|color (pigment)|||painting (image-making)|||||||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Figures (representations) ; Markets (buildings) ; Dance ; Horses ; Charts (graphic documents) ; Shopping centers ; Camels ; Animals ; |Figures (representations)|Markets (buildings)|Dance|Horses|Charts (graphic documents)|Shopping centers|Camels|Animals||Cornell||BZ|MNW|5/16/2006 0:00:00|9/30/2005 0:00:00|X65|||0|||||||35|PA||||||nd| ||||||||Work|0|Painting|||||||||||0|0|Western Market of Chang'an (Xi'an);Chang'an xi shi tu|Xie Zhenou 5018.00|0|Site|02|B-R1|Xi'an|3.3 Qinl||B-R1 Xi'an 3.3 Qinl |Mausoleum of the First Qin Emperor|Translated|Cataloger|Qin shi huang ling|Descriptive|Image Source (Pub)||||Mausoleum of the First Qin Emperor|0|||||0||||0|||||Chinese|||Qin (Ch'in)|||Asia||China||||||0|Sian, China|||||||0||||0|Architecture|Tomb|Mausoleum|Archaeological site|BCE|-3|||-221|-206||221-206 BCE|-221s- -206|||||0||||0||||||||||||||||||||||Tombs ; Mausoleums ; Archaeology ; |Tombs|Mausoleums|Archaeology|||||||Cornell||BZ|MNW|4/19/2006 0:00:00|9/30/2005 0:00:00||||0||||||Qinl|B|||||R1|3.3|| ||||||||Work|0|Architecture-China|||||||||||0|0|Mausoleum of the First Qin Emperor;Qin shi huang ling| 5019.00|0|Creator|15|CHINA|PTG|QING||CHINA PTG QING |Autumn Colors On Mount Hua|Descriptive|Image Source (Pub)|Hua Shan Qiu Se Zhou|Descriptive|Image Source (Pub)||||Autumn Colors On Mount Hua|30924|Wang Yuanqi||painter|Wang Yuanqi|0||||0|||||Chinese|||Qing (Ch'in)|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Landscape (representation)|Scroll painting||17|||1693|1693||Dated 1693|1693|||||0||||0|||||Ink and color on paper|ink|paper (fiber product)|color (pigment)|||painting (image-making)|||||115.9 × 49.7 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Mountains ; Forests ; Clouds ; Architects ; Spring ; Rivers ; Inscriptions ; Seals ; Landscapes|Mountains|Forests|Clouds|Architects|Spring|Rivers|Inscriptions|Seals|Landscapes|Cornell||BZ|BZ|7/7/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|QING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Autumn Colors On Mount Hua;Hua Shan Qiu Se Zhou|Wang Yuanqi 5020.00|0|Culture|15|CHINA|POT|QIN||CHINA POT QIN |Tile with Dragon Design|Translated|Cataloger|Ling wen wa dang|Descriptive|Image Source (Pub)||||Tile with Dragon Design|0|||||0||||0|||||Chinese|||Qin (Ch'in)|||Asia||China||||||0||||0||||0||||0|Ceramics|Ceramic tile|Ceramic||BCE|-3|||-221|-206||221-206 BCE|-221 - -206||Mausoleum of the First Qin Emperor|LargerEntity||5018||||0|||||Ceramic|ceramic|||||ceramics|carving||||||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Tiled pavements ; |Tiled pavements|||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|9/30/2005 0:00:00||||0|||||||POT|||CHINA||||| ||||||||Work|0||||||||||||0|0|Tile with Dragon Design;Ling wen wa dang| 5021.00|0|Creator|15|CHINA|PTG|QING||CHINA PTG QING |Clouds White, Mountains Blue|Descriptive|Image Source (Pub)|Yun Bai Shan Qing Tu Juan|Descriptive|Image Source (Pub)||||Clouds White, Mountains Blue|30927|Wu Li||painter|Wu Li|0||||0|||||Chinese|||Qing (Ch'ing)|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Landscape (representation)|Scroll painting||17|||1668|1668||Dated 1668|1668|||||0||||0|||||Ink and color on paper|ink|silk (textile)|color (pigment)|||painting (image-making)|||||25.9 × 117.2 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Mountains ; Clouds ; Forests ; Pine ; Architects ; Birds ; Rivers ; Spring ; Inscriptions|Mountains|Clouds|Forests|Pine|Architects|Birds|Rivers|Spring|Inscriptions|Cornell||BZ|BZ|7/7/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|QING|||| ||||||||Work|0||Handscroll.||||||||||0|0|Clouds White, Mountains Blue;Yun Bai Shan Qing Tu Juan|Wu Li 5022.00|0|Site|02|B-R1|Xi'an|3.3 Chang||B-R1 Xi'an 3.3 Chang|Chang ling Tomb|Translated|Cataloger|Han gao zu chang ling|Descriptive|Image Source (Pub)||||Chang ling Tomb|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0|Sian, China|||||||0||||0|Architecture|Tomb|Mausoleum|Archaeological site|BCE|-3|-2|-1|-206|220||206 BCE-220 CE|-206 - 220|||||0||||0||||||||||||||||||||||Tombs ; Mausoleums ; Archaeology ; |Tombs|Mausoleums|Archaeology|||||||Cornell||BZ|MNW|4/19/2006 0:00:00|9/30/2005 0:00:00||||0||||||Chang|B|||||R1|3.3|| ||||||||Work|0|Architecture-China|||||||||||0|0|Chang ling Tomb;Han gao zu chang ling| 5023.00|0|Creator|15|CHINA|PTG|QING||CHINA PTG QING |Landscapes And Flowers|Descriptive|Image Source (Pub)|Hua Hui Shan Shui He Ce|Descriptive|Image Source (Pub)||||Landscapes And Flowers|30928|Yun Shouping||painter|Yun Shouping|0||||0|||||Chinese|||Qing (Ch'ing)|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Album|||17|||1672|1672||Dated 1672|1672|||||0||||0|||||Ink and color on paper|ink|paper (fiber product)|color (pigment)|||painting (image-making)|||||28.5 × 43 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Flowers ; Peonies ; Inscriptions ; Seals ; |Flowers|Peonies|Inscriptions|Seals||||||Cornell||BZ|BZ|7/7/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|QING|||| ||||||||Work|0||2 leaves from a collaborative album of 12 paintings with Wang Hui (1632-1717).||||||||||0|0|Landscapes And Flowers;Hua Hui Shan Shui He Ce|Yun Shouping 5024.00|0|Site|02|B-R1|Xi'an|3.3 Maol||B-R1 Xi'an 3.3 Maol |Mao ling Tomb|Translated|Cataloger|Han wu di mao ling|Descriptive|Image Source (Pub)||||Mao ling Tomb|0|||||||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0|Sian, China|||||||0||||0|Architecture|Tomb|Mausoleum|Archaeological site|BCE|-3|-2|-1|-139|-86||139-86 BCE|-139 - -86|||||0||||0||||||||||||||||||||||Tombs ; Mausoleums ; Archaeology ; |Tombs|Mausoleums|Archaeology|||||||Cornell||BZ|MNW|4/19/2006 0:00:00|9/30/2005 0:00:00||||0||||||Maol|B|||||R1|3.3|| ||||||||Work|0|Architecture-China|Tomb of the Wudi (martial) emperor of the Han (157-87 BCE). China Blue Guide.||||||||||0|0|Mao ling Tomb;Han wu di mao ling| 5025.00|0|Creator|15|CHINA|PTG|QING||CHINA PTG QING |Lofty Mountains, Endless Streams|Descriptive|Image Source (Pub)|Shan Gao Shui Chang Zhou|Descriptive|Image Source (Pub)||||Lofty Mountains, Endless Streams|30929|Kuncan||painter|Kuncan|0||||0|||||Chinese|||Qing (Ch'ing)|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Landscape (representation)|Scroll painting||17|||1660|1660|ca|ca. 1660|ca. 1660|||||0||||0|||||Ink and color on paper|ink|paper (fiber product)|color (pigment)|||painting (image-making)|||||330 × 127.5 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Mountains ; Forests ; Clouds ; Waterfalls ; Rivers ; Boats ; Figures (representations) ; Architects ; Pine|Mountains|Forests|Clouds|Waterfalls|Rivers|Boats|Figures (representations)|Architects|Pine|Cornell||BZ|BZ|7/7/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|QING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Lofty Mountains, Endless Streams;Shan Gao Shui Chang Zhou|Kuncan 5026.00|0|Site|02|B-R1|Xi'an|3.3 HuoQ||B-R1 Xi'an 3.3 HuoQ|Huo Qubing Tomb|Translated|Cataloger|Huo Qubing mu|Descriptive|Image Source (Pub)||||Huo Qubing Tomb|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0|Sian, China|||||||0||||0|Architecture|Tomb|Mausoleum|Archaeological site|BCE|-2|||-117|-117||117 BCE|-117- -117|||||0||||0||||||||||||||||||||||Tombs ; Mausoleums ; Archaeology ; |Tombs|Mausoleums|Archaeology|||||||Cornell||BZ|MNW|4/19/2006 0:00:00|9/30/2005 0:00:00||||0||||||HuoQ|B|||||R1|3.3|| ||||||||Work|0|Architecture-China|Huo Qubing (140-117 BCE) was one of Han Wudi's generals. China Blue Guide.||||||||||0|0|Huo Qubing Tomb;Huo Qubing mu| 5027.00|0|Creator|15|CHINA|PTG|QING||CHINA PTG QING |Portrait Of Ge Shan|Descriptive|Image Source (Pub)|Ge Shan Xiao Xiang|Descriptive|Image Source (Pub)||||Portrait Of Ge Shan|30930|Huang Anping||painter|Huang Anping|0||||0|||||Chinese|||Qing (Ch'ing)|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Portrait|Figure (representation)||17|||1674|1674||Dated 1674|1674|||||0||||0|||||Ink on paper|ink|paper (fiber product)||||painting (image-making)|||||97× 60.5 cm||9588|Nanchang: Bada Shanren Memorial Gallery|Nanchang: Bada Shanren Memorial Gallery||Portraits ; Figures (representations) ; Men (male humans) ; Inscriptions ; Seals ; |Portraits|Figures (representations)|Men (male humans)|Inscriptions|Seals|||||Cornell||BZ|BZ|7/7/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|QING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Portrait Of Ge Shan;Ge Shan Xiao Xiang|Huang Anping 5028.00|0|Creator|15|CHINA|PTG|QING||CHINA PTG QING |Sketches From Life|Descriptive|Image Source (Pub)|Xie Sheng Ce|Descriptive|Image Source (Pub)||||Sketches From Life|30931|Bada Shanren||painter|Bada Shanren|0||||0|||||Chinese|||Qing (Ch'ing)|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Inscription|Seal||17|||1659|1659||Dated 1659|1659|||||0||||0|||||Ink on paper|ink|paper (fiber product)||||painting (image-making)|||||24.5 × 31.5 cm (each leaf)||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Watermelon ; Gardens ; Rock ; Pomegranates ; Inscriptions ; Seals ; |Watermelon|Gardens|Rock|Pomegranates|Inscriptions|Seals||||Cornell||BZ|BZ|7/7/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|QING|||| ||||||||Work|0||3 leaves from an album of 12 paintings and 3 calligraphies.||||||||||0|0|Sketches From Life;Xie Sheng Ce|Bada Shanren 5029.00|0|Site|02|B-R1|Xi'an|3.3 Weil||B-R1 Xi'an 3.3 Weil |Wei ling Tomb|Translated|Cataloger|Han yuan di wei ling|Descriptive|Image Source (Pub)||||Wei ling Tomb||||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0|Sian, China|||||||0||||0|Architecture|Tomb|Mausoleum|Archaeological site||1|2|3|25|220||25-220|25-220|||||0||||0||||||||||||||||||||||Tombs ; Mausoleums ; Archaeology ; |Tombs|Mausoleums|Archaeology|||||||Cornell||BZ|MNW|4/19/2006 0:00:00|9/30/2005 0:00:00||||0||||||Weil|B|||||R1|3.3|| ||||||||Work|0|Architecture-China|||||||||||0|0|Wei ling Tomb;Han yuan di wei ling| 5030.00|0|Site|02|B-R1|Xi'an|3.3 Tang||B-R1 Xi'an 3.3 Tang|Mausoleum of the First Tang Emperor|Translated|Cataloger|Tang gao zu mu|Descriptive|Image Source (Pub)||||Mausoleum of the First Tang Emperor|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Sian, China|||||||0||||0|Architecture|Tomb|Mausoleum|Archaeological site||7|8|9|618|906||618-906|618-906|||||0||||0||||||||||||||||||||||Tombs ; Mausoleums ; Archaeology ; |Tombs|Mausoleums|Archaeology|||||||Cornell||BZ|MNW|4/19/2006 0:00:00|9/30/2005 0:00:00||||0||||||Tang|B|||||R1|3.3|| ||||||||Work|0|Architecture-China|||||||||||0|0|Mausoleum of the First Tang Emperor;Tang gao zu mu| 5031.00|0|Creator|15|CHINA|PTG|QING||CHINA PTG QING |Cicadas And Water Plant|Descriptive|Image Source (Pub)|||||||Cicadas And Water Plant|30931|Bada Shanren||painter|Bada Shanren|0||||0|||||Chinese|||Qing (Ch'ing)|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Inscription|Seal||17|||1681|1684|ca|ca. 1681-84|ca. 1681-84|||||0||||0|||||Ink on paper|ink|paper (fiber product)||||painting (image-making)|||||30.2 × 30.2 cm||9589|NJ:Princeton University Art Museum|NJ:Princeton University Art Museum||Insects ; Plants (vegetation) ; Flowers ; Inscriptions ; Seals ; |Insects|Plants (vegetation)|Flowers|Inscriptions|Seals|||||Cornell||BZ|BZ|7/7/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|QING|||| ||||||||Work|0||Album leaf.||||||||||0|0|Cicadas And Water Plant|Bada Shanren 5032.00|0|Creator|15|CHINA|PTG|QING||CHINA PTG QING |Orchids, Bamboo, And Rock|Descriptive|Image Source (Pub)|Lan Zhu Zhou|Descriptive|Image Source (Pub)||||Orchids, Bamboo, And Rock|30932|Shitao||painter|Shitao and Wang Yuanqi|30924|Wang Yuanqi||painter|0|||||Chinese|||Qing (Ch'ing)|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|Inscription||17|||1691|1691||Dated 1691|1691|||||0||||0|||||Ink on paper|ink|paper (fiber product)||||painting (image-making)|||||134.2 × 57.7 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Bamboo ; Rock ; Orchids ; Grasses (plants) ; Wind ; Inscriptions ; Seals ; |Bamboo|Rock|Orchids|Grasses (plants)|Wind|Inscriptions|Seals|||Cornell||BZ|BZ|7/27/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|QING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Orchids, Bamboo, And Rock;Lan Zhu Zhou|Shitao;Wang Yuanqi 5071.00|0|Creator|15|24|E979|M177||24 E979 M177 |Madonna and Child in a Church|Assigned|Image Source (Pub)|||||||Madonna and Child in a Church|3675|Eyck, Jan van||painter|Jan van Eyck|0||||0|||||Netherlandish|||Renaissance|||Europe||Netherlands||||||0||||0||||0||||0|Paintings|Painting||||15|||1425|1425||1425|1425-1425|||||0||||0|||||Polychrome on oak|oak|||||polychromy|||||31 x 14 cm||332|Berlin: Staatliche Museen zu Berlin; Gemaldegalerie|Berlin: Gemaldegalerie||Madonna and Child ; Churches ; |Madonna and Child|Churches||||||||Cornell||JNK|MNW|11/7/2006 0:00:00|10/12/2005 0:00:00|E979|||0||525C|||||24|||||||| |M177|||||||Work|0||||||||||||0|0|Madonna and Child in a Church|Eyck, Jan van 5072.00|0||||||||Holy Family with St. Anne and St. John|Assigned|Image Source (Pub)|||||||Holy Family with St. Anne and St. John|1621|Bronzino, Agnolo||painter|Agnolo Bronzino|0||||0|||||Italian|||Mannerist|||Europe||Italy||||||0||||0||||0||||0|Paintings|Panel (wood)|Painting|||16|||1545|1546|ca|ca 1545-1546|ca 1545-1546|||||0||||0|||||Oil on poplar|oil paint|poplar||||painting (image-making)|||||124.5 x 99.5 cm||3403|Vienna: Kunsthistorisches Museum|Vienna: Kunsthistorisches Mus.||Madonna and Child ; Saint John the Baptist ; Saint Anna ; Saint Joseph ; |Madonna and Child|Saint John the Baptist|Saint Anna|Saint Joseph||||||Cornell||JNK|JNK|1/6/2006 0:00:00|10/12/2005 0:00:00||||0||No. 183||||||||||||| ||||||||Work|0||||||||||||0|0|Holy Family with St. Anne and St. John|Bronzino, Agnolo 5073.00|0|Creator|15|25|D6688-PA|34||25 D6688-PA 34 |The St. Lucy Altarpiece|Assigned|Image Source (Pub)|Saint Lucia dei magnoli Altarpiece|Assigned|Repository||||The St. Lucy Altarpiece|12223|Domenico Veneziano, ||painter|Domenico Veneziano|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0||||0||||0||||0|Paintings|Painting|Altarpiece|||15|||1440|1442||1440-1442|1440-1442|||||0||||0|||||Tempera on panel|tempera|panels (wood)||||painting (image-making)|panel painting||||206 x 216 cm||859|Florence: Galleria degli Uffizi|Florence: Uffizi||Madonna and Child ; Saint John the Baptist ; Saint Lucy ; |Madonna and Child|Saint John the Baptist|Saint Lucy|||||||Cornell||JNK|JNK|1/12/2006 0:00:00|10/12/2005 0:00:00|D6688|||0||No. 884||||34|25|PA||||||| ||||||||Work|0||Altarpiece created for S Lucia de’ Magnoli in Florence.||||||||||0|0|The St. Lucy Altarpiece;Saint Lucia dei magnoli Altarpiece|Domenico Veneziano, 5074.00|0|Creator|05|32|N128-PH|1854|1|32 N128-PH 1854 1|Philipon|Assigned|Image Source (Pub)|||||||Philipon|8381|Nadar||photographer|Nadar (Gaspard Félix Tournachon)|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Photographs|Photographic print|Portrait|||19|||1854|1854||1854|1854-1854|||||0||||0|||||Salted paper print||||||salted paper process|||||24 x 18 cm||2196|Paris: Musee d'Orsay|Paris: Musee d'Orsay||Portraits ; Philipon, Charles, 1800-1862 ; Cigars ; |Portraits|Philipon, Charles, 1800-1862|Cigars|||||||Cornell||JNK|MNW|11/8/2005 0:00:00|10/12/2005 0:00:00|N128|||0|||||||32|PH||||||1854| ||||||||Work|0|19th Century|||||||||||0|0|Philipon|Nadar 5075.00|0|Creator|15|32|D241-G|1834|4|32 D241-G 1834 4|The Past, the Present, the Future|Assigned|Image Source (Pub)|||||||The Past, the Present, the Future|2891|Daumier, Honore||printmaker|Honore Daumier|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Prints|Lithograph||||19|||1834|1834||1834|1834-1834|||||0||||0|||||Lithograph||||||lithography|||||||4073|Chicago: Art Institute of Chicago|Chicago: Art Institute||Caricatures ; |Caricatures|||||||||Cornell||JNK|JNK|10/12/2005 0:00:00|10/12/2005 0:00:00|D241|||0|||||||32|G||||||1834| ||||||||Work|0||||||||||||0|0|The Past, the Present, the Future|Daumier, Honore 5076.00|0|Creator|15|32|P549-G|1831|1|32 P549-G 1831 1|Metamorphosis of the Pear|Assigned|Image Source (Pub)|||||||Metamorphosis of the Pear|30760|Philipon, Charles||caricaturist|Charles Philipon|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Prints|Lithograph||||19|||1831|1831||1831|1831-1831|||||0||||0|||||Lithograph||||||lithography|||||||4073|Chicago: Art Institute of Chicago|Chicago: Art Institute||Caricatures ; Louis Philippe, King of the French, 1773-1850 ; |Caricatures|Louis Philippe, King of the French, 1773-1850||||||||Cornell||JNK|JNK|10/12/2005 0:00:00|10/12/2005 0:00:00|P549|||0|||||||32|G||||||1831| ||||||||Work|0||||||||||||0|0|Metamorphosis of the Pear|Philipon, Charles 5077.00|0|Creator|15|32|G723-G|D614||32 G723-G D614 |No. 30: Ravages of War|Translated|Image Source (Pub)|Estragos de la Guerro|Inscribed|Artist||||Disasters of War. No. 30: Ravages of War|4707|Goya y Lucientes, Francisco José de||painter|Francisco Goya y Lucientes|0||||0|||||Spanish||||||Europe||Spain||||||0||||0||||0||||0|Prints|Etching|Aquatint|||19|||1810|1811|ca|ca 1810-1811|ca 1810-1811||Disasters of War|Larger entity||3608||||0|||||Etching, aquatint & drypoint||||||etching (corroding)|aquatint||||23.5 x 33.5 cm (sheet)||3343|San Francisco: Fine Arts Museums of San Francisco|San Francisco: Fine Arts Museums||Wars ; Destruction ; Corpses ; |Wars|Destruction|Corpses|||||||Cornell||JNK|JNK|10/13/2005 0:00:00|10/13/2005 0:00:00|G723|||0||1963.30.1019||||D614|32|G||||||| ||||||||Work|0||Image size is: 13.8 x 16.5 cm.||||||||||0|0|No. 30: Ravages of War;Estragos de la Guerro|Goya y Lucientes, Francisco José de 5078.00|0|Creator|15|27|V433-PA|O449||27 V433-PA O449 |Old Woman Frying Eggs|Assigned|Image Source (Pub)|||||||Old Woman Frying Eggs|12216|Velazquez, Diego Rodriguez de S.||painter|Diego Velazquez|0||||0|||||Spanish|||Baroque|||Europe||Spain||||||0||||0||||0||||0|Paintings|Oil painting|Genre|||17|||1618|1618||1618|1618-1618|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||100.5 x 119.5 cm||3446|Edinburgh: National Gallery of Scotland|Edinburgh: Nat. Gal. Scotland||Genre ; Cooking utensils ; Eggs ; Families ; Cooking ; |Genre|Cooking utensils|Eggs|Families|Cooking|||||Cornell||JNK|JNK|12/22/2005 0:00:00|10/13/2005 0:00:00|V433|||0||||||O449|27|PA||||||| ||||||||Work|0||||||||||||0|0|Old Woman Frying Eggs|Velazquez, Diego Rodriguez de S. 5079.00|0|Creator|05|MA-Meier|1.0|1983|3a|MA-Meier 1.0 1983 3a|Portrait of Richard Meier|Descriptive|Image Source (Pub)|||||||Portrait of Richard Meier|9056|Penn, Irving||photographer|Irving Penn|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Photographic print|Portrait|||20|||1983|1983||1983|1983-1983|||||0||||0|||||Black and white photograph||||||photography|||||||||||Portraits ; Meier, Richard, 1934- ; |Portraits|Meier, Richard, 1934-||||||||Cornell||JNK|JNK|10/13/2005 0:00:00|10/13/2005 0:00:00|Meier|||0|||||||MA||||||1.0|1983|||||||||Work|0||||||||||||0|0|Portrait of Richard Meier|Penn, Irving 5080.00|0|Creator|02|MA-Meier|4.4|1980-3|High|MA-Meier 4.4 1980-3 High|High Museum of Art|Assigned|Image Source (Pub)|||||||High Museum of Art|7835|Meier, Richard Alan||architect|Richard Meier|0||||0|||||American|||Postmodern|||North and Central America||United States||||||0|Atlanta, GA|||10582||||0||||0|Architecture|Museum||||20|||1980|1983||1980-1983|1980-1983|||||0||||0||||||||||||||||||||||Museums ; |Museums|||||||||Cornell||JNK|JNK|10/13/2005 0:00:00|10/13/2005 0:00:00|Meier|Atl||0||||||High|MA||||||4.4|1980-3|||||||||Work|0|Modern Architecture-|||||||||||0|0|High Museum of Art|Meier, Richard Alan 5081.00|0|Creator|15|27|H196-P|R334||27 H196-P R334|Regents of the Old Men's Almshouse|Assigned|Dict.Art|Governors of the Old Men's Almshouse|Variant|||||Regents of the Old Men's Almshouse|5044|Hals, Frans||painter|Frans Hals|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)|Netherlands|||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1664|1664||1664|1664-1664|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||172.5 x 256 cm||3489|Haarlem: Frans Hals Museum|Haarlem: Frans Hals Mus.||Men (male humans) ; Regents ; |Men (male humans)|Regents||||||||Cornell||JNK|CLL|11/9/2005 0:00:00|10/14/2005 0:00:00|H196|||0||I-115||||R334|27|P||||||| ||||||||Work|0||||||||||||0|0|Regents of the Old Men's Almshouse;Governors of the Old Men's Almshouse|Hals, Frans 5082.00|0|Creator|15|27|C311-PA|B367||27 C311-PA B367 |The Bean Eater|Translated|Dict.Art|Il "mangiafagioli"|Assigned|Image Source (Pub)||||The Bean-Eater (Il "mangiafagioli")|2053|Carracci, Annibale||painter|Annibale Carracci|0||||0|||||Italian|||Baroque|||Europe||Italy||||||0||||0||||0||||0|Paintings|Painting|Genre|||16|||1581|1584|ca|ca 1581-1584|ca 1581-1584|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||78 x 95 cm||9591|Rome: Galleria Colonna|Rome: Galleria Colonna||Genre ; Peasants ; Dinners and dining ; |Genre|Peasants|Dinners and dining|||||||Cornell||JNK|MNW|11/8/2005 0:00:00|10/14/2005 0:00:00|C311|||0||||||B367|27|PA||||||| ||||||||Work|0||||||||||||0|0|The Bean Eater;Il "mangiafagioli"|Carracci, Annibale 5083.00|0|Creator|15|35|O449-SC|S690.1||35 O449-SC S690.1 |Soft Toilet|Assigned|Image Source (Pub)|||||||Soft Toilet|8686|Oldenburg, Claes||sculptor|Claes Oldenburg|0||||0|||||Swedish|American||Pop|Post-1945||North and Central America||United States||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1966|1966||1966|1966-1966|||||0||||0|||||Wood, vinyl, kapok, wire, plexiglass on metal stand and painted wood base|wood (plant material)|vinyl|Plexiglas|||sculpture|||||144.94 x 70.17 x 71.28 cm overall||3543|New York: Whitney Museum of American Art|New York: Whitney Mus.||Toilets ; |Toilets|||||||||Cornell||JNK|JNK|10/17/2005 0:00:00|10/17/2005 0:00:00|O449|||0||79.83a-b||||S690.1|35|SC||||||| ||||||||Work|0||||||||||||0|0|Soft Toilet|Oldenburg, Claes 5084.00|0|Creator|15|32|M275-PA|M655|||At the Milliner's|Assigned|Image Source (Pub)|Chez La Modiste|Original|Image Source (Pub)||||At the Milliner's Chez La Modiste)|7474|Manet, Éduard||painter|Éduard Manet|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1881|1881||1881|1881-1881|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||85.1 x 73.7 cm||3343|San Francisco: Fine Arts Museums of San Francisco|San Francisco: Fine Arts Museums||Milliners ; Women ; Shopping ; |Milliners|Women|Shopping|||||||Cornell||JNK|MNW|11/9/2005 0:00:00|10/17/2005 0:00:00|M275|||0||1957.3||||M655|32|PA||||||| ||||||||Work|0||||||||||||0|0|At the Milliner's;Chez La Modiste|Manet, Éduard 5085.00|0|Creator|15|35|A881-PA|2002|1|35 A881-PA 2002 1|The Sanctuary|Assigned|Image Source (Pub)|||||||The Sanctuary|30845|Atnafu, Elisabeth Tariqua||painter|Elizabeth Atnafu|0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Paintings|Painting||||21|||2002|2002||2002|2002-2002|||||0||||0|||||Mixed materials|mixed materials|||||painting (image-making)|||||91 x 106.5 x 6 cm||3561|Collection of the Artist|: Collection of the Artist||||||||||||Cornell||MNW|MNW|10/17/2005 0:00:00|10/17/2005 0:00:00|A881|||0|||||||35|PA||||||2002| ||||||||Work|0||||||||||||0|0|The Sanctuary|Atnafu, Elisabeth Tariqua 5086.00|0|Creator|15|35|K870-PA|2002|1|35 K870-PA 2002 1|Wax and Gold IX|Assigned|Image Source (Pub)|||||||Wax and Gold IX|30846|Kosrof, Wosene Worke||painter|Wosene Worke Kosrof|0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Paintings|Painting||||21|||2002|2002||2002|2002-2002|||||0||||0|||||Mixed materials|mixed materials|||||painting (image-making)|||||46 x 46 cm||9592|: Collection of Matt and Shanette Westphal|: Coll. Matt & Shanette Westphal||||||||||||Cornell||MNW|MNW|10/21/2005 0:00:00|10/17/2005 0:00:00||||0|||||||35|PA||||||2002| ||||||||Work|0||||||||||||0|0|Wax and Gold IX|Kosrof, Wosene Worke 5087.00|0|Creator|15|35|M4983-PA|2002|1|35 M4983-PA 2002 1|Dispersion|Artists|Image Source (Pub)|||||||Dispersion|30847|Mehretu, Julie||painter|Julie Mehretu|0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Paintings|Painting||||21|||2002|2002||2002|2002-2002|||||0||||0|||||Ink and acrylic on canvas|ink|acrylic|canvas|||painting (image-making)|||||||9593|Rohatyn: Collection of Nicholas and Jeanne Greenberg|Rohatyn: Coll. N. & J. Greenberg||||||||||||Cornell||MNW|MNW|10/19/2005 0:00:00|10/17/2005 0:00:00|M4983|||0|||||||35|PA||||||2002| ||||||||Work|0||||||||||||0|0|Dispersion|Mehretu, Julie 5088.00|0|Creator|15|35|T266-PA|1994|1|35 T266-PA 1994 1|Behind the Bars I|Assigned|Image Source (Pub)|||||||Behind the Bars I|30848|Tekleab, Lebedech||painter|Lebedech Tekleab|0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Paintings|Painting||||20|||1994|1994||1994|1994-1994|||||0||||0|||||Acrylic and modeling paste on canvas|acrylic|canvas||||painting (image-making)|||||50.5 x 61 cm||3561|Collection of the Artist|: Collection of the Artist||||||||||||Cornell||MNW|MNW|10/17/2005 0:00:00|10/17/2005 0:00:00|T266|||0|||||||35|PA||||||1994| ||||||||Work|0||||||||||||0|0|Behind the Bars I|Tekleab, Lebedech 5089.00|0|Creator|15|35|B6743-PA|1981|1|35 B6743-PA 1981 1|Time Cycle III|Assigned|Image Source (Pub)|||||||Time Cycle III|30849|Boghossian, Alexander||painter|Alexander Boghossian|0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Embossing|Embossing||||20|||1981|1981||1981|1981-1981|||||0||||0|||||Embossed bark cloth|Bark cloth|||||embossing|||||122 x 122 cm||9594|New York: Contemporary African Art Gallery|New York: Contemporary African Art Gal.||||||||||||Cornell||MNW|MNW|10/17/2005 0:00:00|10/17/2005 0:00:00|B6743|||0|||||||35|PA||||||1981| ||||||||Work|0||||||||||||0|0|Time Cycle III|Boghossian, Alexander 5090.00|0|Creator|15|35|A881-M|1995|1|35 A881-M 1995 1|Shrine for Angelica's Dreams|Assigned|Image Source (Pub)|||||||Shrine for Angelica's Dreams|30845|Atnafu, Elisabeth Tariqua||painter|Elizabeth Atnafu|0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Multimedia works|Multimedia work||||20|||1995|1996||1995-1996|1995-1996|||||0||||0|||||Mixed materials|mixed materials||||||||||200 x 200 x 32 cm||3561|Collection of the Artist|: Collection of the Artist||Dresses ; Dreams ; |Dresses|Dreams||||||||Cornell||MNW|JNK|10/25/2005 0:00:00|10/17/2005 0:00:00|A881|||0|||||||35|M||||||1995| ||||||||Work|0||||||||||||0|0|Shrine for Angelica's Dreams|Atnafu, Elisabeth Tariqua 5091.00|0|Creator|05|J J-Muluneh|Muluneh||1|J-Muluneh 1|Spirit of Sisterhood|Artists|Image Source (Pub)|||||||Spirit of Sisterhood|30850|Muluneh, Aida||photographer|Aida Muluneh|0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Photographs|Photographic print||||21|||2000|2000||2000|2000-2000|||||0||||0|||||Cibachrome print|photographic paper|||||cibachrome ™|||||101 x 75.5 cm||3561|Collection of the Artist|: Collection of the Artist||Women ; |Women|||||||||Cornell||MNW|JNK|10/25/2005 0:00:00|10/17/2005 0:00:00|Muluneh|||0|||||||J J|||||||| ||||||||Work|0||||||||||||0|0|Spirit of Sisterhood|Muluneh, Aida 5033.00|0|Creator|15|CHINA|MA|QING||CHINA MA QING |Ink Palette, Water Container, Brush Holder, Brush & Cap, Brush Rest, Brush, Inkstone|Descriptive|Image Source (Pub)|Bi Zhan, Shui Cheng, Bi Tong, Hei Qi Miao Jin Yun Fu Bi, Luo Tuo Bi Jia, ZiTan Mu Xiao Dou Bi, Yan|Descriptive|Image Source (Pub)||||Ink Palette, Water Container, Brush Holder, Brush & Cap, Brush Rest, Brush, Inkstone|0|||||0||||0|||||Chinese|||Qing (Ch'ing)|Ming|Song (Sung)|Asia||China||||||0||||0||||0||||0|Tools and Equipment|Tool|Drafting, drawing and writing equipment|Inkstone|||||265|1911||265-1911|265-1911|||||0||||0|||||porcelain, jade, stone.|porcelain|jade|stone|||carving|||||||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Palettes ; |Palettes|||||||||Cornell||BZ|BZ|7/27/2006 0:00:00|9/30/2005 0:00:00||||0|||||||MA|||CHINA|QING|||| ||||||||Work|0||Sequence (Clockwise from left): A.Ink Palette, Song dyn. B.Water Container, Ming dyn. C. Brush Holder, Song dyn. D. Brush & cap, Qing dyn. E. Brush rest, Six dyn. F.Brush,Qing dyn. G. Inkstone, Qing dyn.||||||||||0|0|Ink Palette, Water Container, Brush Holder, Brush & Cap, Brush Rest, Brush, Inkstone;Bi Zhan, Shui Cheng, Bi Tong, Hei Qi Miao Jin Yun Fu Bi, Luo Tuo Bi Jia, ZiTan Mu Xiao Dou Bi, Yan| 5034.00|0|Creator|15|CHINA|MA|SONG||CHINA MA SONG |Roof-tile Inkstone With Inscriptions|Descriptive|Image Source (Pub)|Tong Que Tai Wa Yan|Descriptive|Image Source (Pub)||||Roof-tile Inkstone With Inscriptions|0|||||0||||0|||||Chinese|||Song (Sung)|||Asia||China||||||0||||0||||0||||0|Tools and Equipment|Tool|Drafting, drawing and writing equipment|Inkstone||10|11|12|960|1279||960-1279|960-1279|||||0||||0|||||Pottery|earthenware|||||carving|||||24.5 × 13.9 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Tools ; |Tools|||||||||Cornell||BZ|BZ|7/27/2006 0:00:00|9/30/2005 0:00:00||||0|||||||MA|||CHINA|SONG|||| ||||||||Work|0||||||||||||0|0|Roof-tile Inkstone With Inscriptions;Tong Que Tai Wa Yan| 5035.00|0|Creator|15|CHINA|MA|SONG||CHINA MA SONG |Congxing Inkstone|Descriptive|Image Source (Pub)|Su Shi Congxing Yan|Descriptive|Image Source (Pub)||||Congxing Inkstone|0|||||0||||0|||||Chinese|||Song (Sung)|||Asia||China||||||0||||0||||0||||0|Tools and Equipment|Tool|Inkstone|Drafting, drawing and writing equipment||10|11|12|960|1279||960-1279|960-1279|||||0||||0|||||Duan stone|stone|||||carving|||||5.6 × 15.9 × 9 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Tools ; |Tools|||||||||Cornell||BZ|BZ|7/27/2006 0:00:00|9/30/2005 0:00:00||||0|||||||MA|||CHINA|SONG|||| ||||||||Work|0||The buttom image (b) is the underside of the inkstone.||||||||||0|0|Congxing Inkstone;Su Shi Congxing Yan| 5036.00|0|Creator|15|CHINA|MA|SONG||CHINA MA SONG |Inkstone Depicting The Orchild Pavilion|Descriptive|Image Source (Pub)|Tao He Shi Lan Ting Yan|Descriptive|Image Source (Pub)||||Inkstone Depicting The Orchild Pavilion|0|||||0||||0|||||Chinese|||Song (Sung)|||Asia||China||||||0||||0||||0||||0|Tools and Equipment|Tool|Drafting, drawing and writing equipment|Inscription||10|11|12|960|1279||960-1279|960-1279|||||0||||0|||||Tao River stone|stone|||||carving|||||3.2 × 23.2 × 17.8 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Tools ; Inscriptions ; Landscapes ; Houses ; Figures (representations) ; Bridges (built works) ; Trees ; Plants (vegetation) ; Stone|Tools|Inscriptions|Landscapes|Houses|Figures (representations)|Bridges (built works)|Trees|Plants (vegetation)|Stone|Cornell||BZ|BZ|7/27/2006 0:00:00|9/30/2005 0:00:00||||0|||||||MA|||CHINA|SONG|||| ||||||||Work|0||||||||||||0|0|Inkstone Depicting The Orchild Pavilion;Tao He Shi Lan Ting Yan| 5037.00|0|Site|02|B-R1|Xi'an|3.3 Zhao||B-R1 Xi'an 3.3 Zhao|Zhao ling Tomb|Translated|Cataloger|Tang tai zong zhao ling|Descriptive|Image Source (Pub)||||Zhao ling Tomb|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Sian, China|||||||0||||0|Architecture|Tomb|Mausoleum|Archaeological site||7|8|9|618|906||618-906|618-906|||||0||||0||||||||||||||||||||||Tombs ; Mausoleums ; Archaeology ; |Tombs|Mausoleums|Archaeology|||||||Cornell||BZ|MNW|4/19/2006 0:00:00|9/30/2005 0:00:00||||0||||||Zhao|B|||||R1|3.3|| ||||||||Work|0|Architecture-China|Tomb of Taizong, the second emperor of the Tang (reigned 626-649). China Blue Guide.||||||||||0|0|Zhao ling Tomb;Tang tai zong zhao ling| 5038.00|0|Creator|15|CHINA|PTG|QING||CHINA PTG QING |Assembled Blessings|Descriptive|Image Source (Pub)|Ju Rui Tu Zhou|Descriptive|Image Source (Pub)||||Assembled Blessings|30934|Lang Shining||painter|Lang Shining (Giuseppe Castiglione)|0||||0|||||Chinese|||Qing (Ch'ing)|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|Inscription||18|||1723|1723||Dated 1723|1723|||||0||||0|||||Ink and color on silk|ink|silk (textile)|color (pigment)|||painting (image-making)|||||173 × 86.1 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Vessels ; Flowers ; Lotus ; Inscriptions ; Seals ; Peonies ; |Vessels|Flowers|Lotus|Inscriptions|Seals|Peonies||||Cornell||BZ|BZ|7/27/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|QING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Assembled Blessings;Ju Rui Tu Zhou|Lang Shining 5039.00|0|Creator|15|CHINA|PTG|QING||CHINA PTG QING |One Hundred Horses|Descriptive|Image Source (Pub)|Bai Jun Tu Juan|Descriptive|Image Source (Pub)||||One Hundred Horses|30934|Lang Shining||painter|Lang Shining (Giuseppe Castiglione)|0||||0|||||Chinese|||Qing (Ch'ing)|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||18|||1728|1728||Dated 1728|1728|||||0||||0|||||Ink and color on silk|ink|silk (textile)|color (pigment)|||painting (image-making)|||||94.5 × 776.2 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Horses ; Pine ; Trees ; Mountains ; Grasses (plants) ; Figures (representations) ; Seals ; |Horses|Pine|Trees|Mountains|Grasses (plants)|Figures (representations)|Seals|||Cornell||BZ|BZ|7/27/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|QING|||| ||||||||Work|0||Handscroll.||||||||||0|0|One Hundred Horses;Bai Jun Tu Juan|Lang Shining 5040.00|0|Culture|15|CHINA|POT|TANG||CHINA POT TANG |Pottery Pestle and Mortar|Translated|Cataloger|Zhao ling pei zang pin --- tao chu jiu|Descriptive|Image Source (Pub)||||Zhao ling Tomb. Pottery Pestle and Mortar|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0||||0|Ceramics|Pottery|Ceramic|Tool||7|8|9|618|906||618-906|618-906||Zhao ling Tomb|LargerEntity||5037||||0|||||Ceramic|ceramic|||||ceramics|||||||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Tools ; Cooking utensils ; |Tools|Cooking utensils||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|9/30/2005 0:00:00||||0|||||||POT|||CHINA||||| ||||||||Work|0||||||||||||0|0|Pottery Pestle and Mortar;Zhao ling pei zang pin --- tao chu jiu| 5041.00|0|Culture|15|CHINA|POT|TANG||CHINA POT TANG |Painted Pottery Figure and Stove|Translated|Cataloger|Zhao ling pei zang pin --- cai hui tao zao|Descriptive|Image Source (Pub)||||Zhao ling Tomb. Painted Pottery Figure and Stove||||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0||||0|Ceramics|Pottery|Stove|Figure (representation)||7|8|9|618|906||618-906|618-906||Zhao ling Tomb|LargerEntity||5037||||0|||||ceramic|ceramic|||||ceramics|carving||||||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Figures (representations) ; Tools ; Stoves ; |Figures (representations)|Tools|Stoves|||||||Cornell||BZ|MNW|4/24/2006 0:00:00|9/30/2005 0:00:00||||0|||||||POT|||CHINA||||| ||||||||Work|0||||||||||||0|0|Painted Pottery Figure and Stove;Zhao ling pei zang pin --- cai hui tao zao| 5042.00|0|Creator|15|CHINA|PTG|QING||CHINA PTG QING |Activities Of The Month: The Fourth Month|Descriptive|Image Source (Pub)|Yue Ling Tu Zhou: Si Yue|Descriptive|Image Source (Pub)||||Activities Of The Month: The Fourth Month|0|||||0||||0|||||Chinese|||Qing (Ch'ing)|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|Figure (representation)||18|||1736|1795||1736-1795|1736-1795|||||0||||0|||||Ink and color on silk|ink|silk (textile)|color (pigment)|||painting (image-making)|||||175.8 × 96.7 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Architects ; Figures (representations) ; Rivers ; Bridges (built works) ; Rock ; Trees ; Flowers ; Furniture ; Birds|Architects|Figures (representations)|Rivers|Bridges (built works)|Rock|Trees|Flowers|Furniture|Birds|Cornell||BZ|BZ|7/27/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|QING|||| ||||||||Work|0||Painted by court artists under the Qianlong emperor (r.1736-95). Hanging scroll.||||||||||0|0|Activities Of The Month: The Fourth Month;Yue Ling Tu Zhou: Si Yue| 5043.00|0|Creator|15|CHINA|PTG|QING||CHINA PTG QING |Activities Of The Month: TheTwelfth Month|Descriptive|Image Source (Pub)|Yue Ling Tu Zhou: Shi Er Yue|Descriptive|Image Source (Pub)||||Activities Of The Month: TheTwelfth Month|0|||||0||||0|||||Chinese|||Qing (Ch'ing)|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|Figure (representation)||18|||1736|1795||1736-1795|1736-1795|||||0||||0|||||Ink and color on silk|ink|silk (textile)|color (pigment)|||painting (image-making)|||||175.8 × 96.7 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Architects ; Figures (representations) ; Rivers ; Bridges (built works) ; Rock ; Trees ; Flowers ; Furniture ; Birds|Architects|Figures (representations)|Rivers|Bridges (built works)|Rock|Trees|Flowers|Furniture|Birds|Cornell||BZ|BZ|7/27/2006 0:00:00|9/30/2005 0:00:00||||0|||||||PTG|||CHINA|QING|||| ||||||||Work|0||Painted by court artists under the Qianlong emperor (r.1736-95). Hanging scroll.||||||||||0|0|Activities Of The Month: TheTwelfth Month;Yue Ling Tu Zhou: Shi Er Yue| 5044.00|0|Site|02|B-R1|Sian|3.3 Qianl||B-R1 Sian 3.3 Qianl |Qianling Tomb|Translated|Cataloger|Qian ling|Descriptive|Image Source (Pub)||||Qianling Tomb|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Sian, China|||10572||||0||||0|Architecture|Tomb|Mausoleum|Archaeological site||7|8|9|618|906||618-906|618-906|||||0||||0||||||||||||||||||||||Tombs ; Mausoleums ; Archaeology ; |Tombs|Mausoleums|Archaeology|||||||Cornell||BZ|BZ|5/19/2006 0:00:00|9/30/2005 0:00:00||Sian||0||||||Qianl|B|||||R1|3.3|| ||||||||Work|0|Architecture-China|||||||||||0|0|Qianling Tomb;Qian ling| 5045.00|0|Creator|15|CHINA|CALL|SONG||CHINA CALL SONG |"Autumn Thoughts" By Wang Wei|Descriptive|Image Source (Pub)|Wang Wei qiu si shi ye ce|Descriptive|Image Source (Pub)||||"Autumn Thoughts" By Wang Wei|30984|Gaozong||painter|Gaozong|0||||0|||||Chinese|||Song (Sung)|Southern Song (S.Sung)||Asia||China||||||0||||0||||0||||0|Calligraphy|Calligraphy|Album|||12|||1107|1187||1107-1187|1107-1187|||||0||||0|||||Ink on silk|ink|silk (textile)||||calligraphy|||||23.8 × 25.1 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Calligraphy ; Poetry ; |Calligraphy|Poetry||||||||Cornell||BZ|BZ|7/27/2006 0:00:00|9/30/2005 0:00:00||||0|||||||CALL|||CHINA|SONG|||| ||||||||Work|0||Album leaf.Facing leaf of plate "Lotus Pond".||||||||||0|0|"Autumn Thoughts" By Wang Wei;Wang Wei qiu si shi ye ce|Gaozong 5046.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Stone Lion|Translated|Cataloger|Qian ling shi shi|Descriptive|Image Source (Pub)||||Qian ling Tomb. Stone Lion|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Sian, China|||||||0||||0|Sculpture|Sculpture|Tomb|Archaeological site||7|8|9|618|906||618-906|618-906||Qian ling Tomb|LargerEntity||5044||||0|||||Stone|stone|||||sculpture|carving||||||||||Sculpture (visual work) ; Lions ; Tombs ; Archaeology ; |Sculpture (visual work)|Lions|Tombs|Archaeology||||||Cornell||BZ|MNW|4/19/2006 0:00:00|9/30/2005 0:00:00||||0|||||||SC|||CHINA|||||||||||||Work|0||||||||||||0|0|Stone Lion;Qian ling shi shi| 5047.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Stone Statue of Wengzhong|Translated|Cataloger|Qian ling shi Wengzhong|Descriptive|Image Source (Pub)||||Qian ling Tomb. Stone Statue of Wengzhong|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Sian, China|||||||0||||0|Sculpture|Sculpture|Figure (representation)|Archaeological site||7|8|9|618|906||618-906|618-906||Qian ling Tomb|LargerEntity||5044||||0|||||Stone|stone|||||sculpture|carving||||||||||Sculpture (visual work) ; Figures (representations) ; Archaeology ; Tombs ; |Sculpture (visual work)|Figures (representations)|Archaeology|Tombs||||||Cornell||BZ|MNW|4/19/2006 0:00:00|9/30/2005 0:00:00||||0|||||||SC|||CHINA|||||||||||||Work|0||||||||||||0|0|Stone Statue of Wengzhong;Qian ling shi Wengzhong| 5048.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Strong Horse with Wings|Translated|Cataloger|Qian ling yi ma|Descriptive|Image Source (Pub)||||Qian ling Tomb. Strong Horse with Wings|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Sian, China|||||||0||||0|Sculpture|Sculpture|Tomb|||7|8|9|618|906||618-906|618-906||Qian ling Tomb|LargerEntity||5044||||0|||||Stone|stone|||||sculpture|carving||||||||||Sculpture (visual work) ; Horses ; Tombs ; |Sculpture (visual work)|Horses|Tombs|||||||Cornell||BZ|MNW|4/19/2006 0:00:00|9/30/2005 0:00:00||||0|||||||SC|||CHINA|||||||||||||Work|0||||||||||||0|0|Strong Horse with Wings;Qian ling yi ma| 5049.00|0|Site|02|B-R1|Xi'an|3.3 Yide||B-R1 Xi'an 3.3 Yide |Prince Yide's Tomb|Translated|Cataloger|Yide tai zi mu pou mian tu|Descriptive|Image Source (Pub)||||Prince Yide's Tomb|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Sian, China|||||||0||||0|Architecture|Tomb|Mausoleum|Archaeological site||7|8|9|618|906||618-906|618-906|||||0||||0||||||||||||||||||||||Tombs ; Mausoleums ; Archaeology ; |Tombs|Mausoleums|Archaeology|||||||Cornell||BZ|MNW|4/19/2006 0:00:00|9/30/2005 0:00:00||||0||||||Yide|B|||||R1|3.3||||||||||Work|0|Architecture-China||||First constructed in 706.|||||||0|0|Prince Yide's Tomb;Yide tai zi mu pou mian tu| 5050.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Painted Figure Riding on Horse|Translated|Cataloger|Jia jin cai hui qi ma yong|Descriptive|Image Source (Pub)||||Prince Yide's Tomb. Painted Figure Riding on Horse|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Sian, China|||||||0||||0|Sculpture|Sculpture|Figure (representation)|||7|8|9|618|906||618-906|618-906||Prince Yide's Tomb|Larger entity||5049||||0|||||Ceramic|ceramic|||||sculpture|carving||||||||||Sculpture (visual work) ; Figures (representations) ; Horses ; Animals ; Tombs ; Archaeology ; |Sculpture (visual work)|Figures (representations)|Horses|Animals|Tombs|Archaeology||||Cornell||BZ|MNW|4/19/2006 0:00:00|9/30/2005 0:00:00||||0|||||||SC|||CHINA|||||||||||||Work|0||||||||||||0|0|Painted Figure Riding on Horse;Jia jin cai hui qi ma yong| 5051.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Stone Lion|Translated|Cataloger|Shun ling shi shi|Descriptive|Image Source (Pub)||||Shun ling Tomb. Stone Lion|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Sian, China|||||||0||||0|Sculpture|Sculpture||||7|8|9|618|906||618-906|618-906||Shun ling Tomb|Larger entity||5052||||0|||||Stone|stone|||||sculpture|carving||||||||||Sculpture (visual work) ; Lions ; Animals ; |Sculpture (visual work)|Lions|Animals|||||||Cornell||BZ|MNW|4/19/2006 0:00:00|9/30/2005 0:00:00||||0|||||||SC|||CHINA|||||||||||||Work|0||||||||||||0|0|Stone Lion;Shun ling shi shi| 5052.00|0|Site|02|B-R1|Xi'an|3.3 Shunl||B-R1 Xi'an 3.3 Shunl |Shun ling Tomb|Translated|Cataloger|Shun ling|Descriptive|Image Source (Pub)||||Shun ling Tomb|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Sian, China|||||||0||||0|Architecture|Tomb|Mausoleum|Archaeological site||7|8|9|618|906||618-906|618-906|||||0||||0||||||||||||||||||||||Tombs ; Mausoleums ; Archaeology ; Architects ; |Tombs|Mausoleums|Archaeology|Architects||||||Cornell||BZ|MNW|4/19/2006 0:00:00|9/30/2005 0:00:00||||0||||||Shunl|B|||||R1|3.3||||||||||Work|0|Architecture-China|||||||||||0|0|Shun ling Tomb;Shun ling| 5053.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Stone Statue of Wengzhong|Translated|Cataloger|Shun ling shi Wengzhong|Descriptive|Image Source (Pub)||||Shun ling Tomb. Stone Statue of Wengzhong|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Sian, China|||||||0||||0|Sculpture|Sculpture||||7|8|9|618|906||618-906|618-906||Shun ling Tomb|Larger entity||5052||||0|||||Stone|stone|||||sculpture|carving||||||||||Sculpture (visual work) ; Figures (representations) ; Archaeology ; |Sculpture (visual work)|Figures (representations)|Archaeology|||||||Cornell||BZ|MNW|4/19/2006 0:00:00|9/30/2005 0:00:00||||0|||||||SC|||CHINA|||||||||||||Work|0||||||||||||0|0|Stone Statue of Wengzhong;Shun ling shi Wengzhong| 5054.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Strong Auspicious Animal|Translated|Cataloger|Shun ling shi rui shou|Descriptive|Image Source (Pub)||||Shun ling Tomb. Strong Auspicious Animal|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Sian, China|||||||0||||0|Sculpture|Sculpture||||7|8|9|618|906||618-906|618-906||Shun ling Tomb|Larger entity||5052||||0|||||Stone|stone|||||sculpture|carving||||||||||Sculpture (visual work) ; Animals ; |Sculpture (visual work)|Animals||||||||Cornell||BZ|MNW|4/19/2006 0:00:00|9/30/2005 0:00:00||||0|||||||SC|||CHINA|||||||||||||Work|0||||||||||||0|0|Strong Auspicious Animal;Shun ling shi rui shou| 5055.00|0|Site|02|B-R1|Xi'an|3.3 Qiao||B-R1 Xi'an 3.3 Qiao|Qiao ling Tomb|Translated|Cataloger|Tang tui zong qiao ling|Descriptive|Image Source (Pub)||||Qiao ling Tomb|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Sian, China|||||||0||||0|Architecture|Tomb|Mausoleum|Archaeological site||7|8|9|618|906||618-906|618-906|||||0||||0||||||||||||||||||||||Tombs ; Mausoleums ; Archaeology ; |Tombs|Mausoleums|Archaeology|||||||Cornell||BZ|MNW|4/19/2006 0:00:00|9/30/2005 0:00:00||||0||||||Qiao|B|||||R1|3.3||||||||||Work|0|Architecture-China|||||||||||0|0|Qiao ling Tomb;Tang tui zong qiao ling| 5056.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Stone Ostrich|Translated|Cataloger|Qiao ling tuo niao|Descriptive|Image Source (Pub)||||Qiao ling Tomb. Stone Ostrich|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Sian, China|||||||0||||0|Sculpture|Sculpture||||7|8|9|618|906||618-906|618-906||Qiao ling Tomb|Larger entity||5055||||0|||||Stone|stone|||||sculpture|carving||||||||||Sculpture (visual work) ; Animals ; Archaeology ; Ostriches ; Birds ; |Sculpture (visual work)|Animals|Archaeology|Ostriches|Birds|||||Cornell||BZ|MNW|4/19/2006 0:00:00|9/30/2005 0:00:00||||0|||||||SC|||CHINA|||||||||||||Work|0||||||||||||0|0| Stone Ostrich;Qiao ling tuo niao| 5057.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Marble Pillar|Translated|Cataloger|Qiao ling hua biao|Descriptive|Image Source (Pub)||||Qiao ling Tomb. Marble Pillar|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Sian, China|||||||0||||0|Sculpture|Sculpture|Archaeological site|||7|8|9|618|906||618-906|618-906||Qiao ling Tomb|Larger entity||5055||||0|||||Carved stone|stone|||||carving|||||||||||Sculptors ; Archaeology ; Pillars ; Columns (architectural elements) ; |Sculptors|Archaeology|Pillars|Columns (architectural elements)||||||Cornell||BZ|MNW|4/19/2006 0:00:00|9/30/2005 0:00:00||||0|||||||SC|||CHINA|||||||||||||Work|0||||||||||||0|0|Marble Pillar;Qiao ling hua biao| 5058.00|0|Creator|15|B-H3|Rom|3.1 S.Ign||B-H3 Rom 3.1 S.Ign |Triumph of St. Ignatius|Assigned|Blue Guide|Glory of St Ignatius Loyola and the Missionary Work of the Jesuit Order|Variant|Dict.Art||||Sant'Ignazio. Triumph of St. Ignatius|9450|Pozzo, Andrea||painter|Andrea Pozzo|0||||0|||||Italian|||Baroque|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Paintings|Fresco||||17|||1691|1694||1691-1694|1691-1694||Sant'Ignazio|||5059||||0|||||Fresco|frescoes|||||fresco painting|||||||||||Saint Ignatius ; Perspective ; Trompe-l'oeil ; |Saint Ignatius|Perspective|Trompe-l'oeil|||||||Cornell||JNK|MNW|11/8/2005 0:00:00|10/4/2005 0:00:00||Rom||0||||||S.Ign|B|||||H3|3.1||||||||||Work|0||||||||||||0|0|Triumph of St. Ignatius;Glory of St Ignatius Loyola and the Missionary Work of the Jesuit Order|Pozzo, Andrea 5059.00|0|Site|02|B-H3|Rom|3.1 S.Ign||B-H3 Rom 3.1 S.Ign |Sant'Ignazio|Assigned|Blue Guide|Sant'Ignazio di Loyola|Variant|Online Resource||||Sant'Ignazio|7390|Maderno, Carlo||architect|Carlo Maderno & Orazio Grassi|4745|Grassi, Orazio||architect|0|||||Italian|||Baroque|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Church||||17|||1626|1626|ca|ca 1626|ca 1626-1626|||||0||||0||||||||||||||||||||||Churches ; Saint Ignatius ; |Churches|Saint Ignatius||||||||Cornell||JNK|JNK|10/4/2005 0:00:00|10/4/2005 0:00:00||Rom||0||||||S.Ign|B|||||H3|3.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|Sant'Ignazio;Sant'Ignazio di Loyola|Maderno, Carlo;Grassi, Orazio 5060.00|0|Creator|15|G.W.|HOKUSAI, K.|(Japan)||G.W. HOKUSAI, K. (Japan) |Sea Route off the Shore of Kazusa Province|Translated|Image Source (Pub)|Kazusa no kairo|Artists|Image Source (Pub)||||Thirty-six Views of Mt. Fuji. Sea Route off the Shore of Kazusa Province|5527|Hokusai, Katsushika||painter|Katsushika Hokusai|0||||0|||||Japanese|||Edo (Japanese period)|||Asia||Japan||||||0||||0||||0||||0|Prints|Woodcut||||19|||1831|1834|ca|ca 1831-1834|ca 1831-1834||Thirty-six Views of Mt. Fuji|Series||5061||||0|||||Color woodcut||||||woodcut (process)|||||25.9 x 38.2 cm||3343|San Francisco: Fine Arts Museums of San Francisco|San Francisco: Fine Arts Museums||Ships ; Seas ; Seashores ; Mountains ; Fuji-san (volcano) ; Landscapes ; |Ships|Seas|Seashores|Mountains|Fuji-san (volcano)|Landscapes||||Cornell||JNK|MNW|11/9/2005 0:00:00|10/11/2005 0:00:00|HOKUSAI, K|||0||1964.141.736||||G.W.|||||||||(Japan)||||||||Work|0||||||||||||0|0|Sea Route off the Shore of Kazusa Province;Kazusa no kairo|Hokusai, Katsushika 5061.00|0||||||||Thirty-Six Views of Mt. Fuji|Series|Image Source (Pub)|Fugaku sanjurokkei|Artists|Image Source (Pub)||||Thirty-Six Views of Mt. Fuji|5527|Hokusai, Katsushika||painter|Katsushika Hokusai|0||||0|||||Japanese|||Edo (Japanese period)|||Asia||Japan||||||0||||0||||0||||0|Prints|Woodcut||||19|||1831|1834|ca|ca 1831-1834|ca 1831-1834|||||0||||0|||||Woodcuts||||||woodcut (process)|||||||||||Fuji-san (volcano) ; Mountains ; Landscapes ; |Fuji-san (volcano)|Mountains|Landscapes|||||||Cornell||JNK|MNW|11/27/2006 0:00:00|10/11/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Thirty-Six Views of Mt. Fuji;Fugaku sanjurokkei|Hokusai, Katsushika 5063.00|0||||||||Maestà|Assigned|Dict.Art|||||||Maestà|3335|Duccio di Buoninsegna||painter|Duccio di Buonisegna|0||||0|||||Italian|||Early Renaissance|||Europe||Italy||||||0||||0||||0||||0|Paintings|Altarpiece|Painting|||14|||1308|1311||1308-1311|1308-1311|||||0||||0|||||Tempera on wood|tempera|wood (plant material)||||painting (image-making)|panel painting||||211 x 415 cm||2691|Siena: Museo dell'Opera del Duomo|Siena: Mus. Opera Duomo||Madonna and Child ; Maestà ; Saints ; Passion of Christ ; Life of the Virgin ; Temptation of Christ in the Wilderness ; Prophets ; Coronation of Mary ; |Madonna and Child|Maestà|Saints|Passion of Christ|Life of the Virgin|Temptation of Christ in the Wilderness|Prophets|Coronation of Mary||Cornell||JNK|JNK|10/12/2005 0:00:00|10/11/2005 0:00:00||||0||||||||||||||| |||||||||0||The altarpieces was broken up and portions are in collections around the world such as the Frick Collection in New York.||||Portions are in other museums.||||||0|0|Maestà|Duccio di Buoninsegna 5064.00|0||||||||Front|Descriptive|Cataloger|||||||Maestà. Front|3335|Duccio di Buoninsegna||painter|Duccio di Buonisegna|0||||0|||||Italian|||Early Renaissance|||Europe||Italy||||||0||||0||||0||||0|Paintings|Altarpiece|Painting|||14|||1308|1311||1308-1311|1308-1311||Maestà|Larger entity||5063||||0|||||Tempera on wood|tempera|wood (plant material)||||painting (image-making)|panel painting||||211 x 415 cm, overall||||||Maestà ; Madonna and Child ; Saints ; Life of the Virgin ; |Maestà|Madonna and Child|Saints|Life of the Virgin||||||Cornell||JNK|JNK|10/12/2005 0:00:00|10/11/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Front|Duccio di Buoninsegna 5065.00|0||||||||Back|Descriptive|Cataloger|||||||Maestà. Back|3335|Duccio di Buoninsegna||painter|Duccio di Buonisegna|0||||0|||||Italian|||Early Renaissance|||Europe||Italy||||||0||||0||||0||||0|Paintings|Altarpiece|Painting|||14|||1308|1311||1308-1311|1308-1311||Maestà|Larger entity||5063||||0|||||Tempera on wood|tempera|wood (plant material)||||painting (image-making)|panel painting||||||||||Maestà ; Christ ; Christ bearing the cross ; Miracles ; Temptation of Christ in the Wilderness ; Noli Me Tangere ; Crucifixion ; Passion of Christ ; |Maestà|Christ|Christ bearing the cross|Miracles|Temptation of Christ in the Wilderness|Noli Me Tangere|Crucifixion|Passion of Christ||Cornell||JNK|JNK|10/11/2005 0:00:00|10/11/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Back|Duccio di Buoninsegna 5066.00|0||||||||Predella|Descriptive|Cataloger|||||||Maestà. Front. Predella|3335|Duccio di Buoninsegna||painter|Duccio di Buonisegna|0||||0|||||Italian|||Early Renaissance|||Europe||Italy||||||0||||0||||0||||0|Paintings|Altarpiece|Painting|||14|||1308|1311||1308-1311|1308-1311||Front|Sibling||5064||||0|||||Tempera on wood|tempera|||||painting (image-making)|panel painting||||||||||Nativity ; Christ ; Solomon ; Presentation of Christ ; Prophets ; Annunciation ; |Nativity|Christ|Solomon|Presentation of Christ|Prophets|Annunciation||||Cornell||JNK|JNK|10/12/2005 0:00:00|10/12/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Predella|Duccio di Buoninsegna 5067.00|0||||||||Predella|Descriptive|Cataloger|||||||Maestà. Back. Predella|3335|Duccio di Buoninsegna||painter|Duccio di Buonisegna|0||||0|||||Italian|||Early Renaissance|||Europe||Italy||||||0||||0||||0||||0|Paintings|Altarpiece|Painting|||14|||1308|1311||1308-1311|1308-1311||Back|Larger entity||5065||||0|||||Tempera on wood|tempera|||||painting (image-making)|panel painting||||||||||Miracles ; Christ ; Temptation of Christ in the Wilderness ; Baptism of Christ ; Marriage at Cana ; Raising of Lazarus ; |Miracles|Christ|Temptation of Christ in the Wilderness|Baptism of Christ|Marriage at Cana|Raising of Lazarus||||Cornell||JNK|JNK|10/12/2005 0:00:00|10/12/2005 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Predella|Duccio di Buoninsegna 5068.00|0||||||||Temptation on the Mount|Assigned|Image Source (Pub)|||||||Maestà. Back. Predella. Temptation on the Mount|3335|Duccio di Buoninsegna||painter|Duccio di Buonisegna|0||||0|||||Italian|||Early Renaissance|||Europe||Italy||||||0||||0||||0||||0|Paintings|Panel (wood)|Painting|Altarpiece||14|||1308|1311||1308-1311|1308-1311||Predella|Larger entity||5067||||0|||||Tempera on wood|tempera|||||painting (image-making)|panel painting||||211 x 415 cm||3379|New York: Frick Collection|New York: Frick Collection||Temptation of Christ in the Wilderness ; |Temptation of Christ in the Wilderness|||||||||Cornell||JNK|JNK|10/12/2005 0:00:00|10/12/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Temptation on the Mount|Duccio di Buoninsegna 5069.00|0|Creator|15|RenP|Duccio||||Center: Madonna and Child Enthroned with Saints|Descriptive|Cataloger|||||||Maestà. Front. Center: Madonna and Child Enthroned with Saints|3335|Duccio di Buoninsegna||painter|Duccio di Buonisegna|0||||0|||||Italian|||Early Renaissance|||Europe||Italy||||||0||||0||||0||||0|Paintings|Painting|Altarpiece|Panel (wood)||14|||1308|1311||1308-1311|1308-1311||Front|Larger entity||5064||||0|||||Tempera on wood|tempera|||||painting (image-making)|panel painting||||211 x 415 cm, overall||2691|Siena: Museo dell'Opera del Duomo|Siena: Mus. Opera Duomo||Madonna and Child ; Saints ; |Madonna and Child|Saints||||||||Cornell||JNK|CLL|11/10/2005 0:00:00|10/12/2005 0:00:00|Duccio|||0||||||Ren P||||||||| ||||||||Work|0||||||||||||0|0|Center: Madonna and Child Enthroned with Saints|Duccio di Buoninsegna 5070.00|0||||||||Descent from the Cross & Entombment of Christ|Assigned|Image Source (Pub)|||||||Maestà. Back. Descent from the Cross & Entombment of Christ|3335|Duccio di Buoninsegna||painter|Duccio di Buonisegna|0||||0|||||Italian|||Early Renaissance|||Europe||Italy||||||0||||0||||0||||0|Paintings|Altarpiece|Panel (wood)|Painting||14|||1308|1311||1308-1311|1308-1311||Back|Larger entity||5065||||0|||||Tempera on wood|tempera|||||painting (image-making)|panel painting||||||2691|Siena: Museo dell'Opera del Duomo|Siena: Mus. Opera Duomo||Descent from the cross ; Christ's entombment ; Christ ; |Descent from the cross|Christ's entombment|Christ|||||||Cornell||JNK|MNW|11/9/2005 0:00:00|10/12/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Descent from the Cross & Entombment of Christ|Duccio di Buoninsegna 5092.00|0|Creator|15|35|K870-PA|2000|1|35 K870-PA 2000 1|The Preacher III|Assigned|Repository|||||||The Preacher III|30846|Kosrof, Wosene Worke||painter|Wosene Worke Kosrof|0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Paintings|Painting||||21|||2000|2000||2000|2000-2000|||||0||||0||||||acrylic|canvas||||painting (image-making)|||||111.5 x 92 cm||3722|Washington, DC: Smithsonian Institution; Nat. Mus. of African Art|Wash, DC: Smithsonian; Nat. Mus. African Art||||||||||||Cornell||MNW|JNK|10/25/2005 0:00:00|10/17/2005 0:00:00||||0||2001-1-1|||||35|PA||||||2000| ||||||||Work|0||||||||||||0|0|The Preacher III|Kosrof, Wosene Worke 5093.00|0|Creator|15|35|B6743-PA|1984|1|35 B6743-PA 1984 1|Jacob's Ladder|Assigned|Image Source (Pub)|||||||Jacob's Ladder|30849|Boghossian, Alexander||painter|Alexander Boghossian|0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Multimedia works|Multimedia work||||20|||1984|1984||1984|1984-1984|||||0||||0|||||Mixed materials on paper|mixed materials|paper (fiber product)|||||||||66 x 59 cm||9594|New York: Contemporary African Art Gallery|New York: Contemporary African Art Gal.||||||||||||Cornell||MNW|JNK|10/25/2005 0:00:00|10/17/2005 0:00:00|B6743|||0|||||||35|PA||||||1984| ||||||||Work|0||||||||||||0|0|Jacob's Ladder|Boghossian, Alexander 5094.00|0|Creator|15||||||The Prophets Series|Assigned|Image Source (Pub)|Al-Anbiyan||||||The Prophets Series (Al-Anbiyan)|30851|Waqialla, Osman|||Osman Waqialla|0||||0|||||Sudanese||||||||sudanes||||||0||||0||||0||||0|Drawings|Drawing||||20|||1982|1982||1982|1982-1982|||||0||||0||||||||||||||||||3561|Collection of the Artist|: Collection of the Artist||||||||||||Cornell||MNW|JNK|10/25/2005 0:00:00|10/17/2005 0:00:00|W251|||0|||||||35|||||||| ||||||||Work|0||||||||||||0|0|The Prophets Series;Al-Anbiyan|Waqialla, Osman 5095.00|0|Creator|15|35|W251-D|1982|1|35 W251-D 1982 1|Opening of Surat Ya Sin, Chapter 36|Assigned|Image Source (Pub)|||||||The Prophets Series. Opening of Surat Ya Sin, Chapter 36|0|Waqialla, Osman|||Osman Waqialla|0||||0|||||Sudanese||||||Africa||Sudan||||||0||||0||||0||||0|Drawings|Drawing||||20|||1982|1982||1982|1982-1982||The Prophets Series|Series||5094||||0|||||Inks and gold on handmade paper|ink|gold|paper (fiber product)|||drawing (image-making)|||||18 x 23 cm||3561|Collection of the Artist|: Collection of the Artist||||||||||||Cornell||MNW|JNK|10/25/2005 0:00:00|10/17/2005 0:00:00|W251|||0|||||||35|D||||||1982| ||||||||Work|0||||||||||||0|0|Opening of Surat Ya Sin, Chapter 36|Waqialla, Osman 5096.00|0|Creator|15|35|W251-D|1984|1|35 W251-D 1984 1|Loh|Assigned|Image Source (Vendor)|Hausa Quranic Board||||||Loh (Hausa Quaranic Board)|0|Waqialla, Osman|||Osman Waqialla|0||||0|||||Sudanese||||||Africa||Sudan||||||0||||0||||0||||0|Calligraphy|Calligraphy||||20|||1984|1984||1984|1984-1984|||||0||||0|||||Ink and gold on wooden board|ink|gold|boards (flat objects)|||drawing (image-making)|||||49 x 22 cm||3561|Collection of the Artist|: Collection of the Artist||||||||||||Cornell||MNW|MNW|10/17/2005 0:00:00|10/17/2005 0:00:00|W251|||0|||||||35|D||||||1984| ||||||||Work|0||Side 1 = Opening of Siurat Miriam, Chapter 19. Side 2 = Surat Ghafir, Chapter 4.||||||||||0|0|Loh;Hausa Quranic Board|Waqialla, Osman 5097.00|0|Creator|15|35|Y480-TE|1988|1|35 Y480-TE 1988 1|Scale of Civilization|Assigned|Image Source (Pub)|||||||Scale of Civilization|30852|Yatemgeta, Zarihun||sculptor|Zarihun Yatmgeta|0||||0|||||Ethiopian||||||||||||||0||||0||||0||||0|Textiles|Textile||||20|||1988|1988||1988|1988|||||0||||0|||||Mixed media on wooden looms||||||weaving|||||100 x 62 cm||1802|Munich: Staatliches Museum fur Volkerkunde|Munich: Staat. Mus. Volker.||||||||||||Cornell||MNW|MNW|10/17/2005 0:00:00|10/17/2005 0:00:00|Y480|||0||Inv. 90-312 959|||||35|TE||||||1988| ||||||||Work|0||||||||||||0|0|Scale of Civilization|Yatemgeta, Zarihun 5098.00|0|Creator|15|35|K870-PA|1993|1|35 K870-PA 1993 1|Words of the Ancestor II|Artists|Image Source (Pub)|||||||Words of the Ancestor II|30846|Kosrof, Wosene Worke||painter|Wosene Worke Kosrof|0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Paintings|Painting||||20|||1993|1993||1993|1993-1993|||||0||||0|||||Acrylic on canvas|acrylic|canvas||||painting (image-making)|||||52 x 49.5 cm||3561|Collection of the Artist|: Collection of the Artist||||||||||||Cornell||MNW|MNW|10/21/2005 0:00:00|10/17/2005 0:00:00||||0|||||||35|PA||||||1993| ||||||||Work|0||||||||||||0|0|Words of the Ancestor II|Kosrof, Wosene Worke 5099.00|0|Creator|15|35|H675-SC|1991|1|35 H675-SC 1991 1|Crown of Creation|Artists|Image Source (Pub)|||||||Crown of Creation|30853|Hiwet, Girmay||sculptor|Girmay Hiwet|0||||0|||||Ethiopian||||||||||||||0||||0||||0||||0|Sculpture|Relief|Sculpture|||20|||1991|1991||1991|1991-1991|||||0||||0|||||Mixed media relief|mixed materials|||||sculpture|||||140 x 120 x 6 cm||3561|Collection of the Artist|: Collection of the Artist||||||||||||Cornell||MNW|MNW|10/18/2005 0:00:00|10/17/2005 0:00:00|H675|||0|||||||35|SC||||||1991| ||||||||Work|0||||||||||||0|0|Crown of Creation|Hiwet, Girmay 5100.00|0|Creator|15|35|N5765-PA|1990|1|35 N5765-PA 1990 1|It Left Him Cold -- the Death of Steve Biko||||||||||30855|Nhlengethwa, Sam||painter|Sam Nhlengethwa|0||||0|||||South African||||||Africa||South Africa||||||0||||0||||0||||0|Collages|Collage||||20|||1990|1990||1990|1990-1990|||||0||||0|||||Collage, pencil & charcoal on paper|pencil|charcoal|paper (fiber product)|||collage|||||69 x 93 cm||9595|Johannesburg: University of the Witwatersrand, Art Galleries|Johannesburg: Univ. Witwatersrand; Univ. Art Gal.||Biko, Steve, 1946-1977 ; |Biko, Steve, 1946-1977|||||||||Cornell||MNW|MNW|10/17/2005 0:00:00|10/17/2005 0:00:00|N5765|||0|||||||35|PA||||||1990| ||||||||Work|0||||||In the Standard Bank Collection.||||||0|0|It Left Him Cold -- the Death of Steve Biko|Nhlengethwa, Sam 5101.00|0|Creator|15|35|S883-D|1979|1|35 S883-D 1979 1|The Interrogators|Assigned|Print Publication|||||||The Interrogators|30856|Stopforth, Paul|||Paul Stopforth|0||||0|||||South African||||||Africa||South Africa||||||0||||0||||0||||0|Drawings|Drawing||||20|||1979|1979||1979|1979-1979|||||0||||0|||||Graphite and wax on masonite|graphite|wax|Masonite||||||||||||||Biko, Steve, 1946-1977 ; Torturing ; |Biko, Steve, 1946-1977|Torturing||||||||Cornell||MNW|JNK|10/25/2005 0:00:00|10/17/2005 0:00:00|S883|||0|||||||35|D||||||1979|||||||||Work|0||Triptych.||||||||||0|0|The Interrogators|Stopforth, Paul 5102.00|0|Creator|15|35|S160-D|n.d.|1|35 S160-D n.d. 1|Calligraphy|Descriptive|Image Source (Pub)|||||||Calligraphy|30857|Salahi, Ibrahim el-||draftsman|Ibrahim el-Salahi|0||||0|||||Sudanese||||||Africa||Sudan||||||0||||0||||0||||0|Calligraphy|Calligraphy||||20|||1950|1999||2nd half of 20th C|1950-1999|||||0||||0|||||Ink on paper|ink|paper (fiber product)||||calligraphy|||||40.5 x 22.5 cm||||||||||||||||Cornell||MNW|MNW|10/18/2005 0:00:00|10/18/2005 0:00:00|S160|||0|||||||35|D||||||n.d.|||||||||Work|0||||||||||||0|0|Calligraphy|Salahi, Ibrahim el- 5103.00|0|Creator|15|35|K870-PA|1982|1|35 K870-PA 1982 1|Almaz|Assigned|Image Source (Pub)|||||||Almaz|30846|Kosrof, Wosene Worke||painter|Wosene Worke Kosrof|0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Paintings|Painting||||20|||1982|1982||1982|1982-1982|||||0||||0|||||Acrylic on goatskin|acrylic|goatskin||||painting (image-making)|||||30.5 x 40.6 cm||9596|: Collection of Kiros W. Selassie|: Coll. Kiros W. Selassie||||||||||||Cornell||MNW|MNW|10/21/2005 0:00:00|10/18/2005 0:00:00||||0|||||||35|PA||||||1982| ||||||||Work|0||||||||||||0|0|Almaz|Kosrof, Wosene Worke 5104.00|0|Creator|15|35|K870-PA|1996|1|35 K870-PA 1996 1|Dancing Spirits|Assigned|Image Source (Pub)|||||||Dancing Spirits|30846|Kosrof, Wosene Worke||painter|Wosene Worke Kosrof|0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Paintings|Painting||||20|||1996|1996||1996|1996-1996|||||0||||0|||||Mixed materials on goatskin|mixed materials|goatskin||||painting (image-making)|||||61 x 71.1 cm||3561|Collection of the Artist|: Collection of the Artist||||||||||||Cornell||MNW|MNW|10/21/2005 0:00:00|10/18/2005 0:00:00||||0|||||||35|PA||||||1996| ||||||||Work|0||||||||||||0|0|Dancing Spirits|Kosrof, Wosene Worke 5105.00|0|Culture|15|CHINA|PTG|SONG||CHINA PTG SONG |Images Of Lohans|Descriptive|Image Source (Pub)|||||||Images Of Lohans|30873|Liu Songnian||painter|Liu Songnian|0||||0|||||Chinese|||Song (Sung)|Southern Song (S.Sung)||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting||||||1207|1207||Dated 1207|1207-1207|||||0||||0|||||Ink and color on silk|ink|color (pigment)|silk (textile)|||painting (image-making)|||||||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||||||||||||Cornell||BZ|BZ|6/22/2006 0:00:00|10/18/2005 0:00:00||||0|||||||PTG|||CHINA|SONG|||| ||||||||Work|0||||||||||||0|0|Images Of Lohans|Liu Songnian 5106.00|0|Creator|02||||||Chatham Square|Assigned|Image Source (Pub)|||||||Chatham Square|30858|Eakin/Youngentob Associates, Inc||developer|Eakin/Youngentob Associates, Inc|0||||0|||||American|||Post-1945|||North and Central America||United States||||||0|Old Town, Alexandria, VA|||10583||||0||||0|Architecture|House|Town house|||21|||2004|2005|ca|ca 2004-2005|ca 2004-2005|||||0||||0||||||||||||||||||||||Houses ; Apartment houses ; Real estate ; Town houses ; |Houses|Apartment houses|Real estate|Town houses||||||Cornell||JNK|JNK|10/18/2005 0:00:00|10/18/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Chatham Square|Eakin/Youngentob Associates, Inc 5107.00|0|Creator|15|35|H675-PA|1983|1|35 H675-PA 1983 1|To See Your Own Eyes With Your Own Eyes|Artists|Image Source (Pub)|||||||To See Your Own Eyes With Your Own Eyes|30853|Hiwet, Girmay||painter|Girmay Hiwet|0||||0|||||Ethiopian||||||||||||||0||||0||||0||||0|Paintings|Painting|Self portrait|||20|||1983|1983||1983|1983-1983|||||0||||0|||||Acrylic on canvas|acrylic|canvas||||painting (image-making)|||||90 x 70 cm||||||Self-portraits ; Hiwet, Girmay, 1949- ; |Self-portraits|Hiwet, Girmay, 1949-||||||||Cornell||MNW|MNW|10/19/2005 0:00:00|10/18/2005 0:00:00|H675|||0|||||||35|PA||||||1983|||||||||Work|0||||||||||||0|0|To See Your Own Eyes With Your Own Eyes|Hiwet, Girmay 5108.00|0|Creator|02|MA-Eakin/Youngentob|7.5|2005|Cha/Roy|MA-Eakin/Youngentob 7.5 2004 Cha/Roy|The Royal|Assigned|Image Source (Pub)|||||||Chatham Square. The Royal|30858|Eakin/Youngentob Associates, Inc||developer|Eakin/Youngentob Associates, Inc|0||||0|||||American|||Post-1945|||North and Central America||United States||||||0|Old Town, Alexandria, VA|||10583||||0||||0|Architecture|Town house|||||||2004|2005|ca|ca 2004-2005|ca 2004-2005||Chatham Square|Larger entity||5106||||0||||||||||||||||||||||Houses ; Town houses ; Real estate ; Apartment houses ; |Houses|Town houses|Real estate|Apartment houses||||||Cornell||JNK|MNW|10/20/2005 0:00:00|10/18/2005 0:00:00|Eakin/Youn|||0||||||Royal|MA||||||7.5|2004|||||||||Work|0|Modern Architecture-|||||||||||0|0|The Royal|Eakin/Youngentob Associates, Inc 5109.00|0|Creator|15|35|A881-PA|1984|1|35 A881-PA 1984 1|The Year of Love|Artists|Image Source (Pub)|||||||The Year of Love|30845|Atnafu, Elisabeth Tariqua||painter|Elizabeth Atnafu|0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Paintings|Painting||||20|||1984|1984||1984|1984-1984|||||0||||0|||||Mixed materials|mixed materials|||||painting (image-making)|||||152.4 x 101.6 cm||||||||||||||||Cornell||MNW|MNW|10/18/2005 0:00:00|10/18/2005 0:00:00|A881|||0|||||||35|PA||||||1984|||||||||Work|0||||||||||Location unknown||0|0|The Year of Love|Atnafu, Elisabeth Tariqua 5110.00|0|Creator|15|35|Y480-PA|1989|1|35 Y480-PA 1989 1|Fishing the Evil Eye|Assigned|Image Source (Pub)|||||||Fishing the Evil Eye|30852|Yatemgeta, Zarihun||painter|Zarihun Yatmgeta|0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Paintings|Painting|Amulet|||20|||1989|1989||1989|1989-1989|||||0||||0||||||||||||||||79 x 74 cm||||||Eyes ; |Eyes|||||||||Cornell||MNW|MNW|10/20/2005 0:00:00|10/18/2005 0:00:00|Y480|||0|||||||35|PA||||||1989| ||||||||Work|0||||||||||||0|0|Fishing the Evil Eye|Yatemgeta, Zarihun 5111.00|0|Creator|15|35|T553-PA|1992|1|35 T553-PA 1992 1|Harrar Impression III|Artists|Image Source (Pub)|||||||Harrar Impression III|30854|Terffa, Tibebe||painter|Tibele Terffa|0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Paintings|Painting||||20|||1992|1992||1992|1992-1992|||||0||||0|||||Oil and acrylic on canvas|oil paint|acrylic|canvas|||painting (image-making)|||||45 x 35 cm||9597|Zurich: Universität Zürich; Völkerkundemuseum|Zurich: Universität Zürich; Völkerkundemuseum||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|10/18/2005 0:00:00|T553|||0|||||||35|PA||||||1992| ||||||||Work|0||||||||||||0|0|Harrar Impression III|Terffa, Tibebe 5112.00|0|Creator|15|35|T113-TO|1993|1|35 T113-TO 1|Menjiye Tabeta Carving a Wood Comb with an Adz|Descriptive|Image Source (Pub)|||||||Menjiye Tabeta Carving a Wood Comb with an Adz|30859|Tabeta, Menjiye||sculptor|Menjiye Tabeta|0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Photographs|Documentary photograph|Portrait|||20|||1993|1993||1993|1993-1993|||||0||||0|||||||||||photography|||||||||||Portraits ; Tabeta, Menjiye, ca 1900- ; |Portraits|Tabeta, Menjiye, ca 1900-||||||||Cornell||MNW|MNW|10/18/2005 0:00:00|10/18/2005 0:00:00|T113|||0|||||||35|TO||||||1993|||||||||Work|0||Photograph by R. Silverman.||||||||||0|0|Menjiye Tabeta Carving a Wood Comb with an Adz|Tabeta, Menjiye 5113.00|0|Culture|07||||||Dartahal|Assigned|Image Source (Pub)|||||||Dartahal|30860|Gedewon||painter|Gedewon|0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Manuscripts|Amulet|Manuscript|||20|||1975|1975||1975|1975-1975|||||0||||0||||||||||||||||||||||Religions ; |Religions|||||||||Cornell||MNW|JNK|10/25/2005 0:00:00|10/18/2005 0:00:00||||0|||||||||||||||||||||||Work|0||Series of eight amulets or talimans named after a class of angels. Mercier, Art That Heals.||||||||||0|0|Dartahal|Gedewon 5114.00|0|Creator|15|35|G295-PA|1975|1|35 G295-PA 1975 1|The Seven Uprights and Rungs|Assigned|Image Source (Pub)|Study and Research Talisman|Descriptive|Image Source (Pub)||||Dartahal. The Seven Uprights and Rungs|30860|Gedewon||draftsman|Gedewon|0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Manuscripts|Amulet||||20|||1975|1975||1975|1975-1975||Dartahal|Series||5113||||0|||||Ink on paper|Ink|paper (fiber product)||||drawing (image-making)|||||34 x 24 cm||2190|Paris: Musée des Arts d’Afrique et d’Océanie|Paris: Mus. Art Afr. & Ocean.||||||||||||Cornell||MNW|MNW|10/18/2005 0:00:00|10/18/2005 0:00:00|G295|||0|||||||35|D||||||1975| ||||||||Work|0||||||||||Gift of Jacques Mercier.||0|0|The Seven Uprights and Rungs;Study and Research Talisman|Gedewon 5115.00|0|Site|02|B-C11|King|2.23 Eth||B-C11 King 2.23 Eth |Ethiopian World Reorganization Center|Inscribed|Contemporary Arch|||||||Ethiopian World Reorganization Center|0|||||0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0|Kingston, Jamaica|||10584||||0||||0|Architecture|Community center|Amulet|||20|||1950|1992|ca|Late 20th century|ca 1950-1992|||||0||||0||||||||||||||||||||||Haile Selassie I, Emperor of Ethiopia, 1892-1975 ; Portraits ; Lions ; Stars ; Eyes ; |Haile Selassie I, Emperor of Ethiopia, 1892-1975|Portraits|Lions|Stars|Eyes|||||Cornell||MNW|MNW|10/19/2005 0:00:00|10/18/2005 0:00:00||King||0||||||Eth|B|||||C11|2.23||||||||||Work|0|Architecture-Jamaica|The compound wall of this Rastafarian association is decorated with stars, eyes, lions' faces, and portraits of Emperor Haile Selassie. Mercier, Art that Heals.||||||||||0|0|Ethiopian World Reorganization Center| 5116.00|0|Manuscript|15|05|B514|Orient|Prot.Scroll|05 B514 Orient Prot.Scroll|Protective Scroll|Descriptive|Image Source (Pub)|||||||Protective Scroll|0|||||0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Manuscripts|Scroll|Amulet|||18|||1700|1799|ca|18th century|ca 1700-1799|||||0||||0|||||Parchment|parchment||||||||||19 x 11 cm||357|Berlin: Deutsche Staatsbibliothek|Berlin: Staatsbibl.||||||||||||Cornell||MNW|MNW|10/18/2005 0:00:00|10/18/2005 0:00:00||B514||0|||||||05|||||||| ||||||||Work|0||"Powerful Medicine" is written at the top of the scroll.||||In the Orientabteilung.||||||0|0|Protective Scroll| 5117.00|0|Category|05|J-Mercier|||1|J-Mercier 1|Master Aklog Recopies Talismans from an Old Scroll onto a Strip of Parchment|Descriptive|Image Source (Pub)|||||||Master Aklog Recopies Talismans|30861|Mercier, Jacques||photographer|Jacques Mercier|0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Photographs|Documentary photograph|||||||1978|1978||12/12/1978|1978-1978|||||0||||0|||||Documentary photograph||||||photography|||||||||||||||||||||Cornell||MNW|MNW|10/19/2005 0:00:00|10/18/2005 0:00:00|Mercier|||0|||||||J||||||||||||||||Work|0|Photography||||December 12, 1978|||||||0|0|Master Aklog Recopies Talismans from an Old Scroll onto a Strip of Parchment|Mercier, Jacques 5118.00|0|Category|05|J-Mercier|||2|J-Mercier 2|Mrs. Tsahay of Aksum Shows How She Prays Before Her Scroll|Descriptive|Image Source (Pub)|||||||Mrs. Tsahay of Aksum Shows How She Prays Before Her Scroll|30861|Mercier, Jacques||author|Jacques Mercier|0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1994|1994||1994|1994-1994|||||0||||0|||||||||||color photography|||||||||||||||||||||Cornell||MNW|MNW|10/19/2005 0:00:00|10/18/2005 0:00:00|Mercier|||0|||||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Mrs. Tsahay of Aksum Shows How She Prays Before Her Scroll|Mercier, Jacques 5119.00|0|Manuscript|15|05|P250|#2||05 P250 #2 |King Solomon Attended by Two Demons|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Manuscripts|Scroll|Amulet|||19|||1800|1899|ca|19th century|ca 1800-1899|||||0||||0|||||Parchment|parchment||||||||||22 x 7.7 cm||2190|Paris: Musée des Arts d’Afrique et d’Océanie|Paris: Mus. Art Afr. & Ocean.||Solomon ; Demonology ; Devils and demons ; Eyes ; |Solomon|Demonology|Devils and demons|Eyes||||||Cornell||MNW|MNW|10/18/2005 0:00:00|10/18/2005 0:00:00||||0|||||||05||||||||P250 ||||||||Work|0||Protective scroll.||||Gift of Jacques Mercier.||||||0|0|King Solomon Attended by Two Demons| 5120.00|0|Manuscript|15|05|P250|#3||05 P250 #3 |Protective Scroll|Descriptive|Image Source (Pub)|||||||Protective Scroll|0|||||0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Manuscripts|Scroll|Amulet|||19|||1800|1825|ca|Early 19th century|ca 1800-1825|||||0||||0|||||Parchment|parchment||||||||||21 x 18 cm||2190|Paris: Musée des Arts d’Afrique et d’Océanie|Paris: Mus. Art Afr. & Ocean.||Eyes ; |Eyes|||||||||Cornell||MNW|MNW|10/18/2005 0:00:00|10/18/2005 0:00:00||||0|||||||05||||||||P250 ||||||||Work|0||||||Gift of Jacques Mercier.||||||0|0|Protective Scroll| 5121.00|0|Category|15|32A|E84-PA|nd|1|32A E84-PA nd 1|Last Judgement|Collective Title|Image Source (Pub)|||||||Last Judgement|0|||||0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Paintings|Painting||||19|||1800|1899|ca|19th century|ca 1800-1899|||||0||||0|||||Tempera on canvas|tempera|canvas||||painting (image-making)|||||175 x 177 cm||3290|Private Collection|: Private Coll.||Last Judgment ; |Last Judgment|||||||||Cornell||MNW|CLL|8/29/2006 0:00:00|10/18/2005 0:00:00|E84|||0|||||||32A|PA||||||nd| ||||||||Work|0||||||||||||0|0|Last Judgement| 5122.00|0|Category|15|30A|E84-PA|21|1|30A E84-PA 21 1|Life of Christ|Collective Title|Image Source (Pub)|||||||Life of Christ|0|||||0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Paintings|Painting||||18|||1700|1725|ca|Early 18th century|ca 1700-1725|||||0||||0|||||tempera on gesso-covered wood panels|tempera|gesso|panels (wood)|||painting (image-making)|||||10 x 8 x 3 (closed)||3290|Private Collection|: Private Coll.||Christ ; Passion of Christ ; Resurrection ; |Christ|Passion of Christ|Resurrection|||||||Cornell||MNW|JNK|10/27/2005 0:00:00|10/18/2005 0:00:00|E84|||0|||||||30A|PA||||||| |21|||||||Work|0||||||||||||0|0|Life of Christ| 5123.00|0|Manuscript|15|05|P250|# 4|1|05 P250 # 4 1|Protective Scroll|Descriptive|Image Source (Pub)|||||||Protective Scroll|0|||||0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Manuscripts|Scroll|Amulet|||18|||1700|1799|ca|18th century|ca 1700-1799|||||0||||0|||||Parchment|parchment||||||||||35 x 18.5 cm||2190|Paris: Musée des Arts d’Afrique et d’Océanie|Paris: Mus. Art Afr. & Ocean.||Crosses (visual works) ; |Crosses (visual works)|||||||||Cornell||MNW|MNW|10/18/2005 0:00:00|10/18/2005 0:00:00||||0|||||||05||||||||P250 ||||||||Work|0||||||Gift of Jacques Mercier.||||||0|0|Protective Scroll| 5124.00|0|Manuscript|15|05|PC||4|05 P574 4|Protective Scroll|Descriptive|Image Source (Pub)|||||||Protective Scroll|0|||||0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Manuscripts|Scroll||||19|||1800|1899|ca|19th century|ca 1800-1899|||||0||||0|||||Parchment|parchment||||||||||18 x 11 cm||3290|Private Collection|: Private Coll.||||||||||||Cornell||MNW|JNK|10/25/2005 0:00:00|10/18/2005 0:00:00||||0|||||||05|||||||| ||||||||Work|0||||||||||||0|0|Protective Scroll| 5125.00|0|Manuscript|15|05|P250||#5|05 P250 #5|Protective Scroll|Descriptive|Image Source (Pub)|||||||Protective Scroll|0|||||0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Manuscripts|Scroll|Amulet|||19|||1800|1899|ca|19th century|ca 1800-1899|||||0||||0|||||Parchment|parchment||||||||||30 x 14 cm||2190|Paris: Musée des Arts d’Afrique et d’Océanie|Paris: Mus. Art Afr. & Ocean.||||||||||||Cornell||MNW|MNW|10/18/2005 0:00:00|10/18/2005 0:00:00||||0|||||||05||||||||P250 ||||||||Work|0||||||Gift of Jacques Mercier.||||||0|0|Protective Scroll| 5126.00|0|Category|15|27A|E84-Rel|95|1|27A E84-Rel 95 1|Ram's Horn Cross|Descriptive|Image Source (Pub)|||||||Ram's Horn Cross|0|||||0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Sculpture|Icon|Relief|||17|||1600|1699|ca|ca 1600-1699|ca 1600-1699|||||0||||0|||||2 moveable wooden panels|wood (plant material)|||||sculpture|||||15 x 12 cm||3290|Private Collection|: Private Coll.||Crosses (visual works) ; |Crosses (visual works)|||||||||Cornell||MNW|MNW|10/18/2005 0:00:00|10/18/2005 0:00:00|E84|||0|||||||27A|Rel||||||| |95||||||||0||||||||||||0|0|Ram's Horn Cross| 5127.00|0|Manuscript|15|05|Z999|Ethiopian|1|05 Z999 Ethiopian 1|Protective Scroll|Descriptive|Image Source (Pub)|||||||Protective Scroll|0|||||0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Manuscripts|Scroll|Amulet|||19|||1800|1899|ca|19th century|ca 1800-1899|||||0||||0|||||Parchment|parchment||||||||||19.5 x 10.3 cm||3290|Private Collection|: Private Coll.||||||||||||Cornell||MNW|JNK|10/25/2005 0:00:00|10/18/2005 0:00:00||||0|||||||05|||||||| Z999||||||||Work|0||||||||||||0|0|Protective Scroll| 5128.00|0|Manuscript|15|05|Z999|Ethiopian|2|05 Z999 Ethiopian 2|Protective Scroll: Abba Melki and Talismanic Seals|Descriptive|Image Source (Pub)|||||||Protective Scroll: Abba Melki and Talismanic Seals|0|||||0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Manuscripts|Scroll|Amulet|||18|||1700|1799|ca|18th century|ca 1700-1799|||||0||||0|||||Parchment|parchment||||||||||15 x 13.4 cm||3290|Private Collection|: Private Coll.||Monks ; |Monks|||||||||Cornell||MNW|JNK|10/25/2005 0:00:00|10/18/2005 0:00:00||||0|||||||05|||||||| Z999||||||||Work|0||||||||||||0|0|Protective Scroll: Abba Melki and Talismanic Seals| 5129.00|0|Site|02|B-N7|Gon|1.1 Tim|1|B-N7 Gon 1.1 Tim 1|Timkat Procession in Gonder|||||||||Timkat Procession in Gonder|0|||||0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0|Gonder, Ethiopia|||10585||||0||||0|Photographs|Documentary photograph||||20|||1975|1993|ca|ca 1975-1993|ca 1975-1993|||||0||||0|||||||||||photography|||||||||||Crosses (visual works) ; |Crosses (visual works)|||||||||Cornell||MNW|MNW|10/18/2005 0:00:00|10/18/2005 0:00:00||Gon||0||||||Tim|B|||||N7|1.1||||||||||Work|0|Architecture-Ethiopia|||||||||||0|0|Timkat Procession in Gonder| 5130.00|0|Site|02|B-N7|Aks|1.1 Tim|1|B-N7 Aks 1.1 Tim 1|Timkat Ceremony|||||||||Timkat Ceremony|0|||||0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0|Aksum, Ethiopia|||10586||||0||||0|Photographs|Documentary photograph||||20|||1975|1993|ca|ca 1975-1993|ca 1975-1993|||||0||||0|||||||||||photography|||||||||||||||||||||Cornell||MNW|MNW|10/18/2005 0:00:00|10/18/2005 0:00:00||Aks||0||||||Tim|B|||||N7|1.1||||||||||Work|0|Architecture-Ethiopia|Vast crowd follow a replica of the Ark of the Covenant…||||||||||0|0|Timkat Ceremony| 5131.00|0|Manuscript|15|05|A224|MS 242||05 A224 MS 242|Manuscript 242|Assigned|Image Source (Pub)|||||||Manuscript 242|0|||||0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0||||||15|||1400|1499|ca|15th century|ca 1400-1499|||||0||||0||||||||||||||||||9599|Addis Ababa: University of Addis Ababa; Institute of Ethiopian Studies|Addis Ababa: Univ.; Inst.of Ethiopian Studies||Bible ; New Testament ; Gospel ; Old Testament ; Psalters ; |Bible|New Testament|Gospel|Old Testament|Psalters|||||Cornell||MNW|JNK|10/26/2005 0:00:00|10/18/2005 0:00:00||||0||MS 242|||||05||||||||A224|MS 242|||||||Work|0||||||||||||0|0|Manuscript 242| 5132.00|0|Category|15|27A|E84-PA|31|1|27A E84-PA 31 1|Our Lady Mary with Her Beloved Son, Kwerata Reesu (Christ with a Crown of Thorns), and Saints|Descriptive|Image Source (Pub)|||||||Our Lady Mary with Her Beloved Son, Kwerata Reesu (Christ with a Crown of Thorns), and Saints|0|||||0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Paintings|Painting|Icon|||17|18||1675|1775|ca|Late 17th to early 18th C|ca 1675-1775|||||0||||0|||||Tempera on gesso covered panels|tempera|gesso|paneling|||painting (image-making)|||||17 x 22.7 cm, open||9599|Addis Ababa: University of Addis Ababa; Institute of Ethiopian Studies|Addis Ababa: Univ.; Inst.of Ethiopian Studies||Madonna and Child ; Christ ; Virgin Mary ; Saints ; Crown of thorns ; |Madonna and Child|Christ|Virgin Mary|Saints|Crown of thorns|||||Cornell||MNW|JNK|10/26/2005 0:00:00|10/18/2005 0:00:00|E84|||0||3492|||||27A|PA|||||||A224 |31|||||||Work|0||Includes a two piece leather carrying case.||||||||||0|0|Our Lady Mary with Her Beloved Son, Kwerata Reesu (Christ with a Crown of Thorns), and Saints| 5133.00|0|Category|15|25|S519-PA|31|1|25 S519-PA 31 1|Our Lady Mary, Apostles, Saint George, and Saint Theodore|Descriptive|Image Source (Pub)|||||||Our Lady Mary, Apostles, Saint George, and Saint Theodore|30939|Fré Seyon|attributed to|painter|Fré Seyon|0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Paintings|Painting|Icon|||15|||1445|1480||1445-1480|1445-1480|||||0||||0|||||Tempera on gesso covered panels|tempera|gesso|paneling|||painting (image-making)|||||44 x 31.3, closed||9599|Addis Ababa: University of Addis Ababa; Institute of Ethiopian Studies|Addis Ababa: Univ.; Inst.of Ethiopian Studies||Virgin Mary ; Apostles ; Saint George ; Saint Theodore ; |Virgin Mary|Apostles|Saint George|Saint Theodore||||||Cornell||MNW|JNK|10/26/2005 0:00:00|10/18/2005 0:00:00|S519|||0||3980|||||25|PA|||||||A224 |31|||||||Work|0||||||||||||0|0|Our Lady Mary, Apostles, Saint George, and Saint Theodore|Fré Seyon 5134.00|0|Category|15|25A|E84-SC|Cross|1|25A E84-SC Cross 1|Processional Cross|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Sculpture|Cross (object)||||13|||1200|1299|ca|13th century ?|ca 1200-1299?|||||0||||0|||||Bronze|bronze|||||casting|||||22.5 x 12.4 cm||9599|Addis Ababa: University of Addis Ababa; Institute of Ethiopian Studies|Addis Ababa: Univ.; Inst.of Ethiopian Studies||Crosses (visual works) ; |Crosses (visual works)|||||||||Cornell||MNW|MNW|10/18/2005 0:00:00|10/18/2005 0:00:00|E84|||0||4654|||||25A|SC|||||||A224 ||||||||Work|0||||||||||||0|0|Processional Cross| 5135.00|0|Category|15|25A|E84-SC|Cross|3|25A E84-SC Cross 3|Processional Cross|Descriptive|Image Source (Pub)|||||||Processional Cross|0|||||0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0|Saint Gabriel, Wuqien, Ethiopia|||10587||||0||||0|Sculpture|Cross (object)||||15|||1400|1499|ca|15th century|ca 1400-1499|||||0||||0|||||Gilt bronze|bronze|||||casting|gilding||||50 x 36.5 cm||||||Crosses (visual works) ; |Crosses (visual works)|||||||||Cornell||MNW|MNW|10/19/2005 0:00:00|10/18/2005 0:00:00|E84|||0|||||||25A|SC||||||| ||||||||Work|0||||||||||||0|0|Processional Cross| 5136.00|0|Manuscript|15|05|G616|EMML 8128|1|05 G616 EMML 8128 1|Synodicon|Descriptive|Image Source (Pub)|Sinodos|Descriptive|Image Source (Pub)||||Synodicon (Sinodos)|0|||||0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Manuscripts|Manuscript||||15|||1450|1499||Second half of 15th century|1450-1499|||||0||||0|||||Parchment with leather-covered wood end boards|parchment||||||||||39 x 27 cm||9600|Gojam: Mahal Zage Giyorgis|Gojam: Mahal Zage Giyorgis||||||||||||Cornell||MNW|MNW|10/18/2005 0:00:00|10/18/2005 0:00:00||||0||EMML 8128|||||05||||||||G616 ||||||||Work|0||||||||||From Dabra Maryam Qwahayn?||0|0|Synodicon;Sinodos| 5137.00|0|Manuscript|15|05|G616|EMML 8128|94v-95r|05 G616 EMML 8128 94v-95r|Thaddeus|Descriptive|Image Source (Pub)|||||||Synodicon (Sinodos). Thaddeus|0|||||0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Manuscripts|Manuscript||||15|||1450|1499||Second half of 15th century|1450-1499||Synodicon|||5136||||0|||||Parchment with leather-covered wood end boards|parchment||||||||||39 x 27 cm|||Gojam: Mahal Zage Giyorgis|Gojam: Mahal Zage Giyorgis||Thaddeus ; Apostles ; |Thaddeus|Apostles||||||||Cornell||MNW|MNW|10/18/2005 0:00:00|10/18/2005 0:00:00||||0||EMML 8128, 94v-95r|||||05||||||||G616 ||||||||Work|0||||||||||||0|0|Thaddeus| 5138.00|0|Category|15|25A|E84-PA|26Cru|1|25A E84-PA 26Cru 1|Crucifixion, Christ Raising Adam and Eve, Scenes of the Passion|Descriptive|Image Source (Pub)|||||||Crucifixion, Christ Raising Adam and Eve, Scenes of the Passion|0|||||0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Paintings|Painting|Icon|Triptych||16|||1550|1599|ca|Second half of 16th century?|ca 1550-1599|||||0||||0|||||Tempera on gesso covered wood panels|tempera|gesso|panels (wood)|||painting (image-making)|||||32.9 x 46.4 cm||9599|Addis Ababa: University of Addis Ababa; Institute of Ethiopian Studies|Addis Ababa: Univ.; Inst.of Ethiopian Studies||Crucifixion ; Passion of Christ ; Resurrection ; Adam ; Eve ; |Crucifixion|Passion of Christ|Resurrection|Adam|Eve|||||Cornell||MNW|MNW|10/19/2005 0:00:00|10/18/2005 0:00:00|E84|||0||3672|||||25A|PA|||||||A224 |26Cru|||||||Work|0||||||||||||0|0|Crucifixion, Christ Raising Adam and Eve, Scenes of the Passion| 5139.00|0|Category|15|25A|E84-PA|31|3|25A E84-PA 31 3|Our Lady Mary with Her Beloved Son and Saint George, Crucifixion with Christ Raising Adam and Eve|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Paintings|Painting|Diptych|Icon||16|||1550|1599||2nd half of the 16th century|1550-1599|||||0||||0|||||Tempera on gesso covered wood panels|tempera|gesso|panels (wood)|||painting (image-making)|||||18.5 x 26 cm, open||9599|Addis Ababa: University of Addis Ababa; Institute of Ethiopian Studies|Addis Ababa: Univ.; Inst.of Ethiopian Studies||Madonna and Child ; Saint George ; Crucifixion ; Adam ; Eve ; Ressurection ; |Madonna and Child|Saint George|Crucifixion|Adam|Eve|Ressurection||||Cornell||MNW|MNW|10/19/2005 0:00:00|10/19/2005 0:00:00|E84|||0||3702|||||25A|PA|||||||A224 |31|||||||Work|0||Double sided diptych which was worn as a pendant icon.||||||||||0|0|Our Lady Mary with Her Beloved Son and Saint George, Crucifixion with Christ Raising Adam and Eve| 5140.00|0|Category|15|25A|E84-PA|31|3 F 1|25A E84-PA 31 3 F 1|Our Lady Mary with Her Beloved Son and Saint George|Descriptive|Image Source (Pub)|||||||Our Lady Mary with Her Beloved Son and Saint George|0|||||0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Paintings|Painting|Diptych|Icon||16|||1550|1599||2nd half of the 16th century|1550-1599||Our Lady Mary with Her Beloved Son and Saint George, Crucifixion with Christ Raising Adam and Eve|||5139||||0|||||Tempera on gesso covered wood panels|tempera|gesso|panels (wood)|||painting (image-making)|||||18.5 x 26 cm, open||9599|Addis Ababa: University of Addis Ababa; Institute of Ethiopian Studies|Addis Ababa: Univ.; Inst.of Ethiopian Studies||Madonna and Child ; Saint George ; |Madonna and Child|Saint George||||||||Cornell||MNW|MNW|10/19/2005 0:00:00|10/19/2005 0:00:00|E84|||0||3702|||||25A|PA|||||||A224 ||||||||Work|0||One side of a double sided diptych which was worn as a pendant icon.||||||||||0|0|Our Lady Mary with Her Beloved Son and Saint George| 5141.00|0|Category|15|25A|E84-PA|31|3 B 1|25A E84-PA 31 3 B 1|Crucifixion with Christ Raising Adam and Eve|Descriptive|Image Source (Pub)|||||||Crucifixion with Christ Raising Adam and Eve|0|||||0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Paintings|Painting|Diptych|Icon||16|||1550|1599||2nd half of the 16th century|1550-1599||Our Lady Mary with Her Beloved Son and Saint George, Crucifixion with Christ Raising Adam and Eve|||5139||||0|||||Tempera on gesso covered wood panels|tempera|gesso|panels (wood)|||painting (image-making)|||||18.5 x 26 cm, open||9599|Addis Ababa: University of Addis Ababa; Institute of Ethiopian Studies|Addis Ababa: Univ.; Inst.of Ethiopian Studies||Crucifixion ; Adam ; Eve ; Christ ; Resurrection ; |Crucifixion|Adam|Eve|Christ|Resurrection|||||Cornell||MNW|MNW|10/19/2005 0:00:00|10/19/2005 0:00:00|E84|||0||3702|||||25A|PA|||||||A224 ||||||||Work|0||One side of a double sided diptych which was worn as a pendant icon.||||||||||0|0|Crucifixion with Christ Raising Adam and Eve| 5142.00|0|Category|07|U-02.6|Ethiopian|Coffer|1|U-02.6 Ethiopian Coffer 1|Coffer|Descriptive|Image Source (Pub)|Manbara Tabot|Original|Image Source (Pub)||||Coffer (Manbara Tabot)|0|||||0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Furnishings|Chest||||13|||1200|1299|ca|13th century|ca 1200-1299|||||0||||0|||||Carved wood|wood (plant material)|||||carving|||||53 x 23.5 cm||9599|Addis Ababa: University of Addis Ababa; Institute of Ethiopian Studies|Addis Ababa: Univ.; Inst.of Ethiopian Studies||||||||||||Cornell||MNW|MNW|10/19/2005 0:00:00|10/19/2005 0:00:00||||0||3077|||||U|||02.6|||||A224 ||||||||Work|0|Furniture-African|||||||||||0|0|Coffer;Manbara Tabot| 5143.00|0|Category|15|27A|E84-PA|33|1|27A E84-PA 33 1|Mary, Saint George, Takla Haymanot, Ewostatewos, Gabra Manfas Qeddus|Descriptive|Image Source (Pub)|||||||Mary, Saint George, Takla Haymanot, Ewostatewos, Gabra Manfas Qeddus|0|||||0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Paintings|Painting|Diptych|Icon||17|18||1675|1725|ca|Late 17th to early 18th C|ca 1675-1725|||||0||||0|||||Tempera on wood|wood (plant material)|tempera||||painting (image-making)|||||10.3 x 9 x 1.1 cm, closed||9599|Addis Ababa: University of Addis Ababa; Institute of Ethiopian Studies|Addis Ababa: Univ.; Inst.of Ethiopian Studies||Virgin Mary ; Saint George ; Saints ; Madonna and Child ; |Virgin Mary|Saint George|Saints|Madonna and Child||||||Cornell||MNW|MNW|10/19/2005 0:00:00|10/19/2005 0:00:00|E84|||0||3531|||||27A|PA|||||||A224 |33|||||||Work|0||Double sided diptych which was worn as a pendant icon.||||||||From Gonder.||0|0|Mary, Saint George, Takla Haymanot, Ewostatewos, Gabra Manfas Qeddus| 5145.00|0|Category|15|27A|E84-PA|33|1 F 1|27A E84-PA 33 1|Madonna and Child; Saint George|Descriptive|Image Source (Pub)|||||||Madonna and Child; Saint George|0|||||0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Paintings|Painting|Diptych|Icon||17|18||1675|1725|ca|Late 17th to early 18th C|ca 1675-1725||Mary, Saint George, Takla Haymanot, Ewostatewos, Gabra Manfas Qeddus|||5143||||0|||||Tempera on wood|wood (plant material)|tempera||||painting (image-making)|||||10.3 x 9 x 1.1 cm, closed||9599|Addis Ababa: University of Addis Ababa; Institute of Ethiopian Studies|Addis Ababa: Univ.; Inst.of Ethiopian Studies||Madonna and Child ; Saint George ; |Madonna and Child|Saint George||||||||Cornell||MNW|MNW|10/19/2005 0:00:00|10/19/2005 0:00:00|E84|||0||3531|||||27A|PA|||||||A224 |33|||||||Work|0||One side of a double sided diptych which was worn as a pendant icon.||||||||||0|0|Madonna and Child; Saint George| 5146.00|0|Manuscript|15|05|L848|MOr516||05 L848 MOr516 |Four Gospels|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Manuscripts|Illumination (layout feature)|Manuscript|||13|||1200|1299|ca|13th century?|ca 1200-1299 ?|||||0||||0|||||Illumination on parchment|parchment|||||illumination|||||26.8 x 24.9 cm||1512|London: British Library|London: British Library||Gospel ; New Testament ; Bible ; |Gospel|New Testament|Bible|||||||Cornell||MNW|JNK|10/27/2005 0:00:00|10/19/2005 0:00:00|MOr516|||0||Or. 516|||||05||||||||L848 ||||||||Work|0||194 ff.||||||||||0|0|Four Gospels| 5147.00|0|Manuscript|15|05|L848|MOr516|99v|05 L848 MOr516 99v|Saint George Rescuing the Young Woman of Beirut|Descriptive|Image Source (Pub)|||||||Four Gospels. Saint George Rescuing the Young Woman of Beirut|0|||||0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Manuscripts|Illumination (layout feature)|Manuscript|||13|||1200|1299|ca|13th century?|ca 1200-1299 ?||Four Gospels|||5146||||0|||||Illumination on parchment|parchment|||||illumination|||||26.8 x 24.9 cm||1512|London: British Library|London: British Library||Saint George ; |Saint George|||||||||Cornell||MNW|MNW|10/19/2005 0:00:00|10/19/2005 0:00:00|MOr516|||0||Or. 516, 99 v|||||05||||||||L848 ||||||||Work|0||||||||||||0|0|Saint George Rescuing the Young Woman of Beirut| 5148.00|0|Manuscript|15|05|L848|MOr516|100v|05 L848 MOr516 100v|Saint Luke|Descriptive|Image Source (Pub)|||||||Four Gospels. Saint Luke|0|||||0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Manuscripts|Illumination (layout feature)|Manuscript|||13|||1200|1299|ca|13th century?|ca 1200-1299 ?||Four Gospels|||5146||||0|||||Illumination on parchment|parchment|||||illumination|||||26.8 x 24.9 cm||1512|London: British Library|London: British Library||Saint Luke ; |Saint Luke|||||||||Cornell||MNW|MNW|10/19/2005 0:00:00|10/19/2005 0:00:00|MOr516|||0||Or. 516, 100 v|||||05||||||||L848 ||||||||Work|0||||||||||||0|0|Saint Luke| 5149.00|0|Site|02|B-N7|Gon|3.1 DebBerSel||B-N7 Gon 3.1 DebBerSel |Debre Berhan Selassie|Original|Image Source (Pub)|Light of the Trinity|Translated|Image Source (Pub)||||Debre Berhan Selassie|0|||||0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0|Gonder, Ethiopia|||10585||||0||||0|Architecture|Church||||17|18||1680|1710|ca|ca 1680-1710|ca 1680-1710|||||0||||0||||||||||||||||||||||Churches ; |Churches|||||||||Cornell||MNW|MNW|10/19/2005 0:00:00|10/19/2005 0:00:00||Gon||0||||||DebBerSel|B|||||N7|3.1||||||||||Work|0|Architecture-Ethiopia||||Built by Emperior Iyasu I (reign, 1682-1706).|||||||0|0|Debre Berhan Selassie;Light of the Trinity| 5150.00|0|Site|02|B-N7|Lal|3.1 Gior||B-N7 Lal 3.1 Gior |Bete Giorgis|Original|Image Source (Pub)|House of St. George|Translated|Image Source (Pub)||||Bete Giorgis|0|||||0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0|Lalibela, Ethiopia|||10588||||0||||0|Architecture|Church||||13|14||1275|1325|ca|ca 1300|ca 1275-1325|||||0||||0||||||||||||||||||||||Churches ; |Churches|||||||||Cornell||MNW|JNK|10/25/2005 0:00:00|10/19/2005 0:00:00||Lal||0||||||Gior|B|||||N7|3.1||||||||||Work|0|Architecture-Ethiopia|||||||||||0|0|Bete Giorgis;House of St. George| 5151.00|0|Site|02|B-N7|Lal|3.1 Emm||B-N7 Lal 3.1 Emm |Bete Emmanuel|Original|Image Source (Pub)|House of Emmanuel|Translated|Image Source (Pub)||||Bete Emmanuel|0|||||0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0|Lalibela, Ethiopia|||10588||||0||||0|Architecture|Church||||13|14||1275|1325|ca|ca 1300|ca 1275-1325|||||0||||0||||||||||||||||||||||Churches ; |Churches|||||||||Cornell||MNW|JNK|10/25/2005 0:00:00|10/19/2005 0:00:00||Lal||0||||||Emm|B|||||N7|3.1||||||||||Work|0|Architecture-Ethiopia|||||||||||0|0|Bete Emmanuel;House of Emmanuel| 5152.00|0|Site|02|B-N7|Aks|1.32 Obe||B-N7 Aks 1.32 Obe |Obelisk||||||||||0|||||0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0|Aksum, Ethiopia|||10586||||0||||0|Architecture|Obelisk|Stela|||3|4||200|300||3rd to 4th century|200-300|||||0||||0|||||Granite|granite||||||||||||||||Obelisks ; Stelae ; Memorials ; |Obelisks|Stelae|Memorials|||||||Cornell||MNW|MNW|10/19/2005 0:00:00|10/19/2005 0:00:00||Aks||0||||||Obe|B|||||N7|1.32||||||||||Work|0|Architecture-Ethiopia|This obelisk is carved on three sides to represent a tower of nine stories, with a false door on the front. Garrick, Pilgramage. This is a memorial oblelisk. Metropolitan Museum||||||||||0|0|Obelisk| 5153.00|0|Creator|15|25|Set 311|Raphael||25 Set 311.2 Raphael |Stanza dell'Incendio|Assigned|Dict.Art|Stanza dell'Incendio di Borgo|Variant|||||Stanza dell'Incendio|9634|Raphael||painter|Raphael|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0|Vatican Palace, Vatican City, Rome, Italy|||10589||||0||||0|Paintings|Painting|Fresco|||16|||1514|1517||1514-1517|1514-1517|||||0||||0|||||Fresco|frescoes|||||painting (image-making)|fresco painting||||||9601|Rome: Vatican; Stanza dell'Incendio|Rome: Vatican; Stanza dell'Incendio||||||||||||Cornell||JNK|JNK|10/19/2005 0:00:00|10/19/2005 0:00:00|Raphael|||0||||||Set 311|25|||||||| ||||||||Work|0||||||||||||0|0|Stanza dell'Incendio;Stanza dell'Incendio di Borgo|Raphael 5154.00|0|Creator|15|25|Set 311.2|Raphael||25 Set 311.2 Raphael |Incendio di Borgo|Assigned|Blue Guide|Fire in the Borgo|Translated|Dict.Art||||Stanza dell'Incendio. Incendio di Borgo|9634|Raphael||painter|Raphael|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0||||0||||0||||0|Paintings|Fresco|Painting|||16|||1514|1517||1514-1517|1514-1517||Stanza dell'Incendio|Larger entity||5153||||0|||||Fresco|frescoes|||||fresco painting|painting (image-making)||||||9601|Rome: Vatican; Stanza dell'Incendio|Rome: Vatican; Stanza dell'Incendio||Fires ; Miracles ; Rome, Italy ; |Fires|Miracles|Rome, Italy|||||||Cornell||JNK|JNK|10/19/2005 0:00:00|10/19/2005 0:00:00|Raphael|||0||||||Set 311.2|25||||||||||||||||Work|0||||||||||||0|0|Incendio di Borgo;Fire in the Borgo|Raphael 5155.00|0|Creator|15|25-Set|Leonardo|||25-Set Leonardo |Female External Genitalia, Fetuses, Notes (Function of Poet vs. Painter)|Descriptive|Cataloger|||||||Female External Genitalia, Fetuses, Notes (Function of Poet vs. Painter)|6972|Leonardo da Vinci||painter|Leonardo da Vinci|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0||||0||||0||||0|Drawings|Drawing||||16|||1510|1510|ca|ca 1510|ca 1510-1510|||||0||||0|||||Pen, ink & red chalk|pen|ink|red chalk|||drawing (image-making)|||||30.1 x 21.7 cm||3519|Windsor: Windsor Castle; Royal Collection|Windsor Castle: Royal Coll.||Anatomy ; Fetuses ; |Anatomy|Fetuses||||||||Cornell||JNK|MNW|1/24/2006 0:00:00|10/19/2005 0:00:00|Leonardo|||0||19101 recto||||Set|25|||||||| ||||||||Work|0||||||||||||0|0|Female External Genitalia, Fetuses, Notes (Function of Poet vs. Painter)|Leonardo da Vinci 5156.00|0|Creator|15|25-Set|Leonardo|||25-Set Leonardo |Embryo in Human Uterus with Cow's Placenta and Detail of Placenta and Uterus|Descriptive|Cataloger|||||||Embryo in Human Uterus with Cow's Placenta and Detail of Placenta and Uterus|6972|Leonardo da Vinci||painter|Leonardo da Vinci|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0||||0||||0||||0|Drawings|Drawing||||16|||1510|1510|ca|ca 1510|ca 1510-1510|||||0||||0|||||Pen, ink & red chalk|pen|ink|red chalk|||drawing (image-making)|||||30.1 x 21.4 cm||3519|Windsor: Windsor Castle; Royal Collection|Windsor Castle: Royal Coll.||Anatomy ; Fetuses ; Human embryos ; |Anatomy|Fetuses|Human embryos|||||||Cornell||JNK|MNW|1/24/2006 0:00:00|10/19/2005 0:00:00|Leonardo|||0||19102 recto||||Set|25|||||||| ||||||||Work|0||||||||||||0|0|Embryo in Human Uterus with Cow's Placenta and Detail of Placenta and Uterus|Leonardo da Vinci 5157.00|0||||||||||||||||||0|||||0||||0|||||||||||||||||||0||||0||||0||||0||||||||||||||||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|10/19/2005 0:00:00|10/19/2005 0:00:00||||0||||||||||||||1983||||||||||0||||||||||||0|0|| 5158.00|0|Creator|15||||||American Progress|Assigned|Image Source (Book)|||||||American Progress|4338|Gast, John||painter|John Gast; George A. Crofutt|30863|Crofutt, George A.||lithographer|0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Graphics|Print|Lithograph|||19|||1873|1873|ca|ca 1873|ca 1873-1873|||||0||||0|||||Chromolithograph|paper (fiber product)|||||lithography|chromolithography||||40.5 x 40.6 cm||3892|Washington, DC: Library of Congress|Wash, DC: Library of Congress||||||||||||Cornell||MNW|MNW|10/20/2005 0:00:00|10/20/2005 0:00:00|G255|||0||LC-USZC4-668||||||||||||| ||||||||Work|0||Chromolithograph, ca. 1873, after an 1872 painting by John Gast. LC.||||||||||0|0|American Progress|Gast, John;Crofutt, George A. 5159.00|0|Creator|15|32|S245-PA|1904|3|32 S245-PA 1904 2|An Artist in His Studio|Assigned|Repository||||||||10396|Sargent, John Singer||painter|John Singer Sargent|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Portrait|Painting|||20|||1904|1904||1904|1904-1904|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||56.2 x 72.1 cm||428|Boston: Museum of Fine Arts|Boston: MFA||Portraits ; Studios (Work Spaces) ; Painting (image making) ; |Portraits|Studios (Work Spaces)|Painting (image making)|||||||Cornell||MNW|JNK|1/6/2006 0:00:00|10/20/2005 0:00:00|S245|||0||05.56|||||32|PA||||||1904| ||||||||Work|0||||||||||||0|0|An Artist in His Studio|Sargent, John Singer 5160.00|0|Creator|15|35|K870-TO|n.d.|1|35 K870-TO n.d. 1|Ethiopian Alphabet and Numerals|Assigned|Image Source (Pub)|||||||Ethiopian Alphabet and Numerals|30846|Kosrof, Wosene Worke||painter|Wosene Worke Kosrof|0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Calligraphy|Calligraphy||||20|||1950|1999|ca|Mid 20th century|ca 1950-1999|||||0||||0|||||||||||calligraphy|||||||||||Alphabets ; Numerals ; |Alphabets|Numerals||||||||Cornell||MNW|MNW|10/21/2005 0:00:00|10/21/2005 0:00:00|K870|||0|||||||35|TO||||||n.d.|||||||||Work|0||||||||||||0|0|Ethiopian Alphabet and Numerals|Kosrof, Wosene Worke 5161.00|0|Creator|15|35|K870-PA|2000|2|35 K870-PA 2000 2|The African III|Artists|Image Source (Pub)|||||||The African III|30846|Kosrof, Wosene Worke||painter|Wosene Worke Kosrof|0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Paintings|Painting||||21|||2000|2000||2000|2000-2000|||||0||||0|||||Acrylic on linen|acrylic|linen (material)||||painting (image-making)|||||92.7 x 64.8 cm||3561|Collection of the Artist|: Collection of the Artist||||||||||||Cornell||MNW|MNW|10/21/2005 0:00:00|10/21/2005 0:00:00|K870|||0|||||||35|PA||||||2000| ||||||||Work|0||||||||||||0|0|The African III|Kosrof, Wosene Worke 5162.00|0|Creator|15|35|K870-PA|2002|3|35 K870-PA 2002 3|The Color of Words VI|Artists|Image Source (Pub)|||||||The Color of Words VI|30846|Kosrof, Wosene Worke||painter|Wosene Worke Kosrof|0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Paintings|Painting||||21|||2002|2002||2002|2002-2002|||||0||||0|||||Acrylic on linen|acrylic|linen (material)||||painting (image-making)|||||124.5 x 31.8 cm||9602|New York: Skoto Gallery|New York: Skoto Gallery||Alphabets ; |Alphabets|||||||||Cornell||MNW|JNK|10/25/2005 0:00:00|10/21/2005 0:00:00|K870|||0|||||||35|PA||||||2002| ||||||||Work|0||||||||||||0|0|The Color of Words VI|Kosrof, Wosene Worke 5163.00|0|Creator|15|35|K870-PA|2002|4|35 K870-PA 2002 4|The Morning News|Artists|Image Source (Pub)|||||||The Morning News|30846|Kosrof, Wosene Worke||painter|Wosene Worke Kosrof|0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Paintings|Painting||||21|||2002|2002||2002|2002-2002|||||0||||0|||||Acrylic on linen|acrylic|linen (material)||||painting (image-making)|||||48.3 x 47.7 cm||3561|Collection of the Artist|: Collection of the Artist||Alphabets ; Numerals ; |Alphabets|Numerals||||||||Cornell||MNW|MNW|10/21/2005 0:00:00|10/21/2005 0:00:00|K870|||0|||||||35|PA||||||2002| ||||||||Work|0||||||||||||0|0|The Morning News|Kosrof, Wosene Worke 5164.00|0|Creator|15|35|K870-PA|2003|7|35 K870-PA 2003 7|The Monument|Artists|Image Source (Pub)|||||||The Monument|30846|Kosrof, Wosene Worke||painter|Wosene Worke Kosrof|0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Paintings|Painting||||21|||2003|2003||2003|2003-2003|||||0||||0|||||Acrylic on linen|acrylic|linen (material)||||painting (image-making)|||||106.7 x 99.1 cm||3561|Collection of the Artist|: Collection of the Artist||||||||||||Cornell||MNW|JNK|10/25/2005 0:00:00|10/21/2005 0:00:00|K870|||0|||||||35|PA||||||2003| ||||||||Work|0||||||||||||0|0|The Monument|Kosrof, Wosene Worke 5165.00|0|Creator|15|35|K870-PA|2003|6|35 K870-PA 2003 6|The Library|Artists|Image Source (Pub)|||||||The Library|30846|Kosrof, Wosene Worke||painter|Wosene Worke Kosrof|0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Paintings|Painting||||21|||2003|2003||2003|2003-2003|||||0||||0|||||Acrylic on linen|acrylic|linen (material)||||painting (image-making)|||||27.3 x 109.2 overall||3561|Collection of the Artist|: Collection of the Artist||Alphabets ; Numerals ; |Alphabets|Numerals||||||||Cornell||MNW|MNW|10/21/2005 0:00:00|10/21/2005 0:00:00|K870|||0|||||||35|PA||||||2003| ||||||||Work|0||Work consists of four panels each 27.3 cm square||||||||||0|0|The Library|Kosrof, Wosene Worke 5166.00|0|Creator|15|35|K870-PA|2003|1|35 K870-PA 2003 1|A Beauty of Your Own|Artists|Image Source (Pub)|||||||A Beauty of Your Own|30846|Kosrof, Wosene Worke||painter|Wosene Worke Kosrof|0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Paintings|Painting||||21|||2003|2003||2003|2003-2003|||||0||||0|||||Acrylic on linen|acrylic|linen (material)||||painting (image-making)|||||54.6 x 81.9 cm||3561|Collection of the Artist|: Collection of the Artist||Alphabets ; |Alphabets|||||||||Cornell||MNW|JNK|10/25/2005 0:00:00|10/21/2005 0:00:00|K870|||0|||||||35|PA||||||2003| ||||||||Work|0||This work consists of 6 panels, each measuring 27.3 cm square.||||||||||0|0|A Beauty of Your Own|Kosrof, Wosene Worke 5167.00|0|Creator|15|35|K870-PA|2003|3|35 K870-PA 2003 3|House of Words|Artists|Image Source (Pub)|||||||House of Words|30846|Kosrof, Wosene Worke||painter|Wosene Worke Kosrof|0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Paintings|Painting||||21|||2003|2003||2003|2003-2003|||||0||||0|||||Acrylic on canvas|acrylic|canvas||||painting (image-making)|||||95.3 x 95.3 overall||3561|Collection of the Artist|: Collection of the Artist||Alphabets ; |Alphabets|||||||||Cornell||MNW|MNW|10/21/2005 0:00:00|10/21/2005 0:00:00|K870|||0|||||||35|PA||||||2003| ||||||||Work|0||Nine panels each 31.8 cm square.||||||||||0|0|House of Words|Kosrof, Wosene Worke 5168.00|0|Creator|15|35|K870-PA|2003|9|35 K870-PA 2003 9|Words of Memory|Artists|Image Source (Pub)|||||||Words of Memory|30846|Kosrof, Wosene Worke||painter|Wosene Worke Kosrof|0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Paintings|Painting||||21|||2003|2003||2003|2003-2003|||||0||||0|||||Acrylic on linen|acrylic|linen (material)||||painting (image-making)|||||50.8 x 50.8 cm||3561|Collection of the Artist|: Collection of the Artist||Alphabets ; |Alphabets|||||||||Cornell||MNW|CLL|10/25/2005 0:00:00|10/21/2005 0:00:00|K870|||0|||||||35|PA||||||2003| ||||||||Work|0||||||||||||0|0|Words of Memory|Kosrof, Wosene Worke 5169.00|0|Creator|15|35|K870-PA|2002|2|35 K870-PA 2002 2|African Woman IV|Artists|Image Source (Pub)|||||||African Woman IV|30846|Kosrof, Wosene Worke||painter|Wosene Worke Kosrof|0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Paintings|Painting||||21|||2002|2002||2002|2002-2002|||||0||||0|||||Acrylic on canvas|acrylic|canvas||||painting (image-making)|||||124.5 x 81.8 cm||9603|Berkeley: Collection of Dr. Patricia DiRubbo|Berkeley: Coll. Dr. Patricia DiRubbo||Women ; |Women|||||||||Cornell||MNW|JNK|10/25/2005 0:00:00|10/21/2005 0:00:00|K870|||0|||||||35|PA||||||2002| ||||||||Work|0||||||||||||0|0|African Woman IV|Kosrof, Wosene Worke 5170.00|0|Creator|15|35|K870-PA|2003|5|35 K870-PA 2003 5|The Abyssinians|Artists|Image Source (Pub)|||||||The Abyssinians|30846|Kosrof, Wosene Worke||painter|Wosene Worke Kosrof|0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Paintings|Painting||||21|||2003|2003||2003|2003-2003|||||0||||0|||||Acrylic on linen|acrylic|linen (material)||||painting (image-making)|||||97.8 x 99.1 cm||3561|Collection of the Artist|: Collection of the Artist||Alphabets ; |Alphabets|||||||||Cornell||MNW|MNW|10/21/2005 0:00:00|10/21/2005 0:00:00|K870|||0|||||||35|PA||||||2003| ||||||||Work|0||||||||||||0|0|The Abyssinians|Kosrof, Wosene Worke 5171.00|0|Creator|15|35|K870-PA|2003|8|35 K870-PA 2003 8|The Moon, the Dancers and the Fire|Artists|Image Source (Pub)|||||||The Moon, the Dancers and the Fire|30846|Kosrof, Wosene Worke||painter|Wosene Worke Kosrof|0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Paintings|Painting||||21|||2003|2003||2003|2003-2003|||||0||||0|||||Acrylic on linen|acrylic|linen (material)||||painting (image-making)|||||79.4 x 77.5 cm||3561|Collection of the Artist|: Collection of the Artist||Alphabets ; |Alphabets|||||||||Cornell||MNW|MNW|10/21/2005 0:00:00|10/21/2005 0:00:00|K870|||0|||||||35|PA||||||2003| ||||||||Work|0||||||||||||0|0|The Moon, the Dancers and the Fire|Kosrof, Wosene Worke 5172.00|0|Creator|15|35|K870-PA|2003|4|35 K870-PA 2003 4|Night of the Red Sky|Artists|Image Source (Pub)|||||||Night of the Red Sky|30846|Kosrof, Wosene Worke||painter|Wosene Worke Kosrof|0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Paintings|Painting||||21|||2003|2003||2003|2003-2003|||||0||||0|||||Acrylic on linen|acrylic|linen (material)||||painting (image-making)|||||91.4 x 78.1 cm||3561|Collection of the Artist|: Collection of the Artist||Alphabets ; Numerals ; |Alphabets|Numerals||||||||Cornell||MNW|MNW|10/21/2005 0:00:00|10/21/2005 0:00:00|K870|||0|||||||35|PA||||||2003| ||||||||Work|0||||||||||||0|0|Night of the Red Sky|Kosrof, Wosene Worke 5173.00|0|||||||||||||||||Berkeley III|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Paintings|||||||||||||||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|10/21/2005 0:00:00|10/21/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|| 5174.00|0|Site|02||||||Birbal's House|Assigned|Image Source (Pub)|||||||Birbal's House|0|||||0||||0|||||Indian|||Mughal|||Asia||India||||||0|Fatehpur Sikri, India|||10590||||0||||0|Architecture|Palace||||16|||1550|1600|ca|2nd half of 16th century|ca 1550-1600|||||0||||0||||||||||||||||||||||Domes ; Chhatri ; |Domes|Chhatri||||||||Cornell||MNW|MNW|10/24/2005 0:00:00|10/24/2005 0:00:00||FatSik||0|||||||||||||||||||||||Work|0||Home of Akbar's most esteemed noble, Raja Birbal. The palace has exquisite stone carvings. Built by Akbar (1542-1605, reign 1556-1605). MacDougall DB.|||Probably built between 1568-1583.|||||||0|0|Birbal's House| 5175.00|0|Site|02||||||Jodh Bai's Palace|||||||||Jodh Bai's Palace|0|||||0||||0|||||Indian|||Mughal|||Asia||India||||||0|Fatehpur Sikri, India|||10590||||0||||0|Architecture|Palace||||16|||1550|1600|ca|Second half of the 16th Century|ca 1550-1600|||||0||||0||||||||||||||||||||||Palaces ; |Palaces|||||||||Cornell||MNW|MNW|10/24/2005 0:00:00|10/24/2005 0:00:00||FatSik||0|||||||||||||||||||||||Work|0||The principle palce in the Imperial Harem; displays a combination of Islamic and Hindu workmanship styles apparent in the entire complex. Built by Akbar (1542-1605, reign 1556-1605). MacDougall DB.|||Probably dates from 1568-1583.|||||||0|0|Jodh Bai's Palace| 5178.00|0|Site|02||||||Haram-Sarai Offices|Descriptive|Image Source (Pub)|||||||Jodh Bai's Palace. Haram-Sarai Offices|0|||||0||||0|||||Indian|||Mughal|||Asia||India||||||0|Fatehpur Sikri, India|||10590||||0||||0|Architecture|Palace||||16|||1550|1600|ca|Second half of the 16th Century|ca 1550-1600||Jodh Bai's Palace|||5175||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|10/24/2005 0:00:00|10/24/2005 0:00:00||FatSik||0|||||||||||||||||||||||Work|0||Housed the administrative system that directed the affairs of the women in the Imperial Harem. Built by Akbar (1542-1605, reign 1556-1605). MacDougall DB.|||Probably dates from 1568-1583.|||||||0|0|Haram-Sarai Offices| 5179.00|0|Site|02||||||Hawa Mahal|Assigned|Print Publication|Palace of Winds|Translated|Print Publication||||Jodh Bai's Palace. Hawa Mahal|0|||||0||||0|||||Indian|||Mughal|||Asia||India||||||0|Fatehpur Sikri, India|||10590||||0||||0|Architecture|Palace||||16|||1550|1600|ca|Second half of the 16th Century|ca 1550-1600||Jodh Bai's Palace|||5175||||0||||||||||||||||||||||Palaces ; |Palaces|||||||||Cornell||MNW|MNW|10/24/2005 0:00:00|10/24/2005 0:00:00||FatSik||0|||||||||||||||||||||||Work|0||Built by Akbar (1542-1605, reign 1556-1605). MacDougall DB.||||||||||0|0|Hawa Mahal;Palace of Winds| 5180.00|0|Site|02||||||Jantar Mantar||||||||||0|||||0||||0|||||Indian|||Rajput|||Asia||India||||||0|Jaipur, India|||10272||||0||||0||||||18|||1725|1750|ca|Second quarter of 18th century|ca 1725-1750|||||0||||0||||||||||||||||||||||Observatories ; |Observatories|||||||||Cornell||MNW|MNW|10/24/2005 0:00:00|10/24/2005 0:00:00||Jai||0|||||||||||||||||||||||Work|0||The largest of five obervtories built to revise the Hindu calendar. Built by Mahraja Sawai Jai Singh (reign 1719-1748). Part of the Kachhwaha Rajput dynasty. MacDougall DB.|||Probably built between 1728-1734.|||||||0|0|Jantar Mantar| 5181.00|0|Architect|02|B-C2|Cuba|9.0 Glass|1|B-C2 Cuba 9.0 Glass 1|Tinted Glass Vitrales|Descriptive|Image Source (Pub)|||||||Tinted Glass Vitrales|0|||||0||||0|||||Cuban||||||North and Central America||Cuba||||||0|Cuba|||10591||||0||||0|Stained Glass|Stained glass (visual works)||||20|||1900|1999|ca|20th century|ca 1900-ca 1999|||||0||||0|||||Stained glass|stained glass (material)||||||||||||||||||||||||||Cornell||MNW|MNW|10/25/2005 0:00:00|10/25/2005 0:00:00||Cuba||0||||||Glass|B|||||C2|9.0||||||||||Work|0|Architecture-Cuba|||||||||||0|0|Tinted Glass Vitrales| 5182.00|0|Architect|02|B-C2|Cuba|9.0 Tiles|1|B-C2 Cuba 9.0 Tiles 1|Tile Panel|Collective Title|Cataloger|||||||Tile Panel|0|||||0||||0|||||Cuban||||||North and Central America||Cuba||||||0|Cuba|||10591||||0||||0|Ceramics|Ceramic tile|||||||1900|1999|ca|20th century|ca 1900-ca 1999|||||0||||0|||||Ceramic tile|tile|||||ceramics|||||||||||||||||||||Cornell||MNW|MNW|10/25/2005 0:00:00|10/25/2005 0:00:00||Cuba||0||||||Tiles|B|||||C2|9.0||||||||||Work|0|Architecture-Cuba|Recalls a Mudejar craft tradition from Southern Spain. Carley, Cuba||||||||||0|0|Tile Panel| 5183.00|0|Architect|02|B-C2|Cuba|9.0 Ceil|1|B-C2 Cuba 9.0 Ceil 1|Par y nudillo Ceiling|Descriptive|Cataloger|||||||Par y nudillo Ceiling|0|||||0||||0|||||Cuban||||||North and Central America||Cuba||||||0|Cuba|||10591||||0||||0|Architecture|Ceiling|||||||1900|1999|ca|20th century|ca 1900-ca 1999|||||0||||0||||||wood (plant material)||||||||||||||||||||||||||Cornell||MNW|MNW|10/25/2005 0:00:00|10/25/2005 0:00:00||Cuba||0||||||Ceil|B|||||C2|9.0||||||||||Work|0|Architecture-Cuba|The Cuban alfarje incorprates inclining and horizontal beams in a roofing method called par y nudillo. Carley, Cuba.||||||||||0|0|Par y nudillo Ceiling| 5184.00|0|Architect|03|MA-TorSanAre|7.2|1908|Sev|MA-TorSanAre 7.2 1908 Sev|Hotel Sevilla|Assigned|Image Source (Pub)|Le Gran Hotel Sevilla|Original|Online Resource||||Hotel Sevilla|30935|Toraya, José||architect|José Toraya & Aurelio Sandoval; Arellano y Mendoza|30936|Sandoval, Aurelio||engineer|30874|Arellano y Mendoza||architectural firm||Cuban||||||North and Central America||Cuba||||||0|Havana, Cuba|||10267||||0||||0|Architecture|Hotel (public accommodation)||||20|||1908|1923||1908; 1923|1908-1923|||||0||||0||||||||||||||||||||||Hotels (public accommodations) ; |Hotels (public accommodations)|||||||||Cornell||MNW|CLL|11/4/2005 0:00:00|10/25/2005 0:00:00|TorSanAre|Hav||0||||||Sev|MA|||||C2|7.2|1908|||||||||Work|0|Modern Architecture||||Built in 1908; remodeled in 1923 by Arellano y Mendoza.|||||||0|0|Hotel Sevilla;Le Gran Hotel Sevilla|Toraya, José;Sandoval, Aurelio;Arellano y Mendoza 5185.00|0|Creator|15|35|A881-M|1994|1|35 A881-M 1994 1|A Shrine for Angelica's Dreams|Assigned|Image Source (Pub)|||||||A Shrine for Angelica's Dreams|30845|Atnafu, Elisabeth Tariqua||painter|Elizabeth Atnafu|0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Multimedia works|Multimedia work||||20|||1994|1994||1994|1994-1994|||||0||||0|||||Mixed materials|mixed materials||||||||||180 x 180 x 15 cm||3561|Collection of the Artist|: Collection of the Artist||Dresses ; Dreams ; |Dresses|Dreams||||||||Cornell||JNK|JNK|10/25/2005 0:00:00|10/25/2005 0:00:00|A881|||0|||||||35|M||||||1994| ||||||||Work|0||||||||||||0|0|A Shrine for Angelica's Dreams|Atnafu, Elisabeth Tariqua 5186.00|0|Culture|15|CHINA|PTG|SONG||CHINA PTG SONG |Lou hui ji jin ce|Descriptive|Image Source (Pub)|||||||Lou hui ji jin ce|0|||||0||||0|||||Chinese|||Song (Sung)|Northern Song (N.Sung)||Asia||China||||||0||||0||||0||||0|Paintings|Painting||||12||||||Early 12th century||||||0||||0||||||silk (textile)|||||painting (image-making)|tapestry (process)||||||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||||||||||||Cornell||BZ|BZ|6/22/2006 0:00:00|10/25/2005 0:00:00||||0|||||||PTG|||CHINA|SONG|||| ||||||||Work|0||||||||||||0|0|Lou hui ji jin ce| 5187.00|0|Site|02|B-C2|Hav|3.2 SSCarAmb||B-C2 Hav 3.2 SSCarAmb |Real Colegio Seminario de San Carlos y San Ambrosio|Assigned|Image Source (Pub)|||||||Real Colegio Seminario de San Carlos y San Ambrosio|0|||||0||||0|||||Cuban||||||North and Central America||Cuba||||||0|Havana, Cuba|||10267||||0||||0|Architecture|Monastery||||18|||1700|1799|ca|1700's|ca 1700-1799|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|10/25/2005 0:00:00|10/25/2005 0:00:00||Hav||0||||||SSCarAmb|B|||||C2|3.2||||||||||Work|0|Architecture-Cuba||||Remoldeled in the neo-baroque style in 1950.|||||||0|0|Real Colegio Seminario de San Carlos y San Ambrosio| 5188.00|0|Creator|15|CHINA|PTG|SONG||CHINA PTG SONG |Confucian Sages And Worthies|Descriptive|Image Source (Pub)|||||||Confucian Sages And Worthies|30872|Ma Lin||painter|Ma Lin|0||||0|||||Chinese|||Song (Sung)|Southern Song (S.Sung)||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Scroll painting|||13|13||1230|1230||1230|1230|||||||||0|||||Ink and color on silk|ink|color (pigment)|silk (textile)|||painting (image-making)|||||||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Figures (representations) ; |Figures (representations)|||||||||Cornell||BZ|BZ|6/22/2006 0:00:00|10/25/2005 0:00:00||||0|||||||PTG|||CHINA|SONG|||| ||||||||Work|0||||||||||||0|0|Confucian Sages And Worthies|Ma Lin 5189.00|0|Site|02|B-C2|Hav|9.0 Door|1|B-C2 Hav 9.0 Door 1|Art Nouveau Doorway in Havana|Collective Title|Cataloger|||||||Art Nouveau Doorway in Havana|0|||||0||||0|||||Cuban|||Art Nouveau|||North and Central America||Cuba||||||0|Havana, Cuba|||10267||||0||||0|Architecture|Door||||20|||1900|1999|ca|20th century|ca 1900-1999|||||0||||0||||||wood (plant material)||||||||||||||||||||||||||Cornell||MNW|MNW|10/25/2005 0:00:00|10/25/2005 0:00:00||Hav||0||||||Door|B|||||C2|9.0||||||||||Work|0|Architecture-Cuba|||||||||||0|0|Art Nouveau Doorway in Havana| 5190.00|0|Architect|03|MA-CasRueMen|6.1|1930 Bac||MA-CasRueMen 6.1 1930 Bac |Bacardi Offices|Descriptive|Dict.Art|||||||Bacardi Offices|30907|Castells, Esteban Rodríguez||architect|Esteban Castells, Rafael Ruens & Jose Menendez|30937|Ruenes, Rafael Fernández||architect|30938|Menéndez, José||||Cuban|||Art Deco|||North and Central America||Cuba||||||0|Havana, Cuba|||10267||||0||||0|Architecture|Office building||||20|||1930|1930||1930|1930-1930|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|10/25/2005 0:00:00|10/25/2005 0:00:00|CasRueMen|||0||||||Bac|MA||||||6.1|1930|||||||||Work|0|Modern Architecture|||||||||||0|0|Bacardi Offices|Castells, Esteban Rodríguez;Ruenes, Rafael Fernández;Menéndez, José 5191.00|0|Creator|15|32|D317|1881|C928|32 D317 1881 C928|Criminal Physiognomies|Assigned||||||||Criminal Physiognomies|3026|Degas, Edgar||painter|Edgar Degas|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Drawings|Pastel (visual work)|Drawing|||19|||1881|1881||1881|1881-1881|||||0||||0|||||Pastel|pastels (crayons)|||||drawing (image-making)|||||48 x 63 cm||3290|Private Collection|: Private Coll.||Physiognomy ; |Physiognomy|||||||||Cornell||JNK|JNK|10/25/2005 0:00:00|10/25/2005 0:00:00|D317|||0||||||C928|32|||||||1881| ||||||||Work|0||||||||||||0|0||Degas, Edgar 5192.00|0|Site|02|B-C2|Hav|2.23 CasAmer||B-C2 Hav 2.23 CasAmer |Casa de Las Américas|Assigned|Image Source (Pub)|||||||Casa de Las Américas|0|||||0||||0|||||Cuban|||Art Deco|||North and Central America||Cuba||||||0|Havana, Cuba|||10267||||0||||0|Architecture|||||20|||1920|1939|ca|ca 1920-1939|ca 1920-1939|||||0||||0||||||||||||||||||||||Cultural centers ; |Cultural centers|||||||||Cornell||MNW|MNW|10/26/2005 0:00:00|10/26/2005 0:00:00||Hav||0||||||CasAmer|B|||||C2|2.23||||||||||Work|0|Architecture-Cuba|||||||||||0|0|Casa de Las Américas| 5193.00|0|Architect|03|MA-Zar & Esq|4.2|ColArq||MA-Zar & Esq 4.2 ColArq |Cologio de Arquitectos|Assigned|Image Source (Pub)|||||||Cologio de Arquitectos|30926|Zárraga, Fernando de||architect|Fernando de Zárraga & Mario Esquiroz|30940|Esquiroz Ramos, Mario Nicolas||architect|0|||||Cuban||||||North and Central America||Cuba||||||0|Havana, Cuba|||10267||||0||||0|Architecture|School||||20|||1947|1947||1947|1947-1947|||||0||||0||||||||||||||||||||||Schools ; |Schools|||||||||Cornell||MNW|MNW|11/1/2005 0:00:00|10/26/2005 0:00:00|Zar & Esq|Hav||0||||||ColArq|MA||||||4.2||||||||||Work|0|Modern Architecture|||||||||||0|0|Cologio de Arquitectos|Zárraga, Fernando de;Esquiroz Ramos, Mario Nicolas 5194.00|0|Site|02|B-C2|Hav|1.2 RelFue||B-C2 Hav 1.2 RelFue |Castillo de la Real Fuerza|Assigned|Image Source (Pub)|||||||Castillo de la Real Fuerza|30943|Ochoa de Luyando||architect|Ochoa de Luyando & Bartolomé Sánchez|30942|Sánchez, Bartolomé||engineer|0|||||Cuban||||||North and Central America||Cuba||||||0|Havana, Cuba|||10267||||0||||0|Architecture|Fort|Fortification|||16|||1558|1560||1558-1560|1558-1560|||||0||||0||||||||||||||||||||||forts ; |forts|||||||||Cornell||MNW|MNW|10/31/2005 0:00:00|10/26/2005 0:00:00||Hav||0||||||RelFue|B|||||C2|1.2||||||||||Work|0|Architecture-Cuba|||||||||||0|0|Castillo de la Real Fuerza|Ochoa de Luyando;Sánchez, Bartolomé 5195.00|0|Culture|15|CHINA|PTG|MING|||Ink Garden of the Cheng Family|Descriptive|Image Source (Pub)|||||||Ink Garden of the Cheng Family|30912|Ding Yunpeng||painter|Ding Yunpeng|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting||||17||||||1605|1605||Wood-block illustration from The Ink Gardern of the Cheng Family|||4985||||0|||||Ink on paper|ink|paper (fiber product)||||painting (image-making)|||||||||||||||||||||Cornell||BZ|BZ|10/27/2005 0:00:00|10/27/2005 0:00:00||||0|||||||PTG|||CHINA|||||||||||||Work|0||||||||||||0|0|Ink Garden of the Cheng Family|Ding Yunpeng 5196.00|0|Culture|15|CHINA|PTG|MING|||Sixteen Lohans|Descriptive|Image Source (Pub)|||||||Sixteen Lohans|30913|Guanxiu|attributed to|painter|Guanxiu, attributed to|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting||||18|||||||||Lohan|||4986||||0|||||Ink on paper|ink|paper (fiber product)||||painting (image-making)|||||||||||||||||||||Cornell||BZ|MNW|10/31/2005 0:00:00|10/27/2005 0:00:00||||0|||||||PTG|||CHINA|||||||||||||Work|0||||||||||||0|0|Sixteen Lohans|Guanxiu 5197.00|0|Site|02|B-C2|Hav|1.31 Arm||B-C2 Hav 1.31 Arm |Plaza de Armas|Assigned|Image Source (Pub)|||||||Plaza de Armas|0|||||0||||0|||||Cuban||||||North and Central America||Cuba||||||0|Havana, Cuba|||10267||||0||||0|Architecture|Square (open space)||||16|||1500|1599|ca|16th century|ca 1500-1599|||||0||||0||||||||||||||||||||||Plazas ; |Plazas|||||||||Cornell||MNW|JNK|11/4/2005 0:00:00|10/31/2005 0:00:00||Hav||0||||||Arm|B|||||C2|1.31|| ||||||||Work|0|Architecture-Cuba|||||||||||0|0|Plaza de Armas| 5198.00|0|Site|02|B-C2|Hav|7.5 Rem||B-C2 Hav 7.5 Rem |Typical Remedios House|Descriptive|Image Source (Pub)|||||||Typical Remedios House|0|||||0||||0|||||Cuban||||||North and Central America||Cuba||||||0|Havana, Cuba|||10267||||0||||0|Architecture|Houses||||19|||1800|1899|ca|19th century|ca 1800-1899|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||MNW|MNW|10/31/2005 0:00:00|10/31/2005 0:00:00||Hav||0||||||Rem|B|||||C2|7.5||||||||||Work|0|Architecture-Cuba|||||||||||0|0|Typical Remedios House| 5199.00|0|Site|02|B-C2|Hav|1.32 Tem||B-C2 Hav 1.32 Tem |El Templete|Assigned|Image Source (Pub)|||||||El Templete|30944|Torre, Antonio Maria de la||architect|Antonio Maria de la Torre|0||||0|||||Cuban|||classcal|||North and Central America||Cuba||||||0|Havana, Cuba|||10267||||0||||0|Architecture|Monument||||19|||1828|1828||1828|1828-1828|||||0||||0||||||||||||||||||||||Monuments ; |Monuments|||||||||Cornell||MNW|MNW|10/31/2005 0:00:00|10/31/2005 0:00:00||Hav||0||||||Tem|B|||||C2|1.32||||||||||Work|0|Architecture-Cuba|Located on the South side of the Plaza de Armas||||||||||0|0|El Templete|Torre, Antonio Maria de la 5200.00|0|Site|02|B-C2|Hav|3.3 Col||B-C2 Hav 3.3 Col |Colón|Assigned|Image Source (Pub)|||||||Colón|30945|Rayneri y Sorrentino, Eugenio||architect|Eugenio Rayneri y Sorrentino|0||||0|||||Cuban||||||North and Central America||Cuba||||||0|Havana, Cuba|||10267||||0||||0|Architecture|Cemetery||||19|||1871|1886||1871-1886|1871-1886|||||0||||0||||||||||||||||||||||Cemeteries ; |Cemeteries|||||||||Cornell||MNW|MNW|10/31/2005 0:00:00|10/31/2005 0:00:00||Hav||0||||||Col|B|||||C2|3.3||||||||||Work|0|Architecture-Cuba|||||||||||0|0|Colón|Rayneri y Sorrentino, Eugenio 5201.00|0|Site|02|B-C2|Hav|7.1 ConLom||B-C2 Hav 7.1 ConLom |Casa del Conde de Casa Lombillo|Assigned|Image Source (Pub)|House of the Counts of the House of Lombillo|Translated|Cataloger||||Casa del Conde de Casa Lombillo|0|||||0||||0|||||Cuban||||||North and Central America||Cuba||||||0|Havana, Cuba|||10267||||0||||0|Architecture|Palace||||18|||1700|1799|ca|18th century|ca 1700-1799|||||0||||0||||||||||||||||||||||Palaces ; |Palaces|||||||||Cornell||MNW|JNK|11/4/2005 0:00:00|10/31/2005 0:00:00||Hav||0||||||ConLom|B|||||C2|7.1||||||||||Work|0|Architecture-Cuba|||||||||||0|0|Casa del Conde de Casa Lombillo;House of the Counts of the House of Lombillo| 5202.00|0|Site|02|B-C2|Var|7.5 Bal||B-C2 Var 7.5 Bal |Balloon Frame House|Descriptive|Image Source (Pub)|||||||Balloon Frame House|0|||||0||||0|||||Cuban||||||North and Central America||Cuba||||||0|Varadero, Cuba|||10592||||0||||0|Architecture|House||||19|||1800|1899|ca|19th century|ca 1800-1899|||||0||||0||||||||||||||||||||||Houses ; Balloon frames ; |Houses|Balloon frames||||||||Cornell||MNW|CLL|11/7/2005 0:00:00|10/31/2005 0:00:00||Var||0||||||Bal|B|||||C2|7.5||||||||||Work|0|Architecture-Cuba|||||||||||0|0|Balloon Frame House| 5203.00|0|Site|02|B-C2|Man|2.121 Sta||B-C2 Man 2.121 Sta |Railroad Station|Descriptive|Image Source (Pub)|||||||Railroad Station|0|||||0||||0|||||Cuban||||||North and Central America||Cuba||||||0|Mantanzas, Cuba|||10593||||0||||0|Architecture|Railroad||||19|||1825|1875|ca|Mid 19th century|ca 1825-1875|||||0||||0||||||||||||||||||||||Railroad stations ; |Railroad stations|||||||||Cornell||MNW|MNW|10/31/2005 0:00:00|10/31/2005 0:00:00||Man||0||||||Sta|B|||||C2|2.121||||||||||Work|0|Architecture-Cuba|||||||||||0|0|Railroad Station| 5204.00|0|Site|02|B-C2|Cien|7.5 Bal||B-C2 Cien 7.5 Bal |Balloon Frame House|Descriptive|Image Source (Pub)|||||||Balloon Frame House|0|||||0||||0|||||Cuban||||||North and Central America||Cuba||||||0|Cienfuegos, Cuba|||10594||||0||||0|Architecture|House||||20|||1900|1999|ca|20th century|ca 1900-1999|||||0||||0||||||||||||||||||||||Houses ; Balloon frames ; |Houses|Balloon frames||||||||Cornell||MNW|MNW|10/31/2005 0:00:00|10/31/2005 0:00:00||Cien||0||||||Bal|B|||||C2|7.5||||||||||Work|0|Architecture-Cuba|||||||||||0|0|Balloon Frame House| 5205.00|0|Site|02|B-C2|Hav|2.41 Cap||B-C2 Hav 2.41 Cap |National Capitol|Descriptive|Dict.Art|||||||National Capitol|30945|Rayneri y Sorrentino, Eugenio||architect|Rayneri y Sorrentino, Otero & Bens|30946|Otero, Raúl||architect|30947|Bens, José María||architect||Cuban||||||North and Central America||Cuba||||||0|Havana, Cuba|||10267||||0||||0|Architecture|Capitol||||20|||1912|1929||1912-1929|1912-1929|||||0||||0||||||||||||||||||||||Capitols ; |Capitols|||||||||Cornell||MNW|MNW|10/31/2005 0:00:00|10/31/2005 0:00:00||Hav||0||||||Cap|B|||||C2|2.41||||||||||Work|0|Architecture-Cuba||||First project dates from 1912-1920; the subsequent building was redesigned in 1928.|||||||0|0|National Capitol|Rayneri y Sorrentino, Eugenio;Otero, Raúl;Bens, José María 5206.00|0|Site|02|B-C2|Hav|1.1 Aer||B-C2 Hav 1.1 Aer |View of Havana|Collective Title|Cataloger|||||||View of Havana|0|||||0||||0|||||Cuban||||||North and Central America||Cuba||||||0|Havana, Cuba|||10267||||0||||0|Architecture|Cityscape|Documentary photograph|||20|||1975|1997|ca|Last quarter of 20th C|ca 1975-1997|||||0||||0|||||||||||photography|||||||||||Havana, Cuba ; |Havana, Cuba|||||||||Cornell||MNW|MNW|10/31/2005 0:00:00|10/31/2005 0:00:00||Hav||0||||||Aer|B|||||C2|1.1|| ||||||||Work|0|Architecture-Cuba|||||||||||0|0|View of Havana| 5207.00|0|Architect|03|MA-McKMeaWhi|7.2|1930 Nac||MA-McKMeaWhi 7.2 1930 Nac |Hotel Nacional|Assigned|Image Source (Pub)|||||||Hotel Nacional|28580|McKim, Mead & White||ArchFirm|McKim, Mead & White|0||||0|||||Cuban||||||North and Central America||Cuba||||||0|Havana, Cuba|||10267||||0||||0|Architecture|Hotel (public accommodation)|Cityscape|||20|||1930|1930||1930|1930-1930|||||0||||0||||||||||||||||||||||Hotels (public accommodations) ; Havana, Cuba ; |Hotels (public accommodations)|Havana, Cuba||||||||Cornell||MNW|MNW|11/1/2005 0:00:00|10/31/2005 0:00:00|McKMeaWhi|Hav||0||||||Nac|MA||||||7.2|1930|||||||||Work|0|Modern Architecture|||||||||||0|0|Hotel Nacional|McKim, Mead & White 5208.00|0|Architect|03|MA-Otero|2.111|Pra|||Paseo del Prado|Assigned|Image Source (Pub)|||||||Paseo del Prado|30946|Otero, Raúl||architect|Raúl Otero & J. C. N. Forestier|4006|Forestier, J. C. N.||architect|0|||||Cuban||||||North and Central America||Cuba||||||0|Havana, Cuba|||10267||||0||||0|Architecture|Street|Streetscape|||20|||1920|1929|ca|1920's|ca 1920-1929|||||0||||0||||||||||||||||||||||Streetscapes ; Boulevards ; Havana, Cuba ; |Streetscapes|Boulevards|Havana, Cuba|||||||Cornell||MNW|JNK|11/4/2005 0:00:00|10/31/2005 0:00:00|Otero|Hav||0||||||Pra|MA||||||2.111||||||||||Work|0|Modern Architecture|||||||||||0|0|Paseo del Prado|Otero, Raúl;Forestier, J. C. N. 5209.00|0|Site|02|B-C2|Hav|7.2 Cap||B-C2 Hav 7.2 Cap |Hotel Capri|Assigned|Image Source (Pub)||||||||0|||||0||||0|||||Cuban||||||North and Central America||Cuba||||||0|Havana, Cuba|||10267||||0||||0|Architecture|Hotel (public accommodation)||||20|||1950|1959|ca|1950's|ca 1950-1959|||||0||||0||||||||||||||||||||||Hotels (public accommodations) ; |Hotels (public accommodations)|||||||||Cornell||MNW|MNW|10/31/2005 0:00:00|10/31/2005 0:00:00||Hav||0||||||Cap|B|||||C2|7.2||||||||||Work|0|Architecture-Cuba|||||||||||0|0|Hotel Capri| 5210.00|0|Architect|03|MA-Bele&Marur|2.44|1920 Pres||MA-Bele&Marur 2.44 1920 Pres |Presidential Palace|Assigned|Image Source (Pub)|Palacio Presidencial|Original|Dict.Art||||Presidential Palace|30948|Beleau, Paul||architect|Paul Beleau & Carlos Maruri|30949|Maruri, Carlos||architect|0|||||Cuban||||||North and Central America||Cuba||||||0|Havana, Cuba|||10267||||0||||0|Architecture|Official Residence||||20|||1920|1920||1920|1920-1920|||||0||||0||||||||||||||||||||||Palaces ; |Palaces|||||||||Cornell||MNW|MNW|10/31/2005 0:00:00|10/31/2005 0:00:00|Bele&Marur|||0||||||Pres|MA||||||2.44|1920|||||||||Work|0|Modern Architecture|||||||||||0|0|Presidential Palace;Palacio Presidencial|Beleau, Paul;Maruri, Carlos 5211.00|0|Architect|03|MA-Capablanca|2.42|1953 Int||MA-Capablanca 2.42 1953 Int |Ministery of Interior|Assigned|Image Source (Pub)|||||||Ministery of Interior|30950|Capablanca, Aquiles||architect|Aquiles Capablanca|0||||0|||||Cuban||||||North and Central America||Cuba||||||0|Havana, Cuba|||10267||||0||||0|Architecture|Ministry||||20|||1953|1953||1953|1953-1953|||||0||||0||||||||||||||||||||||Government office buildings ; |Government office buildings|||||||||Cornell||MNW|MNW|10/31/2005 0:00:00|10/31/2005 0:00:00||||0||||||Int|MA||||||2.42|1953|||||||||Work|0|Modern Architecture|||||||||||0|0|Ministery of Interior|Capablanca, Aquiles 5212.00|0|Site|02|B-C2|Hav|1.31 Rev||B-C2 Hav 1.31 Rev |Plaza de la Revolución|Assigned|Image Source (Pub)|Plaza de a Republica|Original|Image Source (Pub)||||Plaza de la Revolución|0|||||0||||0|||||Cuban||||||North and Central America||Cuba||||||0|Havana, Cuba|||10267||||0||||0|Architecture|Plaza||||20|||1919|1959||1919-1959|1919-1959|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|10/31/2005 0:00:00|10/31/2005 0:00:00||Hav||0||||||Rev|B|||||C2|1.31||||||||||Work|0|Architecture-Cuba|||||||||||0|0|Plaza de la Revolución;Plaza de a Republica| 5213.00|0|Site|02|B-C2|Hav|1.32 Mart||B-C2 Hav 1.32 Mart |Monument to José Martí|Assigned|Image Source (Pub)|||||||Plaza de la Revolución. Monument to José Martí|0|||||0||||0|||||Cuban||||||North and Central America||Cuba||||||0|Havana, Cuba|||10267||||0||||0|Architecture|Monument||||20|||1938|1952||1938-1952|1938-1952||Plaza de la Revolución|LargerEntity||5212||||0||||||||||||||||||||||Martí, José, 1853-1895 ; Monuments ; |Martí, José, 1853-1895|Monuments||||||||Cornell||MNW|MNW|11/1/2005 0:00:00|10/31/2005 0:00:00||Hav||0||||||Mart|B|||||C2|1.32||||||||||Work|0|Architecture-Cuba|||||||||||0|0|Monument to José Martí| 5214.00|0|Architect|03|MA-ArroyMen|2.22|1958 Nac||MA-ArroyMen 2.22 1958 Nac |Teatro Nacional|Assigned|Image Source (Pub)|||||||Teatro Nacional|30951|Arroyo y Menéndez||architectural firm|Arroyo y Menéndez|0||||0|||||Cuban||||||North and Central America||Cuba||||||0|Havana, Cuba|||10267||||0||||0|Architecture|Theater||||20|||1958|1958||1958|1958-1958|||||0||||0||||||||||||||||||||||Theaters ; |Theaters|||||||||Cornell||MNW|MNW|10/31/2005 0:00:00|10/31/2005 0:00:00|ArroyMen|Hav||0||||||Nac|MA||||||2.22|1958|||||||||Work|0|Modern Architecture|||||||||||0|0|Teatro Nacional|Arroyo y Menéndez 5215.00|0|Architect|03|MA-Weiss|4.2|1937 Hav/Lib||MA-Weiss 4.2 1937 Hav/Lib |Library|Descriptive|Image Source (Pub)|||||||University of Havana. Library|30954|Weiss, Joaquin||architect|Joaquin Weiss|0||||0|||||Cuban||||||North and Central America||Cuba||||||0|Havana, Cuba|||10267||||0||||0|Architecture|University|Library|||20|||1937|1937||1937|1937-1937||University of Havana|LargerEntity||5216||||0||||||||||||||||||||||Universities ; Libraries (Buildings) ; |Universities|Libraries (Buildings)||||||||Cornell||MNW|MNW|11/1/2005 0:00:00|10/31/2005 0:00:00|Weiss|Hav||0||||||Hav/Lib|MA||||||4.2|1937|||||||||Work|0|Modern Architecture|||||||||||0|0|Library|Weiss, Joaquin 5216.00|0||||||||University of Havana|Descriptive|Image Source (Pub)|||||||University of Havana|0|||||0||||0|||||Cuban||||||North and Central America||Cuba||||||0|Havana, Cuba|||10267||||0||||0|Architecture|University|||||||1900|1900||1900|1900-1900|||||0||||0||||||||||||||||||||||Universities ; |Universities|||||||||Cornell||MNW|MNW|10/31/2005 0:00:00|10/31/2005 0:00:00||Hav||0||||||||||||||| |||||||||0||||||||||||0|0|University of Havana| 5217.00|0|Architect|03|MA-Busto|2.23|1927 CenAst||MA-Busto 2.23 1927 CenAst |Centro Asturiano|Assigned|Image Source (Pub)|||||||Centro Asturiano|30971|Busto, Manuel del||architect|Manuel del Busto|0||||0|||||Cuban||||||North and Central America||Cuba||||||0|Havana, Cuba|||10267||||0||||0|Architecture|Club (association)||||20|||1927|1927||1927|1927-1927|||||0||||0||||||||||||||||||||||Clubs ; |Clubs|||||||||Cornell||MNW|MNW|11/1/2005 0:00:00|10/31/2005 0:00:00|Busto|||0||||||CenAst|MA||||||2.23|1927|||||||||Work|0|Modern Architecture|||||||||||0|0|Centro Asturiano|Busto, Manuel del 5218.00|0|Architect|03|MA-Beleau|2.23|CenGal||MA-Beleau 2.23 CenGal |Centro Gallego|Assigned|Dict.Art|||||||Centro Gallego|30948|Beleau, Paul||architect|Paul Beleau|0||||0|||||Cuban||||||North and Central America||Cuba||||||0|Matanzas, Cuba|||||||0||||0|Architecture|Club (association)||||20|||1907|1907||1907|1907-1907|||||0||||0||||||||||||||||||||||Clubs ; |Clubs|||||||||Cornell||MNW|MNW|10/31/2005 0:00:00|10/31/2005 0:00:00|Beleau|||0||||||CenGal|MA||||||2.23||||||||||Work|0|Modern Architecture|||||||||||0|0|Centro Gallego|Beleau, Paul 5219.00|0|Architect|03|MA-Borges|2.34|1957 Náu||MA-Borges 2.34 1957 Náu |Club Náutico|Assigned|Image Source (Pub)|||||||Club Náutico|30562|Borges Recio, Jr., Max||architect|Max Borges Recio, Jr.|0||||0|||||Cuban||||||North and Central America||Cuba||||||0|Havana, Cuba|||10267||||0||||0|Architecture|Club (association)||||20|||1957|1957||1957|1957-1957|||||0||||0||||||||||||||||||||||Clubs ; |Clubs|||||||||Cornell||MNW|JNK|11/4/2005 0:00:00|10/31/2005 0:00:00||||0||||||Náu|MA||||||2.34|1957|||||||||Work|0|Modern Architecture|Located in the Miramar neighborhood of Havana.||||||||||0|0|Club Náutico|Borges Recio, Jr., Max 5220.00|0|Architect|03|MA-Parajón|2.22|1936 Faus||MA-Parajón 2.22 1936 Faus |Cine-Teatro Fausto|Artists|Image Source (Pub)|||||||Cine-Teatro Fausto|30956|Parajón, Saturnino||architect|Saturnino Parajón|0||||0|||||Cuban|||Art Deco|||North and Central America||Cuba||||||0|Havana, Cuba|||10267||||0||||0|Architecture|Motion picture theater||||20|||1936|1936||1936|1936-1936|||||0||||0||||||||||||||||||||||Motion picture theaters ; |Motion picture theaters|||||||||Cornell||MNW|MNW|10/31/2005 0:00:00|10/31/2005 0:00:00|Parajón|||0||||||Faus|MA||||||2.22|1936|||||||||Work|0|Modern Architecture|||||||||||0|0|Cine-Teatro Fausto|Parajón, Saturnino 5221.00|0|Site|02|B-C2|Hav|2.22 Ame||B- 2.22 Ame|Cine América|Assigned|Image Source (Pub)|||||||Cine América|30972|Martinez Campos, Fernando||architect|Fernando Martinez Campos and Pascual de Rojas|30594|Rojas, Pascual de||architect|0|||||Cuban||||||North and Central America||Cuba||||||0|Havana, Cuba|||10267||||0||||0|Architecture|Motion picture theater||||20|||1941|1941||1941|1941-1941|||||0||||0||||||||||||||||||||||Motion picture theaters ; |Motion picture theaters|||||||||Cornell||MNW|CLL|8/3/2006 0:00:00|10/31/2005 0:00:00||Hav||0||||||Ame|B|||||C2|2.22|1941|||||||||Work|0|Architecture-Cuba|||||||||||0|0|Cine América|Martinez Campos, Fernando;Rojas, Pascual de 5222.00|0|Architect|03|MA-Borges|2.22|Trop||MA-Borges 2.22 Trop |Cabaret Tropicana|Assigned|Image Source (Pub)|||||||Cabaret Tropicana|30562|Borges Recio, Jr., Max||architect|Max Borges Recio, Jr.|0||||0|||||Cuban||||||North and Central America||Cuba||||||0|Havana, Cuba|||10267||||0||||0|Architecture|Theater||||20|||1954|1954||1954|1954-1954|||||0||||0||||||||||||||||||||||Theaters ; |Theaters|||||||||Cornell||MNW|JNK|11/4/2005 0:00:00|10/31/2005 0:00:00||Hav||0||||||Trop|MA||||||2.22||||||||||Work|0|Modern Architecture|||||||||||0|0|Cabaret Tropicana|Borges Recio, Jr., Max 5223.00|0|Site|02|B-C2|Sant|7.5 Shot||B-C2 Sant 7.5 Shot |Shotgun House|Assigned|Image Source (Pub)|||||||Shotgun House|0|||||0||||0|||||Cuban|||Art Deco|||North and Central America||Cuba||||||0|Santiago de Cuba, Cuba|||10596||||0||||0|Architecture|House||||20|||1920|1939|ca|ca 1920-1939|ca 1920-1939|||||0||||0||||||||||||||||||||||Houses ; Vernacular architecture ; |Houses|Vernacular architecture||||||||Cornell||MNW|JNK|8/1/2006 0:00:00|10/31/2005 0:00:00||Sant||0||||||Shot|B|||||C2|7.5||||||||||Work|0|Architecture-Cuba|||||||||||0|0|Shotgun House| 5224.00|0|Architect|03|MA-Neutra|7.5|1958 Schu||MA-Neutra 7.5 1958 Schu |Casa de Alfred de Schultes|Descriptive|Image Source (Pub)|||||||Casa de Alfred de Schultes|8486|Neutra, Richard Josef||architect|Richard Josef Neutra with Alvarez y Gutiérrez|30957|Alvarez y Gutiérrez||architect|0|||||Cuban||||||North and Central America||Cuba||||||0|Havana, Cuba|||10267||||0||||0|Architecture|Houses||||20|||1958|1958||1958|1958-1958|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||MNW|JNK|11/4/2005 0:00:00|10/31/2005 0:00:00|Neutra|||0||||||Schu|MA||||||7.5|1958|||||||||q|0|Modern Architecture|||||||||||0|0|Casa de Alfred de Schultes|Neutra, Richard Josef;Alvarez y Gutiérrez 5225.00|0|Site|02|B-C2|Hav|7.4 Fos||B-C1 Hav 7.4 Fos|Edificio FOSCA|Assigned|Image Source (Pub)|||||||Edificio FOSCA|0|||||0||||0|||||Cuban||||||North and Central America||Cuba||||||0|Havana, Cuba|||10267||||0||||0|Architecture|Apartment house||||20|||1956|1958||1956-1958|1956-1958|||||0||||0||||||||||||||||||||||Apartment houses ; |Apartment houses|||||||||Cornell||MNW|JNK|11/4/2005 0:00:00|10/31/2005 0:00:00||Hav||0||||||Fos|B|||||C2|7.4||||||||||Work|0|Architecture-Cuba|||||||||||0|0|Edificio FOSCA| 5226.00|0|Architect|03|MA-Mira & Ros|7.4|1932 Ser||MA-Mira & Ros 7.4 1932 Ser |López Serrano Apartment Building|Assigned|Image Source (Pub)|López Serrano Flats|Assigned|Dict.Art||||López Serrano Apartment Building|30958|Mira, Ricardo||architect|Ricardo Mira & Migue Rosich|30959|Rosich, Miguel||architect|0|||||Cuban|||Art Deco|||North and Central America||Cuba||||||0|Havana, Cuba|||10267||||0||||0|Architecture|Apartment house||||20|||1932|1932||1932|1932-1932|||||0||||0||||||||||||||||||||||Apartment houses ; |Apartment houses|||||||||Cornell||MNW|MNW|10/31/2005 0:00:00|10/31/2005 0:00:00|Mira & Ros|||0||||||Ser|MA||||||7.4|1932|||||||||Work|0|Modern Architecture|||||||||||0|0|López Serrano Apartment Building;López Serrano Flats|Mira, Ricardo;Rosich, Miguel 5227.00|0|Architect|02|B-C2|Hav|7.4 Ala||B-C2 Hav 7.4 Ala |Alamar|Assigned|Image Source (Pub)|||||||Alamar|0|||||0||||0|||||Cuban||||||North and Central America||Cuba||||||0|Havana, Cuba|||10267||||0||||0|Architecture|Housing|Community center|||20|||1976|1976||1976|1976-1976|||||0||||0||||||||||||||||||||||Apartment houses ; Housing developments ; Community centers ; |Apartment houses|Housing developments|Community centers|||||||Cornell||MNW|MNW|10/31/2005 0:00:00|10/31/2005 0:00:00||Hav||0||||||Ala|B|||||C2|7.4||||||||||Work|0|Architecture-Cuba|||||||||||0|0|Alamar| 5228.00|0|Architect|03|MA-Galvan|6.4|1971 Ruin||MA-Galvan 6.4 1971 Ruin |Las Ruinas|Assigned|Image Source (Pub)|||||||Las Ruinas|30961|Galvan, Joaquin||architect|Joaquin Galvan|0||||0|||||Cuban||||||North and Central America||Cuba||||||0|Havana, Cuba|||10267||||0||||0|Architecture|Restaurant||||20|||1971|1971||1971|1971-1971|||||0||||0||||||||||||||||||||||Restaurants ; |Restaurants|||||||||Cornell||MNW|JNK|11/4/2005 0:00:00|10/31/2005 0:00:00|Galvan|||0||||||Ruin|MA||||||6.4|1971|||||||||Work|0|Modern Architecture|Located in Lenin Park.||||||||||0|0|Las Ruinas|Galvan, Joaquin 5229.00|0|Architect|03|MA-AloRubFerSalMon|4.2|1960-9 CUJAE||MA-AloRubFerSalMon 4.2 1960-9 CUJAE |Ciudad Universitaria José Antonio Echevarria|Assigned|Image Source (Pub)|CUJAE|Variant|Image Source (Pub)||||Ciudad Universitaria José AntonioEchevarria (CUJAE)|30962|Alonso, Humberto||architect|Alsono; Rubio, Fernandez, Salinas, Montalvan|30963|Rubio, Manuel||architect|30964|Ferndandez, Jose||architect||Cuban||||||North and Central America||Cuba||||||0|Havana, Cuba|Near||10267||||0||||0|Architecture|University||||20|||1960|1969||1960-1969|1960-1969|||||0||||0||||||||||||||||||||||Universities ; |Universities|||||||||Cornell||MNW|MNW|11/1/2005 0:00:00|10/31/2005 0:00:00|AloRubFer|Hav||0||||||CUJAE|MA||||||4.2|1960-9|||||||||Work|0|Modern Architecture|||||||||||0|0|Ciudad Universitaria José Antonio Echevarria;CUJAE|Alonso, Humberto;Rubio, Manuel;Ferndandez, Jose 5230.00|0|Site|02|B-C2|Hav|7.4 Apt||B-C2 Hav 7.4 Apt |Television Antennas|Assigned|Cataloger|||||||Television Antennas|0|||||0||||0|||||Cuban||||||North and Central America||Cuba||||||0|Havana, Cuba|||10267||||0||||0|Architecture|Apartment house||||20|||1990|1999|ca|ca 1990-1999|ca 1990-1999|||||0||||0||||||||||||||||||||||Televison antenna systems ; |Televison antenna systems|||||||||Cornell||MNW|MNW|10/31/2005 0:00:00|10/31/2005 0:00:00||Hav||0||||||Apt|B|||||C2|7.4||||||||||Work|0|Architecture-Cuba|||||||||||0|0|Television Antennas| 5231.00|0|Architect|03|MA-RodríguezE|5.3|1975-99 Con||MA-RodríguezE 5.3 1975-99 Con |Consultorio y Viviendas de Médico e la Familia|Assigned|Image Source (Pub)|||||||Consultorio y Viviendas de Médico e la Familia|30967|Rodríguez, Eduardo Luis||architect|Eduardo Luis Rodríguez|0||||0|||||Cuban||||||North and Central America||Cuba||||||0|Havana, Cuba|||10267||||0||||0|Architecture|Apartment house|Clincs|||20|||1975|1999|ca|Last quarter of 20th C|ca 1975-1999|||||0||||0||||||||||||||||||||||Clinics ; Dwellings ; |Clinics|Dwellings||||||||Cornell||MNW|MNW|11/1/2005 0:00:00|10/31/2005 0:00:00|RodríguezE|||0||||||Con|MA||||||5.3|1975-99|||||||||Work|0|Modern Architecture|||||||||||0|0|Consultorio y Viviendas de Médico e la Familia|Rodríguez, Eduardo Luis 5232.00|0|Site|02|B-C2|Hav|7.4 Old||B-C2 Hav 7.4 Old |Apartment Building in Old Havana|Assigned|Image Source (Pub)|||||||Apartment Building in Old Havana|0|||||0||||0|||||Cuban|||Postmodern|||North and Central America||Cuba||||||0|Havana, Cuba|||10267||||0||||0|Architecture|Apartment house||||20|||1970|1999|ca|ca 1970-1999|ca 1970-1999|||||0||||0||||||||||||||||||||||Apartment houses ; |Apartment houses|||||||||Cornell||MNW|MNW|10/31/2005 0:00:00|10/31/2005 0:00:00||Hav||0||||||Old|B|||||C2|7.4||||||||||Work|0|Architecture-Cuba|||||||||||0|0|Apartment Building in Old Havana| 5233.00|0|Site|02|B-C2|Hav|2.31 PanAm/Vil|1991|B-C2 Hav 2.311991 PanAm/Vil 1991|Pan American Village|Assigned|Image Source (Pub)|||||||Pan American Games Complex. Pan American Village|30968|Caballero, Roberto||architect|Roberto Caballero|0||||0|||||Cuban||||||North and Central America||Cuba||||||0|Havana, Cuba|||10267||||0||||0|Architecture|Apartment house||||20|||1991|1991||1991|1991-1991||Pan American Games Complex|LargerEntity||5234||||0||||||||||||||||||||||Apartment houses ; |Apartment houses|||||||||Cornell||MNW|MNW|11/1/2005 0:00:00|10/31/2005 0:00:00||Hav||0||||||PanAm/Vil|B|||||C2|2.31|1991|||||||||Work|0|Architecture-Cuba|||||||||||0|0|Pan American Village|Caballero, Roberto 5234.00|0|Site|02||||||Pan American Games Complex|Collective Title|Image Source (Pub)|||||||Pan American Games Complex|0|||||0||||0|||||Cuban||||||North and Central America||Cuba||||||0|Havana, Cuba|||10267||||0||||0|Architecture|Exhibition||||20|||1991|1991||1991|1991-1991|||||0||||0||||||||||||||||||||||Exhibitions ; Pan American Games (11th: 1991: Havana, Cuba) ; |Exhibitions|Pan American Games (11th: 1991: Havana, Cuba)||||||||Cornell||MNW|MNW|10/31/2005 0:00:00|10/31/2005 0:00:00||Hav||0|||||||||||||2.31||||||||||Work|0||||||||||||0|0|Pan American Games Complex| 5235.00|0|Site|02|B-C2|Hav|2.31 PanAm/Stad|1991|B-C2 Hav 2.31 1991 PanAm/Stad|Pan American Stadium|||||||||Pan American Games Complex. Pan American Stadium|30969|Castro, Emilio||architect|Emilio Castro|0||||0|||||Cuban||||||North and Central America||Cuba||||||0|Havana, Cuba|||10267||||0||||0|Architecture|||||20|||1991|1991||1991|1991-1991||Pan American Games Complex|LargerEntity||5234||||0||||||||||||||||||||||Exhibitions ; |Exhibitions|||||||||Cornell||MNW|MNW|11/1/2005 0:00:00|10/31/2005 0:00:00||Hav||0||||||PanAm/Stad|B|||||C2|2.31|1991|||||||||Work|0|Architecture-Cuba|||||||||||0|0|Pan American Stadium|Castro, Emilio 5236.00|0|Site|02|B-C2|Hav|6.4 Ara||B-C2 Hav 6.4 Ara |Casa de los Arabes|Assigned|Image Source (Pub)|Colegio de San Ambrosio|Original|Image Source (Pub)||||Casa de los Arabes|0|||||0||||0|||||Cuban||||||North and Central America||Cuba||||||0|Havana, Cuba|||10267||||0||||0|Architecture|Restaurant||||17|||1600|1699|ca|17th century|ca 1600-1699|||||||||0||||||||||||||||||||||Restaurants ; |Restaurants|||||||||Cornell||MNW|MNW|10/31/2005 0:00:00|10/31/2005 0:00:00||Hav||0||||||Ara|B|||||C2|6.4||||||||||Work|0|Architecture-Cuba|||||||||||0|0|Casa de los Arabes;Colegio de San Ambrosio| 5237.00|0|Architect|03|MA-Quintana MA-Quintana|7.2|1972 Cos||MA-Quintana 7.2 1972 Co MA-Quintana 7.2 1972 Cos|Cosmonauts Hotel|Assigned|Image Source (Pub)|||||||Cosmonauts Hotel|30970|Quintana, Antonio||architect|Antonio Quintana|0||||0|||||Cuban||||||North and Central America||Cuba||||||0|Varadero, Cuba|||10597||||0||||0|Architecture|||||20|||1972|1972||1972|1972-1972|||||0||||0||||||||||||||||||||||Hotels (public accommodations) ; |Hotels (public accommodations)|||||||||Cornell||MNW|JNK|11/4/2005 0:00:00|10/31/2005 0:00:00|Quintana|||0||||||Cos|MA MA||||||7.2|1972|||||||||Work|0||||||||||||0|0|Cosmonauts Hotel|Quintana, Antonio 5238.00|0|Site|02|B-C2|Hav|1.1 Mal||B-C2 Hav 1.1 Mal |Malecón|Assigned|Image Source (Pub)|||||||Malecón|0|||||0||||0|||||Cuban||||||North and Central America||Cuba||||||0|Havana, Cuba|||10267||||0||||0|Architecture|Cityscape|Documentary photograph|Streetscape||20|||1900|1990|ca|20th century|ca 1900-1990|||||0||||0||||||||||||||||||||||Havana, Cuba ; Cityscapes ; Streetscapes ; |Havana, Cuba|Cityscapes|Streetscapes|||||||Cornell||MNW|MNW|10/31/2005 0:00:00|10/31/2005 0:00:00||Hav||0||||||Mal|B|||||C2|1.1||||||||||Work|0|Architecture-Cuba|||||||||||0|0|Malecón| 5239.00|0|Site|02|B-C2|Hav|1.31 Viej||B-C2 Hav 1.31 Viej |Plaza Vieja|Assigned|Image Source (Pub)|||||||Plaza Vieja|0|||||0||||0|||||Cuban||||||North and Central America||Cuba||||||0|Havana, Cuba|||10267||||0||||0|Architecture|Plaza||||16|||1500|1599|ca|1500's|ca 1500-1599|||||0||||0||||||||||||||||||||||Plazas ; |Plazas|||||||||Cornell||MNW|MNW|10/31/2005 0:00:00|10/31/2005 0:00:00||Hav||0||||||Viej|B|||||C2|1.31||||||||||Work|0|Architecture-Cuba|||||||||||0|0|Plaza Vieja| 5240.00|0|Creator|15|35|L886-M|1988|1|35 L886-M 1988 1|Border Door|Assigned|Image Source (Pub)|||||||Border Door|30815|Lou, Richard A.||artist|Richard A. Lou|0||||0|||||Mexican American|Hispanic American|||||North and Central America||United States|Mexico|||||0||||0||||0||||0|Installations|Installation (sculpture)|Sculpture|||20|||1988|1988||1988|1988-1988|||||0||||0||||||||||||||||213.4 x 91.4 x 12.7 cm||||||Doors ; Doorways ; Immigration ; |Doors|Doorways|Immigration|||||||Cornell||MNW|JNK|11/29/2005 0:00:00|11/1/2005 0:00:00|L886|||0|||||||35|M||||||1988|||||||||Work|0||||||||||||0|0|Border Door|Lou, Richard A. 5241.00|0|Creator|15|35|C419-G|1987|1|35 C419-G 1987 1|Look Out|Translated|Cataloger|¡Alerta!|Artists|Image Source (Pub)|Alertan Alertan a Indocumentados|Inscribed|Image Source (Pub)|Look Out (¡Alerta!)|30767|Cervántez, Yreina D.||painter|Yriena D. Cervántez|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Graphics|Screen print|||||||1987|1987||1987|1987-1987|||||0||||0|||||Serigraph||||||screen printing|||||66 x 50.8 cm||||||Immigration ; |Immigration|||||||||Cornell||MNW|JNK|11/29/2005 0:00:00|11/1/2005 0:00:00|C419|||0|||||||35|G||||||1987|||||||||Work|0||||||||||||0|0|Look Out;¡Alerta!;Alertan Alertan a Indocumentados|Cervántez, Yreina D. 5242.00|0|Creator|15|J|Lopez Garcia||1|J Lopez Garcia 1|California Dreaming|Artists|Image Source (Pub)|||||||California Dreaming|30974|Lopez Garcia, Jacalyn||photographer|Jacalyn Lopez Garcia|0||||0|||||Mexican American||||||Asia||United Arab Emirates||||||0||||0||||0||||0|Photographs|Gelatin silver print||||20|||1997|1997||1997|1997-1997|||||0||||0|||||Gelatin silver print, sepia-toned, hand-tinted|sepia|||||gelatin silver process|photography||||50.8 x 40.64 cm||||||Hands ; Money ; Immigration ; |Hands|Money|Immigration|||||||Cornell||MNW|JNK|11/29/2005 0:00:00|11/1/2005 0:00:00|Lopez Garc|||0|||||||J||||||||||||||||Work|0||||||||||||0|0|California Dreaming|Lopez Garcia, Jacalyn 5243.00|0|Creator|15|35|J615-G|1986|1|35 J615-G 1986 1|Flirting With Death|Assigned|Image Source (Pub)|||||||Flirting With Death|5968|Jiménez, Luis Alfonso, Jr.||sculptor|Luis Alfonso Jiménez|0||||0|||||Mexican American|Hispanic American|American||||North and Central America||United States||||||0||||0||||0||||0|Prints|Lithograph||||20|||1986|1986||1986|1986-1986|||||0||||0|||||Lithograph|ink|paper (fiber product)||||lithography|||||68.6 x 53.3 cm||||||Skeleton ; Flags ; Barbed wire ; Graffiti ; Immigration ; |Skeleton|Flags|Barbed wire|Graffiti|Immigration|||||Cornell||MNW|JNK|11/29/2005 0:00:00|11/1/2005 0:00:00|J615|||0|||||||35|G||||||1986|||||||||Work|0||||||||||||0|0|Flirting With Death|Jiménez, Luis Alfonso, Jr. 5244.00|0|Creator|15|35|M7987-G|1981|1|35 M7987-G 1981 1|Undocumented|Inscribed|Image Source (Pub)|||||||Undocumented|29797|Montoya, Malaquias||painter|Malaquias Montoya|0||||0|||||Hispanic American||||||North and Central America||United States||||||0||||0||||0||||0|Prints|Screen print|||||||1981|1981||1981|1981-1981|||||0||||0|||||Serigraph|paper (fiber product)|ink||||screen printing|||||88.9 x 58.4||||||Barbed wire ; Fences ; Immigration ; |Barbed wire|Fences|Immigration|||||||Cornell||MNW|JNK|11/29/2005 0:00:00|11/1/2005 0:00:00|M7987|||0|||||||35|G||||||1981|||||||||Work|0||||||||||||0|0|Undocumented|Montoya, Malaquias 5245.00|0|Creator|15|35|A945-SC|1985|1|35 A945-SC 1985 1|Donkey Cart Altar|Artists|Image Source (Pub)|||||||Donkey Cart Altar|30785|Avalos, David||artist|David Avalos|0||||0|||||Mexican American||||||North and Central America||United States||||||0||||0||||0||||0|Sculpture|Sculpture|Installation (sculpture)|||20|||1985|1985||1985|1985-1985|||||0||||0|||||Mixed media installation|mixed materials|||||Installations|||||114.3 x 71.12 x 106.68 cm||||||Carts ; Altars ; Skulls ; Candles ; Ladders ; Crucifixion ; Immigration ; |Carts|Altars|Skulls|Candles|Ladders|Crucifixion|Immigration|||Cornell||MNW|JNK|11/29/2005 0:00:00|11/1/2005 0:00:00|A945|||0|||||||35|SC||||||1985|||||||||Work|0||||||||||||0|0|Donkey Cart Altar|Avalos, David 5246.00|0|Creator|15|35|D858-M|1994|1|35 D858-M 1994 1|Hollywood via Tijuana|Artists|Image Source (Pub)|||||||Hollywood via Tijuana|30820|Duffy, Ricardo||sculptor|Ricardo Duffy|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Multimedia works|Multimedia work|Photographic print||||||1994|1994||1994|1994-1994|||||0||||0|||||Mixed media, photo on canvas|mixed materials|canvas|||||||||94 x 106.7 cm||||||Signs ; |Signs|||||||||Cornell||MNW|MNW|11/21/2005 0:00:00|11/1/2005 0:00:00|D858|||0|||||||35|M||||||1994|||||||||Work|0||The caution sign in the center of this painting is also depicted in Jesus Rangel's painting, The Family 187 (La familia 187) as well as in Richardo Duffy's serigraph, "The New Order.)||||||||||0|0|Hollywood via Tijuana|Duffy, Ricardo 5247.00|0|Creator|15|35|V1615-PA|1998|1|35 V1615-PA 1998 1|Borderless|Artists|Image Source (Pub)|||||||Borderless|30975|Valenzuela, Alfonso||painter|Alfonso Valenzuela|0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Painting||||20|||1998|1998||1998|1998-1998|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||98.4 x 106.4 cm||||||Immigration ; |Immigration|||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|11/1/2005 0:00:00|V1615|||0|||||||35|PA||||||1998|||||||||Work|0||||||||||||0|0|Borderless|Valenzuela, Alfonso 5248.00|0|Creator|15|35|V1615-PA|2000|1|35 V1615-PA 2000 1|Vision in the Clouds|Translated|Cataloger|La vista en las nubes|Artists|Image Source (Pub)||||Vision in the Clouds (La vista en las nubes)|30975|Valenzuela, Alfonso||painter|Alfonso Valenzuela|0||||0|||||Mexican American|Hispanic American|American||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting||||21|||2000|2000||2000|2000-2000|||||0||||0|||||Acrylic on canvas|acrylic|canvas||||painting (image-making)|||||182.9 x 152.4 cm||||||Flags ; Houses ; |Flags|Houses||||||||Cornell||MNW|JNK|11/29/2005 0:00:00|11/1/2005 0:00:00|V1615|||0|||||||35|PA||||||2000|||||||||Work|0||||||||||||0|0|Vision in the Clouds;La vista en las nubes|Valenzuela, Alfonso 5249.00|0|Category|05|J J-Francisco|FranciscoX||1|J-FranciscoX 1 J-Francisco Francisco 1|Letty and David|Artists|Image Source (Pub)|||||||Letty and David|30977|Francisco, Xavier||photographer|Xavier Francisco|0||||0|||||Mexican||||||||||||||0||||0||||0||||0|Photographs|Photographic print|Portraits|||20|||1995|1995||1995|1995-1995|||||0||||0|||||||||||photography|||||21.6 x 33.7 cm||||||Portraits ; |Portraits|||||||||Cornell||MNW|JNK|11/29/2005 0:00:00|11/1/2005 0:00:00|FranciscoX|||0|||||||J J||||||||||||||||Work|0||||||||||||0|0|Letty and David|Francisco, Xavier 5250.00|0|Culture|11|W-18|Protest|Farmworker|1|W-18 Protest Farmworker 1|Farmworker Iconography|Descriptive|Image Source (Pub)|||||||Farmworker Iconography|0|||||0||||0|||||Hispanic American|American|||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Photography|Documentary photograph|||20|||1975|1999|ca|Last quarter of 20th C.|ca 1975-1999|||||0||||0||||||||||||||||||||||Boycotts ; Workers ; Logos ; Parades ; Flags ; Virgin Mary ; |Boycotts|Workers|Logos|Parades|Flags|Virgin Mary||||Cornell||MNW|JNK|11/29/2005 0:00:00|11/1/2005 0:00:00||||0||||||Farm|W|||18||||||Protest|||||||Work|0||Photography by José Muñoz||||||||||0|0|Farmworker Iconography| 5251.00|0|Creator|15|35|L86417-PA|1998|1|35 L86417-PA 1998 1|The Cause|Translated|Cataloger|La Causa|Artists|Image Source (Pub)||||The Cause (La Causa)|30800|López, Joe L.||painter|Joe L. López|0||||0|||||Mexican American|Hispanic American|American||||North and Central America||United States||||||0||||0||||0||||0|Watercolors|Watercolor|Painting|||20|||1998|1998||1998|1998-1998|||||0||||0|||||Watercolor on paper|watercolor|paper (fiber product)||||painting (image-making)|||||76.2 x 55.9 cm||||||Crosses (visual works) ; Skeletons ; Farming ; Workers ; Logos ; |Crosses (visual works)|Skeletons|Farming|Workers|Logos|||||Cornell||MNW|MNW|11/21/2005 0:00:00|11/2/2005 0:00:00|L86417|||0|||||||35|PA||||||1998|||||||||Work|0||||||||||||0|0|The Cause;La Causa|López, Joe L. 5252.00|0|Creator|15|35|M7215-PA|1994|1|35 M7215-PA 1994 1|One Little Indian Versus the Corporate Trolls|Artists|Image Source (Pub)|||||||One Little Indian Versus the Corporate Trolls|30796|Molina, Laura||painter|Laura Molina|0||||0|||||Mexican American||||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting||||20|||1994|1994||1994|1994-1994|||||0||||0|||||Acrylic on canvas|acrylic|canvas||||painting (image-making)|||||119.4 x 127 cm||||||Barbed wire ; Fences ; Discrimination ; Race (concept) ; |Barbed wire|Fences|Discrimination|Race (concept)||||||Cornell||MNW|JNK|11/29/2005 0:00:00|11/2/2005 0:00:00|M7215|||0|||||||35|PA||||||1994|||||||||Work|0||||||||||||0|0|One Little Indian Versus the Corporate Trolls|Molina, Laura 5253.00|0|Creator|15|35|G632-PA|1998|1|35 G632-PA 1998 1|The Friends|Translated|Cataloger|Los compadres|Artists|Image Source (Pub)||||The Friends (Los compadres)|30978|Gómez, Alma||painter|Alma Gómez|0||||0|||||Mexican American|Hispanic American|American||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting||||20|||1998|1948||1994|1998-1948|||||0||||0|||||Oil on Masonite|oil paint|Masonite||||painting (image-making)|||||121.9 x 142.2 cm||||||Hispanic American ; |Hispanic American|||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|11/2/2005 0:00:00|G632|||0|||||||35|PA||||||1998|||||||||Work|0||||||||||||0|0|The Friends;Los compadres|Gómez, Alma 5254.00|0|Creator|15|35|G6325-PA|2000|1|35 G6325-PA 2000 1|Veteranos: a Legacy of Valor|Artists|Image Source (Pub)|||||||Veteranos: a Legacy of Valor|4646|Gómez, Ignacio||painter|Ignacio Gómez|0||||0|||||Hispanic American|Mexican American|American||||||||||||0||||0||||0||||0|Paintings|Painting||||21|||2000|2000||2000|2000-2000|||||0||||0|||||Acrylic|acrylic|||||painting (image-making)|||||61 x 45.7 cm||||||Military personnel ; Medals ; Flags ; Wars ; Indians of North America ; |Military personnel|Medals|Flags|Wars|Indians of North America|||||Cornell||MNW|JNK|11/29/2005 0:00:00|11/2/2005 0:00:00|G6325|||0|||||||35|PA||||||2000|||||||||Work|0||This painting commemorates the participation of Chicanos in World Ware I, World War II, the Korean War, and the Vietnam War. Keller, Chicano, vo. I, p. 280.||||||||||0|0|Veteranos: a Legacy of Valor|Gómez, Ignacio 5255.00|0|Creator|15|35A|M612-G|nd|1|35A M612-G nd 1|Mexican Lotto|Translated|Cataloger|La Loteria Mexicana||||||Mexican Lotto (La Loteria Mexicana)|0|||||0||||0|||||Mexican American|Mexican|||||North and Central America||Mexico||||||0||||0||||0||||0|Graphics|Playing card||||20|||1975|1999|ca|Last quarter of 20th C|ca 1975-1999|||||0||||0||||||||||||||||||||||Playing cards ; Card games ; |Playing cards|Card games||||||||Cornell||MNW|MNW|12/9/2005 0:00:00|11/2/2005 0:00:00|M612|||0|||||||35A|G||||||nd|||||||||Work|0||||||||||||0|0|Mexican Lotto;La Loteria Mexicana| 5256.00|0|Creator|15|35|M966-PA|1996|1|35 M966-PA 1996 1|The Door|Translated|Cataloger|La Puerta|Artists|Image Source (Pub)||||The Door (La Puerta)|30979|Munguia, Roberto||Painter|Roberto Munguia|0||||0|||||Mexican American|Hispanic American|American||||North and Central America||United States||||||0||||0||||0||||0|Collages|Collage|Painting|||20|||1996|1996||1996|1996-1996|||||0||||0|||||Collage watercolor|watercolor|||||collage|||||66 x 50.8 cm||||||Playing cards ; Doors ; |Playing cards|Doors||||||||Cornell||MNW|MNW|11/2/2005 0:00:00|11/2/2005 0:00:00|M966|||0|||||||35|PA||||||1996||||||||||0||||||||||||0|0|The Door;La Puerta|Munguia, Roberto 5257.00|0|Creator|15|35|L864-M|1999|2||Lupe and Sirena in Love|Translated|Cataloger|Lupe y Sirena in Love|Artists|Image Source (Pub)||||Lupe & Sirena Series (Lupe and Sirena in Love)|30797|López, Alma||printmaker|Alma López|0||||0|||||Mexican|Mexican American|Hispanic American||||North and Central America||United States||||||0||||0||||0||||0|Computer Art|Computer art|Print|||20|||1999|1999||1999|1999-1999||Lupe & Sirena Series|||4669||||0|||||Iris/Giclé print on canvas||||||printing|||||44.45 x 35.56 cm||||||Guadalupe, Our Lady of ; Butterflies ; Mermaids ; Roses ; Putti ; Cityscapes ; |Guadalupe, Our Lady of|Butterflies|Mermaids|Roses|Putti|Cityscapes||||Cornell||MNW|MNW|11/2/2005 0:00:00|11/2/2005 0:00:00|L864|||0|||||||35|M||||||1999|||||||||Work|0||||||||||||0|0|Lupe and Sirena in Love;Lupe y Sirena in Love|López, Alma 5258.00|0|Creator|15|35|R196-PA|1999|2||El Homie|Inscribed|Image Source (Pub)|||||||El Homie|30980|Rangel, Jesús||painter|Jesús "Chuy" Rangel|0||||0|||||Mexican American|Hispanic American|American||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting||||20|||1999|1999||1999|1999-1999|||||0||||0|||||Acrylic on wood|acrylic|wood (plant material)||||painting (image-making)|||||20.3 x 15.2 cm||||||||||||||||Cornell||MNW|CLL|12/9/2005 0:00:00|11/2/2005 0:00:00|R196|||0|||||||35|PA||||||1999|||||||||Work|0||||||||||||0|0|El Homie|Rangel, Jesús 5259.00|0|Creator|15|35|O164-G|1995|1|35 O164-G 1995 1|Border Bingo|Artists|Image Source (Pub)|||||||Border Bingo|8658|Ochoa, Victor||muralist|Victor Ochoa|0||||0|||||Mexican American|Hispanic American|American||||North and Central America||United States||||||0||||0||||0||||0|Prints|Print|Screen print|||20|||1995|1995||1995|1995-1995|||||0||||0|||||Serigraph||||||printing|screen printing||||50.8 x 20.32 cm||||||Card games ; Playing cards ; Barbed wire ; |Card games|Playing cards|Barbed wire|||||||Cornell||MNW|JNK|11/29/2005 0:00:00|11/2/2005 0:00:00|O164|||0|||||||35|G||||||1995|||||||||Work|0||||||||||||0|0|Border Bingo|Ochoa, Victor 5260.00|0|Creator|15|35|U76-G|1987|1|35 U76-G 1987 1|Duel Citizenship|Inscribed|Image Source (Pub)|||||||Duel Citizenship|30981|Urista, Arturo||printmaker|Arturo Urista|0||||0|||||Mexican American|Hispanic American|American||||North and Central America||United States||||||0||||0||||0||||0|Prints|Print|Screen print|||20|||1987|1987||1987|1987-1987|||||0||||0|||||Serigraph||||||printing|screen printing||||93.3 x 66 cm||||||Fighting ; |Fighting|||||||||Cornell||MNW|MNW|11/2/2005 0:00:00|11/2/2005 0:00:00|U76|||0|||||||35|G||||||1987|||||||||Work|0||||||||||||0|0|Duel Citizenship|Urista, Arturo 5261.00|0|Creator|15|35|O164-PA|1987|1|35 O164-PA 1987 1|El Vato|Former|Image Source (Pub)|||||||Border Bingo. El Vato|8658|Ochoa, Victor||painter|Ochoa, Victor|0||||0|||||Mexican American|Hispanic American|American||||North and Central America||United States||||||0||||0||||0||||0|Prints|Print|Screen print|||20|||1995|1995||1995|1995-1995||Border Bingo|LargerEntity||5259||||0|||||Acrylic||||||painting (image-making)|||||152.4 x 127 cm||||||Card games ; Playing cards ; |Card games|Playing cards||||||||Cornell||MNW|MNW|11/2/2005 0:00:00|11/2/2005 0:00:00|O164|||0|||||||35|PA||||||1995|||||||||Work|0||||||||||||0|0|El Vato|Ochoa, Victor 5262.00|0|Creator|15|35|O164-PH|nd|1|35 O164-PH nd 1|El Vato|Artists|Image Source (Pub)|||||||Border Bingo. El Vato|8658|Ochoa, Victor||photographer|Ochoa, Victor|0||||0|||||Mexican American|Hispanic American|American||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1980|1989|ca|1980's|ca 1980-1989||Border Bingo|LargerEntity||5259||||0|||||Foam and aerosol costume||||||photography|||||||||||||||||||||Cornell||MNW|MNW|11/2/2005 0:00:00|11/2/2005 0:00:00|O164|||0|||||||35|PH||||||nd|||||||||Work|0||Foam and aerosol costume. Keller||||||||||0|0|El Vato|Ochoa, Victor 5263.00|0|Creator|15|35|O164-PA|1987|2|35 O164-PA 1987 2|El nopal|Inscribed|Image Source (Pub)|||||||Border Bingo. El nopal|8658|Ochoa, Victor||painter|Ochoa, Victor|0||||0|||||Mexican American|Hispanic American|American||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting||||20|||1987|1987||1987|1987-1987||Border Bingo|LargerEntity||5259||||0|||||Acrylic|acrylic|||||painting (image-making)|||||152.4 x 127 cm||||||||||||||||Cornell||MNW|MNW|11/2/2005 0:00:00|11/2/2005 0:00:00|O164|||0|||||||35|PA||||||1987|||||||||Work|0||||||||||||0|0|El nopal|Ochoa, Victor 5264.00|0|Creator|15|35|O164-PH|1988|1|35 O164-PH 1988 1|El nopal|Artists|Image Source (Pub)|||||||Border Bingo. El nopal|8658|Ochoa, Victor||photographer|Ochoa, Victor|0||||0|||||Mexican American|Hispanic American|American||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1988|1988||1988|1988-1988||Border Bingo|Larger entity||5259||||0|||||Foam rubber costume||||||photography|||||||||||||||||||||Cornell||MNW|MNW|11/21/2005 0:00:00|11/2/2005 0:00:00|O164|||0|||||||35|PH||||||1988|||||||||Work|0||||||||||||0|0|El nopal|Ochoa, Victor 5265.00|0|Creator|15|35|G984-PA|2001|1|35 G984-PA 2001 1|The Braid|Translated|Cataloger|La trenza|Artists|Image Source (Pub)||||The Braid (La trenza)|30982|Gutiérrez, Roberto||painter|Roberto Gutiérrez|0||||0|||||Mexican American|Hispanic American|American||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting||||21|||2001|2001||2001|2001-2001|||||0||||0|||||Oil pastel on Coventry paper|pastels (crayons)|paper (fiber product)||||painting (image-making)|||||111.8 x 76.2 cm||||||Figures (representations) ; |Figures (representations)|||||||||Cornell||MNW|JNK|11/29/2005 0:00:00|11/2/2005 0:00:00|G984|||0|||||||35|PA||||||2001|||||||||Work|0||||||||||||0|0|The Braid;La trenza|Gutiérrez, Roberto 5266.00|0|Creator|15|35|G184-PA|1999|1|35 G184-PA 1999 1|The Natural Life of Maria Izquierdo|Translated|Cataloger|Las naturalezas vivas de Maria Izquierdo|Artists|Image Source (Pub)||||The Natural Life of Maria Izquierdo (Las naturalezas vivas de Maria Izquierdo)|30813|Gama, Esperanza||painter|Esperanza Gama|0||||0|||||Mexican||||||||||||||0||||0||||0||||0|Paintings|Painting|Portrait|||20|||1999|1999||1999|1999-1999|||||0||||0|||||Acrylic on canvas|acrylic|canvas||||painting (image-making)|||||152,4 x 121.9 cm||||||Izquierdo, María, 1902-1955 ; Portraits ; Group portraits ; Horses ; |Izquierdo, María, 1902-1955|Portraits|Group portraits|Horses||||||Cornell||MNW|JNK|11/29/2005 0:00:00|11/2/2005 0:00:00|G184|||0|||||||35|PA||||||1999|||||||||Work|0||||||||||||0|0|The Natural Life of Maria Izquierdo;Las naturalezas vivas de Maria Izquierdo|Gama, Esperanza 5267.00|0|Creator|15|35|G4635-PA|2000|1|35 G4635-PA 2000 1|Sinaesthesia|Artists|Image Source (Pub)|||||||Sinaesthesia|30983|Gil, Xóchitl Cristina||painter|Xóchitl Cristina Gil|0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||21|||2000|2000||2000|2000-2000|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||182.2 x 175.3 cm||||||Birds ; |Birds|||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|11/2/2005 0:00:00|G4635|||0|||||||35|PA||||||2000|||||||||Work|0||||||||||||0|0|Sinaesthesia|Gil, Xóchitl Cristina 5268.00|0|Creator|05|35|S8184-PH|1905|1|35 S8184-PH 1905 1|The Flatiron Building||||||||||11288|Steichen, Edward J.||photographer|Edward J. Steichen|0||||0|||||American||||||North and Central America||United States||||||0||||||||0||||0|Photographs|Photographic print||||20|||1905|1905||1905|1905-1905|||||0||||0|||||||||||photography|||||||3384|New York: Museum of Modern Art|New York: MoMA||New York, NY ; Cities ; Buildings ; Flatiron Building (New York, NY) ; |New York, NY|Cities|Buildings|Flatiron Building (New York, NY)||||||Cornell||MNW|MNW|11/3/2005 0:00:00|11/3/2005 0:00:00|S8184|||0|||||||35|PH||||||1905| ||||||||Work|0||||||||||||0|0||Steichen, Edward J. 5269.00|0|Creator|15|27|R895-P|R898||27 R895-P R898|Rubens, His Wife Helena Fourment, and Their Son Peter Paul|Assigned|Repository|||||||Rubens, His Wife Helena Fourment, and Their Son Peter Paul|10147|Rubens, Peter Paul||painter|Peter Paul Rubens|0||||0|||||Flemish|||Baroque|||Europe||Belgium||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Portrait||17|||1635|1639||Late 1630s|1635-1639|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||203.8 x 158.1 cm||3294|New York: Metropolitan Museum of Art|New York: Metropolitan||Rubens, Peter Paul, 1577-1640 ; Fourment, Helena, 1614-1673 ; Rubens, Peter Paul, b. 1637 ; Portraits ; Families ; Group portraits ; |Rubens, Peter Paul, 1577-1640|Fourment, Helena, 1614-1673|Rubens, Peter Paul, b. 1637|Portraits|Families|Group portraits||||Cornell||JNK|MNW|1/31/2006 0:00:00|11/7/2005 0:00:00|R895|||0||1981.238||||R898|27|P||||||| ||||||||Work|0||||||||||||0|0|Rubens, His Wife Helena Fourment, and Their Son Peter Paul|Rubens, Peter Paul 5270.00|0|Creator|15|35|P657-PA|2000|1|35 P657-PA 2000 1|Pipe and Revolution (Not Always What It Seems)|Artists|Image Source (Pub)|This is a Revolution|Inscribed|Image Source (Pub)||||Pipe and Revolution (Not Always What It Seems)|30810|Piñón, Mark||painter|Mark Piñón|0||||0|||||Mexican American|Hispanic American|American||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting||||21|||2000|2000||2000|2000-2000|||||0||||0|||||Acrylic on canvas|acrylic|canvas||||painting (image-making)|||||20.3 x 40.6 cm||||||Ceci n'est pas une pipe (This is not a Pipe) ; Pipes ; Revolutions ; |Ceci n'est pas une pipe (This is not a Pipe)|Pipes|Revolutions|||||||Cornell||MNW|JNK|11/29/2005 0:00:00|11/7/2005 0:00:00|P657|||0|||||||35|PA||||||2000|||||||||Work|0||This painting alludes to Rene Magritte's Ceci n'est pas une pipe (This is not a Pipe) of 1926. Keller, Chicano Art.||||||||||0|0|Pipe and Revolution (Not Always What It Seems);This is a Revolution|Piñón, Mark 5271.00|0|Creator|15|35|D812-M|1986|1|35 D812-M 1986 1|Pancho Villa and the Wetbacks|Artists|Image Source (Pub)|||I||||Pancho Villa and the Wetbacks|30985|Duarte, Hector||muralist|Hector Duarte|0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Multimedia works|Multimedia work||||20|||1986|1986||1986|1986-1986|||||0||||0|||||Mixed media|mixed materials||||||||||91.4 x 61 cm||||||Villa, Pancho, 1878-1923 ; Revolutions ; |Villa, Pancho, 1878-1923|Revolutions||||||||Cornell||MNW|JNK|11/29/2005 0:00:00|11/7/2005 0:00:00|D812|||0|||||||35|M||||||1986|||||||||Work|0||||||||||||0|0|Pancho Villa and the Wetbacks|Duarte, Hector 5272.00|0|Creator|15|35|D285-D|1991|1|35 D285-D 1991 1|The Thorns of Life|Translated|Image Source (Pub)|Las espinas de la vida|Artists|Image Source (Pub)||||The Thorns of Life (Las espinas de la vida)|30986|De Anza, Meggan||painter|Meggan De Anza|0||||0|||||Mexican American|Hispanic American|American||||North and Central America||United States||||||0||||0||||0||||0|Drawings|Drawing||||20|||1991|1991||1991|1991-1991|||||0||||0|||||Colored pencils on paper|colored pencils|paper (fiber product)||||drawing (image-making)|||||76.2 x 55.9 cm||||||Skeletons ; Adam ; Eve ; Fruit trees ; Embryos ; Birth ; Deaths ; Snakes ; |Skeletons|Adam|Eve|Fruit trees|Embryos|Birth|Deaths|Snakes||Cornell||MNW|MNW|11/7/2005 0:00:00|11/7/2005 0:00:00|D285|||0|||||||35|D||||||1991|||||||||Work|0||||||||||||0|0|The Thorns of Life;Las espinas de la vida|De Anza, Meggan 5273.00|0|Creator|15|27|V433-PA|W329|1|27 V433-PA W329 1|Waterseller of Seville|Assigned|Dict.Art|Water Carrier of Seville|Variant|Collection||||Waterseller of Seville|12216|Velazquez, Diego Rodriguez de S.||painter|Velazquez, Diego|0||||0|||||Spanish|||Baroque|||Europe||Spain||||||0||||0||||0||||0|Paintings|Painting||||17|||1623|1623|ca|ca 1623|ca 1623-1623|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||106.7 x 81 cm||1555|London: Wellington Museum|London: Wellington Mus.||Genre ; |Genre|||||||||Cornell||JNK|JNK|11/8/2005 0:00:00|11/8/2005 0:00:00|V433|||0||||||W329|27|PA||||||| ||||||||Work|0||||||||||||0|0|Waterseller of Seville;Water Carrier of Seville|Velazquez, Diego Rodriguez de S. 5274.00|0|Creator|15|32|M275-PA|B365||32 M275-PA B365 |Before the Mirror|Preferred|Repository|||||||Before the Mirror|7474|Manet, Éduard||painter|Éduard Manet|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||19|||1876|1876||1876|1876-1876|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||92 x 71.4 cm||1987|New York: Solomon R.Guggenheim Museum|New York: Guggenheim Mus.||Mirrors ; |Mirrors|||||||||Cornell||MNW|JNK|7/14/2006 0:00:00|11/9/2005 0:00:00|M275|||0||78.2514.27|||||32|PA||||||| |B365|||||||Work|0||||||Gift of Justin K. Thannhauser.||||||0|0|Before the Mirror|Manet, Éduard 5275.00|0|Creator|15|35|H5574-G|1998|1|35 H5574-G 1998 1|Frida and Me|Translated|Image Source (Pub)|Frida y yo|Original|Image Source (Pub)||||Frida and Me (Frida y yo)|5347|Hernández, Ester||painter|Ester Hernández|0||||0|||||Mexican American|Hispanic American|American||||North and Central America||United States||||||0||||0||||0||||0|Prints|Lithograph|Portrait|||20|||1998|1998||1998|1998-1998|||||0||||0|||||Lithograph||||||printing|lithography||||55.9 x 61 cm||||||Group portraits ; Kahlo, Frida, 1907-1954 ; Hernández, Ester, 1944 ; Masks ; Deaths ; Skeletons ; Watermelons ; |Group portraits|Kahlo, Frida, 1907-1954|Hernández, Ester, 1944|Masks|Deaths|Skeletons|Watermelons|||Cornell||MNW|MNW|11/10/2005 0:00:00|11/10/2005 0:00:00|H5574|||0|||||||35|G||||||1998|||||||||Work|0||||||||||||0|0|Frida and Me;Frida y yo|Hernández, Ester 5276.00|0|Creator|15|35|G632-PA|1997|1|35 G632-PA 1997 1|The Life of the Traitress|Translated|Image Source (Pub)|La vida la traicionó||||||The Life of the Traitress (La vida la traicionó)|30978|Gómez, Alma||painter|Alma Gómez|0||||0|||||Mexican American||||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||20|||1997|1997||1997|1997-1997|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||25.4 x 20.3 cm||||||Portraits ; Kahlo, Frida, 1907-1954 ; |Portraits|Kahlo, Frida, 1907-1954||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|11/10/2005 0:00:00|G632|||0|||||||35|PA||||||1997|||||||||Work|0||||||||||||0|0|The Life of the Traitress;La vida la traicionó|Gómez, Alma 5277.00|0|Creator|15|35|G6435-G|2000|1|35 G6435-G 2000 1|Zapata with Pancho Villa, 2000|Translated|Cataloger|Zapata con Villa, 2000|Artists|Image Source (Pub)||||Zapata with Pancho Villa, 2000 (Zapata con Villa, 2000)|30987|Gonzalez, Louie||printmaker|Louie " The Foot" Gonzalez|0||||0|||||Mexican American|Mexican|Hispanic American||||||||||||0||||0||||0||||0|Prints|Screen print|Portraits|||21|||2000|2000||2000|2000-2000|||||0||||0|||||Serigraph||||||printing|screen printing||||61 x 45.7 cm||||||Zapata, Emiliano, 1879-1913 ; Villa, Pancho, 1878-1923 ; Portraits ; |Zapata, Emiliano, 1879-1913|Villa, Pancho, 1878-1923|Portraits|||||||Cornell||MNW|JNK|11/29/2005 0:00:00|11/10/2005 0:00:00|G6435|||0|||||||35|G||||||2000|||||||||Work|0||||||||||||0|0|Zapata with Pancho Villa, 2000;Zapata con Villa, 2000|Gonzalez, Louie 5278.00|0|Creator|05|J- J-Salazar|Salazar||1|J-Salazar 1|The Coward|Translated|Cataloger|El Mandilón|Artists|Image Source (Pub)||||The Coward (El Mandilón)|30988|Salazar, Daniel||photographer|Daniel Salazar|0||||0|||||Mexican American|Hispanic American|American||||||||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1995|1995||1995|1995-1995|||||0||||0|||||Print from Fujichrome slide|film (material)|||||photography|||||50.8 x 40.6 cm||||||||||||||||Cornell||MNW|MNW|11/11/2005 0:00:00|11/10/2005 0:00:00|Salazar|||0|||||||J J||||||||||||||||Work|0||||||||||||0|0|The Coward;El Mandilón|Salazar, Daniel 5279.00|0|Creator|05|J- J-Buitrón|Buitrón||1|J- J-Buitrón Buitrón 1|Missing Legends of the West|Assigned|Image Source (Pub)|||||||El corrido de Happy Trails (Starring Pancho y Tonto). Missing Legends of the West|30989|Buitrón, Robert C.||photographer|Robert C. Buitrón|0||||0|||||Mexican American|Native American|American||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1995|1995||1995|1995-1995||El corrido de Happy Trails (Starring Pancho y Tonto)|Series||5280||||0|||||Chromogenic print||||||chromogenic processes|||||34.5 x 44.4 cm||||||||||||||||Cornell||MNW|JNK|11/29/2005 0:00:00|11/11/2005 0:00:00|Buitrón|||0|||||||J J||||||||||||||||Work|0||||||||||||0|0|Missing Legends of the West|Buitrón, Robert C. 5280.00|0|Creator|05||||||El corrido de Happy Trails (Starring Pancho y Tonto)|Series|Image Source (Pub)|||||||El corrido de Happy Trails (Starring Pancho y Tonto)|30989|Buitrón, Robert C.||photographer|Robert C. Buitrón|0||||0|||||Mexican American|Native American|American||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1995|1995||1995|1995-1995|||||0||||0|||||Chromogenic prints||||||chromogenic processes|||||||||||Villa, Pancho, 1878-1923 ; Tonto ; |Villa, Pancho, 1878-1923|Tonto||||||||Cornell||MNW|MNW|11/11/2005 0:00:00|11/11/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|El corrido de Happy Trails (Starring Pancho y Tonto)|Buitrón, Robert C. 5281.00|0|Creator|15||||||My Cathedral|Series|Image Source (Pub)|||||||My Cathedral|30990|Donis, Alex||printmaker|Alex Donis|0||||0|||||Hispanic American|American|||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting||||20|||1997|1997||1997|1997-1997|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|BZ|12/1/2005 0:00:00|11/11/2005 0:00:00|D683|||0|||||||35|PA||||||1997|||||||||Work|0||Exhibited in a solo exhibition in 1997 at the Galeria de la Raza in San Franciso. Keller, Chicano Art.||||||||||0|0|My Cathedral|Donis, Alex 5282.00|0|Creator|15|35|D683-PA|1997|1|35 D683-PA 1997 1|Che Guevara and César Chávez|Artists|Image Source (Pub)|||||||My Cathedral. Che Guevara and César Chávez|30990|Donis, Alex||printmaker|Alex Donis|0||||0|||||Hispanic American|American|||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting||||20|||1997|1997||1997|1997-1997||My Cathedral|Series||5281||||0|||||Oil and resin on plexi-light box|oil paint|resin|Plexiglas|||painting (image-making)|||||116 x 61 cm||||||Guevara, Che, 1928-1967 ; Chávez, César, 1927- ; Gay and lesbian art ; |Guevara, Che, 1928-1967|Chávez, César, 1927-|Gay and lesbian art|||||||Cornell||MNW|JNK|1/6/2006 0:00:00|11/11/2005 0:00:00|D683|||0|||||||35|PA||||||1997|||||||||Work|0||||||||||||0|0|Che Guevara and César Chávez|Donis, Alex 5283.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Square Vessel|Translated|Cataloger|Fang hu|Descriptive|Image Source (Pub)||||Square Vessel (fang hu)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|Vessel||BCE|-8|-5||-722|-481||722-481 BCE|722-481 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||66.7 cm high||9620|Taiyuan: Shanxi Provincial Museum|Taiyuan: Shanxi Provincial Museum||||||||||||Cornell||BZ|MNW|2/18/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Square Vessel;Fang hu| 5284.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Stone Horse|Translated|Cataloger|Qiao ling shi ma|Descriptive|Image Source||||Qiao ling Tomb. Stone Horse|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Sian, China|||||||0||||0|Sculpture|Sculpture|Archaeological site|||7|8|9|618|906||618-906|618-906||Qiao ling Tomb|Larger entity||5055||||0|.||||Stone|stone|||||sculpture|carving||||||||||Sculpture (visual work) ; Horses ; Animals ; |Sculpture (visual work)|Horses|Animals|||||||Cornell||BZ|MNW|4/19/2006 0:00:00|11/11/2005 0:00:00||||0|||||||SC|||CHINA|TANG|||| ||||||||Work|0||||||||||||0|0|Stone Horse;Qiao ling shi ma| 5285.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Vessel in shape of pao (vegetable)|Translated|Cataloger|Pao hu|Descriptive|Image Source||||Vessel (hu) in shape of pao (vegetable)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|||BCE|-8|-5||-722|-481||722-481 BCE|722-481 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||39.5cm.H||9620|Taiyuan: Shanxi Provincial Museum|Taiyuan: Shanxi Provincial Museum||||||||||||Cornell||BZ|BZ|2/7/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Vessel in shape of pao (vegetable);Pao hu| 5286.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Square Vessel with Tall Handle|Translated|Cataloger|Gao bing xiao fang hu|Descriptive|Image Source||||Square Vessel (fang hu) with Tall Handle|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|Vessel||BCE|-8|-5||-722|-481||722-481 BCE|722-481 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||27.5 cm high||9620|Taiyuan: Shanxi Provincial Museum|Taiyuan: Shanxi Provincial Museum||||||||||||Cornell||BZ|MNW|2/18/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Square Vessel with Tall Handle;Gao bing xiao fang hu| 5287.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Vessel in Shape of a Bird|Translated|Cataloger|Zhi niao zun|Descriptive|Image Source||||Vessel (zun) in Shape of a Bird|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|Vessel||BCE|-8|-5||-722|-481||722-481 BCE|722-481 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||25.3 cm high||9620|Taiyuan: Shanxi Provincial Museum|Taiyuan: Shanxi Provincial Museum||||||||||||Cornell||BZ|MNW|2/18/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Vessel in Shape of a Bird;Zhi niao zun| 5288.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Vessel|Translated|Cataloger|Tong Lei|Descriptive|Image Source||||Vessel (lei)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|Vessel||BCE|-8|-5||-722|-481||722-481 BCE|722-481 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||36.5 cm high||9620|Taiyuan: Shanxi Provincial Museum|Taiyuan: Shanxi Provincial Museum||||||||||||Cornell||BZ|MNW|2/18/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Vessel;Tong Lei| 5289.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Stone Statue of Wengzhong|Translated|Cataloger|Qiao ling shi Wengzhong|Descriptive|Image Source||||Qiao ling Tomb. Stone Statue of Wengzhong|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Sian, China|||||||0||||0|Sculpture|Sculpture||||7|8|9|618|906||618-906|618-906||Qiao ling Tomb|Larger entity||5055||||0|||||Stone|stone|||||sculpture|carving||||||||||Sculpture (visual work) ; Figures (representations) ; Archaeology ; |Sculpture (visual work)|Figures (representations)|Archaeology|||||||Cornell||BZ|MNW|4/19/2006 0:00:00|11/11/2005 0:00:00||||0|||||||SC|||CHINA|TANG|||| ||||||||Work|0||||||||||||0|0|Stone Statue of Wengzhong;Qiao ling shi Wengzhong| 5290.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Vessel|Translated|Cataloger|Tong zhou|Descriptive|Image Source||||Vessel (zhou)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|Vessel||BCE|-8|-5||-722|-481||722-481 BCE|722-481 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||8.65 cm high||9620|Taiyuan: Shanxi Provincial Museum|Taiyuan: Shanxi Provincial Museum||||||||||||Cornell||BZ|MNW|2/18/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Vessel;Tong zhou| 5291.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Vessel|Translated|Cataloger|Tong Jian|Descriptive|Image Source||||Vessel (jian)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|Vessel||BCE|-8|-5||-722|-481||722-481 BCE|722-481 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||42.4 cm high||9620|Taiyuan: Shanxi Provincial Museum|Taiyuan: Shanxi Provincial Museum||||||||||||Cornell||BZ|MNW|2/18/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Vessel;Tong Jian| 5292.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Winged Horse from the Tai ling Tomb|Translated|Cataloger|Tai ling shi ke yi ma|Descriptive|Image Source||||Winged Horse from the Tai ling Tomb|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Sian, China|||||||0||||0|Sculpture|Sculpture|Archaeological site|||7|8|9|618|906||618-906|618-906|||||0||||0|||||Stone|stone|||||sculpture|carving||||||||||Sculpture (visual work) ; Horses ; Animals ; Tombs ; |Sculpture (visual work)|Horses|Animals|Tombs||||||Cornell||BZ|MNW|4/19/2006 0:00:00|11/11/2005 0:00:00||||0|||||||SC|||CHINA|TANG|||| ||||||||Work|0||||||||||||0|0|Winged Horse from the Tai ling Tomb;Tai ling shi ke yi ma| 5293.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Tripod Dish|Translated|Cataloger|San zu pan|Descriptive|Image Source||||Tripod Dish (pan)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|Dish||BCE|-8|-5||-722|-481||722-481 BCE|722-481 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||19.6 cm high||9620|Taiyuan: Shanxi Provincial Museum|Taiyuan: Shanxi Provincial Museum||||||||||||Cornell||BZ|MNW|2/18/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Tripod Dish;San zu pan| 5294.00|0|Architect|02|B-R1|Xi'an|3.3 Caot||B-R1 Xi'an 3.3 Caot |Madhyamika Pagoda|Translated|Cataloger|Jiu mo luo shi she li ta|Descriptive|Image Source||||Cao Tang Temple. Madhyamika Pagoda|0|||||0||||0|||||Chinese|||Six Dynasties|||Asia||China||||||0|Sian, China|||10572||||0||||0|Architecture|Pagoda (building)|Archaeological site|||5|||413|413||413|413-413||Cao Tang Temple|Larger entity||6650||||0|||||stone|stone|||||sculpture|carving||||||||||Sculpture (visual work) ; Pagodas (buildings) ; Architects ; Archaeology ; |Sculpture (visual work)|Pagodas (buildings)|Architects|Archaeology||||||Cornell||BZ|MNW|5/16/2006 0:00:00|11/11/2005 0:00:00||||0||||||Caot|B|||||R1|3.3|| ||||||||Work|0|Architecture-China|||||||||||0|0|Madhyamika Pagoda;Jiu mo luo shi she li ta| 5295.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Steamer|Translated|Cataloger|Pan chi shou mian wen yan|Descriptive|Image Source||||Steamer (yan)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|Pot||BCE|-8|-5||-722|-481||722-481 BCE|722-481 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||29.5 cm high||9620|Taiyuan: Shanxi Provincial Museum|Taiyuan: Shanxi Provincial Museum||||||||||||Cornell||BZ|MNW|2/18/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Steamer;Pan chi shou mian wen yan| 5296.00|0|Creator|15|CHINA|MTL|TANG||CHINA MTL TANG |Silver Coffin from the Qingshan Temple|Translated|Cataloger|Qing shan si yin chun|Descriptive|Image Source||||Silver Coffin from the Qingshan Temple|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0||||0|Metalwork|Coffin||||7|8|9|618|906||618-906|618-906|||||0||||0|||||Gold and silver encrusted with gems|silver|gold|gems|||metalworking|gold-work|silverwork|||||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Coffins ; |Coffins|||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|TANG|||| ||||||||Work|0||||||||||||0|0|Silver Coffin from the Qingshan Temple;Qing shan si yin chun| 5297.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Vessel|Translated|Cataloger|Tong Fu|Descriptive|Image Source||||Vessel (fu)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|Vessel||BCE|-8|-5||-722|-481||722-481 BCE|722-481 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||20 cm high||9620|Taiyuan: Shanxi Provincial Museum|Taiyuan: Shanxi Provincial Museum||||||||||||Cornell||BZ|MNW|2/18/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Vessel;Tong Fu| 5298.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Covered Vessel|Translated|Cataloger|Pan hui wen gai dou|Descriptive|Image Source||||Covered Vessel (gai dou)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|Vessel||BCE|-8|-5||-722|-481||722-481 BCE|722-481 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||19.8 cm high||9620|Taiyuan: Shanxi Provincial Museum|Taiyuan: Shanxi Provincial Museum||||||||||||Cornell||BZ|MNW|2/18/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Covered Vessel;Pan hui wen gai dou| 5299.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Covered Vessel|Translated|Cataloger|Kui long wen gai dou|Descriptive|Image Source||||Covered Vessel (gai dou)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|Vessel||BCE|-8|-5||-722|-481||722-481 BCE|722-481 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||18 cm high||9620|Taiyuan: Shanxi Provincial Museum|Taiyuan: Shanxi Provincial Museum||||||||||||Cornell||BZ|MNW|2/18/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Covered Vessel;Kui long wen gai dou| 5300.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Vessel|Translated|Cataloger|Pan chi wen dun xing ding|Descriptive|Image Source||||Vessel (ding)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|Vessel||BCE|-8|-5||-722|-481||722-481 BCE|722-481 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||25 cm high||9620|Taiyuan: Shanxi Provincial Museum|Taiyuan: Shanxi Provincial Museum||||||||||||Cornell||BZ|MNW|2/18/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Vessel;Pan chi wen dun xing ding| 5301.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Vessel|Translated|Cataloger|Pan chi shou dai wen li xing ding|Descriptive|Image Source||||Vessel (ding)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|Vessel||BCE|-8|-5||-722|-481||722-481 BCE|722-481 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||22 cm high||9620|Taiyuan: Shanxi Provincial Museum|Taiyuan: Shanxi Provincial Museum||||||||||||Cornell||BZ|MNW|2/18/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Vessel;Pan chi shou dai wen li xing ding| 5302.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Covered Vessel|Translated|Cataloger|Pan chi wen xiao gai ding|Descriptive|Image Source||||Covered Vessel (gai ding)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|Vessel||BCE|-8|-5||-722|-481||722-481 BCE|722-481 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||11.3 cm high||9620|Taiyuan: Shanxi Provincial Museum|Taiyuan: Shanxi Provincial Museum||||||||||||Cornell||BZ|MNW|2/18/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Covered Vessel;Pan chi wen xiao gai ding| 5303.00|0|Creator|15|CHINA|MTL|TANG||CHINA MTL TANG |Gold Coffin from the Qingshan Temple|Translated|Cataloger|Qing shan si jin guan|Descriptive|Image Source||||Gold Coffin from the Qingshan Temple|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0||||0|Metalwork|Coffin||||7|8|9|618|906||618-906|618-906|||||0||||0|||||Gold with gems|gold|gems||||gold-work|||||||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Coffins ; |Coffins|||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|TANG|||| ||||||||Work|0||||||||||||0|0|Gold Coffin from the Qingshan Temple;Qing shan si jin guan| 5304.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Vessel|Translated|Cataloger|Te da huo ding|Descriptive|Image Source||||Vessel (ding)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|Vessel||BCE|-8|-5||-722|-481||722-481 BCE|722-481 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||93 cm high||9620|Taiyuan: Shanxi Provincial Museum|Taiyuan: Shanxi Provincial Museum||||||||||||Cornell||BZ|MNW|2/18/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Vessel;Te da huo ding| 5305.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Bell with Dragon and Phoenix design|Translated|Cataloger|Kui long kui feng wen bian zhong|Descriptive|Image Source||||Bell (zhong) with Dragon and Phoenix design|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|Bell (idiophone)||BCE|-8|-5||-722|-481||722-481 BCE|722-481 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||||9620|Taiyuan: Shanxi Provincial Museum|Taiyuan: Shanxi Provincial Museum||||||||||||Cornell||BZ|MNW|2/18/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Bell with Dragon and Phoenix design;Kui long kui feng wen bian zhong| 5306.00|0|Creator|15|CHINA|PTG|TANG||CHINA PTG TANG |Fresco of Monks from the Li Shou Tomb|Translated|Cataloger|Li Shou mu bi hua seng lü tu|Descriptive|Image Source||||Fresco of Monks from the Li Shou Tomb|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Fresco|Figure (representation)||7|8|9|618|906||618-906|618-906|||||0||||0|||||Fresco|frescoes|||||painting (image-making)|fresco painting||||||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Figures (representations) ; Monks ; Architectural drawings ; |Figures (representations)|Monks|Architectural drawings|||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||PTG|||CHINA|TANG|||| ||||||||Work|0||||||||||||0|0|Fresco of Monks from the Li Shou Tomb;Li Shou mu bi hua seng lü tu| 5307.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Bell|Translated|Cataloger|San hui wen zhong|Descriptive|Image Source||||Bell (zhong)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|Bell (idiophone)||BCE|-8|-5||-722|-481||722-481 BCE|722-481 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||29.6 cm high||9620|Taiyuan: Shanxi Provincial Museum|Taiyuan: Shanxi Provincial Museum||||||||||||Cornell||BZ|MNW|2/18/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Bell;San hui wen zhong| 5308.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Vessel in Shape of a Tiger|Translated|Cataloger|Hu xing gui|Descriptive|Image Source||||Vessel (gui) in Shape of a Tiger|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|Vessel||BCE|-8|-5||-722|-481||722-481 BCE|722-481 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||17.5 cmhigh||9620|Taiyuan: Shanxi Provincial Museum|Taiyuan: Shanxi Provincial Museum||||||||||||Cornell||BZ|MNW|2/18/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Vessel in Shape of a Tiger;Hu xing gui| 5309.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Belt Hook|Translated|Cataloger|Cuo jin ji he xing wen dai gou|Descriptive|Image Source||||Belt Hook (dai gou)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Buckle|||BCE|-8|-5||-722|-481||722-481 BCE|722-481 BCE|||||0||||0|||||gold|gold|||||gold-work|||||11.6 cm long||9620|Taiyuan: Shanxi Provincial Museum|Taiyuan: Shanxi Provincial Museum||||||||||||Cornell||BZ|MNW|2/18/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Belt Hook;Cuo jin ji he xing wen dai gou| 5310.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Arc-shaped Pendant|Translated|Cataloger|Kuan xing chuan kong yu huang|Descriptive|Image Source||||Arc-shaped Pendant (huang)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|Pendant (jewelry)||BCE|-8|-5||-722|-481||722-481 BCE|722-481 BCE|||||0||||0|||||Jade|jade|||||carving|||||10 cm long||9620|Taiyuan: Shanxi Provincial Museum|Taiyuan: Shanxi Provincial Museum||||||||||||Cornell||BZ|MNW|2/18/2006 0:00:00|11/11/2005 0:00:00||||0|||||||JADE|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Arc-shaped Pendant;Kuan xing chuan kong yu huang| 5311.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Arc-shaped Pendant|Translated|Cataloger|Ru bai se yu huang|Descriptive|Image Source||||Arc-shaped Pendant (huang)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|Pendant (jewelry)||BCE|-8|-5||-722|-481||722-481 BCE|722-481 BCE|||||0||||0|||||Jade|jade|||||carving|||||8.2 cm long||9620|Taiyuan: Shanxi Provincial Museum|Taiyuan: Shanxi Provincial Museum||||||||||||Cornell||BZ|MNW|2/18/2006 0:00:00|11/11/2005 0:00:00||||0|||||||JADE|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Arc-shaped Pendant;Ru bai se yu huang| 5312.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Oval Pendant|Translated|Cataloger|Tuo yuan xing yu pei|Descriptive|Image Source||||Oval pendant (pei)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|Pendant (jewelry)||BCE|-8|-5||-722|-481||722-481 BCE|722-481 BCE|||||0||||0|||||Jade|jade|||||carving|||||5.8 cm long||9620|Taiyuan: Shanxi Provincial Museum|Taiyuan: Shanxi Provincial Museum||||||||||||Cornell||BZ|MNW|2/18/2006 0:00:00|11/11/2005 0:00:00||||0|||||||JADE|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Oval Pendant;Tuo yuan xing yu pei| 5313.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Disk|Translated|Cataloger|San hui wen yu yuan|Descriptive|Image Source||||Disk (yuan)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|||BCE|-8|-5||-722|-481||722-481 BCE|722-481 BCE|||||0||||0|||||Jade|jade|||||carving|||||6.8 cm diameter||9620|Taiyuan: Shanxi Provincial Museum|Taiyuan: Shanxi Provincial Museum||||||||||||Cornell||BZ|MNW|2/18/2006 0:00:00|11/11/2005 0:00:00||||0|||||||JADE|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Disk;San hui wen yu yuan| 5314.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Disk|Translated|Cataloger|Yu bi|Descriptive|Image Source||||Disk (bi)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|||BCE|-8|-5||-722|-481||722-481 BCE|722-481 BCE|||||0||||0|||||Jade|jade|||||carving|||||4.8 cm diameter||9620|Taiyuan: Shanxi Provincial Museum|Taiyuan: Shanxi Provincial Museum||||||||||||Cornell||BZ|MNW|2/18/2006 0:00:00|11/11/2005 0:00:00||||0|||||||JADE|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Disk;Yu bi| 5315.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Ring|Translated|Cataloger|Yu huan|Descriptive|Image Source||||Ring (huan)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|||BCE|-8|-5||-722|-481||722-481 BCE|722-481 BCE|||||0||||0|||||Jade|jade|||||carving|||||10.4 cm diameter||9620|Taiyuan: Shanxi Provincial Museum|Taiyuan: Shanxi Provincial Museum||||||||||||Cornell||BZ|MNW|2/18/2006 0:00:00|11/11/2005 0:00:00||||0|||||||JADE|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Ring;Yu huan| 5316.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Tablet|Translated|Cataloger|Yu zih gui xing qi|Descriptive|Image Source||||Tablet (gui)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|Tablet||BCE|-8|-5||-722|-481||722-481 BCE|722-481 BCE|||||0||||0|||||Jade|jade|||||carving|||||10.65 cmlong||9620|Taiyuan: Shanxi Provincial Museum|Taiyuan: Shanxi Provincial Museum||||||||||||Cornell||BZ|MNW|2/18/2006 0:00:00|11/11/2005 0:00:00||||0|||||||JADE|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Tablet;Yu zih gui xing qi| 5317.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Rectangle Pendant|Translated|Cataloger|Chang fang xing yu pei|Descriptive|Image Source||||Rectangle Pendant (pei)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|Pendant (jewelry)||BCE|-8|-5||-722|-481||722-481 BCE|722-481 BCE|||||0||||0|||||Jade|jade|||||carving|||||12.7 cm long||9620|Taiyuan: Shanxi Provincial Museum|Taiyuan: Shanxi Provincial Museum||||||||||||Cornell||BZ|MNW|2/18/2006 0:00:00|11/11/2005 0:00:00||||0|||||||JADE|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Rectangle Pendant;Chang fang xing yu pei| 5318.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Square Pendant|Translated|Cataloger|Fang xing yu pei|Descriptive|Image Source||||Square Pendant (pei)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|Pendant (jewelry)||BCE|-8|-5||-722|-481||722-481 BCE|722-481 BCE|||||0||||0|||||Jade|jade|||||carving|||||4.55 cm long||9620|Taiyuan: Shanxi Provincial Museum|Taiyuan: Shanxi Provincial Museum||||||||||||Cornell||BZ|MNW|2/18/2006 0:00:00|11/11/2005 0:00:00||||0|||||||JADE|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Square Pendant;Fang xing yu pei| 5319.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Tube|Translated|Cataloger|Cu yu bang|Descriptive|Image Source||||Tube (Cu yu bang)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|||BCE|-8|-5||-722|-481||722-481 BCE|722-481 BCE|||||0||||0|||||Jade|jade|||||carving|||||4.5 cm high||9620|Taiyuan: Shanxi Provincial Museum|Taiyuan: Shanxi Provincial Museum||||||||||||Cornell||BZ|MNW|2/18/2006 0:00:00|11/11/2005 0:00:00||||0|||||||JADE|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Tube;Cu yu bang| 5320.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Plaque in Shape of a Bird|Translated|Cataloger|Niao xing yu zhi|Descriptive|Image Source||||Plaque (zhi) in Shape ofa Bird|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|Plaque (flat object)||BCE|-8|-5||-722|-481||722-481 BCE|722-481 BCE|||||0||||0|||||Jade|jade|||||carving|||||5.3 cm long||9620|Taiyuan: Shanxi Provincial Museum|Taiyuan: Shanxi Provincial Museum||||||||||||Cornell||BZ|MNW|2/18/2006 0:00:00|11/11/2005 0:00:00||||0|||||||JADE|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Plaque in Shape of a Bird;Niao xing yu zhi| 5321.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Greenstone Necklace|Translated|Cataloger|Lü song shi chuan zhu|Descriptive|Image Source||||Greenstone Necklace (chuan zhu)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|Necklace||BCE|-8|-5||-722|-481||722-481 BCE|722-481 BCE|||||0||||0|||||Jade|jade|||||carving|||||1.16 cm long||9620|Taiyuan: Shanxi Provincial Museum|Taiyuan: Shanxi Provincial Museum||||||||||||Cornell||BZ|MNW|2/18/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MA|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Greenstone Necklace;Lü song shi chuan zhu| 5322.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Spear in Shape of Fighting Tiger and Owl|Translated|Cataloger|Hu ying bo ji tou diao dai gong ge|Descriptive|Image Source||||Spear (ge) in Shape of Fighting Tiger and Owl|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|Spear||BCE|-8|-5||-722|-481||722-481 BCE|722-481 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||20.3 cm long||9620|Taiyuan: Shanxi Provincial Museum|Taiyuan: Shanxi Provincial Museum||||||||||||Cornell||BZ|MNW|2/18/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Spear in Shape of Fighting Tiger and Owl;Hu ying bo ji tou diao dai gong ge| 5323.00|0|Site|02|B-R1|Xi'an|3.3 Huay||B-R1 Xi'an 3.3 Huay |Du Shun Pagoda|Translated|Cataloger|Hua yan si du shun she li ta|Descriptive|Image Source||||Huayan Temple. Du Shun Pagoda|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Sian, China|Near||10572||||0||||0|Architecture|Pagoda (building)|Archaeological site|||9|||803|803||803|803||Huayan Temple|Larger entity||6651||||0||||||||||||||||||||||Pagodas (buildings) ; Architects ; Archaeology ; Tombs ; |Pagodas (buildings)|Architects|Archaeology|Tombs||||||Cornell||BZ|MNW|5/16/2006 0:00:00|11/11/2005 0:00:00||||0||||||Huay|B|||||R1|3.3|| ||||||||Work|0|Architecture-China|||||||||||0|0|Du Shun Pagoda;Hua yan si du shun she li ta| 5324.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Sword in Shape of Triangular Animal Head|Translated|Cataloger|San jiao shou tou xing yu ge jian|Descriptive|Image Source||||Sword in Shape of Triangular Animal Head|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|Sword||BCE|-8|-5||-722|-481||722-481 BCE|722-481 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||45.1 cm long||9620|Taiyuan: Shanxi Provincial Museum|Taiyuan: Shanxi Provincial Museum||||||||||||Cornell||BZ|MNW|2/18/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Sword in Shape of Triangular Animal Head;San jiao shou tou xing yu ge jian| 5325.00|0|Site|02|B-R1|Taiy|3.3 Zhaoq||B-R1 Taiy 3.3 Zhaoq |Tomb of Zhaoqing|Translated|Cataloger|Che ma keng|Descriptive|Image Source||||Tomb of Zhaoqing|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0|Taiyuan, China|||10602||||0||||0|Architecture|Tomb|||BCE|-8|-5||-722|-481||722-481 BCE|722-481 BCE|||||0||||0||||||||||||||||||||||Carts ; Sacrifices ; Tombs ; |Carts|Sacrifices|Tombs|||||||Cornell||BZ|MNW|2/18/2006 0:00:00|11/11/2005 0:00:00||Taiy||0||||||Zhaoq|B|||||R1|3.3|| ||||||||Work|0|Architecture-China|||||||||||0|0|Tomb of Zhaoqing;Che ma keng| 5327.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Crysta Necklace|Translated|Cataloger|Shui jing zhu|Descriptive|Image Source||||Crysta necklace (zhu)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|Necklace||BCE|-8|-5||-722|-481||722-481 BCE|722-481 BCE|||||0||||0|||||Jade|jade|||||carving|||||2.21 cm long||9620|Taiyuan: Shanxi Provincial Museum|Taiyuan: Shanxi Provincial Museum||||||||||||Cornell||BZ|MNW|2/18/2006 0:00:00|11/11/2005 0:00:00||||0||||||||||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Crysta Necklace;Shui jing zhu| 5328.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Bracelet with Dragonfly Eye Decoration|Translated|Cataloger|Qing ting yan shi liao zhu|Descriptive|Image Source||||Bracelet (zhu) with Dragonfly Eye Cecoration|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|Bracelet||BCE|-8|-5||-722|-481||722-481 BCE|722-481 BCE|||||0||||0|||||Jade|jade|||||carving|||||1.5 cm high||9620|Taiyuan: Shanxi Provincial Museum|Taiyuan: Shanxi Provincial Museum||||||||||||Cornell||BZ|MNW|2/18/2006 0:00:00|11/11/2005 0:00:00||||0||||||||||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Bracelet with Dragonfly Eye Decoration;Qing ting yan shi liao zhu| 5329.00|0|Site|02|B-R1|Xi'an|3.4 Qing||B-R1 Xi'an 3.4 Qing|Qing long Temple|Translated|Cataloger|Qing long si|Descriptive|Image Source||||Qing long Temple|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Sian, China|||||||0||||0|Architecture|Archaeological site|Temple|||7|8|9|618|906||618-906|618-906|||||0||||0||||||||||||||||||||||Temples ; |Temples|||||||||Cornell||BZ|MNW|4/19/2006 0:00:00|11/11/2005 0:00:00||||0||||||Qing|B|||||R1|3.4|| ||||||||Work|0|Architecture-China|||||||||||0|0|Qing long Temple;Qing long si| 5330.00|0|Creator|15|CHINA|JADE|TANG||CHINA JADE TANG |Cornelian Cup in the Shape of an Ox Head|Translated|Cataloger|Niu shou ma nao bei|Descriptive|Image Source||||Cornelian Cup in the Shape of an Ox Head|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0||||0|Tools and Equipment|Cup||||7|8|9|618|906||618-906|618-906|||||0||||0|||||Carved jade|jade|||||carving|||||||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Cups ; Tools ; |Cups|Tools||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||JADE|||CHINA|TANG|||| ||||||||Work|0||||||||||||0|0|Cornelian Cup in the Shape of an Ox Head;Niu shou ma nao bei| 5331.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Wall Sculpture|Translated|Cataloger|Shui lu an bi su|Descriptive|Image Source||||Water-and-Land Temple. Wall Sculpture|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Sian, China|||10572||||0||||0|Sculpture|Sculpture|Figure (representation)|||7|8|9|618|906||618-906|618-906||Water-and-Land Temple|Larger entity||6652||||0|||||Mud|mud|||||sculpture|||||||||||Sculpture (visual work) ; Figures (representations) ; Monks ; Temples ; |Sculpture (visual work)|Figures (representations)|Monks|Temples||||||Cornell||BZ|BZ|5/17/2006 0:00:00|11/11/2005 0:00:00||||0|||||||SC|||CHINA|TANG|||| ||||||||Work|0||||||||||||0|0|Wall Sculpture;Shui lu an bi su| 5333.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Stone Buddha Head|Translated|Cataloger|Shi fo tou|Descriptive|Image Source||||Stone Buddha Head|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0||||0|Sculpture|Sculpture|Figure (representation)|||7|8|9|618|906||618-906|618-906|||||0||||0|||||Carved stone|Stone|||||sculpture|carving||||||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Sculpture (visual work) ; Figures (representations) ; Religions ; Buddha ; |Sculpture (visual work)|Figures (representations)|Religions|Buddha||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||SC|||CHINA|TANG|||| ||||||||Work|0||||||||||||0|0|Stone Buddha Head;Shi fo tou| 5334.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Stone Buddha Head|Translated|Cataloger|Shi fo tou|Descriptive|Image Source||||Stone Buddha Head|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0||||0|Sculpture|Sculpture|Figure (representation)|||7|8|9|618|906||618-906|618-906|||||0||||0|||||Carved stone|stone|||||sculpture|carving||||||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Sculpture (visual work) ; Figures (representations) ; Religions ; Buddha ; |Sculpture (visual work)|Figures (representations)|Religions|Buddha||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||SC|||CHINA|TANG|||| ||||||||Work|0||||||||||||0|0|Stone Buddha Head;Shi fo tou| 5335.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Stone Buddha Head|Translated|Cataloger|Shi fo tou|Descriptive|Image Source||||Stone Buddha Head|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0||||0|Sculpture|Sculpture|Figure (representation)|||7|8|9|618|906||618-906|618-906|||||0||||0|||||Carved stone|stone|||||sculpture|carving||||||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Sculpture (visual work) ; Figures (representations) ; Religions ; Buddha ; |Sculpture (visual work)|Figures (representations)|Religions|Buddha||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||SC|||CHINA|TANG|||| ||||||||Work|0||||||||||||0|0|Stone Buddha Head;Shi fo tou| 5336.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Stone Buddha Head|Translated|Cataloger|Shi fo tou|Descriptive|Image Source||||Stone Buddha Head|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0||||0|Sculpture|Sculpture|Figure (representation)|||7|8|9|618|906||618-906|618-906||Stone Buddha Head|||5338||||0|||||Carved stone|stone|||||sculpture|carving||||||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Sculpture (visual work) ; Figures (representations) ; Religions ; Buddha ; |Sculpture (visual work)|Figures (representations)|Religions|Buddha||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||SC|||CHINA|TANG|||| ||||||||Work|0||||||||||||0|0|Stone Buddha Head;Shi fo tou| 5337.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Stone Buddha Head|Translated|Cataloger|Shi fo tou|Descriptive|Image Source||||Stone Buddha Head|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0||||0|Sculpture|Sculpture|Figure (representation)|||7|8|9|618|906||618-906|618-906||Stone Buddha Head|||5338||||0|||||Carved stone|stone|||||sculpture|carving||||||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Sculpture (visual work) ; Figures (representations) ; Religions ; Buddha ; |Sculpture (visual work)|Figures (representations)|Religions|Buddha||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||SC|||CHINA|TANG|||| ||||||||Work|0||||||||||||0|0|Stone Buddha Head;Shi fo tou| 5338.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Stone Buddha Head|Translated|Cataloger|Shi fo tou|Descriptive|Image Source||||Stone Buddha Head|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0||||0|Sculpture|Sculpture|Figure (representation)|||7|8|9|618|906||618-906|618-906|||||0||||0|||||Carved stone|stone|||||sculpture|carving||||||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Sculpture (visual work) ; Figures (representations) ; Religions ; Buddha ; |Sculpture (visual work)|Figures (representations)|Religions|Buddha||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||SC|||CHINA|TANG|||| ||||||||Work|0||||||||||||0|0|Stone Buddha Head;Shi fo tou| 5339.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Liu Baosheng Mile Statues|Translated|Cataloger|Liu Baosheng Mile zao xiang|Descriptive|Image Source||||Liu Baosheng Mile Statues|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0||||0|Sculpture|Sculpture|Figure (representation)|||7|8|9|618|906||618-906|618-906|||||0||||0|||||Carved stone|stone|||||sculpture|carving||||||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Sculpture (visual work) ; Figures (representations) ; Religions ; Buddha ; |Sculpture (visual work)|Figures (representations)|Religions|Buddha||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||SC|||CHINA|TANG|||| ||||||||Work|0||||||||||||0|0|Liu Baosheng Mile Statues;Liu Baosheng Mile zao xiang| 5340.00|0|Creator|15|CHINA|MTL|TANG||CHINA MTL TANG |Golden Seated Buddha Statue|Translated|Cataloger|Liu jin fo xiang|Descriptive|Image Source||||Golden Seated Buddha Statue|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0||||0|Sculpture|Sculpture|Figure (representation)|||7|8|9|618|906||618-906|618-906|||||||||0|||||Gold|gold|||||gold-work|sculpture|casting|||||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Sculpture (visual work) ; Figures (representations) ; Religions ; Buddha ; |Sculpture (visual work)|Figures (representations)|Religions|Buddha||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|TANG|||| ||||||||Work|0||||||||||||0|0|Golden Seated Buddha Statue;Liu jin fo xiang| 5341.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Bell of the King Xiongzhang of Chu|Translated|Cataloger|Chu wang xiong zhang bo zhong|Descriptive|Image Source||||Bell (zhong) of the King Xiongzhang of Chu|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|Bell (idiophone)||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||92.5 cm high||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||||||||||||Cornell||BZ|MNW|2/18/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Bell of the King Xiongzhang of Chu;Chu wang xiong zhang bo zhong| 5342.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Bells|Translated|Cataloger|Bian zhong|Descriptive|Image Source||||Tomb of Marquis Yi of Zeng. Bells|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0|Suizhou, China|||10603||||0|Musical Instruments|Bronze|Bell (idiophone)|Musical instrument|BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE||Tomb of Marquis Yi of Zeng|||5411||||0|||||Bronze|bronze|||||bronzing|||||3.35 m x 2.73 m (left); 7.48 m x 2.65 m (right)||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||||||||||||Cornell||BZ|MNW|2/20/2006 0:00:00|11/11/2005 0:00:00|||Suiz|0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Bells;Bian zhong| 5343.00|0|Creator|15|CHINA|MTL|TANG||CHINA MTL TANG |Golden Standing Buddha Statue|Translated|Cataloger|Liu jin fo xiang|Descriptive|Image Source||||Golden Standing Buddha Statue|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0||||0|Sculpture|Sculpture|Figure (representation)|||7|8|9|618|906||618-906|618-906|||||||||0|||||Gold|gold|||||gold-work|sculpture|casting|||||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Sculpture (visual work) ; Figures (representations) ; Religions ; Buddha ; |Sculpture (visual work)|Figures (representations)|Religions|Buddha||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|TANG|||| ||||||||Work|0||||||||||||0|0|Golden Standing Buddha Statue;Liu jin fo xiang| 5344.00|0|Creator|15|CHINA|MTL|TANG||CHINA MTL TANG |Dong Qin Golden Buddha Statues|Translated|Cataloger|Dong Qin liu jin zao xiang|Descriptive|Image Source||||Dong Qin Golden Buddha Statues|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0||||0|Sculpture|Sculpture|Figure (representation)|||7|8|9|618|906||618-906|618-906|||||0||||0|||||Gold|gold|||||gold-work|sculpture|casting|||||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Sculpture (visual work) ; Figures (representations) ; Religions ; Buddha ; Dogs ; |Sculpture (visual work)|Figures (representations)|Religions|Buddha|Dogs|||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|TANG|||| ||||||||Work|0||||||||||||0|0|Dong Qin Golden Buddha Statues;Dong Qin liu jin zao xiang| 5345.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Three Colored Statue of the Heaven King|Translated|Cataloger|San cai tian wang xiang|Descriptive|Image Source||||Three Colored Statue of the Heaven King|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0||||0|Sculpture|Ceramic|Sculpture|Figure (representation)||7|8|9|618|906||618-906|618-906|||||0||||0|||||Glazed ceramic|ceramic|color (pigment)||||ceramics|sculpture|glazing (coating)|||||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Sculpture (visual work) ; Figures (representations) ; Religions ; |Sculpture (visual work)|Figures (representations)|Religions|||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||SC|||CHINA|TANG|||| ||||||||Work|0||||||||||||0|0|Three Colored Statue of the Heaven King;San cai tian wang xiang| 5346.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Medicine King Mountain Bodhisattva|Translated|Cataloger|Yue wang shan shi ke pu sa|Descriptive|Image Source||||Medicine King Mountain Bodhisattva|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Sian, China|||||||0||||0|Sculpture|Sculpture|Figure (representation)|||7|8|9|618|906||618-906|618-906|||||0||||0|||||Carved stone|stone|||||carving|||||||||||Sculpture (visual work) ; Figures (representations) ; Religions ; Bodhisattvas ; |Sculpture (visual work)|Figures (representations)|Religions|Bodhisattvas||||||Cornell||BZ|MNW|4/19/2006 0:00:00|11/11/2005 0:00:00||||0|||||||SC|||CHINA|TANG|||| ||||||||Work|0||||||||||||0|0|Medicine King Mountain Bodhisattva;Yue wang shan shi ke pu sa| 5347.00|0|Creator|15|CHINA|MTL|HAN||CHINA MTL HAN |Bronze Figure With Wings|Translated|Cataloger|Tong yu ren|Descriptive|Image Source||||Bronze Figure With Wings|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0||||0||||0|Sculpture|Sculpture|||BCE|-3|-2|-1|-206|220||206 BCE-220 CE|-206 - 220|||||0||||0|||||Cast bronze|bronze|||||casting|||||||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Sculpture (visual work) ; Figures (representations) ; Religions ; |Sculpture (visual work)|Figures (representations)|Religions|||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|HAN|||| ||||||||Work|0||||||||||||0|0|Bronze Figure With Wings;Tong yu ren| 5348.00|0|Creator|15|CHINA|MTL|TANG||CHINA MTL TANG |Bronze Vessel with Phoenix Head and Human Face|Translated|Cataloger|Feng tou ren mian zhi hu|Descriptive|Image Source||||Bronze Vessel with Phoenix Head and Human Face|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0||||0|Metalwork|Vessel|Bronze|||7|8|9|618|906||618-906|618-906|||||0||||0|||||Cast bronze|bronze|||||casting|||||||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Vessels ; |Vessels|||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|TANG|||| ||||||||Work|0||||||||||||0|0|Bronze Vessel with Phoenix Head and Human Face;Feng tou ren mian zhi hu| 5349.00|0|Creator|15|CHINA|SC|HAN||CHINA SC HAN |Recumbent Ox|Translated|Cataloger|Wo niu|Descriptive|Image Source||||Huo Qubing Tomb. Recumbent Ox|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0||||0|Sian, China||||Sculpture|Sculpture|||BCE|-3|-2|-1|-206|220||206 BCE-220 CE|-206 - 220|||||0||||0|||||Carved stone|stone|||||sculpture|carving||||||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Sculpture (visual work) ; Animals ; Oxen ; |Sculpture (visual work)|Animals|Oxen|||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||SC|||CHINA|HAN|||| ||||||||Work|0||||||||||||0|0|Recumbent Ox;Wo niu| 5350.00|0|Creator|15|CHINA|SC|HAN||CHINA SC HAN |Horse Stepping on a Xiongnu Soldier|Translated|Cataloger|Ma ta xiong nu|Descriptive|Image Source||||Huo Qubing Tomb. Horse Stepping on a Xiongnu Soldier|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0||||0|Sian, China||||Sculpture|Sculpture|Figure (representation)||BCE|-3|-2|-1|-206|220||206 BCE-220 CE|-206 -2 20 CE|||||0||||0|||||Carved stone|stone|||||sculpture|carving||||||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Sculpture (visual work) ; Figures (representations) ; Horses ; Animals ; Soldiers ; |Sculpture (visual work)|Figures (representations)|Horses|Animals|Soldiers|||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||SC|||CHINA|HAN|||| ||||||||Work|0||||||||||||0|0|Horse Stepping on a Xiongnu Soldier;Ma ta xiong nu| 5351.00|0|Creator|15|CHINA|SC|HAN||CHINA SC HAN |Leaping Horse|Translated|Cataloger|Yue ma|Descriptive|Image Source||||Huo Qubing Tomb. Leaping Horse|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0||||0|Sian, China||||Sculpture|Sculpture|||BCE|-3|-2|-1|-206|220||206 BCE-220 CE|-206 - 220||Huo Qubing Tomb|LargerEntity||5026||||0|||||Carved stone|stone|||||sculpture|carving||||||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Sculpture (visual work) ; Horses ; Animals ; |Sculpture (visual work)|Horses|Animals|||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||SC|||CHINA|HAN|||| ||||||||Work|0||||||||||||0|0|Leaping Horse;Yue ma| 5352.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Music Instrument|Translated|Cataloger|Bian qing|Descriptive|Image Source||||Music Instrument (bian qing)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|Musical instrument||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||109 cm x 215 cm||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||||||||||||Cornell||BZ|MNW|2/19/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Music Instrument;Bian qing| 5353.00|0|Creator|15|CHINA|SC|HAN||CHINA SC HAN |Person Holding a Bear|Translated|Cataloger|Ren bao xiong|Descriptive|Image Source||||Person Holding a Bear|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0||||0||||0|Sculpture|Sculpture|Figure (representation)||BCE|-3|-2|-1|-206|220||206 BCE-220 CE|-206 - 220|||||0||||0|||||Carved stone|stone|||||sculpture|carving||||||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Sculpture (visual work) ; Figures (representations) ; Bears ; Animals ; |Sculpture (visual work)|Figures (representations)|Bears|Animals||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||SC|||CHINA|HAN|||| ||||||||Work|0||||||||||||0|0|Person Holding a Bear;Ren bao xiong| 5354.00|0|Creator|15|CHINA|SC|HAN||CHINA SC HAN |Crouching Tiger|Translated|Cataloger|Wo hu|Descriptive|Image Source||||Crouching Tiger|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0||||0||||0|Sculpture|Sculpture|||BCE|-3|-2|-1|-206|220||206 BCE-220 CE|-206 - 220|||||0||||0|||||Carved stone|stone|||||sculpture|carving||||||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Sculpture (visual work) ; Tigers ; Animals ; |Sculpture (visual work)|Tigers|Animals|||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||SC|||CHINA|HAN|||| ||||||||Work|0||||||||||||0|0|Crouching Tiger;Wo hu| 5355.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Savage Bodhisattva|Translated|Cataloger|Pu sa can xiang|Descriptive|Image Source||||Savage Bodhisattva|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0||||0|Sculpture|Sculpture|Figure (representation)|||7|8|9|618|906||618-906|618-906|||||0||||0|||||Carved stone|stone|||||carving|sculpture||||||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Sculpture (visual work) ; Figures (representations) ; Religions ; Bodhisattvas ; |Sculpture (visual work)|Figures (representations)|Religions|Bodhisattvas||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||SC|||CHINA|TANG|||| ||||||||Work|0||||||||||||0|0|Savage Bodhisattva;Pu sa can xiang| 5356.00|0|Creator|15|CHINA|LAC|E. ZHOU||CHINA LAC E. ZHOU |Music instrument|Translated|Cataloger|Se|Descriptive|Image Source||||Music instrument (se)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Musical Instruments|Musical instrument|Lacquerware||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Wood and lacquer|wood (plant material)|lacquer||||carving|||||167 cm x 14 cm||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||||||||||||Cornell||BZ|MNW|2/19/2006 0:00:00|11/11/2005 0:00:00||||0|||||||LAC|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Music instrument;Se| 5357.00|0|Creator|15|CHINA|LAC|E. ZHOU||CHINA LAC E. ZHOU |Five-string Musical Instrument|Translated|Cataloger|Wu xian qin|Descriptive|Image Source||||Five-string Musical Instrument (wu xian qin)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Musical Instruments|Musical instrument|Lacquerware||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Wood and lacquer|wood (plant material)|lacquer||||carving|||||115 cm long||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||||||||||||Cornell||BZ|MNW|2/19/2006 0:00:00|11/11/2005 0:00:00||||0|||||||LAC|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Five-string Musical Instrument;Wu xian qin| 5358.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Painted Female Figure|Translated|Cataloger|Cai hui nü yong|Descriptive|Image Source||||Painted Female Figure|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0||||0|Sculpture|Sculpture|Figure (representation)|Ceramic||7|8|9|618|906||618-906|618-906|||||0||||0|||||Ceramic and color (pigment)|ceramic|color (pigment)||||carving|sculpture||||||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Sculpture (visual work) ; Figures (representations) ; Women ; |Sculpture (visual work)|Figures (representations)|Women|||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||SC|||CHINA|TANG|||| ||||||||Work|0||||||||||||0|0|Painted Female Figure;Cai hui nü yong| 5359.00|0|Creator|15|CHINA|LAC|E. ZHOU||CHINA LAC E. ZHOU |Flute|Translated|Cataloger|Pai xiao|Descriptive|Image Source||||Flute (pai xiao)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Musical Instruments|Musical instrument|Lacquerware|Flute (aerophone)|BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Wood and lacquer|wood (plant material)|lacquer||||carving|||||22.5 cm long||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||||||||||||Cornell||BZ|MNW|2/19/2006 0:00:00|11/11/2005 0:00:00||||0|||||||LAC|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Flute;Pai xiao| 5360.00|0|Creator|15|CHINA|LAC|E. ZHOU||CHINA LAC E. ZHOU |Musical Instrument|Translated|Cataloger|Sheng dou|Descriptive|Image Source||||Musical Instrument (sheng dou)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Musical Instruments|Musical instrument|Lacquerware||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Wood and lacquer|wood (plant material)|lacquer||||carving|||||22 cm long||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||||||||||||Cornell||BZ|MNW|2/19/2006 0:00:00|11/11/2005 0:00:00||||0|||||||LAC|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Musical Instrument;Sheng dou| 5361.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Vessel and Stand|Translated|Cataloger|Lian jin da hu|Descriptive|Image Source||||Vessel (hu) and Stand (jin)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|Vessel||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||117 cm x 53.4 cm x 13.2 cm (Jin); 99 cm high (Hu)||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||||||||||||Cornell||BZ|MNW|2/19/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Vessel and Stand;Lian jin da hu| 5362.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Vessel|Translated|Cataloger|Jian fou|Descriptive|Image Source||||Vessel (jian fou)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|Vessel||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||63.2 cm high (Jian); 51.8 cm high (Fou)||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||||||||||||Cornell||BZ|MNW|2/19/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Vessel;Jian fou| 5363.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Vessel|Translated|Cataloger|Da zun fou|Descriptive|Image Source||||Vessel (zun fou)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|Vessel||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||126 cm high||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||||||||||||Cornell||BZ|MNW|2/19/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Vessel;Da zun fou| 5364.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Painted Seated Female Figure|Translated|Cataloger|San cai nü zuo yong|Descriptive|Image Source||||Painted Seated Female Figure|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0||||0|Sculpture|Sculpture|Figure (representation)|Ceramic||7|8|9|618|906||618-906|618-906|||||0||||0|||||Ceramic and color (pigment)|ceramic|color (pigment)||||sculpture|carving||||||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Sculpture (visual work) ; Figures (representations) ; Women ; |Sculpture (visual work)|Figures (representations)|Women|||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||SC|||CHINA|TANG|||| ||||||||Work|0||||||||||||0|0|Painted Seated Female Figure;San cai nü zuo yong| 5365.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Vessel|Translated|Cataloger|Huo ding|Descriptive|Image Source||||Vessel (ding)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|Vessel||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||64.6 cm high||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||||||||||||Cornell||BZ|MNW|2/19/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Vessel;Huo ding| 5366.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Vessel with Handle Ring|Translated|Cataloger|Ti lian hu|Descriptive|Image Source||||Vessel with Handle Ring (ti lian hu)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|Vessel||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||40.5 cm high||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||||||||||||Cornell||BZ|MNW|2/19/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Vessel with Handle Ring;Ti lian hu| 5367.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Standing Crane with Deer Horn|Translated|Cataloger|Lu jiao li he|Descriptive|Image Source||||Standing Crane with Deer Horn (lu jiao li he)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|Sculpture||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||143.5 cm high||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||||||||||||Cornell||BZ|MNW|2/19/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Standing Crane with Deer Horn;Lu jiao li he| 5368.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Stove|Translated|Cataloger|Tan lu|Descriptive|Image Source||||Stove (lu)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|Stove||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||14 cm high||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||||||||||||Cornell||BZ|MNW|2/20/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Stove;Tan lu| 5369.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Vessel and Basin|Translated|Cataloger|Zun pan|Descriptive|Image Source||||Vessel (zun) and Basin (pan)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|Vessel||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||30.1 cm high (Zun); 23.5 cm high (Pan)||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||||||||||||Cornell||BZ|MNW|2/20/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Vessel and Basin;Zun pan| 5370.00|0|Creator|15|CHINA|POT|TANG||CHINA POT TANG |Painted Vessel in Shape of Pagoda|Translated|Cataloger|San cai ta shi guan|Descriptive|Image Source||||Painted Vessel in Shape of Pagoda|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0||||0|Ceramics|Ceramic|Vessel|Pottery||7|8|9|618|906||618-906|618-906|||||0||||0|||||Ceramic and color (pigment)|ceramic|color (pigment)||||ceramics|carving||||||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Vessels ; Pagodas ; |Vessels|Pagodas||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||POT|||CHINA|TANG|||| ||||||||Work|0||||||||||||0|0|Painted Vessel in Shape of Pagoda;San cai ta shi guan| 5371.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Covered Vessel|Translated|Cataloger|Gai dou|Descriptive|Image Source||||Covered Vessel (gai dou)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|Vessel||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||16.4 cm high||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||||||||||||Cornell||BZ|MNW|2/20/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Covered Vessel;Gai dou| 5372.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Cup with Two Handles and Lid|Translated|Cataloger|Shuang er jin bei|Descriptive|Image Source||||Cup (bei) with Two Handles and Lid|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Cup|||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Gold|gold|||||metalworking|||||10.65 cm high||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||||||||||||Cornell||BZ|MNW|2/20/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Cup with Two Handles and Lid;Shuang er jin bei| 5373.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Belt Hooks|Translated|Cataloger|Jin dai gou|Descriptive|Image Source||||Belt Hooks (dai gou)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Hook (fastener)|||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Gold|gold|||||metalworking|||||4.4 cm high||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||||||||||||Cornell||BZ|MNW|2/20/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Belt Hooks;Jin dai gou| 5374.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Vessel and Scoop|Translated|Cataloger|Jin zhan yu jin lou bi|Descriptive|Image Source||||Vessel (zhan) and Scoop (bi)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Vessel|Scoop||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Gold|gold|||||metalworking|||||11cm high (Zhan); 13 cm long (Bi)||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||||||||||||Cornell||BZ|MNW|2/20/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Vessel and Scoop;Jin zhan yu jin lou bi| 5375.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Necklace in Shape of Dragon and Phoenix|Translated|Cataloger|Shi liu jie long feng yu gua shi|Descriptive|Image Source||||Necklace in Shape of Dragon and Phoenix|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|Necklace||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Jade|jade|||||carving|||||48 cm x 8.3 cm x 0.5 cm||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||||||||||||Cornell||BZ|MNW|2/20/2006 0:00:00|11/11/2005 0:00:00||||0|||||||JADE|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Necklace in Shape of Dragon and Phoenix;Shi liu jie long feng yu gua shi| 5376.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Sword|Translated|Cataloger|Yu jian|Descriptive|Image Source||||Sword (jian)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Weapons|Jade|Sword||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Jade|jade|||||carving|||||33.6 cm long||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||||||||||||Cornell||BZ|MNW|2/20/2006 0:00:00|11/11/2005 0:00:00||||0|||||||JADE|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Sword;Yu jian| 5377.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Bronze Dagger with Jade Handle|Translated|Cataloger|Yu shou tong bi|Descriptive|Image SourceImage Source||||Bronze Dagger (bi) with Jade Handle|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Weapons|Jade|Bronze|Dagger (weapon)|BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Jade and bronze|jade|bronze||||carving|||||22.3 cm long||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||||||||||||Cornell||BZ|MNW|2/20/2006 0:00:00|11/11/2005 0:00:00||||0|||||||Jade|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Bronze Dagger with Jade Handle;Yu shou tong bi| 5378.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Square Bracelet|Translated|Cataloger|Yu fang zhuo|Descriptive|Image Source||||Square Bracelet (fang zhuo)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|Jewelry|Bracelet (jewelry)|BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Jade|jade|||||carving|||||7.2 cm x 1.5 cm||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||||||||||||Cornell||BZ|MNW|2/20/2006 0:00:00|11/11/2005 0:00:00||||0|||||||JADE|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Square Bracelet;Yu fang zhuo| 5379.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Tube|Translated|Cataloger|Yu ban cong|Descriptive|Image Source||||Tube (cong)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|Jewelry|Pendant (jewelry)|BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Jade|jade|||||carving|||||4.8 cm high||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||||||||||||Cornell||BZ|MNW|2/20/2006 0:00:00|11/11/2005 0:00:00||||0|||||||JADE|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Tube;Yu ban cong| 5380.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Arc Sshaped Pendant|Translated|Cataloger|Jin lü yu huang|Descriptive|Image Source||||Arc Shaped Pendant (huang)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|Jewelry|Pendant (jewelry)|BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Jade|jade|||||carving|||||2.7 cm wide||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||||||||||||Cornell||BZ|MNW|2/20/2006 0:00:00|11/11/2005 0:00:00||||0|||||||JADE|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Arc Sshaped Pendant;Jin lü yu huang| 5381.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Pendant in Shape of Dragon and Phoenix|Translated|Cataloger|Si jie long feng yu pei|Descriptive|Image Source||||Pendant (pei) in Shape of Dragon and Phoenix|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|Pendant (jewelry)|Jewelry|BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Jade|jade|||||carving|||||0.4 cm high||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||||||||||||Cornell||BZ|MNW|2/20/2006 0:00:00|11/11/2005 0:00:00||||0|||||||JADE|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Pendant in Shape of Dragon and Phoenix;Si jie long feng yu pei| 5382.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Pendant in Shape of Dragon|Translated|Cataloger|Pan long yu pei|Descriptive|Image Source||||Pendant (pei) in Shape of Dragon|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|Jewelry|Pendant (jewelry)|BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Jade|jade|||||carving|||||0.4 cm high||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||||||||||||Cornell||BZ|MNW|2/20/2006 0:00:00|11/11/2005 0:00:00||||0|||||||JADE|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Pendant in Shape of Dragon;Pan long yu pei| 5383.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Pendant in Shape of Dragon|Translated|Cataloger|Yuan diao yu long pei|Descriptive|Image Source||||Pendant (pei) in Shape of Dragon|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|Jewelry|Pendant (jewelry)|BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Jade|jade|||||carving|||||0.5-0.7 cm high||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||||||||||||Cornell||BZ|MNW|2/20/2006 0:00:00|11/11/2005 0:00:00||||0|||||||JADE|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Pendant in Shape of Dragon;Yuan diao yu long pei| 5384.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Disk and Ring|Translated|Cataloger|Yun wen yu bi yu gu wen yu huan|Descriptive|Image Source||||Disk (bi) and Ring (huan)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|Jewelry||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Jade|jade|||||carving|||||0.6cm high (Bi); 0.5 cmn high (Huan)||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||||||||||||Cornell||BZ|MNW|2/20/2006 0:00:00|11/11/2005 0:00:00||||0|||||||JADE|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Disk and Ring;Yun wen yu bi yu gu wen yu huan| 5385.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Pendants in Shape of Dragon|Translated|Cataloger|Juan long yu pei|Descriptive|Image SourceImage Source||||Pendants (pei) in Shape of Dragon|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|Jewelry|Pendant (jewelry)|BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Jade|jade|||||carving|||||0.6 cm high||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||||||||||||Cornell||BZ|MNW|2/20/2006 0:00:00|11/11/2005 0:00:00||||0|||||||JADE|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Pendants in Shape of Dragon;Juan long yu pei| 5386.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Arc Shaped Pendants|Translated|Cataloger|Gu wen yu huang|Descriptive|Image Source||||Arc Shaped Pendants (huang)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|Jewelry|Pendant (jewelry)|BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Jade|jade|||||carving|||||0.6 cm high each||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||||||||||||Cornell||BZ|MNW|2/20/2006 0:00:00|11/11/2005 0:00:00||||0|||||||JADE|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Arc Shaped Pendants;Gu wen yu huang| 5387.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Pendant in Shape of Bird's Head|Translated|Cataloger|Niao shou xing yu pei|Descriptive|Image Source||||Pendant (pei) in Shape of Bird's Head|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|Jewelry|Pendant (jewelry)|BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||||||0|||||Jade|jade|||||carving|||||0.4 cm high||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||||||||||||Cornell||BZ|MNW|2/20/2006 0:00:00|11/11/2005 0:00:00||||0|||||||JADE|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Pendant in Shape of Bird's Head;Niao shou xing yu pei| 5388.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Pendant in Shape of Twin Dragon|Translated|Cataloger|Shuang long yu pei|Descriptive|Image SourceImage Source||||Pendant (pei) in Shape of Twin Dragon|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|Jewelry|Pendant (jewelry)|BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Jade|jade|||||carving|||||0.5 cm high||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||||||||||||Cornell||BZ|MNW|2/20/2006 0:00:00|11/11/2005 0:00:00||||0|||||||JADE|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Pendant in Shape of Twin Dragon;Shuang long yu pei| 5389.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Square ube|Translated|Cataloger|Yu cong|Descriptive|Image Source||||Square Tube (cong)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|Jewelry|Pendant (jewelry)|BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Jade|jade|||||carving|||||5.4 cm high||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||||||||||||Cornell||BZ|MNW|2/20/2006 0:00:00|11/11/2005 0:00:00||||0|||||||JADE|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Square ube;Yu cong| 5390.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Pendant in Shape of Tiger|Translated|Cataloger|Hu xing yu pei|Descriptive|Image Source||||Pendant (pei) in Shape of Tiger|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|Jewelry|Pendant (jewelry)|BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Jade|jade|||||carving|||||0.1 cm high||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||||||||||||Cornell||BZ|MNW|2/20/2006 0:00:00|11/11/2005 0:00:00||||0|||||||JADE|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Pendant in Shape of Tiger;Hu xing yu pei| 5391.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Pendant in Shape of Twin Dragon|Translated|Cataloger|Shuang long yu pei|Descriptive|Image Source||||Pendant (pei) in Shape of Twin Dragon|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|Jewelry|Pendant (jewelry)|BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||||||0|||||Jade|jade|||||carving|||||0.3 cm high||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||||||||||||Cornell||BZ|MNW|2/20/2006 0:00:00|11/11/2005 0:00:00||||0|||||||JADE|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Pendant in Shape of Twin Dragon;Shuang long yu pei| 5392.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Belt Hooks|Translated|Cataloger|Yu dai gou|Descriptive|Image Source||||Belt Hooks (dai gou)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|Jewelry|Hook (fastener)|BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Jade|jade|||||carving|||||0.9-1.1 cm high||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||||||||||||Cornell||BZ|MNW|2/20/2006 0:00:00|11/11/2005 0:00:00||||0|||||||JADE|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Belt Hooks;Yu dai gou| 5393.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Animals|Translated|Cataloger|Yu han|Descriptive|Image Source||||Animals (han)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|Funerary object||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Jade|jade|||||carving|||||1 cm high||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||||||||||||Cornell||BZ|MNW|2/20/2006 0:00:00|11/11/2005 0:00:00||||0|||||||JADE|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Animals;Yu han| 5394.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Comb|Translated|Cataloger|Yu shu|Descriptive|Image Source||||Comb (shu)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|Comb||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Jade|jade|||||carving|||||9.6 cm long||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||||||||||||Cornell||BZ|MNW|2/20/2006 0:00:00|11/11/2005 0:00:00||||0|||||||JADE|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Comb;Yu shu| 5395.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Painted Horse|Translated|Cataloger|San cai ma|Descriptive|Image Source||||Painted Horse|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0||||0|Sculpture|Sculpture|Ceramic|||7|8|9|618|906||618-906|618-906|||||0||||0|||||Ceramic and color (pigment)|ceramic|color (pigment)||||sculpture|carving||||||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Sculpture (visual work) ; Horses ; Animals ; |Sculpture (visual work)|Horses|Animals|||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||SC|||CHINA|TANG|||| ||||||||Work|0||||||||||||0|0|Painted Horse;San cai ma| 5396.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Painted Figure Riding on a Horse|Translated|Cataloger|San cai qi ma yong|Descriptive|Image Source||||Painted Figure Riding on a Horse|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0||||0|Sculpture|Sculpture|Ceramic|||7|8|9|618|906||618-906|618-906|||||0||||0|||||Ceramic and color (pigment)|ceramic|color (pigment)||||sculpture|carving||||||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Sculpture (visual work) ; Figures (representations) ; Horses ; Animals ; |Sculpture (visual work)|Figures (representations)|Horses|Animals||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||SC|||CHINA|TANG|||| ||||||||Work|0||||||||||||0|0|Painted Figure Riding on a Horse;San cai qi ma yong| 5397.00|0|Creator|15|CHINA|LAC|E. ZHOU||CHINA LAC E. ZHOU |Suitcase with Lacquer Painting of the Twenty-eight Constellations|Translated|Cataloger|Er shi ba xiu tian wen tu yi xiang|Descriptive|Image Source||||Tomb of Marquis Yi of Zeng. Suitcase with Lacquer Painting of the 28 Constellations|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0|Suizhou, China|||10603||||0|Furnishings|Suitcase|Lacquerware||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE||Tomb of Marquis Yi of Zeng|LargerEntity||5411||||0|||||Lacquer and wood|lacquer|wood (plant material)||||painting (image-making)|casting||||40.5 cm high||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||Constellations ; |Constellations|||||||||Cornell||BZ|MNW|2/20/2006 0:00:00|11/11/2005 0:00:00|||Suiz|0|||||||LAC|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Suitcase with Lacquer Painting of the Twenty-eight Constellations;Er shi ba xiu tian wen tu yi xiang| 5398.00|0|Creator|15|CHINA|MTL|TANG||CHINA MTL TANG |Mirror with Design of Birds Holding Cords in Their Mouths on the Reverse|Translated|Cataloger|Jin yin ping tuo jing niao xian shou jing|Descriptive|Image Source||||Mirror with Design of Birds Holding Cords in Their Mouths on the Reverse|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0||||0|Metalwork|Mirror||||7|8|9|618|906||618-906|618-906|||||0||||0|||||Metal, gold and silver|metal|gold|silver|||carving|||||||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Mirrors ; Birds ; Animals ; |Mirrors|Birds|Animals|||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|TANG|||| ||||||||Work|0||||||||||||0|0|Mirror with Design of Birds Holding Cords in Their Mouths on the Reverse;Jin yin ping tuo jing niao xian shou jing| 5399.00|0|Creator|15|CHINA|LAC|E. ZHOU||CHINA LAC E. ZHOU |Wood Deer|Translated|Cataloger|Mu diao mei hua lu|Descriptive|Image Source||||Wood Deer (lu)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Sculpture|Sculpture|||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Lacquer and wood|lacquer|wood (plant material)||||carving|||||77 cm high||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||||||||||||Cornell||BZ|MNW|2/20/2006 0:00:00|11/11/2005 0:00:00||||0|||||||LAC|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Wood Deer;Mu diao mei hua lu| 5400.00|0|Creator|15|CHINA|LAC|E. ZHOU||CHINA LAC E. ZHOU |Box in Shape of Mandarin Duck|Translated|Cataloger|Yuan yang xing he|Descriptive|Image Source||||Box (he) in Shape of Mandarin Duck|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||||||0||||0|Lacquerware|Lacquerware|Box (container)||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||||||0|||||Lacquer and wood|lacquer|wood (plant material)||||casting|||||16.5 cm high||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||Ducks ; |Ducks|||||||||Cornell||BZ|MNW|2/20/2006 0:00:00|11/11/2005 0:00:00||||0|||||||LAC|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Box in Shape of Mandarin Duck;Yuan yang xing he| 5401.00|0|Creator|15|CHINA|LAC|E. ZHOU||CHINA LAC E. ZHOU |Covered Vessel|Translated|Cataloger|Qi gai dou|Descriptive|Image Source||||Covered Vessel (gai dou)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Lacquerware|Vessel|Lacquerware||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Lacquer and wood|lacquer|wood (plant material)||||carving|||||24.3 cm high||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||||||||||||Cornell||BZ|MNW|2/20/2006 0:00:00|11/11/2005 0:00:00||||0|||||||LAC|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Covered Vessel;Qi gai dou| 5402.00|0|Creator|15|CHINA|LAC|E. ZHOU||CHINA LAC E. ZHOU |Covered vessel|Translated|Cataloger|Qi gai dou|Descriptive|Image Source||||Covered vessel (gai dou)|0|||||0||||0|||||Chinesev|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Furnishings|Lacquerware|Wood engraving||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Lacquer and wood|lacquer|wood (plant material)||||casting|||||||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||||||||||||Cornell||BZ|BZ|2/13/2006 0:00:00|11/11/2005 0:00:00||||0|||||||LAC|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Covered vessel;Qi gai dou| 5403.00|0|Creator|15|CHINA|LAC|E. ZHOU||CHINA LAC E. ZHOU |Pedestal Plate|Translated|Cataloger|Qi dou|Descriptive|Image Source||||Pedestal Plate (dou)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Furnishings|Bowl (vessel)|Lacquerware||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Lacquer and wood|lacquer|wood (plant material)|||||||||17 cm high||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||||||||||||Cornell||BZ|MNW|2/20/2006 0:00:00|11/11/2005 0:00:00||||0|||||||LAC|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Pedestal Plate;Qi dou| 5404.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Chariot Spears|Translated|Cataloger|Mao zhuang che fou|Descriptive|Image Source||||Chariot Spears (che fou)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|Spear||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||37 cm high (Left);41.4 cm high (Right)||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||Chariots ; |Chariots|||||||||Cornell||BZ|MNW|2/20/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Chariot Spears;Mao zhuang che fou| 5405.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Fragment of Horse Cover|Translated|Cataloger|Ma jia shen jia can pian|Descriptive|Image Source||||Fragment of Horse Cover|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||115 cm x 65 cm||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||Chariots ; |Chariots|||||||||Cornell||BZ|MNW|2/20/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Fragment of Horse Cover;Ma jia shen jia can pian| 5406.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Fragment of Horse Cover|Translated|Cataloger|Ma zhou can pian|Descriptive|Image Source||||Fragment of Horse Cover|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||115 cm x 65 cm||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||||||||||||Cornell||BZ|MNW|2/20/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Fragment of Horse Cover;Ma zhou can pian| 5407.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Spear|Translated|Cataloger|Zeng hou cheng zhi yong shu shu tou|Descriptive|Image Source||||Spear (shu)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|Spear||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||17.6 cm high||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||||||||||||Cornell||BZ|MNW|2/20/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Spear;Zeng hou cheng zhi yong shu shu tou| 5408.00|0|Creator|15|CHINA|SC|E. ZHOU||CHINA SC E. ZHOU |Statue of a Standing Soldier|Translated|Cataloger|Zhu jia zhou xiang|Descriptive|Image Source||||Statue of a Standing Soldier|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Sculpture|Sculpture|Figure (representation)||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||Soldiers ; |Soldiers|||||||||Cornell||BZ|MNW|2/20/2006 0:00:00|11/11/2005 0:00:00||||0|||||||SC|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Statue of a Standing Soldier;Zhu jia zhou xiang| 5409.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Shield|Translated|Cataloger|Qi dun|Descriptive|Image Source||||Shield (dun)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|Lacquerware|Shield (armor)|BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Bronze and lacquer|bronze|lacquer||||bronzing|painting (image-making)|engraving (incising)|||92.5 cm long||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||||||||||||Cornell||BZ|MNW|2/20/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Shield;Qi dun| 5410.00|0|Creator|15|CHINA|MTL|TANG||CHINA MTL TANG |Silver Vessel with Design of Horse Holding a Cup in Its Mouth|Translated|Cataloger|Wu ma qian bei yin hu|Descriptive|Image Source||||Silver Vessel with Design of Horse Holding a Cup in Its Mouth|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0||||0|Metalwork|Vessel|Cup|||7|8|9|618|906||618-906|618-906|||||0||||0|||||Metal and gold|metal|gold||||metalworking|carving||||||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Vessels ; Horses ; Animals ; Cups ; |Vessels|Horses|Animals|Cups||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|TANG|||| ||||||||Work|0||||||||||||0|0|Silver Vessel with Design of Horse Holding a Cup in Its Mouth;Wu ma qian bei yin hu| 5411.00|0|Site|02|B-R1|Suiz|3.3 Zenghy||B-R1 Suiz 3.3 Zenghy |Tomb of Marquis Yi of Zeng|Translated|Cataloger|Zeng hou yi mu mu keng quan jing yu guo gai ban de qu diao|Descriptive|Image Source||||Tomb of Marquis Yi of Zeng|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0|Suizhou, China|||10603||||0||||0|Architecture|Tomb|||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0||||||||||||||||||||||Tombs ; |Tombs|||||||||Cornell||BZ|MNW|2/20/2006 0:00:00|11/11/2005 0:00:00||Suiz||0||||||Zenghy|B|||||R1|3.3|| ||||||||Work|0|Architecture-China|Overview and exterier view of the tomb. Archaeological locale of the tomb.||||||||||0|0|Tomb of Marquis Yi of Zeng;Zeng hou yi mu mu keng quan jing yu guo gai ban de qu diao| 5413.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Painted Female Figure|Translated|Cataloger|Cai hui nü yong|Descriptive|Image Source||||Painted Female Figure|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0||||0|Sculpture|Sculpture|Ceramic|||7|8|9|618|906||618-906|618-906|||||0||||0|||||Ceramic and color (pigment)|ceramic|color (pigment)||||sculpture|carving|incising|||||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Sculpture (visual work) ; Figures (representations) ; Women ; |Sculpture (visual work)|Figures (representations)|Women|||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||SC|||CHINA|TANG|||| ||||||||Work|0||||||||||||0|0|Painted Female Figure;Cai hui nü yong| 5414.00|0|Creator|15|CHINA|LAC|E. ZHOU||CHINA LAC E. ZHOU |Outer and Inner Coffin|Translated|Cataloger|Zeng hou yi mu mu zhu wai guan; nei guan|Descriptive|Image Source||||Tomb of Marquise Yi of Zeng. Outer and Inner Coffin|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0|||||Suizhou, China|||10603|||||Furnishings|Lacquerware|Coffin||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE||Tomb of Marquis Yi of Zeng|||5411||||0|||||Carved wood and lacquer|wood (plant material)|lacquer||||carving|||||||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||||||||||||Cornell||BZ|MNW|2/20/2006 0:00:00|11/11/2005 0:00:00|||Suiz|0|||||||LAC|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Outer and Inner Coffin;Zeng hou yi mu mu zhu wai guan; nei guan| 5415.00|0|Creator|15|CHINA|LAC|ZHOU||CHINA LAC ZHOU |Lacquer Painting On Inner Coffin Of Marquis Zeng's Tomb|Translated|Cataloger|Zeng hou yi mu nei guan qi hua|Descriptive|Image Source||||Lacquer Painting On Inner Coffin Of Marquis Zeng's Tomb|0|||||0||||0|||||Chinese|||Zhou (Chou)|Eastern Zhou (E.Chou)|Warring States|Asia||China||||||0||||0||||0||||0|Lacquerware|Lacquerware|Painting|Figure (representation)|BCE|-5|-4|-3|-475|-221||480-221 BCE|475-221 BCE|||||0||||0|||||Lacquer|lacquer|||||painting (image-making)|||||132 x 249 cm||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||Painting (image making) ; Figures (representations) ; |Painting (image making)|Figures (representations)||||||||Cornell||BZ|BZ|6/2/2006 0:00:00|11/11/2005 0:00:00||||0|||||||LAC|||CHINA|ZHOU|||| ||||||||Work|0||||||||||||0|0|Lacquer Painting On Inner Coffin Of Marquis Zeng's Tomb;Zeng hou yi mu nei guan qi hua| 5416.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Seating Buddha In No.13 Grotto At West Peak Of Mt.Tianlong.|Translated|Cataloger|Tianling shan xi feng di 13 ku zuo fo|Descriptive|Image Source||||Seating Buddha In No.13 Grotto At West Peak Of Mt.Tianlong.|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Mt Tianlong, Taiyuan City, Shanxi Province, China|||10883||||0||||0|Sculpture|Sculpture|Figure (representation)|||7|8|9|618|906||618-906|618-906||Mt. Tianlong|Larger entity||7012||||0|||||Stone.|stone|||||carving|engraving (incising)||||||||||Sculpture (visual work) ; Stone ; Buddha ; Figures (representations) ; |Sculpture (visual work)|Stone|Buddha|Figures (representations)||||||Cornell||BZ|BZ|6/2/2006 0:00:00|11/11/2005 0:00:00||Tianl||0|||||||SC|||CHINA|TANG|||| ||||||||Work|0||||||||||||0|0|Seating Buddha In No.13 Grotto At West Peak Of Mt.Tianlong.;Tianling shan xi feng di 13 ku zuo fo| 5460.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Pendant in Shape of Tiger|Translated|Cataloger|Hu xing huang yu pei|Descriptive|Image Source||||Pendant (pei) in Shape of Tiger|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|Jewelry|Pendant (jewelry)|BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Jade|jade|||||engraving (incising)|||||0.1-0.2 cm high||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||||||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||JADE|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Pendant in Shape of Tiger;Hu xing huang yu pei| 5461.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Arc Shaped Pendant|Translated|Cataloger|Hu xing qing yu huang|Descriptive|Image Source||||Arc Shaped Pendant (huang)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|Jewelry|Pendant (jewelry)|BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Jade|jade|||||engraving (incising)|||||0.3 cm high||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||||||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||JADE|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Arc Shaped Pendant;Hu xing qing yu huang| 5462.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Arc Shaped Pendant|Translated|Cataloger|Hu tou shi qing yu huang|Descriptive|Image Source||||Arc Shaped Pendant (huang)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|Jewelry|Pendant (jewelry)|BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Jade|jade|||||engraving (incising)|||||2.8 cm high||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||||||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||JADE|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Arc Shaped Pendant;Hu tou shi qing yu huang| 5463.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Arc Shaped Pendant|Translated|Cataloger|Bai yu huang|Descriptive|Image Source||||Arc Shaped Pendant (huang)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|Jewelry|Pendant (jewelry)|BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Jade|jade|||||engraving (incising)|||||2.2 cm high||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||||||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||JADE|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Arc Shaped Pendant;Bai yu huang| 5464.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Ring with Double Handles|Translated|Cataloger|Qing yu kui er huan|Descriptive|Image Source||||Ring (huan) with Double Handles|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|Jewelry||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Jade|jade|||||engraving (incising)|||||0.35 cm high||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||||||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||JADE|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Ring with Double Handles;Qing yu kui er huan| 5465.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Ring|Translated|Cataloger|Qing yu huan|Descriptive|Image Source||||Ring (huan)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|Jewelry||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Jade|jade|||||engraving (incising)|||||0.5 cm high||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||||||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||JADE|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Ring;Qing yu huan| 5466.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Ring|Translated|Cataloger|Huang yu huan|Descriptive|Image Source||||Ring (huan)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|Jewelry||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Jade|jade|||||engraving (incising)|||||0.7 cm high||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||||||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||JADE|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Ring;Huang yu huan| 5467.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Openwork Ornament|Translated|Cataloger|Tou diao chi wen mo yu shi|Descriptive|Image Source||||Openwork Ornament|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|Jewelry|Ornament|BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Jade|jade|||||engraving (incising)|||||8 cm long||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||||||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||JADE|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Openwork Ornament;Tou diao chi wen mo yu shi| 5468.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Comb|Translated|Cataloger|Huang yu shu|Descriptive|Image Source||||Comb|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|Jewelry|Comb (hair ornament)|BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Jade|jade|||||engraving (incising)|||||4.9 cm long||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||||||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||JADE|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Comb;Huang yu shu| 5417.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Qianling Mausoleum: Dragon Horse|Translated|Cataloger|Long ma|Descriptive|Image Source||||Qianling Mausoleum: Dragon Horse|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Qianling mausoleum, Qian county, Shaanxi Province|||10884||||0||||0|Sculpture|Sculpture|Tomb|Mausoleum||7|||680|684||680-684|680-684|||||0||||0|||||Stone|stone|||||carving|sculpture||||335 cm high||||||Sculpture (visual work) ; Horses ; Dragons ; |Sculpture (visual work)|Horses|Dragons|||||||Cornell||BZ|BZ|6/2/2006 0:00:00|11/11/2005 0:00:00||Qianl||0|||||||SC|||CHINA|TANG|||| ||||||||Work|0||||||||||||0|0|Qianling Mausoleum: Dragon Horse;Long ma| 5418.00|0|Creator|15|CHINA|LAC|E. ZHOU||CHINA LAC E. ZHOU |Clothing suitcase with lacqure painting of the twenty-eight constellations from the tomb of Marquise Yi of Zeng|Translated|Cataloger|Er shi ba xiu tian wen tu yi xiang|Descriptive|Image Source||||Clothing suitcase with lacqure painting of the twenty-eight constellations from the tomb of Marquise Yi of Zeng|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Ink|ink|||||painting (image-making)|||||||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||Painting (image making) ; |Painting (image making)|||||||||Cornell||BZ|BZ|2/13/2006 0:00:00|11/11/2005 0:00:00||||0|||||||LAC|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Clothing suitcase with lacqure painting of the twenty-eight constellations from the tomb of Marquise Yi of Zeng;Er shi ba xiu tian wen tu yi xiang| 5419.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Grand Buddha Losana In Fengxian Temple|Translated|Cataloger|Longmen Fengxian si da lushena fo|Descriptive|Image Source||||Grand Buddha Losana In Fengxian Temple|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Fengxian Temple, Longmen Grottos, Luoyan, Henan|||10886||||0||||0|Sculpture|Sculpture|Figure (representation)|||7|||675|675||675|675|||||0||||0|||||Stone|stone|||||sculpture|carving||||17.14 m high||||||Sculpture (visual work) ; Figures (representations) ; Buddha ; |Sculpture (visual work)|Figures (representations)|Buddha|||||||Cornell||BZ|BZ|6/2/2006 0:00:00|11/11/2005 0:00:00||Fengx||0|||||||SC|||CHINA|TANG|||| ||||||||Work|0||||||||||||0|0|Grand Buddha Losana In Fengxian Temple;Longmen Fengxian si da lushena fo| 5420.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Drum with Handle|Translated|Cataloger|Zeng hou yi mu you bing gu|Descriptive|Image Source||||Tomb of Marquis Yi of Zeng. Drum with Handle|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0|Suizhou, China|||10603||||0|Musical Instruments|Musical instrument|Drum (membranophone)||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE||Tomb of Marquis Yi of Zeng|LargerEntity||5411||||0|||||Wood|wood (plant material)|||||engraving (incising)|||||||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||||||||||||Cornell||BZ|MNW|2/20/2006 0:00:00|11/11/2005 0:00:00|||Suiz|0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Drum with Handle;Zeng hou yi mu you bing gu| 5421.00|0|Creator|15|CHINA|PTG|TANG||CHINA PTG TANG |Palace Serving Girls (Original)|Descriptive|Image Source (Pub)|||||||Palace Serving Girls (Original)|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0|Li Xianhui Tomb, Sian, Shaanxi Province, China|||10887||||0|Paintings|Painting|Figure (representation)|||8|||760|760||760|760|||||0||||0|||||Pigment|pigment|||||painting (image-making)|||||187 x 194 cm||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Painting (image making) ; Figures (representations) ; Women ; |Painting (image making)|Figures (representations)|Women|||||||Cornell||BZ|BZ|6/2/2006 0:00:00|11/11/2005 0:00:00|||Lix|0|||||||PTG|||CHINA|TANG|||| ||||||||Work|0||Original painting was on east wall in the front chamber of Li Xianhui Tomb.||||||||||0|0|Palace Serving Girls (Original)| 5423.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Arc Shaped pendant|Translated|Cataloger|Tou diao yu huang|Descriptive|Image Source||||Arc Shaped pendant (huang)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|Pendant (jewelry)|Jewelry|BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Jade|jade|||||casting|||||||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||||||||||||Cornell||BZ|MNW|2/20/2006 0:00:00|11/11/2005 0:00:00||||0|||||||JADE|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Arc Shaped pendant;Tou diao yu huang| 5424.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Pendant in Shape of Dragon|Translated|Cataloger|Yun wen juan long pei|Descriptive|Image Source||||Pendant (pei) in Shape of Dragon|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|Pendant (jewelry)|Jewelry|BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Jade|jade|||||casting|||||0.3 cm high||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||||||||||||Cornell||BZ|MNW|2/20/2006 0:00:00|11/11/2005 0:00:00||||0|||||||JADE|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Pendant in Shape of Dragon;Yun wen juan long pei| 5425.00|0|Creator|15|CHINA|SC|YUAN||CHINA SC YUAN |Wine Cup|Translated|Cataloger|Yin cuo bei|Descriptive|Image Source||||Wine Cup|31215|Zhu Bishan||craftsman|Zhu Bishan|0||||0|||||Chinese|||Yuan|||Asia||China||||||0||||0||||0||||0|Metalwork|Vessel|Cup|||13|14||1279|1368||1279-1368|1279-1368|||||0||||0|||||Silver|silver|||||metalworking|||||||292|Beijing: Palace Museum|Beijing: Palace Museum||Cups ; Vessels ; Figures (representations) ; Men (male humans) ; |Cups|Vessels|Figures (representations)|Men (male humans)||||||Cornell||BZ|BZ|6/13/2006 0:00:00|11/11/2005 0:00:00||||0|||||||SC|||CHINA|YUAN|||| ||||||||Work|0||||||||||||0|0|Wine Cup;Yin cuo bei|Zhu Bishan 5426.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Square Vessel|Translated|Cataloger|Kui long shi ke ming fang hu|Descriptive|Image Source||||Square Vessel (fang hu)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|Vessel||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||63 cm high||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||Dragons ; |Dragons|||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Square Vessel;Kui long shi ke ming fang hu| 5427.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Square Vessel|Translated|v|Qian hong tong xiang song shi tian qi wen shi fang hu|Descriptive|Image Source||||Square Vessel (fang hu)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|Vessel||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||||||0|||||Bronze|bronze|||||bronzing|||||45 cm high||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||||||||||||Cornell||MNW|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Square Vessel;Qian hong tong xiang song shi tian qi wen shi fang hu| 5428.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Round Vessel|Translated|Cataloger|Zhong shan wang ci ke ming yuan hu|Descriptive|Image Source||||Round Vessel (yuan hu)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|Vessel||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||44.5 cm high||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||||||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Round Vessel;Zhong shan wang ci ke ming yuan hu| 5429.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Cylindrical Vessel|Translated|Cataloger|Pan hui wen tong xing qi|Descriptive|Image Source||||Cylindrical Vessel (qi)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|Vessel||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||58.8 cm high||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||||||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Cylindrical Vessel;Pan hui wen tong xing qi| 5430.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Basin with Bird Pillar|Translated|Cataloger|Niao zhu pen|Descriptive|Image Source||||Basin (pen) with Bird Pillar|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|Basin||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||47.5 cm high||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||||||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Basin with Bird Pillar;Niao zhu pen| 5431.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Vessel with Ring Handle|Translated|Cataloger|Ti liang he|Descriptive|Image Source||||Vessel (he) with Ring Handle|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|Vessel||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||21.9 cm high||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||||||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Vessel with Ring Handle;Ti liang he| 5432.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Vessel|Translated|Cataloger|Ke ming tie zu da ding|Descriptive|Image Source||||Vessel (ding)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|Vessel||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||51.5 cm high||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||||||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Vessel;Ke ming tie zu da ding| 5433.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Steamer|Translated|Cataloger|Tong yan|Descriptive|Image Source||||Steamer (yan)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|Steamer (cookware)||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||62 cm high||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||||||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Steamer;Tong yan| 5434.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Bell|Translated|Cataloger|Tong duo|Descriptive|Image Source||||Bell (duo)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|Bell (idiophone)||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||12.8 cm high||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||||||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Bell;Tong duo| 5435.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Bell|Translated|v|Tong nao|Descriptive|Image Source||||Bell (nao)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|Bell (idiophone)||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||9 cm high||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||||||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Bell;Tong nao| 5436.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Bell|Translated|v|Niu zhong|Descriptive|Image Source||||Bell (niu zhong)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|Bell (idiophone)||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||22.1 cm high||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||||||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Bell;Niu zhong| 5437.00|0|Creator|15|CHINA|POT|NEOLITHIC||CHINA POT NEOLITHIC |Vessel with Relief Decoration of a Naked Figure|Descriptive|Image Source (Pub)|||||||Vessel with Relief Decoration of a Naked Figure|0|||||0||||0|||||Chinese|Majiayao|Machang|Neolithic|||Asia||China||||||0||||0|Liuwan, Qinghai Province, China|||10701||||0|Ceramics|Pottery|Ceramic|Vessel|BCE|-24|-23|-22|2350|2050|ca|ca 2350-2050 BCE|ca - 2350 - -2050|||||0||||0|||||Clay and color (pigment)|clay|color (pigment)||||ceramics|painting (image-making)||||33.4 cm height; 9.2 cm diam./ lip; 12 cm diam./base||288|Beijing: Historical Museum|Beijing: Historical Museum||Vessels ; Figures (representations) ; Reliefs ; |Vessels|Figures (representations)|Reliefs|||||||Cornell||BZ|MNW|4/13/2006 0:00:00|11/11/2005 0:00:00||||0|||||||POT|||CHINA|NEOLITHIC|||| ||||||||Work|0||Majiayao culture, Machang type. Loamy brownish clay with painting in red and black.|||1974 = discovery date|||||Found in 1974 at Liuwan, Ledu district, Qinghai Province.||0|0|Vessel with Relief Decoration of a Naked Figure| 5438.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Screen Base in Shape of Tiger Eating a Deer|Translated|Cataloger|Cuo jin yin hu shi lu ping feng cha zuo|Descriptive|Image Source||||Screen Base (cha zuo) in Shape of Tiger Eating a Deer|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Bronze, metal, gold and silver.|bronze|metal|gold|||bronzing|metalworking||||21.9 cm high||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||||||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Screen Base in Shape of Tiger Eating a Deer;Cuo jin yin hu shi lu ping feng cha zuo| 5439.00|0|Creator|15|CHINA|POT|NEOLITHIC||CHINA POT NEOLITHIC |Vessel with Anthropomorphic or Frog-like Decoration|Descriptive|Image Source (Pub)|||||||Vessel with Anthropomorphic or Frog-like Decoration|0|||||0||||0|||||Chinese|Majiayao|Machang|Neolithic|||Asia||China||||||0||||0||||0||||0|Ceramics|Pottery|Ceramic|Vessel|BCE|-24|-23|-22|2350|2050|ca|ca 2350-2050 BCE|ca -2350 - -2050|||||0||||0|||||Clay and color (pigment)|clay|color (pigment)||||ceramics|painting (image-making)||||35.2 cm high; 10.9 cm diam./lip; 12 cm diam./base||288|Beijing: Historical Museum|Beijing: Historical Museum||Vessels ; Anthropology ; Frogs ; Animals ; |Vessels|Anthropology|Frogs|Animals||||||Cornell||BZ|MNW|4/13/2006 0:00:00|11/11/2005 0:00:00||||0|||||||POT|||CHINA|NEOLITHIC|||| ||||||||Work|0||Majiayao culture, Machang type. Brownish clay with painting in black pigment.||||||||Provenance unknown.||0|0|Vessel with Anthropomorphic or Frog-like Decoration| 5440.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Screen Base in Shape of an Ox|Translated|Cataloger|Cuo jin yin xi ping feng cha zuo|Descriptive|Image Source||||Screen Base (cha zuo) in Shape of an Ox|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Bronze, gold and silver.|bronze|silver|gold|||bronzing|metalworking||||22 cm high||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||||||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Screen Base in Shape of an Ox;Cuo jin yin xi ping feng cha zuo| 5441.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Mythical Animal|Translated|Cataloger|Cuo jin yin shen shou|Descriptive|Image Source||||Mythical Animal|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Bronze, silver, and gold.|bronze|silver|gold|||bronzing|metalworking||||12.1 cm high||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||||||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Mythical Animal;Cuo jin yin shen shou| 5442.00|0|Creator|15|CHINA|POT|NEOLITHIC||CHINA POT NEOLITHIC |Gourd-shaped Object With a Long Neck|Descriptive|Image Source (Pub)|||||||Gourd-shaped Object With a Long Neck|0|||||0||||0|||||Chinese|Longshan||Neolithic|||Asia||China||||||0||||0|Taosi, Shanxi Province, China|||10702|Taosi, Shanxi Province, China|||10702|Ceramics|Ceramic|Earthenware|Vessel|BCE|-26|-25|-24|2500|2200|ca|ca 2500-2200 BCE|ca -2500 - -2200|||||0||||0|||||Earthenware|earthenware|||||ceramics|||||83.6 cm high; 11.6 cm diam at neck||9680|Beijing: Institute of Archaeology|Beijing: Institute of Archaeology||Vessels ; |Vessels|||||||||Cornell||BZ|MNW|4/13/2006 0:00:00|11/11/2005 0:00:00||||0|||||||POT|||CHINA|NEOLITHIC|||| ||||||||Work|0||Longshan type, Taosi phase. Dark brown earthware.|||Excavated in 1980.|||||Excavated at Taosi, Xiangfen county, Shanxi Province, M3002.5.||0|0|Gourd-shaped Object With a Long Neck| 5443.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Mythical Animal with Double Wings|Translated|Cataloger|Cuo yin shuang yi shen shou|Descriptive|Image Source||||Mythical Animal with Double Wings|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Bronze and silver.|bronze|metal|silver|||bronzing|metalworking||||24 cm high||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||||||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Mythical Animal with Double Wings;Cuo yin shuang yi shen shou| 5444.00|0|Creator|15|CHINA|POT|NEOLITHIC||CHINA POT NEOLITHIC |Jar Coffin|Descriptive|Image Source (Pub)|||||||Jar Coffin|0|||||0||||0|||||Chinese|||Neolithic|||Asia||China||||||0||||0|||||Dazhang Reservoir, Henan Province, China|||10703|Ceramics|Jar|Coffin|Vessel|BCE|-31|||3000|3000|ca|ca 3000 BCE|ca -3000 - -3000|||||0||||0|||||Reddish earthware|earthenware|||||ceramics|||||65 cm high; 30.5 cm diam./aperture||9683|Zhengzhou: Henan Provincial Museum|Zhengzhou: Henan Provincial Museum||Coffins ; Vessels ; |Coffins|Vessels||||||||Cornell||BZ|MNW|4/14/2006 0:00:00|11/11/2005 0:00:00||||0|||||||POT|||CHINA|NEOLITHIC|||| ||||||||Work|0||Reddish earthware.|||Excavated in 1960.|||||Excavated at the Dazhang reservoir, Linru county, Henan province.||0|0|Jar Coffin| 5445.00|0|Creator|15|CHINA|POT|NEOLITHIC||CHINA POT NEOLITHIC |Phallus-like Object|Descriptive|Image Source (Pub)|||||||Phallus-like Object|0|||||0||||0|||||Chinese|Qujialing||Neolithic|||Asia||China||||||0||||0|||||Dengjiawan, Hubei Province, China|||10705|Ceramics|Ceramic|||BCE|-31|||3000||ca|ca 3000 BCE|ca -3000|||||0||||0|||||Red ceramic|ceramic|||||ceramics|||||157 cm high; 31 cm diam./base||1099|Jiangling, Jingzhou Regional Museum|Jiangling: Jingzhou Regional Museum||Vessels ; |Vessels|||||||||Cornell||BZ|MNW|4/14/2006 0:00:00|11/11/2005 0:00:00||||0|||||||POT|||CHINA|NEOLITHIC|||| ||||||||Work|0||Qujialing culture. Red ceramic.|||Excavated in 1987.|||||||0|0|Phallus-like Object| 5446.00|0|Creator|15|CHINA|POT|NEOLITHIC||CHINA POT NEOLITHIC |Group of Figures of Humans and Animals|Descriptive|Image Source (Pub)|||||||Group of Figures of Humans and Animals|0|||||0||||0|||||Chinese|Shijiahe||Neolithic|||Asia||China||||||0||||0|||||Dengjiawan, Hubei Province, China|||10705|Ceramics|Ceramic|Sculpture|Figurine|BCE|-25|-24|-23|2400|2000|ca|ca 2400-2000 BCE|ca 2400-2000 BCE|||||0||||0|||||Loamy reddish clay|clay|||||ceramics|||||||1099|Jiangling, Jingzhou Regional Museum|Jiangling: Jingzhou Regional Museum||Animals ; Figures (representations) ; Chickens ; Pigs ; Sheep ; Tapirs ; Elephants ; Dogs ; Men (male humans)|Animals|Figures (representations)|Chickens|Pigs|Sheep|Tapirs|Elephants|Dogs|Men (male humans)|Cornell||BZ|MNW|4/14/2006 0:00:00|11/11/2005 0:00:00||||0|||||||POT|||CHINA|NEOLITHIC|||| ||||||||Work|0|||||Excavated in 1987.|||||Excavated at Dengjiawan, Tianmen county, Hubei province.||0|0|Group of Figures of Humans and Animals| 5447.00|0|Creator|15|CHINA|POT|NEOLITHIC||CHINA POT NEOLITHIC |Human Face|Descriptive|Image Source (Pub)|||||||Human Face|0|||||0||||0|||||Chinese|||Neolithic|||Asia||China||||||0||||0|||||Yingpanshan, Jiangsu Province, China|||10706|Ceramics|Ceramic|Figure (representation)|Mask (costume)|BCE|-31|||3000||ca|ca 3000 BCE|ca -3000|||||0||||0|||||Clay|clay|||||ceramics|||||||9684|Nanjing, Nanjing City Museum|Nanjing: Nanjing City Museum||Figures (representations) ; Masks ; Archaeology ; |Figures (representations)|Masks|Archaeology|||||||Cornell||BZ|MNW|4/14/2006 0:00:00|11/11/2005 0:00:00||||0|||||||POT|||CHINA|NEOLITHIC|||| ||||||||Work|0|||||Excavated in 1982.|||||Excavated at Yingpanshan, Pukou district, near Nanjing, Jiangsu province.||0|0|Human Face| 5448.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Square Table|Translated|Cataloger|Cuo jin yin long feng fang an|Descriptive|Image Source||||Square Table (fang an)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|Furniture|Table|BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Bronze, gold and silver.|bronze|gold|gold|||bronzing|metalworking||||36.2 cm high||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||||||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Square Table;Cuo jin yin long feng fang an| 5449.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Lamp|Translated|Cataloger|Shi wu lian zhan deng|Descriptive|Image Source||||Lamp|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|Lamp (lighting device)||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Bronze and metal|bronze|metal||||bronzing|metalworking||||82.9 cm high||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||||||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Lamp;Shi wu lian zhan deng| 5450.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Wine Jar with Dragon in High Relief|Translated|Cataloger|Long wen jin zun|Descriptive|Image Source||||Wine Jar (zun) with Dragon in High Relief|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Jar|||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Gold|gold|||||casting|||||21.2 cm long||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||||||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Wine Jar with Dragon in High Relief;Long wen jin zun| 5451.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Brush Cap in Shape of Dragon Head|Translated|Cataloger|Jin long shou heng mao|Descriptive|Image Source||||Brush Cap in Shape of Dragon Head|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork||||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Gold|gold|||||casting|||||9.8 cm long||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||||||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Brush Cap in Shape of Dragon Head;Jin long shou heng mao| 5452.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Button|Translated|Cataloger|Kui long wen xiang jin shi pao shi|Descriptive|Image Source||||Button|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Button (fastener)|||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Gold|gold|||||casting|||||5.3 cm diameter||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||||||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Button;Kui long wen xiang jin shi pao shi| 5453.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Pendant in Shape of Dragon|Translated|Cataloger|Tou diao kui long huan xing huang yu pei|Descriptive|Image Source||||Pendant (pei) in Shape of Dragon|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|Jewelry|Pendant (jewelry)|BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Jade|jade|||||engraving (incising)|||||0.5 cm high||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||||||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||JADE|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Pendant in Shape of Dragon;Tou diao kui long huan xing huang yu pei| 5454.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Pendant in Shape of Dragon|Translated|Cataloger|Kui long xing qing yu pei|Descriptive|Image Source||||Pendant (pei) in Shape of Dragon|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|Jewelry|Pendant (jewelry)|BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Jade|jade|||||engraving (incising)|||||0.4 cm high||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||||||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||JADE|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Pendant in Shape of Dragon;Kui long xing qing yu pei| 5455.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Pendant in Shape of Dragon|Translated|Cataloger|Kui long xing huang yu pei|Descriptive|Image Source||||Pendant (pei) in Shape of Dragon|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|Jewelry|Pendant (jewelry)|BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Jade|jade|||||engraving (incising)|||||0.3 cm high||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||||||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||JADE|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Pendant in Shape of Dragon;Kui long xing huang yu pei| 5456.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Pendant in Shape of Dragon|Translated|Cataloger|Long xing huang yu pei|Descriptive|Image Source||||Pendant (pei) in Shape of Dragon|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|Jewelry|Pendant (jewelry)|BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Jade|jade|||||engraving (incising)|||||0.5 cm high||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||||||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||JADE|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Pendant in Shape of Dragon;Long xing huang yu pei| 5457.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Pendant in Shape of Double Dragon|Translated|Cataloger|Qing yu shuang long pei|Descriptive|Image Source||||Pendant (pei) in Shape of Double Dragon|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|Jewelry|Pendant (jewelry)|BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Jade|jade|||||engraving (incising)|||||0.2 cm high||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||||||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||JADE|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Pendant in Shape of Double Dragon;Qing yu shuang long pei| 5458.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Pendant in Shape of Dragon and Phoenix|Translated|Cataloger|Bai yu long feng pei|Descriptive|Image Source||||Pendant (pei) in Shape of Dragon and Phoenix|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|Jewelry|Pendant (jewelry)|BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Jade|jade|||||engraving (incising)|||||0.4 cm high||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||||||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||JADE|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Pendant in Shape of Dragon and Phoenix;Bai yu long feng pei| 5459.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Pendant in Shape of Tiger|Translated|Cataloger|Hu xing bi yu pei|Descriptive|Image Source||||Pendant (pei) in Shape of Tiger|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|Jewelry|Pendant (jewelry)|BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Jade|jade|||||engraving (incising)|||||3 cm high||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||||||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||JADE|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Pendant in Shape of Tiger;Hu xing bi yu pei| 5469.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Comb|Translated|Cataloger|Qing yu shu|Descriptive|Image Source||||Comb|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|Jewelry|Comb (hair ornament)|BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Jade|jade|||||engraving (incising)|||||6.5 cm high||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||||||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||JADE|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Comb;Qing yu shu| 5470.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Card Ornament|Translated|Cataloger|Qing yu chang fang xing pai shi|Descriptive|Image Source||||Card ornament|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|Jewelry|Ornament|BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Jade|jade|||||engraving (incising)|||||6.2 cm x 4.35 cm x 0.2 cm||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||||||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||JADE|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Card Ornament;Qing yu chang fang xing pai shi| 5471.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Card Ornament|Translated|Cataloger|Qing yu chang fang xing pai shi|Descriptive|Image Source||||Card Ornament|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|Jewelry|Ornament|BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Jade|jade|||||engraving (incising)|||||6.2 cm x 4.4 cm x 0.2 cm||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||||||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||JADE|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Card Ornament;Qing yu chang fang xing pai shi| 5472.00|0|Creator|15|CHINA|JADE|E. ZHOU||CHINA JADE E. ZHOU |Round Ornament|Translated|Cataloger|Yuan xing qing yu shi pian|Descriptive|Image Source||||Round Ornament|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|Jewelry|Ornament|BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Jade|jade|||||engraving (incising)|||||0.2 cm high||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||||||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||JADE|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Round Ornament;Yuan xing qing yu shi pian| 5473.00|0|Creator|15|CHINA|POT|E. ZHOU||CHINA POT E. ZHOU |Basin with Bird Pillar|Translated|Cataloger|Mo guang ya hua wen hei tao niao zhu pan|Descriptive|Image Source (Pub)||||Basin (pan) with Bird Pillar|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Pottery|Pottery|Basin||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Ceramic|ceramic|||||ceramics|||||23.4 cm high||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||||||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||POT|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Basin with Bird Pillar;Mo guang ya hua wen hei tao niao zhu pan| 5474.00|0|Creator|15|CHINA|POT|E. ZHOU||CHINA POT E. ZHOU |Steamer|Translated|Cataloger|Mo guang ya hua wen hei tao yan|Descriptive|Image Source||||Steamer (yan)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Pottery|Pottery|Steamer (cookware)|Cooking utensil|BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Ceramic|ceramic|||||ceramics|||||31.9 cm high||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||||||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||POT|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Steamer;Mo guang ya hua wen hei tao yan| 5475.00|0|Creator|15|CHINA|POT|E. ZHOU||CHINA POT E. ZHOU |Vessel in Shape of Duck|Translated|Cataloger|Mo guang ya hua wen hei tao ya xing zun|Descriptive|Image Source||||Vessel in Shape of Duck|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Pottery|Pottery|Vessel||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Ceramic|ceramic|||||ceramics|||||27.8 cm high||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||||||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||POT|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Vessel in Shape of Duck;Mo guang ya hua wen hei tao ya xing zun| 5476.00|0|Creator|15|CHINA|POT|E. ZHOU||CHINA POT E. ZHOU |Vessel|Translated|Cataloger|Mo guang ya hua wen hei tao yi|Descriptive|Image Source||||Vessel (yi)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Pottery|Pottery|Vessel||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Ceramic|ceramic|||||ceramics|||||7.6 cm high||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||||||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||POT|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Vessel;Mo guang ya hua wen hei tao yi| 5477.00|0|Creator|15|CHINA|POT|E. ZHOU||CHINA POT E. ZHOU |Bowl|Translated|Cataloger|Mo guang ya hua wen hei tao wan|Descriptive|Image Source||||Bowl (wan)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Pottery|Pottery|Bowl (vessel)||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Ceramic|ceramic|||||ceramics|||||11.2 cm high||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||||||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||POT|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Bowl;Mo guang ya hua wen hei tao wan| 5478.00|0|Creator|15|CHINA|POT|E. ZHOU||CHINA POT E. ZHOU |Vessel|Translated|Cataloger|Mo guang ya hua wen hei tao hu|Descriptive|Image Source||||Vessel (hu)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Pottery|Pottery|Vessel||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Ceramic|ceramic|||||ceramics|||||52.5 cm high||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||||||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||POT|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Vessel;Mo guang ya hua wen hei tao hu| 5479.00|0|Creator|15|CHINA|POT|E. ZHOU||CHINA POT E. ZHOU |Vessel|Translated|Cataloger|Mo guang ya hua wen hei tao qiu fu hu|Descriptive|Image Source||||Vessel (hu)|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Pottery|Pottery|Vessel||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Ceramic|ceramic|||||ceramics|||||33.4 cm high||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||||||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||POT|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Vessel;Mo guang ya hua wen hei tao qiu fu hu| 5480.00|0|Site|02|B-R1|Shijz|3.3 Zhongs||B-R1 Shijz 3.3 Zhongs |Tomb of King Xi of Zhongshan|Translated|Cataloger|Zhongshan wang yi hao mu mu shi quan jing; Ma gu jia|Descriptive|Image Source||||Tomb of King Xi of Zhongshan|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0|Shijiazhuang, China|||10575||||0||||0|Architecture|Tomb|||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0||||||||||||||||||||||Tombs ; Skeletons ; Burials ; |Tombs|Skeletons|Burials|||||||Cornell||BZ|MNW|4/19/2006 0:00:00|11/11/2005 0:00:00||Shijz||0||||||Zhongs|B|||||R1|3.3|| ||||||||Work|0|Architecture-China|||||||||||0|0|Tomb of King Xi of Zhongshan;Zhongshan wang yi hao mu mu shi quan jing; Ma gu jia| 5481.00|0|Creator|15|CHINA|POT|NEOLITHIC||CHINA POT NEOLITHIC |Two Spindle Whorls|Descriptive|Image Source (Pub)|||||||Two Spindle Whorls|0|||||0||||0|||||Chinese|||Neolithic|||Asia||China||||||0||||0|Chengqiao Yangjiaoshan, Jiangsu Prov., China|||10707| Chengqiao Yangjiaoshan, Jiangsu Province, China||||Ceramics|Ceramic|Whorl||BCE|-5|-4|-3|5000|3000||5000 BCE-3000 BCE|5000-3000 BCE|||||0||||0|||||Ceramic|ceramic|||||ceramics|||||5.8 cm diam; 1,2 cm thick||9684|Nanjing, Nanjing City Museum|Nanjing: Nanjing City Museum||||||||||||Cornell||BZ|MNW|4/14/2006 0:00:00|11/11/2005 0:00:00||||0|||||||POT|||CHINA|NEOLITHIC|||| ||||||||Work|0|||||Excavated in 1989.|||||Excavated at Chengqiao Yangjiaoshan, Liuhe district, near Nanjing, Jiangsu province.||0|0|Two Spindle Whorls| 5482.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Tent Components|Translated|Cataloger|Zhang peng gou jian|Descriptive|Image Source||||Tomb of King Xi of Zhongshan. Tent Components|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0|Shijiazhuang, China|||10575||||0|Metalwork|Bronze|||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE||Tomb of King Xi of Zhongshan|LargerEntity||5480||||0|||||Bronze|bronze|||||bronzing|||||||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||||||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00|||Sjz|0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Tent Components;Zhang peng gou jian| 5483.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Map Plate|Translated|Cataloger|Zhao yu tu tong ban|Descriptive|Image Source||||Map Plate|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||96 cm x 48 cm x 1 cm||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||||||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Map Plate;Zhao yu tu tong ban| 5484.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Zhongshan Wine|Translated|Cataloger|Zhongshan jiu|Descriptive|Image Source||||Zhongshan Wine|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0||||0||||0|Objects|Jar|||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0||||||||||||||||||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||||||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00||||0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||||||||||||0|0|Zhongshan Wine;Zhongshan jiu| 5485.00|0|Site|02|B-R1|Shijz|3.3 Zhongs||B-R1 Shijz 3.3 Zhongs |Tomb of King Xi of Zhongshan|Translated|Cataloger|Zhongshan guo wang ying mu (M1) yu pei zang mu · keng wei zhi tu|Descriptive|Image Source||||Tomb of King Xi of Zhongshan|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0|Shijiazhuang, China|||10575||||0||||0|Architecture|Tomb|||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE|||||0||||0||||||||||||||||11.7m. L.||||||||||||||||Cornell||BZ|MNW|4/19/2006 0:00:00|11/11/2005 0:00:00||Shijz||0||||||Zhongs|B|||||R1|3.3|| ||||||||Work|0|Architecture-China|Drawing plan of the tomb.||||||||||0|0|Tomb of King Xi of Zhongshan;Zhongshan guo wang ying mu (M1) yu pei zang mu · keng wei zhi tu| 5486.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Screen Reconstruction and Furniture Arrangement|Translated|Cataloger|Ping feng fu yuan shi yi tu|Descriptive|Image Source||||Tomb of King Xi of Zhongshan. Screen Reconstruction and Furniture Arrangement|0|||||0||||0|||||Chinese|||Eastern Zhou (E.Chou)|||Asia||China||||||0||||0|Shijiazhuang, China|||10575||||0|Furnishings|Screen (furniture)|||BCE|-5|-3||-480|-221||480-221 BCE|480-221 BCE||Tomb of King Xi of Zhongshan|LargerEntity||5480||||0||||||||||||||||||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||||||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|11/11/2005 0:00:00|||Sjz|0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||Drawing plan of the recovered Ping feng.||||||||||0|0|Screen Reconstruction and Furniture Arrangement;Ping feng fu yuan shi yi tu| 5487.00|0|Creator|15|CHINA|PTG|MODERN||CHINA PTG MODERN |Three Types of 20th-century Hand Spindles and Distaffs from the Gansu Province|Descriptive|Image Source (Pub)|||||||Three Types of 20th-century Hand Spindles and Distaffs from the Gansu Province|0|||||0||||0|||||Chinese|||Modern|||Asia||China||||||0||||||||0||||0|Tools and Equipment|Tool|Spindle|Distaff||20|||1900|1999|ca|ca 1900-1999|ca 1900-1999|||||0||||0||||||||||||||||||||||Tools ; |Tools|||||||||Cornell||BZ|MNW|4/14/2006 0:00:00|11/11/2005 0:00:00||||0|||||||PTG|||CHINA|MODERN|||| ||||||||Work|0||||||||||||0|0|Three Types of 20th-century Hand Spindles and Distaffs from the Gansu Province| 5488.00|0|Creator|15|35|R173-PH|1996|1|35 R173-PH 1996 1|Flour or Corn?|Translated|Cataloger|¿De harina o de maiz?|Artists|Image Source (Pub)||||Flour or Corn? (¿De harina o de maiz?)|30991|Ramírez, Ramón||painter|Ramón Ramírez|0||||0|||||Mexican American|Hispanic American|American||||||||||||0||||0||||0||||0|Photographs|Photomontage||||20|||1996|1996||1996|1996-1996|||||0||||0|||||Photomontage||||||photography|||||35.6 x 45.7 cm||||||||||||||||Cornell||MNW|BZ|12/2/2005 0:00:00|11/11/2005 0:00:00|R173|||0|||||||35|PH||||||1996| ||||||||Work|0||||||||||||0|0|Flour or Corn?;¿De harina o de maiz?|Ramírez, Ramón 5489.00|0|Creator|15|35|R196-PA|1999|1|35 R196-PA 1999 1|The Family|Translated|Cataloger|La Familia 187|Inscribed|Image Source (Pub)||||The Family (La Familia 187)|30980|Rangel, Jesús||painter|Jesús "Chuy" Rangel|0||||0|||||Mexican American|Hispanic American|American||||North and Central America||United States||||||0||||0||||0||||0|Prints|Monotype||||20|||1999|1999||1999|1999-1999|||||0||||0|||||Acrylic on wood|acrylic|wood (plant material)||||painting (image-making)|||||20.3 x 15.2 cm||||||Signs ; |Signs|||||||||Cornell||MNW|BZ|12/2/2005 0:00:00|11/11/2005 0:00:00|R196|||0|||||||35|PA||||||1999| ||||||||Work|0||This caution sign is also shown in Ricardo Duffy's serigraph, "The New Order" and "Hollywood via Tijuana."||||||||||0|0|The Family;La Familia 187|Rangel, Jesús 5490.00|0|Creator|15|35|R2675-M|1997|1|35 R2675-M 1997 1|To My Drinking Buddies|Inscribed|Image Source (Pub)|||||||To My Drinking Buddies|30992|Raya, Marcos||artist|Marcos Raya|0||||0|||||Mexican American|Hispanic American|American||||North and Central America||Mexico||||||0||||0||||0||||0|Multimedia works|Multimedia work||||20|||1997|1997||1997|1997-1997|||||0||||0|||||Mixed media||||||multimedia|||||243.8 x 762 cm||||||||||||||||Cornell||MNW|BZ|2/7/2006 0:00:00|11/11/2005 0:00:00|R2675|||0|||||||35|M||||||1997| ||||||||Work|0||||||||||||0|0|To My Drinking Buddies|Raya, Marcos 5491.00|0|Creator|15|35|R2675-PA|1995|1|35 R2675-PA 1995 1|The Sons of an Evil Life|||Los hijos de la mala vida|Artists|Image Source (Pub)||||The Sons of an Evil Life (Los hijos de la mala vida)|30992|Raya, Marcos||painter|Marcos Raya|0||||0|||||Mexican American|Hispanic American|American||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Painting||||20|||1995|1995||1995|1995-1995|||||0||||0|||||Acrylic on canvas|acrylic|canvas||||painting (image-making)|||||243.8 x 152.4 cm||||||||||||||||Cornell||MNW|BZ|12/2/2005 0:00:00|11/11/2005 0:00:00|R2675|||0|||||||35|PA||||||1995| ||||||||Work|0||||||||||||0|0|The Sons of an Evil Life;Los hijos de la mala vida|Raya, Marcos 5492.00|0|Creator|15|35|J615-SC|1980|1|35 J615-SC 1980 1|Cowboy|Translated|Cataloger|Vaquero|Artists|Image Source (Pub)||||Cowboy (Vaquero)|5968|Jiménez, Luis Alfonso, Jr.||sculptor|Luis Alfonso Jiménez|0||||0|||||Mexican American|Hispanic American|American||||||United States||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1980|1980||1980|1980-1980|||||0||||0|||||Fiberglass|fiberglass||||||||||5 x 2.9 x 1.7 m||||||Cowboys ; Horses ; Firearms ; |Cowboys|Horses|Firearms|||||||Cornell||MNW|BZ|12/2/2005 0:00:00|11/11/2005 0:00:00|J615|||0|||||||35|SC||||||1980| ||||||||Work|0||||||||||||0|0|Cowboy;Vaquero|Jiménez, Luis Alfonso, Jr. 5493.00|0|Creator|15|35|D346-G|1999|1|35 D346-G 1999 1|The Virgin of Guadliberty|Translated|Cataloger|La Virgen de Guadaliberty|Inscribed|Image Source (Pub)||||The Virgin of Guadliberty (La Virgen de Guadaliberty)|30993|de León, Nephtalí||printmaker|Nephtalí de León|0||||0|||||Mexican American|Hispanic American|American||||North and Central America||United States||||||0||||0||||||||0|Prints|Screen print||||20|||1999|1999||1999|1999-1999|||||0||||0|||||Serigraph||||||screen printing|printing||||26.7 x 15.2 cm||||||Statue of Liberty (New York, N.Y.) ; Virgin Mary ; Torches ; |Statue of Liberty (New York, N.Y.)|Virgin Mary|Torches|||||||Cornell||MNW|JNK|12/5/2005 0:00:00|11/11/2005 0:00:00|D346|||0|||||||35|G||||||1999|||||||||Work|0||||||||||||0|0|The Virgin of Guadliberty;La Virgen de Guadaliberty|de León, Nephtalí 5494.00|0|Creator|15|35|H5574-G|1987|1|35 H5574-G 1987 1|Liberty II|Translated|Cataloger|Libertad II|Artists|Image Source (Pub)||||Liberty II (Libertad II)|5347|Hernández, Ester||painter|Ester Hernández|0||||0|||||Mexican American|Hispanic American|American||||North and Central America||United States||||||0||||0||||0||||0|Prints|Lithograph||||20|||1987|1987||1987|1987-1987|||||0||||0|||||Serigraph||||||screen printing|screen printing||||38.1 x 20.3 cm||||||Statue of Liberty (New York, N.Y.) ; |Statue of Liberty (New York, N.Y.)|||||||||Cornell||MNW|MNW|11/11/2005 0:00:00|11/11/2005 0:00:00|H5574|||0|||||||35|G||||||1987|||||||||Work|0||||||||||||0|0|Liberty II;Libertad II|Hernández, Ester 5495.00|0|Creator|15|35|R763-SC|1997|1|35 R763-SC 1997 1|Capture of the Expinoza Brothers|Artists|Image Source (Pub)|||||||Capture of the Expinoza Brothers|30994|Romero, Augustine||sculptor|Augustine Romero|0||||0|||||Native American|Mexican American|American||||North and Central America||United States||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1997|1997||1997|1997-1997|||||0||||0|||||Plywood, sparay paint, steel, skateboard, wheels, trucks|mixed materials||||||||||1.8 x 2.4 x 3.4 m||||||Race (concept) ; Justice ; |Race (concept)|Justice||||||||Cornell||MNW|JNK|12/5/2005 0:00:00|11/11/2005 0:00:00|R763|||0|||||||35|SC||||||1997|||||||||Work|0||||||||||||0|0|Capture of the Expinoza Brothers|Romero, Augustine 5496.00|0|Creator|15|35|R763-SC|1999|1|35 R763-SC 1999 1|Boycott Grapes|Artists|Image Source (Pub)|||||||Boycott Grapes|30994|Romero, Augustine||sculptor|Augustine Romero|0||||0|||||Native American|Mexican American|American||||North and Central America||United States||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1999|1999||1999|1999-1999|||||0||||0|||||Plywood, spray paint, car air filter|plywood|paint|||||||||2.1 x 1.2 x .3 m||||||Race (concept) ; |Race (concept)|||||||||Cornell||MNW|JNK|12/5/2005 0:00:00|11/11/2005 0:00:00|R763|||0|||||||35|SC||||||1999|||||||||Work|0||||||||||||0|0|Boycott Grapes|Romero, Augustine 5497.00|0|Category|07|H-75|18.2||1|H-75 18.2 1|Poster Art for Mexican Film La sombra vengadora|Assigned|Image Source (Pub)|||||||Poster Art for Mexican Film La sombra vengadora|0|||||0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Posters|Poster||||20|||1954|1954||1954|1954-1954|||||0||||0|||||Poster||||||pring|||||||||||Posters ; Motion pictures (visual works) ; Wrestlers (athletes) ; |Posters|Motion pictures (visual works)|Wrestlers (athletes)|||||||Cornell||MNW|JNK|12/5/2005 0:00:00|11/11/2005 0:00:00|18.2|||0|||||||H|||75|||||||||||||Work|0|Book Arts-|||||||||||0|0|Poster Art for Mexican Film La sombra vengadora| 5498.00|0|Creator|15|35|D352-PA|1997|1|35 D352-PA 1997 1|The Fight|Translated|Cataloger|Lucha|Artists|Image Source (Pub)||||The Fight (La Lucha)|30995|Delgado, Francisco Enrique||painter|Francisco Enrique Delgado|0||||0|||||Mexican American|Mexican|||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1997|1997||1997|1997-1997|||||0||||0|||||Oil on Masonite|oil paint|Masonite||||painting (image-making)|||||122 x 152.4 cm||||||Venus ; Birth ; Birth of Venus (Sandro Botticelli) ; Lilies ; Wrestlers (athletes) ; |Venus|Birth|Birth of Venus (Sandro Botticelli)|Lilies|Wrestlers (athletes)|||||Cornell||MNW|JNK|1/6/2006 0:00:00|11/11/2005 0:00:00|D352|||0|||||||35|PA||||||1997|||||||||Work|0|20th Century-|||||||||||0|0|The Fight;Lucha|Delgado, Francisco Enrique 5499.00|0|Creator|15|35|S6536-SC|2002|1|35 S6536-SC 2002 1|Born|Artists|Image Source (Pub)|||||||Born|11062|Smith, Kiki||sculptor|Kiki Smith|0||||0|||||American||||||||||||||0||||0||||0||||0|Sculpture|Sculpture||||21|||2002|2002||2002|2002-2002|||||0||||0|||||Bronze|bronze|||||casting|||||99 x 256.5 x 61 cm||||||Deer ; Women ; Birth ; |Deer|Women|Birth|||||||Cornell||MNW|MNW|11/14/2005 0:00:00|11/14/2005 0:00:00|S6536|||0|||||||35|SC||||||2002|||||||||Work|0||Edition of three.||||||||||0|0|Born|Smith, Kiki 5500.00|0|Creator|15|35|W1815-M|2001|1|35 W1815-M 2001 1|Untitled (Hunting Scenes)|Artists|Image Source (Book)|||||||Untitled (Hunting Scenes)|30125|Walker, Kara||painter|Kara Walker|0||||0|||||African American|American|||||North and Central America||United States||||||0||||0||||0||||0|Book Arts|Silhouette||||21|||2001|2001||2001|2001-2001|||||0||||0|||||Paper and adhesive on wall|paper (fiber product)|adhesive||||printing|||||L= 249 x 172.7 cm; R= 261.6 x 160 cm||9605|Rome: Centro Nazionale per le Arti Contemporanee|Rome: Centro Naz. Arti Contemporanee||Hunting ; Firearms ; |Hunting|Firearms||||||||Cornell||MNW|MNW|11/14/2005 0:00:00|11/14/2005 0:00:00|W1815|||0|||||||35|M||||||2001| ||||||||Work|0||Two panels.||||||||||0|0|Untitled (Hunting Scenes)|Walker, Kara 5501.00|0|Creator|15|C-18|Puryear||3|C-18 Puryear 3|Vessel|Artists|Image Source (Book)|||||||Vessel|9543|Puryear, Martin||sculptor|Martin Puryear|0||||0|||||African American|American|||||North and Central America||United States||||||0||||0||||0||||0|Sculpture|Sculpture||||20|21||1997|2002||1997-2002|1997-2002|||||0||||0|||||Pine, mesh & tar|pine|mesh|tar|||sculpture|||||461 x 213.4 x 172.7 cm||3561|Collection of the Artist|: Collection of the Artist||Vessels ; |Vessels|||||||||Cornell||MNW|JNK|11/14/2005 0:00:00|11/14/2005 0:00:00|Puryear|||0|||||||C|||18||||| ||||||||Work|0||||||||||||0|0|Vessel|Puryear, Martin 5502.00|0|Category|15|I-18|Puryear||1|I-18 Puryear 1|Untitled I|Artists|Image Source (Book)|||||||Untitled I|9543|Puryear, Martin||sculptor|Martin Puryear|0||||0|||||African American|American|||||North and Central America||United States||||||0||||0||||0||||0|Prints|Aquatint|Etching|||21|||2002|2002||2002|2002-2002|||||0||||0|||||Aquatint etching||||||etching (corroding)|aquatint|printing|||32.1 x 35.6 cm||||||||||||||||Cornell||MNW|MNW|11/14/2005 0:00:00|11/14/2005 0:00:00|Puryear|||0|||||||I|||18|||||||||||||Work|0||Edition of 40; published by Paulson Press.||||||||||0|0|Untitled I|Puryear, Martin 5503.00|0|Category|15|C-18|Puryear||4|C-18 Puryear 4|Deadeye|Artists|Image Source (Book)|||||||Deadeye|9543|Puryear, Martin||sculptor|Martin Puryear|0||||0|||||African American|American|||||North and Central America||United States||||||0||||0||||0||||0|Sculpture|Sculpture||||21|||2002|2002||2002|2002-2002|||||0||||0|||||Pine|pine|||||sculpture|||||147.3 x 182.7 x 33 cm||3290|Private Collection|: Private Coll.||||||||||||Cornell||MNW|MNW|11/14/2005 0:00:00|11/14/2005 0:00:00|Puryear|||0|||||||C|||18||||| ||||||||Work|0||||||||||||0|0|Deadeye|Puryear, Martin 5504.00|0|Category|15|C-50|HamiltonA||3|C-50 HamiltonA 3|(bearings)|Artists|Image Source (Book)|||||||(bearings)|5052|Hamilton, Ann||artist, installation|Ann Hamilton|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Installations|Installation (exhibition)||||20|||1997|1997||1997|1997-1997|||||0||||0|||||Black silk organza curtains & mechanical devices||||||Installations|||||Variable dimensions||9606|Montreal, Musée d’Art Contemporain|Montreal: Mus. d’Art Contem.||||||||||||Cornell||MNW|MNW|11/14/2005 0:00:00|11/14/2005 0:00:00|HamiltonA|||0|||||||C-50|||||||| ||||||||Work|0||||||||||||0|0|(bearings)|Hamilton, Ann 5505.00|0|Creator|05|J-Mappletho J-Mapplethor|1982||1|J-Mappletho J-Mapplethor 1982 1|Louise Bourgeois Holding Fillette|Descriptive|Cataloger|||||||Louise Bourgeois Holding Fillette|7505|Mapplethorpe, Robert||photographer|Robert Mapplethorpe|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Portraits|||20|||1982|1982||1982|1982-1982|||||0||||0|||||Gelatin silver print||||||photography|gelatin silver process||||50.8 x 40.6 cm||||||Portraits ; Bourgeois, Louise, 1911- ; Sculpture (visual work) ; |Portraits|Bourgeois, Louise, 1911-|Sculpture (visual work)|||||||Cornell||MNW|JNK|11/15/2005 0:00:00|11/14/2005 0:00:00|Mapplethor|||0|||||||J J|||||||1982|||||||||Work|0||||||||||||0|0|Louise Bourgeois Holding Fillette|Mapplethorpe, Robert 5506.00|0|Creator|11|C-15|BourgeoisL||5|C-15 BourgeoisL 5|Fickle Woman|Translated|Image Source (Pub)|Femme Volage|Original|Image Source (Pub)||||Fickle Woman (Femme Volage)|1456|Bourgeois, Louise||sculptor|Louise Bourgeois|0||||0|||||American|French|||||North and Central America||United States|France|||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1951|1951||1951|1951-1951|||||0||||0|||||Painted wood|paint|wood (plant material)||||sculpture|||||182.9 x 44.5 x 33 cm||1987|New York: Solomon R.Guggenheim Museum|New York: Guggenheim Mus.||||||||||||Cornell||MNW|JNK|11/15/2005 0:00:00|11/14/2005 0:00:00|BourgeoisL|||0|||||||C|||15||||| ||||||||Work|0|Sculpture|||||||||||0|0|Fickle Woman;Femme Volage|Bourgeois, Louise 5507.00|0|Creator|06|J-MP-Barney|1|Cremaster5||J-MP-Barney 1 Cremaster5 |Cremaster 5|Artists|Image Source (Pub)|||||||Cremaster 5|747|Barney, Matthew||sculptor|Matthew Barney|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Motion Pictures|Film still||||20|||1997|1997||1997|1997-1997|||||0||||0|||||Production still||||||film making|||||||||||||||||||||Cornell||MNW|MNW|11/14/2005 0:00:00|11/14/2005 0:00:00|Barney|||0||||||Cremaster5|J-MP||||||1||||||||||Work|0||||||||||||0|0|Cremaster 5|Barney, Matthew 5508.00|0|Creator|06|J-MP-Barney|1|Cremaster3||J-MP-Barney 1 Cremaster3 |Cremaster3|Artists|Image Source (Pub)|||||||Cremaster3|747|Barney, Matthew||sculptor|Matthew Barney|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Motion Pictures|Film still||||21|||2000|2000||2000|2000-2000|||||0||||0|||||Production still||||||film making|||||||||||||||||||||Cornell||MNW|MNW|11/14/2005 0:00:00|11/14/2005 0:00:00|Barney|||0||||||Cremaster3|J-MP||||||1||||||||||Work|0||||||||||||0|0|Cremaster3|Barney, Matthew 5509.00|0|Creator|15|35|O7455-SC|2000|1|35 O7455-SC 2000 1|Santo with Blue Demon|Translated|Cataloger|Santo con(tra) Blue Demon|Artists|Image Source (Pub)||||Santo with Blue Demon (Santo con(tra) Blue Demon)|30996|Orozco, José||sculptor|José Orozco|0||||0|||||Mexican American|American|||||North and Central America||United States||||||0||||0||||0||||0|Sculpture|Sculpture|Toy|||21|||2000|2000||2000|2000-2000|||||0||||0|||||Paper clay and acrylic paint|clay|acrylic||||sculpture|||||20.3 x 15.2 cm||||||Saints ; Demons ; Toys (recreational artifacts) ; Wrestlers (athletes) ; |Saints|Demons|Toys (recreational artifacts)|Wrestlers (athletes)||||||Cornell||MNW|JNK|12/5/2005 0:00:00|11/15/2005 0:00:00|O7455|||0|||||||35|SC||||||200|||||||||Work|0||||||||||||0|0|Santo with Blue Demon;Santo con(tra) Blue Demon|Orozco, José 5510.00|0|Creator|15|35|V1615-PA|1999|1|35 V1615-PA 1999 1|Liberty Fight III|Translated|Cataloger|Lucha libre III|Artists|Image Source (Pub)||||Liberty Fight III (Lucha libre III)|30975|Valenzuela, Alfonso||painter|Alfonso Valenzuela|0||||0|||||Mexican American|Hispanic American|American||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||20|||1999|1999||1999|1999-1999|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||128.9 x 106 cm||||||Wrestlers (athletes) ; |Wrestlers (athletes)|||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|11/15/2005 0:00:00|V1615|||0|||||||35|PA||||||1999|||||||||Work|0||||||||||||0|0|Liberty Fight III;Lucha libre III|Valenzuela, Alfonso 5511.00|0|Creator|05|J-Neshat|||1|J-Neshat 1|I Am Its Secret|Artists|Image Source (Pub)|||||||I Am Its Secret|30997|Neshat, Shirin||photographer|Shirin Neshat|0||||0|||||American|Iranian|||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Self portrait|Calligraphy||20|||1993|1993||1993|1993-1993|||||0||||0|||||Gelatin silver print & ink.|photographic paper|ink||||photography|gelatin silver process||||||||||Self-portraits ; Neshat, Shirin, 1957- ; Calligraphy ; Eyes ; Veils ; |Self-portraits|Neshat, Shirin, 1957-|Calligraphy|Eyes|Veils|||||Cornell||MNW|MNW|11/15/2005 0:00:00|11/15/2005 0:00:00|Neshat|||0|||||||J||||||||||||||||Work|0|Photography|Photograph taken by Plauto. Neshat, Women of Allah.||||||||||0|0|I Am Its Secret|Neshat, Shirin 5512.00|0|Creator|05|J-Neshat|||2|J-Neshat 2|offered Eyes|Artists|Image Source (Pub)|||||||offered Eyes|30997|Neshat, Shirin||photographer|Shirin Neshat|0||||0|||||American|Iranian|||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Self portrait|Calligraphy||20|||1993|1993||1993|1993-1993|||||0||||0|||||Gelatin silver print & ink.|photographic paper|ink||||photography|gelatin silver process||||||||||Self-portraits ; Neshat, Shirin, 1957- ; Calligraphy ; Eyes ; |Self-portraits|Neshat, Shirin, 1957-|Calligraphy|Eyes||||||Cornell||MNW|MNW|11/15/2005 0:00:00|11/15/2005 0:00:00|Neshat|||0|||||||J||||||||||||||||Work|0|Photography|Photograph taken by Plauto. Neshat, Women of Allah.||||||||||0|0|offered Eyes|Neshat, Shirin 5513.00|0|Creator|05|J-Neshat|||3|J-Neshat 3|Unveiling|Artists|Image Source (Pub)|||||||Unveiling|30997|Neshat, Shirin||photographer|Shirin Neshat|0||||0|||||American|Iranian|||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Self portrait|Calligraphy||20|||1993|1993||1993|1993-1993|||||0||||0|||||Gelatin silver print & ink.|photographic paper|ink||||photography|gelatin silver process||||||||||Self-portraits ; Neshat, Shirin, 1957- ; Calligraphy ; Eyes ; Veils ; Faces (anatomy) ; |Self-portraits|Neshat, Shirin, 1957-|Calligraphy|Eyes|Veils|Faces (anatomy)||||Cornell||MNW|MNW|11/15/2005 0:00:00|11/15/2005 0:00:00|Neshat|||0|||||||J||||||||||||||||Work|0|Photography|Photograph taken by Plauto. Neshat, Women of Allah.||||||||||0|0|Unveiling|Neshat, Shirin 5514.00|0|Creator|05|J-Neshat|||4|J-Neshat 4|Guardian of Revolution|Artists|Image Source (Pub)|||||||Guardian of Revolution|30997|Neshat, Shirin||photographer|Shirin Neshat|0||||0|||||American|Iranian|||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Self portrait|Calligraphy||20|||1994|1994||1994|1994-1994|||||0||||0|||||Gelatin silver print & ink.|photographic paper|ink||||photography|gelatin silver process||||||||||Self-portraits ; Neshat, Shirin, 1957- ; Calligraphy ; Handguns ; Hands (anatomy) ; |Self-portraits|Neshat, Shirin, 1957-|Calligraphy|Handguns|Hands (anatomy)|||||Cornell||MNW|MNW|11/15/2005 0:00:00|11/15/2005 0:00:00|Neshat|||0|||||||J||||||||||||||||Work|0|Photography|Photograph taken by Cynthia Preston. Neshat, Women of Allah.||||||||||0|0|Guardian of Revolution|Neshat, Shirin 5515.00|0|Creator|05|J-Neshat|||5|J-Neshat 5|Rebellious Silence|Artists|Image Source (Pub)|||||||Rebellious Silence|30997|Neshat, Shirin||photographer|Shirin Neshat|0||||0|||||American|Iranian|||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Self portrait|Calligraphy||20|||1994|1994||1994|1994-1994|||||0||||0|||||Gelatin silver print & ink.|photographic paper|ink||||photography|gelatin silver process||||||||||Self-portraits ; Neshat, Shirin, 1957- ; Calligraphy ; Firearms ; Veils ; Faces (anatomy) ; |Self-portraits|Neshat, Shirin, 1957-|Calligraphy|Firearms|Veils|Faces (anatomy)||||Cornell||MNW|MNW|11/15/2005 0:00:00|11/15/2005 0:00:00|Neshat|||0|||||||J||||||||||||||||Work|0|Photography|Photograph taken by Cynthia Preston. Neshat, Women of Allah.||||||||||0|0|Rebellious Silence|Neshat, Shirin 5516.00|0|Creator|05|J-Neshat|||6||Grace Under Duty|Artists|Image Source (Pub)|||||||Grace Under Duty|30997|Neshat, Shirin||photographer|Shirin Neshat|0||||0|||||American|Iranian|||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Self portrait|Calligraphy||20|||1994|1994||1994|1994-1994|||||0||||0|||||Gelatin silver print & ink.|photographic paper|ink||||photography|gelatin silver process||||||||||Self-portraits ; Neshat, Shirin, 1957- ; Calligraphy ; Handguns ; Hands (anatomy) ; |Self-portraits|Neshat, Shirin, 1957-|Calligraphy|Handguns|Hands (anatomy)|||||Cornell||MNW|MNW|11/15/2005 0:00:00|11/15/2005 0:00:00|Neshat|||0|||||||J||||||||||||||||Work|0|Photography|Photograph taken by Robert Wesler. Neshat, Women of Allah.||||||||||0|0|Grace Under Duty|Neshat, Shirin 5517.00|0|Creator|05|J-Neshat|||7|J-Neshat 7|Allegiance with Wakefulness|Artists|Image Source (Pub)|||||||Allegiance with Wakefulness|30997|Neshat, Shirin||photographer|Shirin Neshat|0||||0|||||American|Iranian|||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Self portrait|Calligraphy||20|||1994|1994||1994|1994-1994|||||0||||0|||||Gelatin silver print & ink.|photographic paper|ink||||photography|gelatin silver process||||||||||Self-portraits ; Neshat, Shirin, 1957- ; Calligraphy ; Firearms ; Feet (anatomy) ; |Self-portraits|Neshat, Shirin, 1957-|Calligraphy|Firearms|Feet (anatomy)|||||Cornell||MNW|MNW|11/15/2005 0:00:00|11/15/2005 0:00:00|Neshat|||0|||||||J||||||||||||||||Work|0|Photography|Photograph taken by Cynthia Preston. Neshat, Women of Allah.||||||||||0|0|Allegiance with Wakefulness|Neshat, Shirin 5518.00|0|Creator|05|J-Neshat|||8|J-Neshat 8|Untitled|Artists|Image Source (Pub)|||||||Untitled|30997|Neshat, Shirin||photographer|Shirin Neshat|0||||0|||||American|Iranian|||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Self portrait|||20|||1994|1994||1994|1994-1994|||||0||||0|||||Gelatin silver print|photographic paper|||||photography|gelatin silver process||||||||||Self-portraits ; Neshat, Shirin, 1957- ; Firearms ; Veils ; Faces (anatomy) ; |Self-portraits|Neshat, Shirin, 1957-|Firearms|Veils|Faces (anatomy)|||||Cornell||MNW|MNW|11/15/2005 0:00:00|11/15/2005 0:00:00|Neshat|||0|||||||J||||||||||||||||Work|0|Photography|Photograph taken by Cynthia Preston. Neshat, Women of Allah.||||||||||0|0|Untitled|Neshat, Shirin 5519.00|0|Creator|05|J-Neshat||||J-Neshat|Women of Allah Series|Series|Image Source (Pub)|||||||Women of Allah Series|30997|Neshat, Shirin||photographer|Shirin Neshat|0||||0|||||American|Iranian|||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Self portrait|||20|||1995|1995||1995|1995-1995|||||0||||0|||||Gelatin silver print and ink|photographic paper|ink||||photography|gelatin silver process||||||||||Self-portraits ; Neshat, Shirin, 1957- ; Veils ; Faces (anatomy) ; Hands (anatomy) ; |Self-portraits|Neshat, Shirin, 1957-|Veils|Faces (anatomy)|Hands (anatomy)|||||Cornell||MNW|JNK|11/16/2005 0:00:00|11/15/2005 0:00:00|Neshat|||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Women of Allah Series|Neshat, Shirin 5520.00|0|Creator|05|J-Neshat|||11|J-Neshat 11|Speechless|Artists|Image Source (Pub)|||||||Speechless|30997|Neshat, Shirin||photographer|Shirin Neshat|0||||0|||||American|Iranian|||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Self portrait|Calligraphy||20|||1996|1996||1996|1996-1996|||||0||||0|||||Gelatin silver print and ink|photographic paper|ink||||photography|gelatin silver process||||||||||Self-portraits ; Neshat, Shirin, 1957- ; Calligraphy ; Eyes (anatomy) ; Faces (anatomy) ; Firearms ; |Self-portraits|Neshat, Shirin, 1957-|Calligraphy|Eyes (anatomy)|Faces (anatomy)|Firearms||||Cornell||MNW|MNW|11/15/2005 0:00:00|11/15/2005 0:00:00|Neshat|||0|||||||J||||||||||||||||Work|0|Photography|Photograph taken by Larry Barns. Neshat, Women of Allah.||||||||||0|0|Speechless|Neshat, Shirin 5521.00|0|Creator|05|J-Neshat|||12|J-Neshat 12|Untitled|Artists|Image Source (Pub)|||||||Untitled|30997|Neshat, Shirin||photographer|Shirin Neshat|0||||0|||||American|Iranian|||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Self portrait|Calligraphy||20|||1996|1996||1996|1996-1996|||||0||||0|||||Gelatin silver print and ink|photographic paper|ink||||photography|gelatin silver process||||||||||Self-portraits ; Neshat, Shirin, 1957- ; Calligraphy ; Hands (anatomy) ; Faces (anatomy) ; |Self-portraits|Neshat, Shirin, 1957-|Calligraphy|Hands (anatomy)|Faces (anatomy)|||||Cornell||MNW|MNW|11/15/2005 0:00:00|11/15/2005 0:00:00|Neshat|||0|||||||J||||||||||||||||Work|0|Photography|Photograph taken by Larry Barns. Neshat, Women of Allah.||||||||||0|0|Untitled|Neshat, Shirin 5522.00|0|Creator|05|J-Neshat|||13|J-Neshat 13|Untitled|Artists|Image Source (Pub)|||||||Untitled|30997|Neshat, Shirin||photographer|Shirin Neshat|0||||0|||||American|Iranian|||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Portrait|Calligraphy||20|||1996|1996||1996|1996-1996|||||0||||0|||||Gelatin silver print and ink|photographic paper|ink||||photography|gelatin silver process||||||||||Boys ; Children (people by age group) ; Calligraphy ; Bullets ; |Boys|Children (people by age group)|Calligraphy|Bullets||||||Cornell||MNW|MNW|11/15/2005 0:00:00|11/15/2005 0:00:00|Neshat|||0|||||||J||||||||||||||||Work|0|Photography|Photograph taken by Kyong Park. Neshat, Women of Allah.||||||||||0|0|Untitled|Neshat, Shirin 5543.00|0|Category|15||||||A Man Revived After Being Struck by Lightning|Descriptive|Image Source (Pub)|||||||A Man Revived After Being Struck by Lightning|0|||||0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Votive image|Painting||19|||1882|1882||1882|1882-1882|||||0||||0|||||Oil on metal|oil paint|metal||||painting (image-making)|||||18 x 13 cm||9611|Mexico City: Luis Felipe del Valle Prieto|Mexico City: Luis Felipe del Valle Prieto||Votive images ; Miracles ; |Votive images|Miracles||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|11/27/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|A Man Revived After Being Struck by Lightning| 5544.00|0|Category|15||||||Three Children Healed After Being Burned|Descriptive|Image Source (Pub)|||||||Three Children Healed After Being Burned|0|||||0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Votive image|Painting||20|||1902|1902||1902|1902-1902|||||0||||0|||||Oil on metal|oil paint|metal||||painting (image-making)|||||22 x 18 cm||9611|Mexico City: Luis Felipe del Valle Prieto|Mexico City: Luis Felipe del Valle Prieto||Votive images ; Miracles ; Christ ; Crucifixes ; |Votive images|Miracles|Christ|Crucifixes||||||Cornell||MNW|JNK|1/6/2006 0:00:00|11/27/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Three Children Healed After Being Burned| 5545.00|0|Category|15||||||A Man Recovered from Serious Illness|Descriptive|Image Source (Pub)|||||||A Man Recovered from Serious Illness|0|||||0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Votive image|Painting||20|||1904|1904||1904|1904-1904|||||0||||0|||||Oil on metal|oil paint|metal||||painting (image-making)|||||18 x 13 cm||9611|Mexico City: Luis Felipe del Valle Prieto|Mexico City: Luis Felipe del Valle Prieto||Votive images ; Miracles ; Christ ; |Votive images|Miracles|Christ|||||||Cornell||MNW|JNK|1/6/2006 0:00:00|11/27/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|A Man Recovered from Serious Illness| 5546.00|0|Creator|15||||||The Hacienda of the Bocas|Translated|Cataloger|Los Hacendados de Bocas|Original|Image Source (Pub)||||Los Hacendados de Bocas (The Hacienda of the Bocas)|31000|Becerra Díaz, Antonio||painter|Antonio Becerra Díaz|0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Portrait||19|||1896|1896||1896-189|1896-1896|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||125 x 90 cm||9612|San Luis Potosí: Casa de la Cultura|San Luis Potosí: Casa de la Cultura||Group portraits ; Landscapes ; |Group portraits|Landscapes||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|11/27/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|The Hacienda of the Bocas;Los Hacendados de Bocas|Becerra Díaz, Antonio 5547.00|0|Creator|15|35|J120-PA|nd|1|35 J120-PA nd 1|Malcolm X|Artists|Image Source (Pub)|||||||Malcolm X|31001|Jackson, Edward||painter|Edward Jackson|0||||0|||||African American|American|||||Asia||United Arab Emirates||||||0||||0||||0||||0|Paintings|Painting|Portrait|||20|||1950|1999|ca|2nd half of 20th C.|ca 1950-1999|||||0||||0|||||Acrylic on canvas|acrylic|canvas||||painting (image-making)|||||188 x 96.5||9613|: Grant Hill Collection of African American Art|: Grant Hill Collection of African American Art||Portraits ; X, Malcolm, 1925-1965 ; |Portraits|X, Malcolm, 1925-1965||||||||Cornell||MNW|MNW|11/28/2005 0:00:00|11/28/2005 0:00:00|J120|||0|||||||35|PA||||||nd| ||||||||Work|0|||||Date unknown.|||||||0|0|Malcolm X|Jackson, Edward 5548.00|0|Creator|15|35|S6635-G|1965|1-1||First Day of School|Artists|Image Source (Pub)|||||||Eight Etchings. First Day of School|31002|Smith, Vincent Da Costa||printmaker|Vincent Smith|0||||0|||||African American|American|||||North and Central America||United States||||||0||||0||||0||||0|Prints|Etching||||20|||1965|1965||1965|1965-1965||Eight Etchings|Series||5549||||0|||||Etching|paper (fiber product)|||||printing|etching (corroding)||||50.8 x 40.6 cm||9614|New York: G. W. Einstein Company|New York: G. W. Einstein Company||||||||||||Cornell||MNW|MNW|11/29/2005 0:00:00|11/29/2005 0:00:00|S6635|||0|||||||35|G||||||1965| ||||||||Work|0||||||||||||0|0|First Day of School|Smith, Vincent Da Costa 5549.00|0|Creator|15||||||Eight Etchings|Artists|Image Source (Pub)|||||||Eight Etchings|31002|Smith, Vincent Da Costa||printmaker|Vincent Smith|0||||0|||||African American|American|||||Asia||United Arab Emirates||||||0||||0||||0||||0|Prints|Etching||||20|||1965|1965||1965|1965-1965|||||0||||0|||||Etching|paper (fiber product)|||||etching (corroding)|printing||||50.8 x 40.6 (sheet)||9614|New York: G. W. Einstein Company|New York: G. W. Einstein Company||||||||||||Cornell||MNW|MNW|11/29/2005 0:00:00|11/29/2005 0:00:00|S6635|||0||||||||||||||| ||||||||Work|0||Portfolio of 8 etchings: Housing Northern Style; Down on the Farm; Dispossess; First Day of School; the Moor in Harlem; the Long Hot Summer; Mississippi Incident; and Shadows in Harlem. Green, Dreams, p. 45.||||||||||0|0|Eight Etchings|Smith, Vincent Da Costa 5550.00|0|Creator|15|35|S845-PA|1968|1|35 S845-PA 1968 1|Big Daddy Paper Doll|Artists|Image Source (Pub)|||||||Big Daddy Paper Doll|11355|Stevens, May||painter|May Stevens|0||||0|||||American|||Pop|||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting||||20|||1968|1968||1968|1968-1968|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||152.4 x 304.8 cm||9621|: Collection of Rudolf Baranik|: Coll. Of Rudolf Baranik||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|11/29/2005 0:00:00|S845|||0||||||1968|35|PA||||||| ||||||||Work|0||||||||||||0|0|Big Daddy Paper Doll|Stevens, May 5551.00|0|Creator|15|35|W275|R120||35 W275 R120|Race Riot|Assigned|Image Source (Pub)|||||||Race Riot|12489|Warhol, Andy||painter|Andy Warhol|0||||0|||||American|||Pop|||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting||||20|||1963|1963||1963|1963-1963|||||0||||0|||||Acrylic and screen printing on canvas|acrylic|canvas||||painting (image-making)|screen printing||||76.2 x 83.8 cm (panel)||4118|: Sam Wagstaff Collection|: Sam Wagstaff Coll.|Former|Race (concept) ; Racial discrimination ; Race riots ; |Race (concept)|Racial discrimination|Race riots|||||||Cornell||MNW|MNW|12/15/2005 0:00:00|11/29/2005 0:00:00|W275|||0||||||R120|35|||||||1963| ||||||||Work|0||This work consists of four panels.||||||||||0|0|Race Riot|Warhol, Andy 5552.00|0|Creator|15|35|I380-PA|1965|1|35 I380-PA 1965 1|Alabama|Artists|Image Source (Pub)|||||||Alabama|5793|Indiana, Robert||painter|Robert Indiana|0||||0|||||American|||Pop|||North and Central America||United States||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||20|||1965|1965||1965|1965-1965|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||182.9 x 152.4 cm||9616|Oxford, OH: Miami University; Art Museum|Oxford, OH: Miami University; Art Museum||Racial discrimination ; Maps ; Race (concept) ; |Racial discrimination|Maps|Race (concept)|||||||Cornell||MNW|JNK|1/6/2006 0:00:00|11/29/2005 0:00:00|I380|||0|||||||35|PA||||||1965| ||||||||Work|0||The epitaph reads, JUST AS IN THE ANATOMY OF MAN EVERY NATION MUST HAVE ITS HIND PART.||||||||||0|0|Alabama|Indiana, Robert 5553.00|0|Creator|15|35|D214-PA|1965|2|35 D214-PA 1965 2|U. S. 80 (In Memory of Mrs. Liuzzo)|Artists|Image Source (Pub)|||||||U. S. 80 (In Memory of Mrs. Liuzzo)|468|D'Arcangelo, Allan||painter|Allan D'Arcangelo|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting||||20|||1965|1965||1965|1965-1965|||||0||||0|||||Acrylic on canvas|acrylic|canvas||||painting (image-making)|||||61 x 61 cm||3561|Collection of the Artist|: Collection of the Artist||Highways ; Signs ; Blood (animal material) ; Graffiti ; |Highways|Signs|Blood (animal material)|Graffiti||||||Cornell||MNW|CLL|12/12/2005 0:00:00|11/29/2005 0:00:00|D214|||0|||||||35|PA||||||1965| ||||||||Work|0||||||||||||0|0|U. S. 80 (In Memory of Mrs. Liuzzo)|D'Arcangelo, Allan 5554.00|0||15||||||Mass of Saint Gregory|Assigned|Image Source (Pub)|||||||Mass of Saint Gregory|0|||||0||||0|||||Indian|Mexican|||||North and Central America||Mexico||||||0||||0||||0||||0|Featherwork|Featherwork||||16|||1539|1539||1539|1539-1539|||||0||||0|||||Feathers on wood with touches of paint|feather (material)|paint|wood (plant material)|||featherwork|||||68 x 56 cm||9617|Auch: Museé d'Auch|Auch: Museé d'Auch||Saint Gregory ; Crucifixion ; Resurrection ; |Saint Gregory|Crucifixion|Resurrection|||||||Cornell||MNW|JNK|12/9/2005 0:00:00|11/29/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||Created by an Indian active in the School of San José de los Naturales. Pierce, Painting a New World, p. 95.||||||||||0|0|Mass of Saint Gregory| 5555.00|0|Creator|15||||||Mass of Saint Gregory|Assigned|Image Source (Pub)|||||||Mass of Saint Gregory|7819|Meckenem, Israhel van, the Younger||printmaker|Israhel van Meckenem the Younger|0||||0|||||German||||||Europe||Germany||||||0||||0||||0||||0|Prints|Engraving (print)|Print|||15|16||1490|1500|ca|ca 1490-1500|ca 1490-1500|||||0||||0|Bartsch, Adam von, 1757-1821.Illus.Bartsch|B21489|||Engraving|paper (fiber product)|||||printing|engraving (incising)||||||3367|Washington, DC: National Gallery of Art|Wash, DC: National Gallery||Saint Gregory ; Crucifixion ; Resurrection ; |Saint Gregory|Crucifixion|Resurrection|||||||Cornell||MNW|JNK|12/9/2005 0:00:00|11/29/2005 0:00:00|M487|||0||1954.12.91||||||||||||| ||||||||Work|0||||||||||||0|0|Mass of Saint Gregory|Meckenem, Israhel van, the Younger 5556.00|0|Creator|15||||||Jesus at the Age of Twelve|Assigned|Image Source (Pub)|||||||Jesus at the Age of Twelve|31003|Bautista, Juan||artist|Juan Bautista and/or Juan Cuiris|31004|Cuiris, Juan||artist|0|||||Mexican|Indian|||||North and Central America||Mexico||||||0||||0||||0||||0|Featherwork|Featherwork|Portraits|||16|17||1590|1600||1590-1600|1590-1600|||||0||||0|||||Feathers on copper|feather (material)|copper||||featherwork|||||25.4 x 18.2 cm||3403|Vienna: Kunsthistorisches Museum|Vienna: Kunsthistorisches Mus.||Portraits ; Christ ; |Portraits|Christ||||||||Cornell||MNW|MNW|11/29/2005 0:00:00|11/29/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||Inscribed Ioan. Bapt. Me Fecit. Michuac[an]. Pierce, Painting a New World, p. 102.||||||||||0|0|Jesus at the Age of Twelve|Bautista, Juan;Cuiris, Juan 5557.00|0|Creator|15||||||Weeping Virgin|Assigned|Image Source (Pub)|||||||Weeping Virgin|31003|Bautista, Juan||artist|Juan Bautista and/or Juan Cuiris|31004|Cuiris, Juan||artist|0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Featherwork|Featherwork|Portraits|||16|17||1590|1600||1590-1600|1590-1600|||||0||||0|||||Feathers on copper|feather (material)|copper||||featherwork|||||25.4 x 18.2 cm||3403|Vienna: Kunsthistorisches Museum|Vienna: Kunsthistorisches Mus.||Virgin Mary ; Portraits ; |Virgin Mary|Portraits||||||||Cornell||MNW|MNW|11/29/2005 0:00:00|11/29/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||Inscribed Iuanes Cuiris Fecit Michuac[an]. Pierce, Painting a New World, p. 102.||||||||||0|0|Weeping Virgin|Bautista, Juan;Cuiris, Juan 5558.00|0|Creator|15||||||Jesus at the Age of Twelve|Assigned|Image Source (Pub)|||||||Jesus at the Age of Twelve|31005|Thomassin, Philippe||engraver|Philippe Thomassin after Giulio Clovio|31006|Clovio, Giulio||painter|0|||||French||||||Europe||Italy||||||0||||0||||0||||0|Prints|Print|Engraving (print)|Portrait||16|||1590|1590|ca|ca 1590|ca 1590-1590|||||0||||0|||||Engraving||||||printing|engraving (incising)||||||||||Christ ; Portraits ; |Christ|Portraits||||||||Cornell||MNW|MNW|11/29/2005 0:00:00|11/29/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Jesus at the Age of Twelve|Thomassin, Philippe;Clovio, Giulio 5559.00|0|Creator|15||||||Weeping Virgin|||||||||Weeping Virgin|31005|Thomassin, Philippe||publisher|Philippe Thomassin after Giulio Clovio|31006|Clovio, Giulio||painter|0|||||French||||||Europe||Italy||||||0||||0||||0||||0|Prints|Print|Engraving (print)|||16|||1590|1590|ca|ca 1590|ca 1590-1590|||||0||||0|||||Engraving||||||printing|||||||||||Virgin Mary ; Portraits ; |Virgin Mary|Portraits||||||||Cornell||MNW|MNW|11/29/2005 0:00:00|11/29/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Weeping Virgin|Thomassin, Philippe;Clovio, Giulio 5560.00|0|Creator|15||||||Landscape Screen: Festival in an Indian Village|Translated|Cataloger|Biombo di Paisaje|Assigned|Image Source (Pub)||||Landscape Screen: Festival in an Indian Village|0|||||0||||0|||||Mexican|Indian|||||||||||||0||||0||||0||||0|Paintings|Oil painting|Painting|Screen (furniture)||18|||1650|1700||1650-1700|1650-1700|||||0||||0|||||Ten-panel folding screen; oil on canvas|oil paint|canvas||||painting (image-making)|||||177 x 50.5 (panel)||1621|Madrid: Museo de América|Madrid: Museo de América||Festivals ; Landscapes ; Screens (furniture) ; |Festivals|Landscapes|Screens (furniture)|||||||Cornell||MNW|JNK|1/6/2006 0:00:00|11/29/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||The festival depicted in this screen take place in an Indian Village near Mexico City, probably Ixtacalco. Pierce, Painting a New World, p. 152.||||||||||0|0|Landscape Screen: Festival in an Indian Village;Biombo di Paisaje| 5523.00|0|Creator|05|J-Neshat|||14|J-Neshat 14|Untitled|Artists|Image Source (Pub)|||||||Untitled|30997|Neshat, Shirin||photographer|Shirin Neshat|0||||0|||||American|Iranian|||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Gelatin silver print|Portrait|Calligraphy||20|||1996|1996||1996|1996-1996|||||0||||0|||||Gelatin silver print and ink|photographic paper|ink||||photography|gelatin silver process||||||||||Boys ; Women ; Group portraits ; Calligraphy ; Hands (anatomy) ; Faces (anatomy) ; |Boys|Women|Group portraits|Calligraphy|Hands (anatomy)|Faces (anatomy)||||Cornell||MNW|MNW|11/15/2005 0:00:00|11/15/2005 0:00:00|Neshat|||0|||||||J||||||||||||||||Work|0|Photography|Photograph taken by Kyong Park. Neshat, Women of Allah.||||||||||0|0|Untitled|Neshat, Shirin 5524.00|0|Creator|15||||||Happy Quincentary Series|Artists|Image Source (Pub)|||||||Happy Quincentary Series|9571|Quiroz, Alfred||painter|Alfred Quiroz|0||||0|||||||||||||||||||0||||0||||0||||0||||||||||||||||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|11/18/2005 0:00:00|11/18/2005 0:00:00|Q8|||0|||||||||||||||||||||||Work|0||||||||||||0|0|Happy Quincentary Series|Quiroz, Alfred 5525.00|0|Creator|15|35|R8156-PA|1960|1|35 R8156-PA 1960 1|Source for President Elect|Assigned|Image Source (Pub)|||||||Source for President Elect|10051|Rosenquist, James||painter|James Rosenquist|0||||0|||||American|||Pop|||North and Central America||United States||||||0||||0||||0||||0|Collages|Collage||||20|||1960|1960||1960|1960-1960|||||0||||0|||||Poster illustration and magazine advertisements||||||collage|||||44.5 x 81.3 cm||3561|Collection of the Artist|: Collection of the Artist||Kennedy, John F. (John Fitzgerald), 1917-1963 ; Cake ; Automobiles ; Advertisements ; |Kennedy, John F. (John Fitzgerald), 1917-1963|Cake|Automobiles|Advertisements||||||Cornell||MNW|MNW|11/23/2005 0:00:00|11/23/2005 0:00:00|R8156|||0|||||||35|PA||||||1960| ||||||||Work|0||Uses poster illustrations and magazine advertisements with pencil, paint, masking tape, and paper mounted on white Arches cover paper.Goldman, James Rosenquist: Early, p. 60.||||||||||0|0|Source for President Elect|Rosenquist, James 5526.00|0|Creator|15|35|R8156-PA|1960|2|35 R8156-PA 1960 2|President Elect|Artists|Image Source (Pub)|||||||President Elect|10051|Rosenquist, James||painter|James Rosenquist|0||||0|||||American|||Pop|||North and Central America||United States||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||20|||1960|1961||1960-1961|1960-1961|||||0||||0|||||Oil on Masonite|oil paint|Masonite||||painting (image-making)|||||213.4 x 365.8 cm||9437|Paris: Musée National d’Art Moderne|Paris: Mus. Nat. d’Art Moderne||Kennedy, John F. (John Fitzgerald), 1917-1963 ; Cake ; Automobiles ; Advertisements ; |Kennedy, John F. (John Fitzgerald), 1917-1963|Cake|Automobiles|Advertisements||||||Cornell||MNW|JNK|1/6/2006 0:00:00|11/23/2005 0:00:00|R8156|||0|||||||35|PA||||||1960| ||||||||Work|0||||||||||||0|0|President Elect|Rosenquist, James 5527.00|0|Creator|15|35|R8156-PA|1962|8||Painting for the American Negro|Artists|Image Source (Pub)|||||||Painting for the American Negro|10051|Rosenquist, James||painter|James Rosenquist|0||||0|||||American|||Pop|||North and Central America||United States||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||20|||1962|1963||1962-1963|1962-1963|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||203.2 x 533.4 cm||3423|Ottawa: National Gallery of Canada|Ottawa: Nat. Gal. of Canada||Eyeglasses ; Faces (anatomy) ; Automobiles ; African Americans ; |Eyeglasses|Faces (anatomy)|Automobiles|African Americans||||||Cornell||MNW|JNK|1/6/2006 0:00:00|11/23/2005 0:00:00|R8156|||0|||||||35|PA||||||1962| ||||||||Work|0||||||||||||0|0|Painting for the American Negro|Rosenquist, James 5528.00|0||||||||Atrial Cross|Descriptive|Image Source (Pub)|||||||Atrial Cross|0|||||0||||0|||||Mexican||||||North and Central America||Mexico||||||0|Cap. De los Indios, Bas. De Guadalupe, Mexico City|||10598||||0||||0|Sculpture|Sculpture||||16|||1530|1556|bef|Before 1556|ca 1530-bef.1556|||||0||||0|||||Stone|stone|||||carving|||||345 cm high||9607|Mexico City: Basilica de Guadalupe|Mexico City: Bas. De Guadalupe||Crucifixes ; Passion of Christ ; |Crucifixes|Passion of Christ||||||||Cornell||MNW|MNW|11/23/2005 0:00:00|11/23/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Atrial Cross| 5529.00|0||||||||Bishop's Miter|Descriptive|Image Source (Pub)|||||||Bishop's Miter|0|||||0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Costumes|Miter|Featherwork|||16|||1500|1599||16th century|1500-1599|||||0||||0|||||Feather mosaic|feather (material)|||||featherwork|mosaic||||82.5 x 27.5 cm||1608|San Lorenzo de El Escorial: El Escorial|San Lorenzo de El Escorial: El Escorial||Featherwork ; |Featherwork|||||||||Cornell||MNW|JNK|11/28/2005 0:00:00|11/23/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Bishop's Miter| 5530.00|0||||||||Crucified Christ|Descriptive|Image Source (Pub)|||||||Crucified Christ|0|||||0||||0|||||Mexican||||||North and Central America||Mexico||||||0|Templo de San Franciso, Tlaxcala, Mexico|||10600||||0||||0|Sculpture|Sculpture||||16|||1550|1600||1550-1600|1550-1600|||||0||||0|||||Polychromed cornstalk paste|cornstalk|||||polychromy|sculpture||||Cross = 270 cm high; figure = 200 cm high||||||Crucifixes ; Christ ; |Crucifixes|Christ||||||||Cornell||MNW|MNW|11/27/2005 0:00:00|11/23/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Crucified Christ| 5531.00|0|Creator|15||||||The Incredulity of Saint Thomas|Descriptive|Image Source (Pub)|||||||The Incredulity of Saint Thomas|30998|Arteaga, Sebastian de||painter|Sebastian de Arteaga|0||||0|||||Mexican|||Colonial|||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||17|||1643|1643||1643|1643-1643|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||223 x 155 cm||9609|Mexico City: Pinacoteca Virreinal de San Diego|Mexico City: Pinacoteca Virreinal de San Diego||Saint Thomas ; Incredulity of Saint Thomas ; Christ ; |Saint Thomas|Incredulity of Saint Thomas|Christ|||||||Cornell||MNW|JNK|1/6/2006 0:00:00|11/27/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||This painting is signed "Sebastian de Arteaga, notary of the Holy Office, made it" and inscribed "Made from the possessions of Captain Franciso de Aguirre." Mexico, Splendors, p. 311.|||May have been painted after 1643.|||||||0|0|The Incredulity of Saint Thomas|Arteaga, Sebastian de 5532.00|0||15||||||San Felipe de Jesús|Assigned|Image Source (Pub)|||||||San Felipe de Jesús|0|||||0||||0|||||Mexican|||Colonial|||North and Central America||Mexico||||||0|Catedral Metropolitana, Mexico City, Mexico|||10601||||0||||0|Sculpture|Sculpture||||17|||1683|1699|ca|Late 17th century|ca 1683-1699|||||0||||0|||||Gilded and polychromed wood|wood (plant material)|||||sculpture|gilding|polychromy|||135 cm high||||||Saints ; San Felipe de Jesús ; |Saints|San Felipe de Jesús||||||||Cornell||MNW|MNW|11/27/2005 0:00:00|11/27/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|San Felipe de Jesús| 5533.00|0|Creator|15||||||Virgin of Guadalupe|Assigned|Image Source (Pub)|||||||Virgin of Guadalupe|0|||||0||||0|||||Mexican|||Colonial|||North and Central America||Mexico||||||0||||0||||0||||0|Sculpture|Relief|Sculpture|||17|18||1675|1725|ca|Late 17th - early 18th C.|ca 1675-1725|||||0||||0|||||Oil, gilding & mother of pearl on wood|oil paint|mother of pearl|wood (plant material)|||gilding|||||190 cm high||9412|Mexico City: Museo Franz Mayer|Mexico City: Museo Franz Mayer||Guadalupe, Our Lady of ; Virgin Mary ; |Guadalupe, Our Lady of|Virgin Mary||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|11/27/2005 0:00:00||||0||11-062/10603; AEA-006||||||||||||| ||||||||Work|0||||||||||||0|0|Virgin of Guadalupe| 5534.00|0|Creator|15||||||Folding Screen|Translated|Image Source (Pub)|Biombo|Original|Image Source (Pub)||||Folding Screen (Biombo)|30999|Correa, Juan|attributed to|painter|Juan Correa, attributed to|0||||0|||||Mexican|||Colonial|||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Painting|Screen (furniture)||17|||1683|1683|ca|ca 1683|ca 1683-1683|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||2.5 x 6 m||9610|Mexico City: Collection Banco Nacional de México|Mexico City: Coll. Banco Nac. de México||||||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|11/27/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Folding Screen;Biombo|Correa, Juan 5535.00|0|Creator|15||||||The Encounter of Cortés and Moctezuma|Descriptive|Image Source (Pub)|||||||Folding Screen. The Encounter of Cortés and Moctezuma|30999|Correa, Juan||painter|Juan Correa|0||||0|||||Mexican|||Colonial|||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Painting|Screen (furniture)||17|||1683|1683|ca|ca 1683|ca 1683-1683||Folding Screen|||5534||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||2.5 x 6 m||9610|Mexico City: Collection Banco Nacional de México|Mexico City: Coll. Banco Nac. de México||Cortez, Hernan, 1485-1547 ; Montezuma II, Emperor of Mexico, ca. 1480-1520 ; |Cortez, Hernan, 1485-1547|Montezuma II, Emperor of Mexico, ca. 1480-1520||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|11/27/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||This painting is on the obverse of the biombo (folding screen).||||||||||0|0|The Encounter of Cortés and Moctezuma|Correa, Juan 5536.00|0|Creator|15||||||The Four Continents|Descriptive|Image Source (Pub)|||||||Folding Screen. The Four Continents|30999|Correa, Juan||painter|Juan Correa|0||||0|||||Mexican|||Colonial|||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Painting|Screen (furniture)||17|||1683|1683|ca|ca 1683|ca 1683-1683||Folding Screen|||5534||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||2.5 x 6 m||9610|Mexico City: Collection Banco Nacional de México|Mexico City: Coll. Banco Nac. de México||Continents (allegory) ; America (allegory) ; Europa ; Asia (allegory) ; Africa (allegory) ; |Continents (allegory)|America (allegory)|Europa|Asia (allegory)|Africa (allegory)|||||Cornell||MNW|JNK|1/6/2006 0:00:00|11/27/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||This painting is on the reverse of the biombo (folding screen).||||||||||0|0|The Four Continents|Correa, Juan 5537.00|0|Category|07||||||Secretary|Descriptive|Image Source (Pub)|||||||Secretary|0|||||0||||0|||||Mexican|||Puebla|||North and Central America||Mexico||||||0||||0||||0||||0|Furnishings|Furniture|Desk|Secretary (furniture)||17|||1675|1699|ca|Late 17th century|ca 1675-1699|||||0||||0|||||Painted and lacquered wood inlaid with bone|paint|bone|wood (plant material)|||inlay (process)|||||172 x 76 x 43 cm||9272|Mexico City: Private Collection|Mexico City: Private Coll.||Furniture ; Secretaries (furniture) ; |Furniture|Secretaries (furniture)||||||||Cornell||MNW|MNW|11/27/2005 0:00:00|11/27/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Secretary| 5538.00|0|Category|07||||||Vase|Descriptive|Image Source (Pub)|||||||Vase|0|||||0||||0|||||Mexican|||Puebla|||North and Central America||Mexico||||||0||||0||||0||||0|Ceramics|Vase|Ceramic|||17|||1675|1699|ca|Late 17th century|ca 1675-1699|||||0||||0|||||Earthenware, tin glaze, cobalt in-glaze paint|earthenware|ceramic glaze|paint|||ceramics|glazing (coating)||||47 cm high||3281|Philadelphia: Philadelphia Museum of Art|Philadelphia: Museum of Art||||||||||||Cornell||MNW|MNW|11/27/2005 0:00:00|11/27/2005 0:00:00||||0||07.295T||||||||||||| ||||||||Work|0||||||||||||0|0|Vase| 5539.00|0|Category|07||||||Plate|Descriptive|Image Source (Pub)|||||||Plate|0|||||0||||0|||||Mexican|||Puebla|||North and Central America||Mexico||||||0||||0||||0||||0|Ceramics|Plate (dish)|Ceramic|||17|||1600|1699||17th century|1600-1699|||||0||||0|||||Earthenware, tin glaze, cobalt in-glaze paint|earthenware|ceramic glaze|paint|||ceramics|glazing (coating)||||32 cm diameter||9272|Mexico City: Private Collection|Mexico City: Private Coll.||||||||||||Cornell||MNW|MNW|11/27/2005 0:00:00|11/27/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Plate| 5540.00|0|Category|07||||||Vase with Lid|Descriptive|Image Source (Pub)|||||||Vase with Lid|0|||||0||||0|||||Mexican|||Puebla|||North and Central America||Mexico||||||0||||0||||0||||0|Ceramics|Vase|Ceramic|||18|||1750|1799||1750-1799|1750-1799|||||0||||0|||||Earthenware, tin glaze, polychrome in-glaze paint, bronze hardware|earthenware|ceramic glaze|paint|||ceramics|glazing (coating)||||32 cm high||9272|Mexico City: Private Collection|Mexico City: Private Coll.||||||||||||Cornell||MNW|MNW|11/27/2005 0:00:00|11/27/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Vase with Lid| 5541.00|0|Category|07||||||Vase|Descriptive|Image Source (Pub)|||||||Vase|0|||||0||||0|||||Mexican|||Puebla|||North and Central America||Mexico||||||0||||0||||0||||0|Ceramics|Vase|Ceramic|||19|||1800|1825||Early 19th century|1800-1825|||||0||||0|||||Earthenware, tin glaze, in-glaze paints|earthenware|ceramic glaze|paint|||ceramics|glazing (coating)||||68 cm high||9412|Mexico City: Museo Franz Mayer|Mexico City: Museo Franz Mayer||||||||||||Cornell||MNW|MNW|11/28/2005 0:00:00|11/27/2005 0:00:00||||0||12-029 08303; GIC-0083||||||||||||| ||||||||Work|0||||||||||||0|0|Vase| 5542.00|0|Category|15||||||An Infant Healed After a Fall|Descriptive|Image Source (Pub)|||||||An Infant Healed After a Fall|0|||||0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Votive image|Painting||19|||1869|1869||1869|1869-1869|||||0||||0|||||Oil on metal|oil paint|metal||||painting (image-making)|||||22 x 28 cm||9611|Mexico City: Luis Felipe del Valle Prieto|Mexico City: Luis Felipe del Valle Prieto||Votive images ; Miracles ; Christ ; |Votive images|Miracles|Christ|||||||Cornell||MNW|JNK|1/6/2006 0:00:00|11/27/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|An Infant Healed After a Fall| 5561.00|0|Creator|15||||||Portrait of Moctezuma|Assigned|Image Source (Pub)|Motechzoma II, Xocoyotzin|Variant|Image Source (Pub)||||Portrait of Moctezuma|31007|Rodríguez, Antonio||painter|Antonio Rodríguez|0||||0|||||Mexican|||Colonial|||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Portrait||17|||1680|1697|aft|aft 1680-1697|aft 1680-1697|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||182 x 106.5 cm||4037|Florence: Pitti Palace; Museo degli Argenti|Florence: Pitti Palace; Mus. degli Argenti||Portraits ; Montezuma II, Emperor of Mexico, ca. 1480-1520 ; |Portraits|Montezuma II, Emperor of Mexico, ca. 1480-1520||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|11/29/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Portrait of Moctezuma;Motechzoma II, Xocoyotzin|Rodríguez, Antonio 5562.00|0|Creator|15||||||Saint Francis Xavier Embarking for Asia|Assigned|Image Source (Pub)|||||||Saint Francis Xavier Embarking for Asia|31008|González, Juan||painter|Juan González|0||||0|||||Mexican|||Colonial|||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||18|||1703|1703||1703|1703-1703|||||0||||0|||||Oil on wood inlaid with mother-of-pearl|oil paint|wood (plant material)|mother of pearl|||painting (image-making)|inlay (process)||||113 x 91.8 cm with frame||9272|Mexico City: Private Collection|Mexico City: Private Coll.||Saint Francis Xavier ; |Saint Francis Xavier|||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|11/29/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||Signed Ju Gonsales fecit, / año de 1703 Mex. This is a so-called "enconchados" painting. Pierce, Painting a New World||||||||||0|0|Saint Francis Xavier Embarking for Asia|González, Juan 5563.00|0|Creator|15||||||Transfer of the Image and Inauguration of the Sanctuary of the Virgin of Guadalupe|Assigned|Image Source (Vendor)|||||||Transfer of the Image and Inauguration of the Sanctuary of the Virgin of Guadalupe|30829|Arellano, Manuel de||painter|Manuel de Arellano|0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||18|||1709|1709|ca|ca 1709|ca 1709-1709|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||176 x 260 cm||9573|Spain: Private Collection|Spain: Priv. Coll.||Processions ; Guadalupe, Our Lady of ; Churches ; Landscapes ; |Processions|Guadalupe, Our Lady of|Churches|Landscapes||||||Cornell||MNW|JNK|1/6/2006 0:00:00|11/29/2005 0:00:00|A680|||0||||||||||||||| ||||||||Work|0||Records the inauguration of the new church dedicated to the Virgin of Guadlupe at the foot of Tepeyac hill, Mexico City. Pierce, Painting a New World.||||||||||0|0|Transfer of the Image and Inauguration of the Sanctuary of the Virgin of Guadalupe|Arellano, Manuel de 5564.00|0|Category|15||||||Courtship and Leisure on the Terrace of a Country Home|Descriptive|Image Source (Pub)|||||||Courtship and Leisure on the Terrace of a Country Home|0|||||0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Painting|Screen (furniture)||18|||1750|1760|ca|ca 1750-1760|ca 1750-1760|||||0||||0|||||Ten-panel folding screen, oil on convas, lacquered wood panels, modern hinges and joints|oil paint|canvas|wood (plant material)|||painting (image-making)|||||225 x 53 cm (each panel)||9219|Mexico: Private Collection|Mexico: Priv. Coll.||Screens (furniture) ; |Screens (furniture)|||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|11/29/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||This is a ten-panel folding screen.||||||||||0|0|Courtship and Leisure on the Terrace of a Country Home| 5565.00|0|Site|02|B-C7|Mex|1.042 1700|1|B-C7 Mex 1.042 1700 1|La Plaza Mayor|Assigned|Image Source (Pub)|Zocaló|Assigned|Image Source (Pub)|Plaza de la Constitucio´n|Assigned|Online Resource|La Plaza Mayor (Zocaló)|31009|Villalpando, Cristóbal de||painter|Cristóbal de Villalpando|0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||18|||1702|1704|ca|ca 1702-1704|ca 1702-1704|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||180 x 200 cm||9618|Wiltshire: Corsham Court|Wiltshire: Corsham Court||Plaza Mayor (Mexico City, Mexico) ; Plazas ; Processions ; Plaza de la Constitucio´n (Mexico City, Mexico) ; Mexico City (Mexico) ; |Plaza Mayor (Mexico City, Mexico)|Plazas|Processions|Plaza de la Constitucio´n (Mexico City, Mexico)|Mexico City (Mexico)|||||Cornell||MNW|MNW|9/4/2006 0:00:00|11/29/2005 0:00:00||Mex||0||||||1700|B|||||C7|1.042|| ||||||||Work|0|Architecture-Mexico|||||||||From the collection of Sir Paul Methuen.||0|0|La Plaza Mayor;Zocaló;Plaza de la Constitucio´n|Villalpando, Cristóbal de 5566.00|0|Category|15||||||Screen with Oriental Influence|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||||||||||||||||0||||0||||0||||0||||||||||||||||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|11/29/2005 0:00:00|11/29/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Screen with Oriental Influence| 5567.00|0|Site|02|B-H3|Flo|3.1 SMNov||B-H3 Flo 3.1 SMNov |West Façade, Upper Portion|Assigned|Blue Guide|||||||Santa Maria Novella. West Façade, Upper Portion|262|Alberti, Leon Battista||architect|Leon Battista Alberti|0|||architect|0|||||Italian|||Renaissance|||Europe||Italy||||||0|Florence, Italy|||9985||||0||||0|Architecture|Church||||15|||1456|1470||1456-1470|1456-1470||Santa Maria Novella|LargerEntity||5568||||0||||||||||||||||||||||Churches ; Facades ; |Churches|Facades||||||||Cornell||JNK|MNW|5/25/2006 0:00:00|12/2/2005 0:00:00||Flo||0||||||SMNov|B|||||H3|3.1||||||||||Work|0|Architecture-Italy|The lower part of the façade is attributed to Talenti who finished the church in the mid-14th century. Alberti was commissioned to complete the upper portion beginning in 1456.||||||||||0|0|West Façade, Upper Portion|Alberti, Leon Battista 5568.00|0|Site|02|B-H3|Flo|3.1 SMNov||B-H3 Flo 3.1 SMNov |Santa Maria Novella|Assigned|Blue Guide|||||||Santa Maria Novella|11594|Talenti, Jacopo, Fra||architect|Talenti, Jacopo, Fra|262|Alberti, Leon Battista||architect|0|||||Italian|||Medieval|Renaissance||Europe||Italy||||||0|Florence, Italy|||9985||||0||||0|Architecture|Church||||12|13|15|1246|1470||1246-1470|1246-1470|||||0||||0||||||||||||||||||||||Churches ; |Churches|||||||||Cornell||JNK|MNW|5/25/2006 0:00:00|12/2/2005 0:00:00||Flo||0||||||SMNov|B|||||H3|3.1||||||||||Work|0|Architecture-Italy|The nave was begun in 1279 by the Dominican Friars Sisto and Ristoro. /the church and lower façade were completed by Talenti. The upper façade was completed by Alberti. Blue Guide.||||||||||0|0|Santa Maria Novella|Talenti, Jacopo, Fra;Alberti, Leon Battista 5569.00|0|Site|02|B-H3|Rom|3.1 SAndQ||B-H3 Rom 3.1 SAndQ |Sant'Andrea al Quirinale|Assigned|Blue Guide|||||||Sant'Andrea al Quirinale|1103|Bernini, Gian Lorenzo||architect|Gian Lorenzo Bernini|0||||0|||||Italian|||Baroque|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Church||||17|||1658|1670||1658-1670|1658-1670|||||0||||0||||||||||||||||||||||Churches ; |Churches|||||||||Cornell||JNK|MNW|5/25/2006 0:00:00|12/2/2005 0:00:00||Rom||0||||||SAndQ|B|||||H3|3.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|Sant'Andrea al Quirinale|Bernini, Gian Lorenzo 5570.00|0|Site|02|B-H2|Vaux|7.1 Chat||B-H2 Vaux 7.1 Chat |Château of Vaux-le-Vicomte|Assigned|Blue Guide|||||||Château of Vaux-le-Vicomte|6877|Le Vau, Louis||architect|Louis Le Vau|0||||0|||||French|||Baroque|||Europe||France||||||0|Seine-et-Marne (department), France|||10605||||0||||0|Architecture|Palace||||17|||1656|1661||1656-1661|1656-1661|||||0||||0||||||||||||||||||||||Castles ; Palaces ; |Castles|Palaces||||||||Cornell||JNK|MNW|5/25/2006 0:00:00|12/2/2005 0:00:00||Vaux||0||||||Chat|B|||||H2|7.1||||||||||Work|0|Architecture-France|||||||||||0|0|Château of Vaux-le-Vicomte|Le Vau, Louis 5571.00|0|Category|15|25|G759-PA|R425||25 G759-PA R425 |The Repentant Peter|Assigned|Image Source (Pub)|||||||The Repentant Peter|4759|Greco, El||painter|El Greco|0||||0|||||Spanish|||Mannerist|Baroque||Europe||Spain||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1600|1600|ca|ca 1600|ca 1600-1600|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||102 x 80 cm||2108|Oslo: Nasjonalgalleriet|Oslo: Nasjonalgalleriet||Saint Peter ; |Saint Peter|||||||||Cornell||JNK|MNW|1/24/2006 0:00:00|12/6/2005 0:00:00|G759|||0||||||R425|25|PA||||||| ||||||||Work|0||||||||||||0|0|The Repentant Peter|Greco, El 5572.00|0|Creator|15|27|C311-PA|B984||27 C311-PA B984 |The Butcher's Shop|Assigned|Image Source (Pub)|||||||The Butcher's Shop|2053|Carracci, Annibale||painter|Annibale Carracci|0||||0|||||Italian|||Mannerist|||Europe||Italy||||||0||||0||||0||||0|Paintings|Painting||||16|||1580|1585|ca|Early 1580s|ca 1580-1585|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||59.7 x 71 cm||3372|Fort Worth: Kimbell Art Museum|Fort Worth: Kimbell Art Mus.||Butcher shops ; |Butcher shops|||||||||Cornell||JNK|MNW|1/24/2006 0:00:00|12/6/2005 0:00:00|C311|||0||||||B984|27|PA||||||| ||||||||Work|0||||||||||||0|0|The Butcher's Shop|Carracci, Annibale 5573.00|0|Creator|15|27|C311-PA|A8521||27 C311-PA A8521 |The Assumption of the Virgin|Assigned|Image Source (Pub)|||||||The Assumption of the Virgin|2053|Carracci, Annibale||painter|Annibale Carracci|0||||0|||||Italian|||Mannerist|||Europe||Italy||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1600|1601||1600-1601|1600-1601|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||245 x 155 cm||2460|Rome: S. Maria del Popolo; Cerasi Chapel|Rome: S. Maria d. Popolo; Cerasi Chapel||Assumption of Mary ; |Assumption of Mary|||||||||Cornell||JNK|MNW|1/24/2006 0:00:00|12/7/2005 0:00:00|C311|||0||||||A8521|27|PA||||||| ||||||||Work|0||||||||||||0|0|The Assumption of the Virgin|Carracci, Annibale 5574.00|0|Creator|15|27|R895-PA|C822||27 R895-PA C822 |Coronation of a Young Hero|Assigned|Image Source (Pub)|The Triumph of Victory|Variant|Dict.Art||||Coronation of a Young Hero (The Triumph of Victory)|10147|Rubens, Peter Paul||painter|Peter Paul Rubens|0||||0|||||Flemish|||Baroque|||Europe||Belgium||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1613|1614|ca|ca 1613-1614|ca 1613-1614|||||0||||0|||||Oil on wood|oil paint|wood (plant material)||||painting (image-making)|||||160.5 x 262 cm||1237|Kassel: Hessisches Landesmuseum; Staatliche Museen Kassel|Kassel: Staatliche Museen Kassel||Victory ; Coronations ; Heroes ; |Victory|Coronations|Heroes|||||||Cornell||JNK|MNW|1/24/2006 0:00:00|12/7/2005 0:00:00|R895|||0||||||C822|27|PA||||||| ||||||||Work|0||||||||||||0|0|Coronation of a Young Hero;The Triumph of Victory|Rubens, Peter Paul 5575.00|0|Creator|15|27|C312-PA|B2511||27 C312-PA B2511 |Bargellini Madonna|Assigned|Image Source (Pub)|||||||Bargellini Madonna|31010|Carracci, Lodovico||painter|Lodovico Carracci|0||||0|||||Italian|||Mannerist|||Europe||Italy||||||0||||0||||0||||0|Paintings|Painting||||16|||1588|1588||1588|1588-1588|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||282 x 188 cm||399|Bologna: Pinacoteca Nazionale|Bologna: Pinacoteca Naz.||Madonna and Child ; Coronation of Mary ; Saints ; |Madonna and Child|Coronation of Mary|Saints|||||||Cornell||JNK|MNW|1/24/2006 0:00:00|12/8/2005 0:00:00|C312|||0||Inv. 578||||B2511|27|PA||||||| ||||||||Work|0||||||||||||0|0|Bargellini Madonna|Carracci, Lodovico 5576.00|0|Creator|15|Bar P|DOMENICHINO|1612-15||Bar P DOMENICHINO 1612-15|S. Cecilia Distributing Clothes to the Poor|Assigned|Image Source (Pub)|||||||S. Cecilia Distributing Clothes to the Poor|3220|Domenichino||painter|Domenichino|0||||0|||||Italian|||Mannerist|||Europe||Italy||||||0|Polet Chapel, San Luigi dei Francesi, Rome, Italy|||10607||||0||||0|Paintings|Fresco||||17|||1612|1615||1612-1615|1612-1615|||||0||||0|||||Fresco|frescoes|||||fresco painting|||||||||||Saint Cecilia ; Poor ; Rome, Italy ; |Saint Cecilia|Poor|Rome, Italy|||||||Cornell||JNK|MNW|1/24/2006 0:00:00|12/8/2005 0:00:00||||0||||||Bar P||||||||1612-15| ||||||||Work|0||||||||||||0|0|S. Cecilia Distributing Clothes to the Poor|Domenichino 5577.00|0|Creator|15|27|C311-PA|C5571||27 C311-PA C5571 |Christ Appearing to St. Peter on the Appian Way|Assigned|Dict.Art|||||||Christ Appearing to St. Peter on the Appian Way|2053|Carracci, Annibale||painter|Annibale Carracci|0||||0|||||Italian|||Mannerist|||Europe||Italy||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1602|1602|ca|ca 1602|ca 1602-1602|||||0||||0|||||Oil on wood|oil paint|wood (plant material)||||painting (image-making)|||||77.4 x 56.3 cm||3357|London: National Gallery|London: National Gallery||Saint Peter ; Christ ; Appian Way (Italy) ; |Saint Peter|Christ|Appian Way (Italy)|||||||Cornell||JNK|MNW|1/24/2006 0:00:00|12/8/2005 0:00:00|C311|||0||NG9||||C5571|27|PA||||||| ||||||||Work|0||||||||||||0|0|Christ Appearing to St. Peter on the Appian Way|Carracci, Annibale 5578.00|0|Creator|15|25|S767-PA|V460||25 S767-PA V460 |Venus and Adonis|Assigned|Image Source (Pub)|||||||Venus and Adonis|31011|Spranger, Bartholomaeus||painter|Bartholomaeus Spranger|0||||0|||||Flemish|Netherlandish||Mannerist|||Europe||Netherlands||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||16|||1597|1597|ca|ca 1597|ca 1597-1597|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||163 x 104.3 cm||3403|Vienna: Kunsthistorisches Museum|Vienna: Kunsthistorisches Mus.||Venus ; Adonis ; |Venus|Adonis||||||||Cornell||JNK|MNW|1/24/2006 0:00:00|12/8/2005 0:00:00|S767|||0||GG Inv. No. 2526|||||25|PA||||||| |V460|||||||Work|0||||||||||||0|0|Venus and Adonis|Spranger, Bartholomaeus 5579.00|0|Creator|15|Bar P|Van HOOGSTRATEN, Samuel|||Bar P Van HOOGSTRATEN, Samuel |A Peepshow with Views of the Interior of a Dutch House|Assigned|Repository|A Peepshow|Variant|Repository||||A Peepshow with Views of the Interior of a Dutch House|14134|Hoogstraten, Samuel van||painter|Samuel van Hoogstraten|0||||0|||||Dutch||||||Europe||Holland (historical region)||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1655|1660|ca|ca 1655-1660|ca 1655-1660|||||0||||0|||||Oil and egg tempera on wood|oil paint|tempera|wood (plant material)|||painting (image-making)|||||58 x 88 x 63.5 cm||3357|London: National Gallery|London: National Gallery||Interior views ; |Interior views|||||||||Cornell||JNK|MNW|1/24/2006 0:00:00|12/8/2005 0:00:00|H779|||0||NG3832||||Bar P||||||||| ||||||||Work|0||The peepshow is a rectangular box; the interior is painted on three sides, as well as on the top and bottom. The sixth side is open.||||||||||0|0|A Peepshow with Views of the Interior of a Dutch House;A Peepshow|Hoogstraten, Samuel van 5580.00|0|Creator|15|BarP|Metsu, Gabriel|||Bar P Metsu, Gabriel |The Dismissal of Hagar|Assigned|Image Source (Pub)|||||||The Dismissal of Hagar|7914|Metsu, Gabriel||artist|Gabriel Metsu|0||||0|||||Dutch|Flemish|||||Europe||Holland (historical region)||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1653|1653|ca|ca 1653|ca 1653-1653|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||115 x 89 cm||1466|Leiden: Stedelijk Museum De Lakenhal|Leiden: Stedel. Mus. Lakenhaal||Hagar and Ishmael depart ; |Hagar and Ishmael depart|||||||||Cornell||JNK|MNW|1/24/2006 0:00:00|12/8/2005 0:00:00|M593|||0||||||Bar P||||||||| ||||||||Work|0||||||||||||0|0|The Dismissal of Hagar|Metsu, Gabriel 5581.00|0|Creator|15|27|P878-PA|11 M|1|27 P878-PA 11 M 1|The Finding of Moses|Assigned|Image Source (Pub)|||||||The Finding of Moses|9436|Poussin, Nicolas||painter|Nicolas Poussin|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Paintings|Painting||||17|||1638|1638||1638|1638-1638|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||93 x 120 cm||3341|Paris: Musée du Louvre|Paris: Louvre||Finding of Moses ; |Finding of Moses|||||||||Cornell||JNK|MNW|1/24/2006 0:00:00|12/8/2005 0:00:00|P878|||0||||||11 M|27|PA||||||| ||||||||Work|0||||||||||||0|0|The Finding of Moses|Poussin, Nicolas 5582.00|0|Creator|15|27|P878-PA|13 D|1|27 P878-PA 13 D 1|The Triumph of David|Assigned|Image Source (Pub)|||||||The Triumph of David|9436|Poussin, Nicolas||painter|Nicolas Poussin|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1629|1630|ca|ca 1629-1630|ca 1629-1630|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||100 x 130 cm||1616|Madrid: Museo del Prado|Madrid: Prado||David ; |David|||||||||Cornell||JNK|MNW|1/24/2006 0:00:00|12/8/2005 0:00:00|P878|||0||||||13 D|27|PA||||||| ||||||||Work|0||||||||||||0|0|The Triumph of David|Poussin, Nicolas 5583.00|0|Creator|15|27|Z967-PA|S152||27 Z967-PA S152 |Saint Serapion|Assigned|Image Source (Pub)|||||||Saint Serapion|30812|Zurbarán, Francisco de||painter|Francisco de Zurbarán|0||||0|||||Spanish||||||Europe||Spain||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1628|1628||1628|1628-1628|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||120 x 130 cm||3381|Hartford: Wadsworth Atheneum|Hartford: Wadsworth Atheneum||Saint Serapion of Thmuis ; |Saint Serapion of Thmuis|||||||||Cornell||JNK|MNW|1/24/2006 0:00:00|12/8/2005 0:00:00|Z967|||0||||||S152|27|PA||||||| ||||||||Work|0||||||||||||0|0|Saint Serapion|Zurbarán, Francisco de 5584.00|0|Creator|15|Bar P|Guercino|||Bar P Guercino |Aurora|Assigned|Image Source (Pub)|||||||Aurora|4904|Guercino||painter|Guercino|0||||0|||||Italian|||Baroque|||Europe||Italy||||||0|Casino Ludovisi, Rome, Italy|||10608||||0||||0|Paintings|Painting|Fresco|||17|||1621|1623||1621-1623|1621-1623|||||0||||0|||||Ceiling fresco|frescoes|||||painting (image-making)|fresco painting||||||||||Aurora ; Mythology ; |Aurora|Mythology||||||||Cornell||JNK|MNW|1/29/2006 0:00:00|12/8/2005 0:00:00||||0||||||Bar P Guercino|||||||||||||||||Work|0||||||||||||0|0|Aurora|Guercino 5585.00|0|Creator|15|27|R413-PA|A9311||27 R413-PA A9311 |Aurora|Assigned|Image Source (Pub)|||||||Aurora|9757|Reni, Guido||painter|Guido Reni|0||||0|||||Italian||||||Europe||Italy||||||0|Cas. Rospigliosi,Pal. Rospigliosi-Pallavicini,Rome|||10609||||0||||0|Paintings|Fresco|Painting|||17|||1614|1614||1614|1614-1614|||||0||||0|||||Fresco|frescoes|||||painting (image-making)|fresco painting||||700 x 280 cm||||||Aurora ; Mythology ; |Aurora|Mythology||||||||Cornell||JNK|MNW|1/29/2006 0:00:00|12/9/2005 0:00:00|R413|||0||||||A9311|27|PA|||||||||||||||Work|0||||||||||||0|0|Aurora|Reni, Guido 5586.00|0|Creator|15|27|P878-PA|4R|1|27 P878-PA 4R 1|The Abuduction of the Sabine Women|Assigned|Repository|Rape of the Sabines|Collective Title|Image Source (Pub)||||The Abuduction of the Sabine Women|9436|Poussin, Nicolas||painter|Nicolas Poussin|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1633|1634|ca|ca 1633-1634|ca 1633-1634|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||154.6 x 209.9 cm||3294|New York: Metropolitan Museum of Art|New York: Metropolitan||||||||||||Cornell||JNK|MNW|1/25/2006 0:00:00|12/9/2005 0:00:00|P878|||0||46.160||||4R|27|PA||||||| ||||||||Work|0||||||||||||0|0|The Abuduction of the Sabine Women;Rape of the Sabines|Poussin, Nicolas 5587.00|0|Creator|15||||||Screen with Panels Depicting Scenes of the Conquist of Mexico|Translated|Cataloger|Tablas con escenas de la Conquista da México||||||Screen with Panels Depicting Scenes of the Conquist of Mexico|31012|González, Miguel|attributed to|painter|Miguel González|0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Painting|Screen (furniture)||17|||1675|1699|ca|End of the 17th century|ca 1675-1699|||||0||||0|||||Painting with inlaid mother of pearl|mother of pearl|||||painting (image-making)|inlay (process)||||ca 2.6 x .6 M (panel)||1621|Madrid: Museo de América|Madrid: Museo de América||Screens (furniture) ; |Screens (furniture)|||||||||Cornell||MNW|JNK|12/12/2005 0:00:00|12/11/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||This screen (biombo) consists of 12 panels. The border is decorated with shell and mother of pearl. Castello Yturbide, Biombos, p.44.||||||||||0|0|Screen with Panels Depicting Scenes of the Conquist of Mexico;Tablas con escenas de la Conquista da México|González, Miguel 5588.00|0|Creator|15||||||Panel V|Descriptive|Image Source (Pub)|||||||Screen with Panels Depicting Scenes of the Conquist of Mexico. Panel V|31012|González, Miguel||painter|Miguel González|0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Painting|Screen (furniture)||17|||1675|1699|ca|End of the 17th century|ca 1675-1699||Screen with Panels Depicting Scenes of the Conquist of Mexico|||5587||||0|||||Painting with inlaid mother of pearl|mother of pearl|||||painting (image-making)|inlay (process)||||ca 2.6 x .6 M (panel)||1621|Madrid: Museo de América|Madrid: Museo de América||Cortez, Hernan, 1485-1547 ; Sacrifices ; Indians of North America ; |Cortez, Hernan, 1485-1547|Sacrifices|Indians of North America|||||||Cornell||MNW|JNK|12/12/2005 0:00:00|12/11/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Panel V|González, Miguel 5589.00|0||||||||Screen Depicting the Virreinal Palace|Translated|Cataloger|Biombo representando el Palacio de los Virreyes|Descriptive|Image Source (Pub)||||Screen Depicting the Virreinal Palace|0|||||0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Painting|Screen (furniture)||17|||1600|1699|ca|17th century|ca 1600-1699|||||5588||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||ca 1.9 x .6 M (panel)||1621|Madrid: Museo de América|Madrid: Museo de América||Palacio Virreinal de México ; Government office buildings ; Palaces ; |Palacio Virreinal de México|Government office buildings|Palaces|||||||Cornell||MNW|JNK|1/6/2006 0:00:00|12/11/2005 0:00:00||||0||||||||||||||| |||||||||0||This screen consists of eight panels. The Palacio Virreinal de México was destroyed in 1692. Castello Yturbide, Biombos, p. 72.||||||||||0|0|Screen Depicting the Virreinal Palace;Biombo representando el Palacio de los Virreyes| 5590.00|0||||||||Screen With Oriental Influence|Translated|Cataloger|Biombo con influencia oriental|Descriptive|Image Source (Pub)||||Screen With Oriental Influence|0|||||0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Painting|Screen (furniture)||17|||1600|1699|ca|17th century|ca 1600-1699|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||193 x 62 cm (panel)||9623|Madrid: Colección Familia Alvear Zubiría|Madrid: Col. Zubiría||Screens (furniture) ; Fishermen ; Processions ; Fountains ; Cityscapes ; Landscapes ; |Screens (furniture)|Fishermen|Processions|Fountains|Cityscapes|Landscapes||||Cornell||MNW|JNK|1/6/2006 0:00:00|12/11/2005 0:00:00||||0||||||||||||||| |||||||||0||This screen consists of 10 panels.||||||||||0|0|Screen With Oriental Influence;Biombo con influencia oriental| 5591.00|0||||||||Collection of Plates from the Ancient Monuments of New Spain. Third Expedition|Translated|Cataloger|Colección de láminas de los antiguos monumentos de Nueva España. Tercer viaje|Published|Image Source (Pub)||||Collection of Plates from the Ancient Monuments of New Spain. Third Voyage|31013|Dupaix, Guillermo||archaeologist|Guillermo Dupaix|0||||0|||||Spanish||||||North and Central America||Mexico||||||0||||0||||0||||0|Watercolors|Watercolor||||19|||1820|1820||1820|1820-1820|||||0||||0|||||Watercolor on paper|watercolor|paper (fiber product)||||painting (image-making)|||||31.6 x 21.2||9624|Seville: Universidad de Seville; Laboratorio de Arte|Seville: Univ.; Lab. de Arte||||||||||||Cornell||MNW|MNW|12/11/2005 0:00:00|12/11/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Collection of Plates from the Ancient Monuments of New Spain. Third Expedition;Colección de láminas de los antiguos monumentos de Nueva España. Tercer viaje|Dupaix, Guillermo 5592.00|0||||||||Plate 19|Assigned|Image Source (Pub)|||||||Plate 19. Collection of Plates from the Ancient Monuments of New Spain. Third Expedition|31014|Castan~eda, Jose´ Luciano||artist|Jose´ Luciano Castan~eda|31013|Dupaix, Guillermo||archaeologist|0|||||Spanish||||||North and Central America||Mexico||||||0||||0||||0||||0|Watercolors|Watercolor||||19|||1820|1820||1820|1820-1820||Collection of Plates from the Ancient Monuments of New Spain. Third Expedition|Series||5591||||0|||||Watercolor on paper|watercolor|paper (fiber product)||||painting (image-making)|||||31.6 x 21.2||9624|Seville: Universidad de Seville; Laboratorio de Arte|Seville: Univ.; Lab. de Arte||||||||||||Cornell||MNW|JNK|12/12/2005 0:00:00|12/11/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Plate 19|Castan~eda, Jose´ Luciano;Dupaix, Guillermo 5593.00|0||||||||Plate 25|Assigned|Image Source (Pub)|||||||Plate 25. Collection of Plates from the Ancient Monuments of New Spain. Third Expedition|31014|Castan~eda, Jose´ Luciano||artist|Jose´ Luciano Castan~eda|31013|Dupaix, Guillermo||archaeologist|0|||||Spanish||||||North and Central America||Mexico||||||0||||0||||0||||0|Watercolors|Watercolor||||19|||1820|1820||1820|1820-1820||Collection of Plates from the Ancient Monuments of New Spain. Third Expedition|Series||5591||||0|||||Watercolor on paper|watercolor|paper (fiber product)||||painting (image-making)|||||31.6 x 21.2||9624|Seville: Universidad de Seville; Laboratorio de Arte|Seville: Univ.; Lab. de Arte||||||||||||Cornell||MNW|MNW|12/11/2005 0:00:00|12/11/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Plate 25|Castan~eda, Jose´ Luciano;Dupaix, Guillermo 5594.00|0||||||||Plate 34|Assigned|Image Source (Pub)|||||||Plate 34. Collection of Plates from the Ancient Monuments of New Spain. Third Expedition|31014|Castan~eda, Jose´ Luciano||artist|Jose´ Luciano Castan~eda|31013|Dupaix, Guillermo||archaeologist|0|||||Spanish||||||North and Central America||Mexico||||||0||||0||||0||||0|Watercolors|Watercolor||||19|||1820|1820||1820|1820-1820||Collection of Plates from the Ancient Monuments of New Spain. Third Expedition|Series||5591||||0|||||Watercolor on paper|watercolor|paper (fiber product)||||painting (image-making)|||||31.6 x 21.2||9624|Seville: Universidad de Seville; Laboratorio de Arte|Seville: Univ.; Lab. de Arte||||||||||||Cornell||MNW|MNW|12/11/2005 0:00:00|12/11/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Plate 34|Castan~eda, Jose´ Luciano;Dupaix, Guillermo 5595.00|0||||||||Plate 35|Assigned|Image Source (Pub)|||||||Plate 35. Collection of Plates from the Ancient Monuments of New Spain. Third Expedition|31014|Castan~eda, Jose´ Luciano||artist|Jose´ Luciano Castan~eda|31013|Dupaix, Guillermo||archaeologist|0|||||Spanish||||||North and Central America||Mexico||||||0||||0||||0||||0|Watercolors|Watercolor||||19|||1820|1820||1820|1820-1820||Collection of Plates from the Ancient Monuments of New Spain. Third Expedition|Series||5591||||0|||||Watercolor on paper|watercolor|paper (fiber product)||||painting (image-making)|||||31.6 x 21.2||9624|Seville: Universidad de Seville; Laboratorio de Arte|Seville: Univ.; Lab. de Arte||||||||||||Cornell||MNW|MNW|12/11/2005 0:00:00|12/11/2005 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Plate 35|Castan~eda, Jose´ Luciano;Dupaix, Guillermo 5596.00|0||||||||The Flood|Translated|Cataloger|El diluvio|Descriptive|Image Source (Pub)||||The Flood|0|||||0||||0|||||Chinese||||||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Screen (furniture)|||17|||1675|1699||End of 17th century|1675-1699|||||0||||0|||||Ink and tempera on paper|ink|tempera|paper (fiber product)|||painting (image-making)|||||2.16 x 3.72 M||9625|Mexico City: Museo Soumaya|Mexico City: Mus. Soumaya||Flood ; Landscapes ; Townscapes (built environment) ; Old Testament ; Noah, Story of ; |Flood|Landscapes|Townscapes (built environment)|Old Testament|Noah, Story of|||||Cornell||MNW|JNK|12/12/2005 0:00:00|12/11/2005 0:00:00||||0||||||||||||||| |||||||||0||The artist of this screen worked in Macao, China. The screen consists of 6 panels.||||||||||0|0|The Flood;El diluvio| 5597.00|0||||||||Flos sanctorum|Published|Image Source (Pub)|||||||Flos sanctorum|31015|Villegas, Alonso de||author|Alonso de Villegas|0||||0|||||Spanish||||||Europe||Spain||||||0||||0||||0||||0|Publications|Book|Woodcut|||16|||1588|1588||1588|1588-1588|||||0||||0|||||||||||printing|||||||||||Books ; |Books|||||||||Cornell||MNW|JNK|12/12/2005 0:00:00|12/11/2005 0:00:00||||0||||||||||||||||||||||||0||Published by Juan Rodríguez in Toledo, Spain in 1588.||||||||||0|0|Flos sanctorum|Villegas, Alonso de 5598.00|0|Creator|15||||||Sister Juana Inés de la Cruz|Translated|Cataloger|Sor Juana Inés de la Cruz|Assigned|Image Source (Pub)||||Sister Juana Inés de la Cruz|31016|Herrera, Fray Miguel de||painter|Fray Miguel de Herrera|0||||0|||||Spanish|Mexican||Colonial|||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Portraits||18|||1732|1732||1732|1732-1732|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||64 x 54 cm||9610|Mexico City: Collection Banco Nacional de México|Mexico City: Coll. Banco Nac. de México||Religious symbolism ; Portratis ; Annunciation ; |Religious symbolism|Portratis|Annunciation|||||||Cornell||MNW|JNK|1/6/2006 0:00:00|12/12/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Sister Juana Inés de la Cruz;Sor Juana Inés de la Cruz|Herrera, Fray Miguel de 5599.00|0|Category|15||||||Death Polytyptch|Translated|Cataloger|PolÍptico de la muerte|Descriptive|Image Source (Pub)||||Death Polytyptch|0|||||0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Altarpiece||18|||1775|1775||1775|1775-1775|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||29 x 23 cm each leaf||2846|Tepotzotlan: Museo Nacional del Virreinato|Tepotzotlan: Mus. Nat. Virreinato||Religious symbolism ; Deaths ; Skulls ; Skeletons ; Musical notation ; |Religious symbolism|Deaths|Skulls|Skeletons|Musical notation|||||Cornell||MNW|JNK|1/6/2006 0:00:00|12/12/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Death Polytyptch;PolÍptico de la muerte| 5600.00|0|Category|15||||||The Origin and Destiny of Man|Translated|Cataloger|Origen y destino del hombres|Descriptive|Image Source (Pub)||||Death Polytyptch. The Origin and Destiny of Man|0|||||0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Altarpiece||18|||1775|1775||1775|1775-1775||Death Polytyptch|LargerEntity||5599||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||29 x 23 cm||2846|Tepotzotlan: Museo Nacional del Virreinato|Tepotzotlan: Mus. Nat. Virreinato||Skulls ; Skeletons ; Candles ; Trees ; Deaths ; Religious symbolism ; Musical notation ; |Skulls|Skeletons|Candles|Trees|Deaths|Religious symbolism|Musical notation|||Cornell||MNW|JNK|1/6/2006 0:00:00|12/12/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|The Origin and Destiny of Man;Origen y destino del hombres| 5601.00|0|Category|15||||||The Conditions for a Good Confession|Translated|Cataloger|Condiciones de una buena confesión|Descriptive|Image Source (Pub)||||The Conditions for a Good Confession|0|||||0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||18|||1700|1799||18th century|1700-1799|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||150 x 122 cm||9626|Mexico City: Pinacoteca del Templo de la Profesa|Mexico City: Pin. del Templo de la Prof.||Religious symbolism ; Sacraments ; Confession ; Devils ; Doves ; Angels ; Priests ; |Religious symbolism|Sacraments|Confession|Devils|Doves|Angels|Priests|||Cornell||MNW|JNK|1/6/2006 0:00:00|12/12/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|The Conditions for a Good Confession;Condiciones de una buena confesión| 5602.00|0|Creator|15|27|P878-PA|BS127||27 P878-PA BS127 |Confirmation|Assigned|Repository|||||||The Seven Sacraments (I). Confirmation|9436|Poussin, Nicolas||painter|Nicolas Poussin|0||||0|||||French|||Baroque|||Europe||France||||||0||||0||||0||||0|Paintings|Painting||||17|||1637|1640|ca|ca 1637-1640|ca 1637-1640||The Seven Sacraments (I)|Larger entity||5622||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||95.5 x 121 cm||3357|London: National Gallery|London: National Gallery||Confirmations ; Sacraments ; |Confirmations|Sacraments||||||||Cornell||JNK|MNW|1/29/2006 0:00:00|12/12/2005 0:00:00|P878|||0||L957|||||27|PA|||||BS127|| ||||||||Work|0||||||||||This work is on loan from the Duke of Rutland's Turstees, Belvoir Castle, Grantham.||0|0|Confirmation|Poussin, Nicolas 5603.00|0|Creator|15|27|P878-PA|13|1|27 P878-PA 13 1|The Isrealites Gathering the Manna|Assigned|Image Source (Pub)|||||||The Isrealites Gathering the Manna|9436|Poussin, Nicolas||painter|Nicolas Poussin|0||||0|||||French|||Baroque|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1637|1639||1637-1639|1637-1639|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||149 x 200 cm||3341|Paris: Musée du Louvre|Paris: Louvre||Gathering of manna ; |Gathering of manna|||||||||Cornell||JNK|MNW|1/25/2006 0:00:00|12/12/2005 0:00:00|P878|||0||||||13|27|PA||||||| ||||||||Work|0||||||||||||0|0|The Isrealites Gathering the Manna|Poussin, Nicolas 5604.00|0|Creator|15|27|R895-PA|4Mi|1|27 R895-PA 4Mi 1|Minerva Protects Pax from Mars|Assigned|Image Source (Pub)|Peace and War|Variant|Image Source (Pub)||||Minerva Protects Pax from Mars (Peace and War)|10147|Rubens, Peter Paul||painter|Peter Paul Rubens|0||||0|||||Flemish|||Baroque|||Europe||Belgium||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1629|1630|ca|ca 1629-1630|ca 1629-1630|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||203.5 x 298 cm||3357|London: National Gallery|London: National Gallery||Minerva ; Mars ; Pax ; Ceres ; Allegory ; Hymen ; Alecto ; |Minerva|Mars|Pax|Ceres|Allegory|Hymen|Alecto|||Cornell||JNK|MNW|1/29/2006 0:00:00|12/12/2005 0:00:00|R895|||0||NG46||||4Mi|27|PA||||||| ||||||||Work|0||||||||||||0|0|Minerva Protects Pax from Mars;Peace and War|Rubens, Peter Paul 5605.00|0|Category|15||||||Funeral Pyre of El Carmen|Translated|Cataloger|Pira funeraria de El Carmen|Descriptive|Image Source (Pub)||||Funeral Pyre of El Carmen|0|||||0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Sculpture|Monument|Sculpture|Memorial||18|||1700|1799||18th century|1700-1799|||||0||||0|||||Oil on wood|oil paint|wood (plant material)||||painting (image-making)|||||95 x 325 x 325 cm (footprint)||2938|Toluca: Museo de Bellas Artes|Toluca: Mus. B. A.||Religious symbolism ; Skeletons ; Deaths ; |Religious symbolism|Skeletons|Deaths|||||||Cornell||MNW|JNK|1/6/2006 0:00:00|12/12/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||Level one = 95 x 325 x 325 cm; Level two = 84 x 236 x 236 cm; Level three = 83 x 176 x 176 cm; Level four = 70 x 150 x 150 cm.||||||||||0|0|Funeral Pyre of El Carmen;Pira funeraria de El Carmen| 5606.00|0|Creator|15|27|R895-PA|MF773||27 R895-PA MF773 |The Four Philosophers|Assigned|Image Source (Pub)|||||||The Four Philosophers|10147|Rubens, Peter Paul||painter|Peter Paul Rubens|0||||0|||||Flemish|||Baroque|||Europe||Belgium||||||0||||0||||0||||0|Paintings|Painting||||17|||1611|1612||1611-1612|1611-1612|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||164 x 139 cm||878|Florence: Palazzo Pitti; Galleria Palatina|Florence: Pitti Palace; Gal. Palatina||Portraits ; Self-portraits ; Rubens, Peter Paul, 1577-1640 ; Philosopher ; Lipsius, Justus, 1547-1606 ; Rubens, Philippe, 1574-1611 ; Wowerius, Jan, 1576-1635 ; |Portraits|Self-portraits|Rubens, Peter Paul, 1577-1640|Philosopher|Lipsius, Justus, 1547-1606|Rubens, Philippe, 1574-1611|Wowerius, Jan, 1576-1635|||Cornell||JNK|MNW|2/3/2006 0:00:00|12/12/2005 0:00:00|R895|||0||85||||MF773|27|PA||||||| ||||||||Work|0||Self-portrait with Justus Lipsius (posthumous), Philip Rubens (posthumous), and Jan Wowerius||||||||||0|0|The Four Philosophers|Rubens, Peter Paul 5608.00|0|Category|15||||||Side One, Level 3|Descriptive|Image Source (Pub)|||||||Funeral Pyre of El Carmen. Side One, Level 3|0|||||0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Sculpture|Monument|Sculpture|Memorial||18|||1700|1799||18th century|1700-1799||Funeral Pyre of El Carmen|||5605||||0|||||Oil on wood|oil paint|wood (plant material)||||painting (image-making)|||||83 x 176 x 176 cm||2938|Toluca: Museo de Bellas Artes|Toluca: Mus. B. A.||Religious symbolism ; Skeletons ; Deaths ; Nuns ; |Religious symbolism|Skeletons|Deaths|Nuns||||||Cornell||MNW|JNK|1/6/2006 0:00:00|12/12/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Side One, Level 3| 5610.00|0|Category|15||||||Side One, Level 2|Descriptive|Image Source (Pub)|||||||Funeral Pyre of El Carmen. Side One, Level 2|0|||||0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Sculpture|Monument|Sculpture|Memorial||18|||1700|1799||18th century|1700-1799||Funeral Pyre of El Carmen|LargerEntity||5605||||0|||||Oil on wood|oil paint|wood (plant material)||||painting (image-making)|||||84 x 236 x 236 cm||2938|Toluca: Museo de Bellas Artes|Toluca: Mus. B. A.||Coffins ; Skeletons ; Skulls ; Nuns ; Monks ; Religious symbolism ; |Coffins|Skeletons|Skulls|Nuns|Monks|Religious symbolism||||Cornell||MNW|JNK|1/6/2006 0:00:00|12/12/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Side One, Level 2| 5611.00|0|Category|15||||||Side One, Level 1|Descriptive|Image Source (Pub)|||||||Funeral Pyre of El Carmen. Side One, Level 1|0|||||0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Sculpture|Monument|Sculpture|Memorial||18|||1700|1799||18th century|1700-1799||Funeral Pyre of El Carmen|||5605||||0|||||Oil on wood|oil paint|wood (plant material)||||painting (image-making)|||||95 x 325 x 325 cm||2938|Toluca: Museo de Bellas Artes|Toluca: Mus. B. A.||Bishops (prelates) ; Skeletons ; Deaths ; Religious symbolism ; |Bishops (prelates)|Skeletons|Deaths|Religious symbolism||||||Cornell||MNW|JNK|1/6/2006 0:00:00|12/12/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Side One, Level 1| 5612.00|0|Category|15||||||Side Two, Level 4|Descriptive|Image Source (Pub)|||||||Funeral Pyre of El Carmen. Side Two, Level 4|0|||||0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Sculpture|Monument|Sculpture|Memorial||18|||1700|1799||18th century|1700-1799||Funeral Pyre of El Carmen|LargerEntity||5605||||0|||||Oil on wood|oil paint|wood (plant material)||||painting (image-making)|||||70 x 150 x 150 cm||2938|Toluca: Museo de Bellas Artes|Toluca: Mus. B. A.||Skeletons ; Deaths ; Chariots ; Lions ; Religious symbolism ; |Skeletons|Deaths|Chariots|Lions|Religious symbolism|||||Cornell||MNW|JNK|1/6/2006 0:00:00|12/12/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Side Two, Level 4| 5613.00|0|Category|15||||||Side Two, Level 3|Descriptive|Image Source (Pub)|||||||Funeral Pyre of El Carmen. Side Two, Level 3|0|||||0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Sculpture|Monument|Sculpture|Memorial||18|||1700|1799||18th century|1700-1799||Funeral Pyre of El Carmen|Larger entity||5605||||0|||||Oil on wood|oil paint|wood (plant material)||||painting (image-making)|||||83 x 176 x 176 cm||||||Deaths ; Skeletons ; Angels ; |Deaths|Skeletons|Angels|||||||Cornell||MNW|JNK|1/6/2006 0:00:00|12/12/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Side Two, Level 3| 5614.00|0|Category|15||||||Side Two, Level 1|Descriptive|Image Source (Pub)|||||||Funeral Pyre of El Carmen. Side Two, Level 1|0|||||0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Sculpture|Monument|Sculpture|Memorial||18|||1700|1799||18th century|1700-1799||Funeral Pyre of El Carmen|||5605||||0|||||Oil on wood|oil paint|wood (plant material)||||painting (image-making)|||||95 x 325 x 325 cm||2938|Toluca: Museo de Bellas Artes|Toluca: Mus. B. A.||Bishops (prelates) ; Religious symbolism ; Deaths ; Horses ; |Bishops (prelates)|Religious symbolism|Deaths|Horses||||||Cornell||MNW|JNK|1/6/2006 0:00:00|12/12/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Side Two, Level 1| 5615.00|0|Site|02|B-H2|Par|7.1 Lou/Cou||B-H2 Par 7.1 Lou/Cou |Courtyard|Assigned|Cataloger|Square Court|Variant|Print Publication||||Palais du Louvre. Courtyard|6993|Lescot, Pierre||architect|Pierre Lescot & Jacques Lemercier|6947|Lemercier, Jacques||architect|4699|Goujon, Jean||sculptor||French|||Renaissance|Baroque||Europe||France||||||0|Paris, France|||10058||||0||||0|Architecture|Palace|Courtyard|||16|17||1546|1642||1546-1642|1546-1642||Palais du Louvre|Larger entity||643||||0||||||||||||||||||||||||||||||||Cornell||JNK|MNW|5/25/2006 0:00:00|12/13/2005 0:00:00||Par||0||||||Lou/Cou|B|||||H2|7.1||||||||||Work|0|Architecture-France|||||||||||0|0|Courtyard;Square Court|Lescot, Pierre;Lemercier, Jacques;Goujon, Jean 5616.00|0|Site|02|B-H2|Ver|7.1 Pal/Gar/Lat||B-H2 Ver 7.1 Pal/Gar/Lat |Latona Basin & Fountain|Translated|Cataloger|Bassin de Latone|Assigned|Blue Guide||||Palace. Formal Gardens. Latona Basin & Fountain|6869|Le Nôtre, André||landscape architect|André Le Nôtre|5111|Mansart, Jules Hardouin||archaeologist|6888|Le Brun, Charles||sculptor||French|||Baroque|||Europe||France||||||0|Versailles, France|||10214||||0||||0|Landscape architecture|Garden|Fountain|Basin||17|||1667|1688||1667-1688|1667-1688||Versailles Gardens|Larger entity||1804||||0||||||||||||||||||||||Leto ; Fountains ; Basins ; Mythology ; |Leto|Fountains|Basins|Mythology||||||Cornell||JNK|MNW|1/29/2006 0:00:00|12/13/2005 0:00:00||Ver||0||||||Pal/Gar/Lat|B|||||H2|7.1||||||||||Work|0|Architecture-France|||||||||||0|0|Latona Basin & Fountain;Bassin de Latone|Le Nôtre, André;Mansart, Jules Hardouin;Le Brun, Charles 5617.00|0|Creator|15|27|R385-PA|S489||27 R385-PA S489 |Self-Portrait|Assigned|Image Source (Pub)|||||||Self-Portrait|9750|Rembrandt van Rijn||painter|Rembrandt van Rijn|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)||||||0||||0||||0||||0|Paintings|Painting|Portrait|||17|||1660|1600|ca|ca 1660|ca 1660-1600|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||68 x 57 cm||2761|Stuttgart: Staatsgalerie Stuttgart|Stuttgart: Staatsgalerie||Self-portraits ; Rembrandt van Rijn (1606-1669) ; |Self-portraits|Rembrandt van Rijn (1606-1669)||||||||Cornell||JNK|||12/14/2005 0:00:00|R385|||0||||||S489|27|PA||||||| ||||||||Work|0||||||||||||0|0|Self-Portrait|Rembrandt van Rijn 5618.00|0|Creator|15|27|R895-PA|26Ra||27 R895-PA 26Ra|Elevation of the Cross Altarpiece|Assigned|Image Source (Pub)|Raising of the Cross|Variant|Online Resource||||Elevation of the Cross Altarpiece|10147|Rubens, Peter Paul||painter|Peter Paul Rubens|0||||0|||||Flemish|||Baroque|||Europe||Belgium||||||0||||0||||0||||0|Paintings|Altarpiece|Painting|Oil painting||17|||1609|1610||1609-1610|1609-1610|||||0||||0|||||Oil on panel|oil paint|panels (wood)||||painting (image-making)|||||460 x 340cm (central panel), 460 x 150 cm (wings)||124|Antwerp: Cathedral|Antwerp: Cathedral||Crucifixion ; Christ ; Erection of the Cross ; |Crucifixion|Christ|Erection of the Cross|||||||Cornell||MNW|||1/29/2006 0:00:00|R895|||0||||||26Ra|27|PA||||||| ||||||||Work|0||||||||||||0|0|Elevation of the Cross Altarpiece;Raising of the Cross|Rubens, Peter Paul 5619.00|0|Creator|15|27|R895-PA|V471||27 R895-PA V471 |Venus and Adonis|Assigned|Image Source (Pub)|||||||Venus and Adonis|10147|Rubens, Peter Paul||painter|Peter Paul Rubens|0||||0|||||Flemish|||Baroque|||Europe||Belgium||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1635|1639|ca|ca 1635-1639|ca 1635-1639|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||198 x 243 cm||3294|New York: Metropolitan Museum of Art|New York: Metropolitan||Venus ; Adonis ; Cupid ; |Venus|Adonis|Cupid|||||||Cornell||MNW|MNW|1/29/2006 0:00:00|1/29/2006 0:00:00|R895|||0||37.162||||V471|27|PA||||||| ||||||||Work|0|||||Mid- or late 1630s. Metropolitan Museum.|||||||0|0|Venus and Adonis|Rubens, Peter Paul 5620.00|0|Creator|15|Bar P|La Tour, Georges de|||Bar P La Tour, Georges de |Education of the Virgin|Assigned|Repository|||||||Education of the Virgin|6640|La Tour, Georges de||painter|Georges de la Tour & Étienne de La Tour|31017|La Tour, Étienne||painter|0|||||French||||||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1650|1650|ca|ca 1650|ca 1650-1650|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||83.82 cm x 100.33 cm||3379|New York: Frick Collection|New York: Frick Collection||Virgin Mary ; Education ; |Virgin Mary|Education||||||||Cornell|||||12/13/2005 0:00:00||||0||1948.1.155||||Bar P||||||||| ||||||||Work|0||||||||||||0|0|Education of the Virgin|La Tour, Georges de;La Tour, Étienne 5621.00|0|Creator|15|27|R895-PA|C953||27 R895-PA C953 |Crowning the Victor|Assigned|Image Source (Pub)|||||||Crowning the Victor|10147|Rubens, Peter Paul||painter|Peter Paul Rubens|0||||0|||||Flemish|||Baroque|||Europe||Belgium||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1615|1615|ca|ca 1615|ca 1615-1615|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||48 x 66 cm||3403|Vienna: Kunsthistorisches Museum|Vienna: Kunsthistorisches Mus.||Victory ; Coronations ; Heroes ; |Victory|Coronations|Heroes|||||||Cornell||JNK|JNK|12/13/2005 0:00:00|12/13/2005 0:00:00|R895|||0||||||C953|27|PA||||||| ||||||||Work|0||||||||||||0|0|Crowning the Victor|Rubens, Peter Paul 5622.00|0||||||||The Seven Sacraments (I)|Series|Repository|||||||The Seven Sacraments (I)|9436|Poussin, Nicolas||painter|Nicolas Poussin|0||||0|||||French|||Baroque|||Europe||France||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||17|||1637|1640|ca|ca 1637-1640|ca 1637-1640|||||0||||0||||||oil paint|canvas||||painting (image-making)|||||||3357|London: National Gallery|London: National Gallery||Sacraments ; Eucharist ; Confirmations ; Marriage of the Virgin ; |Sacraments|Eucharist|Confirmations|Marriage of the Virgin||||||Cornell||JNK|MNW|1/29/2006 0:00:00|12/13/2005 0:00:00||||0||L953-L957||||||||||||| |||||||||0||'The Seven Sacraments' show the sacred rites that Catholic priests perform, such as Confirmation, Communion and Marriage. National Gallery.||||||||On loan from the Duke of Rutland's Trustees, Belvoir Castle, Grantham.||0|0|The Seven Sacraments (I)|Poussin, Nicolas 5623.00|0|Creator|15|27|P878-PA|BS124||27 P878-PA BS124 |Eucharist|Assigned|Repository|||||||The Seven Sacraments (I). Eucharist|9436|Poussin, Nicolas||painter|Nicolas Poussin|0||||0|||||French|||Baroque|||Europe||France||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||17|||1637|1640|ca|ca 1637-1640|ca 1637-1640||The Seven Sacraments (I)|Larger entity||5622||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||95.5 x 121 cm||3357|London: National Gallery|London: National Gallery||Eucharist ; Sacraments ; |Eucharist|Sacraments||||||||Cornell||JNK|MNW|1/29/2006 0:00:00|12/13/2005 0:00:00|P878|||0||L954||||BS124|27|PA||||||| ||||||||Work|0||||||||||On loan from the Duke of Rutland's Trustees, Belvoir Castle, Grantham.||0|0|Eucharist|Poussin, Nicolas 5624.00|0||||||||The Seven Sacraments (II)|Series|Image Source (Vendor)|||||||The Seven Sacraments (II)|9436|Poussin, Nicolas||painter|Nicolas Poussin|0||||0|||||French|||Baroque|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1644|1648||1644-1648|1644-1648|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||||3446|Edinburgh: National Gallery of Scotland|Edinburgh: Nat. Gal. Scotland||Sacraments ; Eucharist ; Confirmations ; Marriage of the Virgin ; |Sacraments|Eucharist|Confirmations|Marriage of the Virgin||||||Cornell||JNK|JNK|1/11/2006 0:00:00|12/13/2005 0:00:00|P878|||0||||||||||||||| |||||||||0||||||||||||0|0|The Seven Sacraments (II)|Poussin, Nicolas 5625.00|0|Creator|15|27|P878-PA|BS129||27 P878-PA BS129 |Confirmation|Assigned|Image Source (Pub)|||||||The Seven Sacraments (II). Confirmation.|9436|Poussin, Nicolas||painter|Nicolas Poussin|0||||0|||||French|||Baroque|||Europe||France||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||17|||1644|1648||1644-1648|1644-1648||The Seven Sacraments (II)|Larger entity||5624||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||117 x 178 cm||3446|Edinburgh: National Gallery of Scotland|Edinburgh: Nat. Gal. Scotland||Confirmations ; Sacraments ; |Confirmations|Sacraments||||||||Cornell||JNK|JNK|1/11/2006 0:00:00|12/13/2005 0:00:00|P878|||0||||||BS129|27|PA||||||| ||||||||Work|0||||||||||||0|0|Confirmation|Poussin, Nicolas 5626.00|0|Creator|15|27|L454-G|4 D||27 L454-G 4 D |The Family of Darius|Inscribed|Image Source (Pub)|La Famille de Darius|Original|Image Source (Pub)||||The Family of Darius|6888|Le Brun, Charles||painter|Charles Le Brun|0||||0|||||French|||Baroque|||Europe||France||||||0||||0||||0||||0|Prints|Engraving (print)||||17||||||||||||0||||0|||||Engraving||||||engraving (incising)|||||||||||Darius III ; Alexander the Great ; Families ; |Darius III|Alexander the Great|Families|||||||Cornell||JNK|MNW|6/21/2006 0:00:00|12/13/2005 0:00:00|L454|||0||||||4 D|27|G|||||||||||||||Work|0||Engraving after the painting in the Château de Versailles.||||||||||0|0|The Family of Darius;La Famille de Darius|Le Brun, Charles 5627.00|0|Creator|15|Bar P|Ribera, Jusepe de|||Bar P Ribera, Jusepe de|Drunken Silenus|Assigned|Image Source (Pub)|||||||Drunken Silenus|13202|Ribera, Jusepe de||painter|Jusepe de Ribera|0||||0|||||Spanish|||Baroque|||Europe||Spain||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1626|1626|ca|ca 1626|ca 1626-1626|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||185 x 229 cm||1859|Naples: Museo e Galleria Nazionali di Capodimonte|Naples: Capodimonte||Silenus ; Mythology ; |Silenus|Mythology||||||||Cornell||JNK|JNK|11/13/2006 0:00:00|12/13/2005 0:00:00||||0||298||||Bar P||||||||| ||||||||Work|0||||||||||||0|0|Drunken Silenus|Ribera, Jusepe de 5628.00|0|Creator|15|27|P878-PA|91|1|27 P878-PA 91 1|Arcadian Shepherds|Assigned|Image Source (Pub)|||||||Arcadian Shepherds|9436|Poussin, Nicolas||painter|Nicolas Poussin|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1628|1628||1628|1628-1628|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||98.5 x 72.5 cm||3484|Chatsworth: Duke of Devonshire and Chatsworth House Trust|Chatsworth: Duke of Devonshire||Shepherds ; |Shepherds|||||||||Cornell||JNK|JNK|12/13/2005 0:00:00|12/13/2005 0:00:00|P878|||0||||||91|27|PA||||||| ||||||||Work|0||||||||||||0|0|Arcadian Shepherds|Poussin, Nicolas 5629.00|0|Creator|15|27|R385-G|S5541||27 R385-G S5541 |The Shell|Assigned|Image Source (Pub)|||||||The Shell|9750|Rembrandt van Rijn||painter|Rembrandt van Rijn|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)||||||0||||0||||0||||0|Prints|Etching|Drypoint|Engraving (print)||17|||1650|1650||1650|1650-1650|||||0||||0|||||Etching, drypoint and engraving||||||etching (corroding)|engraving (incising)||||||||||Shells (animal material) ; |Shells (animal material)|||||||||Cornell||JNK|MNW|1/29/2006 0:00:00|12/13/2005 0:00:00|R385|||0||||||S5541|27|G|||||||||||||||Work|0||||||||||||0|0|The Shell|Rembrandt van Rijn 5630.00|0|Creator|15|27|R385-PA|R439||27 R385-PA R439 |Return of the Prodigal Son|Assigned|Image Source (Pub)|||||||Return of the Prodigal Son|9750|Rembrandt van Rijn||painter|Rembrandt van Rijn|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)||||||0||||0||||0||||0|Paintings|Painting||||17|||1668|1669|ca|ca 1668-1669|ca 1668-1669|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||262 x 205 cm||3431|Saint Petersburg: Hermitage|Saint Petersburg: Hermitage||Parable of the Prodigal Son ; Parables ; |Parable of the Prodigal Son|Parables||||||||Cornell||JNK|MNW|1/29/2006 0:00:00|12/13/2005 0:00:00|R385|||0||||||R439|27|PA||||||| ||||||||Work|0||||||||||||0|0|Return of the Prodigal Son|Rembrandt van Rijn 5631.00|0|Creator|15|27|R385-PA|L943||27 R385-PA L943 |Lucretia|Assigned|Repository|Suicide of Lucretia|Variant|Image Source (Pub)||||Lucretia|9750|Rembrandt van Rijn||painter|Rembrandt van Rijn|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1664|1664|ca|ca 1664|ca 1664-1664|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||120 x 101 cm||3367|Washington, DC: National Gallery of Art|Wash, DC: National Gallery||Lucretia ; Suicides ; |Lucretia|Suicides||||||||Cornell||JNK|JNK|12/13/2005 0:00:00|12/13/2005 0:00:00|R385|||0||1937.1.76||||L943|27|PA||||||| ||||||||Work|0||||||||||||0|0|Lucretia;Suicide of Lucretia|Rembrandt van Rijn 5632.00|0|Creator|15|27|R385-PA|D445||27 R385-PA D445 |Descent from the Cross|Translated|Cataloger|Die Kreuzabnahme|Assigned|Image Source (Pub)||||Descent from the Cross|9750|Rembrandt van Rijn||painter|Rembrandt van Rijn|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1633|1634|ca|ca 1633-1634|ca 1633-1634|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||89.54 x 65.41 cm||1784|Munich: Bayerische Staatsgemaldesammlungen; Alte Pinakothek|Munich: Alte Pinakothek||Descent from the cross ; New Testament ; Passion of Christ ; Christ ; |Descent from the cross|New Testament|Passion of Christ|Christ||||||Cornell||JNK|MNW|10/5/2006 0:00:00|12/13/2005 0:00:00|R385|||0||||||D445|27|PA||||||| ||||||||Work|0||||||||||||0|0|Descent from the Cross;Die Kreuzabnahme|Rembrandt van Rijn 5633.00|0|Creator|15|27|H196-PA|L375||27 H196-PA L375 |The Laughing Cavalier|Assigned|Repository|||||||The Laughing Cavalier|5044|Hals, Frans||painter|Frans Hals|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Portrait||17|||1624|1624||1624|1624-1624|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||83 x 67 cm||1554|London: Wallace Collection|London: Wallace Coll.||Portraits ; |Portraits|||||||||Cornell||JNK|JNK|12/14/2005 0:00:00|12/13/2005 0:00:00|H196|||0||P84||||L375|27|PA||||||| ||||||||Work|0||||||||||||0|0|The Laughing Cavalier|Hals, Frans 5634.00|0|Creator|15|27|R385-G|B648||27 R385-G B648 |The Blindness of Tobit: The Large Plate|Assigned|Image Source (Pub)|||||||The Blindness of Tobit: The Large Plate|9750|Rembrandt van Rijn||painter|Rembrandt van Rijn|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)||||||0||||0||||0||||0|Prints|Etching|Print|||17|||1651|1651||1651|1651-1651|||||0||||0|||||Etching||||||etching (corroding)|||||||3660|Vienna: Graphische Sammlung Albertina|Vienna: Albertina||Tobit (Blindness of) ; |Tobit (Blindness of)|||||||||Cornell||JNK|MNW|1/29/2006 0:00:00|12/14/2005 0:00:00|R385|||0||||||B648|27|G||||||| ||||||||Work|0||||||||||||0|0|The Blindness of Tobit: The Large Plate|Rembrandt van Rijn 5635.00|0|Creator|15|27|R385-PA|A613||27 R385-PA A613 |Tobit and Anna with the Kid|Assigned|Dict.Art|Anna Accused by Tobit of Stealing the Kid|Descriptive|Image Source (Pub)||||Tobit and Anna with the Kid|9750|Rembrandt van Rijn||painter|Rembrandt van Rijn|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1626|1626||1626|1626-1626|||||0||||0|||||Oil on panel|oil paint|panels (wood)||||painting (image-making)|||||39.5 x 30 cm||97|Amsterdam: Rijksmuseum|Amsterdam: Rijksmuseum||Tobit (Blindness of) ; Goats ; |Tobit (Blindness of)|Goats||||||||Cornell||JNK|JNK|12/14/2005 0:00:00|12/14/2005 0:00:00|R385|||0||||||A613|27|PA||||||| ||||||||Work|0||||||||||||0|0|Tobit and Anna with the Kid;Anna Accused by Tobit of Stealing the Kid|Rembrandt van Rijn 5636.00|0|Creator|15|Bar P|METSU|||Bar P METSU |A Woman Seated at a Table and a Man Tuning a Violin|Assigned|Repository|||||||A Woman Seated at a Table and a Man Tuning a Violin|7914|Metsu, Gabriel||artist|Gabriel Metsu|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1658|1658|ca|ca 1658|ca 1658-1658|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||43 x 37.5 cm||3357|London: National Gallery|London: National Gallery||Interior views ; Violoncellos ; Musical instruments ; |Interior views|Violoncellos|Musical instruments|||||||Cornell||JNK|JNK|12/14/2005 0:00:00|12/14/2005 0:00:00|M593|||0||NG838||||Bar P||||||||| ||||||||Work|0||||||||||||0|0|A Woman Seated at a Table and a Man Tuning a Violin|Metsu, Gabriel 5637.00|0|Creator|15|27|V523-PA|W871||27 V523-PA W871 |Woman Reading a Letter|Assigned|Repository|||||||Woman Reading a Letter|12243|Vermeer, Jan||painter|Jan Vermeer|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||17|||1662|1663|ca|ca 1662-1663|ca 1662-1663|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||46.5 x 39 cm||97|Amsterdam: Rijksmuseum|Amsterdam: Rijksmuseum||Women ; Interior views ; Reading ; |Women|Interior views|Reading|||||||Cornell||JNK|JNK|12/14/2005 0:00:00|12/14/2005 0:00:00|V523|||0||SK-C-251||||W871|27|PA||||||| ||||||||Work|0||||||||||||0|0|Woman Reading a Letter|Vermeer, Jan 5638.00|0|Creator|15|30|B754-PA|V472||30 B754-PA V472 |The Toilet of Venus|Assigned|Repository|||||||The Toilet of Venus|1437|Boucher, François||painter|François Boucher|0||||0|||||French|||Rococo|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||18|||1751|1751||1751|1751-1751|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||108.3 x 85.1 cm||3294|New York: Metropolitan Museum of Art|New York: Metropolitan||Venus ; Toilet of Venus ; |Venus|Toilet of Venus||||||||Cornell||JNK|MNW|1/30/2006 0:00:00|12/14/2005 0:00:00|B754|||0||20.155.9||||V472|30|PA||||||| ||||||||Work|0||||||||||Bequest of William K. Vanderbilt, 1920.||0|0|The Toilet of Venus|Boucher, François 5639.00|0|Creator|15|30|B754-P|P791||30 B754-P P791|Madame de Pompadour|Assigned|Image Source (Pub)|||||||Madame de Pompadour|1437|Boucher, François||painter|François Boucher|0||||0|||||French|||Rococo|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Portrait||18|||1757|1757||1757|1757-1757|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||37.90 x 46.30 cm||3446|Edinburgh: National Gallery of Scotland|Edinburgh: Nat. Gal. Scotland||Portraits ; Pompadour, Jeanne Antoinette Poisson, marquise de, 1721-1764 ; |Portraits|Pompadour, Jeanne Antoinette Poisson, marquise de, 1721-1764||||||||Cornell||JNK|MNW|1/30/2006 0:00:00|12/14/2005 0:00:00|B754|||0||NG 429||||P791|30|P||||||| ||||||||Work|0||||||||||||0|0|Madame de Pompadour|Boucher, François 5640.00|0|Category|15|30|F811-PA|S980||30 F811-PA S980 |The Swing|Assigned|Repository|Les hazards heureux de l'escarplette|Variant|Repository|Happy Hazards of the Swing|Translated|Cataloger|The Swing|4065|Fragonard, Jean-Honoré||painter|Jean-Honoré Fragonard|0||||0|||||French|||Rococo|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||18|||1767|1767||1767|1767-1767|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||81 x 64.2 cm||1554|London: Wallace Collection|London: Wallace Coll.||Love ; Swings ; |Love|Swings||||||||Cornell||JNK|JNK|12/14/2005 0:00:00|12/14/2005 0:00:00|F811|||0||P430||||S980|30|PA||||||| ||||||||Work|0||||||||||||0|0|The Swing;Les hazards heureux de l'escarplette;Happy Hazards of the Swing|Fragonard, Jean-Honoré 5641.00|0|Category|15|30|F811-PA|L898||30 F811-PA L898 |Love Letters|Assigned|Repository|||||||The Progress of Love: Love Letters|4065|Fragonard, Jean-Honoré||painter|Jean-Honoré Fragonard|0||||0|||||French|||Rococo|||Europe||France||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||18|||1771|1773||1771-1773|1771-1773||The Progress of Love|Larger entity||5642||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||317.18 x 216.85 cm||3379|New York: Frick Collection|New York: Frick Collection||Love ; |Love|||||||||Cornell||JNK|MNW|1/31/2006 0:00:00|12/14/2005 0:00:00|F811|||0||1915.1.47||||L898|30|PA||||||| ||||||||Work|0||||||||||Henry Clay Frick bequest.||0|0|Love Letters|Fragonard, Jean-Honoré 5642.00|0||||||||The Progress of Love|Series|Dict.Art|||||||The Progress of Love|4065|Fragonard, Jean-Honoré||painter|Jean-Honoré Fragonard|0||||0|||||French|||Rococo|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||18|||1771|1773||1771-1773|1771-1773|||||0||||0||||||oil paint|canvas||||painting (image-making)|||||||3379|New York: Frick Collection|New York: Frick Collection||Love ; |Love|||||||||Cornell||JNK|MNW|1/31/2006 0:00:00|12/14/2005 0:00:00|F811|||0||||||||||||||| |||||||||0||||||||||||0|0|The Progress of Love|Fragonard, Jean-Honoré 5643.00|0|Creator|15|30|F811-PA|M495||30 F811-PA M495 |The Meeting|Assigned|Repository|||||||The Progress of Love: The Meeting|4065|Fragonard, Jean-Honoré||painter|Jean-Honoré Fragonard|0||||0|||||French|||Rococo|||Europe||France||||||0||||||||0||||0|Paintings|Painting|Oil painting|||18|||1771|1773||1771-1773|1771-1773||The Progress of Love|Larger entity||5642||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||317.5 x 243.84 cm||3379|New York: Frick Collection|New York: Frick Collection||Love ; |Love|||||||||Cornell||JNK|MNW|1/31/2006 0:00:00|12/14/2005 0:00:00|F811|||0||1915.1.46||||M495|30|PA||||||| ||||||||Work|0||||||||||Henry Clay Frick bequest.||0|0|The Meeting|Fragonard, Jean-Honoré 5644.00|0|Creator|15|30|T563-F|R443||30 T563-PA R443 |Wedding of Frederick Barbarossa to Beatrice of Burgundy|Assigned|Dict.Art|||||||Wedding of Frederick Barbarossa to Beatrice of Burgundy|11771|Tiepolo, Giovanni Battista||painter|Giovanni Battista Tiepolo|0||||0|||||Italian|German||Rococo|||Europe||Germany|Italy|||||0|Kaisersaal, Residenz, Würzburg, Germany|||10610||||0||||0|Paintings|Fresco||||18|||1751|1751||1751|1751-1751||Residenz|Larger entity||1155||||0|||||Ceiling fresco|frescoes|||||fresco painting|||||400 x 500 cm||||||Marriage ; |Marriage|||||||||Cornell||JNK|JNK|12/19/2005 0:00:00|12/14/2005 0:00:00|T563|||0||||||R443|30|F|||||||||||||||Work|0||||||||||||0|0|Wedding of Frederick Barbarossa to Beatrice of Burgundy|Tiepolo, Giovanni Battista 5645.00|0|Creator|15|27|R895-P|H849||27 R895-P H849|Portrait of Thomas Howard, 2nd Earl of Arundel|Assigned|Repository|||||||Portrait of Thomas Howard, 2nd Earl of Arundel|10147|Rubens, Peter Paul||painter|Peter Paul Rubens|0||||0|||||Flemish|||Baroque|||Europe||Belgium||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Portrait||17|||1629|1630||1629-1630|1629-1630|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||67 x 54 cm||3357|London: National Gallery|London: National Gallery||Portraits ; Arundel, Thomas Howard, Earl of, 1585-1646 ; |Portraits|Arundel, Thomas Howard, Earl of, 1585-1646||||||||Cornell||JNK|JNK|12/15/2005 0:00:00|12/15/2005 0:00:00|R895|||0||NG2968||||H849|27|P||||||| ||||||||Work|0||||||||||||0|0|Portrait of Thomas Howard, 2nd Earl of Arundel|Rubens, Peter Paul 5646.00|0|Creator|15|27|E930-PA|D877||27 E930-PA D877 |Duke William I Granting Privileges to Rijnland|Assigned|Image Source (Pub)|||||||Duke William I Granting Privileges to Rijnland|31018|Everdingen, Cesar van||painter|Cesar van Everdingen|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)|Netherlands|||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1655|1655||1655|1655-1655|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||218 x 212 cm||9627|Leiden: Gemeenlandhuis|Leiden: Gemeenlandhuis||Rijnland, Netherlands ; |Rijnland, Netherlands|||||||||Cornell||JNK|MNW|1/31/2006 0:00:00|12/15/2005 0:00:00|E930|||0||||||D877|27|PA||||||| ||||||||Work|0||||||||||||0|0|Duke William I Granting Privileges to Rijnland|Everdingen, Cesar van 5647.00|0|Creator|15|27|H776-PA|C857||27 H776-PA C857 |Couple with a Parrot|Assigned|Repository|Couple with a Canary|Variant|Image Source (Pub)||||Couple with a Parrot|5581|Hooch, Pieter de||painter|Pieter de Hooch|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1675|1677|ca|ca 1675-1677|ca 1675-1677|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||73 x 62 cm||3402|Cologne: Wallraf-Richartz Museum|Cologne: Wallraf-Richartz||Parrots ; Couples ; Interior views ; |Parrots|Couples|Interior views|||||||Cornell||JNK|MNW|1/31/2006 0:00:00|12/15/2005 0:00:00|H776|||0||WRM 3218||||C857|27|PA||||||| ||||||||Work|0||||||||||||0|0|Couple with a Parrot;Couple with a Canary|Hooch, Pieter de 5648.00|0|Creator|15|Bar P|METSU, GABRIEL|||Bar P METSU, GABRIEL |Young Lady with a Parrot|Assigned|Repository|Girl with Needlework|Variant|Image Source (Pub)||||Young Lady with a Parrot|7914|Metsu, Gabriel||artist|Gabriel Metsu|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17||||||||||||0||||0|||||Oil on panel|oil paint|panels (wood)||||painting (image-making)|||||34 x 26 cm||3659|Moscow: Pushkin Museum of Fine Arts|Moscow: Pushkin MFA||Parrots ; Interior views ; Women ; Needlework (visual work) ; |Parrots|Interior views|Women|Needlework (visual work)||||||Cornell||JNK|MNW|1/31/2006 0:00:00|12/15/2005 0:00:00|M593|||0||HdG 80||||Bar P||||||||| ||||||||Work|0||||||||||||0|0|Young Lady with a Parrot;Girl with Needlework|Metsu, Gabriel 5649.00|0|Creator|15|BAR P|HEEM, Cornelis de|||BAR P HEEM, Cornelis de |Breakfast Still Life|Assigned|Image Source (Pub)|||||||Breakfast Still Life|31019|Heem, Cornelis de||painter|Cornelis de Heem|0||||0|||||Flemish|||Baroque|||Europe||Belgium||||||0||||0||||0||||0|Paintings|Still life|Painting|Oil painting||17||||||||||||0||||0|||||Oil on oak panel|oil paint|oak||||painting (image-making)|||||41.5 x 34 cm||3403|Vienna: Kunsthistorisches Museum|Vienna: Kunsthistorisches Mus.||Still lifes ; |Still lifes|||||||||Cornell||JNK|JNK|12/15/2005 0:00:00|12/15/2005 0:00:00||||0||567||||BAR P||||||||| ||||||||Work|0||||||||||||0|0|Breakfast Still Life|Heem, Cornelis de 5650.00|0|Creator|15|25|T618|MT181||25 T618 MT181 |Tarquin and Lucretia|Assigned|Repository|||||||Tarquin and Lucretia|11807|Titian||painter|Titian|0||||0|||||Italian||||||Europe||Italy||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||16|||1571|1571|ca|ca 1571|ca 1571-1571|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||188.9 x 145.1 cm||547|Cambridge: Fitzwilliam Museum|Cambridge: Fitzwilliam Mus.||Lucretia ; Tarquinius Collatinus (Tarquin) ; Rape of Lucretia ; Rape ; |Lucretia|Tarquinius Collatinus (Tarquin)|Rape of Lucretia|Rape||||||Cornell||JNK|MNW|1/31/2006 0:00:00|12/16/2005 0:00:00|T618|||0||914||||MT181|25|||||||| ||||||||Work|0||||||||||||0|0|Tarquin and Lucretia|Titian 5651.00|0|Creator|15|Bar P|METSU, Gabriel|||Bar P METSU, Gabriel |A Man and a Woman Seated by a Virginal|Assigned|Repository|The Music Lesson|Variant|Image Source (Pub)||||A Man and a Woman Seated by a Virginal|7914|Metsu, Gabriel||artist|Gabriel Metsu|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||17|||1665|1665|ca|ca 1665|ca 1665-1665|||||0||||0|||||Oil on oak|oil paint|oak||||painting (image-making)|||||38.4 x 32.2 cm||3357|London: National Gallery|London: National Gallery||Couples ; Music ; Musical instruments ; Interior views ; Virginals ; |Couples|Music|Musical instruments|Interior views|Virginals|||||Cornell||JNK|MNW|1/31/2006 0:00:00|12/19/2005 0:00:00|M593|||0||NG839||||Bar P||||||||| ||||||||Work|0||||||||||||0|0|A Man and a Woman Seated by a Virginal;The Music Lesson|Metsu, Gabriel 5652.00|0|Creator|15|Bar P|METSU, Gabriel|||Bar P METSU, Gabriel |A Woman Reading a Letter|Assigned|Repository|Woman Reading a Letter with a Maidservant|Variant|Image Source (Pub)|The Letter Reader|Variant|Print Publication|A Woman Reading a Letter|7914|Metsu, Gabriel||artist|Gabriel Metsu|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1663|1667|ca|ca 1663-1667|ca 1663-1667|||||0||||0|||||Oil on panel|oil paint|panels (wood)||||painting (image-making)|||||51.3 x 40.0 cm||3493|Dublin: National Gallery of Ireland|Dublin: Nat. Gal. of Ireland||Reading ; Women ; Interior views ; |Reading|Women|Interior views|||||||Cornell||JNK|MNW|1/31/2006 0:00:00|12/19/2005 0:00:00|M593|||0||4537||||Bar P||||||||| ||||||||Work|0||||||||||Formerly in the private collection of Sir Alfred Beit. Dontated to the National Gallery of Ireland in 1987.||0|0|A Woman Reading a Letter;Woman Reading a Letter with a Maidservant;The Letter Reader|Metsu, Gabriel 5653.00|0|Creator|15|Bar P|HEEM, JAN DE|1646||Bar P HEEM, JAN DE 1646 |Still Life with a View of the Sea|Assigned|Repository|Still Life with a View of Antwerp|Former|Repository|Fruit and Ham on a Table with a View of a City|Variant|Repository|Still Life with View of the Sea|14131|Heem, Jan Davidsz de||painter|Jan Davidz de Heem|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1646|1646||1646|1646-1646|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||59.3 x 92.6 cm||3349|Toledo, OH: Museum of Art|Toledo, OH: Mus. of Art||Still lifes ; Cityscapes ; Fruit ; Meals ; |Still lifes|Cityscapes|Fruit|Meals||||||Cornell||JNK|MNW|1/31/2006 0:00:00|12/19/2005 0:00:00||||0||1955.33||||Bar P||||||||1646| ||||||||Work|0||||||||||||0|0|Still Life with a View of the Sea;Still Life with a View of Antwerp;Fruit and Ham on a Table with a View of a City|Heem, Jan Davidsz de 5654.00|0|Creator|15|Bar P|HEDA, Willem Claesz|||Bar P HEDA, Willem Claesz |Still Life with Olives|Assigned|Repository|||||||Still Life with Olives|14130|Heda, Willem Claesz||painter|Willem Claesz Heda|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||17|||1634|1634||1634|1634-1634|||||0||||0|||||Oil on panel|oil paint|panels (wood)||||painting (image-making)|||||58.5 x 83.4 cm||954|Ghent: Museum voor Schone Kunsten|Ghent: Mus. Schone Kunsten||Still lifes ; |Still lifes|||||||||Cornell||JNK|MNW|1/31/2006 0:00:00|12/19/2005 0:00:00||||0||S-56||||Bar P||||||||| ||||||||Work|0||||||||||||0|0|Still Life with Olives|Heda, Willem Claesz 5655.00|0|Creator|15|30|T563-F|R4361||30 T563-F R4361 |Africa|Assigned|Dict.Art|||||||Four Continents. Africa|11771|Tiepolo, Giovanni Battista||painter|Giovanni Battista Tiepolo|0||||0|||||Italian|German||Rococo|||Europe||Germany||||||0|Würzburg, Germany|||10167||||0||||0|Paintings|Fresco||||18|||1752|1753||1752-1753|1752-1753||Four Continents|Larger entity||1154||||0|||||Fresco|frescoes|||||fresco painting|||||||3200|Wurzburg: Residenz|Wurzburg: Residenz||Africa ; Allegory ; Continents (allegory) ; |Africa|Allegory|Continents (allegory)|||||||Cornell||JNK|MNW|1/31/2006 0:00:00|12/19/2005 0:00:00|T563|||0||||||R4361|30|F||||||| ||||||||Work|0||||||||||||0|0|Africa|Tiepolo, Giovanni Battista 5656.00|0|Creator|15|30|T563-F|R4352||30 T563-F R4352 |Asia|Assigned|Dict.Art|||||||Four Continents. Asia|11771|Tiepolo, Giovanni Battista||painter|Giovanni Battista Tiepolo|0||||0|||||Italian|German||Rococo|||Europe||Germany||||||0|Würzburg, Germany|||10167||||0||||0|Paintings|Fresco||||18|||1752|1753||1752-1753|1752-1753||Four Continents|Larger entity||1154||||0|||||Fresco|frescoes|||||fresco painting|||||||3200|Wurzburg: Residenz|Wurzburg: Residenz||Asia ; Allegory ; Continents (allegory) ; |Asia|Allegory|Continents (allegory)|||||||Cornell||JNK|MNW|1/31/2006 0:00:00|12/19/2005 0:00:00|T563|Wür||0||||||R4352|30|F||||||| ||||||||Work|0||||||||||||0|0|Asia|Tiepolo, Giovanni Battista 5720.00|0|Creator|15|35|L886-G|1988|1|35 L886-G 1988 1|Guide for the Undocumented|Translated|Cataloger|Guia para los indocumentados|Descriptive|Image Source (Pub)||||Guide for the Undocumented (Guia para los indocumentados)|30815|Lou, Richard A.||artist|Richard A. Lou|29606|Border Art Workshop/Taller de Arte Fronterizo|||0|||||Mexican American||||||North and Central America||United States||||||0||||0||||0||||0|Collages|Collage|Print|||20|||1988|1988||1988|1988-1988|||||0||||0|||||Collage||||||collage|printing||||||||||Immigration ; |Immigration|||||||||Cornell||MNW|MNW|1/11/2006 0:00:00|1/11/2006 0:00:00|L886|||0|||||||35|G|||||||1988||||||||Work|0||Collage for a publicity brochure.|||November, 1988.|||||||0|0|Guide for the Undocumented;Guia para los indocumentados|Lou, Richard A.;Border Art Workshop/Taller de Arte Fronterizo 5721.00|0|Category|11|W-18|Min|HispAm|1|W-18 Min HispAm 1|We're Going to Make Amnesty Even More Attractive to You Illegal Aleins… We'll Give You Tax Amnesty Too!|Inscribed|Image Source (Pub)|||||||We're Going to Make Amnesty Even More Attractive…|0|||||0||||0|||||American|Hispanic American|||||North and Central America||United States||||||0||||0||||0||||0|Graphics|Cartoon (humorous image)||||20|||1980|1989||1980's|1980-1989|||||0||||0|||||Cartoon||||||printing|||||||||||Immigration ; Hispanic American ; Government ; |Immigration|Hispanic American|Government|||||||Cornell||MNW|MNW|1/11/2006 0:00:00|1/11/2006 0:00:00|Min|||0|||||||W|||18||||||HispAm|||||||Work|0||Cartoon from a White Suprematist newspaper published in San Diego, California.||||||||||0|0|We're Going to Make Amnesty Even More Attractive to You Illegal Aleins… We'll Give You Tax Amnesty Too!| 5722.00|0|Creator|15|35|A945-G|1986|1|35 A945-G 1986 1|Dumbo|Inscribed|Image Source (Pub)|||||||Dumbo|30785|Avalos, David||artist|David Avalos|29606|Border Art Workshop/Taller de Arte Fronterizo|||0|||||Mexican American||||||North and Central America||United States||||||0||||0||||0||||0|Graphics|Cartoon (humorous image)||||20|21||1986|1986||1986|1986-1986|||||0||||0|||||Cartoon||||||printing|||||||||||Immigration ; |Immigration|||||||||Cornell||MNW|MNW|1/11/2006 0:00:00|1/11/2006 0:00:00|A945|||0|||||||35|G||||||1986|||||||||Work|0||||||||||||0|0|Dumbo|Avalos, David;Border Art Workshop/Taller de Arte Fronterizo 5723.00|0|Culture|11|W-18|Min|HispAm|2|W-18 Min HispAm 2|Harold Ezell - Immigration and Naturalization Commissioner|Assigned|Image Source (Pub)|||||||Harold Ezell - Immigration and Naturalization Commissioner|31032|Mariotte, Corinne||cartoonist|Corinne Mariotte|0||||0|||||||||||||||||||0||||0||||0||||0|Graphics|Cartoon (humorous image)|Portrait|||20|||1986|1986||1986|1986-1986|||||0||||0|||||Cartoon||||||printing|||||||||||Immigration ; Ezell, Harold, d. 1998 ; Portraits ; |Immigration|Ezell, Harold, d. 1998|Portraits|||||||Cornell||MNW|MNW|1/12/2006 0:00:00|1/11/2006 0:00:00|Min|||0||||||HispAm|W|||18|||||||||||||Work|0||||||||||||0|0|Harold Ezell - Immigration and Naturalization Commissioner|Mariotte, Corinne 5724.00|0|Creator|15|27|R895-PA|260||27 R895-PA 260 |Raising of the Cross|Assigned|Image Source (Pub)|||||||Raising of the Cross|10147|Rubens, Peter Paul||painter|Peter Paul Rubens|0||||0|||||Flemish|||Baroque|||Europe||Belgium||||||0||||0||||0||||0|Paintings|Altarpiece|Painting|||17|||1610|1610||1610|1610-1610|||||0||||0|||||Oil on panel|oil paint|panels (wood)||||painting (image-making)|||||460 x 610 cm||124|Antwerp: Cathedral|Antwerp: Cathedral||Erection of the Cross ; Christ ; Crucifixes ; Crucifixion ; Soldiers ; Virgin Mary ; Executions ; |Erection of the Cross|Christ|Crucifixes|Crucifixion|Soldiers|Virgin Mary|Executions|||Cornell||JNK|MNW|10/29/2006 0:00:00|1/12/2006 0:00:00|R895|||0||||||260|27|PA||||||| ||||||||Work|0||||||||||||0|0|Raising of the Cross|Rubens, Peter Paul 5725.00|0|Creator|15|35|G633.4-M|1987|1|35 G633.4-M 1987 1|Tijuana Vigilante Group Holds 35 Toursts at Gunpoint|Inscribed|Image Source (Pub)|||||||Tijuana Vigilante Group Holds 35 Toursts at Gunpoint|31022|Gómez-Peña, Guillermo||artist, performance|Guillermo Gómez-Peña and Emily Hicks|31033|Hicks, D. Emily||artist, performance|29606|Border Art Workshop/Taller de Arte Fronterizo||||Mexican||||||||||||||0||||0||||0||||0|Performance Art|Performance art|Multimedia work|||20|||1987|1987||1987|1987-1987|||||0||||0|||||Performance art||||||performance art|||||||||||Abductions ; Wrestlers (athletes) ; |Abductions|Wrestlers (athletes)||||||||Cornell||MNW|JNK|1/12/2006 0:00:00|1/12/2006 0:00:00|G633.4|||0|||||||35|M||||||1987|||||||||Work|0|||||May, 1987.|||||||0|0|Tijuana Vigilante Group Holds 35 Toursts at Gunpoint|Gómez-Peña, Guillermo;Hicks, D. Emily;Border Art Workshop/Taller de Arte Fronterizo 5726.00|0|Creator|15|25|T618|MR215||25 T618 MR215 |Europa|Assigned|Repository|Rape of Europa|Variant|Dict.Art||||Rape of Europa|11807|Titian||painter|Titian|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||16|||1559|1562||1559-1562|1559-1562|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||178 x 205 cm||425|Boston: Isabella Stewart Gardner Museum|Boston: Gardner Mus.||Rape ; Europa ; Jupiter ; Bulls ; Mythology ; Fish ; Putti ; Nudes ; |Rape|Europa|Jupiter|Bulls|Mythology|Fish|Putti|Nudes||Cornell||JNK|JNK|8/11/2006 0:00:00|1/12/2006 0:00:00|T618|||0||||||MR215|25|||||||| ||||||||Work|0||Patron: Philip II, King of Spain.|||The museum gives the dates of Ca. 1575-1580 for this work (though Titian died in 1576).|||||||0|0|Europa;Rape of Europa|Titian 5727.00|0|Creator|15|35|G633-PH|1988|1|35 G633-PH 1988 1|On Which Side of the Border is the Avant-Garde?|Inscribed|Image Source (Pub)|||||||On Which Side of the Border is the Avant-Garde?|31022|Gómez-Peña, Guillermo||artist, performance|Guillermo Gómez-Peña|0||||0|||||Hispanic American|American|Mexican||||North and Central America||United States|Mexico|||||0||||0||||0||||0|Photographs|Photographic print||||20|||1988|1988||1988|1988-1988|||||0||||0|||||Photograph||||||photography|||||||||||Mexican American ; Indians of Central America ; Hispanic American ; |Mexican American|Indians of Central America|Hispanic American|||||||Cornell||MNW|JNK|1/12/2006 0:00:00|1/12/2006 0:00:00|G633|||0|||||||35|PH||||||1988|||||||||Work|0||This work consists of photographs and texts.|||Nov. 1988.|||||||0|0|On Which Side of the Border is the Avant-Garde?|Gómez-Peña, Guillermo 5657.00|0|Creator|15|30|T563-F|R434||30 T563-F R434 |Europe|Assigned|Dict.Art|||||||Four Continents. Europe|11771|Tiepolo, Giovanni Battista||painter|Giovanni Battista Tiepolo|0||||0|||||Italian|German||Rococo|||Europe||Germany||||||0|Würzburg, Germany|||10167||||0||||0|Paintings|Fresco||||18|||1752|1753||1752-1753|1752-1753||Four Continents|Larger entity||1154||||0|||||Fresco|frescoes|||||fresco painting|||||||3200|Wurzburg: Residenz|Wurzburg: Residenz||Europe ; Allegory ; Continents (allegory) ; |Europe|Allegory|Continents (allegory)|||||||Cornell||JNK|MNW|1/31/2006 0:00:00|12/19/2005 0:00:00|T563|Wür||0||||||R434|30|F||||||| ||||||||Work|0||||||||||||0|0|Europe|Tiepolo, Giovanni Battista 5658.00|0|Creator|15|40|B528-|P738||40 B528- P738 |Pluto and Proserpina|Assigned|Repository|||||||Pluto and Proserpina|1103|Bernini, Gian Lorenzo||architect|Gian Lorenzo Bernini|0||||0|||||Italian|||Baroque|||Europe||Italy||||||0||||0||||0||||0|Sculpture|Sculpture||||17|||1621|1622||1621-1622|1621-1622|||||0||||0|||||Marble|marble|||||sculpture|||||2.55m High||2429|Rome: Galleria Borghese|Rome: Galleria Borghese||Pluto ; Proserpina ; Rape of Proserpina ; |Pluto|Proserpina|Rape of Proserpina|||||||Cornell||JNK|MNW|1/24/2006 0:00:00|12/19/2005 0:00:00|B528|||0||||||P738|40|||||||| ||||||||Work|0||||||||||||0|0|Pluto and Proserpina|Bernini, Gian Lorenzo 5659.00|0|Creator|15|40|B528P|B732||40 B528P B732 |Cardinal Scipione Borghese (First Version)|Assigned|Dict.Art|||||||Cardinal Scipione Borghese (First Version)|1103|Bernini, Gian Lorenzo||architect|Gian Lorenzo Bernini|0||||0|||||Italian|||Baroque|||Europe||Italy||||||0||||0||||0||||0|Sculpture|Sculpture|Portrait|||17|||1632|1632||1632|1632-1632|||||0||||0|||||Marble|marble|||||sculpture|||||78 cm high||2429|Rome: Galleria Borghese|Rome: Galleria Borghese||Borghese, Scipione, 1576-1633 ; Portraits ; |Borghese, Scipione, 1576-1633|Portraits||||||||Cornell||JNK|MNW|10/30/2006 0:00:00|12/19/2005 0:00:00|B528|||0||CCLXV||||B732|40|P||||||| ||||||||Work|0||||||||||||0|0|Cardinal Scipione Borghese (First Version)|Bernini, Gian Lorenzo 5660.00|0|Site|02|B-H3|Rom|3.1 SPet/Cat||B-H3 Rom 3.1 SPet/Cat |Cathedra Petri|Assigned|Dict.Art|||||||St. Peter's Basilica. Cathedra Petri|1103|Bernini, Gian Lorenzo||architect|Gian Lorenzo Bernini|0||||0|||||Italian|||Baroque|||Europe||Italy||||||0|St. Peter's, Vatican City, Rome, Italy|||10611||||0||||0|Sculpture|Sculpture||||17|||1656|1666||1656-1666|1656-1666||St. Peter's Basilica|Larger entity||133||||0|||||Gilt bronze, marble, stucco|marble|stucco|bronze|||sculpture|||||||3552|Rome: Vatican; St. Peter's|Rome: Vatican; St. Peter's||Saint Peter ; Thrones ; |Saint Peter|Thrones||||||||Cornell||JNK|MNW|10/30/2006 0:00:00|12/19/2005 0:00:00|B528|||0||||||SPet/Cat|B|||||H3|3.1|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Cathedra Petri|Bernini, Gian Lorenzo 5661.00|0|Creator|15|25|Set|121|Leonardo|25 Set 121 Leonardo|St. Anne with Virgin and Child|Assigned|Repository|||||||St. Anne with Virgin and Child|6972|Leonardo da Vinci||painter|Leonardo da Vinci|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0||||||||0||||0|Paintings|Painting|Oil painting|||16|||1510|1510|ca|ca 1510|ca 1510-1510|||||0||||0|||||Oil on panel|oil paint|panels (wood)||||painting (image-making)|||||168 x 130 cm||3341|Paris: Musée du Louvre|Paris: Louvre||Madonna and Child ; Saint Anna ; |Madonna and Child|Saint Anna||||||||Cornell||JNK|MNW|10/18/2006 0:00:00|12/19/2005 0:00:00|L581|||0||Inv. 77||||Set 121 Leonardo|25|||||||| ||||||||Work|0||||||||||||0|0||Leonardo da Vinci 5662.00|0|Creator|15|E-14.2|Rubens|5|||Alliance of Earth and Water (The River Scheldt and Antwerp)|Assigned|Image Source (Pub)|||||||Alliance of Earth and Water (The River Scheldt and Antwerp)|10147|Rubens, Peter Paul||painter|Peter Paul Rubens|0||||0|||||Flemish|||Baroque|||Europe||Belgium||||||0||||||||0||||0|Paintings|Oil painting|Painting|||17|||1618|1618|ca|ca. 1618|ca 1618-1618|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||222.5 x 180.5 cm||3431|Saint Petersburg: Hermitage|Saint Petersburg: Hermitage||Earth ; Water ; Allegory ; Rivers ; Antwerp (Belgium) ; Scheldt River ; |Earth|Water|Allegory|Rivers|Antwerp (Belgium)|Scheldt River||||Cornell||JNK|JNK|12/22/2005 0:00:00|12/22/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0||Rubens, Peter Paul 5663.00|0|Creator|15|27|C262-|BS138||27 C262- BS138 |Saint Francis of Assisi in Ecstasy|Assigned|Repository|Saint Francis Receiving the Stigmata|Variant|Image Source (Pub)||||Saint Francis of Assisi in Ecstasy|2006|Caravaggio, Michelangelo Merisi da||painter|Michelangelo Merisi da Caravaggio|0||||0|||||Italian||||||Europe||Italy||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||16|||1594|1595|ca|ca 1594-1595|ca 1594-1595|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||82.5 x 127.8 cm||3381|Hartford: Wadsworth Atheneum|Hartford: Wadsworth Atheneum||Saint Francis ; Stigmatization ; |Saint Francis|Stigmatization||||||||Cornell||JNK|MNW|10/17/2006 0:00:00|12/22/2005 0:00:00|C262|||0||1943.222|||||27|||||||| |BS138|||||||Work|0||||||||||||0|0|Saint Francis of Assisi in Ecstasy;Saint Francis Receiving the Stigmata|Caravaggio, Michelangelo Merisi da 5664.00|0|Creator|15|27|C262-PA|4B 2||27 C262-PA 4B 2|Bacchus|Assigned|Repository|||||||Bacchus|2006|Caravaggio, Michelangelo Merisi da||painter|Michelangelo Merisi da Caravaggio|0||||0|||||Italian||||||Europe||Italy||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||16|||1596|1597|ca|ca 1596-1597|ca 1596-1597|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||95 x 85 cm||859|Florence: Galleria degli Uffizi|Florence: Uffizi||Bacchus ; |Bacchus|||||||||Cornell||JNK|JNK|12/22/2005 0:00:00|12/22/2005 0:00:00|C262|||0||Inv. 1890, #5312|||||27|PA||||||| |4B 2|||||||Work|0||||||||||||0|0|Bacchus|Caravaggio, Michelangelo Merisi da 5665.00|0|Creator|15|27|C262-PA|38 Pe|1|27 C262-PA 38 Pe 1|Crucifixion of St. Peter|Assigned|Dict.Art|||||||Crucifixion of St. Peter|2006|Caravaggio, Michelangelo Merisi da||painter|Michelangelo Merisi da Caravaggio|0||||0|||||Italian||||||Europe||Italy||||||0||||||||0||||0|Paintings|Oil painting|Painting|||17|||1600|1601||1600-1601|1600-1601|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||230 x 175 cm||2460|Rome: S. Maria del Popolo; Cerasi Chapel|Rome: S. Maria d. Popolo; Cerasi Chapel||Saint Peter ; Crucifixion ; |Saint Peter|Crucifixion||||||||Cornell||JNK|JNK|12/23/2005 0:00:00|12/23/2005 0:00:00|C262|||0|||||||27|PA||||||| |38 Pe|||||||Work|0||||||||||||0|0|Crucifixion of St. Peter|Caravaggio, Michelangelo Merisi da 5666.00|0|Creator|15|27|C262-|BD422||27 C262- BD422 |The Entombment|Assigned|Dict.Art|||||||The Entombment|2006|Caravaggio, Michelangelo Merisi da||painter|Michelangelo Merisi da Caravaggio|0||||0|||||Italian||||||Europe||Italy||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1602|1603||1602-1603|1602-1603|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||300 x 203 cm||4384|Rome: Musei Vaticani ; Pinacoteca Vaticana|Rome: Vatican; Pinacoteca||Christ ; Christ's entombment ; |Christ|Christ's entombment||||||||Cornell||JNK|MNW|10/24/2006 0:00:00|12/23/2005 0:00:00|C262|||0|||||||27|||||||| |BD422|||||||Work|0||||||||||||0|0|The Entombment|Caravaggio, Michelangelo Merisi da 5667.00|0|Creator|15|27|C311-F|R763 G.Far||27 C311-F R763 G.Far |Galleria Farnese|Assigned|Image Source (Pub)|||||||Palazzo Farnese. Galleria Farnese|2053|Carracci, Annibale||painter|Annibale Carracci|0||||0|||||Italian|||Mannerist|||Europe||Italy||||||0|Palazzo Farnese, Rome, Italy|||10612||||0||||0|Paintings|Fresco||||16|17||1597|1604||1597-1604|1597-1604||Palazzo Farnese|Larger entity||5687||||0|||||Fresco|frescoes|||||fresco painting|||||||||||Mythology ; Gods ; |Mythology|Gods||||||||Cornell||JNK|JNK|3/27/2006 0:00:00|12/23/2005 0:00:00|C311|||0|||||||27|F||||||| |R763 G.Far|||||||Work|0||||||||||||0|0|Galleria Farnese|Carracci, Annibale 5668.00|0|Creator|15|27|R385-PA|70|||Portrait of Two Figures From the Old Testament|Assigned|Repository|The Jewish Bride|Variant|Repository||||Portrait of Two Figures From the Old Testament (The Jewish Bride)|9750|Rembrandt van Rijn||painter|Rembrandt van Rijn|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)||||||0||||0||||0||||0|Paintings|Painting|Portrait|Oil painting||17|||1667|1667|ca|ca 1667|ca 1667-1667|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||121.5 x 166.5 cm||97|Amsterdam: Rijksmuseum|Amsterdam: Rijksmuseum||Weddings ; Couples ; Portraits ; |Weddings|Couples|Portraits|||||||Cornell||JNK|CLL|1/26/2006 0:00:00|12/23/2005 0:00:00|R385|||0||SK.C.216|||||27|PA||||||| |70|||||||Work|0||||||||||||0|0|Portrait of Two Figures From the Old Testament;The Jewish Bride|Rembrandt van Rijn 5669.00|0|Category|15||||||Side Three, Level 3|Descriptive|Image Source (Pub)|||||||Funeral Pyre of El Carmen. Side Three, Level 3|0|||||0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Sculpture|Monument|Sculpture|Memorial||18|||1700|1799||18th century|1700-1799||Funeral Pyre of El Carmen|LargerEntity||5605||||0|||||Oil on wood|oil paint|wood (plant material)||||painting (image-making)|||||83 x 176 x 176 cm||2938|Toluca: Museo de Bellas Artes|Toluca: Mus. B. A.||Religious symbolism ; Skeletons ; Deaths ; Musicians ; |Religious symbolism|Skeletons|Deaths|Musicians||||||Cornell||MNW|JNK|1/6/2006 0:00:00|12/23/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Side Three, Level 3| 5670.00|0|Category|15||||||Side Three, Level 2|Descriptive|Image Source (Pub)|||||||Funeral Pyre of El Carmen. Side Three, Level 2|0|||||0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Sculpture|Monument|Sculpture|Memorial||18|||1700|1799||18th century|1700-1799||Funeral Pyre of El Carmen|LargerEntity||5605||||0|||||Oil on wood|oil paint|wood (plant material)||||painting (image-making)|||||84 x 236 x 236 cm||2938|Toluca: Museo de Bellas Artes|Toluca: Mus. B. A.||Religious symbolism ; Deaths ; |Religious symbolism|Deaths||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|12/23/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Side Three, Level 2| 5671.00|0|Category|15||||||Side Three, Level 1|Descriptive|Image Source (Pub)|||||||Funeral Pyre of El Carmen. Side Three, Level 1|0|||||0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Sculpture|Monument|Sculpture|Memorial||18|||1700|1799||18th century|1700-1799||Funeral Pyre of El Carmen|LargerEntity||5605||||0|||||Oil on wood|oil paint|wood (plant material)||||painting (image-making)|||||95 x 325 x 325 cm||2938|Toluca: Museo de Bellas Artes|Toluca: Mus. B. A.||Bishops (prelates) ; Deaths ; |Bishops (prelates)|Deaths||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|12/23/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Side Three, Level 1| 5672.00|0|Category|15||||||Side Four, Level 4|Descriptive|Image Source (Pub)|||||||Funeral Pyre of El Carmen. Side Four, Level 4|0|||||0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Sculpture|Monument|Sculpture|Memorial||18|||1700|1799||18th century|1700-1799||Funeral Pyre of El Carmen|LargerEntity||5605||||0|||||Oil on wood|oil paint|wood (plant material)||||painting (image-making)|||||70 x 150 x 150 cm||2938|Toluca: Museo de Bellas Artes|Toluca: Mus. B. A.||Religious symbolism ; |Religious symbolism|||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|12/23/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Side Four, Level 4| 5673.00|0|Category|15||||||Side Four, Level 3|Descriptive|Image Source (Pub)|||||||Funeral Pyre of El Carmen. Side Four, Level 3|0|||||0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Sculpture|Monument|Sculpture|Memorial||18|||1700|1799||18th century|1700-1799||Funeral Pyre of El Carmen|LargerEntity||5605||||0|||||Oil on wood|oil paint|wood (plant material)||||painting (image-making)|||||83 x 176 x 176 cm||2938|Toluca: Museo de Bellas Artes|Toluca: Mus. B. A.||Religious symbolism ; |Religious symbolism|||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|12/23/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Side Four, Level 3| 5674.00|0|Category|15||||||Side Four, Level 2|Descriptive|Image Source (Pub)|||||||Funeral Pyre of El Carmen. Side Four, Level 2|0|||||0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Sculpture|Monument|Sculpture|Memorial||18|||1700|1799||18th century|1700-1799||Funeral Pyre of El Carmen|LargerEntity||5605||||0|||||Oil on wood|oil paint|wood (plant material)||||painting (image-making)|||||84 x 236 x 236||2938|Toluca: Museo de Bellas Artes|Toluca: Mus. B. A.||Religious symbolism ; Skeletons ; Deaths ; Cupid ; |Religious symbolism|Skeletons|Deaths|Cupid||||||Cornell||MNW|JNK|1/6/2006 0:00:00|12/23/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Side Four, Level 2| 5675.00|0|Category|15||||||Side Four, Level 1|Descriptive|Image Source (Pub)|||||||Funeral Pyre of El Carmen. Side Four, Level 1|0|||||0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0||||||18|||1700|1799||18th century|1700-1799||Funeral Pyre of El Carmen|||5605||||0|||||Oil on wood|oil paint|wood (plant material)||||painting (image-making)|||||95 x 325 x 325 cm||||||Bishops (prelates) ; Religious symbolism ; Deaths ; |Bishops (prelates)|Religious symbolism|Deaths|||||||Cornell||MNW|JNK|1/6/2006 0:00:00|12/23/2005 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Side Four, Level 1| 5676.00|0|Category|15||||||Internment Vault|Translated|Cataloger|Pudridero|Descriptive|Image Source (Pub)|Reflexión sobre la muerte|Variant|Image Source (Pub)|Internment Vault (Pudridero)|0|||||0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||18|||1700|1799||18th century|1700-1799|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||72 x 49 cm||9626|Mexico City: Pinacoteca del Templo de la Profesa|Mexico City: Pin. del Templo de la Prof.||Corpses ; Deaths ; |Corpses|Deaths||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|12/23/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Internment Vault;Pudridero;Reflexión sobre la muerte| 5677.00|0|Category|15||||||Polyptych of Death|Translated|Cataloger|PolÍptico de la muerte|Assigned|Image Source (Pub)||||Polyptych of Death (PolÍptico de la muerte)|0|||||0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||18|||1775|1775||1775|1775-1775|||||0||||0|||||Oil on wood|oil paint|wood (plant material)||||painting (image-making)|||||||2846|Tepotzotlan: Museo Nacional del Virreinato|Tepotzotlan: Mus. Nat. Virreinato||Skeletons ; Mirrors ; Deaths ; |Skeletons|Mirrors|Deaths|||||||Cornell||MNW|JNK|1/6/2006 0:00:00|12/23/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Polyptych of Death;PolÍptico de la muerte| 5678.00|0|Creator|15||||||Allegory of Death|Translated|Cataloger|Alegoría de la muerte|Assigned|Image Source (Pub)||||Allegory of Death (Alegoría de la muerte)|31020|Mondragón, Tomás||painter|Tomás Mondragón|0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||19|||1856|1856||1856|1856-1856|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||160 x 125 cm||9626|Mexico City: Pinacoteca del Templo de la Profesa|Mexico City: Pin. del Templo de la Prof.||Deaths ; Skeletons ; Cemeteries ; Scissors ; Trees ; Landscapes ; Toilet sets (Dresser sets) ; |Deaths|Skeletons|Cemeteries|Scissors|Trees|Landscapes|Toilet sets (Dresser sets)|||Cornell||MNW|JNK|1/5/2006 0:00:00|12/27/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Allegory of Death;Alegoría de la muerte|Mondragón, Tomás 5679.00|0|Creator|15||||||Allegory of Hell|Translated|Cataloger|Alegoría de Infierno|Assigned|Image Source (Pub)||||Allegory of Hell (Alegoría de Infierno)|31021|Zendejas, Lorenzo|attributed to|painter|Lorenzo Zendejas (attributed to)|0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||18|19|||||||||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||198 x 159 cm||1684|Mexico City: Museo Nacional de Historia, Castillo de Chapultepec|Mexico City: Mus. Nac. Hist.||Hell ; Fires ; Devils ; Demons ; Torturing ; |Hell|Fires|Devils|Demons|Torturing|||||Cornell||MNW|JNK|1/6/2006 0:00:00|12/27/2005 0:00:00||||0||||||||||||||| ||||||||Work|0|||||No date given.|||||||0|0|Allegory of Hell;Alegoría de Infierno|Zendejas, Lorenzo 5680.00|0|Category|15||||||The Punishment of Hell|Translated|Cataloger|Las penas del infierno|Assigned|Image Source (Pub)||||The Punishment of Hell (Las penas del infierno)|0|||||0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||18|||1700|1799||18th century|1700-1799|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||245 x 213 cm||9626|Mexico City: Pinacoteca del Templo de la Profesa|Mexico City: Pin. del Templo de la Prof.||Hell ; Fires ; Punishing ; Devils ; Serpents ; Torturing ; |Hell|Fires|Punishing|Devils|Serpents|Torturing||||Cornell||MNW|JNK|1/6/2006 0:00:00|12/27/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|The Punishment of Hell;Las penas del infierno| 5681.00|0|Category|15||||||Penitent Capuchine Nuns Carrying the Sins of the Pueblo|Translated|Cataloger|Capuchinas penitentes cargno las culpas del pueblo|Assigned|Image Source (Pub)|Pesco enorme ucyamos son las culpas del Pueblo, q. cargando|Inscribed|Image Source (Pub)|Penitent Capuchine Nuns Carrying the Sins of the Pueblo|0|||||0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||18|19|||||18th-19th centuries||||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||95 x 65 cm||9628|Puebla: Museo de Arte Religioso|Puebla: Museo de Arte Religioso||Nuns ; Chains (object genres) ; Penitence ; |Nuns|Chains (object genres)|Penitence|||||||Cornell||MNW|JNK|1/6/2006 0:00:00|12/27/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||One of several religious scenes depicting the life of the Capuchine nuns.|||No date given.|||||||0|0|Penitent Capuchine Nuns Carrying the Sins of the Pueblo;Capuchinas penitentes cargno las culpas del pueblo;Pesco enorme ucyamos son las culpas del Pueblo, q. cargando| 5682.00|0|Category|15||||||Mitote|Assigned|Image Source (Pub)|Demonstración de la Danza de los Indios|Inscribed|Image Source (Pub)||||Mitote (Demonstración de la Danza de los Indios)|0|||||0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||18|||1700|1700||18th century|1700-1700|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||58 x 75 cm||9573|Spain: Private Collection|Spain: Priv. Coll.||Dance ; Indians of Central America ; |Dance|Indians of Central America||||||||Cornell||MNW|JNK|1/6/2006 0:00:00|12/27/2005 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Mitote;Demonstración de la Danza de los Indios| 5683.00|0|Creator|15|35 J|G633-M|1985|1|35 J G633-M 1985 1|Ocnoceni|Assigned|Image Source (Pub)|||||||Ocnoceni|31022|Gómez-Peña, Guillermo||artist, performance|Guillermo Gómez-Peña|31028|Berman, Sara-Jo||artist, performance|29606|Border Art Workshop/Taller de Arte Fronterizo||||Hispanic American|American|Mexican||||North and Central America||United States||||||0||||0||||||||0|Performance Art|Performance art|Documentary photograph|Video art||20|||1985|1985||1985|1985-1985|||||0||||0||||||||||||||||||||||Immigration ; |Immigration|||||||||Cornell||MNW|JNK|1/12/2006 0:00:00|12/27/2005 0:00:00|G633|||0|||||||35 J|M||||||1985|||||||||Work|0||Ocnoceni explored the mythical landscape of the border, and how Latin Americans become myths when they cross the border. Premiered as part of Border Realities I; the text was written by Guillermo Gómez-Peña. BAW/TAF.||||||||||0|0|Ocnoceni|Gómez-Peña, Guillermo;Berman, Sara-Jo;Border Art Workshop/Taller de Arte Fronterizo 5684.00|0|Creator|15|35|O164-G|1986|1|35 O164-G 1986 1|The World|Translated|Cataloger|El mundo|Inscribed|Image Source (Pub)||||The World (El mundo)|8658|Ochoa, Victor||printmaker|Victor Ochoa|0||||0|||||Mexican American|Hispanic American|American||||North and Central America||United States|Mexico|||||0||||0||||||||0|Prints|Print||||20|||1986|1986||1986|1986-1986|||||0||||0|||||||||||printmaking|||||||||||Maps ; America ; |Maps|America||||||||Cornell||MNW|JNK|1/12/2006 0:00:00|12/27/2005 0:00:00|O164|||0|||||||35|G||||||1986| ||||||||Work|0||||||||||||0|0|The World;El mundo|Ochoa, Victor 5685.00|0|Creator|15|35|G633-G|1988|1|35 G633-G 1988 1|Souvenir de la frontera|Inscribed|Image Source (Pub)|||||||Souvenir de la frontera|31022|Gómez-Peña, Guillermo||artist, performance|Guillermo Gómez-Peña|29606|Border Art Workshop/Taller de Arte Fronterizo|||0|||||Hispanic American|American|Mexican||||||||||||0||||0||||0||||0|Posters|Poster||||20|||1988|1988||1988|1988-1988|||||0||||0|||||||||||printing|||||||||||Marlboro Man ; Cowboys ; Immigration ; Wayne, John, 1907-1979 ; |Marlboro Man|Cowboys|Immigration|Wayne, John, 1907-1979||||||Cornell||MNW|JNK|1/12/2006 0:00:00|12/27/2005 0:00:00|G633|||0|||||||35|G||||||1988|||||||||Work|0||Exhibited at Border Realities IV, Casa de Cambio, Centrol Cultural de la Raza, San Diego, CA. In collaboration with Mariscal, Tijuana velvet painter.|||June, 1988.|||||||0|0|Souvenir de la frontera|Gómez-Peña, Guillermo;Border Art Workshop/Taller de Arte Fronterizo 5686.00|0||||||||Relox|Assigned|Image Source (Pub)|||||||Polyptych of Death (PolÍptico de la muerte). Relox|0|||||0||||0|||||Mexican||||||North and Central America||Mexico||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||18|||1775|1775||1775|1775-1775||Polyptych of Death|Larger entity||5677||||0|||||Oil on wood|oil paint|wood (plant material)||||painting (image-making)|||||29 x 23 cm||2846|Tepotzotlan: Museo Nacional del Virreinato|Tepotzotlan: Mus. Nat. Virreinato||Deaths ; Skeletons ; Mirrors ; Ships ; Trees ; Serpents ; Demons ; |Deaths|Skeletons|Mirrors|Ships|Trees|Serpents|Demons|||Cornell||JNK|MNW|3/31/2006 0:00:00|1/5/2006 0:00:00||||0||||||||||||||| |||||||||0||Leaf of the PolÍptico de la muerte||||||||||0|0|Relox| 5687.00|0|Site|02|B-H3|Rom|7.1 |FarP|B-H3 Rom 7.1 FarP|Palazzo Farnese|Assigned|Dict.Art|||||||Palazzo Farnese|10367|Sangallo, Antonio da, the Younger||architect|Antonio da Sangallo, the Younger|7960|Buonarroti, Michelangelo||architect|12282|Vignola, Giacomo Barozzi da||architect||Italian|||Renaissance|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Palace||||16|||1541|1589||1541-1589|1541-1589|||||0||||0||||||||||||||||||||||Palazzi ; |Palazzi|||||||||Cornell||JNK|MNW|10/17/2006 0:00:00|1/5/2006 0:00:00||Rom||0||||||FarP|B|||||H3|7.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|Palazzo Farnese|Sangallo, Antonio da, the Younger;Buonarroti, Michelangelo;Vignola, Giacomo Barozzi da 5688.00|0|Creator|15|05|C459|MO1284||05 C459 MO1284|Très Riches Heures|Assigned|Dict.Art|||||||Très Riches Heures|31026|Limbourg Brothers||illuminator|Limbourg Brothers & Jean Colombe|31027|Colombe, Jean||illuminator|0|||||French|Netherlandish|Flemish|Late Gothic|||Europe||France||||||0||||0||||0||||0|Illuminated Manuscripts|Illumination (layout feature)|Book||||||1411|1416||1411-1416|1411-1416|||||0||||0|||||||||||illumination|||||||3681|Chantilly: Château de Chantilly; Musée Condé|Chantilly: Musée Condé||Books of hours ; Calendars ; Passion of Christ ; |Books of hours|Calendars|Passion of Christ|||||||Cornell||JNK|JNK|5/25/2006 0:00:00|1/5/2006 0:00:00||||0||LAT. 1284||||MO1284|05||||||||C459||||||||Work|0||The book was begun for the renowned bibliophile and patron Jean, Duc de Berry by the Limbourg Brothers and later finished by Jean Colombe under the patronage of Charles I, Duke of Savoy. (Grove Dictionary of Art)|||The work was completed between 1485 and 1486 by Jean Colombe.(Grove Dictionary of Art)|||||||0|0|Très Riches Heures|Limbourg Brothers;Colombe, Jean 5689.00|0|Creator|15|05|C459|MO128452||05 C459 MO128452 |Christ in Gethsemane|Assigned|Image Source (Pub)|Folio 142v|Inscribed|Repository||||Très Riches Heures. Christ in Gethsemane (Folio 142 v)|31026|Limbourg Brothers||illuminator|Limbourg Brothers|0||||0|||||French|Netherlandish|Flemish|Late Gothic|||Europe||France||||||0||||0||||0||||0|Illuminated Manuscripts|Illumination (layout feature)||||15|||1411|1416||1411-1416|1411-1416||Très Riches Heures|Larger entity||5688||||0|||||Ink and tempera on vellum|vellum (paper)|ink|tempera|||illumination|||||29 x 21 cm||3681|Chantilly: Château de Chantilly; Musée Condé|Chantilly: Musée Condé||Christ ; Passion of Christ ; Gethsemane ; |Christ|Passion of Christ|Gethsemane|||||||Cornell||JNK|JNK|2/22/2006 0:00:00|1/5/2006 0:00:00||||0||LAT. 1284-142v||||MO128452|05|||||||| ||||||||Work|0||||||||||||0|0|Christ in Gethsemane;Folio 142v|Limbourg Brothers 5690.00|0|Site|02|B-H3|Par|3.1 Cath||B-H3 Par 3.1 Cath |Duomo|Assigned|Blue Guide|Cathedral|Translated|Dict.Art||||Duomo (Cathedral)|0|||||0||||0|||||Italian|||Medieval|||Europe||Italy||||||0|Parma, Italy|||10614||||0||||0|Architecture|Church|Cathedral|||11|||1001|1099||11th Century|1001-1099|||||0||||0||||||||||||||||||||||Cathedrals ; Churches ; |Cathedrals|Churches||||||||Cornell||JNK|MNW|10/17/2006 0:00:00|1/6/2006 0:00:00||Par||0||||||Cath|B|||||H3|3.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|Duomo;Cathedral| 5691.00|0|Creator|15|25|C824-F|P253-Duo|31As|25 C824-F P253-Duo 31As|Assumption of the Virgin|Assigned|Dict.Art|||||||Duomo. Assumption of the Virgin|2621|Correggio||painter|Correggio|0||||0|||||Italian|||Mannerist|||Europe||Italy||||||0|Dome, Duomo, Parma, Italy|||10615||||0||||0|Paintings|Fresco||||16|||1520|1530||1520-1530|1520-1530||Duomo|Larger entity||5690||||0|||||Fresco|frescoes|||||painting (image-making)|fresco painting||||||||||Assumption of Mary ; Saints ; Heaven ; |Assumption of Mary|Saints|Heaven|||||||Cornell||JNK|MNW|10/17/2006 0:00:00|1/6/2006 0:00:00|C824|||0||||||P253-Duo|25|F|||||||31As||||||||Work|0||||||||||||0|0|Assumption of the Virgin|Correggio 5692.00|0|Creator|15|27|C311|V4713||27 C311 V4713 |Venus and Adonis|Assigned|Image Source (Pub)|||||||Venus and Adonis|2053|Carracci, Annibale||painter|Annibale Carracci|0||||0|||||Italian|||Baroque|||Europe||Italy||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||16|||1595|1595|ca|ca 1595|ca 1595-1595|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||217 x 246 cm||3403|Vienna: Kunsthistorisches Museum|Vienna: Kunsthistorisches Mus.||Venus ; Adonis ; Love ; |Venus|Adonis|Love|||||||Cornell||JNK|JNK|1/6/2006 0:00:00|1/6/2006 0:00:00|C311|||0||||||V4713|27|||||||| ||||||||Work|0||||||||||||0|0|Venus and Adonis|Carracci, Annibale 5693.00|0|Creator|15|27|C311|H539||27 C311 H539 |Hercules at the Crossroad|Assigned|Image Source (Pub)|||||||Hercules at the Crossroad|2053|Carracci, Annibale||painter|Annibale Carracci|0||||0|||||Italian|||Baroque|||Europe||Italy||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||16|||1596|1596|ca|ca 1596|ca 1596-1596|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||167 x 237 cm||1859|Naples: Museo e Galleria Nazionali di Capodimonte|Naples: Capodimonte||Hercules ; Hercules at the cross-road ; Mythology ; |Hercules|Hercules at the cross-road|Mythology|||||||Cornell||JNK|MNW|10/17/2006 0:00:00|1/6/2006 0:00:00|C311|||0||||||H539|27|||||||| ||||||||Work|0||||||||||||0|0|Hercules at the Crossroad|Carracci, Annibale 5694.00|0|Creator|15|27|C311|D278||27 C311 D278 |The Three Maries|Preferred|Repository|The Dead Christ Mourned|Assigned|Repository||||The Three Maries (The Dead Christ Mourned)|2053|Carracci, Annibale||painter|Annibale Carracci|0||||0|||||Italian|||Baroque|||Europe||Italy||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||17|||1604|1604|ca|ca 1604|ca 1604-1604|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||92.8 x 103.2 cm||3357|London: National Gallery|London: National Gallery||Christ ; Mary Magdalene ; Virgin Mary ; Mary Kleophas ; Mary Salome ; Holy Women ; Mourners ; Deaths ; |Christ|Mary Magdalene|Virgin Mary|Mary Kleophas|Mary Salome|Holy Women|Mourners|Deaths||Cornell||JNK|MNW|10/17/2006 0:00:00|1/6/2006 0:00:00|C311|||0||NG2923||||D278|27|||||||| ||||||||Work|0||||||||||||0|0|The Three Maries;The Dead Christ Mourned|Carracci, Annibale 5695.00|0|Creator|15|Bar P|Baciccio/Gaulli, G. B.|||Bar P Baciccio/Gaulli, G. B. |Triumph in the Name of Jesus (Bozzetto)|Translated|Image Source (Pub)|Il Trionfo del nome di Gesù|Assigned|Repository||||Triumph in the Name of Jesus (Bozzetto)|4346|Gaulli, Giovanni Battista||painter|Giovanni Battista Gaulli (Baciccio)|0||||0|||||Italian|||Baroque|||Europe||Italy||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1676|1679||1676-1679|1676-1679|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||||3856|Rome: Galleria Spada|Rome: Galleria Spada||Christ ; Processions ; Heaven ; God the Father ; Triumph in the Name of Jesus (by Gaulli, G. B./Baciccio) ; Angels ; |Christ|Processions|Heaven|God the Father|Triumph in the Name of Jesus (by Gaulli, G. B./Baciccio)|Angels||||Cornell||JNK|MNW|10/17/2006 0:00:00|1/9/2006 0:00:00|Baciccio|||0||||||Bar P||||||||| ||||||||Work|0||||||||||||0|0|Triumph in the Name of Jesus (Bozzetto);Il Trionfo del nome di Gesù|Gaulli, Giovanni Battista 5696.00|0|Creator|15|Ren P|GIORGIONE|||Ren P GIORGIONE |Madonna and Child Enthroned Between St. Francis and St. Liberalis|Assigned|Dict.Art|Castelfranco Altarpiece|Variant|Dict.Art||||Madonna and Child Enthroned Between St. Francis and St. Liberalis|4537|Giorgione||painter|Giorgione|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0||||0||||0||||0|Paintings|Oil painting|Painting|Altarpiece||16|||1505|1505|ca|ca 1505|ca 1505-1505|||||0||||0|||||Oil on wood|oil paint|wood (plant material)||||painting (image-making)|||||200 x 152 cm||576|Castelfranco Veneto: S.Liberale (Cathedral)|Castelfranco: S. Liberale||Madonna and Child ; Saint Francis ; Thrones ; Saint Liberalis of Treviso ; |Madonna and Child|Saint Francis|Thrones|Saint Liberalis of Treviso||||||Cornell||JNK|MNW|10/18/2006 0:00:00|1/9/2006 0:00:00||||0||||||Ren P||||||||| ||||||||Work|0||||||||||||0|0|Madonna and Child Enthroned Between St. Francis and St. Liberalis;Castelfranco Altarpiece|Giorgione 5697.00|0|Creator|15|27|H196-P|M269||27 H196-P M269 |Portrait of a Seated Man|Assigned|Repository|Portrait of a Man|Variant|Image Source (Pub)||||Portrait of a Seated Man|5044|Hals, Frans||painter|Frans Hals|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)||||||0||||0||||0||||0|Paintings|Oil painting|Portrait|||17|||1645|1645|ca|ca 1645|ca 1645-1645|||||0||||0|||||Oil on oak|oil paint|oak||||painting (image-making)|||||42.4 x 33 cm||3423|Ottawa: National Gallery of Canada|Ottawa: Nat. Gal. of Canada||Portraits ; |Portraits|||||||||Cornell||JNK|MNW|10/18/2006 0:00:00|1/9/2006 0:00:00|H196|||0||15901||||M269|27|P||||||| ||||||||Work|0||Although suggestions have been made as to the sitter of this portrait - including two fellow artists from Hals' home town of Haarlem - his identity remains unknown. Ottawa: National Gallery of Art.||||||||||0|0|Portrait of a Seated Man;Portrait of a Man|Hals, Frans 5698.00|0|Creator|15|27|H196-|R333||27 H196- R333 |Regentesses of the Old Men's Almshouse|Assigned|Dict.Art|||||||Regentesses of the Old Men's Almshouse|5044|Hals, Frans||painter|Frans Hals|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)||||||0||||0||||0||||0|Paintings|Oil painting|Portrait|||17|||1664|1664||1664|1664-1664|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||172.5 x 256 cm||3489|Haarlem: Frans Hals Museum|Haarlem: Frans Hals Mus.||Portraits ; Women ; Regents ; |Portraits|Women|Regents|||||||Cornell||JNK|JNK|1/9/2006 0:00:00|1/9/2006 0:00:00|H196|||0||||||R333|27|||||||| ||||||||Work|0||||||||||||0|0|Regentesses of the Old Men's Almshouse|Hals, Frans 5699.00|0|Creator|15|27|H776|I611||27 H776 I611|Interior with Mother and Child|Assigned|Image Source (Pub)|||||||Interior with Mother and Child|5581|Hooch, Pieter de||painter|Pieter de Hooch|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||17||||||||||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||34 x 65 cm||3333|Stockholm: Nationalmuseum|Stockholm: Nat. Mus.||Interior views ; Mother and child ; |Interior views|Mother and child||||||||Cornell||JNK|MNW|10/18/2006 0:00:00|1/9/2006 0:00:00|H776|||0||||||I611|27|||||||| ||||||||Work|0||||||||||||0|0|Interior with Mother and Child|Hooch, Pieter de 5700.00|0|Creator|15|27|L359-PA|90 1||27 L359-PA 90 1|The Cheat with the Ace of Clubs|Assigned|Image Source (Pub)|||||||The Cheat with the Ace of Clubs|6640|La Tour, Georges de||painter|Georges de la Tour|0||||0|||||French|||Baroque|||Europe||France||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||17|||1625|1629|ca|late 1620's|ca 1625-1629|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||97.8 x 156.2 cm||3372|Fort Worth: Kimbell Art Museum|Fort Worth: Kimbell Art Mus.||Card games ; |Card games|||||||||Cornell||JNK|JNK|1/9/2006 0:00:00|1/9/2006 0:00:00|L359|||0||||||90 1|27|PA||||||| ||||||||Work|0||||||||||||0|0|The Cheat with the Ace of Clubs|La Tour, Georges de 5701.00|0|Creator|15|27|L454-D|E960||27 L454-D E960 |Fright: Two Heads Face Forward and One in Profile|Translated|Cataloger|La Frayeur: Deux têtes de face et une de profil|Assigned|Repository|The Expression of Terror|Variant|Image Source (Pub)|Fright: Two Heads Face Forward and One in Profile|6888|Le Brun, Charles||draftsman|Charles Le Brun|0||||0|||||French|||Baroque|||Europe||France||||||0||||0||||0||||0|Drawings|Drawing||||17|||1668|1668|ca|ca 1668|ca 1668-1668|||||0||||0|||||Pen, ink, charcoal on paper|pens|ink|charcoal|||drawing (image-making)|||||19.5 x 25.6 cm||4383|Paris: Musee National du Louvre; Cabinet des dessins|Paris: Louvre; Cab. Dessins||Faces (anatomy) ; Physiognomy ; |Faces (anatomy)|Physiognomy||||||||Cornell||JNK|MNW|10/18/2006 0:00:00|1/9/2006 0:00:00|L454|||0||Inv. 28296, recto||||E960|27|D||||||| ||||||||Work|0||This drawing was collected into an album by Morel d'Arleux. It consisted of 63 drawings made by Charles Le Brun and his studio for a conference at the Academie des Beaux Arts in 1668.||||||||||0|0|Fright: Two Heads Face Forward and One in Profile;La Frayeur: Deux têtes de face et une de profil;The Expression of Terror|Le Brun, Charles 5702.00|0|Creator|15|25|L581-D|51 1||25 L581-D 51 1 |Canon of Proportions|Assigned|Image Source (Pub)|Vitruvian Man|Variant|Image Source (Pub)||||Canon of Proportions (Vitruvian Man)|6972|Leonardo da Vinci||painter|Leonardo da Vinci|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0||||0||||0||||0|Drawings|Drawing||||15|||1490|1490|ca|ca 1490|ca 1490-1490|||||0||||0|||||Ink on paper|ink|paper (fiber product)||||drawing (image-making)|||||34.3 x 24.5 cm||3077|Venice: Galleria dell'Accademia|Venice: Gal. dell'Accademia||Proportion ; Men (male humans) ; |Proportion|Men (male humans)||||||||Cornell||JNK|MNW|10/18/2006 0:00:00|1/10/2006 0:00:00|L581|||0||||||51 1|25|D||||||| ||||||||Work|0||||||||||||0|0|Canon of Proportions;Vitruvian Man|Leonardo da Vinci 5703.00|0|Creator|15|25-Set|Leonardo|||25-Set Leonardo |Study of the Shoulder|Descriptive|Image Source (Pub)|||||||Study of the Shoulder|6972|Leonardo da Vinci||painter|Leonardo da Vinci|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0||||0||||0||||0|Drawings|Drawing||||16|||1510|1510|ca|ca 1510|ca 1510-1510|||||0||||0|||||Ink on paper|ink|packing material||||drawing (image-making)|||||||3519|Windsor: Windsor Castle; Royal Collection|Windsor Castle: Royal Coll.||Anatomy ; Men (male humans) ; |Anatomy|Men (male humans)||||||||Cornell||JNK|JNK|1/10/2006 0:00:00|1/10/2006 0:00:00|L581|||0||||||Set|25|||||||| ||||||||Work|0||||||||||||0|0|Study of the Shoulder|Leonardo da Vinci 5704.00|0|Creator|15|25-Set|Leonardo||||Drawing of Centralized Churches in Plan and Elevation|Descriptive|Image Source (Pub)|||||||Drawing of Centralized Churches in Plan and Elevation|6972|Leonardo da Vinci||painter|Leonardo da Vinci|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0||||0||||0||||0|Drawings|Drawing||||15|16|||||||||||0||||0|||||Ink on paper|ink|packing material||||drawing (image-making)|||||||||||Churches ; Plans (drawings) ; Central plan buildings ; |Churches|Plans (drawings)|Central plan buildings|||||||Cornell||JNK|MNW|10/18/2006 0:00:00|1/10/2006 0:00:00|L581|||0||||||Set|25||||||||||||||||Work|0||||||||||||0|0|Drawing of Centralized Churches in Plan and Elevation|Leonardo da Vinci 5705.00|0|Creator|15|25|P771.4-PA|38 Se||25 P771.4-PA 38 Se |The Martyrdom of St. Sebastian|Assigned|Repository|||||||The Martyrdom of St. Sebastian|9341|Pollaiolo, Antonio del||painter|Antonio del Pollaiolo & Piero del Pollaiolo|31029|Pollaiolo, Piero del||painter|0|||||Italian|||Renaissance|||Europe||Italy||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||15|||1475|1475||1475|1475-1475|||||0||||0|||||Oil on poplar|oil paint|poplar||||painting (image-making)|||||291.5 x 202.6 cm||3357|London: National Gallery|London: National Gallery||Saint Sebastian ; Martyrdom ; |Saint Sebastian|Martyrdom||||||||Cornell||JNK|JNK|1/10/2006 0:00:00|1/10/2006 0:00:00|P771.4|||0||NG292||||38 Se|25|PA||||||| ||||||||Work|0||||||||||||0|0|The Martyrdom of St. Sebastian|Pollaiolo, Antonio del;Pollaiolo, Piero del 5706.00|0|Creator|15|27|P878-|ME859||27 P878- ME859 |Et in Arcadia Ego|Variant|Repository|Les Bergers d'Arcadie|Assigned|Repository|The Arcadian Shepherds|Translated|Cataloger|Et in Arcadia Ego (The Arcadian Shepherds)|9436|Poussin, Nicolas||painter|Nicolas Poussin|0||||0|||||French|||Baroque|||Europe||France||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||17|||1638|1640|ca|ca 1638-1640|ca 1638-1640|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||85 x 121 cm||3341|Paris: Musée du Louvre|Paris: Louvre||Shepherds ; Landscapes ; |Shepherds|Landscapes||||||||Cornell||JNK|MNW|10/26/2006 0:00:00|1/10/2006 0:00:00|P878|||0||Inv. 7300||||ME859|27|||||||| ||||||||Work|0||||||||||||0|0|Et in Arcadia Ego;Les Bergers d'Arcadie;The Arcadian Shepherds|Poussin, Nicolas 5707.00|0|Creator|15|25|P878-D|BS133||25 P878-D BS133 |The Eucharist|Assigned|Repository|||||||The Seven Sacraments (II). The Eucharist|9436|Poussin, Nicolas||painter|Nicolas Poussin|0||||0|||||French|||Baroque|||Europe||France||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||17|||1644|1644||1644|1644-1644||The Seven Sacraments (II)|||5624||||0|||||Oil on canvas|oil paint|canvas||||panel painting|||||117 x 178 cm||3446|Edinburgh: National Gallery of Scotland|Edinburgh: Nat. Gal. Scotland||Eucharist ; Christ ; Sacraments ; |Eucharist|Christ|Sacraments|||||||Cornell||JNK|MNW|10/26/2006 0:00:00|1/11/2006 0:00:00|P878|||0||||||BS133|25|D||||||| ||||||||Work|0||||||||||||0|0|The Eucharist|Poussin, Nicolas 5708.00|0|Category|07|Q-05.5|BF/Cae|3||Q-05.5 BF/Cae 3 |Hydria|Descriptive|||||||||0|||||0||||0|||||Greek|||Black-figure|Caeretan||Europe|Etruria|Italy||||||0||||0||||0||||0|Ceramics|Vase|Painting|Vase painting|BCE|-6|||-540|-520|ca|ca 530-520 BCE|ca -540 - -520|||||0||||0|||||Vase painting||||||ceramics|vase painting||||H = 42.3 cm||9650|Zurich: The Hirschmann Collection|Zurich: Hirschmann Coll.|Former|Hercules ; Centaurs ; Swords ; Dancers ; |Hercules|Centaurs|Swords|Dancers||||||Cornell||HB|HB|6/5/2006 0:00:00|1/11/2006 0:00:00||||0||G32||||BF/Cae|Q|||05.5||||| ||||||||Work|0|Ceramics-Greek|Side A: Hercules and Centaurs. Side B: Two Swordsmen and a bowl||||The Hirschmann Collection was sold in 1993.||||||0|0|Hydria| 5709.00|0|Creator|15|27|R385-G|A275||27 R385-G A275 |The Agony in the Garden|Assigned|Repository|||||||The Agony in the Garden|9750|Rembrandt van Rijn||painter|Rembrandt van Rijn|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)||||||0||||0||||0||||0|Prints|Etching|Drypoint|||17|||1657|1657|ca|ca 1657|ca 1657-1657|||||0||||0|||||Etching and drypoint|ink|paper (fiber product)||||etching (corroding)|printing|drypoint (printing process)|||11.8 x 8.3 cm||428|Boston: Museum of Fine Arts|Boston: MFA||Gethsemane ; Christ ; Angels ; Passion of Christ ; New Testament ; |Gethsemane|Christ|Angels|Passion of Christ|New Testament|||||Cornell||JNK|MNW|10/29/2006 0:00:00|1/11/2006 0:00:00|R385|||0||1973.288||||A275|27|G||||||| ||||||||Work|0||||||||||||0|0|The Agony in the Garden|Rembrandt van Rijn 5710.00|0|Creator|15|27|R385-G|A160||27 R385-G A160 |Abraham's Sacrifice|Assigned|Repository|||||||Abraham's Sacrifice|9750|Rembrandt van Rijn||painter|Rembrandt van Rijn|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)||||||0||||0||||0||||0|Prints|Etching|Drypoint|||17|||1655|1655||1655|1655-1655|||||0||||0|||||Etching and drypoint|ink|paper (fiber product)||||printing|etching (corroding)|drypoint (printing process)|||15.6 x 13.1 cm||428|Boston: Museum of Fine Arts|Boston: MFA||Sacrifices ; Abraham ; Isaac ; Angels ; |Sacrifices|Abraham|Isaac|Angels||||||Cornell||JNK|MNW|10/29/2006 0:00:00|1/11/2006 0:00:00|R385|||0||P408||||A160|27|G||||||| ||||||||Work|0||||||||||||0|0|Abraham's Sacrifice|Rembrandt van Rijn 5711.00|0|Creator|15|27|R385|MA716||27 R385- MA716 |Aristotle with a Bust of Homer|Assigned|Repository|Aristotle Contemplating a Bust of Homer|Variant|Image Source (Pub)||||Aristotle with a Bust of Homer|9750|Rembrandt van Rijn||painter|Rembrandt van Rijn|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||17|||1653|1653||1653|1653-1653|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||143.5 x 136.5 cm||3294|New York: Metropolitan Museum of Art|New York: Metropolitan||Aristotle ; Homer ; Sculpture (visual work) ; Portraits ; Philosophers ; |Aristotle|Homer|Sculpture (visual work)|Portraits|Philosophers|||||Cornell||JNK|MNW|10/29/2006 0:00:00|1/11/2006 0:00:00|R385|||0||61.198||||MA716|27|||||||| ||||||||Work|0||||||||||||0|0|Aristotle with a Bust of Homer;Aristotle Contemplating a Bust of Homer|Rembrandt van Rijn 5712.00|0|Creator|15|27|R385-P|S485||27 R385-P S485 |Self-Portrait|Assigned|Repository|||||||Self-Portrait|9750|Rembrandt van Rijn||painter|Rembrandt van Rijn|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||17|||1658|1658||1658|1658-1658|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||133.67 cm x 103.82 cm||3379|New York: Frick Collection|New York: Frick Collection||Self-portraits ; Portraits ; Rembrandt van Rijn, 1606-1669 ; |Self-portraits|Portraits|Rembrandt van Rijn, 1606-1669|||||||Cornell||JNK|JNK|1/11/2006 0:00:00|1/11/2006 0:00:00|R385|||0||1906.1.97||||S485|27|P||||||| ||||||||Work|0||||||||||||0|0|Self-Portrait|Rembrandt van Rijn 5713.00|0|Creator|15|27|R385|S964||27 R385 S964 |Suzanna|Assigned|Repository|Susanna Surprised by Elders|Variant|Image Source (Pub)||||Suzanna|9750|Rembrandt van Rijn||painter|Rembrandt van Rijn|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||17|||1636|1636||1636|1636-1636|||||0||||0|||||Oil on panel|oil paint|panels (wood)||||painting (image-making)|||||47.4 x 38.6 cm||1019|Hague (The): Mauritshuis|The Hague: Mauritshuis||Susanna ; Elders making advances on Susanna ; Old Testament ; Bathing ; |Susanna|Elders making advances on Susanna|Old Testament|Bathing||||||Cornell||JNK|MNW|10/29/2006 0:00:00|1/11/2006 0:00:00|R385|||0||147||||S964|27|||||||| ||||||||Work|0||||||||||||0|0|Suzanna;Susanna Surprised by Elders|Rembrandt van Rijn 5714.00|0|Creator|15|27|R385|N637||27 R385 N637 |The Night Watch|Assigned|Repository|||||||The Night Watch|9750|Rembrandt van Rijn||painter|Rembrandt van Rijn|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||17|||1642|1642||1642|1642-1642|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||363 x 437 cm||97|Amsterdam: Rijksmuseum|Amsterdam: Rijksmuseum||Military personnel ; Guardsmen ; Portraits ; Group portraits ; |Military personnel|Guardsmen|Portraits|Group portraits||||||Cornell||JNK|MNW|10/29/2006 0:00:00|1/11/2006 0:00:00|R385|||0||SK-C-5||||N637|27|||||||| ||||||||Work|0||||||||||||0|0|The Night Watch|Rembrandt van Rijn 5715.00|0|Creator|15|27|R385|L942||27 R385- L942 |Lucretia|Assigned|Repository|||||||Lucretia|9750|Rembrandt van Rijn||painter|Rembrandt van Rijn|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||17|||1666|1666||1666|1666-1666|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||110.17 x 92.28 cm||3361|Minneapolis: Institute of Arts|Minneapolis: Inst. Arts||Lucretia ; |Lucretia|||||||||Cornell||JNK|MNW|10/29/2006 0:00:00|1/11/2006 0:00:00|R385|||0||34.19||||L942|27|||||||| ||||||||Work|0||||||||||||0|0|Lucretia|Rembrandt van Rijn 5716.00|0|Creator|15|30|Rigaud, Hyacinthe|||30 Rigaud, Hyacinthe |Louis XIV (1638-1715)|Assigned|Repository|||||||Louis XIV (1638-1715)|31030|Rigaud, Hyacinthe||painter|Hyacinthe Rigaud|0||||0|||||French|||Baroque|||Europe||France||||||0||||0||||0||||0|Paintings|Oil painting|Painting|Portrait||18|||1701|1701||1701|1701-1701|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||277 x 194 cm||3341|Paris: Musée du Louvre|Paris: Louvre||Portraits ; Louis XIV, King of France, 1638-1715 ; Kings (people) ; |Portraits|Louis XIV, King of France, 1638-1715|Kings (people)|||||||Cornell||JNK|MNW|10/29/2006 0:00:00|1/11/2006 0:00:00||||0||Inv. 7492||||Rigaud, Hyacinthe|30|||||||| ||||||||Work|0||||||||||||0|0|Louis XIV (1638-1715)|Rigaud, Hyacinthe 5717.00|0|Creator|15|27|R895|MR216||27 R895 MR216 |The Rape of the Daughters of Leucippus|Assigned|Repository|||||||The Rape of the Daughters of Leucippus|10147|Rubens, Peter Paul||painter|Peter Paul Rubens|0||||0|||||Flemish|||Baroque|||Europe||Belgium||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1617|1618||1617-1618|1617-1618|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||224 x 210.5 cm||1784|Munich: Bayerische Staatsgemaldesammlungen; Alte Pinakothek|Munich: Alte Pinakothek||Rape ; Leucippus's daughters are abducted by the Dioscuri ; Abductions ; |Rape|Leucippus's daughters are abducted by the Dioscuri|Abductions|||||||Cornell||JNK|MNW|10/29/2006 0:00:00|1/11/2006 0:00:00|R895|||0||Inv. -Nr. 321||||MR216|27|||||||| ||||||||Work|0||||||||||||0|0|The Rape of the Daughters of Leucippus|Rubens, Peter Paul 5718.00|0|Creator|15|27|R895-A|D445||27 R895-A D445 |Descent from the Cross|Assigned|Dict.Art|||||||Descent from the Cross|10147|Rubens, Peter Paul||painter|Peter Paul Rubens|0||||0|||||Flemish|||Baroque|||Europe||Belgium||||||0||||0||||0||||0|Paintings|Altarpiece|Painting|Oil painting||17|||1612|1614||1612-1614|1612-1614|||||0||||0|||||Oil on panel|oil paint|panels (wood)||||painting (image-making)|||||421 x 617 cm (open)||124|Antwerp: Cathedral|Antwerp: Cathedral||Descent from the cross ; New Testament ; Christ ; |Descent from the cross|New Testament|Christ|||||||Cornell||JNK|MNW|10/29/2006 0:00:00|1/11/2006 0:00:00|R895|||0||||||D445|27|A||||||| ||||||||Work|0||||||||||||0|0|Descent from the Cross|Rubens, Peter Paul 5719.00|0|Creator|15|27|R895|BF195||27 R895 BF195 |The Fall of the Damned|Assigned|Repository|Fall of the Rebel Angels|Variant|Image Source (Pub)||||The Fall of the Damned|10147|Rubens, Peter Paul||painter|Peter Paul Rubens|0||||0|||||Flemish|||Baroque|||Europe||Belgium||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1620|1621||1620-1621|1620-1621|||||0||||0|||||Oil on oak|oil paint|oak||||painting (image-making)|||||286 x 224 cm||1784|Munich: Bayerische Staatsgemaldesammlungen; Alte Pinakothek|Munich: Alte Pinakothek||Angels ; Last Judgment ; Fall of the damned ; |Angels|Last Judgment|Fall of the damned|||||||Cornell||JNK|MNW|10/29/2006 0:00:00|1/11/2006 0:00:00|R895|||0||Inv. -Nr. 320||||BF195|27|||||||| ||||||||Work|0||||||||||||0|0|The Fall of the Damned;Fall of the Rebel Angels|Rubens, Peter Paul 5728.00|0|Creator|15|27|V433-P|P555||27 V433-P P555 |Philip IV of Spain in Brown and Silver|Assigned|Repository|||||||Philip IV of Spain in Brown and Silver|12216|Velazquez, Diego Rodriguez de S.||painter|Diego Velazquez|0||||0|||||Spanish|||Baroque|||Europe||Spain||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Portrait||17|||1631|1632|ca|ca 1631-1632|ca 1631-1632|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||195 x 110 cm||3357|London: National Gallery|London: National Gallery||Philip IV, King of Spain, 1605-1665 ; Portraits ; |Philip IV, King of Spain, 1605-1665|Portraits||||||||Cornell||JNK|MNW|10/29/2006 0:00:00|1/12/2006 0:00:00|V433|||0||NG1129||||P555|27|P||||||| ||||||||Work|0||||||||||||0|0|Philip IV of Spain in Brown and Silver|Velazquez, Diego Rodriguez de S. 5729.00|0|Creator|15|27|V433|S962||27 V433 S962 |The Surrender of Breda|Assigned|Repository|The Lances|Variant|Dict.Art||||The Surrender of Breda|12216|Velazquez, Diego Rodriguez de S.||painter|Diego Velazquez|0||||0|||||Spanish|||Baroque|||Europe||Spain||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1635|1635||1635|1635-1635|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||307 x 367 cm||1616|Madrid: Museo del Prado|Madrid: Prado||Wars ; Spinola, Ambrogio, 1569-1630 ; Capitulations, Military ; Breda (Netherlands) ; Lances ; |Wars|Spinola, Ambrogio, 1569-1630|Capitulations, Military|Breda (Netherlands)|Lances|||||Cornell||JNK|MNW|10/29/2006 0:00:00|1/12/2006 0:00:00|V433|||0||||||S962|27|||||||| ||||||||Work|0||||||||||||0|0|The Surrender of Breda;The Lances|Velazquez, Diego Rodriguez de S. 5730.00|0|Creator|15|E-14|Vermeer|4||E-14 Vermeer 4 |Young Woman with a Water Pitcher|Assigned|Repository|Young Woman with a Water Jug|Variant|Image Source (Pub)||||Young Woman with a Water Pitcher|12243|Vermeer, Jan||painter|Jan Vermeer|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)||||||0||||||||0||||0|Paintings|Oil painting|Painting|||17|||1662|1662|ca|ca 1662|ca 1662-1662|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||45.7 x 40.6 cm||3294|New York: Metropolitan Museum of Art|New York: Metropolitan||Interior views ; Women ; |Interior views|Women||||||||Cornell||JNK|JNK|1/12/2006 0:00:00|1/12/2006 0:00:00|Vermeer|||0||89.15.21|||||E|||14||||| ||||||||Work|0||||||||||||0|0|Young Woman with a Water Pitcher;Young Woman with a Water Jug|Vermeer, Jan 5731.00|0|Creator|15|E-14|Vermeer||||The Astronomer or the Astrologer|Translated|Cataloger|L'Astronome our plutôt L'Astrologue|Assigned|Repository||||The Astronomer|12243|Vermeer, Jan||painter|Jan Vermeer|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)||||||0||||||||0||||0|Paintings|Oil painting|Painting|||17|||1668|1668||1668|1668-1668|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||51 x 45 cm||3341|Paris: Musée du Louvre|Paris: Louvre||Astrology ; Astronomy ; Astronomers ; |Astrology|Astronomy|Astronomers|||||||Cornell||JNK|JNK|1/12/2006 0:00:00|1/12/2006 0:00:00|Vermeer|||0||R.F. 1983-28|||||E|||14||||| ||||||||Work|0||||||||||||0|0|The Astronomer or the Astrologer;L'Astronome our plutôt L'Astrologue|Vermeer, Jan 5732.00|0|Creator|15|27|V523|L131||27 V523 L131 |The Lacemaker|Translated|Cataloger|La Dentellière|Assigned|Image Source (Pub)||||The Lacemaker|12243|Vermeer, Jan||painter|Jan Vermeer|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)||||||0||||||||0||||0|Paintings|Painting|Oil painting|||17|||1669|1670|ca|ca 1669-1670|ca 1669-1670|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||24 x 1 cm||3341|Paris: Musée du Louvre|Paris: Louvre||Women ; Lace makers ; |Women|Lace makers||||||||Cornell||JNK|JNK|1/12/2006 0:00:00|1/12/2006 0:00:00|V523|||0||M.I. 1448||||L131|27|||||||| ||||||||Work|0||||||||||||0|0|The Lacemaker;La Dentellière|Vermeer, Jan 5733.00|0|Creator|15|27|V523|Y749||27 V523 Y749 |Young Woman with a Pearl Necklace|Assigned|Image Source (Pub)|||||||Young Woman with a Pearl Necklace|12243|Vermeer, Jan||painter|Jan Vermeer|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)||||||0|Berlin, Germany|||0||||0||||0|Paintings|Oil painting|Painting|||17|||1662|1664||1662-1664|1662-1664|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||55 x 45 cm||332|Berlin: Staatliche Museen zu Berlin; Gemaldegalerie|Berlin: Gemaldegalerie||woman ; Interior views ; |woman|Interior views||||||||Cornell||JNK|JNK|1/12/2006 0:00:00|1/12/2006 0:00:00|V253|||0||||||Y749|27|||||||| ||||||||Work|0||||||||||||0|0||Vermeer, Jan 5734.00|0|Creator|15|32|C9751.4-G|1896|1|32 C9751.4-G 1896 1|Darktown Yacht Club--Ladies' Day: "In cose I will, Honey."|Inscribed|Image Source (Pub)|||||||Darktown Yacht Club--Ladies' Day: "In cose I will, Honey."|27976|Currier & Ives||printing firm|Currier & Ives|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Graphics|Lithograph||||19|||1896|1896||1896|1896-1896|||||0||||0| Currier & Ives : a catalogue raisonne´, compiled by Gale Research Company, 1984|1565|||Color lithograph||||||printing|lithography||||26 x 35 cm||||||African Americans ; Boats ; |African Americans|Boats||||||||Cornell||MNW|JNK|11/30/2006 0:00:00|1/12/2006 0:00:00|C9751.4|||0|||||||32|G||||||1896|||||||||Work|0||||||||||||0|0|Darktown Yacht Club--Ladies' Day: "In cose I will, Honey."|Currier & Ives 5735.00|0|Category|07|N-Kersands||1||N-Kersands 1 |Billy Kersands. Callender's (Georgia) Minstrels|Inscribed|Image Source (Pub)|||||||Billy Kersands. Callender's (Georgia) Minstrels|0|||||0||||0|||||American|African American|||||North and Central America||United States||||||0||||0||||0||||0|Graphics|Lithograph|Portrait|||19|||1870|1875|ca|ca early 1870s|ca 1870-1875|||||0||||0|||||||||||printing|lithography||||||9570|New York: New York Public Library for the Performing Arts|New York: NYPL for the Performing Arts||Portraits ; Kersands, Billy ; Minstrels ; |Portraits|Kersands, Billy|Minstrels|||||||Cornell||MNW|JNK|1/19/2006 0:00:00|1/12/2006 0:00:00||||0|||||||N|||||||| |Kersands|||||||Work|0|Portraits-|||||||||||0|0|Billy Kersands. Callender's (Georgia) Minstrels| 5736.00|0||||||||Major Types of Gravemarkes in North Carolina|Descriptive|Image Source (Pub)|||||||Major Types of Gravemarkes in North Carolina|0|||||0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Sculpture|Tombstone||||18|19||1700|1899||1700-1899|1700-1899|||||0||||0||||||stone|wood (plant material)||||sculpture|carving||||||||||Tombstones ; |Tombstones|||||||||Cornell||JNK|MNW|1/25/2006 0:00:00|1/12/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Major Types of Gravemarkes in North Carolina| 5737.00|0||||||||Nineteenth-Century Grave Railing|Descriptive|Image Source (Pub)|||||||Black River Presbyterian Church. Nineteenth-Century Grave Railing|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Sampson County, NC|||10616||||0||||0|Sculpture|Tombstone|Sculpture|||19|||1800|1899||19th Century|1800-1899||Black River Presbyterian Church|Larger entity||5808||||0|||||Wood|wood (plant material)|||||carving|||||||||||Tombs ; Railings ; Graves ; |Tombs|Railings|Graves|||||||Cornell||JNK|MNW|1/25/2006 0:00:00|1/12/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Nineteenth-Century Grave Railing| 5738.00|0|Creator|15|35|S112|L695||35 S112 L695 |The Liberation of Aunt Jemima|Assigned|Image Source (Pub)|||||||The Liberation of Aunt Jemima|10247|Saar, Betye||sculptor|Betye Saar|0||||0|||||American|African American|||||North and Central America||United States||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1972|1972||1972|1972-1972|||||0||||0|||||Mixed materials|mixed materials||||||||||29.8 x 20.3 x 7 cm||3561|Collection of the Artist|: Collection of the Artist||Aunt Jemima ; African Americans ; Discrimination ; |Aunt Jemima|African Americans|Discrimination|||||||Cornell||MNW|MNW|1/16/2006 0:00:00|1/12/2006 0:00:00|S112|||0|||||||35|||||||| |L695|||||||Work|0||||||||||||0|0|The Liberation of Aunt Jemima|Saar, Betye 5739.00|0|Creator|15|32|H765-G|1865|1|32 H765-G 1865 1|Our Watering Places--The Empty Sleeve at Newport|Inscribed|Image Source (Pub)|Why Edna Ackland Learned to Drive|Variant|Image Source (Pub)||||Our Watering Places--The Empty Sleeve at Newport|5572|Homer, Winslow||painter|Winslow Homer|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Graphics|Engraving (print)|Wood engraving|||20|||1865|1865||1865|1865-1865|||||0||||0|Harper's Weekly||||Wood engraving||||||engraving (incising)|wood engraving (process)||||23.5 x 35.1 cm||3838|New York: The Brooklyn Museum|New York: Brooklyn Mus.||Women ; Wars ; Men (male humans) ; Carriages ; |Women|Wars|Men (male humans)|Carriages||||||Cornell||MNW|MNW|1/16/2006 0:00:00|1/12/2006 0:00:00|H765|||0||1998.105.91|||||32|G||||||1865| ||||||||Work|0||This illustration accompanied a story in Harper's Weekly, August 26, 1865, p. 532. Kushner, Winslow Homer.||||||||Gift of Harvey Isbits||0|0|Our Watering Places--The Empty Sleeve at Newport;Why Edna Ackland Learned to Drive|Homer, Winslow 5740.00|0||||||||Headboard Gravemarker|Descriptive|Image Source (Pub)|||||||Old Burying Ground. Headboard Gravemarker|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Beaufort, NC|||10617||||0||||0|Sculpture|Tombstone||||19|||1800|1899|ca|ca 1800-1899|ca 1800-1899||Old Burying Ground|Larger entity||5807||||0|||||Wood|wood (plant material)|||||carving|||||17.78 x 68.58 x 6.99 cm||||||Tombs ; Headboards ; Graves ; |Tombs|Headboards|Graves|||||||Cornell||JNK|MNW|1/25/2006 0:00:00|1/12/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Headboard Gravemarker| 5741.00|0||||||||Gravehouses Emerge From the Mist in the Old Cemetery|Descriptive|Image Source (Pub)|||||||Gravehouses Emerge From the Mist in the Old Cemetery|0|||||0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1921|1921|ca|ca 1921|ca 1921-1921|||||0||||0|||||Photograph||||||photography|||||||9629|Chapel Hill: University of North Carolina, North Carolina Collection|Chapel Hill: UNC; North Carolina Coll.||Tombs ; Tombstones ; Gravehouses ; Graves ; |Tombs|Tombstones|Gravehouses|Graves||||||Cornell||JNK|MNW|1/26/2006 0:00:00|1/12/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Gravehouses Emerge From the Mist in the Old Cemetery| 5742.00|0||||||||Brick Vault (Gravemarker)|Descriptive|Cataloger|||||||Brick Vault (Gravemarker)|0|||||0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Drawings|Tomb|Vault (structural element)|Section||19|||1950|1998|ca|ca 1950-1998|ca 1950-1998|||||0||||0|||||Drawing||||||drawing (image-making)|||||||||||Vaults (structural elements) ; Tombs ; |Vaults (structural elements)|Tombs||||||||Cornell||JNK|MNW|1/26/2006 0:00:00|1/12/2006 0:00:00||||0||||||||||||||||||||||||0||Conjectural drawing of a vault from the 1890's based on knowledge of Bert Brooks, Brooks Funeral Home, Morehead City [NC],a nd Rev. Matt Stockard, St. Paul's Episcopal Church, Beaufort [NC]. Little, P. 10.||||||||||0|0|Brick Vault (Gravemarker)| 5743.00|0||||||||Medieval English Vaults (Gravemarkers)|Descriptive|Cataloger|||||||Medieval English Vaults (Gravemarkers)|0|||||0||||0|||||English|||Medieval|||Europe||England||||||0||||0||||0||||0|Drawings|Tombstone|Sculpture|Drawing||20|||1950|1963|ca|ca 1950-1963|ca 1950-1963|||||0||||0|||||Stone|stone|||||sculpture|||||||||||Tombstones ; Vaults (structural elements) ; |Tombstones|Vaults (structural elements)||||||||Cornell||JNK|MNW|1/26/2006 0:00:00|1/12/2006 0:00:00||||0||||||||||||||||||||||||0||Adapted from Frederick Burgess, "English Churchyard Memorials, 1963). Little, Stick, 11.||||||||||0|0|Medieval English Vaults (Gravemarkers)| 5744.00|0|Creator|15|32|T179-PA|1907|1|32 T179-PA 1907 1|Girls Reading|Descriptive|Image Source (Pub)|||||||Girls Reading|11621|Tarbell, Edmund Charles||painter|Edmund C. Tarbell|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||20|||1907|1907||1907|1907-1907|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||63.5 x 76.2 cm||9630|: Collection of Deborah Shein|: Coll. Deborah Shein||Reading ; Interior views ; |Reading|Interior views||||||||Cornell||MNW|JNK|1/19/2006 0:00:00|1/12/2006 0:00:00|T179|||0|||||||32|PA||||||1907| ||||||||Work|0||||||||||||0|0|Girls Reading|Tarbell, Edmund Charles 5745.00|0|Category|09|H-76|18|Prod/Pink|1|H-76 18 Prod/Pink 1|"Nervous Breakdown"|Inscribed|Image Source (Pub)|Lydia E. Pinkham's Vegetable Compound|Inscribed|Image Source (Pub)||||"Nervous Breakdown"|31034|Lydia E. Pinkham Medicine Company|||Lydia E. Pinkham Medicine Company|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Advertising|Advertisement||||19|||1873|1899||Late 19th century|1873-1899|||||0||||0|||||Advertisement||||||printing|||||||9632|Cambridge, MA: Harvard University; Schlesinger Library|Cambridge: Harvard; Schlesinger Library||Women ; Patent medicines ; |Women|Patent medicines||||||||Cornell||MNW|JNK|1/19/2006 0:00:00|1/12/2006 0:00:00|18|||0||||||Prod/Pink|H|||76||||| |||||||||0||||||||||||0|0|"Nervous Breakdown";Lydia E. Pinkham's Vegetable Compound|Lydia E. Pinkham Medicine Company 5746.00|0||||||||Boone Tomb|Descriptive|Image Source (Pub)|||||||Cross Creek Cemetery. Boone Tomb|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Fayetteville, NC|||10618||||0||||0|Architecture|Tomb||||19|||1858|1858|ca|ca 1858|ca 1858-1858||Cross Creek Cemetery|Larger entity||5800||||0||||||||||||||||||||||Tombs ; Epitaphs ; Graves ; |Tombs|Epitaphs|Graves|||||||Cornell||JNK|MNW|1/27/2006 0:00:00|1/13/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Boone Tomb| 5747.00|0||||||||Headstone Shapes in North Carolina, Eighteenth Through Twentieth Centuries|Descriptive|Image Source (Pub)|||||||Headstone Shapes in North Carolina|0|||||0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Drawings|Tombstone|Sculpture|Drawing||20|||1950|1998||2nd half of 20th century|1950-1998|||||0||||0||||||stone|wood (plant material)||||sculpture|||||||||||Tombstones ; Tombs ; |Tombstones|Tombs||||||||Cornell||JNK|MNW|1/26/2006 0:00:00|1/13/2006 0:00:00||||0||||||||||||||||||||||||0||Illustrates headstone shapes of the eighteenth to early early twentieth centuries in North Carolina. Little, Sticks, p. 13.||||||||||0|0|Headstone Shapes in North Carolina, Eighteenth Through Twentieth Centuries| 5748.00|0||||||||Box Tomb of Col. Wilson Reed, d. 1860|Descriptive|Image Source (Pub)|||||||Hertford Town Cemetery. Box Tomb of Col. Wilson Reed, d. 1860|31035|Couper, J. D.||mason|J. D. Couper|0||||0|||||American||||||North and Central America||United States||||||0|Hertford, Perquimans County, NC|||10619||||0||||0|Sculpture|Tombstone|Tomb|||19|||1860|1860|ca|ca 1860|ca 1860-1860||Hertford Town Cemetery|Larger entity||5806||||0|||||Carved marble|marble|stone||||carving|||||||||||Tombstones ; Tombs ; Graves ; |Tombstones|Tombs|Graves|||||||Cornell||JNK|MNW|1/26/2006 0:00:00|1/13/2006 0:00:00||||0||||||||||||||||||||||||0||The source for this work, M. Ruth Little's , Sticks & Stones" Three Centuries of North Carolina Gravemarkers, cites the creator as "T.D. Couper" a "firm" in Norfolk, VA.||||||||Signed "T. D. Couper, Norfolk"||0|0|Box Tomb of Col. Wilson Reed, d. 1860|Couper, J. D. 5749.00|0||||||||Headstone of Mary Evans, d. 1758|Descriptive|Cataloger|||||||Palmer-Marsh Graveyard. Headstone of Mary Evans, d. 1758|31036|Codner, William|attributed to|mason|William Codner, attributed to|0||||0|||||American||||||North and Central America||United States||||||0|Bath, NC|||10620||||0||||0|Sculpture|Tombstone||||18|||1758|1758|ca|ca 1758-1758|ca 1758-1758||Palmer-Marsh Graveyard|Larger entity||5805||||0|||||Carved stone|stone|||||sculpture|carving||||||||||Tombstones ; Portraits ; Epitaphs ; Graves ; |Tombstones|Portraits|Epitaphs|Graves||||||Cornell||JNK|MNW|3/31/2006 0:00:00|1/13/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Headstone of Mary Evans, d. 1758|Codner, William 5750.00|0||||||||Funeral Invitiation of Rebekah Sewall, d. 1710|Descriptive|Image Source (Pub)|||||||Funeral Invitiation of Rebekah Sewall, d. 1710|0|||||0||||0|||||American|||Colonial|||North and Central America||United States||||||0||||0||||0||||0|Prints|Print||||18|||1710|1710||1710|1710-1710|||||0||||0|||||Print||||||printing|||||||431|Boston: Public Library|Boston: Public Library||Funerals ; Tombstones ; Invitations ; |Funerals|Tombstones|Invitations|||||||Cornell||JNK|JNK|1/13/2006 0:00:00|1/13/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Funeral Invitiation of Rebekah Sewall, d. 1710| 5751.00|0||||||||Monumental and Head Stone Designs|Inscribed|Print Publication|||||||Monumental and Head Stone Designs|31037|Wathan, Richard||author|Richard Wathan|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Publications|Book||||19|||1875|1875||1875|1875-1875|||||0||||0|||||||||||printing|||||||9631|Winterthur, DE: Winterthur Library|Winterthur, DE: Winterthur Library||Tombstones ; Monuments ; |Tombstones|Monuments||||||||Cornell||JNK|MNW|1/26/2006 0:00:00|1/13/2006 0:00:00||||0||||||||||||||| |||||||||0||Published in New York by Merkel & Ottmann, Lithographers, in 1875. RLIN database.||||||||||0|0|Monumental and Head Stone Designs|Wathan, Richard 5752.00|0||||||||Coston Cemetery|Assigned|Image Source (Pub)|||||||Coston Cemetery|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Onslow County, NC|||10621||||0||||0|Archaeological Sites|Cemetery||||19|||1800|1899||19th C|1800-1899|||||0||||0||||||||||||||||||||||Tombstones ; Cemeteries ; |Tombstones|Cemeteries||||||||Cornell||JNK|JNK|1/13/2006 0:00:00|1/13/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Coston Cemetery| 5753.00|0||||||||St. Paul's Episcopal Churchyard|Descriptive|Image Source (Pub)|||||||St. Paul's Episcopal Churchyard|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Edenton, NC|||10622||||0||||0|Architecture|Cemetery||||18|||1722|1722||1722|1722-1722|||||0||||0||||||||||||||||||||||Cemeteries ; Tombs ; Tombstones ; Graves ; |Cemeteries|Tombs|Tombstones|Graves||||||Cornell||JNK|JNK|1/24/2006 0:00:00|1/13/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|St. Paul's Episcopal Churchyard| 5754.00|0|Category|09|H-76|18|Prod/Pink|2|H-76 18 Prod/Pink 2|"Social Tragedy: Women Who Brave Death for Social Honor"|Inscribed|Image Source (Pub)|Lydia E. Pinkham's Vegetable Compound|Inscribed|Image Source (Pub)|Insert November 15|Inscribed|Image Source (Pub)|"Social Tragedy: Women Who Brave Death for Social Honor"|31034|Lydia E. Pinkham Medicine Company|||Lydia E. Pinkham Medicine Company|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Advertising|Advertisement||||19|||1896|1896||1896|1896-1896|||||0||||0|||||Advertisement||||||printing|||||||9632|Cambridge, MA: Harvard University; Schlesinger Library|Cambridge: Harvard; Schlesinger Library||Women ; Patent medicines ; |Women|Patent medicines||||||||Cornell||MNW|JNK|1/19/2006 0:00:00|1/13/2006 0:00:00|18|||0||||||Prod/Pink|H|||76||||| ||||||||Work|0||||||||||||0|0|"Social Tragedy: Women Who Brave Death for Social Honor";Lydia E. Pinkham's Vegetable Compound;Insert November 15|Lydia E. Pinkham Medicine Company 5755.00|0||||||||Lucy's Gravestone|Descriptive|Image Source (Pub)|||||||Evans Plantation Slave Graveyard. Lucy's Gravestone|0|||||0||||0|||||American|African American|||||North and Central America||United States||||||0|Cumberland County, NC|||10627||||0||||0|Sculpture|Tombstone||||19|||1856|1856|ca|ca 1856|ca 1856-1856||Evans Plantation Slave Graveyard|Larger entity||5804||||0|||||Stone|stone|||||carving|||||||||||Tombstones ; Epitaphs ; Graves ; |Tombstones|Epitaphs|Graves|||||||Cornell||JNK|MNW|1/27/2006 0:00:00|1/13/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Lucy's Gravestone| 5756.00|0||||||||Uncle Harry's Gravestone|Descriptive|Image Source (Pub)|||||||Evans Plantation Slave Graveyard. Uncle Harry's Gravestone|0|||||0||||0|||||American|African American|||||North and Central America||United States||||||0|Cumberland County, NC|||10627||||0||||0|Sculpture|Tombstone||||19|||1856|1856|ca|ca 1856|ca 1856-1856||Evans Plantation Slave Graveyard|Larger entity||5804||||0|||||Stone|stone|||||carving|||||||||||Tombstones ; Epitaphs ; Graves ; |Tombstones|Epitaphs|Graves|||||||Cornell||JNK|MNW|1/27/2006 0:00:00|1/13/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Uncle Harry's Gravestone| 5757.00|0||||||||Greenwood Cemetery|Assigned|Image Source (Pub)|||||||Greenwood Cemetery|0|||||0||||0|||||American|African American|||||North and Central America||United States||||||0|New Bern, NC|||10624||||0||||0|Architecture|Cemetery||||19|||1800|1899||19th C|1800-1899|||||0||||0||||||||||||||||||||||Cemeteries ; Tombs ; Tombstones ; Graves ; |Cemeteries|Tombs|Tombstones|Graves||||||Cornell||JNK|MNW|1/27/2006 0:00:00|1/13/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Greenwood Cemetery| 5758.00|0||||||||Hank's Chapel American Methodist Episcopal Churchyard|Assigned|Image Source (Pub)|||||||Hank's Chapel American Methodist Episcopal Churchyard|0|||||0||||0|||||American|African American|||||North and Central America||United States||||||0|New Hanover County, NC|||10625||||0||||0|Architecture|Cemetery||||20|||1900|1999||20th C|1900-1999|||||0||||0||||||||||||||||||||||Cemeteries ; |Cemeteries|||||||||Cornell||JNK|MNW|1/27/2006 0:00:00|1/13/2006 0:00:00||||0||||||||||||||||||||||||0||"Hank's Chapel American Methodist Episcopal Churchyard in New Hanover County, on the coast, typical of coastal black twentieth-century graveyards, is organized not by family plot but by individual grave…"Little, p. 41.||||||||||0|0|Hank's Chapel American Methodist Episcopal Churchyard| 5759.00|0|Category|09|H-76|18|Prod/ConEle|1|H-76 18 Prod/ConEle 1|"The Constant Electric Current, From Our Electric Generator…"|Inscribed|Image Source (Pub)|||||||"The Constant Electric Current, From Our Electric Generator…"|31038|Constant Current Cure Co.||manufacturer|Constant Current Cure Co.|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Advertising|Advertisement||||19|||1850|1899|ca|Late 19th century|ca 1850-1899|||||0||||0|||||Advertisement||||||printing|||||||||||Women ; Neurasthenia ; |Women|Neurasthenia||||||||Cornell||MNW|JNK|1/19/2006 0:00:00|1/13/2006 0:00:00|18|||0||||||Prod/ConEle|H|||76|||||||||||||Work|0||Galvanic electric current generators were used to treat cerebrasthenia. The patient holds a negative pole while a physician applies the positive pole to the central nervous system. Wiliams, Women on the Verge.||||||||||0|0|"The Constant Electric Current, From Our Electric Generator…"|Constant Current Cure Co. 5760.00|0||||||||Head and Footboard|Descriptive|Image Source (Pub)|||||||Coston Cemetery. Head and Footboard|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Onslow County, NC|||10621||||0||||0|Sculpture|Tombstone||||19|||1800|1899||19th C|1800-1899||Coston Cemetery|Larger entity||5752||||0|||||Wood|wood (plant material)|||||carving|||||||||||Tombstones ; Headboards ; Graves ; |Tombstones|Headboards|Graves|||||||Cornell||JNK|MNW|1/27/2006 0:00:00|1/13/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Head and Footboard| 5761.00|0|Creator|15|32|D5215-PA|1910|1|32 D5215-PA 1910 1|Lady in White (No. 2)|Assigned|Repository|||||||Lady in White (No. 2)|30564|Dewing, Thomas Wilmer||painter|Thomas Wilmer Dewing|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||20|||1910|1910|ca|ca 1910|ca 1910-1910|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||56.7 x 54.1 cm||3174|Washington, DC: Smithsonian Institution; Museum of American Art|Wash, DC: Smithsonian; Mus. Amer. Art||Women ; Interior views ; |Women|Interior views||||||||Cornell||MNW|JNK|1/19/2006 0:00:00|1/13/2006 0:00:00|D5215|||0||1929.6.30|||||32|PA||||||1910| ||||||||Work|0||||||||||||0|0|Lady in White (No. 2)|Dewing, Thomas Wilmer 5762.00|0||||||||Headboard of Carrie Deaver|Descriptive|Image Source (Pub)|||||||Hope Mills Cemetery. Headboard of Carrie Deaver|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Cumberland County, NC|||10627||||0||||0|Sculpture|Tombstone||||19|||1876|1876||1876|1876-1876||Hope Mills Cemetery|Larger entity||5803||||0|||||Wood|wood (plant material)|||||carving|||||||||||Tombstones ; Headboards ; Epitaphs ; Graves ; |Tombstones|Headboards|Epitaphs|Graves||||||Cornell||JNK|MNW|1/27/2006 0:00:00|1/13/2006 0:00:00||||0||||||||||||||||||||||||0||The headboard is inscribed with "Died Feb 11 1876".||||||||||0|0|Headboard of Carrie Deaver| 5763.00|0||||||||Gravehouse of Elizabeth Nicholson|Descriptive|Image Source (Pub)|||||||New Hope Methodist Church. Gravehouse of Elizabeth Nicholson|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Perquimans County, NC|||10628||||0||||0|Architecture|Tomb||||20|||1913|1913|ca|ca 1913|ca 1913-1913||New Hope Methodist Church|Larger entity||5802||||0||||||||||||||||||||||Gravehouses ; Tombs ; Graves ; |Gravehouses|Tombs|Graves|||||||Cornell||JNK|MNW|1/27/2006 0:00:00|1/13/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Gravehouse of Elizabeth Nicholson| 5764.00|0||||||||St. James Episcopal Churchyard|Assigned|Image Source (Pub)|||||||St. James Episcopal Churchyard|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Wilmington, NC|||10629||||0||||0|Architecture|Cemetery||||18|||1751|1751||1751|1751-1751|||||0||||0||||||||||||||||||||||Cemeteries ; |Cemeteries|||||||||Cornell||JNK|JNK|1/13/2006 0:00:00|1/13/2006 0:00:00||||0||||||||||||||||||||||||0||The last burial in the churchyard was in 1850.||||||||||0|0|St. James Episcopal Churchyard| 5765.00|0||||||||Box-tomb of Mrs. Mary Quince, d. 1765|Descriptive|Image Source (Pub)|||||||St. Philip's Anglican Churchyard. Box-tomb of Mrs. Mary Quince, d. 1765|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Brunswick County, NC|||10630||||0||||0|Sculpture|Tomb|Tombstone|||18|||1765|1765|ca|ca 1765|ca 1765-1765||St. Philip's Anglican Churchyard|Larger entity||5801||||0|||||Stone|stone|||||carving|||||||||||Tombs ; Graves ; |Tombs|Graves||||||||Cornell||JNK|MNW|1/27/2006 0:00:00|1/13/2006 0:00:00||||0||||||||||||||||||||||||0||Apparently imported from England. Little, p. 50.||||||||||0|0|Box-tomb of Mrs. Mary Quince, d. 1765| 5766.00|0|Creator|15|32|A3762-PA|1895|1|32 A3762-PA 1895 1|Repose|Assigned|Repository|||||||Repose|31039|Alexander, John White||painter|John White Alexander|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||19|||1895|1895||1895|1895-1895|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||132.7 x 161.6 cm||3294|New York: Metropolitan Museum of Art|New York: Metropolitan||Women ; Sleep ; |Women|Sleep||||||||Cornell||MNW|JNK|1/19/2006 0:00:00|1/13/2006 0:00:00|A3762|||0||1980.224|||||32|PA||||||| 1895||||||||Work|0||||||||||||0|0|Repose|Alexander, John White 5767.00|0||||||||Tomb-table of Oliver Pearce, d. 1815|Descriptive|Image Source (Pub)|||||||Cross Creek Cemetery. Tomb-table of Oliver Pearce, d. 1815|31040|Tingley Brothers||mason|Tingley Brothers|0||||0|||||American||||||North and Central America||United States||||||0|Fayetteville, NC|||10618||||0||||0|Sculpture|Tomb|Table|||19|||1815|1815|ca|ca 1815|ca 1815-1815||Cross Creek Cemetery|Larger entity||5800||||0|||||Stone|stone|||||carving|||||||||||Tombs ; Graves ; |Tombs|Graves||||||||Cornell||JNK|MNW|1/27/2006 0:00:00|1/13/2006 0:00:00||||0||||||||||||||||||||||||0||Oliver Pearce was a native of Providence, RI. Though he was a merchant in Fayetteville, NC, his tomb was made by the Tingley Brothers of Providence, RI. Little, 49.||||||||Signed "Tingley Bros. Providence, R.I."||0|0|Tomb-table of Oliver Pearce, d. 1815|Tingley Brothers 5768.00|0|Creator|15|32|T179-PA|1899|1|32 T179-PA 1899 1|Across the Room|Assigned|Repository|||||||Across the Room|11621|Tarbell, Edmund Charles||painter|Edmund C. Tarbell|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||19|||1899|1899|ca|ca 1899|ca 1899-1899|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||63.5 x 76.5 cm||3294|New York: Metropolitan Museum of Art|New York: Metropolitan||Women ; Interior views ; |Women|Interior views||||||||Cornell||MNW|JNK|1/19/2006 0:00:00|1/13/2006 0:00:00|T179|||0||67.187.141|||||32|PA||||||1899| ||||||||Work|0||||||||||||0|0|Across the Room|Tarbell, Edmund Charles 5769.00|0||||||||Headstone for Isaac Hardee, d. 1770|Descriptive|Image Source (Pub)|||||||Hardee Graveyard. Headstone for Isaac Hardee, d. 1770|31036|Codner, William|attributed to|mason|William Codner, attributed to|0||||0|||||American||||||North and Central America||United States||||||0|Greenville, NC|||10631||||0||||0|Sculpture|Tombstone||||18|||1770|1770|ca|ca 1770|ca 1770-1770||Hardee Graveyard|Larger entity||5799||||0|||||Stone|stone|||||sculpture|||||||||||Tombstones ; Soul ; Hourglasses ; Epitaphs ; Graves ; |Tombstones|Soul|Hourglasses|Epitaphs|Graves|||||Cornell||JNK|MNW|1/27/2006 0:00:00|1/13/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Headstone for Isaac Hardee, d. 1770|Codner, William 5770.00|0|Creator|15|32|M142-G|1915|1|32 M142-G 1915 1|The Cocoon: a Rest-Cure Comedy|Published|Online Resource|||||||The Cocoon: a Rest-Cure Comedy|31041|Stuart, Ruth McEnery||author|Ruth McEnery Stuart|0||||0|||||American||||||Asia||United Arab Emirates||||||0||||0||||0||||0|Publications|Book||||20|||1915|1915||1915|1915-1915|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|JNK|1/19/2006 0:00:00|1/13/2006 0:00:00|M142|||0|||||||32|G||||||1915|||||||||Work|0||Published in New York by Hearst's International Library Company.||||||||||0|0|The Cocoon: a Rest-Cure Comedy|Stuart, Ruth McEnery 5771.00|0|Creator|15|32|G448-G|1899|1|32 G448-G 1899 1|Not the Sea Serpent, but Far More Dangerous|Assigned|Image Source (Pub)|||||||Not the Sea Serpent, but Far More Dangerous|4452|Gibson, Charles Dana||illustrator|Charles Dana Gibson|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Graphics|Print|Wood engraving|||19|||1899|1899||1899|1899-1899|||||0||||0|||||Print||||||printing|wood engraving (process)||||||||||Femmes fatales ; Gibson girls ; |Femmes fatales|Gibson girls||||||||Cornell||MNW|JNK|4/19/2006 0:00:00|1/13/2006 0:00:00|G448|||0|||||||32|G||||||1899|||||||||Work|0||||||||||||0|0|Not the Sea Serpent, but Far More Dangerous|Gibson, Charles Dana 5772.00|0|Creator|15|32|G448-G|1899|2|32 G448-G 1899 2|The Nursery|Assigned|Image Source (Pub)|||||||The Nursery|4452|Gibson, Charles Dana||illustrator|Charles Dana Gibson|0||||0|||||American||||||Asia||United Arab Emirates||||||0||||0||||0||||0|Graphics|Wood engraving|Print|||19|||1899|1899||1899|1899-1899|||||0||||0|||||Print||||||printing|wood engraving (process)||||||||||Children (people by age group) ; Toys (recreational artifacts) ; games ; |Children (people by age group)|Toys (recreational artifacts)|games|||||||Cornell||MNW|JNK|4/19/2006 0:00:00|1/13/2006 0:00:00|G448|||0|||||||32|G||||||1899|||||||||Work|0||||||||||||0|0|The Nursery|Gibson, Charles Dana 5773.00|0||||||||Distinguished Lady Visitors to Buffalo Bill's Wild West. London, 1887.|Inscribed|Image Source (Pub)|||||||Distinguished Lady Visitors to Buffalo Bill's Wild West. London, 1887.|31043| A. Hoen & Co.||publisher| A. Hoen & Co.|0||||0|||||American||||||||||||||0||||0||||0||||0|Graphics|Lithograph|Portrait|||19|||1887|1887||1887|1887-1887|||||0||||0|||||Lithograph||||||lithography|||||67.3 x 49.5 cm||9635|: Michael Del Castello Collection|: Michael Del Castello Coll.||Buffalo Bill, 1846-1917 ; Portraits ; Group portraits ; |Buffalo Bill, 1846-1917|Portraits|Group portraits|||||||Cornell||MNW|JNK|1/19/2006 0:00:00|1/13/2006 0:00:00||||0||||||||||||||| |||||||||0||Includes the Countess of Dudley, the Duchess of Leinster, H.R.H. Princess of Saxe-Meiningen, and the Grand Duchess Serge of Russia.||||||||||0|0|Distinguished Lady Visitors to Buffalo Bill's Wild West. London, 1887.| A. Hoen & Co. 5774.00|0||||||||I am Coming|Translated|Repository|Je Viens|Inscribed|Image Source (Pub)||||I am Coming (Je Viens)|31051|Weiners, Paris||lithographer|Weiners, Pais|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Posters|Poster|Lithograph|||19|||1889|1889|ca|ca 1889|ca 1889-1889|||||0||||0|||||Colored lithograph poster|paper (fiber product)|ink||||lithography|printing||||||9633|Cody, WY: Buffalo Bill Historical Center; Buffalo Bill Museum|Cody, WY: Buffalo Bill Hist. Ctr.; Museum||Buffalo Bill, 1846-1917 ; American bison ; Portraits ; Exposition universelle de 1867 à Paris ; |Buffalo Bill, 1846-1917|American bison|Portraits|Exposition universelle de 1867 à Paris||||||Cornell||MNW|JNK|1/19/2006 0:00:00|1/13/2006 0:00:00||||0||1.69.442||||||||||||| |||||||||0||Poster to publicize Buffalo Bill's 1889 tour to the French public.||||||||||0|0|I am Coming;Je Viens|Weiners, Paris 5775.00|0||||||||Annie Oakley: the Peerless Wing and Rifle Shot|Inscribed|Image Source (Pub)|||||||Annie Oakley: the Peerless Wing and Rifle Shot|31049|Enquirer Job Printing Company||publisher|Enquirer Job Printing Company|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Posters|Poster|Lithograph|Portrait||20|||1901|1901|ca|ca 1901|ca 1901-1901|||||0||||0|||||Poster||||||printing|offset printing|lithography|||||9636|Greenville, OH: Darke County Historical Society; Garst Museum|Greenville, OH: Darke Co. Hist. Soc.; Garst Mus.||Portraits ; Oakley, Annie, 1860-1926 ; Rifles (long guns) ; Bicycles ; Horses ; Trophies (objects) ; Hunting ; |Portraits|Oakley, Annie, 1860-1926|Rifles (long guns)|Bicycles|Horses|Trophies (objects)|Hunting|||Cornell||MNW|JNK|1/19/2006 0:00:00|1/13/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Annie Oakley: the Peerless Wing and Rifle Shot|Enquirer Job Printing Company 5776.00|0||||||||Headstone of Josiah Howard, d. 1759|Descriptive|Image Source (Pub)|||||||Christ Churchyard. Headstone of Josiah Howard, d. 1759|31042|Lamson Workshop|attributed to|mason|Lamson Workshop, attributed to|0||||0|||||American||||||North and Central America||United States||||||0|New Bern, NC|||10624||||0||||0|Sculpture|Tombstone||||18|||1759|1759|ca|ca 1759|ca 1759-1759||Christ Churchyard|Larger entity||5798||||0|||||Stone|stone|||||carving|||||||||||Tombstones ; Skulls ; Epitaphs ; Death (symbols of) ; Graves ; |Tombstones|Skulls|Epitaphs|Death (symbols of)|Graves|||||Cornell||JNK|MNW|1/27/2006 0:00:00|1/16/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Headstone of Josiah Howard, d. 1759|Lamson Workshop 5777.00|0||||||||Headstone of Morris Nichols, d. 1796|Descriptive|Image Source (Pub)|||||||Nixon-Foy Graveyard. Headstone of Morris Nichols, d. 1796|0|||||0||||0|||||American||||||North and Central America||United States||||||0|New Hanover County, NC|||10633||||0||||0|Sculpture|Tombstone||||18|||1796|1796|ca|ca 1796|ca 1796-1796||Nixon-Foy Graveyard|Larger entity||5797||||0|||||Stone|stone|||||carving|||||||||||Tombstones ; Skulls ; Epitaphs ; Death (symbols of) ; Graves ; |Tombstones|Skulls|Epitaphs|Death (symbols of)|Graves|||||Cornell||JNK|MNW|1/27/2006 0:00:00|1/16/2006 0:00:00||||0||||||||||||||||||||||||0||Attributed to a Massachusetts stonecutter.||||||||||0|0|Headstone of Morris Nichols, d. 1796| 5778.00|0||||||||Headstone of Sarah Stone, d. 1788|Descriptive|Image Source (Pub)|||||||St. James Episcopal Churchyard. Headstone of Sarah Stone, d. 1788|31044|Manning, Josiah|attributed to|mason|Josiah Manning, attributed to|0||||0|||||American||||||North and Central America||United States||||||0|Wilmington, NC|||10629||||0||||0|Sculpture|Tombstone||||18|||1788|1788|ca|ca 1788|ca 1788-1788||St. James Episcopal Churchyard|Larger entity||5764||||0|||||Stone|stone|||||carving|||||||||||Tombstones ; Faces (anatomy) ; Epitaphs ; Soul ; Graves ; |Tombstones|Faces (anatomy)|Epitaphs|Soul|Graves|||||Cornell||JNK|MNW|1/27/2006 0:00:00|1/16/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Headstone of Sarah Stone, d. 1788|Manning, Josiah 5797.00|0||||||||Nixon-Foy Graveyard|Assigned|Image Source (Pub)|||||||Nixon-Foy Graveyard|0|||||0||||0|||||American||||||North and Central America||United States||||||0|New Hanover County, NC|||10633||||0||||0|Architecture|Cemetery||||18||||||||||||0||||0||||||||||||||||||||||Cemeteries ; |Cemeteries|||||||||Cornell||JNK|JNK|1/17/2006 0:00:00|1/17/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Nixon-Foy Graveyard| 5798.00|0||||||||Christ Churchyard|Assigned|Image Source (Pub)|||||||Christ Churchyard|0|||||0||||0|||||American||||||North and Central America||United States||||||0|New Bern, NC|||10624||||0||||0|Architecture|Cemetery|Church|||18||||||||||||0||||0||||||||||||||||||||||Cemeteries ; Churches ; |Cemeteries|Churches||||||||Cornell||JNK|JNK|1/17/2006 0:00:00|1/17/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Christ Churchyard| 5799.00|0||||||||Hardee Graveyard|Assigned|Image Source (Pub)|||||||Hardee Graveyard|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Greenville, NC|||10631||||0||||0|Architecture|Cemetery||||18||||||||||||0||||0||||||||||||||||||||||Cemeteries ; |Cemeteries|||||||||Cornell||JNK|JNK|1/17/2006 0:00:00|1/17/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Hardee Graveyard| 5800.00|0||||||||Cross Creek Cemetery|Assigned|Image Source (Pub)|||||||Cross Creek Cemetery|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Fayetteville, NC|||10618||||0||||0|Architecture|Cemetery||||18||||||||||||0||||0||||||||||||||||||||||Cemeteries ; |Cemeteries|||||||||Cornell||JNK|MNW|1/28/2006 0:00:00|1/17/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Cross Creek Cemetery| 5801.00|0||||||||St. Philip's Anglican Churchyard|Assigned|Image Source (Pub)|||||||St. Philip's Anglican Churchyard|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Brunswick County, NC|||10630||||0||||0|Architecture|Cemetery|Church|||18||||||||||||0||||0||||||||||||||||||||||Cemeteries ; Churches ; |Cemeteries|Churches||||||||Cornell||JNK|JNK|1/17/2006 0:00:00|1/17/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|St. Philip's Anglican Churchyard| 5802.00|0||||||||New Hope Methodist Church|Assigned|Image Source (Pub)|||||||New Hope Methodist Church|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Perquimans County, NC|||10628||||0||||0|Architecture|Cemetery|Church|||18|19|||||||||||0||||0||||||||||||||||||||||Cemeteries ; Churches ; |Cemeteries|Churches||||||||Cornell||JNK|JNK|1/17/2006 0:00:00|1/17/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|New Hope Methodist Church| 5803.00|0||||||||Hope Mills Cemetery|Assigned|Image Source (Pub)|||||||Hope Mills Cemetery|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Cumberland County, NC|||10627||||0||||0|Architecture|Cemetery||||18||||||||||||0||||0||||||||||||||||||||||Cemeteries ; |Cemeteries|||||||||Cornell||JNK|JNK|1/17/2006 0:00:00|1/17/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Hope Mills Cemetery| 5804.00|0||||||||Evans Plantation Slave Graveyard|Assigned|Image Source (Pub)|||||||Evans Plantation Slave Graveyard|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Cumberland County, NC|||10627||||0||||0|Architecture|Cemetery||||18|19|||||||||||0||||0||||||||||||||||||||||Cemeteries ; |Cemeteries|||||||||Cornell||JNK|JNK|1/17/2006 0:00:00|1/17/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Evans Plantation Slave Graveyard| 5805.00|0||||||||Palmer-Marsh Graveyard|Assigned|Image Source (Pub)|||||||Palmer-Marsh Graveyard|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Bath, NC|||10620||||0||||0|Architecture|Cemetery||||18||||||||||||0||||0||||||||||||||||||||||Cemeteries ; |Cemeteries|||||||||Cornell||JNK|JNK|1/17/2006 0:00:00|1/17/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Palmer-Marsh Graveyard| 5806.00|0||||||||Hertford Town Cemetery|Assigned|Image Source (Pub)|||||||Hertford Town Cemetery|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Hertford, Perquimans Cnty, NC|||10619||||0||||0|Architecture|Cemetery||||19||||||||||||0||||0||||||||||||||||||||||Cemeteries ; |Cemeteries|||||||||Cornell||JNK|JNK|1/17/2006 0:00:00|1/17/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Hertford Town Cemetery| 5807.00|0||||||||Old Burying Ground|Assigned|Image Source (Pub)|||||||Old Burying Ground|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Beaufort, NC|||10617||||0||||0|Architecture|Cemetery||||19||||||||||||0||||0||||||||||||||||||||||Cemeteries ; |Cemeteries|||||||||Cornell||JNK|JNK|1/17/2006 0:00:00|1/17/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Old Burying Ground| 5808.00|0||||||||Black River Presbyterian Church|Assigned|Image Source (Pub)|||||||Black River Presbyterian Church|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Sampson County, NC|||10616||||0||||0|Architecture|Church|Cemetery|||19||||||||||||0||||0||||||||||||||||||||||Cemeteries ; Churches ; |Cemeteries|Churches||||||||Cornell||JNK|JNK|1/17/2006 0:00:00|1/17/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Black River Presbyterian Church| 5809.00|0||||||||Low's Lutheran Churchyard|Assigned|Image Source (Pub)|||||||Low's Lutheran Churchyard|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Guilford County, NC|||10634||||0||||0|Architecture|Cemetery|Church|||18||||||||||||0||||0||||||||||||||||||||||Cemeteries ; Churches ; |Cemeteries|Churches||||||||Cornell||JNK|JNK|1/17/2006 0:00:00|1/17/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Low's Lutheran Churchyard| 5810.00|0||||||||German-Language Headstone of Daniel Grison|Descriptive|Image Source (Pub)|Hier Ruhet der leib Daniel Grison geboren den 17 May 1790. Ist alt worden 30 i(j)ahr 10 monad und 14|Inscribed|Image Source (Pub)|Here Lies the Body of Daniel Grison Born 17 May 1790. He was 30 Years, 10 Months and 14 Days Old.|Translated|Image Source (Pub)|Low's Lutheran Churchyard. German-Language Headstone of Daniel Grison|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Guilford County, NC|||10634||||0||||0|Sculpture|Tombstone||||19|||1821|1821|ca|ca 1821|ca 1821-1821||Low's Lutheran Churchyard|Larger entity||5809||||0|||||Stone|stone|||||carving|||||||||||Tombstones ; Epitaphs ; Graves ; Lutheran ; |Tombstones|Epitaphs|Graves|Lutheran||||||Cornell||JNK|MNW|1/28/2006 0:00:00|1/17/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|German-Language Headstone of Daniel Grison;Hier Ruhet der leib Daniel Grison geboren den 17 May 1790. Ist alt worden 30 i(j)ahr 10 monad und 14;Here Lies the Body of Daniel Grison Born 17 May 1790. He was 30 Years, 10 Months and 14 Days Old.| 5811.00|0|Category|08|O-Baines|1.0|HistCot|1|O-Baines 1.0 HistCot 1|History of Cotton Manufacture In Great Britain|Published|LC NAF|||||||History of Cotton Manufacture In Great Britain|31048|Baines, Edward, Sir||author|Sir Edward Baines|0||||0|||||British||||||Europe||England||||||0||||0||||0||||0|Publications|Book||||19|||1835|1835||1835|1835-1835|||||0||||0|||||||||||printing|||||||1512|London: British Library|London: British Library||||||||||||Cornell||MNW|CLL|1/30/2006 0:00:00|1/17/2006 0:00:00|Baines|||0||1044.g.23||||HistCot|O||||||1.0||||||||||Work|0||Published in London, England by H. Fisher, R. Fisher, and P. Jackson.||||||||||0|0|History of Cotton Manufacture In Great Britain|Baines, Edward, Sir 5812.00|0|Site|02|B-G1|Lon|2.121|Span|B-G1 Lon 2.121 Span|Midland Grand Hotel|Assigned|Dict.Art|||||||Saint Pancras Station and Hotel. Midland Grand Hotel|31102|Scott, George Gilbert, I||architect|George Gilbert Scott, I|0||||0|||||British|||Victorian|||Europe||England||||||0|London, England|||10018||||0||||0|Architecture|Hotel (public accommodation)|Railroad station|||19|||1868|1874||1868-1874|1868-1874||Saint Pancras Station and Hotel|LargerEntity||5813||||0||||||||||||||||||||||Hotels (public accommodations) ; Railroad stations ; |Hotels (public accommodations)|Railroad stations||||||||Cornell||MNW|JNK|11/2/2006 0:00:00|1/17/2006 0:00:00||Lon||0||||||SPan|B|||||G1|2.121||||||||||Work|0|Architecture-England|||||||||||0|0|Midland Grand Hotel|Scott, George Gilbert, I 5813.00|0|Site|02|B-G1|Lon|2.121 SPan||B-G1 Lon 2.121 SPan |Saint Pancras Station and Hotel|Assigned|Dict.Art|||||||Saint Pancras Station and Hotel|31102|Scott, George Gilbert, I||architect|George Gilbert Scott, I|730|Barlow, William Henry||engineer|0|||||British|||Victorian|||Europe||England||||||0|London, England|||10018||||0||||0|Architecture|Hotel (public accommodation)|Railroad station|||19|||1868|1874||1868-1874|1868-1874|||||0||||0||||||||||||||||||||||Hotels (public accommodations) ; Railroad stations ; |Hotels (public accommodations)|Railroad stations||||||||Cornell||MNW|CLL|8/4/2006 0:00:00|1/18/2006 0:00:00||Lon||0||||||SPan|B|||||G1|2.121||||||||||Work|0|Architecture-England|||||||||||0|0|Saint Pancras Station and Hotel|Scott, George Gilbert, I;Barlow, William Henry 5814.00|0|Site|02|B-G1|Lon|2.121 SPan||B-G1 Lon 2.121 SPan |Train Shed|Assigned|Dict.Art|||||||Saint Pancras Station and Hotel. Train Shed|730|Barlow, William Henry||engineer|William Henry Barlow|0||||0|||||British|||Victorian|||Europe||England||||||0|London, England|||10018||||0||||0|Architecture|Railroad station||||19|||1863|1868||1863-1868|1863-1868||Saint Pancras Station and Hotel|||5813||||0||||||||||||||||||||||Railroad stations ; |Railroad stations|||||||||Cornell||MNW|MNW|1/18/2006 0:00:00|1/18/2006 0:00:00||Lon||0||||||SPan|B|||||G1|2.121||||||||||Work|0|Architecture-England|Barlow was also responsible for the overall layout of S. Pancras station. DOA||||||||||0|0|Train Shed|Barlow, William Henry 5815.00|0|Site|02|B-J3|Ber|2.22 Sch|4b-10|B-J3 Ber 2.22 Sch 4b-10|Schauspielhaus (Theater) , Berlin, 1819-1821|Descriptive|Image Source (Pub)|||||||Schauspielhaus (Theater) , Berlin, 1819-1821|31050|Jügel, Johann Friedrich||engraver|Johann Friedrich Jügel after Schinkel|10508|Schinkel, Karl Friedrich|after|architect|0|||||German|||Neoclassical|Romantic||Europe||Germany||||||0||||0||||0||||0|Graphics|Aquatint|Print|||19|||1825|1825||1825|1825-1825|||||0||||0|||||Aquatint||||||printing|aquatint||||||||||Theaters ; Concert halls ; Berlin (Germany) ; Schauspielhaus (Berlin, Germany) ; |Theaters|Concert halls|Berlin (Germany)|Schauspielhaus (Berlin, Germany)||||||Cornell||MNW|MNW|1/18/2006 0:00:00|1/18/2006 0:00:00||Ber||0||||||Sch|B|||||J3|2.22||||||||||Work|0|Architecture-Germany|||||||||||0|0|Schauspielhaus (Theater) , Berlin, 1819-1821|Jügel, Johann Friedrich;Schinkel, Karl Friedrich 5816.00|0|Site|02|B-G1|Lon|1.1 Aer|15|B-G1 Lon 1.1 Aer 15|Aerial View of King's Cross and St. Pancras Stations, London|Descriptive|Image Source (Pub)|||||||Aerial View of King's Cross and St. Pancras Stations, London|0|||||0||||0|||||British||||||Europe||England||||||0||||0||||0||||0|Photographs|Photographic print|Aerial view|||20|||1950|1999||2nd half, 20th C.|1950-1999|||||0||||0|||||||||||photography|||||||||||London (England) ; Saint Pancras Station (London, England ; King’s Cross Station (London, England) ; Railroad stations ; Cityscapes ; |London (England)|Saint Pancras Station (London, England|King’s Cross Station (London, England)|Railroad stations|Cityscapes|||||Cornell||MNW|MNW|1/18/2006 0:00:00|1/18/2006 0:00:00||Lon||0||||||Aer|B|||||G1|1.1||||||||||Work|0|Architecture-England|||||||||||0|0|Aerial View of King's Cross and St. Pancras Stations, London| 5779.00|0||||||||Headstone of William Hunt, d. 1757|Descriptive|Image Source (Pub)|||||||St. James Episcopal Churchyard. Headstone of William Hunt, d. 1757|31045|Price, Ebenezer||mason|Ebenezer Price|0||||0|||||American||||||North and Central America||United States||||||0|Wilmington, NC|||10629||||0||||0|Sculpture|Tombstone||||18|||1757|1757|ca|ca 1757|ca 1757-1757||St. James Episcopal Churchyard|Larger entity||5764||||0|||||Stone|stone|||||carving|||||||||||Tombstones ; Faces (anatomy) ; Epitaphs ; Soul ; Graves ; |Tombstones|Faces (anatomy)|Epitaphs|Soul|Graves|||||Cornell||JNK|MNW|1/27/2006 0:00:00|1/16/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Headstone of William Hunt, d. 1757|Price, Ebenezer 5780.00|0||||||||Headstone of Elizabeth Cooke, d. 1784|Descriptive|Image Source (Pub)|||||||Cedar Grove Cemetery. Headstone of Elizabeth Cooke, d. 1784|31046|Stevens, John III||mason|John Stevens III|0||||0|||||American||||||North and Central America||United States||||||0|New Bern, NC|||10624||||0||||0|Sculpture|Tombstone||||18|||1784|1784|ca|ca 1784|ca 1784-1784||Cedar Grove Cemetery|Larger entity||5796||||0|||||Stone|stone|||||carving|||||||||||Tombstones ; Plants (vegetation) ; Epitaphs ; Graves ; |Tombstones|Plants (vegetation)|Epitaphs|Graves||||||Cornell||JNK|MNW|1/27/2006 0:00:00|1/16/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Headstone of Elizabeth Cooke, d. 1784|Stevens, John III 5781.00|0||||||||Headstone of Captain Ephraim Symonds, d. 1808|Descriptive|Image Source (Pub)|||||||St. James Episcopal Churchyard. Headstone of Captain Ephraim Symonds, d. 1808|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Wilmington, NC|||10629||||0||||0|Sculpture|Tombstone||||19|||1808|1808|ca|ca 1808|ca 1808-1808||St. James Episcopal Churchyard|Larger entity||5764||||0|||||Stone|stone|||||carving|||||||||||Tombstones ; Plants (vegetation) ; Epitaphs ; Urns ; Graves ; |Tombstones|Plants (vegetation)|Epitaphs|Urns|Graves|||||Cornell||JNK|MNW|1/27/2006 0:00:00|1/16/2006 0:00:00||||0||||||||||||||||||||||||0||Attributed to a stonecutter from Salem, MA.||||||||||0|0|Headstone of Captain Ephraim Symonds, d. 1808| 5782.00|0||||||||Longstreet Presbyterian Churchyard|Descriptive|Image Source (Pub)|||||||Longstreet Presbyterian Churchyard|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Hoke County, NC|||10637||||0||||0|Architecture|Cemetery|Church|||18|||1756|1756||1756|1756-1756|||||0||||0||||||||||||||||||||||Cemeteries ; Churches ; |Cemeteries|Churches||||||||Cornell||JNK|MNW|1/27/2006 0:00:00|1/16/2006 0:00:00||||0||||||||||||||||||||||||0||The church is on the National Register of Histroic Places and is now in the confines of Fort Bragg.||||||||||0|0|Longstreet Presbyterian Churchyard| 5783.00|0||||||||Headstone of Matthew Locke, d. 1801|Descriptive|Image Source (Pub)|||||||Thyatira Presbyterian Churchyard. Headstone of Matthew Locke, d. 1801|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Rowan County, NC|||10638||||0||||0|Sculpture|Tombstone||||19|||1801|1801|ca|ca 1801|ca 1801-1801||Thyatira Presbyterian Churchyard|Larger entity||5795||||0|||||Stone|stone|||||carving|||||||||||Tombstones ; Epitaphs ; Stars ; Moon ; Graves ; |Tombstones|Epitaphs|Stars|Moon|Graves|||||Cornell||JNK|MNW|1/27/2006 0:00:00|1/16/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Headstone of Matthew Locke, d. 1801| 5784.00|0||||||||Headstone of Hugh McCrarey, d. 1785|Descriptive|Image Source (Pub)|||||||Jersey Baptist Churchyard. Headstone of Hugh McCrarey, d. 1785|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Davidson County, NC|||10639||||0||||0|Sculpture|Tombstone||||18|||1785|1785|ca|ca 1785|ca 1785-1785||Jersey Baptist Churchyard|Larger entity||5794||||0|||||Stone|stone|||||carving|||||||||||Epitaphs ; Tombstones ; Graves ; |Epitaphs|Tombstones|Graves|||||||Cornell||JNK|MNW|1/28/2006 0:00:00|1/16/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Headstone of Hugh McCrarey, d. 1785| 5785.00|0||||||||Stoneware Gravemarker of Israel C. Woody, d. 1834|Descriptive|Image Source (Pub)|||||||Cane Creek Friends Meeting Graveyard. Stoneware Gravemarker of Israel C. Woody, d. 1834|31047|Loy, Solomon|attributed to|ceramicist|Solomon Loy, attributed to|0||||0|||||American||||||North and Central America||United States||||||0|Snow Camp, NC|||10640||||0||||0|Ceramics|Tombstone||||19|||1834|1834|ca|ca 1834|ca 1834-1834||Cane Creek Friends Meeting Graveyard|Larger entity||5793||||0|||||Stoneware|stoneware (pottery)|||||ceramics|||||||||||Tombstones ; Flowers ; Epitaphs ; Graves ; |Tombstones|Flowers|Epitaphs|Graves||||||Cornell||JNK|MNW|1/28/2006 0:00:00|1/16/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Stoneware Gravemarker of Israel C. Woody, d. 1834|Loy, Solomon 5786.00|0||||||||Stoneware Foot and Head Marker for D. B. Laney, d. 1885|Descriptive|Image Source (Pub)|||||||Laney Family Cemetery. Stoneware Foot and Head Marker for D. B. Laney, d. 1885|0|||||0||||0|||||American||||||North and Central America||United States||||||0|||||Union County, NC|||10641||||0|Ceramics|Tombstone||||19|||1885|1885|ca|ca 1885|ca 1885-1885||Laney Family Cemetery|Larger entity||5792||||0|||||Salt-glazed stoneware|stoneware (pottery)|||||ceramics|glazing (coating)||||||||||Tombstones ; Epitaphs ; Graves ; |Tombstones|Epitaphs|Graves|||||||Cornell||JNK|MNW|1/28/2006 0:00:00|1/16/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Stoneware Foot and Head Marker for D. B. Laney, d. 1885| 5787.00|0|Creator|15|I-18|A. Hoen &-|1894||I-18 A. Hoen &- 1894 |The White Eagle "Col. W. F. Cody=Buffalo Bill" Guiding and Guarding|Inscribed|Repository|Buffalo Bill's Wild West and Congree of Rough Riders of the World|Inscribed|Image Source (Pub)||||The White Eagle "Col. W. F. Cody=Buffalo Bill" Guiding and Guarding|31043|A. Hoen & Co.||publisher|A. Hoen & Co.|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Graphics|Print|Lithograph|Poster||20|||1894|1894|ca|ca 1894|ca 1894-1894|||||0||||0|||||Colored lithograph||||||printing|offset printing|lithography|||72.4 x 55.9 cm||9635|: Michael Del Castello Collection|: Michael Del Castello Coll.||Portraits ; Buffalo Bill, 1846-1917 ; Horses ; Rifles (long guns) ; Landscapes ; |Portraits|Buffalo Bill, 1846-1917|Horses|Rifles (long guns)|Landscapes|||||Cornell||MNW|JNK|1/19/2006 0:00:00|1/16/2006 0:00:00|A. Hoen &|||0|||||||I|||18||||| ||||||||Work|0||This work considered a print rather than a poster, it was printed in nine colors, including a metallic gold, and on heavy stock. It was most likely meant to be a souvenir during the 1893 Columbian Exposition in Chicago. Buffalo Bill Hist. Ctr.|A copy of this poster is also in the collection in Cody, WY: Buffalo Bill Historical Center.|||||||Gift of the coe foundation||0|0|The White Eagle "Col. W. F. Cody=Buffalo Bill" Guiding and Guarding;Buffalo Bill's Wild West and Congree of Rough Riders of the World|A. Hoen & Co. 5788.00|0||||||||Symbols from English Culture, German Culture, and Popular Culture on North Carolina Gravestones to the Mid-Nineteenth Century|Descriptive|Image Source (Pub)|||||||Symobls from English, German & Popular Culture on North Carolina Gravestones to the Mid-19th C|0|||||0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Drawings|Tombstone|Drawing|Sculpture|||||1950|1998|ca|ca 1950-1998|ca 1950-1998|||||0||||0|||||Drawing||||||drawing (image-making)|||||||||||Tombstones ; Symbols ; Soul ; Death (symbols of) ; Graves ; |Tombstones|Symbols|Soul|Death (symbols of)|Graves|||||Cornell||JNK|MNW|1/26/2006 0:00:00|1/17/2006 0:00:00||||0||||||||||||||||||||||||0||English culture: 1.skull & crossbones; 2.winged death's head; 3.winged-soul head or soul effigy; 4.coat of arms.German culture: 5.heart; 6.fylfot cross or swastica; 7.sunburst; 8.tree-of-life; 9.compass star; 10.tulip.Popular culture: 11.urn & willow.||||||||||0|0|Symbols from English Culture, German Culture, and Popular Culture on North Carolina Gravestones to the Mid-Nineteenth Century| 5789.00|0||||||||W. O. Wolfe's Turn-of-the-Century Stonecutting Tools|Descriptive|Image Source (Pub)|||||||W. O. Wolfe's Turn-of-the-Century Stonecutting Tools|0|||||0||||0|||||American||||||North and Central America||United States||||||0||||||||0||||0|Tools and Equipment|Tool||||19|20||1890|1910|ca|Turn of the 20th century|ca 1890-1910|||||0||||0||||||||||||||||||9634|Asheville, NC: Thomas Wolfe Memorial|Asheville, NC: Thomas Wolfe Memorial||Tools ; |Tools|||||||||Cornell||JNK|MNW|1/26/2006 0:00:00|1/17/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|W. O. Wolfe's Turn-of-the-Century Stonecutting Tools| 5790.00|0||||||||God's Acre|Assigned|Image Source (Vendor)|||||||God's Acre|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Bethabara Historic District, Winston-Salem, NC|||10642||||0||||0|Architecture|Cemetery||||18|||1757|1757||1757|1757-1757|||||0||||0||||||||||||||||||||||Cemeteries ; Moravian ; |Cemeteries|Moravian||||||||Cornell||JNK|MNW|1/28/2006 0:00:00|1/17/2006 0:00:00||||0||||||||||||||||||||||||0||Bethabara is a Moravian settlement founded in 1750; God's Acre is the oldest Moravian graveyard in North Carolina.|||The Moravians laid out the first God's Acre at Bethabaa along with the town in 1753. Little, 85.|||||||0|0|God's Acre| 5791.00|0||||||||Grave Plaque of John Friedrich Schmidt, d. 1768|Descriptive|Image Source (Pub)|||||||God's Acre. Grave Plaque of John Friedrich Schmidt, d. 1768|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Bethabara Historic District, Winston-Salem, NC|||10642||||0||||0|Sculpture|Tombstone||||18|||1768|1768|ca|ca 1768|ca 1768-1768||God's Acre|Larger entity||5790||||0|||||Stone|stone|||||carving|||||||||||Tombstones ; Epitaphs ; Graves ; Moravian ; |Tombstones|Epitaphs|Graves|Moravian||||||Cornell||JNK|MNW|1/28/2006 0:00:00|1/17/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Grave Plaque of John Friedrich Schmidt, d. 1768| 5792.00|0||||||||Laney Family Cemetery|Assigned|Image Source (Pub)|||||||Laney Family Cemetery|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Union County, NC|||10641||||0||||0|Architecture|Cemetery||||18|19|||||||||||0||||0||||||||||||||||||||||Cemeteries ; |Cemeteries|||||||||Cornell||JNK|JNK|1/17/2006 0:00:00|1/17/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Laney Family Cemetery| 5793.00|0||||||||Cane Creek Friends Meeting graveyard|Assigned|Image Source (Pub)|||||||Cane Creek Friends Meeting graveyard|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Snow Camp, NC|||10640||||0||||0|Architecture|Cemetery||||19||||||||||||0||||0||||||||||||||||||||||Cemeteries ; |Cemeteries|||||||||Cornell||JNK|JNK|1/17/2006 0:00:00|1/17/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Cane Creek Friends Meeting graveyard| 5794.00|0||||||||Jersey Baptist Churchyard|Assigned|Image Source (Pub)|||||||Jersey Baptist Churchyard|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Davidson County, NC|||10639||||0||||0|Architecture|Cemetery|Church|||18||||||||||||0||||0||||||||||||||||||||||Cemeteries ; Churches ; |Cemeteries|Churches||||||||Cornell||JNK|JNK|1/17/2006 0:00:00|1/17/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Jersey Baptist Churchyard| 5795.00|0||||||||Thyatira Presbyterian Churchyard|Assigned|Image Source (Pub)|||||||Thyatira Presbyterian Churchyard|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Rowan County, NC|||10638||||0||||0|Architecture|Cemetery|Church|||18||||||||||||0||||0||||||||||||||||||||||Cemeteries ; Churches ; |Cemeteries|Churches||||||||Cornell||JNK|JNK|1/17/2006 0:00:00|1/17/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Thyatira Presbyterian Churchyard| 5796.00|0||||||||Cedar Grove Cemetery|Assigned|Image Source (Pub)|||||||Cedar Grove Cemetery|0|||||0||||0|||||American||||||North and Central America||United States||||||0|New Bern, NC|||10624||||0||||0|Architecture|Cemetery||||18||||||||||||0||||0||||||||||||||||||||||Cemeteries ; |Cemeteries|||||||||Cornell||JNK|JNK|1/17/2006 0:00:00|1/17/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Cedar Grove Cemetery| 5817.00|0|Creator|15|C-50|Matta-ClarkG|10||C-50 Matta-ClarkG 10 |Day's End|Artists|Image Source (Pub)|||||||Day's End|7671|Matta-Clark, Gordon||sculptor|Gordon Matta-Clark|0||||0|||||American|||Conceptual|||North and Central America||United States|||Pier 52, Gansevoort and West Streets, New York, NY|||10645||||0||||0||||0|Multimedia works|Installation (sculpture)|Multimedia work|Sculpture||20|||1975|1975||1975|1975-1975|||||0||||0|||||||||||Installations|||||||||||||||||||||Cornell||MNW|MNW|1/19/2006 0:00:00|1/18/2006 0:00:00|Matta-Clar|||0|||||||C|||50|||||||||||||Work|0||One of a series of "building-cuts" in which he carved sections out of old buildings, treating them in the manner of modern sculptures as spatial compositions. DOA.|||This work is destroyed.|||||||0|0|Day's End|Matta-Clark, Gordon 5818.00|0||||||||McGavock Graveyard|Assigned|Image Source (Pub)|||||||McGavock Graveyard|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Wythe County, VA|||10649||||0||||0|Architecture|Cemetery||||18||||||||||||0||||0||||||||||||||||||||||Cemeteries ; |Cemeteries|||||||||Cornell||MNW|JNK|1/19/2006 0:00:00|1/18/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|McGavock Graveyard| 5819.00|0|Creator|15|C-50|Matta-ClarkG|3||C-50 Matta-ClarkG 3 |Splitting|||||||||Splitting|7671|Matta-Clark, Gordon||sculptor|Gordon Matta-Clark|0||||0|||||American|||Conceptual|||North and Central America||United States|||322 Humphrey Street, Englewood, NJ|||10646||||0||||0||||0|Multimedia works|Installation (sculpture)|Multimedia work|Sculpture||20|||1974|1974||1974|1974-1974|||||0||||0|||||||||||Installations|||||||||||||||||||||Cornell||MNW|MNW|1/19/2006 0:00:00|1/18/2006 0:00:00|Matta-Clar|||0|||||||C|||50|||||||||||||Work|0||||||||||||0|0|Splitting|Matta-Clark, Gordon 5820.00|0|Creator|15|C-50|Matta-ClarkG|11||C-50 Matta-ClarkG 11 |Rope Bridge|Descriptive|Image Source (Pub)|||||||Rope Bridge|7671|Matta-Clark, Gordon||sculptor|Gordon Matta-Clark|0||||0|||||American|||Conceptual|||North and Central America||United States|||Ithaca Reservoir, Ithaca, NY|||10647||||0||||0||||0|Sculpture|Installation (sculpture)|Environmental art|Bridge (built work)||20|||1968|1968||1968|1968-1968|||||0||||0|||||||||||Installations|||||||||||Bridges (built works) ; |Bridges (built works)|||||||||Cornell||MNW|MNW|1/22/2006 0:00:00|1/18/2006 0:00:00|Matta-Clar|||0|||||||C|||50|||||||||||||Work|0||||||||||||0|0|Rope Bridge|Matta-Clark, Gordon 5821.00|0|Creator|15|35|O624-SC|1968|2|35 O624-SC 1968 2|Boundary Split|Artists|Image Source (Pub)|||||||Boundary Split|8724|Oppenheim, Dennis A.||conceptual artist|Dennis A. Oppenheim|0||||0|||||American|||Conceptual|||North and Central America||United States|||Fort Kent, ME|Near||10648||||0||||0||||0|Sculpture|Environmental art|Sculpture|Earthwork (sculpture)||20|||1968|1968||1968|1968-1968|||||0||||0|||||Ice|ice||||||||||||||||Earthworks (sculpture) ; Oppenheim, Dennis, 1938- ; Matta-Clark, Gordon, 1943- ; Snow ; |Earthworks (sculpture)|Oppenheim, Dennis, 1938-|Matta-Clark, Gordon, 1943-|Snow||||||Cornell||MNW|CLL|2/2/2006 0:00:00|1/18/2006 0:00:00|O624|||0|||||||35|SC||||||1968|||||||||Work|0||Located on the St. John's River on the boundary between the United States and Canada near Fort Kent, Maine, and Claire New Brunswick.||||||||||0|0|Boundary Split|Oppenheim, Dennis A. 5822.00|0|Creator|15||||||Young Girl Seated|Assigned|Repository|||||||Young Girl Seated|30564|Dewing, Thomas Wilmer||painter|Thomas Wilmer Dewing|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Portrait||19|||1896|1896||1896|1896-1896|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||51 x 46 cm||3174|Washington, DC: Smithsonian Institution; Museum of American Art|Wash, DC: Smithsonian; Mus. Amer. Art||Women ; Portraits ; |Women|Portraits||||||||Cornell||JNK|JNK|1/19/2006 0:00:00|1/19/2006 0:00:00||||0||1929.6.42||||||||||||| ||||||||Work|0||||||||||||0|0|Young Girl Seated|Dewing, Thomas Wilmer 5823.00|0|Category|15|C-50|Matta-ClarkG|12||C-50 Matta-ClarkG 12|Gordon Matta-Clark Working on Fire Boy Under the Brooklyn Bridge, New York City|Collective Title|Image Source (Pub)|||||||Gordon Matta-Clark Working on Fire Boy Under the Brooklyn Bridge|0|||||0||||0|||||American|||Conceptual|||North and Central America||United States|||New York, NY|||10060||||0||||0||||0|Photographs|Documentary photograph|Portrait|||20|||1971|1971||1971|1971-1971|||||0||||0|||||Documentary photograph||||||photography|||||||||||Brooklyn Bridge (New York, N.Y.) ; Matta-Clark, Gordon, 1943- ; Portraits ; |Brooklyn Bridge (New York, N.Y.)|Matta-Clark, Gordon, 1943-|Portraits|||||||Cornell||MNW|CLL|1/23/2006 0:00:00|1/19/2006 0:00:00|Matta-Clar|||0|||||||C|||50|||||||||||||Work|0||Fire Boy is a 9:47 minutes Super 8 film created by Gordon Matta-Clark in 1971.||||||||||0|0|Gordon Matta-Clark Working on Fire Boy Under the Brooklyn Bridge, New York City| 5825.00|0||||||||Headstones|Descriptive|Image Source (Pub)|||||||McGavock Graveyard. Headstones|31052|Krone, Laurence|attributed to|sculptor|Laurence Krone, attributed to|0||||0|||||American||||||North and Central America||United States||||||0|Wythe County, VA|||10649||||0||||0|Sculpture|Tombstone||||19|||1817|1830||1817-1830|1817-1830||McGavock Graveyard|Larger entity||5818||||0|||||Stone|stone|||||carving|sculpture||||||||||Tombstones ; Plants (vegetation) ; Flowers ; Graves ; |Tombstones|Plants (vegetation)|Flowers|Graves||||||Cornell||JNK|MNW|1/28/2006 0:00:00|1/19/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Headstones|Krone, Laurence 5826.00|0||||||||Steele Creek Presbyterian Churchyard|Assigned|Image Source (Pub)|||||||Steele Creek Presbyterian Churchyard|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Charlotte, NC|||10650||||0||||0|Architecture|Cemetery||||18||||||||||||0||||0||||||||||||||||||||||Cemeteries ; |Cemeteries|||||||||Cornell||JNK|MNW|1/28/2006 0:00:00|1/19/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Steele Creek Presbyterian Churchyard| 5827.00|0||||||||Headstone of Hannah Greir, d. 1788|Descriptive|Image Source (Pub)|||||||Steele Creek Presbyterian Churchyard. Headstone of Hannah Greir, d. 1788|31053|Bingham Family Workshop|attributed to|sculptor|Bingham Family Workshop, attributed to|0||||0|||||American|Irish|||||North and Central America||United States||||||0|Charlotte, NC|||10650||||0||||0|Sculpture|Tombstone||||18|||1788|1788|ca|ca 1788|ca 1788-1788||Steele Creek Presbyterian Churchyard|Larger entity||5826||||0|||||Stone|stone|||||carving|||||||||||Tombstones ; Coats of arms ; Epitaphs ; Graves ; |Tombstones|Coats of arms|Epitaphs|Graves||||||Cornell||JNK|MNW|1/28/2006 0:00:00|1/19/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Headstone of Hannah Greir, d. 1788|Bingham Family Workshop 5828.00|0||||||||Headstone of Andrew Bingham, d. 1788, With Seal of the Commonwealth of Pennsylvania|Descriptive|Image Source (Pub)|||||||Steele Creek Presbyterian Churchyard. Headstone of Andrew Bingham, d. 1788, With Seal of Commonwealth of Pennsylvania|31053|Bingham Family Workshop|attributed to|sculptor|Bingham Family Workshop, attributed to|0||||0|||||American|Irish|||||North and Central America||United States||||||0|Charlotte, NC|||10650||||0||||0|Sculpture|Tombstone||||18|||1788|1788|ca|ca 1788|ca 1788-1788||Steele Creek Presbyterian Churchyard|Larger entity||5826||||0|||||Stone|stone|||||carving|||||||||||Tombstones ; Epitaphs ; Seals ; Pennsylvania, United States ; Graves ; |Tombstones|Epitaphs|Seals|Pennsylvania, United States|Graves|||||Cornell||JNK|MNW|1/28/2006 0:00:00|1/19/2006 0:00:00||||0||||||||||||||||||||||||0||The Bingham's had emigrated from Pennsylvania in the 1760's.||||||||||0|0|Headstone of Andrew Bingham, d. 1788, With Seal of the Commonwealth of Pennsylvania|Bingham Family Workshop 5829.00|0||||||||Headstone of Robert Bingham, d. 1777|Descriptive|Image Source (Pub)|||||||Steele Creek Presbyterian Churchyard. Headstone of Robert Bingham, d. 1777|31053|Bingham Family Workshop|attributed to|sculptor|Bingham Family Workshop, attributed to|0||||0|||||American|Irish|||||North and Central America||United States||||||0|Charlotte, NC|||10650||||0||||0|Sculpture|Tombstone||||18|||1777|1777|ca|ca 1777|ca 1777-1777||Steele Creek Presbyterian Churchyard|Larger entity||5826||||0|||||Stone|stone|||||carving|||||||||||Tombstones ; Epitaphs ; Coats of arms ; Graves ; |Tombstones|Epitaphs|Coats of arms|Graves||||||Cornell||JNK|MNW|1/28/2006 0:00:00|1/19/2006 0:00:00||||0||||||||||||||||||||||||0||This Revolutionary War-era stone…bears a coat-of-arms containing both personal and national symbols. Little, 113.||||||||||0|0|Headstone of Robert Bingham, d. 1777|Bingham Family Workshop 5830.00|0||||||||Steele Creek Presbyterian Churchyard. Headstone of Mary Allen, d. 1776|Descriptive|Image Source (Pub)|||||||Steele Creek Presbyterian Churchyard. Headstone of Mary Allen, d. 1776|31053|Bingham Family Workshop|attributed to|sculptor|Bingham Family Workshop, attributed to|0||||0|||||American|Irish|||||North and Central America||United States||||||0|Charlotte, NC|||10650||||0||||0|Sculpture|Tombstone||||18|||1776|1776|ca|ca 1776|ca 1776-1776||Steele Creek Presbyterian Churchyard|Larger entity||5826||||0|||||Stone|stone|||||carving|||||||||||Tombstones ; Epitaphs ; Faces (anatomy) ; Soul ; Graves ; |Tombstones|Epitaphs|Faces (anatomy)|Soul|Graves|||||Cornell||JNK|MNW|1/28/2006 0:00:00|1/19/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Steele Creek Presbyterian Churchyard. Headstone of Mary Allen, d. 1776|Bingham Family Workshop 5831.00|0||||||||Buffalo Presbyterian Churchyard|Assigned|Image Source (Pub)|||||||Buffalo Presbyterian Churchyard|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Guilford County, NC|||10634||||0||||0|Architecture|Cemetery|Church|||18||||||||||||0||||0||||||||||||||||||||||Cemeteries ; |Cemeteries|||||||||Cornell||JNK|JNK|1/19/2006 0:00:00|1/19/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Buffalo Presbyterian Churchyard| 5832.00|0||||||||Headstone of Mary Starratt, d. 1775|Descriptive|Image Source (Pub)|||||||Buffalo Presbyterian Churchyard. Headstone of Mary Starratt, d. 1775|31060|Kelsey, Hugh|attributed to|mason|Hugh Kelsey, attributed to|0||||0|||||American||||||North and Central America||United States||||||0|Guilford County, NC|||10634||||0||||0|Sculpture|Tombstone||||18|||1775|1775|ca|ca 1775|ca 1775-1775||Buffalo Presbyterian Churchyard|Larger entity||5831||||0|||||Stone|stone|||||carving|||||||||||Tombstones ; Epitaphs ; Moon ; Birds ; Hourglasses ; Stars ; Graves ; |Tombstones|Epitaphs|Moon|Birds|Hourglasses|Stars|Graves|||Cornell||JNK|MNW|1/28/2006 0:00:00|1/19/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Headstone of Mary Starratt, d. 1775|Kelsey, Hugh 5833.00|0||||||||Palm Tree Methodist Churchyard|Assigned|Image Source (Pub)|||||||Palm Tree Methodist Churchyard|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Lincoln County, NC|||10651||||0||||0|Architecture|Cemetery||||18|19|||||||||||0||||0||||||||||||||||||||||Cemeteries ; |Cemeteries|||||||||Cornell||JNK|JNK|1/19/2006 0:00:00|1/19/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Palm Tree Methodist Churchyard| 5834.00|0||||||||Headstone of M. S. I. Pryor, d. 1848|Descriptive|Image Source (Pub)|||||||Palm Tree Methodist Churchyard. Headstone of M. S. I. Pryor, d. 1848|31061|Caveny-Crawford Workshop|attributed to|mason|Caveny-Crawford Workshop, attributed to|0||||0|||||American||||||North and Central America||United States||||||0|Lincoln County, NC|||10651||||0||||0|Sculpture|Tombstone||||19|||1848|1848|ca|ca 1848|ca 1848-1848||Palm Tree Methodist Churchyard|Larger entity||5833||||0|||||Stone|stone|||||carving|||||||||||Tombstones ; Epitaphs ; Stars ; Plants (vegetation) ; Graves ; |Tombstones|Epitaphs|Stars|Plants (vegetation)|Graves|||||Cornell||JNK|MNW|1/28/2006 0:00:00|1/19/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Headstone of M. S. I. Pryor, d. 1848|Caveny-Crawford Workshop 5835.00|0||||||||Trinity Lutheran Churchyard|Assigned|Image Source (Pub)|||||||Trinity Lutheran Churchyard|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Lincoln County, NC|||10651||||0||||0|Architecture|Cemetery|Church|||18|19|||||||||||0||||0||||||||||||||||||||||Cemeteries ; Churches ; |Cemeteries|Churches||||||||Cornell||JNK|JNK|1/19/2006 0:00:00|1/19/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Trinity Lutheran Churchyard| 5836.00|0||||||||Headstone of Samuel E. Lutz, d. 1829|Descriptive|Image Source (Pub)|||||||Trinity Lutheran Churchyard. Headstone of Samuel E. Lutz, d. 1829|31061|Caveny-Crawford Workshop|attributed to|mason|Caveny-Crawford Workshop, attributed to|0||||0|||||American||||||North and Central America||United States||||||0|Lincoln County, NC|||10651||||0||||0|Sculpture|Tombstone||||19|||1839|1839|ca|ca 1839|ca 1839-1839||Trinity Lutheran Churchyard|Larger entity||5835||||0|||||Stone|stone|||||carving|||||||||||Tombstones ; Epitaphs ; Plants (vegetation) ; Graves ; Lutheran ; |Tombstones|Epitaphs|Plants (vegetation)|Graves|Lutheran|||||Cornell||JNK|MNW|1/28/2006 0:00:00|1/19/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Headstone of Samuel E. Lutz, d. 1829|Caveny-Crawford Workshop 5837.00|0||||||||Abbott's Creek Primitive Baptist Churchyard|Assigned|Image Source (Pub)|||||||Abbott's Creek Primitive Baptist Churchyard|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Davidson County, NC|||10639||||0||||0|Architecture|Cemetery|Church|||18|19|||||||||||0||||0||||||||||||||||||||||Cemeteries ; Churches ; |Cemeteries|Churches||||||||Cornell||JNK|JNK|1/19/2006 0:00:00|1/19/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Abbott's Creek Primitive Baptist Churchyard| 5838.00|0||||||||Headstone of Elisabeth Bodenhamer, d. 1824|Descriptive|Image Source (Pub)|||||||Abbott's Creek Primitive Baptist Churchyard. Headstone of Elisabeth Bodenhamer, d. 1824|31068|Swisegood School|attributed to|cabinetmaker|Swisegood School, attributed to|0||||0|||||American||||||North and Central America||United States||||||0|Davidson County, NC|||10639||||0||||0|Sculpture|Tombstone||||19|||1824|1824|ca|ca 1824|ca 1824-1824||Abbott's Creek Primitive Baptist Churchyard|Larger entity||5837||||0|||||Stone|stone|||||carving|||||||||||Tombstones ; Epitaphs ; Graves ; |Tombstones|Epitaphs|Graves|||||||Cornell||JNK|MNW|1/28/2006 0:00:00|1/19/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Headstone of Elisabeth Bodenhamer, d. 1824|Swisegood School 5839.00|0||||||||Headstone of Sarah Davis, d. 1829|Descriptive|Image Source (Pub)|||||||Abbott's Creek Primitive Baptist Churchyard. Headstone of Sarah Davis, d. 1829|31068|Swisegood School|attributed to|cabinetmaker|Swisegood School, attributed to|0||||0|||||American||||||North and Central America||United States||||||0|Davidson County, NC|||10639||||0||||0|Sculpture|Tombstone||||19|||1829|1829|ca|ca 1829|ca 1829-1829||Abbott's Creek Primitive Baptist Churchyard|Larger entity||5837||||0|||||Stone|stone|||||carving|||||||||||Tombstones ; Epitaphs ; Graves ; |Tombstones|Epitaphs|Graves|||||||Cornell||JNK|MNW|1/28/2006 0:00:00|1/19/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Headstone of Sarah Davis, d. 1829|Swisegood School 5840.00|0||||||||Headstone of Josiah Spurgin, d. 1802|Descriptive|Image Source (Pub)|||||||Abbott's Creek Primitive Baptist Churchyard. Headstone of Josiah Spurgin, d. 1802|31072|Clodfelter, Joseph||cabinetmaker|Joseph Clodfelter|0||||0|||||American||||||North and Central America||United States||||||0|Davidson County, NC|||10639||||0||||0|Sculpture|Tombstone||||19|||1802|1802|ca|ca 1802|ca 1802-1802||Abbott's Creek Primitive Baptist Churchyard|LargerEntity||5837||||0|||||Stone|stone|||||carving|||||||||||Tombstones ; Epitaphs ; Signature (names) ; Graves ; |Tombstones|Epitaphs|Signature (names)|Graves||||||Cornell||JNK|MNW|1/28/2006 0:00:00|1/19/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Headstone of Josiah Spurgin, d. 1802|Clodfelter, Joseph 5841.00|0||||||||Bethany Lutheran and Reformed Churchyard|Assigned|Image Source (Pub)|||||||Bethany Lutheran and Reformed Churchyard|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Davidson County, NC|||10639||||0||||0|Architecture|Cemetery|Church|||18|19|||||||||||0||||0||||||||||||||||||||||Cemeteries ; Churches ; |Cemeteries|Churches||||||||Cornell||JNK|JNK|1/19/2006 0:00:00|1/19/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Bethany Lutheran and Reformed Churchyard| 5842.00|0||||||||Headstone of Margaret Clodfelter, d. 1857|Descriptive|Image Source (Pub)|||||||Bethany Lutheran and Reformed Churchyard. Headstone of Margaret Clodfelter, d. 1857|31072|Clodfelter, Joseph|attributed to|cabinetmaker|Joseph Clodfelter, attributed to|0||||0|||||American||||||North and Central America||United States||||||0|Davidson County, NC|||10639||||0||||0|Sculpture|Tombstone||||19|||1857|1857|ca|ca 1857|ca 1857-1857||Bethany Lutheran and Reformed Churchyard|Larger entity||5841||||0|||||Stone|stone|||||carving|||||||||||Tombstones ; Epitaphs ; Graves ; |Tombstones|Epitaphs|Graves|||||||Cornell||JNK|MNW|1/28/2006 0:00:00|1/19/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Headstone of Margaret Clodfelter, d. 1857|Clodfelter, Joseph 5843.00|0||||||||Headstone of Daniel Wagoner, d. 1827|Descriptive|Image Source (Pub)|||||||Bethany Lutheran and Reformed Churchyard. Headstone of Daniel Wagoner, d. 1827|31072|Clodfelter, Joseph|attributed to|cabinetmaker|Joseph Clodfelter, attributed to|0||||0|||||American||||||North and Central America||United States||||||0|Davidson County, NC|||10639||||0||||0|Sculpture|Tombstone||||19|||1827|1827|ca|ca 1827|ca 1827-1827||Bethany Lutheran and Reformed Churchyard|Larger entity||5841||||0|||||Stone|stone|||||carving|||||||||||Tombstones ; Epitaphs ; Graves ; |Tombstones|Epitaphs|Graves|||||||Cornell||JNK|MNW|1/28/2006 0:00:00|1/19/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Headstone of Daniel Wagoner, d. 1827|Clodfelter, Joseph 5844.00|0||||||||Pilgrim Lutheran and Reformed Churchyard|Assigned|Image Source (Pub)|||||||Pilgrim Lutheran and Reformed Churchyard|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Davidson County, NC|||10639||||0||||0|Architecture|Cemetery|Church|||18|19|||||||||||0||||0||||||||||||||||||||||Cemeteries ; Churches ; |Cemeteries|Churches||||||||Cornell||JNK|JNK|1/19/2006 0:00:00|1/19/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Pilgrim Lutheran and Reformed Churchyard| 5845.00|0||||||||Headstone of Caderina Sauer, d. 1816|Descriptive|Image Source (Pub)|||||||Pilgrim Lutheran and Reformed Churchyard. Headstone of Caderina Sauer, d. 1816|31073|Sowers, David|attributed to|cabinetmaker|David Sowers, attributed to|0||||0|||||American||||||North and Central America||United States||||||0|Davidson County, NC|||10639||||0||||0|Sculpture|Tombstone||||19|||1816|1816|ca|ca 1816|ca 1816-1816||Pilgrim Lutheran and Reformed Churchyard|Larger entity||5844||||0|||||Soapstone|soapstone|||||carving|||||||||||Tombstones ; Epitaphs ; Plants (vegetation) ; Flowers ; Graves ; |Tombstones|Epitaphs|Plants (vegetation)|Flowers|Graves|||||Cornell||JNK|MNW|1/28/2006 0:00:00|1/19/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Headstone of Caderina Sauer, d. 1816|Sowers, David 5846.00|0||||||||Headstone of Peter Lopp, d. 1827|Descriptive|Image Source (Pub)|||||||Pilgrim Lutheran and Reformed Churchyard. Headstone of Peter Lopp, d. 1827|31073|Sowers, David|attributed to|cabinetmaker|David Sowers, attributed to|0||||0|||||American||||||North and Central America||United States||||||0|Davidson County, NC|||10639||||0||||0|Sculpture|Tombstone||||19|||1827|1827|ca|ca 1827|ca 1827-1827||Pilgrim Lutheran and Reformed Churchyard|Larger entity||5844||||0|||||Stone|stone|||||carving|||||||||||Tombstones ; Epitaphs ; Graves ; |Tombstones|Epitaphs|Graves|||||||Cornell||JNK|MNW|1/28/2006 0:00:00|1/19/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Headstone of Peter Lopp, d. 1827|Sowers, David 5847.00|0||||||||Wagoner Graveyard|Assigned|Image Source (Pub)|||||||Wagoner Graveyard|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Davidson County, NC|||10639||||0||||0|Architecture|Cemetery||||19||||||||||||0||||0||||||||||||||||||||||Cemeteries ; |Cemeteries|||||||||Cornell||JNK|JNK|1/19/2006 0:00:00|1/19/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Wagoner Graveyard| 5848.00|0||||||||Headstone of Lucinda Wagnor, d. 1842|Descriptive|Image Source (Pub)|||||||Wagoner Graveyard. Headstone of Lucinda Wagnor, d. 1842|31068|Swisegood School|style of|cabinetmaker|Swisegood School, style of|0||||0|||||American||||||North and Central America||United States||||||0|Davidson County, NC|||10639||||0||||0|Sculpture|Tombstone||||19|||1842|1842|ca|ca 1842|ca 1842-1842||Wagoner Graveyard|Larger entity||5847||||0|||||Stone|stone|||||carving|||||||||||Tombstones ; Epitaphs ; Faces (anatomy) ; Graves ; |Tombstones|Epitaphs|Faces (anatomy)|Graves||||||Cornell||JNK|MNW|1/28/2006 0:00:00|1/19/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Headstone of Lucinda Wagnor, d. 1842|Swisegood School 5849.00|0|Category|05|N-Matta-Clark|||1|N-Matta-Clark 1|Tina Girouard, Carol Goodden, and Gordon Matta-Clark in Front of Food, New York City|Descriptive|Image Source (Pub)|||||||Tina Girouard, Carol Goodden, and Gordon Matta-Clark in Front of Food, New York City|0|||||0||||0|||||American|||Conceptual|||North and Central America||United States|||New York, NY|||10060||||0||||0||||0|Photographs|Documentary photograph|People|||20|||1971|1971||1971|1971-1971|||||0||||0|||||Documentary photograph||||||photography|||||||||||Matta-Clark, Gordon, 1943- ; Girouard, Tina ; Goodden, Jane ; |Matta-Clark, Gordon, 1943-|Girouard, Tina|Goodden, Jane|||||||Cornell||MNW|JNK|1/23/2006 0:00:00|1/19/2006 0:00:00|Matta-Clar|||0|||||||N||||||||||||||||Work|0|Portraits|Gordon Matta-Clark and Carol Goodden ceated the restaurant, Food, in Soho, New York, NY, in 1971. The restaurant was the subject of his 16mm film, Food (1971-1973). Matta-Clark, Gordon Matta-Clark.||||||||||0|0|Tina Girouard, Carol Goodden, and Gordon Matta-Clark in Front of Food, New York City| 5898.00|0||||||||Three Grave Mounds Decorated With Eggshells, Beulah Churchyard, Sampson County, NC|Descriptive|Image Source (Pub)|||||||Three Grave Mounds Decorated With Eggshells, Beulah Churchyard, Sampson County, NC|0|||||0||||0|||||American||||||North and Central America||United States||||||0||||||||0||||0|Photographs|Documentary photograph||||20|||1920|1929||1920s|1920-1929|||||0||||0|||||Documentary photograph||||||photography|||||||9637|Raleigh: NC Department of Archives & History; Dr. George M. Cooper Photo C|Raliegh: NC Dept. of Arch. & Hist; Cooper Coll.||Cemeteries ; Shells ; Landscapes ; |Cemeteries|Shells|Landscapes|||||||Cornell||JNK|MNW|1/28/2006 0:00:00|1/24/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Three Grave Mounds Decorated With Eggshells, Beulah Churchyard, Sampson County, NC| 5899.00|0||||||||Pendergrass Graveyard|Assigned|Image Source (Pub)|||||||Pendergrass Graveyard|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Orange County, NC|||10662||||0||||0|Architecture|Cemetery|Landscape (environment)|||||||||||||||0||||0||||||||||||||||||||||Cemeteries ; |Cemeteries|||||||||Cornell||JNK|JNK|1/24/2006 0:00:00|1/24/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Pendergrass Graveyard| 5900.00|0||||||||Monument of Mack and Nannie Pendergrass, d. 1918 and 1942|Descriptive|Image Source (Pub)|||||||Pendergrass Graveyard. Monument of Mack and Nannie Pendergrass, d. 1918 and 1942|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Orange County, NC|||10662||||0||||0|Sculpture|Tombstone||||20|||||||||Pendergrass Graveyard|Larger entity||5899||||0|||||Granite|granite|||||carving|engraving (incising)||||||||||Trees ; Water wells ; Log houses ; Tombstones ; Epitaphs ; |Trees|Water wells|Log houses|Tombstones|Epitaphs|||||Cornell||JNK|MNW|1/28/2006 0:00:00|1/24/2006 0:00:00||||0||||||||||||||||||||||||0||This monument is a newer replacement and is decorated with an engraving of the family homestead, complete with log house, well,and trees. Little, 247.||||||||||0|0|Monument of Mack and Nannie Pendergrass, d. 1918 and 1942| 5901.00|0||||||||Mount Zion AMEZ Churchyard|Assigned|Image Source (Pub)|||||||Mount Zion AMEZ Churchyard|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Cumberland County, NC|||10627||||0||||0|Architecture|Cemetery|Landscape (environment)|||||||||||||||0||||0||||||||||||||||||||||Cemeteries ; |Cemeteries|||||||||Cornell||JNK|JNK|1/24/2006 0:00:00|1/24/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Mount Zion AMEZ Churchyard| 5902.00|0||||||||Silver Painted Concrete Grave Slab for Frances G. Gainey, d. 1980|Descriptive|Image Source (Pub)|||||||Mount Zion AMEZ Churchyard. Silver-painted concrete grave slab for Frances G. Gainey, d. 1980|0|||||0||||0|||||American|African American|||||North and Central America||United States||||||0|Cumberland County, NC|||10627||||0||||0|Sculpture|Tombstone||||20|||1980|1980|ca|ca 1980|ca 1980-1980||Mount Zion AMEZ Churchyard|Larger entity||5901||||0|||||Silver paint, concrete|concrete|||||casting|||||||||||Tombstones ; Epitaphs ; Leaf (plant material) ; Graves ; |Tombstones|Epitaphs|Leaf (plant material)|Graves||||||Cornell||JNK|MNW|1/28/2006 0:00:00|1/24/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Silver Painted Concrete Grave Slab for Frances G. Gainey, d. 1980| 5903.00|0||||||||Monument for Irene McLaurin, d. 1968|Descriptive|Image Source (Pub)|||||||Mount Zion AMEZ Churchyard. Monument for Irene McLaurin, d. 1968|31082|Culbreth, Renial||mason|Renial Culbreth|0||||0|||||American|African American|||||North and Central America||United States||||||0|Cumberland County, NC|||10627||||0||||0|Sculpture|Tombstone||||20|||1968|1968|ca|ca 1968|ca 1968-1968||Mount Zion AMEZ Churchyard|Larger entity||5901||||0|||||Stone|stone|||||sculpture|carving||||||||||Tombstones ; Epitaphs ; Graves ; Crosses (visual works) ; Birds ; Plants (vegetation) ; |Tombstones|Epitaphs|Graves|Crosses (visual works)|Birds|Plants (vegetation)||||Cornell||JNK|MNW|1/28/2006 0:00:00|1/24/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Monument for Irene McLaurin, d. 1968|Culbreth, Renial 5904.00|0||||||||Flemington Community Cemetery|Assigned|Image Source (Pub)|||||||Flemington Community Cemetery|0|||||0||||0|||||American||||||North and Central America||United States||||||0|New Hanover County, NC|||10625||||0||||0|Architecture|Cemetery|Landscape (environment)|||||||||||||||0||||0||||||||||||||||||||||Cemeteries ; |Cemeteries|||||||||Cornell||JNK|JNK|1/24/2006 0:00:00|1/24/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Flemington Community Cemetery| 5905.00|0||||||||Headstone for Mrs. Flora Spears, d. 1950|Descriptive|Image Source (Pub)|||||||Flemington Community Cemetery. Headstone for Mrs. Flora Spears, d. 1950|0|||||0||||0|||||American|African American|||||North and Central America||United States||||||0|New Hanover County, NC|||10625||||0||||0|Sculpture|Tombstone||||20|||1950|1950|ca|ca 1950|ca 1950-1950||Flemington Community Cemetery|Larger entity||5904||||0|||||Concrete|concrete|||||sculpture|||||||||||Tombstones ; Epitaphs ; Graves ; Flowers ; |Tombstones|Epitaphs|Graves|Flowers||||||Cornell||JNK|MNW|1/28/2006 0:00:00|1/24/2006 0:00:00||||0||||||||||||||||||||||||0||This marker was created by an African American artisan.||||||||||0|0|Headstone for Mrs. Flora Spears, d. 1950| 5906.00|0||||||||China Grove Baptist Churchyard|Assigned|Image Source (Pub)|||||||China Grove Baptist Churchyard|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Cumberland County, NC|||10627||||0||||0|Architecture|Cemetery|Landscape (environment)|||||||||||||||0||||0||||||||||||||||||||||Cemeteries ; |Cemeteries|||||||||Cornell||JNK|JNK|1/24/2006 0:00:00|1/24/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|China Grove Baptist Churchyard| 5907.00|0||||||||Monument of O. A. Melvin, d. 1961|Descriptive|Image Source (Pub)|||||||China Grove Baptist Churchyard. Monument of O. A. Melvin, d. 1961|0|||||0||||0|||||American|African American|||||North and Central America||United States||||||0|Cumberland County, NC|||10627||||0||||0|Sculpture|Tombstone||||20|||1961|1961|ca|ca 1961|ca 1961-1961||China Grove Baptist Churchyard|Larger entity||5906||||0|||||Concrete|concrete|||||casting|sculpture||||||||||Tombstones ; Epitaphs ; Graves ; |Tombstones|Epitaphs|Graves|||||||Cornell||JNK|MNW|1/28/2006 0:00:00|1/24/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Monument of O. A. Melvin, d. 1961| 5908.00|0|Category|07|Q-05.5|WG/Att|||Q-05.5 WG/Att |Lekythos|Descriptive|Dict.Art|||||||Lekythos|14597|Achilles Painter|||Achilles Painter|0||||0|||||Attic|Greek||White-Ground|||Europe|Attica|Greece||||||0||||0||||0|Erétria, Greece|||10644|Ceramics|Painting|Ceramic|Vase painting|BCE|-5|||-460|-430|ca.|ca. 440 BCE|ca. -460 - -430|||||0||||0|||||Vase painting||||||vase painting|ceramics||||H = 28.8 cm||3294|New York: Metropolitan Museum of Art|New York: Metropolitan||Women ; Men (male humans) ; |Women|Men (male humans)||||||||Cornell||HB|HB|6/16/2006 0:00:00|1/25/2006 0:00:00||||0||08.258.18|||||Q|||05.5|WG/Att|||| ||||||||Work|0|Ceramics-|Woman Saluting a Man or Farewell Scene.||||||||||0|0|Lekythos|Achilles Painter 5909.00|0||||||||Aerial view of Harare, Zimbabwe|Assigned|Image Source (Pub)|||||||Aerial view of Harare, Zimbabwe|31083|Brazier, David||photographer|David Brazier|0||||0|||||South African|||Modern|||Africa||South Africa|||Harare, Zimbabwe|||10663||||||||0||||0|Photographs|Documentary photograph|Aerial view|||20|||1990|1999||1990s|1990-1999|||||0||||0|||||Photograph||||||photography|||||||||||Cityscapes ; Cities ; |Cityscapes|Cities||||||||Cornell||JNK|JNK|1/31/2006 0:00:00|1/25/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Aerial view of Harare, Zimbabwe|Brazier, David 5910.00|0||||||||Aerial views of Lagos, Nigeria|Collective Title|Cataloger|||||||Aerial views of Lagos, Nigeria|31084|Adeniyi-Jones, Jide||photographer|Jide Adeniyi-Jones|0||||0|||||Nigerian||||||Africa||Nigeria|||Lagos, Nigeria|||10664||||0||||0||||0|Photographs|Documentary photograph|Aerial view|||20|21||2001|2001|bef|bef 2001|bef 2001-2001|||||0||||0|||||Documentary photographs||||||photography|||||||||||Lagos (Nigeria) ; Cities ; Roads ; Highways ; Traffic ; Skyscrapers ; Cityscapes ; |Lagos (Nigeria)|Cities|Roads|Highways|Traffic|Skyscrapers|Cityscapes|||Cornell||JNK|JNK|2/8/2006 0:00:00|1/25/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Aerial views of Lagos, Nigeria|Adeniyi-Jones, Jide 5911.00|0||||||||Freud - White Sacrifice|Assigned|Artist|||||||Freud - White Sacrifice|31085|Douglas Camp, Sokari||painter|Sokari Douglas Camp|0||||0|||||Nigerian||||||Europe||United Kingdom||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1998|1998||1998|1998-1998|||||0||||0|||||Steel and electric motor|steel|motors||||sculpture|||||155 cm High||3561|Collection of the Artist|: Collection of the Artist||Freud, Sigmund, 1856-1939 ; Psychiatrists ; Sofas ; |Freud, Sigmund, 1856-1939|Psychiatrists|Sofas|||||||Cornell||JNK|JNK|1/25/2006 0:00:00|1/25/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Freud - White Sacrifice|Douglas Camp, Sokari 5912.00|0||||||||Aerial view of Johannesburg, South Africa|Descriptive|Image Source (Pub)|||||||Aerial view of Johannesburg, South Africa|31086|Mofokeng, Santu||photographer|Santu Mofokeng|0||||0|||||South African||||||Africa||South Africa|||Johannesburg, South Africa|||10665||||0||||0||||0|Photographs|Documentary photograph|Aerial view|||20|21||2001|2001|bef|bef 2001|bef 2001-2001|||||0||||0|||||Documentary photograph||||||photography|||||||||||Johannesburg, South Africa ; Cities ; Skyscrapers ; Cityscapes ; |Johannesburg, South Africa|Cities|Skyscrapers|Cityscapes||||||Cornell||JNK|JNK|1/30/2006 0:00:00|1/25/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Aerial view of Johannesburg, South Africa|Mofokeng, Santu 5850.00|0|Creator|15|C-50|Matta-ClarkG|12||C-50 Matta-ClarkG 12 |Graffiti Truck|Artists|Image Source (Pub)|||||||Graffiti Truck|7671|Matta-Clark, Gordon||sculptor|Gordon Matta-Clark|0||||0|||||American|||Conceptual|||North and Central America||United States|||Mercer Street, New York, NY|||10654||||0||||0||||0|Performance Art|Exhibition|Performance art|Documentary photograph||20|||1973|1973||1973|1973-1973|||||0||||0|||||Documentary photograph||||||performance art|photography||||||||||Graffiti ; Trucks ; Performance art ; |Graffiti|Trucks|Performance art|||||||Cornell||MNW|JNK|1/23/2006 0:00:00|1/20/2006 0:00:00|Matta-Clar|||0|||||||C|||50|||||||||||||Work|0||Part of the "Alternatives to Washington Square Art Show, " Mercer Street, New York, NY. Matta-Clark, Gordon Matta-Clark.||||||||||0|0|Graffiti Truck|Matta-Clark, Gordon 5851.00|0|Category|07|Q-05.5|RF/Att/WooSat||1|Q-05.5 RF/Att/WooSat 1|Volute Krater|Descriptive|Dict.Art|||||||Volute Krater|31074|Painter of the Woolly Satyrs||painter, vase|Painter of the Woolly Satyrs|0||||0|||||Attic|Greek||Red-figure|||Europe|Attica|Greece||||||0||||0||||0||||0|Ceramics|Painting|Ceramic|Vase painting|BCE|-5|||-470|-440|ca|ca 450? BCE|ca -470 - -440|||||0||||0|Beazley Archive (http://www.beazley.ox.ac.uk)||||Vase painting||||||vase painting|ceramics||||H = 61.2 cm||3294|New York: Metropolitan Museum of Art|New York: Metropolitan||Amazonomachy ; Centauromachy ; Wars ; Battles ; Weddings ; |Amazonomachy|Centauromachy|Wars|Battles|Weddings|||||Cornell||HB|HB|6/16/2006 0:00:00|1/20/2006 0:00:00|WooSat|||0||07.286.84|||||Q|||05.5|RF/Att|||| ||||||||Work|0|Ceramics-Greek|Body: Amazonomachy Neck, side A: Centauromachy at wedding of Peirithoos; side B: youths and women. Perseus.||||||||||0|0|Volute Krater|Painter of the Woolly Satyrs 5852.00|0|Category|07|Q-05.5|||||Calyx Krater|Descriptive|Image Source (Pub)||||||||0|Niobid Painter||||0||||0|||||||||||||||||||0|Paris, France|||0|Attica, Greece|||0||||0|Ceramics|Krater|Vase painting|Ceramic|||||||||ca 460 BCE|||||0||||0|||||||||||ceramics|vase painting||||H = 54 cm||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|1/20/2006 0:00:00||||0||||||Nio|Q|||05.5||||| ||||||||Work|0|Ceramics-Greek|||||||||||0|0|| 5853.00|0|Category|07|Q-05.5|BF/Cae||10|Q-05.5 BF/Cae|Hydria|Descriptive|Dict.Art|||||||Hydria|0|||||0||||0|||||Greek|||Black-figure|Caeretan||Europe|Etruria|Italy||||||0||||0||||0|Cerveteri, Italy|||10653|Ceramics|Painting|Ceramic|Vase painting|BCE|-6|||-530|-500|ca|ca. 530 BCE|ca -530- -500|||||0||||0|||||Vase painting||||||vase painting|ceramics||||H = 43 cm||3341|Paris: Musée du Louvre|Paris: Louvre||Hercules ; Cerberus ; Mythology ; |Hercules|Cerberus|Mythology|||||||Cornell||HB|HB|6/16/2006 0:00:00|1/20/2006 0:00:00||||0||E701|||||Q|||05.5|BF/Cae|||| ||||||||Work|0|Ceramics-Greek|Shows Hercules bringing back the three-headed hound, Cerberus to a terrified Eurystheus, the man who had ordered him to capture it. Osborne.||||The Louvre says that this is by the Eagle Painter.||||||0|0|Hydria| 5854.00|0|Creator|15|C-50|Matta-ClarkG||||Bronx Floors|Series|Artist|||||||Bronx Floors|7671|Matta-Clark, Gordon||sculptor|Gordon Matta-Clark|0||||0|||||American||||||North and Central America||United States|||Bronx, New York, NY|||||||0||||0||||0|Performance Art|Performance art|Sculpture|||20|||1972|1973||1972-1973|1972-1973|||||0||||0|||||||||||performance art|sculpture||||||||||Performance art ; |Performance art|||||||||Cornell||MNW|MNW|1/22/2006 0:00:00|1/22/2006 0:00:00|Matta-Clar|||0|||||||C|||50|||||||||||||Work|0||||||||||||0|0|Bronx Floors|Matta-Clark, Gordon 5855.00|0|Creator|15|C-50|Matta-ClarkG|13||C-50 Matta-ClarkG 13 |Threshole|Artists|Image Source (Pub)|||||||Bronx Floors. Threshole|7671|Matta-Clark, Gordon||sculptor|Gordon Matta-Clark|0||||0|||||American|||Conceptual|||North and Central America||United States|||Bronx, New York, NY|||||||0||||0||||0|Performance Art|Performance art|Sculpture|||20|||1972|1973||1972-1973|1972-1973||Bronx Floors|Series||5854||||0|||||||||||performance art|sculpture||||||||||Performance art ; Doors ; |Performance art|Doors||||||||Cornell||MNW|JNK|1/23/2006 0:00:00|1/22/2006 0:00:00|Matta-Clar|||0|||||||C|||50|||||||||||||Work|0||||||||||||0|0|Threshole|Matta-Clark, Gordon 5856.00|0|Creator|15|C-50|Matta-ClarkG|14||C-50 Matta-ClarkG 14 |Double Doors|Artists|Image Source (Pub)|||||||Bronx Floors. Double Doors|7671|Matta-Clark, Gordon||sculptor|Gordon Matta-Clark|0||||0|||||American|||Conceptual|||North and Central America||United States|||Bronx, New York, NY|||10655||||0||||0||||0|Performance Art|Performance art|Sculpture|||20|||1972|1973||1972-1973|1972-1973||Bronx Floors|||5854||||0|||||||||||performance art|sculpture||||||||||Performance art ; Doors ; |Performance art|Doors||||||||Cornell||MNW|JNK|1/23/2006 0:00:00|1/22/2006 0:00:00|Matta-Clar|||0|||||||C|||50|||||||||||||Work|0||||||||||||0|0|Double Doors|Matta-Clark, Gordon 5857.00|0|Creator|15|C-50|Matta-ClarkG|15||C-50 Matta-ClarkG 15 |Wallspaper, Bronx Floors, and Food|Artists|Image Source (Pub)|||||||Wallspaper, Bronx Floors, and Food|7671|Matta-Clark, Gordon||sculptor|Gordon Matta-Clark|0||||0|||||American|||Conceptual|||North and Central America||United States|||112 Green Street Gallery, NYC, NY|||10036||||0||||0||||0|Sculpture|Exhibition|Installation (exhibition)|Documentary photograph||20|||1972|1972||1972|1972-1972|||||0||||0|||||Installation (exhibition)||||||Installations|photography||||||||||Exhibitions ; Installations (exhibitions) ; |Exhibitions|Installations (exhibitions)||||||||Cornell||MNW|JNK|1/23/2006 0:00:00|1/22/2006 0:00:00|Matta-Clar|||0|||||||C|||50|||||||||||||Work|0||||||||||||0|0|Wallspaper, Bronx Floors, and Food|Matta-Clark, Gordon 5858.00|0|Creator|15|C-50|Matta-ClarkG|16||C-50 Matta-ClarkG 16 |Window Blow-Out|Artists|Image Source (Pub)|||||||Window Blow-Out|7671|Matta-Clark, Gordon||sculptor|Gordon Matta-Clark|0||||0|||||American||||||North and Central America||United States|||Inst. For Arch. & Urban Resources, New York, NY|||10657||||0||||0||||0|Performance Art|Performance art||||20|||1976|1976||1976|1976-1976|||||0||||0|||||||||||performance art|||||||||||Windows ; Performance art ; |Windows|Performance art||||||||Cornell||MNW|JNK|1/23/2006 0:00:00|1/22/2006 0:00:00|Matta-Clar|||0|||||||C|||50|||||||||||||Work|0||Gordon Matta-Clark returned to the "Idea as Model" exhibition late at night and shot holes in each windown of the exhibition space. His piece was eradicated the next day. Matta-Clark, Gordon Matta-Clark.||||||||Destroyed.||0|0|Window Blow-Out|Matta-Clark, Gordon 5861.00|0|Creator|07|I-15|Dore||3|I-15 Dore 3|Over London by Rail|Published|Image Source (Pub)|||||||London: a Pilgramage. Over London by Rail|3249|Doré, Gustave||illustrator|Gustave Doré|0||||0|||||||||||||||||||0||||0||||0||||0|Graphics|prints|Engraving (print)|Wood engraving||19|||1872|1872||1872|1872-1872||London: a Pilgramage|||5862||||0|||||Wood engraving||||||printing|engraving (incising)|wood engraving (process)|||19 x 24.6 cm||||||Railroads ; Tenement houses ; London (England) ; |Railroads|Tenement houses|London (England)|||||||Cornell||MNW|MNW|1/23/2006 0:00:00|1/23/2006 0:00:00|D695|||0|||||||I|||15|||||||||||||Work|0|Prints-French|||||||||||0|0|Over London by Rail|Doré, Gustave 5862.00|0|Creator|||||||London: a Pilgramage|Assigned|Dict.Art|||||||London: a Pilgramage|3249|Doré, Gustave||illustrator|Gustave Doré and Jerrold Blanchard|31075|Blanchard, Jerrold|||0|||||||||||||||||||0||||0||||0||||0|Graphics|prints|Wood engraving|Engraving (print)||19|||1872|1872||1872|1872-1872|||||0||||0|||||||||||printing|engraving (incising)|wood engraving (process)|||||||||London (England) ; |London (England)|||||||||Cornell||MNW|MNW|1/23/2006 0:00:00|1/23/2006 0:00:00|D695|||0||||||||||||||||||||||||0||Published in London by Grant & Co., 1872.||||||||||0|0|London: a Pilgramage|Doré, Gustave;Blanchard, Jerrold 5863.00|0|Creator|07|I-15|Dore||1|I-15 Dore 1|Dark House Lane -- Billingsgate|Assigned|Print Publication|||||||London: a Pilgramage. Dark House Lane -- Billingsgate|3249|Doré, Gustave||illustrator|Gustave Doré|0||||0|||||||||||||||||||0||||0||||0||||0|Graphics|Print|Engraving (print)|Wood engraving||19|||1872|1872||1872|1872-1872||London: a Pilgramage|||5862||||0|||||Wood engraving||||||printing|engraving (incising)|wood engraving (process)|||13 x 9.7 cm||||||London (England) ; Warehouses ; |London (England)|Warehouses||||||||Cornell||MNW|MNW|1/23/2006 0:00:00|1/23/2006 0:00:00|Dore|||0|||||||I|||15|||||||||||||Work|0|Prints-French|||||||||||0|0|Dark House Lane -- Billingsgate|Doré, Gustave 5864.00|0|Creator|15|32|T311-D|1883|1|32 T311-D 1883 1|Mammon's Rents!!|Assigned|Image Source (Pub)|||||||Mammon's Rents!!|31076|Tenniel, John||illustrator|John Tenniel|0||||0|||||English||||||Europe||England||||||0||||0||||0||||0|Drawings|Drawing||||19|||1883|1883||1883|1883-1883|||||||||0|||||Drawing||||||drawing (image-making)|||||||||||Rent ; Poor ; |Rent|Poor||||||||Cornell||MNW|JNK|1/30/2006 0:00:00|1/23/2006 0:00:00|T311|||0|||||||32|D||||||1883|||||||||Work|0||Published in Punch in 1883. House-jobber: "Now, then, my Man; week's hup. Can't 'ave a 'ome without paying' for it, yer know!" De Mare, London Dore Saw.||||||||||0|0|Mammon's Rents!!|Tenniel, John 5866.00|0|Creator|07|I-15|Dore||4|I-15 Dore 4|Ludgate Hill-- a Block in the Street|Assigned|Image Source (Pub)|||||||London: a Pilgramage. Ludgate Hill-- a Block in the Street|3249|Doré, Gustave||illustrator|Gustave Doré|0||||0|||||||||||||||||||0||||0||||0||||0|Graphics|Print|Engraving (print)|Wood engraving||19|||1872|1872||1872|1872-1872||London: a Pilgramage|||5862||||0|||||Wood engraving||||||printing|engraving (incising)|wood engraving (process)|||23.4 x 18.9 cm||||||London (England) ; Streetscapes ; Roads ; Bridges (built works) ; Traffic ; Towers (single built works) ; Cityscapes ; |London (England)|Streetscapes|Roads|Bridges (built works)|Traffic|Towers (single built works)|Cityscapes|||Cornell||MNW|MNW|1/23/2006 0:00:00|1/23/2006 0:00:00|Dore|||0|||||||I|||15|||||||||||||Work|0|Prints-French|||||||||||0|0|Ludgate Hill-- a Block in the Street|Doré, Gustave 5867.00|0||||||||City Cemetery|Assigned|Image Source (Pub)|||||||City Cemetery|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Raleigh, NC|||10659||||0||||0|Architecture|Cemetery||||18|||1798|1798||1798|1798-1798|||||0||||0||||||||||||||||||||||Cemeteries ; |Cemeteries|||||||||Cornell||JNK|MNW|1/28/2006 0:00:00|1/23/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|City Cemetery| 5868.00|0||||||||Box-Tomb of John Rex, d. 1839|Descriptive|Image Source (Pub)|||||||City Cemetery. Box-Tomb of John Rex, d. 1839|31077|Stronach, William||mason|William Stronach|0||||0|||||American||||||North and Central America||United States||||||0|Raleigh, NC|||10659||||0||||0|Sculpture|Tombstone|Box (container)|||19|||1845|1845||1845|1845-1845||City Cemetery|Larger entity||5867||||0|||||Stone|stone|||||sculpture|carving||||||||||Tombstones ; Epitaphs ; Boxes (containers) ; Graves ; |Tombstones|Epitaphs|Boxes (containers)|Graves||||||Cornell||JNK|MNW|1/28/2006 0:00:00|1/23/2006 0:00:00||||0||||||||||||||||||||||||0||Probated to William Stronach.||||||||||0|0|Box-Tomb of John Rex, d. 1839|Stronach, William 5869.00|0|Creator|07|I-15|Dore||5|I-15 Dore 5|Under the Arches|Assigned|Image Source (Pub)|||||||London: a Pilgramage. Under the Arches|3249|Doré, Gustave||illustrator|Gustave Doré|0||||0|||||||||||||||||||0||||0||||0||||0||||||19|||1872|1872||1872|1872-1872||London: a Pilgramage|||5862||||0|||||Wood engraving||||||printing|engraving (incising)|wood engraving (process)|||11 x 16 cm||||||London (England) ; Bridges (built works) ; Homeless persons ; Cityscapes ; |London (England)|Bridges (built works)|Homeless persons|Cityscapes||||||Cornell||MNW|MNW|1/23/2006 0:00:00|1/23/2006 0:00:00|Dore|||0|||||||I|||15|||||||||||||Work|0|Prints-French|||||||||||0|0|Under the Arches|Doré, Gustave 5870.00|0|Site|02|B-G1|Lon|1.1 IllTim|1|B-G1 Lon 1.1 IllTim 1|Garotters Lying in Wait in a London Square|Descriptive|Image Source (Pub)|||||||Garotters Lying in Wait in a London Square|0|||||0||||0|||||English||||||Europe||England||||||0||||0||||0||||0|Graphics|Print|Engraving (print)|Wood engraving||19|||1863|1863||1863|1863-1863|||||0||||0|||||Wood engraving||||||printing|engraving (incising)|wood engraving (process)|||||||||London (England) ; Streetscapes ; Garrotters ; |London (England)|Streetscapes|Garrotters|||||||Cornell||MNW|MNW|1/23/2006 0:00:00|1/23/2006 0:00:00||Lon||0||||||IllTim|B|||||G1|1.1||||||||||Work|0|Architecture-England|Published in the Illustrated Times in 1863.||||||||||0|0|Garotters Lying in Wait in a London Square| 5871.00|0|Site|02|B-G1|Lon|1.1 IllLonNew|1|B-G1 Lon 1.1 IllLonNew 1|The Treadwheel at the Clerkenwell House of Correction|Descriptive|Image Source (Pub)|||||||The Treadwheel at the Clerkenwell House of Correction|0|||||0||||0|||||English||||||Europe||England||||||0||||0||||0||||0|Graphics|Print|Engraving (print)|Wood engraving||19|||1874|1874||1874|1874-1874|||||0||||0|||||Wood engraving||||||printing|engraving (incising)|wood engraving (process)|||||||||London (England) ; Prisoners ; |London (England)|Prisoners||||||||Cornell||MNW|MNW|1/23/2006 0:00:00|1/23/2006 0:00:00||Lon||0||||||IllLonNew|B|||||G1|1.1||||||||||Work|0|Architecture-England|||||||||||0|0|The Treadwheel at the Clerkenwell House of Correction| 5872.00|0||||||||Tomb-Table of John Devereux, d. 1846|Descriptive|Image Source (Pub)|||||||City Cemetery. Tomb-Table of John Devereux, d. 1846|31077|Stronach, William|attributed to|mason|William Stronach|0||||0|||||American||||||North and Central America||United States||||||0|Raleigh, NC|||10659||||0||||0|Sculpture|Tombstone|Table|||19|||1846|1846|ca|ca 1846|ca 1846-1846||City Cemetery|Larger entity||5867||||0|||||Stone|stone|||||carving|sculpture||||||||||Tombstones ; Epitaphs ; Tables (support furniture) ; Graves ; |Tombstones|Epitaphs|Tables (support furniture)|Graves||||||Cornell||JNK|MNW|1/28/2006 0:00:00|1/23/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Tomb-Table of John Devereux, d. 1846|Stronach, William 5873.00|0||||||||Headstone of Ann Jenkins, d. 1846|Descriptive|Image Source (Pub)|||||||Cross Creek Cemetery. Headstone of Ann Jenkins, d. 1846|31078|Lauder, George||mason|George Lauder|0||||0|||||American||||||North and Central America||United States||||||0|Fayetteville, NC|||10618||||0||||0|Sculpture|Tombstone||||19|||1846|1846|ca|ca 1846|ca 1846-1846||Cross Creek Cemetery|Larger entity||5800||||0|||||Stone|stone|||||carving|||||||||||Tombstones ; Epitaphs ; Graves ; |Tombstones|Epitaphs|Graves|||||||Cornell||JNK|MNW|1/28/2006 0:00:00|1/23/2006 0:00:00||||0||||||||||||||||||||||||0||Headstone is signed by George Lauder, Fayetteville.||||||||||0|0|Headstone of Ann Jenkins, d. 1846|Lauder, George 5874.00|0||||||||Headstone of Archibald McDiarmid, d. 1846|Descriptive|Image Source (Pub)|||||||Longstreet Presbyterian Churchyard. Headstone of Archibald McDiarmid, d. 1846|31078|Lauder, George||mason|George Lauder|0||||0|||||American||||||North and Central America||United States||||||0|Hoke County, NC|||10637||||0||||0|Sculpture|Tombstone||||19|||1846|1846|ca|ca 1846|ca 1846-1846||Longstreet Presbyterian Churchyard|Larger entity||5782||||0|||||Stone|stone|||||carving|||||||||||Tombstones ; Epitaphs ; Urns ; Women ; Trees ; Weeping willows ; Graves ; |Tombstones|Epitaphs|Urns|Women|Trees|Weeping willows|Graves|||Cornell||JNK|MNW|1/28/2006 0:00:00|1/23/2006 0:00:00||||0||||||||||||||||||||||||0||Signed by George Lauder, Fayetteville.||||||||||0|0|Headstone of Archibald McDiarmid, d. 1846|Lauder, George 5875.00|0|Category|05|J-Lyon|DestNY||||The Destruction of Lower Manhattan|Published|Image Source (Pub)|||||||The Destruction of Lower Manhattan|7340|Lyon, Danny||photographer|Danny Lyon|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Publications|Book|Photographic print|||20|||1967|1969||1967-1969|1967-1969|||||0||||0|||||||||||printing|photography||||||||||||||||||||Cornell||MNW|MNW|1/23/2006 0:00:00|1/23/2006 0:00:00|Lyon|||0||||||DestNY|J||||||||||||||||Work|0|Photography|Works were photographed in 1967. All of the buildings and rooms illustrated in this book were destroyed.||||||||||0|0|The Destruction of Lower Manhattan|Lyon, Danny 5877.00|0|Category|05|J-Lyon|DestNY/West||21|J-Lyon DestNY/West 21|West Street Between Jay and Duane Streets|Published|Image Source (Pub)|||||||The Destruction of Lower Manhattan. West Street Between Jay and Duane Streets|7340|Lyon, Danny||photographer|Danny Lyon|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1967|1967||1967|1967-1967||The Destruction of Lower Manhattan|Series||5875||||0|||||||||||photography|||||||||||New York, NY ; Streetscapes ; Demolition ; |New York, NY|Streetscapes|Demolition|||||||Cornell||MNW|MNW|1/28/2006 0:00:00|1/23/2006 0:00:00|Lyon|||0||||||DestNY/West|J||||||||||||||||Work|0|Photography|The buildings depicted in this work have been demolished.||||||||||0|0|West Street Between Jay and Duane Streets|Lyon, Danny 5878.00|0|Category|05|J-Lyon|DestNY/88Gold||36|J-Lyon DestNY/88Gold 36|88 Gold Street|Published|Image Source (Pub)|||||||The Destruction of Lower Manhattan. 88 Gold Street|7340|Lyon, Danny||photographer|Danny Lyon|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1967|1967||1967|1967-1967||The Destruction of Lower Manhattan|Series||5875||||0|||||||||||photography|||||||||||New York, NY ; Interior views ; Demolition ; |New York, NY|Interior views|Demolition|||||||Cornell||MNW|MNW|1/24/2006 0:00:00|1/23/2006 0:00:00|Lyon|||0||||||DestNY/88Gold|J||||||||||||||||Work|0|Photography|The interior depicted in this work has been demolished.||||||||||0|0|88 Gold Street|Lyon, Danny 5879.00|0|Category|05|J-Lyon|DestNY/Sus||40|J-Lyon DestNY/Sus 40|Susquehanna Hotel. Self-Portrait in a Thrid-Floor Room with Grass|Published|Image Source (Pub)|||||||The Destruction of Lower Manhattan. Susquehanna Hotel.|7340|Lyon, Danny||photographer|Danny Lyon|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Photographic print|Portrait|||20|||1967|1967||1967|1967-1967||The Destruction of Lower Manhattan|Series||5875||||0|||||||||||photography|||||||||||New York, NY ; Interior views ; Demolition ; Lyon, Danny, 1942 ; Portraits ; |New York, NY|Interior views|Demolition|Lyon, Danny, 1942|Portraits|||||Cornell||MNW|MNW|1/24/2006 0:00:00|1/23/2006 0:00:00|Lyon|||0||||||DestNY/Sus|J||||||||||||||||Work|0|Photography|The interior depicted in this work has been demolished.||||||||||0|0|Susquehanna Hotel. Self-Portrait in a Thrid-Floor Room with Grass|Lyon, Danny 5880.00|0|Category|05|J-Lyon|DestNY/82Beek||63|J-Lyon DestNY/82Beek 63|82 Beekman Street|Descriptive|Cataloger|||||||The Destruction of Lower Manhattan. 82 Beekman Street|7340|Lyon, Danny||photographer|Danny Lyon|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1967|1967||1967|1967-1967||The Destruction of Lower Manhattan|Series||5875||||0|||||||||||photography|||||||||||New York, NY ; Demolition ; |New York, NY|Demolition||||||||Cornell||MNW|JNK|1/30/2006 0:00:00|1/23/2006 0:00:00|Lyon|||0||||||DestNY/82Beek|J||||||||||||||||Work|0|Photography|"A burner is lifted to cut the bolts in the cast-iron front of 82 Beekman Street. The cast iron is then smashed to pieces with a sledgehammer." Lyon, Destruction. This building was destroyed.||||||||||0|0|82 Beekman Street|Lyon, Danny 5881.00|0|Category|05|J-Lyon|DestNY/BeekSub||67|J-Lyon DestNY/BeekSub 67|Beekman Street subbasement|Descriptive|Cataloger|||||||The Destruction of Lower Manhattan. Beekman Street subbasement|7340|Lyon, Danny||photographer|Danny Lyon|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1967|1967||1967|1967-1967||The Destruction of Lower Manhattan|Series||5875||||0|||||||||||photography|||||||||||New York, NY ; Demolition ; |New York, NY|Demolition||||||||Cornell||MNW|JNK|1/30/2006 0:00:00|1/23/2006 0:00:00|Lyon|||0||||||DestNY/BeekSub|J||||||||||||||||Work|0|Photography|This building was destroyed. Lyon, Destruction.||||||||||0|0|Beekman Street subbasement|Lyon, Danny 5882.00|0||||||||Headstone of Samuel H. Pemberton, d. 1856|Descriptive|Image Source (Pub)|||||||Cross Creek Cemetery. Headstone of Samuel H. Pemberton, d. 1856|31078|Lauder, George||mason|George Lauder|0||||0|||||American||||||North and Central America||United States||||||0|Fayetteville, NC|||10618||||0||||0|Sculpture|Tombstone||||19|||1856|1856|ca|ca 1856|ca 1856-1856||Cross Creek Cemetery|Larger entity||5800||||0|||||Stone|stone|||||carving|sculpture||||||||||Tombstones ; Epitaphs ; Urns ; Tombs ; Trees ; Palm trees ; Graves ; |Tombstones|Epitaphs|Urns|Tombs|Trees|Palm trees|Graves|||Cornell||JNK|MNW|1/28/2006 0:00:00|1/24/2006 0:00:00||||0||||||||||||||||||||||||0||Signed by George Lauder, Fayetteville.||||||||||0|0|Headstone of Samuel H. Pemberton, d. 1856|Lauder, George 5883.00|0||||||||Headstone of Infant of John and Ellen Smith, d. 1857|Descriptive|Image Source (Pub)|||||||Cross Creek Cemetery. Headstone of Infant of John and Ellen Smith, d. 1857|31078|Lauder, George||mason|George Lauder|0||||0|||||American||||||North and Central America||United States||||||0|Fayetteville, NC|||10618||||0||||0|Sculpture|Tombstone||||19|||1854|1854|ca|ca 1854|ca 1854-1854||Cross Creek Cemetery|Larger entity||5800||||0|||||Stone|stone|||||carving|sculpture||||||||||Tombstones ; Epitaphs ; Scrolls ; Graves ; |Tombstones|Epitaphs|Scrolls|Graves||||||Cornell||JNK|MNW|1/28/2006 0:00:00|1/24/2006 0:00:00||||0||||||||||||||||||||||||0||Signed by George Lauder, Fayetteville.||||||||||0|0|Headstone of Infant of John and Ellen Smith, d. 1857|Lauder, George 5884.00|0||||||||Confederate Monument|Assigned|Image Source (Pub)|||||||Cross Creek Cemetery. Confederate Monument|31078|Lauder, George||mason|George Lauder|0||||0|||||American||||||North and Central America||United States||||||0|Fayetteville, NC|||10618||||0||||0|Sculpture|Monument|Obelisk|||19|||1868|1868||Erected 1868|1868-1868||Cross Creek Cemetery|Larger entity||5800||||0|||||Marble, Stone|marble|stone||||sculpture|||||||||||Monuments ; Obelisks ; Crosses (visual works) ; Epitaphs ; Memorials ; |Monuments|Obelisks|Crosses (visual works)|Epitaphs|Memorials|||||Cornell||JNK|MNW|3/31/2006 0:00:00|1/24/2006 0:00:00||||0||||||||||||||||||||||||0|||||Erected 1868.|||||||0|0|Confederate Monument|Lauder, George 5885.00|0||||||||Oakdale Cemetery|Assigned|Image Source (Pub)|||||||Oakdale Cemetery|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Hendersonville, NC|||10660||||0||||0|Architecture|Cemetery||||||||||||||||0||||0||||||||||||||||||||||Cemeteries ; |Cemeteries|||||||||Cornell||JNK|JNK|1/24/2006 0:00:00|1/24/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Oakdale Cemetery| 5886.00|0||||||||Angel on the Grave of Margaret Johnson, d. 1905|Descriptive|Image Source (Pub)|Wolfe's Angel|Descriptive|Print Publication||||Oakdale Cemetery. Angel on the Grave of Margaret Johnson, d. 1905|0|||||0||||0|||||Italian||||||Europe||Italy||||||0|Hendersonville, NC|||10660||||0||||0|Sculpture|Sculpture||||19|20||1905|1905|bef|bef 1905|bef 1905-1905||Oakdale Cemetery|Larger entity||5885||||0|||||Marble|marble|||||sculpture|carving||||||||||Angels ; Statues ; Graves ; |Angels|Statues|Graves|||||||Cornell||JNK|MNW|1/28/2006 0:00:00|1/24/2006 0:00:00||||0||||||||||||||||||||||||0||The statue was supplied and purchased by W. O. Wolfe from a distributor of Italian statuary in New York. Little, 226. The angel was the inspiration for Thomas Wolfe's "Look Homeward Angel".||||||||||0|0|Angel on the Grave of Margaret Johnson, d. 1905;Wolfe's Angel| 5887.00|0|Category|05|J-Lyon|DestNY/89Beek||70|J-Lyon DestNY/89Beek 70|89 Beekman Street: View Through the Rear Wall|Descriptive|Cataloger|||||||The Destruction of Lower Manhattan. 89 Beekman Street: View Through the Rear Wall|7340|Lyon, Danny||photographer|Danny Lyon|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1967|1967||1967|1967-1967||The Destruction of Lower Manhattan|Series||5875||||0|||||||||||photography|||||||||||New York, NY ; Demolition ; |New York, NY|Demolition||||||||Cornell||MNW|MNW|1/24/2006 0:00:00|1/24/2006 0:00:00|Lyon|||0||||||DestNY/89Beek|J||||||||||||||||Work|0|Photography|This building was destroyed. Lyon, Destruction.||||||||||0|0|89 Beekman Street: View Through the Rear Wall|Lyon, Danny 5888.00|0|Category|05|J-Lyon|DestNY/BriC||71|J-Lyon DestNY/BriC 71|Brick Crew on the West Side|Descriptive|Cataloger|||||||The Destruction of Lower Manhattan. Brick Crew on the West Side|7340|Lyon, Danny||photographer|Danny Lyon|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1967|1967||1967|1967-1967||The Destruction of Lower Manhattan|||5875||||0|||||||||||photography|||||||||||New York, NY ; Demolition ; |New York, NY|Demolition||||||||Cornell||MNW|MNW|1/24/2006 0:00:00|1/24/2006 0:00:00|Lyon|||0||||||DestNY/BriC|J||||||||||||||||Work|0|Photography|||||||||||0|0|Brick Crew on the West Side|Lyon, Danny 5889.00|0||||||||Ledger and Headstone of Lucy Savage, d. 1859|Descriptive|Image Source (Pub)|||||||Oakwood Cemetery. Ledger and Headstone of Lucy Savage, d. 1859|31081|Clayton & Wolfe|||Clayton & Wolfe|0||||0|||||American||||||North and Central America||United States||||||0|Raleigh, NC|||10659||||0||||0|Sculpture|Tombstone||||19|||1872|1878|ca|ca 1872-1878|ca 1872-1878||Oakwood Cemetery|Larger entity||5890||||0|||||Marble, Stone|stone|marble||||carving|||||||||||Tombstones ; Epitaphs ; Weeping willows ; Graves ; |Tombstones|Epitaphs|Weeping willows|Graves||||||Cornell||JNK|MNW|1/28/2006 0:00:00|1/24/2006 0:00:00||||0||||||||||||||||||||||||0||Signed "Clayton & Wolfe" of Raleigh. Lucy Savage was stonecutter William Stronach's mother-in-law. Little, 229.||||||||||0|0|Ledger and Headstone of Lucy Savage, d. 1859|Clayton & Wolfe 5890.00|0||||||||Oakwood Cemetery|Assigned|Image Source (Pub)|||||||Oakwood Cemetery|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Raleigh, NC|||10659||||0||||0|Architecture|Cemetery||||19|||1869|1869||1869|1869-1869|||||0||||0||||||||||||||||||||||Cemeteries ; |Cemeteries|||||||||Cornell||JNK|JNK|1/24/2006 0:00:00|1/24/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Oakwood Cemetery| 5891.00|0||||||||Monument for Frank Parker Drane, d. 1918|Descriptive|Image Source (Pub)|||||||St. Paul's Episcopal Churchyard. Monument for Frank Parker Drane, d. 1918|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Edenton, NC|||10622||||0||||0|Sculpture|Tombstone||||20|||1920|1929||1920s|1920-1929||St. Paul's Episcopal Churchyard|Larger entity||5753||||0|||||Granite|granite|||||sculpture|carving||||||||||Tombstones ; Epitaphs ; Graves ; |Tombstones|Epitaphs|Graves|||||||Cornell||JNK|MNW|1/28/2006 0:00:00|1/24/2006 0:00:00||||0||||||||||||||||||||||||0|||||This stone was probably cut in the 1920's and represents the first decade of the widespread appearance of granit in North Carolina cemeteries. Little, 232.|||||||0|0|Monument for Frank Parker Drane, d. 1918| 5892.00|0||||||||McMillan Presbyterian Churchyard|Assigned|Image Source (Pub)|||||||McMillan Presbyterian Churchyard|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Cumberland County, NC|||10627||||0||||0|Architecture|Cemetery||||||||||||||||0||||0||||||||||||||||||||||Cemeteries ; |Cemeteries|||||||||Cornell||JNK|JNK|1/24/2006 0:00:00|1/24/2006 0:00:00||||0||||||||||||||||||||||||0||Typical traditional white graveyard. Little, 238.||||||||||0|0|McMillan Presbyterian Churchyard| 5893.00|0||||||||Big Rockfish Presbyterian Churchyard|Assigned|Image Source (Pub)|||||||Big Rockfish Presbyterian Churchyard|0|||||0||||0|||||American|African American|||||North and Central America||United States||||||0|Cumberland County, NC|||10627||||0||||0|Architecture|Cemetery||||||||||||||||0||||0||||||||||||||||||||||Cemeteries ; |Cemeteries|||||||||Cornell||JNK|JNK|1/24/2006 0:00:00|1/24/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Big Rockfish Presbyterian Churchyard| 5894.00|0||||||||Shell Grave|Descriptive|Image Source (Pub)|||||||Cemetery Near Grissettown. Shell Grave|0|||||0||||0|||||American|African American|||||North and Central America||United States||||||0|Grissettown, NC|Near||10661||||0||||0|Sculpture|Tomb|Shell (animal material)|||20|||||||||Cemetery Near Grissettown|Larger entity||5895||||0|||||Shells|shell (animal material)||||||||||||||||Shells ; Graves ; |Shells|Graves||||||||Cornell||JNK|MNW|1/28/2006 0:00:00|1/24/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Shell Grave| 5895.00|0||||||||Cemetery Near Grissettown|Descriptive|Cataloger|||||||Cemetery Near Grissettown|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Grissettown, NC|Near||10661||||0||||0|Architecture|Cemetery||||||||||||||||0||||0||||||||||||||||||||||Cemeteries ; |Cemeteries|||||||||Cornell||JNK|MNW|1/28/2006 0:00:00|1/24/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Cemetery Near Grissettown| 5896.00|0||||||||Hall-Horne Graveyard|Assigned|Image Source (Pub)|||||||Hall-Horne Graveyard|0|||||0||||0|||||American|African American|||||North and Central America||United States||||||0|Cumberland County, NC|||10627||||0||||0|Architecture|Cemetery||||||||||||||||0||||0||||||||||||||||||||||Cemeteries ; |Cemeteries|||||||||Cornell||JNK|JNK|1/24/2006 0:00:00|1/24/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Hall-Horne Graveyard| 5897.00|0||||||||Shell Grave of Jennings Leslie Horne, d. 1918|Descriptive|Image Source (Pub)|||||||Hall-Horne Graveyard. Shell Grave of Jennings Leslie Horne, d. 1918|0|||||0||||0|||||American|African American|||||North and Central America||United States||||||0|Cumberland County, NC|||10627||||0||||0|Sculpture|Shell (animal material)||||20|||1918|1918|ca|ca 1918|ca 1918-1918||Hall-Horne Graveyard|Larger entity||5896||||0|||||Shells|shell (animal material)||||||||||||||||Graves ; Shells ; |Graves|Shells||||||||Cornell||JNK|MNW|1/28/2006 0:00:00|1/24/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Shell Grave of Jennings Leslie Horne, d. 1918| 5913.00|0||||||||Patience on a Monument|Inscribed|Artist|||||||Patience on a Monument|31087|Siopis, Penelope||painter|Penelope Siopis|0||||0|||||South African||||||Africa||South Africa||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1988|1988||1988|1988-1988|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||200 x 180 cm||9638|Kimberley, South Africa: William Humphreys Art Gallery|Kimberley, So. Africa: William Humphreys Art Gall.||Monuments ; Women ; Cities ; |Monuments|Women|Cities|||||||Cornell||JNK|JNK|1/25/2006 0:00:00|1/25/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Patience on a Monument|Siopis, Penelope 5914.00|0||||||||Terra Incognita|Inscribed|Artist|||||||Terra Incognita|31087|Siopis, Penelope||painter|Penelope Siopis|0||||0|||||South African||||||Africa||South Africa||||||0||||0||||0||||0|Paintings|Oil painting||||20|||1989|1989||1989-1989|1989-1989|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||180 x 200 cm||9639|Bloemfontein: University of the Orange Free State; Johannes Stegmann Art Gallery|Bloemfontein: U/Orng.Free St; Joh. Steg. Art Gall.||Women ; Cities ; Landscapes ; |Women|Cities|Landscapes|||||||Cornell||JNK|JNK|1/25/2006 0:00:00|1/25/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Terra Incognita|Siopis, Penelope 5915.00|0|Site|02|B-K3|Del|2.41 Ath||B-K3 Del 2.41 Ath |Treasury of the Athenians|LargerEntity|Blue Guide|||||||Treasury of the Athenians|0|||||0||||0|||||Greek|||Archaic (Greek)|||Europe|Phocis|Greece||||||0|Delphi, Greece|||10666|Delphi, Greece|||10666||||0|Architecture|Archaeological site|Temple|Bank (building)|BCE|-5|||-490|-485|ca|490-485 BCE|ca -490 - -485|||||0||||0|||||Marble|Marble||||||||||||||||||||||||||Cornell||HB|MNW|5/25/2006 0:00:00|1/26/2006 0:00:00||Del||0||||||Ath|B|||||K3|2.41||||||||||Work|0|Architecture-Greece|||||||||||0|0|Treasury of the Athenians| 5916.00|0|Site|02|B-K3|Del|2.41 Ath|7-2|B-K3 Del 2.41 Ath 7-2|Metope No. 5|Descriptive|Blue Guide|Theseus and Athena|Variant|Scholar||||Treasury of the Athenians. Metope No. 5|0|||||0||||0|||||Greek|||Archaic (Greek)|||Europe|Phocis|Greece||||||0|||||Delphi, Greece|||10666||||0|Architecture|Sculpture|Relief||BCE|-5|||-490|-485|ca|490 -485 BCE|ca -490 - 485||Treasury of the Athenians|LargerEntity||5915||||0|||||Marble|marble|||||sculpture|relief||||H = 67 cm||729|Delphi: Archaeological Museum of Delphi|Delphi: Archeol. Mus.||Theseus ; Athena ; |Theseus|Athena||||||||Cornell||HB|HB|6/5/2006 0:00:00|1/26/2006 0:00:00||Del||0||||||Ath|B|||||K3|2.41|| ||||||||Work|0|Architecture-Greece|Ref: J. Boardman, Greek Sculpture, the Archaic Period, Oxford, 1972.||||||||||0|0|Metope No. 5;Theseus and Athena| 5917.00|0||||||||Untitled (11 Color Photographs)|Assigned|Image Source (Pub)|||||||Untitled (11 Color Photographs)|31088|Mthethwa, Zwelethu||photographer|Zwelethu Mthethwa|0||||0|||||South African||||||Africa||South Africa||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1995|1998||1995-1998|1995-1998|||||0||||0|||||||||||photography|||||||9640|Turin: Marco Noire Contemporary Art|Turin: Marco Noire Cont. Art||Families ; Women ; Children (people by age group) ; Father and child ; Mother and child ; Interior views ; Men (male humans) ; |Families|Women|Children (people by age group)|Father and child|Mother and child|Interior views|Men (male humans)|||Cornell||JNK|JNK|1/26/2006 0:00:00|1/26/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Untitled (11 Color Photographs)|Mthethwa, Zwelethu 5918.00|0||||||||Woman and Child|Descriptive|Cataloger|||||||Untitled (11 Color Photographs). Woman and Child|31088|Mthethwa, Zwelethu||photographer|Zwelethu Mthethwa|0||||0|||||South African||||||Africa||South Africa||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1995|1998||1995-1998|1995-1998||Untitled (11 Color Photographs)|Larger entity||5917||||0|||||||||||photography|||||||9640|Turin: Marco Noire Contemporary Art|Turin: Marco Noire Cont. Art||Mother and child ; Women ; Children (people by age group) ; Interior views ; |Mother and child|Women|Children (people by age group)|Interior views||||||Cornell||JNK|MNW|3/31/2006 0:00:00|1/26/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Woman and Child|Mthethwa, Zwelethu 5919.00|0|Site|02|B-K3|Del|2.41 Ath|7-1|B-K3 Del 2.41 Ath 7-1|Metope No. 19|Descriptive|Scholar|Hercules and Stag|Variant|Scholar||||Treasury of the Athenians. Metope No. 19|0|||||0||||0|||||Greek|||Archaic (Greek)|||Europe|Phocis|Greece||||||0|||||Delphi, Greece|||10666||||0|Architecture|Sculpture|Relief||BCE|-5|||-490|-485|ca|490-485 BCE|ca -490 - -485||Treasury of the Athenians|LargerEntity||5915||||0|||||Marble|marble|||||sculpture|relief||||H = 67 cm||729|Delphi: Archaeological Museum of Delphi|Delphi: Archeol. Mus.||Hercules ; Animals ; |Hercules|Animals||||||||Cornell||HB|HB|6/5/2006 0:00:00|1/26/2006 0:00:00||Del||0||||||Ath|B|||||K3|2.41|| ||||||||Work|0|Architecture-Greece|Hercules fighting a stag Ref: J. Boardman, Greek Sculpture, the Archaic Period, Oxford, 1972.||||||||||0|0|Metope No. 19;Hercules and Stag| 5920.00|0|Site|02|B-K3|Del|2.41 Ath|7-3|B-K3 Del 2.41 Ath 7-3|Metope No. 8|Descriptive|Scholar|Theseus and Amazon Antiope|Variant|||||Treasury of the Athenians. Metope No. 8|0|||||0||||0|||||Greek|||Archaic (Greek)|||Europe|Phocis|Greece||||||0|||||Delphi, Greece|||10666||||0|Architecture|Sculpture|Relief||BCE|-5|||-490|-485|ca|490-485 BCE|ca -490 - -485||Treasury of the Athenians|LargerEntity||5915||||0|||||Marble|marble|||||sculpture|relief||||H = 67 cm||729|Delphi: Archaeological Museum of Delphi|Delphi: Archeol. Mus.||Theseus ; Amazons ; Antiope ; |Theseus|Amazons|Antiope|||||||Cornell||HB|HB|6/5/2006 0:00:00|1/26/2006 0:00:00||Del||0||||||Ath|B|||||K3|2.41|| ||||||||Work|0|Architecture-Greece|Ref: J. Boardman, Greek Sculpture, the Archaic Period, Oxford, 1972.||||||||||0|0|Metope No. 8;Theseus and Amazon Antiope| 5921.00|0|Site|02|B-K3|Del|2.41 Ath|7-4|B-K3 Del 2.41 Ath 7-4|Metope No. 21|Descriptive|Scholar|Heracles and Kyknos|Variant|Scholar||||Treasury of the Athenians. Metope No. 21|0|||||0||||0|||||Greek|||Archaic (Greek)|||Europe|Phocis|Greece||||||0|||||Delphi, Greece|||10666||||0|Architecture|Sculpture|Relief||BCE|-5|||-490|-485|ca|490-485 BCE|ca -490--485||Treasury of the Athenians|LargerEntity||5915||||0|||||Marble|marble|||||sculpture|relief||||H = ca 67 cm||729|Delphi: Archaeological Museum of Delphi|Delphi: Archeol. Mus.||Hercules ; Battles ; Shields ; |Hercules|Battles|Shields|||||||Cornell||HB|HB|6/5/2006 0:00:00|1/26/2006 0:00:00||Del||0||||||Ath|B|||||K3|2.41|| ||||||||Work|0|Architecture-Greece|Ref: J. Boardman, Greek Sculpture, the Archaic Period, Oxford, 1972.||||||||||0|0|Metope No. 21;Heracles and Kyknos| 5922.00|0||||||||Patches of History III|Assigned|Image Source (Pub)|||||||Patches of History III|31089|Anatsui, El||sculptor|El Anatsui|0||||0|||||Ghanaian|||Post-1945|||Africa||Ghana||||||0||||0||||0||||0|Sculpture|Relief|Sculpture|||20|||1993|1993||1993|1993-1993|||||0||||0|||||Wood relief - Oyili-oji, opepe and akaparata woods|wood (plant material)|||||sculpture|||||140 x 69 x 2.5 cm||3290|Private Collection|: Private Coll.||History ; Textiles ; |History|Textiles||||||||Cornell||JNK|JNK|2/14/2006 0:00:00|1/26/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Patches of History III|Anatsui, El 5923.00|0||||||||Signpainter's Kiosk|Descriptive|Image Source (Pub)|||||||Signpainter's Kiosk|0|||||0||||0|||||||||||Africa||Kenya||||||0|Mombasa, Kenya|||10668||||0||||0|Architecture|||||20|||1991|1991|bef|bef 1991|bef 1991-1991|||||0||||0||||||||||||||||||||||||||||||||Cornell||JNK|JNK|1/26/2006 0:00:00|1/26/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Signpainter's Kiosk| 6000.00|0|Category|04|C-05.5|AR Rou 50K Comp|||C-05.5 AR Rou 50K Comp |Comparison: New York kouros and second Egyption canon|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||Greek|||Archaic (Greek)|||Europe||Greece||||||0||||0||||0||||0|Sculpture|Diagram|Drawing|||||||||||||||0||||0|||||||||||drawing (image-making)|||||||||||Men (male humans) ; |Men (male humans)|||||||||Cornell||HB|HB|6/2/2006 0:00:00|2/6/2006 0:00:00||||0||||||Comp|C|Rou||05.5|AR|||||50K|||||||Work|0|Sculpture-Greek|New York Kouros dates: ca. 600-575. Second Egyptian cannon after ca. 680.||||||||||0|0|| 6001.00|0|Category|02|B-K3|Ath|1.31 Acr/OliTree||B-K3 Ath 1.31 Acr/OliTree |Olive Tree Pediment|Descriptive|Blue Guide|Fountain House Pediment|Variant|Online Resource|Troilus Pediment|Variant|Image Source (Pub)|Acropolis. Olive Tree Pediment|0|||||0||||0|||||Greek|||Archaic (Greek)|||Europe|Attica|Greece||||||0||||0||||0||||0|Architecture|Sculpture|||BCE|-6|||-575|-540|ca.|ca. 575-550 BCE|ca. -575 - -540||Acropolis|Larger entity||668||||0|||||Limestone|Limestone|||||sculpture|painting||||H = 0.80 m; W = 1.48 m||3464|Athens: Acropolis Museum|Athens: Acropolis Mus.||Athena ; Fountains ; Buildings ; Trojan War ; Heroes ; |Athena|Fountains|Buildings|Trojan War|Heroes|||||Cornell||HB|HB|6/5/2006 0:00:00|2/6/2006 0:00:00||Ath||0||52||||Acr/OliTree|B|||||K3|1.31||||||||||Work|0|Architecture-Greece|Pediment from an unknown building on Acropolis. Unusual representation of a building. Subject either: Achilles ambushing Troilus at the spring house outside Troy; or: Attic myth of Athena's Olive Tree.||||||||||0|0|Olive Tree Pediment;Fountain House Pediment;Troilus Pediment| 6002.00|0|Site|02|B-K3|Del|2.41 Sicy||B-K3 Del 2.41 Sicy |Treasury of the Sikyonians|Descriptive|Blue Guide|Sikyonian Treasury|Variant|Image Source (Pub)||||Treasury of the Sikyonians|0|||||0||||0|||||Greek|||Archaic (Greek)|||Europe|Phocis|Greece||||||0|Delphi, Greece|||10666|Delphi, Greece|||10666||||0|Architecture|Sculpture|||BCE|-6|||-575|-550|ca.|ca. 550 BCE|ca. -575 - -550|||||0||||0|||||Limestone|Limestone||||||||||||||||||||||||||Cornell||HB|MNW|5/25/2006 0:00:00|2/6/2006 0:00:00||Del||0||||||Sicy|B|||||K3|2.41||||||||||Work|0|Architecture-Greece|||||||||||0|0|Treasury of the Sikyonians;Sikyonian Treasury| 6003.00|0|Category|02|B-K3|Del|2.41 Sicy||B-K3 Del 2.41 Sicy |Metope|Descriptive|Image Source (Pub)|Ship of Argo|Variant|Image Source (Pub)||||Treasury of the Sikyonians. Metope|0|||||0||||0|||||Greek|||Archaic (Greek)|||Europe|Phocis|Greece||||||0||||0||||||||0|Architecture|Sculpture|Diagram||BCE|-6|||-575|-550|ca|ca. 575-550 BCE|ca. -575 - -550||Treasury of the Sikyonians|LargerEntity||6002||||0|||||Limestone|limestone|||||sculpture|relief||||H = 62 cm||729|Delphi: Archaeological Museum|Delphi: Archeol. Mus.||Orpheus ; Ships ; Lyres ; Metopes ; |Orpheus|Ships|Lyres|Metopes||||||Cornell||HB|HB|6/16/2006 0:00:00|2/6/2006 0:00:00||Del||0||||||Sicy|B|||||K3|2.41|| ||||||||Work|0|Architecture-Greece|Metope potrays the ship of Argo with Orpheus and companions on board. Conjectural restoration shows right half of ship on the neighboring metope.||||||||||0|0|Metope;Ship of Argo| 6004.00|0|Category|02|B-K3|Del|2.41 Sicy||B-K3 Del 2.41 Sicy |Metope: Dioskouroi, Idas and Lykneus raiding cattle||Image Source (Pub)|Metope of the Sikyonian Treasury||Image Source (Pub)||||Treasury of the Sikyonians. Metope: Dioskouroi, Idas and Lykneus raiding cattle|0|||||0||||0|||||Greek|||Archaic (Greek)|||Europe|Phocis|Greece||||||0||||||||0||||0|Architecture|Sculpture|||BCE|-6|||-575|-550|ca|ca. 575-550 BCE|ca. -575 - -550||Treasury of the Sikyonians|LargerEntity||6002||||0|||||Limestone|limestone|||||sculpture|relief||||H = 62 cm||729|Delphi: Archaeological Museum|Delphi: Archeol. Mus.||Dioscuri (Horse-tamers) ; Cattle ; |Dioscuri (Horse-tamers)|Cattle||||||||Cornell||HB|HB|6/16/2006 0:00:00|2/6/2006 0:00:00||Del||0||||||Sicy|B|||||K3|2.41|| ||||||||Work|0|Architecture-Greece|||||||||||0|0|Metope: Dioskouroi, Idas and Lykneus raiding cattle;Metope of the Sikyonian Treasury| 6005.00|0|Category|04|C-05.5|AR Rou 50 AA Ram|||C-05.5 AR Rou 50 AA Ram |Rampin Horseman||Dict.Art||||||||0|||||0||||0|||||Greek|||Archaic (Greek)|||Europe|Attica|Greece||||||0|||||Athens, Acropolis|||10676||||0|Sculpture|Sculpture|Figure (representation)||BCE|-6|||-560|-550|ca.|ca. 550 BCE|ca 560-550 BCE|||||0||||0|||||Marble|marble|||||sculpture|||||H = 110.5 cm||3464|Athens: Acropolis Museum|Athens: Acropolis Mus.||Equestrian statues ; |Equestrian statues|||||||||Cornell||HB|HB|6/5/2006 0:00:00|2/6/2006 0:00:00||||0||590||||AA Ram|C|Rou||05.5|AR|||| |50|||||||Work|0|Sculpture-Greek|One of a pair. The head is a cast of the original in the Louvre (MA 3104).||||||||||0|0|| 6006.00|0|Category|07|C-05.5|AR Rel 97|||C-05.5 AR Rel 97 |Grave stele of a boxer|Descriptive|Image Source (Pub)|Bearded Boxer|Variant|Dict.Art|||||0|||||0||||0|||||Greek|||Archaic (Greek)|||Europe|Attica|Greece||||||0||||0||||0||||0|Sculpture|Funerary object|||BCE|-6|||-550|-530|ca|ca. 540 BCE|ca -550 - -530|||||0||||0|||||Marble|marble|||||sculpture|relief||||H = 23 cm||3471|Athens: Kerameikos (Oberlaender) Museum|Athens: Kerameikos Mus.||Men (male humans) ; Sports ; |Men (male humans)|Sports||||||||Cornell||HB|HB|6/16/2006 0:00:00|2/6/2006 0:00:00||||0||P 1054|||||C|Rel||05.5|AR|||| |97|||||||Work|0|Sculpture-Greek|Grave stele from the Themistoklean Wall. Reused as building material in 478 by the Athenians.||||||||||0|0|Grave stele of a boxer;Bearded Boxer| 6007.00|0|Creator|15|27|R895-|MB3371||27 R895- MB3371 |Battle of Constantine and Licinius|Assigned|Image Source (Pub)|Battle of Constantine and Maxentius|Variant|Online Resource||||Battle of Constantine and Lycinius|10147|Rubens, Peter Paul||painter|Peter Paul Rubens|0||||0|||||Flemish|||Baroque|||Europe||Belgium||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||17|||1622|1622||1622|1622-1622|||||0||||0|||||Oil on panel|oil paint|panels (wood)||||painting (image-making)|||||35.6 x 57.2 cm||3395|Kansas City: Nelson-Atkins Museum of Art|Kansas City: Nelson-Atkins||Battles ; Constantine, the Great ; Licinius ; |Battles|Constantine, the Great|Licinius|||||||Cornell||JNK|JNK|2/6/2006 0:00:00|2/6/2006 0:00:00|R895|||0||||||MB3371|27|||||||| ||||||||Work|0||||||||||||0|0|Battle of Constantine and Licinius;Battle of Constantine and Maxentius|Rubens, Peter Paul 6008.00|0|Creator|15|30|W514-PA|41 P 1 X||30 W514-PA 41 P 1 X |The Indians giving a talk to Colonel Bouquet in a conference at a council fire, near his camp on the banks of Muskingum in North America in Oct. 1764|Inscribed|Artist|||||||The Indians giving a talk to Colonel Bouquet in a conference at a council fire…|31121|Grignion, Charles||engraver|Charles Grignion|0||||0|||||English|||Colonial|||Europe||England|United States|||||0||||0||||0||||0|Prints|Engraving (print)||||18|||1764|1764|aft|aft 1764|aft 1764-1764|||||0||||0|||||Engraving||||||engraving (incising)|||||||3892|Washington, DC: Library of Congress|Wash, DC: Library of Congress||Indians of North America ; Colonization ; Military personnel ; |Indians of North America|Colonization|Military personnel|||||||Cornell||JNK|JNK|2/6/2006 0:00:00|2/6/2006 0:00:00|W514|||0||||||41 P 1 X|30|PA|||||||||||||||Work|0||||||||||||0|0|The Indians giving a talk to Colonel Bouquet in a conference at a council fire, near his camp on the banks of Muskingum in North America in Oct. 1764|Grignion, Charles 6009.00|0|Creator|15|35|T168-PA|1982|1|35 T168-PA 1982 1|Purity Test|Artists|Image Source (Pub)|||||||Purity Test|11617|Tansey, Mark||painter|Mark Tansey|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||20|||1982|1982||1982|1982-1982|||||0||||0|||||Oil on canvas|Oil|canvas||||painting (image-making)|||||182.9 x 243.8 cm||4398|New York: Chase Manhattan Bank Collection|New York: Chase Man. Bank Coll.||Smithson, Robert. Spiral jetty ; Indians of North America ; |Smithson, Robert. Spiral jetty|Indians of North America||||||||Cornell||MNW|MNW|2/6/2006 0:00:00|2/6/2006 0:00:00|T168|||0|||||||35|PA||||||1982| ||||||||Work|0||||||||||||0|0|Purity Test|Tansey, Mark 5924.00|0||||||||Temple of Obatala|Assigned|Image Source (Pub)|||||||Temple of Obatala|31090|Wenger, Susanne||sculptor|Susanne Wenger|0||||0|||||Austrian||||||Africa||Nigeria|||||||Oshogbo, Nigeria|||10669||||0||||0|Sculpture|Sculpture|Temple|Shrine||20|||1966|1966||1966|1966-1966|||||0||||0|||||Concrete|concrete|||||sculpture|||||||||||Temples ; Shrines (structures) ; |Temples|Shrines (structures)||||||||Cornell||JNK|JNK|1/27/2006 0:00:00|1/26/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Temple of Obatala|Wenger, Susanne 5925.00|0||||||||Shrine for Iya Mapo at Ebu Iya Mapo|Descriptive|Image Source (Pub)|||||||Shrine for Iya Mapo at Ebu Iya Mapo|31090|Wenger, Susanne||sculptor|Susanne Wenger|0||||0|||||Austrian||||||Africa||Nigeria||||||0|Oshogbo, Nigeria|Near||10669||||0||||0|Sculpture|Shrine||||20|||1970|1979||1970s|1970-1979|||||0||||0|||||Cement-covered clay|cement|clay||||sculpture|||||||||||Shrines (structures) ; |Shrines (structures)|||||||||Cornell||JNK|JNK|1/27/2006 0:00:00|1/26/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Shrine for Iya Mapo at Ebu Iya Mapo|Wenger, Susanne 5926.00|0||||||||Entrance Gate to the Oshun Grove|Descriptive|Image Source (Pub)|||||||Entrance Gate to the Oshun Grove|31091|Akanji, Adebisi||sculptor|Adebisi Akanji|0||||0|||||Nigerian|Yoruba|||||Africa||Nigeria||||||0|Oshogbo, Nigeria|||10669||||0||||0|Sculpture|Sculpture|Gate|||20|||1966|1966||1966|1966-1966|||||0||||0|||||Concrete|concrete|||||sculpture|||||||||||Oshun ; |Oshun|||||||||Cornell||JNK|JNK|1/27/2006 0:00:00|1/27/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Entrance Gate to the Oshun Grove|Akanji, Adebisi 5927.00|0|Category|07|Q-05.5|BF/Cha|InsPtr|1-1|Q-05.5 BF/Cha/InsPtr 1-1|Amphora|Descriptive|Dict.Art|||||||Amphora|31092|Inscription Painter||artist|Inscription Painter|0||||0|||||Greek|||Black-figure|Chalcidian||Europe||Greece||||||0||||||||0||||0|Ceramics|Amphora|Vase painting|Ceramic|BCE|-6|||-550|-530|ca|ca. 540 BCE|ca -550 - -530|||||0||||0|||||vase painting||||||vase painting|ceramics||||H = 41 cm||2172|Paris: Bibliotheque Nationale; Cabinet des Medailles|Paris: Bib. Nat.; Cab. Medailles||Hercules ; Athena ; Cattle ; Dogs ; Monsters ; |Hercules|Athena|Cattle|Dogs|Monsters|||||Cornell||HB|HB|6/16/2006 0:00:00|1/27/2006 0:00:00||||0||202|||||Q|||05.5|BF/Cha|||| ||||||||Work|0|Ceramics-Greek|Shows Achilles fighting the triple-headed Geryon.||||||||||0|0|Amphora|Inscription Painter 5928.00|0||||||||Zulu Land|Inscribed|Artist|||||||Zulu Land|8288|Muafangejo, John||printmaker|John Muafangejo|0||||0|||||Namibian||||||Africa||Namibia||||||0||||0||||0||||0|Graphics|Print||||20|||1974|1974||1974|1974-1974|||||0||||0|||||Linocut||||||linoleum-block printing|||||46 x 68.3 cm||9641|Oxford: John Maufangejo Trust|Oxford: John Muafangejo Trust||Landscapes ; Africa ; Farming ; Men (male humans) ; Women ; Children (people by age group) ; Rivers ; |Landscapes|Africa|Farming|Men (male humans)|Women|Children (people by age group)|Rivers|||Cornell||JNK|JNK|1/27/2006 0:00:00|1/27/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Zulu Land|Muafangejo, John 5929.00|0|Category|07|Q-05.5|BF/Cha/|PhiPtr|1|Q-05.5 BF/Cha/ PhiPtr 1|Eye Cup|Descriptive|Image Source (Pub)|||||||Eye Cup|31094|Phineus Painter||artist|Phineus Painter|0||||0|||||Greek|||Black-figure|Chalcidian||Europe||Greece||||||0||||0||||0||||0|Ceramics|Vase|Vase painting|Painting|BCE|-6|||-540|-520|ca|ca. 530-520 BCE|ca -540 - -520|||||0||||0|||||Vase painting||||||vase painting|ceramics||||H = 11.8 cm; D = 26.6 cm||9650|Zurich: The Hirschmann Collection|Zurich: Hirschmann Coll.|Former|Eyes ; |Eyes|||||||||Cornell||HB|HB|6/5/2006 0:00:00|1/27/2006 0:00:00||||0||G24|||||Q|||05.5||||| ||||||||Work|0|Ceramics-Greek|||||Hirschmann Collection was sold in 1993.||||||0|0|Eye Cup|Phineus Painter 5930.00|0||||||||Baboon Stealing the Crop Guard's Child|Assigned|Image Source (Pub)|Baboon stealing the mealie guard's child|Variant|Online Resource||||Baboon Stealing the Crop Guard's Child|31093|Manzi, Josia||sculptor|Josia Manzi|0||||0|||||Zimbabwean|Yao (East African)|||||Africa||Zimbabwe||||||0|Harare, Zimbabwe|||10663||||0||||0|Sculpture|Sculpture||||20||||||||||||0||||0|||||Stone|stone|||||sculpture|carving||||||9642|Harare: Chapungu Sculpture Park|Harare: Chapungu Sculpt. Park||Children (people by age group) ; Baboons ; |Children (people by age group)|Baboons||||||||Cornell||JNK|JNK|1/27/2006 0:00:00|1/27/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Baboon Stealing the Crop Guard's Child;Baboon stealing the mealie guard's child|Manzi, Josia 5931.00|0||||||||Man and Crocodile|Assigned|Image Source (Pub)|||||||Man and Crocodile|31095|Mailolo, Amali||sculptor|Amali Mailolo|0||||0|||||Malawian|Yao (East African)|||||Arrica||Malawi||||||0|Harare, Zimbabwe|||10663||||0||||0|Sculpture|Sculpture||||20||||||||||||0||||0|||||Stone|stone|||||sculpture|carving||||||9642|Harare: Chapungu Sculpture Park|Harare: Chapungu Sculpt. Park||Men (male humans) ; Crocodiles ; |Men (male humans)|Crocodiles||||||||Cornell||JNK|JNK|1/27/2006 0:00:00|1/27/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Man and Crocodile|Mailolo, Amali 5932.00|0||||||||Milking|Assigned|Image Source (Pub)|||||||Milking|31096|Njau, Elimo||painter|Elimo Njau|0||||0|||||Kenyan||||||Africa||Kenya||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||20|||1972|1972||1972|1972-1972|||||0||||0|||||Oil paint on cloth|oil paint|cloth||||painting (image-making)|||||40 x 51 cm||917|Frankfurt: Museum fur Volkerkunde [Ethnography Museum]|Frankfurt: Mus. Volkerkunde||Cows ; Milking ; |Cows|Milking||||||||Cornell||JNK|JNK|1/27/2006 0:00:00|1/27/2006 0:00:00||||0||57438||||||||||||| |||||||||0||||||||||||0|0|Milking|Njau, Elimo 5933.00|0||||||||Cape of Good Hope - A History Painting|Assigned|Image Source (Pub)|||||||Cape of Good Hope - A History Painting|31087|Siopis, Penelope||painter|Penelope Siopis|0||||0|||||South African||||||Africa||South Africa||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||20|||1989|1990||1989-1990|1989-1990|||||0||||0|||||Oil, wax, and collage on board|oil paint|wax|boards (flat objects)|||painting (image-making)|collage||||182 x 123.9 cm||9643|Johannesburg: The Goodman Gallery|Johannesburg: The Goodman Gall.||Women ; Photographs ; Men (male humans) ; |Women|Photographs|Men (male humans)|||||||Cornell||JNK|JNK|1/27/2006 0:00:00|1/27/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Cape of Good Hope - A History Painting|Siopis, Penelope 5934.00|0||||||||Meeting of the Masks|Assigned|Image Source (Pub)|||||||Meeting of the Masks|31097|Coulibaly, Boubacar||painter|Boubacar Coulibaly|0||||0|||||Senegalese||||||Africa||Senegal||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||20|||1976|1976||1976|1976-1976|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||116.2 x 88.9 cm||9645|Dakar: Collection of the Government of Senegal|Dakar: Coll. Gov. of Senegal||Masks ; |Masks|||||||||Cornell||JNK|JNK|1/27/2006 0:00:00|1/27/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Meeting of the Masks|Coulibaly, Boubacar 5935.00|0|Category|07|Q-05.5|BF/ Cha|/InsPtr|2|Q-05.5 BF/ Cha /InsPtr 2|Chalcidian Psykter|Descriptive|Image Source (Pub)|||||||Chalcidian Psykter|31092|Insciption Painter||artist|Inscription Painter|0||||0|||||Greek|||Black-figure|Chalcidian||Europe||Greece||||||0||||0||||0||||0|Ceramics|Vase|Vase painting|Ceramic|BCE|-6|||-550|-530|ca|ca 540 BCE|ca -550 - -530|||||0||||0|||||Vase painting||||||vase painting|ceramics|painting (image-making)|||||9644|Melbourne: University of Melbourne; Ian Pottery Museum of Art|Melbourne: Univ. of Melbourne; Ian Pottery Mus.||Trojan War ; Shields ; |Trojan War|Shields||||||||Cornell||HB|HB|6/16/2006 0:00:00|1/27/2006 0:00:00|InsPtr|||0||||||Cha|Q|||05.5|BF|||| ||||||||Work|0|Ceramics-Greek|||||||||||0|0|Chalcidian Psykter|Insciption Painter 5936.00|0||||||||Le Masque I|Assigned|Image Source (Pub)|||||||Le Masque I|31097|Coulibaly, Boubacar||painter|Boubacar Coulibaly|0||||0|||||Senegalese||||||Africa||Senegal||||||0||||0||||0||||0|Paintings|Gouache||||20|||1973|1973||1973|1973-1973|||||0||||0|||||Gouache|gouache|||||painting (image-making)|||||||||||Masks ; |Masks|||||||||Cornell||JNK|JNK|1/27/2006 0:00:00|1/27/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Le Masque I|Coulibaly, Boubacar 5937.00|0||||||||Mma-Nwa-Uli|Assigned|Image Source (Pub)|||||||Mma-Nwa-Uli|31098|Okeke, Uche||painter|Uche Okeke|0||||0|||||Nigerian||||||Africa||Nigeria||||||0||||0||||0||||0|Graphics|Print||||20|||1972|1972||1972|1972-1972|||||0||||0|||||Ceolotex board cut print on paper|paper (fiber product)|||||printing|||||45.4 x 45.9 cm||9646|: Collection of Joanne B. Eichner|: Collection of Joanne B. Eichner||||||||||||Cornell||JNK|JNK|1/27/2006 0:00:00|1/27/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Mma-Nwa-Uli|Okeke, Uche 5938.00|0||||||||Writing in the Sky|Assigned|Image Source (Pub)|||||||Writing in the Sky|31099|Udechukwu, Obiora||painter|Obiora Udechukwu|0||||0|||||Nigerian||||||Africa||Nigeria||||||0||||0||||0||||0|Graphics|Screen print||||20|||1989|1989||1989|1989-1989|||||0||||0|||||Silkscreen||||||screen printing|||||55 x 36.5 cm||3561|Collection of the Artist|: Collection of the Artist||Landscapes ; Men (male humans) ; Women ; |Landscapes|Men (male humans)|Women|||||||Cornell||JNK|JNK|1/27/2006 0:00:00|1/27/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Writing in the Sky|Udechukwu, Obiora 5939.00|0||||||||The Barrister|Assigned|Image Source (Pub)|||||||The Barrister|31100|Onabolu, Aina||painter|Aina Onabolu|0||||0|||||Nigerian||||||Africa||Nigeria||||||0||||0||||0||||0|Paintings|Painting||||20|||1920|1929||1920s|1920-1929|||||0||||0|||||||||||painting (image-making)|||||||||||Portraits ; Barristers ; |Portraits|Barristers||||||||Cornell||JNK|JNK|1/27/2006 0:00:00|1/27/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|The Barrister|Onabolu, Aina 5940.00|0||||||||Untitled|Inscribed|Artist|||||||Untitled|31101|Uwatse, Chinwe||painter|Chinwe Uwatse|0||||0|||||Nigerian||||||Africa||Nigeria||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||20|||1993|1993||1993|1993-1993|||||0||||0|||||Oil on board|oil paint|boards (flat objects)||||painting (image-making)|||||||||||Figures (representations) ; |Figures (representations)|||||||||Cornell||JNK|JNK|1/27/2006 0:00:00|1/27/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Untitled|Uwatse, Chinwe 5941.00|0||||||||Ofeto|Assigned|Image Source (Pub)|||||||Ofeto|31103|Onobrakpeya, Bruce||printmaker|Bruce Onobrakpeya|0||||0|||||Nigerian||||||Africa||Nigeria||||||0||||0||||0||||0|Graphics|Print||||20|||1971|1971||1971|1971-1971|||||0||||0|||||Plastograph||||||printing|||||61 x 43 cm||||||Gods ; Symbols ; |Gods|Symbols||||||||Cornell||JNK|JNK|1/30/2006 0:00:00|1/30/2006 0:00:00||||0||||||||||||||||||||||||0||A Plastograph is a deep-etching technique using epoxy on linoleum rather than conventional masking media on metal plates. DOA||||||||||0|0|Ofeto|Onobrakpeya, Bruce 5942.00|0||||||||Agbogho Mmuo|Assigned|Image Source (Pub)|||||||Agbogho Mmuo|31104|Enwonwu, Ben||painter|Ben Enwonwu|0||||0|||||Nigerian||||||Africa||Nigeria||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||20|||1978|1978||1978|1978-1978|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||||||||Dancers ; Masks ; Agbogho mmuo ; |Dancers|Masks|Agbogho mmuo|||||||Cornell||JNK|JNK|1/30/2006 0:00:00|1/30/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Agbogho Mmuo|Enwonwu, Ben 5943.00|0||||||||Yemoja|Assigned|Image Source (Pub)|||||||Yemoja|31104|Enwonwu, Ben||painter|Ben Enwonwu|0||||0|||||Nigerian||||||Africa||Nigeria||||||0||||0||||0||||0|Sculpture|Sculpture|Bronze|||20|||1980|1989||1980's|1980-1989|||||0||||0|||||Bronze|bronze|||||sculpture|||||||9647|Lagos: NAL Merchant Bank Headquarters|Lagos: NAL Merchant Bank Hdqrts||Yemoja ; Gods ; |Yemoja|Gods||||||||Cornell||JNK|JNK|1/30/2006 0:00:00|1/30/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Yemoja|Enwonwu, Ben 5944.00|0||||||||Anyanwu|Assigned|Image Source (Pub)|||||||Anyanwu|31104|Enwonwu, Ben||painter|Ben Enwonwu|0||||0|||||Nigerian||||||Africa||Nigeria||||||0||||0||||0||||0|Sculpture|Sculpture|Bronze|||20|||1957|1957||1957|1957-1957|||||0||||0|||||Bronze|bronze|||||sculpture|casting||||||1448|Lagos: National Museum (Nigeria)|Lagos: Nat. Mus.||Gods ; Anyanwu ; |Gods|Anyanwu||||||||Cornell||JNK|JNK|1/30/2006 0:00:00|1/30/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Anyanwu|Enwonwu, Ben 5945.00|0||||||||Fisherbird|Assigned|Image Source (Pub)|||||||Fisherbird|31099|Udechukwu, Obiora||painter|Obiora Udechukwu|0||||0|||||Nigerian||||||Africa||Nigeria||||||0||||0||||0||||0|Graphics|Print||||20|||1985|1985||1985|1985-1985|||||0||||0|||||Linocut||||||linoleum-block printing|||||||||||Landscapes ; |Landscapes|||||||||Cornell||JNK|JNK|1/30/2006 0:00:00|1/30/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Fisherbird|Udechukwu, Obiora 5946.00|0||||||||Dancer|Assigned|Image Source (Pub)|||||||Dancer|31104|Enwonwu, Ben||painter|Ben Enwonwu|0||||0|||||Nigerian||||||Africa||Nigeria||||||0||||0||||0||||0|Paintings|Painting|Gouache|||20|||1954|1954||1954|1954-1954|||||0||||0|||||Gouache|gouache|||||painting (image-making)|||||50.5 x 12.5 cm||9648|London: Collection of Michael Graham-Stewart|London: Coll. Of Michael Graham-Stewart||Dancers ; |Dancers|||||||||Cornell||JNK|JNK|1/30/2006 0:00:00|1/30/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Dancer|Enwonwu, Ben 5947.00|0||||||||Broken Pots Series|Assigned|Image Source (Pub)|||||||Broken Pots Series|31089|Anatsui, El||sculptor|El Anatsui|0||||0|||||Ghanaian|||Post-1945|||Africa||Ghana||||||0||||0||||0||||0|Ceramics|Ceramic||||20|||1979|1979||1979|1979-1979|||||0||||0|||||Cermic and Stoneware|ceramic|stoneware (pottery)||||ceramics|||||||3561|Collection of the Artist|: Collection of the Artist||||||||||||Cornell||JNK|JNK|2/14/2006 0:00:00|1/30/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Broken Pots Series|Anatsui, El 5948.00|0||||||||Broken Pot Lying on Its Side|Descriptive|Cataloger|||||||Broken Pots Series. Broken Pot Lying on Its Side|31089|Anatsui, El||sculptor|El Anatsui|0||||0|||||Ghanaian|||Post-1945|||Africa||Ghana||||||0||||0||||0||||0|Ceramics|Ceramic||||20|||1979|1979||1979|1979-1979||Broken Pots Series|Larger entity||5947||||0|||||Cermic|ceramic|||||ceramics|||||40 cm Diameter||3561|Collection of the Artist|: Collection of the Artist||||||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|1/30/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Broken Pot Lying on Its Side|Anatsui, El 5949.00|0||||||||Invitation into History|Assigned|Image Source (Pub)|||||||Invitation into History|31089|Anatsui, El||sculptor|El Anatsui|0||||0|||||Ghanaian|||Post-1945|||Africa||Ghana||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1995|1995||1995|1995-1995|||||0||||0|||||Iroko, Oyili oji, wood and tempera|wood (plant material)|tempera||||sculpture|||||202 x 205 x 15 cm||3561|Collection of the Artist|: Collection of the Artist||||||||||||Cornell||JNK|JNK|2/14/2006 0:00:00|1/30/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Invitation into History|Anatsui, El 5950.00|0||||||||The Spirit of African Art|Assigned|Image Source (Pub)|||||||The Spirit of African Art|31105|Dike, Ndidi||painter|Ndidi Dike|0||||0|||||Nigerian||||||Africa||Nigeria||||||0||||0||||0||||0|Sculpture|Sculpture|Relief|||20|||1994|1994||1994|1994-1994|||||0||||0|||||Carved wood panels|wood (plant material)|||||sculpture|||||85 x 250 cm||3290|Private Collection|: Private Coll.||||||||||||Cornell||JNK|JNK|1/31/2006 0:00:00|1/31/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|The Spirit of African Art|Dike, Ndidi 5951.00|0||||||||Mummification|Assigned|Image Source (Pub)|||||||Mummification|31106|Laboratoire Agit-Art||artist, performance|Laboratoire Agit-Art|0||||0|||||Senegalese|||Conceptual|||Africa||Senegal||||||0||||0||||0||||0|Performance Art|Performance art||||20|||1989|1989||1989|1989-1989|||||0||||0|||||Performance||||||performance art|||||||||||Mummies ; |Mummies|||||||||Cornell||JNK|JNK|1/31/2006 0:00:00|1/31/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Mummification|Laboratoire Agit-Art 5952.00|0||||||||Waiting|Assigned|Image Source (Pub)|||||||Waiting|31107|Wadu, Sane||painter|Sane Wadu|0||||0|||||Kenyan||||||Africa||Kenya||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||20|||1991|1992||1991-1992|1991-1992|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||102 x 180 cm||3290|Private Collection|: Private Coll.||Men (male humans) ; Women ; Firearms ; Guardsman ; Prisoners ; |Men (male humans)|Women|Firearms|Guardsman|Prisoners|||||Cornell||JNK|JNK|1/31/2006 0:00:00|1/31/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Waiting|Wadu, Sane 5953.00|0||||||||Untitled|Assigned|Image Source (Pub)|||||||Untitled|31103|Onobrakpeya, Bruce||printmaker|Bruce Onobrakpeya|0||||0|||||Nigerian||||||Africa||Nigeria||||||0||||0||||0||||0|Paintings|Painting||||20|||1959|1959||1959|1959-1959|||||0||||0|||||||||||painting (image-making)|||||||||||Women ; |Women|||||||||Cornell||JNK|JNK|1/31/2006 0:00:00|1/31/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Untitled|Onobrakpeya, Bruce 5954.00|0|Category|07|Q-05.5|BF/Cae|5||Q-05.5 BF/Cae 5 |Hydria|Descriptive|Image Source (Pub)|||||||Hydria|0|||||0||||0|||||Greek|||Black-figure|Caeretan||Europe|Etruria|Italy||||||0||||0||||0|Cerveteri, Italy|||10653|Ceramics|Vase painting|Ceramic|Vase|BCE|-6|||-540|-520|ca|ca 530 BCE|ca -540 - -520|||||0||||0|||||ceramics||||||ceramics|vase painting|painting (image-making)|||H = 43.8 cm||3373|London: British Museum|London: British Museum||Warriors ; Fighting ; Helmets ; |Warriors|Fighting|Helmets|||||||Cornell||HB|HB|6/5/2006 0:00:00|1/31/2006 0:00:00||||0||B. 59||||BF/Cae|Q|||05.5||||| ||||||||Work|0|Ceramics-Greek|On shoulder: Side A:Four Warriors in Combat; Side B: Two Youths on Horseback. Wide Band of Palmettes and Lotus Flowers on Body.||||||||||0|0|Hydria| 5955.00|0|Category|07|Q-05.5|BF/Cae|2||Q-05.5 BF/Cae 2 |Caeretan Hydria|Descriptive|Image Source (Pub)|||||||Caeretan Hydria|31116|Eagle Painter|attributed to|painter, vase|Eagle Painter (attributed)|0||||0|||||Greek|||Black-figure|Caeretan||Europe|Etruria|Italy||||||0||||0||||0|Cerveteri, Italy|||10653|Ceramics|Vase|Vase painting|Ceramic|BCE|-6|||-540|-520|ca|ca 530-520 BCE|ca -540 - -520|||||0||||0|||||Vase painting||||||vase painting|painting (image-making)|ceramics|||H = 40.4 cm||9650|Zurich: The Hirschmann Collection|Zurich: Hirschmann Coll.|Former|Perseus ; Sea monsters ; Seals (animals) ; Dolphins ; |Perseus|Sea monsters|Seals (animals)|Dolphins||||||Cornell||HB|HB|6/5/2006 0:00:00|1/31/2006 0:00:00||||0||G.31||||BF/Cae|Q|||05.5||||| ||||||||Work|0|Ceramics-Greek|Side A: Perseus and Sea Monster (Ketos). Side B: Hunting Scene (attributed to the Eagle Painter).||||The Hirschmann Collection was sold in 1993.||||||0|0|Caeretan Hydria|Eagle Painter 5956.00|0||||||||Le Musée Dynamique|Assigned|Dict.Art|||||||Le Musée Dynamique|0|||||0||||0|||||Senegalese||||||Africa||Senegal||||||0|Dakar, Senegal|||10670||||0||||0|Architecture|Museum||||20|||1966|1966||1966|1966-1966|||||0||||0||||||||||||||||||||||Museums ; |Museums|||||||||Cornell||JNK|JNK|1/31/2006 0:00:00|1/31/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Le Musée Dynamique| 5957.00|0|Category|07|Q-05.5|BF/Cha|1||Q-05.5 BF/Cha 1 |Hydria|Descriptive|Image Source (Pub)|||||||Hydria|0|||||0||||0|||||Greek|||Black-figure|Chalcidian||Europe||Greece||||||0||||0||||0||||0|Ceramics|Vase painting|Ceramic|Vase|BCE|-6|||-550|-530|ca|ca 540 BCE|ca -550--530|||||0||||0|||||Vase painting||||||vase painting|painting (image-making)|ceramics|||H = 46 cm||1791|Munich: Glyptothek|Munich: Glyptothek||Atalanta ; Boars ; Hunting ; Zeus ; Typhon ; Monsters ; Peleus ; |Atalanta|Boars|Hunting|Zeus|Typhon|Monsters|Peleus|||Cornell||HB|HB|6/5/2006 0:00:00|1/31/2006 0:00:00||||0||596||||BF/Cha|Q|||05.5||||| |||||||||0|Ceramics-Greek|Side A: Atalant wrestles with Peleus. Side B: Zeus and Typhon.|Misidentified by Saskia as Cycladic. Cf. Perseus' Vase Catalogue.|||||||||0|0|Hydria| 5958.00|0||||||||The Draughtsman Chéri Samba|Assigned|Image Source (Pub)|||||||The Draughtsman Chéri Samba|10331|Samba, Chéri||painter|Chéri Samba|0||||0|||||Congolese||||||Africa||Congo||||||0||||0||||0||||0|Paintings|Painting|Self portrait|||20|||1981|1981||1981|1981-1981|||||0||||0|||||Paint on canvas|paint|canvas||||painting (image-making)|||||135 x 101 cm||4739|Jean Pigozzi Collection|: Jean Pigozzi Coll.||Self-portraits ; Samba, Chéri, 1956- ; |Self-portraits|Samba, Chéri, 1956-||||||||Cornell||JNK|JNK|1/31/2006 0:00:00|1/31/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|The Draughtsman Chéri Samba|Samba, Chéri 5959.00|0||||||||Water Carrier|Assigned|Image Source (Pub)|||||||Water Carrier|31108|Dieme, Bacary||tapestry maker|Bacary Dieme|0||||0|||||Senegalese||||||Africa||Senegal||||||0||||0||||0||||0|Textiles|Tapestry (wall hanging)||||20|||1970|1979||1970s|1970-1979|||||0||||0|||||tapestry||||||tapestry (process)|||||292 x 200 cm||||||Men (male humans) ; |Men (male humans)|||||||||Cornell||JNK|JNK|1/31/2006 0:00:00|1/31/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Water Carrier|Dieme, Bacary 5960.00|0||||||||Masque|Assigned|Image Source (Pub)|||||||Masque|31109|Balde, Samba||tapestry maker|Samba Balde|0||||0|||||Senegalese||||||Africa||Senegal||||||0||||0||||0||||0|Textiles|Tapestry (wall hanging)||||20|||1974|1974||1974|1974-1974|||||0||||0|||||Tapestry||||||tapestry (process)|||||238 x 212 cm||||||Masks ; |Masks|||||||||Cornell||JNK|JNK|1/31/2006 0:00:00|1/31/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Masque|Balde, Samba 5961.00|0||||||||Why Have I Signed a Contract?|Translated|Image Source (Pub)|Pourqui ai-je signé le contrat?|Inscribed|Artist||||Why Have I Signed a Contract?|10331|Samba, Chéri||painter|Chéri Samba|0||||0|||||Congolese||||||Africa||Congo||||||0||||0||||0||||0|Paintings|Painting|Self portrait|||20|||1990|1990||1990|1990-1990|||||0||||0|||||Acrylic on canvas|acrylic|canvas||||painting (image-making)|||||135 x 200 cm||3290|Private Collection|: Private Coll.||Samba, Chéri, 1956- ; Self-portraits ; Contracts ; |Samba, Chéri, 1956-|Self-portraits|Contracts|||||||Cornell||JNK|JNK|1/31/2006 0:00:00|1/31/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Why Have I Signed a Contract?;Pourqui ai-je signé le contrat?|Samba, Chéri 5962.00|0||||||||Battle Against the Mosquitoes|Translated|Image Source (Pub)|Lutte contre les moustiques|Inscribed|Artist||||Battle Against the Mosquitoes|10331|Samba, Chéri||painter|Chéri Samba|0||||0|||||Congolese||||||Africa||Congo||||||0||||0||||0||||0|Paintings|Painting||||20|||1990|1990||1990|1990-1990|||||0||||0|||||Mixed media|mixed materials|||||painting (image-making)|||||150 x 200 cm||||||Men (male humans) ; Interior views ; Mosquitoes ; |Men (male humans)|Interior views|Mosquitoes|||||||Cornell||JNK|JNK|1/31/2006 0:00:00|1/31/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Battle Against the Mosquitoes;Lutte contre les moustiques|Samba, Chéri 5963.00|0||||||||Materna|Assigned|Image Source (Pub)|||||||Materna|31110|Piula, Trigo||painter|Trigo Piula|0||||0|||||Congolese||||||Africa||Congo||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||20|||1984|1984||1984|1984-1984|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||122 x 88 cm||||||Mother and child ; Sculpture (visual work) ; Candles ; |Mother and child|Sculpture (visual work)|Candles|||||||Cornell||JNK|JNK|1/31/2006 0:00:00|1/31/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Materna|Piula, Trigo 5964.00|0||||||||Ta Tele|Assigned|Image Source (Pub)|||||||Ta Tele|31110|Piula, Trigo||painter|Trigo Piula|0||||0|||||Congolese||||||Africa||Congo||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||20|||1988|1988||1988|1988-1988|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||100 x 100 cm||||||Sculpture (visual work) ; Performance art ; |Sculpture (visual work)|Performance art||||||||Cornell||JNK|JNK|1/31/2006 0:00:00|1/31/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Ta Tele|Piula, Trigo 5965.00|0||||||||Autoportrait|Assigned|Image Source (Pub)|Self-Portrait|Variant|Cataloger||||Autoportrait|31112|Fosso, Samuel||photographer|Samuel Fosso|0||||0|||||Cameroonian||||||Africa||Cameroon||||||0||||||||0||||0|Photographs|Self portrait|Portrait|Photographic print||20||||||||||||0||||0|||||Black and white photograph||||||photography|||||||||||Self-portraits ; Fosso, Samuel, 1962- ; |Self-portraits|Fosso, Samuel, 1962-||||||||Cornell||JNK|JNK|2/2/2006 0:00:00|2/1/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Autoportrait;Self-Portrait|Fosso, Samuel 5966.00|0|Category|07|Q-05.5|RF/Att/FouPtr|||Q-05.5 RF/Att/FouPtr 2 |Kylix|Descriptive|Dict.Art|||||||Kylix|31111|Foundry Painter||painter|Foundary Painter|0||||0|||||Greek|||Red-figure|||Europe|Attica|Greece||||||0||||0||||0|Vulci|||10671|Ceramics|Vase|Vase painting|Ceramic|BCE|-5|||-500|-470|ca|ca. 490-480 BCE|ca -500 - -470|||||0||||0|Beazley Archive (http://www.beazley.ox.ac.uk)||||ceramics||||||ceramics|painting (image-making)|vase painting|||H = 12 cm||346|Berlin: Staatliche Museen zu Berlin; Altes Museum|Berlin: Altesmuseum||Sculptors ; |Sculptors|||||||||Cornell||HB|HB|6/16/2006 0:00:00|2/1/2006 0:00:00||||0||2294||||RF/Att/FouPtr|Q|||05.5||||| ||||||||Work|0|Ceramics-Greek|Work from which Foundry Painter got his name. Side A:Foundry Scene; Side B: Proprietors watching workers chase a statue||||||||||0|0|Kylix|Foundry Painter 5967.00|0|Site|02|B-K3|Lefk|3.4 Her||B-K3 Lefk 3.4 Her |Heroön|Descriptive|Print Publication|The protogeometric building at Toumba||||||Heroön|0|||||0||||0|||||Greek|||Protogeometric|||Europe||Greece||||||0|Lefkandi, Greece|||10672||||0||||0|Architecture|Archaeological site|||BCE|-10|||1000|-950|ca.|ca. 1000-950 BCE|ca 1000-950 BCE|||||0||||0||||||||||||||||45 × 10 m||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|2/1/2006 0:00:00||Lefk||0||||||Her|B|||||K3|3.4||||||||||Work|0|Architecture-Greece|Greek Bronze Age and Dark Age settlement at Lefkandi span from c. 2100–c. 700. The Building at Toumba was discovered in 1980. It is also known as the Heroön.||||||||||0|0|Heroön;The protogeometric building at Toumba| 5968.00|0||||||||Laboratoire Agit-Art Compound|Descriptive|Image Source (Pub)|||||||Laboratoire Agit-Art Compound|0|||||0||||0|||||Senegalese||||||Africa||Senegal||||||0|Dakar, Senegal|||10670||||0||||0|Architecture|Studio (work space)||||20||||||||||||0||||0||||||||||||||||||||||||||||||||Cornell||JNK|JNK|2/1/2006 0:00:00|2/1/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Laboratoire Agit-Art Compound| 5969.00|0||||||||Dogon Mask Festival in the Village of Amani|Descriptive|Image Source (Pub)|||||||Dogon Mask Festival in the Village of Amani|0|||||0||||0|||||Dogon||||||Africa||Mali||||||0|Bandiagara Escarpment, Mali|||10673||||0||||0|Rituals (events)|Ceremony|Ritual (event)|||||||||||||||0||||0||||||||||||||||||||||Dancing ; Masks ; |Dancing|Masks||||||||Cornell||JNK|JNK|2/1/2006 0:00:00|2/1/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Dogon Mask Festival in the Village of Amani| 5970.00|0||||||||Autoportrait|Assigned|Image Source (Pub)|Self-Portrait|Variant|Cataloger||||Autoportrait|31112|Fosso, Samuel||photographer|Samuel Fosso|0||||0|||||Cameroonian||||||Africa||Cameroon||||||0||||0||||0||||0|Photographs|Self portrait|Portrait|Photographic print||20||||||||||||0||||0|||||Black and white photograph||||||photography|||||||||||Self-portraits ; Fosso, Samuel, 1962- ; |Self-portraits|Fosso, Samuel, 1962-||||||||Cornell||JNK|JNK|2/2/2006 0:00:00|2/2/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Autoportrait;Self-Portrait|Fosso, Samuel 5971.00|0|Category|07|C-05.5|AR Rou 50|SAM||C-05.5 AR Rou 50 SAM|Jumper from Samos|Descriptive|Image Source (Pub)|Ivory figurine of a kneeling youth|Descriptive|Repository||||Jumper from Samos|0|||||0||||0|||||Greek|Aegean||Archaic (Greek)|Daedalic||Europe|Aegean Islands|Greece||||||0||||0||||0||||0|Sculpture|Figurine|Sculpture||BCE|-7|||-660|-620|ca|ca. 650-625 BCE|ca -660 - -620|||||0||||0|||||Ivory|ivory|||||sculpture|carving||||H = 14.5 cm||2530|Samos: Archaeological Museum|Samos: Archaeol. Mus.||Boys ; Hairstyling ; |Boys|Hairstyling||||||||Cornell||HB|HB|6/5/2006 0:00:00|2/2/2006 0:00:00||||0||A1665|||||C|Rou||05.5|AR||||SAM|50|||||||Work|0|Sculpture-Greek|Probably one of a pair supporting the frame of a lyre. Eyes, brows, earlobes (with earings) and pubic hair were inlaid. Example of Daedalic style.||||||||||0|0|Jumper from Samos;Ivory figurine of a kneeling youth| 5972.00|0||||||||Golgotha|Assigned|Image Source (Pub)|||||||Golgotha|31113|Desta, Gebre Kristos||painter|Gebre Kristos Desta|0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Paintings|Painting||||20|||1963|1963||1963|1963-1963|||||0||||0|||||Oil on hardboard|oil paint|hardboard||||painting (image-making)|||||183 x 122 cm||1802|Munich: Staatliches Museum fur Volkerkunde|Munich: Staat. Mus. Volker.||Crucifixion ; Golgotha ; |Crucifixion|Golgotha||||||||Cornell||JNK|JNK|2/2/2006 0:00:00|2/2/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Golgotha|Desta, Gebre Kristos 5973.00|0||||||||Returning the Gaze|Assigned|Image Source (Pub)|||||||Returning the Gaze|0|||||0||||0|||||South African||||||Africa||South Africa||||||0||||0||||0||||0||Exhibition|Sign|||21|||2000|2000||12-15 September 2000|2000-2000|||||0||||0|||||Billboard||||||printing|||||||||||Race (concept) ; |Race (concept)|||||||||Cornell||JNK|JNK|2/2/2006 0:00:00|2/2/2006 0:00:00||||0||||||||||||||||||||||||0||This exhibition was created in conjunciton with the Capetown One City Festival. The theme was conceived by BLAC (the Black Artists Collective). Sobopha, Returning.||||||||||0|0|Returning the Gaze| 5974.00|0||||||||"not quite white"|Inscribed|Artist|||||||Returning the Gaze. "not quite white"|31114|Searle, Berni||photographer|Berni Searle|0||||0|||||South African||||||Africa||South Africa||||||0||||0||||0||||0|Posters|Sign|Poster|||21|||2000|2000||12-15 September 2000|2000-2000||Returning the Gaze|Larger entity||5973||||0|||||Billboard||||||printing|||||||||||Race (concept) ; Women ; |Race (concept)|Women||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|2/2/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|"not quite white"|Searle, Berni 5975.00|0||||||||The palms of hands, the small of the back, the nape of the neck, under the belly, the soles of the feet|Assigned|Artist|||||||The palms of hands, the small of the back, the nape of the neck, under the belly, the soles of the feet|31114|Searle, Berni||photographer|Berni Searle|0||||0|||||South African||||||Africa||South Africa||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1999|1999||1999|1999-1999|||||0||||0|||||Five digital prints, five contact prints||||||photography|||||||||||Anatomy ; Women ; |Anatomy|Women||||||||Cornell||JNK|JNK|2/2/2006 0:00:00|2/2/2006 0:00:00||||0||||||||||||||||||||||||0||This work was shown in the "Trun Veils" group exhibition at the Gertrude Posel Gallery, University of Witwatersrand.||||||||||0|0|The palms of hands, the small of the back, the nape of the neck, under the belly, the soles of the feet|Searle, Berni 5976.00|0||||||||Colour Me series|Assigned|Image Source (Pub)|||||||Colour Me series|31114|Searle, Berni||photographer|Berni Searle|0||||0|||||South African||||||Africa||South Africa||||||0||||0||||0||||0|Installations|Installation (sculpture)|Photographic print|||20|||1998|1998||1998|1998-1998|||||0||||0|||||||||||Installations|photography||||||||||||||||||||Cornell||JNK|JNK|2/2/2006 0:00:00|2/2/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Colour Me series|Searle, Berni 5977.00|0||||||||OFF-WHITE: Back to Back|Assigned|Image Source (Pub)|||||||Colour Me series. OFF-WHITE: Back to Back|31114|Searle, Berni||photographer|Berni Searle|0||||0|||||South African||||||Africa||South Africa||||||0||||0||||0||||0|Installations|Installation (sculpture)|Photographic print|||20|||1998|1998||1998|1998-1998||Colour Me series|Larger entity||5976||||0|||||Mixed media installation (3 digital prints, pea flour)||||||photography|Installations||||100 x 300 cm each||||||Race (concept) ; Women ; |Race (concept)|Women||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|2/2/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|OFF-WHITE: Back to Back|Searle, Berni 5978.00|0||||||||GIRL|Assigned|Image Source (Pub)|||||||Colour Me series. GIRL|31114|Searle, Berni||photographer|Berni Searle|0||||0|||||South African||||||Africa||South Africa||||||0||||0||||0||||0|Installations|Photographic print||||20|||1999|1999||1999|1999-1999||Colour Me series|Larger entity||5976||||0|||||Mixed media installation (12 block mounted photographs, glass tubes with spice)|photographic paper|||||photography|Installations||||||||||Women ; Race (concept) ; |Women|Race (concept)||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|2/2/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|GIRL|Searle, Berni 5979.00|0|Site|02|B-K3|Oly|3.4 Zeus||B-K3 Oly 3.4 Zeus |Temple of Zeus|Descriptive|Dict.Art|||||||Olympia. Temple of Zeus|31117|Libon of Elis||architect|Libon of Elis|0||||0|||||Greek|||Classical|Archaic (Greek)||Europe|Peloponnese|Greece||||||0|Olympia, Greece|||10675|Olympia, Greece|||10675||||0|Archaeological Sites|Temple|Archaeological site||BCE|-5|||-470|-456|ca|470-456 BCE|ca -470 - -456||Olympia|LargerEntity||5996||||0|||||Limestone/Stucco|Limestone|stucco|||||||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|2/2/2006 0:00:00||Oly||0||||||Zeus|B||||C|K3|3.4||||||||||Work|0|Architecture-Greece|||||||||||0|0|Temple of Zeus|Libon of Elis 5980.00|0||||||||CAP-TURE|Assigned|Image Source (Pub)|||||||CAP-TURE|31114|Searle, Berni||photographer|Berni Searle|0||||0|||||South African||||||Africa||South Africa||||||0||||0||||0||||0|Installations|Photographic print||||20|||1998|1998||1998|1998-1998|||||0||||0|||||Framed polaroid with spices||||||photography|Installations||||||||||Women ; Race (concept) ; |Women|Race (concept)||||||||Cornell||JNK|JNK|2/2/2006 0:00:00|2/2/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|CAP-TURE|Searle, Berni 5981.00|0||||||||Main|Assigned|Image Source (Pub)|||||||Main|31115|Belkahia, Farid||painter|Farid Belkahia|0||||0|||||Moroccan||||||Africa||Morocco||||||0||||0||||0||||0|Paintings|Painting||||20|||1980|1980||1980|1980-1980|||||0||||0|||||Henna on leather|leather|dye||||painting (image-making)|||||152 x 124.5 cm||||||Hands (anatomy) ; |Hands (anatomy)|||||||||Cornell||JNK|JNK|2/2/2006 0:00:00|2/2/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Main|Belkahia, Farid 5982.00|0||||||||Study on the Malhoun|Translated|Cataloger|Étude sur le Malhoun|Assigned|Image Source (Pub)||||Study on the Malhoun|31115|Belkahia, Farid||painter|Farid Belkahia|0||||0|||||Moroccan||||||Africa||Morocco||||||0||||0||||0||||0|Paintings|Painting||||20|||1998|1998||1998|1998-1998|||||0||||0|||||Dye on leather|dye|leather||||painting (image-making)|||||||||||Poetry ; |Poetry|||||||||Cornell||JNK|JNK|2/2/2006 0:00:00|2/2/2006 0:00:00||||0||||||||||||||||||||||||0||The Malhoun is a popular form of Moroccan folk poetry. Benchemsi, Eroticism in Malhoun.||||||||||0|0|Study on the Malhoun;Étude sur le Malhoun|Belkahia, Farid 5983.00|0||||||||Study on the Malhoun|Translated|Cataloger|Étude sur le Malhoun|Assigned|Image Source (Pub)||||Study on the Malhoun|31115|Belkahia, Farid||painter|Farid Belkahia|0||||0|||||Moroccan||||||Africa||Morocco||||||0||||0||||0||||0|Paintings|Painting||||20|||1998|1998||1998|1998-1998|||||0||||0|||||Dye on leather|dye|leather||||painting (image-making)|||||||||||Poetry ; |Poetry|||||||||Cornell||JNK|JNK|2/2/2006 0:00:00|2/2/2006 0:00:00||||0||||||||||||||||||||||||0||The Malhoun is a popular form of Moroccan folk poetry. Benchemsi, Eroticism in Malhoun.||||||||||0|0|Study on the Malhoun;Étude sur le Malhoun|Belkahia, Farid 5984.00|0||||||||Farid Belkahia in his studio|Descriptive|Image Source (Pub)|||||||Farid Belkahia in his studio|0|||||0||||0|||||Moroccan||||||Africa||Morocco||||||0||||0||||0||||0|Photographs|Documentary photograph|Portrait|||20||||||||||||0||||0|||||||||||photography|||||||||||Portraits ; Studios (Work Spaces) ; Belkahia, Farid, 1934- ; |Portraits|Studios (Work Spaces)|Belkahia, Farid, 1934-|||||||Cornell||JNK|JNK|2/2/2006 0:00:00|2/2/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Farid Belkahia in his studio| 5985.00|0||||||||Street Scene|Assigned|Image Source (Pub)|||||||Street Scene|31118|Sekoto, Gerard||painter|Gerard Sekoto|0||||0|||||South African||||||Africa||South Africa||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||20|||1945|1945||1945|1945-1945|||||0||||0|||||Oil on board|oil paint|boards (flat objects)||||painting (image-making)|||||30.4 x 40.3 cm||563|Cape Town: South African National Gallery|Cape Town: S. African Nat. Gal.||Streetscapes ; |Streetscapes|||||||||Cornell||JNK|JNK|2/3/2006 0:00:00|2/3/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Street Scene|Sekoto, Gerard 5986.00|0||||||||Untitled|Assigned|Image Source (Pub)|||||||Untitled|31119|Keïta, Seydou||photographer|Seydou Keïta|0||||0|||||malian||||||Africa||Mali||||||0||||0||||0||||0|Photographs|Photographic print|Portrait|||20|||1958|1958||1958|1958-1958|||||0||||0|||||Gelatine-silver print|photographic paper|||||photography|gelatin silver process||||35.5 x 25.5 cm||4739|Jean Pigozzi Collection|: Jean Pigozzi Coll.||Portraits ; Women ; |Portraits|Women||||||||Cornell||JNK|JNK|2/3/2006 0:00:00|2/3/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Untitled|Keïta, Seydou 5987.00|0||||||||Untitled|Assigned|Image Source (Pub)|||||||Untitled|31119|Keïta, Seydou||photographer|Seydou Keïta|0||||0|||||malian||||||Africa||Mali||||||0||||0||||0||||0|Photographs|Photographic print|Portrait|||20|||1958|1958||1958|1958-1958|||||0||||0|||||Gelatine-silver print|photographic paper|||||photography|gelatin silver process||||35.5 x 25.5 cm||4739|Jean Pigozzi Collection|: Jean Pigozzi Coll.||Portraits ; Men (male humans) ; |Portraits|Men (male humans)||||||||Cornell||JNK|JNK|2/3/2006 0:00:00|2/3/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Untitled|Keïta, Seydou 5988.00|0||||||||Yoama la Dhilla Illa Dhilloh|Assigned|Image Source (Pub)|||||||Yoama la Dhilla Illa Dhilloh|30857|Salahi, Ibrahim el-||painter|Ibrahim el-Salahi|0||||0|||||Sudanese||||||Africa||Sudan||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||20|||1966|1966||1966|1966-1966|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||76.5 x 76.5 cm||3561|Collection of the Artist|: Collection of the Artist||Landscapes ; |Landscapes|||||||||Cornell||JNK|JNK|2/3/2006 0:00:00|2/3/2006 0:00:00|S160|||0||||||||||||||| |||||||||0||||||||||||0|0|Yoama la Dhilla Illa Dhilloh|Salahi, Ibrahim el- 5989.00|0||||||||The Mosque|Assigned|Image Source (Pub)|||||||The Mosque|30857|Salahi, Ibrahim el-||painter|Ibrahim el-Salahi|0||||0|||||Sudanese||||||Africa||Sudan||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||20|||1964|1964||1964|1964-1964|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||30.7 x 46 cm||3384|New York: Museum of Modern Art|New York: MoMA||Mosques ; |Mosques|||||||||Cornell||JNK|JNK|2/3/2006 0:00:00|2/3/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|The Mosque|Salahi, Ibrahim el- 5990.00|0||||||||Ghosts of the Atlantic Ocean|Assigned|Image Source (Pub)|||||||Ghosts of the Atlantic Ocean|30849|Boghossian, Alexander||painter|Alexander Boghossian|0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Paintings|Painting||||20|||1964|1964||1964|1964-1964|||||0||||0|||||Mixed media (including opaque watercolor, acrylic, and ink) on paper board|watercolor|ink|boards (flat objects)|||painting (image-making)|||||71 x 101 cm||4276|Hampton, VA: Hampton University; University Museum|Hampton: Hampton Univ.; Mus.||Oceans ; Atlantic Ocean ; |Oceans|Atlantic Ocean||||||||Cornell||JNK|JNK|2/3/2006 0:00:00|2/3/2006 0:00:00|B6743|||0||||||||||||||| |||||||||0||||||||||||0|0|Ghosts of the Atlantic Ocean|Boghossian, Alexander 5991.00|0||||||||Night Flight of Dread and Delight|Assigned|Image Source (Pub)|||||||Night Flight of Dread and Delight|30849|Boghossian, Alexander||painter|Alexander Boghossian|0||||0|||||Ethiopian||||||Africa||Ethiopia||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Collage||20|||1964|1964||1964|1964-1964|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||143.8 x 159.1 cm||3269|Raleigh, NC: North Carolina Museum of Art|Raleigh: NC Mus. Art||Landscapes ; |Landscapes|||||||||Cornell||JNK|JNK|2/3/2006 0:00:00|2/3/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Night Flight of Dread and Delight|Boghossian, Alexander 5992.00|0||||||||An Interview at Cape Town University in 1971|Inscribed|Artist|||||||An Interview at Cape Town University in 1971|8288|Muafangejo, John||printmaker|John Muafangejo|0||||0|||||Namibian||||||Africa||Namibia||||||0||||0||||0||||0|Graphics|Print||||20|||1971|1971||1971|1971-1971|||||0||||0|||||Linocut||||||printing|linoleum-block printing||||33.9 x 40.1 cm||9652|: John Muafangejo Trust|: John Muafangejo Trust||Interviews ; Universities ; Cape Town, South Africa ; Race (concept) ; |Interviews|Universities|Cape Town, South Africa|Race (concept)||||||Cornell||JNK|JNK|2/3/2006 0:00:00|2/3/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|An Interview at Cape Town University in 1971|Muafangejo, John 5993.00|0|Site|02|B-K3|Oly|3.4 THer||B-K3 Oly 3.4 THer |Temple of Hera|Descriptive|Dict.Art|Heraion||Blue Guide||||Olympia. Temple of Hera|0|||||0||||0|||||Greek|||Archaic (Greek)|||Europe|Peloponnese|Great Britain (island)||||||0|Olympia, Greece|||10675||||||||0|Archaeological Sites|Temple|Archaeological site||BCE|-6|||-600|-590|ca.|ca. 600 BCE|ca. -600 - -590||Olympia|Larger entity||5996||||0|||||Limestone|limestone||||||||||18.75 m x 50.01 m||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|2/3/2006 0:00:00||Oly||0||||||THer|B|||||K3|3.4||||||||||Work|0|Architecture-Greece|||||||||||0|0|Temple of Hera;Heraion| 5994.00|0||||||||Death of Chief, Mandume|Assigned|Image Source (Pub)|The Battle of Rorke's Drift about 1879 between Zulus and British…|Inscribed|Artist||||Death of Chief, Mandume|8288|Muafangejo, John||printmaker|John Muafangejo|0||||0|||||Namibian||||||Africa||Namibia||||||0||||0||||0||||0|Graphics|Print||||20|||1971|1971||1971|1971-1971|||||0||||0|||||Linocut||||||printing|linoleum-block printing||||37 x 33.2 cm||9653|: Orde Levinson|: Orde Levinson||Deaths ; Wars ; Battles ; Race (concept) ; |Deaths|Wars|Battles|Race (concept)||||||Cornell||JNK|JNK|2/3/2006 0:00:00|2/3/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Death of Chief, Mandume;The Battle of Rorke's Drift about 1879 between Zulus and British…|Muafangejo, John 5995.00|0||||||||For Thirty Years Next to His Heart|Assigned|Image Source (Pub)|||||||For Thirty Years Next to His Heart|31120|Williamson, Sue||photographer|Sue Williamson|0||||0|||||English|South African|||||Africa||South Africa|England|||||0||||0||||0||||0|Photographs|Photographic print||||20|||1990|1990||1990|1990-1990|||||0||||0|||||Color laser prints in handmade frames||||||printing|||||196 x 262 cm||3561|Collection of the Artist|: Collection of the Artist||Passports ; |Passports|||||||||Cornell||JNK|JNK|2/3/2006 0:00:00|2/3/2006 0:00:00||||0||||||||||||||| |||||||||0||This work consists of 49 prints in total||||||||||0|0|For Thirty Years Next to His Heart|Williamson, Sue 5996.00|0|Site|02|B-K3|Oly|1.04 ||B-K3 Oly 1.04 |Olympia|LargerEntity|Dict.Art||||||||0|||||0||||0|||||Greek||||||Europe|Peloponnese|Greece||||||0|Olympia, Greece|||10675|Olympia, Greece|||10675||||0|Archaeological Sites|Archaeological site|||||||-776|393|ca.|ca. 776 BCE-393 CE|ca. -776 - 393|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|2/3/2006 0:00:00||Oly||0|||||||B|||||K3|1.04||||||||||Work|0|Architecture-Greece|Archaeological site of one of the oldest and most famous ancient Greek sanctuaries, whiich flourished from late Mycenean until Roman Times|||Dates refer to the 1000 year period during which the Olympic games were celebrated.|||||||0|0|Olympia| 5997.00|0||||||||Black Photo Album/Look at Me, 1890-1950|Assigned|Image Source (Pub)|||||||Black Photo Album/Look at Me, 1890-1950|31086|Mofokeng, Santu||photographer|Santu Mofokeng|0||||0|||||South African||||||Africa||South Africa||||||0||||0||||0||||0|Photographs|Slide (photograph)||||20|21||1991|2000||1991-2000|1991-2000|||||0||||0|||||Black and white slides||||||photography|||||||||||Portraits ; Race (concept) ; Photograph albums ; |Portraits|Race (concept)|Photograph albums|||||||Cornell||JNK|JNK|2/3/2006 0:00:00|2/3/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||Photographs are in the collections of the phtographers/researchers||0|0|Black Photo Album/Look at Me, 1890-1950|Mofokeng, Santu 5998.00|0|Category|04|C-05.5|AR Rou 50K Diag|||C-05.5 AR Rou 50K Diag |Diag: Archaic Geek Kouroi shown to same scale|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||Greek|||Archaic (Greek)|||Europe||Greece||||||0||||0||||0||||0|Sculpture|Diagram|Drawing||BCE|-7|-6|-5|-625|-485|ca|late 7th-early 5th C BCE|ca -625 - -485|||||0||||0|||||||||||drawing (image-making)|||||||||||Men (male humans) ; Sculpture (visual work) ; |Men (male humans)|Sculpture (visual work)||||||||Cornell||HB|HB|6/2/2006 0:00:00|2/3/2006 0:00:00||||0||||||Diag|C|Rou||05.5|AR|||||50K|||||||Work|0|Sculpture-Greek|Drawing of 16 Kouroi shown to the same scale. Missing parts have been conjecturally restored.||||||||||0|0|Diag: Archaic Geek Kouroi shown to same scale| 5999.00|0|Category|04|C-05.5|AR Rou 50K Diag|||C-05.5 AR Rou 50K Diag |Diag: Archaic Greek Kouroi shown to scale|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||Greek|||Archaic (Greek)|||Europe||Greece||||||0||||0||||0||||0|Sculpture|Drawing|Diagram||BCE|-7|-6|-5|-625|-485|ca|late 7th-early 5th C BCE|ca -625 - -485|||||0||||0|||||||||||drawing (image-making)|||||||||||Men (male humans) ; Sculpture (visual work) ; |Men (male humans)|Sculpture (visual work)||||||||Cornell||HB|HB|4/3/2006 0:00:00|2/3/2006 0:00:00||||0||||||Diag|C|Rou||05.5|AR|||||50K|||||||Work|0|Sculpture-Greek|Drawing of 16 Kouroi shown to actual scale. Missing parts have been conjecturally restored.||||||||||0|0|Diag: Archaic Greek Kouroi shown to scale| 6010.00|0|Creator|15|35|S149-TO|1961|1|35 S149-TO 1961 1|Niki de Sainte-Phalle with Tir at the Opening of Her Solo Exhibition, "feu à volonté"|Descriptive|Image Source (Pub)|||||||Niki de Sainte-Phalle with Tir at "feu à volonté"|10291|Saint-Phalle, Niki de||sculptor|Niki de Saint-Phalle|0||||0|||||French||||||Europe||France|United States|||||0||||0||||0||||0|Photographs|Documentary photograph|Portrait|||10|||1961|1961||June 28, 1961|1961-1961|||||0||||0|||||||||||photography|||||||||||Portraits ; Saint-Phalle, Niki de, 1930-2002 ; |Portraits|Saint-Phalle, Niki de, 1930-2002||||||||Cornell||MNW|JNK|6/13/2006 0:00:00|2/6/2006 0:00:00|S149|||0|||||||35|TO||||||1961|||||||||Work|0||Photograph taken at the opening at the Gallerie J., Paris, France, June 28, 1961. A 'tir" is Saint-Phalle's name for her shooting paintings.||||||||||0|0|Niki de Sainte-Phalle with Tir at the Opening of Her Solo Exhibition, "feu à volonté"|Saint-Phalle, Niki de 6011.00|0||||||||Vote for Peace, Vote ANC|Assigned|Image Source (Pub)|||||||Vote for Peace, Vote ANC|0|||||0||||0|||||Ghanaian||||||Africa||Ghana||||||0||||0||||0||||0|Textiles|Textile||||20|||1994|1994||1994|1994-1994|||||0||||0|||||Textile|textiles||||||||||||9655|Collection of Isaac Julien|: Coll. Isaac Julien||Voting ; Africa ; Textiles ; Advertisements ; |Voting|Africa|Textiles|Advertisements||||||Cornell||JNK|JNK|2/7/2006 0:00:00|2/7/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Vote for Peace, Vote ANC| 6012.00|0||||||||Mother and child on Nigerian Independence Day, wearing commemorative emblems on their clothes|Descriptive|Image Source (Pub)|||||||Mother and child on Nigerian Independence Day, wearing commemorative emblems on their clothes|31122|Riboud, Marc||photographer|Marc Riboud|0||||0|||||French||||||Europe||France|Nigeria|||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1960|1960||1960|1960-1960|||||0||||0|||||Black and white photograph||||||photography|||||||||||Mother and child ; Textiles ; Advertisements ; |Mother and child|Textiles|Advertisements|||||||Cornell||JNK|JNK|2/7/2006 0:00:00|2/7/2006 0:00:00||||0||||||||||||||||||||||||0||Photographed in Nigeria||||||||||0|0|Mother and child on Nigerian Independence Day, wearing commemorative emblems on their clothes|Riboud, Marc 6013.00|0||||||||Man wearing commemorative cloth with likeness of Queen Elizabeth|Descriptive|Image Source (Pub)|||||||Man wearing commemorative cloth with likeness of Queen Elizabeth|31122|Riboud, Marc||photographer|Marc Riboud|0||||0|||||French||||||Europe||France|Ghana|||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1960|1960||1960|1960-1960|||||0||||0|||||Black and white photograph||||||photography|||||||||||Elizabeth II, Queen of Great Britain, 1926- ; Textiles ; Men (male humans) ; |Elizabeth II, Queen of Great Britain, 1926-|Textiles|Men (male humans)|||||||Cornell||JNK|JNK|2/7/2006 0:00:00|2/7/2006 0:00:00||||0||||||||||||||||||||||||0||Photgraph taken in Ghana.||||||||||0|0|Man wearing commemorative cloth with likeness of Queen Elizabeth|Riboud, Marc 6014.00|0||||||||Couple (Calabar, Nigeria)|Descriptive|Cataloger|||||||Couple (Calabar, Nigeria)|0|||||0||||0|||||Nigerian||||||Africa||Nigeria||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1953|1953||1953|1953-1953|||||0||||0|||||Black and white photograph||||||photography|||||||9656|Collection of Okwui Enwezor|: Coll. of Okwui Enwezor||Couples ; Textiles ; |Couples|Textiles||||||||Cornell||JNK|JNK|2/7/2006 0:00:00|2/7/2006 0:00:00||||0||||||||||||||| |||||||||0||Photographed at the International Photo Studio, Calabar, Nigeria in 1953.||||||||||0|0|Couple (Calabar, Nigeria)| 6015.00|0||||||||Paris Match, no. 357|Inscribed|Image Source (Pub)|||||||Paris Match, no. 357|0|||||0||||0|||||Nigerian||||||Africa||Nigeria||||||0||||0||||0||||0|Publications|Serial||||20|||1956|1956||1956, 11 February|1956-1956|||||0||||0||||||||||||||||||9656|Collection of Okwui Enwezor|: Coll. of Okwui Enwezor||Elizabeth II, Queen of Great Britain, 1926- ; Lagos (Nigeria) ; |Elizabeth II, Queen of Great Britain, 1926-|Lagos (Nigeria)||||||||Cornell||JNK|JNK|2/8/2006 0:00:00|2/7/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Paris Match, no. 357| 6016.00|0||||||||Ghanaian independence celebrations: Duchess of Kent and Prime Minister Kwame Nkrumah dancing in the state house|Descriptive|Image Source (Pub)|||||||Ghanaian independence celebrations: Duchess of Kent and Prime Minister Kwame Nkrumah dancing in the state house|0|||||0||||0|||||South African||||||Africa||South Africa|Ghana|||||0||||0||||0||||0|Photographs|Photographic print|Documentary photograph|||20|||1957|1957||1957, 6 March|1957-1957|||||0||||0|||||Documentary photograph||||||photography|||||||9657|Johannesburg: Bailey's African Photo Archives|Johannesburg: Bailey's African Photo Archives||Celebrations ; Nkrumah, Kwame, 1909-1972 ; Ghana ; Autonomy ; |Celebrations|Nkrumah, Kwame, 1909-1972|Ghana|Autonomy||||||Cornell||JNK|JNK|2/7/2006 0:00:00|2/7/2006 0:00:00||||0||||||||||||||| |||||||||0||Photograph taken by a staff photographer for "Drum" magazine.||||||||||0|0|Ghanaian independence celebrations: Duchess of Kent and Prime Minister Kwame Nkrumah dancing in the state house| 6017.00|0||||||||Kwame Nkrumah carried from Assembly by supporters after historic announcement of Gold Coast Indpenedence|Descriptive|Image Source (Pub)|||||||Kwame Nkrumah carried from Assembly by supporters after historic announcement of Gold Coast Indpenedence|0|||||0||||0|||||Ghanaian||||||Africa||Ghana||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1957|1957||1957, 6 March|1957-1957|||||0||||0|||||Documentary photograph||||||photography|||||||9658|Accra: National Archives; Public Records Office|Accra: National Archiv; Pub. Rec. Off.||Celebrations ; Nkrumah, Kwame, 1909-1972 ; Autonomy ; |Celebrations|Nkrumah, Kwame, 1909-1972|Autonomy|||||||Cornell||JNK|JNK|2/7/2006 0:00:00|2/7/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Kwame Nkrumah carried from Assembly by supporters after historic announcement of Gold Coast Indpenedence| 6085.00|0||||||||Semekazi (Migrant Series)|Assigned|Image Source (Pub)|||||||Semekazi (Migrant Series)|31140|Bester, Willie||painter|Wilie Bester|0||||0|||||South African|||Post-1945|||Africa||South Africa||||||0||||0||||0||||0|Paintings|Painting||||20|||1993|1993||1993|1993-1993|||||0||||0|||||Oil, enamel paint, and mixed media on board|oil paint|enamel|boards (flat objects)|||painting (image-making)|||||125 x 125 cm||4739|Jean Pigozzi Collection|: Jean Pigozzi Coll.||Race (concept) ; |Race (concept)|||||||||Cornell||JNK|JNK|2/9/2006 0:00:00|2/9/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Semekazi (Migrant Series)|Bester, Willie 6086.00|0||||||||Homage to Steve Biko|Assigned|Image Source (Pub)|||||||Homage to Steve Biko|31140|Bester, Willie||painter|Wilie Bester|0||||0|||||South African|||Post-1945|||Africa||South Africa||||||0||||0||||0||||0|Paintings|Painting||||20|||1992|1992||1992|1992-1992|||||0||||0|||||Oil, enamel paint, and mixed mediums on board|oil paint|enamel|boards (flat objects)|||painting (image-making)|||||126 x 126 cm||4739|Jean Pigozzi Collection|: Jean Pigozzi Coll.||Biko, Steve, 1946-1977 ; |Biko, Steve, 1946-1977|||||||||Cornell||JNK|JNK|2/9/2006 0:00:00|2/9/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Homage to Steve Biko|Bester, Willie 6087.00|0|Category|07|N-|Demetrios Poliorktes|||N-Demetrios Poliorktes|King Demetrios Poliorketes|Descriptive|Image Source (Pub)|||||||King Demetrios Poliorketes|0|||||0||||0|||||Greek|||Hellenistic|||Europe||Greece|Macedonia|||||0||||0||||0||||0|Coins|Portrait|||BCE|-4|-3||-306|-283|ca|ca 306-283|ca -306 - -283|||||0||||0||||||silver||||||||||D = 2 cm||||||Kings (people) ; Portraits ; |Kings (people)|Portraits||||||||Cornell||HB|HB|6/16/2006 0:00:00|2/10/2006 0:00:00||||0|||||||N|||||||||||||||||0|Portraits|Tetradrachm of King Demetris Poliorketes. Obverse: Demetrios with a bull's horns; reverse: Poseidon||||||||||0|0|King Demetrios Poliorketes| 6088.00|0|Site|02|B-K3|Cor|3.4 Apo||B-K3 Cor 3.4 Apo |Temple of Apollo|Descriptive|Dict.Art|||||||Temple of Apollo|0|||||0||||0|||||Greek|||Archaic (Greek)|||Europe|Peloponnese|Greece||||||0|Corinth, Greece|||10685||||||||0|Architecture|Temple|Archaeological site||BCE|-6|||-550|-530|ca|c. 540 BCE|ca -550 - -530|||||0||||0||||||||||||||||53.82 × 21.48 m||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|2/10/2006 0:00:00||Cor||0||||||Apo|B|||||K3|3.4|||||||||||0|Architecture-Greece|||||||||||0|0|| 6089.00|0|Site|02|B-K3|Cor|1.2 Acro||B-K3 Cor 1.2 Acro |Acrocorinth|Descriptive|Dict.Art|Acropolis of Corinth||Blue Guide||||Acrocorinth (Acropolis of Corinth)|0|||||0||||0|||||Greek||||||Europe|Peloponnese|Greece||||||0|Corinth, Greece|||10685||||0||||0|Archaeological Sites|City|Citadel|||||||||||||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|2/10/2006 0:00:00||Cor||0||||||Acro|B|||||K3|1.2||||||||||Work|0|Architecture-Greece|||||||||||0|0|Acrocorinth;Acropolis of Corinth| 6090.00|0|Site|02|B-K3|CorIsth|2.141 Can||B-K3 Cor 2.141 Can|Corinth Canal|Descriptive|Blue Guide|||||||Corinth Canal|0|||||0||||0|||||Greek|||Victorian|||Europe||Greece||||||0|Isthmus, Corinth|||10686||||0||||0|Architecture|Canal||||19|||1882|1893||1822-1893|1822-1893|||||0||||0||||||||||||||||L = 6.5 km; W = 25 m; H = 8 m||||||||||||||||Cornell||HB|HB|6/5/2006 0:00:00|2/10/2006 0:00:00||CorIsth||0||||||Can|B|||||K3|2.141|||||||||||0|Architecture-Greece|Attemps began to build the Canal as early as AD 67 under Nero.||||||||||0|0|Corinth Canal| 6091.00|0|Site|02|B-K3|Epi|2.21 ||B-K3 Epi 2.21 |Amphitheater|Descriptive|Blue Guide|||||||Amphitheater|9352|Polykleitos the Younger||architect|Polykleitos the Younger|0||||0|||||Greek|||Classical|||Europe||Greece||||||0|Epidauros, Greece|||10687||||||||0|Architecture|Archaeological site|Amphitheater|Theater|BCE|-4|||-350|-300|ca.|ca. 350-300 BCE|ca. -350 - -300|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|2/13/2006 0:00:00||Epi||0|||||||B|||||K3|2.21||||||||||Work|0|Architecture-Greece|Best preserved theater in Greece with unparalleled acoustics. Capacity is 14,000 people, although originally it was only 6,210.||||||||||0|0|Amphitheater|Polykleitos the Younger 6092.00|0|Creator|15|32|P3585-PA|1801|1|32 P3585-PA 1801 1|Rubens Peale with Geranium|Assigned|Repository|||||||Rubens Peale with Geranium|9002|Peale, Rembrandt||painter|Rembrandt Peale|0||||0|||||American||||||North and Central America||United States||||||0|Washington, DC|||0||||0||||0|Paintings|Oil painting|Painting|||19|||1801|1801||1801|1801-1801|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||71 x 61 cm||3174|Washington, DC: Smithsonian Institution; Museum of American Art|Wash, DC: Smithsonian; Mus. Amer. Art||Flowerpots ; Flowers ; Portraits ; Peale, Rubens, 1784-1865 ; |Flowerpots|Flowers|Portraits|Peale, Rubens, 1784-1865||||||Cornell||JNK|JNK|2/13/2006 0:00:00|2/13/2006 0:00:00|P3585|||0|||||||32|PA||||||1801| ||||||||Work|0||||||||||||0|0||Peale, Rembrandt 6093.00|0|Architect|03|MA-Colter|6.3|1931-32 Wat||MA-Colter 6.3 1931-32 Wat|Watchtower at Desert View|Artists|Image Source (Pub)|||||||Watchtower at Desert View|31142|Colter, Mary Elizabeth||architect|Mary Elizabeth Colter (Fred Harvey (firm))|31147|Fred Harvey (firm)||architectural firm|6087|Kabotie, Fred||painter||American||||||North and Central America||United States||||||0|Grand Canyon, Arizona|||10688||||0||||0|Architecture|Roadside rest areas|Exhibit building|Tower (single built work)||20|||1931|1932||1931-1932|1931-1932|||||0||||0||||||||||||||||||||||architecture ; Towers (single built works) ; Exhibition buildings ; |architecture|Towers (single built works)|Exhibition buildings|||||||Cornell||MNW|MNW|9/22/2006 0:00:00|2/13/2006 0:00:00|Colter|||0||||||Wat|MA||||||6.3|1931-32|||||||||Work|0|Modern Architecture|Fred Kabotie, a Hopi painter from the Second Mesa, painted one of the Gallery rooms.||||||||||0|0|Watchtower at Desert View|Colter, Mary Elizabeth;Fred Harvey (firm);Kabotie, Fred 6094.00|0|Architect|03|MA-Colter|1.0|1892 Por|1|MA-Colter 1.0 1892 Por 1|Mary Colter at Age 23 Crafting a Metal Bowl|Descriptive|Image Source (Pub)|||||||Mary Colter at Age 23 Crafting a Metal Bowl|0|||||0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Portrait|Documentary photograph|||20|||1892|1892|ca|ca 1892|ca 1892-1892|||||0||||0|||||||||||photography|||||||9663|Grand Canyon National Park: Grand Canyon Museum Collection|Grand Canyon National Park: Museum Coll.||Portraits ; Colter, Mary Elizabeth Jane, 1869-1958 ; |Portraits|Colter, Mary Elizabeth Jane, 1869-1958||||||||Cornell||MNW|CLL|2/14/2006 0:00:00|2/13/2006 0:00:00|Colter|||0||16952||||Por|MA||||||1.0|1892| ||||||||Work|0|Modern Architecture|||||||||From the Mary Larkin Smith Collection||0|0|Mary Colter at Age 23 Crafting a Metal Bowl| 6095.00|0||||||||Map of Nigeria|Descriptive|Image Source (Pub)|||||||Map of Nigeria|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Maps|Map||||20|||1997|1997|bef|bef 1997|bef 1997-1997|||||0||||0||||||||||||||||||||||Maps ; Nigeria ; |Maps|Nigeria||||||||Cornell||JNK|JNK|2/13/2006 0:00:00|2/13/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Map of Nigeria| 6096.00|0|Site|02|B-B3|Arizona|1.1 SanFe|1|B-B3 Arizona 1.1 SanFe 1|Pueblo Residents Sell Pottery and Food to Santa Fe Passengers|Descriptive|Image Source (Pub)|||||||Pueblo Residents Sell Pottery and Food to Santa Fe Passengers|0|||||0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1903|1911|ca|ca 1903-1911|ca 1903-1911|||||0||||0|||||||||||photography|||||||9664|Winslow, AZ: La Posada Hotel Archives|Winslow, AZ: La Posada Hotel Archives||Railroads ; |Railroads|||||||||Cornell||MNW|MNW|2/13/2006 0:00:00|2/13/2006 0:00:00||Arizona||0||||||SanFe|B|||||B3|1.1|| ||||||||Work|0|Architecture-Arizona (AZ)|||||||||||0|0|Pueblo Residents Sell Pottery and Food to Santa Fe Passengers| 6097.00|0|Architect|03|MA-Colter|6.2|1905 Hopi||MA-Colter 6.2 1905 Hopi |Hopi House|Artists|Image Source (Pub)|||||||Hopi House|31142|Colter, Mary Elizabeth||architect|Mary Elizabeth Colter (Fred Harvey (firm))|31147|Fred Harvey (firm)||architectural firm|0|||||American||||||North and Central America||United States||||||0|Grand Canyon, Arizona|||10688||||0||||0|Architecture|Museum|Store|||20||||1905||1905|-1905|||||0||||0||||||||||||||||||||||Museums ; Stores ; |Museums|Stores||||||||Cornell||MNW|MNW|9/22/2006 0:00:00|2/13/2006 0:00:00|Colter|||0||||||Hopi|MA||||||6.2|1905|||||||||Work|0|Modern Architecture|This building complements the hotel, El Tovar, and was built to display and sell Indian arts and crafts. It evokes the historic dwellings in the ancient village of Oraibi, Arizona. Berke, Mary Colter.|||Renovated in 1995.|||||||0|0|Hopi House|Colter, Mary Elizabeth;Fred Harvey (firm) 6098.00|0|Site|02|B-K3|Del|2.41 Siph||B-K3 Del 2.41 Siph |Siphnian Treasury|Descriptive|Blue Guide|||||||Siphnian Treasury|0|||||0||||0|||||Greek|||Archaic (Greek)|||Europe|Phocis|Greece||||||0|Delphi, Greece|||10666||||||||0|Architecture|Archaeological site|Bank (building)||BCE|-6|||-526|-525||ca. 526-525 BCE|-526 - -525|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|2/13/2006 0:00:00||Del||0||||||Siph|B|||||K3|2.41||||||||||Work|0|Architecture-Greece|||||||||||0|0|| 6099.00|0|Site|02|B-K3|Del|2.15 Sac||B-K3 Del 2.15 Sac |Sacred Way|Descriptive|Blue Guide|||||||Sacred Way|0|||||0||||0|||||Greek|||Archaic (Greek)|Classical|Hellenistic|Europe|Phocis|Greece||||||0|Delphi, Greece|||10666|Delphi, Greece|||10666||||0|Architecture|Roads|||BCE|-6|-5|-4||||||||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|MNW|5/25/2006 0:00:00|2/13/2006 0:00:00||Del|Del|0||||||Sac|B|||||K3|2.15||||||||||Work|0|Architecture-Greece|||||||||||0|0|Sacred Way| 6018.00|0|Creator|15|35|B949-M||3|35 B949-M 3|Shoot|Artists|Image Source (Pub)|||||||Shoot|1779|Burden, Chris||sculptor|Chris Burden|0||||0|||||American||||||North and Central America||United States|||F Space, Santa Ana, CA|||10677||||0||||0||||0|Performance Art|Body Art|Performance art|||10|||1971|1971||November 19, 1971|1971-1971|||||0||||0|||||Body art||||||body art|||||||||||Burden, Chris, 1946- ; Portraits ; |Burden, Chris, 1946-|Portraits||||||||Cornell||MNW|MNW|6/14/2006 0:00:00|2/7/2006 0:00:00|B949|||0|||||||35|M||||||1971|||||||||Work|0||Burden became famous by being shot in the arm in 1971 and creating the medium of Body Art. ULAN.|||November 19, 1971|||||||0|0|Shoot|Burden, Chris 6019.00|0|Creator|15|35|S149-TO|1961|2|35 S149-TO 1961 2|Niki de Saint Phalle With a .22 Rifle Creating a shooting painting|Descriptive|Image Source (Pub)|||||||Niki de Saint Phalle With a .22 Rifle Creating a shooting painting|0|||||0||||0|||||French||||||Europe||France|||Impasse Ronsin, Montparnasse, Paris, France|||10894||||0||||0||||0|Photographs|Documentary photograph|Portrait|Performance art||20|||1961|1961||June 15, 1961|1961-1961|||||0||||0|||||||||||performance art|photography||||||||||Saint-Phalle, Niki de, 1930-2002 ; Rifles (long guns) ; |Saint-Phalle, Niki de, 1930-2002|Rifles (long guns)||||||||Cornell||MNW|CLL|6/14/2006 0:00:00|2/7/2006 0:00:00|S149|||0|||||||35|TO||||||1961|||||||||Work|0|||||June 15, 1961.|||||||0|0|Niki de Saint Phalle With a .22 Rifle Creating a shooting painting| 6020.00|0||||||||Nigerian Independence|Descriptive|Image Source (Pub)|||||||Nigerian Independence|31122|Riboud, Marc||photographer|Marc Riboud|0||||0|||||French||||||Europe||France|Nigeria|||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1960|1960||1960|1960-1960|||||0||||0|||||Documentary photograph||||||photography|||||||3561|Collection of the Artist|: Collection of the Artist||Nigeria ; Autonomy ; Celebrations ; Banners ; |Nigeria|Autonomy|Celebrations|Banners||||||Cornell||JNK|JNK|2/7/2006 0:00:00|2/7/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Nigerian Independence|Riboud, Marc 6021.00|0||||||||Emperor Haile Selassie and Presiden Nkrumah, with Fathia Nkrumah, at the time of his state visit to the new Republic of Ghana|Descriptive|Image Source (Pub)|||||||Emp. Haile Selassie & Pres. Nkrumah, with Fathia Nkrumah, at time of state visit to new Rep. of Ghana|0|||||0||||0|||||South African||||||Africa||South Africa|Ghana|||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1961|1961||1961|1961-1961|||||0||||0|||||Documentary photograph||||||photography|||||||9657|Johannesburg: Bailey's African Photo Archives|Johannesburg: Bailey's African Photo Archives||Nkrumah, Kwame, 1909-1972 ; Haile Selassie I, Emperor of Ethiopia, 1892-1975. ; |Nkrumah, Kwame, 1909-1972|Haile Selassie I, Emperor of Ethiopia, 1892-1975.||||||||Cornell||JNK|JNK|2/7/2006 0:00:00|2/7/2006 0:00:00||||0||||||||||||||| |||||||||0||Photograph take by a staff photographer for "Drum" magazine.||||||||||0|0|Emperor Haile Selassie and Presiden Nkrumah, with Fathia Nkrumah, at the time of his state visit to the new Republic of Ghana| 6022.00|0|Category|05||||||Destruction of Penn Station|Published|Image Source (Pub)|||||||Destruction of Penn Station|31123|Moore, Peter||photographer|Peter Moore|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Documentary photograph|Publication|||20|||1963|1966||1963-1966|1963-1966||Pennsylvania Station|||1103||||0|||||||||||photography|||||||||||Pennsylvania Station (New York, N.Y.) ; Railroad stations ; Demolition ; |Pennsylvania Station (New York, N.Y.)|Railroad stations|Demolition|||||||Cornell||MNW|MNW|2/7/2006 0:00:00|2/7/2006 0:00:00||||0|||||||||||||||||||||||Work|0|||||This collection was published in 2000.|||||||0|0|Destruction of Penn Station|Moore, Peter 6023.00|0||||||||Steve Bantu Biko, Black Consiousness leader, political activist, and student leader|Descriptive|Image Source (Pub)|||||||Steve Bantu Biko, Black Consiousness leader, political activist, and student leader|0|||||0||||0|||||South African||||||Africa||South Africa||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1970|1979||1970s|1970-1979|||||0||||0|||||Documentary photograph||||||photography|||||||9657|Johannesburg: Bailey's African Photo Archives|Johannesburg: Bailey's African Photo Archives||Biko, Steve, 1946-1977 ; |Biko, Steve, 1946-1977|||||||||Cornell||JNK|JNK|2/7/2006 0:00:00|2/7/2006 0:00:00||||0||||||||||||||| |||||||||0||Photograph take by a staff photographer for "Drum" magazine.||||||||||0|0|Steve Bantu Biko, Black Consiousness leader, political activist, and student leader| 6024.00|0|Category|05|J-MooreP|Dest||1|J-MooreP Dest 1|9 August 1964|Published|Image Source (Pub)|||||||Destruction of Penn Station. 9 August 1964|31123|Moore, Peter||photographer|Peter Moore|0||||0|||||American||||||North and Central America||United States||||||0||||0|New York, NY|||10060||||0|Photographs|Documentary photograph||||20|||1964|1964||August 9, 1964|1964-1964||Destruction of Penn Station|Series||6022||||0|||||||||||photography|||||||||||Pennsylvania Station (New York, N.Y.) ; Railroad stations ; Demolition ; |Pennsylvania Station (New York, N.Y.)|Railroad stations|Demolition|||||||Cornell||MNW|MNW|2/7/2006 0:00:00|2/7/2006 0:00:00|MooreP|||0||||||Dest|J||||||||||||||||Work|0|Photography||||August 9, 1964|||||||0|0|9 August 1964|Moore, Peter 6025.00|0||||||||Nelson Mandela's release from Victor Verster prison in Cape Town|Descriptive|Cataloger|||||||Nelson Mandela's release from Victor Verster prison in Cape Town|31124|English, Greg||photographer|Greg English|0||||0|||||||||||||||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1990|1990||1990, 11 February|1990-1990|||||0||||0|||||Documentary photograph||||||photography|||||||9659|Frankfurt am Main: Associated Press|Frankfurt am Main: Assoc. Press||Prisons ; Freedom ; Mandela, Nelson, 1918- ; Mandela, Winnie ; |Prisons|Freedom|Mandela, Nelson, 1918-|Mandela, Winnie||||||Cornell||JNK|JNK|2/7/2006 0:00:00|2/7/2006 0:00:00||||0||||||||||||||| |||||||||0||AP Caption: Nelson Mandela is led by his wife, Winnie Mandela, who gives a black power salute, after his release from Victor Verster prison in Cape Town, South Africa, Sunday, Feb. 11, 1990.||||||||||0|0|Nelson Mandela's release from Victor Verster prison in Cape Town|English, Greg 6026.00|0|Category|05|J-MooreP|Dest||2|J-MooreP Dest 2|24 October 1965|Published|Image Source (Pub)|||||||Destruction of Penn Station. 24 October 1965|31123|Moore, Peter||photographer|Peter Moore|0||||0|||||American||||||North and Central America||United States||||||0||||0|New York, NY|||10060||||0|Photographs|Documentary photograph||||20|||1965|1965||October 24, 1965|1965-1965||Destruction of Penn Station|Series||6022||||0|||||||||||photography|||||||||||Pennsylvania Station (New York, N.Y.) ; Railroad stations ; Demolition ; |Pennsylvania Station (New York, N.Y.)|Railroad stations|Demolition|||||||Cornell||MNW|MNW|2/7/2006 0:00:00|2/7/2006 0:00:00|MooreP|||0||||||Dest|J||||||||||||||||Work|0|Photography||||October 24, 1965|||||||0|0|24 October 1965|Moore, Peter 6027.00|0|Category|05|J-MooreP|Dest||3|J-MooreP Dest 3|14 August 1965|Published|Image Source (Pub)|||||||Destruction of Penn Station. 14 August 1965|31123|Moore, Peter||photographer|Peter Moore|0||||0|||||American||||||North and Central America||United States||||||0||||0|New York, NY|||10060||||0|Photographs|Documentary photograph||||20|||1965|1965||August 14, 1965|1965-1965||Destruction of Penn Station|Series||6022||||0|||||||||||photography|||||||||||Pennsylvania Station (New York, N.Y.) ; Railroad stations ; Demolition ; |Pennsylvania Station (New York, N.Y.)|Railroad stations|Demolition|||||||Cornell||MNW|MNW|2/7/2006 0:00:00|2/7/2006 0:00:00|MooreP|||0||||||Dest|J||||||||||||||||Work|0|Photography||||August 14, 1965|||||||0|0|14 August 1965|Moore, Peter 6028.00|0|Category|05|J-MooreP|Dest||4|J-MooreP Dest 4|25 March 1966|Published|Image Source (Pub)|||||||Destruction of Penn Station. 25 March 1966|31123|Moore, Peter||photographer|Peter Moore|0||||0|||||American||||||North and Central America||United States||||||0||||0|New York, NY|||10060||||0|Photographs|Documentary photograph||||20|||1965|1965||March 25, 1966|1965-1965||Destruction of Penn Station|Series||6022||||0|||||||||||photography|||||||||||Pennsylvania Station (New York, N.Y.) ; Railroad stations ; Demolition ; |Pennsylvania Station (New York, N.Y.)|Railroad stations|Demolition|||||||Cornell||MNW|MNW|6/12/2006 0:00:00|2/7/2006 0:00:00|||NYC|0||||||Dest|J|||||||1966|||||||||Work|0|Photography||||March 25, 1966|||||||0|0|25 March 1966|Moore, Peter 6029.00|0|Creator|15|35|H4733-SC|C581||35 H4733-SC C581 |City|Artists|Image Source (Pub)|45°, 90°, 180°||||||City|5288|Heizer, Michael||painter|Michael Heizer|0||||0|||||American||||||North and Central America||United States|||||||Nevada|||10678||||0||||0|Sculpture|Sculpture||||20|21||1970|2005||1970-2005|1970-2005|||||0||||0||||||||||||||||||||||Cities ; Heizer, Michael, 1944- ; |Cities|Heizer, Michael, 1944-||||||||Cornell||MNW|JNK|2/17/2006 0:00:00|2/7/2006 0:00:00|H4733|||0|||||||35|SC||||||||C581|||||||Work|0||His largest desert project, a massive sequence of rectangular structures based on pre-Columbian forms is expected to be completed by 2005. 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(Abraham David), 1906- ; Portraits ; Ford, Gerald R., 1913- ; |Beame, Abraham D. (Abraham David), 1906-|Portraits|Ford, Gerald R., 1913-|||||||Cornell||MNW|JNK|6/13/2006 0:00:00|2/7/2006 0:00:00||NYC|NYC|0|||||||B|||||B33|1.1||||||||||Work|0|Architecture-New York (NY)|Mayor Abe Beam holds the most famous headline in New York newspaper history (Ford to City: Drop Dead). 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|Women|||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|2/8/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|#31|Essaydi, Lalla 6045.00|0||||||||#29|Assigned|Artist|||||||Converging Territories. #29|31128|Essaydi, Lalla||photographer|Lalla Essaydi|0||||0|||||Moroccan|American|||||Africa||Morocco|United States|||||0||||0||||0||||0|Photographs|Photographic print||||21|||2004|2004||2004|2004-2004||Converging Territories|Larger entity||6041||||0|||||Chromogenic print||||||chromogenic processes|photography||||||||||Women ; |Women|||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|2/8/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|#29|Essaydi, Lalla 6046.00|0||||||||#28|Assigned|Artist|||||||Converging Territories, #28|31128|Essaydi, Lalla||photographer|Lalla Essaydi|0||||0|||||Moroccan|American|||||Africa||Morocco|United States|||||0||||0||||0||||0|Photographs|Photographic print||||21|||2004|2004||2004|2004-2004||Converging Territories|Larger entity||6041||||0|||||Chromogenic print||||||chromogenic processes|photography||||||||||Women ; |Women|||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|2/8/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|#28|Essaydi, Lalla 6047.00|0||||||||#12|Assigned|Artist|||||||Converging Territories. #12|31128|Essaydi, Lalla||photographer|Lalla Essaydi|0||||0|||||Moroccan|American|||||Africa||Morocco|United States|||||0||||0||||0||||0|Photographs|Photographic print||||21|||2003|2003||2003|2003-2003||Converging Territories|Larger entity||6041||||0|||||Chromogenic print||||||chromogenic processes|photography||||||||||Women ; |Women|||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|2/8/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|#12|Essaydi, Lalla 6048.00|0||||||||#21|Assigned|Artist|||||||Converging Territories. #21|31128|Essaydi, Lalla||photographer|Lalla Essaydi|0||||0|||||Moroccan|American|||||Africa||Morocco|United States|||||0||||0||||0||||0|Photographs|Photographic print||||21|||2003|2003||2003|2003-2003||Converging Territories|Larger entity||6041||||0|||||4 Chromogenic prints||||||chromogenic processes|photography||||||||||Women ; |Women|||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|2/8/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|#21|Essaydi, Lalla 6049.00|0||||||||Voortrekker Monument|||||||||Voortrekker Monument|31129|Moerdijk, Gerard||architect|Gerard Moedijk|0||||0|||||South African|||Classicism|||Africa||South Africa||||||0|Pretoria, South Africa|||10681||||0||||0|Architecture|Monument||||20|||1938|1949||1938-1949|1938-1949|||||0||||0||||||||||||||||||||||Monuments ; |Monuments|||||||||Cornell||JNK|JNK|2/8/2006 0:00:00|2/8/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Voortrekker Monument|Moerdijk, Gerard 6050.00|0||||||||Government Road, Nairobi|Descriptive|Image Source (Pub)|Moi Avenue||||||Government Road, Nairobi|0|||||0||||0|||||Kenyan||||||Africa||Kenya|||Nairobi, Kenya|||10682||||||||0||||0|Photographs|Documentary photograph||||20|||1950|1950||1950|1950-1950|||||0||||0|||||Documentary photograph||||||photography|||||||9660|Nairobi: National Archives|Nairobi: National Archives||Roads ; Cityscapes ; Nairobi (Kenya) ; |Roads|Cityscapes|Nairobi (Kenya)|||||||Cornell||JNK|JNK|2/8/2006 0:00:00|2/8/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Government Road, Nairobi;Moi Avenue| 6051.00|0||||||||View of Lagos marina, looking towards Government House, Nigeria|Descriptive|Image Source (Pub)|||||||View of Lagos marina, looking towards Government House, Nigeria|0|||||0||||0|||||Nigerian||||||Africa||Nigeria|||Lagos, Nigeria|||10664||||||||0||||0|Photographs|Documentary photograph||||20|||1950|1959||1950s|1950-1959|||||0||||0|||||Documentary photograph||||||photography|||||||9661|Enugu: National Archives of Nigeria|Enugu: National Archives of Nigeria||Streetscapes ; Cities ; Buildings ; Lagos (Nigeria) ; |Streetscapes|Cities|Buildings|Lagos (Nigeria)||||||Cornell||JNK|JNK|2/8/2006 0:00:00|2/8/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|View of Lagos marina, looking towards Government House, Nigeria| 6052.00|0||||||||Harambee Avenue, Nairobi|Descriptive|Image Source (Pub)|||||||Harambee Avenue, Nairobi|0|||||0||||0|||||Kenyan||||||Africa||Kenya|||Nairobi, Kenya|||10682||||0||||0||||0|Photographs|Documentary photograph||||20|||1966|1966||1966|1966-1966|||||0||||0|||||Documentary photograph||||||photography|||||||9660|Nairobi: National Archives|Nairobi: National Archives||Streetscapes ; Cities ; Buildings ; Nairobi (Kenya) ; |Streetscapes|Cities|Buildings|Nairobi (Kenya)||||||Cornell||JNK|JNK|2/8/2006 0:00:00|2/8/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Harambee Avenue, Nairobi| 6053.00|0|Category|07|C-05.5|Pol 50 Dor|1||C-05.5 Pol 50 Dor 1 |Doryphoros (Roman Copy)|Preferred|Online Resource|Spear Bearer|Translated||||||9351|Polykleitos, |after|||0||||0|||||Greek|||Classical|||Europe||Greece||||||0||||||||0||||0|Sculpture|Figure (representation)|||BCE|-5|||-450|-440|ca|ca 450-440 BCE|ca -450 - -440|||||0||||0|||||Marble|marble|||||sculpture|carving||||||4088|Rome: Vatican; Musei Vaticani|Rome: Vatican; Mus. Vaticani||||||||||||Cornell||HB|HB|6/2/2006 0:00:00|2/9/2006 0:00:00|Pol|||0||||||Dor|C|||05.5||||| |50|||||||Work|0|Sculpture-Greek|||||||||||0|0|Doryphoros (Roman Copy);Spear Bearer|Polykleitos, 6054.00|0|Creator|07|C-05.5|Pol 50 Dor||4|C-05.5 Pol 50 Dor 4|Doryphoros (Roman Copy)|Preferred|Dict.Art||||||||9351|Polykleitos,||||0||||0|||||Greek|||Classical|||Europe||Greece||||||0||||||||0||||0|Sculpture|Figure (representation)|||BCE|-5|||-450|-440|ca|ca. 450-440 BCE|ca -450 - -440|||||0||||0|||||Marble|Marble|||||sculpture|carving||||H = 2.12 m||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Male nudes ; |Male nudes|||||||||Cornell||HB|HB|6/5/2006 0:00:00|2/9/2006 0:00:00|Pol|||0||||||Dor|C|||05.5||||| |50|||||||Work|0|Sculpture-Greek|||||||||||0|0|Doryphoros (Roman Copy)|Polykleitos, 6055.00|0|Category|07|C-05.5|50 Dor|||C-05.5 Pol 50 Dor |Doryphoros|Preferred|Dict.Art||||||||9351|Polykleitos,||||0||||0|||||Greek|||Classical|||Europe||Greece||||||0||||0||||0||||0|Sculpture|Figure (representation)|||BCE|-5|||-450|-440|ca|ca. 450-440 BCE|ca -450 - -440|||||0||||0|||||Bronze|Bronze|||||sculpture|carving||||||||||Male nudes ; |Male nudes|||||||||Cornell||HB|HB|6/2/2006 0:00:00|2/9/2006 0:00:00|Pol|||0||||||Dor|C|||05.5||||||50|||||||Work|0|Sculpture-Greek|This work is not extant. It is known only through a number of Roman Copies||||||||||0|0|Doryphoros|Polykleitos, 6056.00|0||||||||Kwame Nkrumah University of Science and Technology|Assigned|Online Resource|Kumasi College of Technology|Former|Online Resource|University of Science and Technology|Former|Online Resource|Kwame Nkrumah University of Science and Technology|0|||||0||||0|||||Ghanaian|||Modern|||Africa||Ghana||||||0|Kumasi, Ghana|Near||10683||||0||||0|Architecture|University||||20|||1952|1952||1952|1952-1952|||||0||||0||||||||||||||||||||||Universities ; |Universities|||||||||Cornell||JNK|JNK|2/9/2006 0:00:00|2/9/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Kwame Nkrumah University of Science and Technology;Kumasi College of Technology;University of Science and Technology| 6057.00|0||||||||Department of Engineering|Assigned|Image Source (Pub)|||||||Kwame Nkrumah University of Science and Technology. Department of Engineering|2743|Cubitt, James||architect|James Cubitt|0||||0||||||||Modern|||Africa||Ghana||||||0|Kumasi, Ghana|Near||10683||||0||||0|Architecture|University|School|||20|||1952|1952|ca|ca 1952|ca 1952-1952||Kwame Nkrumah University of Science and Technology|Larger entity||6056||||0||||||||||||||||||||||||||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|2/9/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Department of Engineering|Cubitt, James 6058.00|0||||||||Cha, cha, cha|Assigned|Image Source (Pub)|||||||Cha, cha, cha|31130|Shonibare, Yinka||sculptor|Yinka Shonibare|0||||0|||||British|Nigerian|||||Europe||United Kingdom|Nigeria|||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1997|1997||1997|1997-1997|||||0||||0|||||Wax print cotton textile, velvet, leather, acrylic, metal, acrylic box|textiles|acrylic|metal|||sculpture|||||25.5 x 25.5 x 20 cm||||||Shoes (footwear) ; |Shoes (footwear)|||||||||Cornell||JNK|JNK|2/9/2006 0:00:00|2/9/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Cha, cha, cha|Shonibare, Yinka 6059.00|0|Category|07|C-05.5|Kall|||C-05.5 Kall |Dancing Maenad (Roman Copy)|Descriptive|Image Source (Pub)||||||||31131|Kallimachos, |attributed to|sculptor|Kallimachos|0||||0|||||Greek|||Classical|||Europe||Greece||||||0||||0||||0||||0|Sculpture|Relief|||BCE|-5|||-410|-400|ca|ca 410-400|ca -410 - -400|||||0||||0|||||||||||sculpture|carving|relief|||H = 1.41 m||1616|Madrid: Museo del Prado|Madrid: Prado||Dancers ; |Dancers|||||||||Cornell||HB|HB|6/5/2006 0:00:00|2/9/2006 0:00:00||||0||42||||Kall|C|||05.5||||| ||||||||Work|0|Sculpture-Greek|Roman Copy of Greek Original||||||||||0|0|Dancing Maenad (Roman Copy)|Kallimachos, 6060.00|0|Site|02|B-B33|NYC|1.1 |32|B-B33 NYC 1.1 32|Striking School Employees in New York During the Koch Administration|Descriptive|Cataloger|||||||Striking School Employees in New York During the Koch Administration|31134|Corkery, Richard||photographer|Richard Corkery|0||||0|||||American||||||North and Central America||United States||||||0||||0|New York, NY|||10060||||0|Photographs|Documentary photograph||||20|||1980|1982|ca|ca 1981|ca 1980-1982|||||0||||0|||||||||||photography|||||||||||New York, NY ; Labor disputes ; |New York, NY|Labor disputes||||||||Cornell||MNW|MNW|6/12/2006 0:00:00|2/9/2006 0:00:00||NYC|NYC|0|||||||B|||||B33|1.1||||||||||Work|0|Architecture-New York (NY)||||Edward Koch was mayor of NYC from 1978-1990.|||||||0|0|Striking School Employees in New York During the Koch Administration|Corkery, Richard 6061.00|0||||||||Xala|Assigned|Artist|Impotence|Variant|Online Resource|The Curse|Variant|Online Resource|Xala|31132|Sembene, Ousmane||filmmaker|Ousmane Sembene|0||||0|||||Senegalese||||||Africa||Senegal||||||0||||0||||0||||0|Motion Pictures|Film (performing art)||||20|||1975|1975||1975|1975-1975|||||0||||0|||||35 mm film|film (material)|||||film making|||||||||||Autonomy ; Race (concept) ; Senegal ; |Autonomy|Race (concept)|Senegal|||||||Cornell||JNK|JNK|2/9/2006 0:00:00|2/9/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Xala;Impotence;The Curse|Sembene, Ousmane 6062.00|0|Category|07|C-05.5|Kall|||C-05.5 Kall |Relief of Dancing Maenads|Descriptive|Image Source (Pub)||||||||31131|Kallimachos, |attributed to|sculptor|Kallimachos|0||||0|||||Greek|||Classical|||Europe||Greece||||||0||||0||||0||||0|Sculpture|Relief|||BCE|-5|||-410|-400|ca|ca 410-400|ca -410 - -400|||||0||||0|||||||||||sculpture|relief||||H = 1.43 m||2436|Rome: Palazzo dei Conservatori|Rome: Pal. Conservatori||Dancers ; |Dancers|||||||||Cornell||HB|HB|6/5/2006 0:00:00|2/9/2006 0:00:00||||0||1094||||Kall|C|||05.5||||| ||||||||Work|0|Sculpture-Greek|Copy of a Greek Original attributed to Kallimachos||||||||||0|0|Relief of Dancing Maenads|Kallimachos, 6063.00|0||||||||The Vomiting World|Translated|Cataloger|Le Monde vomissant|Original|Image Source (Pub)||||The Vomiting World|10331|Samba, Chéri||painter|Chéri Samba|0||||0|||||Congolese|||Post-1945|||Africa||Congo||||||0||||0||||0||||0|Paintings|Painting||||21|||2004|2004||2004|2004-2004|||||0||||0|||||Acrylic on canvas|acrylic|canvas||||painting (image-making)|||||200 x 260 cm||4739|Jean Pigozzi Collection|: Jean Pigozzi Coll.||Earth ; Vomiting ; |Earth|Vomiting||||||||Cornell||JNK|JNK|2/9/2006 0:00:00|2/9/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|The Vomiting World;Le Monde vomissant|Samba, Chéri 6064.00|0|Category|07|C-05.5|Pra 4 Sat|||C-05.5 Pra 4 Sat |Resting Satyr|Descriptive|Image Source (Pub)||||||||9465|Praxiteles, ||||0||||0|||||Greek|||Classical|||Europe||Greece||||||0||||0||||0|Tivoli, Italy|||10110|Sculpture|Figure (representation)|||BCE|-4|||-350|-330|ca|ca 350-330 BCE|ca -350--330|||||0||||0|||||||||||sculpture|||||H = 1.7 m||2418|Rome: Museo Capitolino [Capitoline Museum]; Palazzo Nuovo|Rome: Mus. Capitolino||Satyrs ; Lion skins ; |Satyrs|Lion skins||||||||Cornell||HB|HB|6/5/2006 0:00:00|2/9/2006 0:00:00||||0||739||||Pra 4 Sat|C|||05.5||||| ||||||||Work|0|Sculpture-Greek|Roman copy of the orignal attributed to Praxiteles.||||||||||0|0|Resting Satyr|Praxiteles, 6065.00|0||||||||Great American Nude|Inscribed|Image Source (Pub)|||||||Great American Nude|31133|Musa, Hassan||painter|Hassan Musa|0||||0|||||Sudanese|||Post-1945|||Africa||Sudan||||||0||||0||||0||||0|Paintings|Textile|Painting|||21|||2002|2002||2002|2002-2002|||||0||||0|||||Ink on fabric|ink|textiles||||painting (image-making)|||||204 x 357 cm||3561|Collection of the Artist|: Collection of the Artist||Nudes ; America ; Motorcycles ; Flags ; Bin Laden, Osama, 1957- Reclining Nude (by François Boucher) ; Reclining Nude (by François Boucher) ; |Nudes|America|Motorcycles|Flags|Bin Laden, Osama, 1957- Reclining Nude (by François Boucher)|Reclining Nude (by François Boucher)||||Cornell||JNK|MNW|2/15/2006 0:00:00|2/9/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Great American Nude|Musa, Hassan 6066.00|0||||||||St. George Vanquishing the Dragon and the Museum of Baghdad|Translated|Cataloger|St. Georges terrassant le dragon et le Musée de Bagdad|Inscribed|Image Source (Pub)||||St. George Vanquishing the Dragon and the Museum of Baghdad|31133|Musa, Hassan||painter|Hassan Musa|0||||0|||||Sudanese|||Post-1945|||Africa||Sudan||||||0||||0||||0||||0|Paintings|Textile|Painting|||21|||2003|2003||2003|2003-2003|||||0||||0|||||Ink on fabric|ink|textiles||||painting (image-making)|||||220 x 237 cm||3561|Collection of the Artist|: Collection of the Artist||Saint George ; Dragons ; Museums ; Wars ; Flags ; Tea services ; Horses ; Spears (weapons) ; |Saint George|Dragons|Museums|Wars|Flags|Tea services|Horses|Spears (weapons)||Cornell||JNK|MNW|2/17/2006 0:00:00|2/9/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|St. George Vanquishing the Dragon and the Museum of Baghdad;St. Georges terrassant le dragon et le Musée de Bagdad|Musa, Hassan 6067.00|0|Site|02|B-B33|NYC|1.1 ||B-B33 NYC 1.1|Mayor Edward Koch at Rededication of Sixth Avenue as the Avenue of the Americas|Descriptive|Cataloger|||||||Mayor Edward Koch at Rededication of Sixth Avenue as the Avenue of the Americas|0|||||0||||0|||||American||||||North and Central America||United States||||||0||||0|New York, NY|||10060||||0|Photographs|Documentary photograph|Portrait|||20|||1984|1984||1984|1984-1984|||||0||||0|||||||||||photography|||||||||||Portraits ; Koch, Ed, 1924- ; New York, NY ; Signs ; |Portraits|Koch, Ed, 1924-|New York, NY|Signs||||||Cornell||MNW|CLL|6/13/2006 0:00:00|2/9/2006 0:00:00||NYC|NYC|0|||||||B|||||B33|1.1||||||||||Work|0|Architecture-New York (NY)|||||||||||0|0|Mayor Edward Koch at Rededication of Sixth Avenue as the Avenue of the Americas| 6068.00|0||||||||Static Drift|Assigned|Image Source (Pub)|||||||Static Drift|31135|Mwangi, Ingrid||photographer|Ingrid Mwangi|0||||0|||||Kenyan|||Post-1945|||Africa||Kenya||||||0||||0||||0||||0|Photographs|Photographic print|Diptych|||21|||2001|2001||2001|2001-2001|||||0||||0|||||Color photograph (Diptych)||||||photography|||||75 x 102 cm each||||||Continents ; Africa ; Europe ; Maps ; Nudes ; |Continents|Africa|Europe|Maps|Nudes|||||Cornell||JNK|MNW|2/17/2006 0:00:00|2/9/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Static Drift|Mwangi, Ingrid 6069.00|0||||||||Movement n° 35|Translated|Cataloger|Mouvement n° 35|Published|Image Source (Pub)||||Movement n° 35|31136|Owusu-Ankomah||painter|Owusu-Ankomah|0||||0|||||Ghanaian|German||Post-1945|||Africa||Ghana|Germany|||||0||||0||||0||||0|Paintings|Painting||||21|||2004|2004||2004|2004-2004|||||0||||0|||||Acrylic on canvas|acrylic|canvas||||painting (image-making)|||||190 x 250 cm||3561|Collection of the Artist|: Collection of the Artist||Symbols ; Men (male humans) ; |Symbols|Men (male humans)||||||||Cornell||JNK|MNW|2/17/2006 0:00:00|2/9/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Movement n° 35;Mouvement n° 35|Owusu-Ankomah 6070.00|0||||||||Movement n° 39|Translated|Cataloger|Mouvement n° 39|Published|Image Source (Pub)||||Movement n° 39|31136|Owusu-Ankomah||painter|Owusu-Ankomah|0||||0|||||Ghanaian|German||Post-1945|||Africa||Ghana|Germany|||||0||||0||||0||||0|Paintings|Painting||||21|||2004|2004||2004|2004-2004|||||0||||0|||||Acrylic on canvas|acrylic|canvas||||painting (image-making)|||||190 x 250 cm||3561|Collection of the Artist|: Collection of the Artist||Symbols ; Men (male humans) ; |Symbols|Men (male humans)||||||||Cornell||JNK|MNW|2/17/2006 0:00:00|2/9/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Movement n° 39;Mouvement n° 39|Owusu-Ankomah 6071.00|0||||||||Open(ing) Market|Assigned|Image Source (Pub)|||||||Open(ing) Market|31089|Anatsui, El||sculptor|El Anatsui|0||||0|||||Ghanaian|||Post-1945|||Africa||Ghana||||||0||||0||||0||||0|Sculpture|Installation (sculpture)|Sculpture|||21|||2004|2004||2004|2004-2004|||||0||||0|||||Mixed materials||||||sculpture|Installations||||Variable dimensions||3561|Collection of the Artist|: Collection of the Artist||Boxes (containers) ; Markets (buildings) ; |Boxes (containers)|Markets (buildings)||||||||Cornell||JNK|JNK|2/9/2006 0:00:00|2/9/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Open(ing) Market|Anatsui, El 6072.00|0||||||||Sasa|Assigned|Image Source (Pub)|||||||Sasa|31089|Anatsui, El||sculptor|El Anatsui|0||||0|||||Ghanaian|||Post-1945|||Africa||Ghana||||||0||||0||||0||||0|Sculpture|Sculpture||||21|||2004|2004||2004|2004-2004|||||0||||0|||||Aluminum and copper wire|aluminum|copper||||sculpture|||||840 x 640 cm||3561|Collection of the Artist|: Collection of the Artist||||||||||||Cornell||JNK|JNK|2/9/2006 0:00:00|2/9/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Sasa|Anatsui, El 6073.00|0|Category|07|C-05.5|Rou 50H|||C-05.5 Rou 50H |Head of King Demetrios Poliorketes (Roman Copy)|Descriptive|Dict.Art||||||||0|||||0||||0|||||Greek|||Hellenistic|||Europe||Italy||||||0||||0||||0|Herculaneum, Papyri|||10684|Sculpture|Bust|||BCE|-4|-3||-306|-283|ca|ca 306-283|ca -306 - -283|||||0||||0|||||||||||sculpture|||||H = 43.5 cm||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||||||||||||Cornell||HB|HB|6/5/2006 0:00:00|2/9/2006 0:00:00||||0||6149|||||C|Rou||05.5||||| |50H|||||||Work|0|Sculpture-Greek|Herm identified as King Demetrios Poliorketes from the Villa dei Papyri at Herculaneum. Roman copy of Greek original||||||||||0|0|Head of King Demetrios Poliorketes (Roman Copy)| 6074.00|0||||||||Cherchebbi|Assigned|Image Source (Pub)|||||||Cherchebbi|30860|Gedewon||painter|Gedewon|0||||0|||||Ethiopian|||Post-1945|||Africa||Ethiopia||||||0||||0||||0||||0|Drawings|Drawing||||20|||1977|1977||1977|1977-1977|||||0||||0|||||Ink on paper|ink|paper (fiber product)||||drawing (image-making)|||||32 x 24 cm||2190|Paris: Musée des Arts d’Afrique et d’Océanie|Paris: Mus. Art Afr. & Ocean.||Animals ; Men (male humans) ; |Animals|Men (male humans)||||||||Cornell||JNK|JNK|2/9/2006 0:00:00|2/9/2006 0:00:00|G295|||0|||||||||||||||P250 |||||||||0||||||||||||0|0|Cherchebbi|Gedewon 6075.00|0||||||||Datraemir|Assigned|Image Source (Pub)|||||||Datraemir|30860|Gedewon||painter|Gedewon|0||||0|||||Ethiopian|||Post-1945|||Africa||Ethiopia||||||0||||0||||0||||0|Drawings|Drawing||||20|||1975|1975||1975|1975-1975|||||0||||0|||||Ink on paper|ink|paper (fiber product)||||drawing (image-making)|||||100 x 70 cm||3405|Paris: Private Collection|Paris: Private Coll.||Animals ; Symbols ; Men (male humans) ; |Animals|Symbols|Men (male humans)|||||||Cornell||JNK|JNK|2/9/2006 0:00:00|2/9/2006 0:00:00|G295|||0||||||||||||||| |||||||||0||||||||||||0|0|Datraemir|Gedewon 6076.00|0||||||||The Earth: The Four Parts|Assigned|Image Source (Pub)|||||||The Earth: The Four Parts|30860|Gedewon||painter|Gedewon|0||||0|||||Ethiopian|||Post-1945|||Africa||Ethiopia||||||0||||0||||0||||0|Drawings|Drawing||||20|||1992|1992||1992|1992-1992|||||0||||0|||||Ink on paper|ink|paper (fiber product)||||drawing (image-making)|||||52.5 x 75 cm||3405|Paris: Private Collection|Paris: Private Coll.||Earth ; |Earth|||||||||Cornell||JNK|JNK|2/9/2006 0:00:00|2/9/2006 0:00:00|G295|||0||||||||||||||| |||||||||0||||||||||||0|0|The Earth: The Four Parts|Gedewon 6077.00|0||||||||Big Eyes|Assigned|Image Source (Pub)|||||||Big Eyes|31137|Matemera, Bernard||sculptor|Bernard Matemera|0||||0|||||Zimbabwean|||Post-1945|||Africa||Zimbabwe||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1990|1990||1990|1990-1990|||||0||||0|||||Black serpentine|serpentine (mineral)|||||sculpture|carving||||60 x 30 x 25 cm||9662|Collection of Bernd Kleine-Gunk|: Coll. Bernd Kleine-Gunk||Heads (representations) ; |Heads (representations)|||||||||Cornell||JNK|JNK|2/9/2006 0:00:00|2/9/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Big Eyes|Matemera, Bernard 6078.00|0||||||||Master Man|Assigned|Image Source (Pub)|||||||Master Man|31138|Munyaradzi, Henry||sculptor|Henry Munyaradzi|0||||0|||||Zimbabwean|||Post-1945|||Africa||Zimbabwe||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1988|1988||1988|1988-1988|||||0||||0|||||Green serpentine|serpentine (mineral)|||||sculpture|carving||||73 x 40 x 26 cm||3405|Paris: Private Collection|Paris: Private Coll.||Heads (representations) ; Men (male humans) ; |Heads (representations)|Men (male humans)||||||||Cornell||JNK|JNK|2/9/2006 0:00:00|2/9/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Master Man|Munyaradzi, Henry 6079.00|0|Category|07|C-05.5|Rou 50H|||C-05.5 Rou 50H |Head of Seleukos I Nikator of Syria|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||Greek|||Hellenistic|||Europe||Italy||||||0||||0||||0|Herculaneum, Papyri|||10684|Sculpture|Bust|||BCE|-4|-3||-306|-281|ca|ca 306-281 BCE|ca -306 - -281|||||0||||0||||||bronze|||||sculpture|casting||||H = 50 cm||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Kings (people) ; |Kings (people)|||||||||Cornell||HB|HB|6/5/2006 0:00:00|2/9/2006 0:00:00||||0|||||||C|Rou||05.5||||| |50H|||||||Work|0|Sculpture-Greek|Roman Copy of bust identifued with King Seleukos I Nikrator of Syria from Villa dei Papyri at Herculaneum||||||||||0|0|Head of Seleukos I Nikator of Syria| 6080.00|0||||||||Desparate Man|Assigned|Image Source (Pub)|||||||Desparate Man|31139|Mukomberanwa, Nicholas||sculptor|Nicholas Mukomberanwa|0||||0|||||Zimbabwean|||Post-1945|||Africa||Zimbabwe||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1988|1988||1988|1988-1988|||||0||||0|||||Black serpentine|serpentine (mineral)|||||sculpture|carving||||30 x 25 x 30 cm||9662|Collection of Bernd Kleine-Gunk|: Coll. Bernd Kleine-Gunk||Men (male humans) ; Heads (representations) ; |Men (male humans)|Heads (representations)||||||||Cornell||JNK|JNK|2/9/2006 0:00:00|2/9/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Desparate Man|Mukomberanwa, Nicholas 6081.00|0|Site|02|B-K3|Oly|3.4 Zeus||B-K3 Oly 3.4 Zeus |West Pediment|Descriptive|Image Source (Pub)|||||||Temple of Zeus. West Pediment|31117|Libon of Elis||architect|Libon of Elis|0||||0|||||Greek|||Classical|||Europe|Peloponnese|Greece||||||0||||0||||0||||0|Sculpture|Relief|Portrait|Figure (representation)|BCE|-5|||-470|-457|ca|ca 470-457 BCE|ca -470 - -457||Temple of Zeus|Larger entity||5979||||0|||||Marble|Marble|||||sculpture|||||H = 3.3 m; L = 26.4 m||2062|Olympia: Archaeological Museum|Olympia: Archaeol. Mus.||Centaurs ; Centauromachy ; Apollo ; |Centaurs|Centauromachy|Apollo|||||||Cornell||HB|HB|6/16/2006 0:00:00|2/9/2006 0:00:00||Oly||0||||||Zeus|B||||AR|K3|3.4|| ||||||||Work|0|Architecture-Greece|||||||||||0|0|West Pediment|Libon of Elis 6082.00|0||||||||Cyclist|Assigned|Image Source (Pub)|||||||Cyclist|31107|Wadu, Sane||painter|Sane Wadu|0||||0|||||Kenyan|||Post-1945|||Africa||Kenya||||||0||||0||||0||||0|Paintings|Painting||||20|||1991|1991||1991|1991-1991|||||0||||0|||||Mixed media on canvas|mixed materials|canvas||||painting (image-making)|||||38.5 x 49 cm||4739|Jean Pigozzi Collection|: Jean Pigozzi Coll.||Bicycles ; Men (male humans) ; |Bicycles|Men (male humans)||||||||Cornell||JNK|JNK|2/9/2006 0:00:00|2/9/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Cyclist|Wadu, Sane 6083.00|0||||||||Thinking Man|Assigned|Image Source (Pub)|||||||Thinking Man|31107|Wadu, Sane||painter|Sane Wadu|0||||0|||||Kenyan|||Post-1945|||Africa||Kenya||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||20|||1990|1990||1990|1990-1990|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||48.5 x 74 cm||4739|Jean Pigozzi Collection|: Jean Pigozzi Coll.||Men (male humans) ; Figures (representations) ; |Men (male humans)|Figures (representations)||||||||Cornell||JNK|JNK|2/9/2006 0:00:00|2/9/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Thinking Man|Wadu, Sane 6084.00|0||||||||42nd Street Between Broadway and Eight Avenue, New York, NY|Descriptive|Cataloger|||||||42nd Street Between Broadway and Eight Avenue, New York, NY|0|||||0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||||||||||||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|2/9/2006 0:00:00|2/9/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|42nd Street Between Broadway and Eight Avenue, New York, NY| 6100.00|0|Architect|03|MA-Colter|6.2|1914 Loo||MA-Colter 6.2 1914 Loo |Lookout Studio|Artists|Image Source (Pub)|||||||Lookout Studio|31142|Colter, Mary Elizabeth||architect|Mary Elizabeth Colter (Fred Harvey (firm))|31147|Fred Harvey (firm)||architectural firm|0|||||American||||||North and Central America||United States||||||0|Grand Canyon, Arizona|||10688||||0||||0|Architecture|Restaurant|Store|Exhibit building||20|||1914|1914||1914|1914-1914|||||0||||0||||||||||||||||||||||Stores ; Restaurants ; Exhibition buildings ; |Stores|Restaurants|Exhibition buildings|||||||Cornell||MNW|MNW|9/22/2006 0:00:00|2/13/2006 0:00:00|Colter|||0||||||Loo|MA||||||6.2|1914|||||||||Work|0|Modern Architecture|||||||||||0|0|Lookout Studio|Colter, Mary Elizabeth;Fred Harvey (firm) 6101.00|0|Culture|11|W-18|Travel Adv||11||Indian-Detours Cover (November, 1930)|Descriptive|Image Source (Pub)|||||||Indian-Detours Cover (November, 1930)|31148|Atchison, Topeka, and Santa Fe Railway Company|||Atchison, Topeka, & Santa Fe RR Co. & Fred Harvey|31147|Fred Harvey (firm)|||0|||||Native American|American|||||North and Central America||United States||||||0||||0||||0||||0|Publications|Pamphlet|Advertisement|||20|||1930|1930||1930|1930-1930|||||0||||0|||||||||||printing|||||||2254|Phoenix: Heard Museum|Phoenix: Heard Mus.||Pueblos (housing complexes) ; Indians of North America ; Automobiles ; Mountains ; Advertisements ; |Pueblos (housing complexes)|Indians of North America|Automobiles|Mountains|Advertisements|||||Cornell||MNW|JNK|2/14/2006 0:00:00|2/13/2006 0:00:00||||0|||||||W|Travel Adv||||18||| ||||||||Work|0||Travel brochure.||||||||||0|0|Indian-Detours Cover (November, 1930)|Atchison, Topeka, and Santa Fe Railway Company;Fred Harvey (firm) 6102.00|0|Site|02|B-B3|GraCan|1.1 ||B-B3 GraCan 1.1 |Grand Canyon|Descriptive|Image Source (Vendor)|||||||Grand Canyon|0|||||0||||0|||||American||||||North and Central America||United States||||||0||||||||0||||0|Photographs|Documentary photograph|Landscape (environment)|||20|21||1990|2002|ca|ca 1990-2002|ca 1990-2002|||||0||||0|||||||||||photography|||||||||||Landscapes ; Grand Canyon (canyon) ; |Landscapes|Grand Canyon (canyon)||||||||Cornell||MNW|JNK|2/14/2006 0:00:00|2/13/2006 0:00:00||GraCan||0|||||||B|||||B3|1.1||||||||||Work|0|Architecture-Arizona (AZ)|||||||||||0|0|Grand Canyon| 6103.00|0|Site|02|B-K3|Del|3.4 Apo||B-K3 Del 3.4 Apo |Temple of Apollo|Descriptive|Blue Guide|||||||Temple of Apollo|0|||||0||||0|||||Greek|||Late Classical|||Europe||Greece||||||0|Delphi, Greece|||10666||||0||||0|Archaeological Sites|Temple|||BCE|-4|||-366|-329|ca|ca 366-329|ca -366 - -329|||||0||||0||||||||||||||||60 x 22 m||||||||||||||||Cornell||HB|HB|6/5/2006 0:00:00|2/13/2006 0:00:00||Del||0||||||Apo|B|||||K3|3.4||||||||||Work|0|Architecture-Greece|Remains of the third temple of Apollo on this site.||||||||||0|0|Temple of Apollo| 6104.00|0|Architect|03|MA-Colter|1.0|1931 Por|2|MA-Colter 1.0 1931 Por 2|Mary Elizabeth Colter Perches Below the Twin Towers Ruin at Hovenweep National Monument|Descriptive|Image Source (Pub)|||||||Mary Elizabeth Colter Perches Below the Twin Towers Ruin|0|||||0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Documentary photograph|Portrait|||20|||1931|1931|ca|ca 1931|ca 1931-1931|||||0||||0|||||||||||photography|||||||9663|Grand Canyon National Park: Grand Canyon Museum Collection|Grand Canyon National Park: Museum Coll.||Colter, Mary Elizabeth Jane, 1869-1958 ; Portraits ; |Colter, Mary Elizabeth Jane, 1869-1958|Portraits||||||||Cornell||MNW|MNW|2/13/2006 0:00:00|2/13/2006 0:00:00|Colter|||0|||||||MA||||||1.0|1931| |Por|||||||Work|0|Modern Architecture|||||||||||0|0|Mary Elizabeth Colter Perches Below the Twin Towers Ruin at Hovenweep National Monument| 6105.00|0|Creator|15|30|B279-|V471||30 B279- V471 |Venus Rising from the Sea|Assigned|Image Source (Pub)|||||||Venus Rising from the Sea|31144|Barry, James||painter|James Barry|0||||0|||||British|||Neoclassical|||Europe||Ireland|England|||||0||||0||||0||||0|Paintings|Painting|Oil painting|||18|||1771|1772|ca|ca 1771-1772|ca 1771-1772|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||103 x 67 cm||3493|Dublin: National Gallery of Ireland|Dublin: Nat. Gal. of Ireland||Venus ; |Venus|||||||||Cornell||JNK|JNK|2/13/2006 0:00:00|2/13/2006 0:00:00|B279|||0||||||V471|30|||||||| ||||||||Work|0||||||||||||0|0|Venus Rising from the Sea|Barry, James 6106.00|0|Creator|15|27|Z969|S157||27 Z969 S157|St. Veronica's Veil|Assigned|Image Source (Pub)|Sudarium of Saint Veronica|Variant|Online Resource||||St. Veronica's Veil|30812|Zurbarán, Francisco de||painter|Francisco de Zurbarán|0||||0|||||Spanish|||Baroque|||Europe||Spain||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1631|1636||1631-1636|1631-1636|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||70 x 52 cm||3333|Stockholm: Nationalmuseum|Stockholm: Nat. Mus.||Christ ; Veils ; Faces (anatomy) ; Saint Veronica ; |Christ|Veils|Faces (anatomy)|Saint Veronica||||||Cornell||JNK|JNK|2/13/2006 0:00:00|2/13/2006 0:00:00|Z969|||0||||||S157|27|||||||| ||||||||Work|0||||||||||||0|0|St. Veronica's Veil;Sudarium of Saint Veronica|Zurbarán, Francisco de 6107.00|0|Creator|15|32|P3584-PA|1814|2|32 P3584-PA 1814 2|Still Life with Strawberries and Ostrich Egg Cup|Assigned|Image Source (Pub)|||||||Still Life with Strawberries and Ostrich Egg Cup|9003|Peale, Raphaelle||painter|Raphaelle Peale|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1814|1814||1814|1814-1814|||||0||||0|||||Oil on panel|oil paint|panels (wood)||||painting (image-making)|||||31.1 x 48.9 cm||9665|Roy Nutt Family Trust|: Roy Nutt Family Trust||Still lifes ; Fruit ; Eggs ; |Still lifes|Fruit|Eggs|||||||Cornell||JNK|JNK|2/13/2006 0:00:00|2/13/2006 0:00:00|P3584|||0|||||||32|PA||||||1814| ||||||||Work|0||||||||||||0|0|Still Life with Strawberries and Ostrich Egg Cup|Peale, Raphaelle 6108.00|0|Creator|15|32|P3584-PA|1817|1|32 P3584-PA 1817 1|Still Life with Steak|Assigned|Image Source (Pub)|||||||Still Life with Steak|9003|Peale, Raphaelle||painter|Raphaelle Peale|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1817|1817|ca|ca 1817|ca 1817-1817|||||0||||0|||||Oil on panel|oil paint|panels (wood)||||painting (image-making)|||||34 x 49.5 cm||3034|Utica, NY: Munson Williams Proctor Institute Museum of Art|Utica: Munson Williams Proctor Inst.||Still lifes ; |Still lifes|||||||||Cornell||JNK|JNK|2/13/2006 0:00:00|2/13/2006 0:00:00|P3584|||0|||||||32|PA||||||1817| ||||||||Work|0||||||||||||0|0|Still Life with Steak|Peale, Raphaelle 6109.00|0|Site|02|B-H3.1|Sel|3.4 TempleC||B-H3.1 Sel 3.4 TempleC |Temple C|Descriptive|Blue Guide||||||||0|||||0||||0|||||Greek|||Archaic (Greek)|||Europe|Sicily|Italy||||||0|Selinunte, Sicily|||10689||||0||||0|Archaeological Sites|Temple|||BCE|-6|||-600|-550|ca|ca 600-650|ca -600 - -650|||||0||||0||||||||||||||||63.7 x 24 m||||||||||||||||Cornell||HB|HB|6/5/2006 0:00:00|2/13/2006 0:00:00||Sel||0||||||TempleC|B|||||H3.1|3.4||||||||||Work|0|Architecture-Sicily|Hexastyle peripteral temple on the highest point of the acropolis. Probably dedicated to Apollo, the temple is thought to have fallen during an earthquake in the 5th century A.D.||||||||||0|0|Temple C| 6110.00|0||||||||Mma-Nwa-Uli|Assigned|Image Source (Pub)|||||||Mma-Nwa-Uli|31098|Okeke, Uche||painter|Uche Okeke|0||||0|||||Nigerian||||||Africa||Nigeria||||||0||||0||||0||||0|Graphics|Print||||20|||1972|1972||1972|1972-1972|||||0||||0|||||Celotex board cut print on paper|boards (flat objects)|paper (fiber product)||||printing|||||45.4 x 45.9 cm||9666|Collection of Joanne B. Eicher|: Coll. Joanne B. Eicher||||||||||||Cornell||JNK|JNK|2/13/2006 0:00:00|2/13/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Mma-Nwa-Uli|Okeke, Uche 6111.00|0||||||||The Leader and Us|Assigned|Image Source (Pub)|||||||The Leader and Us|31145|Aniakor, Chike||painter|Chike Aniakor|0||||0|||||Nigerian||||||Africa||Nigeria||||||0||||0||||0||||0|Drawings|Drawing||||20|||1994|1994||1994|1994-1994|||||0||||0|||||Pen, ink and watercolor on glossy paper|ink|pens|watercolor|||drawing (image-making)|||||||3561|Collection of the Artist|: Collection of the Artist||Faces (anatomy) ; Figures (representations) ; |Faces (anatomy)|Figures (representations)||||||||Cornell||JNK|JNK|2/13/2006 0:00:00|2/13/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|The Leader and Us|Aniakor, Chike 6112.00|0||||||||Exodus I (The Refugees)|Assigned|Image Source (Pub)|||||||Exodus I (The Refugees)|31145|Aniakor, Chike||painter|Chike Aniakor|0||||0|||||Nigerian||||||Africa||Nigeria||||||0||||0||||0||||0|Drawings|Drawing||||20|||1977|1977||1977|1977-1977|||||0||||0|||||Ink drawing on paper|ink|paper (fiber product)||||drawing (image-making)|||||32.7 x 27.9 cm||3722|Washington, DC: Smithsonian Institution; National Museum of African Art|Wash, DC: Smithsonian; Nat. Mus. African Art||Figures (representations) ; |Figures (representations)|||||||||Cornell||JNK|JNK|2/13/2006 0:00:00|2/13/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Exodus I (The Refugees)|Aniakor, Chike 6113.00|0||||||||Falcon Descent on the People|Assigned|Image Source (Pub)|||||||Falcon Descent on the People|31145|Aniakor, Chike||painter|Chike Aniakor|0||||0|||||Nigerian||||||Africa||Nigeria||||||0||||0||||0||||0|Drawings|Drawing||||20|||1992|1992||1992|1992-1992|||||0||||0|||||Pen, ink and watercolor on paper|pens|ink|watercolor|||drawing (image-making)|||||||3561|Collection of the Artist|: Collection of the Artist||Falcons ; Figures (representations) ; |Falcons|Figures (representations)||||||||Cornell||JNK|JNK|2/13/2006 0:00:00|2/13/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Falcon Descent on the People|Aniakor, Chike 6114.00|0||||||||The Only Son|Assigned|Image Source (Pub)|||||||The Only Son|31099|Udechukwu, Obiora||painter|Obiora Udechukwu|0||||0|||||Nigerian||||||Africa||Nigeria||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||20|||1968|1968||1968|1968-1968|||||0||||0|||||Oil on plywood|oil paint|plywood||||painting (image-making)|||||60 x 42 cm||3561|Collection of the Artist|: Collection of the Artist||Mother and child ; Mothers ; Deaths ; |Mother and child|Mothers|Deaths|||||||Cornell||JNK|JNK|2/13/2006 0:00:00|2/13/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|The Only Son|Udechukwu, Obiora 6115.00|0||||||||Nsibidi motifs|Descriptive|Image Source (Pub)|||||||Nsibidi motifs|0|||||0||||0|||||Nigerian||||||Africa||Nigeria||||||0||||0||||0||||0||||||||||||||||||0||||0||||||||||||||||||||||Nsibidi ; |Nsibidi|||||||||Cornell||JNK|JNK|2/13/2006 0:00:00|2/13/2006 0:00:00||||0||||||||||||||||||||||||0||Drawn by Sylvester Ogbechie||||||||||0|0|Nsibidi motifs| 6116.00|0||||||||Road to Abuja|Assigned|Image Source (Pub)|||||||Road to Abuja|31099|Udechukwu, Obiora||painter|Obiora Udechukwu|0||||0|||||Nigerian||||||Africa||Nigeria||||||0||||0||||0||||0|Drawings|Drawing||||20|||1982|1982||1982|1982-1982|||||0||||0|||||Pen and ink|pens|ink||||drawing (image-making)|||||39.8 x 29.7 cm||3561|Collection of the Artist|: Collection of the Artist||Figures (representations) ; Roads ; |Figures (representations)|Roads||||||||Cornell||JNK|JNK|2/13/2006 0:00:00|2/13/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Road to Abuja|Udechukwu, Obiora 6117.00|0||||||||Okochi (Dry Season)|Assigned|Image Source (Pub)|||||||Okochi (Dry Season)|31099|Udechukwu, Obiora||painter|Obiora Udechukwu|0||||0|||||Nigerian||||||Africa||Nigeria||||||0||||0||||0||||0|Paintings|Painting||||20|||1993|1993||1993|1993-1993|||||0||||0|||||Acrylic and ink on canvas|acrylic|ink|canvas|||painting (image-making)|||||140 x 100 cm||3561|Collection of the Artist|: Collection of the Artist||||||||||||Cornell||JNK|JNK|2/13/2006 0:00:00|2/13/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Okochi (Dry Season)|Udechukwu, Obiora 6118.00|0||||||||Sinking Men|Assigned|Image Source (Pub)|||||||Sinking Men|31089|Anatsui, El||sculptor|El Anatsui|0||||0|||||Ghanaian|||Post-1945|||Africa||Ghana||||||0||||0||||0||||0|Sculpture|Sculpture|Relief|||20|||1979|1979||1979|1979-1979|||||0||||0|||||Manganese with clay and glass|clay|glass (material)||||sculpture|||||38.1 x 48.3 x 4 cm||3561|Collection of the Artist|: Collection of the Artist||Faces (anatomy) ; |Faces (anatomy)|||||||||Cornell||JNK|JNK|2/14/2006 0:00:00|2/13/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Sinking Men|Anatsui, El 6119.00|0||||||||Chambers of Memory|Assigned|Image Source (Pub)|||||||Chambers of Memory|31089|Anatsui, El||sculptor|El Anatsui|0||||0|||||Ghanaian|||Post-1945|||Africa||Ghana||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1977|1977||1977|1977-1977|||||0||||0|||||Manganese body||||||sculpture|||||40 x 29.3 x 7 cm||3561|Collection of the Artist|: Collection of the Artist||Heads (representations) ; |Heads (representations)|||||||||Cornell||JNK|JNK|2/14/2006 0:00:00|2/13/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Chambers of Memory|Anatsui, El 6120.00|0||||||||Venovize Series|Assigned|Image Source (Pub)|||||||Venovize Series|31089|Anatsui, El||sculptor|El Anatsui|0||||0|||||Ghanaian|||Post-1945|||Africa||Ghana||||||0||||0||||0||||0|Ceramics|Ceramic||||20|||1985|1985||1985|1985-1985|||||0||||0|||||Ceramic|ceramic|||||ceramics|||||||3561|Collection of the Artist|: Collection of the Artist||||||||||||Cornell||JNK|JNK|2/14/2006 0:00:00|2/13/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Venovize Series|Anatsui, El 6122.00|0||||||||Pot|Descriptive|Cataloger|||||||Venovize Series. Pot|31089|Anatsui, El||sculptor|El Anatsui|0||||0|||||Ghanaian|||Post-1945|||Africa||Ghana||||||0||||0||||0||||0|Ceramics|Ceramic||||20|||1985|1985||1985|1985-1985||Venovize Series|Larger entity||6120||||0|||||Ceramic|ceramic|||||ceramics|||||38 x 18 x 40 cm||3561|Collection of the Artist|: Collection of the Artist||||||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|2/13/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Pot|Anatsui, El 6123.00|0||||||||Patched Pot|Assigned|Image Source (Pub)|||||||Venovize Series. Patched Pot|31089|Anatsui, El||sculptor|El Anatsui|0||||0|||||Ghanaian|||Post-1945|||Africa||Ghana||||||0||||0||||0||||0|Ceramics|Ceramic||||20|||1985|1985||1985|1985-1985||Venovize Series|Larger entity||6120||||0|||||Ceramic|ceramic|||||ceramics|||||36 x 36 x 38 cm||3561|Collection of the Artist|: Collection of the Artist||||||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|2/13/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Patched Pot|Anatsui, El 6124.00|0||||||||Coins on Grandma's Cloth|Assigned|Image Source (Pub)|||||||Coins on Grandma's Cloth|31089|Anatsui, El||sculptor|El Anatsui|0||||0|||||Ghanaian|||Post-1945|||Africa||Ghana||||||0||||0||||0||||0|Sculpture|Sculpture|Relief|||20|||1993|1993|ca|ca 1993|ca 1993-1993|||||0||||0|||||Akparata, oyili-oji, camwood, oke-ofo woods|wood (plant material)|||||sculpture|relief||||58 x 127 x 3 cm||3561|Collection of the Artist|: Collection of the Artist||Textiles ; |Textiles|||||||||Cornell||JNK|JNK|2/14/2006 0:00:00|2/13/2006 0:00:00||||0||||||||||||||| |||||||||0||This work is made up of fourteen pieces||||||||||0|0|Coins on Grandma's Cloth|Anatsui, El 6125.00|0|Architect|03|MA-Steiner|4.2|1928 |Goethe2|MA-Steiner 4.2 1928 Goethe2|Goetheanum II|Descriptive|Macmillan|||||||Goetheanum II|11305|Steiner, Rudolf||architect|Rudolf Steiner|0||||0|||||Swiss||||||Europe||Switzerland||||||0|Dornach, Switzerland|||10690||||0||||0|Architecture|||||20|||1924|1928||1924-1928|1924-1928|||||0||||0||||||||||||||||||||||Schools ; |Schools|||||||||Cornell||MNW|MNW|2/13/2006 0:00:00|2/13/2006 0:00:00|Steiner|||0|||||||MA||||||4.2|1928||Boethe2|||||||Work|0|Modern Architecture||||Not completed until 1964.|||||||0|0|Goetheanum II|Steiner, Rudolf 6126.00|0|Architect|03|MA-Hablik|2.31|1921 Exh|4b-1|MA-Hablik 2.31 1921 Exh 4b-1|Hexahedron, Variation 4, A11|Descriptive|Image Source (Pub)|Würfel, Variente 4, A11|Artists|Print Publication||||Exhibition Building Series. Hexahedron, Variation 4, A11|31146|Hablik, Wenzel||painter|Wenzel Hablik|0||||0|||||Czech||||||Europe||Germany||||||0||||0||||0||||0|Watercolors|Watercolor|Painting|Exhibit building||20|||1921|1921||1921|1921-1921||Exhibition Building Series|Series||6127||||0|||||Ink, pencil, watercolor on cardboard|ink|watercolor|cardboard|||painting (image-making)|||||64.1 x 49.1 cm||9667|Itzehoe: Wenzel-Hablik-Museum|Itzehoe: Wenzel-Hablik-Museum||Exhibition buildings ; |Exhibition buildings|||||||||Cornell||MNW|JNK|2/15/2006 0:00:00|2/14/2006 0:00:00|Hablik|||0||||||Exh|MA||||||2.31|1921| ||||||||Work|0|Modern Architecture|Inscriptions: 1. Cyklus: Austellungs-Bauten. "Wüffel" (Kalkspat) 2.Variante 4, A11, WH, 11 21 plus a floor plan.||||||||||0|0|Hexahedron, Variation 4, A11;Würfel, Variente 4, A11|Hablik, Wenzel 6127.00|0||||||||Exhibition Building Series|Translated|Cataloger|Cyklus Ausstellungsbauten||||||Exhibition Building Series|31146|Hablik, Wenzel||printmaker|Wenzel Hablik|0||||0|||||Czech||||||Europe||Germany||||||0||||0||||0||||0|Watercolors|Watercolor|Painting|Exhibit building||20|||1914|1921||1914-1921|1914-1921|||||0||||0|||||||||||painting (image-making)|||||||9667|Itzehoe: Wenzel-Hablik-Museum|Itzehoe: Wenzel-Hablik-Museum||Exhibition buildings ; |Exhibition buildings|||||||||Cornell||MNW|MNW|2/14/2006 0:00:00|2/14/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Exhibition Building Series;Cyklus Ausstellungsbauten|Hablik, Wenzel 6128.00|0||||||||Lace and Kente|Assigned|Image Source (Pub)|||||||Lace and Kente|31089|Anatsui, El||sculptor|El Anatsui|0||||0|||||Ghanaian|||Post-1945|||Africa||Ghana||||||0||||0||||0||||0|Sculpture|Sculpture|Relief|||20|||1993|1993|ca|ca 1993|ca 1993-1993|||||0||||0|||||Okpo-ocha, oyili-oji, akparata woods, tempera|wood (plant material)|||||sculpture|relief||||94 x 116.9 x 2.5 cm||3561|Collection of the Artist|: Collection of the Artist||Textiles ; |Textiles|||||||||Cornell||JNK|JNK|2/14/2006 0:00:00|2/14/2006 0:00:00||||0||||||||||||||| |||||||||0||This work consists of 12 pieces.||||||||||0|0|Lace and Kente|Anatsui, El 6129.00|0||||||||Erosion|Assigned|Image Source (Pub)|||||||Erosion|31089|Anatsui, El||sculptor|El Anatsui|0||||0|||||Ghanaian|||Post-1945|||Africa||Ghana||||||0||||0||||0||||0|Sculpture|Sculpture|Installation (sculpture)|||20|||1992|1992||1992|1992-1992|||||0||||0|||||Piqua, marfin, tempera|wood (plant material)|tempera||||sculpture|||||300 cm High||3722|Washington, DC: Smithsonian Institution; National Museum of African Art|Wash, DC: Smithsonian; Nat. Mus. African Art||||||||||||Cornell||JNK|JNK|2/14/2006 0:00:00|2/14/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Erosion|Anatsui, El 6130.00|0||||||||Three Statements|Assigned|Image Source (Pub)|||||||Three Statements|31149|Adenaike, Tayo||painter|Tayo Adenaike|0||||0|||||Nigerian|||Post-1945|||Africa||Nigeria||||||0||||0||||0||||0|Paintings|Painting|Watercolor|||20|||1996|1996||1996|1996-1996|||||0||||0|||||Watercolor on paper|watercolor|paper (fiber product)||||painting (image-making)|||||61 x 45 cm||9668|Collection of Simon Ottenberg|: Coll. Simon Ottenberg||Symbols ; |Symbols|||||||||Cornell||JNK|JNK|2/14/2006 0:00:00|2/14/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Three Statements|Adenaike, Tayo 6131.00|0||||||||Rejuvenation|Assigned|Image Source (Pub)|||||||Rejuvenation|31149|Adenaike, Tayo||painter|Tayo Adenaike|0||||0|||||Nigerian|||Post-1945|||Africa||Nigeria||||||0||||0||||0||||0|Paintings|Painting|Watercolor|||20|||1994|1994||1994|1994-1994|||||0||||0|||||Watercolor on paper|watercolor|paper (fiber product)||||painting (image-making)|||||61 x 45.7 cm||9669|Collection of Janet L. Stanley|: Coll. Janet L. Stanley||Symbols ; |Symbols|||||||||Cornell||JNK|JNK|2/14/2006 0:00:00|2/14/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Rejuvenation|Adenaike, Tayo 6132.00|0||||||||Burden of Leadership|Assigned|Image Source (Pub)|||||||Burden of Leadership|31149|Adenaike, Tayo||painter|Tayo Adenaike|0||||0|||||Nigerian|||Post-1945|||Africa||Nigeria||||||0||||0||||0||||0|Paintings|Painting||||20|||1995|1995||1995|1995-1995|||||0||||0|||||Acrylic on canvas|acrylic|canvas||||painting (image-making)|||||108 x 71.1 cm||3561|Collection of the Artist|: Collection of the Artist||Figures (representations) ; |Figures (representations)|||||||||Cornell||JNK|JNK|2/14/2006 0:00:00|2/14/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Burden of Leadership|Adenaike, Tayo 6133.00|0||||||||Self-Portrait|Assigned|Image Source (Pub)|||||||Self-Portrait|31099|Udechukwu, Obiora||painter|Obiora Udechukwu|0||||0|||||Nigerian|||Post-1945|||Africa||Nigeria||||||0||||0||||0||||0|Drawings|Drawing||||20|||1991|1991||1991|1991-1991|||||0||||0|||||Ink and brush on paper|ink|paper (fiber product)||||drawing (image-making)|||||38.1 x 51 cm||3561|Collection of the Artist|: Collection of the Artist||Portraits ; Self-portraits ; |Portraits|Self-portraits||||||||Cornell||JNK|JNK|2/14/2006 0:00:00|2/14/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Self-Portrait|Udechukwu, Obiora 6134.00|0||||||||In Between|Assigned|Image Source (Pub)|||||||In Between|31099|Udechukwu, Obiora||painter|Obiora Udechukwu|0||||0|||||Nigerian|||Post-1945|||Africa||Nigeria||||||0||||0||||0||||0|Drawings|Drawing||||20|||1994|1994||1994|1994-1994|||||0||||0|||||Ink and brush on paper|ink|paper (fiber product)||||drawing (image-making)|||||22.8 x 30.5 cm||3561|Collection of the Artist|: Collection of the Artist||Faces (anatomy) ; |Faces (anatomy)|||||||||Cornell||JNK|JNK|2/14/2006 0:00:00|2/14/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|In Between|Udechukwu, Obiora 6135.00|0||||||||Uli Shrine Wall at Nri|Descriptive|Image Source (Pub)|||||||Uli Shrine Wall at Nri|0|||||0||||0|||||Oli|Nigerian|||||Africa||Nigeria||||||0|Awka, Nigeria|Near||10691||||||||0|Architecture|Wall||||20|||1994|1994||1994|1994-1994|||||0||||0||||||||||||||||||||||Shrines (structures) ; |Shrines (structures)|||||||||Cornell||JNK|JNK|2/15/2006 0:00:00|2/14/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Uli Shrine Wall at Nri| 6136.00|0|Architect|03|MA-vanDoes|1.0|1923 Cou|4b-1|MA-vanDoes 1.0 1923 Cou 4b-1|Counter-Construction|Assigned|Image Source (Pub)|Construction de l'Espace-Temps II|Original|Image Source (Pub)|Construction in Space-Time II|Translated|Image Source (Pub)|Counter-Construction (Construction in Space-Time II)|12104|Doesburg, Theo van||artist|Theo van Doesburg|0||||0|||||Dutch|||De Stijl|||Europe||Netherlands||||||0||||0||||0||||0|Drawings|Drawing||||20|||1923|1923||1923|1923-1923|||||0||||0|||||Gouache, ink, pencil on paper|gouache|ink|pencils|||drawing (image-making)|||||46 x 39.7 cm||9670|Madrid: Museo Thyssen-Bornemisza|Madrid: Mus. Thyssen-Bornemisza||Construction ; Buildings ; |Construction|Buildings||||||||Cornell||MNW|JNK|5/11/2006 0:00:00|2/14/2006 0:00:00|vanDoes|||0||527||||Cou|MA||||||1.0|1923| ||||||||Work|0|Modern Architecture|||||||||||0|0|Counter-Construction;Construction de l'Espace-Temps II;Construction in Space-Time II|Doesburg, Theo van 6137.00|0|Creator|15|35|R685-D|1925|1|35 R685-D 1925 1|Drawing of a Chess Table|Descriptive|Image Source (Pub)|||||||Drawing of a Chess Table|9965|Rodchenko, Aleksandr Mikhailovich||painter|Aleksandr Mikhailovich Rodchenko|0||||0|||||Russian||||||Asia||Russia||||||0||||0||||0||||0|Drawings|Drawing||||20|||1925|1925||1925|1925-1925|||||0||||0|||||||||||drawing (image-making)|||||||9671|Moscow: Rodchenko Archive|Moscow: Rodchenko Archive||Tables (support furniture) ; Exposition internationale des arts decoratifs et industriels moderns (1925: Paris) ; Board games ; Chess ; |Tables (support furniture)|Exposition internationale des arts decoratifs et industriels moderns (1925: Paris)|Board games|Chess||||||Cornell||MNW|MNW|2/14/2006 0:00:00|2/14/2006 0:00:00|R685|||0|||||||35|D||||||1925| ||||||||Work|0||Drawing for a piece of furniture for the workers' club section of the Russian Pavilion at the Exposition des Arts Decoratifs in Paris, 1925. Colquihoun, Modern Arch.||||||||||0|0|Drawing of a Chess Table|Rodchenko, Aleksandr Mikhailovich 6138.00|0|Site|03|B-H5 Bar|2.31|1929 Expo/Ger|6-10|B-H5 Bar 2.31 1929 Expo/Ger 6-10|Morning Cleaning, Mies van der Rohe Foundation, Barcelona|Artists|Image Source (Pub)|||||||Morning Cleaning, Mies van der Rohe Foundation, Barcelona|14144|Wall, Jeff||photographer|Jeff Wall|0||||0|||||Canadian||||||North and Central America||Canada||||||0||||0||||0||||0|Photographs|Transparency||||20|||1999|1999||1999|1999-1999|||||0||||0|||||Transparency in lightbox||||||photography|||||206 x 370 cm||||||Pabello´n Mies van der Rohe ; Chairs ; Exposicio´n Internacional de Barcelona (1929-1930) ; |Pabello´n Mies van der Rohe|Chairs|Exposicio´n Internacional de Barcelona (1929-1930)|||||||Cornell||MNW|JNK|2/15/2006 0:00:00|2/14/2006 0:00:00||Bar||0||||||Expo/Ger|B|||||H5|2.31|1929|||||||||Work|0|Architecture|||||||||||0|0|Morning Cleaning, Mies van der Rohe Foundation, Barcelona|Wall, Jeff 6139.00|0||||||||Ojiakor painting herself with Uli designs|Descriptive|Cataloger|||||||Ojiakor painting herself with Uli designs|31150|Ojiakor, Ekedinma||painter|Ekedinma Ojiakor|0||||0|||||Oli||||||Africa||Nigeria||||||0||||0||||0||||0|Body Art|Body Art||||20|||1995|1995||1995|1995-1995|||||0||||0|||||Body art||||||body art|painting (image-making)||||||||||Symbols ; |Symbols|||||||||Cornell||JNK|JNK|2/15/2006 0:00:00|2/15/2006 0:00:00||||0||||||||||||||||||||||||0||(Lft )Ojiakor from Agulu painting herself with a dull iron uli blade, (mid) Uli leg designs painted on herself by Ojiakor,(rt) Foot and ankle uli designe painted by Ojiakor by herself. Ottenberg, New Traditions.||||||||||0|0|Ojiakor painting herself with Uli designs|Ojiakor, Ekedinma 6140.00|0||||||||A painter of the Earth Shrine, Nimo, October 1994, showing leg uli designs|Descriptive|Image Source (Pub)|||||||A painter of the Earth Shrine, Nimo, October 1994, showing leg uli designs|0|||||0||||0|||||Oli||||||Africa||Nigeria||||||0||||0||||0||||0|Body Art|Body Art||||20|||1994|1994||1994|1994-1994|||||0||||0|||||Body art||||||body art|painting (image-making)||||||||||Symbols ; |Symbols|||||||||Cornell||JNK|JNK|2/15/2006 0:00:00|2/15/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|A painter of the Earth Shrine, Nimo, October 1994, showing leg uli designs| 6141.00|0||||||||Earth Shrine, Otenyi Village|Assigned|Image Source (Pub)|||||||Earth Shrine, Otenyi Village|0|||||0||||0|||||Oli||||||Africa||Nigeria||||||0|Nimo, Nigeria|||10692||||0||||0|Architecture|Shrine||||||||||||||||0||||0||||||||||||||||||||||Shrines (structures) ; |Shrines (structures)|||||||||Cornell||JNK|JNK|2/15/2006 0:00:00|2/15/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Earth Shrine, Otenyi Village| 6142.00|0|Creator|15|32|G613|P625||32 G613 P625 |Pietà (after Delacroix)|Assigned|Image Source (Pub)|||||||Pietà (after Delacroix)|12121|Gogh, Vincent van||painter|Vincent van Gogh|0||||0|||||Dutch|||Post-Impressionist|||Europe||Netherlands|France|||||0||||||||0||||0|Paintings|Painting|Oil painting|||19|||1889|1889||September, 1889|1889-1889|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||73 X 60.5 cm||3328|Amsterdam: Rijksmuseum Vincent van Gogh|Amsterdam: V. van Gogh Mus.||Pieta ; Pietà (by Eugène Delacroix) ; Passion of Christ ; |Pieta|Pietà (by Eugène Delacroix)|Passion of Christ|||||||Cornell||JNK|MNW|5/11/2006 0:00:00|2/15/2006 0:00:00|G613|||0||||||P625|32|||||||| ||||||||Work|0|||||September, 1889.|||||||0|0|Pietà (after Delacroix)|Gogh, Vincent van 6143.00|0|Creator|15|32|G613|C998||32 G613 C998 |Cypresses|Assigned|Repository|Cypresses, Saint-Rémy|Variant|Image Source (Pub)|Le Cyprès|Original|Repository|Cypresses|12121|Gogh, Vincent van||painter|Vincent van Gogh|0||||0|||||Dutch|||Post-Impressionist|||Europe||Netherlands|France|||||0||||||||0||||0|Paintings|Painting|Oil painting|||19|||1889|1889||June, 1889|1889-1889|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||93.4 x 74 cm||3294|New York: Metropolitan Museum of Art|New York: Metropolitan||Trees ; Cypresses ; Landscapes ; |Trees|Cypresses|Landscapes|||||||Cornell||JNK|MNW|11/22/2006 0:00:00|2/16/2006 0:00:00|G613|||0||49.30||||C998|32|||||||| ||||||||Work|0||This is presumably "Le Cyprès" shown in the 1890 Salon des Indépendants in Paris. Metropolitan Museum.|||June 1889|||||Rogers Fund, 1949 (49.30)||0|0|Cypresses;Cypresses, Saint-Rémy;Le Cyprès|Gogh, Vincent van 6144.00|0|Creator|15|32|G613|P362||32 G613 P362 |Peasant Woman Binding Sheaves (after Millet)|Assigned|Repository|Peasant Woman Binding Wheat, after Millet|Variant|Image Source (Pub)||||Peasant Woman Binding Sheaves (after Millet)|12121|Gogh, Vincent van||painter|Vincent van Gogh|0||||0|||||Dutch|||Post-Impressionist|||Europe||Netherlands|France|||||0||||||||0||||0|Paintings|Painting|Oil painting|||19|||1889|1889||1889|1889-1889|||||0||||0|||||Oil on pasteboard|oil paint|pasteboard||||painting (image-making)|||||44 x 33.5 cm||3328|Amsterdam: Rijksmuseum Vincent van Gogh|Amsterdam: V. van Gogh Mus.||Harvesting ; Wheat ; Peasants ; Women ; Landscapes ; |Harvesting|Wheat|Peasants|Women|Landscapes|||||Cornell||JNK|JNK|2/16/2006 0:00:00|2/16/2006 0:00:00|G613|||0||||||P362|32|||||||| ||||||||Work|0||||||||||||0|0|Peasant Woman Binding Sheaves (after Millet);Peasant Woman Binding Wheat, after Millet|Gogh, Vincent van 6145.00|0|Site|02|B-L8|SelPie|7.5 DriCon||B-L8 SelPie 7.5 DriCon |House of the Drinking Contest|Descriptive|Dict.Art||||||||0|||||0||||0|||||Roman|||Roman Period|||Asia||Turkey||||||0|Seleucia Pieria|||10693||||0||||0|Architecture|Archaeological site|House|||3|||||||3rd Century|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|2/16/2006 0:00:00||SelPie||0||||||DriCon|B|||||L8|7.5|| ||||||||Work|0|Architecture-Turkey|Remains of house take their name from Mosaic of the Drinking Contest||||||||||0|0|House of the Drinking Contest| 6146.00|0|Site|02|B-L8|SelPie|7.5 DriCon||B-L8 SelPie 7.5 DriCon |Eros and Psyche|Descriptive|Image Source (Pub)|||||||House of the Drinking Contest. Eros and Psyche|0|||||0||||0|||||Roman|||Roman Period|||Asia||Turkey||||||0||||0|Seleucia Pieria|||10693||||0|Mosaics|Floor|||CE|3|||200|300||3rd Century|200-300||House of the Drinking Contest|Larger entity||6145||||0||||||marble|limestone|glass (material)|||mosaic|||||||123|Antioch: Archaeological Museum|Antioch: Archeol. Mus.||Eros ; Psyche ; |Eros|Psyche||||||||Cornell||HB|HB|6/2/2006 0:00:00|2/16/2006 0:00:00||SelPie|SelPie|0||||||DriCon|B|||||L8|7.5|| ||||||||Work|0|Architecture-Turkey|Mosaic from the Portico of the house||||||||||0|0|Eros and Psyche| 6147.00|0|Creator|15|32|G613|0485||32 G613 0485 |Olive Grove|Assigned|Repository|Olive Plantation|Variant|Image Source (Pub)|Olive Yard|Variant|Online Resource|Olive Grove|12121|Gogh, Vincent van||painter|Vincent van Gogh|0||||0|||||Dutch|||Post-Impressionist|||Europe||Netherlands|France|||||0||||||||0||||0|Paintings|Painting|Oil painting|||19|||1889|1889||1889|1889-1889|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||72 x 92 cm||3327|Otterlo: Rijksmuseum Kröller-Müller|Otterlo: Kröller-Müller||Trees ; Olives ; Landscapes ; |Trees|Olives|Landscapes|||||||Cornell||JNK|MNW|5/11/2006 0:00:00|2/16/2006 0:00:00|G613|||0||||||O485|32|||||||| ||||||||Work|0||||||||||||0|0|Olive Grove;Olive Plantation;Olive Yard|Gogh, Vincent van 6148.00|0|Category|07|Q-05.3|LH|||Q-05.3 LH |Stirrup Jar|Descriptive|Dict.Art||||||||0|||||0||||0|||||Mycenaean|Greek||Late Helladic|||Europe|Peloponnese|Greece||||||0||||||||0|Mycenae, Greece|||10694|Ceramics|Jar|||BCE|-14||||||14th Century BCE|14th Century|||||0||||0|||||||||||ceramics|painting (image-making)|vase painting|||||4707|Thebes (GRC): Archeological Museum|Thebes: Archeol. Mus.||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|2/16/2006 0:00:00||||0|||||||Q|||05.3|LH|||| ||||||||Work|0|Ceramics-Mycenean|Octopus Style. Found in the "Old Kadmeion", the palace know and the "House of Kadmos".||||||||||0|0|Stirrup Jar| 6149.00|0|Creator|15|32|G613|R628||32 G613 R628 |Road with Cypress and a Star|Assigned|Image Source (Pub)|||||||Road with Cypress and a Star|12121|Gogh, Vincent van||painter|Vincent van Gogh|0||||0|||||Dutch|||Post-Impressionist|||Europe||Netherlands|France|||||0||||||||0||||0|Paintings|Painting|Oil painting|||19|||1890|1890||1890|1890-1890|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||92 x 73 cm||3327|Otterlo: Rijksmuseum Kröller-Müller|Otterlo: Kröller-Müller||Cypresses ; Roads ; Landscapes ; Stars ; |Cypresses|Roads|Landscapes|Stars||||||Cornell||JNK|MNW|5/11/2006 0:00:00|2/16/2006 0:00:00|G613|||0||||||R628|32|||||||| ||||||||Work|0||||||||||||0|0||Gogh, Vincent van 6150.00|0|Creator|15|32|G613|S731||32 G613 S731 |The Sower|Assigned|Image Source (Pub)|||||||The Sower|12121|Gogh, Vincent van||painter|Vincent van Gogh|0||||0|||||Dutch|||Post-Impressionist|||Europe||Netherlands|France|||||0||||||||0||||0|Paintings|Painting|Oil painting|||19|||1888|1888||June, 1888|1888-1888|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||64 x 80.5 cm||3327|Otterlo: Rijksmuseum Kröller-Müller|Otterlo: Kröller-Müller||Landscapes ; Sowers ; |Landscapes|Sowers||||||||Cornell||JNK|MNW|5/11/2006 0:00:00|2/16/2006 0:00:00|G613|||0||||||S731|32|||||||| ||||||||Work|0|||||June, 1888|||||||0|0||Gogh, Vincent van 6151.00|0|Creator|15|32|G613|O484||32 G613 O484 |Olive Grove with Two Olive Pickers|Assigned|Repository|Olive Gathering|Variant|Image Source (Pub)||||Olive Grove with Two Olive Pickers|12121|Gogh, Vincent van||painter|Vincent van Gogh|0||||0|||||Dutch|||Post-Impressionist|||Europe||Netherlands|France|||||0||||0||||0||||0|Paintings|Oil painting|Painting|||19|||1889|1889||1889|1889-1889|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||73 x 92 cm||3327|Otterlo: Rijksmuseum Kröller-Müller|Otterlo: Kröller-Müller||Olive ; Trees ; Harvesting ; |Olive|Trees|Harvesting|||||||Cornell||JNK|MNW|11/22/2006 0:00:00|2/16/2006 0:00:00|G613|||0||||||O484|32|||||||| ||||||||Work|0||||||||||||0|0|Olive Grove with Two Olive Pickers;Olive Gathering|Gogh, Vincent van 6152.00|0|Creator|15|27|V523-P|G526||27 V523-P G526 |Girl with a Red Hat|Assigned|Repository|||||||Girl with a Red Hat|12243|Vermeer, Jan||painter|Jan Vermeer|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Portrait||17|||1665|1666|ca|ca 1665-1666|ca 1665-1666|||||0||||0|||||Oil on panel|oil paint|panels (wood)||||painting (image-making)|||||23.2 x 18.1 cm||3367|Washington, DC: National Gallery of Art|Wash, DC: National Gallery||Portraits ; Women ; Hats ; |Portraits|Women|Hats|||||||Cornell||JNK|MNW|10/30/2006 0:00:00|2/16/2006 0:00:00|V523|||0||1937.1.53||||G526|27|P||||||| ||||||||Work|0||||||||||||0|0|Girl with a Red Hat|Vermeer, Jan 6153.00|0|Creator|15|27|V523-|C857||27 V523- C857|A Lady at the Virginal with a Gentleman|Assigned|Repository|The Music Lesson|Variant|Repository||||A Lady at the Virginal with a Gentleman|12243|Vermeer, Jan||painter|Jan Vermeer|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1662|1665|ca|ca 1662-1665|ca 1662-1665|||||0||||0|||||Oil on panel|oil paint|panels (wood)||||painting (image-making)|||||73.3 x 64.5 cm||1514|London: Buckingham Palace|London: Buckingham Pal.||Interior views ; Women ; Men (male humans) ; Musical instruments ; Virginals ; |Interior views|Women|Men (male humans)|Musical instruments|Virginals|||||Cornell||JNK|MNW|10/30/2006 0:00:00|2/16/2006 0:00:00|V523|||0||RCIN 405346||||C857|27|||||||| ||||||||Work|0||||||||||||0|0|A Lady at the Virginal with a Gentleman;The Music Lesson|Vermeer, Jan 6154.00|0|Creator|15|27|V523-|Y781||27 V523- Y781 |A Young Woman Standing at a Virginal|Assigned|Repository|||||||A Young Woman Standing at a Virginal|12243|Vermeer, Jan||painter|Jan Vermeer|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1670|1675|ca|ca 1670-1675|ca 1670-1675|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||51.7 x 45.2 cm||3357|London: National Gallery|London: National Gallery||Interior views ; Musical instruments ; Women ; Virginals ; Cupid ; |Interior views|Musical instruments|Women|Virginals|Cupid|||||Cornell||JNK|MNW|10/30/2006 0:00:00|2/16/2006 0:00:00|V523|||0||NG1383||||Y781|27|||||||| ||||||||Work|0||||||||||||0|0|A Young Woman Standing at a Virginal|Vermeer, Jan 6155.00|0|Creator|15|27|V523-|O3291||27 V523- O3291 |Officer and Laughing Girl|Assigned|Repository|||||||Officer and Laughing Girl|12243|Vermeer, Jan||painter|Jan Vermeer|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1655|1660||1655-1660|1655-1660|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||50.48 x 46.04 cm||3379|New York: Frick Collection|New York: Frick Collection||Interior views ; Women ; Men (male humans) ; Maps ; Hats ; |Interior views|Women|Men (male humans)|Maps|Hats|||||Cornell||JNK|MNW|10/30/2006 0:00:00|2/16/2006 0:00:00|V523|||0||1911.1.127||||O3291|27|||||||| ||||||||Work|0||||||||||||0|0|Officer and Laughing Girl|Vermeer, Jan 6156.00|0|Creator|15|25|W546-PA|26 C|1|25 W546-PA 26 C 1|The Crucifixion, with the Virgin and Saint John the Evangelist Mourning|Preferred|Repository|Crucifixion Diptych|Variant|Online Resource||||The Crucifixion, with the Virgin and Saint John the Evangelist Mourning|12657|Weyden, Rogier van der||painter|Rogier van der Weyden|0||||0|||||Flemish|Netherlandish||Renaissance|||Europe||Belgium||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Diptych||15|||1450|1459||1450s|1450-1459|||||0||||0|||||Oil and gold on panel|oil paint|gold|panels (wood)|||painting (image-making)|||||178 x 90.2 cm (each panel)||3281|Philadelphia: Philadelphia Museum of Art|Philadelphia: Museum of Art||Crucifixion ; Christ ; Virgin Mary ; Saint John the Evangelist ; |Crucifixion|Christ|Virgin Mary|Saint John the Evangelist||||||Cornell||JNK|JNK|11/10/2006 0:00:00|2/16/2006 0:00:00|W546|||0||Cat. 335,334||||26 C|25|PA||||||| ||||||||Work|0||||||||||John G. Johnson Collection, 1917.||0|0|The Crucifixion, with the Virgin and Saint John the Evangelist Mourning;Crucifixion Diptych|Weyden, Rogier van der 6157.00|0|Creator|15|25|W546-PA|22A|1|25 W546-PA 22A 1|Columba Triptych|Translated|Dict.Art|Columba-Altar|Assigned|Repository|Adoration of the Magi Altarpiece|Variant|Image Source (Pub)|Columba Triptych|12657|Weyden, Rogier van der||painter|Rogier van der Weyden|0||||0|||||Flemish|||Renaissance|||Europe||Belgium||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Triptych||15|||1455|1455|ca|ca 1455|ca 1455-1455|||||0||||0|||||Oil on panel|oil paint|panels (wood)||||painting (image-making)|||||139.5 x 292.9 cm (entire)||1784|Munich: Bayerische Staatsgemäldesammlungen; Alte Pinakothek|Munich: Alte Pinakothek||Adoration of the Magi ; Madonna and Child ; Annunciation ; Presentation of Christ ; |Adoration of the Magi|Madonna and Child|Annunciation|Presentation of Christ||||||Cornell||JNK|MNW|10/30/2006 0:00:00|2/16/2006 0:00:00|W546|||0||Nr. WAF 1189||||22A|25|PA||||||| ||||||||Work|0||Dimensions: 138.1 x 153 cm (center), 138.1 x 70 cm (each wing). Designed by Rogier van der Weyden but executed in collaboration with several assistants. DOA.||||||||The triptych comes from the church of St Columba at Cologne. DOA.||0|0|Columba Triptych;Columba-Altar;Adoration of the Magi Altarpiece|Weyden, Rogier van der 6158.00|0|Creator|15|27|Z969-|S857||27 Z969- S857 |Still Life with Ceramic Pots|Assigned|Image Source (Pub)|Still Life with Pottery Jars|Variant|Online Resource||||Still Life with Ceramic Pots|30812|Zurbarán, Francisco de||painter|Francisco de Zurbarán|0||||0|||||Spanish|||Baroque|||Europe||Spain||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Still life||17|||1630|1640|ca|ca 1635|ca 1630-1640|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||46 x 84 cm||1616|Madrid: Museo del Prado|Madrid: Prado||Still lifes ; |Still lifes|||||||||Cornell||JNK|MNW|10/30/2006 0:00:00|2/16/2006 0:00:00|Z969|||0||2803||||S857|27|||||||| ||||||||Work|0||||||||||||0|0|Still Life with Ceramic Pots;Still Life with Pottery Jars|Zurbarán, Francisco de 6159.00|0|Site|02|B-H3.1|Sel|3.4 TempG||B-H3.1 Sel 3.4 TempG |Temple G|Descriptive|Blue Guide||||||||0|||||0||||0|||||Roman|||Roman Period|||Europe|Sicily|Italy||||||0|Selinunte, Sicily|||10689||||0||||0|Architecture|Archaeological site|Temple||BCE|-6|-5||-550|-409|ca|ca 550-409 BCE|ca -550 - -409|||||0||||0||||||||||||||||50.7 x 110.12 m||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|2/17/2006 0:00:00||Sel||0||||||TempG|B|||||H3.1|3.4||||||||||Work|0|Architecture-Sicily|The temple was still incomplete in 409 when Selinunte was destroyed by the Carthaginians.||||||||||0|0|Temple G| 6160.00|0|Creator|15|40|B528|A652||40 B528 A652 |Apollo and Daphne|Assigned|Repository|||||||Apollo and Daphne|1103|Bernini, Gian Lorenzo||architect|Gian Lorenzo Bernini|0||||0|||||Italian|||Baroque|||Europe||Italy||||||0||||0||||0||||0|Sculpture|Sculpture||||17|||1622|1625||1622-1625|1622-1625|||||0||||0|||||Carrara marble|marble|||||sculpture|||||243 cm high||2429|Rome: Galleria Borghese|Rome: Galleria Borghese||Apollo (Greek deity) ; Daphne ; Daphne changed into a laurel-tree ; Nymphaea ; Gods ; Mythology ; |Apollo (Greek deity)|Daphne|Daphne changed into a laurel-tree|Nymphaea|Gods|Mythology||||Cornell||JNK|MNW|10/30/2006 0:00:00|2/17/2006 0:00:00|B528|||0||||||A652|40|||||||| ||||||||Work|0||||||||||||0|0|Apollo and Daphne|Bernini, Gian Lorenzo 6161.00|0|Site|02|B-L8|Aph|7.1 NTem||B-L8 Aph 7.1 NTem |North Temenos Complex|Descriptive|Dict.Art||||||||0|||||0||||0|||||Roman|||Late Antique|||Asia||Turkey||||||0|Aphrodisias, Turkey|||10695||||0||||0|Architecture|Archaeological site|Relgious complex||CE|3||||||3rd Century CE|3rd Century CE|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|2/17/2006 0:00:00||Aph||0||||||NTem|B|||||L8|7.1||||||||||Work|0|Architecture-Turkey|||||||||||0|0|North Temenos Complex| 6162.00|0|Site|02|B-H2|Par|7.1 Lou||B-H2 Par 7.1 Lou |East Façade|Assigned|Image Source (Pub)|Colonnade|Variant|Dict.Art||||Palais du Louvre. East Façade|9100|Perrault, Claude||architect|Claude Perrault, Louis Le Vau, & Charles Le Brun|6877|Le Vau, Louis|||6888|Le Brun, Charles||||French|||Baroque|||Europe||France||||||0|Paris, France|||10058||||0||||0|Architecture|Palace|Museum|||17|||1667|1674||1667-1674|1667-1674||Palais du Louvre|Larger entity||643||||0||||||||||||||||||||||Colonnades ; Museums ; Musée du Louvre (Paris, France) ; Places ; |Colonnades|Museums|Musée du Louvre (Paris, France)|Places||||||Cornell||JNK|MNW|11/6/2006 0:00:00|2/17/2006 0:00:00||Par||0||||||Lou|B|||||H2|7.1||||||||||Work|0|Architecture-France|||||||||||0|0|East Façade;Colonnade|Perrault, Claude;Le Vau, Louis;Le Brun, Charles 6163.00|0|Site|02|B-H3|Rom|3.1 SPet|1|B-H3 Rom 3.1 SPet 1|Saint Peter's Project|Descriptive|Cataloger|||||||St. Peter's Basilica. Saint Peter's Project|1507|Bramante, Donato||architect|Donato Bramante|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Church|Basilica|||16|||1506|1514||1506-1514|1506-1514||St. Peter's Basilica|LargerEntity||133||||0||||||||||||||||||||||Churches ; basilicas ; Basilica di San Pietro in Vaticano ; |Churches|basilicas|Basilica di San Pietro in Vaticano|||||||Cornell||JNK|MNW|11/6/2006 0:00:00|2/17/2006 0:00:00||Rom||0||||||SPet|B|||||H3|3.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|Saint Peter's Project|Bramante, Donato 6164.00|0|Site|02|B-L8|Aph|3.4 Aph||B-L8 Aph 3.4 Aph |Temple of Aphrodite|Descriptive|Blue Guide||||||||0|||||0||||0|||||Roman|||Hellenistic|Roman Period|Byzantine|Asia||Turkey||||||0|Aphrodisias, Turkey|||10695||||0||||0|Archaeological Sites|Temple||||-1|1||-1 C|1C|ca|1st C BCE-1st C CE|ca -1 C-1C|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/2/2006 0:00:00|2/17/2006 0:00:00||Aph||0||||||Aph|B|||||L8|3.4|| |||||||||0|Architecture-Turkey|||||||||||0|0|Temple of Aphrodite| 6165.00|0|Site|02|B-L8|Aph|7.5 PreHou||B-L8 Aph 7.5 PreHou |Priest's House|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||Byzantine|||Early Christian|||Asia||Turkey||||||0|Aphrodisias, Turkey|||10695||||0||||0|Archaeological Sites|House|||CE|5||||||mid-late 5th C CE|mid-late 5th C CE|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/2/2006 0:00:00|2/17/2006 0:00:00||Aph||0||||||PreHou|B|||||L8|7.5|||||||||||0|Architecture-Turkey|||||||||||0|0|Priest's House| 6166.00|0|Creator|15|27|M186-PA|90|9|27 M186-PA 90 9|The Listening Maid|Assigned|Image Source (Pub)|||||||The Listening Maid|7401|Maes, Nicolaes||painter|Nicolaes Maes|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1656|1656||1656|1656-1656|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||84.7 x 70.6 cm||1554|London: Wallace Collection|London: Wallace Coll.||Interior views ; Couples ; Mirrors ; Servants ; |Interior views|Couples|Mirrors|Servants||||||Cornell||JNK|MNW|4/28/2006 0:00:00|2/17/2006 0:00:00|M186|||0||||||90|27|PA||||||| 9||||||||Work|0||||||||||||0|0|The Listening Maid|Maes, Nicolaes 6167.00|0|Creator|15|25|C1968-PA|34|2|25 C1968-PA 34 2|Madonna and Child with Saints in the Enclosed Garden|Assigned|Repository|Madonna and Child with Saints|Variant|Image Source (Pub)||||Madonna and Child with Saints in the Enclosed Garden|3938|Campin, Robert||painter|Robert Campin|0||||0|||||Flemish|||Renaissance|||Europe||Belgium||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||15|||1440|1440||1440|1440-1440|||||0||||0|||||Oil on panel|oil paint|panels (wood)||||painting (image-making)|||||122.2 x 151.2 cm (entire panel)||3367|Washington, DC: National Gallery of Art|Wash, DC: National Gallery||Madonna and Child ; Saints ; Gardens ; |Madonna and Child|Saints|Gardens|||||||Cornell||JNK|MNW|11/6/2006 0:00:00|2/17/2006 0:00:00|C1968|||0||1959.9.3||||34 2|25|PA||||||| ||||||||Work|0||Painted surface: 119.8 x 148.5 cm||||||||||0|0|Madonna and Child with Saints in the Enclosed Garden;Madonna and Child with Saints|Campin, Robert 6168.00|0|Creator|05|J-Burtynsky|||17|J-Burtynsky 17|Textile Mill in Xiaoshan, Zhejiang Province, China|Descriptive|Image Source (Pub)|||||||Textile Mill in Xiaoshan, Zhejiang Province, China|30346|Burtynsky, Edward||photographer|Edward Burtynsky|0||||0|||||||||||||||||||0||||0||||0||||0|Photographs|Documentary photograph|Photographic print|||21|||2004|2004|ca|ca 2004|ca 2004-2004|||||0||||0|||||Color photograph||||||photography|chromogenic processes||||||||||Textile mills ; Workers ; |Textile mills|Workers||||||||Cornell||MNW|JNK|2/20/2006 0:00:00|2/17/2006 0:00:00|Burtynsky|||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Textile Mill in Xiaoshan, Zhejiang Province, China|Burtynsky, Edward 6169.00|0|Creator|05|J-Burtynsky|||18|J-Burtynsky 18|Boomtown Shanghai, 2004|Descriptive|Image Source (Pub)|||||||Boomtown Shanghai, 2004|30346|Burtynsky, Edward||photographer|Edward Burtynsky|0||||0|||||||||||||||||||0||||0||||0||||0|Photographs|Documentary photograph|Photographic print|||21|||2004|2004|ca|ca 2004|ca 2004-2004|||||0||||0|||||Color photograph||||||photography|chromogenic processes||||||||||Cityscapes ; Shanghai (China) ; Skyscrapers ; |Cityscapes|Shanghai (China)|Skyscrapers|||||||Cornell||MNW|JNK|2/20/2006 0:00:00|2/17/2006 0:00:00|Burtynsky|||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Boomtown Shanghai, 2004|Burtynsky, Edward 6170.00|0|Creator|15|25|E974-PA|5T|1|25 E974-PA 5T 1|Portrait of a Man ('Léal Souvenir')|Assigned|Repository|Portrait of Tymotheos|Former|Image Source (Pub)||||Portrait of a Man ('Léal Souvenir')|3675|Eyck, Jan van||painter|Jan van Eyck|0||||0|||||Netherlandish|||Renaissance|||Europe||Belgium||||||0||||0||||0||||0|Paintings|Oil painting|Painting|Portrait||15|||1432|1432||1432|1432-1432|||||0||||0|||||Oil on oak|oil paint|oak||||painting (image-making)|||||33.3 x 18.9 cm||3357|London: National Gallery|London: National Gallery||Portraits ; Men (male humans) ; |Portraits|Men (male humans)||||||||Cornell||JNK|JNK|2/17/2006 0:00:00|2/17/2006 0:00:00|E974|||0||NG290||||5T|25|PA||||||| ||||||||Work|0||||||||||||0|0|Portrait of a Man ('Léal Souvenir');Portrait of Tymotheos|Eyck, Jan van 6171.00|0|Creator|05|J-Burtynsky|||19|J-Burtynsky 19|Shift Change at a Shoe Factory in Guandong Province|Descriptive|Image Source (Pub)|||||||Shift Change at a Shoe Factory in Guandong Province|30346|Burtynsky, Edward||photographer|Edward Burtynsky|0||||0|||||||||||||||||||0||||0||||0||||0|Photographs|Documentary photograph|Photographic print|||21|||2004|2004|ca|ca 2004|ca 2004-2004|||||0||||0|||||Color photograph||||||photography|chromogenic processes||||||3572|New York: Charles Cowles Gallery|New York: Charles Cowles Gal.||Factories (structures) ; Cityscapes ; |Factories (structures)|Cityscapes||||||||Cornell||MNW|JNK|2/20/2006 0:00:00|2/17/2006 0:00:00|Burtynsky|||0|||||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Shift Change at a Shoe Factory in Guandong Province|Burtynsky, Edward 6172.00|0|Creator|05|J-Burtynsky|||20|J-Burtynsky 20|Home at Work: a Workers' Dormitory in Dongguan District Gaobu Town, China|Descriptive|Image Source (Pub)|||||||Home at Work: a Workers' Dormitory in Dongguan District Gaobu Town, China|30346|Burtynsky, Edward||photographer|Edward Burtynsky|0||||0|||||||||||||||||||0||||0||||0||||0|Photographs|Documentary photograph||||21|||2004|2004|ca|ca 2004|ca 2004-2004|||||0||||0|||||Color photograph||||||photography|||||||||||Housing developments ; Industrial housing ; |Housing developments|Industrial housing||||||||Cornell||MNW|JNK|2/20/2006 0:00:00|2/17/2006 0:00:00|Burtynsky|||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Home at Work: a Workers' Dormitory in Dongguan District Gaobu Town, China|Burtynsky, Edward 6173.00|0|Creator|05|J-Burtynsky|||21|J-Burtynsky 21|City in the Sky: Shanghai, where the high-rises can't rise fast enough|Descriptive|Image Source (Pub)|||||||City in the Sky: Shanghai, where the high-rises can't rise fast enough|30346|Burtynsky, Edward||photographer|Edward Burtynsky|0||||0|||||||||||||||||||0||||0||||0||||0|Photographs|Documentary photograph||||21|||2004|2004|ca|ca 2004|ca 2004-2004|||||0||||0|||||Color photograph||||||photography|||||||||||Shanghai (China) ; Cityscapes ; Highways ; Skyscrapers ; |Shanghai (China)|Cityscapes|Highways|Skyscrapers||||||Cornell||MNW|JNK|2/20/2006 0:00:00|2/17/2006 0:00:00|Burtynsky|||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|City in the Sky: Shanghai, where the high-rises can't rise fast enough|Burtynsky, Edward 6174.00|0|Architect|03|MA-Del&Ald|4.2|1923 Cor/Str|9-4|MA-Del&Ald 4.2 1923 Cor/Str 9-4|Students Exit After Taking Over Willard Straight Hall on April 20, 1969|Descriptive|Image Source (Pub)|||||||Students Exit After Taking Over Willard Straight Hall on April 20, 1969|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1969|1969||April 20, 1969|1969-1969|||||0||||0|||||Documentary photograph||||||photography|||||||||||Williard Straight Hall takeover ; Cornell University ; Protests ; Race (concept) ; Racial discrimination ; |Williard Straight Hall takeover|Cornell University|Protests|Race (concept)|Racial discrimination|||||Cornell||MNW|JNK|2/20/2006 0:00:00|2/17/2006 0:00:00|Del&Ald|||0||||||Cor/Str|MA||||||4.2|1923|||||||||Work|0|Modern Architecture||||April 20, 1969|||||||0|0|Students Exit After Taking Over Willard Straight Hall on April 20, 1969| 6175.00|0|Category|06|J-MP-Edwards|1|Break||J-MP-Edwards 1 Break |Breakfast at Tiffany's|Published|Image Source (Pub)|||||||Breakfast at Tiffany's|31151|Edwards, Blake||director, film|Blake Edwards|31152|Capote, Truman||author|31153|Axelrod, George||author||American||||||North and Central America||United States||||||0||||0||||0||||0|Motion Pictures|Motion picture (visual work)||||20|||1961|1961||1961|1961-1961|||||0||||0||||||||||||||||||||||New York, NY ; |New York, NY|||||||||Cornell||MNW|JNK|2/20/2006 0:00:00|2/18/2006 0:00:00|Edwards|||0||||||Break|J-MP||||||1||||||||||Work|0||Produced in the United States by Parmount. Screenplay by George Axelrod from a novella by Truman Capote. IMDb.||||||||||0|0|Breakfast at Tiffany's|Edwards, Blake;Capote, Truman;Axelrod, George 6176.00|0|Category|06|J-MP-Schlesinger|1|Midnight||J-MP-Schlesinger 1 Midnight |Midnight Cowboy|Published|Image Source (Pub)|||||||Midnight Cowboy|31154|Schlesinger, John||director, film|John Schlesinger|31155|Salt, Waldo||author|31156|Herlihy, James Leo||author||American||||||North and Central America||United States||||||0||||0||||0||||0|Motion Pictures|Motion picture (visual work)||||20|||1969|1969||1969|1969-1969|||||0||||0||||||||||||||||||||||New York, NY ; |New York, NY|||||||||Cornell||MNW|MNW|2/18/2006 0:00:00|2/18/2006 0:00:00||||0||||||Midnight|J-MP||||||1||||||||||Work|0||Produced in the United States by United Artists. Screenplay by Waldo Salt from a novell by James Leo Herlihy. IMDb.||||||||||0|0|Midnight Cowboy|Schlesinger, John;Salt, Waldo;Herlihy, James Leo 6177.00|0|Category|06|J-MP-Scorsese|1|Taxi||J-MP-Scorsese 1 Taxi |Taxi Driver|Published|Image Source (Pub)|||||||Taxi Driver|31157|Scorsese, Martin||director, film|Martin Scorsese|31158|Schrader, Paul||author|0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Motion Pictures|Motion picture (visual work)||||20|||1976|1976||1976|1976-1976|||||0||||0||||||||||||||||||||||New York, NY ; Motion pictures (visual works) ; |New York, NY|Motion pictures (visual works)||||||||Cornell||MNW|MNW|6/13/2006 0:00:00|2/18/2006 0:00:00|Scorsese|||0||||||Taxi|J-MP|||||||||1|||||||Work|0||Produced in the United States by Columbia. Screenplay by Paul Schrader; the art director is Charles Rosen. IMDb.-||||||||||0|0|Taxi Driver|Scorsese, Martin;Schrader, Paul 6178.00|0|Creator|15|27|D994-|R578||27 D994- R578 |Rinaldo and Armida|Assigned|Repository|||||||Rinaldo and Armida|3423|Dyck, Anthony Van, Sir||painter|Anthony Van Dyck|0||||0|||||Flemish|||Baroque|||Europe||Belgium|England|||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1629|1629||1629|1629-1629|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||236 x 224 cm||3842|Baltimore: Baltimore Museum of Art|Baltimore: Mus. Art||Rinaldo ; Armida ; Jerusalem Delivered (by Torquato Tasso) ; Couples ; Love ; Nymphs ; |Rinaldo|Armida|Jerusalem Delivered (by Torquato Tasso)|Couples|Love|Nymphs||||Cornell||JNK|MNW|11/7/2006 0:00:00|2/20/2006 0:00:00|D994|||0||BMA1951.103||||R578|27|||||||| ||||||||Work|0||||||||||||0|0|Rinaldo and Armida|Dyck, Anthony Van, Sir 6179.00|0|Creator|15|27|D994|G861||27 D994 G861 |Marchesa Elena Grimaldi Cattaneo|Assigned|Repository|||||||Marchesa Elena Grimaldi Cattaneo|3423|Dyck, Anthony Van, Sir||painter|Anthony Van Dyck|0||||0|||||Flemish|||Baroque|||Europe||Belgium|England|||||0||||0||||0||||0|Paintings|Painting|Oil painting|Portrait||17|||1623|1623||1623|1623-1623|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||242.9 x 138.5 cm||3367|Washington, DC: National Gallery of Art|Wash, DC: National Gallery||Portraits ; Grimaldi Cattaneo, Marchesa Elena ; |Portraits|Grimaldi Cattaneo, Marchesa Elena||||||||Cornell||JNK|MNW|11/7/2006 0:00:00|2/20/2006 0:00:00|D994|||0||1942.9.92||||G861|27|||||||| ||||||||Work|0||||||||||||0|0|Marchesa Elena Grimaldi Cattaneo|Dyck, Anthony Van, Sir 6180.00|0|Site|02|B-L8|Aph|7.1 Bish||B-L8 Aph 7.1 Bish |Bishop's Palace|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||Roman|||Late Antique|||Asia||Turkey||||||0|Aphrodisias, Turkey|||10695||||0||||0|Archaeological Sites|Palace|||CE|3|||350|375|ca|ca 350-375 CE|ca 350-375|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|2/20/2006 0:00:00||Aph||0||||||Bish|B|||||L8|7.1||||||||||Work|0|Architecture-Turkey|||||||||||0|0|Bishop's Palace| 6181.00|0|Site|02|B-L8|Aph|7.5 E. Ode||B-L8 Aph 7.5 E. Ode |East Odeon Area|Descriptive|||||||||0|||||0||||0|||||Roman|||Roman Period|||Asia||Turkey||||||0|Aphrodisias, Turkey|||10695||||0||||0|Archaeological Sites|Theater||||||||||2nd quarter of 2nd C CE|2nd quarter of 2nd C CE|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|2/20/2006 0:00:00||Aph||0||||||E. Ode|B|||||L8|7.5||||||||||Work|0|Architecture-Turkey|||||||||||0|0|East Odeon Area| 6182.00|0|Site|02|B-L8|Aph|2.22 Ode||B-L8 Aph 2.22 Ode |Odeon|Descriptive|Blue Guide||||||||0|||||0||||0|||||Roman|||Roman Period|||Asia||Turkey||||||0|Aphrodisias, Turkey|||10695||||0||||0|Archaeological Sites|Theater||||1|2|||||Late 1st C CE||||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|2/20/2006 0:00:00||Aph||0||||||Ode|B|||||L8|2.22||||||||||Work|0|Architecture-Turkey|||||||||||0|0|Odeon| 6183.00|0|Site|02|B-L8|Aph|7.5 TetrHou||B-L8 Aph 7.5 TetrHou |Tetrapylon House|Descriptive|Blue Guide||||||||0|||||0||||0|||||Byzantine|||Early Christian|||Asia||Turkey||||||0|Aphrodisias, Turkey|||10695||||0||||0|Archaeological Sites|House|||CE||||500|550|ca.|Early 5th C CE|ca. 500-550|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|2/20/2006 0:00:00||Aph||0||||||TetrHou|B|||||L8|7.5||||||||||Work|0|Architecture-Turkey|House near the Tetrapylon||||||||||0|0|Tetrapylon House| 6184.00|0|Site|02|B-L8|Aph|7.5 Hou2||B-L8 Aph 7.5 Hou2 |House 2|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||Byzantine|||Early Christian|||Asia||Turkey||||||0|Aphrodisias, Turkey|||10695||||0||||0|Archaeological Sites|House|||CE|5|||540|560|ca.|mid, 5th C CE|ca. 540-560|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|2/20/2006 0:00:00||Aph||0||||||Hou2|B|||||L8|7.5||||||||||Work|0|Architecture-Turkey|||||||||||0|0|House 2| 6185.00|0|Site|02|B-L8|Aph|2.33 BatHad||B-L8 Aph 2.33 BatHad |Baths of Hadrian|Descriptive|Blue Guide||||||||0|||||0||||0|||||Roman|||Roman Period|||Asia||Turkey||||||0|Aphrodisias, Turkey|||10695||||0||||0|Archaeological Sites|Bathhouse|||CE||||120|130|ca|ca 120-130 CE|ca 120-130|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|2/20/2006 0:00:00||Aph||0||||||BatHad|B|||||L8|2.33||||||||||Work|0|Architecture-Turkey|||||||||||0|0|Baths of Hadrian| 6186.00|0|Site|02|B-L8|Aph|2.23 Bas||B-L8 Aph 2.23 Bas |Basilica|Descriptive|Blue Guide||||||||0|||||0||||0|||||Roman|||Roman Period|||Asia||Turkey||||||0|Aphrodisias, Turkey|||10695||||0||||0|Archaeological Sites|Basilica|||CE||||70|90|ca|ca 70-90|ca 70-90|||||0||||0||||||||||||||||100 x 30 m||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|2/20/2006 0:00:00||Aph||0||||||Bas|B|||||L8|2.23||||||||||Work|0|Architecture-Turkey|||||||||||0|0|Basilica| 6187.00|0|Site|02|B-L8|Aph|2.33 AulTer||B-L8 Aph 2.33 AulTer |Aula Termale|Descriptive|Image Source (Pub)|Theater Baths Complex||Blue Guide|||||0|||||0||||0|||||Roman|||Late Antique|||Asia||Turkey||||||0|Aphrodisias, Turkey|||10695||||0||||0|Archaeological Sites|Bathhouse||||2|3|||||||||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|2/20/2006 0:00:00||Aph||0||||||AulTer|B|||||L8|2.33||||||||||Work|0|Architecture-Turkey|||||||||||0|0|Aula Termale;Theater Baths Complex| 6188.00|0|Site|02|B-L8|Aph|7.5 HouCit||B-L8 Aph 7.5 HouCit |House by the city wall|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||Roman|||Late Antique|||Asia||Turkey||||||0|Aphrodisias, Turkey|||10695||||0||||0|Archaeological Sites|House|||CE|4||||||late 4th C||||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|2/20/2006 0:00:00||Aph||0||||||HouCit|B|||||L8|7.5||||||||||Work|0|Architecture-Turkey|||||||||||0|0|House by the city wall| 6189.00|0|Site|02|B-L8|Aph|7.5 HouCit||B-L8 Aph 7.5 HouCit |Mosaic|Descriptive|Dict.Art|||||||House by the City Wall. Mosaic|0|||||0||||0|||||Roman|||Late Antique|||Asia||Turkey||||||0|Aphrodisias, Turkey|||10695||||0||||0|Mosaics|Floor|||CE|4|||350|400|ca|Late 4th C|ca 350-400||House by the City Wall|Larger entity||6188||||0|||||Limestone|limestone|||||mosaic|||||5 x 8 m||||||||||||||||Cornell||HB|HB|6/5/2006 0:00:00|2/20/2006 0:00:00||Aph||0||||||HouCit|B|||||L8|7.5||||||||||Work|0|Architecture-Turkey|||||||||||0|0|Mosaic| 6190.00|0|Site|02|B-L8|Aph|2.33 AulTer||B-L8 Aph 2.33 AulTer |Mosaic|Descriptive|Dict.Art|||||||Aula Termale. Mosaic|0|||||0||||0|||||Roman|||Late Antique|||Asia||Turkey||||||0|Aphrodisias, Turkey|||10695||||0||||0|Mosaics|Floor|||CE|2|3||250|350|ca|2nd/3rd C CE|ca 250-350||Aula Termale|Larger entity||6187||||0|||||Marble|marble|||||mosaic|||||ca. 10 x 25 m||||||||||||||||Cornell||HB|HB|6/5/2006 0:00:00|2/20/2006 0:00:00||Aph||0||||||AulTer|B|||||L8|2.33||||||||||Work|0|Architecture-Turkey|||||||||||0|0|Mosaic| 6191.00|0||||||||Death of Saint Francis Xavier|Assigned|Blue Guide|San Francesco Saverio portato in cielo da angeli|Variant|Print Publication|Saint Francis Xavier carried to heaven by angels|Translated|Cataloger|Altar of San Francis Xavier. Death of Saint Francis Xavier|7507|Maratta, Carlo||painter|Carlo Maratta|0||||0|||||Italian||||||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Paintings|Painting||||17|||1600|1699||17th-century|1600-1699||Altar of San Francis Xavier|Larger entity||2999||||0|||||||||||painting (image-making)|||||||2414|Rome: Gesu (SS. Nome di Gesu)|Rome: Gesu||Saint Francis Xavier ; Death (symbols of) ; |Saint Francis Xavier|Death (symbols of)||||||||Cornell||JNK|MNW|3/31/2006 0:00:00|2/20/2006 0:00:00||Rom||0||||||||||||||| |||||||||0||||||||||||0|0|Death of Saint Francis Xavier;San Francesco Saverio portato in cielo da angeli;Saint Francis Xavier carried to heaven by angels|Maratta, Carlo 6192.00|0|Site|02||||||Palazzo Barberini|Assigned|Blue Guide|||||||Palazzo Barberini|7390|Maderno, Carlo||architect|Carlo Maderno, G. L. Bernini, F. Borromini|1103|Bernini, Gian Lorenzo||architect|1414|Borromini, Francesco||architect||Italian|||Baroque|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Palace||||17|||1624|1639||1624-1639|1624-1639|||||0||||0||||||||||||||||||||||Palaces ; |Palaces|||||||||Cornell||JNK|MNW|11/6/2006 0:00:00|2/20/2006 0:00:00||Rom||0|||||||||||||||||||||||Work|0||Palazzo was begun for Urban VIII (Blue Guide) or Taddeo Barberini, nephew of Pope Urban VIII (DOA).||||||||||0|0|Palazzo Barberini|Maderno, Carlo;Bernini, Gian Lorenzo;Borromini, Francesco 6193.00|0|Creator|15|27|C831-F|R763-Pba|4|27 C831-F R763-Pba 4|Triumph of Divine Providence|Assigned|Image Source (Pub)|||||||Palazzo Barberini. Triumph of Divine Providence|2628|Cortona, Pietro da||architect|Pietro da Cortona|0||||0|||||Italian|||Baroque|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Paintings|Fresco|Painting|||17|||1633|1639||1633-1639|1633-1639||Palazzo Barberini|Larger entity||6192||||0|||||Fresco|frescoes|||||painting (image-making)|fresco painting||||||||||Angels ; Heaven ; Bees ; Urban VIII, Pope, 1568-1644 ; |Angels|Heaven|Bees|Urban VIII, Pope, 1568-1644||||||Cornell||JNK|JNK|3/27/2006 0:00:00|2/20/2006 0:00:00|C831|||0||||||4|27|F|||||R763-Pba||||||||||Work|0||||||||||||0|0|Triumph of Divine Providence|Cortona, Pietro da 6194.00|0|Site|02|A|IT Rome|Cap/Cam|View 5|A IT Rome Cap/Cam View 5|View of Piazza (del Campidoglio)|Descriptive|Image Source (Pub)|||||||Le antichita` della citta` di Roma. View of Piazza (del Campidoglio)|31163|Gamucci, Bernardo||author|Bernardo Gamucci|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0||||0||||0||||0|Graphics|Woodcut||||16|||1565|1565||1565|1565-1565||Le antichita` della citta` di Roma raccolte sotto brevita` da diversi antichi & moderni scrittori|Larger entity||6195||||0|||||Woodcut||||||woodcut (process)|||||||9405|Rome: Gabinetto Nazionale delle Stampe|Rome: Gab. Naz. delle Stampe||Campidoglio, Rome, Italy ; Rome (Italy) ; |Campidoglio, Rome, Italy|Rome (Italy)||||||||Cornell||JNK|MNW|11/6/2006 0:00:00|2/21/2006 0:00:00||IT Rome||0||||||Cap/Cam|A||||||||View||||||||Work|0|Graphic Documents-|||||||||||0|0|View of Piazza (del Campidoglio)|Gamucci, Bernardo 6195.00|0||||||||Le antichita` della citta` di Roma raccolte sotto brevita` da diversi antichi & moderni scrittori|Inscribed|Artist|||||||Le antichità della città di Roma…|31163|Gamucci, Bernardo||author|Bernardo Gamucci|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0||||0||||0||||0|Publications|Book||||16|||1569|1569||1569|1569-1569|||||0||||0||||||||||||||||||||||Rome, Italy ; Buildings ; |Rome, Italy|Buildings||||||||Cornell||JNK|JNK|2/21/2006 0:00:00|2/21/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Le antichita` della citta` di Roma raccolte sotto brevita` da diversi antichi & moderni scrittori|Gamucci, Bernardo 6196.00|0|Creator|15|32|B613-PA|1853-1854||32 B613-PA 1853-1854 |Stump Speaking|Assigned|Image Source (Pub)|||||||Stump Speaking|1177|Bingham, George Caleb||artist|George Caleb Bingham|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1853|1854||1853-1854|1853-1854|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||107.95 x 147.32 cm||9673|Saint Louis: Boatmen's Bancshares, Inc.|Saint Louis: Boatmen's Bancshares, Inc.||Speeches ; Politics ; |Speeches|Politics||||||||Cornell||JNK|JNK|2/21/2006 0:00:00|2/21/2006 0:00:00|B613|||0|||||||32|PA||||||| |1853-1854|||||||Work|0||||||||||||0|0|Stump Speaking|Bingham, George Caleb 6197.00|0|Creator|15|32|B613-D|1853|1|32 B613-D 1853 1|Study for Stump Speaking: Dr. Wiliam Jewell|Assigned|Image Source (Pub)|||||||Study for Stump Speaking: Dr. Wiliam Jewell|1177|Bingham, George Caleb||artist|George Caleb Bingham|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Drawings|Drawing||||19|||1853|1854||1853-1854|1853-1854||Stump Speaking|Based on||6196||||0|||||Pen on paper|pens|paper (fiber product)||||drawing (image-making)|||||31.8 x 26 cm||2732|Saint Louis: Mercantile Library|S. Louis: Mercantile Lib.||Portraits ; Jewell, William, Dr. ; Men (male humans) ; Figures (representations) ; |Portraits|Jewell, William, Dr.|Men (male humans)|Figures (representations)||||||Cornell||JNK|JNK|2/21/2006 0:00:00|2/21/2006 0:00:00|B613|||0||||||1|32|D|||||1853|| ||||||||Work|0||||||||||||0|0|Study for Stump Speaking: Dr. Wiliam Jewell|Bingham, George Caleb 6198.00|0|Creator|15|32|B613-D|1853|2|32 B613-D 1853 2|Study for Stump Speaking|Assigned|Image Source (Pub)|||||||Study for Stump Speaking|1177|Bingham, George Caleb||artist|George Caleb Bingham|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Drawings|Drawing||||19|||1853|1854||1853-1854|1853-1854|||||0||||0|||||Pencil & ink|pencils|ink||||drawing (image-making)|||||29.2 x 24 cm||2732|Saint Louis: Mercantile Library|S. Louis: Mercantile Lib.||Men (male humans) ; Figures (representations) ; |Men (male humans)|Figures (representations)||||||||Cornell||JNK|JNK|2/21/2006 0:00:00|2/21/2006 0:00:00|B613|||0||||||2|32|D|||||1853|| ||||||||Work|0||||||||||||0|0|Study for Stump Speaking|Bingham, George Caleb 6199.00|0|Creator|15|32|B613-D|1847|2|32 B613-D 1847 2|Study for Stump Speaking|Assigned|Image Source (Pub)|||||||Study for Stump Speaking|1177|Bingham, George Caleb||artist|George Caleb Bingham|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Drawings|Drawing||||19|||1847|1847||1847-1847|1847-1847|||||0||||0|||||Pencil, ink and wash|pencils|pens|wash|||drawing (image-making)|||||26 x 17.8 cm||2732|Saint Louis: Mercantile Library|S. Louis: Mercantile Lib.||Men (male humans) ; Figures (representations) ; |Men (male humans)|Figures (representations)||||||||Cornell||JNK|JNK|2/21/2006 0:00:00|2/21/2006 0:00:00|B613|||0||||||2|32|D|||||1847|| ||||||||Work|0||||||||||||0|0|Study for Stump Speaking|Bingham, George Caleb 6200.00|0|Site|02|B-L8|Aph|2.23 Bas||B-L8 Aph 2.23 Bas |Mosaic|Descriptive|Dict.Art|||||||Basilica. Mosaic|0|||||0||||0|||||Roman|||Late Antique|||Asia||Turkey||||||0|Aphrodisias, Turkey|||10695||||0||||0|Mosaics|Floor|||CE|4|||365|380|ca|ca 365-380|ca 365-380||Basilica|Larger entity||6186||||0|||||Limestone|limestone|||||mosaic|||||6.70 x 27.95 m||||||||||||||||Cornell||HB|HB|6/2/2006 0:00:00|2/22/2006 0:00:00||Aph||0||||||Bas|B|||||L8|2.23||||||||||Work|0|Architecture-Turkey|||||||||||0|0|Mosaic| 6201.00|0|Site|02|B-L8|Aph|2.33 BatHad||B-L8 Aph 2.33 BatHad |Mosaic|Descriptive|Image Source (Pub)|||||||Baths of Hadrian. Mosaic|0|||||0||||0|||||Roman|||Roman Period|||Asia||Turkey||||||0|Aphrodisias, Turkey|||10695||||0||||0|Mosaics|Floor|||CE||||175|225|ca.|ca. 175-225|ca. 175-225||Baths of Hadrian|Larger entity||6185||||0|||||Marble|marble|||||mosaic|||||10 x 25 m||||||||||||||||Cornell||HB|HB|6/2/2006 0:00:00|2/22/2006 0:00:00||Aph||0||||||BatHad|B|||||L8|2.33||||||||||Work|0|Architecture-Turkey|||||||||||0|0|Mosaic| 6202.00|0|Site|02|B-L8|Aph|7.5 Hou2||B-L8 Aph 7.5 Hou2 |Mosaic|Descriptive|Dict.Art|||Image Source (Pub)||||House 2. Mosaic|0|||||0||||0|||||Byzantine|||Early Christian|||Asia||Turkey||||||0|Aphrodisias, Turkey|||10695||||0||||0|Mosaics|Floor|||CE|5|||545|555|ca|ca 545-555|ca 545-555||House 2|Larger entity||6184||||0|||||Limestone|limestone|||||mosaic|||||5.20 x 7.60 m||||||||||||||||Cornell||HB|HB|6/2/2006 0:00:00|2/22/2006 0:00:00||Aph||0||||||Hou2|B|||||L8|7.5||||||||||Work|0|Architecture-Turkey|||||||||||0|0|Mosaic| 6203.00|0|Site|02|B-L8|Aph|7.5 TetrHou||B-L8 Aph 7.5 TetrHou |Dog, Hare and Falcon Mosaic|Descriptive|Image Source (Pub)|South Room Mosaics||Image Source (Pub)||||Tetrapylon House. Dog, Hare and Falcon Mosaic|0|||||0||||0|||||Byzantine|||Early Christian|||Asia||Turkey||||||0|Aphrodisias, Turkey|||10695||||0||||0|Mosaics|Floor|||CE|5|||500|525|ca|ca 500-525|ca 500-525||Tetrapylon House|Larger entity||6183||||0|||||Limestone|limestone|||||mosaic|||||||||||||||||||||Cornell||HB|HB|6/2/2006 0:00:00|2/22/2006 0:00:00||Aph||0||||||TetrHou|B|||||L8|7.5||||||||||Work|0|Architecture-Turkey|||||||||||0|0|Dog, Hare and Falcon Mosaic;South Room Mosaics| 6204.00|0|Site|02|B-L8|Aph|7.5 TetrHou||B-L8 Aph 7.5 TetrHou |North Room Mosaicss|Descriptive|Image Source (Pub)|||||||Tetrapylon House. North Room Mosaicss|0|||||0||||0|||||Byzantine|||Early Christian|||Asia||Turkey||||||0|Aphrodisias, Turkey|||10695||||0||||0|Mosaics|Floor|||CE|5|||500|525|ca|ca 500-525|ca 500-525||Tetrapylon House|Larger entity||6183||||0|||||Limestone|limestone|||||mosaic|||||8.40 x 5.20 m||||||||||||||||Cornell||HB|HB|6/2/2006 0:00:00|2/22/2006 0:00:00||Aph||0||||||TetrHou|B|||||L8|7.5||||||||||Work|0|Architecture-Turkey|||||||||||0|0|North Room Mosaicss| 6205.00|0|Site|02|B-L8|Aph|7.5 TetrHou||B-L8 Aph 7.5 TetrHou |South Room Mosaics|Descriptive|Image Source (Pub)|||||||Tetrapylon House. South Room Mosaics|0|||||0||||0|||||Byzantine|||Early Christian|||Asia||Turkey||||||0|Aphrodisias, Turkey|||10695||||0||||0|Mosaics|Floor|||CE|5|||500|525|ca|ca 500-525|ca 500-525||Tetrapylon House|Larger entity||6183||||0|||||Limestone|limestone|||||mosaic|||||8.40 x 8.15 m||||||||||||||||Cornell||HB|HB|6/2/2006 0:00:00|2/22/2006 0:00:00||Aph||0||||||TetrHou|B|||||L8|7.5||||||||||Work|0|Architecture-Turkey|||||||||||0|0|South Room Mosaics| 6206.00|0|Site|02|B-L8|Aph|2.2 Ode||B-L8 Aph 2.2 Ode |Mosaic|Descriptive|Image Source (Pub)|||||||Odeon. Mosaic|0|||||0||||0|||||Roman|||Late Antique|||Asia||Turkey||||||0||||0|Aphrodisias, Turkey|||10695|||||Mosaics|Floor|||CE|2|||275|300|ca|ca 275-300|ca 275-300||Odeon|Larger entity||6182||||0|||||Marble/Limestone|marble|limestone||||mosaic|||||Diam = 10 m||9674|Aphrodisias Museum|Aphrodisias Museum||||||||||||Cornell||HB|HB|6/5/2006 0:00:00|2/22/2006 0:00:00||Aph|Aph|0||||||Ode|B|||||L8|2.2|| ||||||||Work|0|Architecture-Turkey|Semi-circular stage floor||||||||||0|0|Mosaic| 6207.00|0|Site|02|B-L8|Aph|7.5 E.Ode||B-L8 Aph 7.5 E.Ode |Mosaic|Descriptive|Dict.Art|||||||East Odeon Area. Mosaic|0|||||0||||0|||||Roman|||Roman Period|||Asia||Turkey||||||0||||0|Aphrodisias, Turkey|||10695|||||Mosaics|Floor|||CE|2|||225|250|ca|ca 225-250|ca 225-250||East Odeon Area|Larger entity||6181||||0|||||Limestone/Marble|limestone|marble||||mosaic|||||1.78 x 1.58 m||9674|Aphrodisias Museum|Aphrodisias Museum||||||||||||Cornell||HB|HB|6/2/2006 0:00:00|2/22/2006 0:00:00||Aph|Aph|0||||||E.Ode|B|||||L8|7.5|| ||||||||Work|0|Architecture-Turkey|||||||||||0|0|Mosaic| 6208.00|0|Site|02|B-L8|Aph|7.1 Bish||B-L8 Aph 7.1 Bish |Room 2/3 Mosaics|Descriptive|Image Source (Pub)|||||||Bishop's Palace. Room 2/3 Mosaics|0|||||0||||0|||||Roman|||Late Antique|||Asia||Turkey||||||0|Aphrodisias, Turkey|||10695||||0||||0|Mosaics|Floor|||CE|3|||350|375|ca|ca 350-375|ca 350-375||Bishop's Palace|LargerEntity||6180||||0|||||Limestone|limestone|||||mosaic|||||||||||||||||||||Cornell||HB|HB|6/2/2006 0:00:00|2/22/2006 0:00:00||Aph||0||||||Bish|B|||||L8|7.1||||||||||Work|0|Architecture-Turkey|||||||||||0|0|Room 2/3 Mosaics| 6209.00|0|Site|02|B-L8|Aph|7.5 PreiHou||B-L8 Aph 7.5 PreiHou |Mosaic Room 3 Atrium, North Corridor|Descriptive|Image Source (Pub)|||||||Priest's House. Mosaic Room 3 Atrium, North Corridor|0|||||0||||0|||||Byzantine|||Byzantine|||Asia||Turkey||||||0|Aphrodisias, Turkey|||10695||||0||||0|Mosaics|Floor|||CE|5|||550|600|ca|ca 550-600|ca 550-600||Priest's House|LargerEntity||6165||||0|||||Limestone|limestone|||||mosaic|||||10.75 x 12.50 m||||||||||||||||Cornell||HB|HB|6/2/2006 0:00:00|2/22/2006 0:00:00||Aph||0||||||PreiHou|B|||||L8|7.5||||||||||Work|0|Architecture-Turkey|||||||||||0|0|Mosaic Room 3 Atrium, North Corridor| 6210.00|0|Site|02|B-L8|Aph|7.5 PreiHou||B-L8 Aph 7.5 PreiHou |Mosaic, Room 5|Descriptive|Image Source (Pub)|||||||Priest's House. Mosaic, Room 5|0|||||0||||0|||||Byzantine|||Byzantine|||Asia||Turkey||||||0|Aphrodisias, Turkey|||10695||||0||||0|Mosaics|Floor|||CE|5|||550|600|ca|ca 550-600|ca 550-600||Priest's House|Larger entity||6165||||0|||||Limestone|limestone|||||mosaic|||||2.80 x 3.30 m||||||||||||||||Cornell||HB|HB|6/2/2006 0:00:00|2/22/2006 0:00:00||Aph||0||||||PreiHou|B|||||L8|7.5||||||||||Work|0|Architecture-Turkey|||||||||||0|0|Mosaic, Room 5| 6211.00|0|Site|02|B-L8|Aph|7.1 NTem||B-L8 Aph 7.1 NTem |North Room Mosaic|Descriptive|Image Source (Pub)|||||||North Temenos Complex. North Room Mosaic|0|||||0||||0|||||Roman|||Late Antique|||Asia||Turkey||||||0|Aphrodisias, Turkey|||10695||||0||||0|Mosaics|Floor|||CE|3|||350|375|ca|ca 350-375|ca 350-375||North Temenos Complex|Larger entity||6161||||0|||||Limestone|limestone|||||mosaic|||||8.40 x 8.15 m||||||||||||||||Cornell||HB|HB|6/2/2006 0:00:00|2/22/2006 0:00:00||Aph||0||||||NTem|B|||||L8|7.1||||||||||Work|0|Architecture-Turkey|||||||||||0|0|North Room Mosaic| 6212.00|0|Creator|15|24|E974|M184||24 E974 M184 |Virgin and Child with SS Donatian and George and the Donor, Canon van der Paele|Assigned|Dict.Art|The Madonna with Canon van der Paele|Variant|Online Resource|Virgin & Child with George van er Paele|Variant|Online Resource|Virgin and Child with SS Donatian and George and the Donor, Canon van der Paele|3675|Eyck, Jan van||painter|Jan van Eyck|0||||0|||||Netherlandish|||Renaissance|||Europe||Belgium||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||15|||1436|1436||1436|1436-1436|||||0||||0|||||Oil on wood|oil paint|wood (plant material)||||painting (image-making)|||||122 x 157 cm||468|Bruges: Groeningemuseum|Bruges: Groeninge Mus.|1|Madonna and Child ; Saints ; Saint George ; Saint Donatus ; Paele, Georg van der, d. 1443 ; |Madonna and Child|Saints|Saint George|Saint Donatus|Paele, Georg van der, d. 1443|||||Cornell||JNK|MNW|11/6/2006 0:00:00|2/22/2006 0:00:00|E974|||0|||||||24||||||M184|| ||||||||Work|0||||||||||||0|0|Virgin and Child with SS Donatian and George and the Donor, Canon van der Paele;The Madonna with Canon van der Paele;Virgin & Child with George van er Paele|Eyck, Jan van 6213.00|0|Site|02|B-L8|Aph|3.4 Aph||B-L8 Aph 3.4 Aph |Hellenistic Mosaic|Descriptive|Image Source (Pub)|||||||Temple of Aphrodite. Hellenistic Mosaic|0|||||0||||0|||||Greek|||Hellenistic|||Asia||Turkey||||||0||||0|Aphrodisias, Turkey|||10695|||||Mosaics|Floor|||BCE|-3|||-260|-250|ca|ca 260-250 BCE|ca -260 - -250||Temple of Aphrodite|Larger entity||6164||||0|||||Limestone/Marble|limestone|marble||||mosaic|||||||9674|Aphrodisias Museum|Aphrodisias Museum||||||||||||Cornell||HB|HB|6/2/2006 0:00:00|2/22/2006 0:00:00||Aph|Aph|0||||||Aph|B|||||L8|3.4|| ||||||||Work|0|Architecture-Turkey|||||||||||0|0|Hellenistic Mosaic| 6214.00|0|Site|02|B-L8|Aph|3.4 Aph||B-L8 Aph 3.4 Aph |Roman Phase - opus sectile|Descriptive|Image Source (Pub)|||||||Temple of Aphrodite. Roman Phase - opus sectile|0|||||0||||0|||||Roman|||Roman Period|||Asia||Turkey||||||0|Aphrodisias, Turkey|||10695||||0||||0|Mosaics|Opus sectile|Floor||CE|1|||0|25|ca|ca 0-25|ca 0-25||Temple of Aphrodite|Larger entity||6164||||0|||||Marble|marble|||||mosaic|||||||||||||||||||||Cornell||HB|HB|6/2/2006 0:00:00|2/22/2006 0:00:00||Aph||0||||||Aph|B|||||L8|3.4||||||||||Work|0|Architecture-Turkey|||||||||||0|0|Roman Phase - opus sectile| 6215.00|0|Site|02|B-L8|Aph|3.4 Aph||B-L8 Aph 3.4 Aph |Byzantine Mosaic|Descriptive|Image Source (Pub)|||||||Temple of Aphrodite. Byzantine Mosaic|0|||||0||||0|||||Byzantine|||Byzantine|||Asia||Turkey||||||0||||0|Aphrodisias, Turkey|||10695|||||Mosaics|Floor|||CE|4|||475|500|ca|ca 475-500|ca 475-500||Temple of Aphrodite|Larger entity||6164||||0|||||Limestone|limestone|||||mosaic|||||1.32 x 1.60 m||9674|Aphrodisias Museum|Aphrodisias Museum||||||||||||Cornell||HB|HB|6/2/2006 0:00:00|2/22/2006 0:00:00||Aph|Aph|0||||||Aph|B|||||L8|3.4|| ||||||||Work|0|Architecture-Turkey|||||||||||0|0|Byzantine Mosaic| 6216.00|0|Creator|15|REN P|ANON-15th C|Florentine||REN P ANON-15th C Florentine |Matteo Olivieri (?)|Assigned|Repository|||||||Matteo Olivieri (?)|12223|Domenico Veneziano|formerly attributed|painter|Domenico Veneziano|0||||0|||||Italian|Florentine||Renaissance|||Europe||Italy||||||0||||0||||0||||0|Paintings|Painting|Portrait|||15|||1430|1439||1430s|1430-1439|||||0||||0|||||Tempera (and oil?) on panel transferred to canvas|tempera|oil paint|canvas|||painting (image-making)|||||47.95 x 34.14 cm||3367|Washington, DC: National Gallery of Art|Wash, DC: National Gallery||Portraits ; Olivieri, Matteo, d. ca. 1365 ; |Portraits|Olivieri, Matteo, d. ca. 1365||||||||Cornell||JNK|MNW|11/6/2006 0:00:00|2/22/2006 0:00:00|D6688|||0||1937.1.15|||||REN P|15th C||||||| |Florentine|||||||Work|0||||||||||||0|0|Matteo Olivieri (?)|Domenico Veneziano 6217.00|0|Creator|15|25|L8692-PA|31B|1|25 L8692-PA 31B 1|Birth of the Virgin|Assigned|Dict.Art|||||||Birth of the Virgin|30266|Lorenzetti, Pietro||painter|Pietro Lorenzetti|0||||0|||||Italian|Sienese||Renaissance|||Europe||Italy||||||0||||0||||0||||0|Paintings|Painting||||14|||1342|1342||1342|1342-1342|||||0||||0|||||Tempera on wood|tempera|wood (plant material)||||painting (image-making)|||||188 x 183 cm||2691|Siena: Museo dell'Opera del Duomo|Siena: Mus. Opera Duomo||Virgin Mary ; Birth and youth of the Virgin ; New Testament ; |Virgin Mary|Birth and youth of the Virgin|New Testament|||||||Cornell||JNK|MNW|11/6/2006 0:00:00|2/22/2006 0:00:00|L8692|||0|||||||25|PA|||||31B|| ||||||||Work|0||||||||||||0|0|Birth of the Virgin|Lorenzetti, Pietro 6218.00|0|Creator|15|05|C459|MO128463||05 C459 MO128463 |Temptation of Christ|Assigned|Image Source (Pub)|Folio 161v|Inscribed|Repository||||Très Riches Heures. Temptation of Christ|31026|Limbourg Brothers||illuminator|Limbourg Brothers|0||||0|||||French|||Late Gothic|||Europe||France||||||0||||0||||0||||0|Illuminated Manuscripts|Illumination (layout feature)||||15|||1411|1416||1411-1416|1411-1416||Très Riches Heures|Larger entity||5688||||0|||||Ink and tempera on vellum|vellum (paper)|ink|tempera|||illumination|||||29 x 21 cm||3681|Chantilly: Château de Chantilly; Musée Condé|Chantilly: Musée Condé||Temptation of Christ in the Wilderness ; Château de Mehun-sur-Yèvre (France) ; Castles ; New Testament ; |Temptation of Christ in the Wilderness|Château de Mehun-sur-Yèvre (France)|Castles|New Testament||||||Cornell||JNK|MNW|11/6/2006 0:00:00|2/22/2006 0:00:00||||0||LAT. 1284-161v||||MO128452|05|||||||| ||||||||Work|0||||||||||||0|0|Temptation of Christ;Folio 161v|Limbourg Brothers 6219.00|0|Creator|15|05|C459|MO12846||05 C459 MO12846|June|Descriptive|Image Source (Pub)|Folio 6v|Inscribed|Repository||||Très Riches Heures. June|31026|Limbourg Brothers||illuminator|Limbourg Brothers|0||||0|||||French|||Late Gothic|||Europe||France||||||0||||0||||0||||0|Illuminated Manuscripts|Illumination (layout feature)||||15|||1411|1416||1411-1416|1411-1416||Très Riches Heures|Larger entity||5688||||0|||||Ink and tempera on vellum|vellum (paper)|ink|tempera|||illumination|||||29 x 21 cm||3681|Chantilly: Château de Chantilly; Musée Condé|Chantilly: Musée Condé||Harvesting ; Palaces ; Castles ; Paris, France ; Palais de la Cité (Paris, France) ; Calendars ; Months ; |Harvesting|Palaces|Castles|Paris, France|Palais de la Cité (Paris, France)|Calendars|Months|||Cornell||JNK|JNK|2/22/2006 0:00:00|2/22/2006 0:00:00||||0||LAT. 1284-6v||||MO12846|05|||||||| ||||||||Work|0||||||||||||0|0|June;Folio 6v|Limbourg Brothers 6220.00|0|Creator|15|05|C459|MO12845||05 C459 MO12845 |May|Descriptive|Image Source (Pub)|Folio 5v|Inscribed|Repository||||Très Riches Heures. May|31026|Limbourg Brothers||illuminator|Limbourg Brothers|0||||0|||||French|||Late Gothic|||Europe||France||||||0||||0||||0||||0|Illuminated Manuscripts|Illumination (layout feature)||||15|||1411|1416||1411-1416|1411-1416||Très Riches Heures|Larger entity||5688||||0|||||Ink and tempera on vellum|vellum (paper)|ink|tempera|||illumination|||||29 x 21 cm||3681|Chantilly: Château de Chantilly; Musée Condé|Chantilly: Musée Condé||Hunting ; Horses ; Figures (representations) ; Paris, France ; Palais de la Cité (Paris, France) ; Calendars ; Months ; |Hunting|Horses|Figures (representations)|Paris, France|Palais de la Cité (Paris, France)|Calendars|Months|||Cornell||JNK|JNK|2/22/2006 0:00:00|2/22/2006 0:00:00||||0||LAT. 1284-5v||||MO12845|05|||||||| ||||||||Work|0||||||||||||0|0|May;Folio 5v|Limbourg Brothers 6221.00|0|Creator|15|05|C459|MO12843.5||05 C459 MO12843.5 |March|Descriptive|Image Source (Pub)|Folio 3v|Inscribed|Repository||||Très Riches Heures. March|31026|Limbourg Brothers||illuminator|Limbourg Brothers|0||||0|||||French|||Late Gothic|||Europe||France||||||0||||0||||0||||0|Illuminated Manuscripts|Illumination (layout feature)||||15|||1411|1416||1411-1416|1411-1416||Très Riches Heures|Larger entity||5688||||0|||||Ink and tempera on vellum|vellum (paper)|ink|tempera|||illumination|||||29 x 21 cm||3681|Chantilly: Château de Chantilly; Musée Condé|Chantilly: Musée Condé||Calendars ; Months ; Castles ; Plowing ; Lusignan, France ; |Calendars|Months|Castles|Plowing|Lusignan, France|||||Cornell||JNK|MNW|11/6/2006 0:00:00|2/22/2006 0:00:00||||0||LAT. 1284-3v||||MO12843.5|05|||||||| ||||||||Work|0||||||||||||0|0|March;Folio 3v|Limbourg Brothers 6222.00|0|Creator|15|05|C459|MO12842||05 C459 MO12842 |January|Descriptive|Image Source (Pub)|Folio 2r|Inscribed|Repository||||Très Riches Heures. January|31026|Limbourg Brothers||illuminator|Limbourg Brothers|0||||0|||||French|||Late Gothic|||Europe||France||||||0||||0||||0||||0|Illuminated Manuscripts|Illumination (layout feature)||||15|||1411|1416||1411-1416|1411-1416||Très Riches Heures|Larger entity||5688||||0|||||Ink and tempera on vellum|vellum (paper)|ink|tempera|||illumination|||||29 x 21 cm||3681|Chantilly: Château de Chantilly; Musée Condé|Chantilly: Musée Condé||Calendars ; Months ; Castles ; Dinners and dining ; Celebrations ; |Calendars|Months|Castles|Dinners and dining|Celebrations|||||Cornell||JNK|JNK|2/22/2006 0:00:00|2/22/2006 0:00:00||||0||LAT. 1284-2r||||MO12842|05|||||||| ||||||||Work|0||||||||||||0|0|January;Folio 2r|Limbourg Brothers 6223.00|0|Site|02|B-H3|Rom|3.1 SPet/Car||B-H3 Rom 3.1 SPet/Car |Foundation Medal for New St. Peter's|Descriptive|Image Source (Pub)|||||||Foundation Medal for New St. Peter's|2001|Caradosso||goldsmith|Caradosso|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0||||||||0||||0|Medals|Medal||||16|||1506|1514||1506-1514|1506-1514|||||0||||0||||||||||||||||||9675|Milan: Civiche Raccolte Archeologiche e Numistmatiche|Milan: Civiche Raccolte Archaeol. e Numist.||Basilica di San Pietro in Vaticano ; Buildings ; Churches ; |Basilica di San Pietro in Vaticano|Buildings|Churches|||||||Cornell||JNK|MNW|5/25/2006 0:00:00|2/23/2006 0:00:00||Rom||0||||||SPet/Car|B|||||H3|3.1|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Foundation Medal for New St. Peter's|Caradosso 6224.00|0|Site|02|B-H3|Rom|3.1 SPet/Fal|4b-|B-H3 Rom 3.1 SPet/Fal 4b-|Perspective View of Saint Peter's Basilica, Saint Peter's Square and the Vatican Palace|Descriptive|Cataloger|Piazza e Portici della Basilica Varticana Fatti da N S Papa Alesandro Settimo|Inscribed|Artist||||Perspective View of Saint Peter's Basilica, Saint Peter's Square and the Vatican Palace|3708|Falda, Giovanni Battista||draftsman|Giovanni Battista Falda|0||||0|||||Italian|||Baroque|||Europe||Italy||||||0||||0||||0||||0|Prints|Print|Architectural drawing|||17|||1678|1678|bef|bef 1678|bef 1678-1678|||||0||||0|||||||||||printing|||||||||||Basilica di San Pietro in Vaticano ; Vatican City ; Piazza San Pietro (Vatican City) ; Vatican Palace (Vatican City) ; |Basilica di San Pietro in Vaticano|Vatican City|Piazza San Pietro (Vatican City)|Vatican Palace (Vatican City)||||||Cornell||JNK|MNW|11/6/2006 0:00:00|2/23/2006 0:00:00||Rom||0||||||SPet/Fal|B|||||H3|3.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|Perspective View of Saint Peter's Basilica, Saint Peter's Square and the Vatican Palace;Piazza e Portici della Basilica Varticana Fatti da N S Papa Alesandro Settimo|Falda, Giovanni Battista 6225.00|0|Site|02|B-H3|Rom|3.1 SPet|2|B-H3 Rom 3.1 SPet 2|Elevation of St. Peter's and Section of Portico|Descriptive|Cataloger|||||||Elevation of St. Peter's and Section of Portico|7000|Letarouilly, Paul Marie||architect|Paul Marie Letarouilly|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Graphics|Section|Architectural drawing|||19||||||||||||0||||0|||||Engraving||||||engraving (incising)|||||||||||Basilica di S. Giovanni in Laterano ; Piazza San Pietro (Vatican City) ; Architectural drawings ; |Basilica di S. Giovanni in Laterano|Piazza San Pietro (Vatican City)|Architectural drawings|||||||Cornell||JNK|MNW|5/25/2006 0:00:00|2/23/2006 0:00:00||Rom||0||||||SPet|B|||||H3|3.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|Elevation of St. Peter's and Section of Portico|Letarouilly, Paul Marie 6226.00|0|Category|07|C-07|I-JC Rou 4 Plu|||C-07 I-JC Rou 4 Plu |Pluto|Descriptive|Image Source (Vendor)||||||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Spain||||||0|||||Mérida, Spain|||10696|||||Sculpture|Figure (representation)|||CE|1|||14|68|ca|1st C CE|1st C|||||0||||0|||||||||||sculpture|carving||||||9165|Merida: Museo de Arte Romano de Merida|Merida: Museo de Art Romano||Pluto ; |Pluto|||||||||Cornell||HB|HB|6/2/2006 0:00:00|2/24/2006 0:00:00||||0||||||Plu|C|Rou||07|I-JC|||| |4|||||||Work|0|Sculpture-Roman|Sculpture is from the Theatre built in 16 BCE||||||||||0|0|Pluto| 6227.00|0|Architect|03|MA-LeCorb|1.04|1935 Rad||MA-LeCorb 1.04 1935 Rad|La Ville radieuse|Published|Dict.Art|||||||La Ville radieuse|6857|Le Corbusier||theorist|Le Corbusier|0||||0|||||French|||Modernist|||||||||||0||||0||||0||||0|Publications|Book|Theory|||20|||1935|1935||1935|1935-1935|||||0||||0|||||||||||printing|||||||||||Architectural theory ; Urban planning ; Ville Radieuse, 1930-1933 (Le Corbusier) ; Cities ; Housing developments ; |Architectural theory|Urban planning|Ville Radieuse, 1930-1933 (Le Corbusier)|Cities|Housing developments|||||Cornell||MNW|MNW|8/28/2006 0:00:00|2/24/2006 0:00:00|LeCorb|||0||||||Rad|MA||||||1.04|1935|||||||||Work|0|Modern Architecture|In La Ville radieuse Le Corbusier stressed the need for responsiveness to topography, and, though making a case for high-density urbanization, the work advocates organic growth and cultural complexity rather than closed and abstracted diagrams. DOA|||Publication date.|||||||0|0|La Ville radieuse|Le Corbusier 6228.00|0|Category|07|C-07|I-Aug Rou 5 Aug|||C-07 I-Aug Rou 5 Aug |Augustus as Chief Pontiff|Descriptive|Image Source (Vendor)|||||||Augustus as Chief Pontiff|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Spain||||||0||||0|Mérida, Spain|||10696||||0|Sculpture|Figure (representation)|||CE|1|||-27|14|ca|Early 1st C CE|ca -27-14|||||0||||0|||||Marble|marble|||||sculpture|carving||||||9165|Merida: Museo de Arte Romano de Merida|Merida: Museo de Art Romano||Augustus, Emperor of Rome, 63 BCE-14CE ; Priests ; |Augustus, Emperor of Rome, 63 BCE-14CE|Priests||||||||Cornell||HB|JNK|7/14/2006 0:00:00|2/24/2006 0:00:00|||Mer|0||||||Aug|C|Rou||07|I-Aug|||| |5|||||||Work|0|Sculpture-Roman|||||||||||0|0|Augustus as Chief Pontiff| 6229.00|0|Category|07|C-07|I-2 Rou 4 Oce|||C-07 I-2 Rou 4 Oce |Oceanus|Descriptive|Image Source (Vendor)||||||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Spain||||||0||||0|Mérida, Spain|||10696||||0|Sculpture|Figure (representation)|||CE|2|||155|155|ca|ca 155|ca 155|||||0||||0|||||Marble|marble|||||sculpture|||||||9165|Merida: Museo de Arte Romano de Merida|Merida: Museo de Art Romano||Oceanus ; |Oceanus|||||||||Cornell||HB|HB|6/2/2006 0:00:00|2/24/2006 0:00:00|||Mer|0||||||Oce|C|Rou||07|I-2|||| |4|||||||Work|0|Sculpture-Roman|Sculpture from the Mithreum at Merida||||||||||0|0|Oceanus| 6230.00|0|Category|07|C-07|I-2 Rou 4 Ser|||C-07 I-2 Rou 4 Ser |Head of the God, Serapis|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Spain||||||0||||0|Mérida, Spain|||10696|||||Sculpture|Head (representation)|||CE|2||||||2nd C CE|2nd C CE|||||0||||0|||||Marble|marble|||||sculpture|carving||||||9165|Merida: Museo de Arte Romano de Merida|Merida: Museo de Art Romano||Gods ; |Gods|||||||||Cornell||HB|HB|4/3/2006 0:00:00|2/24/2006 0:00:00||||0||||||Ser|C|Rou||07|I-2|||| |4|||||||Work|0|Sculpture-Roman|||||||||||0|0|Head of the God, Serapis| 6231.00|0|Category|07|C-07|I-2 Rou 4 Mer|||C-07 I-2 Rou 4 Mer |Mercury|Descriptive|Image Source (Vendor)||||||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Spain||||||0||||0|Mérida, Spain|||10696||||0|Sculpture|Figure (representation)|||CE|2||||||2nd C CE|2nd C CE|||||0||||0|||||Marble|marble|||||sculpture|||||||9165|Merida: Museo de Arte Romano de Merida|Merida: Museo de Art Romano||Mercury ; |Mercury|||||||||Cornell||HB|HB|6/2/2006 0:00:00|2/24/2006 0:00:00|||Mer|0||||||Mer|C|Rou||07|I-2|||| |4|||||||Work|0|Sculpture-Roman|Sculpture from the Mithreum||||||||||0|0|Mercury| 6232.00|0|Creator|03|MA-LeCorb|1.04|1930 Rad|1-5|MA-LeCorb 1.04 1930 Rad 1-5|Plan, page 170|||||||||La Ville radieuse. Plan, page 170|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||Swiss|French||Modernist|||Europe||France||||||0||||0||||0||||0|Publications|Book|Theory|Plan (drawing)||20|||1930|1930||1930|1930-1930||La Ville radieuse|Larger entity||6227||||0|||||||||||drawing (image-making)|||||||3781|Paris: Fondation Le Corbusier|Paris: Fondation Le Corbusier||Urban planning ; Cities ; Architectural theory ; |Urban planning|Cities|Architectural theory|||||||Cornell||MNW|JNK|3/2/2006 0:00:00|2/24/2006 0:00:00|LeCorb|||0||FLC 24909||||Rad|MA||||||1.04|1930| ||||||||Work|0|Modern Architecture|||||||||||0|0|Plan, page 170|Le Corbusier 6233.00|0|Creator|03|MA-LeCorb|1.04|1930 Rad|4a-1|MA-LeCorb 1.04 1930 Rad 4a-1|Le Corbusier with Model of Housing à redents, Ville Radieuse|Assigned|Image Source (Pub)|||||||Le Corbusier with Model of Housing à redents, Ville Radieuse|0|||||0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Photographs|Documentary photograph|Portrait|||20|||1930|1930||1930|1930-1930||La Ville radieuse|Referenced by||6227||||0|||||Black and white photograph||||||photography|||||||3781|Paris: Fondation Le Corbusier|Paris: Fondation Le Corbusier||Le Corbusier, 1887-1965 ; Portraits ; Urban planning ; Cities ; Housing developments ; Architectural theory ; Ville Radieuse, 1930-1933 (Le Corbusier) ; |Le Corbusier, 1887-1965|Portraits|Urban planning|Cities|Housing developments|Architectural theory|Ville Radieuse, 1930-1933 (Le Corbusier)|||Cornell||MNW|MNW|8/28/2006 0:00:00|2/24/2006 0:00:00||||0||FLC L1(2)1-13||||Rad|MA||||||1.04|1930| ||||||||Work|0|Modern Architecture|||||||||||0|0|Le Corbusier with Model of Housing à redents, Ville Radieuse| 6234.00|0|Architect|03|MA-LeCorb|1.0|1935 ColU|4b-1|MA-LeCorb 1.0 1935 ColU 4b-1|Drawing for Lecture at Columbia University, November 19, 1935|Published|Image Source (Pub)|||||||Drawing for Lecture at Columbia University, November 19, 1935|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||Swiss|French||Modernist|||Europe||France||||||0||||0||||0||||0|Drawings|Architectural drawing|Drawing|||20|||1935|1935||Nov. 19, 1935|1935-1935|||||0||||0|||||||||||drawing (image-making)|||||||3764|New York: Columbia University; Avery Architectural Library|New York: Columbia Univ.; Avery Lib.||Urban planning ; Housing developments ; Buildings ; Time ; Architectural theory ; |Urban planning|Housing developments|Buildings|Time|Architectural theory|||||Cornell||MNW|JNK|3/2/2006 0:00:00|2/24/2006 0:00:00|LeCorb|||0||||||ColU|MA||||||1.0|1935| ||||||||Work|0|Modern Architecture||||November 19, 1935|||||||0|0|Drawing for Lecture at Columbia University, November 19, 1935|Le Corbusier 6235.00|0|Architect|03|MA-LeCorb|1.0|1935 Por|15|MA-LeCorb 1.0 1935 Por 15|Le Corbusier Aboard TWA Flight, Chicago to New York, November 28, 1935|Published|Image Source (Pub)|||||||Le Corbusier Aboard TWA Flight, Chicago to New York|5867|Jacobs, Robert Allan||photographer|Robert Allan Jacobs|0||||0|||||||||||||||||||0||||0||||0||||0|Photographs|Documentary photograph|Portrait|||20|||1935|1935||Nov. 28, 1935|1935-1935|||||0||||0|||||||||||photography|||||||3781|Paris: Fondation Le Corbusier|Paris: Fondation Le Corbusier||Le Corbusier, 1887-1965 ; Portraits ; |Le Corbusier, 1887-1965|Portraits||||||||Cornell||MNW|JNK|3/2/2006 0:00:00|2/24/2006 0:00:00|LeCorb|||0||FLC L1(1)75||||Por|MA||||||1.0|1935| ||||||||Work|0|Modern Architecture||||November 28, 1935.|||||||0|0|Le Corbusier Aboard TWA Flight, Chicago to New York, November 28, 1935|Jacobs, Robert Allan 6236.00|0|Architect|03|MA-LeCorb|1.04|1935 Rad|1|MA-LeCorb 1.04 1935 Rad 1|Collage for "Descartes est-il américains?", page 133|Published|Image Source (Pub)|||||||La Ville radieuse. Collage for "Descartes est-il américains?". Page 133|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||Swiss|French||Modernist|||Europe||France||||||0||||0||||0||||0|Collages|Collage|Publication|||20|||1935|1935|ca|ca 1935|ca 1935-1935||La Ville radieuse|LargerEntity||6227||||0|||||||||||collage|||||||||||Buildings ; Cities ; Architectural drawings ; Facades ; Cityscapes ; Architectural theory ; Ville Radieuse, 1930-1933 (Le Corbusier) ; |Buildings|Cities|Architectural drawings|Facades|Cityscapes|Architectural theory|Ville Radieuse, 1930-1933 (Le Corbusier)|||Cornell||MNW|JNK|3/2/2006 0:00:00|2/24/2006 0:00:00|LeCorb|||0||||||Rad|MA||||||1.04|1935| ||||||||Work|0|Modern Architecture|||||||||||0|0|Collage for "Descartes est-il américains?", page 133|Le Corbusier 6237.00|0|Architect|03|MA-LeCorb|1.0|1935 Got|1|MA-LeCorb 1.0 1935 Got 1|Le Corbusier Scans Gotham's Towers, New York Times, November 3, 1935, page 10|Descriptive|Image Source (Pub)|||||||Le Corbusier Scans Gotham's Towers, New York Times, November 3, 1935, page 10|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Publications|Article|Portrait|||20|||1935|1935||Nov. 3, 1935|1935-1935|||||0||||0||||||||||||||||||||||Le Corbusier, 1887-1965 ; Skyscrapers ; Portraits ; Newspapers ; |Le Corbusier, 1887-1965|Skyscrapers|Portraits|Newspapers||||||Cornell||MNW|JNK|3/2/2006 0:00:00|2/24/2006 0:00:00|LeCorb|||0||||||Got|MA||||||1.0|1935| ||||||||Work|0|Modern Architecture||||November 3, 1935.|||||||0|0|Le Corbusier Scans Gotham's Towers, New York Times, November 3, 1935, page 10| 6257.00|0|Site|02|B-H5|Mer|9.0 Det/Mos||B-H5 Mer 9.0 Det/Mos |Mosaic of the Seven Sages|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||Roman|||Late Antique|||Europe||Spain||||||0||||0|Merida, Spain|||10696||||0|Mosaics|Floor||||4||||||4th Century|4th Century|||||0||||0|||||||||||mosaic|||||||9165|Merida: Museo de Arte Romano de Merida|Merida: Museo de Art Romano||||||||||||Cornell||HB|HB|6/2/2006 0:00:00|3/1/2006 0:00:00||Mer|Mer|0||||||Det/Mos|B|||||H5|9.0|| ||||||||Work|0|Architecture-Spain|||||||||||0|0|Mosaic of the Seven Sages| 6258.00|0|Site|02|B-H5|Mer|9.0 Det/Mos||B-H5 Mer 9.0 Det/Mos |Mosaic of the Rape of Europa|Descriptive|Image Source (Vendor)||||||||0|||||0||||0|||||Roman|||Late Antique|||Europe||Spain||||||0||||0|Merida, Spain|||10696||||0|Mosaics|Floor||||3||||||3rd Century|3rd Century|||||0||||0|||||||||||mosaic|||||||9165|Merida: Museo de Arte Romano de Merida|Merida: Museo de Art Romano||||||||||||Cornell||HB|HB|6/2/2006 0:00:00|3/1/2006 0:00:00||Mer|Mer|0||||||Det/Mos|B|||||H5|9.0|| ||||||||Work|0|Architecture-Spain|||||||||||0|0|Mosaic of the Rape of Europa| 6259.00|0|Site|02|B-H5|Mer|9.0 Det/Mos||B-H5 Mer 9.0 Det/Mos |Mosaic from Baritto's Workshop|Descriptive|Image Source (Vendor)||||||||0|||||0||||0|||||Roman|||Roman Period|||Europe||Spain||||||0||||0|Merida, Spain|||10696||||0|Mosaics|Floor|||CE|1||||||1st Century|1st Century|||||0||||0|||||||||||mosaic|||||||9165|Merida: Museo de Arte Romano de Merida|Merida: Museo de Art Romano||||||||||||Cornell||HB|HB|6/2/2006 0:00:00|3/1/2006 0:00:00||Mer|Mer|0||||||Det/Mos|B|||||H5|9.0|| ||||||||Work|0|Architecture-Spain|||||||||||0|0|Mosaic from Baritto's Workshop| 6260.00|0|Site|02|B-H5|Mer|9.0 Det/Mos||B-H5 Mer 9.0 Det/Mos |Mosaic of the Champions Mosaic of the Champions|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||Roman|||Late Antique|||Europe||Spain||||||0||||0|Merida, Spain|||10696||||0|Mosaics|Floor|||CE|4||||||4th Century|4th Century|||||0||||0|||||||||||mosaic|||||||9165|Merida: Museo de Arte Romano de Merida|Merida: Museo de Art Romano||Horses ; Chariots ; |Horses|Chariots||||||||Cornell||HB|HB|6/2/2006 0:00:00|3/1/2006 0:00:00||Mer|Mer|0||||||Det/Mos|B|||||H5|9.0|| ||||||||Work|0|Architecture-Spain|||||||||||0|0|Mosaic of the Champions Mosaic of the Champions| 6261.00|0|Site|02|B-H5|Mer|9.0 Det/Wall||B-H5 Mer 9.0 Det/Wall |Breaking in a Horse|Descriptive|||||||||0|||||0||||0|||||Roman|||Late Antique|||Europe||Spain||||||0||||0|Merida, Spain|||10696||||0|Paintings|Painting|Mural||CE|4||||||4th Century|4th Century|||||0||||0|||||||||||mural painting|||||||9165|Merida: Museo de Arte Romano de Merida|Merida: Museo de Art Romano||Horses ; |Horses|||||||||Cornell||HB|HB|6/16/2006 0:00:00|3/1/2006 0:00:00||Mer|Mer|0||||||Det/Wall|B|||||H5|9.0|| ||||||||Work|0|Architecture-Spain|||||||||||0|0|Breaking in a Horse| 6262.00|0|Site|02|B-H5|Mer|9.0 Det/Wall||B-H5 Mer 9.0 Det/Wall |Hunting Scene|Descriptive|||||||||0|||||0||||0|||||Roman|||Late Antique|||Europe||Spain||||||0|||||Merida, Spain|||10696||||0|Paintings|Painting|Mural||CE|4||||||4th Century|4th Century|||||0||||0|||||||||||mural painting|||||||9165|Merida: Museo de Arte Romano de Merida|Merida: Museo de Art Romano||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|3/1/2006 0:00:00||Mer|Mer|0||||||Det/Wall|B|||||H5|9.0|| ||||||||Work|0|Architecture-Spain|||||||||||0|0|Hunting Scene| 6263.00|0|Site|02|B-H5|Mer|9.0 Det/Wall||B-H5 Mer 9.0 Det/Wall |Chariot Race|Descriptive|Image Source (Vendor)||||||||0|||||0||||0|||||Roman|||Late Antique|||Europe||Spain||||||0|||||Merida, Spain|||10696||||0|Paintings|Painting|Mural||CE|4||||||4th Century|4th Century|||||0||||0|||||||||||mural painting|||||||9165|Merida: Museo de Arte Romano de Merida|Merida: Museo de Art Romano||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|3/1/2006 0:00:00||Mer|Mer|0||||||Det/Wall|B|||||H5|9.0|| ||||||||Work|0|Architecture-Spain|||||||||||0|0|Chariot Race| 6264.00|0|Site|02|B-H5|Mer|9.0 Det/Wall||B-H5 Mer 9.0 Det/Wall |Chariot Victor|Descriptive|Image Source (Vendor)||||||||0|||||0||||0|||||Roman|||Late Antique|||Europe||Spain||||||0|||||Merida, Spain|||10696||||0|Paintings|Painting|Mural||CE|4||||||4th Century|4th Century|||||0||||0|||||||||||mural painting|||||||9165|Merida: Museo de Arte Romano de Merida|Merida: Museo de Art Romano||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|3/1/2006 0:00:00||Mer|Mer|0||||||Det/Wall|B|||||H5|9.0|| ||||||||Work|0|Architecture-Spain|||||||||||0|0|Chariot Victor| 6265.00|0|Site|02|B-L8|Aph|1.32 Tetr||B-L8 Aph 1.32 Tetr |Tetrapylon|Descriptive|Blue Guide||||||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Asia||Turkey||||||0|Aphrodisias, Turkey|||10695||||0||||0|Archaeological Sites|Gate|||CE|2|||150|200|ca|Mid to late 2nd C|ca 150-200|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|3/2/2006 0:00:00||Aph||0||||||Tetr|B|||||L8|1.32||||||||||Work|0|Architecture-Turkey|||||||||||0|0|Tetrapylon| 6266.00|0|Site|02|B-H3|Rom|1.2 Con 2-2||B-H3 Rom 1.2 Con 2-2 |Plan and Elevation of the Arch of Constantine, Rome|Descriptive|Image Source (Pub)|||||||Plan and Elevation of the Arch of Constantine, Rome|8858|Palladio, Andrea||architect|Andrea Palladio|0||||0|||||Italian|||Late Renaissance|||Europe||Italy||||||0||||0||||0||||0|Drawings|Drawing|Architectural drawing|||16|||1540|1549||1540s|1540-1549|||||0||||0|||||Ink on paper|ink|paper (fiber product)||||drawing (image-making)|architectural drawing||||42.4 x 29.2 cm||4400|Vicenza: Museo Civico d'Arte e Storia (Palazzo Chiericati)|Vicenza: Mus. Civico||Arch of Constantine (Rome, Italy) ; Triumphal arches ; Plans (drawings) ; |Arch of Constantine (Rome, Italy)|Triumphal arches|Plans (drawings)|||||||Cornell||JNK|MNW|5/25/2006 0:00:00|3/2/2006 0:00:00||Rom||0||D-14||||Con|B|||||H3|1.2||2-2||||||||Work|0|Architecture-Italy|||||||||||0|0|Plan and Elevation of the Arch of Constantine, Rome|Palladio, Andrea 6267.00|0|Site|02|B-L8|Aph|1.32 Tetr||B-L8 Aph 1.32 Tetr |West pediment|Descriptive|Image Source (Pub)|||||||Tetrapylon. West pediment|0|||||0||||0|||||Roman|||Imperial (Roman)|||Asia||Turkey||||||0|Aphrodisias, Turkey|||10695||||0||||0|Sculpture||Sculpture|Relief|CE|2|||150|200|ca|Mid to late 2nd C|ca 150-200||Tetrapylon|LargerEntity||6265||||0|||||||||||sculpture|||||||||||Eros ; Victory ; Acanthus ; Boars ; |Eros|Victory|Acanthus|Boars||||||Cornell||HB|HB|6/16/2006 0:00:00|3/2/2006 0:00:00||Aph||0||||||Tetr|B|||||L8|1.32||||||||||Work|0|Architecture-Turkey|||||||||||0|0|West pediment| 6268.00|0|Site|02|B-L8|Aph|2.33 BatHad||B-L8 Aph 2.33 BatHad |Colosal Console - Head of Medusa|Descriptive|Image Source (Pub)|||||||Baths of Hadrian. Colosal Console - Head of Medusa|0|||||0||||0|||||Roman|||Imperial (Roman)|||Asia||Turkey||||||0||||0||||0|Aphrodisias, Turkey|||10695|Sculpture|Relief|Head (representation)||CE|2|||100|125|ca|Early 2nd C|ca 100-125||Baths of Hadrian|Larger entity||6185||||0|||||||||||sculpture|||||||1143|Istanbul: Arkeoloji Muzeleri (Archeol.Museum)|Istanbul: Arkeoloji Muz.||Medusa ; |Medusa|||||||||Cornell||HB|HB|6/16/2006 0:00:00|3/2/2006 0:00:00||Aph||0||||||BatHad|B|||||L8|2.33|| ||||||||Work|0|Architecture-Turkey|||||||||||0|0|Colosal Console - Head of Medusa| 6269.00|0|Site|02|B-L8|Aph|2.33 BatHad||B-L8 Aph 2.33 BatHad |Decorated Pilaster|Descriptive|Image Source (Pub)|||||||Baths of Hadrian. Decorated Pilaster|0|||||0||||0|||||Roman|||Imperial (Roman)|||Asia||Turkey||||||0||||0||||0|Aphrodisias, Turkey|||10695|Sculpture|Relief|||CE|2|||120|130|ca|Early 2nd C|ca 120-130||Baths of Hadrian|Larger entity||6185||||0|||||||||||sculpture|relief||||||||||Hercules ; Snakes ; |Hercules|Snakes||||||||Cornell||HB|HB|6/16/2006 0:00:00|3/2/2006 0:00:00||Aph||0||||||BatHad|B|||||L8|2.33||||||||||Work|0|Architecture-Turkey|||||||||||0|0|Decorated Pilaster| 6270.00|0|Site|02|B-L8|Aph|2.33 BatHad||B-L8 Aph 2.33 BatHad |Decorated Pilaster|Descriptive|Image Source (Pub)|||||||Baths of Hadrian. Decorated Pilaster|0|||||0||||0|||||Roman|||Imperial (Roman)|||Asia||Turkey||||||0||||0||||0|Aphrodisias, Turkey|||10695|Sculpture|Relief|||CE|2|||120|130|ca|Early 2nd C|ca 120-130||Baths of Hadrian|LargerEntity||6185||||0|||||||||||sculpture|relief||||||1143|Istanbul: Arkeoloji Muzeleri (Archeol.Museum)|Istanbul: Arkeoloji Muz.||||||||||||Cornell||HB|MNW|5/25/2006 0:00:00|3/2/2006 0:00:00||Aph||0||||||BatHad|B|||||L8|2.33|| ||||||||Work|0|Architecture-Turkey|||||||||||0|0|Decorated Pilaster| 6271.00|0|Site|02|B-L8|Aph|2.33 BatHad||B-L8 Aph 2.33 BatHad |Base of Pilaster|Descriptive|Image Source (Pub)|||||||Baths of Hadrian. Base of Pilaster|0|||||0||||0|||||Roman|||Imperial (Roman)|||Asia||Turkey||||||0|Aphrodisias, Turkey|||10695||||0||||0|Sculpture|Relief|||CE|2|||120|130|ca|ca 120-130|ca 120-130||Baths of Hadrian|LargerEntity||6185||||0|||||||||||sculpture|relief||||||||||Acanthus ; |Acanthus|||||||||Cornell||HB|MNW|5/25/2006 0:00:00|3/2/2006 0:00:00||Aph||0||||||BatHad|B|||||L8|2.33||||||||||Work|0|Architecture-Turkey|||||||||||0|0|Base of Pilaster| 6272.00|0|Site|02|B-G1|Stou|7.1 Apo||B-G1 Stou 7.1 Apo |Temple of Apollo|Assigned|Image Source (Pub)|||||||Stourhead. Temple of Apollo|3950|Flitcroft, Henry||architect|Henry Flitcroft|0||||0|||||English|||Romantic|||Europe||England||||||0|Stourton, England|||10216||||0||||0|Architecture|Temple||||18|||1765|1765||1765|1765-1765||Stourhead|Larger entity||1819||||0||||||||||||||||||||||||||||||||Cornell||JNK|GB|11/20/2006 0:00:00|3/3/2006 0:00:00||Stou||0||||||Apo|B|||||G1|7.1||||||||||Work|0|Architecture-England|||||||||||0|0|Temple of Apollo|Flitcroft, Henry 6273.00|0|Site|02|B-B48|Cha|4.2 UVa|0-1a|B-B48 Cha 4.2 UVa 0-1a|Letter to Thomas Jefferson with ground plan for the University of Virginia|Descriptive|Cataloger|||||||Letter to Thomas Jefferson with ground plan for the University of Virginia|6785|Latrobe, Benjamin Henry||architect|Benjamin Henry Latrobe|0||||0|||||American|||Federal|||North and Central America||United States||||||0||||0||||0||||0||Letter (correspondence)||||19|||1817|1817||24 July 1817|1817-1817|||||0||||0||||||ink|paper (fiber product)|||||||||||3892|Washington, DC: Library of Congress|Wash, DC: Library of Congress||Universities ; Plans (drawings) ; |Universities|Plans (drawings)||||||||Cornell||JNK|JNK|3/3/2006 0:00:00|3/3/2006 0:00:00||Cha||0||N-304||||UVa|B|||||B48|4.2|| ||||||||Work|0|Architecture-Virginia (VA)||||Letter dated 24 July 1817|||||||0|0|Letter to Thomas Jefferson with ground plan for the University of Virginia|Latrobe, Benjamin Henry 6274.00|0|Site|02|B-L8|Aph|1.31 PorTib||B-L8 Aph 1.31 PorTib |Portico of Tiberius|Descriptive|Image Source (Vendor)||||||||0|||||0||||0|||||Roman|||Roman Period|||Asia||Turkey||||||0|Aphrodisias, Turkey|||10695||||0||||0|Architecture|Gate|||CE|1|||14|37|ca|Early 1st C|ca 14-37|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|3/3/2006 0:00:00||Aph||0||||||PorTib|B|||||L8|1.31||||||||||Work|0|Architecture-Turkey|Portico of Tiberius was located in the Agora at Aphrodisias||||||||||0|0|Portico of Tiberius| 6275.00|0|Site|02|B-L8|Aph|1.31 PorTib||B-L8 Aph 1.31 PorTib |Frieze with garlanded masks and faces|Descriptive|Image Source (Pub)|||||||Portico of Tiberius. Frieze with garlanded masks and faces|0|||||0||||0|||||Roman|||Roman Period|||Asia||Turkey||||||0||||||||0|Aphrodisias, Turkey|||10695|Sculpture|Relief|||CE|1|||14|37|ca|Early 1st C|ca 14-37||Portico of Tiberius|LargerEntity||6274||||0|||||||||||sculpture|relief||||||1166|Izmir: Archeological Museum (Izmir Culture Park Archeol.Mus.)|Izmir: Archeol. Mus.||Masks ; Faces (anatomy) ; Medusa ; |Masks|Faces (anatomy)|Medusa|||||||Cornell||HB|MNW|5/25/2006 0:00:00|3/3/2006 0:00:00||Aph||0||||||PorTib|B|||||L8|1.31|| ||||||||Work|0|Architecture-Turkey|||||||||||0|0|Frieze with garlanded masks and faces| 6276.00|0|Site|02|B-L8|Aph|1.31 PorTib||B-L8 Aph 1.31 PorTib |Relief from Agora Gate|Descriptive|Image Source (Pub)|||||||Portico of Tiberius. Relief from Agora Gate|0|||||0||||0|||||Roman|||Roman Period|||Asia||Turkey||||||0|Aphrodisias, Turkey|||10695||||0||||0|Sculpture|Relief|||CE|2|||175|200||Late 2nd Century|ca 175-200||Portico of Tiberius|LargerEntity||6274||||0|||||||||||sculpture|relief||||||||||Masks ; |Masks|||||||||Cornell||HB|MNW|5/25/2006 0:00:00|3/3/2006 0:00:00||Aph||0||||||PorTib|B|||||L8|1.31||||||||||Work|0|Architecture-Turkey|||||||||||0|0|Relief from Agora Gate| 6238.00|0|Architect|03|MA-LeCorb|1.0|1936 AmerProb|1|MA-LeCorb 1.0 1936 AmerProb 1|"What Is American's Problem," American Architect 148 (March 1936)|Published|Image Source (Pub)|||||||"What Is American's Problem," American Architect 148 (March 1936)|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||Swiss|French||Modernist|||Europe||France||||||0||||0||||0||||0|Publications|Article|Architectural drawing|Theory||20|||1936|1936||March, 1936|1936-1936||Quand les cathédrales étaient blanches, voyage au pay des timides; avec 45 croquis dans le texte|||6241||||0|||||||||||drawing (image-making)|||||||||||Skyscrapers ; Urban planning ; |Skyscrapers|Urban planning||||||||Cornell||MNW|JNK|3/2/2006 0:00:00|2/24/2006 0:00:00|LeCorb|||0||||||AmerProb|MA||||||1.0|1936| ||||||||Work|0|Modern Architecture|Reprinted in Cathedrales, p. 275.|||March, 1936|||||||0|0|"What Is American's Problem," American Architect 148 (March 1936)|Le Corbusier 6240.00|0|Architect|03|MA-LeCorb|1.0|1935 Prin|1|MA-LeCorb 1.0 1935 Prin 1|Princeton Pedestrian|Translated|Image Source (Pub)|Piéton de Princeton|Artists|Image Source (Pub)||||Princeton Pedestrian (Princeton Pedestrian)|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||Swiss|French||Modernist|||Europe||France||||||0||||0||||0||||0|Drawings|Drawing|Caricature||||||1935|1935||Dec. 4, 1935|1935-1935|||||0||||0|||||||||||drawing (image-making)|||||||2319|Princeton, NJ: University Library|Princeton: Univ.; Library||Figures (representations) ; |Figures (representations)|||||||||Cornell||MNW|JNK|3/2/2006 0:00:00|2/24/2006 0:00:00||||0||||||Prin|MA||||||1.0|1935| ||||||||Work|0|Modern Architecture||||December 4, 1935|||||||0|0|Princeton Pedestrian;Piéton de Princeton|Le Corbusier 6241.00|0|Architect|03|MA-LeCorb|1.0|1937 Cath|Cov|MA-LeCorb 1.0 1937 Cath Cov|Quand les cathédrales étaient blanches, voyage au pay des timides; avec 45 croquis dans le texte|Published|LC NAF|||||||Quand les cathédrales étaient blanches, voyage au pay des timides; avec 45 croquis dans le texte|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||Swiss|French|||||Europe||France||||||0||||0||||0||||0|Publications|Book|Theory|||20|||1937|1937||1937|1937-1937|||||0||||0|||||||||||printing|||||||||||Cities ; Cathedrals ; Urban planning ; Architectural theory ; |Cities|Cathedrals|Urban planning|Architectural theory||||||Cornell||MNW|JNK|3/2/2006 0:00:00|2/24/2006 0:00:00|LeCorb|||0||||||Cath|MA||||||1.0|1937|||||||||Work|0|Modern Architecture|Published in Paris by Librairie Plon.||||||||||0|0|Quand les cathédrales étaient blanches, voyage au pay des timides; avec 45 croquis dans le texte|Le Corbusier 6242.00|0|Site|02|B-H2||2.31 Expo/Temp||B-H2 Par 2.31 Expo/Temp |Pavillon des Temps Nouveaux|Descriptive|Image Source (Pub)|||||||Expostion Internationale (1937). Pavillon des Temps Nouveaux|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||Swiss|French||Modernist|||Europe||France||||||0||||0|Paris, France|||10058||||0|architecture|Exhibit building||||20|||1937|1937||1937|1937-1937||Exposition Internationale (1937 : Paris, France)|LargerEntity||3715||||0||||||||||||||||||||||Exposition internationale (1937 : Paris, France) ; Exhibition buildings ; |Exposition internationale (1937 : Paris, France)|Exhibition buildings||||||||Cornell||MNW|JNK|4/12/2006 0:00:00|2/24/2006 0:00:00|||Par|0||||||Expo/Temp|B|||||H2|2.31|1937| ||||||||Work|0|Architecture-France|Photograph from Oeuvre complète, 1934-1938, p. 158. FLC L2(8)2-73.||||||||||0|0|Pavillon des Temps Nouveaux|Le Corbusier 6243.00|0|Site|02|B-J3|Ber|4.4 Alt|4b-3|B-J3 Ber 4.4 Alt 4b-3|View From the Main Staircase of the Altes Museum Through the Columns of the Portico to the Lustgarten|Descriptive|Image Source (Pub)|||||||View From the Main Staircase of the Altes Museum Through the Columns of the Portico to the Lustgarten|4152|Freydanck, Carl Daniel||painter|Carl Daniel Freydanck|0||||0|||||German||||||Europe||Germany||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19||||1843|bef|bef. 1843|bef. 1843|||||0||||0|||||Oil on canvas|oil|canvas||||painting (image-making)|||||276 x 379 cm||351|Berlin: Kunstbibliothek|Berlin: Kunstbibl.||Altes Museum (Berlin, Germany) ; Porticoes ; |Altes Museum (Berlin, Germany)|Porticoes||||||||Cornell||MNW|MNW|2/27/2006 0:00:00|2/27/2006 0:00:00||Ber||0||4433||||Alt|B|||||J3|4.4|| ||||||||Work|0|Architecture-Germany|||||||||||0|0|View From the Main Staircase of the Altes Museum Through the Columns of the Portico to the Lustgarten|Freydanck, Carl Daniel 6244.00|0|Site|02|B-J3|Ber|4.4 Alt|4b-4|B-J3 Ber 4.4 Alt 4b-4|View of the Interior of the Rotunda of the Altes Museum|Descriptive|Image Source (Pub)|||||||View of the Interior of the Rotunda of the Altes Museum|2546|Conrad, Carl Emanuel||painter|Carl Emanuel Conrad|0||||0|||||German|||Neoclassical|Romantic||Europe||Germany||||||0||||||||0||||0|Watercolors|Watercolor|Painting|||19|||1830|1839|ca|1830's|ca 1830-1839|||||0||||0|||||Watercolor and gouache|watercolor|gouache||||painting (image-making)|||||457 x 421 cm||2305|Potsdam: Staatliche Schlosser und Garten Potsdam-Sanssouci|Potsdam: SSG Sanssouci||Altes Museum (Berlin, Germany) ; Rotundas (interior spaces) ; Coffered ceilings ; Statues ; |Altes Museum (Berlin, Germany)|Rotundas (interior spaces)|Coffered ceilings|Statues||||||Cornell||MNW|MNW|2/27/2006 0:00:00|2/27/2006 0:00:00||Ber||0||No. 3837a||||Alt|B|||||J3|4.4|| ||||||||Work|0|Architecture-Germany|||||||||In the watercolor collection||0|0|View of the Interior of the Rotunda of the Altes Museum|Conrad, Carl Emanuel 6245.00|0|Site|02|B-J3|Ber|4.2 Arch|4b-3|B-J3 Ber 4.2 Arch 4b-3|The Bauakademie, Berlin|Descriptive|Image Source (Pub)|||||||The Bauakademie, Berlin|4251|Gaertner, Eduard||painter|Eduard Gaertner|0||||0|||||German|||Neoclassical|Romantic||Europe||Germany||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||19|||1868|1868||1868|1868-1868|||||0||||0|||||Oil on canvas|oil|canvas||||painting (image-making)|||||630 x 820 cm||356|Berlin: Staatliche Museen zu Berlin; Neue Nationalgalerie|Berlin: Neue Nat. Gal.||Bauakademie (Berlin, Germany) ; Friedrich-Werdersche Kirche (Berlin, Germany) ; Berlin (Germany) ; |Bauakademie (Berlin, Germany)|Friedrich-Werdersche Kirche (Berlin, Germany)|Berlin (Germany)|||||||Cornell||MNW|MNW|2/27/2006 0:00:00|2/27/2006 0:00:00||Ber||0||NG 1229||||Arch|B|||||J3|4.2|| ||||||||Work|0|Architecture-Germany|The viewpoint is the western side of Schlossplatz. In the background one can see the French Cathedral in the Gendarmentmarkt. Snoden, Schinkel.||||||||||0|0|The Bauakademie, Berlin|Gaertner, Eduard 6246.00|0|Site|02|B-J3|Ber|4.2 Arch||B-J3 Ber 4.2 Arch |Bauakademie|Descriptive|Dict.Art|Architecture School|Translated|Cataloger||||Bauakademie|10508|Schinkel, Karl Friedrich||architect|Karl Friedrich Schinkel|0||||0|||||German|||Neoclassical|Romantic||Europe||Germany||||||0||||0|Berlin, Germany|||10108||||0|Architecture|School||||19|||1831|1835||1831-1835; dest. 1961|1831-1835|||||0||||0||||||||||||||||||||||Berlin (Germany) ; Schools ; |Berlin (Germany)|Schools||||||||Cornell||MNW|MNW|2/27/2006 0:00:00|2/27/2006 0:00:00|||Ber|0||||||Arch|B|||||J3|4.2||||||||||Work|0|Architecture-Germany||||Destroyed in 1961.|||||Located on the Schlossplatz||0|0|Bauakademie;Architecture School|Schinkel, Karl Friedrich 6247.00|0|Creator|15|19C|GARTNER, Eduard|||19C GARTNER, Eduard | Neue Wache|Descriptive|Repository|||||||Neue Wache|4251|Gaertner, Eduard||painter|Eduard Gaertner|0||||0|||||German|||Neoclassical|Romantic||Europe||Germany||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1833|1833||1833|1833-1833|||||0||||0|||||Oil on canvas|oil|canvas||||painting (image-making)|||||47 x 77 cm||9416|Berlin: Staatliche Museen zu Berlin; Alte Nationalgalerie|Berlin: Alte Nationalgalerie||Neue Wache (Berlin, Germany) ; Berlin (Germany) ; |Neue Wache (Berlin, Germany)|Berlin (Germany)||||||||Cornell||MNW|MNW|2/27/2006 0:00:00|2/27/2006 0:00:00|GARTNER, E|||0|||||||19C|||||||| ||||||||Work|0||||||||||||0|0| Neue Wache|Gaertner, Eduard 6248.00|0|Category|07|C-07|I-1 Rou 50 Emp|||C-07 I-1 Rou 50 Emp |Deified Emperor|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Spain||||||0||||0||||0|Mérida, Spain|||10696|Sculpture|Figure (representation)|||CE|1||||||1st C CE||||||0||||0|||||Marble|marble|||||sculpture|||||||9165|Merida: Museo de Arte Romano de Merida|Merida: Museo de Art Romano||Imperialism ; |Imperialism|||||||||Cornell||HB|HB|6/2/2006 0:00:00|2/27/2006 0:00:00||||0||||||Emp|C|Rou||07|I-1|||| |50|||||||Work|0|Sculpture-Roman|||||||||||0|0|Deified Emperor| 6249.00|0|Category|07|C-07|I-2 Rou 5H ColGen|||C-07 I-2 Rou 5H ColGen |Head of the Colony's Genius|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Spain||||||0||||0||||0|Merida, Spain|||10696|Sculpture|Head (representation)|||CE|2||||||End of 2nd C CE||||||0||||0|||||Marble|marble|||||sculpture|||||||9165|Merida: Museo de Arte Romano de Merida|Merida: Museo de Art Romano||||||||||||Cornell||HB|HB|4/3/2006 0:00:00|2/27/2006 0:00:00||||0||||||ColGen|C|Rou||07|I-2|||| |5H|||||||Work|0|Sculpture-Roman|||||||||||0|0|Head of the Colony's Genius| 6250.00|0|Category|07|C-07|I-1 Rel 97 SenAma|||C-07 I-1 Rel 97 SenAma |Funeral stela of the tavern owner Sentia Amaranis|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Spain||||||0||||0||||0|Merida, Spain|||10696|Sculpture|Relief|Funerary object||CE|1||||||1st Century|1st Century|||||0||||0|||||Marble|marble|||||sculpture|relief||||||9165|Merida: Museo de Arte Romano de Merida|Merida: Museo de Art Romano||Drinking ; Wine ; Deaths ; |Drinking|Wine|Deaths|||||||Cornell||HB|HB|4/3/2006 0:00:00|2/27/2006 0:00:00||||0||||||SenAma|C|Rel||07|I-1|||| |97|||||||Work|0|Sculpture-Roman|||||||||||0|0|Funeral stela of the tavern owner Sentia Amaranis| 6251.00|0|Site|02|B-J3|Ber|1.06 Cul|1-1|B-J3 Ber 1.06 Cul 1-1|Existing and Proposed Cultural Buildings Along the River Spree|Descriptive|Image Source (Pub)|||||||Existing and Proposed Cultural Buildings Along the River Spree|0|||||0||||0|||||German||||||||||||||0|Berlin, Germany|||10108||||0||||0|Architecture|Plan (drawing)|Municipal plan|||20|||1955|1962|ca|ca 1955-1962|ca 1955-1962|||||0||||0||||||||||||||||||||||Berlin (Germany) ; Cultural centers ; |Berlin (Germany)|Cultural centers||||||||Cornell||MNW|MNW|2/27/2006 0:00:00|2/27/2006 0:00:00||Ber||0||||||Cul|B|||||J3|1.06||||||||||Work|0|Architecture-Germany|||||||||||0|0|Existing and Proposed Cultural Buildings Along the River Spree| 6252.00|0|Site|02|B-H5|Mer|7.5 VilTien|||Villa "Las Tiendas"|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||Roman|||Late Antique|||Europe||Spain||||||0|Merida, Spain|||10696||||0||||0|Archaeological Sites|Villa|House||CE|4||||||4th Century|4th Century|||||0||||0|||||||||||mosaic|||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|3/1/2006 0:00:00||Mer||0||||||VilTien|B|||||H5|7.5||||||||||Work|0|Architecture-Spain|||||||||||0|0|Villa "Las Tiendas"| 6253.00|0|Site|02|B-H5|Mer|7.5 VilTien||B-H5 Mer 7.5 VilTien |Boar Hunt Mosaic|Descriptive|Image Source (Vendor)|||||||Villa "Las Tiendas". Boar Hunt Mosaic|0|||||0||||0|||||Roman|||Late Antique|||Europe||Spain||||||0||||0|Merida, Spain|||10696|||||Mosaics|Floor|||CE|4|||400|500||4th Century|ca 400-500||Villa "Las Tiendas"|Larger entity||6252||||0|||||||||||mosaic|||||||9165|Merida: Museo de Arte Romano de Merida|Merida: Museo de Art Romano||Boars ; Hunting ; |Boars|Hunting||||||||Cornell||HB|HB|6/2/2006 0:00:00|3/1/2006 0:00:00||Mer|Mer|0||||||VilTien|B|||||H5|7.5|| ||||||||Work|0|Architecture-Spain|||||||||||0|0|Boar Hunt Mosaic| 6254.00|0|Site|02|B-H5|Mer|7.5 VilTien||B-H5 Mer 7.5 VilTien |Hunting Scene Mosaic|Descriptive|Image Source (Vendor)|||||||Villa "Las Tiendas". Hunting Scene Mosaic|0|||||0||||0|||||Roman|||Late Antique|||Europe||Spain||||||0||||0|Merida, Spain|||10696||||0|Mosaics|Floor|||CE|4|||400|500||4th Century|ca 400-500||Villa "Las Tiendas"|LargerEntity||6252||||0|||||||||||mosaic|||||||9165|Merida: Museo de Arte Romano de Merida|Merida: Museo de Art Romano||Hunting ; Horses ; |Hunting|Horses||||||||Cornell||HB|HB|6/2/2006 0:00:00|3/1/2006 0:00:00||Mer|Mer|0||||||VilTien|B|||||H5|7.5|| ||||||||Work|0|Architecture-Spain|||||||||||0|0|Hunting Scene Mosaic| 6255.00|0|Site|02|B-H5|Mer|7.5 VilTien||B-H5 Mer 7.5 VilTien |Mosaic of the Seasons|Descriptive|Image Source (Pub)|||||||Villa "Las Tiendas". Mosaic of the Seasons|0|||||0||||0|||||Roman|||Late Antique|||Europe||Spain||||||0||||0|Merida, Spain|||10696||||0|Mosaics|Floor|||CE|4|||400|500||4th Century|ca 400-500||Villa "Las Tiendas"|LargerEntity||6252||||0|||||||||||mosaic|||||||9165|Merida: Museo de Arte Romano de Merida|Merida: Museo de Art Romano||Seasons ; Personification ; Spring ; Summer ; autumn ; Winter ; |Seasons|Personification|Spring|Summer|autumn|Winter||||Cornell||HB|HB|6/2/2006 0:00:00|3/1/2006 0:00:00||Mer|Mer|0||||||VilTien|B|||||H5|7.5|| ||||||||Work|0|Architecture-Spain|||||||||||0|0|Mosaic of the Seasons| 6256.00|0|Site|02|B-H5|Mer|9.0 Det/Mos||B-H5 Mer 9.0 Det/Mos |Mosaic of Bacchus and Ariadne|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||Roman|||Late Antique|||Europe||Spain||||||0||||0|Merida, Spain|||10696||||0|Mosaics|Floor||||4||||||4th Century|4th Century|||||0||||0|||||||||||mosaic|||||||9165|Merida: Museo de Arte Romano de Merida|Merida: Museo de Art Romano||Bacchus ; Ariadne ; Satyrs ; |Bacchus|Ariadne|Satyrs|||||||Cornell||HB|HB|6/2/2006 0:00:00|3/1/2006 0:00:00||Mer|Mer|0||||||Det/Mos|B|||||H5|9.0|| ||||||||Work|0|Architecture-Spain|Work is signed by the artist "Annibonius".||||||||||0|0|Mosaic of Bacchus and Ariadne| 6277.00|0|Site|02|B-G1|Stou|7.1 |4-8|B-G1 Stou 7.1 4-8|Temple of Clitumnus, after Richard Wilson|Assigned|Image Source (Pub)|Veduta del Tempio, e Fiume del Clitunno dello stato presente|Inscribed|Artist|View of the Temple and the River of Clitumus in present state|Translated|Cataloger|Temple of Clitumnus, after Richard Wilson|12180|Vasi, Giuseppe||printmaker|Giuseppe Vasi|0||||0|||||Italian||||||Europe||Italy||||||0||||0||||0||||0|Graphics|Print|Intaglio|||18|||1770|1782|ca|ca 1770-1782|ca 1770-1782|||||0||||0|||||Engraving||||||printing|engraving (incising)||||||||||Landscapes ; Ruins ; Temples ; |Landscapes|Ruins|Temples|||||||Cornell||JNK|JNK|3/28/2006 0:00:00|3/3/2006 0:00:00||Stou||0|||||||B|||||G1|7.1||||||||||Work|0|Architecture-England|Based on the lost drawing by Richard Wilson||||||||||0|0|Temple of Clitumnus, after Richard Wilson;Veduta del Tempio, e Fiume del Clitunno dello stato presente;View of the Temple and the River of Clitumus in present state|Vasi, Giuseppe 6278.00|0|Site|02|B-H3|Rom|1.2 Con|2-3|B-H3 Rom 1.2 Con 2-3|General Survey of the Arch of Constantine, Rome|Assigned|Image Source (Pub)|||||||General Survey of the Arch of Constantine, Rome|8858|Palladio, Andrea||architect|Andrea Palladio|0||||0|||||Italian|||Late Renaissance|||Europe||Italy||||||0||||0||||0||||0|Architecture|Architectural drawing|Drawing|||16|||1560|1569||1560s|1560-1569|||||0||||0|||||Ink and wash over pencil drawing on paper|ink|wash|paper (fiber product)|||drawing (image-making)|architectural drawing||||29.9 x 20.9 cm||4468|London: Royal Institute of British Architects|London: RIBA||Arch of Constantine (Rome, Italy) ; |Arch of Constantine (Rome, Italy)|||||||||Cornell||JNK|MNW|5/25/2006 0:00:00|3/3/2006 0:00:00||Rom||0||Palladio XII/5 recto and verso||||Con|B|||||H3|1.2||2-3||||||||Work|0|Architecture-Italy|||||||||||0|0|General Survey of the Arch of Constantine, Rome|Palladio, Andrea 6279.00|0|Site|02|B-H3|Rom|1.1 Pir/VedR|II-101|B-H3 Rom 1.1 Pir/VedR II-101|The Arch of Constantine and the Colosseum, II-101|Assigned|Image Source (Pub)|Veduta dell Arco di Costantino, e' dell' Antifiteatro Flavio detto il Colosseo|Inscribed|Artist||||Vedute di Roma. The Arch of Constantine and the Colosseum, II-101|9255|Piranesi, Giovanni Battista||etcher|Giovanni Battista Piranesi|0||||0|||||Italian|||Neoclassical|||Europe||Italy||||||0||||0||||0||||0|Prints|Etching|Architectural drawing|||18|||1760|1792||1760-1792|1760-1792||Vedute di Roma|Series||533||||0|Hind, A. M. Giovanni Battista Piranesi: a Critical Study, 1922|56, I|||Etching|paper (fiber product)|ink||||etching (printing process)|||||||||||Arch of Constantine (Rome, Italy) ; Colosseum (Rome, Italy) ; Rome, Italy ; Triumphal arches ; Stadiums ; Architectural drawings ; |Arch of Constantine (Rome, Italy)|Colosseum (Rome, Italy)|Rome, Italy|Triumphal arches|Stadiums|Architectural drawings||||Cornell||JNK|MNW|11/16/2006 0:00:00|3/3/2006 0:00:00||Rom||0||||||Pir/VedR|B|||||H3|1.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|The Arch of Constantine and the Colosseum, II-101;Veduta dell Arco di Costantino, e' dell' Antifiteatro Flavio detto il Colosseo|Piranesi, Giovanni Battista 6280.00|0|Site|02|B-H3|Rom|1.1 Pir/VedR|II-112|B-H3 Rom 1.1 Pir/VedR II-112|The Pyramid of Caius Cestius, II-112|Translated|Image Source (Pub)|Piramide di c. Cestio|Inscribed|Artist||||Vedute di Roma. The Pyramid of Caius Cestius, II-112|9255|Piranesi, Giovanni Battista||etcher|Giovanni Battista Piranesi|0||||0|||||Italian|||Neoclassical|||Europe||Italy||||||0||||0||||0||||0|Prints|Etching|Architectural drawing|||18|||1756|1792||1756-1792|1756-1792||Vedute di Roma|Series||533||||0|Hind, A. M. Giovanni Battista Piranesi: a Critical Study, 1922|36, I|||Etching|paper (fiber product)|ink||||etching (printing process)|||||||||||Pyramids (tombs) ; Pyramid of Gaius Cestius (Rome, Italy) Pyramid of Gaius Cestius (Rome, Italy) ; Tombs ; Rome, Italy ; Architectural drawings ; |Pyramids (tombs)|Pyramid of Gaius Cestius (Rome, Italy) Pyramid of Gaius Cestius (Rome, Italy)|Tombs|Rome, Italy|Architectural drawings|||||Cornell||JNK|MNW|11/16/2006 0:00:00|3/3/2006 0:00:00||Rom||0||||||Pir/VedR|B|||||H3|1.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|The Pyramid of Caius Cestius, II-112;Piramide di c. Cestio|Piranesi, Giovanni Battista 6281.00|0|Site|02|B-L8|Sar|3.4 Syn||B-L8 Sar 3.4 Syn |Synagogue|Descriptive|||||||||0|||||0||||0|||||Roman|||Roman Period|||Asia||Turkey||||||0|Sardis, Turkey|||10697||||0||||0|Architecture|Synagogue|||CE|1|||10|50|ca|Early 1st C|ca 10-50|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|3/6/2006 0:00:00||Sar||0||||||Syn|B|||||L8|3.4||||||||||Work|0|Architecture-Turkey|Part of the 1st Century Gymnasium complex was converted into a Synagogue in the 3rd Century.||||||||||0|0|Synagogue| 6282.00|0|Site|02|B-L8|Sar|3.4 Syn||B-L8 Sar 3.4 Syn |Mosaics|Descriptive|Image Source (Pub)|||||||Synagogue. Mosaics|0|||||0||||0|||||Roman|||Late Antique|||Asia||Turkey||||||0|Sardis, Turkey|||10697||||0||||0|Mosaics|Mosaic|Floor||CE|4|||350|400|ca|Late 4th Century|ca 350-400||Synagogue|LargerEntity||6281||||0|||||Limestone|limestone|||||mosaic|||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|3/6/2006 0:00:00||Sar||0||||||Syn|B|||||L8|3.4||||||||||Work|0|Architecture-Turkey|||||||||||0|0|Mosaics| 6283.00|0|Creator|15|MA-Mies|2.41|1959-64 FedCT|7-3|MA-Mies 2.41 1959-64 FedCT 7-3|Flamingo|Assigned|Dict.Art|||||||Federal Center. Flamingo|1917|Calder, Alexander||sculptor|Calder, Alexander|0||||0|||||American||||||North and Central America||United States||||||0|Federal Center Plaza, Chicago, IL|||10700||||0||||0|Sculpture|Sculpture||||20|||1974|1974||1974|1974-1974||Federal Center|Larger entity||6339||||0|||||Steel|steel|||||sculpture|||||16.76 m High||||||Birds ; Flamingos ; |Birds|Flamingos||||||||Cornell||BZ|JNK|3/21/2006 0:00:00|3/6/2006 0:00:00|Mies|||0||||||FedCT|MA||||||2.41||||||||||Work|0||||||||||||0|0|Flamingo|Calder, Alexander 6284.00|0|Site|02|B-L8|Ist|1.32 Egy||B-L8 Ist 1.32 Egy |Egyptian Obelisk|Descriptive|Blue Guide||||||||0|||||0||||0|||||Roman|||Late Antique|||Asia||Turkey||||||0|Istanbul, Turkey|||10021||||||||0|Architecture|Obelisk|||CE|4|-16||385|395|ca|ca 385-395|ca 385-395|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|3/6/2006 0:00:00||Ist||0||||||Egy|B|||||L8|1.32||||||||||Work|0|Architecture-Turkey|The Obelisk was originally constructed in ca 1549-1503 BCE and move to Turkey in the 4C CE and erected by Theodosius III in 390. During the move it broke apart. Only the top third survived.||||||||||0|0|Egyptian Obelisk| 6285.00|0|Site|02|B-H3|Rom|1.1 Pir/VedR|II-111|B-H3 Rom 1.1 Pir/VedR II-111|The Pyramid of Caius Cestius, With the Porta S. Paolo and Adjoining Road, II-111|Translated|Print Publication|Veduta del Sepolcro di Cajo Cestio|Inscribed|Artist||||Vedute di Roma. Cestius Pyramid With Porta S. Paolo, II-111|9255|Piranesi, Giovanni Battista||etcher|Giovanni Battista Piranesi|0||||0|||||Italian|||Neoclassical|||Europe||Italy||||||0||||0||||0||||0|Prints|Etching|Architectural drawing|||18|||1755|1792||1755-1792|1755-1792||Vedute di Roma|Series||533||||0|Hind, A. M. Giovanni Battista Piranesi: a Critical Study, 1922|35, I|||Etching|paper (fiber product)|ink||||etching (printing process)|||||||||||Pyramid of Gaius Cestius (Rome, Italy) ; Rome, Italy ; Porta San Paolo (Rome, Italy) ; Tombs ; Architectural drawings ; |Pyramid of Gaius Cestius (Rome, Italy)|Rome, Italy|Porta San Paolo (Rome, Italy)|Tombs|Architectural drawings|||||Cornell||JNK|MNW|11/16/2006 0:00:00|3/13/2006 0:00:00||Rom||0||||||Pir/VedR|B|||||H3|1.1||II-111||||||||Work|0|Architecture-Italy|||||||||||0|0|The Pyramid of Caius Cestius, With the Porta S. Paolo and Adjoining Road, II-111;Veduta del Sepolcro di Cajo Cestio|Piranesi, Giovanni Battista 6286.00|0|Site|02|B-H3|Rom|1.1 Pir/VedR|II-91|B-H3 Rom 1.1 Pir/VedR II-91|The Arch of Titus, II-91|Translated|Print Publication|Veduta dell' Arco di Tito|Inscribed|Artist||||Vedute di Roma. The Arch of Titus, II-91|9255|Piranesi, Giovanni Battista||etcher|Giovanni Battista Piranesi|0||||0|||||Italian|||Neoclassical|||Europe||Italy||||||0||||0||||0||||0|Prints|Etching|Architectural drawing|||18|||1760|1792||1760-1792|1760-1792||Vedute di Roma|Series||533||||0|Hind, A. M. Giovanni Battista Piranesi: a Critical Study, 1922|55, I|||Etching|paper (fiber product)|ink||||etching (printing process)|||||||||||Arch of Titus (Rome, Italy) ; Rome, Italy ; Roman Forum (Rome, Italy) ; Triumphal arches ; Architectural drawings ; |Arch of Titus (Rome, Italy)|Rome, Italy|Roman Forum (Rome, Italy)|Triumphal arches|Architectural drawings|||||Cornell||JNK|MNW|11/16/2006 0:00:00|3/13/2006 0:00:00||Rom||0||||||Pir/VedR|B|||||H3|1.1||II-91||||||||Work|0|Architecture-Italy|||||||||||0|0|The Arch of Titus, II-91;Veduta dell' Arco di Tito|Piranesi, Giovanni Battista 6287.00|0|Site|02|B-H3|Rom|1.1 Pir/VedR|II-92|B-H3 Rom 1.1 Pir/VedR II-92|The Arch of Titus, With the Casino Farnese on the Left, II-92|Translated|Print Publication|Veduta dell' Arco di Tito|Inscribed|Artist||||Vedute di Roma. The Arch of Titus with Casino Farnese, II-92|9255|Piranesi, Giovanni Battista||engraver|Giovanni Battista Piranesi|0||||0|||||Italian|||Neoclassical|||Europe||Italy||||||0||||0||||0||||0|Prints|Etching|Architectural drawing|||18|||1771|1792||1771-1792|1771-1792||Vedute di Roma|Series||533||||0|Hind, A. M. Giovanni Battista Piranesi: a Critical Study, 1922|98, II|||Etching|paper (fiber product)|ink||||etching (printing process)|||||||||||Arch of Titus (Rome, Italy) ; Rome, Italy ; Gates ; Roman Forum (Rome, Italy) ; Buildings ; Farnese Gardens (Rome, Italy) ; Architectural drawings ; |Arch of Titus (Rome, Italy)|Rome, Italy|Gates|Roman Forum (Rome, Italy)|Buildings|Farnese Gardens (Rome, Italy)|Architectural drawings|||Cornell||JNK|MNW|11/16/2006 0:00:00|3/13/2006 0:00:00||Rom||0||||||Pir/VedR|B|||||H3|1.1||II-92||||||||Work|0|Architecture-Italy|||||||||||0|0|The Arch of Titus, With the Casino Farnese on the Left, II-92;Veduta dell' Arco di Tito|Piranesi, Giovanni Battista 6288.00|0|Site|02|B-H3|Rom|1.1 Pir/VedR|II-104|B-H3 Rom 1.1 Pir/VedR II-104|The Baths of Caracalla, Bird's Eye View, II-104|Translated|Print Publication|Rovine delle Ferme Antoniniane|Inscribed|Artist||||Vedute di Roma. The Baths of Caracalla, II-104|9255|Piranesi, Giovanni Battista||etcher|Giovanni Battista Piranesi|0||||0|||||Italian|||Neoclassical|||Europe||Italy||||||0||||0||||0||||0|Prints|Etching|Architectural drawing|||18|||1765|1792||1765-1792|1765-1792||Vedute di Roma|Series||533||||0|Hind, A. M. Giovanni Battista Piranesi: a Critical Study, 1922|76, I|||Etching|paper (fiber product)|ink||||etching (printing process)|||||||||||Baths of Caracalla (Rome, Italy) ; Rome, Italy ; Public Baths ; Roman Bath Spaces ; Architectural drawings ; |Baths of Caracalla (Rome, Italy)|Rome, Italy|Public Baths|Roman Bath Spaces|Architectural drawings|||||Cornell||JNK|MNW|11/16/2006 0:00:00|3/13/2006 0:00:00||Rom||0||||||Pir/VedR|B|||||H3|1.1||II-104||||||||Work|0|Architecture-Italy|||||||||||0|0|The Baths of Caracalla, Bird's Eye View, II-104;Rovine delle Ferme Antoniniane|Piranesi, Giovanni Battista 6289.00|0|Creator|15||||||Bash Bish Falls, South Egremont, Massachusetts|Assigned|Repository|||||||Bash Bish Falls, South Egremont, Massachusetts|6225|Kensett, John Frederick||painter|John Frederick Kensett|0||||0|||||American|||Hudson River School|||North and Central America||United States||||||0|Boston, MA|||0||||0||||0|Paintings|Painting|Landscape (representation)|||19|||1855|1855||1855|1855-1855|||||0||||0||||||oil paint|||||painting (image-making)|||||75.88 x 61.28 cm||428|Boston: Museum of Fine Arts|Boston: MFA||||||||||||Cornell||JNK|JNK|3/13/2006 0:00:00|3/13/2006 0:00:00|K368|||0||48.437||||||||||||| ||||||||Work|0||||||||||||0|0|Bash Bish Falls, South Egremont, Massachusetts|Kensett, John Frederick 6290.00|0|Creator|15|32|K368-PA|1850|1|32 K368-PA 1850 1|Newport Coast|||||||||Newport Coast|6225|Kensett, John Frederick||painter|John Frederick Kensett|0||||0|||||American|||Hudson River School|||North and Central America||United States||||||0||||0||||0||||0|Paintings|Landscape (representation)||||19|||1865|1870|ca|ca 1865-1870|ca 1865-1870|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||46 x 77 cm||3290|Private Collection|: Private Coll.||Landscapes ; |Landscapes|||||||||Cornell||JNK|JNK|3/13/2006 0:00:00|3/13/2006 0:00:00|K368|||0|||||||32|PA||||||1850| ||||||||Work|0||||||||||||0|0||Kensett, John Frederick 6291.00|0|Creator|15|32|K368-PA|1857|1|32 K368-PA 1857 1|Beacon Rock, Newport Harbor|Assigned|Repository|||||||Beacon Rock, Newport Harbor|6225|Kensett, John Frederick||painter|John Frederick Kensett|0||||0|||||American|||Hudson River School|||North and Central America||United States||||||0||||0||||0||||0|Paintings|Landscape (representation)||||19|||1857|1857||1857|1857-1857|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||57.2 x 91.4 cm||3367|Washington, DC: National Gallery of Art|Wash, DC: National Gallery||Landscapes ; |Landscapes|||||||||Cornell||JNK|MNW|4/28/2006 0:00:00|3/13/2006 0:00:00|K368|||0||1953.1.1|||||32|PA||||||1857| |1857|||||||Work|0||||||||||||0|0|Beacon Rock, Newport Harbor|Kensett, John Frederick 6292.00|0|Creator|15|32|K368-PA|1855|1|32 K368-PA 1855 1|Lake George|Assigned|Repository|||||||Lake George|6225|Kensett, John Frederick||painter|John Frederick Kensett|0||||0|||||American|||Hudson River School|||North and Central America||United States||||||0||||0||||0||||0|Paintings|Landscape (representation)||||19|||1855|1855|ca|ca 1855|ca 1855-1855|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||55.8 x 86.4 cm||9670|Madrid: Museo Thyssen-Bornemisza|Madrid: Mus. Thyssen-Bornemisza||Landscapes ; Trees ; Ducks ; Lake George, NY ; |Landscapes|Trees|Ducks|Lake George, NY||||||Cornell||JNK|MNW|4/28/2006 0:00:00|3/13/2006 0:00:00|K368|||0|||||||32|PA|||||1|| |1855|||||||Work|0||||||||||||0|0|Lake George|Kensett, John Frederick 6293.00|0|Site|02|B-H3|Rom|1.1 Pir/VedR|II-105|B-H3 Rom 1.1 Pir/VedR II-105|The Baths of Caracalla, Interior View of the Central Hall, II-105|Translated|Print Publication|Rovine del Sisto, o sia della gran sala delle Ferme Antoniniane|Inscribed|Artist||||Veduta di Roma. The Baths of Caracalla, View of Central Hall, II-105|9255|Piranesi, Giovanni Battista||etcher|Giovanni Battista Piranesi|0||||0|||||Italian|||Neoclassical|||Europe||Italy||||||0||||0||||0||||0|Prints|Etching|Architectural drawing|||18|||1765|1792||1765-1792|1765-1792||Vedute di Roma|Series||533||||0|Hind, A. M. Giovanni Battista Piranesi: a Critical Study, 1922|77, I|||Etching|paper (fiber product)|ink||||etching (printing process)|||||||||||Public Baths ; Baths of Caracalla (Rome, Italy) ; Rome, Italy ; Roman Bath Spaces ; Architectural drawings ; |Public Baths|Baths of Caracalla (Rome, Italy)|Rome, Italy|Roman Bath Spaces|Architectural drawings|||||Cornell||JNK|MNW|11/16/2006 0:00:00|3/14/2006 0:00:00||Rom||0||||||Pir/VedR|B|||||H3|1.1||II-105||||||||Work|0|Architecture-Italy|||||||||||0|0|The Baths of Caracalla, Interior View of the Central Hall, II-105;Rovine del Sisto, o sia della gran sala delle Ferme Antoniniane|Piranesi, Giovanni Battista 6294.00|0|Site|02|B-H3|Rom|1.1 Pir/VedR|II-88|B-H3 Rom 1.1 Pir/VedR II-88|The Basilica of Constantine, With a Street Seen Through Arches on the Left, II-88|Translated|Print Publication|Veduta della avanzi del Tablino|Inscribed|Artist||||Veduta di Roma. The Basilica of Constantine, II-88|9255|Piranesi, Giovanni Battista||etcher|Giovanni Battista Piranesi|0||||0|||||Italian|||Neoclassical|||Europe||Italy||||||0||||0||||0||||0|Prints|Etching|Architectural drawing|||18|||1774|1792||1774-1792|1774-1792||Vedute di Roma|Series||533||||0|Hind, A. M. Giovanni Battista Piranesi: a Critical Study, 1922|114, I|||Etching|paper (fiber product)|ink||||etching (printing process)|||||||||||Rome, Italy ; Basilica of Constantine (Rome, Italy) ; Basilicas ; Architectural drawings ; |Rome, Italy|Basilica of Constantine (Rome, Italy)|Basilicas|Architectural drawings||||||Cornell||JNK|MNW|11/16/2006 0:00:00|3/14/2006 0:00:00||Rom||0||||||Pir/VedR|B|||||H3|1.1||II-88||||||||Work|0|Architecture-Italy|||||||||||0|0|The Basilica of Constantine, With a Street Seen Through Arches on the Left, II-88;Veduta della avanzi del Tablino|Piranesi, Giovanni Battista 6295.00|0|Site|02|B-H3|Rom|1.31 Nav||B-H3 Rom 1.31 Nav |Giostra del Saracino a Piazza Navona nel Carnevale del 1634|Descriptive|Repository|Joust of the Quintain in Piazza Navona at Carnival in 1634|Translated|Repository||||Giostra del Saracino a Piazza Navona nel Carnevale del 1634|31165|Sacchi, Andrea||painter|Andrea Sacchi, Filippo Gagliardi & V. Adriaenssen|31166|Gagliardi, Filippo||painter|31167|Adriaenssen, Vincent||painter||Italian|||Baroque|||Europe||Italy||||||0||||0||||0||||0|Paintings|Painting||||17|||1634|1634||1634|1634-1634|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||320 x 220 cm||2433|Rome: Museo di Roma|Rome: Mus. di Roma||Piazza Navona (Rome Italy) ; Jousts ; |Piazza Navona (Rome Italy)|Jousts||||||||Cornell||JNK|MNW|5/11/2006 0:00:00|3/14/2006 0:00:00||Rom||0||MF5699||||Nav|B|||||H3|1.31|| ||||||||Work|0|Architecture-Italy|This painting was commissioned by Cardinal Antonio Barberini for the arrival in Rome of Prince Alexander Charles of Poland. Museo di Roma.||||||||||0|0|Giostra del Saracino a Piazza Navona nel Carnevale del 1634;Joust of the Quintain in Piazza Navona at Carnival in 1634|Sacchi, Andrea;Gagliardi, Filippo;Adriaenssen, Vincent 6296.00|0|Site|02|B-H3|Ass|3.1 S.Fra||B-H3 Ass 3.1 S.Fra |Basilica of San Francesco|Assigned|Dict.Art|S. Francesco|Variant|Dict.Art|St. Francis|Translated|Cataloger|Basilica of San Francesco|0|||||0||||0|||||Italian|||Romanesque|||Europe||Italy||||||0|Assisi, Italy|||10698||||0||||0|Architecture|Church||||13|||1228|1253||1228-1253|1228-1253|||||0||||0||||||||||||||||||||||Basilicas ; |Basilicas|||||||||Cornell||JNK|MNW|5/25/2006 0:00:00|3/14/2006 0:00:00||Ass||0||||||S.Fra|B|||||H3|3.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|Basilica of San Francesco;S. Francesco;St. Francis| 6297.00|0|Architect|02|MA-|Pope|4.4 NatArc||MA- Pope 4.4 NatArc |National Archives|Assigned|Dict.Art|||||||National Archives|9375|Pope, John Russell||architect|John Russell Pope|0||||0|||||American|||Classical Revival|||North and Central America||United States||||||0|Washington, DC|||10054||||0||||0|Architecture|Museum|Library|Archive (building)||20|||1931|1935||1931-1935|1931-1935|||||0||||0||||||||||||||||||||||||||||||||Cornell||JNK|MNW|5/25/2006 0:00:00|3/14/2006 0:00:00|Pope|||0||||||NatArc|MA||||||4.4||||||||||Work|0|Modern Architecture-|||||||||||0|0|National Archives|Pope, John Russell 6299.00|0|Site|02|B-B14|Chi|2.31 '93||B-B14 Chi 2.31 '93 |World's Columbian Exposition|Published|Dict.Art|||||||World's Columbian Exposition|27824|Burnham & Root||architectural firm|Burnham & Root; Frederick Law Olmsted|8708|Olmsted, Frederick Law||architect, landscape|0|||||American||||||North and Central America||United States||||||0||||0|Chicago, Illinois|||10103||||0|Architecture|Exhibition||||19|||1893|1893||1893-1893|1893-1893|||||0||||0||||||||||||||||||||||World’s Columbian Exposition (1893 : Chicago, Ill.) ; Chicago, Illinois ; Exhibitions ; Plans (drawings) ; |World’s Columbian Exposition (1893 : Chicago, Ill.)|Chicago, Illinois|Exhibitions|Plans (drawings)||||||Cornell||MNW|MNW|5/17/2006 0:00:00|3/14/2006 0:00:00|||Chi|0||||||'93|B|||||B14|2.31||||||||||Work|0|Architecture-Illinois (IL)|||||||||||0|0|World's Columbian Exposition|Burnham & Root;Olmsted, Frederick Law 6300.00|0|Site|02|B-L8|Eph|7.1 Slope||B-L8 Eph 7.1 Slope |Slope Houses H1 and H2||Image Source (Pub)|||||||Slope Houses H1 and H2|0|||||0||||0|||||Roman|||Imperial (Roman)|||Asia||Turkey||||||0|Ephesus, Turkey|||10111||||0||||0|Archaeological Sites|House|Archaeological site||CE||||10|750|ca|1st-7th Centuries|ca 10-750|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|3/15/2006 0:00:00||Eph||0||||||Slope|B|||||L8|7.1||||||||||Work|0|Architecture-Turkey|||||||||||0|0|Slope Houses H1 and H2| 6301.00|0|Site|02|B-L8|Eph|7.1 Slope H1/b||B-L8 Eph 7.1 Slope H1/b |Slope H1/b Cenatorium|Descriptive|Image Source (Pub)|||||||Slope House 1. Slope H1/b Cenatorium|0|||||0||||0|||||Roman|||Roman Period|||Asia||Turkey||||||0|Ephesus, Turkey|||10111||||0||||0|Archaeological Sites|House|Archaeological site||CE|4|||310|330|ca|ca 320|ca 310-330||Slope House 1|LargerEntity||6327||||0|||||||||||mural painting|painting (image-making)||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|3/15/2006 0:00:00||Eph||0||||||Slope H1/b|B|||||L8|7.1||||||||||Work|0|Architecture-Turkey|||||||||||0|0|Slope H1/b Cenatorium| 6302.00|0|Site|02|B-L8|Eph|7.1 Slope H1/stairs||B-L8 Eph 7.1 Slope H1/stairs |H1 Stairs west of Oecus|Descriptive|Image Source (Pub)|||||||Slope House 1. H1 Stairs west of Oecus|0|||||0||||0|||||Roman|||Roman Period|||Asia||Turkey||||||0|Ephesus, Turkey|||10111||||0||||0|Archaeological Sites|House|Archaeological site||CE|3|4||290|310|ca|ca 300 ?|ca 290-310||Slope House 1|LargerEntity||6327||||0|||||||||||mural painting|painting (image-making)||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|3/15/2006 0:00:00||Eph||0||||||Slope H1/stairs|B|||||L8|7.1||||||||||Work|0|Architecture-Turkey|||||||||||0|0|H1 Stairs west of Oecus| 6303.00|0|Site|02|B-L8|Eph|7.1 Slope H2/SR2 Cour||B-L8 Eph 7.1 Slope H2/SR2 Cour |H2/SR2 Courtyard|Descriptive|Image Source (Pub)|||||||Slope House 2. H2/SR2 Courtyard|0|||||0||||0|||||Roman|||Roman Period|||Asia||Turkey||||||0|Ephesus, Turkey|||10111||||0||||0|Archaeological Sites|Archaeological site|Courtyard||CE|2|||180|190|ca|ca 180-190|ca 180-190||Slope House 2|Larger entity||6315||||0|||||||||||mural painting|painting (image-making)||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|3/15/2006 0:00:00||Eph||0||||||Slope H2/SR2 Cour|B|||||L8|7.1||||||||||Work|0|Architecture-Turkey|||||||||||0|0|H2/SR2 Courtyard| 6304.00|0|Site|02|B-Q10|Kar|1.1 Dho||B-Q10 Kar 1.1 Dho |Dhobi Ghat|Assigned|Image Source (Pub)|Washermen's Place|Translated|Scholar||||Dhobi Ghat|0|||||0||||0|||||Pakistani||||||Asia||Pakistan||||||0|Karachi, Pakistan|||10699||||0||||0|City Plans and Views|City||||||||||||||||0||||0||||||||||||||||||||||||||||||||Cornell||JNK|JNK|3/15/2006 0:00:00|3/15/2006 0:00:00||Kar||0||||||Dho|B|||||Q10|1.1||||||||||Work|0|Architecture-Pakistan (West Pakistan)|||||||||||0|0|Dhobi Ghat;Washermen's Place| 6305.00|0|Site|02|B-L8|Eph|7.1 Slope H2/SR6||B-L8 Eph 7.1 Slope H2/SR6 |H2/SR6 Theatre Room|Descriptive|Image Source (Pub)|||||||Slope House 2. H2/SR6 Theatre Room|0|||||0||||0|||||Roman|||Roman Period|||Asia||Turkey||||||0|Ephesus, Turkey|||10111||||0||||0|Archaeological Sites|Archaeological site|Room||CE|2|||180|190|ca|ca 180-190|ca 180-190||Slope House 2|Larger entity||6315||||0|||||||||||mural painting|painting (image-making)||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|3/15/2006 0:00:00||Eph||0||||||Slope H2/SR6|B|||||L8|7.1||||||||||Work|0|Architecture-Turkey|||||||||||0|0|H2/SR6 Theatre Room| 6306.00|0|Site|02|B-L8|Eph|7.1 Slope H2/A Cub||B-L8 Eph 7.1 Slope H2/A Cub |H2/A Cubiculum|Descriptive|Image Source (Pub)|||||||Slope House 2. H2/A Cubiculum|0|||||0||||0|||||Roman|||Late Antique|||Asia||Turkey||||||0|Ephesus, Turkey|||10111||||0||||0|Archaeological Sites|Archaeological site|Room||CE|4|5||390|410|ca|ca 400|ca 390-410||Slope House 2|Larger entity||6315||||0|||||||||||mural painting|painting (image-making)||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|3/15/2006 0:00:00||Eph||0||||||Slope H2/A Cub|B|||||L8|7.1||||||||||Work|0|Architecture-Turkey|||||||||||0|0|H2/A Cubiculum| 6307.00|0|Site|02|B-L8|Eph|7.1 Slope H2/SR18 Ivo||B-L8 Eph 7.1 Slope H2/SR18 Ivo |H2/SR18 Ivory Room|Descriptive|Image Source (Pub)|||||||Slope House 2, Apartment II. H2/SR18 Ivory Room|0|||||0||||0|||||Roman|||Late Antique|||Asia||Turkey||||||0|Ephesus, Turkey|||10111||||0||||0|Archaeological Sites|Archaeological site|Room||CE|5|||440|450|ca|ca 440-450|ca 440-450||Slope House 2, Apartment II|LargerEntity||6333||||0|||||||||||mural painting|painting (image-making)||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|3/15/2006 0:00:00||Eph||0||||||Slope H2/SR18 Ivo|B|||||L8|7.1||||||||||Work|0|Architecture-Turkey|||||||||||0|0|H2/SR18 Ivory Room| 6308.00|0|Site|02|B-L8|Eph|7.1 Slope H2/SR20 Mus||B-L8 Eph 7.1 Slope H2/SR20 Mus |H2/SR20 Room of the Muses|Descriptive|Image Source (Pub)|||||||Slope House 2, Apartment II. H2/SR20 Room of the Muses|0|||||0||||0|||||Roman|||Late Antique|||Asia||Turkey||||||0|Ephesus, Turkey|||10111||||0||||0|Archaeological Sites|Archaeological site|Room||CE|5|||390|410|ca|ca 400|ca 390-410||Slope House 2, Apartment II|LargerEntity||6333||||0|||||||||||mural painting|painting (image-making)||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|3/15/2006 0:00:00||Eph||0||||||Slope H2/SR20 Mus|B|||||L8|7.1||||||||||Work|0|Architecture-Turkey|||||||||||0|0|H2/SR20 Room of the Muses| 6309.00|0|Site|02|B-L8|Eph|7.1 Slope H2/SR22 Cour||B-L8 Eph 7.1 Slope H2/SR22 Cour |H2/SR22 Courtyard|Descriptive|Image Source (Pub)|||||||Slope House 2, Apartment II. H2/SR22 Courtyard|0|||||0||||0|||||Roman|||Roman Period|||Asia||Turkey||||||0|Ephesus, Turkey|||10111||||0||||0|Archaeological Sites|Courtyard|Archaeological site||CE|3|||200|220|ca|ca 200-220|ca 200-220||Slope House 2, Apartment II|LargerEntity||6333||||0|||||||||||mural painting|painting (image-making)||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|3/15/2006 0:00:00||Eph||0||||||Slope H2/SR22 Cour|B|||||L8|7.1||||||||||Work|0|Architecture-Turkey|||||||||||0|0|H2/SR22 Courtyard| 6310.00|0|Site|02|B-L8|Eph|7.1 Slope H2/SR25 Bir||B-L8 Eph 7.1 Slope H2/SR25 Bir |H2/SR25 Room of the Birds|Descriptive|Image Source (Pub)|||||||Slope House 2, Apartment II. H2/SR25 Room of the Birds|0|||||0||||0|||||Roman|||Late Antique|||Asia||Turkey||||||0|Ephesus, Turkey|||10111||||0||||0|Archaeological Sites|Room|Archaeological site||CE|5|||400|410|ca|ca 400-410|ca 400-410||Slope House 2, Apartment II|LargerEntity||6333||||0|||||||||||mural painting|painting (image-making)||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|3/15/2006 0:00:00||Eph||0||||||Slope H2/SR25 Bir|B|||||L8|7.1||||||||||Work|0|Architecture-Turkey|||||||||||0|0|H2/SR25 Room of the Birds| 6311.00|0|Site|02|B-L8|Eph|7.1 Slope H2/SR27 Atr||B-L8 Eph 7.1 Slope H2/SR27 Atr |H2/SR27 Atrium and Kitchen|Descriptive|Image Source (Pub)|||||||Slope House 2, Apartment II. H2/SR27 Atrium and Kitchen|0|||||0||||0|||||Roman|||Late Antique|||Asia||Turkey||||||0|Ephesus, Turkey|||10111||||0||||0|Archaeological Sites|Room|Archaeological site||CE|5|||400|410|ca|ca 400-410|ca 400-410||Slope House 2, Apartment II|LargerEntity||6333||||0|||||||||||mural painting|painting (image-making)||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|3/15/2006 0:00:00||Eph||0||||||Slope H2/SR27 Atr|B|||||L8|7.1||||||||||Work|0|Architecture-Turkey|||||||||||0|0|H2/SR27 Atrium and Kitchen| 6312.00|0|Site|02|B-L8|Eph|7.1 Slope H2/SR28 Hall||B-L8 Eph 7.1 Slope H2/SR28 Hall |H2/SR28 Hall|Descriptive|Image Source (Pub)|||||||Slope House 2, Apartment II. H2/SR28 Hall|0|||||0||||0|||||Roman|||Late Antique|||Asia||Turkey||||||0|Ephesus, Turkey|||10111||||0||||0|Archaeological Sites|Room|Archaeological site||CE|5|||400|410|ca|ca 400-410|ca 400-410||Slope House 2, Apartment II|Larger entity||6333||||0|||||||||||mural painting|painting (image-making)||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|3/15/2006 0:00:00||Eph||0||||||Slope H2/SR28 Hall|B|||||L8|7.1||||||||||Work|0|Architecture-Turkey|||||||||||0|0|H2/SR28 Hall| 6313.00|0|Site|02|B-L8|Eph|7.1 Slope H2/14a Cub||B-L8 Eph 7.1 Slope H2/14a Cub |H2/14a Cubiculum|Descriptive|Image Source (Pub)|||||||Slope House 2. H2/14a Cubiculum|0|||||0||||0|||||Roman|||Roman Period|||Asia||Turkey||||||0|Ephesus, Turkey|||10111||||0||||0|Archaeological Sites|Room|Archaeological site||CE|1|||60|80|ca|ca 60-80 CE|ca 60-80||Slope House 2|Larger entity||6315||||0|||||||||||mural painting|painting (image-making)||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|3/15/2006 0:00:00||Eph||0||||||Slope H2/14a Cub|B|||||L8|7.1||||||||||Work|0|Architecture-Turkey|||||||||||0|0|H2/14a Cubiculum| 6314.00|0|Site|02|B-L8|Eph|7.1 Slope H2/7 Soc||B-L8 Eph 7.1 Slope H2/7 Soc |H2/7 Socrates Room|Descriptive|Image Source (Pub)|||||||Slope House 2. H2/7 Socrates Room|0|||||0||||0|||||Roman|||Late Antique|||Asia||Turkey||||||0|Ephesus, Turkey|||10111||||0||||0|Archaeological Sites|Room|Archaeological site||CE|5|||400|410|ca|ca 400-410|ca 400-410||Slope House 2|LargerEntity||6315||||0|||||||||||mural painting|painting (image-making)||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|3/15/2006 0:00:00||Eph||0||||||Slope H2/7 Soc|B|||||L8|7.1||||||||||Work|0|Architecture-Turkey|||||||||||0|0|H2/7 Socrates Room| 6315.00|0|Site|02|B-L8|Eph|1.063 Slope H2||B-L8 Eph 1.063 Slope H2 |Slope House 2|Descriptive|Image Source (Pub)|||||||Slope House 2|0|||||0||||0|||||Roman|||Roman Period|||Asia||Turkey||||||0|Ephesus, Turkey|||10111||||0||||0|Archaeological Sites|House|Archaeological site||CE||||10|750|ca|1st-7th Centuries|ca 10-750||Slope Houses H1 and H2|LargerEntity||6300||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|3/15/2006 0:00:00||Eph||0||||||Slope H2|B|||||L8|1.063||||||||||Work|0|Architecture-Turkey|||||||||||0|0|Slope House 2| 6316.00|0|Site|02|B-H3|Rom|3.1 Pan|4b-1|B-H3 Rom 3.1 Pan 4b-1|Piazza della Rotunda|Assigned|Artist|||||||Nuovo Teatro della fabriche et edifichi prospetiva di Roma Moderna.Piazza della Rotunda|3708|Falda, Giovanni Battista||draftsman|Giovanni Battista Falda|0||||0|||||Italian|||Baroque|||Europe||Italy||||||0||||0||||0||||0|Prints|Engraving (print)||||17|||1667|1667|ca|ca 1667|ca 1667-1667||Nuovo Teatro della fabriche et edifichi prospetiva di Roma Moderna|Larger entity||6317||||0|||||Engraving||||||engraving (incising)|||||||||||Pantheon (Rome, Italy) ; Piazza della Rotonda (Rome, Italy) ; |Pantheon (Rome, Italy)|Piazza della Rotonda (Rome, Italy)||||||||Cornell||JNK|JNK|3/16/2006 0:00:00|3/16/2006 0:00:00||Rrom||0||||||Pan|B|||||H3|3.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|Piazza della Rotunda|Falda, Giovanni Battista 6317.00|0||||||||Nuovo Teatro della fabriche et edifichi prospetiva di Roma Moderna|Inscribed|Artist|||||||Nuovo Teatro della fabriche et edifichi prospetiva di Roma Moderna|3708|Falda, Giovanni Battista||draftsman|Giovanni Battista Falda|0||||0|||||Italian|||Baroque|||Europe||Italy||||||0||||0||||0||||0|Publications|Book||||17|||1665|1699||1665-1699|1665-1699|||||0||||0||||||||||||||||||2319|Princeton, NJ: University Library|Princeton: Univ.; Library||Buildings ; Rome, Italy ; |Buildings|Rome, Italy||||||||Cornell||JNK|JNK|3/16/2006 0:00:00|3/16/2006 0:00:00||||0||||||||||||||| |||||||||0||Published in Rome, 1665-1699.||||||||||0|0|Nuovo Teatro della fabriche et edifichi prospetiva di Roma Moderna|Falda, Giovanni Battista 6318.00|0|Site|02|B-L8|Eph|7.1 Slope H2/14b Cub||B-L8 Eph 7.1 Slope H2/14b Cub |H2/14 b Cubiculum|Descriptive|Image Source (Pub)|||||||Slope House 2. H2/14 b Cubiculum|0|||||0||||0|||||Roman|||Late Antique|||Asia||Turkey||||||0|Ephesus, Turkey|||10111||||0||||0|Archaeological Sites|Room|Archaeological site||CE|5|||430|440|ca|ca 430-440|ca 430-440||Slope House 2|LargerEntity||6315||||0|||||||||||mural painting|painting (image-making)||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|3/16/2006 0:00:00||Eph||0||||||Slope H2/14b Cub|B|||||L8|7.1||||||||||Work|0|Architecture-Turkey|||||||||||0|0|H2/14 b Cubiculum| 6319.00|0|Site|02|B-L8|Eph|7.1 Slope H2/21 Gar1/2||B-L8 Eph 7.1 Slope H2/21 Gar1/2 |H2/21 Garden Courtyard (Periods 1 & 2)|Descriptive|Image Source (Pub)|||||||Slope House 2. H2/21 Garden Courtyard (Periods 1 & 2)|0|||||0||||0|||||Roman|||Roman Period|Late Antique||Asia||Turkey||||||0|Ephesus, Turkey|||10111||||0||||0|Archaeological Sites|Courtyard|Archaeological site||CE|3|5||200|440|ca|ca 200-220; ca 430-440|ca 200-440||Slope House 2|Larger entity||6315||||0|||||||||||mural painting|painting (image-making)||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|3/16/2006 0:00:00||Eph||0||||||Slope H2/21 Gar1/2|B|||||L8|7.1||||||||||Work|0|Architecture-Turkey|||||||||||0|0|H2/21 Garden Courtyard (Periods 1 & 2)| 6320.00|0|Creator|05|50|W335|C726||50 W335 C726 |Cape Horn, Columbia River|Assigned|Image Source (Pub)|||||||Cape Horn, Columbia River|12524|Watkins, Carleton Emmons||photographer|Carleton Emmons Watkins|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Photographic print|Landscape (representation)|||19|||1867|1867||1867|1867-1867|||||0||||0|||||Albumen print from wet-collodion negative||||||photography|albumen process|wet collodion process|||||9677|Montecito: Private Collection|Montecito: Priv. Coll.||Columbia River (river) ; Landscapes ; |Columbia River (river)|Landscapes||||||||Cornell||JNK|JNK|3/16/2006 0:00:00|3/16/2006 0:00:00|W335|||0||||||C726|50|||||||| ||||||||Work|0||||||||||||0|0|Cape Horn, Columbia River|Watkins, Carleton Emmons 6321.00|0|Site|02|B-L8|Eph|7.1 Slope/H2/14d Cub||B-L8 Eph 7.1 Slope/H2/14d Cub |H2/14d Cubiculum|Descriptive|Image Source (Pub)|||||||Slope House 2. H2/14d Cubiculum|0|||||0||||0|||||Roman|||Late Antique|||Asia||Turkey||||||0|Ephesus, Turkey|||10111||||0||||0|Archaeological Sites|Room|Archaeological site||CE|5|||430|440|ca|ca 430-440|ca 430-440||Slope House 2|Larger entity||6315||||0|||||||||||mural painting|painting (image-making)||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|3/16/2006 0:00:00||Eph||0||||||Slope/H2/14d Cub|B|||||L8|7.1||||||||||Work|0|Architecture-Turkey|||||||||||0|0|H2/14d Cubiculum| 6322.00|0|Site|02|B-H3|Rom|3.1 Pan|4b-30|B-H3 Rom 3.1 Pan 4b-30|View of the Pantheon|Descriptive|Cataloger|||||||View of the Pantheon|2737|Cruyl, Liévin||printmaker|Liévin Cruyl|0||||0|||||Flemish|||Baroque|||Europe||Belgium|Italy|||||0||||0||||0||||0|Prints|Engraving (print)||||17|||1665|1665||1665|1665-1665|||||0||||0|||||Engraving||||||engraving (incising)|||||||||||Rome, Italy ; Pantheon (Rome, Italy) ; Piazza della Rotonda (Rome, Italy) ; |Rome, Italy|Pantheon (Rome, Italy)|Piazza della Rotonda (Rome, Italy)|||||||Cornell||JNK|JNK|3/16/2006 0:00:00|3/16/2006 0:00:00||Rom||0||||||Pan|B|||||H3|3.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|View of the Pantheon|Cruyl, Liévin 6323.00|0|Site|02|B-L8|Eph|7.1 Slope/Aly||B-L8 Eph 7.1 Slope/Aly |Stoa of Alytarches|Descriptive|Image Source (Pub)|||||||Slope House 2. Stoa of Alytarches|0|||||0||||0|||||Roman|||Late Antique|||Asia||Turkey||||||0|Ephesus, Turkey|||10111||||0||||0|Archaeological Sites|Archaeological site|Courtyard||CE|5|||475|500|ca|ca 475-500|ca 475-500||Slope House 2|Larger entity||6315||||0|||||Marble/Brick|marble|brick||||mosaic|||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|3/16/2006 0:00:00||Eph||0||||||Slope/Aly|B|||||L8|7.1||||||||||Work|0|Architecture-Turkey|||||||||||0|0|Stoa of Alytarches| 6345.00|0|Creator|15|32|C561-PA||1|32 C561-PA 1865 1|Aurora Borealis|Assigned|Repository|||||||Aurora Borealis|2321|Church, Frederic Edwin||painter|Frederic Edwin Church|0||||0|||||American|||Hudson River School|||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Landscape (representation)||19|||1865|1865||1865|1865-1865|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||142.3 x 212.2 cm||3174|Washington, DC: Smithsonian Institution; Museum of American Art|Wash, DC: Smithsonian; Mus. Amer. Art||Auroras ; Ships ; Seas ; |Auroras|Ships|Seas|||||||Cornell||JNK|MNW|4/28/2006 0:00:00|3/21/2006 0:00:00|C561|||0||1911.4.1|||||32|PA|||||1865|| ||||||||Work|0||||||||||||0|0|Aurora Borealis|Church, Frederic Edwin 6346.00|0|Creator|15|32A|A512-PA|1850|4|32A A512-PA 1850 4|Meditation by the Sea|Assigned|Repository|||||||Meditation by the Sea|0|||||0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting|Landscape (representation)|||19|||1850|1850||1850|1850-1850|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||34.61 x 49.85 cm||428|Boston: Museum of Fine Arts|Boston: MFA||Seas ; Men (male humans) ; Landscapes ; |Seas|Men (male humans)|Landscapes|||||||Cornell||JNK|JNK|3/21/2006 0:00:00|3/21/2006 0:00:00|A512|||0||45.892||||4|32A|PA|||||1850|| ||||||||Work|0||||||||||||0|0|Meditation by the Sea| 6347.00|0|Site|02|B-H3|Rom|1.02 100s|1|B-H3 Rom 1.02 100s 1|Map showing the relationship of the early city to the Tiber and the river's course to the Tyrrhenian Sea|Descriptive|Image Source (Pub)|||||||Map showing the relationship of the early city to the Tiber and the river's course to the Tyrrhenian Sea|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Graphics|Map||||20|||1985|1985|bef|bef 1985|bef 1985-1985|||||0||||0|||||||||||printing|||||||||||Rome, Italy ; Maps ; Rivers ; Tiber (river) ; Tirreno, Mare (sea) ; |Rome, Italy|Maps|Rivers|Tiber (river)|Tirreno, Mare (sea)|||||Cornell||JNK|JNK|3/21/2006 0:00:00|3/21/2006 0:00:00||Rom||0||||||100s|B|||||H3|1.02||||||||||Work|0|Architecture-Italy||||Depicts area by the second century AD|||||||0|0|Map showing the relationship of the early city to the Tiber and the river's course to the Tyrrhenian Sea| 6348.00|0|Site|02|B-H3|Rom|1.03 1900s|1|B-H3 Rom 1.03 1900s 1|Map of Rome|Descriptive|Cataloger|||||||Map of Rome|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Graphics|Map||||20|||1950|1999||2nd half of 20th C|1950-1999|||||0||||0|||||||||||printing|||||||||||Rome, Italy ; Maps ; |Rome, Italy|Maps||||||||Cornell||JNK|JNK|3/21/2006 0:00:00|3/21/2006 0:00:00||Rom||0||||||1900s|B|||||H3|1.03||||||||||Work|0|Architecture-Italy|||||||||||0|0|Map of Rome| 6349.00|0|Site|02|B-H3|Rom|1.04 Rav|1|B-H3 Rom 1.04 Rav 1|Pianta Monumentale a volo d'uccello del Centro storico di Roma nell'anno del Centenario - 1970|Inscribed|Artist|Monumental map from a bird's eye view of the historic center of Rom in the year of the Centennial -|Translated|Cataloger||||Pianta Monumentale di Roma|28873|Ravaglioli & Piffero|||Ravaglioli & Piffero|0||||0|||||Italian|||Modern|||Europe||Italy||||||0||||0||||0||||0|Graphics|Map||||20|||1969|1972||1969-1972|1969-1972|||||0||||0||||||||||||||||||||||Rome, Italy ; |Rome, Italy|||||||||Cornell||JNK|JNK|3/21/2006 0:00:00|3/21/2006 0:00:00||Rom||0||||||Rav|B|||||H3|1.04||||||||||Work|0|Architecture-Italy|Edited by Armando Ravaglioli and designed by Luigi Piffero.|||Published in 1972 by Llitostampa Nomentana di Roma.|||||||0|0|Pianta Monumentale a volo d'uccello del Centro storico di Roma nell'anno del Centenario - 1970;Monumental map from a bird's eye view of the historic center of Rom in the year of the Centennial -|Ravaglioli & Piffero 6350.00|0|Site|02|B-H3|Rom|1.04 Perac/1573||B-H3 Rom 1.04 Perac/1573|Pianta di Roma Antica|Inscribed|Artist|Plan of Ancient Rome|Translated|Cataloger|Pianta Piccola|Variant|Artist|Pianta di Roma Antica (Pianta piccola)|3318|du Pérac, Etienne||painter|Etienne du Pérac|29850|Lafréry, Antoine||publisher|0|||||French|||Renaissance|||Europe||France||||||0||||0||||0||||0|Prints|Engraving (print)|Map|||16|||1573|1573||1573|1573-1573|||||0||||0|||||Engraving||||||engraving (incising)|||||46.5 x 60.5 cm||9679|Rome: Biblioteca dell'Istituto di archeologia e storia dell'arte in Roma|Rome: Bib. dell'Istit. di archeologia…||Rome, Italy ; Maps ; |Rome, Italy|Maps||||||||Cornell||JNK|JNK|3/22/2006 0:00:00|3/22/2006 0:00:00||Rom||0||Roma XI.16.3.10||||Perac/1573|B|||||H3|1.04|| ||||||||Work|0|Architecture-Italy|Other copies found in Hülsen & Scaccia Scarafoni.||||||||||0|0|Pianta di Roma Antica;Plan of Ancient Rome;Pianta Piccola|du Pérac, Etienne;Lafréry, Antoine 6351.00|0|Site|02|MA-H3|Rom|1.04 Piranesi|1-1|MA-H3 Rom 1.04 Piranesi 1-1|Pianta di Roma e del Campo Marzo|Inscribed|Artist|Plan of Rome and the Campus Martius|Translated|Cataloger||||Pianta di Roma e del Campo Marzo|9255|Piranesi, Giovanni Battista||engraver|Giovanni Battista Piranesi|0||||0|||||Italian||||||Europe||Italy||||||0||||0||||0||||0|Prints|Etching|Map|||18|||1774|1774|ca|ca 1774|ca 1774-1774|||||0||||0|||||Etching||||||etching (corroding)|||||70.5 x 94.0 cm||||||Rome, Italy ; Maps ; |Rome, Italy|Maps||||||||Cornell||JNK|JNK|4/7/2006 0:00:00|3/22/2006 0:00:00||Rom||0||||||Piranesi|MA|||||H3|1.04||||||||||Work|0|Modern Architecture-Italy|Dedicated to Clement XIV.||| Published in 1778 according to Francesco Piranesi's 1792 catalogue.|||||||0|0|Pianta di Roma e del Campo Marzo;Plan of Rome and the Campus Martius|Piranesi, Giovanni Battista 6352.00|0|Site|02|B-H3|Rom|1.04 Piranesi|1-2|B-H3 Rom 1.04 Piranesi 1-2|Plan of the Campus Martius with a dedication to Robert Adam|Assigned|Cataloger|Ichnographiam Campi Martii Antiquae Urbis|Inscribed|Image Source (Pub)|Le Camp-de-Mars Roman, d'aprés le plain de J. B. Piranesi|Descriptive|Image Source (Pub)|Plan of the Campus Martius with a dedication to Robert Adam|9255|Piranesi, Giovanni Battista||engraver|Giovanni Battista Piranesi|0||||0|||||Italian||||||Europe||Italy||||||0||||0||||0||||0|Prints|maps|Etching|Plan (drawing)||18|||1762|1762||1762|1762-1762|||||0||||0|||||Etching||||||etching (corroding)|||||||||||Ruins ; Rome, Italy ; Tiber (river) ; |Ruins|Rome, Italy|Tiber (river)|||||||Cornell||JNK|JNK|3/22/2006 0:00:00|3/22/2006 0:00:00||Rom||0||||||Piranesi|B|||||H3|1.04||||||||||Work|0|Architecture-Italy|||||||||||0|0|Plan of the Campus Martius with a dedication to Robert Adam;Ichnographiam Campi Martii Antiquae Urbis;Le Camp-de-Mars Roman, d'aprés le plain de J. B. Piranesi|Piranesi, Giovanni Battista 6353.00|0|Site|02|B-H3|Rom|1.03 1100s|2|B-H3 Rom 1.03 1100s 2|Plan of Rome in the 12th century|Descriptive|Image Source (Pub)|||||||Plan of Rome in the 12th century|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Graphics|maps|Plan (drawing)|||||||||||||||0||||0||||||||||||||||||||||Rome, Italy ; Maps ; Plans (drawings) ; |Rome, Italy|Maps|Plans (drawings)|||||||Cornell||JNK|JNK|3/22/2006 0:00:00|3/22/2006 0:00:00||Rom||0||||||1100s|B|||||H3|1.03||||||||||Work|0|Architecture-Italy|||||||||||0|0|Plan of Rome in the 12th century| 6354.00|0|Site|02|B-H3|Rom|1.03 100s|1|B-H3 Rom 1.03 100s 1|Plan of Imperial Rome (2nd - 4th century AD)|Descriptive|Image Source (Pub)|||||||Plan of Imperial Rome (2nd - 4th century AD)|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Graphics|maps|Plan (drawing)|||||||||||||||0||||0||||||||||||||||||||||Rome, Italy ; Maps ; Plans (drawings) ; |Rome, Italy|Maps|Plans (drawings)|||||||Cornell||JNK|JNK|3/22/2006 0:00:00|3/22/2006 0:00:00||Rom||0||||||100s|B|||||H3|1.03||||||||||Work|0|Architecture-Italy|||||||||||0|0|Plan of Imperial Rome (2nd - 4th century AD)| 6355.00|0|Site|02|B-H3|Rom|1.03 1585|1|B-H3 Rom 1.03 1585 1|Plan of Sistine Rome (1585-1590)|Descriptive|Image Source (Pub)|||||||Plan of Sistine Rome (1585-1590)|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Graphics|maps|Plan (drawing)|||||||||||||||0||||0||||||||||||||||||||||Rome, Italy ; Maps ; Plans (drawings) ; |Rome, Italy|Maps|Plans (drawings)|||||||Cornell||JNK|JNK|3/22/2006 0:00:00|3/22/2006 0:00:00||Rom||0||||||1585|B|||||H3|1.03||||||||||Work|0|Architecture-Italy|||||||||||0|0|Plan of Sistine Rome (1585-1590)| 6356.00|0|Site|02|B-H3|Rom|1.03 1870s|1-1|B-H3 Rom 1.03 1870s 1-1|Plan of Rome in 1870|Descriptive|Image Source (Pub)|||||||Plan of Rome in 1870|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Graphics|maps|Plan (drawing)|||||||||||||||0||||0||||||||||||||||||||||Rome, Italy ; Maps ; Plans (drawings) ; |Rome, Italy|Maps|Plans (drawings)|||||||Cornell||JNK|JNK|3/22/2006 0:00:00|3/22/2006 0:00:00||Rom||0||||||1870s|B|||||H3|1.03||||||||||Work|0|Architecture-Italy|||||||||||0|0|Plan of Rome in 1870| 6357.00|0|Site|02|B-H3|Rom|3.1 Pan|4b-25|B-H3 Rom 3.1 Pan 4b-25|Pantheon as a church painted on a cabinet|Descriptive|Image Source (Pub)|||||||Pantheon as a church painted on a cabinet|0|||||0||||0|||||Italian||||||Europe||Italy||||||0||||0||||0||||0|Paintings|Painting||||||||||||||||0||||0|||||||||||painting (image-making)|||||||4303|Rome: Vatican; Biblioteca Vaticana|Rome: Vatican; Biblioteca||Pantheon (Rome, Italy) ; Piazza della Rotonda (Rome, Italy) ; |Pantheon (Rome, Italy)|Piazza della Rotonda (Rome, Italy)||||||||Cornell||JNK|MNW|5/25/2006 0:00:00|3/22/2006 0:00:00||Rom||0||||||Pan|B|||||H3|3.1|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Pantheon as a church painted on a cabinet| 6358.00|0||||||||Landscape with the Nymph Egeria Mourning over Numa|Translated|Cataloger|Paesaggio con la ninfa Egeria che piange Numa|Assigned|Repository||||Landscape with the Nymph Egeria Mourning over Numa|7236|Lorrain, Claude||painter|Claude Lorrain|0||||0|||||French|||Baroque|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Landscape (representation)|||17|||1669|1669||1669|1669-1669|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||155 x 199 cm||1859|Naples: Museo e Galleria Nazionali di Capodimonte|Naples: Capodimonte||Landscapes ; Egeria changed into a fountain ; |Landscapes|Egeria changed into a fountain||||||||Cornell||JNK|JNK|3/28/2006 0:00:00|3/22/2006 0:00:00|L876|||0||LV 175||||||||||||| |||||||||0||||||||||||0|0|Landscape with the Nymph Egeria Mourning over Numa;Paesaggio con la ninfa Egeria che piange Numa|Lorrain, Claude 6359.00|0|Architect|02|O-Vesnin|| Pravda|2|O-Vesnin Pravda 2|Leningrad Pravda Building Project|Assigned|Dict.Art|Pravda Newspaper Building|Variant|Macmillan||||Leningrad Pravda Building Project|12256|Vesnin, Aleksandr Aleksandrovich||architect|Leonid & Aleksandr Aleksandrovich|12258|Vesnin, Leonid Aleksandrovich||architect|12259|Vesnin, Viktor Aleksandrovich||architect||Russian|Soviet||Constructivist|||Asia||Russia|||Moscow, Russia|||10328||||0||||0||||0|Architecture|Office building||||20|||1924|1924||1924|1924-1924|||||0||||0||||||||||||||||||||||Office buildings ; Architectural drawings ; Architectural theory ; Newspapers ; |Office buildings|Architectural drawings|Architectural theory|Newspapers||||||Cornell||JNK|MNW|5/25/2006 0:00:00|3/23/2006 0:00:00||||0||||||Pravda|O||||||||||||||||Work|0|Theory-|Project intended to be constructed in Moscow, Russia.||||||||||0|0|Leningrad Pravda Building Project;Pravda Newspaper Building|Vesnin, Aleksandr Aleksandrovich;Vesnin, Leonid Aleksandrovich;Vesnin, Viktor Aleksandrovich 6360.00|0||||||||Exposition internationale des arts décoratifs et industriels modernes|Assigned|LC NAF|International exposition of modern decorative and industrial arts|Translated|Cataloger||||Exposition internationale des arts décoratifs et industriels modernes|0|||||0||||0|||||French||||||Europe||France||||||0||||0|Paris, France|||10058||||0|Architecture|Exhibition|||||||1925|1925||1925|1925-1925|||||0||||0||||||||||||||||||||||Exhibitions ; Exposition internationale des arts de´coratifs et industriels modernes (1925: Paris) ; |Exhibitions|Exposition internationale des arts de´coratifs et industriels modernes (1925: Paris)||||||||Cornell||JNK|JNK|3/23/2006 0:00:00|3/23/2006 0:00:00|||Par|0||||||||||||||||||||||||0||||||||||||0|0|Exposition internationale des arts décoratifs et industriels modernes;International exposition of modern decorative and industrial arts| 6361.00|0|Site|02|B-H2|Par|2.31 1925 ExDec/Sov||B-H2 Par 2.31 1925 ExDec/Sov |Soviet Pavilion|Assigned|Image Source (Pub)|||||||Exposition internationale des arts décoratifs et industriels modernes. Soviet Pavilion|7856|Mel'nikov, Konstantin||architect|Konstantin Mel'nikov|0||||0|||||Russian|Soviet||Constructivist|||Asia||Russia||||||0||||0|Paris, France|||10058||||0|Architecture|Exhibit building||||20|||1924|1925||1924-1925|1924-1925||Exposition internationale des arts décoratifs et industriels modernes|Larger entity||6360||||0||||||||||||||||||||||Exposition internationale des arts de´coratifs et industriels modernes (1925: Paris) ; Exhibition buildings ; |Exposition internationale des arts de´coratifs et industriels modernes (1925: Paris)|Exhibition buildings||||||||Cornell||JNK|JNK|3/23/2006 0:00:00|3/23/2006 0:00:00|||Par|0||||||1925 ExDec/Sov|B|||||H2|2.31||||||||||Work|0|Architecture-France|||||||||||0|0|Soviet Pavilion|Mel'nikov, Konstantin 6362.00|0|Architect|02|MA-|Ginzburg|7.4 1928-29 Nar||MA- Ginzburg 7.4 1928-29 Nar |Narkomfin Block|Assigned|Macmillan|||||||Narkomfin Block|28193|Ginzburg & Milinis||architectural firm|Ginzburg & Milinis|0||||0|||||Russian|Soviet||Constructivist|||Asia||Russia||||||0|Moscow, Russia|||10328||||0||||0|Architecture|Apartment house||||20|||1928|1929||1928-1929|1928-1929|||||0||||0||||||||||||||||||||||Apartment houses ; |Apartment houses|||||||||Cornell||JNK|MNW|5/25/2006 0:00:00|3/23/2006 0:00:00|Ginzburg|||0||||||1928-29 Nar|MA||||||7.4||||||||||Work|0|Modern Architecture-|||||||||||0|0|Narkomfin Block|Ginzburg & Milinis 6324.00|0|Site|02|B-B48|Char|7.1 Mon|4b-2|B-B48 Char 7.1 Mon 4b-2|Monticello (painting)|Descriptive|Cataloger|||||||Monticello (painting)|0|||||0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting||||19|||1826|1826|ca|ca 1826|ca 1826-1826|||||0||||0|||||||||||painting (image-making)|||||||9678|: Collection of T. Jefferson Coolidge|: Coll. T. Jefferson Coolidge||Monticello (Va.) ; Landscapes ; Houses ; |Monticello (Va.)|Landscapes|Houses|||||||Cornell||JNK|JNK|3/16/2006 0:00:00|3/16/2006 0:00:00||Char||0||||||Mon|B|||||B48|7.1|| ||||||||Work|0|Architecture-Virginia (VA)|||||||||||0|0|Monticello (painting)| 6325.00|0|Site|02|B-B48|Char|7.1 Mon|4b-4|B-B48 Char 7.1 Mon 4b-4|Two Dollar Bill (1953 series)|Descriptive|Cataloger|||||||Two Dollar Bill (1953 series)|31168|United States Mint|||United States Mint|0||||0|||||American|||Post-1945|||North and Central America||United States||||||0||||0||||0||||0|Objects|Money||||20|||1953|1953||1953|1953-1953|||||0||||0|||||||||||printing|||||||||||Monticello (Va.) ; Houses ; Jefferson, Thomas, 1743-1826 ; Portraits ; |Monticello (Va.)|Houses|Jefferson, Thomas, 1743-1826|Portraits||||||Cornell||JNK|JNK|3/16/2006 0:00:00|3/16/2006 0:00:00||Char||0||||||Mon|B|||||B48|7.1||||||||||Work|0|Architecture-Virginia (VA)|||||||||||0|0|Two Dollar Bill (1953 series)|United States Mint 6326.00|0|Site|02|B-G1|Stou|7.1 4-10||B-G1 Stou 7.1 4-10 |A View of StourHead in the County of Wilts, The Estate of Henry Hoare, Esq.|Inscribed|Artist|||||||A View of StourHead in the County of Wilts, The Estate of Henry Hoare, Esq.|31171|Vivarès, François||printmaker|François Vivarès|0||||0|||||French|English||Romantic|||Europe||England||||||0||||0||||0||||0|Prints|Engraving (print)|Landscape (representation)|||18|||1777|1777||1777|1777-1777|||||0||||0|||||Engraving||||||engraving (incising)|||||||||||Gardens ; Stourhead (Stourton, Wilts, England) ; Landscapes ; |Gardens|Stourhead (Stourton, Wilts, England)|Landscapes|||||||Cornell||JNK|JNK|3/17/2006 0:00:00|3/17/2006 0:00:00||Stou||0||||||4-10|B|||||G1|7.1||||||||||Work|0|Architecture-England|||||||||||0|0|A View of StourHead in the County of Wilts, The Estate of Henry Hoare, Esq.|Vivarès, François 6327.00|0|Site|02|B-L8|Eph|7.1 Slope H1||B-L8 Eph 7.1 Slope H1 |Slope House 1|Descriptive|Image Source (Pub)|||||||Slope Houses H1 and H2. Slope House 1|0|||||0||||0|||||Roman|||Roman Period|Late Antique|Byzantine|Asia||Turkey||||||0|Ephesus, Turkey|||10111||||0||||0|Archaeological Sites|Archaeological site|House||CE||||10|750|ca|1st-7th Centuries|ca 10-700||Slope Houses H1 and H2|LargerEntity||6300||||0|||||||||||mosaic|||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|3/17/2006 0:00:00||Eph||0||||||Slope H1|B|||||L8|7.1||||||||||Work|0|Architecture-Turkey|||||||||||0|0|Slope House 1| 6328.00|0|Site|02|B-G1|Stou|7.1 4-1||B-G1 Stou 7.1 4-1 |The Lake of Avernus|Assigned|Image Source (Pub)|||||||The Lake of Avernus|31173|Hoare, Richard Colt||draftsman|Richard Colt Hoare|0||||0|||||English|||Romantic|||Europe||England||||||0||||0||||0||||0|Drawings|Drawing||||18|19|||||||||||0||||0|||||Ink and wash|ink|wash||||drawing (image-making)|||||71.75 x 97.16 cm||4976|Stourhead: National Trust|Stourhead: Nat. Trust||Averno, Lago d' (Campania, Italy) ; |Averno, Lago d' (Campania, Italy)|||||||||Cornell||JNK|JNK|3/28/2006 0:00:00|3/17/2006 0:00:00||Stou||0||||||4-1|B|||||G1|7.1|| ||||||||Work|0|Architecture-England|A finished version of a sketch made in Italy. Used by JMW Turner for The Lake of Avernus with Aeneas and the Cumaean Sibyl.||||||||||0|0|The Lake of Avernus|Hoare, Richard Colt 6329.00|0|Site|02|B-L8|Eph|7.1 Slope H2/SR6||B-L8 Eph 7.1 Slope H2/SR6 |H2/ SR6 Mosaic|Descriptive|Image Source (Pub)|||||||Slope House 2. H2/ SR6 Mosaic|0|||||0||||0|||||Roman|||Roman Period|||Asia||Turkey||||||0|Ephesus, Turkey|||10111||||0||||0|Archaeological Sites|Archaeological site|Room||CE|1|||50|100|ca|ca 50-100|ca 50-100||Slope House 2|LargerEntity||6315||||0|||||Limestone|limestone|||||mosaic|||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|3/17/2006 0:00:00||Eph||0||||||Slope H2/SR6|B|||||L8|7.1||||||||||Work|0|Architecture-Turkey|||||||||||0|0|H2/ SR6 Mosaic| 6330.00|0|Site|02|B-L8|Eph|7.1 Slope H2/SR2 Cour||B-L8 Eph 7.1 Slope H2/SR2 Cour |H2/SR2 Mosaic|Descriptive|Image Source (Pub)|||||||Slope House 2. H2/SR2 Mosaic|0|||||0||||0|||||Roman|||Late Antique|||Asia||Turkey||||||0|Ephesus, Turkey|||10111||||0||||0|Archaeological Sites|Archaeological site|Room||CE|4|||375|400|ca|ca 375-400|ca 375-400||Slope House 2|LargerEntity||6315||||0|||||Limestone/Marble|limestone|marble||||mosaic|||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|3/17/2006 0:00:00||Eph||0||||||Slope H2/SR2 Cour|B|||||L8|7.1||||||||||Work|0|Architecture-Turkey|||||||||||0|0|H2/SR2 Mosaic| 6331.00|0|Site|02|B-L8|Eph|7.1 Slope H2/C Tab||B-L8 Eph 7.1 Slope H2/C Tab |H2/C Tablinum (Mosaic Floor)|Descriptive|Image Source (Pub)|||||||Slope House 2. H2/C Tablinum (Mosaic Floor)|0|||||0||||0|||||Roman|||Roman Period|||Asia||Turkey||||||0|Ephesus, Turkey|||10111||||0||||0|Archaeological Sites|Archaeological site|Room||CE|3|||225|275|ca|ca 225-275|ca 225-275||Slope House 2|LargerEntity||6315||||0|||||Limestone/ Marble|limestone|marble||||mosaic|||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|3/17/2006 0:00:00||Eph||0||||||Slope H2/C Tab|B|||||L8|7.1||||||||||Work|0|Architecture-Turkey|||||||||||0|0|H2/C Tablinum (Mosaic Floor)| 6332.00|0|Site|02|B-L8|Eph|7.1 Slope H2/SR 11 Cub||B-L8 Eph 7.1 Slope H2/SR 11 Cub |H2/SR 11 Cubiculum (Mosaic Floor)|Descriptive|Image Source (Pub)|||||||Slope House 2. H2/SR 11 Cubiculum (Mosaic Floor)|0|||||0||||0|||||Roman|||Roman Period|||Asia||Turkey||||||0|Ephesus, Turkey|||10111||||0||||0|Archaeological Sites|Archaeological site|Room||CE|4|||375|400|ca|ca 375-400|ca 375-400||Slope House 2|LargerEntity||6315||||0|||||Limestone/Marble|limstone|marble||||mosaic|||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|3/17/2006 0:00:00||Eph||0||||||Slope H2/SR 11 Cub|B|||||L8|7.1||||||||||Work|0|Architecture-Turkey|||||||||||0|0|H2/SR 11 Cubiculum (Mosaic Floor)| 6333.00|0|Site|02|B-L8|Eph|7.1 Slope H2/Apt.2||B-L8 Eph 7.1 Slope H2/Apt.2 |Slope House 2, Apartment II|Descriptive|Image Source (Pub)|||||||Slope House 2. Apartment II|0|||||0||||0|||||Roman|||Roman Period|Late Antique|Byzantine|Asia||Turkey||||||0|Ephesus, Turkey|||10111||||0||||0|Archaeological Sites|Archaeological site|House|Apartment house|CE||||10|750|ca|1st-7th Centuries|ca 10-750||Slope House 2|Larger entity||6315||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|3/17/2006 0:00:00||Eph||0||||||Slope H2/Apt.2|B|||||L8|7.1||||||||||Work|0|Architecture-Turkey|||||||||||0|0|Slope House 2, Apartment II| 6334.00|0|Site|02|B-L8|Eph|7.1 Slope H2/SR23 Hall||B-L8 Eph 7.1 Slope H2/SR23 Hall |H2/SR 23 North Hall Mosaic|Descriptive|Image Source (Pub)|||||||Slope House II. Apartment 2. H2/SR 23 North Hall Mosaic|0|||||0||||0|||||Roman||||||||||||||0|Ephesus, Turkey|||10111||||0||||0|Archaeological Sites|Archaeological site|Room||CE|3|||200|225|ca|ca 200-225|ca 200-225||Slope House II, Apartment 2|LargerEntity||6333||||0|||||Limestone/Marble|limestone|marble||||mosaic|||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|3/17/2006 0:00:00||Eph||0||||||Slope H2/SR23 Hall|B|||||L8|7.1||||||||||Work|0|Architecture-Turkey|||||||||||0|0|H2/SR 23 North Hall Mosaic| 6335.00|0|Site|02|B-L8|Eph|7.1 Slope H2/SR22 Mos||B-L8 Eph 7.1 Slope H2/SR22 Mos |H2/SR22 South Portico, Amphitrite Mosaic|Descriptive|Image Source (Pub)|||||||H2/SR22 South Portico, Amphitrite Mosaic|0|||||0||||0|||||Roman|||Roman Period|||Asia||Turkey||||||0|Ephesus, Turkey|||10111||||0||||0|Mosaics|Floor|||CE|3|4||275|325|ca|ca 275-325 ?|ca 275-325||Slope House 2, Apartment II|||6333||||0|||||Limestone/Marble|limestone|marble Marble||||mosaic|||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|3/17/2006 0:00:00||Eph||0||||||Slope H2/SR22 Mos|B|||||L8|7.1||||||||||Work|0|Architecture-Turkey|||||||||||0|0|H2/SR22 South Portico, Amphitrite Mosaic| 6336.00|0|Architect|02|MA-|LeCorb|7.5 1927 Ste|4b-13|MA- LeCorb 7.5 1927 Ste 4b-13|Axonometric Drawing of the Villa Stein|Descriptive|Cataloger|||||||Villa Stein. Axonometric Drawing of the Villa Stein|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||Swiss|French||International Style|||Europe||France||||||0||||0||||0||||0|Architecture|Architectural drawing||||20|||1927|1927||1927|1927-1927||Villa Stein|Larger Context||906||||0|||||Architectural drawing||||||architectural drawing|||||||3781|Paris: Fondation Le Corbusier|Paris: Fondation Le Corbusier||Houses ; Architectural drawings ; |Houses|Architectural drawings||||||||Cornell||JNK|MNW|5/25/2006 0:00:00|3/17/2006 0:00:00|LeCorb|||0||||||1927 Ste|MA||||||7.5|| ||||||||Work|0|Modern Architecture-|||||||||||0|0|Axonometric Drawing of the Villa Stein|Le Corbusier 6337.00|0|Creator|15|35|M741-PA|1929|C736|35 M741-PA 1929 C736|Composition , II|Repository|Repository|Composition, 1925|Variant|Repository|Composition No. II, with Red and Blue|Variant|Repository|Composition , II|8108|Mondrian, Piet||painter|Piet Mondrian|0||||0|||||Dutch|||De Stijl|||Europe||Netherlands||||||0||||0||||0||||0|Paintings|Painting||||20|||1929|1929||1929|1929-1929|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||40.3 x 32.1 cm||3384|New York: Museum of Modern Art|New York: MoMA||||||||||||Cornell||JNK|MNW|4/26/2006 0:00:00|3/20/2006 0:00:00|M741|||0||486.41||||1929|35|PA|||||||C736||||||||Work|0|||||1929; original inscription "P.M.29" partly obliterated; mistakenly repainted "P.M.25" by Mondrian when he restored the painting in March 1942. MoMa.|||||||0|0|Composition , II;Composition, 1925;Composition No. II, with Red and Blue|Mondrian, Piet 6338.00|0|Architect|02|MA-|Mies|4.2 1950-6 IIT/CR||MA- Mies 4.2 1950-6 IIT/CR |Crown Hall|Assigned|Dict.Art|||||||Illinois Institute of Technology. Crown Hall|7969|Mies van der Rohe, Ludwig||architect|Ludwig Mies van der Rohe & Pace Assoc.|28763|Pace Associates||architect|0|||||American|German||Modern|||North and Central America||United States||||||0|Chicago, Illinois|||10103||||0||||0|Architecture|University||||20|||1950|1956||1950-1956|1950-1956||Illinois Institute of Technology|Larger entity||3601||||0||||||||||||||||||||||Universities ; Campuses ; |Universities|Campuses||||||||Cornell||JNK|MNW|5/25/2006 0:00:00|3/20/2006 0:00:00|Mies|||0||||||1950-6 IIT/CR|MA||||||4.2||||||||||Work|0|Modern Architecture-|||||||||||0|0|Crown Hall|Mies van der Rohe, Ludwig;Pace Associates 6339.00|0|Architect|02|MA-|Mies|2.41 1959-64 FedCT||MA- Mies 2.41 1959-64 FedCT |Federal Center|Assigned|Dict.Art|||||||Federal Center|7969|Mies van der Rohe, Ludwig||architect|Ludwig Mies van der Rohe with C. F. Murphy Assoc.|28700|C. F. Murphy & Associates||architect|0|||||American|||Modern|||North and Central America||United States||||||0|Chicago, Illinois|||10103||||0||||0|Architecture|Government office building||||20|||1959|1964||1959-1964|1959-1964|||||0||||0||||||||||||||||||||||Buildings ; Office buildings ; Post offices ; Courthouses ; |Buildings|Office buildings|Post offices|Courthouses||||||Cornell||JNK|JNK|8/30/2006 0:00:00|3/21/2006 0:00:00|Mies|||0||||||1959-64 FedCT|MA||||||2.41||||||||||Work|0|Modern Architecture-|Federal Center includes the Federal Courthouse, the Federal Office Building and the post office.||||||||||0|0|Federal Center|Mies van der Rohe, Ludwig;C. F. Murphy & Associates 6341.00|0|Architect|02|MA-|Neutra|7.5 1927 Lov||MA- Neutra 7.5 1927 Lov |Lovell "Health House"|Assigned|Macmillan|||||||Lovell "Health House"|8486|Neutra, Richard Josef||architect|Richard Josef Neutra|0||||0|||||American|||Modern|||North and Central America||United States||||||0|Los Angeles, CA|||10085||||0||||0|Architecture|House||||20|||1927|1929||1927-1929|1927-1929|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|MNW|5/25/2006 0:00:00|3/21/2006 0:00:00|Neutra|||0||||||1927 Lov|MA||||||7.5||||||||||Work|0|Modern Architecture-|||||||||||0|0|Lovell "Health House"|Neutra, Richard Josef 6342.00|0|Creator|02||||||Rainy Season in the Tropics|Assigned|Repository|||||||Rainy Season in the Tropics|2321|Church, Frederic Edwin||painter|Frederic Edwin Church|0||||0|||||American|||Hudson River School|||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting|Landscape (representation)|||19|||1866|1866||1866|1866-1866|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||142.9 x 214 cm||428|Boston: Museum of Fine Arts|Boston: MFA||Landscapes ; |Landscapes|||||||||Cornell||JNK|MNW|4/28/2006 0:00:00|3/21/2006 0:00:00||||0||1970.9||||||||||||| ||||||||Work|0|19th Century-|||||||||||0|0|Rainy Season in the Tropics|Church, Frederic Edwin 6343.00|0|Creator|15|32|C561-TO|1853|1|32 C561-TO 1853 1|Routes of Church's South American Trips Through Colombia and Ecuador; 1853 & 1857|Descriptive|Print Publication|||||||Routes of Church's South American Trips Through Colombia and Ecuador; 1853 & 1857|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Graphics|Map||||20|||1993|1993|bef|bef 1993|bef 1993-1993|||||0||||0|||||||||||printing|||||||||||Maps ; |Maps|||||||||Cornell||JNK|MNW|4/28/2006 0:00:00|3/21/2006 0:00:00|C561|||0||||||1853|32|TO|||||||||||||||Work|0||From Church's Great Picture: the Heart of the Andes by Kevin J. Avery.||||||||||0|0|Routes of Church's South American Trips Through Colombia and Ecuador; 1853 & 1857| 6344.00|0|Creator|15|32|C561-PA|1859|2|32 C561-PA 1859 2|The Iceberg and Wreck in Sunset|Assigned|Repository|||||||The Iceberg and Wreck in Sunset|2321|Church, Frederic Edwin||painter|Frederic Edwin Church|0||||0|||||American|||Hudson River School|||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Landscape (representation)||19|||1859|1859||1859|1859-1859|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||20 x 33 cm||3282|Lugano: Collection Baron Thyssen-Bornemisza|Lugano: Coll. Thyssen-Bornemisza||Landscapes ; Ships ; Icebergs ; Shipwrecks ; |Landscapes|Ships|Icebergs|Shipwrecks||||||Cornell||JNK|MNW|4/28/2006 0:00:00|3/21/2006 0:00:00|C561|||0|||||||32|PA|||||1859|| ||||||||Work|0||||||||||||0|0|The Iceberg and Wreck in Sunset|Church, Frederic Edwin 6363.00|0|Architect|08|O-Lissitsky||Russland|31a|O-Lissitsky Russland 31a|Lenin Insitute|Assigned|Macmillan|||||||Lenin Insitute|6981|Leonidov, Ivan||architect|Ivan Leonidov|0||||0|||||Russian|Soviet||Constructivist|||Asia||Russia|||Moscow, Russia|||10328||||0||||0||||0|Architectural Theory|University|Library|Institute||20|||1927|1927||1927; unexecuted|1927-1927|||||0||||0||||||||||||||||||||||Libraries (Buildings) ; |Libraries (Buildings)|||||||||Cornell||JNK|MNW|3/29/2006 0:00:00|3/23/2006 0:00:00|Lissitsky|||0||||||Russland|O||||||||||||||||Work|0|Theory|This unexecuted project was Leonidov's dipoloma project and is illustrated in El Lissitsky's Russland. DOA.||||||||||0|0|Lenin Insitute|Leonidov, Ivan 6364.00|0|Architect|02|MA-|Behrens|8.1 1908-9 AEG/Tur||MA- Behrens 8.1 1908-9 AEG/Tur|A. E. G. Turbine Factory|Assigned|Dict.Art|A. E. G. High Tension Factory|Variant|Online Resource||||A. E. G. Turbine Factory|942|Behrens, Peter||architect|Peter Behrens|0||||0|||||German|||International Style|||Europe||Germany||||||0|Berlin, Germany|||10108||||0||||0|Architecture|Factory||||20|||1908|1909||1908-1909|1908-1909|||||0||||0||||||||||||||||||||||Factories (structures) ; |Factories (structures)|||||||||Cornell||JNK|MNW|5/25/2006 0:00:00|3/23/2006 0:00:00|Behrens|||0||||||1908-9 AEG/Tur|MA||||||8.1||||||||||Work|0|Modern Architecture-|A. E. G. is the abbreviation for Allgemeine Elektrizitäts-Gesellschaft.||||||||||0|0|A. E. G. Turbine Factory;A. E. G. High Tension Factory|Behrens, Peter 6365.00|0|Site|02|B-J3|Col|2.31 Werk/||B-J3 Col 2.31 Werk/ |Werkbund Exhibition|Assigned|Macmillan|||||||Werkbund Exhibition|31172|Deutscher Werkbund|||Deutscher Werkbund|0||||0|||||German||||||Europe||Germany|||Cologne, Germany|||10007||||0||||0||||0|Architecture|Exhibition||||20|||1913|1914||1913-1914|1913-1914|||||0||||0||||||||||||||||||||||Exhibitions ; Deutsche Werkbund-Ausstellung (1914 : Cologne, Germany) ; Cologne, Germany ; |Exhibitions|Deutsche Werkbund-Ausstellung (1914 : Cologne, Germany)|Cologne, Germany|||||||Cornell||JNK|MNW|3/29/2006 0:00:00|3/23/2006 0:00:00||Col||0||||||Werk/|B|||||J3|2.31||||||||||Work|0|Architecture-Germany|||||||||||0|0|Werkbund Exhibition|Deutscher Werkbund 6366.00|0|Site|02|B-J3|Col|2.31 Werk/Mod||B-J3 Col 2.31 Werk/Mod |Model Factory|Descriptive|Dict.Art|||||||Werkbund Exhibition. Model Factory|4839|Gropius, Walter Adolf||architect|Walter Adolf Gropius|0||||0|||||German||||||Europe||Germany|||Cologne, Germany|||10007||||0||||0||||0|Architecture|Model (representation)|Factory|||20|||1913|1914||1913-1914|1913-1914||Werkbund Exhibition|Larger entity||6365||||0||||||||||||||||||||||Factories (structures) ; Models (representations) ; Deutsche Werkbund-Ausstellung (1914 : Cologne, Germany) ; Exhibition buildings ; Exhibitions ; Cologne, Germany ; |Factories (structures)|Models (representations)|Deutsche Werkbund-Ausstellung (1914 : Cologne, Germany)|Exhibition buildings|Exhibitions|Cologne, Germany||||Cornell||JNK|MNW|3/29/2006 0:00:00|3/23/2006 0:00:00||Col||0||||||Werk/Mod|B|||||J3|2.31||||||||||Work|0|Architecture-Germany|||||||||||0|0|Model Factory|Gropius, Walter Adolf 6367.00|0|Architect|03|MA-|Wright|1.0 1907 Fireproof||MA- Wright 1.0 1907 Fireproof |"A Fireproof House for $5000" Project|Assigned|Image Source (Pub)|||||||"A Fireproof House for $5000" Project|12943|Wright, Frank Lloyd||architect|Frank Lloyd Wright|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Architecture|House||||20|||1906|1907||1906-1907|1906-1907|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|MNW|5/16/2006 0:00:00|3/23/2006 0:00:00|Wright|||0||||||1907 Fireproof|MA||||||1.0||||||||||Work|0|Modern Architecture|Desgined for The Curtis Publishing Company, 1906.||||||||||0|0|"A Fireproof House for $5000" Project|Wright, Frank Lloyd 6368.00|0|Creator|15|CHINA|JADE|NEOLITHIC||CHINA JADE NEOLITHIC |Wide, Squat Cong|Descriptive|Image Source (Pub)|||||||Wide, Squat Cong|0|||||0||||0|||||Chinese|Liangzhu||Neolithic|||Asia||China||||||0||||0|||||Fanshanzhen, China|||10709|Objects|Jade|Cong||BCE|-31|-30|-29|3000|2000|ca|ca 3000-2000 BCE|ca -3000 - -2000|||||0||||0|||||Yellowish white jade|jade|||||carving|||||8.8 cm high x 17.6 cm wide||9685|Zhejiang, Institute of Archaeology|Zhejiang: Institute of Archaeology||Congs ; |Congs|||||||||Cornell||BZ|MNW|4/14/2006 0:00:00|3/23/2006 0:00:00||||0|||||||JADE|||CHINA|NEOLITHIC|||| ||||||||Work|0||Weighs 6.5 kg.|||Excavated in 1986|||||Excavated at Fanshan, Yuhang county, Zhejiang province.||0|0|Wide, Squat Cong| 6369.00|0|Creator|15|CHINA|JADE|NEOLITHIC||CHINA JADE NEOLITHIC |Taller, Narrow Cong|Descriptive|Image Source (Pub)|||||||Taller, Narrow Cong|0|||||0||||0|||||Chinese|Liangzhu||Neolithic|||Asia||China||||||0||||0|||||Fanshanzhen, China|||10709|Objects|Jade|Congs||BCE|-31|-30|-29|3000|2000|ca|ca 3000-2000 BCE|ca -3000 - -2000|||||0||||0|||||Yellowish white jade|jade|||||carving|||||10 cm high; 8.4 cm diameter||9685|Zhejiang: Institute of Archaeology|Zhejiang: Institute of Archaeology||Congs ; |Congs|||||||||Cornell||BZ|MNW|4/14/2006 0:00:00|3/23/2006 0:00:00||||0|||||||JADE|||CHINA|NEOLITHIC|||| ||||||||Work|0|||||Excavated in 1986.|||||||0|0|Taller, Narrow Cong| 6370.00|0|Creator|15|CHINA|JADE|NEOLITHIC||CHINA JADE NEOLITHIC |Half-moon Plaque and Beads|Descriptive|Image Source (Pub)|||||||Half-moon Plaque and Beads|0|||||0||||0|||||Chinese|Liangzhu||Neolithic|||Asia||China||||||0||||0|||||Fanshanzhen, China|||10709|Jewelry|Jade|Plaque (flat object)|Necklace|BCE|-31|-30|-29|3000|2000|ca|ca 3000-2000 BCE|ca -3000 - -2000|||||0||||0|||||Whitish jade with brown spots on beads|jade|||||carving|||||||9685|Zhejiang: Institute of Archaeology|Zhejiang: Institute of Archaeology||Jewelry ; Plaques (flat objects) ; Moon ; Pendants (jewelry) ; Necklaces ; |Jewelry|Plaques (flat objects)|Moon|Pendants (jewelry)|Necklaces|||||Cornell||BZ|MNW|4/14/2006 0:00:00|3/24/2006 0:00:00||||0|||||||JADE|||CHINA|NEOLITHIC|||| ||||||||Work|0|||||Excavated in 1986.|||||Excavated in Fanshan, Yuhang county, Zehjiang provice (M22: 8).||0|0|Half-moon Plaque and Beads| 6371.00|0|Creator|15|CHINA|JADE|NEOLITHIC||CHINA JADE NEOLITHIC |Jade Plaques in the Shapes of Animals|Descriptive|Image Source (Pub)|||||||Jade Plaques in the Shapes of Animals|0|||||0||||0|||||Chinese|Liangzhu||Neolithic|||Asia||China||||||0||||0|||||Fanshanzhen, China|||10709|Jewelry|Jade|Plaque (flat object)|Jewelry|BCE|-31|-30|-29|3000|2000|ca|ca 3000-2000 BCE|ca -3000 - -2000|||||0||||0|||||Ivory colored jade with brown spots|jade|||||carving|||||||9685|Zhejiang: Institute of Archaeology|Zhejiang: Institute of Archaeology||Plaques (flat objects) ; Animals ; Birds ; Fish ; Jewelry ; Turtles ; |Plaques (flat objects)|Animals|Birds|Fish|Jewelry|Turtles||||Cornell||BZ|MNW|4/14/2006 0:00:00|3/24/2006 0:00:00||||0|||||||JADE|||CHINA|NEOLITHIC|||| ||||||||Work|0|||||Excavated in 1986.|||||Excavated at Fanshan, Yuhang county, Zhejiang province.||0|0|Jade Plaques in the Shapes of Animals| 6372.00|0|Creator|15|CHINA|JADE|NEOLITHIC||CHINA JADE NEOLITHIC |Hair Ornament|Descriptive|Image Source (Pub)|||||||Hair Ornament|0|||||0||||0|||||Chinese|Longshan||Neolithic|||Asia||China||||||0||||0|||||Tomb M202, Zhufeng, Shandong Province, China|||10711|Jewelry|Jade|Ornament|Jewelry|BCE|-21|||2000|2000|ca|ca 2000 BCE|ca -2000 - -2000|||||0||||0|||||Jade with turquoise inlay|jade|turquoise||||carving|||||23 cm long||9680|Beijing, Chinese Acad. of Social Sciences, Archaeology Inst.|Beijing: Acad. Soc. Sci.; Inst. Archae.||Jewelry ; Hair ornaments ; |Jewelry|Hair ornaments||||||||Cornell||BZ|MNW|4/14/2006 0:00:00|3/24/2006 0:00:00||||0|||||||JADE|||CHINA|NEOLITHIC|||| ||||||||Work|0|||||Excavated in 1989.|||||Excavated from Tomb M202 at Shufeng, Linqu county, Shangdong province.||0|0|Hair Ornament| 6373.00|0|Creator|15|CHINA|JADE|SHANG||CHINA JADE SHANG |Ornamental Plaque|Descriptive|Image Source (Pub)|||||||Ornamental Plaque|0|||||0||||0|||||Chinese|Erlitou||Shang|||Asia||China||||||0||||0|||||Erh-li-t'ou, China|||10712|Jewelry|Plaque (flat object)|Ornament|Jewelry|BCE|-18|-17|-16|1700|1500|ca|ca 1700-1500 BCE|ca 1700-1500 BCE|||||0||||0|||||Bronze with turquoise inlay|turquoise|bronze||||carving|||||14.2 cm x 9.8 cm||9680|Beijing, Chinese Acad. of Social Sciences, Archaeology Inst.|Beijing: Acad. Soc. Sci.; Inst. Archae.||Plaques (flat objects) ; Jewelry ; |Plaques (flat objects)|Jewelry||||||||Cornell||BZ|MNW|4/14/2006 0:00:00|3/24/2006 0:00:00||||0|||||||JADE|||CHINA|SHANG||||||||||||Work|0|||||Excavated in 1981.|||||Excavated at Erlitou, Yanshi, Henan province.||0|0|Ornamental Plaque| 6374.00|0|Creator|15|CHINA|CALL|SHANG||CHINA CALL SHANG |Turtle Plastron and Oracle Bone|Descriptive|Image Source (Pub)|||||||Turtle Plastron and Oracle Bone|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0||||0|||||Anyang, China|||10570|Calligraphy|Calligraphy|Bone||BCE|13|||1300|1325|ca|ca 1300-1325 BCE|ca -1300 - -1325|||||0||||0|||||Bone|bone|||||carving|||||||9680|Beijing, Chinese Acad. of Social Sciences, Archaeology Inst.|Beijing: Acad. Soc. Sci.; Inst. Archae.||Calligraphy ; Bones ; |Calligraphy|Bones||||||||Cornell||BZ|MNW|4/14/2006 0:00:00|3/24/2006 0:00:00||||0|||||||CALL|||CHINA|SHANG||||||||||||Work|0||Turtle Plastron(19.5 x 12 cm) is from the eastern area of Huayuanzhuang (H3:52); the Shoulder Blade(40 x 21 cm) is from the western area of Xiaotun, Henan province (no. 6).|||Late Shang period, Anyang phase, c. early 13th century BCE. Excavated in 1971 & 1992.|||||Excavated in Anyang, Henan province.||0|0|Turtle Plastron and Oracle Bone| 6375.00|0|Creator|15|CHINA|JADE|ZHOU||CHINA JADE ZHOU |Pendant of Complex Creatures with Human Heads and Dragons|Descriptive|Image Source (Pub)|||||||Pendant of Complex Creatures with Human Heads and Dragons|0|||||0||||0|||||Chinese|||Zhou (Chou)|||Asia||China||||||0||||0|Tomb M157, Zhangjiapo, Shaanxi Province, China|||10714|Tomb M157, Zhangjiapo, Shaanxi Province, China|||10714|Jewelry|Pendant (jewelry)|Figure (representation)|Human body||-10|-9|||||||||||0||||0|||||Green Jade|jade|||||carving|||||6.8 x 2.4 x 0.5 cm||9680|Beijing, Chinese Acad. of Social Sciences, Archaeology Inst.|Beijing: Acad. Soc. Sci.; Inst. Archae.||Pendants (jewelry) ; Jewelry ; Figures (representations) ; Dragons ; Animals ; |Pendants (jewelry)|Jewelry|Figures (representations)|Dragons|Animals|||||Cornell||BZ|MNW|4/14/2006 0:00:00|3/24/2006 0:00:00||||0|||||||JADE|||CHINA|ZHOU||||||||||||Work|0||Middle Western Zhou.|||Excavated in 1984.|||||Excavated at Tomb M157, Zhangjiapo, Chang'an county, Shaanxi province, China||0|0|Pendant of Complex Creatures with Human Heads and Dragons| 6376.00|0|Creator|15|CHINA|JADE|ZHOU||CHINA JADE ZHOU |Necklace in 179 Sections|Descriptive|Image Source (Pub)|||||||Necklace in 179 Sections|0|||||0||||0|||||Chinese|||Zhou (Chou)|||Asia||China||||||0||||0|||||Tomb M251, Liulihe, China|||10715|Jewelry|Necklace|Jade|Jewelry|BCE|-10|||-950|-900|ca|ca 950-900 BCE|ca -950 - - 900|||||0||||0|||||Jade, agate and turquoise|jade|turquoise|agate|||carving|||||||9686|Beijing, Bureau of Cultural Relics|Beijing: Bureau of Cultural Relics||Necklaces ; Jewelry ; Archaeology ; |Necklaces|Jewelry|Archaeology|||||||Cornell||BZ|MNW|4/14/2006 0:00:00|3/24/2006 0:00:00||||0|||||||JADE|||CHINA|ZHOU|||| ||||||||Work|0||Early Western Zhou.|||Excavated in 1984.|||||Excavated from Tomb M251 at Liulihe, Fangshan county, near Beijing.||0|0|Necklace in 179 Sections| 6377.00|0|Creator|15|CHINA|JADE|ZHOU||CHINA JADE ZHOU |Ornament|Descriptive|Image Source (Pub)|||||||Ornament|0|||||0||||0|||||Chinese|||Zhou (Chou)|||Asia||China||||||0||||0|||||Pingdingshan, Henan Province, China|||10716|Jewelry|Jewelry|Ornament|archaeology||-9|-8|||||||||||0||||0|||||Jade, agate and turquoise|jade|turquoise|agate|||carving|||||||9688|Henan (prov.), Institute of Archaeology and Cultural Relics Bureau|Henan (prov.): Institute of Archaeology||Jewelry ; Archaeology ; Necklaces ; |Jewelry|Archaeology|Necklaces|||||||Cornell||BZ|MNW|4/14/2006 0:00:00|3/24/2006 0:00:00||||0|||||||JADE|||CHINA|ZHOU|||| ||||||||Work|0||Late Western Zhou period.|||Excavated in 1990.|||||Excavated at Pingdingshan, Henan province.||0|0|Ornament| 6378.00|0|Creator|15|CHINA|JADE|ZHOU||CHINA JADE ZHOU |Jades for the Upper Body and the Face|Descriptive|Image Source (Pub)|||||||Jades for the Upper Body and the Face|0|||||0||||0|||||Chinese|||Zhou (Chou)|||Asia||China||||||0||||0|||||Tomb M31, Qucun, China|||10718|Jewelry|Jewelry|Jade|Reconstruction||-9|-8|||||||||||0||||0|||||Jade|jade|||||carving|||||||||||Jewelry ; Necklaces ; Archaeology ; |Jewelry|Necklaces|Archaeology|||||||Cornell||BZ|MNW|4/14/2006 0:00:00|3/24/2006 0:00:00||||0|||||||JADE|||CHINA|ZHOU||||||||||||Work|0||Western Zhou period.||||||||||0|0|Jades for the Upper Body and the Face| 6379.00|0|Creator|15|CHINA|MTL|ZHOU||CHINA MTL ZHOU |Vessel (Ding) Without Ladle|Descriptive|Image Source (Pub)|||||||Vessel (Ding) Without Ladle|0|||||0||||0|||||Chinese|||Zhou (Chou)|||Asia||China||||||0||||0|||||Tomb M2, Xiasi, Henan Province, China|||10719|Metalwork|Vessel|Tool||BCE|-6|||-600|-599|ca|ca 600-599 BCE|ca -600- -599|||||0||||0|||||Bronze|bronze|||||metalworking|||||62 cm high||9683|Zhengzhou: Henan Provincial Museum|Zhengzhou: Henan Provincial Museum||Vessels ; Tools ; |Vessels|Tools||||||||Cornell||BZ|MNW|4/17/2006 0:00:00|3/24/2006 0:00:00||||0|||||||MTL|||CHINA|ZHOU|||| ||||||||Work|0||Eastern Zhou, Spring and Autumn period, Chu state.|||Excavated in 1987.|||||Excavated from Tomb M2, Xiasi, Henan Province, China.||0|0|Vessel (Ding) Without Ladle| 6380.00|0|Creator|15|CHINA|MTL|ZHOU||CHINA MTL ZHOU |Imaginary Creature|Descriptive|Image Source (Pub)|||||||Imaginary Creature|0|||||0||||0|||||Chinese|||Zhou (Chou)|||Asia||China||||||0||||0|||||Tomb M9, Xujialing, Henan Province, China|||10720|Metalwork|Sculpture|||BCE|-6|-5||-699|-500|ca|ca 699-500 BCE|ca -699 - -500 BCE|||||0||||0|||||Bronze with hardstone inlay|bronze|||||metalworking|casting||||48 cm high||9688|Henan: Institute of Archaeology and Cultural Relics Bureau|Henan: Institute of Archaeology||Sculpture (visual work) ; Dragons ; Animals ; Figures (representations) ; |Sculpture (visual work)|Dragons|Animals|Figures (representations)||||||Cornell||BZ|MNW|4/17/2006 0:00:00|3/24/2006 0:00:00||||0|||||||MTL|||CHINA|ZHOU|||| ||||||||Work|0||Eastern Zhou period, Spring and Autumn period, Chu state.|||Dates from 6th-5th century BCE; excavated in 1990.|||||Excavated from tomb M9 at Xujialing, Xichuan district, southern Henan province.||0|0|Imaginary Creature| 6381.00|0|Creator|15|CHINA|SC|ZHOU||CHINA SC ZHOU |Imaginary Beast|Descriptive|Image Source (Pub)|||||||Imaginary Beast|0|||||0||||0|||||Chinese|||Zhou (Chou)|||Asia||China||||||0||||0|||||Tomb M1, Masha, Hubei Province, China|||10721|Sculpture|Sculpture|Lacquerware||BCE|-4|-3||-499|-300|ca|ca 499-300 BCE|ca -499 - -300|||||0||||0|||||Tree root, bamboo and lacquer|bamboo|lacquer||||carving|||||32 cm x 69.5 cm||1099|Jiangling, Jingzhou Regional Museum|Jiangling: Jingzhou Regional Museum||Bamboo ; Trees ; Animals ; Sculpture (visual work) ; |Bamboo|Trees|Animals|Sculpture (visual work)||||||Cornell||BZ|MNW|4/17/2006 0:00:00|3/24/2006 0:00:00||||0|||||||SC|||CHINA|ZHOU|||| ||||||||Work|0||Eastern Zhou,Warring States period, Chu State, 4th-3th century BC.||||||||||0|0|Imaginary Beast| 6382.00|0|Creator|15|CHINA|MTL|ZHOU||CHINA MTL ZHOU |Dagger Axe (Ge)|Descriptive|Image Source (Pub)|||||||Dagger Axe (Ge)|0|||||0||||0|||||Chinese|||Zhou (Chou)|||Asia||China||||||0||||0|||||Zhang River, Jingmen City, Hubei Province, China|||10722|Metalwork|Dagger (weapon)|Dagger (weapon)||BCE|-5|-4|-3|-599|-300|ca|ca 5990300 BCE|ca -599 - -300 BCE|||||0||||0|||||Bronze|bronze|||||metalworking|||||22 cm x 6.8 cm||1099|Jiangling, Jingzhou Regional Museum|Jiangling: Jingzhou Regional Museum||Daggers ; Axes (tools) ; |Daggers|Axes (tools)||||||||Cornell||BZ|MNW|4/17/2006 0:00:00|3/24/2006 0:00:00||||0|||||||MTL|||CHINA|ZHOU|||| ||||||||Work|0||Eastern Zhou, Warring States period, 5th-3th century BC.|||Excavated in 1963.|||||Excavated from the banks of the Zhang River in Jingmen City, Hubei province (5:1855).||0|0|Dagger Axe (Ge)| 6383.00|0|Creator|15|CHINA|MTL|ZHOU||CHINA MTL ZHOU |Drawing of a House with Musicians|Descriptive|Image Source (Pub)|||||||Drawing of a House with Musicians|0|||||0||||0|||||Chinese|||Zhou (Chou)|||Asia||China||||||0||||0|||||Tomb M306, Shaoxing, Zhejiang Province|||10723|Metalwork|House|Figure (representation)|Drawing|BCE|-5|||-599|-500|ca|ca 599-500 BCE|ca -599 - -500|||||||||0|||||Bronze and gold inlay|bronze|gold||||metalworking|||||17 cm x 13 cm x 11.5 cm||9689|Zhejiang: Institute of Archaeology and Cutural Relics Bureau|Zhejiang: Institute of Archaeology||Houses ; Figures (representations) ; Musicians ; |Houses|Figures (representations)|Musicians|||||||Cornell||BZ|MNW|4/17/2006 0:00:00|3/24/2006 0:00:00||||0|||||||MTL|||CHINA|ZHOU|||| ||||||||Work|0||Eastern Zhou, Warring States period, 5th century BC.|||From the 5th century BCE; excavated in 1982.|||||||0|0|Drawing of a House with Musicians| 6384.00|0|Creator|15|CHINA|JADE|ZHOU||CHINA JADE ZHOU |Figure of a Kneeling Man|Descriptive|Image Source (Pub)|||||||Figure of a Kneeling Man|0|||||0||||0|||||Chinese|||Zhou (Chou)|||Asia||China||||||0||||0|||||Zhongzhou Street, Luoyang, China|||10725|Sculpture|Jade|Figure (representation)|Human body|BCE|-5|-4|-3|-475|-221||475-221 BCE|-475 - -221|||||0||||0|||||Jade|jade|||||carving|||||7.5 cm high||9690|Luoyang: Municipal Museum|Luoyang: Municipal Museum||Figures (representations) ; |Figures (representations)|||||||||Cornell||BZ|MNW|4/17/2006 0:00:00|3/24/2006 0:00:00||||0|||||||JADE|||CHINA|ZHOU|||| ||||||||Work|0||Eastern Zhou, Warring States period.|||Excavated in 1987.|||||Excavated at the western end of Zhongzhou Street, Luoang, Henan province.||0|0|Figure of a Kneeling Man| 6385.00|0|Creator|15|CHINA|MTL|ZHOU||CHINA MTL ZHOU |Lamp Bearer|Descriptive|Image Source (Pub)|||||||Lamp Bearer|0|||||0||||0|||||Chinese|||Zhou (Chou)|||Asia||China||||||0||||0|||||Tomb M6, Royal Zhongshan tombs, Hebei Prov.,China|||10726|Metalwork|Figure (representation)|Lamp (lighting device)|Tool|BCE|-4|||-499|-400|ca|ca 499-400 BCE|ca -499 - -400|||||0||||0|||||Bronze with lacquer and silver inlay, black gemstone|bronze|lacquer|silver|||metalworking|silverwork||||66.4 cm high; 17.3 diam; 11.6 kg||9691|Hebei: Institute of Archaeology and Cultural Relics Bureau|Hebei: Institute of Archaeology||Figures (representations) ; Lamps ; Tools ; |Figures (representations)|Lamps|Tools|||||||Cornell||BZ|MNW|4/17/2006 0:00:00|3/24/2006 0:00:00||||0|||||||MTL|||CHINA|ZHOU|||| ||||||||Work|0||Eastern Zhou, Warring States period, Zhongshan state,|||Excavated in 1976.|||||Excavated from tomb M6 of the royal Zhongshan tombs, Pingshan county, Hebei province.||0|0|Lamp Bearer| 6386.00|0|Creator|15|CHINA|MA|ZHOU||CHINA MA ZHOU |Board for the Game of Liubo|Descriptive|Image Source (Pub)|||||||Board for the Game of Liubo|0|||||0||||0|||||Chinese|||Zhou (Chou)|||Asia||China||||||0||||0|||||Tomb M6, Royal Zhongshan tombs, Hebei Prov.,China|||10726|Objects|Board game|||BCE|-4|||-499|-400|ca|ca 400-499 BCE|ca -499 - -400|||||0||||0|||||Stone|stone|||||carving|||||44.9 cm x 40.1 cm||9692|Hebei: Institute of Cultural Relics|Hebei: Institute of Cultural Relics||Stone ; Board games ; |Stone|Board games||||||||Cornell||BZ|MNW|4/17/2006 0:00:00|3/24/2006 0:00:00||||0|||||||MA|||CHINA|ZHOU|||| ||||||||work|0||Eastern Zhou, Warring States period, Zhongshan state, 4th century BC.|||Excavated in 1974.|||||||0|0|Board for the Game of Liubo| 6387.00|0|Creator|15|CHINA|MTL|ZHOU||CHINA MTL ZHOU |Two Dog Collars|Descriptive|Image Source (Pub)|||||||Two Dog Collars|0|||||0||||0|||||Chinese|||Zhou (Chou)|||Asia||China||||||0||||0|||||Tomb M1 (King Cuo/Zhongshan), Hebei Prov., Chna||||Metalwork|Collar (neckwear)|||BCE|-4|||-475|-499|ca|Late 4th C. BCE|ca -475 - -499|||||0||||0|||||Gold and silver|gold|silver||||metalworking|||||38 cm, 36 cm diam.||9692|Hebei: Institute of Cultural Relics|Hebei: Institute of Cultural Relics||Jewelry ; Dog-collars ; |Jewelry|Dog-collars||||||||Cornell||BZ|MNW|4/17/2006 0:00:00|3/24/2006 0:00:00||||0|||||||MTL|||CHINA|ZHOU|||| ||||||||Work|0||Eastern Zhou, Warring States period, Zhongshan state.|||Excavated in 1978.|||||Excavated from bomb M1, the grave of King Cuo of Zhongshan, Pingshan county, Hebei prrovince.||0|0|Two Dog Collars| 6388.00|0|Creator|05|50|W335|W819|1|50 W335 W819 1|Witches Rock, Near Echo City, Utah|Descriptive|Repository|||||||Witches Rock, Near Echo City, Utah|12524|Watkins, Carleton Emmons||photographer|Carleton Emmons Watkins|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Photographic print|Landscape (representation)|||19|||1873|1873||1873|1873-1873|||||0||||0|||||Albumen print on paper mounted on paperboard||||||albumen process|||||54.3 x 41.6 cm||3174|Washington, DC: Smithsonian Institution; Museum of American Art|Wash, DC: Smithsonian; Mus. Amer. Art||Landscapes ; Mountains ; Rock ; |Landscapes|Mountains|Rock|||||||Cornell||JNK|MNW|4/28/2006 0:00:00|3/24/2006 0:00:00|W335|||0||1994.89.4|||||50||||||W819|| ||||||||Work|0||||||||||||0|0|Witches Rock, Near Echo City, Utah|Watkins, Carleton Emmons 6389.00|0|Creator|15|CHINA|SC|HAN||CHINA SC HAN |A Naked Soldier|Descriptive|Image Source (Pub)|||||||A Naked Soldier|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0||||0||||0|Sculpture|Sculpture|Figure (representation)||BCE|-3|-2|-1|-206|220||206 BC-220 AD|-206 - 220|||||0||||0|||||Ceramic|ceramic|||||sculpture|ceramics||||59 cm high||288|Beijing: Historical Museum|Beijing: Historical Museum||Figures (representations) ; Sculpture (visual work) ; Soldiers ; |Figures (representations)|Sculpture (visual work)|Soldiers|||||||Cornell||BZ|MNW|4/17/2006 0:00:00|3/24/2006 0:00:00||||0|||||||SC|||CHINA|HAN|||| ||||||||Work|0||||||||||||0|0|A Naked Soldier| 6428.00|0|Creator|15|CHINA|POT|HAN||CHINA POT HAN |Brick Decorated in Relief with Erotic Scene|Descriptive|Image Source (Pub)|||||||Brick Decorated in Relief with Erotic Scene|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0|||||Xinlongxiang, Henan Province, China|||10743|Ceramics|Ceramic|Brick|Figure (representation)||2|3||25|220||25-220|25-220|||||0||||0|||||Ceramic brick with traces of reddish and black paint|ceramic|color (pigment)|brick|||ceramics|carving||||50 x 29 cm||9696|Sichuan: Xindu County Cultural Relics Bureau|Sichuan: Xindu County Cultural Relics Bureau||Figures (representations) ; Reliefs ; Eroticism ; Trees ; Men (male humans) ; Women ; |Figures (representations)|Reliefs|Eroticism|Trees|Men (male humans)|Women||||Cornell||BZ|MNW|4/19/2006 0:00:00|3/28/2006 0:00:00||||0|||||||POT|||CHINA|HAN|||| ||||||||Work|0||Eastern Han period.|||Excavated in 1979.|||||Excavated at Xin longxiang, Xindu county, Sichuan province.||0|0|Brick Decorated in Relief with Erotic Scene| 6429.00|0|Creator|15|CHINA|POT|HAN||CHINA POT HAN |Model of a Manor|Descriptive|Image Source (Pub)|||||||Model of a Manor|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0|||||Yuzhuang, Henan Province, China|||10748|Ceramics|Ceramic|Model (representation)|House|BCE|-2|||-199|-100||2nd century BCE|-199 - -100|||||0||||0|||||Ceramic with traces of paint|ceramic|||||ceramics|||||89 x 114 x 130 cm||9683|Zhengzhou: Henan Provincial Museum|Zhengzhou: Henan Provincial Museum||Houses ; Figures (representations) ; Vessels ; Models (representations) ; |Houses|Figures (representations)|Vessels|Models (representations)||||||Cornell||BZ|MNW|4/19/2006 0:00:00|3/28/2006 0:00:00||||0|||||||POT|||CHINA|HAN|||| ||||||||Work|0||Early Western Han period.|||Excavated in 1981.|||||Excavated at Yuzhuang, Huaiyang county, Henan province (M1:7).||0|0|Model of a Manor| 6430.00|0|Creator|15|CHINA|POT|HAN||CHINA POT HAN |Model of a Grain Silo|Descriptive|Image Source (Pub)|||||||Model of a Grain Silo|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0|||||Mazuocun, Henan Province, China|Near||10749|Ceramics|Ceramic|Model (representation)|House|BCE|-2|||-199|-100|ca|2nd century BCE|ca -199 - -100|||||0||||0|||||Painted ceramic|ceramic|||||ceramics|||||148 x 76 x 59 cm||9683|Zhengzhou: Henan Provincial Museum|Zhengzhou: Henan Provincial Museum||Models (people) ; Models (representations) ; Silos (agricultural structures) ; |Models (people)|Models (representations)|Silos (agricultural structures)|||||||Cornell||BZ|MNW|4/19/2006 0:00:00|3/28/2006 0:00:00||||0|||||||POT|||CHINA|HAN|||| ||||||||Work|0||Eastern Han period.|||Excavated in 1984.|||||Excavated near Mazuocun, Jiazuo county, Henan province.||0|0|Model of a Grain Silo| 6431.00|0|Creator|15|CHINA|POT|HAN||CHINA POT HAN |Figure of a Dancer|Descriptive|Image Source (Pub)|||||||Figure of a Dancer|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0|||||Baijiakou, Shaanxi Province, China|||10750|Ceramics|Ceramic|Pottery|Figure (representation)||2|3||25|220||25-220|25-220|||||0||||0|||||Painted ceramic|ceramic|color (pigment)||||ceramics|coloring||||50 cm high||288|Beijing, Historical Museum|Beijing: Historical Museum||Figures (representations) ; Dancers ; Dancing ; Women ; |Figures (representations)|Dancers|Dancing|Women||||||Cornell||BZ|MNW|4/19/2006 0:00:00|3/28/2006 0:00:00||||0|||||||POT|||CHINA|HAN|||| ||||||||Work|0||Eastern Han period.||||||||Excavated in Baijiakou, near Sian, Shaanxi province.||0|0|Figure of a Dancer| 6432.00|0|Creator|15|CHINA|POT|HAN||CHINA POT HAN |Squatting Drummer|Descriptive|Image Source (Pub)|||||||Squatting Drummer|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0|Majiashan, Sanhexiang, Sichuan Province, China|||10751||||0|Ceramics|Ceramic|Figure (representation)|Drum (membranophone)||2|3||25|220||25-220|25-220|||||0||||0|||||Painted ceramic|ceramic|color (pigment)||||ceramics|coloring|sculpture|||48 cm high||9696|Sichuan, Xindu County Cultural Relics Bureau|Sichuan: Xindu County Cultural Relics Bureau||Figures (representations) ; Drums (membranophones) ; Dancing ; Musicians ; |Figures (representations)|Drums (membranophones)|Dancing|Musicians||||||Cornell||BZ|MNW|4/19/2006 0:00:00|3/28/2006 0:00:00|||Majy|0|||||||POT|||CHINA|HAN|||| ||||||||Work|0||Eastern Han period.|||Excavated in 1982.|||||Excavated at Majishan, Sanhexiang, Xindu county, Sichuan province.||0|0|Squatting Drummer| 6433.00|0|Creator|15|CHINA|POT|HAN||CHINA POT HAN |Standing Drummer|Descriptive|Image Source (Pub)|||||||Standing Drummer|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0|||||Pi County, Sichuan Province, China|||10752|Ceramics|Ceramic|Figure (representation)|Drum (membranophone)||2|3||25|220||25-220|25-220|||||0||||0|||||Painted ceramic|ceramic|color (pigment)||||ceramics|coloring|sculpture|||66.5cm||9695|Chengdu, Sichuan Provincial Museum|Chengdu: Sichuan Provincial Museum||Figures (representations) ; Drums (membranophones) ; Dancers ; Men (male humans) ; Musicians ; |Figures (representations)|Drums (membranophones)|Dancers|Men (male humans)|Musicians|||||Cornell||BZ|MNW|4/19/2006 0:00:00|3/28/2006 0:00:00||||0|||||||POT|||CHINA|HAN|||| ||||||||Work|0||Eastern Han period.|||Excavated in 1982.|||||Excavated in Pi county, Sichuan province.||0|0|Standing Drummer| 6434.00|0|Architect|03|MA-Gropius|7.4|1929 Has||MA-Gropius 7.4 1929 Has |Haselhorst, Siemensstadt|Descriptive|Image Source (Pub)|Apartment Block, Siemensstadt|Translated|Image Source (Pub)||||Haselhorst, Siemensstadt|4839|Gropius, Walter Adolf||architect|Walter Adolf Gropius|0||||0|||||German|||International Style|||Europe||Germany||||||0|Berlin, Germany|||10108||||0||||0|Architecture|Apartment house||||20|||1928|1930||1928-1930|1928-1930|||||0||||0||||||||||||||||||||||Apartment houses ; |Apartment houses|||||||||Cornell||MNW|JNK|3/30/2006 0:00:00|3/28/2006 0:00:00|Gropius|Ber||0||||||Has|MA||||||7.4|1929|||||||||Work|0|Modern Architecture|||||||||||0|0|Haselhorst, Siemensstadt;Apartment Block, Siemensstadt|Gropius, Walter Adolf 6435.00|0|Culture|07|F-07|Tarsus|||F-07 Tarsus |Mosaic of Tarsus|Descriptive|Image Source (Pub)|||||||Mosaic of Tarsus|0|||||0||||0|||||Roman|||Roman Period|||Asia||Turkey||||||0||||0||||0||||0|Mosaics|Floor|Mosaic||CE|3|||200|300|ca|3rd Century|ca 200-300|||||0||||0|||||Limestone/Glass|limestone|glass (material)||||mosaic|||||||122|Antakya: Hatay Archeological Museum|Antakya: Hatay Archeo. Mus.||Orpheus ; Eagles ; Lions ; Antelopes ; Elephants ; Tigers ; Ganymede ; Boars ; Bears|Orpheus|Eagles|Lions|Antelopes|Elephants|Tigers|Ganymede|Boars|Bears|Cornell||HB|HB|6/16/2006 0:00:00|3/29/2006 0:00:00||||0||||||Tarsus|F|||07||||| ||||||||Work|0|Mosaics-Roman|||||||||||0|0|Mosaic of Tarsus| 6436.00|0|Culture|07|F-07|Alexandretta|||F-07 Alexandretta |Personification of Arethusa|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||Roman|||Late Antique|||Asia||Turkey||||||0||||0||||0|||||Mosaics|Floor|Mosaic||CE|5|||400|500|ca|5th Century|ca 400-500|||||0||||0|||||||||||mosaic|||||||122|Antakya: Hatay Archeological Museum|Antakya: Hatay Archeo. Mus.||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|3/29/2006 0:00:00||||0||||||Alexandretta|F|||07||||| ||||||||Work|0|Mosaics-Roman|||||||||||0|0|Personification of Arethusa| 6390.00|0|Creator|05|50|W335|U58||50 W335 U58 |Union Diggings, Columbia Hill, Nevada County|Descriptive|Repository|||||||Union Diggings, Columbia Hill, Nevada County|12524|Watkins, Carleton Emmons||photographer|Carleton Emmons Watkins|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Photographic print|Landscape (representation)|||19|||1871|1871|ca|ca 1871|ca 1871-1871|||||0||||0|||||Albumen print on paper mounted on paperboard||||||albumen process|||||40.3 x 54.9 cm||3174|Washington, DC: Smithsonian Institution; Museum of American Art|Wash, DC: Smithsonian; Mus. Amer. Art||Landscapes ; |Landscapes|||||||||Cornell||JNK|JNK|3/24/2006 0:00:00|3/24/2006 0:00:00|W335|||0||1994.91.277|||||50||||||U58|| ||||||||Work|0||||||||||||0|0|Union Diggings, Columbia Hill, Nevada County|Watkins, Carleton Emmons 6393.00|0|Creator|05|50|W335|Y655||50 W335 Y655 |Yosemite Falls, Reflected|Assigned|Repository|||||||Yosemite Falls, Reflected|12524|Watkins, Carleton Emmons||photographer|Carleton Emmons Watkins|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Photographic print|Landscape (representation)|||19|||1870|1875|ca|ca 1870-1875|ca 1870-1875|||||0||||0|||||Albumen print on paper mounted on paperboard||||||albumen process|||||20.3 x 30.5 cm||3174|Washington, DC: Smithsonian Institution; Museum of American Art|Wash, DC: Smithsonian; Mus. Amer. Art||Landscapes ; Waterfalls ; |Landscapes|Waterfalls||||||||Cornell||JNK|JNK|3/24/2006 0:00:00|3/24/2006 0:00:00|W335|||0||1994.91.283|||||50||||||Y655|| ||||||||Work|0|||||Ca. 1870, printed ca. 1875|||||||0|0|Yosemite Falls, Reflected|Watkins, Carleton Emmons 6394.00|0|Creator|15|32|B588-PA|1863|3|32 B588-PA 1863 3|The Rocky Mountains, Lander's Peak|Assigned|Repository|||||||The Rocky Mountains, Lander's Peak|1158|Bierstadt, Albert||painter|Albert Bierstadt|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting|Landscape (representation)|||19|||1863|1863||1863|1863-1863|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||186.7 x 306.7 cm||3294|New York: Metropolitan Museum of Art|New York: Metropolitan||Landscapes ; Mountains ; |Landscapes|Mountains||||||||Cornell||JNK|JNK|3/24/2006 0:00:00|3/24/2006 0:00:00|B588|||0||07.123||||3|32|PA|||||1863|| ||||||||Work|0||||||||||||0|0|The Rocky Mountains, Lander's Peak|Bierstadt, Albert 6395.00|0|Site|02|B-L8|Eph|7.1 Slope H2/D Dio||B-L8 Eph 7.1 Slope H2/D Dio |H2/D Dionysus Mosaic|Descriptive|Image Source (Pub)|||||||Slope House 2, Apartment II. H2/D Dionysus Mosaic|0|||||0||||0|||||Roman|||Late Antique|||Asia||Turkey||||||0|Ephesus, Turkey|||10111||||0||||0|Mosaics|Floor|||CE|4|||375|400|ca|ca 375-400|ca 375-400||Slope House 2, Apartment II|Larger entity||6333||||0|||||Glass|glass (material)|||||mosaic|||||||||||Birds ; Peacocks ; Vines ; Grapes ; |Birds|Peacocks|Vines|Grapes||||||Cornell||HB|HB|6/16/2006 0:00:00|3/27/2006 0:00:00||Eph||0||||||Slope H2/D Dio|B|||||L8|7.1||||||||||Work|0|Architecture-Turkey|||||||||||0|0|H2/D Dionysus Mosaic| 6396.00|0|Site|02|B-L8|Eph|7.1 Slope H2/SR 14||B-L8 Eph 7.1 Slope H2/SR 14 |H2/SR 14|Descriptive|Image Source (Pub)|||||||Slope House II. Apartment 2. H2/SR 14|0|||||0||||0|||||Roman|||Roman Period|||Asia||Turkey||||||0|Ephesus, Turkey|||10111||||0||||0|Archaeological Sites|Archaeological site|Room||CE|3|||250|300|ca|ca 250-300|ca 250-300||Slope House II, Apartment 2|LargerEntity||6333||||0|||||Limestone/marble|limestone|marble||||mosaic|||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|3/27/2006 0:00:00||Eph||0||||||Slope H2/SR 14|B|||||L8|7.1||||||||||Work|0|Architecture-Turkey|||||||||||0|0|H2/SR 14| 6397.00|0|Site|02|B-L8|Eph|7.1 Slope H2/SR 19-20||B-L8 Eph 7.1 Slope H2/SR 19-20 |H2/SR 19-20 Room of the Muses||Image Source (Pub)|||||||Slope House II. Apartment 2. H2/SR 19-20 Room of the Muses|0|||||0||||0|||||Roman|||Late Antique|||Asia||Turkey||||||0|Ephesus, Turkey|||10111||||0||||0|Archaeological Sites|Archaeological site|Room||CE|5|||400|410|ca|ca 400-410|ca 400-410||Slope House II, Apartment 2|LargerEntity||6333||||0|||||Limestone|limestone|||||mosaic|||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|3/27/2006 0:00:00||Eph||0||||||Slope H2/SR 19-20|B|||||L8|7.1||||||||||Work|0|Architecture-Turkey|||||||||||0|0|H2/SR 19-20 Room of the Muses| 6398.00|0|Site|02|B-L8|Eph|7.1 Slope H2/SR24 TriF||B-L8 Eph 7.1 Slope H2/SR24 TriF |H2/SR 24 Triclinium (Dining Room) Floor||Image Source (Pub)|||||||Slope House II. Apartment 2. H2/SR 24 Triclinium (Dining Room) Floor|0|||||0||||0|||||Roman|||Late Antique|||Asia||Turkey||||||0|Ephesus, Turkey|||10111||||0||||0|Mosaics|Floor|||CE|4|||375|400|ca|ca 375-400|ca 375-400||Slope House II, Apartment 2|Larger Context||6333||||0|||||Limestone/Marble|limestone|marble||||mosaic|||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|3/27/2006 0:00:00||Eph||0||||||Slope H2/SR24 TriF|B|||||L8|7.1||||||||||Work|0|Architecture-Turkey|||||||||||0|0|H2/SR 24 Triclinium (Dining Room) Floor| 6399.00|0|Site|02|B-L8|Eph|7.1 Slope H2/SR24 TriN||B-L8 Eph 7.1 Slope H2/SR24 TriN |H2/SR 24 Triclinium (Dining Room) Niches||Image Source (Pub)|||||||Slope House II. Apartment 2. H2/SR 24 Triclinium (Dining Room) Niches|0|||||0||||0|||||Roman|||Late Antique|||Asia||Turkey||||||0|Ephesus, Turkey|||10111||||0||||0|Mosaics|Wall|||CE|5|||400|410|ca|ca 400-410|ca 400-410||Slope House II, Apartment 2|Larger Context||6333||||0|||||Glass|glass (material)|||||mosaic|||||||||||Birds ; |Birds|||||||||Cornell||HB|HB|6/16/2006 0:00:00|3/27/2006 0:00:00||Eph||0||||||Slope H2/SR24 TriN|B|||||L8|7.1||||||||||Work|0|Architecture-Turkey|||||||||||0|0|H2/SR 24 Triclinium (Dining Room) Niches| 6400.00|0|Site|02|B-L8|Eph|7.1 Slope H2/16a DioMe||B-L8 Eph 7.1 Slope H2/16a DioMe |H2/16a Dionysus and Medusa Rooms||Image Source (Pub)|||||||Slope House 2. H2/16a Dionysus and Medusa Rooms|0|||||0||||0|||||Roman|||Late Antique|||Asia||Turkey||||||0||||0||||0||||0|Mosaics|Floor|||CE|5|||440|460|ca|ca 440-460|ca 440-460||Slope House 2|LargerEntity||6315||||0|||||Limestone|limestone|||||mosaic|||||||9693|Ephesus: Selçuk Museum|Ephesus: Selçuk Mus.||Dionysos ; Medusa ; |Dionysos|Medusa||||||||Cornell||HB|HB|6/16/2006 0:00:00|3/27/2006 0:00:00||Eph||0||||||Slope H2/16a DioMe|B|||||L8|7.1|| ||||||||Work|0|Architecture-Turkey|This work includes mosaics from two adjacent rooms||||Medusa no. = 6/5/77 Dionysus no. = 7/5/77||||||0|0|H2/16a Dionysus and Medusa Rooms| 6401.00|0|Site|02|B-L8|Eph|7.1 Slope H2/17 Lion||B-L8 Eph 7.1 Slope H2/17 Lion |H2/17 Lion Room|Descriptive|Image Source (Pub)|||||||Slope House 2. H2/17 Lion Room|0|||||0||||0|||||Roman|||Late Antique|||Asia||Turkey||||||0|Ephesus, Turkey|||10111||||0||||0|Archaeological Sites|Archaeological site|Room||CE|5|||475|500|ca|ca 475-500|ca 475-500||Slope House 2|Larger entity||6315||||0|||||Limestone/Marble/Terracotta|limestone|marble|terracotta|||mosaic|||||||||||Lions ; |Lions|||||||||Cornell||HB|HB|6/16/2006 0:00:00|3/27/2006 0:00:00||Eph||0||||||Slope H2/17 Lion|B|||||L8|7.1||||||||||Work|0|Architecture-Turkey|||||||||||0|0|H2/17 Lion Room| 6402.00|0|Site|02|B-L8|Eph|7.1 Slope H2/25||B-L8 Eph 7.1 Slope H2/25 |H2/25|Descriptive|Image Source (Pub)|||||||Slope House 2. H2/25|0|||||0||||0|||||Roman|||Late Antique|||Asia||Turkey||||||0|Ephesus, Turkey|||10111||||0||||0|Archaeological Sites|Archaeological site|Room||CE|4|||375|400|ca|ca 375-400|ca 375-400||Slope House 2|Larger entity||6315||||0|||||Marble/Limestone|marble|limestone||||mosaic|||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|3/27/2006 0:00:00||Eph||0||||||Slope H2/25|B|||||L8|7.1||||||||||Work|0|Architecture-Turkey|||||||||||0|0|H2/25| 6403.00|0|Site|02|B-L8|Eph|7.1 Slope H2/9||B-L8 Eph 7.1 Slope H2/9 |H2/9 Mosaic 1|Descriptive|Image Source (Pub)|||||||Slope House 2. H2/9 Mosaic 1|0|||||0||||0|||||Roman|||Roman Period|||Asia||Turkey||||||0|Ephesus, Turkey|||10111||||0||||0|Mosaics|Mosaic|Floor||CE|3|||200|225|ca|ca 200-225|ca 200-225||Slope House 2|Larger entity||6315||||0|||||Limestone/Marble|limestone|marble||||mosaic|||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|3/27/2006 0:00:00||Eph||0||||||Slope H2/9|B|||||L8|7.1||||||||||Work|0|Architecture-Turkey|||||||||||0|0|H2/9 Mosaic 1| 6404.00|0|Creator|15|CHINA|JADE|HAN||CHINA JADE HAN |Jade Suit, Jade Body Plugs, and Jade and Gilt-Bronze Headrest Belonging to Prince Liu Sheng|Descriptive|Image Source (Pub)|||||||Jade Suit, Jade Body Plugs, and Jade and Gilt-Bronze Headrest Belonging to Prince Liu Sheng|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0|||||Tomb of Liu Sheng, Mancheng, Hebei Province, China|||10730|Jewelry|Jade|Jewelry||BCE|-2|||-299|-200|ca|ca 299-200 BCE|ca -299 - -200|||||0||||0|||||Jade and bronze|jade|bronze||||carving|||||||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||Men (male humans) ; |Men (male humans)|||||||||Cornell||BZ|MNW|4/17/2006 0:00:00|3/27/2006 0:00:00||||0|||||||JADE|||CHINA|HAN|||| ||||||||Work|0||Western Han dynasty.|||Excavated in 1968.|||||Excavated from the tomb of Liu Sheng at Mancheng, Hebei province, China.||0|0|Jade Suit, Jade Body Plugs, and Jade and Gilt-Bronze Headrest Belonging to Prince Liu Sheng| 6405.00|0|Creator|15|CHINA|MTL|HAN||CHINA MTL HAN |Incense Burner of the Boshan Lu Type|Descriptive|Image Source (Pub)|||||||Incense Burner of the Boshan Lu Type|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0|||||Tomb of Dou Wan, Mancheng, China|||10731|Metalwork|Bronze|Incense burner|Stove|BCE|-2|||-225|-200|ca|Late 2nd century BCE|ca -225 - -200|||||0||||0|||||Bronze with traces of silver and gold|bronze|silver|gold|||metalworking|carving||||32.4 cm overall height; 13 cm height of lid.||9579|Shijiazhuang: Hebei Provincial Museum|Shijiazhuang: Hebei Provincial Museum||Incense burners ; Stoves ; Figures (representations) ; Clouds ; Lions ; Animals ; |Incense burners|Stoves|Figures (representations)|Clouds|Lions|Animals||||Cornell||BZ|MNW|4/18/2006 0:00:00|3/27/2006 0:00:00||||0|||||||MTL|||CHINA|HAN|||| ||||||||Work|0|||||Excavated in 1968.|||||Excavaated from the tomb of Dou Wan, consort of Lius Sheng, at Mancheng, Hebei province (2: 3004).||0|0|Incense Burner of the Boshan Lu Type| 6406.00|0|Creator|15|CHINA|MTL|HAN||CHINA MTL HAN |Model of a Man with a Millstone|Descriptive|Image Source (Pub)|||||||Model of a Man with a Millstone|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0|||||Zhongxiang county, Hubei Province, China|||10732|Metalwork|Bronze|Figure (representation)|Tool|BCE|-3|-2|-1|-206|220||206 BCE-220 AD|-206 - 220|||||0||||0|||||Bronze|bronze|||||metalworking|carving||||||1099|Jiangling, Jingzhou Regional Museum|Jiangling: Jingzhou Regional Museum||Figures (representations) ; Animals ; Vessels ; Archaeology ; Tools ; Turtles ; |Figures (representations)|Animals|Vessels|Archaeology|Tools|Turtles||||Cornell||BZ|MNW|4/18/2006 0:00:00|3/27/2006 0:00:00||||0|||||||MTL|||CHINA|HAN|||| ||||||||Work|0|||||Excavated in 1964.|||||Excavated in Zhongxiang county, Hubei province.||0|0|Model of a Man with a Millstone| 6407.00|0|Creator|15|CHINA|MTL|HAN||CHINA MTL HAN |Winged Immortal|Descriptive|Image Source (Pub)|||||||Winged Immortal|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0|||||Luoyang, China||||Metalwork|Bronze|Figure (representation)|||2|||100|199|ca|2nd century|ca 100-199|||||0||||0|||||Bronze with gilt|bronze|||||metalworking|carving||||15.5 cm x 9.5 cm||9694|Luoyang: Cultural Relics Bureau|Luoyang: Cultural Relics Bureau||Figures (representations) ; Archaeology ; Boxes (containers) ; |Figures (representations)|Archaeology|Boxes (containers)|||||||Cornell||BZ|MNW|4/18/2006 0:00:00|3/27/2006 0:00:00||||0|||||||MTL|||CHINA|HAN|||| ||||||||Work|0||||||||||Excavated in 1987.||0|0|Winged Immortal| 6408.00|0|Creator|15|CHINA|MTL|HAN||CHINA MTL HAN |Money Tree|Descriptive|Image Source (Pub)|||||||Money Tree|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0|||||Pengshan County, Sichuan Province, China||||Metalwork|Bronze|Ceramic|Money||2|3||25|220||25-220|25-220|||||0||||0|||||Bronze and ceramic|bronze|ceramic||||metalworking|ceramics||||105 cm high||9695|Chengdu, Sichuan Provincial Museum|Chengdu: Sichuan Provincial Museum||Trees ; Animals ; Archaeology ; |Trees|Animals|Archaeology|||||||Cornell||BZ|MNW|4/19/2006 0:00:00|3/27/2006 0:00:00||||0|||||||MTL|||CHINA|HAN|||| ||||||||Work|0||Eastern Han period|||Excavated in 1972.|||||Excavated in Pengshan County, Sichuan Province.||0|0|Money Tree| 6409.00|0|Creator|15|CHINA|SC|HAN||CHINA SC HAN |Group of Seven Servant Figures|Descriptive|Image Source (Pub)|||||||Group of Seven Servant Figures|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0|Tomb M167, Fenghuang Shan, China|||10736|Tomb M167, Fenghuang Shan, China|||10736|Sculpture|Sculpture|Figure (representation)||BCE|-2|||-199|-100|ca|2nd century BCE|ca -199 - -100|||||0||||0|||||Painted wood|wood (plant material)|color (pigment)||||carving|||||||1099|Jiangling, Jingzhou Regional Museum|Jiangling: Jingzhou Regional Museum||Figures (representations) ; Servants ; Women ; Men (male humans) ; |Figures (representations)|Servants|Women|Men (male humans)||||||Cornell||BZ|MNW|4/18/2006 0:00:00|3/27/2006 0:00:00||||0|||||||SC|||CHINA|HAN|||| ||||||||Work|0|||||Excavated in 1975.|||||Excavated from tomb M167 at Fenghuang Shan, Jiangling county, Hubei province.||0|0|Group of Seven Servant Figures| 6410.00|0|Creator|15|CHINA|LAC|HAN||CHINA LAC HAN |Large Wine Container (Bian Hu)|Descriptive|Image Source (Pub)|||||||Large Wine Container (Bian Hu)|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0|||||Tomb M167, Fenghuang Shan, China|||10736|Lacquerware|Lacquerware|Vessel||BCE|-1|||-167||bef|bef 167 BCE|bef -167|||||0||||0|||||Lacquered wood|lacquer|wood (plant material)|color (pigment)|||carving|||||48 x 57 x 13.5 cm||1099|Jiangling, Jingzhou Regional Museum|Jiangling: Jingzhou Regional Museum||Vessels ; |Vessels|||||||||Cornell||BZ|MNW|4/18/2006 0:00:00|3/27/2006 0:00:00||||0|||||||LAC|||CHINA|HAN|||| ||||||||Work|0||Early Western Han period.|||Excavated in 1975.|||||Excavated from tomb 168 at Fenghuang Shang, Jiangling county, Hubei province (M168: 117).||0|0|Large Wine Container (Bian Hu)| 6411.00|0|Creator|15|CHINA|MTL|HAN||CHINA MTL HAN |Figures of Two Storytellers|Descriptive|Image Source (Pub)|||||||Figures of Two Storytellers|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0|||||Tomb of Liu Sheng, Mancheng, Hebei Province, China|||10730|Metalwork|Bronze|Figure (representation)||BCE|-2|||-113||bef|bef 113 BCE|bef -113|||||0||||0|||||Bronze|bronze|||||metalworking|carving||||||9579|Shijiazhuang, Museum of Hebei Province|Shijiazhuang: Museum of Hebei Province||Figures (representations) ; Men (male humans) ; |Figures (representations)|Men (male humans)||||||||Cornell||BZ|MNW|4/18/2006 0:00:00|3/27/2006 0:00:00||||0|||||||MTL|||CHINA|HAN|||| ||||||||Work|0||Western Han period.|||Excavated in 1968.|||||Excavated from the tomb of Liu Sheng at Mancheng, Hebei province.||0|0|Figures of Two Storytellers| 6412.00|0|Creator|15|CHINA|MA|HAN||CHINA MA HAN |Writing Equipment|Descriptive|Image Source (Pub)|||||||Writing Equipment|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0|Tombs M167 and M168, Fenghuang Shan, China|||10737|Tombs M167 and M168, Fenghuang Shan, China|||10737|Tools and Equipment|Calligraphy|Drafting, drawing and writing equipment|Tool|BCE|-2|||-167||bef|bef 167 BCE|bef -167|||||0||||0|||||Stone, animal hair, bamboo|stone|hair|bamboo|||carving|||||||1099|Jiangling, Jingzhou Regional Museum|Jiangling: Jingzhou Regional Museum||Stone ; Pens ; Tools ; |Stone|Pens|Tools|||||||Cornell||BZ|MNW|4/18/2006 0:00:00|3/27/2006 0:00:00||||0|||||||MA|||CHINA|HAN|||| ||||||||Work|0||Includes ink stone, grinding stone, pen and holder, writing strips. Western Han period.|||Excavated in 1975.|||||Excavated fom tombs M17 and M168 at Fenghuang Shan, Jiangling county, Hubei province.||0|0|Writing Equipment| 6413.00|0|Creator|15|CHINA|POT|HAN||CHINA POT HAN |Lamp in the Form of aTree|Descriptive|Image Source (Pub)|||||||Lamp in the Form of aTree|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0|||||Jianxi Xilihe, Henan Province, China|||10738|Ceramics|Ceramic|Pottery|Lamp (lighting device)|BCE|-1|||-99|-01|ca|ca 1st century BCE|ca -99--01|||||0||||0|||||Green and red glazed ceramic|ceramic|||||ceramics|coloring|glazing (coating)|||||9694|Luoyang: Cultural Relics Bureau|Luoyang: Cultural Relics Bureau||Lamps ; Trees ; Animals ; Figures (representations) ; Dogs ; Birds ; |Lamps|Trees|Animals|Figures (representations)|Dogs|Birds||||Cornell||BZ|MNW|4/19/2006 0:00:00|3/27/2006 0:00:00||||0|||||||POT|||CHINA|HAN|||| ||||||||Work|0||Late Western Han period.|||Excavated in 1969.|||||Excavated at Jianxi Xilihe, near Luoyang, Henan province.||0|0|Lamp in the Form of aTree| 6414.00|0|Creator|15|CHINA|POT|HAN||CHINA POT HAN |Imaginary Tree|Descriptive|Image Source (Pub)|||||||Imaginary Tree|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0|||||Tomb M8, Sijian'gou, Henan Province, China|Near||10739|Ceramics|Ceramic|Lamp (lighting device)|Tool|BCE|-1|||-99|-01|ca|1st century BCE|ca -99 - -01|||||0||||0|||||Green and red glazed ceramic|ceramic|||||ceramics|coloring|glazing (coating)|||63 cm high||9683|Zhengzhou: Henan Provincial Museum|Zhengzhou: Henan Provincial Museum||Lamps ; Archaeology ; Trees ; Tools ; Figures (representations) ; Animals ; |Lamps|Archaeology|Trees|Tools|Figures (representations)|Animals||||Cornell||BZ|MNW|4/19/2006 0:00:00|3/27/2006 0:00:00||||0|||||||POT|||CHINA|HAN|||| ||||||||Work|0||Late Western Han period.|||Excavated in 1969.|||||Excavated from tomb M8 near Sijian'gou, Jiyuan county, Henan province (M8:10).||0|0|Imaginary Tree| 6415.00|0|Culture|07|F-07|Antioch|||F-07 Antioch |Border Decorations from Antioch Mosaics||Image Source (Pub)|||||||Border Decorations from Antioch Mosaics|0|||||0||||0|||||Roman|||Roman Period|||Asia||Turkey||||||0||||0||||0||||0|Mosaics|Diagram|Mosaic|||||||||||||||0||||0|||||||||||mosaic|||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|3/28/2006 0:00:00||||0||||||Antioch|F|||07|||||||||||||Work|0|Mosaics-Roman|||||||||||0|0|Border Decorations from Antioch Mosaics| 6416.00|0||||||||Landscape with the Nymph Egeria Mourning over Numa|Assigned|Cataloger|||||||Landscape with the Nymph Egeria Mourning over Numa|7236|Lorrain, Claude||painter|Claude Lorrain|0||||0|||||French|||Baroque|||Europe||France||||||0||||0||||0||||0|Drawings|Drawing||||17|||1669|1669|ca|ca 1669|ca 1669-1669|||||0||||0|||||||||||drawing (image-making)|||||||3484|Chatsworth: Duke of Devonshire and Chatsworth House Trust|Chatsworth: Duke of Devonshire||Landscapes ; Egeria changed into a fountain ; |Landscapes|Egeria changed into a fountain||||||||Cornell||JNK|JNK|3/28/2006 0:00:00|3/28/2006 0:00:00|L876|||0||||||||||||||| |||||||||0||||||||||||0|0|Landscape with the Nymph Egeria Mourning over Numa|Lorrain, Claude 6417.00|0|Creator|15|CHINA|POT|HAN||CHINA POT HAN |Model of a Well|Descriptive|Image Source (Pub)|||||||Model of a Well|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0|Yanshi, Henan Province, China|||10740|Yanshi, Henan Province, China|||10740|Ceramics|Ceramic|Well (structure)|Model (representation)||2|3||25|220||25-220|25-220|||||0||||0|||||Ceramic|ceramic|||||ceramics|glazing (coating)||||24.5 x 17 cm||9683|Zhengzhou: Henan Provincial Museum|Zhengzhou: Henan Provincial Museum||Models (representations) ; Vessels ; Tools ; Wells (structures) ; |Models (representations)|Vessels|Tools|Wells (structures)||||||Cornell||BZ|MNW|4/19/2006 0:00:00|3/28/2006 0:00:00||||0|||||||POT|||CHINA|HAN|||| ||||||||Work|0||Eastern Han period.|||Found in 1960.|||||Found in Yangshi, Henan province (0278).||0|0|Model of a Well| 6418.00|0|Creator|15|CHINA|POT|HAN||CHINA POT HAN |Brick Decorated with the Queen Mother of the West (Xi Wang Mu)|Descriptive|Image Source (Pub)|||||||Brick Decorated with the Queen Mother of the West (Xi Wang Mu)|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0|||||Tomb M1, Qingbaixiang, Sichuan Province, China|||10741|Ceramics|Ceramic|Brick|Figure (representation)||2|3||25|220||25-220|25-220|||||0||||0|||||Ceramic|ceramic|||||ceramics|||||41 x 47 cm||9695|Chengdu, Sichuan Provincial Museum|Chengdu: Sichuan Provincial Museum||Figures (representations) ; Clouds ; Animals ; |Figures (representations)|Clouds|Animals|||||||Cornell||BZ|MNW|4/19/2006 0:00:00|3/28/2006 0:00:00||||0|||||||POT|||CHINA|HAN|||| ||||||||Work|0||Eastern Han period.|||Excavated in 1954.|||||Excavated from tomb M1 at Qingbaixiang, Xindu county, Sichuan province.||0|0|Brick Decorated with the Queen Mother of the West (Xi Wang Mu)| 6419.00|0|Creator|15|CHINA|POT|HAN||CHINA POT HAN |Bricks with Figures of The Moon Deity (Yueshen) and the Sun Deity (Rishen)|Descriptive|Image Source (Pub)|||||||Bricks with Figures of The Moon Deity (Yueshen) and the Sun Deity (Rishen)|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0|||||Chengdu, China|Near||10735|Ceramics|Ceramic|Brick|Figure (representation)||2|3||25|220||25-220|25-220|||||0||||0|||||Ceramic|ceramic|||||ceramics|||||49 x 28 cm each||9695|Chengdu, Sichuan Provincial Museum|Chengdu: Sichuan Provincial Museum||Moon ; Sun ; Figures (representations) ; |Moon|Sun|Figures (representations)|||||||Cornell||BZ|MNW|4/19/2006 0:00:00|3/28/2006 0:00:00||||0|||||||POT|||CHINA|HAN|||| ||||||||Work|0||Eastern Han period.|||Excavated in 1965.|||||Excavated near Chengdu, Sichuan province.||0|0|Bricks with Figures of The Moon Deity (Yueshen) and the Sun Deity (Rishen)| 6420.00|0|Site|02|B-G1|Stou|7.1 |4-4|B-G1 Stou 7.1 4-4|Landscape with Egeria mourning over Numa|Assigned|Image Source (Pub)|No. 175, From the Original Drawing in the Collection of the Duke of Devonshire|Inscribed|Artist||||Landscape with Egeria mourning over Numa|31170|Earlom, Richard||printmaker|Richard Earlom after Claude Lorrain|7236|Lorrain, Claude|after|painter|31174|Boydell, John||engraver||English||||||Europe||England||||||0||||0||||0||||0|Prints|Engraving (print)||||18|||1776|1776|bef|bef 1776|bef 1776-1776|||||0||||0|||||Engraving||||||engraving (incising)|||||||||||Landscapes ; Egeria changed into a fountain ; |Landscapes|Egeria changed into a fountain||||||||Cornell||JNK|JNK|3/28/2006 0:00:00|3/28/2006 0:00:00||Stou||0|||||||B|||||G1|7.1||||||||||Work|0|Architecture-England|Published in 1776 by John Boydell, engraver in Cheapside||||||||||0|0|Landscape with Egeria mourning over Numa;No. 175, From the Original Drawing in the Collection of the Duke of Devonshire|Earlom, Richard;Lorrain, Claude;Boydell, John 6421.00|0|Creator|15|CHINA|POT|HAN||CHINA POT HAN |Brick Decorated in Relief with Acrobats|Descriptive|Image Source (Pub)|||||||Brick Decorated inRelief with Acrobats|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0|||||Xinye, China|||10742|Ceramics|Ceramic|Relief|Figure (representation)|BCE|-3|-2|-1|-206|220||206 BCE-220 AD|-206-220|||||0||||0|||||Ceramic brick|ceramic|brick||||ceramics|carving|relief|||62 x 32 x 5 cm||9683|Zhengzhou: Henan Provincial Museum|Zhengzhou: Henan Provincial Museum||Figures (representations) ; Horses ; Chariots (ancient vehicles) ; Acrobats ; |Figures (representations)|Horses|Chariots (ancient vehicles)|Acrobats||||||Cornell||BZ|MNW|4/19/2006 0:00:00|3/28/2006 0:00:00||||0|||||||POT|||CHINA|HAN|||| ||||||||Work|0|||||Excavated in 1981.|||||Excavated at Xinye, Henan province.||0|0|Brick Decorated in Relief with Acrobats| 6422.00|0|Architect|03|MA-Behrens|1.0|1910 AEGPros||MA-Behrens 1.0 1910 AEGPros |AEG Metalldraht-Lampe|Published|Image Source (Pub)|||||||AEG Metalldraht-Lampe|942|Behrens, Peter||architect|Peter Behrens|0||||0|||||German|||Jugenstil|||Europe||Germany||||||0||||0||||0||||0|Publications|Publication|Pamphlet|||20|||1910|1910||1910|1910-1910|||||0||||0|||||Offset lithograph||||||offset printing|||||||||||Lamps (lighting device components) ; |Lamps (lighting device components)|||||||||Cornell||MNW|JNK|3/30/2006 0:00:00|3/28/2006 0:00:00|Behrens|||0||||||AEGPros|MA||||||1.0|1910|||||||||Work|0|Modern Architecture|Design for the cover of an AEG prospectus.||||||||||0|0|AEG Metalldraht-Lampe|Behrens, Peter 6423.00|0|Creator|15|CHINA|POT|HAN||CHINA POT HAN |Brick Decorated in Relief with Scene of Alcohol Production|Descriptive|Image Source (Pub)|||||||Brick Decorated in Relief with Scene of Alcohol Production|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0|||||Xinlongxiang, Henan Province, China|||10743|Ceramics|Ceramic|Relief|Figure (representation)||2|3||25|220||25-220|25-220|||||0||||0|||||Ceramic brick|ceramic|color (pigment)|brick|||ceramics|carving|coloring|||50 x 28 cm||9695|Chengdu, Sichuan Provincial Museum|Chengdu: Sichuan Provincial Museum||Figures (representations) ; Alcohol ; Distillation ; Vessels ; Alcoholic beverages ; Reliefs ; |Figures (representations)|Alcohol|Distillation|Vessels|Alcoholic beverages|Reliefs||||Cornell||BZ|MNW|4/19/2006 0:00:00|3/28/2006 0:00:00||||0|||||||POT|||CHINA|HAN|||| ||||||||Work|0||Eastern Han period.|||Excavated in 1979.|||||Excavated at Xinlongxiang, Xindu county, Sichuan province.||0|0|Brick Decorated in Relief with Scene of Alcohol Production| 6424.00|0|Site|02|B-G1|Stou|7.1 |4-3|B-G1 Stou 7.1 4-3|Henry Hoare II and Benjamin Hoare with Hounds|Assigned|Image Source (Pub)|||||||Henry Hoare II and Benjamin Hoare with Hounds|31169|Wootton, John||painter|John Wootton|0||||0|||||British|English|||||Europe||England||||||0||||0||||0||||0|Paintings|Painting||||18||||||||||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||203.2 x 152.4 cm||4976|Stourhead: National Trust|Stourhead: Nat. Trust||Hoare, Henry, 1705-1785 ; Hunting ; Dogs ; |Hoare, Henry, 1705-1785|Hunting|Dogs|||||||Cornell||JNK|JNK|3/28/2006 0:00:00|3/28/2006 0:00:00||Stou||0|||||||B|||||G1|7.1|| ||||||||Work|0|Architecture-England|Henry Hoare II is picture at the left.||||||||||0|0|Henry Hoare II and Benjamin Hoare with Hounds|Wootton, John 6426.00|0|Creator|15|CHINA|POT|HAN||CHINA POT HAN |Brick Decorated in Relief with Scene of the Sale Of Alcoholic Drinks|Descriptive|Image Source (Pub)|||||||Brick Decorated in Relief with Scene of the Sale Of Alcoholic Drinks|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0|||||Yihexiang, Sichuan Province, China|||10745|Ceramics|Ceramic|Brick|Figure (representation)||2|3||25|220||25-220|25-220|||||0||||0|||||Ceramic brick|ceramic|brick||||ceramics|carving|relief|||42 x 34 cm||9695|Chengdu, Sichuan Provincial Museum|Chengdu: Sichuan Provincial Museum||Figures (representations) ; Alcoholic beverages ; Vessels ; Wine ; Stores ; Drinking ; Reliefs ; |Figures (representations)|Alcoholic beverages|Vessels|Wine|Stores|Drinking|Reliefs|||Cornell||BZ|MNW|4/19/2006 0:00:00|3/28/2006 0:00:00||||0|||||||POT|||CHINA|HAN|||| ||||||||Work|0||Eastern Han period.|||Excavated in 1985.|||||Excavated at Yihexiang, Peng county, Sichuan province.||0|0|Brick Decorated in Relief with Scene of the Sale Of Alcoholic Drinks| 6437.00|0|Architect|03|MA-Scharoun|7.5|Schm||MA-Scharoun 7.5 Schm |Schminke House|Published|Dict.Art|||||||Schminke House|13316|Hans Scharoun||architect|Hans Scharoun|0||||0|||||German|||International Style|||Europe||Germany||||||0|Löbau, Germany|||10114||||0||||0|Architecture|House||||20|||1932|1933||1932-1933|1932-1933|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||MNW|JNK|3/30/2006 0:00:00|3/29/2006 0:00:00|Scharoun|Lob||0||||||Schm|MA||||||7.5||||||||||Work|0|Modern Architecture|||||||||||0|0|Schminke House|Hans Scharoun 6438.00|0|Architect|03|MA-Scarpa|4.4|1955-7 Gips||MA-Scarpa 4.4 1955-7 Gips |Gipsoteca Canoviana|Published|Dict.Art|||||||Gipsoteca Canoviana|10456|Scarpa, Carlo||architect|Carla Scarpa|0||||0|||||Italian|||Modernist|||Europe||Italy||||||0|Possagno, Italy|||10754||||0||||0|Architecture|Museum||||20|||1955|1957||1955-1957|1955-1957|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|JNK|3/30/2006 0:00:00|3/29/2006 0:00:00|Scarpa|||0||||||Gips|MA||||||4.4|1955-7|||||||||Work|0|Modern Architecture|Scarpa modified the Gipsoteca Canoviana. DOA.||||||||||0|0|Gipsoteca Canoviana|Scarpa, Carlo 6439.00|0|Architect|08|O-Archigram|12|||O-Archigram 12|Plug-in City|Assigned|Image Source (Pub)|||||||Plug-in City|2563|Cook, Peter||architect|Peter Cook (Archigram)|27622|Archigram||firm|0|||||British||||||Europe||United Kingdom||||||0||||0||||0||||0|Architecture|Architectural drawing||||20|||1964|1964||1964|1964-1964|||||0||||0|||||||||||architectural drawing|||||||||||Urban planning ; Cities ; Architectural theory ; |Urban planning|Cities|Architectural theory|||||||Cornell||MNW|CLL|3/30/2006 0:00:00|3/29/2006 0:00:00|Archigram|||0|||||||O||||||||||||||||Work|0||||||||||||0|0|Plug-in City|Cook, Peter;Archigram 6440.00|0|Architect|03|MA-Koenig|7.5|1958|Case|MA-Koenig 7.5 1958 Case|Case Study House #21|Published|Dict.Art|||||||Case Study House 21|6418|Koenig, Pierre||architect|Pierre Koenig|0||||0|||||American||||||North and Central America||United States||||||0|9038 Wonderland Park Avenue, Los Angeles, CA|||10755||||0||||0|Architecture|Houses||||10|||1958|1858||1958|1958-1858|||||0||||0||||||||||||||||||||||Houses ; Case Study House No. 21 (Los Angeles, Calif.) ; |Houses|Case Study House No. 21 (Los Angeles, Calif.)||||||||Cornell||MNW|GB|11/20/2006 0:00:00|3/29/2006 0:00:00|Koenig|||0||||||Case|MA||||||7.5|1958|||||||||Work|0||||||||||||0|0|Case Study House #21|Koenig, Pierre 6441.00|0|Culture|07|F-07|Alexandretta|||F-07 Alexandretta |Oceanus|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||Roman|||Late Antique|||Asia||Turkey||||||0||||0||||0||||0|Mosaics|Floor|Mosaic|||||||||||||||0||||0|||||||||||mosaic|||||||122|Antakya: Hatay Archeological Museum|Antakya: Hatay Archeo. Mus.||Oceanus ; |Oceanus|||||||||Cornell||HB|HB|6/16/2006 0:00:00|3/29/2006 0:00:00||||0||||||Alexandretta|F|||07||||| ||||||||Work|0|Mosaics-Roman|||||||||||0|0|Oceanus| 6442.00|0|Site|02|B-H3.1|Sel|3.4 Hera||B-H3.1 Sel 3.4 Hera |Temple E||Blue Guide|Temple of Hera||Blue Guide|||||0|||||0||||0|||||Greek|||Classical|||Europe|Sicily|Italy||||||0|Selinunte, Sicily|||10689||||0||||0|Architecture|Temple|||BCE|-5|||-490|-480|ca|ca 490-480 BCE|ca -490 - -480|||||0||||0||||||||||||||||67.7 x 25.3 m||||||||||||||||Cornell||HB|MNW|5/25/2006 0:00:00|3/29/2006 0:00:00||Sel||0||||||Hera|B|||||H3.1|3.4||||||||||Work|0|Architecture-Sicily|||||||||||0|0|Temple E;Temple of Hera| 6444.00|0|Site|02|B-H3.1|Sel|3.4 Hera||B-H3.1 Sel 3.4 Hera |Metope: Heracles and the Amazon||Image Source (Pub)|||||||Temple E. Metope: Heracles and the Amazon|0|||||0||||0|||||Greek|||Classical|||Europe|Sicily|Italy||||||0||||0|Selinunte, Sicily|||10689||||0|Architecture|Sculpture|Relief||BCE|-5|||-490|-480|ca|ca 490-480 BCE|ca -490 - -480||Temple E|LargerEntity||6442||||0|||||Limestone/Marble|limestone|marble||||sculpture|relief||||H = 1.62 m||9697|Palermo: Museo Archeologico Regionale "Antonio Salinas"|Palermo: Museo Archeologico||Hercules ; Amazons ; |Hercules|Amazons||||||||Cornell||HB|HB|6/5/2006 0:00:00|3/29/2006 0:00:00||Sel||0||||||Hera|B|||||H3.1|3.4|| ||||||||Work|0|Architecture-Sicily|||||||||||0|0|Metope: Heracles and the Amazon| 6445.00|0|Site|02|B-H3.1|Sel|3.4 Hera||B-H3.1 Sel 3.4 Hera |Metope: Artemis and Actaeon||Image Source (Pub)|||||||Temple E. Metope: Artemis and Actaeon|0|||||0||||0|||||Greek|||Classical|||Europe|Sicily|Italy||||||0||||0|Selinunte, Sicily|||10689|||||Architecture|Sculpture|Relief||BCE|-5|||-490|-480|ca|ca 490-480 BCE|ca -490 - -480||Temple E|LargerEntity||6442||||0|||||Limestone/Marble|limestone|marble||||sculpture|relief||||H = 1.62 m||9697|Palermo: Museo Archeologico Regionale "Antonio Salinas"|Palermo: Museo Archeologico||Artemis ; Dogs ; |Artemis|Dogs||||||||Cornell||HB|HB|6/5/2006 0:00:00|3/29/2006 0:00:00||Sel|Sel|0||||||Hera|B|||||H3.1|3.4|| ||||||||Work|0|Architecture-Sicily|||||||||||0|0|Metope: Artemis and Actaeon| 6446.00|0|Site|02|B-H3.1|Sel|3.4 Hera||B-H3.1 Sel 3.4 Hera |Metope: Zeus and Hera on Mount Ida||Image Source (Pub)|||||||Temple E. Metope: Zeus and Hera on Mount Ida|0|||||0||||0|||||Greek|||Classical|||Europe|Sicily|Italy||||||0||||0|Selinunte, Sicily|||10689||||0|Architecture|Relief|Sculpture||BCE|-5|||-490|-480|ca|ca 490-480 BCE|ca -490 - -480||Temple E|Larger entity||6442||||0|||||Limestone/Marble|limestone|marble||||sculpture|relief||||H = 1.62 m||9697|Palermo: Museo Archeologico Regionale "Antonio Salinas"|Palermo: Museo Archeologico||Zeus ; Hera ; |Zeus|Hera||||||||Cornell||HB|HB|6/16/2006 0:00:00|3/29/2006 0:00:00||Sel|Sel|0||||||Hera|B|||||H3.1|3.4|| ||||||||Work|0|Architecture-Sicily|||||||||||0|0|Metope: Zeus and Hera on Mount Ida| 6447.00|0|Site|02|B-H3.1|Sel|3.4 TempleC||B-H3.1 Sel 3.4 TempleC |Metope: Persues beheading Medusa||Image Source (Pub)|||||||Temple C. Metope: Persues beheading Medusa|0|||||0||||0|||||Greek|||Archaic (Greek)|||Europe|Sicily|Italy||||||0||||0|Selinunte, Sicily|||10689||||0|Architecture|Sculpture|Relief||BCE|-6|||-540|-520|ca|ca 530 BCE|ca -540--520 BCE||Temple C|LargerEntity||6109||||0|||||Limestone|limestone|||||sculpture|Relief||||H = 1.47 m||9697|Palermo: Museo Archeologico Regionale "Antonio Salinas"|Palermo: Museo Archeologico||||||||||||Cornell||HB|HB|6/5/2006 0:00:00|3/29/2006 0:00:00||Sel|Sel|0||||||TempleC|B|||||H3.1|3.4|| ||||||||Work|0|Architecture-Sicily|||||||||||0|0|Metope: Persues beheading Medusa| 6448.00|0|Category|11|W-02.2|NAmerInd/Pue Zun|||W-02.2 NAmerInd/Pue Zun |Pueblo of Zuni|Assigned|Online Resource|||||||Pueblo of Zuni|2778|Curtis, Edward Sheriff||photographer|Edward Sheriff Curtis|0||||0|||||Zuñi||||||North and Central America||United States||||||0||||||||0||||0|Photographs|Documentary photograph||||19|20||1903|1903|bef|bef 1903|bef 1903-1903|||||0||||0|||||Photograph||||||photography|||||||||||Pueblos (housing complexes) ; Zuni (N.M.) ; |Pueblos (housing complexes)|Zuni (N.M.)||||||||Cornell||JNK|MNW|5/11/2006 0:00:00|3/29/2006 0:00:00||||0||||||NAmerInd/Pue Zun|W|||02.2|||||||||||||Work|0||||||||||||0|0|Pueblo of Zuni|Curtis, Edward Sheriff 6449.00|0|Site|02|B-H3.1|Sel|3.4 Temp||B-H3.1 Sel 3.4 Temp |Metope: Rape of Europa||Image Source (Pub)|||||||Temple C. Metope: Rape of Europa|0|||||0||||0|||||Greek|||Archaic (Greek)|||Europe|Sicily|Italy||||||0||||0|Selinunte, Sicily|||10689||||0|Architecture|Sculpture|Relief||BCE|-6|||-570|-550|ca|ca 560 BCE|ca -570--550||Temple C|LargerEntity||6109||||0|||||Limestone|limestone|||||sculpture|relief||||H = 84.2 cm||9697|Palermo: Museo Archeologico Regionale "Antonio Salinas"|Palermo: Museo Archeologico||Europa ; Bulls ; |Europa|Bulls||||||||Cornell||HB|HB|6/5/2006 0:00:00|3/29/2006 0:00:00||Sel|Sel|0||||||Temp|B|||||H3.1|3.4|| ||||||||Work|0|Architecture-Sicily|Comes from an unknown temple at Selinunte destroyed before 409 BCE.||||||||||0|0|Metope: Rape of Europa| 6450.00|0|||32|I588-PA|1856|1|32 I588-PA 1856 1|The Lackawanna Valley|Assigned|Repository|||||||The Lackawanna Valley|5804|Inness, George||painter|George Inness|0||||0|||||American|||Hudson River School|||North and Central America||United States||||||0||||||||0||||0|Paintings|Painting|Landscape (representation)|||19|||1856|1856|ca|ca 1856|ca 1856-1856|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||86 x 127.5 cm||3367|Washington, DC: National Gallery of Art|Wash, DC: National Gallery||Landscapes ; Trains ; Railroads ; |Landscapes|Trains|Railroads|||||||Cornell||JNK|JNK|3/29/2006 0:00:00|3/29/2006 0:00:00|I588|||0||1945.4.1|||||32|PA|||||1856|| |||||||||0||||||||||||0|0||Inness, George 6451.00|0|Creator|15|32|C756|H427||32 C756 H427 |The Hay Wain|Assigned|Repository|||||||The Hay Wain|2549|Constable, John||painter|John Constable|0||||0|||||English|British|||||Europe||England||||||0|London, England|||0||||0||||0|Paintings|Painting|Landscape (representation)|||19|||1821|1821||1821|1821-1821|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||130.2 x 185.4 cm||3357|London: National Gallery|London: National Gallery||Landscapes ; |Landscapes|||||||||Cornell||JNK|JNK|3/29/2006 0:00:00|3/29/2006 0:00:00|C756|||0||NG1207|||||32||||||H427|| ||||||||Work|0||||||||||||0|0|The Hay Wain|Constable, John 6452.00|0|Architect|03|MA-Costa|1.04|1957 Bras||MA-Costa 1.04 1957 Bras |Brasilia Master Plan|Descriptive|Image Source (Pub)|||||||Brasilia Master Plan|2634|Costa, Lucio||architect|Lucio Costa|0||||0|||||Brazilian|||Modernist|||South America||Brazil||||||0||||0||||0||||0|Architecture|Municipal building|Comprehensive plan|||20|||1957|1957||1957|1957-1957|||||0||||0||||||||||||||||||||||Urban planning ; Urban sprawl ; Brasi´lia (Brazil) ; Comprehensive plans ; |Urban planning|Urban sprawl|Brasi´lia (Brazil)|Comprehensive plans||||||Cornell||MNW|MNW|8/21/2006 0:00:00|3/29/2006 0:00:00|Costa|||0||||||Bras|MA||||||1.04|1957|||||||||Work|0|Modern Architecture|||||||||||0|0|Brasilia Master Plan|Costa, Lucio 6453.00|0|Category|15|32|D9486-PA|1865|1|32 D9486-PA 1865 1|A Creek in the Woods|Assigned|Repository|||||||A Creek in the Woods|3386|Durand, Asher Brown||painter|Asher Durand|0||||0|||||American|||Hudson River School|||North and Central America||United States||||||0||||||||0||||0|Paintings|Painting|Landscape (representation)|||19|||1865|1865||1865|1865-1865|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||101.6 x 81.9 cm||9670|Madrid: Museo Thyssen-Bornemisza|Madrid: Mus. Thyssen-Bornemisza||Landscapes ; |Landscapes|||||||||Cornell||JNK|JNK|3/29/2006 0:00:00|3/29/2006 0:00:00|D9486|||0|||||||32|PA|||||1865|| ||||||||Work|0||||||||||||0|0||Durand, Asher Brown 6454.00|0|Creator|15|30|G142-|L263||30 G142- L263 |Landscape with Milkmaids and Cattle|Assigned|Repository|||||||Landscape with Milkmaids and Cattle|31176|Gainsborough, Dupont||painter|Dupont Gainsborough|0||||0|||||English|British|||||Europe||England||||||0|Boston, MA|||0||||0||||0|Paintings|Painting|Landscape (representation)|||18|||1754|1797|ca|ca 1754-1797|ca 1754-1797|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||121.3 x 147 cm||428|Boston: Museum of Fine Arts|Boston: MFA||Landscapes ; Cattle ; |Landscapes|Cattle||||||||Cornell||JNK|JNK|3/29/2006 0:00:00|3/29/2006 0:00:00|G142|||0||49.553|||||30||||||L263|| ||||||||Work|0||||||||||||0|0|Landscape with Milkmaids and Cattle|Gainsborough, Dupont 6455.00|0|Creator|15|32|R866|U550|||Under the Birches, Evening|Assigned|Image Source (Pub)|||||||Under the Birches, Evening|31177|Rousseau, Théodore||painter|Théodore Rousseau|0||||0|||||French|||Barbizon School|||Europe||France||||||0||||||||0||||0|Paintings|Painting|Landscape (representation)|||19|||1842|1843||1842-1843|1842-1843|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||||3349|Toledo, OH: Museum of Art|Toledo, OH: Mus. of Art||Landscapes ; Trees ; |Landscapes|Trees||||||||Cornell||JNK|JNK|3/29/2006 0:00:00|3/29/2006 0:00:00||||0|||||||32|||||||| ||||||||Work|0||||||||||||0|0||Rousseau, Théodore 6456.00|0||||||||Salt Marshes, Newburyport, Massachusetts|Assigned|Repository|Salt Marshes, Newport, Rhode Island|Former|Repository||||Salt Marshes, Newburyport, Massachusetts|5241|Heade, Martin Johnson||painter|Martin Johnson Heade|0||||0|||||American|||Luminist|||North and Central America||United States||||||0|Boston, MA|||0||||0||||0|Paintings|Painting|Landscape (representation)|||19|||1866|1876|ca|ca 1866-1876|ca 1866-1876|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||39.37 x 76.83 cm||428|Boston: Museum of Fine Arts|Boston: MFA||Landscapes ; |Landscapes|||||||||Cornell||JNK|JNK|3/29/2006 0:00:00|3/29/2006 0:00:00||||0||47.1152||||||||||||| |||||||||0||||||||||||0|0|Salt Marshes, Newburyport, Massachusetts;Salt Marshes, Newport, Rhode Island|Heade, Martin Johnson 6457.00|0||||||||Approaching Storm: Beach near Newport|Assigned|Repository|||||||Approaching Storm: Beach near Newport|5241|Heade, Martin Johnson||painter|Martin Johnson Heade|0||||0|||||American|||Luminist|||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting|Landscape (representation)|||19|||1861|1862|ca|ca 1861-1862|ca 1861-1862|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||71.12 x 148.27 cm||428|Boston: Museum of Fine Arts|Boston: MFA||Landscapes ; Oceans ; Beaches ; |Landscapes|Oceans|Beaches|||||||Cornell||JNK|JNK|3/29/2006 0:00:00|3/29/2006 0:00:00||||0||45.889||||||||||||| |||||||||0||||||||||||0|0|Approaching Storm: Beach near Newport|Heade, Martin Johnson 6458.00|0||||||||Cotopaxi|||||||||Cotopaxi|2321|Church, Frederic Edwin||painter|Frederic Edwin Church|0||||0|||||American|||Luminist|||North and Central America||United States||||||0|Detroit, MI|||0||||0||||0|Paintings|Painting|Landscape (representation)|||19|||1862|1862||1862|1862-1862|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||121.9 x 215.9 cm||9483|Detroit, MI: Detroit Institute of Arts|Detroit, MI: Inst. A.||Landscapes ; Mountains ; Cotopaxi (volcano) ; |Landscapes|Mountains|Cotopaxi (volcano)|||||||Cornell||JNK|JNK|3/29/2006 0:00:00|3/29/2006 0:00:00||||0||76.89||||||||||||| |||||||||0||||||||||||0|0||Church, Frederic Edwin 6459.00|0|Creator|15|32|B588-PA|1864|2|32 B588-PA 1864 2|Mirror Lake, Yosemite Valley|Assigned|Repository|||||||Mirror Lake, Yosemite Valley|1158|Bierstadt, Albert||painter|Albert Bierstadt|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting|Landscape (representation)|||19|||1864|1864||1864|1864-1864|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||55.2 x 76.5 cm||3306|Santa Barbara: Santa Barbara Museum of Art|Santa Barbara: Mus. Art||Mountains ; Mirror Lake (Mariposa County, Calif.) ; Yosemite Valley (Calif.) ; |Mountains|Mirror Lake (Mariposa County, Calif.)|Yosemite Valley (Calif.)|||||||Cornell||JNK|JNK|3/30/2006 0:00:00|3/30/2006 0:00:00|B588|||0||1960.51|||||32|PA|||||2|| |1864|||||||Work|0||||||||||||0|0|Mirror Lake, Yosemite Valley|Bierstadt, Albert 6528.00|0|Site|02|B-H3|Rom|3.3 ViaPor||B-H3 Rom 3.3 ViaPor |Tomb in the Via Portuense||||||||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Sculpture|Funerary object|Tomb|Sarcophagus|CE|2|||150|170|ca|ca 160 CE|ca 150-170|||||0||||0|||||||||||mural painting|painting (image-making)||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|4/12/2006 0:00:00||Rom||0||||||ViaPor|B|||||H3|3.3||||||||||Work|0|Architecture-Italy|||||||||||0|0|Tomb in the Via Portuense| 6529.00|0|Site|02|B-H3|Rom|3.3 ViaPor||B-H3 Rom 3.3 ViaPor |Blessed Souls at Play in Elysium|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0||||0||||0||||0|Paintings|Painting|Mural||CE|2|||150|170|ca|ca 160 CE|ca 150-170|||||0||||0|||||||||||mural painting|painting (image-making)||||2.90 x 2.26 m||2421|Rome: Museo Nazionale Romano|Rome: Mus. Naz. Romano||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|4/12/2006 0:00:00||Rom||0||||||ViaPor|B|||||H3|3.3|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Blessed Souls at Play in Elysium| 6530.00|0|Creator|07|MA-Bauhaus|4.2|Furniture|7|MA-Bauhaus 4.2 Furniture 7|Easy Chair|Assigned|Print Publication|Slatted Chair|Variant|Repository||||Easy Chair|1564|Breuer, Marcel Lajos||architect|Marcel Breuer|0||||0|||||German|||Bauhaus|||Europe||Germany||||||0||||0||||0||||0|Furnishings|Chair||||20|||1922|1924||1922-1924|1922-1924|||||0||||0|||||Frame: polished cherry. Straps and seat material: horsehair|cherry (wood)||||||||||96 x 56 x 57 cm||||||Chairs ; |Chairs|||||||||Cornell||JNK|JNK|4/12/2006 0:00:00|4/12/2006 0:00:00|Bauhaus|||0||||||Furniture|MA||||||4.2||7||||||||Work|0|Modern Architecture-|Design inspired by the work of Gerrit Rietveld.||||||||||0|0|Easy Chair;Slatted Chair|Breuer, Marcel Lajos 6460.00|0|Creator|15|32|B588-PA|1868|2|32 B588-PA 1868 2|Sunset in the Yosemite Valley|Assigned|Repository|||||||Sunset in the Yosemite Valley|1158|Bierstadt, Albert||painter|Albert Bierstadt|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting|Landscape (representation)|||19|||1868|1868||1868|1868-1868|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||92 x 132.7 cm||4166|Stockton, CA: Haggin Museum|Stockton, CA: Haggin Museum||Landscapes ; Yosemite Valley (Calif.) ; |Landscapes|Yosemite Valley (Calif.)||||||||Cornell||JNK|JNK|3/30/2006 0:00:00|3/30/2006 0:00:00|B588|||0|||||||32|PA||||||| |1868|||||||Work|0||||||||||||0|0|Sunset in the Yosemite Valley|Bierstadt, Albert 6461.00|0|Creator|15|32|B588-PA|1864|3|32 B588-PA 1864 3|Valley of the Yosemite|Assigned|Repository|||||||Valley of the Yosemite|1158|Bierstadt, Albert||painter|Albert Bierstadt|0||||0|||||American||||||North and Central America||United States||||||0|Boston, MA|||0||||0||||0|Paintings|Painting|Landscape (representation)|||19|||1864|1864||1864|1864-1864|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||29.8 x 48.9 cm||428|Boston: Museum of Fine Arts|Boston: MFA||Yosemite Valley (Calif.) ; Landscapes ; |Yosemite Valley (Calif.)|Landscapes||||||||Cornell||JNK|JNK|3/30/2006 0:00:00|3/30/2006 0:00:00|B588|||0||47.1236|||||32|PA|||||3|| |1864|||||||Work|0||||||||||||0|0||Bierstadt, Albert 6462.00|0|Creator|15|50|O875-|W819||50 O875- W819 |Witches Rocks, Echo, UT|Assigned|Image Source (Pub)|||||||Witches Rocks, Echo, UT|8650|O'Sullivan, Timothy H.||photographer|Timothy H. O'Sullivan|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Photographic print||||19|||1869|1869||1869|1869-1869|||||0||||0|||||Black and white photograph||||||photography|||||||||||Landscapes ; |Landscapes|||||||||Cornell||JNK|MNW|4/24/2006 0:00:00|3/30/2006 0:00:00|O875|||0||||||W819|50||||||||||||||||Work|0||||||||||||0|0|Witches Rocks, Echo, UT|O'Sullivan, Timothy H. 6463.00|0|Site|02|B-H3|Pae|3.4 Foce||B-H3 Pae 3.4 Foce |Heraion, Foce del Sele||Image Source (Pub)||||||||0|||||0||||0|||||Greek|||Archaic (Greek)|||Europe||Italy||||||0||||0|Paestum, Italy|Near||10067||||0|Architecture|Archaeological site|||BCE|-6|-5||-550|-450|ca|ca 500 BCE|ca -550 - -450|||||0||||0|||||Sandstone|sandstone|||||sculpture|relief||||H = 85 cm||4358|Paestum: Museo Archeologico Nazionale|Paestum: Mus. Archeo. Naz.||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|3/31/2006 0:00:00||Pae|Pae|0||||||Foce|B|||||H3|3.4|| ||||||||Work|0|Architecture-Italy|The remains of the Heraion are near the ancient site of Paestum, at the mouth of the river Sele.||||||||||0|0|Heraion, Foce del Sele| 6464.00|0|Site|02|B-H3|Pae|3.3 Tomb||B-H3 Pae 3.3 Tomb |Wall Painting from Chamber Tomb||Image Source (Pub)||||||||0|||||0||||0|||||Greek|||Hellenistic|||Europe||Italy||||||0||||0|Paestum, Italy|||10067||||0|Paintings|Painting|Mural||BCE|-3|||-300|-200|ca|3rd Century BCE|ca -300 - -200|||||0||||0|||||||||||painting (image-making)|mural painting||||||4358|Paestum: Museo Archeologico Nazionale|Paestum: Mus. Archeo. Naz.||Gladiators ; |Gladiators|||||||||Cornell||HB|HB|6/16/2006 0:00:00|3/31/2006 0:00:00||Pae|Pae|0||||||Tomb|B|||||H3|3.3|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Wall Painting from Chamber Tomb| 6465.00|0|Creator|15|CHINA|POT|HAN||CHINA POT HAN |Kneeling Woman|Descriptive|Image Source (Pub)|||||||Kneeling Woman|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0|||||Pi County, Sichuan Province, China|||10752|Ceramics|Ceramic|Pottery|Figure (representation)||2|||175|199|ca|Late 2nd century|ca 175-199|||||0||||0|||||Ceramic with red pigment|ceramic|pigment||||ceramics|carving||||58 cm high||9695|Chengdu, Sichuan Provincial Museum|Chengdu: Sichuan Provincial Museum||Figures (representations) ; Women ; |Figures (representations)|Women||||||||Cornell||BZ|MNW|4/19/2006 0:00:00|4/3/2006 0:00:00||||0|||||||POT|||CHINA|HAN|||| ||||||||Work|0||Late Eastern Han period.|||Excavated in 1964.|||||Excavated in Pi County, Sichuan Province.||0|0|Kneeling Woman| 6466.00|0|Creator|15|CHINA|POT|HAN||CHINA POT HAN |Standing Woman|Descriptive|Image Source (Pub)|||||||Standing Woman|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0|||||Majiashan, Sanhexiang, Sichuan Province, China|||10751|Ceramics|Ceramic|Pottery|Figure (representation)||2|||175|199|ca|Late 2nd century|ca 175-199|||||0||||0|||||ceramic|ceramic|||||ceramics|carving||||63cm height||9696|Sichuan: Xindu County Cultural Relics Bureau|Sichuan: Xindu County Cultural Relics Bureau||Figures (representations) ; Women ; |Figures (representations)|Women||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|4/3/2006 0:00:00||||0|||||||POT|||CHINA|HAN|||| ||||||||Work|0||Late Eastern Han period.|||Excavated in 1982.|||||Excavated t Majiashan, Xindu county Sichuan province.||0|0|Standing Woman| 6467.00|0|Creator|15|CHINA|CALL|HAN||CHINA CALL HAN |Two Fragments of the Xiping Stone Canon|Descriptive|Image Source (Pub)|||||||Two Fragments of the Xiping Stone Canon|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0||||0||||0|Calligraphy|Calligraphy||||2|3||25|220||25-220|25-220|||||0||||0|||||Stone|stone|||||carving|||||15 x 12.2/10.5 x 4.8/4.5 cm||9690|Henan: Luoyang City Museum|Henan: Luoyang City Museum||Calligraphy ; Stone ; Carving ; |Calligraphy|Stone|Carving|||||||Cornell||BZ|MNW|4/24/2006 0:00:00|4/3/2006 0:00:00||||0|||||||CALL|||CHINA|HAN|||| ||||||||Work|0||Eastern Han period.||||||||||0|0|Two Fragments of the Xiping Stone Canon| 6468.00|0|Creator|15|CHINA|POT|HAN||CHINA POT HAN |Figure of a Farmer with Spade and Shovel|Descriptive|Image Source (Pub)|||||||Figure of a Farmer with Spade and Shovel|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0|||||Xinjin, China|||10759|Ceramics|Ceramic|Tool|Figure (representation)||2|3||25|220||25-220|25-220|||||0||||0|||||Ceramic|ceramic|||||ceramics|carving||||83 cm high||9695|Chengdu, Sichuan Provincial Museum|Chengdu: Sichuan Provincial Museum||Figures (representations) ; Men (male humans) ; Farming ; Tools ; Shovels ; |Figures (representations)|Men (male humans)|Farming|Tools|Shovels|||||Cornell||BZ|MNW|4/24/2006 0:00:00|4/3/2006 0:00:00||||0|||||||POT|||CHINA|HAN|||| ||||||||Work|0||Eastern Han period.|||Excavated in 1957.|||||Excavated in Xinjin, Sichuan province.||0|0|Figure of a Farmer with Spade and Shovel| 6469.00|0|Creator|15|CHINA|POT|HAN||CHINA POT HAN |Figure of a Tomb Guardian|Descriptive|Image Source (Pub)|||||||Figure of a Tomb Guardian|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0|||||Chengdu, China|Near||10735|Ceramics|Ceramic|Pottery|Figure (representation)||2|3||25|220||25-220|25-220|||||0||||0|||||Ceramic|ceramic|||||ceramics|carving||||44 cm high||9695|Chengdu, Sichuan Provincial Museum|Chengdu: Sichuan Provincial Museum||Figures (representations) ; Men (male humans) ; Guardsmen ; |Figures (representations)|Men (male humans)|Guardsmen|||||||Cornell||BZ|MNW|4/24/2006 0:00:00|4/3/2006 0:00:00||||0|||||||POT|||CHINA|HAN|||| ||||||||Work|0||Eastern Han period.|||Found in 1965.|||||Found near Chengdu, Sichuan province.||0|0|Figure of a Tomb Guardian| 6470.00|0|Creator|15|CHINA|POT|HAN||CHINA POT HAN |Model of a Rice Field|Descriptive|Image Source (Pub)|||||||Model of a Rice Field|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0|||||Xinjin, China|||10759|Ceramics|Ceramic|Pottery|Farm||2|3||25|220||25-220|25-220|||||0||||0|||||Clay|clay|||||ceramics|carving||||55 x 36 cm||9695|Chengdu, Sichuan Provincial Museum|Chengdu: Sichuan Provincial Museum||Models (representations) ; Farms ; Fish ponds ; Fish ; Agricultural land ; |Models (representations)|Farms|Fish ponds|Fish|Agricultural land|||||Cornell||BZ|MNW|4/24/2006 0:00:00|4/3/2006 0:00:00||||0|||||||POT|||CHINA|HAN|||| ||||||||Work|0||Eastern Han period.|||Excavated in 1965.|||||Excavated in Xinjin, Sichuan province.||0|0|Model of a Rice Field| 6471.00|0|Creator|15|CHINA|POT|HAN||CHINA POT HAN |Model of o Pond|Descriptive|Image Source (Pub)|||||||Model Of A Pond|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0|||||Suining, Sichuan Province, China|||10760|Ceramics|Ceramic|Model (representation)|Pottery||2|3||25|220||25-220|25-220|||||0||||0|||||Clay|clay|||||ceramics|carving||||51 x 31.5 cm||9695|Chengdu, Sichuan Provincial Museum|Chengdu: Sichuan Provincial Museum||Models (representations) ; Fish ; Fishponds ; Flowers ; Leaf (plant material) ; Water ; |Models (representations)|Fish|Fishponds|Flowers|Leaf (plant material)|Water||||Cornell||BZ|MNW|4/24/2006 0:00:00|4/3/2006 0:00:00||||0|||||||POT|||CHINA|HAN|||| ||||||||Work|0||Eastern Han period.|||Excavated in 1970.|||||Excavated in Suining, Sichuan province.||0|0|Model of o Pond| 6472.00|0|Site|02|B-B33|Olana|7.5 FEChurch||B-B33 Olana 7.5 FEChurch |Olana|Assigned|Dict.Art|Frederic Edwin Church Estate|Variant|Cataloger||||Olana (Frederic Edwin Church Estate)|12198|Vaux, Calvert||architect|Calvert Vaux|2321|Church, Frederic Edwin||patron|0|||||American||||||North and Central America||United States||||||0|Hudson, NY|||10761||||0||||0|Architecture|House||||19|||1870|1872||1870-1872|1870-1872|||||0||||0||||||||||||||||||||||||||||||||Cornell||JNK|MNW|5/25/2006 0:00:00|4/3/2006 0:00:00||Olana||0||||||FEChurch|B|||||B33|7.5||||||||||Work|0|Architecture-New York (NY)|||||||||||0|0|Olana;Frederic Edwin Church Estate|Vaux, Calvert;Church, Frederic Edwin 6473.00|0|Site|02|B-R1|Manc|3.3 Lius||B-R1 Manc 3.3 Lius |Liu Sheng's Tomb|Descriptive|Image Source (Pub)|||||||Liu Sheng's Tomb|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0|Mancheng County, China|||10762||||0||||0|Architecture|Archaeological site|Tomb|Mausoleum|BCE|-2|||-113|||113 BCE|113 BCE|||||0||||0||||||||||||||||||||||Tombs ; Mausoleums ; Maps ; Archaeology ; |Tombs|Mausoleums|Maps|Archaeology||||||Cornell||BZ|MNW|4/3/2006 0:00:00|4/3/2006 0:00:00||Manc||0||||||Lius|B|||||R1|3.3||||||||||Work|0|Architecture-China|||||||||||0|0|Liu Sheng's Tomb| 6474.00|0|Creator|15|32|H4326-PA|1880|1|32 H4326-PA 1880 1|Cttleya Orchid and Three Brazilian Hummingbirds|Assigned|Repository|||||||Cttleya Orchid and Three Brazilian Hummingbirds|5241|Heade, Martin Johnson||painter|Martin Johnson Heade|0||||0|||||American|||Hudson River School|Luminist||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting|Landscape (representation)|||19|||1871|1871||1871|1871-1871|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||34.8 x 45.6 cm||3367|Washington, DC: National Gallery of Art|Wash, DC: National Gallery||||||||||||Cornell||JNK|JNK|4/3/2006 0:00:00|4/3/2006 0:00:00|H4326|||0||1982.73.1|||||32|PA|||||1880|| ||||||||Work|0||||||||||||0|0|Cttleya Orchid and Three Brazilian Hummingbirds|Heade, Martin Johnson 6475.00|0|Site|02|B-R1|Manc|3.3 Lius||B-R1 Manc 3.3 Lius |Liu Sheng's Tomb: The Central Chamber|Descriptive|Image Source (Pub)|||||||Liu Sheng's Tomb. The Central Chamber|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0|Mancheng County, China|||10762||||0||||0|Architecture|Archaeological site|Tomb|Mausoleum|BCE|-2|||-113|||113 BCE|113 BCE||Liu Sheng's Tomb|LargerEntity||6473||||0||||||||||||||||||||||Tombs ; Mausoleums ; |Tombs|Mausoleums||||||||Cornell||BZ|MNW|4/3/2006 0:00:00|4/3/2006 0:00:00||Manc||0||||||Lius|B|||||R1|3.3||||||||||Work|0|Architecture-China|||||||||||0|0|Liu Sheng's Tomb: The Central Chamber| 6476.00|0|Creator|15|CHINA|JADE|HAN||CHINA JADE HAN |Jade Burial Suits|Descriptive|Image Source (Pub)|||||||Jade Burial Suits|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0|Mancheng County, China|||10762||||0|Jewelry|Jade|Jewelry|Suitcase||2|3||25|220||25-220|25-220|||||0||||0|||||Jade, with gold,silver and bronze thread|jade|gold|silver|||carving|||||||9579|Shijiazhuang: Hebei Provincial Museum|Shijiazhuang: Hebei Provincial Museum||Figures (representations) ; Jewelry ; Pillows ; |Figures (representations)|Jewelry|Pillows|||||||Cornell||BZ|MNW|4/3/2006 0:00:00|4/3/2006 0:00:00|||Manc|0|||||||JADE|||CHINA|HAN|||| ||||||||Work|0||Found in Tombs of Liu Sheng and Dou Wan. Well preserved.||||||||||0|0|Jade Burial Suits| 6477.00|0|Category|07|Q-05.5|GE Att Early|||Q-05.5 GE Att Early |Model Granary|Collective Title|Image Source (Pub)||||||||0|||||0||||0|||||Greek|||Geometric|||Europe|Attica|Greece||||||0||||0||||0|Areopagus, Athens|||10764|Ceramics|Funerary object|||BCE|-9|||-860|-840|ca|ca 850 BCE|ca -860--840 BCE|||||0||||0|||||Terracotta|terracotta|||||ceramics|vase painting||||L = 44.5 cm; H = 25.3 cm||3472|Athens: Agora Museum|Athens: Agora Mus.||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|4/3/2006 0:00:00||||0||P27646a||||Att Early|Q|||05.5|GE|||| ||||||||Work|0|Ceramics-Greek|||||||||||0|0|Model Granary| 6478.00|0|Creator|15|CHINA|SC|HAN||CHINA SC HAN |Guardian Animal|Descriptive|Image Source (Pub)|||||||Guardian Animal|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0|||||Yichuan County, Henan Province, China|||10763|Sculpture|Sculpture||||2|3||25|220||25-220|25-220||Spirit Road To An Eastern Han Tomb|Larger entity||6744||||0|||||Stone|stone|||||sculpture|carving||||114cm x 175cm x 45cm||9698|Luoyang, Guanlin Stone Sculpture Museum|Luoyang: Guanlin Stone Sculpture Museum||Sculpture (visual work) ; Animals ; Lions ; |Sculpture (visual work)|Animals|Lions|||||||Cornell||BZ|BZ|5/15/2006 0:00:00|4/3/2006 0:00:00||||0|||||||SC|||CHINA|HAN|||| ||||||||Work|0||Eastern Han period. Large stone carvings like this one were set up along avenues, often known as Spirit Roads, leading to major tombs. Rawson, Mysteries, 217.||||||||Excavated in Yichuan county, Henan province.||0|0|Guardian Animal| 6479.00|0|Creator|15|CHINA|MTL|NEOLITHIC||CHINA MTL NEOLITHIC |Comparison of Bronze and Ceramic Ritual Vessels (He)|Descriptive|Image Source (Pub)|||||||Comparison of Bronze and Ceramic Ritual Vessels (He)|0|||||0||||0|||||Chinese|Erlitou||Neolithic|||Asia||China||||||0||||0|Erh-li-t'ou, China|||10712|||||Bronze; ceramic|Vessel|||BCE|-18|-17|-16|1700|1500|ca|ca 1700-1500 BCE|ca -1700 - -1500|||||0||||0|||||Bronze (left); ceramic (right)|bronze|ceramic||||metalworking|ceramics||||24.5 cm high (left); 25 cm high (right)||||||Vessels ; |Vessels|||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|4/3/2006 0:00:00||||0|||||||MTL|||CHINA|NEOLITHIC||||||||||||Work|0||Erlitou period.||||||||From Henan Yanshi Erlitou.||0|0|Comparison of Bronze and Ceramic Ritual Vessels (He)| 6480.00|0|Creator|15|CHINA|MTL|ZHOU||CHINA MTL ZHOU |Bronze Ritual Vessel (Gui)|Descriptive|Image Source (Pub)|||||||Bronze Ritual Vessel (Gui)|0|||||0||||0|||||Chinese|||Zhou (Chou)|||Asia||China||||||0||||0|Lintong County, Shanxi Province, China|||10765||||0|Metalwork|Bronze|Vessel|Ritual (event)|BCE|-11|||1200|1100|ca|11th century BCE|ca -1200 - -1100|||||0||||0|||||Bronze|bronze|||||metalworking|||||28 cm high||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Vessels ; |Vessels|||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|4/4/2006 0:00:00|||Lint|0|||||||MTL|||CHINA|ZHOU|||| ||||||||Work|0||With the inscription mentioning the conquest of the Shang. Early Western Zhou.||||||||||0|0|Bronze Ritual Vessel (Gui)| 6481.00|0|Creator|15|CHINA|MTL|ZHOU||CHINA MTL ZHOU |Bronze Ritual Vessel (He Zun)and Its Inscription|Descriptive|Image Source (Pub)|||||||Bronze Ritual Vessel (He Zun)and Its Inscription|0|||||0||||0|||||Chinese|||Zhou (Chou)|||Asia||China||||||0||||0|Baoji, Shaanix Province, China|||10766||||0|Metalwork|Bronze|Vessel|Ritual (event)|BCE|-11|||1100|1099|ca|11th century BCE|ca -1100 - -1099|||||0||||0|||||Bronze|bronze|||||metalworking|||||38.3 cm high||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Vessels ; |Vessels|||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|4/4/2006 0:00:00|||Baoj|0|||||||MTL|||CHINA|ZHOU|||| ||||||||Work|0||Early Western Zhou.||||||||||0|0|Bronze Ritual Vessel (He Zun)and Its Inscription| 6482.00|0|Creator|15|CHINA|PTG|HAN||CHINA PTG HAN |Silk Banner from the Tomb of Lady Dai at Mawangdui|Descriptive|Image Source (Pub)|||||||Silk Banner from the Tomb of Lady Dai at Mawangdui|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0|Mawangdui, China|||10767||||0|Paintings|Painting|Banner|Tomb|BCE|-2|||-200|-101|ca|2nd century BCE|ca -200 - -101|||||0||||0|||||||||||painting (image-making)|||||||592|Changsha: Hunan Province Museum|Changsha: Hunan Province Museum||Painting (image making) ; Banners ; Figures (representations) ; Animals ; Sun ; Moon ; Birds ; Dragons ; |Painting (image making)|Banners|Figures (representations)|Animals|Sun|Moon|Birds|Dragons||Cornell||BZ|MNW|4/24/2006 0:00:00|4/4/2006 0:00:00|||Mawd|0|||||||PTG|||CHINA|HAN|||| ||||||||Work|0||||||||||||0|0|Silk Banner from the Tomb of Lady Dai at Mawangdui| 6483.00|0|Creator|15|CHINA|POT|NEOLITHIC||CHINA POT NEOLITHIC |Marks On Neolithic Pottery|Descriptive|Image Source (Pub)|||||||Marks On Neolithic Pottery|0|||||0||||0|||||Chinese|||Neolithic|||||||||||0||||0|Shaanxi Province, China|||10768||||0|Ceramics|Ceramic|Pottery|Inscription|BCE|-51|||5000||ca|ca 5000 BCE|ca -5000|||||0||||0|||||Ceramic|ceramic|||||ceramics|||||||||||Inscriptions ; Vessels ; |Inscriptions|Vessels||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|4/4/2006 0:00:00|||Shaanx|0|||||||POT|||CHINA|NEOLITHIC|||| ||||||||Work|0||Top row: from Banpo, near Sian, Shaanxi Province. Buttom row: from Jiangzhai, Shaanxi Province.||||||||||0|0|Marks On Neolithic Pottery| 6484.00|0|Creator|15|CHINA|POT|NEOLITHIC||CHINA POT NEOLITHIC |Marks on Pottery|Descriptive|Image Source (Pub)|||||||Marks on Pottery|0|||||0||||0|||||Chinese|Liangzhu||Neolithic|||Asia||China||||||0||||0|Zhejiang Province, China|||10710||||0|Ceramics|Ceramic|Inscription|Pottery|BCE|-31|-30|-29|3000|2000|ca|ca 3000-2000 BCE|ca -3000 - -2000|||||0||||0|||||Ceramic|ceramic|||||ceramics|||||||||||Inscriptions ; Vessels ; |Inscriptions|Vessels||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|4/4/2006 0:00:00|||Zhej|0|||||||POT|||CHINA|NEOLITHIC||||||||||||Work|0||||||||||||0|0|Marks on Pottery| 6485.00|0|Creator|15|CHINA|POT|NEOLITHIC||CHINA POT NEOLITHIC |Marks on Pottery|Descriptive|Image Source (Pub)|||||||Marks on Pottery|0|||||0||||0|||||Chinese|Erlitou||Neolithic|||Asia||China||||||0||||0|Wucheng, Jiangxi Province, China|||10770||||0|Ceramics|Ceramic|Inscription|Pottery|BCE|-18|-17|-16|1700|1500|ca|ca 1700-1500 BCE|ca -1700 - -1500 BCE|||||0||||0|||||Ceramic|ceramic|||||ceramics|||||||||||Inscriptions ; Vessels ; |Inscriptions|Vessels||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|4/4/2006 0:00:00|||Wuc|0|||||||POT|||CHINA|NEOLITHIC||||||||||||Work|0||||||||||||0|0|Marks on Pottery| 6486.00|0|Creator|15|CHINA|MTL|SHANG||CHINA MTL SHANG |Character Inscribed on a Bronze Ritual Vessel (Lei)|Descriptive|Image Source (Pub)|||||||Character Inscribed on a Bronze Ritual Vessel (Lei)|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0||||0||||0||||0|Metalwork|Vessel|Bronze|Inscription|BCE|-16|-15|-14|1500|1050|ca|ca 1500-1050 BCE|ca -1500 - -1050|||||0||||0|||||Bronze|bronze|||||metalworking|||||||||||Inscriptions ; Vessels ; |Inscriptions|Vessels||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|4/4/2006 0:00:00||||0|||||||MTL|||CHINA|SHANG||||||||||||Work|0||The character probably shows a ritual scene, inside a cross-like boundary. Rawson, p. 278.||||||||||0|0|Character Inscribed on a Bronze Ritual Vessel (Lei)| 6487.00|0|Creator|15|CHINA|MTL|SHANG||CHINA MTL SHANG |Characters Inscribed on Bronze Vessels|Descriptive|Image Source (Pub)|||||||Characters Inscribed on Bronze Vessels|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0||||0||||0||||0|Metalwork|Vessel|Inscription||BCE|-13|-12||1300|1101|ca|ca 13th-12th centuries BCE|-1300 - -1101|||||0||||0|||||Bronze|bronze|||||metalworking|||||||||||Vessels ; Inscriptions ; |Vessels|Inscriptions||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|4/4/2006 0:00:00||||0|||||||MTL|||CHINA|SHANG||||||||||||Work|0||The characters show two ritual scenes and a human sacrifice. Late Shang period. C.13th-12th century BC||||||||||0|0|Characters Inscribed on Bronze Vessels| 6488.00|0|Creator|15|CHINA|MTL|ZHOU||CHINA MTL ZHOU |Rubbing of Inscription on a Bell from the State of Chu|Descriptive|Image Source (Pub)|||||||Rubbing of Inscription on a Bell from the State of Chu|0|||||0||||0|||||Chinese|||Zhou (Chou)|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|Bell (idiophone)|Inscription||-5|||-600|-501|ca|5th century BCE|ca -600 - -501|||||0||||0|||||Bronze|bronze|||||metalworking|||||||||||Bells ; Inscriptions ; |Bells|Inscriptions||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|4/4/2006 0:00:00||||0|||||||MTL|||CHINA|ZHOU||||||||||||Work|0||Eastern Zhou period.||||||||||0|0|Rubbing of Inscription on a Bell from the State of Chu| 6489.00|0|Category|07|C-05.5|CL Rou 60|||C-05.5 CL Rou 60 |Acanthus Columns with three dancers|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||Greek|||Late Classical|||Europe|Phocis|Greece||||||0||||0|Delphi, Greece|||10666||||0|Sculpture|Column (architectural element)|||BCE|-4|||-400|-375|ca|ca. 380 BCE|ca -400--375|||||0||||0|||||Marble|marble|||||sculpture|relief||||||729|Delphi: Archaeological Museum|Delphi: Archeol. Mus.||Dancing ; |Dancing|||||||||Cornell||HB|BZ|6/19/2006 0:00:00|4/4/2006 0:00:00|||Del|0|||||||C|Rou||05.5|CL|||| |60|||||||Work|0|Sculpture-Greek|The column is thought to have carried a tripod. It was a votive of the Athenians.||||||||||0|0|Acanthus Columns with three dancers| 6490.00|0|Creator|15|CHINA|CALL|ZHOU||CHINA CALL ZHOU |Rubbing of a Detail of an Inscription on One of the Stone Drums (Shigu)|Descriptive|Image Source (Pub)|||||||Rubbing of a Detail of an Inscription on One of the Stone Drums (Shigu)|0|||||0||||0|||||Chinese|||Zhou (Chou)|||Asia||China||||||0||||0|Shaanxi Province, China|||10768||||0|Calligraphy|Calligraphy|Drum (membranophone)|Inscription|BCE|-5|||-600|-501|ca|5th century BCE|ca -600 - -501|||||0||||0|||||||||||calligraphy|||||||||||Calligraphy ; Drums (membranophones) ; |Calligraphy|Drums (membranophones)||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|4/4/2006 0:00:00|||Shaanx|0|||||||CALL|||CHINA|ZHOU||||||||||||Work|0||Eastern Zhou period. 5th century BC.||||||||||0|0|Rubbing of a Detail of an Inscription on One of the Stone Drums (Shigu)| 6491.00|0|Creator|15|CHINA|CALL|QIN||CHINA CALL QIN |Rubbing of Inscription ona Standard Weight|Descriptive|Image Source (Pub)|||||||Rubbing of Inscription ona Standard Weight|0|||||0||||0|||||Chinese|||Qin (Ch'in)|||Asia||China||||||0||||0||||0||||0|Calligraphy|Calligraphy|Rubbing|Inscription|BCE|-3|||-221|-206||221-206 BCE|-221 - -206|||||0||||0|||||||||||calligraphy|||||||||||Calligraphy ; |Calligraphy|||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|4/4/2006 0:00:00||||0|||||||CALL|||CHINA|QIN||||||||||||Work|0||||||||||||0|0|Rubbing of Inscription ona Standard Weight| 6492.00|0|Site|02|B-R1|Leigu|3.3 MaYi||B-R1 Leigu 3.3 MarYi|Tomb of the Marquis Yi of Zeng|Descriptive|Image Source (Pub)|||||||Tomb of the Marquis Yi of Zeng|0|||||0||||0|||||Chinese|||Zhou (Chou)|||Asia||China||||||0|Leigudun, Sui County, Hubei Province, China|||10784||||0||||0|Architecture|Archaeological site|Plan (drawing)|Tomb|BCE|-6|-5||-700|-501|ca|6th & 5th centuries BCE|ca -700 - -501|||||0||||0||||||||||||||||||||||Tombs ; Mausoleums ; Bells ; Sacrifices ; Drums (membranophones) ; Vessels ; Archaeology ; |Tombs|Mausoleums|Bells|Sacrifices|Drums (membranophones)|Vessels|Archaeology|||Cornell||BZ|MNW|4/24/2006 0:00:00|4/4/2006 0:00:00||Leigu||0||||||MarYi|B|||||R1|3.3||||||||||Work|0|Architecture-China|||||||||||0|0|Tomb of the Marquis Yi of Zeng| 6493.00|0|Site|02|B-R1|Heb|7.1 TombMI||B-R1 Heb 7.1 TombMI |Reconstruction of the Buildings Over Tomb MI (King Cuo of Zhongshan)|Descriptive|Image Source (Pub)|||||||Reconstruction of the Buildings Over Tomb MI (King Cuo of Zhongshan)|0|||||0||||0|||||Chinese|||Zhou (Chou)|||Asia||China||||||0||||||||||||0|Architecture|Archaeological site|Reconstruction|Tomb|BCE|-5|-4|-3|-475|-221||475-221 BCE|-475 - -221|||||0||||0||||||||||||||||||||||Archaeology ; Reconstructions ; Buildings ; Tombs ; Mausoleums ; |Archaeology|Reconstructions|Buildings|Tombs|Mausoleums|||||Cornell||BZ|MNW|4/24/2006 0:00:00|4/4/2006 0:00:00||||0||||||TombMI|B|||||R1|7.1||||||||||Work|0|Architecture-China|Tomb M1 (King Cuo of Zhongshan), Hebei Province, China.||||||||||0|0|Reconstruction of the Buildings Over Tomb MI (King Cuo of Zhongshan)| 6494.00|0|Site|02|B-R1|Xi'an|3.3 Qin||B-R1 Xi'an 3.3 Qin|Mausoleum of the First Emperor|Descriptive|Image Source (Pub)|||||||Mausoleum of the First Emperor|0|||||0||||0|||||Chinese|||Qin (Ch'in)|||Asia||China||||||0|Sian, China|||||||0||||0|Architecture|Archaeological site|Mausoleum|Tomb|BCE|-3|||-210|||210 BCE|-210|||||0||||0||||||||||||||||||||||Mausoleums ; Tombs ; |Mausoleums|Tombs||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|4/4/2006 0:00:00||Xi'an||0||||||Qin|B|||||R1|3.3||||||||||Work|0|Architecture-China|||||||||||0|0|Mausoleum of the First Emperor| 6495.00|0|Site|02|B-R1|Manch|3.3 Liu||B-R1 Manch 3.3 Liu |Tomb of Liu Sheng|Descriptive|Image Source (Pub)|||||||Tomb of Liu Sheng|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0|Mancheng, China|||10785||||0||||0|Architecture|Archaeological site|Tomb|Mausoleum||-2|||-300|-201|ca|2nd century BCE|ca -300 - -201|||||0||||0||||||||||||||||||||||Mausoleums ; Tombs ; |Mausoleums|Tombs||||||||Cornell||BZ|MNW|4/24/2006 0:00:00|4/4/2006 0:00:00||Manch||0||||||Liu|B|||||R1|3.3||||||||||Work|0|Architecture-China|||||||||||0|0|Tomb of Liu Sheng| 6496.00|0|Creator|15|CHINA|MTL|HAN||CHINA MTL HAN |Incense Burner of the Boshan Lu Type|Descriptive|Image Source (Pub)|||||||Incense Burner of the Boshan Lu Type|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0|||||Tomb of Dou Wan, Mancheng, China|||10731|Metalwork|Bronze|Incense burner|Figure (representation)|BCE|-2|||-125|-101|ca|Late 2nd Century BCE|ca -125 - -101|||||0||||0|||||Bronze with traces of silver and gold|bronze|silver|gold|||metalworking|||||32.4 cm high||9579|Shijiazhuang: Hebei Provincial Museum|Shijiazhuang: Hebei Provincial Museum||Incense burners ; Clouds ; Figures (representations) ; Archaeology ; |Incense burners|Clouds|Figures (representations)|Archaeology||||||Cornell||BZ|MNW|4/24/2006 0:00:00|4/4/2006 0:00:00||||0|||||||MTL|||CHINA|HAN|||| ||||||||Work|0||Western Han period, late 2nd century BC.|||Excavated in 1968.|||||Excavated from the tomb of Dou Wan, consort of Liu Sheng, at Mancheng, Hebei province.||0|0|Incense Burner of the Boshan Lu Type| 6497.00|0|Category|07|C-05.5|Pra 4/Aph/Kni|||C-05.5 Pra 4/Aph/Kni |Aphrodite of Knidos; So-called Kaufman Head|||||||||Aphrodite of Knidos; So-called Kaufman Head (Roman Copy)|0|Praxiteles||||0||||0|||||Greek|||Classic|||Europe||Greece||||||0||||||||0||||0|Sculpture|Head (representation)|||BCE|4|||-369|-364|ca|ca. 369-364 BCE|ca -369--364 BCE|||||0||||0|||||Marble|marble|||||sculpture|||||||346|Berlin: Staatliche Museen zu Berlin; Altes Museum|Berlin: Altesmuseum||Aphrodite ; |Aphrodite|||||||||Cornell||HB|HB|6/16/2006 0:00:00|4/4/2006 0:00:00|Pra|||0||||||Pra 4/Aph/Kni|C|||05.5||||| ||||||||Work|0|Sculpture-Greek|||||||||||0|0|| 6498.00|0|Category|07|C-05.5|Pra 4/Aph/Kni|||C-05.5 Pra 4/Aph/Kni |Aphrodite of Knidos|||||||||Aphrodite of Knidos (Roman Copy)|0|Praxiteles||||0||||0|||||Greek|||Classical|||Europe||Greece||||||0||||||||0||||0|Sculpture|Figure (representation)|||CE|4|||-350|-340|ca|ca. 350-340 BCE|ca -350--340|||||0||||0|||||Marble|marble|||||sculpture|||||||3462|Athens: National Archeological Museum|Athens: Nat. Archeo. Mus.||Aphrodite ; |Aphrodite|||||||||Cornell||HB|HB|6/2/2006 0:00:00|4/4/2006 0:00:00|Pra|||0||||||Pra 4/Aph/Kni|C|||05.5||||| ||||||||Work|0|Sculpture-Greek|||||||||||0|0|| 6499.00|0|Category|07|C-05.5|Pra 4/Aph/Kni|||C-05.5 Pra 4/Aph/Kni |Aphrodite of Knidos||Image Source (Pub)|||||||Aphrodite of Knidos (Roman Copy)|0|Praxiteles|after|sculptor||0||||0|||||Greek|||Late Classical|||Europe||Greece||||||0||||||||0||||0|Sculpture|Figure (representation)|||BCE|-4|||-350|-340|ca|ca. 350-340 BCE|ca -350--340 BCE|||||0||||0||||||marble|||||sculpture|||||H = 203 cm||1791|Munich: Glyptothek|Munich: Glyptothek||Aphrodite ; |Aphrodite|||||||||Cornell||HB|HB|6/5/2006 0:00:00|4/4/2006 0:00:00|Pra|||0||||||Pra 4/Aph/Kni|C|||05.5||||| ||||||||Work|0|Sculpture-Greek|This is a Roman Copy of the 4th Century original||||||||||0|0|Aphrodite of Knidos| 6500.00|0|Creator|15|32|H765-PA|1864|1|32 H765-PA 1864 1|Defiance: Inviting a Shot Before Petersburg|Assigned|Repository|||||||Defiance: Inviting a Shot Before Petersburg|5572|Homer, Winslow||painter|Winslow Homer|0||||0|||||American||||||North and Central America||United States||||||0|Detroit, MI|||0||||0||||0|Paintings|Painting||||19|||1864|1864||1864|1864-1864|||||0||||0|||||Oil on panel|oil paint|panels (wood)||||painting (image-making)|||||30.5 x 45.7 cm||9483|Detroit, MI: Detroit Institute of Arts|Detroit, MI: Inst. A.||Wars ; United States History Civil War, 1861-1865 ; Soldiers ; |Wars|United States History Civil War, 1861-1865|Soldiers|||||||Cornell||JNK|JNK|4/4/2006 0:00:00|4/4/2006 0:00:00|H765|||0||51.66|||||32|PA|||||1864|| ||||||||Work|0||||||||||||0|0|Defiance: Inviting a Shot Before Petersburg|Homer, Winslow 6501.00|0|Category|07|M-07|Kni|||M-07 Kni |Roman Coin Showing Aphrodite of Knidos|||||||||Roman Coin Showing Aphrodite of Knidos|0|||||0||||0|||||Roman|||Roman Period|||Asia||Turkey||||||0||||0||||0||||0|Coins|Cast||||||||||||||||0||||0||||||||||||||||||2172|Paris: Bibliotheque Nationale; Cabinet des Médailles [et Antiquités]|Paris: Bib. Nat.; Cab. Medailles||||||||||||Cornell||HB|MNW|4/6/2006 0:00:00|4/4/2006 0:00:00||||0||||||Kni|M|||07||||| ||||||||Work|0|Numismatics. Roman|||||||||||0|0|Roman Coin Showing Aphrodite of Knidos| 6502.00|0|Creator|15|32|H765-G|1862|2|32 H765-G 1862 2|The Army of the Potomac - A Sharpshooter on Picket Duty|Assigned|Repository|||||||The Army of the Potomac - A Sharpshooter on Picket Duty|5572|Homer, Winslow||painter|Winslow Homer|0||||0|||||American||||||North and Central America||United States||||||0||||||||0||||0|Prints|Wood engraving||||19|||1862|1862||1862|1862-1862|||||0||||0|||||Wood engraving||||||wood engraving (process)|||||23 x 35 cm||3418|Cleveland: Cleveland Museum of Art|Cleveland: Museum of Art||Soldiers ; United States History Civil War, 1861-1865 ; Wars ; |Soldiers|United States History Civil War, 1861-1865|Wars|||||||Cornell||JNK|JNK|4/4/2006 0:00:00|4/4/2006 0:00:00|H765|||0||1942.1262|||||32|G||||||| |1862 2|||||||Work|0||Published in Harper's Weekly, 11/15/1862.||||||||||0|0|The Army of the Potomac - A Sharpshooter on Picket Duty|Homer, Winslow 6503.00|0|Creator|15|32|H765-PA|1863|1|32 H765-PA 1863 1|Sharpshooter on Picket Duty|Assigned|Image Source (Pub)|||||||Sharpshooter on Picket Duty|5572|Homer, Winslow||painter|Winslow Homer|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting||||19|||1863|1863||1863|1863-1863|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||31.3 x 41.9 cm||3290|Private Collection|: Private Coll.||Soldiers ; United States History Civil War, 1861-1865 ; Wars ; |Soldiers|United States History Civil War, 1861-1865|Wars|||||||Cornell||JNK|JNK|4/5/2006 0:00:00|4/5/2006 0:00:00|H765|||0||||||1|32|PA|||||1863|| ||||||||Work|0||||||||||||0|0|Sharpshooter on Picket Duty|Homer, Winslow 6504.00|0|Creator|15|32|H765-TO|n.d.|2|32 H765-TO n.d. 2|Sketch of a Sighting Through a Sharpshooter's Rifle From Letter by Homer to George G. Briggs|Descriptive|Cataloger|||||||Sketch of a Sighting Through a Sharpshooter's Rifle From Letter by Homer to George G. Briggs|5572|Homer, Winslow||painter|Winslow Homer|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Drawings|Letter (correspondence)|Drawing|||19|||1862|1862|aft|aft 1862|aft 1862-1862|||||0||||0|||||||||||drawing (image-making)|||||||4904|Washington, DC: Smithsonian Institution; Archives of American Art|Wash, DC: Smithsonian; Archives Amer. Art||||||||||||Cornell||JNK|MNW|4/25/2006 0:00:00|4/5/2006 0:00:00|H765|||0|||||||32|TO|||||nd|| ||||||||Work|0||||||||||||0|0|Sketch of a Sighting Through a Sharpshooter's Rifle From Letter by Homer to George G. Briggs|Homer, Winslow 6505.00|0|Category|07|C-05.3|LH 95|||C-05.3 LH 95 |Alabaster Goblet||||||||||0|||||0||||0|||||Mycenaean|||Late Helladic|||Europe||Greece||||||0||||0|Mycenae, Greece|||10694||||0|Sculpture|Goblet||||-16th|||1600|1500|ca|ca 1600-1500|ca 1600-1500|||||0||||0||||||alabaster|||||carving|sculpture||||H = 24.3 cm||3462|Athens: National Archeological Museum|Athens: Nat. Archeo. Mus.||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|4/5/2006 0:00:00|||Myc|0|||||||C|||05.3|LH|||| |95|||||||Work|0|Sculpture-Mycenean|||||||||||0|0|Alabaster Goblet| 6506.00|0|Culture|07|C-07|I-Had Rel 97 Sar|||C-07 I-Had Rel 97 Sar |Attic Sarcophagus with figures of Children|Descriptive|Blue Guide||||||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe|Lazio|Italy||||||0||||0|Isola Sacra, Ostia, Italy|||10773|||||Sculpture|Sarcophagus|Funerary object|Relief|CE|2|||120|140|ca|ca 120-140|ca 120-140|||||0||||0|||||Marble|marble|||||relief|sculpture||||B = 1.24 m||2112|Ostia: Museo Ostiense|Ostia: Mus. Ostiense||Children (people by age group) ; |Children (people by age group)|||||||||Cornell||HB|HB|6/16/2006 0:00:00|4/5/2006 0:00:00|||Ost|0||||||Sar|C|Rel||07|I-Had|||| |97|||||||Work|0|Sculpture-Roman|||||||||||0|0|Attic Sarcophagus with figures of Children| 6507.00|0|Creator|05|50|O875|C214||50 O875 C214 |Canyon de Chelly, NM, Walls of the Grand Canyon (about 1200 ft)|Assigned|Image Source (Pub)|||||||Canyon de Chelly, NM, Walls of the Grand Canyon (about 1200 ft)|8650|O'Sullivan, Timothy H.||photographer|Timothy H. O'Sullivan|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Photographic print|Landscape (representation)|||19|||1873|1873||1873|1873-1873|||||0||||0|||||Black and white photograph||||||photography|||||||3172|Washington, DC: National Archives|Wash, DC: Nat. Archives||Grand Canyon (canyon) ; Landscapes ; |Grand Canyon (canyon)|Landscapes||||||||Cornell||JNK|MNW|4/24/2006 0:00:00|4/7/2006 0:00:00|O875|||0|||||||50||||||C214|| ||||||||Work|0||||||||||||0|0|Canyon de Chelly, NM, Walls of the Grand Canyon (about 1200 ft)|O'Sullivan, Timothy H. 6508.00|0|Creator|05|35|M678-PH|1991|1|35 M678-PH 1991 1|San Francisco, California|Assigned|Image Source (Pub)|Photograph of Albert Bierstadt's Indians Hunting Buffalo (1888)|Descriptive|Image Source (Pub)||||San Francisco, California|8048|Misrach, Richard||photographer|Richard Misrach|0||||0|||||American|||Post-1945|||North and Central America||United States||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1991|1991||1991|1991-1991|||||0||||0|||||Color photograph||||||photography|||||||||||Hunting ; Indians of North America ; American bison ; |Hunting|Indians of North America|American bison|||||||Cornell||JNK|JNK|4/7/2006 0:00:00|4/7/2006 0:00:00|M678|||0|||||||35|PH|||||1991||||||||||Work|0|20th Century|Photograph of Albert Bierstadt's Indians Hunting Buffalo (1888)||||||||||0|0|San Francisco, California;Photograph of Albert Bierstadt's Indians Hunting Buffalo (1888)|Misrach, Richard 6509.00|0|Creator|05|35|M678-PH|1990|1|35 M678-PH 1990 1|Playboy #39 (Playmate of the Month)|Artists|Image Source (Pub)|||||||Playboy #39 (Playmate of the Month)|8048|Misrach, Richard||photographer|Richard Misrach|0||||0|||||American|||Post-1945|||North and Central America||United States||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1990|1990||1990|1990-1990|||||0||||0|||||Color photograph||||||photography|||||||||||Nudes ; Women ; |Nudes|Women||||||||Cornell||JNK|JNK|4/7/2006 0:00:00|4/7/2006 0:00:00|M678|||0|||||||35|PH|||||1990||||||||||Work|0|20th Century|||||||||||0|0|Playboy #39 (Playmate of the Month)|Misrach, Richard 6510.00|0|Culture|07|Q-05.5|OR AristoPtr|||Q-05.5 OR AristoPtr |Aristonothos Krater|Descriptive|Image Source (Pub)||||||||31178|Aristonothos, ||ceramicist|Aristonothos|0||||0|||||Greek|||Orientalizing|||Europe||Italy||||||0||||0||||0|Cerveteri, Italy|||10653|Ceramics|Krater|||BCE|-7|||-680|-650|ca|ca -680-650 BCE|ca -680--650|||||0||||0|||||||||||ceramics|vase painting||||||2418|Rome: Museo Capitolino [Capitoline Museum]; Palazzo Nuovo|Rome: Mus. Capitolino||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|4/7/2006 0:00:00||||0||||||AristoPtr|Q|||05.5|OR|||| ||||||||Work|0|Ceramics-Greek|||||||||||0|0|Aristonothos Krater|Aristonothos, 6511.00|0|Creator|15|32|L6735-SC|1867|1|32 L6735-SC 1867 1|Forever Free|Assigned|Repository|The Morning of Liberty|Variant|||||Forever Free (The Morning of Liberty)|31179|Lewis, Edmonia||sculptor|Edmonia Lewis|0||||0|||||African American|American|||||North and Central America||United States||||||0||||||||0||||0|Sculpture|Sculpture||||19|||1867|1867||1867|1867-1867|||||0||||0|||||Marble|marble|||||sculpture|||||||3171|Washington, DC: Howard University|Wash, DC: Howard Univ.||Slavery ; |Slavery|||||||||Cornell||JNK|JNK|4/7/2006 0:00:00|4/7/2006 0:00:00|L6735|||0|||||||32|SC||||||| |1867|||||||Work|0||||||||||||0|0|Forever Free;The Morning of Liberty|Lewis, Edmonia 6512.00|0||||||||Robert Gould Shaw and the 54th Regiment Memorial|Assigned|Online Resource|Robert Gould Shaw Memorial|Variant|LC NAF||||Robert Gould Shaw and the 54th Regiment Memorial|10286|Saint-Gaudens, Augustus||sculptor|Augustus Saint-Gaudens and Charles Follen McKim|7784|McKim, Charles Follen||architect|0|||||American||||||North and Central America||United States||||||0|Boston Common, Boston, MA|||10774||||0||||0|Sculpture|Sculpture|Memorial|||19|||1884|1897||1884-1897|1884-1897|||||0||||0|||||Bronze relief|bronze|||||relief|casting||||335.28 x 426.72 cm||||||African Americans ; Soldiers ; United States History Civil War, 1861-1865 ; Shaw, Robert Gould, 1837-1863 ; Memorials ; |African Americans|Soldiers|United States History Civil War, 1861-1865|Shaw, Robert Gould, 1837-1863|Memorials|||||Cornell||JNK|JNK|4/7/2006 0:00:00|4/7/2006 0:00:00||||0||||||||||||||||||||||||0||McKim designed the architectural elements as well as the setting. The Boston monument is the second version of the design.||||||||||0|0|Robert Gould Shaw and the 54th Regiment Memorial;Robert Gould Shaw Memorial|Saint-Gaudens, Augustus;McKim, Charles Follen 6513.00|0|Creator|15|32|L652-PA|1848|1|32 L652-PA 1848 1|Storming of the Teocalli by Cortez and his Troops|Assigned|Repository|||||||Storming of the Teocalli by Cortez and his Troops|7012|Leutze, Emanuel Gottlieb||painter|Emanuel Gottlieb Leutze|0||||0|||||German|American|||||Europe||Germany|United States|||||0|Hartford, CT|||0||||0||||0|Paintings|Painting|Oil painting|||19|||1848|1848||1848|1848-1848|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||215.3 x 250.8 cm||3381|Hartford: Wadsworth Atheneum|Hartford: Wadsworth Atheneum||Cortez, Hernan, 1485-1547 ; Wars ; Conquerors ; Spaniards ; Indians of Central America ; Soldiers ; |Cortez, Hernan, 1485-1547|Wars|Conquerors|Spaniards|Indians of Central America|Soldiers||||Cornell||JNK|JNK|4/10/2006 0:00:00|4/10/2006 0:00:00|L652|||0|||||||32|PA|||||1|| |1848|||||||Work|0||||||||||||0|0||Leutze, Emanuel Gottlieb 6514.00|0|Creator|15|32|C561-PA|1857|1|32 C561-PA 1857 1|View of Cotopaxi|Assigned|Image Source (Pub)|||||||View of Cotopaxi|2321|Church, Frederic Edwin||painter|Frederic Edwin Church|0||||0|||||American|||Hudson River School|||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Landscape (representation)||19|||1857|1857||1857|1857-1857|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||62.2 x 92.7 cm||4073|Chicago: Art Institute of Chicago|Chicago: Art Institute||Cotopaxi (volcano) ; Landscapes ; |Cotopaxi (volcano)|Landscapes||||||||Cornell||JNK|JNK|4/10/2006 0:00:00|4/10/2006 0:00:00|C561|||0||1919.753|||||32|PA||||||| |1857|||||||Work|0||||||||||||0|0||Church, Frederic Edwin 6515.00|0|Creator|15|32|B588-PA|1873|1|32 B588-PA 1873 1|Donner Lake from the Summit|Assigned|Repository|View of Donner Lake, California|Variant|Repository||||Donner Lake from the Summit|1158|Bierstadt, Albert||painter|Albert Bierstadt|0||||0|||||American|||Hudson River School|||North and Central America||United States||||||0|New York|||0||||0||||0|Paintings|Painting|Landscape (representation)|||19|||1873|1873||1873|1873-1873|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||183.2 x 305.3 cm||9699|New York: The Henry Luce III Center for the Study of American Culture|New York: Henry Luce III Center||Landscapes ; Mountains ; Donner Lake (reservoir) ; Lakes ; |Landscapes|Mountains|Donner Lake (reservoir)|Lakes||||||Cornell||JNK|JNK|5/31/2006 0:00:00|4/10/2006 0:00:00||||0||1909.16|||||32|PA||||||| |1873|||||||Work|0||||||||||||0|0|Donner Lake from the Summit;View of Donner Lake, California|Bierstadt, Albert 6516.00|0|Category|11|90|E21|||90 E21 |Hide Hunters Destroying Great Herds of Buffalo in the American West, 1872|Descriptive|Image Source (Pub)|||||||Hide Hunters Destroying Great Herds of Buffalo in the American West, 1872|0|||||0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||19|||1872|1872||1872|1872-1872|||||0||||0|||||||||||photography|||||||||||American bison ; Hunting ; |American bison|Hunting||||||||Cornell||JNK|JNK|4/10/2006 0:00:00|4/10/2006 0:00:00||||0|||||||90|||||E21|||||||||||Work|0||||||||||||0|0|| 6517.00|0|Category|07||Med Coptic EG Tex|||Med Coptic EG Tex|Nereid Tapestry||||||||||0|||||0||||0|||||Egyptian|||Coptic|||Africa||Egypt||||||0||||0||||0|||||Textiles|Tapestry (wall hanging)|||CE|6|7||550|650|ca|6th or early 7th Century|ca 550-650|||||0||||0|||||Wool/Linen|wool (textile)|linen (material)||||tapestry (process)|||||||3170|Washington, DC: Dumbarton Oaks Research Library and Collection|Wash, DC: Dumbarton Oaks||Nereids ; Europa ; Bulls ; |Nereids|Europa|Bulls|||||||Cornell||HB|HB|6/2/2006 0:00:00|4/10/2006 0:00:00||||0||||||Coptic EG Tex|||||Med|||| ||||||||Work|0||||||||||||0|0|Nereid Tapestry| 6520.00|0|Category|11|90|E23|||90 E23 |Rath and Wright's Buffalo Hide Yard in Dodge City, Kansas, 1878|Descriptive|Image Source (Pub)|||||||Rath and Wright's Buffalo Hide Yard in Dodge City, Kansas, 1878|0|||||0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||19|||1878|1878||1878|1878-1878|||||0||||0|||||||||||photography|||||||||||American bison ; Hunting ; |American bison|Hunting||||||||Cornell||JNK|JNK|4/10/2006 0:00:00|4/10/2006 0:00:00||||0|||||||90|||||E23|||||||||||Work|0||||||||||||0|0|Rath and Wright's Buffalo Hide Yard in Dodge City, Kansas, 1878| 6521.00|0|Culture|07|Q-07.7|RF/Att Sot|||Q-07.7 RF/Att Sot |Rhyton in the form of mounted Amazon|Descriptive|Image Source (Pub)|||||||Rhyton in the form of mounted Amazon|31180|Sotades Painter||painter|Sotades Painter|0||||0|||||Greek|||Classical|||Europe|Attica|Greece||||||0||||0||||0|Meroë, Sudan|||10561|Ceramics|Vase painting|Rhyton||BCE|-5|||-470|-450|ca|ca 470-450 BCE|ca -470 - -450|||||0||||0|||||||||||ceramics|painting (image-making)|vase painting|||H = 34 cm||428|Boston: Museum of Fine Arts|Boston: MFA||Amazon ; Persians ; Greeks ; Combat ; |Amazon|Persians|Greeks|Combat||||||Cornell||HB|HB|6/16/2006 0:00:00|4/10/2006 0:00:00||||0||21.2286||||Sot|Q|||07.7|RF/Att|||| ||||||||Work|0|Ceramics-|||||||||||0|0|Rhyton in the form of mounted Amazon|Sotades Painter 6522.00|0|Category|07|Q-05.5|RF Sita Apu|||Q-05.5 RF Sita Apu |Column Krater|Descriptive|Repository||||||||0|||||0||||0|||||Greek|||Late Classical|||Europe||Italy||||||0||||0||||0|Apulia||||Ceramics|Krater|Vase painting||BCE|-4|||-360|-350|ca|ca 360-350 BCE|ca -360--350|||||0||||0||||||terracotta|||||vase painting|ceramics||||H = 51.5 cm||3294|New York: Metropolitan Museum of Art|New York: Metropolitan||Hercules ; Zeus ; Dioscuri (Horse-tamers) ; Athena ; Artists ; Statues ; |Hercules|Zeus|Dioscuri (Horse-tamers)|Athena|Artists|Statues||||Cornell||HB|HB|6/16/2006 0:00:00|4/11/2006 0:00:00||||0||||||Sita Apu|Q|||05.5|RF|||| ||||||||Work|0|Ceramics-Greek|Attributed to the Group of Boston 00.348||||||||||0|0|Column Krater| 6523.00|0|Creator|15|MA-Bauhaus|4.2|Graphics|3|MA-Bauhaus 4.2 Graphics 3|Kathedrale|Assigned|Artist|Cover|Descriptive|Print Publication||||Programm des Staatlichen Bauhauses in Weimar. Kathedrale. Cover|3766|Feininger, Lyonel||painter|Lyonel Feininger|0||||0|||||German|||Bauhaus|||Europe||Germany||||||0||||0||||0||||0|Prints|Woodcut||||20|||1919|1919||1919|1919-1919||Programm des Staatlichen Bauhauses in Weimar|Larger entity||6524||||0|||||Woodcut||||||woodcut (process)|||||||||||Churches ; Cathedrals ; Buildings ; |Churches|Cathedrals|Buildings|||||||Cornell||JNK|JNK|4/11/2006 0:00:00|4/11/2006 0:00:00|Bauhaus|||0||||||Graphics|MA||||||4.2||||||||||Work|0||Woodcut used as the cover) for the April 1919 Bauhaus Manifesto.||||||||||0|0|Kathedrale;Cover|Feininger, Lyonel 6524.00|0||||||||Programm des Staatlichen Bauhauses in Weimar|Assigned|Repository|Bauhaus Manifesto|Variant|Print Publication||||Programm des Staatlichen Bauhauses in Weimar|0|||||0||||0|||||German|||Bauhaus|||Europe||Germany||||||0||||0||||0||||0|Publications|Book||||20|||1919|1919||1919, April|1919-1919|||||0||||0||||||||||||||||||||||Manifestoes ; |Manifestoes|||||||||Cornell||JNK|JNK|4/11/2006 0:00:00|4/11/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Programm des Staatlichen Bauhauses in Weimar;Bauhaus Manifesto| 6525.00|0|Creator|05|J-Moholy-Nagy||26||J-Moholy-Nagy 26 |Berlin Radio Tower|Assigned|Repository|||||||Berlin Radio Tower|8080|Moholy-Nagy, László||photographer|László Moholy-Nagy|0||||0|||||Hungarian|||Bauhaus|||Europe||Hungary||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1928|1928|ca|ca 1928|ca 1928-1928|||||0||||0|||||Gelatin silver print||||||photography|gelatin silver process||||36 x 25.5 cm||4073|Chicago: Art Institute of Chicago|Chicago: Art Institute||Towers (single built works) ; |Towers (single built works)|||||||||Cornell||JNK|JNK|4/11/2006 0:00:00|4/11/2006 0:00:00|Moholy-Nag|||0|||||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Berlin Radio Tower|Moholy-Nagy, László 6526.00|0|Category|07||Med Coptic EG Tex|||Med Coptic EG Tex|Tapestry||||||||||0|||||0||||0|||||Egyptian|||Coptic|Medieval||Africa||Egypt||||||0||||0||||0||||0|Textiles|Tapestry (wall hanging)|||CE|4|||300|400|ca|4th Century|ca 300-400|||||0||||0|||||Linen/Wool|linen (material)|wool (textile)||||tapestry (process)|||||7.3 x 2.2 m||9701|Reggisberg: Abegg-Stiftung|Reggisberg: Abegg-Stiftung||Dionysos ; Ariadne ; |Dionysos|Ariadne||||||||Cornell||HB|HB|6/2/2006 0:00:00|4/11/2006 0:00:00||||0||||||Coptic EG Tex|||||Med|||| ||||||||Work|0||||||||||||0|0|Tapestry| 6527.00|0|Site|02|B-H3|Rom|7.1 Pal/Livia||B-H3 Rom 7.1 Pal/Livia |Room of Garlands, House of Livia||Image Source (Pub)||||||||0|||||0||||0|||||Roman|||Augustan|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|House|Room|Painting||1|||1|51|ca|Early 1st Century|ca 1-51|||||0||||0|||||||||||mural painting|painting (image-making)||||H = 4.2 m||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|4/11/2006 0:00:00||Rom||0||||||Pal/Livia|B|||||H3|7.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|Room of Garlands, House of Livia| 6531.00|0|Creator|02|MA-|Mies|6.1 1921 Fri I||MA- Mies 6.1 1921 Fri I |Friedrichstrasse Skyscraper (competition project)|Descriptive|Repository|Office building. Friedrichstrasse. Competition|Descriptive|Collection||||Friedrichstrasse Skyscraper (competition project)|7969|Mies van der Rohe, Ludwig||architect|Ludwig Mies van der Rohe|0||||0|||||German|||Modernist|||Europe||Germany|||Berlin, Germany|||10108||||0||||0||||0|Architecture|Skyscraper||||20|||1921|1921||1921|1921-1921|||||0||||0||||||||||||||||||||||Skyscrapers ; Office buildings ; Berlin (Germany) ; |Skyscrapers|Office buildings|Berlin (Germany)|||||||Cornell||JNK|MNW|5/25/2006 0:00:00|4/12/2006 0:00:00|Mies|||0||||||1921 Fri I|MA||||||6.1|| ||||||||Work|0|Modern Architecture-|||||||||||0|0|Friedrichstrasse Skyscraper (competition project);Office building. Friedrichstrasse. Competition|Mies van der Rohe, Ludwig 6532.00|0|Site|02|B-H3|Rom|7.1 Pal/Aug||B-H3 Rom 7.1 Pal/Aug |House of Augustus, Palatine Hill|||||||||House of Augustus, Palatine Hill|0|||||0||||0|||||Roman|||Augustan|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|House|||BCE|-1|||-40|-30|ca|ca 40-30 BCE|ca -40--30|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|JNK|7/14/2006 0:00:00|4/12/2006 0:00:00||Rom||0||||||Pal/Aug|B|||||H3|7.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|House of Augustus, Palatine Hill| 6533.00|0|Site|02|B-H3|Rom|7.1 Pal/Aug||B-H3 Rom 7.1 Pal/Aug |Wall Painting in the Manner of a 'Scenae Frons'|Descriptive|Image Source (Pub)|||||||Wall Painting in the Manner of a 'Scenae Frons'|0|||||0||||0|||||Roman|||Augustan|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Paintings|Painting|Mural||BCE|-1|||-40|-30|ca|ca 40-30 BCE|ca -40--30||House of Augustus, Palatine Hill|LargerEntity||6532||||0|||||||||||mural painting|painting (image-making)||||2.80 x 3.45 m||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|4/12/2006 0:00:00||Rom||0||||||Pal/Aug|B|||||H3|7.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|Wall Painting in the Manner of a 'Scenae Frons'| 6608.00|0|Category|07|F-07|Roman|||F-07 Roman |Mosaic: Competition Judge|Descriptive|Image Source (Pub)|||||||Mosaic: Competition Judge|0|||||0||||0|||||Roman|||Late Antique|||||Rome||||||0||||0||||0||||0|Mosaics|Competition|Floor|Mosaic|CE|3|||201|300|ca|3rd Century|ca 201-300|||||0||||0|||||||||||mosaic|||||96 cm||4088|Rome: Vatican; Musei Vaticani|Rome: Vatican; Mus. Vaticani||Judges ; |Judges|||||||||Cornell||HB|HB|6/16/2006 0:00:00|4/24/2006 0:00:00||||0||||||Roman|F|||07||||| ||||||||Work|0|Mosaics-Roman|||||||||||0|0|Mosaic: Competition Judge| 6609.00|0|Category|07|F-07|Roman|||F-07 Roman |Mosaic: Basket of Fruit|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0||||0||||0||||0|Mosaics|Still life|Floor|Mosaic|CE|2|||101|200|ca|2nd Century|ca 101-200|||||0||||0|||||||||||mosaic|||||26.5 x 41 cm||4088|Rome: Vatican; Musei Vaticani|Rome: Vatican; Mus. Vaticani||Flowers ; |Flowers|||||||||Cornell||HB|HB|6/16/2006 0:00:00|4/24/2006 0:00:00||||0||||||Roman|F|||07||||| ||||||||Work|0|Mosaics-Roman|||||||||||0|0|Mosaic: Basket of Fruit| 6610.00|0|Culture|07|F-07|Roman|||F-07 Roman |Mosaic Fragment|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||Roman|||Roman Period|||Europe||Italy||||||0||||0||||0||||0|Mosaics|Fragment|Mosaic|||||||||||||||0||||0|||||||||||mosaic|||||||4644|Rome: Museo dei Conservatori; Palazzo dei Conservatori|Rome: Pal. Conservatori||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|4/24/2006 0:00:00||||0||||||Roman|F|||07||||| ||||||||Work|0|Mosaics-Roman|||||||||||0|0|Mosaic Fragment| 6611.00|0|Category|07|F-07|Roman|||F-07 Roman |Mosaic: Green Charioteer|Descriptive|Image Source (Pub)|||||||Mosaic: Green Charioteer|0|||||0||||0|||||Roman|||Roman Period|||Europe||Italy||||||0||||0||||0||||0|Mosaics|Figure (representation)|Floor|Mosaic||||||||||||||0||||0|||||||||||mosaic|||||||3507|Rome: Museo Nazionale Romano (or M. N. delle Terme; D. Arte Antica)|Rome: Mus. Naz. Romano (Terme)||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|4/24/2006 0:00:00||||0||||||Roman|F|||07||||| ||||||||Work|0|Mosaics-Roman|From a Villa near Baccano, Rome||||||||||0|0|Mosaic: Green Charioteer| 6612.00|0|Category|07|F-07|Roman|||F-07 Roman |Mosaic: Sol Salutis|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||||||||||||||||0|St. Peter's, Vatican City, Rome, Italy|||10611||||0||||0|Mosaics|Figure (representation)|Mosaic Mos||CE|3||||||3rd Century||||||0||||0|||||||||||mosaic|||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|4/24/2006 0:00:00||||0||||||Roman|F|||07|||||||||||||Work|0|Mosaics-Roman|Shows Christ as the Sun. In the Mausoleum of the Julii under St. Peters.||||||||||0|0|Mosaic: Sol Salutis| 6613.00|0|Creator|15|32|C9485-PA|1860|1|32 C9485-PA 1860 1|Autumn - On the Hudson River|Assigned|Image Source (Pub)|||||||Autumn - On the Hudson River|13376|Cropsey, Jasper Francis||painter|Jasper Francis Cropsey|0||||0|||||American|||Hudson River School|||North and Central America||United States||||||0||||||||0||||0|Paintings|Painting|Oil painting|Landscape (representation)||19|||1860|1860||1860|1860-1860|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||151.8 x 274.9 cm||3367|Washington, DC: National Gallery of Art|Wash, DC: National Gallery||Landscapes ; Autumn ; Hudson River (river) ; |Landscapes|Autumn|Hudson River (river)|||||||Cornell||JNK|JNK|4/24/2006 0:00:00|4/24/2006 0:00:00|C9485|||0||1963.9.1|||||32|PA||||||| |1860|||||||Work|0||||||||||||0|0|Autumn - On the Hudson River|Cropsey, Jasper Francis 6614.00|0|Site|02|B-H3|Rom|7.1 Pal/Aug||B-H3 Rom 7.1 Pal/Aug |Room of the Masks, House of Augustus|Descriptive|Image Source (Pub)|||||||Room of the Masks, House of Augustus|0|||||0||||0|||||Roman|||Augustan|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Archaeological Sites|Room|||BCE|-1|||-40|-30|ca|ca 40-30 BCE|ca -40--30||House of Augustus, Palatine Hill|||6532||||0|||||||||||painting (image-making)|mural painting||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|4/24/2006 0:00:00||Rom||0||||||Pal/Aug|B|||||H3|7.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|Room of the Masks, House of Augustus| 6615.00|0|Category|07|E-07|Boscotrecase|||E-07 Boscotrecase |Red Cubiculum|||||||||Red Cubiculum|0|||||0||||0|||||Roman|||Augustan|||Europe||Italy||||||0||||||||0||||0|Paintings|Painting|Mural||BCE|-1|||-50|-1|ca|1st Century BCE|ca -50 - -1 BCE||Villa Imperiale, Boscotescare|||6802||||0|||||||||||painting (image-making)|mural painting||||||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|4/24/2006 0:00:00||||0||||||Boscotrecase|E|||07||||| ||||||||Work|0|Painting-Roman|||||||||||0|0|Red Cubiculum| 6616.00|0|Category|15|90|E22|||90 E22 |Slaughter of Buffalo for their Hides|Descriptive|Image Source (Pub)|||||||Slaughter of Buffalo for their Hides|0|||||0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Prints|Print||||19|||1874|1874||1874|1874-1874|||||0||||0|||||||||||printing|||||||||||American bison ; Hunting ; |American bison|Hunting||||||||Cornell||JNK|JNK|4/24/2006 0:00:00|4/24/2006 0:00:00|E22|||0|||||||90||||||||||||||||Work|0||From Harper's Weekly, Dec. 12, 1874||||||||||0|0|Slaughter of Buffalo for their Hides| 6617.00|0|Creator|15|32|H765-PA|1877|2|32 H765-PA 1877 2|Sunday Morning in Virginia|Artists|Repository|||||||Sunday Morning in Virginia|5572|Homer, Winslow||painter|Winslow Homer|0||||0|||||American||||||North and Central America||United States||||||0||||||||0||||0|Paintings|Oil painting|Painting|Genre||19|||1877|1877||1877|1877-1877|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||45.7 x 61 cm||3378|Cincinnati: Cincinnati Art Museum|Cincinnati: Art Museum||Slavery ; Freedom ; Families ; African Americans ; |Slavery|Freedom|Families|African Americans||||||Cornell||JNK|MNW|4/24/2006 0:00:00|4/24/2006 0:00:00|H765|||0||1924.247|||||32|PA||||||| |1877|||||||Work|0||||||||||||0|0|Sunday Morning in Virginia|Homer, Winslow 6698.00|0|Creator|15|CHINA|MTL|SHANG||CHINA MTL SHANG |Vessel (Gong) In Zoomorphic Shape|Descriptive|Image Source (Pub)|||||||Vessel (Gong) In Zoomorphic Shape|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0||||0|||||Taohua village, Shilou county, Shanxi Province|||10804|Metalwork|Vessel|Bronze||BCE|-17|-16|-15|1600|1100|ca|ca 1600-1100 BCE|ca 1600-1100 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|metalworking||||19 x 43 x 13.4 cm||9620|Taiyuan: Shanxi Provincial Museum|Taiyuan: Shanxi Provincial Museum||Vessels ; Animals ; |Vessels|Animals||||||||Cornell||BZ|BZ|6/13/2006 0:00:00|5/10/2006 0:00:00||||0|||||||MTL|||CHINA|SHANG|||| ||||||||Work|0||Unearthed in 1959.||||||||||0|0|Vessel (Gong) In Zoomorphic Shape| 6699.00|0|Creator|15|CHINA|MTL|SHANG||CHINA MTL SHANG |Vessel (Zun) In The Shape Of A Boar|Descriptive|Image Source (Pub)|||||||Vessel (Zun) In The Shape Of A Boar|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0||||0||||0|Chuanxingshan, Xiangtan county, Hunan Province|||10805|Metalwork|Bronze|Vessel||BCE|-17|-16|-15|1600|1100|ca|ca 1600-1100 BCE|ca 1600-1100 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|metalworking||||40 x 72 cm||592|Changsha: Hunan Province Museum|Changsha: Hunan Province Museum||Vessels ; Boars ; Animals ; Birds ; |Vessels|Boars|Animals|Birds||||||Cornell||BZ|BZ|6/13/2006 0:00:00|5/10/2006 0:00:00||||0|||||||MTL|||CHINA|SHANG|||| ||||||||Work|0||Unearthed in 1981.||||||||||0|0|Vessel (Zun) In The Shape Of A Boar| 6780.00|0|Category|07|E-07|Rome|||E-07 Rome |Aldobrandini Wedding|||||||||Aldobrandini Wedding|0|||||0||||0|||||Roman|||Augustan|||Europe||Italy||||||0||||0||||0|||||Paintings|Painting|Mural||BCE|-1|||-25|-1|ca|ca 25-1 BCE|ca -25--1 BCE|||||0||||0|||||||||||painting (image-making)|mural painting||||2.42 x 0.92 m||4303|Rome: Vatican; Biblioteca Vaticana|Rome: Vatican; Biblioteca||Weddings ; |Weddings|||||||||Cornell||HB|HB|6/19/2006 0:00:00|5/16/2006 0:00:00||||0||||||Rome|E|||07||||| ||||||||Work|0|Painting-Roman|Discovered in ca. 1604 in an underground room on the Esquiline new the arch of Gallienus. Owes its name to its first owner, Cardinal Aldobaldini||||||||||0|0|Aldobrandini Wedding| 6781.00|0|Creator|15|CHINA|PTG|SONG||CHINA PTG SONG |In The Spirit Of Poems By Du Fu|Descriptive|Image Source (Pub)|||||||In The Spirit Of Poems By Du Fu|31194|Zhao Kui||painter|Zhao Kui|0||||0|||||Chinese|||Song (Sung)|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Landscape (representation)|||12|13||1127|1279||1127-1279|1127-1279|||||0||||0|||||Ink on silk|ink|silk (textile)||||painting (image-making)|||||24.7 x 212.2 cm||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Painting (image making) ; Landscapes ; Forests ; Trees ; Rivers ; Bamboo ; Bridges (built works) ; Houses ; Figures (representations)|Painting (image making)|Landscapes|Forests|Trees|Rivers|Bamboo|Bridges (built works)|Houses|Figures (representations)|Cornell||BZ|BZ|6/15/2006 0:00:00|5/16/2006 0:00:00||||0|||||||PTG|||CHINA|SONG|||| ||||||||Work|0||Handscroll. Southern Song dynasty.||||||||||0|0|In The Spirit Of Poems By Du Fu|Zhao Kui 6782.00|0|Creator|15|CHINA|PTG|QING||CHINA PTG QING |Finger-Snap Pavilion|Descriptive|Image Source (Pub)|||||||Finger-Snap Pavilion|31195|Cao Xiang||painter|Cao Xiang|0||||0|||||Chinese|||Qing (Ch'ing)|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Figure (representation)|House||17|18|19|1644|1911||1644-1911|1644-1911|||||0||||0|||||Ink on paper|ink|paper (fiber product)||||painting (image-making)|||||69 x 38 cm||9719|Yangzhou: Yangzhou Municipal Museum|Yangzhou: Yangzhou Municipal Museum||Painting (image making) ; Figures (representations) ; Houses ; Tables (support furniture) ; Trees ; Pine ; Fences ; |Painting (image making)|Figures (representations)|Houses|Tables (support furniture)|Trees|Pine|Fences|||Cornell||BZ|BZ|5/16/2006 0:00:00|5/16/2006 0:00:00||||0|||||||PTG|||CHINA|QING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Finger-Snap Pavilion|Cao Xiang 6783.00|0||||||| |Twelve Seasons of the South|Translated|Dict.Art|Minami juniko|Original|Dict.Art||||Twelve Seasons of the South|6327|Torii Kiyonaga||printmaker|Torii Kiyonaga|0||||0|||||Japanese||||||Asia||Japan||||||0||||0||||0||||0|Graphics|Woodblock||||18|||1784|1784|ca|ca 1784|ca 1784-1784|||||0||||0|||||Woodblock||||||printing|||||||||||||||||||||Cornell||MNW|MNW|5/16/2006 0:00:00|5/16/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Twelve Seasons of the South;Minami juniko|Torii Kiyonaga 6784.00|0|Creator|15|I-28.2|Kiyonaga||1|I-28.2 Kiyonaga 1|Fourth Month|Descriptive|Online Resource|||||||Twelve Seasons of the South. Fourth Month|6327|Torii Kiyonaga||printmaker|Torii Kiyonaga|0||||0|||||Japanese||||||Asia||Japan||||||0||||0||||0||||0||||||18|||1784|1784|ca|ca 1784|ca 1784-1784||Twelve Seasons of the South|Series||6783||||0|||||Woodblock||||||printing|||||||3294|New York: Metropolitan Museum of Art|New York: Metropolitan||Women ; |Women|||||||||Cornell||MNW|MNW|5/16/2006 0:00:00|5/16/2006 0:00:00|Kiyonaga|||0|||||||I|||28.2||||| ||||||||Work|0||||||||||||0|0|Fourth Month|Torii Kiyonaga 6785.00|0|Site|02|B-B14|Chi|1.1 Fire|4|B-B14 Chi 1.1 Fire 4|Corner of Lake and Madison Streets After the Chicago Fire|Descriptive|Image Source (Pub)|||||||Corner of Lake and Madison Streets After the Chicago Fire|0|||||0||||0|||||American||||||||||||||0|||||Chicago, Illinois|||10103||||0|Photographs|Documentary photograph||||19|||1871|1871||1871|1871-1871|||||0||||0|||||Documentary photograph|||||||||||||||||Chicago Fire, 1871 ; Fires ; |Chicago Fire, 1871|Fires||||||||Cornell||MNW|MNW|5/16/2006 0:00:00|5/16/2006 0:00:00|||Chi|0||||||Fire|B|||||B14|1.1||||||||||Work|0|Architecture-Illinois (IL)|||||||||||0|0|Corner of Lake and Madison Streets After the Chicago Fire| 6786.00|0|Site|02|B-B14|Chi|1.1|Fire 4b-1|B-B14 Chi 1.1 Fire 4b-1|Chicago Fire|Assigned|Image Source (Pub)|||||||Chicago Fire|0|||||0||||0|||||American||||||Asia||United Arab Emirates||||||0|||||Chicago, Illinois|||10103||||0||||||19|||1871|1871||1871|1871-1871|||||0||||0||||||||||||||||||||||Chicago Fire, 1871. ; Fires ; |Chicago Fire, 1871.|Fires||||||||Cornell||MNW|MNW|5/16/2006 0:00:00|5/16/2006 0:00:00|||Chi|0||||||Fire|B|||||B14|1.1||||||||||Work|0||||||||||||0|0|| 6787.00|0|Architect|03|MA-Wright|6.1|1889-1911 Stu|||Frank Lloyd Wright Home and Studio|Assigned|Print Publication|Frank Lloyd Wright House and Studio||||||Frank Lloyd Wright Home and Studio|12943|Wright, Frank Lloyd||architect|Frank Lloyd Wright; Ann Abernathay (rest, arch.)|145|Abernathy, Ann||architect|0|||||American|||Prairie School|||North and Central America||United States||||||0|428 Forest Avenue, Oak Park, IL|||||||0||||0|Architecture|House|Studio (work space)|||19|20||1889|1911||1889-1911; rest. 1988|1889-1911|||||0||||0||||||||||||||||||||||Studios (Work Spaces) ; Houses ; |Studios (Work Spaces)|Houses||||||||Cornell||MNW|GB|11/28/2006 0:00:00|5/16/2006 0:00:00|Wright|||0||||||Stu/Res|MA||||||6.1|1889-1911|||||||||Work|0|Modern Architecture|Restored by Ann Abernathy, 1988.|||Restored in 1988 to its 1909 appearance by Ann Abernathy.|||||||0|0|Frank Lloyd Wright Home and Studio;Frank Lloyd Wright House and Studio|Wright, Frank Lloyd;Abernathy, Ann 6788.00|0|Category|07|E-07|Rome (Odyssey)|||E-07 Rome (Odyssey) |Landscapes from the Odyssey|Descriptive|Cataloger|||||||Landscapes from the Odyssey|0|||||0||||0|||||Roman|||Republican|||Europe||Italy||||||0||||0||||0||||0|Paintings|Painting|Mural||BCE|-1|||-50|-40|ca|ca 50-40 BCE|ca -50--40 BCE|||||0||||0|||||Fresco secco||||||painting (image-making)|mural painting||||H = 1.5 m||4303|Rome: Vatican; Biblioteca Vaticana|Rome: Vatican; Biblioteca||Odysseus ; |Odysseus|||||||||Cornell||HB|HB|6/16/2006 0:00:00|5/17/2006 0:00:00||||0||||||Rome (Odyssey)|E|||07||||| ||||||||Work|0|Painting-Roman|Series of paintings discovered in a (now destroyed) house on the Esquiline Hill. Original series 14m long.||||||||||0|0|Landscapes from the Odyssey| 6534.00|0|Architect|02|MA-|Mies|6.1 Fri I|4b-1a|MA- Mies 6.1 Fri I 4b-1a|Photomontage|Descriptive|Cataloger|||||||Friedrichstrasse Skyscraper (competition project). Photomontage|7969|Mies van der Rohe, Ludwig||architect|Ludwig Mies van der Rohe|0||||0|||||German|||Modernist|||Europe||Germany|||Berlin, Germany|||10108||||0||||0||||0|Architecture|Photomontage|Architectural drawing|||20|||1921|1921||1921|1921-1921||Friedrichstrasse Skyscraper (competition project)|Larger entity||6531||||0|||||Photomontage||||||photography|collage|architectural drawing|||||3384|New York: Museum of Modern Art|New York: MoMA||Skyscrapers ; Office buildings ; Berlin (Germany) ; |Skyscrapers|Office buildings|Berlin (Germany)|||||||Cornell||JNK|MNW|5/25/2006 0:00:00|4/12/2006 0:00:00|Mies|||0||||||Fri I|MA||||||6.1|| ||||||||Work|0|Modern Architecture-|||||||||||0|0|Photomontage|Mies van der Rohe, Ludwig 6535.00|0|Architect|02|MA-|LeCorb|1.0 1923ff Vers|99|MA- LeCorb 1.0 1923ff Vers 99|Eyes which do not see; the Lamoricière, p. 99|Inscribed|Artist|||||||Towards a New Architecture. Eyes which do not see; the Lamoricière, p. 99|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||Swiss|||Modernist|||Europe||Switzerland||||||0||||0||||0||||0|Publications|Illustration|Theory|||20|||1923|1948||1923 ff|1923-1948||Towards a New Architecture|Larger entity||3057||||0|||||||||||printing|||||||||||Architectural theory ; Ships ; |Architectural theory|Ships||||||||Cornell||JNK|JNK|4/19/2006 0:00:00|4/12/2006 0:00:00|LeCorb|||0||||||1923ff Vers|MA||||||1.0||||||||||Work|0|Modern Architecture-|||||||||||0|0|Eyes which do not see; the Lamoricière, p. 99|Le Corbusier 6536.00|0|Category|07|E-07|Vatican Virgil|||E-07 Vatican Virgil |Plate 24: Dido confronts Aeneas|Descriptive|Scholar||||||||0|||||0||||0|||||Roman|||Late Antique|||Europe||Italy||||||0||||0||||0||||0|Paintings|Miniature (painting)|||CE|5|||401|500|ca|5th Century|ca 401-500|||||0||||0|||||Tempera on parchment|tempera|parchment||||painting (image-making)|||||22 cm||4303|Rome: Vatican; Biblioteca Vaticana|Rome: Vatican; Biblioteca||Dido ; Aeneas (legendary character) ; |Dido|Aeneas (legendary character)||||||||Cornell||HB|HB|6/5/2006 0:00:00|4/12/2006 0:00:00||||0||Vat. Lat. 3225||||Vatican Virgil|E|||07||||| ||||||||Work|0|Painting-Roman|||||Vatican Library Vat. lat. 3225||||||0|0|Plate 24: Dido confronts Aeneas| 6537.00|0|Creator|15|E-13.4|LeCorbusier|66||E-13.4 LeCorbusier 66 |Still-life with Pile of Plates|Translated|Dict.Art|Nature morte à la pile d'assiettes|Assigned|Repository|Stilleben mit einem Stapel Teller|Variant|Repository|Still-life with Pile of Plates|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||Swiss|||Purist|||Europe||Switzerland||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||20|||1920|1920||1920|1920-1920|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||81 x 100 cm||3456|Basel: Kunstmuseum Basel|Basel: Kunstmuseum||Still lifes ; |Still lifes|||||||||Cornell||JNK|JNK|4/12/2006 0:00:00|4/12/2006 0:00:00|LeCorbusie|||0||G 1963.3|||||E|||13.4||||| ||||||||Work|0||||||||||||0|0|Still-life with Pile of Plates;Nature morte à la pile d'assiettes;Stilleben mit einem Stapel Teller|Le Corbusier 6538.00|0|Architect|02|B-H2|Par|2.31 1925 ExDec/Esp||B-H2 Par 2.31 1925 ExDec/Esp |Pavilion de l'Esprit Nouveau|Assigned|Image Source (Pub)|||||||Exposition internationale des arts décoratifs et industriels modernes. Pavilion de l'Esprit Nouveau|6857|Le Corbusier||architect|Le Corbusier & Pierre Jeanneret|5935|Jeanneret, Pierre||archaeologist|0|||||Swiss|French||International Style|||Europe||France|||Paris, France|||10058||||0||||0||||0|Architecture|Exhibit building||||20|||1925|1925||1925|1925-1925||Exposition internationale des arts décoratifs et industriels modernes|Larger entity||6360||||0||||||||||||||||||||||Exposition internationale des arts de´coratifs et industriels modernes (1925: Paris) ; Exhibition buildings ; |Exposition internationale des arts de´coratifs et industriels modernes (1925: Paris)|Exhibition buildings||||||||Cornell||JNK|JNK|4/12/2006 0:00:00|4/12/2006 0:00:00||Par||0||||||1925 ExDec/Esp|B|||||H2|2.31||||||||||Work|0|Architecture-France|||||||||||0|0|Pavilion de l'Esprit Nouveau|Le Corbusier;Jeanneret, Pierre 6539.00|0|Creator|15|32|H765-PA|1866|1|32 H765-PA 1866 1|Croquet Scene|Assigned|Repository|||||||Croquet Scene|5572|Homer, Winslow||painter|Winslow Homer|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1866|1866||1866|1866-1866|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||40.3 x 66.2 cm||4073|Chicago: Art Institute of Chicago|Chicago: Art Institute||Men (male humans) ; Women ; Croquet ; |Men (male humans)|Women|Croquet|||||||Cornell||JNK|JNK|4/12/2006 0:00:00|4/12/2006 0:00:00|H765|||0||1942.35|||||32|PA|||||1866|| ||||||||Work|0||||||||||||0|0|Croquet Scene|Homer, Winslow 6540.00|0|Creator|15|32|H765-PA|nd|6|32 H765-PA nd 6|Taking a Sunflower to the Teacher|Assigned|Image Source (Pub)|||||||Taking a Sunflower to the Teacher|5572|Homer, Winslow||painter|Winslow Homer|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting||||19|20||1910|1910|bef|nd|bef 1910-1910|||||0||||0|||||||||||painting (image-making)|||||||4277|Athens, GA: University of Georgia; Georgia Museum of Art|Athens, GA: Univ. GA; Mus.||Boys ; Sunflowers ; |Boys|Sunflowers||||||||Cornell||JNK|JNK|4/12/2006 0:00:00|4/12/2006 0:00:00|H765|||0|||||||32|PA|||||nd|| ||||||||Work|0||||||||||||0|0|Taking a Sunflower to the Teacher|Homer, Winslow 6541.00|0|Creator|15|32|E115-PA|1908|3|32 E115-PA 1908 3|William Rush Carving His Allegorical Figure of the Schuylkill River|Assigned|Repository|||||||William Rush Carving His Allegorical Figure of the Schuylkill River|3432|Eakins, Thomas||painter|Thomas Eakins|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||20|||1908|1908||1908|1908-1908|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||91.3 x 121.5 cm||3838|New York: The Brooklyn Museum|New York: Brooklyn Mus.||Allegory ; Models (people) ; Artists ; Studios (Work Spaces) ; Painters (artists) ; Painting (image making) ; Schuylkill (river) ; |Allegory|Models (people)|Artists|Studios (Work Spaces)|Painters (artists)|Painting (image making)|Schuylkill (river)|||Cornell||JNK|JNK|4/13/2006 0:00:00|4/13/2006 0:00:00|E115|||0||39.461|||||32|PA|||||1908|| ||||||||Work|0||||||||||||0|0|William Rush Carving His Allegorical Figure of the Schuylkill River|Eakins, Thomas 6542.00|0|Category|05|90|P60|||90 P60 |Ceremony at Promontory Point, Utah, as First Transcontinental Railroad Completed|Descriptive|Image Source (Pub)|||||||Ceremony at Promontory Point, Utah, as First Transcontinental Railroad Completed|0|||||0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Photographic print|Documentary photograph|||19|||1869|1869||1869|1869-1869|||||0||||0|||||Black and white photograph||||||photography|||||||||||Railroads ; |Railroads|||||||||Cornell||JNK|JNK|4/13/2006 0:00:00|4/13/2006 0:00:00|P60|||0|||||||90||||||||||||||||Work|0||||||||||||0|0|| 6543.00|0|Creator|15|32|H765-G|1861|1|32 H765-G 1861 1|Filling Cartridges at the United States Arsenal, at Watertown, Massachusetts|Assigned|Image Source (Pub)|||||||Filling Cartridges at the United States Arsenal, at Watertown, Massachusetts|5572|Homer, Winslow||painter|Winslow Homer|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Prints|Wood engraving||||19|||1861|1861||1861|1861-1861|||||0||||0|||||Wood engraving||||||wood engraving (process)|||||||||||United States History Civil War, 1861-1865 ; Firearms ; |United States History Civil War, 1861-1865|Firearms||||||||Cornell||JNK|JNK|4/13/2006 0:00:00|4/13/2006 0:00:00|H765|||0||||||1|32|G|||||1861||||||||||Work|0||Published in Harper's Weekly, July 20, 1861||||||||||0|0|Filling Cartridges at the United States Arsenal, at Watertown, Massachusetts|Homer, Winslow 6544.00|0|Creator|05|32|L6735-TO|1870|1|32 L6735-TO 1870 1|Edmonia Lewis|Descriptive|Repository|||||||Edmonia Lewis|31181|Rocher, Henry||photographer|Henry Rocher|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Photographic print|Portrait|||19|||1870|1870|ca|ca 1870|ca 1870-1870|||||0||||0|||||Albumen silver print||||||photography|albumen process||||9.2 x 5.2 cm||3176|Washington, DC: Smithsonian Institution; National Portrait Gallery|Wash, DC: Smithsonian; Nat. Portrait Gal.||Portraits ; Lewis, Edmonia, 1845-aft 1911 ; |Portraits|Lewis, Edmonia, 1845-aft 1911||||||||Cornell||JNK|JNK|4/13/2006 0:00:00|4/13/2006 0:00:00|L6735|||0||NPG.94.95||||1|32|TO|||||1870|| ||||||||Work|0|19th Century|||||||||||0|0|Edmonia Lewis|Rocher, Henry 6545.00|0|Creator|15|40|Ball, T-|||40 Ball, T- |Freedmen's Memorial Monument to Abraham Lincoln|Assigned|Repository|Emancipation Group|Variant|Repository|Lincoln Freeing the Slaves|Descriptive|Image Source (Pub)|Freedmen's Memorial Monument to Abraham Lincoln|31182|Ball, Thomas||sculptor|Thomas Ball|0||||0|||||American||||||North and Central America||United States||||||0|Lincoln Park, Washington, DC|||10776||||0||||0|Sculpture|Sculpture||||19|||1875|1876||1875-1876|1875-1876|||||0||||0|||||Bronze|bronze|||||sculpture|casting||||||||||Slavery ; Freedom ; Lincoln, Abraham, 1809-1865 ; |Slavery|Freedom|Lincoln, Abraham, 1809-1865|||||||Cornell||JNK|JNK|4/14/2006 0:00:00|4/14/2006 0:00:00|Ball, T|||0|||||||40||||||||||||||||Work|0||The monument was commissioned and paid for by freed slaves. The first to contribute was Charlotte Scott of Virginia who donated her first $5 earned in freedom to the fund.|||Cast in Munich in 1875 and shipped to Washinton in 1876.|||||||0|0|Freedmen's Memorial Monument to Abraham Lincoln;Emancipation Group;Lincoln Freeing the Slaves|Ball, Thomas 6546.00|0|Creator|15||||||Brancacci Chapel|Translated|Print Publication|Cappella Brancacci|Original|Print Publication||||Brancacci Chapel|7624|Masaccio||painter|Masaccio and Masolino da Panicale|7630|Masolino da Panicale, ||painter|0|||||Italian|||Renaissance|||Europe||Italy||||||0|Santa Maria del Carmine, Florence, Italy|||10845||||0||||0|Architecture|Chapel||||15|||1423|1428||1423-1428|1423-1428|||||0||||0|||||Fresco|||||||||||214 x 90 cm (84.3 x 35.4 in)||||||Chapels ; |Chapels|||||||||Cornell||MNW|JNK|5/23/2006 0:00:00|4/14/2006 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Brancacci Chapel;Cappella Brancacci|Masaccio;Masolino da Panicale, 6547.00|0||||||||The Morning Bell|Assigned|Repository|||||||The Morning Bell|5572|Homer, Winslow||painter|Winslow Homer|0||||0|||||American||||||North and Central America||United States||||||0||||||||0||||0|Prints|Wood engraving||||19|||1873|1873||1873|1873-1873|||||0||||0|||||Wood engraving||||||wood engraving (process)|||||23.3 x 34.4 cm||3343|San Francisco: Fine Arts Museums of San Francisco|San Francisco: Fine Arts Museums||Textile mills ; Women ; Workers ; |Textile mills|Women|Workers|||||||Cornell||JNK|MNW|7/12/2006 0:00:00|4/14/2006 0:00:00||||0||1963.30.961||||||||||||| ||||||||Work|0||||||||||||0|0|The Morning Bell|Homer, Winslow 6548.00|0||||||||Paul Revere|Assigned|Repository|||||||Paul Revere|2588|Copley, John Singleton||artist|John Singleton Copley|0||||0|||||American|||Colonial|||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting|Portrait|Oil painting||18|||1768|1768||1768|1768-1768|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||89.22 x 72.39 cm||428|Boston: Museum of Fine Arts|Boston: MFA||Portraits ; Revere, Paul, 1735-1818 ; |Portraits|Revere, Paul, 1735-1818||||||||Cornell||JNK|JNK|4/14/2006 0:00:00|4/14/2006 0:00:00||||0||30.781||||||||||||| |||||||||0||||||||||||0|0|Paul Revere|Copley, John Singleton 6549.00|0||||||||Rip Van Winkle and His Companions at the Inn Door of Nicholas Vedder's|Assigned|Repository|||||||Rip Van Winkle and His Companions at the Inn Door of Nicholas Vedder's|9564|Quidor, John||painter|John Quidor|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1839|1839||1839|1839-1839|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||68.9 x 86.68 cm||428|Boston: Museum of Fine Arts|Boston: MFA||Van Winkle, Rip (Fictitious character) ; Drinking ; Taverns (Inns) ; |Van Winkle, Rip (Fictitious character)|Drinking|Taverns (Inns)|||||||Cornell||JNK|JNK|4/14/2006 0:00:00|4/14/2006 0:00:00||||0||58.469||||||||||||| |||||||||0||||||||||||0|0|Rip Van Winkle and His Companions at the Inn Door of Nicholas Vedder's|Quidor, John 6550.00|0|Creator|15|30|C784-PA|5 P|1|30 C784-PA 5 P 1|Henry Pelham|Assigned|Repository|Boy with a Squirrel|Variant|Repository||||Henry Pelham (Boy with a Squirrel)|2588|Copley, John Singleton||artist|John Singleton Copley|0||||0|||||American|||Colonial|||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting|Portrait|||18|||1765|1765||1765|1765-1765|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||77.15 x 63.82 cm||428|Boston: Museum of Fine Arts|Boston: MFA||Portraits ; Boys ; Squirrels ; Pelham, Henry, 1749-1806 ; |Portraits|Boys|Squirrels|Pelham, Henry, 1749-1806||||||Cornell||JNK|JNK|4/14/2006 0:00:00|4/14/2006 0:00:00|C784|||0||1978.297|||||30|PA|||||5 P|| ||||||||Work|0||||||||||||0|0|Henry Pelham;Boy with a Squirrel|Copley, John Singleton 6551.00|0|Category|15|32|H765-PA|1876|3|32 H765-PA 1876 3|A Visit from the Old Mistress|Assigned|Repository|||||||A Visit from the Old Mistress|5572|Homer, Winslow||painter|Winslow Homer|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1876|1876||1876|1876-1876|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||45.7 x 61 cm||3174|Washington, DC: Smithsonian Institution; Museum of American Art|Wash, DC: Smithsonian; Mus. Amer. Art||Slavery ; Freedom ; African Americans ; |Slavery|Freedom|African Americans|||||||Cornell||JNK|MNW|4/24/2006 0:00:00|4/14/2006 0:00:00|H765|||0||1909.7.28|||||32|PA||||||| |1876|||||||Work|0||||||||||||0|0|A Visit from the Old Mistress|Homer, Winslow 6554.00|0||||||||Photographic Sketch-book of the War|Inscribed|Artist|||||||Photographic Sketch-book of the War|4309|Gardner, Alexander||photographer|Alexander Gardner|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Publications|Book||||20|||1866|1866||1866|1866-1866|||||0||||0||||||||||||||||||||||United States History Civil War, 1861-1865 ; Wars ; Photograph albums ; Photography ; |United States History Civil War, 1861-1865|Wars|Photograph albums|Photography||||||Cornell||JNK|JNK|4/14/2006 0:00:00|4/14/2006 0:00:00||||0||||||||||||||||||||||||0||Published in Washington, DC||||||||||0|0|Photographic Sketch-book of the War|Gardner, Alexander 6555.00|0||||||||Field Where General Reynolds Fell, Gettysburg, no. 37|Assigned|Image Source (Pub)|||||||Photographic Sketch-book of the War. Field Where General Reynolds Fell, Gettysburg, no. 37|8650|O'Sullivan, Timothy H.||photographer|Timothy H. O'Sullivan|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Photographic print||||19|||1863|1863||1863|1863-1863||Photographic Sketch-book of the War|Larger entity||6554||||0|||||Albumen print mounted on a heavier sheet||||||photography|albumen process||||17.5 x 22.8 cm (images; 25.6 x 30.6 cm (sheet)||3343|San Francisco: Fine Arts Museums of San Francisco|San Francisco: Fine Arts Museums||Battles ; United States History Civil War, 1861-1865 ; Soldiers ; Deaths ; Wars ; |Battles|United States History Civil War, 1861-1865|Soldiers|Deaths|Wars|||||Cornell||JNK|JNK|4/14/2006 0:00:00|4/14/2006 0:00:00||||0||1990.3.1||||||||||||| |||||||||0||||||||||||0|0|Field Where General Reynolds Fell, Gettysburg, no. 37|O'Sullivan, Timothy H. 6556.00|0||||||||Twilight in the Wilderness|Assigned|Repository|||||||Twilight in the Wilderness|2321|Church, Frederic Edwin||painter|Frederic Edwin Church|0||||0|||||American|||Hudson River School|||North and Central America||United States||||||0||||||||0||||0|Paintings|Painting|Landscape (environment)|Oil painting||19|||1860|1860||1860|1860-1860|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||101.6 cm x 162.6 cm||3418|Cleveland: Cleveland Museum of Art|Cleveland: Museum of Art||Landscapes ; |Landscapes|||||||||Cornell||JNK|JNK|4/17/2006 0:00:00|4/17/2006 0:00:00||||0||1965.233||||||||||||| |||||||||0||||||||||||0|0||Church, Frederic Edwin 6557.00|0||||||||Fur Traders Descending the Missouri|Assigned|Repository|||||||Fur Traders Descending the Missouri|1177|Bingham, George Caleb||artist|George Caleb Bingham|0||||0|||||American||||||North and Central America||United States||||||0||||||||0||||0|Paintings|Painting|Oil painting|Genre||19|||1845|1845||1845|1845-1845|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||73.7 x 92.7 cm||3294|New York: Metropolitan Museum of Art|New York: Metropolitan||Rivers ; Rafters ; Missouri River (river) ; Fur traders ; |Rivers|Rafters|Missouri River (river)|Fur traders||||||Cornell||JNK|JNK|4/17/2006 0:00:00|4/17/2006 0:00:00||||0||33.61||||||||||||| |||||||||0||||||||||||0|0||Bingham, George Caleb 6558.00|0||||||||The Ironworkers' Noontime|Artists|Repository|||||||The Ironworkers' Noontime|31183|Anshutz, Thomas Pollock||painter|Thomas Pollock Anshutz|0||||0|||||American|||Academic|||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1880|1880||1880|1880-1880|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||43.2 x 60.6 cm||3343|San Francisco: Fine Arts Museums of San Francisco|San Francisco: Fine Arts Museums||Ironworking ; Men (male humans) ; |Ironworking|Men (male humans)||||||||Cornell||JNK|JNK|4/17/2006 0:00:00|4/17/2006 0:00:00||||0||1979.7.4||||||||||||| |||||||||0||||||||||||0|0|The Ironworkers' Noontime|Anshutz, Thomas Pollock 6559.00|0|Creator|15|30|W514-PA|41P|1|30 W514-PA 41P 1|William Penn's Treaty with the Indians|Artists|Repository|||||||William Penn's Treaty with the Indians|30161|West, Benjamin||painter|Benjamin West|0||||0|||||American|||Academic|||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||18|||1771|1772||1771-1772|1771-1772|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||191.8 x 273.7 cm||3408|Philadelphia: Pennsylvania Academy of the Fine Arts|Philadelphia: PA Acad. Fine Arts||Indians of North America ; Penn, William, 1644-1718 ; |Indians of North America|Penn, William, 1644-1718||||||||Cornell||JNK|JNK|4/17/2006 0:00:00|4/17/2006 0:00:00|W514|||0||1878.1.10|||||30|PA|||||41P|| ||||||||Work|0||||||||||||0|0|William Penn's Treaty with the Indians|West, Benjamin 6560.00|0|Creator|15|32|Q691-PA|1829|1|32 Q691-PA 1829 1|Rip van Winkle|Assigned|Image Source (Pub)|||||||Rip van Winkle|9564|Quidor, John||painter|John Quidor|0||||0|||||American||||||North and Central America||United States||||||0|Chicago, IL|||0||||0||||0|Paintings|Painting|Painting|||19|||1829|1829||1829|1829-1829|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||70 x 87 cm||4073|Chicago: Art Institute of Chicago|Chicago: Art Institute||Van Winkle, Rip (Fictitious character) ; |Van Winkle, Rip (Fictitious character)|||||||||Cornell||JNK|JNK|4/17/2006 0:00:00|4/17/2006 0:00:00|Q691|||0|||||||32|PA|||||1829|| ||||||||Work|0||||||||||||0|0|Rip van Winkle|Quidor, John 6561.00|0|Creator|15|32|C561-PA|1857|3|32 C561-PA 1857 3|Niagara|Artists|Repository|||||||Niagara|2321|Church, Frederic Edwin||painter|Frederic Edwin Church|0||||0|||||American|||Hudson River School|||North and Central America||United States||||||0|Washington, DC|||0||||0||||0|Paintings|Painting|Landscape (representation)|Oil painting||19|||1857|1857||1857|1857-1857|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||115.57 x 229.87 cm||3454|Washington, DC: Corcoran Gallery of Art|Wash, DC: Corcoran Gallery||Landscapes ; Niagara Falls (waterfall) ; Niagara River (river) ; |Landscapes|Niagara Falls (waterfall)|Niagara River (river)|||||||Cornell||JNK|JNK|4/18/2006 0:00:00|4/18/2006 0:00:00|C561|||0||76.15|||||32|PA|||||3.1|| |1857|||||||Work|0||||||||||||0|0|Niagara|Church, Frederic Edwin 6562.00|0||||||||Turned Great Chair|Assigned|Image Source (Pub)|||||||Turned Great Chair|0|||||0||||0|||||American|||Colonial|||North and Central America||United States|||Massachusetts|||10779||||0|Massachusetts|||10779||||0|Furnishings|Chair||||17|||1640|1680||1640-1680|1640-1680|||||0||||0|||||Wood|wood (plant material)|||||furniture making|||||113.7 x 40 cm||||||Chairs ; |Chairs|||||||||Cornell||JNK|JNK|4/18/2006 0:00:00|4/18/2006 0:00:00||||0||||||||||||||||||||||||0||Chair was made in Eastern Massachusetts.||||||||||0|0|Turned Great Chair| 6563.00|0|Creator|15|32|H765-PA|1872|2|32 H765-PA 1872 2|Snap the Whip|Artists|Repository|||||||Snap the Whip|5572|Homer, Winslow||painter|Winslow Homer|0||||0|||||American||||||North and Central America||United States||||||0||||||||0||||0|Paintings|Painting|Oil painting|||19|||1872|1872||1872|1872-1872|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||55.88 x 91.44 cm||3236|Youngstown: Butler Institute of American Art|Youngstown: Butler Inst. Amer. Art||Children (people by age group) ; |Children (people by age group)|||||||||Cornell||JNK|JNK|4/18/2006 0:00:00|4/18/2006 0:00:00|H765|||0||919-0-108|||||32|PA|||||2.11|| |1872|||||||Work|0||||||||||||0|0|Snap the Whip|Homer, Winslow 6564.00|0|Site|02|B-H3|Ost|2.43 CasVig||B-H3 Ost 2.43 CasVig |Caserma dei Vigili (Firemen's Barracks)|Descriptive|Blue Guide||||||||0|||||0||||0|||||Roman|||Roman Period|||Europe|Lazio|Italy||||||0|Ostia Antica, Italy|||10772||||0||||0|Archaeological Sites|Archaeological site|||CE|2|||101|200|ca|2nd Century CE|ca 101-200|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|4/18/2006 0:00:00||Ost||0||||||CasVig|B|||||H3|2.43||||||||||Work|0|Architecture-Italy|||||||||||0|0|Caserma dei Vigili (Firemen's Barracks)| 6565.00|0|Site|02|B-H3|Ost|2.43 CasVig||B-H3 Ost 2.43 CasVig |Mosaic floor, Caserma dei Vigili|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||Roman|||Roman Period|||Europe|Lazio|Italy||||||0|Ostia Antica, Italy|||10772||||0||||0|Mosaics|Mosaic|Floor||CE|2|||101|200|ca|2nd Century CE|ca 101-200||Caserma dei Vigili (Firemen's Barracks)|Part of||6564||||0|||||||||||mosaic|||||10 x 4 m||||||Sacrifices ; Bulls ; |Sacrifices|Bulls||||||||Cornell||HB|HB|6/16/2006 0:00:00|4/18/2006 0:00:00||Ost||0||||||CasVig|B|||||H3|2.43||||||||||Work|0|Architecture-Italy|||||||||||0|0|Mosaic floor, Caserma dei Vigili| 6566.00|0|Site|02|B-H3|Ost|2.33 Nep||B-H3 Ost 2.33 Nep |Baths of Neptune|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||Roman|||Roman Period|||Europe|Lazio|Italy||||||0|Ostia Antica, Italy|||10772||||0||||0|Archaeological Sites|Bathhouse|Roman bath space|||2|||117|138|ca|ca 117-138|ca 117-138|||||0||||0||||||||||||||||||||||Roman Bath Spaces ; |Roman Bath Spaces|||||||||Cornell||HB|MNW|11/6/2006 0:00:00|4/18/2006 0:00:00||Ost||0||||||Nep|B|||||H3|2.33||||||||||Work|0|Architecture-Italy|||||||||||0|0|Baths of Neptune| 6567.00|0|Creator|05|32|B5688-TO|1859|1|32 B5688-TO 1859 1|Albert Bierstadt Painting "Thunderstorm in the Rocky Mountains" in his New Bedford Studio|Descriptive|Image Source (Pub)|||||||Albert Bierstadt Painting "Thunderstorm in the Rocky Mountains" in his New Bedford Studio||||||0||||0|||||American|||Hudson River School|||North and Central America||United States||||||0||||0||||0||||0|Photographs|Documentary photograph|Stereograph|||19|||1859|1859||1859|1859-1859|||||0||||0|||||Stereograph||||||stereograph|||||||9702|: Schaeffer Collection|: Schaeffer Collection||Studios (Work Spaces) ; Painting (image making) ; Bierstadt, Albert, 1830-1902 ; |Studios (Work Spaces)|Painting (image making)|Bierstadt, Albert, 1830-1902|||||||Cornell||JNK|JNK|4/18/2006 0:00:00|4/18/2006 0:00:00|B5688|||0|||||||32|TO||||||| |1859|||||||Work|0||||||||||||0|0|Albert Bierstadt Painting "Thunderstorm in the Rocky Mountains" in his New Bedford Studio| 6568.00|0|Site|02|B-H3|Ost|2.33 Nep||B-H3 Ost 2.33 Nep |Mosaic Floor||||||||||0|||||0||||0|||||Roman|||Roman Period|||Europe|Lazio|Italy||||||0|Ostia Antica, Italy|||10772||||0||||0|Mosaics|Mosaic|Floor||CE|2|||117|138|ca|ca 117-138|ca 117-138||Baths of Neptune|Part of||6566||||0|||||||||||mosaic|||||9 x 9 m||||||Neptune ; Sea monsters ; |Neptune|Sea monsters||||||||Cornell||HB|HB|6/16/2006 0:00:00|4/18/2006 0:00:00||Ost||0||||||Nep|B|||||H3|2.33||||||||||Work|0|Architecture-Italy|||||||||||0|0|Mosaic Floor| 6569.00|0|Creator|15|32|B5688-PA|1889|2|32 B5688-PA 1889 2|Last of the Buffalo|Artists|Repository|||||||Last of the Buffalo|1158|Bierstadt, Albert||painter|Albert Bierstadt|0||||0|||||American|||Hudson River School|||North and Central America||United States||||||0||||||||0||||0|Paintings|Painting|Oil painting|Landscape (representation)||19|||1889|1889||1889|1889-1889|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||183 x 301.6 cm||3454|Washington, DC: Corcoran Gallery of Art|Wash, DC: Corcoran Gallery||Landscapes ; American bison ; Indians of North America ; Hunting ; |Landscapes|American bison|Indians of North America|Hunting||||||Cornell||JNK|JNK|4/18/2006 0:00:00|4/18/2006 0:00:00|B5688|||0||09.12|||||32|PA|||||1889|| ||||||||Work|0||||||||||||0|0||Bierstadt, Albert 6570.00|0|Creator|15|32|B613-PA|1869|1|32 B613-PA 1869 1|Order No. 11|Assigned|Repository|Martial Law|Variant|Image Source (Pub)||||Order No. 11 (Martial Law)|1177|Bingham, George Caleb||artist|George Caleb Bingham|0||||0|||||American||||||North and Central America||United States||||||0||||||||0||||0|Paintings|Painting|Oil painting|Genre||19|||1865|1870||1865-1870|1865-1870|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||141 x 199.4 cm||3378|Cincinnati: Cincinnati Art Museum|Cincinnati: Art Museum||Murders ; Deaths ; Martial law ; |Murders|Deaths|Martial law|||||||Cornell||JNK|JNK|4/18/2006 0:00:00|4/18/2006 0:00:00|B613|||0||1958.515|||||32|PA||||||| |1869|||||||Work|0||||||||||||0|0|Order No. 11;Martial Law|Bingham, George Caleb 6571.00|0|Site|02|B-H3|Ost|7.5 Amo||B-H3 Ost 7.5 Amo |House of Amore and Psyche||Image Source (Pub)|||||||House of Amore and Psyche|0|||||0||||0|||||Roman|||Roman Period|||Europe|Lazio|Italy||||||0|Ostia Antica, Italy|||10772||||0||||0|Archaeological Sites|House|||CE|4|||200|325|ca|4th Century|ca 200-325|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|4/18/2006 0:00:00||Ost||0||||||Amo|B|||||H3|7.5||||||||||Work|0|Architecture-Italy|||||||||||0|0|House of Amore and Psyche| 6572.00|0|Site|02|B-H3|Ost|7.5 Amo||B-H3 Ost 7.5 Amo |Marble Floor|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||Roman|||Roman Period|||Europe|Lazio|Italy||||||0|Ostia Antica, Italy|||10772||||0||||0|Mosaics|Floor|||CE|4|||200|325|ca|4th Century|ca 200-325||House of Amore and Psyche|||6571||||0|||||Marble|marble|||||opus sectile|||||7.5 x 7.5 m||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|4/18/2006 0:00:00||Ost||0||||||Amo|B|||||H3|7.5||||||||||Work|0|Architecture-Italy|||||||||||0|0|Marble Floor| 6573.00|0|Creator|15|32|C9485-PA|1865|1|32 C9485-PA 1865 1|Starrucca Viaduct, Pennsylvania|Artists|Repository|||||||Starrucca Viaduct, Pennsylvania|13376|Cropsey, Jasper Francis||painter|Jasper Francis Cropsey|0||||0|||||American|||Hudson River School|||North and Central America||United States||||||0||||||||0||||0|Paintings|Painting|Oil painting|Landscape (representation)||19|||1865|1865||1865|1865-1865|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||||3349|Toledo, OH: Museum of Art|Toledo, OH: Mus. of Art||Viaducts ; Landscapes ; Starrucca Viaduct (Lanesboro, PA) ; Susquehanna River (river) ; |Viaducts|Landscapes|Starrucca Viaduct (Lanesboro, PA)|Susquehanna River (river)||||||Cornell||JNK|JNK|4/18/2006 0:00:00|4/18/2006 0:00:00|C9485|||0|||||||32|PA||||||| |1865|||||||Work|0||||||||||||0|0|Starrucca Viaduct, Pennsylvania|Cropsey, Jasper Francis 6574.00|0|Site|02||||||Baths of the Cisiarii|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||Roman|||Roman Period|||Europe|Lazio|Italy||||||0|Ostia Antica, Italy|||10772||||0||||0|Archaeological Sites|Bathhouse|||CE|2|||100|130|ca|ca 100-130|ca 100-130|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|4/18/2006 0:00:00||Ost||0|||||||||||||||||||||||Work|0||||||||||||0|0|Baths of the Cisiarii| 6575.00|0|Site|02|B-H3|Ost|2.33 Cisiari||B-H3 Ost 2.33 Cisiari |Mosaic Floor||||||||||0|||||0||||0|||||Roman|||Roman Period|||Europe|Lazio|Italy||||||0|Ostia Antica, Italy|||10772||||0||||0|Mosaics|Mosaic|Floor||CE|2|||100|130|ca|ca 100-130|ca 100-130||Baths of the Cisiarii|||6574||||0|||||||||||mosaic|||||||||||Herms ; Philosopher ; |Herms|Philosopher||||||||Cornell||HB|HB|6/16/2006 0:00:00|4/18/2006 0:00:00||Ost||0||||||Cisiari|B|||||H3|2.33||||||||||Work|0|Architecture-Italy|||||||||||0|0|Mosaic Floor| 6576.00|0|Architect|02|MA-Scarpa|4.4|1964 Cas||MA-Scarpa 4.4 1964 Cas|Museo Civico di Castelvecchio|Assigned|Dict.Art|||||||Museo Civico di Castelvecchio|10456|Scarpa, Carlo||architect|Carla Scarpa|0||||0|||||Italian|||Modernist|||Europe||Italy||||||0|Verona, Italy|||10168||||0||||0|Architecture|Museum||||20|||1956|1964||1956-1964|1956-1964||Castelvecchio|Original of||6592||||0||||||||||||||||||||||Museums ; |Museums|||||||||Cornell||JNK|MNW|6/13/2006 0:00:00|4/18/2006 0:00:00|Scarpa|||0||||||Cas|MA||||||4.4|1964|||||||||Work|0|Modern Architecture-||||Original building dates, 1354-1355.|||||||0|0|Museo Civico di Castelvecchio|Scarpa, Carlo 6578.00|0|Architect|02|MA-|LeCorb|1.0 Vers|1923ff 28|MA- LeCorb 1.0 Vers 1923ff 28|3 Reminders to Architects; Mass-Canadian Grain Elevator, p. 28|Artists|Image Source (Pub)|||||||Towards a New Architecture. 3 Reminders to Architects; Mass-Canadian Grain Elevator, p. 28|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||Swiss|||Modernist|||Europe||Switzerland||||||0||||0||||0||||0|Publications|Illustration|Drawing|Photographic print||20|||1923|1948||1923 ff|1923-1948||Towards a New Architecture|Larger entity||3057||||0|||||||||||printing|||||||||||Grain elevators ; |Grain elevators|||||||||Cornell||JNK|MNW|8/25/2006 0:00:00|4/19/2006 0:00:00|LeCorb|||0||||||Vers|MA||||||1.0|1923ff|||||||||Work|0|Modern Architecture-|||||||||||0|0|3 Reminders to Architects; Mass-Canadian Grain Elevator, p. 28|Le Corbusier 6583.00|0|Site|02|B-H3|Rom|7.1 DomAur||B-H3 Rom 7.1 DomAur |Domus Aurea (Nero's Golden House)||||||||||29396|Severus & Celer, |attributed to|architectural firm|Severus & Celer|0||||0|||||Roman|||Imperial (Roman)|||Europe|Lazio|Italy||||||0|Rome, Italy|||10024||||0||||0|Archaeological Sites|House|Palace||CE|1|||64|68||64-68 CE|64-68 CE|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|4/19/2006 0:00:00||Rom||0||||||DomAur|B|||||H3|7.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|Domus Aurea (Nero's Golden House)|Severus & Celer, 6584.00|0|Architect|02|B-J3|Col|2.31 1914 Werk/Gl||B-J3 Col 2.31 1914 Werk/Gl |Glashaus|Assigned|Dict.Art|Glass house|Descriptive|Macmillan|Glass Pavilion|Variant|Collection|Werkbund Exhibition. Glashaus|11636|Taut, Bruno||architect|Bruno Taut|0||||0|||||German||||||Europe||Germany|||Cologne, Germany|||10007||||0||||0||||0|Architecture|Exhibit building||||20|||1914|1914||1914|1914-1914||Werkbund Exhibition|Larger entity||6365||||0||||||||||||||||||||||Exhibition buildings ; |Exhibition buildings|||||||||Cornell||JNK|MNW|5/25/2006 0:00:00|4/19/2006 0:00:00||Col||0||||||1914 Werk/Gl|B|||||J3|2.31||||||||||Work|0|Architecture-Germany|||||||||||0|0|Glashaus;Glass house;Glass Pavilion|Taut, Bruno 6585.00|0|Site|02|B-H3|Rom|7.1 DomAur||B-H3 Rom 7.1 DomAur |Room of Achilles on Skyros|Descriptive|Image Source (Pub)|||||||Domus Aurea. Room of Achilles on Skyros|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Archaeological Sites|Room|Archaeological site||CE|1|||64|68||64-68 CE|64-68||Domus Aurea (Nero's Golden House)|||6583||||0|||||||||||mural painting|painting (image-making)||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|4/19/2006 0:00:00||Rom||0||||||DomAur|B|||||H3|7.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|Room of Achilles on Skyros| 6586.00|0|Site|02|B-H3|Rom|7.1 DomAur||B-H3 Rom 7.1 DomAur |Room of Hector and Andromache|||||||||Room of Hector and Andromache|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Archaeological Sites|Room|Archaeological site|||1|||64|68||64-68 CE|64-68||Domus Aurea (Nero's Golden House)|||6583||||0|||||||||||mural painting|painting (image-making)||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|4/19/2006 0:00:00||Rom||0||||||DomAur|B|||||H3|7.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|Room of Hector and Andromache| 6587.00|0|Site|02|B-H3|Rom|7.1 DomAur||B-H3 Rom 7.1 DomAur |Room of the Masks|Descriptive|Image Source (Pub)|||||||Room of the Masks|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Archaeological Sites|Room|Archaeological site|||1|||64|68||64-68 CE|64-68||Domus Aurea (Nero's Golden House)|||6583||||0|||||||||||mural painting|painting (image-making)||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|4/19/2006 0:00:00||Rom||0||||||DomAur|B|||||H3|7.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|Room of the Masks| 6588.00|0|Site|02|B-H3|Rom|7.1 DomAur||B-H3 Rom 7.1 DomAur |Cryptoporticus|||||||||Cryptoporticus|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Archaeological Sites|Room|Archaeological site|||1|||64|68||64-68 CE|64-68||Domus Aurea (Nero's Golden House)|||6583||||0|||||||||||mural painting|painting (image-making)||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|4/19/2006 0:00:00||Rom||0||||||DomAur|B|||||H3|7.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|Cryptoporticus| 6589.00|0|Site|02|B-H3|Rom|7.1 DomAur||B-H3 Rom 7.1 DomAur |Hall of the Birds||||||||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Archaeological Sites|Room|Archaeological site|||1|||64|68||64-68 CE|64-68||Domus Aurea (Nero's Golden House)|||6583||||0|||||||||||mural painting|painting (image-making)||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|4/19/2006 0:00:00||Rom||0||||||DomAur|B|||||H3|7.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|Hall of the Birds| 6590.00|0|Creator|15|C-11|BoccioniU-|||C-11 BoccioniU- |Unique Forms of Continuity in Space|Artists|Repository|||||||Unique Forms of Continuity in Space|1288|Boccioni, Umberto||sculptor|Umberto Boccioni|0||||0|||||Italian|||Futurist|||Europe||Italy||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1913|1913||1913|1913-1913|||||0||||0|||||Bronze|bronze|||||casting|||||111.2 x 88.5 x 40 cm||3384|New York: Museum of Modern Art|New York: MoMA||Motion ; Figures (representations) ; |Motion|Figures (representations)||||||||Cornell||JNK|JNK|4/19/2006 0:00:00|4/19/2006 0:00:00|BoccioniU|||0|||||||C|||11||||| ||||||||Work|0||||||||||MoMA version cast in 1931||0|0|Unique Forms of Continuity in Space|Boccioni, Umberto 6591.00|0||||||||Alpine Architecture of the Architect Bruno Taut: in 5 Parts and 30 Designs|Translated|Cataloger|Alpine Architektur des Architekten Bruno taut: in 5 teilen und 30 zeichnungen|Inscribed|Artist||||Alpine Architecture of the Architect Bruno Taut: in 5 Parts and 30 Designs|11636|Taut, Bruno||architect|Bruno Taut|0||||0|||||German||||||Europe||Germany||||||0||||0||||0||||0|Publications|Book||||20|||1919|1919||1919|1919-1919|||||0||||0||||||||||||||||||||||Architects ; Architectural drawings ; |Architects|Architectural drawings||||||||Cornell||JNK|JNK|4/19/2006 0:00:00|4/19/2006 0:00:00||||0||||||||||||||||||||||||0||Published Hagen: Folkwang-Verlag, 1919||||||||||0|0|Alpine Architecture of the Architect Bruno Taut: in 5 Parts and 30 Designs;Alpine Architektur des Architekten Bruno taut: in 5 teilen und 30 zeichnungen|Taut, Bruno 6592.00|0|Site|02|B-H3|Ver|7.1 Cas||B-H3 Ver 7.1 Cas |Castelvecchio|Descriptive|Image Source (Pub)|||||||Castelvecchio|0|||||0||||0|||||Italian|||Medieval|||Europe||Italy||||||0|Verona, Italy|||10168||||0||||0|Architecture|Museum|Palace|||14|||1354|1355||1354-1355|1354-1355|||||0||||0||||||||||||||||||||||Castles ; Fortifications ; Museums ; |Castles|Fortifications|Museums|||||||Cornell||JNK|MNW|5/25/2006 0:00:00|4/19/2006 0:00:00||Ver||0||||||Cas|B|||||H3|7.1||||||||||Work|0|Architecture-Italy|The Blue Guide cites Bevilacqua as the first builder, but is no more specific. The building was first inaugurated as a museum by Victor Emmanuel III in 1925. It was again restored by Carlo Scarpa from 1956-1964.||||||||||0|0|Castelvecchio| 6593.00|0|Site|02|B-H3|Ver|2.111a Sca||B-H3 Ver 2.111a Sca |Ponte Scaligero|Assigned|Blue Guide|Ponte Castelvecchio|Variant|Collection|Ponte Scaliger di Castelvecchio|Variant|Online Resource|Ponte Scagliero|0|||||0||||0|||||Italian|||Medieval|||Europe||Italy||||||0|Verona, Italy|||10168||||0||||0|Architecture|Bridge (built work)||||14|||1355|1358||1355-1358|1355-1358|||||0||||0||||||||||||||||||||||Bridges (built works) ; Fortifications ; |Bridges (built works)|Fortifications||||||||Cornell||JNK|MNW|4/20/2006 0:00:00|4/19/2006 0:00:00||Ver||0||||||Sca|B|||||H3|2.111a||||||||||Work|0|Architecture-Italy|The bridge was damaged by a German mine in 1945. Reconstruction began in 1949 and ended in 1951. Also known as the Ponte Merlato. Blue Guide.||||||||||0|0|Ponte Scaligero;Ponte Castelvecchio;Ponte Scaliger di Castelvecchio| 6594.00|0|Site|02|B-H3|Ver|1.1 Aer||B-H3 Ver 1.1 Aer |Aerial View of Verona|Descriptive|Cataloger|||||||Aerial View of Verona|0|||||0||||0|||||Italian||||||Europe||Italy||||||0|Verona, Italy|||10168||||0||||0|City Plans and Views|Aerial view|Documentary photograph|||20|21||1950|2003|ca|Late 20th century|ca 1950-2003|||||0||||0|||||Documentary photograph||||||photography|||||||||||Cityscapes ; Verona (Italy) ; |Cityscapes|Verona (Italy)||||||||Cornell||JNK|MNW|4/20/2006 0:00:00|4/19/2006 0:00:00||Ver||0||||||Aer|B|||||H3|1.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|Aerial View of Verona| 6595.00|0|Architect|02|MA-Scarpa|4.4 1964|Cas|4b-1|MA-Scarpa 4.4 1964 Cas 4b-1|Study for the Pedestal for the Cangrande|Translated|Cataloger|Faso di progetto per il piedistallo di Cangrande|Descriptive|Image Source (Pub)||||Museo Civico di Castelvecchio. Study for the Pedestal for the Cangrande|10456|Scarpa, Carlo||architect|Carla Scarpa|0||||0|||||Italian|||Modernist|||Europe||Italy||||||0||||0||||0||||0|Architecture|Architectural drawing||||20|||1964|1964|ca|ca 1964|ca 1964-1964||Museo Civico di Castelvecchio|Larger entity||6576||||0|||||Drawing||||||drawing (image-making)|||||||||||Architectural drawings ; Pedestals ; Sculpture (visual work) ; |Architectural drawings|Pedestals|Sculpture (visual work)|||||||Cornell||JNK|MNW|5/25/2006 0:00:00|4/19/2006 0:00:00|Scarpa|||0||||||Cas|MA||||||4.4|1964|||||||||Work|0|Modern Architecture-|||||||||||0|0|Study for the Pedestal for the Cangrande;Faso di progetto per il piedistallo di Cangrande|Scarpa, Carlo 6596.00|0|Architect|03|MA-|4.4|1964 Cas|4b-2|MA-Scarpa 4.4 1964 Cas 4b-2|Study for the Pedestal for the Cangrande|Translated|Cataloger|Faso di progetto per il piedistallo di Cangrande|Descriptive|Image Source (Pub)||||Museo Civico di Castelvecchio. Study for the Pedestal for the Cangrande|10456|Scarpa, Carlo||architect|Carla Scarpa|0||||0|||||Italian|||Modernist|||Europe||Italy||||||0||||0||||0||||0|Architecture|Architectural drawing||||20|||1964|1964|ca|ca 1964|ca 1964-1964||Museo Civico di Castelvecchio|Larger entity||6576||||0|||||Drawing||||||drawing (image-making)|||||||||||Architectural drawings ; Pedestals ; Sculpture (visual work) ; |Architectural drawings|Pedestals|Sculpture (visual work)|||||||Cornell||JNK|MNW|6/13/2006 0:00:00|4/19/2006 0:00:00||||0||||||Cas|MA||||||4.4|1964|||||||||Work|0|Modern Architecture|||||||||||0|0|Study for the Pedestal for the Cangrande;Faso di progetto per il piedistallo di Cangrande|Scarpa, Carlo 6597.00|0|Creator|15|32|G448-D|1903|1|32 G448-D 1903 1|The Weaker Sex, II|Artists|Repository|||||||The Weaker Sex, II|4452|Gibson, Charles Dana||illustrator|Charles Dana Gibson|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Drawings|Illustration|Cartoon (humorous image)|||20|||1903|1903||1903|1903-1903|||||0||||0|||||Pen and ink|pens|ink||||drawing (image-making)|||||||3892|Washington, DC: Library of Congress|Wash, DC: Library of Congress||Gibson girls ; Women ; Men (male humans) ; Giants ; Dwarfs ; Insects ; |Gibson girls|Women|Men (male humans)|Giants|Dwarfs|Insects||||Cornell||JNK|JNK|4/20/2006 0:00:00|4/20/2006 0:00:00|G448|||0||DLC/PP-1935:0140|||||32|D|||||1903|| ||||||||Work|0||||||||||||0|0|The Weaker Sex, II|Gibson, Charles Dana 6598.00|0|Architect|02|MA-|TautB|1.0 Alp|1919 2-10|MA- TautB 1.0 Alp 1919 2-10|"Firnen im ewigen Eise und Schnee…", p. 10|Inscribed|Artist|Glacier in the eternal ice and snow…|Translated|Cataloger|Schnee Gletscher Glas|Inscribed|Artist|Alpine Architecture of the Architect Bruno Taut: in 5 Parts and 30 Designs. "Firnen im ewigen Eise und Schnee…", p. 10|11636|Taut, Bruno||architect|Bruno Taut|0||||0|||||German||||||Europe||Germany||||||0||||0||||0||||0|Publications|Illustration|Drawing|||20|||1919|1919||1919|1919-1919||Alpine Architecture of the Architect Bruno Taut: in 5 Parts and 30 Designs|||6591||||0|||||||||||drawing (image-making)|||||||||||Mountains ; Snow ; Glaciers ; |Mountains|Snow|Glaciers|||||||Cornell||JNK|JNK|4/20/2006 0:00:00|4/20/2006 0:00:00|TautB|||0||||||Alp|MA||||||1.0|1919|||||||||Work|0|Modern Architecture-|||||||||||0|0|"Firnen im ewigen Eise und Schnee…", p. 10;Glacier in the eternal ice and snow…;Schnee Gletscher Glas|Taut, Bruno 6599.00|0|Architect|02|MA-|TatuB|7.4 Sie|1926-31|MA- TatuB 7.4 Sie 1926-31|Siedlung Britz|Assigned|Online Resource||Variant|Online Resource|Hufeisensiedlung|Variant|Online Resource|Siedlung Britz|11636|Taut, Bruno||architect|Bruno Taut & Martin Wagner|12402|Wagner, Martin||planner|0|||||German|||Weimar Republic|||Europe||Germany||||||0|Berlin, Germany|||10108||||0||||0|Architecture|Municipal plan||||20|||1926|1931||1926-1931|1926-1931|||||0||||0||||||||||||||||||||||Urban planning ; |Urban planning|||||||||Cornell||JNK|JNK|4/20/2006 0:00:00|4/20/2006 0:00:00|TautB|Ber||0||||||Sie|MA||||||7.4|1926-1931|||||||||Work|0|Modern Architecture-|||||||||||0|0|Siedlung Britz;Hufeisensiedlung|Taut, Bruno;Wagner, Martin 6600.00|0|Site|02|B-H3|Rom|7.1 JunBas ||B-H3 Rom 7.1 JunBas |Basilica of Junius Bassus|Assigned|Image Source (Pub)||||||||0|||||0||||0|||||Roman|||Roman Period|||Europe||Italy||||||0||||0|Rome, Italy|||10024||||0|Archaeological Sites|Basilica|||CE|4|||331|350|ca|ca 331-350 CE|ca 331-350|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|4/21/2006 0:00:00||Rom|Rom|0|||||||B|||||H3|7.1 JunBas||||||||||Work|0|Architecture-Italy|A luxury private residence on the Esquiline discovered in the 15th Century and destroyed.||||||||||0|0|Basilica of Junius Bassus| 6601.00|0|Site|02|B-H3|Rom|7.1 JunBas||B-H3 Rom 7.1 JunBas |Hylus Abducted by Nymphs|Assigned|Online Resource|||||||Basilica of Junius Bassus. Hylus Abducted by Nymphs|0|||||0||||0|||||Roman|||Roman Period|||Europe||Italy||||||0|Rome, Italy|||10024||||||||0|Mosaics|Opus sectile|Floor||CE|4|||331|350|ca|ca 331-350 CE|ca 331-350||Basilica of Junius Bassus|||6600||||0|||||Marble|marble|||||opus sectile|||||||2421|Rome: Museo Nazionale Romano|Rome: Mus. Naz. Romano||Nymphs ; Abductions ; |Nymphs|Abductions||||||||Cornell||HB|HB|6/29/2006 0:00:00|4/21/2006 0:00:00||Rom||0||||||JunBas|B|||||H3|7.1|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Hylus Abducted by Nymphs| 6602.00|0|Site|02|B-H3|Rom|7.1 JunBas||B-H3 Rom 7.1 JunBas |Tiger and Bull Panel.|Descriptive|Image Source (Pub)|||||||Basilica of Junius Bassus. Tiger and Bull Panel.|0|||||0||||0|||||Roman|||Roman Period|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Mosaics|Opus sectile|Floor||CE|4|||331|350|ca|ca 331-350 CE|ca 331-350||Basilica of Junius Bassus|||6600||||0|||||Marble|marble|||||opus sectile|||||||4504|Rome: Pinacoteca Capitolina (Palazzo dei Conservatori)|Rome: Pina. Capitolina||||||||||||Cornell||HB|HB|6/29/2006 0:00:00|4/21/2006 0:00:00||Rom||0||||||JunBas|B|||||H3|7.1|| ||||||||Work|0|Architecture-Italy|One of a pair||||||||||0|0|Tiger and Bull Panel.| 6603.00|0|Site|02|B-H3|Ost|2.41 Corp||B-H3 Ost 2.41 Corp |Court of the Corporation (Board of Trade)|Assigned|Image Source (Pub)|Piazzale della Corporazione||Blue Guide||||Court of the Corporation (Board of Trade)|0|||||0||||0|||||Roman|||Roman Period|||Europe||Italy||||||0|Ostia Antica, Italy|||10772||||0||||0|Archaeological Sites|Government office building||||2||||||Second Century||||||0||||0|||||||||||mosaic|||||||||||Ships ; Fish ; |Ships|Fish||||||||Cornell||HB|HB|6/16/2006 0:00:00|4/21/2006 0:00:00||Ost||0||||||Corp|B|||||H3|1.31||||||||||Work|0|Architecture-Italy|||||||||||0|0|Court of the Corporation (Board of Trade);Piazzale della Corporazione| 6604.00|0|Site|02|B-H3|Ost|1.31 Corp||B-H3 Ost 1.31 Corp |Court of the Corporation (Board of Trade). Mosaic||||||||||0|||||0||||0|||||Roman|||Roman Period|||Europe||Italy||||||0|Ostia Antica, Italy|||10772||||0||||0|Mosaics|Mosaic|Floor|||2||||||Second Century||||||0||||0|||||||||||mosaic|||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|4/21/2006 0:00:00||Ost||0||||||Corp|B|||||H3|1.31||||||||||Work|0|Architecture-Italy|||||||||||0|0|Court of the Corporation (Board of Trade). Mosaic| 6605.00|0|Site|02|B-H3|Rom|7.1 Pal-Aug||B-H3 Rom 7.1 Pal-Aug |Plalace of Domition. Domus Augustana|||||||||Plalace of Domition. Domus Augustana|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Archaeological Sites|Palace|||CE|1|||81|96|ca|ca 81-96|ca 81-96|||||0||||0|||||||||||opus sectile|||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|4/21/2006 0:00:00||Rom||0||||||Pal-Aug|B|||||H3|7.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|Plalace of Domition. Domus Augustana| 6606.00|0||||||||||||||||||0|||||0||||0|||||||||||||||||||0||||0||||0||||0||||||||||||||||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|4/21/2006 0:00:00|4/21/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|| 6607.00|0|Category|07|F-07|Rome|||F-07 Rome |Mosaic: Head of an Athlete||||||||||0|||||0||||0|||||Roman|||Late Antique|||Europe||Italy||||||0||||0||||0||||0|Mosaics|Floor|Head (representation)|Mosaic|CE|3|||251|300|ca|2nd half of 3rd Century|ca 251-300|||||0||||0|||||||||||mosaic|||||96 cm||4088|Rome: Vatican; Musei Vaticani|Rome: Vatican; Mus. Vaticani||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|4/24/2006 0:00:00||||0||||||Rome|F|||07||||| |||||||||0|Mosaics-Roman|||||||||||0|0|Mosaic: Head of an Athlete| 6618.00|0|Creator|15|32|H765-PA|1871|2|32 H765-PA 1871 2|Old Mill|Assigned|Repository|The Morning Bell|Variant|Image Source (Pub)||||Old Mill (The Morning Bell)|5572|Homer, Winslow||painter|Winslow Homer|0||||0|||||American||||||North and Central America||United States||||||0||||||||0||||0|Paintings|Painting|Oil painting|Genre||19|||1871|1871||1871|1871-1871|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||61 x 96.8 cm||3400|New Haven: Yale University; Art Gallery|New Haven: Yale Univ. Art Gal.||Textile mills ; Women ; Workers ; |Textile mills|Women|Workers|||||||Cornell||JNK|MNW|4/24/2006 0:00:00|4/24/2006 0:00:00|H765|||0|||||||32|PA||||||| |1871|||||||Work|0||||||||||||0|0|Old Mill;The Morning Bell|Homer, Winslow 6619.00|0|Creator|15|32|H765-PA|1877|1|32 H765-PA 1877 1|The Carnival (Dressing for the Carnival)||||||||||5572|Homer, Winslow||painter|Winslow Homer|0||||0|||||American||||||North and Central America||United States||||||0|New York, NY|||0||||0||||0|Paintings|Painting|Oil painting|Genre||19|||1877|1877||1877|1877-1877|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||50.8 x 76.2 cm||3294|New York: Metropolitan Museum of Art|New York: Metropolitan||Carnivals ; Slavery ; Freedom ; |Carnivals|Slavery|Freedom|||||||Cornell||JNK|JNK|4/24/2006 0:00:00|4/24/2006 0:00:00|H765|||0||22.220|||||32|PA||||||| |1877|||||||Work|0||||||||||||0|0||Homer, Winslow 6622.00|0|Site|02|B-H3|Rom|1.32 TraC||B-H3 Rom 1.32 TraC |Trajan's Column|Assigned|Blue Guide||||||||31296|Apollodoros of Damascus||architect|Apollodoros of Damascus|0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Monument|Memorial Columns|||2|||107|113|ca|Dedicated 113|ca 107-113|||||0||||0|||||Marble|Marble||||||||||H = 29.7 m||||||Monuments ; Doric columns ; |Monuments|Doric columns||||||||Cornell||HB|GB|10/25/2006 0:00:00|4/25/2006 0:00:00||Rom||0||||||TraC|B|||||H3|1.32||||||||||Work|0|Architecture-Italy|Monument in the Forum of Trajan, covered in relief carving, which was dedicated 18 May 113. DOA.||||||||||0|0|Trajan's Column|Apollodoros of Damascus 6623.00|0|Category|05|N-Truth,|Sojourner|1||N-Truth, Sojourner 1 |Sojourner Truth|Assigned|Print Publication|I Sell the Shadow to Support the Substance. Sojourner Truth|Inscribed|Image Source (Pub)||||Sojourner Truth|0|||||0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Carte-de-visite|Portrait|||19|||1864|1864||1864|1864-1864|||||0||||0|||||Carte-de-visite||||||photography|||||10 x 6.3 cm||||||Slavery ; Freedom ; Women ; Feminism ; Truth, Sojourner, d. 1883 ; Portraits ; |Slavery|Freedom|Women|Feminism|Truth, Sojourner, d. 1883|Portraits||||Cornell||JNK|JNK|4/25/2006 0:00:00|4/25/2006 0:00:00|Truth|||0||||||Sojourner|N||||||||||||||||Work|0|||||Portrait is an albumen silver print from ca. 1851.|||||||0|0|Sojourner Truth;I Sell the Shadow to Support the Substance. Sojourner Truth| 6624.00|0|Category|15|N-Wheatley,|Phillis|1||N-Wheatley, Phillis 1 |Phillis Wheatley, Negro Servant to Mr. John Wheatley, of Boston|Inscribed|Artist|||||||Phillis Wheatley, Negro Servant to Mr. John Wheatley, of Boston|31184|Moorehead, Scipio||painter|Scipio Moorehead|0||||0|||||American|||Colonial|||North and Central America||United States||||||0||||0||||0||||0|Prints|Engraving (print)||||18|||1773|1773||1773|1773-1773|||||0||||0|||||Engraving||||||engraving (incising)|||||15.8 x 10.9 cm||||||Portraits ; Wheatley, Phillis, 1753-1784 ; Slavery ; |Portraits|Wheatley, Phillis, 1753-1784|Slavery|||||||Cornell||JNK|JNK|4/25/2006 0:00:00|4/25/2006 0:00:00||||0|||||||N|Phillis|||||||||||||||Work|0||Printed as frontispiece to the book "Poems on Various Subjectws, Religious and Moral", published in London by Archibald Bell, Sept. 1, 1773.||||||||||0|0|Phillis Wheatley, Negro Servant to Mr. John Wheatley, of Boston|Moorehead, Scipio 6625.00|0|Site|02|B-H3|Rom|1.32 TraC/Cich||B-H3 Rom 1.32 TraC/Cich |Trajan's column. Cichorius Plates.||||||||||31296|Apollodoros of Damascus||architect|Apollodoros of Damascus|0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Column (architectural element)|Monument|Documentary photograph||2|||107|113||Dedicated 113|107-113|||||0||||0|||||Marble|marble|||||sculpture|relief||||H = 29.7 m||||||||||||||||Cornell||HB|GB|10/25/2006 0:00:00|4/26/2006 0:00:00||Rom||0||||||TraC/Cich|B|||||H3|1.32||||||||||Work|0|Architecture-Italy|Plates from Die reliefs der Traianssa¨ule. Hrsg. Und historisch erkla¨rt von Conrad Cichorius, published in 1896.||||||||||0|0|Trajan's column. Cichorius Plates.|Apollodoros of Damascus 6626.00|0|Site|02|B-H3|Rom|1.32 AntP||B-H3 Rom 1.32 AntP |Column of Antoninus Pius|Descriptive|Blue Guide||||||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Column (architectural element)||||2|||161|171|ca|After 161 CE|ca 161-171|||||0||||0|||||Marble|marble|||||sculpture|||||W = 3.32 m||3778|Rome: Vatican; Museo|Rome: Vatican; Museo||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|5/1/2006 0:00:00||Rom||0||||||AntP|B|||||H3|1.32|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Column of Antoninus Pius| 6627.00|0|Site|02|B-H3|Rom|1.31 For/Tra||B-H3 Rom 1.31 For/Tra |Marble Relief: Haruspice consulting entrails of a bull|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0||||0|Rome, Italy|||10024||||0|Architecture|Relief|Figure (representation)||CE|2|||101|115|ca|Beginning 2nd Century|ca 101-115|||||0||||0|||||Marble|marble|||||sculpture|||||H = 2.03 m||3341|Paris: Musée du Louvre|Paris: Louvre||||||||||||Cornell||HB|HB|6/5/2006 0:00:00|5/1/2006 0:00:00||Rom|Rom|0||||||For/Tra|B|||||H3|1.31|| ||||||||Work|0|Architecture-Italy|Name of sculrtor, Ulpius Orestes, is carved on the bull's right hand foor||||||||||0|0|Marble Relief: Haruspice consulting entrails of a bull| 6628.00|0|Site|02|B-H3|Rom|1.32 MAur||B-H3 Rom 1.32 MAur |Column of Marcus Aurelius|Descriptive|Dict.Art||||||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Column (architectural element)|||CE|2|||176|193||176-193 CE|176-193|||||0||||0|||||Marble|marble|||||sculpture|||||H = 42 m||||||Victory ; Battles ; |Victory|Battles||||||||Cornell||HB|HB|6/16/2006 0:00:00|5/1/2006 0:00:00||Rom||0||||||MAur|B|||||H3|1.32||||||||||Work|0|Architecture-Italy|||||||||||0|0|Column of Marcus Aurelius| 6629.00|0|Creator|15|32|B8788-PA|1875|1|32 B8788-PA 1875 1|Tuckered Out - The Shoeshine Boy|Artists|Repository|||||||Tuckered Out - The Shoeshine Boy|1656|Brown, John George||painter|John George Brown|0||||0|||||American|English|||||North and Central America||United States||||||0||||||||0||||0|Paintings|Painting|Oil painting|Genre||19|||1888|1888|ca|ca 1888|ca 1888-1888|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||61 x 41 cm||428|Boston: Museum of Fine Arts|Boston: MFA||Boys ; Shoes (footwear) ; |Boys|Shoes (footwear)||||||||Cornell||JNK|JNK|5/1/2006 0:00:00|5/1/2006 0:00:00||||0||64.467|||||32|PA||||||| |1875|||||||Work|0||||||||||||0|0|Tuckered Out - The Shoeshine Boy|Brown, John George 6630.00|0|Creator|15||||||Samuel Adams|Artists|Repository|||||||Samuel Adams|2588|Copley, John Singleton||artist|John Singleton Copley|0||||0|||||American|||Colonial|||North and Central America||United States||||||0|Boston, MA|||0||||0||||0|Paintings|Painting|Oil painting|Portrait||18|||1772|1772|ca|ca 1772|ca 1772-1772|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||125.73 x 100.33 cm||428|Boston: Museum of Fine Arts|Boston: MFA||Portraits ; Adams, Samuel, 1722-1803 ; |Portraits|Adams, Samuel, 1722-1803||||||||Cornell||JNK|JNK|5/1/2006 0:00:00|5/1/2006 0:00:00||||0||L-R 30.76c||||||||||||| ||||||||Work|0||||||||||||0|0|Samuel Adams|Copley, John Singleton 6631.00|0|Creator|15||C784-||||Mr. and Mrs. Ralph Izard (Alice Delancey)|Descriptive|Repository|||||||Mr. and Mrs. Ralph Izard (Alice Delancey)|2588|Copley, John Singleton||artist|John Singleton Copley|0||||0|||||American|||Colonial|||North and Central America||United States||||||0|Boston, MA|||0||||0||||0|Paintings|Painting|portraits|Oil painting||18|||1775|1775||1775|1775-1775|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||174.6 x 223.5 cm||428|Boston: Museum of Fine Arts|Boston: MFA||Portraits ; Interior views ; Izard, Ralph, 1742-1804 ; Izard, Alice DeLancey, 1745-1832 ; |Portraits|Interior views|Izard, Ralph, 1742-1804|Izard, Alice DeLancey, 1745-1832||||||Cornell||JNK|JNK|5/1/2006 0:00:00|5/1/2006 0:00:00|C784|||0||03.1033||||||||||||| ||||||||Work|0||||||||||||0|0|Mr. and Mrs. Ralph Izard (Alice Delancey)|Copley, John Singleton 6632.00|0|Creator|15|32|G448-G|1900|1|32 G448-G 1900 1|A Northeaster: Some Look Well In It|Assigned|Artist|||||||A Northeaster: Some Look Well In It|4452|Gibson, Charles Dana||illustrator|Charles Dana Gibson|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Prints|Print|Engraving (print)|Wood engraving||20|||1900|1900||1900|1900-1900|||||0||||0|||||Wood engraving||||||engraving (incising)|wood engraving (process)||||||||||Gibson girls ; Seashores ; Boats ; Hats ; |Gibson girls|Seashores|Boats|Hats||||||Cornell||JNK|MNW|11/14/2006 0:00:00|5/1/2006 0:00:00|G448|||0|||||||32|G|||||1|||1900|||||||Work|0||Published in Life Magazine, New York, 1900.||||||||||0|0|A Northeaster: Some Look Well In It|Gibson, Charles Dana 6633.00|0|Creator|15|32|G448-G|1900|2|32 G448-G 1900 2|Advice to Caddies: You Will Save Time by Keeping Your Eye on the Ball, Not on the Player|Assigned|Artist|||||||Advice to Caddies: You Will Save Time by Keeping Your Eye on the Ball, Not on the Player|4452|Gibson, Charles Dana||illustrator|Charles Dana Gibson|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Prints|Engraving (print)|Wood engraving|Print||20|||1900|1900||1900|1900-1900|||||0||||0|||||Wood engraving||||||engraving (incising)|wood engraving (process)||||||||||Gibson girls ; Golf ; Sports ; |Gibson girls|Golf|Sports|||||||Cornell||JNK|MNW|11/14/2006 0:00:00|5/1/2006 0:00:00|G448|||0|||||||32|G|||||2|||1900|||||||Work|0||||||||||||0|0|Advice to Caddies: You Will Save Time by Keeping Your Eye on the Ball, Not on the Player|Gibson, Charles Dana 6634.00|0|Site|02|B-H3|Rom|1.31 ForRom||B-H3 Rom 1.31 ForRom |Forum Romanum: parapet showing episode from life of Trajan|Descriptive|Image Source (Pub)|Plutei of Trajan|Assigned|Blue Guide||||Forum Romanum: parapet showing episode from life of Trajan|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Relief|Figure (representation)||CE|2|||117|120||117-120 CE|117-120||Forum Romanum|||2047||||0|||||||||||sculpture|||||H = 1.68 m; B = 5.21 m||||||||||||||||Cornell||HB|HB|6/5/2006 0:00:00|5/2/2006 0:00:00||Rom||0||||||ForRom|B|||||H3|1.31||||||||||Work|0|Architecture-Italy|||||||||||0|0|Forum Romanum: parapet showing episode from life of Trajan;Plutei of Trajan| 6635.00|0|Site|02|B-H3|Rom|1.31 ForRom||B-H3 Rom 1.31 ForRom |Forum Romanum: marble gateway|||||||||Forum Romanum: marble gateway|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Forum|Gate|Arch|||||||||||Forum Romanum|||2047||||0|||||||||||sculpture|||||||||||||||||||||Cornell||HB|HB|6/2/2006 0:00:00|5/2/2006 0:00:00||Rom||0||||||ForRom|B|||||H3|1.31||||||||||Work|0|Architecture-Italy|||||||||||0|0|Forum Romanum: marble gateway| 6636.00|0|Site|02|B-M3|LepMag|1.32 Sev||B-M3 LepMag 1.32 Sev |Arch of Septimus Severus|||||||||Arch of Septimus Severus|0|||||0||||0|||||Roman|||Imperial (Roman)|||Africa||Libya||||||0|Leptis Magna, Libya|||10344||||0||||0|Architecture|Arch|Monument||CE|3|||190|210|ca|ca 200|ca 190-210|||||0||||0|||||Marble|marble|||||sculpture|||||H = 170 cm||3009|Tunis: Musee National du Bardo|Tunis: Mus. Nat. Bardo||||||||||||Cornell||HB|HB|6/5/2006 0:00:00|5/2/2006 0:00:00||LepMag||0||||||Sev|B|||||M3|1.32|| ||||||||Work|0|Architecture-Libya|||||||||||0|0|Arch of Septimus Severus| 6637.00|0|Creator|15|32|G448-G|1900|3|32 G448-G 1900 3|Melting|Assigned|Artist|||||||Melting|4452|Gibson, Charles Dana||illustrator|Charles Dana Gibson|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Prints|Engraving (print)|Print|||20|||1900|1900||1900|1900-1900|||||0||||0|||||Engraving||||||engraving (incising)|||||||||||Gibson girls ; Couples ; Winter ; |Gibson girls|Couples|Winter|||||||Cornell||JNK|JNK|5/2/2006 0:00:00|5/2/2006 0:00:00|G448|||0|||||||32|G||||||||1900|||||||Work|0||||||||||||0|0|Melting|Gibson, Charles Dana 6638.00|0|Creator|15|32|G448-G|1904|1|32 G448-G 1904 1|Summer Sports|Assigned|Artist|||||||Summer Sports|4452|Gibson, Charles Dana||illustrator|Charles Dana Gibson|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Prints|Engraving (print)|Print|||20|||1904|1904||1904|1904-1904|||||0||||0|||||Engraving||||||engraving (incising)|||||||||||Gibson girls ; Women ; Kites (equipment) ; Sports ; Men (male humans) ; |Gibson girls|Women|Kites (equipment)|Sports|Men (male humans)|||||Cornell||JNK|MNW|11/14/2006 0:00:00|5/2/2006 0:00:00|G448|||0|||||||32|G||||||||1904|||||||Work|0||||||||||||0|0|Summer Sports|Gibson, Charles Dana 6639.00|0|Creator|15||||||Pictures of People|Assigned|Artist|||||||Pictures of People|4452|Gibson, Charles Dana||illustrator|Charles Dana Gibson|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Publications|Book||||19|||1896|1896||1896|1896-1896|||||0||||0||||||||||||||||||||||Gibson girls ; |Gibson girls|||||||||Cornell||JNK|JNK|5/2/2006 0:00:00|5/2/2006 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Pictures of People|Gibson, Charles Dana 6640.00|0|Creator|15|32|G448-G|1896|1|32 G448-G 1896 1|The Coming Conflict|Assigned|Artist|||||||Pictures of People. The Coming Conflict|4452|Gibson, Charles Dana||illustrator|Charles Dana Gibson|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Prints|Engraving (print)|Print|||19|||1896|1896||1896|1896-1896||Pictures of People|larger d||6639||||0|||||Engraving||||||engraving (incising)|||||||||||Gibson girls ; Football (sports) ; Sports ; |Gibson girls|Football (sports)|Sports|||||||Cornell||JNK|MNW|11/14/2006 0:00:00|5/2/2006 0:00:00|G448|||0|||||||32|G||||||||1896|||||||Work|0||||||||||||0|0|The Coming Conflict|Gibson, Charles Dana 6641.00|0|Creator|15||||||Watson and the Shark|Assigned|Repository|||||||Watson and the Shark|2588|Copley, John Singleton||artist|John Singleton Copley|0||||0|||||American|||Colonial|||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||18|||1778|1778||1778|1778-1778|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||183.51 x 229.55 cm||428|Boston: Museum of Fine Arts|Boston: MFA||Sharks ; Oceans ; Water ; Ships ; Boats ; Havana, Cuba ; |Sharks|Oceans|Water|Ships|Boats|Havana, Cuba||||Cornell||JNK|JNK|5/2/2006 0:00:00|5/2/2006 0:00:00|C784|||0||89.481||||||||||||| ||||||||Work|0||||||||||||0|0|Watson and the Shark|Copley, John Singleton 6642.00|0|Creator|15||||||Mrs. Ezekiel Goldthwait (Elizabeth Lewis)|Assigned|Repository|||||||Mrs. Ezekiel Goldthwait (Elizabeth Lewis)|2588|Copley, John Singleton||artist|John Singleton Copley|0||||0|||||American|||Colonial|||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Portrait||18|||1771|1771||1771|1771-1771|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||127.32 x 101.92 cm||428|Boston: Museum of Fine Arts|Boston: MFA||Portraits ; Goldthwait, Mrs. Ezekiel ; |Portraits|Goldthwait, Mrs. Ezekiel||||||||Cornell||JNK|JNK|5/2/2006 0:00:00|5/2/2006 0:00:00|C784|||0||41.84||||||||||||| ||||||||Work|0||||||||||||0|0|Mrs. Ezekiel Goldthwait (Elizabeth Lewis)|Copley, John Singleton 6643.00|0|Creator|15|32|E240-PA|1842|1|32 E240-PA 1842 1|The Bashful Cousin|Assigned|Repository|||||||The Bashful Cousin|3473|Edmonds, Francis William||painter|Francis William Edmonds|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting|Genre|Oil painting||19|||1842|1842||1842|1842-1842|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||63.2 x 76 cm||3367|Washington, DC: National Gallery of Art|Wash, DC: National Gallery||Interior views ; Couples ; Genre ; |Interior views|Couples|Genre|||||||Cornell||JNK|JNK|5/2/2006 0:00:00|5/2/2006 0:00:00|E240|||0||1978.6.4|||||32|PA||||||| |1842|||||||Work|0||||||||||||0|0|The Bashful Cousin|Edmonds, Francis William 6644.00|0|Creator|15|27|H196-P|F1981||27 H196-P F1981 |A Family Group in a Landscape|Assigned|Repository|||||||A Family Group in a Landscape|5044|Hals, Frans||painter|Frans Hals|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)||||||0||||0||||0||||0|Paintings|Oil painting|Portrait|Landscape (representation)||17|||1647|1650|ca|ca 1647-1650|ca 1647-1650|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||148.5 x 251 cm||3357|London: National Gallery|London: National Gallery||Families ; Landscapes ; portaits ; |Families|Landscapes|portaits|||||||Cornell||JNK|JNK|5/2/2006 0:00:00|5/2/2006 0:00:00|H196|||0||NG2285|||||27|P||||||| |F1981|||||||Work|0||||||||||||0|0|A Family Group in a Landscape|Hals, Frans 6645.00|0|Site|02|B-H3|Rom|1.32 Sep||B-H3 Rom 1.32 Sep |Arch of Septimus Severus|||||||||Forum Romanum. Arch of Septimus Severus|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Archaeological Sites|Arch|Triumphal arch||CE|3|||203|203||203 CE|203-203||Forum Romanum|||2047||||0|||||Marble facing|marble|||||sculpture|||||H = 21 m; W = 23 m||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|5/2/2006 0:00:00||Rom||0||||||Sep|B|||||H3|1.32||||||||||Work|0|Architecture-Italy|||||||||||0|0|Arch of Septimus Severus| 6646.00|0|Creator|15|32|K960-PA|5D|1|32 K960-PA 5D 1|Henry Darnall III|Assigned|Repository|Henry Darnell as a Child|Variant|Image Source (Pub)||||Henry Darnall III|6579|Kühn, Justus Engelhardt||painter|Justus Engelhardt Kühn|0||||0|||||American|German||Colonial|||North and Central America||United States||||||0||||0||||0||||0|Paintings|Portrait|Oil painting|||18|||1710|1710|ca|ca 1710|ca 1710-1710|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||137.4 x 112.2 cm||230|Baltimore: Maryland Historical Society|Baltimore: MD Hist. Soc.||Portraits ; Children (people by age group) ; Slavery ; Darnall, Henry III, 1702-ca. 1783 ; |Portraits|Children (people by age group)|Slavery|Darnall, Henry III, 1702-ca. 1783||||||Cornell||JNK|JNK|5/2/2006 0:00:00|5/2/2006 0:00:00|K960|||0||1912-1-3|||||32|PA|||||1.01|| |5D|||||||Work|0||||||||||||0|0|Henry Darnall III;Henry Darnell as a Child|Kühn, Justus Engelhardt 6647.00|0|Creator|15|27|F849-PA|5F|1|27 F849-PA 5F 1|John Freake|Assigned|Repository|||||||John Freake|4118|Freake Painter, ||painter|Freake Painter|0||||0|||||American|||Colonial|Elizabethan||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting|Portrait|||17|||1671|1674|ca|ca 1671-1674|ca 1671-1674|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||108 x 93.3 cm||3530|Worcester: Art Museum|Worcester: Art Museum||Portraits ; Freake, John ; |Portraits|Freake, John||||||||Cornell||JNK|JNK|5/3/2006 0:00:00|5/2/2006 0:00:00|F849|||0||1963.135|||||27|PA||||||| |5F|||||||Work|0||||||||||||0|0|John Freake|Freake Painter, 6648.00|0|Creator|15|27|F849-PA|7F|1|27 F849-PA 7F 1|Elizabeth Clarke Freake (Mrs. John Freake) and Baby Mary|Assigned|Repository|Elizabeth Freake and her Baby|Variant|Dict.Art|Mrs. Freake and Baby Mary|Variant|Image Source (Pub)|Elizabeth Clarke Freake (Mrs. John Freake) and Baby Mary|4118|Freake Painter, ||painter|Freake Painter|0||||0|||||American|||Colonial|Elizabethan||North and Central America||United States||||||0||||||||0||||0|Paintings|Painting|Portrait|||17|||1671|1674|ca|ca 1671-1674|ca 1671-1674|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||108 x 93.3 cm||3530|Worcester: Art Museum|Worcester: Art Museum||Mother and child ; Portraits ; Freake, Elizabeth Clarke ; Children (people by age group) ; |Mother and child|Portraits|Freake, Elizabeth Clarke|Children (people by age group)||||||Cornell||JNK|JNK|5/3/2006 0:00:00|5/3/2006 0:00:00|F849|||0||1963.134|||||27|PA|||||1.01|| |7F|||||||Work|0||||||||||||0|0|Elizabeth Clarke Freake (Mrs. John Freake) and Baby Mary;Elizabeth Freake and her Baby;Mrs. Freake and Baby Mary|Freake Painter, 6649.00|0|Creator|15|27|H196P|H778||27 H196P H778 |Cathaina Hooft with her Nurse|Assigned|Dict.Art|Catherine Hooft with her Nursemaid|Variant|Image Source (Pub)||||Cathaina Hooft with her Nurse|5044|Hals, Frans||painter|Frans Hals|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)||||||0||||||||0||||0|Paintings|Painting|Oil painting|Portrait||17|||1619|1620||1619-1620|1619-1620|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||86 x 65 cm||332|Berlin: Staatliche Museen zu Berlin; Gemaldegalerie|Berlin: Gemaldegalerie||Portraits ; Children (people by age group) ; Nannies ; |Portraits|Children (people by age group)|Nannies|||||||Cornell||JNK|JNK|5/3/2006 0:00:00|5/3/2006 0:00:00|H196|||0|||||||27|P||||||| |H778|||||||Work|0||||||||||||0|0|Cathaina Hooft with her Nurse;Catherine Hooft with her Nursemaid|Hals, Frans 6650.00|0|Architect|02|B-R1|Xi'an|3.4 Caot||B-R1 Xi'an 3.4 Caot |Cao Tang Temple|Translated|Image Source (Pub)|Cao Tang Si|Descriptive|Image Source (Pub)||||Cao Tang Temple|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0|Sian, China|||10572||||0||||0|Architecture|Archaeological site|||BCE|-3|-2|-1|-206|220||206 BCE-220 CE|1206 -220 CE|||||0||||0||||||||||||||||||||||Temples ; |Temples|||||||||Cornell||BZ|MNW|5/16/2006 0:00:00|5/8/2006 0:00:00||||0||||||Caot|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Cao Tang Temple;Cao Tang Si| 6651.00|0|Architect|02|B-R1|Xi'an|3.4 Huay||B-R1 Xi'an 3.4 Huay |Huayan Temple|Descriptive|Image Source (Pub)|||||||Huayan Temple|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Sian, China|||10572||||0||||0|Architecture|Archaeological site|Temple|||9|||803|803||803|803|||||||||0||||||||||||||||||||||Architects ; Archaeology ; Temples ; |Architects|Archaeology|Temples|||||||Cornell||BZ|MNW|5/16/2006 0:00:00|5/8/2006 0:00:00||||0||||||Huay|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Huayan Temple| 6652.00|0|Architect|02|B-R1|Xi'an|3.4 Shuil||B-R1 Xi'an 3.4 Shuil |Water-and-Land Temple|Translated|Image Source (Pub)|Shui lu an|Descriptive|Image Source (Pub)||||Water-and-Land Temple|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Sian, China|||10572||||0||||0|Architecture|Archaeological site|Temple|||7|8|9|618|906||618-906|618-906|||||||||0||||||||||||||||||||||Archaeology ; Temples ; |Archaeology|Temples||||||||Cornell||BZ|MNW|5/16/2006 0:00:00|5/8/2006 0:00:00||||0||||||Shuil|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Water-and-Land Temple;Shui lu an| 6653.00|0|Architect|02|MA-LeCorb|1.04|Rio 1936||MA-LeCorb 1.04 Rio 1936 |Urbanization Scheme for Rio de Janiero (Project)|Descriptive|Cataloger|||||||Urbanization Scheme for Rio de Janiero (Project)|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||Swiss|Brazilian||Modernist|||South America||Brazil||||||0||||0||||0||||0|Architectural Theory|Drawing|Architectural drawing|||20|||1936|1936||1936|1936-1936|||||0||||0||||||||||||||||||||||Urban planning ; Architectural theory ; Architectural drawings ; |Urban planning|Architectural theory|Architectural drawings|||||||Cornell||JNK|JNK|5/8/2006 0:00:00|5/8/2006 0:00:00|LeCorb|Rio||0||||||1936|MA||||||1.04|| ||||||||Work|0|Modern Architecture-|||||||||||0|0|Urbanization Scheme for Rio de Janiero (Project)|Le Corbusier 6654.00|0|Architect|02|MA-|Rio|1.04 1936||MA-LeCorb 1.04 Rio 1936 |View with Apartment Roofs and Highways|Descriptive|Collection|||||||Urbanization Scheme for Rio de Janiero (Project). View with Apartment Roofs and Highways|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||Swiss|||Modernist|||South America||Brazil||||||0||||0||||0||||0|Architectural Theory|Drawing|Architectural drawing|||20|||1936|1936||1936|1936-1936||Urbanization Scheme for Rio de Janiero (Project)|Larger entity||6653||||0|||||||||||architectural drawing|||||||3781|Paris: Fondation Le Corbusier|Paris: Fondation Le Corbusier||Urban planning ; Architectural theory ; Architectural drawings ; |Urban planning|Architectural theory|Architectural drawings|||||||Cornell||JNK|MNW|8/25/2006 0:00:00|5/8/2006 0:00:00|LeCorb|Rio||0||No. 30301||||1936|MA||||||1.04|| ||||||||Work|0|Modern Architecture-|||||||||||0|0|View with Apartment Roofs and Highways|Le Corbusier 6655.00|0|Architect|02|MA-|Costa|1.31 3Pow||MA- Costa 1.31 3Pow |Plaza of the Three Powers on Eixo Monumental|Assigned|Image Source (Pub)|||||||Brasilia Master Plan. Plaza of the Three Powers on Eixo Monumental|2634|Costa, Lucio||architect|Lucio Costa|0||||0|||||Brazilian|||Modernist|||South America||Brazil||||||0||||0||||0||||0|Architecture|Plaza||||20|||1957|1957||1957|1957-1957||Brasilia Master Plan|Larger entity||6452||||0||||||||||||||||||||||Government office buildings ; Government ; Cities ; Urban planning ; Brasi´lia (Brazil) ; |Government office buildings|Government|Cities|Urban planning|Brasi´lia (Brazil)|||||Cornell||JNK|MNW|8/21/2006 0:00:00|5/8/2006 0:00:00|Costa|||0||||||3Pow|MA||||||1.31||||||||||Work|0|Modern Architecture-|||||||||||0|0|Plaza of the Three Powers on Eixo Monumental|Costa, Lucio 6656.00|0|Creator|15|CHINA|JADE|ZHOU||CHINA JADE ZHOU |Ornamental Plaque With Interlacery And Animal Mask Designs|Descriptive|Image Source (Pub)|||||||Ornamental Plaque With Interlacery And Animal Mask Designs|0|||||0||||0|||||Chinese|||Zhou (Chou)|||Asia||China||||||0||||0||||0|Xiasi, Xichuan county, Henan Province|||10787|Jewelry|Jewelry|Jade|Plaque (flat object)|BCE|-8|-7|-6|770|476||770-476 BCE|770-476 BCE|||||0||||0|||||Nephrite jade|jade|||||carving|||||7.1cm high||9704|Zhengzhou: Henan Institute of Archaeology and Cultural Relics|Henan Institute of Archaeology and Cultural Relics||Jewelry ; Animals ; Masks ; |Jewelry|Animals|Masks|||||||Cornell||BZ|BZ|5/8/2006 0:00:00|5/8/2006 0:00:00||||0|||||||JADE|||CHINA|ZHOU|||| ||||||||Work|0||Eastern Zhou,Spring and Autumn Period.||||||||||0|0|Ornamental Plaque With Interlacery And Animal Mask Designs| 6658.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Head Of A Bodhisattva|Descriptive|Image Source (Pub)|||||||Head Of A Bodhisattva|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0|||||Wanfo Temple Site, Chengdu, Sichuan Province|||10789|Sculpture|Sculpture|Head (representation)|Human body||7|8|9|618|907||618-907|618-907|||||0||||0|||||Sandstone|sandstone|||||carving|sculpture||||36 cm high||9695|Chengdu: Sichuan Provincial Museum|Chengdu: Sichuan Provincial Museum||Sculpture (visual work) ; Heads (representations) ; Bodhisattvas ; Figures (representations) ; |Sculpture (visual work)|Heads (representations)|Bodhisattvas|Figures (representations)||||||Cornell||BZ|BZ|6/15/2006 0:00:00|5/8/2006 0:00:00||||0|||||||SC|||CHINA|TANG|||| ||||||||Work|0||Unearthed in 1954.||||||||||0|0|Head Of A Bodhisattva| 6659.00|0|Architect|02|MA-|Kahn|2.34 JCC||MA- Kahn 2.34 JCC |Jewish Community Centre|Assigned|Dict.Art|||||||Jewish Community Centre|6097|Kahn, Louis Isidore||architect|Louis Isidore Kahn|0||||0|||||American|||Modernist|||North and Central America||United States||||||0|Trenton, NJ|||10790||||0||||0|Architecture|Community center||||20|||1954|1959||1954-1959|1954-1959|||||0||||0||||||||||||||||||||||Community centers ; |Community centers|||||||||Cornell||JNK|MNW|5/25/2006 0:00:00|5/8/2006 0:00:00|Kahn|||0||||||JCC|MA||||||2.34||1954-9||||||||Work|0|Modern Architecture-|||||||||||0|0|Jewish Community Centre|Kahn, Louis Isidore 6660.00|0|Architect|02|MA-|Kahn|2.34 JCC/Bat|1954-9|MA- Kahn 2.34 JCC/Bat 1954-9|Bath House|Assigned|Image Source (Pub)|||||||Jewish Community Centre. Bath House|6097|Kahn, Louis Isidore||architect|Louis Isidore Kahn|0||||0|||||American|||Modernist|||North and Central America||United States||||||0|Trenton, NJ|||10790||||0||||0|Architecture|Community center|Bathhouse|||20|||1954|1959||1954-1959|1954-1959||Jewish Community Centre|Larger entity||6659||||0||||||||||||||||||||||Community centers ; Public Baths ; |Community centers|Public Baths||||||||Cornell||JNK|MNW|5/25/2006 0:00:00|5/8/2006 0:00:00|Kahn|||0||||||JCC/Bat|MA||||||2.34|1954-9|||||||||Work|0|Modern Architecture-|||||||||||0|0|Bath House|Kahn, Louis Isidore 6661.00|0|Creator|15|CHINA|SC|SIX DYN||CHINA SC SIX DYN |Stele|Descriptive|Image Source (Pub)|||||||Stele|0|||||0||||0|||||Chinese|||Six Dynasties|||Asia||China||||||0||||0|||||Wanfo Temple Site, Chengdu, Sichuan Province|||10789|Sculpture|Sculpture|Figure (representation)|||6|||502|557||502-557|502-557|||||0||||0|||||Sandstone|sandstone|||||carving|sculpture||||121 x 60 x 24.5 cm||9695|Chengdu: Sichuan Provincial Museum|Chengdu: Sichuan Provincial Museum||Sculpture (visual work) ; Figures (representations) ; Bodhisattvas ; Animals ; Flowers ; Lotus ; Dogs ; |Sculpture (visual work)|Figures (representations)|Bodhisattvas|Animals|Flowers|Lotus|Dogs|||Cornell||BZ|BZ|6/13/2006 0:00:00|5/8/2006 0:00:00||||0|||||||SC|||CHINA|SIX DYN|||| ||||||||Work|0||Liang Dynasty. Unearthed in 1954.||||||||||0|0|Stele| 6662.00|0|Architect|03|MA-Correa|2.23|1986-90 Jaw||MA-Correa 2.23 1986-90 Jaw |Jawahar Kala Kendra|Assigned|Image Source (Pub)|||||||Jawahar Kala Kendra|2618|Correa, Charles Mark||architect|Charles Mark Correa|0||||0|||||Indian|||Modernist|||Asia||India||||||0|Jaipur, India|||10272||||0||||0|Architecture|Museum|Cultural center|Mandala||20|||1986|1992||1986-1992|1986-1992|||||0||||0||||||||||||||||||||||Cultural centers ; Museums ; Mandalas ; Jaipur (India) ; Navagraha mandala ; |Cultural centers|Museums|Mandalas|Jaipur (India)|Navagraha mandala|||||Cornell||JNK|MNW|9/22/2006 0:00:00|5/8/2006 0:00:00|Correa|||0||||||Jaw|MA||||||2.23|1986-90|||||||||Work|0|Modern Architecture|This building is dedicated to Pandit Jawaharlal Nehru. It depicts the Navagraha Mandala which may have been the origin of the plan of Jaipur. Charles Correa [1996].||||||||||0|0|Jawahar Kala Kendra|Correa, Charles Mark 6663.00|0|Site|02|B-H3|Rom|1.32 MAur/Pet||B-H3 Rom 1.32 MAur/Pet |Column of Marcus Aurelius: 'Die Marcus-Säule'||||||||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Column (architectural element)|||CE|2|||176|193||176-193 CE|176-193||Column of Marcus Aurelius|||6628||||0|||||Marble|marble|||||sculpture|||||H = 42 m||||||Victory ; Battles ; |Victory|Battles||||||||Cornell||HB|HB|6/16/2006 0:00:00|5/9/2006 0:00:00||Rom||0||||||MAur/Pet|B|||||H3|1.32||||||||||Work|0|Architecture-Italy|Die Marcus-Säule auf Piazza Colonna in Rom, original publication of sculpture by Eugen Peterson, Alfred von Domaszewski and Guglielmo Calderini, 1896||||||||||0|0|Column of Marcus Aurelius: 'Die Marcus-Säule'| 6664.00|0|Creator|15|CHINA|MTL|ZHOU||CHINA MTL ZHOU |Two-handled Vessel (Gui) With Ox-head Motifs, Inscribed|Descriptive|Image Source (Pub)|||||||Two-handled Vessel (Gui) With Ox-head Motifs, Inscribed|0|||||0||||0|||||Chinese|||Zhou (Chou)|||Asia||China||||||0||||0|||||Tomb No.1, Zhifangtou village, Baoji, Shaanxi|||10791|Metalwork|Bronze|Vessel||BCE|-12|-11|-10|1100|771|ca|ca 1100-771 BCE|ca 1100-771 BCE|||||0||||0|||||Bronze|bronze|||||metalworking|||||31 cm high; 25 cm diam. of mouth||9705|Baoji Municipal Museum|Baoji Municipal Museum||Vessels ; Animals ; |Vessels|Animals||||||||Cornell||BZ|BZ|6/13/2006 0:00:00|5/9/2006 0:00:00||||0|||||||MTL|||CHINA|ZHOU|||| ||||||||Work|0||Western Zhou period. Unearthed in 1981.||||||||||0|0|Two-handled Vessel (Gui) With Ox-head Motifs, Inscribed| 6665.00|0|Creator|15|35|W847-PA|P148||35 W847-PA P148 |A Painting to Replace the British Monument in Buenos Aires|Assigned|Artist|||||||A Painting to Replace the British Monument in Buenos Aires|12866|Wojnarowicz, David||painter|David Wojnarowicz|0||||0|||||American|||Post-1945|||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting||||20|||1984|1984||1984|1984-1984|||||0||||0|||||Acrylic on street poster|acrylic paint|||||painting (image-making)|||||114.3 x 147.32 cm||4186|Estate of the Artist|: Estate of the Artist||Fires ; Monuments ; Horses ; Race (concept) ; Posters ; Advertisements ; |Fires|Monuments|Horses|Race (concept)|Posters|Advertisements||||Cornell||JNK|MNW|5/11/2006 0:00:00|5/9/2006 0:00:00|W847|||0||||||P148|35|PA||||||| ||||||||Work|0||||||||||||0|0|A Painting to Replace the British Monument in Buenos Aires|Wojnarowicz, David 6666.00|0|Creator|06|J-MP-von Praunh|1|Silence||J-MP-von Praunh 1 Silence |Silence = Death|Assigned|Image Source (Pub)|Silence Equals Death|Variant|Cataloger||||Silence = Death|31185|Praunheim, Rosa von||director, film|Rosa von Praunheim with Phil Zwickler|31186|Zwickler, Phil||journalist|0|||||American|||Conceptual|||North and Central America||United States||||||0||||0||||0||||0|Motion Pictures|Film (performing art)|Motion picture (visual work)|||20|||1990|1990||1990|1990-1990|||||0||||0|||||Videocassette||||||video|||||60 minutes||||||Wojnarowicz, David, 1954-1992 ; AIDS (disease) ; AIDS activists ; |Wojnarowicz, David, 1954-1992|AIDS (disease)|AIDS activists|||||||Cornell||JNK|MNW|5/11/2006 0:00:00|5/9/2006 0:00:00|von Praunh|||0|||||||J-MP||||||Silence|||1|||||||Work|0||||||||||||0|0|Silence = Death;Silence Equals Death|Praunheim, Rosa von;Zwickler, Phil 6667.00|0|Creator|15|CHINA|SC|SIX DYN||CHINA SC SIX DYN |Stele With Sakyamuni And Attendants|Descriptive|Image Source (Pub)|||||||Stele With Sakyamuni And Attendants|0|||||0||||0|||||Chinese|||Six Dynasties|||Asia||China||||||0||||0|||||Huata Temple site, Taiyuan, Shanxi Province|||10792|Sculpture|Sculpture|Figure (representation)|||6|||550|577||550-577|550-577|||||0||||0|||||Sandstone with polychrome|sandstone|||||carving|sculpture||||46 x 27 cm||9620|Taiyuan: Shanxi Provincial Museum|Taiyuan: Shanxi Provincial Museum||Sculpture (visual work) ; Figures (representations) ; Animals ; Dogs ; Lions ; Lotus ; Flowers ; |Sculpture (visual work)|Figures (representations)|Animals|Dogs|Lions|Lotus|Flowers|||Cornell||BZ|BZ|6/13/2006 0:00:00|5/9/2006 0:00:00||||0|||||||SC|||CHINA|SIX DYN|||| ||||||||Work|0||Northern Qi Dynasty. Unearthed in 1954.||||||||||0|0|Stele With Sakyamuni And Attendants| 6668.00|0|Creator|15|CHINA|POT|NEOLITHIC||CHINA POT NEOLITHIC |Vessel In The Shape Of An Owl|Descriptive|Image Source (Pub)|||||||Vessel In The Shape Of An Owl|0|||||0||||0|||||Chinese|||Neolithic|||Asia||China||||||0||||0|||||Taiping village, Hua county, Shaanxi Province|||10793|Ceramics|Ceramic|Pottery|Vessel|BCE|||||||4th millennium BCE|4th millennium BCE|||||0||||0|||||Black earthenware|earthenware|||||ceramics|||||35.8 cm high||290|Beijing: National Museum of Chinese History|Beijing: National Museum of Chinese History||Vessels ; Owls ; Animals ; |Vessels|Owls|Animals|||||||Cornell||BZ|BZ|6/15/2006 0:00:00|5/9/2006 0:00:00||||0|||||||POT|||CHINA|NEOLITHIC|||| ||||||||Work|0||Neolithic period, Yangshao culture, Miaodigou type (4th millennium BCE).||||||||||0|0|Vessel In The Shape Of An Owl| 6669.00|0|Creator|15|CHINA|SC|SIX DYN||CHINA SC SIX DYN |Stele With Sakyamuni And Attendants|Descriptive|Image Source (Pub)|||||||Stele With Sakyamuni And Attendants|0|||||0||||0|||||Chinese|||Six Dynasties|||Asia||China||||||0||||0|||||Wanfo Temple Site, Chengdu, Sichuan Province|||10789|Sculpture|Sculpture|Figure (representation)|||6|||523|523||523|523|||||0||||0|||||Sandstone|sandstone|||||sculpture|carving||||35.8 x 30.3 x 20 cm||9695|Chengdu: Sichuan Provincial Museum|Chengdu: Sichuan Provincial Museum||Sculpture (visual work) ; Figures (representations) ; Lotus ; Flowers ; Animals ; Dogs ; |Sculpture (visual work)|Figures (representations)|Lotus|Flowers|Animals|Dogs||||Cornell||BZ|BZ|6/13/2006 0:00:00|5/9/2006 0:00:00||||0|||||||SC|||CHINA|SIX DYN|||| ||||||||Work|0||Dated on 523. Liang Dynasty (502-557). Unearthed in 1954.||||||||||0|0|Stele With Sakyamuni And Attendants| 6670.00|0|Creator|15|CHINA|SC|SIX DYN||CHINA SC SIX DYN |Engraved Panel With Buddha Beneath Canopy|Descriptive|Image Source (Pub)|||||||Engraved Panel With Buddha Beneath Canopy|0|||||0||||0|||||Chinese|||Six Dynasties|||Asia||China||||||0||||0|||||Luoyang, China|||10780|Sculpture|Sculpture|Figure (representation)|Inscription||6|||524|524||524|524|||||0||||0|||||Stone|stone|||||sculpture|carving||||39.5 x 144 x 14 cm||9683|Zhengzhou: Henan Provincial Museum|Zhengzhou: Henan Provincial Museum||Buddha ; Canopies ; Inscriptions ; Trees ; Fires ; Lotus ; Figures (representations) ; |Buddha|Canopies|Inscriptions|Trees|Fires|Lotus|Figures (representations)|||Cornell||BZ|BZ|6/13/2006 0:00:00|5/9/2006 0:00:00||||0|||||||SC|||CHINA|SIX DYN|||| ||||||||Work|0||Dated to 524. Northern Wei Dynasty (386-534). Unearthed in the late 19th century.||||||||||0|0|Engraved Panel With Buddha Beneath Canopy| 6671.00|0|Creator|15|CHINA|SC|SIX DYN||CHINA SC SIX DYN |Pillar Base With Mountains, Dragons and Figures|Descriptive|Image Source (Pub)|||||||Pillar Base With Mountains, Dragons and Figures|0|||||0||||0|||||Chinese|||Six Dynasties|||Asia||China||||||0||||0|||||Sima Jinlong tomb, Shijiazhai, Datong city, Shanxi|||10794|Sculpture|Sculpture|Mountain|Figure (representation)||4|5|6|386|534||386-534|386-534|||||0||||0|||||Stone|stone|||||carving|sculpture||||16.5 x 32 cm||9620|Taiyuan: Shanxi Provincial Museum|Taiyuan: Shanxi Provincial Museum||Pillars ; Bases ; Mountains ; Dragons ; Figures (representations) ; Flowers ; Lotus ; Musical instruments ; Musicians|Pillars|Bases|Mountains|Dragons|Figures (representations)|Flowers|Lotus|Musical instruments|Musicians|Cornell||BZ|BZ|6/13/2006 0:00:00|5/9/2006 0:00:00||||0|||||||SC|||CHINA|SIX DYN|||| ||||||||Work|0||Northern Wei Dynasty. Unearthed in 1966.||||||||||0|0|Pillar Base With Mountains, Dragons and Figures| 6672.00|0|Creator|15|CHINA|SC|SIX DYN||CHINA SC SIX DYN |Stele With Sakyamuni And Maitreya|Descriptive|Image Source (Pub)|||||||Stele With Sakyamuni And Maitreya|0|||||0||||0|||||Chinese|||Six Dynasties|||Asia||China||||||0||||0||||0||||0|Sculpture|Sculpture|Figure (representation)|Musical instrument||6|||532|532||532|532|||||0||||0|||||Sandstone|sandstone|||||sculpture|carving||||90 x 46 x 14 cm||9706|Sian: Institute for the Protection of Cultural Relics|Sian: Inst. for the Protection of Cultural Relics||Figures (representations) ; Dancers ; Musical instruments ; Musicians ; Drums (walls) ; Dragons ; Horses ; Oxen ; Chariots (ancient vehicles)|Figures (representations)|Dancers|Musical instruments|Musicians|Drums (walls)|Dragons|Horses|Oxen|Chariots (ancient vehicles)|Cornell||BZ|BZ|6/13/2006 0:00:00|5/9/2006 0:00:00||||0|||||||SC|||CHINA|SIX DYN|||| ||||||||Work|0||Dated to 532. Northern Wei Dynasty (386-534).||||||||||0|0|Stele With Sakyamuni And Maitreya| 6673.00|0|Creator|15|CHINA|SC|SIX DYN||CHINA SC SIX DYN |Stele: (Obverse) Sakyamuni And Attendants; (Reverse) Maitreya|Descriptive|Image Source (Pub)|||||||Stele: (Obverse) Sakyamuni And Attendants; (Reverse) Maitreya|0|||||0||||0|||||Chinese|||Six Dynasties|||Asia||China||||||0||||0||||0||||0|Sculpture|Sculpture|Figure (representation)|||6|||535|557||535-557|535-557|||||0||||0|||||Sandstone|sandstone|||||sculpture|carving||||48.2 x 21.5 x 12.1 cm||9706|Sian: Institute for the Protection of Cultural Relics|Sian: Inst. for the Protection of Cultural Relics||Figures (representations) ; Lotus ; Animals ; Lions ; |Figures (representations)|Lotus|Animals|Lions||||||Cornell||BZ|BZ|6/13/2006 0:00:00|5/9/2006 0:00:00||||0|||||||SC|||CHINA|SIX DYN|||| ||||||||Work|0||Western Wei Dynasty (535-557).||||||||||0|0|Stele: (Obverse) Sakyamuni And Attendants; (Reverse) Maitreya| 6674.00|0|Creator|15|CHINA|SC|SIX DYN||CHINA SC SIX DYN |Sakyamuni|Descriptive|Image Source (Pub)|||||||Sakyamuni|0|||||0||||0|||||Chinese|||Six Dynasties|||Asia||China||||||0||||0|||||Huata Temple site, Taiyuan, Shanxi Province|||10792|Sculpture|Sculpture|Figure (representation)|||6|||540|540||540|540|||||0||||0|||||Sandstone|sandstone|||||sculpture|carving||||35 cm high||9620|Taiyuan: Shanxi Provincial Museum|Taiyuan: Shanxi Provincial Museum||Figures (representations) ; Animals ; Dogs ; |Figures (representations)|Animals|Dogs|||||||Cornell||BZ|BZ|6/15/2006 0:00:00|5/9/2006 0:00:00||||0|||||||SC|||CHINA|SIX DYN|||| ||||||||Work|0||Dated to 540. Eastern Wei Dynasty (534-550). Unearthed in 1954.||||||||||0|0|Sakyamuni| 6675.00|0|Creator|15|CHINA|SC|SIX DYN||CHINA SC SIX DYN |Stele With Enthroned Buddhas And Attendant Bodhisattvas And Monks|Descriptive|Image Source (Pub)|||||||Stele With Enthroned Buddhas And Attendant Bodhisattvas And Monks|0|||||0||||0|||||Chinese|||Six Dynasties|||Asia||China||||||0||||0|||||Xiangcheng county, Henan Province|||10795|Sculpture|Sculpture|Figure (representation)|||6|||559|559||559|559|||||0||||0|||||Limestone|limestone|||||sculpture|carving||||110 x 58.5 x 10 cm||9683|Zhengzhou: Henan Provincial Museum|Zhengzhou: Henan Provincial Museum||||||||||||Cornell||BZ|BZ|6/13/2006 0:00:00|5/9/2006 0:00:00||||0|||||||SC|||CHINA|SIX DYN|||| ||||||||Work|0||Dated to 559. Northern Qi Dynasty (550-577). Unearthed in 1963.||||||||||0|0|Stele With Enthroned Buddhas And Attendant Bodhisattvas And Monks| 6676.00|0|Creator|15|CHINA|SC|SIX DYN||CHINA SC SIX DYN |Stele|Descriptive|Image Source (Pub)|||||||Stele|0|||||0||||0|||||Chinese|||Six Dynasties|||Asia||China||||||0||||0|||||Louning county, Henan Province|||10796|Sculpture|Sculpture|Figure (representation)|||6|||565|565||565|565|||||0||||0|||||Stone|stone|||||sculpture|carving||||259 x 73.4 x 19.5 cm||9683|Zhengzhou: Henan Provincial Museum|Zhengzhou: Henan Provincial Museum||Figures (representations) ; Sculpture (visual work) ; Lotus ; Lions ; Animals ; |Figures (representations)|Sculpture (visual work)|Lotus|Lions|Animals|||||Cornell||BZ|BZ|6/13/2006 0:00:00|5/9/2006 0:00:00||||0|||||||SC|||CHINA|SIX DYN|||| ||||||||Work|0||Dated to 565. Northern Zhou Dynasty (557-581). Unearthed in 1963.||||||||||0|0|Stele| 6677.00|0|Creator|15||||||Grands Voyages|Inscribed|Artist|||||||Grands Voyages|2947|Bry, Theodor de||artist|Theodor de Bry|0||||0|||||German|Flemish||Renaissance|||Europe||Germany||||||0||||0||||0||||0|Publications|Book||||16|17||1590|1618||1590-1618|1590-1618|||||0||||0||||||||||||||||||||||Colonization ; Indians of North America ; Exploration and discovery ; Travel guidebooks ; |Colonization|Indians of North America|Exploration and discovery|Travel guidebooks||||||Cornell||JNK|JNK|5/9/2006 0:00:00|5/9/2006 0:00:00||||0|||||||||||||||||||||||Work|0||Published in Frankfurt am Main, Germany in Latin and German.||||||||||0|0|Grands Voyages|Bry, Theodor de 6678.00|0|Creator|15|25|B915-G|91|2|25 B915-G 91 2|Part III (German)|Descriptive|Image Source (Pub)|||||||Grands Voyages. Part III (German)|2947|Bry, Theodor de||artist|Theodor de Bry|0||||0|||||German|Flemish||Renaissance|||Europe||Germany||||||0||||0||||0||||0|Publications|Book||||16|||1593|1593||1593|1593-1593||Grands Voyages|Larger entity||6677||||0||||||||||||||||||||||Colonization ; Indians of North America ; Exploration and discovery ; Travel guidebooks ; |Colonization|Indians of North America|Exploration and discovery|Travel guidebooks||||||Cornell||JNK|JNK|5/9/2006 0:00:00|5/9/2006 0:00:00|B915|||0||||||2|25|G|||||91||||||||||Work|0||Published in Frankfurt am Main, Germany in Latin and German.||||||||||0|0|Part III (German)|Bry, Theodor de 6679.00|0|Creator|15|CHINA|SC|SIX DYN||CHINA SC SIX DYN |Sakyamuni On Lion Throne|Descriptive|Image Source (Pub)|||||||Sakyamuni On Lion Throne|0|||||0||||0|||||Chinese|||Six Dynasties|||Asia||China||||||0||||0||||0||||0|Sculpture|Sculpture|Figure (representation)|Throne||6|||502|502||502|502|||||0||||0|||||Sandstone|sandstone|||||sculpture|carving||||48.5 x 27.7 cm||9707|Sian: Forest of Steles Museum|Sian: Forest of Steles Museum||Figures (representations) ; Sculpture (visual work) ; Lions ; Animals ; Fires ; Thrones ; |Figures (representations)|Sculpture (visual work)|Lions|Animals|Fires|Thrones||||Cornell||BZ|BZ|6/13/2006 0:00:00|5/9/2006 0:00:00||||0|||||||SC|||CHINA|SIX DYN|||| ||||||||Work|0||Dated to 502. Northern Wei Dynasty (386-534). Found in 1952.||||||||||0|0|Sakyamuni On Lion Throne| 6680.00|0|Creator|15|25|B915-G|91|2|25 B915-G 91 2|Cannibal Scene|Descriptive|Image Source (Pub)|||||||Grands Voyages. Part III (German). Cannibal Scene|2947|Bry, Theodor de||artist|Theodor de Bry|0||||0|||||German|Flemish||Late Renaissance|Baroque||Europe||Germany||||||0||||0||||0||||0|Prints|Engraving (print)||||16|||1593|1593||1593|1593-1593||Part III (German)|Larger entity||6678||||0|||||Engraving, color||||||engraving (incising)|||||||||||Colonization ; Indians of North America ; Exploration and discovery ; Cannibalism ; |Colonization|Indians of North America|Exploration and discovery|Cannibalism||||||Cornell||JNK|JNK|5/9/2006 0:00:00|5/9/2006 0:00:00|B915|||0||||||2|25|G|||||91||||||||||Work|0||||||||||||0|0|Cannibal Scene|Bry, Theodor de 6681.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Torso Of A Guardian King|Descriptive|Image Source (Pub)|||||||Torso Of A Guardian King|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0||||0|Sculpture|Sculpture|Figure (representation)|||7|8|9|618|907||618-907|618-907|||||0||||0|||||Marble|marble|||||sculpture|carving||||100 cm high||9707|Sian: Forest of Steles Museum|Sian: Forest of Steles Museum||Figures (representations) ; Sculpture (visual work) ; Men (male humans) ; Guardsmen ; Jewelry ; |Figures (representations)|Sculpture (visual work)|Men (male humans)|Guardsmen|Jewelry|||||Cornell||BZ|BZ|6/15/2006 0:00:00|5/9/2006 0:00:00||||0|||||||SC|||CHINA|TANG|||| ||||||||Work|0||||||||||||0|0|Torso Of A Guardian King| 6682.00|0|Creator|15|27|D994-P|C471||27 D994-P C471 |Charles I, King of England|Translated|Cataloger|Charles Ier, roi d'Angleterre, dit Portrait du roi à la chasse|Assigned|Repository|Portrait of the King Hunting|Variant|Repository|Charles I, King of England|3423|Dyck, Anthony Van||painter|Anthony Van Dyck|0||||0|||||Flemish|||Baroque|||Europe||England||||||0||||0||||0||||0|Paintings|Oil painting|Portrait|Painting||17|||1635|1635|ca|ca 1635|ca 1635-1635|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||266 x 207 cm||3341|Paris: Musée du Louvre|Paris: Louvre||Charles I, King of England, 1600-1649 ; |Charles I, King of England, 1600-1649|||||||||Cornell||JNK|JNK|5/9/2006 0:00:00|5/9/2006 0:00:00|D994|||0||Inv. 1236|||||27|P|||||C471|| ||||||||Work|0||||||||||||0|0|Charles I, King of England;Charles Ier, roi d'Angleterre, dit Portrait du roi à la chasse;Portrait of the King Hunting|Dyck, Anthony Van 6683.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Standing Bodhisattva|Descriptive|Image Source (Pub)|||||||Standing Bodhisattva|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0|Huata Temple site, Taiyuan, Shanxi Province|||10792||||||7|8|9|618|907||618-907|618-907|||||0||||0|||||Sandstone with gold|sandstone|gold||||sculpture|carving||||60 cm high||9620|Taiyuan: Shanxi Provincial Museum|Taiyuan: Shanxi Provincial Museum||Figures (representations) ; Sculpture (visual work) ; Bodhisattvas ; |Figures (representations)|Sculpture (visual work)|Bodhisattvas|||||||Cornell||BZ|BZ|6/15/2006 0:00:00|5/9/2006 0:00:00||||0|||||||SC|||CHINA|TANG|||| ||||||||Work|0||Unearthed in 1954.||||||||||0|0|Standing Bodhisattva| 6684.00|0|Creator|15|27|S6622-PA|5Sm|1|27 S6622-PA 5Sm 1|Self-Portrait|Assigned|Repository|||||||Self-Portrait|14358|Smith, Thomas||painter|Thomas Smith|0||||0|||||American|||Colonial|||North and Central America||United States||||||0||||0||||0||||0|Paintings|Self portrait|Portrait|Oil painting||17|||1680|1680||1680|1680-1680|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||62.8 x 60 cm||3530|Worcester: Art Museum|Worcester: Art Museum||Self-portraits ; |Self-portraits|||||||||Cornell||JNK|JNK|5/9/2006 0:00:00|5/9/2006 0:00:00|S6622|||0||1948.19|||||27|PA|||||5Sm|| ||||||||Work|0||||||||||||0|0|Self-Portrait|Smith, Thomas 6685.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Head Of A Bodhisattva|Descriptive|Image Source (Pub)|||||||Head Of A Bodhisattva|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0|||||Nannieshui village, Qin county, Shanxi Province|||10797|Sculpture|Sculpture|Head (representation)|Figure (representation)||7|8|9|618|907||618-907|618-907|||||0||||0|||||Sandstone|sandstone|||||sculpture|carving||||30 x 19 cm||9620|Taiyuan: Shanxi Provincial Museum|Taiyuan: Shanxi Provincial Museum||Figures (representations) ; Heads (representations) ; Sculpture (visual work) ; |Figures (representations)|Heads (representations)|Sculpture (visual work)|||||||Cornell||BZ|BZ|6/15/2006 0:00:00|5/9/2006 0:00:00||||0|||||||SC|||CHINA|TANG|||| ||||||||Work|0||Unearthed in 1957.||||||||||0|0|Head Of A Bodhisattva| 6686.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Manjusri|Descriptive|Image Source (Pub)|||||||Manjusri|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0|||||Anguo Temple site, Xi'an. Shaanxi Province|||10798|Sculpture|Sculpture|Figure (representation)|||7|8|9|618|907||618-907|618-907|||||0||||0|||||Marble|marble|||||carving|sculpture||||75 cm high||9707|Sian: Forest of Steles Museum|Sian: Forest of Steles Museum||Figures (representations) ; Sculpture (visual work) ; Bases ; Lotus ; |Figures (representations)|Sculpture (visual work)|Bases|Lotus||||||Cornell||BZ|BZ|6/15/2006 0:00:00|5/9/2006 0:00:00||||0|||||||SC|||CHINA|TANG|||| ||||||||Work|0||Unearthed in 1959.||||||||||0|0|Manjusri| 6687.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Ratnasambhava|Descriptive|Image Source (Pub)|||||||Ratnasambhava|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0|Anguo Temple site, Xi'an. Shaanxi Province|||10798|Sculpture|Sculpture|Figure (representation)|||7|8|9|618|907||618-907|618-907|||||0||||0|||||Marble with traces of gold|marble|gold||||sculpture|carving||||67.5 cm high||9707|Sian: Forest of Steles Museum|Sian: Forest of Steles Museum||Figures (representations) ; Sculpture (visual work) ; Lotus ; Animals ; |Figures (representations)|Sculpture (visual work)|Lotus|Animals||||||Cornell||BZ|BZ|6/15/2006 0:00:00|5/9/2006 0:00:00||||0|||||||SC|||CHINA|TANG|||| ||||||||Work|0||Unearthed in 1959.||||||||||0|0|Ratnasambhava| 6688.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Trailokyavijaya|Descriptive|Image Source (Pub)|||||||Trailokyavijaya|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0|Anguo Temple site, Xi'an. Shaanxi Province|||10798|Sculpture|Sculpture|Figure (representation)|||7|8|9|618|907||618-907|618-907|||||0||||0|||||Marble|marble|||||sculpture|carving||||71 x 42 cm||9707|Sian: Forest of Steles Museum|Sian: Forest of Steles Museum||Figures (representations) ; Sculpture (visual work) ; Rock ; |Figures (representations)|Sculpture (visual work)|Rock|||||||Cornell||BZ|BZ|6/15/2006 0:00:00|5/9/2006 0:00:00||||0|||||||SC|||CHINA|TANG|||| ||||||||Work|0||Unearthed in 1959.||||||||||0|0|Trailokyavijaya| 6689.00|0|Creator|15|30|T8692-PA|41D|1|30 T8692-PA 41D 1|The Declaration of Independence, 4 July 1776|Assigned|Repository|||||||The Declaration of Independence, 4 July 1776|11939|Trumbull, John||painter|John Trumbull|0||||0|||||American|||Colonial|||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||18|19||1786|1820||1786-1820|1786-1820|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||53 x 78.7 cm||3400|New Haven: Yale University; Art Gallery|New Haven: Yale Univ. Art Gal.||Autonomy ; United States. Declaration of Independence ; Jefferson, Thomas, 1743-1826 ; Franklin, Benjamin, 1706-1790 ; Hancock, John, 1737-1793 ; Adams, John, 1735-1826 ; Sherman, Roger, 1721-1793 ; Livingston, Robert R., 1746-1813 ; |Autonomy|United States. Declaration of Independence|Jefferson, Thomas, 1743-1826|Franklin, Benjamin, 1706-1790|Hancock, John, 1737-1793|Adams, John, 1735-1826|Sherman, Roger, 1721-1793|Livingston, Robert R., 1746-1813||Cornell||JNK|JNK|5/9/2006 0:00:00|5/9/2006 0:00:00|T8692|||0||1832.3|||||30|PA|||||1|| |41D|||||||Work|0||||||||||||0|0|The Declaration of Independence, 4 July 1776|Trumbull, John 6690.00|0|Creator|15|CHINA|SC|SIX DYN||CHINA SC SIX DYN |Stele With Buddhist Trinity|Descriptive|Image Source (Pub)|||||||Stele With Buddhist Trinity|0|||||0||||0|||||Chinese|||Six Dynasties|||Asia||China||||||0||||0||||0|Caotan in the northern suburb of Xi'an, Shaanxi|||10799|Sculpture|Sculpture|Figure (representation)|||6|||557|581||557-581|557-581|||||0||||0|||||Marble|marble|||||sculpture|carving||||40 x 28 x 8.5 cm||9706|Sian: Institute for the Protection of Cultural Relics|Sian: Inst. for the Protection of Cultural Relics||Figures (representations) ; Sculpture (visual work) ; Buddha ; Lotus ; Flowers ; |Figures (representations)|Sculpture (visual work)|Buddha|Lotus|Flowers|||||Cornell||BZ|BZ|6/13/2006 0:00:00|5/9/2006 0:00:00||||0|||||||SC|||CHINA|SIX DYN|||| ||||||||Work|0||Northern Zhou Dynasty (557-581). Unearthed in 1975.||||||||||0|0|Stele With Buddhist Trinity| 6691.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Torso Of A Vajrasattva|Descriptive|Image Source (Pub)|||||||Torso Of A Vajrasattva|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0|Wanfo Temple Site, Chengdu, Sichuan Province|||10789|Sculpture|Sculpture|Figure (representation)|Jewelry||7|8|9|618|907||618-907|618-907|||||0||||0|||||Sandstone|sandstone|||||sculpture|carving||||86 cm high||9695|Chengdu: Sichuan Provincial Museum|Chengdu: Sichuan Provincial Museum||Figures (representations) ; Sculpture (visual work) ; Jewelry ; Bases ; |Figures (representations)|Sculpture (visual work)|Jewelry|Bases||||||Cornell||BZ|BZ|6/15/2006 0:00:00|5/9/2006 0:00:00||||0|||||||SC|||CHINA|TANG|||| ||||||||Work|0||Unearthed in 1954.||||||||||0|0|Torso Of A Vajrasattva| 6692.00|0|Creator|15|CHINA|SC|SUI||CHINA SC SUI |Amitabha Altar|Descriptive|Image Source (Pub)|||||||Amitabha Altar|0|||||0||||0|||||Chinese|||Sui|||Asia||China||||||0||||0|||||Bali village, Xi'an, Shaanxi Province|||10800|Sculpture|Sculpture|Figure (representation)|||6|||584|584||584|584|||||0||||0|||||Gilt bronze|bronze|||||sculpture|carving||||41 cm high; 24.3 x 24 cm (altar stand)||9706|Sian: Institute for the Protection of Cultural Relics|Sian: Inst. for the Protection of Cultural Relics||Figures (representations) ; Sculpture (visual work) ; Animals ; Lotus ; Altars ; |Figures (representations)|Sculpture (visual work)|Animals|Lotus|Altars|||||Cornell||BZ|BZ|6/19/2006 0:00:00|5/9/2006 0:00:00||||0|||||||SC|||CHINA|SUI|||| ||||||||Work|0||Dated to 584. Sui Dynasty (581-618). Unearthed in 1974.||||||||||0|0|Amitabha Altar| 6693.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Head Of A Bodhisattva|Descriptive|Image Source (Pub)|||||||Head Of A Bodhisattva|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0|Anguo Temple site, Xi'an. Shaanxi Province|||10798|Sculpture|Sculpture|Figure (representation)|Head (representation)||7|8|9|618|907||618-907|618-907|||||0||||0|||||Marble with gold|marble|gold||||sculpture|carving||||15.7cm high||9707|Sian: Forest of Steles Museum|Sian: Forest of Steles Museum||Figures (representations) ; Heads (representations) ; Sculpture (visual work) ; Bodhisattvas ; |Figures (representations)|Heads (representations)|Sculpture (visual work)|Bodhisattvas||||||Cornell||BZ|MNW|5/16/2006 0:00:00|5/9/2006 0:00:00||||0|||||||SC|||CHINA|TANG|||| ||||||||Work|0||Unearthed in 1959.||||||||||0|0|Head Of A Bodhisattva| 6694.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Torso Of A Bodhisattva|Descriptive|Image Source (Pub)|||||||Torso Of A Bodhisattva|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0|Precincts Of The Daminggong, Xi'an, Shaanxi|||10801|Sculpture|Sculpture|Figure (representation)|||7|8|9|618|907||618-907|618-907|||||0||||0|||||Marble|marble|||||sculpture|carving||||110 x 35 cm||9707|Sian: Forest of Steles Museum|Sian: Forest of Steles Museum||||||||||||Cornell||BZ|BZ|6/15/2006 0:00:00|5/9/2006 0:00:00||||0|||||||SC|||CHINA|TANG|||| ||||||||Work|0||Unearthed in 1959. The Daminggong is a Tang dynasty imperial palace in Xi'an, Shaanxi Province, China.||||||||||0|0|Torso Of A Bodhisattva| 6695.00|0|Creator|15|CHINA|PTG|QING||CHINA PTG QING |Album Of Landscapes And Figures|Descriptive|Image Source (Pub)|||||||Album Of Landscapes And Figures|31187|Jin Nong||painter|Jin Nong|0||||0|||||Chinese|||Qing (Ch'ing)|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Landscape (representation)|Figure (representation)||18|||1759|1759||1759|1759|||||0||||0|||||Ink and color on paper|ink|color (pigment)|paper (fiber product)|||painting (image-making)|||||26.1 x 34.9 cm (each leaf)||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Painting (image making) ; Landscapes ; Figures (representations) ; Boats ; Lotus ; Mountains ; Rivers ; Grasses (plants) ; Forests|Painting (image making)|Landscapes|Figures (representations)|Boats|Lotus|Mountains|Rivers|Grasses (plants)|Forests|Cornell||BZ|BZ|6/19/2006 0:00:00|5/10/2006 0:00:00||||0|||||||PTG|||CHINA|QING|||| ||||||||Work|0||Dated to 1759, Qing dynasty (1644-1911).||||||||||0|0|Album Of Landscapes And Figures|Jin Nong 6696.00|0|Creator|15|CHINA|PTG|YUAN||CHINA PTG YUAN |Dwelling In The Qingbian Mountains|Descriptive|Image Source (Pub)|||||||Dwelling In The Qingbian Mountains|30883|Wang Meng||painter|Wang Meng|0||||0|||||Chinese|||Yuan|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Mountain|Landscape (representation)||14|||1366|1366||1366|1366|||||0||||0|||||Ink on paper|ink|paper (fiber product)||||painting (image-making)|||||140.6 x 42.2 cm||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Dwellings ; Mountains ; Trees ; Rivers ; Rock ; Waterfalls ; Seals ; Figures (representations) ; Inscriptions|Dwellings|Mountains|Trees|Rivers|Rock|Waterfalls|Seals|Figures (representations)|Inscriptions|Cornell||BZ|BZ|6/15/2006 0:00:00|5/10/2006 0:00:00||||0|||||||PTG|||CHINA|YUAN|||| ||||||||Work|0||Dated to 1366, Yuan dynasty (1279-1368). Hanging scroll.||||||||||0|0|Dwelling In The Qingbian Mountains|Wang Meng 6697.00|0|Creator|15|CHINA|MTL|SHANG||CHINA MTL SHANG |Basin (Pan) With Coiling Dragon Design|Descriptive|Image Source (Pub)|||||||Basin (Pan) With Coiling Dragon Design|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0||||0||||0|Chenshan village, Wenling, Zhejiang Province|||10802|Metalwork|Vessel|Basin|Bronze|BCE|-17|-16|-15|1600|1100|ca|ca 1600-1100 BCE|ca 1600-1100 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|metalworking||||26 cm high; 61.6 cm diam. of mouth||9708|Wenling: Administrative Office For Cultural Relics|Wenling: Administrative Office For Cultural Relics||Vessels ; Basins ; Dragons ; |Vessels|Basins|Dragons|||||||Cornell||BZ|BZ|6/13/2006 0:00:00|5/10/2006 0:00:00||||0|||||||MTL|||CHINA|SHANG|||| ||||||||Work|0||Unearthed in 1984.||||||||||0|0|Basin (Pan) With Coiling Dragon Design| 6700.00|0|Creator|15|CHINA|MTL|SHANG||CHINA MTL SHANG |Square Cauldron (Fang Ding) With Thread-relief Frieze Of Animal Masks, And Nipple Pattern|Descriptive|Image Source (Pub)|||||||Square Cauldron (Fang Ding) With Thread-relief Frieze Of Animal Masks, And Nipple Pattern|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0||||0||||0|Qian village, Pinglu county, Shanxi Province|||10806|Metalwork|Bronze|Cauldron|Vessel|BCE|-17|-16|-15|1600|1100|ca|ca 1600-1100 BCE|ca 1600-1100 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|metalworking||||82 x 50 cm||9709|Taiyuan: Shanxi Provincial Institute Of Archaeology|Taiyuan: Shanxi Institute Of Archaeology||Cauldrons ; Vessels ; Reliefs ; Animals ; Masks ; |Cauldrons|Vessels|Reliefs|Animals|Masks|||||Cornell||BZ|BZ|6/13/2006 0:00:00|5/10/2006 0:00:00||||0|||||||MTL|||CHINA|SHANG|||| ||||||||Work|0||Unearthed in 1990.||||||||||0|0|Square Cauldron (Fang Ding) With Thread-relief Frieze Of Animal Masks, And Nipple Pattern| 6701.00|0|Site|02|B-H3|Sta|7.1 ||B-H3 Sta 7.1 |Roman Villas|Descriptive|Dict.Art||||||||0|||||0||||0|||||Roman|||Roman Period|||Europe||Italy||||||0|Stabiae, Italy|||10807||||0||||0|Archaeological Sites|House|||CE|1|||1|79|ca|1st Century CE|ca 1-79|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|5/10/2006 0:00:00||Sta||0|||||||B|||||H3|7.1||||||||||Work|0|Architecture-Italy|Luxury villas built in the 1st Century on the site of an older city destroyed by Sulla in 89 BCE. Stabiae was destroyed again by the eruption of Vesuvius in 79 CE||||||||||0|0|Roman Villas| 6702.00|0|Site|02|B-H3|Sta|7.1 Flor||B-H3 Sta 7.1 Flor |Fresco of Flora|Descriptive|Image Source (Vendor)|Spring|Descriptive|Image Source (Vendor)||||Roman Villas. Fresco of Flora|0|||||0||||0|||||Roman|||Roman Period|||Europe||Italy||||||0||||0|Stabiae, Italy|||10807||||0|Paintings|Painting|Mural||CE|1|||1|79|ca|1st Century CE|ca 1-79||Roman Villas|LargerEntity||6701||||0||||||paint|||||mural painting|painting (image-making)||||||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Flora ; Spring ; Flowers ; |Flora|Spring|Flowers|||||||Cornell||HB|HB|6/16/2006 0:00:00|5/10/2006 0:00:00||Sta|Sta|0||||||Flor|B|||||H3|7.1|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Fresco of Flora;Spring| 6703.00|0|Creator|15|CHINA|JADE|HAN||CHINA JADE HAN |Winged Horse|Descriptive|Image Source (Pub)|||||||Winged Horse|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|||BCE|-3|-2|-1|206|220|||206 BCE-220 CE|||||0||||0|||||Nephrite jade|nephrite|jade||||carving|||||4.2 x 7.8 x 2.6 cm||292|Beijing: Palace Museum|Beijing: Palace Museum||Horses ; Jewelry ; |Horses|Jewelry||||||||Cornell||BZ|BZ|6/13/2006 0:00:00|5/10/2006 0:00:00||||0|||||||JADE|||CHINA|HAN|||| ||||||||Work|0||||||||||||0|0|Winged Horse| 6704.00|0|Site|02|B-H3|Sta|7.1 Har||B-H3 Sta 7.1 Har |Fresco of View of a Harbor|Descriptive|Image Source (Vendor)|||||||Roman Villas. Fresco of View of a Harbor|0|||||0||||0|||||Roman|||Roman Period|||Europe||Italy||||||0||||0|Stabiae, Italy|||10807||||0|Paintings|Painting|Mural||CE|1|||1|79|ca|1st Century CE|ca 1-79||Roman Villas|LargerEntity||6701||||0|||||||||||mural painting|painting (image-making)||||||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Harbors ; Ships ; |Harbors|Ships||||||||Cornell||HB|HB|6/16/2006 0:00:00|5/10/2006 0:00:00||Sta|Sta|0||||||Har|B|||||H3|7.1|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Fresco of View of a Harbor| 6705.00|0|Creator|15|CHINA|MTL|NEOLITHIC||CHINA MTL NEOLITHIC |Vessel (Jue)|Descriptive|Image Source (Pub)|||||||Vessel (Jue)|0|||||0||||0|||||Chinese|||Neolithic|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|Vessel||BCE|-22|-21|-20|2100|1600|ca|ca 2100-1600 BCE|ca 2100-1600 BCE|||||0||||0|||||Bronze|bronze|||||metalworking|bronzing||||11.7cm x 14.1cm||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Vessels ; |Vessels|||||||||Cornell||BZ|BZ|5/10/2006 0:00:00|5/10/2006 0:00:00||||0|||||||MTL|||CHINA|NEOLITHIC|||| ||||||||Work|0||Xia period.||||||||||0|0|Vessel (Jue)| 6706.00|0|Site|02|B-H3|Sta|7.1 Dian||B-H3 Sta 7.1 Dian |Fresco of Diana from a bedroom|Descriptive|Image Source (Vendor)|||||||Roman Villas. Fresco of Diana from a bedroom|0|||||0||||0|||||Roman|||Roman Period|||Europe||Italy||||||0||||0|Stabiae, Italy|||10807||||0|Paintings|Painting|Mural|||1|||40|60|ca|ca 50 CE|ca 40-60||Roman Villas|LargerEntity||6701||||0|||||||||||mural painting|painting (image-making)||||||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Diana ; |Diana|||||||||Cornell||HB|HB|6/16/2006 0:00:00|5/10/2006 0:00:00||Sta|Sta|0||||||Dian|B|||||H3|7.1|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Fresco of Diana from a bedroom| 6707.00|0|Site|02|B-H3|Sta|7.1 Cith||B-H3 Sta 7.1 Cith |Fresco of Cithara Player|Descriptive|Image Source (Vendor)|||||||Roman Villas. Fresco of Cithara Player|0|||||0||||0|||||Roman|||Roman Period|||Europe||Italy||||||0||||0|Stabiae, Italy|||10807||||0|Paintings|Painting|Mural||CE|1|||1|79|ca|1st Century CE|ca 1-79||Roman Villas|LargerEntity||6701||||0|||||||||||mural painting|painting (image-making)||||||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|5/10/2006 0:00:00||Sta|Sta|0||||||Cith|B|||||H3|7.1|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Fresco of Cithara Player| 6708.00|0|Site|02|B-H3|Sta|7.1 Vill||B-H3 Sta 7.1 Vill |Fresco of Villa|Descriptive|Cataloger|||||||Roman Villas. Fresco of Villa|0|||||0||||0|||||Roman|||Roman Period|||Europe||Italy||||||0|||||Stabiae, Italy|||10807||||0|Paintings|Painting|Mural||CE|1|||1|79|ca|1st Century CE|ca 1-79||Roman Villas|LargerEntity||6701||||0|||||||||||mural painting|painting (image-making)||||||9710|Castellammare di Stabia: Antiquarium Stabiano|Castellammare di Stabia: Antiquarium Stabiano||Villa ; |Villa|||||||||Cornell||HB|HB|6/16/2006 0:00:00|5/10/2006 0:00:00||Sta|Sta|0||||||Vill|B|||||H3|7.1|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Fresco of Villa| 6709.00|0|Creator|15|CHINA|JADE|TANG||CHINA JADE TANG |Sixteen-piece Belt|Descriptive|Image Source (Pub)|||||||Sixteen-piece Belt|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0|Hejia village, Xi'an, Shaanxi Province|||10808|Jewelry|Jade||||7|8|9|618|907||618-907|618-907|||||0||||0|||||Nephrite jade|nephrite|jade||||carving|||||3.5-5 cm long of pieces||9711|Sian: Shaanxi History Museum|Sian: Shaanxi History Museum||Animals ; Dogs ; Jewelry ; |Animals|Dogs|Jewelry|||||||Cornell||BZ|BZ|6/13/2006 0:00:00|5/10/2006 0:00:00||||0|||||||JADE|||CHINA|TANG|||| ||||||||Work|0||Unearthed in 1970.||||||||||0|0|Sixteen-piece Belt| 6710.00|0|Creator|15|CHINA|MTL|HAN||CHINA MTL HAN |Incense Burner In The Shape Of A Magical Mountain Isle Of The Immortals|Descriptive|Image Source (Pub)|||||||Incense Burner In The Shape Of A Magical Mountain Isle Of The Immortals|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0||||0|Tomb of Liu Sheng, Mancheng, Hebei Province, China|||10730|Metalwork|Incense burner|Mountain||BCE|-3|-2|-1|206|8|||206 BCE-8 CE|||||0||||0|||||Bronze inlaid with silver, gold, and turquoise|bronze|silver|gold|||metalworking|bronzing||||26 cm high, 12.3 cm max diam., 9.7 cm diam.of foot||9579|Shijiazhuang: Hebei Provincial Museum|Shijiazhuang: Hebei Provincial Museum||Incense burners ; Mountains ; |Incense burners|Mountains||||||||Cornell||BZ|BZ|6/13/2006 0:00:00|5/10/2006 0:00:00||||0|||||||MTL|||CHINA|HAN|||| ||||||||Work|0||Unearthed in 1968. Western Han dynasty.||||||||||0|0|Incense Burner In The Shape Of A Magical Mountain Isle Of The Immortals| 6711.00|0|Creator|15|CHINA|POT|TANG||CHINA POT TANG |Bowl|Descriptive|Image Source (Pub)|||||||Bowl|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0|Famen Temple Pagoda, Fufeng, Shaanxi Province|||10809|Ceramics|Ceramic|Bowl (vessel)|Vessel||7|8|9|618|907||618-907|618-907|||||0||||0|||||Green-glazed stoneware (Celadon), Yue kilns|stoneware (pottery)|||||ceramics|||||6.8 cm high, 22.4 cm diam. of mouth||9711|Sian: Shaanxi History Museum|Sian: Shaanxi History Museum||Vessels ; |Vessels|||||||||Cornell||BZ|BZ|6/15/2006 0:00:00|5/10/2006 0:00:00||||0|||||||POT|||CHINA|TANG|||| ||||||||Work|0||Unearthed in 1987 in underground chamber of the Famen Temple Pagoda.||||||||||0|0|Bowl| 6712.00|0|Creator|15|CHINA|POT|NEOLITHIC||CHINA POT NEOLITHIC |Basin With Human Head And Fish Designs|Descriptive|Image Source (Pub)|||||||Basin With Human Head And Fish Designs|0|||||0||||0|||||Chinese|||Neolithic|||Asia||China||||||0||||0|||||Banpo village, near Xi'an, Shaanxi Province|||10810|Ceramics|Ceramic|Pottery|Basin||||||||||||||0||||0|||||Red earthenware with black pigment|earthenware|pigment||||ceramics|||||15.5 cm high, 39.5 cm diam. of mouth||290|Beijing: National Museum of Chinese History|Beijing: National Museum of Chinese History||Basins ; Heads (representations) ; fishes ; Figures (representations) ; Vessels ; |Basins|Heads (representations)|fishes|Figures (representations)|Vessels|||||Cornell||BZ|BZ|6/15/2006 0:00:00|5/10/2006 0:00:00||||0|||||||POT|||CHINA|NEOLITHIC|||| ||||||||Work|0||Neolithic period, Yangshao culture, Banpo type (late 6th-5th millennium BCE). Unearthed in 1955.||||||||||0|0|Basin With Human Head And Fish Designs| 6713.00|0|Creator|15|CHINA|POT|SONG||CHINA POT SONG |Vase With Dish-shaped Mouth And Raised Ribs|Descriptive|Image Source (Pub)|||||||Vase With Dish-shaped Mouth And Raised Ribs|0|||||0||||0|||||Chinese|||Song (Sung)|||Asia||China||||||0||||0||||0||||0|Ceramics|Ceramic|Vase|Dish||12|13||1127|1279||1127-1279|1127-1279|||||0||||0|||||Crackled pale blue-green-glazed stoneware, Longquan kilns|stoneware (pottery)|||||ceramics|||||31cm high, 10.4 cm diam. of mouth, 11.3 cm diam.of foot||292|Beijing: Palace Museum|Beijing: Palace Museum||Vessels ; Flowers ; |Vessels|Flowers||||||||Cornell||BZ|BZ|6/15/2006 0:00:00|5/10/2006 0:00:00||||0|||||||POT|||CHINA|SONG|||| ||||||||Work|0||Southern Song dynasty.||||||||||0|0|Vase With Dish-shaped Mouth And Raised Ribs| 6714.00|0|Creator|15|CHINA|POT|SONG||CHINA POT SONG |Mallow-shaped Bowl|Descriptive|Image Source (Pub)|||||||Mallow-shaped Bowl|0|||||0||||0|||||Chinese|||Song (Sung)|||Asia||China||||||0||||0||||0||||0|Ceramics|Ceramic|Bowl (vessel)|Vessel||12|13||1127|1279||1127-1279|1127-1279|||||0||||0|||||Crackled pale blue-green-glazed stoneware, Hangzhou Guan kilns|stoneware (pottery)|||||ceramics|||||4.2cm high,17.3cm diam. of mouth, 9.9 cm diam. of foot||292|Beijing: Palace Museum|Beijing: Palace Museum||Vessels ; Flowers ; Inscriptions ; |Vessels|Flowers|Inscriptions|||||||Cornell||BZ|BZ|6/15/2006 0:00:00|5/10/2006 0:00:00||||0|||||||POT|||CHINA|SONG|||| ||||||||Work|0||Southern Song dynasty. Inscriptions on the buttom.||||||||||0|0|Mallow-shaped Bowl| 6715.00|0|Creator|15|CHINA|POT|SONG||CHINA POT SONG |Tripod Vessel In The Shape Of An Archaic Bronze Lian Or Zun Vessel|Descriptive|Image Source (Pub)|||||||Tripod Vessel In The Shape Of An Archaic Bronze Lian Or Zun Vessel|0|||||0||||0|||||Chinese|||Song (Sung)|||Asia||China||||||0||||0||||0||||0|Ceramics|Ceramic|Vessel|Bronze||10|11|12|960|1127||960-1127|960-1127|||||0||||0|||||Pale blue-green-glazed stoneware, Ru kilns|stoneware (pottery)|||||ceramics|||||12.9 cm high, 18 cm diam. of mouth||292|Beijing: Palace Museum|Beijing: Palace Museum||Vessels ; |Vessels|||||||||Cornell||BZ|BZ|6/15/2006 0:00:00|5/10/2006 0:00:00||||0|||||||POT|||CHINA|SONG|||| ||||||||Work|0||Northern Song dynasty.||||||||||0|0|Tripod Vessel In The Shape Of An Archaic Bronze Lian Or Zun Vessel| 6716.00|0|Creator|15|CHINA|POT|SONG||CHINA POT SONG |Bowl With Incised Ducks And Water Weeds|Descriptive|Image Source (Pub)|||||||Bowl With Incised Ducks And Water Weeds|0|||||0||||0|||||Chinese|||Song (Sung)|||Asia||China||||||0||||0||||0||||0|Ceramics|Ceramic|Bowl (vessel)|Vessel||10|11|12|960|1127||960-1127|960-1127|||||0||||0|||||White stoneware with transparent glaze and bronze rim band, Ding kilns|stoneware (pottery)|bronze||||ceramics|||||6.4 cm high, 23.5 cm diam.of mouth,7.3 cm diam.of foot||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Vessels ; Ducks ; Grasses (plants) ; Flowers ; |Vessels|Ducks|Grasses (plants)|Flowers||||||Cornell||BZ|BZ|6/15/2006 0:00:00|5/10/2006 0:00:00||||0|||||||POT|||CHINA|SONG|||| ||||||||Work|0||Northern Song dynasty.||||||||||0|0|Bowl With Incised Ducks And Water Weeds| 6717.00|0|Creator|15|CHINA|POT|SONG||CHINA POT SONG |Bottle With Carved And Combed Peony Designs|Descriptive|Image Source (Pub)|||||||Bottle With Carved And Combed Peony Designs|0|||||0||||0|||||Chinese|||Song (Sung)|||Asia||China||||||0||||0||||0||||0|Ceramics|Ceramic|Bottle|Vessel||10|11|12|960|1127||960-1127|960-1127|||||0||||0|||||Green-glazed stoneware, Yaozhou kilns|stoneware (pottery)|||||ceramics|||||19.9 cm high, 6.9cm diam.of mouth, 7.8 cm diam.of foot||292|Beijing: Palace Museum|Beijing: Palace Museum||Bottles ; Vessels ; Peonies ; Flowers ; |Bottles|Vessels|Peonies|Flowers||||||Cornell||BZ|BZ|6/15/2006 0:00:00|5/10/2006 0:00:00||||0|||||||POT|||CHINA|SONG|||| ||||||||Work|0||Northern Song dynasty.||||||||||0|0|Bottle With Carved And Combed Peony Designs| 6718.00|0|Creator|15|CHINA|POT|FIVE DYN||CHINA POT FIVE DYN |Covered Jar With Four Lugs|Descriptive|Image Source (Pub)|||||||Covered Jar With Four Lugs|0|||||0||||0|||||Chinese|||Five dynasties|||Asia||China||||||0||||0||||0||||0|Ceramics|Ceramic|Vessel|||10|||907|960||907-960|907-960|||||0||||0|||||White stoneware with transparent glaze, Xing or Ding kilns|stoneware (pottery)|||||ceramics|||||26.2cm high, 10.4cm diam. Of mouth, 9.1cm diam. of foot||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Vessels ; |Vessels|||||||||Cornell||BZ|BZ|6/15/2006 0:00:00|5/10/2006 0:00:00||||0|||||||POT|||CHINA|FIVE DYN|||| ||||||||Work|0||Donated by Mr. Zhou Rui.||||||||||0|0|Covered Jar With Four Lugs| 6719.00|0|Creator|15|CHINA|POT|TANG||CHINA POT TANG |Dish In The Shape Of A Three-petaled Blossom|Descriptive|Image Source (Pub)|||||||Dish In The Shape Of A Three-petaled Blossom|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0|Huoshaobi, Xi'an, Shaanxi Province, China|||10811|Ceramics|Ceramic|Dish|||7|8|9|618|907||618-907|618-907|||||0||||0|||||White stoneware with transparent glaze, Xing or Ding kilns|stoneware (pottery)|||||ceramics|||||2.3 x 11.7 cm, 5.9 cm diam.of foot||9706|Sian: Institute for the Protection of Cultural Relics|Sian: Inst. for the Protection of Cultural Relics||Vessels ; Flowers ; Bases ; Inscriptions ; |Vessels|Flowers|Bases|Inscriptions||||||Cornell||BZ|BZ|6/15/2006 0:00:00|5/10/2006 0:00:00||||0|||||||POT|||CHINA|TANG|||| ||||||||Work|0||Unearthed in 1985. Base Inscribed With Character Guan ("Official")||||||||||0|0|Dish In The Shape Of A Three-petaled Blossom| 6720.00|0|Creator|15|CHINA|POT|JIN||CHINA POT JIN |Pillow With Painted Design Of A Hawk Chasing A Rabbit Among Reeds|Descriptive|Image Source (Pub)|||||||Pillow With Painted Design Of A Hawk Chasing A Rabbit Among Reeds|0|||||0||||0|||||Chinese|||Jin (Chin)|||Asia||China||||||0||||0||||0||||0|Ceramics|Ceramic|Pillow|Pottery||12|13||1115|1234||1115-1234|1115-1234|||||0||||0|||||Cizhou-type stoneware with white slip, black pigment, and transparent glaze|stoneware (pottery)|pigment||||ceramics|||||9.7 x 24.7 x 17 cm||9683|Zhengzhou: Henan Provincial Museum|Zhengzhou: Henan Provincial Museum||Pillows ; Painting (image making) ; Hawks ; Rabbits ; Reeds ; |Pillows|Painting (image making)|Hawks|Rabbits|Reeds|||||Cornell||BZ|BZ|6/13/2006 0:00:00|5/10/2006 0:00:00||||0|||||||POT|||CHINA|JIN|||| ||||||||Work|0||||||||||||0|0|Pillow With Painted Design Of A Hawk Chasing A Rabbit Among Reeds| 6721.00|0|Creator|15|CHINA|MTL|HAN||CHINA MTL HAN |Chariot Fitting With Mythical Hunting Scenes|Descriptive|Image Source (Pub)|||||||Chariot Fitting With Mythical Hunting Scenes|0|||||0||||0|||||Chinese|||Han (Chinese)|Western Han||Asia||China||||||0||||0|||||Sanpanshan tomb No.122, Ding county, Hebei Prov.|||10812|Metalwork|Bronze|||BCE|-3|-2|-1|206|8|||206 BCE-8 CE|||||0||||0|||||Bronze inlaid with gold, silver, and turquoise|bronze|gold|silver|||metalworking|bronzing||||26.4 cm high, 3.5 cm diam.||9712|Shijiazhuang: Hebei Provincial Institute Of Cultural Relics|Shijiazhuang: Hebei Prov. Inst. Of Cultural Relics||Chariots ; Hunting ; Animals ; Tigers ; Birds ; Deer ; |Chariots|Hunting|Animals|Tigers|Birds|Deer||||Cornell||BZ|BZ|6/13/2006 0:00:00|5/10/2006 0:00:00||||0|||||||MTL|||CHINA|HAN|||| ||||||||Work|0||Unearthed in 1965.||||||||||0|0|Chariot Fitting With Mythical Hunting Scenes| 6722.00|0|Architect|02|O-|Sant'Elia| ||O- Sant'Elia |Città Nuova|Assigned|Dict.Art|||||||Città Nuova|10383|Sant'Elia, Antonio||architect|Antonio Sant'Elia|0||||0|||||Italian|||Futurist|||Europe||Italy||||||0||||0||||0||||0|Architectural Theory|Architectural drawing|Drawing|||20|||1914|1914||1914|1914-1914|||||0||||0|||||||||||architectural drawing|||||||||||Utopia ; Cities ; |Utopia|Cities||||||||Cornell||JNK|JNK|5/11/2006 0:00:00|5/11/2006 0:00:00|Sant'Elia|||0|||||||O|||||||| ||||||||Work|0|Theory-|Series exhibited in March 1914 at the Prima mostra delgi Architetti Lombardi andthen from 20 May to 10 June in the premises of the Famiglia Artistica on the occasion of the first exhibition of the Nuove Tendenze. DOA||||||||||0|0|Città Nuova|Sant'Elia, Antonio 6723.00|0|Architect|02|O-|Sant'Elia|30||O- Sant'Elia 30 |Study|Descriptive|Collection|||||||Città Nuova. Study|10383|Sant'Elia, Antonio||architect|Antonio Sant'Elia|0||||0|||||Italian|||Futurist|||Europe||Italy||||||0||||0||||0||||0|Architectural Theory|Architectural drawing|Drawing|||20|||1914|1914||1914|1914-1914||Città Nuova|Larger entity||6722||||0|||||||||||architectural drawing|||||||9713|Milan: Coll. Paride Accetti|Milan: Coll. Paride Accetti||Utopia ; Cities ; Buildings ; |Utopia|Cities|Buildings|||||||Cornell||JNK|JNK|5/11/2006 0:00:00|5/11/2006 0:00:00|Sant'Elia|||0|||||||O|||||||| ||||||||Work|0||||||||||||0|0|Study|Sant'Elia, Antonio 6724.00|0|Architect|02|O-|Sant'Elia|32 ||O- Sant'Elia 32 |Stazione d'aerioplani e treni ferroviari con funicolari e ascensori dai tre piani stradali|Assigned|Image Source (Pub)|Station for airplanes and trains with funiculars and elevators from the three street levels|Translated|Cataloger||||Station for airplanes and trains with funiculars and elevators from the three street levels|10383|Sant'Elia, Antonio||architect|Antonio Sant'Elia|0||||0|||||Italian|||Futurist|||Europe||Italy||||||0||||0||||0||||0|Architectural Theory|Architectural drawing|Drawing|||20|||1914|1914||1914|1914-1914|||||0||||0|||||Pen|pens|||||architectural drawing|||||51 x 39 cm||9714|Como: Pinacotecca dei Musei Civici|Como: Pinac. Musei Civici||Utopia ; Cities ; Buildings ; Trains ; Airplanes ; Airports ; Railroad stations ; |Utopia|Cities|Buildings|Trains|Airplanes|Airports|Railroad stations|||Cornell||JNK|JNK|5/11/2006 0:00:00|5/11/2006 0:00:00|Sant'Elia|||0|||||||O||||||32|| ||||||||Work|0|Theory-|||||||||||0|0|Stazione d'aerioplani e treni ferroviari con funicolari e ascensori dai tre piani stradali;Station for airplanes and trains with funiculars and elevators from the three street levels|Sant'Elia, Antonio 6725.00|0|Site|02|B-B33|NYC|2.121 GrCent||B-B33 NYC 2.121 GrCent |Grand Central Station|Assigned|Image Source (Pub)|Grand Central Terminal|Variant|Dict.Art||||Grand Central Station|29261|Warren & Wetmore||architectural firm|Warren & Wetmore, Reed & Stem|28877|Reed & Stem||architectural firm|0|||||American|||Beaux-Arts|||North and Central America||United States||||||0|42nd ST and Park Ave, New York, NY|||10813||||0||||0|Architecture|Terminals|Train (vehicle grouping)|||20|||1903|1913||1903-1913|1903-1913|||||0||||0||||||||||||||||||||||Trains ; Railroad stations ; Railroads ; |Trains|Railroad stations|Railroads|||||||Cornell||JNK|MNW|5/25/2006 0:00:00|5/11/2006 0:00:00||||0||||||GrCent|B|||||B33|2.121||||||||||Work|0|Architecture-New York (NY)|||||||||||0|0|Grand Central Station;Grand Central Terminal|Warren & Wetmore;Reed & Stem 6726.00|0|Creator|15|E|Mondrian-|||E-14 Mondrian- 20 |Composition with Red, Yellow and Blue|Assigned|Repository|||||||Composition with Red, Yellow and Blue|8108|Mondrian, Piet||painter|Piet Mondrian|0||||0|||||Dutch|||De Stijl|||Europe||Netherlands||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||20|||1921|1921||1921|1921-1921|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||||9715|Hague (The): Gemeentemuseum|Hague (The): Gemeentemuseum||||||||||||Cornell||JNK|JNK|5/11/2006 0:00:00|5/11/2006 0:00:00|Mondrian|||0|||||||E|||14||||| ||||||||Work|0||||||||||||0|0|Composition with Red, Yellow and Blue|Mondrian, Piet 6727.00|0|Creator|15|E-14|Mondrian|13|||The Gray Tree|Assigned|Image Source (Pub)|||||||The Gray Tree|8108|Mondrian, Piet||painter|Piet Mondrian|0||||0|||||Dutch|||De Stijl|||Europe||Netherlands||||||0||||||||0||||0|Paintings|Painting|Oil painting|||20|||1912|1912||1912|1912-1912|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||79.7 x 109.1 cm||9715|Hague (The): Gemeentemuseum|Hague (The): Gemeentemuseum||Trees ; |Trees|||||||||Cornell||JNK|JNK|5/11/2006 0:00:00|5/11/2006 0:00:00|Mondrian|||0|||||||E|||14||||| ||||||||Work|0||||||||||||0|0||Mondrian, Piet 6728.00|0|Architect|07|MA-Rietveld|1918 Chair|16||MA-Rietveld 1918 Chair 16 |Lady's armchair|Descriptive|Image Source (Pub)|||||||Roodblauwe stoel. Lady's armchair|9865|Rietveld, Gerrit Thomas||architect|Gerrit Rietveld|0||||0|||||Dutch|||De Stijl|||Europe||Netherlands||||||0||||0||||0||||0|Furnishings|Chair||||20|||1918|1918||1918|1918-1918||Roodblauwe stoel|Larger entity||1285||||0|||||Purpleheard wood, stained brown|wood (plant material)|||||furniture making|||||||||||Furniture ; Chairs ; |Furniture|Chairs||||||||Cornell||JNK|JNK|5/11/2006 0:00:00|5/11/2006 0:00:00|Rietveld|||0||||||1918 Chair|MA||||||9.0||||||||||Work|0|Modern Architecture-|||||||||||0|0|Lady's armchair|Rietveld, Gerrit Thomas 6729.00|0|Architect|07|MA-Rietveld|1918 Chair|16||MA-Rietveld 1918 Chair 16 |Gentleman's armchair|Descriptive|Image Source (Pub)|||||||Roodblauwe stoel. Lady's armchair|9865|Rietveld, Gerrit Thomas||architect|Gerrit Rietveld|0||||0|||||Dutch|||De Stijl|||Europe||Netherlands||||||0||||0||||0||||0|Furnishings|Chair||||20|||1918|1918||1918|1918-1918||Roodblauwe stoel|Larger entity||1285||||0|||||Purpleheard wood, stained brown|wood (plant material)|||||furniture making|||||||||||Furniture ; Chairs ; |Furniture|Chairs||||||||Cornell||JNK|JNK|5/11/2006 0:00:00|5/11/2006 0:00:00|Rietveld|||0||||||1918 Chair|MA||||||9.0||||||||||Work|0||||||||||||0|0|Gentleman's armchair|Rietveld, Gerrit Thomas 6730.00|0|Architect|03|MA-Gilbert|6.1|1911-13 Wool||MA-Gilbert 6.1 1911-13 Wool |Woolworth Building|Descriptive|Dict.Art|||||||Woolworth Building|4476|Gilbert, Cass||architect|Gilbert, Cass|0||||0|||||American||||||North and Central America||United States||||||0|233 Broadway, New York, NY|||10814||||0||||0|Architecture|Skyscraper|Office building|||20|||1910|1913||1910-1913|1910-1913|||||0||||0||||||||||||||||||||||Office buildings ; Skyscrapers ; |Office buildings|Skyscrapers||||||||Cornell||MNW|MNW|5/12/2006 0:00:00|5/11/2006 0:00:00|Gilbert|||0||||||Wool|MA||||||6.1|1911-13|||||||||15|0|Modern Architecture|Located at 233 Broadway, facing City Hall Park; conceived by patron Frank Woolworth, as a profit-producing skyscraper. DOA||||||||||0|0|Woolworth Building|Gilbert, Cass 6731.00|0|Site|02|B-B1|MasB|7.5 Har||B-B1 MasB 7.5 Har |Anderson Harris House|Descriptive|Image Source (Pub)|||||||Anderson Harris House|29720|Auburn Univ. Dept. of Architecture. Rural Studio||architectural firm|Auburn Univ. Dept. of Architecture. Rural Studio|0||||0|||||American||||||North and Central America||United States||||||0|Mason's Bend, AL|||10417||||0||||0|Architecture|House||||20|||1996|1996||1996|1996-1996|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|MNW|5/25/2006 0:00:00|5/12/2006 0:00:00||MasB||0||||||Har|B|||||B1|7.5||||||||||Work|0|Architecture-Alabama (AL)|||||||||||0|0|Anderson Harris House|Auburn Univ. Dept. of Architecture. Rural Studio 6732.00|0|Site|02|B-B1|MasB|7.5 Bry||B-B1 MasB 7.5 Bry |Shepard Bryant House|Descriptive|Image Source (Pub)|||||||Shepard Bryant House|29720|Auburn Univ. Dept. of Architecture. Rural Studio||architectural firm|Auburn Univ. Dept. of Architecture. Rural Studio|0||||0|||||American||||||North and Central America||United States||||||0|Mason's Bend, AL|||10417||||0||||0|Architecture|House||||20|||1993|1993||1993|1993-1993|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|MNW|5/25/2006 0:00:00|5/12/2006 0:00:00||MasB||0||||||Bry|B|||||B1|7.5||||||||||Work|0|Architecture-Alabama (AL)|||||||||||0|0|Shepard Bryant House|Auburn Univ. Dept. of Architecture. Rural Studio 6733.00|0|Architect|02|MA-|Niemeyer|2.41 1936-45 Ed+Hea|10|MA- Niemeyer 2.41 1936-45 Ed+Hea 10|Roof Garden|Descriptive|Image Source (Pub)|||||||Ministry of Education & Health. Roof Garden|1800|Burle Marx, Roberto||architect, landscape|Roberto Burle Marx|0||||0|||||Brazilian|||Modernist|||South America||Brazil||||||0|Rio de Janeiro, Brazil|||10142||||0||||0|Gardens|Roof|Garden|||20|||1936|1945||1936-1945|1936-1945||Ministry of Education & Health|Larger entity||1050||||0||||||||||||||||||||||Roofs ; Gardens ; |Roofs|Gardens||||||||Cornell||JNK|MNW|5/25/2006 0:00:00|5/12/2006 0:00:00|Niemeyer|Rio||0||||||1936-45 Ed+Hea|MA||||||2.41||10||||||||Work|0|Modern Architecture-|||||||||||0|0|Roof Garden|Burle Marx, Roberto 6734.00|0|Architect|02|MA-|HelYamLei|7.4 1954 P-Ig||MA- HelYamLei 7.4 1954 P-Ig |Pruitt-Igoe|Assigned|Online Resource|||||||Pruitt-Igoe|28306|Hellmuth, Yamasaki & Leinweber||architectural firm|Hellmuth, Yamasaki & Leinweber|0||||0|||||American|||Modernist|||North and Central America||United States||||||0|Saint Louis, MO|||10092||||0||||0|Architecture|Public building|Housing|Apartment house||20|||1950|1954||1950-1954|1950-1954|||||0||||0||||||||||||||||||||||Housing developments ; Apartment houses ; |Housing developments|Apartment houses||||||||Cornell||JNK|JNK|5/12/2006 0:00:00|5/12/2006 0:00:00|HelYamLei|||0||||||1954 P-Ig|MA||||||7.4||||||||||Work|0|Modern Architecture-||||Demolished in 1972.|||||||0|0|Pruitt-Igoe|Hellmuth, Yamasaki & Leinweber 6735.00|0|Site|02|B-H3.1|PiaArm|7.1 Villa||B-H3.1 PiaArm 7.1 Villa |Villa Imperiale|Assigned|Blue Guide||||||||0|||||0||||0|||||Roman|||Late Antique|||Europe|Sicily|Italy||||||0|Piazza Armerina, Italy|||10815||||0||||0|Archaeological Sites|Villa|House||CE|4|||300|330|ca|ca 300-330 CE|ca 300-330|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|5/15/2006 0:00:00||PiaArm||0||||||Villa|B|||||H3.1|7.1||||||||||Work|0|Architecture-Sicily|One of the most opulent country dwellings known anywhere in the Roman empire|||4th Century villa on remains of more most 2nd century building|||||||0|0|Villa Imperiale| 6736.00|0|Site|02|B-H3.1|PiaArm|7.1 Villa||B-H3.1 PiaArm 7.1 Villa |The Little Hunt Mosaic|Descriptive|Image Source (Pub)|||||||Villa Imperiale. The Little Hunt Mosaic|0|||||0||||0|||||Roman|||Late Antique|||Europe|Sicily|Italy||||||0|Piazza Armerina, Italy|||10815||||0||||0|Mosaics|Mosaic|Floor||CE|2|||300|330|ca|ca 300-330 CE|ca 300-330||Villa Imperiale|||6735||||0|||||Glass|glass (material)|||||mosaic|||||||||||Boar ; Hunting ; |Boar|Hunting||||||||Cornell||HB|HB|6/16/2006 0:00:00|5/15/2006 0:00:00||PiaArm||0||||||Villa|B|||||H3.1|7.1||||||||||Work|0|Architecture-Sicily|||||||||||0|0|The Little Hunt Mosaic| 6737.00|0|Creator|15|CHINA|POT|YUAN||CHINA POT YUAN |Covered Jar With Floral Designs In Painted Applied Openwork|Descriptive|Image Source (Pub)|||||||Covered Jar With Floral Designs In Painted Applied Openwork|0|||||0||||0|||||Chinese|||Yuan|||Asia||China||||||0||||0||||0|Baoding, Hebei Province, China|||10816|Ceramics|Ceramic|Jar|Vessel||13|14||1279|1368||1279-1368|1279-1368|||||0||||0|||||Porcelain with underglaze cobalt blue and copper red painted and applied decoration|porcelain|pigment||||ceramics|painting (image-making)||||42.3cm high, 15.2cm diam. of mouth, 18.5cm diam.of foot||292|Beijing: Palace Museum|Beijing: Palace Museum||Vessels ; Painting (image making) ; |Vessels|Painting (image making)||||||||Cornell||BZ|BZ|6/15/2006 0:00:00|5/15/2006 0:00:00||||0|||||||POT|||CHINA|YUAN|||| ||||||||Work|0||Jingdezhen Kilns. Unearthed in 1964 from a Yuan dynasty hoard at Baoding, Hebei Province.||||||||||0|0|Covered Jar With Floral Designs In Painted Applied Openwork| 6738.00|0|Creator|15|CHINA|POT|MING||CHINA POT MING |Covered Jar With Three Lugs|Descriptive|Image Source (Pub)|||||||Covered Jar With Three Lugs|0|||||0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Ceramics|Ceramic|Jar|Vessel||15|||1403|1424||1403-1424|1403-1424|||||0||||0|||||Pale green-glazed porcelain, Jingdezhen kilns|porcelain|||||ceramics|||||10.4cm high, 9.9cm diam. Of mouth,14.1cm diam. of foot||292|Beijing: Palace Museum|Beijing: Palace Museum||Vessels ; |Vessels|||||||||Cornell||BZ|BZ|6/15/2006 0:00:00|5/15/2006 0:00:00||||0|||||||POT|||CHINA|MING|||| ||||||||Work|0||Ming dynasty, Yongle period.||||||||||0|0|Covered Jar With Three Lugs| 6739.00|0|Creator|15|CHINA|POT|SONG||CHINA POT SONG |Vase With Two Leopards Incised On A Ring-matted Ground|Descriptive|Image Source (Pub)|||||||Vase With Two Leopards Incised On A Ring-matted Ground|0|||||0||||0|||||Chinese|||Song (Sung)|||Asia||China||||||0||||0||||0||||0|Ceramics|Ceramic|Vase|Vessel||10|11|12|960|1127||960-1127|960-1127|||||0||||0|||||Stoneware with white slip and transparent glaze, Dengfeng kilns|stoneware (pottery)|||||ceramics|||||32.1 cm high,7.1 cm diam.of mouth,9.9 cm diam. of foot||292|Beijing: Palace Museum|Beijing: Palace Museum||Vessels ; Painting (image making) ; Leopards ; Animals ; Rings ; |Vessels|Painting (image making)|Leopards|Animals|Rings|||||Cornell||BZ|BZ|6/15/2006 0:00:00|5/15/2006 0:00:00||||0|||||||POT|||CHINA|SONG|||| ||||||||Work|0||Northern Song dynasty.||||||||||0|0|Vase With Two Leopards Incised On A Ring-matted Ground| 6740.00|0|Site|02|B-H3.1|PiaArm|7.1 Villa||B-H3.1 PiaArm 7.1 Villa |The Great Hunt Mosaic|Descriptive|Image Source (Pub)|Mosaic of the Corridor||||||Villa Imperiale. The Great Hunt Mosaic|0|||||0||||0|||||Roman|||Late Antique|||Europe|Sicily|Italy||||||0|Piazza Armerina, Sicily, Italy|||10296||||0||||0|Mosaics|Mosaic|Floor||CE|4|||300|330|ca|ca 300-330|ca 300-330||Villa Imperiale|||6735||||0||||||glass (material)|||||mosaic|||||||||||Hunting ; Animals ; Africa ; |Hunting|Animals|Africa|||||||Cornell||HB|HB|6/16/2006 0:00:00|5/15/2006 0:00:00||PiaArm||0||||||Villa|B|||||H3.1|7.1||||||||||Work|0|Architecture-Sicily|||||||||||0|0|The Great Hunt Mosaic;Mosaic of the Corridor| 6741.00|0|Site|02|B-H3.1|PiaArm|7.1 Villa||B-H3.1 PiaArm 7.1 Villa |Bikini Girls Mosaic|Descriptive|Image Source (Pub)|||||||Villa Imperiale. Bikini Girls Mosaic|0|||||0||||0|||||Roman|||Late Antique|||Europe|Sicily|Italy||||||0|Piazza Armerina, Sicily, Italy|||10296||||0||||0|Mosaics|Floor|Figure (representation)|Mosaic|CE|4|||300|330|ca|ca 300-330|ca 300-330||Villa Imperiale|Larger entity||6735||||0||||||glass (material)|||||mosaic|||||||||||Dancers ; |Dancers|||||||||Cornell||HB|HB|6/16/2006 0:00:00|5/15/2006 0:00:00||PiaArm||0||||||Villa|B|||||H3.1|7.1||||||||||Work|0|Architecture-Sicily|||||||||||0|0|Bikini Girls Mosaic| 6742.00|0|Site|02|B-H3.1|PiaArm|7.1 Villa||B-H3.1 PiaArm 7.1 Villa |Ulysses and Polyphemus Mosaic|Descriptive|Print Publication|||||||Villa Imperiale. Ulysses and Polyphemus Mosaic|0|||||0||||0|||||Roman|||Late Antique|||Europe|Sicily|Italy||||||0|Piazza Armerina, Sicily, Italy|||10296||||0||||0|Mosaics|Floor|Figure (representation)|Mosaic|CE|4|||300|330|ca|ca 300-330|ca 300-330||Villa Imperiale|||6735||||0||||||glass (material)|||||mosaic|||||||||||Odysseus ; Polyphemus ; |Odysseus|Polyphemus||||||||Cornell||HB|HB|6/16/2006 0:00:00|5/15/2006 0:00:00||PiaArm||0||||||Villa|B|||||H3.1|7.1||||||||||Work|0|Architecture-Sicily|||||||||||0|0|Ulysses and Polyphemus Mosaic| 6743.00|0|Site|02|B-H3.1|PiaArm|7.1 Villa||B-H3.1 PiaArm 7.1 Villa |Arion and the Sea Creatures Mosaic|Descriptive|Print Publication|||||||Villa Imperiale. Arion and the Sea Creatures Mosaic|0|||||0||||0|||||Roman|||Late Antique|||Europe|Sicily|Italy||||||0|Piazza Armerina, Sicily, Italy|||10296||||0||||0|Mosaics|Floor|Figure (representation)|Mosaic|CE|4|||300|330|ca|ca 300-330|ca 300-330||Villa Imperiale|||6735||||0||||||glass (material)|||||mosaic|||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|5/15/2006 0:00:00||PiaArm||0||||||Villa|B|||||H3.1|7.1||||||||||Work|0|Architecture-Sicily|||||||||||0|0|Arion and the Sea Creatures Mosaic| 6744.00|0|Architect|02|B-R1|Yic|3.3 ||B-R1 Yic 3.3 |Spirit Road to an Eastern Han Tomb|Descriptive|Image Source (Pub)|||||||Spirit Road to an Eastern Han Tomb|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0|Yichuan County, Henan Province, China|||10763||||||||0|Architecture|Architectural drawing|Tomb|Roads||1|2|3|25|220||25-220|25-220|||||0||||0||||||||||||||||||||||Archaeology ; Tombs ; Roads ; |Archaeology|Tombs|Roads|||||||Cornell||BZ|MNW|5/16/2006 0:00:00|5/15/2006 0:00:00||Yic||0|||||||B|||||R1|3.3||||||||||Work|0|Architecture-China|The Spirit Road includes two "Que", two "Bixie", one to two "Stele". The direction of the Spirit Road is toward to the north.||||||||||0|0|Spirit Road to an Eastern Han Tomb| 6745.00|0|Creator|15|CHINA|POT|SONG||CHINA POT SONG |Vase With Carved Peony Designs|Descriptive|Image Source (Pub)|||||||Vase With Carved Peony Designs|0|||||0||||0|||||Chinese|||Song (Sung)|||Asia||China||||||0||||0||||0|Tangyin county, Henan Province, China|||10817|Ceramics|Ceramic|Vase|Vessel||10|11|12|960|1127||960-1127|960-1127|||||0||||0|||||Cizhou-type stoneware with white slip and transparent glaze|stoneware (pottery)|||||ceramics|carving||||34 cm high, 6 cm diam. of mouth.||9683|Zhengzhou: Henan Provincial Museum|Zhengzhou: Henan Provincial Museum||Vessels ; Flowers ; Leaf (plant material) ; Peonies ; |Vessels|Flowers|Leaf (plant material)|Peonies||||||Cornell||BZ|BZ|6/15/2006 0:00:00|5/15/2006 0:00:00||||0|||||||POT|||CHINA|SONG|||| ||||||||Work|0||Northern Song dynasty. Unearthed in 1959.||||||||||0|0|Vase With Carved Peony Designs| 6746.00|0|Site|02||||||Ancient Knossos|Descriptive|Scholar||||||||0|||||0||||0|||||Minoan|Greek||Minoan|Classical|Roman Period|Europe|Crete|Greece||||||0|Knossos, Crete|||10818||||0||||0|Archaeological Sites|Archaeological site|Palace||||||2000|300|ca|ca 2000 BCE - 300 AD|ca 2000-300|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|5/15/2006 0:00:00||Kno||0|||||||B|||||K3.1|7.5||||||||||Work|0||||||||||||0|0|Ancient Knossos| 6747.00|0|Creator|15|CHINA|POT|MING||CHINA POT MING |Flower-shaped Brush Washer|Descriptive|Image Source (Pub)|||||||Flower-shaped Brush Washer|0|||||0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Ceramics|Ceramic|Vessel|Pottery||15|||1426|1435||1426-1435|1426-1435|||||0||||0|||||Copper red-glazed porcelain, Jingdezhen kilns|porcelain|||||ceramics|||||3.8cm high, 15.9 cm width of mouth,13 cm diam. of foot||292|Beijing: Palace Museum|Beijing: Palace Museum||Vessels ; Flowers ; |Vessels|Flowers||||||||Cornell||BZ|BZ|6/15/2006 0:00:00|5/15/2006 0:00:00||||0|||||||POT|||CHINA|MING|||| ||||||||Work|0||Ming dynasty, Xuande mark and period.||||||||||0|0|Flower-shaped Brush Washer| 6748.00|0|Creator|15|CHINA|POT|MING||CHINA POT MING |Moon Flask With Dragons Among Lotus Scrolls|Descriptive|Image Source (Pub)|||||||Moon Flask With Dragons Among Lotus Scrolls|0|||||0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Ceramics|Ceramic|Vessel|Pottery||15|||1403|1424||1403-1424|1403-1424|||||0||||0|||||Porcelain with underglaze cobalt blue decoration, Jingdezhen kilns|porcelain|||||ceramics|painting (image-making)||||44 cm high,8 cm diam. of mouth,14.5 cm diam. of foot||292|Beijing: Palace Museum|Beijing: Palace Museum||Vessels ; Moon ; Dragons ; Lotus ; Scrolls ; |Vessels|Moon|Dragons|Lotus|Scrolls|||||Cornell||BZ|BZ|6/15/2006 0:00:00|5/15/2006 0:00:00||||0|||||||POT|||CHINA|MING|||| ||||||||Work|0||Ming dynasty, Yongle period.||||||||||0|0|Moon Flask With Dragons Among Lotus Scrolls| 6749.00|0|Site|02||||||Palace of Minos|Descriptive|Print Publication|||||||Ancient Knossos. Palace of Minos|0|||||0||||0|||||Minoan|||Minoan|||Europe|Crete|Greece||||||0|Knossos, Crete|||10818||||0||||0|Archaeological Sites|Archaeological site|Palace||BCE|-20|-14||2000|1400|ca|ca 2000-1400 BCE|ca 2000-1400||Ancient Knossos|||6746||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|5/15/2006 0:00:00||Kno||0|||||||B|||||K3.1|||||||||||Work|0||||||||||||0|0|Palace of Minos| 6750.00|0|Creator|15|CHINA|POT|MING||CHINA POT MING |Jar With Flowering Plum, Bamboo, And Pine|Descriptive|Image Source (Pub)|||||||Jar With Flowering Plum, Bamboo, And Pine|0|||||0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Ceramics|Ceramic|Jar|Pottery||15|||1403|1424||1403-1424|1403-1424|||||0||||0|||||Porcelain with underglaze cobalt blue decoration, Jingdezhen kilns|porcelain|||||ceramics|painting (image-making)||||36 cm high, 6.7 cm diam. of mouth||292|Beijing: Palace Museum|Beijing: Palace Museum||Vessels ; Flowers ; Bamboo ; Pine ; |Vessels|Flowers|Bamboo|Pine||||||Cornell||BZ|BZ|6/15/2006 0:00:00|5/15/2006 0:00:00||||0|||||||POT|||CHINA|MING|||| ||||||||Work|0||Ming dynasty, Yongle period.||||||||||0|0|Jar With Flowering Plum, Bamboo, And Pine| 6751.00|0|Site|02|B-K3.1|Kno|7.1 Diam||B-K3.1 Kno 7.1 Diam |House of the Diamond Frescoes||||||||||0|||||0||||0|||||Roman|||Roman Period|||Europe|Crete|Greece||||||0|Knossos, Crete|||10818||||0||||0|Archaeological Sites|Fresco|Painting|House|CE|2|||100|200|ca|2nd Century CE|ca 100-200||Ancient Knossos|||6746||||0|||||||||||painting (image-making)|mural painting||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|5/15/2006 0:00:00||Kno||0||||||Diam|B|||||K3.1|7.1||||||||||Work|0|Architecture-Crete|||||||||||0|0|House of the Diamond Frescoes| 6752.00|0|Creator|15|CHINA|POT|MING||CHINA POT MING |Stem Bowl With Scenes Of Ladies In A Garden|Descriptive|Image Source (Pub)|||||||Stem Bowl With Scenes Of Ladies In A Garden|0|||||0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Ceramics|Ceramic|Pottery|Bowl (vessel)||15|||1426|1435||1426-1435|1426-1435|||||0||||0|||||Porcelain with underglaze cobalt blue decoration, Jingdezhen kilns|porcelain|||||ceramics|painting (image-making)||||10.2cm high, 15.5cm diam. of mouth, 4.5cm diam. of foot||292|Beijing: Palace Museum|Beijing: Palace Museum||Vessels ; Women ; Gardens ; Trees ; Flowers ; Moon ; Clouds ; Rock ; |Vessels|Women|Gardens|Trees|Flowers|Moon|Clouds|Rock||Cornell||BZ|BZ|6/15/2006 0:00:00|5/15/2006 0:00:00||||0|||||||POT|||CHINA|MING|||| ||||||||Work|0||Ming dynasty, Xuande mark and period.||||||||||0|0|Stem Bowl With Scenes Of Ladies In A Garden| 6753.00|0|Creator|15|CHINA|POT|QING||CHINA POT QING |Vase With Flower and Bird Designs|Descriptive|Image Source (Pub)|||||||Vase With Flower and Bird Designs|0|||||0||||0|||||Chinese|||Qing (Ch'ing)|||Asia||China||||||0||||0||||0||||0|Ceramics|Ceramic|Pottery|Vase||17|18||1662|1722||1662-1722|1662-1722|||||0||||0|||||Porcelain with wucai (five-color) decoration, Jingdezhen kilns|porcelain|color (pigment)||||ceramics|painting (image-making)||||46.4cm high, 11.2cm diam. of mouth, 14.7cm diam.of foot||292|Beijing: Palace Museum|Beijing: Palace Museum||Vessels ; Flowers ; Birds ; Animals ; Bamboo ; Lotus ; Rock ; Sun ; Peonies|Vessels|Flowers|Birds|Animals|Bamboo|Lotus|Rock|Sun|Peonies|Cornell||BZ|BZ|6/15/2006 0:00:00|5/15/2006 0:00:00||||0|||||||POT|||CHINA|QING|||| ||||||||Work|0||Qing dynasty, Kangxi period.||||||||||0|0|Vase With Flower and Bird Designs| 6754.00|0|Creator|15|CHINA|POT|QING||CHINA POT QING |Vase With Flower Designs|Descriptive|Image Source (Pub)|||||||Vase With Flower Designs|0|||||0||||0|||||Chinese|||Qing (Ch'ing)|||Asia||China||||||0||||0||||0||||0|Ceramics|Ceramic|Pottery|Vase||18|||1723|1735||1723-1735|1723-1735|||||0||||0|||||Porcelain with doucai (clashing or matched color) decoration, Jingdezhen kilns|porcelain|color (pigment)||||ceramics|painting (image-making)||||26cm high, 5.2 cm diam. of mouth, 11.8 cm diam. of foot||292|Beijing: Palace Museum|Beijing: Palace Museum||Vessels ; Flowers ; |Vessels|Flowers||||||||Cornell||BZ|BZ|6/15/2006 0:00:00|5/15/2006 0:00:00||||0|||||||POT|||CHINA|QING|||| ||||||||Work|0||Qing dynasty, Yongzheng mark and period.||||||||||0|0|Vase With Flower Designs| 6755.00|0|Creator|15|CHINA|SC|SIX DYN||CHINA SC SIX DYN |Stele With Maitreya|Descriptive|Image Source (Pub)|||||||Stele With Maitreya|0|||||0||||0|||||Chinese|||Six Dynasties|||Asia||China||||||0||||0||||0|Xingping county, Shaanxi Province, China|||10819|Sculpture|Sculpture|Figure (representation)|||4|5|6|471|471||Dated to 471.|471|||||0||||0|||||Sandstone|sandstone|||||sculpture|carving||||86.9 x 55 cm||9707|Sian: Forest of Steles Museum|Sian: Forest of Steles Museum||Sculpture (visual work) ; Figures (representations) ; |Sculpture (visual work)|Figures (representations)||||||||Cornell||BZ|BZ|6/13/2006 0:00:00|5/15/2006 0:00:00||||0|||||||SC|||CHINA|SIX DYN|||| ||||||||Work|0||Dated to 471. Northern Wei dynasty (386-534).||||||||||0|0|Stele With Maitreya| 6756.00|0|Creator|15|CHINA|SC|SIX DYN||CHINA SC SIX DYN |Stele With Sakyamuni And Bodhisattvas|Descriptive|Image Source (Pub)|||||||Stele With Sakyamuni And Bodhisattvas|0|||||0||||0|||||Chinese|||Six Dynasties|||Asia||China||||||0||||0||||0|Qi county, Henan Province, China|||10820|Sculpture|Sculpture|Figure (representation)|||4|5|6|386|534||386-534|386-534|||||0||||0|||||Stone|stone|||||sculpture|carving||||96 x 43.5 cm||9683|Zhengzhou: Henan Provincial Museum|Zhengzhou: Henan Provincial Museum||Sculpture (visual work) ; Figures (representations) ; Bodhisattvas ; Religions ; |Sculpture (visual work)|Figures (representations)|Bodhisattvas|Religions||||||Cornell||BZ|BZ|6/13/2006 0:00:00|5/15/2006 0:00:00||||0|||||||SC|||CHINA|SIX DYN|||| ||||||||Work|0||Northern Wei dynasty (386-534).||||||||||0|0|Stele With Sakyamuni And Bodhisattvas| 6757.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Set Of Twelve Calendrical Animals|Descriptive|Image Source (Pub)|||||||Set Of Twelve Calendrical Animals|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0|Xi'an, China|||10786|Sculpture|Sculpture|Figure (representation)|||7|8|9|618|907||618-907|618-907|||||0||||0|||||Earthenware with pigment|earthenware|pigment||||sculpture|||||38.5-41.5 cm high||9711|Sian: Shaanxi History Museum|Sian: Shaanxi History Museum||Sculpture (visual work) ; Figures (representations) ; Animals ; Horses ; Snakes ; Oxen ; Tigers ; Monkeys ; Chickens|Sculpture (visual work)|Figures (representations)|Animals|Horses|Snakes|Oxen|Tigers|Monkeys|Chickens|Cornell||BZ|BZ|6/13/2006 0:00:00|5/15/2006 0:00:00||||0|||||||SC|||CHINA|TANG|||| ||||||||Work|0||Unearthed in 1955 in the suburbs of Xi'an, Shaanxi Province, China.||||||||||0|0|Set Of Twelve Calendrical Animals| 6758.00|0|Creator|15|CHINA|PTG|QING||CHINA PTG QING |Li Bai's "Evening In The Peach And Plum Garden"|Descriptive|Image Source (Pub)|||||||Li Bai's "Evening In The Peach And Plum Garden"|0|||||0||||0|||||Chinese|||Qing (Ch'ing)|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Landscape (representation)|Figure (representation)||17|18|19|1644|1911||1644-1911|1644-1911|||||0||||0|||||Silk tapestry (kesi)|silk (textile)|||||painting (image-making)|||||135.5 x 70.2 cm||9716|Shenyang: Liaoning Provincial Museum|Shenyang: Liaoning Provincial Museum||Painting (image making) ; Landscapes ; Figures (representations) ; Mountains ; Rivers ; Gardens ; Peaches ; Dinners and dining ; Wine|Painting (image making)|Landscapes|Figures (representations)|Mountains|Rivers|Gardens|Peaches|Dinners and dining|Wine|Cornell||BZ|BZ|6/13/2006 0:00:00|5/15/2006 0:00:00||||0|||||||PTG|||CHINA|QING|||| ||||||||Work|0||||||||||||0|0|Li Bai's "Evening In The Peach And Plum Garden"| 6759.00|0|||MA-Gilbert|6.1|1911-13|Wool|MA-Gilbert 6.1 1911-13 Wool|Woolworth Building ( New York, NY)|Assigned|LC NAF|||||||Woolworth Building ( New York, NY)|139|Abbott, Berenice||photographer|Berenice Abbott|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1936|1936||1936|1936-1936|||||0||||0|||||||||||photography|||||||||||Woolworth Building (New York, N.Y.) ; Skyscrapers ; |Woolworth Building (New York, N.Y.)|Skyscrapers||||||||Cornell||MNW|MNW|5/15/2006 0:00:00|5/15/2006 0:00:00|Gilbert|||0||||||Wool|MA||||||6.1|1911-1913||||||||||0||||||||||||0|0||Abbott, Berenice 6760.00|0|||MA-Gilbert|6.1|1913|Wool|MA-Gilbert 6.1 1913 Wool|Woolworth Building (New York, NY)||||||||||7537|Marin, John||painter|John Marin|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Drawings|Drawing||||20|||1921|1921|ca|ca. 1921|ca 1921-1921|||||0||||0|||||||||||drawing (image-making)||||||||||| Woolworth Building (New York, N.Y.) ; Skyscrapers ; | Woolworth Building (New York, N.Y.)|Skyscrapers||||||||Cornell||MNW|MNW|5/15/2006 0:00:00|5/15/2006 0:00:00|M337|||0||||||||||||||||||||||||0||||||||||||0|0||Marin, John 6761.00|0|Category|05|J-Coburn|51|||J-Coburn 51 |Woolworth Building, New York||||||||||2430|Coburn, Alvin Langdon||photographer|Alvin Langdon Coburn|0||||0|||||American||||||North and Central America||United States||||||0||||||||0||||0|Photographs|Photographic print||||20|||1912|1912|ca|ca. 1912|ca 1912-1912|||||0||||0|||||Platinum print||||||platinum process|||||40.5 x 24.2 cm||3675|Rochester, NY: International Museum of Photography at George Eastman House|Rochester: George Eastman House|| Woolworth Building (New York, N.Y.) ; Skyscrapers ; | Woolworth Building (New York, N.Y.)|Skyscrapers||||||||Cornell||MNW|MNW|5/15/2006 0:00:00|5/15/2006 0:00:00|Coburn|||0|||||||J|||||||| ||||||||Work|0||||||||||||0|0||Coburn, Alvin Langdon 6762.00|0|Site|02|B-K3|Sal|1.32 Agal||B-K3 Sal 1.32 Agal |Arch of Galerius|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||Roman|||Roman Period|||Europe||Greece||||||0|Thessaloníki. Greece|||10821||||0||||0|Architecture|Arch|Monument||CE|2|3||290|310|ca|ca 300 CE|ca 290-310|||||0||||0|||||||||||relief|||||||||||||||||||||Cornell||HB|HB|6/2/2006 0:00:00|5/16/2006 0:00:00||Sal||0||||||Agal|B|||||K3|1.32||||||||||Work|0|Architecture-Greece|Remains of a tetrapylon arch||||||||||0|0|Arch of Galerius| 6763.00|0|Site|02|B-K3|Pel|7.1 ||B-K3 Pel 7.1 |Pella: Capital City of Macedonian Kingdom|Descriptive|Dict.Art||||||||0|||||0||||0|||||Greek|||Hellenistic|||Europe||Greece||||||0|Pella, Greece|||10822||||0||||0|Archaeological Sites|City|||BCE|-5 - -2|||-413|-148|ca|ca 413-148 BCE|ca -413--148|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|5/16/2006 0:00:00||Pel||0|||||||B|||||K3|7.1||||||||||Work|0|Architecture-Greece|Birthplace of Alexander the Great||||||||||0|0|Pella: Capital City of Macedonian Kingdom| 6764.00|0|Category|07|F-05.5||||F-05.5 |Lion Hunt|Descriptive|Dict.Art|||||||Pella. Lion Hunt|0|||||0||||0|||||Greek|||Hellenistic|||Europe||Greece||||||0|||||Pella, Greece|||10822||||0|Mosaics|Floor|Mosaic||BCE|-4|||-325|-300|ca|Late 4th Century BCE|ca -325--300||Pella: Capital City of Macedonian Kingdom|LargerEntity||6763||||0|||||Pebble|pebble (rock)|||||mosaic|||||4.90 x 3.20 m||9717|Pella: Archaeological Museum|Pella: Arch. Mus.||Hunting ; Lions ; |Hunting|Lions||||||||Cornell||HB|HB|6/16/2006 0:00:00|5/16/2006 0:00:00|||Pel|0|||||||F|||05.5||||| ||||||||Work|0|Mosaics-Greek|||||||||||0|0|Lion Hunt| 6765.00|0|Category|07|F-05.5||||F-05.5 |Stag Hunt|Descriptive|Dict.Art|||||||Pella. Stag Hunt|31188|Gnosis, ||mosaicist|Gnosis|0||||0|||||Greek|||Hellenistic|||Europe||Greece||||||0|||||Pella, Greece|||10822||||0|Mosaics|Floor|Mosaic||BCE|-4|||-320|-300|ca|ca 320-300 BCE|ca -320--300 BCE||Pella: Capital City of Macedonian Kingdom|||6763||||0|||||Pebble|pebble (rock)|||||Mosaic|||||4.31 x 4.24 m||9717|Pella: Archaeological Museum|Pella: Arch. Mus.||Deer ; Hunting ; |Deer|Hunting||||||||Cornell||HB|HB|6/16/2006 0:00:00|5/16/2006 0:00:00|||Pel|0|||||||F|||05.5||||| ||||||||Work|0|Mosaics-Greek|Signed by 'Gnosis'||||||||||0|0|Stag Hunt|Gnosis, 6766.00|0|Category|07|F-05.5||||F-05.5 |Amazonomachy|Descriptive|Dict.Art|||||||Pella. Amazonomachy|0|||||0||||0|||||Greek|||Hellenistic|||Europe||Greece||||||0||||0|Pella, Greece|||10822||||0|Mosaics|Floor|Mosaic||BCE|-4|||-320|-300|ca|ca 320-300 BCE|ca -320--300 BCE||Pella: Capital City of Macedonian Kingdom|||6763||||0|||||Pebble|pebble (rock)|||||Mosaic|||||2.36 x 2.12 m||9717|Pella: Archaeological Museum|Pella: Arch. Mus.||Amazonomachy ; |Amazonomachy|||||||||Cornell||HB|HB|6/16/2006 0:00:00|5/16/2006 0:00:00|||Pel|0|||||||F|||05.5||||| ||||||||Work|0|Mosaics-Greek|||||||||||0|0|Amazonomachy| 6767.00|0|Category|07|F-05.5||||F-05.5 |Dionysos Riding a Cheetah|Descriptive|Dict.Art|||||||Pella. Dionysos Riding a Cheetah|0|||||0||||0|||||Greek|||Hellenistic|||Europe||Greece||||||0||||0|Pella, Greece|||10822||||0|Mosaics|Floor|Mosaic||BCE|-4|||-325|-300|ca|ca 325-300 BCE|ca -325--300||Pella: Capital City of Macedonian Kingdom|||6763||||0|||||Pebble|pebble (rock)|||||Mosaic|||||2.72 x 2.69 m||9717|Pella: Archaeological Museum|Pella: Arch. Mus.||Dionysos ; |Dionysos|||||||||Cornell||HB|HB|6/16/2006 0:00:00|5/16/2006 0:00:00|||Pel|0|||||||F|||05.5||||| ||||||||Work|0|Mosaics-Greek|||||||||||0|0|Dionysos Riding a Cheetah| 6768.00|0|Creator|15|CHINA|PTG|SONG||CHINA PTG SONG |Misty River And Layered Hills|Descriptive|Image Source (Pub)|||||||Misty River And Layered Hills|31189|Wang Shen||artist|Wang Shen|0||||0|||||Chinese|||Song (Sung)|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Landscape (representation)|Mountain||10|11|12|960|1127||960-1127|960-1127|||||0||||0|||||Ink and color on silk|ink|color (pigment)|silk (textile)|||painting (image-making)|||||45.2 x 166 cm||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Painting (image making) ; Landscapes ; Mountains ; Trees ; Rivers ; Rock ; Clouds ; |Painting (image making)|Landscapes|Mountains|Trees|Rivers|Rock|Clouds|||Cornell||BZ|BZ|5/16/2006 0:00:00|5/16/2006 0:00:00||||0|||||||PTG|||CHINA|SONG|||| ||||||||Work|0||Handscroll. Northern Song dynasty.||||||||||0|0|Misty River And Layered Hills|Wang Shen 6769.00|0|Creator|15|CHINA|SC|SUI||CHINA SC SUI |Seated Buddha|Descriptive|Image Source (Pub)|||||||Seated Buddha|0|||||0||||0|||||Chinese|||Sui|||Asia||China||||||0||||0||||0||||0|Sculpture|Sculpture||||6|7||581|618||581-618|581-618|||||0||||0|||||Marble with pigments|marble|pigment||||sculpture|carving|coloring|||100.7 x 74.7 cm||292|Beijing: Palace Museum|Beijing: Palace Museum||Sculpture (visual work) ; Figures (representations) ; Bodhisattvas ; Religions ; |Sculpture (visual work)|Figures (representations)|Bodhisattvas|Religions||||||Cornell||BZ|BZ|6/19/2006 0:00:00|5/16/2006 0:00:00||||0|||||||SC|||CHINA|SUI|||| ||||||||Work|0||||||||||||0|0|Seated Buddha| 6770.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Head Of Eleven- Headed Avalokitesvara|Descriptive|Image Source (Pub)|||||||Head Of Eleven- Headed Avalokitesvara|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0|Xi'an, China|||10786|Sculpture|Sculpture|Figure (representation)|||7|8|9|618|907||618-907|618-907|||||0||||0|||||Marble|marble|||||sculpture|carving||||25.5 cm high||9707|Sian: Forest of Steles Museum|Sian: Forest of Steles Museum||Sculpture (visual work) ; Figures (representations) ; Religions ; Heads (representations) ; |Sculpture (visual work)|Figures (representations)|Religions|Heads (representations)||||||Cornell||BZ|BZ|6/15/2006 0:00:00|5/16/2006 0:00:00||||0|||||||SC|||CHINA|TANG|||| ||||||||Work|0||Unearthed in 1983 in the western suburb of Xi'an, Shaanxi Province, China.||||||||||0|0|Head Of Eleven- Headed Avalokitesvara| 6771.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Heavenly King|Descriptive|Image Source (Pub)|||||||Heavenly King|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0|Baoji, China|||10766|Sculpture|Sculpture|Figure (representation)|||7|8|9|618|907||618-907|618-907|||||0||||0|||||Gilt bronze|bronze|||||sculpture|||||65 cm high||9705|Baoji Municipal Museum|Baoji Municipal Museum||Sculpture (visual work) ; Figures (representations) ; Religions ; |Sculpture (visual work)|Figures (representations)|Religions|||||||Cornell||BZ|BZ|6/15/2006 0:00:00|5/16/2006 0:00:00||||0|||||||SC|||CHINA|TANG|||| ||||||||Work|0||||||||||||0|0|Heavenly King| 6772.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Torso Of A Bodhisattva|Descriptive|Image Source (Pub)|||||||Torso Of A Bodhisattva|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0|Guanghua Temple site, Shanxi Province, China|||10823|Sculpture|Sculpture|Figure (representation)|||7|8|9|618|907||618-907|618-907|||||0||||0|||||Sandstone|sandstone|||||sculpture|carving||||112 cm high||9620|Taiyuan: Shanxi Provincial Museum|Taiyuan: Shanxi Provincial Museum||Sculpture (visual work) ; Figures (representations) ; Religions ; |Sculpture (visual work)|Figures (representations)|Religions|||||||Cornell||BZ|BZ|6/15/2006 0:00:00|5/16/2006 0:00:00||||0|||||||SC|||CHINA|TANG|||| ||||||||Work|0||||||||||||0|0|Torso Of A Bodhisattva| 6773.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Head Of Avalokitesvara|Descriptive|Image Source (Pub)|||||||Head Of Avalokitesvara|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0|Wanfo Temple Site, Chengdu, Sichuan Province|||10789|Sculpture|Sculpture|Head (representation)|Figure (representation)||7|8|9|618|906||618-906|618-906|||||0||||0|||||Sandstone|sandstone|||||sculpture|carving||||41 cm high||9695|Chengdu: Sichuan Provincial Museum|Chengdu: Sichuan Provincial Museum||Sculpture (visual work) ; Heads (representations) ; Figures (representations) ; Buddha ; Religions ; |Sculpture (visual work)|Heads (representations)|Figures (representations)|Buddha|Religions|||||Cornell||BZ|BZ|6/15/2006 0:00:00|5/16/2006 0:00:00||||0|||||||SC|||CHINA|TANG|||| ||||||||Work|0||Unearthed in 1954.||||||||||0|0|Head Of Avalokitesvara| 6774.00|0|Creator|15|CHINA|SC|SONG||CHINA SC SONG |Arhats With Dragon|Descriptive|Image Source (Pub)|||||||Arhats With Dragon|0|||||0||||0|||||Chinese|||Song (Sung)|||Asia||China||||||0||||0||||0|Boshan Temple site, Fu county, Shaanxi Province|||10824|Sculpture|Sculpture|Figure (representation)|||10|11|12|960|1127||960-1127|960-1127|||||||||0|||||Stone|stone|||||sculpture|carving||||38 cm high||9711|Sian: Shaanxi History Museum|Sian: Shaanxi History Museum||Sculpture (visual work) ; Figures (representations) ; Dragons ; Animals ; Monks ; |Sculpture (visual work)|Figures (representations)|Dragons|Animals|Monks|||||Cornell||BZ|BZ|6/15/2006 0:00:00|5/16/2006 0:00:00||||0|||||||SC|||CHINA|SONG|||| ||||||||Work|0||Discovered in 1980. Northern Song dynasty.||||||||||0|0|Arhats With Dragon| 6775.00|0|Creator|15|CHINA|SC|SONG||CHINA SC SONG |Arhats With Tiger|Descriptive|Image Source (Pub)|||||||Arhats With Tiger|0|||||0||||0|||||Chinese|||Song (Sung)|||Asia||China||||||0||||0||||0|Boshan Temple site, Fu county, Shaanxi Province|||10824|Sculpture|Sculpture|Figure (representation)|||10|11|12|960|1127||960-1127|960-1127|||||||||0|||||Stone|stone|||||sculpture|carving||||38 cm high||9711|Sian: Shaanxi History Museum|Sian: Shaanxi History Museum||Sculpture (visual work) ; Figures (representations) ; Tigers ; Animals ; Monks ; |Sculpture (visual work)|Figures (representations)|Tigers|Animals|Monks|||||Cornell||BZ|BZ|6/15/2006 0:00:00|5/16/2006 0:00:00||||0|||||||SC|||CHINA|SONG|||| ||||||||Work|0||Discovered in 1980. Northern Song dynasty.||||||||||0|0|Arhats With Tiger| 6776.00|0|Creator|15|CHINA|CALL|MING||CHINA CALL MING |"The Terrace Of Ode To The Wind" And Other Poems Composed By Zhu Yunming, Written In Wild Cursive Script (Kuangcao)|Descriptive|Image Source (Pub)|||||||"The Terrace Of Ode To The Wind" And Other Poems Composed By Zhu Yunming, Written In Wild Cursive Script (Kuangcao)|31190|Zhu Yunming||calligrapher|Zhu Yunming|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Calligraphy|Calligraphy||||16|||1523|1523||Dated to 1523|1523|||||0||||0|||||Ink on paper.|ink|paper (fiber product)||||calligraphy|||||24.6 x 655.6 cm||292|Beijing: Palace Museum|Beijing: Palace Museum||Calligraphy ; Poetry ; |Calligraphy|Poetry||||||||Cornell||BZ|BZ|6/15/2006 0:00:00|5/16/2006 0:00:00||||0|||||||CALL|||CHINA|MING|||| ||||||||Work|0||Handscroll.||||||||||0|0|"The Terrace Of Ode To The Wind" And Other Poems Composed By Zhu Yunming, Written In Wild Cursive Script (Kuangcao)|Zhu Yunming 6777.00|0|Creator|15|CHINA|CALL|MING||CHINA CALL MING |Transcription Of Wang Wei's "Song Of The Aged General", Written In Cursive Script (Caoshu)|Descriptive|Image Source (Pub)|||||||Transcription Of Wang Wei's "Song Of The Aged General", Written In Cursive Script (Caoshu)|31191|Zhang Ruitu||calligrapher|Zhang Ruitu|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Calligraphy|Calligraphy||||14|15|16|1368|1644||1368-1644|1368-1644|||||0||||0|||||Ink on silk|ink|silk (textile)||||calligraphy|||||29.5 x 629.5 cm||292|Beijing: Palace Museum|Beijing: Palace Museum||Calligraphy ; Poetry ; |Calligraphy|Poetry||||||||Cornell||BZ|BZ|6/15/2006 0:00:00|5/16/2006 0:00:00||||0|||||||CALL|||CHINA|MING|||| ||||||||Work|0||Handscroll.||||||||||0|0|Transcription Of Wang Wei's "Song Of The Aged General", Written In Cursive Script (Caoshu)|Zhang Ruitu 6778.00|0|Creator|15|CHINA|CALL|MING||CHINA CALL MING |Transcription Of Wang Wei's "Enjoying A Repast At The Home Of Elder Zhao In Qizhou" and "Passing By The Herbal Garden Of Master Hesui In Spring", Written In Standard Script (Kaishu)|Descriptive|Image Source (Pub)|||||||Transcription Of Wang Wei's "Enjoying A Repast At The Home Of Elder Zhao In Qizhou"|31192|Wang Duo||calligrapher|Wang Duo|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Calligraphy|Calligraphy||||14|15|16|1643|1643||Dated to 1643|1643|||||0||||0|||||Ink on satin|ink|satin||||calligraphy|||||21.2 x 165.5 cm||292|Beijing: Palace Museum|Beijing: Palace Museum||Calligraphy ; Poetry ; |Calligraphy|Poetry||||||||Cornell||BZ|BZ|6/15/2006 0:00:00|5/16/2006 0:00:00||||0|||||||CALL|||CHINA|MING|||| ||||||||Work|0||Handscroll.||||||||||0|0|Transcription Of Wang Wei's "Enjoying A Repast At The Home Of Elder Zhao In Qizhou" and "Passing By The Herbal Garden Of Master Hesui In Spring", Written In Standard Script (Kaishu)|Wang Duo 6779.00|0|Creator|15|CHINA|CALL|QING||CHINA CALL QING |Transcription Of "Seventh Month" From The Odes Of Bin, Written In Standard Script (Kaishu)|Descriptive|Image Source (Pub)|||||||Transcription Of "Seventh Month" From The Odes Of Bin, Written In Standard Script (Kaishu)|31193|Zhang Zhao||calligrapher|Zhang Zhao|0||||0|||||Chinese|||Qing (Ch'ing)|||Asia||China||||||0||||0||||0||||0|Calligraphy|Calligraphy||||17|18|19|1644|1911||1644-1911|1644-1911|||||0||||0|||||Ink on paper|ink|paper (fiber product)||||calligraphy|||||176 x 92 cm||292|Beijing: Palace Museum|Beijing: Palace Museum||Calligraphy ; Poetry ; |Calligraphy|Poetry||||||||Cornell||BZ|BZ|6/15/2006 0:00:00|5/16/2006 0:00:00||||0|||||||CALL|||CHINA|QING|||| ||||||||Work|0||Handscroll.||||||||||0|0|Transcription Of "Seventh Month" From The Odes Of Bin, Written In Standard Script (Kaishu)|Zhang Zhao 6789.00|0|Category|07|E-07|Rome|||E-07 Rome |Venus and Adonis in a Seascape|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||Roman|||Hadrianic|||Europe||Italy||||||0|SS. Giovanni e Paulo, Rome|||10826||||0||||0|Paintings|Painting|Mural||CE|2|||117|138|ca|Early 2nd Century|ca 117-138|||||0||||0|||||Fresco||||||painting (image-making)|mural painting||||4.5 m x 1.7 m||||||Venus ; Adonis ; Bathing ; |Venus|Adonis|Bathing|||||||Cornell||HB|HB|6/16/2006 0:00:00|5/17/2006 0:00:00||||0||||||Rome|E|||07||||| ||||||||Work|0|Painting-Roman|From remains of a Roman House under the church of SS. Geiovanni e Paulo||||||||||0|0|Venus and Adonis in a Seascape| 6790.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Eastern Villa|Descriptive|Image Source (Pub)|||||||Eastern Villa|30902|Shen Zhou||painter|Shen Zhou|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Landscape (representation)|Figure (representation)||15|16||1427|1509||1427-1509|1427-1509|||||0||||0|||||Ink and color on paper|ink|color (pigment)|paper (fiber product)|||painting (image-making)|||||28.6 x 33 cm||9720|Nanjing: Nanjing Museum|Nanjing: Nanjing Museum||Painting (image making) ; Landscapes ; Figures (representations) ; Trees ; Houses ; Stone ; Bamboo ; Fences ; Pine|Painting (image making)|Landscapes|Figures (representations)|Trees|Houses|Stone|Bamboo|Fences|Pine|Cornell||BZ|BZ|5/17/2006 0:00:00|5/17/2006 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||||||||||||0|0|Eastern Villa|Shen Zhou 6791.00|0|Category|07|E-07|Rome|||E-07 Rome |Diana of the Springs|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||Roman|||Late Antique|||Europe||Italy||||||0||||0||||0||||0|Paintings|Painting|Mural||CE|4|||330|350|ca|ca 330-350|ca 330-350|||||0||||0|||||Fresco painting||||||painting (image-making)|mural painting||||H = 1.80 m||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|5/17/2006 0:00:00||||0||||||Rome|E|||07||||| ||||||||Work|0|Painting-Roman|Found under the Via Livenza, 4a||||||||||0|0|Diana of the Springs| 6792.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Studio Of True Appreciation|Descriptive|Image Source (Pub)|||||||Studio Of True Appreciation|30905|Wen Zhengming||painter|Wen Zhengming|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Figure (representation)|Landscape (representation)||16|||1549|1549||Dated to 1549|1549|||||0||||0|||||Ink and color on paper|ink|color (pigment)|paper (fiber product)|||painting (image-making)|||||36 x 107.8 cm||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Painting (image making) ; Figures (representations) ; Landscapes ; Pine ; Studios (Work Spaces) ; Bamboo ; Fences ; Rivers ; Mountains|Painting (image making)|Figures (representations)|Landscapes|Pine|Studios (Work Spaces)|Bamboo|Fences|Rivers|Mountains|Cornell||BZ|BZ|5/17/2006 0:00:00|5/17/2006 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Handscroll.||||||||||0|0|Studio Of True Appreciation|Wen Zhengming 6793.00|0|Creator|15|CHINA|POT|TANG||CHINA POT TANG |Octagonal Bottle|Descriptive|Image Source (Pub)|||||||Octagonal Bottle|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0|Famen Temple Pagoda, Fufeng, Shaanxi Province|||10809|Ceramics|Ceramic|Bottle|Vessel||7|8|9|618|907||618-907|618-907|||||0||||0|||||Green-glazed stoneware (Celadon), Yue kilns|stoneware (pottery)|||||ceramics|||||21.5 cm high, 2.2 cm diam. of mouth, 8 cm diam. of foot||9721|Sian: Famen Temple Museum|Sian: Famen Temple Museum||Bottles ; Vessels ; |Bottles|Vessels||||||||Cornell||BZ|BZ|6/15/2006 0:00:00|5/17/2006 0:00:00||||0|||||||POT|||CHINA|TANG|||| ||||||||Work|0||Discovered in 1987 in underground chamber of the Famen Temple Pagoda, Fufeng county, Shaanxi Province.||||||||||0|0|Octagonal Bottle| 6794.00|0|Creator|15|CHINA|POT|TANG||CHINA POT TANG |Dish In The Shape Of A Five-petaled Blossom, Base Inscribed With Character Guan (Official)|Descriptive|Image Source (Pub)|||||||Dish In The Shape Of A Five-petaled Blossom, Base Inscribed With Character Guan (Official)|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0|Huoshaobi, Xi'an, Shaanxi Province|||10811|Ceramics|Ceramic|Dish|||7|8|9|618|907||618-907|618-907|||||0||||0|||||White stoneware with transparent glaze, Xing or Ding kilns|stoneware (pottery)|||||ceramics|||||3.5cm high,13.8cm diam. of mouth, 6.45cm diam. of foot||9706|Sian: Institute for the Protection of Cultural Relics|Sian: Inst. for the Protection of Cultural Relics||Flowers ; Vessels ; |Flowers|Vessels||||||||Cornell||BZ|BZ|6/15/2006 0:00:00|5/17/2006 0:00:00||||0|||||||POT|||CHINA|TANG|||| ||||||||Work|0||Unearthed in 1985.||||||||||0|0|Dish In The Shape Of A Five-petaled Blossom, Base Inscribed With Character Guan (Official)| 6795.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Peach Blossom Spring|Descriptive|Image Source (Pub)|||||||Peach Blossom Spring|30903|Zhou Chen||painter|Zhou Chen|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Landscape (representation)|Figure (representation)||16|||1533|1533||Dated to 1533|1533|||||0||||0|||||Ink and color on silk|ink|color (pigment)|silk (textile)|||painting (image-making)|||||161.5 x 102.5 cm||9722|Suzhou: Suzhou Municipal Museum|Suzhou: Suzhou Municipal Museum||Painting (image making) ; Landscapes ; Figures (representations) ; Mountains ; Pine ; Trees ; Houses ; Rivers ; Boats|Painting (image making)|Landscapes|Figures (representations)|Mountains|Pine|Trees|Houses|Rivers|Boats|Cornell||BZ|BZ|5/17/2006 0:00:00|5/17/2006 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Peach Blossom Spring|Zhou Chen 6796.00|0|Creator|15|CHINA|PTG|QING||CHINA PTG QING |Temple On Jinshan|Descriptive|Image Source (Pub)|||||||Temple On Jinshan|31196|Gao Cen||painter|Gao Cen|0||||0|||||Chinese|||Qing (Ch'ing)|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Landscape (representation)|||17|18|19|1644|1911||1644-1911|1644-1911|||||0||||0|||||Ink and color on silk|ink|color (pigment)|silk (textile)|||painting (image-making)|||||180.8 x 95.1cm||9723|Nanjing: Nanjing Museum|Nanjing: Nanjing Museum||Landscapes ; Painting (image making) ; Rivers ; Pine ; Forests ; Boats ; Houses ; Pagodas (buildings) ; Mountains|Landscapes|Painting (image making)|Rivers|Pine|Forests|Boats|Houses|Pagodas (buildings)|Mountains|Cornell||BZ|BZ|5/17/2006 0:00:00|5/17/2006 0:00:00||||0|||||||PTG|||CHINA|QING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Temple On Jinshan|Gao Cen 6797.00|0|Creator|15|CHINA|PTG|QING||CHINA PTG QING |Reading "The Book Of Changes" In A Streamside Pavilion|Descriptive|Image Source (Pub)|||||||Reading "The Book Of Changes" In A Streamside Pavilion|30927|Wu Li||painter|Wu Li|0||||0|||||Chinese|||Qing (Ch'ing)|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Landscape (representation)|||17|||1678|1678||Dated to 1678|1678|||||0||||0|||||Ink on paper|ink|paper (fiber product)||||painting (image-making)|||||211.7 x 78.7 cm||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Painting (image making) ; Landscapes ; Mountains ; Trees ; Temples ; Houses ; Rivers ; Boats ; Figures (representations)|Painting (image making)|Landscapes|Mountains|Trees|Temples|Houses|Rivers|Boats|Figures (representations)|Cornell||BZ|BZ|5/17/2006 0:00:00|5/17/2006 0:00:00||||0|||||||PTG|||CHINA|QING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Reading "The Book Of Changes" In A Streamside Pavilion|Wu Li 6798.00|0|Creator|15|CHINA|PTG|QING||CHINA PTG QING |Clear Sky Over Verdant Hills|Descriptive|Image Source (Pub)|||||||Clear Sky Over Verdant Hills|30929|Kuncan||painter|Kuncan|0||||0|||||Chinese|||Qing (Ch'ing)|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Landscape (representation)|||17|||1660|1660||Dated to 1660|1660|||||0||||0|||||Ink and color on silk|ink|color (pigment)|silk (textile)|||painting (image-making)|||||85 x 40.5 cm||9723|Nanjing: Nanjing Museum|Nanjing: Nanjing Museum||Painting (image making) ; Landscapes ; Mountains ; Trees ; Forests ; Pine ; Temples ; Figures (representations) ; Clouds|Painting (image making)|Landscapes|Mountains|Trees|Forests|Pine|Temples|Figures (representations)|Clouds|Cornell||BZ|BZ|5/17/2006 0:00:00|5/17/2006 0:00:00||||0|||||||PTG|||CHINA|QING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Clear Sky Over Verdant Hills|Kuncan 6799.00|0|Creator|15|CHINA|PTG|QING||CHINA PTG QING |Peaks And Ravines At Jiuqi|Descriptive|Image Source (Pub)|||||||Peaks And Ravines At Jiuqi|31197|Hongren||painter|Hongren|0||||0|||||Chinese|||Qing (Ch'ing)|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Landscape (representation)|||17|18|19|1644|1911||1644-1911|1644-1911|||||0||||0|||||Ink on paper|ink|paper (fiber product)||||painting (image-making)|||||110.6 x 58.9 cm||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Painting (image making) ; Landscapes ; Mountains ; Trees ; Rivers ; Snow ; Bridges (built works) ; Houses ; Rock|Painting (image making)|Landscapes|Mountains|Trees|Rivers|Snow|Bridges (built works)|Houses|Rock|Cornell||BZ|BZ|5/17/2006 0:00:00|5/17/2006 0:00:00||||0|||||||PTG|||CHINA|QING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Peaks And Ravines At Jiuqi|Hongren 6800.00|0|Category|07|E-07|Rom|||E-07 Rom |Treaty Negotiations between Romans and Samnites|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||Roman|||Late Antique|||Europe|Lazio|Italy||||||0||||0||||0||||0|Paintings|Painting|Mural||BCE|-4|||-325|-300|ca|ca 325-300 BCE|ca -325--300|||||0||||0|||||fresco painting||||||painting (image-making)|mural painting||||H = 0.86 m||2436|Rome: Palazzo dei Conservatori|Rome: Pal. Conservatori||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|5/17/2006 0:00:00||||0||||||Rom|E|||07||||| ||||||||Work|0|Painting-Roman|From a tomb on the Esquiline||||||||||0|0|Treaty Negotiations between Romans and Samnites| 6801.00|0|Creator|15|CHINA|PTG|QING||CHINA PTG QING |Pure Sounds Of Hills And Streams|Descriptive|Image Source (Pub)|||||||Pure Sounds Of Hills And Streams|30932|Shitao||painter|Shitao|0||||0|||||Chinese|||Qing (Ch'ing)|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Landscape (representation)|||17|18|19|1644|1911||1644-1911|1644-1911|||||0||||0|||||Ink on paper|ink|paper (fiber product)||||painting (image-making)|||||102.5 x 42.4 cm||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Painting (image making) ; Landscapes ; Mountains ; Forests ; Bamboo ; Houses ; Figures (representations) ; Grasses (plants) ; Rivers|Painting (image making)|Landscapes|Mountains|Forests|Bamboo|Houses|Figures (representations)|Grasses (plants)|Rivers|Cornell||BZ|BZ|5/17/2006 0:00:00|5/17/2006 0:00:00||||0|||||||PTG|||CHINA|QING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Pure Sounds Of Hills And Streams|Shitao 6802.00|0|Site|02||||||Villa Imperiale, Boscotescare||||||||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0||||0||||0||||0|Archaeological Sites|Villa|House||BCE|-1|||-50|-1|ca|1st Century BCE|ca -50--1|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|5/17/2006 0:00:00||||0|||||||||||||||||||||||Work|0||The Villa of Postumus Agrippa. Villa was destroyed in eruption of 1906||||||||||0|0|Villa Imperiale, Boscotescare| 6803.00|0|Category|07|E-07|Boscotrecase|||E-07 Boscotrecase |Polyphemus and Galetea|||||||||Polyphemus and Galetea|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0||||0||||0||||0|Paintings|Painting|Mural||BCE|-1|||-50|-1|ca|1st Century BCE|ca -50--1||Villa Imperiale, Boscotescare|||6802||||0|||||||||||painting (image-making)|mural painting||||3.2 x 5.4 m||3294|New York: Metropolitan Museum of Art|New York: Metropolitan||Polyphemus ; Galatea ; |Polyphemus|Galatea||||||||Cornell||HB|HB|6/16/2006 0:00:00|5/17/2006 0:00:00||||0||||||Boscotrecase|E|||07||||| ||||||||Work|0|Painting-Roman|From cubiculum 19||||||||||0|0|Polyphemus and Galetea| 6804.00|0|Category|07|E-07|Boscotrecase||||Black Room|Descriptive|Image Source (Pub)|||||||Black Room|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0||||0||||0||||0|Paintings|Painting|Mural|||1|||-1|1|ca|ca 1 BCE-1 CE|ca -1-1|||||0||||0|||||||||||painting (image-making)|mural painting||||||3294|New York: Metropolitan Museum of Art|New York: Metropolitan||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|5/17/2006 0:00:00||||0||||||Boscotrecase|E|||07||||| ||||||||Work|0|Painting-Roman|||||||||||0|0|Black Room| 6805.00|0|Creator|15|CHINA|PTG|QING||CHINA PTG QING |Summer Mountain After Rain|Descriptive|Image Source (Pub)|||||||Summer Mountain After Rain|31198|Gong Xian||painter|Gong Xian|0||||0|||||Chinese|||Qing (Ch'ing)|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Landscape (representation)|||17|18|19|1644|1911||1644-1911|1644-1911|||||0||||0|||||Ink on silk|ink|silk (textile)||||painting (image-making)|||||141.7 x 57.8 cm||9720|Nanjing: Nanjing Museum|Nanjing: Nanjing Museum||Painting (image making) ; Landscapes ; Mountains ; Trees ; Clouds ; Houses ; Summer ; |Painting (image making)|Landscapes|Mountains|Trees|Clouds|Houses|Summer|||Cornell||BZ|BZ|5/17/2006 0:00:00|5/17/2006 0:00:00||||0|||||||PTG|||CHINA|QING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Summer Mountain After Rain|Gong Xian 6806.00|0|Creator|15|CHINA|PTG|QING||CHINA PTG QING |Ducks And Lotuses|Descriptive|Image Source (Pub)|||||||Ducks And Lotuses|30931|Bada Shanren||painter|Bada Shanren|0||||0|||||Chinese|||Qing (Ch'ing)|||Asia||China||||||0||||0||||0||||0|Paintings|Painting||||17|||1696|1696||Dated to 1696|1696|||||0||||0|||||Ink on paper|ink|paper (fiber product)||||painting (image-making)|||||166 x 76.3 cm||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Painting (image making) ; Ducks ; Lotus ; Animals ; |Painting (image making)|Ducks|Lotus|Animals||||||Cornell||BZ|BZ|5/17/2006 0:00:00|5/17/2006 0:00:00||||0|||||||PTG|||CHINA|QING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Ducks And Lotuses|Bada Shanren 6807.00|0|Creator|15|CHINA|PTG|QING||CHINA PTG QING |Clear Autumn In Huaiyang|Descriptive|Image Source (Pub)|||||||Clear Autumn In Huaiyang|30932|Shitao||painter|Shitao|0||||0|||||Chinese|||Qing (Ch'ing)|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Landscape (representation)|||17|18|19|1644|1911||1644-1911|1644-1911|||||0||||0|||||Ink and color on paper|ink|color (pigment)|paper (fiber product)|||painting (image-making)|||||89 x 57.1 cm||9720|Nanjing: Nanjing Museum|Nanjing: Nanjing Museum||Painting (image making) ; Landscapes ; Autumn ; Rivers ; Boats ; Houses ; Figures (representations) ; Trees ; Inscriptions|Painting (image making)|Landscapes|Autumn|Rivers|Boats|Houses|Figures (representations)|Trees|Inscriptions|Cornell||BZ|BZ|5/17/2006 0:00:00|5/17/2006 0:00:00||||0|||||||PTG|||CHINA|QING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Clear Autumn In Huaiyang|Shitao 6808.00|0|Creator|15|CHINA|PTG|QING||CHINA PTG QING |Album Of Landscapes|Descriptive|Image Source (Pub)|||||||Album Of Landscapes|31200|Zou Zhe||painter|Zou Zhe|0||||0|||||Chinese|||Qing (Ch'ing)|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Landscape (representation)|||17|18|19|1644|1911||1644-1911|1644-1911|||||0||||0|||||Ink and color on paper|ink|color (pigment)|paper (fiber product)|||painting (image-making)|||||various:12.6 x 28.6 / 14 cm||9720|Nanjing: Nanjing Museum|Nanjing: Nanjing Museum||Painting (image making) ; Landscapes ; Mountains ; Trees ; Houses ; Rivers ; Snow ; Boats ; Pine|Painting (image making)|Landscapes|Mountains|Trees|Houses|Rivers|Snow|Boats|Pine|Cornell||BZ|BZ|5/17/2006 0:00:00|5/17/2006 0:00:00||||0|||||||PTG|||CHINA|QING|||| ||||||||Work|0||Album.||||||||||0|0|Album Of Landscapes|Zou Zhe 6809.00|0|Category|11|W-18|Occ|Cler|15|W-18 Occ Cler 15|Order Department of Sears Roebuck and Company, Chicago, Illinois|Descriptive|Cataloger|||||||Order Department of Sears Roebuck and Company, Chicago, Illinois|0|||||0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||20|||1913|1913|ca|ca 1913|ca 1913-1913|||||0||||0|||||Documentary photograph||||||photography|||||||||||Workers ; Clerical workers ; Typewriters ; Typewriting ; |Workers|Clerical workers|Typewriters|Typewriting||||||Cornell||MNW|MNW|5/17/2006 0:00:00|5/17/2006 0:00:00||||0|||||||W|||18||||||Occ Cler|||||||Work|0||||||||||||0|0|Order Department of Sears Roebuck and Company, Chicago, Illinois| 6810.00|0|Creator|15|CHINA|PTG|QING||CHINA PTG QING |Garden For Gazing|Descriptive|Image Source (Pub)|||||||Garden For Gazing|31201|Yuan Jiang||painter|Yuan Jiang|0||||0|||||Chinese|||Qing (Ch'ing)|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Landscape (representation)|||17|18|19|1644|1911||1644-1911|1644-1911|||||0||||0|||||Ink and light color on silk|ink|color (pigment)|silk (textile)|||painting (image-making)|||||51.5 x 254.5 cm||9724|Tianjin: Tianjin Municipal History Museum|Tianjin: Tianjin Municipal History Museum||Painting (image making) ; Landscapes ; Gardens ; Walls ; Palaces ; Figures (representations) ; Mountains ; Lakes ; Trees|Painting (image making)|Landscapes|Gardens|Walls|Palaces|Figures (representations)|Mountains|Lakes|Trees|Cornell||BZ|BZ|5/17/2006 0:00:00|5/17/2006 0:00:00||||0|||||||PTG|||CHINA|QING|||| ||||||||Work|0||Handscroll.||||||||||0|0|Garden For Gazing|Yuan Jiang 6811.00|0|Architect|03|MA-Burn|1.04|1909 Chi||MA-Burn 1.04 1909 Chi |Plan of Chicago|Published|Dict.Art|||||||Plan of Chicago|27821|Burnham & Atwood||architectural firm|Burnham & Atwood|5903|Janin, Georges Fernand||architect|4905|Guerin, Jules||artist||American||||||North and Central America||United States||||||0||||0||||0||||0|Publications|Plan views||||20|||1906|1909|||1906-1909|||||0||||0||||||||||||||||||||||Chicago, Illinois ; Plans (maps) ; |Chicago, Illinois|Plans (maps)||||||||Cornell||MNW|MNW|5/17/2006 0:00:00|5/17/2006 0:00:00|Burn|||0||||||Chi|MA||||||1.04|1909|||||||||Work|0|Modern Architecture|Plan for the rebuilding and extension of Chicago that includes architectural designs by the Frenchman Fernand Janin (1880–1912) and renderings by the American Jules Guérin (1866–1946). DOA.||||||||||0|0|Plan of Chicago|Burnham & Atwood;Janin, Georges Fernand;Guerin, Jules 6812.00|0|Architect|02|B-R1|Sian|3.4 Famen||B-R1 Sian 3.4 Famen |Famen Temple Pagoda|Translated|Image Source (Pub)|Famen Si Ta|Descriptive|Image Source (Pub)||||Famen Temple Pagoda|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Sian, China|||10572||||0||||0|Architecture|Archaeological site|Pagoda (building)|||7|8|9|618|906||618-906|618-906||Famen Temple|Larger entity||6813||||0||||||||||||||||||||||Archaeology ; Pagodas (buildings) ; |Archaeology|Pagodas (buildings)||||||||Cornell||BZ|BZ|5/17/2006 0:00:00|5/17/2006 0:00:00||Sian||0||||||Famen|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Famen Temple Pagoda;Famen Si Ta| 6813.00|0|Architect|02|B-R1|Sian|3.4 Famen||B-R1 Sian 3.4 Famen |Famen Temple|Descriptive|Image Source (Pub)|||||||Famen Temple|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Sian, China|||10572||||0||||0|Architecture|Archaeological site|Temple|||7|8|9|618|906||618-906|618-906|||||||||0||||||||||||||||||||||Archaeology ; Temples ; |Archaeology|Temples||||||||Cornell||BZ|BZ|5/17/2006 0:00:00|5/17/2006 0:00:00||Sian||0||||||Famen|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Famen Temple| 6814.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Water-and-Land Temple Bodhisattva|Translated|Image Source (Pub)|Shui Lu An Si Su Pu Sa|Descriptive|Image Source (Pub)||||Water-and-Land Temple Bodhisattva|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Sian, China|||10572||||0||||0|Sculpture|Sculpture|Figure (representation)|||7|8|9|618|906||618-906|618-906||Water-and-Land Temple|Larger entity||6652||||0|||||Mud|mud|||||sculpture|||||||||||Bodhisattvas ; Figures (representations) ; Sculpture (visual work) ; Lions ; Animals ; |Bodhisattvas|Figures (representations)|Sculpture (visual work)|Lions|Animals|||||Cornell||BZ|BZ|5/17/2006 0:00:00|5/17/2006 0:00:00||Sian||0|||||||SC|||CHINA|TANG||||||||||||Work|0||||||||||||0|0|Water-and-Land Temple Bodhisattva;Shui Lu An Si Su Pu Sa| 6815.00|0|Site|02|B-B14|Chi|2.31 '93/Per||B-B14 Chi 2.31 '93/Per |Peristyle|||||||||World's Columbian Exposition. Peristyle|552|Atwood, Charles B.||architect|Charles B. Atwood (Burnham & Atwood)|27821|Burnham & Atwood||architectural firm|0|||||American||||||North and Central America||United States||||||0||||0|Chicago, Illinois|||10103||||0|Architecture|Exhibit building|Exhibition|||19|||1893|1894||1893-1894|1893-1894||World's Columbian Exposition|LargerEntity||6299||||0||||||||||||||||||||||Exhibition buildings ; World’s Columbian Exposition (1893 : Chicago, Ill.) ; Exhibitions ; |Exhibition buildings|World’s Columbian Exposition (1893 : Chicago, Ill.)|Exhibitions|||||||Cornell||MNW|MNW|5/18/2006 0:00:00|5/17/2006 0:00:00|||Chi|0||||||'93/Per|B|||||B14|2.31||||||||||Work|0|Architecture-Illinois (IL)||||Destroyed by fire, January 8, 1894.|||||||0|0|Peristyle|Atwood, Charles B.;Burnham & Atwood 6816.00|0|Architect|02|B-R1|Sian|3.3 Qinj||B-R1 Sian 3.3 Qinj |Qin Jinggong Tomb No.1 Tomb|Translated|Image Source (Pub)|Qin Gong Yi Hao Da Mu|Descriptive|Image Source (Pub)||||Qin Jinggong Tomb No.1 Tomb|0|||||0||||0|||||Chinese|||Zhou (Chou)|||Asia||China||||||0|Sian, China|||10572||||0||||0|Architecture|Archaeological site|Tomb|Mausoleum|BCE|-6|||537|537||537 BCE|537 BCE||Qin Jinggong Tomb|Larger entity||6817||||0||||||||||||||||||||||Archaeology ; Tombs ; Mausoleums ; |Archaeology|Tombs|Mausoleums|||||||Cornell||BZ|BZ|5/17/2006 0:00:00|5/17/2006 0:00:00||Sian||0||||||Qinj|B|||||R1|3.3||||||||||Work|0|Architecture-China|||||||||||0|0|Qin Jinggong Tomb No.1 Tomb;Qin Gong Yi Hao Da Mu| 6817.00|0|Architect|02|B-R1|Sian|3.3 Qinj||B-R1 Sian 3.3 Qinj |Qin Jinggong Tomb|Descriptive|Image Source (Pub)|||||||Qin Jinggong Tomb|0|||||0||||0|||||Chinese|||Zhou (Chou)|||Asia||China||||||0|Sian, China|||10572||||0||||0|Architecture|Archaeological site|Tomb|Mausoleum|BCE|-6|||537|537||537 BCE|537 BCE|||||||||0||||||||||||||||||||||Archaeology ; Tombs ; Mausoleums ; |Archaeology|Tombs|Mausoleums|||||||Cornell||BZ|BZ|5/17/2006 0:00:00|5/17/2006 0:00:00||Sian||0||||||Qinj|B|||||R1|3.3||||||||||Work|0|Architecture-China|||||||||||0|0|Qin Jinggong Tomb| 6818.00|0|Architect|02|MA-|LeCorb|1.04 1938/39 Algiers||MA- LeCorb 1.04 1938/39 Algiers |Skyscraper for Quartier de la Marine [project for Algiers]|Descriptive|Image Source (Pub)|||||||Skyscraper for Quartier de la Marine [project for Algiers]|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||French|Algerian|Swiss|International Style|||Africa||Algeria||||||0||||0||||0||||0|Architectural Theory|Architectural drawing||||20|||1938|1939||1938-1939|1938-1939|||||0||||0|||||||||||architectural drawing|||||||||||Skyscrapers ; |Skyscrapers|||||||||Cornell||JNK|JNK|5/18/2006 0:00:00|5/18/2006 0:00:00|LeCorb|||0||||||1938/39 Algiers|MA||||||1.04||||||||||Work|0|Modern Architecture-|||||||||||0|0|Skyscraper for Quartier de la Marine [project for Algiers]|Le Corbusier 6819.00|0|Site|02|B-B10|MiaB|2.111 Oce||B-B10 MiaB 2.111 Oce |Ocean Drive|Assigned|Image Source (Pub)|||||||Ocean Drive|0|||||0||||0|||||American|||Art Deco|||North and Central America||United States||||||0|Miami Beach, FL|||10395||||0||||0|Architecture|Street||||20||||||||||||0||||0||||||||||||||||||||||Roads ; |Roads|||||||||Cornell||JNK|JNK|5/18/2006 0:00:00|5/18/2006 0:00:00||MiaB||0||||||Oce|B|||||B10|2.111||||||||||Work|0|Architecture-Florida (FL)|||||||||||0|0|Ocean Drive| 6820.00|0|Site|02|B-Q5|Bom|2.111 MarDr||B-Q5 Bom 2.111 MarDr |Marine Drive|Assigned|Image Source (Pub)|||||||Marine Drive|0|||||0||||0|||||Indian|||Art Deco|||Asia||India||||||0|Mumbai, India|||10191||||0||||0|Architecture|Street||||20|||1930|1939||1930s|1930s|||||0||||0||||||||||||||||||||||Roads ; |Roads|||||||||Cornell||JNK|JNK|5/18/2006 0:00:00|5/18/2006 0:00:00||Bom||0||||||MarDr|B|||||Q5|2.111||||||||||Work|0|Architecture-India|||||||||||0|0|Marine Drive| 6821.00|0|Creator|05|J-ShulmanJ|3||||Wilshire Boulevard Looking West from Prudential Building|Descriptive|Image Source (Pub)|||||||Wilshire Boulevard Looking West from Prudential Building|10877|Shulman, Julius||photographer|Julius Shulman|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1949|1949||1949|1949-1949|||||0||||0|||||||||||photography|||||||||||Streetscapes ; |Streetscapes|||||||||Cornell||JNK|JNK|5/18/2006 0:00:00|5/18/2006 0:00:00|ShulmanJ|||0|||||||J||||||||||||||||Work|0|Photography|Prudential building built by Windeman & Becket, LA, 1948.||||||||||0|0||Shulman, Julius 6822.00|0|Creator|15|CHINA|POT|SIX DYN||CHINA POT SIX DYN |Jar With Six Lugs And Incised Bird And Tree Motifs|Descriptive|Image Source (Pub)|||||||Jar With Six Lugs And Incised Bird And Tree Motifs|0|||||0||||0|||||Chinese|||Six Dynasties|||Asia||China||||||0||||0||||0|Tomb of Li Yun, Puyang county, Henan Province|||10829|Ceramics|Ceramic|Vessel|||6|||550|577||550-577|550-577|||||0||||0|||||Green-glazed stoneware (Celadon)|stoneware (pottery)|||||ceramics|||||28.5 cm high, 18.5 cm max. diam. of mouth||9683|Zhengzhou: Henan Provincial Museum|Zhengzhou: Henan Provincial Museum||Vessels ; Birds ; Trees ; |Vessels|Birds|Trees|||||||Cornell||BZ|BZ|6/15/2006 0:00:00|5/18/2006 0:00:00||||0|||||||POT|||CHINA|SIX DYN|||| ||||||||Work|0||Northern Qi dynasty (550-577). Unearthed in 1958.||||||||||0|0|Jar With Six Lugs And Incised Bird And Tree Motifs| 6826.00|0|Site|02|B-B14|Chi|2.31 '93|4b-5|B-B14 Chi 2.31 '93 4b-5|World's Columbian Exposition|Descriptive|Image Source (Pub)|||||||World's Columbian Exposition|9952|Robinson, Theodore||painter|Theodore Robinson|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1894|1894||1894|1894-1894|||||0||||0|||||Oil on canvas|oil|canvas||||painting (image-making)|||||63.5 x 76.2 cm||3329|Detroit: Alex and Marie Manoogian Museum|Detroit: Alex & Marie Manoogian Mus.||||||||||||Cornell||MNW|MNW|5/18/2006 0:00:00|5/18/2006 0:00:00||Chi||0||||||'93|B|||||B14|2.31|| ||||||||Work|0|Architecture-Illinois (IL)|Painted in New York, NY. Stebbins, Masterpieces.||||||||||0|0|World's Columbian Exposition|Robinson, Theodore 6827.00|0|Creator|15|CHINA|POT|SIX DYN||CHINA POT SIX DYN |Chicken-headed Ewer With Dragon Handle|Descriptive|Image Source (Pub)|||||||Chicken-headed Ewer With Dragon Handle|0|||||0||||0|||||Chinese|||Six Dynasties|||Asia||China||||||0||||0||||0|Tomb of Lou Rui, Taiyuan, Shanxi Province|||10830|Ceramics|Ceramic|Vessel|Ewer||6|||550|577||550-577|550-577|||||0||||0|||||Green-glazed stoneware (Celadon)|stoneware (pottery)|||||ceramics|||||48.2 cm high, 32.5 cm max. diam.||9709|Taiyuan: Shanxi Provincial Institute Of Archaeology|Taiyuan: Shanxi Institute Of Archaeology||Ewers ; Chickens ; Dragons ; Flowers ; Vessels ; |Ewers|Chickens|Dragons|Flowers|Vessels|||||Cornell||BZ|BZ|6/15/2006 0:00:00|5/18/2006 0:00:00||||0|||||||POT|||CHINA|SIX DYN|||| ||||||||Work|0||Northern Qi dynasty 550-577). Unearthed in 1978.||||||||||0|0|Chicken-headed Ewer With Dragon Handle| 6828.00|0|Creator|15|CHINA|POT|TANG||CHINA POT TANG |Octagonal Bottle|Descriptive|Image Source (Pub)|||||||Octagonal Bottle|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0||||0|Ceramics|Ceramic|Bottle|Vessel||7|8|9|618|907||618-907|618-907|||||0||||0|||||Green-glazed stoneware (Celadon), Yue kilns|stoneware (pottery)|||||ceramics|||||21.7 cm high, 2.3cm diam. Of mouth,7.8 cm diam. of foot||292|Beijing: Palace Museum|Beijing: Palace Museum||Bottles ; Vessels ; |Bottles|Vessels||||||||Cornell||BZ|BZ|6/15/2006 0:00:00|5/18/2006 0:00:00||||0|||||||POT|||CHINA|TANG|||| ||||||||Work|0||||||||||||0|0|Octagonal Bottle| 6829.00|0|Creator|15|CHINA|PTG|QING||CHINA PTG QING |Complete In Soul, Sufficient In Spirit|Descriptive|Image Source (Pub)|||||||Complete In Soul, Sufficient In Spirit|30924|Wang Yuanqi||painter|Wang Yuanqi|0||||0|||||Chinese|||Qing (Ch'ing)|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Landscape (representation)|||18|||1708|1708||Dated to 1708|1708|||||0||||0|||||Ink on paper|ink|paper (fiber product)||||painting (image-making)|||||137.2 x 71.5 cm||292|Beijing: Palace Museum|Beijing: Palace Museum||Painting (image making) ; Landscapes ; Mountains ; Trees ; Forests ; Houses ; Rivers ; Bridges (built works) ; Waterfalls|Painting (image making)|Landscapes|Mountains|Trees|Forests|Houses|Rivers|Bridges (built works)|Waterfalls|Cornell||BZ|BZ|5/18/2006 0:00:00|5/18/2006 0:00:00||||0|||||||PTG|||CHINA|QING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Complete In Soul, Sufficient In Spirit|Wang Yuanqi 6830.00|0|Architect|02|MA-|WilliamsP|7.2 1947ff Bev||MA- WilliamsP 7.2 1947ff Bev |Beverly Hills Hotel|Assigned|Image Source (Pub)|||||||Beverly Hills Hotel|12779|Williams, Paul R.||architect|Paul R. Williams|0||||0|||||American|African American||Modernist|||North and Central America||United States||||||0|Beverly Hills, Los Angeles, CA|||10488||||0||||0|Architecture|Hotel (public accommodation)||||20|||1947|1951||1947-1951; 1959|1947-1951|||||0||||0||||||||||||||||||||||Hotels (public accommodations) ; |Hotels (public accommodations)|||||||||Cornell||JNK|MNW|5/25/2006 0:00:00|5/18/2006 0:00:00|WilliamsP|||0||||||1947ff Bev|MA||||||7.2||||||||||Work|0|Modern Architecture-|||||||||||0|0|Beverly Hills Hotel|Williams, Paul R. 6831.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Pleasures Of He Tianzhang|Descriptive|Image Source (Pub)|||||||Pleasures Of He Tianzhang|30915|Chen Hongshou||painter|Chen Hongshou|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Figure (representation)|Landscape (representation)||14|15|16|1368|1644||1368-1644|1368-1644|||||0||||0|||||Ink and color on silk|ink|color (pigment)|silk (textile)|||painting (image-making)|||||25.3 x 163.2 cm||9722|Suzhou: Suzhou Municipal Museum|Suzhou: Suzhou Municipal Museum||Painting (image making) ; Figures (representations) ; Landscapes ; Women ; Men (male humans) ; Pine ; Stone ; Tables (support furniture) ; Flowers|Painting (image making)|Figures (representations)|Landscapes|Women|Men (male humans)|Pine|Stone|Tables (support furniture)|Flowers|Cornell||BZ|BZ|5/18/2006 0:00:00|5/18/2006 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Handscroll.||||||||||0|0|Pleasures Of He Tianzhang|Chen Hongshou 6832.00|0|Creator|15|CHINA|PTG|QING||CHINA PTG QING |Willows And Egrets|Descriptive|Image Source (Pub)|||||||Willows And Egrets|31202|Huang Shen||painter|Huang Shen|0||||0|||||Chinese|||Qing (Ch'ing)|||Asia||China||||||0||||0||||0||||0|Paintings|Painting||||17|18|19|1644|1911||1644-1911|1644-1911|||||0||||0|||||Ink and color on paper|ink|color (pigment)|paper (fiber product)|||painting (image-making)|||||113.7 x 57.7 cm||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Trees ; Birds ; Animals ; Painting (image making) ; |Trees|Birds|Animals|Painting (image making)||||||Cornell||BZ|BZ|5/18/2006 0:00:00|5/18/2006 0:00:00||||0|||||||PTG|||CHINA|QING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Willows And Egrets|Huang Shen 6833.00|0|Creator|15|CHINA|PTG|QING||CHINA PTG QING |Pine, Wisteria, Peonies|Descriptive|Image Source (Pub)|||||||Pine, Wisteria, Peonies|31203|Li Shan||painter|Li Shan|0||||0|||||Chinese|||Qing (Ch'ing)|||Asia||China||||||0||||0||||0||||0|Paintings|Painting||||18|||1755|1755||Dated to 1755|1755|||||0||||0|||||Ink and color on paper|ink|color (pigment)|paper (fiber product)|||painting (image-making)|||||238 x 118.2 cm||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Painting (image making) ; Pine ; Peonies ; Grasses (plants) ; |Painting (image making)|Pine|Peonies|Grasses (plants)||||||Cornell||BZ|BZ|5/18/2006 0:00:00|5/18/2006 0:00:00||||0|||||||PTG|||CHINA|QING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Pine, Wisteria, Peonies|Li Shan 6834.00|0|Creator|15|CHINA|PTG|QING||CHINA PTG QING |Golden Valley Garden|Descriptive|Image Source (Pub)|||||||Golden Valley Garden|31204|Hua Yan||painter|Hua Yan|0||||0|||||Chinese|||Qing (Ch'ing)|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Landscape (representation)|Figure (representation)||18|||1732|1732||Dated to 1732|1732|||||0||||0|||||Ink and color on paper|ink|color (pigment)|paper (fiber product)|||painting (image-making)|||||178.9 x 94.1 cm||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Painting (image making) ; Landscapes ; Figures (representations) ; Men (male humans) ; Women ; Trees ; Rock ; Musical instruments ; Chairs|Painting (image making)|Landscapes|Figures (representations)|Men (male humans)|Women|Trees|Rock|Musical instruments|Chairs|Cornell||BZ|BZ|5/18/2006 0:00:00|5/18/2006 0:00:00||||0|||||||PTG|||CHINA|QING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Golden Valley Garden|Hua Yan 6835.00|0|Creator|15|CHINA|CALL|QING||CHINA CALL QING |Couplet In Seven-character Lines, Written In Clerical Script (Lishu)|Descriptive|Image Source (Pub)|||||||Couplet In Seven-character Lines, Written In Clerical Script (Lishu)|31205|Deng Shiru||calligrapher|Deng Shiru|0||||0|||||Chinese|||Qing (Ch'ing)|||Asia||China||||||0||||0||||0||||0|Calligraphy|Calligraphy||||17|18|19|1644|1911||1644-1911|1644-1911|||||0||||0|||||Ink on gold-flecked paper|ink|gold||||calligraphy|||||130.1 x 27.6 cm||292|Beijing: Palace Museum|Beijing: Palace Museum||Calligraphy ; |Calligraphy|||||||||Cornell||BZ|BZ|5/18/2006 0:00:00|5/18/2006 0:00:00||||0|||||||CALL|||CHINA|QING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Couplet In Seven-character Lines, Written In Clerical Script (Lishu)|Deng Shiru 6836.00|0|Creator|15|CHINA|PTG|SONG||CHINA PTG SONG |Snowy Landscape|Descriptive|Image Source (Pub)|||||||Snowy Landscape|0|||||0||||0|||||Chinese|||Song (Sung)|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Landscape (representation)|Figure (representation)||12|13||1127|1279||1127-1279|1127-1279|||||0||||0|||||Ink and light color on paper|ink|color (pigment)|paper (fiber product)|||painting (image-making)|||||24 x 48.2 cm||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Painting (image making) ; Landscapes ; Mountains ; Pine ; Trees ; Figures (representations) ; Temples ; Forests ; Snow|Painting (image making)|Landscapes|Mountains|Pine|Trees|Figures (representations)|Temples|Forests|Snow|Cornell||BZ|BZ|5/18/2006 0:00:00|5/18/2006 0:00:00||||0|||||||PTG|||CHINA|SONG|||| ||||||||Work|0||Handscroll.||||||||||0|0|Snowy Landscape| 6837.00|0|Category|07|E-07|Boscotrecase|||E-07 Boscotrecase |Cult Fresco|Descriptive|Image Source (Pub)|||||||Cult Fresco|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0||||0||||0||||0|Paintings|Painting|Mural||CE|1|||1|100|ca|1st Century CE|ca 1-100||Villa Imperiale, Boscotescare|LargerEntity||6802||||0|||||||||||painting (image-making)|mural painting||||||3294|new york: metropolitan Museum of Art|New York: Metropolitan||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|5/19/2006 0:00:00||||0||||||Boscotrecase|E|||07||||| ||||||||Work|0|Painting-Roman|||||||||||0|0|Cult Fresco| 6838.00|0|Creator|15|30|P358-PA|91|1|30 P358-PA 91 1|The Exhumation of the Mastodon|Assigned|Repository|||||||The Exhumation of the Mastodon|9001|Peale, Charles Willson||painter|Charles Willson Peale|0||||0|||||American|||Colonial|||North and Central America||United States||||||0|Baltimore, MD|||0||||0||||0|Paintings|Painting|Oil painting|||19|||1805|1808||1805-1808|1805-1808|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||127 x 158 cm||230|Baltimore: Maryland Historical Society|Baltimore: MD Hist. Soc.||Archaeology ; |Archaeology|||||||||Cornell||JNK|JNK|5/19/2006 0:00:00|5/19/2006 0:00:00|P358|||0||||||1|30|PA|||||91|| ||||||||Work|0||||||Formerly Peale Museum, Baltimore, transf. in 1999.||||||0|0|The Exhumation of the Mastodon|Peale, Charles Willson 6839.00|0|Creator|15|30|P358-PA|5P|2|30 P358-PA 5P 2|The Artist in His Museum|Assigned|Repository|||||||The Artist in His Museum|9001|Peale, Charles Willson||painter|Charles Willson Peale|0||||0|||||American|||Colonial|||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting|Portrait|Oil painting||19|||1822|1822||1822|1822-1822|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||263.5 x 202.9 cm||3408|Philadelphia: Pennsylvania Academy of the Fine Arts|Philadelphia: PA Acad. Fine Arts||Portraits ; Artists ; Museums ; Peale, Charles Wilson, 1741-1827 ; |Portraits|Artists|Museums|Peale, Charles Wilson, 1741-1827||||||Cornell||JNK|JNK|5/19/2006 0:00:00|5/19/2006 0:00:00|P358|||0||1878.1.2||||2|30|PA|||||5P|| ||||||||Work|0||||||||||||0|0|The Artist in His Museum|Peale, Charles Willson 6840.00|0|Creator|15|30|P358-PA|5W|1|30 P358-PA 5W 1|George Washington|Assigned|Repository|Portrait of George Washington|Variant|Collection||||George Washington|9001|Peale, Charles Willson||painter|Charles Willson Peale|0||||0|||||American|||Colonial|||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting|Portrait|||18|||1787|1787||1787|1787-1787|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||61 x 48.6 cm||3408|Philadelphia: Pennsylvania Academy of the Fine Arts|Philadelphia: PA Acad. Fine Arts||Washington, George, 1732-1799 ; Portraits ; |Washington, George, 1732-1799|Portraits||||||||Cornell||JNK|JNK|5/19/2006 0:00:00|5/19/2006 0:00:00|P358|||0||1912_14_3||||1|30|PA|||||5W|| ||||||||Work|0||||||||||||0|0|George Washington;Portrait of George Washington|Peale, Charles Willson 6841.00|0|Creator|15|30|P358-PA|5F|1|30 P358-PA 5F 1|Benjamin Franklin|Assigned|Image Source (Pub)|||||||Benjamin Franklin|9001|Peale, Charles Willson||painter|Charles Willson Peale|0||||0|||||American|||Colonial|||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting|Portrait|||18|||1787|1787|ca|ca 1787|ca 1787-1787|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||89.8 x 67.5 cm||2248|Philadelphia: Pennsylvania Historical Society|Philadelphia: Penn. Hist. Soc.||Franklin, Benjamin, 1706-1790 ; Portraits ; |Franklin, Benjamin, 1706-1790|Portraits||||||||Cornell||JNK|JNK|5/19/2006 0:00:00|5/19/2006 0:00:00|P358|||0||||||1|30|PA|||||5F|| ||||||||Work|0||||||||||||0|0|Benjamin Franklin|Peale, Charles Willson 6842.00|0|Creator|15|30|W514-PA|4A|1|30 W514-PA 4A 1|Agrippina Landing at Brundisium with the Ashes of Germanicus|Assigned|Repository|||||||Agrippina Landing at Brundisium with the Ashes of Germanicus|30161|West, Benjamin||painter|Benjamin West|0||||0|||||American|English||Colonial|||North and Central America||United States|England|||||0||||0||||0||||0|Paintings|Painting|Oil painting|||18|||1768|1768||1768|1768-1768|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||163.8 x 240 cm||3400|New Haven: Yale University; Art Gallery|New Haven: Yale Univ. Art Gal.||Mourners ; Agrippina at Brindisium ; |Mourners|Agrippina at Brindisium||||||||Cornell||JNK|JNK|5/19/2006 0:00:00|5/19/2006 0:00:00|W514|||0||1947.16||||1|30|PA|||||4A|| ||||||||Work|0||||||||||||0|0|Agrippina Landing at Brundisium with the Ashes of Germanicus|West, Benjamin 6843.00|0|Creator|15|30|W514-PA|41W|1|30 W514-PA 41W 1|The Death of General Wolfe|Assigned|Repository|||||||The Death of General Wolfe|30161|West, Benjamin||painter|Benjamin West|0||||0|||||American|English||Colonial|||North and Central America||United States|England|||||0||||0||||0||||0|Paintings|Painting|Oil painting|||18|||1770|1770||1770|1770-1770|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||152.6 x 214.5 cm||3423|Ottawa: National Gallery of Canada|Ottawa: Nat. Gal. of Canada||Wars ; Deaths ; Wolfe, James, 1727-1759 ; Indians of North America ; Soldiers ; |Wars|Deaths|Wolfe, James, 1727-1759|Indians of North America|Soldiers|||||Cornell||JNK|JNK|5/19/2006 0:00:00|5/19/2006 0:00:00|W514|||0||8007||||1|30|PA|||||41W|| ||||||||Work|0||||||||||||0|0|The Death of General Wolfe|West, Benjamin 6844.00|0|Creator|15|CHINA|POT|SIX DYN||CHINA POT SIX DYN |Candleholder In The Shape Of A Man Riding A Mythical Beast|Descriptive|Image Source (Pub)|||||||Candleholder In The Shape Of A Man Riding A Mythical Beast|0|||||0||||0|||||Chinese|||Six Dynasties|Western Jin (W.Chin)||Asia||China||||||0||||0||||0||||0|Ceramics|Ceramic|Candlestand (lighting device)|Figure (representation)||3|4||265|316||265-316|265-316|||||0||||0|||||Green-glazed stoneware (Celadon), Yue kilns|stoneware (pottery)|||||ceramics|||||27.7 cm high||292|Beijing: Palace Museum|Beijing: Palace Museum||Figures (representations) ; Animals ; |Figures (representations)|Animals||||||||Cornell||BZ|BZ|5/19/2006 0:00:00|5/19/2006 0:00:00||||0|||||||POT|||CHINA|SIX DYN|||| ||||||||Work|0||||||||||||0|0|Candleholder In The Shape Of A Man Riding A Mythical Beast| 6845.00|0|Creator|15|CHINA|POT|SIX DYN||CHINA POT SIX DYN |Basin With Applied Buddha Figure|Descriptive|Image Source (Pub)|||||||Basin With Applied Buddha Figure|0|||||0||||0|||||Chinese|||Six Dynasties|Western Jin (W.Chin)||Asia||China||||||0||||0||||0||||0|Ceramics|Ceramic|Basin|Vessel||3|4||265|316||265-316|265-316|||||0||||0|||||Green-glazed stoneware (Celadon), Yue kilns|stoneware (pottery)|||||ceramics|||||7.5 cm high,19.4 cm diam. of mouth,10 cm diam. of foot||290|Beijing: National Museum of Chinese History|Beijing: National Museum of Chinese History||Basins ; Vessels ; Buddha ; Figures (representations) ; |Basins|Vessels|Buddha|Figures (representations)||||||Cornell||BZ|BZ|6/15/2006 0:00:00|5/19/2006 0:00:00||||0|||||||POT|||CHINA|SIX DYN|||| ||||||||Work|0||||||||||||0|0|Basin With Applied Buddha Figure| 6846.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Fisherman On A Snowy River|Descriptive|Image Source (Pub)|||||||Fisherman On A Snowy River|30897|Wu Wei||painter|Wu Wei|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Landscape (representation)|Figure (representation)||14|15|16|1368|1644||1368-1644|1368-1644|||||0||||0|||||Ink on silk|ink|silk (textile)||||painting (image-making)|||||245 x 156 cm||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||Painting (image making) ; Landscapes ; Figures (representations) ; Fishermen ; Boats ; Rivers ; Snow ; Mountains ; Trees|Painting (image making)|Landscapes|Figures (representations)|Fishermen|Boats|Rivers|Snow|Mountains|Trees|Cornell||BZ|BZ|5/19/2006 0:00:00|5/19/2006 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Fisherman On A Snowy River|Wu Wei 6847.00|0|Creator|15|CHINA|PTG|YUAN||CHINA PTG YUAN |Six Gentlemen|Descriptive|Image Source (Pub)|||||||Six Gentlemen|30882|Ni Zan||painter|Ni Zan|0||||0|||||Chinese|||Yuan|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Landscape (representation)|||14|||1345|1345||Dated to 1345|1345|||||0||||0|||||Ink on paper|ink|paper (fiber product)||||painting (image-making)|||||61.9 x 33.3 cm||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Painting (image making) ; Landscapes ; Trees ; Mountains ; Rivers ; Rock ; Inscriptions ; |Painting (image making)|Landscapes|Trees|Mountains|Rivers|Rock|Inscriptions|||Cornell||BZ|BZ|5/19/2006 0:00:00|5/19/2006 0:00:00||||0|||||||PTG|||CHINA|YUAN|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Six Gentlemen|Ni Zan 6848.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Xuande Emperor On An Outing|Descriptive|Image Source (Pub)|||||||Xuande Emperor On An Outing|30887|Shang Xi||painter|Shang Xi|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Figure (representation)|Landscape (representation)||14|15|16|1368|1644||1368-1644|1368-1644|||||0||||0|||||Ink and color on paper|ink|color (pigment)|paper (fiber product)|||painting (image-making)|||||211 x 353 cm||292|Beijing: Palace Museum|Beijing: Palace Museum||Painting (image making) ; Figures (representations) ; Landscapes ; Horses ; Bridges (built works) ; Pine ; Rivers ; Flowers ; Animals|Painting (image making)|Figures (representations)|Landscapes|Horses|Bridges (built works)|Pine|Rivers|Flowers|Animals|Cornell||BZ|BZ|5/19/2006 0:00:00|5/19/2006 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Xuande Emperor On An Outing|Shang Xi 6849.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Literary Gathering In The Apricot Garden|Descriptive|Image Source (Pub)|||||||Literary Gathering In The Apricot Garden|31206|Xie Huan||painter|Xie Huan|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Figure (representation)|Landscape (representation)||15|||1437|1437|ca|ca. 1437|ca. 1437|||||0||||0|||||Ink and color on silk|ink|color (pigment)|silk (textile)|||painting (image-making)|||||37 cm high||1044|Hangzhou: Zhejiang Municipal Museum|Hangzhou: Zhejiang Municipal Museum||Painting (image making) ; Figures (representations) ; Landscapes ; Men (male humans) ; Tables (support furniture) ; Furniture ; Chairs ; Crowns ; Children (people by age group)|Painting (image making)|Figures (representations)|Landscapes|Men (male humans)|Tables (support furniture)|Furniture|Chairs|Crowns|Children (people by age group)|Cornell||BZ|BZ|5/19/2006 0:00:00|5/19/2006 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Handscroll.||||||||||0|0|Literary Gathering In The Apricot Garden|Xie Huan 6850.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Poetic Feeling At Qixia Monastery|Descriptive|Image Source (Pub)|||||||Poetic Feeling At Qixia Monastery|30918|Dong Qichang||painter|Dong Qichang|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Landscape (representation)|||17|||1626|1626||Dated to 1626|1626|||||0||||0|||||Ink on paper|ink|paper (fiber product)||||painting (image-making)|||||133.1 x 52.5 cm||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Painting (image making) ; Landscapes ; Mountains ; Trees ; Houses ; Rock ; Inscriptions ; Rivers ; Pine|Painting (image making)|Landscapes|Mountains|Trees|Houses|Rock|Inscriptions|Rivers|Pine|Cornell||BZ|BZ|5/19/2006 0:00:00|5/19/2006 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Poetic Feeling At Qixia Monastery|Dong Qichang 6851.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Landscape In The Manner Of Yan Wengui|Descriptive|Image Source (Pub)|||||||Landscape In The Manner Of Yan Wengui|30892|Dai Jin||painter|Dai Jin|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Landscape (representation)|Figure (representation)||14|15|16|1368|1644||1368-1644|1368-1644|||||0||||0|||||Ink on paper|ink|paper (fiber product)||||painting (image-making)|||||98.2 x 45.8 cm||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Painting (image making) ; Landscapes ; Mountains ; Trees ; Houses ; Rock ; Rivers ; Bridges (built works) ; Figures (representations)|Painting (image making)|Landscapes|Mountains|Trees|Houses|Rock|Rivers|Bridges (built works)|Figures (representations)|Cornell||BZ|BZ|5/19/2006 0:00:00|5/19/2006 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Landscape In The Manner Of Yan Wengui|Dai Jin 6852.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Playing The Flute By Pine And Stream|Descriptive|Image Source (Pub)|||||||Playing The Flute By Pine And Stream|30911|Qiu Ying||painter|Qiu Ying|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Landscape (representation)|Figure (representation)||14|15|16|1368|1644||1368-1644|1368-1644|||||0||||0|||||Ink and color on silk|ink|color (pigment)|silk (textile)|||painting (image-making)|||||116.4 x 65.8 cm||9720|Nanjing: Nanjing Museum|Nanjing: Nanjing Museum||Painting (image making) ; Landscapes ; Figures (representations) ; Mountains ; Pine ; Flowers ; Rivers ; Boats ; Musical instruments|Painting (image making)|Landscapes|Figures (representations)|Mountains|Pine|Flowers|Rivers|Boats|Musical instruments|Cornell||BZ|BZ|5/19/2006 0:00:00|5/19/2006 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Playing The Flute By Pine And Stream|Qiu Ying 6853.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Peonies, Banana Plant, And Rock|Descriptive|Image Source (Pub)|||||||Peonies, Banana Plant, And Rock|31207|Xu Wei||painter|Xu Wei|0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting||||14|15|16|1368|1644||1368-1644|1368-1644|||||0||||0|.||||Ink on paper|ink|paper (fiber product)||||painting (image-making)|||||120.6 x 58.4 cm||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Painting (image making) ; Peonies ; Plants (vegetation) ; Rock ; Inscriptions ; |Painting (image making)|Peonies|Plants (vegetation)|Rock|Inscriptions|||||Cornell||BZ|BZ|5/19/2006 0:00:00|5/19/2006 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Hanging scroll.||||||||||0|0|Peonies, Banana Plant, And Rock|Xu Wei 6854.00|0|Creator|15|30|S6393-PA|7B|1|30 S6393-PA 7B 1|Dean Berkeley and His Entourage|Assigned|Repository|The Bermuda Group|Variant|Repository||||Dean Berkeley and His Entourage (The Bermuda Group)|11014|Smibert, John||painter|John Smibert|0||||0|||||American|||Colonial|||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting|Portrait|||18|||1728|1739||1728-1739|1728-1739|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||176.5 x 236.2 cm||3400|New Haven: Yale University; Art Gallery|New Haven: Yale Univ. Art Gal.||Group portraits ; Portraits ; Families ; |Group portraits|Portraits|Families|||||||Cornell||JNK|JNK|5/19/2006 0:00:00|5/19/2006 0:00:00|S6393|||0||1808.1|||||30|PA|||||7B|| ||||||||Work|0||||||||||||0|0|Dean Berkeley and His Entourage;The Bermuda Group|Smibert, John 6855.00|0|Creator|15|25|W546-PA|26D|1|25 W546-PA 26D 1|Descent from the Cross|Translated|Repository|||||||Descent from the Cross|12657|Weyden, Rogier van der||painter|Rogier van der Weyden|0||||0|||||Flemish|||Baroque|||Europe||Belgium|Spain|||||0||||||||0||||0||||||15|||1435|1438||1435-1438|1435-1438|||||0||||0|||||Oil on panel|oil paint|panels (wood)||||painting (image-making)|||||220 x 262 cm||1616|Madrid: Museo del Prado|Madrid: Prado||Descent from the cross ; Christ ; Virgin Mary ; |Descent from the cross|Christ|Virgin Mary|||||||Cornell||JNK|JNK|5/19/2006 0:00:00|5/19/2006 0:00:00|W546|||0|||||||25|PA|||||1.01|| |26D|||||||Work|0||||||||||||0|0||Weyden, Rogier van der 6856.00|0|Creator|15|32|C689-PA|1842||32 C689-PA 1842 |The Voyage of Life|Assigned|Repository|||||||The Voyage of Life|2475|Cole, Thomas||painter|Thomas Cole|0||||0|||||American|||Hudson River School|||North and Central America||United States||||||0||||0||||0||||0|Paintings|Serial|Painting|||19|||1842|1842||1842|1842-1842|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||||3367|Washington, DC: National Gallery of Art|Wash, DC: National Gallery||||||||||||Cornell||JNK|JNK|5/19/2006 0:00:00|5/19/2006 0:00:00|C689|||0|||||||32|PA|||||1842|| ||||||||Work|0||||||||||||0|0|The Voyage of Life|Cole, Thomas 6857.00|0|Creator|15|32|C689-PA|1842|1|32 C689-PA 1842 1|Childhood|Assigned|Repository|||||||The Voyage of Life. Childhood|2475|Cole, Thomas||painter|Thomas Cole|0||||0|||||American|||Hudson River School|||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1842|1842||1842|1842-1842||The Voyage of Life|Larger entity||6856||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||134.3 x 195.3 cm||3367|Washington, DC: National Gallery of Art|Wash, DC: National Gallery||Children (people by age group) ; |Children (people by age group)|||||||||Cornell||JNK|JNK|5/19/2006 0:00:00|5/19/2006 0:00:00|C689|||0||1971.16.1|||||32|PA|||||1842|| ||||||||Work|0||||||||||||0|0|Childhood|Cole, Thomas 6858.00|0|Creator|05|35|H662-PH|1908|3|35 H662-PH 1908 3|Sadie Pfeifer working in the Lancaster Cotton Mill, SC|Descriptive|Repository|||||||Sadie Pfeifer working in the Lancaster Cotton Mill, SC|5447|Hine, Lewis Wickes||photographer|Lewis Wickes Hine|0||||0|||||American||||||North and Central America||United States||||||0|Boston, MA|||0||||0||||0|Photographs|Photographic print||||20|||1908|1908||1908|1908-1908|||||0||||0|||||Gelatin silver print||||||photography|gelatin silver process||||||428|Boston: Museum of Fine Arts|Boston: MFA||Children (people by age group) ; Textile mills ; |Children (people by age group)|Textile mills||||||||Cornell||JNK|JNK|5/19/2006 0:00:00|5/19/2006 0:00:00|H662|||0|||||||35|PH|||||1908|| ||||||||Work|0|20th Century|||||||||||0|0||Hine, Lewis Wickes 6859.00|0|Creator|15|CHINA|MTL|ZHOU||CHINA MTL ZHOU |Miniature Carriage With Human Guardians Including One-legged Watchman, Birds, And Crouching Tigers|Descriptive|Image Source (Pub)|||||||Miniature Carriage With Human Guardians Including One-legged Watchman, Birds, And Crouching Tigers|0|||||0||||0|||||Chinese|||Zhou (Chou)|||Asia||China||||||0||||0||||0|Shangguo village, Wenxi county, Shanxi Province|||10832|Metalwork|Bronze|Figure (representation)||BCE|-12|-11|-10|1100|771|ca|ca. 1100-771 BCE|ca. 1100-771 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||9.1 x 13.7 x 11.3 cm||9709|Taiyuan: Shanxi Provincial Institute of Archaeology|Taiyuan: Shanxi Institute of Archaeology||Carriages ; Guardsmen ; Birds ; Tigers ; Animals ; Figures (representations) ; |Carriages|Guardsmen|Birds|Tigers|Animals|Figures (representations)||||Cornell||BZ|BZ|5/19/2006 0:00:00|5/19/2006 0:00:00||||0|||||||MTL|||CHINA|ZHOU|||| ||||||||Work|0||||||||||||0|0|Miniature Carriage With Human Guardians Including One-legged Watchman, Birds, And Crouching Tigers| 6860.00|0|Creator|15|CHINA|MTL|ZHOU||CHINA MTL ZHOU |Vessel (Gong), Inscribed|Descriptive|Image Source (Pub)|||||||Vessel (Gong), Inscribed|0|||||0||||0|||||Chinese|||Zhou (Chou)|Western Zhou (W.Chou)||Asia||China||||||0||||0||||0|Zhuangbai village, Fufeng county, Shaanxi Province|||10833|Metalwork|Bronze|Vessel||BCE|-12|-11|-10|1100|771|ca|ca.1100-771 BCE|ca.1100-771 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||28.7 x 38 cm||9725|Sian: Zhouyuan Museum|Sian: Zhouyuan Museum||Vessels ; Animals ; |Vessels|Animals||||||||Cornell||BZ|BZ|5/19/2006 0:00:00|5/19/2006 0:00:00||||0|||||||MTL|||CHINA|ZHOU|||| ||||||||Work|0||Unearthed in 1976.||||||||||0|0|Vessel (Gong), Inscribed| 6861.00|0|Creator|15|CHINA|MTL|ZHOU||CHINA MTL ZHOU |Vessel (Zun) In The Shape Of An Elephant|Descriptive|Image Source (Pub)|||||||Vessel (Zun) In The Shape Of An Elephant|0|||||0||||0|||||Chinese|||Zhou (Chou)|Western Zhou (W.Chou)||Asia||China||||||0||||0||||0|Rujia village, Baoji county, Shaanxi Province|||10834|Metalwork|Bronze|Vessel||BCE|-12|-11|-10|1100|771|ca|ca.1100-771 BCE|ca.1100-771 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||21 x 38 cm||9705|Baoji Municipal Museum|Baoji Municipal Museum||Vessels ; Elephants ; Animals ; |Vessels|Elephants|Animals|||||||Cornell||BZ|BZ|5/19/2006 0:00:00|5/19/2006 0:00:00||||0|||||||MTL|||CHINA|ZHOU|||| ||||||||Work|0||||||||||||0|0|Vessel (Zun) In The Shape Of An Elephant| 6863.00|0|Creator|15|CHINA|MTL|ZHOU||CHINA MTL ZHOU |Covered Spouted Vessel (He) In The Shape Of A Four-legged Duck, Inscribed|Descriptive|Image Source (Pub)|||||||Covered Spouted Vessel (He) In The Shape Of A Four-legged Duck, Inscribed|0|||||0||||0|||||Chinese|||Zhou (Chou)|Western Zhou (W.Chou)||Asia||China||||||0||||0||||0|Ying State tomb at Pingdingshan, Henan Province|||10835|Metalwork|Bronze|Vessel|Figure (representation)|BCE|-12|-11|-10|1100|771|ca|ca.1100-771 BCE|ca.1100-771 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||26 cm high||9726|Zhengzhou: Henan Provincial Institute of Archaeology and Cultural Relics|Henan Institute of Archaeology and Cultural Relics||Vessels ; Ducks ; Inscriptions ; Figures (representations) ; Men (male humans) ; |Vessels|Ducks|Inscriptions|Figures (representations)|Men (male humans)|||||Cornell||BZ|BZ|5/19/2006 0:00:00|5/19/2006 0:00:00||||0|||||||MTL|||CHINA|ZHOU|||| ||||||||Work|0||Unearthed in 1980.||||||||||0|0|Covered Spouted Vessel (He) In The Shape Of A Four-legged Duck, Inscribed| 6864.00|0|Creator|15|CHINA|MTL|ZHOU||CHINA MTL ZHOU |Two-handled Vessel (Gui), Inscribed|Descriptive|Image Source (Pub)|||||||Two-handled Vessel (Gui), Inscribed|0|||||0||||0|||||Chinese|||Zhou (Chou)|Western Zhou (W.Chou)||Asia||China||||||0||||0||||0|Ying State tomb at Pingdingshan, Henan Province|||10835|Metalwork|Vessel|Bronze||BCE|-12|-11|-10|1100|771|ca|ca.1100-771 BCE|ca.1100-771 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||26.5 cm high||9726|Zhengzhou: Henan Provincial Institute of Archaeology and Cultural Relics|Henan Institute of Archaeology and Cultural Relics||Vessels ; Inscriptions ; |Vessels|Inscriptions||||||||Cornell||BZ|BZ|5/22/2006 0:00:00|5/22/2006 0:00:00||||0|||||||MTL|||CHINA|ZHOU|||| ||||||||Work|0||Unearthed in 1986.||||||||||0|0|Two-handled Vessel (Gui), Inscribed| 6865.00|0|Creator|15|CHINA|MTL|HAN||CHINA MTL HAN |Spear Head With Hanging Men|Descriptive|Image Source (Pub)|||||||Spear Head With Hanging Men|0|||||0||||0|||||Chinese|||Han (Chinese)|Western Han||Asia||China||||||0||||0||||0|Shizhishan, Jinning county, Yunnan Province|||10836|Metalwork|Spear|Vessel|Figure (representation)|BCE|-3|-2|-1|206|8||206 BCE-8 CE|206 BCE-8 CE|||||0||||0|||||Bronze|bronze|||||bronzing|||||41.5 cm high||9727|Kunming: Yunnan Provincial Museum|Kunming: Yunnan Provincial Museum||||||||||||Cornell||BZ|BZ|5/22/2006 0:00:00|5/22/2006 0:00:00||||0|||||||MTL|||CHINA|HAN|||| ||||||||Work|0||Unearthed in 1956.||||||||||0|0|Spear Head With Hanging Men| 6866.00|0|Creator|15|CHINA|MTL|ZHOU||CHINA MTL ZHOU |Rectangular Vessel (Fang Yi), Inscribed|Descriptive|Image Source (Pub)|||||||Rectangular Vessel (Fang Yi), Inscribed|0|||||0||||0|||||Chinese|||Zhou (Chou)|Western Zhou (W.Chou)||Asia||China||||||0||||0||||0|Qijia village, Fufeng county, Shaanxi Province|||10838|Metalwork|Vessel|Bronze|Inscription|BCE|-12|-11|-10|1100|771|ca|ca.1100-771 BCE|ca.1100-771 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||38.5 cm high, 20 x 17 cm of mouth||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Vessels ; Inscriptions ; |Vessels|Inscriptions||||||||Cornell||BZ|BZ|5/22/2006 0:00:00|5/22/2006 0:00:00||||0|||||||MTL|||CHINA|ZHOU|||| ||||||||Work|0||Unearthed in 1963.||||||||||0|0|Rectangular Vessel (Fang Yi), Inscribed| 6867.00|0|Creator|15|CHINA|MTL|ZHOU||CHINA MTL ZHOU |Mythical Beast|Descriptive|Image Source (Pub)|||||||Mythical Beast|0|||||0||||0|||||Chinese|||Zhou (Chou)|Eastern Zhou (E.Chou)|Spring and Autumn|Asia||China||||||0||||0||||0|Xujialing Tomb No.9, Xichuan county, Henan|||10839|Metalwork|Bronze|||BCE|-8|-7|-6|770|476||770-476 BCE|770-476 BCE|||||0||||0|||||Bronze inlaid with malachite|bronze|malachite (mineral)||||bronzing|||||48 cm high||9726|Zhengzhou: Henan Provincial Institute of Archaeology and Cultural Relics|Henan Institute of Archaeology and Cultural Relics||Animals ; |Animals|||||||||Cornell||BZ|BZ|5/22/2006 0:00:00|5/22/2006 0:00:00||||0|||||||MTL|||CHINA|ZHOU|||| ||||||||Work|0||Unearthed in 1990.||||||||||0|0|Mythical Beast| 6868.00|0|Creator|15|CHINA|MTL|ZHOU||CHINA MTL ZHOU |Tapir Bearing Figure Holding Interlace Tray|Descriptive|Image Source (Pub)|||||||Tapir Bearing Figure Holding Interlace Tray|0|||||0||||0|||||Chinese|||Zhou (Chou)|Eastern Zhou (E.Chou)|Warring States|Asia||China||||||0||||0||||0|Fengshuiling, Changzhi, Shanxi Province|||10840|Metalwork|Bronze|Figure (representation)||BCE|-5|-4|-3|475|221||475-221 BCE|475-221 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||15 cm high, 11 cm diam.of tray||9620|Taiyuan: Shanxi Provincial Museum|Taiyuan: Shanxi Provincial Museum||Tapirs ; Figures (representations) ; Animals ; |Tapirs|Figures (representations)|Animals|||||||Cornell||BZ|BZ|6/13/2006 0:00:00|5/22/2006 0:00:00||||0|||||||MTL|||CHINA|ZHOU|||| ||||||||Work|0||Unearthed in 1965.||||||||||0|0|Tapir Bearing Figure Holding Interlace Tray| 6869.00|0|Creator|15|30|R452-D|41B|1|30 R452-D 41B 1|The Bloody Massacre|Inscribed|Artist|||||||The Bloody Massacre|9782|Revere, Paul||silversmith|Paul Revere|0||||0|||||American|||Colonial|||North and Central America||United States||||||0|New York, NY|||0||||0||||0|Prints|Engraving (print)||||18|||1770|1770||1770|1770-1770|||||0||||0|||||Engraving, hand-colored||||||engraving (incising)|hand coloring||||24.8 x 22.2 cm||3294|New York: Metropolitan Museum of Art|New York: Metropolitan||Soldiers ; Revolutions ; United States History Revolution, 1775-1783 ; Boston, MA ; Massacres ; |Soldiers|Revolutions|United States History Revolution, 1775-1783|Boston, MA|Massacres|||||Cornell||JNK|JNK|5/22/2006 0:00:00|5/22/2006 0:00:00|R452|||0|||||||30|D|||||41B|| ||||||||Work|0||||||||||||0|0|The Bloody Massacre|Revere, Paul 6870.00|0|Creator|15|32|M4313-PA|1820|1|32 M4313-PA 1820 1|Red Jacket|Assigned|Image Source (Pub)|||||||Red Jacket|31208|Mathies, John Lee Douglas||painter|John Lee Douglas Mathies|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Portrait||19|||1820|1820||1820|1820-1820|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||76.2 x 63.5 cm||3290|Private Collection|: Private Coll.||Indians of North America ; Portraits ; |Indians of North America|Portraits||||||||Cornell||JNK|JNK|5/22/2006 0:00:00|5/22/2006 0:00:00|M4313|||0|||||||32|PA|||||1820|| ||||||||Work|0||||||||||||0|0|Red Jacket|Mathies, John Lee Douglas 6871.00|0|Creator|15|35|P3425-PA|1913||35 P3425-PA 1913 |The Front Parlor|Assigned|Image Source (Pub)|||||||The Front Parlor|31209|Paxton, William McGregor||painter|William McGregor Paxton|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||20|||1913|1913||1913|1913-1913|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||||3268|Saint Louis: Saint Louis Art Museum|Saint Louis: Art Mus.||Interior views ; Women ; |Interior views|Women||||||||Cornell||JNK|JNK|5/22/2006 0:00:00|5/22/2006 0:00:00|P3425|||0|||||||35|PA||||||| |1913|||||||Work|0||||||||||||0|0|The Front Parlor|Paxton, William McGregor 6872.00|0|Creator|15|35|S634-D|1913|2||Race Superiority|Assigned|Image Source (Pub)|||||||Race Superiority|10994|Sloan, John||painter|John Sloan|0||||0|||||American|||Ashcan School|||North and Central America||United States||||||0||||0||||0||||0|Drawings|Drawing|Cartoon (humorous image)|||20|||1913|1913||1913|1913-1913|||||0||||0|||||||||||drawing (image-making)|||||30 x 30 cm||||||Race (concept) ; |Race (concept)|||||||||Cornell||JNK|JNK|5/22/2006 0:00:00|5/22/2006 0:00:00|S634|||0|||||||35|D|||||1913||||||||||Work|0||Cartoon for The Masses, June 1913||||||||||0|0||Sloan, John 6873.00|0|Site|02|B-K3|Cor|7.1 Villa||B-K3 Cor 7.1 Villa |Roman Villa|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||Roman|||Republican|Augustan||Europe||Greece||||||0|Corinth, Greece|||10685||||0||||0|Archaeological Sites|House|Villa|||-1|||-46|-1|ca|after 45 BCE|ca -46--1|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|5/22/2006 0:00:00||Cor||0||||||Villa|B|||||K3|7.1||||||||||Work|0|Architecture-Greece|Roman villa built reusing Greek Mosaics||||||||||0|0|Roman Villa| 6874.00|0|Site|02|B-K3|Cor|7.1 Villa||B-K3 Cor 7.1 Villa |Room D: Dionysos Mosaic|||||||||Roman Villa. Room D: Dionysos Mosaic|0|||||0||||0|||||Greek|||Hellenistic|||Europe||Greece||||||0|Corinth, Greece|||10685||||0||||0|Mosaics|Mosaic|Floor||BCE|-3|-2||-250|-146|ca|Late 3rd/early 2nd Century|ca -250--146 BCE||Roman Villa|||6873||||0|||||Limestone Terracotta Glass|limestone|terracotta|glass (material)|||mosaic|||||||686|Corinth: Archaeological Museum|Corinth: Archeol. Mus.||Dionysos ; |Dionysos|||||||||Cornell||HB|HB|6/16/2006 0:00:00|5/22/2006 0:00:00||Cor||0||||||Villa|B|||||K3|7.1|| ||||||||Work|0|Architecture-Greece|||||||||||0|0|Room D: Dionysos Mosaic| 6875.00|0|Site|02|B-K3|Cor|7.1 Villa||B-K3 Cor 7.1 Villa |Room A: Shepherd Mosaic|Descriptive|Image Source (Pub)|||||||Roman Villa. Room A: Shepherd Mosaic|0|||||0||||0|||||Greek|||Hellenistic|||Europe||Greece||||||0|Corinth, Greece|||10685||||0||||0|Mosaics|Mosaic|Floor||BCE|-3|-2||-250|-146|ca|Late 3rd/early 2nd Century|ca -250--146 BCE||Roman Villa|Larger entity||6873||||0|||||Limestone Terracotta Glass|limestone|terracotta|glass (material)|||mosaic|||||1.15 x .95 m||686|Corinth: Archaeological Museum|Corinth: Archeol. Mus.||Shepherds ; Oxen ; |Shepherds|Oxen||||||||Cornell||HB|HB|6/16/2006 0:00:00|5/22/2006 0:00:00||Cor||0||||||Villa|B|||||K3|7.1|| ||||||||Work|0|Architecture-Greece|||||||||||0|0|Room A: Shepherd Mosaic| 6876.00|0|Creator|15|CHINA|MTL|ZHOU||CHINA MTL ZHOU |Rectangular Basin (Pan) With Turtle, Fish, And Interlacing Dragon Designs|Descriptive|Image Source (Pub)|||||||Rectangular Basin (Pan) With Turtle, Fish, And Interlacing Dragon Designs|0|||||0||||0|||||Chinese|||Zhou (Chou)|Eastern Zhou (E.Chou)|Warring States|Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|Basin|Vessel|BCE|-5|-4|-3|475|221||475-221 BCE|475-221 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||22.5 x 73.2 x 45.2 cm||292|Beijing: Palace Museum|Beijing: Palace Museum||Basins ; Vessels ; Turtles ; Fish ; Dragons ; |Basins|Vessels|Turtles|Fish|Dragons|||||Cornell||BZ|BZ|5/22/2006 0:00:00|5/22/2006 0:00:00||||0|||||||MTL|||CHINA|ZHOU|||| ||||||||Work|0||||||||||||0|0|Rectangular Basin (Pan) With Turtle, Fish, And Interlacing Dragon Designs| 6877.00|0|Creator|15|CHINA|MTL|ZHOU||CHINA MTL ZHOU |Lamp With Fifteen Oil Saucers In The Shape Of A Mythical Tree|Descriptive|Image Source (Pub)|||||||Lamp With Fifteen Oil Saucers In The Shape Of A Mythical Tree|0|||||0||||0|||||Chinese|||Zhou (Chou)|Eastern Zhou (E.Chou)|Warring States|Asia||China||||||0||||0||||0|Tomb of the King of Zhongshan, Pingshan, Hebei|||10841|Metalwork|Bronze|Lamp (lighting device)|Saucer|BCE|-5|-4|-3|475|221||475-221 BCE|475-221 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||82.6 cm high||9712|Shijiazhuang: Hebei Provincial Institute Of Cultural Relics|Shijiazhuang: Hebei Prov. Inst. Of Cultural Relics||Lamps ; Trees ; Animals ; Figures (representations) ; Birds ; Monkeys ; Snakes ; Tigers ; |Lamps|Trees|Animals|Figures (representations)|Birds|Monkeys|Snakes|Tigers||Cornell||BZ|BZ|5/22/2006 0:00:00|5/22/2006 0:00:00||||0|||||||MTL|||CHINA|ZHOU|||| ||||||||Work|0||Unearthed in 1977.||||||||||0|0|Lamp With Fifteen Oil Saucers In The Shape Of A Mythical Tree| 6878.00|0|Creator|15|CHINA|MTL|HAN||CHINA MTL HAN |Lamp In The Shape Of A Goose Holding A Fish|Descriptive|Image Source (Pub)|||||||Lamp In The Shape Of A Goose Holding A Fish|0|||||0||||0|||||Chinese|||Han (Chinese)|Western Han||Asia||China||||||0||||0||||0|Zhaoshiba village, Pingshuo, Shanxi Province|||10842|Metalwork|Bronze|Lamp (lighting device)||BCE|-3|-2|-1|206|8||206 BCE-8 CE|206 BCE-8 CE|||||0||||0|||||Bronze with paint|bronze|paint||||bronzing|||||53.8 x 31.3 cm||9620|Taiyuan: Shanxi Provincial Museum|Taiyuan: Shanxi Provincial Museum||Lamps ; Fish ; Animals ; |Lamps|Fish|Animals|||||||Cornell||BZ|BZ|6/13/2006 0:00:00|5/22/2006 0:00:00||||0|||||||MTL|||CHINA|HAN|||| ||||||||Work|0||Unearthed in 1985.||||||||||0|0|Lamp In The Shape Of A Goose Holding A Fish| 6879.00|0|Site|02|B-J3|Trier|3.3 Sec||B-J3 Trier 3.3 Sec |Tomb of the Secundii|||||||||Tomb of the Secundii|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Germany||||||0|Trier, Germany|||10843||||0||||0|Sculpture|Tomb|Funerary object|Relief|CE|3|||240|260|ca|ca 250 CE|ca 240-260|||||0||||0|||||||||||relief|||||||||||Tombs ; |Tombs|||||||||Cornell||HB|JNK|9/22/2006 0:00:00|5/22/2006 0:00:00||Trier||0||||||Sec|B|||||J3|3.3||||||||||Work|0|Architecture-Germany|Depicts production and distribution of cloth.||||||||||0|0|Tomb of the Secundii| 6880.00|0|Creator|15|CHINA|MTL|HAN||CHINA MTL HAN |Covered Vessle (Lian Or Zun) With Mythical Hunting Scenes, Inscribed And Dated|Descriptive|Image Source (Pub)|||||||Covered Vessle (Lian Or Zun) With Mythical Hunting Scenes, Inscribed And Dated|0|||||0||||0|||||Chinese|||Han (Chinese)|Eastern Han||Asia||China||||||0||||0||||0|Dachuan village, Youyu county, Shanxi Province|||10844|Metalwork|Bronze|Vessel|Inscription||1|2|3|25|200||25-200 (dated to 26?)|25-200|||||0||||0|||||Gilt bronze|bronze|||||bronzing|||||24.5 cm high, 23.4 cm diam.of mouth||9620|Taiyuan: Shanxi Provincial Museum|Taiyuan: Shanxi Provincial Museum||Vessels ; Hunting ; Tigers ; Birds ; Dogs ; Monkeys ; Animals ; Inscriptions ; |Vessels|Hunting|Tigers|Birds|Dogs|Monkeys|Animals|Inscriptions||Cornell||BZ|BZ|6/13/2006 0:00:00|5/22/2006 0:00:00||||0|||||||MTL|||CHINA|HAN|||| ||||||||Work|0||Unearthed in 1962.||||||||||0|0|Covered Vessle (Lian Or Zun) With Mythical Hunting Scenes, Inscribed And Dated| 6881.00|0|Category|07|F-05.5|Sicyon|||F-05.5 Sicyon |Mosaic||||||||||0|||||0||||0|||||Greek|||Classical|||Europe||Greece||||||0||||0||||0||||0|Mosaics|Mosaic|Floor||BCE|-5|-4||-425|-375|ca|Late 5th/early 4th C|ca -425--375|||||0||||0|||||Pebble|pebble (rock)|||||mosaic|||||||9728|Sikyon: Museum of Ancient Sikyon|Sikyon: Mus.||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|5/22/2006 0:00:00||||0||||||Sicyon|F|||05.5||||| ||||||||Work|0|Mosaics-Greek|||||||||||0|0|Mosaic| 6884.00|0|Creator|15|35|S634-PA|1907|2|35 S634-PA 1907 2|Hairdresser's Window|Assigned|Repository|||||||Hairdresser's Window|10994|Sloan, John||painter|John Sloan|0||||0|||||American|||Ashcan School|||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting|Genre|Oil painting||20|||1907|1907||1907|1907-1907|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||81 x 66 cm||3381|Hartford: Wadsworth Atheneum|Hartford: Wadsworth Atheneum||Hairstyling ; Windows ; Signs ; |Hairstyling|Windows|Signs|||||||Cornell||JNK|JNK|5/23/2006 0:00:00|5/23/2006 0:00:00|S634|||0|||||||35|PA|||||1907|| ||||||||Work|0||||||||||||0|0|Hairdresser's Window|Sloan, John 6885.00|0|Creator|15||||||Expulsion from Paradise|Assigned|Dict.Art|Expulsion of Adam and Eve|Variant|Print Publication||||Brancacci Chapel. Expulsion from Paradise|7624|Masaccio||painter|Masaccio|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0|Santa Maria del Carmine, Florence, Italy|||10845||||0||||0|Paintings|Fresco||||15|||1426|1427||1426-1427|1426-1427||Brancacci Chapel|Larger entity||6546||||0|||||Fresco|frescoes|||||painting (image-making)|fresco painting||||208 x 88 cm||||||Expulsion from Paradise ; Adam ; Eve ; Old Testament ; Angels ; Weapons ; Male nudes ; |Expulsion from Paradise|Adam|Eve|Old Testament|Angels|Weapons|Male nudes|||Cornell||JNK|JNK|5/23/2006 0:00:00|5/23/2006 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Expulsion from Paradise;Expulsion of Adam and Eve|Masaccio 6887.00|0|Site|02|B-K5|Adam|1.32 Trop||B-K5 Adam 1.32 Trop |Tropaeum Traiani|Assigned|Print Publication||||||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Romania||||||0|Adamclisi, Romania|||10846||||0||||0|Architecture|Monument|Sculpture|Relief|CE|2|||107|108|ca|ca 107-108 CE|ca 107-108|||||0||||0|||||Concrete/Masonry|concrete|masonry||||relief|||||Diam = 30.48 m||||||Prisoners ; Romans ; Fighting ; |Prisoners|Romans|Fighting|||||||Cornell||HB|HB|6/2/2006 0:00:00|5/23/2006 0:00:00||Adam||0||||||Trop|B|||||K5|1.32||||||||||Work|0|Architecture-Romania|||||||||||0|0|Tropaeum Traiani| 6888.00|0|Creator|15||||||Tribute Money|Assigned|Dict.Art|||||||Brancacci Chapel. Tribute Money|7624|Masaccio||painter|Masaccio|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0|Santa Maria del Carmine, Florence, Italy|||10845||||0||||0|Paintings|Fresco||||15|||1426|1427||1426-1427|1426-1427||Brancacci Chapel|Larger entity||6546||||0|||||Fresco|frescoes|||||fresco painting|painting (image-making)||||255 x 598 cm||||||Christ ; Saint Peter ; Apostles ; Saints ; |Christ|Saint Peter|Apostles|Saints||||||Cornell||JNK|JNK|5/23/2006 0:00:00|5/23/2006 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Tribute Money|Masaccio 6889.00|0|Creator|15|CHINA|MTL|TANG||CHINA MTL TANG |Rearing Dragon|Descriptive|Image Source (Pub)|||||||Rearing Dragon|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0|Caochangpo, Sian, Shaanxi Province, China|||10847|Metalwork|Bronze||||7|8|9|618|907||618-907|618-907|||||0||||0|||||Gilt bronze and iron|bronze|iron (metal)||||bronzing|||||34 x 28 cm||9711|Sian: Shaanxi History Museum|Sian: Shaanxi History Museum||Dragons ; Animals ; |Dragons|Animals||||||||Cornell||BZ|BZ|5/23/2006 0:00:00|5/23/2006 0:00:00||||0|||||||MTL|||CHINA|TANG|||| ||||||||Work|0||Unearthed in 1975.||||||||||0|0|Rearing Dragon| 6890.00|0|Creator|15||||||St. Peter Baptizing Neophytes|Assigned|Dict.Art|||||||Brancacci Chapel. St. Peter Baptizing Neophytes|7624|Masaccio||painter|Masaccio|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0|Santa Maria del Carmine, Florence, Italy|||10845||||0||||0|Paintings|Fresco||||15|||1426|1427||1426-1427|1426-1427||Brancacci Chapel|Larger entity||6546||||0|||||Fresco|frescoes|||||fresco painting|painting (image-making)||||255 x 162 cm||||||Saint Peter ; Baptisms ; Sacraments ; Landscapes ; Apostles ; New Testament ; Saints ; |Saint Peter|Baptisms|Sacraments|Landscapes|Apostles|New Testament|Saints|||Cornell||JNK|JNK|5/23/2006 0:00:00|5/23/2006 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|St. Peter Baptizing Neophytes|Masaccio 6891.00|0|Creator|15|CHINA|MTL|HAN||CHINA MTL HAN |Man Holding Parasol|Descriptive|Image Source (Pub)|||||||Man Holding Parasol|0|||||0||||0|||||Chinese|||Han (Chinese)|Western Han||Asia||China||||||0||||0||||0|Shizhaishan, Jinning county, Yunnan Province|||10848|Metalwork|Bronze|Figure (representation)||BCE|-3|-2|-1|206|8||206 BCE-8 CE|206 BCE-8 CE|||||0||||0|||||Bronze|bronze|||||bronzing|||||55.5 cm h.of man, 110.5 cm h.of parasol||9727|Kunming: Yunnan Provincial Museum|Kunming: Yunnan Provincial Museum||Figures (representations) ; Parasols ; Men (male humans) ; Tools ; |Figures (representations)|Parasols|Men (male humans)|Tools||||||Cornell||BZ|BZ|6/13/2006 0:00:00|5/23/2006 0:00:00||||0|||||||MTL|||CHINA|HAN|||| ||||||||Work|0||Unearthed in 1956.||||||||||0|0|Man Holding Parasol| 6892.00|0|Creator|15||||||Raising of the Son of Theophilus and Saint Peter Enthroned as First Bishop of Antioch|Assigned|Print Publication|Raising of the Son of the Prefect of Antioch and St. Peter Enthroned as Bishop of Antioch|Variant|Dict.Art||||Brancacci Chapel. Raising of the Son of Theophilus and Saint Peter Enthroned as First Bishop of Antioch|7624|Masaccio||painter|Masaccio and Filippino Lippi|13168|Lippi, Filippino||painter|0|||||Italian|||Renaissance|||Europe||Italy||||||0|Santa Maria del Carmine, Florence, Italy|||10845||||0||||0|Paintings|Fresco||||15|||1426|1427||1426-1427|1426-1427||Brancacci Chapel|Larger entity||6546||||0|||||Fresco|frescoes|||||fresco painting|painting (image-making)||||230 x 598 cm||||||Saint Peter ; Bishops (prelates) ; Antioch ; Miracles ; Monks ; Saints ; Theophilus ; Courtyards ; Saint Paul|Saint Peter|Bishops (prelates)|Antioch|Miracles|Monks|Saints|Theophilus|Courtyards|Saint Paul|Cornell||JNK|JNK|5/23/2006 0:00:00|5/23/2006 0:00:00||||0|||||||||||||||||||||||Work|0||Patron: Brancacci, Felice.|||Frescoes finished by Filippino Lippi, ca. 1481-1485.||The story of Saint Peter raising from the dead the son of the king of Antioch, in exchange for which the entire city converted to Christianity, and made Peter their bishop, is recounted in the Golden Legend.|||||0|0|Raising of the Son of Theophilus and Saint Peter Enthroned as First Bishop of Antioch;Raising of the Son of the Prefect of Antioch and St. Peter Enthroned as Bishop of Antioch|Masaccio;Lippi, Filippino 6893.00|0|Creator|15|CHINA|MTL|ZHOU||CHINA MTL ZHOU |Low Offering Stand With Two Bulls And Pouncing Tiger|Descriptive|Image Source (Pub)|||||||Low Offering Stand With Two Bulls And Pouncing Tiger|0|||||0||||0|||||Chinese|||Zhou (Chou)|Eastern Zhou (E.Chou)|Warring States|Asia||China||||||0||||0||||0|Lijiashan tomb No.24, Jiangchuan county, Yunnan|||10849|Metalwork|Bronze|Stand (mercantile structure)||BCE|-5|-4|-3|475|221||475-221 BCE|475-221 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||43 x 76 cm||9727|Kunming: Yunnan Provincial Museum|Kunming: Yunnan Provincial Museum||Bulls ; Tigers ; Animals ; |Bulls|Tigers|Animals|||||||Cornell||BZ|BZ|5/23/2006 0:00:00|5/23/2006 0:00:00||||0|||||||MTL|||CHINA|ZHOU|||| ||||||||Work|0||Unearthed in 1972.||||||||||0|0|Low Offering Stand With Two Bulls And Pouncing Tiger| 6894.00|0|Creator|15|CHINA|MTL|HAN||CHINA MTL HAN |Buckle Ornament With Dancers Holding Cymbals|Descriptive|Image Source (Pub)|||||||Buckle Ornament With Dancers Holding Cymbals|0|||||0||||0|||||Chinese|||Han (Chinese)|Western Han||Asia||China||||||0||||0|||||Shizhaishan, Jinning county, Yunnan Province|||10848|Metalwork|Bronze|Figure (representation)|Buckle|BCE|-3|-2|-1|206|8||206 BCE-8 CE|206 BCE-8 CE|||||0||||0|||||Gilt bronze|bronze|||||bronzing|||||12 x 18.5 cm||9727|Kunming: Yunnan Provincial Museum|Kunming: Yunnan Provincial Museum||Figures (representations) ; Dancers ; Men (male humans) ; Buckles (strap accessories) ; Cymbals ; Musical instruments ; |Figures (representations)|Dancers|Men (male humans)|Buckles (strap accessories)|Cymbals|Musical instruments||||Cornell||BZ|BZ|5/23/2006 0:00:00|5/23/2006 0:00:00||||0|||||||MTL|||CHINA|HAN|||| ||||||||Work|0||Unearthed in 1956.||||||||||0|0|Buckle Ornament With Dancers Holding Cymbals| 6895.00|0||||||||Saint Peter Preaching|Assigned|Dict.Art|||||||Brancacci Chapel. Saint Peter Preaching|7630|Masolino da Panicale,||painter|Masolino da Panicale|0||||0|||||Italian|||Renaissance|Early Renaissance||Europe||Italy||||||0|Santa Maria del Carmine, Florence, Italy|||10845||||0||||0|Paintings|Fresco||||15|||1426|1427||1426-1427|1426-1427||Brancacci Chapel|Larger entity||6546||||0|||||Fresco|frescoes|||||painting (image-making)|fresco painting||||255 x 162 cm||||||Saint Peter Damian ; Preaching ; Landscapes ; Saints ; Apostles ; |Saint Peter Damian|Preaching|Landscapes|Saints|Apostles|||||Cornell||JNK|JNK|5/23/2006 0:00:00|5/23/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Saint Peter Preaching|Masolino da Panicale, 6896.00|0|Creator|15|CHINA|MTL|TANG||CHINA MTL TANG |Plate In The Shape Of Two Peach Halves With Design Of Two Foxes|Descriptive|Image Source (Pub)|||||||Plate In The Shape Of Two Peach Halves With Design Of Two Foxes|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0|||||Hejia village, Sian, Shaanxi Province|||10808|Metalwork|Plate (dish)||||7|8|9|618|907||618-907|618-907|||||0||||0|||||Silver with gilding|silver|||||metalworking|gilding||||1.5 (high) x 22.5 cm (max. width)||9711|Sian: Shaanxi History Museum|Sian: Shaanxi History Museum||Peaches ; Foxes ; Vessels ; |Peaches|Foxes|Vessels|||||||Cornell||BZ|BZ|6/13/2006 0:00:00|5/23/2006 0:00:00||||0|||||||MTL|||CHINA|TANG|||| ||||||||Work|0||Unearthed in 1970.||||||||||0|0|Plate In The Shape Of Two Peach Halves With Design Of Two Foxes| 6937.00|0|Site|02|B-K3|Ver|3.3 Stelai||B-K3 Ver 3.3 Stelai |Grave Stelai|Descriptive|Image Source (Pub)|||||||Great Tumulus. Grave Stelai|0|||||0||||0|||||Greek|||Hellenistic|||Europe|Macedonia|Greece||||||0|Vergina, Greece|||10855||||0||||0|Sculpture|Funerary object|||BCE|-4|-3||-325|-275|ca|ca 325-275|ca -325--275||Great Tumulus|LargerEntity||6935||||0||||||stone|||||relief|painting (image-making)||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|5/24/2006 0:00:00||Ver||0||||||Stelai|B|||||K3|3.3||||||||||Work|0|Architecture-Greece|Stele from Cemetary were used in the mound forming the Great Tumulus which was heaped over the Royal Tombs in the 3rd C BCE.||||||||||0|0|Grave Stelai| 6938.00|0|Site|02|B-K3|Ver|3.3 Royal||B-K3 Ver 3.3 Royal |Royal Tombs|Descriptive|Blue Guide|||||||Great Tumulus. Royal Tombs|0|||||0||||0|||||Greek|||Hellenistic|||Europe|Macedonia|Greece||||||0|Vergina, Greece|||10855||||0||||0|Architecture|Tomb|Funerary building||BCE|-4|||-325|-300|ca|336 BCE|ca -325--300||Great Tumulus|||6935||||0||||||||||||||||L = 9.50 m; H = 5.30 m||||||||||||||||Cornell||HB|HB|6/5/2006 0:00:00|5/24/2006 0:00:00||Ver||0||||||Royal|B|||||K3|3.3||||||||||Work|0|Architecture-Greece|||||||||||0|0|Royal Tombs| 6939.00|0|Site|02||||||Diciotto Vedute di Roma|Series|Repository|Eighteen Views of Rome|Translated|Repository||||Diciotto Vedute di Roma|2737|Cruyl, Liévin||printmaker|Liévin Cruyl|0||||0|||||Italian|||Baroque|||Europe||Italy||||||0||||0||||0||||0|Drawings|Drawing|Watercolor|||17|||1665|1665||1665|1665-1665|||||0||||0|||||Pen and brown ink and brush and gray wash over graphite|pens|wash|graphite|||drawing (image-making)|||||||3418|Cleveland: Cleveland Museum of Art|Cleveland: Museum of Art||Rome, Italy ; Buildings ; Churches ; Palaces ; |Rome, Italy|Buildings|Churches|Palaces||||||Cornell||JNK|JNK|5/24/2006 0:00:00|5/24/2006 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Diciotto Vedute di Roma;Eighteen Views of Rome|Cruyl, Liévin 7026.00|0||||||||I Love Lucy|Series|Online Resource|||||||I Love Lucy|31218|Asher, William||director, film|William Asher, Marc Daniels & James V. Kern|31219|Daniels, Marc||director, film|31220|Kern, James V.||||American||||||North and Central America||United States||||||0||||0||||0||||0|Motion Pictures|Television program||||20|||1951|1957||1951-1957|1951-1957|||||0||||0|||||||||||photography|||||||||||||||||||||Cornell||MNW|MNW|6/7/2006 0:00:00|6/7/2006 0:00:00||||0||||||||||||||||||||||||0||Television series||||||||||0|0|I Love Lucy|Asher, William;Daniels, Marc;Kern, James V. 7027.00|0|Category|06|J-MP-Asher|1|LucyEnv|1-1|J-MP-Asher 1 LucyEnv 1-1|Lucy is Envious|Artists|Online Resource|Episode 89, Season 3|Descriptive|Online Resource||||Lucy is Envious. I Love Lucy|31218|Asher, William||director, film|William Asher|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Motion Pictures|Television program|Film still|||20|||1954|1954||March 29, 1954|1954-1954||I Love Lucy|Series||7026||||0|||||||||||photography|||||||||||Empire State Building (New York, NY) ; Martians ; |Empire State Building (New York, NY)|Martians||||||||Cornell||MNW|JNK|6/9/2006 0:00:00|6/7/2006 0:00:00|Asher|||0||||||LucyEnv|J-MP||||||1||||||||||Work|0|||||First aired, March 29, 1954.|||||||0|0|Lucy is Envious;Episode 89, Season 3|Asher, William 7028.00|0|Category|07|C-07|I-JC Rel Venus|||C-07 I-JC Rel Venus |Venus Genetrix Relief|Descriptive|Print Publication||||||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe|Lazio|Italy||||||0||||0||||0||||0|Sculpture|Relief|||CE|1|||14|49|ca|1st half of 1st Century CE|ca 14-49|||||0||||0|||||Marble|marble|||||sculpture|relief||||0.76 x 0.65 m||4014|Sperlonga: Museo Archeologico Nazionale|Sperlonga: Mus. Arch. Naz.||Venus ; Eros ; |Venus|Eros||||||||Cornell||HB|HB|6/7/2006 0:00:00|6/7/2006 0:00:00||||0||||||Venus|C|Rel||07|I-JC|||| ||||||||Work|0|Sculpture-Roman|||||||||||0|0|Venus Genetrix Relief| 7029.00|0|Site|02|B-L8|Xan|3.3 Ner||B-L8 Xan 3.3 Ner |Nereid Monument|Descriptive|Blue Guide||||||||0|||||0||||0|||||Greek|||Classical|||Asia||Turkey||||||0|Xanthus, Turkey|||10888||||0||||0|Architecture|Tomb|Monument|Archaeological site|BCE|-4|||-390|-380|ca|ca 390-380 BCE|ca -390--380 BCE|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/7/2006 0:00:00|6/7/2006 0:00:00||Xan||0||||||Ner|B|||||L8|3.3||||||||||Building|0|Architecture-Turkey|||||||||||0|0|Nereid Monument| 7030.00|0|Site|02|B-L8|Xan|3.3 Ner||B-L8 Xan 3.3 Ner |Statue from the Nereid Monument|Descriptive|Repository||||||||0|||||0||||0|||||Greek|||Classical|||Asia||Turkey||||||0||||0|Xanthus, Turkey|||10888||||0|Sculpture|Sculpture|Figure (representation)||BCE|-4|||-390|-380|ca|ca 390-380 BCE|ca -390--380 BCE|||||0||||0|||||Marble|marble|||||sculpture|||||140 cm||3373|London: British Museum|London: British Museum||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|6/7/2006 0:00:00||Xan|Xan|0||||||Ner|B|||||L8|3.3|| ||||||||Work|0|Architecture-Turkey|||||||||||0|0|Statue from the Nereid Monument| 7031.00|0|Architect|03||||||Ai Weiwei House|Descriptive|Image Source (Pub)|Courtyard House|Descriptive|Image Source (Pub)||||Ai Weiwei House (Courtyard House0|31221|Ai Weiwei||architectural firm|Ai Weiwei|0||||0|||||Chinese||||||Asia||China||||||0|Beijing, China|||10078||||0||||0|Architecture|House||||20|||1999|1999||1999|1999-1999|||||0||||0||||||||||||||||||||||Courtyards ; Houses ; |Courtyards|Houses||||||||Cornell||MNW|MNW|6/7/2006 0:00:00|6/7/2006 0:00:00||Bei||0|||||||||||||||||||||||Work|0||||||||||||0|0|Ai Weiwei House;Courtyard House|Ai Weiwei 7032.00|0|Site|02|B-B14|Chi|2.31 Expo|5-22|B-B14 Chi 2.31 Expo 5-22|World's Columbian Exposition|Descriptive|Image Source (Pub)|||||||World's Columbian Exposition|504|Arnold, Charles Dudley||photographer|Charles Dudley Arnold|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||19|||1893|1893|ca|ca 1893|ca 1893-1893|||||0||||0|||||Platinotype||||||photography|platinum process||||||614|Chicago: Chicago Historical Society|Chicago: Hist. Soc.||World’s Columbian Exposition (1893 : Chicago, Ill.) ; |World’s Columbian Exposition (1893 : Chicago, Ill.)|||||||||Cornell||MNW|MNW|6/7/2006 0:00:00|6/7/2006 0:00:00||Chi||0||||||Expo|B|||||B14|2.31|1893| ||||||||Work|0|Architecture-Illinois (IL)|||||||||||0|0|World's Columbian Exposition|Arnold, Charles Dudley 7033.00|0|Site|02|B-B14|Chi|2.31 Expo|4b-3|B-B14 Chi 2.31 Expo 4b-3|Perspective View of the Court of Honor|Assigned|Print Publication|||||||Perspective View of the Court of Honor|31222|Hickmott, Lewis Edward||painter|Lewis Edward Hickmott|0||||0|||||||||||||||||||0||||0||||0||||0|Paintings|Oil painting||||19|||1894|1894||1894|1894-1894|||||0||||0|||||Oil on canvas|oil|canvas||||painting (image-making)|||||130 x 203.5||614|Chicago: Chicago Historical Society|Chicago: Hist. Soc.||World’s Columbian Exposition (1893 : Chicago, Ill.) ; Exhibition buildings ; Exhibitions ; |World’s Columbian Exposition (1893 : Chicago, Ill.)|Exhibition buildings|Exhibitions|||||||Cornell||MNW|MNW|6/7/2006 0:00:00|6/7/2006 0:00:00||Chi||0||||||Expo|B|||||B14|2.31|1893| ||||||||Work|0|Architecture-Illinois (IL)|||||||||||0|0|Perspective View of the Court of Honor|Hickmott, Lewis Edward 7034.00|0|Architect|03|MA-Adl&Sul|2.22|1897 Aud||MA-Adl&Sul 2.22 1897 Aud |Auditorium Building|Published|Macmillan|Auditorium Theatre|Published|Dict.Art|Chicago Auditorium Building|Assigned|LC NAF|Auditorium Building|27585|Adler & Sullivan||architectural firm|Adler & Sullivan|29265|Harry Weese & Associates||architectural firm|0|||||American||||||North and Central America||United States||||||0|430 S. Michigan Avenue, Chicago, IL|||10889||||0||||0|Architecture|Theater|Opera house|Hotel (public accommodation)||19|20||1887|1889||1887-1889; 1967|1887-1889|||||0||||0||||||||||||||||||||||Theaters ; Opera houses ; Hotels (public accommodations) ; Office buildings ; |Theaters|Opera houses|Hotels (public accommodations)|Office buildings||||||Cornell||MNW|JNK|6/15/2006 0:00:00|6/8/2006 0:00:00|Adl&Sul|||0||||||Aud|MA||||||2.22|1897|||||||||Work|0|Modern Architecture||||Commission was received in 1886. Restored by Harry Weese & Associates in 1967.|||||||0|0|Auditorium Building;Auditorium Theatre;Chicago Auditorium Building|Adler & Sullivan;Harry Weese & Associates 7035.00|0|Architect|03|MA-Adl&Sul|2.22|1887 Aud|4b-7|MA-Adl&Sul 2.22 1887 Aud 4b-7|Design for Newel Post|Descriptive|Cataloger|||||||Auditorium Building. Design for Newel Post|11508|Sullivan, Louis Henry||architect|Louis Sullivan|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Drawings|Architectural drawing||||19|||1886|1889|ca|ca 1886-1889|ca 1886-1889||Auditorium Building|LargerEntity||7034||||0|||||||||||drawing (image-making)|||||||3764|New York: Columbia University; Avery Architectural Library|New York: Columbia Univ.; Avery Lib.|| Chicago Auditorium Building (Chicago, Ill.) ; | Chicago Auditorium Building (Chicago, Ill.)|||||||||Cornell||MNW|JNK|6/15/2006 0:00:00|6/8/2006 0:00:00|Adl&Sul|||0||||||Aud|MA||||||2.22|1887| ||||||||Work|0|Modern Architecture|||||||||||0|0|Design for Newel Post|Sullivan, Louis Henry 7036.00|0|Architect|03|MA-Richardson|8.1|1885 MarFie|4b-2|MA-Richardson 8.1 1885 MarFie 4b-2|Perspective of Marshall Field Wholesale Warehouse|Descriptive|Image Source (Pub)|||||||Perspective of Marshall Field Wholesale Warehouse|9832|Richardson, Henry Hobson|attributed to|draftsman|Henry Hobson Richardson|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Drawings|Architectural drawing||||19|||1885|1887|ca|ca 1885-1887|ca 1885-1887||Marshall Field Wholesale Warehouse|LargerEntity||946||||0|||||Pencil, black crayon, red wash on buff paper|pencils|crayons|wash|||drawing (image-making)|||||28.9 x 50.5 cm||4056|Cambridge, MA: Harvard University; Houghton Library|Cambridge: Harvard; Houghton Lib.||Architectural drawings ; Buildings ; Warehouses ; |Architectural drawings|Buildings|Warehouses|||||||Cornell||MNW|JNK|6/14/2006 0:00:00|6/8/2006 0:00:00|Richardson|||0||||||MarFie|MA||||||8.1|1885| ||||||||Work|0|Modern Architecture||||Dates are for the building.|||||Gift of Henry Richardson Shepley||0|0|Perspective of Marshall Field Wholesale Warehouse|Richardson, Henry Hobson 7037.00|0|Creator|15||||||The Large Bathers|Assigned|Repository|The Great Bathers|Variant|Print Publication||||The Large Bathers|9760|Renoir, Pierre-Auguste||painter|Pierre-Auguste Renoir|0||||0|||||French|||Impressionist|||Europe||France||||||0||||||||0||||0|Paintings|Painting|Oil painting|Figure (representation)||19|||1884|1887||1884-1887|1884-1887|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||117.8 x 170.8 cm||3281|Philadelphia: Philadelphia Museum of Art|Philadelphia: Museum of Art||Bathing ; Female nudes ; Nudes ; Women ; |Bathing|Female nudes|Nudes|Women||||||Cornell||JNK|MNW|11/14/2006 0:00:00|6/8/2006 0:00:00||||0||1963-116-13||||||||||||| ||||||||Work|0||||||||||||0|0|The Large Bathers;The Great Bathers|Renoir, Pierre-Auguste 6897.00|0|Creator|15||||||Saint Peter Healing with his Shadow|Assigned|Dict.Art|||||||Brancacci Chapel. Saint Peter Healing with his Shadow|7624|Masaccio||painter|Masaccio|0||||0|||||Italian|||Renaissance|Early Renaissance||Europe||Italy||||||0|Santa Maria del Carmine, Florence, Italy|||10845||||0||||0|Paintings|Fresco||||15|||1426|1427||1426-1427|1426-1427||Brancacci Chapel|Larger entity||6546||||0|||||Fresco|frescoes|||||painting (image-making)|fresco painting||||230 x 162 cm||||||Saint Peter ; Miracles ; Shadows ; Jerusalem ; Saints ; Temples ; New Testament ; Apostles ; Cityscapes|Saint Peter|Miracles|Shadows|Jerusalem|Saints|Temples|New Testament|Apostles|Cityscapes|Cornell||JNK|JNK|5/23/2006 0:00:00|5/23/2006 0:00:00||||0|||||||||||||||||||||||Work|0||Patron: Felice Brancacci.||||||||||0|0|Saint Peter Healing with his Shadow|Masaccio 6898.00|0|Creator|15|CHINA|TEX|YUAN||CHINA TEX YUAN |Heavenly King Of The West|Descriptive|Image Source (Pub)|||||||Heavenly King Of The West|0|||||0||||0|||||Chinese|||Yuan|||Asia||China||||||0||||0||||0||||0|Textiles|Textile|Figure (representation)|||13|14||1279|1368||1279-1368|1279-1368|||||0||||0|||||Silk embroidery|silk (textile)|||||embroidering|||||250.8 x 247.7 cm||290|Beijing: National Museum of Chinese History|Beijing: National Museum of Chinese History||Textiles ; Figures (representations) ; Clouds ; Dragons ; Bows ; Arrows ; Kings (people) ; |Textiles|Figures (representations)|Clouds|Dragons|Bows|Arrows|Kings (people)|||Cornell||BZ|BZ|5/23/2006 0:00:00|5/23/2006 0:00:00||||0|||||||TEX|||CHINA|YUAN|||| ||||||||Work|0||Donated in 1949 by Mr. Fei Zhenshan.||||||||||0|0|Heavenly King Of The West| 6899.00|0|Creator|15|CHINA|LAC|YUAN||CHINA LAC YUAN |Round Covered Box With Aged Scholar And Servant|Descriptive|Image Source (Pub)|||||||Round Covered Box With Aged Scholar And Servant|0|||||0||||0|||||Chinese|||Yuan|||Asia||China||||||0||||0||||0|Tomb of Ren family, Qingpu county, Shanghai|||10850|Lacquerware|Lacquerware|Box (container)|Figure (representation)||14|||1351|1351||Dated to 1351|1351|||||0||||0|||||Carved laquer on a fabric-covered wood core|lacquer|wood (plant material)||||carving|||||12.1 cm diam.||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Boxes (containers) ; Figures (representations) ; Men (male humans) ; Servants ; Pine ; Rock ; Flowers ; Fences ; |Boxes (containers)|Figures (representations)|Men (male humans)|Servants|Pine|Rock|Flowers|Fences||Cornell||BZ|BZ|6/13/2006 0:00:00|5/23/2006 0:00:00||||0|||||||LAC|||CHINA|YUAN|||| ||||||||Work|0||Unearthed in 1953.||||||||||0|0|Round Covered Box With Aged Scholar And Servant| 6900.00|0|Creator|15|CHINA|TEX|SONG||CHINA TEX SONG |Garden Rocks With Chrysanthemum, High Mallow, And Begonia, After A Painting By Cui Bai|Descriptive|Image Source (Pub)|||||||Garden Rocks With Chrysanthemum, High Mallow, And Begonia, After A Painting By Cui Bai|0|||||0||||0|||||Chinese|||Song (Sung)|Southern Song (S.Sung)||Asia||China||||||0||||0||||0||||0|Textiles|Textile|Garden|Rock||12|13||1127|1279||1127-1279|1127-1279|||||0||||0|||||Silk tapestry (kesi)|silk (textile)|||||tapestry (process)|||||102.5 x 43.6 cm||9716|Shenyang: Liaoning Provincial Museum|Shenyang: Liaoning Provincial Museum||Gardens ; Rock ; Flowers ; Inscriptions ; Birds ; |Gardens|Rock|Flowers|Inscriptions|Birds|||||Cornell||BZ|BZ|5/23/2006 0:00:00|5/23/2006 0:00:00||||0|||||||TEX|||CHINA|SONG|||| ||||||||Work|0||Cui Bai (act.ca.1060-1058 ).||||||||||0|0|Garden Rocks With Chrysanthemum, High Mallow, And Begonia, After A Painting By Cui Bai| 6901.00|0|Creator|15||||||Saint Peter Distributing Alms and the Death of Ananias|Assigned|Print Publication|Distribution of the Goods of the Church and the Death orf Ananias|Variant|Dict.Art||||Brancacci Chapel. Saint Peter Distributing Alms and the Death of Ananias|7624|Masaccio||painter|Masaccio|0||||0|||||Italian|||Renaissance|Early Renaissance||Europe||Italy||||||0|Santa Maria del Carmine, Florence, Italy|||10845||||0||||0|Paintings|Fresco||||15|||1423|1428||1423-1428|1423-1428||Brancacci Chapel|Larger entity||6546||||0|||||Fresco|frescoes|||||painting (image-making)|fresco painting||||230 x 162 cm||||||Ananias ; Saint John the Evangelist ; Saint Peter ; Charity ; Deaths ; New Testament ; Apostles ; Landscapes ; Saints|Ananias|Saint John the Evangelist|Saint Peter|Charity|Deaths|New Testament|Apostles|Landscapes|Saints|Cornell||JNK|JNK|5/23/2006 0:00:00|5/23/2006 0:00:00||||0|||||||||||||||||||||||Work|0||Patron: Felice Brancacci|||Frescoes finished by Filippino Lippi, 1481-1482|||||||0|0|Saint Peter Distributing Alms and the Death of Ananias;Distribution of the Goods of the Church and the Death orf Ananias|Masaccio 6902.00|0|Creator|15||||||Temptation of Adam and Eve|Assigned|Dict.Art|||||||Brancacci Chapel. Temptation of Adam and Eve|7630|Masolino da Panicale,||painter|Masolino da Panicale|0||||0|||||Italian|||Renaissance|Early Renaissance||Europe||Italy||||||0|Santa Maria del Carmine, Florence, Italy|||10845||||0||||0|Paintings|Fresco||||15|||1423|1428||1423-1428|1423-1428||Brancacci Chapel|Larger entity||6546||||0|||||Fresco|frescoes|||||painting (image-making)|fresco painting||||208 x 88 cm||||||Adam ; Eve ; Garden of Eden ; Old Testament ; Female nudes ; Male nudes ; |Adam|Eve|Garden of Eden|Old Testament|Female nudes|Male nudes||||Cornell||JNK|JNK|5/23/2006 0:00:00|5/23/2006 0:00:00||||0|||||||||||||||||||||||Work|0||Patron: Felice Brancacci||||||||||0|0|Temptation of Adam and Eve|Masolino da Panicale, 6903.00|0|Creator|15||||||Saint Peter Healing a Cripple and the Raising of Tabitha|Assigned|Print Publication|St. Peter Curing a Cripple ad the Raising of Tabitha|Variant|Dict.Art||||Brancacci Chapel. Saint Peter Healing a Cripple and the Raising of Tabitha|7630|Masolino da Panicale,||painter|Masolino da Panicale|0||||0|||||Italian|||Renaissance|Early Renaissance||Europe||Italy||||||0|Santa Maria del Carmine, Florence, Italy|||10845||||0||||0|Paintings|Fresco||||15|||1423|1428||1423-1428|1423-1428||Brancacci Chapel|Larger entity||6546||||0|||||Fresco|frescoes|||||painting (image-making)|fresco painting||||255 x 598 cm||||||Saint John the Evangelist ; Saint Peter ; Saints ; Tabitha ; Miracles ; New Testament ; Apostles ; Cityscapes ; Temples|Saint John the Evangelist|Saint Peter|Saints|Tabitha|Miracles|New Testament|Apostles|Cityscapes|Temples|Cornell||JNK|JNK|5/23/2006 0:00:00|5/23/2006 0:00:00||||0|||||||||||||||||||||||Work|0||Patron: Felice Brancacci.||||||||||0|0|Saint Peter Healing a Cripple and the Raising of Tabitha;St. Peter Curing a Cripple ad the Raising of Tabitha|Masolino da Panicale, 6904.00|0|Creator|15|30|H5872-PA|5L|1|30 H5872-PA 5L 1|Lapowinska|Assigned|Collection|||||||Lapowinska|31210|Hesselius, Gustavus||painter|Gustavus Hesselius|0||||0|||||American|||Colonial|||North and Central America||United States||||||0|Philadelphia, PA|||0||||0||||0|Paintings|Painting|Oil painting|||18|||1735|1735||1735|1735-1735|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||||3830|Philadelphia: Historical Society of Pennsylvania|Philadelphia: Hist. Soc. of PA||Indians of North America ; Portraits ; |Indians of North America|Portraits||||||||Cornell||JNK|JNK|5/23/2006 0:00:00|5/23/2006 0:00:00|H5872|||0|||||||30|PA|||||5L|| ||||||||Work|0||||||||||||0|0||Hesselius, Gustavus 6905.00|0|Creator|15|32|P3584-PA|1813|1|32 P3584-PA 1813 1|Melons and Morning Glories|Assigned|Repository|||||||Melons and Morning Glories|9003|Peale, Raphaelle||painter|Raphaelle Peale|0||||0|||||American|||Colonial|||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1813|1813||1813|1813-1813|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||52.6 x 65.4 cm||3367|Washington, DC: National Gallery of Art|Wash, DC: National Gallery||Still lifes ; Watermelons ; Flowers ; |Still lifes|Watermelons|Flowers|||||||Cornell||JNK|JNK|5/23/2006 0:00:00|5/23/2006 0:00:00|P3584|||0||1967.39.2|||||32|PA|||||1813|| ||||||||Work|0||||||||||||0|0|Melons and Morning Glories|Peale, Raphaelle 6906.00|0|Creator|15|CHINA|TEX|SONG||CHINA TEX SONG |Camellias|Descriptive|Image Source (Pub)|||||||Camellias|31211|Zhu Kerou||tapestry maker|Zhu Kerou|0||||0|||||Chinese|||Song (Sung)|Southern Song (S.Sung)||Asia||China||||||0||||0||||0||||0|Textiles|Textile||||12|13||1127|1279||1127-1279|1127-1279|||||0||||0|||||Silk tapestry (kesi), mounted as album leaf|silk (textile)|||||tapestry (process)|||||25.6 x 25.3 cm||9716|Shenyang: Liaoning Provincial Museum|Shenyang: Liaoning Provincial Museum||Textiles ; Roses ; Peonies ; Butterflies ; |Textiles|Roses|Peonies|Butterflies||||||Cornell||BZ|BZ|5/23/2006 0:00:00|5/23/2006 0:00:00||||0|||||||TEX|||CHINA|SONG|||| ||||||||Work|0||||||||||||0|0|Camellias|Zhu Kerou 6907.00|0|Creator|15|CHINA|TEX|LIAO||CHINA TEX LIAO |Coverley With Dragon Design|Descriptive|Image Source (Pub)|||||||Coverley With Dragon Design|0|||||0||||0|||||Chinese|||Liao|||Asia||China||||||0||||0||||0|Yemaotai, Faku county, Liaoning Province, China|||10851|Textiles|Textile||||10|11|12|916|1125||916-1125|916-1125|||||0||||0|||||Silk tapestry (kesi) with gold threads|silk (textile)|gold thread||||tapestry (process)|||||90 x 56.5 cm||9716|Shenyang: Liaoning Provincial Museum|Shenyang: Liaoning Provincial Museum||Textiles ; Dragons ; Animals ; Rivers ; Clouds ; |Textiles|Dragons|Animals|Rivers|Clouds|||||Cornell||BZ|BZ|5/23/2006 0:00:00|5/23/2006 0:00:00||||0|||||||TEX|||CHINA|LIAO|||| ||||||||Work|0||Unearthed in 1974.||||||||||0|0|Coverley With Dragon Design| 6908.00|0|Creator|15|CHINA|TEX|HAN||CHINA TEX HAN |Embroidered Textile With Cloud Design|Descriptive|Image Source (Pub)|||||||Embroidered Textile With Cloud Design|0|||||0||||0|||||Chinese|||Han (Chinese)|Western Han||Asia||China||||||0||||0||||0|Mawangdui tomb No.1, Changsha, Hunan Province|||10852|Textiles|Textile|||BCE|-3|-2|-1|206|8||206 BCE-8 CE|206 BCE-8 CE|||||0||||0|||||Chain-stitch embroidery on silk tabby|silk (textile)|chains (object genres)||||embroidering|||||17 x 14.5 cm||592|Changsha: Hunan Provincial Museum|Changsha: Hunan Provincial Museum||Textiles ; Clouds ; Embroidery ; Chains (object genres) ; |Textiles|Clouds|Embroidery|Chains (object genres)||||||Cornell||BZ|BZ|5/23/2006 0:00:00|5/23/2006 0:00:00||||0|||||||TEX|||CHINA|HAN|||| ||||||||Work|0||Unearthed in 1972.||||||||||0|0|Embroidered Textile With Cloud Design| 6909.00|0|Creator|15|CHINA|TEX|HAN||CHINA TEX HAN |Embroidered Silk With Designs Signifying Longevity|Descriptive|Image Source (Pub)|||||||Embroidered Silk With Designs Signifying Longevity|0|||||0||||0|||||Chinese|||Han (Chinese)|Western Han||Asia||China||||||0||||0||||0|Mawangdui tomb No.1, Changsha, Hunan Province|||10852|Textiles|Textile|||BCE|-3|-2|-1|206|8||206 BCE-8 CE|206 BCE-8 CE|||||0||||0|||||Chain-stitch embroidery on silk tabby|silk (textile)|chains (object genres)||||embroidering|||||23 x 16 cm||592|Changsha: Hunan Provincial Museum|Changsha: Hunan Provincial Museum||Embroidery ; Chains (object genres) ; |Embroidery|Chains (object genres)||||||||Cornell||BZ|BZ|5/23/2006 0:00:00|5/23/2006 0:00:00||||0|||||||TEX|||CHINA|HAN|||| ||||||||Work|0||Unearthed in 1972.||||||||||0|0|Embroidered Silk With Designs Signifying Longevity| 6910.00|0|Site|02|B-J3|Main|1.32 Jup||B-J3 Main 1.32 Jup |Jupiter's Pillar|Descriptive|Collection||||||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Germany||||||0|||||Mainz, Germany|||10853||||0|Architecture|Column (architectural element)|Monument|Relief|CE|1|||59|66|ca|ca 59-66 CE|ca 59-66|||||0||||0|||||||||||relief|||||H = ca 7.70 m||9729|Mainz, Mittelrheinisches Landesmuseum|Mainz, Mittelrheinisches Landesmuseum||Jupiter ; Gods ; Dioscuri (Horse-tamers) ; Minerva ; Fortune ; Hercules ; Mercury ; Apollo ; |Jupiter|Gods|Dioscuri (Horse-tamers)|Minerva|Fortune|Hercules|Mercury|Apollo||Cornell||HB|HB|6/5/2006 0:00:00|5/24/2006 0:00:00||Main||0||||||Jup|B|||||J3|1.32|| ||||||||Work|0|Architecture-Germany|||||||||||0|0|Jupiter's Pillar| 6911.00|0|Site|02|B-G1|Lul|7.1 Villa||B-G1 Lul 7.1 Villa |Roman Villa|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||Roman|||Late Antique|||Europe||England||||||0|Lullingstone, Kent, England|||10854||||0||||0|Archaeological Sites|Villa|House||CE|4|||301|400|ca|4th Century|ca 301-400|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|5/24/2006 0:00:00||Lul||0||||||Villa|B|||||G1|7.1||||||||||Work|0|Architecture-England|||||||||||0|0|Roman Villa| 6912.00|0|Creator|15|32|P3584-PA|1822|1|32 P3584-PA 1822 1|Venus Rising from the Sea, A Deception (After the Bath)|Assigned|Repository|||||||Venus Rising from the Sea, A Deception (After the Bath)|9003|Peale, Raphaelle||painter|Raphaelle Peale|0||||0|||||American||||||North and Central America||United States||||||0||||||||0||||0|Paintings|Painting|Oil painting|||19|||1822|1822|ca|ca 1822|ca 1822-1822|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||74 x 61 cm||3395|Kansas City: Nelson-Atkins Museum of Art|Kansas City: Nelson-Atkins||Venus ; Bathing ; Deceit ; |Venus|Bathing|Deceit|||||||Cornell||JNK|JNK|5/24/2006 0:00:00|5/24/2006 0:00:00|P3584|||0|||||||32|PA|||||1822|| ||||||||Work|0||||||||||||0|0||Peale, Raphaelle 6913.00|0|Creator|15||||||Rustic Dance After a Sleign Ride|Assigned|Repository|||||||Rustic Dance After a Sleign Ride|8282|Mount, William Sidney||painter|William Sidney Mount|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting|Genre|Oil painting||19|||1830|1830||1830|1830-1830|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||56.2 x 68.9 cm||428|Boston: Museum of Fine Arts|Boston: MFA||Dance ; Dancing ; Men (male humans) ; Women ; Interior views ; |Dance|Dancing|Men (male humans)|Women|Interior views|||||Cornell||JNK|JNK|5/24/2006 0:00:00|5/24/2006 0:00:00||||0||48.458||||||||||||| ||||||||Work|0||||||||||||0|0|Rustic Dance After a Sleign Ride|Mount, William Sidney 6914.00|0|Creator|15|30|M928-PA|1835|2|30 M928-PA 1835 2|Bargaining for a Horse|Assigned|Repository|||||||Bargaining for a Horse|8282|Mount, William Sidney||painter|William Sidney Mount|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting|Genre|Oil painting||19|||1835|1835||1835|1835-1835|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||60 x 76 cm||4115|New York: New York Historical Society|New York: NY Historical Society||Horses ; Negotiation ; Men (male humans) ; |Horses|Negotiation|Men (male humans)|||||||Cornell||JNK|JNK|5/24/2006 0:00:00|5/24/2006 0:00:00|M928|||0|||||||30|PA|||||1835|| ||||||||Work|0||||||||||||0|0|Bargaining for a Horse|Mount, William Sidney 6915.00|0|Creator|15|30|M928-PA|1845|1|30 M928-PA 1845 1|Eel Spearing at Setauket|Assigned|Repository|||||||Eel Spearing at Setauket|8282|Mount, William Sidney||painter|William Sidney Mount|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting|Genre|Oil painting||19|||1845|1845||1845|1845-1845|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||72 x 91 cm||3898|Cooperstown: New York State Historical Association|Cooperstown: NYS Hist. Assn.||Eel fishing ; Boys ; Women ; Rivers ; |Eel fishing|Boys|Women|Rivers||||||Cornell||JNK|JNK|5/24/2006 0:00:00|5/24/2006 0:00:00|M928|||0|||||||30|PA|||||1845|| ||||||||Work|0||||||||||||0|0|Eel Spearing at Setauket|Mount, William Sidney 6916.00|0|Creator|15|32|M928-PA|1847|1|32 M928-PA 1847 1|The Power of Music|Assigned|Repository|The Force of Music|Variant|Print Publication||||The Power of Music (The Force of Music)|8282|Mount, William Sidney||painter|William Sidney Mount|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting|Genre|Oil painting||19|||1847|1847||1847|1847-1847|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||43.4 x 53.5 cm||3418|Cleveland: Cleveland Museum of Art|Cleveland: Museum of Art||Music ; Men (male humans) ; African Americans ; Race (concept) ; |Music|Men (male humans)|African Americans|Race (concept)||||||Cornell||JNK|JNK|5/24/2006 0:00:00|5/24/2006 0:00:00|M928|||0||1991.110|||||32|PA|||||1847|| ||||||||Work|0||||||||||||0|0|The Power of Music;The Force of Music|Mount, William Sidney 6917.00|0|Creator|15|32|B613-PA|1845|1|32 B613-PA 1845 1|Concealed Enemy|Assigned|Repository|||||||Concealed Enemy|1177|Bingham, George Caleb||artist|George Caleb Bingham|0||||0|||||American||||||North and Central America||United States||||||0|Orange, TX|||0||||0||||0|Paintings|Painting|Oil painting|Genre||19|||1845|1845||1845|1845-1845|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||74.3 x 92.7 cm||2076|Orange, TX: Stark Foundation|Orange, TX: Stark Fdn.||Indians of North America ; Landscapes ; |Indians of North America|Landscapes||||||||Cornell||JNK|JNK|5/24/2006 0:00:00|5/24/2006 0:00:00|B613|||0|||||||32|PA|||||1845|| ||||||||Work|0||||||||||||0|0||Bingham, George Caleb 6918.00|0|Creator|15|32|B613-PA|1846|2|32 B613-PA 1846 2|The Jolly Flatboatmen|Assigned|Repository|||||||The Jolly Flatboatmen|1177|Bingham, George Caleb||artist|George Caleb Bingham|0||||0|||||American||||||North and Central America||United States||||||0|Washington, DC|||0||||0||||0|Paintings|Painting|Oil painting|Genre||19|||1846|1846||1846|1846-1846|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||96.6 x 123.1 cm||3367|Washington, DC: National Gallery of Art|Wash, DC: National Gallery||Boats ; Flatboats ; Men (male humans) ; Dancing ; Music ; |Boats|Flatboats|Men (male humans)|Dancing|Music|||||Cornell||JNK|JNK|5/24/2006 0:00:00|5/24/2006 0:00:00|B613|||0|||||||32|PA|||||1846|| ||||||||Work|0||||||||||||0|0||Bingham, George Caleb 6919.00|0|Creator|15|32|M928-PA|1836|1|32 M928-PA 1836 1|Farmers Nooning|Assigned|Repository|||||||Farmers Nooning|8282|Mount, William Sidney||painter|William Sidney Mount|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting|Genre|Oil painting||19|||1836|1836||1836|1836-1836|||||0||||0|||||Oil on cardboard|oil paint|cardboard||||painting (image-making)|||||51.44 x 61.6 cm||4185|Stony Brook: Museums at Stony Brook, including Suffolk Museum|Stony Brook: Museums (at)||Farming ; Race (concept) ; Rest periods ; |Farming|Race (concept)|Rest periods|||||||Cornell||JNK|JNK|5/24/2006 0:00:00|5/24/2006 0:00:00|M928|||0|||||||32|PA|||||1836|| ||||||||Work|0||||||||||||0|0|Farmers Nooning|Mount, William Sidney 6922.00|0|Creator|15|27|F849-PA|7M|1|27 F849-PA 7M 1|The Mason Children: David, Joanna, Abigail|Assigned|Repository|||||||The Mason Children: David, Joanna, Abigail|4118|Freake Painter, ||painter|Freake Painter|0||||0|||||American|||Colonial|||North and Central America||United States||||||0||||||||0||||0|Paintings|Portrait|Painting|Oil painting||17|||1670|1670||1670|1670-1670|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||100.3 x 108 cm||3343|San Francisco: Fine Arts Museums of San Francisco|San Francisco: Fine Arts Museums||Portraits ; Children (people by age group) ; |Portraits|Children (people by age group)||||||||Cornell||JNK|JNK|5/24/2006 0:00:00|5/24/2006 0:00:00|F849|||0||1979.7.3|||||27|PA|||||7M|| ||||||||Work|0||||||||||||0|0||Freake Painter, 6923.00|0|Creator|15|CHINA|MTL|TANG||CHINA MTL TANG |Storage Container With Bird Designs For Holding Brick Tea|Descriptive|Image Source (Pub)|||||||Storage Container With Bird Designs For Holding Brick Tea|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0|Famen Temple Pagoda, Fufeng, Shaanxi Province|||10809|Metalwork|Vessel||||7|8|9|618|907||618-907|618-907|||||0||||0|||||Silver with gilding|silver|||||metalworking|gilding|silverwork|||17.8 cm high, 16.1 cm diam.||9721|Sian: Famen Temple Museum|Sian: Famen Temple Museum||Vessels ; Birds ; Plants (vegetation) ; |Vessels|Birds|Plants (vegetation)|||||||Cornell||BZ|BZ|6/13/2006 0:00:00|5/24/2006 0:00:00||||0|||||||MTL|||CHINA|TANG|||| ||||||||Work|0||Discovered in 1987 in underground chamber of the Famen Temple Pagoda, Fefeng county, Shaanxi Province.||||||||||0|0|Storage Container With Bird Designs For Holding Brick Tea| 6924.00|0|Creator|15||||||The Gulf Stream|Assigned|Repository|||||||The Gulf Stream|5572|Homer, Winslow||painter|Winslow Homer|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Landscape (representation)||19|||1899|1899||1899|1899-1899|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||71.4 x 124.8 cm||3294|New York: Metropolitan Museum of Art|New York: Metropolitan||Boats ; Seas ; Oceans ; Landscapes ; |Boats|Seas|Oceans|Landscapes||||||Cornell||JNK|JNK|5/24/2006 0:00:00|5/24/2006 0:00:00|H765|||0||03.1234||||||||||||| ||||||||Work|0||||||||||||0|0|The Gulf Stream|Homer, Winslow 6925.00|0|Creator|15||||||Salt Marsh at Southport, Connecticut|Assigned|Repository|||||||Salt Marsh at Southport, Connecticut|5241|Heade, Martin Johnson||painter|Martin Johnson Heade|0||||0|||||American|||Luminist|||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Landscape (representation)||19|||1862|1863|ca|ca 1862-1863|ca 1862-1863|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||25.1 x 51.1 cm||3269|Raleigh, NC: North Carolina Museum of Art|Raleigh: NC Mus. Art||Landscapes ; |Landscapes|||||||||Cornell||JNK|JNK|5/24/2006 0:00:00|5/24/2006 0:00:00||||0||87.10||||||||||||| ||||||||Work|0||||||||||||0|0|Salt Marsh at Southport, Connecticut|Heade, Martin Johnson 6926.00|0|Creator|15||||||Prisoners from the Front|Assigned|Repository|||||||Prisoners from the Front|5572|Homer, Winslow||painter|Winslow Homer|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1866|1866||1866|1866-1866|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||61 x 96.5 cm||3294|New York: Metropolitan Museum of Art|New York: Metropolitan||Soldiers ; United States History Civil War, 1861-1865 ; Prisoners ; Wars ; |Soldiers|United States History Civil War, 1861-1865|Prisoners|Wars||||||Cornell||JNK|JNK|5/24/2006 0:00:00|5/24/2006 0:00:00|H765|||0||22.207||||||||||||| ||||||||Work|0||||||||||||0|0|Prisoners from the Front|Homer, Winslow 6927.00|0|Creator|15|32|H4326-PA|1880|1|32 H4326-PA 1880 1|Cattleya Orchid with Two Hummingbirds|||||||||Cattleya Orchid with Two Hummingbirds|5241|Heade, Martin Johnson||painter|Martin Johnson Heade|0||||0|||||pain|||Luminist|||North and Central America||United States||||||0||||||||0||||0|Paintings|Painting|Landscape (representation)|Oil painting||19|||1880|1880|ca|ca 1880|ca 1880-1880|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||41 x 53 cm||3757|Newark, NJ: Newark Museum|Newark, NJ: Museum||Flowers ; Birds ; Landscapes ; Hummingbirds ; Orchids ; |Flowers|Birds|Landscapes|Hummingbirds|Orchids|||||Cornell||JNK|JNK|5/24/2006 0:00:00|5/24/2006 0:00:00|H4326|||0||65.118|||||32|PA|||||1880|| ||||||||Work|0||||||||||||0|0||Heade, Martin Johnson 6928.00|0|Creator|15|CHINA|MTL|TANG||CHINA MTL TANG |Censer Found With Figure Of Ganesha|Descriptive|Image Source (Pub)|||||||Censer Found With Figure Of Ganesha|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0|Famen Temple Pagoda, Fufeng, Shaanxi Province|||10809|Metalwork|Vessel||||7|8|9|618|907||618-907|618-907|||||0||||0|||||Silver with gilding|silver|||||silverwork|gilding||||41.8 cm high, 24.5 cm diam. of mouth||9721|Sian: Famen Temple Museum|Sian: Famen Temple Museum||Censers ; Figures (representations) ; Lotus ; Lions ; |Censers|Figures (representations)|Lotus|Lions||||||Cornell||BZ|BZ|6/13/2006 0:00:00|5/24/2006 0:00:00||||0|||||||MTL|||CHINA|TANG|||| ||||||||Work|0||Discovered in 1987 in underground chamber of the Famen Temple Pagoda, Fufeng countym Shaanxi Province.||||||||||0|0|Censer Found With Figure Of Ganesha| 6929.00|0|Creator|15|CHINA|MTL|TANG||CHINA MTL TANG |Six-lobed Plate With Design Of Bear|Descriptive|Image Source (Pub)|||||||Six-lobed Plate With Design Of Bear|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0|Hejia village, Sian, Shaanxi Province|||10808|Metalwork|Plate (dish)||||7|8|9|618|907||618-907|618-907|||||0||||0|||||Silver with gilding|silver|||||silverwork|gilding||||1 cm high, 13.4 cm diam.||9711|sian: Shaanxi history Museum|Sian: Shaanxi History Museum||Bears ; Flowers ; Vessels ; |Bears|Flowers|Vessels|||||||Cornell||BZ|BZ|6/13/2006 0:00:00|5/24/2006 0:00:00||||0|||||||MTL|||CHINA|TANG|||| ||||||||Work|0||Unearthed in 1970.||||||||||0|0|Six-lobed Plate With Design Of Bear| 6930.00|0|Creator|15|CHINA|MTL|TANG||CHINA MTL TANG |Six-lobed Plate With Design Of Mythical Beast|Descriptive|Image Source (Pub)|||||||Six-lobed Plate With Design Of Mythical Beast|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0|Hejia village, Sian, Shaanxi Province|||10808|Metalwork|Plate (dish)||||7|8|9|618|907||618-907|618-907|||||0||||0|||||Silver with gilding|silver|||||silverwork|gilding||||1.2 cm high, 15.3 cm diam.||9711|Sian: Shaanxi History Museum|Sian: Shaanxi History Museum||Vessels ; Flowers ; Animals ; |Vessels|Flowers|Animals|||||||Cornell||BZ|BZ|6/13/2006 0:00:00|5/24/2006 0:00:00||||0|||||||MTL|||CHINA|TANG|||| ||||||||Work|0||Unearthed in 1970.||||||||||0|0|Six-lobed Plate With Design Of Mythical Beast| 6931.00|0|Creator|15|CHINA|LAC|SONG||CHINA LAC SONG |Sutra Boxes With Buddhist Figures|Descriptive|Image Source (Pub)|||||||Sutra Boxes With Buddhist Figures|0|||||0||||0|||||Chinese|||Song (Sung)|Northern Song (N.Sung)||Asia||China||||||0||||0||||0|Huiguang Pagoda site, Rui'an, Zhejiang Province|||10856|Lacquerware|Lacquerware|Box (container)|Figure (representation)||10|11|12|960|1127||960-1127|960-1127|||||0||||0|||||Wood-core lacquer with seed pearls|wood (plant material)|lacquer|seed|||wood engraving (process)|||||16 x 40 x 18 cm (outside box), 11.5 x 33.8 x 11 cm||3256|Hangzhou: Zhejiang Provincial Museum|Hangzhou: Zhejiang Provincial Museum||Boxes (containers) ; Buddha ; Figures (representations) ; Lotus ; Flowers ; Birds ; Lakes ; |Boxes (containers)|Buddha|Figures (representations)|Lotus|Flowers|Birds|Lakes|||Cornell||BZ|BZ|5/24/2006 0:00:00|5/24/2006 0:00:00||||0|||||||LAC|||CHINA|SONG|||| ||||||||Work|0||Unearthed in 1966.|11.5 x 33.8 x 11 cm (outside box).|||||||||0|0|Sutra Boxes With Buddhist Figures| 6932.00|0||||||||Vergina|Assigned|Blue Guide|Aegae|Former|Blue Guide|||||0|||||0||||0|||||Greek|||Iron Age-|Roman Period||Europe|Macedonia|Greece||||||0|Vergina, Greece|||10855||||0||||0|Archaeological Sites|City|||||||1000|400|ca|ca -1000 BCE-400 CE|ca -1000-400|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|5/24/2006 0:00:00||Ver||0||||||||||||||||||||||||0||||||||||||0|0|Vergina;Aegae| 6933.00|0|Site|02||||||Cemetry of the Tumuli|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||Greek|||iron Age-|Roman Period||Europe|Macedonia|Greece||||||0|Vergina, Greece|||10855||||0||||0|Archaeological Sites|Cemetery|||||||1000|200|ca|ca 1000 BCE - 200 CE|ca -1000-200||Vergina|Larger entity||6932||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|5/24/2006 0:00:00||Ver||0|||||||||||||||||||||||Work|0||||||||||||0|0|Cemetry of the Tumuli| 6934.00|0|Site|02|B-K3|Ver|3.3 Bella||B-K3 Ver 3.3 Bella |Bella Tumulus: Tomb of the Warrior Painting|Descriptive|Image Source (Pub)|||||||Vergina. Bella Tumulus: Tomb of the Warrior Painting|0|||||0||||0|||||Greek|||Hellenistic|||Europe|Macedonia|Greece||||||0|Vergina, Greece|||10855||||0||||0|Architecture|Tomb|Funerary building|||3|||-300|-275|ca|Early 3rd Century BCE|ca -300--275||Vergina|Larger Context||6932||||0|||||||||||painting (image-making)|mural painting||||3.50 x 3.00 m; H = 4.95 m||||||Warriors ; Helmets ; |Warriors|Helmets||||||||Cornell||HB|HB|6/16/2006 0:00:00|5/24/2006 0:00:00||Ver||0||||||Bella|B|||||K3|3.3||||||||||Work|0|Architecture-Greece|Tomb excavated from Tumulus on land owned by Bella family||||||||||0|0|Bella Tumulus: Tomb of the Warrior Painting| 6935.00|0|Site|02||||||Great Tumulus|Descriptive|Image Source (Pub)|||||||Vergina. Great Tumulus|0|||||0||||0|||||Greek|||Hellenistic|||Europe|Macedonia|Greece||||||0|Vergina, Greece|||10855||||0||||0|Architecture|Tomb|Funerary building||BCE|-4|-3||-325|-275|ca|ca 325-275 BCE|ca -325--275||Vergina|LargerEntity||6932||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/2/2006 0:00:00|5/24/2006 0:00:00||Ver||0|||||||||||||||||||||||Building|0||||||||||||0|0|Great Tumulus| 6936.00|0|Creator|15|CHINA|SC|HAN||CHINA SC HAN |Tomb Guardian Holding An Ax And A Snake|Descriptive|Image Source (Pub)|||||||Tomb Guardian Holding An Ax And A Snake|0|||||0||||0|||||Chinese|||Han (Chinese)|Eastern Han||Asia||China||||||0||||0||||0|Huangshui Xiang'ai tomb, Shuangliu county, Sichuan|||10857|Sculpture|Sculpture|Figure (representation)|||1|2|3|25|220||25-220|25-220|||||0||||0|||||Earthenware|earthenware|||||sculpture|||||87.2 cm high||9695|Chengdu: Sichuan Provincial Museum|Chengdu: Sichuan Provincial Museum||Sculpture (visual work) ; Figures (representations) ; Guardsmen ; Men (male humans) ; Axes (tools) ; Snakes ; Animals ; |Sculpture (visual work)|Figures (representations)|Guardsmen|Men (male humans)|Axes (tools)|Snakes|Animals|||Cornell||BZ|BZ|5/24/2006 0:00:00|5/24/2006 0:00:00||||0|||||||SC|||CHINA|HAN|||| ||||||||Work|0||Unearthed in 1957.||||||||||0|0|Tomb Guardian Holding An Ax And A Snake| 6940.00|0|Creator|15|CHINA|SC|HAN||CHINA SC HAN |Standing Performer With A Drum|Descriptive|Image Source (Pub)|||||||Standing Performer With A Drum|0|||||0||||0|||||Chinese|||Han (Chinese)|Eastern Han||Asia||China||||||0||||0||||0|Pi County, Sichuan Province, China|||10752|Sculpture|Sculpture|Figure (representation)|Musical instrument||1|2|3|25|220||25-220|25-220|||||0||||0|||||Earthenware with pigment|earthenware|pigment||||sculpture|||||66.5 cm high||9695|Chengdu: Sichuan Provincial Museum|Chengdu: Sichuan Provincial Museum||Sculpture (visual work) ; Figures (representations) ; Men (male humans) ; Musical instruments ; Dancing ; |Sculpture (visual work)|Figures (representations)|Men (male humans)|Musical instruments|Dancing|||||Cornell||BZ|BZ|5/24/2006 0:00:00|5/24/2006 0:00:00||||0|||||||SC|||CHINA|HAN|||| ||||||||Work|0||Unearthed in 1963.||||||||||0|0|Standing Performer With A Drum| 6941.00|0|Site|02|B-K3|Ver|3.3 Lys/Kall||B-K3 Ver 3.3 Lys/Kall |Tomb of Lyson and Kallikles|Descriptive|Blue Guide|||||||Tomb of Lyson and Kallikles|0|||||0||||0|||||Greek|||Hellenistic|||Europe|Macedonia|Greece||||||0|Vergina, Greece|Near||10855||||0||||0|Architecture|Tomb|Funerary building||BCE|-2|||-210|-190|ca|ca 200 BCE|ca -210--190||Vergina|LargerEntity||6932||||0|||||||||||painting (image-making)|mural painting||||H = 3.90 m; 0.88 x 0.915 m||||||Armor ; |Armor|||||||||Cornell||HB|HB|6/16/2006 0:00:00|5/24/2006 0:00:00||Ver||0||||||Lys/Kall|B|||||K3|3.3||||||||||Building|0|Architecture-Greece|Tomb is at Levkadhia, a few Km from Vergina||||||||||0|0|Tomb of Lyson and Kallikles| 6942.00|0|Creator|15|CHINA|SC|HAN||CHINA SC HAN |Chimera (Bixie)|Descriptive|Image Source (Pub)|||||||Chimera (Bixie)|0|||||0||||0|||||Chinese|||Han (Chinese)|Eastern Han||Asia||China||||||0||||0||||0|Yichuan County, Henan Province, China|||10763|Sculpture|Sculpture||||1|2|3|25|220||25-220|25-220|||||0||||0|||||Stone|stone|||||sculpture|||||114 x 175 x 45 cm||9698|Luoyang: Guanlin Museum of Stone Sculpture|Luoyang: Guanlin Museum of Stone Sculpture||Sculpture (visual work) ; Animals ; |Sculpture (visual work)|Animals||||||||Cornell||BZ|BZ|5/24/2006 0:00:00|5/24/2006 0:00:00||||0|||||||SC|||CHINA|HAN|||| ||||||||Work|0||||||||||||0|0|Chimera (Bixie)| 6943.00|0|Site|02|B-K3|Ver|1.32 Rhom||B-K3 Ver 1.32 Rhom |Rhomaios Tomb|Assigned|Image Source (Pub)|||||||Vergina. Rhomaios Tomb|0|||||0||||0|||||Greek|||Hellenistic|||Europe|Macedonia|Greece||||||0|Vergina, Greece|||10855||||0||||0|Architecture|Tomb|Funerary building||BCE|-4|||-399|-300|ca|4th Century BCE|ca -399--300||Vergina|||6932||||0||||||||||||||||H = 4.46 m; 9.12 x 7.06 m||||||||||||||||Cornell||HB|HB|6/5/2006 0:00:00|5/24/2006 0:00:00||Ver||0||||||Rhom|B|||||K3|1.32||||||||||Building|0|Architecture-Greece|||||||||||0|0|Rhomaios Tomb| 6944.00|0|Site|02|B-H3|Rom|3.1 Gesu|4b-1|B-H3 Rom 3.1 Gesu 4b-1|Veduta della Chiesa del Gesù|Assigned|Repository|The Church of the Gesù|Translated|Repository|Perseptto della Chiesa della Campagnia del Jesu|Inscribed|Artist|Diciotto Vedute di Roma. Veduta della Chiesa del Gesù|2737|Cruyl, Liévin||printmaker|Liévin Cruyl|0||||0|||||Italian|||Baroque|||Europe||Italy||||||0||||0||||0||||0|Drawings|Drawing|Watercolor|||17|||1665|1665||1665|1665-1665||Diciotto Vedute di Roma|Larger entity||6939||||0|||||Pen and brown ink and brush and gray wash over graphite|pens|wash|graphite|||drawing (image-making)|||||38.8 x 48.7 cm||3418|Cleveland: Cleveland Museum of Art|Cleveland: Museum of Art||Il Gesu, Rome, Italy ; Rome, Italy ; Churches ; Cityscapes ; |Il Gesu, Rome, Italy|Rome, Italy|Churches|Cityscapes||||||Cornell||JNK|JNK|5/24/2006 0:00:00|5/24/2006 0:00:00||Rom||0||1943.271||||Gesu|B|||||H3|3.1|| 4b-1||||||||Work|0|Architecture-Italy|||||||||||0|0|Veduta della Chiesa del Gesù;The Church of the Gesù;Perseptto della Chiesa della Campagnia del Jesu|Cruyl, Liévin 6945.00|0|Creator|15|CHINA|TEX|QING||CHINA TEX QING |Sakyamuni Buddha|Descriptive|Image Source (Pub)|||||||Sakyamuni Buddha|0|||||0||||0|||||Chinese|||Qing (Ch'ing)|||Asia||China||||||0||||0||||0||||0|Textiles|Textile|Figure (representation)|||17|18|19|1644|1911||1644-1911|1644-1911|||||0||||0|||||Silk tapestry (kesi)|silk (textile)|||||tapestry (process)|||||182.7 x 77.6 cm||9716|Shenyang: Liaoning Provincial Museum|Shenyang: Liaoning Provincial Museum||Textiles ; Buddha ; Figures (representations) ; Flowers ; Lotus ; Bases ; Clouds ; |Textiles|Buddha|Figures (representations)|Flowers|Lotus|Bases|Clouds|||Cornell||BZ|BZ|5/24/2006 0:00:00|5/24/2006 0:00:00||||0|||||||TEX|||CHINA|QING|||| ||||||||Work|0||||||||||||0|0|Sakyamuni Buddha| 6946.00|0|Creator|15|CHINA|TEX|YUAN||CHINA TEX YUAN |King Of Bright Wisdom Budong|Descriptive|Image Source (Pub)|||||||King Of Bright Wisdom Budong|0|||||0||||0|||||Chinese|||Yuan|||Asia||China||||||0||||0||||0||||0|Textiles|Textile|Figure (representation)|||13|14||1279|1368||1279-1368|1279-1368|||||0||||0|||||Silk tapestry (kesi)|silk (textile)|||||tapestry (process)|||||90 x 56 cm||9730|Administrative Office of Norbu Linka, Lhasa, Tibet, China|Administrative Office of Norbu Linka, Lhasa, China||Figures (representations) ; Kings (people) ; Swords ; Buddha ; Lotus ; Flowers ; Inscriptions ; |Figures (representations)|Kings (people)|Swords|Buddha|Lotus|Flowers|Inscriptions|||Cornell||BZ|BZ|5/24/2006 0:00:00|5/24/2006 0:00:00||||0|||||||TEX|||CHINA|YUAN|||| ||||||||Work|0||||||||||||0|0|King Of Bright Wisdom Budong| 6947.00|0|Site|02|B-H3|Rom|1.1 Aerial||B-H3 Rom 1.1 Aerial |Aerial view|Descriptive|Cataloger|||||||Aerial view|0|||||0||||0|||||||||||||||||||0|Rome, Italy|||10024||||0||||0|City Plans and Views|Aerial view||||||||||||||||0||||0||||||||||||||||||||||Rome, Italy ; Cityscapes ; Churches ; Palaces ; Houses ; Roads ; Fountains ; Statues ; Rivers|Rome, Italy|Cityscapes|Churches|Palaces|Houses|Roads|Fountains|Statues|Rivers|Cornell||JNK|JNK|5/24/2006 0:00:00|5/24/2006 0:00:00||Rom||0||||||Aerial|B|||||H3|1.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|Aerial view| 6948.00|0|Creator|15|CHINA|MTL|TANG||CHINA MTL TANG |Jar With Design Of Figures In A Landscape|Descriptive|Image Source (Pub)|||||||Jar With Design Of Figures In A Landscape|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0|Famen Temple Pagoda, Fufeng, Shaanxi Province|||10809|Metalwork|Jar|Figure (representation)|Landscape (representation)||7|8|9|618|907||618-907|618-907|||||0||||0|||||Silver and gilding|silver|||||silverwork|gilding||||24.7 cm high, 12.3 cm diam.of jar, 12.6 cm diam.of foot||9721|Sian: Famen Temple Museum|Sian: Famen Temple Museum||Vessels ; Figures (representations) ; Landscapes ; Men (male humans) ; Women ; Birds ; Farming ; Flowers ; Lotus|Vessels|Figures (representations)|Landscapes|Men (male humans)|Women|Birds|Farming|Flowers|Lotus|Cornell||BZ|BZ|6/13/2006 0:00:00|5/24/2006 0:00:00||||0|||||||MTL|||CHINA|TANG|||| ||||||||Work|0||Discovered in 1987.||||||||||0|0|Jar With Design Of Figures In A Landscape| 6949.00|0||||||||Statue of Marforio in its original position on the Marforio slope|Translated|Cataloger|Statua di Marforio nella sua posizione originale sulla salita di Marforio|Assigned|Print Publication||||Statue of Marforio in its original position on the Marforio slope|31212|Beatrizet, Nicolas||engraver|Nicolas Beatrizet|0||||0|||||French|Italian||Renaissance|||Europe||France|Italy|||||0||||0||||0||||0|Prints|Etching||||16|||1550|1550|ca|ca 1550|ca 1550-1550|||||0||||0|||||Etching||||||etching (corroding)|||||37.6 x 43.4 cm||||||Statues ; Rome, Italy ; |Statues|Rome, Italy||||||||Cornell||JNK|JNK|5/24/2006 0:00:00|5/24/2006 0:00:00||||0||||||||||||||||||||||||0||Published in the Speculum Romanae Magnificentiae by Antonio Lafreri, 1550||||||||||0|0|Statue of Marforio in its original position on the Marforio slope;Statua di Marforio nella sua posizione originale sulla salita di Marforio|Beatrizet, Nicolas 6950.00|0|Creator|15|CHINA|LAC|SONG||CHINA LAC SONG |Reliquary With Buddhist Figures|Descriptive|Image Source (Pub)|||||||Reliquary With Buddhist Figures|0|||||0||||0|||||Chinese|||Song (Sung)|Northern Song (N.Sung)||Asia||China||||||0||||0||||0|Huiguang Pagoda site, Rui'an, Zhejiang Province|||10856|Lacquerware|Lacquerware|Reliquary|Figure (representation)||10|11|12|960|1127||960-1127|960-1127|||||0||||0|||||Wood-core lacquer with seed pearls|wood (plant material)|lacquer|seed|||wood engraving (process)|||||41.2 x 24.5 cm||3256|hangzhou: Zhejiang Provincial Museum|Hangzhou: Zhejiang Provincial Museum||Reliquaries ; Buddha ; Figures (representations) ; Flowers ; Clouds ; Animals ; |Reliquaries|Buddha|Figures (representations)|Flowers|Clouds|Animals||||Cornell||BZ|BZ|5/24/2006 0:00:00|5/24/2006 0:00:00||||0|||||||LAC|||CHINA|SONG|||| ||||||||Work|0||Unearthed in 1966.||||||||||0|0|Reliquary With Buddhist Figures| 6951.00|0|Creator|15|CHINA|TEX|HAN||CHINA TEX HAN |Gauze With Patterns Of Pine-Bark Lozenges, Signifying Longevity|Descriptive|Image Source (Pub)|||||||Gauze With Patterns Of Pine-Bark Lozenges, Signifying Longevity|0|||||0||||0|||||Chinese|||Han (Chinese)|Western Han||Asia||China||||||0||||0||||0|Mawangdui tomb No.1, Changsha, Hunan Province|||10852|Textiles|Textile|||BCE|-3|-2|-1|206|8||206 BCE-8 CE|206 BCE-8 CE|||||0||||0|||||Silk gauze|silk (textile)|||||tapestry (process)|||||75 x 48 cm||592|Changsha: Hunan Provincial Museum|Changsha: Hunan Provincial Museum||Textiles ; |Textiles|||||||||Cornell||BZ|BZ|5/24/2006 0:00:00|5/24/2006 0:00:00||||0|||||||TEX|||CHINA|HAN|||| ||||||||Work|0||Unearthed in 1972.||||||||||0|0|Gauze With Patterns Of Pine-Bark Lozenges, Signifying Longevity| 6952.00|0|Site|02|B-H5|Cor|3.4 Mos/AlMan||B-H5 Cor 3.4 Mos/AlMan |Prayer hall of Abd Al-Rahman I|Descriptive|Image Source (Pub)|||||||Prayer hall of Abd Al-Rahman I|0|||||0||||0|||||Islamic|||Nasrid|||Europe||Spain||||||0|Córdoba , Spain|||10000||||0||||0|Architecture|Halls||||10|||0965|0968||965-968|0965-0968||Great Mosque|Larger entity||2231||||0||||||||||||||||||||||Mosques ; Sanctuaries ; |Mosques|Sanctuaries||||||||Cornell||JNK|JNK|7/18/2006 0:00:00|5/25/2006 0:00:00||Cor||0||||||Mos/AlMan|B|||||H5|3.4||||||||||Building|0|Architecture-Spain|||||||||||0|0|Prayer hall of Abd Al-Rahman I| 6953.00|0|Creator|15|CHINA|POT|NEOLITHIC||CHINA POT NEOLITHIC |Bottle In The Shape Of A Bird Or Dolphin|Descriptive|Image Source (Pub)|||||||Bottle In The Shape Of A Bird Or Dolphin|0|||||0||||0|||||Chinese|||Neolithic|||Asia||China||||||0||||0||||0|Meiyan, Wujiang county, Jiangsu Province|||10859|Ceramics|Ceramic|||BCE|-37|-36|-35|3600|2000|ca|ca. 3600-ca.2000 BCE|ca. 3600-ca.2000 BCE|||||0||||0|||||Gray earthenware|earthenware|||||ceramics|||||32.4 x 11.7 cm||9720|Nanjing: Nanjing Museum|Nanjing: Nanjing Museum||Animals ; Birds ; Dolphins ; |Animals|Birds|Dolphins|||||||Cornell||BZ|BZ|5/25/2006 0:00:00|5/25/2006 0:00:00||||0|||||||POT|||CHINA|NEOLITHIC|||| ||||||||Work|0||Neolithic period, Liangzhu culture. Unearthed in 1960.||||||||||0|0|Bottle In The Shape Of A Bird Or Dolphin| 6954.00|0|Creator|15|CHINA|POT|SHANG||CHINA POT SHANG |Jar (Zun) With Mat Impressions|Descriptive|Image Source (Pub)|||||||Jar (Zun) With Mat Impressions|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0||||0||||0|Zhengzhou, China|||10704|Ceramics|Ceramic|Jar|Vessel|BCE|-17|-16|-15|1600|1100|ca|ca.1600-ca.1100 BCE|ca.1600-ca.1100 BCE|||||0||||0|||||Ash-glazed stoneware (proto-porcelain)|stoneware (pottery)|proto-porcelain||||ceramics|||||27 cm high, 27 cm diam.of mouth||9731|Zhengzhou Municipal Museum|Zhengzhou Municipal Museum||Vessels ; |Vessels|||||||||Cornell||BZ|BZ|6/15/2006 0:00:00|5/25/2006 0:00:00||||0|||||||POT|||CHINA|SHANG|||| ||||||||Work|0||Unearthed in 1965.||||||||||0|0|Jar (Zun) With Mat Impressions| 6955.00|0|Creator|15|CHINA|MTL|ZHOU||CHINA MTL ZHOU |Vessel (Hu), Inscribed|Descriptive|Image Source (Pub)|||||||Vessel (Hu), Inscribed|0|||||0||||0|||||Chinese|||Zhou (Chou)|Western Zhou (W.Chou)||Asia||China||||||0||||0||||0|Zhuangbai village, Fufeng county, Shaanxi Province|||10833|Metalwork|Vessel|Bronze|Inscription|BCE|-12|-11|-10|1100|771|ca|ca.1100-771 BCE|ca.1100-771 BCE|||||0||||0|||||Bronze|bronze|||||bronzing|||||65.4 cm high, 19.7 cm diam. of mouth||9725|Sian: Zhouyuan Museum|Sian: Zhouyuan Museum||Vessels ; Inscriptions ; Animals ; Rings ; |Vessels|Inscriptions|Animals|Rings||||||Cornell||BZ|BZ|6/13/2006 0:00:00|5/25/2006 0:00:00||||0|||||||MTL|||CHINA|ZHOU|||| ||||||||Work|0||Unearthed in 1976.||||||||||0|0|Vessel (Hu), Inscribed| 6956.00|0|Creator|15|CHINA|JADE|SHANG||CHINA JADE SHANG |Chime With Design Of Crouching Tiger|Descriptive|Image Source (Pub)|||||||Chime With Design Of Crouching Tiger|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0||||0||||0|Wuguan village, Anyang, Henan Province, China|||10860|Jewelry|Chime|Jade||BCE|-17|-16|-15|1600|1100|ca|ca. 1600-ca. 1100 BCE|ca. 1600-ca. 1100 BCE|||||0||||0|||||Stone|stone|||||engraving (incising)|||||84 x 42 x 2.5 cm||290|Beijing: National Museum of Chinese History|Beijing: National Museum of Chinese History||Musical instruments ; Stone ; |Musical instruments|Stone||||||||Cornell||BZ|BZ|5/25/2006 0:00:00|5/25/2006 0:00:00||||0|||||||JADE|||CHINA|SHANG|||| ||||||||Work|0||Unearthed in 1950.||||||||||0|0|Chime With Design Of Crouching Tiger| 6957.00|0|Site|02|B-R1|Yuh|3.3 Yaos||B-R1 Yuh 3.3 Yaos |Mound Remains Of The Earthen Outdoor Altar At Yaoshan|Descriptive|Image Source (Pub)|||||||Mound Remains Of The Earthen Outdoor Altar At Yaoshan|0|||||0||||0|||||Chinese|||Neolithic|||Asia||China||||||0|Yuhang county, Zhejiang Province, China|||10861||||0||||0|Architecture|Archaeological site|Tomb|Altar|BCE|-37|-36|-35|3600|2000|ca|ca. 3600-ca. 2000 BCE|ca. 3600-ca. 2000 BCE|||||0||||0||||||||||||||||||||||Altars ; Tombs ; |Altars|Tombs||||||||Cornell||BZ|BZ|5/25/2006 0:00:00|5/25/2006 0:00:00||Yuh||0||||||Yaos|B|||||R1|3.3||||||||||Work|0|Architecture-China|Neolithic period, Liangzhu culture (ca. 3600-ca. 2000 BCE).||||||||||0|0|Mound Remains Of The Earthen Outdoor Altar At Yaoshan| 6958.00|0|Site|02|B-R1|Jiangsu|3.3 Sid||B-R1 Jiangsu 3.3 Sid |Outdoor Altars And Jade Cong|Descriptive|Image Source (Pub)|||||||Outdoor Altars And Jade Cong|0|||||0||||0|||||Chinese|||Neolithic|||Asia||China||||||0|Jiangsu Province, China|||10862||||0||||0|Architecture|Archaeological site|Reconstruction|Drawing|BCE|-37|-36|-35|3600|2000|ca|ca. 3600-ca. 2000 BCE|ca. 3600-ca. 2000 BCE|||||0||||0||||||||||||||||||||||Altars ; Jewelry ; Reconstructions ; |Altars|Jewelry|Reconstructions|||||||Cornell||BZ|BZ|5/25/2006 0:00:00|5/25/2006 0:00:00||Jiangsu||0||||||Sid|B|||||R1|3.3||||||||||Work|0|Architecture-China|A:1.Reconstruction of outdoor altar at Sidun, Jiangsu Province. A:2.Drawing of jade cong. B.Reconstruction of outdoor altar at Zhaolingshan, Jiangsu Province. Neolithic period, Liangzhu culture (ca. 3600-ca. 2000 BCE).||||||||||0|0|Outdoor Altars And Jade Cong| 6959.00|0|Creator|15|CHINA|JADE|NEOLITHIC||CHINA JADE NEOLITHIC |Shape And Decor Of Three Exhibited Jade Prismatic Tubes (Cong)|Descriptive|Image Source (Pub)|||||||Shape And Decor Of Three Exhibited Jade Prismatic Tubes (Cong)|0|||||0||||0|||||Chinese|||Neolithic|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|Drawing||BCE|-37|-36|-35|3600|2000|ca|ca. 3600-ca. 2000 BCE|ca. 3600-ca. 2000 BCE|||||0||||0||||||jade|||||drawing (image-making)|||||||||||Jewelry ; |Jewelry|||||||||Cornell||BZ|BZ|5/25/2006 0:00:00|5/25/2006 0:00:00||||0|||||||JADE|||CHINA|NEOLITHIC||||||||||||Work|0||A. Cong from tomb of No.12, Fanshan, Zhejiang Province; B. Cong from Fuquanshan tomb No.9, Qingpu county, Shanghai; C. Cong from tomb No.3, Wujin county, Jiangsu Province. Neolithic period, Liangzhu culture (ca. 3600-ca. 2000 BCE).||||||||||0|0|Shape And Decor Of Three Exhibited Jade Prismatic Tubes (Cong)| 6960.00|0|Site|01|B-R1|Map|||B-R1 Map |Map Of China In The Tang Dynasty Showing Eurasia And The Silk Road|Collective Title|Image Source (Pub)|||||||Map Of China In The Tang Dynasty Showing Eurasia And The Silk Road|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0||||0|Maps|Map||||7|8|9|618|907||618-907|618-907|||||0||||0|||||||||||drawing (image-making)|||||||||||Maps ; |Maps|||||||||Cornell||BZ|BZ|5/25/2006 0:00:00|5/25/2006 0:00:00||||0|||||||B|||||R1|1.01||||||||||Work|0|Map-China|||||||||||0|0|Map Of China In The Tang Dynasty Showing Eurasia And The Silk Road| 6961.00|0|Creator|15|CHINA|MTL|ZHOU||CHINA MTL ZHOU |Reconstruction Of Mold Assembly For Lost-wax Casting|Descriptive|Image Source (Pub)|||||||Reconstruction Of Mold Assembly For Lost-wax Casting|0|||||0||||0|||||Chinese|||Zhou (Chou)|Eastern Zhou (E.Chou)||Asia||China||||||0||||0||||0||||0|Metalwork|Mold|Drawing||BCE|-8|-7|-6|770|256||770-256 BCE|770-256 BCE|||||0||||0|||||||||||molding|drawing (image-making)||||||||||Moldings ; Cats ; Reconstructions ; |Moldings|Cats|Reconstructions|||||||Cornell||BZ|BZ|5/25/2006 0:00:00|5/25/2006 0:00:00||||0|||||||MTL|||CHINA|ZHOU||||||||||||Work|0||||||||||||0|0|Reconstruction Of Mold Assembly For Lost-wax Casting| 6962.00|0|Creator|15|CHINA|POT|NEOLITHIC||CHINA POT NEOLITHIC |Goblet With Eggshell Walls And Openwork Stem|Descriptive|Image Source (Pub)|||||||Goblet With Eggshell Walls And Openwork Stem|0|||||0||||0|||||Chinese|||Neolithic|||Asia||China||||||0||||0||||0|Donghaiyu, Rizhao, Shandong Province, China|||10863|Ceramics|Ceramic|Goblet|Vessel|BCE|||||||3rd millennium BCE|3rd millennium BCE|||||0||||0|||||Burnished black earthenware|earthenware|||||ceramics|||||26.5 cm high||1187|Jinan: Shangdong Provincial Museum|Jinan: Shangdong Provincial Museum||Vessels ; Walls ; |Vessels|Walls||||||||Cornell||BZ|BZ|5/25/2006 0:00:00|5/25/2006 0:00:00||||0|||||||POT|||CHINA|NEOLITHIC|||| ||||||||Work|0||||||||||||0|0|Goblet With Eggshell Walls And Openwork Stem| 6963.00|0|Creator|15|CHINA|JADE|NEOLITHIC||CHINA JADE NEOLITHIC |Prismatic Tube (cong)|Descriptive|Image Source (Pub)|||||||Prismatic Tube (cong)|0|||||0||||0|||||Chinese|||Neolithic|||Asia||China||||||0||||0||||0|Wujin county, Jiangsu Province, China|||10865|Jewelry|Jade|||BCE|-37|-36|-35|3600|2000|ca|ca. 3600-ca. 2000 BCE|ca. 3600-ca. 2000 BCE|||||0||||0|||||Nephrite jade|nephrite|jade||||carving|||||29.7 x 6.1 cm (max.width)||9720|Nanjing: Nanjing Museum|Nanjing: Nanjing Museum||Jewelry ; |Jewelry|||||||||Cornell||BZ|BZ|5/25/2006 0:00:00|5/25/2006 0:00:00||||0|||||||JADE|||CHINA|NEOLITHIC|||| ||||||||Work|0||Unearthed in 1982. Neolithic Period, Liangzhu culture (ca. 3600-ca. 2000 BCE).||||||||||0|0|Prismatic Tube (cong)| 6964.00|0|Creator|15|CHINA|JADE|NEOLITHIC||CHINA JADE NEOLITHIC |Knife (Dao) With Semihuman Mask Motifs|Descriptive|Image Source (Pub)|||||||Knife (Dao) With Semihuman Mask Motifs|0|||||0||||0|||||Chinese|||Neolithic|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|Figure (representation)|Mask (costume)|BCE|-31|-30|-29|3000|1700|ca|ca. 3000-ca. 1700 BCE|ca. 3000-ca. 1700 BCE|||||0||||0|||||Nephrite jade|nephrite|jade||||carving|||||23.7 x 7.7 cm||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Knives ; Figures (representations) ; Masks ; Tools ; |Knives|Figures (representations)|Masks|Tools||||||Cornell||BZ|BZ|5/25/2006 0:00:00|5/25/2006 0:00:00||||0|||||||JADE|||CHINA|NEOLITHIC|||| ||||||||Work|0||Longshan culture (ca. 3000-ca. 1700 BCE).||||||||||0|0|Knife (Dao) With Semihuman Mask Motifs| 6965.00|0|Creator|15|CHINA|JADE|XIA OR SHANG||CHINA JADE XIA OR SHANG |Blade (Zhang)|Descriptive|Image Source (Pub)|||||||Blade (Zhang)|0|||||0||||0|||||Chinese|||Xia|Shang||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|||BCE|-23|-22|-21|2200|1100|ca|ca. 2200-ca. 1100 BCE|ca. 2200-ca. 1100 BCE|||||0||||0|||||Nephrite jade|nephrite|jade||||carving|||||37 x 11.2 x 0.6 cm||292|Beijing: Palace Museum|Beijing: Palace Museum||Jewelry ; Knives ; Tools ; |Jewelry|Knives|Tools|||||||Cornell||BZ|BZ|5/25/2006 0:00:00|5/25/2006 0:00:00||||0|||||||JADE|||CHINA|XIA /SHANG|||| ||||||||Work|0||Xia or Shang period (ca. 2200-ca. 1100 BCE).||||||||||0|0|Blade (Zhang)| 6966.00|0|Creator|15|CHINA|JADE|ZHOU||CHINA JADE ZHOU |Dagger-ax (Ge) With Grooved Blade|Descriptive|Image Source (Pub)|||||||Dagger-ax (Ge) With Grooved Blade|0|||||0||||0|||||Chinese|||Zhou (Chou)|Western Zhou (W.Chou)||Asia||China||||||0||||0||||0|East Sidaoxiang, Sian, Shaanxi Province, China|||10866|Jewelry|Jade|Dagger (weapon)|Axe (weapon)|BCE|-12|-11|-10|1100|771|ca|ca. 1100-771 BCE|ca. 1100-771 BCE|||||0||||0|||||Nephrite jade|nephrite|jade||||carving|||||25.4 x 6.1 cm||9711|Sian: Shaanxi History Museum|Sian: Shaanxi History Museum||Weapons ; Daggers ; Axes (tools) ; |Weapons|Daggers|Axes (tools)|||||||Cornell||BZ|BZ|5/25/2006 0:00:00|5/25/2006 0:00:00||||0|||||||JADE|||CHINA|ZHOU|||| ||||||||Work|0||Unearthed in 1983.||||||||||0|0|Dagger-ax (Ge) With Grooved Blade| 6967.00|0|Category|07|S-05.5|Vergina|||S-05.5 Vergina |Decorated Gorytos|Descriptive|Image Source (Pub)|||||||Royal Tombs. Decorated Gorytos|0|||||0||||0|||||Greek|||Hellenistic|||Europe|Macedonia|Greece||||||0||||0|Vergina, Greece|||10855|||||Metalwork|Armor|||BCE|-4|||-340|-320|ca|ca 340-320 BCE|ca -340--320||Royal Tombs|||6938||||0|||||Gold||gold||||metalworking|||||||2855|Thessaloniki: Archeological Museum|Thessalon.: Archeol. Mus.||||||||||||Cornell||HB|HB|6/2/2006 0:00:00|5/26/2006 0:00:00|||Ver|0||||||Vergina|S|||05.5||||| ||||||||Work|0|Jewelry, Jewels, Metalwork-Greek|||||||||||0|0|Decorated Gorytos| 6968.00|0|Category|07|V-05.5|Vergina|||V-05.5 Vergina |Cloth from Tomb of Philip II of Macedon|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||Greek|||Hellenistic|||Europe|Macedonia|Greece||||||0||||0|Vergina, Greece|||10855||||0|Textiles|Funerary object|||BCE|-4|||-399|-300|ca|4th Century BCE|ca -399--300||Royal Tombs|||6938||||0||||||gold thread|cloth||||weaving|||||||2855|Thessaloniki: Archeological Museum|Thessalon.: Archeol. Mus.||||||||||||Cornell||HB|HB|6/2/2006 0:00:00|5/26/2006 0:00:00|||Ver|0||||||Vergina|V|||05.5||||| ||||||||Work|0|Tapestry, Textiles, Embroidery-Greek|||||||||||0|0|Cloth from Tomb of Philip II of Macedon| 6969.00|0||||||||An Antiquary's Shop in Naples|Assigned|Print Publication|||||||An Antiquary's Shop in Naples|0|||||0||||0|||||Italian||||||Europe||Italy||||||0||||0||||0||||0|Paintings|Painting|Gouache|||18|||1798|1798||1798|1798-1798|||||0||||0|||||Gouache|gouache|||||painting (image-making)|||||44 x 59 cm||3503|Rome: Private Collection|Rome: Private Coll.||Men (male humans) ; Stores ; Antiquaries ; |Men (male humans)|Stores|Antiquaries|||||||Cornell||JNK|JNK|5/26/2006 0:00:00|5/26/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|An Antiquary's Shop in Naples| 6970.00|0|Category|07|F-07|Heraklitos|||F-07 Heraklitos |Floor of the Unswept Room|Descriptive|Collection|Asarotos oikos|||||||31213|Heraklitos||mosaicist|Heraklitos|0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0||||0||||0|Rome, Italy|||10024|Mosaics|Mosaic|Floor||CE|2|||100|199|ca|2nd Century CE|ca 100-199|||||0||||0|||||||||||mosaic|||||L = 4.05 m||3064|Rome: Vatican; Museo Gregoriano Etrusco|Rome: Vatican; Mus. Greg. Etr.||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|5/30/2006 0:00:00||||0||||||Heraklitos|F|||07||||| ||||||||Work|0|Mosaics-Roman|Roman copy of an original by Sosos at Pergamum (lost). Original is described by Pliny the Elder. Found on the Aventine in Rome.||||||||||0|0|Floor of the Unswept Room;Asarotos oikos|Heraklitos 6971.00|0|Category|07|F-07|Tunisia|||F-07 Tunisia |The Dermech Hunting Mosaic|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||Roman|||Late Antique|||Africa||Tunisia||||||0||||0||||0|Carthage, Tunisia|||10163|Mosaics|Mosaic|Floor||CE|4|||297|350|ca|Early 4th Century|ca 297-350|||||0||||0|||||Marble/Limestone/Glass|marble|limestone|glass (material)|||mosaic|||||8.5 x 7 m||9732|Carthage: Musée National de Carthage|Carthage: Musée National de Carthage||Hunting ; Boar ; Elephants ; Lions ; Ships ; Horses ; |Hunting|Boar|Elephants|Lions|Ships|Horses||||Cornell||HB|HB|6/16/2006 0:00:00|5/30/2006 0:00:00||||0||||||Tunisia|F|||07||||| ||||||||Work|0|Mosaics-Roman|||||||||||0|0|The Dermech Hunting Mosaic| 6972.00|0||||||||Edward Augustus, Duke of York|Assigned|Print Publication|||||||Edward Augustus, Duke of York|13467|Batoni, Pompeo Girolamo||painter|Batoni, Pompeo Girolamo|0||||0|||||Italian||||||Europe||Italy||||||0||||0||||0||||0|Paintings|Oil painting|Painting|Portrait||18|||1764|1764||1764|1764-1764|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||137.8 x 100.3 cm||3289|London: Her Majesty Queen Elizabeth (Prefer London: Royal Coll.)|London: Royal Coll.||Portraits ; Edward Augustus, Prince, duke of York and Albany ; |Portraits|Edward Augustus, Prince, duke of York and Albany||||||||Cornell||JNK|JNK|5/30/2006 0:00:00|5/30/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Edward Augustus, Duke of York|Batoni, Pompeo Girolamo 6973.00|0|Category|07|F-07|Tunisia|||F-07 Tunisia |Hunting Mosaic||||||||||0|||||0||||0|||||Roman|||Late Antique|||Africa||Tunisia||||||0||||||||0|El Jemm, Tunisia|||10867|Mosaics|Mosaic|Floor||CE|3|4||201|400|ca|3rd or 4th Century CE|ca 201-400|||||0||||0|||||||||||mosaic|||||3.72 x 3.28 m||3009|Tunis: Musee National du Bardo|Tunis: Mus. Nat. Bardo||Hares ; Hunting ; |Hares|Hunting||||||||Cornell||HB|HB|6/16/2006 0:00:00|5/30/2006 0:00:00||||0||||||Tunisia|F|||07||||| ||||||||Work|0|Mosaics-Roman|||||||||||0|0|Hunting Mosaic| 6974.00|0||||||||Charles Townley and friends in the Park Street Gallery, Westminster|Assigned|Repository|Charles Townley's Library at 7 Park Street, Westminster|Variant|Print Publication||||Charles Townley and friends in the Park Street Gallery, Westminster|13118|Zoffany, Johann||painter|Johann Zoffany|0||||0|||||English||||||Europe||England||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||18|||1781|1783||1781-1783|1781-1783|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||127 x 99 cm||507|Burnley: Towneley Hall Art Gallery and Museums|Burnley: Towneley Hall||Interior views ; Antiquaries ; Sculpture (visual work) ; Portraits ; Discobolus ; Townley, Charles, 1737–1805 ; Astle, Thomas, 1735–1803 ; Greville, Charles Francis, 1749-1809 ; D'Hancarville, Baron, 1719-1805|Interior views|Antiquaries|Sculpture (visual work)|Portraits|Discobolus|Townley, Charles, 1737–1805|Astle, Thomas, 1735–1803|Greville, Charles Francis, 1749-1809|D'Hancarville, Baron, 1719-1805|Cornell||JNK|JNK|5/30/2006 0:00:00|5/30/2006 0:00:00||||0||||||||||||||| |||||||||0||The Discobolus was discovered eight years after the painting was completed….It was Townley's last major purchase andhe asked Zoffany to add it to his picture…Townley Hall Art Gallery and Museums.|||Repository gives the date 1782.|||||||0|0|Charles Townley and friends in the Park Street Gallery, Westminster;Charles Townley's Library at 7 Park Street, Westminster|Zoffany, Johann 6975.00|0||||||||Villa on the Nile|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||||||||||||||||0|Leptis Magna, Libya|||10344||||0||||0|Archaeological Sites|Villa|House|||||||||2nd Century CE||||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|5/30/2006 0:00:00||LepMag||0||||||||||||||||||||||||0||||||||||||0|0|Villa on the Nile| 6976.00|0|Site|02|B-M3|LepMag|7.1 Villa||B-M3 LepMag 7.1 Villa |Mosaic: Fisherman at the Sea Shore|Descriptive|Image Source (Pub)|||||||Villa on the Nile. Mosaic: Fisherman at the Sea Shore|0|||||0||||0|||||Roman|||Imperial (Roman)|||Africa||Libya||||||0||||0||||0|Leptis Magna, Libya|||10344|Mosaics|Mosaic mos|Floor||CE|2|3||175|225|ca|Late 2nd or early 3rd C|ca 175-225||Villa on the Nile|LargerEntity||6975||||0|||||Marble/Limestone/Basalt|marble|limestone|basalt|||mosaic|||||3.78 x 1.20 m||2982|Tripoli: Archaeological Museum|Tripoli: Archeol. Mus.||Fishermen ; |Fishermen|||||||||Cornell||HB|HB|6/16/2006 0:00:00|5/30/2006 0:00:00||LepMag||0||||||Villa|B|||||M3|7.1|| ||||||||Work|0|Architecture-Libya|One of four panels||||||||||0|0|Mosaic: Fisherman at the Sea Shore| 6977.00|0||||||||Madonna and Child||||||||||0|Gentile da Fabriano||||0||||0|||||||||||||||||||0||||0||||0||||0|||||||||||||ca. 1422|||||0||||0||||||||||||||||||||National Gallery of Art||||||||||||Cornell||MNW|MNW|5/31/2006 0:00:00|5/31/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|| 6978.00|0||||||||Adoration of the Magi|||Strozzi Altarpiece||||||Adoration of the Magi (Strozzi Altarpiece)|4387|Gentile da Fabriano|||Gentile da Fabriano|0||||0|||||||||||||||||||0||||||||0||||0|||||||||||||1423|||||0||||0||||||||||||||||||3426|Florence: Galleria degli Uffizi|Florence: Galleria degli Uffizi||Adoration of the Magi ; |Adoration of the Magi|||||||||Cornell||MNW|JNK|8/11/2006 0:00:00|5/31/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Adoration of the Magi;Strozzi Altarpiece|Gentile da Fabriano 6979.00|0|Creator|15|CHINA|JADE|ZHOU||CHINA JADE ZHOU |Fourteen-piece Burial Mask|Descriptive|Image Source (Pub)|||||||Fourteen-piece Burial Mask|0|||||0||||0|||||Chinese|||Zhou (Chou)|Western Zhou (W.Chou)||Asia||China||||||0||||0||||0|Guo State Tomb No.2001, Sanmenxia, Henan|||10868|Jewelry|Jade|Mask (costume)||BCE|-12|-11|-10|1100|771|ca|ca. 1100-771 BCE|ca. 1100-771 BCE|||||0||||0|||||Nephrite jade|nephrite|jade||||carving|||||10.7 cm max. width||9726|Zhengzhou: Henan Provincial Institute of Archaeology and Cultural Relics|Henan Institute of Archaeology and Cultural Relics||Masks ; Jewelry ; Figures (representations) ; |Masks|Jewelry|Figures (representations)|||||||Cornell||BZ|BZ|6/13/2006 0:00:00|5/31/2006 0:00:00||||0|||||||JADE|||CHINA|ZHOU|||| ||||||||Work|0||Unearthed in 1990.||||||||||0|0|Fourteen-piece Burial Mask| 6980.00|0|Creator|15|CHINA|JADE|ZHOU||CHINA JADE ZHOU |Ring (Huan) With Abstract Designs|Descriptive|Image Source (Pub)|||||||Ring (Huan) With Abstract Designs|0|||||0||||0|||||Chinese|||Zhou (Chou)|Eastern Zhou (E.Chou)|Warring States|Asia||China||||||0||||0||||0|Xujialing Tomb No.9, Xichuan county, Henan|||10839|Jewelry|Jade|||BCE|-5|-4|-3|475|221||475-221 BCE|475-221 BCE|||||0||||0|||||Nephrite jade|nephrite|jade||||carving|||||10.6 cm diam.||9726|Zhengzhou: Henan Provincial Institute of Archaeology and Cultural Relics|Henan Institute of Archaeology and Cultural Relics||Rings ; Jewelry ; |Rings|Jewelry||||||||Cornell||BZ|BZ|5/31/2006 0:00:00|5/31/2006 0:00:00||||0|||||||JADE|||CHINA|ZHOU|||| ||||||||Work|0||Unearthed in 1991.||||||||||0|0|Ring (Huan) With Abstract Designs| 6981.00|0|Creator|15|CHINA|JADE|HAN||CHINA JADE HAN |Chimera (Bixie)|Descriptive|Image Source (Pub)|||||||Chimera (Bixie)|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0||||0||||0|Jewelry|Jade|||BCE|-3|-2|-1|206|220||206 BCE-220 CE|206 BCE-220 CE|||||0||||0|||||Nephrite jade|nephrite|jade||||carving|||||13.5 x 8.5 cm||292|Beijing: Palace Museum|Beijing: Palace Museum||Jewelry ; Animals ; Lions ; |Jewelry|Animals|Lions|||||||Cornell||BZ|BZ|5/31/2006 0:00:00|5/31/2006 0:00:00||||0|||||||JADE|||CHINA|HAN|||| ||||||||Work|0||||||||||||0|0|Chimera (Bixie)| 6982.00|0|Category|07|F-07|Syria|||F-07 Syria |Personification of the River Tigris|Descriptive|Repository|||||||Personification of the River Tigris|0|||||0||||0|||||Roman|||Imperial (Roman)|||Asia||Syria||||||0||||0||||0||||0|Mosaics|Floor|Mosaic||CE|2|3||175|325|ca|Late 2nd/3rd Century|ca 175-325|||||0||||0|||||||||||mosaic|||||144.15 x 142.88 cm||9483|Detroit, MI: Detroit Institute of Arts|Detroit, MI: Inst. A.||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|5/31/2006 0:00:00||||0||#1753||||Syria|F|||07||||| ||||||||Work|0|Mosaics-Roman|||||||||||0|0|Personification of the River Tigris| 6983.00|0|Creator|15|CHINA|JADE|SIX DYN||CHINA JADE SIX DYN |Vessel (Lian Or Zun) With Design Of Deties, Animals, And Masks|Descriptive|Image Source (Pub)|||||||Vessel (Lian Or Zun) With Design Of Deties, Animals, And Masks|0|||||0||||0|||||Chinese|||Six Dynasties|Western Jin (W.Chin)||Asia||China||||||0||||0||||0|Tomb of Liu Hong, Huangshantou, Anxiang, Hunan|||10869|Jewelry|Jade|Vessel|Mask (costume)||3|4||265|316||265-316|265-316|||||0||||0|||||Nephrite jade|nephrite|jade||||carving|||||10.5 cm high||9733|Administrative Office for Cultural Relics, Anxiang County, Hunan Province, China|Hunan Administrative Office for Cultural Relics||Vessels ; Animals ; Masks ; Bears ; Figures (representations) ; |Vessels|Animals|Masks|Bears|Figures (representations)|||||Cornell||BZ|BZ|5/31/2006 0:00:00|5/31/2006 0:00:00||||0|||||||JADE|||CHINA|SIX DYN|||| ||||||||Work|0||Unearthed in 1991.||||||||||0|0|Vessel (Lian Or Zun) With Design Of Deties, Animals, And Masks| 6984.00|0|Category|07|F-07|Roman|||F-07 Roman |Mosaic of the Outdoor Banquet|Descriptive|Print Publication|||||||Mosaic of the Outdoor Banquet|0|||||0||||0|||||Roman|||Late Antique|||Europe||Italy||||||0||||0||||0|Ostia Antica, Italy|||10772|Mosaics|Floor|Mosaic||CE|4|||301|400|ca|4th Century|ca 301-400|||||0||||0|||||Marble/Glass|marble|glass (material)||||mosaic|||||58.4 x 58.1 cm||9483|Detroit, MI: Detroit Institute of Arts|Detroit, MI: Inst. A.||Banquets (Feasts) ; |Banquets (Feasts)|||||||||Cornell||HB|HB|6/16/2006 0:00:00|5/31/2006 0:00:00||||0||3002||||Roman|F|||07||||| ||||||||Work|0|Mosaics-Roman|||||||||||0|0|Mosaic of the Outdoor Banquet| 6985.00|0|Creator|15|CHINA|LAC|MING||CHINA LAC MING |Round Covered Box With Figures Viewing A Waterfall, Inscribed|Descriptive|Image Source (Pub)|||||||Round Covered Box With Figures Viewing A Waterfall, Inscribed|0|||||0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Lacquerware|Lacquerware|Box (container)|Figure (representation)||15|||1403|1424||1403-1424|1403-1424|||||0||||0|||||Carved lacquer on a fabric-covered wood core|lacquer|wood (plant material)||||carving|||||7.7 cm high, 22 cm diam. of mouth||292|Beijing: Palace Museum|Beijing: Palace Museum||Boxes (containers) ; Figures (representations) ; Landscapes ; Inscriptions ; Pine ; Mountains ; Rivers ; Rock ; Palaces|Boxes (containers)|Figures (representations)|Landscapes|Inscriptions|Pine|Mountains|Rivers|Rock|Palaces|Cornell||BZ|BZ|6/15/2006 0:00:00|5/31/2006 0:00:00||||0|||||||LAC|||CHINA|MING|||| ||||||||Work|0||Yongle mark and period (1403-0424).||||||||||0|0|Round Covered Box With Figures Viewing A Waterfall, Inscribed| 6986.00|0|Creator|15|CHINA|TEX|HAN||CHINA TEX HAN |Gauze With Patterns Of Pine-bark Lozenges, Signifying Longevity|Descriptive|Image Source (Pub)|||||||Gauze With Patterns Of Pine-bark Lozenges, Signifying Longevity|0|||||0||||0|||||Chinese|||Han (Chinese)|Western Han||Asia||China||||||0||||0||||0|Mawangdui, China|||10767|Textiles|Textile|||BCE|-3|-2|-1|206|8|||206 BCE-8 CE|||||0||||0|||||Silk gauze|silk (textile)|||||tapestry (process)|||||75 x 48 cm||592|Changsha: Hunan Provincial Museum|Changsha: Hunan Provincial Museum||Textiles ; |Textiles|||||||||Cornell||BZ|BZ|5/31/2006 0:00:00|5/31/2006 0:00:00||||0|||||||TEX|||CHINA|HAN|||| ||||||||Work|0||Unearthed in 1972.||||||||||0|0|Gauze With Patterns Of Pine-bark Lozenges, Signifying Longevity| 6987.00|0|Site|02|B-L8|Ant/Dap|7.5 Men||B-L8 Ant/Dap 7.5 Men |Mosaic of Erotes Fishing|Descriptive|Cataloger|||||||House of Menander. Mosaic of Erotes Fishing|0|||||0||||0|||||Roman|||Imperial (Roman)|||Asia||Turkey||||||0||||0|Antakya, Turkey|||10870||||0|Mosaics|Floor|Mosaic||CE|3|||201|300|ca|3rd Century|ca 201-300||House of Menander|LargerEntity||6990||||0|||||||||||mosaic|||||||3170|Washington, DC: Dumbarton Oaks Research Library and Collection|Wash, DC: Dumbarton Oaks||Boys ; Fish ; |Boys|Fish||||||||Cornell||HB|HB|6/16/2006 0:00:00|5/31/2006 0:00:00||Ant/Dap||0||||||Men|B|||||L8|7.5|| ||||||||Work|0|Architecture-Turkey|||||||||||0|0|Mosaic of Erotes Fishing| 6988.00|0|Creator|15|CHINA|SC|HAN||CHINA SC HAN |Kneeling Woman Holding A Mirror|Descriptive|Image Source (Pub)|||||||Kneeling Woman Holding A Mirror|0|||||0||||0|||||Chinese|||Han (Chinese)|Eastern Han||Asia||China||||||0||||0||||0|Pi County, Sichuan Province, China|||10752|Sculpture|Sculpture|Figure (representation)|Mirror||1|2|3|25|220||25-220|25-220|||||0||||0|||||Earthenware with red pigment|earthenware|pigment||||sculpture|carving||||61.4 cm high||9695|Chengdu: Sichuan Provincial Museum|Chengdu: Sichuan Provincial Museum||Sculpture (visual work) ; Figures (representations) ; Women ; Mirrors ; Flowers ; |Sculpture (visual work)|Figures (representations)|Women|Mirrors|Flowers|||||Cornell||BZ|BZ|5/31/2006 0:00:00|5/31/2006 0:00:00||||0|||||||SC|||CHINA|HAN|||| ||||||||Work|0||Unearthed in 1963.||||||||||0|0|Kneeling Woman Holding A Mirror| 6989.00|0|Creator|15|CHINA|SC|HAN||CHINA SC HAN |Model Of Tower And Pond With Animals|Collective Title|Image Source (Pub)|||||||Model Of Tower And Pond With Animals|0|||||0||||0|||||Chinese|||Han (Chinese)|Eastern Han||Asia||China||||||0||||0||||0|Xichuan county, Henan Province, China|||10871|Sculpture|Sculpture|Model (representation)|Tower (building division)||1|2|3|25|220||25-220|25-220|||||0||||0|||||Glazed earthenware|earthenware|||||sculpture|carving||||45 cm high, 55 cm diam. of basin||9683|Zhengzhou: Henan Provincial Museum|Zhengzhou: Henan Provincial Museum||Models (people) ; Towers (single built works) ; Animals ; Deer ; Chickens ; Figures (representations) ; Bridges (built works) ; Musical instruments ; Horses|Models (people)|Towers (single built works)|Animals|Deer|Chickens|Figures (representations)|Bridges (built works)|Musical instruments|Horses|Cornell||BZ|BZ|6/13/2006 0:00:00|5/31/2006 0:00:00||||0|||||||SC|||CHINA|HAN|||| ||||||||Work|0||Unearthed in 1964.||||||||||0|0|Model Of Tower And Pond With Animals| 6990.00|0||||||||House of Menander|Descriptive|Print Publication||||||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Asia||Turkey||||||0|Daphne, Turkey|||10872||||0||||0|Archaeological Sites|House|||CE|3|||201|300|ca|3rd Century|ca 201-300|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/15/2006 0:00:00|5/31/2006 0:00:00||Ant/Dap||0||||||Men||||||||||||||||||0||||||||||||0|0|House of Menander| 6991.00|0|Creator|15|CHINA|SC|HAN||CHINA SC HAN |Recumbent Dog|Descriptive|Image Source (Pub)|||||||Recumbent Dog|0|||||0||||0|||||Chinese|||Han (Chinese)|Eastern Han||Asia||China||||||0||||0||||0|Nanyang, Henan Province, China|||10873|Sculpture|Sculpture||||1|2|3|25|220||25-220|25-220|||||0||||0|||||Glazed earthenware|earthenware|||||sculpture|||||47 x 44 x 20 cm||9734|Nanyang Municipal Museum|Nanyang Municipal Museum||Dogs ; Animals ; Sculpture (visual work) ; |Dogs|Animals|Sculpture (visual work)|||||||Cornell||BZ|BZ|5/31/2006 0:00:00|5/31/2006 0:00:00||||0|||||||SC|||CHINA|HAN|||| ||||||||Work|0||||||||||||0|0|Recumbent Dog| 6992.00|0|Creator|15|CHINA|SC|HAN||CHINA SC HAN |Tower|Descriptive|Image Source (Pub)|||||||Tower|0|||||0||||0|||||Chinese|||Han (Chinese)|||Asia||China||||||0||||0||||0|Jiunüzhong, Huaiyang county, Henan Province, China|||10874|Sculpture|Sculpture|Tower (building division)|Figure (representation)|BCE|-3|-2|-1|206|220|||206 BCE-220 CE|||||0||||0|||||Earthenware|earthenware|||||sculpture|carving||||147 cm high||9683|Zhengzhou: Henan Provincial Museum|Zhengzhou: Henan Provincial Museum||Towers (single built works) ; Sculpture (visual work) ; Figures (representations) ; Birds ; Animals ; |Towers (single built works)|Sculpture (visual work)|Figures (representations)|Birds|Animals|||||Cornell||BZ|BZ|5/31/2006 0:00:00|5/31/2006 0:00:00||||0|||||||SC|||CHINA|HAN|||| ||||||||Work|0||Unearthed in 1952.||||||||||0|0|Tower| 6993.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Horse|Descriptive|Image Source (Pub)|||||||Horse|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0|Luoyang, China|||10780|Sculpture|Sculpture||||7|8|9|618|907||618-907|618-907|||||0||||0|||||Earthenware with pigment|earthenware|pigment||||sculpture|carving||||87 x 93 cm||9683|Zhengzhou: Henan Provincial Museum|Zhengzhou: Henan Provincial Museum||Sculpture (visual work) ; Horses ; Animals ; |Sculpture (visual work)|Horses|Animals|||||||Cornell||BZ|BZ|5/31/2006 0:00:00|5/31/2006 0:00:00||||0|||||||SC|||CHINA|TANG|||| ||||||||Work|0||||||||||||0|0|Horse| 6994.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Camel|Descriptive|Image Source (Pub)|||||||Camel|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0|Guanlin, Luoyang, Henan Province, China|||10875|Sculpture|Sculpture||||7|8|9|618|907||618-907|618-907|||||0||||0|||||Earthenware with three-color (sancai) glaze|earthenware|color (pigment)||||sculpture|carving||||81 x 68 cm||9735|Luoyang Cultural Relics Work Team|Luoyang Cultural Relics Work Team||Sculpture (visual work) ; Camels ; |Sculpture (visual work)|Camels||||||||Cornell||BZ|BZ|5/31/2006 0:00:00|5/31/2006 0:00:00||||0|||||||SC|||CHINA|TANG|||| ||||||||Work|0||Unearthed in 1973.||||||||||0|0|Camel| 6995.00|0|Category|07|F-07|Tunisia|||F-07 Tunisia |Mosaic of the Months and Seasons|Descriptive|Print Publication||||||||0|||||0||||0|||||Roman|||Late Antique|||Africa||Libya||||||0||||0|Carthage, Tunisia|||10163||||0|Mosaics|Floor|Mosaic||CE|4|||350|400|ca|ca 350-400|ca 350-400|||||0||||0|||||Limestone/Marble|limestone|marble||||mosaic|||||8.4 x 7.2 m||3373|London: British Museum|London: British Museum||Summer ; Spring ; Months ; |Summer|Spring|Months|||||||Cornell||HB|HB|6/16/2006 0:00:00|5/31/2006 0:00:00|||Car|0||||||Tunisia|F|||07||||| ||||||||Work|0|Mosaics-Roman|Only two seasons and 4 months remain, in fragments||||||||||0|0|Mosaic of the Months and Seasons| 6996.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Civil Official|Descriptive|Image Source (Pub)|||||||Civil Official|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0|Guanlin, Luoyang, Henan Province, China|||10875|Sculpture|Sculpture|Figure (representation)|||7|8|9|618|907||618-907|618-907|||||0||||0|||||Earthenware with three-color (sancai) glaze|earthenware|color (pigment)||||sculpture|carving||||107 cm high||9690|Luoyang Municipal Museum|Luoyang Municipal Museum||Sculpture (visual work) ; Figures (representations) ; Men (male humans) ; |Sculpture (visual work)|Figures (representations)|Men (male humans)|||||||Cornell||BZ|BZ|5/31/2006 0:00:00|5/31/2006 0:00:00||||0|||||||SC|||CHINA|TANG|||| ||||||||Work|0||||||||||||0|0|Civil Official| 6997.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Tomb Guardian|Descriptive|Image Source (Pub)|||||||Tomb Guardian|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0|Tomb of An Pu at Longmen, Luoyang, Henan|||10876|Sculpture|Sculpture||||7|8|9|618|907||618-907|618-907|||||0||||0|||||Earthenware with three-color (sancai) glaze|earthenware|color (pigment)||||carving|sculpture||||103.5 cm high||9735|Luoyang Cultural Relics Work Team|Luoyang Cultural Relics Work Team||Sculpture (visual work) ; Guardsmen ; |Sculpture (visual work)|Guardsmen||||||||Cornell||BZ|BZ|5/31/2006 0:00:00|5/31/2006 0:00:00||||0|||||||SC|||CHINA|TANG|||| ||||||||Work|0||Unearthed in 1981.||||||||||0|0|Tomb Guardian| 6998.00|0|Creator|25|32|C689-PA|1842||32 C689-PA 1842 |Youth|Assigned|Repository|||||||The Voyage of Life. Youth|2475|Cole, Thomas||painter|Thomas Cole|0||||0|||||American|||Hudson River School|||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting||||19|||1842|1842||1842|1842-1842||The Voyage of Life|Larger entity||6856||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||134.3 x 194.9 cm||3367|Washington, DC: National Gallery of Art|Wash, DC: National Gallery||Landscapes ; Children (people by age group) ; Men (male humans) ; Boats ; Mountains ; Buildings ; Rivers ; |Landscapes|Children (people by age group)|Men (male humans)|Boats|Mountains|Buildings|Rivers|||Cornell||JNK|JNK|5/31/2006 0:00:00|5/31/2006 0:00:00|C689|||0||1971.16.2|||||32|PA|||||1842|| ||||||||Work|0||||||||||||0|0|Youth|Cole, Thomas 7000.00|0|Category|07|F-07|Libya|||F-07 Libya |Mosaic of the Four Season|Descriptive|Print Publication||||||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Africa||Libya||||||0|||||Zlitan, Libya|||10879||Near|||Mosaics|Floor|Mosaic||CE|3|||200|235|ca|ca 200-235|ca 200-235|||||0||||0|||||Limestone/Marble/Glass|limestone|marble|glass (material)|||mosaic|opus sectile||||3.54 x 2.36 m||2982|Tripoli: Archaeological Museum|Tripoli: Archeol. Mus.||Spring ; Summer ; Autumn ; Winter ; |Spring|Summer|Autumn|Winter||||||Cornell||HB|HB|6/16/2006 0:00:00|5/31/2006 0:00:00||||0||||||Libya|F|||07||||| ||||||||Work|0|Mosaics-Roman|||||||||||0|0|Mosaic of the Four Season| 7001.00|0|Creator|15|32|C689-PA|1842|3|32 C689-PA 1842 3|Manhood|Assigned|Repository|||||||The Voyage of Life. Manhood|2475|Cole, Thomas||painter|Thomas Cole|0||||0|||||American|||Hudson River School|||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting||||19|||1842|1842||1842|1842-1842||The Voyage of Life|Larger entity||6856||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||134.3 x 202.6 cm||3367|Washington, DC: National Gallery of Art|Wash, DC: National Gallery||Men (male humans) ; Landscapes ; Rivers ; |Men (male humans)|Landscapes|Rivers|||||||Cornell||JNK|JNK|5/31/2006 0:00:00|5/31/2006 0:00:00|C689|||0||1971.16.3|||||32|PA|||||1842|| ||||||||Work|0||||||||||||0|0|Manhood|Cole, Thomas 7002.00|0|Creator|15|CHINA|SC|YUAN||CHINA SC YUAN |Four Brick Reliefs With Figures|Descriptive|Image Source (Pub)|||||||Four Brick Reliefs With Figures|0|||||0||||0|||||Chinese|||Yuan|||Asia||China||||||0||||0||||0|Xifengfeng village, Jiaozuo, Henan Province, China|||10877|Sculpture|Sculpture|Figure (representation)|Brick||12|14||1279|1368||1279-1368|1279-1368|||||0||||0|||||Earthenware|earthenware|||||carving|||||Various||9683|Zhengzhou: Henan Provincial Museum|Zhengzhou: Henan Provincial Museum||Sculpture (visual work) ; Figures (representations) ; Dancers ; Musical instruments ; |Sculpture (visual work)|Figures (representations)|Dancers|Musical instruments||||||Cornell||BZ|BZ|5/31/2006 0:00:00|5/31/2006 0:00:00||||0|||||||SC|||YUAN|CHINA|||| ||||||||Work|0||Unearthed in 1973. Dimensions: (1) 35 x 35.8 x 21 cm, (2) 34 x 29 x 22.5 cm, (3) 34 x 31 x 19.5 cm, (4) 35 x 19.5 x 10 cm.||||||||||0|0|Four Brick Reliefs With Figures| 7004.00|0|Site|02|B-B|USA|1.0 Cat+Rul/Bad/CI|||Illustrations of Iron Architecture, Made By the Architectural Iron Works of the City of New York|Published|LC NAF|||||||Illustrations of Iron Architecture, Made By the Architectural Iron Works of the City of New York|621|Badger, Daniel||builder|Daniel Badger|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Publications|Book||||19|||1865|1865||1865|1865-1865|||||0||||0|||||||||||printing|lithography||||||||||||||||||||Cornell||BZ|MNW|11/28/2006 0:00:00|5/31/2006 0:00:00||USA||0||||||Cat+Rul/Bad/CI|B|||||B|1.0||||||||||Work|0|Architecture-United States and Possessions|Reprinted by Dover Publications.|||Republished, 1981.|||||||0|0|Illustrations of Iron Architecture, Made By the Architectural Iron Works of the City of New York|Badger, Daniel 7005.00|0|Creator|15|32|C689-PA|1842|4|32 C689-PA 1842 4|Old Age|Assigned|Repository|||||||The Voyage of Life. Old Age|2475|Cole, Thomas||painter|Thomas Cole|0||||0|||||American|||Hudson River School|||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting||||19|||1842|1842||1842|1842-1842||The Voyage of Life|Larger entity||6856||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||133.4 x 196.2 cm||3367|Washington, DC: National Gallery of Art|Wash, DC: National Gallery||Men (male humans) ; Landscapes ; Rivers ; |Men (male humans)|Landscapes|Rivers|||||||Cornell||JNK|JNK|5/31/2006 0:00:00|5/31/2006 0:00:00|C689|||0||1971.16.4|||||32|PA|||||1842|| ||||||||Work|0||||||||||||0|0|Old Age|Cole, Thomas 7006.00|0|Creator|15|CHINA|POT|SHANG||CHINA POT SHANG |Jar With Incised Animal Mask Designs|Descriptive|Image Source (Pub)|||||||Jar With Incised Animal Mask Designs|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0||||0||||0|Anyang, China|||10570|Ceramics|Ceramic|Jar|Vessel|BCE|-17|-16|-15|1600|1100|ca|ca. 1600-ca. 1100 BCE|ca. 1600-ca. 1100 BCE|||||0||||0|||||White earthenware|earthenware|||||carving|engraving (incising)||||22.1 cm high, 9.1 cm diam.of mouth, 8.9 cm diam.of foot||292|Beijing: Palace Museum|Beijing: Palace Museum||Vessels ; Animals ; Masks ; |Vessels|Animals|Masks|||||||Cornell||BZ|BZ|5/31/2006 0:00:00|5/31/2006 0:00:00||||0|||||||POT|||CHINA|SHANG|||| ||||||||Work|0||||||||||||0|0|Jar With Incised Animal Mask Designs| 7007.00|0|Category|07|F-07|Syria|||F-07 Syria |Hunting Mosaic||||||||||0|||||0||||0|||||Roman|||Late Antique|||Asia||Syria||||||0||||0|Apamea, Syria|||10881||||0|Mosaics|Floor|Mosaic||CE|5|||400|425|ca|ca 400-425|ca 400-425|||||0||||0|||||||||||mosaic|||||12.30 x 8.60 m||4445|Brussels: Musees Royaux d'Art et D'Histoire; Pal.du Cinquantenaire|Brussels: MRAH; Pal. Cinq.||Hunting ; |Hunting|||||||||Cornell||HB|HB|6/16/2006 0:00:00|6/2/2006 0:00:00|||Apa|0||||||Syria|F|||07||||| ||||||||Work|0|Mosaics-Roman|||||||||||0|0|Hunting Mosaic| 7008.00|0|Category|07|C-07|R Rel|||C-07 R Rel |Altar of Domitius Ahenobarbus|Descriptive|Collection||||||||0|||||0||||0|||||Roman|||Republican|||Europe||Italy||||||0||||0||||0||||0|Sculpture|Altar|||BCE|-1|||-100|-70|ca|ca 100-70 BCE|ca -100--70|||||0||||0|||||||||||sculpture|relief||||||3341|Paris: Musée du Louvre|Paris: Louvre||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|6/2/2006 0:00:00||||0|||||||C|Rel||07|R|||| ||||||||Work|0|Sculpture-Roman|||||||||||0|0|Altar of Domitius Ahenobarbus| 7009.00|0|Site|02|B-H3|Rom|1.32 Tit||B-H3 Rom 1.32 Tit |Arch of Titus|Descriptive|Collection||||||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Sculpture|Monument|Relief|CE|1|||81|81||81 CE|81-81|||||0||||0||||||marble|||||sculpture|||||||||||Victory ; |Victory|||||||||Cornell||HB|HB|6/2/2006 0:00:00|6/2/2006 0:00:00||Rom||0||||||Tit|B|||||H3|1.32||||||||||Building|0|Architecture-Italy|||||||||||0|0|Arch of Titus| 7010.00|0|Category|07|C-07|I-1 Rel|||C-07 I-1 Rel |Suovetauralia Relief|Descriptive|Collection||||||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0||||0||||0|Rome, Italy|||10024|Sculpture|Relief|||CE|1|||10|20|ca|ca 10-20 CE|ca 10-20 CE|||||0||||0|||||Marble|marble|||||relief|sculpture||||H = 0.87 m||3341|Paris: Musée du Louvre|Paris: Louvre||Bulls ; Sacrifices ; Rams ; |Bulls|Sacrifices|Rams|||||||Cornell||HB|HB|6/2/2006 0:00:00|6/2/2006 0:00:00||||0|||||||C|Rel||07|I-1|||| ||||||||Work|0|Sculpture-Roman|||||||||||0|0|Suovetauralia Relief| 7011.00|0|Site|02|B-H3|Ben|1.32 Tra||B-H3 Ben 1.32 Tra |Trajan's Arch||||||||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe|Campania|Italy||||||0|Benevento, Italy|||10882||||0||||0|Architecture|Monument|Relief||CE|2|||114|114||114 CE|114-114|||||0||||0|||||||||||sculpture|relief||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|6/2/2006 0:00:00||Ben||0||||||Tra|B|||||H3|1.32||||||||||Building|0|Architecture-Italy|||||||||||0|0|Trajan's Arch| 7012.00|0|Architect|02||||||Mt. Tianlong|Translated|Image Source (Pub)|Tianlong shan|Descriptive|Image Source (Pub)||||Mt. Tianlong|0|||||0||||0|||||Chinese|||Six Dynasties|Sui|Tang|Asia||China||||||0|Mt.Tianlong, Taiyuan City, Shanxi Province, China|||10883||||0||||0|Architecture|Archaeological site|Cave|Grotto||6|||550|577||550-577|550-577|||||||||0||||||||||||||||||||||Archaeology ; Grottoes ; Caves ; |Archaeology|Grottoes|Caves|||||||Cornell||BZ|BZ|6/2/2006 0:00:00|6/2/2006 0:00:00||Tianl||0|||||||B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Mt. Tianlong;Tianlong shan| 7013.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Shunling Mausoleum: Standing Official|Translated|Image Source (Pub)|Shi Chen Li Xiang|Descriptive|Image Source (Pub)||||Shunling Mausoleum: Standing Official|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Shunling Mausoleum, Xianyang city, Shaanxi|||10885||||0||||0|Sculpture|Sculpture|Figure (representation)|||7|||680|684||680-684|680-684|||||0||||0|||||Stone|stone|||||sculpture|carving||||305 cm high||||||Sculpture (visual work) ; Figures (representations) ; Men (male humans) ; |Sculpture (visual work)|Figures (representations)|Men (male humans)|||||||Cornell||BZ|BZ|6/2/2006 0:00:00|6/2/2006 0:00:00||Shunl||0|||||||SC|||TANG|CHINA||||||||||||Work|0||||||||||||0|0|Shunling Mausoleum: Standing Official;Shi Chen Li Xiang| 7014.00|0|Category|07|C-07|I-Sev Rel|||C-07 I-Sev Rel |The Tolonia Relief|Assigned|Online Resource||||||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe|Lazio|Italy||||||0||||0||||0|||||Sculpture|Relief|||CE|2|3||193|235|ca|ca 193-235|ca 193-235|||||0||||0|||||Marble|marble|||||relief|||||1.22 x 0.75 m||2428|Rome: Museo Torlonia|Rome: Mus. Torlonia||Harbors ; Ships ; |Harbors|Ships||||||||Cornell||HB|HB|6/5/2006 0:00:00|6/5/2006 0:00:00||||0|||||||C|Rel||07|I-Sev|||| ||||||||Work|0|Sculpture-Roman|Found near the Villa Torlonia at Portus, the ancient harbour of Trajan||||||||||0|0|The Tolonia Relief| 7015.00|0|Site|02|B-H3|Rom|3.4 Vesp||B-H3 Rom 3.4 Vesp |Temple of Vespansian|Assigned|Blue Guide|Temple of Vespasian and Titus|||||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Temple|||CE|1|||79|81|ca|ca 79-81 CE|ca 79-81|||||0||||0||||||||||||||||22 x 33 m||||||Sacrifices ; |Sacrifices|||||||||Cornell||HB|HB|6/16/2006 0:00:00|6/5/2006 0:00:00||Rom||0||||||Vesp|B|||||H3|3.4||||||||||Work|0|Architecture-Italy|Very little remains of this temple. A cast of the entablature is kept in the Tabularium on the side of the Capitoline Hill||||||||||0|0|Temple of Vespansian;Temple of Vespasian and Titus| 7016.00|0|Category|05|N-Kahlo|||8|N-Kahlo 8|Frida, New York|Artists|Image Source (Pub)|||||||Frida, New York|8335|Muray, Nickolas||photographer|Nikolas Muray|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Photographic print|Portrait|||20|||1946|1946||1946|1946-1946|||||0||||0|||||Color photograph||||||photography|||||||3675|Rochester, NY: International Museum of Photography at George Eastman House|Rochester: George Eastman House||Kahlo, Frida, 1907-1954 ; Portraits ; New York, NY ; |Kahlo, Frida, 1907-1954|Portraits|New York, NY|||||||Cornell||MNW|MNW|6/5/2006 0:00:00|6/5/2006 0:00:00||||0|||||||N-Kahlo|||||||| ||||||||Work|0||This photograph was taken on the rooftop of Nick Muray's duplex. Grimberg, I Will Never.. Frida is shown seated in this photograph..||||||||||0|0|Frida, New York|Muray, Nickolas 7017.00|0|Category|05|N-Kahlo|||9|N-Kahlo 9|Frida, New York|||||||||Frida, New York|8335|Muray, Nickolas||photographer|Nikolas Muray|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Photographic print|Portrait|||20|||1946|1946||1946|1946-1946|||||0||||0|||||Color photograph||||||photography|||||||3675|Rochester, NY: International Museum of Photography at George Eastman House|Rochester: George Eastman House||Kahlo, Frida, 1907-1954 ; Portraits ; New York, NY ; |Kahlo, Frida, 1907-1954|Portraits|New York, NY|||||||Cornell||MNW|MNW|6/5/2006 0:00:00|6/5/2006 0:00:00||||0|||||||N-Kahlo|||||||| ||||||||Work|0||This photograph was taken on the rooftop of Nick Muray's duplex. Grimberg, I Will Never.. Frida is shown standing from the waist up in this photograph.||||||||||0|0|Frida, New York|Muray, Nickolas 7018.00|0|Creator|05|J-Käsebier|||3|J-Käsebier 3|Hermine Käsebier Turner Photographing Mason and Mina Turner on the Roof of Gertrude Käsebier's Studio at 315 Fifth Avenue|Descriptive|Image Source (Pub)|||||||Hermine Käsebier Turner Photographing Mason and Mina Turner|6136|Käsebier, Gertrude Stanton||photographer|Gertrude Stanton Käsebier|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Photographic print|Portrait|||20|||1909|1909|ca|ca 1909|ca 1909-1909|||||0||||0|||||Platinum print||||||photography|platinum process||||15.2 x 19.7 cm||3675|Rochester, NY: International Museum of Photography at George Eastman House|Rochester: George Eastman House||New York, NY ; Portraits ; Cameras ; Children (people by age group) ; Women ; |New York, NY|Portraits|Cameras|Children (people by age group)|Women|||||Cornell||MNW|JNK|6/9/2006 0:00:00|6/5/2006 0:00:00|Käsebier|||0|||||||J|||||||| ||||||||Work|0|Photography|||||||||Gift of Mrs. Hermine M. Turner.||0|0|Hermine Käsebier Turner Photographing Mason and Mina Turner on the Roof of Gertrude Käsebier's Studio at 315 Fifth Avenue|Käsebier, Gertrude Stanton 7019.00|0|Creator|05|J-Käsebier|||4|J-Käsebier 4|Portrait of Mabel Dodge|Artists|Image Source (Pub)|||||||Portrait of Mabel Dodge|6136|Käsebier, Gertrude Stanton||photographer|Gertrude Stanton Käsebier|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Photographic print|Portrait|||20|||1914|1915||1914-1915|1914-1915|||||0||||0|||||||||||photography|||||||||||Portraits ; Luhan, Mabel Dodge, 1879-1962 ; Women ; |Portraits|Luhan, Mabel Dodge, 1879-1962|Women|||||||Cornell||MNW|MNW|6/5/2006 0:00:00|6/5/2006 0:00:00|Käsebier|||0|||||||J-||||||||||||||||Work|0|Photography|This images is reproduced from Vanity Fair, May 1915.||||||||||0|0|Portrait of Mabel Dodge|Käsebier, Gertrude Stanton 7020.00|0|Category|07|C-07|I-JC Rel|||C-07 I-JC Rel |Relief of the Vicomagistri|Assigned|Print Publication|Relief of the Street Wardens|Series||||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0||||0||||0||||0|Sculpture|Relief|||CE|1|||41|50|ca|ca 41-50|ca 41-50|||||0||||0|||||||||||relief|||||||5090|Rome: Vatican; Museo Profano|Rome: Vatican; Mus. Profano||Figures (representations) ; |Figures (representations)|||||||||Cornell||HB|HB|6/5/2006 0:00:00|6/5/2006 0:00:00||||0|||||||C|Rel||07|I-JC|||| ||||||||Work|0|Sculpture-Roman|||||||||||0|0|Relief of the Vicomagistri;Relief of the Street Wardens| 7021.00|0|Architect|03|MA-VanAlen|6.1|1928 Chr|0-2|MA-VanAlen 6.1 1928 Chr 0-2|Photo Opportunity|Artists|Image Source (Pub)|Cover of the New Yorker, May 8, 2000||||||Photo Opportunity; New Yorker Cover, May 8, 2000|31216|McCall, Bruce||cartoonist|Bruce McCall|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Publications|Cartoon (humorous image)|Illustration|||21|||2000|2000||2000|2000-2000|||||0||||0||||||||||||||||||||||New York, NY ; Chrysler Building (New York, NY) ; Bourke-White, Margaret, 1904-1971 ; Cameras ; Photography ; Gargoyles ; Cityscapes ; Skyscrapers ; |New York, NY|Chrysler Building (New York, NY)|Bourke-White, Margaret, 1904-1971|Cameras|Photography|Gargoyles|Cityscapes|Skyscrapers||Cornell||MNW|JNK|6/9/2006 0:00:00|6/6/2006 0:00:00|VanAlen|||0||||||Chr|MA||||||6.1|1928|||||||||Work|0|Modern Architecture||||Cover of New Yorker, May 8, 2000.|||||||0|0|Photo Opportunity;Cover of the New Yorker, May 8, 2000|McCall, Bruce 7022.00|0|Creator|05|J-Parkinson|||1|J-Parkinson 1|New York, New York|Artists|Image Source (Pub)|||||||New York, New York|31217|Parkinson, Norman||photographer|Norman Parkinson|0||||0|||||British||||||||||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1955|1955||1955|1955-1955|||||0||||0|||||Black and white photograph|photographic paper|||||photography|||||||||||New York, NY ; Cityscapes ; Skyscrapers ; AIG Building (New York, N.Y.) ; Bank of Manhattan (New York, N.Y.: 40 Wall Street) ; Chase Manhattan Bank Building (New York, N.Y. : 510 Fifth Avenue) ; |New York, NY|Cityscapes|Skyscrapers|AIG Building (New York, N.Y.)|Bank of Manhattan (New York, N.Y.: 40 Wall Street)|Chase Manhattan Bank Building (New York, N.Y. : 510 Fifth Avenue)||||Cornell||MNW|JNK|6/9/2006 0:00:00|6/7/2006 0:00:00|Parkinson|||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|New York, New York|Parkinson, Norman 7023.00|0|Category|07|C-07|I-Fla Rel 70 Can|||C-07 I-Fla Rel 70 Can |Cancelleria Reliefs|Assigned|Print Publication|Canelleria Altar|||||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0||||0||||0|||||Sculpture|Relief|Portrait||CE|1|||85|96|ca|ca 85-96|ca 85-96|||||0||||0|||||Marble|marble|||||relief|||||H = 2.10 m||3778|Rome: Vatican; Museo|Rome: Vatican; Museo||Portraits ; |Portraits|||||||||Cornell||HB|HB|6/7/2006 0:00:00|6/7/2006 0:00:00||||0||||||Can|C|Rel||07|I-Fla|||| |70|||||||Work|0|Sculpture-Roman|Discovered lying face inwards agains an altar excavated beneath the Palazzo Cancelleria.||||||||||0|0|Cancelleria Reliefs;Canelleria Altar| 7024.00|0|Site|02|B-Q5|India|2.22 Amar||B-Q5 India 2.22 Amar |Amar Touring Cinema|Descriptive|Image Source (Pub)|||||||Amar Touring Cinema|0|||||0||||0|||||Indian||||||Asia||India||||||0||||0||||0||||0|Architecture|Architecture|Automobile|Motion picture theater||20|21||1990|2003|ca|ca 1990-2003|ca 1990-2003|||||0||||0||||||||||||||||||||||Motion picture theaters ; Trucks ; Tents ; |Motion picture theaters|Trucks|Tents|||||||Cornell||MNW|MNW|6/7/2006 0:00:00|6/7/2006 0:00:00||India||0||||||Amar|B|||||Q5|2.22||||||||||Work|0|Architecture-India|The Amar Touring Cinema is one of the few remaining mobile cinemas in existence in the remote rural areas of India. Torgovnik.||||||||||0|0|Amar Touring Cinema| 7025.00|0|Site|02|B-H3|Rom|1.31 ForNer||B-H3 Rom 1.31 ForNer |Forum of Nerva|Descriptive|Blue Guide|Forum Transitorium|Assigned|Blue Guide|||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Archaeological Sites|Forum|||CE|1|||81|97|ca|ca 81-97|ca 81-97|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/7/2006 0:00:00|6/7/2006 0:00:00||Rom||0||||||ForNer|B|||||H3|1.31||||||||||Building|0|Architecture-Italy|||||||||||0|0|Forum of Nerva;Forum Transitorium| 7038.00|0|Architect|08|0-Viollet-le-Duc|1.0|Ent||0-Viollet-le-Duc 1.0 Ent |Entretiens sur l’architecture|Published|Dict.Art|Discourses on Architecture|Translated|Print Publication||||Entretiens sur l’architecture|12308|Viollet-le-Duc, Eugène Emmanuel||author|Eugène Emmanuel Viollet-le-Duc|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Publications|Book|Wood engraving|||19|||1863|1872||1863-1872|1863-1872|||||0||||0|||||||||||printing|wood engraving (process)||||||||||||||||||||Cornell||MNW|MNW|11/14/2006 0:00:00|6/8/2006 0:00:00|Viollet-le|||0||||||Ent|0||||||1.0||||||||||Work|0||Published in two volumes in Paris. DOA. Volume one contains Entriens (lessons) one through ten; volume two contains Entriens eleven through twenty.|||Translated into English in 1959. DOA.|||||||0|0|Entretiens sur l’architecture;Discourses on Architecture|Viollet-le-Duc, Eugène Emmanuel 7039.00|0|Creator|15|32|D317|1877|W868|32 D317 1877 W868|Femmes devant un Café, le Soir|Preferred|Repository|Women in Front of a Café, Evening|Translated|Image Source (Pub)||||Women in Front of a Café, Evening|3026|Degas, Edgar||painter|Edgar Degas|0||||0|||||French|||Impressionist|||Europe||France||||||0||||||||0||||0|Drawings|Pastel (visual work)|Monotype|||19|||1877|1877||1877|1877-1877|||||0||||0|||||Pastel over monotype|pastels (crayons)|||||drawing (image-making)|painting (image-making)|Monotype (process)|||54 x 71 cm||2196|Paris: Musee d'Orsay|Paris: Musee d'Orsay||Cafés ; Women ; Cities ; |Cafés|Women|Cities|||||||Cornell||JNK|MNW|11/21/2006 0:00:00|6/8/2006 0:00:00|D317|||0|||||||32||||||W868|| |1877|||||||Work|0||||||||||||0|0|Femmes devant un Café, le Soir;Women in Front of a Café, Evening|Degas, Edgar 7040.00|0|Creator|15|32|R418-PA|1869|3|32 R418-PA 1869 3|La Grenouillère|Assigned|Repository|||||||La Grenouillère|9760|Renoir, Pierre-Auguste||painter|Pierre-Auguste Renoir|0||||0|||||French|||Impressionist|||Europe||France||||||0||||||||0||||0|Paintings|Painting|Oil painting|||19|||1869|1869||1869|1869-1869|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||66 x 81 cm ||3333|Stockholm: Nationalmuseum|Stockholm: Nat. Mus.||Landscapes ; Picnicking ; Islands ; Boats ; |Landscapes|Picnicking|Islands|Boats||||||Cornell||JNK|MNW|11/21/2006 0:00:00|6/8/2006 0:00:00|R418|||0||NM 2425|||||32|PA||||||| |1869|||||||Work|0||||||||||||0|0|La Grenouillère|Renoir, Pierre-Auguste 7041.00|0|Creator|15|32|R418|1874|1|32 R418 1874 1|La Loge|Assigned|Repository|The Loge|Translated|Cataloger||||La Loge|9760|Renoir, Pierre-Auguste||painter|Pierre-Auguste Renoir|0||||0|||||French|||Impressionist|||Europe||France||||||0||||||||0||||0|Paintings|Painting|Oil painting|||19|||1874|1874||1874|1874-1874|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||80 x 63.5 cm ||3500|London: University of London; Courtauld Institute of Art|London: Univ of London.; Courtauld Inst.||Loges ; Women ; Theaters ; Concert halls ; Boxes (audience spaces) ; |Loges|Women|Theaters|Concert halls|Boxes (audience spaces)|||||Cornell||JNK|MNW|11/21/2006 0:00:00|6/8/2006 0:00:00|R418|||0||P.1948.SC.338|||||32|||||||| |1874|||||||Work|0||||||||||||0|0|La Loge;The Loge|Renoir, Pierre-Auguste 7044.00|0|Creator|15|32|R418-PA|1876|1|32 R418-PA 1876 1|Dance at the Moulin de la Galette, Montmartre|Assigned|Image Source (Pub)|Dancing at the Moulin de la Galette|Variant|Online Resource|Ball at the Moulin de la Galette|Variant|Dict.Art|Dance at the Moulin de la Galette, Montmartre|9760|Renoir, Pierre-Auguste||painter|Pierre-Auguste Renoir|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1876|1876||1876|1876-1876|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||131 x 175 cm||2196|Paris: Musee d'Orsay|Paris: Musee d'Orsay||Cities ; Cafés ; Dance ; Dancing ; Men (male humans) ; Women ; Trees ; |Cities|Cafés|Dance|Dancing|Men (male humans)|Women|Trees|||Cornell||JNK|MNW|11/21/2006 0:00:00|6/9/2006 0:00:00|R418|||0|||||||32|PA||||||| |1876|||||||Work|0||Exhibited at the Third Impressionist Exhibition of 1877. DOA.||||||||||0|0|Dance at the Moulin de la Galette, Montmartre;Dancing at the Moulin de la Galette;Ball at the Moulin de la Galette|Renoir, Pierre-Auguste 7046.00|0|Creator|15|32|R418-PA|1882|1|32 R418-PA 1882 1|Dance in the Country|Assigned|Image Source (Pub)|Dancing in the Country|Variant|Online Resource||||Dance in the Country|9760|Renoir, Pierre-Auguste||painter|Pierre-Auguste Renoir|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1882|1883||1882-1883|1882-1883|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||180 x 90 cm||2196|Paris: Musee d'Orsay|Paris: Musee d'Orsay||Dancing ; Dance ; Women ; Men (male humans) ; |Dancing|Dance|Women|Men (male humans)||||||Cornell||JNK|MNW|11/21/2006 0:00:00|6/9/2006 0:00:00|R418|||0||RF 1979-64|||||32|PA|||||1882|| ||||||||Work|0||||||||||||0|0|Dance in the Country;Dancing in the Country|Renoir, Pierre-Auguste 7047.00|0|Creator|15|32|R418-PA|D174||32 R418-PA D174 |Dance in the City|Assigned|Image Source (Pub)|Dancing in the City|Variant|Online Resource||||Dance in the City|9760|Renoir, Pierre-Auguste||painter|Pierre-Auguste Renoir|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1883|1883||1883|1883-1883|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||180 x 90 cm||2196|Paris: Musee d'Orsay|Paris: Musee d'Orsay||Dancing ; Dance ; Women ; Men (male humans) ; |Dancing|Dance|Women|Men (male humans)||||||Cornell||JNK|MNW|11/21/2006 0:00:00|6/9/2006 0:00:00|R418|||0||RF 1978-13|||||32|PA||||||| |D174|||||||Work|0||||||||||||0|0|Dance in the City;Dancing in the City|Renoir, Pierre-Auguste 7048.00|0|Creator|15|32|R418|1918|8432|32 R418 1918 8432|The Bathers|Assigned|Image Source (Pub)|||||||The Bathers|9760|Renoir, Pierre-Auguste||painter|Pierre-Auguste Renoir|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||20|||1918|1919||1918-1919|1918-1919|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||110 x 160 cm||2196|Paris: Musee d'Orsay|Paris: Musee d'Orsay||Women ; Female nudes ; Bathing ; |Women|Female nudes|Bathing|||||||Cornell||JNK|MNW|11/21/2006 0:00:00|6/9/2006 0:00:00|R418|||0||R.F.2795|||||32||||||8432|| |1918|||||||Work|0||||||||||||0|0|The Bathers|Renoir, Pierre-Auguste 7050.00|0|Creator|08|0-Viollet-le-Duc|1.0|Ent2|XXXVI|0-Viollet-le-Duc 1.0 Ent2 XXXVI|Iron Façade With Faience Tiles|Descriptive|Cataloger|Pans de fer de face en encorbellement avec revêtement de faïence|Repository|Image Source (Pub)|||||12308|Viollet-le-Duc, Eugène Emmanuel||architect|Eugène Emmanuel Viollet-le-Duc|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Watercolors|Watercolor||||19|||1871|1871||1871|1871-1871||Entretiens sur l’architecture|||7038||||0|||||Watercolor on paper|watercolor|pencils|paper (fiber product)|||painting (image-making)|||||29 x 20 cm||3405|Paris: Private Collection|Paris: Private Coll.||||||||||||Cornell||MNW|MNW|6/9/2006 0:00:00|6/9/2006 0:00:00|Viollet-le|||0||||||Ent|0||||||1.0|| ||||||||Work|0||This drawing is a design for plate XXXVI of Viollet-le-Duc's Entriens sur l'architecture. The drawing is signed.||||||||||0|0|Iron Façade With Faience Tiles;Pans de fer de face en encorbellement avec revêtement de faïence|Viollet-le-Duc, Eugène Emmanuel 7225.00|0|Creator|05|35|S5394-PH|1939|2|35 S5394-PH 1939 2|Wheels|Preferred|Repository|Rolling Power Wheels|Variant|Image Source (Pub)||||Wheels|10821|Sheeler, Charles||artist|Charles Sheeler|0||||0|||||American|||Precisionist|||North and Central America||United States||||||0||||||||0||||0|Photographs|Photographic print||||20|||1939|1939||1939|1939-1939|||||0||||0|||||Gelatin silver print||||||photography|gelatin silver process||||16.5 x 24.1 cm||428|Boston: Museum of Fine Arts|Boston: MFA||Photographs ; Trains ; |Photographs|Trains||||||||Cornell||ElA|JNK|8/10/2006 0:00:00|6/22/2006 0:00:00|S5394|||0||1983.696|||||35|PH||||||1939| ||||||||Work|0||||||||||||0|0|Wheels;Rolling Power Wheels|Sheeler, Charles 7226.00|0|Creator|05|35|S855-PH|1907|1|35 S855-PH 1907 1|The Steerage|Preferred|Repository|||||||The Steerage|11377|Stieglitz, Alfred||photographer|Alfred Stieglitz|0||||0|||||American|||Modern|||North and Central America||United States||||||0||||||||0||||0|Photographs|Photographic print||||20|||1907|1907||1907|1907-1907|||||0||||0|||||Photogravure||||||photography|photogravure||||40.2 x 28.1 cm||3543|New York: Whitney Museum of American Art|New York: Whitney Mus.||Photographs ; Boats ; Immigration ; |Photographs|Boats|Immigration|||||||Cornell||ElA|JNK|8/10/2006 0:00:00|6/22/2006 0:00:00|S855|||0||77.106|||||35|PH||||||1907| ||||||||Work|0||||||||||||0|0||Stieglitz, Alfred 7227.00|0|Site|02|B-H3|Pom|9.0 Fres||B-H3 Pom 9.0 Fres |Heron and Snake|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||Roman|||Imperial (Roman)|Republican||Europe||Italy||||||0||||0|Pompeii, Italy|||10133||||0|Paintings|Mural|Fresco|Painting|CE|-1|1||-100|79|ca|ca -100-79|ca -100-79|||||0||||0|||||||||||mural painting|fresco painting|painting (image-making)|||||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||||||||||||Cornell||HB|HB|6/22/2006 0:00:00|6/22/2006 0:00:00||Pom|Pom|0||||||Fres|B|||||H3|9.0|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Heron and Snake| 7319.00|0|Creator|15|32|S496-D|1883|3|32 S496-D 1883 3|Embroidery: The Artist's Mother|Preferred|Repository|||||||Embroidery: The Artist's Mother|10773|Seurat, Georges||painter|Georges Seurat|0||||0|||||French|||Pointillist|Post-Impressionist||Europe||France||||||0||||0||||0||||0|Drawings|Drawing|Portrait|||19|||1882|1883||1882-1883|1882-1883|||||0||||0|||||Conté crayon on paper|Conté crayon|paper (fiber product)||||drawing (image-making)|||||31.2 x 24 cm||3294|New York: Metropolitan Museum of Art|New York: Metropolitan||Mothers ; Portraits ; Sewing (process) ; |Mothers|Portraits|Sewing (process)|||||||Cornell||JNK|MNW|11/21/2006 0:00:00|7/7/2006 0:00:00|S496|||0||55.21.1|||||32|D||||||| |1883|||||||Work|0||||||||||||0|0|Embroidery: The Artist's Mother|Seurat, Georges 7320.00|0|Creator|15|32|S496-PA|1883|1|32 S496-PA 1883 1|Bathers at Asnières|Preferred|Repository|Une Baignade, Asnières|Artists|Repository||||Bathers at Asnières|10773|Seurat, Georges||painter|Georges Seurat|0||||0|||||French|||Pointillist|Post-Impressionist||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1884|1884||1884|1884-1884|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||201 x 300 cm||3357|London: National Gallery|London: National Gallery||Outdoor recreation ; Bathing ; Swimming ; Men (male humans) ; |Outdoor recreation|Bathing|Swimming|Men (male humans)||||||Cornell||JNK|MNW|11/22/2006 0:00:00|7/7/2006 0:00:00|S496|||0||NG3908|||||32|PA||||||| |1883|||||||Work|0||||||||||Bought by the Trustees of the Courtauld Fund, 1924.||0|0|Bathers at Asnières;Une Baignade, Asnières|Seurat, Georges 7321.00|0|Creator|15|32|P9935-PA|1882|1|32 P9935-PA 1882 1|Doux Pays|Preferred|Repository|Pleasant Land|Translated|Repository||||Doux Pays (Pleasant Land)|9548|Puvis de Chavannes, Pierre||painter|Pierre Puvis de Chavannes|0||||0|||||French|||Symbolist|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1882|1882||1882|1882-1882|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||25.7 x 47.6 cm||3400|New Haven: Yale University; Art Gallery|New Haven: Yale Univ. Art Gal.||Women ; Children (people by age group) ; Seas ; Boats ; |Women|Children (people by age group)|Seas|Boats||||||Cornell||JNK|JNK|7/7/2006 0:00:00|7/7/2006 0:00:00|P9935|||0||1958.64|||||32|PA||||||| |1882|||||||Work|0||46.355 x 67.945 cm framed.||||||||||0|0|Doux Pays;Pleasant Land|Puvis de Chavannes, Pierre 7322.00|0|Creator|15|32|P678|F144||32 P678 F144 |Factory Near Pontoise|Preferred|Repository|||||||Factory Near Pontoise|9270|Pissarro, Camille||painter|Camille Pissarro|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1873|1873||1873|1873-1873|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||48 x 56 cm||2718|Springfield, MA: Museum of Fine Arts|Springfield, MA: MFA||Factories (structures) ; |Factories (structures)|||||||||Cornell||JNK|MNW|11/22/2006 0:00:00|7/7/2006 0:00:00|P678|||0|||||||32|||||||| |F144|||||||Work|0||||||||||||0|0|Factory Near Pontoise|Pissarro, Camille 7323.00|0|Creator|15|32|P678|P832||32 P678 P832 |The Pork Butcher|Preferred|Repository|La Charcutière|Original|Repository||||The Pork Butcher (La Charcutière)|9270|Pissarro, Camille||painter|Camille Pissarro|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1883|1883||1883|1883-1883|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||65.1 x 54.3 cm||3297|London: Tate Gallery|London: Tate Gallery||Butcher shops ; Women ; Markets (buildings) ; |Butcher shops|Women|Markets (buildings)|||||||Cornell||JNK|MNW|11/22/2006 0:00:00|7/7/2006 0:00:00|P678|||0||N05576|||||32|||||||| |P832|||||||Work|0||||||||||||0|0|The Pork Butcher;La Charcutière|Pissarro, Camille 7324.00|0|Creator|15|32|P678|P732||32 P678 P732 |The Plow|Preferred|Repository|La Charrue|Original|Repository||||The Plow (La Charrue)|9270|Pissarro, Camille||painter|Camille Pissarro|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Prints|Print|Lithograph|||20|||1901|1901||1901|1901-1901|||||0||||0|||||Lithograph||||||lithography|||||||4003|Lawrence, KS: University of Kansas; Spencer Museum of Art|Lawrence: Univ. KS; Spencer Mus. Art||Farming ; Plowing ; Men (male humans) ; Horses ; |Farming|Plowing|Men (male humans)|Horses||||||Cornell||JNK|MNW|11/22/2006 0:00:00|7/7/2006 0:00:00|P678|||0|||||||32|||||||| |P732|||||||Work|0||||||||||||0|0|The Plow;La Charrue|Pissarro, Camille 7325.00|0|Creator|15|32|G613|S732||32 G613 S732 |The Sower|Preferred|Repository|||||||The Sower|12121|Gogh, Vincent van||painter|Vincent van Gogh|0||||0|||||Dutch|||Post-Impressionist|||Europe||France|Netherlands|||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1888|1888||1888|1888-1888|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||32 x 40 cm||3328|Amsterdam: Rijksmuseum Vincent van Gogh|Amsterdam: V. van Gogh Mus.||Sowers ; Farming ; Men (male humans) ; Trees ; Sun ; |Sowers|Farming|Men (male humans)|Trees|Sun|||||Cornell||JNK|MNW|11/22/2006 0:00:00|7/7/2006 0:00:00|G613|||0||F 451|||||32|||||||| |S732|||||||Work|0||||||||||||0|0|The Sower|Gogh, Vincent van 7326.00|0|Creator|15|32|G613-P|S896||32 G613-P S896 |Self-Portrait Dedicated to Paul Gauguin|Preferred|Repository|||||||Self-Portrait Dedicated to Paul Gauguin|12121|Gogh, Vincent van||painter|Vincent van Gogh|0||||0|||||Dutch|||Post-Impressionist|||Europe||France|Netherlands|||||0||||0||||0||||0|Paintings|Painting|Portrait|Oil painting||19|||1888|1888||1888|1888-1888|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||61 x 50 cm||3689|Cambridge, MA: Harvard University; Fogg Art Museum|Cambridge: Harvard; Fogg||Gogh, Vincent van, 1853-1890 ; Portraits ; Self-portraits ; |Gogh, Vincent van, 1853-1890|Portraits|Self-portraits|||||||Cornell||JNK|JNK|7/7/2006 0:00:00|7/7/2006 0:00:00|G613|||0|||||||32|P||||||| |S896|||||||Work|0||||||||||||0|0|Self-Portrait Dedicated to Paul Gauguin|Gogh, Vincent van 7406.00|0||||||||Interior of the Bouchard & Gravier Bookshop in Rome|Descriptive|Image Source (Pub)|||||||Interior of the Bouchard & Gravier Bookshop in Rome|0|||||0||||0|||||British|||Georgian|||Europe||England|British Isles (island group)|||||0||||0||||0||||0|Paintings|Painting|Oil painting|||18|||1774|1774|ca|ca 1774|ca 1774-1774|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||125 x 180 cm||3290|Private Collection|: Private Coll.||Antiquaries ; Bookstores ; Prints (visual works) ; |Antiquaries|Bookstores|Prints (visual works)|||||||Cornell||JNK|JNK|7/14/2006 0:00:00|7/14/2006 0:00:00||||0||||||||||||||| |||||||||0||The colours and style of modelling suggest that his painting is most likely by a British artist from the circle of Reynolds. Wilton, Grand Tour.||||||||||0|0|Interior of the Bouchard & Gravier Bookshop in Rome| 7407.00|0|Creator|05|J-Atget|||75|J-Atget 75|Untitled [Ragpicker]|Descriptive|Image Source (Pub)|||||||Untitled [Ragpicker]|544|Atget, Eugene||photographer|Eugene Atget|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Photographs|Photographic print||||19|||1899|1900||1899-1900|1899-1900|||||0||||0|||||Contact print from glass-plate negative||||||photography|contact printing||||18 x 24 cm||3384|New York: Museum of Modern Art|New York: MoMA||Ragpickers ; Paris (France) ; |Ragpickers|Paris (France)||||||||Cornell||MNW|MNW|8/10/2006 0:00:00|7/14/2006 0:00:00|Atget|||0||1.69.889|||||J|||||||| ||||||||Work|0|Photography|Maria Morris Hambourg's group designation and Atget's negative number = PP: 363, formerly PP:3276. Szarkowski, Atget, p. 223.||||||||||0|0|Untitled [Ragpicker]|Atget, Eugene 7051.00|0|Creator|08|0-Viollet-le-Duc|1.0|Ent|2-XXVI|0-Viollet-le-Duc 1.0 Ent 2-XXVI|Voûtes en fer (Voûtes en réseau)|Original|Print Publication|Cast Iron Vaults (Webbed Vaults)|Translated|Cataloger|Design for Plate XXVI of Entriens sur l'architecture|||Entretiens sur l’architecture. Voûtes en fer (Voûtes en réseau)|12308|Viollet-le-Duc, Eugène Emmanuel||architect|Eugène Emmanuel Viollet-le-Duc|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Drawings|Architectural drawing||||19|||1868|1868||1868|1868-1868||Entretiens sur l’architecture|||7038||||0|||||Pen, pencil, wash on paper|pens|pencils|wash|||drawing (image-making)|||||24.3 x 31.5 cm||9736|Neuilly: Fonds Viollet-le-Duc|Neuilly: Fonds Viollet-le-Duc||Vaults (structural elements) ; |Vaults (structural elements)|||||||||Cornell||MNW|MNW|11/14/2006 0:00:00|6/9/2006 0:00:00|Viollet-le|||0||||||Ent|0||||||1.0|| ||||||||Work|0||Inscription at top: Cours'darchitecture. Violette-le-Duc. Design for Plate XXVI of Entriens sur l'architecture.||||||||||0|0|Voûtes en fer (Voûtes en réseau);Cast Iron Vaults (Webbed Vaults);Design for Plate XXVI of Entriens sur l'architecture|Viollet-le-Duc, Eugène Emmanuel 7052.00|0|Creator|15||||||Rouen Cathedral Façade and Tour d'Albane (Morning Effect)|Preferred|Repository|||||||Rouen Cathedral Façade and Tour d'Albane (Morning Effect)|8110|Monet, Claude||painter|Claude Monet|0||||0|||||French|||Impressionist|||Europe||France||||||0||||||||0||||0|Paintings|Painting|Oil painting|||19|||1894|1894||1894|1894-1894|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||106.1 x 73.9 cm||428|Boston: Museum of Fine Arts|Boston: MFA||Cathedrals ; Facades ; Light ; Rouen (France) ; Cathe´drale Notre-Dame (Rouen, France) ; Churches ; |Cathedrals|Facades|Light|Rouen (France)|Cathe´drale Notre-Dame (Rouen, France)|Churches||||Cornell||JNK|MNW|11/27/2006 0:00:00|6/9/2006 0:00:00||||0||24.6||||||||||||| ||||||||Work|0||||||||||||0|0|Rouen Cathedral Façade and Tour d'Albane (Morning Effect)|Monet, Claude 7053.00|0|Creator|15||||||Grainstack (Sunset)|Assigned|Repository|||||||Grainstack (Sunset)|8110|Monet, Claude||painter|Claude Monet|0||||0|||||French|||Impressionist|||Europe||France||||||0||||||||0||||0|Paintings|Painting|Oil painting|Landscape (representation)||19|||1891|1891||1891|1891-1891|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||73.3 x 92.7 cm||428|Boston: Museum of Fine Arts|Boston: MFA||Haystacks ; Landscapes ; Farming ; Light ; |Haystacks|Landscapes|Farming|Light||||||Cornell||JNK|JNK|6/9/2006 0:00:00|6/9/2006 0:00:00|M743|||0||25.112||||||||||||| ||||||||Work|0||||||||||||0|0||Monet, Claude 7054.00|0|Architect|08|0-Viollet-le-Duc|1.0|Ent|2-XXII|0-Viollet-le-Duc 1.0 Ent 2-XXII|Maçonnerie (Salle de vingt mètres d'ouverture)|Original|Print Publication|Masonary (Room With a Twenty Meter Opening)|Translated|Cataloger||||Entretiens sur l’architecture. Maçonnerie (Salle de vingt mètres d'ouverture)|12308|Viollet-le-Duc, Eugène Emmanuel||architect|Eugène Emmanuel Viollet-le-Duc|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Drawings|Architectural drawing||||19|||1865|1865||January, 1865|1865-1865||Entretiens sur l’architecture|LargerEntity||7038||||0|||||Pen, pencil, and wash on paper|pencils|pens|wash|||drawing (image-making)|||||33.3 x 24.9 cm||9736|Neuilly: Fonds Viollet-le-Duc|Neuilly: Fonds Viollet-le-Duc||Vaults (structural elements) ; |Vaults (structural elements)|||||||||Cornell||MNW|MNW|11/14/2006 0:00:00|6/9/2006 0:00:00|Viollet-le|||0||||||Ent|0||||||1.0|| ||||||||Work|0||Drawing for the first plate XXII of the Entretiens sur l'architecture. Signed with an inscription at the bottom left--Cours d'architecture. This drawing was engraved by Sauvageot for the Entriens. Viollet-le-Duc.|||January, 1865|||||||0|0|Maçonnerie (Salle de vingt mètres d'ouverture);Masonary (Room With a Twenty Meter Opening)|Viollet-le-Duc, Eugène Emmanuel 7055.00|0||||||||Rouen Cathedral, Façade|Preferred|Repository|||||||Rouen Cathedral, Façade|8110|Monet, Claude||painter|Claude Monet|0||||0|||||French|||Impressionist|||Europe||France||||||0||||||||0||||0|Paintings|Painting|Oil painting|||19|||1894|1894||1894|1894-1894|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||100.6 x 66.0 cm ||428|Boston: Museum of Fine Arts|Boston: MFA||Cathedrals ; Cathe´drale Notre-Dame (Rouen, France) ; Rouen (France) ; Light ; Facades ; Churches ; |Cathedrals|Cathe´drale Notre-Dame (Rouen, France)|Rouen (France)|Light|Facades|Churches||||Cornell||JNK|MNW|11/27/2006 0:00:00|6/9/2006 0:00:00||||0||39.671||||||||||||| |||||||||0||||||||||||0|0|Rouen Cathedral, Façade|Monet, Claude 7056.00|0||||||||Stacks of Wheat (End of Day, Autumn)|Preferred|Repository|||||||Stacks of Wheat (End of Day, Autumn)|8110|Monet, Claude||painter|Claude Monet|0||||0|||||French|||Impressionist|||Europe||France||||||0||||||||0||||0|Paintings|Painting|Oil painting|Landscape (representation)||19|||1890|1891||1890-1891|1890-1891|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||65.8 x 101 cm||4073|Chicago: Art Institute of Chicago|Chicago: Art Institute||Landscapes ; Haystacks ; Light ; Farming ; |Landscapes|Haystacks|Light|Farming||||||Cornell||JNK|MNW|11/14/2006 0:00:00|6/9/2006 0:00:00|M743|||0||1933.444||||||||||||| |||||||||0||||||||||||0|0||Monet, Claude 7057.00|0||||||||Arrival of the Normandy Train, Gare Saint-Lazare|Preferred|Repository|||||||Arrival of the Normandy Train, Gare Saint-Lazare|8110|Monet, Claude||painter|Claude Monet|0||||0|||||French|||Impressionist|||Europe||France||||||0||||||||0||||0|Paintings|Painting|Oil painting|||19|||1877|1877||1877|1877-1877|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||59.6 x 80.2 cm||4073|Chicago: Art Institute of Chicago|Chicago: Art Institute||Trains ; Railroad stations ; Paris (France) ; Gare Saint-Lazare (Paris, France) ; |Trains|Railroad stations|Paris (France)|Gare Saint-Lazare (Paris, France)||||||Cornell||JNK|MNW|11/14/2006 0:00:00|6/9/2006 0:00:00||||0||1933.1158||||||||||||| |||||||||0||||||||||||0|0||Monet, Claude 7058.00|0||||||||Stack of Wheat (Snow Effect, Overcast Day)|Preferred|Repository|||||||Stack of Wheat (Snow Effect, Overcast Day)|8110|Monet, Claude||painter|Claude Monet|0||||0|||||French|||Impressionist|||Europe||France||||||0||||||||0||||0|Paintings|Painting|Oil painting|Landscape (representation)||19|||1890|1891||1890-1891|1890-1891|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||66 x 93 cm||4073|Chicago: Art Institute of Chicago|Chicago: Art Institute||Haystacks ; Wheat ; Landscapes ; Light ; Snow ; |Haystacks|Wheat|Landscapes|Light|Snow|||||Cornell||JNK|MNW|11/14/2006 0:00:00|6/9/2006 0:00:00||||0||1933.1155||||||||||||| |||||||||0||||||||||||0|0||Monet, Claude 7059.00|0||||||||Rouen Cathedral, The Façade in Sunlight|Preferred|Repository|||||||Rouen Cathedral, The Façade in Sunlight|8110|Monet, Claude||painter|Claude Monet|0||||0|||||French|||Impressionist|||Europe||France||||||0||||||||0||||0|Paintings|Painting|Oil painting|||19|||1894|1894||1894|1894-1894|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||106.3 x 73.7 cm||3300|Williamstown: Sterling and Francine Clark Art Institute|Williamstown: Clark Art Inst.||Cathe´drale Notre-Dame (Rouen, France) ; Rouen (France) ; Cathedrals ; Churches ; Light ; Facades ; |Cathe´drale Notre-Dame (Rouen, France)|Rouen (France)|Cathedrals|Churches|Light|Facades||||Cornell||JNK|MNW|11/27/2006 0:00:00|6/9/2006 0:00:00||||0||1967.1||||||||||||| |||||||||0||||||||||||0|0|Rouen Cathedral, The Façade in Sunlight|Monet, Claude 7060.00|0||||||||The Cliffs at Étretat|Assigned|Repository|||||||The Cliffs at Étretat|8110|Monet, Claude||painter|Claude Monet|0||||0|||||French|||Impressionist|||Europe||France||||||0||||||||0||||0|Paintings|Painting|Oil painting|Landscape (representation)||19|||1885|1885||1885|1885-1885|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||64.90 x 81.10 cm||3300|Williamstown: Sterling and Francine Clark Art Institute|Williamstown: Clark Art Inst.||Landscapes ; Seas ; Rock ; Cliffs ; Étretat (France) ; |Landscapes|Seas|Rock|Cliffs|Étretat (France)|||||Cornell||JNK|JNK|6/9/2006 0:00:00|6/9/2006 0:00:00|M743|||0||||||||||||||| |||||||||0||||||||||||0|0||Monet, Claude 7061.00|0||||||||The Portal of Rouen Cathedral in Morning Light|Assigned|Repository|||||||The Portal of Rouen Cathedral in Morning Light|8110|Monet, Claude||painter|Claude Monet|0||||0|||||French|||Impressionist|||Europe||France||||||0||||||||0||||0|Paintings|Painting|Oil painting|||19|||1894|1894||1894|1894-1894|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||100 x 65 cm||3508|Los Angeles: J. Paul Getty Museum|Los Angeles: J. Paul Getty Mus.||Cathe´drale Notre-Dame (Rouen, France) ; Cathedrals ; Rouen (France) ; Churches ; Facades ; Portals ; Light ; |Cathe´drale Notre-Dame (Rouen, France)|Cathedrals|Rouen (France)|Churches|Facades|Portals|Light|||Cornell||JNK|MNW|11/27/2006 0:00:00|6/9/2006 0:00:00|M743|||0||2001.33||||||||||||| |||||||||0||||||||||||0|0||Monet, Claude 7062.00|0||||||||Wheatstacks, Snow Effect, Morning|Assigned|Repository|||||||Wheatstacks, Snow Effect, Morning|8110|Monet, Claude||painter|Claude Monet|0||||0|||||French|||Impressionist|||Europe||France||||||0||||||||0||||0|Paintings|Painting|Oil painting|Landscape (representation)||19|||1891|1891||1891|1891-1891|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||65 x 100 cm||3508|Los Angeles: J. Paul Getty Museum|Los Angeles: J. Paul Getty Mus.||Haystacks ; Wheat ; Landscapes ; Light ; Snow ; |Haystacks|Wheat|Landscapes|Light|Snow|||||Cornell||JNK|JNK|6/9/2006 0:00:00|6/9/2006 0:00:00|M743|||0||95.PA.63||||||||||||| |||||||||0||||||||||||0|0|Wheatstacks, Snow Effect, Morning|Monet, Claude 7063.00|0||||||||The Morning Bath|Assigned|Repository|||||||The Morning Bath|3026|Degas, Edgar||painter|Edgar Degas|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Drawings|Pastel (visual work)|Drawing|||19|||1892|1895||1892-1895|1892-1895|||||0||||0|||||Pastel on tan wove paper|pastels (crayons)|paper (fiber product)||||drawing (image-making)|||||70.6 x 43.3 cm||4073|Chicago: Art Institute of Chicago|Chicago: Art Institute||Bathing ; Women ; Female nudes ; Interior views ; |Bathing|Women|Female nudes|Interior views||||||Cornell||JNK|MNW|11/14/2006 0:00:00|6/9/2006 0:00:00||||0||1922.422||||||||||||| |||||||||0||||||||||||0|0|The Morning Bath|Degas, Edgar 7064.00|0||||||||Little Dancer Aged Fourteen|Assigned|Repository|The Little Fourteen-Year-Old Dancer|Variant|Repository||||Little Dancer Aged Fourteen|3026|Degas, Edgar||painter|Edgar Degas|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Sculpture|Sculpture|Model (representation)|||19|20||1880|1881||1880-1881|1880-1881|||||0||||0|||||Wax|wax|||||sculpture|modeling (forming)||||99.1 cm H||||||Ballet dancers ; Dancers ; Adolescents ; |Ballet dancers|Dancers|Adolescents|||||||Cornell||JNK|MNW|11/14/2006 0:00:00|6/9/2006 0:00:00|D317|||0||||||||||||||| |||||||||0||||||||||||0|0|Little Dancer Aged Fourteen;The Little Fourteen-Year-Old Dancer|Degas, Edgar 7065.00|0|Site|02|B-H3|Pom|7.5 Orch||B-H3 Pom 7.5 Orch |The House of the Orchard|Assigned|Image Source (Pub)|||||||The House of the Orchard|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0|Pompeii, Italy|||10133||||0||||0|Paintings|Painting|Mural|Fresco|CE|1|||40|50|ca|ca 40-50 CE|ca 40-50|||||0||||0|||||mural painting||||||mural painting|painting (image-making)|fresco painting|||||||||Orchards ; Birds ; Fruit trees ; Urns ; |Orchards|Birds|Fruit trees|Urns||||||Cornell||HB|JNK|9/22/2006 0:00:00|6/9/2006 0:00:00||Pom||0||||||Orch|B|||||H3|7.5||||||||||Building|0|Architecture-Italy|Third Style, second phase||||||||||0|0|The House of the Orchard| 7066.00|0||||||||The Serious Client|Assigned|Repository|||||||The Serious Client|3026|Degas, Edgar||painter|Edgar Degas|0||||0|||||French|||Impressionist|||Europe||France||||||0||||||||0||||0|Prints|Monotype|Print|||19|||1879|1879|ca|ca 1879|ca 1879-1879|||||0||||0|||||Monotype on wove paper|paper (fiber product)|||||Monotype (process)|||||31.3 x 23.1 cm||3423|Ottawa: National Gallery of Canada|Ottawa: Nat. Gal. of Canada||Prostitutes ; Interior views ; Clients ; |Prostitutes|Interior views|Clients|||||||Cornell||JNK|JNK|6/9/2006 0:00:00|6/9/2006 0:00:00|D317|||0||18814||||||||||||| |||||||||0||||||||||||0|0||Degas, Edgar 7067.00|0||||||||Little Dancer Aged Fourteen|Assigned|Repository|||||||Little Dancer Aged Fourteen|3026|Degas, Edgar||painter|Edgar Degas|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Sculpture|Bronze|Cast|||20|||1919|1921||1919-1921 (modeled in 1880-1881)|1919-1921|||||||||0|||||Bronze|bronze|||||casting|sculpture||||99.1 cm H||3300|Williamstown: Sterling and Francine Clark Art Institute|Williamstown: Clark Art Inst.||Adolescents ; Ballet dancers ; Dancers ; |Adolescents|Ballet dancers|Dancers|||||||Cornell||JNK|JNK|6/9/2006 0:00:00|6/9/2006 0:00:00|D317|||0||1955.45||||||||||||| |||||||||0|||||Modeled in 1880-1881|||||||0|0|Little Dancer Aged Fourteen|Degas, Edgar 7068.00|0||||||||The Little Fourteen-Year-Old Dancer|Assigned|Repository|||||||The Little Fourteen-Year-Old Dancer|3026|Degas, Edgar||painter|Edgar Degas|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Sculpture|Cast|Bronze|||20|||1880|1922||1922 (modeled in 1880-1881)|1880-1922|||||0||||0|||||Bronze|bronze|||||casting|sculpture||||99.1 cm H||3294|New York: Metropolitan Museum of Art|New York: Metropolitan||Adolescents ; Ballet dancers ; Dancers ; |Adolescents|Ballet dancers|Dancers|||||||Cornell||JNK|MNW|11/21/2006 0:00:00|6/9/2006 0:00:00|D317|||0||29.100.370||||||||||||| |||||||||0|||||Modeled in 1880-1881.|||||||0|0|The Little Fourteen-Year-Old Dancer|Degas, Edgar 7069.00|0||||||||Mill|Preferred|Repository|||||||Mill|2888|Daubigny, Charles François||painter|Charles François Daubigny|0||||0|||||French|||Barbizon School|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Landscape (environment)||19|||1857|1857||1857|1857-1857|||||0||||0|||||Oil on canvas|oil paint|canvs||||painting (image-making)|||||86.7 x 150.5 cm||3281|Philadelphia: Philadelphia Museum of Art|Philadelphia: Museum of Art||Landscapes ; Mills (buildings) ; |Landscapes|Mills (buildings)||||||||Cornell||JNK|MNW|11/14/2006 0:00:00|6/9/2006 0:00:00||||0||E1924-3-4||||||||||||| |||||||||0||||||||||||0|0|Mill|Daubigny, Charles François 7070.00|0||||||||Boating|Preferred|Repository|The Barque|Variant|Print Publication||||Boating (The Barque)|7474|Manet, Éduard||painter|Éduard Manet|0||||0|||||French|||Impressionist|||Europe||France||||||0||||||||0||||0|Paintings|Painting|Oil painting|||19|||1874|1874||1874|1874-1874|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||97.2 x 130.2 cm||3294|New York: Metropolitan Museum of Art|New York: Metropolitan||Boats ; Men (male humans) ; Women ; Outdoor recreation ; |Boats|Men (male humans)|Women|Outdoor recreation||||||Cornell||JNK|MNW|11/14/2006 0:00:00|6/9/2006 0:00:00||||0||29.100.115||||||||||||| |||||||||0||||||||||||0|0|Boating;The Barque|Manet, Éduard 7071.00|0||||||||Harvesters Resting|Preferred|Repository|Ruth and Boaz|Variant|Repository|Le repos des Moissonneurs|Original|Artist|Harvesters Resting (Ruth and Boaz)|8006|Millet, Jean-François||painter|Jean-François Millet|0||||0|||||French|||Barbizon School|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1850|1853||1850-1853|1850-1853|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||67.3 x 119.7 cm||428|Boston: Museum of Fine Arts|Boston: MFA||Harvesting ; Men (male humans) ; Women ; Wheat ; |Harvesting|Men (male humans)|Women|Wheat||||||Cornell||JNK|MNW|11/14/2006 0:00:00|6/9/2006 0:00:00||||0||06.2421||||||||||||| |||||||||0||||||||||||0|0|Harvesters Resting;Ruth and Boaz;Le repos des Moissonneurs|Millet, Jean-François 7072.00|0||||||||Man with a Hoe|Preferred|Repository|||||||Man with a Hoe|8006|Millet, Jean-François||painter|Jean-François Millet|0||||0|||||French|||Barbizon School|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1860|1862||1860-1862|1860-1862|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||80 x 99 cm||3508|Los Angeles: J. Paul Getty Museum|Los Angeles: J. Paul Getty Mus.||Farming ; Men (male humans) ; |Farming|Men (male humans)||||||||Cornell||JNK|MNW|11/14/2006 0:00:00|6/9/2006 0:00:00|M6531|||0||85.PA.114||||||||||||| |||||||||0||||||||||||0|0|Man with a Hoe|Millet, Jean-François 7073.00|0|Site|02|B-H3|Pom|3.4 Isis||B-H3 Pom 3.4 Isis |Young Priest|||||||||Temple of Isis. Young Priest|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0|||||Pompeii, Italy|||10133||||0|Paintings|Painting|Mural|Fresco|BCE|-1|||-90|-70|ca|ca 80 BCE|ca -90--70||Temple of Isis|Larger entity||7074||||0|||||mural painting||||||mural painting|painting (image-making)|fresco painting|||||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||||||||||||Cornell||HB|HB|6/19/2006 0:00:00|6/9/2006 0:00:00||Pom||0||||||Isis|B|||||H3|3.4|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Young Priest| 7074.00|0|Site|02|B-H3|Pom|3.4 Isis||B-H3 Pom 3.4 Isis |Temple of Isis|Descriptive|Image Source (Pub)|||||||Temple of Isis|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0|Pompeii, Italy|||10133||||0||||0|Architecture|Temple|Archaeological site||BCE|-1|||-90|-70|ca|ca 80 BCE|ca -90--70|||||0||||0|||||mural painting||||||mural painting|painting (image-making)||||||||||||||||||||Cornell||HB|JNK|9/22/2006 0:00:00|6/9/2006 0:00:00||Pom||0||||||Isis|B|||||H3|3.4||||||||||Work|0|Architecture-Italy|||||||||||0|0|Temple of Isis| 7075.00|0||||||||In the Loge|Preferred|Repository|||||||In the Loge|2095|Cassatt, Mary||painter|Mary Cassatt|0||||0|||||American|||Impressionist|||North and Central America||United States|France|||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1879|1879||1879|1879-1879|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||81.28 x 66.04 cm||428|Boston: Museum of Fine Arts|Boston: MFA||Theaters ; Loges ; Women ; Boxes (audience spaces) ; |Theaters|Loges|Women|Boxes (audience spaces)||||||Cornell||JNK|MNW|11/14/2006 0:00:00|6/9/2006 0:00:00||||0||10.35||||||||||||| |||||||||0||||||||||||0|0|In the Loge|Cassatt, Mary 7076.00|0||||||||The Tea|Translated|Repository|Le Thé|Original|Repository||||The Tea (Le Thé)|2095|Cassatt, Mary||painter|Mary Cassatt|0||||0|||||American|||Impressionist|||North and Central America||United States|France|||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1880|1880|ca|ca 1880|ca 1880-1880|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||64.77 x 92.07 cm||428|Boston: Museum of Fine Arts|Boston: MFA||Women ; Tea (social aspects) ; Interior views ; |Women|Tea (social aspects)|Interior views|||||||Cornell||JNK|JNK|6/9/2006 0:00:00|6/9/2006 0:00:00|C343|||0||42.178||||||||||||| |||||||||0||||||||||||0|0|The Tea;Le Thé|Cassatt, Mary 7077.00|0|Architect|03|MA-Webb|7.5|1859-60 Red||MA-Webb 7.5 1859-60 Red |Red House|Preferred|Dict.Art|||||||Red House|12543|Webb, Philip||architect|Philip Web|0||||0|||||English|||Arts and Crafts|||Europe||England||||||0|Bexleyheath, London, England|||10890||||0||||0|Architecture|House||||19|||1859|1860||1859-1860|1859-1860|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||MNW|JNK|6/13/2006 0:00:00|6/9/2006 0:00:00|Webb|||0||||||Red|MA||||||7.5|1859-60|||||||||Work|0|Modern Architecture|William Morris's House. DOA||||||||||0|0|Red House|Webb, Philip 7078.00|0||||||||Woman with a Pearl Necklace in a Loge|Assigned|Repository|||||||Woman with a Pearl Necklace in a Loge|2095|Cassatt, Mary||painter|Mary Cassatt|0||||0|||||American|||Impressionist|||North and Central America||United States|France|||||0||||||||0||||0|Paintings|Painting|Oil painting|||19|||1879|1879||1879|1879-1879|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||81.3 x 59.7 cm||3281|Philadelphia: Philadelphia Museum of Art|Philadelphia: Museum of Art||Loges ; Women ; Fans ; Boxes (audience spaces) ; |Loges|Women|Fans|Boxes (audience spaces)||||||Cornell||JNK|MNW|11/17/2006 0:00:00|6/9/2006 0:00:00||||0||1978-1-5||||||||||||| |||||||||0||||||||||||0|0||Cassatt, Mary 7079.00|0|Architect|03|MA-Horta|7.5|1892-93 Tas||MA-Horta 7.5 1892-93 Tas |Hôtel Tassel|Published|Dict.Art|Mexican Embassy|Variant|Dict.Art||||Hôtel Tassel|5627|Horta, Victor||architect|Victor Horta|0||||0|||||Belgian|||Art Nouveau|||Europe||Belgium||||||0|6 Rue Paul-Emile Janson, Brussels, Belgium|||10891||||0||||0|Architecture|Hôtel (town house)||||19|||1892|1893||1892-1893|1892-1893|||||0||||0||||||||||||||||||||||Hôtels (town houses) ; |Hôtels (town houses)|||||||||Cornell||MNW|JNK|6/13/2006 0:00:00|6/9/2006 0:00:00|Horta|||0||||||Tas|MA||||||7.5|1892-93|||||||||Work|0|Modern Architecture|Now the Mexican Embassy. DOA||||||||||0|0|Hôtel Tassel;Mexican Embassy|Horta, Victor 7080.00|0|Creator|15|U-28.2|Hiroshige||7|U-28.2 Hiroshige 7|Nadeshiko (Pink), Butterfly and Poem|Repository|Image Source (Pub)|||||||Nadeshiko (Pink), Butterfly and Poem|5453|Ando Hiroshige||artist|Ando Hiroshige|0||||0|||||Japanese|||Edo (Japanese period)|||Asia||Japan||||||0||||0||||0||||0|Prints|Woodcut||||19|||1840|1840|ca|ca 1840|ca 1840-1840|||||0||||0|||||Color woodcut||||||woodcut (process)|||||||4073|Chicago: Art Institute of Chicago|Chicago: Art Institute||Butterflies ; Flowers ; Calligraphy ; |Butterflies|Flowers|Calligraphy|||||||Cornell||MNW|JNK|6/13/2006 0:00:00|6/9/2006 0:00:00|Hiroshige|||0||1925.3652|||||U|||||28.2||| ||||||||Work|0||||||||||||0|0|Nadeshiko (Pink), Butterfly and Poem|Ando Hiroshige 7081.00|0||||||||The Cup of Tea|Assigned|Repository|||||||The Cup of Tea|2095|Cassatt, Mary||painter|Mary Cassatt|0||||0|||||American|||Impressionist|||North and Central America||United States|France|||||0||||||||0||||0|Paintings|Painting|Oil painting|Portrait||19|||1880|1881|ca|ca 1880-1881|ca 1880-1881|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||92.4 x 65.4 cm||3294|New York: Metropolitan Museum of Art|New York: Metropolitan||Tea (social aspects) ; Women ; Cassatt, Lydia Simpson, 1837-1882 ; Portraits ; |Tea (social aspects)|Women|Cassatt, Lydia Simpson, 1837-1882|Portraits||||||Cornell||JNK|MNW|11/17/2006 0:00:00|6/9/2006 0:00:00||||0||22.16.17||||||||||||| |||||||||0||||||||||||0|0||Cassatt, Mary 7082.00|0|Architect|03|B-|2.121|1889-1913 Met||B- 2.121 1889-1913 Met |Paris Métro Stations|Descriptive|Dict.Art|||||||Paris Métro Stations|4934|Guimard, Hector||sculptor|Hector Guimard|0||||0|||||French|||Art Nouveau|||Europe||France||||||0|Paris, France|||10058||||0||||0|Architecture|Subway station||||19|20||1896|1913||1896-1913|1896-1913|||||0||||0||||||||||||||||||||||Subway stations ; |Subway stations|||||||||Cornell||MNW|JNK|6/13/2006 0:00:00|6/9/2006 0:00:00||Par||0||||||Met|B|||||H2|2.121|1889-1913|||||||||Work|0|Architecture|Three types: 1) open with steps and railing, 2) enclosed with covered steps, and 3) complete pavilion. DOA||||||||||0|0|Paris Métro Stations|Guimard, Hector 7083.00|0|Architect|03|MA-Hoffmann|7.5|1909 Sto||MA-Hoffmann 7.5 1909 Sto |Maison Stoclet|Assigned|Dict.Art|||||||Maison Stoclet|5511|Hoffmann, Josef Franz Maria||architect|Josef Hoffmann|0||||0||||||||Art Nouveau|||Europe||Belgium||||||0|Avenue de Tervueren, Brussels, Belgium|||10892||||0||||0|Architecture|House||||20|||1905|1911||1905-1911|1905-1911|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||MNW|JNK|6/13/2006 0:00:00|6/9/2006 0:00:00|Hoffmann|||0||||||Sto|MA||||||7.5|1909|||||||||Work|0|Modern Architecture|||||||||||0|0|Maison Stoclet|Hoffmann, Josef Franz Maria 7084.00|0|Site|02|B-Q5|Bom|2.12 CST||B-Q5 Bom 2.12 CST |Chhatrapati Sivaji Terminus|Preferred|Print Publication|Victoria Terminus (VT)|Former|Print Publication|Great Indian Peninsula Railway Terminus|Variant|Image Source (Pub)|Chhatrapati Sivaji Terminus|14520|Stevens, Frederick William||architect|Frederick Stevens|0||||0|||||Indian|||Victorian|||Asia||India||||||0|Mumbai, India|||10191||||0||||0|Architecture|Railroad station||||19|||1878|1887||1878-1887|1878-1887|||||0||||0||||||||||||||||||||||Railroad stations ; Architecture ; |Railroad stations|Architecture||||||||Cornell||MNW|MNW|6/13/2006 0:00:00|6/9/2006 0:00:00||Bom||0||||||CST|B|||||Q5|2.12||||||||||Work|0|Architecture-India|This is an example of Victorian Gothic architecture in India. DOA.||||||||||0|0|Chhatrapati Sivaji Terminus;Victoria Terminus (VT);Great Indian Peninsula Railway Terminus|Stevens, Frederick William 7085.00|0|Site|02|B-Q5|Bom|2.16 Train||B-Q5 Bom 2.16 Train |Communters Crowd Local Trains|Descriptive|Image Source (Pub)|||||||Communters Crowd Local Trains|0|||||0||||0|||||Indian||||||Asia||India||||||0|Mumbai, India|||10191||||0||||0|Photographs|Documentary photograph|Train (vehicle grouping)|||20|||1950|2000|ca|2bd half of 20th C.|ca 1950-2000|||||0||||0|||||||||||photography|||||||||||Trains ; Mumbai (India) ; |Trains|Mumbai (India)||||||||Cornell||MNW|MNW|6/9/2006 0:00:00|6/9/2006 0:00:00||Bom||0||||||Train|B|||||Q5|2.16||||||||||Work|0|Architecture-India|||||||||||0|0|Communters Crowd Local Trains| 7086.00|0|Site|02|B-Q5|Bom|6.3 VicArc||B-Q5 Bom 6.3 VicArc |Bazaars in Victorian Arcades|Collective Title|Image Source (Pub)|||||||Bazaars in Victorian Arcades|0|||||0||||0|||||Indian||||||Asia||India||||||0|Mumbai, India|||10191||||0||||0|Architecture|Bazaar|Marketplace|||20|||1950|2000|ca|2nd half of 20th C|ca 1950-2000|||||0||||0||||||||||||||||||||||Bazaars ; Mumbai (India) ; Markets (buildings) ; Postcolonialism ; |Bazaars|Mumbai (India)|Markets (buildings)|Postcolonialism||||||Cornell||MNW|JNK|6/13/2006 0:00:00|6/9/2006 0:00:00||Bom||0||||||VicArc|B|||||Q5|6.3||||||||||Work|0|Architecture-India|||||||||||0|0|Bazaars in Victorian Arcades| 7087.00|0|Creator|08|0-Jones|1.0|GrOrn||0-Jones 1.0 GrOrn |The Grammar of Ornament|Published|LC NAF|||||||The Grammar of Ornament|6039|Jones, Owen||architect|Owen Jones|0||||0|||||British|||Victorian|||Europe||England||||||0||||0||||0||||0|Publications|Book||||19|||1856|1856||1856|1856-1856|||||0||||0||||||||||||||||||||||Books ; |Books|||||||||Cornell||MNW|JNK|6/13/2006 0:00:00|6/12/2006 0:00:00|Jones|||0||||||GrOrn|0||||||1.0||||||||||Work|0||First published by Day and Son in London in 1856 this publication is illustrated by examples from various styles of ornament and contains 112 plates. CUL.||||||||||0|0|The Grammar of Ornament|Jones, Owen 7088.00|0|Architect|08|0-Ruskin|1,0|Stones||0-Ruskin 1,0 Stones |The Stones of Venice|Published|Dict.Art|||||||The Stones of Venice|10210|Ruskin, John||author|John Ruskin|0||||0|||||British||||||Europe||England||||||0||||0||||0||||0|Publications|Book||||19|||1851|1853||1851-1853|1851-1853|||||0||||0||||||||||||||||||||||Venice, Italy ; Architectural theory ; Buildings ; |Venice, Italy|Architectural theory|Buildings|||||||Cornell||MNW|JNK|6/13/2006 0:00:00|6/12/2006 0:00:00||||0||||||Stones|0||||||1,0||||||||||Work|0||A study of the history and architecture of Venice. First ublished in three volumes in London by Smith, Elder, and Co. from 1851-1853. DOA. Vol 1 = the foundations, Vol. 2 = the sea-stories, Vol. 3 = The fall. CUL.||||||||||0|0|The Stones of Venice|Ruskin, John 7089.00|0|Site|02|B-B33|NYC|2.111a 42nd|3|B-B33 NYC 2.111a 42nd 3|Marquees on 42nd Street, November, 1979|Descriptive|Cataloger|||||||Marquees on 42nd Street, November, 1979|0|||||0||||0|||||American||||||North and Central America||United States||||||0||||0|New York, NY|||10060||||0|Photographs|Documentary photograph||||20|||1979|1979||1979|1979-1979|||||0||||0|||||||||||photography|||||||||||Streetscapes ; New York (NY) ; Pornography ; Forty-second Street (New York, N.Y.) ; |Streetscapes|New York (NY)|Pornography|Forty-second Street (New York, N.Y.)||||||Cornell||MNW|MNW|6/12/2006 0:00:00|6/12/2006 0:00:00||NYC|NYC|0||||||42nd|B|||||B33|2.111a||||||||||Work|0|Architecture-New York (NY)|||||||||||0|0|Marquees on 42nd Street, November, 1979| 7090.00|0|Site|02|B-B33|NYC|2.111a 42nd||B-B33 NYC 2.111a 42nd |Adult Peep Show on Forty Second Street Between Broadway and Eighth Avenue|Descriptive|Cataloger|||||||Adult Peep Show on Forty Second Street Between Broadway and Eighth Avenue|31223|Hamburg, Harry||photographer|Harry Hamburg|0||||0|||||American||||||North and Central America||United States||||||0||||0|New York, NY|||10060||||0|Photographs|Documentary photograph||||20|||1975|1985|ca|Late 1970's to early 1980's|ca 1975-1985|||||0||||0|||||||||||photography|||||||||||Streetscapes ; New York (NY) ; Forty-second Street (New York, N.Y.) ; Pornography ; |Streetscapes|New York (NY)|Forty-second Street (New York, N.Y.)|Pornography||||||Cornell||MNW|JNK|6/13/2006 0:00:00|6/12/2006 0:00:00||NYC|NYC|0||||||42nd|B|||||B33|2.111a||||||||||Work|0|Architecture-New York (NY)|Photo by Harry Hamburg||||||||||0|0|Adult Peep Show on Forty Second Street Between Broadway and Eighth Avenue|Hamburg, Harry 7091.00|0|Site|02|B-B33|NYC|1.1 Bron|7|B-B33 NYC 1.1 Bron 7|Housing Demolition, Simpson Street, South Bronx|Descriptive|Cataloger|||||||Housing Demolition, Simpson Street, South Bronx|0|||||0||||0|||||American||||||North and Central America||United States||||||0||||0|New York, NY|||10060||||0|Photographs|Documentary photograph||||20|||1979|1979||1979|1979-1979|||||0||||0|||||||||||photography|||||||||||Demolition ; |Demolition|||||||||Cornell||MNW|MNW|6/12/2006 0:00:00|6/12/2006 0:00:00||NYC|NYC|0||||||Bron|B|||||B33|1.1||||||||||Work|0|Architecture-New York (NY)|Photographed by Tom Cunningham.||||||||||0|0|Housing Demolition, Simpson Street, South Bronx| 7092.00|0|Site|02|B-B33|NYC|2.111a Bro|0-1|B-B33 NYC 2.111a Bro 0-1|Mayor Koch and Andy Warhol Unveil the Artist's Brooklyn Bridge Centennial Poster|Descriptive|Cataloger|||||||Mayor Koch and Andy Warhol Unveil the Artist's Brooklyn Bridge Centennial Poster|0|||||0||||0|||||American||||||North and Central America||United States||||||0||||0|New York, NY|||10060||||0|Photographs|Documentary photograph|Portrait|||20|||1983|1983||1983, April 5|1983-1983|||||0||||0||||||||||||||||||||||Koch, Ed, 1924 ; Warhol, Andy, 1928-1987 ; Portraits ; Brooklyn Bridge (New York, N.Y.) ; |Koch, Ed, 1924|Warhol, Andy, 1928-1987|Portraits|Brooklyn Bridge (New York, N.Y.)||||||Cornell||MNW|JNK|6/13/2006 0:00:00|6/12/2006 0:00:00||NYC|NYC|0||||||Bro|B|||||B33|2.111a||||||||||Work|0|Architecture-New York (NY)|Photographed by Gene Kappock.|||April 5, 1983|||||||0|0|Mayor Koch and Andy Warhol Unveil the Artist's Brooklyn Bridge Centennial Poster| 7094.00|0|Creator|05|B-B33|NYC|2.111a 42nd|5|B-B33 NYC 2.111a 42nd 5|New York|Assigned|Repository|||||||New York|31224|Levinstein, Leon||photographer|Leon Levinstein|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Photographic print|Documentary photograph|||20|||1970|1970|ca|ca 1970|ca 1970-1970|||||0||||0|||||Black and white photograph||||||photography|||||||3828|New York: Museum of the City of New York|New York: Mus. of the City of NY||Prostitutes ; Pornography ; New York (NY) ; |Prostitutes|Pornography|New York (NY)|||||||Cornell||JNK|JNK|6/13/2006 0:00:00|6/13/2006 0:00:00||NYC||0||||||42nd|B|||||B33|2.111a|| ||||||||Work|0|Architecture|A prostitute soliciting on 42nd Street between Broadway and Eighth Avenue.||||||||||0|0|New York|Levinstein, Leon 7095.00|0|Creator|15|CHINA|POT|NEOLITHIC||CHINA POT NEOLITHIC |Bowl With Stylized Floral Or Leaf Designs|Descriptive|Image Source (Pub)|||||||Bowl With Stylized Floral Or Leaf Designs|0|||||0||||0|||||Chinese|||Neolithic|||Asia||China||||||0||||0||||0|Fangshan county, Shanxi Province, China|||10893|Ceramics|Ceramic|Bowl (vessel)|Vessel|BCE|||||||4th millennium BCE|4th millennium BCE|||||0||||0|||||Red earthenware with black pigment|earthenware|pigment||||ceramics|||||23 cm high, 36 cm max. diam.||9709|Taiyuan: Shanxi Provincial Institute of Archaeology|Taiyuan: Shanxi Institute of Archaeology||||||||||||Cornell||BZ|BZ|6/13/2006 0:00:00|6/13/2006 0:00:00||||0|||||||POT|||CHINA|NEOLITHIC|||| ||||||||Work|0||Neolithic Period, Yangshao culture, Maodigou type (4th millennium BCE). 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Naz.||Eros ; Cupid ; Venus ; |Eros|Cupid|Venus|||||||Cornell||HB|HB|6/19/2006 0:00:00|6/14/2006 0:00:00||Pom|Pom|0||||||PunLov|B|||||H3|7.5|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|The Punishment of Eros| 7098.00|0|Site|02|B-H3|Pom|7.5 I 3, 18||B-H3 Pom 7.5 I 3, 18 |House I 3, 18||||||||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0|Pompeii, Italy|||10133||||0||||0|Architecture|House|Archaeological site||CE|1|||1|79|ca|ca 1-79 CE|ca 1-79 CE|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/15/2006 0:00:00|6/14/2006 0:00:00||Pom||0||||||I 3, 18|B|||||H3|7.5||||||||||Work|0|Architecture-Italy|||||||||||0|0|House I 3, 18| 7099.00|0|Site|02|B-H3|Pom|7.5 I 3, 18||B-H3 Pom 7.5 I 3, 18 |Lovers in a summer dining room|Descriptive|Print Publication|||||||House I 3, 18. 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Naz.||||||||||||Cornell||HB|HB|6/19/2006 0:00:00|6/14/2006 0:00:00||Pom||0||||||I 3, 18|B|||||H3|7.5|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Lovers in a summer dining room| 7100.00|0||||||||House of Titus Dentatus Panthera|Assigned|Print Publication|House IX 2, 16|Assigned|Print Publication||||House of Titus Dentatus Panthera|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0|Pompeii, Italy|||10133||||0||||0|Architecture|House|Archaeological site|||1||||||1st Century||||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|JNK|9/22/2006 0:00:00|6/14/2006 0:00:00||Pom||0||||||||||||||||||||||||0||||||||||||0|0|House of Titus Dentatus Panthera;House IX 2, 16| 7101.00|0|Site|02|B-H3|Pom|7.5 TDePan||B-H3 Pom 7.5 TDePan |The Three Graces|Descriptive|Print Publication|||||||House of Titus Dentatus Panthera. 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Naz.||Graces ; women ; Dancing ; |Graces|women|Dancing|||||||Cornell||HB|HB|6/19/2006 0:00:00|6/14/2006 0:00:00||Pom|Pom|0||||||TDePan|B|||||H3|7.5|| ||||||||Work|0|Architecture-Italy|fourth style||||||||||0|0|The Three Graces| 7102.00|0||||||||House of the Dioscuri|||||||||House of the Dioscuri|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0|Pompeii, Italy|||10133||||0||||0|Architecture|House|Archaeological site|||||||||1st Century||||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|JNK|9/22/2006 0:00:00|6/14/2006 0:00:00||Pom||0||||||||||||||||||||||||0||||||||||||0|0|House of the Dioscuri| 7103.00|0|Site|02|B-H3|Pom|7.5 Dios||B-H3 Pom 7.5 Dios |The Sorceress and the Traveller|Descriptive|Print Publication|Woman and Traveller|Descriptive|Print Publication|Ulisse e la maga|Descriptive|Print Publication|House of the Dioscuri. The Sorceress and the Traveller|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0||||0||||0||||0|Paintings|Painting|Mural|Fresco|CE|1|||62|79|ca|ca 62-79|ca 62-79||House of the Dioscuri|||7102||||0|||||mural painting||||||mural painting|fresco painting|painting (image-making)|||44 x 38 cm||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Odysseus ; |Odysseus|||||||||Cornell||HB|HB|6/19/2006 0:00:00|6/14/2006 0:00:00||Pom||0||||||Dios|B|||||H3|7.5|| ||||||||Work|0|Architecture-Italy|Fourth Style||||||||||0|0|The Sorceress and the Traveller;Woman and Traveller;Ulisse e la maga| 7104.00|0||||||||House of Casca Longus|Assigned|Print Publication|House of the Theatrical Panels|Descriptive|Print Publication|House I 6, 11|Assigned|Print Publication||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0|Pompeii, Italy|||10133||||0||||0|Architecture|House|Archaeological site|||1||||||1st Century||||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/15/2006 0:00:00|6/14/2006 0:00:00||Pom||0||||||||||||||||||||||||0||||||||||||0|0|House of Casca Longus;House of the Theatrical Panels;House I 6, 11| 7105.00|0|Site|02|B-H3|Pom|7.5 ThePan||B-H3 Pom 7.5 ThePan |Scene from a Comedy|Descriptive|Print Publication|||||||House of Casca Longus. Scene from a Comedy|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0|Pompeii, Italy|||10133||||||||0|Paintings|Painting|Mural|Fresco|CE|1|||25|50|ca|ca 25-50 CE|ca 25-50||House of Casca Longus|LargerEntity||7104||||0|||||mural painting||||||mural painting|fresco painting|painting (image-making)|||H = 52 cm||||||Theater (discipline) ; Masks ; |Theater (discipline)|Masks||||||||Cornell||HB|HB|6/19/2006 0:00:00|6/14/2006 0:00:00||Pom||0||||||ThePan|B|||||H3|7.5||||||||||Work|0|Architecture-Italy|||||||||||0|0|Scene from a Comedy| 7106.00|0||||||||House IX 5, 2||||||||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0|Pompeii, Italy|||10133||||0||||0|Architecture|House|Archaeological site|||1||||||1st Century CE||||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/15/2006 0:00:00|6/14/2006 0:00:00||Pom||0||||||||||||||||||||||||0||||||||||||0|0|House IX 5, 2| 7107.00|0|Site|02|B-H3|Pom|7.5 IX 5, 2||B-H3 Pom 7.5 IX 5, 2 |Achilles and the Daughter of Lykomedes|Descriptive|Print Publication|||||||House IX 5, 2. Achilles and the Daughter of Lykomedes|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0||||0|Pompeii, Italy|||10133||||0|Paintings|Painting|Mural|Fresco|CE|1|||62|79|ca|ca 62-79|ca 62-79||House IX 5, 2|Larger entity||7106||||0|||||mural painting||||||mural painting|fresco painting|painting (image-making)|||H = 1.30 m||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||||||||||||Cornell||HB|HB|6/19/2006 0:00:00|6/14/2006 0:00:00||Pom|Pom|0||||||IX 5, 2|B|||||H3|7.5|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Achilles and the Daughter of Lykomedes| 7108.00|0|Architect|03|MA-FieldOp|2.121|2003 HighL||MA-FieldOp 2.121 2003 HighL |Designing the High Line|Published|Online Resource|||||||High Line. Designing the High Line|31228|Field Operations||Landscape arch. Firm|Field Operations with Diller Scofidio + Renfro|31226|Diller Scofidio + Renfro|||0|||||American||||||North and Central America||United States||||||0|New York, NY|||10060||||0||||0|Architecture|Competition|Viaduct|Railroad||21|||2003|2003||2003|2003-2003||High Line|LargerEntity||2487||||0||||||||||||||||||||||Competitions ; Elevated railroads ; Viaducts ; |Competitions|Elevated railroads|Viaducts|||||||Cornell||MNW|MNW|6/14/2006 0:00:00|6/14/2006 0:00:00|FieldOp|||0||||||HighL|MA||||||2.121|2003|||||||||Work|0|Modern Architecture|This was an open competition sponsored by the Friends of the High Line.||||||||||0|0|Designing the High Line|Field Operations;Diller Scofidio + Renfro 7109.00|0|Site|02|B-B33|NYC|2.121 HighL|5-1|B-B33 NYC 2.121 HighL 5-1|The High Line in 2003|Descriptive|Cataloger|||||||The High Line in 2003|11343|Sternfeld, Joel||photographer|Joel Sternfeld|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Documentary photograph|Landscape (environment)|||21|||2003|2003|ca|ca 2003|ca 2003-2003|||||0||||0|||||||||||photography|||||||||||High Line (New York, N.Y.) ; Landscapes ; New York (NY) ; |High Line (New York, N.Y.)|Landscapes|New York (NY)|||||||Cornell||MNW|MNW|6/14/2006 0:00:00|6/14/2006 0:00:00||NYC||0||||||HighL|B|||||B33|2.121||||||||||Work|0|Architecture-New York (NY)|||||||||||0|0|The High Line in 2003|Sternfeld, Joel 7110.00|0|Architect|03|MA-Hundertwasser|7.4|1985 Low||MA-Hundertwasser 7.4 1985 Low |Hundertwasser Haus|Descriptive|LC NAF|||||||Hundertwasser Haus|5713|Hundertwasser, Friedensreich||architect|Friedensreich Hundertwasser|0||||0|||||Austrian||||||Europe||Austria||||||0|Kegelgasse & Löwengasse, Vienna, Austria|||10895||||0||||0|Architecture|Apartment house||||20|||1983|1985||1983-1985|1983-1985|||||0||||0||||||||||||||||||||||Apartment houses ; |Apartment houses|||||||||Cornell||MNW|MNW|6/15/2006 0:00:00|6/14/2006 0:00:00|Hundertwas|||0||||||Low|MA||||||7.4|1985|||||||||Work|0|Modern Architecture|||||||||||0|0|Hundertwasser Haus|Hundertwasser, Friedensreich 7111.00|0||||||||House of Sirico|Assigned|Print Publication|House VII 12, 25|Assigned|Print Publication|||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0|Pompeii, Italy|||10133||||0||||0|Architecture|House|Archaeological site|||1||||||1st Century||||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/15/2006 0:00:00|6/15/2006 0:00:00||Pom||0||||||||||||||||||||||||0||||||||||||0|0|House of Sirico;House VII 12, 25| 7112.00|0|Site|02|B-H3|Pom|7.5 Sirico||B-H3 Pom 7.5 Sirico |Doctor Iapyx tends to Aeneas|Descriptive|Print Publication|||||||House of Sirico. Doctor Iapyx tends to Aeneas|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe|Campania|Italy||||||0||||0|Pompeii, Italy|||10133||||0|Paintings|Painting|Mural|Fresco|CE|1|||62|79|ca|ca 62-79 CE|ca 62-79||House of Sirico|||7111||||0|||||mural painting||||||mural painting|fresco painting|painting (image-making)|||45 x 38 cm||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Aeneas (legendary character) ; Physicians ; Trojan War ; |Aeneas (legendary character)|Physicians|Trojan War|||||||Cornell||HB|HB|6/19/2006 0:00:00|6/15/2006 0:00:00||Pom||0||||||Sirico|B|||||H3|7.5|| ||||||||Work|0|Architecture-Italy|Fourth Style||||||||||0|0|Doctor Iapyx tends to Aeneas| 7113.00|0||||||||House of the Surgeon|Assigned|Print Publication|Casa del Medico|Assigned|Print Publication|House VIII 5, 24|Assigned|Print Publication||0|||||0||||0|||||Roman|||Hellenistic|||Europe|Campania|Italy||||||0|Pompeii, Italy|||10133||||0||||0|Architecture|House|Archaeological site||BCE|-4|||-399|-300|ca|4th Century BCE|-399--300|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/15/2006 0:00:00|6/15/2006 0:00:00||Pom||0||||||||||||||||||||||||0||One of the oldest houses in Pompeii.||||||||||0|0|House of the Surgeon;Casa del Medico;House VIII 5, 24| 7114.00|0|Site|02|B-H3|Pom|7.5 Sur||B-H3 Pom 7.5 Sur |Judgement of Solomon|Descriptive|Print Publication|||||||House of the Surgeon. Judgement of Solomon|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe|Campania|Italy||||||0||||0|Pompeii, Italy|||10133||||0|Paintings|Painting|Mural|Fresco|CE|1|||62|79|ca|ca 62-79 CE|ca 62-79||House of the Surgeon|||7113||||0|||||mural painting||||||mural painting|fresco painting|painting (image-making)|||||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Solomon ; |Solomon|||||||||Cornell||HB|HB|6/19/2006 0:00:00|6/15/2006 0:00:00||Pom|Pom|0||||||Sur|B|||||H3|7.5|| ||||||||Work|0|Architecture-Italy|Fourth Style||||||||||0|0|Judgement of Solomon| 7115.00|0|Site|02|B-H3|Pom|7.5 Sur||B-H3 Pom 7.5 Sur |Pygmies Hunting|Descriptive|Print Publication|||||||House of the Surgeon. Pygmies Hunting|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe|Campania|Italy||||||0||||0|Pompeii, Italy|||10133||||0|Paintings|Painting|Mural|Fresco|CE|1|||62|79|ca|ca 62-79 CE|ca 62-79||House of the Surgeon|||7113||||0|||||mural painting||||||mural painting|fresco painting|painting (image-making)|||H = 75 cm||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Hunting ; Animals ; Africa ; |Hunting|Animals|Africa|||||||Cornell||HB|HB|6/19/2006 0:00:00|6/15/2006 0:00:00||Pom|Pom|0||||||Sur|B|||||H3|7.5|| ||||||||Work|0|Architecture-Italy|Fourth Style||||||||||0|0|Pygmies Hunting| 7116.00|0||||||||On the Balcony|Preferred|Repository|On the Balcony, Meudon|Variant|Repository||||On the Balcony|8212|Morisot, Berthe||painter|Berthe Morisot|0||||0|||||French|||Impressionist|||Europe||France||||||0||||||||0||||0|Drawings|Watercolor|Drawing|Gouache||19|||1871|1872||1871-1872|1871-1872|||||0||||0|||||Watercolor, with touches of gouache, over grahite, on off-white wove paper|watercolor|gouache|graphite|||drawing (image-making)|painting (image-making)||||206 x 173 mm||4073|Chicago: Art Institute of Chicago|Chicago: Art Institute||Mother and child ; Balconies ; Women ; Children (people by age group) ; |Mother and child|Balconies|Women|Children (people by age group)||||||Cornell||JNK|MNW|11/17/2006 0:00:00|6/15/2006 0:00:00||||0||1933.1||||||||||||| |||||||||0||||||||||||0|0|On the Balcony;On the Balcony, Meudon|Morisot, Berthe 7117.00|0||||||||Reading|Preferred|Repository|La lecture|Artists|Repository||||Reading|8212|Morisot, Berthe||painter|Berthe Morisot|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1873|1873||1873|1873-1873|||||0||||0|||||Oil on fabric|oil paint|cloth||||painting (image-making)|||||46 x 71.8 cm||3418|Cleveland: Cleveland Museum of Art|Cleveland: Museum of Art||Reading ; Women ; Landscapes ; Books ; |Reading|Women|Landscapes|Books||||||Cornell||JNK|JNK|6/15/2006 0:00:00|6/15/2006 0:00:00||||0||1950.89||||||||||||| |||||||||0||||||||||||0|0|Reading;La lecture|Morisot, Berthe 7118.00|0||||||||Final Study for "Bathers at Asnières"|Preferred|Repository|||||||Final Study for "Bathers at Asnières"|10773|Seurat, Georges||painter|Georges Seurat|0||||0|||||French|||Neo-Impressionist|Pointillist||Europe||France||||||0||||0||||0||||0|Paintings|Oil painting||||19|||1883|1883||1883|1883-1883|||||0||||0|||||Oil on panel|oil paint|panels (wood)||||painting (image-making)|||||15.8 x 25.1 cm||4073|Chicago: Art Institute of Chicago|Chicago: Art Institute||Men (male humans) ; Bathing ; Rivers ; Outdoor recreation ; |Men (male humans)|Bathing|Rivers|Outdoor recreation||||||Cornell||JNK|MNW|11/17/2006 0:00:00|6/15/2006 0:00:00||||0||1962.578||||||||||||| |||||||||0||||||||||||0|0|Final Study for "Bathers at Asnières"|Seurat, Georges 7119.00|0||||||||Circus Sideshow|Preferred|Repository|||||||Circus Sideshow|10773|Seurat, Georges||painter|Georges Seurat|0||||0|||||French|||Neo-Impressionist|Pointillist||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1887|1888||1887-1888|1887-1888|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||99.7 x 149.9 cm||3294|New York: Metropolitan Museum of Art|New York: Metropolitan||Circuses (performances) ; Musicians ; Audiences ; |Circuses (performances)|Musicians|Audiences|||||||Cornell||JNK|JNK|6/15/2006 0:00:00|6/15/2006 0:00:00|S496|||0||61.101.17||||||||||||| |||||||||0||||||||||||0|0|Circus Sideshow|Seurat, Georges 7120.00|0||||||||The Third-class Carriage|Preferred|Repository|||||||The Third-class Carriage|2891|Daumier, Honore||painter|Honore Daumier|0||||0|||||French|||Realist|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1863|1865|ca|ca 1863-1865|ca 1863-1865|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||65.4 x 90.2 cm||3423|Ottawa: National Gallery of Canada|Ottawa: Nat. Gal. of Canada||Carriages ; Men (male humans) ; Women ; Poor ; Mother and child ; Children (people by age group) ; |Carriages|Men (male humans)|Women|Poor|Mother and child|Children (people by age group)||||Cornell||JNK|MNW|11/17/2006 0:00:00|6/15/2006 0:00:00||||0||4633||||||||||||| |||||||||0||||||||||||0|0|The Third-class Carriage|Daumier, Honore 7121.00|0||||||||House of the Naviglio|Assigned|Print Publication|House VI 10, 11|||||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0|Pompeii, Italy|||10133||||0||||0|Architecture|House|Archaeological site|||||||||1st Century CE||||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/15/2006 0:00:00|6/15/2006 0:00:00||Pom||0||||||||||||||||||||||||0||||||||||||0|0|House of the Naviglio;House VI 10, 11| 7122.00|0|Site|02|B-H3|Pom|7.5 Nav||B-H3 Pom 7.5 Nav |Maenad|Descriptive|Print Publication|||||||House of the Naviglio. Maenad|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe|Campania|Italy||||||0||||0||||0||||0|Paintings|Painting|Mural|Fresco|CE|1|||1|79|ca|1st Century CE|ca 1-79||House of the Naviglio|||7121||||0|||||mural painting||||||mural painting|fresco painting|painting (image-making)|||H = 49 cm||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||||||||||||Cornell||HB|HB|6/19/2006 0:00:00|6/15/2006 0:00:00||Pom||0||||||Nav|B|||||H3|7.5|| ||||||||Work|0|Architecture-Italy|Third/Fourth Style||||||||||0|0|Maenad| 7123.00|0|Architect|03||||||2008 Beijing Olympic Green|Artists|Online Resource|Master Plan for the 2008 Beijing Olympic Green||||||2008 Beijing Olympic Green|28967|Sasaki Associates|||Sasaki Associates|0||||0|||||American||||||Asia||China||||||0|Beijing, China|||10078||||0||||0|Architecture|Stadium|Park (recreation area)|Comprehensive plan||21|||2002|2008||2002-2008|2002-2008|||||0||||0||||||||||||||||||||||Parks ; Stadiums ; Olympic Games (29th : 2008 : Beijing, China) ; Comprehensive plans ; |Parks|Stadiums|Olympic Games (29th : 2008 : Beijing, China)|Comprehensive plans||||||Cornell||MNW|MNW|6/15/2006 0:00:00|6/15/2006 0:00:00|SasakiAss|Bei||0||||||BeiOly|MA||||||2.21||||||||||Work|0||2008 Beijing Olympic Green Sasaki won first prize in the international design competition to establish the master plan for the Olympic Green – the main site of the 2008 Olympic Games in Beijing, China. Http://www.sasaki.com/what/, accessed, 6/15/2006.||||||||||0|0|2008 Beijing Olympic Green;Master Plan for the 2008 Beijing Olympic Green|Sasaki Associates 7124.00|0||||||||House of the Golden Bracelet|Assigned|Print Publication|Casea del Bracciale D'Oro|Assigned|Print Publication|House VI, 17 (Insula Occidentale), 42||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0|Pompeii, Italy|||10133||||0||||0|Architecture|House|Archaeological site|||||||||1st Century AD||||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/15/2006 0:00:00|6/15/2006 0:00:00||Pom||0||||||||||||||||||||||||0||||||||||||0|0|House of the Golden Bracelet;Casea del Bracciale D'Oro;House VI, 17 (Insula Occidentale), 42| 7125.00|0|Site|02|B-H3|Pom|7.5 GolBra||B-H3 Pom 7.5 GolBra |Garden Painting|Descriptive|Print Publication|||||||House of the Golden Bracelet. Garden Painting|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0|Pompeii, Italy|||10133||||0|||||Paintings|Painting|Mural|Fresco|CE|1|||25|50|ca|ca 25-50 CE|ca 25-50||House of the Golden Bracelet|||7124||||0|||||mural painting||||||mural painting|fresco painting|painting (image-making)|||||||||||||||||||Cornell||HB|HB|6/19/2006 0:00:00|6/15/2006 0:00:00||Pom||0||||||GolBra|B|||||H3|7.5||||||||||Work|0|Architecture-Italy|||||||||||0|0|Garden Painting| 7126.00|0|Site|02|B-H3|Pom|7.5 Ceii||B-H3 Pom 7.5 Ceii |House of the Ceii||||||||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe|Campania|Italy||||||0|Pompeii, Italy|||10133||||0||||0|Paintings|Painting|Mural|Fresco|CE|1|||25|50|ca|ca 25-50 CE|ca 25-50|||||0||||0|||||mural painting||||||mural painting|fresco painting|painting (image-making)|||||||||Hunting ; Lyres ; Dionysos ; |Hunting|Lyres|Dionysos|||||||Cornell||HB|HB|6/19/2006 0:00:00|6/15/2006 0:00:00||Pom||0||||||Ceii|B|||||H3|7.5||||||||||Building|0|Architecture-Italy|Late third style||||||||||0|0|House of the Ceii| 7127.00|0|Site|02|B-H3|Pom|7.5 JulF||B-H3 Pom 7.5 JulF |Still Life with Eggs and Game|Descriptive|Image Source (Pub)|||||||House of Julia Felix. Still Life with Eggs and Game|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0||||0|Pompeii, Italy|||10133|||||Paintings|Painting|Mural|Still life|CE|1|||50|79|ca|ca 50-79|ca 50-79||House of Julia Felix|Larger entity||2790||||0|||||mural painting||||||mural painting|fresco painting|painting (image-making)|||H = 74 cm||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Eggs ; Game fowl ; Pitchers ; |Eggs|Game fowl|Pitchers|||||||Cornell||HB|HB|6/22/2006 0:00:00|6/15/2006 0:00:00||Pom|Pom|0||||||JulF|B|||||H3|7.5|| ||||||||Work|0|Architecture-Italy|fourth style||||||||||0|0|Still Life with Eggs and Game| 7128.00|0|Site|02|B-H3|Pom|7.5 JulF||B-H3 Pom 7.5 JulF |Bowl of Fruit and Amphora|Descriptive|Image Source (Pub)|||||||House of Julia Felix. Bowl of Fruit and Amphora|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0||||0|Pompeii, Italy|||10133|||||Paintings|Painting|Mural|Still life|CE|1|||50|79|ca|ca 50-79|ca 50-79||House of Julia Felix|Larger entity||2790||||0|||||mural painting||||||mural painting|fresco painting|painting (image-making)|||H = 74 cm||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Fruit ; Pitchers ; |Fruit|Pitchers||||||||Cornell||HB|HB|6/22/2006 0:00:00|6/15/2006 0:00:00||Pom|Pom|0||||||JulF|B|||||H3|7.5|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Bowl of Fruit and Amphora| 7129.00|0|Architect|03|MA-Arup|2.21|2003-6 Bei/Cube||MA-Arup 2.21 2003-6 Bei/Cube |National Swimming Center|Published|Online Resource|Water Cube|Published|Image Source (Pub)||||2008 Beijing Olympic Green. National Swimming Center (Water Cube)|27638|Ove Arup & Partners||firm|Ove Arup & Partners with PTW Architects|31230|PTW Architects|||0|||||||||||||||||||0|Beijing, China|||10078||||0||||0|Architecture|Swimming pool|Stadium|||21|||2003|2006||2003-2006|2003-2006||2008 Beijing Olympic Green|Sibling||7123||||0||||||||||||||||||||||Olympic Games (11th: 1936: Berlin, Germany) ; Stadiums ; Indoor swimming pools ; |Olympic Games (11th: 1936: Berlin, Germany)|Stadiums|Indoor swimming pools|||||||Cornell||MNW|MNW|6/15/2006 0:00:00|6/15/2006 0:00:00|Arup|Bei||0||||||Bei/Cube|MA||||||2.21|2003-6|||||||||Work|0|Modern Architecture|The National Swimming Center, one of the three landmark buildings for the 2008 Beijing Olympic Games, is located inside the Beijing Olympic Park. Http://www.china.org.cn/english/2004/Jan/84895.htm; accessed, 6/15/2006.||||||||||0|0|National Swimming Center;Water Cube|Ove Arup & Partners;PTW Architects 7130.00|0||||||||L'Association mensuelle lithographique|Preferred|Repository|L'Association mensuelle|Published|Dict.Art|Association mensuelle lithographique, Paris|Variant|LC NAF|L'Association mensuelle lithographique|30760|Philipon, Charles||caricaturist|Charles Philipon|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Publications|Serial||||19|||1834|1834|ca|ca 1834|ca 1834-1834|||||0||||0||||||||||||||||||||||Caricatures ; |Caricatures|||||||||Cornell||JNK|MNW|11/17/2006 0:00:00|6/15/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|L'Association mensuelle lithographique;L'Association mensuelle;Association mensuelle lithographique, Paris|Philipon, Charles 7131.00|0|Architect|03||||||National Statium|Descriptive|Online Resource|Bird's Nest|Descriptive|Online Resource||||National Statium (Bird's Nest)|29743|Herzog & de Meuron||architectural firm|Herzog & de Meuron|0||||0|||||||||||||||||||0|Beijing, China|||10078||||0||||0|Architecture|Stadium|||||||2003|2006||2003-2006|2003-2006|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|6/15/2006 0:00:00|6/15/2006 0:00:00|HerzMeu|Bei||0||||||Bei/Stad|MA||||||2.121||||||||||Work|0||||||||||||0|0|National Statium;Bird's Nest|Herzog & de Meuron 7132.00|0||||||||Rue Transnonain, le 15 avril 1834, plate 24|Inscribed|Image Source (Vendor)|||||||L'Association mensuelle. Rue Transnonain, le 15 avril 1834, plate 24|2891|Daumier, Honore||printmaker|Honore Daumier|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Prints|Lithograph||||19|||1834|1834||1834|1834-1834||L'Association mensuelle lithographique|Series||7130||||0|||||Lithograph||||||lithography|||||28.4 x 44.2 cm (image); 36 x 52.4 cm (sheet)||3343|San Francisco: Fine Arts Museums of San Francisco|San Francisco: Fine Arts Museums||Murders ; Politics ; Interior views ; Men (male humans) ; Children (people by age group) ; Bedrooms ; |Murders|Politics|Interior views|Men (male humans)|Children (people by age group)|Bedrooms||||Cornell||JNK|MNW|11/17/2006 0:00:00|6/15/2006 0:00:00||||0||1993.48.2||||||||||||| |||||||||0||||||||||||0|0|Rue Transnonain, le 15 avril 1834, plate 24|Daumier, Honore 7133.00|0||||||||Le ventre législatif, plate 18|Inscribed|Artist|The Legislative Belly|Translated|Image Source (Pub)||||L'Association mensuelle. Le ventre législatif, plate 18|2891|Daumier, Honore||printmaker|Honore Daumier|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Prints|Lithograph||||19|||1834|1834||1834|1834-1834||L'Association mensuelle lithographique|Larger entity||7130||||0|||||Lithograph||||||lithography|||||34.7 x 50.5 cm (image)||2538|San Francisco: Fine Arts Museums of San Francisco|San Francisco: Achenbach Fdn.||Government ; Men (male humans) ; |Government|Men (male humans)||||||||Cornell||JNK|MNW|11/17/2006 0:00:00|6/16/2006 0:00:00|D241|||0||1965.68.14||||||||||||| |||||||||0||||||||||||0|0|Le ventre législatif, plate 18;The Legislative Belly|Daumier, Honore 7134.00|0||||||||Gargantua|Inscribed|Artist|||||||Gargantua|2891|Daumier, Honore||printmaker|Honore Daumier|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Prints|Caricature|Political cartoon|Lithograph||19|||1831|1831||1831|1831-1831|||||0||||0|||||Lithograph||||||lithography|||||||2538|San Francisco: Fine Arts Museums; Achenbach Foundation for Graphic Arts|San Francisco: Achenbach Fdn.||Caricatures ; Politics ; Giants ; |Caricatures|Politics|Giants|||||||Cornell||JNK|JNK|6/16/2006 0:00:00|6/16/2006 0:00:00|D241|||0||1993.48.1||||||||||||| |||||||||0||||||||||||0|0|Gargantua|Daumier, Honore 7135.00|0||||||||The Sower|Preferred|Repository|||||||The Sower|8006|Millet, Jean-François||painter|Jean-François Millet|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1850|1850||1850|1850-1850|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||101.6 x 82.6 cm||428|Boston: Museum of Fine Arts|Boston: MFA||Sowers ; Farming ; Men (male humans) ; Peasants ; |Sowers|Farming|Men (male humans)|Peasants||||||Cornell||JNK|JNK|6/16/2006 0:00:00|6/16/2006 0:00:00||||0||17.1485||||||||||||| |||||||||0||||||||||||0|0|The Sower|Millet, Jean-François 7136.00|0||||||||The Bedroom|Preferred|Repository|||||||The Bedroom|12121|Gogh, Vincent van||painter|Vincent van Gogh|0||||0|||||Dutch|||Post-Impressionist|||Europe||Netherlands|France|||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1888|1889||1888-1889|1888-1889|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||73.6 x 92.3 cm||4073|Chicago: Art Institute of Chicago|Chicago: Art Institute||Interior views ; Bedrooms ; Beds ; Tables (support furniture) ; Chairs ; |Interior views|Bedrooms|Beds|Tables (support furniture)|Chairs|||||Cornell||JNK|MNW|11/17/2006 0:00:00|6/16/2006 0:00:00||||0||1926.417||||||||||||| |||||||||0||||||||||||0|0|The Bedroom|Gogh, Vincent van 7137.00|0||||||||Femme au chapeau|Preferred|Repository|Woman with a Hat|Translated|Repository||||Femme au chapeau (Woman with a Hat)|7665|Matisse, Henri||painter|Henri Matisse|0||||0|||||French|||Fauve|Post-Impressionist||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||20|||1905|1905||1905|1905-1905|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||80.65 x 59.69 cm||3887|San Francisco: Museum of Modern Art|San Francisco: MoMA||Women ; Portraits ; Matisse, Amélie Noémie Alexandrine Parayre ; Hats ; |Women|Portraits|Matisse, Amélie Noémie Alexandrine Parayre|Hats||||||Cornell||JNK|MNW|11/17/2006 0:00:00|6/16/2006 0:00:00||||0||91.161||||||||||||| |||||||||0||||||||||||0|0|Femme au chapeau;Woman with a Hat|Matisse, Henri 7138.00|0|Creator|15|32|D241-G|1834|2|32 D241-G 1834 2|Ne vous y frottez pas! (Liberité de la presse)|Inscribed|Artist|Don't Meddle With It! (Freedom of the Press)|Translated|Image Source (Pub)||||Ne vous y frottez pas! (Liberité de la presse)|2891|Daumier, Honore||printmaker|Honore Daumier|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Prints|Lithograph|Political cartoon|||19|||1834|1834||1834|1834-1834|||||0||||0|||||Lithograph||||||lithography|||||||3367|Washington, DC: National Gallery of Art|Wash, DC: National Gallery||Freedom ; Newspapers ; News agencies ; |Freedom|Newspapers|News agencies|||||||Cornell||JNK|MNW|11/17/2006 0:00:00|6/16/2006 0:00:00|D241|||0||1943.3.2955||||2|32|G||||||| |1834|||||||Work|0||||||||||||0|0|Ne vous y frottez pas! (Liberité de la presse);Don't Meddle With It! (Freedom of the Press)|Daumier, Honore 7139.00|0|Creator|15|32|D241-PA|U6891||32 D241-PA U6891 |The Uprising|Preferred|Repository|||||||The Uprising|2891|Daumier, Honore||printmaker|Honore Daumier|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1848|1848|aft|1848 or later|aft 1848-1848|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||87.6 x 113 cm||3303|Washington, DC: The Phillips Collection|Wash, DC: Phillips Coll.||Protests ; Peasants ; |Protests|Peasants||||||||Cornell||JNK|JNK|6/16/2006 0:00:00|6/16/2006 0:00:00|D241|||0|||||||32|PA||||||| |U6891|||||||Work|0||||||||||||0|0|The Uprising|Daumier, Honore 7140.00|0|Creator|15|05|C459|MO128410||05 C459 MO128410 |October|Descriptive|Image Source (Pub)|Folio 10v|Inscribed|Repository||||Très Riches Heures. October (Fol. 10v)|31026|Limbourg Brothers||illuminator|Limbourg Brothers|0||||0|||||French|||Late Gothic|||Europe||France||||||0||||0||||0||||0|Illuminated Manuscripts|Illumination (layout feature)||||15|||1413|1416||1413-1416|1413-1416||Très Riches Heures|Larger entity||5688||||0|||||Ink and tempera on vellum|vellum (paper)|ink|tempera|||illumination|||||29 x 21 cm||3681|Chantilly: Château de Chantilly; Musée Condé|Chantilly: Musée Condé||Calendars ; Months ; Castles ; Farming ; Peasants ; |Calendars|Months|Castles|Farming|Peasants|||||Cornell||JNK|MNW|11/17/2006 0:00:00|6/16/2006 0:00:00||||0||LAT. 1284-10v||||MO128410|05|||||||| ||||||||Work|0||||||||||||0|0|October;Folio 10v|Limbourg Brothers 7141.00|0|Creator|15|27|L563-PA|90|1|27 L563-PA 90 1|A French Interior|Preferred|Repository|||||||A French Interior|13187|Le Nain, Louis||painter|Louis Le Nain|0||||0|||||French|||Baroque|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1645|1645|ca|ca 1645|ca 1645-1645|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||55.6 x 64.7 cm||3367|Washington, DC: National Gallery of Art|Wash, DC: National Gallery||Interior views ; Peasants ; Families ; Spinning (textile process) ; |Interior views|Peasants|Families|Spinning (textile process)||||||Cornell||JNK|MNW|11/17/2006 0:00:00|6/16/2006 0:00:00|L563|||0||1952.2.20|||||27|PA|||||90 1|| ||||||||Work|0||||||||||||0|0|A French Interior|Le Nain, Louis 7142.00|0|Creator|15|27|G724|V674|||View of Dordrecht|Assigned|Image Source (Pub)|||||||View of Dordrecht|31231|Goyen, Jan van||painter|Jan van Goyen|0||||0|||||Dutch||||||Europe||Holland (historical region)||||||0||||||||0||||0|Paintings|Painting|Oil painting|Landscape (representation)||17|||1649|1649|ca|ca 1649|ca 1649-1649|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||68.1 x 99.6 cm.||3282|Lugano: Collection Baron Thyssen-Bornemisza|Lugano: Coll. Thyssen-Bornemisza||Landscapes ; Dordrecht (Netherlands) ; Ports ; Boats ; Ships ; Churches ; Sailboats ; |Landscapes|Dordrecht (Netherlands)|Ports|Boats|Ships|Churches|Sailboats|||Cornell||JNK|MNW|11/17/2006 0:00:00|6/16/2006 0:00:00|G724|||0|||||||27||||||V674|| ||||||||Work|0||||||||||||0|0||Goyen, Jan van 7143.00|0|Period|02|B-H3|Pom|7.5 Men||B-H3 Pom 7.5 Men |House of Menander|Assigned|Print Publication||||||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe|Campania|Italy||||||0|Pompeii, Italy|||10133||||0||||0|Architecture|House|Archaeological site||CE|1|||1|79|ca|ca 1-79 CE|ca 1-79|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|6/16/2006 0:00:00||Pom||0||||||Men|B|||||H3|7.5||||||||||Building|0|Architecture-Italy|||||||||||0|0|House of Menander| 7144.00|0|Creator|15|32|D236-|F233||32 D236- F233 |The Farm|Preferred|Repository|||||||The Farm|2888|Daubigny, Charles François||painter|Charles François Daubigny|0||||0|||||French|||Barbizon School|Realist||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1855|1855||1855|1855-1855|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||51.4 x 81.3 cm||3367|Washington, DC: National Gallery of Art|Wash, DC: National Gallery||Farms ; Carts ; |Farms|Carts||||||||Cornell||JNK|JNK|6/16/2006 0:00:00|6/16/2006 0:00:00|D236|||0||1963.10.116|||||32|||||||| |F233|||||||Work|0||||||||||||0|0|The Farm|Daubigny, Charles François 7145.00|0||||||||House of Jason|Assigned|Print Publication|Casa dell'Amore fatale|Assigned|Print Publication|House IX 5, 18|Assigned|Print Publication||0|||||0||||0|||||Roman|||Imperial (Roman)|Roman Period|Republican|Europe||Italy||||||0|Pompeii, Italy|||10133||||0||||0|Architecture|House|Archaeological site|||-2|-1|1|-199|79|ca||ca -199-79|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|6/16/2006 0:00:00||Pom||0||||||||||||||||||||||||0||||||||||||0|0|House of Jason;Casa dell'Amore fatale;House IX 5, 18| 7146.00|0|Creator|15|32|F216-PA|1867|2|32 F216-PA 1867 2|Edouard Manet|Preferred|Repository|||||||Edouard Manet|3717|Fantin-Latour, Henri||painter|Henri Fantin-Latour|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Portrait||19|||1867|1867||1867|1867-1867|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||117.5 x 90 cm||4073|Chicago: Art Institute of Chicago|Chicago: Art Institute||Portraits ; Manet, Édouard, 1832-1883 ; |Portraits|Manet, Édouard, 1832-1883||||||||Cornell||JNK|JNK|6/16/2006 0:00:00|6/16/2006 0:00:00|F216|||0||1905.207|||||32|PA|||||2|| |1867|||||||Work|0||||||||||||0|0|Edouard Manet|Fantin-Latour, Henri 7147.00|0|Site|02|B-H3|Pom|7.5 Jas|||Pan making music with the Nymphs|Descriptive|Image Source (Pub)|||||||House of Jason. Pan making music with the Nymphs|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe|Campania|Italy||||||0||||0|Pompeii, Italy|||10133||||0|Paintings|Mural|Fresco|Painting|CE|1|||1|25|ca|ca 1-25 CE|ca 1-25||House of Jason|||7145||||0|||||Mural painting||||||mural painting|painting (image-making)|fresco painting|||122 x93 cm||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||||||||||||Cornell||HB|HB|6/19/2006 0:00:00|6/16/2006 0:00:00||Pom|Pom|0||||||Jas|B|||||H3|7.5|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Pan making music with the Nymphs| 7148.00|0|Creator|15|32|M275-|A164||32 M275- A164 |The Absinthe Drinker|Preferred|Repository|||||||The Absinthe Drinker|7474|Manet, Éduard||painter|Éduard Manet|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1859|1859|ca|ca 1859|ca 1859-1859|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||180.5 x 105.6 cm||3391|Copenhagen: Ny Carlsberg Glyptotek|Copenhagen: Ny Carlsberg Glyptotek||Men (male humans) ; Absinthe ; |Men (male humans)|Absinthe||||||||Cornell||JNK|MNW|11/17/2006 0:00:00|6/16/2006 0:00:00|M275|||0||MIN 1778|||||32|||||||| |A164|||||||Work|0||||||||||||0|0|The Absinthe Drinker|Manet, Éduard 7149.00|0|Creator|15|32|M275-G|1862|3|32 M275-G 1862 3|The Balloon|Assigned|Image Source (Pub)|||||||The Balloon|7474|Manet, Éduard||painter|Éduard Manet|0||||0|||||French|||Impressionist|||Europe||France||||||0|Paris, France|||0||||0||||0|Prints|Print||||19|||1862|1862||1862|1862-1862|||||0||||0||||||||||||||||40.3 x 51.5 cm||3655|Paris: Bibliothèque Nationale|Paris: Bib. Nat.||||||||||||Cornell||JNK|MNW|11/17/2006 0:00:00|6/16/2006 0:00:00|M275|||0|||||||32|G|||||3.1|| |1862|||||||Work|0||||||||||||0|0||Manet, Éduard 7150.00|0|Creator|15|32|M275P|N17513||32 M275P N17513 |Nana|Preferred|Repository|Study of Henriette Hauser|Variant|Image Source (Pub)||||Nana|7474|Manet, Éduard||painter|Éduard Manet|0||||0|||||French|||Impressionist|||Europe||France||||||0||||||||0||||0|Paintings|Painting|Oil painting|Portrait||19|||1877|1877||1877|1877-1877|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||154 x 115 cm||1038|Hamburg: Hamburger Kunsthalle|Hamburg: Kunsthalle||Portraits ; Interior views ; |Portraits|Interior views||||||||Cornell||JNK|JNK|6/16/2006 0:00:00|6/16/2006 0:00:00|M275|||0|||||||32|P||||||| |N17513|||||||Work|0||||||||||||0|0|Nana;Study of Henriette Hauser|Manet, Éduard 7151.00|0|Site|02|B-H3|Pom|7.5 Jas||B-H3 Pom 7.5 Jas |Europa Riding a Bull|Descriptive|Print Publication|||||||House of Jason. Europa Riding a Bull|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe|Campania|Italy||||||0||||0|Pompeii, Italy|||10133||||0|Paintings|Mural|Painting|Fresco|CE|1|||1|25|ca|ca 1-25 CE|ca 1-25||House of Jason|||7145||||0|||||Mural painting||||||mural painting|painting (image-making)|fresco painting|||99 x 125 cm||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||||||||||||Cornell||HB|HB|6/19/2006 0:00:00|6/16/2006 0:00:00||Pom|Pom|0||||||Jas|B|||||H3|7.5|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Europa Riding a Bull| 7152.00|0|Site|02||||||House VI 14, 36|Assigned|Print Publication||||||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0|Pompeii, Italy|||10133||||0||||0|Archaeological Sites|Archaeological site|House|||-2|-1|1|-199|79|ca|ca 199 BCE -79 CE|ca -199-79|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/16/2006 0:00:00|6/16/2006 0:00:00||Pom||0|||||||||||||||||||||||Building|0||||||||||||0|0|House VI 14, 36| 7154.00|0|Creator|15|32|M275-PA|1867|1|32 M275-PA 1867 1|View of World's Fair in Paris|Assigned|Image Source (Pub)|||||||View of World's Fair in Paris|7474|Manet, Éduard||painter|Éduard Manet|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1867|1867||1867|1867-1867|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||108 x 197 cm||2108|Oslo: Nasjonalgalleriet|Oslo: Nasjonalgalleriet||Exposition universelle de 1867 à Paris ; |Exposition universelle de 1867 à Paris|||||||||Cornell||JNK|JNK|6/16/2006 0:00:00|6/16/2006 0:00:00|M275|||0|||||||32|PA|||||1867|| ||||||||Work|0||||||||||||0|0|View of World's Fair in Paris|Manet, Éduard 7155.00|0|Site|02|B-H3|Pom|7.5 VI 14, 36||B-H3 Pom 7.5 VI 14, 36 |Dice player|Descriptive|Image Source (Pub)|||||||House VI 14, 36. Dice player|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0||||0|Pompeii, Italy|||10133||||0|Paintings|Painting|Mural|Fresco|CE|1|||62|79|ca|ca 62-79 CE|ca 62-79||House VI 14, 36|Larger entity||7152||||0|||||mural painting||||||mural painting|fresco painting|painting (image-making)|||||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||||||||||||Cornell||HB|HB|6/19/2006 0:00:00|6/16/2006 0:00:00||Pom|Pom|0||||||VI 14, 36|B|||||H3|7.5|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Dice player| 7156.00|0|Creator|15|32|M275-PA|1868-69|2|32 M275-PA 1868-69 2|Execution of Emperor Maximilian|Preferred|Dict.Art|||||||Execution of Emperor Maximilian|7474|Manet, Éduard||painter|Éduard Manet|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1868|1869||1868-1869|1868-1869|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||252 x 302 cm||1638|Mannheim: Stadtische Kunsthalle Mannheim|Mannheim: Stad. Kunsthalle||Executions ; Maximilian, Emperor of Mexico, 1832-1867 ; |Executions|Maximilian, Emperor of Mexico, 1832-1867||||||||Cornell||JNK|MNW|11/17/2006 0:00:00|6/16/2006 0:00:00|M275|||0|||||||32|PA||||||| |1868-69|||||||Work|0||||||||||||0|0|Execution of Emperor Maximilian|Manet, Éduard 7157.00|0|Creator|15|32|M275-G|1871|2|32 M275-G 1871 2|The Barricade|Assigned|Image Source (Pub)|||||||The Barricade|7474|Manet, Éduard||painter|Éduard Manet|0||||0|||||French||||||Europe||France||||||0||||||||0||||0|Prints|Print|Lithograph|||19|||1871|1873||1871-1873|1871-1873|||||0||||0|||||Lithograph||||||lithography|||||46.5 x 33.5 cm||1638|Mannheim: Stadtische Kunsthalle Mannheim|Mannheim: Stad. Kunsthalle||Paris (France) ; Soldiers ; Fighting ; |Paris (France)|Soldiers|Fighting|||||||Cornell||JNK|MNW|11/17/2006 0:00:00|6/16/2006 0:00:00|M275|||0|||||||32|G|||||2.11|| |1871|||||||Work|0||||||||||||0|0||Manet, Éduard 7158.00|0|Creator|15|32|M275-G|1871|1|32 M275-G 1871 1|Guerre Civile|Preferred|Repository|Civil War|Translated|Cataloger||||Guerre Civile|7474|Manet, Éduard||painter|Éduard Manet|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Prints|Lithograph|Print|||19|||1871|1871||1871|1871-1871|||||0||||0|||||Lithograph on laid China paper||||||lithography|||||39.4 x 50.5 cm||119|Ann Arbor: University of Michigan; Museum of Art|Ann Arbor: Univ. Mich.; Mus. Art||Wars ; Deaths ; Men (male humans) ; Paris (France) ; |Wars|Deaths|Men (male humans)|Paris (France)||||||Cornell||JNK|JNK|6/16/2006 0:00:00|6/16/2006 0:00:00|M275|||0||1961/2.20|||||32|G||||||| |1871|||||||Work|0||||||||||||0|0|Guerre Civile;Civil War|Manet, Éduard 7159.00|0|Creator|15|32|M275-|R918||32 M275- R918 |The Rue Mosnier with Flags|Preferred|Repository|||||||The Rue Mosnier with Flags|7474|Manet, Éduard||painter|Éduard Manet|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1878|1878||1878|1878-1878|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||65.5 x 81 cm||3508|Los Angeles: J. Paul Getty Museum|Los Angeles: J. Paul Getty Mus.||Streetscapes ; Men (male humans) ; Flags ; Paris (France) ; Franco-Prussian War, 1870-1871 ; |Streetscapes|Men (male humans)|Flags|Paris (France)|Franco-Prussian War, 1870-1871|||||Cornell||JNK|JNK|6/16/2006 0:00:00|6/16/2006 0:00:00|M275|||0||89.PA.71|||||32|||||||| |R918|||||||Work|0||||||||||||0|0|The Rue Mosnier with Flags|Manet, Éduard 7160.00|0|Creator|15|32|D317-P|1860|B4381|32 D317-P 1860 B4381|Bellelli Family [study]|Assigned|Image Source (Pub)|||||||Bellelli Family [study]|3026|Degas, Edgar||painter|Edgar Degas|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1860|1860||1860|1860-1860|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||200 x 253 cm||2196|Paris: Musee d'Orsay|Paris: Musee d'Orsay||Families ; Interior views ; Bellelli family ; Bellelli, Laura ; |Families|Interior views|Bellelli family|Bellelli, Laura||||||Cornell||JNK|JNK|6/16/2006 0:00:00|6/16/2006 0:00:00|D317|||0|||||||32|P|||||B4381|| |1860|||||||Work|0||Study for final version.||||||||||0|0|Bellelli Family [study]|Degas, Edgar 7162.00|0|Creator|15|32|D317D|1858|B440|32 D317D 1858 B440|Laura Bellelli and Her Two Daughters (Study for Bellelli Family)|Assigned|Image Source (Pub)||||||Scholar|Laura Bellelli and Her Two Daughters (Study for Bellelli Family)|3026|Degas, Edgar||painter|Edgar Degas|0||||0|||||French||||||Europe||France||||||0||||||||0||||0|Drawings|Drawing||||19|||1858|1859||1858-1859|1858-1859|||||0||||0|||||Pencil and diluted oil on paper|pencils|oil paint|paper (fiber product)|||drawing (image-making)|||||43 x 27.5 cm||2196|Paris: Musee d'Orsay|Paris: Musee d'Orsay||Bellelli family ; Bellelli, Laura ; Mother and child ; |Bellelli family|Bellelli, Laura|Mother and child|||||||Cornell||JNK|MNW|11/17/2006 0:00:00|6/16/2006 0:00:00|D317|||0|||||||32|D|||||B440|| |1858|||||||Work|0||||||||||||0|0|Laura Bellelli and Her Two Daughters (Study for Bellelli Family)|Degas, Edgar 7163.00|0|Site|02|B-H3|Pom|6.2 Bak||B-H3 Pom 6.2 Bak |House of the Bread Baskets|Assigned|Print Publication|House VII 3, 30|Assigned|Print Publication|||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0|Pompeii, Italy|||10133||||0||||0|Architecture|Archaeological site|House||CE|-2|-1|1|-199|79|ca|ca 199 BCE -79 CE|ca -199-79|||||0||||0||||||||||||||||||||||Bakeries ; Mills (buildings) ; Ovens (baking equipment) ; |Bakeries|Mills (buildings)|Ovens (baking equipment)|||||||Cornell||HB|GB|11/6/2006 0:00:00|6/16/2006 0:00:00||Pom||0||||||Bak|B|||||H3|6.2||||||||||Building|0|Architecture-Italy|||||||||||0|0|House of the Bread Baskets;House VII 3, 30| 7164.00|0|Site|02|B-H3|Pom|9.0 Fres||B-H3 Pom 9.0 Fres |Couple|Descriptive|Image Source (Pub)|||||||Couple|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0||||0|Pompeii, Italy|||10133||||0|Paintings|Mural|Painting|Fresco|CE|1|||30|50|ca|ca 30-50|ca 30-50|||||0||||0|||||mural painting||||||mural painting|painting (image-making)|fresco painting|||14 x 17.5 cm||3373|London: British Museum|London: British Museum||Men (male humans) ; Women ; |Men (male humans)|Women||||||||Cornell||HB|HB|6/22/2006 0:00:00|6/16/2006 0:00:00||Pom|Pom|0||||||Fres|B|||||H3|9.0|| ||||||||Work|0|Architecture-Italy|Third Style||||||||||0|0|Couple| 7165.00|0|Creator|15|32|D317D|1858|B433|32 D317D 1858 B433|Laura Bellelli and her Daughter Giovanna [Study for Bellelli Family]|Assigned|Image Source (Pub)|||||||Laura Bellelli and her Daughter Giovanna [Study for Bellelli Family]|3026|Degas, Edgar||painter|Edgar Degas|0||||0|||||French||||||Europe||France||||||0||||||||0||||0|Drawings|Drawing||||19|||1858|1858|ca|ca 1858|ca 1858-1858|||||0||||0|||||Black conté crayon, traces of white heightening on paper|Conté crayon|paper (fiber product)||||drawing (image-making)|||||42.3 x 29 cm||3290|Private Collection|: Private Coll.||Bellelli, Laura ; Mother and child ; |Bellelli, Laura|Mother and child||||||||Cornell||JNK|MNW|11/17/2006 0:00:00|6/16/2006 0:00:00|D317|||0|||||||32|D|||||B433|| |1858|||||||Work|0||Study for Bellelli Family.||||||||||0|0|Laura Bellelli and her Daughter Giovanna [Study for Bellelli Family]|Degas, Edgar 7166.00|0|Creator|15|32|D317D|1860|B438|32 D317D 1860 B438|Gennaro Bellelli (Study for Bellelli Family)|Assigned|Repository|||||||Gennaro Bellelli (Study for Bellelli Family)|3026|Degas, Edgar||painter|Edgar Degas|0||||0|||||||||||||||||||0||||||||0||||0|||||||||||||ca. 1860|||||0||||0||||||||||||||||44.7 x 28.4 cm||2196|Paris: Musee d'Orsay|Paris: Musee d'Orsay||Bellelli family ; |Bellelli family|||||||||Cornell||JNK|MNW|11/17/2006 0:00:00|6/16/2006 0:00:00|D317|||0|||||||32|D|||||B438|| |1860|||||||Work|0||||||||||||0|0|Gennaro Bellelli (Study for Bellelli Family)|Degas, Edgar 7167.00|0||||||||House of Terentius Neo|Assigned|Print Publication|House VII 2,6|Assigned|Print Publication|||||0|||||0||||0|||||Roman|||Republican|Imperial (Roman)|Roman Period|Europe|Campania|Italy||||||0|Pompeii, Italy|||10133||||0||||0|Architecture|Archaeological site|House|||-2|-1|1|-199|79|ca|ca -199-79|ca -199-79|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/19/2006 0:00:00|6/19/2006 0:00:00||Pom||0||||||||||||||||||||||||0||||||||||||0|0|House of Terentius Neo;House VII 2,6| 7168.00|0|Site|02|B-H3|Pom|7.5 TerNeo||B-H3 Pom 7.5 TerNeo |Portrait of a Couple|Descriptive|Print Publication|Portrait of a Baker and his wife|Descriptive|Print Publication|Portrait of Terentius Neo and his wife|Descriptive|Print Publication|House of Terentius Neo. Portrait of a Couple|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe|Campania|Italy||||||0||||0|Pompeii, Italy|||10133|||||Paintings|Painting|Mural|Fresco|CE|1|||55|79|ca|ca 55-79|ca 55-79||House of Terentius Neo|||7167||||0|||||mural painting||||||mural painting|painting (image-making)|fresco painting|||65 x 58 cm||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Portraits ; |Portraits|||||||||Cornell||HB|HB|6/22/2006 0:00:00|6/19/2006 0:00:00||Pom|Pom|0||||||TerNeo|B|||||H3|7.5|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Portrait of a Couple;Portrait of a Baker and his wife;Portrait of Terentius Neo and his wife| 7169.00|0|Site|02|B-H3|Pom|7.5 CorRuf||B-H3 Pom 7.5 CorRuf |House of Cornelius Rufus|Assigned|Print Publication||||||||0|||||0||||0|||||Roman|||Republican|Imperial (Roman)|Roman Period|Europe||Italy||||||0|Pompeii, Italy|||10133||||0||||0|Architecture|Archaeological site|House|||-2|-1|1|-199|79|ca|ca 199 BCE 79 CE|ca -199-79|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/19/2006 0:00:00|6/19/2006 0:00:00||Pom||0||||||CorRuf|B|||||H3|7.5||||||||||Building|0|Architecture-Italy|Photograph of House from ca 1880||||||||||0|0|House of Cornelius Rufus| 7170.00|0|Site|02|B-H3|Pom|7.5 Lab||B-H3 Pom 7.5 Lab |House of the Labyrinth|Assigned|Print Publication||||||||0|||||0||||0|||||Roman|||Republican|Imperial (Roman)|Roman Period|Europe||Italy||||||0|Pompeii, Italy|||10133||||0||||0|Architecture|Archaeological site|House||BCE|-1|||-100|15|ca|ca 100-15 BCE|ca -100-15|||||0||||0|||||mural painting|||||||||||||||||||||||||||Cornell||HB|HB|6/21/2006 0:00:00|6/19/2006 0:00:00||Pom||0||||||Lab|B|||||H3|7.5||||||||||Building|0|Architecture-Italy|Second Style||||||||||0|0|House of the Labyrinth| 7171.00|0||||||||House of the Citarista|Assigned|Print Publication||||||||0|||||0||||0|||||Roman|||Republican|Imperial (Roman)|Roman Period|Europe|Campania|Italy||||||0|Pompeii, Italy|||10133||||0||||0|Architecture|Archaeological site|House|||-2|-1|1|-199|79|ca|ca 199 BCE-79 CE|ca -199-79|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/19/2006 0:00:00|6/19/2006 0:00:00||Pom||0||||||||||||||||||||||||0||||||||||||0|0|House of the Citarista| 7172.00|0|Site|02|B-H3|Pom|7.5 Cit||B-H3 Pom 7.5 Cit |Dionysos and Arianna|Assigned|Print Publication|||||||House of the Citarista. Dionysos and Arianna|0|||||0||||0|||||Roman|||Republican|Imperial (Roman)|Roman Period|Europe|Campania|Italy||||||0||||0|Pompeii, Italy|||10133||||0|Paintings|Painting|Fresco|Mural|CE|1|||62|79|ca|ca 62-79|ca 62-79||House of the Citarista|||7171||||0|||||mural painting||||||mural painting|painting (image-making)|fresco painting|||||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Dionysos ; |Dionysos|||||||||Cornell||HB|HB|6/19/2006 0:00:00|6/19/2006 0:00:00||Pom|Pom|0||||||Cit|B|||||H3|7.5|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Dionysos and Arianna| 7173.00|0|Site|02|B-H3|Pom|7.5 Gav/Ruf||B-H3 Pom 7.5 Gav/Ruf |House of Gavius Rufus|Assigned|Print Publication||||||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0|Pompeii, Italy|||10133||||0||||0|Work|||||1||||||1st Century||||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/19/2006 0:00:00|6/19/2006 0:00:00||Pom||0||||||Gav/Ruf|B|||||H3|7.5||||||||||Building|0|Architecture-Italy|||||||||||0|0|House of Gavius Rufus| 7174.00|0|Site|02|B-H3|Pom|7.5 Gav/Ruf||||Assigned|Image Source (Pub)|||||||House of Gavius Rufus. The Centaurs in the Palace of Pirithous|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0||||0|Pompeii, Italy|||10133|||||Paintings|Painting|Mural|Fresco|CE|1|||62|79|ca|ca 62-79|ca 62-79||House of Gavius Rufus|||7173||||0|||||mural painting||||||mural painting|fresco painting|painting (image-making)|||||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Centaurs ; Palaces ; |Centaurs|Palaces||||||||Cornell||HB|HB|6/22/2006 0:00:00|6/19/2006 0:00:00||Pom|Pom|0||||||Gav/Ruf|B|||||H3|7.5|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|The Centaurs in the Palace of Pirithous| 7175.00|0|Creator|||||||||||||||||0|||||0||||0|||||||||||||||||||0||||0||||0||||0||||||||||||||||||0||||0||||||||||||||||||||||||||||||||Cornell||ElA|ElA|6/19/2006 0:00:00|6/19/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|| 7176.00|0|Site|02|B-H3|Pom|7.5 Mys||B-H3 Pom 7.5 Mys |Villa of the Mysteries|Assigned|Blue Guide|||||||Villa of the Mysteries|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0|Pompeii, Italy|||10133||||0||||0|Architecture|Archaeological site|House|Villa||-02|-01|01|-150|79|ca|ca 150 BCE-79 CE|ca -150 - 79|||||0||||0||||||||||||||||||||||Villas ; |Villas|||||||||Cornell||HB|MNW|11/6/2006 0:00:00|6/19/2006 0:00:00||Pom||0||||||Mys|B|||||H3|7.5||||||||||Building|0|Architecture-Italy||||Built in second half of 2nd C BCE, but constantly enlarged and improved in later periods.|||||||0|0|Villa of the Mysteries| 7177.00|0|Site|02|B-H3|Pom|7.5 SacAma||B-H3 Pom 7.5 SacAma |House of Sacerdos Amandus|Assigned|Print Publication||||||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0|Pompeii, Italy|||10133||||0||||0|Architecture|Archaeological site|House|Mural|CE|1|||40|70|ca|ca 40-70 CE|ca 40-70|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/19/2006 0:00:00|6/19/2006 0:00:00||Pom||0||||||SacAma|B|||||H3|7.5||||||||||Building|0|Architecture-Italy|Late thrid style||||||||||0|0|House of Sacerdos Amandus| 7178.00|0||||||||House of the Mars and Venus|||||||||House of the Mars and Venus|0|||||0||||0|||||Roman|||Republican|Imperial (Roman)||Europe||Italy||||||0|Pompeii, Italy|||10133||||0||||0|Architecture|House|Archaeological site|||-2|-1|1|-199|79|ca|ca -199-79|ca -199-79|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/21/2006 0:00:00|6/19/2006 0:00:00||Pom||0||||||||||||||||||||||||0||||||||||||0|0|House of the Mars and Venus| 7179.00|0||||||||Orange and Yellow|Preferred|Repository|||||||Orange and Yellow|10107|Rothko, Mark||painter|Mark Rothko|0||||0|||||American|||Color-field|Abstract Expressionist||North and Central America||United States||||||0||||||||0||||0|Paintings|Painting|Oil painting|||20|||1956|1956||1956|1956-1956|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||237.49 x 186.69 cm (with frame)||3339|Buffalo: Albright-Knox Art Gallery|Buffalo: Albright-Knox||||||||||||Cornell||JNK|JNK|6/20/2006 0:00:00|6/20/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0||Rothko, Mark 7180.00|0||||||||Kent|Preferred|Repository|||||||Kent|2404|Close, Chuck||painter|Chuck Close|0||||0|||||American|||Photorealist|||North and Central America||United States||||||0||||||||0||||0|Paintings|Painting|Portrait|||20|||1970|1970||1970|1970-1970|||||0||||0|||||Acrylic on canvas|acrylic|canvas||||painting (image-making)|||||254 x 228.6 cm||3399|Toronto: Art Gallery of Ontario|Toronto: Art Gal. of Ontario||Portraits ; |Portraits|||||||||Cornell||JNK|JNK|8/7/2006 0:00:00|6/20/2006 0:00:00||||0||76/376||||||||||||| |||||||||0||||||||||||0|0||Close, Chuck 7181.00|0||||||||Big Self Portrait|Preferred|Repository|||||||Big Self Portrait|2404|Close, Chuck||painter|Chuck Close|0||||0|||||American|||Photorealist|||North and Central America||United States||||||0||||||||0||||0|Paintings|Painting|Portrait|||20|||1968|1968||1968|1968-1968||Big Self Portrait|||7181||||0|||||Acrylic on canvas|acrylic|canvas||||painting (image-making)|||||273.5 x 212.1 cm||3895|Minneapolis: Walker Art Center|Minneapolis: Walker Art Center||Potrait ; |Potrait|||||||||Cornell||ElA|JNK|8/7/2006 0:00:00|6/20/2006 0:00:00||||0||69.16||||||||||||| |||||||||0||||||||||||0|0||Close, Chuck 7182.00|0||||||||The Living Series|Preferred|Repository|||||||The Living Series|5566|Holzer, Jenny|||Jenny Holzer|0||||0|||||American|||Post-1945|||North and Central America||United States||||||0||||||||0||||0|Sculpture|sculpture||||20|||1980|1989||1980s|1980-1989|||||0||||0||||||granite|bronze||||sculpture|||||||||||Sculpture (visual work) ; Signs ; |Sculpture (visual work)|Signs||||||||Cornell||ElA|JNK|8/7/2006 0:00:00|6/20/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0||Holzer, Jenny 7183.00|0||||||||Little Big Painting|Preferred|Repository|||||||Little Big Painting|7058|Lichtenstein, Roy||painter|Roy Lichtenstein|0||||0|||||American|||Pop|||North and Central America||United States||||||0||||||||0||||0|Paintings|Painting||||20|||1965|1965||1965|1965-1965|||||0||||0|||||Oil and synthetic polymer on canvas|oil paint|polymer paint|canvas|||painting (image-making)|||||172.72 x 203.2 cm||3543|New York: Whitney Museum of American Art|New York: Whitney Mus.||Painting (image making) ; |Painting (image making)|||||||||Cornell||ElA|JNK|8/7/2006 0:00:00|6/20/2006 0:00:00||||0||66.2||||||||||||| |||||||||0||||||||||||0|0||Lichtenstein, Roy 7184.00|0||||||||Floor Burger|Preferred|Repository|||||||Floor Burger|8686|Oldenburg, Claes||sculptor|Claes Oldenburg|0||||0|||||American|||Post-1945|||North and Central America||United States||||||0||||||||0||||0|Sculpture|Sculpture||||20||||||Unknown|Unknown|||||0||||0|||||Painted sailcloth and foam rubber|paint|rubber (material)|cloth|||sculpture|||||132.1 x 213.4 cm||3399|Toronto: Art Gallery of Ontario|Toronto: Art Gal. of Ontario||Sculpture (visual work) ; Food ; |Sculpture (visual work)|Food||||||||Cornell||ElA|JNK|8/7/2006 0:00:00|6/20/2006 0:00:00||||0||66/29||||||||||||| |||||||||0||||||||||||0|0||Oldenburg, Claes 7185.00|0||||||||Guardians of the Secret|Preferred|Repository|||||||Guardians of the Secret|9348|Pollock, Jackson||painter|Jackson Pollock|0||||0|||||American|||Abstract Expressionist|||North and Central America||United States||||||0||||||||0||||0|Paintings|Painting||||20|||1943|1943||1943|1943-1943|||||0||||0|||||Oil paint on canvas|oil paint|canvas||||painting (image-making)|||||122.89 x 191.47 cm||3887|San Francisco: Museum of Modern Art|San Francisco: MoMA||Painting (image making) ; |Painting (image making)|||||||||Cornell||ElA|JNK|8/7/2006 0:00:00|6/20/2006 0:00:00||||0||45.1308||||||||||||| |||||||||0||||||||||||0|0||Pollock, Jackson 7186.00|0||||||||Autumn Rhythm (Number 30)|Preferred|Repository|||||||Autumn Rhythm (Number 30)|9348|Pollock, Jackson||painter|Jackson Pollock|0||||0|||||American|||Abstract Expressionist|||North and Central America||United States||||||0||||||||0||||0|Paintings|Painting||||20|||1950|1950||1950|1950-1950|||||0||||0|||||Oil paint on canvas|oil paint|canvas||||painting (image-making)|||||266.7 x 525.8 cm||3294|New York: Metropolitan Museum of Art|New York: Metropolitan||Painting (image making) ; |Painting (image making)|||||||||Cornell||ElA|JNK|8/7/2006 0:00:00|6/20/2006 0:00:00||||0||57.92||||||||||||| |||||||||0||||||||||||0|0||Pollock, Jackson 7187.00|0||||||||Electric Chair (Red)|Preferred|Repository|||||||Electric Chair (Red)|12489|Warhol, Andy||painter|Andy Warhol|0||||0|||||American|||Pop|Post-1945||North and Central America||United States||||||0||||||||0||||0|Paintings|Painting||||20|||1964|1964||1964|1964-1964|||||0||||0|||||Synthetic polymer silkscreened on canvas|polymer paint|canvas||||painting (image-making)|||||55.9 x 71.1 cm||3678|Dallas: Dallas Museum of Art|Dallas: Mus. of Art||Painting (image making) ; Executions ; |Painting (image making)|Executions||||||||Cornell||ElA|JNK|8/8/2006 0:00:00|6/20/2006 0:00:00||||0||1991.388||||||||||||| |||||||||0||||||||||||0|0||Warhol, Andy 7188.00|0|Site|02|B-H3|Pom|7.5 WedHer||B-H3 Pom 7.5 WedHer |Mars and Venus|Assigned|Print Publication|Ares and Aphrodite|Assigned|Print Publication||||House of the Mars and Venus. Mars and Venus|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe|Campania|Italy||||||0||||0|Pompeii, Italy|||10133|||||Paintings|Mural|Fresco|Painting|CE|1|||62|79|ca|ca 62-79|ca 62-79||House of the Mars and Venus|||7178||||0|||||mural painting||||||mural painting|painting (image-making)|fresco painting|||||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Aphrodite ; Mars ; |Aphrodite|Mars||||||||Cornell||HB|HB|6/22/2006 0:00:00|6/21/2006 0:00:00||Pom|Pom|0||||||WedHer|B|||||H3|7.5|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Mars and Venus;Ares and Aphrodite| 7189.00|0|Site|02|B-H3|Pom|7.5 Suo||B-H3 Pom 7.5 Suo |House of the Suonatrice|Assigned|Image Source (Pub)||||||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0|Pompeii, Italy|||10133||||0||||0|Work|||||-2|-1|1|-199|79|ca|ca 199 BCE-79 CE|ca -199-79|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/21/2006 0:00:00|6/21/2006 0:00:00||Pom||0||||||Suo|B|||||H3|7.5||||||||||Building|0|Architecture-Italy|||||||||||0|0|House of the Suonatrice| 7190.00|0|Site|02|B-H3|Pom|7.5 Teges||B-H3 Pom 7.5 Teges |Pigmy Landscape Painting|Assigned|Print Publication|||||||House of Cornelius Teges. Pigmy Landscape Painting|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0|Pompeii, Italy|||10133||||0||||0|Paintings|Mural|Fresco|Couch|CE|1|||62|79|ca|ca 62-79|ca 62-79||House of Cornelius Teges|||7192||||0|||||||||||mural painting|fresco painting||||||||||Landscapes ; Buildings ; |Landscapes|Buildings||||||||Cornell||HB|HB|6/21/2006 0:00:00|6/21/2006 0:00:00||Pom||0||||||Teges|B|||||H3|7.5||||||||||Building|0|Architecture-Italy|Painting is on stone couch in the summer triclinium of the garden||||||||||0|0|Pigmy Landscape Painting| 7191.00|0|Site|02|B-H3|Pom|6.2 Ver||B-H3 Pom 6.2 Ver |Workshop of Verecundus|Assigned|Print Publication|House XI 7, 7-5||||||Workshop of Verecundus|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0|Pompeii, Italy|||10133||||0||||0|Architecture|Store|Archaeological site||CE|1|||1|79|ca|1st Century|ca 1-79|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/21/2006 0:00:00|6/21/2006 0:00:00||Pom||0||||||Ver|B|||||H3|6.2||||||||||Building|0|Architecture-Italy|||||||||||0|0|Workshop of Verecundus;House XI 7, 7-5| 7192.00|0||||||||House of Cornelius Teges||||||||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0|Pompeii, Italy|||10133||||0||||0|Architecture|Archaeological site|House|||1||||||1st Century||||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/21/2006 0:00:00|6/21/2006 0:00:00||Pom||0||||||||||||||||||||||||0||||||||||||0|0|House of Cornelius Teges| 7193.00|0|Site|02|B-H3|Pom|7.5 JulPol||B-H3 Pom 7.5 JulPol |House of Julius Polybius|Assigned|Print Publication|||||||House of Julius Polybius|0|||||0||||0|||||Roman|||Imperial (Roman)|Republican||Europe||Italy||||||0|Pompeii, Italy|||10133||||0||||0|Architecture|Archaeological site|House|||-2|-1|1|-199|79|ca|ca 199 BCE-79 CE|ca -199-79|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/21/2006 0:00:00|6/21/2006 0:00:00||Pom||0||||||JulPol|B|||||H3|7.5||||||||||Work|0|Architecture-Italy|||||||||||0|0|House of Julius Polybius| 7194.00|0|Site|02|B-H3|Pom|7.5 Sci||B-H3 Pom 7.5 Sci |House of the Scientists||||||||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0|Pompeii, Italy|||10133||||0||||0|Archaeological Sites|House||||-2|-1|1|-199|79|ca|ca 199 BCE-79 CE|ca -199-79|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/21/2006 0:00:00|6/21/2006 0:00:00||Pom||0||||||Sci|B|||||H3|7.5||||||||||Work|0|Architecture-Italy|||||||||||0|0|House of the Scientists| 7195.00|0||||||||Getty Tomb|Preferred|Repository|||||||Getty Tomb|11312|Stella, Frank||painter|Frank Stella|0||||0|||||American|||Post-1945|Abstract||North and Central America||United States||||||0||||||||0||||0|Paintings|Painting||||20|||1959|1959||1959|1959-1959|||||0||||0|||||Black enamel on canvas|enamel|canvas||||painting (image-making)|||||213.36 x 243.84 cm||3711|Los Angeles: Los Angeles County Museum of Art|Los Angeles: LACMA||Painting (image making) ; |Painting (image making)|||||||||Cornell||ElA|JNK|8/7/2006 0:00:00|6/21/2006 0:00:00|S824|||0||M.63.21||||||||||||| |||||||||0||||||||||||0|0||Stella, Frank 7196.00|0||||||||Jill|Preferred|Repository|||||||Jill|11312|Stella, Frank||painter|Frank Stella|0||||0|||||American|||Post-1945|Abstract||North and Central America||United States||||||0||||||||0||||0|Prints|Print|Lithograph|||20|||1967|1967||1967|1967-1967|||||0||||0|||||Lithograph||||||lithography|||||38.1 x 55.9 cm||3343|San Francisco: Fine Arts Museums of San Francisco|San Francisco: Fine Arts Museums||||||||||||Cornell||ElA|JNK|8/7/2006 0:00:00|6/21/2006 0:00:00|S824|||0||1996.74.453||||||||||||| |||||||||0||||||||||||0|0||Stella, Frank 7197.00|0||||||||Jill, from Black Series II|Preferred|Repository|||||||Jill, from Black Series II|11312|Stella, Frank||painter|Frank Stella|0||||0|||||American|||Post-1945|Abstract||North and Central America||United States||||||0||||||||0||||0|Prints|Lithograph||||20|||1967|1967||1967|1967-1967|||||0||||0|||||Lithograph||||||lithography|||||38.1 x 55.56 cm||3339|Buffalo: Albright-Knox Art Gallery|Buffalo: Albright-Knox||||||||||||Cornell||ElA|JNK|8/8/2006 0:00:00|6/21/2006 0:00:00|S824|||0||K1970:36||||||||||||| |||||||||0||||||||||||0|0|Jill, from Black Series II|Stella, Frank 7198.00|0||||||||Jill|Preferred|Repository|||||||Jill|11312|Stella, Frank||painter|Frank Stella|0||||0|||||American|||Post-1945|Abstract||North and Central America||United States||||||0||||||||0||||0|Paintings|Painting||||20|||1959|1959||1959|1959-1959|||||0||||0|||||Enamel on canvas|enamel|canvas||||painting (image-making)|||||229.62 x 200 cm||3339|Buffalo: Albright-Knox Art Gallery|Buffalo: Albright-Knox||Painting (image making) ; |Painting (image making)|||||||||Cornell||ElA|JNK|8/8/2006 0:00:00|6/21/2006 0:00:00|S824|||0||K1962:1||||||||||||| |||||||||0||||||||||||0|0||Stella, Frank 7199.00|0||||||||100 Cans|Preferred|Repository|||||||100 Cans|12489|Warhol, Andy||painter|Andy Warhol|0||||0|||||American|||Pop|||North and Central America||United States||||||0||||||||0||||0|Paintings|Painting|Oil painting|||20|||1962|1962||1962|1962-1962|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||182.9 x 132.1 cm||3339|Buffalo: Albright-Knox Art Gallery|Buffalo: Albright-Knox||Painting (image making) ; |Painting (image making)|||||||||Cornell||ElA|JNK|8/8/2006 0:00:00|6/21/2006 0:00:00||||0||K1963:26||||||||||||| |||||||||0||||||||||||0|0||Warhol, Andy 7200.00|0||||||||Marilyn|Preferred|Repository|||||||Marilyn|12489|Warhol, Andy||painter|Andy Warhol|0||||0|||||American|||Pop|Post-1945||North and Central America||United States||||||0||||||||0||||0|Prints|Screen print||||20|||1967|1967||1967|1967-1967|||||0||||0|||||Screenprint on paper|paper (fiber product)|||||printing|screen printing||||91.44 x 91.44 cm||3895|Minneapolis: Walker Art Center|Minneapolis: Walker Art Center||||||||||||Cornell||ElA|JNK|8/8/2006 0:00:00|6/21/2006 0:00:00||||0||91.139||||||||||||| |||||||||0||||||||||||0|0||Warhol, Andy 7201.00|0||||||||Before and After, 3|Preferred|Repository|||||||Before and After, 3|12489|Warhol, Andy||painter|Andy Warhol|0||||0|||||American|||Pop|||North and Central America||United States||||||0||||||||0||||0|Paintings|Painting|Portrait|||20|||1962|1962||1962|1962-1962|||||0||||0|||||Synthetic polymer and graphite on canvas|polymer paint|graphite|canvas|||painting (image-making)|||||182.88 x 253.1 cm||3543|New York: Whitney Museum of American Art|New York: Whitney Mus.||Painting (image making) ; Portraits ; |Painting (image making)|Portraits||||||||Cornell||ElA|JNK|8/8/2006 0:00:00|6/21/2006 0:00:00|W275|||0||71.226||||||||||||| |||||||||0||||||||||||0|0||Warhol, Andy 7206.00|0|Site|02|B-H3|Pom|7.5 Epi||B-H3 Pom 7.5 Epi |House of the Epigrams|Assigned|Print Publication|House V 1, 18|Assigned|Print Publication|||||0|||||0||||0|||||Roman|||Republican|||Europe||Italy||||||0|Pompeii, Italy|||10133||||0||||0|Archaeological Sites|House|||BCE|-1|||-80|-15|ca|ca 80-15 BCE|ca -80--15|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/21/2006 0:00:00|6/21/2006 0:00:00||Pom||0||||||Epi|B|||||H3|7.5||||||||||Building|0|Architecture-Italy|House with frescos in the second style||||||||||0|0|House of the Epigrams;House V 1, 18| 7209.00|0|Creator|||||||Campbell's Soup I; Chicken Noodle|Preferred|Repository|||||||Campbell's Soup I. Chicken Noodle|12489|Warhol, Andy||painter|Andy Warhol|0||||0|||||American|||Pop|Post-1945||North and Central America||United States||||||0||||||||0||||0|Paintings|Painting||||20|||1968|1968||1968|1968-1968||Campbell's Soup I|Larger entity||7615||||0|||||Color screenprint||||||screen printing|||||81.3 x 47.6 cm||3895|Minneapolis: Walker Art Center|Minneapolis: Walker Art Center||Cans ; |Cans|||||||||Cornell||ElA|JNK|8/8/2006 0:00:00|6/21/2006 0:00:00||||0||91.139||||||||||||| |||||||||0||||||||||||0|0|Campbell's Soup I; Chicken Noodle|Warhol, Andy 7211.00|0||||||||Mountains and Sea|Preferred|Repository|||||||Mountains and Sea|4095|Frankenthaler, Helen|||Helen Frankenthaler|0||||0|||||American|||Color-field|Abstract||North and Central America||United States||||||0||||||||0||||0|Paintings|Painting||||20|||1952|1952||1952|1952-1952|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||220.1 x 297.8 cm||3367|Washington, DC: National Gallery of Art|Wash, DC: National Gallery||Painting (image making) ; |Painting (image making)|||||||||Cornell||ElA|JNK|8/7/2006 0:00:00|6/21/2006 0:00:00||||0||||||||||||||| |||||||||0||||||On extended loan from the Collection of the Artist||||||0|0|Mountains and Sea|Frankenthaler, Helen 7212.00|0|Site|02|B-H3|Pom|7.5 VI InsOcc||B-H3 Pom 7.5 VI InsOcc |Portrait of a Woman|Descriptive|Print Publication|"Sappho"|Assigned|Print Publication|||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0||||0||||0||||0|Paintings|Painting|Fresco|Mural|CE|1|||55|79|ca|ca 55-79|ca 55-79|||||0||||0|||||||||||fresco painting|mural painting||||31 x 31 cm||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Women ; Pens ; |Women|Pens||||||||Cornell||HB|HB|6/22/2006 0:00:00|6/22/2006 0:00:00||Pom||0||||||VI InsOcc|B|||||H3|7.5|| ||||||||Work|0|Architecture-Italy|Exact original location unknown.||||||||||0|0|Portrait of a Woman;"Sappho"| 7213.00|0|Creator|15|35|B448-PA|nd|2||Both Members of This Club|Preferred|Repository|||||||Both Members of This Club|981|Bellows, George|||George Bellows|0||||0|||||American|||Ashcan School|||North and Central America||United States||||||0||||||||0||||0|Paintings|Painting|Oil painting|||20|||1909|1909||1909|1909-1909|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||115 x 160.5 cm||3367|Washington, DC: National Gallery of Art|Wash, DC: National Gallery||Painting (image making) ; Fighting ; Boxing ; Sports ; |Painting (image making)|Fighting|Boxing|Sports||||||Cornell||ElA|JNK|8/9/2006 0:00:00|6/22/2006 0:00:00|B448|||0||1944.13.1|||||35|PA||||||nd| ||||||||Work|0||||||||||||0|0||Bellows, George 7214.00|0|Creator|15|35|B448-PA|1916|2|35 B448-PA 1916 2|The Newsboy|Preferred|Repository|||||||The Newsboy|981|Bellows, George|||George Bellows|0||||0|||||American|||Ashcan School|||North and Central America||United States||||||0||||||||0||||0|Paintings|Oil painting|portraits|||20|||1908|1908||1908|1908-1908|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||76 x 55.5 cm||3838|New York: The Brooklyn Museum|New York: Brooklyn Mus.||Painting (image making) ; Portraits ; Children (people by age group) ; Adolescents ; |Painting (image making)|Portraits|Children (people by age group)|Adolescents||||||Cornell||ElA|JNK|8/9/2006 0:00:00|6/22/2006 0:00:00|B448|||0||65.204.1|||||35|PA||||||1916| ||||||||Work|0||||||||||||0|0||Bellows, George 7215.00|0|Creator|15|32|H765-PA|1886|1|32 H765-PA 1886 1|Eight Bells|Preferred|Repository|||||||Eight Bells|5572|Homer, Winslow||painter|Winslow Homer|0||||0|||||American|||Realist|||North and Central America||United States||||||0||||||||0||||0|Paintings|Watercolor|Painting|||19|||1886|1886||1886|1886-1886|||||0||||0|||||Watercolor|watercolor|||||painting (image-making)|||||64 x 76.7 cm||3893|Andover, MA: Phillips Academy; Addison Gallery of American Art|Andover, MA: Phillips Acad.; Addison Gal.||Fishermen ; Seas ; Oceans ; |Fishermen|Seas|Oceans|||||||Cornell||ElA|JNK|8/10/2006 0:00:00|6/22/2006 0:00:00|H765|||0|||||||32|PA||||||1886| ||||||||Work|0||||||||||||0|0||Homer, Winslow 7218.00|0|Site|02|B-H3|Pom|9.0 Fres||B-H3 Pom 9.0 Fres |Standing Deity Holding Horn and Bucket|Descriptive|Repository|||||||Standing Deity Holding Horn and Bucket|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0||||0|Pompeii, Italy|||10133||||0|Paintings|Mural|Fresco||CE|1|||1|79|ca|1st Century|ca 1-79|||||0||||0|||||||||||fresco painting|mural painting|painting (image-making)|||86 x 47 cm||1723|Minneapolis: Minneapolis Society of Fine Arts|Minneapolis: Soc. Fine Arts||Horns ; Gods ; |Horns|Gods||||||||Cornell||HB|HB|6/22/2006 0:00:00|6/22/2006 0:00:00||Pom|Pom|0||||||Fres|B|||||H3|9.0|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Standing Deity Holding Horn and Bucket| 7219.00|0|Creator|15|35|0415-PA|1948||35 0415-PA 1948 |Brooklyn Bridge|Preferred|Repository|||||||Brooklyn Bridge|8643|O'Keeffe, Georgia||painter|Georgia O'Keeffe|0||||0|||||American|||Modern|||North and Central America||United States||||||0||||||||0||||0|Paintings|Painting|Oil painting|||20|||1949|1949||1949|1949-1949|||||0||||0|||||Oil on masonite|oil paint|Masonite||||painting (image-making)|||||121.8 x 91 cm||3838|New York: The Brooklyn Museum|New York: Brooklyn Mus.||Painting (image making) ; Bridges (built works) ; Brooklyn Bridge (New York, N.Y.) ; |Painting (image making)|Bridges (built works)|Brooklyn Bridge (New York, N.Y.)|||||||Cornell||ElA|JNK|8/10/2006 0:00:00|6/22/2006 0:00:00|0415|||0||77.11|||||35|PA||||||1948| ||||||||Work|0||||||||||||0|0|Brooklyn Bridge|O'Keeffe, Georgia 7220.00|0|Creator|05|J-Riis|2|||J-Riis 2 |Home of an Italian Ragpicker, Jersey Street|Preferred|Repository|Italian Mother and her Baby, in Jersey St., New York City|Assigned|Print Publication||||Home of an Italian Ragpicker, Jersey Street|9873|Riis, Jacob August|||Jacob Riis|0||||0|||||American||||||North and Central America||United States||||||0||||||||0||||0|Photographs|Photographic print||||19|||1894|1894||1894|1894-1894|||||0||||0|||||Gelatin silver print||||||photography|gelatin silver process||||19.69 x 24.77 cm||3887|San Francisco: Museum of Modern Art|San Francisco: MoMA||Photographs ; Mother and child ; Ragpickers ; |Photographs|Mother and child|Ragpickers|||||||Cornell||ElA|JNK|8/10/2006 0:00:00|6/22/2006 0:00:00|Riis|||0||95.145|||||J|||||||| ||||||||Work|0|Photography||||Reprinted 1946.|||||||0|0|Home of an Italian Ragpicker, Jersey Street;Italian Mother and her Baby, in Jersey St., New York City|Riis, Jacob August 7221.00|0|Site|02|B-H3|Pom|9.0 Fres||B-H3 Pom 9.0 Fres |Centaur with Apollo and Aesculapius|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0||||0|Pompeii, Italy|||10133||||0|Paintings|Fresco|Mural||CE|1|||1|79|ca|1st Century|ca 1-79|||||0||||0|||||||||||mural painting|fresco painting||||||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||||||||||||Cornell||HB|HB|6/22/2006 0:00:00|6/22/2006 0:00:00||Pom|Pom|0||||||Fres|B|||||H3|9.0|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Centaur with Apollo and Aesculapius| 7222.00|0|Creator|15|35|S5394-PA|1929|1||Upper Deck|Preferred|Repository|||||||Upper Deck|10821|Sheeler, Charles||artist|Charles Sheeler|0||||0|||||American|||Precisionist|||North and Central America||United States||||||0||||||||0||||0|Paintings|Painting|Oil painting|||20|||1929|1929||1929|1929-1929|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||73 x 55.3 cm||3689|Cambridge, MA: Harvard University; Fogg Art Museum|Cambridge: Harvard; Fogg||Painting (image making) ; Boats ; |Painting (image making)|Boats||||||||Cornell||ElA|JNK|8/10/2006 0:00:00|6/22/2006 0:00:00|S5394|||0||1933.97|||||35|PA||||||1929| ||||||||Work|0||||||||||||0|0||Sheeler, Charles 7223.00|0|Site|02|B-H3|Pom|9.0 Fres||B-H3 Pom 9.0 Fres |Amorous Man Approaching a Nude Woman|Descriptive|Cataloger|||||||Amorous Man Approaching a Nude Woman|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0|||||Pompeii, Italy|||10133||||0|Paintings|Painting|Mural|Fresco||-1|1||-100|79|ca|1st Century BCE-79 CE|ca -99-79|||||0||||0|||||||||||mural painting|fresco painting|painting (image-making)|||||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Erotic painting ; |Erotic painting|||||||||Cornell||HB|JNK|8/10/2006 0:00:00|6/22/2006 0:00:00||Pom|Pom|0||||||Fres|B|||||H3|9.0|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Amorous Man Approaching a Nude Woman| 7224.00|0|Site|02|B-H3|Pom|9.0 Fres||B-H3 Pom 9.0 Fres |Birds, Flowers and Fruit|Descriptive|Image Source (Pub)|||||||Birds, Flowers and Fruit|0|||||0||||0|||||Roman|||Imperial (Roman)|Republican||Europe||Italy||||||0||||0|Pompeii, Italy|||10133||||0|Paintings|Painting|Mural|Fresco||-1|1||-100|79|ca|1st Century BCE-79 CE|ca -99-79|||||0||||0|||||||||||mural painting|fresco painting|painting (image-making)|||||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||||||||||||Cornell||HB|JNK|8/10/2006 0:00:00|6/22/2006 0:00:00||Pom|Pom|0||||||Fres|B|||||H3|9.0|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Birds, Flowers and Fruit| 7228.00|0|Creator|05|35|H662-PH|1910|1|35 H662-PH 1910 1|Addie Laird, 12 yrs. old, Spinner in a Cotton Mill|Preferred|Repository|||||||Addie Laird, 12 yrs. old, Spinner in a Cotton Mill|5447|Hine, Lewis Wickes||photographer|Lewis Wickes Hine|0||||0|||||American||||||North and Central America||United States||||||0||||||||0||||0|Photographs|Photographic print||||20|||1910|1910||1910|1910-1910|||||0||||0|||||Gelatin silver print||||||photography|gelatin silver process||||||9737|College Park, MD: National Archives Still Picture Branch|||Children (people by age group) ; Workers ; |Children (people by age group)|Workers||||||||Cornell||ElA|JNK|8/10/2006 0:00:00|6/22/2006 0:00:00|H662|||0||ARC Identifier: 523249|||||35|PH||||||1910| ||||||||Work|0|20th Century|"Addie Laird, 12 years old. Spinner in a cotton Mill. Girls in mill say she is 10 years old. She admitted to me that she was 12 years old, that she started during school vacation and now would stay. North Pownal, Vt., 02/09/1910" Full title.||||||||||0|0||Hine, Lewis Wickes 7229.00|0|Site|02|B-H3|Pom|9.0 Fres||B-H3 Pom 9.0 Fres |Still Life with Fish|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||Roman|||Imperial (Roman)|Republican||Europe||Italy||||||0||||0|Pompeii, Italy|||10133||||0|Paintings|Mural|Fresco|Painting|CE|1|||1|79|ca|1st Century|ca 1-79|||||0||||0|||||mural painting||||||mural painting|fresco painting|painting (image-making)|||||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Fish ; Still lifes ; |Fish|Still lifes||||||||Cornell||HB|HB|6/22/2006 0:00:00|6/22/2006 0:00:00||Pom|Pom|0||||||Fres|B|||||H3|9.0|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Still Life with Fish| 7230.00|0|Site|02|B-H3|Pom|9.0 Fres||B-H3 Pom 9.0 Fres |Sacro-idyllic Landscape|Descriptive|Print Publication||||||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0||||0|Pompeii, Italy|||10133||||0|Paintings|Painting|Mural|Fresco|CE|1|||1|79|ca|1st Century|ca 1-79|||||0||||0|||||||||||mural painting|fresco painting|painting (image-making)|||||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Landscapes ; |Landscapes|||||||||Cornell||HB|HB|6/22/2006 0:00:00|6/22/2006 0:00:00||Pom||0||||||Fres|B|||||H3|9.0|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Sacro-idyllic Landscape| 7231.00|0|Site|02|B-H3|Pom|9.0 Fres||B-H3 Pom 9.0 Fres |Paris on Mount Ida|Descriptive|Print Publication||||||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0||||0|Pompeii, Italy|||10133||||0|Paintings|Painting|Mural|Fresco|CE|1|||62|79|ca|ca 62-79|ca 62-79|||||0||||0|||||mural painting||||||mural painting|fresco painting|painting (image-making)|||||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Landscapes ; |Landscapes|||||||||Cornell||HB|HB|6/22/2006 0:00:00|6/22/2006 0:00:00||Pom|Pom|0||||||Fres|B|||||H3|9.0|| ||||||||Work|0|Architecture-Italy|Fourth Style||||||||||0|0|Paris on Mount Ida| 7232.00|0|Site|02|B-H3|Pom|9.0 Fres||B-H3 Pom 9.0 Fres |Third Style Decorative Detail|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0||||0|Pompeii, Italy|||10133||||0|Paintings|Painting|Mural|Fresco|CE|1|||1|62|ca|1st Century|ca 1-62|||||0||||0|||||||||||mural painting|fresco painting|painting (image-making)|||||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Landscapes ; |Landscapes|||||||||Cornell||HB|HB|6/22/2006 0:00:00|6/22/2006 0:00:00||Pom|Pom|0||||||Fres|B|||||H3|9.0|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Third Style Decorative Detail| 7233.00|0|Site|02|B-H3|Pom|9.0 Fres||B-H3 Pom 9.0 Fres |Third Style Decorative Detail|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0||||0|Pompeii, Italy|||10133||||0|Paintings|Painting|Mural|Fresco|CE|1|||1|62|ca|1st Century|ca 1-62|||||0||||0|||||||||||mural painting|fresco painting|painting (image-making)|||||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Landscapes ; |Landscapes|||||||||Cornell||HB|HB|6/22/2006 0:00:00|6/22/2006 0:00:00||Pom|Pom|0||||||Fres|B|||||H3|9.0|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Third Style Decorative Detail| 7234.00|0|Site|02|B-H3|Pom|9.0 Fres||B-H3 Pom 9.0 Fres |Sacro-idyllic Landscape|Descriptive|Print Publication||||||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0||||0|Pompeii, Italy|||10133||||0|Paintings|Painting|Mural|Fresco|CE|1|||62|79|ca|ca 62-79|ca 62-79|||||0||||0|||||||||||mural painting|fresco painting|painting (image-making)|||50 x 49 cm||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Landscapes ; |Landscapes|||||||||Cornell||HB|HB|6/22/2006 0:00:00|6/22/2006 0:00:00||Pom|Pom|0||||||Fres|B|||||H3|9.0|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Sacro-idyllic Landscape| 7235.00|0|Site|02|B-H3|Pom|9.0 Fres||B-H3 Pom 9.0 Fres |Garden by the Sea||||||||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0||||0|Pompeii, Italy|||10133||||0|Paintings|Painting|Mural|Fresco|CE|1|||62|79|ca|ca 62-79|ca 62-79|||||0||||0|||||||||||mural painting|fresco painting|painting (image-making)|||62 x 52 cm||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Seas ; Sanctuaries ; Ships ; |Seas|Sanctuaries|Ships|||||||Cornell||HB|HB|6/22/2006 0:00:00|6/22/2006 0:00:00||Pom|Pom|0||||||Fres|B|||||H3|9.0|| ||||||||Work|0|Architecture-Italy|IVth Style||||||||||0|0|Garden by the Sea| 7236.00|0|Site|02|B-H3|Pom|9.0 Fres||B-H3 Pom 9.0 Fres |Fourth Style Wall Decoration||||||||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0||||0|Pompeii, Italy|||10133||||0|Paintings|Painting|Mural|Fresco|CE|1|||62|79|ca|ca 62-79|ca 62-79|||||0||||0|||||||||||mural painting|fresco painting|painting (image-making)|||||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||||||||||||Cornell||HB|HB|6/22/2006 0:00:00|6/22/2006 0:00:00||Pom|Pom|0||||||Fres|B|||||H3|9.0|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Fourth Style Wall Decoration| 7237.00|0|Site|02|B-H3|Pom|7.5 Faun||B-H3 Pom 7.5 Faun |House of the Faun|Assigned|Print Publication|House VI 12, 2|Assigned|Print Publication|||||0|||||0||||0|||||Roman|||Republican|Imperial (Roman)|Roman Period|Europe||Italy||||||0|Pompeii, Italy|||10133||||0||||0|Architecture|House||||-2|-1|1|-199|79|ca|ca 200 BCE-79 CE|ca -199-79|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|GB|10/25/2006 0:00:00|6/22/2006 0:00:00||Pom|Pom|0||||||Faun|B|||||H3|7.5||||||||||Building|0|Architecture-Italy|||||||||||0|0|House of the Faun;House VI 12, 2| 7238.00|0|Site|02|B-H3|Pom|7.5 Faun||B-H3 Pom 7.5 Faun |Cat and Bird Mosaic|Descriptive|Cataloger|||||||House of the Faun. Cat and Bird Mosaic|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0||||0|Pompeii, Italy|||10133||||0|Mosaics|Mosaic||||-1|1||-100|79|ca|1st Century BCE-79 CE|ca -100-79||House of the Faun|||7237||||0|||||||||||mosaic|||||||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Cats ; Ducks ; Quail ; |Cats|Ducks|Quail|||||||Cornell||HB|HB|6/22/2006 0:00:00|6/22/2006 0:00:00||Pom|Pom|0||||||Faun|B|||||H3|7.5|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Cat and Bird Mosaic| 7239.00|0|Creator|15|35|H518-PA|1904|2|35 H518-PA 1904 2|Portrait of Willie Gee|Preferred|Repository|||||||Portrait of Willie Gee|31232|Henri, Robert||artist|Robert Henri|0||||0|||||American|||Ashcan School|||North and Central America||United States||||||0||||||||0||||0|Paintings|Painting|Oil painting|Portrait||20|||1904|1901||1901|1904-1901|||||0||||0|||||Oil paint on canvas|oil paint|canvas||||painting (image-making)|||||79.4 x 66.7 cm||3757|Newark, NJ: Newark Museum|Newark, NJ: Museum||Painting (image making) ; Portraits ; Children (people by age group) ; Boys ; |Painting (image making)|Portraits|Children (people by age group)|Boys||||||Cornell||ElA|JNK|8/9/2006 0:00:00|6/23/2006 0:00:00|H518|||0||25.111|||||35|PA||||||1904| ||||||||Work|0||||||||||||0|0||Henri, Robert 7240.00|0|Creator|05|35|S855-PH|1931|3|35 S855-PH 1931 3|Evening from the Shelton|Preferred|Repository|||||||Evening from the Shelton|11377|Stieglitz, Alfred||photographer|Alfred Stieglitz|0||||0|||||American|||Modern|||North and Central America||United States||||||0||||||||0||||0|Photographs|Photographic print||||20|||1931|1931||1931|1931-1931|||||0||||0|||||Photograph||||||photography|||||20.9 x 16.6||3675|Rochester, NY: International Museum of Photography at George Eastman House|Rochester: George Eastman House||Photographs ; Skyscrapers ; |Photographs|Skyscrapers||||||||Cornell||ElA|JNK|8/10/2006 0:00:00|6/23/2006 0:00:00|S855|||0||67:0120:0012|||||35|PH||||||1931| ||||||||Work|0||||||||||||0|0||Stieglitz, Alfred 7241.00|0|Site|02|B-H3|Pom|7.5 Faun||B-H3 Pom 7.5 Faun |Fish Motif Mosaic|Descriptive|Image Source (Vendor)|||||||House of the Faun. Fish Motif Mosaic|0|||||0||||0|||||Roman|||Imperial (Roman)|Republican||Europe||Italy||||||0||||0|Pompeii, Italy|||10133||||0|Mosaics|Mosaic||||-1|1||-100|79|ca|1st Century BCE-79 CE|ca -100-79||House of the Faun|||7237||||0|||||mosaic||||||mosaic|||||||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Fish ; |Fish|||||||||Cornell||HB|HB|6/26/2006 0:00:00|6/26/2006 0:00:00||Pom|Pom|0||||||Faun|B|||||H3|7.5|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Fish Motif Mosaic| 7242.00|0|Site|02|B-H3|Pom|7.5 Faun||B-H3 Pom 7.5 Faun |Mosaic. Amor Riding a Panther (Tiger)|||||||||House of the Faun. Mosaic. Amor Riding a Panther (Tiger)|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0||||0|Pompeii, Italy|||10133||||0|Mosaics|Mosaic||||-1|1||-100|79|ca|1st Century BCE-79 CE|ca -100-79||House of the Faun|||7237||||0|||||||||||mosaic|||||||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Cupid ; Tigers ; Eros ; |Cupid|Tigers|Eros|||||||Cornell||HB|HB|6/26/2006 0:00:00|6/26/2006 0:00:00||Pom|Pom|0||||||Faun|B|||||H3|7.5|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Mosaic. Amor Riding a Panther (Tiger)| 7243.00|0|Site|02|B-H3|Pom|7.5 Faun||B-H3 Pom 7.5 Faun |Tragic Mask Mosaic|Descriptive|Print Publication|||||||House of the Faun. Tragic Mask Mosaic|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0||||0|Pompeii, Italy|||10133||||0|Mosaics|Mosaic||||-1|1||-100|79|ca|1st Century BCE-79 CE|ca -100-79||House of the Faun|||7237||||0|||||||||||mosaic|||||||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Masks ; |Masks|||||||||Cornell||HB|HB|6/26/2006 0:00:00|6/26/2006 0:00:00||Pom|Pom|0||||||Faun|B|||||H3|7.5|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Tragic Mask Mosaic| 7244.00|0|Site|02||||||Villa of Titus Siminius Stephanus||||||||||0|||||0||||0|||||Roman|||Republican|Imperial (Roman)||Europe||Italy||||||0|Pompeii, Italy|||10133||||0||||0|Architecture|Archaeological site|House|||-1|1||-100|79|ca|1st Century BCE-79 CE|ca -100-79|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/26/2006 0:00:00|6/26/2006 0:00:00||Pom||0|||||||||||||||||||||||Building|0||||||||||||0|0|Villa of Titus Siminius Stephanus| 7245.00|0|Site|02|B-H3|Pom|7.5 SimSteph||B-H3 Pom 7.5 SimSteph |Mosaic. Philosophers in the Academy|Descriptive|Print Publication|||||||Villa of Titus Siminius Stephanus. Mosaic. Philosophers in the Academy|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0||||0|Pompeii, Italy|||10133||||0|Mosaics|Mosaic||||1|||1|79|ca|1st Century CE|ca 1-79||Villa of Titus Siminius Stephanus|||7244||||0||||||||||||||||86 x 85 cm||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||||||||||||Cornell||HB|HB|6/26/2006 0:00:00|6/26/2006 0:00:00||Pom|Pom|0||||||SimSteph|B|||||H3|7.5|| ||||||||Work|0|Architecture-Italy|Copy of a Hellenistic mosaic from ca 200 BCE.||||||||||0|0|Mosaic. Philosophers in the Academy| 7246.00|0|Site|02|B-H3|Pom|7.5 VI 15,14||B-H3 Pom 7.5 VI 15,14 |House VI 15, 14|||||||||House VI 15, 14|0|||||0||||0|||||Roman|||Republican|Imperial (Roman)|Roman Period|Europe||Italy||||||0|Pompeii, Italy|||10133||||0||||0|Archaeological Sites|House||||-2|-1|1|-199|79|ca|ca -199-79|ca -199-79|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/26/2006 0:00:00|6/26/2006 0:00:00||Pom||0||||||VI 15,14|B|||||H3|7.5||||||||||Building|0|Architecture-Italy|||||||||||0|0|House VI 15, 14| 7247.00|0|Site|02|B-H3|Pom|7.5 VI 15,14||B-H3 Pom 7.5 VI 15,14 |Mosaic Portrait of a Lady|Descriptive|Print Publication|||||||House VI 15, 14. Mosaic Portrait of a Lady|0|||||0||||0|||||Roman|||Republican|||Europe||Italy||||||0||||0|Pompeii, Italy|||10133||||0|Mosaics|Mosaic|||BCE|-1|||-25|-1|ca|End 1st Century BCE|End 1st Century BCE||House VI 15, 14|||7246||||0|||||||||||mosaic|||||||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Portraits ; Women ; |Portraits|Women||||||||Cornell||HB|HB|6/26/2006 0:00:00|6/26/2006 0:00:00||Pom|Pom|0||||||VI 15,14|B|||||H3|7.5|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Mosaic Portrait of a Lady| 7248.00|0|Creator|15|32|D317|1873 C851||32 D317-1873 C851 |Un Bureau de coton à la Nouvelle-Orléans|Preferred|Repository|The Cotton Office in New Orleans|Translated|Repository||||The Cotton Office in New Orleans|3026|Degas, Edgar||painter|Edgar Degas|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1873|1873||1873|1873-1873|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||73 x 92 cm||2224|Pau: Musée des Beaux-Arts|Pau: Musée des Beaux-Arts||Merchants ; Cotton (fiber) ; New Orleans (LA) ; |Merchants|Cotton (fiber)|New Orleans (LA)|||||||Cornell||JNK|MNW|11/17/2006 0:00:00|6/26/2006 0:00:00|D317|||0|||||||32|1873||||||| |C851|||||||Work|0||||||||||||0|0|Un Bureau de coton à la Nouvelle-Orléans;The Cotton Office in New Orleans|Degas, Edgar 7249.00|0|Creator|15|32|D317-|1873|C852|32 D317- 1873 C852|Cotton Merchants in New Orleans|Preferred|Repository|||||||Cotton Merchants in New Orleans|3026|Degas, Edgar||painter|Edgar Degas|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Paintings|Oil painting||||19|||1873|1873||1873|1873-1873|||||0||||0|||||Oil on linen|oil paint|linen (material)||||painting (image-making)|||||58.74 x 71.76 cm||3689|Cambridge, MA: Harvard University; Fogg Art Museum|Cambridge: Harvard; Fogg||Merchants ; Cotton (fiber) ; New Orleans (LA) ; |Merchants|Cotton (fiber)|New Orleans (LA)|||||||Cornell||JNK|JNK|6/26/2006 0:00:00|6/26/2006 0:00:00|D317|||0||1929.90|||||32||||||C852|| |1873|||||||Work|0||||||||||||0|0|Cotton Merchants in New Orleans|Degas, Edgar 7250.00|0||||||||House and Workshop I 5, 2|Assigned|Print Publication|Tanner's Workshop||Print Publication|||||0|||||0||||0|||||Roman|||Roman Period|||Europe||Italy||||||0|Pompeii, Italy|||10133||||||||0|Archaeological Sites|Workshop (work space)|||CE|1|||79||bef|bef 79 CE|bef 79 CE|||||0||||0||||||||||||||||||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||||||||||||Cornell||HB|HB|6/26/2006 0:00:00|6/26/2006 0:00:00||Pom||0||||||||||||||| |||||||||0||||||||||||0|0|House and Workshop I 5, 2;Tanner's Workshop| 7251.00|0|Creator|15|32|D317|1876|C130|32 D317 1876 C130|Café Concert à Les Ambassadeurs|Preferred|Repository|Café Concert at Les Ambassadeurs|Translated|Cataloger||||Café Concert at Les Ambassadeurs|3026|Degas, Edgar||painter|Edgar Degas|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Drawings|Pastel (visual work)|Monotype|||19|||1876|1877||1876-1877|1876-1877|||||0||||0|||||Pastel over monotype|pastels (crayons)|||||drawing (image-making)|painting (image-making)|Monotype (process)|||37 x 27 cm||3916|Lyon: Musée des Beaux-Arts|Lyon: Musée des Beaux-Arts||Cafés ; Concerts ; Cabarets ; |Cafés|Concerts|Cabarets|||||||Cornell||JNK|MNW|11/21/2006 0:00:00|6/26/2006 0:00:00|D317|||0|||||||32||||||C130|| |1876|||||||Work|0||||||||||||0|0|Café Concert à Les Ambassadeurs;Café Concert at Les Ambassadeurs|Degas, Edgar 7252.00|0|Site|02|B-H3|Pom|6.2 I 5, 2||B-H3 Pom 6.2 I 5, 2 |Skull Mosaic|||||||||House and Workshop I 5, 2. Skull Mosaic|0|||||0||||0|||||Roman|||Roman Period|||Europe||Italy||||||0||||0|Pompeii, Italy|||10133||||0|Mosaics|Mosaic|||||||40|60|ca|ca 40-60|ca 40-60||House and Workshop I 5, 2|Larger entity||7250||||0|||||||||||mosaic|||||47 x 71 cm||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Skulls ; |Skulls|||||||||Cornell||HB|HB|6/29/2006 0:00:00|6/26/2006 0:00:00||Pom|Pom|0||||||I 5, 2|B|||||H3|6.2|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Skull Mosaic| 7253.00|0||||||||House VIII 2, 16|Assigned|Print Publication||||||||0|||||0||||0|||||Roman|||Roman Period|||Europe||Italy||||||0|Pompeii, Italy|||10133||||0||||0|Archaeological Sites|House|||||||79||bef|bef 79 CE|bef 79 CE|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/26/2006 0:00:00|6/26/2006 0:00:00||Pom||0||||||||||||||||||||||||0||||||||||||0|0|House VIII 2, 16| 7254.00|0|Site|02|B-H3|Pom|7.5 VIII 2, 6||B-H3 Pom 7.5 VIII 2, 6 |Sea Fauna with Octopus and Lobster Fighting|Descriptive|Image Source (Vendor)|||||||House VIII 2, 16. Sea Fauna with Octopus and Lobster Fighting|0|||||0||||0|||||Roman|||Roman Period|||Europe||Italy||||||0||||0|Pompeii, Italy|||10133||||0|Work||||CE||||79||bef|bef 79 CE|bef 79 CE||House VIII 2, 16|Larger entity||7253||||0|||||||||||mosaic|||||||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Fish ; |Fish|||||||||Cornell||HB|HB|6/26/2006 0:00:00|6/26/2006 0:00:00||Pom|Pom|0||||||VIII 2, 6|B|||||H3|7.5|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Sea Fauna with Octopus and Lobster Fighting| 7256.00|0|Creator|15|32|D317-X|1877|W868|32 D317-X 1877 W868|L'Araignee du Soir|Assigned|Print Publication|The Spider of the Evening|Translated|Cataloger||||L'Araignee du Soir|31233|Hadol, Paul||illustrator|Paul Hadol|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Drawings|Illustration||||19|||1875|1876||1875-1876|1875-1876|||||0||||0|||||||||||drawing (image-making)|||||||||||Women ; Spider webs ; Spiders ; |Women|Spider webs|Spiders|||||||Cornell||JNK|MNW|11/21/2006 0:00:00|6/26/2006 0:00:00|D317|||0|||||||32|X|||||W868|||1877|||||||Work|0||Published in "Le Monde Comique", 1875/76 vol, no. 194.||||||||||0|0|L'Araignee du Soir;The Spider of the Evening|Hadol, Paul 7257.00|0|Creator|15|32|M275|C815||32 M275 C815 |Corner of a Café-Concert|Preferred|Repository|||||||Corner of a Café-Concert|7474|Manet, Éduard||painter|Éduard Manet|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1878|1880|ca|ca 1878-1880|ca 1878-1880|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||97.1 x 77.5 cm||3357|London: National Gallery|London: National Gallery||Cafés ; Concerts ; Men (male humans) ; Women ; Drinking ; Dancers ; |Cafés|Concerts|Men (male humans)|Women|Drinking|Dancers||||Cornell||JNK|MNW|11/21/2006 0:00:00|6/26/2006 0:00:00|M275|||0||NG3858|||||32|||||||| |C815|||||||Work|0||This work was originally t h right half of a painting of the Brasserie de Reichshoffen, begun in about 1878 and cut in two by Manet before he completed it. NGA, London.||||||||||0|0|Corner of a Café-Concert|Manet, Éduard 7258.00|0|Creator|15|32|D317|1882|A862|32 D317 1882 A862|At the Milliner's|Preferred|Repository|At the Millinery Shop|Variant|Print Publication||||At the Milliner's|3026|Degas, Edgar||painter|Edgar Degas|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Drawings|Pastel (visual work)||||19|||1882|1882||1882|1882-1882|||||0||||0|||||Pastel on paper|pastels (crayons)|paper (fiber product)||||drawing (image-making)|painting (image-making)||||75.5 x 85.5 cm||9670|Madrid: Museo Thyssen-Bornemisza|Madrid: Mus. Thyssen-Bornemisza||Women ; Milliners ; Shopping ; Hats ; |Women|Milliners|Shopping|Hats||||||Cornell||JNK|MNW|11/21/2006 0:00:00|6/26/2006 0:00:00|D317|||0|||||||32||||||A862|| |1882|||||||Work|0||||||||||||0|0|At the Milliner's;At the Millinery Shop|Degas, Edgar 7259.00|0|Creator|15|32|D317|1884|W8711|32 D317 1884 W8711|Les repasseusses|Preferred|Repository|Women Ironing|Translated|Print Publication||||Women Ironing|3026|Degas, Edgar||painter|Edgar Degas|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1884|1884|ca|ca 1884|ca 1884-1884|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||76 x 81.5 cm||2196|Paris: Musee d'Orsay|Paris: Musee d'Orsay||Women ; Laundresses ; |Women|Laundresses||||||||Cornell||JNK|MNW|11/21/2006 0:00:00|6/26/2006 0:00:00|D317|||0|||||||32||||||W8711|| |1884|||||||Work|0||||||||||||0|0|Les repasseusses;Women Ironing|Degas, Edgar 7260.00|0|Creator|15|32|D317-D|1879|F773|32 D317-D 1879 F773|Four Studies of a Fourteen-Year-Old Dancer|Descriptive|Print Publication|||||||Four Studies of a Fourteen-Year-Old Dancer|3026|Degas, Edgar||painter|Edgar Degas|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Drawings|Drawing||||19|||1879|1879||1879|1879-1879|||||0||||0|||||Pencil on paper|pencils|paper (fiber product)||||drawing (image-making)|||||48 x 30 cm||3341|Paris: Musée du Louvre|Paris: Louvre||Ballet dancers ; |Ballet dancers|||||||||Cornell||JNK|MNW|11/21/2006 0:00:00|6/26/2006 0:00:00|D317|||0|||||||32|D|||||F773|| |1879|||||||Work|0||||||||||||0|0|Four Studies of a Fourteen-Year-Old Dancer|Degas, Edgar 7261.00|0|Creator|15|32|D317-X|1843|G755|32 D317-X 1843 G755|Man Descending Towards the Brute|Assigned|Print Publication|||||||Man Descending Towards the Brute|14432|Grandville, J. J.||illustrator|J. J. Grandville|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Prints|Print|Woodcut|||19|||1843|1843||1843|1843-1843|||||0||||0|||||Woodcut||||||printmaking|woodcut (process)||||||||||Physiognomy ; Men (male humans) ; |Physiognomy|Men (male humans)||||||||Cornell||JNK|JNK|6/26/2006 0:00:00|6/26/2006 0:00:00|D317|||0|||||||32|X|||||G755|||1843|||||||Work|0||||||||||||0|0|Man Descending Towards the Brute|Grandville, J. J. 7262.00|0|Creator|15|32|D317-X|1895|R969|32 D317-X 1895 R969|Russian Fallen Women|Descriptive|Print Publication|||||||Russian Fallen Women|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Photographs|Photographic print|Documentary photograph|||19|||1800|1899||19th C|1800-1899|||||0||||0|||||Documentary photograph||||||photography|||||||||||Women ; Criminals ; |Women|Criminals||||||||Cornell||JNK|MNW|11/21/2006 0:00:00|6/26/2006 0:00:00|D317|||0|||||||32|X|||||R969|||1895|||||||Work|0||||||||||||0|0|Russian Fallen Women| 7263.00|0|Site|02|B-H3|Pom|9.0 Mos||B-H3 Pom 9.0 Mos |"Cave Canum" Mosaic|Assigned|Image Source (Pub)|||||||"Cave Canum" Mosaic|0|||||0||||0|||||Roman|||Roman Period|||Europe||Italy||||||0||||0|Pompeii, Italy|||10133||||0|Mosaics|Mosaic||||-1|1||-100|79|ca|ca 100 BCE-79 CE|ca -100-79|||||0||||0|||||Mosaic||||||mosaic|||||||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Dogs ; |Dogs|||||||||Cornell||HB|HB|6/28/2006 0:00:00|6/28/2006 0:00:00||Pom|Pom|0||||||Mos|B|||||H3|9.0|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|"Cave Canum" Mosaic| 7264.00|0|Site|02|B-H3|Pom|9.0 Mos||B-H3 Pom 9.0 Mos |Skeleton of a Butler Mosaic|Assigned|Image Source (Pub)|||||||Skeleton of a Butler Mosaic|0|||||0||||0|||||Roman|||Roman Period|||Europe||Italy||||||0||||0|Pompeii, Italy|||10133||||0|Mosaics|Mosaic||||-1|1||-100|79|ca|ca 100 BCE-79 CE|ca -100-79|||||0||||0|||||Mosaic||||||mosaic|||||||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Skeletons ; |Skeletons|||||||||Cornell||HB|HB|6/28/2006 0:00:00|6/28/2006 0:00:00||Pom|Pom|0||||||Mos|B|||||H3|9.0|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Skeleton of a Butler Mosaic| 7265.00|0|Site|02|B-H3|Pom|9.0 Mos||B-H3 Pom 9.0 Mos |Poseidon and Amphitrite Mosaic|Descriptive|Image Source (Pub)|||||||Poseidon and Amphitrite Mosaic|0|||||0||||0|||||Roman|||Roman Period|||Europe||Italy||||||0||||0|Pompeii, Italy|||10133||||0|Mosaics|Mosaic||||-1|1||-100|79|ca|ca 100 BCE-79 CE|ca -100-79|||||0||||0|||||Mosaic||||||mosaic|||||||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Poseidon ; Sea gods ; Sea monsters ; |Poseidon|Sea gods|Sea monsters|||||||Cornell||HB|HB|6/28/2006 0:00:00|6/28/2006 0:00:00||Pom|Pom|0||||||Mos|B|||||H3|9.0|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Poseidon and Amphitrite Mosaic| 7266.00|0|Site|02|B-H3|Pom|9.0 Mos||B-H3 Pom 9.0 Mos |Lion Grasping a Panther Mosaic|Descriptive|Image Source (Pub)|||||||Lion Grasping a Panther Mosaic|0|||||0||||0|||||Roman|||Roman Period|||Europe||Italy||||||0||||0|Pompeii, Italy|||10133||||0|Mosaics|Mosaic||||-1|1||-100|79|ca|ca 100 BCE-79 CE|ca -100-79|||||0||||0|||||Mosaic||||||mosaic|||||||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Lions ; Panthers ; |Lions|Panthers||||||||Cornell||HB|HB|6/28/2006 0:00:00|6/28/2006 0:00:00||Pom|Pom|0||||||Mos|B|||||H3|9.0|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Lion Grasping a Panther Mosaic| 7267.00|0|Site|02|B-H3|Pom|9.0 Mos||B-H3 Pom 9.0 Mos |Doves on the rim of a Labrum Mosaic|Descriptive|Image Source (Pub)|||||||Doves on the rim of a Labrum Mosaic|0|||||0||||0|||||Roman|||Roman Period|||Europe||Italy||||||0|||||Pompeii, Italy|||10133||||0|Mosaics|Mosaic||||-1|1||-100|79|ca|ca 100 BCE-79 CE|ca -100-79|||||0||||0|||||Mosaic||||||Mosaic|||||||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Doves ; |Doves|||||||||Cornell||HB|HB|6/28/2006 0:00:00|6/28/2006 0:00:00||Pom|Pom|0||||||Mos|B|||||H3|9.0|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Doves on the rim of a Labrum Mosaic| 7268.00|0|Site|02|B-H3|Pom|9.0 Mos||B-H3 Pom 9.0 Mos |Patridge Removing the Contents of a Basket Mosaic|Descriptive|Image Source (Pub)|||||||Patridge Removing the Contents of a Basket Mosaic|0|||||0||||0|||||Roman|||Roman Period|||Europe||Italy||||||0||||0|Pompeii, Italy|||10133||||0|Mosaics|Mosaic||||-1|1||-100|79|ca|ca 100 BCE-79 CE|ca -100-79|||||0||||0|||||Mosaic||||||Mosaic|||||||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Partridges ; Baskets ; |Partridges|Baskets||||||||Cornell||HB|HB|6/28/2006 0:00:00|6/28/2006 0:00:00||Pom|Pom|0||||||Mos|B|||||H3|9.0|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Patridge Removing the Contents of a Basket Mosaic| 7269.00|0|Site|02|B-H3|Pom|9.0 Mos||B-H3 Pom 9.0 Mos |Cock Fight Mosaic|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||Roman|||Roman Period|||Europe||Italy||||||0||||0|Pompeii, Italy|||10133||||0|Mosaics|Mosaic||||-1|1||-100|79|ca|ca 100 BCE-79 CE|ca -100-79|||||0||||0|||||Mosaic||||||Mosaic|||||||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||||||||||||Cornell||HB|HB|6/28/2006 0:00:00|6/28/2006 0:00:00||Pom|Pom|0||||||Mos|B|||||H3|9.0|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Cock Fight Mosaic| 7270.00|0|Site|02|B-H3|Pom|9.0 Mos||B-H3 Pom 9.0 Mos |Theater Mosaic Fragment|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||Roman|||Roman Period|||Europe||Italy||||||0||||0|Pompeii, Italy|||10133||||0|Mosaics|Mosaic||||-1|1||-100|79|ca|ca 100 BCE-79 CE|ca -100-79|||||0||||0|||||Mosaic||||||Mosaic|||||||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Theater (discipline) ; |Theater (discipline)|||||||||Cornell||HB|HB|6/28/2006 0:00:00|6/28/2006 0:00:00||Pom|Pom|0||||||Mos|B|||||H3|9.0|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Theater Mosaic Fragment| 7271.00|0|Site|02|B-H3|Pom|9.0 Mos||B-H3 Pom 9.0 Mos |Fish and Duck Mosaic|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||Roman|||Roman Period|||Europe||Italy||||||0||||0|Pompeii, Italy|||10133||||0|Mosaics|Mosaic||||-1|1||-100|79|ca|ca 100 BCE-79 CE|ca -100-79|||||0||||0|||||Mosaic||||||Mosaic|||||||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Fish ; Ducks ; |Fish|Ducks||||||||Cornell||HB|HB|6/28/2006 0:00:00|6/28/2006 0:00:00||Pom|Pom|0||||||Mos|B|||||H3|9.0|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Fish and Duck Mosaic| 7272.00|0|Category|07|F-05.5|Greek|||F-05.5 Greek |Dove Mosaic (Roman Copy)|Descriptive|Image Source (Pub)|||||||Dove Mosaic (Roman Copy)|0|||||0||||0|||||Greek|||Hellenistic|||Europe||Greece||||||0||||0|Tivoli, Italy|||10110||||0|Mosaics|Mosaic|||||||-400|-300|ca|ca 3rd Century BCE (copy)|ca -400--300|||||0||||0|||||Mosaic||||||mosaic|||||||2418|Rome: Museo Capitolino [Capitoline Museum]; Palazzo Nuovo|Rome: Mus. Capitolino||Doves ; |Doves|||||||||Cornell||HB|HB|6/28/2006 0:00:00|6/28/2006 0:00:00|||Tiv|0||||||Greek|F|||05.5||||| ||||||||Work|0|Mosaics-Greek|Roman copy of a well known 3rd Century BCE mosaic by Sosus of Pergamon. Found at Tivoli in 1737||||||||||0|0|Dove Mosaic (Roman Copy)| 7273.00|0|Site|02||||||Palaestra||||||||||0|||||0||||0|||||Roman|||Roman Period|||Europe||Italy||||||0|Herculaneum, Italy|||10900||||0||||0|Archaeological Sites|Sports building|||||||79||bef|bef 79 CE|bef 79|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/29/2006 0:00:00|6/28/2006 0:00:00||Her||0|||||||||||||||||||||||Work|0||||||||||||0|0|Palaestra| 7274.00|0|Site|02|B-H3|Her|9.0 Fres||B-H3 Her 9.0 Fres |Thrid Style Decoration with Monochrome Landscape|||||||||Thrid Style Decoration with Monochrome Landscape|0|||||0||||0|||||Roman|||Republican|Imperial (Roman)||Europe||Italy||||||0||||0|Herculaneum, Italy|||10900||||0|Paintings|Fresco|Mural||BCE|-1|||-20|-10|ca|ca 20-10 BCE|ca -20--10|||||0||||0|||||mural painting||||||mural painting|fresco painting|painting (image-making)|||||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||||||||||||Cornell||HB|HB|6/29/2006 0:00:00|6/28/2006 0:00:00||Her|Her|0||||||Fres|B|||||H3|9.0|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Thrid Style Decoration with Monochrome Landscape| 7275.00|0|Site|02|B-H3|Her|2.33 Pal||B-H3 Her 2.33 Pal |Player King|Descriptive|Print Publication|||||||Palaestra. Player King|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0||||0|Herculaneum, Italy|||10900||||0|Paintings|Mural|Fresco|Painting|CE|1|||1|25|ca|ca 1-25 CE|ca 1-25||Palaestra|||7273||||0|||||mural painting||||||mural painting|fresco painting||||39 x 39 cm||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Kings (people) ; Players ; Masks ; |Kings (people)|Players|Masks|||||||Cornell||HB|HB|6/29/2006 0:00:00|6/29/2006 0:00:00||Her|Her|0||||||Pal|B|||||H3|2.33|| ||||||||Work|0|Architecture-Italy|Third Style||||||||||0|0|Player King| 7276.00|0|Site|02|B-H3|Her|2.33 Pal||B-H3 Her 2.33 Pal |Concert|Descriptive|Print Publication|||||||Palaestra. Concert|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0||||0|Herculaneum, Italy|||10900||||0|Paintings|Mural|Fresco|Painting|CE|1|||1|25|ca|ca 1-25 CE|ca 1-25||Palaestra|||7273||||0|||||mural painting||||||mural painting|fresco painting||||44 x 44 cm||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Musicians ; |Musicians|||||||||Cornell||HB|HB|6/29/2006 0:00:00|6/29/2006 0:00:00||Her|Her|0||||||Pal|B|||||H3|2.33|| ||||||||Work|0|Architecture-Italy|Third Style||||||||||0|0|Concert| 7277.00|0||||||||Basilica|||Augusteum|||||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0|Herculaneum, Italy|||10900||||0||||0|Archaeological Sites|Basilica||||-2|-1|1|-199|79|ca|2nd Century BCE-79 CE|ca -199-79|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/29/2006 0:00:00|6/29/2006 0:00:00||Her||0||||||||||||||||||||||||0||Rebuilt after being destroyed in eathquake in 62 CE||||||||||0|0|Basilica;Augusteum| 7278.00|0|Site|02|B-H3|Her|2.41 Bas||B-H3 Her 2.41 Bas |Distraught Medea|Descriptive|Scholar|||||||Basilica. Distraught Medea|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0||||0|Herculaneum, Italy|||10900||||0|Paintings|Mural|Fresco|Painting|CE|1|||45|79|ca|ca 45-79 CE|ca 45-79||Basilica|||7277||||0|||||mural painting||||||mural painting|||||133 x 42 cm||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||||||||||||Cornell||HB|HB|6/29/2006 0:00:00|6/29/2006 0:00:00||Her|Her|0||8976||||Bas|B|||||H3|2.41|| ||||||||Work|0|Architecture-Italy|4th Style||||||||||0|0|Distraught Medea| 7279.00|0|Site|02|B-H3|Her|9.0 Fres||B-H3 Her 9.0 Fres |Dinner Party with Courtesan|Descriptive|Print Publication||||||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0||||0|Herculaneum, Italy|||10900||||0|Paintings|Mural|Fresco|Painting|CE|1|||50|70|ca|ca 50-70 CE|ca 50-70|||||0||||0|||||mural painting||||||mural painting|fresco painting|painting (image-making)|||59 x 53 cm||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Prostitutes ; Dinners and dining ; Wine ; |Prostitutes|Dinners and dining|Wine|||||||Cornell||HB|HB|6/29/2006 0:00:00|6/29/2006 0:00:00||Her|Her|0||||||Fres|B|||||H3|9.0|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Dinner Party with Courtesan| 7280.00|0|Site|02|B-H3|Her|9.0 Fres||B-H3 Her 9.0 Fres |Cult of Isis|||||||||Herculaneum, Italy. Cult of Isis|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0||||0|Herculaneum, Italy|||10900||||0|Paintings|Mural|Fresco|Painting|CE|1|||50|79|ca|ca 50-79 CE|ca 50-79|||||0||||0|||||mural painting||||||mural painting|fresco painting|painting (image-making)|||96.7 x 94.5 cm||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Isis (Egyptian deity) ; Religions ; |Isis (Egyptian deity)|Religions||||||||Cornell||HB|HB|6/29/2006 0:00:00|6/29/2006 0:00:00||Her|Her|0||||||Fres|B|||||H3|9.0|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Cult of Isis| 7281.00|0|Site|02|B-H3|Her|9.0 Fres||B-H3 Her 9.0 Fres |Nude Couple Embracing Outdoors|Descriptive|Image Source (Pub)|||||||Nude Couple Embracing Outdoors|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0||||0|Herculaneum, Italy|||10900||||0|Paintings|Mural|Fresco|Painting|CE|1|||1|79|ca|1st Century|ca 1-79|||||||||0|||||mural painting||||||mural painting|fresco painting|painting (image-making)|||||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||||||||||||Cornell||HB|HB|6/29/2006 0:00:00|6/29/2006 0:00:00||Her|Her|0||||||Fres|B|||||H3|9.0|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Nude Couple Embracing Outdoors| 7282.00|0|Site|02|B-H3|Her|9.0 Fres||B-H3 Her 9.0 Fres |Still Life with Peaches|Descriptive|Image Source (Vendor)|||||||Herculaneum, Italy. Still Life with Peaches|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0||||0|Herculaneum, Italy|||10900||||0|Paintings|Mural|Fresco|Painting|CE|1|||40|60|ca|ca 50 CE|ca 40-60|||||0||||0|||||mural painting||||||mural painting|fresco painting|painting (image-making)|||||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Still lifes ; Peaches ; Pitchers ; |Still lifes|Peaches|Pitchers|||||||Cornell||HB|HB|6/29/2006 0:00:00|6/29/2006 0:00:00||Her|Her|0||||||Fres|B|||||H3|9.0|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Still Life with Peaches| 7283.00|0|Site|02|B-H3|Her|9.0 Fres||B-H3 Her 9.0 Fres |Cult of Isis: Sacred Dance||||||||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0||||0|Herculaneum, Italy|||10900||||0|Paintings|Mural|Fresco|Painting|CE|1|||1|79|ca|1st Century CE|ca 1-79|||||0||||0|||||mural painting||||||mural painting|fresco painting|painting (image-making)|||||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Isis (Egyptian deity) ; Dancing ; Religions ; |Isis (Egyptian deity)|Dancing|Religions|||||||Cornell||HB|HB|6/29/2006 0:00:00|6/29/2006 0:00:00||Her|Her|0||||||Fres|B|||||H3|9.0|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Cult of Isis: Sacred Dance| 7284.00|0|Site|02|B-H3|Her|9.0 Fres||B-H3 Her 9.0 Fres |The Astragal Players|Descriptive|Online Resource|||||||Herculaneum, Italy. The Astragal Players|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0||||0|Herculaneum, Italy|||10900||||0|Paintings|Painting|Mural||CE|1|||1|79|ca|1st Century CE|ca 1-79|||||0||||0|||||Marble|marble|paint||||painting (image-making)|||||49 x 42 cm||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Leto ; |Leto|||||||||Cornell||HB|HB|6/29/2006 0:00:00|6/29/2006 0:00:00||Her|Her|0||||||Fres|B|||||H3|9.0|| ||||||||Work|0|Architecture-Italy|Signed by Alexandros of Athens. Probably a 1st Century, Neo-Attic reworking of a Greek original from the end of the 5th Century BCE||||||||||0|0|The Astragal Players| 7285.00|0|Site|02|B-H3|Her|7.5 NetAmph||B-H3 Her 7.5 NetAmph |Neptune and Amphitrite Wall Mosaic|||||||||House of Neptune and Ampitrite. Neptune and Amphitrite Wall Mosaic|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0|Herculaneum, Italy|||10900||||0||||0|Mosaics|Mosaic|Wall||CE|1|||1|79|ca|1st Century|ca 1-79||House of Neptune and Ampitrite|||7286||||0|||||mosaic||||||mosaic|||||H = 1.50 m||||||Neptune ; |Neptune|||||||||Cornell||HB|HB|6/29/2006 0:00:00|6/29/2006 0:00:00||Her||0||||||NetAmph|B|||||H3|7.5||||||||||Work|0|Architecture-Italy|||||||||||0|0|Neptune and Amphitrite Wall Mosaic| 7286.00|0||||||||House of Neptune and Ampitrite|Assigned|Print Publication||||||||0|||||0||||0|||||Roman|||Roman Period|||Europe||Italy||||||0|Herculaneum, Italy|||10900||||0||||0|Archaeological Sites|House||||-2|-1|1|-199|79|ca|ca -199-79|ca -199-79|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/29/2006 0:00:00|6/29/2006 0:00:00||Her||0||||||||||||||||||||||||0||||||||||||0|0|House of Neptune and Ampitrite| 7287.00|0|Category|08|O-EcoB-A|1.0|Pomp||O-EcoB-A 1.0 Pomp |Trois relevés de peintures pompéiennes.|Descriptive|Image Source (Pub)|Pompéi, Côté d'une chambre, échelle de 0,075 m|Artists|Image Source (Pub)||||École des Beaux-Arts, Pompeii. Trois relevés de peintures pompéiennes.|4321|Garnier, Charles||architect|Charles Garnier|0||||0|||||French|||Beaux-Arts|||Europe||France||||||0||||0||||0||||0|Paintings|Gouache|Architectural drawing|Painting|CE|19|||1851|1851||1851|1851-1851||École des Beaux-Arts, Pompeii|||7288||||0|||||Gouache on paper|gouache|paper (fiber product)||||painting (image-making)|||||0.482 x 0.634 m||||||Pompeii (extinct city) ; Murals (any medium) ; |Pompeii (extinct city)|Murals (any medium)||||||||Cornell||HB|HB|6/30/2006 0:00:00|6/30/2006 0:00:00|EcoB-A|||0||||||Pomp|O||||||1.0||||||||||Work|0|Theory|Scale: 1:13.3||||||||||0|0|Trois relevés de peintures pompéiennes.;Pompéi, Côté d'une chambre, échelle de 0,075 m|Garnier, Charles 7288.00|0|Category|08||||||École des Beaux-Arts, Pompeii|Assigned|Image Source (Pub)|Pompéi: Travaux et Envois des architectes Français au XIX Siecle|Assigned|Image Source (Pub)|||||0|||||0||||0|||||French|||Beaux-Arts|||Europe||France||||||0||||0||||0||||0|Publications|Exhibition|Publication|||20|||1981|||1981|1981|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/30/2006 0:00:00|6/30/2006 0:00:00|EcoB-A|||0||||||Pomp|O||||||1.0||||||||||Work|0||||||||||||0|0|École des Beaux-Arts, Pompeii;Pompéi: Travaux et Envois des architectes Français au XIX Siecle| 7289.00|0|Category|08|O-EcoB-A|1.0|Pomp||O-EcoB-A 1.0 Pomp |Painting of Pompeii|Descriptive|Image Source (Pub)|||||||École des Beaux-Arts, Pompeii. Painting of Pompeii|14054|Denuelle, Alexandre-Dominique|||Denuelle, Alexandre-Dominique|0||||0|||||French|||Beaux-Arts|||Europe||France||||||0||||0||||0||||0|Paintings|Architectural drawing|Painting|||19|||1840|||1840|1840||École des Beaux-Arts, Pompeii|||7288||||0|||||gouache, watercolor on paper|gouache|watercolor|paper (fiber product)|||painting (image-making)|architectural drawing||||0.325 x 0.423 m||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Pompeii (extinct city) ; Murals (any medium) ; |Pompeii (extinct city)|Murals (any medium)||||||||Cornell||HB|HB|6/30/2006 0:00:00|6/30/2006 0:00:00|EcoB-A|||0||||||Pomp|O||||||1.0|| ||||||||Work|0|Theory|||||||||||0|0|Painting of Pompeii|Denuelle, Alexandre-Dominique 7290.00|0|Category|08|O-EcoB-A|1.0|Pomp||O-EcoB-A 1.0 Pomp |Painting of Stabiae|Descriptive|Image Source (Pub)|||||||École des Beaux-Arts, Pompeii. Painting of Stabiae|14054|Denuelle, Alexandre-Dominique|||Denuelle, Alexandre-Dominique|0||||0|||||French|||Beaux-Arts|||Europe||France||||||0||||0||||0||||0|Paintings|Architectural drawing|Painting|||19|||1842|||1842|1842||École des Beaux-Arts, Pompeii|Larger entity||7288||||0|||||Gouache, watercolor on paper|gouache|watercolor|paper (fiber product)|||painting (image-making)|architectural drawing||||0.22 x 0. 331 m||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Murals (any medium) ; |Murals (any medium)|||||||||Cornell||HB|HB|6/30/2006 0:00:00|6/30/2006 0:00:00|EcoB-A|||0||||||Pomp|O||||||1.0|| ||||||||Work|0|Theory|||||||||||0|0|Painting of Stabiae|Denuelle, Alexandre-Dominique 7291.00|0|Category|08|O-EcoB-A|1.0|Pomp||O-EcoB-A 1.0 Pomp |Painting of Herculaneum|Descriptive|Image Source (Pub)|Toilette de la mariée|Assigned|Image Source (Pub)||||École des Beaux-Arts, Pompeii. Painting of Herculaneum|14054|Denuelle, Alexandre-Dominique|||Denuelle, Alexandre-Dominique|0||||0|||||French|||Beaux-Arts|||Europe||France||||||0||||0||||0||||0|Paintings|Architectural drawing|Painting|||19|||1840||ca|ca 1840|ca 1840||École des Beaux-Arts, Pompeii|||7288||||0|||||Watercolor on paper|watercolor|paper (fiber product)|paper (fiber product)|||painting (image-making)|architectural drawing||||0.208 x 0.253 m||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Weddings ; Murals (any medium) ; |Weddings|Murals (any medium)||||||||Cornell||HB|HB|6/30/2006 0:00:00|6/30/2006 0:00:00|EcoB-A|||0||||||Pomp|O||||||1.0|| ||||||||Work|0|Theory|||||||||||0|0|Painting of Herculaneum;Toilette de la mariée|Denuelle, Alexandre-Dominique 7292.00|0|Category|08|O-EcoB-A|1.0|Pomp||O-EcoB-A 1.0 Pomp |Painting of Pompeii|Descriptive|Image Source (Pub)|||||||École des Beaux-Arts, Pompeii. Painting of Pompeii|0|||||0||||0|||||French|||Beaux-Arts|||Europe||France||||||0||||0||||0||||0|Paintings|Architectural drawing|Painting|||19|||1840||ca|ca 1840|ca 1840||École des Beaux-Arts, Pompeii|LargerEntity||7288||||0|||||Red ink, gouache on paper|India ink|gouache|paper (fiber product)|||painting (image-making)|architectural drawing||||0.281 x 0.288 m||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Pompeii (extinct city) ; Murals (any medium) ; |Pompeii (extinct city)|Murals (any medium)||||||||Cornell||HB|HB|6/30/2006 0:00:00|6/30/2006 0:00:00|EcoB-A|||0||||||Pomp|O||||||1.0|| ||||||||Work|0|Theory|||||||||||0|0|Painting of Pompeii| 7293.00|0|Category|08|O-EcoB-A|1.0|Pomp||O-EcoB-A 1.0 Pomp |Relevé d'une peinture pompéienne. A Pompéia|Artists|Image Source (Pub)|||||||École des Beaux-Arts, Pompeii. Relevé d'une peinture pompéienne. A Pompéia|3322|Duban, Felix Louis Jacques||architect|Felix Louis Jacques Duban|0||||0|||||French|||Beaux-Arts|||Europe||France||||||0||||0||||0||||0|Paintings|Architectural drawing|Painting||CE|19|||1823|1828||1823-1828|1823-1828||École des Beaux-Arts, Pompeii|||7288||||0|||||lead, gouache on paper|lead|gouache|paper (fiber product)|||painting (image-making)|architectural drawing||||0.179 x 0.214 m||||||Pompeii (extinct city) ; Murals (any medium) ; |Pompeii (extinct city)|Murals (any medium)||||||||Cornell||HB|HB|6/30/2006 0:00:00|6/30/2006 0:00:00||||0||||||Pomp|O||||||1.0||||||||||Work|0|Theory|||||||||||0|0|Relevé d'une peinture pompéienne. A Pompéia|Duban, Felix Louis Jacques 7294.00|0|Site|02|B-H3|Pom|9.0 Fres||B-H3 Pom 9.0 Fres |Fresco Fragment: Vignettes of Cityscapes|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||Roman|||Republican|||Europe||Italy||||||0||||0|Pompeii, Italy|||10133||||0|Paintings|Fresco|Mural|Painting|BCE|-1|||-50|-25|ca|ca 50-25 BCE|ca -50--25|||||0||||0|||||Pigment and plaster|pigment|plaster||||fresco painting|mural painting|painting (image-making)|||91 x 80.5 cm||3508|Los Angeles: J. Paul Getty Museum|Los Angeles: J. Paul Getty Mus.||Cityscapes ; |Cityscapes|||||||||Cornell||HB|HB|6/30/2006 0:00:00|6/30/2006 0:00:00||Pom|Pom|0||||||Fres|B|||||H3|9.0|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Fresco Fragment: Vignettes of Cityscapes| 7295.00|0|Site|02|B-H3|Pom|9.0 Fres||B-H3 Pom 9.0 Fres |Fresco Fragment: Lunette with Mask of Heracles|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||Roman|||Republican|||Europe||Italy||||||0||||0|Pompeii, Italy|||10133||||0|Paintings|Fresco|Mural|Painting|BCE|-1|||-50|-25|ca|ca 50-25 BCE|ca -50--25|||||0||||0|||||Pigment plaster|pigment|plaster||||fresco painting|mural painting|painting (image-making)|||61 x 81 cm||3508|Los Angeles: J. Paul Getty Museum|Los Angeles: J. Paul Getty Mus.||Hercules ; Lion skins ; Quivers ; Bows ; |Hercules|Lion skins|Quivers|Bows||||||Cornell||HB|HB|6/30/2006 0:00:00|6/30/2006 0:00:00||Pom|Pom|0||||||Fres|B|||||H3|9.0|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Fresco Fragment: Lunette with Mask of Heracles| 7296.00|0|Site|02|B-H3|Pom|7.5 VI, 17 42||B-H3 Pom 7.5 VI, 17 42 |Nymphaeum with Glass-paste Mosaic|||||||||House VI 17 (Insular Occidentalis), 42. Nymphaeum with Glass-paste Mosaic|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0||||0|Pompeii, Italy|||10133||||0|Work||||CE|1|||25|50|ca|ca 25-50|ca 25-50||House VI 17 (Insular Occidentalis), 42|LargerEntity||7297||||0||||||shell (animal material)|paste (glass)||||mosaic|||||H = 2.40 m||||||Flora ; Birds ; |Flora|Birds||||||||Cornell||HB|HB|6/30/2006 0:00:00|6/30/2006 0:00:00||Pom|Pom|0||||||VI, 17 42|B|||||H3|7.5||||||||||Work|0|Architecture-Italy|||||||||||0|0|Nymphaeum with Glass-paste Mosaic| 7297.00|0||||||||House VI 17 (Insular Occidentalis), 42||||||||||0|||||0||||0|||||Roman|||Roman Period|||Europe||Italy||||||0|Pompeii, Italy|||10133||||0||||0|Work||||||||-199|79|ca|ca -199-79|ca -199-79|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|6/30/2006 0:00:00|6/30/2006 0:00:00||Pom||0||||||||||||||||||||||||0||||||||||||0|0|House VI 17 (Insular Occidentalis), 42| 7298.00|0|Creator|15|32|D317|1890 8333||32 D317 1890 8333 |Woman Drying Her Feet|Assigned|Image Source (Pub)|||||||Woman Drying Her Feet|3026|Degas, Edgar||painter|Edgar Degas|0||||0|||||French|||Impressionist|||Europe||France||||||0||||||||0||||0|Drawings|Drawing|Pastel (visual work)|||19|||1890|1890||1890|1890-1890|||||0||||0|||||Pastel|pastels (crayons)|||||drawing (image-making)|||||73.6 x 87.6 cm||189|Atlanta: High Museum of Art|Atlanta: High Museum of Art||Bathing ; Women ; Nudes ; |Bathing|Women|Nudes|||||||Cornell||JNK|MNW|11/21/2006 0:00:00|7/5/2006 0:00:00|D317|||0|||||||32|1890||||||| |8333|||||||Work|0||||||||||||0|0|Woman Drying Her Feet|Degas, Edgar 7299.00|0|Creator|15|32|D317|1876|C636|32 D317 1876 C636|Le Client|Assigned|Image Source (Pub)|The Client|Translated|Cataloger||||Le Client|3026|Degas, Edgar||painter|Edgar Degas|0||||0|||||French|||Impressionist|||Europe||France||||||0||||||||0||||0|Prints|Print||||19|||1876|1876||1876|1876-1876|||||0||||0|||||Monotype||||||printmaking|Monotype (process)||||22 x 16.4 cm||3492|Paris: Musee Picasso|Paris: Musee Picasso||Prostitutes ; Clients ; Men (male humans) ; Women ; |Prostitutes|Clients|Men (male humans)|Women||||||Cornell||JNK|MNW|11/21/2006 0:00:00|7/5/2006 0:00:00|D317|||0|||||||32||||||C636|| |1876|||||||Work|0||||||||||||0|0|Le Client;The Client|Degas, Edgar 7300.00|0|Creator|15|32|D317D|1877|F329|32 D317D 1877 F329|Femme Nue se Coiffant|Assigned|Image Source (Pub)|||||||Femme Nue se Coiffant|3026|Degas, Edgar||painter|Edgar Degas|0||||0|||||French|||Impressionist|||Europe||France||||||0||||||||0||||0|Prints|Print|Drawing|||19|||1877|1877||1877|1877-1877|||||0||||0|||||Monotype with pastel and ink on paper|pastels (crayons)|ink|paper (fiber product)|||Monotype (process)|drawing (image-making)||||||9738|New York: Collection of Mr. and Mrs. Henry Ittelson, Jr.|New York: Ittleson Coll.||Prostitutes ; Men (male humans) ; Women ; |Prostitutes|Men (male humans)|Women|||||||Cornell||JNK|MNW|11/21/2006 0:00:00|7/5/2006 0:00:00|D317|||0|||||||32||||||F329|| |1877|||||||Work|0||||||||||||0|0||Degas, Edgar 7301.00|0|Creator|15|27|R385|O4631||27 R385 O4631 |Old Woman Cutting Her Nails|Assigned|Repository|||||||Old Woman Cutting Her Nails|7401|Maes, Nicolaes|attributed to|painter|Nicolaes Maes and Abraham van Dijck (attrib to)|31234|Dijck, Abraham van|attributed to|painter|9750|Rembrandt van Rijn|formerly attributed|painter||Dutch|||Baroque|||Europe||Holland (historical region)||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Genre||17|||1625|1675||2nd or 3rd Quarter of 17th Century|1625-1675|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||126.1 x 101.9 cm||3294|New York: Metropolitan Museum of Art|New York: Metropolitan||Women ; Portraits ; Genre ; |Women|Portraits|Genre|||||||Cornell||JNK|MNW|11/21/2006 0:00:00|7/5/2006 0:00:00|R385|||0||14.40.609|||||27|||||||| |O4631|||||||Work|0||Once well known as a Rembrandt, this large canvas has been attributed recently to the master's pupil, Nicolaes Maes, and to Abraham van Dijck. The two artists were closely associated in Dordrecht…(Metropolitan Museum of Art)||||||||||0|0|Old Woman Cutting Her Nails|Maes, Nicolaes;Dijck, Abraham van;Rembrandt van Rijn 7302.00|0|Creator|15|27|V433|A254||27 V433 A254 |Aesop|Translated|Repository|Esopo|Variant|Repository||||Aesop (Esopo)|12216|Velazquez, Diego Rodriguez de S.||painter|Diego Velazquez|0||||0|||||Spanish|||Baroque|||Europe||Spain||||||0||||||||0||||0|Paintings|Painting|Oil painting|||17|||1639|1640|ca|ca 1639-1640|ca 1639-1640|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||179 x 94 cm||1616|Madrid: Museo del Prado|Madrid: Prado||Men (male humans) ; Aesop ; |Men (male humans)|Aesop||||||||Cornell||JNK|MNW|11/21/2006 0:00:00|7/6/2006 0:00:00|V433|||0|||||||27|||||||| |A254|||||||Work|0||||||||||||0|0|Aesop;Esopo|Velazquez, Diego Rodriguez de S. 7303.00|0|Creator|15|32|M743|1867|8370|32 M743 1867 8370|The Beach at Sainte-Adresse|Preferred|Repository|||||||The Beach at Sainte-Adresse|8110|Monet, Claude||painter|Claude Monet|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Landscape (representation)|Oil painting||19|||1867|1867||1867|1867-1867|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||75.8 x 102.5 cm||4073|Chicago: Art Institute of Chicago|Chicago: Art Institute||Landscapes ; Boats ; Beaches ; |Landscapes|Boats|Beaches|||||||Cornell||JNK|MNW|11/21/2006 0:00:00|7/6/2006 0:00:00|M743|||0||1933.439|||||32||||||8370|| |1867|||||||Work|0||||||||||||0|0|The Beach at Sainte-Adresse|Monet, Claude 7304.00|0|Creator|15|32|M743-|0580||32 M743- 0580 |Garden of the Princess, Louvre|Preferred|Repository|Le Jardin de l'Infante|Original|Repository||||Garden of the Princess, Louvre (Le Jardin de l'Infante)|8110|Monet, Claude||painter|Claude Monet|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Landscape (representation)|Oil painting||19|||1867|1867||1867|1867-1867|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||91.8 x 61.9 cm||2043|Oberlin: Oberlin College; Allen Memorial Art Museum|Oberlin: Oberlin; Allen Mem. Art Mus.||Paris (France) ; Landscapes ; Palaces ; Gardens ; Cityscapes ; |Paris (France)|Landscapes|Palaces|Gardens|Cityscapes|||||Cornell||JNK|MNW|11/21/2006 0:00:00|7/6/2006 0:00:00|M743|||0||1948.296|||||32||||||0580|| ||||||||Work|0||||||||||||0|0|Garden of the Princess, Louvre;Le Jardin de l'Infante|Monet, Claude 7305.00|0|Creator|15|32|M743-|1874|P965|32 M743- 1874 P965|The Promenade with the Railroad Bridge, Argenteuil|Preferred|Repository|||||||The Promenade with the Railroad Bridge, Argenteuil|8110|Monet, Claude||painter|Claude Monet|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Landscape (representation)|Oil painting||19|||1874|1874||1874|1874-1874|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||53.7 x 72.1 cm||3268|Saint Louis: Saint Louis Art Museum|Saint Louis: Art Mus.||Landscapes ; Railroad bridges ; Women ; Bridges (built works) ; |Landscapes|Railroad bridges|Women|Bridges (built works)||||||Cornell||JNK|MNW|11/21/2006 0:00:00|7/6/2006 0:00:00|M743|||0||45:1973||||P965|32||||||1874|| ||||||||Work|0||||||||||||0|0|The Promenade with the Railroad Bridge, Argenteuil|Monet, Claude 7306.00|0|Creator|15|32|M743|1878|F78111|32 M743- 1878 F78111|La Rue Montorgueil à Paris. Fête du 30 juin 1878|Preferred|Repository|La Rue Montorgueil, Paris. Festival of 30 June 1878|Translated|Cataloger||||La Rue Montorgueil à Paris. Fête du 30 juin 1878|8110|Monet, Claude||painter|Claude Monet|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1878|1878||1878|1878-1878|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||81 x 50 cm||2196|Paris: Musee d'Orsay|Paris: Musee d'Orsay||Streetscapes ; Flags ; Festivals ; Celebrations ; Parades ; Cities ; |Streetscapes|Flags|Festivals|Celebrations|Parades|Cities||||Cornell||JNK|MNW|11/21/2006 0:00:00|7/6/2006 0:00:00|M743|||0|||||||32||||||F78111|| |1878|||||||Work|0||||||||||||0|0|La Rue Montorgueil à Paris. Fête du 30 juin 1878;La Rue Montorgueil, Paris. Festival of 30 June 1878|Monet, Claude 7307.00|0|Creator|15|32|M743|1886|C631|32 M743 1886 C631|The Manneporte near Étretat|Preferred|Repository|The Cliff at Étretat|Variant|Image Source (Pub)||||The Manneporte near Étretat|8110|Monet, Claude||painter|Claude Monet|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Landscape (representation)||19|||1886|1886||1886|1886-1886|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||81.3 x 65.4 cm||3294|New York: Metropolitan Museum of Art|New York: Metropolitan||Landscapes ; Seas ; Rock ; |Landscapes|Seas|Rock|||||||Cornell||JNK|MNW|11/21/2006 0:00:00|7/6/2006 0:00:00|M743|||0||31.67.11|||||32||||||C631|| |1886|||||||Work|0||||||||||||0|0|The Manneporte near Étretat;The Cliff at Étretat|Monet, Claude 7308.00|0|Creator|15|35|M433|1907|B6541|35 M433 1907 B6541|Blue Nude|Preferred|Repository|||||||Blue Nude|7665|Matisse, Henri||painter|Henri Matisse|0||||0|||||French|||Fauve|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||20|||1907|1907||1907|1907-1907|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||92 x 140 cm||3842|Baltimore: Baltimore Museum of Art|Baltimore: Museum of Art||Women ; Nudes ; Female nudes ; |Women|Nudes|Female nudes|||||||Cornell||JNK|MNW|11/22/2006 0:00:00|7/6/2006 0:00:00|M433|||0||BMA 1950.228|||||35||||||B6541|| |1907|||||||Work|0||||||||||From the Cone Collection.||0|0|Blue Nude|Matisse, Henri 7309.00|0|Creator|15|35|M433|1904|L97712|35 M433 1904 L97712|Luxe, clame et volupté|Preferred|Repository|||||||Luxe, clame et volupté|7665|Matisse, Henri||painter|Henri Matisse|0||||0|||||French|||Fauve|Post-Impressionist||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Landscape (representation)||20|||1904|1904||1904|1904-1904|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||98.5 x 118.5 cm||2196|Paris: Musée d’Orsay|Paris: Musée d’Orsay||Women ; Bathing ; Landscapes ; Boats ; Trees ; |Women|Bathing|Landscapes|Boats|Trees|||||Cornell||JNK|MNW|11/21/2006 0:00:00|7/6/2006 0:00:00|M433|||0||R.F.-1985-1|||||35||||||L97712|| |1904|||||||Work|0|||||Created in Paris, autumn 1904.|||||||0|0|Luxe, clame et volupté|Matisse, Henri 7310.00|0|Creator|15|32|M861|0580||32 M861 0580 |On the Balcony|Assigned|Image Source (Pub)|||||||On the Balcony|8212|Morisot, Berthe||painter|Berthe Morisot|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1871|1872||1871-1872|1871-1872|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||60 x 50 cm||3290|Private Collection|: Private Coll.||Mother and child ; Women ; Balconies ; |Mother and child|Women|Balconies|||||||Cornell||JNK|MNW|11/21/2006 0:00:00|7/6/2006 0:00:00|M861|||0|||||||32||||||0580|| ||||||||Work|0||||||||||||0|0|On the Balcony|Morisot, Berthe 7311.00|0|Creator|15|32|M861-|V6711||32 M861- V6711 |View of Paris From the Trocadero|Preferred|Repository|||||||View of Paris From the Trocadero|8212|Morisot, Berthe||painter|Berthe Morisot|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1871|1872||1871-1872|1871-1872|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||45.9 x 81.4 cm||3306|Santa Barbara: Santa Barbara Museum of Art|Santa Barbara: Museum of Art||Paris (France) ; Women ; Children (people by age group) ; Cityscapes ; Cities ; |Paris (France)|Women|Children (people by age group)|Cityscapes|Cities|||||Cornell||JNK|MNW|11/21/2006 0:00:00|7/6/2006 0:00:00|M861|||0||1974.21.2|||||32|||||||| |V6711|||||||Work|0||||||||||||0|0|View of Paris From the Trocadero|Morisot, Berthe 7312.00|0|Creator|15|32|M743x|1869|G828|32 M743x 1869 G828|La Grenouillère|Assigned|Image Source (Pub)|||||||La Grenouillère|31235|Yon, Dominique||printmaker|Dominique Yon|0||||0|||||French||||||Europe||France||||||0||||||||0||||0|Prints|Print||||19|||1873|1873|ca|ca 1873|ca 1873-1873|||||0||||0||||||||||||||||||9739|Chatou: Musée Fournaise|Chatou: Musée Fournaise||Outdoor recreation ; Men (male humans) ; Women ; Swimming ; Picnicking ; Boats ; |Outdoor recreation|Men (male humans)|Women|Swimming|Picnicking|Boats||||Cornell||JNK|JNK|7/6/2006 0:00:00|7/6/2006 0:00:00|M743x|||0|||||||32||||||G828|| |1869|||||||Work|0||Published in "L'Illustration" on 16 August 1873.||||||||||0|0|La Grenouillère|Yon, Dominique 7313.00|0|Creator|15|32|M861-P|J940||32 M861-P J940 |Julie Daydreaming|Assigned|Image Source (Pub)|||||||Julie Daydreaming|8212|Morisot, Berthe||painter|Berthe Morisot|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Portrait||19|||1894|1894||1894|1894-1894|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||70 x 60 cm||3290|Private Collection|: Private Coll.||Portraits ; Women ; Manet, Julie, b. 1878 or 9 ; |Portraits|Women|Manet, Julie, b. 1878 or 9|||||||Cornell||JNK|JNK|7/6/2006 0:00:00|7/6/2006 0:00:00|M861|||0|||||||32|P||||||| |J940|||||||Work|0||||||||||||0|0|Julie Daydreaming|Morisot, Berthe 7314.00|0|Creator|15|32|M861-P|G515||32 M861-P G515 |Julie Manet et son lévrier Laërte|Preferred|Repository|Julie Manet and her Greyhound Laërte|Translated|Cataloger||||Julie Manet and her Greyhound Laërte|8212|Morisot, Berthe||painter|Berthe Morisot|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Portrait|Oil painting||19|||1893|1893||1893|1893-1893|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||73 x 80 cm||3287|Paris: Musée Marmottan|Paris: Musée Marmottan||Portraits ; Dogs ; Interior views ; Women ; Manet, Julie, b. 1878 or 9 ; |Portraits|Dogs|Interior views|Women|Manet, Julie, b. 1878 or 9|||||Cornell||JNK|MNW|11/21/2006 0:00:00|7/6/2006 0:00:00|M861|||0|||||||32|P||||||| |G515|||||||Work|0||||||||||||0|0|Julie Manet et son lévrier Laërte;Julie Manet and her Greyhound Laërte|Morisot, Berthe 7315.00|0|Creator|15|30|W344-PA|91|19|30 W344-PA 91 19|Pélerinage à l'île de Cythère|Preferred|Repository|Pilgrimage to the Isle of Cythera|Translated|Dict.Art||||Pilgrimage to the Isle of Cythera|12529|Watteau, Jean-Antoine||painter|Jean-Antoine Watteau|0||||0|||||French|||Rococo|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Landscape (representation)||18|||1717|1717||1717|1717-1717|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||129 x 194 cm||3341|Paris: Musée du Louvre|Paris: Louvre||Landscapes ; Love ; Men (male humans) ; Women ; |Landscapes|Love|Men (male humans)|Women||||||Cornell||JNK|MNW|11/21/2006 0:00:00|7/6/2006 0:00:00|W344|||0||Inv. 8525|||||30|PA|||||19|| |91|||||||Work|0||||||||||||0|0|Pélerinage à l'île de Cythère;Pilgrimage to the Isle of Cythera|Watteau, Jean-Antoine 7316.00|0|Creator|15|32|M275|P734||32 M275 P734 |Plum Brandy|Preferred|Repository|||||||Plum Brandy|7474|Manet, Éduard||painter|Éduard Manet|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1877|1877|ca|ca 1877|ca 1877-1877|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||73.6 x 50.2 cm||3367|Washington, DC: National Gallery of Art|Wash, DC: National Gallery||Women ; Cafés ; |Women|Cafés||||||||Cornell||JNK|MNW|11/21/2006 0:00:00|7/6/2006 0:00:00|M275|||0||1971.85.1|||||32|||||||| |P734|||||||Work|0||||||||||||0|0|Plum Brandy|Manet, Éduard 7317.00|0|Creator|15|32|I559|B331||32 I559 B331 |La baigneuse, dite Baigneuse Valpinçon|Preferred|Repository|Bather|Translated|Cataloger|Valpinçon Bather|Translated|Dict.Art|Valpinçon Bather|5801|Ingres, Jean-Auguste-Dominique||painter|Jean-Auguste-Dominique Ingres|0||||0|||||French|||Academic|||Europe||France||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||19|||1808|1808||1808|1808-1808|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||146 x 97 cm||3341|Paris: Musée du Louvre|Paris: Louvre||Women ; Bathing ; |Women|Bathing||||||||Cornell||JNK|MNW|11/21/2006 0:00:00|7/6/2006 0:00:00|I559|||0||R.F. 259|||||32|||||||| |B331|||||||Work|0||||||||||||0|0|La baigneuse, dite Baigneuse Valpinçon;Bather;Valpinçon Bather|Ingres, Jean-Auguste-Dominique 7318.00|0|Creator|15|32|S496-PA|1887|2|32 S496-PA 1887 2|Les poseuses|Original|Artist|The Models|Translated|Cataloger||||Les poseuses (The Models)|10773|Seurat, Georges||painter|Georges Seurat|0||||0|||||French|||Pointillist|Post-Impressionist||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1887|1888||1887-1888|1887-1888|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||200 x 249 cm||1668|Merion Station, PA: Barnes Foundation|Merion Station: Barnes Foundation.||Models (people) ; Women ; Interior views ; Painting (image making) ; Studios (Work Spaces) ; Sunday Afternoon on the Island of la Grande Jatte ; |Models (people)|Women|Interior views|Painting (image making)|Studios (Work Spaces)|Sunday Afternoon on the Island of la Grande Jatte||||Cornell||JNK|MNW|11/22/2006 0:00:00|7/7/2006 0:00:00|S496|||0|||||||32|PA|||||2.11|| |1887|||||||Work|0||||||||||||0|0|Les poseuses;The Models|Seurat, Georges 7327.00|0|Creator|15|32|G613|C129||32 G613 C129 |Place du Forum|Preferred|Repository|Café-Terrace at Night (Place du Forum in Arles)|Variant|Online Resource|Café Terrace on the Place du Forum|Variant|Online Resource|Place du Forum|12121|Gogh, Vincent van||painter|Vincent van Gogh|0||||0|||||Dutch|||Post-Impressionist|||Europe||France|Netherlands|||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1888|1888||1888|1888-1888|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||81 x 65.5 cm||3327|Otterlo: Rijksmuseum Kröller-Müller|Otterlo: Kröller-Müller||Cafés ; Night ; Streetscapes ; |Cafés|Night|Streetscapes|||||||Cornell||JNK|MNW|11/22/2006 0:00:00|7/7/2006 0:00:00|G613|||0||232|||||32|||||||| |C129|||||||Work|0||||||||||||0|0|Place du Forum;Café-Terrace at Night (Place du Forum in Arles);Café Terrace on the Place du Forum|Gogh, Vincent van 7328.00|0|Creator|15|32|G613|S797||32 G613 S797 |The Starry Night|Preferred|Repository|||||||The Starry Night|12121|Gogh, Vincent van||painter|Vincent van Gogh|0||||0|||||Dutch|||Post-Impressionist|||Europe||France|Netherlands|||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1889|1889||1889|1889-1889|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||73.7 x 92.1 cm||3384|New York: Museum of Modern Art|New York: MoMA||Landscapes ; Night ; Stars ; |Landscapes|Night|Stars|||||||Cornell||JNK|MNW|11/22/2006 0:00:00|7/7/2006 0:00:00|G613|||0|||||||32|||||||| |S797|||||||Work|0|||||Saint Rémy, June 1889.|||||||0|0|The Starry Night|Gogh, Vincent van 7329.00|0|Creator|15|32|G267|J1581||32 G267 J1581 |Vision After the Sermon: Jacob Wrestling With the Angel|Preferred|Dict.Art|||||||Vision After the Sermon: Jacob Wrestling With the Angel|4345|Gauguin, Paul||painter|Paul Gauguin|0||||0|||||French|||Post-Impressionist|Symbolist||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1888|1888||1888|1888-1888|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||72.2 x 91 cm||3446|Edinburgh: National Gallery of Scotland|Edinburgh: Nat. Gal. Scotland||Jacob ; Angels ; Sermons ; Jacob wrestles with the angel ; |Jacob|Angels|Sermons|Jacob wrestles with the angel||||||Cornell||JNK|MNW|11/22/2006 0:00:00|7/7/2006 0:00:00|G267|||0|||||||32|||||||| |J1581|||||||Work|0||||||||||||0|0|Vision After the Sermon: Jacob Wrestling With the Angel|Gauguin, Paul 7330.00|0|Creator|15|32|S490|T131||32 S490 T131 |Le Talisman, l'Aven au Bois d'Amour|Preferred|Repository|The Talisman, the Aven River at the Bois d'Amour|Translated|Repository|Bois d’Amour at Pont-Aven (The Talisman’)|Variant|Dict.Art|The Talisman, the Aven River at the Bois d'Amour|31236|Sérusier, Paul||painter|Paul Sérusier|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Landscape (representation)|Oil painting||19|||1888|1888||1888|1888-1888|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||27 x 21 cm||2196|Paris: Musee d'Orsay|Paris: Musee d'Orsay||Landscapes ; Rivers ; Forests ; |Landscapes|Rivers|Forests|||||||Cornell||JNK|MNW|11/22/2006 0:00:00|7/7/2006 0:00:00|S490|||0|||||||32|||||||| |T131|||||||Work|0||||||||||||0|0|Le Talisman, l'Aven au Bois d'Amour;The Talisman, the Aven River at the Bois d'Amour;Bois d’Amour at Pont-Aven (The Talisman’)|Sérusier, Paul 7331.00|0|Creator|15|32|T725|1890|D773|32 T725 1890 D773|Dressage des Nouvelles par Valentin le Desosse|Assigned|Image Source (Pub)|||||||Dressage des Nouvelles par Valentin le Desosse|11865|Toulouse-Lautrec, Henri de||painter|Henri de Toulouse-Lautrec|0||||0|||||French|||Post-Impressionist|||Europe||France||||||0||||||||0||||0|Paintings|Painting|Oil painting|||19|||1890|1890||1890|1890-1890|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||115 x 150 cm||3290|Private Collection|: Private Coll.||Dancing ; Cafés ; |Dancing|Cafés||||||||Cornell||JNK|JNK|7/7/2006 0:00:00|7/7/2006 0:00:00|T725|||0|||||||32||||||D773|| |1890|||||||Work|0||||||||||||0|0||Toulouse-Lautrec, Henri de 7332.00|0|Creator|15|32|T725|1888|135011|32 T725 1888 135011|Equestrienne (At the Circus Fernando)|Preferred|Repository|||||||Equestrienne (At the Circus Fernando)|11865|Toulouse-Lautrec, Henri de||painter|Henri de Toulouse-Lautrec|0||||0|||||French|||Post-Impressionist|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1887|1888||1887-1888|1887-1888|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||100.3 x 161.3 cm||4073|Chicago: Art Institute of Chicago|Chicago: Art Institute||Horses ; Circuses (performances) ; |Horses|Circuses (performances)||||||||Cornell||JNK|MNW|11/22/2006 0:00:00|7/7/2006 0:00:00|T725|||0||1925.523|||||32||||||135011|| |1888|||||||Work|0||||||||||||0|0|Equestrienne (At the Circus Fernando)|Toulouse-Lautrec, Henri de 7333.00|0|Creator|15|32|T725-T|1891|M926|32 T725-T 1891 M926|Moulin-Rouge|Inscribed|Artist|||||||Moulin-Rouge|11865|Toulouse-Lautrec, Henri de||painter|Henri de Toulouse-Lautrec|0||||0|||||French|||Post-Impressionist|||Europe||France||||||0||||0||||0||||0|Prints|Print|Lithograph|Poster||19|||1891|1891||1891|1891-1891|||||0||||0|||||Lithograph|ink|paper (fiber product)||||lithography|||||||65|Albi: Musée Toulouse-Lautrec|Albi: Musée Toulouse-Lautrec||Dancing ; Posters ; Men (male humans) ; Women ; Cafés ; Balls (parties) ; |Dancing|Posters|Men (male humans)|Women|Cafés|Balls (parties)||||Cornell||JNK|MNW|11/22/2006 0:00:00|7/7/2006 0:00:00|T725|||0|||||||32|T|||||M926|| |1891|||||||Work|0||||||||||||0|0|Moulin-Rouge|Toulouse-Lautrec, Henri de 7334.00|0|Creator|15|32|T725-T|1892|A489|32 T725-T 1892 A489|Ambassadeurs: Aristide Bruant dans son cabaret|Inscribed|Artist|Ambassadeurs: Aristide Bruant|Assigned|Repository||||Ambassadeurs: Aristide Bruant|11865|Toulouse-Lautrec, Henri de||painter|Henri de Toulouse-Lautrec|0||||0|||||French|||Post-Impressionist|||Europe||France||||||0||||0||||0||||0|Prints|Print|Lithograph|Poster||19|||1892|1892||1892|1892-1892|||||0||||0|||||Lithograph|ink|paper (fiber product)||||lithography|||||||65|Albi: Musee Toulouse-Lautrec|Albi: Mus. Toulouse-Lautrec||Posters ; Portraits ; Bruant, Aristide, 1851-1925 ; |Posters|Portraits|Bruant, Aristide, 1851-1925|||||||Cornell||JNK|MNW|11/22/2006 0:00:00|7/7/2006 0:00:00|T725|||0|||||||32|T|||||A489|| |1892|||||||Work|0||||||||||||0|0|Ambassadeurs: Aristide Bruant dans son cabaret;Ambassadeurs: Aristide Bruant|Toulouse-Lautrec, Henri de 7335.00|0|Creator|15|32|T725|1894|I359|32 T725 1894 I359|Salon de la rue des Moulins|Preferred|Repository|In the Salon at the Rue des Moulins|Variant|Print Publication||||Salon de la rue des Moulins|11865|Toulouse-Lautrec, Henri de||painter|Henri de Toulouse-Lautrec|0||||0|||||French|||Post-Impressionist|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1894|1894||1894|1894-1894|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||111.5 x 132.5 cm||65|Albi: Musee Toulouse-Lautrec|Albi: Mus. Toulouse-Lautrec||Prostitutes ; Interior views ; Women ; |Prostitutes|Interior views|Women|||||||Cornell||JNK|MNW|11/27/2006 0:00:00|7/7/2006 0:00:00|T725|||0|||||||32|||||||1894| |I359|||||||Work|0||||||||||||0|0|Salon de la rue des Moulins;In the Salon at the Rue des Moulins|Toulouse-Lautrec, Henri de 7336.00|0|Creator|15|H-75.15|Cheret||1|H-75.15 Cheret 1|Bal du Moulin rouge|Inscribed|Artist|||||||Bal du Moulin rouge|2254|Chéret, Jules||printmaker|Jules Chéret|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Prints|Poster|Lithograph|||19|||1889|1889||1889|1889-1889|||||0||||0|||||Lithograph in vermillion, yellow, blue violet, gray green and black|ink|paper (fiber product)||||lithography|||||124.14 x 87.95 cm (sheet)||3711|Los Angeles: Los Angeles County Museum of Art|Los Angeles: LACMA||Posters ; Cafés ; Horses ; Women ; Dancing ; Balls (parties) ; |Posters|Cafés|Horses|Women|Dancing|Balls (parties)||||Cornell||JNK|MNW|11/27/2006 0:00:00|7/7/2006 0:00:00|Cheret|75.15||0||M.87.294.7|||||H|||||||| ||||||||Work|0|||||Reprinted in 1892.|||||||0|0|Bal du Moulin rouge|Chéret, Jules 7337.00|0|Creator|15|32|P678|M235||32 P678 M235 |Making Pea Trellises|Assigned|Image Source (Pub)|||||||Making Pea Trellises|9270|Pissarro, Camille||painter|Camille Pissarro|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1887|1887||1887|1887-1887|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||30.9 x 25 cm||9740|Aix-les-Bains: Musée Faure|Aix-les-Bains: Musée Faure||Farming ; Men (male humans) ; Women ; Peasants ; |Farming|Men (male humans)|Women|Peasants||||||Cornell||JNK|MNW|11/27/2006 0:00:00|7/7/2006 0:00:00|P678|||0|||||||32|||||||| |M235|||||||Work|0||||||||||||0|0|Making Pea Trellises|Pissarro, Camille 7338.00|0|Creator|15|32|P678|H340||32 P678 H340 |The Gleaners|Translated|Cataloger|Les Glaneuses|Preferred|Repository|Harvesters|Variant|Print Publication|The Gleaners|9270|Pissarro, Camille||painter|Camille Pissarro|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1889|1889|ca|ca 1889|ca 1889-1889|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||65.5 x 81 cm||3456|Basel: Kunstmuseum Basel|Basel: Kunstmuseum||Harvesting ; Women ; Peasants ; |Harvesting|Women|Peasants|||||||Cornell||JNK|MNW|11/27/2006 0:00:00|7/10/2006 0:00:00|P678|||0||G 1970.14|||||32|||||||| |H340|||||||Work|0||||||||||||0|0|The Gleaners;Les Glaneuses;Harvesters|Pissarro, Camille 7339.00|0|Creator|15|32|C343-PA|1882|1|32 C343-PA 1882 1|The Loge|Preferred|Repository|||||||The Loge|2095|Cassatt, Mary||painter|Mary Cassatt|0||||0|||||American|||Impressionist|||North and Central America||United States|France|||||0||||0||||0||||0|Paintings|Oil painting|Painting|Portrait||19|||1882|1882||1882|1882-1882|||||0||||0|||||oil on canvas|oil paint|canvas||||painting (image-making)|||||79.8 x 63.8 cm||3367|Washington, DC: National Gallery of Art|Wash, DC: National Gallery||Audiences ; Women ; Portraits ; Balconies ; Loges ; Fans ; Flowers ; |Audiences|Women|Portraits|Balconies|Loges|Fans|Flowers|||Cornell||JNK|MNW|11/27/2006 0:00:00|7/10/2006 0:00:00|C343|||0||1963.10.96|||||32|PA||||||1882| ||||||||Work|0||||||||||||0|0|The Loge|Cassatt, Mary 7340.00|0|Creator|15|32|C343-PA|1905|1|32 C343-PA 1905 1|Mother and Child|Preferred|Repository|||||||Mother and Child|2095|Cassatt, Mary||painter|Mary Cassatt|0||||0|||||American|||Impressionist|||North and Central America||United States|France|||||0||||0||||0||||0|Paintings|Oil painting|Painting|Portrait||20|||1905|1905|ca|ca 1905|ca 1905-1905|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||92.1 x 73.7 cm||3367|Washington, DC: National Gallery of Art|Wash, DC: National Gallery||Mother and child ; Mirrors ; |Mother and child|Mirrors||||||||Cornell||JNK|MNW|11/27/2006 0:00:00|7/10/2006 0:00:00|C343|||0||1963.10.98|||||32|PA|||||1|| |1905|||||||Work|0||||||||||||0|0|Mother and Child|Cassatt, Mary 7341.00|0|Creator|15|Japan|-G|Hiroshige||Japan-G Hiroshige|Famous Views of the Sixty-Odd Provinces|Translated|Print Publication|Rokuju Yoshu Meisho Zuye|Variant|Print Publication|Roku-ju-yo Shio Meisho Dzu-ye|Variant|Print Publication|Famous Views of the Sixty-Odd Provinces|5453|Ando Hiroshige||artist|Ando Hiroshige|0||||0|||||Japanese|||Edo (Japanese period)|||Asia||Japan||||||0||||0||||0||||0|Prints|Print|Woodblock|||19|||1853|1856||1853-1856|1853-1856|||||0||||0|||||Woodblock print||||||printing|woodcut (process)||||39 x 26 cm||||||Landscapes ; Japan (nation) ; |Landscapes|Japan (nation)||||||||Cornell||JNK|MNW|11/27/2006 0:00:00|7/10/2006 0:00:00|Hiroshige|||0|||||||Japan|G|||||||||||||||Work|0||A set of 69, with title "Drawn by Ichiryusai Hiroshge, Publisher, Koshimura Heisuke (Koshihei)."Title-page dated Ansei 3rd Autumn Dragon Year (A.D. 1856)...Engravers, Horitake, Horita, Hirokosen, Hori (?), Horisoji, Sennosuke. Edward F. Strange.|Format is oban tateye.||The prints are variously dated 1853-1856.|||||||0|0|Famous Views of the Sixty-Odd Provinces;Rokuju Yoshu Meisho Zuye;Roku-ju-yo Shio Meisho Dzu-ye|Ando Hiroshige 7342.00|0|Creator|15|Japan|-G|Hiroshige||Japan -G Hiroshige |Satsuma Province, The Sword Rocks, Bo-no-ura. No. 67|Descriptive|Print Publication|Bo-no Ura|Variant|Print Publication|The Twin Sword Rocks in Bo Bay in Satsuma Province|Variant|Print Publication|Famous Views of the Sixty-Odd Provinces. Satsuma Province, The Sword Rocks, Bo-no-ura. No. 67|5453|Ando Hiroshige||artist|Ando Hiroshige|0||||0|||||Japanese|||Edo (Japanese period)|||Asia||Japan||||||0||||0||||0||||0|Prints|Print|Woodblock|||19|||1853|1856||1853-1856|1853-1856||Famous Views of the Sixty-Odd Provinces|Larger entity||7341||||0|||||Woodblock print||||||printing|woodcut (process)||||32.8 x 26 cm||3943|London: Victoria and Albert Museum|London: Victoria & Albert||Bays (bodies of water) ; Boats ; Men (male humans) ; Rock ; |Bays (bodies of water)|Boats|Men (male humans)|Rock||||||Cornell||JNK|MNW|11/27/2006 0:00:00|7/10/2006 0:00:00|Hiroshige|||0|||||||Japan|G||||||| ||||||||Work|0||Published by Koshihei. Engraved by either Horitake or Soji. Format is called oban tateye.||||||||||0|0|Satsuma Province, The Sword Rocks, Bo-no-ura. No. 67;Bo-no Ura;The Twin Sword Rocks in Bo Bay in Satsuma Province|Ando Hiroshige 7343.00|0|Creator|15|30|W344-PA|5G|1|30 W344-PA 5G 1|Pierrot|Preferred|Repository|Gilles|Variant|Repository||||Pierrot (Gilles)|12529|Watteau, Jean-Antoine||painter|Jean-Antoine Watteau|0||||0|||||French|||Rococo|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||18|||1718|1719|ca|ca 1718-1719|ca 1718-1719|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||185 x 150 cm||3341|Paris: Musée du Louvre|Paris: Louvre||Clowns ; Actors ; Singers ; Poets ; Pierrot (Fictitious character) ; |Clowns|Actors|Singers|Poets|Pierrot (Fictitious character)|||||Cornell||JNK|MNW|11/27/2006 0:00:00|7/10/2006 0:00:00|W344|||0||M.I. 1121|||||30|PA||||||| |5G|||||||Work|0||||||||||||0|0|Pierrot;Gilles|Watteau, Jean-Antoine 7344.00|0|Creator|15|32|C343-G|nd|1|32 C343-G nd 1|The Fitting|Preferred|Repository|L'Essayage|Variant|Print Publication||||The Fitting|2095|Cassatt, Mary||painter|Mary Cassatt|0||||0|||||American|||Impressionist|||North and Central America||United States|France|||||0||||0||||0||||0|Prints|Print|Drypoint|Aquatint||19|20|||||||||||0||||0|||||Drypoint and aquatint printed in color from three plates||||||printing|aquatint||||48 x 31.7 cm (sheet)||428|Boston: Museum of Fine Arts|Boston: MFA||Women ; Dresses ; Mirrors ; |Women|Dresses|Mirrors|||||||Cornell||JNK|MNW|11/27/2006 0:00:00|7/10/2006 0:00:00|C343|||0||41.804|||||32|G||||||nd| ||||||||Work|0||Catalogue: Breeskin 147, trail proof of the seventh state. MFA. Platemark: 37.6 x 25.5 cm; Sheet: 48 x 31.7 cm. MFA.||||||||||0|0|The Fitting;L'Essayage|Cassatt, Mary 7345.00|0|Creator|15|32|C343-G|1890|7|32 C343-G 1890 7|In the Omnibus|Preferred|Repository|||||||In the Omnibus|2095|Cassatt, Mary||painter|Mary Cassatt|0||||0|||||American|||Impressionist|||North and Central America||United States|France|||||0||||0||||0||||0|Prints|Print|Drypoint|Aquatint||19|||1890|1891||1890-1891|1890-1891|||||0||||0|||||Drypoint and aquatint||||||aquatint|printing||||43.5 x 30.2 cm||3530|Worcester: Art Museum|Worcester: Art Museum||Women ; Children (people by age group) ; Mother and child ; Omnibuses ; |Women|Children (people by age group)|Mother and child|Omnibuses||||||Cornell||JNK|JNK|7/10/2006 0:00:00|7/10/2006 0:00:00|C343|||0|||||||32|G|||||7.0|| |1890|||||||Work|0||||||||||||0|0|In the Omnibus|Cassatt, Mary 7346.00|0|Creator|15|32|C343-G|1890|13|32 C343-G 1890 13|Woman Bathing|Preferred|Repository|||||||Woman Bathing|2095|Cassatt, Mary||painter|Mary Cassatt|0||||0|||||American|||Impressionist|||North and Central America||United States|France|||||0||||0||||0||||0|Prints|Print|Drypoint|Aquatint||19|||1890|1891||1890-1891|1890-1891|||||0||||0|||||Drypoint and aquatint||||||aquatint|printing||||43.5 x 29.9 cm||3530|Worcester: Art Museum|Worcester: Art Museum||Women ; Bathing ; Washstands ; Mirrors ; Pitchers ; Basins ; |Women|Bathing|Washstands|Mirrors|Pitchers|Basins||||Cornell||JNK|JNK|7/10/2006 0:00:00|7/10/2006 0:00:00|C343|||0|||||||32|G||||||| |1890|||||||Work|0||||||||||||0|0|Woman Bathing|Cassatt, Mary 7347.00|0|Creator|15|32|M653D|L276||32 M653D L276 |Path Through the Wheat|Preferred|Repository|||||||Path Through the Wheat|8006|Millet, Jean-François||painter|Jean-François Millet|0||||0|||||French|||Academic|||Europe||France||||||0||||0||||0||||0|Drawings|Pastel (visual work)||||19|||1867|1867|ca|ca 1867|ca 1867-1867|||||0||||0|||||Pastels and black conté crayon on gray paper|pastels (crayons)|Conté crayon||||drawing (image-making)|||||40 x 50.8 cm||428|Boston: Museum of Fine Arts|Boston: MFA||Wheat ; Peasants ; Farming ; |Wheat|Peasants|Farming|||||||Cornell||JNK|MNW|11/27/2006 0:00:00|7/10/2006 0:00:00|M653|||0||17.1521|||||32|D||||||| |L276|||||||Work|0||||||||||||0|0|Path Through the Wheat|Millet, Jean-François 7348.00|0|Creator|15|32|M275-|O440||32 M275- O440 |The Old Musician|Assigned|Image Source (Pub)|||||||The Old Musician|7474|Manet, Éduard||painter|Éduard Manet|0||||0|||||French|||Realist|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1862|1862||1862|1862-1862|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||187.4 x 248.2 cm||3367|Washington, DC: National Gallery of Art|Wash, DC: National Gallery||Musicians ; Peasants ; Men (male humans) ; Children (people by age group) ; Acrobats ; Poor ; |Musicians|Peasants|Men (male humans)|Children (people by age group)|Acrobats|Poor||||Cornell||JNK|JNK|7/10/2006 0:00:00|7/10/2006 0:00:00|M275|||0||1963.10.162|||||32|||||||| |O440|||||||Work|0||||||||||||0|0|The Old Musician|Manet, Éduard 7349.00|0|Creator|15|Bar P|Ribera, Jusepe de|||Bar P Ribera, Jusepe de |Le Pied-bot|Preferred|Repository|The Club-Footed Boy|Translated|Print Publication||||The Club-Footed Boy (Le Pied-bot)|13202|Ribera, Jusepe de||painter|Jusepe de Ribera|0||||0|||||Spanish|||Baroque|||Europe||Spain||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Portrait||17|||1642|1642||1642|1642-1642|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||164 x 94 cm||3341|Paris: Musée du Louvre|Paris: Louvre||Boys ; Portraits ; |Boys|Portraits||||||||Cornell||JNK|MNW|11/27/2006 0:00:00|7/10/2006 0:00:00|Ribera, Ju||Bar P|0||M.I. 893||||||||||||| ||||||||Work|0||||||||||||0|0|Le Pied-bot;The Club-Footed Boy|Ribera, Jusepe de 7350.00|0|Creator|15|32|M275|A685||32 M275 A685 |Argenteuil|Preferred|Repository|||||||Argenteuil|7474|Manet, Éduard||painter|Éduard Manet|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1874|1874||1874|1874-1874|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||149 x 115 cm||2957|Tournai: Musée des Beaux-Arts de Tournai|Tournai: Musée des Beaux-Arts||Boats ; Factories (structures) ; Men (male humans) ; Women ; Couples ; |Boats|Factories (structures)|Men (male humans)|Women|Couples|||||Cornell||JNK|MNW|11/27/2006 0:00:00|7/10/2006 0:00:00|M275|||0|||||||32|A685||||||| ||||||||Work|0||||||||||||0|0|Argenteuil|Manet, Éduard 7351.00|0||||||||Statue of a Seated Old Man|Translated|Cataloger|Statue de vieillard assis|Preferred|Repository||||Statue of a Seated Old Man|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0||||0||||0||||0|Sculpture|Sculpture|Portrait||CE|02|||100|199||2nc C CE|100-199|||||0||||0|||||Marble|marble|||||sculpture|||||113 cm High||3341|Paris: Musée du Louvre|Paris: Louvre||Philosopher ; Chrysippus, 280–207 BC ; Men (male humans) ; Portraits ; |Philosopher|Chrysippus, 280–207 BC|Men (male humans)|Portraits||||||Cornell||JNK|JNK|7/12/2006 0:00:00|7/12/2006 0:00:00||||0||MR 329 (n° usual Ma 80)||||||||||||| |||||||||0||Pliny the Elder attributed the 3rd C BCE original to Euboulides. It was often displayed with a head of Aristotle (Roman copy after original by Lysippos).||||||||||0|0|Statue of a Seated Old Man;Statue de vieillard assis| 7352.00|0||||||||Portrait of Aristotle|Translated|Cataloger|Portrait d'Aristote|Preferred|Repository||||Portrait of Aristotle (Roman copy)|31237|Lysippos||sculptor|Lysippos|0||||0|||||Greek|||Late Classic|||Europe||Greece||||||0||||0||||0||||0|Sculpture|portraits|Head (representation)||BCE|-4|||-342|-300|ca|ca -342--300|ca -342--300|||||0||||0|||||Marble|marble|||||sculpture|||||29.5 cm High||3341|Paris: Musée du Louvre|Paris: Louvre||Portraits ; Aristotle, 384-322 B.C. ; |Portraits|Aristotle, 384-322 B.C.||||||||Cornell||JNK|JNK|7/12/2006 0:00:00|7/12/2006 0:00:00||||0||MR 329 (n° usual Ma 80 bis)||||||||||||| |||||||||0||Roman copy (1st-2nd C CE) of Greek bronze original. All bronze copies are lost. It as at times displayed with "Statue of a Seated Old Man". Louvre.||||||||||0|0|Portrait of Aristotle;Portrait d'Aristote|Lysippos 7353.00|0|Creator|15|32|M275-G|S441||32 M275-G S441 |Chrysippos|Preferred|Repository|||||||Chrysippos|7474|Manet, Éduard||painter|Éduard Manet|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Drawings|Drawing||||19|||1862|1862|ca|ca 1862|ca 1862-1862|||||0||||0|||||Graphite and sanguine on gray paper|graphite|red chalk|paper (fiber product)|||drawing (image-making)|||||22.8 x 14.2 cm||3341|Paris: Musée du Louvre|Paris: Louvre||Philosophers ; Chrysippus, 280–207 BC ; Aristotle, 384-322 B.C. ; Men (male humans) ; Portraits ; Sculpture (visual work) ; |Philosophers|Chrysippus, 280–207 BC|Aristotle, 384-322 B.C.|Men (male humans)|Portraits|Sculpture (visual work)||||Cornell||JNK|MNW|11/27/2006 0:00:00|7/12/2006 0:00:00|M275|||0||RF 30509, Recto|||||32|G||||||| |S441|||||||Work|0||||||||||||0|0|Chrysippos|Manet, Éduard 7354.00|0|Creator|15|32|H765-G|1869|2|32 H765-G 1869 2|Summer in the Country|Published|Image Source (Pub)|||||||Summer in the Country|5572|Homer, Winslow||artist|Winslow Homer; engraved by John Karst|31238|Karst, John||engraver|0|||||American|||Realist|||North and Central America||United States||||||0||||0||||0||||0|Prints|Engraving (print)||||19|||1869|1869||1869|1869-1869|||||0||||0|||||Wood engraving||||||printing|wood engraving (process)||||11.6 x 16.7 cm||3838|New York: The Brooklyn Museum|New York: Brooklyn Mus.||Games ; Croquet ; |Games|Croquet||||||||Cornell||MNW|JNK|8/22/2006 0:00:00|7/12/2006 0:00:00|H765|||0||1998.105.129|||||32|G||||||1869| ||||||||Work|0||Published in Appletons' Journal of Literature, Science and Art, July 10, 1869, p. 465.||||||||Gift of Harvey Isbitts.||0|0|Summer in the Country|Homer, Winslow;Karst, John 7355.00|0||||||||Yoshida on the Tokaido|Translated|Repository|Tokaido yoshida|Original|Repository||||Thirty-Six Views of Mt. Fuji. Yoshida on the Tokaido|5527|Katsushika Hokusai||painter|Katsushika Hokusai|0||||0|||||Japanese|||Edo (Japanese period)|||Asia||Japan||||||0||||0||||0||||0|Prints|Print|Woodcut|||19|||1831|1834|ca|ca 1831-1834|ca 1831-1834||Thirty-Six Views of Mt. Fuji|Larger entity||5061||||0|||||Color woodcut||||||woodcut (process)|||||25.2 x 36.7 cm||3343|San Francisco: Fine Arts Museums of San Francisco|San Francisco: Fine Arts Museums||Fuji-san (volcano) ; Tea (social aspects) ; Men (male humans) ; Women ; Interior views ; Teahouses ; Balconies ; |Fuji-san (volcano)|Tea (social aspects)|Men (male humans)|Women|Interior views|Teahouses|Balconies|||Cornell||JNK|MNW|11/27/2006 0:00:00|7/12/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Yoshida on the Tokaido;Tokaido yoshida|Katsushika Hokusai 7356.00|0|Creator|15|32|H765-G|1866|2|32 H765-G 1866 2|Our National Winter Exercise--Skating|Published|Image Source (Pub)|||||||Our National Winter Exercise--Skating|5572|Homer, Winslow||artist|Winslow Homer|0||||0|||||American|||Realist|||North and Central America||United States||||||0||||0||||0||||0|Prints|Engraving (print)||||19|||1866|1866||1866|1866-1866|||||0||||0|||||Wood engraving||||||printing|wood engraving (process)||||35.4 x 21.4 cm||3838|New York: The Brooklyn Museum|New York: Brooklyn Mus.||Ice skating ; |Ice skating|||||||||Cornell||MNW|MNW|7/12/2006 0:00:00|7/12/2006 0:00:00|H765|||0||1998.105.96|||||32|G||||||1866| ||||||||Work|0||Published in Frank Leslie's Illustrated Newspaper, January 13, 1866, pp. 264-65.||||||||Gift of Harvey Isbitts.||0|0|Our National Winter Exercise--Skating|Homer, Winslow 7357.00|0|Creator|15|32|H765-G|1869|6|32 H765-G 1869 6|The Fishing Party|Published|Image Source (Pub)|||||||The Fishing Party|5572|Homer, Winslow||artist|Winslow Homer; engraved by John Filmer|31239|||engraver|0|||||American|||Realist|||North and Central America||United States||||||0||||0||||0||||0|Prints|Engraving (print)||||19|||1869|1869||1869|1869-1869|||||0||||0|||||Wood engraving||||||printing|wood engraving (process)||||22.9 x 32.3 cm||3838|New York: The Brooklyn Museum|New York: Brooklyn Mus.||Fishing ; |Fishing|||||||||Cornell||MNW|MNW|7/12/2006 0:00:00|7/12/2006 0:00:00|H765|||0||1998.105.138|||||32|G||||||1869| ||||||||Work|0||Pubished in Appletons' Journal of Literature, Science and Art, October 2, 1869, supplement.||||||||Gift of Harvey Isbitts.||0|0|The Fishing Party|Homer, Winslow 7358.00|0|Creator|15|32|H765-G|1872|3|32 H765-G 1872 3|Under the Falls, Catskill Mountains|Published|Repository|||||||Under the Falls, Catskill Mountains|5572|Homer, Winslow||painter|Winslow Homer|0||||0|||||American|||Realist|||North and Central America||United States||||||0||||0||||0||||0|Prints|Engraving (print)||||19|||1872|1872||1872|1872-1872|||||0||||0|||||Wood engraving||||||printing|wood engraving (process)||||23.3 x 35.2 cm||3343|San Francisco: Fine Arts Museums of San Francisco|San Francisco: Fine Arts Museums||Hiking ; |Hiking|||||||||Cornell||MNW|CLL|8/25/2006 0:00:00|7/12/2006 0:00:00|H765|||0||1963.30.951|||||32|G||||||1972| ||||||||Work|0||Published in Harper's Weekly, September 14, 1872, p. 721.||||||||||0|0|Under the Falls, Catskill Mountains|Homer, Winslow 7359.00|0|Creator|15|32|D317-|1877|T845|32 D317- 1877 T845|Three Women Seated|Assigned|Print Publication|||||||Three Women Seated|3026|Degas, Edgar||painter|Edgar Degas|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Prints|Print|Monotype|Pastel (visual work)||19|||1877|1877||1877|1877-1877|||||0||||0|||||Monotype with pastel||||||Monotype (process)|drawing (image-making)||||16 x 21.5 cm||97|Amsterdam: Rijksmuseum|Amsterdam: Rijksmuseum||Women ; Prostitutes ; |Women|Prostitutes||||||||Cornell||JNK|JNK|7/12/2006 0:00:00|7/12/2006 0:00:00|D317|||0|||||||32||||||T845|| |1877|||||||Work|0||||||||||||0|0|Three Women Seated|Degas, Edgar 7360.00|0|Creator|15|32|D317|1879|C342|32 D317 1879 C342|Mary Cassatt at the Louvre: the Paintings Gallery|Preferred|Repository|Au Louvre: La Peinture (Mary Cassatt)|Original|Artist||||Mary Cassatt at the Louvre: the Paintings Gallery|3026|Degas, Edgar||painter|Edgar Degas|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Prints|Drypoint|Etching|Aquatint||19|||1879|1880||1879-1880|1879-1880|||||0||||0|||||Etching, softground etching, aquatint and drypoint||||||etching (corroding)|aquatint||||36 x 22.8 cm (sheet)||428|Boston: Museum of Fine Arts|Boston: MFA||Cassatt, Mary, 1844-1926 ; Galleries (display spaces) ; Museums ; Musée du Louvre (Paris, France) ; |Cassatt, Mary, 1844-1926|Galleries (display spaces)|Museums|Musée du Louvre (Paris, France)||||||Cornell||JNK|MNW|11/27/2006 0:00:00|7/12/2006 0:00:00|D317|||0||1983.309|||||32||||||C342|| |1879|||||||Work|0||||||||||||0|0|Mary Cassatt at the Louvre: the Paintings Gallery;Au Louvre: La Peinture (Mary Cassatt)|Degas, Edgar 7361.00|0|Creator|15|32|H765-G|1873|1|32 H765-G 1873 1|Wreck of the "Atlantic" -- Cast Up by the Sea|Published|Repository|||||||Wreck of the "Atlantic" -- Cast Up by the Sea|5572|Homer, Winslow||painter|Winslow Homer|0||||0|||||American|||Realist|||North and Central America||United States||||||0||||0||||0||||0|Prints|Engraving (print)||||19|||1873|1873||1873|1873|||||0||||0|||||Wood engraving||||||printing|wood engraving (process)||||23.3 x 35.1 cm||3343|San Francisco: Fine Arts Museums of San Francisco|San Francisco: Fine Arts Museums||Shipwrecks ; Deaths ; |Shipwrecks|Deaths||||||||Cornell||MNW|CLL|8/25/2006 0:00:00|7/12/2006 0:00:00|H765|||0||1963.30.952|||||32|G||||||1873| ||||||||Work|0||Published in Harper's Weekly, April 26, 1873, p. 345.||||||||||0|0|Wreck of the "Atlantic" -- Cast Up by the Sea|Homer, Winslow 7362.00|0|Creator|15|32|S496|C432||32 S496 C432 |Le Chahut|Preferred|Repository|||||||Le Chahut|10773|Seurat, Georges||painter|Georges Seurat|0||||0|||||French|||Post-Impressionist|Pointillist||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1889|1890||1889-1890|1889-1890|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||169 x 139 cm||3327|Otterlo: Rijksmuseum Kröller-Müller|Otterlo: Kröller-Müller||Dancing ; Musicians ; Men (male humans) ; Women ; |Dancing|Musicians|Men (male humans)|Women||||||Cornell||JNK|MNW|11/27/2006 0:00:00|7/12/2006 0:00:00|S496|||0|||||||32|||||||| |C432|||||||Work|0||||||||||||0|0|Le Chahut|Seurat, Georges 7363.00|0|Creator|15|32|M742|T894|R8541|32 M742 T894 R8541|Rouen Cathedral: Harmony in Blue and Gold|Assigned|Print Publication|Rouen Cathedral, Full Sunlight|Variant|Print Publication||||Rouen Cathedral: Harmony in Blue and Gold|8110|Monet, Claude||painter|Claude Monet|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1892|1893||1892-1893|1892-1893|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||107 x 73 cm||2196|Paris: Musee d'Orsay|Paris: Musee d'Orsay||Rouen (France) ; Cathe´drale Notre-Dame (Rouen, France) ; Light ; Churches ; Cathedrals ; |Rouen (France)|Cathe´drale Notre-Dame (Rouen, France)|Light|Churches|Cathedrals|||||Cornell||JNK|MNW|11/27/2006 0:00:00|7/12/2006 0:00:00|M742|||0||R.F.2002|||||32||||||R8541|| |T894|||||||Work|0|Creator|||||||||||0|0|Rouen Cathedral: Harmony in Blue and Gold;Rouen Cathedral, Full Sunlight|Monet, Claude 7364.00|0|Creator|15|32|D241-D|S724||32 D241-D S724 |La Soupe|Preferred|Repository|The Soup|Translated|Cataloger||||La Soupe (the Soup)|2891|Daumier, Honore||printmaker|Honore Daumier|0||||0|||||French|||Realist|||Europe||France||||||0||||0||||0||||0|Drawings|Drawing||||19|||1860|1866||1860-1866|1860-1866|||||0||||0|||||Black ink, wash and pencil|ink|wash|pencils|||drawing (image-making)|||||30 x 49.5 cm||3341|Paris: Musée du Louvre|Paris: Louvre||Peasants ; Food ; Mother and child ; Families ; |Peasants|Food|Mother and child|Families||||||Cornell||JNK|MNW|11/27/2006 0:00:00|7/12/2006 0:00:00|D241|||0||RF 5188, Recto|||||32|D||||||| |S724|||||||Work|0||||||||||||0|0|La Soupe;The Soup|Daumier, Honore 7365.00|0|Creator|05|J-Marville|||5|J-Marville 5|Rue de la Montagne-Sainte-Geneviève near the Intersection of rue Laplace|Published|Repository|||||||Rue de la Montagne-Sainte-Geneviève near the Intersection of rue Laplace|7620|Marville, Charles||photographer|Charles Marville|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Photographs|Photographic print||||19|||1865|1868||1865/1868|1865-1868|||||0||||0|||||Albumen print from wet collodion glass negative||||||photography|albumen process|wet collodion process|||31.6 x 26.9 cm||4073|Chicago: Art Institute of Chicago|Chicago: Art Institute||Paris (France) ; Streetscapes ; |Paris (France)|Streetscapes||||||||Cornell||MNW|MNW|8/14/2006 0:00:00|7/12/2006 0:00:00|Marville|||0||2003.121|||||J|||||||| |||||||||0|Photography|||||||||||0|0|Rue de la Montagne-Sainte-Geneviève near the Intersection of rue Laplace|Marville, Charles 7366.00|0|Creator|05|J-Doisneau|||2|J-Doisneau 2|Sidelong Glance, Paris, Sixth Arrondissement|Translated|Repository|"Le Regard oblique", devant la boutique de Romi, rue de Seine|Original|Repository||||Sidelong Glance (Le Regard oblique), Paris, Sixth Arrondissement|30841|Doisneau, Robert||photographer|Robert Doisneau|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Photographs|Gelatin silver print||||20|||1948|1948||1948|1948|||||0||||0|||||Gelatin-silver print||||||photography|gelatin silver process||||||4073|Chicago: Art Institute of Chicago|Chicago: Art Institute||Streetscapes ; Paris (France) ; Nudes ; |Streetscapes|Paris (France)|Nudes|||||||Cornell||MNW|JNK|8/2/2006 0:00:00|7/12/2006 0:00:00|Doisneau|||0||1954.1238|||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Sidelong Glance, Paris, Sixth Arrondissement;"Le Regard oblique", devant la boutique de Romi, rue de Seine|Doisneau, Robert 7367.00|0|Creator|15|35|B8235-PH|1949|2|35 B8235-PH 1949 2|A Gala at Maxim's|Preferred|Repository|Gala Soirée at Maxim's|Variant|Collection||||A Gala at Maxim's|1526|Brassaï||photographer|Brassaï|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Photographs|Photographic print|Gelatin silver print|||20|||1949|1949||1949|1949|||||0||||0|||||Gelatin silver print||||||gelatin silver process|||||32.7 x 24.1 cm||4073|Chicago: Art Institute of Chicago|Chicago: Art Institute||Paris (France) ; Restaurants ; Maxim’s (Restaurant : Paris, France) ; Mirrors ; |Paris (France)|Restaurants|Maxim’s (Restaurant : Paris, France)|Mirrors||||||Cornell||MNW|CLL|8/25/2006 0:00:00|7/12/2006 0:00:00|B8235|||0||1974.221|||||35|PH||||||1949| ||||||||Work|0|20th Century|||||||||||0|0|A Gala at Maxim's;Gala Soirée at Maxim's|Brassaï 7368.00|0|Creator|05|32|M653X|G655i||32 M653X G655i |Fields of Wage Slavery|Inscribed|Artist|||||||Fields of Wage Slavery|31240|Walker, Ryan||cartoonist|Ryan Walker|0||||0|||||American||||||North and Central America||United States||||||0||||||||0||||0|Drawings|Drawing|Cartoon (humorous image)|||20|||1912|1912|bef|bef 1912|bef 1912-1912|||||0||||0|||||Ink on paper|ink|paper (fiber product)||||drawing (image-making)|||||||9741|Ann Arbor: University of Michgan; Special Collections Library|Ann Arbor: U/Mich.; Spec. Coll. Lib.||Harvesting ; Slavery ; Women ; The Gleaners (by Jean-François Millet) ; |Harvesting|Slavery|Women|The Gleaners (by Jean-François Millet)||||||Cornell||JNK|MNW|11/27/2006 0:00:00|7/12/2006 0:00:00|M653X|||0|||||||32|||||||| |G655i|||||||Work|0||Printed in "The Common Nation".||||||||||0|0|Fields of Wage Slavery|Walker, Ryan 7369.00|0|Creator|15|32|R418-PA|1870|M178|32 R418-PA 1870 M178|Madame Clémentine Valensi Stora (L'Algérienne)|Descriptive|Repository|||||||Madame Clémentine Valensi Stora (L'Algérienne)|9760|Renoir, Pierre-Auguste||painter|Pierre-Auguste Renoir|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1870|1870||1870|1870|||||0||||0|||||Oil on canvas|oil|canvas||||painting (image-making)|||||84.5 x 59.7 cm||3343|San Francisco: Fine Arts Museums of San Francisco|San Francisco: Fine Arts Museums||Portraits ; |Portraits|||||||||Cornell||MNW|MNW|7/12/2006 0:00:00|7/12/2006 0:00:00|R418|||0||1966.47|||||32|PA||||||1870| |M178|||||||Work|0||||||||||||0|0|Madame Clémentine Valensi Stora (L'Algérienne)|Renoir, Pierre-Auguste 7370.00|0|Creator|15|32|R866|P698||32 R866 P698 |Plain of Montmartre-Stormy |Assigned|Image Source (Pub)|Thunderstorm on the Plain of Montmartre|Variant|Print Publication||||Plain of Montmartre-Stormy |31177|Rousseau, Théodore||painter|Théodore Rousseau|0||||0|||||French|||Barbizon School|||Europe||France||||||0|Paris, France|||0||||0||||0|Paintings|Painting|Oil painting|||19|||1845|1848|ca|ca 1845-1848|ca 1845-1848|||||0||||0|||||Oil on canvas|oil paint|canvas||||panel painting|||||25 x 35 cm||3341|Paris: Musée du Louvre|Paris: Louvre||Landscapes ; |Landscapes|||||||||Cornell||JNK|JNK|7/12/2006 0:00:00|7/12/2006 0:00:00||||0|||||||32|||||||| |P698|||||||Work|0||||||||||||0|0|Plain of Montmartre-Stormy ;Thunderstorm on the Plain of Montmartre|Rousseau, Théodore 7371.00|0|Creator|15|32|A851-G|1898-1096|1|32 A851-G 1898-1096 1|WinterTourists in Algiers: "Spare a dime!"|Translated|Repository|Les Hiverneurs á Alger: Donnar un sou moutchatchou!|Inscribed|Image Source (Pub)||||WinterTourists in Algiers: "Spare a dime!"|31241|Assus, Salomon||painter|Salomon Assus|0||||0|||||French||||||Africa||Algeria||||||0||||0||||0||||0|Prints|Engraving (print)|Wood engraving|||19|20||1898|1906|ca|ca 1898-1906|ca 1898-1906|||||0||||0|||||Postcard||||||printing|wood engraving (process)||||||||||Photography ; Cameras ; |Photography|Cameras||||||||Cornell||MNW|JNK|8/24/2006 0:00:00|7/12/2006 0:00:00|A851|||0|||||||32|G||||||1898-1906| ||||||||Work|0||From a printed postcard.||||||||||0|0|WinterTourists in Algiers: "Spare a dime!";Les Hiverneurs á Alger: Donnar un sou moutchatchou!|Assus, Salomon 7372.00|0|Creator|15|32|T725-T|1892|J36112|32 T725-T 1892 J36112|Divan Japonais|Inscribed|Artist|||||||Divan Japonais|11865|Toulouse-Lautrec, Henri de||painter|Henri de Toulouse-Lautrec|0||||0|||||French|||Post-Impressionist|||Europe||France||||||0||||0||||0||||0|Prints|Poster|Lithograph|||19|||1892|1892||1892|1892-1892|||||0||||0|||||Lithograph||||||lithography|||||79 x 59 cm||||||Posters ; Advertisements ; Cabarets ; |Posters|Advertisements|Cabarets|||||||Cornell||JNK|JNK|7/12/2006 0:00:00|7/12/2006 0:00:00|T725|||0|||||||32|T|||||J36112|||1892|||||||Work|0||||||||||||0|0|Divan Japonais|Toulouse-Lautrec, Henri de 7373.00|0|Creator|15|32|S496X|S957c||32 S496X S957c |Le Dimanche|Inscribed|Artist|||||||Le Dimanche|31242|Jourdain, Roger-Joseph||painter|Roger-Joseph Jourdain|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Prints|Wood engraving||||19|||1878|1878||June 15, 1878|1878-1878|||||0||||0|||||Wood engraving||||||wood engraving (process)|||||||||||Picnicking ; Men (male humans) ; Women ; Outdoor recreation ; Boats ; |Picnicking|Men (male humans)|Women|Outdoor recreation|Boats|||||Cornell||JNK|MNW|11/27/2006 0:00:00|7/12/2006 0:00:00|S496X|||0|||||||32|||||||||S957c|||||||Work|0||Wood engraving after painting reproduced in L'illustration, June 15, 1878.||||||||||0|0|Le Dimanche|Jourdain, Roger-Joseph 7374.00|0|Creator|15|G.W.|Yoshitora|1861||G.W. Yoshitora 1861 |American Drinking and Carousing|Descriptive|Image Source (Pub)|||||||American Drinking and Carousing|31243|Utagawa, Yoshitora||printmaker|Utagawa Yoshitora|0||||0|||||Japanese||||||Asia||Japan||||||0||||0||||0||||0|pring|Woodcut||||19|||1861|1861||1861|1861|||||0||||0|||||Colored woodcut||||||woodcut (process)|||||35.4 x 24 cm||||||Drinking ; Courtesans ; Prostitutes ; |Drinking|Courtesans|Prostitutes|||||||Cornell||MNW|MNW|7/12/2006 0:00:00|7/12/2006 0:00:00|Yoshitora|||0|||||||G.W.|||||||1861|||||||||Work|0||||||||||||0|0|American Drinking and Carousing|Utagawa, Yoshitora 7375.00|0|Creator|15|32|M275-PA|1881|2 X4|32 M275-PA 1881 2 X4|Mlle Theo, en marchande de parfums, dans la Grande Kermesse|Inscribed|Artist|||||||Mlle Theo, en marchande de parfums, dans la Grande Kermesse|31244|Thiriat, Henri||painter|Henri Thiriat|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Prints|Print||||19|||1879|1879||1879|1879-1879|||||0||||0|||||||||||printing|||||||||||Women ; Perfume bottles ; Advertisements ; |Women|Perfume bottles|Advertisements|||||||Cornell||JNK|JNK|7/12/2006 0:00:00|7/12/2006 0:00:00|M275|||0|||||||32|PA|||||2 X4|||1881|||||||Work|0||Cover of "L'Illustration"||||||||||0|0||Thiriat, Henri 7376.00|0|Creator|15|32|D317-PA|1886|T884|32 D317-PA 1886 T884|The Tub|Translated|Repository|Le Tub|Preferred|Repository||||The Tub|3026|Degas, Edgar||painter|Edgar Degas|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Paintings|Pastel (visual work)||||19|||1886|1886||1886|1886-1886|||||0||||0|||||Pastel on card|pastels (crayons)|paper (fiber product)||||painting (image-making)|||||60 x 83||2196|Paris: Musée d’Orsay|Paris: Musée d’Orsay||Bathing ; Women ; |Bathing|Women||||||||Cornell||MNW|JNK|8/24/2006 0:00:00|7/12/2006 0:00:00|D317|||0|||||||32|PA||||||1886| |T884|||||||Work|0||||||||||||0|0|The Tub;Le Tub|Degas, Edgar 7377.00|0|Creator|15|Top/Sub|French|Commune||Top/Sub French Commune |The End of the Commune-Execution of a Petroleuse|Inscribed|Artist|||||||The End of the Commune-Execution of a Petroleuse|0|||||0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Prints|Wood engraving|Print|||19|||1871|1871||June 10, 1871|1871-1871|||||0||||0|||||Wood engraving||||||wood engraving (process)|||||||||||Executions ; Women ; Criminals ; Arsonists ; |Executions|Women|Criminals|Arsonists||||||Cornell||JNK|MNW|11/27/2006 0:00:00|7/12/2006 0:00:00||||0|||||||||||||||||||||||Work|0||Wood engrabing published in "The Graphic", June 10, 1871.||||||||||0|0|| 7378.00|0|Creator|15|G|Utamaro|ca 1794-5||G Utamaro ca 1794-5 |The Courtesan Hinazuru at the Keizetsuru|Descriptive|Image Source (Pub)|||||||Comparing the Charms of Beautiful Women. The Courtesan Hinazuru at the Keizetsuru|12041|Kitagawa Utamaro||printmaker|Kitagawa Utamaro|0||||0|||||Japanese||||||Asia||Japan||||||0||||0||||0||||0|Prints|Woodcut||||18|||1794|1795|ca|ca 1794-1795|ca 1794-1795||Comparing the Charms of Beautiful Women|Series||7379||||0|||||Colored woodcut||||||woodcut (process)|printing||||||||||Women ; Courtesans ; Prostitutes ; |Women|Courtesans|Prostitutes|||||||Cornell||MNW|MNW|7/12/2006 0:00:00|7/12/2006 0:00:00|Utamaro|||0|||||||G|||||||ca. 1794-5|||||||||Work|0||||||||||||0|0|The Courtesan Hinazuru at the Keizetsuru|Kitagawa Utamaro 7379.00|0|Creator|15||||||Comparing the Charms of Beautiful Women|Series|Image Source (Pub)|||||||Comparing the Charms of Beautiful Women|12041|Kitagawa Utamaro||printmaker|Kitagawa Utamaro|0||||0|||||Japanese|||Edo (Japanese period)|||Asia||Japan||||||0||||0||||0||||0|Prints|Woodcut|Print|||18|||1794|1795|ca|ca 1794-1795|ca 1794-1795|||||0||||0|||||Colored woodcuts||||||printing|woodcut (process)||||||||||Courtesans ; Prostitutes ; Women ; |Courtesans|Prostitutes|Women|||||||Cornell||MNW|MNW|7/12/2006 0:00:00|7/12/2006 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|Comparing the Charms of Beautiful Women|Kitagawa Utamaro 7380.00|0|Creator|15|G|Hiroshige|||G Hiroshige |The Benten Ford Across the Oi River|Descriptive|Image Source (Pub)|||||||The Benten Ford Across the Oi River|5453|Ando Hiroshige||artist|Ando Hiroshige|0||||0|||||Japanese|||Edo (Japanese period)|||Asia||Japan||||||0||||0||||0||||0|Prints|Print|Woodcut|||19|||1858|1858||1858|1858-1858|||||0||||0|||||Colored woodblock||||||printing|woodcut (process)||||35.3 x 24 cm||||||||||||||||Cornell||MNW|MNW|7/12/2006 0:00:00|7/12/2006 0:00:00|Hiroshige|||0|||||||G|||||||||||||||||0||||||||||||0|0|The Benten Ford Across the Oi River|Ando Hiroshige 7381.00|0|Creator|15|G.W.|Utamaro|ca 1790||G.W. Utamaro ca 1790 |Sankatsu and Hanhichi With Their Baby|Descriptive|Image Source (Pub)|||||||Sankatsu and Hanhichi With Their Baby|12041|Kitagawa Utamaro||printmaker|Kitagawa Utamaro|0||||0|||||Japanese|||Edo (Japanese period)|||Asia||Japan||||||0||||0||||0||||0|Prints|Woodcut|Print|||18|||1790|1790|ca|ca 1790|ca 1790-1790|||||0||||0|||||Colored woodcut||||||printing|woodcut (process)||||62.2 x 14.9 cm||||||Families ; |Families|||||||||Cornell||MNW|MNW|7/12/2006 0:00:00|7/12/2006 0:00:00||||0|||||||G.W.|||||||ca. 1790|||||||||Work|0||||||||||||0|0|Sankatsu and Hanhichi With Their Baby|Kitagawa Utamaro 7382.00|0|Creator|15|G.W.|Sadahide|1861-2||G.W. Sadahide 1861-2 |Englishman Sorting Fabric for Trade at Yokohama|Descriptive|Image Source (Pub)|||||||Englishman Sorting Fabric for Trade at Yokohama|31245|Utagawa Sadahide||printmaker|Utagawa Sadahide|0||||0|||||Japanese|||Edo (Japanese period)|||Asia||Japan||||||0||||0||||0||||0|Prints|Woodcut|Print|||18|||1861|1862||1861-1862|1861-1862|||||0||||0|||||Colored woodcut||||||printing|woodcut (process)||||35 x 25 cm||||||Portraits ; |Portraits|||||||||Cornell||MNW|JNK|8/24/2006 0:00:00|7/13/2006 0:00:00|Sadahide|||0|||||||G.W.|||||||1861-2|||||||||Work|0||This print depicts a foreign visitor to Yokohama who is thinking of his far away wife who is represented in the cartouche. Lamborne, p. 156.||||||||||0|0|Englishman Sorting Fabric for Trade at Yokohama|Utagawa Sadahide 7385.00|0|Creator|15|32|M743-|1874|B8511|32 M743 1874 B8511|Bridge at Argenteuil|Preferred|Dict.Art|||||||Bridge at Argenteuil|8110|Monet, Claude||painter|Claude Monet|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Landscape (representation)||19|||1874|1874||1874|1874-1874|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||60 x 80 cm||2196|Paris: Musée d’Orsay|Paris: Musée d’Orsay||Landscapes ; Rivers ; Boats ; Bridges (built works) ; Argenteuil (France) ; |Landscapes|Rivers|Boats|Bridges (built works)|Argenteuil (France)|||||Cornell||JNK|JNK|7/13/2006 0:00:00|7/13/2006 0:00:00|M743|||0|||||||32||||||B8511|| |1874|||||||Work|0||||||||||||0|0|Bridge at Argenteuil|Monet, Claude 7386.00|0|Creator|15||||||One Hundred Views of Famous Places in Edo|Series|Repository|Meisho edo hyakkei|Original|Online Resource||||One Hundred Views of Famous Places in Edo (Meisho edo hyakkei)|5453|Ando Hiroshige||artist|Ando Hiroshige|0||||0|||||Japanese|||Edo (Japanese period)|||Asia||Japan||||||0||||0||||0||||0|Prints|Print|Woodcut|||19|||1856|1857||1856-1857|1856-1857|||||0||||0|||||Colored woodblocks||||||printing|woodcut (process)||||||||||||||||||||Cornell||MNW|MNW|7/13/2006 0:00:00|7/13/2006 0:00:00||||0|||||||||||||||||||||||Work|0||||||||||||0|0|One Hundred Views of Famous Places in Edo;Meisho edo hyakkei|Ando Hiroshige 7387.00|0|Creator|15|G|Hiroshige|1856||G Hiroshige 1856 |Precincts of the Tenjin Shrine at Kameido, no. 57|Descriptive|Repository|Kameido tenjin kedai|Original|Online Resource||||One Hundred Views of Famous Places in Edo. Precincts of the Tenjin Shrine at Kameido (Kameido tenjin kedai), no. 57|5453|Ando Hiroshige||artist|Ando Hiroshige|0||||0|||||Japanese|||Edo (Japanese period)|||Asia||Japan||||||0||||0||||0||||0|Prints|Print|Woodcut|||19|||1856|1856||1856|1856-1856||One Hundred Views of Famous Places in Edo|Series||7386||||0|||||Colored woodblock||||||printing|woodcut (process)||||34.2 x 22.2 cm||||||Bridges (built works) ; Trees ; |Bridges (built works)|Trees||||||||Cornell||MNW|MNW|7/13/2006 0:00:00|7/13/2006 0:00:00|Hiroshige|||0|||||||G|||||||1856|||||||||Work|0|||Also available on Camio (FASF.22407).|||||||||0|0|Precincts of the Tenjin Shrine at Kameido, no. 57;Kameido tenjin kedai|Ando Hiroshige 7388.00|0|Creator|15|32|D317-|1883|B318|32 D317- 1883 B318|The Bath|Preferred|Repository|||||||The Bath|3026|Degas, Edgar||painter|Edgar Degas|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Drawings|Drawing|Pastel (visual work)|||19|||1883|1883||1883|1883-1883|||||0||||0|||||Pastel|pastels (crayons)|||||drawing (image-making)|||||19 x 41.8 cm ||428|Boston: Museum of Fine Arts|Boston: MFA||Women ; Bathing ; |Women|Bathing||||||||Cornell||JNK|JNK|7/13/2006 0:00:00|7/13/2006 0:00:00|D317|||0|||||||32||||||B318|| |1883|||||||Work|0||||||||||||0|0||Degas, Edgar 7389.00|0|Creator|15|G|Hiroshige|1857|||Irises at Horikiri (Horikiri no hana shobu), no. 56|Descriptive|Repository|Horikiri no hana shobu|Original|Online Resource||||One Hundred Views of Famous Places in Edo. Irises at Horikiri (Horikiri no hana shobu), no. 56|5453|Ando Hiroshige||artist|Ando Hiroshige|0||||0|||||Japanese|||Edo (Japanese period)|||Asia||Japan||||||0||||0||||0||||0|Prints|Print|Woodcut|||19|||1857|1857||1857|1857-1857||One Hundred Views of Famous Places in Edo|||7386||||0|||||Colored woodblock||||||printing|woodcut (process)||||33.8 x 22.1 cm||||||Flowers ; Iris ; |Flowers|Iris||||||||Cornell||MNW|MNW|8/14/2006 0:00:00|7/13/2006 0:00:00|Hiroshige|||0|||||||G|||||||1857|||||||||Work|0|||Also available on Camio (FASF.22406).|||||||||0|0|Irises at Horikiri (Horikiri no hana shobu), no. 56;Horikiri no hana shobu|Ando Hiroshige 7390.00|0|Creator|15|32|M861-|N974||32 M861- N974 |Nursing|Assigned|Image Source (Pub)|Wet Nurse|Variant|Image Source (Pub)|Angèle Nursing Julie Manet|Variant|Online Resource|Nursing (Wet Nurse)|8212|Morisot, Berthe||painter|Berthe Morisot|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||19|||1879|1879||1879|1879-1879|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||50 x 61 cm||3304|Washington, DC: Private Collection|Wash, DC: Private Coll.||Children (people by age group) ; Wet nurses ; |Children (people by age group)|Wet nurses||||||||Cornell||JNK|JNK|7/13/2006 0:00:00|7/13/2006 0:00:00|M861|||0|||||||32|||||||| |N974|||||||Work|0||||||||||||0|0|Nursing;Wet Nurse;Angèle Nursing Julie Manet|Morisot, Berthe 7391.00|0|Creator|15|32|W8795-PA|1882|1|32 W8795-PA 1882 1|Bargaining for a Horse|||||||||Bargaining for a Horse|12908|Wood, Thomas Waterman||painter|Thomas Waterman Wood|0||||0|||||American||||||Asia||United Arab Emirates||||||0||||0||||0||||0|Paintings|Painting|Watercolor|Genre||19|||1882|1882||1882|1882-1882|||||0||||0|||||Watercolor on paper|watercolor|paper (fiber product)||||painting (image-making)|||||71.1 x 55.9 cm||9742|: Walter and Lucille Rubin Collection|: Walter & Lucille Rubin Collection||Genre ; |Genre|||||||||Cornell||MNW|MNW|7/13/2006 0:00:00|7/13/2006 0:00:00|W8795|||0|||||||32|PA||||||1882| ||||||||Work|0||||||||||||0|0|Bargaining for a Horse|Wood, Thomas Waterman 7392.00|0|Creator|15|32|R811-PA|1895|1|32 R811-PA 1895 1|The Knitting Lesson|Descriptive|Image Source (Pub)|||||||The Knitting Lesson|31246|Roseland, Harry Herman||painter|Harry Herman Roseland|0||||0|||||American||||||Asia||United Arab Emirates||||||0||||0||||0||||0|Paintings|||||19|||1895|1895||1895|1895-1895|||||0||||0|||||Oil on canvas|oil|canvas||||painting (image-making)|||||50.8 x 76.2 cm||9742|: Walter and Lucille Rubin Collection|: Walter & Lucille Rubin Collection||Knitting (needlework) ; Interior views ; |Knitting (needlework)|Interior views||||||||Cornell||MNW|MNW|7/13/2006 0:00:00|7/13/2006 0:00:00|R811|||0|||||||32|PA||||||1895| ||||||||Work|0||||||||||||0|0|The Knitting Lesson|Roseland, Harry Herman 7393.00|0|Creator|15|32|B852-PA|nd|1|32 B852-PA nd 1|The Story (In the Harem)|Descriptive|Image Source (Pub)|||||||The Story (In the Harem)|30827|Bridgman, Frederick Arthur||painter|Frederick Arthur Bridgman|0||||0|||||American|||Orientalism|||North and Central America||United States||||||0||||0||||0||||0|Paintings|Oil painting||||19||||||||||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||59.1 x 88.9 cm||9742|: Walter and Lucille Rubin Collection|: Walter & Lucille Rubin Collection||Interior views ; Harems ; |Interior views|Harems||||||||Cornell||MNW|MNW|7/13/2006 0:00:00|7/13/2006 0:00:00|B852|||0|||||||32|PA||||||nd| ||||||||Work|0||||||||||||0|0|The Story (In the Harem)|Bridgman, Frederick Arthur 7394.00|0|Creator|15|32|H2896-PA|1878|2|32 H2896-PA 1878 2|Still Life with Pipe and New York Herald|Descriptive|Image Source (Pub)|||||||Still Life with Pipe and New York Herald|31247|Harnett, William Michael||painter|William Michael Harnett|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Oil painting|Still life|||19|||1878|1878||1878|1878-1878|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||35.6 x 30.5 cm||9742|: Walter and Lucille Rubin Collection|: Walter & Lucille Rubin Collection||Still lifes ; Pipes ; Newspapers ; |Still lifes|Pipes|Newspapers|||||||Cornell||MNW|MNW|8/14/2006 0:00:00|7/13/2006 0:00:00|H2896|||0|||||||32|PA||||||1878| ||||||||Work|0||||||||||||0|0|Still Life with Pipe and New York Herald|Harnett, William Michael 7395.00|0|Creator|15|32|H114-PA|1889|1|32 H114-PA 1889 1|The Japanese Doll|Descriptive|Image Source (Pub)|||||||The Japanese Doll|31248|Haberle, John||painter|John Haberle|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Oil painting||||19|||1889|1889||1889|1889-1889|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||40.6 x 17.8 cm||9742|: Walter and Lucille Rubin Collection|: Walter & Lucille Rubin Collection||Trompe-l'oeil ; Dolls ; |Trompe-l'oeil|Dolls||||||||Cornell||MNW|MNW|7/13/2006 0:00:00|7/13/2006 0:00:00|H114|||0|||||||32|PA||||||1889| ||||||||Work|0||||||||||||0|0|The Japanese Doll|Haberle, John 7396.00|0||||||||Fan with a View of the Pantheon|Descriptive|Image Source (Pub)|||||||Fan with a View of the Pantheon|0|||||0||||0|||||Italian||||||Europe||Italy||||||0||||0||||0||||0|Costumes|Fan (costume accessory)||||18|||1780|1780|ca|ca 1780|ca 1780-1780|||||0||||0|||||Ivory fan with pierced and carved sticks and guards|skin|ivory|||||||||28 cm long, 48 cm span||9743|London: The Fan Museum (Greenwich)|London: The Fan Museum (Greenwich)||Pantheon (Rome, Italy) ; |Pantheon (Rome, Italy)|||||||||Cornell||JNK|JNK|7/13/2006 0:00:00|7/13/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Fan with a View of the Pantheon| 7397.00|0||||||||Emma, Lady Hamilton as Three Muses|Assigned|Image Source (Pub)|||||||Emma, Lady Hamilton as Three Muses|31249|Hamilton, Hugh Douglas||painter|Hugh Douglas Hamilton|0||||0|||||Irish|British||Georgian|||Europe||Ireland|British Isles (island group)|||||0||||0||||0||||0|Paintings|Painting|Oil painting|Portrait||18|||1789|1790|ca|ca 1789-1790|ca 1789-1790|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||36.6 x 44.6 cm||9744|Haddington, East Lothian, Scotland: Lennoxlove House; Hamilton Collection|Haddington: Lennoxlove House; Hamilton Coll.||Muses ; Portraits ; Hamilton, Emma, Lady, 1761?-1815 ; |Muses|Portraits|Hamilton, Emma, Lady, 1761?-1815|||||||Cornell||JNK|JNK|7/14/2006 0:00:00|7/13/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Emma, Lady Hamilton as Three Muses|Hamilton, Hugh Douglas 7398.00|0||||||||Bracelet with Views of Rome: Tomb of Cecilia Metella, St. Peter's Square, Ponte Lucano, Temple of the Sibyl and the Falls at Tivoli, Temple of Minerva Medica|Descriptive|Image Source (Pub)|||||||Bracelet with Views of Rome|0|||||0||||0|||||Italian||||||Europe||Italy||||||0||||0||||0||||0|Jewelry|Jewelry||||18|19||1750|1850||late 18th or early 19th C|1750-1850|||||0||||0|||||Smalti Filati mosaic, mountin in silver|silver|||||mosaic|||||18.4 cm long||3778|Rome: Vatican; Museo|Rome: Vatican; Museo||Basilica di San Pietro in Vaticano ; Piazzas ; Bridges (built works) ; Temples ; Tombs ; Rome (Italy) ; |Basilica di San Pietro in Vaticano|Piazzas|Bridges (built works)|Temples|Tombs|Rome (Italy)||||Cornell||JNK|JNK|7/13/2006 0:00:00|7/13/2006 0:00:00||||0||||||||||||||| |||||||||0||Bracelet consists of five oval plaques in micromosaic with red jasper frames; larger plaque 2.5 x 3.1 cm, smaller plaque 2 x 2.5 cm; the central plaque, with a view of Ponte Lucano, is decorated on the reverse with a micromosaic of flowers. Wilton, Grand||||||||||0|0|Bracelet with Views of Rome: Tomb of Cecilia Metella, St. Peter's Square, Ponte Lucano, Temple of the Sibyl and the Falls at Tivoli, Temple of Minerva Medica| 7399.00|0|Creator|15|32|G613-PA|1887|1|32 G613-PA 1887 1|Glass of Absinthe & a Carafe|Translated|Image Source (Pub)|L'absinthe|Original|Collection||||Glass of Absinthe & a Carafe (L'absinthe)|12121|Gogh, Vincent van||painter|Vincent van Gogh|0||||0|||||Dutch|||Post-Impressionist|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1887|1887||1887|1887-1887|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||46.5 x 33 cm||3328|Amsterdam: Rijksmuseum Vincent van Gogh|Amsterdam: V. van Gogh Mus.||Absinthe ; Interior views ; |Absinthe|Interior views||||||||Cornell||MNW|MNW|11/17/2006 0:00:00|7/13/2006 0:00:00|G613|||0|||||||32|PA||||||1887| ||||||||Work|0||||||||||||0|0|Glass of Absinthe & a Carafe;L'absinthe|Gogh, Vincent van 7400.00|0|Creator|15|32|T725-G|1894|G953|32 T725-G 1894 G953|Album Cover|Descriptive|Repository|Yvette Guilbert|Inscribed|Image Source (Pub)||||Album Cover (Yvette Guilbert)|11865|Toulouse-Lautrec, Henri de||painter|Henri de Toulouse-Lautrec|0||||0|||||French|||Post-Impressionist|||Europe||France||||||0||||0||||0||||0|Prints|Print|Lithograph|||19|||1894|1894||1894|1894-1894|||||0||||0|||||Lithograph in olive green||||||printing|lithography||||40.4 x 80 cm||3367|Washington, DC: National Gallery of Art|Wash, DC: National Gallery||Guilbert, Yvette, 1865-1944 ; Gloves ; |Guilbert, Yvette, 1865-1944|Gloves||||||||Cornell||MNW|MNW|7/14/2006 0:00:00|7/14/2006 0:00:00|T725|||0||2000.1.1-17|||||32|G||||||1894| |G953|||||||Work|0||||||||||Regnato Stemple, 1894. Baldwin M. Baldwin, San Diego. (sale, Christie's, New York, 2 November 1999, no. 25); (Sims Reed Limited, London, 1999); (David Tunick, Inc., New York, 1999); purchased 1999 by NGA.||0|0|Album Cover;Yvette Guilbert|Toulouse-Lautrec, Henri de 7401.00|0|Creator|05|J-Atget|||74|J-Atget 74|Joueur d'orgue|Artists|Image Source (Pub)|Organ player|Translated|Cataloger||||Joueur d'orgue|544|Atget, Eugene||photographer|Eugene Atget|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Photographs|Photographic print||||19|||1898|1899||1898-1899; 1984|1898-1899; 1984|||||0||||0|||||Contact print from glass-plate negative||||||photography|contact printing||||18 x 24 cm||3384|New York: Museum of Modern Art|New York: MoMA||Barrel organs ; Paris (France) ; |Barrel organs|Paris (France)||||||||Cornell||MNW|JNK|8/11/2006 0:00:00|7/14/2006 0:00:00|Atget|||0||SC84.46|||||J|||||||| ||||||||Work|0|Photography|Printed by Chicago Albumen Works (Joel Snyder and Doug Munson) from Atget's glass-plate negative. Maria Morris Hambourg's group designation and Atget's negative number = SC 84.46. Szarkowski, Atget, p. 223.|||Printed in 1984.|||||||0|0|Joueur d'orgue;Organ player|Atget, Eugene 7402.00|0||||||||Goethe in the Roman Campagna|Preferred|Dict.Art|||||||Goethe in the Roman Campagna|31250|Tischbein, (Johann Heinrich) Wilhelm||painter|(Johann Heinrich) Wilhelm Tischbein|0||||0|||||German||||||Europe||Germany||||||0||||0||||0||||0|Paintings|Painting|Portrait|Oil painting||18|||1787|1787||1787|1787-1787|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||||3677|Frankfurt am Main: Städelsches Kunstinstitut und Städtische Galerie|Frankfurt: Städel. Kstinst. & Städt. Gal.||Goethe, Johann Wolfgang von, 1749-1832 ; Portraits ; Italy ; |Goethe, Johann Wolfgang von, 1749-1832|Portraits|Italy|||||||Cornell||JNK|JNK|7/14/2006 0:00:00|7/14/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Goethe in the Roman Campagna|Tischbein, (Johann Heinrich) Wilhelm 7403.00|0||||||||Goethe in the Campagna|Preferred|Dict.Art|||||||Goethe in the Campagna|31251|Bennert, Karl||painter|Karl Bennert after J.H. Wilhelm Tischbein|31250|Tischbein, (Johann Heinrich) Wilhelm|after|painter|0|||||German||||||Europe||Germany||||||0||||0||||0||||0|Paintings|Painting|Portrait|Oil painting||19|||1848|1848|ca|ca 1848|ca 1848-1848|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||161 x 197.5 cm||912|Frankfurt: Goethe Museum mit Goethehaus|Frankfurt: Goethe Mus.||Goethe, Johann Wolfgang von, 1749-1832 ; Portraits ; Italy ; |Goethe, Johann Wolfgang von, 1749-1832|Portraits|Italy|||||||Cornell||JNK|JNK|7/14/2006 0:00:00|7/14/2006 0:00:00||||0||||||||||||||| |||||||||0||Bennert, who was a pupil of Schadow in Düsseldorf and worked as a portrait painter in Brussels, Paris, and Zurich, painted this copy while resident in Frankfurt from 1848-1868. Wilton, Grand Tour.||||||||||0|0|Goethe in the Campagna|Bennert, Karl;Tischbein, (Johann Heinrich) Wilhelm 7404.00|0||||||||The Townley Marbles in the Entrance Hall of 7 Park Street, Westminster|Descriptive|Image Source (Pub)|||||||The Townley Marbles in the Entrance Hall of 7 Park Street, Westminster|31252|Chambers, William||draftsman|William Chambers|0||||0|||||English|||Georgian|Regency||Europe||England||||||0||||0||||0||||0|Drawings|Drawing||||18|||1794|1794||1794|1794-1794|||||0||||0|||||Pen and ink with watercolor and touches of gouache|pens|ink|watercolor|||drawing (image-making)|||||39 x 53 cm||3373|London: British Museum|London: British Museum||Interior views ; Sculptural metopes ; Sculpture (visual work) ; Antiquaries ; Reliefs ; Townley, Charles, 1737–1805 ; |Interior views|Sculptural metopes|Sculpture (visual work)|Antiquaries|Reliefs|Townley, Charles, 1737–1805||||Cornell||JNK|JNK|7/14/2006 0:00:00|7/14/2006 0:00:00||||0||PD 1995-5-6-9/8||||||||||||| |||||||||0||||||||||||0|0|The Townley Marbles in the Entrance Hall of 7 Park Street, Westminster|Chambers, William 7405.00|0||||||||Thomas Dundas, later 1st Baron Dundas|Assigned|Image Source (Pub)|||||||Thomas Dundas, later 1st Baron Dundas|13467|Batoni, Pompeo Girolamo||painter|Batoni, Pompeo Girolamo|0||||0|||||Italian||||||Europe||Italy||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Portrait||18|||1764|1764||1764|1764-1764|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||298 x 196.8 cm||9745|: The Marquess of Zetland|: The Marquess of Zetland||Portraits ; Dundas of Aske, Thomas Dundas, Baron, 1741-1820 ; |Portraits|Dundas of Aske, Thomas Dundas, Baron, 1741-1820||||||||Cornell||JNK|JNK|7/14/2006 0:00:00|7/14/2006 0:00:00|B334|||0||||||||||||||| |||||||||0||||||||||||0|0|Thomas Dundas, later 1st Baron Dundas|Batoni, Pompeo Girolamo 7408.00|0|Creator|05|J-Atget|||19|J-Atget 19|La Villette, rue Asselin, fille publique faisant le quart devant sa porte, 19e, 7 mars 1921|Artists|Repository|||||||La Villette, rue Asselin, fille publique faisant le quart devant sa porte, 19e, 7 mars 1921|544|Atget, Eugene||photographer|Eugene Atget|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1921|1921||1921; 1984|1921-1921; 1984|||||0||||0|||||Contact print from glass-plate negative||||||photography|contact printing||||18 x 24 cm||3384|New York: Museum of Modern Art|New York: MoMA||Prostitutes ; Paris (France) ; |Prostitutes|Paris (France)||||||||Cornell||MNW|MNW|7/14/2006 0:00:00|7/14/2006 0:00:00|Atget|||0||SC 84.60|||||J|||||||| ||||||||Work|0|Photography|Printed by Chicago Albumen Works (Joel Snyder and Doug Munson) from Atget's glass-plate negative. Maria Morris Hambourg's group designation and Atget's negative number = AP: 612. Szarkowski, Atget, p. 223.|||March 7, 1921 Printed in 1984.|||||||0|0|La Villette, rue Asselin, fille publique faisant le quart devant sa porte, 19e, 7 mars 1921|Atget, Eugene 7409.00|0|Creator|05|J-Atget|||76|J-Atget 76|Magasin, avenue des Gobelins|Artists|Repository|||||||Magasin, avenue des Gobelins|544|Atget, Eugene||photographer|Eugene Atget|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1925|1925||1925|1925-1925|||||0||||0|||||Contact print from glass-plate negative||||||photography|contact printing||||18 x 24 cm||3384|New York: Museum of Modern Art|New York: MoMA||Streetscapes ; Paris (France) ; |Streetscapes|Paris (France)||||||||Cornell||MNW|MNW|8/10/2006 0:00:00|7/14/2006 0:00:00|A8645|||0||357.61|||||J|||||||| ||||||||Work|0|Photography|Printed by Atget. Maria Morris Hambourg's group designation and Atget's negative number = PP: 85. Szarkowski, Atget, p. 223.||||||||||0|0|Magasin, avenue des Gobelins|Atget, Eugene 7410.00|0|Creator|05|J-Atget|||77|J-Atget 77|Untitled [Toupee Shop, Palais Royal)|Descriptive|Repository|||||||Untitled [Toupee Shop, Palais Royal)|544|Atget, Eugene||photographer|Eugene Atget|139|Abbott, Berenice||photographer|0|||||French||||||Europe||France||||||0||||0||||0||||0||||||20|||1926|1927||1926-1927|1926-1927|||||0||||0|||||Contact print from glass-plate negative||||||photography|contact printing||||18 x 24 cm||3384|New York: Museum of Modern Art|New York: MoMA||Paris (France) ; Stores ; |Paris (France)|Stores||||||||Cornell||MNW|MNW|7/14/2006 0:00:00|7/14/2006 0:00:00|A8645|||0||2111.81|||||J|||||||| ||||||||Work|0|Photography|Printed by Bernenice; unknown date. Maria Morris Hambourg's group designation and Atget's negative number = PP: 153. Szarkowski, Atget, p. 223.||||||||||0|0|Untitled [Toupee Shop, Palais Royal)|Atget, Eugene;Abbott, Berenice 7411.00|0|Creator|05|J-LeGray|||7|J-LeGray 7|Sous-bois au Bas-Bréau|Repository|Image Source (Pub)|||||||Sous-bois au Bas-Bréau|6834|Le Gray, Gustave||photographer|Gustave Le Gray|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Photographs|Photographic print||||19|||1852|1852||1852|1852-1852|||||0||||0|||||Salted paper print|salted paper|||||salted paper process|||||26.8 x 35.8 cm||3455|Montauban: Musée Ingres|Montauban: Musée Ingres||Landscapes ; |Landscapes|||||||||Cornell||MNW|MNW|7/14/2006 0:00:00|7/14/2006 0:00:00|LeGray|||0||MI.C.61-3|||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Sous-bois au Bas-Bréau|Le Gray, Gustave 7412.00|0|Creator|15|32|P678-|A648||32 P678- A648 |Apple Picking at Eragny-sur-Epte|Preferred|Repository|||||||Apple Picking at Eragny-sur-Epte|9270|Pissarro, Camille||painter|Camille Pissarro|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1888|1888||1888|1888-1888|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||85 x 73 x 10 cm||3678|Dallas: Dallas Museum of Art|Dallas: Mus. of Art||Apple trees ; Men (male humans) ; Women ; Peasants ; Harvesting ; |Apple trees|Men (male humans)|Women|Peasants|Harvesting|||||Cornell||JNK|JNK|7/14/2006 0:00:00|7/14/2006 0:00:00|P678|||0||1955.17.M|||||32|||||||| |A648|||||||Work|0||||||||||||0|0|Apple Picking at Eragny-sur-Epte|Pissarro, Camille 7413.00|0|Creator|05|J-LeGray|||8|J-LeGray 8|Paris, vue de Montmartre|Descriptive|Image Source (Pub)|||||||Paris, vue de Montmartre|6834|Le Gray, Gustave||photographer|Gustave Le Gray|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Photographs|Photographic print||||19|||1849|1856|ca|ca 1849-1850; ca 1855-1856|ca 1849-1856|||||0||||0|||||Albumen print from 2 glass plate negatives|photographic paper|||||photography|albumen process||||20.2 x 26.2 cm||2171|Paris: Bibliotheque Nationale; Cabinet des Estampes|Paris: Bib. Nat.; Cab. des Estampes||Paris (France) ; Montmartre (Paris, France) ; Windmills ; Landscapes ; |Paris (France)|Montmartre (Paris, France)|Windmills|Landscapes||||||Cornell||MNW|MNW|8/1/2006 0:00:00|7/14/2006 0:00:00|LeGray|||0|||||||J|||||||| ||||||||Work|0|Photography|Print produced from two negatives. Le Gray, p. 350.|||Landscape dates ca 1849-1850; sky and combining of two negatives = ca 1855-1856.|||||From the collection of Georges Sirot.||0|0|Paris, vue de Montmartre|Le Gray, Gustave 7414.00|0|Creator|15|32|D317-|1885|B321|32 D317- 1885 B321|The Bath|Assigned|Image Source (Pub)|||||||The Bath|3026|Degas, Edgar||painter|Edgar Degas|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Drawings|Drawing|Pastel (visual work)|||19|||1885|1885||1885|1885-1885|||||0||||0|||||Pastel|pastels (crayons)|||||drawing (image-making)|||||68 x 68 cm||3290|Private Collection|: Private Coll.||Women ; Nudes ; Bathing ; |Women|Nudes|Bathing|||||||Cornell||JNK|JNK|7/14/2006 0:00:00|7/14/2006 0:00:00|D317|||0|||||||32||||||B321|| |1885|||||||Work|0||||||||||||0|0|The Bath|Degas, Edgar 7415.00|0|Creator|15|32|P678-|P874||32 P678- P874 |Poultry Market at Pontoise|Preferred|Repository|||||||Poultry Market at Pontoise|9270|Pissarro, Camille||painter|Camille Pissarro|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1882|1882||1882|1882-1882|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||81 x 65.1 cm||3392|Pasadena: Norton Simon Museum|Pasadena: Norton Simon Mus.||Peasants ; Markets (events) ; |Peasants|Markets (events)||||||||Cornell||JNK|JNK|7/14/2006 0:00:00|7/14/2006 0:00:00|P678|||0||M.1984.2.P|||||32|||||||| |P874|||||||Work|0||||||||||||0|0|Poultry Market at Pontoise|Pissarro, Camille 7416.00|0|Creator|15|32|P678-PA|1886|2|32 P678-PA 1886 2|Harvesters|Assigned|Image Source (Pub)|||||||Harvesters|9270|Pissarro, Camille||painter|Camille Pissarro|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Watercolor|||19|||1886|1886||1886|1886-1886|||||0||||0|||||Gouache on paper on board|gouache|paper (fiber product)|boards (flat objects)|||painting (image-making)|||||28 x 59.5 cm||3290|Private Collection|: Private Coll.||Peasants ; Harvesting ; |Peasants|Harvesting||||||||Cornell||JNK|JNK|7/14/2006 0:00:00|7/14/2006 0:00:00|P678|||0|||||||32|PA||||||| |1886|||||||Work|0||||||||||||0|0|Harvesters|Pissarro, Camille 7417.00|0|Creator|05|J-LeGray|||9|J-LeGray 9|Beech-tree|Translated|Cataloger|Le Hêtre|Original|Image Source (Pub)||||Beech-tree (Le Hêtre)|6834|Le Gray, Gustave||photographer|Gustave Le Gray|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Photographs|Photographic print||||19|||1855|1857|ca|ca 1855-1857|ca 1855-1857|||||0||||0|||||Albumen print from glass plate negative||||||photography|albumen process||||31.9 x 41.3 cm||3508|Los Angeles: J. Paul Getty Museum|Los Angeles: J. Paul Getty Mus.||Trees ; Beech ; |Trees|Beech||||||||Cornell||MNW|JNK|8/2/2006 0:00:00|7/14/2006 0:00:00|LeGray|||0||84.XM.637.22|||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Beech-tree;Le Hêtre|Le Gray, Gustave 7418.00|0|Creator|15|32|G267-P|S459||32 G267-P S459 |Self-Portrait with Portrait of Bernard|Preferred|Repository|Self-Portrait as Jean Valjean|Variant|Print Publication||||Self-Portrait with Portrait of Bernard|4345|Gauguin, Paul||painter|Paul Gauguin|0||||0|||||French|||Post-Impressionist|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Portrait||19|||1888|1888||1888|1888-1888|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||45 x 55 cm||3328|Amsterdam: Rijksmuseum Vincent van Gogh|Amsterdam: V. van Gogh Mus.||Portraits ; Self-portraits ; |Portraits|Self-portraits||||||||Cornell||JNK|JNK|7/14/2006 0:00:00|7/14/2006 0:00:00|G267|||0|||||||32|P||||||| |S459|||||||Work|0||||||||||||0|0|Self-Portrait with Portrait of Bernard;Self-Portrait as Jean Valjean|Gauguin, Paul 7419.00|0|Creator|05|J-LeGray|||10|J-LeGray 10|View of the Salon of 1853|Translated|Cataloger|Vue du Salon de 1853|Original|Image Source (Pub)||||View of the Salon of 1853 (Vue du Salon de 1853)|6834|Le Gray, Gustave||photographer|Gustave Le Gray|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Photographs|Photographic print||||19|||1853|1853||1853|1853-1853|||||0||||0|||||Salted paper print|salted paper|||||photography|salted paper process||||23.4 x 32.9 cm||2196|Paris: Musée d’Orsay|Paris: Musée d’Orsay||Salons (Exhibitions: Paris, France) ; Salon (Exhibition: Paris, France) (1853) ; Exhibitions ; Paris (France) ; |Salons (Exhibitions: Paris, France)|Salon (Exhibition: Paris, France) (1853)|Exhibitions|Paris (France)||||||Cornell||MNW|JNK|8/2/2006 0:00:00|7/14/2006 0:00:00|LeGray|||0||PHO-2000-13-4|||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|View of the Salon of 1853;Vue du Salon de 1853|Le Gray, Gustave 7420.00|0|Category|07|V-18|7 Dress||1|V-18 7 Dress 1|Afternoon Dress in Plaid Taffeta|Descriptive|Image Source (Pub)|||||||Afternoon Dress in Plaid Taffeta|0|||||0||||0|||||American||||||Asia||United Arab Emirates||||||0||||0||||0||||0|Costumes|Costume|Dress (garment)|||19|||1856|1856|ca|ca 1856|ca 1856-1856|||||0||||0|||||Plaid taffeta|taffeta||||||||||||3294|New York: Metropolitan Museum of Art|New York: Metropolitan||Dresses ; Costumes ; Parasols ; Petticoats (underskirts) ; Underskirts ; Bonnets (hats) ; |Dresses|Costumes|Parasols|Petticoats (underskirts)|Underskirts|Bonnets (hats)||||Cornell||MNW|JNK|7/28/2006 0:00:00|7/14/2006 0:00:00||||0||||||Dress|V|||18||||| |7|||||||Work|0|Tapestry, Textiles, Embroidery-American (USA)|||||||||||0|0|Afternoon Dress in Plaid Taffeta| 7421.00|0|Category|07|V-15|9.2|MagDem/Dress|1|V-15 9.2 MagDem/Dress 1|Town Fashions for Ladies and Young Girls|Descriptive|Image Source (Pub)|||||||Le Magasin des demoiselles. Town Fashions for Ladies and Young Girls|0|||||0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Costumes|Costume|Dress (garment)|Illustration||19|||1858|1858||May 25, 1858|1858-1858||Le Magasin des demoiselles|||7422||||0|||||Engraving||||||printing|engraving (incising)||||||2195|Paris: Musée de la Mode et du Costume [in Pal. Galliéra]|Paris: Mus. Mode & Costume||Dresses ; Costumes ; Parasols ; Bonnets (hats) ; Hats ; |Dresses|Costumes|Parasols|Bonnets (hats)|Hats|||||Cornell||MNW|MNW|7/16/2006 0:00:00|7/14/2006 0:00:00||||0||||||Dress|V|||15||||| |MagDem|||||||Work|0|Tapestry, Textiles, Embroidery-French||||May 25, 1858|||||||0|0|Town Fashions for Ladies and Young Girls| 7422.00|0||||||||Le Magasin des demoiselles|Series||||||||Le Magasin des demoiselles|0|||||0||||0|||||French|||Victorian|||Europe||France||||||0||||0||||0||||0|Publications|Journal (periodical)||||19|||1844|1896||1844-1896|1844-1896|||||0||||0||||||||||||||||||||||Costumes ; Fashion (concept) ; |Costumes|Fashion (concept)||||||||Cornell||MNW|MNW|7/14/2006 0:00:00|7/14/2006 0:00:00||||0||||||||||||||||||||||||0||Published in Paris by the Bureaux de Journal.||||||||||0|0|Le Magasin des demoiselles| 7423.00|0||||||||La Mode illustrée|Published|LC NAF|||||||La Mode illustrée|0|||||0||||0|||||French|||Victorian|Edwardian||Europe||France||||||0||||0||||0||||0|Publications|Journal (periodical)||||19|20||1860|1937||1860-1937|1860-1937|||||0||||0|||||||||||printing|||||||||||Costumes ; Fashion (concept) ; |Costumes|Fashion (concept)||||||||Cornell||MNW|MNW|7/16/2006 0:00:00|7/14/2006 0:00:00||||0||||||||||||||||||||||||0||"Journal de la famille contenant les dessins de modes les plus e´le´gants et des modeles de travaux d'aiguille, etc.-beaux arts-musique-nouvelles-chroniques-litte´rature, etc." Published in Paris by MM. Firmin Didot frères, fils et cie. RLIN.||||||||||0|0|La Mode illustrée| 7424.00|0|Category|07|V-15|9.2|ModeIll/Hats|1|V-15 9.2 ModeIll/Hats 1|Display of Hats|Descriptive|Image Source (Pub)|||||||La Mode illustrée. Display of Hats|0|||||0||||0|||||French|||Victorian|||Europe||France||||||0||||0||||0||||0|Costumes|Costume|hat|Illustration||19|||1875|1875||1875|1875-1875||La Mode illustrée|||7423||||0|||||||||||printing|||||||9746|Paris: La bibliothèque des Arts décoratifs|Paris: Bibl. Arts Decoratifs||Costumes ; Fashion (concept) ; Hats ; |Costumes|Fashion (concept)|Hats|||||||Cornell||MNW|JNK|7/28/2006 0:00:00|7/14/2006 0:00:00||||0||||||Hats|V|||15||||| |ModeIll|||||||Work|0|Tapestry, Textiles, Embroidery-French|||||||||||0|0|Display of Hats| 7425.00|0||||||||La Moniteur de la mode|Published|Image Source (Pub)|||||||La Moniteur de la mode|0|||||0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Publications|Journal (periodical)||||19|20||1843|1913||1843-1913|1843-1913|||||0||||0||||||||||||||||||||||Fashion (concept) ; Costumes ; |Fashion (concept)|Costumes||||||||Cornell||MNW|MNW|7/16/2006 0:00:00|7/16/2006 0:00:00||||0||||||||||||||||||||||||0||Published in Paris by Goubaud. RLIN||||||||||0|0|La Moniteur de la mode| 7426.00|0|Culture|07|V-15|9.2|Monit/Dres|1|V-15 9.2 Monit/Dres 1|Fashions For Walking|Descriptive|Image Source (Pub)|||||||La Moniteur de la mode. Fashions For Walking|0|||||0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Costumes|Costume|Dress (garment)|Illustration||19|||1886|1886||1886|1886-1886||La Moniteur de la mode|LargerEntity||7425||||0|||||Engraving||||||engraving (incising)|||||||9746|Paris: La bibliothèque des Arts décoratifs|Paris: Bibl. Arts Decoratifs||Fashion (concept) ; Dresses ; Hats ; Painting (image making) ; |Fashion (concept)|Dresses|Hats|Painting (image making)||||||Cornell||MNW|JNK|7/28/2006 0:00:00|7/16/2006 0:00:00||||0||||||Dres|V|||15||||| |Monit|||||||Work|0|Tapestry, Textiles, Embroidery-French|||||||||||0|0|Fashions For Walking| 7427.00|0|Culture|07|V-15|9.2 Cloak||1|V-15 9.2 Cloak 1|Hooded Cloak (Burnous), Dolman, and Cashmere Evening Cloak (Burnous)|Descriptive|Cataloger|||||||Hooded Cloak (Burnous), Dolman, and Cashmere Evening Cloak (Burnous)|0|||||0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Costumes|Burnous|Cloak|Costume||19|||1850|1872||1850-1872|1850-1872|||||0||||0||||||||||||||||||2195|Paris: Musée de la Mode et du Costume [in Pal. Galliéra]|Paris: Mus. Mode & Costume||Costumes ; Fashion (concept) ; Burnouses ; Cloaks ; |Costumes|Fashion (concept)|Burnouses|Cloaks||||||Cornell||MNW|MNW|7/16/2006 0:00:00|7/16/2006 0:00:00||||0||||||Cloak|V|||15||||| |9.2|||||||Work|0|Tapestry, Textiles, Embroidery-French|The hooded cloak is made of ivory silk gauze. The Doman is made of beige woollen cloth. The evening cloak is made of cashmere. Simon, Fashion in Art.|||Hooded cloak = 1850-1870; Doman = 1871-1872; Evening Cloak = 1870. Simon, Fashion in Art.|||||The hooded cloak is in the Union francaise des arts du costume in Paris; it is probably from North Africa. Simon, Fashion in Art||0|0|Hooded Cloak (Burnous), Dolman, and Cashmere Evening Cloak (Burnous)| 7428.00|0|Culture|07|V-15|9.2 Dres||1|V-15 9.2 Dres 1|Princess Mathilde's Chinese-style Visiting Dress|Descriptive|Cataloger|||||||Princess Mathilde's Chinese-style Visiting Dress|0|||||0||||0|||||French|||Second Empire|||Europe||France||||||0||||0||||0||||0|Costumes|Dress (garment)||||19|||1848|1870|ca|ca 1848-1870|ca 1848-1870|||||0||||0|||||||||||embroidering|sewing||||||670|Compiègne: Château; Musée du Second Empire|Compiègne: Château; Mus. du Second Empire||Costumes ; Fashion (concept) ; Dresses ; |Costumes|Fashion (concept)|Dresses|||||||Cornell||MNW|JNK|7/28/2006 0:00:00|7/16/2006 0:00:00||||0||||||Dres|V|||15||||| |9.2|||||||Work|0|Tapestry, Textiles, Embroidery-French|||||||||||0|0|Princess Mathilde's Chinese-style Visiting Dress| 7429.00|0|Culture|07|V-15|9.2|ModeIll/Glov|1|V-15 9.2 ModeIll/Glov 1|Two Women in a Glove Shop Decorated in Japanese Style|Descriptive|Image Source (Pub)|||||||La Mode illustrée. Two Women in a Glove Shop Decorated in Japanese Style|0|||||0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Costumes|Costume|Illustration|Dress (garment)||19|||1879|1879||1879|1879-1879||La Mode illustrée|Series||7423||||0|||||||||||engraving (incising)|||||||9746|Paris: La bibliothèque des Arts décoratifs|Paris: Bibl. Arts Decoratifs||Costumes ; Fashion (concept) ; Gloves ; Dresses ; Hats ; |Costumes|Fashion (concept)|Gloves|Dresses|Hats|||||Cornell||MNW|JNK|7/28/2006 0:00:00|7/16/2006 0:00:00||||0||||||ModeIll/Glov|V|||15||||| |9.2|||||||Work|0|Tapestry, Textiles, Embroidery-French|||||||||||0|0|Two Women in a Glove Shop Decorated in Japanese Style| 7430.00|0|Culture|07|V-15|9.2|Worth/Dres|1|V-15 9.2 Worth/Dres 1|Evening Dress|Descriptive|Repository|||||||Evening Dress|31253|House of Worth||designer, costume|House of Worth|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Costumes|Costume|Dress (garment)|||19|||1898|1900||1898-1900|1898-1900|||||0||||0|||||Silk|silk (textile)||||||||||||3294|New York: Metropolitan Museum of Art|New York: Metropolitan||Fashion (concept) ; Costumes ; Dresses ; |Fashion (concept)|Costumes|Dresses|||||||Cornell||MNW|MNW|7/16/2006 0:00:00|7/16/2006 0:00:00||||0||1976.258.1a,b||||Worth/Dres|V|||15||||| |9.2|||||||Work|0|Tapestry, Textiles, Embroidery-French|Dress with velvet arabesques on a satin ground.||||||||Gift of Eva Drexel Dahlgren, 1976.||0|0|Evening Dress|House of Worth 7431.00|0|Creator|15|32|T616-PA|1870|2|32 T616-PA 1870 2|Young Girl in an Armchair|Descriptive|Image Source (Pub)|The Convalescent||||||Young Girl in an Armchair (The Convalescent)|11804|Tissot, James||painter|James Tissot|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting||||||1870|1870||1870|1870-1870|||||0||||0|||||Oil on board|oil paint|boards (flat objects)||||painting (image-making)|||||37.5 x 45.7 cm||3399|Toronto: Art Gallery of Ontario|Toronto: Art Gal. of Ontario||Fashion (concept) ; Dresses ; Women ; |Fashion (concept)|Dresses|Women|||||||Cornell||MNW|MNW|7/17/2006 0:00:00|7/16/2006 0:00:00||||0|||||||32|PA||||||1870| ||||||||Work|0||||||||||||0|0|Young Girl in an Armchair;The Convalescent|Tissot, James 7432.00|0||||||||The Aqua fellice with the Moses fountain in the Piazza S. Bernardo|Translated|Cataloger|Mostra dell'Acqua Felice con la fontana del Mosè in piazza S. Bernardo|Descriptive|Image Source (Pub)||||Vatican Library. Salone Sistino. The Aqua fellice with the Moses fountain in the Piazza S. Bernardo|8430|Nebbia, Cesare||painter|Cesare Nebbia & Giovanni Guerra|4907|Guerra, Giovanni||painter|0|||||Italian|||Baroque|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Paintings|Fresco|Painting|||16|||1590|1591||1590-1591|1590-1591||Salone Sistino|Larger entity||2316||||0|||||Fresco|frescoes|||||painting (image-making)|fresco painting||||||9353|Rome: Vatican; Biblioteca Apostolica Vaticana; Salone Sisto|Rome: Vatican; Biblio. Apost.; Sisto||Rome (Italy) ; Fountains ; Moses ; Piazzas ; |Rome (Italy)|Fountains|Moses|Piazzas||||||Cornell||JNK|JNK|7/18/2006 0:00:00|7/17/2006 0:00:00||Rom||0||||||||||||||| |||||||||0|||||Jörg Garms dates the fresco to 1588-1589.|||||||0|0|The Aqua fellice with the Moses fountain in the Piazza S. Bernardo;Mostra dell'Acqua Felice con la fontana del Mosè in piazza S. Bernardo|Nebbia, Cesare;Guerra, Giovanni 7433.00|0|Creator|15|32|G527-PA|P234||32 G527-PA P234 |La Parisienne|Descriptive|Image Source (Pub)|||||||La Parisienne|31255|Giron, Charles||painter|Charles Giron|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1883|1883||1883|1883-1883|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||200 x 91 cm||2197|Paris: Musee du Petit Palais|Paris: Petit Palais||Women ; Fashion (concept) ; Hats ; Dresses ; |Women|Fashion (concept)|Hats|Dresses||||||Cornell||MNW|MNW|7/17/2006 0:00:00|7/17/2006 0:00:00|G527|||0|||||||32|PA||||||1883| |P234|||||||Work|0||||||||||||0|0|La Parisienne|Giron, Charles 7434.00|0|Creator|15|32|V193-PA|1898|1|32 V193-PA 1898 1|Le Bon Marché|Descriptive|Image Source (Pub)|||||||Le Bon Marché|14499|Vallotton, Felix Edouard||painter|Vallotton, Felix|0||||0|||||Swiss||||||Europe||Switzerland||||||0||||0||||0||||0|Paintings|Painting|Triptych|Oil painting||19|||1898|1898||1898|1898-1898|||||0||||0|||||Oil on board|oil paint|boards (flat objects)||||painting (image-making)|||||70 x 50 cm each panel||3442|Switzerland: Private Collection|Switzerland: Private Coll.||Stores ; Shopping ; |Stores|Shopping||||||||Cornell||MNW|MNW|7/17/2006 0:00:00|7/17/2006 0:00:00|V193|||0|||||||32|PA||||||1898| ||||||||Work|0||||||||||||0|0|Le Bon Marché|Vallotton, Felix Edouard 7435.00|0|Creator|05|J-Doisneau|||3|J-Doisneau 3|Sideways Glance in Front of the Boutique Romi, Rue de Seine|Translated|Cataloger|Le regard oblique, devant la boutique de Romi, rue de Seine|Original|Image Source (Pub)||||Sideways Glance in Front of the Boutique Romi, Rue de Seine|30841|Doisneau, Robert||photographer|Robert Doisneau|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1947|1947||1947|1947-1947|||||0||||0|||||Photographic pring||||||photography|||||||||||Paris (France) ; Shopping ; |Paris (France)|Shopping||||||||Cornell||MNW|MNW|7/17/2006 0:00:00|7/17/2006 0:00:00|Doisneau|||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Sideways Glance in Front of the Boutique Romi, Rue de Seine;Le regard oblique, devant la boutique de Romi, rue de Seine|Doisneau, Robert 7436.00|0|Creator|05|J-Doisneau|||4|J-Doisneau 4|Indignant Woman in Front of the Boutique Romi, Rue de Seine|Translated|Cataloger|La dame indignée, devant la boutique de Romi, rue de Seine|Original|Image Source (Pub)||||Indignant Woman in Front of the Boutique Romi, Rue de Seine|30841|Doisneau, Robert||photographer|Robert Doisneau|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1947|1947||1947|1947-1947|||||0||||0|||||Photographic print||||||photography|||||||||||Paris (France) ; Shopping ; Nudes ; |Paris (France)|Shopping|Nudes|||||||Cornell||MNW|JNK|8/2/2006 0:00:00|7/17/2006 0:00:00|Doisneau|||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Indignant Woman in Front of the Boutique Romi, Rue de Seine;La dame indignée, devant la boutique de Romi, rue de Seine|Doisneau, Robert 7437.00|0|Creator|05|J-Doisneau|||5|J-Doisneau 5|Above and to the Right, Front of the Boutique Romi, Rue de Seine|Translated|Cataloger|Ci-dessus et à droite, devant la boutique de Romi, rue de Seine|Original|Image Source (Pub)||||Above and to the Right, Front of the Boutique Romi, Rue de Seine|30841|Doisneau, Robert||photographer|Robert Doisneau|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1947|1947||1947|1947-1947|||||0||||0|||||Photographic print||||||photography|||||||||||Paris (France) ; Shopping ; |Paris (France)|Shopping||||||||Cornell||MNW|JNK|8/2/2006 0:00:00|7/17/2006 0:00:00|Doisneau|||0|||||||J||||||||||||||||Work|0|Photography|||||||||||0|0|Above and to the Right, Front of the Boutique Romi, Rue de Seine;Ci-dessus et à droite, devant la boutique de Romi, rue de Seine|Doisneau, Robert 7438.00|0|Creator|15|32|G987-D|nd|1|32 G987-D nd 1|The Bazaar of Voluptuousness|Translated|Cataloger|Bazar de la volupté|Original|Image Source (Pub)||||The Bazaar of Voluptuousness|4970|Guys, Constantin||illustrator|Constantin Guys|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Drawings|Drawing||||19|||1860|1864||1860-1864|1860-1864|||||0||||0|||||Wash, ink, lead pencil on Vellum|wash|ink|pencils|||drawing (image-making)|||||17.6 x 24.2 cm||3396|Paris: Musée Carnavalet|Paris: Musée Carnavalet||Prostitutes ; |Prostitutes|||||||||Cornell||MNW|JNK|8/2/2006 0:00:00|7/17/2006 0:00:00|G987|||0||M. CD II65|||||32|D||||||nd| ||||||||Work|0|19th Century|||||||||From the La Fizelière Collection.||0|0|The Bazaar of Voluptuousness;Bazar de la volupté|Guys, Constantin 7439.00|0|Creator|15|32|G987-D|nd|2|32 G987-D nd 2|Promenading Couple|Translated|Cataloger|Couple en promenade|Original|Image Source (Pub)||||Promenading Couple|4970|Guys, Constantin||illustrator|Constantin Guys|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Drawings|Drawing||||19|||1860|1864||1860-1864|1860-1864|||||0||||0|||||Watercolor on paper|watercolor|paper (fiber product)||||drawing (image-making)|||||31.6 x 22.2 cm||2197|Paris: Musee du Petit Palais|Paris: Petit Palais||Couples ; |Couples|||||||||Cornell||MNW|MNW|7/17/2006 0:00:00|7/17/2006 0:00:00|G987|||0||RF D II79|||||32|D||||||nd| ||||||||Work|0||||||||||||0|0|Promenading Couple;Couple en promenade|Guys, Constantin 7440.00|0|Creator|15|32|G987-D|nd|3|32 G987-D nd 3|Duo|Descriptive|Image Source (Pub)|||||||Duo|4970|Guys, Constantin||illustrator|Constantin Guys|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Drawings|Drawing||||19|||1865|1870||1865-1870|1865-1870|||||0||||0|||||Watercolor on paper|watercolor|paper (fiber product)||||drawing (image-making)|||||18.7 x 25.2 cm||2197|Paris: Musee du Petit Palais|Paris: Petit Palais||Couples ; |Couples|||||||||Cornell||MNW|JNK|8/2/2006 0:00:00|7/17/2006 0:00:00|G987|||0||RF D II8I|||||32|D||||||nd| ||||||||Work|0||||||||||||0|0|Duo|Guys, Constantin 7441.00|0||||||||Piazza S. Pietro During the Raising of the Vatican Obelisk|Translated|Cataloger|Piazza S. Pietro durante l'innalzamento dell'obelisco sistino|Descriptive|Image Source (Pub)||||Vatican Library. Salone Sistino. Piazza S. Pietro During the Raising of the Vatican Obelisk|8430|Nebbia, Cesare||painter|Cesare Nebbia & Giovanni Guerra|4907|Guerra, Giovanni||painter|0|||||Italian|||Baroque|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Paintings|Fresco|Painting|||16|||1590|1591||1590-1591|1590-1591||Salone Sistino|Larger entity||2316||||0|||||Fresco|frescoes|||||painting (image-making)|fresco painting||||||9353|Rome: Vatican; Biblioteca Apostolica Vaticana; Salone Sisto|Rome: Vatican; Biblio. Apost.; Sisto||Rome (Italy) ; Vatican City ; Obelisks ; Piazza San Pietro (Vatican City) ; Construction ; |Rome (Italy)|Vatican City|Obelisks|Piazza San Pietro (Vatican City)|Construction|||||Cornell||JNK|JNK|7/18/2006 0:00:00|7/18/2006 0:00:00||Rom||0||||||||||||||| |||||||||0|||||Jörg Garms dates the fresco to 1588-1589.|||||||0|0|Piazza S. Pietro During the Raising of the Vatican Obelisk;Piazza S. Pietro durante l'innalzamento dell'obelisco sistino|Nebbia, Cesare;Guerra, Giovanni 7442.00|0|Creator|15|32|G987-D|nd|4|32 G987-D nd 4|Cocottes in a Brasserie|Translated|Cataloger|Cocottes dans une brasserie|Original|Image Source (Pub)||||Cocottes in a Brasserie|4970|Guys, Constantin||illustrator|Constantin Guys|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Drawings|Drawing||||19|||1860|1864||1860-1864|1860-1864|||||0||||0|||||Watercolor, wash, pencil on vellum|watercolor|wash|pencils|||drawing (image-making)|||||25 x 32.2 cm||3396|Paris: Musée Carnavalet|Paris: Musée Carnavalet||Prostitutes ; Interior views ; Restaurants ; Women ; |Prostitutes|Interior views|Restaurants|Women||||||Cornell||MNW|JNK|8/2/2006 0:00:00|7/18/2006 0:00:00|G987|||0||M.C D II64|||||32|D||||||nd| ||||||||Work|0||||||||||From the La Fizelière Collection.||0|0|Cocottes in a Brasserie;Cocottes dans une brasserie|Guys, Constantin 7443.00|0|Didactic|01|B-H5|Spain|1.01|Nas 1|B-H5 Spain 1.01 Nas 1|The Nasrid Dominon before 1492|Inscribed|Image Source (Pub)|||||||The Nasrid Dominon before 1492|0|||||0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Maps|Map||||20|||1992|1992|bef|bef 1992|bef 1992-1992|||||0||||0|||||||||||printing|||||||||||Spain ; Moors ; Empires ; Nasrid ; |Spain|Moors|Empires|Nasrid||||||Cornell||JNK|JNK|7/18/2006 0:00:00|7/18/2006 0:00:00||Spain||0||||||Nas|B|||||H5|1.01||||||||||Work|0|Spain-Architecture|||||||||||0|0|The Nasrid Dominon before 1492| 7444.00|0|Site|02|B-H3|Rom|1.1 Pir/VedR|II-131|B-H3 Rom 1.1 Pir/VedR II-131|Hadrian's Villa; The So-Called Helicaminus, II-131|Translated|Print Publication|Veduta di un Eliocamino|Inscribed|Artist||||Vedute di Roma. Hadrian's Villa, II-131|9255|Piranesi, Giovanni Battista||etcher|Giovanni Battista Piranesi|0||||0|||||Italian|||Neoclassical|||Europe||Italy||||||0||||||||0||||0|Prints|Etching|Architectural drawing|||18|||1777|1792||1777-1792|1777-1792||Vedute di Roma|Series||533||||0|Hind, A. M. Giovanni Battista Piranesi: a Critical Study, 1922|133, I|||Etching|paper (fiber product)|ink||||etching (printing process)|||||||||||Hadrian's Villa (Tivoli, Italy) ; Theaters ; Domes ; Architectural drawings ; |Hadrian's Villa (Tivoli, Italy)|Theaters|Domes|Architectural drawings||||||Cornell||JNK|MNW|11/16/2006 0:00:00|7/18/2006 0:00:00||Rom||0||||||Pir/VedR|B|||||H3|1.1|| ||||||||Work|0||||||||||||0|0|Hadrian's Villa; The So-Called Helicaminus, II-131;Veduta di un Eliocamino|Piranesi, Giovanni Battista 7445.00|0|Didactic|01|A-AØ2|Emp|1.01|Rom/193|A-AØ2 Emp 1.01 Rom/193|Roman Empire under Septimus Severus, 193-211|Descriptive|Image Source (Pub)|||||||Roman Empire under Septimus Severus, 193-211|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Maps|Map||||20|||1987|1987|bef|bef 1987|bef 1987-1987|||||0||||0|||||||||||printing|||||||||||Maps ; Rome (Italy) ; Empires ; |Maps|Rome (Italy)|Empires|||||||Cornell||JNK|JNK|7/18/2006 0:00:00|7/18/2006 0:00:00||2 Emp||0||||||Rom/193|A|||||AØ|1.01||||||||||Work|0|Maps (Canada)-Graphic Documents|||||||||||0|0|Roman Empire under Septimus Severus, 193-211| 7492.00|0|Creator|15|40|||||Tabernalcle of Linen Drapers' Guild|Translated|Dict.Art|Tabernacolo dell'Arte dei Linaioli e Rigattieri|Original|Dict.Art||||Orsanmichele. Tabernacle of the Linen Drapers' Guild|0|||||0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0|Florence, Italy|||9985||||0||||0|Architecture|Niche||||15|||1413|1413|ca|ca 1413|ca 1413-1413||Orsanmichele|||2200||||0|||||Bronze|||||||||||255 cm (100.4 in)||||||Aedicules ; Niches ; |Aedicules|Niches||||||||Cornell||MNW|MNW|7/31/2006 0:00:00|7/21/2006 0:00:00||Flo||0|||||||||||||||||||||||Work|0||||||||||||0|0|Tabernalcle of Linen Drapers' Guild;Tabernacolo dell'Arte dei Linaioli e Rigattieri| 7493.00|0||||||||Tabernacle of the Calimala Guild|Preferred|Dict.Art|||||||Orsanmichele. Tabernacle of the Calimala Guild|4430|Ghiberti, Lorenzo||sculptor|Lorenzo Ghiberti|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0|Florence, Italy|||9985||||0||||0|Architecture|niche||||15|||1414|1414||1414|1414-1414||Orsanmichele|LargerEntity||2200||||0||||||||||||||||||||||Aedicules ; Niches ; |Aedicules|Niches||||||||Cornell||MNW|MNW|7/29/2006 0:00:00|7/21/2006 0:00:00||Flo||0||||||||||||||||||||||||0||This tabernacle which is located on the East side of Orsanmichele contained the statue of St. John the Baptist also by Ghiberti.||||||||||0|0|Tabernacle of the Calimala Guild|Ghiberti, Lorenzo 7494.00|0|Architect|02|MA-|McMeaWh|7.5 1902 Oel||MA- McMeaWh 7.5 1902 Oel |Rosecliff|Preferred|Repository|Hermann Oelrichs House|Variant|Macmillan||||Rosecliff|28580|McKim, Mead & White||ArchFirm|McKim, Mead & White|0||||0|||||American|||Classicism|Neoclassical||North and Central America||United States||||||0|Newport, RI|||10907||||0||||0|Architecture|House||||20|||1900|1902||1900-1902|1900-1902|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|JNK|7/24/2006 0:00:00|7/24/2006 0:00:00|McMeaWh|New||0||||||1902 Oel|MA||||||7.5||||||||||Building|0|Modern Architecture-|Commissioned by Nevada silver heiress Theresa Fair Oelrichs in 1899. Preservation Society of Newport Co.|||Commissioned in 1899.|||||||0|0|Rosecliff;Hermann Oelrichs House|McKim, Mead & White 7446.00|0|Site|02|B-H3|rom|3.1 Vat/Lib||B-H3 rom 3.1 Vat/Lib |View of Vatican Library with display of Etruscan antiquities|Descriptive|Cataloger|||||||View of Vatican Library with display of Etruscan antiquities|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Prints|Engraving (print)||||18|||1700|1799||18th Century|1700-1799|||||0||||0|||||Engraving||||||engraving (incising)|||||||||||Vatican City ; Biblioteca Apostolica Vaticana ; |Vatican City|Biblioteca Apostolica Vaticana||||||||Cornell||JNK|JNK|7/18/2006 0:00:00|7/18/2006 0:00:00||rom||0||||||Vat/Lib|B|||||H3|3.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|View of Vatican Library with display of Etruscan antiquities| 7447.00|0|Creator|15|C-5.5|Leo-|||C-5.5 Leo-|Apollo Belvedere|Preferred|Dict.Art|||||||Apollo Belvedere|14617|Leochares||sculptor|Leochares|0||||0|||||Greek|||Late Classical|||Europe||Greece||||||0||||0||||0||||0|Sculpture|Sculpture|||BCE|-04|||-320|-320|ca|ca -320 BCE|ca -320--320|||||0||||0|||||Marble|marble|||||sculpture|||||224 cm High||3066|Rome: Vatican; Museo Pio-Clementino|Rome: Vatican; Mus. Pio-Clementino||Apollo ; |Apollo|||||||||Cornell||JNK|JNK|7/18/2006 0:00:00|7/18/2006 0:00:00|Leo|||0|||||||C|||05.5||||| ||||||||Work|0||This work is a Roman copy of the Greek original.||||||||||0|0|Apollo Belvedere|Leochares 7448.00|0|Site|02|B-H2|Par|1.32 Car||B-H2 Par 1.32 Car |Arc de Triomphe du Carrousel|Assigned|Blue Guide|||||||Arc de Triomphe du Carrousel|28795|Percier & Fontaine||architectural firm|Percier & Fontaine|0||||0|||||French|||Napoleonic|||Europe||France||||||0|Paris, France|||10058||||0||||0|Architecture|Triumphal arch||||19|||1806|1806||1806|1806-1806|||||0||||0||||||marble|bronze||||carving|sculpture||||14.6 m High||||||Triumphal arches ; Arch of Septimus Severus (Rome, Italy) ; Napoleon I, Emperor of the French, 1769-1821 ; Victory ; |Triumphal arches|Arch of Septimus Severus (Rome, Italy)|Napoleon I, Emperor of the French, 1769-1821|Victory||||||Cornell||JNK|JNK|7/18/2006 0:00:00|7/18/2006 0:00:00||Par||0||||||Car|B|||||H2|1.32||||||||||Work|0|Architecture-France|||||||||||0|0|Arc de Triomphe du Carrousel|Percier & Fontaine 7449.00|0|Site|02|B-H3|Rom|2.22 Mar||B-H3 Rom 2.22 Mar |Theatre of Marcellus|Assigned|Blue Guide|||||||Theatre of Marcellus|0|||||0||||0|||||Roman|||Roman Period|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Theater|||BCE|-01|||-13|-11||-13--11|-13--11|||||0||||0||||||||||||||||||||||Theater of Marcellus, Rome, Italy ; Theaters ; |Theater of Marcellus, Rome, Italy|Theaters||||||||Cornell||JNK|JNK|7/18/2006 0:00:00|7/18/2006 0:00:00||Rom||0||||||Mar|B|||||H3|2.22||||||||||Work|0|Architecture-Italy|Theater was begun by Julius Caesar and dedicated by his son Augustus to the memory of his nephew and son-in-law who had died in 23 BC. Blue guide, Rome.||||||||||0|0|Theatre of Marcellus| 7450.00|0|Site|02|B-H3|Rom|7.1 Can||B-H3 Rom 7.1 Can |Palazzo della Cancelleria|Preferred|Blue Guide|||||||Palazzo della Cancelleria|0|||||0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0||||0||||0||||0|Architecture|Palace||||15|||1486|1511||1486-1511|1486-1511|||||0||||0||||||||||||||||||7|Rome: Vatican City|Rome: Vatican City||Palazzi ; Palaces ; Rome (Italy) ; |Palazzi|Palaces|Rome (Italy)|||||||Cornell||JNK|JNK|7/18/2006 0:00:00|7/18/2006 0:00:00||Rom||0||||||Can|B|||||H3|7.1|| ||||||||Building|0|Architecture-Italy|Built for the Cardinal Raffaello Riario by an unknown arhcitect. It is thought that Bramante may have helped at a late stage, possibly designing the beautifulcourt. Blue Guide, Rome, 130.|||Probably begun in 1486. Blue Guide, Rome, 131.|||||||0|0|Palazzo della Cancelleria| 7451.00|0|Site|02|B-H3|Rom|7.1 FarnV||B-H3 Rom 7.1 FarnV |Villa Farnesina|Preferred|Blue Guide|||||||Villa Farnesina|9120|Peruzzi, Baldassarre||architect|Baldassarre Peruzzi|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Villa||||16|||1508|1511||1508-1511|1508-1511|||||0||||0||||||||||||||||||||||Villas ; |Villas|||||||||Cornell||JNK|JNK|7/18/2006 0:00:00|7/18/2006 0:00:00||Rom||0||||||FarnV|B|||||H3|7.1||||||||||Building|0|Architecture-Italy|||||||||||0|0|Villa Farnesina|Peruzzi, Baldassarre 7452.00|0|Site|02|B-H3|Rom|7.1 FarnV|1-1|B-H3 Rom 7.1 FarnV 1-1|Plan of the Villa Farnesina, Rome|Descriptive|Cataloger|||||||Plan of the Villa Farnesina, Rome|7000|Letarouilly, Paul Marie||architect|Paul Marie Letarouilly|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Architecture|Architectural drawing||||19|||1855|1855|bef|bef 1855|bef 1855-1855||Villa Farnesina|Model for||7451||||0|||||||||||architectural drawing|||||||||||Villa Farnesina (Rome, Italy) ; |Villa Farnesina (Rome, Italy)|||||||||Cornell||JNK|JNK|7/18/2006 0:00:00|7/18/2006 0:00:00||Rom||0||||||FarnV|B|||||H3|7.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|Plan of the Villa Farnesina, Rome|Letarouilly, Paul Marie 7453.00|0||||||||View of a bullfight in the ruined Colosseum with the colossal statue of Jove|Translated|Cataloger|Visione di tauromachia nel Colosseo diruto con la statue colossale di Giove|Translated|Image Source (Pub)|Anphitheatrum sive Arena/Tauriliorum ad Imitationem Antiquorum Romanorum in Theatris Exibitorum Grap|Inscribed|Artist|View of a bullfight in the ruined Colosseum with the colossal statue of Jove|5262|Heemskerck, Maerten van||painter|Maerten van Heemskerck|0||||0|||||Dutch|||Renaissance|Late Renaissance||Europe||Holland (historical region)||||||0||||0||||0||||0|Prints|Etching||||16|||1550|1574|ca|ca 1550-1574|ca 1550-1574|||||0||||0|||||Etching||||||etching (corroding)|||||32.8 x 26.4 cm||||||Rome (Italy) ; Colosseum (Rome, Italy) ; Sculpture (visual work) ; Bullfights ; |Rome (Italy)|Colosseum (Rome, Italy)|Sculpture (visual work)|Bullfights||||||Cornell||JNK|JNK|7/18/2006 0:00:00|7/18/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|View of a bullfight in the ruined Colosseum with the colossal statue of Jove;Visione di tauromachia nel Colosseo diruto con la statue colossale di Giove;Anphitheatrum sive Arena/Tauriliorum ad Imitationem Antiquorum Romanorum in Theatris Exibitorum Grap|Heemskerck, Maerten van 7454.00|0|Creator|15|32|G987-D|nd|5||Nana|Preferred|Image Source (Pub)|||||||Nana|4970|Guys, Constantin||illustrator|Constantin Guys|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Drawings|Drawing||||19|||1860|1864||1860-1864|1860-1864|||||0||||0|||||Wash, crayon, ink on vellum|wash|crayons|ink|||drawing (image-making)|||||30.6 x 21.6 cm||3396|Paris: Musée Carnavalet|Paris: Musée Carnavalet||Portraits ; Women ; |Portraits|Women||||||||Cornell||MNW|JNK|8/2/2006 0:00:00|7/18/2006 0:00:00|G987|||0||M.C D 860|||||32|D||||||nd| ||||||||Work|0||||||||||From the La Fizelière Collection.||0|0|Nana|Guys, Constantin 7455.00|0||||||||Roman Forum from the Campidoglio|Translated|Cataloger|Foro Romano visto dal Campidoglio|Assigned|Image Source (Pub)||||Roman Forum from the Campidoglio|31256|Cock, Hieronymus||printmaker|Hieronymus Cock|0||||0|||||Flemish|||Renaissance|||Europe||Belgium||||||0||||0||||0||||0|Prints|Etching||||16|||1551|1551||1551|1551-1551|||||0||||0|||||Etching||||||etching (corroding)|||||19.9 x 29.8 cm||||||Roman Forum (Rome, Italy) ; |Roman Forum (Rome, Italy)|||||||||Cornell||JNK|JNK|7/18/2006 0:00:00|7/18/2006 0:00:00||||0||||||||||||||||||||||||0||Published in his "Romanae Antiquitatis Ruinarum Monimenta"||||||||||0|0|Roman Forum from the Campidoglio;Foro Romano visto dal Campidoglio|Cock, Hieronymus 7456.00|0|Creator|15|32|G987-D|nd|6|32 G987-D nd 6|Beauties of the Night|Preferred|Image Source (Pub)|Belles de nuit||||||Beauties of the Night|4970|Guys, Constantin||illustrator|Constantin Guys|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Drawings|Drawing||||19|||1860|1864||1860-1864|1860-1864|||||0||||0|||||Watercolor on vellum|watercolor|vellum (paper)||||drawing (image-making)|||||23.4 x 15.8 cm||3396|Paris: Musée Carnavalet|Paris: Musée Carnavalet||Women ; Fashion (concept) ; Bonnets (hats) ; Dresses ; |Women|Fashion (concept)|Bonnets (hats)|Dresses||||||Cornell||MNW|JNK|8/2/2006 0:00:00|7/18/2006 0:00:00|G987|||0||M.C D1239|||||32|D||||||nd| ||||||||Work|0||||||||||From the La Fizelière Collection.||0|0|Beauties of the Night;Belles de nuit|Guys, Constantin 7457.00|0|Creator|15|32|G987-D|nd|7|32 G987-D nd 7|Woman in Velvet|Translated|Cataloger|Femme en velours|Original|Image Source (Pub)||||Woman in Velvet|4970|Guys, Constantin||illustrator|Constantin Guys|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Drawings|Drawing||||19|||1860|1864||1860-1864|1860-1864|||||0||||0|||||Watercolor, wash, ink on vellum|watercolor|wash|ink|||drawing (image-making)|||||39.3 x 26.4 cm||3396|Paris: Musée Carnavalet|Paris: Musée Carnavalet||Fashion (concept) ; Women ; Dresses ; |Fashion (concept)|Women|Dresses|||||||Cornell||MNW|JNK|8/2/2006 0:00:00|7/18/2006 0:00:00|G987|||0||M.C D861|||||32|D||||||nd| ||||||||Work|0||||||||||From the La Fizelière Collection.||0|0|Woman in Velvet;Femme en velours|Guys, Constantin 7458.00|0|Creator|15|32|G987-D|nd|8|32 G987-D nd 8|The back|Translated|Cataloger|De Dos|Original|||||The back|4970|Guys, Constantin||illustrator|Constantin Guys|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Drawings|Drawing||||19|||1865|1870||1865-1870|1865-1870|||||0||||0|||||Watercolor, gouache, ink on vellum|watercolor|gouache|ink|||drawing (image-making)|||||20.2 x 14.2 cm||3396|Paris: Musée Carnavalet|Paris: Musée Carnavalet||Women ; Fashion (concept) ; Dresses ; |Women|Fashion (concept)|Dresses|||||||Cornell||MNW|JNK|8/2/2006 0:00:00|7/18/2006 0:00:00|G987|||0||M.C D974|||||32|D||||||nd| ||||||||Work|0||||||||||||0|0|The back;De Dos|Guys, Constantin 7460.00|0|Creator|05|J-Carroll J-Carroll|||4|J-Carroll J-Carroll 4|Reginald Southey with Skeletons and Skulls|Preferred|Repository|||||||Reginald Southey with Skeletons and Skulls|2062|Carroll, Lewis||photographer|Lewis Carroll|0||||0|||||English||||||Europe||England||||||0||||0||||0||||0|Photographs|Photographic print|Portrait|||19|||1857|1858||1857-1858|1857-1858|||||0||||0|||||Wet collodion print||||||wet collodion process|||||||9748|Bradford: National Museum of Photography, Film, and Television|Bradford: Natl Mus of Photo, Film & TV||Portraits ; Skeletons ; Skulls ; |Portraits|Skeletons|Skulls|||||||Cornell||MNW|MNW|7/18/2006 0:00:00|7/18/2006 0:00:00|Carroll|||0||10324608|||||J J|||||||| ||||||||Work|0||||||||||||0|0|Reginald Southey with Skeletons and Skulls|Carroll, Lewis 7461.00|0|Creator|15|25|W417-G|96|1|25 W417-G 96 1|Fat Man|Preferred|Image Source (Pub)|||||||Fat Man|31257|Weiditz, Hans, II,||woodcutters|Hans Weiditz II|0||||0|||||German||||||Europe||Germany||||||0||||0||||0||||0|Prints|Woodcut||||16|||1521|1521||1521|1521-1521|||||0||||0|||||Woodcut||||||printing|woodcut (process)||||||3373|London: British Museum|London: British Museum||Grotesques ; |Grotesques|||||||||Cornell||MNW|MNW|7/18/2006 0:00:00|7/18/2006 0:00:00|W417|||0|||||||25|G||||||| |96|||||||Work|0||||||||||||0|0|Fat Man|Weiditz, Hans, II, 7462.00|0|Category|15|32A|F874-G|1810|1|32A F874-G 1810 1|Gargantua's Feast|Translated|Image Source (Pub)|Gargantua à son grand couvert|Original|Image Source (Pub)||||Gargantua's Feast (Gargantua à son grand couvert)|0|||||0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Prints|Engraving (print)||||19|||1810|1815||1810-1815|1810-1815|||||0||||0|||||Copper colored engraving||||||printing|engraving (incising)||||23,5 x 31,7 cm||2171|Paris: Bibliotheque Nationale; Cabinet des Estampes|Paris: Bib. Nat.; Cab. des Estampes||Gargantua (Legendary character) ; Grotesques ; |Gargantua (Legendary character)|Grotesques||||||||Cornell||MNW|MNW|7/19/2006 0:00:00|7/18/2006 0:00:00|F874|||0|||||||32A|G||||||1810| ||||||||Work|0||Published by Basset, Rue Saint-Jacques, Paris.||||||||||0|0|Gargantua's Feast;Gargantua à son grand couvert| 7463.00|0|Architect|02|MA-|Wright|4.2 1941 FlSo/Lib||MA- Wright 4.2 1941 FlSo/Lib |Thad Buckner Building|Preferred|Repository|E. T. Roux Library|Original|Repository||||Florida Southern College. Thad Buckner Building|12943|Wright, Frank Lloyd||architect|Frank Lloyd Wright|0||||0|||||American|||Modern|||North and Central America||United States||||||0|Lakeland, FL|||10297||||0||||0|Architecture|Library|University|||20|||1941|1945||1941-1945|1941-1945||Florida Southern College|Larger entity||2588||||0||||||||||||||||||||||Universities ; Libraries (Buildings) ; |Universities|Libraries (Buildings)||||||||Cornell||JNK|JNK|7/19/2006 0:00:00|7/19/2006 0:00:00|Wright|Lake||0||||||1941 FlSo/Lib|MA||||||4.2||||||||||Building|0|Modern Architecture-|||||||||||0|0|Thad Buckner Building;E. T. Roux Library|Wright, Frank Lloyd 7464.00|0|Site|02|B-H3|Rom|3.4 AntFau||B-H3 Rom 3.4 AntFau |Temple of Antoninus and Faustina|Preferred|Blue Guide|San Lorenzo in Miranda|Variant|Blue Guide||||Forum Romanum. Temple of Antoninus and Faustina|0|||||0||||0|||||tom|Italian||Imperial (Roman)|Roman Period||Europe||Italy||||||0|Rome, Italy|||10024||||||||0|Architecture|Temple|Church|||01|||0141|0141|ca|ca 141|ca 0141-0141||Forum Romanum|LargerEntity||2047||||0||||||||||||||||||||||Temples ; Churches ; Roman Forum (Rome, Italy) ; |Temples|Churches|Roman Forum (Rome, Italy)|||||||Cornell||JNK|JNK|7/19/2006 0:00:00|7/19/2006 0:00:00||Rom||0||||||AntFau|B|||||H3|3.4||||||||||Work|0|Architecture-Italy|The temle was converted into the church of San Lorenzo in Miranda before the 12C, and given a Baroque façade in 1602.Blue Guide, Rome, p. 88.|||The Roman Senate dedicated the temple in 141 to the memory of Empress Faustina and, after his death in 161, to Antoninus Pius also.|||||||0|0|Temple of Antoninus and Faustina;San Lorenzo in Miranda| 7465.00|0||||||||Centennial Exhibition|Preferred|Image Source (Pub)|||||||Centennial Exhibition|0|||||0||||0|||||American||||||North and Central America||United States||||||0||||0|Philadelphia, PA|||10070||||0|Architecture|Exhibition||||19|||1876|1876||1876|1876-1876|||||0||||0||||||||||||||||||||||Centennial Exhibition (1876 : Philadelphia, Pa.) ; Exhibitions ; |Centennial Exhibition (1876 : Philadelphia, Pa.)|Exhibitions||||||||Cornell||MNW|JNK|8/2/2006 0:00:00|7/19/2006 0:00:00|||Phi|0||||||||||||||||||||||||0||||||||||||0|0|Centennial Exhibition| 7467.00|0|Site|02|B-B39|Phi|2.31 Cen/Obj|2|B-B39 Phi 2.31 Cen/Obj 2|Objects Exhibited|Descriptive|Cataloger|||||||Centennial Exhibition. Objects Exhibited|0|||||0||||0|||||American||||||North and Central America||United States||||||0||||0|Philadelphia, PA|||10070||||0|Architecture|Exhibition||||19|||1876|1876||1876|1876-1876||Centennial Exhibition|Larger entity||7465||||0||||||||||||||||||||||Centennial Exhibition (1876 : Philadelphia, Pa.) ; Exhibitions ; |Centennial Exhibition (1876 : Philadelphia, Pa.)|Exhibitions||||||||Cornell||MNW|MNW|7/19/2006 0:00:00|7/19/2006 0:00:00|||Phi|0||||||Cen/Obj|B|||||B39|2.31||||||||||Work|0|Architecture-Pennsylvania (PA)|||||||||||0|0|Objects Exhibited| 7468.00|0||||||||Doors and Windows|Translated|Cataloger|Portes et fenêtres|Original|Image Source (Pub)||||Doors and Windows (Portes et fenêtres)|0|||||0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Prints|Print|Lithograph|||19|||1835|1845|ca|ca 1840|ca 1835-1845|||||0||||0|||||||||||printing|lithography||||||3655|Paris: Bibliothèque Nationale|Paris: Bib. Nat.||Paris (France) ; Morals ; Peeping Toms ; Voyeurs ; |Paris (France)|Morals|Peeping Toms|Voyeurs||||||Cornell||MNW|MNW|7/20/2006 0:00:00|7/19/2006 0:00:00||||0||Ae-76-Pet.fol||||||||||||| |||||||||0||Collection of 36 colored drawings. Paris, BN. Each lithograph depicts voyeurs looking through keyholes, windows, peepholes to spy on sexual activities within. Each has a moving door or window that enables peeping inside. Cohen, Spectacles.||||||||||0|0|Doors and Windows;Portes et fenêtres| 7469.00|0|Creator|15|C-5.5|Hag/Lao-|||C-5.5 Hag/Lao- |Laocoön and His Sons|Preferred|Print Publication|Laokoon|Variant|Dict.Art|Laocoon|Variant|Dict.Art|Laocoön and His Sons|29367|Hagesandros, Polydoros, Athenodoros||sculptor|Hagesandros, Polydoros, Athenodoros|0||||0|||||Greek|Roman||Hellenistic|Roman Period||Europe||Greece|Italy|||||0||||0||||0||||0|Sculpture|Sculpture||||-02|-01|01|-199|20||-199-20|-199-20|||||0||||0|||||Marble|marble|||||sculpture|||||2.44 m High||3066|Rome: Vatican; Museo Pio-Clementino|Rome: Vatican; Mus. Pio-Clementino||Laocoon and his twin sons ; Sacrifices ; Serpents ; Trojan War ; Troy ; Priests ; |Laocoon and his twin sons|Sacrifices|Serpents|Trojan War|Troy|Priests||||Cornell||JNK|JNK|7/20/2006 0:00:00|7/20/2006 0:00:00|Hag/Lao|||0|||||||C|||5.5||||| ||||||||Work|0||Could be a Greek original dating from the 2nd or 1st C BCE or is a Roman copy of the 1st C CE.|||The date of this work continues to be in dispute. DOA|||||||0|0|Laocoön and His Sons;Laokoon;Laocoon|Hagesandros, Polydoros, Athenodoros 7470.00|0|Site|02|B-B|USA|7.5 ColRev|1|B-B USA 7.5 ColRev 1|Elements of Colonial Revival Style elevation|Descriptive|Cataloger|||||||Elements of Colonial Revival Style elevation|0|||||0||||0|||||American|||Colonial Revival|||North and Central America||United States||||||0||||0||||0||||0|Architecture|Architectural drawing||||20||||||||||||0||||0||||||||||||||||||||||Houses ; Architectural drawings ; Facades ; |Houses|Architectural drawings|Facades|||||||Cornell||JNK|JNK|7/25/2006 0:00:00|7/20/2006 0:00:00||USA||0||||||ColRev|B|||||B|7.5||||||||||Work|0|Architecture-United States and Possessions|||||||||||0|0|Elements of Colonial Revival Style elevation| 7471.00|0|Site|02|B-B34|Ash|7.5 Bilt||B-B34 Ash 7.5 Bilt |Biltmore House|Preferred|Repository|George W. Vanderbilt Mansion|Variant|Macmillan||||Biltmore Estate. Biltmore House|5724|Hunt, Richard Morris||architect|Richard Morris Hunt|31258|Vanderbilt, George Washington||patron|0|||||American||||||North and Central America||United States||||||0|Asheville, NC|||10901||||0||||0|Architecture|House||||19|||1889|1895||1889-1895|1889-1895||Biltmore Estate|Larger entity||7472||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|JNK|7/21/2006 0:00:00|7/20/2006 0:00:00||Ash||0||||||Bilt|B|||||B34|7.5||||||||||Work|0|Architecture-North Carolina (NC)|||||||||||0|0|Biltmore House;George W. Vanderbilt Mansion|Hunt, Richard Morris;Vanderbilt, George Washington 7472.00|0|Site|02|B-B34|Ash|7.5 Bilt||B-B34 Ash 7.5 Bilt |Biltmore Estate|Preferred|Repository|||||||Biltmore Estate|31258|Vanderbilt, George Washington||patron|George Washington Vanderbilt|0||||0|||||American||||||North and Central America||United States||||||0|Asheville, NC|||10901||||0||||0|Architecture|House|Garden|||19|||1889|1895||1889-1895|1889-1895|||||0||||0||||||||||||||||||||||Houses ; Gardens ; |Houses|Gardens||||||||Cornell||JNK|JNK|7/21/2006 0:00:00|7/20/2006 0:00:00||Ash||0||||||Bilt|B|||||B34|7.5||||||||||Work|0|Architecture-North Carolina (NC)|||||||||||0|0|Biltmore Estate|Vanderbilt, George Washington 7473.00|0|Category|15|32A|F874-G|1840|1|32A F874-G 1840 1|Oh, that's amusing, two!..., No. 7|Translated|Cataloger|Ah! Que c'est drôle, deux!…|Inscribed|Image Source (Pub)||||Doors and Windows. Oh, that's amusing, two!…|0|||||0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Prints|Print|Lithograph|||19|||1835|1845|ca|ca 1840|ca 1835-1845||Doors and Windows|Series||7468||||0|||||Lithograph||||||printing|lithography||||||2171|Paris: Bibliotheque Nationale; Cabinet des Estampes|Paris: Bib. Nat.; Cab. des Estampes||Paris (France) ; Morals ; Peeping Toms ; Voyeurs ; |Paris (France)|Morals|Peeping Toms|Voyeurs||||||Cornell||MNW|JNK|7/28/2006 0:00:00|7/20/2006 0:00:00|F874|||0||Ae-76-Pet.fol; No. 7|||||32A|G||||||1840| ||||||||Work|0||||||||||||0|0|Oh, that's amusing, two!..., No. 7;Ah! Que c'est drôle, deux!…| 7474.00|0|Category|15|32A|F874-G|1840|2|32A F874-G 1840 2|Woman Peering Through a "Telescope"|Descriptive|Image Source (Pub)|||||||Woman Peering Through a "Telescope"|0|||||0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Prints|print|Engraving (print)|||19|||1835|1845||ca 1840|ca 1835-1845|||||0||||0|||||Engraving||||||printing|engraving (incising)||||||2171|Paris: Bibliotheque Nationale; Cabinet des Estampes|Paris: Bib. Nat.; Cab. des Estampes||Telescopes ; Globes ; Pornography ; |Telescopes|Globes|Pornography|||||||Cornell||MNW|MNW|7/20/2006 0:00:00|7/20/2006 0:00:00|F874|||0|||||||32A|G||||||1840| ||||||||Work|0||||||||||||0|0|Woman Peering Through a "Telescope"| 7475.00|0|Category|07|X-15|VenusAnat||1|X-15 VenusAnat 1|Anatomical Venus|Translated|Cataloger|La Vénus anatomique|Original|Image Source (Pub)||||Anatomical Venus (La Vénus anatomique)|0|||||0||||0|||||French||||||||France||||||0||||0||||0||||0|Sculpture|Sculpture|Model (representation)|||19|||1850|1860|ca|ca 1856|ca 1850-1860|||||0||||0|||||Anatomical wax sculpture|wax|||||sculpture|||||||||||Anatomy ; |Anatomy|||||||||Cornell||MNW|MNW|7/21/2006 0:00:00|7/20/2006 0:00:00||||0||||||VenusAnat|X|||15|||||||||||||Work|0|Tools & Inventions-French|Wax anatomical sculpture with forty movable pieces. From Dr. Pierre Spitzner's Grand Musée Anatomique. Ill.from "Cires anatomiques du XIXe siècle: collection du Dr. Spitzner (Paris: Centre Culturel de la Communauté française de Belgique, 1980), p. 14.||||Formerly in Dr. Spitzner's Grand Musée Anatomique.||||||0|0|Anatomical Venus;La Vénus anatomique| 7476.00|0|Architect|02|MA-|Richardson|7.5 1885 Glessner||MA- Richardson 7.5 1885 Glessner |Glessner House|Preferred|Repository|J. J. Glessner House|Variant|Dict.Art||||Glessner House|9832|Richardson, Henry Hobson||architect|Henry Hobson Richardson|0||||0|||||American|||Arts and Crafts|Romanesque Revival||North and Central America||United States||||||0|Chicago, Illinois|||10103||||0||||0|Architecture|House||||19|||1885|1887||1885-1887|1885-1887|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|JNK|7/21/2006 0:00:00|7/21/2006 0:00:00|Richardson|Chi||0||||||1885 Glessner|MA||||||7.5||||||||||Building|0|Modern Architecture-|Built for John and Frances Glessner at the corner of Prairie Avenue and 18th Street, Chicago.||||||||||0|0|Glessner House;J. J. Glessner House|Richardson, Henry Hobson 7477.00|0|Site|02|B-B33|Ash|7.5 SmithBly||B-B33 Ash 7.5 SmithBly |Smith Bly House|Preferred|Print Publication|Smith-Bly House|Variant|Print Publication||||Smith Bly House|0|||||0||||0|||||American|||Greek Revival|||North and Central America||United States||||||0|4 N. Maple ST, Ashville, NY|||10904||||0||||0|Architecture|House||||19|||1835|1835|ca|ca 1835|ca 1835-1835|||||0||||0||||||||||||||||||||||Houses ; Vernacular architecture ; |Houses|Vernacular architecture||||||||Cornell||JNK|JNK|8/1/2006 0:00:00|7/21/2006 0:00:00||Ash||0||||||SmithBly|B|||||B33|7.5||||||||||Building|0|Architecture-New York (NY)|||||||||||0|0|Smith Bly House;Smith-Bly House| 7478.00|0|Site|02|B-B|USA|1.0 Cat&Rul/Fow/Oct||B-B33 Coop 7.5 HydH |Residence of John J. Brown, Williamsburgh, NY|Inscribed|Artist|The Octagon Cottage|Inscribed|Artist|Fig. 20|Inscribed|Artist|The Octagon House: A Home for All. Residence of John J. Brown, Williamsburgh, NY, The Octagon Cottage, Fig. 20|4053|Fowler, Orson Squire||author|Orson Squire Fowler|0||||0|||||American||||||North and Central America||United States||||||0||||||||0||||0|Architectural Theory|Architectural drawing|Publication|||19|||1853|1853|ca|ca 1853|ca 1853-1853||The Octagon House: A Home for All|Larger entity||7595||||0|||||||||||printing|||||||||||Houses ; Architectural drawings ; |Houses|Architectural drawings||||||||Cornell||JNK|JNK|8/1/2006 0:00:00|7/21/2006 0:00:00||USA||0||||||Cat&Rul/Fow/Oct|B|||||B|1.0||||||||||Work|0|Architecture-United States and Possessions|||||||||||0|0|Residence of John J. Brown, Williamsburgh, NY;The Octagon Cottage;Fig. 20|Fowler, Orson Squire 7479.00|0|Site|02|B-B33|Ith|7.5 Sto||B-B33 Ith 7.5 Sto |Calvin D. Stowell House|Assigned|Image Source (Pub)|Stowell-Osborne House|Variant|Print Publication||||Calvin D. Stowell House|8003|Miller, William Henry||architect|William Henry Miller|0||||0|||||American|||Arts and Crafts|||North and Central America||United States||||||0|Ithaca, New York|||10057||||0||||0|Architecture|House||||19|||1880|1881||1880-1881|1880-1881|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|JNK|7/21/2006 0:00:00|7/21/2006 0:00:00||Ith||0||||||Sto|B|||||B33|7.5||||||||||Building|0|Architecture-New York (NY)|||||||||||0|0|Calvin D. Stowell House;Stowell-Osborne House|Miller, William Henry 7480.00|0|Site|02|B-B33|Ash|7.5 Brick 1824||B-B33 Ash 7.5 Brick 1824 |Brick House|Descriptive|Cataloger|||||||Brick House|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Ashville, NY|||10902||||0||||0|Architecture|House||||19|||1824|1824||1824|1824-1824|||||0||||0||||||||||||||||||||||Houses ; Vernacular architecture ; |Houses|Vernacular architecture||||||||Cornell||JNK|JNK|8/1/2006 0:00:00|7/21/2006 0:00:00||Ash||0||||||Brick 1824|B|||||B33|7.5||||||||||Building|0|Architecture-New York (NY)|||||||||||0|0|Brick House| 7481.00|0|Site|02|B-B|USA|7.5 Shingle|1|B-B USA 7.5 Shingle 1|Shingle Style House|Descriptive|Print Publication|||||||Shingle Style House|29096|Stevens & Cobb||architectural firm|Stevens & Cobb|0||||0|||||American|||Shingle style|||North and Central America||United States||||||0||||0||||0||||0|Architecture|Architectural drawing||||19|||1885|1885||1885|1885-1885|||||0||||0|||||||||||architectural drawing|drawing (image-making)||||||||||Houses ; Vernacular architecture ; |Houses|Vernacular architecture||||||||Cornell||JNK|JNK|8/1/2006 0:00:00|7/21/2006 0:00:00||USA||0||||||Shingle|B|||||B|7.5||||||||||Work|0|Architecture-United States and Possessions|||||||||||0|0|Shingle Style House|Stevens & Cobb 7482.00|0|Category|05|J-Charly|||1|J-Charly 1|In the Atelier|Translated|Cataloger|Dans l'atelier, petit travails, grand toillette|Inscribed|Online Resource||||In the Atelier (Dans l'atelier, petit travails, grand toillette)|31259|Charly, ||photographer|M. de Charly|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Photographs|Photographic print||||19|||1862|1862||1862|1862-1862|||||0||||0|||||Albumen print||||||photography|albumen process||||||3675|Rochester, NY: International Museum of Photography at George Eastman House|Rochester: George Eastman House||Women ; Dresses ; Sewing (process) ; Dressmaking ; |Women|Dresses|Sewing (process)|Dressmaking||||||Cornell||MNW|MNW|7/21/2006 0:00:00|7/21/2006 0:00:00|Charly|||0||69:0144:0008|||||J|||||||| ||||||||Work|0|Photography|||||||||||0|0|In the Atelier;Dans l'atelier, petit travails, grand toillette|Charly, 7483.00|0|Site|02|B-H3|Italy|1.01 1400s|3|B-H3 Italy 1.01 1400s 3|Map. Italy around 1400|Descriptive|Image Source (Pub)|||||||Map. Italy around 1400|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Maps|Map||||15|||1400|1400|ca|ca 1400|ca 1400-1400|||||0||||0||||||||||||||||||||||Maps ; Italy ; |Maps|Italy||||||||Cornell||MNW|MNW|7/21/2006 0:00:00|7/21/2006 0:00:00||Italy||0||||||1400s|B|||||H3|1.01||||||||||Work|0|Architecture-Italy|||||||||||0|0|Map. Italy around 1400| 7484.00|0|Site|02|B-B33|Ith|7.5 Cam||B-B33 Ith 7.5 Cam |Thomas B. Campbell House|Assigned|Image Source (Pub)|||||||Thomas B. Campbell House|8003|Miller, William Henry||architect|William Henry Miller|0||||0|||||American||||||North and Central America||United States||||||0|Ithaca, New York|||10057||||0||||0|Architecture|House||||19|||1883|1884||1883-1884|1883-1884|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|JNK|7/21/2006 0:00:00|7/21/2006 0:00:00||Ith||0||||||Cam|B|||||B33|7.5||||||||||Building|0|Architecture-New York (NY)|||||||||||0|0|Thomas B. Campbell House|Miller, William Henry 7485.00|0|Site|02|A-AØ|Map|1.011 Eur/1400s|2|A-AØ Map 1.011 Eur/1400s 2|Map. Europe in the Fifteenth Century|Descriptive|Image Source (Pub)|||||||Map. Europe in the 15th Century|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Maps|Map||||15|||1400|1499||15th century|1400-1499|||||0||||0||||||||||||||||||||||Maps ; Europe ; |Maps|Europe||||||||Cornell||MNW|MNW|7/21/2006 0:00:00|7/21/2006 0:00:00||||0||||||Eur/1400s|A|||||AØ|1.011|||Map|||||||Work|0|Graphic Documents-Maps (Canada)|||||||||||0|0|Map. Europe in the Fifteenth Century| 7486.00|0|Site|02|B-B33|Ith|7.5 Hoy||B-B33 Ith 7.5 Hoy |Livermore Memorial Building|Preferred|Repository|Charles G. Hoyt House|Former|Print Publication||||Livermore Memorial Building|8003|Miller, William Henry||architect|William Henry Miller|0||||0|||||American||||||North and Central America||United States||||||0|Ithaca, New York|||10057||||0||||0|Architecture|House||||19|||1894|1894||1894, remodeled|1894-1894|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|JNK|7/21/2006 0:00:00|7/21/2006 0:00:00||Ith||0||||||Hoy|B|||||B33|7.5||||||||||Building|0|Architecture-New York (NY)||||Remodeled in 1894.|||||||0|0|Livermore Memorial Building;Charles G. Hoyt House|Miller, William Henry 7487.00|0|Site|02|B-H3|Rom|1.04 Ren&Bar|1|B-H3 Rom 1.04 Ren&Bar 1|Plan. Rome with Renaissance and Baroque Monuments|Descriptive|Image Source (Pub)|||||||Plan. Rome with Renaissance and Baroque Monuments|0|||||0||||0|||||Italian||||||Europe||Italy||||||0||||0||||0||||0|Maps|Plan (drawing)||||15|16|17|1375|1750|ca|ca 1375-1699|ca 1375-1699|||||0||||0||||||||||||||||||||||Rome (Italy) ; Plans (drawings) ; |Rome (Italy)|Plans (drawings)||||||||Cornell||MNW|MNW|7/21/2006 0:00:00|7/21/2006 0:00:00||Rom||0||||||Ren&Bar|B|||||H3|1.04||||||||||Work|0|Architecture-Italy|||||||||||0|0|Plan. Rome with Renaissance and Baroque Monuments| 7488.00|0|Site|02|B-B33|Ith|6.1 Col||B-B33 Ith 6.1 Col |Colonial building|Descriptive|Collection|||||||Colonial building|0|||||0||||0|||||American|||Colonial|||North and Central America||United States||||||0|State ST, Ithaca, NY|||10905||||0||||0|Architecture|Post office|Office building|||18|19|||||||||||0||||0||||||||||||||||||||||Office buildings ; Post offices ; |Office buildings|Post offices||||||||Cornell||JNK|JNK|7/21/2006 0:00:00|7/21/2006 0:00:00||Ith||0||||||Col|B|||||B33|6.1||||||||||Building|0|Architecture-New York (NY)|||||||||||0|0|Colonial building| 7489.00|0|Site|02|B-AØ|Map|1.011 Eur/1500s|1|B-AØ Map 1.011 Eur/1500s 1|Map. Europe in the Sixteenth Century|Descriptive|Image Source (Pub)|||||||Map. Europe in the Sixteenth Century|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Maps|Map||||16|||1500|1599|ca|16th century|ca 1500-1599|||||0||||0||||||||||||||||||||||Maps ; Europe ; |Maps|Europe||||||||Cornell||MNW|MNW|8/1/2006 0:00:00|7/21/2006 0:00:00||||0||||||Eur/1500s|B|||||AØ|1.011|||Map|||||||Work|0|Architecture-Maps|||||||||||0|0|Map. Europe in the Sixteenth Century| 7490.00|0|Site|02|B-B33|Ith|7.5 119-21 EBuf||B-B33 Ith 7.5 119-21 EBuf |Double House|Descriptive|Image Source (Pub)|||||||Double House|0|||||0||||0|||||American||||||North and Central America||United States||||||0|119-121 East Buffalo ST, Ithaca, NY|||10906||||0||||0|Architecture|House||||19|||1840|1840|ca|ca 1840|ca 1840-1840|||||0||||0||||||||||||||||||||||Houses ; Vernacular architecture ; |Houses|Vernacular architecture||||||||Cornell||JNK|JNK|8/1/2006 0:00:00|7/21/2006 0:00:00||Ith||0||||||119-21 EBuf|B|||||B33|7.5||||||||||Building|0|Architecture-New York (NY)|||||||||||0|0|Double House| 7491.00|0|Site|02|B-AØ|Map|1.011 Eur/1618|2|B-AØ Map 1.011 Eur/1618 2|Map. Europe at the Onset of the Thirty Years' War|Descriptive|Image Source (Pub)|||||||Map. Europe at the Onset of the Thirty Years' War|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Maps|Map||||17|||1618|1648||1618-1648|1618-1648|||||0||||0||||||||||||||||||||||Thirty Years’ War, 1618-1648 ; Wars ; Maps ; Europe ; |Thirty Years’ War, 1618-1648|Wars|Maps|Europe||||||Cornell||MNW|MNW|7/21/2006 0:00:00|7/21/2006 0:00:00||||0||||||Eur/1618|B|||||AØ|1.011|||Map|||||||Work|0|Architecture-Maps (Canada)|||||||||||0|0|Map. Europe at the Onset of the Thirty Years' War| 7495.00|0|Site|02|B-B|USA|7.5 QAnne||B-B USA 7.5 QAnne |House at Washington, PA|Inscribed|Artist|Queen Anne style house|Descriptive|Cataloger||||House at Washington, PA|3161|Dietrich, E. G. W.||architect|E. G. W. Dietrich|0||||0|||||American|||Queen Anne Style|||North and Central America||United States||||||0||||||||0||||0|Architecture|House|Architectural drawing|Plan (drawing)||19|||1888|1888||1888|1888-1888|||||0||||0|||||||||||architectural drawing|||||||||||Houses ; |Houses|||||||||Cornell||JNK|JNK|7/24/2006 0:00:00|7/24/2006 0:00:00||||0||||||QAnne|B|||||B|7.5||||||||||Building|0|Architecture-United States and Possessions|||||||||||0|0|House at Washington, PA;Queen Anne style house|Dietrich, E. G. W. 7496.00|0|Site|02|B-B|USA|7.5 Morgan/21-A||B-B USA 7.5 Morgan/21-A |Morgan Plan Suggestion No. 21-A|Inscribed|Image Source (Vendor)|A Colonial with stucco exterior|Descriptive|Cataloger||||Building with Assurance. Morgan Plan Suggestion No. 21-A, "Colonial Stucco"|28687|Morgan Woodwork Organization||builder|Morgan Woodwork Organization|0||||0|||||American|||Colonial Revival|||North and Central America||United States||||||0||||0||||0||||0|Architecture|Architectural drawing||||20|||1921|1921|ca|ca 1921|ca 1921-1921||Building with Assurance|Larger entity||7497||||0|||||||||||architectural drawing|||||||||||Houses ; Plans (drawings) ; Architectural drawings ; |Houses|Plans (drawings)|Architectural drawings|||||||Cornell||JNK|JNK|7/27/2006 0:00:00|7/24/2006 0:00:00||USA||0||||||Morgan/21-A|B|||||B|7.5||||||||||Work|0|Architecture-United States and Possessions|Published in Building with Assurance, 1921 and in the second edition in 1923.||||||||||0|0|Morgan Plan Suggestion No. 21-A;A Colonial with stucco exterior|Morgan Woodwork Organization 7497.00|0|Site|02|B-B|USA|7.5 Morgan/||B-B USA 7.5 Morgan/ |Building with Assurance|Inscribed|Artist|||||||Building with Assurance|28687|Morgan Woodwork Organization||builder|Morgan Woodwork Organization|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Architecture|Architectural drawing|Plan (drawing)|||20|||1921|1921||1921-1921|1921-1921|||||0||||0|||||||||||printing|||||||||||Houses ; Plans (drawings) ; Architectural drawings ; Catalogs ; |Houses|Plans (drawings)|Architectural drawings|Catalogs||||||Cornell||JNK|JNK|7/27/2006 0:00:00|7/24/2006 0:00:00||USA||0||||||Morgan/|B|||||B|7.5||||||||||Work|0|Architecture-United States and Possessions|Second edition published in 1923. Reprinted in 1987 by Lee Valley Tools Ltd. As Homes & Interiors of the 1920's: A Restoration Design Guide.||||||||||0|0|Building with Assurance|Morgan Woodwork Organization 7498.00|0|Site|02|B-B25|Nat|7.5 Aub||B-B25 Nat 7.5 Aub |Auburn|Assigned|Dict.Art|||||||Auburn|12566|Weeks, Levi||architect|Levi Weeks|0||||0|||||American|||Colonial|||North and Central America||United States||||||0|Natchez, MS|||10909||||0||||0|Architecture|House||||19|||1812|1812||1812|1812-1812|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|JNK|7/24/2006 0:00:00|7/24/2006 0:00:00||Nat||0||||||Aub|B|||||B25|7.5||||||||||Building|0|Architecture-Mississippi (MS)|||||||||||0|0|Auburn|Weeks, Levi 7499.00|0|Site|02|B-B33|Hom|7.5 26Clin||B-B33 Hom 7.5 26Clin |Octagon House|Descriptive|Image Source (Pub)|||||||Octagon House|0|||||0||||0|||||American|||Victorian|||North and Central America||United States||||||0|26 Clinton ST, Homer, NY|||10911||||0||||0|Architecture|House||||19|||1850|1859||1850s|1850-1859|||||0||||0||||||||||||||||||||||Houses ; Vernacular architecture ; |Houses|Vernacular architecture||||||||Cornell||JNK|JNK|8/1/2006 0:00:00|7/24/2006 0:00:00||Hom||0||||||26Clin|B|||||B33|7.5||||||||||Building|0|Architecture-New York (NY)|||||||||||0|0|Octagon House| 7500.00|0|Site|02|B-B33|Bath|7.5 2ndEmp||B-B33 Bath 7.5 2ndEmp |Second Empire House|Descriptive|Image Source (Pub)|||||||Second Empire House|0|||||0||||0|||||American|||Victorian|||North and Central America||United States||||||0|West Washington ST, Bath, NY|||10913||||0||||0|Architecture|House||||19|||1850|1899||2nd half of 19th C|1850-1899|||||0||||0||||||||||||||||||||||Houses ; Vernacular architecture ; |Houses|Vernacular architecture||||||||Cornell||JNK|JNK|8/1/2006 0:00:00|7/24/2006 0:00:00||Bath||0||||||2ndEmp|B|||||B33|7.5||||||||||Building|0|Architecture-New York (NY)|||||||||||0|0|Second Empire House| 7501.00|0|Site|02|B-B33|Gen|7.5 Licht||B-B33 Gen 7.5 Licht |Licht Residence|Assigned|Image Source (Pub)|||||||Licht Residence|0|||||0||||0|||||American|||Victorian|||North and Central America||United States||||||0|210 Washington ST, Geneva, NY|||10915||||0||||0|Architecture|House||||19|||1870|1880|ca|ca 1870-1880|ca 1870-1880|||||0||||0||||||||||||||||||||||Houses ; Vernacular architecture ; |Houses|Vernacular architecture||||||||Cornell||JNK|JNK|8/1/2006 0:00:00|7/25/2006 0:00:00||Gen||0||||||Licht|B|||||B33|7.5||||||||||Building|0|Architecture-New York (NY)|This has been the Licht Residence since 1893.||||||||||0|0|Licht Residence| 7502.00|0|Site|02|B-B|USA|7.5 Bun|5|B-B USA 7.5 Bun 5|Typical bungalow with roof slope and dormer facing front|Descriptive|Image Source (Pub)|||||||Typical bungalow with roof slope and dormer facing front|0|||||0||||0|||||American|||Arts and Crafts|||North and Central America||United States||||||0||||0||||0||||0|Architecture|House|Architectural drawing|||20|||1908|1911||1908-1911|1908-1911|||||0||||0|||||||||||architectural drawing|||||||||||Architectural drawings ; Houses ; |Architectural drawings|Houses||||||||Cornell||JNK|JNK|7/25/2006 0:00:00|7/25/2006 0:00:00||USA||0||||||Bun|B|||||B|7.5||||||||||Work|0|Architecture-United States and Possessions|Appeared in 'The Craftsman' between 1908-1911.||||||||||0|0|Typical bungalow with roof slope and dormer facing front| 7503.00|0|Site|02|B-B|USA|7.5 Bun|4|B-B USA 7.5 Bun 4|Typical bungalow with the gable peak making the front elevation|Descriptive|Image Source (Pub)|||||||Typical bungalow with the gable peak making the front elevation|0|||||0||||0|||||American|||Arts and Crafts|||North and Central America||United States||||||0||||0||||0||||0|Architecture|House|Architectural drawing|||20|||1908|1911||1908-1911|1908-1911|||||0||||0|||||||||||architectural drawing|||||||||||Architectural drawings ; Houses ; |Architectural drawings|Houses||||||||Cornell||JNK|JNK|7/25/2006 0:00:00|7/25/2006 0:00:00||USA||0||||||Bun|B|||||B|7.5||||||||||Work|0||Appeared in 'The Craftsman' between 1908-1911.||||||||||0|0|Typical bungalow with the gable peak making the front elevation| 7504.00|0|Site|02|B-B|USA|7.5 East||B-B USA 7.5 East |Elements of the Eastlake Style Elevation|Descriptive|Cataloger|||||||Elements of the Eastlake Style Elevation|0|||||0||||0|||||American|||Eastlake style|Victorian||North and Central America||United States||||||0||||0||||0||||0|Architecture|House|Architectural drawing|||19||||||||||||0||||0|||||||||||architectural drawing|||||||||||Houses ; Architectural drawings ; Vernacular architecture ; |Houses|Architectural drawings|Vernacular architecture|||||||Cornell||JNK|JNK|8/1/2006 0:00:00|7/25/2006 0:00:00||USA||0||||||East|B|||||B|7.5||||||||||Work|0|Architecture-United States and Possessions|||||||||||0|0|Elements of the Eastlake Style Elevation| 7505.00|0|Site|02|B-B|USA|7.5 FedRev||B-B USA 7.5 FedRev |Elements of the Federal Revival elevation|Descriptive|Cataloger|||||||Elements of the Federal Revival elevation|0|||||0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Architecture|House|Architectural drawing|||19|20|||||||||||0||||0|||||||||||architectural drawing|||||||||||Houses ; Architectural drawings ; Vernacular architecture ; |Houses|Architectural drawings|Vernacular architecture|||||||Cornell||JNK|JNK|8/1/2006 0:00:00|7/25/2006 0:00:00||USA||0||||||FedRev|B|||||B|7.5||||||||||Work|0|Architecture-United States and Possessions|||||||||||0|0|Elements of the Federal Revival elevation| 7506.00|0|Site|02|B-B33|EllHol|7.5 EngDim||B-B33 EllHol 7.5 EngDim |English-Dimock House|Descriptive|Image Source (Pub)|||||||English-Dimock House|0|||||0||||0|||||American|||Greek Revival|||North and Central America||United States||||||0|Ellis Hollow, NY|||10916||||0||||0|Architecture|House||||19|||1840|1840||1840|1840-1840|||||0||||0||||||||||||||||||||||Houses ; Vernacular architecture ; |Houses|Vernacular architecture||||||||Cornell||JNK|JNK|8/1/2006 0:00:00|7/25/2006 0:00:00||EllHol||0||||||EngDim|B|||||B33|7.5||||||||||Building|0|Architecture-New York (NY)|||||||||||0|0|English-Dimock House| 7507.00|0|Architect|02|MA-|Richardson|3.1 Tri/P||MA- Richardson 3.1 Tri/P |Trinity Church Parish House|Descriptive|Image Source (Pub)|||||||Trinity Church Parish House|9832|Richardson, Henry Hobson||architect|Henry Hobson Richardson|0||||0|||||American|||Romanesque Revival|||North and Central America||United States||||||0|Boston, Massachusetts|||10053||||0||||0|Architecture|House|Church|||19|||1872|1877||1872-1877|1872-1877|||||0||||0||||||||||||||||||||||Houses ; Churches ; |Houses|Churches||||||||Cornell||JNK|JNK|7/25/2006 0:00:00|7/25/2006 0:00:00|Richardson|Bos||0||||||Tri/P|MA||||||3.1||||||||||Building|0|Modern Architecture-|||||||||||0|0|Trinity Church Parish House|Richardson, Henry Hobson 7508.00|0|Site|02|B-B21|Bal|7.5 Hom||B-B21 Bal 7.5 Hom |Homewood|Preferred|Repository|Charles Carroll Jr. Mansion|Variant|Online Resource||||Homewood|2060|Carroll, Charles||builder|Charles Carroll|11747|Thornton, William|formerly attributed|architect|0|||||American|||Federal|||North and Central America||United States||||||0|North Charles & 34th ST, Baltimore, MD|||10917||||0||||0|Architecture|House||||19|||1800|1805||1800-1805|1800-1805|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|JNK|7/25/2006 0:00:00|7/25/2006 0:00:00||Bal||0||||||Hom|B|||||B21|7.5||||||||||Building|0|Architecture-Maryland (MD)|Built on a Palladian-inspired five-part plan…http://www.jhu.edu/hwdhouse/about/history/||||||||||0|0|Homewood;Charles Carroll Jr. Mansion|Carroll, Charles;Thornton, William 7509.00|0|Architect|02|MA-|Wright|7.5 1904 DMar||MA- Wright 7.5 1904 DMar |Darwin D. Martin House|Preferred|Repository|||||||Darwin D. Martin House|12943|Wright, Frank Lloyd||architect|Frank Lloyd Wright|0||||0|||||American|||Prairie School|||North and Central America||United States||||||0|Buffalo, New York|||10094||||0||||0|Architecture|House||||20|||1903|1906||1903-1906|1903-1906|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|JNK|7/25/2006 0:00:00|7/25/2006 0:00:00|Wright|Buf||0||||||1904 DMar|MA||||||7.5||||||||||Building|0|Modern Architecture-|||||||||||0|0|Darwin D. Martin House|Wright, Frank Lloyd 7510.00|0|Site|02|B-B33|Alb|2.41 Court||B-B33 Alb 2.41 Court |Orleans County Courthouse|Preferred|Repository|||||||Orleans County Courthouse|731|Barlow, William V. N.||architect|William V. N. Barlow|0||||0|||||American|||Greek Revival|||North and Central America||United States||||||0|Albion, NY|||10918||||0||||0|Architecture|Courthouse||||19|||1857|1858||1857-1858|1857-1858|||||0||||0||||||||||||||||||||||Courthouses ; |Courthouses|||||||||Cornell||JNK|JNK|7/25/2006 0:00:00|7/25/2006 0:00:00||Alb||0||||||Court|B|||||B33|2.41||||||||||Building|0|Architecture-New York (NY)|||||||||||0|0|Orleans County Courthouse|Barlow, William V. N. 7511.00|0|Site|02|B-B33|Aub|2.41 Court||B-B33 Aub 2.41 Court |Cayuga County Courthouse|Preferred|Repository|||||||Cayuga County Courthouse|0|||||0||||0|||||American|||Greek Revival|||North and Central America||United States||||||0|Auburn, NY|||10919||||0||||0|Architecture|Courthouse||||19|||1836|1836|ca|ca 1836|ca 1836-1836|||||0||||0||||||||||||||||||||||Courthouses ; Temples ; |Courthouses|Temples||||||||Cornell||JNK|JNK|7/25/2006 0:00:00|7/25/2006 0:00:00||Aub||0||||||Court|B|||||B33|2.41||||||||||Building|0|Architecture-New York (NY)|||||||||||0|0|Cayuga County Courthouse| 7512.00|0|Site|02|B-B39|Phi|6.5 Pen||B-B39 Phi 6.5 Pen |Bank of Pennsylvania|Preferred|Dict.Art|||||||Bank of Pennsylvania|6785|Latrobe, Benjamin Henry||architect|Benjamin Henry Latrobe|0||||0|||||American|||Federal|Neoclassical||North and Central America||United States||||||0|Philadelphia, PA|||10070||||0||||0|Architecture|Bank (building)||||18|19||1799|1801||1799-1801, destr. 1867|1799-1801|||||0||||0||||||||||||||||||||||Banks (buildings) ; |Banks (buildings)|||||||||Cornell||JNK|JNK|7/26/2006 0:00:00|7/26/2006 0:00:00||Phi||0||||||Pen|B|||||B39|6.5||||||||||Building|0|Architecture-Pennsylvania (PA)||||Destroyed in 1867|||||||0|0|Bank of Pennsylvania|Latrobe, Benjamin Henry 7513.00|0|Architect|02|MA-|McMeaWH|7.5 Mor/WH||MA- McMeaWH 7.5 Mor/WH |Estate of Edwin Dennison Morgan III|Assigned|Print Publication|||||||Estate of Edwin Dennison Morgan III|28580|McKim, Mead & White||ArchFirm|McKim, Mead & White|0||||0|||||American|||Colonial Revival|||North and Central America||United States||||||0|Wheatley Hills, LI, NY|||10920||||0||||0|Architecture|House||||20|||1900|1901||1900-1901|1900-1901|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|JNK|7/26/2006 0:00:00|7/26/2006 0:00:00|McMeaWh|WH||0||||||Mor/WH|MA||||||7.5||||||||||Building|0|Modern Architecture-|||||||||||0|0|Estate of Edwin Dennison Morgan III|McKim, Mead & White 7514.00|0|Site|02|B-B|USA|1.0 Cat&Rul/Dav/RR||B-B USA 1.0 Cat&Rul/Dav/RR |Rural Residences, Etc. consisting of designs, original and selected…|Inscribed|Artist|||||||Rural Residences, Etc.|2906|Davis, Alexander Jackson||architect|Alexander Jackson Davis|0||||0|||||American|||Gothic Revival|||North and Central America||United States||||||0||||0||||0||||0|Architectural Theory|Publication||||19|||1837|1837||1837|1837-1837|||||0||||0|||||||||||printing|||||||||||Catalogs ; Architectural theory ; Houses ; Villas ; Churches ; |Catalogs|Architectural theory|Houses|Villas|Churches|||||Cornell||JNK|JNK|7/26/2006 0:00:00|7/26/2006 0:00:00||USA||0||||||Cat&Rul/Dav/RR|B|||||B|1.0||||||||||Work|0|Architecture-United States and Possessions|||||||||||0|0|Rural Residences, Etc. consisting of designs, original and selected…|Davis, Alexander Jackson 7581.00|0|Creator|15||||||Tabernacle of the Lana Guild|||Tabernacolo dell'arte della Lana|Original|Image Source (Pub)|||||0|||||0||||0|||||Italian|||Gothic (Medieval)|||Europe||Italy||||||0|Florence, Italy|||9985||||0||||0|Architecture|Niche||||14|||1341|1341|ca|ca 1341|ca 1341-1341||Orsanmichele|LargerEntity||2200||||0||||||||||||||||||||||Niches ; Aedicules ; |Niches|Aedicules||||||||Cornell||MNW|MNW|7/31/2006 0:00:00|7/31/2006 0:00:00||Flo||0|||||||||||||||||||||||Work|0||||||||||||0|0|Tabernacle of the Lana Guild;Tabernacolo dell'arte della Lana| 7582.00|0|Creator|15||||||Saint Stephen|Descriptive|Dict.Art|Santo Stefano|Original|Dict.Art||||Orsanmichele. Tabernacle of the Lana Guild. Saint Stephen|3234|Donatello||sculptor|Donatello|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0||||0||||0||||0|Sculpture|Sculpture||||15|||1429|1429||1429|1429-1429||Tabernacle of the Lana Guild|Larger entity||7581||||0|||||Bronze|bronze|||||sculpture|carving||||230 cm high||873|Florence: Orsanmichele|Florence: Orsanmichele||Saint Stephen ; Saints ; Martyrs ; New Testament ; |Saint Stephen|Saints|Martyrs|New Testament||||||Cornell||MNW|MNW|7/31/2006 0:00:00|7/31/2006 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Saint Stephen;Santo Stefano|Donatello 7583.00|0|Creator|15||||||Famous Men and Women|Descriptive|Dict.Art|||||||Famous Men and Women|2099|Andrea del Castagno||painter|Andrea del Castagno|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0||||0|Villa Carducci, Legnaia, Italy|||10938||||0|Paintings|Fresco||||15|||1448|1451|ca|ca 1448-1451|ca 1448-1451|||||0||||0|||||Fresco|frescoes|||||fresco painting|||||ca 15.5 m||859|Florence: Galleria degli Uffizi|Florence: Uffizi||Portraits ; Dante Alighieri, 1265-1321 ; Petrarca, Francesco (Petrarch), 1304-1374 ; Esther ; Cumaean Sibyl ; Spano, Pippo, 1369-1426 ; Uberti, Farinata degli, d. 1264 ; Acciaiuoli, Niccolo`, 1310-1365 ; Madonna and Child|Portraits|Dante Alighieri, 1265-1321|Petrarca, Francesco (Petrarch), 1304-1374|Esther|Cumaean Sibyl|Spano, Pippo, 1369-1426|Uberti, Farinata degli, d. 1264|Acciaiuoli, Niccolo`, 1310-1365|Madonna and Child|Cornell||MNW|MNW|8/1/2006 0:00:00|7/31/2006 0:00:00||||0||||||||||||||| ||||||||Work|0||Contains three Florentine military commanders, three famous women from Classical and biblical antiquity, Dante, Petrarch and Boccaccio. DOA.|||Completed before the villa was sold in 1451. DOA.|||||Commissioned by Filippo Carducci (d. July, 1449). DOA.||0|0|Famous Men and Women|Andrea del Castagno 7515.00|0|Site|02|B-B|USA|1.0 Cat&Rul/Dav/RR|1|B-B USA 1.0 Cat&Rul/Dav/RR 1|Title page|Descriptive|Cataloger|||||||Rural Residences, Etc. Title page|2906|Davis, Alexander Jackson||architect|Alexander Jackson Davis|0||||0|||||American|||Gothic Revival|||North and Central America||United States||||||0||||0||||0||||0|Architectural Theory|Publication||||19|||1837|1837||1837|1837-1837||Rural Residences, Etc. consisting of designs, original and selected…|Larger entity||7514||||0||||||||||||||||||||||Houses ; Architectural drawings ; Plans (drawings) ; |Houses|Architectural drawings|Plans (drawings)|||||||Cornell||JNK|JNK|7/26/2006 0:00:00|7/26/2006 0:00:00||USA||0||||||Cat&Rul/Dav/RR|B|||||B|1.0||||||||||Work|0|Architecture-United States and Possessions|||||||||||0|0|Title page|Davis, Alexander Jackson 7516.00|0|Site|02|B-B|USA|1.0 Cat&Rul/Dav/RR|6|B-B USA 1.0 Cat&Rul/Dav/RR 6|Gate-House in the Rustic Cottage Style|Inscribed|Artist|Plate 5|Descriptive|Cataloger||||Rural Residences, Etc. Gate-House in the Rustic Cottage Style, plate 5|2906|Davis, Alexander Jackson||architect|Alexander Jackson Davis|0||||0|||||American|||Gothic Revival|||North and Central America||United States||||||0||||0||||0||||0|Architectural Theory|Publication||||19|||1837|1837||1837|1837-1837||Rural Residences, Etc. consisting of designs, original and selected…|Larger entity||7514||||0||||||||||||||||||||||Houses ; Architectural drawings ; Plans (drawings) ; |Houses|Architectural drawings|Plans (drawings)|||||||Cornell||JNK|JNK|7/31/2006 0:00:00|7/26/2006 0:00:00||USA||0||||||Cat&Rul/Dav/RR|B|||||B|1.0||||||||||Work|0|Architecture-United States and Possessions|||||||||||0|0|Gate-House in the Rustic Cottage Style;Plate 5|Davis, Alexander Jackson 7517.00|0|Site|02|B-B|USA|1.0 Cat&Rul/Dav/RR|8|B-B USA 1.0 Cat&Rul/Dav/RR 8|American Cottage No. 1|Inscribed|Artist|Plate 7|Descriptive|Cataloger||||Rural Residences, Etc. American Cottage No. 1, plate 7|2906|Davis, Alexander Jackson||architect|Alexander Jackson Davis|0||||0|||||American|||Gothic Revival|||North and Central America||United States||||||0||||0||||0||||0|Architectural Theory|Publication|Architectural drawing|||19|||1837|1837||1837|1837-1837||Rural Residences, Etc. consisting of designs, original and selected…|Larger entity||7514||||0||||||||||||||||||||||Houses ; Architectural drawings ; Plans (drawings) ; |Houses|Architectural drawings|Plans (drawings)|||||||Cornell||JNK|JNK|7/31/2006 0:00:00|7/26/2006 0:00:00||USA||0||||||Cat&Rul/Dav/RR|B|||||B|1.0||||||||||Work|0|Architecture-United States and Possessions|||||||||||0|0|American Cottage No. 1;Plate 7|Davis, Alexander Jackson 7518.00|0|Site|02|B-B|USA|1.0 Cat&Rul/Dav/RR|3|B-B USA 1.0 Cat&Rul/Dav/RR 3|Farmer's House|Inscribed|Artist|Plate 2|Descriptive|Cataloger||||Rural Residences, Etc. Farmer's House, plate 2|2906|Davis, Alexander Jackson||architect|Alexander Jackson Davis|0||||0|||||American|||Gothic Revival|||North and Central America||United States||||||0||||0||||0||||0|Architectural Theory|Publication|Architectural drawing|||19|||1837|1837||1837|1837-1837||Rural Residences, Etc. consisting of designs, original and selected…|Larger entity||7514||||0||||||||||||||||||||||Houses ; Architectural drawings ; Plans (drawings) ; |Houses|Architectural drawings|Plans (drawings)|||||||Cornell||JNK|JNK|7/31/2006 0:00:00|7/26/2006 0:00:00||USA||0||||||Cat&Rul/Dav/RR|B|||||B|1.0||||||||||Work|0|Architecture-United States and Possessions|||||||||||0|0|Farmer's House;Plate 2|Davis, Alexander Jackson 7519.00|0|Site|02|B-B|USA|1.0 Cat&Rul/Dav/RR|4|B-B USA 1.0 Cat&Rul/Dav/RR 4|A Residence in the English Collegiate Style by A. J. Davis|Inscribed|Image Source (Pub)|Plate 3|Descriptive|Cataloger||||A Residence in the English Collegiate Style by A. J. Davis, plate 3|2906|Davis, Alexander Jackson||architect|Alexander Jackson Davis|0||||0|||||American|||Gothic Revival|||North and Central America||United States||||||0||||0||||0||||0|Architectural Theory|Publication|Architectural drawing|||19|||1837|1837||1837|1837-1837||Rural Residences, Etc. consisting of designs, original and selected…|Larger entity||7514||||0||||||||||||||||||||||Houses ; Architectural drawings ; Plans (drawings) ; |Houses|Architectural drawings|Plans (drawings)|||||||Cornell||JNK|JNK|7/31/2006 0:00:00|7/26/2006 0:00:00||USA||0||||||Cat&Rul/Dav/RR|B|||||B|1.0|| ||||||||Work|0|Architecture-United States and Possessions|||||||||||0|0|A Residence in the English Collegiate Style by A. J. Davis;Plate 3|Davis, Alexander Jackson 7520.00|0|Site|02|B-B34|Sec|1.1 4b||B-B34 Sec 1.1 4b |Indian Village of Secoton|Preferred|Repository|Secota Indian Village|Variant|Image Source (Pub)||||Indian Village of Secoton|12686|White, John||author|John White|0||||0|||||English|||Colonial|Baroque||Europe||England|United States|||||0||||0||||0||||0|Drawings|Drawing|Watercolor|||16|||1585|1586||1585-1586|1585-1586|||||0||||0|||||Watercolor|watercolor|||||drawing (image-making)|||||||3373|London: British Museum|London: British Museum||||||||||||Cornell||JNK|JNK|7/26/2006 0:00:00|7/26/2006 0:00:00||Sec||0||||||4b|B|||||B34|1.1|| ||||||||Work|0|Architecture-North Carolina (NC)|||||||||||0|0|Indian Village of Secoton;Secota Indian Village|White, John 7521.00|0|Site|02|B-B|USA|7.5 Saltbox||B-B USA 7.5 Saltbox |Saltbox House|Descriptive|Image Source (Pub)|||||||Saltbox House|0|||||0||||0|||||American|||Colonial|||North and Central America||United States||||||0|New England, United States|||10921||||0||||0|Architecture|House||||||||||||||||0||||0||||||||||||||||||||||Houses ; Vernacular architecture ; |Houses|Vernacular architecture||||||||Cornell||JNK|JNK|8/1/2006 0:00:00|7/26/2006 0:00:00||USA||0||||||Saltbox|B|||||B|7.5||||||||||Building|0|Architecture-United States and Possessions|||||||||||0|0|Saltbox House| 7522.00|0|Site|02|B-B33|Bath|7.5 Cobble||B-B33 Bath 7.5 Cobble |Cobblestone House|Descriptive|Image Source (Pub)|||||||Cobblestone House|0|||||0||||0|||||American||||||North and Central America||United States||||||0|West Washington ST, Bath, NY|||10913||||0||||0|Architecture|House||||||||||||||||0||||0||||||||||||||||||||||Houses ; Vernacular architecture ; |Houses|Vernacular architecture||||||||Cornell||JNK|JNK|8/1/2006 0:00:00|7/26/2006 0:00:00||Bath||0||||||Cobble|B|||||B33|7.5||||||||||Building|0|Architecture-New York (NY)|||||||||||0|0|Cobblestone House| 7523.00|0|Site|02|B-B33|Hom|7.5 Barber||B-B33 Hom 7.5 Barber |Jededian Barber House|Assigned|Image Source (Pub)|||||||Jededian Barber House|0|||||0||||0|||||American|||Greek Revival|Classicism||North and Central America||United States||||||0|18 N. Main ST, Homer, NY|||10922||||0||||0|Architecture|House||||19|||1826|1826||1826|1826-1826|||||0||||0||||||||||||||||||||||Houses ; Vernacular architecture ; |Houses|Vernacular architecture||||||||Cornell||JNK|JNK|8/1/2006 0:00:00|7/26/2006 0:00:00||Hom||0||||||Barber|B|||||B33|7.5||||||||||Building|0|Architecture-New York (NY)|||||||||||0|0|Jededian Barber House| 7524.00|0|Site|02|B-B33|Coop|7.5 HydH||B-B33 Coop 7.5 HydH |Hyde Hall|Preferred|Repository|||||||Hyde Hall|5589|Hooker, Philip||architect|Philip Hooker|31260|Clarke, George||patron|0|||||American|||Greek Revival|||North and Central America||United States||||||0|Cooperstown, NY|||10282||||0||||0|Architecture|House||||19|||1817|1833||1817-1833|1817-1833|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|JNK|7/26/2006 0:00:00|7/26/2006 0:00:00||Coop||0||||||HydH|B|||||B33|7.5||||||||||Building|0|Architecture-New York (NY)|||||||||||0|0|Hyde Hall|Hooker, Philip;Clarke, George 7525.00|0|Site|02|B-B33|Ash|7.5 Steward||B-B33 Ash 7.5 Steward |Sardius Steward House|Assigned|Image Source (Pub)|||||||Sardius Steward House|31261|Capple, John||architect|John Capple|0||||0|||||American|||Greek Revival|||North and Central America||United States||||||0|Ashville, NY|||10902||||0||||0|Architecture|House||||19|||1840|1840|ca|ca 1840|ca 1840-1840|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|JNK|7/26/2006 0:00:00|7/26/2006 0:00:00||Ash||0||||||Steward|B|||||B33|7.5||||||||||Building|0|Architecture-New York (NY)|Originally located on Route 474, burned when struck by lightning in 1991. Thadeus Steward?||||||||||0|0|Sardius Steward House|Capple, John 7526.00|0|Site|02|B-B33|Ith|7.5 Con||B-B33 Ith 7.5 Con |Sarah M. Converse House|Assigned|Image Source (Pub)|||||||Sarah M. Converse House|8003|Miller, William Henry||architect|William Henry Miller|0||||0|||||American|||Victorian|Eastlake style||North and Central America||United States||||||0|Ithaca, New York|||10057||||0||||0|Architecture|House||||19|||1874|1874|ca|ca 1874|ca 1874-1874|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|JNK|7/26/2006 0:00:00|7/26/2006 0:00:00||Ith||0||||||Con|B|||||B33|7.5||||||||||Building|0|Architecture-New York (NY)|||||||||||0|0|Sarah M. Converse House|Miller, William Henry 7527.00|0|Site|02|B-B33|Aub|7.5 Wiliam||B-B33 Aub 7.5 Wiliam |House|Descriptive|Image Source (Pub)|||||||House|0|||||0||||0|||||American||||||North and Central America||United States||||||0|William Street, Auburn, NY|||10923||||0||||0|Architecture|House||||18|19|||||||||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|JNK|7/26/2006 0:00:00|7/26/2006 0:00:00||Aub||0||||||Wiliam|B|||||B33|7.5||||||||||Building|0|Architecture-New York (NY)|||||||||||0|0|House| 7528.00|0|Site|02|B-B48|ChCitCnty|7.5 West||B-B48 ChCitCnty 7.5 West |Westover|Preferred|Repository|Byrd Mansion|Variant|Print Publication||||Westover|11599|Taliaferro, Richard||architect|Richard Taliaferro|31262|Byrd, William||patron|0|||||American|||Georgian|||North and Central America||United States||||||0|Charles City (county), VA|||10925||||0||||0|Architecture|House||||18|||1730|1734||1730-1734|1730-1734|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|JNK|7/27/2006 0:00:00|7/26/2006 0:00:00||ChCitCnty||0||||||West|B|||||B48|7.5||||||||||Building|0|Architecture-Virginia (VA)|||||||||||0|0|Westover;Byrd Mansion|Taliaferro, Richard;Byrd, William 7529.00|0|Site|02|B-B|USA|7.5 Log/Harm||B-B USA 7.5 Log/Harm |Two and one-half story hewn log dwelling built by Harmonists|Descriptive|Print Publication|||||||Two and one-half story hewn log dwelling built by Harmonists|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Harmony, PA|||10926||||0||||0|Architecture|House||||19|||1804|1804||1804|1804-1804|||||0||||0||||||||||||||||||||||Houses ; Log houses ; |Houses|Log houses||||||||Cornell||JNK|JNK|7/27/2006 0:00:00|7/27/2006 0:00:00||USA||0||||||Log/Harm|B|||||B|7.5||||||||||Work|0|Architecture-United States and Possessions|||||||||||0|0|Two and one-half story hewn log dwelling built by Harmonists| 7530.00|0|Site|02|B-B33|Ith|4.2 Cor/Sage||B-B33 Ith 4.2 Cor/Sage |Sage Hall|Preferred|Repository|||||||Sage Hall|593|Babcock, Charles||architect|Charles Babcock|0||||0|||||American|||Victorian|Gothic Revival||North and Central America||United States||||||0|Ithaca, New York|||10057||||0||||0|Architecture|University|Halls|||19|||1872|1874||1872-1874|1872-1874||Cornell University|Larger entity||886||||0||||||||||||||||||||||Universities ; Campuses ; |Universities|Campuses||||||||Cornell||JNK|JNK|7/27/2006 0:00:00|7/27/2006 0:00:00||Ith||0||||||Cor/Sage|B|||||B33|4.2||||||||||Building|0|Architecture-New York (NY)|Formerly a dormitory, Sage Hall is now the home of the Johnson Graduate School of Management. It was re-dedicated in 1997 and re-opened in 1998.||||||||||0|0|Sage Hall|Babcock, Charles 7531.00|0|Site|02|B-B33|Rens|7.5 GConk||B-B33 Rens 7.5 GConk |Gordon Conkling House|Assigned|Image Source (Pub)|||||||Gordon Conkling House|10211|Russ, Ephraim||architect|Ephraim Russ|0||||0|||||American|||Classical Revival|||North and Central America||United States||||||0|Rensselaerville, NY|||10927||||0||||0|Architecture|House||||19|||1825|1825||1825|1825-1825|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|JNK|7/27/2006 0:00:00|7/27/2006 0:00:00||Rens||0||||||GConk|B|||||B33|7.5||||||||||Building|0|Architecture-New York (NY)|||||||||||0|0|Gordon Conkling House|Russ, Ephraim 7532.00|0|Site|02|B-B|USA|7.5 Log/LinII||B-B USA 7.5 Log/LinII |Lincoln's second cabin home|Descriptive|Print Publication|||||||Lincoln's second cabin home|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Hodgenville, KY|||10928||||0||||0|Architecture|House||||19|||1811|1811|ca|ca 1811|ca 1811-1811|||||0||||0||||||||||||||||||||||Log houses ; Houses ; |Log houses|Houses||||||||Cornell||JNK|JNK|7/27/2006 0:00:00|7/27/2006 0:00:00||USA||0||||||Log/LinII|B|||||B|7.5||||||||||Building|0|Architecture-United States and Possessions|This replica was reconstructed on Knob Creek. The original had long since disappeared when this memorial cabin was built.||||||||||0|0|Lincoln's second cabin home| 7533.00|0|Site|02|B-B33|Ith|2.42 PO||B-B33 Ith 2.42 PO |US Post Office|Preferred|Repository|Ithaca Post Office|Variant|Print Publication||||US Post Office|6391|Taylor, James Knox||architect|James Knox Taylor|0||||0|||||American|||Classical Revival|Neoclassical||North and Central America||United States||||||0|Ithaca, New York|||10057||||0||||0|Architecture|Post office|Government office building|||20|||1908|1909||1908-1909|1908-1909|||||0||||0||||||||||||||||||||||Post offices ; |Post offices|||||||||Cornell||JNK|JNK|7/27/2006 0:00:00|7/27/2006 0:00:00||Ith||0||||||PO|B|||||B33|2.42||||||||||Building|0|Architecture-New York (NY)|||||||||||0|0|US Post Office;Ithaca Post Office|Taylor, James Knox 7534.00|0|Site|02|B-B22|Bos|7.5 3-Otis||B-B22 Bos 7.5 3-Otis |Third Harrison Gray Otis House|Assigned|Print Publication|||||||Third Harrison Gray Otis House|1748|Bulfinch, Charles||architect|Charles Bulfinch|0||||0|||||American|||Federal|||North and Central America||United States||||||0|Boston, Massachusetts|||10053||||0||||0|Architecture|House||||19|||1805|1808||1805-1808|1805-1808|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|JNK|7/27/2006 0:00:00|7/27/2006 0:00:00||Bos||0||||||3-Otis|B|||||B22|7.5||||||||||Building|0|Architecture-Massachusetts (MA)|||||||||||0|0|Third Harrison Gray Otis House|Bulfinch, Charles 7535.00|0|Site|02|B-B|USA|7.5 Morgan/20-A||B-B USA 7.5 Morgan/20-A |Morgan Plan Suggestion No. 20-A|Inscribed|Artist|Square type|Descriptive|Cataloger||||Morgan Plan Suggestion No. 20-A|28687|Morgan Woodwork Organization||builder|Morgan Woodwork Organization|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Architecture|Architectural drawing|Plan (drawing)|||20|||1921|1921||1921-1921|1921-1921||Building with Assurance|Larger entity||7497||||0|||||||||||printing|||||||||||Houses ; Plans (drawings) ; Architectural drawings ; |Houses|Plans (drawings)|Architectural drawings|||||||Cornell||JNK|JNK|7/27/2006 0:00:00|7/27/2006 0:00:00||USA||0||||||Morgan/20-A|B|||||B|7.5||||||||||Work|0|Architecture-United States and Possessions|Second edition published in 1923. Reprinted in 1987 by Lee Valley Tools Ltd. As Homes & Interiors of the 1920's: A Restoration Design Guide.||||||||||0|0|Morgan Plan Suggestion No. 20-A;Square type|Morgan Woodwork Organization 7536.00|0|Site|02|B-B33|Ith|4.2 Cor/SagC||B-B33 Ith 4.2 Cor/SagC |Sage Chapel|Preferred|Repository|||||||Sage Chapel|593|Babcock, Charles||architect|Charles Babcock|0||||0|||||American|||Victorian|Gothic Revival||North and Central America||United States||||||0|Ithaca, New York|||10057||||0||||0|Architecture|Chapel|Church|||19|||1875|1875||1875|1875-1875||Cornell University|Larger entity||886||||0||||||||||||||||||||||Chapels ; Churches ; |Chapels|Churches||||||||Cornell||JNK|JNK|7/27/2006 0:00:00|7/27/2006 0:00:00||Ith||0||||||Cor/SagC|B|||||B33|4.2||||||||||Building|0|Architecture-New York (NY)|||||||||||0|0|Sage Chapel|Babcock, Charles 7537.00|0|Site|02|B-B33|Alb|7.5 CobHse||B-B33 Alb 7.5 CobHse |Cobblestone House|Descriptive|Image Source (Pub)|||||||Cobblestone House|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Albion, NY|||10918||||0||||0|Architecture|House||||19|20|||||||||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|JNK|7/27/2006 0:00:00|7/27/2006 0:00:00||Alb||0||||||CobHse|B|||||B33|7.5||||||||||Building|0|Architecture-New York (NY)|||||||||||0|0|Cobblestone House| 7538.00|0|Site|02|B-B33|Rens|7.5 Hutch||B-B33 Rens 7.5 Hutch |Eli Hutchinson House|Assigned|Image Source (Pub)|||||||Eli Hutchinson House|10211|Russ, Ephraim||architect|Ephraim Russ|0||||0|||||American|||Classical Revival|||North and Central America||United States||||||0|Rensselaerville, NY|||10927||||0||||0|Architecture|House||||19|||1823|1823||1823|1823-1823|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|JNK|7/27/2006 0:00:00|7/27/2006 0:00:00||Rens||0||||||Hutch|B|||||B33|7.5||||||||||Building|0|Architecture-New York (NY)|||||||||||0|0|Eli Hutchinson House|Russ, Ephraim 7539.00|0|Site|02|B-B33|Ith|7.5 Halsey||B-B33 Ith 7.5 Halsey |Halsey-Beebe House|Assigned|Image Source (Pub)|||||||Halsey-Beebe House|31263|Beebe, Jeremiah S.||builder|Jeremiah S. Beebe|0||||0|||||American|||Federal|||North and Central America||United States||||||0|Ithaca, New York|||10057||||0||||0|Architecture|House||||19|||1821|1821||1821|1821-1821|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|JNK|7/27/2006 0:00:00|7/27/2006 0:00:00||Ith||0||||||Halsey|B|||||B33|7.5||||||||||Building|0|Architecture-New York (NY)|||||||||||0|0|Halsey-Beebe House|Beebe, Jeremiah S. 7540.00|0|Site|02|B-B33|Ith|7.5 Babcock||B-B33 Ith 7.5 Babcock |Babcock House|Assigned|Image Source (Pub)|||||||Babcock House|593|Babcock, Charles||architect|Charles Babcock|0||||0|||||American|||Eastlake style|||North and Central America||United States||||||0|Ithaca, New York|||10057||||0||||0|Architecture|House||||19||||||||||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|JNK|7/27/2006 0:00:00|7/27/2006 0:00:00||Ith||0||||||Babcock|B|||||B33|7.5||||||||||Building|0|Architecture-New York (NY)|||||||||||0|0|Babcock House|Babcock, Charles 7541.00|0|Site|02|B-B33|Ith|7.5 Bungalow||B-B33 Ith 7.5 Bungalow |Typical bungalow|Descriptive|Image Source (Pub)|||||||Typical bungalow|0|||||0||||0|||||American|||Arts and Crafts|||North and Central America||United States||||||0|Ithaca, New York|||10057||||0||||0|Architecture|House||||19|20|||||||||||0||||0||||||||||||||||||||||Houses ; Bungalows ; |Houses|Bungalows||||||||Cornell||JNK|JNK|7/27/2006 0:00:00|7/27/2006 0:00:00||Ith||0||||||Bungalow|B|||||B33|7.5||||||||||Building|0|Architecture-New York (NY)|||||||||||0|0|Typical bungalow| 7542.00|0|Creator|15|CHINA|JADE|NEOLITHIC||CHINA JADE NEOLITHIC |Ornament Or Talisman|Descriptive|Image Source (Pub)|||||||Ornament Or Talisman|0|||||0||||0|||||Chinese|||Neolithic|||Asia||China||||||0||||0||||0|Sanguan Dianzi, Liaoning Province, China|||10929|Jewelry|Jade|Ornament||BCE|-36|||3500|3500|ca|ca 3500 BCE|ca 3500 BCE|||||0||||0|||||Jade|jade|||||carving|||||16.5 cm Long||||||Jewelry ; Snakes ; Dragons ; Pigs ; |Jewelry|Snakes|Dragons|Pigs||||||Cornell||BZ|BZ|7/28/2006 0:00:00|7/27/2006 0:00:00||||0|||||||JADE|||CHINA|NEOLITHIC||||||||||||Work|0||Hongshan Culture. Jade object with a snake- or dragon-like body and pig-like snout. Neolithic villagers, using sand or other abrasives, would have had to devote many days to fashioning this small ornament or talisman.||||||||||0|0|Ornament Or Talisman| 7543.00|0|Site|02|B-B22|Cam|7.5 Long||B-B22 Cam 7.5 Long |Longfellow House|Preferred|Repository|Vassall-Craigie-Longfellow House|Variant|Print Publication|Henry W. Longfellow Place|Variant|Print Publication|Longfellow House|0|||||0||||0|||||American|||Georgian|||North and Central America||United States||||||0|105 Brattle ST, Cambridge, MA|||10930||||0||||0|Architecture|House||||18|||1759|1759||1759|1759-1759|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|JNK|7/27/2006 0:00:00|7/27/2006 0:00:00||Cam||0||||||Long|B|||||B22|7.5||||||||||Building|0|Architecture-Massachusetts (MA)|This house is often attributed to Peter Harrison.||||||||||0|0|Longfellow House;Vassall-Craigie-Longfellow House;Henry W. Longfellow Place| 7544.00|0|Creator|15|CHINA|CALL|SHANG||CHINA CALL SHANG |Inscribed Cattle Scapula|Descriptive|Image Source (Pub)|||||||Inscribed Cattle Scapula (Jia Gu Wen)|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0||||0||||0|Anyang, China|||10570|Calligraphy|Calligraphy|Inscription|Bone|BCE|-13|||1250|1250|ca|ca 1250 BCE|ca 1250 BCE|||||0||||0|||||Bone|bone|||||carving|||||||290|Beijing: National Museum of Chinese History|Beijing: National Museum of Chinese History||Bones ; Calligraphy ; Inscriptions ; |Bones|Calligraphy|Inscriptions|||||||Cornell||BZ|BZ|7/28/2006 0:00:00|7/27/2006 0:00:00||||0|||||||CALL|||CHINA|SHANG|||| ||||||||Work|0||The King Wu Ding had this bone used several times to make predictions and to record what actually happened after the divinations had been made. Among the events recorded were a death and a hunting accident.||||||||||0|0|Inscribed Cattle Scapula| 7545.00|0|Site|02|B-B22|Chil|7.5 CobHse||B-B22 Chil 7.5 CobHse |Cobblestone House|Descriptive|Image Source (Pub)|||||||Cobblestone House|0|||||0||||0|||||American|||Greek Revival|||North and Central America||United States||||||0|Ridge RD, Childs, NY|||10932||||0||||0|Architecture|House||||19||||||||||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|JNK|7/27/2006 0:00:00|7/27/2006 0:00:00||Chil||0||||||CobHse|B|||||B22|7.5||||||||||Building|0|Architecture-Massachusetts (MA)|||||||||||0|0|Cobblestone House| 7546.00|0|Site|02|B-R1|Any|3.3 Shan||B-R1 Any 3.3 Shan |Anyang Tomb Of Shang Ruler (No.1001)|Descriptive|Image Source (Pub)|||||||Anyang Tomb Of Shang Ruler (No.1001)|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0|Anyang, China|||10570||||0|Anyang, China|||10570|Archaeological Sites|Archaeological site|Tomb|Mausoleum|BCE|-17|-16|-15|1600|1050|ca|c. 1600 BC-c. 1050 BC|c. 1600 BC-c. 1050 BC|||||0||||0||||||||||||||||||||||Archaeology ; Tombs ; Mausoleums ; |Archaeology|Tombs|Mausoleums|||||||Cornell||BZ|BZ|7/28/2006 0:00:00|7/27/2006 0:00:00||Any||0||||||Shan|B|||||R1|3.3||||||||||Work|0|Architecture-China|This tomb of a Shang king is one of eleven large tombs and over a thousand small graves excavated at Anyang, all of which are oriented north-south.||||||||||0|0|Anyang Tomb Of Shang Ruler (No.1001)| 7547.00|0|Architect|02|MA-|McMeaWh|7.5 1882 Tilton||MA- McMeaWh 7.5 1882 Tilton |Samuel Tilton House|Preferred|Repository|||||||Samuel Tilton House|28580|McKim, Mead & White||ArchFirm|McKim, Mead & White|0||||0|||||American|||Shingle style|||North and Central America||United States||||||0|12 Sunnyside Place, Newport, RI|||10933||||0||||0|Architecture|House||||19|||1881|1882||1881-1882|1881-1882|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|JNK|7/28/2006 0:00:00|7/28/2006 0:00:00|McMeaWh|||0||||||1882 Tilton|MA||||||7.5||||||||||Building|0|Modern Architecture-|||||||||||0|0|Samuel Tilton House|McKim, Mead & White 7548.00|0|Architect|02|MA-|McMeaWh|2.34 1881 NewCas||MA- McMeaWh 2.34 1881 NewCas |Newport Casino|Preferred|Repository|||||||Newport Casino|28580|McKim, Mead & White||ArchFirm|McKim, Mead & White|0||||0|||||American|||Shingle style|||North and Central America||United States||||||0|186-202 Bellevue AVE, Newport, RI|||10934||||0||||0|Architecture|Club (association)|Commercial building|||19|||1880|1880||1880|1880-1880|||||0||||0||||||||||||||||||||||Commercial buildings ; Clubhouses ; |Commercial buildings|Clubhouses||||||||Cornell||JNK|JNK|7/28/2006 0:00:00|7/28/2006 0:00:00|McMeaWh|||0||||||1881 NewCas|MA||||||2.34||||||||||Building|0|Modern Architecture-|||||||||||0|0|Newport Casino|McKim, Mead & White 7549.00|0|Architect|02|MA-|McMeaWh|7.5 Germ/B||MA- McMeaWh 7.5 Germ/B |Residence in Germantown|Descriptive|Cataloger|||||||Residence in Germantown|28580|McKim, Mead & White||ArchFirm|McKim, Mead & White|0||||0|||||American|||Shingle style|||North and Central America||United States||||||0|Philadelphia, PA|||10070||||0||||0|Architecture|House||||19||||||||||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|JNK|7/28/2006 0:00:00|7/28/2006 0:00:00|McMeaWh|Phi||0||||||Germ/B|MA||||||7.5||||||||||Building|0|Modern Architecture-|||||||||||0|0|Residence in Germantown|McKim, Mead & White 7550.00|0|Site|02|B-B33|Aub|2.22 Aub||B-B33 Aub 2.22 Aub |Auburn Schine Theater|Preferred|Repository|Auburn Theatre|Variant|Cataloger||||Auburn Schine Theater|3449|Eberson, John||architect|John Eberson|0||||0|||||American|||Art Deco|||North and Central America||United States||||||0|Auburn, NY|||10919||||0||||0|Architecture|Motion picture theater||||20|||1938|1938||1938|1938-1938|||||0||||0||||||||||||||||||||||Theaters ; Motion picture theaters ; |Theaters|Motion picture theaters||||||||Cornell||JNK|JNK|7/28/2006 0:00:00|7/28/2006 0:00:00||Aub||0||||||Aub|B|||||B33|2.22||||||||||Building|0|Architecture-New York (NY)|||||||||||0|0|Auburn Schine Theater;Auburn Theatre|Eberson, John 7551.00|0|Site|02|B-B9|Wash|2.42 Exe||B-B9 Wash 2.42 Exe |Eisenhower Executive Office Building|Preferred|Repository|Old Executive Offic Buildling|Former|Repository|State, War and Navy Building|Former|Repository|Eisenhower Executive Office Building|8310|Mullett, Alfred Bult||architect|Alfred Bult Mullett|0||||0|||||American|||Second Empire|||North and Central America||United States||||||0|Washington, DC|||10054||||0||||0|Architecture|Government office building||||19|||1871|1871||begun 1871|1871-1871|||||0||||0||||||||||||||||||||||Government office buildings ; |Government office buildings|||||||||Cornell||JNK|JNK|7/28/2006 0:00:00|7/28/2006 0:00:00||Wash||0||||||Exe|B|||||B9|2.42||||||||||Building|0|Architecture-District of Columbia (DC)|||||||||||0|0|Eisenhower Executive Office Building;Old Executive Offic Buildling;State, War and Navy Building|Mullett, Alfred Bult 7552.00|0|Creator|15|CHINA|MAP|NEOLITHIC||CHINA MAP NEOLITHIC |Map of Late Neolithic Cultures|Descriptive|Image Source (Pub)|||||||Map of Late Neolithic Cultures|0|||||0||||0|||||Chinese|||Neolithic|||Asia||China||||||0||||0||||0||||0|Maps|Map|||BCE|-31|-30|-29|3000|2000||3000 BC-2000 BC|3000 BC-2000 BC|||||0||||0||||||||||||||||||||||Maps ; Culture ; |Maps|Culture||||||||Cornell||BZ|MNW|8/25/2006 0:00:00|7/28/2006 0:00:00||||0|||||||MAP|||CHINA|NEOLITHIC||||||||||||Work|0||||||||||||0|0|Map of Late Neolithic Cultures| 7553.00|0|Site|02|B-B33|Aub|7.5 HubHil||B-B33 Aub 7.5 HubHil |Hubbard Hill|Assigned|Image Source (Pub)|||||||Hubbard Hill|0|||||0||||0|||||American|||Tudor Revival|||North and Central America||United States||||||0|Auburn, NY|||10919||||0||||0|Architecture|House||||20|||1930|1930||1930|1930-1930|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|JNK|7/28/2006 0:00:00|7/28/2006 0:00:00||Aub||0||||||HubHil|B|||||B33|7.5||||||||||Building|0|Architecture-New York (NY)|||||||||||0|0|Hubbard Hill| 7554.00|0|Site|02|B-B33|Ith|2.41 Cit||B-B33 Ith 2.41 Cit |City Hall|Assigned|Image Source (Pub)|||||||City Hall|0|||||0||||0|||||American|||Greek Revival|||North and Central America||United States||||||0|Ithaca, New York|||10057||||0||||0|Architecture|Government office building|City hall||||||1844|1844||1844|1844-1844|||||0||||0||||||||||||||||||||||Government office buildings ; |Government office buildings|||||||||Cornell||JNK|JNK|7/28/2006 0:00:00|7/28/2006 0:00:00||Ith||0||||||Cit|B|||||B33|2.41||||||||||Building|0|Architecture-New York (NY)|Demolished in 1965.||||||||||0|0|City Hall| 7555.00|0|Site|02|B-B33|Ith|6.1 Colonial||B-B33 Ith 6.1 Colonial |Colonial Building|Inscribed|Repository|Post Office|Former|Image Source (Pub)||||Colonial Building|0|||||0||||0|||||American|||Greek Revival|||North and Central America||United States||||||0|State ST, Ithaca, NY|||10905||||0||||0|Architecture|Commercial building|Office building|Post office||19|||1828|1828||1828|1828-1828|||||0||||0||||||||||||||||||||||Office buildings ; Commercial buildings ; Post offices ; |Office buildings|Commercial buildings|Post offices|||||||Cornell||JNK|JNK|7/28/2006 0:00:00|7/28/2006 0:00:00||Ith||0||||||Colonial|B|||||B33|6.1||||||||||Building|0|Architecture-New York (NY)|Formerly a Post Office and a Rite Aid drug store. It remains a commercial space.||||||||||0|0|Colonial Building;Post Office| 7556.00|0|Site|02|B-B33|Ith|7.5 SnyHill||B-B33 Ith 7.5 SnyHill |Second Empire syle residence|Descriptive|Cataloger|||||||Second Empire syle residence|0|||||0||||0|||||American|||Second Empire|||North and Central America||United States||||||0|Snyder Hill RD & Quarry RD, Ithaca, NY|||10935||||0||||0|Architecture|House||||19||||||||||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|JNK|7/28/2006 0:00:00|7/28/2006 0:00:00||Ith||0||||||SnyHill|B|||||B33|7.5||||||||||Building|0|Architecture-New York (NY)|||||||||||0|0|Second Empire syle residence| 7557.00|0|Site|02|B-B33|Ith|3.1 StJEpis||B-B33 Ith 3.1 StJEpis |St. John's Episcopal Church|Preferred|Repository|||||||St. John's Episcopal Church|0|||||0||||0|||||American|||Gothic Revival|||North and Central America||United States||||||0|Ithaca, New York|||10057||||0||||0|Architecture|Church||||19|||1860|1860||1860|1860-1860|||||0||||0||||||||||||||||||||||Churches ; |Churches|||||||||Cornell||JNK|JNK|7/28/2006 0:00:00|7/28/2006 0:00:00||Ith||0||||||StJEpis|B|||||B33|3.1||||||||||Building|0|Architecture-New York (NY)|||||||||||0|0|St. John's Episcopal Church| 7558.00|0|Creator|01|CHINA|MAP|TANG||CHINA MAP TANG |Mapo of Tang China|Descriptive|Image Source (Pub)|||||||Mapo of Tang China|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0||||0|Maps|Map||||7|8|9|618|907||618-907|618-907|||||0||||0||||||||||||||||||||||Maps ; History ; |Maps|History||||||||Cornell||BZ|MNW|8/25/2006 0:00:00|7/28/2006 0:00:00||||0|||||||MAP|||CHINA|TANG||||||||||||Work|0||Tang China's neighbours included states that had adopted many aspects of Chinese statecraft. These included the kingdoms of Sila and Bohai to the northeast, Nara Japan to the east, and Nanzhao and Tibet to the west.||||||||||0|0|Mapo of Tang China| 7559.00|0|Creator|15|CHINA|SC|TANG||CHINA SC TANG |Equestrienne (Tomb Figure)|Descriptive|Image Source (Pub)|||||||Equestrienne (Tomb Figure)|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0||||0||||0||||0|Sculpture|Sculpture|Figure (representation)|||8|||700|750||700-750|700-750|||||0||||0|||||Earthenware with traces of polychromy|earthenware|color (pigment)||||sculpture|carving||||56.2 x 48.2 cm||4073|Chicago: Art Institute of Chicago|Chicago: Art Institute||Sculpture (visual work) ; Women ; Horses ; Figures (representations) ; Animals ; |Sculpture (visual work)|Women|Horses|Figures (representations)|Animals|||||Cornell||BZ|BZ|7/28/2006 0:00:00|7/28/2006 0:00:00||||0|||||||SC|||CHINA|TANG|||| ||||||||Work|0||The figurines found in Tang tombs reveal that active women, even ones playing polo on horseback, were viewed as appealing.|Mr. and Mrs. Potter Palmer Collection, 1970.1073 (information cited from the institute website).|||||||||0|0|Equestrienne (Tomb Figure)| 7560.00|0|Creator|01|CHINA|MAP|YUAN||CHINA MAP YUAN |Map of the Mongol Empire|Descriptive|Image Source (Pub)|||||||Map of the Mongol Empire|0|||||0||||0|||||Chinese|||Yuan|||Asia||China||||||0||||0||||0||||0|Maps|Map||||13|14||1279|1368||1279-1368|1279-1368|||||0||||0||||||||||||||||||||||Maps ; History ; Empires ; |Maps|History|Empires|||||||Cornell||BZ|MNW|8/25/2006 0:00:00|7/28/2006 0:00:00||||0|||||||MAP|||CHINA|YUAN||||||||||||Work|0||The Mongol conquests expanded contacts across Eurasia, which led to the spread of deadly plagues niy also the transfer of technical and scientific knowlegde.||||||||||0|0|Map of the Mongol Empire| 7561.00|0|Site|02|B-B33|Fre|7.5 Pratt||B-B33 Fre 7.5 Pratt |Levi L. Pratt House|Assigned|Image Source (Pub)|||||||Levi L. Pratt House|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Fredonia, NY|||10531||||0||||0|Architecture|House||||19|||1855|1855|ca|ca 1855|ca 1855-1855|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|JNK|7/28/2006 0:00:00|7/28/2006 0:00:00||Fre||0||||||Pratt|B|||||B33|7.5|| ||||||||Building|0|Architecture-New York (NY)|||||||||||0|0|Levi L. Pratt House| 7562.00|0|Creator|15|35A|F874-G|1911|2|35A F874-G 1911 2|Kaleidoscope Merchant|Translated|Cataloger|Le Marchand de kaleidoscopes|Original|Image Source (Pub)||||Kaleidoscope Merchant|0|||||0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Prints|Print|Engraving (print)|||20|||1911|1911||1911|1911-1911|||||0||||0|||||Engraving||||||engraving (incising)|||||||3655|Paris: Bibliothèque Nationale|Paris: Bib. Nat.||Kaleidoscopes ; Optics ; Toys (recreational artifacts) ; |Kaleidoscopes|Optics|Toys (recreational artifacts)|||||||Cornell||MNW|JNK|7/28/2006 0:00:00|7/28/2006 0:00:00|F874|||0|||||||35A|G||||||1911| ||||||||Work|0||Published in Mme Alfred Heyman, Les Lunettes et les lorgnettes de jadis (Paris: Leroy, 1911), p. 37.|The caption reads: "Oui, j'en ai de toutes les formes, de grands, de petits, et d'énormes. Mesdames, entre nous, Comment les voulez-vous?"|||||||||0|0|Kaleidoscope Merchant;Le Marchand de kaleidoscopes| 7563.00|0|Creator|15|CHINA|PTG|MING||CHINA PTG MING |Portrait Of Emperor Taizu Of The Ming Dynasty|Descriptive|Image Source (Pub)|||||||Portrait Of Emperor Taizu Of The Ming Dynasty|0|||||0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Figure (representation)|||14|15|16|1368|1644||1368-1644|1368-1644|||||0||||0|||||Ink and color on silk|ink|color (pigment)|silk (textile)|||painting (image-making)|||||||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Men (male humans) ; Figures (representations) ; Portraits ; Painting (image making) ; |Men (male humans)|Figures (representations)|Portraits|Painting (image making)||||||Cornell||BZ|BZ|7/28/2006 0:00:00|7/28/2006 0:00:00||||0|||||||PTG|||CHINA|MING|||| ||||||||Work|0||Emperor Taizu's detractors descirbed him as ugly and pockmarked, with a protruding lower jaw.||||||||||0|0|Portrait Of Emperor Taizu Of The Ming Dynasty| 7564.00|0|Creator|01|CHINA|MAP|MING||CHINA MAP MING |Map of Ming China's Contacts With the Outside World|Descriptive|Image Source (Pub)|||||||Map of Ming China's Contacts With the Outside World|0|||||0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Maps|Map||||14|15|16|1368|1644||1368-1644|1368-1644|||||0||||0||||||||||||||||||||||Maps ; History ; |Maps|History||||||||Cornell||BZ|MNW|8/25/2006 0:00:00|7/28/2006 0:00:00||||0|||||||MAP|||CHINA|MING||||||||||||Work|0||China's ea links to other nations became important in Ming times. Early in the dynasty, China was sending out sea-borne missions to distant lands; late in the dynasty merchants and adventures from distant lands were coming to China by sea.||||||||||0|0|Map of Ming China's Contacts With the Outside World| 7565.00|0|Creator|15|40|G4222-SC|F632-Ors 37|1|40 G4222-SC F632-Ors 37 1|Saint John the Baptist|Translated|Dict.Art|||||||Orsanmichele. Tabernacle of the Calimala Guild. Saint John the Baptist|4430|Ghiberti, Lorenzo||sculptor|Lorenzo Ghiberti|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0||||0||||0||||0|Sculpture|Sculpture||||15|||1416|1416||1416|1416-1416||Tabernacle of the Calimala Guild|LargerEntity||7493||||0|||||Cast bronze|bronze|||||casting|||||254 cm high||873|Florence: Orsanmichele|Florence: Orsanmichele||Saints ; Saint John the Baptist ; New Testament ; |Saints|Saint John the Baptist|New Testament|||||||Cornell||MNW|JNK|8/1/2006 0:00:00|7/28/2006 0:00:00|G4222|||0|||||||40|SC|||||||F632-Ors|37|||||||Work|0||This sculpture was executed for the niche of the Arte di Calimala on the exterior of Orsanmichele in Florence.||||||||||0|0|Saint John the Baptist|Ghiberti, Lorenzo 7566.00|0|Creator|15|40|D677-SC|38M|2|40 D677-SC 38M 2|Saint Mark|Translated|Dict.Art|San Marco|Original|Image Source (Pub)||||Orsanmichele. Linen Drapers' Guild. Saint Mark|3234|Donatello||sculptor|Donatello|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0||||0||||0||||0|Sculpture|Sculpture||||15|||1411|1413||1411-1413|1411-1413||Linen Drapers' Guild|LargerEntity||7492||||0|||||Marble|marble|||||carving|||||236 cm high||873|Florence: Orsanmichele|Florence: Orsanmichele||Saint Mark ; New Testament ; Evangelists ; Saints ; |Saint Mark|New Testament|Evangelists|Saints||||||Cornell||MNW|JNK|8/24/2006 0:00:00|7/29/2006 0:00:00|D677|||0|||||||40|SC|||||38M 2|| ||||||||Work|0||The original sculpture was removed from its niche on the exterior, cleaned, and is now displayed inside in the Orsanmichele museum.||||||||||0|0|Saint Mark;San Marco|Donatello 7567.00|0||||||||Tabernacle of the Mercanzia|Preferred|Dict.Art|Tabernacle of the Parte Guelfa|Original|Dict.Art||||Orsanmichele. Tabernacle of the Mercanzia|0|||||0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0|Florence, Italy|||9985||||0||||0|Architecture|Niche||||15|||1425|1425||1425|1425-1425||Orsanmichele|LargerEntity||2200||||0||||||||||||||||||||||Niches ; Aedicules ; Shells (animal material) ; |Niches|Aedicules|Shells (animal material)|||||||Cornell||MNW|MNW|7/29/2006 0:00:00|7/29/2006 0:00:00||Flo||0||||||||||||||||||||||||0||The gilded statue of St. Louis of Toulouse by Donatello was orginally destined for this niche.||||||||||0|0|Tabernacle of the Mercanzia;Tabernacle of the Parte Guelfa| 7568.00|0||||||||Saint Louis of Toulouse|Translated|Dict.Art|San Ludovico da Tolosa|Original|Image Source (Pub)||||Saint Louis of Toulouse|3234|Donatello||sculptor|Donatello|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0||||||||0||||0|Sculpture|Sculpture||||15|||1418|1422|ca|ca 1418-1422|ca 1418-1422|||||0||||0|||||Gilded bronze|bronze|||||casting|gilding||||226 cm high; 560 x 243 cm (niche)||866|Florence: Santa Croce; Museo dell'Opera di Santa Croce|Florence: S. Croce; Mus. Opera S. Croce||Saint Louis of Toulouse ; Saints ; |Saint Louis of Toulouse|Saints||||||||Cornell||MNW|MNW|7/29/2006 0:00:00|7/29/2006 0:00:00||||0||||||||||||||| |||||||||0||Originally intended for the tabernacle of the Parte Guelfa (later the Tabernacle of the Mercanzia). DOA.||||||||||0|0|Saint Louis of Toulouse;San Ludovico da Tolosa|Donatello 7569.00|0|Creator|||||||Incredulity of Thomas|Preferred|Dict.Art|Doubting Thomas|Variant|Image Source (Pub)||||Orsanmichele. Tabernacle of the Mercanzia. Incredulity of Thomas|12250|Verrocchio, Andrea del||sculptor|Andrea del Verrocchio|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0||||0||||0||||0|Sculpture|Statue||||15|||1423|1423||1423|1423-1423||Tabernacle of the Mercanzia|||7567||||0|||||Marble|marble||||||||||230 cm h (Christ); 200 cm h (St. Thomas)||873|Florence: Orsanmichele|Florence: Orsanmichele||Saints ; New Testament ; Saint Thomas ; Incredulity of Saint Thomas ; Apostles ; Christ ; |Saints|New Testament|Saint Thomas|Incredulity of Saint Thomas|Apostles|Christ||||Cornell||MNW|MNW|7/29/2006 0:00:00|7/29/2006 0:00:00|V558|||0||||||||||||||| |||||||||0||This statue was commissioned by the Tribunale di Mercanzia to replace Donatello’s St Louis of Toulouse. DOA.||||||||||0|0|Incredulity of Thomas;Doubting Thomas|Verrocchio, Andrea del 7570.00|0|Creator|15||||||Tabernacle of the Stone and Woodcutters Guild|Translated|Online Resource|Tabernacolo dell'Arte dei Maestri di Pietra e Legname|Original|Image Source (Pub)||||Orsanmichele. Tabernacle of the Stone and Woodcutters Guild|13548|Nanni di Banco||sculptor|Nanni di Banco|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0|Florence, Italy|||9985||||0||||0|Architecture|Niche||||15|||1416|1417||1416-1417|1416-1417||Orsanmichele|LargerEntity||2200||||0||||||||||||||||||||||Niches ; Aedicules ; |Niches|Aedicules||||||||Cornell||MNW|MNW|7/31/2006 0:00:00|7/29/2006 0:00:00||Flo||0|||||||||||||||||||||||Work|0||||||||||||0|0|Tabernacle of the Stone and Woodcutters Guild;Tabernacolo dell'Arte dei Maestri di Pietra e Legname|Nanni di Banco 7571.00|0|Site|02|B-B33|Ith|7.5 314Buf||B-B33 Ith 7.5 314Buf |Residence|Descriptive|Cataloger|||||||Residence|0|||||0||||0|||||American||||||North and Central America||United States||||||0|314 Buffalo Street, Ithaca, NY|||||||0||||0|Architecture|House||||19|20|||||||||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|MNW|7/31/2006 0:00:00|7/31/2006 0:00:00||||0||||||314Buf|B|||||B33|7.5||||||||||Building|0|Architecture-New York (NY)|||||||||||0|0|Residence| 7572.00|0|Site|02|B-B33|Ith|7.5 Board||B-B33 Ith 7.5 Board |Boardman House|Preferred|Repository|||||||Boardman House|0|||||0||||0|||||American|||Italianate|||North and Central America||United States||||||0|120 E Buffalo ST, Ithaca, NY|||10937||||0||||0|Architecture|House|Museum|||19|||1867|1867||1867|1867-1867|||||0||||0||||||||||||||||||||||Houses ; Museums ; |Houses|Museums||||||||Cornell||JNK|JNK|7/31/2006 0:00:00|7/31/2006 0:00:00||Ith||0||||||Board|B|||||B33|7.5|| ||||||||Building|0|Architecture-New York (NY)|Built for Douglas Boardman. Housed the Ithaca College Museum of Art until 1972.|Source indicates George McChain was the architect/builder. National Register of Historic Places lists the architect/builder as unknown.|||||||||0|0|Boardman House| 7573.00|0|Site|02|B-B|USA|1.0 Cat&Rul/Dav/RR|7a|B-B USA 1.0 Cat&Rul/Dav/RR 4|Villa in the Oriental Style|Inscribed|Artist|Plate 6|Descriptive|Cataloger||||Rural Residences, Etc. Villa in the Oriental Style, Plate 6|2906|Davis, Alexander Jackson||architect|Alexander Jackson Davis|0||||0|||||American|||Orientalism|||North and Central America||United States||||||0||||0||||0||||0|Architectural Theory|Publication|Architectural drawing|||19|||1837|1837||1837|1837-1837||Rural Residences, Etc. consisting of designs, original and selected…|Larger entity||7514||||0||||||||||||||||||||||Houses ; Architectural drawings ; Plans (drawings) ; |Houses|Architectural drawings|Plans (drawings)|||||||Cornell||JNK|JNK|7/31/2006 0:00:00|7/31/2006 0:00:00||USA||0||||||Cat&Rul/Dav/RR|B|||||B|1.0||||||||||Work|0||||||||||||0|0|Villa in the Oriental Style;Plate 6|Davis, Alexander Jackson 7574.00|0|Culture|11|CHINA|MA|MING||CHINA MA MING |Undergarments|Descriptive|Image Source (Pub)|||||||Undergarments|0|||||0||||0|||||Chinese|||Ming|||Asia||China||||||0||||0||||0||||0|Objects|Shirt||||14|15|16|1368|1644||1368-1644|1368-1644|||||0||||0||||||||||||||||||9749|Kyoto: Yurinkan Museum|Kyoto: Yurinkan Museum||||||||||||Cornell||BZ|BZ|7/31/2006 0:00:00|7/31/2006 0:00:00||||0|||||||MA|||CHINA|MING|||| ||||||||Work|0||One way to try to improve one's chance of passing the civil examinations was to cheat, for instance by wearing undergarments on which the classics were written in small characters. This "cheating shirt" probably dates from the nineteenth century.||||||||||0|0|Undergarments| 7575.00|0|Creator|01|CHINA|MAP|QING||CHINA MAP QING |Map of the Qing Empire|Descriptive|Image Source (Pub)|||||||Map of the Qing Empire|0|||||0||||0|||||Chinese|||Qing (Ch'ing)|||Asia||China||||||0||||0||||0||||0|Maps|Map||||17|18|19|1644|1911||1644-1911|1644-1911|||||0||||0||||||||||||||||||||||Maps ; History ; |Maps|History||||||||Cornell||BZ|MNW|8/25/2006 0:00:00|7/31/2006 0:00:00||||0|||||||MAP|||CHINA|QING||||||||||||Work|0||The Qing dynasty expanded the territorial reach of the Chinese state to its maximal dimensions. Areas not settled primarily by Chinese , howeverw, were given considerable autonomy to manage their own affairs.||||||||||0|0|Map of the Qing Empire| 7576.00|0|Creator|15|CHINA|PTG|QING||CHINA PTG QING |European-style Buildings In Guangdong|Descriptive|Image Source (Pub)|||||||European-style Buildings In Guangdong|0|||||0||||0|||||Chinese|||Qing (Ch'ing)|||Asia||China||||||0||||0||||0||||0|Paintings|Painting|Landscape (representation)|||17|18|19|1644|1911||1644-1911|1644-1911|||||0||||0|||||Oil on canvas|oil|canvas||||painting (image-making)|||||||2516|Salem, MA: Peabody Museum of Salem|Salem: Peabody Mus.||Landscapes ; Buildings ; Ships ; Mountains ; Seas ; Figures (representations) ; Towers (single built works) ; Clouds ; Trees|Landscapes|Buildings|Ships|Mountains|Seas|Figures (representations)|Towers (single built works)|Clouds|Trees|Cornell||BZ|BZ|8/1/2006 0:00:00|7/31/2006 0:00:00||||0|||||||PTG|||CHINA|QING|||| ||||||||Work|0||European-style buildings began to appear in Guangzhou in the 18th century in the restricted district where the foreign merchants were allowed to arrange for the loading and unloading of their ships.||||||||||0|0|European-style Buildings In Guangdong| 7577.00|0|Creator|15|CHINA|PTG|QING||CHINA PTG QING |Opium War|Descriptive|Image Source (Pub)|||||||Opium War|0|||||0||||0|||||Chinese|||Qing (Ch'ing)|||Asia||China||||||0||||0||||0||||0|Paintings|Painting||||17|18|19|1644|1911||1644-1911|1644-1911|||||0||||0|||||Oil on canvas|oil|canvas||||painting (image-making)|||||||1537|London: National Maritime Museum (Greenwich)|London: Nat. Maritime Mus.||Painting (image making) ; History ; Boats ; Ships ; Figures (representations) ; Seas ; Fires ; Clouds ; Smoking|Painting (image making)|History|Boats|Ships|Figures (representations)|Seas|Fires|Clouds|Smoking|Cornell||BZ|BZ|8/1/2006 0:00:00|7/31/2006 0:00:00||||0|||||||PTG|||CHINA|QING|||| ||||||||Work|0||The England proudly commemorated their victory in the Opium War. In this lithography Chinese wooden ships are destroyed by the Nemesis, a paddle-wheel iron ship that could operate by sail or steam.||||||||||0|0|Opium War| 7578.00|0|Creator|15|40|B2135|F773||40 B2135 F773 |Four Crowned Saints|Descriptive|Dict.Art|I santi quattro coronati|Original|Image Source (Pub)||||Orsanmichele. Tabernacle of the Stone and Woodcutters Guild. Four Crowned Saints|13548|Nanni di Banco||sculptor|Nanni di Banco|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0|Florence, Italy|||9985||||0||||0|Sculpture|Sculpture||||15|||1416|1417||1416-1417|1416-1417||Tabernacle of the Stone and Woodcutters Guild|LargerEntity||7570||||0|||||Marble|marble|||||carving|||||ca. 185 cm high||||||Sculptors ; |Sculptors|||||||||Cornell||MNW|JNK|8/1/2006 0:00:00|7/31/2006 0:00:00|B2135|||0|||||||40|||||||||F773|||||||Work|0||According to Olson these figures represent Claudius, Castor, Symphorian and Nicostratus, four Christian sculptors who refused to execute a statue of Aesculapius for the Emperor Diocletian.||||||||||0|0|Four Crowned Saints;I santi quattro coronati|Nanni di Banco 7579.00|0|Creator|15||||||Tabernacle of the Cambio Guild|Translated|Image Source (Pub)|Tabernacolo dell'Arte del Cambio|Original|Image Source (Pub)|Money-changers' Guild|Translated|Dict.Art|Orsanmichele. Tabernacle of the Cambio Guild|4430|Ghiberti, Lorenzo||sculptor|Lorenzo Ghiberti|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0|Florence, Italy|||9985||||0||||0|Architecture|Niche||||15|||1422|1423||1422-1423|1422-1423||Orsanmichele|LargerEntity||2200||||0||||||||||||||||||||||Niches ; Aedicules ; |Niches|Aedicules||||||||Cornell||MNW|MNW|7/31/2006 0:00:00|7/31/2006 0:00:00||Flo||0|||||||||||||||||||||||Work|0||||||||||||0|0|Tabernacle of the Cambio Guild;Tabernacolo dell'Arte del Cambio;Money-changers' Guild|Ghiberti, Lorenzo 7580.00|0|Creator|15||||||Saint Matthew|Descriptive|Dict.Art|||||||Orsanmichele. Tabernacle of the Cambio Guild. Saint Matthew|4430|Ghiberti, Lorenzo||sculptor|Lorenzo Ghiberti|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0|Florence, Italy|||9985||||0||||0|Sculpture|Sculpture||||15|||1419|1423||1419-1423|1419-1423||Tabernacle of the Cambio Guild|||7579||||0|||||Bronze|bronze|||||casting|||||270 cm high (106.3 in)||||||Saints ; New Testament ; Saint Matthew ; Apostles ; Evangelists ; |Saints|New Testament|Saint Matthew|Apostles|Evangelists|||||Cornell||MNW|MNW|7/31/2006 0:00:00|7/31/2006 0:00:00||Flo||0|||||||||||||||||||||||Work|0||||||||||||0|0|Saint Matthew|Ghiberti, Lorenzo 7584.00|0|Creator|15||||||San Zaccaria, Venice|Artists|Repository|||||||San Zaccaria, Venice|11460|Struth, Thomas||photographer|Thomas Struth|975|Bellini, Giovanni||painter|4281|Gambello, Antonio di Marco||architect||German||||||||||||||0||||0||||0||||0|Photographs|Documentary photograph|Altarpiece|Church||20|||1995|1995||1995|1995-1995||San Zaccaria|Larger Context||7587||||0|||||Chromogenic color print||||||photography|chromogenic processes||||182 x 230 cm||3418|Cleveland: Cleveland Museum of Art|Cleveland: Museum of Art||San Zaccaria (Venice, Italy) ; Altarpiece of San Zaccaria ; Sacra Conversazione ; Interior views ; Churches ; |San Zaccaria (Venice, Italy)|Altarpiece of San Zaccaria|Sacra Conversazione|Interior views|Churches|||||Cornell||MNW|MNW|8/1/2006 0:00:00|8/1/2006 0:00:00||||0||1996.13||||||||||||| ||||||||Work|0||Written in pencil on verso: "Chiesa San Zaccaria / Venedig 1995 / 5/10 / Thomas Struth [signed] / Print 1995". Cleveland Museum of Art||||||||||0|0|San Zaccaria, Venice|Struth, Thomas;Bellini, Giovanni;Gambello, Antonio di Marco 7585.00|0|Creator|01|CHINA|MAP|QING||CHINA MAP QING |Map of the Imperialism in the Nineteenth Century|Descriptive|Image Source (Pub)|||||||Map of the Imperialism in the Nineteenth Century|0|||||0||||0|||||Chinese|||Qing (Ch'ing)|||Asia||China||||||0||||0||||0||||0|Maps|Map||||17|18|19|1644|1911||1644-1911|1644-1911|||||0||||0||||||||||||||||||||||Maps ; History ; Imperialism ; |Maps|History|Imperialism|||||||Cornell||BZ|MNW|8/25/2006 0:00:00|8/1/2006 0:00:00||||0|||||||MAP|||CHINA|QING||||||||||||Work|0||By the end of the nineteenth century, the expansion of imperialist powers in Asia raised fears that China might soon be dismembered.||||||||||0|0|Map of the Imperialism in the Nineteenth Century| 7646.00|0|Creator|15|35|H662-TO|1915|2|35 H662-TO 1915 2|The Normal Child, The Mill Child|Assigned|Image Source (Pub)|||||||The High Cost of Labor. The Normal Child, The Mill Child|5447|Hine, Lewis Wickes||photographer|Lewis Wickes Hine|0||||0|||||American||||||North and Central America||United States||||||0|Washington, DC|||0||||0||||0|Publications|Photographic print|Pamphlet|Print||20|||1915|1915||1915|1915-1915||The High Cost of Labor|Larger entity||7648||||0|||||Brochure||||||printing|||||||3892|Washington, D.C.: Library of Congress|Washington, D.C.: Library of Congress||Children (people by age group) ; Workers ; |Children (people by age group)|Workers||||||||Cornell||JNK|JNK|8/10/2006 0:00:00|8/10/2006 0:00:00|H662|||0|||||||35|TO||||||1915| ||||||||Work|0||Published in Hine's exhibit handbook, The High Cost of Child Labor.||||||||||0|0|The Normal Child, The Mill Child|Hine, Lewis Wickes 7647.00|0|Creator|15|35|H662-TO|1915|1|35 H662-TO 1915 2|Making Human Junk|Inscribed|Artist|||||||The High Cost of Labor. Making Human Junk|5447|Hine, Lewis Wickes||photographer|Lewis Wickes Hine|0||||0|||||American||||||North and Central America||United States||||||0||||||||0||||0|Publications|Pamphlet|Photographic print|||20|||1915|1915||1915|1915-1915||The High Cost of Labor|Larger entity||7648||||0|||||Brochure||||||printing|||||||3892|Washington, D.C.: Library of Congress|Washington, D.C.: Library of Congress||Children (people by age group) ; Workers ; |Children (people by age group)|Workers||||||||Cornell||JNK|JNK|8/10/2006 0:00:00|8/10/2006 0:00:00|H662|||0|||||||35|TO||||||1915| ||||||||Work|0||Published in Hine's exhibit handbook, "The High Cost of Child Labor".||||||||||0|0||Hine, Lewis Wickes 7648.00|0||||||||The High Cost of Labor|Inscribed|Artist|||||||The High Cost of Labor|5447|Hine, Lewis Wickes||photographer|Lewis Wickes Hine|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Publications|Pamphlet||||20|||1915|1915||1915|1915-1915|||||0||||0|||||Brochure||||||printing|||||||3892|Washington, D.C.: Library of Congress|Washington, D.C.: Library of Congress||Children (people by age group) ; Workers ; |Children (people by age group)|Workers||||||||Cornell||JNK|JNK|8/10/2006 0:00:00|8/10/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|The High Cost of Labor|Hine, Lewis Wickes 7649.00|0|Creator|05|35|H662-PH|1932|1|35 H662-PH 1932 1|Worker in his Shrine. The heart of the Turbine Power House, Penn. R.R.|Preferred|Repository|Worker In the Heart of a Turbine|Variant|Repository||||Worker in his Shrine. The heart of the Turbine Power House, Penn. R.R.|5447|Hine, Lewis Wickes||photographer|Lewis Wickes Hine|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1920|1924||1920-1924|1920-1924|||||0||||0|||||||||||photography|||||||9753|Washington, DC: National Archives; Records of the Works Progress Administration|Wash, DC: Nat. Archiv.; Rec. of WPA||Men (male humans) ; Workers ; Machines ; |Men (male humans)|Workers|Machines|||||||Cornell||JNK|JNK|8/10/2006 0:00:00|8/10/2006 0:00:00|H662|||0|||||||35|PH||||||1932| ||||||||Work|0||Published in Hine's "Men at Work" in 1932. A negative is owned by the George Eastman House and is titled "Worker in the Heart of a Turbine."||||A negative is owned by the George Eastman House||||||0|0|Worker in his Shrine. The heart of the Turbine Power House, Penn. R.R.;Worker In the Heart of a Turbine|Hine, Lewis Wickes 7651.00|0|Creator|05|50|R572|B214||50 R572 B214 |Bandit's Roost, 59-1/2 Mulberry St|Assigned|Image Source (Pub)|||||||Bandit's Roost, 59-1/2 Mulberry St|9873|Riis, Jacob August|||Jacob Riis|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Photographic print||||19|||1888|1888|ca|ca 1888|ca 1888-1888|||||0||||0|||||Photographic print||||||photography|||||||||||New York (NY) ; Criminals ; |New York (NY)|Criminals||||||||Cornell||JNK|JNK|8/10/2006 0:00:00|8/10/2006 0:00:00|R572|||0|||||||50||||||B214||||||||||Work|0||Published New York Sun, February 12, 1888||||||||||0|0|Bandit's Roost, 59-1/2 Mulberry St|Riis, Jacob August 7652.00|0|Creator|05|50|R572|E420||50 R572 E420 |Elizabeth Street Police Station - Women Lodgers|Assigned|Image Source (Pub)|||||||Elizabeth Street Police Station - Women Lodgers|9873|Riis, Jacob August|||Jacob Riis|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Photographic print||||19|||1893|1893||1893|1893-1893|||||0||||0|||||Photographic print||||||photography|||||||||||Women ; Sleep ; Police stations ; |Women|Sleep|Police stations|||||||Cornell||JNK|JNK|8/10/2006 0:00:00|8/10/2006 0:00:00|R572|||0|||||||50||||||E240||||||||||Work|0||||||||||||0|0||Riis, Jacob August 7653.00|0||||||||Brillo Box|Preferred|Repository|||||||Brillo Box|12489|Warhol, Andy||painter|Andy Warhol|0||||0|||||American|||Pop|||North and Central America||United States||||||0|San Francisco, California|||0||||0||||0|Sculpture|Sculpture||||20|||1968|1968||1968|1968-1968|||||0||||0|||||Synthetic polymer paint and silkscreen ink on wood|polymer paint|wood (plant material)||||sculpture|screen printing||||43.5 x 43.5 x 35.56 cm||3887|San Francisco: Museum of Modern Art|San Francisco: MoMA||Boxes (containers) ; |Boxes (containers)|||||||||Cornell||JNK|JNK|8/10/2006 0:00:00|8/10/2006 0:00:00||||0||97.888||||||||||||| |||||||||0||||||||||||0|0||Warhol, Andy 7654.00|0|Creator|15|E-11|Leonardo-|3a||E-11 Leonardo- 3a |Annunciation|Preferred|Repository|||||||Annunciation|6972|Leonardo da Vinci||painter|Leonardo da Vinci|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0||||0||||0||||0|Paintings|Panel (wood)|Painting|||15|||1472|1475||1472-1475|1472-1475|||||0||||0|||||Tempera on wood|tempera|wood (plant material)||||painting (image-making)|panel painting||||98 x 217 cm||859|Florence: Galleria degli Uffizi|Florence: Uffizi||Annunciation ; Virgin Mary ; Angels ; Gardens ; Archangel Gabriel ; New Testament ; Landscapes ; Plants (vegetation) ; Trees|Annunciation|Virgin Mary|Angels|Gardens|Archangel Gabriel|New Testament|Landscapes|Plants (vegetation)|Trees|Cornell||JNK|JNK|8/11/2006 0:00:00|8/11/2006 0:00:00|Leonardo|||0|||||||E|||11||||| ||||||||Work|0||||||||||||0|0|Annunciation|Leonardo da Vinci 7655.00|0|Creator|15|25|Set 108|Leonardo||25 Set 108 Leonardo |Adoration of the Magi|Preferred|Repository|||||||Adoration of the Magi|6972|Leonardo da Vinci||painter|Leonardo da Vinci|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0||||0||||0||||0|Paintings|Panel (wood)|Painting|||15|||1481|1481||1481|1481-1481|||||0||||0|||||Tempera mixed with oil with parts in red or greenish lacquer, and white lead|tempera|oil paint|lacquer|||painting (image-making)|||||243 x 246 cm||859|Florence: Galleria degli Uffizi|Florence: Uffizi||Adoration of the Magi ; |Adoration of the Magi|||||||||Cornell||JNK|JNK|10/9/2006 0:00:00|8/11/2006 0:00:00|Leonardo|Set 108||0|||||||25|||||||| ||||||||Work|0||||||||||||0|0|Adoration of the Magi|Leonardo da Vinci 7656.00|0||||||||Tempest|Preferred|Dict.Art|||||||Tempest|4537|Giorgione||painter|Giorgione|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||16|||1505|1505|ca|ca 1505|ca 1505-1505|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||82 x 73 cm||3077|Venice: Galleria dell'Accademia|Venice: Gal. dell'Accademia||Nudes ; Landscapes ; Bridges (built works) ; Lightning ; Shepherds ; Mother and child ; |Nudes|Landscapes|Bridges (built works)|Lightning|Shepherds|Mother and child||||Cornell||JNK|JNK|8/11/2006 0:00:00|8/11/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0||Giorgione 7657.00|0|Creator|15|40|Set 52|Michelangelo||40 Set 52 Michelangelo |David|Preferred|Repository|||||||David|7960|Buonarroti, Michelangelo||architect|Michelangelo Buonarroti|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0||||0||||0||||0|Sculpture|Sculpture||||16|||1501|1504||1501-1504|1501-1504|||||0||||0|||||Marble|marble|||||sculpture|carving||||434 cm high||860|Florence: Galleria dell'Accademia|Florence: Accademia||David ; Nudes ; Men (male humans) ; Old Testament ; |David|Nudes|Men (male humans)|Old Testament||||||Cornell||JNK|JNK|8/11/2006 0:00:00|8/11/2006 0:00:00|Michelange||Set 52|0|||||||40|||||||| ||||||||Work|0||Patron: Opera del Duomo, Florence.||||||||||0|0|David|Buonarroti, Michelangelo 7747.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: Lu Cave|Translated|Cataloger|Longmen shi ku Lu dong|Descriptive|Image Source (Pub)||||Longmen Grottoes: Lu Cave|0|||||0||||0|||||Chinese|||Northern Dynasties|Six Dynasties||Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Sculpture|Relief||6|||539|572||539-572|539-572||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Sculptors ; Reliefs ; Buddha ; Bodhisattvas ; Figures (representations)|Archaeology|Grottoes|Caves|Niches|Sculptors|Reliefs|Buddha|Bodhisattvas|Figures (representations)|Cornell||BZ|BZ|8/29/2006 0:00:00|8/29/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: Lu Cave;Longmen shi ku Lu dong| 7748.00|0|Architect|03|MA-Har&Abr|2.41| 1947 UN||MA-Har&Abr 2.41 1947 UN |United Nations Headquarters|Preferred|Dict.Art|||||||United Nations Headquarters|28263|Harrison & Abramovitz||architectural firm|Harrison & Abramovitz,Le Corbusier,Niemeyer etal|6857|Le Corbusier||architect|8539|Niemeyer, Oscar||architect||American|||Modern|||North and Central America||United States||||||0|New York, NY|||10060||||0||||0|Architecture|Office building|Government office building|||20|||1947|1953||1947-1953|1947-1953|||||0||||0||||||||||||||||||||||Office buildings ; Government office buildings ; |Office buildings|Government office buildings||||||||Cornell||JNK|JNK|8/29/2006 0:00:00|8/29/2006 0:00:00|Har&Abr|NYC||0||||||1947 UN|MA||||||2.41||||||||||Building|0|Modern Architecture|Complex designed by an International Committee of Architects with Wallace K. Harrison as chairman. Committee included Le Corbusier, Osca Niemeyer, Sven Markelius, and harrison & Abramovitz. AIA Guide to NYC||||||||||0|0|United Nations Headquarters|Harrison & Abramovitz;Le Corbusier;Niemeyer, Oscar 7749.00|0|Site|02|B-Q5|Del|1.2 Red||B-Q5 Del 1.2 Red |Red Fort|Assigned|Dict.Art|Lal Qil?a|Original|Dict.Art||||Red Fort|0|||||0||||0|||||Indian|||Mughal|||Asia||India||||||0|Delhi, India|||10200||||0||||0|Architecture|Fort||||17|||1625|1675|ca|Mid 17th century|ca 1625-1675|||||0||||0||||||||||||||||||||||Forts ; |Forts|||||||||Cornell||MNW|MNW|8/29/2006 0:00:00|8/29/2006 0:00:00||Del||0||||||Red|B|||||Q5|1.2||||||||||Work|0|Architecture-India|Built by Shah Jahan.|||Probably built between 1639-1648|||||||0|0|Red Fort;Lal Qil?a| 7750.00|0|Architect|03|MA-Har&Abr|2.41| 1847 UN/Sec||MA-Har&Abr 2.41 1847 UN/Sec |Secretariat|Preferred|Repository|||||||United Nations Headquarters. Secretariat|5156|Harrison, Wallace Kirkman||architect|W. Harrison, Le Corbusier, O. Niemeyer, et. al.|6857|Le Corbusier||architect|8539|Niemeyer, Oscar||architect||American|||Modern|||North and Central America||United States||||||0|New York, NY|||10060||||0||||0|Architecture|Office building|Government office building|||20|||1947|1953||1947-1953|1947-1953||United Nations Headquarters|Larger entity||7748||||0||||||||||||||||||||||Office buildings ; Government ; Government office buildings ; |Office buildings|Government|Government office buildings|||||||Cornell||JNK|JNK|8/29/2006 0:00:00|8/29/2006 0:00:00|Har&Abr|NYC||0||||||1847 UN/Sec|MA||||||2.41||||||||||Building|0|Modern Architecture|||||||||||0|0|Secretariat|Harrison, Wallace Kirkman;Le Corbusier;Niemeyer, Oscar 7751.00|0|Architect|03|B-|6.1| Rock/TL||B- 6.1 Rock/TL |Time & Life Building|Assigned|Print Publication|||||||Rockefeller Center. Time & Life Building|28263|Harrison & Abramovitz||architectural firm|Harrison & Abramovitz|0||||0|||||American|||Modern|||North and Central America||United States||||||0|New York, NY|||10060||||0||||0|Architecture|Office building|Skyscraper|||20|||1957|1959||1957-1959|1957-1959||Rockefeller Center|Larger entity||3783||||0||||||||||||||||||||||Office buildings ; Skyscrapers ; |Office buildings|Skyscrapers||||||||Cornell||JNK|JNK|8/29/2006 0:00:00|8/29/2006 0:00:00||NYC||0||||||Rock/TL|B|||||B33|6.1||||||||||Building|0|Architecture|||||||||||0|0|Time & Life Building|Harrison & Abramovitz 7752.00|0|Site|02|B-B33|NYC|6.1 RocCen/TL||B-B33 NYC 6.1 RocCen/TL |One Rockefeller Plaza|Preferred|Repository|Time & Life Building|Original|Print Publication||||Rockefeller Center. One Rockefeller Plaza (Time & Life Building)|28884|Reinhard & Hofmeister||architectural firm|Reinhard & Hofmeister, et al.|28343|Hood, Godley & Fouilhoux||architectural firm|27943|Corbett, Harrison & MacMurray||architectural firm||American|||Art Deco|||North and Central America||United States||||||0|New York, NY|||10060||||0||||0|Architecture|Office building|Skyscraper|||20|||1937|1937||1937|1937-1937||Rockefeller Center|Larger entity||3783||||0||||||||||||||||||||||Office buildings ; Skyscrapers ; |Office buildings|Skyscrapers||||||||Cornell||JNK|JNK|8/29/2006 0:00:00|8/29/2006 0:00:00||NYC||0||||||RocCen/TL|B|||||B33|6.1||||||||||Building|0|Architecture-New York (NY)|||||||||||0|0|One Rockefeller Plaza;Time & Life Building|Reinhard & Hofmeister;Hood, Godley & Fouilhoux;Corbett, Harrison & MacMurray 7753.00|0|Creator|15|B-B33|NYC|6.1|RockCen/Pro|B-B33 NYC 6.1 RockCen/Pro|Prometheus|Preferred|Dict.Art|||||||Rockefeller Center. Prometheus|7495|Manship, Paul||sculptor|Paul Manship|0||||0|||||American|||Art Deco|||North and Central America||United States||||||0|New York, NY|||10060||||0||||0|Sculpture|Sculpture|Fountain|||20|||1933|1938||1933-1938|1933-1938||Rockefeller Center|Larger entity||3783||||0|||||Bronze|bronze|||||sculpture|casting||||5.5 m high||||||Fountains ; Sculpture (visual work) ; |Fountains|Sculpture (visual work)||||||||Cornell||JNK|JNK|8/29/2006 0:00:00|8/29/2006 0:00:00||NYC||0||||||RockCen/Pro|B|||||B33|6.1||||||||||Work|0||||||||||||0|0|Prometheus|Manship, Paul 7754.00|0|Site|02|B-Q5|Del|1.2 Pur||B-Q5 Del 1.2 Pur |Purana Qila|Preferred|Dict.Art|||||||Purana Qila|0|||||0||||0|||||Indian||||||Asia||India||||||0|Delhi, India|||10200||||0||||0|Architecture|Fort||||16|||1534|1545||1534-1545|1534-1545|||||0||||0||||||||||||||||||||||forts ; |forts|||||||||Cornell||MNW|MNW|8/30/2006 0:00:00|8/30/2006 0:00:00||Del||0||||||Pur|B|||||Q5|1.2||||||||||Work|0|Architecture-India|Built by Sher Shah Suri. Dates from the pre-Lodi period||||||||||0|0|Purana Qila| 7586.00|0|Creator|15|CHINA|PHOTO|QING||CHINA PHOTO QING |Empress Dowager Cixi|Descriptive|Image Source (Pub)|||||||Empress Dowager Cixi|0|||||0||||0|||||Chinese|||Qing (Ch'ing)|||Asia||China||||||0||||0||||0||||0|Photographs|Figure (representation)|Portrait|||17|18|19|1644|1911||1644-1911|1644-1911|||||0||||0|||||photography||||||photography|||||||9750|Washington D.C.: Smithsonian Institution, Freer Gallery of Art|Washington D.C.: Freer Gallery of Art||Photographs ; Figures (representations) ; Portraits ; Women ; History ; Furniture ; Screens (furniture) ; Chairs ; Apples|Photographs|Figures (representations)|Portraits|Women|History|Furniture|Screens (furniture)|Chairs|Apples|Cornell||BZ|BZ|8/1/2006 0:00:00|8/1/2006 0:00:00||||0|||||||PHOTO|||CHINA|QING|||| ||||||||Work|0||Even to urge to find positive role models among women of the past cannot make a heronie of Empress Dowager Cixi, the power behind the throne during the reigns of two young emperors from 1861 to 1908.||||||||||0|0|Empress Dowager Cixi| 7587.00|0|Site|02|B-H3|Ven|3.1 SZac||B-H3 Ven 3.1 SZac|San Zaccaria|Assigned|Dict.Art|||||||San Zaccaria|4281|Gambello, Antonio di Marco||architect|Antonio di Marco Gambello & Mauro Codussi|2452|Codussi, Mauro||architect|0|||||Italian|||Renaissance|||Europe||Italy||||||0|Venice, Italy|||10017||||0||||0|Architecture|Churches||||15|||1458|1490||1458-1490|1458-1490|||||0||||0||||||||||||||||||||||Venice (Italy) ; Churches ; |Venice (Italy)|Churches||||||||Cornell||MNW|MNW|8/1/2006 0:00:00|8/1/2006 0:00:00||Ven||0||||||SZac|B|||||H3|3.1||||||||||Work|0|Architecture-Italy|Antonio di Marco Gambello was appointed chief architect in 1458 and was associated with it until his death; Mauro Codussi completed it. DOA||||||||||0|0||Gambello, Antonio di Marco;Codussi, Mauro 7588.00|0|Site|02|B-B33|Chi|7.5 House||B-B33 Chi 7.5 House |House|Descriptive|Cataloger|||||||House|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Chittenango, NY|||10939||||0||||0|Architecture|House||||||||||||||||0||||0||||||||||||||||||||||Houses ; Vernacular architecture ; |Houses|Vernacular architecture||||||||Cornell||JNK|JNK|8/1/2006 0:00:00|8/1/2006 0:00:00||Chi||0||||||House|B|||||B33|7.5||||||||||Building|0|Architecture-New York (NY)|||||||||||0|0|House| 7589.00|0|Site|02|B-B33|EllHol|7.5 ElCh||B-B33 EllHol 7.5 ElCh |Ellis-Chase House|Descriptive|Image Source (Pub)|||||||Ellis-Chase House|0|||||0||||0|||||American|||Gothic Revival|||North and Central America||United States||||||0|Ellis Hollow, NY|||10916||||0||||0|Architecture|House||||19|||1843|1843||1843|1843-1843|||||0||||0||||||||||||||||||||||Houses ; Vernacular architecture ; |Houses|Vernacular architecture||||||||Cornell||JNK|JNK|8/1/2006 0:00:00|8/1/2006 0:00:00||EllHol||0||||||ElCh|B|||||B33|7.5||||||||||Building|0|Architecture-New York (NY)|||||||||||0|0|Ellis-Chase House| 7590.00|0|Site|02|B-B33|Gen|7.5 Belmanno||B-B33 Gen 7.5 Belmanno |Belmanno Cottage|Preferred|Repository|||||||Belmanno Cottage|0|||||0||||0|||||American|||Gothic Revival|||North and Central America||United States||||||0|583 S. Main ST, Geneva, NY|||10903||||0||||0|Architecture|House||||19|||1831|1831|ca|ca 1831; enlarged in the 1850s|ca 1831-1831|||||0||||0||||||||||||||||||||||Houses ; Vernacular architecture ; |Houses|Vernacular architecture||||||||Cornell||JNK|JNK|8/1/2006 0:00:00|8/1/2006 0:00:00||Gen||0||||||Belmanno|B|||||B33|7.5||||||||||Building|0|Architecture-New York (NY)||||Enlarged in the 1850s|||||||0|0|Belmanno Cottage| 7591.00|0|Creator|15|CHINA|PHOTO|QING||CHINA PHOTO QING |Foreign Troops Entered Beijing|Descriptive|Image Source (Pub)|||||||Foreign Troops Entered Beijing|0|||||0||||0|||||Chinese|||Qing (Ch'ing)|||Asia||China||||||0||||0||||0||||0|Photographs|Figure (representation)|City|||17|18|19|1644|1911||1644-1911|1644-1911|||||0||||0|||||||||||photography|||||||3892|Washington, D.C.: Library of Congress|Washington, D.C.: Library of Congress||Photographs ; Figures (representations) ; History ; Cities ; Soldiers ; Building site ; Horses ; |Photographs|Figures (representations)|History|Cities|Soldiers|Building site|Horses|||Cornell||BZ|BZ|8/1/2006 0:00:00|8/1/2006 0:00:00||||0|||||||PHOTO|||CHINA|QING|||| ||||||||Work|0||On 14 August 1900, 20,000 foreign troops - mainly from Japan, Russia, Britain and its colonies, the United States, France, and Germany - entered Beijing through this great gate on its wall.||||||||||0|0|Foreign Troops Entered Beijing| 7592.00|0|Site|02|B-B33|Bath|7.5 Gothic||B-B33 Bath 7.5 Gothic |Gothic Cottage|Descriptive|Cataloger|||||||Gothic Cottage|0|||||0||||0|||||American|||Gothic Revival|||North and Central America||United States||||||0|226 Liberty ST, Bath, NY|||10940||||0||||0|Architecture|House||||19||||||||||||0||||0||||||||||||||||||||||Houses ; Vernacular architecture ; |Houses|Vernacular architecture||||||||Cornell||JNK|JNK|8/1/2006 0:00:00|8/1/2006 0:00:00||Bath||0||||||Gothic|B|||||B33|7.5||||||||||Building|0|Architecture-New York (NY)|||||||||||0|0|Gothic Cottage| 7593.00|0|Creator|01|CHINA|MAP|MODERN||CHINA MAP MODERN |Map of China (1935-1945)|Descriptive|Image Source (Pub)|||||||Map of China (1935-1945)|0|||||0||||0|||||Chinese|||Republican|||Asia||China||||||0||||0||||0||||0|Maps|Map||||20|||1935|1945||1935-1945|1935-1945|||||0||||0||||||||||||||||||||||Maps ; History ; |Maps|History||||||||Cornell||BZ|MNW|8/25/2006 0:00:00|8/1/2006 0:00:00||||0|||||||MAP|||CHINA|MODERN||||||||||||Work|0||The Nationalist Party and government were preoccupied with millitary matters from the start. Even after the Northern Expedition of 1926/7, large parts of China were under the domination of warlords, the Japanese, or the Communists.||||||||||0|0|Map of China (1935-1945)| 7594.00|0|Site|02|B-B33|Gen|7.5 Love||B-B33 Gen 7.5 Love |James Love House|Descriptive|Image Source (Pub)|||||||James Love House|0|||||0||||0|||||American||||||North and Central America||United States||||||0|165 Washington ST, Geneva, Ny|||10941||||0||||0|Architecture|House||||19|||1860|1860|ca|ca 1860|ca 1860-1860|||||0||||0||||||||||||||||||||||Houses ; Vernacular architecture ; |Houses|Vernacular architecture||||||||Cornell||JNK|JNK|8/1/2006 0:00:00|8/1/2006 0:00:00||Gen||0||||||Love|B|||||B33|7.5||||||||||Building|0|Architecture-New York (NY)|||||||||||0|0|James Love House| 7595.00|0|Site|02|B-B|USA|1.0 Cat&Rul/Fow/Oct||B-B USA 1.0 Cat&Rul/Fow/Oct |The Octagon House: A Home for All|Inscribed|Image Source (Pub)|A Home For All, or the Gravel Wall and Octagon mode of Building|Original|Artist||||The Octagon House: A Home for All|4053|Fowler, Orson Squire||author|Orson Squire Fowler|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Architectural Theory|Publication||||19|||1853|1853||1853|1853-1853|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|JNK|8/1/2006 0:00:00|8/1/2006 0:00:00||USA||0||||||Cat&Rul/Fow/Oct|B|||||B|1.0||||||||||Work|0|Architecture-United States and Possessions|Dover edition, "The Octagon House: A Home for Alll" first publishe din 1973 as an unabridged republication of the work originally published in 1853 by Fowlers and Wells.||||||||||0|0|The Octagon House: A Home for All;A Home For All, or the Gravel Wall and Octagon mode of Building|Fowler, Orson Squire 7596.00|0|Creator|01|CHINA|MAP|MODERN||CHINA MAP MODERN |Map of the People's Republic of China|Descriptive|Image Source (Pub)|||||||Map of the People's Republic of China|0|||||0||||0|||||Chinese|||Modern|||Asia||China||||||0||||0||||0||||0|Maps|Map||||20|||1949|-||1949-|1949-|||||0||||0||||||||||||||||||||||Maps ; History ; |Maps|History||||||||Cornell||BZ|MNW|8/25/2006 0:00:00|8/1/2006 0:00:00||||0|||||||MAP|||CHINA|MODERN||||||||||||Work|0||The People's Republic of China is organized into twenty-two provinces, five autonomous regions (for the Tibetan, Uighur, Mongolian, Muslim, and Zhuang nationalities), and three independent municipalities (Beijing, Tianjin, and Shanghai).||||||||||0|0|Map of the People's Republic of China| 7597.00|0|Creator|15|CHINA|MTL|SHANG||CHINA MTL SHANG |Rubbings Of Taotie Decoration on Shang Bronzes|Descriptive|Image Source (Pub)|||||||Rubbings Of Taotie Decoration on Shang Bronzes|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0||||0||||0||||0|Metalwork|Rubbing|Bronze||BCE|-17|-16|-15|1600|1050|ca|1600 BC-c. 1050 BC|1600 BC-c. 1050 BC|||||0||||0|||||Bronze|bronze|||||bronzing|||||||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Reliefs ; Animals ; |Reliefs|Animals||||||||Cornell||BZ|BZ|8/1/2006 0:00:00|8/1/2006 0:00:00||||0|||||||MTL|||CHINA|SHANG|||| ||||||||Work|0||Example a to d are from central Shang sites, in chronological order; e is from further west in Sichuan province. Taotie designs evolved from simple lines and dots to high relief and more prominent eyes, horns, and claws.||||||||||0|0|Rubbings Of Taotie Decoration on Shang Bronzes| 7598.00|0|Architect|02|0-Boullée|3.3|Newton||0-Boullée 3.3 Newton |Cenotaph for Newton Project|Descriptive|Image Source (Pub)|||||||Architecture, Essai sur l'art. Cenotaph for Newton Project|1446|Boullée, Étienne-Louis||architect|Étienne-Louis Boullée|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Architectural Theory|Tomb||||18|||1784|1784||1784|1784-1784||Architecture, Essai sur l'art|Larger entity||2182||||0||||||||||||||||||||||Cenotaphs ; |Cenotaphs|||||||||Cornell||JNK|JNK|8/1/2006 0:00:00|8/1/2006 0:00:00|Boullée|||0||||||Newton|0||||||3.3|| ||||||||Work|0|-|Project.||||||||||0|0|Cenotaph for Newton Project|Boullée, Étienne-Louis 7599.00|0||||||||Portrait of Sir Charles Frederick|Preferred|Repository|||||||Portrait of Sir Charles Frederick|31265|Casali, Andrea||painter|Andrea Casali|0||||0|||||Italian||||||Europe||Italy||||||0||||0||||0||||0|Paintings|Painting|Portrait|Oil painting||18||||||||||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||1345 x 97 cm||9376|Oxford: Ashmolean Museum of Art and Archaeology|Oxford: Ashmolean||Portraits ; Pantheon (Rome, Italy) ; |Portraits|Pantheon (Rome, Italy)||||||||Cornell||JNK|JNK|8/1/2006 0:00:00|8/1/2006 0:00:00||||0||||||||||||||| |||||||||0||Painted in Rome.||||||||||0|0|Portrait of Sir Charles Frederick|Casali, Andrea 7600.00|0|Architect|02|MA-|Barragan|7.5 1967-68 LosClu||MA- Barragan 7.5 1967-68 LosClu |Los Clubes|Preferred|Dict.Art|||||||Los Clubes|755|Barragán, Luis||architect|Luis Barragán|0||||0|||||Mexican||||||North and Central America||Mexico||||||0|Mexico City, Mexico|||9989||||0||||0|Architecture|Municipal plan||||20|||1963|1964||1963-1964|1963-1964|||||0||||0||||||||||||||||||||||Suburbs ; |Suburbs|||||||||Cornell||JNK|JNK|8/2/2006 0:00:00|8/2/2006 0:00:00|Barragan|Mex||0||||||1967-68 LosClu|MA||||||7.5||||||||||Work|0|Modern Architecture-|||||||||||0|0|Los Clubes|Barragán, Luis 7601.00|0|Architect|02|MA-|Wright|7.2 1915-22 Imp||MA- Wright 7.2 1915-22 Imp |Imperial Hotel|Assigned|Image Source (Pub)|||||||Imperial Hotel|12943|Wright, Frank Lloyd||architect|Frank Lloyd Wright & Antonin Raymond|9681|Raymond, Antonin||architect|0|||||American|Japanese||Modern|||Asia||Japan||||||0||||0|Tokyo, Japan|||10141||||0|Architecture|Hotel (public accommodation)||||20|||1915|1922||1915-1922; dest. 1967|1915-1922|||||0||||0||||||||||||||||||||||Hotels (public accommodations) ; |Hotels (public accommodations)|||||||||Cornell||JNK|JNK|8/3/2006 0:00:00|8/3/2006 0:00:00|Wright||Tok|0||||||1915-22 Imp|MA||||||7.2||||||||||Building|0|Modern Architecture-||||Destroyed in 1967|||||||0|0|Imperial Hotel|Wright, Frank Lloyd;Raymond, Antonin 7602.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: West Hill Grottoes|Translated|Cataloger|Longmen xi shan shi ku qun|Descriptive|Image Source (Pub)||||Longmen Grottoes: West Hill Grottoes|0|||||0||||0|||||Chinese|||Northern Dynasties|Six Dynasties||Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Cave|Sculpture||4|5|6|386|581||386-581|386-581||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Sculpture (visual work) ; Reliefs ; Buddha ; Bodhisattvas ; Figures (representations)|Archaeology|Grottoes|Caves|Niches|Sculpture (visual work)|Reliefs|Buddha|Bodhisattvas|Figures (representations)|Cornell||BZ|BZ|8/16/2006 0:00:00|8/3/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: West Hill Grottoes;Longmen xi shan shi ku qun| 7603.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes|Descriptive|Image Source (Pub)|Longmen Shi Ku||||||Longmen Grottoes|0|||||0||||0|||||Chinese|||Six Dynasties|Sui|Tang|Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Archaeological site|Grotto|Cave||4|5|6|386|906||386-906|386-906|||||0||||0||||||stone|||||carving|||||||||||Archaeology ; Grottoes ; Caves ; Sculpture (visual work) ; Buddha ; |Archaeology|Grottoes|Caves|Sculpture (visual work)|Buddha|||||Cornell||BZ|BZ|8/16/2006 0:00:00|8/3/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes;Longmen Shi Ku| 7604.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: Bianzhou Cave|Translated|Cataloger|Longmen shi ku Bianzhou dong|Descriptive|Image Source (Pub)||||Longmen Grottoes: Bianzhou Cave|0|||||0||||0|||||Chinese|||Northern Wei|Northern Dynasties|Six Dynasties|Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Cave|Sculpture||4|5|6|386|534||386-534|386-534||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Sculpture (visual work) ; Reliefs ; Buddha ; Bodhisattvas ; Figures (representations)|Archaeology|Grottoes|Caves|Niches|Sculpture (visual work)|Reliefs|Buddha|Bodhisattvas|Figures (representations)|Cornell||BZ|BZ|8/16/2006 0:00:00|8/4/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: Bianzhou Cave;Longmen shi ku Bianzhou dong| 7605.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: Lianhua Cave|Translated|Cataloger|Longmen shi ku Lianhua dong|Descriptive|Image Source (Pub)||||Longmen Grottoes: Lianhua Cave|0|||||0||||0|||||Chinese|||Northern Dynasties|Six Dynasties||Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Cave|Sculpture||6|||521|570|bef|bef 521-570|bef 521-570||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Sculpture (visual work) ; Reliefs ; Buddha ; Bodhisattvas ; Figures (representations)|Archaeology|Grottoes|Caves|Niches|Sculpture (visual work)|Reliefs|Buddha|Bodhisattvas|Figures (representations)|Cornell||BZ|BZ|8/16/2006 0:00:00|8/4/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: Lianhua Cave;Longmen shi ku Lianhua dong| 7606.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: Middle Binyang Cave|Translated|Cataloger|Binyang zhong dong|Descriptive|Image Source (Pub)||||Longmen Grottoes: Middle Binyang Cave|0|||||0||||0|||||Chinese|||Northern Wei|Northern Dynasties|Six Dynasties|Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Cave|Sculpture||6|||505|523||505-523|505-523||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Sculpture (visual work) ; Reliefs ; Buddha ; Bodhisattvas ; Figures (representations)|Archaeology|Grottoes|Caves|Niches|Sculpture (visual work)|Reliefs|Buddha|Bodhisattvas|Figures (representations)|Cornell||BZ|BZ|8/29/2006 0:00:00|8/4/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: Middle Binyang Cave;Binyang zhong dong| 7607.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: No.2 Northern Cave of Mile Cave|Translated|Cataloger|Longmen shi ku Mile dong bei er dong|Descriptive|Image Source (Pub)||||Longmen Grottoes: No.2 Northern Cave of Mile Cave|0|||||0||||0|||||Chinese|||Northern Wei|Northern Dynasties|Six Dynasties|Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Cave|Sculpture||6|||515|527||515-527|515-527||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Sculpture (visual work) ; Reliefs ; Buddha ; Bodhisattvas ; Figures (representations)|Archaeology|Grottoes|Caves|Niches|Sculpture (visual work)|Reliefs|Buddha|Bodhisattvas|Figures (representations)|Cornell||BZ|BZ|8/16/2006 0:00:00|8/4/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: No.2 Northern Cave of Mile Cave;Longmen shi ku Mile dong bei er dong| 7608.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: Mile Cave|Translated|Cataloger|Longmen shi ku Mile dong|Descriptive|Image Source (Pub)||||Longmen Grottoes: Mile Cave|0|||||0||||0|||||Chinese|||Northern Wei|Northern Dynasties|Six Dynasties|Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Cave|Sculpture||6|||515|527||515-527|515-527||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||carving|||||||||||Archaeology ; Grottoes ; Caves ; Niches ; Sculpture (visual work) ; Reliefs ; Buddha ; Bodhisattvas ; Figures (representations)|Archaeology|Grottoes|Caves|Niches|Sculpture (visual work)|Reliefs|Buddha|Bodhisattvas|Figures (representations)|Cornell||BZ|BZ|8/16/2006 0:00:00|8/4/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: Mile Cave;Longmen shi ku Mile dong| 7609.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: Shiniuxi Cave|Translated|Cataloger|Longmen shi ku Shiniuxi|Descriptive|Image Source (Pub)||||Longmen Grottoes: Shiniuxi Cave|0|||||0||||0|||||Chinese|||Northern Wei|Northern Dynasties|Six Dynasties|Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Cave|Sculpture||6|||515|527||515-527|515-527||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Sculpture (visual work) ; Reliefs ; Buddha ; Bodhisattvas ; Figures (representations)|Archaeology|Grottoes|Caves|Niches|Sculpture (visual work)|Reliefs|Buddha|Bodhisattvas|Figures (representations)|Cornell||BZ|BZ|8/16/2006 0:00:00|8/4/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: Shiniuxi Cave;Longmen shi ku Shiniuxi| 7610.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: Putai Cave|Translated|Cataloger|Longmen shi ku Putai dong|Descriptive|Image Source (Pub)||||Longmen Grottoes: Putai Cave|0|||||0||||0|||||Chinese|||Northern Wei|Eastern Wei|Northern Dynasties|Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Cave|Sculpture||6|||531|537||531-537|531-537||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Sculpture (visual work) ; Reliefs ; Buddha ; Bodhisattvas ; Figures (representations)|Archaeology|Grottoes|Caves|Niches|Sculpture (visual work)|Reliefs|Buddha|Bodhisattvas|Figures (representations)|Cornell||BZ|BZ|8/16/2006 0:00:00|8/4/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: Putai Cave;Longmen shi ku Putai dong| 7611.00|0||||||||You can watch people align themselves when trouble is in the air. Some prefer to be close to those at the top and others want to be close to those at the bottom. It's a question of who frightens them more and whom they want to be like|Inscribed|Artist|||||||The Living Series. You can watch people align themselves when troubles is in the air…|5566|Holzer, Jenny|||Holzer, Jenny|0||||0|||||American|||Post-1945|||North and Central America||United States||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1989|1989||1989|1989-1989||The Living Series|Larger entity||7182||||0|||||Granite|granite|||||sculpture|||||43.8 x 91.4 x 45.7 cm||3895|Minneapolis: Walker Art Center|Minneapolis: Walker Art Center||Sculpture (visual work) ; Benches ; Inscriptions ; |Sculpture (visual work)|Benches|Inscriptions|||||||Cornell||JNK|JNK|8/7/2006 0:00:00|8/7/2006 0:00:00||||0||93.124||||||||||||| |||||||||0||||||||||||0|0|You can watch people align themselves when trouble is in the air. Some prefer to be close to those at the top and others want to be close to those at the bottom. It's a question of who frightens them more and whom they want to be like|Holzer, Jenny 7614.00|0||||||||Shatter|Assigned|Artist|||||||Shatter|4095|Frankenthaler, Helen|||Helen Frankenthaler|0||||0|||||American|||Color-field|Abstract||North and Central America||United States||||||0|New York, NY|||0||||0||||0|Paintings|Painting||||20|||1953|1953||1953|1953-1953|||||0||||0|||||Oil on canvas|oil paint|||||painting (image-making)|||||123.5 x 137.7 cm||9460|New York: Collection of the Artist|New York: Coll. Artist||||||||||||Cornell||JNK|JNK|8/8/2006 0:00:00|8/8/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Shatter|Frankenthaler, Helen 7615.00|0||||||||Campbell's Soup I|Series|Artist|||||||Campbell's Soup I|12489|Warhol, Andy||painter|Andy Warhol|0||||0|||||American|||Pop|Post-1945||North and Central America||United States||||||0||||0||||0||||0|Prints|Screen print||||20|||1968|1968||1968|1968-1968||Campbell's Soup I; Chicken Noodle|Part of||7209||||0|||||Color screenprints||||||screen printing|||||||||||Cans ; |Cans|||||||||Cornell||JNK|JNK|8/8/2006 0:00:00|8/8/2006 0:00:00|W275|||0||||||||||||||||||||||||0||||||||||||0|0|Campbell's Soup I|Warhol, Andy 7616.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: Mile Niche|Translated|Cataloger|Longmen shi ku Mile kan|Descriptive|Image Source (Pub)||||Longmen Grottoes: Mile Niche|0|||||0||||0|||||Chinese|||Northern Wei|Northern Dynasties|Six Dynasties|Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Cave|Sculpture||5|||493|499||493-499|493-499||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Sculpture (visual work) ; Reliefs ; Buddha ; Bodhisattvas ; Figures (representations)|Archaeology|Grottoes|Caves|Niches|Sculpture (visual work)|Reliefs|Buddha|Bodhisattvas|Figures (representations)|Cornell||BZ|BZ|8/16/2006 0:00:00|8/8/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: Mile Niche;Longmen shi ku Mile kan| 7617.00|0||||||||Tout Paris, 945 Le Boulevard Voltaire|Inscribed|Artist|||||||Tout Paris, 945 Le Boulevard Voltaire|0|||||0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Photographs|Photographic print||||19|20||1853|1853|aft|aft 1853|aft 1853-1853|||||0||||0|||||||||||printing|||||||||||Postcards ; Cities ; Paris (France) ; Streetscapes ; |Postcards|Cities|Paris (France)|Streetscapes||||||Cornell||JNK|JNK|8/8/2006 0:00:00|8/8/2006 0:00:00||||0||||||||||||||||||||||||0||This postcard shows new street by Haussmann.||||||||||0|0|Tout Paris, 945 Le Boulevard Voltaire| 7618.00|0||||||||Paris Street; Rainy Day|Preferred|Repository|||||||Paris Street; Rainy Day|1912|Caillebotte, Gustave||painter|Gustave Caillebotte|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1877|1877||1877|1877-1877|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||212.2 x 276.2 cm||4073|Chicago: Art Institute of Chicago|Chicago: Art Institute||Paris (France) ; Streetscapes ; Couples ; Men (male humans) ; Women ; |Paris (France)|Streetscapes|Couples|Men (male humans)|Women|||||Cornell||JNK|JNK|8/8/2006 0:00:00|8/8/2006 0:00:00||||0||1964.336||||||||||||| |||||||||0||||||||||||0|0|Paris Street; Rainy Day|Caillebotte, Gustave 7619.00|0||||||||Outdoor urinal in front of the Théâtre de L'Ambigu|Descriptive|Image Source (Pub)|||||||Outdoor urinal in front of the Théâtre de L'Ambigu|7620|Marville, Charles||photographer|Charles Marville|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Photographs|Photographic print||||19|||1870|1870|ca|ca 1870|ca 1870-1870|||||0||||0|||||||||||photography|||||||||||Paris (France) ; Streetscapes ; |Paris (France)|Streetscapes||||||||Cornell||JNK|JNK|8/8/2006 0:00:00|8/8/2006 0:00:00|M391|||0||||||||||||||||||||||||0||||||||||||0|0|Outdoor urinal in front of the Théâtre de L'Ambigu|Marville, Charles 7620.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: Weizi Cave|Translated|Cataloger|Longmen shi ku Weizi dong|Descriptive|Image Source (Pub)||||Longmen Grottoes: Weizi Cave|0|||||0||||0|||||Chinese|||Northern Wei|Northern Dynasties|Six Dynasties|Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Cave|Sculpture||6|||523|523||523|523||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Sculpture (visual work) ; Reliefs ; Buddha ; Bodhisattvas ; Figures (representations)|Archaeology|Grottoes|Caves|Niches|Sculpture (visual work)|Reliefs|Buddha|Bodhisattvas|Figures (representations)|Cornell||BZ|BZ|8/16/2006 0:00:00|8/8/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: Weizi Cave;Longmen shi ku Weizi dong| 7621.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: Tangzi Cave|Translated|Cataloger|Longmen shi ku Tangzi dong|Descriptive|Image Source (Pub)||||Longmen Grottoes: Tangzi Cave|0|||||0||||0|||||Chinese|||Northern Dynasties|Tang||Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Cave|Sculpture||6|7||534|618|bef|bef 534- aft 618|bef 534- aft 618||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Sculpture (visual work) ; Reliefs ; Buddha ; Bodhisattvas ; Figures (representations)|Archaeology|Grottoes|Caves|Niches|Sculpture (visual work)|Reliefs|Buddha|Bodhisattvas|Figures (representations)|Cornell||BZ|BZ|8/16/2006 0:00:00|8/8/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4|| ||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: Tangzi Cave;Longmen shi ku Tangzi dong| 7622.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: Yaofang Cave|Translated|Cataloger|Longmen shi ku Yaofang dong|Descriptive|Image Source (Pub)||||Longmen Grottoes: Yaofang Cave|0|||||0||||0|||||Chinese|||Northern Wei|Northern Dynasties|Six Dynasties|Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Cave|Sculpture||6|||530|534||530-534|530-534||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Sculpture (visual work) ; Reliefs ; Buddha ; Bodhisattvas ; Figures (representations)|Archaeology|Grottoes|Caves|Niches|Sculpture (visual work)|Reliefs|Buddha|Bodhisattvas|Figures (representations)|Cornell||BZ|BZ|8/16/2006 0:00:00|8/8/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: Yaofang Cave;Longmen shi ku Yaofang dong| 7623.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: Tiantong Cave|Translated|Cataloger|Longmen shi ku Tiantong dong|Descriptive|Image Source (Pub)||||Longmen Grottoes: Tiantong Cave|0|||||0||||0|||||Chinese|||Northern Wei|Northern Qi (N.Ch'i)|Northern Dynasties|Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Cave|Sculpture||6|||534|577|bef|bef 534-577|bef 534-577||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Sculpture (visual work) ; Reliefs ; Buddha ; Bodhisattvas ; Figures (representations)|Archaeology|Grottoes|Caves|Niches|Sculpture (visual work)|Reliefs|Buddha|Bodhisattvas|Figures (representations)|Cornell||BZ|BZ|8/16/2006 0:00:00|8/8/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: Tiantong Cave;Longmen shi ku Tiantong dong| 7624.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: Liushi Cave|Translated|Cataloger|Longmen shi ku Liushi dong|Descriptive|Image Source (Pub)||||Longmen Grottoes: Liushi Cave|0|||||0||||0|||||Chinese|||Northern Wei|Northern Dynasties|Six Dynasties|Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Niche|Sculpture||6|||515|527||515-527|515-527||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Buddha ; Bodhisattvas ; Figures (representations) ; Sculpture (visual work) ; Niches|Archaeology|Grottoes|Caves|Niches|Buddha|Bodhisattvas|Figures (representations)|Sculpture (visual work)|Niches|Cornell||BZ|BZ|8/16/2006 0:00:00|8/8/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: Liushi Cave;Longmen shi ku Liushi dong| 7625.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: Laisijiu Cave|Translated|Cataloger|Longmen shi ku Laisijiu dong|Descriptive|Image Source (Pub)||||Longmen Grottoes: Laisijiu Cave|0|||||0||||0|||||Chinese|||Northern Wei|Northern Dynasties|Six Dynasties|Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Archaeological site|Grotto|Sculpture||6|||515|527||515-527|515-527||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|carving|relief|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Buddha ; Bodhisattvas ; Figures (representations) ; Sculpture (visual work) ; Reliefs|Archaeology|Grottoes|Caves|Niches|Buddha|Bodhisattvas|Figures (representations)|Sculpture (visual work)|Reliefs|Cornell||BZ|BZ|8/16/2006 0:00:00|8/8/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: Laisijiu Cave;Longmen shi ku Laisijiu dong| 7626.00|0||||||||Portrait of Dr. Thomas Penrose|Preferred|Repository|Portrait of Dr. Penrose|Variant|Repository||||Portrait of Dr. Thomas Penrose|30212|Gauffier, Louis||painter|Louis Gauffier|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Portrait||18|||1798|1798||1798|1798-1798|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||65.41 x 49.21 cm||3361|Minneapolis: Institute of Arts|Minneapolis: Inst. Arts||Portraits ; Florence (Italy) ; Santa Maria del Fiore, Florence, Italy ; Palazzo vecchio (Florence, Italy) ; Cityscapes ; |Portraits|Florence (Italy)|Santa Maria del Fiore, Florence, Italy|Palazzo vecchio (Florence, Italy)|Cityscapes|||||Cornell||JNK|JNK|8/8/2006 0:00:00|8/8/2006 0:00:00|G268|||0||66.20||||||||||||| |||||||||0||||||||||||0|0|Portrait of Dr. Thomas Penrose;Portrait of Dr. Penrose|Gauffier, Louis 7627.00|0|Site|02|B-K3|Ath|1.31 Acr||B-K3 Ath 1.31 Acr |Idealized view of the Acropolis and the Areopagus in Ahens|Preferred|Repository|||||||Idealized view of the Acropolis and the Areopagus in Ahens|6345|Klenze, Leopold von||architect|Leopold von Klenze|0||||0|||||German|||Neoclassical|||Europe||Germany||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1846|1846||1846|1846-1846|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||102.8 x 147.7 cm||9311|Munich: Neue Pinakothek|Munich: Neue Pinakothek||Acropolises ; Parthenon (Athens, Greece) ; Athens (Greece) ; |Acropolises|Parthenon (Athens, Greece)|Athens (Greece)|||||||Cornell||JNK|JNK|8/8/2006 0:00:00|8/8/2006 0:00:00||Ath||0||Inv.-Nr. 9463||||Acr|B|||||K3|1.31|| ||||||||Building|0|Architecture-Greece|||||||||||0|0|Idealized view of the Acropolis and the Areopagus in Ahens|Klenze, Leopold von 7628.00|0|Site|02|B-K3|Ath|1.31 Acr/Par|7(MS)-14a|B-K3 Ath 1.31 Acr/Par 7(MS)-14a|Centauromachy|Assigned|Dict.Art|South Metope No. 30|Assigned|Dict.Art||||Acropolis. Parthenon. South Metope No.29. Centauromachy|9176|Pheidias||sculptor|Pheidias|0||||0|||||Greek|||Classical|||Europe||Greece||||||0||||0||||0||||0|Architecture|Relief|Sculpture|||-5|||447|432||447-432 BCE|447-432 BCE||Parthenon|Larger entity||670||||0|||||Marble|marble|||||sculpture|||||||3373|London: British Museum|London: British Museum||Centauromachy ; Centaurs ; Men (male humans) ; Battles ; |Centauromachy|Centaurs|Men (male humans)|Battles||||||Cornell||JNK|JNK|8/8/2006 0:00:00|8/8/2006 0:00:00||Ath||0||||||Acr/Par|B|||||K3|1.31|| ||||||||Work|0|Architecture-Greece|||||||||||0|0|Centauromachy;South Metope No. 30|Pheidias 7629.00|0|Site|02|B-B|USA|7.5 QAnne|4b-1|B-B USA 7.5 QAnne 4b-1|House for Mrs. C. L. McKim, Baltimore|Inscribed|Artist|Queen Anne city house|Descriptive|Image Source (Pub)||||House for Mrs. C. L. McKim, Baltimore|29301|Wilson & Wilson||architectural firm|Wilson & Wilson|0||||0|||||American|||Queen Anne Style|||North and Central America||United States||||||0||||0||||0||||0|Drawings|Architectural drawing||||19|||1879|1879||1879|1879-1879|||||0||||0|||||||||||architectural drawing|||||||9751|Sacramento: California State Library|Sacramento: CA State Library||Houses ; Architectural drawings ; Plans (drawings) ; |Houses|Architectural drawings|Plans (drawings)|||||||Cornell||JNK|JNK|8/8/2006 0:00:00|8/8/2006 0:00:00||USA||0||||||QAnne|B|||||B|7.5|| ||||||||Building|0|Architecture-United States and Possessions|||||||||||0|0|House for Mrs. C. L. McKim, Baltimore;Queen Anne city house|Wilson & Wilson 7630.00|0|Site|02|B-B33|Cort|6.2 Ing & Sag||B-B33 Cort 6.2 Ing & Sag |H.G. & C. E. Ingalls & A. Sager|Inscribed|Image Source (Pub)|||||||H.G. & C. E. Ingalls & A. Sager|0|||||0||||0|||||American|||Second Empire|||North and Central America||United States||||||0|Cortland, NY|||10943||||0||||0|Architecture|Commercial building|Department store|Store||19||||||||||||0||||0||||||||||||||||||||||Department stores ; Stores ; Commercial buildings ; |Department stores|Stores|Commercial buildings|||||||Cornell||JNK|JNK|8/8/2006 0:00:00|8/8/2006 0:00:00||Cort||0||||||Ing & Sag|B|||||B33|6.2|| ||||||||Building|0|Architecture-New York (NY)|||||||||||0|0|H.G. & C. E. Ingalls & A. Sager| 7631.00|0||||||||Village Builder|Inscribed|Artist|||||||Village Builder|27736|A. J. Bicknell & Company||architectural firm|A. J. Bicknell & Company|0||||0|||||American|||Victorian|||North and Central America||United States||||||0||||0||||0||||0|Publications|Book|Pattern book|||19|||1870|1870||1870|1870-1870|||||0||||0|||||||||||printing|||||||||||Architectural drawings ; Plans (drawings) ; Houses ; |Architectural drawings|Plans (drawings)|Houses|||||||Cornell||JNK|JNK|8/8/2006 0:00:00|8/8/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Village Builder|A. J. Bicknell & Company 7632.00|0|Site|02|B-B|USA|1.01 Cat&Rul/Bic/Vill||B-B USA 1.01 Cat&Rul/Bic/Vill |First-class dwelling|Assigned|Artist|||||||Village Builder. First-class dwelling|27736|A. J. Bicknell & Company||architectural firm|A. J. Bicknell & Company|0||||0|||||American|||Victorian|||North and Central America||United States||||||0||||0||||0||||0|Architecture|Architectural drawing|houses|||19|||1870|1870||1870|1870-1870||Village Builder|Larger entity||7631||||0|||||||||||architectural drawing|||||||||||Houses ; Architectural drawings ; |Houses|Architectural drawings||||||||Cornell||JNK|JNK|8/8/2006 0:00:00|8/8/2006 0:00:00||USA||0||||||Cat&Rul/Bic/Vill|B|||||B|1.01||||||||||Building|0|Architecture-United States and Possessions|||||||||||0|0|First-class dwelling|A. J. Bicknell & Company 7633.00|0|Site|01|A-AØ|Map|1.011|NAm/1500s|A-AØ Map 1.011 NAm/1500s|North America: Native Populations and European Discovery in the 16th Century|Descriptive|Image Source (Pub)|Voyages and entradas of European explorers to 1600|Inscribed|Image Source (Pub)||||North America: Native Populations and European Discovery in the 16th Century|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Maps|Map||||20||||||||||||0||||0||||||||||||||||||||||Maps ; North America ; |Maps|North America||||||||Cornell||JNK|JNK|8/8/2006 0:00:00|8/8/2006 0:00:00|||Map|0||||||NAm/1500s|A|||||AØ|1.011||||||||||Work|0||||||||||||0|0|North America: Native Populations and European Discovery in the 16th Century;Voyages and entradas of European explorers to 1600| 7634.00|0|Didactic|01|B-B10|SAug|1.03|7|B-B10 SAug 1.03 7|Route of the Spanish Treasure Fleets|Inscribed|Image Source (Pub)|Carribean Route of Spanish Treasure Fleets|Variant|Cataloger||||St. Augustine: Carribean Route of Spanish Treasure Fleets|0|||||0||||0|||||||||||||||||||0|Saint Augustine, Florida|||10127||||0||||0|Maps|Map||||||||||||||||0||||0||||||||||||||||||||||Maps ; North America ; Exploration and discovery ; |Maps|North America|Exploration and discovery|||||||Cornell||JNK|JNK|8/8/2006 0:00:00|8/8/2006 0:00:00||SAug||0||||||7|B|||||B10|1.03||||||||||Work|0||||||||||||0|0|Route of the Spanish Treasure Fleets;Carribean Route of Spanish Treasure Fleets| 7635.00|0|Site|02|B-B39|Har|2.41 Cap/Des/Mil||B-B39 Har 2.41 Cap/Des/Mil |Pennsylvania State Capitol Competition Entry|Descriptive|Cataloger|||||||Pennsylvania State Capitol Competition Entry|8015|Mills, Robert||architect|Robert Mills|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Architecture|Architectural drawing||||19|||1810|1816||1810-1816|1810-1816|||||0||||0|||||||||||architectural drawing|||||||||||Capitols ; Government office buildings ; |Capitols|Government office buildings||||||||Cornell||JNK|JNK|8/9/2006 0:00:00|8/9/2006 0:00:00||Har||0||||||Cap/Des/Mil|B|||||B39|2.41||||||||||Building|0|Architecture-Pennsylvania (PA)|This design placed second in the 1816-1817 design competition.||||||||||0|0|Pennsylvania State Capitol Competition Entry|Mills, Robert 7636.00|0|Creator|15|35|B448-PA|1908|4|35 B448-PA 1908 4|Excavation at Night|Preferred|Repository|||||||Excavation at Night|981|Bellows, George|||George Bellows|0||||0|||||American|||Ashcan School|||North and Central America||United States||||||0|New York|||0||||0||||0|Paintings|Painting|Oil painting|||20|||1908|1908||1908|1908-1908|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||86.4 x 111.8 cm||4143|New York: Berry-Hill Galleries|New York: Berry-Hill Gal.||Night ; Excavations ; Cityscapes ; |Night|Excavations|Cityscapes|||||||Cornell||JNK|JNK|8/9/2006 0:00:00|8/9/2006 0:00:00|b448|||0|||||||35|Pa||||||1908| ||||||||Work|0||||||||||||0|0||Bellows, George 7637.00|0|Creator|15|35|B448-PA|1908|1|35 B448-PA 1908 1|Portrait of Paddy Flanigan|Assigned|Image Source (Pub)|||||||Portrait of Paddy Flanigan|981|Bellows, George|||George Bellows|0||||0|||||American|||Ashcan School|||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Portrait||20|||1908|1908||1908|1908-1908|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||76.2 x 63.5 cm||||Erving and Joyce Wolf Collection||Portraits ; Boys ; |Portraits|Boys||||||||Cornell||JNK|JNK|8/9/2006 0:00:00|8/9/2006 0:00:00|B448|||0|||||||35|||||||1908|||||||||Work|0||||||||||||0|0||Bellows, George 7638.00|0|Creator|15|35|D389-PA|1918|8|35 D389-PA 1918 8|Turkish Bath|Assigned|Image Source (Pub)|Turkish Bath with Self-Portrait|Variant|Online Resource||||Turkish Bath|3071|Demuth, Charles||painter|Charles Demuth|0||||0|||||American|||Modernist|||North and Central America||United States||||||0||||||||0||||0|Paintings|Watercolor|Painting|||20|||1918|1918||1918|1918-1918|||||0||||0|||||Watercolor|watercolor|||||painting (image-making)|||||27.9 x 21.6 cm||4139|New York: Kennedy Galleries, Inc.|New York: Kennedy Galleries||Bathing ; Men (male humans) ; |Bathing|Men (male humans)||||||||Cornell||JNK|JNK|8/9/2006 0:00:00|8/9/2006 0:00:00|D389|||0|||||||35|PA||||||1918| ||||||||Work|0||||||||||||0|0|Turkish Bath;Turkish Bath with Self-Portrait|Demuth, Charles 7639.00|0|Creator|15|35|E935-PA|1936|1|35 E935-PA 1936 1|Street Corner|Assigned|Image Source (Pub)|||||||Street Corner|3660|Evergood, Phillip||painter|Philip Evergood|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting||||20|||1936|1936||1936|1936-1936|||||0||||0|||||||||||painting (image-making)|||||76 x 140 cm||3290|Private Collection|: Private Coll.||Streetscapes ; Corners (object components) ; Men (male humans) ; Women ; Barbers ; |Streetscapes|Corners (object components)|Men (male humans)|Women|Barbers|||||Cornell||JNK|JNK|8/9/2006 0:00:00|8/9/2006 0:00:00|E935|||0|||||||35|PA||||||1936| ||||||||Work|0||||||||||||0|0||Evergood, Phillip 7640.00|0|Creator|15|35|E935-PA|1939|2|35 E935-PA 1939 2|Toiling Hands|Assigned|Image Source (Pub)|||||||Toiling Hands|3660|Evergood, Phillip||painter|Philip Evergood|0||||0|||||American||||||North and Central America||United States||||||0||||||||0||||0|Paintings|Painting||||20|||1939|1939||1939|1939-1939|||||0||||0|||||||||||painting (image-making)|||||61 x 76 cm||3568|New York: ACA Galleries (ACA Contemporary)|New York: ACA Contemporary||Mother and child ; Sewing (process) ; Interior views ; |Mother and child|Sewing (process)|Interior views|||||||Cornell||JNK|JNK|8/9/2006 0:00:00|8/9/2006 0:00:00|E935|||0|||||||35|PA||||||1939| ||||||||Work|0||||||||||||0|0||Evergood, Phillip 7642.00|0|Creator|15|35|E935-PA|1948|3|35 E935-PA 1948 3|Workers' Victory|Assigned|Image Source (Pub)|||||||Workers' Victory|3660|Evergood, Phillip||painter|Philip Evergood|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting||||20|||1948|1948||1948|1948-1948|||||0||||0|||||||||||painting (image-making)|||||102 x 102 cm||9752|:R. Garathney Collection|:R. Garathney Collection||Workers ; |Workers|||||||||Cornell||JNK|JNK|8/9/2006 0:00:00|8/9/2006 0:00:00|E935|||0|||||||35|PA||||||1948| ||||||||Work|0||||||||||||0|0|Workers' Victory|Evergood, Phillip 7643.00|0|Creator|15|35|H518-PA|1910|1|35 H518-PA 1910 1|Dutch Joe (Jopie van Slouten)|Assigned|Image Source (Pub)|||||||Dutch Joe (Jopie van Slouten)|31232|Henri, Robert||artist|Robert Henri|0||||0|||||American|||Ashcan School|||North and Central America||United States||||||0|Milwaukee, WI|||0||||0||||0|Paintings|Painting|Portrait|||20|||1910|1910||1910|1910-1910|||||0||||0|||||Oil on cavas|oil paint|canvas||||painting (image-making)|||||61 x 50.8 cm||1722|Milwaukee: Art Museum|Milwaukee: Art Museum||Portraits ; Boys ; |Portraits|Boys||||||||Cornell||JNK|JNK|8/9/2006 0:00:00|8/9/2006 0:00:00|H518|||0|||||||35|PA||||||1910| ||||||||Work|0||||||||||||0|0||Henri, Robert 7644.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: Cixiang Cave|Translated|Cataloger|Longmen shi ku Cixiang dong|Descriptive|Image Source (Pub)||||Longmen Grottoes: Cixiang Cave|0|||||0||||0|||||Chinese|||Northern Wei|Northern Dynasties|Six Dynasties|Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Cave|Sculpture||6|||520|520||520|520||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Sculpture (visual work) ; Reliefs ; Buddha ; Bodhisattvas ; Figures (representations)|Archaeology|Grottoes|Caves|Niches|Sculpture (visual work)|Reliefs|Buddha|Bodhisattvas|Figures (representations)|Cornell||BZ|BZ|8/16/2006 0:00:00|8/10/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: Cixiang Cave;Longmen shi ku Cixiang dong| 7645.00|0|Creator|05|35|H662-PH|1908||35 H662-PH 1908 |Russian steel workers, Homestead, Pa.|Preferred|Repository|||||||Russian steel workers, Homestead, Pa.|5447|Hine, Lewis Wickes||photographer|Lewis Wickes Hine|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1908|1908||1908|1908-1908|||||0||||0|||||Gelatin silver print|photographic paper|||||photography|gelatin silver process|||| 11.7 x 16.6 cm||3675|Rochester, NY: International Museum of Photography at George Eastman House|Rochester: George Eastman House||Workers ; Men (male humans) ; Immigration ; |Workers|Men (male humans)|Immigration|||||||Cornell||JNK|JNK|8/10/2006 0:00:00|8/10/2006 0:00:00|H662|||0||GEH NEG: 3760, 77:0187:0069||||1908|35|PH||||||| ||||||||Work|0|20th Century|From the Pittsburgh Survey.||||||||||0|0|Russian steel workers, Homestead, Pa.|Hine, Lewis Wickes 7658.00|0|Creator|15|27|S127-PA|N323||27 S127-PA N323 |Nave and Choir of the St. Catherine Church in Utrecht|Collective Title|Image Source (Pub)|||||||Nave and Choir of the St. Catherine Church in Utrecht|10275|Saenredam, Pieter Jansz||painter|Pieter Jansz. Saenredam|0||||0|||||Dutch||||||Europe||Netherlands||||||0||||0||||0||||0|Paintings|||||17|||1655|1655|ca|ca 1655|ca 1655-1655|||||0||||0|||||Oil on canvas|oil|canvas||||painting (image-making)|||||116.5 x 96 cm||237|Banbury (near): Upton House|Banbury: Upton House||Churches ; Interior views ; Naves ; St. Catherine's Church (Utrecht, NL) ; |Churches|Interior views|Naves|St. Catherine's Church (Utrecht, NL)||||||Cornell||MNW|MNW|8/14/2006 0:00:00|8/14/2006 0:00:00|S127|||0|||||||27|PA||||||| |N323|||||||Work|0||||||||||||0|0|Nave and Choir of the St. Catherine Church in Utrecht|Saenredam, Pieter Jansz 7659.00|0|Category|14|TE-SI|Vau||0-5a|TE-SI Vau 0-5a|Diagram of a Ribbed Vault|Descriptive|Image Source (Pub)|||||||Diagram of a Ribbed Vault|0|||||0||||0||||||||Gothic (Medieval)|||||||||||0||||0||||0||||0|Diagram|Diagram|Vault (structural element)|||20||||||||||||0||||0||||||||||||||||||||||Vaults (structural elements) ; Ribbed vaults ; |Vaults (structural elements)|Ribbed vaults||||||||Cornell||MNW|JNK|8/21/2006 0:00:00|8/14/2006 0:00:00||||0|||||||TE-SI||||||Vau||||||||||Work|0||Vault used during the High Gothic period, ca 1230-1250.||||||||||0|0|Diagram of a Ribbed Vault| 7660.00|0|Creator|15||||||Spiritual Sadness, Laughter, Sadness, Anger|Translated|Cataloger|Douleur d'esprit, Le Ris, La Tristesse, La Colère|Original|Image Source (Pub)||||Spiritual Sadness, Laughter, Sadness, Anger|6888|Le Brun, Charles||draftsman|Charles Le Brun|0||||0|||||French|||Baroque|||Europe||France||||||0||||0||||0||||0|Drawings|Drawing||||17|||1668|1668|ca|ca 1668|ca 1668-1668|||||0||||0|||||pen, ink, charcoal on paper|pens|ink|charcoal|||drawing (image-making)|||||||4383|Paris: Musee National du Louvre; Cabinet des dessins|Paris: Louvre; Cab. Dessins||Faces (anatomy) ; Physiognomy ; |Faces (anatomy)|Physiognomy||||||||Cornell||MNW|MNW|8/15/2006 0:00:00|8/15/2006 0:00:00||||0||||||||||||||| ||||||||Work|0||These drawings were collected into an album by Morel d'Arleux. It consisted of 63 drawings made by Charles Le Brun and his studio for a conference at the Academie des Beaux Arts in 1668.||||||||||0|0|Spiritual Sadness, Laughter, Sadness, Anger;Douleur d'esprit, Le Ris, La Tristesse, La Colère|Le Brun, Charles 7661.00|0|Creator|15||||||Two Heads of Rams|Translated|Cataloger|Deux têtes de bélier|Preferred|Repository||||Two Heads of Rams (Deux têtes de bélier)|6888|Le Brun, Charles||draftsman|Charles Le Brun|0||||0|||||French|||Baroque|||Europe||France||||||0||||0||||0||||0|Drawings|Drawing||||17|||1668|1668|ca|ca 1668|ca 1668-1668|||||0||||0|||||Pen and black ink sketched on black stone|pens|ink||||drawing (image-making)|sketching||||17.5 x 30.7 cm||4383|Paris: Musee National du Louvre; Cabinet des dessins|Paris: Louvre; Cab. Dessins||Animals ; Rams ; Heads (representations) ; Physiognomy ; |Animals|Rams|Heads (representations)|Physiognomy||||||Cornell||MNW|JNK|8/21/2006 0:00:00|8/15/2006 0:00:00||||0||28 077 recto||||||||||||| ||||||||Work|0||This drawing was collected into an album by Morel d'Arleux. It consisted of 63 drawings made by Charles Le Brun and his studio for a conference at the Academie des Beaux Arts in 1668.||||||||||0|0|Two Heads of Rams;Deux têtes de bélier|Le Brun, Charles 7662.00|0|Creator|15||||||Three Heads Inspired by the Ram|Translated|Cataloger|Trois têtes physiognomoniques inspirées par le bélier|Original|Image Source (Pub)|Trois têtes d'hommes en relation avec le bélier|Preferred|Repository|Three Heads Inspired by the Ram (Trois têtes d'hommes en relation avec le bélier)|6888|Le Brun, Charles||draftsman|Charles Le Brun|0||||0|||||French|||Baroque|||Europe||France||||||0||||0||||0||||0|Drawings|Drawing||||17|||1668|1668|ca|ca 1668|ca 1668-1668|||||0||||0|||||Pen and black ink sketched on black stone|pens|ink||||drawing (image-making)|sketching||||21.4 x 32.7 cm||4383|Paris: Musee National du Louvre; Cabinet des dessins|Paris: Louvre; Cab. Dessins||Heads (representations) ; Physiognomy ; Rams ; |Heads (representations)|Physiognomy|Rams|||||||Cornell||MNW|JNK|8/21/2006 0:00:00|8/15/2006 0:00:00||||0||28 078 recto||||||||||||| ||||||||Work|0||This drawing was collected into an album by Morel d'Arleux. It consisted of 63 drawings made by Charles Le Brun and his studio for a conference at the Academie des Beaux Arts in 1668.||||||||||0|0|Three Heads Inspired by the Ram;Trois têtes physiognomoniques inspirées par le bélier;Trois têtes d'hommes en relation avec le bélier|Le Brun, Charles 7663.00|0|Creator|15||||||Three Heads of Eagles|Translated|Cataloger|Trois têtes d'aigles|Preferred|Repository||||Three Heads of Eagles (Trois têtes d'aigle)|6888|Le Brun, Charles||draftsman|Charles Le Brun|0||||0|||||French|||Baroque|||Europe||France||||||0||||0||||0||||0|Drawings|Drawing||||17|||1668|1668|ca|ca 1668|ca 1668-1668|||||0||||0|||||Pen and black ink with grey wash on beige paper|pens|ink|paper (fiber product)|||drawing (image-making)|||||21.8 x 31.6 cm||4383|Paris: Musee National du Louvre; Cabinet des dessins|Paris: Louvre; Cab. Dessins||Birds ; Eagles (birds) ; Physiognomy ; |Birds|Eagles (birds)|Physiognomy|||||||Cornell||MNW|JNK|8/21/2006 0:00:00|8/15/2006 0:00:00||||0||28 062 recto||||||||||||| ||||||||Work|0||This drawing was collected into an album by Morel d'Arleux. It consisted of 63 drawings made by Charles Le Brun and his studio for a conference at the Academie des Beaux Arts in 1668.||||||||||0|0|Three Heads of Eagles;Trois têtes d'aigles|Le Brun, Charles 7664.00|0|Creator|15||||||Three Heads Inspired by an Eagle|Translated|Cataloger|Trois têtes physiognomoniques inspirées par l'aigle|Original|Image Source (Pub)|Trois têtes d'hommes en relation aved l'aigle|Preferred|Repository|Three Heads Inspired by an Eagle (Trois têtes d'hommes en relation aved l'aigle)|6888|Le Brun, Charles||draftsman|Charles Le Brun|0||||0|||||French|||Baroque|||Europe||France||||||0||||0||||0||||0|Drawings|Drawing||||17|||1668|1668||ca 1668|ca 1668-1668|||||0||||0|||||Pen and black ink with grey wash on beige paper|pens|ink|paper (fiber product)|||drawing (image-making)|||||22.4 x 31.7 cm||4383|Paris: Musee National du Louvre; Cabinet des dessins|Paris: Louvre; Cab. Dessins||Heads (representations) ; Physiognomy ; Eagles (birds) ; |Heads (representations)|Physiognomy|Eagles (birds)|||||||Cornell||MNW|JNK|8/21/2006 0:00:00|8/15/2006 0:00:00||||0||28 063 recto||||||||||||| ||||||||Work|0||||||||||||0|0|Three Heads Inspired by an Eagle;Trois têtes physiognomoniques inspirées par l'aigle;Trois têtes d'hommes en relation aved l'aigle|Le Brun, Charles 7665.00|0|Creator|15||||||Queens of Persia at the Feet of Alexander|Translated|Dict.Art|Les reines de Perse aux pieds d'Alexandre|Original|Image Source (Pub)|La Tente de Darius|Original|Image Source (Pub)|Queens of Persia at the Feet of Alexander|6888|Le Brun, Charles||painter|Charles Le Brun|0||||0|||||French|||Baroque|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1660|1661||1660-1661|1660-1661|||||0||||0|||||Oil on canvas|oil|canvas||||painting (image-making)|||||298 x 453 cm||3127|Versailles: Musée National du Château de Versailles et du Trianon|Versailles: Château||Alexander the Great ; Darius III ; Families ; |Alexander the Great|Darius III|Families|||||||Cornell||MNW|JNK|8/21/2006 0:00:00|8/15/2006 0:00:00||||0||||||||||||||| ||||||||Work|0||Source for an engraving.||||||||||0|0|Queens of Persia at the Feet of Alexander;Les reines de Perse aux pieds d'Alexandre;La Tente de Darius|Le Brun, Charles 7666.00|0||||||||Pictorial Devices for Depicting Recession in Space|Descriptive|Image Source (Pub)|||||||Pictorial Devices for Depicting Recession in Space|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Diagram|Diagram||||20|21||1995|2002||1995-2002|1995-2002|||||0||||0|||||||||||drawing (image-making)|||||||||||Diagrams ; Perspective ; |Diagrams|Perspective||||||||Cornell||MNW|MNW|8/15/2006 0:00:00|8/15/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Pictorial Devices for Depicting Recession in Space| 7667.00|0|Creator|15||||||Saint Augustine Teaching Rhetoric in Rome|Published|Dict.Art|Saint Augustine Reading Rhetoric in Rome|Published|Image Source (Pub)||||Life of Saint Augustine. Saint Augustine Teaching Rhetoric in Rome|4709|Gozzoli, Benozzo||painter|Benozzo Gozzoli|0||||0|||||Italian||||||Europe||Italy||||||0|Sant' Agostino, San Gimignano, Italy|||10944||||0||||0|Paintings|Fresco|Painting|||15|||1464|1465||1464-1465|1464-1465||Life of Saint Augustine|Series||7668||||0|||||||||||fresco painting|||||||||||Saint Augustine ; Perspective ; Rhetoric ; Teachers ; Students ; |Saint Augustine|Perspective|Rhetoric|Teachers|Students|||||Cornell||MNW|MNW|8/15/2006 0:00:00|8/15/2006 0:00:00|G725|||0|||||||||||||||||||||||Work|0||||||||||||0|0|Saint Augustine Teaching Rhetoric in Rome;Saint Augustine Reading Rhetoric in Rome|Gozzoli, Benozzo 7668.00|0|Creator|15||||||Life of Saint Augustine|Series|Dict.Art|||||||Life of Saint Augustine|4709|Gozzoli, Benozzo||painter|Benozzo Gozzoli|0||||0|||||Italian||||||Europe||Italy||||||0|Sant' Agostino, San Gimignano, Italy|||10944||||0||||0|Paintings|Fresco|Painting|||15|||1463|1465||1463-1465|1463-1465|||||0||||0|||||||||||fresco painting|||||||||||Saint Augustine ; |Saint Augustine|||||||||Cornell||MNW|MNW|8/15/2006 0:00:00|8/15/2006 0:00:00||||0|||||||||||||||||||||||Work|0||This cycle containes seventeen scenes from the Life of Saint Augustine and is located in the choir of Sant' Agostino. DOA.||||||||||0|0|Life of Saint Augustine|Gozzoli, Benozzo 7669.00|0||||||||Diagrams of Altars and Altarpieces|Descriptive|Image Source (Pub)|||||||Diagrams of Altars and Altarpieces|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Diagram|Diagram||||20|21||1995|2002||1995-2002|1995-2002|||||0||||0|||||||||||drawing (image-making)|||||||||||Altars ; Altarpieces ; |Altars|Altarpieces||||||||Cornell||MNW|MNW|8/15/2006 0:00:00|8/15/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Diagrams of Altars and Altarpieces| 7670.00|0||||||||Etching and Drypoint|Descriptive|Image Source (Pub)|||||||Etching and Drypoint|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Diagram|Diagram|||||||1995|2002||1995-2002|1995-2002|||||0||||0|||||||||||drawing (image-making)|||||||||||Etching ; Drypoint ; |Etching|Drypoint||||||||Cornell||MNW|MNW|8/15/2006 0:00:00|8/15/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Etching and Drypoint| 7671.00|0||||||||Diagram of Doric, Ionic, and Corinthian Orders|Descriptive|Image Source (Pub)|||||||Diagram of Doric, Ionic, and Corinthian Orders|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Diagram|Diagram||||20|||1990|1997||1990-1997|1990-1997|||||0||||0|||||||||||drawing (image-making)|||||||||||Doric order ; Ionic order ; Corinthian order ; |Doric order|Ionic order|Corinthian order|||||||Cornell||MNW|MNW|8/15/2006 0:00:00|8/15/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Diagram of Doric, Ionic, and Corinthian Orders| 7672.00|0|Category|06|J-MP|Vidor|1|Crowd|J-MP Vidor 1 Crowd|The Crowd|Assigned|Online Resource|The Mob|Variant|Online Resource||||The Crowd|12270|Vidor, King||director, film|King Vidor|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Motion Pictures|Motion picture (visual work)||||20|||1928|1928||1928|1928-1928|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|8/15/2006 0:00:00|8/15/2006 0:00:00|Vidor|||0||||||Crowd|J-MP||||||1||||||||||Work|0||Produced in the United States by Fox.||||||||||0|0|The Crowd;The Mob|Vidor, King 7673.00|0|Site|02|B-G1|Lon|1.1 Pun|1|B-G1 Lon 1.1 Pun 1|Two Nations Meet: Clergyman and His Ladies Investigating Conditions of the Poors|Descriptive|Image Source (Pub)|||||||Two Nations Meet: Clergyman and His Ladies Investigating Conditions of the Poors|0|||||0||||0|||||British|||Victorian|||Europe||England||||||0||||||||0||||0|Prints|Print||||19|||1884|1884||1884|1884-1884|||||0||||0|||||||||||printing|||||||||||Poor ; London (England) ; |Poor|London (England)||||||||Cornell||MNW|JNK|8/28/2006 0:00:00|8/16/2006 0:00:00||Lon||0||||||Pun|B|||||G1|1.1||||||||||Work|0|Architecture-England|View from "Punch."||||||||||0|0|Two Nations Meet: Clergyman and His Ladies Investigating Conditions of the Poors| 7674.00|0|Architect|03|MA-Niemeyer|4.4|1958-69 HistMus||MA-Niemeyer 4.4 1958-69 HistMus |Brasilian Foundation Museum|Assigned|Contemporary Arch|||||||Brasilian Foundation Museum|8539|Niemeyer, Oscar||architect|Oscar Niemeyer|0||||0|||||Brazilian|||Modern|||South America||Brazil||||||0|Brasília, Brazil|||10371||||0||||0|Architecture|Museums||||20|||1958|1960||1958-1960|1958-1960||Brasilia Master Plan|||6452||||0||||||||||||||||||||||Museums ; |Museums|||||||||Cornell||MNW|GB|11/21/2006 0:00:00|8/16/2006 0:00:00|Niemeyer|||0||||||HistMus|MA||||||4.4|1958-69|||||||||Work|0|Modern Architecture|||||||||||0|0|Brasilian Foundation Museum|Niemeyer, Oscar 7675.00|0|Architect|03|MA-Niemeyer|2.41|1956-60 SupCt||MA-Niemeyer 2.41 1956-60 SupCt |Supreme Court|Assigned|Contemporary Arch|||||||Supreme Court|8539|Niemeyer, Oscar||architect|Oscar Niemeyer|0||||0|||||Brazilian|||Modern|||South America||Brazil||||||0|Brasília, Brazil|||10371||||0||||0|Architecture|Court (judicial body)||||20|||1958|1960||1958-1960|1958-1960||Brasilia Master Plan|||6452||||0||||||||||||||||||||||Courts (judicial bodies) ; |Courts (judicial bodies)|||||||||Cornell||MNW|GB|11/21/2006 0:00:00|8/16/2006 0:00:00|Niemeyer|Bra||0||||||SupCt|MA||||||2.41|1956-60|||||||||Work|0|Modern Architecture|||||||||||0|0|Supreme Court|Niemeyer, Oscar 7676.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: Guyang Cave|Translated|Cataloger|Longmen shi ku Guyang dong|Descriptive|Image Source (Pub)||||Longmen Grottoes: Guyang Cave|0|||||0||||0|||||Chinese|||Northern Wei|Northern Dynasties|Six Dynasties|Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Cave|Sculpture||5|6||493|527||493-527|493-527||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Sculpture (visual work) ; Reliefs ; Buddha ; Bodhisattvas ; Figures (representations)|Archaeology|Grottoes|Caves|Niches|Sculpture (visual work)|Reliefs|Buddha|Bodhisattvas|Figures (representations)|Cornell||BZ|BZ|8/18/2006 0:00:00|8/18/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: Guyang Cave;Longmen shi ku Guyang dong| 7677.00|0||||||||Two Warriors Monument|Descriptive|Dict.Art|Os Candangos|Original|Image Source (Pub)||||Two Warriors Monument|4536|Giorgi, Bruno||sculptor|Giorgi Bruno|0||||0|||||Brazilian||||||South America||Brazil||||||0|Brasília, Brazil|||10371||||0||||0|Sculpture|Sculpture|Monument|||20|||1961|1961||1961|1961-1961|||||0||||0|||||Bronze|bronze|||||casting|||||||||||Warriors ; Monuments ; |Warriors|Monuments||||||||Cornell||MNW|JNK|8/22/2006 0:00:00|8/21/2006 0:00:00||Bra||0||||||||||||||||||||||||0||||||||||||0|0|Two Warriors Monument;Os Candangos|Giorgi, Bruno 7678.00|0|Creator|15|40 Set 48|Donatello|||40 Set 48 Donatello |St. Rossore|Preferred|Dict.Art|Reliquary of St. Rossore|Variant|Collection||||St. Rossore|3234|Donatello||sculptor|Donatello|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0||||0||||0||||0|Sculpture|Bust|Reliquary|Portrait||15|||1425|1427||1425-1427|1425-1427|||||0||||0|||||Guilded bronze|bronze|||||casting|gilding||||50 x 60.5 cm||2263|Pisa: Museo Nazionale di S. Matteo|Pisa: Mus. Naz. S. Matteo||Reliquaries ; Heads (representations) ; Portraits ; |Reliquaries|Heads (representations)|Portraits|||||||Cornell||JNK|MNW|11/14/2006 0:00:00|8/21/2006 0:00:00|Donatello||Set 48|0|||||||40|||||||| ||||||||Work|0||||||||||||0|0|St. Rossore;Reliquary of St. Rossore|Donatello 7679.00|0|Creator|15||||| |High Altar|Preferred|Dict.Art|Altare del Santo|Variant|Online Resource|High Altar of St. Anthony|Variant|Image Source (Pub)|High Altar|3234|Donatello||sculptor|Donatello|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0||||0||||0||||0|Sculpture|Altar|Sculpture|Relief||15|||1447|1450||1447-1450|1447-1450|||||0||||0|||||Bronze|bronze|||||relief|sculpture||||||2149|Padua: Basilica of San Antonio Basilica|Padua: Basilica of San Antonio||Altarpieces ; Saint Anthony ; Altars ; |Altarpieces|Saint Anthony|Altars|||||||Cornell||JNK|MNW|11/14/2006 0:00:00|8/21/2006 0:00:00||||0||||||||||||||| ||||||||Work|0||||||||||||0|0|High Altar;Altare del Santo;High Altar of St. Anthony|Donatello 7680.00|0|Architect|03|MA-Niemeyer|3.1|1957-8 PresCh||MA-Niemeyer 3.1 1957-8 PresCh |Presidential Chapel|Descriptive|Image Source (Pub)|||||||Alvorada Palace. Presidential Chapel|8539|Niemeyer, Oscar||architect|Oscar Niemeyer|0||||0|||||Brazilian|||Modern|||South America||Brazil||||||0|Brasília, Brazil|||10371||||0||||0|Architecture|Chapel||||20|||1957|1958||1957-1958|1957-1958||Brasilia Master Plan|LargerEntity||6452||||0||||||||||||||||||||||Chapels ; |Chapels|||||||||Cornell||MNW|GB|11/21/2006 0:00:00|8/21/2006 0:00:00|Niemeyer|Bra||0||||||PresCh|MA||||||3.1|1957-8|||||||||Work|0|Modern Architecture|||||||||||0|0|Presidential Chapel|Niemeyer, Oscar 7681.00|0|Creator|15|40 Set 406|Donatello||||Miracle of the Repentant Son|Preferred|Dict.Art|Miracle of the Irascible Son|Variant|Scholar||||High Altar. Miracle of the Repentant Son|3234|Donatello||sculptor|Donatello|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0||||0||||0||||0|Sculpture|Altar|Sculpture|Relief||15|||1447|1450||1447-1450|1447-1450||High Altar|Larger entity||7679||||0|||||Bronze|bronze|||||relief|sculpture||||57 x 123 cm||2149|Padua: Basilica of San Antonio Basilica|Padua: Basilica of San Antonio||Miracles ; Parable of the Prodigal Son ; Parables ; |Miracles|Parable of the Prodigal Son|Parables|||||||Cornell||JNK|MNW|11/14/2006 0:00:00|8/21/2006 0:00:00|Donatello|||0|||||||40 Set 406|||||||| ||||||||Work|0||||||||||||0|0|Miracle of the Repentant Son;Miracle of the Irascible Son|Donatello 7682.00|0|Architect|03|MA-Niemeyer|7.2|1957-8 PalHo||MA-Niemeyer 7.2 1957-8 PalHo |Brasilia Palace Hotel|Descriptive|Image Source (Pub)|||||||Brasilia Palace Hotel|8539|Niemeyer, Oscar||architect|Oscar Niemeyer|0||||0|||||Brazilian|||Modern|||South America||Brazil||||||0|Brasília, Brazil|||10371||||0||||0|Architecture|Hotel (public accommodation)||||20|||1957|1958||1957-1958|1957-1958||Brasilia Master Plan|||6452||||0||||||||||||||||||||||Hotels (public accommodations) ; Pilotis ; |Hotels (public accommodations)|Pilotis||||||||Cornell||MNW|GB|11/21/2006 0:00:00|8/21/2006 0:00:00|Niemeyer|||0||||||PalHo|MA||||||7.2|1957-8|||||||||Work|0|Modern Architecture|||||||||||0|0|Brasilia Palace Hotel|Niemeyer, Oscar 7683.00|0|Architect|03|MA-Niemeyer|1.0| Col||MA-Niemeyer 1.0 Col |Column Designs for Brasilia|Descriptive|Cataloger|||||||Column Designs for Brasilia|8539|Niemeyer, Oscar||architect|Oscar Niemeyer|0||||0|||||Brazilian|||Modern|||South America||Brazil||||||0||||0||||0||||0|Architecture|Column (architectural element)||||20|||1958|1958||1958|1958-1958||Brasilia Master Plan|||6452||||0||||||||||||||||||||||Columns (architectural elements) ; |Columns (architectural elements)|||||||||Cornell||MNW|GB|11/21/2006 0:00:00|8/22/2006 0:00:00|Niemeyer|||0||||||Col|MA||||||1.0||||||||||Work|0|Modern Architecture|||||||||||0|0|Column Designs for Brasilia|Niemeyer, Oscar 7684.00|0|Architect|03|MA-Niemeyer|1.0| Por|1|MA-Niemeyer 1.0 Por 1|Oscar Niemeyer at the Drafting Table|Descriptive|Cataloger|||||||Oscar Niemeyer at the Drafting Table|8539|Niemeyer, Oscar||architect|Oscar Niemeyer|0||||0|||||Brazilian|||Modern|||South America||Brazil||||||0||||0||||0||||0|Photographs|Documentary photograph|Photographic print|Portrait||20|||1950|1959|ca|1950's|ca 1950-1959|||||0||||0|||||||||||photography|||||||||||Niemeyer, Oscar, 1907- ; Portraits ; |Niemeyer, Oscar, 1907-|Portraits||||||||Cornell||MNW|MNW|8/22/2006 0:00:00|8/22/2006 0:00:00|Niemeyer|||0||||||Por|MA||||||1.0||||||||||Work|0|Modern Architecture|||||||||||0|0|Oscar Niemeyer at the Drafting Table|Niemeyer, Oscar 7685.00|0|Site|02|B-G1|Coal|2.111a Iron||B-G1 Coal 2.111a Iron |Coalbrookdale Bridge|Preferred||Ironbridge|Variant|Online Resource||||Coalbrookdale Bridge|9499|Pritchard, Thomas Farnolls||architect|Thomas F. Pritchard, Abraham Darby, J. Wilkinson|2875|Darby, Abraham||builder|31266|Wilkinson, John||builder||English||||||Europe||England||||||0|Coalbrookdale, England|||10945||||0||||0|Architecture|Bridge (built work)||||18|||1777|1779||1777-1779|1777-1779|||||0||||0||||||iron (metal)||||||||||||||||Bridges (built works) ; |Bridges (built works)|||||||||Cornell||JNK|JNK|8/22/2006 0:00:00|8/22/2006 0:00:00||Coal||0||||||Iron|B|||||G1|2.111a||||||||||Work|0|Architecture-England|First cast-iron bridge; over 30m span; bridges the Severn river. archINFORM||||||||||0|0|Coalbrookdale Bridge;Ironbridge|Pritchard, Thomas Farnolls;Darby, Abraham;Wilkinson, John 7686.00|0|Architect|03|MA-Niemeyer|1.041|Proj||MA-Niemeyer 1.041 Proj |Designs for Brasilia|Descriptive|Cataloger|||||||Designs for Brasilia|8539|Niemeyer, Oscar||architect|Oscar Niemeyer|0||||0|||||Brazilian|||Modern|||South America||Brazil||||||0||||0||||0||||0|Architecture|Architectural drawing||||20|||1950|1959|ca|1950's|ca 1950-1959||Brasilia Master Plan|||6452||||0||||||||||||||||||||||Brasi´lia (Brazil) ; |Brasi´lia (Brazil)|||||||||Cornell||MNW|GB|11/21/2006 0:00:00|8/22/2006 0:00:00|Niemeyer|||0||||||Proj|MA||||||1.041||||||||||Work|0|Modern Architecture|||||||||||0|0|Designs for Brasilia|Niemeyer, Oscar 7687.00|0|Architect|02|O-|Sant'Elia|29 ||O- Sant'Elia 29 |Study|Descriptive|Image Source (Pub)|||||||Città Nuova. Study|10383|Sant'Elia, Antonio||architect|Antonio Sant'Elia|0||||0|||||Italian|||Futurist|||Europe||Italy||||||0||||0||||0||||0|Architectural Theory|Architectural drawing||||20|||1914|1914||1914|1914-1914||Città Nuova|Larger entity||6722||||0|||||||||||architectural drawing|||||||3290|Private Collection|: Private Coll.||Cities ; Utopia ; Buildings ; |Cities|Utopia|Buildings|||||||Cornell||JNK|JNK|8/22/2006 0:00:00|8/22/2006 0:00:00|Sant'Elia|||0|||||||O||||||29|| ||||||||Work|0|Theory-|||||||||||0|0|Study|Sant'Elia, Antonio 7688.00|0|Architect|03|MA-Burnham|6.1|1922 Tri||MA-Burnham 6.1 1922 Tri |Chicago Tribune Tower Competition Entry|Descriptive|Image Source (Pub)|||||||Chicago Tribune Tower Competition Entry|27823|D. H. Burnham & Company||architectural firm|D. H. Burnham & Company|0||||0|||||American||||||North and Central America||United States||||||0||||0|Chicago, Illinois|||10103||||0|Architecture|Competition entry||||20|||1922|1922||1922|1922-1922||Chicago Tribune Tower Competition|Larger entity||3865||||0|||||||||||architectural drawing|drawing (image-making)||||||||||Competitions ; Architectural drawings ; Tribune Tower (Chicago, Ill.) ; Skyscrapers ; |Competitions|Architectural drawings|Tribune Tower (Chicago, Ill.)|Skyscrapers||||||Cornell||JNK|JNK|8/22/2006 0:00:00|8/22/2006 0:00:00|Burhnam||Chi|0||||||1922 Tri|MA||||||6.1||||||||||Work|0|Modern Architecture|||||||||||0|0|Chicago Tribune Tower Competition Entry|D. H. Burnham & Company 7689.00|0|Architect|03|MA-Niemeyer|4.4|1982-9 Mod||MA-Niemeyer 4.4 1982-9 Mod |Museum of Modern Art|Translated|Cataloger|Musée d'Art Moderne|Published|Image Source (Pub)||||Museum of Modern Art|8539|Niemeyer, Oscar||architect|Oscar Niemeyer|0||||0|||||Brazilian|||Modern|||South America||Brazil||||||0|Brasília, Brazil|||10371||||0||||0|Architecture|Museum||||20|||1982|1989||1982-1989|1982-1989|||6452||0||||0||||||||||||||||||||||Museums ; |Museums|||||||||Cornell||MNW|GB|11/21/2006 0:00:00|8/23/2006 0:00:00|Niemeyer|||0||||||Mod|MA||||||4.4|1982-9|||||||||Work|0|Modern Architecture|||||||||||0|0|Museum of Modern Art;Musée d'Art Moderne|Niemeyer, Oscar 7690.00|0|Architect|03|MA-Niemeyer|1.32|1989 ThrPow||MA-Niemeyer 1.32 1989 ThrPow |Monument in Three Powers Square||||||||||8539|Niemeyer, Oscar||architect|Oscar Niemeyer|0||||0|||||Brazilian|||Modern|||South America||Brazil||||||0|Brasília, Brazil|||10371||||0||||0|Architecture|Monument||||20|||1989|1989||1989|1989-1989||Brasilia Master Plan|||6452||||0||||||||||||||||||||||Monuments ; |Monuments|||||||||Cornell||MNW|GB|11/21/2006 0:00:00|8/23/2006 0:00:00|Niemeyer|||0||||||ThrPow|MA||||||1.32|1989|||||||||Work|0|Modern Architecture|||||||||||0|0|Monument in Three Powers Square|Niemeyer, Oscar 7691.00|0|Architect|03|MA-Niemeyer|2.42|1958-60 Plan||MA-Niemeyer 2.42 1958-60 Plan |Planalto Palace|Assigned|Contemporary Arch|Presidential Offices|Variant|ContemporaryArch||||Planalto Palace|8539|Niemeyer, Oscar||architect|Oscar Niemeyer|0||||0|||||Brazilian|||Modern|||South America||Brazil||||||0|Brasília, Brazil|||10371||||0||||0|Architecture|Government office building||||20|||1958|1960||1958-1960|1958-1960||Brasilia Master Plan|||6452||||0||||||||||||||||||||||Government office buildings ; |Government office buildings|||||||||Cornell||MNW|GB|11/21/2006 0:00:00|8/23/2006 0:00:00|Niemeyer|||0||||||Plan|MA||||||2.41|1958-60|||||||||Work|0|Modern Architecture|||||||||||0|0|Planalto Palace;Presidential Offices|Niemeyer, Oscar 7692.00|0|Architect|03|MA-Niemeyer|2.41|1962-70 Jus||MA-Niemeyer 2.41 1962-70 Jus |Ministry of Justice|Assigned|Contemporary Arch|||||||Ministry of Justice|8539|Niemeyer, Oscar||architect|Oscar Niemeyer|0||||0|||||Brazilian|||Modern|||South America||Brazil||||||0|Brasília, Brazil|||10371||||0||||0|Architecture|Government office building||||20|||1962|1970|ca|1962-ca 1970|1962-ca 1970||Esplanade of Ministries|LargerEntity||8082||||0||||||||||||||||||||||Government office buildings ; |Government office buildings|||||||||Cornell||MNW|GB|11/20/2006 0:00:00|8/23/2006 0:00:00|Niemeyer|||0||||||Jus|MA||||||2.41|1962-70|||||||||Work|0|Modern Architecture|||||||||||0|0|Ministry of Justice|Niemeyer, Oscar 7693.00|0||||||||Primavera|Preferred|Repository|Spring|Translated|Cataloger||||Primavera (Spring)|1435|Botticelli, Sandro||painter|Sandro Botticelli|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0||||||||0||||0|Paintings|Painting||||15|||1478|1478|ca|ca 1478|ca 1478-1478|||||0||||0|||||Tempera on wood|tempera|wood (plant material)||||painting (image-making)|||||203 x 314 cm||859|Florence: Galleria degli Uffizi|Florence: Uffizi||Spring ; Personification ; |Spring|Personification||||||||Cornell||MNW|JNK|8/24/2006 0:00:00|8/23/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Primavera;Spring|Botticelli, Sandro 7694.00|0|Architect|03|MA-Niemeyer|2.41|1968-72 Mil||MA-Niemeyer 2.41 1968-72 Mil |Ministry of Defense|Assigned|Contemporary Arch|Military Headquarters|Variant|Collection||||Ministry of Defense (Military Headquarters)|8539|Niemeyer, Oscar||architect|Oscar Niemeyer|0||||0|||||Brazilian|||Modern|||South America||Brazil||||||0|Brasília, Brazil|||10371||||0||||0||||||20|||1968|1972||1968-1972|1968-1972||Esplanade of Ministries|LargerEntity||8082||||0||||||||||||||||||||||Government office buildings ; Ministries ; |Government office buildings|Ministries||||||||Cornell||MNW|GB|11/20/2006 0:00:00|8/23/2006 0:00:00|Niemeyer|||0||||||Mil|MA||||||2.41|1968-72|||||||||Work|0|Modern Architecture|||||||||||0|0|Ministry of Defense;Military Headquarters|Niemeyer, Oscar 7695.00|0|Site|02|B-B10|CedK|7.5 Ver1||B-B10 CedK 7.5 Ver1 |Vernacular House, Number 1|Descriptive|Cataloger|||||||Vernacular House, Number 1|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Cedar Key, FL|||10946||||0||||0|Architecture|House||||20|||1900|1999|ca|20th Century|ca 1900-1999|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||MNW|MNW|8/24/2006 0:00:00|8/24/2006 0:00:00||CedK||0||||||Ver1|B|||||B10|7.5||||||||||Work|0|Architecture-Florida (FL)|Typical vernacular house with wooden awnings, fishing floats and an old church pew for seating. Gross & Daley.||||||||||0|0|Vernacular House, Number 1| 7696.00|0|Site|02|B-B10|SAug|7.5 Xim||B-B10 SAug 7.5 Xim |Ximenez-Fatio House|Assigned|Image Source (Pub)|||||||Ximenez-Fatio House|0|||||0||||0|||||American|||Spanish Colonial|||Asia||United States||||||0|Saint Augustine, Florida|||10127||||0||||0|Architecture|House|Museum|||18|||1798|1798|ca|ca 1798|ca 1798-1798|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||MNW|JNK|8/24/2006 0:00:00|8/24/2006 0:00:00||SAug||0||||||Xim|B|||||B10|7.5||||||||||Work|0|Architecture-Florida (FL)|This house was converted to a boarding house in 1830. It is now a house museum. Gross & Daley.||||||||||0|0|Ximenez-Fatio House| 7697.00|0|Site|02|B-B10|SAug|9.0 Wall||B-B10 SAug 9.0 Wall |Weathered Wall|Descriptive|Cataloger|||||||Weathered Wall|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Saint Augustine, Florida|||10127||||0||||0|Architecture|Wall||||||||||||||||0||||0||||||||||||||||||||||Walls ; |Walls|||||||||Cornell||MNW|JNK|8/24/2006 0:00:00|8/24/2006 0:00:00||SAug||0||||||Wall|B|||||B10|9.0||||||||||Work|0|Architecture-Florida (FL)|||||||||||0|0|Weathered Wall| 7698.00|0|Site|02|B-B10|SAug|7.5 Gon||B-B10 SAug 7.5 Gon |González-Alvarez House|Assigned|Image Source (Pub)|||||||González-Alvarez House|0|||||0||||0|||||American|||Spanish Colonial|||North and Central America||United States||||||0|Saint Augustine, Florida|||10127||||0||||0|Architecture|House|Museum|||18|||1775|1786|ca|ca 1775-1786|ca 1775-1786|||||0||||0||||||||||||||||||||||Houses ; Museums ; |Houses|Museums||||||||Cornell||MNW|JNK|8/24/2006 0:00:00|8/24/2006 0:00:00||SAug||0||||||Gon|B|||||B10|7.5||||||||||Work|0|Architecture-Florida (FL)|This complex has been a house museum since 1918. It incorporates parts of early 18th century house based on coquina. Gross & Daley.|||First house = early 1600's; ca. 1720 = second house.|||||||0|0|González-Alvarez House| 7699.00|0|Site|02|B-B10|CedK|2.111a D||B-B10 CedK 2.111a D |D Street, Cedar Key, Florida|Descriptive|Online Resource|Main Street, Cedar Key, Florida|Descriptive|Image Source (Pub)||||D Street, Cedar Key, Florida|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Cedar Key, FL|||10946||||0||||0|Architecture|Streetscape||||20|||1900|1999|ca|20th century|ca 1900-1999|||||0||||0||||||||||||||||||||||Streetscapes ; |Streetscapes|||||||||Cornell||MNW|MNW|8/24/2006 0:00:00|8/24/2006 0:00:00||CedK||0||||||D|B|||||B10|2.111a||||||||||Work|0|Architecture-Florida (FL)|||||||||||0|0|D Street, Cedar Key, Florida;Main Street, Cedar Key, Florida| 7700.00|0|Site|02|B-B10|Est|7.5 Kor||B-B10 Est 7.5 Kor |Koreshan Cottage|Descriptive|Cataloger|||||||Koreshan Cottage|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Estero, FL|||10535||||0||||0|Architecture|House||||19|20||1894|1908|ca|ca 1894-1908|ca 1894-1908|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||MNW|MNW|8/24/2006 0:00:00|8/24/2006 0:00:00||Est||0||||||Kor|B|||||B10|7.5||||||||||Work|0|Architecture-Florida (FL)|Part of the Koreshan Unity Settlement Historic District.||||||||||0|0|Koreshan Cottage| 7701.00|0|Site|02|B-B10|Hom|7.5 Cor||B-B10 Hom 7.5 Cor |Coral Castle|Assigned|Image Source (Pub)|Rock Gate Park|Original|Online Resource|||||31267|Leedskalnin, Edward||sculptor|Edward Leedskalnin|0||||0|||||American||||||North and Central America||United States||||||0|Homestead, FL|||10947||||0||||0|Architecture|House||||20|||1920|1950|ca|ca 1920-1950|ca 1920-1950|||||0||||0||||||coral||||||||||||||||Houses ; |Houses|||||||||Cornell||MNW|MNW|8/24/2006 0:00:00|8/24/2006 0:00:00||Hom||0||||||Cor|B|||||B10|7.5||||||||||Work|0|Architecture-Florida (FL)|||||||||||0|0|Coral Castle;Rock Gate Park|Leedskalnin, Edward 7702.00|0|Site|02|B-B23|Det|1.1 Bli||B-B23 Det 1.1 Bli |Blight|Assigned|Image Source (Pub)|||||||Blight|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Detroit, MI|||10354||||0||||0|Architecture|Cityscape||||20|||1980|1989|ca|1980s|ca 1980-1989|||||0||||0||||||||||||||||||||||Urban blight ; |Urban blight|||||||||Cornell||MNW|MNW|8/24/2006 0:00:00|8/24/2006 0:00:00||Det||0||||||Bli|B|||||B23|1.1||||||||||Work|0|Architecture-Michigan (MI)|||||||||||0|0|Blight| 7703.00|0|Category|13|Y-18|Auto|||Y-18 Auto |Model T Ford|Assigned|Image Source (Pub)|Tin Lizzie|Variant|Online Resource|Flivver|Variant|Online Resource|Model T Ford|31268|Ford, Henry||developer|Henry Ford|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Transportation|Automobile||||20|||1908|1927||1908-1927|1908-1927|||||0||||0||||||||||||||||||||||Automobiles ; Ford Model T automobile ; |Automobiles|Ford Model T automobile||||||||Cornell||MNW|MNW|8/24/2006 0:00:00|8/24/2006 0:00:00||||0||||||Auto|Y|||18|||||||||||||Work|0||||||||||||0|0|Model T Ford;Tin Lizzie;Flivver|Ford, Henry 7704.00|0|Site|02|B-B23|Det|1.04 |1799|B-B23 Det 1.04 1799|Plan of Fort Lernoult (Detroit, Michigan)|Descriptive|Image Source (Pub)|||||||Plan of Fort Lernoult (Detroit, Michigan)|31269|Rivardi, John J. U.||draftsman|John J. U. Rivardi|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Maps|Map|Fort|Drawing||18|||1799|1799||1799|1799-1799|||||0||||0|||||||||||drawing (image-making)|||||||||||Maps ; Forts ; Fort Lernoult (Detroit, MI) ; |Maps|Forts|Fort Lernoult (Detroit, MI)|||||||Cornell||MNW|MNW|8/24/2006 0:00:00|8/24/2006 0:00:00||Det||0|||||||B|||||B23|1.04|1799|||||||||Work|0|Architecture-Michigan (MI)||||March 29, 1799|||||||0|0|Plan of Fort Lernoult (Detroit, Michigan)|Rivardi, John J. U. 7705.00|0|Site|02|B-G1|Lon|1.065 GreB|1|B-G1 Lon 1.065 GreB 1|Plan of Greater London Showing Green Belt|Descriptive|Collection|||||||Plan of Greater London Showing Green Belt|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Maps|Plan (drawing)||||20|||1934|1934||1934|1934-1934|||||0||||0||||||||||||||||||||||Plans (drawings) ; London (England) ; Greenbelts ; |Plans (drawings)|London (England)|Greenbelts|||||||Cornell||MNW|MNW|8/24/2006 0:00:00|8/24/2006 0:00:00||Lon||0||||||GreB|B|||||G1|1.065||||||||||Work|0|Architecture-England|||||||||||0|0|Plan of Greater London Showing Green Belt| 7706.00|0|Site|02|B-H3|Tod|1.1 |2|B-H3 Tod 1.1 2|Panorama From the South|Descriptive|Image Source (Pub)|||||||Panorama From the South|0|||||0||||0|||||Italian||||||Europe||Italy||||||0|Todi, Italy|||10635||||0||||0|Architecture|Hill town||||20|||1950|1999|ca|ca 1950-1999|ca 1950-1999|||||0||||0||||||||||||||||||||||Todi (Italy) ; |Todi (Italy)|||||||||Cornell||MNW|MNW|8/24/2006 0:00:00|8/24/2006 0:00:00||Tod||0|||||||B|||||H3|1.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|Panorama From the South| 7707.00|0|Category|01|A-AØ|Map|1.01 Air|1|A-AØ Map 1.01 Air 1|World Air Map|Inscribed|Image Source (Pub)|World Air Routes|Variant|Cataloger||||World Air Map|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Maps|Maps||||20|||1945|1953|ca|ca 1945-1953|ca 1945-1953|||||0||||0||||||||||||||||||||||Maps ; Airplanes ; |Maps|Airplanes||||||||Cornell||MNW|JNK|8/28/2006 0:00:00|8/24/2006 0:00:00||||0||||||Air|A|||||AØ|1.01||||||||||Work|0|Maps-Graphic Documents|||||||||||0|0|World Air Map;World Air Routes| 7708.00|0|Architect|03|MA-Lutyens|2.44|1912-31 Vic||MA-Lutyens 2.44 1912-31 Vic |Viceroy's House|Preferred|Dict.Art|Rashtrapati Bhavan|Assigned|Dict.Art||||Viceroy's House|7326|Lutyens, Edwin Landseer, Sir||architect|Edwin Lutyens|0||||0|||||British||||||Asia||India||||||0|New Delhi, India|||10948||||0||||0|Architecture|Official Residence||||20|||1912|1931||1912-1931|1912-1931|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||MNW|MNW|8/24/2006 0:00:00|8/24/2006 0:00:00|Lutyens|||0||||||Vic|MA||||||2.44|1912-31|||||||||Work|0|Modern Architecture|||||||||||0|0|Viceroy's House;Rashtrapati Bhavan|Lutyens, Edwin Landseer, Sir 7709.00|0|Category|01|B-T1|Can|1.03|1|B-T1 Can 1.03 1|Tourist Map of Canberra|Descriptive|Collection|||||||Map of Canberra|0|||||0||||0|||||Australian||||||||||||||0||||0||||0||||0|Maps|Map||||20|||1950|1979|ca|ca 1950-1979|ca 1950-1979|||||0||||0||||||||||||||||||||||Maps ; Canberra (A.C.T.) ; |Maps|Canberra (A.C.T.)||||||||Cornell||MNW|MNW|8/24/2006 0:00:00|8/24/2006 0:00:00||Can||0|||||||B|||||T1|1.03||||||||||Work|0|Australia-Architecture|||||||||||0|0|Tourist Map of Canberra| 7710.00|0|Site|02|B-B9|Wash|1.04 Ell|3|B-B9 Wash 1.04 Ell 3|Plan of the City of Washington in the Territory of Columbiaceded by the states of Virginia and Maryland to the United States of America, and by them established as the seat of their government, after the year MDCCC|Inscribed|Print Publication|||||||Plan of the City of Washington in the Territory of Columbia|3540|Ellicott, Andrew||draftsman|Andrew Ellicott|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Maps|Plan (drawing)||||18|||1792|1792||1792|1792-1792|||||0||||0|||||||||||engraving (incising)|||||42 x 50 cm||3892|Washington, D.C.: Library of Congress|Washington, D.C.: Library of Congress||Washington (DC) ; Plans (drawings) ; Maps ; |Washington (DC)|Plans (drawings)|Maps|||||||Cornell||MNW|MNW|8/25/2006 0:00:00|8/25/2006 0:00:00||Wash||0||3730||||Ell|B|||||B9|1.04|| ||||||||Work|0|Architecture-District of Columbia (DC)|Revised city plan based on Peter Charles L'Enfant's plan of 1791. Scale [ca. 1:19,800]. LC.||||In the Geography and Maps Division of LC.||||||0|0|Plan of the City of Washington in the Territory of Columbiaceded by the states of Virginia and Maryland to the United States of America, and by them established as the seat of their government, after the year MDCCC|Ellicott, Andrew 7711.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: Huoshao Cave|Translated|Cataloger|Longmen shi ku Huoshao dong|Descriptive|Image Source (Pub)||||Longmen Grottoes: Huoshao Cave|0|||||0||||0|||||Chinese|||Northern Wei|Northern Dynasties|Six Dynasties|Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Cave|Sculpture||6|||522|524|bef|bef 522-524|bef 522-524||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Sculpture (visual work) ; Reliefs ; Buddha ; Bodhisattvas ; Figures (representations)|Archaeology|Grottoes|Caves|Niches|Sculpture (visual work)|Reliefs|Buddha|Bodhisattvas|Figures (representations)|Cornell||BZ|BZ|8/25/2006 0:00:00|8/25/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: Huoshao Cave;Longmen shi ku Huoshao dong| 7712.00|0|Site|02|B-B23|Det|7.5 WoodE||B-B23 Det 7.5 WoodE |Houses, Woodward East Historic District|Assigned|Online Resource|||||||Houses, Woodward East Historic District|0|||||0||||0|||||American|||Victorian|||Asia||United Arab Emirates||||||0|Detroit, MI|||10354||||0||||0|Architecture|House||||19|20||1875|1925|ca|Late 1800's to early 1900's|ca 1875-1925|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||MNW|MNW|8/25/2006 0:00:00|8/25/2006 0:00:00||Det||0||||||WoodE|B|||||B23|7.5||||||||||Work|0|Architecture-Michigan (MI)|The Woodward East Historic District is located within the Brush Park neighborhood and is known for its High Victorian style residences constructed for Detroit's elite at the turn of the century.||||||||||0|0|Houses, Woodward East Historic District| 7713.00|0|Architect|02|O-Howard|1.0|1898 Tom|10|O-Howard 1.0 1898 Tom 10|Garden City-Diagram No. 2|Assigned|Repository|||||||Tomorrow: A Peaceful Path to Real Reform. Garden City-Diagram No. 2|5641|Howard, Ebenezer, Sir||author|Sir Ebenezer Howard|0||||0|||||English|||Victorian|||Europe||England||||||0||||0||||0||||0|Architectural Theory|Publication|Book|||19|||1898|1898||1898|1898-1898||Tomorrow: A Peaceful Path to Real Reform|||1106||||0||||||||||||||||||9278|Hertford: Hertfordshire County Record Office|Hertford: County Record Office||Urban planning ; Architectural theory ; Cities ; Garden cities ; |Urban planning|Architectural theory|Cities|Garden cities||||||Cornell||MNW|MNW|8/25/2006 0:00:00|8/25/2006 0:00:00|Howard|||0||D/EHo/F4/1||||Tom|O||||||1.0|1898| ||||||||Work|0|Theory-|||||||||||0|0|Garden City-Diagram No. 2|Howard, Ebenezer, Sir 7714.00|0|Category|01|A-AØ|Map|1.011 MME/Pho|1|A-AØ Map 1.011 MME/Pho 1|Phoenician Trade Routes and Colonies|Descriptive|Image Source (Pub)|||||||Phoenician Trade Routes and Colonies|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Maps|Maps||||||||||||||||0||||0||||||||||||||||||||||Maps ; Trade routes ; |Maps|Trade routes||||||||Cornell||MNW|JNK|8/28/2006 0:00:00|8/25/2006 0:00:00||||0||||||MME/Pho|A|||||AØ|1.011||||||||||Work|0|Maps-Graphic Documents||||Date range for Phoenicians, 1600-64 BCE|||||||0|0|Phoenician Trade Routes and Colonies| 7715.00|0|Site|02|B-B5|LosA|1.1 Aer|5a-2|B-B5 LosA 1.1 Aer 5a-2|Aerial View of Los Angeles with Basin, Mountains, and Desert|Descriptive|Image Source (Pub)|||||||Above Los Angeles. Aerial View of Los Angeles with Basin, Mountains, and Desert|31295|Cameron, Robert||photographer|Robert Cameron|0||||0|||||American||||||North and Central America||United States||||||0|Los Angeles, CA|||10085||||0||||0|Photographs|Documentary photograph|Aerial view|||20|||1950|1976|ca|ca 1950-1976|ca 1950-1976||Above Los Angeles: a Collection of Nostalgic and Contemporary Aerial Photographs of Greater Los Angeles|Series||8055||||0|||||||||||photography|||||||||||Los Angeles (CA) ; Aerial views ; Photography ; |Los Angeles (CA)|Aerial views|Photography|||||||Cornell||MNW|GB|10/18/2006 0:00:00|8/25/2006 0:00:00||LosA||0||||||Aer|B|||||B5|1.1||||||||||Work|0|Architecture-California (CA)|||||||||||0|0|Aerial View of Los Angeles with Basin, Mountains, and Desert|Cameron, Robert 7716.00|0|Site|02|B-B5|LosA|1.1 Supercity|59|B-B5 LosA 1.1 Supercity 59|Freeway Interchange in Los Angeles|Descriptive|Collection|Supercity|Variant|Collection||||Freeway Interchange in Los Angeles|0|||||0||||0|||||American|||Post-1945|||North and Central America||United States||||||0|Los Angeles, CA|||10085||||0||||0|Architecture|Roads|Highway|Interchange||20|||1960|1970|ca|ca 1960-1970|ca 1960-1970|||||0||||0|||||||||||photography|||||||||||Interchanges ; Highways ; Roads ; |Interchanges|Highways|Roads|||||||Cornell||MNW|JNK|8/28/2006 0:00:00|8/25/2006 0:00:00||LosA||0||||||Supercity|B|||||B5|1.1||||||||||Work|0|Architecture-California (CA)|||||||||||0|0|Freeway Interchange in Los Angeles;Supercity| 7717.00|0|Site|02|B-B23|Det|1.1 |3|B-B23 Det 1.1 3|View of Detroit River Front in 1968||||||||||0|||||0||||0|||||American||||||North and Central America||United States||||||0|Detroit, MI|||10354||||0||||0|Photographs|Documentary photograph|Cityscape|||20|||1968|1968||1968|1968-1968|||||0||||0|||||||||||photography|||||||||||Cityscapes ; Detroit (Mich.) ; |Cityscapes|Detroit (Mich.)||||||||Cornell||MNW|MNW|8/25/2006 0:00:00|8/25/2006 0:00:00||Det||0|||||||B|||||B23|1.1||||||||||Work|0|Architecture-Michigan (MI)|||||||||||0|0|View of Detroit River Front in 1968| 7718.00|0||||||||||||||||||28280|Foster Associates||architectural firm|Foster Associates|0||||0|||||||||||||||||||0||||0||||0||||0||||||||||||||||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|8/25/2006 0:00:00|8/25/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0||Foster Associates 7719.00|0|Site|02|B-Q5|Del|1.1 Aer|6|B-Q5 Del 1.1 Aer 6|Aerial View From the East of New Delhi Showing Viceroy's House and Secretariat|Descriptive|Image Source (Pub)|||||||Aerial View From the East of New Delhi Showing Viceroy's House and Secretariat|0|||||0||||0|||||Indian||||||Asia||India||||||0|New Delhi, India|||10360||||0||||0|Architecture|Cityscape|Aerial view|||20|||1900|1999|ca|20th century|ca 1900-1999|||||0||||0||||||||||||||||||||||Cityscapes ; New Delhi (India) ; |Cityscapes|New Delhi (India)||||||||Cornell||MNW|MNW|8/27/2006 0:00:00|8/25/2006 0:00:00||Del||0||||||Aer|B|||||Q5|1.1||||||||||Work|0|Architecture-India|||||||||||0|0|Aerial View From the East of New Delhi Showing Viceroy's House and Secretariat| 7720.00|0|Site|02|B-T1|Can|1.1 Aer|1|B-T1 Can 1.1 Aer 1|Aerial View of the Central Capital Area of Canberra, Triangulated|Descriptive|Cataloger|||||||Aerial View of the Central Capital Area of Canberra, Triangulated|0|||||0||||0|||||Australian||||||Oceania||Australia||||||0|Canberra, Australia|||10949||||0||||0|Architecture|Aerial view||||20|||1960|1970|ca|ca 1960-1970|ca 1960-1970|||||0||||0||||||||||||||||||||||Urban planning ; Cityscapes ; |Urban planning|Cityscapes||||||||Cornell||MNW|MNW|8/27/2006 0:00:00|8/27/2006 0:00:00||Can||0||||||Aer|B|||||T1|1.1||||||||||Work|0|Architecture-Australia|||||||||||0|0|Aerial View of the Central Capital Area of Canberra, Triangulated| 7721.00|0|Site|02|B-B9|Wash|1.1 Aer|10|B-B9 Wash 1.1 Aer 10|Aerial View of Washington from the Capitol Down the Mall to the Potomac River|Descriptive|Cataloger|||||||Aerial View of Washington from the Capitol Down the Mall to the Potomac River|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Washington, DC|||10054||||0||||0|Architecture|Aerial view|Documentary photograph|||20|||1992|1992||1992|1992-1992|||||0||||0|||||||||||photography|||||||||||Cityscapes ; Washington (DC) ; |Cityscapes|Washington (DC)||||||||Cornell||MNW|MNW|8/27/2006 0:00:00|8/27/2006 0:00:00||Wash||0||||||Aer|B|||||B9|1.1||||||||||Work|0|Architecture-District of Columbia (DC)|||||||||||0|0|Aerial View of Washington from the Capitol Down the Mall to the Potomac River| 7722.00|0|Site|02|B-B23|Det|1.1 Aer|3|B-B23 Det 1.1 Aer 3|Narrow Housing Lots With Side Driveways in Detroit|Descriptive|Cataloger|||||||Narrow Housing Lots With Side Driveways in Detroit|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Detroit, MI|||10354||||0||||0|Architecture|Aerial view|Cityscape|Documentary photograph||20|||1995|1995||May, 1995|1995|||||0||||0|||||||||||photography|||||||||||Cityscapes ; Urban planning ; Housing developments ; |Cityscapes|Urban planning|Housing developments|||||||Cornell||MNW|MNW|8/27/2006 0:00:00|8/27/2006 0:00:00||Det||0||||||Aer|B|||||B23|1.1||||||||||Work|0|Architecture-Michigan (MI)||||Photographed in May, 1995|||||||0|0|Narrow Housing Lots With Side Driveways in Detroit| 7723.00|0|Creator|08|O-Howard|1.0 1898|Tom|3|O-Howard 1.0 1898 Tom 3|Garden City Sketch|Descriptive|Image Source (Pub)|||||||Tomorrow: A Peaceful Path to Real Reform. Garden City Sketch|5641|Howard, Ebenezer, Sir||author|Sir Ebenezer Howard|0||||0|||||English||||||Europe||England||||||0||||0||||0||||0|Publications|Municipal plan|Theory|Illustration||19|||1898|1898||1898|1898-1898||Tomorrow: A Peaceful Path to Real Reform|||1106||||0||||||||||||||||||9278|Hertford: Hertfordshire County Record Office|Hertford: County Record Office||Plans (drawings) ; Garden cities ; Urban planning ; |Plans (drawings)|Garden cities|Urban planning|||||||Cornell||MNW|MNW|8/27/2006 0:00:00|8/27/2006 0:00:00|Howard|||0||D/EHo/FI/17||||Tom|O||||||1.0|1898| ||||||||Work|0|Theory|||||||||||0|0|Garden City Sketch|Howard, Ebenezer, Sir 7724.00|0|Creator|05|J-Thomson|||6|J-Thomson 6|Recruiting Sergeants at Westminster|Descriptive|Image Source (Pub)|||||||Street Life in London. Recruiting Sergeants at Westminster|11741|Thomson, John||photographer|John Thomson|0||||0|||||Brazilian||||||Europe||England||||||0||||0||||0||||0|Photographs|Photomechanical print|Documentary photograph|||19|||1876|1877||1876-1877|1876-1877||Street Life in London|||7726||||0|||||Woodburytype||||||photography|Woodburytype||||||||||Soldiers ; London (England) ; |Soldiers|London (England)||||||||Cornell||MNW|MNW|8/27/2006 0:00:00|8/27/2006 0:00:00|Thomson|||0|||||||J||||||||||||||||Work|0|Photography|From John Thomson and Adolphe Smith, "Street Life in London", London, 1877. Slide||||||||||0|0|Recruiting Sergeants at Westminster|Thomson, John 7725.00|0|Creator|05|J-Thomson|||4|J-Thomson 4|Woman with Baby|Descriptive|Image Source (Pub)|||||||Street Life in London. Woman with Baby|11741|Thomson, John||photographer|John Thomson|0||||0|||||Brazilian||||||Europe||England||||||0||||0||||0||||0|Photographs|Photomechanical print||||19|||1876|1877||1876-1877|1876-1877||Street Life in London|||7726||||0|||||Woodbury type||||||Woodburytype|||||||3957|Austin: University of Texas; Harry Ransom Humanties Research Center|Austin: Univ. TX; Ransom Ctr.||Women ; Children (people by age group) ; London (England) ; |Women|Children (people by age group)|London (England)|||||||Cornell||MNW|MNW|8/27/2006 0:00:00|8/27/2006 0:00:00|Thomson|||0|||||||J|||||||| ||||||||Work|0|Photography|From John Thomson and Adolphe Smith, "Street Life in London", London, 1877. Slide||||||||From the Gernsheim Collection.||0|0|Woman with Baby|Thomson, John 7726.00|0|Creator|05||||||Street Life in London|Preferred|Online Resource|||||||Street Life in London|11741|Thomson, John||photographer|John Thomson|0||||0|||||Brazilian||||||Europe||England||||||0||||0||||0||||0|Photographs|Photomechanical print|Book|||19|||1877|1877||1877|1877-1877|||||0||||0|||||Woodburytype||||||Woodburytype|||||||||||London (England) ; |London (England)|||||||||Cornell||MNW|MNW|8/27/2006 0:00:00|8/27/2006 0:00:00||||0|||||||||||||||||||||||Work|0||Published in London by Woodbury Permanent Photographic Printing Co., 1877. Website, http://tyler.hrc.utexas.edu/photo/fullDisplay.cfm?CollID=510. Accessed, 8/27/2006.||||||||||0|0|Street Life in London|Thomson, John 7727.00|0|Architect|02|MA-LeCorb|1.04 1934|Rad|0-2|MA-LeCorb 1.04 1934 Rad 0-2|Plan for the Synthesis of a City|Descriptive|Image Source (Pub)|||||||La Ville radieuse. Plan for the Synthesis of a City|6857|Le Corbusier||theorist|Le Corbusier|0||||0|||||French|||Modernist|||||||||||0||||0||||0||||0|Architectural Theory|Theory|Plan (drawing)|||20|||1934|1934||1934|1934-1934||La Ville radieuse|LargerEntity||6227||||0||||||||||||||||||||||Urban planning ; Architectural theory ; Cities ; Ville Radieuse, 1930-1933 (Le Corbusier) ; |Urban planning|Architectural theory|Cities|Ville Radieuse, 1930-1933 (Le Corbusier)||||||Cornell||MNW|MNW|8/28/2006 0:00:00|8/28/2006 0:00:00|LeCorb|||0||||||Rad|MA||||||1.04|1934|||||||||Work|0|Modern Architecture-|||||||||||0|0|Plan for the Synthesis of a City|Le Corbusier 7728.00|0|Architect|03|MA-LeCorb|1.04|1922|Rad 4b-1|MA-LeCorb 1.04 1922 Rad 4b-1|La Ville radieuse|Assigned|Dict.Art|||||||La Ville radieuse|6857|Le Corbusier||architect|Le Corbusier|0||||0|||||French||||||||||||||0||||0||||0||||0|Architectural Theory|Theory|Housing|||20|||1922|1922||1922|1922-1922||La Ville radieuse|||6227||||0||||||||||||||||||||||Urban planning ; Housing developments ; Architectural theory ; Ville Radieuse, 1930-1933 (Le Corbusier) ; |Urban planning|Housing developments|Architectural theory|Ville Radieuse, 1930-1933 (Le Corbusier)||||||Cornell||MNW|MNW|8/28/2006 0:00:00|8/28/2006 0:00:00|LeCorb|||0||||||Rad|MA||||||1.04|1922|||||||||Work|0||LeCorbusier made large models of his urban schemes including the "Ville radieuse" for exhibition at the Salon d'Automne.||||||||||0|0|La Ville radieuse|Le Corbusier 7729.00|0|Site|02|B-L8|Isf|1.31 Mai|||Royal Maidan|Translated|Dict.Art|Maydan-i shah|Original|Dict.Art||||Royal Maidan|0|||||0||||0|||||Turkish||||||Asia||Turkey||||||0|Isfahan, Iran|||10023||||0||||0|Architecture|Square (open space)|Marketplace|||16|17||1590|1602||1590-1602|1590-1602|||||0||||0||||||||||||||||ca 525×159 m||||||||||||||||Cornell||MNW|MNW|8/28/2006 0:00:00|8/28/2006 0:00:00||Isf||0||||||Mai|B|||||L8|1.31||||||||||Work|0|Architecture-Turkey|This royal square was laid out by ?Abbas I. DOA.||||||||||0|0|Royal Maidan;Maydan-i shah| 7730.00|0|Site|02|B-B5|LosA|1.1 Aer|5a-4|B-B5 LosA 1.1 Aer 5a-4|Aerial View with Wilshire and Santa Monica Boulevards, Sunset Strip, and Hollywood Hills|Descriptive|Image Source (Pub)|||||||Aerial View with Wilshire and Santa Monica Boulevards, Sunset Strip, and Hollywood Hills|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Los Angeles, CA|||10085||||0||||0|Architecture|Aerial view||||20|||1970|1976|ca|ca 1970-1976|ca 1970-1976|||||0||||0|||||||||||photography|||||||||||Los Angeles (CA) ; Wilshire Boulevard (Los Angeles, Calif.) ; Santa Monica Boulevard (Los Angeles, Calif.) ; Hollywoods Hills ; Sunset Boulevard (Los Angeles, Calif.) ; |Los Angeles (CA)|Wilshire Boulevard (Los Angeles, Calif.)|Santa Monica Boulevard (Los Angeles, Calif.)|Hollywoods Hills|Sunset Boulevard (Los Angeles, Calif.)|||||Cornell||MNW|MNW|8/28/2006 0:00:00|8/28/2006 0:00:00||LosA||0||||||Aer|B|||||B5|1.1||||||||||Work|0|Architecture-California (CA)|||||||||||0|0|Aerial View with Wilshire and Santa Monica Boulevards, Sunset Strip, and Hollywood Hills| 7731.00|0|Architect|02|B-B29|LasVeg|7.2 Rio||B-B29 LasVeg 7.2 Rio |Rio Sign|||||||||Rio Sign|29617|YESCO||firm|YESCO & Marnell Corrao Associates|29625|Marnell Corrao Associates|||0|||||American||||||North and Central America||United States||||||0|Las Vegas, NV|||10194||||0||||0|Architecture|Lighting device|Sign|||20|||1990|1990||1990|1990-1990|||||0||||0|||||Neon sign|neon||||||||||||||||Signs ; |Signs|||||||||Cornell||MNW|MNW|8/28/2006 0:00:00|8/28/2006 0:00:00||LasVeg||0||||||Rio|B|||||B29|7.2||||||||||Work|0|Architecture-Nevada (NV)|||||||||||0|0|Rio Sign|YESCO;Marnell Corrao Associates 7732.00|0|Creator|08|0-Ferriss|1.0|MetTom/IM|108|0-Ferriss 1.0 MetTom/IM 108|Bird's-eye View, Page 108|Published|Image Source (Pub)|||||||The Metropolis of Tomorrow. Bird's-eye View|3831|Ferriss, Hugh||architect|Hugh Ferriss|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Architectural Theory|Architectural drawing||||20|||1929|1929||1929|1929||The Metropolis of Tomorrow|||3764||||0||||||||||||||||||||||Architectural theory ; Skyscrapers ; Urban planning ; Cities ; Architectural drawings ; |Architectural theory|Skyscrapers|Urban planning|Cities|Architectural drawings|||||Cornell||MNW|MNW|8/28/2006 0:00:00|8/28/2006 0:00:00|Ferriss|||0||||||MetTom/IM|0||||||1.0||||||||||Work|0||First illustration in part three, An Imaginary Metropolis||||||||||0|0|Bird's-eye View, Page 108|Ferriss, Hugh 7733.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: Huangfugong Grotto|Translated|Cataloger|Longmen shi ku Huangfugong ku|Descriptive|Image Source (Pub)||||Longmen Grottoes: Huangfugong Grotto|0|||||0||||0|||||Chinese|||Northern Wei|Northern Dynasties|Six Dynasties|Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Niche|Sculpture||6|||527|527||527|527||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Sculpture (visual work) ; Reliefs ; Buddha ; Bodhisattvas ; Figures (representations)|Archaeology|Grottoes|Caves|Niches|Sculpture (visual work)|Reliefs|Buddha|Bodhisattvas|Figures (representations)|Cornell||BZ|BZ|8/28/2006 0:00:00|8/28/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: Huangfugong Grotto;Longmen shi ku Huangfugong ku| 7734.00|0|Site|02|B-C7|Mex|1.042 1628|1|B-C7 Mex 1.042 1628 1|Plan of the Extent and Layout of the Acqueduct of Mexico|Descriptive|Online Resource|||||||The Form and Layout of the Acqueduct of Mexico|11891|Transmonte, Juan Gomez de||artist|Juan Gomez de Transmonte|0||||0|||||Spanish|Mexican||Spanish Colonial|||||||||||0||||||||0||||0|Prints|Plan (drawing)||||17|||1628|1628||1628|1628-1628|||||0||||0||||||||||||||||||||||Aqueducts ; Plans (drawings) ; Cities ; Mexico City (Mexico) ; Urban planning ; |Aqueducts|Plans (drawings)|Cities|Mexico City (Mexico)|Urban planning|||||Cornell||MNW|JNK|9/22/2006 0:00:00|8/28/2006 0:00:00||||0||||||1628|B|||||C7|1.042||||||||||Work|0|Architecture-Mexico|Made for Juan Gomez de Transmonte.||||||||||0|0|Plan of the Extent and Layout of the Acqueduct of Mexico|Transmonte, Juan Gomez de 7735.00|0|Site|02||||||Jin Zi Monastery|Preferred|Image Source (Pub)|Pure Compassion Monastery|Translated|Blue Guide||||Jin Zi Monastery|0|||||0||||0|||||Chinese||||||Asia||China||||||0|Hangzhou, China|||10952||||0||||0|Architecture|Monastery||||10|||954|||954|954|||||0||||0||||||||||||||||||||||Monasteries ; |Monasteries|||||||||Cornell||MNW|MNW|8/28/2006 0:00:00|8/28/2006 0:00:00||Han||0||||||Jin|B|||||R1|3.2||||||||||Work|0||||||||||||0|0|Jin Zi Monastery;Pure Compassion Monastery| 7736.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: General Longxiang Cave|Translated|Cataloger|Longmen shi ku Longxiang jiang jun dong|Descriptive|Image Source (Pub)||||Longmen Grottoes: General Longxiang Cave|0|||||0||||0|||||Chinese|||Northern Wei|Northern Dynasties|Six Dynasties|Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Sculpture|Relief||6|||515|527||515-527|515-527||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Sculpture (visual work) ; Reliefs ; Buddha ; Bodhisattvas ; Figures (representations)|Archaeology|Grottoes|Caves|Niches|Sculpture (visual work)|Reliefs|Buddha|Bodhisattvas|Figures (representations)|Cornell||BZ|BZ|8/28/2006 0:00:00|8/28/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: General Longxiang Cave;Longmen shi ku Longxiang jiang jun dong| 7737.00|0|Site|02|B-R1|Hangz|3.2 Jin/Res||B-R1 Hangz 3.2 Jin/Res |Monk's Residence|||||||||Jin Zi Monastery. Monk's Residence|0|||||0||||0|||||Chinese||||||Asia||China||||||0|Hangzhou, China|||10831||||0||||0|||||||||||||||Jin Zi Monastery|LargerEntity||7735||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||MNW|MNW|8/28/2006 0:00:00|8/28/2006 0:00:00||Hangz||0||||||Jin/Res|B|||||R1|3.2||||||||||Work|0|Architecture-China|||||||||||0|0|Monk's Residence| 7738.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: Dihua Cave|Translated|Cataloger|Longmen shi ku Dihua dong|Descriptive|Image Source (Pub)||||Longmen Grottoes: Dihua Cave|0|||||0||||0|||||Chinese|||Northern Wei|Northern Dynasties|Six Dynasties|Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Sculpture|Relief||6|||515|527||515-527|515-527||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Sculpture (visual work) ; Reliefs ; Buddha ; Bodhisattvas ; Figures (representations)|Archaeology|Grottoes|Caves|Niches|Sculpture (visual work)|Reliefs|Buddha|Bodhisattvas|Figures (representations)|Cornell||BZ|BZ|8/28/2006 0:00:00|8/28/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: Dihua Cave;Longmen shi ku Dihua dong| 7739.00|0|Site|02|B-R1|China|7.5 Vern|4b-5|B-R1 China 7.5 Vern 4b-5|Vernacular House in Hangzhou|Descriptive|Image Source (Pub)|||||||Vernacular House in Hangzhou|0|||||0||||0|||||Chinese||||||Asia||China||||||0|||||Hangzhou, China|||10831||||0|Architecture|House||||||||||||||||0||||0||||||||||||||||||||||Vernacular architecture ; Houses ; |Vernacular architecture|Houses||||||||Cornell||MNW|MNW|8/28/2006 0:00:00|8/28/2006 0:00:00||China|Hangz|0||||||Vern|B|||||R1|7.5||||||||||Work|0|Architecture-China|||||||||||0|0|Vernacular House in Hangzhou| 7740.00|0|Site|02|B-R1|Hangz|1.1 West||B-R1 Hangz 1.1 West |West Lake|Assigned|Blue Guide|||||||West Lake|0|||||0||||0|||||Chinese||||||Asia||China||||||0|Hangzhou, China|||10831||||0||||0|Architecture|Lake||||||||||||||||0||||0||||||||||||||||||||||Lakes ; |Lakes|||||||||Cornell||MNW|JNK|9/22/2006 0:00:00|8/29/2006 0:00:00||Hangz||0||||||West|B|||||R1|1.1||||||||||Work|0|Architecture-China|||||||||||0|0|West Lake| 7741.00|0|Architect|02|B-Q5|Del|7.4 Squ||B-Q5 Del 7.4 Squ |Squatters Settlement|Descriptive|Image Source (Pub)|||||||Squatters Settlement|0|||||0||||0|||||Indian||||||Asia||India||||||0|Delhi, India|||10200||||0||||0|Architecture|Housing|Settlement|Documentary photograph||20|21||1990|2001|ca|ca 1990-2001|ca 1990-2001|||||0||||0|||||||||||photography|||||||||||Squatter settlements ; |Squatter settlements|||||||||Cornell||MNW|MNW|8/29/2006 0:00:00|8/29/2006 0:00:00||Del||0||||||Squ|B|||||Q5|7.4||||||||||Work|0|Architecture-India|||||||||||0|0|Squatters Settlement| 7742.00|0|Architect|03|MA-RussellR|1.31|1928-34 Con||MA-RussellR 1.31 1928-34 Con |Connaught Place|Preferred|Dict.Art|Rajiv Gandhi Chowk|Variant|Print Publication||||Connaught Place (Rajiv Gandhi Chowk)|14556|Russell, Robert Tor||architect|Robert Tor Russell|0||||0|||||Indian||||||Asia||India||||||0|Delhi, India|||10200||||0||||0|Architecture|Commercial building|Plaza|Market (building)||20|||1928|1934||1928-1934|1928-1934|||||0||||0||||||||||||||||||||||Commercial buildings ; Markets (buildings) ; Plazas ; Bazaars ; |Commercial buildings|Markets (buildings)|Plazas|Bazaars||||||Cornell||MNW|MNW|8/29/2006 0:00:00|8/29/2006 0:00:00|RussellR|||0||||||Con|MA||||||1.31|1928-34|||||||||Work|0|Modern Architecture|||||||||||0|0|Connaught Place;Rajiv Gandhi Chowk|Russell, Robert Tor 7743.00|0|Architect|03||||||Bibliothèque Sainte-Geneviève|Preferred|Dict.Art|||||||Bibliothèque Sainte-Geneviève|6654|Labrouste, Henri||architect|Henri Labrouste|0||||0|||||French|||Second Empire|||Europe||France||||||0|Place du Panthéon, Paris, France|||10953||||0||||0|Architecture|Library||||19|||1839|1851||1839-1851|1839-1851|||||0||||0||||||||||||||||||||||Libraries (Buildings) ; |Libraries (Buildings)|||||||||Cornell||JNK|JNK|8/29/2006 0:00:00|8/29/2006 0:00:00||||0|||||||||||||||||||||||Building|0|Modern Architecture|||||||||||0|0|Bibliothèque Sainte-Geneviève|Labrouste, Henri 7744.00|0|Architect|03|MA-BakerH|2.41|1927 Sec||MA-BakerH 2.41 1927 Sec |Secretariat Blocks|Assigned|Dict.Art|||||||Secretariat Blocks|647|Baker, Herbert, Sir||architect|Sir Herbert Baker|0||||0|||||Indian||||||Asia||India||||||0|New Delhi, India|||10360||||0||||0|Archtecture|Government office building||||20|||1913|1927||1913-1927|1913-1927|||||0||||0||||||||||||||||||||||Government office buildings ; |Government office buildings|||||||||Cornell||MNW|MNW|8/29/2006 0:00:00|8/29/2006 0:00:00|BakerH|||0||||||Sec|MA||||||2.41|1927|||||||||Work|0|Modern Architecture|||||||||||0|0|Secretariat Blocks|Baker, Herbert, Sir 7745.00|0|Architect|03|MA-Labrouste|4.3| 1854-75 Nat||MA-Labrouste 4.3 1854-75 Nat |Bibliothèque Nationale|Preferred|Dict.Art|||||||Bibliothèque Nationale|6654|Labrouste, Henri||architect|Henri Labrouste|12317|Visconti, Louis Tullius Joachi||architect|0|||||French|||Second Empire|||Europe||France||||||0|Paris, France|||10058||||0||||0|Architecture|Library||||19|||1854|1875||1854-1875|1854-1875|||||0||||0||||||||||||||||||||||Libraries (Buildings) ; |Libraries (Buildings)|||||||||Cornell||JNK|JNK|8/29/2006 0:00:00|8/29/2006 0:00:00|Labrouste|Par||0||||||1854-75 Nat|MA||||||4.3||||||||||Building|0|Modern Architecture||||Reading Room, 1860-1867;|||||||0|0|Bibliothèque Nationale|Labrouste, Henri;Visconti, Louis Tullius Joachi 7746.00|0|Site|02|B-Q5|Del|2.111 Nai||B-Q5 Del 2.111 Nai |Nai Sarak||||||||||0|||||0||||0|||||Indian||||||Asia||India||||||0|Delhi, India|||10200||||0||||0|Architecture|Street||||||||||||||||0||||0||||||||||||||||||||||Streetscapes ; Roads ; |Streetscapes|Roads||||||||Cornell||MNW|MNW|8/29/2006 0:00:00|8/29/2006 0:00:00||Del||0||||||Nai|B|||||Q5|2.111||||||||||Work|0|Architecture-India|||||||||||0|0|Nai Sarak| 7755.00|0|Site|02|B-Q5|Del|3.4 Qut||B-Q5 Del 3.4 Qut |Qutub Minar Complex|Descriptive|Blue Guide|||||||Qutub Minar Complex|0|||||0||||0|||||Indian|||Mamluk|Delhi Sultanate||Asia||India||||||0|Delhi, India|||10200||||0||||0|Architecture|Complex||||||||||||||||0||||0||||||||||||||||||||||Complexes ; Mosques ; Tombs ; Minarets ; |Complexes|Mosques|Tombs|Minarets||||||Cornell||MNW|MNW|9/4/2006 0:00:00|8/30/2006 0:00:00||Del||0||||||Qut|B|||||Q5|3.4||||||||||Work|0|Architecture-India|The Quwwat al-Islam is the central structure of a large partially ruined complex, including the Qutb Minar the tomb of Sultan Iltutmish and the ?Ala?i Darvaza. DOA.||||||||||0|0|Qutub Minar Complex| 7756.00|0||||||||Piazza della Repubblica|Preferred|Blue Guide|Piazza Vittorio Emanuele II|Former|Print Publication||||Piazza della Repubblica|0|||||0||||0|||||Italian||||||Europe||Italy||||||0|Florence, Italy|||9985||||0||||0|Architecture|Piazza||||19|||1870|1899||Late 19th C|1870-1899|||||0||||0||||||||||||||||||||||Piazzas ; |Piazzas|||||||||Cornell||JNK|JNK|8/30/2006 0:00:00|8/30/2006 0:00:00||Flo||0||||||||||||||||||||||||0||The Piazza was laid out on the site of the Roman forum…It was laid out at the end of the 19th C after the demolition of many medieval buildings, the Mercato Vecchio, and part of the Ghetto. Much criticized at the time…Blue Guide||||||||||0|0|Piazza della Repubblica;Piazza Vittorio Emanuele II| 7757.00|0||||||||Museo di San Marco|Preferred|Blue Guide|San Marco church and convent|Former|Blue Guide||||Museo di San Marco|7961|Michelozzo di Bartolomeo||architect|Michelozzo di Bartolomeo|0||||0|||||Italian|||Renaissance|||Europe||Italy||||||0|Florence, Italy|||9985||||0||||0|Architecture|Museum|Church|Convent||15|||1437|1452||1437-1452|1437-1452|||||0||||0||||||||||||||||||||||Churches ; Museums ; Cloisters ; |Churches|Museums|Cloisters|||||||Cornell||JNK|JNK|8/30/2006 0:00:00|8/30/2006 0:00:00||Flo||0||||||||||||||||||||||||0||The church of San Marco was founded in 1299 and rebuilt with the convent in 1442.|||The façade dates from 1780.|||||||0|0|Museo di San Marco;San Marco church and convent|Michelozzo di Bartolomeo 7758.00|0||||||||View from San Miniato, Florence|Preferred|Repository|View near Florence from Montaguto|Former|Repository||||View of Florence from San Miniato|10210|Ruskin, John||author|John Ruskin|0||||0|||||English|||Victorian|||Europe||England||||||0||||0||||0||||0|Drawings|Drawing||||19|||1845|1845||1845|1845-1845|||||0||||0|||||Sepia, pen and brown ink|sepia|pens|ink|||drawing (image-making)|||||33.3 x 48.5 cm||3523|Birmingham: City of Birmingham Museum and Art Gallery|Birmingham: Mus.& Art Gal.||Florence (Italy) ; Landscapes ; |Florence (Italy)|Landscapes||||||||Cornell||JNK|JNK|8/30/2006 0:00:00|8/30/2006 0:00:00||||0||1907P140||||||||||||| |||||||||0||||||||||||0|0|View from San Miniato, Florence;View near Florence from Montaguto|Ruskin, John 7759.00|0||||||||Piazza Donatello|Preferred|Blue Guide|||||||Piazza Donatello|0|||||0||||0|||||Italian||||||Europe||Italy||||||0|Florence, Italy|||9985||||0||||0|Architecture|Piazza||||||||||||||||0||||0||||||||||||||||||||||Piazzas ; Cemeteries ; |Piazzas|Cemeteries||||||||Cornell||JNK|JNK|8/31/2006 0:00:00|8/31/2006 0:00:00||Flo||0||||||||||||||||||||||||0||The disused English Cemetery, opened in 1828, is located here…Here is buried Elizabeth Barrettt Browning. Blue Guide.||||||||||0|0|Piazza Donatello| 7760.00|0||||||||Florence in the 15th Century|Translated|Cataloger|Firenze nel XV secolo|Inscribed|Image Source (Pub)||||Florence in the 15th Century|0|||||0||||0|||||Italian||||||Europe||Italy||||||0||||0||||0||||0|Maps|Map||||20||||||||||||0||||0||||||||||||||||||||||Maps ; Florence (Italy) ; Postcards ; |Maps|Florence (Italy)|Postcards|||||||Cornell||JNK|JNK|8/31/2006 0:00:00|8/31/2006 0:00:00||||0||||||||||||||||||||||||0||Postcard.||||||||||0|0|Florence in the 15th Century;Firenze nel XV secolo| 7761.00|0||||||||Boat-Ride in the Sewers of Paris|Assigned|Image Source (Pub)|||||||Boat-Ride in the Sewers of Paris|31271|Pelcoq, Jules||illustrator|Jules Pelcoq|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Prints|Lithograph|Print|Illustration||19|||1870|1870|ca|ca 1870|ca 1870-1870|||||0||||0|||||Lithograph||||||lithography|||||||||||Paris (France) ; Boats ; Sewers (drainage structures) ; |Paris (France)|Boats|Sewers (drainage structures)|||||||Cornell||JNK|JNK|8/31/2006 0:00:00|8/31/2006 0:00:00||||0||||||||||||||||||||||||0||Published in the Illustrated London News, 29 January 1870.||||||||||0|0|Boat-Ride in the Sewers of Paris|Pelcoq, Jules 7762.00|0||||||||Outdoor urinal in front of the Théâtre de L'Ambigu|Descriptive|Image Source (Pub)|||||||Outdoor urinal in front of the Théâtre de L'Ambigu|7620|Marville, Charles||photographer|Charles Marville|0||||0|||||French|||Second Empire|||Europe||France||||||0||||0||||0||||0|Photographs|Photographic print||||19|||1870|1870|ca|ca 1870|ca 1870-1870|||||0||||0|||||||||||photography|||||||||||Paris (France) ; Cities ; |Paris (France)|Cities||||||||Cornell||JNK|JNK|8/31/2006 0:00:00|8/31/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Outdoor urinal in front of the Théâtre de L'Ambigu|Marville, Charles 7763.00|0||||||||Haussmann's changes to the Boulevard Sebastopol, the Avenue de l'Opéra, the Rue Lafayette, and the Rue de Pyrenées in Paris|Descriptive|Cataloger|||||||Haussmann's changes to the Boulevard Sebastopol, Avenue de l'opéra, rue Lafayette, and Rue de Pyrenées in Paris|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Maps|Map|Diagram|||||||||||||||0||||0||||||||||||||||||||||Paris (France) ; Streetscapes ; Maps ; |Paris (France)|Streetscapes|Maps|||||||Cornell||JNK|JNK|8/31/2006 0:00:00|8/31/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Haussmann's changes to the Boulevard Sebastopol, the Avenue de l'Opéra, the Rue Lafayette, and the Rue de Pyrenées in Paris| 7764.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: Qianxi Temple|Translated|Cataloger|Longmen shi ku Qianxi si|Descriptive|Image Source (Pub)||||Longmen Grottoes: Qianxi Temple|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Sculpture|Relief||7|||655|661||655-661|655-661||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Sculpture (visual work) ; Reliefs ; Buddha ; Bodhisattvas ; Figures (representations)|Archaeology|Grottoes|Caves|Niches|Sculpture (visual work)|Reliefs|Buddha|Bodhisattvas|Figures (representations)|Cornell||BZ|BZ|9/1/2006 0:00:00|9/1/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: Qianxi Temple;Longmen shi ku Qianxi si| 7765.00|0|Site|01|B-G1|Lon|||B-G1 Lon|A Large and Accurate Map of the City of London: Ichnographically Describing All the Streets, Lanes, Alleys, Court, Yards, Churches, Hall, and Houses|Inscribed|LC NAF|||||||A Large and Accurate Map of the City of London|30256|Ogilby, John||cartographer|John Ogilby and William Morgan|30253|Morgan, William||cartographer|0|||||British||||||Europe||England||||||0||||0||||0||||0|Maps|Map||||17|||1676|1676||1676|1676-1676|||||0||||0||||||||||||||||||||||London (England) ; Maps ; |London (England)|Maps||||||||Cornell||MNW|MNW|9/1/2006 0:00:00|9/1/2006 0:00:00||Lon||0|||||||B|||||G1|||||||||||Work|0|England-Architecture|London as rebuilt after the fire of 1666. Survey of the City of London by John Ogilby and William Morgan, on a scale of 100 feet to the inch, completed in 1676. Http://www.british-history.ac.uk/source.asp?pubid=61. Accessed, 9/1/2006.||||||||||0|0|A Large and Accurate Map of the City of London: Ichnographically Describing All the Streets, Lanes, Alleys, Court, Yards, Churches, Hall, and Houses|Ogilby, John;Morgan, William 7766.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: Northern Binyang Cave|Translated|Cataloger|Longmen shi ku Binyang bei dong|Descriptive|Image Source (Pub)||||Longmen Grottoes: Northern Binyang Cave|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Sculpture|Relief||7|||649|650||Tang Dynasty (649-650)|649-650||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Sculpture (visual work) ; Reliefs ; Buddha ; Bodhisattvas ; Figures (representations)|Archaeology|Grottoes|Caves|Niches|Sculpture (visual work)|Reliefs|Buddha|Bodhisattvas|Figures (representations)|Cornell||BZ|BZ|9/1/2006 0:00:00|9/1/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: Northern Binyang Cave;Longmen shi ku Binyang bei dong| 7767.00|0||||||||Bon Marché department store|Preferred|Dict.Art|Magasins du Bon Marché|Variant|Print Publication||||Bon Marché department store|31272|Laplanche, Jean-Alexandre||architect|J-A Laplanche, L-A Boileau, G.Eiffel & L-C Boileau|1328|Boileau, Louis-Auguste||architect|3509|Eiffel, Gustave||architect||French|||Beaux-Arts|||Europe||France||||||0|Paris, France|||10058||||0||||0|Architecture|Department store||||19|||1866|1887||1866-1887|1866-1887|||||0||||0||||||||||||||||||||||Department stores ; |Department stores|||||||||Cornell||JNK|JNK|9/1/2006 0:00:00|9/1/2006 0:00:00||Par||0||||||||||||||||||||||||0||The original building (stone and wood) was designed by Laplanche and L-A Boileau. The expansion to the rue du Bac (iron)was designed by L-C Boileau and G. Eiffel. Guide to the Architecture of Monuments in Paris.||||||||||0|0|Bon Marché department store;Magasins du Bon Marché|Laplanche, Jean-Alexandre;Boileau, Louis-Auguste;Eiffel, Gustave 7768.00|0||||||||Escalators|Descriptive|Cataloger|||||||Bon Marché department store. Escalators|31274|Putman, Andrée||designer, interior|Andrée Putman|0||||0|||||French|||Post-1945|||Europe||France||||||0|Paris, France|||10058||||0||||0|Architecture|Stair||||20|||||||||Bon Marché department store|Larger entity||7767||||0||||||||||||||||||||||Escalators ; |Escalators|||||||||Cornell||JNK|JNK|9/1/2006 0:00:00|9/1/2006 0:00:00||Par||0||||||||||||||||||||||||0||||||||||||0|0|Escalators|Putman, Andrée 7769.00|0||||||||Ca' d'Oro|Descriptive|Image Source (Pub)|||||||Ca' d'Oro|10210|Ruskin, John||author|John Ruskin|0||||0|||||English|||Victorian|||Europe||England||||||0||||0||||0||||0|Paintings|Painting|Watercolor|||19||||||||||||0||||0|||||Watercolor|watercolor|||||painting (image-making)|||||||3648|Coniston: Brantwood Trust|Coniston: Brantwood Trust||Venice (Italy) ; Houses ; Cityscapes ; |Venice (Italy)|Houses|Cityscapes|||||||Cornell||JNK|JNK|9/1/2006 0:00:00|9/1/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Ca' d'Oro|Ruskin, John 7770.00|0||||||||Antiquities of Athens|Inscribed|Artist|||||||Antiquities of Athens|29119|Stuart & Revett||architectural firm|Stuart & Revett|0||||0|||||English|||Greek Revival|||Europe||England||||||0||||0||||0||||0|Publications|Book|||||||1762|1762||1762|1762-1762|||||0||||0||||||||||||||||||||||||||||||||Cornell||JNK|JNK|9/1/2006 0:00:00|9/1/2006 0:00:00||||0||||||||||||||||||||||||0|||||First volume published in 1762, Second in 1789, Third in 1794, Fourth in 1816. A supplementary volume was published in 1830.|||||||0|0|Antiquities of Athens|Stuart & Revett 7771.00|0||||||||Oriental Scenery. Twenty-four Views in Hindoostand, Taken in the Year 1792|Published|LC NAF||||||||13757|Daniell, Thomas||draftsman|Thomas and William Daniell|13754|Daniell, William||printmaker|0|||||British||||||Asia||India||||||0||||0||||0||||0|Publications|Book|Illustration|||18|||1795|1797||1795-1808|1795-1808|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|9/4/2006 0:00:00|9/4/2006 0:00:00||||0||||||||||||||||||||||||0||First volumes published by Robert Bowyer in London in 1795. Six volumes. British Library||||||||||0|0|Oriental Scenery. Twenty-four Views in Hindoostand, Taken in the Year 1792|Daniell, Thomas;Daniell, William 7772.00|0||||||||The Council House, Calcutta; volume 2, plate 3|Published|Image Source (Pub)|||||||Oriental Scenery. Twenty-four Views in Hindoostand, Taken in the Year 1792. The Council House, Calcutta.|13757|Daniell, Thomas||printmaker|Thomas Daniell|13754|Daniell, William|||0|||||British||||||Asia||India||||||0||||0||||0||||0|Publications|Illustration||||18|||1792|1795||1792; publ. 1795|1792-1795||Oriental Scenery. Twenty-four Views in Hindoostand, Taken in the Year 1792|||7771||||0|||||Aquatint||||||printing|aquatint||||||||||||||||||||Cornell||MNW|MNW|9/4/2006 0:00:00|9/4/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|The Council House, Calcutta; volume 2, plate 3|Daniell, Thomas;Daniell, William 7773.00|0|Site|02|B-C7|Mex|1.043 Teno|2|B-C7 Mex 1.043 Teno 2|Map of Tenochititlan|Descriptive|Cataloger|||||||Map of Tenochititlan|0|||||0||||0|||||Aztec||||||North and Central America||Mexico||||||0||||0||||0||||0|Maps|Map|Woodcut|||16|||1519|1519|ca|ca 1519|ca 1519-1519|||||0||||0|||||Woodcut||||||printing|woodcut (process)||||||||||Tenochtitlán ; Cities ; Maps ; |Tenochtitlán|Cities|Maps|||||||Cornell||MNW|JNK|9/22/2006 0:00:00|9/4/2006 0:00:00||Mex||0||||||Teno|B|||||C7|1.043||||||||||Work|0|Architecture-Mexico|Woodcut from Praeclara Ferdinandi Cortesii de Nova Maris Oceani Hispania Narratio, Nürnberg, 1524. Possibly made for Cortes.||||||||||0|0|Map of Tenochititlan| 7774.00|0|Site|02|B-R1|Han|3.2 Jin/Sec||B-R1 Han 3.2 Jin/Sec |Secondary Hall|||||||||Jin Zi Monastery. Secondary Hall|0|||||0||||0|||||Chinese||||||Asia||China||||||0|Hangzhou, China|||10831||||0||||0|Architecture|Monastery|Halls|||10|||954|||954|954||Jin Zi Monastery|||7735||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|9/4/2006 0:00:00|9/4/2006 0:00:00||Han||0||||||Jin/Sec|B|||||R1|3.2||||||||||Work|0|Architecture-China|||||||||||0|0|Secondary Hall| 7775.00|0|Site|02|B-R1|Han|3.4 Six||B-R1 Han 3.4 Six |Pagoda of Six Harmonies|Translated|Blue Guide|Liuhe ta|Original|Blue Guide||||Pagoda of Six Harmonies (Liuhe ta)|0|||||0||||0|||||Chinese||||||Asia||China||||||0|Hangzhou, China|||10831||||0||||0|Architecture|Pagoda (building)|||||||970|1900||970-1900|970-1900|||||0||||0||||||||||||||||||||||Pagodas (buildings) ; |Pagodas (buildings)|||||||||Cornell||MNW|MNW|9/4/2006 0:00:00|9/4/2006 0:00:00||Han||0||||||Six|B|||||R1|3.4||||||||||Work|0|Architecture-China||||Rebuilt in 1121, 1153, 1163, 1524, 1735, & 1900. 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Sung) period is described||||||||||0|0|Map of the Development of South China During the Song Era (ca. 1100)| 7777.00|0|Site|02|B-Q5|Del|1.043 |3|b-Q5 Del 1.043 3|Lay-out Plan of Imperial Delhi From Government House to Purana Qila|Former|Image Source (Pub)|||||||Lay-out Plan of Imperial Delhi From Government House to Purana Qila|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Maps|Plan (drawing)||||||||||||||||0||||0||||||||||||||||||||||Delhi (India) ; Plans (drawings) ; |Delhi (India)|Plans (drawings)||||||||Cornell||MNW|JNK|9/22/2006 0:00:00|9/4/2006 0:00:00||Del||0|||||||B|||||Q5|1.043||||||||||Work|0|Architecture-India|||||||||||0|0|Lay-out Plan of Imperial Delhi From Government House to Purana Qila| 7778.00|0|Site|02|B-Q5|Del|1.043 Sha|1|B-Q5 Del 1.043 Sha 1|Main Mugahal Gardens in the Fort and City of Shah Jahanabad|Descriptive|Image Source (Pub)|||||||Main Mugahal Gardens in the Fort and City of Shah Jahanabad|0|||||0||||0|||||Indian||||||Asia||India||||||0|Delhi, India|||10200||||0||||0|Landscape architecture|Garden||||||||||||||||0||||0||||||||||||||||||||||Delhi (India) ; Gardens ; |Delhi (India)|Gardens||||||||Cornell||MNW|JNK|9/22/2006 0:00:00|9/4/2006 0:00:00||Del||0||||||Sha|B|||||Q5|1.043||||||||||Work|0|Architecture-India|||||||||||0|0|Main Mugahal Gardens in the Fort and City of Shah Jahanabad| 7779.00|0|Site|02|B-Q5|Del|1.2 Firuz||B-Q5 Del 1.2 Firuz |Firuz-Shah Kotla|Descriptive|Image Source (Pub)|||||||Firuz-Shah Kotla|0|||||0||||0|||||Indian|||Tughlug|||Asia||India||||||0|Delhi, India|||10200||||0||||0|Architecture|Citadel||||14|||1325|1375|ca|Prob. 1354|ca 1325-1375|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|9/4/2006 0:00:00|9/4/2006 0:00:00||Del||0||||||Firuz|B|||||Q5|1.2||||||||||Work|0|Architecture-India|Built by Firuz-Shah Tughlaq. MacDougall||||||||||0|0|Firuz-Shah Kotla| 7780.00|0|Site|02|B-Q5|Del|1.04 |4|B-Q5 Del 1.04 4|Map of the Seven Cities of Delhi|Descriptive|Cataloger|||||||Map of the Seven Cities of Delhi|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Maps|Map|Plan (drawing)|||20|||1994|1994|ca|ca 1994|ca 1994-1994|||||0||||0||||||||||||||||||||||Delhi (India) ; Plans (drawings) ; Maps ; |Delhi (India)|Plans (drawings)|Maps|||||||Cornell||MNW|JNK|9/22/2006 0:00:00|9/4/2006 0:00:00||Del||0|||||||B|||||Q5|1.04||||||||||Work|0|Architecture-India|||||||||||0|0|Map of the Seven Cities of Delhi| 7781.00|0|Site|02||||||Zocaló|Preferred|Image Source (Pub)|Plaza de la Constitución|Assigned|Online Resource||||Zocaló (Plaza de la Constitución)|0|||||0||||0|||||Mexican||||||||Mexican||||||0||||0||||0||||0|Architecture|Plaza||||||||||||||||0||||0||||||||||||||||||||||Plazas ; |Plazas|||||||||Cornell||MNW|MNW|9/4/2006 0:00:00|9/4/2006 0:00:00||Mex||0|||||||B|||||C7|||||||||||Work|0||||||||||||0|0|Zocaló;Plaza de la Constitución| 7782.00|0|Category|01|B-C7|Mex|1.042 1700|1|B-C7 Mex 1.042 1700 1|Map of the British Empire at the Death of Queen Victoria in 1901|Descriptive|Image Source (Pub)|||||||Map of the British Empire at the Death of Queen Victoria in 1901|0|||||0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Maps|maps||||20|||1987|1987|ca|ca 1987|ca 1987-1987|||||0||||0||||||||||||||||||||||Great Britain Colonies ; Colonization ; |Great Britain Colonies|Colonization||||||||Cornell||MNW|JNK|9/22/2006 0:00:00|9/4/2006 0:00:00||Emp||0||||||Bri/1901|A|||||AØ|1.01|| ||||||||Work|0|Architecture-Mexico|||||||||||0|0|Map of the British Empire at the Death of Queen Victoria in 1901| 7783.00|0|Site|02|B-Q5|Cal|1.04 |6|B-Q5 Cal 1.04 6|Plan of Calcutta|Assigned|Image Source (Pub)|||||||Plan of Calcutta|31275|Wood, Mark|||Lieutenant Colonel Mark Wood|0||||0|||||British||||||Europe||United Kingdom||||||0||||0||||0||||0|Maps|Map||||18|||1784|1785||1784-1785|1784-1785|||||0||||0|||||||||||drawing (image-making)|||||||||||Maps ; Calcutta (India) ; |Maps|Calcutta (India)||||||||Cornell||MNW|JNK|9/22/2006 0:00:00|9/4/2006 0:00:00||Cal||0|||||||B|||||Q5|1.04||||||||||Work|0|Architecture-India|||||||||||0|0|Plan of Calcutta|Wood, Mark 7784.00|0|Site|02|B-R3|Hon|1.1 |6|B-R3 Hon 1.1 6|Hong Kong Skyline Seen From the Harbor|Descriptive|Cataloger|||||||Hong Kong Skyline Seen From the Harbor|0|||||0||||0|||||||||||||||||||0|Hong Kong, China|||10404||||0||||0|Architecture|Cityscape|Documentary photograph|||20|||1991|1991||1991|1991-1991|||||0||||0||||||||||||||||||||||Hong Kong (China) ; Cityscapes ; |Hong Kong (China)|Cityscapes||||||||Cornell||MNW|MNW|9/4/2006 0:00:00|9/4/2006 0:00:00||Hon||0|||||||B|||||R3|1.1||||||||||Work|0|Architecture-Hong Kong|||||||||||0|0|Hong Kong Skyline Seen From the Harbor| 7785.00|0|Site|02|B-B14|Chi|1.1 ChiRiv||B-B14 Chi 1.1 ChiRiv |The Chicago River|Assigned|Image Source (Pub)|||||||The Chicago River|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Chicago, Illinois|||10103||||0||||0|Architecture|Cityscape|Documentary photograph|||||||||||||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|9/25/2006 0:00:00|9/4/2006 0:00:00||Chi||0||||||ChiRiv|B|||||B14|1.1||||||||||Work|0|Architecture-Illinois (IL)|||||||||||0|0|The Chicago River| 7786.00|0|Site|02|B-H2|Par|1.043 LaDef||B-H2 Par 1.043 LaDef |La Défense|Assigned|Image Source (Pub)|||||||La Défense|0|||||0||||0|||||French||||||Europe||France||||||0|Paris, France|||10058||||0||||0|Architecture|Central business district||||20|||1960|1999|ca|ca 1960-1999|ca 1960-1999|||||0||||0||||||||||||||||||||||Central business districts ; Skyscrapers ; |Central business districts|Skyscrapers||||||||Cornell||MNW|MNW|9/22/2006 0:00:00|9/4/2006 0:00:00||Par||0||||||LaDef|B|||||H2|1.043||||||||||Work|0|Architecture-France|In the 1960s La Défense, the French version of an American high-rise commercial centre, was developed, providing Paris with a business district as an overspill; construction there continued during the 1980s and 1990s. DOA||||||||||0|0|La Défense| 7787.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: Southern Binyang Cave|Translated|Cataloger|Longmen shi ku Binyang nan dong|Descriptive|Image Source (Pub)||||Longmen Grottoes: Southern Binyang Cave|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Niche|Sculpture||7|||627|649||Tang Dynasty (627-649)|627-649||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Sculpture (visual work) ; Reliefs ; Buddha ; Bodhisattvas ; Figures (representations)|Archaeology|Grottoes|Caves|Niches|Sculpture (visual work)|Reliefs|Buddha|Bodhisattvas|Figures (representations)|Cornell||BZ|BZ|9/5/2006 0:00:00|9/5/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: Southern Binyang Cave;Longmen shi ku Binyang nan dong| 7788.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: Jingxi Cave|Translated|Cataloger|Longmen shi ku Jingxi dong|Descriptive|Image Source (Pub)||||Longmen Grottoes: Jingxi Cave|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Niche|Sculpture||||||||Tang Dynasty|||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Sculpture (visual work) ; Reliefs ; Buddha ; Bodhisattvas ; Figures (representations)|Archaeology|Grottoes|Caves|Niches|Sculpture (visual work)|Reliefs|Buddha|Bodhisattvas|Figures (representations)|Cornell||BZ|BZ|9/6/2006 0:00:00|9/6/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: Jingxi Cave;Longmen shi ku Jingxi dong| 7789.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: Jingshan Temple|Translated|Cataloger|Longmen shi ku Jingshan si|Descriptive|Image Source (Pub)||||Longmen Grottoes: Jingshan Temple|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Temple|Niche|Sculpture||7|||661|663||Tang Dynasty (661-663)|661-663||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Temples ; Caves ; Niches ; Sculpture (visual work) ; Reliefs ; Buddha ; Bodhisattvas ; Figures (representations)|Archaeology|Temples|Caves|Niches|Sculpture (visual work)|Reliefs|Buddha|Bodhisattvas|Figures (representations)|Cornell||BZ|BZ|9/6/2006 0:00:00|9/6/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: Jingshan Temple;Longmen shi ku Jingshan si| 7790.00|0||||||||An Exact Svrveigh of the Streets, Lanes, and Chvrches Contained Within the Rvines of the City of London|Published|Online Resource|||||||An Exact Svrveigh of the Streets, Lanes, and Chvrches Contained Within the Rvines of the City of London|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Publications|Book||||||||||||||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|9/6/2006 0:00:00|9/6/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|An Exact Svrveigh of the Streets, Lanes, and Chvrches Contained Within the Rvines of the City of London| 7825.00|0||||||||Still Life with Glass Goblet and Fruit|Assigned|Image Source (Pub)|||||||Still Life with Glass Goblet and Fruit|30811|Kalf, Willem||painter|Willem Kalf|0||||0|||||Dutch||||||Europe||Holland (historical region)||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Still life||17|||1655|1655|ca|ca 1655|ca 1655-1655|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||65 x 56 cm||332|Berlin: Staatliche Museen zu Berlin; Gemaldegalerie|Berlin: Gemaldegalerie||Still lifes ; Fruit ; Vessels ; Goblets ; |Still lifes|Fruit|Vessels|Goblets||||||Cornell||JNK|MNW|11/8/2006 0:00:00|9/14/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Still Life with Glass Goblet and Fruit|Kalf, Willem 7826.00|0||||||||Dutch Interior|Assigned|Image Source (Pub)|||||||Dutch Interior|30811|Kalf, Willem||painter|Willem Kalf|0||||0|||||Dutch||||||Europe||Holland (historical region)||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1642|1643|ca|ca 1642-1643|ca 1642-1643|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||||332|Berlin: Staatliche Museen zu Berlin; Gemaldegalerie|Berlin: Gemaldegalerie||Interior views ; |Interior views|||||||||Cornell||JNK|MNW|11/8/2006 0:00:00|9/14/2006 0:00:00|K142|||0||||||||||||||| |||||||||0||||||||||||0|0|Dutch Interior|Kalf, Willem 7827.00|0||||||||Ecstasy of the Blessed Margaret of Cortona|Preferred|Dict.Art|Ecstasy of Saint Margaret of Cortona|Assigned|Image Source (Pub)||||Ecstasy of the Blessed Margaret of Cortona|6721|Lanfranco, Giovanni||painter|Giovanni Lanfranco|0||||0|||||Italian|||Baroque|||Europe||Italy||||||0||||0||||0||||0|Paintings|Painting|Altarpiece|Oil painting||17|||1622|1622||1622|1622-1622|||||0||||0|||||||||||painting (image-making)|||||||878|Florence: Palazzo Pitti; Galleria Palatina|Florence: Pitti Palace; Gal. Palatina||Altarpieces ; Saint Margaret ; Saints ; Altarpieces ; |Altarpieces|Saint Margaret|Saints|Altarpieces||||||Cornell||JNK|MNW|11/8/2006 0:00:00|9/14/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||For S Maria Nuova, Cortona. DOA||0|0|Ecstasy of the Blessed Margaret of Cortona;Ecstasy of Saint Margaret of Cortona|Lanfranco, Giovanni 7828.00|0||||||||The Conspiracy of the Batavians Under Claudius Civilis|Preferred|Repository|Conspiracy of Claudius Civilis|Assigned|Image Source (Pub)||||The Conspiracy of the Batavians Under Claudius Civilis|9750|Rembrandt van Rijn||painter|Rembrandt van Rijn|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1661|1662||1661-1662|1661-1662|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||||3333|Stockholm: Nationalmuseum|Stockholm: Nat. Mus.||Genre ; |Genre|||||||||Cornell||JNK|MNW|11/9/2006 0:00:00|9/14/2006 0:00:00||||0||||||||||||||| |||||||||0||Fragment.||||||||||0|0|The Conspiracy of the Batavians Under Claudius Civilis;Conspiracy of Claudius Civilis|Rembrandt van Rijn 7829.00|0|Site|02|B-R1|Luo|3.5 Lon||B-R1 Luo 3.5 Lon |Longmen Grottoes: Four-swallow Cave|Translated|Cataloger|Longmen shi ku Siyan dong|Descriptive|Image Source (Pub)||||Longmen Grottoes: Four-swallow Cave|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Cave|Sculpture||7|8||690|756||Tang Dynasty (690-756)|690-756||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Sculpture (visual work) ; Reliefs ; Buddha ; Bodhisattvas ; Figures (representations)|Archaeology|Grottoes|Caves|Niches|Sculpture (visual work)|Reliefs|Buddha|Bodhisattvas|Figures (representations)|Cornell||BZ|BZ|9/15/2006 0:00:00|9/15/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.5||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: Four-swallow Cave;Longmen shi ku Siyan dong| 7830.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: Northern Two-lotus-flower Cave|Translated|Cataloger|Longmen shi ku er lian hua bei dong|Descriptive|Image Source (Pub)||||Longmen Grottoes: Northern Two-lotus-flower Cave|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Cave|Sculpture||7|8||690|704||Tang Dynasty (690-704)|690-704||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Sculpture (visual work) ; Reliefs ; Buddha ; Bodhisattvas ; Figures (representations)|Archaeology|Grottoes|Caves|Niches|Sculpture (visual work)|Reliefs|Buddha|Bodhisattvas|Figures (representations)|Cornell||BZ|BZ|9/15/2006 0:00:00|9/15/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: Northern Two-lotus-flower Cave;Longmen shi ku er lian hua bei dong| 7831.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: Southern Two-lotus-flower Cave|Translated|Cataloger|Longmen shi ku er lian hua dong nan dong|Descriptive|Image Source (Pub)||||Longmen Grottoes: Southern Two-lotus-flower Cave|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Cave|Sculpture||7|8||690|704||Tang Dynasty (690-704)|690-704||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Sculpture (visual work) ; Reliefs ; Buddha ; Bodhisattvas ; Figures (representations)|Archaeology|Grottoes|Caves|Niches|Sculpture (visual work)|Reliefs|Buddha|Bodhisattvas|Figures (representations)|Cornell||BZ|BZ|9/15/2006 0:00:00|9/15/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: Southern Two-lotus-flower Cave;Longmen shi ku er lian hua dong nan dong| 7832.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: Sutra-reading Temple|Translated|Cataloger|Longmen shi ku du jing si|Descriptive|Image Source (Pub)||||Longmen Grottoes: Sutra-reading Temple|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Cave|Sculpture||7|8||690|704||Tang Dynasty (690-704)|690-704||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Sculpture (visual work) ; Reliefs ; Buddha ; Bodhisattvas ; Figures (representations)|Archaeology|Grottoes|Caves|Niches|Sculpture (visual work)|Reliefs|Buddha|Bodhisattvas|Figures (representations)|Cornell||BZ|BZ|9/15/2006 0:00:00|9/15/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: Sutra-reading Temple;Longmen shi ku du jing si| 7833.00|0|Site|02|B-Q5|Abh|2.61 Cha||B-Q5 Abh 2.61 Cha |Chand Baori|Published|Image Source (Pub)|||||||Chand Baori|0|||||0||||0|||||Indian||||||Asia||India||||||0|Abhaneri, India|||10956||||0||||0|Architecture|Baoli||||9|||825|825|ca|ca 825|ca 825|||||0||||0||||||||||||||||||||||Baolis ; |Baolis|||||||||Cornell||MNW|MNW|9/19/2006 0:00:00|9/15/2006 0:00:00||Abh||0||||||Cha|B|||||Q5|2.61||||||||||Work|0|Architecture-India|The Chand Baori at Abhaneri is the largest stepped pond every built.||||||||||0|0|Chand Baori| 7834.00|0|Category|06|J-MP|Manjrekar|1|Jis|J-MP Manjrekar 1 Jis|Jis Desh Mein Ganga Rehta Hain|Assigned|Online Resource|||||||Jis Desh Mein Ganga Rehta Hain|31278|Manjrekar, Mahesh||director, film|Mahesh Manjrekar|0||||0|||||Indian||||||Asia||India||||||0||||0||||0||||0|Motion Pictures|Motion picture (visual work)||||21|||2000|2000||2000|2000-2000|||||0||||0|||||||||||photography|||||||||||Motion pictures (visual works) ; |Motion pictures (visual works)|||||||||Cornell||MNW|JNK|9/18/2006 0:00:00|9/16/2006 0:00:00|Manjrekar|||0||||||Dis|J-MP||||||1||||||||||Work|0||||||||||||0|0|Jis Desh Mein Ganga Rehta Hain|Manjrekar, Mahesh 7791.00|0||||||||The Abduction of Helen|Preferred|Repository|Abduction of Helen by Paris|Variant|Image Source (Pub)||||The Abduction of Helen|31276|Master of the Judgment of Paris||painter|Master of the Judgment of Paris|426|Angelico, Fra|circle of|painter|0|||||Italian|||Early Renaissance|||Europe||Italy||||||0||||0||||0||||0|Paintings|Painting||||15|||1450|1450|ca|ca 1450|ca 1450-1450|||||0||||0|||||Tempera on poplar|tempera|wood (plant material)|poplar|||painting (image-making)|||||50.8 x 61 cm (20 x 24 in)||3357|London: National Gallery|London: National Gallery||Helen ; Trojan War ; Troy ; Abductions ; |Helen|Trojan War|Troy|Abductions||||||Cornell||JNK|JNK|9/6/2006 0:00:00|9/6/2006 0:00:00||||0||L667||||||||||||| |||||||||0||||||On loan from Private Collection.||||||0|0|The Abduction of Helen;Abduction of Helen by Paris|Master of the Judgment of Paris;Angelico, Fra 7792.00|0||||||||L'odalisque|Preferred|Repository|Mademoiselle O'Murphy|Variant|Image Source (Pub)||||L'odalisque (Mademoiselle O'Murphy)|1437|Boucher, François||painter|François Boucher|0||||0|||||French|||Rococo|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||18|||1745|1745||1745|1745-1745|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||53 x 64 cm||3341|Paris: Musée du Louvre|Paris: Louvre||Odalisques ; Women ; Interior views ; |Odalisques|Women|Interior views|||||||Cornell||JNK|MNW|11/7/2006 0:00:00|9/7/2006 0:00:00||||0||R.F. 2140||||||||||||| |||||||||0||||||||||||0|0|L'odalisque;Mademoiselle O'Murphy|Boucher, François 7793.00|0||||||||Flower Arrangment in Blue Vase|Assigned|Image Source (Pub)|||||||Flower Arrangment in Blue Vase|13427|Bruegel, Jan, The Elder||painter|Jan Bruegel the Elder|0||||0|||||Flemish|||Baroque|||Europe||Belgium||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Still life||17|||1608|1608|ca|ca 1608|ca 1608-1608|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||66 x 50.5 cm||3403|Vienna: Kunsthistorisches Museum|Vienna: Kunsthistorisches Mus.||Flowers ; Still lifes ; |Flowers|Still lifes||||||||Cornell||JNK|MNW|11/7/2006 0:00:00|9/7/2006 0:00:00|B8892|||0||558||||||||||||| |||||||||0||||||||||||0|0|Flower Arrangment in Blue Vase|Bruegel, Jan, The Elder 7794.00|0||||||||Flowers in a Wooden Vessel|Preferred|Repository|Large Flower Arrangement in Wooden Pot|Assigned|Image Source (Pub)||||Flowers in a Wooden Vessel|13427|Bruegel, Jan, The Elder||painter|Jan Bruegel the Elder|0||||0|||||Flemish|||Baroque|||Europe||Belgium||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1606|1607|ca|ca 1606-1607|ca 1606-1607|||||0||||0|||||Oil on oak panel|oil paint|wood (plant material)|oak|||painting (image-making)|||||98 x 73 cm||3403|Vienna: Kunsthistorisches Museum|Vienna: Kunsthistorisches Mus.||Flowers ; Still lifes ; |Flowers|Still lifes||||||||Cornell||JNK|MNW|11/7/2006 0:00:00|9/7/2006 0:00:00|B8892|||0||570||||||||||||| |||||||||0||||||||||||0|0|Flowers in a Wooden Vessel;Large Flower Arrangement in Wooden Pot|Bruegel, Jan, The Elder 7795.00|0||||||||Still Life with Roemer|Assigned|Image Source (Pub)|||||||Still Life with Roemer|14130|Heda, Willem Claesz||painter|Willem Claesz Heda|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Still life||17|||1632|1632||1632|1632-1632|||||0||||0|||||Oil on canvas|oil paint|cane (plant material)||||painting (image-making)|||||43 x 51 cm||3402|Cologne: Wallraf-Richartz Museum|Cologne: Wallraf-Richartz||Still lifes ; Vessels ; Fruit ; Roemers ; Goblets ; |Still lifes|Vessels|Fruit|Roemers|Goblets|||||Cornell||JNK|MNW|11/8/2006 0:00:00|9/7/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Still Life with Roemer|Heda, Willem Claesz 7796.00|0||||||||Still Life with Clock|Assigned|Image Source (Pub)|||||||Still Life with Clock|14130|Heda, Willem Claesz||painter|Willem Claesz Heda|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Still life||17|||1657|1657||1657|1657-1657|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||52 x 73 cm||1616|Madrid: Museo del Prado|Madrid: Prado||Still lifes ; Fruit ; Vessels ; Clocks ; Roemers ; Lemons ; Oysters ; Goblets ; |Still lifes|Fruit|Vessels|Clocks|Roemers|Lemons|Oysters|Goblets||Cornell||JNK|MNW|11/8/2006 0:00:00|9/7/2006 0:00:00||||0||2756||||||||||||| |||||||||0||||||||||||0|0|Still Life with Clock|Heda, Willem Claesz 7797.00|0||||||||Breakfast Still Life|Assigned|Image Source (Pub)|||||||Breakfast Still Life|14131|Heem, Jan Davidsz de||painter|Jan Davidz de Heem|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Still life||17|||1635|1635|ca|ca 1635|ca 1635-1635|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||78 x 60 cm||3403|Vienna: Kunsthistorisches Museum|Vienna: Kunsthistorisches Mus.||Still lifes ; Fruit ; Vessels ; Meals ; Roemers ; Lemons ; Lobsters ; Goblets ; |Still lifes|Fruit|Vessels|Meals|Roemers|Lemons|Lobsters|Goblets||Cornell||JNK|MNW|11/8/2006 0:00:00|9/7/2006 0:00:00||||0||561||||||||||||| |||||||||0||||||||||||0|0|Breakfast Still Life|Heem, Jan Davidsz de 7798.00|0||||||||Still Life with Fruit and Lobster|Assigned|Image Source (Pub)|||||||Still Life with Fruit and Lobster|14131|Heem, Jan Davidsz de||painter|Jan Davidz de Heem|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)||||||0||||0||||0||||0|Paintings|Painting|Still life|Oil painting||17|||1650|1659||1650s|1650-1659|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||59 x 120 cm||344|Berlin: Staatliche Museen zu Berlin; Stiftung Preussischer Kulturbesitz|Berlin: Stift. Preus. Kultur.||Lobsters ; Still lifes ; Fruit ; Vessels ; |Lobsters|Still lifes|Fruit|Vessels||||||Cornell||JNK|MNW|11/7/2006 0:00:00|9/7/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Still Life with Fruit and Lobster|Heem, Jan Davidsz de 7799.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: Clan Han Cave|Translated|Cataloger|Longmen shi ku Han shi dong|Descriptive|Image Source (Pub)||||Longmen Grottoes: Clan Han Cave|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Cave|Sculpture||7|||661|661||Tang Dynasty (661)|661-661||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Sculpture (visual work) ; Reliefs ; Buddha ; Bodhisattvas ; Figures (representations)|Archaeology|Grottoes|Caves|Niches|Sculpture (visual work)|Reliefs|Buddha|Bodhisattvas|Figures (representations)|Cornell||BZ|BZ|9/7/2006 0:00:00|9/7/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: Clan Han Cave;Longmen shi ku Han shi dong| 7800.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: King Udayana Niche|Translated|Cataloger|Longmen shi ku Youtian Wang xiang kan|Descriptive|Image Source (Pub)||||Longmen Grottoes: King Udayana Niche|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Niche|Sculpture||||||||Tang Dynasty|||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Sculpture (visual work) ; Reliefs ; Figures (representations) ; Kings (people) ; |Archaeology|Grottoes|Caves|Niches|Sculpture (visual work)|Reliefs|Figures (representations)|Kings (people)||Cornell||BZ|BZ|9/7/2006 0:00:00|9/7/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: King Udayana Niche;Longmen shi ku Youtian Wang xiang kan| 7801.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: Moya Three Buddha Niche|Translated|Cataloger|Longmen shi ku mo ya san fo kan|Descriptive|Image Source (Pub)||||Longmen Grottoes: Moya Three Buddha Niche|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Niche|Sculpture||7|||692|694||Tang Dynasty (692-694)|692-694||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Niches ; Sculpture (visual work) ; Buddha ; |Archaeology|Grottoes|Niches|Sculpture (visual work)|Buddha|||||Cornell||BZ|BZ|9/7/2006 0:00:00|9/7/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: Moya Three Buddha Niche;Longmen shi ku mo ya san fo kan| 7802.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: Northern Shuangyao Cave|Translated|Cataloger|Longmen shi ku Shuangyao bei dong|Descriptive|Image Source (Pub)||||Longmen Grottoes: Northern Shuangyao Cave|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Cave|Sculpture||7|||656|683||Tang Dynasty (656-683)|656-683||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Sculpture (visual work) ; Reliefs ; Buddha ; Bodhisattvas ; Figures (representations)|Archaeology|Grottoes|Caves|Niches|Sculpture (visual work)|Reliefs|Buddha|Bodhisattvas|Figures (representations)|Cornell||BZ|BZ|9/7/2006 0:00:00|9/7/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: Northern Shuangyao Cave;Longmen shi ku Shuangyao bei dong| 7803.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: Southern Shuangyao Cave|Translated|Cataloger|Longmen shi ku Shuangyao nan dong|Descriptive|Image Source (Pub)||||Longmen Grottoes: Southern Shuangyao Cave|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Cave|Sculpture||7|||656|683||Tang Dynasty (656-683)|656-683||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Sculpture (visual work) ; Reliefs ; Buddha ; Bodhisattvas ; Figures (representations)|Archaeology|Grottoes|Caves|Niches|Sculpture (visual work)|Reliefs|Buddha|Bodhisattvas|Figures (representations)|Cornell||BZ|BZ|9/7/2006 0:00:00|9/7/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: Southern Shuangyao Cave;Longmen shi ku Shuangyao nan dong| 7804.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: Alms-bowl-holding Buddha Niche|Translated|Cataloger|Longmen shi ku tuo bo fo kan|Descriptive|Image Source (Pub)||||Longmen Grottoes: Alms-bowl-holding Buddha Niche|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Niche|Sculpture||||||||Tang Dynasty|||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Sculpture (visual work) ; Reliefs ; Buddha ; Bodhisattvas ; Figures (representations)|Archaeology|Grottoes|Caves|Niches|Sculpture (visual work)|Reliefs|Buddha|Bodhisattvas|Figures (representations)|Cornell||BZ|BZ|9/7/2006 0:00:00|9/7/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: Alms-bowl-holding Buddha Niche;Longmen shi ku tuo bo fo kan| 7805.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: Myriad Buddhas Cave|Translated|Cataloger|Longmen shi ku wan fo dong|Descriptive|Image Source (Pub)||||Longmen Grottoes: Myriad Buddhas Cave|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Cave|Sculpture||7|||680|680||Tang Dynasty (680)|680||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Sculpture (visual work) ; Reliefs ; Buddha ; Bodhisattvas ; Figures (representations)|Archaeology|Grottoes|Caves|Niches|Sculpture (visual work)|Reliefs|Buddha|Bodhisattvas|Figures (representations)|Cornell||BZ|BZ|9/8/2006 0:00:00|9/8/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: Myriad Buddhas Cave;Longmen shi ku wan fo dong| 7806.00|0||||||||Frédéric Chopin|Preferred|Repository|Portrait of Frederic Chopin|Variant|Image Source (Pub)||||Frédéric Chopin|3040|Delacroix, Eugène||painter|Eugène Delacroix|0||||0|||||French|||Romantic|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Portrait||19|||1838|1838|ca|ca 1838|ca 1838-1838|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||46 x 38 cm||3341|Paris: Musée du Louvre|Paris: Louvre||Portraits ; Men (male humans) ; Chopin, Fre´de´ric, 1810-1849 ; Musicians ; |Portraits|Men (male humans)|Chopin, Fre´de´ric, 1810-1849|Musicians||||||Cornell||JNK|MNW|11/7/2006 0:00:00|9/8/2006 0:00:00||||0||1717||||||||||||| |||||||||0||||||||||||0|0|Frédéric Chopin;Portrait of Frederic Chopin|Delacroix, Eugène 7807.00|0||||||||Dam Square in Amsterdam with Town Hall|Translated|Image Source (Pub)|Der Dam in Amsterdam gegen Rathaus und Nieuwe Kerk|Preferred|Repository||||Dam Square in Amsterdam with Town Hall|31277|Heyden, Jan van der||painter|Jan van der Heyden|0||||0|||||Dutch||||||Europe||Holland (historical region)||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1670|1670|ca|ca 1670|ca 1670-1670|||||0||||0|||||Oil on oak|oil paint|oak||||painting (image-making)|||||43.5 x 54 cm||3456|Basel: Kunstmuseum Basel|Basel: Kunstmuseum||Cityscapes ; Cities ; Buildings ; Amsterdam (Netherlands) ; Plazas ; Churches ; |Cityscapes|Cities|Buildings|Amsterdam (Netherlands)|Plazas|Churches||||Cornell||JNK|MNW|11/7/2006 0:00:00|9/8/2006 0:00:00||||0||G 1958.21||||||||||||| |||||||||0||||||||||||0|0|Dam Square in Amsterdam with Town Hall;Der Dam in Amsterdam gegen Rathaus und Nieuwe Kerk|Heyden, Jan van der 7808.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: Qingming Temple|Translated|Cataloger|Longmen shi ku Qingming si|Descriptive|Image Source (Pub)||||Longmen Grottoes: Qingming Temple|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Cave|Sculpture||7|||670|674||Tang Dynasty (670-674)|670-674||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Sculpture (visual work) ; Reliefs ; Buddha ; Bodhisattvas ; Figures (representations)|Archaeology|Grottoes|Caves|Niches|Sculpture (visual work)|Reliefs|Buddha|Bodhisattvas|Figures (representations)|Cornell||BZ|BZ|9/8/2006 0:00:00|9/8/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: Qingming Temple;Longmen shi ku Qingming si| 7809.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: Huijian Cave|Translated|Cataloger|Longmen shi ku Huijian dong|Descriptive|Image Source (Pub)||||Longmen Grottoes: Huijian Cave|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Cave|Sculpture||7|||673|673||Tang Dynasty (673)|673||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Sculpture (visual work) ; Reliefs ; Buddha ; Bodhisattvas ; Figures (representations)|Archaeology|Grottoes|Caves|Niches|Sculpture (visual work)|Reliefs|Buddha|Bodhisattvas|Figures (representations)|Cornell||BZ|BZ|9/8/2006 0:00:00|9/8/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: Huijian Cave;Longmen shi ku Huijian dong| 7810.00|0||||||||Les baigneuses|Preferred|Repository|The Bathers|Translated|Cataloger||||Les baigneuses (The Bathers)|4065|Fragonard, Jean-Honoré||painter|Jean-Honoré Fragonard|0||||0|||||French|||Rococo|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||18|||1763|1764||1763-1764|1763-1764|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||64 x 80 cm||3341|Paris: Musée du Louvre|Paris: Louvre||Women ; Nudes ; Bathing ; Landscapes ; |Women|Nudes|Bathing|Landscapes||||||Cornell||JNK|MNW|11/7/2006 0:00:00|9/8/2006 0:00:00||||0||M. I. 1055||||||||||||| |||||||||0||||||||||||0|0|Les baigneuses;The Bathers|Fragonard, Jean-Honoré 7811.00|0||||||||Judith and Holofernes|Assigned|Image Source (Pub)|||||||Judith and Holofernes|4388|Gentileschi, Artemisia||painter|Artemisia Gentileschi|0||||0|||||Italian|||Baroque|||Europe||Italy||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1630|1630||1630|1630-1630|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||163 x 126 cm||1859|Naples: Museo e Galleria Nazionali di Capodimonte|Naples: Capodimonte||Judith and Holofernes ; Judith ; Holofernes ; Beheading ; Servants ; |Judith and Holofernes|Judith|Holofernes|Beheading|Servants|||||Cornell||JNK|JNK|9/8/2006 0:00:00|9/8/2006 0:00:00||||0||375||||||||||||| |||||||||0||||||||||||0|0|Judith and Holofernes|Gentileschi, Artemisia 7812.00|0||||||||Vue de l'intérieur Vue d'intérieur Vue d'intérieur|Preferred|Repository|Les Pantoufles|Variant|Repository|Interior with Slippers and Terborch Painting|Descriptive|Image Source (Pub)|Vue de l'intérieur (Interior with Slippers and Terborch Painting) Vue d'intérieur Vue d'intérieur|14134|Hoogstraten, Samuel van||painter|Samuel van Hoogstraten|0||||0|||||Dutch||||||Europe||Holland (historical region)||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1646|1678|||1646-1678|||||0||||0|||||oil on canvas|oil paint|canvas||||painting (image-making)|||||103 x 70 cm||3341|Paris: Musée du Louvre|Paris: Louvre||Interior views ; Slippers ; |Interior views|Slippers||||||||Cornell||JNK|MNW|11/7/2006 0:00:00|9/8/2006 0:00:00||||0||R.F. 3722||||||||||||| |||||||||0||||||||||||0|0|Vue de l'intérieur Vue d'intérieur Vue d'intérieur;Les Pantoufles;Interior with Slippers and Terborch Painting|Hoogstraten, Samuel van 7813.00|0||||||||Still Life with Gold, Silver, and Porcelain|Assigned|Image Source (Pub)|||||||Still Life with Gold, Silver, and Porcelain|30811|Kalf, Willem||painter|Willem Kalf|0||||0|||||Dutch||||||Europe||Holland (historical region)||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Still life||17||||||||||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||107 x 85 cm||4054|Aachen: Suermondt-Ludwig Museum|Aachen: Suermondt-Ludwig Museum||Still lifes ; Vessels ; |Still lifes|Vessels||||||||Cornell||JNK|MNW|11/7/2006 0:00:00|9/8/2006 0:00:00||||0||GK1194||||||||||||| |||||||||0||||||||||||0|0|Still Life with Gold, Silver, and Porcelain|Kalf, Willem 7814.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: Old Dragon Cave|Translated|Cataloger|Longmen shi ku Laolong dong|Descriptive|Image Source (Pub)||||Longmen Grottoes: Old Dragon Cave|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Cave|Sculpture||7|||627|683||Tang Dynasty (627-683)|627-683||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Sculpture (visual work) ; Reliefs ; Buddha ; Bodhisattvas ; Figures (representations)|Archaeology|Grottoes|Caves|Niches|Sculpture (visual work)|Reliefs|Buddha|Bodhisattvas|Figures (representations)|Cornell||BZ|BZ|9/11/2006 0:00:00|9/11/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: Old Dragon Cave;Longmen shi ku Laolong dong| 7815.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: Poyao|Translated|Cataloger|Longmen shi ku Poyao|Descriptive|Image Source (Pub)||||Longmen Grottoes: Poyao|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Cave|Sculpture||7|||637|637||Tang Dynasty (637)|637||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Sculpture (visual work) ; Reliefs ; Buddha ; Bodhisattvas ; Figures (representations)|Archaeology|Grottoes|Caves|Niches|Sculpture (visual work)|Reliefs|Buddha|Bodhisattvas|Figures (representations)|Cornell||BZ|BZ|9/11/2006 0:00:00|9/11/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: Poyao;Longmen shi ku Poyao| 7816.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: Fengxian Temple|Translated|Cataloger|Longmen shi ku Fengxian si|Descriptive|Image Source (Pub)||||Longmen Grottoes: Fengxian Temple|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Cave|Sculpture||7|||672|675||Tang Dynasty (672-675)|672-675||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Sculpture (visual work) ; Reliefs ; Buddha ; Bodhisattvas ; Figures (representations)|Archaeology|Grottoes|Caves|Niches|Sculpture (visual work)|Reliefs|Buddha|Bodhisattvas|Figures (representations)|Cornell||BZ|BZ|9/11/2006 0:00:00|9/11/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: Fengxian Temple;Longmen shi ku Fengxian si| 7817.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: Fengnan Cave|Translated|Cataloger|Longmen shi ku Fengnan dong|Descriptive|Image Source (Pub)||||Longmen Grottoes: Fengnan Cave|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Cave|Sculpture||7|||690|690||Tang Dynasty (690)|690||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Sculpture (visual work) ; Reliefs ; Buddha ; Bodhisattvas ; Figures (representations)|Archaeology|Grottoes|Caves|Niches|Sculpture (visual work)|Reliefs|Buddha|Bodhisattvas|Figures (representations)|Cornell||BZ|BZ|9/13/2006 0:00:00|9/13/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: Fengnan Cave;Longmen shi ku Fengnan dong| 7818.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: Prescription Cave|Translated|Cataloger|Longmen shi ku Yaofang dong|Descriptive|Image Source (Pub)||||Longmen Grottoes: Prescription Cave|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Cave|Sculpture||7|8||624|705||Tang Dynasty (624-705)|624-705||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Sculpture (visual work) ; Reliefs ; Buddha ; Bodhisattvas ; Figures (representations)|Archaeology|Grottoes|Caves|Niches|Sculpture (visual work)|Reliefs|Buddha|Bodhisattvas|Figures (representations)|Cornell||BZ|BZ|9/13/2006 0:00:00|9/13/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: Prescription Cave;Longmen shi ku Yaofang dong| 7819.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: Gushang Cave|Translated|Cataloger|Longmen shi ku Gushang dong|Descriptive|Image Source (Pub)||||Longmen Grottoes: Gushang Cave|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Cave|Sculpture||||||||Tang Dynasty|||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Sculpture (visual work) ; Reliefs ; Buddha ; Bodhisattvas ; Figures (representations)|Archaeology|Grottoes|Caves|Niches|Sculpture (visual work)|Reliefs|Buddha|Bodhisattvas|Figures (representations)|Cornell||BZ|BZ|9/14/2006 0:00:00|9/14/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: Gushang Cave;Longmen shi ku Gushang dong| 7820.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: Bazuosi Cave|Translated|Cataloger|Longmen shi ku Bazuosi dong|Descriptive|Image Source (Pub)||||Longmen Grottoes: Bazuosi Cave|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Cave|Sculpture||7|8||684|710||Tang Dynasty (684-710)|684-710||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Sculpture (visual work) ; Reliefs ; Buddha ; Bodhisattvas ; Figures (representations)|Archaeology|Grottoes|Caves|Niches|Sculpture (visual work)|Reliefs|Buddha|Bodhisattvas|Figures (representations)|Cornell||BZ|BZ|9/14/2006 0:00:00|9/14/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: Bazuosi Cave;Longmen shi ku Bazuosi dong| 7821.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: Pure Land Hall Sponsored By Silk Store Of North City|Translated|Cataloger|Longmen shi ku bei shi si bo hang jing tu tang|Descriptive|Image Source (Pub)||||Longmen Grottoes: Pure Land Hall Sponsored By Silk Store Of North City|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Cave|Sculpture||7|8||684|710||Tang Dynasty (684-710)|684-710||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Sculpture (visual work) ; Reliefs ; Buddha ; Bodhisattvas ; Figures (representations)|Archaeology|Grottoes|Caves|Niches|Sculpture (visual work)|Reliefs|Buddha|Bodhisattvas|Figures (representations)|Cornell||BZ|BZ|9/14/2006 0:00:00|9/14/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: Pure Land Hall Sponsored By Silk Store Of North City;Longmen shi ku bei shi si bo hang jing tu tang| 7822.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: Longhua Temple|Translated|Cataloger|Longmen shi ku Longhua si|Descriptive|Image Source (Pub)||||Longmen Grottoes: Longhua Temple|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Cave|Sculpture||7|8||690|704||Tang Dynasty (690-704)|690-704||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Sculpture (visual work) ; Reliefs ; Buddha ; Bodhisattvas ; Figures (representations)|Archaeology|Grottoes|Caves|Niches|Sculpture (visual work)|Reliefs|Buddha|Bodhisattvas|Figures (representations)|Cornell||BZ|BZ|9/14/2006 0:00:00|9/14/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: Longhua Temple;Longmen shi ku Longhua si| 7823.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: Jinan Cave|Translated|Cataloger|Longmen shi ku Jinan dong|Descriptive|Image Source (Pub)||||Longmen Grottoes: Jinan Cave|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Cave|Sculpture||8|||706|711||Tang Dynasty (706-711)|706-711||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Sculpture (visual work) ; Reliefs ; Buddha ; Bodhisattvas ; Figures (representations)|Archaeology|Grottoes|Caves|Niches|Sculpture (visual work)|Reliefs|Buddha|Bodhisattvas|Figures (representations)|Cornell||BZ|BZ|9/14/2006 0:00:00|9/14/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: Jinan Cave;Longmen shi ku Jinan dong| 7824.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: East Hill|Translated|Cataloger|Longmen shi ku dong shan||||||Longmen Grottoes: East Hill|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Cave|Niche||||||||Tang Dynasty|||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||carving|||||||||||Archaeology ; Grottoes ; Caves ; Niches ; |Archaeology|Grottoes|Caves|Niches||||||Cornell||BZ|BZ|9/14/2006 0:00:00|9/14/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: East Hill;Longmen shi ku dong shan| 7835.00|0|Category|07|J-MP|Bollywood|||J-MP Bollywood 3 1|An Offering - Burning the Coconut|Descriptive|Cataloger|||||||An Offering - Burning the Coconut|0|||||0||||0|||||Indian||||||Asia||India||||||0||||0||||0||||0|Photographs|Documentary photograph||||21|||2000|2003|ca|ca 2000-2003|ca 2000-2003|||||0||||0|||||||||||photography|||||||||||Prayers ; Coconut ; Motion pictures (visual works) ; Rituals ; |Prayers|Coconut|Motion pictures (visual works)|Rituals||||||Cornell||MNW|MNW|9/16/2006 0:00:00|9/16/2006 0:00:00||||0|||||||J-MP||||||||||||||||Work|0|Motion Pictures-|On many motion picture sets in India, the day begins with a prayer (puja) and an offering where a coconut is cracked and drops of its water are sprayed onto the camera to pray for a successful day of filming. Bollywood Dreams||||||||||0|0|An Offering - Burning the Coconut| 7836.00|0|Category|06|J-MP|Shah, Kundan|1|Hum|J-MP Shah, Kundan 1 Hum|Hum To Mohabbat Karega|Assigned|Online Resource|||||||Hum To Mohabbat Karega|31279|Shah, Kundan||director, film|Kundan Shah|0||||0|||||Indian||||||Asia||India||||||0||||0||||0||||0|Motion Pictures|Motion picture (visual work)||||21|||2000|2000||2000|2000-2000|||||0||||0|||||||||||photography|||||||||||Motion pictures (visual works) ; |Motion pictures (visual works)|||||||||Cornell||MNW|MNW|9/16/2006 0:00:00|9/16/2006 0:00:00|Shah, Kund|||0||||||Hum|J|||||MP|1||||||||||Work|0||||||||||||0|0|Hum To Mohabbat Karega|Shah, Kundan 7837.00|0|Category|06|J-MP|Dhawan|1|Chor|J-MP Dhawan 1 Chor|Chor Machaaye Shor|Assigned|Online Resource|||||||Chor Machaaye Shor|31280|Dhawan, David||director, film|David Dhawan|0||||0|||||Indian||||||Asia||India||||||0||||0||||0||||0|Motion Pictures|Motion picture (visual work)||||21|||2002|2002||2002|2002-2002|||||0||||0|||||||||||photography|||||||||||Motion pictures (visual works) ; |Motion pictures (visual works)|||||||||Cornell||MNW|MNW|9/16/2006 0:00:00|9/16/2006 0:00:00|Dhawan|||0||||||Chor|J-MP||||||1||||||||||Work|0||||||||||||0|0|Chor Machaaye Shor|Dhawan, David 7885.00|0||||||||L'Apothéose d'Henri IV et la proclamation de la régence de la reine, le 14 mai 1610|Preferred|Repository|Apotheosis of Henry IV and the Proclamation of the Regency, 14 may 1610|Translated|Cataloger|Marie de'Medici Series XI: Allegory of the Regency|Assigned|Image Source (Pub)|Marie de'Medici Series. Apotheosis of Henry IV and the Proclamation of the Regency, 14 may 1610|10147|Rubens, Peter Paul||painter|Peter Paul Rubens|0||||0|||||Flemish|||Baroque|||Europe||Belgium||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1622|1625||1622-1625|1622-1625||Marie de'Medici Series|Series||7875||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||394 x 727 cm||3341|Paris: Musée du Louvre|Paris: Louvre||Marie de Me´dicis, Queen, consort of Henry IV, King of France, 1573-1642 ; Henry IV, King of France, 1553-1610 ; Allegory ; |Marie de Me´dicis, Queen, consort of Henry IV, King of France, 1573-1642|Henry IV, King of France, 1553-1610|Allegory|||||||Cornell||JNK|MNW|11/9/2006 0:00:00|9/21/2006 0:00:00||||0||Inv. 1779||||||||||||| |||||||||0||Part of the Marie de Me´dicis series.||||||||||0|0|L'Apothéose d'Henri IV et la proclamation de la régence de la reine, le 14 mai 1610;Apotheosis of Henry IV and the Proclamation of the Regency, 14 may 1610;Marie de'Medici Series XI: Allegory of the Regency|Rubens, Peter Paul 7886.00|0|Site|02|B-Q5|Bud|2.61 Amb||B-Q5 Bud 2.61 Amb |Ambapur Fusion Well|Descriptive|Image Source (Pub)|||||||Ambapur Fusion Well|0|||||0||||0|||||||||||||||||||0|Budthal, India|||10961||||0||||0|Architecture|Baoli||||15|16||1498|1505|ca|1498-1505|1498-1505|||||0||||0||||||||||||||||||||||Baolis ; |Baolis|||||||||Cornell||MNW|MNW|9/21/2006 0:00:00|9/21/2006 0:00:00||Bud||0||||||Amb|B|||||Q5|2.61||||||||||Work|0|Architecture-India|||||||||||0|0|Ambapur Fusion Well| 7887.00|0||||||||Le Concert (ou Conseil) des dieux pour les mariages réciproques de la France et de l'Espagne|Preferred|Repository|The Concert of the Gods for the Reciprocal Marraiges of France and Spain|Translated|Cataloger|Marie de'Medici Series XII: Government of the Regent|Assigned|Image Source (Pub)|Marie de'Medici Series. The Concert of the Gods for the Reciprocal Marraiges of France and Spain|10147|Rubens, Peter Paul||painter|Peter Paul Rubens|0||||0|||||Flemish|||Baroque|||Europe||Belgium||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1622|1625||1622-1625|1622-1625||Marie de'Medici Series|Series||7875||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||394 x 702 cm||3341|Paris: Musée du Louvre|Paris: Louvre||Marie de Me´dicis, Queen, consort of Henry IV, King of France, 1573-1642 ; Gods ; Government ; Marriage ; Spain ; France ; Allegory ; |Marie de Me´dicis, Queen, consort of Henry IV, King of France, 1573-1642|Gods|Government|Marriage|Spain|France|Allegory|||Cornell||JNK|MNW|11/9/2006 0:00:00|9/21/2006 0:00:00||||0||Inv. 1780||||||||||||| |||||||||0||Part of the Marie de Me´dicis series.|||||Formerly titled Government of the Queen.|||||0|0|Le Concert (ou Conseil) des dieux pour les mariages réciproques de la France et de l'Espagne;The Concert of the Gods for the Reciprocal Marraiges of France and Spain;Marie de'Medici Series XII: Government of the Regent|Rubens, Peter Paul 7888.00|0||||||||La Prise de Juliers, le 1er septembre 1610|Preferred|Repository|The Taking of Juliers, 1 September 1610, formerly The Voyage of Marie de'Medici to the Pont-de-Cé|Translated|Cataloger|Marie de'Medici Series XIII: The Taking of Juliers|Assigned|Image Source (Pub)|Marie de'Medici Series. The Taking of Juliers, 1 September 1610|10147|Rubens, Peter Paul||painter|Peter Paul Rubens|0||||0|||||Flemish|||Baroque|||Europe||Belgium||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1622|1625||1622-1625|1622-1625||Marie de'Medici Series|Series||7875||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||394 x 295 cm||3341|Paris: Musée du Louvre|Paris: Louvre||Marie de Me´dicis, Queen, consort of Henry IV, King of France, 1573-1642 ; Victory ; Allegory ; |Marie de Me´dicis, Queen, consort of Henry IV, King of France, 1573-1642|Victory|Allegory|||||||Cornell||JNK|MNW|11/9/2006 0:00:00|9/21/2006 0:00:00||||0||Inv. 1781||||||||||||| |||||||||0||Part of the Marie de Me´dicis series.|||||Formerly titled The Voyage of Marie de'Medici to the Pont-de-Cé.|||||0|0|La Prise de Juliers, le 1er septembre 1610;The Taking of Juliers, 1 September 1610, formerly The Voyage of Marie de'Medici to the Pont-de-Cé;Marie de'Medici Series XIII: The Taking of Juliers|Rubens, Peter Paul 7889.00|0||||||||L'Echange des deux princesses de France et d'Espagne sur la Bidassoa à Hendaye, le 9 novembre 1615|Preferred|Repository|Exchange of the Two Princesses of France and Spain on the Bidassoa at Hendaye, 9 November 1615|Translated|Cataloger|Marie de'Medici Series XIV: Exchange of Princesses|Assigned|Image Source (Pub)|Marie de'Medici Series. Exchange of the Two Princesses of France and Spain on the Bidassoa at Hendaye, 9 November 1615|10147|Rubens, Peter Paul||painter|Peter Paul Rubens|0||||0|||||Flemish|||Baroque|||Europe||Belgium||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1622|1625||1622-1625|1622-1625||Marie de'Medici Series|Series||7875||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||394 x 295 cm||3341|Paris: Musée du Louvre|Paris: Louvre||Marie de Me´dicis, Queen, consort of Henry IV, King of France, 1573-1642 ; Marriage ; France ; Spain ; Allegory ; |Marie de Me´dicis, Queen, consort of Henry IV, King of France, 1573-1642|Marriage|France|Spain|Allegory|||||Cornell||JNK|MNW|11/9/2006 0:00:00|9/21/2006 0:00:00||||0||Inv, 1782||||||||||||| |||||||||0||Part of the Marie de Me´dicis series.||||||||||0|0|L'Echange des deux princesses de France et d'Espagne sur la Bidassoa à Hendaye, le 9 novembre 1615;Exchange of the Two Princesses of France and Spain on the Bidassoa at Hendaye, 9 November 1615;Marie de'Medici Series XIV: Exchange of Princesses|Rubens, Peter Paul 7890.00|0|Site|02|B-Q5|Ahmed|2.61 MataB||B-Q5 Ahmed 2.61 MataB |Mata Bhavani|Assigned|Image Source (Pub)|||||||Mata Bhavani|0|||||0||||0|||||Indian|||Solanki|||Asia||India||||||0|Ahmedabad, India|||10788||||0||||0|Architecture|Baoli||||15|14||1498|1505|ca|ca 1498-1505|ca 1498-1505|||||0||||0||||||||||||||||||||||Baolis ; |Baolis|||||||||Cornell||MNW|MNW|9/21/2006 0:00:00|9/21/2006 0:00:00||Ahmed||0||||||MataB|B|||||Q5|2.61||||||||||Work|0|Architecture-India|||||||||||0|0|Mata Bhavani| 7891.00|0||||||||La Félicité de la Régence|Preferred|Repository|Joys of the Regency|Translated|Cataloger|Marie de'Medici Series XV: Joys of the Regency|Assigned|Image Source (Pub)|Marie de'Medici Series. Joys of the Regency|10147|Rubens, Peter Paul||painter|Peter Paul Rubens|0||||0|||||Flemish|||Baroque|||Europe||Belgium||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1622|1625||1622-1625|1622-1625||Marie de'Medici Series|Series||7875||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||394 x 295 cm||3341|Paris: Musée du Louvre|Paris: Louvre||Marie de Me´dicis, Queen, consort of Henry IV, King of France, 1573-1642 ; Allegory ; |Marie de Me´dicis, Queen, consort of Henry IV, King of France, 1573-1642|Allegory||||||||Cornell||JNK|MNW|11/9/2006 0:00:00|9/21/2006 0:00:00||||0||Inv, 1783||||||||||||| |||||||||0||Part of the Marie de Me´dicis series.||||||||||0|0|La Félicité de la Régence;Joys of the Regency;Marie de'Medici Series XV: Joys of the Regency|Rubens, Peter Paul 7892.00|0||||||||La Majorité de Louis XII, La reine remet les affaires au roi, le 20 octobre 1614|Preferred|Repository|The Majority of Louis XIII, the Queen Remits affairs to the King, 20 October 1614|Translated|Cataloger|Marie de'Medici Series XVI: Majority of Louis XIII|Assigned|Image Source (Pub)|Marie de'Medici Series. The Majority of Louis XIII, the Queen Remits affairs to the King, 20 October 1614|10147|Rubens, Peter Paul||painter|Peter Paul Rubens|0||||0|||||Flemish|||Baroque|||Europe||Belgium||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1622|1625||1622-1625|1622-1625||Marie de'Medici Series|Series||7875||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||394 x 295 cm||3341|Paris: Musée du Louvre|Paris: Louvre||Marie de Me´dicis, Queen, consort of Henry IV, King of France, 1573-1642 ; Louis XIII, King of France, 1601-1643 ; Kings (people) ; |Marie de Me´dicis, Queen, consort of Henry IV, King of France, 1573-1642|Louis XIII, King of France, 1601-1643|Kings (people)|||||||Cornell||JNK|MNW|11/9/2006 0:00:00|9/21/2006 0:00:00||||0||Inv, 1784||||||||||||| |||||||||0||Part of the Marie de Me´dicis series.||||||||||0|0|La Majorité de Louis XII, La reine remet les affaires au roi, le 20 octobre 1614;The Majority of Louis XIII, the Queen Remits affairs to the King, 20 October 1614;Marie de'Medici Series XVI: Majority of Louis XIII|Rubens, Peter Paul 7893.00|0||||||||La Reine s'enfuit du château de Blois dans la nuit du 21 au 22 février 1619|Preferred|Repository|The Queen Flees From the Chateau de Blois in the Night, 21 to 22 February 1619|Preferred|Repository|Marie de'Medici Series XVII: Queen Retiring to Blois|Assigned|Image Source (Pub)|Marie de'Medici Series. The Queen Flees From the Chateau de Blois in the Night, 21 to 22 February 1619|10147|Rubens, Peter Paul||painter|Peter Paul Rubens|0||||0|||||Flemish|||Baroque|||Europe||Belgium||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1622|1625||1622-1625|1622-1625||Marie de'Medici Series|Series||7875||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||394 x 295 cm||3341|Paris: Musée du Louvre|Paris: Louvre||Marie de Me´dicis, Queen, consort of Henry IV, King of France, 1573-1642 ; |Marie de Me´dicis, Queen, consort of Henry IV, King of France, 1573-1642|||||||||Cornell||JNK|MNW|11/9/2006 0:00:00|9/21/2006 0:00:00||||0||Inv, 1785||||||||||||| |||||||||0||Part of the Marie de Me´dicis series.||||||||||0|0|La Reine s'enfuit du château de Blois dans la nuit du 21 au 22 février 1619;The Queen Flees From the Chateau de Blois in the Night, 21 to 22 February 1619;Marie de'Medici Series XVII: Queen Retiring to Blois|Rubens, Peter Paul 7838.00|0|Category|06|J-MP|Bollywood|||J-MP Bollywood |A Boy Reaches Up to Touch the Lips of an Actress on a Poster in the Courtyard of Roopam Cinema in Chennai, India|Assigned|Cataloger|||||||A Boy Reaches Up to Touch the Lips of an Actress on a Poster|0|||||0||||0|||||Indian||||||Asia||India||||||0||||0||||0||||0|Photographs|Documentary photograph||||21|||2000|2003|ca|ca 2000-2003|ca 2000-2003|||||0||||0|||||||||||photography|||||||||||Posters ; Motion pictures (visual works) ; |Posters|Motion pictures (visual works)||||||||Cornell||MNW|MNW|9/16/2006 0:00:00|9/16/2006 0:00:00|Bollywood|||0|||||||J-MP||||||||||||||||Work|0||||||||||||0|0|A Boy Reaches Up to Touch the Lips of an Actress on a Poster in the Courtyard of Roopam Cinema in Chennai, India| 7839.00|0|Category|06|J-MP|Bollywood|||J-MP Bollywood |Giant Film Cut-out in Chennai, India|Assigned|Cataloger|||||||Giant Film Cut-out in Chennai, India|0|||||0||||0|||||Indian||||||Asia||India||||||0||||0||||0||||0|Motion Pictures|Poster|Advertisement|||21|||2000|2003|ca|ca 2000-2003|ca 2000-2003|||||0||||0|||||||||||photography|||||||||||Advertisements ; Posters ; Motion pictures (visual works) ; |Advertisements|Posters|Motion pictures (visual works)|||||||Cornell||MNW|MNW|9/16/2006 0:00:00|9/16/2006 0:00:00|Bollywood|||0|||||||J-MP||||||||||||||||Work|0||||||||||||0|0|Giant Film Cut-out in Chennai, India| 7840.00|0|Category|06|J-MP|Bollywood|||J-MP Bollywood |Print Movie Banner in Mumbai, India|Assigned|Cataloger|||||||Print Movie Banner in Mumbai, India|0|||||0||||0|||||Indian||||||Asia||India||||||0||||0||||0||||0|Motion Pictures|Poster|Advertisement|||21|||2000|2003|ca|ca 2000-2003|ca 2000-2003|||||0||||0|||||||||||photography|||||||||||Advertisements ; Posters ; Motion pictures (visual works) ; Elephants ; |Advertisements|Posters|Motion pictures (visual works)|Elephants||||||Cornell||MNW|JNK|9/22/2006 0:00:00|9/16/2006 0:00:00|Bollywood|||0|||||||J-MP||||||||||||||||Work|0||||||||||||0|0|Print Movie Banner in Mumbai, India| 7841.00|0|Category|06|J-MP|Bollywood|||J-MP Bollywood |Courtyard of a Cinema Billboard Printing House in Mumbai, India|Assigned|Cataloger|||||||Courtyard of a Cinema Billboard Printing House in Mumbai, India|0|||||0||||0|||||Indian||||||Asia||India||||||0||||0||||0||||0|Photographs|Documentary photograph||||21|||2000|2003|ca|ca 2000-2003|ca 2000-2003|||||0||||0|||||||||||photography|||||||||||Courtyards ; Billboards ; Advertisements ; Posters ; Motion pictures (visual works) ; |Courtyards|Billboards|Advertisements|Posters|Motion pictures (visual works)|||||Cornell||MNW|MNW|9/16/2006 0:00:00|9/16/2006 0:00:00|Bollywood|||0|||||||J-MP||||||||||||||||Work|0||||||||||||0|0|Courtyard of a Cinema Billboard Printing House in Mumbai, India| 7842.00|0|Category|06|J-MP|Bollywood|||J-MP Bollywood |Street Scene in Mumbai or Chennai with Cinema Banners|Assigned|Cataloger|||||||Street Scene in Mumbai or Chennai with Cinema Banners|0|||||0||||0|||||Indian||||||Asia||India||||||0||||0||||0||||0|Photographs|Documentary photograph||||21|||2000|2003|ca|ca 2000-2003|ca 2000-2003|||||0||||0|||||||||||photography|||||||||||Streetscapes ; Billboards ; Advertisements ; Posters ; Motion pictures (visual works) ; |Streetscapes|Billboards|Advertisements|Posters|Motion pictures (visual works)|||||Cornell||MNW|MNW|9/16/2006 0:00:00|9/16/2006 0:00:00|Bollywood|||0|||||||J-MP||||||||||||||||Work|0||||||||||||0|0|Street Scene in Mumbai or Chennai with Cinema Banners| 7843.00|0|Category|06|J-MP|Bollywood|||J-MP Bollywood |Food Stall Near Alfred Talkies Cinema in Mumbai, India|Assigned|Cataloger|||||||Food Stall Near Alfred Talkies Cinema in Mumbai, India|0|||||0||||0|||||Indian||||||Asia||India||||||0||||0||||0||||0|Photographs|Documentary photograph||||21|||2000|2003|ca|ca 2000-2003|ca 2000-2003|||||0||||0|||||||||||photography|||||||||||Advertisements ; Billboards ; Motion pictures (visual works) ; |Advertisements|Billboards|Motion pictures (visual works)|||||||Cornell||MNW|MNW|9/16/2006 0:00:00|9/16/2006 0:00:00|Bollywood|||0|||||||J-MP||||||||||||||||Work|0||||||||||||0|0|Food Stall Near Alfred Talkies Cinema in Mumbai, India| 7844.00|0|Category|06|J-MP|Bollywood|||J-MP Bollywood |Women Reaching Into Ticket Booth at Abirami Cinema, Chennai, India|Assigned|Cataloger|||||||Women Reaching Into Ticket Booth at Abirami Cinema, Chennai, India|0|||||0||||0|||||Indian||||||Asia||India||||||0||||0||||0||||0|Photographs|Documentary photograph||||21|||2000|2003|ca|ca 2000-2003|ca 2000-2003|||||0||||0|||||||||||photography|||||||||||Motion picture theaters ; Hands (anatomy) ; |Motion picture theaters|Hands (anatomy)||||||||Cornell||MNW|MNW|9/16/2006 0:00:00|9/16/2006 0:00:00|Bollywood|||0|||||||J-MP||||||||||||||||Work|0||||||||||||0|0|Women Reaching Into Ticket Booth at Abirami Cinema, Chennai, India| 7845.00|0|Category|06|J-MP|Bollywood|||J-MP Bollywood |Guarded Ticket Queue at the Abirami Cinema, Chennai, India|Assigned|Cataloger|||||||Guarded Ticket Queue at the Abirami Cinema, Chennai, India|0|||||0||||0|||||Indian||||||Asia||India||||||0||||0||||0||||0|Photographs|Documentary photograph||||21|||2000|2003|ca||ca 2000-2003|||||0||||0|||||||||||photography|||||||||||Motion picture theaters ; |Motion picture theaters|||||||||Cornell||MNW|MNW|9/16/2006 0:00:00|9/16/2006 0:00:00|Bollywood|||0|||||||J-MP||||||||||||||||Work|0||||||||||||0|0|Guarded Ticket Queue at the Abirami Cinema, Chennai, India| 7846.00|0|Category|06|J-MP|Bollywood|||J-MP Bollywood |Women's Ticket Booth at an Indian Cinema|Assigned|Cataloger|||||||Women's Ticket Booth at an Indian Cinema|0|||||0||||0|||||Indian||||||Asia||India||||||0||||0||||0||||0|Photographs|Documentary photograph||||21|||2000|2003|||ca 2000-2003|||||0||||0|||||||||||photography|||||||||||Motion picture theaters ; Women ; |Motion picture theaters|Women||||||||Cornell||MNW|MNW|9/16/2006 0:00:00|9/16/2006 0:00:00|Bollywood|||0|||||||J-MP||||||||||||||||Work|0||||||||||||0|0|Women's Ticket Booth at an Indian Cinema| 7847.00|0|Site|02|B-Q5|Bom|2.22 Cap||B-Q5 Bom 2.22 Cap |Capitol Cinema|Preferred|Image Source (Pub)|||||||Capitol Cinema|0|||||0||||0|||||Indian||||||Asia||India||||||0|Mumbai, India|||10191||||0||||0|Architecture|Motion picture theater||||20|||1900|1999|ca|20th century|ca 1900-1999|||||0||||0||||||||||||||||||||||Motion picture theaters ; |Motion picture theaters|||||||||Cornell||MNW|MNW|9/16/2006 0:00:00|9/16/2006 0:00:00||Bom||0||||||Cap|B|||||Q5|2.22||||||||||Work|0|Architecture-India|||||||||||0|0|Capitol Cinema| 7848.00|0|Site|02|B-Q5|Bom|2.22 NewShi||B-Q5 Bom 2.22 NewShi |New Shirin Talkies Cinema|Preferred|Image Source (Pub)|||||||New Shirin Talkies Cinema|0|||||0||||0|||||Indian||||||Asia||India||||||0|Mumbai, India|||10191||||0||||0|Architecture|Motion picture theater||||20|||1900|1999|ca|20th century|ca 1900-1999|||||0||||0||||||||||||||||||||||Motion picture theaters ; 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Plans (drawings) ; |London (England)|Plans (drawings)||||||||Cornell||MNW|JNK|10/2/2006 0:00:00|9/16/2006 0:00:00||||0||||||Ban|B|||||G1|1.043||||||||||Work|0|Architecture-England|||||||||||0|0|An Exact Svrveigh of the Streets, Lanes, and Chvrches Contained Within the Rvines of the City of London;An Exact Surveigh of the Streets, Lanes, and Churches Contained within the Ruins of the City of Lond|Leake, John;Hollar, Wenceslaus 7851.00|0|Creator|05|J-Suhag|Bohra||1|J-Suhag Bohra 1|Wedding Album of Pukhraj and Pritibala Bohra|Descriptive|Cataloger|||||||Wedding Album of Pukhraj and Pritibala Bohra|31282|Suhag Studio||photographer|Suhag Studio|0||||0|||||Indian||||||Asia||India||||||0||||0||||0||||0|Photographs|Photographic print|Album|Photomontage||20|||1983|1983||1983|1983-1983|||||0||||0|||||Composite print||||||photography|||||||||||Weddings ; Photograph albums ; |Weddings|Photograph albums||||||||Cornell||JNK|MNW|9/19/2006 0:00:00|9/18/2006 0:00:00|Suhag|||0||||||Bohra|J||||||||||||||||Work|0|Photography|||||||||||0|0|Wedding Album of Pukhraj and Pritibala Bohra|Suhag Studio 7852.00|0|Creator|06|J-MP-Phalke|1 Kaliya|||J-MP-Phalke 1 Kaliya |Kaliya Mardan|Preferred|Online Resource|||||||Kaliya Mardan|31283|Phalke, Dhundiraj Govind||director, film|Dhundiraj Govind Phalke|0||||0|||||Indian||||||Asia||India||||||0||||0||||0||||0|Motion Pictures|Motion picture (visual work)||||20|||1919|1919||1919|1919-1919|||||0||||0||||||||||||||||||||||Krishna (Hindu deity) ; 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G. Phalke's daugher plays the role of Krishna.||||||||||0|0|Kaliya Mardan|Phalke, Dhundiraj Govind 7853.00|0|Creator|05|J-Anonymous|20th c|||J-Anonymous 20th c |Paper Negative Montages on Display in Chandni Chowk, Delhi, in 1992|Descriptive|Image Source (Pub)|||||||Paper Negative Montages on Display in Chandni Chowk, Delhi, in 1992|0|||||0||||0|||||Indian||||||Asia||India||||||0||||0||||0||||0|photography|Photographic print|Documentary photograph|||20|||1992|1992|ca|ca 1992|ca 1992-1992|||||0||||0|||||||||||photography|||||||||||Portraits ; |Portraits|||||||||Cornell||JNK|MNW|9/19/2006 0:00:00|9/18/2006 0:00:00|Anonymous|||0||||||20th c|J||||||||||||||||Work|0|Photography|||||||||||0|0|Paper Negative Montages on Display in Chandni Chowk, Delhi, in 1992| 7854.00|0|Creator|06|J-MP-Kapoor|1 Awaara|||J-MP-Kapoor 1 Awaara |Awaara|Preferred|Online Resource|Awara|Variant|Image Source (Pub)||||Awaara|31284|Kapoor, Raj||director, film|Raj Kapoor|0||||0|||||Indian||||||Asia||India||||||0||||0||||0||||0|Motion Pictures|Motion picture (visual work)||||20|||1951|1951||1951|1951-1951|||||0||||0||||||||||||||||||||||||||||||||Cornell||JNK|JNK|9/18/2006 0:00:00|9/18/2006 0:00:00|Kapoor|||0||||||1 Awaara|J-MP||||||||||||||||Work|0||||||||||||0|0|Awaara;Awara|Kapoor, Raj 7855.00|0|Creator|06|J-MP-Kapoor|2 Shree 420|||J-MP-Kapoor 2 Shree 420 |Shree 420|Preferred|Online Resource|||||||Shree 420|31284|Kapoor, Raj||director, film|Raj Kapoor|0||||0|||||Indian||||||Asia||India||||||0||||0||||0||||0|Motion Pictures|Motion picture (visual work)||||20|||1955|1955||1955|1955-1955|||||0||||0||||||||||||||||||||||||||||||||Cornell||JNK|JNK|9/18/2006 0:00:00|9/18/2006 0:00:00|Kapoor|||0||||||2 Shree 420|J-MP||||||||||||||||Work|0||||||||||||0|0|Shree 420|Kapoor, Raj 7856.00|0|Creator|06|J-MP-Mitra|1 Jagte Raho|||J-MP-Mitra 1 Jagte Raho |Jagte Raho|Preferred|Online Resource|||||||Jagte Raho|31285|Mitra, Amit||director, film|Amit Mitra & Sombhu Mitra|31286|Mitra, Sombhu||director, film|31284|Kapoor, Raj||||Indian||||||Asia||India||||||0||||0||||0||||0|Motion Pictures|Motion picture (visual work)||||20|||1956|1956||1956|1956-1956|||||0||||0||||||||||||||||||||||||||||||||Cornell||JNK|MNW|9/19/2006 0:00:00|9/18/2006 0:00:00|Mitra|||0||||||1 Jagte Raho|J-MP||||||||||||||||Work|0||Produced by Raj Kapoor.||||||||||0|0|Jagte Raho|Mitra, Amit;Mitra, Sombhu;Kapoor, Raj 7857.00|0|Site|02|B-Q5|Rat|2.61 Rat||B-Q5 Rat 2.61 Rat |Rataba Stepwell|Descriptive|Image Source (Pub)|||||||Rataba Stepwell|0|||||0||||0|||||Indian||||||Asia||India||||||0|Rataba, India|||10957||||0||||0|Architecture|Baoli||||13|||1294|1294||1294|1294-1294|||||0||||0||||||||||||||||||||||Baolis ; |Baolis|||||||||Cornell||MNW|MNW|9/19/2006 0:00:00|9/19/2006 0:00:00||Rat||0||||||Rat|B|||||Q5|2.61||||||||||Work|0|Architecture-India|||||||||||0|0|Rataba Stepwell| 7858.00|0|Site|02|B-Q5|Dav|2.61 AnkMat||B-Q5 Dav 2.61 AnkMat |Ankol Mata Stepwell|Descriptive|Image Source (Pub)|||||||Ankol Mata Stepwell|0|||||0||||0|||||Indian||||||Asia||India||||||0|Davad, India|||10958||||0||||0|Architecture|Baoli||||11|||1075|1099|ca|Late 1000s|ca 1075-1099|||||0||||0||||||||||||||||||||||Baolis ; |Baolis|||||||||Cornell||MNW|MNW|9/19/2006 0:00:00|9/19/2006 0:00:00||Dav||0||||||AnkMat|B|||||Q5|2.61||||||||||Work|0|Architecture-India|||||||||||0|0|Ankol Mata Stepwell| 7859.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: Bitter-saving Bodhisattva Niche|Translated|Cataloger|Longmen shi ku jiu ku Guanshiyin xiang kan|Descriptive|Image Source (Pub)||||Longmen Grottoes: Bitter-saving Bodhisattva Niche|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Niche|Sculpture||8|||791|791||Tang Dynasty (791)|791||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Sculpture (visual work) ; Reliefs ; Buddha ; Bodhisattvas ; Figures (representations)|Archaeology|Grottoes|Caves|Niches|Sculpture (visual work)|Reliefs|Buddha|Bodhisattvas|Figures (representations)|Cornell||BZ|BZ|9/19/2006 0:00:00|9/19/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: Bitter-saving Bodhisattva Niche;Longmen shi ku jiu ku Guanshiyin xiang kan| 7860.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: Gaoping County King Cave|Translated|Cataloger|Longmen shi ku Gaoping jun wang dong|Descriptive|Image Source (Pub)||||Longmen Grottoes: Gaoping County King Cave|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Cave|Sculpture||7|8||690|705||Tang Dynasty (690-705)|690-705||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Sculpture (visual work) ; Reliefs ; Buddha ; Bodhisattvas ; Figures (representations)|Archaeology|Grottoes|Caves|Niches|Sculpture (visual work)|Reliefs|Buddha|Bodhisattvas|Figures (representations)|Cornell||BZ|BZ|9/19/2006 0:00:00|9/19/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: Gaoping County King Cave;Longmen shi ku Gaoping jun wang dong| 7861.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: Ten Thousand Buddha Gutter|Translated|Cataloger|Longmen shi ku wan fo gou|Descriptive|Image Source (Pub)||||Longmen Grottoes: Ten Thousand Buddha Gutter|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Cave|Sculpture||||||||Tang Dynasty|||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Sculpture (visual work) ; Reliefs ; Buddha ; Bodhisattvas ; Figures (representations)|Archaeology|Grottoes|Caves|Niches|Sculpture (visual work)|Reliefs|Buddha|Bodhisattvas|Figures (representations)|Cornell||BZ|BZ|9/19/2006 0:00:00|9/19/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: Ten Thousand Buddha Gutter;Longmen shi ku wan fo gou| 7862.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: Western Pure Land Niche|Translated|Cataloger|Longmen shi ku xi fang jing tu bian kan|Descriptive|Image Source (Pub)||||Longmen Grottoes: Western Pure Land Niche|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Cave|Sculpture||7|8||684|756||Tang Dynasty (684-756)|684-756||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Sculpture (visual work) ; Reliefs ; Buddha ; Bodhisattvas ; Figures (representations)|Archaeology|Grottoes|Caves|Niches|Sculpture (visual work)|Reliefs|Buddha|Bodhisattvas|Figures (representations)|Cornell||BZ|BZ|9/19/2006 0:00:00|9/19/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: Western Pure Land Niche;Longmen shi ku xi fang jing tu bian kan| 7863.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: Shanjia Mile Cave|Translated|Cataloger|Longmen shi ku Shanjia Mile dong|Descriptive|Image Source (Pub)||||Longmen Grottoes: Shanjia Mile Cave|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Cave|Sculpture||||||||Tang Dynasty|||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Sculpture (visual work) ; Reliefs ; Buddha ; Bodhisattvas ; Figures (representations)|Archaeology|Grottoes|Caves|Niches|Sculpture (visual work)|Reliefs|Buddha|Bodhisattvas|Figures (representations)|Cornell||BZ|BZ|9/19/2006 0:00:00|9/19/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: Shanjia Mile Cave;Longmen shi ku Shanjia Mile dong| 7864.00|0|Architect|03|MA-Doshi|4.4|1957-1962 LDIns||MA-Doshi 4.4 1957-1962 LDIns |L. D. Institute of Indology|Assigned|Online Resource|Lalbhai Dalpathhai Institute of Indology|Variant|Online Resource||||L. D. Institute of Indology|14274|Doshi, Balkrishna Vithaldas||architect|Balkrishna Vithaldas Doshi|0||||0|||||Indian||||||Asia||India||||||0|Ahmedabad, India|||10788||||0||||0|Architecture|Museum|Cultural center|||20|||1957|1962||1957-1962|1957-1962|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|9/21/2006 0:00:00|9/19/2006 0:00:00|Doshi|||0||||||LDIns|MA||||||4.4|1957-1962|||||||||Work|0|Modern Architecture|||||||||||0|0|L. D. Institute of Indology;Lalbhai Dalpathhai Institute of Indology|Doshi, Balkrishna Vithaldas 7865.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: Middle Drum-beating Platform Cave|Translated|Cataloger|Longmen shi ku lei gu tai zhong dong|Descriptive|Image Source (Pub)||||Longmen Grottoes: Middle Drum-beating Platform Cave|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Cave|Sculpture||7|8||690|704||Tang Dynasty (690-704)|690-704||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Sculpture (visual work) ; Reliefs ; Buddha ; Bodhisattvas ; Figures (representations)|Archaeology|Grottoes|Caves|Niches|Sculpture (visual work)|Reliefs|Buddha|Bodhisattvas|Figures (representations)|Cornell||BZ|BZ|9/19/2006 0:00:00|9/19/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: Middle Drum-beating Platform Cave;Longmen shi ku lei gu tai zhong dong| 7866.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: Southern Drum-beating Platform Cave|Translated|Cataloger|Longmen shi ku lei gu tai nan dong|Descriptive|Image Source (Pub)||||Longmen Grottoes: Southern Drum-beating Platform Cave|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Cave|Sculpture||7|8||690|704||Tang Dynasty (690-704)|690-704||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Sculpture (visual work) ; Reliefs ; Buddha ; Bodhisattvas ; Figures (representations)|Archaeology|Grottoes|Caves|Niches|Sculpture (visual work)|Reliefs|Buddha|Bodhisattvas|Figures (representations)|Cornell||BZ|BZ|9/19/2006 0:00:00|9/19/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: Southern Drum-beating Platform Cave;Longmen shi ku lei gu tai nan dong| 7867.00|0||||||||Tobias and His Wife|Assigned|Image Source (Pub)|||||||Tobias and His Wife|9750|Rembrandt van Rijn||painter|Rembrandt van Rijn|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1645|1645||1645|1645-1645|||||0||||0|||||Oil on wood|oil paint|wood (plant material)||||painting (image-making)|||||20 x 27 cm||332|Berlin: Staatliche Museen zu Berlin; Gemaldegalerie|Berlin: Gemaldegalerie||Tobit (Blindness of) ; Bible ; Old Testament ; |Tobit (Blindness of)|Bible|Old Testament|||||||Cornell||JNK|MNW|11/9/2006 0:00:00|9/20/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Tobias and His Wife|Rembrandt van Rijn 7868.00|0|Site|02|B-R1|Luo|3.4 Lon||B-R1 Luo 3.4 Lon |Longmen Grottoes: Drum-beating Platform|Translated|Cataloger|Longmen shi ku lei gu tai|Descriptive|Image Source (Pub)||||Longmen Grottoes: Drum-beating Platform|0|||||0||||0|||||Chinese|||Tang|||Asia||China||||||0|Luoyang, Henan Province, China|||10780||||0||||0|Architecture|Grotto|Cave|Sculpture||7|8||690|704||Tang Dynasty (690-704)|690-704||Longmen Grottoes|Larger entity||7603||||0||||||stone|||||sculpture|relief|carving|||||||||Archaeology ; Grottoes ; Caves ; Niches ; Sculpture (visual work) ; Reliefs ; Buddha ; Bodhisattvas ; Figures (representations)|Archaeology|Grottoes|Caves|Niches|Sculpture (visual work)|Reliefs|Buddha|Bodhisattvas|Figures (representations)|Cornell||BZ|BZ|9/20/2006 0:00:00|9/20/2006 0:00:00||Luo||0||||||Lon|B|||||R1|3.4||||||||||Work|0|Architecture-China|||||||||||0|0|Longmen Grottoes: Drum-beating Platform;Longmen shi ku lei gu tai| 7869.00|0||||||||Bildnis einer jungen Frau|Repository|Repository|Portrait of a Young Woman|Translated|Cataloger|Young Lady Sitting in an Armchair|Assigned|Image Source (Pub)|Bildnis einer jungen Frau (Portrait of a Young Woman)|9750|Rembrandt van Rijn||painter|Rembrandt van Rijn|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)||||||0||||0||||0||||0|Paintings|Painting|Portrait|Oil painting||17|||1632|1632||1632|1632-1632|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||92 x 71 cm||3528|Vienna: Akademie der Bildenden Künste|Vienna: Akad. Bild. Künste||Women ; Portraits ; |Women|Portraits||||||||Cornell||JNK|MNW|11/9/2006 0:00:00|9/20/2006 0:00:00||||0||611||||||||||||| |||||||||0||||||||||||0|0|Bildnis einer jungen Frau;Portrait of a Young Woman;Young Lady Sitting in an Armchair|Rembrandt van Rijn 7870.00|0||||||||Susanna and the Elders|Assigned|Image Source (Pub)|||||||Susanna and the Elders|9750|Rembrandt van Rijn||painter|Rembrandt van Rijn|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1647|1647||1647|1647-1647|||||0||||0|||||Oil on wood and canvas|oil paint|wood (plant material)|canvas|||painting (image-making)|||||77 x 93 cm||332|Berlin: Staatliche Museen zu Berlin; Gemaldegalerie|Berlin: Gemaldegalerie||Susanna ; Elders making advances on Susanna ; Bible ; Old Testament ; |Susanna|Elders making advances on Susanna|Bible|Old Testament||||||Cornell||JNK|MNW|11/9/2006 0:00:00|9/20/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Susanna and the Elders|Rembrandt van Rijn 7871.00|0||||||||Judgement of Paris|Assigned|Image Source (Pub)|||||||Judgement of Paris|10147|Rubens, Peter Paul||painter|Peter Paul Rubens|0||||0|||||Flemish|||Baroque|||Europe||Belgium||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1638|1638|aft|aft 1638|aft 1638-1638|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||199 x 379 cm||1616|Madrid: Museo del Prado|Madrid: Prado||Female nudes ; Women ; Judgment of Paris ; Athena (Greek deity) ; Aphrodite ; Hera (Greek deity) ; Venus ; Mythology ; Nudes|Female nudes|Women|Judgment of Paris|Athena (Greek deity)|Aphrodite|Hera (Greek deity)|Venus|Mythology|Nudes|Cornell||JNK|MNW|11/9/2006 0:00:00|9/20/2006 0:00:00||||0||1669||||||||||||| |||||||||0||||||||||||0|0|Judgement of Paris|Rubens, Peter Paul 7872.00|0||||||||The Three Graces|Assigned|Dict.Art|||||||The Three Graces|10147|Rubens, Peter Paul||painter|Peter Paul Rubens|0||||0|||||Flemish|||Baroque|||Europe||Belgium||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1639|1639|ca|ca 1639|ca 1639-1639|||||0||||0|||||Oil on wood|oil paint|wood (plant material)||||painting (image-making)|||||221 x 181 cm||1616|Madrid: Museo del Prado|Madrid: Prado||Graces ; Thalia ; Aglaia ; Euphrosyne ; |Graces|Thalia|Aglaia|Euphrosyne||||||Cornell||JNK|MNW|11/9/2006 0:00:00|9/20/2006 0:00:00||||0||1670||||||||||||| |||||||||0||||||||||||0|0|The Three Graces|Rubens, Peter Paul 7873.00|0||||||||La Naissance de la reine, à Florence le 26 avril 1573|Preferred|Repository|The Birth of the Queen, in Florence 26 April 1573|Translated|Cataloger|Marie de Medici Series II: Birth of Marie de'Medici, 26 April 1575|Assigned|Image Source (Pub)|Marie de'Medici Series. The Birth of the Queen, in Florence 26 April 1573|10147|Rubens, Peter Paul||painter|Peter Paul Rubens|0||||0|||||Flemish|||Baroque|||Europe||Belgium||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1622|1625||1622-1625|1622-1625||Marie de'Medici Series|Series||7875||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||394 x 295 cm||3341|Paris: Musée du Louvre|Paris: Louvre||Births ; Marie de Me´dicis, Queen, consort of Henry IV, King of France, 1573-1642 ; Florence (Italy) ; Putti ; River gods ; Allegory ; Angels ; |Births|Marie de Me´dicis, Queen, consort of Henry IV, King of France, 1573-1642|Florence (Italy)|Putti|River gods|Allegory|Angels|||Cornell||JNK|MNW|11/9/2006 0:00:00|9/21/2006 0:00:00||||0||Inv. 1770||||||||||||| |||||||||0||Part of the Marie de'Medici series.||||||||||0|0|La Naissance de la reine, à Florence le 26 avril 1573;The Birth of the Queen, in Florence 26 April 1573;Marie de Medici Series II: Birth of Marie de'Medici, 26 April 1575|Rubens, Peter Paul 7874.00|0||||||||L'Instruction de la reine, dit aussi L'Éducation de la reine|Preferred|Repository|Instruction of the Queen|Translated|Cataloger|Marie de'Medici Series III: Education of Marie de'Medici|Assigned|Image Source (Pub)|Marie de'Medici Series. Instruction of the Queen|10147|Rubens, Peter Paul||painter|Peter Paul Rubens|0||||0|||||Flemish|||Baroque|||Europe||Belgium||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1622|1625||1622-1625|1622-1625||Marie de'Medici Series|Series||7875||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||394 x 295 cm||3341|Paris: Musée du Louvre|Paris: Louvre||Education ; Marie de Me´dicis, Queen, consort of Henry IV, King of France, 1573-1642 ; Allegory ; |Education|Marie de Me´dicis, Queen, consort of Henry IV, King of France, 1573-1642|Allegory|||||||Cornell||JNK|MNW|11/9/2006 0:00:00|9/21/2006 0:00:00||||0||Inv. 1771||||||||||||| |||||||||0||Part of the Marie de'Medici series.||||||||||0|0|L'Instruction de la reine, dit aussi L'Éducation de la reine;Instruction of the Queen;Marie de'Medici Series III: Education of Marie de'Medici|Rubens, Peter Paul 7875.00|0||||||||Marie de'Medici Series|Series|Dict.Art|||||||Marie de'Medici Series|10147|Rubens, Peter Paul||painter|Peter Paul Rubens|0||||0|||||Flemish|||Baroque|||Europe||Belgium||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1622|1625||1622-1625|1622-1625|||||0||||0|||||Oil on canvas|oil|canvas||||painting (image-making)|||||||3341|Paris: Musée du Louvre|Paris: Louvre||Marie de Me´dicis, Queen, consort of Henry IV, King of France, 1573-1642 ; Henry IV, King of France, 1553-1610 ; Allegory ; |Marie de Me´dicis, Queen, consort of Henry IV, King of France, 1573-1642|Henry IV, King of France, 1553-1610|Allegory|||||||Cornell||JNK|MNW|11/9/2006 0:00:00|9/21/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Marie de'Medici Series|Rubens, Peter Paul 7876.00|0||||||||Henri IV reçoit le portrait de la reine et se laisse désarmer par l'amour|Preferred|Repository|Henry IV Receives the Portrait of the Queen and is Disarmed by Love|Translated|Cataloger|Marie de'Medici Series IV: Presentation of Her Portrait to Henry IV|Assigned|Image Source (Pub)|Marie de'Medici Series. Henry IV Receives the Portrait of the Queen and is Disarmed by Love|10147|Rubens, Peter Paul||painter|Peter Paul Rubens|0||||0|||||Flemish|||Baroque|||Europe||Belgium||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1622|1625||1622-1625|1622-1625||Marie de'Medici Series|Series||7875||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||394 x 295 cm||3341|Paris: Musée du Louvre|Paris: Louvre||Marie de Me´dicis, Queen, consort of Henry IV, King of France, 1573-1642 ; Henry IV, King of France, 1553-1610 ; Portraits ; Jupiter ; Juno ; Allegory ; |Marie de Me´dicis, Queen, consort of Henry IV, King of France, 1573-1642|Henry IV, King of France, 1553-1610|Portraits|Jupiter|Juno|Allegory||||Cornell||JNK|MNW|11/9/2006 0:00:00|9/21/2006 0:00:00||||0||Inv. 1772||||||||||||| |||||||||0||Part of the Marie de'Medici series.||||||||||0|0|Henri IV reçoit le portrait de la reine et se laisse désarmer par l'amour;Henry IV Receives the Portrait of the Queen and is Disarmed by Love;Marie de'Medici Series IV: Presentation of Her Portrait to Henry IV|Rubens, Peter Paul 7877.00|0||||||||Le Débarquement de la reine à Marseille, le 3 novembre 1600|Preferred|Repository|The Debarkation of the Queen at Marseille, 3 November 1600|Translated|Cataloger|Marie de'Medici Series VI: Debarkation at Marseille|Assigned|Image Source (Pub)|Marie de'Medici Series. The Debarkation of the Queen at Marseille, 3 November 1600|10147|Rubens, Peter Paul||painter|Peter Paul Rubens|0||||0|||||Flemish|||Baroque|||Europe||Belgium||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1622|1625||1622-1625|1622-1625||Marie de'Medici Series|Series||7875||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||394 x 295 cm||3341|Paris: Musée du Louvre|Paris: Louvre||Marie de Me´dicis, Queen, consort of Henry IV, King of France, 1573-1642 ; Guardsmen ; Neptune ; Nereids ; Marseille (France) ; Allegory ; |Marie de Me´dicis, Queen, consort of Henry IV, King of France, 1573-1642|Guardsmen|Neptune|Nereids|Marseille (France)|Allegory||||Cornell||JNK|MNW|11/9/2006 0:00:00|9/21/2006 0:00:00||||0||Inv. 1774||||||||||||| |||||||||0||Part of the Marie de Me´dicis series.||||||||||0|0|Le Débarquement de la reine à Marseille, le 3 novembre 1600;The Debarkation of the Queen at Marseille, 3 November 1600;Marie de'Medici Series VI: Debarkation at Marseille|Rubens, Peter Paul 7878.00|0||||||||Les Épousailles de la reine|Preferred|Repository|Nuptials of the Queen|Translated|Cataloger|Marie de'Medici Series V: Marriage by Proxy in Florence|Assigned|Image Source (Pub)|Marie de'Medici Series. Nuptials of the Queen or The Reception of the Ring|10147|Rubens, Peter Paul||painter|Peter Paul Rubens|0||||0|||||Flemish|||Baroque|||Europe||Belgium||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1622|1625||1622-1625|1622-1625||Marie de'Medici Series|Series||7875||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||394 x 295 cm||3341|Paris: Musée du Louvre|Paris: Louvre||Marie de Me´dicis, Queen, consort of Henry IV, King of France, 1573-1642 ; Marriage ; Weddings ; Allegory ; |Marie de Me´dicis, Queen, consort of Henry IV, King of France, 1573-1642|Marriage|Weddings|Allegory||||||Cornell||JNK|MNW|11/9/2006 0:00:00|9/21/2006 0:00:00||||0||Inv. 1773||||||||||||| |||||||||0||Part of the Marie de Me´dicis series.|||||As the Louvre notes, it is still called "Le Mariage par procuration de Marie de Médicis et d'Henri IV, à Florence le 5 octobre 1600", also called "The Reception of the Ring."|||||0|0|Les Épousailles de la reine;Nuptials of the Queen;Marie de'Medici Series V: Marriage by Proxy in Florence|Rubens, Peter Paul 7879.00|0||||||||L'Arrivée de la reine à Lyon|Preferred|Repository|The Arrival of the Queen in Lyon|Translated|Cataloger|Marie de'Medici Series VII: First Meeting with Henry IV|Assigned|Image Source (Pub)|Marie de'Medici Series. The Arrival of the Queen in Lyon, or The Meeting of the King and Queen, 9 December 1600|10147|Rubens, Peter Paul||painter|Peter Paul Rubens|0||||0|||||Flemish|||Baroque|||Europe||Belgium||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1622|1625||1622-1625|1622-1625||Marie de'Medici Series|Series||7875||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||394 x 295 cm||3341|Paris: Musée du Louvre|Paris: Louvre||Marie de Me´dicis, Queen, consort of Henry IV, King of France, 1573-1642 ; Allegory ; |Marie de Me´dicis, Queen, consort of Henry IV, King of France, 1573-1642|Allegory||||||||Cornell||JNK|MNW|11/9/2006 0:00:00|9/21/2006 0:00:00||||0||Inv. 1775||||||||||||| |||||||||0||Part of the Marie de Me´dicis series.|||||Also known as The Meeting of the King and Queen, 9 December 1600.|||||0|0|L'Arrivée de la reine à Lyon;The Arrival of the Queen in Lyon;Marie de'Medici Series VII: First Meeting with Henry IV|Rubens, Peter Paul 7880.00|0|Site|02|B-Q5|TodRaiS|2.61 HanR||B-Q5 TodRaiS 2.61 HanR |Hani Rani Well||||||||||0|||||0||||0|||||Indian||||||Asia||India||||||0|Toda Rai Singh, India|||10959||||0||||0|Architecture|Baoli||||16|17||1575|1675|ca|ca 1575-1675|ca 1575-1675|||||0||||0||||||||||||||||||||||Baolis ; |Baolis|||||||||Cornell||MNW|MNW|9/21/2006 0:00:00|9/21/2006 0:00:00||TodRaiS||0||||||HanR|B|||||Q5|2.61||||||||||Work|0|Architecture-India|||||||||||0|0|Hani Rani Well| 7881.00|0|Site|02|B-Q5|KalNal|2.61 Pool||B-Q5 KalNal 2.61 Pool |Pool|Assigned|Image Source (Pub)|||||||Pool|0|||||0||||0|||||Indian||||||Asia||India||||||0|Kaleshvari i Nal, India|||10962||||0||||0||||||9|10||850|950|ca|ca 850-950|ca 850-950|||||0||||0||||||||||||||||||||||Baolis ; |Baolis|||||||||Cornell||MNW|JNK|9/22/2006 0:00:00|9/21/2006 0:00:00||KalNal||0||||||Pool|B|||||Q5|2.61||||||||||Work|0|Architecture-India|||||||||||0|0|Pool| 7882.00|0||||||||La Naissance du dauphin (futur Louis XIII) à Fontainebleau, le 27 septembre 1601|Translated|Cataloger|Birth of the Dauphin (Future Louis XIII) at Fontainebleau, 27 Sept. 1601|Preferred|Repository|Marie de'Medici Series VIII: Birth of Louis XIII|Assigned|Image Source (Pub)|Marie de'Medici Series. The Birth of the Dauphin (Future Louis XIII) at Fontainebleau, 27 September 1601|10147|Rubens, Peter Paul||painter|Peter Paul Rubens|0||||0|||||Flemish|||Baroque|||Europe||Belgium||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1622|1625||1622-1625|1622-1625||Marie de'Medici Series|Series||7875||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||394 x 295 cm||3341|Paris: Musée du Louvre|Paris: Louvre||Marie de Me´dicis, Queen, consort of Henry IV, King of France, 1573-1642 ; Births ; Louis XIII, King of France, 1601-1643 ; Allegory ; |Marie de Me´dicis, Queen, consort of Henry IV, King of France, 1573-1642|Births|Louis XIII, King of France, 1601-1643|Allegory||||||Cornell||JNK|MNW|11/9/2006 0:00:00|9/21/2006 0:00:00||||0||Inv. 1776||||||||||||| |||||||||0||Part of the Marie de Me´dicis series.||||||||||0|0|La Naissance du dauphin (futur Louis XIII) à Fontainebleau, le 27 septembre 1601;Birth of the Dauphin (Future Louis XIII) at Fontainebleau, 27 Sept. 1601;Marie de'Medici Series VIII: Birth of Louis XIII|Rubens, Peter Paul 7883.00|0||||||||Préparatifs du roi pour la guerre d'Allemagne|Preferred|Repository|Preparation of the King for the War With Germany|Preferred|Repository|Marie de'Medici Series IX: Conferral of the Regency|Assigned|Image Source (Pub)|Marie de'Medici Series. Preparation of the King for the War With Germany|10147|Rubens, Peter Paul||painter|Peter Paul Rubens|0||||0|||||Flemish|||Baroque|||Europe||Belgium||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1622|1625||1622-1625|1622-1625||Marie de'Medici Series|Series||7875||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||394 x 295 cm||3341|Paris: Musée du Louvre|Paris: Louvre||Marie de Me´dicis, Queen, consort of Henry IV, King of France, 1573-1642 ; Henry IV, King of France, 1553-1610 ; Louis XIII, King of France, 1601-1643 ; Wars ; Allegory ; |Marie de Me´dicis, Queen, consort of Henry IV, King of France, 1573-1642|Henry IV, King of France, 1553-1610|Louis XIII, King of France, 1601-1643|Wars|Allegory|||||Cornell||JNK|MNW|11/9/2006 0:00:00|9/21/2006 0:00:00||||0||Inv. 1777||||||||||||| |||||||||0||Part of the Marie de Me´dicis series.|||||Also known as Conferral of the Regency to the Queen, 20 March 1610.|||||0|0|Préparatifs du roi pour la guerre d'Allemagne;Preparation of the King for the War With Germany;Marie de'Medici Series IX: Conferral of the Regency|Rubens, Peter Paul 7884.00|0||||||||Le Couronnement de la reine à l'abbaye de Saint-Denis, le 13 mai 1610|Preferred|Repository|Coronation of the Queen at the Abbey of S. Denis, 13 May 1610|Translated|Cataloger|Marie de'Medici Series X: Coronation of the Queen|Assigned|Image Source (Pub)|Marie de'Medici Series. Coronation of the Queen at the Abbey of S. Denis, 13 May 1610|10147|Rubens, Peter Paul||painter|Peter Paul Rubens|0||||0|||||Flemish|||Baroque|||Europe||Belgium||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1622|1625||1622-1625|1622-1625||Marie de'Medici Series|Series||7875||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||394 x 727 cm||3341|Paris: Musée du Louvre|Paris: Louvre||Marie de Me´dicis, Queen, consort of Henry IV, King of France, 1573-1642 ; Coronations ; Abbeys ; Allegory ; |Marie de Me´dicis, Queen, consort of Henry IV, King of France, 1573-1642|Coronations|Abbeys|Allegory||||||Cornell||JNK|MNW|11/9/2006 0:00:00|9/21/2006 0:00:00||||0||Inv. 1778||||||||||||| |||||||||0||Part of the Marie de Me´dicis series.||||||||||0|0|Le Couronnement de la reine à l'abbaye de Saint-Denis, le 13 mai 1610;Coronation of the Queen at the Abbey of S. Denis, 13 May 1610;Marie de'Medici Series X: Coronation of the Queen|Rubens, Peter Paul 7894.00|0||||||||Le Traité d'Angoulême, le 30 avril 1619|Preferred|Repository|The Treaty of Angoulême, 30 April 1619|Translated|Cataloger|Marie de'Medici Series XVIII: Receiving Peace Offerings|Assigned|Image Source (Pub)|Marie de'Medici Series. The Treaty of Angoulême, 30 April 1619|10147|Rubens, Peter Paul||painter|Peter Paul Rubens|0||||0|||||Flemish|||Baroque|||Europe||Belgium||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1622|1625||1622-1625|1622-1625||Marie de'Medici Series|Series||7875||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||394 x 295 cm||3341|Paris: Musée du Louvre|Paris: Louvre||Marie de Me´dicis, Queen, consort of Henry IV, King of France, 1573-1642 ; Louis XIII, King of France, 1601-1643 ; |Marie de Me´dicis, Queen, consort of Henry IV, King of France, 1573-1642|Louis XIII, King of France, 1601-1643||||||||Cornell||JNK|MNW|11/9/2006 0:00:00|9/21/2006 0:00:00||||0||Inv, 1786||||||||||||| |||||||||0||Part of the Marie de Me´dicis series.|||||Formerly, The Reconciliation of Marie de'Medici with her son at Angers.|||||0|0|Le Traité d'Angoulême, le 30 avril 1619;The Treaty of Angoulême, 30 April 1619;Marie de'Medici Series XVIII: Receiving Peace Offerings|Rubens, Peter Paul 7895.00|0|Architect|03|MA-Correa|4.4|1963 Gan||MA-Correa 4.4 1963 Gan |Gandhi Memorial Centre|Assigned|Dict.Art|Mahtama Ghandi Memorial Museum|Descriptive|ContemporaryArch|Gandhi Smarak Sangrahalaya|Descriptive|Image Source (Pub)|Gandhi Memorial Centre|2618|Correa, Charles Mark||architect|Charles Mark Correa|0||||0|||||Indian|||Modernist|||Asia||India||||||0|Ahmedabad, India|||10788||||0||||0|Architecture|Museum|School|Ashram||20|||1958|1963||1958-1963|1958-1963|||||0||||0||||||||||||||||||||||Museums ; Ashrams ; Schools ; Memorials ; Gandhi, Mahatma, 1869-1948 ; |Museums|Ashrams|Schools|Memorials|Gandhi, Mahatma, 1869-1948|||||Cornell||MNW|MNW|9/22/2006 0:00:00|9/21/2006 0:00:00|Correa|||0||||||Gan|MA||||||4.4|1963|||||||||Work|0|Modern Architecture|||||||||||0|0|Gandhi Memorial Centre;Mahtama Ghandi Memorial Museum;Gandhi Smarak Sangrahalaya|Correa, Charles Mark 7957.00|0|Creator|15|CHINA|MTL|W. ZHOU||CHINA MTL W. ZHOU |Vessel (He) Made By The Earl Of Luan|Descriptive|Image Source (Pub)|Luan Bo he|Descriptive|Image Source (Pub)||||Vessel (He) Made By The Earl Of Luan|0|||||0||||0|||||Chinese|||Zhou (Chou)|Western Zhou (W.Chou)||Asia||China||||||0||||0|Lingtai County, Gansu Province, China|||10976|Lingtai County, Gansu Province, China|||10976|Metalwork|Bronze|Vessel|Inscription|BCE|-11|-10||1025|975|ca|Western Zhou (Late 11th-early 10th c. B.C.)|ca 1025-975 BCE||Tomb No.2 At Baicaopo|Larger entity||7958||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||28.5 cm height||9581|Lanzhou: Gansu Provincial Museum|Lanzhou: Gansu Provincial Museum||Archaeology ; Vessels ; Inscriptions ; |Archaeology|Vessels|Inscriptions|||||||Cornell||BZ|BZ|10/11/2006 0:00:00|10/3/2006 0:00:00|||Lingtai|0|||||||MTL|||CHINA|W. ZHOU|||| ||||||||Work|0||Excavated in 1972. Weight: 2.5 kg. Inscriptions on the vessel: The earl of Luan made this precious ritual vessel.||||||||||0|0|Vessel (He) Made By The Earl Of Luan;Luan Bo he| 7958.00|0|Architect|02|B-R1|Lingtai|3.3 Baic T2||B-R1 Lingtai 3.3 Baic T2 |Tomb No.2 At Baicaopo|Descriptive|Image Source (Pub)|||||||Tomb No.2 At Baicaopo|0|||||0||||0|||||Chinese|||Zhou (Chou)|Western Zhou (W.Chou)||Asia||China||||||0||||0|Lingtai County, Gansu Province, China|||10976|Lingtai County, Gansu Province, China|||10976|Architecture|Archaeological site|Tomb|Vessel||-11|-10|||||||||||0||||0||||||||||||||||||||||Archaeology ; Tombs ; Vessels ; |Archaeology|Tombs|Vessels|||||||Cornell||BZ|BZ|10/3/2006 0:00:00|10/3/2006 0:00:00|||Lingtai|0||||||Baic T2|B|||||R1|3.3||||||||||Work|0|Architecture-China|Excavated in 1972.||||||||||0|0|Tomb No.2 At Baicaopo| 7959.00|0|Creator|15|CHINA|MTL|W. ZHOU||CHINA MTL W. ZHOU |Vessel (Guang) Made By Qi|Descriptive|Image Source (Pub)|Qi guang|Descriptive|Image Source (Pub)||||Vessel (Guang) Made By Qi|0|||||0||||0|||||Chinese|||Zhou (Chou)|Western Zhou (W.Chou)||Asia||China||||||0||||0|Fufeng County, Shaanxi Province, China|||10977|Fufeng County, Shaanxi Province, China|||10977|Metalwork|Bronze|Vessel|Inscription|BCE|-11|-10||1025|975|ca|Western Zhou (Late 11th-early 10th c. B.C.)|ca 1025-975 BCE||Storage Pit No.1 At Zhuangbo|Larger entity||7960||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||28.7 cm x 36.5 cm||9756|Shaanxi Province: Zhouyuan Archaeological Team|Shaanxi Province: Zhouyuan Archaeological Team||Archaeology ; Vessels ; Inscriptions ; |Archaeology|Vessels|Inscriptions|||||||Cornell||BZ|BZ|10/11/2006 0:00:00|10/3/2006 0:00:00|||Fufeng|0|||||||MTL|||CHINA|W. ZHOU|||| ||||||||Work|0||Excavated in 1976. Weight: 7.55 kg. Inscriptions on the vessel: In the fifth month, the kin was at X. On the dya mou zi, he commanded that the annalist Qi give lands to the marquis of Xiang, and bestowed bronze metal and servitors on Qi.|[Continue the inscriptions] In order to extol the king's beneficence, in the nineteenth si [annual sacrifice] of the king's reign, I [Qi] have used [the gifts] to make a vessel for Father Yi. May it be treasured forever. [Clan sign].|||||||||0|0|Vessel (Guang) Made By Qi;Qi guang| 7960.00|0|Site|02|B-R1|Fufeng|3.3 Zhuangbo SP1||B-R1 Fufeng 3.3 Zhuangbo SP1 |Storage Pit No.1 At Zhuangbo|Descriptive|Image Source (Pub)|||||||Storage Pit No.1 At Zhuangbo|0|||||0||||0|||||Chinese|||Zhou (Chou)|Western Zhou (W.Chou)||Asia||China||||||0||||0|Fufeng County, Shaanxi Province, China|||10977|Fufeng County, Shaanxi Province, China|||10977|Architecture|Archaeological site|Tomb|Vessel|BCE|-10|-9|-8|1122|771||Western Zhou (1122-771 BCE)|1122-771 BCE|||||0||||0||||||||||||||||||||||Archaeology ; Tombs ; Vessels ; |Archaeology|Tombs|Vessels|||||||Cornell||BZ|BZ|10/5/2006 0:00:00|10/3/2006 0:00:00|||Fufeng|0||||||Zhuangbo SP1|B|||||R1|3.3||||||||||Work|0|Architecture-China|Excavated in 1976. The pit contained a total of 103 bronzes, of which 74 were inscribed; many bear what seems to be the clan sign of a single family. The bronzes from the pit span virtually the entire Western Zhou period.||||||||||0|0|Storage Pit No.1 At Zhuangbo| 7961.00|0|Creator|15|CHINA|MTL|W. ZHOU||CHINA MTL W. ZHOU |Vessel (gu) Dedicated to Father Yi Of Clan Lü|Descriptive|Image Source (Pub)|Lü Fu Yi gu|Descriptive|Image Source (Pub)||||Vessel (gu) Dedicated to Father Yi Of Clan Lü|0|||||0||||0|||||Chinese|||Zhou (Chou)|Western Zhou (W.Chou)||Asia||China||||||0||||0|Fufeng County, Shaanxi Province, China|||10977|Fufeng County, Shaanxi Province, China|||10977|Metalwork|Bronze|Vessel|Inscription|BCE|-11|-10||1025|975|ca|Western Zhou (Late 11th-early 10th c. B.C.)|ca 1025-975 BCE||Storage Pit No.1 At Zhuangbo|Larger entity||7960||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||25.2 cm height; 13.2 cm diameter at mouth||9756|Shaanxi: Zhouyuan Archaeological Team|Shaanxi: Zhouyuan Archaeological Team||Archaeology ; Vessels ; Inscriptions ; |Archaeology|Vessels|Inscriptions|||||||Cornell||BZ|BZ|10/11/2006 0:00:00|10/3/2006 0:00:00|||Fufeng|0|||||||MTL|||CHINA|W. ZHOU|||| ||||||||Work|0||Excavated in 1976. Weight: 0.55 kg. Inscriptions on the vessel: Father Yi of [Clan] Lü (Lü Fu Yi).||||||||||0|0|Vessel (gu) Dedicated to Father Yi Of Clan Lü;Lü Fu Yi gu| 8042.00|0|Site|02|B-B33|ForH|7.3 ForHG/GrII||B-B33 ForH 7.3 ForHG/GrII |Group II|Assigned|Image Source (Pub)|||||||Forest Hills Gardens. Group II|549|Atterbury, Grosvenor||architect|Grosvenor Atterbury|0||||0|||||American||||||North and Central America||United States||||||0|Forest Hills, Queens, New York, NY|||11002||||0||||0|Architecture|Housing|Housing development|||20|||1909|1913||1909-1913|1909-1913||Forest Hills Gardens|LargerEntity||8040||||0||||||||||||||||||||||Urban planning ; Housing developments ; Planned unit developments ; |Urban planning|Housing developments|Planned unit developments|||||||Cornell||GB|GB|10/23/2006 0:00:00|10/13/2006 0:00:00||ForH||0||||||ForHG/GrII|B|||||B33|7.3||||||||||Work|0|Architecture-New York (NY)|||||||||||0|0|Group II|Atterbury, Grosvenor 8043.00|0|Creator|15|CHINA|MTL|W. HAN||CHINA MTL W. HAN |Tomb Of Liu Sheng: Censer|Descriptive|Image Source (Pub)|Bo shan lu|Descriptive|Image Source (Pub)||||Tomb Of Liu Sheng: Censer|0|||||0||||0|||||Chinese|||Han (Chinese)|Western Han||Asia||China||||||0||||0|Mancheng County, Hebei Province, China|||10762|Mancheng County, Hebei Province, China|||10762|Metalwork|Bronze|Furniture||BCE|-2|||150|100|ca|W. Han (second half 2nd c. B.C.)|ca 150-100 BCE||Tomb Of Liu Sheng|Larger entity||8039||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||26 cm height||9579|Shijiazhuang: Hebei Provincial Museum|Shijiazhuang: Hebei Provincial Museum||Archaeology ; Censers ; Furniture ; |Archaeology|Censers|Furniture|||||||Cornell||BZ|BZ|10/13/2006 0:00:00|10/13/2006 0:00:00|||Mancheng|0|||||||MTL||||W. HAN|CHINA||| ||||||||Work|0||Excavated in 1968. Weight: 3.4 kg.||||||||||0|0|Tomb Of Liu Sheng: Censer;Bo shan lu| 8119.00|0|Site|02|B-G1|Ely|3.1 Cath||B-G1 Ely 3.1 Cath |Lady Chapel|Assigned|Blue Guide|||||||Cathedral. Lady Chapel|0|||||0||||0|||||English|||Gothic (Medieval)|High Gothic||Europe||England||||||0|Ely, England|||11011||||0||||0|Architecture|Chapel||||14|||1321|1353||1321-1353|1321-1353||Cathedral|Larger entity||8118||||0||||||||||||||||||||||Chapels ; Lady chapels ; Virgin Mary ; |Chapels|Lady chapels|Virgin Mary|||||||Cornell||JNK|MNW|11/10/2006 0:00:00|10/26/2006 0:00:00||Ely||0||||||Cath|B|||||G1|3.1||||||||||Building|0||Decorated style.||||||||||0|0|Lady Chapel| 8120.00|0|Site|02|B-G1|StH|7.1 Wal||B-G1 StH 7.1 Wal |Strawberry Hill|Preferred|Dict.Art|||||||Strawberry Hill|12456|Walpole, Horace||author|Horace Walpole with J. Chute, R. Adam, J. Essex|2327|Chute, John||architect|175|Adam, Robert||architect||English|||Gothic Revival|||Europe||England||||||0|Strawberry Hill, London, England|||11012||||0||||0|Architecture|House||||18|||1747|1776||1747-1776|1747-1776|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|MNW|11/10/2006 0:00:00|10/26/2006 0:00:00||StH||0||||||Wal|B|||||G1|7.1||||||||||Building|0|Architecture-England|Strawberry Hill is the name of the house, as well as the neighborhood in which it lies. It is near the neighborhood of Twickenham.TGN.||||||||||0|0|Strawberry Hill|Walpole, Horace;Chute, John;Adam, Robert 8121.00|0|Site|02|B-G1|Fon|7.1 ||B-G1 Fon 7.1 |Fonthill Abbey|Preferred|Dict.Art|Beckford's Folley|Variant|Online Resource||||Fonthill Abbey|12964|Wyatt, James||architect|James Wyatt|0||||0|||||English|||Gothic Revival|||Europe||England||||||0|Hendon, Wiltshire, England|Near||11013||||0||||0|Architecture|House||||18|19||1796|1813||1796-1813; demol.|1796-1813|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|MNW|11/14/2006 0:00:00|10/26/2006 0:00:00||Fon||0|||||||B|||||G1|7.1||||||||||Building|0|Architecture-England|Built for William Beckford. Demolished although a fragment survives. DOA.||||||||||0|0|Fonthill Abbey;Beckford's Folley|Wyatt, James 8122.00|0|Creator|15|32|F9115-PA|1809||32 F9115-PA 1809 |Abbey in the Oak Forest|Translated|Repository|||||||Abbey in the Oak Forest|4175|Friedrich, Caspar David||painter|Caspar David Friedrich|0||||0|||||German|||Romantic|||Europe||Germany||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1809|1809||1809|1809-1809|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||108 x 170 cm||9416|Berlin: Staatliche Museen zu Berlin; Alte Nationalgalerie|Berlin: Alte Nationalgalerie||Abbeys ; Oak ; Trees ; Forests ; |Abbeys|Oak|Trees|Forests||||||Cornell||JNK|JNK|10/26/2006 0:00:00|10/26/2006 0:00:00|F9115|||0||||||1809|32|PA||||||| ||||||||Work|0||||||||||||0|0|Abbey in the Oak Forest|Friedrich, Caspar David 8123.00|0|Architect|02|O-Downing|1.0|Cot-Res||O-Downing 1.0 Cot-Res |Cottage in the English or Rural Gothic Style, Design II|Assigned|Image Source (Pub)|||||||Cottage Residences. Cottage in the English or Rural Gothic Style, Design II|3275|Downing, Andrew Jackson||architect|A. J. Downing|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Architectural Theory|Architectural drawing||||19|||1842|1842||1842|1842-1842||Cottage Residences|Larger entity||4306||||0|||||||||||drawing (image-making)|||||||||||Houses ; Architectural drawings ; |Houses|Architectural drawings||||||||Cornell||JNK|JNK|10/26/2006 0:00:00|10/26/2006 0:00:00|Downing|||0|||||||O||||||1.0|| ||||||||Work|0||||||||||||0|0|Cottage in the English or Rural Gothic Style, Design II|Downing, Andrew Jackson 8124.00|0|Site|02|B-G1|Lon|2.41 Par||B-G1 Lon 2.41 Par |New Palace of Westminster|Preferred|Dict.Art|Houses of Parliament|Variant|Image Source (Pub)||||New Palace of Westminster|27678|Barry & Pugin||architectural firm|Barry & Pugin|0|||architect|0|||architect||English|||Gothic Revival|||Europe||England||||||0|London, England|||10018||||0||||0|Architecture|Government office building||||19|||1840|1850||1840-1850|1840-1850|||||0||||0||||||||||||||||||||||Government office buildings ; Parliament buildings ; |Government office buildings|Parliament buildings||||||||Cornell||JNK|MNW|11/14/2006 0:00:00|10/26/2006 0:00:00||Lon||0||||||Par|B|||||G1|2.41||||||||||Building|0|Architecture-England|||||||||||0|0|New Palace of Westminster;Houses of Parliament|Barry & Pugin 8125.00|0|Architect|08|O-Pugin|Contrasts|||O-Pugin Contrasts |Contrasts: or, A Parallel Between the Noble Edifices of the Middle Ages, and Corresponding Buildings of the Present Day, Shewing the Present Decay of Tastee|Assigned|Collection|||||||Contrasts|9527|Pugin, Augustus Welby North||author|Pugin, A. W. N.|0||||0|||||English|||Gothic Revival|||Europe||England||||||0||||0||||0||||0|Publications|Book||||19|||1898|1898||1898|1898-1898|||||0||||0||||||||||||||||||||||Buildings ; Architectural drawings ; |Buildings|Architectural drawings||||||||Cornell||JNK|MNW|11/14/2006 0:00:00|10/26/2006 0:00:00|Pugin|||0||||||Contrasts|O||||||||||||||||Work|0|Theory|Published in Edinburgh by Grant.|||Published in 1836 and 1841 before the death of Pugin.|||||||0|0|Contrasts: or, A Parallel Between the Noble Edifices of the Middle Ages, and Corresponding Buildings of the Present Day, Shewing the Present Decay of Tastee|Pugin, Augustus Welby North 8126.00|0|Site|02|B-B33|NYC|2.111a Bro||B-B33 NYC 2.111a Bro |Brooklyn Bridge|Preferred|Dict.Art|||||||Brooklyn Bridge|9975|Roebling, John Augustus||engineer|John Augustus Roebling & Washington A. Roebling|9976|Roebling, Washington Augustus||engineer|0|||||American||||||North and Central America||United States||||||0|New York, NY|||10060||||0||||0|Architecture|Bridge (built work)||||19|||1869|1883||1869-1883|1869-1883|||||0||||0||||||||||||||||||||||Bridges (built works) ; |Bridges (built works)|||||||||Cornell||JNK|JNK|10/27/2006 0:00:00|10/27/2006 0:00:00||NYC||0||||||Bro|B|||||B33|2.111a||||||||||Work|0|Architecture-New York (NY)|Span[s] the East River between Manhattan and Brooklyn. Washington Augustus Roebling was appointed chief engineer upon Joh Augustus's death in 1869.DOA.||||||||||0|0|Brooklyn Bridge|Roebling, John Augustus;Roebling, Washington Augustus 8127.00|0|Site|02|B-B39|Pit|4.2 U/Pit||B-B39 Pit 4.2 U/Pit |University of Pittsburgh|Preferred|Dict.Art|||||||University of Pittsburgh|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Pittsburgh, PA|||10303||||0||||0|Architecture|University||||19|20||1787||aft|aft 1787|aft 1787|||||0||||0||||||||||||||||||||||Campuses ; Universities ; |Campuses|Universities||||||||Cornell||JNK|JNK|10/27/2006 0:00:00|10/27/2006 0:00:00||Pit||0||||||U/Pit|B|||||B39|4.2||||||||||Building|0|Architecture-Pennsylvania (PA)|||||||||||0|0|University of Pittsburgh| 7896.00|0|Architect|03|MA-Correa|7.4|1983-86 Bel||MA-Correa 7.4 1983-86 Bel |Belapur Housing|Preferred|Image Source (Pub)|Low-income Housing|Descriptive|ContemporaryArch||||Belapur Housing|2618|Correa, Charles Mark||architect|Charles Mark Correa|0||||0|||||Indian|||Modernist|||Asia||India||||||0|Nerul, India|||10963||||0||||0|Architecture|Housing||||20|||1983|1986||1983-1986|1983-1986|||||0||||0||||||||||||||||||||||Housing developments ; |Housing developments|||||||||Cornell||MNW|MNW|9/22/2006 0:00:00|9/22/2006 0:00:00|Correa|||0||||||Bel|MA||||||7.4|1983-86||||||||||0|Modern Architecture|Belapur is a new node in Nerul some two kilometers from the center of New Bombay. Charles Correa [1987].||||||||||0|0|Belapur Housing;Low-income Housing|Correa, Charles Mark 7897.00|0|Creator|15|CHINA|MTL|ZHOU||CHINA MTL ZHOU |Bronze Casting Model|Descriptive|Image Source (Pub)|||||||Bronze Casting Model|0|||||0||||0|||||Chinese|||Zhou (Chou)|Eastern Zhou (E.Chou)||Asia||China||||||0||||0|Houma, Shanxi Province, China|||10964|Houma, Shanxi Province, China|||10964|Metalwork|Bronze|Model (representation)|Tool|BCE|-6|-5|-4|770|256||Eastern Zhou (770-256 BCE)|770-256 BCE||Ancient Bronze Foundry Of The State Of Jin|Larger entity||7900||||0|||||Casting. Clay|clay|||||casting|bronzing|modeling (forming)|||||9686|Beijing: Bureau of Cultural Relics|Beijing: Bureau of Cultural Relics||Archaeology ; Models (representations) ; |Archaeology|Models (representations)||||||||Cornell||BZ|BZ|9/26/2006 0:00:00|9/22/2006 0:00:00|||Houma|0|||||||MTL|||CHINA|ZHOU|||| ||||||||Work|0||||||||||||0|0|Bronze Casting Model| 7898.00|0|Site|02|B-R1|Huangpi|3.3 Panlongcheng||B-R1 Huangpi 3.3 Panlongcheng |Panlongcheng Tombs|Descriptive|Image Source (Pub)|||||||Panlongcheng Tombs|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0||||0|Huangpi County, Hubei Province, China|||10965|Huangpi County, Hubei Province, China|||10965|Architecture|Archaeological site|Tomb||BCE|-16|-15|-14|1766|1122||Shang (1766-1122 BCE)|1766-1122 BCE|||||0||||0||||||||||||||||||||||Archaeology ; Tombs ; Vessels ; Knives (culinary tools) ; Skeletons ; |Archaeology|Tombs|Vessels|Knives (culinary tools)|Skeletons|||||Cornell||BZ|BZ|9/26/2006 0:00:00|9/22/2006 0:00:00|||Huangpi|0||||||Panlongcheng|B|||||R1|3.3||||||||||Work|0|Architecture-China|||||||||||0|0|Panlongcheng Tombs| 7899.00|0|Site|02|B-K3|Ath|7.5 House||B-K3 Ath 7.5 House |House in Agora Area|Descriptive|Cataloger|||||||House in Agora Area|0|||||0||||0|||||Greek||||||Europe||Greece||||||0|Athens, Greece|||10065||||0||||0|Architecture|House||||12|||1100|1199||12th C CE|1100-1199|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|JNK|9/22/2006 0:00:00|9/22/2006 0:00:00||Ath||0||||||House|B|||||K3|7.5||||||||||Work|0|Architecture-Greece|||||||||||0|0|House in Agora Area| 7900.00|0|Creator|15|CHINA|MTL|ZHOU||CHINA MTL ZHOU |Ancient Bronze Foundry Of The State Of Jin|Descriptive|Image Source (Pub)|||||||Ancient Bronze Foundry Of The State Of Jin|0|||||0||||0|||||Chinese|||Zhou (Chou)|Eastern Zhou (E.Chou)||Asia||China||||||0||||0|Houma, Shanxi Province, China|||10964|Houma, Shanxi Province, China|||10964|Metalwork|Bronze|Model (representation)|Tool|BCE|-6|-5|-4|770|256||Eastern Zhou (770-256 BCE)|770-256 BCE|||||0||||0|||||Casting. Clay|clay|||||casting|bronzing|modeling (forming)|||||9686|Beijing: Bureau of Cultural Relics|Beijing: Bureau of Cultural Relics||Archaeology ; Models (representations) ; |Archaeology|Models (representations)||||||||Cornell||BZ|BZ|9/26/2006 0:00:00|9/22/2006 0:00:00|||Houma|0|||||||MTL|||CHINA|ZHOU|||| ||||||||Work|0||||||||||||0|0|Ancient Bronze Foundry Of The State Of Jin| 7901.00|0|Site|02|B-H3|Pom|7.5 Vet||B-H3 Pom 7.5 Vet |House of the Vettii|Preferred|Blue Guide|||||||House of the Vettii|0|||||0||||0|||||Roman|||Roman Period|||Europe||Italy||||||0|Pompeii, Italy|||10133||||0||||0|Architecture|House|||CE|01|||0062|0079|ca|ca 62-79|ca 0062-0079|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|JNK|9/22/2006 0:00:00|9/22/2006 0:00:00||Pom||0||||||Vet|B|||||H3|7.5||||||||||Work|0|Architecture-Italy|The house belonged to Aulus Vettius Restitutus and Aulus Vettius Conviva two wealthy merchants of the Roman colony.||||||||||0|0|House of the Vettii| 7902.00|0|Site|15|E-07|Paestum (Tomb)|4||E-07 Paestum (Tomb) 4 |Tomb Painting|Descriptive|Image Source (Pub)|||||||Tomb Painting|0|||||0||||0|||||Roman|||Roman Period|||Europe||Italy||||||0|Paestum, Italy|||10067||||0||||0|Paintings|Tomb|Painting||BCE|-06|||-520|-520||520 BCE|-520--520|||||0||||0||||||||||||||||||||||Tombs ; Painting (image making) ; |Tombs|Painting (image making)||||||||Cornell||JNK|JNK|9/22/2006 0:00:00|9/22/2006 0:00:00||Pae||0||||||(Tomb) 4|E|||07|||||||||||||Work|0||||||||||||0|0|Tomb Painting| 7903.00|0|Site|02|B-H3|Ost|7.4 ||B-H3 Ost 7.4 |Insulae|Assigned|Image Source (Pub)|Apartment blocks|Variant|Cataloger||||Insulae (apartment blocks)|0|||||0||||0|||||Roman|||Roman Period|||Europe||Italy||||||0|Ostia Antica, Italy|||10772||||0||||0|Architecture|Apartment house||||||||||||||||0||||0||||||||||||||||||||||Apartment houses ; |Apartment houses|||||||||Cornell||JNK|JNK|9/22/2006 0:00:00|9/22/2006 0:00:00||Ost||0|||||||B|||||H3|7.4||||||||||Work|0|Architecture-Italy|||||||||||0|0|Insulae;Apartment blocks| 7904.00|0|Site|02|B-R1|Huangpi|3.3 Lijiazui T2||B-R1 Huangpi 3.3 Lijiazui T2 |Panlongcheng Tombs: Tomb 2 At Lijiazui|Descriptive|Image Source (Pub)|||||||Panlongcheng Tombs: Tomb 2 At Lijiazui|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0||||0|Huangpi County, Hubei Province, China|||10965|Huangpi County, Hubei Province, China|||10965|Architecture|Archaeological site|Tomb||BCE|-16|-15|-14|1766|1122||Shang (1766-1122 BCE)|1766-1122 BCE||Panlongcheng Tombs|Larger entity||7898||||0||||||||||||||||||||||Archaeology ; Tombs ; Vessels ; Knives (culinary tools) ; Skeletons ; |Archaeology|Tombs|Vessels|Knives (culinary tools)|Skeletons|||||Cornell||BZ|BZ|9/26/2006 0:00:00|9/22/2006 0:00:00|||Huangpi|0||||||Lijiazui T2|B|||||R1|3.3||||||||||Work|0|Architecture-China|The plan shows positions of Nos.4, 5, and 7 at time of excavation. Drawing by Phyllis Ward after Wenwu 1976/2, P.12, Fig.10.||||||||||0|0|Panlongcheng Tombs: Tomb 2 At Lijiazui| 7905.00|0|Creator|15|CHINA|JADE|XIA||CHINA JADE XIA |Erlitou Palace Remains: Blade|Descriptive|Image Source (Pub)|||||||Erlitou Palace Remains: Blade|0|||||0||||0|||||Chinese|||Xia|||Asia||China||||||0||||0|Erlitou, Yanshi County, Henan Province, China|||10740|Erlitou, Yanshi County, Henan Province, China|||10740|Jewelry|Jade|||BCE|-17|-16|-15|1800|1500|ca|Xia (ca 1800-1500 BCE)|ca 1800-1500 BCE||Erlitou Palace Remains|Larger entity||7906||||0|||||Carving. Jade|jade|||||carving|||||48.1 cm x 7.8 cm||9754|Henan: Cultural Office of Yanshi County|Henan: Cultural Office of Yanshi County||Archaeology ; Knives (culinary tools) ; |Archaeology|Knives (culinary tools)||||||||Cornell||BZ|BZ|9/26/2006 0:00:00|9/22/2006 0:00:00|||Erlitou|0|||||||JADE|||CHINA|XIA|||| ||||||||Work|0||Erlitou Culture Period (19th c.-16th c. B.C.). Found in 1975.||||||||||0|0|Erlitou Palace Remains: Blade| 7906.00|0|Site|02|B-R1|Erlitou|3.3 Palace||B-R1 Erlitou 3.3 Palace |Erlitou Palace Remains|Descriptive|Image Source (Pub)|||||||Erlitou Palace Remains|0|||||0||||0|||||Chinese|||Xia|||Asia||China||||||0||||0|Erlitou, Yanshi County, Henan Province, China|||10740|Erlitou, Yanshi County, Henan Province, China|||10740|Architecture|Archaeological site|Palace|Vessel|BCE|-17|-16|-15|1800|1500|ca|Xia (ca 1800-1500 BCE)|ca 1800-1500 BCE|||||0||||0||||||||||||||||||||||Archaeology ; Palaces ; Vessels ; Knives (culinary tools) ; |Archaeology|Palaces|Vessels|Knives (culinary tools)||||||Cornell||BZ|BZ|9/26/2006 0:00:00|9/22/2006 0:00:00|||Erlitou|0||||||Palace|B|||||R1|3.3||||||||||Work|0|Architecture-China|||||||||||0|0|Erlitou Palace Remains| 7907.00|0|Site|02|B-H3|Ita|1.0 ConstM/BriWIt||B-H3 Ita 1.0 ConstM/BriWIt |Double Ring Arch from Palatine Hill, Rome|Descriptive|Image Source (Pub)|||||||Double Ring Arch from Palatine Hill, Rome|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Architecture|Architectural drawing||||20||||||||||||0||||0|||||||||||drawing (image-making)|||||||||||Arches ; Architectural drawings ; |Arches|Architectural drawings||||||||Cornell||JNK|JNK|9/22/2006 0:00:00|9/22/2006 0:00:00||Ita||0||||||ConstM/BriWIt|B|||||H3|1.0||||||||||Work|0|Architecture-Italy|ARA-6 from the Brickwork in Italy set of images, International Masonry Institute/Abrose Richardson, 1980.||||||||||0|0|Double Ring Arch from Palatine Hill, Rome| 7908.00|0|Architect|03|MA-Colter|1.011|Har|1|MA-Colter 1.011 Har 1|Three Thousand Miles of Hospitality|Inscribed|Image Source (Pub)|3,000 Miles of Hospitality|Variant|Image Source (Pub)|Fred Harvey Hotels and Fred Harvey Restaurants|Variant|Image Source (Pub)|Three Thousand Miles of Hospitality|31147|Fred Harvey (firm)||firm|Fred Harvey (firm)|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Maps|Map||||20|||1900|1999|ca|20th century|ca 1900-1999|||||0||||0||||||||||||||||||||||Maps ; |Maps|||||||||Cornell||MNW|MNW|9/22/2006 0:00:00|9/22/2006 0:00:00|Colter|||0||||||Har|MA||||||1.011||||||||||Work|0|Modern Architecture|Map showing Fred Harvey Hotels and Restaurants with mileage indicated between cities.||||||||||0|0|Three Thousand Miles of Hospitality;3,000 Miles of Hospitality;Fred Harvey Hotels and Fred Harvey Restaurants|Fred Harvey (firm) 7909.00|0||||||||Temple of Vesta|Assigned|Blue Guide|||||||Temple of Vesta|0|||||0||||0|||||Roman|||Roman Period|||Europe||Romania||||||0|Tivoli, Italy|||10110||||0||||0|Architecture|Temple|||CE|01|||0072|0072||72 CE|0072-0072|||||0||||0||||||||||||||||||||||Temples ; Temple of Vesta (Tivoli, Italy) ; |Temples|Temple of Vesta (Tivoli, Italy)||||||||Cornell||JNK|JNK|9/22/2006 0:00:00|9/22/2006 0:00:00||Tiv||0||||||||||||||||||||||||0||||||||||||0|0|Temple of Vesta| 7910.00|0|Architect|03|MA-Colter|7.2|1935 BriAng||MA-Colter 7.2 1935 BriAng |Bright Angel Lodge|Assigned|Image Source (Pub)|||||||Bright Angel Lodge|31142|Colter, Mary Elizabeth||architect|Mary Elizabeth Colter|31147|Fred Harvey (firm)|||0|||||American||||||North and Central America||United States||||||0|Grand Canyon, Arizona|||10688||||0||||0|Architecture|Hotel (public accommodation)||||20|||1935|1935||1935|1935-1935|||||0||||0||||||||||||||||||||||Hotels (public accommodations) ; |Hotels (public accommodations)|||||||||Cornell||MNW|MNW|9/22/2006 0:00:00|9/22/2006 0:00:00|Colter|||0||||||BriAng|MA||||||7.2|1935|||||||||Work|0|Modern Architecture|||||||||||0|0|Bright Angel Lodge|Colter, Mary Elizabeth;Fred Harvey (firm) 7911.00|0|Site|08|B-|1.0|ConstM/BriWIt||B- 1.0 ConstM/BriWIt |Arch construction, showing centering|Descriptive|Image Source (Pub)|||||||Arch construction, showing centering|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Architecture|Architectural drawing||||20||||||||||||0||||0|||||||||||drawing (image-making)|||||||||||Arches ; |Arches|||||||||Cornell||JNK|JNK|9/22/2006 0:00:00|9/22/2006 0:00:00||Italy||0||||||ConstM/BriWIt|B|||||H3|1.0||||||||||Work|0|Architecture|ARA-10 from the Brickwork in Italy set of images, International Masonry Institute/Abrose Richardson, 1980.||||||||||0|0|Arch construction, showing centering| 7912.00|0|Site|02|B-H3|Italy|1.0 ConstM/BriWIt|ARD-8|B-H3 Italy 1.0 ConstM/BriWIt ARD-8|Hollow tubes used in dome construction|Descriptive|Image Source (Pub)|||||||Hollow tubes used in dome construction|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Architecture|Architectural drawing||||20||||||||||||0||||0|||||||||||drawing (image-making)|||||||||||Domes ; Construction ; |Domes|Construction||||||||Cornell||JNK|JNK|9/22/2006 0:00:00|9/22/2006 0:00:00||Italy||0||||||ConstM/BriWIt|B|||||H3|1.0||ARD-8||||||||Work|0|Architecture-Italy|ARD-8 from the Brickwork in Italy set of images, International Masonry Institute/Abrose Richardson, 1980.||||||||||0|0|Hollow tubes used in dome construction| 7913.00|0|Site|02|B-J3|Trier|3.1 Basilica||B-J3 Trier 3.1 Basilica |Basilica|Assigned|Repository|Aula Palatina|Former|Blue Guide||||Basilica|0|||||0||||0|||||Roman|||Roman Period|||Europe||Germany||||||0|Trier, Germany|||10843||||0||||0|Architecture|Basilica|Church||CE|04|||0310|0310||310|0310-0310|||||0||||0||||||||||||||||||||||Basilicas ; Churches ; |Basilicas|Churches||||||||Cornell||JNK|JNK|9/22/2006 0:00:00|9/22/2006 0:00:00||Trier||0||||||Basilica|B|||||J3|3.1||||||||||Work|0|Architecture-Germany|||||||||||0|0|Basilica;Aula Palatina| 7914.00|0|Site|02|B-Q7.2|Jak|1.1 Aer||B-Q7.2 Jak 1.1 Aer |Aerial view of Jakarta|Descriptive|Image Source (Pub)||||||||0|||||0||||0|||||Indonesian||||||||Indonesia||||||0|Jakarta, Indonesia|||10966||||0||||0|Photographs|Documentary photograph|Cityscape|Aerial view||20|||1980|1987|ca|ca 1980-1987|ca 1980-1987|||||0||||0|||||||||||photography|||||||||||Jakarta (Indonesia) ; Cityscapes ; |Jakarta (Indonesia)|Cityscapes||||||||Cornell||MNW|MNW|9/25/2006 0:00:00|9/22/2006 0:00:00||Jak||0||||||Aer|B|||||Q7.2|1.1||||||||||Work|0|Architecture-Java|||||||||||0|0|Aerial view of Jakarta| 7915.00|0|Site|02|B-D3|Rio|1.1 Aer||B-D3 Rio 1.1 Aer |Aerial View of Rio de Janiero|Collective Title|Image Source (Pub)|||||||Aerial View of Rio de Janiero|0|||||0||||0|||||Brazilian||||||South America||Brazil||||||0|Rio de Janeiro, Brazil|||10142||||0||||0|Photographs|Documentary photograph|Aerial view|||20|||1975|1982||1975-1982|1975-1982|||||0||||0||||||||||||||||||||||||||||||||Cornell||MNW|MNW|9/25/2006 0:00:00|9/22/2006 0:00:00||Rio||0||||||Aer|B|||||D3|1.1||||||||||Work|0|Architecture-Brazil|||||||||||0|0|Aerial View of Rio de Janiero| 7916.00|0|Site|02|B-Q8|Sing|2.111 EasC|||East Coast Parkway|||||||||East Coast Parkway|0|||||0||||0|||||||||||||||||||0|Singapore|||10967||||0||||0|Architecture|Highway||||20|||1950|1990|ca|ca 1950-1990|ca 1950-1990|||||0||||0||||||||||||||||||||||Highways ; |Highways|||||||||Cornell||MNW|MNW|9/22/2006 0:00:00|9/22/2006 0:00:00||Sing||0||||||EasC|B|||||Q8|2.111||||||||||Work|0|Architecture-Malaysia|||||||||||0|0|East Coast Parkway| 7917.00|0|Site|02|B-Q6|Bang|1.1 |5|B-Q6 Bang 1.1 5|Aerial View of Downtown Hotel District Along the Chao Phya|Descriptive|Image Source (Pub)|||||||Aerial View of Downtown Hotel District Along the Chao Phya|0|||||0||||0|||||Thai||||||Asia||Thailand||||||0|Bangkok, Thailand|||10968||||0||||0|Architecture|Cityscape|Documentary photograph|Aerial view||20|||1980|1988|ca|ca 1980-1988|ca 1980-1988|||||0||||0||||||||||||||||||||||Hotels (public accommodations) ; Bangkok (Thailand) ; Cityscapes ; |Hotels (public accommodations)|Bangkok (Thailand)|Cityscapes|||||||Cornell||MNW|MNW|9/25/2006 0:00:00|9/25/2006 0:00:00||Bang||0|||||||B|||||Q6|1.1||||||||||Work|0|Architecture-Thailand (Siam)|||||||||||0|0|Aerial View of Downtown Hotel District Along the Chao Phya| 7918.00|0|Site|02|B-B33|NYC|1.1 Aerial|25|B-B33 NYC 1.1 Aerial 25|Aerial View of Midtown Manhattan, New York (N.Y.)|Descriptive|Cataloger|||||||Aerial View of Midtown Manhattan, New York (N.Y.)|0|||||0||||0|||||American||||||North and Central America||United States||||||0|New York, NY|||10060||||0||||0|Architecture|Aerial view|Cityscape|Documentary photograph||20|||1977|1983|ca|ca 1977-1983|ca 1977-1983|||||0||||0||||||||||||||||||||||Cityscapes ; Skyscrapers ; Grand Central Terminal (New York, N. Y.) ; MetLife Building (New York, N.Y.) ; Citicorp Center (New York, N.Y.) ; Railroad stations ; |Cityscapes|Skyscrapers|Grand Central Terminal (New York, N. Y.)|MetLife Building (New York, N.Y.)|Citicorp Center (New York, N.Y.)|Railroad stations||||Cornell||MNW|MNW|9/25/2006 0:00:00|9/25/2006 0:00:00||NYC||0||||||Aerial|B|||||B33|1.1||||||||||Work|0|Architecture-New York (NY)|||||||||||0|0|Aerial View of Midtown Manhattan, New York (N.Y.)| 7919.00|0|Site|02|B-Q6|Bang|1.1 |3|B-Q6 Bang 1.1 3|Aerial View of Downtown Bangkok|Descriptive|Image Source (Pub)|||||||Aerial View of Downtown Bangkok|0|||||0||||0|||||Thai||||||Asia||Thailand||||||0|Bangkok, Thailand|||10968||||0||||0|Architecture|Cityscape|Aerial view|Documentary photograph||20|||1980|1988|ca|ca 1980-1988|ca 1980-1988|||||0||||0||||||||||||||||||||||Cityscapes ; Skyscrapers ; Central business districts ; Urban planning ; |Cityscapes|Skyscrapers|Central business districts|Urban planning||||||Cornell||MNW|MNW|9/25/2006 0:00:00|9/25/2006 0:00:00||Bang||0|||||||B|||||Q6|1.1||||||||||Work|0|Architecture-Thailand (Siam)|||||||||||0|0|Aerial View of Downtown Bangkok| 7921.00|0|Site|02|B-R1|Shang|1.1 |1|B-R1 Shang 1.1 1|View of Lujianzui from Puxi (Shanghai, China)|Descriptive|Image Source (Pub)|||||||View of Lujianzui from Puxi (Shanghai, China)|0|||||0||||0|||||Chinese||||||Asia||China||||||0|Shanghai, China|||10405||||0||||0|Architecture|Aerial view|Cityscape|Documentary photograph||20|||1990|2000|ca|ca 1990-2000|ca 1990-2000|||||0||||0||||||||||||||||||||||Shanghai (China) ; Central business districts ; Skyscrapers ; Towers (single built works) ; Cityscapes ; |Shanghai (China)|Central business districts|Skyscrapers|Towers (single built works)|Cityscapes|||||Cornell||MNW|MNW|9/25/2006 0:00:00|9/25/2006 0:00:00||Shang||0|||||||B|||||R1|1.1||||||||||Work|0|Architecture-China|||||||||||0|0|View of Lujianzui from Puxi (Shanghai, China)| 7922.00|0|Site|02|B-B33|NYC|1.1 Aer|58|B-B33 NYC 1.1 Aer 58|Aerial View of Lower Manhattan Financial District With Battery Park (New York, N.Y.)|Descriptive|Image Source (Pub)|||||||Aerial View of Lower Manhattan Financial District With Battery Park (New York, N.Y.)|0|||||0||||0|||||American||||||North and Central America||United States||||||0|New York, NY|||10060||||0||||0|Architecture|Cityscape|Aerial view|Documentary photograph||20|||1990|1999|ca|ca 1990-1999|ca 1990-1999|||||0||||0||||||||||||||||||||||New York (NY) ; Battery Park (New York, N.Y.) ; Skyscrapers ; Cityscapes ; |New York (NY)|Battery Park (New York, N.Y.)|Skyscrapers|Cityscapes||||||Cornell||MNW|MNW|9/25/2006 0:00:00|9/25/2006 0:00:00||NYC||0||||||Aer|B|||||B33|1.1||||||||||Work|0|Architecture-New York (NY)|||||||||||0|0|Aerial View of Lower Manhattan Financial District With Battery Park (New York, N.Y.)| 7923.00|0|Site|02|B-Q5|Bom|1.043 Met|1|B-Q5 Bom 1.043 Met 1|Metropolitan Region: Land Use Plan, 1996-2001|Inscribed|Image Source (Pub)|||||||Metropolitan Region: Land Use Plan, 1996-2001|0|||||0||||0|||||Indian||||||Asia||India||||||0|Mumbai, India|||10191||||0||||0|Maps|Map|Plan (drawing)|Municipal plan||20|21||1996|2011||1996-2011|1996-2011|||||0||||0||||||||||||||||||||||Maps ; Urban planning ; |Maps|Urban planning||||||||Cornell||MNW|MNW|9/25/2006 0:00:00|9/25/2006 0:00:00||Bom||0||||||Met|B|||||Q5|1.043||||||||||Work|0|Architecture-India|The plan envisages the setting up of new commercial and industrial zones. Industries will be classified by environmental impact rather than size. Http://theory.tifr.res.in/bombay/amenities/housing/masterplan.html; accessed, 9/25/2006.||||||||||0|0|Metropolitan Region: Land Use Plan, 1996-2001| 7924.00|0|Site|02|B-Q5|Bom|1.1 Gen|10|B-Q5 Bom 1.1 Gen 10|Laundry Business in Mumbai|Descriptive|Image Source (Pub)|||||||Laundry Business in Mumbai|0|||||0||||0|||||Indian||||||Asia||India||||||0|Mumbai, India|||10191||||0||||0|Photographs|Documentary photograph|Laundries (businesses)|||20|||1980|1990|ca|ca 1980-1990|ca 1980-1990|||||0||||0|||||||||||photography|||||||||||Laundries (businesses) ; Workers ; |Laundries (businesses)|Workers||||||||Cornell||MNW|MNW|9/25/2006 0:00:00|9/25/2006 0:00:00||Bom||0||||||Gen|B|||||Q5|1.1|||||||||||0|Architecture-India|||||||||||0|0|Laundry Business in Mumbai| 7925.00|0|Site|02|B-Q5|Bom|7.4 Cha||B-Q5 Bom 7.4 Cha |A Bombay Chawl|Descriptive|Image Source (Pub)||||||||31287|Mehrotra, Rahul||photographer|Rahul Mehrotra|0||||0|||||Indian||||||Asia||India||||||0|Mumbai, India|||10191||||0||||0|Architecture|Tenement house|Documentary photograph|||20|||1986|1986||1986|1986-1986|||||0||||0|||||||||||photography|||||||||||Tenement houses ; Chawls ; |Tenement houses|Chawls||||||||Cornell||MNW|MNW|9/25/2006 0:00:00|9/25/2006 0:00:00||Bom||0||||||Cha|B|||||Q5|7.4||||||||||Work|0|Architecture-India|||||||||||0|0|A Bombay Chawl|Mehrotra, Rahul 7926.00|0|Site|02|B-Q5|Bom|8.1 Tex||B-Q5 Bom 8.1 Tex |Textile Mill in Bombay|Descriptive|Image Source (Pub)|||||||Textile Mill in Bombay|0|||||0||||0|||||Indian||||||Asia||India||||||0|Mumbai, India|||10191||||0||||0|Architecture|Mill|Documentary photograph|||||||||||||||0||||0||||||||||||||||||||||Textile mills ; |Textile mills|||||||||Cornell||MNW|MNW|9/25/2006 0:00:00|9/25/2006 0:00:00||Bom||0||||||Tex|B|||||Q5|8.1||||||||||Work|0|Architecture-India|||||||||||0|0|Textile Mill in Bombay| 7927.00|0|Site|02|B-Q5|Bom|1.06 |1|B-Q5 Bom 1.06 1|Expansion of Greater Bombay from Origins to 1965|Descriptive|Image Source (Pub)|||||||Expansion of Greater Bombay from Origins to 1965|0|||||0||||0|||||Indian||||||Asia||India||||||0|Mumbai, India|||10191||||0||||0|Maps|Map|Municipal plan||||||1965|1965||1965|1965-1965|||||0||||0||||||||||||||||||||||Mumbai (India) ; Urban planning ; |Mumbai (India)|Urban planning||||||||Cornell||MNW|MNW|9/25/2006 0:00:00|9/25/2006 0:00:00||Bom||0|||||||B|||||Q5|1.06||||||||||Work|0|Architecture-India|||||||||||0|0|Expansion of Greater Bombay from Origins to 1965| 7928.00|0|Site|02|B-Q5|Del|7.4 Col|5-2|B-Q5 Del 7.4 Col 5-2|Jhuggi (Slum) Dwellers Wait to Collect Water at the Kalkaji DDA Complex|Descriptive|Image Source (Pub)|||||||Jhuggi (Slum) Dwellers Wait to Collect Water at the Kalkaji DDA Complex|0|||||0||||0|||||Indian||||||Asia||India||||||0|Delhi, India|||10200||||0||||0|Architecture|Documentary photograph|Cityscape|Documentary photograph||20|||1991|2001|ca|ca 1991-2001|ca 1991-2001|||||0||||0|||||||||||photography|||||||||||Cityscapes ; |Cityscapes|||||||||Cornell||MNW|MNW|9/25/2006 0:00:00|9/25/2006 0:00:00||Del||0||||||Col|B|||||Q5|7.4||||||||||Work|0|Architecture-India|||||||||||0|0|Jhuggi (Slum) Dwellers Wait to Collect Water at the Kalkaji DDA Complex| 7929.00|0|Site|02|B-Q5|Del|7.4 Col|5-1|B-Q5 Del 7.4 Col 5-1|Unplanned Housing Colony|Descriptive|Image Source (Pub)|||||||Unplanned Housing Colony|0|||||0||||0|||||Indian||||||Asia||India||||||0|Delhi, India|||10200||||0||||0|Architecture|Housing|Streetscape|Documentary photograph||20|||1991|2001|ca|ca 1991-2001|ca 1991-2001|||||0||||0|||||||||||photography|||||||||||Housing developments ; Delhi (India) ; |Housing developments|Delhi (India)||||||||Cornell||MNW|MNW|9/25/2006 0:00:00|9/25/2006 0:00:00||Del||0||||||Col|B|||||Q5|7.4||||||||||Work|0|Architecture-India|||||||||||0|0|Unplanned Housing Colony| 7930.00|0|Site|02|B-Q5|Del|7.4 Mid||B-Q5 Del 7.4 Mid |Middle Class Apartments|Descriptive|Image Source (Pub)|||||||Middle Class Apartments|0|||||0||||0|||||Indian||||||Asia||India||||||0|Delhi, India|||10200||||0||||0|Architecture|Apartment house||||||||||||||||0||||0||||||||||||||||||||||Apartment houses ; Delhi (India) ; |Apartment houses|Delhi (India)||||||||Cornell||MNW|MNW|9/25/2006 0:00:00|9/25/2006 0:00:00||Del||0||||||Mid|B|||||Q5|7.4||||||||||Work|0|Architecture-India|||||||||||0|0|Middle Class Apartments| 7931.00|0|Creator|15|CHINA|MTL|SHANG||CHINA MTL SHANG |Panlongcheng Tomb 2 At Lijiazui: Vessel (He)|Descriptive|Image Source (Pub)|He|Descriptive|Image Source (Pub)||||Panlongcheng Tomb 2 At Lijiazui: Vessel (He)|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0||||0|Huangpi County, Hubei Province, China|||10965|Huangpi County, Hubei Province, China|||10965|Metalwork|Bronze|Vessel|Tool|BCE|-16|-15|-14|1766|1500||Erligang Period (16th c. - 14th c. BCE)|1766-1500 BCE||Panlongcheng Tombs: Tomb 2 At Lijiazui|Larger entity||7904||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||34.6 cm high||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||Vessels ; Tools ; Archaeology ; |Vessels|Tools|Archaeology|||||||Cornell||BZ|BZ|10/4/2006 0:00:00|9/26/2006 0:00:00|||Huangpi|0|||||||MTL|||CHINA|SHANG|||| ||||||||Work|0||Excavated in 1974. Weight: 1.85 kg. (4 lb. 1 oz.) Mid-2nd millennium BCE (Erligang Culture: Zhenzhou phase)||||||||||0|0|Panlongcheng Tomb 2 At Lijiazui: Vessel (He);He| 7932.00|0|Site|02|B-B42|Char|7.5 Dray||B-B42 Char 7.5 Dray |Drayton Hall|Preferred|Repository|||||||Drayton Hall|0|||||0||||0|||||American|||Georgian|||North and Central America||United States||||||0|Charleston, South Carolina|||10132||||0||||0|Architecture|House||||18|||1738|1742||1738-1742|1738-1742|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|JNK|9/26/2006 0:00:00|9/26/2006 0:00:00||Char||0||||||Dray|B|||||B42|7.5||||||||||Building|0|Architecture-South Carolina (SC)|Built for John Drayton. "Drayton Hall is widely recognized as America's premier Georgian-Palladian building." www.draytonhall.org.||||||||||0|0|Drayton Hall| 7933.00|0|Creator|15|CHINA|MTL|SHANG||CHINA MTL SHANG |Panlongcheng Tomb 2 At Lijiazui: Vessel (Jia)|Descriptive|Image Source (Pub)|Jia|Descriptive|Image Source (Pub)||||Panlongcheng Tomb 2 At Lijiazui: Vessel (Jia)|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0||||0|Huangpi County, Hubei Province, China|||10965|Huangpi County, Hubei Province, China|||10965|Metalwork|Bronze|Vessel|Tool|BCE|-16|-15|-14|1766|1500||Erligang Period (16th c. - 14th c. BCE)|1766-1500 BCE||Panlongcheng Tombs: Tomb 2 At Lijiazui|Larger entity||7904||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||30.1 cm high; 19.5 cm diameter||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||Vessels ; Tools ; Archaeology ; |Vessels|Tools|Archaeology|||||||Cornell||BZ|BZ|10/4/2006 0:00:00|9/26/2006 0:00:00|||Huangpi|0|||||||MTL|||CHINA|SHANG|||| ||||||||Work|0||Excavated in 1974. Weight: 2.25 kg. (5 lb.) Mid-2nd millennium BCE (Erligang Culture: Zhenzhou phase)||||||||||0|0|Panlongcheng Tomb 2 At Lijiazui: Vessel (Jia);Jia| 7934.00|0|Creator|15|CHINA|MTL|SHANG||CHINA MTL SHANG |Panlongcheng Tomb 1 At Lijiazui: Vessel (Gui)|Descriptive|Image Source (Pub)|Gui|Descriptive|Image Source (Pub)||||Panlongcheng Tomb 1 At Lijiazui: Vessel (Gui)|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0||||0|Huangpi County, Hubei Province, China|||10965|Huangpi County, Hubei Province, China|||10965|Metalwork|Bronze|Vessel|Tool|BCE|-16|-15|-14|1766|1500||Erligang Period (16th c. - 14th c. BCE)|1766-1500 BCE||Panlongcheng Tombs: Tomb 1 At Lijiazui|Larger entity||7935||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||17.4 cm high; 24.5 cm diameter||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||Vessels ; Tools ; Archaeology ; |Vessels|Tools|Archaeology|||||||Cornell||BZ|BZ|10/4/2006 0:00:00|9/26/2006 0:00:00|||Huangpi|0|||||||MTL|||CHINA|SHANG|||| ||||||||Work|0||Excavated in 1974. Weight: 2.8 kg. (6 lb.3 oz.) Mid-2nd millennium BCE (Erligang Culture: Zhenzhou phase)||||||||||0|0|Panlongcheng Tomb 1 At Lijiazui: Vessel (Gui);Gui| 7935.00|0|Site|02|B-R1|Huangpi|3.3 Lijiazui T1||B-R1 Huangpi 3.3 Lijiazui T1 |Panlongcheng Tombs: Tomb 1 At Lijiazui|Descriptive|Image Source (Pub)|||||||Panlongcheng Tombs: Tomb 1 At Lijiazui|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0||||0|Huangpi County, Hubei Province, China|||10965|Huangpi County, Hubei Province, China|||10965|Architecture|Archaeological site|Tomb||BCE|-16|-15|-14|1766|1122||Shang (1766-1122 BCE)|1766-1122 BCE||Panlongcheng Tombs|Larger entity||7898||||0||||||||||||||||||||||Archaeology ; Tombs ; Vessels ; Tools ; Skeletons ; |Archaeology|Tombs|Vessels|Tools|Skeletons|||||Cornell||BZ|BZ|9/26/2006 0:00:00|9/26/2006 0:00:00|||Huangpi|0||||||Lijiazui T1|B|||||R1|3.3||||||||||Work|0|Architecture-China|||||||||||0|0|Panlongcheng Tombs: Tomb 1 At Lijiazui| 7936.00|0|Creator|15|CHINA|MTL|SHANG||CHINA MTL SHANG |Panlongcheng Tomb 1 At Lijiazui: Vessel (You)|Descriptive|Image Source (Pub)|You|Descriptive|Image Source (Pub)||||Panlongcheng Tomb 1 At Lijiazui: Vessel (You)|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0||||0|Huangpi County, Hubei Province, China|||10965|Huangpi County, Hubei Province, China|||10965|Metalwork|Bronze|Vessel|Tool|BCE|-16|-15|-14|1766|1500||Erligang Period (16th c. - 14th c. BCE)|1766-1500 BCE||Panlongcheng Tombs: Tomb 1 At Lijiazui|Larger entity||7935||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||31 cm high||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||Vessels ; Tools ; Archaeology ; |Vessels|Tools|Archaeology|||||||Cornell||BZ|BZ|10/4/2006 0:00:00|9/26/2006 0:00:00|||Huangpi|0|||||||MTL|||CHINA|SHANG|||| ||||||||Work|0||Excavated in 1974. Weight: 1.7 kg. (3 lb.12 oz.) Mid-2nd millennium BCE (Erligang Culture: Zhenzhou phase)||||||||||0|0|Panlongcheng Tomb 1 At Lijiazui: Vessel (You);You| 7937.00|0|Creator|15|CHINA|MTL|SHANG||CHINA MTL SHANG |Vessel (Lei)|Descriptive|Image Source (Pub)|Lei|Descriptive|Image Source (Pub)||||Vessel (Lei)|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|Vessel|Tool|BCE|-15|-14||1600|1500||Erligang-Yinxu Period (15th c. - 14th c. BCE ?)|1600-1500 BCE ?|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||52 cm high; 61 cm greatest diameter||292|Beijing: Palace Museum|Beijing: Palace Museum||Vessels ; Tools ; Archaeology ; |Vessels|Tools|Archaeology|||||||Cornell||BZ|BZ|10/4/2006 0:00:00|9/26/2006 0:00:00||||0|||||||MTL|||CHINA|SHANG|||| ||||||||Work|0||Provenance unknown. Weight: 51.2 kg. (112 lb.10 oz.) Erligang-Yinxu Period: Zhenzhou-Anyang transition.||||||||||0|0|Vessel (Lei);Lei| 7938.00|0|Site|02|B-B39|Phi|7.5 Wood||B-B39 Phi 7.5 Wood |The Woodlands|Preferred|Repository|||||||The Woodlands|0|||||0||||0|||||American|||Federal|||North and Central America||United States||||||0|Philadelphia, PA|||10070||||0||||0|Architecture|House||||18|||1742|1789||1742-1789|1742-1789|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|JNK|9/26/2006 0:00:00|9/26/2006 0:00:00||Phi||0||||||Wood|B|||||B39|7.5||||||||||Building|0|Architecture-Pennsylvania (PA)|Adamesque-Federal style.||||||||||0|0|The Woodlands| 7939.00|0|Site|02|B-H3|PioD|7.1 Cor||B-H3 PioD 7.1 Cor |Villa of Zorzon Cornaro|Assigned|Macmillan|Villa Cornaro|Variant|Image Source (Pub)||||Villa of Zorzon Cornaro|8858|Palladio, Andrea||architect|Andrea Palladio|0||||0|||||Italian|||Late Renaissance|||Europe||Italy||||||0|Piombino Dese, Italy|||10969||||0||||0|Architecture|House||||16|||1552|1555||1552-1555|1552-1555|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|JNK|9/26/2006 0:00:00|9/26/2006 0:00:00||PioD||0||||||Cor|B|||||H3|7.1||||||||||Building|0|Architecture-Italy||||1552/1553-1555|||||||0|0|Villa of Zorzon Cornaro;Villa Cornaro|Palladio, Andrea 7940.00|0|Creator|15|CHINA|MTL|SHANG||CHINA MTL SHANG |Drum (Gu)|Descriptive|Image Source (Pub)|Gu|Descriptive|Image Source (Pub)||||Drum (Gu)|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0||||0|Chongyang County, Hubei Province, China|||10970|Chongyang County, Hubei Province, China|||10970|Metalwork|Bronze|Drum (membranophone)|Musical instrument|BCE|-15|-14||1600|1500||Erligang-Yinxu Period (15th c. - 14th c. BCE ?)|1600-1500 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||75.5 cm high; 49 cm length at top||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||Drums (membranophones) ; Musical instruments ; Archaeology ; |Drums (membranophones)|Musical instruments|Archaeology|||||||Cornell||BZ|BZ|10/4/2006 0:00:00|9/26/2006 0:00:00|||Chongy|0|||||||MTL|||CHINA|SHANG|||| ||||||||Work|0||Found in 1977. Weight: 42.5 kg. (93 lb. 8 oz.). Erligang-Yinxu Period: Zhengzhou-Anyang transition.||||||||||0|0|Drum (Gu);Gu| 7941.00|0|Site|02|B-G1|Ost|7.1 ||B-G1 Ost 7.1 |Osterley Park|Assigned|Macmillan|Osterley Park & House|Variant|Online Resource||||Osterley Park|175|Adam, Robert||architect|Robert Adam|0||||0|||||English|||Classicism|||Europe||England||||||0|Jersey Road, Isleworth, Middlesex, UK|||10973||||0||||0|Architecture|House|Garden|||18|||1760|1780||1760-1780|1760-1780|||||0||||0||||||||||||||||||||||Houses ; Gardens ; |Houses|Gardens||||||||Cornell||JNK|JNK|10/2/2006 0:00:00|9/26/2006 0:00:00||Ost||0|||||||B|||||G1|7.1||||||||||Building|0|Architecture-England|",,,[A]n original redbrick Tudor house, transformed and remodelled by Robert Adam between 1760-1780 for a wealthy banking family, the Childs." www.nationaltrust.org.uk, Osterley Park site.||||||||||0|0|Osterley Park;Osterley Park & House|Adam, Robert 7942.00|0|Creator|15|CHINA|MTL|SHANG||CHINA MTL SHANG |Bell (Nao)|Descriptive|Image Source (Pub)|Nao|Descriptive|Image Source (Pub)||||Bell (Nao)|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0||||0|Ningxiang County, Hunan Province, China|||10971|Ningxiang County, Hunan Province, China|||10971|Metalwork|Bronze|Bell (idiophone)|Musical instrument|BCE|-12|-11|-10|1300|1030|ca|Anyang Period (ca 1300-1030 BCE)|ca 1300-1030 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||89 cm height; 58.5 cm width at mouth||592|Changsha: Hunan Provincial Museum|Changsha: Hunan Provincial Museum||Bells ; Musical instruments ; Archaeology ; |Bells|Musical instruments|Archaeology|||||||Cornell||BZ|BZ|10/4/2006 0:00:00|9/27/2006 0:00:00|||Ningx|0|||||||MTL|||CHINA|SHANG|||| ||||||||Work|0||Found in 1959. Weight: 154 kg. (338 lb. 12 oz.)||||||||||0|0|Bell (Nao);Nao| 7943.00|0|Creator|15|CHINA|MTL|SHANG||CHINA MTL SHANG |Four-ram Square Vessel (Fang Zun)|Descriptive|Image Source (Pub)|Si yang fang zun|Descriptive|Image Source (Pub)||||Four-ram Square Vessel (Fang Zun)|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0||||0|Ningxiang County, Hunan Province, China|||10971|Ningxiang County, Hunan Province, China|||10971|Metalwork|Bronze|Vessel||BCE|-12|-11|-10|1300|1030|ca|Anyang Period (ca 1300-1030 BCE)|ca 1300-1030 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||58.3 cm height; 52.4 cm width at mouth||288|Beijing: Historical Museum|Beijing: Historical Museum||Vessels ; Rams ; Animals ; Archaeology ; |Vessels|Rams|Animals|Archaeology||||||Cornell||BZ|BZ|9/27/2006 0:00:00|9/27/2006 0:00:00|||Ningx|0|||||||MTL|||CHINA|SHANG|||| ||||||||Work|0||Found in 1938. Weight: 34.5 kg. (75 lb. 14 oz.).||||||||||0|0|Four-ram Square Vessel (Fang Zun);Si yang fang zun| 7944.00|0|Creator|15|CHINA|MTL|SHANG||CHINA MTL SHANG |Elephant Vessel (Zun)|Descriptive|Image Source (Pub)|Xiang zun|Descriptive|Image Source (Pub)||||Elephant Vessel (Zun)|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0||||0|Liling County, Hunan Province, China|||10972|Liling County, Hunan Province, China|||10972|Metalwork|Bronze|Vessel||BCE|-12|-11|-10|1300|1030|ca|Anyang Period (ca 1300-1030 BCE)|ca 1300-1030 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||22.8 cm x 26.5 cm||592|Changsha: Hunan Provincial Museum|Changsha: Hunan Provincial Museum||Vessels ; Elephants ; Animals ; Archaeology ; |Vessels|Elephants|Animals|Archaeology||||||Cornell||BZ|BZ|9/27/2006 0:00:00|9/27/2006 0:00:00|||Liling|0|||||||MTL|||CHINA|SHANG|||| ||||||||Work|0||Found in 1975. Weight: 2.78 kg.||||||||||0|0|Elephant Vessel (Zun);Xiang zun| 7945.00|0|Creator|15|CHINA|MTL|SHANG||CHINA MTL SHANG |Vessel (You) Inscribed With Character Ge|Descriptive|Image Source (Pub)|Ge you|Descriptive|Image Source (Pub)||||Vessel (You) Inscribed With Character Ge|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0||||0|Ningxiang County, Hunan Province, China|||10971|Ningxiang County, Hunan Province, China|||10971|Metalwork|Bronze|Vessel|Inscription|BCE|-12|-11|-10|1300|1030|ca|Anyang Period (ca 1300-1030 BCE)|ca 1300-1030 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||39 cm height||592|Changsha: Hunan Provincial Museum|Changsha: Hunan Provincial Museum||Vessels ; Archaeology ; Inscriptions ; |Vessels|Archaeology|Inscriptions|||||||Cornell||BZ|BZ|10/5/2006 0:00:00|9/27/2006 0:00:00|||Ningx|0|||||||MTL|||CHINA|SHANG|||| ||||||||Work|0||Foung in 1970. Weight: 10.75 kg.||||||||||0|0|Vessel (You) Inscribed With Character Ge;Ge you| 7946.00|0|Creator|15|CHINA|MTL|SHANG||CHINA MTL SHANG |Square Vessel (Fang Lei)|Descriptive|Image Source (Pub)|Fang lei|Descriptive|Image Source (Pub)||||Square Vessel (Fang Lei)|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0||||0||||0||||0|Metalwork|Vessel|Bronze||BCE|-12|-11|-10|1300|1030|ca|Anyang Period (ca 1300-1030 BCE)|ca 1300-1030 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||53 cm height||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Vessels ; Archaeology ; |Vessels|Archaeology||||||||Cornell||BZ|BZ|9/27/2006 0:00:00|9/27/2006 0:00:00||||0|||||||MTL|||CHINA|SHANG|||| ||||||||Work|0||Provenance unknown.||||||||||0|0|Square Vessel (Fang Lei);Fang lei| 7947.00|0|Creator|15|CHINA|JADE|SHANG||CHINA JADE SHANG |Anyang Tomb No.5: Dragon|Descriptive|Image Source (Pub)|Yu long|Descriptive|Image Source (Pub)||||Anyang Tomb No.5: Dragon|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0||||0|Anyang, Henan Province, China|||10570|Anyang, Henan Province, China|||10570|Jewelry|Jade|||BCE|-12|-11|-10|1300|1030|ca|Anyang Period (ca 1300-1030 BCE)|ca 1300-1030 BCE||Anyang Tomb No.5|Larger entity||7949||||0|||||Carving & engraving. Jade|jade|||||carving|engraving (incising)||||8.1 cm x 5.5 cm||9680|Beijing: Institute of Archaeology, Chinese Academy of Social Sciences|Beijing: Institute of Archaeology||Jewelry ; Dragons ; Archaeology ; |Jewelry|Dragons|Archaeology|||||||Cornell||BZ|BZ|10/4/2006 0:00:00|9/27/2006 0:00:00|||Any|0|||||||JADE|||CHINA|SHANG|||| ||||||||Work|0||Excavated in 1976. Weight: 228 g.||||||||||0|0|Anyang Tomb No.5: Dragon;Yu long| 7948.00|0|Creator|15|CHINA|JADE|SHANG||CHINA JADE SHANG |Anyang Tomb No.5: Figurine|Descriptive|Image Source (Pub)|Yu ren|Descriptive|Image Source (Pub)||||Anyang Tomb No.5: Figurine|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0||||0|Anyang, Henan Province, China|||10570|Anyang, Henan Province, China|||10570|Jewelry|Jade|Figure (representation)||BCE|-12|-11|-10|1300|1030|ca|Anyang Period (ca 1300-1030 BCE)|ca 1300-1030 BCE||Anyang Tomb No.5|Larger entity||7949||||0|||||Carving & engraving. Jade|jade|||||carving|engraving (incising)||||6.9 cm high||9680|Beijing: Institute of Archaeology, Chinese Academy of Social Sciences|Beijing: Institute of Archaeology||Figures (representations) ; Male nudes ; Men (male humans) ; Jewelry ; Archaeology ; |Figures (representations)|Male nudes|Men (male humans)|Jewelry|Archaeology|||||Cornell||BZ|BZ|10/4/2006 0:00:00|9/28/2006 0:00:00|||Any|0|||||||JADE|||CHINA|SHANG|||| ||||||||Work|0||Excavated in 1976. Weight: 136 g.||||||||||0|0|Anyang Tomb No.5: Figurine;Yu ren| 7949.00|0|Site|02|B-R1|Any|3.3 AnyT5||B-R1 Any 3.3 AnyT5 |Anyang Tomb No.5|Descriptive|Image Source (Pub)|||||||Anyang Tomb No.5|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0||||0|Anyang, Henan Province, China|||10570|Anyang, Henan Province, China|||10570|Architecture|Tomb|Jade|Figure (representation)|BCE|-12|-11|-10|1300|1030|ca|ca 1300-1030 BCE|ca 1300-1030 BCE|||||0||||0||||||||||||||||||||||Archaeology ; Tombs ; Jewelry ; Figures (representations) ; |Archaeology|Tombs|Jewelry|Figures (representations)||||||Cornell||BZ|BZ|9/28/2006 0:00:00|9/28/2006 0:00:00|||Any|0||||||AnyT5|B|||||R1|3.3||||||||||Work|0|Architecture-China|Excavated in 1976.||||||||||0|0|Anyang Tomb No.5| 7950.00|0|Creator|15|CHINA|JADE|SHANG||CHINA JADE SHANG |Anyang Tomb No.5: Figure Of An Elephant|Descriptive|Image Source (Pub)|Yu xiang|Descriptive|Image Source (Pub)||||Anyang Tomb No.5: Figure Of An Elephant|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0||||0|Anyang, Henan Province, China|||10570|Anyang, Henan Province, China|||10570|Jewelry|Jade|||BCE|-12|-11|-10|1300|1030|ca|Anyang Period (ca 1300-1030 BCE)|ca 1300-1030 BCE||Anyang Tomb No.5|Larger entity||7949||||0|||||Carving & engraving. Jade|jade|||||carving|engraving (incising)||||6.5 cm x 3.3 cm||9680|Beijing: Institute of Archaeology, Chinese Academy of Social Sciences|Beijing: Institute of Archaeology||Elephants ; Animals ; Jewelry ; |Elephants|Animals|Jewelry|||||||Cornell||BZ|BZ|10/4/2006 0:00:00|9/28/2006 0:00:00|||Any|0|||||||JADE|||CHINA|SHANG|||| ||||||||Work|0||Excavated in 1976. Weight: 78 g.||||||||||0|0|Anyang Tomb No.5: Figure Of An Elephant;Yu xiang| 7951.00|0|Creator|15|CHINA|MTL|W. ZHOU||CHINA MTL W. ZHOU |Vessel (Gui) Made By Li|Descriptive|Image Source (Pub)|Li gui|Descriptive|Image Source (Pub)||||Vessel (Gui) Made By Li|0|||||0||||0|||||Chinese|||Zhou (Chou)|Western Zhou (W.Chou)||Asia||China||||||0||||0|Lintong County, Shaanxi Province, China|||10765|Lintong County, Shaanxi Province, China|||10765|Metalwork|Bronze|Vessel|Inscription|BCE|-11|||1030|1030|ca|Western Zhou (ca 1030 BCE)|ca 1030 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||28 cm height; 22 cm diameter at mouth||9755|Shaanxi: Lintong County Cultural Office|Shaanxi: Lintong County Cultural Office||Vessels ; Archaeology ; Inscriptions ; |Vessels|Archaeology|Inscriptions|||||||Cornell||BZ|BZ|10/11/2006 0:00:00|9/28/2006 0:00:00|||Lint|0|||||||MTL|||CHINA|W. ZHOU|||| ||||||||Work|0||Found in 1976. Weight: 7.95 kg.||||||||||0|0|Vessel (Gui) Made By Li;Li gui| 7952.00|0|Site|02|B-B36|Pee|1.042 Ser||B-B36 Pee 1.042 Ser |Serpent Mound|Preferred|Repository|||||||Serpent Mound|0|||||0||||0|||||Adena|||Pre-Columbian|||North and Central America||United States||||||0|Peebles, OH|||10974||||0||||0|Archaeological Sites|Archaeological site|||BCE|-09|01||-800|0100|ca|ca -800-0100|ca -800-0100|||||0||||0||||||||||||||||||||||Serpents ; Effigies ; |Serpents|Effigies||||||||Cornell||JNK|JNK|10/2/2006 0:00:00|10/2/2006 0:00:00||Pee||0||||||Ser|B|||||B36|1.042||||||||||Work|0|Architecture-Ohio (OH)|||||||||||0|0|Serpent Mound| 7953.00|0|Architect|03|MA-Morphosis|6.1|1993 Stu||MA-Morphosis 6.1 1993 Stu |Morphosis Studio|Assigned|Image Source (Pub)|||||||Morphosis Studio|29484|Morphosis||architectural firm|Morphosis|0||||0|||||American|||Deconstructivist|||North and Central America||United States||||||0|Santa Monica, CA|||10254||||0||||0|Architecture|Studio (work space)||||20|||1993|1993||1993|1993-1993|||||0||||0||||||||||||||||||||||Studios (Work Spaces) ; Post-and-beam structures ; |Studios (Work Spaces)|Post-and-beam structures||||||||Cornell||GB|MNW|10/12/2006 0:00:00|10/2/2006 0:00:00|Morphosis|Smon||0||||||Stu|MA||||||6.1|1993|||||||||Work|0|Modern Architecture|||||||||||0|0|Morphosis Studio|Morphosis 7954.00|0|Site|02|B-B32|Cha|7.4 Bon||B-B32 Cha 7.4 Bon |Pueblo Bonito Site|Preferred|LC NAF|||||||Pueblo Bonito Site|0|||||0||||0|||||Anasazi|Pueblo|||||North and Central America||United States||||||0|Chaco Canyon, NM|||10975||||0||||0|Archaeological Sites|Archaeological site|Complex|Housing||12|13|14|1100|1300||1100-1300|1100-1300|||||0||||0||||||||||||||||||||||Pueblos (housing complexes) ; |Pueblos (housing complexes)|||||||||Cornell||JNK|JNK|10/2/2006 0:00:00|10/2/2006 0:00:00||Cha||0||||||Bon|B|||||B32|7.4||||||||||Work|0|Architecture-New Mexico (NM)|||||||||||0|0|Pueblo Bonito Site| 7955.00|0|Site|02|B-B6|MesNP|3.4 Kiva||B-B6 MesNP 3.4 Kiva |Kiva|Descriptive|Image Source (Pub)|||||||Mesa Verde National Park. Kiva|0|||||0||||0|||||Native American|Anasazi|Pueblo||||North and Central America||United States||||||0|Mesa Verde, CO|||10140||||0||||0|Architecture|Kiva||||10|11|12|950|1150|ca|ca 950-ca 1150|ca 950-ca 1150||Mesa Verde National Park|Larger entity||||||0||||||||||||||||||||||||||||||||Cornell||JNK|JNK|10/2/2006 0:00:00|10/2/2006 0:00:00||MesNP||0||||||Kiva|B|||||B6|3.4||||||||||Work|0|Architecture-Colorado (CO)|||||||||||0|0|Kiva| 7956.00|0|Creator|15|CHINA|MTL|W. ZHOU||CHINA MTL W. ZHOU |Vessel (Zun) Made By He|Descriptive|Image Source (Pub)|He zun|Descriptive|Image Source (Pub)||||Vessel (Zun) Made By He|0|||||0||||0|||||Chinese|||Zhou (Chou)|Western Zhou (W.Chou)||Asia||China||||||0||||0|Baoji County, Shaanxi Province, China|||10766|Baoji County, Shaanxi Province, China|||10766|Metalwork|Bronze|Vessel|Inscription|BCE|-11|||1030|1030|ca|Western Zhou (ca 1030 BCE)|ca 1030 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||38.8 cn height; 28.6 cm diameter at mouth||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Vessels ; Archaeology ; Inscriptions ; |Vessels|Archaeology|Inscriptions|||||||Cornell||BZ|BZ|10/11/2006 0:00:00|10/3/2006 0:00:00|||Baoji|0|||||||MTL|||CHINA|W. ZHOU|||| ||||||||Work|0||Late 11th century B.C. (fifth year of Cheng Wang's reign). Found in 1963. Weight: 14.78 kg.||||||||||0|0|Vessel (Zun) Made By He;He zun| 7962.00|0|Creator|15|CHINA|MTL|W. ZHOU||CHINA MTL W. ZHOU |Altar Table (Jin)|Descriptive|Image Source (Pub)|Jin|Descriptive|Image Source (Pub)||||Altar Table (Jin)|0|||||0||||0|||||Chinese|||Zhou (Chou)|Western Zhou (W.Chou)||Asia||China||||||0||||0|Baoji County, Shaanxi Province, China|||10766|Baoji County, Shaanxi Province, China|||10766|Metalwork|Bronze|Table|Altar|BCE|-11|-10||1025|975|ca|Western Zhou (Late 11th-early 10th c. B.C.)|ca 1025-975 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||126 cm x 46.6 cm x 23 cm||9757|Tianjin: Cultural Relics Administration|Tianjin: Cultural Relics Administration||Archaeology ; Tables (support furniture) ; Altars ; |Archaeology|Tables (support furniture)|Altars|||||||Cornell||BZ|BZ|10/11/2006 0:00:00|10/3/2006 0:00:00|||Baoji|0|||||||MTL|||CHINA|W. ZHOU|||| ||||||||Work|0||Said to have been found in 1925 or 1926. Weight: 47.1 kg.||||||||||0|0|Altar Table (Jin);Jin| 7963.00|0|Creator|15|CHINA|MTL|W. ZHOU||CHINA MTL W. ZHOU |Vessel (Gui)|Descriptive|Image Source (Pub)|Gui|Descriptive|Image Source (Pub)||||Vessel (Gui)|0|||||0||||0|||||Chinese|||Zhou (Chou)|Western Zhou (W.Chou)||Asia||China||||||0||||0|Gaojiabao, Jingyang County, Shaanxi Province|||10978|Gaojiabao, Jingyang County, Shaanxi Province|||10978|Metalwork|Bronze|Vessel||BCE|-11|-10||1025|975|ca|Western Zhou (Late 11th-early 10th c. B.C.)|ca 1025-975 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||26.5 cm height; 21.5 cm diameter at mouth||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Archaeology ; Vessels ; |Archaeology|Vessels||||||||Cornell||BZ|BZ|10/11/2006 0:00:00|10/3/2006 0:00:00|||Gaoj|0|||||||MTL|||CHINA|W. ZHOU|||| ||||||||Work|0||Found in 1971. Weight: 6.3 kg.||||||||||0|0|Vessel (Gui);Gui| 7964.00|0|Creator|15|CHINA|MTL|W. ZHOU||CHINA MTL W. ZHOU |Vessel (Zun)|Descriptive|Image Source (Pub)|Zun|Descriptive|Image Source (Pub)||||Vessel (Zun)|0|||||0||||0|||||Chinese|||Zhou (Chou)|Western Zhou (W.Chou)||Asia||China||||||0||||0|Gaojiabao, Jingyang County, Shaanxi Province|||10978|Gaojiabao, Jingyang County, Shaanxi Province|||10978|Metalwork|Bronze|Vessel||BCE|-11|-10||1025|975|ca|Western Zhou (Late 11th-early 10th c. B.C.)|ca 1025-975 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||31.5 cm height; 22.5 diameter at mouth||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Archaeology ; Vessels ; |Archaeology|Vessels||||||||Cornell||BZ|BZ|10/11/2006 0:00:00|10/3/2006 0:00:00|||Gaoj|0|||||||MTL|||CHINA|W. ZHOU|||| ||||||||Work|0||Found in 1971. Weight: 4.3 kg.||||||||||0|0|Vessel (Zun);Zun| 7965.00|0|Creator|15|CHINA|MTL|W. ZHOU||CHINA MTL W. ZHOU |Vessel (Ding)|Descriptive|Image Source (Pub)|Ding|Descriptive|Image Source (Pub)||||Vessel (Ding)|0|||||0||||0|||||Chinese|||Zhou (Chou)|Western Zhou (W.Chou)||Asia||China||||||0||||0|Sian City, Shaanxi Province, China|||10572|Sian City, Shaanxi Province, China|||10572|Metalwork|Bronze|Vessel||BCE|-11|-10||1025|975|ca|Western Zhou (Late 11th-early 10th c. B.C.)|ca 1025-975 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||78 cm height; 63 cm diameter||3203|Sian: Shaanxi Provincial Museum|Sian: Shaanxi Provincial Museum||Archaeology ; Vessels ; |Archaeology|Vessels||||||||Cornell||BZ|BZ|10/11/2006 0:00:00|10/4/2006 0:00:00|||Sian|0|||||||MTL|||CHINA|W. ZHOU|||| ||||||||Work|0||Found in 1973. Weight: 85.2 kg.||||||||||0|0|Vessel (Ding);Ding| 7966.00|0|Creator|15|CHINA|MTL|W. ZHOU||CHINA MTL W. ZHOU |Vessel (Yu) With Inscriptions Of Marquis Of Yan (Yan Hou)|Descriptive|Image Source (Pub)|Yan Hou yu|Descriptive|Image Source (Pub)||||Vessel (Yu) With Inscriptions Of Marquis Of Yan (Yan Hou)|0|||||0||||0|||||Chinese|||Zhou (Chou)|Western Zhou (W.Chou)||Asia||China||||||0||||0|Machangguo, Kezuo County, Liaoning Province, China|||10979|Machangguo, Kezuo County, Liaoning Province, China|||10979|Metalwork|Bronze|Vessel|Inscription|BCE|-10|||1000|975|ca|Western Zhou (Early 10th c. B.C.)|ca 1000-975 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|Bronzing||||24 cm height; 34 cm diameter||288|Beijing: Historical Museum|Beijing: Historical Museum||Archaeology ; Vessels ; Inscriptions ; |Archaeology|Vessels|Inscriptions|||||||Cornell||BZ|BZ|10/11/2006 0:00:00|10/4/2006 0:00:00|||Mac|0|||||||MTL|||CHINA|W. ZHOU|||| ||||||||Work|0||Found in 1955. Weight: 6.45 kg. Inscriptions on the vessel: The marquis of Yan made this ritual vessel (yu).||||||||||0|0|Vessel (Yu) With Inscriptions Of Marquis Of Yan (Yan Hou);Yan Hou yu| 7967.00|0|Culture|02|W-|02.2| NAmerInd/Nat||W- 02.2 NAmerInd/Nat |Platform Mound|Descriptive|Image Source (Pub)|||||||Platform Mound|0|||||0||||0|||||Natchez|Native American|||||North and Central America||United States||||||0||||0||||0||||0|Architecture|architecture|Temple|||||||||||||||0||||0||||||||||||||||||||||||||||||||Cornell||JNK|JNK|10/4/2006 0:00:00|10/4/2006 0:00:00||||0||||||NAmerInd/Nat|W|||02.2|||||||||||||Work|0|Culture-|||||||||||0|0|Platform Mound| 7968.00|0|Creator|15|CHINA|MTL|W. ZHOU||CHINA MTL W. ZHOU |Vessel (Lei)|Descriptive|Image Source (Pub)|Lei|Descriptive|Image Source (Pub)||||Vessel (Lei)|0|||||0||||0|||||Chinese|||Zhou (Chou)|Western Zhou (W.Chou)||Asia||China||||||0||||0|Pit No.2, Beidong Village, Kezuo County, Liaoning|||10980|Pit No.2, Beidong Village, Kezuo County, Liaoning|||10980|Metalwork|Bronze|Vessel||BCE|-11|-10||1025|975|ca|Western Zhou (Late 11th-early 10th c. B.C.)|ca 1025-975 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||45.2 cm height||9716|Shenyang: Liaoning Provincial Museum|Shenyang: Liaoning Provincial Museum||Archaeology ; Vessels ; |Archaeology|Vessels||||||||Cornell||BZ|BZ|10/11/2006 0:00:00|10/4/2006 0:00:00|||Beidong P2|0|||||||MTL|||CHINA|W. ZHOU|||| ||||||||Work|0||Excavated in 1973. Weight: 8.2 kg.||||||||||0|0|Vessel (Lei);Lei| 7969.00|0|Site|02|B-C7|Teo|1.04||B-C7 Teo 1.04 |Teotihuacán site center|Descriptive|Cataloger|||||||Teotihuacán site center|0|||||0||||0|||||Teotihuacan|||Classic|||North and Central America||Mexico||||||0|Teotihuacán, Mexico|||10347||||0||||0|City Plans and Views|Plan (drawing)|Architectural drawing|Archaeological site|CE|07|||0600|0600|ca|ca 600 CE|ca 0600-0600|||||0||||0||||||||||||||||||||||Cities ; |Cities|||||||||Cornell||JNK|JNK|10/5/2006 0:00:00|10/4/2006 0:00:00||Teo||0||||||Teo|B|||||C7|1.04||||||||||Work|0|Architecture-Mexico|||||||||||0|0|Teotihuacán site center| 7970.00|0|Creator|15|CHINA|MTL|W. ZHOU||CHINA MTL W. ZHOU |Bell (Bo)|Descriptive|Image Source (Pub)|Bo|Descriptive|Image Source (Pub)||||Bell (Bo)|0|||||0||||0|||||Chinese|||Zhou (Chou)|Western Zhou (W.Chou)||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|Vessel||BCE|-10|-9||925|875|ca|Western Zhou (Late 10th-early 9th c.B.C.)|ca 925-875 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|Bronzing||||42 cm height||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Archaeology ; Vessels ; |Archaeology|Vessels||||||||Cornell||BZ|BZ|10/11/2006 0:00:00|10/4/2006 0:00:00||||0|||||||MTL|||CHINA|W. ZHOU|||| ||||||||Work|0||Provenance unknown. Weight: 11.54 kg.||||||||||0|0|Bell (Bo);Bo| 7971.00|0|Site|02|B-B14|CahMou|1.042 ||B-B14 CahMou 1.042 |Cahokia Mounds|Assigned|Dict.Art|||||||Cahokia Mounds|0|||||0||||0|||||Mississippian|||Temple Mound Period|||North and Central America||United States||||||0|Cahokia Mounds, IL|||||||0||||0|Archaeological Sites|Archaeological site||||08|10|15|0700|1450|ca|ca 700-1450|ca 0700-1450|||||0||||0||||||||||||||||||||||Cities ; Archaeology ; Indians of North America ; |Cities|Archaeology|Indians of North America|||||||Cornell||JNK|JNK|10/5/2006 0:00:00|10/5/2006 0:00:00||||0|||||||B|||||B14|1.042||||||||||Work|0|Architecture-Illinois (IL)|||||||||||0|0|Cahokia Mounds| 7972.00|0|Site|02|B-B14|CahMou|1.042 ||B-B14 CahMou 1.042 |Cahokia Mounds|Descriptive|Image Source (Pub)|||||||Cahokia Mounds|0|||||0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting||||19|||1800|1899||19th century|1800-1899|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||||3268|Saint Louis: Saint Louis Art Museum|Saint Louis: Art Mus.||Archaeology ; Excavations ; Temples ; |Archaeology|Excavations|Temples|||||||Cornell||JNK|JNK|10/5/2006 0:00:00|10/5/2006 0:00:00||CahMou||0|||||||B|||||B14|1.042|| ||||||||Work|0|Architecture-Illinois (IL)|||||||||||0|0|Cahokia Mounds| 7973.00|0|Site|02|B-C7|Teo|3.4 Sun||B-C7 Teo 3.4 Sun |Pyramid of the Sun|Assigned|Dict.Art|Temple of the Sun|Variant|Dict.Art||||Pyramid of the Sun|0|||||0||||0|||||Teotihuacan|||Classic|||North and Central America||Mexico||||||0|Teotihuacán, Mexico|||10347||||0||||0|Architecture|Temple||||01|02||0001|0200|ca|ca 1-200|ca 0001-0200|||||0||||0||||||||||||||||||||||Temples ; |Temples|||||||||Cornell||JNK|JNK|10/5/2006 0:00:00|10/5/2006 0:00:00||Teo||0||||||Sun|B|||||C7|3.4||||||||||Building|0|Architecture-Mexico|||||||||||0|0|Pyramid of the Sun;Temple of the Sun| 7974.00|0|Site|02|B-G1|Bath|7.4 Cir||B-G1 Bath 7.4 Cir |King's Circus|Assigned|Dict.Art|Circus|Variant|Online Resource||||King's Circus|12905|Wood, John, the younger||builder|John Wood, the younger|0||||0|||||English|||Classicism|||Europe||England|United Kingdom|||||0|Bath, England|||10982||||0||||0|Architecture|House|Complex|Housing development||18|||1754|1754||1754|1754-1754|||||0||||0||||||||||||||||||||||Row houses ; |Row houses|||||||||Cornell||JNK|JNK|10/5/2006 0:00:00|10/5/2006 0:00:00||Bath||0||||||Cir|B|||||G1|7.4||||||||||Building|0|Architecture-England|||||||||||0|0|King's Circus;Circus|Wood, John, the younger 7975.00|0|Site|02|B-G1|Bath|7.4 Roy||B-G1 Bath 7.4 Roy |Royal Crescent|Assigned|Dict.Art|||||||Royal Crescent|12905|Wood, John, the younger||builder|John Wood, the younger|0||||0|||||English|||Classicism|||Europe||England|United Kingdom|||||0|Bath, England|||10982||||0||||0|Architecture|House|Complex|Housing development||18|||1767|1775||1767-1775|1767-1775|||||0||||0||||||||||||||||||||||Row houses ; |Row houses|||||||||Cornell||JNK|JNK|10/5/2006 0:00:00|10/5/2006 0:00:00||Bath||0||||||Roy|B|||||G1|7.4||||||||||Building|0|Architecture-England|||||||||||0|0|Royal Crescent|Wood, John, the younger 7976.00|0|Site|02|B-B22|Bos|7.4 Ton||B-B22 Bos 7.4 Ton |Tontine Crescent|Assigned|Dict.Art|||||||Tontine Crescent|1748|Bulfinch, Charles||architect|Charles Bulfinch|0||||0|||||American|||Federal|||North and Central America||United States||||||0|Boston, Massachusetts|||10053||||0||||0|Architecture|houses|Complex|Housing development||18|||1793|1794||1793-1794|1793-1794|||||0||||0||||||||||||||||||||||Row houses ; |Row houses|||||||||Cornell||JNK|JNK|10/5/2006 0:00:00|10/5/2006 0:00:00||Bos||0||||||Ton|B|||||B22|7.4||||||||||Work|0|Architecture-Massachusetts (MA)|||||||||||0|0|Tontine Crescent|Bulfinch, Charles 7977.00|0|Site|02|B-B22|Bos|7.4 Ton||B-B22 Bos 7.4 Ton |The Dinner party|Preferred|Repository|||||||The Dinner party|10395|Sargent, Henry||painter|Henry Sargent|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||19|||1821|1821|ca|ca 1821|ca 1821-1821|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||156.53 x 126.36 cm||428|Boston: Museum of Fine Arts|Boston: MFA||Interior views ; Dinners and dining ; |Interior views|Dinners and dining||||||||Cornell||JNK|JNK|10/5/2006 0:00:00|10/5/2006 0:00:00||Bos||0||19.13||||Ton|B|||||B22|7.4|| ||||||||Building|0|Architecture-Massachusetts (MA)|||||||||||0|0|The Dinner party|Sargent, Henry 7978.00|0|Site|02|B-B22|Sal/Pio|1.1 ||B-B22 Sal/Pio 1.1 |Salem 1630: Pioneer Village|Assigned|Online Resource|Pioneer Village|Variant|Online Resource||||Salem 1630: Pioneer Village|0|||||0||||0|||||American||||||North and Central America||United States||||||0|Salem, MA|||10985||||0||||0|Architecture|Village||||20|||1930|1930||1930|1930-1930|||||0||||0||||||||||||||||||||||||||||||||Cornell||JNK|JNK|10/5/2006 0:00:00|10/5/2006 0:00:00||Sal/Pio||0|||||||B|||||B22|1.1||||||||||Work|0|Architecture-Massachusetts (MA)|Created for the Massachusetts Tercentenary. Restored in 1986-88.||||||||||0|0|Salem 1630: Pioneer Village;Pioneer Village| 7979.00|0|Creator|15|CHINA|MTL|W. ZHOU||CHINA MTL W. ZHOU |Vessel (Ling) Made By Zhong Yi Fu|Descriptive|Image Source (Pub)|Zhong Yi Fu ling|Descriptive|Image Source (Pub)||||Vessel (Ling) Made By Zhong Yi Fu|0|||||0||||0|||||Chinese|||Zhou (Chou)|Western Zhou (W.Chou)||Asia||China||||||0||||0|Qishan County, Shaanxi Province, China|||10983|Qishan County, Shaanxi Province, China|||10983|Metalwork|Bronze|Vessel|Inscription|BCE|-10|-9||925|800|ca|Western Zhou (Late 10th or 9th c. B.C.)|ca 925-800 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||44 cm height||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Archaeology ; Vessels ; Inscriptions ; |Archaeology|Vessels|Inscriptions|||||||Cornell||BZ|BZ|10/11/2006 0:00:00|10/5/2006 0:00:00|||Qishan|0|||||||MTL|||CHINA|W. ZHOU|||| ||||||||Work|0||Said to have been found in 1890. Weight: 14.43 kg. Inscriptions on the vessel: Zhong Yi Fu made this ling for use on travels; let sons and grandsons treasure and use it forever.||||||||||0|0|Vessel (Ling) Made By Zhong Yi Fu;Zhong Yi Fu ling| 7980.00|0|Creator|15|CHINA|MTL|W. ZHOU||CHINA MTL W. ZHOU |Vessel (Hu) Made By You Fu, The Second Son Of [The Marquis Of] Zeng|Descriptive|Image Source (Pub)|Zeng Zhong You Fu hu|Descriptive|Image Source (Pub)||||Vessel (Hu) Made By You Fu, The Second Son Of [The Marquis Of] Zeng|0|||||0||||0|||||Chinese|||Zhou (Chou)|Western Zhou (W.Chou)||Asia||China||||||0||||0|Jingshan County, Hubei Province, China|||10984|Jingshan County, Hubei Province, China|||10984|Metalwork|Bronze|Vessel|Inscription|BCE|-8|||799|700|ca|Western Zhou (8th c. B.C.)|ca 799-700 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||66 cm height||9580|Wuhan: Hubei Provincial Museum|Wuhan: Hubei Provincial Museum||Archaeology ; Vessels ; Inscriptions ; |Archaeology|Vessels|Inscriptions|||||||Cornell||BZ|BZ|10/11/2006 0:00:00|10/5/2006 0:00:00|||Jingshan|0|||||||MTL|||CHINA|W. ZHOU|||| ||||||||Work|0||Found in 1966. Weight: 31.85 kg. Inscriptions on the vessel: You Fu, second son of [the marquis of] Zeng, used bronze to makie this precious ritual vessel (hu).||||||||||0|0|Vessel (Hu) Made By You Fu, The Second Son Of [The Marquis Of] Zeng;Zeng Zhong You Fu hu| 7981.00|0|Site|02|B-G1|Eng|1.01 Const/TimFra/Wel||B-G1 Eng 1.01 Const/TimFra/Wel |Wealden Farmhouse|Descriptive|Image Source (Pub)|||||||Wealden Farmhouse|0|||||0||||0|||||English||||||Europe||England|United Kingdom|||||0|Edenbridge, England|||10986||||0||||0|Architecture|House||||||||||||||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|JNK|10/5/2006 0:00:00|10/5/2006 0:00:00||Eng||0||||||Const/TimFra/Wel|B|||||G1|1.01||||||||||Building|0|Architecture-England|||||||||||0|0|Wealden Farmhouse| 7982.00|0|Site|02|B-G1|Eng|7.5 Thatched||B-G1 Eng 7.5 Thatched |Thatched cottage|Descriptive|Image Source (Pub)|||||||Thatched cottage|0|||||0||||0|||||English||||||Europe||England|United Kingdom|||||0|Martin, England|||10987||||0||||0|Architecture|House||||||||||||||||0||||0||||||||||||||||||||||||||||||||Cornell||JNK|JNK|10/5/2006 0:00:00|10/5/2006 0:00:00||Eng||0||||||Thatched|B|||||G1|7.5||||||||||Building|0|Architecture-England|||||||||||0|0|Thatched cottage| 7983.00|0|Site|02|B-G1|Eng|7.5 Hut||B-G1 Eng 7.5 Hut |Bark-peeler's hut|Descriptive|Image Source (Pub)|||||||Bark-peeler's hut|0|||||0||||0|||||English||||||Europe||England|United Kingdom|||||0|England|||10099||||0||||0|Architecture|House||||||||||||||||0||||0||||||||||||||||||||||Huts ; |Huts|||||||||Cornell||JNK|JNK|10/5/2006 0:00:00|10/5/2006 0:00:00||Eng||0||||||Hut|B|||||G1|7.5||||||||||Building|0|Architecture-England|Located in High Furness?||||||||||0|0|Bark-peeler's hut| 7984.00|0|Creator|15|CHINA|MTL|W. ZHOU||CHINA MTL W. ZHOU |Vessel (Fu)|Descriptive|Image Source (Pub)|Fu|Descriptive|Image Source (Pub)||||Vessel (Fu)|0|||||0||||0|||||Chinese|||Zhou (Chou)|Western Zhou (W.Chou)||Asia||China||||||0||||0|Feicheng, Shandong Province, China|||10988|Feicheng, Shandong Province, China|||10988|Metalwork|Bronze|Vessel||BCE|-8|||799|700|ca|Western Zhou (8th c. B.C.)|ca 799-700 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||17.5 cm x 26.7 cm||1187|Jinan: Shangdong Provincial Museum|Jinan: Shangdong Provincial Museum||Archaeology ; Vessels ; |Archaeology|Vessels||||||||Cornell||BZ|BZ|10/11/2006 0:00:00|10/5/2006 0:00:00|||Feicheng|0|||||||MTL|||CHINA|W. ZHOU|||| ||||||||Work|0||Found in 1963. Weight: 4.25 kg.||||||||||0|0|Vessel (Fu);Fu| 7985.00|0|Site|02|B-B22|Ded|7.5 Fair||B-B22 Ded 7.5 Fair |Fairbanks House|Preferred|Repository|Jonathan Fairbanks House|Variant|Repository||||Fairbanks House|0|||||0||||0|||||American|||Colonial|||North and Central America||United States||||||0|Dedham, MA|||10989||||0||||0|Architecture|House||||17|||1636|1636|ca|ca 1636|ca 1636-1636|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|JNK|10/5/2006 0:00:00|10/5/2006 0:00:00||Ded||0||||||Fair|B|||||B22|7.5||||||||||Building|0|Architecture-Massachusetts (MA)|Built for Jonathan and Grace Fairbanke.|||1636; 1654; 1668|||||||0|0|Fairbanks House;Jonathan Fairbanks House| 7986.00|0|Site|02|B-B22|Sal|7.5 Ward||B-B22 Sal 7.5 Ward |John Ward House|Assigned|Image Source (Pub)|||||||John Ward House|0|||||0||||0|||||American|||Colonial|||North and Central America||United States||||||0|Salem, MA|||10985||||0||||0|Architecture|House||||17|||1684|1684|aft|aft 1684|aft 1684-1684|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|JNK|10/5/2006 0:00:00|10/5/2006 0:00:00||Sal||0||||||Ward|B|||||B22|7.5||||||||||Work|0|Architecture-Massachusetts (MA)|||||||||||0|0|John Ward House| 7987.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Casting Model|Descriptive|Image Source (Pub)|||||||Casting Model|0|||||0||||0|||||Chinese|||Zhou (Chou)|Eastern Zhou (E.Chou)||Asia||China||||||0||||0|Houma, Shanxi Province, China|||10990|Houma, Shanxi Province, China|||10964|Metalwork|Model (representation)|||BCE|-6|-5|-4|770|256||Eastern Zhou (770-256 BCE)|770-256 BCE|||||0||||0|||||Casting. Clay|clay|||||casting|modeling (forming)||||||9686|Beijing: Bureau of Cultural Relics|Beijing: Bureau of Cultural Relics||Archaeology ; Models (representations) ; |Archaeology|Models (representations)||||||||Cornell||BZ|BZ|10/11/2006 0:00:00|10/5/2006 0:00:00|||Houma|0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||Fragment of a clay casting model from bronze foundry at Houma, showing inlay motif.||||||||||0|0|Casting Model| 7988.00|0|Category|07|U-18|1 Chair|||U-18 1 Chair |Brewster type armchair|Descriptive|Image Source (Pub)|||||||Brewster type armchair|0|||||0||||0|||||American|||Colonial|||North and Central America||United States||||||0||||0||||0||||0|Furnishings|Chair||||17|||1650|1650|ca|ca 1650|ca 1650-1650|||||0||||0|||||Ash|ash (wood)|||||furniture making|||||||||||Chairs ; Armchairs ; |Chairs|Armchairs||||||||Cornell||JNK|JNK|10/5/2006 0:00:00|10/5/2006 0:00:00||||0||||||Chair|U|||18|||1||||||||||Work|0|Furniture-American (USA)|||||||||||0|0|Brewster type armchair| 7989.00|0|Creator|15|27|V523-|L1571||27 V523- L1571 |The Glass of Wine|Translated|Cataloger|Das Glas Wein|Preferred|Repository|Lady and Gentleman Drinking Wine|Variant|Image Source (Pub)|The Glass of Wine|12243|Vermeer, Jan||painter|Jan Vermeer|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)|Netherlands|||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1661|1662||1661-1662|1661-1662|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||66 x 77 cm||332|Berlin: Staatliche Museen zu Berlin; Gemaldegalerie|Berlin: Gemaldegalerie||Interchanges ; Men (male humans) ; Women ; Drinking ; Wine ; |Interchanges|Men (male humans)|Women|Drinking|Wine|||||Cornell||JNK|JNK|10/5/2006 0:00:00|10/5/2006 0:00:00|V523|||0||||||L1571|27|||||||| ||||||||Work|0||||||||||||0|0|The Glass of Wine;Das Glas Wein;Lady and Gentleman Drinking Wine|Vermeer, Jan 7990.00|0|Creator|15|27|R385-PA|D446||27 R385-PA D446 |Descent From the Cross|Assigned|Image Source (Pub)|||||||Descent From the Cross|9750|Rembrandt van Rijn||painter|Rembrandt van Rijn|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1634|1634||1634|1634-1634|||||0||||0|||||Oil on canvas|oil|canvas||||painting (image-making)|||||158 x 117 cm||3431|Saint Petersburg: Hermitage|Saint Petersburg: Hermitage||Descent from the cross ; New Testament ; Passion of Christ ; Christ ; |Descent from the cross|New Testament|Passion of Christ|Christ||||||Cornell||MNW|MNW|10/5/2006 0:00:00|10/5/2006 0:00:00|R385|||0||Inv. No. 753|||||27|PA||||||| |D446|||||||Work|0||||||||||Formerly in the collection of Empress Josephine, Malmaison, 1814.||0|0|Descent From the Cross|Rembrandt van Rijn 7991.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Casting Model|Descriptive|Image Source (Pub)|||||||Casting Model|0|||||0||||0|||||Chinese|||Zhou (Chou)|Eastern Zhou (E.Chou)||Asia||China||||||0||||0|Houma, Shanxi Province, China|||10964|Houma, Shanxi Province, China|||10964|Metalwork|Model (representation)|||BCE|-6|-5|-4|770|256||Eastern Zhou (770-256 BCE)|770-256 BCE|||||0||||0|||||Casting. Clay|clay|||||casting|modeling (forming)||||||9686|Beijing: Bureau of Cultural Relics|Beijing: Bureau of Cultural Relics||Archaeology ; Models (representations) ; Figures (representations) ; |Archaeology|Models (representations)|Figures (representations)|||||||Cornell||BZ|BZ|10/11/2006 0:00:00|10/5/2006 0:00:00|||Houma|0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||Fragment of a clay casting model from bronze foundry at Houma, showing pictorial motif.||||||||||0|0|Casting Model| 7992.00|0|Site|02|B-B22|Top|7.5 Cap||B-B22 Top 7.5 Cap |Parson Capen House|Preferred|Repository|||||||Parson Capen House|0|||||0||||0|||||American|||Colonial|||North and Central America||United States||||||0|Topsfield, MA|||10991||||0||||0|Architecture|House||||17|||1683|1683||1683|1683-1683|||||0||||0||||||||||||||||||||||||||||||||Cornell||JNK|JNK|10/6/2006 0:00:00|10/6/2006 0:00:00||Top||0||||||Cap|B|||||B22|7.5||||||||||Building|0|Architecture-Massachusetts (MA)|Built for The Reverend Joseph Capen. Now owned by the Topsfield Historical Society.||||||||||0|0|Parson Capen House| 7993.00|0|Site|02|B-B48|VirB|7.5 Tho||B-B48 VirB 7.5 Tho |Adam Thoroughgood House|Preferred|Repository|||||||Adam Thoroughgood House|0|||||0||||0|||||American|||Colonial|||North and Central America||United States||||||0|Virginia Beach, VA|||10992||||0||||0|Architecture|House||||17|||1680|1680|ca|ca 1680|ca 1680-1680|||||0||||0||||||||||||||||||||||||||||||||Cornell||JNK|JNK|10/6/2006 0:00:00|10/6/2006 0:00:00||VirB||0||||||Tho|B|||||B48|7.5||||||||||Building|0|Architecture-Virginia (VA)|Property settled by Adam Thoroughgood in 1635 (he had come to the colonies as an indentured servent). House probably built by one of his grandsons in 1680.||||||||||0|0|Adam Thoroughgood House| 7994.00|0|Site|02|B-B48|Car|7.5||B-B48 Car 7.5|Carter's Grove|Assigned|Image Source (Pub)|||||||Carter's Grove||||||0||||0|||||American|||Georgian|Colonial||North and Central America||United States||||||0|Williamsburg, VA|Near||10993||||0||||0|Architecture|House||||18|||1750|1755||1750-1755|1750-1755|||||0||||0||||||||||||||||||||||||||||||||Cornell||JNK|JNK|10/6/2006 0:00:00|10/6/2006 0:00:00||Will||0||||||Car|B|||||B48|7.5||||||||||Building|0|Architecture-Virginia (VA)|Built for Carter Burwell. Bricklayer - David Minitree; Carpenter - James Wheatley; Joiner - Richard Baylis…Remained in the family until 1834. http://www.cr.nps.gov/nr/travel/jamesriver/car.htm|Formerly attributed to Richard Taliaferro.|||||||||0|0|Carter's Grove| 7995.00|0|Site|02|B-G1|Lon|5.1 Roy/Wre||B-G1 Lon 5.1 Roy/Wre |Royal Hospital|Assigned|Macmillan|Royal Military Hospital|Variant|Online Resource||||Royal Hospital|12939|Wren, Christopher||architect|Christopher Wren|0||||0|||||English|||Baroque|||Europe||England|United Kingdom|||||0|Chelsea, London, England|||10994||||0||||0|Architecture|Hospital||||17|||1682|1691||1682-1691|1682-1691|||||0||||0||||||||||||||||||||||||||||||||Cornell||JNK|JNK|10/6/2006 0:00:00|10/6/2006 0:00:00||Lon||0||||||Roy/Wre|B|||||G1|5.1||||||||||Building|0|Architecture-England|||||||||||0|0|Royal Hospital;Royal Military Hospital|Wren, Christopher 7996.00|0|Site|02|B-B22|Mar|7.5 Lee||B-B22 Mar 7.5 Lee |Jeremiah Lee Mansion|Assigned|Repository|||||||Jeremiah Lee Mansion|0|||||0||||0|||||American|||Georgian|Colonial||North and Central America||United States||||||0|Marblehead, MA|||10995||||0||||0|Architecture|House||||18|||1768|1768||1768|1768-1768|||||0||||0||||||||||||||||||||||||||||||||Cornell||JNK|JNK|10/6/2006 0:00:00|10/6/2006 0:00:00||Mar||0||||||Lee|B|||||B22|7.5||||||||||Building|0|Architecture-Massachusetts (MA)|||||||||||0|0|Jeremiah Lee Mansion| 7997.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Vessel (Yu) Made By Duke Of Qi|Descriptive|Image Source (Pub)|Qi Hou yu|Descriptive|Image Source (Pub)||||Vessel (Yu) Made By Duke Of Qi|0|||||0||||0|||||Chinese|||Zhou (Chou)|Eastern Zhou (E.Chou)||Asia||China||||||0||||0|Luoyang, Henan Province, China|||10780|Luoyang, Henan Province, China|||10780|Metalwork|Bronze|Vessel|Inscription|BCE|-6|||770|700||Eastern Zhou (6th c. B.C.)|770-700 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||46.4 cm height; 75 cm diameter||9690|Luoyang Municipal Museum|Luoyang Municipal Museum||Archaeology ; Vessels ; Inscriptions ; |Archaeology|Vessels|Inscriptions|||||||Cornell||BZ|BZ|10/11/2006 0:00:00|10/6/2006 0:00:00|||Luo|0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||Found in 1957. Weight: 75 kg. Inscriptions on the vessel: The duke of Qi of the Jiang family made this precious vessel (yu) for his second daughter in marriage. May it give her long life for then thousand years, physical well-being always, and may|(inscriptions continue) generations preserve and use it forever.|||||||||0|0|Vessel (Yu) Made By Duke Of Qi;Qi Hou yu| 7998.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Square Vessel (Fang Hu)|Descriptive|Image Source (Pub)|Fang hu|Descriptive|Image Source (Pub)||||Square Vessel (Fang Hu)|0|||||0||||0|||||Chinese|||Zhou (Chou)|Eastern Zhou (E.Chou)||Asia||China||||||0||||0|Xinzheng, Henan Province, China|||10996|Xinzheng, Henan Province, China|||10996|Metalwork|Bronze|Vessel||BCE|-7|-6||825|700||Eastern Zhou (late 7th-6th c. B.C.)|825-700 BCE|||||0||||0|||||Casting; Bronze|bronze|||||casting|bronzing||||118 cm height; 30.5 x 24.9 cm dimensions at mouth||292|Beijing: Palace Museum|Beijing: Palace Museum||Archaeology ; Vessels ; |Archaeology|Vessels||||||||Cornell||BZ|BZ|10/11/2006 0:00:00|10/6/2006 0:00:00|||Xinzheng|0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||Found in 1923. Weight: 64.28 kg.||||||||||0|0|Square Vessel (Fang Hu);Fang hu| 7999.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Vessel (Hu)|Descriptive|Image Source (Pub)|Hu|Descriptive|Image Source (Pub)||||Vessel (Hu)|0|||||0||||0|||||Chinese|||Zhou (Chou)|Eastern Zhou (E.Chou)||Asia||China||||||0||||0|Liyu, Hunyuan County, Shanxi Province, China|||10997|Liyu, Hunyuan County, Shanxi Province, China|||10997|Metalwork|Bronze|Vessel||BCE|-5|||699|675||Eastern Zhou (early 5th c. B.C.)|699-675 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||44.2 cm height; 25 cm greatest diameter||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Archaeology ; Vessels ; |Archaeology|Vessels||||||||Cornell||BZ|BZ|10/11/2006 0:00:00|10/6/2006 0:00:00|||Liyu|0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||Found in 1923. Weight: 5.77 kg.||||||||||0|0|Vessel (Hu);Hu| 8000.00|0|Architect|02|O-|Gibbs|1.0 ARCH||O- Gibbs 1.0 ARCH |A Book of Architecture|Assigned|Dict.Art|Book of Architecture|Variant|Dict.Art||||A Book of Architecture|4449|Gibbs, James||architect|James Gibbs|0||||0|||||Scottish|British||Baroque|||Europe||England|Scotland|||||0||||0||||0||||0|Publications|Book|Architectural drawing|||18|||1728|1728||1728|1728-1728|||||0||||0||||||||||||||||||||||Architectural theory ; Architectural drawings ; Houses ; Plans (drawings) ; Churches ; Public buildings ; |Architectural theory|Architectural drawings|Houses|Plans (drawings)|Churches|Public buildings||||Cornell||JNK|JNK|10/6/2006 0:00:00|10/6/2006 0:00:00|Gibbs|||0||||||ARCH|O||||||1.0||||||||||Work|0|Theory-|||||||||||0|0|A Book of Architecture;Book of Architecture|Gibbs, James 8001.00|0|Architect|02|O-|Gibbs|1.0 ARCH|7|O- Gibbs 1.0 ARCH 7|Design for a house|Descriptive|Cataloger|||||||A Book of Architecture. Design for a house|4449|Gibbs, James||architect|James Gibbs|0||||0|||||Scottish|British||Baroque|||Europe||England|Scotland|||||0||||0||||0||||0|Architectural Theory|Architectural drawing|House|||18|||1728|1728||1728|1728-1728||A Book of Architecture|Larger entity||8000||||0||||||||||||||||||||||Houses ; Architectural drawings ; |Houses|Architectural drawings||||||||Cornell||JNK|JNK|10/6/2006 0:00:00|10/6/2006 0:00:00|Gibbs|||0||||||ARCH|O||||||1.0||||||||||Work|0|Theory-|||||||||||0|0|Design for a house|Gibbs, James 8002.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Square Vessel (Fang Hu)|Descriptive|Image Source (Pub)|Fang hu|Descriptive|Image Source (Pub)||||Square Vessel (Fang Hu)|0|||||0||||0|||||Chinese|||Zhou (Chou)|Eastern Zhou (E.Chou)||Asia||China||||||0||||0|Shan County, Henan Province, China|||10998|Shan County, Henan Province, China|||10998|Metalwork|Bronze|Vessel||BCE|-4|||525|500|ca|Late Eastern Zhou (4th c. B.C.)|ca 525-500 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||53 cm height; 12.7 x 12.7 cm dimensions at mouth||288|Beijing: Historical Museum|Beijing: Historical Museum||Archaeology ; Vessels ; |Archaeology|Vessels||||||||Cornell||BZ|BZ|10/11/2006 0:00:00|10/6/2006 0:00:00|||Shan|0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||Excavated in 1957. Weight: 10.4 kg.||||||||||0|0|Square Vessel (Fang Hu);Fang hu| 8003.00|0||||||||La Conclusion de la paix, à Angers, 10 août 1620|Preferred|Repository|The Conclusion of Peace, at Angers, 10 August 1620|Translated|Cataloger|Marie de'Medici Series XIX: Conclusion of Peace|Assigned|Image Source (Vendor)|Marie de'Medici Series. The Conclusion of Peace, at Angers, 10 August 1620|10147|Rubens, Peter Paul||painter|Peter Paul Rubens|0||||0|||||Flemish|||Baroque|||Europe||Belgium||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1622|1625||1622-1625|1622-1625||Marie de'Medici Series|Series||7875||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||394 x 295 cm||3341|Paris: Musée du Louvre|Paris: Louvre||Marie de Me´dicis, Queen, consort of Henry IV, King of France, 1573-1642 ; Peace ; Mercury (Roman deity) ; |Marie de Me´dicis, Queen, consort of Henry IV, King of France, 1573-1642|Peace|Mercury (Roman deity)|||||||Cornell||JNK|MNW|11/9/2006 0:00:00|10/6/2006 0:00:00||||0||Inv. 1787||||||||||||| |||||||||0||Part of the Marie de Me´dicis series.||||||||||0|0|La Conclusion de la paix, à Angers, 10 août 1620;The Conclusion of Peace, at Angers, 10 August 1620;Marie de'Medici Series XIX: Conclusion of Peace|Rubens, Peter Paul 8004.00|0||||||||La parfaite Réconciliation de la reine et de son fils…|Preferred|Repository|Perfect Reconciliation of the Queen and her Son|Translated|Cataloger|Marie de'Medici Series XX: The Reconciliation|Assigned|Image Source (Vendor)|Marie de'Medici Series. Perfect Reconciliation of the Queen and her Son|10147|Rubens, Peter Paul||painter|Peter Paul Rubens|0||||0|||||Flemish|||Baroque|||Europe||Belgium||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1622|1625||1622-1625|1622-1625||Marie de'Medici Series|Series||7875||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||394 x 295 cm||3341|Paris: Musée du Louvre|Paris: Louvre||Marie de Me´dicis, Queen, consort of Henry IV, King of France, 1573-1642 ; Louis XIII, King of France, 1601-1643 ; |Marie de Me´dicis, Queen, consort of Henry IV, King of France, 1573-1642|Louis XIII, King of France, 1601-1643||||||||Cornell||JNK|MNW|11/9/2006 0:00:00|10/6/2006 0:00:00|R895|||0||Inv. 1788||||||||||||| |||||||||0||Part of the Marie de Me´dicis series.|||||Dit autrefois L'Entrevue de Marie de Médicis et de son fils [à Coussières, près de Tours, le 5 septembre 1619], ou encore La Paix confirmée dans le Ciel. Louvre.|||||0|0|La parfaite Réconciliation de la reine et de son fils…;Perfect Reconciliation of the Queen and her Son;Marie de'Medici Series XX: The Reconciliation|Rubens, Peter Paul 8005.00|0|Architect|03|MA-Gehry|6.1|1988 Stu||MA-Gehry 6.1 1988 Stu |Frank O. Gehry Studio|Assigned|Image Source (Pub)|||||||Frank O. Gehry Studio|4365|Gehry, Frank Owen||architect|Frank O. Gehry|0||||0|||||American|||Post-1945|||North and Central America||United States||||||0|Santa Monica, CA|||10254||||0||||0|Architecture|Studio (work space)||||20|||1988|1988||1988|1988-1988|||||0||||0||||||||||||||||||||||Studios (Work Spaces) ; |Studios (Work Spaces)|||||||||Cornell||GB|JNK|10/11/2006 0:00:00|10/6/2006 0:00:00|Gehry|Smon||0||||||Stu|MA|||18||B5|6.1|1988|||||||||Work|0|Modern Architecture|||||||||||0|0|Frank O. Gehry Studio|Gehry, Frank Owen 8006.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Vessel (Dou)|Descriptive|Image Source (Pub)|Dou|Descriptive|Image Source (Pub)||||Vessel (Dou)|0|||||0||||0|||||Chinese|||Zhou (Chou)|Eastern Zhou (E.Chou)||Asia||China||||||0||||0|Xiangxiang, Hunan Province, China|||10999|Xiangxiang, Hunan Province, China|||10999|Metalwork|Bronze|Vessel||BCE|-4|||599|500|ca|Late Eastern Zhou (4th c. B.C.)|ca 599-500 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||24 cm height; 16.2 cm diameter||592|Changsha: Hunan Provincial Museum|Changsha: Hunan Provincial Museum||Archaeology ; Vessels ; |Archaeology|Vessels||||||||Cornell||BZ|BZ|10/11/2006 0:00:00|10/6/2006 0:00:00|||Xiangxiang|0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||Excavated in 1965. Weight: 2.3 kg.||||||||||0|0|Vessel (Dou);Dou| 8007.00|0||||||||Self-Portrait|Assigned|Image Source (Vendor)|||||||Self-Portrait|10147|Rubens, Peter Paul||painter|Peter Paul Rubens|0||||0|||||Flemish|||Baroque|||Europe||Belgium||||||0||||0||||0||||0|Paintings|Portrait|Oil painting|Self portrait||17|||1638|1640||1638-1640|1638-1640|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||109.5 x 85 cm||3403|Vienna: Kunsthistorisches Museum|Vienna: Kunsthistorisches Mus.||Self-portraits ; Rubens, Peter Paul, 1577-1640 ; |Self-portraits|Rubens, Peter Paul, 1577-1640||||||||Cornell||JNK|MNW|11/9/2006 0:00:00|10/6/2006 0:00:00|R895|||0||527||||||||||||| |||||||||0||||||||||||0|0|Self-Portrait|Rubens, Peter Paul 8008.00|0||||||||Paternal Admonition|Assigned|Image Source (Vendor)|||||||Paternal Admonition|11674|Terborch, Gerard, II||painter|Gerard Terborch II|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1654|1655|ca|ca 1654-1655|ca 1654-1655|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||70 x 60 cm||332|Berlin: Staatliche Museen zu Berlin; Gemaldegalerie|Berlin: Gemaldegalerie||Families ; Punishing ; |Families|Punishing||||||||Cornell||JNK|MNW|11/9/2006 0:00:00|10/6/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Paternal Admonition|Terborch, Gerard, II 8009.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Square Vessel (Fang Jian)|Descriptive|Image Source (Pub)|Fang jian|Descriptive|Image Source (Pub)||||Square Vessel (Fang Jian)|0|||||0||||0|||||Chinese|||Zhou (Chou)|Eastern Zhou (E.Chou)||Asia||China||||||0||||0|Shan County, Henan Province, China|||10998|Shan County, Henan Province, China|||10998|Metalwork|Bronze|Vessel||BCE|-3|||499|400|ca|Late Eastern Zhou (3rd c. B.C.)|ca 499-400 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||21.6 cm height; 30.8 x 30.8 cm dimensions at mouth||9683|Zhengzhou: Henan Provincial Museum|Zhengzhou: Henan Provincial Museum||Archaeology ; Vessels ; |Archaeology|Vessels||||||||Cornell||BZ|BZ|10/11/2006 0:00:00|10/6/2006 0:00:00|||Shan|0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||Excavated in 1975 from Sanmenxia, Shan County, Henan Province. Weight: 11.9 kg.||||||||||0|0|Square Vessel (Fang Jian);Fang jian| 8010.00|0||||||||Portrait of a Man, Called Man With a Glove|Translated|Cataloger|Portrait d'homme, dit L'Homme au gant|Preferred|Repository|Man with a Glove|Variant|Image Source (Vendor)|Portrait of a Man, Called Man With a Glove|11807|Titian||painter|Titian|0||||0|||||Italian|Venetian||Renaissance|||Europe||Italy||||||0||||0||||0||||0|Paintings|Painting|Oil painting|portraits||16|||1520|1520|ca|ca 1520|ca 1520-1520|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||100 x 89 cm||3341|Paris: Musée du Louvre|Paris: Louvre||Portraits ; Men (male humans) ; Gloves ; |Portraits|Men (male humans)|Gloves|||||||Cornell||JNK|MNW|11/9/2006 0:00:00|10/9/2006 0:00:00||||0||757||||||||||||| |||||||||0||||||||||||0|0|Portrait of a Man, Called Man With a Glove;Portrait d'homme, dit L'Homme au gant;Man with a Glove|Titian 8011.00|0||||||||Danäe|Assigned|Image Source (Vendor)|||||||Danäe|11807|Titian||painter|Titian|0||||0|||||Italian|Venetian||Renaissance|||Europe||Italy||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||16|||1545|1545||1545|1545-1545|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||120 x 172 cm||1859|Naples: Museo e Galleria Nazionali di Capodimonte|Naples: Capodimonte||Danae ; |Danae|||||||||Cornell||JNK|MNW|11/9/2006 0:00:00|10/9/2006 0:00:00|T618|||0||134||||||||||||| |||||||||0||||||||||||0|0|Danäe|Titian 8012.00|0||||||||King Philip II Offering Prince Ferdinand After Victory|Assigned|Image Source (Vendor)|||||||King Philip II Offering Prince Ferdinand After Victory|11807|Titian||painter|Titian|0||||0|||||Italian|Venetian||Renaissance|||Europe||Italy||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||16|||1573|1575||1573-1575|1573-1575|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||335 x 247 cm||1616|Madrid: Museo del Prado|Madrid: Prado||Philip II, King of Spain, 1527-1598 ; Victory ; Children (people by age group) ; |Philip II, King of Spain, 1527-1598|Victory|Children (people by age group)|||||||Cornell||JNK|JNK|10/11/2006 0:00:00|10/9/2006 0:00:00|T618|||0||431||||||||||||| |||||||||0||||||||||||0|0|King Philip II Offering Prince Ferdinand After Victory|Titian 8013.00|0||||||||Spain Coming to the Aid of Religion|Assigned|Image Source (Vendor)|||||||Spain Coming to the Aid of Religion|11807|Titian||painter|Titian|0||||0|||||Italian|Venetian||Renaissance|||Europe||Italy||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||16|||1560|1575|ca|ca 1560-1575|ca 1560-1575|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||168 x 168 cm||1616|Madrid: Museo del Prado|Madrid: Prado||Spain ; Religions ; |Spain|Religions||||||||Cornell||JNK|JNK|10/11/2006 0:00:00|10/9/2006 0:00:00|T618|||0||430||||||||||||| |||||||||0||||||||||||0|0|Spain Coming to the Aid of Religion|Titian 8014.00|0||||||||The Battle of Lepanto|Assigned|Image Source (Vendor)|||||||The Battle of Lepanto|12249|Veronese, Paolo||painter|Paolo Veronese|0||||0|||||Italian|Venetian||Renaissance|||Europe||Italy||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||16|||1571|1571|ca|ca 1571|ca 1571-1571|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||169 x 137 cm||3077|Venice: Galleria dell'Accademia|Venice: Gal. dell'Accademia||Battles ; Lepanto, Battle of, Greece, 1571 ; |Battles|Lepanto, Battle of, Greece, 1571||||||||Cornell||JNK|JNK|10/11/2006 0:00:00|10/9/2006 0:00:00|V549|||0||||||||||||||| |||||||||0||||||||||||0|0|The Battle of Lepanto|Veronese, Paolo 8015.00|0||||||||Thatched Roofs in Auvers|Assigned|Image Source (Vendor)|||||||Thatched Roofs in Auvers|12121|Gogh, Vincent van||painter|Vincent van Gogh|0||||0|||||Dutch|||Post-Impressionist|||Europe||Holland (historical region)|France|||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1890|1890||1890|1890-1890|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||65 x 81.5 cm||3263|Zürich: Kunsthaus Zürich|Zürich: Kunsthaus||Houses ; |Houses|||||||||Cornell||JNK|MNW|11/9/2006 0:00:00|10/9/2006 0:00:00||||0||||||||||||||| |||||||||0||||||||||||0|0|Thatched Roofs in Auvers|Gogh, Vincent van 8016.00|0||||||||The Court Jester Don Juan de Calabazas, 'Idiot of Coria'|Assigned|Image Source (Vendor)|||||||The Court Jester Don Juan de Calabazas, 'Idiot of Coria'|12216|Velazquez, Diego Rodriguez de S.||painter|Diego Velazquez|0||||0|||||Spanish|||Baroque|||Europe||Spain||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Portrait||17|||1657|1657|ca|ca 1657|ca 1657-1657|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||106 x 83 cm||1616|Madrid: Museo del Prado|Madrid: Prado||Dwarfs ; Portraits ; |Dwarfs|Portraits||||||||Cornell||JNK|JNK|10/11/2006 0:00:00|10/9/2006 0:00:00||||0||1205||||||||||||| |||||||||0||||||||||||0|0|The Court Jester Don Juan de Calabazas, 'Idiot of Coria'|Velazquez, Diego Rodriguez de S. 8017.00|0||||||||The Dwarf Don Sebastian de Morra|Assigned|Image Source (Vendor)|||||||The Dwarf Don Sebastian de Morra|12216|Velazquez, Diego Rodriguez de S.||painter|Diego Velazquez|0||||0|||||Spanish|||Baroque|||Europe||Spain||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Portrait||17|||1643|1644||1643-1644|1643-1644|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||106 x 81 cm||1616|Madrid: Museo del Prado|Madrid: Prado||Dwarfs ; Portraits ; |Dwarfs|Portraits||||||||Cornell||JNK|JNK|10/11/2006 0:00:00|10/9/2006 0:00:00|V433|||0||1202||||||||||||| |||||||||0||||||||||||0|0|The Dwarf Don Sebastian de Morra|Velazquez, Diego Rodriguez de S. 8018.00|0||||||||Infanta Maria Teresa|Preferred|Repository|||||||Infanta Maria Teresa|12216|Velazquez, Diego Rodriguez de S.||painter|Diego Velazquez|0||||0|||||Spanish|||Baroque|||Europe||Spain||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Portrait||17|||1652|1653||1652-1653|1652-1653|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||||3403|Vienna: Kunsthistorisches Museum|Vienna: Kunsthistorisches Mus.||Portraits ; Mari´a Teresa, Infanta of Spain, 1726-1746 ; |Portraits|Mari´a Teresa, Infanta of Spain, 1726-1746||||||||Cornell||JNK|MNW|11/9/2006 0:00:00|10/9/2006 0:00:00|V433|||0||353||||||||||||| |||||||||0||||||||||||0|0|Infanta Maria Teresa|Velazquez, Diego Rodriguez de S. 8019.00|0||||||||Infanta Margarita Teresa in a Blue Dress|Preferred|Repository|||||||Infanta Margarita Teresa in a Blue Dress|12216|Velazquez, Diego Rodriguez de S.||painter|Diego Velazquez|0||||0|||||Spanish|||Baroque|||Europe||Spain||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Portrait||17|||1659|1659||1659|1659-1659|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||127 x 107 cm||3403|Vienna: Kunsthistorisches Museum|Vienna: Kunsthistorisches Mus.||Portraits ; Margarita Teresa, Infanta of Spain, 1651-1673 ; |Portraits|Margarita Teresa, Infanta of Spain, 1651-1673||||||||Cornell||JNK|JNK|10/9/2006 0:00:00|10/9/2006 0:00:00|V433|||0||2130||||||||||||| |||||||||0||||||||||||0|0|Infanta Margarita Teresa in a Blue Dress|Velazquez, Diego Rodriguez de S. 8020.00|0||||||||Bei der Kupplerin|Preferred|Repository|The Procuress|Translated|Cataloger|The Brothel|Variant|Image Source (Vendor)|Bei der Kupplerin (The Procuress)|12243|Vermeer, Jan||painter|Jan Vermeer|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)|Netherlands|||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1656|1656||1656|1656-1656|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||143 x 130 cm||751|Dresden: Staatliche Kunstsammlungen; Gemäldegalerie Alte Meister|Dresden: Gemäldegalerie Alte Meister||Brothels ; Prostitutes ; |Brothels|Prostitutes||||||||Cornell||JNK|MNW|11/9/2006 0:00:00|10/9/2006 0:00:00||||0||1335||||||||||||| |||||||||0||||||||||||0|0|Bei der Kupplerin;The Procuress;The Brothel|Vermeer, Jan 8021.00|0||||||||Gezicht op Delft|Preferred|Repository|View of Delft|Translated|Image Source (Pub)||||View of Delft (Gezicht op Delft)|12243|Vermeer, Jan||painter|Jan Vermeer|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1660|1661|ca|ca 1660-1661|ca 1660-1661|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||96.5 x 115.7 cm||1019|Hague (The): Mauritshuis|The Hague: Mauritshuis||Delft (Netherlands) ; Cities ; Cityscapes ; |Delft (Netherlands)|Cities|Cityscapes|||||||Cornell||JNK|MNW|11/9/2006 0:00:00|10/9/2006 0:00:00|V523|||0||||||||||||||| |||||||||0||||||||||||0|0|Gezicht op Delft;View of Delft|Vermeer, Jan 8022.00|0||||||||Love Festival|Translated|Image Source (Vendor)|Das Liebesfest|Preferred|Repository||||Love Festival|12529|Watteau, Jean-Antoine||painter|Jean-Antoine Watteau|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Landscape (representation)||18|||1718|1719||1718-1719|1718-1719|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||61 x 75 cm||751|Dresden: Staatliche Kunstsammlungen; Gemäldegalerie Alte Meister|Dresden: Gemäldegalerie Alte Meister||Venus ; Cupid ; Love ; Festivals ; Landscapes ; |Venus|Cupid|Love|Festivals|Landscapes|||||Cornell||JNK|JNK|10/11/2006 0:00:00|10/9/2006 0:00:00||||0||782||||||||||||| |||||||||0||||||||||||0|0|Love Festival;Das Liebesfest|Watteau, Jean-Antoine 8023.00|0|Architect|03|MA-Piano|4.4| 1986 Men||MA-Piano 4.4 1986 Men |The Menil Collection|Preferred|Collection|De Menil Collection|Variant|Dict.Art|Menil Collection (Houston, Tex)|Variant|LC NAF|The Menil Collection|9191|Piano, Renzo||architect|Renzo Piano|0|Richard Fitzgerald & Partners|||0|||||American|||Modernist|||North and Central America||United States||||||0|Houston, Texas|||||||0||||0|Architecture|Museum||||20|||1986|||1986|1986|||||0||||0||||||||||||||||||||||||||||||||Cornell||GB|GB|10/9/2006 0:00:00|10/9/2006 0:00:00|Piano|||0||||||1986 Men|MA|||18|||4.4||||||||||Work|0|Modern Architecture|||||||||||0|0|The Menil Collection;De Menil Collection;Menil Collection (Houston, Tex)|Piano, Renzo;Richard Fitzgerald & Partners 8024.00|0|Site|02|B-B9|Wash|2.41 Cap 4b-8||B-B9 Wash 2.41 Cap 4b-8 |View of the Capitol|Preferred|Repository|||||||View of the Capitol|31288|Burton, Charles||painter|Charles Burton|0||||0|||||American|English|||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting|Watercolor|||19|||1824|1824||1824|1824-1824|||||0||||0|||||Watercolor, pen and black ink, and gum arabic on off-white wove paper|watercolor|pens|gum|||painting (image-making)|||||40.7 x 62.2 cm||3294|New York: Metropolitan Museum of Art|New York: Metropolitan||Capitols ; United States Capitol (Washington, D.C.) ; |Capitols|United States Capitol (Washington, D.C.)||||||||Cornell||JNK|JNK|10/9/2006 0:00:00|10/9/2006 0:00:00||Wash||0||||||Cap 4b-8|B|||||B9|2.41|| ||||||||Work|0|Architecture-District of Columbia (DC)|||||||||||0|0|View of the Capitol|Burton, Charles 8025.00|0|Architect|08|O-Adam|7.5|AdamJ||O-Adam 7.5 AdamJ |John Adam House|Assigned|Image Source (Pub)|||||||John Adam House|175|Adam, Robert||architect|Robert Adam|0||||0|||||Scottish|||Classicism|||Europe||England|Scotland|||||0||||0||||0||||0|Architectural Theory|architecture|House|||||||||||||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|JNK|10/10/2006 0:00:00|10/10/2006 0:00:00|Adam|||0||||||AdamJ|O||||||7.5||||||||||Work|0|Theory|||||||||||0|0|John Adam House|Adam, Robert 8026.00|0|Creator|05|J-Strand|30|||J-Strand 30 |Buttress, Ranchos de Taos Church, New Mexico|Preferred|Repository|||||||Buttress, Ranchos de Taos Church, New Mexico|11436|Strand, Paul||photographer|Paul Strand|0||||0|||||American|||Modernist|||North and Central America||United States||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1932|1932||1932|1932-1932|||||0||||0|||||Platinum print||||||photography|platinum process||||15.24 cm x 11.75 cm||||||Buttresses ; |Buttresses|||||||||Cornell||JNK|JNK|10/10/2006 0:00:00|10/10/2006 0:00:00|Strand|||0||||||30|J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Buttress, Ranchos de Taos Church, New Mexico|Strand, Paul 8027.00|0|Creator|15|E-18|O'Keeffe||9|E-18 O'Keeffe 9|Ranchos Church, New Mexico|Preferred|Repository|||||||Ranchos Church, New Mexico|8643|O'Keeffe, Georgia||painter|Georgia O'Keeffe|0||||0|||||American|||Modernist|||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||20|||1930|1931||1930-1931|1930-1931|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||||910|Fort Worth: Amon Carter Museum of Western Art|Fort Worth: Amon Carter Mus.||Churches ; Mission churches ; |Churches|Mission churches||||||||Cornell||JNK|MNW|11/14/2006 0:00:00|10/10/2006 0:00:00|O'Keeffe|||0||1971.16||||9|E|||18||||| ||||||||Work|0||||||||||||0|0|Ranchos Church, New Mexico|O'Keeffe, Georgia 8028.00|0|Architect|03|MA-Moneo|4.4|1980-1986 Rom||MA-Moneo 4.4 1980-1986 Rom |Museo Nacional de Arte Romano|Preferred|Dict.Art|National Museum of Roman Art|Translated|Cataloger||||Museo Nacional de Arte Romano|8109|Moneo, José Rafael||architect|José Rafael Moneo|0||||0|||||Spanish|||Modernist|||Europe||Spain||||||0|Merida, Spain|||10696||||0||||0|Architecture|Museum||||20|||1980|1986||1980-1986|1980-1986|||||0||||0||||||||||||||||||||||Museums ; |Museums|||||||||Cornell||JNK|||11/30/2006 0:00:00|Moneo|Mer||0||||||Rom|MA||||||4.4|1980-1986|||||||||Building|0|Modern Architecture|||||||||||0|0|Museo Nacional de Arte Romano;National Museum of Roman Art|Moneo, José Rafael 8029.00|0|Creator|05|J-AbbottB|57|||J-AbbottB 57 |Harlem Street II|Preferred|Repository|422-424 Lenox Avenue between West 131st and 132nd Streets|Descriptive|Repository||||Harlem Street II,422-424 Lenox Avenue between West 131st and 132nd Streets|139|Abbott, Berenice||photographer|Berenice Abbott|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1938|1938||June 14, 1938|1938-1938|||||0||||0|||||||||||photography|||||||3828|New York: Museum of the City of New York|New York: Mus. of the City of NY||New York (NY) ; Stores ; Cityscapes ; |New York (NY)|Stores|Cityscapes|||||||Cornell||JNK|JNK|10/10/2006 0:00:00|10/10/2006 0:00:00|AbbottB|||0||ABBOTT FILE 304||||57|J|||||||| ||||||||Work|0|Photography||||June 14, 1938|||||||0|0|Harlem Street II;422-424 Lenox Avenue between West 131st and 132nd Streets|Abbott, Berenice 8030.00|0|Culture|02|W-02.2|NAmerInd/Alg|1||W-02.2 NAmerInd/Alg 1 |Algongkin Summer Lodge Framework|Descriptive|Image Source (Pub)|||||||Algongkin Summer Lodge Framework|0|||||0||||0|||||Native American|Algonkin|||||North and Central America||United States||||||0||||0||||0||||0|Architecture|House||||||||||||||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|JNK|10/10/2006 0:00:00|10/10/2006 0:00:00||||0||||||NAmerInd/Alg|W|||02.2|||||||||||||Work|0||||||||||||0|0|| 8031.00|0|Site|02|B-B44|Nash|2.41 Cap||B-B44 Nash 2.41 Cap |Tennessee State Capitol|Preferred|Dict.Art|Nashville Capitol|Variant|Image Source (Pub)||||Tennessee State Capitol|11449|Strickland, William||architect|William Strickland|0||||0|||||American|||Greek Revival|||North and Central America||United States||||||0|Nashville, TN|||10258||||0||||0|Architecture|Capitol||||19|||1845|1860||1845-1860|1845-1860|||||0||||0||||||||||||||||||||||Capitols ; |Capitols|||||||||Cornell||JNK|JNK|10/10/2006 0:00:00|10/10/2006 0:00:00||Nash||0||||||Cap|B|||||B44|2.41||||||||||Building|0|Architecture-Tennessee (TN)|||||||||||0|0|Tennessee State Capitol;Nashville Capitol|Strickland, William 8032.00|0|Site|02|B-B33|Ovid|2.41 Cou||B-B33 Ovid 2.41 Cou |Courthouse Complex|Descriptive|Image Source (Pub)|Three Bears|Popular|Image Source (Pub)|Court House & County Buildings|Collective Title|Collection|Court House & County Buildings; "Three Bears"|0|||||0||||0|||||American|||Greek Revival|||North and Central America||United States||||||0|Ovid, NY|||11000||||0||||0|Architecture|Courthouse|Government office building|||19|||1845|1862|ca|ca 1845-1862|ca 1845-1862|||||0||||0||||||||||||||||||||||Courthouses ; Government office buildings ; |Courthouses|Government office buildings||||||||Cornell||JNK|JNK|10/11/2006 0:00:00|10/10/2006 0:00:00||Ovid||0||||||Cou|B|||||B33|2.41||||||||||Work|0|Architecture-New York (NY)|||||||||||0|0|Courthouse Complex;Three Bears;Court House & County Buildings| 8033.00|0|Site|02|B-B22|Bos|1.32 Bun||B-B22 Bos 1.32 Bun |Bunker Hill Monument|Assigned|Image Source (Pub)|||||||Bunker Hill Monument||||||0||||0|||||American||||||North and Central America||United States||||||0|Charlestown, Boston, MA|||11001||||0||||0|Architecture|Monument||||19|||1842|1842||1842|1842-1842|||Larger entity||||||0||||||||||||||||||||||Monuments ; Obelisks ; |Monuments|Obelisks||||||||Cornell||JNK|JNK|10/11/2006 0:00:00|10/11/2006 0:00:00||Bos||0||||||Bun|B|||||B22|1.32||||||||||Work|0|Architecture-Massachusetts (MA)|The [Bunker Hill Monumnet] Assoc. appointed a Board of Artists to recommend a form for the monument. The Board, which included Daniel Webster, Gilbert Stuart and Loammi Baldwin... is credited with being the monument's designer.|http://www.charlestownonline.net/bunkerhillmonument.htm, 11 October 2006.||Dedicated in 1843.|||||||0|0|Bunker Hill Monument| 8034.00|0|Architect|03|MA-Meier|4.4|1984-1997 Get||MA-Meier 4.4 1984-1997 Get |The Central Garden|||||||||Getty Center. The Central Garden|5818|Irwin, Robert||painter|Robert Irwin|0||||0|||||American|||Post-1945|||North and Central America||United States||||||0|Los Angeles, CA|||10085||||0||||0|Landscape architecture|Garden||||20|||1992|1992||1992|1992-1992||Getty Center|LargerEntity||778||||0||||||||||||||||||||||Gardens ; Water gardens ; Maze gardens ; |Gardens|Water gardens|Maze gardens|||||||Cornell||GB|MNW|10/12/2006 0:00:00|10/11/2006 0:00:00|Meier|||0||||||Get|MA||||||4.4|1984-1997|||||||||Work|0|Modern Architecture|||||||||||0|0|The Central Garden|Irwin, Robert 8035.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Vessel (Hu)|Descriptive|Image Source (Pub)|Hu|Descriptive|Image Source (Pub)||||Vessel (Hu)|0|||||0||||0|||||Chinese|||Zhou (Chou)|Eastern Zhou (E.Chou)||Asia||China||||||0||||0|Chengdu, Sichuan Province, China|||10735|Chengdu, Sichuan Province, China|||10735|Metalwork|Bronze|Vessel|Drawing|BCE|-6|-5||725|600|ca|Eastern Zhou (late 6th-5th c.B.C.)|ca 725-600 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||39.9 cm height; 13.4 cm diameter at mouth||9695|Chengdu: Sichuan Provincial Museum|Chengdu: Sichuan Provincial Museum||Archaeology ; Vessels ; Figures (representations) ; Animals ; Warriors ; Weapons ; Lions ; |Archaeology|Vessels|Figures (representations)|Animals|Warriors|Weapons|Lions|||Cornell||BZ|BZ|10/11/2006 0:00:00|10/11/2006 0:00:00|||Chengdu|0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||Excavated in 1965. Diameter at base 14.2 cm; weight 4.5 kg.||||||||||0|0|Vessel (Hu);Hu| 8036.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Rhinoceros Vessel (Zun)|Descriptive|Image Source (Pub)|Xiniu zun|Descriptive|Image Source (Pub)||||Rhinoceros Vessel (Zun)|0|||||0||||0|||||Chinese|||Zhou (Chou)|Eastern Zhou (E.Chou)|Western Han|Asia||China||||||0||||0|Xingping county, Shaanxi Province, China|||10819|Xingping county, Shaanxi Province, China|||10819|Metalwork|Bronze|Vessel||BCE|-3|||425|400|ca|Late E. Zhou-W. Han (late 3rd c. B.C.)|ca 425-400 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||34.1 cm x 58.1 cm||288|Beijing: Historical Museum|Beijing: Historical Museum||Archaeology ; Vessels ; Clouds ; Animals ; |Archaeology|Vessels|Clouds|Animals||||||Cornell||BZ|BZ|10/11/2006 0:00:00|10/11/2006 0:00:00|||Xingp|0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||Found in 1963. Weight: 13.3 kg.||||||||||0|0|Rhinoceros Vessel (Zun);Xiniu zun| 8037.00|0|Creator|15|CHINA|MTL|W. HAN||CHINA MTL W. HAN |Lamp|Descriptive|Image Source (Pub)|||||||Lamp|0|||||0||||0|||||Chinese|||Han (Chinese)|Western Han||Asia||China||||||0||||0|Tomb of Dou Wan, Mancheng, Hebei Province, China|||10731|Tomb of Dou Wan, Mancheng, Hebei Province, China|||10731|Metalwork|Bronze|Lamp (lighting device)|Figure (representation)|BCE|-2|||199|150|ca|Western Han (first half 2nd c. B.C.)|ca 199-150 BCE|||||0||||0|||||Casting. Gilt-bronze|bronze|gold||||casting|bronzing||||48 cm height||9579|Shijiazhuang: Hebei Provincial Museum|Shijiazhuang: Hebei Provincial Museum||Archaeology ; Lamps ; Figures (representations) ; Women ; |Archaeology|Lamps|Figures (representations)|Women||||||Cornell||BZ|BZ|10/11/2006 0:00:00|10/11/2006 0:00:00|||DWT|0|||||||MTL|||CHINA|W. HAN|||| ||||||||Work|0||Excavated in 1968. Weight: 15.85 kg.||||||||||0|0|Lamp| 8038.00|0|Creator|15|CHINA|MTL|W. HAN||CHINA MTL W. HAN |Tomb Of Liu Sheng: Vessel (Hu)|Descriptive|Image Source (Pub)|Hu|Descriptive|Image Source (Pub)||||Tomb Of Liu Sheng: Vessel (Hu)|0|||||0||||0|||||Chinese|||Han (Chinese)|Western Han||Asia||China||||||0||||0|Mancheng County, Hebei Province, China|||10762|Mancheng County, Hebei Province, China|||10762|Metalwork|Bronze|Vessel||BCE|-2|||150|100|ca|W. Han (second half 2nd c. B.C.)|ca 150-100 BCE||Tomb Of Liu Sheng|Larger entity||8039||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||44.2 cm height; 15.6 cm diameter||9579|Shijiazhuang: Hebei Provincial Museum|Shijiazhuang: Hebei Provincial Museum||Archaeology ; Vessels ; |Archaeology|Vessels||||||||Cornell||BZ|BZ|10/13/2006 0:00:00|10/11/2006 0:00:00|||Mancheng|0|||||||MTL|||CHINA|W. HAN|||| ||||||||Work|0||Excavated in 1968. Weight: 6.55 kg.||||||||||0|0|Tomb Of Liu Sheng: Vessel (Hu);Hu| 8039.00|0|Site|02|B-R1|Mancheng|3.3 Lius||B-R1 Mancheng 3.3 Lius |Tomb Of Liu Sheng|Descriptive|Image Source (Pub)|||||||Tomb Of Liu Sheng|0|||||0||||0|||||Chinese|||Han (Chinese)|Western Han||Asia||China||||||0||||0|Mancheng County, Hebei Province, China|||10762|Mancheng County, Hebei Province, China|||10762|Architecture|Tomb|Archaeological site|Vessel|BCE|-3|-2|-1|206|6||Western Han (206 BCE-6 CE)|206 BCE-6 CE|||||0||||0||||||||||||||||||||||Tombs ; Archaeology ; Vessels ; Skeletons ; |Tombs|Archaeology|Vessels|Skeletons||||||Cornell||BZ|BZ|10/11/2006 0:00:00|10/11/2006 0:00:00|||Mancheng|0||||||Lius|B|||||R1|3.3||||||||||Work|0|Architecture-China|||||||||||0|0|Tomb Of Liu Sheng| 8040.00|0|Site|02|B-B33|ForH|7.3 FHGar||B-B33 ForH 7.3 FHGar |Forest Hills Gardens|Preferred|Dict.Art|||||||Forest Hills Gardens|549|Atterbury, Grosvenor||architect|Grosvenor Atterbury, J. C. & F. L. Olmsted, Jr.|8713|Olmsted, Frederick Law, Jr.||architect, landscape|8714|Olmsted, John Charles||architect, landscape||American||||||North and Central America||United States||||||0|Forest Hills, Queens, New York, NY|||11002||||0||||0|Architecture|Municipal plan|Housing development|||20|||1909|1913||1909-1913|1909-1913|||||0||||0||||||||||||||||||||||Planned communities ; Planned unit developments ; Housing developments ; Urban planning ; |Planned communities|Planned unit developments|Housing developments|Urban planning||||||Cornell||GB|MNW|10/19/2006 0:00:00|10/12/2006 0:00:00||ForH||0||||||FHGar|B|||||B33|7.3||||||||||Work|0|Architecture-New York (NY)|||||||||||0|0|Forest Hills Gardens|Atterbury, Grosvenor;Olmsted, Frederick Law, Jr.;Olmsted, John Charles 8041.00|0|Site|02|B-B33|ForH|7.3 FHGar/StaSq||B-B33 ForH 7.3 FHGar/StaSq |Station Square|Assigned|Image Source (Pub)|||||||Forest Hills Gardens. Station Square|549|Atterbury, Grosvenor||architect|Grosvenor Atterbury|8713|Olmsted, Frederick Law, Jr.|||8714|Olmsted, John Charles||||American||||||North and Central America||United States||||||0|Forest Hills, Queens, New York, NY|||11002||||0||||0|Architecture|Square (open space)|Plaza|||20|||1909|1913||1909-1913|1909-1913||Forest Hills Gardens|LargerEntity||8040||||0||||||||||||||||||||||Urban planning ; Plazas ; |Urban planning|Plazas||||||||Cornell||GB|MNW|10/23/2006 0:00:00|10/13/2006 0:00:00||ForH||0||||||FHGar/StaSq|B|||||B33|7.3||||||||||Work|0|Architecture-New York (NY)|||||||||||0|0|Station Square|Atterbury, Grosvenor;Olmsted, Frederick Law, Jr.;Olmsted, John Charles 8044.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Vessel (Hu)|Descriptive|Image Source (Pub)|Hu|Descriptive|Image Source (Pub)||||Vessel (Hu)|0|||||0||||0|||||Chinese|||Zhou (Chou)|Eastern Zhou (E.Chou)||Asia||China||||||0||||0|Liyu, Hunyuan County, Shanxi Province, China|||10997|Liyu, Hunyuan County, Shanxi Province, China|||10997|Metalwork|Bronze|Vessel||BCE|-5|||499|475|ca|Eastern Zhou (early 5th c. B.C.)|ca 499-475 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||44.2 cm height; 25 cm greatest diameter||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Archaeology ; Vessels ; |Archaeology|Vessels||||||||Cornell||BZ|BZ|10/13/2006 0:00:00|10/13/2006 0:00:00|||Liyu|0|||||||MTL||||E. ZHOU|CHINA||| ||||||||Work|0||Found in 1923. Weight: 5.77 kg.||||||||||0|0|Vessel (Hu);Hu| 8045.00|0|Site|02|B-B5|LosA|1.03 |||Palos Verdes Estates|Assigned|Online Resource|Palos Verdes Peninsula|Assigned|Online Resource||||Palos Verdes Estates|29391|Olmsted Brothers||architect, landscape|Olmsted Brothers, C. H. Cheney|2251|Cheney, Charles Henry||urban planner|0|||||American||||||North and Central America||United States||||||0|Los Angeles, CA|||10085||||||||0|Architecture|Housing development||||20|||1927|||1927|1927|||||0||||0||||||||||||||||||||||Planned communities ; Housing developments ; Urban planning ; |Planned communities|Housing developments|Urban planning|||||||Cornell||GB|MNW|10/23/2006 0:00:00|10/18/2006 0:00:00||LosA||0|||||||B|||||B5|1.03|1927|||||||||Work|0|Architecture-California (CA)|||||||||||0|0|Palos Verdes Estates;Palos Verdes Peninsula|Olmsted Brothers;Cheney, Charles Henry 8046.00|0|Architect|03|MA-Ste&Wri|7.4|1932-1935 Cha||MA-Ste&Wri 7.4 1932-1935 Cha |Chatham Village|Assigned|Image Source (Pub)|||||||Chatham Village|31294|Stein & Wright||architectural firm|Stein & Wright; Ingham & Boyd|31292|Ingham & Boyd||architectural firm|0|||||American||||||North and Central America||United States||||||0|Pittsburgh, PA|||10303||||0||||0|Architecture|Municipal plan|Housing development|||20|||1932|1935||1932-1935|1932-1935|||||0||||0||||||||||||||||||||||Urban planning ; Housing developments ; Planned communities ; Suburbs ; |Urban planning|Housing developments|Planned communities|Suburbs||||||Cornell||GB|MNW|10/23/2006 0:00:00|10/17/2006 0:00:00|Ste&Wri|||0||||||Cha|MA||||||7.4|1932-1935|||||||||Work|0|Modern Architecture|Ingham & Boyd were the architects for Chatham Village; and Stein & Wright were site planners and consultant architects (source: Carnegie Mellon Research Library, Architecture Archives).||||||||||0|0|Chatham Village|Stein & Wright;Ingham & Boyd 8047.00|0|Architect|03|MA-Meier|6.1| 1986 Stu||MA-Meier 6.1 1986 Stu |Richard Meier Studio|Assigned|Image Source (Pub)|||||||Richard Meier Studio|7835|Meier, Richard Alan||architect|Richard Meier|0||||0|||||American||||||North and Central America||United States||||||0|New York, NY|||10060||||0||||0|Architecture|Studio (work space)||||20|||1986|1986||1986|1986-1986|||||0||||0||||||||||||||||||||||Studios (Work Spaces) ; |Studios (Work Spaces)|||||||||Cornell||JNK|JNK|10/17/2006 0:00:00|10/17/2006 0:00:00|Meier|NYC||0||||||1986 Stu|MA||||||6.1||||||||||Work|0|Modern Architecture|||||||||||0|0|Richard Meier Studio|Meier, Richard Alan 8048.00|0|Site|02|B-B33|NYC|3.1 Tri||B-B33 NYC 3.1 Tri |Trinity Church|Preferred|Dict.Art|||||||Trinity Church|12031|Upjohn, Richard||architect|Richard Upjohn|0||||0|||||American|||Gothic Revival|||North and Central America||United States||||||0|New York, NY|||10060||||0||||0|Architecture|Church||||19|||1839|1846||1839-1846|1839-1846|||||0||||0||||||||||||||||||||||Churches ; |Churches|||||||||Cornell||JNK|JNK|10/17/2006 0:00:00|10/17/2006 0:00:00||NYC||0||||||Tri|B|||||B33|3.1||||||||||Building|0|Architecture-New York (NY)|||||||||||0|0|Trinity Church|Upjohn, Richard 8049.00|0|Site|02|B-B33|NYC|3.1 Tri||B-B33 NYC 3.1 Tri |Upjohn's workshop next to Trinity Church|Descriptive|Cataloger|||||||Upjohn's workshop next to Trinity Church|12031|Upjohn, Richard||architect|Richard Upjohn|0||||0|||||American|||Gothic Revival|||North and Central America||United States||||||0||||0||||0||||0|Paintings|Watercolor||||19||||||||||||0||||0||||||||||||||||||3764|New York: Columbia University; Avery Architectural Library|New York: Columbia Univ.; Avery Lib.||Churches ; Workshops (work spaces) ; Landscapes ; |Churches|Workshops (work spaces)|Landscapes|||||||Cornell||JNK|JNK|10/17/2006 0:00:00|10/17/2006 0:00:00||NYC||0||||||Tri|B|||||B33|3.1|| ||||||||Building|0|Architecture-New York (NY)|||||||||||0|0|Upjohn's workshop next to Trinity Church|Upjohn, Richard 8050.00|0|Site|02|B-B33|NYC|6.1 Tri||B-B33 NYC 6.1 Tri |Trinity Building|Assigned|Image Source (Pub)|||||||Trinity Building|12031|Upjohn, Richard||architect|Richard Upjohn|0||||0|||||American|||Gothic Revival|||North and Central America||United States||||||0|||||New York, NY|||10060||||0|Architecture|Office building||||19|||1851|1853||1851-1853; demolished|1851-1853|||||0||||0||||||terracotta||||||||||||||||Office buildings ; |Office buildings|||||||||Cornell||JNK|JNK|10/17/2006 0:00:00|10/17/2006 0:00:00|||NYC|0||||||Tri|B|||||B33|6.1||||||||||Building|0|Architecture-New York (NY)|It was located at 111 Broadway, NY, NY.|Considered one of the best uses of terra cotta in New York in the mid-19th century.http://www.journals.uchicago.edu/WP/journal/issues/v39n4/390401/390401.html, accessed 17 October 2006.|||||||||0|0||Upjohn, Richard 8051.00|0|Site|02|B-B33|NYC|4.2 NYU||B-B33 NYC 4.2 NYU |New York University Chapel|Preferred|Macmillan|||||||New York University Chapel|2906|Davis, Alexander Jackson||architect|Alexander Jackson Davis|0||||0|||||American|||Gothic Revival|||North and Central America||United States||||||0|||||New York, NY|||10060||||0|Architecture|Chapel|Church|University||19|||1835|1837||1835-1837|1835-1837|||||0||||0||||||||||||||||||||||Chapels ; Churches ; Universities ; |Chapels|Churches|Universities|||||||Cornell||JNK|JNK|10/17/2006 0:00:00|10/17/2006 0:00:00|||NYC|0||||||NYU|B|||||B33|4.2|| ||||||||Building|0|Architecture-New York (NY)|Demolished||||||||||0|0|New York University Chapel|Davis, Alexander Jackson 8053.00|0|Creator|05|MA-Richardson|1.0 Port|6||MA-Richardson 1.0 Port 6 |Portrait of Henry Hobson Richardson in a Monk's Habit|Descriptive|Image Source (Pub)|||||||Portrait of Henry Hobson Richardson in a Monk's Habit|31293|Cos, George Collins||photographer|George Collins Cox|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Portrait|Photographic print|||19|||1883|1883|ca|ca 1883|ca 1883-1883|||||0||||0||||||||||||||||||||||Portraits ; Architects ; Monks ; Richardson, H. H. (Henry Hobson) (1838-1886) ; |Portraits|Architects|Monks|Richardson, H. H. (Henry Hobson) (1838-1886)||||||Cornell||JNK|JNK|10/17/2006 0:00:00|10/17/2006 0:00:00|Richardson|||0||||||Port|MA||||||1.0||||||||||Work|0|Modern Architecture|||||||||||0|0|Portrait of Henry Hobson Richardson in a Monk's Habit|Cos, George Collins 8054.00|0|Category|11|Dragon Day 2000||||Dragon Day 2000 |Dragon Day 2000|Descriptive|Cataloger|||||||Dragon Day 2000|0|||||0||||0|||||American||||||North and Central America||United States|||Ithaca, New York|||10057||||0||||0||||0|Rituals (events)|Ritual (event)||||21|||2000|2000||2000|2000-2000|||||0||||0||||||||||||||||||||||Dragons ; Architects ; Rituals (events) ; Festivals ; Spring ; Universities ; Students ; |Dragons|Architects|Rituals (events)|Festivals|Spring|Universities|Students|||Cornell||JNK|JNK|10/17/2006 0:00:00|10/17/2006 0:00:00||Dragon Day||0||||||||||||||2000|||||||||Work|0||||||||||||0|0|Dragon Day 2000| 8055.00|0|Creator|05||||||Above Los Angeles: a Collection of Nostalgic and Contemporary Aerial Photographs of Greater Los Angeles|Published|Print Publication|||||||Above Los Angeles|31295|Cameron, Robert||photographer|Robert Cameron|0||||0|||||American|||Post-1945|||North and Central America||United States||||||0||||0||||0||||0|Publications|Book||||20|||1976|1976||1976|1976-1976|||||0||||0||||||||||||||||||||||Los Angeles (CA) ; Photography ; Aerial views ; |Los Angeles (CA)|Photography|Aerial views|||||||Cornell||GB|GB|10/18/2006 0:00:00|10/17/2006 0:00:00||||0|||||||||||||||||||||||Work|0||Published by Cameron and Company, San Fransisco, California.||||||||||0|0|Above Los Angeles: a Collection of Nostalgic and Contemporary Aerial Photographs of Greater Los Angeles|Cameron, Robert 8056.00|0|Architect|03|MA-Burn & Roo|1.0| Port 2||MA-Burn & Roo 1.0 Port 2 |Portrait of Burnham & Root in the library of their office in Chicago|Descriptive|Cataloger|||||||Portrait of Burnham & Root in the library of their office in Chicago|0|||||0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Portrait|Photographic print|||19||||||||||||0||||0||||||||||||||||||||||Portraits ; Libraries (rooms) ; Burnham, Daniel Hudson, 1846-1912 ; Root, John Wellborn, 1850-1891 ; Architects ; |Portraits|Libraries (rooms)|Burnham, Daniel Hudson, 1846-1912|Root, John Wellborn, 1850-1891|Architects|||||Cornell||JNK|JNK|10/18/2006 0:00:00|10/18/2006 0:00:00|Burn & Roo|||0||||||Port 2|MA||||||1.0||||||||||Work|0|Modern Architecture|||||||||||0|0|Portrait of Burnham & Root in the library of their office in Chicago| 8057.00|0||||||||Perkins-Hooper-Richardson House|Assigned|Image Source (Pub)|||||||Perkins-Hooper-Richardson House|0|||||0||||0|||||American||||||North and Central America||United States||||||0||||0|Cottage Street, Brookline, MA|||11004||||0|Architecture|House||||19||||||||||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|JNK|10/23/2006 0:00:00|10/18/2006 0:00:00||||0||||||||||||||||||||||||0||Demolished.||||||||||0|0|Perkins-Hooper-Richardson House| 8058.00|0|Creator|15|CHINA|MTL|XIA||CHINA MTL XIA |Vessel (Jia) With A String Of Pearls Design|Descriptive|Image Source (Pub)|||||||Vessel (Jia) With A String Of Pearls Design|0|||||0||||0|||||Chinese|||Xia|||Asia||China||||||0||||0|Erlitou, Yanshi County, Henan Province, China|||10740|Erlitou, Yanshi County, Henan Province, China|||10740|Metalwork|Bronze|Vessel||BCE|-18|-17|-16|1799|1500|ca|Late Xia period|ca 1799-1500 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||23.5 cm height. 11.5 cm diameter of mouth||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Archaeology ; Vessels ; Wine ; |Archaeology|Vessels|Wine|||||||Cornell||BZ|BZ|11/1/2006 0:00:00|10/18/2006 0:00:00|||Erlitou|0|||||||MTL|||CHINA|XIA|||| ||||||||Work|0||Weight 1.14 kg.||||||||||0|0|Vessel (Jia) With A String Of Pearls Design| 8059.00|0|Creator|15|CHINA|MTL|XIA||CHINA MTL XIA |Vessel (Jue) With A Contracted Waist|Descriptive|Image Source (Pub)|Shu yao jue|Descriptive|Image Source (Pub)||||Vessel (Jue) With A Contracted Waist|0|||||0||||0|||||Chinese|||Xia|||Asia||China||||||0||||0|Erlitou, Yanshi County, Henan Province, China|||10740|Erlitou, Yanshi County, Henan Province, China|||10740|Metalwork|Bronze|Vessel||BCE|-18|-17|-16|1799|1500|ca|Late Xia period|ca 1799-1500 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||11.7 cm height. 14.1 cm length spout to tail||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Archaeology ; Vessels ; Wine ; |Archaeology|Vessels|Wine|||||||Cornell||BZ|BZ|11/1/2006 0:00:00|10/18/2006 0:00:00|||Erlitou|0|||||||MTL|||CHINA|XIA|||| ||||||||Work|0||Weight: 0.2 kg.||||||||||0|0|Vessel (Jue) With A Contracted Waist;Shu yao jue| 8060.00|0|Creator|15|CHINA|MTL|XIA||CHINA MTL XIA |Vessel (Ding) With Cloud Pattern|Descriptive|Image Source (Pub)|Yun wen ding|Descriptive|Image Source (Pub)||||Vessel (Ding) With Cloud Pattern|0|||||0||||0|||||Chinese|||Xia|||Asia||China||||||0||||0|Erlitou, Yanshi County, Henan Province, China|||10740|Erlitou, Yanshi County, Henan Province, China|||10740|Metalwork|Bronze|Vessel||BCE|-18|-17|-16|1799|1500|ca|Late Xia period|ca 1799-1500 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||19 cm height. 16.9 cm diameter of mouth||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Archaeology ; Vessels ; Clouds ; |Archaeology|Vessels|Clouds|||||||Cornell||BZ|BZ|11/1/2006 0:00:00|10/18/2006 0:00:00|||Erlitou|0|||||||MTL|||CHINA|XIA|||| ||||||||Work|0||Weight 0.96 kg.||||||||||0|0|Vessel (Ding) With Cloud Pattern;Yun wen ding| 8061.00|0|Creator|15|CHINA|MTL|SHANG||CHINA MTL SHANG |Vessel (Jue) With An Animal-mask Design|Descriptive|Image Source (Pub)|Jue|Descriptive|Image Source (Pub)||||Vessel (Jue) With An Animal-mask Design|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0||||0|Erlitou, Yanshi County, Henan Province, China|||10740|Erlitou, Yanshi County, Henan Province, China|||10740|Metalwork|Bronze|vesss|Mask (costume)|BCE|-16|-15|-14|1599|1200|ca|Early Shang period|ca 1599-1200 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||14.6 cm height. 15.4 cm length spout to tail||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Archaeology ; Vessels ; Animals ; Masks ; Wine ; |Archaeology|Vessels|Animals|Masks|Wine|||||Cornell||BZ|BZ|11/1/2006 0:00:00|10/18/2006 0:00:00|||Erlitou|0|||||||MTL|||CHINA|SHANG|||| ||||||||Work|0||Weight 0.3 kg.||||||||||0|0|Vessel (Jue) With An Animal-mask Design;Jue| 8062.00|0|Creator|15|CHINA|MTL|SHANG||CHINA MTL SHANG |Vessel (Gu) With An Animal-mask Design|Descriptive|Image Source (Pub)|||||||Vessel (Gu) With An Animal-mask Design|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0||||0|Erlitou, Yanshi County, Henan Province, China|||10740|Erlitou, Yanshi County, Henan Province, China|||10740|Metalwork|Bronze|Vessel|Mask (costume)|BCE|-16|-15|-14|1599|1200|ca|Early Shang period|ca 1599-1200 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||13.7 cm height. 11.8 cm diameter of mouth||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Archaeology ; Vessels ; Animals ; Masks ; Wine ; |Archaeology|Vessels|Animals|Masks|Wine|||||Cornell||BZ|BZ|11/1/2006 0:00:00|10/18/2006 0:00:00|||Erlitou|0|||||||MTL|||CHINA|SHANG|||| ||||||||Work|0||Diameter of base 8.4 cm. Weight 0.45 kg.||||||||||0|0|Vessel (Gu) With An Animal-mask Design| 8063.00|0|Creator|15|CHINA|MTL|SHANG||CHINA MTL SHANG |Vessel (Ding) With An Animal-mask Design|Descriptive|Image Source (Pub)|Ding|Descriptive|Image Source (Pub)||||Vessel (Ding) With An Animal-mask Design|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0||||0|Erlitou, Yanshi County, Henan Province, China|||10740|Erlitou, Yanshi County, Henan Province, China|||10740|Metalwork|Bronze|Vessel|Mask (costume)|BCE|-16|-15|-14|1599|1200|ca|Early Shang period|ca 1599-1200 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||19.4 cm height. 16 cm diameter of mouth||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Archaeology ; Vessels ; Animals ; Masks ; Food ; |Archaeology|Vessels|Animals|Masks|Food|||||Cornell||BZ|BZ|11/1/2006 0:00:00|10/18/2006 0:00:00|||Erlitou|0|||||||MTL|||CHINA|SHANG|||| ||||||||Work|0||Weight 1.046 kg.||||||||||0|0|Vessel (Ding) With An Animal-mask Design;Ding| 8064.00|0|Site|05|B-B5|LosA|1.1 Aer|5a-3|B-B5 LosA 1.1 Aer 5a-3|Aerial View of San Diego Freeway, Hills of Bel-Air and Community of Westwood.|Descriptive|Image Source (Pub)|||||||Above Los Angeles. Aerial View of San Diego Freeway, Hills of Bel-Air and Community of Westwood.|31295|Cameron, Robert||photographer|Robert Cameron|0||||0|||||American|||Post-1945|||North and Central America||United States||||||0|Los Angeles, CA|||10085||||0||||0|Photographs|Documentary photograph|Aerial view|||20|||1976|1976||1976-1976|1976-1976||Above Los Angeles: a Collection of Nostalgic and Contemporary Aerial Photographs of Greater Los Angeles|||8055||||0|||||||||||photography|||||||||||Los Angeles (CA) ; Photography ; Aerial views ; |Los Angeles (CA)|Photography|Aerial views|||||||Cornell||GB|MNW|10/19/2006 0:00:00|10/18/2006 0:00:00||LosA||0||||||Aer|B|||||B5|1.1||||||||||Work|0|Architecture-California (CA)|||||||||||0|0|Aerial View of San Diego Freeway, Hills of Bel-Air and Community of Westwood.|Cameron, Robert 8065.00|0|Creator|15|CHINA|MTL|SHANG||CHINA MTL SHANG |X Vessel (Hu)|Descriptive|Image Source (Pub)|X hu|Descriptive|Image Source (Pub)||||X Vessel (Hu)|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0||||0|Erligang, Zhengzhou, Henan Province, China|||11016|Erligang, Zhengzhou, Henan Province, China|||11016|Metalwork|Bronze|Vessel|Mask (costume)|BCE|-14|-13|-12|1399|1100|ca|Middle Shang period|ca 1399-1100 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||25.3 cm height. 5 cm diameter of mouth||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Archaeology ; Vessels ; Animals ; Masks ; Inscriptions ; Wine ; |Archaeology|Vessels|Animals|Masks|Inscriptions|Wine||||Cornell||BZ|BZ|11/1/2006 0:00:00|10/18/2006 0:00:00|||Erligang|0|||||||MTL|||CHINA|SHANG|||| ||||||||Work|0||Diameter of belly 15.3 cm; diameter of base 10.1 cm. Weight 1.066 kg.||||||||||0|0|X Vessel (Hu);X hu| 8066.00|0|Creator|15|CHINA|MTL|SHANG||CHINA MTL SHANG |Vessel (Jia) With An Animal-mask Design|Descriptive|Image Source (Pub)|Jia|Descriptive|Image Source (Pub)||||Vessel (Jia) With An Animal-mask Design|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0||||0|Erligang, Zhengzhou, Henan Province, China|||11016|Erligang, Zhengzhou, Henan Province, China|||11016|Metalwork|Bronze|Vessel|Mask (costume)|BCE|-14|-13|-12|1399|1100|ca|Middle Shang period|ca 1399-1100 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||31.3 cm height. 18.4 cm diameter of mouth||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Archaeology ; Vessels ; Animals ; Masks ; Wine ; |Archaeology|Vessels|Animals|Masks|Wine|||||Cornell||BZ|BZ|11/1/2006 0:00:00|10/18/2006 0:00:00|||Erligang|0|||||||MTL|||CHINA|SHANG|||| ||||||||Work|0||Weight 1.85 kg.||||||||||0|0|Vessel (Jia) With An Animal-mask Design;Jia| 8067.00|0|Creator|15|CHINA|MTL|SHANG||CHINA MTL SHANG |Vessel (Li) With An Animal-mask Design|Descriptive|Image Source (Pub)|Li|Descriptive|Image Source (Pub)||||Vessel (Li) With An Animal-mask Design|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0||||0|Erligang, Zhengzhou, Henan Province, China|||11016|Erligang, Zhengzhou, Henan Province, China|||11016|Metalwork|Bronze|Vessel|Mask (costume)|BCE|-14|-13|-12|1399|1100|ca|Middle Shang period|ca 1399-1100 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||19.2 cm height||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Archaeology ; Vessels ; Animals ; Masks ; |Archaeology|Vessels|Animals|Masks||||||Cornell||BZ|BZ|10/31/2006 0:00:00|10/18/2006 0:00:00|||Erligang|0|||||||MTL|||CHINA|SHANG|||| ||||||||Work|0||Weight 1.06 kg.||||||||||0|0|Vessel (Li) With An Animal-mask Design;Li| 8068.00|0|Creator|15|CHINA|MTL|SHANG||CHINA MTL SHANG |Vessel (Gu) Made By Huang|Descriptive|Image Source (Pub)|Huang gu|Descriptive|Image Source (Pub)||||Vessel (Gu) Made By Huang|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0||||0|Anyang, Henan Province, China|||10570|Anyang, Henan Province, China|||10570|Metalwork|Bronze|Vessel|Inscription|BCE|-12|-11||1199|1000|ca|Late Shang period|ca 1199-1000 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||27.3 cm height. 16 cm diameter of mouth||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Archaeology ; Vessels ; Inscriptions ; Animals ; Masks ; Clouds ; Wine ; |Archaeology|Vessels|Inscriptions|Animals|Masks|Clouds|Wine|||Cornell||BZ|BZ|11/1/2006 0:00:00|10/18/2006 0:00:00|||Any|0|||||||MTL|||CHINA|SHANG|||| ||||||||Work|0||Diameter of base 9.5 cm. Weight 1.04 kg.||||||||||0|0|Vessel (Gu) Made By Huang;Huang gu| 8069.00|0|Creator|15|CHINA|MTL|SHANG||CHINA MTL SHANG |Vessel (Zhi) With An Animal-mask Design|Descriptive|Image Source (Pub)|Zhi|Descriptive|Image Source (Pub)||||Vessel (Zhi) With An Animal-mask Design|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0||||0|Anyang, Henan Province, China|||10570|Anyang, Henan Province, China|||10570|Metalwork|Bronze|Vessel|Mask (costume)|BCE|-12|-11||1199|1000|ca|Late Shang period|ca 1199-1000 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||19.3 cm height||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Archaeology ; Vessels ; Animals ; Masks ; Clouds ; Food ; |Archaeology|Vessels|Animals|Masks|Clouds|Food||||Cornell||BZ|BZ|10/31/2006 0:00:00|10/18/2006 0:00:00|||Any|0|||||||MTL|||CHINA|SHANG|||| ||||||||Work|0||Mouth: front to back 7.3 cm, left to right 10 cm. Base: front to back 6.8 cm, left to right 9.1 cm. Weight 1.11 kg.||||||||||0|0|Vessel (Zhi) With An Animal-mask Design;Zhi| 8070.00|0|Site|02|B-B33|NYC|2.31 Bra|1939|B-B33 NYC 2.31 Bra 1939|Brazilian Pavilion|Assigned|Dict.Art|||||||New York World's Fair (1939-1940). Brazilian Pavilion|8539|Niemeyer, Oscar||architect|Oscar Niemeyer, Paul L. Wiener, Lucio Costa|12725|Wiener, Paul Lester||architect|2634|Costa, Lucio||||Brazilian|||Modernist|||North and Central America||United States||||||0|||||New York, NY|||10060||||0|Architecture|Public building|Exhibit building|Exhibition building space||20|||1939|1939||1939|1939-1939||New York World's Fair (1939-1940)|LargerEntity||3671||||0||||||||||||||||||||||New York World's Fair (1939-1940) ; Brazil. Comissariado Geral na Feira Mundial de Nova York, 1939-1940, New York, N.Y. ; Exhibition buildings ; |New York World's Fair (1939-1940)|Brazil. Comissariado Geral na Feira Mundial de Nova York, 1939-1940, New York, N.Y.|Exhibition buildings|||||||Cornell||GB|MNW|10/23/2006 0:00:00|10/19/2006 0:00:00|||NYC|0||||||Bra|B|||||B33|2.31|1939|||||||||Building|0|Architecture-New York (NY)|||||||||||0|0|Brazilian Pavilion|Niemeyer, Oscar;Wiener, Paul Lester;Costa, Lucio 8071.00|0|Creator|15|32|C134-D|1873|1|32 C134-D 1873 1|Nude Woman on a Sofa|Translated|Image Source (Pub)|Femme nue étendue sur un divan|Original|Image Source (Pub)||||Nude Woman on a Sofa|1912|Caillebotte, Gustave||painter|Gustave Caillebotte|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Drawings|Pastel (visual work)||||19|||1873|1873||1873|1873-1873|||||0||||0|||||Pastel|pastels (crayons)|||||drawing (image-making)|||||87 x 113 cm||3290|Private Collection|: Private Coll.||Nudes ; Women ; Sofas ; Pillows ; |Nudes|Women|Sofas|Pillows||||||Cornell||JNK|MNW|10/19/2006 0:00:00|10/19/2006 0:00:00|C134|||0||||||1873|32|D||||||| ||||||||Work|0||Berhaut, 1978, No. 7.||||||||||0|0|Nude Woman on a Sofa;Femme nue étendue sur un divan|Caillebotte, Gustave 8072.00|0|Creator|15|32|C134-PA|1873|1|32 C134-PA 1873 1|Woman at a Dressing Table|Translated|Image Source (Pub)|Femme à sa toilette|Original|Image Source (Pub)||||Woman at a Dressing Table|1912|Caillebotte, Gustave||painter|Gustave Caillebotte|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1873|1873|ca|ca 1873|ca 1873-1873|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||65 x 81 cm||3798|Los Angeles: Private Collection|Los Angeles: Private Coll.||Dressing (process) ; Women ; Toilet sets (Dresser sets) ; |Dressing (process)|Women|Toilet sets (Dresser sets)|||||||Cornell||JNK|MNW|10/19/2006 0:00:00|10/19/2006 0:00:00|C134|||0||||||1873|32|PA||||||| ||||||||Work|0||Berhaut, 1978, No. 8.||||||||||0|0|Woman at a Dressing Table;Femme à sa toilette|Caillebotte, Gustave 8073.00|0|Creator|15|32|C134-PA|1875|1|32 C134-PA 1875 1|Floor-Scrapers|Popular|Image Source (Pub)|Raboteurs de parquet|Preferred|Repository|The Floor Planers|Translated|Repository|Floor-Scrapers|1912|Caillebotte, Gustave||painter|Gustave Caillebotte|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1875|1875||1875|1875-1875|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||102 x 146.5 cm||2196|Paris: Musée d’Orsay|Paris: Musée d’Orsay||Men (male humans) ; |Men (male humans)|||||||||Cornell||JNK|MNW|11/14/2006 0:00:00|10/19/2006 0:00:00|C134|||0||||||1875|32|PA||||||| ||||||||Work|0||Berhaut, 1978, No. 28.||||||||||0|0|Floor-Scrapers;Raboteurs de parquet;The Floor Planers|Caillebotte, Gustave 8074.00|0|Creator|15|32|C134-PA|1876|3|32 C134-PA 1876 3|Floor-Scrapers, variant|Translated|Image Source (Pub)|Raboteurs de parquet, variant|Original|Image Source (Pub)||||Floor-Scrapers, variant|1912|Caillebotte, Gustave||painter|Gustave Caillebotte|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1876|1876||1876|1876-1876|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||80 x 100 cm||||||Men (male humans) ; |Men (male humans)|||||||||Cornell||JNK|MNW|10/19/2006 0:00:00|10/19/2006 0:00:00|C134|||0||||||1876|32|PA|||||||||||||||Work|0||Berhaut, 1978, No. 29||||||||||0|0|Floor-Scrapers, variant;Raboteurs de parquet, variant|Caillebotte, Gustave 8075.00|0|Creator|15|32|C134-PA|1877|7|32 C134-PA 1877 7|The House-painters|Translated|Image Source (Pub)|Peintres en bâtiment|Original|Image Source (Pub)||||The House-painters|1912|Caillebotte, Gustave||painter|Gustave Caillebotte|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1877|1877||1877|1877-1877|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||89.2 x 116.2 cm||3405|Paris: Private Collection|Paris: Private Coll.||House painters ; House paint ; Paris (France) ; Streetscapes ; Ladders ; Men (male humans) ; |House painters|House paint|Paris (France)|Streetscapes|Ladders|Men (male humans)||||Cornell||JNK|MNW|10/19/2006 0:00:00|10/19/2006 0:00:00|C134|||0||||||1877|32|PA||||||| ||||||||Work|0||Berhaut, 1978, No. 48.||||||||||0|0|The House-painters;Peintres en bâtiment|Caillebotte, Gustave 8076.00|0|Creator|15|32|C134-PA|1880|2|32 C134-PA 1880 2|Nude on a Sofa|Translated|Cataloger|Nu au divan|Original|Image Source (Pub)||||Nude on a Sofa|1912|Caillebotte, Gustave||painter|Gustave Caillebotte|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1880|1882||1880-1882|1880-1882|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||132 x 196.2 cm||3361|Minneapolis: Institute of Arts|Minneapolis: Inst. Arts||Sofas ; Nudes ; Women ; Shoes (footwear) ; Dresses ; Pillows ; |Sofas|Nudes|Women|Shoes (footwear)|Dresses|Pillows||||Cornell||JNK|MNW|10/19/2006 0:00:00|10/19/2006 0:00:00|C134|||0||67.67||||1880|32|PA||||||| ||||||||Work|0||Berhaut, 1978. No. 184.||||||||||0|0|Nude on a Sofa;Nu au divan|Caillebotte, Gustave 8077.00|0|Creator|15|32|C134-PA|1880|3|32 C134-PA 1880 3|The Besique Game|Translated|Image Source (Pub)|Partie de bésigues|Original|Image Source (Pub)||||The Besique Game|1912|Caillebotte, Gustave||painter|Gustave Caillebotte|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1880|1880||1880|1880-1880|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||125 x 165 cm||3405|Paris: Private Collection|Paris: Private Coll.||Card games (game sets) ; Men (male humans) ; |Card games (game sets)|Men (male humans)||||||||Cornell||JNK|MNW|10/19/2006 0:00:00|10/19/2006 0:00:00|C134|||0||||||1880|32|PA||||||| ||||||||Work|0||||||||||||0|0|The Besique Game;Partie de bésigues|Caillebotte, Gustave 8078.00|0|Creator|15|32|C134-PA|1878|1|32 C134-PA 1878 1|Bathers, on the Banks of the Yerres|Translated|Cataloger|Baigneurs, bords de l'Yerres|Original|Image Source (Pub)||||Bathers, on the Banks of the Yerres|1912|Caillebotte, Gustave||painter|Gustave Caillebotte|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1878|1878||1878|1878-1878|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||157 x 117 cm||3405|Paris: Private Collection|Paris: Private Coll.||Swimming ; Men (male humans) ; Rivers ; Yerres (river) ; Dives ; |Swimming|Men (male humans)|Rivers|Yerres (river)|Dives|||||Cornell||JNK|MNW|10/19/2006 0:00:00|10/19/2006 0:00:00|C134|||0||||||1878|32|PA||||||| ||||||||Work|0||||||||||||0|0|Bathers, on the Banks of the Yerres;Baigneurs, bords de l'Yerres|Caillebotte, Gustave 8079.00|0|Creator|15|CHINA|MTL|SHANG||CHINA MTL SHANG |Vessel (Jia) With An Animal-mask Design|Descriptive|Image Source (Pub)|Jia|Descriptive|Image Source (Pub)||||Vessel (Jia) With An Animal-mask Design|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0||||0|Anyang, Henan Province, China|||10570|Anyang, Henan Province, China|||10570|Metalwork|Bronze|Vessel|Mask (costume)|BCE|-12|-11||1199|1000|ca|Late Shang period|ca 1199-1000 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||48.2 cm height. 22.6 cm diameter of mouth||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Archaeology ; Vessels ; Animals ; Masks ; Wine ; |Archaeology|Vessels|Animals|Masks|Wine|||||Cornell||BZ|BZ|11/1/2006 0:00:00|10/20/2006 0:00:00|||Any|0|||||||MTL|||CHINA|SHANG|||| ||||||||Work|0||Weight 5.66 kg.||||||||||0|0|Vessel (Jia) With An Animal-mask Design;Jia| 8080.00|0|Creator|15|CHINA|MTL|SHANG||CHINA MTL SHANG |Vessel (Zun) With An Animal-mask Design|Descriptive|Image Source (Pub)|Zun|Descriptive|Image Source (Pub)||||Vessel (Zun) With An Animal-mask Design|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0||||0|Anyang, Henan Province, China|||10570|Anyang, Henan Province, China|||10570|Metalwork|Bronze|Vessel|Mask (costume)|BCE|-12|-11||1199|1000|ca|Late Shang period|ca 1199-1000 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||46 cm height. 39.5 cm diameter of mouth||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Archaeology ; Vessels ; Animals ; Masks ; Heads (representations) ; Wine ; |Archaeology|Vessels|Animals|Masks|Heads (representations)|Wine||||Cornell||BZ|BZ|11/1/2006 0:00:00|10/20/2006 0:00:00|||Any|0|||||||MTL|||CHINA|SHANG|||| ||||||||Work|0||||||||||||0|0|Vessel (Zun) With An Animal-mask Design;Zun| 8081.00|0|Didactic|01|B-D3|Brazil|1.02|3|B-D3 Brazil 1.02 3|Map of Brazil, Location of Study Areas 1894-1953|Descriptive|Image Source (Pub)|||||||Map of Brazil, Location of study areas 1894-1953|0|||||0||||0|||||||||||||||||||0||||0||||0||||0|Maps|Map||||20||||||||||||0||||0||||||||||||||||||||||Maps ; Brazil ; South America ; |Maps|Brazil|South America|||||||Cornell||GB|MNW|10/23/2006 0:00:00|10/23/2006 0:00:00||Brazil||0|||||||B|||||D3|1.02||||||||||Work|0|Brazil-Architecture|||||||||||0|0|Map of Brazil, Location of Study Areas 1894-1953| 8082.00|0|Architect|03|MA-Niemeyer|2.41|Minis||MA-Niemeyer 2.41 Minis |Esplanade of Ministries|Assigned|Image Source (Pub)|Esplanada dos Ministérios|Assigned|Dict.Art|||||8539|Niemeyer, Oscar||architect|Oscar Niemeyer, Lucio Costa|2634|Costa, Lucio||planner|0|||||Brazilian|||Post-1945|||South America||Brazil||||||0|Brasília, Brazil|||10371||||0||||0|Architecture|Government office building|Ministry|||20|||1956|1977||1956-1977|1956-1977||Brasilia Master Plan|||6452||||0||||||||||||||||||||||Brazil ; Brasi´lia (Brazil) ; Streetscapes ; Ministries ; |Brazil|Brasi´lia (Brazil)|Streetscapes|Ministries||||||Cornell||GB|GB|11/21/2006 0:00:00|10/23/2006 0:00:00|Niem|||0||||||Minis|MA||||||2.41||||||||||Work|0|Modern Architecture|||||||||||0|0|Esplanade of Ministries;Esplanada dos Ministérios|Niemeyer, Oscar;Costa, Lucio 8083.00|0|Architect|03|MA-Richardson|1.0| c1880s Ate||MA-Richardson 1.0 c1880s Ate |Atelier|Assigned|Image Source (Pub)|||||||Perkins-Hooper-Richardson House. Atelier|9832|Richardson, Henry Hobson||architect|Henry Hobson Richardson|0||||0|||||American|||Romanesque Revival|||North and Central America||United States||||||0||||0|Cottage Street, Brookline, MA|||11004||||0|Architecture|Studio (work space)||||19|||1880|1884|ca|ca 1880-1884|ca 1880-1884||Perkins-Hooper-Richardson House|Larger entity||8057||||0||||||||||||||||||||||Studios (Work Spaces) ; |Studios (Work Spaces)|||||||||Cornell||JNK|JNK|10/23/2006 0:00:00|10/23/2006 0:00:00|Richardson|||0||||||c1880s Ate|MA||||||1.0||||||||||Building|0|Modern Architecture|The Atelier was added by Richardson to the Perkins-Hooper-Richardson House.||||||||||0|0|Atelier|Richardson, Henry Hobson 8084.00|0|Architect|03|MA-McMeaWh|1.0| 1890 Base|4b-|MA-McMeaWh 1.0 1890 Base 4b-|Baseball Roster: McKim, Mead & White vs. R. H. Robertson|Descriptive|Image Source (Pub)|||||||Baseball Roster: McKim, Mead & White vs. R. H. Robertson|0|||||0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Publications|Rosters||||19|||1890|1890||1890|1890-1890|||||0||||0|||||||||||printing|||||||3764|New York: Columbia University; Avery Architectural Library|New York: Columbia Univ.; Avery Lib.||Baseball ; Players ; |Baseball|Players||||||||Cornell||JNK|JNK|10/23/2006 0:00:00|10/23/2006 0:00:00|McMeaWh|||0||||||1890 Base|MA||||||1.0|| ||||||||Work|0|Modern Architecture|||||||||||0|0|Baseball Roster: McKim, Mead & White vs. R. H. Robertson| 8085.00|0|Architect|03|MA-McMeaWh|1.0| 1903 RICap|0-1|MA-McMeaWh 1.0 1903 RICap 0-1|Office of McKim, Mead, & White celebrating winning competition for the State Capitol at Providence, RI|Descriptive|Cataloger|||||||Office of McKim, Mead, & White celebrating winning competition for the State Capitol at Providence, RI|0|||||0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Documentary photograph||||19|||1891|1891||1891|1891-1891|||||0||||0|||||Black and white photograph||||||photography|||||||3764|New York: Columbia University; Avery Architectural Library|New York: Columbia Univ.; Avery Lib.||Parties ; Costumes ; Clergy ; Architects ; White, Stanford, 1853-1906 ; Mead, William Ruthrford, 1845-1928 ; McKim, Charles Follen, 1847-1909 ; |Parties|Costumes|Clergy|Architects|White, Stanford, 1853-1906|Mead, William Ruthrford, 1845-1928|McKim, Charles Follen, 1847-1909|||Cornell||JNK|JNK|10/23/2006 0:00:00|10/23/2006 0:00:00|McMeaWh|||0||||||1903 RICap|MA||||||1.0|| ||||||||Work|0|Modern Architecture|||||||||||0|0|Office of McKim, Mead, & White celebrating winning competition for the State Capitol at Providence, RI| 8086.00|0|Creator|15|CHINA|MTL|SHANG||CHINA MTL SHANG |Vessel (Zun) Made By Wei Fu Gui|Descriptive|Image Source (Pub)|Wei Fu Gui zun|Descriptive|Image Source (Pub)||||Vessel (Zun) Made By Wei Fu Gui|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0||||0|Anyang, Henan Province, China|||10570|Anyang, Henan Province, China|||10570|Metalwork|Bronze|Vessel|Mask (costume)|BCE|-12|-11||1199|1000|ca|Late Shang period|ca 1199-1000 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||31.3 cm height. 23.8 cm diameter of mouth||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Archaeology ; Vessels ; Animals ; Masks ; Inscriptions ; Birds ; |Archaeology|Vessels|Animals|Masks|Inscriptions|Birds||||Cornell||BZ|BZ|11/1/2006 0:00:00|10/23/2006 0:00:00|||Any|0|||||||MTL|||CHINA|SHANG|||| ||||||||Work|0||Weight 5.57 kg.||||||||||0|0|Vessel (Zun) Made By Wei Fu Gui;Wei Fu Gui zun| 8087.00|0|Creator|15|CHINA|MTL|SHANG||CHINA MTL SHANG |Vessel (You) Made By Yue Fu|Descriptive|Image Source (Pub)|Yue Fu you|Descriptive|Image Source (Pub)||||Vessel (You) Made By Yue Fu|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0||||0|Anyang, Henan Province, China|||10570|Anyang, Henan Province, China|||10570|Metalwork|Bronze|Vessel|Mask (costume)|BCE|-12|-11||1199|1000|ca|Late Shang period|ca 1199-1000 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||33.3 cm height||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Archaeology ; Vessels ; Animals ; Masks ; Inscriptions ; Wine ; |Archaeology|Vessels|Animals|Masks|Inscriptions|Wine||||Cornell||BZ|BZ|10/31/2006 0:00:00|10/23/2006 0:00:00|||Any|0|||||||MTL|||CHINA|SHANG|||| ||||||||Work|0||Mouth: front to back 13.7 cm; left to right 15 cm; Base: front to back 13.6 cm; left to right 16.7 cm. Weight 6.63 kg.||||||||||0|0|Vessel (You) Made By Yue Fu;Yue Fu you| 8088.00|0|Architect|02|MA-Koenig|7.5|1958 Case||MA-Koenig 7.5 1958 Case |Case Study House #21|Published|Dict.Art|||||||Case Study House #21|10877|Shulman, Julius||photographer|Julius Shulman|0||||0|||||American|||Post-1945|||North and Central America||United States||||||0||||||||0||||0|Photographs|Documentary photograph||||20|||1958|1958||1958|1958-1958|||||||||0|Rosa|19||||||||||||||||||||Case Study houses ; |Case Study houses|||||||||Cornell||GB|GB|11/3/2006 0:00:00|10/23/2006 0:00:00|Koenig|||0||||||Case|MA||||||7.5|1958|||||||||Work|0|Modern Architecture|Image portrays Case Study House #21 by architect Pierre Koenig and is part of the Case Study House Program (1945-1966) intiated by John Entenza. GB||||||||||0|0|Case Study House #21|Shulman, Julius 8089.00|0|Site|02|B-B32|Ran|3.1 SFra||B-B32 Ran 3.1 SFra |San Franciso|Assigned|Image Source (Pub)|||||||San Franciso|0|||||0||||0|||||American|Spanish||Colonial|||North and Central America||United States||||||0|Ranchos De Taos, NM|||11005||||0||||0|Architecture|Church|Mission|||18|||1772|1772||1772|1772-1772|||||0||||0||||||||||||||||||||||Churches ; Mission churches ; |Churches|Mission churches||||||||Cornell||JNK|MNW|11/14/2006 0:00:00|10/23/2006 0:00:00||Ran||0||||||SFra|B|||||B32|3.1||||||||||Building|0|Architecture-New Mexico (NM)|||||||||||0|0|San Franciso| 8090.00|0|Creator|15|CHINA|MTL|SHANG||CHINA MTL SHANG |Vessel (You) Made By Xi|Descriptive|Image Source (Pub)|Xi you|Descriptive|Image Source (Pub)||||Vessel (You) Made By Xi|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0||||0|Anyang, Henan Province, China|||10570|Anyang, Henan Province, China|||10570|Metalwork|Bronze|Vessel|Inscription|BCE|-12|-11||1199|1000|ca|Late Shang period|ca 1199-1000 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||18.5 cm height||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Archaeology ; Vessels ; Inscriptions ; Wine ; |Archaeology|Vessels|Inscriptions|Wine||||||Cornell||BZ|BZ|10/31/2006 0:00:00|10/23/2006 0:00:00|||Any|0|||||||MTL|||CHINA|SHANG|||| ||||||||Work|0||Mouth: front to back 9.9 cm; left to right 12.4 cm. Weight 2.14 g.||||||||||0|0|Vessel (You) Made By Xi;Xi you| 8091.00|0|Site|02|B-B22|Hing|3.1 Shi||B-B22 Hing 3.1 Shi |Old Ship Meeting House|Preferred|Dict.Art|||||||Old Ship Meeting House|0|||||0||||0|||||American|||Colonial|||North and Central America||United States||||||0|Hingham, MA|||11006||||0||||0|Architecture|Meeting house||||17|18||1681|1755||1681; 1731; 1755|1681-1755|||||0||||0||||||||||||||||||||||Quaker meeting houses ; |Quaker meeting houses|||||||||Cornell||JNK|MNW|11/14/2006 0:00:00|10/23/2006 0:00:00||Hing||0||||||Shi|B|||||B22|3.1||||||||||Building|0|Architecture-Massachusetts (MA)||||Building dates are: 1681; 1731; 1755|||||||0|0|Old Ship Meeting House| 8092.00|0|Creator|15|CHINA|MTL|SHANG||CHINA MTL SHANG |Vessel (Gong) Made By Fu Yi|Descriptive|Image Source (Pub)|Fu Yi gong|Descriptive|Image Source (Pub)||||Vessel (Gong) Made By Fu Yi|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0||||0|Anyang, Henan Province, China|||10570|Anyang, Henan Province, China|||10570|Metalwork|Bronze|Vessel|Inscription|BCE|-12|-11||1199|1000|ca|Late Shang period|ca 1199-1000 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||29.5 cm height. 31.5 cm length||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Archaeology ; Vessels ; Inscriptions ; Animals ; Rabbits ; Heads (representations) ; Birds ; Dragons ; Figures (representations)|Archaeology|Vessels|Inscriptions|Animals|Rabbits|Heads (representations)|Birds|Dragons|Figures (representations)|Cornell||BZ|BZ|11/1/2006 0:00:00|10/23/2006 0:00:00|||Any|0|||||||MTL|||CHINA|SHANG|||| ||||||||Work|0||Base: front to back 12 cm, left to right 16.7 cm. Weight: 4840 g.||||||||||0|0|Vessel (Gong) Made By Fu Yi;Fu Yi gong| 8093.00|0|Creator|15|CHINA|MTL|SHANG||CHINA MTL SHANG |Square Vessel (Fang Lei) Made By Ya Hu|Descriptive|Image Source (Pub)|Ya Hu fang lei|Descriptive|Image Source (Pub)||||Square Vessel (Fang Lei) Made By Ya Hu|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0||||0|Anyang, Henan Province, China|||10570|Anyang, Henan Province, China|||10570|Metalwork|Bronze|Vessel|Inscription|BCE|-12|-11||1199|1000|ca|Late Shang period|ca 1199-1000 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||53 cm height||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Archaeology ; Vessels ; Inscriptions ; Animals ; Masks ; Wine ; Dragons ; Clouds ; |Archaeology|Vessels|Inscriptions|Animals|Masks|Wine|Dragons|Clouds||Cornell||BZ|BZ|10/31/2006 0:00:00|10/23/2006 0:00:00|||Any|0|||||||MTL|||CHINA|SHANG|||| ||||||||Work|0||Mouth: front to back 17.2 cm, left to right 20.1 cm. Base: front to back 17.3 cm, left to right 18.5 cm. Weight 29.68 kg.||||||||||0|0|Square Vessel (Fang Lei) Made By Ya Hu;Ya Hu fang lei| 8094.00|0|Creator|15|CHINA|MTL|SHANG||CHINA MTL SHANG |Vessel (Lei) Made By Ning|Descriptive|Image Source (Pub)|Ning lei|Descriptive|Image Source (Pub)||||Vessel (Lei) Made By Ning|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0||||0|Anyang, Henan Province, China|||10570||||0|Metalwork|Bronze|Vessel|Inscription|BCE|-12|-11||1199|1000|ca|Late Shang period|ca 1199-1000 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||46.5 cm height. 17.3 cm diameter of mouth||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Archaeology ; Vessels ; Inscriptions ; Animals ; Masks ; Wine ; |Archaeology|Vessels|Inscriptions|Animals|Masks|Wine||||Cornell||BZ|BZ|11/1/2006 0:00:00|10/23/2006 0:00:00|||Any|0|||||||MTL|||CHINA|SHANG|||| ||||||||Work|0||Weight 13.22 kg.||||||||||0|0|Vessel (Lei) Made By Ning;Ning lei| 8095.00|0|Creator|15|CHINA|MTL|SHANG||CHINA MTL SHANG |Vessel (Ding)|Descriptive|Image Source (Pub)|Ding|Descriptive|Image Source (Pub)||||Vessel (Ding)|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0||||0|Anyang, Henan Province, China|||10570|Anyang, Henan Province, China|||10570|Metalwork|Bronze|Vessel|Inscription|BCE|-12|-11||1199|1000|ca|Late Shang period|ca 1199-1000 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||22.7 cm height. 17.8 cm diameter of mouth||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Archaeology ; Vessels ; Inscriptions ; Animals ; Masks ; Clouds ; |Archaeology|Vessels|Inscriptions|Animals|Masks|Clouds||||Cornell||BZ|BZ|11/1/2006 0:00:00|10/23/2006 0:00:00|||Any|0|||||||MTL|||CHINA|SHANG|||| ||||||||Work|0||Weight 26.4 kg, Inscription reads: yang yang.||||||||||0|0|Vessel (Ding);Ding| 8096.00|0|Architect|02|MA-Stei&Wri|Rad/Sho|7.4 ||MA- Rad/Sho 7.4 |Shopping Center|Assigned|Image Source (Pub)|||||||Radburn (N.J.). Shopping Center|29085|Stein, Wright & Ackerman||architectural firm|Stein, Wright & Ackerman|0||||0|||||American||||||North and Central America||United States||||||0|Radburn, NJ|||10149||||0||||0|Architecture|Housing development||||20|||1928|1933||1928-1933|1928-1933||Radburn (N.J.)|||1114||||0||||||||||||||||||||||||||||||||Cornell||GB|GB|10/24/2006 0:00:00|10/24/2006 0:00:00|Stei&Wri|Rad/Sho||0|||||||MA||||||7.4|1928-1933|||||||||Work|0|Modern Architecture-|||||||||||0|0|Shopping Center|Stein, Wright & Ackerman 8097.00|0|Site|02|B-H2|Laon|3.1 Cath||B-H2 Laon 3.1 Cath |Cathedral|Preferred|Blue Guide|Laon Cathedral|Variant|Dict.Art||||Cathedral|0|||||0||||0|||||French|||Gothic (Medieval)|||Europe||France||||||0|Laon, France|||11007||||0||||0|Architecture|Church|Cathedral|||12|13||1155|1230||1155-1230|1155-1230|||||0||||0||||||||||||||||||||||Cathedrals ; Churches ; |Cathedrals|Churches||||||||Cornell||JNK|MNW|11/14/2006 0:00:00|10/24/2006 0:00:00||Laon||0||||||Cath|B|||||H2|3.1||||||||||Building|0|Architecture-France|Begun by Bishop Gasutier de Mortagne (1155-74), completed in 1230, and restored after 1852. Blue Guide; DOA.||||||||||0|0|Cathedral;Laon Cathedral| 8098.00|0|Site|02|B-H2|Bea|3.1 Cath||B-H2 Bea 3.1 Cath |Cathedral of Saint-Pierre|Preferred|Blue Guide|St. Pierre|Variant|Dict.Art||||Cathedral of Saint-Pierre|0|||||0||||0|||||French|||Gothic (Medieval)|High Gothic||Europe||France||||||0|Beauvais, France|||11008||||0||||0|Architecture|Church|Cathedral|||13|16||1225|1260||1225-1232; 1230-1240; 1250-1260|1225-1232; 1230-1240; 1250-1260|||||0||||0||||||||||||||||||||||Cathedrals ; |Cathedrals|||||||||Cornell||JNK|MNW|11/14/2006 0:00:00|10/24/2006 0:00:00||Bea||0||||||Cath|B|||||H2|3.1||||||||||Building|0|Architecture-France|In 1284 the roof collapsed leaving the choir and transepts standing.|||The fabric continued to be worked upon in the 15th, 16th and 19th centuries.|||||||0|0|Cathedral of Saint-Pierre;St. Pierre| 8099.00|0|Architect|08|O-Villard||||O-Villard |The Portfolio of Villard de Honnecourt|Translated|Online Resource|Sketchbook of Villard de Honnecourt|Variant|Online Resource|Album de Villard de Honnecourt, architecte du XIIIe siècle|Assigned|Repository|The Portfolio of Villard de Honnecourt|5577|Villard de Honnecourt||draftsman|Villard de Honnecourt|0||||0|||||French|||Medieval|Gothic (Medieval)||Europe||France||||||0||||0||||0||||0|Architectural Theory|Architectural drawing|Book|||13|||1216|1230|ca|ca 1216-1230|ca 1216-1230|||||0||||0||||||ink|parchment||||drawing (image-making)|||||23.5 x 15.5 cm||4613|Paris: Bibliotheque Nationale; Departement des Manuscrits|Paris: BN; Dept. Manusc.||Geometry ; Architectural drawings ; |Geometry|Architectural drawings||||||||Cornell||JNK|MNW|11/10/2006 0:00:00|10/24/2006 0:00:00|Villard|||0||19093|||||O|||||||| ||||||||Work|0|Theory|Portfolio or sketchbook consists of 33 folios.||||||||||0|0|The Portfolio of Villard de Honnecourt;Sketchbook of Villard de Honnecourt;Album de Villard de Honnecourt, architecte du XIIIe siècle|Villard de Honnecourt 8100.00|0|Creator|15|CHINA|MTL|SHANG||CHINA MTL SHANG |Square Vessel (Fang Ding) Made By Fu Wu|Descriptive|Image Source (Pub)|Fu Wu fang ding|Descriptive|Image Source (Pub)||||Square Vessel (Fang Ding) Made By Fu Wu|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0||||0|Anyang, Henan Province, China|||10570|Anyang, Henan Province, China|||10570|Metalwork|Bronze|Vessel|Inscription|BCE|-12|-11||1199|1000|ca|Late Shang period|ca 1199-1000 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||22.4 cm height||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Archaeology ; Vessels ; Inscriptions ; Animals ; Masks ; Birds ; Food ; |Archaeology|Vessels|Inscriptions|Animals|Masks|Birds|Food|||Cornell||BZ|BZ|10/31/2006 0:00:00|10/25/2006 0:00:00|||Any|0|||||||MTL|||CHINA|SHANG|||| ||||||||Work|0||Mouth: front toi back 13.4 cm, left to right 17 cm. Weight 2.25 kg.||||||||||0|0|Square Vessel (Fang Ding) Made By Fu Wu;Fu Wu fang ding| 8101.00|0|Creator|15|CHINA|MTL|SHANG||CHINA MTL SHANG |Vessel (Li) With An Animal-mask Design|Descriptive|Image Source (Pub)|Li|Descriptive|Image Source (Pub)||||Vessel (Li) With An Animal-mask Design|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0||||0|Anyang, Henan Province, China|||10570|Anyang, Henan Province, China|||10570|Metalwork|Bronze|Vessel|Mask (costume)|BCE|-12|-11||1199|1000|ca|Late Shang period|ca 1199-1000 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||14.6 cm height. 11.1 cm diameter of mouth||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Archaeology ; Vessels ; Animals ; Masks ; Food ; |Archaeology|Vessels|Animals|Masks|Food|||||Cornell||BZ|BZ|11/1/2006 0:00:00|10/25/2006 0:00:00|||Any|0|||||||MTL|||CHINA|SHANG|||| ||||||||Work|0||Weight 0.6 kg.||||||||||0|0|Vessel (Li) With An Animal-mask Design;Li| 8102.00|0|Creator|15|CHINA|MTL|SHANG||CHINA MTL SHANG |Vessel (Gui) Made By You Fu Gui|Descriptive|Image Source (Pub)|You Fu Gui gui|Descriptive|Image Source (Pub)||||Vessel (Gui) Made By You Fu Gui|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0||||0|Anyang, Henan Province, China|||10570|Anyang, Henan Province, China|||10570|Metalwork|Bronze|Vessel|Inscription|BCE|-12|-11||1199|1000|ca|Late Shang period|ca 1199-1000 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||17.4 cm height. 23.5 cm diameter of mouth||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Archaeology ; Vessels ; Inscriptions ; Clouds ; |Archaeology|Vessels|Inscriptions|Clouds||||||Cornell||BZ|BZ|11/1/2006 0:00:00|10/25/2006 0:00:00|||Any|0|||||||MTL|||CHINA|SHANG|||| ||||||||Work|0||Diameter of base 19.6 cm. Weight 4.21 kg.||||||||||0|0|Vessel (Gui) Made By You Fu Gui;You Fu Gui gui| 8103.00|0|Creator|15|CHINA|MTL|SHANG||CHINA MTL SHANG |Vessel (Pou) With Four-ram Heads|Descriptive|Image Source (Pub)|Pou|Descriptive|Image Source (Pub)||||Vessel (Pou) With Four-ram Heads|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0||||0|Anyang, Henan Province, China|||10570|Anyang, Henan Province, China|||10570|Metalwork|Bronze|Vessel|Head (representation)|BCE|-12|-11||1199|1000|ca|Late Shang period|ca 1199-1000 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||38.8 cm height. 31.6 cm diameter of mouth||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Archaeology ; Vessels ; Animals ; Rams ; Heads (representations) ; Masks ; Clouds ; Food ; |Archaeology|Vessels|Animals|Rams|Heads (representations)|Masks|Clouds|Food||Cornell||BZ|BZ|11/1/2006 0:00:00|10/25/2006 0:00:00|||Any|0|||||||MTL|||CHINA|SHANG|||| ||||||||Work|0||Diameter of base 29.1 cm. Weight 14.24 kg.||||||||||0|0|Vessel (Pou) With Four-ram Heads;Pou| 8104.00|0|Architect|02|B-B48|Char|4.2 UVa/Rot||32-B48 Char 4.2 UVa/Rot |Rotunda|||||||||University of Virginia. Rotunda|5938|Jefferson, Thomas||architect|Thomas Jefferson|0||||0|||||American|||Classicism|||North and Central America|Virginia|United States||||||0|Charlottesville, Virginia|||10081||||0||||0|Architecture|University||||19|||1817|1826||1817-1826|1817-1826||University of Virginia|LargerEntity||842||||0||||||||||||||||||||||Universities ; Jefferson, Thomas, 1743-1826 ; Campuses ; |Universities|Jefferson, Thomas, 1743-1826|Campuses|||||||Cornell||GB|GB|10/25/2006 0:00:00|10/25/2006 0:00:00||Char||0||||||UVa/Rot|B|||||B48|4.2|1817-1826|||||||||Building|0|Architecture-Virginia (VA)|||||||||||0|0|Rotunda|Jefferson, Thomas 8105.00|0|Creator|15|CHINA|MTL|W. ZHOU||CHINA MTL W. ZHOU |Vessel (Zun)|Descriptive|Image Source (Pub)|Zun|Descriptive|Image Source (Pub)||||Vessel (Zun)|0|||||0||||0|||||Chinese|||Zhou (Chou)|Western Zhou (W.Chou)||Asia||China||||||0||||0|Wei He, Shaanxi Province, China|||11021|Wei He, Shaanxi Province, China|||11021|Metalwork|Bronze|Vessel|Inscription|BCE|-11|-10|-9|1066|771||Region of King Zhao Lu Hou|1066-771 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||22.2 cm height. 20.7 cm diameter of mouth||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Archaeology ; Vessels ; Inscriptions ; Animals ; Heads (representations) ; Wine ; |Archaeology|Vessels|Inscriptions|Animals|Heads (representations)|Wine||||Cornell||BZ|BZ|11/1/2006 0:00:00|10/25/2006 0:00:00|||Weih|0|||||||MTL|||CHINA|W. ZHOU|||| ||||||||Work|0||Base: front to back 11.8 cm, left to right 12.7 cm. Weight 4.1 kg.||||||||||0|0|Vessel (Zun);Zun| 8106.00|0|Creator|15|CHINA|MTL|W. ZHOU||CHINA MTL W. ZHOU |Square Vessel (Fang Zun) Made By Gui Gu|Descriptive|Image Source (Pub)|Gui Gu fang zun|Descriptive|Image Source (Pub)||||Square Vessel (Fang Zun) Made By Gui Gu|0|||||0||||0|||||Chinese|||Zhou (Chou)|Western Zhou (W.Chou)||Asia||China||||||0||||0|Wei He, Shaanxi Province, China|||11021|Wei He, Shaanxi Province, China|||11021|Metalwork|Bronze|Vessel|Inscription|BCE|-11|-10|-9|1066|771||Early Western Zhou period|1066-771 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||21.8 cm height. 20.1 cm diameter of mouth||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Archaeology ; Vessels ; Inscriptions ; Animals ; Masks ; Wine ; Birds ; Dragons ; |Archaeology|Vessels|Inscriptions|Animals|Masks|Wine|Birds|Dragons||Cornell||BZ|BZ|11/1/2006 0:00:00|10/25/2006 0:00:00|||Weih|0|||||||MTL|||CHINA|W. ZHOU|||| ||||||||Work|0||Diameter of base: front to back 11.8 cm, left to right 12.3 cm. Weight 3.56 kg.||||||||||0|0|Square Vessel (Fang Zun) Made By Gui Gu;Gui Gu fang zun| 8107.00|0|Creator|15|CHINA|MTL|W. ZHOU||CHINA MTL W. ZHOU |Vessel (Hu) Made By You Fu Gui|Descriptive|Image Source (Pub)|You Fu Gui hu|Descriptive|Image Source (Pub)||||Vessel (Hu) Made By You Fu Gui|0|||||0||||0|||||Chinese|||Zhou (Chou)|Western Zhou (W.Chou)||Asia||China||||||0||||0|Wei He, Shaanxi Province, China|||11021|Wei He, Shaanxi Province, China|||11021|Metalwork|Bronze|Vessel|Inscription|BCE|-11|-10|-9|1066|771||Early Western Zhou period|1066-771 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||33.7 cm height||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Archaeology ; Vessels ; Inscriptions ; Animals ; Dragons ; Wine ; |Archaeology|Vessels|Inscriptions|Animals|Dragons|Wine||||Cornell||BZ|BZ|11/1/2006 0:00:00|10/25/2006 0:00:00|||Weih|0|||||||MTL|||CHINA|W. ZHOU|||| ||||||||Work|0||Mouth: front to back 9.6 cm, left to right 13 cm. Base: front to back 11.1 cm, left to right 15.1 cm. Weight 3.32 kg.||||||||||0|0|Vessel (Hu) Made By You Fu Gui;You Fu Gui hu| 8108.00|0|Site|02|B-H3|Pom|7.5 Faun||B-H3 Pom 7.5 Faun |Nile Scene Mosaic|Descriptive|Image Source (Pub)|||||||House of the Faun. Nile Scene Mosaic|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0|||||Pompeii, Italy|||10133||||0|Mosaics|Mosaic|||BCE|-1|1||-100|0079|ca|1st Century BCE-79 CE|ca -100-0079||House of the Faun|Larger entity||7237||||0|||||||||||mosaic|||||||1854|Naples: Museo Archeologico Nazionale|Naples: Mus. Archeol. Naz.||Nile River ; Ducks ; Snakes ; Lilies ; Reeds ; Hippopotamus ; |Nile River|Ducks|Snakes|Lilies|Reeds|Hippopotamus||||Cornell||GB|MNW|11/6/2006 0:00:00|10/25/2006 0:00:00||Pom|Pom|0||9990||||Faun|B|||||H3|7.5|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Nile Scene Mosaic| 8109.00|0|Creator|15|32|C134-PA|1877|3|32 C134-PA 1877 3|Oarsmen on the Yerres|Assigned|Image Source (Pub)|||||||Oarsmen on the Yerres|1912|Caillebotte, Gustave||painter|Gustave Caillebotte|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1877|1877||1877|1877-1877|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||81 x 166 cm||3290|Private Collection|: Private Coll.||Yerres (river) ; Men (male humans) ; Boats ; Rowing ; Sports ; |Yerres (river)|Men (male humans)|Boats|Rowing|Sports|||||Cornell||JNK|MNW|11/14/2006 0:00:00|10/25/2006 0:00:00|C134|||0||||||1877|32|PA||||||| ||||||||Work|0||||||||||||0|0|Oarsmen on the Yerres|Caillebotte, Gustave 8110.00|0|Creator|15|32|C134-PA|1884|2|32 C134-PA 1884 2|Man at His Bath|Preferred|Repository|Man Drying Off After a Bath|Descriptive|Image Source (Pub)||||Man at His Bath|1912|Caillebotte, Gustave||painter|Gustave Caillebotte|0||||0|||||French|||Impressionist|||Europe||France||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1884|1884||1884|1884-1884|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||144.8 x 114.3 cm||3357|London: National Gallery|London: National Gallery||Men (male humans) ; Nudes ; Bathing ; |Men (male humans)|Nudes|Bathing|||||||Cornell||JNK|JNK|10/25/2006 0:00:00|10/25/2006 0:00:00|C134|||0||L670||||1884|32|PA||||||| ||||||||Work|0||||||On loan from the Josefowitz Collection.||||||0|0|Man at His Bath;Man Drying Off After a Bath|Caillebotte, Gustave 8111.00|0|Architect|08|O-Villard||29||O-Villard 29 |Geometry and Plan of Lecturn Foot|Descriptive|Image Source (Pub)|Folio 7 recto|Descriptive|Repository||||The Portfolio of Villard de Honnecourt. Geometry and Plan of Lecturn Foot, Folio 7 recto|5577|Villard de Honnecourt||draftsman|Villard de Honnecourt|0||||0|||||French|||Medieval|Gothic (Medieval)||Europe||France||||||0||||0||||0||||0|Architectural Theory|Architectural drawing||||13|||1216|1230||ca 1216-1230|ca 1216-1230||The Portfolio of Villard de Honnecourt|Larger entity||8099||||0||||||ink|parchment||||drawing (image-making)|||||23.5 x 15.5 cm||4613|Paris: Bibliotheque Nationale; Departement des Manuscrits|Paris: BN; Dept. Manusc.||Lecterns ; Geometry ; |Lecterns|Geometry||||||||Cornell||JNK|MNW|11/10/2006 0:00:00|10/25/2006 0:00:00|Villard|||0||19093|||||O|||||||| ||||||||Work|0||||||||||||0|0|Geometry and Plan of Lecturn Foot;Folio 7 recto|Villard de Honnecourt 8112.00|0|Architect|08|O-Villard||||O-Villard |Chevet Plan Devised by Villard de Honnecourt and Pierre de Corbie & Chevet of St. Etienne at Meaux|Descriptive|Online Resource|Folio 15 recto|Assigned|Repository||||Portfolio/Villard de Honnecourt. Chevet Designed w/Pierre de Corbie & Chevet/St. Etienne at Meaux, Folio 15 recto|5577|Villard de Honnecourt||draftsman|Villard de Honnecourt|0||||0|||||French|||Medieval|Gothic (Medieval)||Europe||France||||||0||||0||||0||||0|Architectural Theory|Architectural drawing||||13|||1216|1230||ca 1216-1230|ca 1216-1230||The Portfolio of Villard de Honnecourt|||8099||||0||||||ink|parchment||||drawing (image-making)|||||23.5 x 15.5 cm||4613|Paris: Bibliotheque Nationale; Departement des Manuscrits|Paris: BN; Dept. Manusc.||Apses ; Chevets (building spaces) ; |Apses|Chevets (building spaces)||||||||Cornell||JNK|MNW|11/10/2006 0:00:00|10/25/2006 0:00:00|Villard|||0||19093|||||O|||||||| ||||||||Work|0||||||||||||0|0|Chevet Plan Devised by Villard de Honnecourt and Pierre de Corbie & Chevet of St. Etienne at Meaux;Folio 15 recto|Villard de Honnecourt 8113.00|0|Site|02|B-H2|Ami|3.1 Cath||B-H2 Ami 3.1 Cath |Notre Dame Cathedral|Assigned|Blue Guide|||||||Notre Dame Cathedral|0|||||0||||0|||||French|||High Gothic|Gothic (Medieval)||Europe||France||||||0|Amiens, France|||11009||||0||||0|Architecture|Cathedral|Church|||13|||1220|1280||1220-1280|1220-1280|||||0||||0||||||||||||||||||||||Virgin Mary ; Cathedrals ; |Virgin Mary|Cathedrals||||||||Cornell||JNK|MNW|11/10/2006 0:00:00|10/25/2006 0:00:00||Ami||0||||||Cath|B|||||H2|3.1||||||||||Building|0|Architecture-France|||||||||||0|0|Notre Dame Cathedral| 8114.00|0|Site|02|B-G1|Wel|3.1 Cath||B-G1 Wel 3.1 Cath |Cathedral|Preferred|Blue Guide|||||||Cathedral|0|||||0||||0|||||English|||Gothic (Medieval)|High Gothic||Europe||England||||||0|Wells, England|||11010||||0||||0|Architecture|Cathedral|Church|||12|13|14|1180|1340|ca|ca 1180-1340|ca 1180-1340|||||0||||0||||||||||||||||||||||Cathedrals ; |Cathedrals|||||||||Cornell||JNK|MNW|11/10/2006 0:00:00|10/25/2006 0:00:00||Wel||0||||||Cath|B|||||G1|3.1||||||||||Building|0|Architecture-England|Decorated Style.|||Nave begun 1180; façade 1220-1250; choir before 1332; strainer arches 1338|||||||0|0|Cathedral| 8115.00|0|Site|02|B-H3|Rom|6.3 Tra||B-H3 Rom 6.3 Tra |Markets of Trajan|Preferred|Dict.Art|Trajan's Market|Variant|Image Source (Pub)||||Markets of Trajan|31296|Apollodoros of Damascus||architect|Apollodoros of Damascus|0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Market (building)|Commercial building|||2|||0121|0140||121-140|0121-0140|||||||||0||||||||||||||||||||||Markets (buildings) ; Commercial buildings ; |Markets (buildings)|Commercial buildings||||||||Cornell||GB|GB|10/25/2006 0:00:00|10/25/2006 0:00:00||Rom||0||||||Tra|B|||||H3|6.3||||||||||Work|0|Architecture-Italy|||||||||||0|0|Markets of Trajan;Trajan's Market|Apollodoros of Damascus 8116.00|0|Site|02|B-G1|Wel|3.1 Cath||B-G1 Wel 3.1 Cath |Lady Chapel|Preferred|Blue Guide|||||||Cathedral. Lady Chapel|0|||||0||||0|||||English|||Gothic (Medieval)|High Gothic||Europe||England||||||0|Wells, England|||11010||||0||||0|Architecture|Chapel|Church|||14|||1325|1326||1325-1326|1325-1326||Cathedral|Larger entity||8114||||0||||||||||||||||||||||Chapels ; Lady chapels ; Virgin Mary ; |Chapels|Lady chapels|Virgin Mary|||||||Cornell||JNK|MNW|11/14/2006 0:00:00|10/25/2006 0:00:00||Wel||0||||||Cath|B|||||G1|3.1||||||||||Building|0||Full Decorated Style.|||Finished by 1326. DOA.|||||||0|0|Lady Chapel| 8117.00|0|Architect|02|B-H3|Pom|1.1 ||B-H3 Pom 1.1 |Pompeii Street Scene|Descriptive|Cataloger||||||||0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0|Pompeii, Italy|||10133||||0||||0|Architecture|Streetscape|Excavation|||-02|01||-199|079|ca|ca -100 BCE-079 CE|ca -100 BCE-079 CE|||||0||||0||||||||||||||||||||||Pompeii (extinct city) ; |Pompeii (extinct city)|||||||||Cornell||GB|GB|10/26/2006 0:00:00|10/26/2006 0:00:00||Pom||0|||||||B|||||H3|1.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|Pompeii Street Scene| 8118.00|0|Site|02|B-G1|Ely|3.1 Cath||B-G1 Ely 3.1 Cath |Cathedral|Assigned|Blue Guide|||||||Cathedral|0|||||0||||0|||||English|||Gothic (Medieval)|Norman||Europe||England||||||0|Ely, England|||11011||||0||||0|Architecture|Cathedral|Church|||11|13|14|1083|1353||1083-1353|1083-1353|||||0||||0||||||||||||||||||||||Cathedrals ; |Cathedrals|||||||||Cornell||JNK|MNW|11/14/2006 0:00:00|10/26/2006 0:00:00||Ely||0||||||Cath|B|||||G1|3.1||||||||||Building|0|Architecture-England|Founded by Queen Etheldreda (reigned 630-679). DOA.|||Choir & sacristy, 1195-1208; Transepts & chapter house, 1240-50; Nave, 1280; Lady Chapel, 1320-36; Presbytery, 1337|||||||0|0|Cathedral| 8128.00|0|Site|02|B-B39|Pit|4.2 UPit/Cath||B-B39 Pit 4.2 UPit/Cath |Cathedral of Learning|Preferred|Repository|||||||University of Pittsburgh. Cathedral of Learning|6333|Klauder, Charles Zeller||architect|Charles Zeller Klauder|0||||0|||||American||||||North and Central America||United States||||||0|Pittsburgh, PA|||10303||||0||||0|Architecture|University|School|||20|||1926|1937||1926-1937|1926-1937||University of Pittsburgh|Larger entity||8127||||0||||||||||||||||||||||Universities ; Schools ; |Universities|Schools||||||||Cornell||JNK|JNK|10/27/2006 0:00:00|10/27/2006 0:00:00||Pit||0||||||UPit/Cath|B|||||B39|4.2||||||||||Building|0|Architecture-Pennsylvania (PA)|||||||||||0|0|Cathedral of Learning|Klauder, Charles Zeller 8129.00|0|Creator|15|CHINA|MTL|W. ZHOU||CHINA MTL W. ZHOU |Vessel (You) Made By Gu Fu Ji|Descriptive|Image Source (Pub)|Gu Fu Ji you|Descriptive|Image Source (Pub)||||Vessel (You) Made By Gu Fu Ji|0|||||0||||0|||||Chinese|||Zhou (Chou)|Western Zhou (W.Chou)||Asia||China||||||0||||0|Wei He, Shaanxi Province, China|||11021|Wei He, Shaanxi Province, China|||11021|Metalwork|Bronze|Vessel|Inscription|BCE|-11|-10|-9|1066|771||Early Western Zhou period|1066-771 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||33.2 cm height. 15.7 cm diameter of mouth||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Archaeology ; Vessels ; Inscriptions ; Animals ; Masks ; Rams ; Heads (representations) ; Wine ; |Archaeology|Vessels|Inscriptions|Animals|Masks|Rams|Heads (representations)|Wine||Cornell||BZ|BZ|11/1/2006 0:00:00|10/27/2006 0:00:00|||Weih|0|||||||MTL|||CHINA|W. ZHOU|||| ||||||||Work|0||Diameter of base 15.3 cm. Weight 6.16 kg.||||||||||0|0|Vessel (You) Made By Gu Fu Ji;Gu Fu Ji you| 8130.00|0|Creator|15|CHINA|MTL|W. ZHOU||CHINA MTL W. ZHOU |Vessel (Ding) Made By Jiao|Descriptive|Image Source (Pub)|Jiao ding|Descriptive|Image Source (Pub)||||Vessel (Ding) Made By Jiao|0|||||0||||0|||||Chinese|||Zhou (Chou)|Western Zhou (W.Chou)||Asia||China||||||0||||0|Wei He, Shaanxi Province, China|||11021|Wei He, Shaanxi Province, China|||11021|Metalwork|Bronze|Vessel|Inscription|BCE|-11|-10|-9|1066|771||Early Western Zhou period|1066-771 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||27.6 cm height. 23.3 cm diameter of mouth||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Archaeology ; Vessels ; Inscriptions ; Animals ; Masks ; |Archaeology|Vessels|Inscriptions|Animals|Masks|||||Cornell||BZ|BZ|11/1/2006 0:00:00|10/27/2006 0:00:00|||Weih|0|||||||MTL|||CHINA|W. ZHOU|||| ||||||||Work|0||Weight: 3.5 kg.||||||||||0|0|Vessel (Ding) Made By Jiao;Jiao ding| 8131.00|0|Creator|15|CHINA|MTL|W. ZHOU||CHINA MTL W. ZHOU |Vessel (Ding)|Descriptive|Image Source (Pub)|Ding|Descriptive|Image Source (Pub)||||Vessel (Ding)|0|||||0||||0|||||Chinese|||Zhou (Chou)|Western Zhou (W.Chou)||Asia||China||||||0||||0|Wei He, Shaanxi Province, China|||11021|Wei He, Shaanxi Province, China|||11021|Metalwork|Bronze|Vessel|Inscription|BCE|-11|-10|-9|1066|771||Early Western Zhou period|1066-771 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||20.8 cm height. 16.4 cm diameter of mouth||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Archaeology ; Vessels ; Birds ; Animals ; Inscriptions ; Insects ; Wine ; |Archaeology|Vessels|Birds|Animals|Inscriptions|Insects|Wine|||Cornell||BZ|BZ|11/1/2006 0:00:00|10/27/2006 0:00:00|||Weih|0|||||||MTL|||CHINA|W. ZHOU|||| ||||||||Work|0||Weight 1.76 kg.||||||||||0|0|Vessel (Ding);Ding| 8132.00|0|Creator|15|CHINA|MTL|W. ZHOU||CHINA MTL W. ZHOU |Square Vessel (Fang Ding) Made By Hou Zhao|Descriptive|Image Source (Pub)|Hou Zhao fang ding|Descriptive|Image Source (Pub)||||Square Vessel (Fang Ding) Made By Hou Zhao|0|||||0||||0|||||Chinese|||Zhou (Chou)|Western Zhou (W.Chou)||Asia||China||||||0||||0|Wei He, Shaanxi Province, China|||11021|Wei He, Shaanxi Province, China|||11021|Metalwork|Bronze|Vessel|Inscription|BCE|-11|-10|-9|1066|771||W. Zhou: Region of King Zhao|1066-771 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||21.3 cm height||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Archaeology ; Vessels ; Inscriptions ; Animals ; Masks ; Wine ; |Archaeology|Vessels|Inscriptions|Animals|Masks|Wine||||Cornell||BZ|BZ|11/1/2006 0:00:00|10/27/2006 0:00:00|||Weih|0|||||||MTL|||CHINA|W. ZHOU|||| ||||||||Work|0||Mouth: front to back 13.3 cm. left to right 17.4 cm. Weight 2.4 kg.||||||||||0|0|Square Vessel (Fang Ding) Made By Hou Zhao;Hou Zhao fang ding| 8133.00|0|Creator|15|CHINA|MTL|W. ZHOU||CHINA MTL W. ZHOU |Vessel (Gui) With A Phoenix Design|Descriptive|Image Source (Pub)|Feng wen zun|Descriptive|Image Source (Pub)||||Vessel (Gui) With A Phoenix Design|0|||||0||||0|||||Chinese|||Zhou (Chou)|Western Zhou (W.Chou)||Asia||China||||||0||||0||||0||||0|Metalwork|Bronze|Vessel|Mask (costume)|BCE|-11|-10|-9|1066|771||Early Western Zhou period|1066-771 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||15.6 cm height. 18.4 cm diameter of mouth||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Archaeology ; Vessels ; Animals ; Masks ; Heads (representations) ; Birds ; Dragons ; |Archaeology|Vessels|Animals|Masks|Heads (representations)|Birds|Dragons|||Cornell||BZ|BZ|11/1/2006 0:00:00|10/27/2006 0:00:00||||0|||||||MTL|||CHINA|W. ZHOU|||| ||||||||Work|0||Diameter of base 14.8 cm. Weight 2.15 kg.||||||||||0|0|Vessel (Gui) With A Phoenix Design;Feng wen zun| 8192.00|0|Creator|15|35|M212-PA|B336||35 M212-PA B336 |The Battle of the Argonne|Translated|Dict.Art|La bataille de l'Argonne|Original|Dict.Art||||The Battle of the Argonne|7420|Magritte, René||painter|René Magritte|0||||0|||||Belgian|||Surrealist|||Europe||Belgium||||||0||||0||||0||||0|Paintings|Oil painting|Painting|||20|||1958|1958||1958|1958-1958|||||0||||0|||||Oil on canvas|oil|canvas||||painting (image-making)|||||50 x 61 cm||3290|Private Collection|: Private Coll.||Clouds ; Moon ; Landscapes ; Rock ; |Clouds|Moon|Landscapes|Rock||||||Cornell||GB|MNW|12/1/2006 0:00:00|11/7/2006 0:00:00|M212|||0||||||B336|35|PA||||||| ||||||||Work|0|20th Century|||||||||||0|0|The Battle of the Argonne;La bataille de l'Argonne|Magritte, René 8193.00|0|Creator|15|35|M212-PA|P467||35 M212-PA P467 |The Apparition|Assigned|Repository|L'apparition|Original|Artist|Person Walking Towards the Horizon|Assigned|Image Source (Pub)|The Apparition|7420|Magritte, René||painter|René Magritte|0||||0|||||Belgian|||Surrealist|||Europe||Belgium||||||0||||||||0||||0|Paintings|Oil painting||||20|||1928|1929||1928-1929|1928-1929|||||0||||0|||||Oil on canvas|oil|canvas||||painting (image-making)|||||82.5 x 116 cm||2761|Stuttgart: Staatsgalerie Stuttgart|Stuttgart: Staatsgalerie||Figures (representations) ; Semiotics ; |Figures (representations)|Semiotics||||||||Cornell||GB|MNW|12/1/2006 0:00:00|11/7/2006 0:00:00|M212|||0|||||||35|PA||||||| |P467|||||||Work|0|20th Century|||||||||||0|0|The Apparition;L'apparition;Person Walking Towards the Horizon|Magritte, René 8194.00|0|Creator|05|35|B447|PH|5|35 B447 PH 5|The Doll|Assigned|Image Source (Pub)|Plate 8||||||Games of the Doll. The Doll, Plate 8|978|Bellmer, Hans||artist|Hans Bellmer|0||||0|||||German|French||Surrealist|||Europe||Germany|France|||||0||||0||||0||||0|Photographs|Gelatin silver print||||20|||1937|1937||1937|1937-1937||Games of the Doll|Series||8169||||0|||||Hand colored gelatin silver print||||||photography|hand coloring|gelatin silver process|||||||||Eroticism ; Fetishism in Art ; Dolls ; |Eroticism|Fetishism in Art|Dolls|||||||Cornell||GB|GB|12/5/2006 0:00:00|11/7/2006 0:00:00|B447|||0|||||||35|PH||||||1937|||||||||Work|0|20th Century|||||||||||0|0|The Doll;Plate 8|Bellmer, Hans 8195.00|0|Creator|15|CHINA|POT|YUAN||CHINA POT YUAN |Shadow Blue (Yingqing) White-glazed Vase|Descriptive|Image Source (Pub)|||||||Shadow Blue (Yingqing) White-glazed Vase|0|||||0||||0|||||Chinese|||Yuan|||Asia|Jiangxi|China||||||0||||0|Jingdezhen, Jiangxi Province, China|||11028|Jingdezhen, Jiangxi Province, China|||11028|Ceramics|Ceramic|Vase|Vessel||13|14||1279|1368||1279-1368|1279-1368|||||0||||0|||||Ceramics & carving. White porcelain|porcelain|||||ceramics|carving||||Height 31 cm||9758|Taipei: Chang Foundation Museum|Taipei: Chang Foundation Museum||Vessels ; Flowers ; Clouds ; Birds ; Animals ; Porcelain ; |Vessels|Flowers|Clouds|Birds|Animals|Porcelain||||Cornell||BZ|BZ|11/8/2006 0:00:00|11/8/2006 0:00:00|||Jingdezhen|0|||||||POT|||CHINA|YUAN|||| ||||||||Work|0||||||||||||0|0|Shadow Blue (Yingqing) White-glazed Vase| 8196.00|0|Creator|15|CHINA|POT|YUAN||CHINA POT YUAN |Shufu White-glazed Bowl|Descriptive|Image Source (Pub)|Shufu bai you wan|Descriptive|Image Source (Pub)||||Shufu White-glazed Bowl|0|||||0||||0|||||Chinese|||Yuan|||Asia|Jiangxi|China||||||0||||0|Jingdezhen, Jiangxi Province, China|||11028|Jingdezhen, Jiangxi Province, China|||11028|Ceramics|Ceramic|Bowl (vessel)|Vessel||13|14||1279|1368||1279-1368|1279-1368|||||0||||0|||||Ceramics. White porcelain|porcelain|||||ceramics|glazing (coating)||||Diameter 11.7 cm||9758|Taipei: Chang Foundation Museum|Taipei: Chang Foundation Museum||Vessels ; Porcelain ; Lotus ; Flowers ; |Vessels|Porcelain|Lotus|Flowers||||||Cornell||BZ|BZ|11/8/2006 0:00:00|11/8/2006 0:00:00|||Jingdezhen|0|||||||POT|||CHINA|YUAN|||| ||||||||Work|0||||||||||||0|0|Shufu White-glazed Bowl;Shufu bai you wan| 8197.00|0|Creator|15|CHINA|POT|YUAN||CHINA POT YUAN |Blue & White Glaze Jar With Scrolling Peony & Lotus Pattern|Descriptive|Image Source (Pub)|||||||Blue & White Glaze Jar With Scrolling Peony & Lotus Pattern|0|||||0||||0|||||Chinese|||Yuan|||Asia|Jiangxi|China||||||0||||0|Jingdezhen, Jiangxi Province, China|||11028|Jingdezhen, Jiangxi Province, China|||11028|Ceramics|Ceramic|Jar|Vessel||13|14||1279|1368||1279-1368|1279-1368|||||0||||0|||||Ceramics & painting. Porcelain|porcelain|color (pigment)||||ceramics|painting (image-making)|glazing (coating)|||Height 22.5 cm||9758|Taipei: Chang Foundation Museum|Taipei: Chang Foundation Museum||Vessels ; Painting (image making) ; Peonies ; Lotus ; Flowers ; Porcelain ; |Vessels|Painting (image making)|Peonies|Lotus|Flowers|Porcelain||||Cornell||BZ|BZ|11/8/2006 0:00:00|11/8/2006 0:00:00|||Jingdezhen|0|||||||POT|||CHINA|YUAN|||| ||||||||Work|0||||||||||||0|0|Blue & White Glaze Jar With Scrolling Peony & Lotus Pattern| 8198.00|0|Creator|15|CHINA|POT|YUAN||CHINA POT YUAN |Blue & White Glaze Plum-blossom Vase (Mei Ping) With Peony & Phoenix Pattern|Descriptive|Image Source (Pub)|||||||Blue & White Glaze Plum-blossom Vase (Mei Ping) With Peony & Phoenix Pattern|0|||||0||||0|||||Chinese|||Yuan|||Asia|Jiangxi|China||||||0||||0|Jingdezhen, Jiangxi Province, China|||11028|Jingdezhen, Jiangxi Province, China|||11028|Ceramics|Ceramic|Vase|Vessel||13|14||1279|1368||1279-1368|1279-1368|||||0||||0|||||Ceramics & painting. Porcelain|porcelain|color (pigment)||||ceramics|painting (image-making)|glazing (coating)|||Height 39.3 cm||9758|Taipei: Chang Foundation Museum|Taipei: Chang Foundation Museum||Vessels ; Painting (image making) ; Porcelain ; Flowers ; Peonies ; Birds ; |Vessels|Painting (image making)|Porcelain|Flowers|Peonies|Birds||||Cornell||BZ|BZ|11/8/2006 0:00:00|11/8/2006 0:00:00|||Jingdezhen|0|||||||POT|||CHINA|YUAN|||| ||||||||Work|0||||||||||||0|0|Blue & White Glaze Plum-blossom Vase (Mei Ping) With Peony & Phoenix Pattern| 8199.00|0|Creator|15|CHINA|POT|YUAN||CHINA POT YUAN |Blue & White Stem Cup With Horse & Lotus Pattern|Descriptive|Image Source (Pub)|||||||Blue & White Stem Cup With Horse & Lotus Pattern|0|||||0||||0|||||Chinese|||Yuan|||Asia|Jiangxi|China||||||0||||0|Jingdezhen, Jiangxi Province, China|||11028|Jingdezhen, Jiangxi Province, China|||11028|Ceramics|Ceramic|Cup|Vessel||13|14||1279|1368||1279-1368|1279-1368|||||0||||0|||||Ceramics & painting. Porcelain|porcelain|||||ceramics|painting (image-making)|glazing (coating)|||Height 8.8 cm||9758|Taipei: Chang Foundation Museum|Taipei: Chang Foundation Museum||Vessels ; Cups ; Porcelain ; Horses ; Lotus ; Painting (image making) ; |Vessels|Cups|Porcelain|Horses|Lotus|Painting (image making)||||Cornell||BZ|BZ|11/8/2006 0:00:00|11/8/2006 0:00:00|||Jingdezhen|0|||||||POT|||CHINA|YUAN|||| ||||||||Work|0||||||||||||0|0|Blue & White Stem Cup With Horse & Lotus Pattern| 8200.00|0|Creator|15|CHINA|POT|YUAN||CHINA POT YUAN |Underglaze Red Vase With Peony & Lingzhi Pattern|Descriptive|Image Source (Pub)|||||||Underglaze Red Vase With Peony & Lingzhi Pattern|0|||||0||||0|||||Chinese|||Yuan|||Asia|Jiangxi|China||||||0||||0|Jingdezhen, Jiangxi Province, China|||11028|Jingdezhen, Jiangxi Province, China|||11028|Ceramics|Ceramic|Vase|Vessel||13|14||1279|1368||1279-1368|1279-1368|||||0||||0|||||Ceramics & painting. Porcelain|porcelain|||||ceramics|painting (image-making)|glazing (coating)|||Height 22.8 cm||9758|Taipei: Chang Foundation Museum|Taipei: Chang Foundation Museum||Porcelain ; Vessels ; Painting (image making) ; Flowers ; Peonies ; |Porcelain|Vessels|Painting (image making)|Flowers|Peonies|||||Cornell||BZ|BZ|11/8/2006 0:00:00|11/8/2006 0:00:00|||Jingdezhen|0|||||||POT|||CHINA|YUAN|||| ||||||||Work|0||||||||||||0|0|Underglaze Red Vase With Peony & Lingzhi Pattern| 8201.00|0|Site|02|B-H3|Rom|1.1|Pir/VedR|B-H3 Rom 1.1 Pir/VedR|St. Peter's with Forecourt and Colonnades, Bird's eye View, I-3|Translated|Print Publication|Vedutta dell' insigne Basilica Vaticana coll' ampio Portico e Piazza adjacente|Inscribed|Artist||||Vedute di Roma. St. Peter's with Forecourt and Colonnades, I-3|9255|Piranesi, Giovanni Battista||etcher|Giovanni Battista Piranesi|0||||0|||||Italian|||Neoclassical|||Europe||Italy||||||0||||0||||0||||0|Prints|Etching|Architectural drawing|||18|||1745|1792||1745-1792|1745-1792||Vedute di Roma|Series||533||||0|Hind, A. M. Giovanni Battista Piranesi: a Critical Study, 1922|120, I|||Etching|paper (fiber product)|ink||||etching (printing process)|||||||||||Basilica di San Pietro in Vaticano ; Obelisks ; Fountains ; Colonnades ; Rome (Italy) ; Architectural drawings ; |Basilica di San Pietro in Vaticano|Obelisks|Fountains|Colonnades|Rome (Italy)|Architectural drawings||||Cornell||MNW|MNW|11/16/2006 0:00:00|11/8/2006 0:00:00||Rom||0||||||Pir/VedR|B|||||H3|1.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|St. Peter's with Forecourt and Colonnades, Bird's eye View, I-3;Vedutta dell' insigne Basilica Vaticana coll' ampio Portico e Piazza adjacente|Piranesi, Giovanni Battista 8202.00|0|Creator|15|CHINA|MTL|SHANG||CHINA MTL SHANG |Sanxingdui Ruins: Kneeling And Sitting Figure Statue|Translated|Cataloger|Gui zuo ren xiang|Descriptive|Image Source (Pub)||||Sanxingdui Ruins: Kneeling And Sitting Figure Statue|0|||||0||||0|||||Chinese|||Shang|||Asia|Sichuan|China||||||0||||0|Sanxingdui Village, Guanghan, Sichuan Province|||11029|Sanxingdui Village, Guanghan, Sichuan Province|||11029|Metalwork|Bronze|Figure (representation)|Statue|BCE|-13|||1250|1250|ca|ca 1250 BCE|ca 1250 BCE||Sanxingdui Archaeological Site|Larger entity||8203||||0|||||Casting & modeling. Bronze|bronze|||||casting|modeling (forming)|bronzing|||Height 15 cm||9759|Guanghan: Sanxingdui Museum|Guanghan: Sanxingdui Museum||Figures (representations) ; Men (male humans) ; Sculpture (visual work) ; Statues ; Heads (representations) ; Faces (anatomy) ; Arms ; Hands (anatomy) ; Legs|Figures (representations)|Men (male humans)|Sculpture (visual work)|Statues|Heads (representations)|Faces (anatomy)|Arms|Hands (anatomy)|Legs|Cornell||BZ|BZ|11/10/2006 0:00:00|11/8/2006 0:00:00|||Sanxingdui|0|||||||MTL|||CHINA|SHANG|||| Gua||||||||Work|0||||||||||||0|0|Sanxingdui Ruins: Kneeling And Sitting Figure Statue;Gui zuo ren xiang| 8134.00|0|Creator|15|CHINA|MTL|W. ZHOU||CHINA MTL W. ZHOU |Vessel (You) Made By Feng X Fu|Descriptive|Image Source (Pub)|Feng X Fu you|Descriptive|Image Source (Pub)||||Vessel (You) Made By Feng X Fu|0|||||0||||0|||||Chinese|||Zhou (Chou)|Western Zhou (W.Chou)||Asia||China||||||0||||0|Wei He, Shaanxi Province, China|||11021|Wei He, Shaanxi Province, China|||11021|Metalwork|Bronze|Vessel|Inscription|BCE|-9|-8|-7|1066|771||Middle Western Zhou|1066-771 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||23.2 cm height||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Archaeology ; Vessels ; Inscriptions ; Animals ; Birds ; |Archaeology|Vessels|Inscriptions|Animals|Birds|||||Cornell||BZ|BZ|11/1/2006 0:00:00|10/27/2006 0:00:00|||Weih|0|||||||MTL|||CHINA|W. ZHOU|||| ||||||||Work|0||Mouth: front to back 9.2 cm, left to right 12.7 cm. Base: front to back 10.8 cm, left to right 13.7 cm. Weight 2.62 kg.||||||||||0|0|Vessel (You) Made By Feng X Fu;Feng X Fu you| 8135.00|0|Architect|03|Ma-Bohm|3.1|1926 ChrK|ChrK|Ma-Bohm 3.1 1926 ChrK |Church of Christ the King|Assigned|Macmillan|||||||Church of Christ the King|1319|Böhm, Dominikus||architect|Dominikus Böhm|0||||0|||||German|||Modernist|||Europe||Germany||||||0|Bischofsheim, Germany|||11014||||0||||0|Architecture|Church||||20|||1926|1926||1926|1926-1926|||||0||||0||||||||||||||||||||||Churches ; |Churches|||||||||Cornell||JNK|MNW|11/14/2006 0:00:00|10/27/2006 0:00:00|Bohm|||0||||||1926 ChrK|Ma||||||3.1||||||||||Building|0|Modern Architecture|||||||||||0|0|Church of Christ the King|Böhm, Dominikus 8136.00|0|Creator|15|CHINA|MTL|W. ZHOU||CHINA MTL W. ZHOU |Vessel (Ling) Made By Zhong Yi Fu|Descriptive|Image Source (Pub)|Zhong Yi Fu ling|Descriptive|Image Source (Pub)||||Vessel (Ling) Made By Zhong Yi Fu|0|||||0||||0|||||Chinese|||Zhou (Chou)|Western Zhou (W.Chou)||Asia||China||||||0||||0|Famen Temple Pagoda, Fufeng, Shaanxi Province|||10809|Famen Temple Pagoda, Fufeng, Shaanxi Province|||10809|Metalwork|Bronze|Vessel|Inscription|BCE|-8|-7|-6|1066|771||Late Western Zhou|1066-771 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||44.2 cm height. 15.5 cm diameter of mouth||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Archaeology ; Vessels ; Inscriptions ; Animals ; Dragons ; Wine ; |Archaeology|Vessels|Inscriptions|Animals|Dragons|Wine||||Cornell||BZ|BZ|11/1/2006 0:00:00|10/27/2006 0:00:00|||Famen|0|||||||MTL|||CHINA|W. ZHOU|||| ||||||||Work|0||Diameter of base 17 cm. Weight 12.44 kg.||||||||||0|0|Vessel (Ling) Made By Zhong Yi Fu;Zhong Yi Fu ling| 8137.00|0|Creator|15|CHINA|MTL|W. ZHOU||CHINA MTL W. ZHOU |Vessel (Ding) Made By Da Ke|Descriptive|Image Source (Pub)|Da Ke ding|Descriptive|Image Source (Pub)||||Vessel (Ding) Made By Da Ke|0|||||0||||0|||||Chinese|||Zhou (Chou)|Western Zhou (W.Chou)||Asia||China||||||0||||0|Famen Temple Pagoda, Fufeng, Shaanxi Province|||10809|Famen Temple Pagoda, Fufeng, Shaanxi Province|||10809|Metalwork|Bronze|Vessel|Inscription|BCE|-8|-7|-6|1066|771||Late Western Zhou|1066-771 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||93.1 cm height. 75.6 cm diameter of mouth||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Archaeology ; Vessels ; Inscriptions ; Animals ; Masks ; Clouds ; Food ; |Archaeology|Vessels|Inscriptions|Animals|Masks|Clouds|Food|||Cornell||BZ|BZ|11/1/2006 0:00:00|10/27/2006 0:00:00|||Famen|0|||||||MTL|||CHINA|W. ZHOU|||| ||||||||Work|0||Weight 200 kg.||||||||||0|0|Vessel (Ding) Made By Da Ke;Da Ke ding| 8138.00|0|Creator|15|CHINA|MTL|W. ZHOU||CHINA MTL W. ZHOU |Vessel (Gui) Made By Hu|Descriptive|Image Source (Pub)|Hu gui|Descriptive|Image Source (Pub)||||Vessel (Gui) Made By Hu|0|||||0||||0|||||Chinese|||Zhou (Chou)|Western Zhou (W.Chou)||Asia||China||||||0||||0|Wei He, Shaanxi Province, China|||11021|Wei He, Shaanxi Province, China|||11021|Metalwork|Bronze|Vessel|Inscription|BCE|-9|-8|-7|1066|771||Middle Western Zhou|1066-771 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||34.7 cm height. 23.3 cm diameter of mouth||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Archaeology ; Vessels ; Inscriptions ; Animals ; Dragons ; Heads (representations) ; Clouds ; |Archaeology|Vessels|Inscriptions|Animals|Dragons|Heads (representations)|Clouds|||Cornell||BZ|BZ|11/1/2006 0:00:00|10/27/2006 0:00:00|||Weih|0|||||||MTL|||CHINA|W. ZHOU|||| ||||||||Work|0||Stand: front to back 23.5 cm, left to right 22.8 cm. Weight 12.23 kg.||||||||||0|0|Vessel (Gui) Made By Hu;Hu gui| 8139.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Vessel (He) With A Dragon-shaped Spout|Descriptive|Image Source (Pub)|Long xing kou zun|Descriptive|Image Source (Pub)||||Vessel (He) With A Dragon-shaped Spout|0|||||0||||0|||||Chinese|||Zhou (Chou)|Eastern Zhou (E.Chou)||Asia||China||||||0||||0|Wei He, Shaanxi Province, China|||11021|Wei He, Shaanxi Province, China|||11021|Metalwork|Bronze|Vessel||BCE|-8|-7|-6|770|476||Middle Spring and Autumn period|770-476 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||30.1 cm height. 39.2 cm length||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Archaeology ; Vessels ; Animals ; Dragons ; Heads (representations) ; Wine ; |Archaeology|Vessels|Animals|Dragons|Heads (representations)|Wine||||Cornell||BZ|BZ|11/1/2006 0:00:00|10/30/2006 0:00:00|||Weih|0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||Mouth: front to back 14.7 cm, left to right 14.8 cm. Weight 3.65 kg.||||||||||0|0|Vessel (He) With A Dragon-shaped Spout;Long xing kou zun| 8140.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Animal-shaped Vessel (Zun)|Descriptive|Image Source (Pub)|Dong wu xing zun|Descriptive|Image Source (Pub)||||Animal-shaped Vessel (Zun)|0|||||0||||0|||||Chinese|||Zhou (Chou)|Eastern Zhou (E.Chou)||Asia||China||||||0||||0|Liyu, Hunyuan County, Shanxi Province, China|||10997|Liyu, Hunyuan County, Shanxi Province, China|||10997|Metalwork|Bronze|Vessel|Head (representation)|BCE|-8|-7|-6|770|476||Late Spring and Autumn period|770-476 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||33.7 cm height. 58.7 cm length||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Archaeology ; Vessels ; Animals ; Bulls ; Heads (representations) ; Wine ; |Archaeology|Vessels|Animals|Bulls|Heads (representations)|Wine||||Cornell||BZ|BZ|11/1/2006 0:00:00|10/30/2006 0:00:00|||Liyu|0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||Weight 10.76 kg.||||||||||0|0|Animal-shaped Vessel (Zun);Dong wu xing zun| 8141.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Vessel (Hu) With A Bird, Animal And Dragon Design|Descriptive|Image Source (Pub)|Dai niao wen, dong wu wen he long wen hu|Descriptive|Image Source (Pub)||||Vessel (Hu) With A Bird, Animal And Dragon Design|0|||||0||||0|||||Chinese|||Zhou (Chou)|Eastern Zhou (E.Chou)||Asia||China||||||0||||0|Liyu, Hunyuan County, Shanxi Province, China|||10997|Liyu, Hunyuan County, Shanxi Province, China|||10997|Metalwork|Bronze|Vessel||BCE|-8|-7|-6|770|476||Late Spring and Autumn period|770-476 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||44.3 cm height. 16.6 cm diameter of mouth||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Archaeology ; Vessels ; Animals ; Birds ; Dragons ; Wine ; |Archaeology|Vessels|Animals|Birds|Dragons|Wine||||Cornell||BZ|BZ|11/1/2006 0:00:00|10/30/2006 0:00:00|||Liyu|0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||Diameter of base 19 cm. Weight 6.05 kg.||||||||||0|0|Vessel (Hu) With A Bird, Animal And Dragon Design;Dai niao wen, dong wu wen he long wen hu| 8142.00|0|Creator|15|CHINA|MTL|E. ZHOU||CHINA MTL E. ZHOU |Vessel (Ding) With An Interlaced Dragon Design|Descriptive|Image Source (Pub)|Jiao cha long wen ding|Descriptive|Image Source (Pub)||||Vessel (Ding) With An Interlaced Dragon Design|0|||||0||||0|||||Chinese|||Zhou (Chou)|Eastern Zhou (E.Chou)||Asia||China||||||0||||0|Wei He, Shaanxi Province, China|||11021|Wei He, Shaanxi Province, China|||11021|Metalwork|Bronze|Vessel||BCE|-5|-4|-3|475|221||Warring States period|475-221 BCE|||||0||||0|||||Casting. Bronze|bronze|||||casting|bronzing||||30.6 cm height. 34.1 cm diameter of mouth||2640|Shanghai: Shanghai Museum|Shanghai: Shanghai Museum||Archaeology ; Vessels ; Animals ; Dragons ; Wine ; |Archaeology|Vessels|Animals|Dragons|Wine|||||Cornell||BZ|BZ|11/1/2006 0:00:00|10/30/2006 0:00:00|||Weih|0|||||||MTL|||CHINA|E. ZHOU|||| ||||||||Work|0||Weight 15.98 kg.||||||||||0|0|Vessel (Ding) With An Interlaced Dragon Design;Jiao cha long wen ding| 8143.00|0|Site|02|B-H3|Pom|1.31 For/Baths||B-H3 Pom 1.31 For/Baths |Forum Baths|Assigned|Dict.Art|||||||Forum at Pompeii. Forum Baths|0|||||0||||0|||||Roman|||Roman Period|||Europe||Italy||||||0|Pompeii, Italy|||10133||||||||0|Architecture|Bathhouse|Forum|Roman bath space||-02|01||-199|079|ca|ca 100 BCE-079 CE|ca -199 - 079||Forum at Pompeii|LargerEntity||2780||||0||||||||||||||||||||||Roman Bath Spaces ; Public Baths ; Reliefs ; |Roman Bath Spaces|Public Baths|Reliefs|||||||Cornell||GB|MNW|11/6/2006 0:00:00|10/30/2006 0:00:00||Pom||0||||||For/Baths|B|||||H3|1.31||||||||||Work|0|Architecture-Italy|||||||||||0|0|Forum Baths| 8144.00|0|Site|02|B-H3|Rom|2.21 CMax||B-H3 Rom 2.21 CMax |Circus Maximus|Assigned|Blue Guide|||||||Circus Maximus|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0||||||-7|1||-600|81|ca|ca -600 BCE -81CE|ca -600 BCE -81CE|||||0||||0||||||||||||||||||||||Chariots (ancient vehicles) ; Racing ; Boxing ; |Chariots (ancient vehicles)|Racing|Boxing|||||||Cornell||GB|GB|10/30/2006 0:00:00|10/30/2006 0:00:00||Rom||0||||||CMax|B|||||H3|2.21||||||||||Work|0|Architecture-Italy|||||||||||0|0|Circus Maximus| 8145.00|0|Site|02|B-H3|Rom|3.3 Aug||B-H3 Rom 3.3 Aug |Mausoleum of Augustus|Assigned|Dict.Art|Tumulus Caesarum|Assigned|Blue Guide||||Mausoleum of Augustus|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Mausoleum|||BCE|-1|||-28|||-28 BCE|-28 BCE|||||0||||0||||||||||||||||||||||Augustus, Emperor of Rome, 63 BCE-14 CE ; Mausoleums ; |Augustus, Emperor of Rome, 63 BCE-14 CE|Mausoleums||||||||Cornell||GB|GB|11/7/2006 0:00:00|10/30/2006 0:00:00||Rom||0||||||Aug|B|||||H3|3.3||||||||||Work|0|Architecture-Italy|Many principle members of Augustus' family were also buried here, including his wife Livia, nephews Gaius and Lucius Caesar,and sister Octavia. Nerva was the last Roman emperor to be buried here in 98 CE (Blue Guide).||||||||||0|0|Mausoleum of Augustus;Tumulus Caesarum| 8146.00|0|Architect|08|O-Villard|1.0|SkeBk||O-Villard 1.0 SkeBk |Models of Drawing: Château, Studes of Heads and Horse, Hand, Dog, Sheep, Heradric Eagle & Ostriches|Descriptive|Print Publication|Folio 18 verso|Repository|Repository||||The Portfolio of Villard de Honnecourt. Models of Drawing, Folio 18 verso|5577|Villard de Honnecourt||draftsman|Villard de Honnecourt|0||||0|||||French|||Medieval|||Europe||France||||||0||||0||||0||||0|Architectural Theory|Architectural drawing||||13|||1216|1230|ca|ca 1216-1230|ca 1216-1230||The Portfolio of Villard de Honnecourt|Larger entity||8099||||0||||||ink|parchment||||drawing (image-making)|||||23.5 x 15.5 cm||4613|Paris: Bibliotheque Nationale; Departement des Manuscrits|Paris: BN; Dept. Manusc.||Proportion ; Geometry ; Castles ; Ostriches ; Dogs ; Hands (anatomy) ; Heads (representations) ; Horses ; Sheep|Proportion|Geometry|Castles|Ostriches|Dogs|Hands (anatomy)|Heads (representations)|Horses|Sheep|Cornell||JNK|MNW|11/14/2006 0:00:00|10/30/2006 0:00:00|Villard|||0||19093||||SkeBk|O||||||1.0|| ||||||||Work|0|Theory|||||||||||0|0|Models of Drawing: Château, Studes of Heads and Horse, Hand, Dog, Sheep, Heradric Eagle & Ostriches;Folio 18 verso|Villard de Honnecourt 8147.00|0|Category|08|O-ProPri|||1|O-ProPri 1|Gothic Architecture in Europe: Principles of Proportions|Inscribed|Image Source (Pub)|||||||History of Architecture on the Comparative Method. Gothic Architecture in Europe: Principles of Proportions|30398|Fletcher, Banister, Sir||architect|Sir Banister Fletcher|0||||0|||||English|||Victorian|||Europe||England||||||0||||0||||0||||0|Publications|Illustration|Book|||20|||1961|1961||1961|1961-1961||A History of Architecture on the Comparative Method for Students, Craftsmen & Amateurs, ninth edition|Larger entity||2935||||0||||||||||||||||||||||Proportion ; Cathedrals ; Triumphal arches ; Temples ; Churches ; Baptisteries ; |Proportion|Cathedrals|Triumphal arches|Temples|Churches|Baptisteries||||Cornell||JNK|MNW|11/14/2006 0:00:00|10/30/2006 0:00:00|ProPri|||0|||||||O|||||||| ||||||||Work|0|Theory|||||||||||0|0|Gothic Architecture in Europe: Principles of Proportions|Fletcher, Banister, Sir 8148.00|0|Site|02|B-G1|Sal|3.1 Cath||B-G1 Sal 3.1 Cath |Cathedral|Assigned|Blue Guide|||||||Cathedral|0|||||0||||0|||||English|||Gothic (Medieval)|||Europe||England||||||0|Salisbury, England|||11017||||0||||0|Architecture|Cathedral||||13|||1220|1258||1220-1258|1220-1258|||||0||||0||||||||||||||||||||||Cathedrals ; |Cathedrals|||||||||Cornell||JNK|MNW|11/14/2006 0:00:00|10/30/2006 0:00:00||Sal||0||||||Cath|B|||||G1|3.1||||||||||Building|0|Architecture-England|||||||||||0|0|Cathedral| 8149.00|0|Didactic|01|A-AØ2 Emp|Map|1.01|Rom/241BC|A-AØ2 Emp Map 1.01 Rom/241BC|Roman Empire Expansion of Possessions, 241-27 BC|Assigned|Image Source (Pub)|||||||Roman Empire Expansion of Possessions, 241-27 BC|0|||||0||||0|||||||||||||||||||0||||||||0||||0|Maps|Map||||20|||1987|1987|bef|bef 1987|bef 1987-1987|||||0||||0||||||||||||||||||||||Maps ; Rome (Italy) ; Empires (sovereign states) ; |Maps|Rome (Italy)|Empires (sovereign states)|||||||Cornell||GB|MNW|11/6/2006 0:00:00|10/30/2006 0:00:00||2 Emp||0||||||Rom/241BC|A|||||AØ|1.01||||||||||Work|0|Maps (Canada)-Graphic Documents|||||||||||0|0|Roman Empire Expansion of Possessions, 241-27 BC| 8150.00|0|Site|02|B-L4|Pet|3.2 ||B-L4 Pet 3.2 |Petra|Preferred|Dict.Art|Wadi Musa|Variant|Dict.Art||||Petra|0|||||0||||0|||||Nabataean|Roman||Imperial (Roman)|||Asia||Jordan||||||0|Petra, Jordan|||11020||||0||||0|Archaeological Sites|Excavation|City||BCE|-1|12||-100|1118|ca|ca -100 BCE -1118 CE|ca -100 BCE -1118 CE|||||0||||0||||||||||||||||||||||Excavations ; Cities ; Archaeology ; |Excavations|Cities|Archaeology|||||||Cornell||GB|MNW|11/6/2006 0:00:00|10/30/2006 0:00:00||Pet||0|||||||B|||||L4|3.2||||||||||Work|0|Architecture-Jordan|||||||||||0|0|Petra;Wadi Musa| 8151.00|0|Site|02|B-L4|Pet|3.2 EdDeir||B-L4 Pet 3.2 EdDeir |al-Dayr|Assigned|Dict.Art|ed-Deir|Assigned|Image Source (Pub)|The Monastery Tomb|Assigned|Dict.Art|Petra. al-Dayr (The Monastery Tomb)|0|||||0||||0|||||Nabataean|||Imperial (Roman)|Norman||Asia||Jordan||||||0|Petra, Jordan|||11020||||0||||0|Architecture|Tomb||||1|2||0075|0199|ca|ca 0075-0199|ca 0075-0199||Petra|LargerEntity||8150||||0||||||||||||||||||||||Tombs ; |Tombs|||||||||Cornell||GB|MNW|11/6/2006 0:00:00|10/31/2006 0:00:00||Pet||0||||||EdDeir|B|||||L4|3.2||||||||||Work|0|Architecture-Jordan|||||||||||0|0|al-Dayr;ed-Deir;The Monastery Tomb| 8152.00|0|Creator|15|27|V433-PA|F112||27 V433-PA F112|Las Hilanderas|Preferred|Repository|The Tapestry-Weavers|Translated|Repository|The Fable of Arachne|Variant|Repository|The Tapestry-Weavers (The Fable of Arachne)|12216|Velazquez, Diego Rodriguez de S.||painter|Diego Velazquez|0||||0|||||Spanish|||Baroque|||Europe||Spain||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1657|1657||1657|1657-1657|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||220 x 289 cm||1616|Madrid: Museo del Prado|Madrid: Prado||Weaving ; Tapestries ; Women ; |Weaving|Tapestries|Women|||||||Cornell||JNK|MNW|11/14/2006 0:00:00|11/1/2006 0:00:00|V433|||0|||||||27|PA|||||F112|| ||||||||Work|0||||||||||||0|0|Las Hilanderas;The Tapestry-Weavers;The Fable of Arachne|Velazquez, Diego Rodriguez de S. 8153.00|0|Site|02|B-H3|Rom|1.042 Models||B-H3 Rom 1.042 Models |Model of Imperial Rome|Variant|Blue Guide|Mostra augustea della romanità|Preferred|Dict.Art||||Model of Imperial Rome|31298|Gismondi, Italo||architect|Italo Gismondi|0||||0|||||||||||Europe||Italy||||||0||||||||0||||0|Architecture|Model (representation)||||20|||1937|1937||1937-1937|1937-1937|||||0||||0||||||||||||||||||2431|Rome: Museo della Civiltà Romana|Rome: Mus. Civ. Romana||Rome (Italy) ; Tiber (river) ; Roman Forum (Rome, Italy) ; Pantheon (Rome, Italy) ; Colosseum (Rome, Italy) ; Theater of Marcellus, Rome, Italy ; Campidoglio, Rome, Italy ; Models (representations) ; |Rome (Italy)|Tiber (river)|Roman Forum (Rome, Italy)|Pantheon (Rome, Italy)|Colosseum (Rome, Italy)|Theater of Marcellus, Rome, Italy|Campidoglio, Rome, Italy|Models (representations)||Cornell||GB|MNW|11/6/2006 0:00:00|11/1/2006 0:00:00||Rom||0||||||Models|B|||||H3|1.042|| ||||||||Work|0|Architecture-Italy||The model depicts Rome as it was under the Emperor Constantine in the 4th century BCE. Model is on a scale of 1:250. (Blue Guide).|||||||||0|0|Model of Imperial Rome;Mostra augustea della romanità|Gismondi, Italo 8154.00|0|Site|02|B-G1|Wel|3.1 Cath||B-G1 Wel 3.1 Cath |Chapter House|Assigned|Blue Guide|||||||Cathedral. 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Baths|0|||||0||||0|||||Roman|||Imperial (Roman)|||Europe||Italy||||||0|Ostia Antica, Italy|||10772||||0||||0||||||1|||0001|0099|ca|ca 1-99|ca 0001-0099||Forum|||8159||||0||||||||||||||||||||||||||||||||Cornell||GB|GB|11/3/2006 0:00:00|11/2/2006 0:00:00||Ost||0||||||For/Bath|B|||||H3|1.31||||||||||Work|0|Architecture-Italy|||||||||||0|0|Baths| 8161.00|0|Site|02|B-M1|Tim|1.1 ||B-M1 Tim 1.1 |Aerial view of Timgad|Descriptive|Cataloger|||||||Aerial view of Timgad|0|||||0||||0|||||Algerian||||||Africa||Algeria||||||0|Timgad, Algeria|||10113||||0||||0|Archaeological Sites|Aerial view||||1|2||0100||ca|ca 0100|ca 0100-0100|||||0||||0||||||||||||||||||||||Aerial views ; Archaeology ; |Aerial views|Archaeology||||||||Cornell||GB|MNW|11/6/2006 0:00:00|11/2/2006 0:00:00||Tim||0|||||||B|||||M1|1.1||||||||||Work|0|Architecture-Algeria|||||||||||0|0|Aerial view of Timgad| 8162.00|0|Architect|08|O-Schinkel|3.1|1815||O-Schinkel 3.1 1815 |Memorial to the Wars of Liberation Project|Assigned|Image Source (Pub)|||||||Memorial to the Wars of Liberation Project|10508|Schinkel, Karl Friedrich||architect|Karl Friedrich Schinkel|0||||0|||||German|||Neoclassical|||Europe||Germany||||||0||||0||||0||||0|Architecture|Architectural drawing|Memorial|||19|||1815|1815||1815|1815-1815|||||0||||0|||||||||||drawing (image-making)|||||||||||Memorials ; War memorials ; |Memorials|War memorials||||||||Cornell||JNK|MNW|11/14/2006 0:00:00|11/2/2006 0:00:00|Schinkel|||0||||||1815|O||||||3.1||||||||||Building|0|Theory|||||||||||0|0|Memorial to the Wars of Liberation Project|Schinkel, Karl Friedrich 8163.00|0|Architect|08|O-Schinkel|3.1|1815 Cath||O-Schinkel 3.1 1815 Cath |Cathedral as Memorial|Descriptive|Image Source (Pub)|||||||Memorial to the Wars of Liberation Project. 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The Shrine of Venus of Cloacina is associated with the Cloaca Maxima (Dictionary of Art).|||||||||0|0|Cloaca Maxima| 8165.00|0|Site|02|B-B22|NewBed|7.5 Rotch||B-B22 NewBed 7.5 Rotch |W. J. Rotch House|Assigned|Image Source (Pub)|||||||W. J. Rotch House|2906|Davis, Alexander Jackson||architect|Alexander Jackson Davis|0||||0|||||American|||Gothic Revival|||North and Central America||United States||||||0|New Bedford, Massachusetts|||11022||||0||||0|Architecture|House||||19|||1845|1847||1845-1847|1845-1847|||||0||||0||||||||||||||||||||||Houses ; |Houses|||||||||Cornell||JNK|MNW|11/14/2006 0:00:00|11/2/2006 0:00:00||NewBed||0||||||Rotch|B|||||B22|7.5||||||||||Building|0|Architecture-Massachusetts (MA)|||||||||||0|0|W. J. Rotch House|Davis, Alexander Jackson 8166.00|0|Site|02|B-H3|Pom|1.04 Exc||B-H3 Pom 1.04 Exc |Pompeii Plan of Excavated Portion|Assigned|Image Source (Pub)|||||||Pompeii plan of Excavated Portion|0|||||0||||0|||||||||||||||||||0|Pompeii, Italy|||10133||||0||||0|Architecture|Excavation|Plan (drawing)|||20|||1975|1975|bef|bef 1975|bef 1975-1975|||||0||||0||||||||||||||||||||||Archaeology ; Excavations ; Pompeii (extinct city) ; |Archaeology|Excavations|Pompeii (extinct city)|||||||Cornell||GB|GB|11/6/2006 0:00:00|11/2/2006 0:00:00||Pom||0||||||Exc|B|||||H3|1.04||||||||||Work|0|Architecture-Italy|||||||||||0|0|Pompeii Plan of Excavated Portion| 8167.00|0|Architect|08|O-Pugin|1.0|1943 Apol||O-Pugin 1.0 1943 Apol |An Apology for the Revival of Christian Architecture in England|Inscribed|Artist|||||||An Apology for the Revival of Christian Architecture in England|9527|Pugin, Augustus Welby North||architect|Pugin, A. W. N.|0||||0|||||English|||Gothic Revival|||Europe||England||||||0||||0||||0||||0|Publications|Book||||19|||1843|1843||1843|1843-1843|||||0||||0||||||||||||||||||||||Churches ; Architectural drawings ; |Churches|Architectural drawings||||||||Cornell||JNK|JNK|11/2/2006 0:00:00|11/2/2006 0:00:00|Pugin|||0||||||1943 Apol|O||||||1.0||||||||||Work|0|Theory|||||||||||0|0|An Apology for the Revival of Christian Architecture in England|Pugin, Augustus Welby North 8168.00|0|Architect|08|O-Pugin|1.0|1943 Apol||O-Pugin 1.0 1943 Apol |Frontispiece|Descriptive|Cataloger|||||||An Apology for the Revival of Christian Architecture in England. Frontispiece|9527|Pugin, Augustus Welby North||architect|Pugin, A. W. N.|0||||0|||||English|||Gothic Revival|||Europe||England||||||0||||0||||0||||0|Publications|Book|Illustration|||19|||1843|1843||1843|1843-1843||An Apology for the Revival of Christian Architecture in England|Larger entity||8167||||0||||||||||||||||||||||Churches ; Architectural drawings ; |Churches|Architectural drawings||||||||Cornell||JNK|JNK|11/2/2006 0:00:00|11/2/2006 0:00:00|Pugin|||0||||||1943 Apol|O||||||1.0||||||||||Work|0|Theory|||||||||||0|0|Frontispiece|Pugin, Augustus Welby North 8169.00|0|Creator|05|35-B447|PH|1937||35-B447 PH 1937 |Games of the Doll|Translated|Print Publication|Les Jeux de la poupee|Series|Print Publication||||Games of the Doll|978|Bellmer, Hans||artist|Hans Bellmer|0||||0|||||German|Polish|French|Surrealist|||Europe||Germany|France|||||0||||0||||0||||0|Photographs|Gelatin silver print|Photographic print|||20|||1935|1949||1935-1949|1935-1949|||||0||||0|||||||||||photography|gelatin silver process|hand coloring|||||||||Eroticism ; Fetishism in Art ; Dolls ; |Eroticism|Fetishism in Art|Dolls|||||||Cornell||GB|MNW|12/1/2006 0:00:00|11/3/2006 0:00:00|B447|||0|||||||35|PH||||||1937|||||||||Work|0|20th Century||The series name was referred to in the publication: Taylor, Hans Bellmer.|||||||||0|0|Games of the Doll;Les Jeux de la poupee|Bellmer, Hans 8170.00|0|Creator|05|35|R267-PH|M950||35 R267-PH M950 |Minotaur|Assigned|Image Source (Pub)|||||||Minotaur|9679|Man Ray||photographer|Man Ray|0||||0|||||American|||Dada|||North and Central America||United States||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1936|1936||1936|1936-1936|||||0||||0|||||Gelatin silver print||||||photography|gelatin silver process||||||||||Nudes ; |Nudes|||||||||Cornell||GB|MNW|12/5/2006 0:00:00|11/3/2006 0:00:00|R267|||0||||||M950|35|PH|||||||||||||||Work|0|20th Century|||||||||||0|0|Minotaur|Man Ray 8171.00|0|Creator|15|32|M212-PA|C3880||32 M212-PA C3880 |The Treachery of Images|Preferred|Dict.Art|La Trahism des images|Original|Dict.Art|This is not a pipe (Ceci n'est pas une pipe)|Popular|Dict.Art|The Treachery of Images|7420|Magritte, René||painter|René Magritte|0||||0|||||Belgian|||Surrealist|||Europe||Belgium||||||0||||||||0||||0|Paintings|Oil painting||||20|||1928|1929||1928-1929|1928-1929|||||0||||0||||||oil|canvas||||painting (image-making)|||||64.45 x 93.98 cm||3711|Los Angeles: Los Angeles County Museum of Art|Los Angeles: LACMA||Pipes ; |Pipes|||||||||Cornell||GB|MNW|11/29/2006 0:00:00|11/3/2006 0:00:00|M212|||0||78.7||||C3880|32|PA||||||| ||||||||Work|0|20th Century|||||||||Purchased with funds provided by the Mr. and Mrs. William Preston Harrison Collection||0|0|The Treachery of Images;La Trahism des images;This is not a pipe (Ceci n'est pas une pipe)|Magritte, René 8172.00|0|Creator|15|CHINA|POT|N. SONG - JIN||CHINA POT N. SONG - JIN |Jun Kiln (Junyao) Purple-splashed Dish|Descriptive|Image Source (Pub)|Junyao yao bian zi ban pan|Descriptive|Image Source (Pub)||||Jun Kiln (Junyao) Purple-splashed Dish|0|||||0||||0|||||Chinese|||Northern Song (N.Sung)|Song (Sung)|Jin (Chin)|Asia|Henan|China|||Yuxian, Henan Province, China|||11023||||0|Yuxian, Henan Province, China|||11023||||0|Ceramics|Ceramic|Dish|||12|||1100|1199|ca|N. Song - Jin (12th c.)|ca 1100-1199|||||0||||0|||||Ceramics. Clay|clay|||||ceramics|||||Diameter 18.7 cm||9758|Taipei: Chang Foundation Museum|Taipei: Chang Foundation Museum||Vessels ; |Vessels|||||||||Cornell||BZ|BZ|11/8/2006 0:00:00|11/6/2006 0:00:00|||Yuxian|0|||||||POT|||CHINA|N. SONG|||| ||||||||Work|0||Original site is Yuxian or Linru, Henan Province.||||||||||0|0|Jun Kiln (Junyao) Purple-splashed Dish;Junyao yao bian zi ban pan| 8173.00|0|Creator|15|CHINA|POT|N. SONG||CHINA POT N. SONG |Cizhou Pillow With Two Ducks|Descriptive|Image Source (Pub)|Cizhou shuang ya zhen|Descriptive|Image Source (Pub)||||Cizhou Pillow With Two Ducks|0|||||0||||0|||||Chinese|||Northern Song (N.Sung)|Song (Sung)||Asia|Hebei|China|||Cizhou, Hebei Province, China|||11024||||0|Cizhou, Hebei Province, China|||11024||||0|Ceramics|Ceramic|Pillow|||10|11|12|960|1127||N. Song (960-1127)|960-1127|||||0||||0|||||Ceramics & carving. Clay|clay|||||ceramics|carving||||Length 26.6 cm||9758|Taipei: Chang Foundation Museum|Taipei: Chang Foundation Museum||Pillows ; Ducks ; Flowers ; Plants (vegetation) ; Carving ; |Pillows|Ducks|Flowers|Plants (vegetation)|Carving|||||Cornell||BZ|BZ|11/8/2006 0:00:00|11/6/2006 0:00:00|||Cizhou|0|||||||POT|||CHINA|N. SONG|||| ||||||||Work|0||||||||||||0|0|Cizhou Pillow With Two Ducks;Cizhou shuang ya zhen| 8174.00|0|Creator|15|CHINA|POT|SONG||CHINA POT SONG |Jian Kiln (Jianyao) Black-glazed Teabowl With Hare's Fur Decoration|Descriptive|Image Source (Pub)|Jianyao hei you tu mao cha wan|Descriptive|Image Source (Pub)||||Jian Kiln (Jianyao) Black-glazed Teabowl With Hare's Fur Decoration|0|||||0||||0|||||Chinese|||Song (Sung)|||Asia|Fujian|China|||Jianyang, Fujian Province, China|||11025||||0|Jianyang, Fujian Province, China|||11025||||0|Ceramics|Ceramic|Bowl (vessel)|Vessel||10|11|12|960|1279||960-1279|960-1279|||||0||||0|||||Ceramics & glazing. Clay|clay|||||ceramics|glazing (coating)||||Diameter 12.5 cm||9758|Taipei: Chang Foundation Museum|Taipei: Chang Foundation Museum||Vessels ; Tea (social aspects) ; Rabbits ; Furs ; Animals ; |Vessels|Tea (social aspects)|Rabbits|Furs|Animals|||||Cornell||BZ|BZ|11/8/2006 0:00:00|11/6/2006 0:00:00|||Jianyang|0|||||||POT|||CHINA|SONG|||| ||||||||Work|0||||||||||||0|0|Jian Kiln (Jianyao) Black-glazed Teabowl With Hare's Fur Decoration;Jianyao hei you tu mao cha wan| 8175.00|0|Creator|05|35|B447|PH|4|35 B447 PH 4|The Doll|Published|Print Publication|Plate 7|Published|Print Publication||||Games of the Doll. The Doll, Plate 7|978|Bellmer, Hans||artist|Hans Bellmer|0||||0|||||German|French||Surrealist|||Europe||Germany|France|||||0||||0||||0||||0|Photographs|Gelatin silver print||||20|||1937|1937||1937|1937-1937||Games of the Doll|Series||8169||||0|||||Hand colored gelatin silver print||||||photography|hand coloring|gelatin silver process|||||||||Eroticism ; Fetishism in Art ; Dolls ; |Eroticism|Fetishism in Art|Dolls|||||||Cornell||GB|MNW|12/5/2006 0:00:00|11/6/2006 0:00:00|B447|||0|||||||35|PH||||||1937|||||||||Work|0|20th Century|||||||||||0|0|The Doll;Plate 7|Bellmer, Hans 8176.00|0|Creator|15|35|B447-PH|1937|6|35 B447-PH 1937 6|The Doll|Assigned|Print Publication|Plate 14|Assigned|Print Publication||||Games of the Doll. The Doll, Plate 14|978|Bellmer, Hans||artist|Hans Bellmer|0||||0|||||German|French||Surrealist|||Europe||Germany|France|||||0||||0||||0||||0|Photographs|Gelatin silver print|Photographic print|||20|||1937|1937||1937|1937-1937||Games of the Doll|Series||8169||||0|||||Hand colored gelatin silver print||||||photography|hand coloring|gelatin silver process|||||||||Eroticism ; Fetishism in Art ; Dolls ; |Eroticism|Fetishism in Art|Dolls|||||||Cornell||GB|MNW|12/5/2006 0:00:00|11/6/2006 0:00:00|B447|||0|||||||35|PH||||||1937|||||||||Work|0|20th Century|||||||||||0|0|The Doll;Plate 14|Bellmer, Hans 8178.00|0|Creator|15|CHINA|POT|S. SONG - YUAN||CHINA POT S. SONG - YUAN |Jizhou Plum-blossom Vase (Mei Ping) With Pale Russet Spots|Descriptive|Image Source (Pub)|Jizhou he ban mei ping|Descriptive|Image Source (Pub)||||Jizhou Plum-blossom Vase (Mei Ping) With Pale Russet Spots|0|||||0||||0|||||Chinese|||Southern Song (S.Sung)|Song (Sung)|Yuan|Asia|Jiangxi|China|||Jizhou, Jiangxi Province, China|||11026||||0|Jizhou, Jiangxi Province, China|||11026||||0|Ceramics|Ceramic|Vase|Vessel||12|13||1127|1234||S. Song-Yuan dynasty (1127-1234)|1127-1234|||||0||||0|||||Ceramics & glazing. Clay|clay|||||ceramics|glazing (coating)||||Height 35.7 cm||9758|Taipei: Chang Foundation Museum|Taipei: Chang Foundation Museum||Vessels ; |Vessels|||||||||Cornell||BZ|BZ|11/8/2006 0:00:00|11/6/2006 0:00:00|||Jizhou|0|||||||POT|||CHINA|S. SONG|||| ||||||||Work|0||||||||||||0|0|Jizhou Plum-blossom Vase (Mei Ping) With Pale Russet Spots;Jizhou he ban mei ping| 8179.00|0|Site|02|B-H3|Rom|1.1|Pir/VedR|B-H3 Rom 1.1 Pir/VedR|The Piazza del Popolo, I-23|Translated|Print Publication|Veduta della Piazza del Popolo|Inscribed|Artist||||Vedute di Roma. The Piazza del Popolo, I-23|9255|Piranesi, Giovanni Battista||etcher|Giovanni Battista Piranesi|0||||0|||||Italian|||Neoclassical|||Europe||Italy||||||0||||0||||0||||0|Prints|Etching|Architectural drawing|||18|||1745|1792||1745-1792|1745-1792||Vedute di Roma|||533||||0|Hind, A. M. Giovanni Battista Piranesi: a Critical Study, 1922|14, I|||Etching|paper (fiber product)|ink||||etching (printing process)|||||40.7 x 54.3 cm (16.0 x 21.4 in)||||||Santa Maria dei Miracoli ; Santa Maria in Montesanto (Rome, Italy) ; Obelisks ; Piazzas ; Piazza del Popolo (Rome, Italy) ; Rome (Italy) ; Architectural drawings ; |Santa Maria dei Miracoli|Santa Maria in Montesanto (Rome, Italy)|Obelisks|Piazzas|Piazza del Popolo (Rome, Italy)|Rome (Italy)|Architectural drawings|||Cornell||MNW|MNW|11/16/2006 0:00:00|11/6/2006 0:00:00||Rom||0||||||Pir/VedR|B|||||H3|1.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|The Piazza del Popolo, I-23;Veduta della Piazza del Popolo|Piranesi, Giovanni Battista 8180.00|0|Creator|15|27|R385-|A533||27 R385- A533 |The Anatomy Lesson of Dr. Nicolaes Tulp|Translated|Repository|De anatomische les van Dr Nicolaes Tulp|Preferred|Repository||||The Anatomy Lesson of Dr. Nicolaes Tulp|9750|Rembrandt van Rijn||painter|Rembrandt van Rijn|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1632|1632||1632|1632-1632|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||169.5 x 216.5 cm||1019|Hague (The): Mauritshuis|The Hague: Mauritshuis||Anatomy ; Physicians ; Teachers ; |Anatomy|Physicians|Teachers|||||||Cornell||JNK|MNW|11/14/2006 0:00:00|11/6/2006 0:00:00|R385|||0||146||||A533|27|||||||| ||||||||Work|0||||||||||||0|0|The Anatomy Lesson of Dr. Nicolaes Tulp;De anatomische les van Dr Nicolaes Tulp|Rembrandt van Rijn 8181.00|0|Creator|15|CHINA|POT|S. SONG - YUAN||CHINA POT S. SONG - YUAN |Longquan Kiln (Longquanyao) Celadon Tripod Basin|Descriptive|Image Source (Pub)|Longquanyao gu shi san zu xi|Descriptive|Image Source (Pub)||||Longquan Kiln (Longquanyao) Celadon Tripod Basin|0|||||0||||0|||||Chinese|||Southern Song (S.Sung)|Song (Sung)|Yuan|Asia|Zhejiang|China|||Longquan, Zhejiang Province, China|||11027||||0|Longquan, Zhejiang Province, China|||11027||||0|Ceramics|Ceramic|Basin|Vessel||13|14||1127|1368||S. Song-Yuan dynasty (1127-1368)|1127-1368|||||0||||0|||||Ceramics & glazing. Clay|clay|||||ceramics|glazing (coating)||||Diameter 16.5 cm||9758|Taipei: Chang Foundation Museum|Taipei: Chang Foundation Museum||Basins ; Vessels ; |Basins|Vessels||||||||Cornell||BZ|BZ|11/8/2006 0:00:00|11/6/2006 0:00:00|||Longquan|0|||||||POT|||CHINA|S. SONG|||| ||||||||Work|0||||||||||||0|0|Longquan Kiln (Longquanyao) Celadon Tripod Basin;Longquanyao gu shi san zu xi| 8182.00|0|Creator|15|27|M186-PA|90|10|27 M186-PA 90 10|De luistervink|Preferred|Repository|The Eavesdropper|Translated|Image Source (Pub)||||The Eavesdropper (De luistervink)|7401|Maes, Nicolaes||painter|Nicolaes Maes|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1657|1657||1657|1657-1657|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||92 x 121 cm||3348|Dordrecht: Dordrechts Museum|Dordrecht: Dordrechts Mus.||Interior views ; Couples ; Families ; |Interior views|Couples|Families|||||||Cornell||JNK|MNW|11/10/2006 0:00:00|11/6/2006 0:00:00|M186|||0|||||||27|PA||||||| |90|||||||Work|0||On loan from The Netherlands Institute of Cultural Heritage. Westermann.||||||||||0|0|De luistervink;The Eavesdropper|Maes, Nicolaes 8183.00|0|Creator|15|27|V523-PA|M217||27 V523-PA M217 |A Maid Asleep|Preferred|Repository|A Woman Sleeping|Variant|Image Source (Pub)||||A Maid Asleep|12243|Vermeer, Jan||painter|Jan Vermeer|0||||0|||||Dutch|||Baroque|||Europe||Holland (historical region)||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||17|||1656|1657||1656-1657|1656-1657|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||87.6 x 76.5 cm||3294|New York: Metropolitan Museum of Art|New York: Metropolitan||Interior views ; Women ; Sleep ; |Interior views|Women|Sleep|||||||Cornell||JNK|JNK|11/6/2006 0:00:00|11/6/2006 0:00:00|V523|||0||14.40.611||||M217|27|PA||||||| ||||||||Work|0||||||||||||0|0|A Maid Asleep;A Woman Sleeping|Vermeer, Jan 8184.00|0|Creator|15|35|G429-SC|||35 G429-SC P153|The Palace at 4 a.m.|Assigned|Image Source (Pub)|||||||The Palace at 4 a.m.|4435|Giacometti, Alberto||painter|Alberto Giacometti|0||||0|||||Swiss|French||Surrealist|||Europe||Switzerland|France|||||0||||||||0||||0||||||20|||1932|1933||1932-1933|1932-1933|||||0||||0||||||wire|||||bending|metalworking|welding|||63.5 x 71.75 x 40 cm||||||Birds ; Palaces ; Sculpture (visual work) ; |Birds|Palaces|Sculpture (visual work)|||||||Cornell||GB|MNW|12/1/2006 0:00:00|11/6/2006 0:00:00|G429|||0||1181.19||||P153|35|SC||||||| ||||||||Work|0|20th Century|||||||||||0|0|The Palace at 4 a.m.|Giacometti, Alberto 8185.00|0|Creator|15|CHINA|POT|YUAN||CHINA POT YUAN |Longquan Kiln (Longquanyao) Celadon Dish With A Dragon & Pearl Relief|Descriptive|Image Source (Pub)|||||||Longquan Kiln (Longquanyao) Celadon Dish With A Dragon & Pearl Relief|0|||||0||||0|||||Chinese|||Yuan|||Asia|Zhejiang|China|||Longquan, Zhejiang Province, China|||11027||||0|Longquan, Zhejiang Province, China|||11027||||0|Ceramics|Ceramic|Dish|Relief||13|14||1280|1368||1280-1368|1280-1368|||||0||||0|||||Ceramics & glazing. Clay|clay|||||ceramics|glazing (coating)||||Diameter 36.1 cm||9758|Taipei: Chang Foundation Museum|Taipei: Chang Foundation Museum||Vessels ; Reliefs ; Dragons ; Pearls ; Animals ; |Vessels|Reliefs|Dragons|Pearls|Animals|||||Cornell||BZ|BZ|11/8/2006 0:00:00|11/6/2006 0:00:00|||Longquan|0|||||||POT|||CHINA|YUAN|||| ||||||||Work|0||||||||||||0|0|Longquan Kiln (Longquanyao) Celadon Dish With A Dragon & Pearl Relief| 8186.00|0|Creator|15|35|C5415-PA|1914|6|35 C5415-PA 1914 6|Mystery and Melancholy of a Street|Translated|Dict.Art|Mistero e malinconia di una strada|Original|Image Source (Pub)||||Mystery and Melancholy of a Street|2289|Chirico, Giorgio de||painter|Giorgio de Chirico|0||||0|||||Greek|Italian||Surrealist|Metaphysical||Europe||Greece|Italy|||||0||||||||0||||0|Paintings|Oil painting|Painting|||20|||1914|1914||1914|1914-1914|||||||||0||||||oil|canvas|||||||||87 x 71.4 cm||3290|Private Collection|: Private Coll.||Streetscapes ; Silhouettes ; Children (people by age group) ; Arches ; Shadows ; |Streetscapes|Silhouettes|Children (people by age group)|Arches|Shadows|||||Cornell||GB|MNW|12/1/2006 0:00:00|11/6/2006 0:00:00|C5415|||0|||||||35|PA||||||1914| ||||||||Work|0|20th Century||This painting is an example of "Pittura Metafisica," a style characterized by deep city squares, bordered by receding arcades and distant brick walls; or claustrophobic interiors, with steeply rising floors (DOA).|||||||||0|0|Mystery and Melancholy of a Street;Mistero e malinconia di una strada|Chirico, Giorgio de 8187.00|0|Architect|03|MA-Tschumi|1.3| 1985 Vil||MA-Tschumi 1.3 1985 Vil |Parc de la Villette|Assigned|Artist|||||||Parc de la Villette|11948|Tschumi, Bernard||architect|Tschumi, Bernard|0||||0|||||French||||||Europe||France||||||0|Paris, France|||10058||||0||||0|Architecture|Park (grounds)|Park (recreation area)|||20|||1985|1985||1985|1985-1985|||||0||||0||||||||||||||||||||||Parks ; |Parks|||||||||Cornell||JNK|JNK|11/6/2006 0:00:00|11/6/2006 0:00:00|Tschumi|Par||0||||||1985 Vil|MA||||||1.3||||||||||Work|0|Modern Architecture|||||||||||0|0|Parc de la Villette|Tschumi, Bernard 8188.00|0|Architect|03|MA-Tschumi|1.3| 1985 Vil||MA-Tschumi 1.3 1985 Vil |Jardin du Dragon|Assigned|Artist|The Garden of the Dragon|Translated|Cataloger||||Parc de la Villette. Jardin du Dragon|11948|Tschumi, Bernard||architect|Bernard Tschumi, Vexlard & Chemetov|29233|Vexlard & Chemetov||architect|0|||||French||||||Europe||France||||||0|Paris, France|||10058||||0||||0|Architecture|Park (grounds)|Park (recreation area)|Garden||20|||1985|1985||1985|1985-1985||Parc de la Villette|Larger entity||8187||||0||||||||||||||||||||||Dragons ; Gardens ; Parks ; |Dragons|Gardens|Parks|||||||Cornell||JNK|JNK|11/9/2006 0:00:00|11/6/2006 0:00:00|Tschumi|Par||0||||||1985 Vil|MA||||||1.3||||||||||Work|0||Vexlard & Chemetov, Dragon Play Structure, 1990.||||||||||0|0|Jardin du Dragon;The Garden of the Dragon|Tschumi, Bernard;Vexlard & Chemetov 8189.00|0|Creator|15|CHINA|POT|SONG||CHINA POT SONG |Shadow Blue (Yingqing) Bowl With Lotus Relief|Descriptive|Image Source (Pub)|||||||Shadow Blue (Yingqing) Bowl With Lotus Relief|0|||||0||||0|||||Chinese|||Song (Sung)|||Asia|Jiangxi|China|||Jingdezhen, Jiangxi Province, China|||11028||||0|Jingdezhen, Jiangxi Province, China|||11028||||0|Ceramics|Ceramic|Bowl (vessel)|Vessel||10|11|12|960|1279||960-1279|960-1279|||||0||||0|||||Ceramics & glazing. White porcelain|clay|||||ceramics|glazing (coating)||||Diameter 20.7 cm||9758|Taipei: Chang Foundation Museum|Taipei: Chang Foundation Museum||Vessels ; Lotus ; Reliefs ; |Vessels|Lotus|Reliefs|||||||Cornell||BZ|BZ|11/8/2006 0:00:00|11/6/2006 0:00:00|||Jingdezhen|0|||||||POT|||CHINA|SONG|||| ||||||||Work|0||||||||||||0|0|Shadow Blue (Yingqing) Bowl With Lotus Relief| 8190.00|0|Creator|15|35|M212-PA|E553||35 M212-PA E553 |The Empire of Light, II|Assigned|Artist|||||||The Empire of Light, II|7420|Magritte, René||painter|Magritte, René|0||||0|||||Belgian|||Surrealist|||Europe||Belgium||||||0||||||||0||||0|Paintings|Oil painting||||20|||1950|1950||1950|1950-1950|||||0||||0|||||Oil on canvas|oil|canvas||||painting (image-making)|||||78.8 x 99.1 cm||3384|New York: Museum of Modern Art|New York: MoMA||Streetscapes ; Clouds ; Trees ; Street lighting ; |Streetscapes|Clouds|Trees|Street lighting||||||Cornell||GB|MNW|12/1/2006 0:00:00|11/7/2006 0:00:00|M212|||0||||||E553|35|PA||||||| ||||||||Work|0|20th Century||Grove Dictionary of Art notes that there are multiple versions of this painting (16 oil paintings and 10 gouache versions are known to exist).|||||||Gift of D. and J. de Menil (MoMA).||0|0|The Empire of Light, II|Magritte, René 8191.00|0|Creator|15|35|M212-PA|P4681||35 M212-PA P4681 |Personal Values|Translated|Repository|Les valeurs personnelles|Original|Repository||||Personal Values|7420|Magritte, René||painter|René Magritte|0||||0|||||Belgian|||Surrealist|||Europe||Belgium||||||0||||||||0||||0|Paintings|Oil painting||||20|||1952|1952||1952|1952-1952|||||0||||0||||||oil|canvas||||painting (image-making)|||||80.01 x 100.01 cm||3887|San Francisco: Museum of Modern Art|San Francisco: MoMA||Combs (grooming tools) ; Interior views ; Clouds ; Cabinets (case furniture) ; Mirrors ; Beds ; Bedrooms ; Shaving brushes ; Wine glasses|Combs (grooming tools)|Interior views|Clouds|Cabinets (case furniture)|Mirrors|Beds|Bedrooms|Shaving brushes|Wine glasses|Cornell||GB|MNW|11/29/2006 0:00:00|11/7/2006 0:00:00|M212|||0||98.562||||P4681|35|PA||||||| ||||||||Work|0|20th Century|||||||||Purchased through a gift of Phyllis Wattis. SF-MoMA.||0|0|Personal Values;Les valeurs personnelles|Magritte, René 8203.00|0|Site|02|B-R1|Guanghan|3.3 Sanxingdui||B-R1 Guanghan 3.3 Sanxingdui |Sanxingdui Archaeological Site|Translated|Cataloger|Sanxingdui yi zhi|Descriptive|Image Source (Pub)||||Sanxingdui Archaeological Site|0|||||0||||0|||||Chinese|||Shang|||Asia||China||||||0||||0|Sanxingdui Village, Guanghan, Sichuan Province|||11029|Sanxingdui Village, Guanghan, Sichuan Province|||11029|Architecture|Archaeological site|Bronze|Jade|BCE|-12|-11||1199|1000|ca|ca 12th-11th c. BCE|ca 1199-1000 BCE|||||0||||0||||||||||||||||||9759|Guanghan: Sanxingdui Museum|Guanghan: Sanxingdui Museum||Archaeology ; Ruins ; Figures (representations) ; Men (male humans) ; Masks ; Faces (anatomy) ; Vessels ; Musical instruments ; Tools|Archaeology|Ruins|Figures (representations)|Men (male humans)|Masks|Faces (anatomy)|Vessels|Musical instruments|Tools|Cornell||BZ|BZ|11/8/2006 0:00:00|11/8/2006 0:00:00|||Guanghan|0||||||Sanxingdui|B|||||R1|3.3||Gua||||||||Work|0|Architecture-China|Sanxingdui = Three star mound. The Sanxingdui archaeological site is located about 40 kilometers from Chengdu in Sichuan Province outside the city of Guanghan.||||||||||0|0|Sanxingdui Archaeological Site;Sanxingdui yi zhi| 8204.00|0|Site|02|B-H3|Rom|1.1|Pir/VedR|B-H3 Rom 1.1 Pir/VedR|St. Peter's with Forecourt and Colonnades, I-4|Translated|Print Publication|Veduta della Basilica, e Piazza di S. Pietro in Vaticano|Inscribed|Artist||||Vedute di Roma. St. Peter's with Forecourt and Colonnades, I-4|9255|Piranesi, Giovanni Battista||etcher|Giovanni Battista Piranesi|0||||0|||||Italian|||Neoclassical|||Europe||Italy||||||0||||0||||0||||0|Prints|Etching|Architectural drawing|||18|||1745|1792||1745-1792|1745-1792||Vedute di Roma|||533||||0|Hind, A. M. Giovanni Battista Piranesi: a Critical Study, 1922|3, I|||Etching|paper (fiber product)|ink||||etching (printing process)|||||||||||Basilica di San Pietro in Vaticano ; Fountains ; Obelisks ; Carriages ; Horses ; Colonnades ; Rome (Italy) ; Architectural drawings ; |Basilica di San Pietro in Vaticano|Fountains|Obelisks|Carriages|Horses|Colonnades|Rome (Italy)|Architectural drawings||Cornell||GB|MNW|11/16/2006 0:00:00|11/8/2006 0:00:00||Rom||0||||||Pir/VedR|B|||||H3|1.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|St. Peter's with Forecourt and Colonnades, I-4;Veduta della Basilica, e Piazza di S. Pietro in Vaticano|Piranesi, Giovanni Battista 8216.00|0|Creator|15|CHINA|MTL|SHANG||CHINA MTL SHANG |Sanxingdui Ruins: Kneeling And Sitting Figure Statue|Translated|Cataloger|Sanxingdui yi zhi: gui zuo ren xiang|Descriptive|Image Source (Pub)||||Sanxingdui Ruins: Kneeling And Sitting Figure Statue|0|||||0||||0|||||Chinese|||Shang|||Asia|Sichuan|China||||||0||||0|Sanxingdui Village, Guanghan, Sichuan Province|||11029|Sanxingdui Village, Guanghan, Sichuan Province|||11029|Metalwork|Bronze|Figure (representation)|Statue|BCE|-13|||1200|1200|ca|ca 1200 BCE|ca 1200 BCE||Sanxingdui Archaeological Site|Larger entity||8203||||0|||||Casting & modeling. Bronze|bronze|||||casting|modeling (forming)|bronzing|||Height 12.4 cm||9759|Guanghan: Sanxingdui Museum|Guanghan: Sanxingdui Museum||Figures (representations) ; Men (male humans) ; Statues ; Sculpture (visual work) ; Heads (representations) ; Masks ; Arms ; Legs ; Feet (anatomy)|Figures (representations)|Men (male humans)|Statues|Sculpture (visual work)|Heads (representations)|Masks|Arms|Legs|Feet (anatomy)|Cornell||BZ|BZ|11/10/2006 0:00:00|11/8/2006 0:00:00|||Guanghan|0|||||||MTL|||CHINA|SHANG|||| Gua||||||||Work|0||||||||||||0|0|Sanxingdui Ruins: Kneeling And Sitting Figure Statue;Sanxingdui yi zhi: gui zuo ren xiang| 8218.00|0|Site|02|B-H3|Rom|1.1 Pir/VedR||B-H3 Rom 1.1 Pir/VedR |St. Peter's with Forecourt and Colonnades, I-5|Translated|Print Publication|Veduta della gran Piazza e Basilica di S. Pietro|Inscribed|Artist||||Vedute di Roma. St. Peter's with Forecourt and Colonnades, I-5|9255|Piranesi, Giovanni Battista||etcher|Giovanni Battista Piranesi|0||||0|||||Italian|||Neoclassical|||Europe||Italy||||||0||||0||||0||||0|Prints|Etching|Architectural drawing|||18|||1772|1792||1772-1792|1772-1792||Vedute di Roma|||533||||0|Hind, A. M. Giovanni Battista Piranesi: a Critical Study, 1922|101, I|||Etching|paper (fiber product)|ink||||etching (printing process)|||||||||||Basilica di San Pietro in Vaticano ; Fountains ; Obelisks ; Carriages ; Horses ; Colonnades ; Rome (Italy) ; Architectural drawings ; |Basilica di San Pietro in Vaticano|Fountains|Obelisks|Carriages|Horses|Colonnades|Rome (Italy)|Architectural drawings||Cornell||GB|MNW|11/16/2006 0:00:00|11/9/2006 0:00:00||Rom||0||||||Pir/VedR|B|||||H3|1.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|St. Peter's with Forecourt and Colonnades, I-5;Veduta della gran Piazza e Basilica di S. Pietro|Piranesi, Giovanni Battista 8219.00|0|Creator|15|B-H3|Pad|3.1|Are|B-H3 Pad 3.1 Are|South Wall. Meeting at the Golden Gate|Assigned|Image Source (Book)|||||||Cappella degli Scrovegni (Arena Chapel). South Wall. Meeting at the Golden Gate|4538|Giotto||artist|Giotto|0||||0|||||Italian|||Early Renaissance|||Europe||Italy||||||0|Cappella degli Scrovegni, Padua, Italy|||10349||||0||||0|Paintings|Fresco||||14|||1304|1313||1304-1313|1304-1313||Cappella degli Scrovegni|Larger entity||3235||||0|||||Fresco|fresco|||||fresco painting|painting (image-making)||||200 x 185 cm||||||Meeting at the Golden Gate ; Joachim ; Saint Anna ; |Meeting at the Golden Gate|Joachim|Saint Anna|||||||Cornell||JNK|JNK|11/9/2006 0:00:00|11/9/2006 0:00:00|G511|Pad||0||||||Are|B|||||H3|3.1|| ||||||||Work|0||||||||||||0|0|South Wall. Meeting at the Golden Gate|Giotto 8220.00|0|Architect|02|B-H3|Rom|1.1|Pir/VedR|B-H3 Rom 1.1 Pir/VedR|St. Peter's from the Piazza Della Sagrestia, I-8|Translated|Print Publication|Vedute dell' Esterno Della Gran Basilica di S. Pietro in Vaticano|Inscribed|Artist||||Vedute di Roma. St. Peter's from the Piazza Della Sagrestia, I-8|9255|Piranesi, Giovanni Battista||etcher|Giovanni Battista Piranesi|0||||0|||||Italian|||Neoclassical|||Europe||Italy||||||0||||0||||0||||0|Prints|Etching|Architectural drawing|||18|||1745|1792||1745-1792|1745-1792||Vedute di Roma|||533||||0|Hind, A. M. Giovanni Battista Piranesi: a Critical Study, 1922|5, I|||Etching|paper (fiber product)|ink||||etching (printing process)|||||||||||Basilica di San Pietro in Vaticano ; Apses ; Domes ; Logging ; Piazzas ; Architectural drawings ; |Basilica di San Pietro in Vaticano|Apses|Domes|Logging|Piazzas|Architectural drawings||||Cornell||GB|MNW|11/16/2006 0:00:00|11/9/2006 0:00:00||Rom||0||||||Pir/VedR|B|||||H3|1.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|St. Peter's from the Piazza Della Sagrestia, I-8;Vedute dell' Esterno Della Gran Basilica di S. Pietro in Vaticano|Piranesi, Giovanni Battista 8221.00|0|Creator|15|B-H3|Pad|3.1|Are|B-H3 Pad 3.1 Are|South Wall. Betrayal of Christ|Preferred|Dict.Art|Capture of Christ|Variant|Image Source (Pub)|Kiss of Judas|Variant|Online Resource|Cappella degli Scrovegni (Arena Chapel). South Wall. Betrayal of Christ|4538|Giotto||artist|Giotto|0||||0|||||Italian|||Early Renaissance|||Europe||Italy||||||0|Cappella degli Scrovegni, Padua, Italy|||10349||||0||||0||||||14|||1304|1313||1304-1313|1304-1313||Cappella degli Scrovegni|Larger entity||3235||||0|||||Fresco|fresco|||||fresco painting|painting (image-making)||||200 x 185 cm||||||Judas Iscariot ; Christ ; The Kiss of Judas ; Soldiers ; Romans ; |Judas Iscariot|Christ|The Kiss of Judas|Soldiers|Romans|||||Cornell||JNK|JNK|11/9/2006 0:00:00|11/9/2006 0:00:00||Pad||0||||||Are|B|||||H3|3.1||||||||||Work|0||||||||||||0|0|South Wall. Betrayal of Christ;Capture of Christ;Kiss of Judas|Giotto 8222.00|0|Site|02|B-H3|Rom|1.1 Pir/VedR|Pir/VedR|B-H3 Rom 1.1 Pir/VedR|The Piazza di Spagna, I-24|Translated|Print Publication|Veduta di Piazza di Spagna|Inscribed|Artist||||Vedute di Roma. The Piazza di Spagna, I-24|9255|Piranesi, Giovanni Battista||etcher|Giovanni Battista Piranesi|0||||0|||||Italian|||Neoclassical|||Europe||Italy||||||0||||0||||0||||0|Prints|Etching|Architectural drawing|||18|||1745|1792||1745-1792|1745-1792||Vedute di Roma|||533||||0|Hind, A. M. Giovanni Battista Piranesi: a Critical Study, 1922|18, I|||Etching|paper (fiber product)|ink||||etching (printing process)|||||54.7 x 40.9 cm (21.5 x 16.1 in)||||||Piazza di Spagna (Rome, Italy) ; Scalinata della Trinita` dei Monti (Rome, Italy) ; Fontana della Barcaccia, Rome, Italy ; Rome (Italy) ; Piazzas ; Stairs ; Horses ; Carriages ; Fountains|Piazza di Spagna (Rome, Italy)| Scalinata della Trinita` dei Monti (Rome, Italy)|Fontana della Barcaccia, Rome, Italy|Rome (Italy)|Piazzas|Stairs|Horses|Carriages|Fountains|Cornell||GB|MNW|11/16/2006 0:00:00|11/9/2006 0:00:00||Rom||0||||||Pir/VedR|B|||||H3|1.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|The Piazza di Spagna, I-24;Veduta di Piazza di Spagna|Piranesi, Giovanni Battista 8223.00|0|Site|02|B-H3|Rom|1.1|Pir/VedR|B-H3 Rom 1.1 Pir/VedR|The Piazza della Rotonda, with the Pantheon and Obelisk, I-28|Translated|Print Publication|Veduta della Piazza della Rotunda|Inscribed|Artist||||Vedute di Roma. The Piazza della Rotonda, I-28|9255|Piranesi, Giovanni Battista||etcher|Giovanni Battista Piranesi|0||||0|||||Italian|||Neoclassical|||Europe||Italy||||||0||||0||||0||||0|Prints|Etching|Architectural drawing|||18|||1745|1792||1745-1792|1745-1792||Vedute di Roma|||533||||0|Hind, A. M. Giovanni Battista Piranesi: a Critical Study, 1922|17, I|||Etching|paper (fiber product)|ink||||etching (printing process)|||||41 x 55.3 cm (16.1 x 21.8 in)||||||Pantheon (Rome, Italy) ; Piazza della Rotonda (Rome, Italy) ; Rome (Italy) ; Obelisks ; Architectural drawings ; |Pantheon (Rome, Italy)|Piazza della Rotonda (Rome, Italy)|Rome (Italy)|Obelisks|Architectural drawings|||||Cornell||GB|MNW|11/16/2006 0:00:00|11/9/2006 0:00:00||Rom||0||||||Pir/VedR|B|||||H3|1.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|The Piazza della Rotonda, with the Pantheon and Obelisk, I-28;Veduta della Piazza della Rotunda|Piranesi, Giovanni Battista 8224.00|0|Site|02|B-H3|Rom|1.1|Pir/VedR|B-H3 Rom 1.1 Pir/VedR|The Piazza Navona, with S. Agnese on the Right, I-29|Translated|Print Publication|Veduta di Piazza navona Sopra le Rovine del Circo Agonale|Inscribed|Artist||||Vedute di Roma. The Piazza Navona, I-29|9255|Piranesi, Giovanni Battista||etcher|Giovanni Battista Piranesi|0||||0|||||Italian|||Neoclassical|||Europe||Italy||||||0||||0||||0||||0|Prints|Etching|Architectural drawing|||18|||1751|1792||1751-1792|1751-1792||Vedute di Roma|||533||||0|Hind, A. M. Giovanni Battista Piranesi: a Critical Study, 1922|16, II|||Etching|paper (fiber product)|ink||||etching (printing process)|||||41 x 55.1 cm (16.1 x 21.7 in)||||||Piazza Navona (Rome Italy) ; Fontana dei Quattro Fiumi ; Sant' Agnese in Agone (Rome, Italy) ; Rome (Italy) ; Fountains ; Obelisks ; Piazzas ; Architectural drawings ; |Piazza Navona (Rome Italy)|Fontana dei Quattro Fiumi|Sant' Agnese in Agone (Rome, Italy)|Rome (Italy)|Fountains|Obelisks|Piazzas|Architectural drawings||Cornell||GB|MNW|11/16/2006 0:00:00|11/9/2006 0:00:00||Rom||0||||||Pir/VedR|B|||||H3|1.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|The Piazza Navona, with S. Agnese on the Right, I-29;Veduta di Piazza navona Sopra le Rovine del Circo Agonale|Piranesi, Giovanni Battista 8225.00|0|Site|02|B-H3|Rom|1.1|Pir/VedR|B-H3 Rom 1.1 Pir/VedR|The Piazza Navona, with S. Agnese on the Left, I-30|Translated|Print Publication|Veduta di Piazza Navona Sopra le Rovine del Circo Agonale|Inscribed|Artist||||Vedute di Roma. The Piazza Navona, I-30|9255|Piranesi, Giovanni Battista||etcher|Giovanni Battista Piranesi|0||||0|||||Italian|||Neoclassical|||Europe||Italy||||||0||||0||||0||||0|Prints|Etching|Architectural drawing|||18|||1745|1792||1745-1792|1745-1792||Vedute di Roma|||533||||0|Hind, A. M. Giovanni Battista Piranesi: a Critical Study, 1922|108, I|||Etching|paper (fiber product)|ink||||etching (printing process)|||||47 x 70.7 cm (18.5 x 27.8 in)||||||Piazza Navona (Rome Italy) ; Fontana dei Quattro Fiumi ; S. Agnese in Agone (Church: Rome, Italy) ; Fountains ; Obelisks ; Piazzs ; Architectural drawings ; |Piazza Navona (Rome Italy)|Fontana dei Quattro Fiumi|S. Agnese in Agone (Church: Rome, Italy)|Fountains|Obelisks|Piazzs|Architectural drawings|||Cornell||GB|MNW|11/16/2006 0:00:00|11/9/2006 0:00:00||Rom||0||||||Pir/VedR|B|||||H3|1.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|The Piazza Navona, with S. Agnese on the Left, I-30;Veduta di Piazza Navona Sopra le Rovine del Circo Agonale|Piranesi, Giovanni Battista 8226.00|0|Site|02|B-H3|Rom|1.1|Pir/VedR|B-H3 Rom 1.1 Pir/VedR|The Pantheon, Interior, II-73|Translated|Print Publication|Veduta Interna del Panteon|Inscribed|Artist||||Vedute di Roma. The Pantheon, Interior, II-73|9255|Piranesi, Giovanni Battista||etcher|Giovanni Battista Piranesi|0||||0|||||Italian|||Neoclassical|||Europe||Italy||||||0||||0||||0||||0|Prints|Etching|Architectural drawing|||18|||1745|1768||1745-1768|1745-1768||Vedute di Roma|||533||||0|Hind, A. M. Giovanni Battista Piranesi: a Critical Study, 1922|86, I|||Etching|paper (fiber product)|ink||||etching (printing process)|||||56 x 48 cm (22.0 x 18.9 in)||||||Pantheon (Rome, Italy) ; Coffered vaults ; Columns (architectural elements) ; Oculi ; Rotundas (interior spaces) ; Architectural drawings ; |Pantheon (Rome, Italy)|Coffered vaults|Columns (architectural elements)|Oculi|Rotundas (interior spaces)|Architectural drawings||||Cornell||GB|MNW|11/16/2006 0:00:00|11/9/2006 0:00:00||Rom||0||||||Pir/VedR|B|||||H3|1.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|The Pantheon, Interior, II-73;Veduta Interna del Panteon|Piranesi, Giovanni Battista 8227.00|0|Site|02|B-H3|Rom|1.1|Pir/VedR|B-H3 Rom 1.1 Pir/VedR|The Pantheon, Interior, II-74|Translated|Print Publication|Veduta Interna del Panteon, Volgarmente dettlo la Rotunda|Inscribed|Artist||||Vedute di Roma. The Pantheon, Interior, II-74|9255|Piranesi, Giovanni Battista||etcher|Giovanni Battista Piranesi|0||||0|||||Italian|||Neoclassical|||Europe||Italy||||||0||||0||||0||||0|Prints|Etching|Architectural drawing|||18|||1745|1792||1745-1792|1745-1792||Vedute di Roma|||533||||0|Hind, A. M. Giovanni Battista Piranesi: a Critical Study, 1922|no Hind#|||Etching|paper (fiber product)|ink||||etching (printing process)|||||||||||Pantheon (Rome, Italy) ; Rome (Italy) ; Coffered vaults ; Oculi ; Rotundas (interior spaces) ; Architectural drawings ; |Pantheon (Rome, Italy)|Rome (Italy)|Coffered vaults|Oculi|Rotundas (interior spaces)|Architectural drawings||||Cornell||GB|MNW|11/16/2006 0:00:00|11/9/2006 0:00:00||Rom||0||||||Pir/VedR|B|||||H3|1.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|The Pantheon, Interior, II-74;Veduta Interna del Panteon, Volgarmente dettlo la Rotunda|Piranesi, Giovanni Battista 8229.00|0|Site|02|B-H3|Tiv|1.1 Pir/VedR||B-H3 Tiv 1.1 Pir/VedR |The Villa D'Este in Tivioli, I-47|Translated|Print Publication|Veduta della Villa Estinse in Tivioli|Inscribed|Artist||||Vedute di Roma. The Villa D'Este in Tivioli, I-47|9255|Piranesi, Giovanni Battista||etcher|Giovanni Battista Piranesi|0||||0|||||Italian|||Neoclassical|||Europe||Italy||||||0||||0||||0||||0|Prints|Etching|Architectural drawing|||18|||1773|1792||1773-1792|1773-1792||Vedute di Roma|||533||||0|Hind, A. M. Giovanni Battista Piranesi: a Critical Study, 1922|105, I|||Etching|paper (fiber product)|ink||||etching (printing process)|||||||||||Villa d'Este (Tivoli, Italy) ; Facades ; Fountains ; Gardens ; Architectural drawings ; |Villa d'Este (Tivoli, Italy)|Facades|Fountains|Gardens|Architectural drawings|||||Cornell||GB|MNW|11/16/2006 0:00:00|11/9/2006 0:00:00||Tiv||0||||||Pir/VedR|B|||||H3|1.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|The Villa D'Este in Tivioli, I-47;Veduta della Villa Estinse in Tivioli|Piranesi, Giovanni Battista 8230.00|0|Architect|03|MA-Tschumi|1.3| 1985 Vil||MA-Tschumi 1.3 1985 Vil |Promenade de L'Ourcq|Assigned|Image Source (Pub)|||||||Parc de la Villette. Promenade de L'Ourcq|11948|Tschumi, Bernard||architect|Bernard Tschumi|0||||0|||||French||||||Europe||France||||||0|Paris, France|||10058||||0||||0|Architecture|Park (grounds)||||20|||1985|1985||1985|1985-1985||Parc de la Villette|Larger entity||8187||||0||||||||||||||||||||||||||||||||Cornell||JNK|JNK|11/9/2006 0:00:00|11/9/2006 0:00:00|Tschumi|Par||0||||||1985 Vil|MA||||||1.3||||||||||Work|0|Modern Architecture|||||||||||0|0|Promenade de L'Ourcq|Tschumi, Bernard 8231.00|0|Architect|03|MA-Tschumi|1.3| 1985 Vil||MA-Tschumi 1.3 1985 Vil |Canal de L'Ourcq|Assigned|Artist|||||||Canal de L'Ourcq|11948|Tschumi, Bernard||architect|Bernard Tschumi|0||||0|||||French||||||Europe||France||||||0|Paris, France|||10058||||0||||0|Architecture|Park (grounds)||||20|||1985|1985||1985|1985-1985||Parc de la Villette|Larger entity||8187||||0||||||||||||||||||||||Canals ; |Canals|||||||||Cornell||JNK|JNK|11/9/2006 0:00:00|11/9/2006 0:00:00|Tschumi|Par||0||||||1985 Vil|MA||||||1.3||||||||||Work|0||||||||||||0|0|Canal de L'Ourcq|Tschumi, Bernard 8232.00|0|Site|02|B-H3|Rom|1.1|Pir/VedR|B-H3 Rom 1.1 Pir/VedR|The So-Called Temple of Salus, on the Road to Albano, I-66|Translated|Print Publication|Tempio Antico Volgarmente detto Della Salute|Inscribed|Artist||||Vedute di Roma. The Temple of Salus, I-66|9255|Piranesi, Giovanni Battista||etcher|Giovanni Battista Piranesi|0||||0|||||Italian|||Neoclassical|||Europe||Italy||||||0||||0||||0||||0|Prints|Etching|Architectural drawing|||18|||1745|1792||1745-1792|1745-1792||Vedute di Roma|||533||||0|Hind, A. M. Giovanni Battista Piranesi: a Critical Study, 1922|71, I|||Etching|paper (fiber product)|ink||||etching (printing process)|||||||||||Temples ; Rome (Italy) ; Architectural drawings ; |Temples|Rome (Italy)|Architectural drawings|||||||Cornell||GB|MNW|11/16/2006 0:00:00|11/9/2006 0:00:00||Rom||0||||||Pir/VedR|B|||||H3|1.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|The So-Called Temple of Salus, on the Road to Albano, I-66;Tempio Antico Volgarmente detto Della Salute|Piranesi, Giovanni Battista 8233.00|0|Site|02|B-H3|Rom|1.1|Pir/VedR|B-H3 Rom 1.1 Pir/VedR|The Basilica of Constantine, II-87|Translated|Print Publication|Veduta degli Avanzi Del Tablino della Casa Aurea di Nerone|Inscribed|Artist||||Vedute di Roma. The Basilica of Constantine, II-87|9255|Piranesi, Giovanni Battista||etcher|Giovanni Battista Piranesi|0||||0|||||Italian|||Neoclassical|||Europe||Italy||||||0||||0||||0||||0|Prints|Etching|Architectural drawing|||18|||1745|1792||1745-1792|1745-1792||Vedute di Roma|||533||||0|Hind, A. M. Giovanni Battista Piranesi: a Critical Study, 1922|45, I|||Etching|paper (fiber product)|ink||||etching (printing process)|||||||||||Basilicas ; Rome (Italy) ; Basilica of Constantine (Rome, Italy) ; Roman Forum (Rome, Italy) ; Constantine, the Great, 285-337 ; Architectural drawings ; |Basilicas|Rome (Italy)|Basilica of Constantine (Rome, Italy)|Roman Forum (Rome, Italy)|Constantine, the Great, 285-337|Architectural drawings||||Cornell||GB|MNW|11/16/2006 0:00:00|11/9/2006 0:00:00||Rom||0||||||Pir/VedR|B|||||H3|1.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|The Basilica of Constantine, II-87;Veduta degli Avanzi Del Tablino della Casa Aurea di Nerone|Piranesi, Giovanni Battista 8234.00|0|Architect|03|MA-Tschumi|1.3| 1985 Vil|7|MA-Tschumi 1.3 1985 Vil 7|La Bicyclette Ensevelie|Assigned|Artist|The Buried Bicycle|Translated|Cataloger||||Parc de la Villette. La Bicyclette Ensevelie|28743|Oldenburg & Van Bruggen||sculptor|Oldenburg & Van Bruggen|0||||0|||||American|Swedish||Post-1945|||Europe||France||||||0|Paris, France|||10058||||0||||0|Sculpture|Sculpture||||20|||1990|1990||1990|1990-1990||Parc de la Villette|Larger Context||8187||||0|||||Steel, aluminum, fiber-reinforced plastic; painted with polyurethane enamel|steel|aluminum|plastic|||sculpture|||||Area of 46 x 21.7 m||||||Bicycles ; |Bicycles|||||||||Cornell||JNK|JNK|11/9/2006 0:00:00|11/9/2006 0:00:00|Tschumi|Par||0||||||1985 Vil|MA||||||1.3||||||||||Work|0|Modern Architecture|Piece is in four parts.||||||||||0|0|La Bicyclette Ensevelie;The Buried Bicycle|Oldenburg & Van Bruggen 8235.00|0|Architect|03|MA-Tschumi|1.3| 1985 Vil|4b-13|MA-Tschumi 1.3 1985 Vil 4b-13|Perspective drawing of Folie L7|Descriptive|Cataloger|||||||Parc de la Villette. Perspective drawing of Folie L7|11948|Tschumi, Bernard||architect|Bernard Tschumi|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Architecture|Architectural drawing||||20|||1984|1985|ca|ca 1984-1985|ca 1984-1985||Parc de la Villette|Larger entity||8187||||0||||||||||||||||||3764|New York: Columbia University; Avery Architectural Library|New York: Columbia Univ.; Avery Lib.||Architectural drawings ; Buildings ; |Architectural drawings|Buildings||||||||Cornell||JNK|JNK|11/9/2006 0:00:00|11/9/2006 0:00:00|Tschumi|||0||||||1985 Vil|MA||||||1.3|| ||||||||Work|0|Modern Architecture|||||||||||0|0|Perspective drawing of Folie L7|Tschumi, Bernard 8236.00|0|Architect|03|MA-Tschumi|1.3| 1985 Vil/Fol||MA-Tschumi 1.3 1985 Vil/Fol |Folies|Assigned|Artist|||||||Parc de la Villette. Folies|11948|Tschumi, Bernard||architect|Bernard Tschumi|0||||0|||||French||||||Europe||France||||||0|Paris, France|||10058||||0||||0|Architecture|Pavilion (garden structure)||||20|||1985|1985||1985|1985-1985||Parc de la Villette|Larger entity||8187||||0||||||||||||||||||||||||||||||||Cornell||JNK|JNK|11/9/2006 0:00:00|11/9/2006 0:00:00|Tschumi|Par||0||||||1985 Vil/Fol|MA||||||1.3||||||||||Work|0|Modern Architecture|||||||||||0|0|Folies|Tschumi, Bernard 8237.00|0|Site|02|B-H3|Rom|1.1|Pir/VedR|B-H3 Rom 1.1 Pir/VedR|The Fontana di Trevi, Side View, I-34|Translated|Print Publication|Veduta Della Vasta Fontana di Trevi Anticamente detta L'Acqua Vergine|Inscribed|Artist|Trevi Fountain|Popular|Cataloger|Vedute di Roma. Trevi Fountain, Side View, I-34|9255|Piranesi, Giovanni Battista||etcher|Giovanni Battista Piranesi|0||||0|||||Italian|||Neoclassical|||Europe||Italy||||||0||||0||||0||||0|Prints|Etching|Architectural drawing|||18|||1751|1792||1751-1792|1751-1792||Vedute di Roma|||533||||0|Hind, A. M. Giovanni Battista Piranesi: a Critical Study, 1922|19, I|||Etching|paper (fiber product)|ink||||etching (printing process)|||||||||||Fontana di Trevi (Rome, Italy) ; Fountains ; Rome (Italy) ; Architectural drawings ; |Fontana di Trevi (Rome, Italy)|Fountains|Rome (Italy)|Architectural drawings||||||Cornell||GB|MNW|11/16/2006 0:00:00|11/9/2006 0:00:00||Rom||0||||||Pir/VedR|B|||||H3|1.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|The Fontana di Trevi, Side View, I-34;Veduta Della Vasta Fontana di Trevi Anticamente detta L'Acqua Vergine;Trevi Fountain|Piranesi, Giovanni Battista 8238.00|0|Architect|03|MA-Tschumi|1.3| 1985 Vil/Fol/A||MA-Tschumi 1.3 1985 Vil/Fol/A |Argonaute Folie|Assigned|Artist|||||||Parc de la Villette. Argonaute Folie|11948|Tschumi, Bernard||architect|Bernard Tschumi|0||||0|||||French||||||Europe||France||||||0|Paris, France|||10058||||0||||0|Architecture|Pavilion (garden structure)||||20|||1985|1985||1985|1985-1985||Parc de la Villette|Larger entity||8187||||0||||||||||||||||||||||||||||||||Cornell||JNK|JNK|11/9/2006 0:00:00|11/9/2006 0:00:00|Tschumi|Par||0||||||1985 Vil/Fol/A|MA||||||1.3||||||||||Work|0|Modern Architecture|||||||||||0|0|Argonaute Folie|Tschumi, Bernard 8239.00|0|Architect|03|MA-Tschumi|1.3| 1985 Vil/Fol/B||MA-Tschumi 1.3 1985 Vil/Fol/B |Belvedere Folie|Assigned|Artist|||||||Parc de la Villette. Belvedere Folie|11948|Tschumi, Bernard||architect|Bernard Tschumi|0||||0|||||French||||||Europe||France||||||0|Paris, France|||10058||||0||||0|Architecture|Pavilion (garden structure)||||20|||1985|1985||1985|1985-1985||Parc de la Villette|Larger entity||8187||||0||||||||||||||||||||||||||||||||Cornell||JNK|JNK|11/9/2006 0:00:00|11/9/2006 0:00:00|Tschumi|Par||0||||||1985 Vil/Fol/B|MA||||||1.3||||||||||Work|0|Modern Architecture|||||||||||0|0|Belvedere Folie|Tschumi, Bernard 8240.00|0|Architect|03|MA-Tschumi|1.3| 1985 Vil/Fol/V||MA-Tschumi 1.3 1985 Vil/Fol/V |Video Folie|Assigned|Artist|||||||Parc de la Villette. Video Folie|11948|Tschumi, Bernard||architect|Bernard Tschumi|0||||0|||||French||||||Europe||France||||||0|Paris, France|||10058||||0||||0|Architecture|Pavilion (garden structure)||||20|||1985|1985||1985|1985-1985||Parc de la Villette|Larger entity||8187||||0||||||||||||||||||||||||||||||||Cornell||JNK|JNK|11/9/2006 0:00:00|11/9/2006 0:00:00|Tschumi|Par||0||||||1985 Vil/Fol/V|MA||||||1.3||||||||||Work|0|Modern Architecture|||||||||||0|0|Video Folie|Tschumi, Bernard 8241.00|0|Site|02|B-H3|Rom|1.1|Pir/VedR|B-H3 Rom 1.1 Pir/VedR|The Fontana di Trevi, Front View, I-35|Translated|Print Publication|Vedutta in prospettiva della gran Fontana dell' Acqua Vergine Detta di Trevi|Inscribed|Artist|Trevi Fountain|Popular|Cataloger|Vedute di Roma. Trevi Fountain, Front View, I-35|9255|Piranesi, Giovanni Battista||etcher|Giovanni Battista Piranesi|0||||0|||||Italian|||Neoclassical|||Europe||Italy||||||0||||0||||0||||0|Prints|Etching|Architectural drawing|||18|||1773|1792||1773-1792|1773-1792||Vedute di Roma|||533||||0|Hind, A. M. Giovanni Battista Piranesi: a Critical Study, 1922|104, I|||Etching|paper (fiber product)|ink||||etching (printing process)|||||||||||Fontana di Trevi (Rome, Italy) ; Fountains ; Rome (Italy) ; Architectural drawings ; |Fontana di Trevi (Rome, Italy)|Fountains|Rome (Italy)|Architectural drawings||||||Cornell||GB|MNW|11/16/2006 0:00:00|11/9/2006 0:00:00||Rom||0||||||Pir/VedR|B|||||H3|1.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|The Fontana di Trevi, Front View, I-35;Vedutta in prospettiva della gran Fontana dell' Acqua Vergine Detta di Trevi;Trevi Fountain|Piranesi, Giovanni Battista 8242.00|0|Architect|03|MA-Tschumi|1.3| 1985 Vil/Fol/C||MA-Tschumi 1.3 1985 Vil/Fol/C |Café Folie|Assigned|Artist|||||||Parc de la Villette. Café Folie|11948|Tschumi, Bernard||architect|Bernard Tschumi|0||||0|||||French||||||Europe||France||||||0|Paris, France|||10058||||0||||0|Architecture|Pavilion (garden structure)||||20|||1985|1985||1985|1985-1985||Parc de la Villette|Larger entity||8187||||0||||||||||||||||||||||||||||||||Cornell||JNK|JNK|11/9/2006 0:00:00|11/9/2006 0:00:00|Tschumi|Par||0||||||1985 Vil/Fol/C|MA||||||1.3||||||||||Work|0|Modern Architecture|||||||||||0|0|Café Folie|Tschumi, Bernard 8243.00|0|Architect|03|MA-Tschumi|1.3| 1985 Vil/Fol/O||MA-Tschumi 1.3 1985 Vil/Fol/O |Observatory Folie|Assigned|Artist|||||||Parc de la Villette. Observatory Folie|11948|Tschumi, Bernard||architect|Bernard Tschumi|0||||0|||||French||||||Europe||France||||||0|Paris, France|||10058||||0||||0|Architecture|Pavilion (garden structure)||||20|||1985|1985||1985|1985-1985||Parc de la Villette|Larger entity||8187||||0||||||||||||||||||||||||||||||||Cornell||JNK|JNK|11/9/2006 0:00:00|11/9/2006 0:00:00|Tschumi|Par||0||||||1985 Vil/Fol/O|MA||||||1.3||||||||||Work|0|Modern Architecture|||||||||||0|0|Observatory Folie|Tschumi, Bernard 8244.00|0|Site|02|B-H3|Rom|1.1|Pir/VedR|B-H3 Rom 1.1 Pir/VedR|The Tomb of Caecilia Metella, II-113|Translated|Print Publication|Sepolcro di Cecilia Metella|Inscribed|Artist||||Vedute di Roma. The Tomb of Caecilia Metella, II-113|9255|Piranesi, Giovanni Battista||etcher|Giovanni Battista Piranesi|0||||0|||||Italian|||Neoclassical|||Europe||Italy||||||0||||0||||0||||0|Prints|Etching|Architectural drawing|||18|||1762|1792||1762-1792|1762-1792||Vedute di Roma|||533||||0|Hind, A. M. Giovanni Battista Piranesi: a Critical Study, 1922|67, I|||Etching|paper (fiber product)|ink||||etching (printing process)|||||||||||Tombs ; Rome (Italy) ; Scepters ; Architectural drawings ; Tomb of Caecilia Metella (Rome, Italy) ; |Tombs|Rome (Italy)|Scepters|Architectural drawings|Tomb of Caecilia Metella (Rome, Italy)|||||Cornell||GB|MNW|11/16/2006 0:00:00|11/9/2006 0:00:00||Rom||0||||||Pir/VedR|B|||||H3|1.1||||||||||Work|0|Architecture-Italy|||||||||||0|0|The Tomb of Caecilia Metella, II-113;Sepolcro di Cecilia Metella|Piranesi, Giovanni Battista 8245.00|0|Architect|03|MA-Tschumi|1.3| 1985 Vil/Fol/T||MA-Tschumi 1.3 1985 Vil/Fol/T |Tiny Folie|Assigned|Artist|||||||Parc de la Villette. Tiny Folie|11948|Tschumi, Bernard||architect|Bernard Tschumi|0||||0|||||French||||||Europe||France||||||0|Paris, France|||10058||||0||||0|Architecture|Pavilion (garden structure)||||20|||1985|1985||1985|1985-1985||Parc de la Villette|Larger entity||8187||||0||||||||||||||||||||||||||||||||Cornell||JNK|JNK|11/9/2006 0:00:00|11/9/2006 0:00:00|Tschumi|Par||0||||||1985 Vil/Fol/T|MA||||||1.3||||||||||Work|0|Modern Architecture|||||||||||0|0|Tiny Folie|Tschumi, Bernard 8246.00|0|Architect|03|MA-Tschumi|1.3| 1985 Vil||MA-Tschumi 1.3 1985 Vil |Dragon Play structure|Descriptive|Image Source (Pub)|||||||Parc de la Villette. Jardin du Dragon. Dragon Play structure|29233|Vexlard & Chemetov||architectural firm|Vexlard & Chemetov|0||||0|||||French||||||Europe||France||||||0|Paris, France|||10058||||0||||0|Architecture|Playground||||20|||1990|1990||1990|1990-1990||Jardin du Dragon|Larger entity||8188||||0||||||||||||||||||||||||||||||||Cornell||JNK|JNK|11/9/2006 0:00:00|11/9/2006 0:00:00|Tschumi|Par||0||||||1985 Vil|MA||||||1.3||||||||||Work|0|Modern Architecture|||||||||||0|0|Dragon Play structure|Vexlard & Chemetov 8247.00|0|Architect|03|MA-Tschumi|1.3| 1985 Vil||MA-Tschumi 1.3 1985 Vil |Folie Enfnats|Assigned|Artist|Children's Folie|Translated|Cataloger||||Parc de la Villette. Folie Enfants|11948|Tschumi, Bernard||architect|Bernard Tschumi|0||||0|||||French||||||Europe||France||||||0|Paris, France|||10058||||0||||0|Architecture|Pavilion (garden structure)||||20|||1985|1985||1985|1985-1985||Parc de la Villette|Larger entity||8187||||0||||||||||||||||||||||||||||||||Cornell||JNK|JNK|11/10/2006 0:00:00|11/9/2006 0:00:00|Tschumi|Par||0||||||1985 Vil|MA||||||1.3||||||||||Work|0|Modern Architecture|||||||||||0|0|Folie Enfnats;Children's Folie|Tschumi, Bernard 8248.00|0|Architect|03|MA-Tschumi|1.3| 1985 Vil/Fol/N||MA-Tschumi 1.3 1985 Vil/Fol/N |Neighborhood Folie|Assigned|Artist|||||||Parc de la Villette. Neighborhood Folie|11948|Tschumi, Bernard||architect|Bernard Tschumi|0||||0|||||French||||||Europe||France||||||0|Paris, France|||10058||||0||||0|Architecture|Pavilion (garden structure)||||20|||1985|1985||1985|1985-1985||Parc de la Villette|Larger entity||8187||||0||||||||||||||||||||||||||||||||Cornell||JNK|JNK|11/10/2006 0:00:00|11/10/2006 0:00:00|Tschumi|Par||0||||||1985 Vil/Fol/N|MA||||||1.3||||||||||Work|0|Modern Architecture|||||||||||0|0|Neighborhood Folie|Tschumi, Bernard 8249.00|0|Creator|15|CHINA|MTL|SHANG||CHINA MTL SHANG |Sanxingdui Ruins: Standing Figure Statue|Translated|Cataloger|Sanxingdui yi zhi Li ren xiang|Descriptive|Image Source (Pub)||||Sanxingdui Ruins: Standing Figure Statue|0|||||0||||0|||||Chinese|||Shang|||Asia|Sichuan|China||||||0||||0|Sanxingdui Village, Guanghan, Sichuan Province|||11029|Sanxingdui Village, Guanghan, Sichuan Province|||11029|Metalwork|Bronze|Figure (representation)|Statue|BCE|-13|||1200|1200|ca|ca 1200 BCE|ca 1200 BCE||Sanxingdui Archaeological Site|Larger entity||8203||||0|||||Casting. Bronze|bronze|||||casting|modeling (forming)|bronzing|||Height 262 cm||9759|Guanghan: Sanxingdui Museum|Guanghan: Sanxingdui Museum||Figures (representations) ; Men (male humans) ; Statues ; Sculpture (visual work) ; Bases ; Masks ; Heads (representations) ; Arms ; Feet (anatomy)|Figures (representations)|Men (male humans)|Statues|Sculpture (visual work)|Bases|Masks|Heads (representations)|Arms|Feet (anatomy)|Cornell||BZ|BZ|11/10/2006 0:00:00|11/10/2006 0:00:00|||Guanghan|0|||||||MTL|||CHINA|SHANG|||| Gua||||||||Work|0||||||||||||0|0|Sanxingdui Ruins: Standing Figure Statue;Sanxingdui yi zhi Li ren xiang| 8250.00|0|Creator|15|CHINA|MTL|SHANG||CHINA MTL SHANG |Sanxingdui Ruins No.2 Pit: Human Head Statue (A Type)|Translated|Cataloger|Sanxingdui yi zhi 2 hao keng A xing ren tou xiang|Descriptive|Image Source (Pub)||||Sanxingdui Ruins No.2 Pit: Human Head Statue (A Type)|0|||||0||||0|||||Chinese|||Shang|||Asia|Sichuan|China||||||0||||0|Sanxingdui Village, Guanghan, Sichuan Province|||11029|Sanxingdui Village, Guanghan, Sichuan Province|||11029|Metalwork|Bronze|Figure (representation)|Mask (costume)|BCE|-13|||1200|1200|ca|ca 1200 BCE|ca 1200 BCE||Sanxingdui Archaeological Site|Larger entity||8203||||0|||||Casting. Bronze|bronze|||||casting|modeling (forming)|bronzing|||Height 41.2 cm||9759|Guanghan: Sanxingdui Museum|Guanghan: Sanxingdui Museum||Figures (representations) ; Men (male humans) ; Statues ; Sculpture (visual work) ; Heads (representations) ; Faces (anatomy) ; Eyes ; Masks ; Archaeology|Figures (representations)|Men (male humans)|Statues|Sculpture (visual work)|Heads (representations)|Faces (anatomy)|Eyes|Masks|Archaeology|Cornell||BZ|BZ|11/15/2006 0:00:00|11/10/2006 0:00:00|||Guanghan|0|||||||MTL|||CHINA|SHANG|||| Gua||||||||Work|0||||||||||||0|0|Sanxingdui Ruins No.2 Pit: Human Head Statue (A Type);Sanxingdui yi zhi 2 hao keng A xing ren tou xiang| 8251.00|0|Site|02|B-B33|Nia|2.111a Sus||B-B33 Nia 2.111a Sus |Niagara River Bridge|Assigned|Macmillan|Suspension Bridge|Descriptive|Dict.Art||||Niagara River Bridge|9975|Roebling, John Augustus||engineer|John Augustus Roebling|0||||0|||||American||||||North and Central America||United States||||||0|Niagara Falls, NY|Near||11031||||0||||0|Architecture|Bridge (built work)||||19|||1851|1855||1851-1855|1851-1855|||||0||||0||||||||||||||||||||||Bridges (built works) ; Suspension bridges ; |Bridges (built works)|Suspension bridges||||||||Cornell||MNW|MNW|11/10/2006 0:00:00|11/10/2006 0:00:00||Nia||0||||||Sus|B|||||B33|2.111a||||||||||Work|0|Architecture-New York (NY)|This ws the first and the last suspesion bride for standard railway loads. It crosses the Niagara River between Ontario, Canada and New York State near Niagara Falls. MacMillan. It was commissioned by the Great Western Railway of Canada. DOA.||||||||||0|0|Niagara River Bridge;Suspension Bridge|Roebling, John Augustus 8252.00|0|Site|02|B-B33|Nia|2.111a Sus|5-2|B-B33 Nia 2.111a Sus 5-2|Niagara River Suspension Bridge|Descriptive|Cataloger|||||||Niagara River Suspension Bridge|31299|England, William||photographer|William England|0||||0|||||||||||||||||||0||||0||||0||||0|Photographs|Documentary photograph||||19|||1859|1859||1859|1859-1859|||||0||||0|||||||||||photography|||||||||||Bridges (built works) ; Suspension bridges ; Suspension bridges Niagara Falls (N.Y. and Ont.) ; |Bridges (built works)|Suspension bridges|Suspension bridges Niagara Falls (N.Y. and Ont.)|||||||Cornell||MNW|MNW|11/10/2006 0:00:00|11/10/2006 0:00:00||Nia||0||||||Sus|B|||||B33|2.111a||||||||||Work|0|Architecture-New York (NY)|This is a contemporary documentary photograph of John Roebling's Niagara River Suspension bridge. MNW.||||||||||0|0|Niagara River Suspension Bridge|England, William 8253.00|0|Site|02|B-B33|Nia|2.111a Sus|5-2|B-B33 Nia 2.111a Sus 5-2|Niagara River Suspension Bridge|Descriptive|Cataloger|||||||Niagara River Suspension Bridge|31299|England, William||photographer|William England|0||||0|||||||||||||||||||0||||0||||0||||0|Photographs|Documentary photograph||||19|||1859|1859||1859|1859-1859|||||0||||0|||||||||||photography|||||||||||Bridges (built works) ; Suspension bridges ; Suspension bridges Niagara Falls (N.Y. and Ont.) ; |Bridges (built works)|Suspension bridges|Suspension bridges Niagara Falls (N.Y. and Ont.)|||||||Cornell||MNW|MNW|11/10/2006 0:00:00|11/10/2006 0:00:00||Nia||0||||||Sus|B|||||B33|2.111a||||||||||Work|0|Architecture-New York (NY)|||||||||||0|0|Niagara River Suspension Bridge|England, William 8254.00|0|Creator|15|CHINA|MTL|SHANG||CHINA MTL SHANG |Sanxingdui Ruins No.2 Pit: Human Head Statue (B Type)|Translated|Cataloger|Sanxingdui yi zhi 2 hao keng B xing ren tou xiang|Descriptive|Image Source (Pub)||||Sanxingdui Ruins No.2 Pit: Human Head Statue (B Type)|0|||||0||||0|||||Chinese|||Shang|||Asia|Sichuan|China||||||0||||0|Sanxingdui Village, Guanghan, Sichuan Province|||11029|Sanxingdui Village, Guanghan, Sichuan Province|||11029|Metalwork|Bronze|Figure (representation)|Mask (costume)|BCE|-13|||1200|1200|ca|ca 1200 BCE|ca 1200 BCE||Sanxingdui Archaeological Site|Larger entity||8203||||0|||||Casting. Bronze|bronze|||||casting|modeling (forming)|bronzing|||Height 34.7 cm||9759|Guanghan: Sanxingdui Museum|Guanghan: Sanxingdui Museum||Figures (representations) ; Men (male humans) ; Statues ; Sculpture (visual work) ; Heads (representations) ; Faces (anatomy) ; Eyes ; Masks ; Hair ornaments|Figures (representations)|Men (male humans)|Statues|Sculpture (visual work)|Heads (representations)|Faces (anatomy)|Eyes|Masks|Hair ornaments|Cornell||BZ|BZ|11/10/2006 0:00:00|11/10/2006 0:00:00|||Guanghan|0|||||||MTL|||CHINA|SHANG|||| Gua||||||||Work|0||||||||||||0|0|Sanxingdui Ruins No.2 Pit: Human Head Statue (B Type);Sanxingdui yi zhi 2 hao keng B xing ren tou xiang| 8255.00|0|Creator|15|27|K475-SC||||The Eleventh Hour Final|Assigned|Image Source (Pub)|||||||The Eleventh Hour Final|6265|Kienholz, Edward||sculptor|Edward Kienholz|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Sculpture|Tableau (sculpture)|Installation (exhibition)|||20|||1968|1968||1968|1968-1968|||||0||||0|||||Mixed materials|mixed materials||||||||||360 x 420 cm||327|Berkeley: University of California|Berkeley: UC||Tableaux (sculpture) ; Television receivers ; Tombs ; Sofas ; Clocks ; |Tableaux (sculpture)|Television receivers|Tombs|Sofas|Clocks|||||Cornell||MNW|JNK|11/20/2006 0:00:00|11/10/2006 0:00:00|K475|||0|||||||27|SC||||||| ||||||||Work|0||The name "Eleven O'Clock Final" is used in America for the last sequence of TV news broadcast at 11:00 P.M. each evening. Kienholz.|This work is currently owned by the University of California in Berkeley.|||||||||0|0|The Eleventh Hour Final|Kienholz, Edward 8256.00|0|Creator|15|CHINA|MTL|SHANG||CHINA MTL SHANG |Sanxingdui Ruins No.2 Pit: Human Head Statue (D Type)|Translated|Cataloger|Sanxingdui yi zhi 2 hao keng D xing ren tou xiang|Descriptive|Image Source (Pub)||||Sanxingdui Ruins No.2 Pit: Human Head Statue (D Type)|0|||||0||||0|||||Chinese|||Shang|||Asia|Sichuan|China||||||0||||0|Sanxingdui Village, Guanghan, Sichuan Province|||11029|Sanxingdui Village, Guanghan, Sichuan Province|||11029|Metalwork|Bronze|Figure (representation)|Head (representation)|BCE|-13|||1200|1200|ca|ca 1200 BCE|ca 1200 BCE||Sanxingdui Archaeological Site|Larger entity||8203||||0|||||Casting. Bronze|bronze|||||casting|modeling (forming)|bronzing|||Height 13.5 cm||9759|Guanghan: Sanxingdui Museum|Guanghan: Sanxingdui Museum||Figures (representations) ; Men (male humans) ; Statues ; Sculpture (visual work) ; Heads (representations) ; Faces (anatomy) ; Eyes ; Hair ornaments ; Masks|Figures (representations)|Men (male humans)|Statues|Sculpture (visual work)|Heads (representations)|Faces (anatomy)|Eyes|Hair ornaments|Masks|Cornell||BZ|BZ|11/10/2006 0:00:00|11/10/2006 0:00:00|||Guanghan|0|||||||MTL|||CHINA|SHANG|||| Gua||||||||Work|0||||||||||||0|0|Sanxingdui Ruins No.2 Pit: Human Head Statue (D Type);Sanxingdui yi zhi 2 hao keng D xing ren tou xiang| 8257.00|0|Creator|15||||||War|Preferred|Artist|||||||War|5097|Hanson, Duane||sculptor|Duane Hanson|0||||0|||||American||||||||||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1967|1967||1967|1967-1967|||||0||||0|||||Polyester resin and fiberglass, polychromed in oil, mixed media with accessories|resin|fiberglass|mixed materials|||sculpture|||||Life size||764|Duisburg: Wilhelm-Lehmbruck-Museum|Duisburg: W. Lehmbruck Mus.||War ; Deaths ; Blood (animal material) ; Soldiers ; |War|Deaths|Blood (animal material)|Soldiers||||||Cornell||MNW|JNK|11/20/2006 0:00:00|11/10/2006 0:00:00|H251|||0||||||||||||||| ||||||||Work|0||||||||||||0|0|War|Hanson, Duane 8258.00|0|Creator|15||||||Kite|Assigned|Image Source (Pub)|Drachen|Variant|Image Source (Pub)||||Kite|9667|Rauschenberg, Robert||painter|Robert Rauschenberg|0||||0|||||American||||||||||||||0||||0||||0||||0|Paintings|Oil painting|Painting|Screen print|||||1963|1963||1963|1963-1963|||||0||||0|||||Oil and silkscreen on canvas|oil|canvas||||painting (image-making)|screen printing||||213.4 x 152.4 cm||9761|New York: Mr. and Mrs. Michael Sonnabend Collection|New York: Mr. and Mrs. Michael Sonnabend||||||||||||Cornell||MNW|MNW|11/10/2006 0:00:00|11/10/2006 0:00:00|R248|||0||||||||||||||| ||||||||Work|0||||||||||||0|0|Kite;Drachen|Rauschenberg, Robert 8259.00|0|Creator|15|CHINA|MTL|SHANG||CHINA MTL SHANG |Sanxingdui Ruins No.2 Pit: Human Head Statue (C Type)|Translated|Cataloger|Sanxingdui yi zhi 2 hao keng C xing ren tou xiang|Descriptive|Image Source (Pub)||||Sanxingdui Ruins No.2 Pit: Human Head Statue (C Type)|0|||||0||||0|||||Chinese|||Shang|||Asia|Sichuan|China||||||0||||0|Sanxingdui Village, Guanghan, Sichuan Province|||11029|Sanxingdui Village, Guanghan, Sichuan Province|||11029|Metalwork|Bronze|Figure (representation)|Head (representation)|BCE|-13|||1200|1200|ca|ca 1200 BCE|ca 1200 BCE||Sanxingdui Archaeological Site|Larger entity||8203||||0|||||Casting. Bronze|bronze|||||casting|modeling (forming)|bronzing|||Height 37 cm||9759|Guanghan: Sanxingdui Museum|Guanghan: Sanxingdui Museum||Figures (representations) ; Men (male humans) ; Statues ; Sculpture (visual work) ; Heads (representations) ; Faces (anatomy) ; Masks ; Eyes ; Hair ornaments|Figures (representations)|Men (male humans)|Statues|Sculpture (visual work)|Heads (representations)|Faces (anatomy)|Masks|Eyes|Hair ornaments|Cornell||BZ|BZ|11/10/2006 0:00:00|11/10/2006 0:00:00|||Guanghan|0|||||||MTL|||CHINA|SHANG|||| Gua||||||||Work|0||||||||||||0|0|Sanxingdui Ruins No.2 Pit: Human Head Statue (C Type);Sanxingdui yi zhi 2 hao keng C xing ren tou xiang| 8260.00|0|Creator|15|27|R895-PA|260||27 R895-PA 260 |Center Panel|Descriptive|Cataloger|||||||Raising of the Cross. Center Panel|10147|Rubens, Peter Paul||painter|Peter Paul Rubens|0||||0|||||Flemish|||Baroque|||Europe||Belgium||||||0||||0||||0||||0|Paintings|Altarpiece|Painting|||17|||1610|1610||1610|1610-1610||Raising of the Cross|Larger entity||5724||||0|||||Oil on panel|oil paint|panels (wood)||||painting (image-making)|||||460 x 340 cm||124|Antwerp: Cathedral|Antwerp: Cathedral||Erection of the Cross ; Christ ; Crucifixion ; |Erection of the Cross|Christ|Crucifixion|||||||Cornell||JNK|JNK|11/10/2006 0:00:00|11/10/2006 0:00:00|R895|||0||||||260|27|PA||||||| ||||||||Work|0||||||||||||0|0|Center Panel|Rubens, Peter Paul 8261.00|0|Creator|15|CHINA|MTL|SHANG||CHINA MTL SHANG |Sanxingdui Ruins: Human Head Statue With Gold Foil|||Sanxingdui yi zhi jin mian ren tou xiang|Descriptive|Image Source (Pub)||||Sanxingdui Ruins: Human Head Statue With Gold Foil|0|||||0||||0|||||Chinese|||Shang|||Asia|Sichuan|China||||||0||||0|Sanxingdui Village, Guanghan, Sichuan Province|||11029|Sanxingdui Village, Guanghan, Sichuan Province|||11029|Metalwork|Bronze|Figure (representation)|Head (representation)|BCE|-13|||1200||ca|ca 1200 BCE|ca 1200 BCE||Sanxingdui Archaeological Site|Larger entity||8203||||0|||||Casting & gold-work. Bronze & gold foil|bronze|gold||||casting|modeling (forming)|gold-work|||Height 41 cm||9759|Guanghan: Sanxingdui Museum|Guanghan: Sanxingdui Museum||Figures (representations) ; Men (male humans) ; Statues ; Sculpture (visual work) ; Heads (representations) ; Faces (anatomy) ; Masks ; Eyes ; Archaeology|Figures (representations)|Men (male humans)|Statues|Sculpture (visual work)|Heads (representations)|Faces (anatomy)|Masks|Eyes|Archaeology|Cornell||BZ|BZ|11/15/2006 0:00:00|11/10/2006 0:00:00|||Guanghan|0|||||||MTL|||CHINA|SHANG|||| Gua||||||||Work|0||||||||||||0|0|Sanxingdui Ruins: Human Head Statue With Gold Foil;Sanxingdui yi zhi jin mian ren tou xiang| 8262.00|0|Creator|15|25|W546-PA|22A|1b.1|25 W546-PA 22A 1b.1|Center Panel|Descriptive|Cataloger|||||||Columba Triptych. Center Panel|12657|Weyden, Rogier van der||painter|Rogier van der Weyden|0||||0|||||Flemish|||Renaissance|||Europe||Belgium||||||0||||0||||0||||0|Paintings|Painting|Oil painting|Triptych||15|||1455|1455|ca|ca 1455|ca 1455-1455||Columba Triptych|Larger entity||6157||||0|||||Oil on panel|oil paint|panels (wood)||||painting (image-making)|||||139.5 x 292.9 cm (entire)||1784|Munich: Bayerische Staatsgemäldesammlungen; Alte Pinakothek|Munich: Alte Pinakothek||Birth and youth of Christ ; Madonna and Child ; Virgin Mary ; Joseph ; Adoration of the Magi ; |Birth and youth of Christ|Madonna and Child|Virgin Mary|Joseph|Adoration of the Magi|||||Cornell||JNK|JNK|11/10/2006 0:00:00|11/10/2006 0:00:00|W546|||0||Nr. WAF 1189||||22A|25|PA||||||| ||||||||Work|0||||||||||||0|0|Center Panel|Weyden, Rogier van der 8263.00|0|Creator|15|CHINA|MTL|SHANG||CHINA MTL SHANG |Sanxingdui Ruins: Beast Mask With Protruding Pupils|Translated|Cataloger|Sanxingdui yi zhi: zong mu shou mian xiang|Descriptive|Image Source (Pub)||||Sanxingdui Ruins: Beast Mask With Protruding Pupils|0|||||0||||0|||||Chinese|||Shang|||Asia|Sichuan|China||||||0||||0|Sanxingdui Village, Guanghan, Sichuan Province|||11029|Sanxingdui Village, Guanghan, Sichuan Province|||11029|Metalwork|Bronze|Mask (costume)|Statue|BCE|-13|||1200|1200|ca|ca 1200 BCE|ca 1200 BCE||Sanxingdui Archaeological Site|Larger entity||8203||||0|||||Casting. Bronze|bronze|||||casting|modeling (forming)|bronzing|||Height 65 cm||9759|Guanghan: Sanxingdui Museum|Guanghan: Sanxingdui Museum||Animals ; Faces (anatomy) ; Masks ; Eyes ; Statues ; Sculpture (visual work) ; Archaeology ; |Animals|Faces (anatomy)|Masks|Eyes|Statues|Sculpture (visual work)|Archaeology|||Cornell||BZ|BZ|11/15/2006 0:00:00|11/10/2006 0:00:00|||Guanghan|0|||||||MTL|||CHINA|SHANG|||| Gua||||||||Work|0||||||||||||0|0|Sanxingdui Ruins: Beast Mask With Protruding Pupils;Sanxingdui yi zhi: zong mu shou mian xiang| 8264.00|0|Creator|15|32|C245|M8501||32 C245 M8501 |Mont Sainte-Victoire|Preferred|Dict.Art|Montagne Ste. Victoire|Assigned|Image Source (Pub)||||Mont Sainte-Victoire|2168|Cézanne, Paul||painter|Paul Cézanne|0||||0|||||French|||Post-Impressionist|Impressionist||Europe||France||||||0||||||||0||||0|Paintings|Oil painting|Painting|||20|||1904|1906||1904-1906|1904-1906|||||0||||0|||||Painting||||||painting (image-making)|||||65 x 81 cm||3290|Private Collection|: Private Coll.||Mountains ; Landscapes ; |Mountains|Landscapes||||||||Cornell||GB|MNW|11/17/2006 0:00:00|11/10/2006 0:00:00|C245|||0||||||M8501|32|||||||| ||||||||Work|0|19th Century||This is one example from a series of more than 60 landscape paintings of Mont Sainte-Victoire. Cézanne began painting this Provence peak in 1900 and continued to paint it until his death. DOA.|||||||||0|0|Mont Sainte-Victoire;Montagne Ste. Victoire|Cézanne, Paul 8265.00|0|Creator|15|CHINA|MTL|SHANG||CHINA MTL SHANG |Sanxingdui Ruins: Beast Mask With Protruding Pupils|Translated|Cataloger|Sanxingdui yi zhi: zong mu shou mian xiang|Descriptive|Image Source (Pub)||||Sanxingdui Ruins: Beast Mask With Protruding Pupils|0|||||0||||0|||||Chinese|||Shang|||Asia|Sichuan|China||||||0||||0|Sanxingdui Village, Guanghan, Sichuan Province|||11029|Sanxingdui Village, Guanghan, Sichuan Province|||11029|Metalwork|Bronze|Mask (costume)|Statue|BCE|-13|||1200||ca|ca 1200 BCE|ca 1200 BCE||Sanxingdui Archaeological Site|Larger entity||8203||||0|||||Casting. Bronze|bronze|||||casting|modeling (forming)|bronzing|||Overall height 83 cm||9759|Guanghan: Sanxingdui Museum|Guanghan: Sanxingdui Museum||Animals ; Faces (anatomy) ; Masks ; Eyes ; Statues ; Sculpture (visual work) ; Archaeology ; |Animals|Faces (anatomy)|Masks|Eyes|Statues|Sculpture (visual work)|Archaeology|||Cornell||BZ|BZ|11/15/2006 0:00:00|11/10/2006 0:00:00|||Guanghan|0|||||||MTL|||CHINA|SHANG|||| Gua||||||||Work|0||||||||||||0|0|Sanxingdui Ruins: Beast Mask With Protruding Pupils;Sanxingdui yi zhi: zong mu shou mian xiang| 8266.00|0|Creator|15|CHINA|MTL|SHANG||CHINA MTL SHANG |Sanxingdui Ruins: Vessel (Zun) Decorated With Six Birds & Three Oxen|Translated|Cataloger|Sanxingdui yi zhi liu niao san niu zun|Descriptive|Image Source (Pub)||||Sanxingdui Ruins: Vessel (Zun) Decorated With Six Birds & Three Oxen|0|||||0||||0|||||Chinese|||Shang|||Asia|Sichuan|China||||||0||||0|Sanxingdui Village, Guanghan, Sichuan Province|||11029|Sanxingdui Village, Guanghan, Sichuan Province|||11029|Metalwork|Bronze|Vessel||BCE|-13|||1200||ca|ca 1200 BCE|ca 1200 BCE||Sanxingdui Archaeological Site|Larger entity||8203||||0|||||Casting. Bronze|bronze|||||casting|modeling (forming)|bronzing|||Height 56.5 cm. Diameter of mouth 49 cm||9759|Guanghan: Sanxingdui Museum|Guanghan: Sanxingdui Museum||Vessels ; Birds ; Oxen ; Animals ; Clouds ; Wine ; Archaeology ; |Vessels|Birds|Oxen|Animals|Clouds|Wine|Archaeology|||Cornell||BZ|BZ|11/15/2006 0:00:00|11/10/2006 0:00:00|||Guanghan|0|||||||MTL|||CHINA|SHANG|||| Gua||||||||Work|0||||||||||||0|0|Sanxingdui Ruins: Vessel (Zun) Decorated With Six Birds & Three Oxen;Sanxingdui yi zhi liu niao san niu zun| 8267.00|0|Creator|15|CHINA|MTL|SHANG||CHINA MTL SHANG |Sanxingdui Ruins: Vessel (Lei) Decorated With Four Birds & Four Beasts|||Sanxingdui yi zhi si niao si shou lei|Descriptive|Image Source (Pub)||||Sanxingdui Ruins: Vessel (Lei) Decorated With Four Birds & Four Beasts|0|||||0||||0|||||Chinese|||Shang|||Asia|Sichuan|China||||||0||||0|Sanxingdui Village, Guanghan, Sichuan Province|||11029|Sanxingdui Village, Guanghan, Sichuan Province|||11029|Metalwork|Bronze|Vessel||BCE|-13|||1200|1200|ca|ca 1200 BCE|ca 1200 BCE||Sanxingdui Archaeological Site|Larger entity||8203||||0|||||Casting. Bronze|bronze|||||casting|modeling (forming)|bronzing|||Height 54 cm. Diameter of mouth 26.5 cm||9759|Guanghan: Sanxingdui Museum|Guanghan: Sanxingdui Museum||Vessels ; Birds ; Rams ; Oxen ; Animals ; Clouds ; Wine ; Archaeology ; |Vessels|Birds|Rams|Oxen|Animals|Clouds|Wine|Archaeology||Cornell||BZ|BZ|11/15/2006 0:00:00|11/10/2006 0:00:00|||Guanghan|0|||||||MTL|||CHINA|SHANG|||| Gua||||||||Work|0||||||||||||0|0|Sanxingdui Ruins: Vessel (Lei) Decorated With Four Birds & Four Beasts;Sanxingdui yi zhi si niao si shou lei| 8268.00|0|Creator|15|35|L512|S866||35 L512 S866 |Still Life|Assigned|Image Source (Pub)||||||||6921|Leger, Fernand||painter|Fernand Leger|0||||0|||||French|||Cubist|||Europe||France||||||0||||||||0||||0|Paintings|Painting|Oil painting|||20|||1927|1927||1927|1927-1927|||||0||||0|||||Painting (image-making)|oil paint|||||painting (image-making)|||||||3290|Private Collection|: Private Coll.||Still lifes ; Flowers ; |Still lifes|Flowers||||||||Cornell||GB|MNW|11/17/2006 0:00:00|11/10/2006 0:00:00|L512|||0||||||S866|35|||||||| ||||||||Work|0|20th Century|||||||||||0|0|Still Life|Leger, Fernand 8269.00|0|Creator|15|35|B822|1911|P853|35 B822 1911 P853|The Portugese|Assigned|Repository|||||||The Portugese|1523|Braque, Georges||painter|Georges Braque|0||||0|||||French|||Cubist|||Europe||France||||||0||||||||0||||0|Paintings|Oil painting|Painting|||20|||1911|1911||1911|1911-1911|||||0||||0|||||Painting (image-making)|oil paint|canvas||||painting (image-making)|||||||3456|Basel: Kunstmuseum|Basel: Kunstmuseum||||||||||||Cornell||GB|MNW|11/17/2006 0:00:00|11/10/2006 0:00:00|B822|||0||||||P853|35|||||||1911| ||||||||Work|0|20th Century|||||||||||0|0|The Portugese|Braque, Georges 8270.00|0||||||||||||||||||0|||||0||||0|||||||||||||||||||0||||0||||0||||0||||||||||||||||||0||||0||||||||||||||||||||||||||||||||Cornell||GB|GB|11/13/2006 0:00:00|11/13/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|| 8271.00|0|Site|02|B-G1|MarHar|6.3|Mar|B-B1 MarHar 6.3 Mar|Market|Assigned|Image Source (Pub)|||||||Market|0|||||0||||0|||||English|||Renaissance|||Europe||England||||||0|Market Harborough, England|||11032||||0||||0|Architecture|Market (building)||||15|||1400|1499||15th C|1400-1499|||||0||||0||||||||||||||||||||||Markets (buildings) ; |Markets (buildings)|||||||||Cornell||JNK|MNW|11/14/2006 0:00:00|11/13/2006 0:00:00||MarHar||0||||||Mar|B|||||G1|6.3||||||||||Building|0||||||||||||0|0|Market| 8272.00|0|Site|02|B-B9|Wash|1.04 Jef||B-B9 Wash 1.04 Jef |Proposed Plan of Federal City|Descriptive|Repository|Plan of the Federal District|Variant|Repository|Jefferson's Pragmatic Design for the Federal City|Variant|Repository|Proposed Plan of Federal City|5938|Jefferson, Thomas||architect|Thomas Jefferson|0||||0|||||American|||Federal|||North and Central America||United States||||||0||||0||||0||||0|Maps|Plan (drawing)|Municipal plan|||18|||1791|1791||March 1791|1791-1791|||||0||||0|||||Ink on paper|ink|paper (fiber product)||||drawing (image-making)|||||39.3 x 25.1 cm||9762|Washington, DC: Library of Congress; Manuscript Division; Thomas Jefferson Paper|Wash., DC: Lib/Cong; Thomas Jefferson Papers||Washington (DC) ; Plans (drawings) ; Urban planning ; Maps ; Capitals ; |Washington (DC)|Plans (drawings)|Urban planning|Maps|Capitals|||||Cornell||JNK|JNK|11/14/2006 0:00:00|11/14/2006 0:00:00||Wash||0||||||Jef|B|||||B9|1.04|| ||||||||Work|0|Architecture-District of Columbia (DC)|||||||||||0|0|Proposed Plan of Federal City;Plan of the Federal District;Jefferson's Pragmatic Design for the Federal City|Jefferson, Thomas 8273.00|0|Site|02|B-B9|Wash|1.31 Mall||B-B9 Wash 1.31 Mall |The Mall|Assigned|Image Source (Pub)|||||||The Mall||||||0||||0|||||American||||||North and Central America||United States||||||0|Washington, DC|||10054||||0||||0|Architecture|Square (open space)||||18|19|20||||||||||0||||0||||||||||||||||||||||||||||||||Cornell||JNK|JNK|11/14/2006 0:00:00|11/14/2006 0:00:00||Wash||0||||||Mall|B|||||B9|1.31||||||||||Work|0|Architecture-District of Columbia (DC)|The place for the Mall in the DC plan was set in L'Enfant's plan, but has changed significantly in character over the years with subsequent designs.||||||||||0|0|The Mall| 8274.00|0|Creator|15|B-B9|Wash|2.41|Cap/Lat/S 4b-2|B-B9 Wash 2.41 Cap/Lat/S 4b-2|The House of Representatives|Preferred|Repository|The Old House of Representatives|Variant|Print Publication||||The House of Representatives|8248|Morse, Samuel F. B.||painter|Samuel F. B. Morse|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||19|||1822|1823||1822-1823|1822-1823|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||217.17 x 332.1 cm||3454|Washington, DC: Corcoran Gallery of Art|Wash, DC: Corcoran Gallery||United States Capitol (Washington, D.C.) ; Government ; |United States Capitol (Washington, D.C.)|Government||||||||Cornell||JNK|JNK|11/14/2006 0:00:00|11/14/2006 0:00:00||Wash||0||11.14||||Cap/Lat/S 4b-2|B|||||B9|2.41||||||||||Work|0||||||||||||0|0|The House of Representatives;The Old House of Representatives|Morse, Samuel F. B. 8285.00|0|Creator|15|35|P5863-PA|1911|A172|35 P5863-PA 1911 A172|Accordionist|Preferred|Repository|L'Accordéoniste|Original|Repository|||||9196|Picasso, Pablo||painter|Pablo Picasso|0||||0|||||Spanish|French||Cubist|||Europe||Spain|France|||||0||||||||0||||0|Paintings|Oil painting|Painting|||20|||1911|1911||1911|1911-1911|||||0||||0|||||Oil painting on canvas|oil paint|canvas||||painting (image-making)|||||130.2 x 89.5 cm||1987|New York: Solomon R.Guggenheim Museum|New York: Guggenheim Museum||Musicians ; |Musicians|||||||||Cornell||GB|MNW|11/17/2006 0:00:00|11/15/2006 0:00:00|P5863|||0|||||||35|PA|||||A172|1911| ||||||||Work|0|20th Century|||||||||||0|0|Accordionist;L'Accordéoniste|Picasso, Pablo 8286.00|0|Creator|15|35|P5863|1911|M266|35 P5863 1911 M266|Man with Mandolin|Assigned|Image Source (Pub)|||||||Man with Mandolin|9196|Picasso, Pablo||painter|Pablo Picasso|0||||0|||||Spanish|||Cubist|||Europe||Spain|France|||||0||||||||0||||0|Paintings|Oil painting|Painting|||20|||1911|1911||1911|1911-1911|||||0||||0|||||Oil painting on canvas|oil paint|canvas||||painting (image-making)|||||||3492|Paris: Musée Picasso|Paris: Musée Picasso||Musicians ; |Musicians|||||||||Cornell||GB|MNW|11/17/2006 0:00:00|11/15/2006 0:00:00|P5863|||0|||||||35||||||M266|1911| ||||||||Work|0|20th Century|||||||||||0|0|Man with Mandolin|Picasso, Pablo 8287.00|0|Creator|15|35|P5863-|1911|M272|35 P5863- 1911 M272|Mandolin Player|Assigned|Image Source (Pub)|||||||Mandolin Player|9196|Picasso, Pablo||painter|Pablo Picasso|0||||0|||||Spanish|French||Cubist|||||||||||0||||||||0||||0|Paintings|Oil painting||||20|||1911|1911||1911|1911-1911|||||0||||0|||||Oil painting on canvas|oil paint|||||painting (image-making)|||||||3456|Basel: Kunstmuseum Basel|Basel: Kunstmuseum||Musicians ; |Musicians|||||||||Cornell||GB|MNW|11/17/2006 0:00:00|11/15/2006 0:00:00|P5863|||0|||||||35||||||M272|1911| ||||||||Work|0|20th Century|||||||||||0|0|Mandolin Player|Picasso, Pablo 8288.00|0|Architect|03|MA-Fuller|7.5|1960|Ful|MA-Fuller 7.5 1960 Ful|R. Buckminster and Anne Fuller Residence|Assigned|Online Resource|||||||R. Buckminster and Anne Fuller Residence|4213|Fuller, Buckminster||architect|Buckminster Fuller|0||||0|||||American|||Post-1945|||North and Central America||United States||||||0|407 South Forest Avenue, Carbondale, IL|||||||0||||0|Architecture|House||||20|||1959|1960||1959-1960|1959-1960|||||0||||0||||||||||||||||||||||Fuller, R. Buckminster (Richard Buckminster), 1895-1983 ; Geodesic domes ; Domes ; |Fuller, R. Buckminster (Richard Buckminster), 1895-1983|Geodesic domes|Domes|||||||Cornell||GB|GB|11/17/2006 0:00:00|11/16/2006 0:00:00|Fuller|||0||||||Ful|MA||||||7.5|1960|||||||||Building|0|Modern Architecture|Buckminister and Anne Fuller built this home in 1959 in Carbondale, IL. They lived there while Fuller taught at Southern Illinois University (1959-1971). Source: Dict. of Art and RFB Dome webiste.||||||||||0|0|R. Buckminster and Anne Fuller Residence|Fuller, Buckminster 8289.00|0|Site|02|B-H2|Par|6.3 Ble||B-H2 Par 6.3 Ble |Halle au Blé|Assigned|Dict.Art|Halles aux Bleds|Variant|Image Source (Pub)|Corn Exchange|Translated|Dict.Art|Halle au Blé|6856|Le Camus de Mézières, Nicolas||architect|N. Le Camus de Mézières, Legrand&Molinos, Bélanger|28520|Legrand & Molinos||architect|948|Bélanger, François-Joseph||architect||French|||Beaux-Arts|||Europe||France||||||0||||0|Paris, France|||10058||||0|Architecture|Commercial building||||18|19||1763|1769||1763-1769; 1781; 1808-13|1763-1769|||||0||||0||||||||||||||||||||||||||||||||Cornell||JNK|JNK|11/16/2006 0:00:00|11/16/2006 0:00:00|||Par|0||||||Ble|B|||||H2|6.3||||||||||Building|0|Architecture-France|Rebuilt in 1889 as the Bourse de Commerce.|||Glass and timber dome by Legrand & Molinos, 1781; Cast-iron dome by Bélanger, 1808-13.|||||||0|0|Halle au Blé;Halles aux Bleds;Corn Exchange|Le Camus de Mézières, Nicolas;Legrand & Molinos;Bélanger, François-Joseph 8290.00|0|Architect|03|MA-Fuller|8.3|1948 Geodesic||MA-Fuller 8.3 1948 Geodesic |Geodesic Dome Covered with Skin|Assigned|Image Source (Pub)||||||||4213|Fuller, Buckminster||architect|Buckminster Fuller|0||||0|||||American|||Post-1945|||North and Central America||United States||||||0||||0||||0||||0|Architecture|Dome|Portrait|||20|||1948|1948||1948|1948-1948|||||0||||0||||||||||||||||||||||Geodesic domes ; Domes ; Portraits ; Fuller, R. Buckminster (Richard Buckminster), 1895-1983 ; |Geodesic domes|Domes|Portraits|Fuller, R. Buckminster (Richard Buckminster), 1895-1983||||||Cornell||GB|GB|11/16/2006 0:00:00|11/16/2006 0:00:00|Fuller|||0||||||Geodesic|MA||||||8.3|1948|||||||||Work|0|Modern Architecture|||||||||||0|0|Geodesic Dome Covered with Skin|Fuller, Buckminster 8291.00|0||||||||Guide des amateurs et des étrangers voyageurs a Paris|Inscribed|Artist|Description raisonnée de cett ville, de sa banlieue, & de tout ce qu'elles contiennent de remarquabl|Variant|Artist||||Guide des amateurs et des étrangers voyageurs a Paris|31300|Thiéry, Luc-Vincent||author|Luc-Vincent Thiéry|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Publications|Book||||18|||1787|1787||1787|1787-1787|||||0||||0||||||||||||||||||||||Buildings ; Paris (France) ; Suburbs ; Travel guidebooks ; |Buildings|Paris (France)|Suburbs|Travel guidebooks||||||Cornell||JNK|JNK|11/17/2006 0:00:00|11/17/2006 0:00:00||||0||||||||||||||||||||||||0||Two volumes published in Paris by Harouin & Gattey. LC|||Published in 1787|||||||0|0|Guide des amateurs et des étrangers voyageurs a Paris;Description raisonnée de cett ville, de sa banlieue, & de tout ce qu'elles contiennent de remarquabl|Thiéry, Luc-Vincent 8292.00|0|Site|02|B-H2|Par|6.3 Ble||B-H2 Par 6.3 Ble |Vue Intérieure de la Nouvelle Halle, Plate 6, Volume 1, Page 415|Inscribed|Artist|Interior view of the New Hall, Plate 6, Volume 1, Page 415|Translated|Cataloger|Interior view of the Halle au blé|Variant|Cataloger|Guide des amateurs...Vue Intérieure de la Nouvelle Halle, Plate 6, Volume 1, Page 415|31300|Thiéry, Luc-Vincent||draftsman|Luc-Vincent Thiéry & F. Jourdan|31301|Jourdan, F.||engraver|0|||||French||||||Europe||France||||||0||||0||||0||||0|Prints|Engraving (print)||||18|||1787|1787||1787|1787-1787||Guide des amateurs et des étrangers voyageurs a Paris|Larger entity||8291||||0|||||Engraving||||||printing|engraving (printing process)||||||||||Commercial buildings ; Halle au ble´ (Paris, France) ; Interior views ; Domes ; Buildings ; |Commercial buildings|Halle au ble´ (Paris, France)|Interior views|Domes|Buildings|||||Cornell||JNK|JNK|11/27/2006 0:00:00|11/17/2006 0:00:00||Par||0||||||Ble|B|||||H2|6.3||||||||||Building|0|Architecture-France|||||||||||0|0|Vue Intérieure de la Nouvelle Halle, Plate 6, Volume 1, Page 415;Interior view of the New Hall, Plate 6, Volume 1, Page 415;Interior view of the Halle au blé|Thiéry, Luc-Vincent;Jourdan, F. 8293.00|0|Architect|03|MA-TAC|4.2|1960-1962 Baghdad||MA-TAC 4.2 1960-1962 Baghdad |Baghdad University|Assigned|Dict.Art|University of Baghdad|Assigned|Image Source (Pub)|||||4839|Gropius, Walter Adolf||architect|Walter Adolf Gropius|31305|Ashkouri, Hisham N.|||0|||||Iraqi||||||Asia||Iraq||||||0|Baghdad, Iraq|||11034||||0||||0||||||20|21||1960||aft|||||||0||||0||||||||||||||||||||||Universities ; Urban planning ; |Universities|Urban planning||||||||Cornell||GB|GB|11/20/2006 0:00:00|11/17/2006 0:00:00||||0||||||Baghdad|MA||||||4.2|1960-1962|||||||||Work|0|Modern Architecture||The University was commissioned by the Royal Government of Iraq in the late 1950s. Walter Gropius created a University master plan in the 1960s. In 1982 Hisham Ashkouri designed a master plan for a major campus expansion.|||||||||0|0|Baghdad University;University of Baghdad|Gropius, Walter Adolf;Ashkouri, Hisham N. 8294.00|0|Creator|15|CHINA|PTG|S. SONG||CHINA PTG S. SONG |Buddhist Images Scroll Of Dali Kingdom|Translated|Cataloger|Dali guo fan xiang juan|Descriptive|Image Source (Pub)||||Buddhist Images Scroll Of Dali Kingdom|31302|Zhang Shengwen||painter|Zhang Shengwen|0||||0|||||Chinese|||Southern Song (S.Sung)|Song (Sung)||Asia|Yunnan|China||||||0||||0||||0||||0|Paintings|Painting|Figure (representation)|Scroll||12|||1178|1178||Dated 1178|1178|||||0||||0|||||Handscroll. Ink and color on paper|paper (fiber product)|ink|color (pigment)|||painting (image-making)|||||1515.2 cm x 30.4 cm||2784|Taipei: National Palace Museum|Taipei: National Palace Museum||Painting (image making) ; Figures (representations) ; Buddha ; Calligraphy ; Seals ; Soldiers ; Kings (people) ; Monks ; Lotus|Painting (image making)|Figures (representations)|Buddha|Calligraphy|Seals|Soldiers|Kings (people)|Monks|Lotus|Cornell||BZ|BZ|11/17/2006 0:00:00|11/17/2006 0:00:00||||0|||||||PTG|||CHINA|S. SONG|||| ||||||||Work|0||The painting is "showing the entire (?local) pantheon", and it is "in a style close to that of Li Gonglin. The brushwork is highly controlled, and the painting has a dense, linear organization with great attention to detail". (From DOA)|The greatest value of this scroll lies in its iconography, which is partly dominated by esoteric Buddhist images and local historical figures, many of whom have not been identified. (From DOA)|||||||||0|0|Buddhist Images Scroll Of Dali Kingdom;Dali guo fan xiang juan|Zhang Shengwen 8295.00|0|Site|02|B-B9|Wash|2.41 Cap/Lat/SC||B-B9 Wash 2.41 Cap/Lat/SC |Old Supreme Court Chamber|Assigned|Repository|||||||United States Capitol. Old Supreme Court Chamber|6785|Latrobe, Benjamin Henry||architect|Benjamin Henry Latrobe|1748|Bulfinch, Charles||architect,associated|0|||||American|||Federal|||North and Central America||United States||||||0|Washington, DC|||10054||||0||||0|Architecture|Room|Court (judicial body)|||19|||1806|1819||1806-1819|1806-1819||United States Capitol|Larger entity||1857||||0||||||||||||||||||||||Courts (judicial bodies) ; Vaults (structural elements) ; |Courts (judicial bodies)|Vaults (structural elements)||||||||Cornell||JNK|JNK|11/20/2006 0:00:00|11/17/2006 0:00:00||Wash||0||||||Cap/Lat/SC|B|||||B9|2.41||||||||||Building|0|Architecture-District of Columbia (DC)|Charles Bulfinch completed the project after Latrobe resigned in 1817…The Supreme Court met in this chamber for 41 years...It opened to the public as a musuem in 1975.The Architect of the Capitol.||||||||||0|0|Old Supreme Court Chamber|Latrobe, Benjamin Henry;Bulfinch, Charles 8296.00|0|Creator|02|B-G1|Chis|7.1 ChisHs/Tem||B-G1 Chis 7.1 ChisHs/Tem |Tempietto|Assigned|Dict.Art|||||||Chiswick House Gardens. Tempietto|1802|Boyle, Richard, 3rd Earl of Burlington||patron|Richard Boyle, 3rd Earl of Burlington|6228|Kent, William|||0|||||English|British|||||Europe||England|British Isles|||||0|London, England|||10018||||0||||0|Architecture|Landscape (environment)|Garden|||18|||1715|1738|ca|ca 1715-1738|ca 1715-1738||Chiswick House Gardens|LargerEntity||1815||||0||||||||||||||||||||||Gardens ; Follies ; Garden structures ; Temples ; |Gardens|Follies|Garden structures|Temples||||||Cornell||GB|MNW|12/5/2006 0:00:00|11/17/2006 0:00:00||Chis||0||||||ChisHs/Tem|B|||||G1|7.1||||||||||Work|0|Architecture-England|||||||||||0|0|Tempietto|Boyle, Richard, 3rd Earl of Burlington;Kent, William 8297.00|0|Site|02|B-B9|Wash|2.41 Cap/Lat|4b-3|B-B9 Wash 2.41 Cap/Lat 4b-3|United States Capitol, Washington, D.C. South elevation with propylaea|Descriptive|Repository|South Elevation Capitol. U. S. Washington|Inscribed|Artist||||United States Capitol, Washington, D.C. South elevation with propylaea|6785|Latrobe, Benjamin Henry||architect|Benjamin Henry Latrobe|0||||0|||||American|||Federal|||North and Central America||United States||||||0||||0||||0||||0|Architecture|Architectural drawing||||19|||1810|1810||1810|1810-1810|||||0||||0|||||Watercolor, wash, and ink on paper|watercolor|ink|paper (fiber product)|||drawing (image-making)|||||49 x 76.5 cm||3892|Washington, DC: Library of Congress|Washington, DC: Library of Congress||Capitols ; United States Capitol (Washington, D.C.) ; Architectural drawings ; Government office buildings ; |Capitols|United States Capitol (Washington, D.C.)|Architectural drawings|Government office buildings||||||Cornell||JNK|JNK|11/20/2006 0:00:00|11/20/2006 0:00:00||Wash||0||ADE - UNIT 2462, no. 5||||Cap/Lat|B|||||B9|2.41|| ||||||||Work|0|Architecture-District of Columbia (DC)|||||||||||0|0|United States Capitol, Washington, D.C. South elevation with propylaea;South Elevation Capitol. U. S. Washington|Latrobe, Benjamin Henry 8298.00|0|Site|02|B-B48|Rich|2.41 Cap|4b-6|B-B48 Rich 2.41 Cap 4b-6|View of the Statehouse in Richmond, Virginia|Descriptive|Repository|||||||View of the Statehouse in Richmond, Virginia|6785|Latrobe, Benjamin Henry||architect|Benjamin Henry Latrobe|0||||0|||||American|||Federal|||North and Central America||United States||||||0||||0||||0||||0|Architecture|Architectural drawing|Watercolor|||18|||1796|1796||1796|1796-1796|||||0||||0|||||Watercolor|watercolor|||||painting (image-making)|||||||230|Baltimore: Maryland Historical Society|Baltimore: MD Hist. Soc.||Capitols ; Virginia State Capitol (Richmond, Va.) ; Richmond (VA) ; |Capitols|Virginia State Capitol (Richmond, Va.)|Richmond (VA)|||||||Cornell||JNK|JNK|11/20/2006 0:00:00|11/20/2006 0:00:00||Rich||0||||||Cap|B|||||B48|2.41|| ||||||||Work|0|Architecture-Virginia (VA)|||||||||||0|0|View of the Statehouse in Richmond, Virginia|Latrobe, Benjamin Henry 8275.00|0|Site|02|B-B2|Wash|1.04 L'Enf|1a|B-B2 Wash 1.04 L'Enf 1a|Plan of the City Indended for the Permanent Seat of Government of t[he] United States|Inscribed|Artist|||||||Plan of the City Indended for the Permanent Seat of Government of t[he] United States|6631|L'Enfant, Pierre Charles||architect|Pierre Charles L'Enfant|0||||0|||||American|||Federal|||North and Central America||United States||||||0||||0||||0||||0|Prints|Lithograph||||18|||1790|1790||1790|1790-1790|||||0||||0|||||Lithograph||||||printmaking|lithography||||69.8 x 118 cm||3892|Washington, DC: Library of Congress|Washington, DC: Library of Congress||Washington (DC) ; Plans (drawings) ; Maps ; Urban planning ; Capitals ; |Washington (DC)|Plans (drawings)|Maps|Urban planning|Capitals|||||Cornell||JNK|JNK|11/14/2006 0:00:00|11/14/2006 0:00:00||Wash||0||||||L'Enf|B|||||B2|1.04|| ||||||||Work|0|Architecture-Alaska (AK)|||||||||||0|0|Plan of the City Indended for the Permanent Seat of Government of t[he] United States|L'Enfant, Pierre Charles 8276.00|0|Site|02|B-B9|Wash|1.31 Mall|4b-1|B-B9 Wash 1.31 Mall 4b-1|View of Washington|Assigned|Repository|||||||View of Washington|29497|E. Sachse & Co.||printmaker|E. Sachse & Co.|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0||||||19|||1852|1852||1852|1852-1852|||||0||||0|||||Lithograph|l|||||lithography|printmaking||||50.8 x 69.7 cm||3892|Washington, DC: Library of Congress|Washington, DC: Library of Congress||Capitols ; Washington (DC) ; United States Capitol (Washington, D.C.) ; Monuments ; Cityscapes ; |Capitols|Washington (DC)|United States Capitol (Washington, D.C.)|Monuments|Cityscapes|||||Cornell||JNK|JNK|11/14/2006 0:00:00|11/14/2006 0:00:00||Wash||0||||||Mall|B|||||B9|1.31|| ||||||||Work|0|Architecture-District of Columbia (DC)|Drawn, lighographed, printed and published by E. Sachse & Company.Reps, Washington on View.||||||||||0|0|View of Washington|E. Sachse & Co. 8277.00|0|Site|02|B-B9|Wash|2.41 Cap|4b-4a|B-B9 Wash 2.41 Cap 4b-4a|A View of the Capitol of the United States after the Conflagration of the 24th August 1814|Inscribed|Artist|||||||A View of the Capitol of the United States after the Conflagration of the 24th August 1814|8320|Munger, George||draftsman|George Munger & William Strickland (engrvr)|11449|Strickland, William||engraver|0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Prints|Print|Engraving (print)|||19|||1814|1814||1814|1814-1814|||||0||||0|||||Engraving||||||engraving (printing process)|||||29.2 x 43.1 cm||3892|Washington, DC: Library of Congress|Washington, DC: Library of Congress||United States Capitol (Washington, D.C.) ; |United States Capitol (Washington, D.C.)|||||||||Cornell||JNK|JNK|11/14/2006 0:00:00|11/14/2006 0:00:00||Wash||0||||||Cap|B|||||B9|2.41|| ||||||||Work|0|Architecture-District of Columbia (DC)|||||||||||0|0|A View of the Capitol of the United States after the Conflagration of the 24th August 1814|Munger, George;Strickland, William 8278.00|0|Creator|15|CHINA|JADE|SHANG||CHINA JADE SHANG |Sanxingdui Ruins: Blade (Ge)|Translated|Cataloger|Yu ge|Descriptive|Image Source (Pub)||||Sanxingdui Ruins: Blade (Ge)|0|||||0||||0|||||Chinese|||Shang|||Asia|Sichuan|China||||||0||||0|Sanxingdui Village, Guanghan, Sichuan Province|||11029|Sanxingdui Village, Guanghan, Sichuan Province|||11029|Jewelry|Jade|Spear||BCE|-13|||1250|1250|ca|ca 1250 BCE|ca 1250 BCE||Sanxingdui Archaeological Site|Larger entity||8203||||0|||||Carving. Jade|jade|||||carving|engraving (incising)||||Length 25 cm||9759|Guanghan: Sanxingdui Museum|Guanghan: Sanxingdui Museum||Jewelry ; Spears (weapons) ; Weapons ; Archaeology ; |Jewelry|Spears (weapons)|Weapons|Archaeology||||||Cornell||BZ|BZ|11/15/2006 0:00:00|11/15/2006 0:00:00|||Guanghan|0|||||||JADE|||CHINA|SHANG|||| Gua||||||||Work|0||||||||||||0|0|Sanxingdui Ruins: Blade (Ge);Yu ge| 8279.00|0|Creator|15|CHINA|JADE|SHANG||CHINA JADE SHANG |Sanxingdui Ruins: Knife (Dao)|Translated|Cataloger|Yu dao|Descriptive|Image Source (Pub)||||Sanxingdui Ruins: Knife (Dao)|0|||||0||||0|||||Chinese|||Shang|||Asia|Sichuan|China||||||0||||0|Sanxingdui Village, Guanghan, Sichuan Province|||11029|Sanxingdui Village, Guanghan, Sichuan Province|||11029|Jewelry|Jade|Tool||BCE|-13|||1250|1250|ca|ca 1250 BCE|ca 1250 BCE||Sanxingdui Archaeological Site|Larger entity||8203||||0|||||Carving. Jade|jade|||||carving|||||Length 27 cm||9759|Guanghan: Sanxingdui Museum|Guanghan: Sanxingdui Museum||Jewelry ; Knives (culinary tools) ; Tools ; Archaeology ; |Jewelry|Knives (culinary tools)|Tools|Archaeology||||||Cornell||BZ|BZ|11/15/2006 0:00:00|11/15/2006 0:00:00|||Guanghan|0|||||||JADE|||CHINA|SHANG|||| Gua||||||||Work|0||||||||||||0|0|Sanxingdui Ruins: Knife (Dao);Yu dao| 8280.00|0|Creator|15|CHINA|JADE|SHANG||CHINA JADE SHANG |Sanxingdui Ruins: Blade (Zhang)|Translated|Cataloger|Yu zhang|Descriptive|Image Source (Pub)||||Sanxingdui Ruins: Blade (Zhang)|0|||||0||||0|||||Chinese|||Shang|||Asia|Sichuan|China||||||0||||0|Sanxingdui Village, Guanghan, Sichuan Province|||11029|Sanxingdui Village, Guanghan, Sichuan Province|||11029|Jewelry|Jade|Spear||BCE|-13|||1250||ca|ca 1250 BCE|ca 1250 BCE||Sanxingdui Archaeological Site|Larger entity||8203||||0|||||Carving. Jade|jade|||||carving|engraving (incising)||||Overall length 38 cm||9759|Guanghan: Sanxingdui Museum|Guanghan: Sanxingdui Museum||Jewelry ; Spears (weapons) ; Weapons ; Birds ; Animals ; Archaeology ; |Jewelry|Spears (weapons)|Weapons|Birds|Animals|Archaeology||||Cornell||BZ|BZ|11/15/2006 0:00:00|11/15/2006 0:00:00|||Guanghan|0|||||||JADE|||CHINA|SHANG|||| Gua||||||||Work|0||||||||||||0|0|Sanxingdui Ruins: Blade (Zhang);Yu zhang| 8281.00|0|Creator|15|CHINA|JADE|SHANG||CHINA JADE SHANG |Sanxingdui Ruins: Blade (Zhang)|Translated|Cataloger|Yu zhang|Descriptive|Image Source (Pub)||||Sanxingdui Ruins: Blade (Zhang)|0|||||0||||0|||||Chinese|||Shang|||Asia|Sichuan|China||||||0||||0|Sanxingdui Village, Guanghan, Sichuan Province|||11029|Sanxingdui Village, Guanghan, Sichuan Province|||11029|Jewelry|Jade|Spear||BCE|-13|||1200|1200|ca|ca 1200 BCE|ca 1200 BCE||Sanxingdui Archaeological Site|Larger entity||8203||||0|||||Carving. Jade|jade|||||carving|engraving (incising)||||Overall length 28.2 cm||9759|Guanghan: Sanxingdui Museum|Guanghan: Sanxingdui Museum||Jewelry ; Spears (weapons) ; Weapons ; Archaeology ; |Jewelry|Spears (weapons)|Weapons|Archaeology||||||Cornell||BZ|BZ|11/15/2006 0:00:00|11/15/2006 0:00:00|||Guanghan|0|||||||JADE|||CHINA|SHANG|||| Gua||||||||Work|0||||||||||||0|0|Sanxingdui Ruins: Blade (Zhang);Yu zhang| 8282.00|0|Site|02|B-R1|Guanghan|3.3 Sanxingdui||B-R1 Guanghan 3.3 Sanxingdui |Sanxingdui No.1 & 2 Ritual Pits|Translated|Cataloger|Sanxingdui yi er hao jisi keng|Descriptive|Image Source (Pub)||||Sanxingdui No.1 & 2 Ritual Pits|0|||||0||||0|||||Chinese|||Shang|||Asia|Sichuan|China||||||0||||0|Sanxingdui Village, Guanghan, Sichuan Province|||11029|Sanxingdui Village, Guanghan, Sichuan Province|||11029|Architecture|Archaeological site|Ritual (event)|Ivory|BCE|-13|||1299|1200|ca|ca 1299-1200 BCE|ca 1299-1200 BCE||Sanxingdui Archaeological Site|Larger entity||8203||||0||||||||||||||||||||||Archaeology ; Ruins ; Rituals (events) ; Vessels ; Jewelry ; Animals ; Skeletons ; Archaeology ; |Archaeology|Ruins|Rituals (events)|Vessels|Jewelry|Animals|Skeletons|Archaeology||Cornell||BZ|BZ|11/15/2006 0:00:00|11/15/2006 0:00:00|||Guanghan|0||||||Sanxingdui|B|||||R1|3.3|| ||||||||Work|0|Architecture-China|||||||||||0|0|Sanxingdui No.1 & 2 Ritual Pits;Sanxingdui yi er hao jisi keng| 8283.00|0|Site|02|B-R1|Guanghan|3.3 Sanxingdui||B-R1 Guanghan 3.3 Sanxingdui |Sanxingdui No.2 Ritual Pit|Translated|Cataloger|Sanxingdui 2 hao ji si keng|Descriptive|Image Source (Pub)||||Sanxingdui No.2 Ritual Pit|0|||||0||||0|||||Chinese|||Shang|||Asia|Sichuan|China||||||0||||0|Sanxingdui Village, Guanghan, Sichuan Province|||11029|Sanxingdui Village, Guanghan, Sichuan Province|||11029|Architecture|Archaeological site|Ritual (event)|Ivory|BCE|-13|||1299|1200|ca|ca 1299-1200 BCE|ca 1299-1200 BCE||Sanxingdui Archaeological Site|Larger entity||8203||||0||||||||||||||||||||||Archaeology ; Ruins ; Rituals (events) ; Vessels ; Jewelry ; Animals ; Skeletons ; Archaeology ; |Archaeology|Ruins|Rituals (events)|Vessels|Jewelry|Animals|Skeletons|Archaeology||Cornell||BZ|BZ|11/15/2006 0:00:00|11/15/2006 0:00:00|||Guanghan|0||||||Sanxingdui|B|||||R1|3.3||||||||||Work|0|Architecture-China|||||||||||0|0|Sanxingdui No.2 Ritual Pit;Sanxingdui 2 hao ji si keng| 8320.00|0|Site|02|B-B33|NYC|6.1 HarperBr||B-B33 NYC 6.1 HarperBr |Harper Brothers Building|Assigned|Dict.Art|Harper & Brothers Building||||||Harper Brothers Building|1307|Bogardus, James||architect|James Bogardus|0||||0|||||American||||||North and Central America||United States||||||0|||||331 Pearl Street, New York, NY|||||||0|Architecture|Office building|Warehouse|||19|||1853|1854||1853-1854|1853-1854|||||0||||0||||||||||||||||||||||Fire-resistive construction ; Cast iron ; |Fire-resistive construction|Cast iron||||||||Cornell||GB|GB|11/30/2006 0:00:00|11/22/2006 0:00:00||||0||||||HarperBr|B|||||B33|6.1||||||||||Building|0|Architecture-New York (NY)|||||||||||0|0|Harper Brothers Building;Harper & Brothers Building|Bogardus, James 8321.00|0||||||||Copper Series|Series|Artist|||||||Copper Series|11312|Stella, Frank||painter|Frank Stella|0||||0|||||American|||Abstract|||North and Central America||United States||||||0||||0||||0||||0|Prints|Print|Lithograph|||20|||1970|1970||1970|1970-1970|||||0||||0|||||Lithographs (printed from aluminum, with silk screening)||||||lithography|||||||||||||||||||||Cornell||JNK|JNK|11/27/2006 0:00:00|11/27/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|Copper Series|Stella, Frank 8299.00|0|Site|02|B-B9|Wash|2.41 Cap/PCom/Th|2-5a|B-B9 Wash 2.41 Cap/PCom/Th 2-5a|U.S. Capitol, Washington, D.C. East elevation, low dome|Descriptive|Repository|East Elevation of the Capitol|Inscribed|Artist||||U.S. Capitol, Washington, D.C. East elevation, low dome|11747|Thornton, William||architect|William Thornton|0||||0|||||American|||Federal|||North and Central America||United States||||||0||||0||||0||||0|Architecture|Architectural drawing||||18|19||1793|1800||1793-1800|1793-1800|||||0||||0|||||Ink, watercolor and graphite on paper|ink|watercolor|paper (fiber product)|||drawing (image-making)|painting (image-making)||||||3892|Washington, DC: Library of Congress|Washington, DC: Library of Congress||United States Capitol (Washington, D.C.) ; Architectural drawings ; Domes ; Competitions ; Capitols ; Government office buildings ; |United States Capitol (Washington, D.C.)|Architectural drawings|Domes|Competitions|Capitols|Government office buildings||||Cornell||JNK|JNK|11/20/2006 0:00:00|11/20/2006 0:00:00||Wash||0||||||Cap/PCom/Th|B|||||B9|2.41|| ||||||||Work|0|Architecture-District of Columbia (DC)|||||||||||0|0|U.S. Capitol, Washington, D.C. East elevation, low dome;East Elevation of the Capitol|Thornton, William 8300.00|0|Site|02|B-B9|Wash|2.41 Cap/Lat|4b-3|B-B9 Wash 2.41 Cap/Lat 4b-3|United States Capitol, Washington, D.C. Perspective from the northeast|Descriptive|Repository|||||||United States Capitol, Washington, D.C. Perspective from the northeast|6785|Latrobe, Benjamin Henry||architect|Benjamin Henry Latrobe|0||||0|||||American|||Federal|||North and Central America||United States||||||0||||0||||0||||0|Architecture|Architectural drawing||||19|||1806|1806||1806|1806-1806|||||0||||0|||||Watercolor, ink, and wash on paper|watercolor|wash|ink|||drawing (image-making)|architectural drawing||||49 x 59 cm||3892|Washington, DC: Library of Congress|Washington, DC: Library of Congress||United States Capitol (Washington, D.C.) ; Capitols ; Domes ; |United States Capitol (Washington, D.C.)|Capitols|Domes|||||||Cornell||JNK|JNK|11/20/2006 0:00:00|11/20/2006 0:00:00||Wash||0||ADE- UNIT 2462, no. 13||||Cap/Lat|B|||||B9|2.41|| ||||||||Work|0|Architecture-District of Columbia (DC)|||||||||||0|0|United States Capitol, Washington, D.C. Perspective from the northeast|Latrobe, Benjamin Henry 8301.00|0|Site|02|B-B9|Wash|2.41 Cap/Lat/Rep|3-1|B-B9 Wash 2.41 Cap/Lat/Rep 3-1|United States Capitol, Washington, D.C. Design proposed for the Hall of Representatives|Descriptive|Repository|Sketch of a Section of the South Wing of the Capitol of the United States at Washington|Inscribed|Artist||||United States Capitol, Washington, D.C. Design proposed for the Hall of Representatives|6785|Latrobe, Benjamin Henry||architect|Benjamin Henry Latrobe|0||||0|||||American|||Federal|||North and Central America||United States||||||0||||0||||0||||0|Architecture|Architectural drawing||||19|||1804|1804||1804|1804-1804|||||0||||0|||||Pencil, ink, and watercolor on paper|pencils|ink|watercolor|||architectural drawing|drawing (image-making)||||31.8 x 50.2 cm||3892|Washington, DC: Library of Congress|Washington, DC: Library of Congress||United States Capitol (Washington, D.C.) ; Architectural drawings ; Domes ; Government office buildings ; Capitols ; |United States Capitol (Washington, D.C.)|Architectural drawings|Domes|Government office buildings|Capitols|||||Cornell||JNK|JNK|11/20/2006 0:00:00|11/20/2006 0:00:00||Wash||0||||||Cap/Lat/Rep|B|||||B9|2.41|| ||||||||Work|0|Architecture-District of Columbia (DC)|||||||||||0|0|United States Capitol, Washington, D.C. Design proposed for the Hall of Representatives;Sketch of a Section of the South Wing of the Capitol of the United States at Washington|Latrobe, Benjamin Henry 8302.00|0|Site|02|B-H2|Par|7.11 Salm||B-H2 Par 7.11 Salm |Hôtel de Salm|Preferred|Image Source (Vendor)|Le Palais de Salm|Variant|Repository|Palais de la Légion d'Honneur|Variant|Repository|Hôtel de Salm|10127|Rousseau, Pierre||architect|Pierre Rousseau|0||||0|||||French|||Beaux-Arts|||Europe||France||||||0|Paris, France|||10058||||0||||0|Architecture|Palace|Hôtel (town house)|||18|||1782|1787||1782-1787|1782-1787|||||0||||0||||||||||||||||||||||||||||||||Cornell||JNK|JNK|11/20/2006 0:00:00|11/20/2006 0:00:00||Par||0||||||Salm|B|||||H2|7.11||||||||||Building|0|Architecture-France|Built for the German Prince, Frédéric III de Salm-Kyrbourg. It became the home of the Légion d'honneur in 1804. It was burned under the Commune in 1871 and restored in||||||||||0|0|Hôtel de Salm;Le Palais de Salm;Palais de la Légion d'Honneur|Rousseau, Pierre 8303.00|0|Site|02|B-B1|AL|7.5 Evans/T||B-B1 AL 7.5 Evans/T |Thomas Evans House|Assigned|Image Source (Pub)|||||||Thomas Evans House|0|||||0||||0|||||African American|American|||||North and Central America||United States||||||0|Alabama|||11035||||0||||0|Architecture|House||||||||||||||||0||||0||||||||||||||||||||||||||||||||Cornell||JNK|JNK|11/21/2006 0:00:00|11/20/2006 0:00:00||AL||0||||||Evans/T|B|||||B1|7.5||||||||||Building|0|Architecture-Alabama (AL)|||||||||||0|0|Thomas Evans House| 8305.00|0|Site|02|B-N19|Hau|1.1 ||B-N19 Hau 1.1 |Hausa Tribe Village|Assigned|Image Source (Pub)|||||||Hausa Tribe Village|0|||||0||||0|||||Hausa||||||Africa||Niger||||||0|Niamey, Niger|Near||11036||||0||||0|City Plans and Views|Village||||||||||||||||0||||0||||||||||||||||||||||||||||||||Cornell||JNK|JNK|11/20/2006 0:00:00|11/20/2006 0:00:00||Hau||0|||||||B|||||N19|1.1||||||||||Work|0|Architecture-Nigeria|||||||||||0|0|Hausa Tribe Village| 8304.00|0|Architect|03|MA-Niem|2.41|1960 Minis||MA-Niem 2.41 1960 Minis |Ministry Building|Assigned|Image Source (Pub)||||||||8539|Niemeyer, Oscar||architect|Oscar Niemeyer|0||||0|||||Brazilian|||Post-1945|||South America||Brazil||||||0|Brasília, Brazil|||10371||||0||||0||||||20|||1956|1977||1956-1977|1956-1977||Brasilia Master Plan|||6452||||0||||||||||||||||||||||Brazil ; Brasi´lia (Brazil) ; Streetscapes ; Ministries ; Brise-soleils ; |Brazil|Brasi´lia (Brazil)|Streetscapes|Ministries|Brise-soleils|||||Cornell||GB|GB|11/20/2006 0:00:00|11/20/2006 0:00:00|Niem|Bra||0||||||Minis|MA||||||2.41|1960|||||||||Building|0|Modern Architecture|||||||||||0|0|Ministry Building|Niemeyer, Oscar 8322.00|0||||||||Ophir|Preferred|Repository|||||||Copper Series. Ophir|11312|Stella, Frank||painter|Frank Stella|0||||0|||||American|||Abstract|||North and Central America||United States||||||0||||0||||0||||0|Prints|Print|Lithograph|||20|||1970|1970||1970|1970-1970||Copper Series|Larger entity||8321||||0|||||Lithograph (printed from aluminum, with silk screening)||||||lithography|||||40.64 x 55.88 cm||3339|Buffalo: Albright-Knox Art Gallery|Buffalo: Albright-Knox||||||||||||Cornell||JNK|JNK|11/27/2006 0:00:00|11/27/2006 0:00:00||||0||P1970:30.1-.7||||||||||||| |||||||||0||||||||||||0|0|Ophir|Stella, Frank 8323.00|0||||||||Shards III|Preferred|Repository|||||||Shards III|11312|Stella, Frank||painter|Frank Stella|0||||0|||||American|||Abstract|||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting||||20|||1983|1983||1983|1983-1983|||||0||||0|||||Mixed media on aluminum|mixed materials|aluminum||||painting (image-making)|||||346.7 x 304.1 x 62.2 cm||3724|Detroit: Detroit Institute of Arts|Detroit: Inst. of Arts||||||||||||Cornell||JNK|JNK|11/27/2006 0:00:00|11/27/2006 0:00:00||||0||1983.35||||||||||||| |||||||||0||||||||||||0|0|Shards III|Stella, Frank 8324.00|0||||||||Untitled|Preferred|Repository|||||||Untitled|8236|Morris, Robert|||Robert Morris|0||||0|||||American|||Conceptual|Minimal||North and Central America||United States||||||0||||0||||0||||0|Sculpture|Sculpture||||20|||1967|1968||1967-1968|1967-1968|||||0||||0|||||254 pieces of felt|felt|||||sculpture|||||||3423|Ottawa: National Gallery of Canada|Ottawa: Nat. Gal. of Canada||||||||||||Cornell||JNK|JNK|11/27/2006 0:00:00|11/27/2006 0:00:00||||0||15646||||||||||||| |||||||||0||||||||||||0|0|Untitled|Morris, Robert 8325.00|0|Creator|15|35|L699-PA|1961||35 L699-PA 1961 |The Engagement Ring|Assigned|Image Source (Pub)|||||||The Engagement Ring|7058|Lichtenstein, Roy||painter|Roy Lichtenstein|0||||0|||||American|||Pop|||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting||||20|||1961|1961||1961|1961-1961|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||172 x 201.9 cm||9763|New York: Ronnie & Samuel Heyman Collection|New York: Ronnie & Samuel Heyman Coll.||Couples ; Men (male humans) ; Women ; Rings ; |Couples|Men (male humans)|Women|Rings||||||Cornell||JNK|JNK|11/27/2006 0:00:00|11/27/2006 0:00:00|L699|||0||||||1961|35|PA||||||| ||||||||Work|0||||||||||||0|0|The Engagement Ring|Lichtenstein, Roy 8326.00|0|Creator|15|35|L699-PA|1962|3|35 L699-PA 1962 3|Art|Inscribed|Artist|||||||Art|7058|Lichtenstein, Roy||painter|Roy Lichtenstein|0||||0|||||American|||Pop|||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting||||20|||1962|1962||1962|1962-1962|||||0||||0|||||Oil & magna on canvas|oil paint|canvas||||painting (image-making)|||||91.4 x 172.7 cm||9764|: Gordon Locksley & George T. Shea Collection|: Gordon Locksley & George T. Shea Coll.||||||||||||Cornell||JNK|JNK|11/27/2006 0:00:00|11/27/2006 0:00:00|L699|||0||||||1962|35|PA||||||| ||||||||Work|0||||||||||||0|0|Art|Lichtenstein, Roy 8327.00|0|Creator|15|35|M8771-M|1964|1|35 M8771-M 1964 1|Site|Assigned|Image Source (Pub)|||||||Site|8236|Morris, Robert||sculptor|Robert Morris and Carolee Schneemann|10563|Schneemann, Carolee||sculptor|0|||||American|||Conceptual|||North and Central America||United States|||Judson Mem. Church, 55 Wash. Sq. S, NY, NY|||11039||||0||||||||0|Performance Art|Performance art||||20|||1964|1964||1964|1964-1964|||||0||||0|||||||||||performance art|||||||||||Performance art ; Olympia ; |Performance art|Olympia||||||||Cornell||JNK|JNK|11/27/2006 0:00:00|11/27/2006 0:00:00|M8771|||0||||||1964|35|M|||||||||||||||Work|0||||||||||||0|0|Site|Morris, Robert;Schneemann, Carolee 8328.00|0|Creator|15|35|M8771-M|1965|1|35 M8771-M 1965 1|Waterman Switch|Assigned|Image Source (Pub)|||||||Waterman Switch|8236|Morris, Robert||sculptor|Robert Morris, Lucinda Childs, & Yvonne Rainer|31307|Childs, Lucinda||dancer|31306|Rainer, Yvonne||dancer||American|||Conceptual|||North and Central America||United States|||Festival of the Arts Today, Buffalo, NY|||||||0||||0||||0|Performance Art|Performance art||||20|||1965|1965||1965|1965-1965|||||0||||0|||||||||||performance art|||||||||||Performance art ; |Performance art|||||||||Cornell||JNK|JNK|11/27/2006 0:00:00|11/27/2006 0:00:00|M8771|||0||||||1965|35|M|||||||||||||||Work|0||||||||||||0|0|Waterman Switch|Morris, Robert;Childs, Lucinda;Rainer, Yvonne 8329.00|0|Creator|15|B|B33|NYC|1.042 1876|B B33 NYC 1.042 1876|The City of New York|Inscribed|Artist|||||||The City of New York|27976|Currier & Ives||printing firm|Currier & Ives|8948|Parsons, Charles||artist|31308|Atwater, Lyman W.||artist||American||||||North and Central America||United States||||||0||||0||||0||||0|Graphics|Lithograph|Print|||19|||1876|1876||1876|1876-1876|||||0||||0| Currier & Ives : a catalogue raisonne´, compiled by Gale Research Company, 1984|1220|||Colored lithograph|paper (fiber product)|ink||||lithography|||||59.4 x 85.4 cm||||||New York (NY) ; Brooklyn Bridge (New York, N.Y.) ; Boats ; Ships ; Battery Park (New York, N.Y.) ; East River, New York, NY ; Hudson River (river) ; Piers ; Steamboats|New York (NY)|Brooklyn Bridge (New York, N.Y.)|Boats|Ships|Battery Park (New York, N.Y.)|East River, New York, NY|Hudson River (river)|Piers|Steamboats|Cornell||GB|GB|11/30/2006 0:00:00|11/27/2006 0:00:00|C9751|NYC||0|||||||B|||||B33|1.042|1876|||||||||Work|0||Original lithographs are located in the collections of the Chicago Historical Society and the Library of Congress (Source: Currier & Ives Catalogue Raisonne).||||||||||0|0|The City of New York|Currier & Ives;Parsons, Charles;Atwater, Lyman W. 8330.00|0|Creator|15|35|P6651-M|1970|1|35 P6651-M 1970 1|Catalyst IV|Assigned|Image Source (Pub)|||||||Catalyst IV|9249|Piper, Adrian Margaret Smith||conceptual artist|Adrian Piper|0||||0|||||American|||Conceptual|||North and Central America||United States|||New York, NY|||10060||||||||0||||0|Performance Art|Performance art||||20|||1970|1970||1970|1970-1970|||||0||||0|||||Street performance; bus||||||performance art|||||||||||||||||||||Cornell||JNK|JNK|11/28/2006 0:00:00|11/28/2006 0:00:00|P6651|||0||||||1970|35|M|||||||||||||||Work|0||||||||||||0|0|Catalyst IV|Piper, Adrian Margaret Smith 8331.00|0|Site|02|B-B33|NYC|6.1 Hau||B-B33 NYC 6.1 Hau |Haughwout Building|Assigned|Image Source (Pub)|||||||Haughwout Building|4352|Gaynor, John P.||architect|John P. Gaynor|0||||0|||||American||||||North and Central America||United States||||||0|488 Broadway, New York, NY|||11041||||0||||0|Architecture|Commercial building|Office building|Skyscraper||19|||1856|1856||1856|1856-1856|||||0||||0||||||||||||||||||||||||||||||||Cornell||JNK|JNK|11/28/2006 0:00:00|11/28/2006 0:00:00||NYC||0||||||Hau|B|||||B33|6.1||||||||||Building|0|Architecture-New York (NY)|||||||||||0|0|Haughwout Building|Gaynor, John P. 8332.00|0|Site|02|B-B48|Will|3.1 Bru||B-B48 Will 3.1 Bru |Bruton Parish Church|Preferred|Dict.Art|||||||Bruton Parish Church|11227|Spotswood, Alexander||architect|Alexander Spotswood|0||||0|||||American|||Colonial|Georgian||North and Central America||United States||||||0|Williamsburg, VA|||10993||||0||||0|Architecture|Church||||18|||1711|1715||1711-1715|1711-1715|||||0||||0||||||||||||||||||||||||||||||||Cornell||JNK|JNK|11/28/2006 0:00:00|11/28/2006 0:00:00||Will||0||||||Bru|B|||||B48|3.1||||||||||Building|0|Architecture-Virginia (VA)|Original building dated to 1683, rebuilt in 1711-1715 by James Mrris to a plan by Governor Alexander Spotswood. DOA||||||||||0|0|Bruton Parish Church|Spotswood, Alexander 8333.00|0|Site|02|B-B33|NYC|2.31 1853/Cry|4b-4|B-B33 NYC 2.31 1853/Cry 4b-4|Burning of the New York Crystal Palace: On Tuesday Oct. 5th 1858 During its Occupation for the Annual Fair of the American Institute|Inscribed|Artist|||||||Burning of the New York Crystal Palace: On Tuesday Oct. 5th 1858|27976|Currier & Ives||printing firm|Currier & Ives|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Prints|Lithograph||||19|||1858|1858|aft|aft 1858|aft 1858-1858|||||0||||0| Currier & Ives : a catalogue raisonne´, compiled by Gale Research Company, 1984|0828|||Hand-colored lithograph||||||lithography|||||42.9 x 64.3 cm||||||Crystal Palace (New York, N.Y.) ; Fires ; Exhibition buildings ; |Crystal Palace (New York, N.Y.)|Fires|Exhibition buildings|||||||Cornell||JNK|JNK|11/30/2006 0:00:00|11/28/2006 0:00:00||NYC||0||||||1853/Cry|B|||||B33|2.31||||||||||Building|0|Architecture-New York (NY)|||||||||||0|0|Burning of the New York Crystal Palace: On Tuesday Oct. 5th 1858 During its Occupation for the Annual Fair of the American Institute|Currier & Ives 8284.00|0|Creator|15|CHINA|MTL|SHANG||CHINA MTL SHANG |Sanxingdui Ruins: Diamond-shaped Appliques (Left Two, Right Above); Sun-shaped Applique (Right Below)|Translated|Cataloger|Ling xing yan xing qi (zuo shang, zuo xia, you shang); tai yang xing qi (you xia)|Descriptive|Image Source (Pub)||||Sanxingdui Ruins: Diamond-shaped Appliques (Left Two, Right Above); Sun-shaped Applique (Right Below)|0|||||0||||0|||||Chinese|||Shang|||Asia|Sichuan|China||||||0||||0|Sanxingdui Village, Guanghan, Sichuan Province|||11029|Sanxingdui Village, Guanghan, Sichuan Province|||11029|Metalwork|Bronze|Tool||BCE|-13|||1200|1200|ca|ca 1200 BCE|ca 1200 BCE||Sanxingdui Archaeological Site|||8203||||0|||||Casting. Bronze|bronze|||||casting|modeling (forming)|bronzing|||Length 57.4 cm, 61.5 cm (left two); 64 cm (right above)||9759|Guanghan: Sanxingdui Museum|Guanghan: Sanxingdui Museum||Tools ; Sun ; Archaeology ; |Tools|Sun|Archaeology|||||||Cornell||BZ|BZ|11/15/2006 0:00:00|11/15/2006 0:00:00|||Guanghan|0|||||||MTL|||CHINA|SHANG|||| Gua||||||||Work|0||||||||||||0|0|Sanxingdui Ruins: Diamond-shaped Appliques (Left Two, Right Above); Sun-shaped Applique (Right Below);Ling xing yan xing qi (zuo shang, zuo xia, you shang); tai yang xing qi (you xia)| 8306.00|0|Site|02|B-B19|Don|7.5 Eve||B-B19 Don 7.5 Eve |Evergreen Plantation|Preferred|Repository|||||||Evergreen Plantation|0|||||0||||0|||||American|||Greek Revival|||North and Central America||United States||||||0|Saint John the Baptist Parish, LA|||11037||||0||||0|Architecture|House||||19|||1835|1835||1835|1835-1835|||||0||||0||||||||||||||||||||||||||||||||Cornell||JNK|JNK|11/21/2006 0:00:00|11/21/2006 0:00:00||Don||0||||||Eve|B|||||B19|7.5||||||||||Work|0|Architecture-Louisiana (LA)|||||||||||0|0|Evergreen Plantation| 8307.00|0|Site|02|B-B19|Don|7.5 Eve/Sla||B-B19 Don 7.5 Eve/Sla |Slave Quarters|Descriptive|Image Source (Pub)|||||||Evergreen Plantation. Slave Quarters|0|||||0||||0|||||American|||Greek Revival|||North and Central America||United States||||||0|Saint John the Baptist Parish, LA|||11037||||0||||0|Architecture|House||||19|||1835|1835|aft|aft 1835|aft 1835-1835||Evergreen Plantation|Larger entity||8306||||0||||||||||||||||||||||Slavery ; Houses ; |Slavery|Houses||||||||Cornell||JNK|JNK|11/21/2006 0:00:00|11/21/2006 0:00:00||||0||||||Eve/Sla|B|||||B19|7.5||||||||||Work|0||||||||||||0|0|Slave Quarters| 8308.00|0|Site|02|B-B1|AL|7.5|Edw|B-B1 AL 7.5 Edw|Ella Mae Edwards House|Descriptive|Image Source (Pub)|||||||Ella Mae Edwards House|0|||||0||||0|||||African American|American|||||North and Central America||United States||||||0|Alabama|||11035||||0||||0|Architecture|House||||20||||||||||||0||||0||||||||||||||||||||||||||||||||Cornell||JNK|JNK|11/21/2006 0:00:00|11/21/2006 0:00:00||AL||0||||||Edw|B|||||B1|7.5||||||||||Work|0||||||||||||0|0|| 8356.00|0|Architect|03|MA-Venturi|6.2| 1979 Best||MA-Venturi 6.2 1979 Best |Best Products Catalog Showroom|Preferred|Artist|||||||Best Products Catalog Showroom|29230|Venturi, Rauch, and Scott Brown||architectural firm|Venturi, Rauch, and Scott Brown|0||||0|||||American|||Postmodern|||North and Central America||United States||||||0|Langhorne, PA|||11043||||0||||0|Architecture|Store||||20|||1978|1978||1978|1978-1978|||||0||||0||||||||||||||||||||||||||||||||Cornell||JNK|JNK|12/1/2006 0:00:00|12/1/2006 0:00:00|Venturi|||0||||||1979 Best|MA||||||6.2||||||||||Building|0|Modern Architecture|Located in the Oxford Valley Mall. Converted to Doctor and Dentis offices before 2006. Flower panels removed. 287 of them are preserved in various museum collections in the US. Bussel, "The Next Best Thing," at www.architectmagazine.com||||||||||0|0|Best Products Catalog Showroom|Venturi, Rauch, and Scott Brown 8357.00|0|Site|02|B-G1|Lon|4.4 NatGal||B-G1 Lon 4.4 NatGal |National Gallery|Assigned|Dict.Art|||||||National Gallery|12753|Wilkins, William||architect|William Wilkins|0||||0|||||English|||Greek Revival|||Europe||England||||||0|London, England|||10018||||0||||0|Architecture|Museum||||19|||1832|1838||1832-1838|1832-1838|||||0||||0||||||||||||||||||||||||||||||||Cornell||JNK|JNK|12/1/2006 0:00:00|12/1/2006 0:00:00||Lon||0||||||NatGal|B|||||G1|4.4||||||||||Building|0|Architecture-England|||||||||||0|0|National Gallery|Wilkins, William 8310.00|0|Creator|05|J-Weston|83|||J-Weston 83 |Winter Zero Swartzel's Bottle Farm. Ohio|Assigned|Image Source (Pub)|||||||Winter Zero Swartzel's Bottle Farm. Ohio|12646|Weston, Edward||photographer|Edward Weston|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Photographic print||||20|||1941|1941||1941|1941-1941|||||0||||0|||||Gelatin silver print||||||photography|gelatin silver process||||19.4 x 24.3 cm||4323|Lane (Barbara & Richard) Collection|: B.& R. Lane Coll.||Sculpture (visual work) ; Bottles ; |Sculpture (visual work)|Bottles||||||||Cornell||JNK|JNK|11/21/2006 0:00:00|11/21/2006 0:00:00|Weston|||0||||||83|J|||||||| ||||||||Work|0|Photography|||||||||||0|0|Winter Zero Swartzel's Bottle Farm. Ohio|Weston, Edward 8311.00|0|Architect|03|MA-TAC|4.2|1960/62 |Baghdad|MA-TAC 4.2 1960/62 Baghdad|Mosque|||||||||Baghdad University. Mosque|29143|Architects Collaborative, Inc.||architectural firm|Architects Collaborative, Inc.|4839|Gropius, Walter Adolf||architect|0|||||Iraqi|||Post-1945|||Asia||Iraq||||||0|Baghdad, Iraq|||11034||||0||||0|Architecture|Mosque|University|||20|||1960|1962||1960-1962|1960-1962||Baghdad University|||8293||||0||||||||||||||||||||||Universities ; Mosques ; |Universities|Mosques||||||||Cornell||GB|GB|11/21/2006 0:00:00|11/21/2006 0:00:00|TAC|||0|||||||MA||||||4.2|1960/62|||||||||Building|0|Modern Architecture|||||||||||0|0|Mosque|Architects Collaborative, Inc.;Gropius, Walter Adolf 8312.00|0|Architect|03|MA-TAC|4.2|1960/62 Baghdad||MA-TAC 4.2 1960/62 Baghdad |Administration Building|Assigned|Image Source (Pub)|||||||Baghdad. University. Administration Building|29143|Architects Collaborative, Inc.||architectural firm|Architects Collaborative, Inc.|4839|Gropius, Walter Adolf||architect|0|||||Iraq|||Post-1945|||Asia||iraq||||||0|Baghdad, Iraq|||11034||||0||||0|Architecture|||||20|||1960|1962||1960-1962|1960-1962||Baghdad University|||8293||||0||||||||||||||||||||||Universities ; |Universities|||||||||Cornell||GB|GB|11/21/2006 0:00:00|11/21/2006 0:00:00|TAC|||0||||||Baghdad|MA||||||4.2|1960/62|||||||||Building|0|Modern Architecture|||||||||||0|0|Administration Building|Architects Collaborative, Inc.;Gropius, Walter Adolf 8313.00|0|Architect|03|MA-Fuller|1.0|1957 "Pine"||MA-Fuller 1.0 1957 "Pine" |Student Project "Pine Cone"|Assigned|Image Source (Pub)|||||||Student Project "Pine Cone"|4213|Fuller, Buckminster||architect|Buckminster Fuller|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Architecture|||||20|||1957|1957||1957|1957-1957|||||0||||0||||||||||||||||||||||Domes ; Plans (drawings) ; Geodesic domes ; |Domes|Plans (drawings)|Geodesic domes|||||||Cornell||GB|GB|11/21/2006 0:00:00|11/21/2006 0:00:00|Fuller|||0||||||"Pine"|MA||||||1.0|1957|||||||||Work|0|Modern Architecture|||||||||||0|0|Student Project "Pine Cone"|Fuller, Buckminster 8314.00|0|Architect|03|MA-Fuller|1.0|1957 "Pine"||MA-Fuller 1.0 1957 "Pine" |Whispering Gallery Effect|Inscribed|Artist|||||||Student Project "Pine Cone." Whispering Gallery Effect|4213|Fuller, Buckminster||architect|Buckminster Fuller|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Architecture|||||20|||1957|1957||1957|1957-1957||Student Project "Pine Cone"|Series||8313||||0||||||||||||||||||||||Domes ; Geodesic domes ; Plans (drawings) ; |Domes|Geodesic domes|Plans (drawings)|||||||Cornell||GB|GB|11/21/2006 0:00:00|11/21/2006 0:00:00|Fuller|||0||||||"Pine"|MA||||||1.0|1957|||||||||Work|0|Modern Architecture|||||||||||0|0|Whispering Gallery Effect|Fuller, Buckminster 8315.00|0|Architect|03|MA-Fuller|1.0|1957 "Pine"||MA-Fuller 1.0 1957 "Pine" |Position at center of dome|Inscribed|Artist|||||||Student Project "Pine Cone." Position at center of dome|4213|Fuller, Buckminster||architect|Buckminster Fuller|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Architecture|||||20|||1957|1957||1957|1957-1957||Student Project "Pine Cone"|Series||8313||||0||||||||||||||||||||||Domes ; Geodesic domes ; Plans (drawings) ; |Domes|Geodesic domes|Plans (drawings)|||||||Cornell||GB|GB|11/21/2006 0:00:00|11/21/2006 0:00:00|Fuller|||0||||||"Pine"|MA||||||1.0|1957|||||||||Work|0|Modern Architecture|||||||||||0|0|Position at center of dome|Fuller, Buckminster 8316.00|0|Site|02|B-B41|New|2.41 Col||B-B41 New 2.41 Col |Colony House|Preferred|Dict.Art|Old Colony House|Popular|Image Source (Pub)||||Old Colony House|8318|Munday, Richard||architect|Richard Munday|0||||0|||||American|||Colonial|||North and Central America||United States||||||0|Newport, RI|||10907||||0||||0|Architecture|Public building|Courthouse|Government office building||18|||1739|1741||1739-1741|1739-1741|||||0||||0||||||||||||||||||||||||||||||||Cornell||JNK|||11/30/2006 0:00:00||New||0||||||Col|B|||||B41|2.41||||||||||Building|0|Architecture-Rhode Island (RI)|||||||||||0|0|Colony House;Old Colony House|Munday, Richard 8317.00|0|Site|02|B-B22|Bos|7.5 Han||B-B22 Bos 7.5 Han |Thomas Hancock House|Preferred|Dict.Art|||||||Thomas Hancock House|8318|Munday, Richard||architect|Richard Munday|1221|Blanchard, Joshua||builder|0|||||American|||Colonial|||North and Central America||United States||||||0|Boston, MA|||10053||||0||||0|Architecture|House||||18|||1737|1740||1737-1740; demol. 1863|1737-1740|||||0||||0||||||||||||||||||||||||||||||||Cornell||JNK|||11/30/2006 0:00:00||Bos||0||||||Han|B|||||B22|7.5||||||||||Building|0|Architecture-Massachusetts (MA)||||Demolished in 1863.|||||||0|0|Thomas Hancock House|Munday, Richard;Blanchard, Joshua 8318.00|0|Site|02|B-B22|Lan|3.1 1stChr||B-B22 Lan 3.1 1stChr |Church of Christ|Preferred|Dict.Art|First Church of Christ|Popular|Image Source (Pub)|First Church of Christ Unitarian|Assigned|Repository|First Church of Christ|1748|Bulfinch, Charles||architect|Charles Bulfinch|0||||0|||||American|||Neoclassical|Federal||North and Central America||United States||||||0|Lancaster, MA|||11038||||0||||0|Architecture|Church||||19|||1816|1816||1816|1816-1816|||||0||||0||||||||||||||||||||||||||||||||Cornell||JNK|||11/30/2006 0:00:00||Lan||0||||||1stChr|B|||||B22|3.1||||||||||Building|0|Architecture-Massachusetts (MA)|||||||||||0|0|Church of Christ;First Church of Christ;First Church of Christ Unitarian|Bulfinch, Charles 8319.00|0|Site|02|B-G1|Lon|3.1 SMar||B-G1 Lon 3.1 SMar |St. Martin-in-the-Fields|Preferred|Dict.Art|||||||St. Martin-in-the-Fields|4449|Gibbs, James||architect|James Gibbs|0||||0|||||English|British||Neoclassical|||Europe||England|United Kingdom|||||0|London, England|||10018||||0||||0|Architecture|Church||||18|||1720|1726||1720-1726|1720-1726|||||0||||0||||||||||||||||||||||||||||||||Cornell||JNK|||11/30/2006 0:00:00||Lon||0||||||SMar|B|||||G1|3.1||||||||||Building|0|Architecture-England|||||||||||0|0|St. Martin-in-the-Fields|Gibbs, James 8335.00|0|Site|02|B-B33|NYC|2.31 1853/Cry|4b-2|B-B33 NYC 2.31 1853/Cry 4b-2|New York Crystal Palace: For the Exhibition of the Industry of All Nations|Inscribed|Artist|||||||New York Crystal Palace: For the Exhibition of the Industry of All Nations|27976|Currier & Ives||printing firm|Currier & Ives, Frances Flora Bond Palmer|31309|Palmer, Frances Flora Bond||lithographer|0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Prints|Lithograph||||19|||1853|1853||1853|1853-1853|||||0||||0| Currier & Ives : a catalogue raisonne´, compiled by Gale Research Company, 1984|4827|||Hand-colored lithograph||||||lithography|||||39.1 x 64.5 cm||||||Crystal Palace (New York, N.Y.) ; Exhibition buildings ; |Crystal Palace (New York, N.Y.)|Exhibition buildings||||||||Cornell||JNK|JNK|11/30/2006 0:00:00|11/28/2006 0:00:00||NYC||0||||||1853/Cry|B|||||B33|2.31||||||||||Building|0|Architecture-New York (NY)|||||||||||0|0|New York Crystal Palace: For the Exhibition of the Industry of All Nations|Currier & Ives;Palmer, Frances Flora Bond 8334.00|0|Site|02|B-C5|Haiti|7.5 Cai||B-C5 Haiti 7.5 Cai |Wattle and daub construction|Descriptive|Cataloger||||||||0|||||0||||0|||||||||||North and Central America||Haiti||||||0||||||||0||||0|Architecture|||||||||||||||||0||||0||||||sticks|mud|||||||||||||||Vernacular architecture ; Sticks ; |Vernacular architecture|Sticks||||||||Cornell||GB|GB|11/28/2006 0:00:00|11/28/2006 0:00:00||||0||||||Cai|B|||||C5|7.5||||||||||Work|0|Architecture-Haiti|||||||||||0|0|Wattle and daub construction| 8336.00|0|Site|02|B-S2|Kyo|7.1 Kat||B-S2 Kyo 7.1 Kat |Katsura Detached Palace|Preferred|Dict.Art|Katsura Imperial Villa|Variant|Print Publication||||Katsura Detached Palace|0|||||0||||0|||||Japanese|||Edo (Japanese period)|||Asia||Japan||||||0|Kyoto, Japan|Near||10319||||0||||0|Architecture|Palace|Garden|||17|||1616|1663|ca|ca 1616-1663|ca 1616-1663|||||||||0||||||||||||||||||||||Palaces ; Teahouses ; Porches ; Gardens ; |Palaces|Teahouses|Porches|Gardens||||||Cornell||GB|GB|11/29/2006 0:00:00|11/29/2006 0:00:00||Kyo||0||||||Kat|B|||||S2|7.1||||||||||Building|0|Architecture-Japan|The Palace is comprised of 3 main buildings: 1. Old Shoin c. 1616 2. Middle Shoin c. 1641 3. New Palace c. 1654–1655 and c. 1663 (Grove Dict. Art)||||||||The palace was enlarged over 4 decades by 3 generations of the Hachijonomiya family.||0|0|Katsura Detached Palace;Katsura Imperial Villa| 8337.00|0|Site|02|B-S2|Kyo|7.1 Kat||B-S2 Kyo 7.1 Kat |Old Shoin|Assigned|Dict.Art|||||||Katsura Detached Palace. Old Shoin|0|||||0||||0|||||Japanese|||Edo (Japanese period)|||Asia||Japan||||||0|Kyoto, Japan|Near||10319||||0||||0|Architecture|Palace|Garden|||17|||1616||ca|ca 1616|ca 1616||Katsura Detached Palace|||8336||||0||||||||||||||||||||||Palaces ; Teahouses ; Gardens ; |Palaces|Teahouses|Gardens|||||||Cornell||GB|GB|11/29/2006 0:00:00|11/29/2006 0:00:00||Kyo||0||||||Kat|B|||||S2|7.1||||||||||Building|0|Architecture-Japan|First begun in 1616, the palace was enlarged over 4 decades by 3 generations of the Hachijonomiya family (Grove Dict. Art).||||||||||0|0|Old Shoin| 8338.00|0|Creator|15|35|L699-PA|1963|3|35 L699-PA 1963 3|Hot Dog|Assigned|Artist|||||||Hot Dog|7058|Lichtenstein, Roy||painter|Roy Lichtenstein|0||||0|||||American|||Pop|||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting|Oil painting|||20|||1963|1963||1963|1963-1963|||||0||||0|||||Oil on canvas|oil paint|canvas||||painting (image-making)|||||57.1 x 92.1 cm||9765|Paris: René de Montaigu Collection|Paris: René de Montaigu Collection||Frankfurters ; |Frankfurters|||||||||Cornell||JNK|JNK|11/29/2006 0:00:00|11/29/2006 0:00:00|L699|||0||||||1963|35|PA||||||| ||||||||Work|0||||||||||||0|0|Hot Dog|Lichtenstein, Roy 8339.00|0|Architect|02|MA-|Wright|7.5 Pap|1955|MA- Wright 7.5 Pap 1955|T. A. Pappas House|Assigned|Image Source (Pub)||||||||12943|Wright, Frank Lloyd||architect|Frank Lloyd Wright|0||||0|||||American|||Post-1945|||North and Central America||United States||||||0|Saint Louis, MO|Near||10092||||0||||0|Architecture|House||||20|||1955|1955||1955|1955-1955|||||0||||0||||||cement||||||||||||||||Usonian houses ; |Usonian houses|||||||||Cornell||GB|GB|11/29/2006 0:00:00|11/29/2006 0:00:00|Wright|||0||||||Pap|MA||||||7.5|1955|||||||||Building|0|Modern Architecture-|||||||||||0|0|T. A. Pappas House|Wright, Frank Lloyd 8340.00|0|Creator|15|35|S824-PA|C785||35 S824-PA C785 |Ophir|Assigned|Image Source (Pub)|||||||Ophir|11312|Stella, Frank||painter|Frank Stella|0||||0|||||American|||Abstract|||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting||||20|||1960|1961||1960-1961|1960-1961|||||0||||0|||||Copper oil paint on canvas|oil paint|canvas||||painting (image-making)|||||250.2 x 210.2 cm||3424|New York: Private Collection|New York: Private Coll.||||||||||||Cornell||JNK|JNK|11/29/2006 0:00:00|11/29/2006 0:00:00|S824|||0||||||C785|35|PA||||||| ||||||||Work|0||||||||||||0|0|Ophir|Stella, Frank 8341.00|0|Architect|02|MA-|Wright|1.04 BroCit|1934|MA-Wright 1.04 1934 BroCit|Broadacre City|Preferred|Dict.Art|||||||Broadacre City|12943|Wright, Frank Lloyd||architect|Frank Lloyd Wright|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Architecture|Model (representation)|Municipal plan|||20|||1933|1934||1933-1934|1933-1934|||||0||||0||||||||||||||||||||||Urban planning ; Urban sprawl ; Models (representations) ; |Urban planning|Urban sprawl|Models (representations)|||||||Cornell||GB|MNW|12/5/2006 0:00:00|11/29/2006 0:00:00|Wright|||0||||||BroCit|MA||||||1.04|1934|||||||||Work|0|Modern Architecture-|Broadacre City was an urban model created at Taliesin in 1933. It demonstrated Wright’s concept of a decentralized, low-density, self-sufficient community, based on humanistic and organic values. DOA.||||||||||0|0|Broadacre City|Wright, Frank Lloyd 8342.00|0|Architect|02|MA-|Wright|1.0 Port||MA- Wright 1.0 Port |Portrait of Frank Lloyd Wright|Descriptive|Cataloger|||||||Portrait of Frank Lloyd Wright|0|||||0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Photographs|Portrait||||20||||||||||||0||||0||||||||||||||||||||||Wright, Frank Lloyd, 1867-1959 ; |Wright, Frank Lloyd, 1867-1959|||||||||Cornell||GB|GB|11/29/2006 0:00:00|11/29/2006 0:00:00|Wright|||0||||||Port|MA||||||1.0||||||||||Work|0|Modern Architecture-|||||||||||0|0|Portrait of Frank Lloyd Wright| 8343.00|0|Architect|02|O-|Archigram| ||O-Archigram|Walking Cities|Assigned|Dict.Art|Cities: Moving|Inscribed|Artist|Walking City|Variant|Image Source (Pub)|Walking Cities|5355|Herron, Ron||architect|Ron Herron|27622|Archigram||firm|0|||||British|English||Post-1945|||Europe||United Kingdom|England|||||0||||0||||0||||0|Architecture|||||20|||1964|1964||1964|1964-1964|||||0||||0|||||||||||architectural drawing|||||||||||Urban planning ; Spacecraft ; Cities ; Architectural theory ; |Urban planning|Spacecraft|Cities|Architectural theory||||||Cornell||GB|GB|11/29/2006 0:00:00|11/29/2006 0:00:00|Archigram|||0|||||||O|||||||1964|||||||||Work|0|Theory-|||||||||||0|0|Walking Cities;Cities: Moving;Walking City|Herron, Ron;Archigram 8344.00|0|Architect|02|O-|Archigram| ||O-Archigram|Typographie as part of pictorial image|Assigned|Image Source (Pub)||||||||2563|Cook, Peter||architect|Peter Cook|27622|Archigram||firm|0|||||British|English|||||Europe||United Kingdom|England|||||0||||0||||0||||0|Architecture|Drawing||||20|||1964|1964||1964|1964-1964|||||0||||0|||||||||||architectural drawing|||||||||||||||||||||Cornell||GB|GB|11/30/2006 0:00:00|11/30/2006 0:00:00|Archigram|||0|||||||O||||||||||||||||Work|0|Theory-|||||||||||0|0|Typographie as part of pictorial image|Cook, Peter;Archigram 8345.00|0|Creator|15|35|S357-PA|S138||35 S357-PA S138 |St. Francis in Ecstasy|Assigned|Image Source (Pub)|||||||St. Francis in Ecstasy|10559|Schnabel, Julian||painter|Julian Schnabel|0||||0|||||American||||||North and Central America||United States||||||0||||0||||0||||0|Paintings|Painting||||20|||1980|1980||1980|1980-1980|||||0||||0|||||Oil, plates, bondo on wood|oil paint|wood (plant material)||||painting (image-making)|||||244 x 213 cm||3469|New York: Pace Gallery|New York: Pace Gallery||Saint Francis ; Antler ; Boy with Basket of Fruit (by Michelangelo Caravaggio) ; |Saint Francis|Antler|Boy with Basket of Fruit (by Michelangelo Caravaggio)|||||||Cornell||JNK|JNK|11/30/2006 0:00:00|11/30/2006 0:00:00|S357|||0||||||S138|35|PA||||||| ||||||||Work|0||||||||||||0|0|St. Francis in Ecstasy|Schnabel, Julian 8346.00|0|Architect|03|MA-SITE|6.2| 1975 Best/Ind||MA-SITE 6.2 1975 Best/Ind |Indeterminate Façade|Assigned|Dict.Art|||||||Best Products. Indeterminate Façade|29038|SITE||architectural firm|SITE|0||||0|||||American|||Postmodern|||North and Central America||United States||||||0|Houston, TX|||11042||||0||||0|Architecture|Store||||20|||1974|1975||1974-1975|1974-1975||Best Products|Larger entity||880||||0||||||||||||||||||||||||||||||||Cornell||JNK|JNK|11/30/2006 0:00:00|11/30/2006 0:00:00|SITE|Hou||0||||||1975 Best/Ind|MA||||||6.2||||||||||Building|0|Modern Architecture|||||||||||0|0|Indeterminate Façade|SITE 8347.00|0|Creator|02|B-B33|NYC|6.1 HarBr||B-B33 NYC 6.1 HarBr |Harper and Brothers Building|Assigned|Image Source (Pub)|||||||Harper and Brothers Building|1307|Bogardus, James||architect|James Bogardus|0||||0|||||American||||||North and Central America||United States||||||0|New York, NY|||10060||||0||||0|Paintings|Watercolor|||||||1854|1854||1854|1854-1854|||||0||||0|||||||||||painting (image-making)|||||55.8 x 71.12 cm||||||Cast iron ; Streetscapes ; Horses ; Carriages ; Dogs ; Omnibuses ; |Cast iron|Streetscapes|Horses|Carriages|Dogs|Omnibuses||||Cornell||GB|GB|12/1/2006 0:00:00|12/1/2006 0:00:00||NYC||0||||||HarBr|B|||||B33|6.1|| ||||||||Work|0|Architecture-New York (NY)|||||||||||0|0|Harper and Brothers Building|Bogardus, James 8350.00|0|Site|02|B-Q14|Ang|1.04 ||B-Q14 Ang 1.04 |Angkor|||||||||Angkor|0|||||0||||0|||||Cambodian|||Classical Angkor|Angkorean||||Cambodia||||||0|Angkor, Cambodia|||10027||||0||||0|Architecture|City|Temple|||9|15|||||||||||0||||0||||||||||||||||||||||||||||||||Cornell||GB|GB|12/1/2006 0:00:00|12/1/2006 0:00:00||Ang||0|||||||B|||||Q14|1.04||||||||||Work|0|Architecture-Cambodia|Site in northern Cambodia near the modern town of Siem Reap. Location of most of the capital cities founded by the rulers of the Khmer realm from 9th - 15th centuries A.D. (Source: Grove Dict. Art).||||||||||0|0|Angkor| 8348.00|0|Architect|03|MA-Venturi|1.0| 1977C&C||MA-Venturi 1.0 1977C&C |Complexity and Contradiction in Architecture|Inscribed|Artist|||||||Complexity and Contradiction in Architecture|12233|Venturi, Robert||architect|Robert Venturi|0||||0|||||American|||Postmodern|||North and Central America||United States||||||0||||0||||0||||0|Publications|Book||||20|||1977|1977||1977|1977-1977|||||0||||0||||||||||||||||||||||Buildings ; Architectural theory ; |Buildings|Architectural theory||||||||Cornell||JNK|JNK|12/1/2006 0:00:00|12/1/2006 0:00:00|Venturi|||0||||||1977C&C|MA||||||1.0||||||||||Work|0|Modern Architecture|||||||||||0|0|Complexity and Contradiction in Architecture|Venturi, Robert 8349.00|0|Architect|03|MA-Venturi|1.0| 1977C&C|59|MA-Venturi 1.0 1977C&C 59|Page 59: Vanbrugh; Jasper Johns; Church of the Holy Sepulchre|Descriptive|Cataloger|||||||Complexity and Contradiction in Architecture. Page 59: Vanbrugh; Jasper Johns; Church of the Holy Sepulchre|12233|Venturi, Robert||architect|Robert Venturi|0||||0|||||American|||Postmodern|||North and Central America||United States||||||0||||0||||0||||0|Publications|Book||||20|||1977|1977||1977|1977-1977||Complexity and Contradiction in Architecture|Larger entity||8348||||0||||||||||||||||||||||Flags ; Painting (image making) ; Churches ; Plans (drawings) ; |Flags|Painting (image making)|Churches|Plans (drawings)||||||Cornell||JNK|JNK|12/1/2006 0:00:00|12/1/2006 0:00:00|Venturi|||0||||||1977C&C|MA||||||1.0||||||||||Work|0||||||||||||0|0|Page 59: Vanbrugh; Jasper Johns; Church of the Holy Sepulchre|Venturi, Robert 8351.00|0|Architect|03|MA-Venturi|1.0| 1972 Las||MA-Venturi 1.0 1972 Las |Learning from Las Vegas|Inscribed|Artist|||||||Learning from Las Vegas|12233|Venturi, Robert||author|Robert Venturi|10692|Scott Brown, Denise||author|5848|Izenour, Steven||author||American|||Postmodern|||North and Central America||United States||||||0||||0||||0||||0|Publications|Book||||20|||1972|1972||1972-1972|1972-1972|||||0||||0||||||||||||||||||||||Architectural theory ; Buildings ; |Architectural theory|Buildings||||||||Cornell||JNK|JNK|12/1/2006 0:00:00|12/1/2006 0:00:00|Venturi|||0||||||1972 Las|MA||||||1.0||||||||||Work|0|Modern Architecture|||||||||||0|0|Learning from Las Vegas|Venturi, Robert;Scott Brown, Denise;Izenour, Steven 8352.00|0|Architect|03|MA-Venturi|1.0| 1972 Las/PartI||MA-Venturi 1.0 1972 Las/PartI |Part I: Page 54-55: Las Vegas signs and buildings|Descriptive|Image Source (Pub)|||||||Learning from Las Vegas. Part I: Page 54-55: Las Vegas signs and buildings|12233|Venturi, Robert||architect|Robert Venturi|10692|Scott Brown, Denise||author|5848|Izenour, Steven||author||American|||Postmodern|||North and Central America||United States||||||0||||0||||0||||0|Publications|Book||||20|||1972|1972||1972-1972|1972-1972||Learning from Las Vegas|Larger entity||8351||||0||||||||||||||||||||||buildings ; Casinos ; Las Vegas (NV) ; Skyscrapers ; Signs ; |buildings|Casinos|Las Vegas (NV)|Skyscrapers|Signs|||||Cornell||JNK|JNK|12/1/2006 0:00:00|12/1/2006 0:00:00|Venturi|||0||||||1972 Las/PartI|MA||||||1.0||||||||||Work|0|Modern Architecture|||||||||||0|0|Part I: Page 54-55: Las Vegas signs and buildings|Venturi, Robert;Scott Brown, Denise;Izenour, Steven 8359.00|0|Site|02|B-Q14|Ang|3.4 AngW/Entr||B-Q14 Ang 3.4 AngW/Entr |Entrance Pavillion|Assigned|Dict.Art|||||||Angkor Wat. Entrance Pavillion|0|||||0||||0|||||Cambodian|Angkorean||Classical Angkor|||||Cambodia||||||0|Angkor, Cambodia|||10027||||0||||0|Architecture|Temple|Pyramid (tomb)|||12|||1100|1150||1st Half of 12th Century|1100-1150||Angkor Wat|LargerEntity||552||||0||||||||||||||||||||||||||||||||Cornell||GB|GB|12/1/2006 0:00:00|12/1/2006 0:00:00||Ang||0||||||AngW/Entr|B|||||Q14|3.4||||||||||Work|0|Architecture-Cambodia|||||||||||0|0|Entrance Pavillion| 8360.00|0|Site|02|B-Q14|Ang|3.4 AngW/Gal||B-Q14 Ang 3.4 AngW/Gal |Gallery|Assigned|Dict.Art|||||||Angkor Wat. Gallery|0|||||0||||0|||||Cambodian|Angkorean||Classical Angkor|||||Cambodia||||||0|Angkor, Cambodia|||10027||||0||||0|Architecture|||||12|||1100|1150||1st Half of 12th Century|1100-1150||Angkor Wat|LargerEntity||552||||0||||||||||||||||||||||||||||||||Cornell||GB|GB|12/1/2006 0:00:00|12/1/2006 0:00:00||Ang||0||||||AngW/Gal|B|||||Q14|3.4||||||||||Work|0|Architecture-Cambodia|||||||||||0|0|Gallery| 8353.00|0||||||||||||||||||0|||||0||||0|||||||||||||||||||0||||0||||0||||0||||||||||||||||||0||||0||||||||||||||||||||||||||||||||||HB|||12/1/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|| 8354.00|0|Site|02|B-Q14|Ang|3.4 PhnBak||B-Q14 Ang 3.4 PhnBak |Phnom Bakheng|Assigned|Dict.Art|||||||Angkor. Phnom Bakheng|0|||||0||||0|||||Cambodian|||Classical Angkor|Angkorean||||Cambodia||||||0|Angkor, Cambodia|||10027||||0||||0|Architecture|Temple|Pyramid (tomb)|Shrine|CE|9|10||889|900||889-900|889-900||Angkor|||8350||||0||||||sandstone||||||||||||||||||||||||||Cornell||GB|GB|12/1/2006 0:00:00|12/1/2006 0:00:00||Ang||0||||||PhnBak|B|||||Q14|3.4||||||||||Work|0|Architecture-Cambodia|Temple built by King Yashovarman I and dedicated to the worship of Shiva (Source: Grove Dict. Art).||||||||||0|0|Phnom Bakheng| 8358.00|0|Architect|03|MA-Venturi|4.4| 1988 NatGal/Sai||MA-Venturi 4.4 1988 NatGal/Sai |Sainsbury Wing|Assigned|Dict.Art|||||||National Gallery. Sainsbury Wing|29228|Venturi and Rauch||architectural firm|Venturi and Rauch|0||||0|||||American|English||Postmodern|||Europe||England||||||0|London, England|||10018||||0||||0|Architecture|Museum||||20|||1988|1991||1988-1991|1988-1991||National Gallery|Larger entity||8357||||0||||||||||||||||||||||||||||||||Cornell||JNK|JNK|12/1/2006 0:00:00|12/1/2006 0:00:00|Venturi|||0||||||1988 NatGal/Sai|MA||||||4.4||||||||||Building|0|Modern Architecture|||||||||||0|0|Sainsbury Wing|Venturi and Rauch 8355.00|0|Site|02||||||Fatehpur Sikri|Assigned|Print Publication||||||||0|||||0||||0|||||Indian|||Mughal|||Asia||India||||||0|Fatehpur Sikri, India|||10590||||0||||0|Architecture|Complex|Palace|||16|||1550|1600|ca|Second half of the 16th Century|ca 1550-1600|||||0||||0||||||||||||||||||||||||||||||||Cornell||HB|HB|12/4/2006 0:00:00|12/1/2006 0:00:00||FatSik||0|||||||||||||||||||||||Work|0||Built by Akbar (1542-1605, reign 1556-1605). MacDougall DB.||||||||||0|0|Fatehpur Sikri| 8361.00|0|Site|02|B-Q14|Ang|3.4 AngW||B-Q14 Ang 3.4 AngW |Voyage au Camboge; L'Architecture Khmere|Inscribed|Artist|||||||Voyage au Camboge; L'Architecture Khmere|31311|Delaporte, Louis||artist|Louis Delaporte|0||||0|||||French||||||Europe||France||||||0||||||||0||||0|Publications|Book||||19|||1880|1880||1880|1880-1880|||||0||||0|||||||||||printmaking|||||||||||Angkor Wat ; Cambodia ; Travel guidebooks ; Angkorean ; |Angkor Wat|Cambodia|Travel guidebooks|Angkorean||||||Cornell||GB|GB|12/4/2006 0:00:00|12/4/2006 0:00:00||||0||||||AngW|B|||||Q14|3.4|1880|||||||||Work|0|Architecture-Cambodia|||||||||||0|0|Voyage au Camboge; L'Architecture Khmere|Delaporte, Louis 8362.00|0|Site|02||||||Khwabgah|Assigned|Print Publication||||||||0|||||0||||0|||||Indian|||Mughal|||Asia||India||||||0|Fatehpur Sikri, India|||10590||||0||||0|Architecture|Palace|||CE|16|||1550|1600|ca|2nd half of 16th Century|ca 1550-1600||Akbar's Palace|LargerEntity||8363||||0||||||||||||||||||||||Palaces ; |Palaces|||||||||Cornell||HB|HB|12/4/2006 0:00:00|12/4/2006 0:00:00||FatSik||0|||||||||||||||||||||||Building|0||Rooms used by the emperor for relaxation during the day. Dates: second half of the 16th C., probably 1568-1583. Built by Akbar (1542-1605, reign 1556-1605) .|MacDougal Db.|||||||||0|0|Khwabgah| 8363.00|0|Site|02||||||Akbar's Palace|Assigned|Print Publication||||||||0|||||0||||0|||||Indian|||Mughal|||Asia||India||||||0|Fatehpur Sikri, India|||10590||||0||||0|Architecture|Palace||||16|||1568|1583|ca|2nd half of 16th Centiry|ca 1568-1583||Fatehpur Sikri|LargerEntity||8355||||0||||||||||||||||||||||Palaces ; |Palaces|||||||||Cornell||HB|HB|12/4/2006 0:00:00|12/4/2006 0:00:00||FatSik||0|||||||||||||||||||||||Building|0||Comprises the emperor's quarters and the administrative wing of Fatehpur. Dates: second half of the 16th C., probably 1568-1583. Built by Akbar (1542-1605, reign 1556-1605) .|MacDougal Db.|||||||||0|0|Akbar's Palace| 8364.00|0|Site|02||||||Turkish Sultana's House|Assigned|Print Publication|||||||Turkish Sultana's House|0|||||0||||0|||||Indian|||Mughal|||Asia||India||||||0|Fatehpur Sikri, India|||10590||||0||||0|Architecture|House||||16|||1568|1583|ca|2nd half of 16th Centiry|ca 1568-1583||Akbar's Palace|||8363||||0||||||||||||||||||||||Palaces ; |Palaces|||||||||Cornell||HB|HB|12/4/2006 0:00:00|12/4/2006 0:00:00||FatSik||0|||||||||||||||||||||||Building|0||Precise function is debatable; could have been the residence of the emperor's Turkish wife. Dates: second half of the 16th C., probably 1568-1583. Built by Akbar (1542-1605, reign 1556-1605) .|MacDougal Db.|||||||||0|0|Turkish Sultana's House| 8365.00|0|Site|02||||||Panch Mahal|Assigned|Print Publication||||||||0|||||0||||0|||||Indian|||Mughal|||Asia||India||||||0|Fatehpur Sikri, India|||10590||||0||||0|Architecture|Palace||||16|||1568|1583|ca|2nd half of 16th Centiry|ca 1568-1583||Akbar's Palace|||8363||||0||||||||||||||||||||||Palaces ; Gardens ; Columns (architectural elements) ; Chhatri ; Cloisters ; Domes ; Courtyards ; |Palaces|Gardens|Columns (architectural elements)|Chhatri|Cloisters|Domes|Courtyards|||Cornell||HB|HB|12/4/2006 0:00:00|12/4/2006 0:00:00||FatSik||0|||||||||||||||||||||||Building|0||Five-story palace. Specific uses of the pavilion debated; probably used for recreation by the royal ladies. Dates: second half of the 16th C., probably 1568-1583. Built by Akbar (1542-1605, reign 1556-1605) .|MacDougal Db.|||||||||0|0|Panch Mahal| 8367.00|0|Site|02||| |||Diwan-i-khas|Assigned|Print Publication||||||||0|||||0||||0|||||Indian|||Mughal|||Asia||India||||||0|Fatehpur Sikri, India|||10590||||0||||0|Architecture|Palace||||16|||1550|1600|ca|2nd half of 16th Centiry|ca 1550-1600||Akbar's Palace|||8363||||0||||||||||||||||||||||Palaces ; Pillars ; Thrones ; Chhatri ; Columns (architectural elements) ; |Palaces|Pillars|Thrones|Chhatri|Columns (architectural elements)|||||Cornell||HB|HB|12/4/2006 0:00:00|12/4/2006 0:00:00||FatSik||0|||||||||||||||||||||||Building|0||The hall of private audience with the ornately detailed ekasthambha (central pillar) on which stood the emperor's throne. Dates: second half of the 16th C., probably 1568-1583. Built by Akbar (1542-1605, reign 1556-1605) .|MacDougal Db.|||||||||0|0|Diwan-i-khas| 8366.00|0|Site|02|B-Q14|Ang|3.4 AngW||B-Q14 Ang 3.4 AngW |Angkor Vhat, Vue resitutée|Inscribed|Artist|Angkor Wat, Restored View|Translated|Cataloger||||Voyage au Camboge; L'Architecture Khmere. Angkor Vhat, Vue resitutée|31311|Delaporte, Louis||artist|Louis Delaporte|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Prints|Illustration||||19|||1880|1880||1880|1880-1880||Voyage au Camboge; L'Architecture Khmere|LargerEntity||8361||||0|||||||||||printmaking|||||||||||Angkor Wat ; Cambodia ; Angkorean ; Elephants ; Processions ; Gopuras ; Spears (weapons) ; |Angkor Wat|Cambodia|Angkorean|Elephants|Processions|Gopuras|Spears (weapons)|||Cornell||GB|GB|12/4/2006 0:00:00|12/4/2006 0:00:00||Ang||0||||||AngW|B|||||Q14|3.4||||||||||Work|0|Architecture-Cambodia|||||||||||0|0|Angkor Vhat, Vue resitutée;Angkor Wat, Restored View|Delaporte, Louis 8368.00|0|Site|02||||||Astrologer's Seat|Assigned|Print Publication|||||||Astrologer's Seat|0|||||0||||0|||||Indian|||Mughal|||Asia||India||||||0|Fatehpur Sikri, India|||10590||||0||||0|Architecture|Pagoda (building)||||16|||1550|1600|ca|2nd half of 16th Centiry|ca 1550-1600||Akbar's Palace|LargerEntity||8363||||0|||||Sandstone|sandstone||||||||||||||||Palaces ; Astrology ; |Palaces|Astrology||||||||Cornell||HB|HB|12/4/2006 0:00:00|12/4/2006 0:00:00||FatSik||0|||||||||||||||||||||||Building|0||||||||||||0|0|Astrologer's Seat| 8369.00|0|Site|02||||||Ankh Michauli|Assigned|Print Publication||||||||0|||||0||||0|||||Indian|||Mughal|||Asia||India||||||0|Fatehpur Sikri, India|||10590||||0||||0|Architecture|Palace||||16|||1568|1583|ca|2nd half of 16th Centiry|ca 1568-1583||Akbar's Palace|Larger entity||8363||||0|||||Sandstone|sandstone||||||||||||||||Palaces ; Money ; Coins ; |Palaces|Money|Coins|||||||Cornell||HB|HB|12/4/2006 0:00:00|12/4/2006 0:00:00||FatSik||0|||||||||||||||||||||||Building|0||The royal treasury. Dates: second half of the 16th C., probably 1568-1583. Built by Akbar (1542-1605, reign 1556-1605) .|MacDougal Db|||||||||0|0|Ankh Michauli| 8370.00|0|Site|02||||||Mariam's House|Assigned|Print Publication|Sunahra Makan|Assigned|Print Publication|Golden House|Assigned|Print Publication||0|||||0||||0|||||Indian|||Mughal|||Asia||India||||||0|Fatehpur Sikri, India|||10590||||0||||0|Architecture|House||||16|||1550|1600|ca|2nd half of 16th Centiry|ca 1550-1600||Akbar's Palace|||8363||||0||||||||||||||||||||||Houses ; Domes ; Chhatri ; |Houses|Domes|Chhatri|||||||Cornell||HB|HB|12/4/2006 0:00:00|12/4/2006 0:00:00||FatSik||0|||||||||||||||||||||||Building|0||House was used by Akbar's ,ptjer, Mariam Makani. Richly decorated with gold and paintings|MacDougal|||||||||0|0|Mariam's House;Sunahra Makan;Golden House| 8371.00|0|Site|02|B-Q14|Cam|1.0 LeCam||B-Q14 Cam 1.0 LeCam |Le Cambodge|Inscribed|Artist|||||||Le Cambodge|1333|Boisselier, Jean||author|Jean Boisselier|0||||0|||||French||||||Europe||France||||||0||||0||||0||||0|Publications|Book||||20|||1966|||1966|1966|||||0||||0||||||||||||||||||||||Cambodia ; Angkor Wat ; Angkorean ; Architectural theory ; |Cambodia|Angkor Wat|Angkorean|Architectural theory||||||Cornell||GB|GB|12/4/2006 0:00:00|12/4/2006 0:00:00||Cam||0||||||LeCam|B|||||Q14|1.0||||||||||Work|0|Architecture-Cambodia|||||||||||0|0|Le Cambodge|Boisselier, Jean 8372.00|0|Architect|02||||||Ghantai Temple|Assigned|Print Publication|||||||Ghantai Temple|0|||||0||||0|||||Indian||||||Asia||India||||||0|Khajraho, India|Near||11019||||0||||0|Architecture|Temple||||12|||1100|1200|ca|ca 1100-1200|ca 1100-1200|||||0||||0||||||||||||||||||||||Chains (object genres) ; Bells ; Temples ; |Chains (object genres)|Bells|Temples|||||||Cornell||HB|HB|12/4/2006 0:00:00|12/4/2006 0:00:00||||0|||||||||||||||||||||||Building|0||Jain Temple; dedicated to the Digambara sect. Dates: 12th C.|MacDougal Db.|||||||||0|0|Ghantai Temple| 8373.00|0|Site|02|B-H3|Flo|3.1 Stri ||B-H3 Flo 3.1 Stri |Santa Trînita|Assigned|Blue Guide|||||||Santa Trînita|8455|Neri di Fioravante||architect|Neri di Fioravante & Bernardo Buontalenti|1770|Buontalenti, Bernardo||architect|0|||||Florentine|Italian||Gothic (Medieval)|Baroque||Europe||Italy||||||0|Florence, Italy|||9985||||0||||0|Architecture|Church||||14|16||1350|1399||End of 14th C; 1593-94|1350-1399|||||0||||0||||||||||||||||||||||||||||||||Cornell||JNK|JNK|12/4/2006 0:00:00|12/4/2006 0:00:00||Flo||0|||||||B|||||H3|3.1 Stri||||||||||Building|0|Architecture-Italy||||Façade added by Buontalenti in 1593-1594.|||||||0|0|Santa Trînita|Neri di Fioravante;Buontalenti, Bernardo 8374.00|0|Site|02|B-H3|Rom|3.1 SCarQF|1-6|B-H3 Rom 3.1 SCarQF 1-6|Plan for San Carlo alle Quattro Fontane|Descriptive|Cataloger|||||||Plan for San Carlo alle Quattro Fontane|1414|Borromini, Francesco||architect|Francesco Borromini|0||||0|||||Italian|||Baroque|||Europe||Italy||||||0||||0||||0||||0|Architecture|Architectural drawing||||17|||1638|1641||1638-1641|1638-1641|||||0||||0|||||||||||architectural drawing|||||||3660|Vienna: Graphische Sammlung Albertina|Vienna: Albertina||||||||||||Cornell||JNK|JNK|12/4/2006 0:00:00|12/4/2006 0:00:00||Rom||0||||||SCarQF|B|||||H3|3.1|| ||||||||Work|0|Architecture-Italy|||||||||||0|0|Plan for San Carlo alle Quattro Fontane|Borromini, Francesco 8375.00|0|Site|02|||||||Preferred|Dict.Art||Variant|Dict.Art||Variant|Dict.Art||0|||||0||||0|||||||||||||||||||0||||||||0||||0||||||||||||||||||0||||0||||||||||||||||||||||||||||||||Cornell||GB|GB|12/5/2006 0:00:00|12/4/2006 0:00:00||||0||||||||||||||||||||||||0||||||||||||0|0|| 8376.00|0||||||||Vatican Palace|Assigned|Blue Guide|Palazzo Vaticano|Original|Online Resource||||Vatican Palace|0|||||0||||0|||||Italian|||Medieval|Renaissance|Baroque|Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Palace||||13|16|20|1208|1973||1208-1973|1208-1973|||||0||||0||||||||||||||||||||||||||||||||Cornell||JNK|JNK|12/5/2006 0:00:00|12/5/2006 0:00:00||Rom||0||||||||||||||||||||||||0||||||||||||0|0|Vatican Palace;Palazzo Vaticano| 8377.00|0|Site|02|B-H3|Rom|3.1 Vat/SalaD||B-H3 Rom 3.1 Vat/SalaD |Sala Ducale|Assigned|Blue Guide|||||||Vatican Palace. Sala Ducale|1103|Bernini, Gian Lorenzo||architect|Gian Lorenzo Bernini & Paul Brill|13692|Brill, Paul||painter|0|||||Italian|||Baroque|||Europe||Italy||||||0|Rome, Italy|||10024||||0||||0|Architecture|Palace|Room|||17|||1660|1669||1660s|1660-1669||Vatican Palace|Larger entity||8376||||0||||||||||||||||||||||||||||||||Cornell||JNK|JNK|12/5/2006 0:00:00|12/5/2006 0:00:00||Rom||0||||||Vat/SalaD|B|||||H3|3.1||||||||||Building|0|Architecture-Italy|Decorated with landscapes by Paull Brill. Blue Guide.||||||||||0|0|Sala Ducale|Bernini, Gian Lorenzo;Brill, Paul 8378.00|0|Site|02|B-H3|Rom|3.1 SPet/P+C/Ber|4b-|B-H3 Rom 3.1 SPet/P+C/Ber 4b-|Piazza & colonnade superimposed on a human figure|Descriptive|Cataloger|||||||Piazza & colonnade superimposed on a human figure|1103|Bernini, Gian Lorenzo||architect|Gian Lorenzo Bernini|0||||0|||||Italian|||Baroque|||Europe||Italy||||||0||||0||||0||||0|Drawings|Drawing||||17|||1600|1699||17th C|1600-1699|||||0||||0||||||||||||||||||4303|Rome: Vatican; Biblioteca Vaticana|Rome: Vatican; Biblioteca||Basilica di San Pietro in Vaticano ; Colonnades ; Figures (representations) ; Piazzas ; |Basilica di San Pietro in Vaticano|Colonnades|Figures (representations)|Piazzas||||||Cornell||JNK|JNK|12/5/2006 0:00:00|12/5/2006 0:00:00||Rom||0||||||SPet/P+C/Ber|B|||||H3|3.1|| ||||||||Building|0|Architecture-Italy|||||||||||0|0|Piazza & colonnade superimposed on a human figure|Bernini, Gian Lorenzo